| SN | firstname. | surname. | Titels | year | Genre_de | durations | tracksZahl | Besetzung | comments | Labels | Studios. | Commission | Premiere_Datum | Premiere_Ort | Prize | Publisher_Edition | TUlib | Inventionen | URL_StudComp |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 33875 | CYberArts 2012 | 2012 | audiovisuell | Programm und Preise | Prix ars electronica 2012/ | 2012 | alles 2012 ars electronica | Hatje Cantz Verlag | 0 | ||||||||||
| 28332 | Funkausstellung 1932, Neobechstein, Hellertion, El. Orchester, Theremin, Martenot | 1932 | Lehre & Forschung | Funkausstellung 1932 mit Kommentaren von Leithäuser. Neo-Bechstein-p, Hellertion, Elektrisches orc, theremin, oma, mtr |
1932 | 0 | http://www.oskar-sala.de/oskar-sala-fonds/trautonium/rvs-trautonium/weiterentwicklung/ | ||||||||||||
| 37932 | Horizontal Radio | 1996 | radiophon | Netzmusik |
ORF 583583/ | ORF Kunstradio | 0 | |||||||||||||
| 22803 | Group, Veronica, Arnd | 440 Hertz, Kupzog, Sprung | Vom Winde zersägt, update city ozone vision dynamo Joe 1951 waterproof shock the fly slightly scratched Mrs. overdrive Cybermaria'n'jesus |
1996 | radiophon | fixed media, akusmatisch |
19:46 | WestPark Music Köln, WP 47011/ | 440 hertz | 1 | ||||||||||
| 1 | Group, Veronica, Arnd | 440 Hertz, Kupzog, Sprung | Zeitspiele, Wolferl 200 Ode an die Nachgeburten Gesang vom Bunkerblock Walhalla "Lebt der noch?" Purée De Medusa |
1991 | radiophon | 74:55 | ARIS 883 782-907/ | 440 hertz | WDR | 1 | |||||||||
| 38677 | Group, Patrick, Ulrich, Siegfried | 48nord, SCHIMANSKI, MÜLLER, RÖSSERT | Die Ankunft der schwachen Impulse | 2014 | radiophon | 52:00:00 | 0 | ||||||||||||
| 2 | Group | 8 | Oktabus I & II | 1969 | fixed media, akusmatisch | 46:35 | Stereo | Teil 1: 23:19 Teil 2: 23:15 |
HfMT Köln | 0 | |||||||||
| 4 | Svend | Aaquist Johansen | Skyggedanse | 1989 | live-elec, 1 group | 15:00 | Quadro | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 23798 | Juan Pablo | Abalo | El Milagro del Insectario | 2005 | live-elec, 2 perf | 12:05 | 2 vn [Violine] | Marzo 2005, Instituto Goethe. Santiago, Chile. | Marzo 2005 | Instituto Goethe. Santiago, Chile | 0 | ||||||||
| 38468 | Deena | ABDELWAHED | All Hail Mother Internet | 2016 | radiophon | 38:50:00 | 0 | ||||||||||||
| 5 | Kyoko | Abe | Metamorphose 1 | 1977 | Zuspiel / Tonband, 2 perf | 11:25 | Stereo | rec, hpd [Flöte, Cembalo] | ELAK Wien | 0 | |||||||||
| 6 | Kyoko, Mayako | Abe, Kubo | Welche Rolle spielt für sie elektronische Musik? | 1977 - 1978 | fixed media, akusmatisch | 8:30 | Stereo | ARP-synt | ELAK Wien | 0 | |||||||||
| 34703 | Arsalan | Abedian | "\a" | 2016 | fixed media, akusmatisch | 4:04:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 36883 | Arsalan | Abedian | All the requirements for becoming Werewolf! | 2014 | live-elec, 1 perf | ob [Oboe] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | |||||||||
| 36884 | Arsalan | Abedian | Autopsie | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 37785 | Arsalan | Abedian | CITStück | 2015 | live-elec, 1 perf | Stereo | fl, (elec) [Flöte] | Incontri HMTM Hannover | 13.02.2015 | Sparkassen-Forum hannover | 0 | ||||||||
| 31592 | Arsalan | Abedian | CStück Nr. 1 | 2012 | fixed media, akusmatisch | 7:00 | Octo | next_generation 5.0 | Incontri HMTM Hannover | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||
| 36882 | Arsalan | Abedian | CStück Nr. 1.1 | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 06.11.2014 | Kestnergesellschaft | 0 | |||||||||
| 34058 | Arsalan | Abedian | Cstück Nr.2 | 2015 | fixed media, akusmatisch | 5:04:00 | degem CD 13/ | 0 | |||||||||||
| 37801 | Arsalan | Abedian | Elektroakustische Szenen | 2016 | fixed media, akusmatisch | 10 Tracks | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | |||||||||
| 32510 | Arsalan | Abedian | FrühAkusmatikStück | 2013 | live-elec, 1 perf | 10:00-12:00 | Spazialisation: var 2-8 | perf (Küchengeräte und Live-Elektronik) [Performer] | Incontri HMTM Hannover | 3.6.2013 | HMTMH | 0 | |||||||
| 32515 | Arsalan | Abedian | Herrenhäuser Mosaike | 2013 | live-elec, 3 perf | 4:40 | Quadro | fl, cl, perc, (elec) [Flöte, Klarinette, Schlagzeug] | Incontri HMTM Hannover | KunsFestSpiele | 2.6.2013 | Herrenhäuser Gärten, Hannover | 0 | ||||||
| 37802 | Arsalan | Abedian | Hör_regi(e)_ON! | 2016 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 02.02.2016 | Hannover Congress Centrum | 0 | |||||||||
| 32521 | Arsalan | Abedian | Klänge der Plätze der Weltausstellung | 2013 | fixed media, akusmatisch | 10:00 | 16 Tracks | Incontri HMTM Hannover | Musik 21 Festival | 16.8.2013 | Platz der Weltausstellung, Hannover | 0 | |||||||
| 36877 | Arsalan | Abedian | Pain Killer | 2015 | fixed media, akusmatisch | Klangkunst, Installation |
Octo | for an installation of Lorna Mills | Incontri HMTM Hannover | 21.04.2015 | Kunstverein Hannover | 0 | ||||||||
| 37795 | Arsalan | Abedian | Painkiller 0.3.1 | 2016 | live-elec, 2 perf | Quadro | 2 santur, (elec) [Streicher] | Incontri HMTM Hannover | 05.11.2016 | Faust Warenannahme Hannover | 0 | ||||||||
| 7 | George | Abend | Organic Triangle | 1957 | fixed media, akusmatisch | 2:48 | Mono | PS C. SanFran | 0 | ||||||||||
| 8 | Peter | Abfal | Fugue…euguF | 1987 | fixed media, akusmatisch | 7:35 | Stereo | Brock Uni ON | 0 | ||||||||||
| 9 | Rob | Ablenas | fermata via media | 1990 | fixed media, akusmatisch | 21:25 | Stereo | SFU | 0 | ||||||||||
| 10 | Rob | Ablenas | How to get there | 1985 | fixed media, akusmatisch | 1:55 | Stereo | 0 | |||||||||||
| 11 | Rob | Ablenas | Line Lining | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 23100 | Peter | Ablinger | Instrumente und ElektroAkustisch Ortsbezogene Verdichtung, (Nerz und Campari) | 1998 | Klanginstallation, live-elec, 4 perf | 64:00 | a-sax, vc, fl, hn [Flöte, Saxophon, Horn, Cello] | Maria de Alvear World Edition 0008/ | IEM Graz | 1 | |||||||||
| 23340 | Peter | Ablinger | Red on Maroon | 1995/1999 | live-elec, 1 perf | 16:01 | fl [Flöte] | Kirsten Reese (fl), Thomas Seelig (com); 12.9.2003 Podewil | 1 | ||||||||||
| 28571 | Peter | Ablinger | Voices and Piano | 1998 - 2007 | Zuspiel / Tonband, 1 perf | 9:25 | Stereo | p [Piano] | WD 2007, Wittener Tage Für Neue Kammermusik 2007/ | Kompositionsuaftrag der Stadt Witten | 2007 | Wittener Tage für neue Kammermusik 2007 mit Nicolas Hodges (p) | 1 | ||||||
| 22866 | Peter | Ablinger | Weiss / Weisslich 12 | 1999 | Klangkunst, Installation | TU Berlin | 1 | ||||||||||||
| 19363 | Peter | Ablinger | Weiss / Weisslich 22a (Haydn, Mozart, Beethoven, Schubert, Bruckner, Mahler) | 1996 | fixed media, akusmatisch | 4:00 | GEM 9701/ | IEM Graz | 0 | ||||||||||
| 23016 | Peter | Ablinger | Weiss/weisslich (für Robert Ranke-Graves") 18A (Birke, Eberesche, Esche, Erle, Weide, Weißdorn, Eiche) 18B (Steineiche, Hasel, Wein, Efeu, Schlehe, Hollunder) 18C (Tanne, Ginster, Heide, Pappel, Eibe) |
1986 - 1997 | fixed media, akusmatisch | 12:00 | Stereo | Maria de Alvear World Edition 0008/ | TU Berlin, IEM Graz | 0 | |||||||||
| 12 | Peter | Ablinger | WEISS/WEISSLICH 15A und 15B (Installation und Hinweis) | 1995 | Klangkunst, Installation | ∞ | 20 Tracks | 5 rooms with 4 speakers | TU Berlin, IEM Graz | Steirischer Herbst | 5.10.1995 | Graz, Steirischer Hrbst | 0 | ||||||
| 38678 | Peter, Götz | ABLINGER, NALEPPA | Quadraturen-Annhäherungen an Peter Ablinger | 2005 | radiophon | 51:16:00 | 0 | ||||||||||||
| 31557 | Ludwig | Abraham | Live in Moscow 91 | 2012 | fixed media, akusmatisch | ≈ 9:00 | next_generation 5.0 | ICEM Essen | 0 | ||||||||||
| 13 | John | Abram | Nature Pieces | 1985 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 39249 | Juan Manuel | Abras | De coelesti hierarchia | 2002 | Zuspiel / Tonband, 3 perf, 1 group | male ch, vib, org, vc [Orgel, Schlagzeug, Cello, Chor] | 0 | ||||||||||||
| 39250 | Juan Manuel | Abras | Diálogos franciscano(n)s | 2012 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 39251 | Juan Manuel | Abras | Pentecostés (Veni Sancte Spiritus) | 2007 | Zuspiel / Tonband, 1 group | ch [Chor] | 0 | ||||||||||||
| 39252 | Juan Manuel | Abras | Pésame (Actus contritionis) | 2006 | Zuspiel / Tonband, 1 perf, 2 groups | narrator, ch, cham ens [Schauspieler, Ensemble, Chor] | 0 | ||||||||||||
| 39253 | Juan Manuel | Abras | Sitwa Raymi (Oración primera al Hacedor) | 2014 | Zuspiel / Tonband, 1 group | mix ch [Chor] | 0 | ||||||||||||
| 39254 | Juan Manuel | Abras | Un réquiem lorquiano, Balada de la placeta | 2009 | fixed media, akusmatisch | 4:20 | CLS 170901/ | 0 | |||||||||||
| 24683 | Matthew | Abrey | F5v.6 | 2003 | fixed media, akusmatisch | 5:20 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 40945 | Freida | Abtan | carnival lights | 2003 | fixed media, akusmatisch | 4:10 | 0 | ||||||||||||
| 40946 | Freida | Abtan | even small things break (into smaller things) | 2004 | fixed media, akusmatisch | 5:23 | JTTP 2005 | 0 | |||||||||||
| 40947 | Freida | Abtan | heartstrings | 2004 | fixed media, akusmatisch | 3:48 | 0 | ||||||||||||
| 40948 | Freida | Abtan | insignificant or worse | 2002 | fixed media, akusmatisch | 2 | DISContact! III competition | 0 | |||||||||||
| 24694 | Freida | Abtan | lightness (and weight) | 2004 | fixed media, akusmatisch | 6:40 | JTTP 2004 | CEC Cache 2004, PeP 009/ | Concordia Montreal | 0 | |||||||||
| 25815 | Vito | Acconci | Viraphone | 2004 | Klangkunst, Installation | "Itinerarios del Sonido“ in Madrid 2004 | 1 | ||||||||||||
| 27172 | Guillermo | Acevedo | Punto de Partida | 2002 | fixed media, akusmatisch | 7:54 | IRD 002 Irradia/ | 0 | |||||||||||
| 23341 | Isidor | Achron | Improvisation | 1945 | live-elec, 2 perf | 3:48 | theremin, p [Piano, synthesizer] | Lydia Kavina (Theremin), Joshua Pierce (p) | mode 76/ | 1 | http://www.moderecords.com/ | ||||||||
| 40280 | Taylor D. | Ackley | Fantasy for Buchla No. 1 | 2016 | fixed media, akusmatisch | Taylor D. Ackley | 0 | https://www.taylorackleymusic.com/more-music | |||||||||||
| 31884 | Rodolfo | Acosta | Cada día es un principio cada principio un final |
2007 | live-elec, 1 perf | ≈ 20 | gui [Gitarre] | uiachii. guitarra y electrónica | April 2007 | La Voragine Theater, Villavicencio, Colombia | 0 | ||||||||
| 31882 | Rodolfo | Acosta | Doft | 2000 | live-elec, 2 perf | ≈ 22 | b-cl, perc [Klarinette, Schlagzeug] | Contemporánea, Copenhagen Electroacoustic Music Ensemble | November 2000 | Danish National Radio, Copenhagen, Denmark | 0 | ||||||||
| 31878 | Rodolfo | Acosta | El silencio de la ausencia | 2004 | Tanz | 51:53 | Sandrine Legendre | June 2004 | Jorge Eliecer Gaitán Municipal Theater, Bogotá | 0 | |||||||||
| 21861 | Rodolfo | Acosta | In Abyssus Humanæ Conscientinæ | 1996 | fixed media, akusmatisch | 31:09 | Stereo | IMEB Bourges | 0 | ||||||||||
| 31885 | Rodolfo | Acosta | La espiral mística | 2009 | live-elec, 1 perf | > 7 | db-cl (reverb) [Klarinette] | composed for Mauricio Salguero | October 2010 | Urban Culture Project, Kansas City | 0 | ||||||||
| 31883 | Rodolfo | Acosta | loas, Luciano Berio in memoriam | 2003 - 2004 | Zuspiel, live-elec, 1 perf | ≈ 24 | S [Sopran] | September 2004 | Beatriz Elena Martínez (V) and Rodolfo Acosta R. (elecs.), Delia Zapata Olivella Theater, Bogotá | 0 | |||||||||
| 31875 | Rodolfo | Acosta | Si tan solo fuéramos libres … | 1993 | fixed media, akusmatisch | 8:04:00 | November 1993 | Alberto Lleras Auditorium, University of Los Andes, Bogotá | 0 | ||||||||||
| 31881 | Rodolfo | Acosta | SUSPENSION 1 | 1995 - 1998 | Zuspiel, live-elec, 1 perf | ≈ 22 | fl [Flöte] | April 1997 | Santiago Sierra (fl.) and Rodolfo Acosta R. (elecs.), Luis Ángel Arango Library, Bogotá | 0 | |||||||||
| 31877 | Rodolfo | Acosta | Todas las noches, el cielo arde sobre Bogotá | 2004 | fixed media, akusmatisch | 11:33:00 | Ana María Romano | 2004 | Fête de la Musique '04, Genève, Switzerland | 0 | |||||||||
| 31886 | Rodolfo | Acosta | Transmutaciones | 2010 | live-elec, 1 perf | sax, (ad lib elec) [Saxophon] | Josetxo Silguero | November 2010 | Josetxo Silguero (bar. sax.) and Rodrigo Cádiz (elecs.), Centro Cultural Gabriela Mistral, Santiago, Chile | 0 | |||||||||
| 31876 | Rodolfo | Acosta | Us a calm mystery? | 2000 | fixed media, akusmatisch | 10:08:00 | May 2001 | Jornadas 2001 de música electroacústica, Montevideo, Uruguay | 0 | ||||||||||
| 31880 | Rodolfo | Acosta | Wash | 2010 | Klangkunst, Installation | 13:19:00 | Octo | Ricardo Arias | September 2010 | Diapason Gallery, New York City | 0 | ||||||||
| 31879 | Rodolfo | Acosta | Y aún así | 2008 | fixed media, akusmatisch | 4:58:00 | La Distritofónica | October 2008 | Roberto Rollié Hall, National University of La Plata, La Plata, Argentina | 0 | |||||||||
| 18572 | Frédéric | Acquaviva | Sens unique(s), hörspiele | 1995 | Radiokunst, 3 perf | 59:19 | Stereo | V, vn, e-gui [Stimme, Gitarre, Violine] | Casus Belli 09495/ | 0 | |||||||||
| 14 | Group | Ad Hoc | Brute Force | 1983 | live-elec, 4 perf | Stereo | sax, perc, synt, V [Stimme, Saxophon, Schlagzeug, synthesizer] | ad hoc: + Duchow | 0 | ||||||||||
| 15 | Group | Ad Hoc | Friday Night Live | 1983 | live-elec, 1 perf | Stereo | sax [Saxophon] | 0 | |||||||||||
| 16 | Group | Ad Hoc | La tempête | 1983 | live-elec, 2 perf | Stereo | sax, perc [Saxophon, Schlagzeug] | 0 | |||||||||||
| 17 | Group | Ad Hoc | Palinurus | 1989 | Zuspiel / Tonband, 1 group | 20:00 | Stereo | ens [Ensemble] | 0 | ||||||||||
| 18 | Group | Ad Hoc | Paysage | 1983 | live-elec, 1 perf | Stereo | sax [Saxophon] | 0 | |||||||||||
| 19 | Group | Ad Hoc | Relative Silence | 1986 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | 0 | |||||||||||
| 20 | Group | Ad Hoc | Songs of Life and Love | 1987 | live-elec, 1 group | Stereo | ens [Ensemble] | ad hoc: + Cale, Abdelali | 0 | ||||||||||
| 38469 | Tomomi | ADACHI | Art´s Birthday 2016 MAVOtek (Part II) |
2016 | radiophon | 30:12:00 | Konzertmitschnitt vom 17. Januar aus der Schaubühne Lindenfels, Leipzig | 0 | |||||||||||
| 36222 | Tomomi | Adachi | Collection of self-made instruments and interfaces, Tomoring Voice, The Right Hand Tomominsynthesizer II Tomoring II Tomomin II (resonating in mouth) Voice, Infrared Sensor Shirt Tomoring II 4 VCOs Tomomin, Tomomin II |
2005 - 2011 | Performance, live-elec, 1 perf | 67 | perf and V, (com, synt, self-made ins) [Stimme, Performer] | naya 0004/ | 0 | http://www.purple.dti.ne.jp/naya/contens/records/0004/index.html | |||||||||
| 36233 | Tomomi | Adachi | Gestures | 2016 | live-elec, | elec ens [Ensemble] | elektronisches Kammerensemble | 0 | |||||||||||
| 36226 | Tomomi | Adachi | How to learn to talk 2U | 2013 | live-elec, 2 perf | V, synt (talking machine) [Stimme, synthesizer] | Martine Riches' Talking Machine, Stimme, Gestik und Elektronik | 0 | |||||||||||
| 28399 | Tomomi | Adachi | KANA | 2005 | Performance | 5:09 | recorded at Künstlerhaus Dortmund | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | http://mitpress2.mit.edu/e-journals/Leonardo/lmj/index.html | |||||||||
| 36232 | Tomomi | Adachi | Let's Mikrophonie | 2016 | live-elec, 5 perf | 4 V, perf (electronic operator) [Stimme, Performer] | vier Sänger und einen Elektronik-Operator | 0 | |||||||||||
| 36225 | Tomomi | Adachi | Odorinbisha | 2009 | live-elec, 2 perf, 1 group | Vs, lute (shamisen) [Stimme, Gitarre] | 0 | ||||||||||||
| 36227 | Tomomi | Adachi | Relationship among Goats, Frogs and the Girls | 2014 | Tanz, live-elec, 5 perf | Stereo + 5 tracks | 5 dancer (with 5 boomboxes ≈ Kofferradios) [Tanz] | Stereo-PA-System, fünf Boomboxes und fünf Tänzer | 0 | ||||||||||
| 39047 | Tomomi | Adachi | The Love for Forty-six Oranges | 2018 | live-elec, 1 perf | 20 | Quadro | V and Subharchord [Stimme, synthesizer] | für Subharchord-Prototyp mit 4-Kanal Live-Elektronik und Stimme | AdK Berlin | 11.7.2018 | Akademie der Künste Berlin EM4 (13), Subharchord, Live-Elektronik, Stimme: Tomomi Adachi | 0 | ||||||
| 36231 | Tomomi | Adachi | Things seen by the right band and the left hand (with glasses) | 2016 | audiovisuell | 2 p [Piano] | zwei Klaviere mit zwei Videokameras und zwei Projektoren | 0 | |||||||||||
| 36228 | Tomomi | Adachi | Torturing Twitter | 2014 | Performance | interaktive Radio /Internet Performance | 0 | ||||||||||||
| 36229 | Tomomi | Adachi | Ursonate 2 | 2014 | fixed media, akusmatisch | Surround 5.1 | Lautpoesie | 0 | |||||||||||
| 36343 | Tomomi | Adachi | Violin & Electronics Improvisations | 1994 | live-elec, 1 perf | 10:45 | vn [Violine] | OPX 003/ | 0 | ||||||||||
| 36342 | Tomomi | Adachi | Voice & Electronics Improvisations | 1996 | live-elec, 1 perf | 17:50 | V [Stimme] | OPX 003/ | August 1996 | Akagi Dream House | 0 | ||||||||
| 36224 | Tomomi | Adachi | Voice and Infrared Sensor Shirt | 2004-2011 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 36230 | Tomomi | Adachi | Where Does the Gap Between the Poor and Rieb Come From? | 2015 | live-elec, 1 perf | org [Orgel] | 0 | ||||||||||||
| 21 | Sotiria | Adam | Aymar | 1992 | fixed media, akusmatisch | 9:15 | Stereo | KSYME | 0 | ||||||||||
| 22 | Sotiria | Adam | KER | 1993 | fixed media, akusmatisch | 9:10 | Stereo | KSYME | 0 | ||||||||||
| 23 | Milan | Adamciak | Capriccio | 1983 | fixed media, akusmatisch | 8:04 | Stereo | CECM Bratislava | 0 | ||||||||||
| 24 | Milan | Adamciak | Dalila | 1993 | fixed media, akusmatisch | 5:05 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 25 | Milan | Adamciak | Mala uspavanka pre neznu | 1993 | fixed media, akusmatisch | 11:50 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 26152 | Jiri | Adamek | Tiká tiká politika, Tick Tock Politics | 2006 | radiophon | 18:44 | Stereo | radiocustica selected 2006 Cesky rozhlas/ | Czech Radio Prague | Radioatelier Czech Radio Michal Rataj | 1 | ||||||||
| 24791 | Ondrej | Adamek | Cercle des rythmes vitaux | 2003 | fixed media, akusmatisch | 15:22 | MR 2004 Métamorphoses 2004/ | Musiques et Recherches Ohain | Métamorphoses 2004 | 1 | |||||||||
| 24781 | Ondrej | Adamek | Un souffle, une ombre, un rien | 2001 | fixed media, akusmatisch | 10:56 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 1. prize | 1 | |||||||||
| 26 | Michael | Adamis | Apocalypsis, Sixth Seal | 1967 | Zuspiel / Tonband, 2 perf, 1 group | Stereo + Stereo | Sp, ch, p [Sprecher, Piano, Chor] | EMI CSDG 62/ | 0 | ||||||||||
| 27 | Michael | Adamis | Baby Cry | 1968 | fixed media, akusmatisch | 0 | |||||||||||||
| 28 | Michael | Adamis | Canon | 1965 | fixed media, akusmatisch | 3:42 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 29 | Michael | Adamis | Electronic Piece | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 30 | Michael | Adamis | Electronic Piece 1966 | 1966 | fixed media, akusmatisch | 5:00 | Stereo | PS C. | 0 | ||||||||||
| 34577 | Michael | Adamis | Endon | 2001 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 31 | Michael | Adamis | Genesis | 1968 | Zuspiel / Tonband, 1 perf, 3 groups | Sp, 3 ch [Sprecher, Chor] | EMI SCXG 57/ | 0 | |||||||||||
| 34575 | Michael | Adamis | Glaros II, | 1977/2006 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 34579 | Michael | Adamis | Ifigenia In Aulis | 1970 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 32 | Michael | Adamis | Iketirion | 1971 | Zuspiel / Tonband, 1 perf, 1 group | fem ch, perc [Schlagzeug, Chor] | 0 | ||||||||||||
| 33 | Michael | Adamis | Kratema | 1971/2001 | Zuspiel / Tonband, 3 perf | 10:48 | Sp, ob, tuba [Sprecher, Oboe, Tuba] | EMI CSDG 63/ rekem 03/ Creel Pone 057/ | 0 | ||||||||||
| 34576 | Michael | Adamis | Lament | 1970 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 34 | Michael | Adamis | Metallika Glypta III | 1972 | fixed media, akusmatisch | 5:45 | Creel Pone 34/ | PS C. | 0 | ||||||||||
| 35 | Michael | Adamis | Metaschematismoi, Trans- formations | 1967 | fixed media, akusmatisch | Quadro + Quadro | 0 | ||||||||||||
| 34574 | Michael | Adamis | Minyrismos | 1966 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 36 | Michael | Adamis | Moiroloi, Lamentation | 1970 | Zuspiel / Tonband, 5 perf | 4 V, perc [Stimme, Schlagzeug] | 0 | ||||||||||||
| 37 | Michael | Adamis | Orestie | 1972 | Zuspiel / Tonband, 2 perf | Bar, perc [Bariton, Schlagzeug] | 0 | ||||||||||||
| 34578 | Michael | Adamis | Paegma | 1976 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 38 | Michael | Adamis | Paramythi | 1977 | Zuspiel, live-elec, 5 perf | Quadro | Sp, 4 ins [Sprecher, Instrument] | 0 | |||||||||||
| 39 | Michael | Adamis | Piece one | 1964 | fixed media, akusmatisch | 3:40 | Stereo | rekem 03/ | Uni Waltham | 0 | |||||||||
| 40 | Michael | Adamis | Piece two | 1964 | fixed media, akusmatisch | 7:30 | Stereo | rekem 03/ | Uni Waltham | 0 | |||||||||
| 41 | Michael | Adamis | Proschemata, Pretexts | 1964 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
6:27 | Stereo | Sp [Sprecher] | rekem 03/ | Uni Waltham | 0 | ||||||||
| 42 | Michael | Adamis | Teletestai | 1971 | Zuspiel / Tonband, 2 perf, 1 group | Sp, ch, bells [Sprecher, Schlagzeug, Chor] | 0 | ||||||||||||
| 36969 | Mathew | Adkins | [60] Project, Abstract / Ambient Concrète / Instrumental Concrète / Experimental Sea Soundscape Urban Soundscape Ambient Instrumental Noise Study Extended Vocal |
2008 | fixed media, akusmatisch | 60 | Stereo | 66 contributors | IMED 0898/ | PS C., INA • GRM | Huddersfield Contemporary Music Festival (HCMF) | November 28, 2008 | Huddersfield Contemporary Music Festival | 0 | |||||
| 40943 | Mathew | Adkins | A year at ushers hill, Alone An Eden Within Shifting Ground Small Steps Radiant Moon In Memoriam Jacques Hamel Ushers Hill Before Sleep Solstice Burnt Sun Under A Luna Sky |
2017 | live-elec, 2 perf | 12:52 | p, celesta and org and elec [Piano, Orgel, elektronik] | eilean 28/ | 0 | https://soundcloud.com/eilean_rec/monty-adkins-a-year-at-ushers-hill-album-preview | |||||||||
| 37159 | Mathew | Adkins | Aerial | 2002 | fixed media, akusmatisch | 9:40 | Stereo, Surround 5.1 | IMED 0679/ | INA • GRM | 7.3.2003 | 20th anniversary concerts of the Birmingham Electroacoustic Sound Theatre (BEAST) “20/20 Re:Vision” at the CBSO Centre (Birmingham, UK) | Honorary Mention in the Musica Nova 2002 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | ||||||
| 37018 | Mathew | Adkins | Anisoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 10:00:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 40941 | Mathew | Adkins | Clothed in the Soft Horizon | 1994 | fixed media, akusmatisch | 13:27 | Competition Musica Nova Prag 1994 | 0 | |||||||||||
| 37162 | Mathew | Adkins | Cortex | 2004 -2005 | fixed media, akusmatisch | 9:05 | Stereo | IMED 0679/ | INA • GRM | INA-GRM | 17.2.2005 | Présences “électronique” festival in the Salle Olivier Messiaen of the Maison de Radio France (Paris, France) | 0 | ||||||
| 37160 | Mathew | Adkins | Deepfield | 2000 | fixed media, akusmatisch | 12:22 | Stereo, Surround 5.1 | IMED 0679/ | Césaré St | Césaré and the Planétarium de Reims (France) | 24.10.2000 | Planétarium de Reims (France). | honorary mentions at the 23rd Luigi Russolo International Competition (Varese, Italy, 2001) and the Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2002). | 0 | |||||
| 37019 | Mathew | Adkins | Ephemeroptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 10:41:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 45 | Mathew | Adkins | Flow | 1994 | fixed media, akusmatisch | 2:45 | Stereo | BEAST | 0 | ||||||||||
| 46 | Mathew | Adkins | L'arche | 1994 | fixed media, akusmatisch | 12:00 | Stereo | BEAST | 0 | ||||||||||
| 37016 | Mathew | Adkins | Lepidoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 8:13:00 | Stereo | rec [Flöte] | [movement] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | |||||
| 21084 | Mathew | Adkins | Liquid Neon | 1999 | fixed media, akusmatisch | 3:07 | SAN 08/99 Sonic arts network/ | 1 | |||||||||||
| 22010 | Mathew | Adkins | Mapping | 1995, 1997 | fixed media, akusmatisch | 14:19 | Stereo, Surround 5.1 | Musidisc 247982/ NOR 05/ Kiasma 1999/ IMED 0679/ | EMS Stockholm, UEA Norwich, PS C. | 29.5.1995 | Artothek (Vienna, Austria) | 1st Prize at the Hungarian Radio’s EAR’95 International Competition of Electroacoustic Music (Budapest, Hungary, 1995) finalist at the 5th Prix international Noroit-Léonce Petitot (Arras, France, 1998) finalist 26th Bourges International Electroacoustic Music and Sonic Art Competition (France, 1999). |
1 | ||||||
| 47 | Mathew | Adkins | Melt | 1994 | fixed media, akusmatisch | 11:44 | Stereo, Surround 5.1 | FYCD 1014/ IMED 0679/ | BEAST | 1995 | Synthèse Festival in Bourges (France) | Prix Résidence at the 22nd Bourges International Electroacoustic Music Competition (France, 1994) First prize of the Stockholm Electronic Arts Award (Sweden, 1995). Competition Musica Nova Prag 1995 |
1 | ||||||
| 24818 | Mathew | Adkins | Noumena | 2001 | Zuspiel / Tonband, 1 perf | 10:40 | vc [Cello] | LDC 278074/75 Cultures Electroniques 15/ Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 tape + ins | 0 | |||||||||
| 24799 | Mathew | Adkins | Pagan Circus | 1996 | fixed media, akusmatisch | 14:33 | LDC 278063/64 Cultures Electroniques 10/ | Competition Musica Nova Prag 1996 | 0 | ||||||||||
| 48 | Mathew | Adkins | Phoenix Games | 1993 | fixed media, akusmatisch | 13:00 | Stereo | BEAST | 0 | ||||||||||
| 37017 | Mathew | Adkins | Saturniid, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 8:41:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 27246 | Mathew | Adkins | Silk to steel | 2005 | fixed media, akusmatisch | 10:32 | Stereo, Surround 5.1 | LDC 2781138 Compendium 2005/ IMED 0679/ | IMEB Bourges | IMEB Bourges | 4.6.2005 | Synthèse, the 35th Bourges International Electronic Music and Creation Festival (France) | mention at the 32nd Bourges International Electroacoustic Music and Sonic Art Competition (France, 2005). | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | ||||
| 37161 | Mathew | Adkins | Still Time | 2001 | Zuspiel / Tonband, 1 perf | 8:52 | Stereo | fl (processing; Alejandro Escuer, flute) [Flöte] | IMED 0679/ | PS C. | flutist Alejandro Escuer | 28.6.2002 | Festival Internacional de Arte Sonoro (Mexico City, Mexico) | 2nd Prize at the Hungarian Radio’s EAR’03 International Competition of Electroacoustic Music (Budapest, Hungary, 2003). | 0 | ||||
| 40942 | Mathew | Adkins | Surfacing | 2003 | fixed media, akusmatisch | 9:03 | 0 | ||||||||||||
| 36179 | Mathew | Adkins | Symbiont | 2002 | audiovisuell | 9:15 | Stereo, Surround 5.1 | innova 121/ IMED 0679/ | PS C., INA • GRM | Huddersfield Contemporary Music Festival, INA-GRM, Sonic Arts Network | 24.11.2002 | Huddersfield Contemporary Music Festival (UK) | finalist at the 30th Bourges International Electroacoustic Music Competition (France, 2003). | 0 | |||||
| 37015 | Mathew | Adkins | Zygoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 4:12:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 42953 | Monty | Adkins | Clockwork Cities | 2013 | fixed media, akusmatisch | 7:13:00 | 0 | ||||||||||||
| 42452 | Monty | Adkins | Five Panels no. 1 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42453 | Monty | Adkins | Five Panels no. 5 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42695 | Monty | Adkins | Four Shibusa (no.4—Permutations) | 2012 | live-elec, 1 perf | 9:00:00 | cl [Klarinette] | Heather Roche, clarinet | 0 | ||||||||||
| 42572 | Monty | Adkins | veil | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 49 | Tommy, Jörgen | Adolfsson, Adolfsson | Glaciär : Musik till dans | 1990 | Tanz, live-elec, 3 perf | 20:00 | fl, synt, (octapad,) perc [Flöte, Schlagzeug, synthesizer] | Koreograf Kenneth Kvarnström | 0 | ||||||||||
| 50 | Tommy, Jörgen | Adolfsson, Adolfsson | Som ung blev hon skrämd: Musik till dans | 1991 | Tanz | Koreograf Kenneth Kvarnström | 0 | ||||||||||||
| 51 | Tommy, Jörgen | Adolfsson, Adolfsson | Trio, duo, solo : Musik till dans | 1991 | Tanz | Koreograf Kenneth Kvarnström | 0 | ||||||||||||
| 26392 | Peter | Adriaansz | 43 Three Quartets | 2009 | live-elec, 12 perf | 26:00 | str-qt, sax-qt, perc-qt, (sinewaves) [Saxophon, Schlagzeug, Streicher] | 0 | |||||||||||
| 26390 | Peter | Adriaansz | Enclosures | 2008 | live-elec, 3 perf | 20:00 | V, va, (microtonal) Kbd, (sinewaves) [Stimme, Keyboard, Viola] | 0 | |||||||||||
| 26391 | Peter | Adriaansz | Music for Sines, eBows, Percussion & Variable Ensemble | 2008 | live-elec, 7 perf | 30:00 | rec, cl, trbn, vn, db, p, perc [Flöte, Klarinette, Posaune, Piano, Schlagzeug, Violine, Kontrabass] | 0 | |||||||||||
| 26388 | Peter | Adriaansz | Prana I - V | 2007 | live-elec, 3 perf, 1 group | 63:00 | e-gui-ens, perc, fem V [Stimme, Gitarre, Schlagzeug] | Output festival 2007 | 2007 | Output festival | 0 | ||||||||
| 26387 | Peter | Adriaansz | Structures I - XVI | 2005 | live-elec, 1 group | 400:00 | any ens, (elec delay) [Ensemble] | 0 | |||||||||||
| 26389 | Peter | Adriaansz | Waves 5 - 13 | 2007 - 2008 | live-elec, 1 group | 62:00 | var ens, (elec delay, sinetones subsonic waves) [Ensemble] | 0 | |||||||||||
| 52 | Paul | Adriaenssens | A Short Walk with Karl F. | 1979 | fixed media, akusmatisch | 5:00 | SEM Antwerpen | 0 | |||||||||||
| 53 | Paul | Adriaenssens | Current Affairs | 1988 | fixed media, akusmatisch | 7:45 | SEM Antwerpen | 0 | |||||||||||
| 54 | Paul | Adriaenssens | Dinaou | 1982 | Zuspiel / Tonband, 1 perf | 11:40 | ob (bombard) [Oboe] | PS C. | 0 | ||||||||||
| 55 | Paul | Adriaenssens | Levels II | 1984/1985 | Zuspiel / Tonband, 1 perf | ins [Instrument] | PS C. | 0 | |||||||||||
| 56 | Paul | Adriaenssens | Steps | 1981 | live-elec, 2 perf | intermedia |
16:00 | fl, synt [Flöte, synthesizer] | slides | PS C. | 0 | |||||||||
| 57 | Paul | Adriaenssens | Strange Attractors | 1983 | Zuspiel / Tonband, 1 perf | synt, (com) [synthesizer] | PS C. | 0 | |||||||||||
| 58 | Paul | Adriaenssens | Three Easy Ways to Slice an Egg | 1982 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 59 | Aertgeerts | Didactische montages | 1976 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | ||||||||||||
| 60 | Aertgeerts | Drie Fabels | 1967 | fixed media, akusmatisch | 9:50 | Mono | IPEM Gent | 0 | |||||||||||
| 67 | Group | AfEM | Isotopenmesstechnik | 1967 | Film | Mono | 16 mm Film | TU Berlin | 1 | ||||||||||
| 71 | Group | AfEM | Persische Sinnsprüche | 1963 | fixed media, akusmatisch | 5:32 | Mono, Quadro | 3 parts; txtcompo | TU Berlin | 1 | |||||||||
| 28721 | Group | AfEM | Spacio vocale e instrumentale | 1964 | fixed media, akusmatisch | Stereo | TU Berlin | 3.2.1964 | Zürich (Pro Musica) | 0 | http://www2.ak.tu-berlin.de/Geschichte/chrono/chronoindex.html | ||||||||
| 22892 | Christina | Agamanolis | Aftermath | 1998 | fixed media, akusmatisch | 5:33 | innova 116/ | Oberlin Col | 1 | ||||||||||
| 74 | Klaus | Ager | Bibyké | 1991 | fixed media, akusmatisch | intermedia |
14:00 | with movebal bicycles | SEM Salzburg | 0 | ||||||||||
| 75 | Klaus | Ager | CLB512 | 1983 | Zuspiel / Tonband, 1 perf | 12:00 | cl [Klarinette] | die mühle A 850191/ | Colgate Hamilton | 1 | |||||||||
| 76 | Klaus | Ager | es esta la muerte | 1972/1976 | Zuspiel / Tonband, 5 perf | 20:00 | cl, trbn, perc, p, vn [Klarinette, Posaune, Piano, Schlagzeug, Violine] | INA • GRM | 0 | ||||||||||
| 77 | Klaus | Ager | Glastraum | 1978 | Zuspiel / Tonband, 2 perf | 12:00 | cl, synt [Klarinette, synthesizer] | 0 | |||||||||||
| 78 | Klaus | Ager | Hölderlin Fragmente | 1987 - 1989 | Zuspiel / Tonband, 1 perf | ≈ 10:00 | ob [Oboe] | com gen tape | SEM Salzburg | 0 | |||||||||
| 79 | Klaus | Ager | HOSHI | 1974/1975 | Zuspiel / Tonband, 5 perf | 20:00 | br-qnt [Bläser] | SEM Salzburg | 0 | ||||||||||
| 80 | Klaus | Ager | I remember a bird | 1976 | Zuspiel / Tonband, 5 perf | 14:00 | cl, trbn, gui, perc, p [Klarinette, Posaune, Piano, Gitarre, Schlagzeug] | SEM Salzburg | 0 | ||||||||||
| 81 | Klaus | Ager | Immer klingen die weißen Mauern der Stadt | 1988 | fixed media, akusmatisch | 12:00 | amadeo 427041 Oesterreichische Musik Der Gegenwart: Elektronische Musik 3/ Polygram/ | SEM Salzburg | 1 | dc.relation | |||||||||
| 82 | Klaus | Ager | l'arbre de la tristesse | 1976 | fixed media, akusmatisch | ≈ 9:00 | SEM Salzburg | 0 | |||||||||||
| 83 | Klaus | Ager | Métaboles III | 1977 | fixed media, akusmatisch | 7:00 | 0 | ||||||||||||
| 84 | Klaus | Ager | ORC17 | 1981 | fixed media, akusmatisch | ≈ 9:00 | com gen tape | Colgate Hamilton | 0 | ||||||||||
| 85 | Klaus | Ager | Poèmes | 1976 | fixed media, akusmatisch | 28:00 | SEM Salzburg | 0 | |||||||||||
| 86 | Klaus | Ager | Silence V | 1972 | fixed media, akusmatisch | 10:00 | INA • GRM | 0 | |||||||||||
| 87 | Klaus | Ager | Silences VII | 1973 | live-elec, 2 perf | 8:00 | amp p {4 hands} [Piano] | 0 | |||||||||||
| 88 | Klaus | Ager | Silences VIII | 1972 | fixed media, akusmatisch | 15:00 | Centro Americano Studio Paris | 0 | |||||||||||
| 89 | Klaus | Ager | Silences XI | 1974 | Zuspiel, live-elec, 1 perf | 15:00 | amp cl [Klarinette] | INA • GRM | 0 | ||||||||||
| 90 | Klaus | Ager | Sole Shadow Shows | 1990 | Zuspiel / Tonband, 1 perf | 14:00 | db [Kontrabass] | SEM Salzburg | 0 | ||||||||||
| 91 | Klaus | Ager | sondern die sterne sind’s | 1974/1976 | fixed media, akusmatisch | 19:00 | AUL 53544/ | EMS Stockholm, SEM Salzburg | 0 | ||||||||||
| 92 | Klaus | Ager | spirale silencieuse | 1971 | fixed media, akusmatisch | 11:00 | INA • GRM | 0 | |||||||||||
| 93 | Klaus | Ager | Tristan for Lucinda | 1981 | fixed media, akusmatisch | 10:00 | SEM Salzburg | 0 | |||||||||||
| 94 | Klaus | Ager | Wandering around | 1987/1993 | fixed media, akusmatisch | 22:00 | SEM Salzburg | 0 | |||||||||||
| 38937 | Savannah | Agger | Berlin/Stockholm | 2009 - 2010 | Theatermusik | Orionteatern | 2010 | Orionteatern Stockholm | 0 | ||||||||||
| 38929 | Savannah | Agger | Brücken/Inseln | 2012 | live-elec, 1 group | ens [Ensemble] | Brücken/Inseln is a part of the project "Delar av någonting större" with music of Savannah Agger, Joakim Sandgren, Tomas Hulenvik and Ylva Lund Bergner for Gageego and visuals with the artist Carolina Falkholt | Ensemble Gageego and support Konstnärsnämnden, Sweden | 12.5.2012 | Gothenburg Festival GAS | 0 | ||||||||
| 38930 | Savannah | Agger | Brücken/Inseln II | 2015 | fixed media, akusmatisch | 1.5.2015 | BEAST, Birmingham | 0 | |||||||||||
| 36708 | Savannah | Agger | Extended terminations | 2009 | fixed media, akusmatisch | 9:25 | Surround 8.1 | 2009 | Fylkingen Stockholm | 0 | https://soundcloud.com/sajoau/extended-terminations-excerpt | ||||||||
| 38928 | Savannah | Agger | Guiame los Pasos | 2011 | fixed media, akusmatisch | 10:00:00 | TU Berlin, BEAST | EMS/Rikskonserter | 12.4.2011 | SR Swedish Radio P2 | 0 | ||||||||
| 36710 | Savannah | Agger | In Nihilo | 2008 | live-elec, 1 perf | db, (com, 2 metal plates) [Kontrabass] | IRCAM | 2008 | IRCAM, Espace de Projection, Charlotte Testu | 0 | http://savannahagger.com/sound/In_Nihilo_excerpt.aif | ||||||||
| 38935 | Savannah | Agger | Inaff | 2006 | Tanz | Composition for contemporary dance (tape) | Kompani Raande-Vo and Lena Josefsson | 2006 | Örebro | 0 | |||||||||
| 25816 | Savannah | Agger | Metal degrees | 2007 | Zuspiel, live-elec, 1 perf | 15:00 | 12 Tracks | perf (4 metal plates) [Performer] | für 12-kanalige Zuspielung, liveelektronisches Prozessing der von 4 Metallplatten abgenommen Kläng, die durch 4 Transducer indirekt in Schwingung gesetzt werden. | TU Berlin | summer 2007 | Karlsruhe, ZKM, next generation | 1 | ||||||
| 38933 | Savannah | Agger | Mor Courage och hennes barn Barnkorståget |
2010 | Theatermusik | 4 V (electric quartet, singers) [Stimme] | music for Bertold Brechts “Mutter Courage…” | 5.2.2010 | Orionteatern Stockholm | 0 | |||||||||
| 38934 | Savannah | Agger | Pluoto la Vie | 2007 - 2008 | Tanz | Composition for contemporary dance (tape) | HfM Stockholm | 0 | |||||||||||
| 31995 | Savannah | Agger | Terminations | 2008 | fixed media, akusmatisch | 5:16:00 | Stereo + Octo, Spazialisation: WFS | using the reactable | TU Berlin | 3.8.2008 | Inventionen 2008, TU Berlin, WellenFeld | 1 | 2008 | ||||||
| 34629 | Savannah | Agger | Undercurrents | 2016 | fixed media, akusmatisch | 10:06 | Octo | SMC2016 | TU Berlin, EMS Stockholm | 0 | |||||||||
| 36709 | Savannah | Agger | Untitled Requiem | 2010 | fixed media, akusmatisch | Surround 8.1 | TU Berlin, BEAST | 10.11.2010 | Audiorama Stockholm, Sound of Stockholm | 0 | |||||||||
| 38931 | Savannah | Agger | Vacuum | 2013 | fixed media, akusmatisch | Surround 17.4 | 3rd part in the trilogy ”Transit” by S.Agger, Hanna Hartman and Ylva Betancor. | Statensmusikverk | 23. August 2013 | Audiorama in Stockholm | 0 | ||||||||
| 38932 | Savannah | Agger | Venus | 2014 | Theatermusik | Orionteatern | 15.3.2014 | Orionteatern Stockholm | 0 | ||||||||||
| 38936 | Savannah, Frederik | Agger, Iversen | Roundabout | 2005 | Theater, live-elec, 4 perf, 2 groups | trbn, Vs, acc, Kbds [Stimme, Posaune, Keyboard, Akkordeon] | HfM Stockholm | 2005 | Kanonhallen Copenhagen, directed by Annesophie Bergman-Steen | 0 | |||||||||
| 32009 | Laurent | Aglat | Pays sages | 2007 | fixed media, akusmatisch | 3:50 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 96 | Michael | Agnello | Music for Silent Movies | 1967 | Film | Mono | PS LA | 0 | |||||||||||
| 97 | Michael | Agnello | Scream | 1966 | Film | Mono | PS LA | 0 | |||||||||||
| 100 | Udo | Agnesen | le cheval au soleil | 1988 | fixed media, akusmatisch | 12:00 | Stereo | com M. | TU Berlin | 12.8.1988 | Berlin | 1 | |||||||
| 99 | Udo, Fabio | Agnesen, Biasio | Guidos Reise | 1995 | intermedia, live-elec, 3 perf | 20:00 | p, synt, vc [Piano, Cello, synthesizer] | PS C. | 0 | ||||||||||
| 98 | Udo, Marcus | Agnesen, Waibel | Das neue Universum | 1989 | fixed media, akusmatisch | 13:27 | Stereo | HdK CD 008/ | TU Berlin | 1 | |||||||||
| 22547 | Andrea | Agostini | Funus | 2001 | fixed media, akusmatisch | 12:13 | nur aus Pianoklängen | miso records mcd 013/014/ | Con Martini Bologna | Einreichung Prix Noroit 2002 | 1 | ||||||||
| 22188 | Andrea | Agostini | Thurston Moore | 1999 | fixed media, akusmatisch | Stereo | Con Martini Bologna | 0 | |||||||||||
| 18372 | Celso | Aguiar | All blue, I write with a blue pencil, on a blue sky | 1996 | fixed media, akusmatisch | Quadro | CLM | CCRMA | 0 | ||||||||||
| 18351 | Celso | Aguiar | Ayahuasca | 1994 | fixed media, akusmatisch | SMS, CLM and CM, awarded"Premio Sao Paulo '95" | CCRMA | 0 | |||||||||||
| 18373 | Celso | Aguiar | Monologue for Two | 1993/1997 | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | CCRMA | 0 | ||||||||||
| 101 | Celso | Aguiar | Piece of Mind | 1994 | fixed media, akusmatisch | 7:45 | II SBC&M/ PANaroma 199.000.954/ | CCRMA | 1 | ||||||||||
| 22893 | Javier | Aguilar | Chimenea del Absurdo | 1998 | fixed media, akusmatisch | 1:25 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 27173 | Sergio | Aguilar | Broken Time | 1999 | fixed media, akusmatisch | 6:24 | 0 | ||||||||||||
| 19625 | Francisco | Aguilera Zarapuz | Tema Luz | 1991 | live-elec, 3 perf | Stereo | vn, synt, p [Piano, Violine, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 19659 | Juan de Dios | Aguilera | Acre | 1995 | fixed media, akusmatisch | 8:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19658 | Juan de Dios | Aguilera | Evolo | 1993 | fixed media, akusmatisch | 9:50 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19597 | Juan de Dios | Aguilera | Teatro de Sombras | 1995 | fixed media, akusmatisch | 11:10 | Stereo | GME Cuenca | 0 | ||||||||||
| 102 | Antonio, Fernando | Agúndez, Palacios | No, No, No | fixed media, akusmatisch | 7:24 | UM CD 7 Vol. I/ | 1 | ||||||||||||
| 28308 | Coriun | Aharonián | Llueve sobre el Rio de la Plata | 2000 | live-elec, 1 perf | 16:00 | gui [Gitarre] | GRABACION DEFECTUOSA. Christoph Jäggin (gui). | 1 | ||||||||||
| 28309 | Coriun | Aharonián | Lorenzaccio, para 9 solistas (4 de ellos amplificados), orquesta de arcos y 3 percusionistas | 1968 | live-elec, 50 perf | 11:00 | 9 ins (amp str-qt), 38 str, 3 perc [Schlagzeug, Instrument, Streicher] | GRABACION DEFECTUOSA. Orquesta Filarmonica de Montevideo, dir. Roberto Garcia Mareco | 1 | ||||||||||
| 103 | Coriún | Aharonián | Apruebo el Sol | 1984 | fixed media, akusmatisch | 10:00 | Stereo | Tacuabé T/E 25 CD/ | EMS Stockholm | 0 | |||||||||
| 104 | Coriún | Aharonián | Esos silencios | 1978 - 1981 | fixed media, akusmatisch | Mono | Tacuabé T/E 25 CD/ | ELAC Montevideo | 0 | ||||||||||
| 105 | Coriún | Aharonián | Gran Tiempo | 1974 | fixed media, akusmatisch | 15:24 | Stereo | Tacuabé T/E 25 CD/ | IMEB Bourges | 0 | 1984 | http://www.latinoamerica-musica.net/index.html | |||||||
| 106 | Coriún | Aharonián | Hecho 2 | 1966 | Musiktheater, 11 perf | 6 | 6 actor, 5 ins [Instrument, Schauspieler] | 0 | |||||||||||
| 107 | Coriún | Aharonián | Homenaje a la flecha clavada en el pecho de Don Juan Diaz de Solis | 1974 | fixed media, akusmatisch | 13:30 | Stereo | Tacuabé T/E 8/ Tacuabé T/E 25 CD/ | IMEB Bourges | 1 | |||||||||
| 108 | Coriún | Aharonián | Música para aluminios, El Progresso DE - Música para Aluminios | 1967 | Zuspiel / Tonband, 3 perf | Stereo | 3 perc [Schlagzeug] | Tacuabé T/E 25 CD/ | SODRE Montevideo | 0 | |||||||||
| 109 | Coriún | Aharonián | Que | 1969 | fixed media, akusmatisch | Stereo | Tacuabé T/E 25 CD/ | Tella B.Aires | 0 | ||||||||||
| 110 | Coriún | Aharonián | Salvad los niños ! | 1976 | fixed media, akusmatisch | Stereo | Tacuabé T/E 25 CD/ | ELAC Montevideo | 0 | ||||||||||
| 111 | Coriún | Aharonián | Secas las pilas de todos los timbres | 1995, 1997 | radiophon | 13:14 | Stereo, Octo | DegeM CD 02/ Tacuabe 35 CD/ | AdK Berlin | 1 | |||||||||
| 42981 | Iddo | Aharony | lost between | 2013 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 39395 | Iddo | Aharony | Occupation | 2017 | audiovisuell | 0 | |||||||||||||
| 112 | Bengt | Åhlin | Termodynamikens andra huvudsats | 1981 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 113 | David | Ahlstrom | Anthem #1, #3, #4 | 1963 - 1965 | Zuspiel / Tonband, 2 perf, 1 group | 16:00 | Stereo | S, org, ch [Sopran, Orgel, Chor] | PS C. Dallas | 0 | |||||||||
| 114 | David | Ahlstrom | Recitative, Aria and Cadenza | 1963 | Zuspiel / Tonband, 1 perf | 4:00 | Mono | p [Piano] | PS C. Dallas | 0 | |||||||||
| 115 | David | Ahlstrom | Suite #3 | 1964 | Theatermusik | 10:00 | Mono | PS C. Dallas | 0 | ||||||||||
| 116 | David | Ahlstrom | Symphony #2 | 1964 | Zuspiel / Tonband, 8 perf | 20:00 | Mono | 6 dancer, e-p, perc, (opt ins) [Piano, Schlagzeug, Tanz] | PS C. Dallas | 0 | |||||||||
| 117 | David | Ahlstrom | Symphony #3 - No Exit | 1965 | Musiktheater | 38:00 | Stereo | PS C. Dallas | 0 | ||||||||||
| 24971 | Doo Jin | Ahn | Bicheon | 2000 | Zuspiel / Tonband, 2 perf | 8:04 | b-cl, perc [Klarinette, Schlagzeug] | KEAMS 10th Anniversary/ | 1 | ||||||||||
| 42454 | Jean | Ahn | Berkeley Arirang | 2008 | live-elec, 1 perf | p [Piano] | Marcel Rominger, piano | 0 | |||||||||||
| 43052 | Sang Mi | Ahn | Metabolism | 2014 | fixed media, akusmatisch | 3:44:00 | 0 | ||||||||||||
| 39507 | Su Kyoung | Ahn | Extension | 2017 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 40848 | Tom | Ahola | Deep Sea Tribe | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 22350 | Marc | Aigner | Dreaming Hills | 1995 | fixed media, akusmatisch | 15:00 | Von CD "Sonic Circuits 4". Musica Nova Award 1995. C-Sound with granular synthesis, VSP |
innova 113/ | PS | 1 | |||||||||
| 16882 | James, Armando | Aikman, Tranquilino | Tragoida / Komoidia | 1987 | fixed media, akusmatisch | 9:05 | LDC 278046/47 Cultures Electroniques 3/ | 1 | |||||||||||
| 37831 | Marc | Ainger | 1956 | fixed media, akusmatisch | part one | 0 | |||||||||||||
| 24993 | Marc | Ainger | Annotations | 2003 | Zuspiel / Tonband, 1 perf | 4:43 | fl [Flöte] | ICMC 2005 Barcelona; Ann Stimson (flute) | ICMC 2005, ars harmonica/ | 2005 | ICMC Barcelona; Ann Stimson (flute) | 1 | |||||||
| 41924 | Marc | Ainger | Dreaming Hills | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 42894 | Marc | Ainger | Kitchen Landscapes | 2013 | fixed media, akusmatisch | 10:30:00 | 0 | ||||||||||||
| 40041 | Marc | Ainger | Scribbles and Smears in Space | 2017 | fixed media, akusmatisch | Marc Ainger | 0 | ||||||||||||
| 22205 | Marc | Ainger | Shatter | 1998 | fixed media, akusmatisch | 8:00 | ICMC 2000/ Kiasma 1999/ | PS | 1 | ||||||||||
| 40042 | Marc | Ainger | Windswept | 2016 | fixed media, akusmatisch | Marc Ainger | 0 | ||||||||||||
| 42731 | Mark | Ainger | 13forLucky | 2012 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 33874 | Agnes | Aistleitner | state of revolution | 2012 | audiovisuell | Prix ars electronica 2012/ | HBLA Linz | Goldene Nica 2012 ars electronica | 1 | ||||||||||
| 118 | Marcello, Francesco | Aitiani, Giomi | NAVE DI LUCE | 1990 | intermedia, live-elec, 1 perf, 1 group | audiovisuell |
30:00 | ch, org [Orgel, Chor] | telematic artwork involving visual installations; communication via video, phone, com line | CNUCE Firenze | 0 | |||||||||
| 119 | Robert | Aitken | Composition for flute and tape recorder | 1963 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fl [Flöte] | UTEMS Toronto | 0 | |||||||||
| 120 | Robert | Aitken | Noesis | 1963 | fixed media, akusmatisch | 6:00 | Stereo + Stereo | FMS 33436/ | UTEMS Toronto | 1 | |||||||||
| 121 | Robert | Aitken | Soliloquy | 1962 | fixed media, akusmatisch | 8:20 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 122 | Robert | Aitken | Suite from music for Hamlet | 1964 | fixed media, akusmatisch | Theatermusik |
8:55 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 43131 | Nelo | Akamatsu | Chijikinkutsu | 1013 - 2015 | Klangkunst, Installation | Auszeichnung ars electronica: Golden Nica 2015 | 0 | ||||||||||||
| 33005 | Lars | Akerlund | Acoustic Mirror | fixed media, akusmatisch | 15:24 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33007 | Lars | Akerlund | Additive | fixed media, akusmatisch | 16:32 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33006 | Lars | Akerlund | No Room No Shadow | fixed media, akusmatisch | 11:54 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33004 | Lars | Akerlund | Slow, Horizontal | fixed media, akusmatisch | 12:12 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33003 | Lars | Akerlund | White Shade | fixed media, akusmatisch | 9:25 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 23667 | Lars | Åkerlund | Rivers of Mercury | 1998 | Tanz, live-elec, 2 perf | 22:26 | Stereo | dancer, perc [Schlagzeug, Tanz] | FER 1025 Firework Edition Records/ | EMS Stockholm | 1 | ||||||||
| 130 | Lars | Åkerlund | Strupens följder | 1987 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | e-gui [Gitarre] | EMS Stockholm | 0 | |||||||||
| 28109 | Lars | Åkerlund | Ur | 1998 | fixed media, akusmatisch | Tanz |
29:30 | Stereo | Originally composed for a choreography by Per Jonsson | FYCD 1028/ | EMS Stockholm | Finnish National Opera | 1 | |||||||
| 23668 | Lars | Åkerlund | Via Styx | 1996 | Tanz, live-elec, 2 perf | 45:20 | Stereo | dancer, perc [Schlagzeug, Tanz] | FER 1025 Firework Edition Records/ | EMS Stockholm | 1 | ||||||||
| 28110 | Lars | Åkerlund | Volt | 2004 | fixed media, akusmatisch | Tanz |
36:47 | Stereo | Originally composed for a choreography by Björn Elisson | FYCD 1028/ | EMS Stockholm | EMS/Rikskonserter with support from Stiftelsen Framtidens Kultur | 1 | |||||||
| 131 | Lars | Åkerlund | Welcome to lucky people center | 1991/1993 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 123 | Lars, Mikael | Åkerlund, Pauli | Bars | 1983 | Hintergrundmusik | 90:00 | Stereo | 0 | |||||||||||
| 124 | Lars, Mikael | Åkerlund, Pauli | Datorstycke | 1982 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 125 | Lars, Mikael | Åkerlund, Pauli | In - out | 1982/1984 | Hintergrundmusik | 26:30 | Quadro | EMS Stockholm | 0 | ||||||||||
| 126 | Lars, Mikael | Åkerlund, Pauli | Magoma | 1983 | intermedia | 20:00 | Stereo | slides | 0 | ||||||||||
| 127 | Lars, Mikael | Åkerlund, Pauli | Ngamiani band | 1980 | Hintergrundmusik | 28:00 | Stereo | 0 | |||||||||||
| 128 | Lars, Mikael | Åkerlund, Pauli | Nocturne | 1981 | fixed media, akusmatisch | 9:00 | Stereo | 0 | |||||||||||
| 129 | Lars, Mikael | Åkerlund, Pauli | Plumber Fundi Bomba | 1981 | Hintergrundmusik | 5:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 132 | Sonja, Jarl | Åkesson, Hammarberg | Frågar du vad vi håller på med? | 1968 | fixed media, akusmatisch | radiophon |
11:55 | Quadro | FYCD 1024 CD 2 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 133 | Kuniharu | Akiyama | 2 hiki no sanma | 1960 | Film | 20:00 | Mono | PS Sogetsu Tokyo | 0 | ||||||||||
| 36316 | Kuniharu | Akiyama | 'Demonstration' Of Nissei Theater | 1963 | fixed media, akusmatisch | 16:01 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 134 | Kuniharu | Akiyama | Enviromental mechanical Orchestra #1 | 1966 | fixed media, akusmatisch | ∞ 19:32 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 29221 | Kuniharu | Akiyama | Études | 1952 | fixed media, akusmatisch | Mono | ? first japanese EM-Piece? | NHK Tokyo | 0 | ||||||||||
| 135 | Kuniharu | Akiyama | Hi ho 19 | 1960 | Zuspiel / Tonband, 5 perf, 1 group | 20:00 | Mono | ch, 5 perf [Performer, Chor] | PS Sogetsu Tokyo | 0 | |||||||||
| 136 | Kuniharu | Akiyama | Ikoi no tame no ongaku | 1964 | Hintergrundmusik | 30:00 | Mono | for the Tokio Olympic Games | PS Sogetsu Tokyo | 0 | |||||||||
| 137 | Kuniharu | Akiyama | Ishi no Uta | 1963 | fixed media, akusmatisch | Film |
28:00 | Mono | PS Sogetsu Tokyo, TBS Radio Tokyo | 0 | ||||||||||
| 36337 | Kuniharu | Akiyama | Music For Eating | 1964 | Klangkunst, Installation | intermedia |
30:46 | OPA 021/ | 0 | |||||||||||
| 36315 | Kuniharu | Akiyama | Music for H. Bomb | 1971 | fixed media, akusmatisch | 10:50 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 36336 | Kuniharu | Akiyama | Music For Resting | 1964 | Klangkunst, Installation | intermedia |
30:37 | OPA 021/ | 0 | |||||||||||
| 138 | Kuniharu | Akiyama | Poem | 1960 | Fernsehen, | 6:00 | Mono | txtcompo | NHK Tokyo | 0 | |||||||||
| 139 | Kuniharu | Akiyama | Shokuji no tame no ongaku | 1964 | Hintergrundmusik | 30:00 | Mono | for the Tokio Olympic Games | PS Sogetsu Tokyo | 0 | |||||||||
| 140 | Kuniharu | Akiyama | Tonari no Yaro | 1965 | Film | 15:00 | Mono | PS Sogetsu Tokyo | 0 | ||||||||||
| 41822 | Cem | Akkan | Doors | 2001 | fixed media, akusmatisch | codemist ICMC2001/ | 0 | ||||||||||||
| 22844 | Jana | Aksenova | The Gesture of Memory | fixed media, akusmatisch | 8:00 | Theremin C. Moscou | 1 | ||||||||||||
| 35782 | César | Alarcón | Recover | 2013 | fixed media, akusmatisch | mention 4º concurso latinoamericano de composición electroacústica y electrónica Gustavo Becerra schmidt 2013 | 0 | ||||||||||||
| 20998 | David | Alarcón | Analisis y Fantasia sobre Saltar | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||||
| 18397 | David | Alarcón | Ausencia 11 | 1997 | fixed media, akusmatisch | 13:06 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18396 | David | Alarcón | Ausencia 9 | 1994 | fixed media, akusmatisch | 16:40 | Stereo | IMEB Bourges | Competition Musica Nova Prag 1995 | 0 | |||||||||
| 19526 | David | Alarcón | Ausencia n° 1 | 1991 | fixed media, akusmatisch | 2:34 | Stereo | GME Cuenca | 0 | ||||||||||
| 27399 | David | Alarcón | Ausencia No. 12 | fixed media, akusmatisch | 15:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 19640 | David | Alarcón | Ausencia No. 8 | 1994 | fixed media, akusmatisch | 9:50 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 34377 | David | Alarcón | Azote | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 19527 | David | Alarcón | El Rapto de Gaby (2, 3) | 1989 | fixed media, akusmatisch | 5:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19529 | David | Alarcón | Grito No. 3 | 1992 | fixed media, akusmatisch | 12:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19641 | David | Alarcón | Hymnomada | 1995 | fixed media, akusmatisch | 17:00 | Stereo | horizontal radio | LIEM CDMC Madrid | 0 | |||||||||
| 142 | David | Alarcón | INDEMU | 1992 | fixed media, akusmatisch | 7:20 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19308 | David | Alarcón | Olvidar Pedro, Homenaje a Pierre Schaeffer | fixed media, akusmatisch | 6:03 | música electroacústica española 1/ | 1 | ||||||||||||
| 19796 | David | Alarcón | Requiem | fixed media, akusmatisch | Stereo | PS Digimedia | 0 | ||||||||||||
| 19528 | David | Alarcón | Témporas | 1989 | fixed media, akusmatisch | 3:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19530 | David, Anna | Alarcón, Mayor | La Cinta de Krapp | 1990 | fixed media, akusmatisch | 6:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 27673 | Ximena | Alarcón | A to Z | 1998 | fixed media, akusmatisch | 3:24 | Stereo | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | ||||||||
| 40949 | Ximena | Alarcón | Beat | 2002 | fixed media, akusmatisch | 3:47 | DISContact III | 0 | |||||||||||
| 37662 | Wilma | Alba Cal | Hej! | 2012 | audiovisuell | 6:16 | elektroakustische Klänge, voraufgenommenes Cello und Video |
ICAP Habana | 0 | ||||||||||
| 143 | A. | Alberts | Haké | 1992 | Zuspiel / Tonband, 1 group | Stereo | gamelan-ens [Ensemble] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 38470 | Armeno | ALBERTS | Le chant du cygne | 2003 | radiophon | 5:09:00 | Prix Phonurgia nova | 0 | |||||||||||
| 32858 | Alejandro | Albornoz | Ciento Veinte Millones | 2005 - 2006 | fixed media, akusmatisch | 10:44 | inspired by writer Eduardo Galeano (Urugay) | Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 23799 | Alejandro | Albornoz | Eeeh…jercicio | fixed media, akusmatisch | 2:54 | 0 | |||||||||||||
| 144 | William | Albright | Sphaera | 1985 | Zuspiel / Tonband, 1 perf | 12:44 | Stereo | p [Piano] | WER 2029; Computer Music Currents 9/ | MIT Media Lab | 1 | ||||||||
| 145 | Luna | Alcalay | In Memoriam Ossip Mandelstam | 1973 | Zuspiel / Tonband, 1 perf, 1 group | 16:00 | Sp, orc [Sprecher, Orchester] | EM ?? | 0 | ||||||||||
| 23800 | Andrés | Alcalde | Añoranza | Zuspiel / Tonband, 1 perf | ob [Oboe] | 0 | |||||||||||||
| 146 | Jose Antonio | Alcaraz | Fonologia | 1964 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | p, orc [Piano, Orchester] | 0 | |||||||||||
| 147 | Jose Antonio | Alcaraz | Mutis | 1986 | Zuspiel / Tonband, 2 perf | V, fl [Stimme, Flöte] | 0 | ||||||||||||
| 148 | Jose Antonio | Alcaraz | Tablada | 1984 | Zuspiel / Tonband, 2 perf | V, ins [Stimme, Instrument] | 0 | ||||||||||||
| 22894 | Antonio | Alcazar Aranda | Letania | 1998 | fixed media, akusmatisch | 3:04 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 19534 | Antonio | Alcázar Aranda | Materia: Piedras | 1995 | fixed media, akusmatisch | 7:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19533 | Antonio | Alcázar Aranda | Transformaciones | 1994 | fixed media, akusmatisch | 15:56 | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||
| 149 | Michael | Alcorn | A Slow Dance | 1992 | Zuspiel, live-elec, 4 perf | 17:15 | S, A, T, B [Sopran, Alt, Tenor, Bass] | Tape Version: NeXT with ISPW Text by Montague |
ICMC 1993, LMCD 1375/ | SARC Belfast | New Macnaghten Concerts & London Arts Board | 22.20.1992 | London with Singcircle | 1 | |||||
| 25082 | Michael | Alcorn | Caoine | 1996 | live-elec, 1 perf | 10:00 | str [Streicher] | ISPW | Uni Limerick | 31.10.1996 | Sionna Festival Limerick | 0 | |||||||
| 24298 | Michael | Alcorn | Crossing the Threshold | 2001 | live-elec, 1 perf | 9:17 | vn [Violine] | SARCCD 001 Vol. 1/ CMC CD 06 Contemporary Music from Ireland Vol 6/ | SARC Belfast | 1 | |||||||||
| 25086 | Michael | Alcorn | Double Escapement | 1992 | Zuspiel / Tonband, 1 perf | 9:00 | p [Piano] | 20.7.1995 | Frost (USA) | 0 | |||||||||
| 25087 | Michael | Alcorn | Hanging Stones | 1985 | intermedia, | 34:00 | (slides) [] | SARC Belfast | 27.4.1995 | Belfast | 0 | ||||||||
| 25085 | Michael | Alcorn | Jubilate | 1986 - 1987 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | 01.1987 | Dublin | 0 | |||||||||
| 25088 | Michael | Alcorn | Patina | 1998 | fixed media, akusmatisch | 15:00 | SARC Belfast | Sonorities Festival & Arts Council of Northern Ireland | 14.5.1998 | Belfast | 0 | ||||||||
| 22297 | Michael | Alcorn | Resonant air | 2000 | fixed media, akusmatisch | 10:51 | SIDO 010/ | SARC Belfast | Galways Arts Festival & Arts Counci of Ireland | 22.6.2000 | Galway | 1 | |||||||
| 25084 | Michael | Alcorn | The Old Woman of Beare | 1994 | live-elec, 4 perf | 20:00 | str-qt [Streicher] | ISPW | Kyoto International Music Festival | 23.11.1994 | Kobe | 0 | |||||||
| 25083 | Michael | Alcorn | Voyager | 1990 | Zuspiel, live-elec, 9 perf | 13:00 | 4 - 9 ins, slides [Instrument] | Arts council of Northern Ireland for Young Arts Festiva | 24.1.1990 | Enniskillen | 0 | ||||||||
| 150 | Anthony | Aldridge | Pericles | 1991/1992 | Musiktheater | Stereo, Octo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 18580 | Brian | Ales | Low Cloud | 1989 | fixed media, akusmatisch | 4:46 | Stereo | BCA 1/ | Banff C. | 0 | |||||||||
| 37609 | Patricia | Alessandrini | à mon seul désir | 2001 | live-elec, 1 perf, 1 group | S, ens [Sopran, Ensemble] | 0 | ||||||||||||
| 37603 | Patricia | Alessandrini | Adagio pour l’absence | 2011 | audiovisuell, live-elec, 3 perf | 3 mus [Musiker] | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | |||||||||||
| 37606 | Patricia | Alessandrini | Adagio sans quatuor | 2010 | Klangkunst, Installation | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37611 | Patricia | Alessandrini | Arrangement in Gray and Black | 2005 | live-elec, 8 perf | 8 ins [Instrument] | 0 | ||||||||||||
| 37622 | Patricia | Alessandrini | Bodied Chambers | 2014 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 37604 | Patricia | Alessandrini | Conversations with changes | 2010 | audiovisuell | 2 sax [Saxophon] | 0 | https://www.youtube.com/watch?v=tRnssFzPMdc | |||||||||||
| 37614 | Patricia | Alessandrini | De profundis clamavi (Hommage à Alban Berg) | 2007 | live-elec, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 37615 | Patricia | Alessandrini | Funeral Sentences | 2008 | live-elec, 4 perf | vn, vc, gui, perc [Gitarre, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 37602 | Patricia | Alessandrini | Gurre-Klänge | 2012 | audiovisuell, live-elec, 14 perf | S, fl (singing), 12 ins, (resonating objects) [Sopran, Flöte, Instrument] | 0 | https://vimeo.com/57261081 | |||||||||||
| 35009 | Patricia | Alessandrini | Leçons de ténèbres | 2016 | live-elec, 1 group | ens [Ensemble] | Experimentalstudio für Akustische Kunst Freiburg | SWR | 16.10.2016 | Donaueschinger Musiktage, Donauhallen, ensemble recherche | 0 | ||||||||
| 37616 | Patricia | Alessandrini | menus morceaux par un autre moi réunis | 2009, 2013 | live-elec, 1 perf | gui [Gitarre] | 4 miniatures | 0 | |||||||||||
| 37618 | Patricia | Alessandrini | Mismoded | 2011 | audiovisuell, live-elec, 3 perf | S, gui, perc, (live-ele, interactive video) [Sopran, Gitarre, Schlagzeug] | 4 versions | 0 | |||||||||||
| 37600 | Patricia | Alessandrini | Mondgewächse | 2013 | audiovisuell, live-elec, 1 group | ens [Ensemble] | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | |||||||||||
| 37623 | Patricia | Alessandrini | Nachtgewächse | 2014 | live-elec, 7 perf | fl, cl, vn, vc, p, perc, kbd (Melodica), (live-elec) [Flöte, Klarinette, Piano, Keyboard, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 37617 | Patricia | Alessandrini | Nani | 2009 - 2010 | fixed media, akusmatisch | 4 versions | 0 | ||||||||||||
| 37624 | Patricia | Alessandrini | Parlour Sounds | 2016 | live-elec, 1 perf, 1 group | fem V, ens [Stimme, Ensemble] | Monodrama | 0 | |||||||||||
| 37621 | Patricia | Alessandrini | Pastorale (Hommage à Schnittke) | 2014 | Klanginstallation, live-elec, 5 perf | p, str-qt [Piano, Streicher] | 0 | ||||||||||||
| 37619 | Patricia | Alessandrini | Schattengewächse | 2013 | Klanginstallation, live-elec, 1 perf | toy p [Piano] | 0 | ||||||||||||
| 37613 | Patricia | Alessandrini | Soliloque (c’est ce parfait et pur amour …) | 2007 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 37608 | Patricia | Alessandrini | Sospiri | 2000 | live-elec, 3 perf | 3 S [Sopran] | 0 | ||||||||||||
| 37601 | Patricia | Alessandrini | The Yellow Ones Are Mine | 2013 | audiovisuell | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37605 | Patricia | Alessandrini | They think therefore I am | 2010 | audiovisuell | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37625 | Patricia | Alessandrini | Tracer la lune | 2017 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 37610 | Patricia | Alessandrini | Trio (d’après Schoenberg) | 2004 | live-elec, 3 perf | cl, vc, p [Klarinette, Piano, Cello] | 0 | ||||||||||||
| 37612 | Patricia | Alessandrini | When David Heard | 2005 | live-elec, 2 perf | db, perc [Schlagzeug, Kontrabass] | 0 | ||||||||||||
| 37620 | Patricia, Freida | Alessandrini, Abtan | Orpheus Machines | 2014 | Klanginstallation, live-elec, | 0 | |||||||||||||
| 151 | Magnus | Alexanderson | FU | 1991 | fixed media, akusmatisch | 32:00 | Elektron EM 1010/ | EMS Stockholm | 0 | ||||||||||
| 28098 | Magnus | Alexanderson | Melting Points | 1997 | live-elec, 1 perf | MIDI-gui [Gitarre] | with MIDI-gui | Elektron EM 1010/ | EMS Stockholm | 0 | |||||||||
| 28099 | Magnus | Alexanderson | Stretched in Dark | 2000 | fixed media, akusmatisch | Elektron EM 1010/ | EMS Stockholm | 0 | |||||||||||
| 152 | Minas | Alexiadis | Domestic Variations | 1989 | fixed media, akusmatisch | 9:05 | Stereo | Spectrum | 0 | ||||||||||
| 153 | Minas | Alexiadis | Hydrophonie | 1984 | fixed media, akusmatisch | 10:05 | Stereo | HfM Düsseldorf | 0 | ||||||||||
| 154 | Minas | Alexiadis | Life after life | 1988 | Tanz | 21:20 | Stereo | Spectrum | 0 | ||||||||||
| 155 | Minas | Alexiadis | Nyktoor | 1989 | Zuspiel / Tonband, | 5:30 | Stereo | Spectrum | 0 | ||||||||||
| 156 | Minas | Alexiadis | Prayers | 1986 | fixed media, akusmatisch | 11:35 | Stereo | Spectrum, PS C. | 0 | ||||||||||
| 157 | Minas | Alexiadis | Soul journey | 1987 | Hintergrundmusik | 10:35 | Stereo | Spectrum, PS C. | 0 | ||||||||||
| 158 | Minas | Alexiadis | Tostohream Chant | 1990 | Tanz | 16:42 | Stereo | Spectrum | 0 | ||||||||||
| 159 | Blagomir | Alexiev | For tape only | 1992 | fixed media, akusmatisch | 8:45 | 0 | ||||||||||||
| 23102 | Blagomir | Alexiev | In the end of the Road | 2001 | radiophon | Karl Sczuka Förderpreis 2001 | Radio Sofia | 1 | |||||||||||
| 38471 | Rodolphe | ALEXIS | Dry, wet, evergreen | 2013 | radiophon | 15:27:00 | Prix Phonurgia nova | 0 | |||||||||||
| 35339 | Rodolphe | Alexis | The Glittering Thing On The Mountain, Cicada of the dusk The hill was sinking into the night, some frogs were playing the harp Rice field interlude Megabats party in the backyard Morning whispers, Urauchi River Chatting around midday Gentle breeze on the forest edge interlude Early morning for Mudskippers Night’s Calling |
2014 | fixed media, akusmatisch | 48:58 | 9 parts, fieldrecordings | Gruen 158/ | 0 | http://www.gruenrekorder.de/?page_id=14303 | |||||||||
| 40269 | Susan | Alexjander | Portal/Black Holes White Holes | 2015 | fixed media, akusmatisch | 10:00:00 | Susan Alexjander | 0 | |||||||||||
| 39432 | Luzilei | Aliel | Wysoccan: between men and gods | 2017 | live-elec, | 0 | |||||||||||||
| 34769 | Simo | Alitalo | … but where does it come from? | 1998 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 21.8.-13.9.1998 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 160 | Simo, Jouko | Alitalo, Koivusaari | Virtual Wetlands — wish you were here | 1995 | radiophon | 6:00 | Yleisradio | 1 | |||||||||||
| 18581 | Thierry | Alla | Spot | 1993 | fixed media, akusmatisch | 10:13 | Stereo | OC 951/ | 0 | ||||||||||
| 42573 | Andrew S. | Allen | Leaflet | 2009 | live-elec, 2 perf | 3 | p, fl [Flöte, Piano] | 0 | |||||||||||
| 42899 | Clay | Allen | Aqueous | 2013 | fixed media, akusmatisch | 8:08:00 | 0 | ||||||||||||
| 161 | J Peter | Allen | Sundance | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 162 | J Peter | Allen | Sundance III | fixed media, akusmatisch | 13:10 | Stereo | 0 | ||||||||||||
| 18582 | Terry | Allen | Bleeder | 1990 | radiophon | 27:07 | Stereo | WN 0013/ | 0 | ||||||||||
| 41994 | Juan | Allende-Blin | Gegenträume / contre-rêves | 2003 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 28365 | Juan | Allende-Blin | Les voies de la voix | 1984 | radiophon | Stereo | WDR Studio Akustische Kunst | 0 | |||||||||||
| 41993 | Juan | Allende-Blin | Magnetfelder | Zuspiel / Tonband, 3 perf | p, cl, db [Klarinette, Piano, Kontrabass] | 0 | |||||||||||||
| 1857 | Juan | Allende-Blin | Rapport sonore / Relato sonoro / Klangbericht, Das Märchen Krieg Ausschau Reise Situationen |
1983 | radiophon | 24:00 | Stereo | 5 parts. Inventionen 7.2.85 Ackerstr. |
WDR Studio Akustische Kunst, CERM Metz | Centre Européen pour la Recherche Musicale Metz; Studio Akustische Kunst WDR Köln | Karl-Sczuka-Preis 1983 | 1 | 1985 | ||||||
| 41997 | Juan | Allende-Blin | Traumräume | 2007 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 41996 | Juan | Allende-Blin | Wandlungen | 2005 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 41995 | Juan | Allende-Blin | Wunde am Ende der Zeit | 2003 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 42202 | Juan, Filippo Tommaso | Allende-Blin, Marinetti | Fünf Klanghörspiele | 1988 | radiophon | 21:30 | WDR | 24.5.1988 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1445977&vi=2&SID | ||||||||
| 163 | Kristi | Allik | Alambic Rhythms | 1987 | audiovisuell | 23:00 | Stereo | Video transfer of multi-image (Images: Robert Mulder) | Luminart London ON, Uni Western ON | 0 | |||||||||
| 40975 | Kristi | Allik | Anooee-Intersection (Shananditti) | 1987 | audiovisuell | 50:00:00 | Theatre of mixed-means for eight-track electroacoustic tape, dancers, soprano, and 360° surround image projection. | 0 | |||||||||||
| 164 | Kristi | Allik | Cometose | 1986 | audiovisuell | intermedia |
27:00 | Stereo | 6 com con slide projectors and dig sound | Luminart London ON | 0 | |||||||||
| 40960 | Kristi | Allik | Cool Jazz | 1982 | Zuspiel / Tonband, 2 perf | 10:00:00 | vn, vc [Cello, Violine] | 0 | |||||||||||
| 40964 | Kristi | Allik | Electronic Purgatory, Berlin Version | 1997 | audiovisuell, live-elec, | 31:00:00 | Digital music-theatre work inspired by Dante's Divine Comedy in a contemporary look at heaven and hell. | 0 | |||||||||||
| 40968 | Kristi | Allik | Electronic Purgatory, Linz Version | 1991 | Theater, live-elec, | 78:00:00 | Digital Music-theatre work inspired by Dante's Divine Comedy in a contemporary look at the big bang, heaven, hell and purgatory. | Linz | 0 | ||||||||||
| 40970 | Kristi | Allik | Electronic Purgatory, Oslo Version | 1989 - 1992 | Theater, live-elec, 1 perf | 32:00:00 | p [Piano] | Digital Music-theatre work inspired by Dante's Divine Comedy in a contemporary look at the heaven, hell and purgatory. | 0 | http://www3.sympatico.ca/robmulder/elecpurg.htm | |||||||||
| 40959 | Kristi | Allik | Four Steps to a Layer Cake | 1983 | radiophon | 8:00:00 | radio broadcast. | 0 | |||||||||||
| 40961 | Kristi | Allik | Fragrances of Time and Space | 2001 | Klangkunst, Installation | Interactive multimedia soundscape installation | Arts Ontario Conference, May 2001 | 0 | |||||||||||
| 40962 | Kristi | Allik | ~infoweaver | 2000 | audiovisuell | 100:00:00 | multichannel | Digital music-theatre work. A multi-media work | 0 | ||||||||||
| 166 | Kristi | Allik | Integra | 1986 | audiovisuell | 10:00 | Stereo | 6 com con slide projectors and dig sound | Luminart London ON, Queens Uni Kingston | 1 | |||||||||
| 40955 | Kristi | Allik | Integra | 1987 | Zuspiel / Tonband, 1 perf | 11:00:00 | s-sax [Saxophon] | 1 | |||||||||||
| 167 | Kristi | Allik | Introspection | 1983 | fixed media, akusmatisch | 7:00 | Stereo | 'Introspections' explores the boundary between harmonic and inharmonic electroacoustic timbres. | Uni Western ON | 0 | |||||||||
| 40977 | Kristi | Allik | Loom Sword River | 1982 | Oper | 120:00:00 | V, chamber-orc [Stimme, Orchester] | (Chamber opera). For solo vocalists and chamber orchestra. | 0 | ||||||||||
| 23103 | Kristi | Allik | Machine Symphony | 2000 | fixed media, akusmatisch | 3:03 | Cec Presence 3/ | Queens Uni Kingston | 1 | ||||||||||
| 40957 | Kristi | Allik | Meditation | 1984 | Zuspiel / Tonband, 2 perf | 15:00:00 | vn, vc [Cello, Violine] | 0 | |||||||||||
| 40953 | Kristi | Allik | Nel Mezzo del Cammin di Nostra Vita | 1995 | live-elec, 2 perf | 12:54:00 | S, gui [Sopran, Gitarre] | 0 | |||||||||||
| 40971 | Kristi | Allik | Pentaprism | 1989 | Theater, live-elec, | 16:00:00 | Digital Music-theatre work.. | 0 | |||||||||||
| 40973 | Kristi | Allik | Pentaprism | 1988 | audiovisuell, live-elec, | 11:00:00 | Digital Music-theatre for theatre, video, electroacoustics and virtual realty system. | 0 | |||||||||||
| 168 | Kristi | Allik | Rhapsody | 1986 | Zuspiel / Tonband, 1 perf | 12 | cl [Klarinette] | 'Rhapsody' is inspired by the first musical gesture in George Gershwin's 'Rhapsody in Blue' | Auszeichnung ars electronica 1992 | 1 | |||||||||
| 40976 | Kristi | Allik | Rhythm and Culture | 1986 | audiovisuell | 45:00:00 | perf, perc [Schlagzeug, Performer] | Theatre of Mixed-means for electroacoustic tape, performer, percussion and multi-image projection. | 0 | ||||||||||
| 40958 | Kristi | Allik | Riddim | 1984 | Zuspiel, live-elec, 4 perf | 10:00:00 | 4 synt [synthesizer] | 0 | |||||||||||
| 169 | Kristi | Allik | Rondeau | 1985 | audiovisuell | 22:00 | Stereo | 6 com con slide projectors and dig sound | Uni Western ON | 0 | |||||||||
| 24176 | Kristi | Allik | Sea Spirits | 2002 | fixed media, akusmatisch | 5:00 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 40951 | Kristi | Allik | Shadow of the Wolf | 1997 | Zuspiel / Tonband, 1 perf | 7:43:00 | en-hn [Oboe] | 0 | |||||||||||
| 40956 | Kristi | Allik | Silicon Sidewinder | 1985 | Zuspiel / Tonband, 2 perf | 10:00:00 | 2 perc [Schlagzeug] | 0 | |||||||||||
| 40969 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part I | 1991 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40965 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part II | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40966 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part III | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40963 | Kristi | Allik | Skyharp: Icestorm | 2000 | Klangkunst, Installation | Interactive audio-visual installation/performance. | 0 | ||||||||||||
| 40952 | Kristi | Allik | Skyharp: The Skyline Variations | fixed media, akusmatisch | environmentally generated music | 0 | |||||||||||||
| 40967 | Kristi | Allik | Skyharp: The Skyline Variations | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40950 | Kristi | Allik | Songs of Auyuittuq | 1997 | Zuspiel / Tonband, 1 group | 10:04:00 | fem ch [Chor] | 0 | |||||||||||
| 40974 | Kristi | Allik | Until Rust Do Us Part | 1988 | Klanginstallation, live-elec, | 15:00:00 | Installation for electroacoustic tape, computer controlled 3-D multi-image projection, and sculptural kinetics. Visuals by Robert Mulder. | 0 | |||||||||||
| 40972 | Kristi | Allik | Vitamin B52 | 1989 | audiovisuell, live-elec, 1 perf | 25:00:00 | perf [Performer] | Digital Music-theatre for live performer, electroacoustic tape and computer controlled multi-image projection. Visuals by Robert Mulder. | 0 | ||||||||||
| 40954 | Kristi | Allik | Xanthé | 1988 | Zuspiel / Tonband, 1 perf | 11:00:00 | cl [Klarinette] | 0 | |||||||||||
| 165 | Kristi, Bentley | Allik, Jarvis | Electronic Zen Garden | 1984, 2005 | audiovisuell | 70 | Stereo | 0 | |||||||||||
| 38815 | Clara | Alloing | Nous somme | radiophon | 19:41 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | ||||||||||||
| 19309 | José | Alloza Escudero | 28 Diapasones | fixed media, akusmatisch | 7:57 | música electroacústica española 1/ | 1 | ||||||||||||
| 3 | Daniel, Gerald, Art, Wolfgang, Thomas, Gunnar, Roland, Balz, Daniel, | Almada, Bennett, Clay, Heiniger, Kessler, Kristinsson, Moser, Trümpy, Weissberg, | Klanglabyrinth | 1991 | fixed media, akusmatisch | nach Beethoven´s Ouverture"Die Weihe des Hauses". Group: Daniel Alejandro Almada, Gerald Bennett, Art Clay, Wolfgang Heiniger, Heinz Holliger, Thomas Kessler, Gunnar Kristinsson, Roland Moser, Balz Trümpy, Daniel Weissberg | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 171 | Daniel Alejandro | Almada | Interferencia | 1992 | fixed media, akusmatisch | 10:30 | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 172 | Daniel Alejandro | Almada | Presion Suburbana | 1992 | live-elec, 3 perf | 13:30 | p, Kbd, sam, (Elektronische Hände) [Piano, Keyboard, computer] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 170 | Daniel Alejandro, Art, Olaf, Gunnar | Almada, Clay, Järmann, Kristinsson | 44°15' auf 40° West | 1990 | live-elec, 1 group | 12:30 | ens [Ensemble] | Inventionen 4.2.1991 AdK | HSM Basel | 1 | 1991 | http://www.esbasel.ch/ | |||||||
| 25465 | Pedro | Almeida | In Rota | fixed media, akusmatisch | 10:51 | miso records mcd 016.07/ | 2005 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | |||||||||||
| 38679 | Pablo Sanz, Francesco, Katrin, Konrad, Group, Stefan, Group, Etienne, Tamer Fahri, Thomas | ALMOGUERA, GIOMI, Emler, KORABIEWSKI, LA COSA PREZIOSA, MALESEVIC, SOFTDAY, NOISEAU, ÖZGÖNENC, KÖNER | Europa – ein Klangpanorama (2) | 2011 | radiophon | 25:56:00 | 0 | ||||||||||||
| 33335 | André | Almuro | Androgyne Asiatique Adolescent | 1966 | radiophon | 5:40 | after own texts | PS C. Paris | 0 | ||||||||||
| 173 | André | Almuro | Arcadie | 1964 | fixed media, akusmatisch | 7:30 | Mono | PS C. Paris | 0 | ||||||||||
| 174 | André | Almuro | Artefact | 1981 | fixed media, akusmatisch | 25:54 | Stereo | INA • GRM | 28.3.1983 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||||
| 175 | André | Almuro | Emportez-moi | 1957 | radiophon | 1:30 | Mono | text by Michaux | Club d'Essai Paris | 0 | |||||||||
| 33333 | André | Almuro | Garde à vous au couchant | 1966 | radiophon | 2:30 | Mono | after words by Olivier Larronde | PS C. Paris | 0 | |||||||||
| 176 | André | Almuro | Grafitti – Poème Electronique II | 1957/1961 | fixed media, akusmatisch | 17:00 | Mono | new version of "de la nature" | PS C. Paris | 0 | |||||||||
| 177 | André | Almuro | L'enfant poète (Oratorio) | 1950 | fixed media, akusmatisch | 25:00 | Mono | PS C. Paris | 0 | ||||||||||
| 178 | André | Almuro | L’Envol | 1968 | fixed media, akusmatisch | BAM LD 60-18/ | 0 | ||||||||||||
| 179 | André | Almuro | Le condamné à mort | 1967 | fixed media, akusmatisch | 30:00 | Mono | after words by Jean Genèt | PS C. Paris | 0 | |||||||||
| 180 | André | Almuro | Le grand combat | 1957 | radiophon | 1:00 | Mono | text by Michaux | Club d'Essai Paris | 0 | |||||||||
| 181 | André | Almuro | Lévogyre | 1973 | fixed media, akusmatisch | 22:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 182 | André | Almuro | Opèra de corail – Poème Electronique IV | 1964 | fixed media, akusmatisch | 28:00 | Mono | with photos by N. Doyon, sculptures by L. Stoskopf | PS C. Paris | 0 | |||||||||
| 183 | André | Almuro | Opium | 1957 | radiophon | 29:12 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 184 | André | Almuro | Phonolite #1, #2 | 1966 | fixed media, akusmatisch | 11:00 | Mono | Mau/ | PS C. Paris | 0 | |||||||||
| 185 | André | Almuro | Réflexes | 1960 | fixed media, akusmatisch | 12:20 | Mono | PS C. Paris | 0 | ||||||||||
| 186 | André | Almuro | Sable memorial | 1985 | radiophon | 28:40 | Stereo | INA • GRM | Radio-France | 5.7.1986, 20h | France Culture | 0 | |||||||
| 188 | André | Almuro | several Radiophonic works | 1954 - 1960 | radiophon | Mono | Maison des Lettres Paris, CERT Paris | 0 | |||||||||||
| 189 | André | Almuro | Stratification – Poème Electronique V | 1967 | Performance | Klangkunst, Installation |
Mono | with films and sculptures | PS C. Paris | 0 | ||||||||||
| 33334 | André | Almuro | Structure rouge | 1966 | Demo, Studie | 28 | Mono | structures sonores pour des textes dits et chantés par Colette Magny | PS C. Paris | 0 | |||||||||
| 190 | André | Almuro | The Creation of the Animals | 1958 | radiophon | 19:50 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 191 | André | Almuro | The Ox and the Ass | 1958 | radiophon | 45:00 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 192 | André | Almuro | Transhumances – Poème Electronique III | 1963 | fixed media, akusmatisch | 28:30 | Mono | with photos by N. Doyon | PS C. Paris | 0 | |||||||||
| 193 | André | Almuro | Va et vient | 1966 | fixed media, akusmatisch | 4:35 | Mono | Mau/ | PS C. Paris | 0 | |||||||||
| 36288 | André, Colette | Almuro, Magny | Bura Bura | 1967 | fixed media, akusmatisch | 3:14 | Creel pone 057/ | 0 | |||||||||||
| 194 | Avelino | Alonso Rodriguez | Canciu de Seronda | 1985 | Zuspiel / Tonband, 1 perf | 24:15 | Quadro | a-rec [Flöte] | Sonology Utrecht | 0 | |||||||||
| 19532 | Avelino | Alonso Rodriguez | La Flor del Agua II | 1986 | fixed media, akusmatisch | 6:11 | Stereo | GME Cuenca | 0 | ||||||||||
| 19531 | Avelino | Alonso Rodriguez | Naira | 1986 | fixed media, akusmatisch | 13:05 | Stereo | GME Cuenca | 0 | ||||||||||
| 36426 | Edith | Alonso | Acerca de Tus Palabras | 2010 | fixed media, akusmatisch | lus_44 Luscinia/ | 0 | ||||||||||||
| 35718 | Edith | Alonso | Cicuit Messe | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 36679 | Edith | Alonso | Una Estancia Breve | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 34650 | Hara | Alonso | Resonance virtuel du piano corporel V. 2.0 | 2016 | live-elec, 1 perf | (imaginary) p [Piano] | SMC2016 | 03.2016 | Lyon | 0 | |||||||||
| 34651 | Hara, Anneke | Alonso, Kleimann | Saturn Rings, The City Composing | 2016 | live-elec, 1 perf | var mus [Musiker] | SMC2016 | 0 | |||||||||||
| 18583 | Juan Manuel | Alonso | Sine nomine | Zuspiel / Tonband, 1 perf | 5:46 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | ||||||||||
| 42785 | Max | Alper | peacenoisefarrockaway | 2012 | fixed media, akusmatisch | 4:06:00 | 0 | ||||||||||||
| 39599 | Ariadna | Alsina | “Closca KC” | 2017 | fixed media, akusmatisch | Ariadna Alsina | 0 | ||||||||||||
| 20750 | Carlos Roqué | Alsina | Entre vents et marées | 1994 | fixed media, akusmatisch | 12:11 | Stereo | INA C 2009/ | INA • GRM | 1 | |||||||||
| 195 | Carlos Roqué | Alsina | Etudes | 1978 | Zuspiel, live-elec, 1 group | 18:11 | Stereo | orc [Orchester] | 7 Ètudes | INA • GRM | Commande de l'Etat et de l'INA·GRM | 17.11.1979 | Metz, 8. Rencontres int., NOP, dir. G. Amy | 0 | |||||
| 196 | Carlos Roqué | Alsina | Harmonies | 1983 | Zuspiel / Tonband, 1 perf, 2 groups | 9:50 | Stereo | S, ch, orc [Sopran, Chor, Orchester] | INA • GRM | 0 | |||||||||
| 197 | Carlos Roqué | Alsina | Hinterland | 1982 | Zuspiel / Tonband, 2 perf | 26:03 | Stereo | p, perc [Piano, Schlagzeug] | INA C 2009/ | INA • GRM | Commande du Ministère de la Culture et de l'INA.GRM | 22.2.1982 | Paris, Maison de Radio France, Gd. Auditorium. C. Roque-Alsina (p), G. Sylvestre (perc) | 1 | |||||
| 198 | Carlos Roqué | Alsina | Hommage | 1984 | Zuspiel / Tonband, 1 perf | 21:16 | Stereo | p [Piano] | INA • GRM | Radio France | June 1984 | Toulouse | 0 | ||||||
| 20749 | Carlos Roqué | Alsina | Klavierstück VI, Hommage à Bach | 1984 | Zuspiel / Tonband, 1 perf | 20:53 | Stereo | p [Piano] | INA C 2009/ | INA • GRM | 1 | 2008 | |||||||
| 43057 | Birgitte | Alstead | Ice and Us | 2014 | Klangkunst, Installation | Location: Underground Theater | 0 | ||||||||||||
| 199 | Birgitte | Alsted | Growth | fixed media, akusmatisch | 0 | ||||||||||||||
| 19367 | Birgitte | Alsted | Sorgsang II (Lament II) | 1995 | fixed media, akusmatisch | 21:10 | Carsten Hobolt (Stimme) | dacapo 8.224083/ | DIEM Aarhus | Planetarium-concert-series | 0 | ||||||||
| 39616 | Birgitte | Alsted | WOANDERS (elsewhere) | 2015 | fixed media, akusmatisch | 20:10:00 | Birgitte Alsted | 0 | |||||||||||
| 200 | André | Altagör, Vernier | Métapoesie | 1952 | fixed media, akusmatisch | Mono | txtcompo with M. concrète | Club d'Essai Paris | 0 | ||||||||||
| 39498 | Siana | Altiise | Hypnagogia: The Space Between | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39787 | Francesco | Altilio | Aaktr | 2015 | fixed media, akusmatisch | 15:12:00 | Francesco Altilio | 0 | |||||||||||
| 23801 | Boris | Alvarado | Shu-Shu | fixed media, akusmatisch | 5:30 | 0 | |||||||||||||
| 201 | Eduardo Guimarães | Álvares | Estórias | 1987 | Zuspiel/Tonband, 1 perf | Musiktheater |
5:00 | Stereo | trbn [Posaune] | PS Bemol | 0 | |||||||||
| 202 | Eduardo Guimarães | Álvares | Nocturnal | 1991 | Zuspiel / Tonband, 1 perf | 4:50 | Stereo | a-sax [Saxophon] | PS Bemol | 0 | |||||||||
| 33975 | Paulo | Álvares | Pirlimpsiquice | 1993 | Zuspiel / Tonband, 1 perf | 13:02 | Quadro | va [Viola] | HfMT Köln | 0 | |||||||||
| 203 | Paulo | Álvares | Zero | 1991/1992 | fixed media, akusmatisch | 17:26 | Quadro | HfMT Köln | 0 | ||||||||||
| 204 | Paulo | Álvares | Zero II, ...fugatos magnificos, legatissimo... | 1993 | Zuspiel / Tonband, 1 perf | 7:00 | Quadro | p [Piano] | Komposition für Tasteninstrumente und quadrophones Tonband | HfMT Köln CD5/ | HfMT Köln | 1 | |||||||
| 34079 | Javier | Alvarez | A puro chanfle | 2006 | fixed media, akusmatisch | 8:39:00 | Quadro | 0 | |||||||||||
| 205 | Javier | Alvarez | Acuerdos por diferencia | 1989 | Zuspiel / Tonband, 1 perf | 11:29 | Stereo | hp [Harfe] | CD-SDL 390/ | City Uni London | Park Lane Group | 1989 | Hugh Webb, Purcell Room, London | Mention Bourges 1989 | 0 | ||||
| 206 | Javier | Alvarez | Appearance | 1989 | Tanz, 2 perf | Stereo | perc, MIDI [Schlagzeug, synthesizer] | City Uni London | 0 | ||||||||||
| 207 | Javier | Alvarez | Asi el acero | 1988 | Zuspiel / Tonband, 2 perf | 9:10 | Stereo | steel-drum, T [Tenor, Schlagzeug] | CD-SDL 390/ | City Uni London | Simon Limbrick with funds provided by the 1988 London Percussion Festival | 1988 | London Percussion Festival, London | 0 | |||||
| 23773 | Javier | Alvarez | Cactus géométries | 2002 | fixed media, akusmatisch | 19:22 | Stereo, Quadro | INA e 5015/ | INA • GRM | Groupe de Récherches Musicales with funds provided by the French Ministry of Arts | 2002 | Salle Olivier Messian, Radio France, Paris | 1 | ||||||
| 34127 | Javier | Alvarez | Calacas Imaginarias | 1994 | Zuspiel / Tonband, 1 group | 24 | mx ch [Chor] | New London Cahmber Choir with funds provided by Leicester Arts | 1994 | St. Mary de Castro, Leicester (New London Chamber Choir) | Auszeichnung ars electronica 1995 | 0 | |||||||
| 208 | Javier | Alvarez | Chak | 1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | MIDI [synthesizer] | MIDI | City Uni London | 0 | ||||||||
| 34130 | Javier | Alvarez | cylinder clouds/ | 2002 | fixed media, akusmatisch | Klangkunst, Installation |
24:00:00 | 3 fl [Flöte] | Installation for three flutes & electroacoustic sounds | the Scottish Flute Trio with funds provided by the Scottish Arts Council. | 2002 | The Scottish Flute Trio, The Lighthouse Art Centre, Glasgow Scotland | 0 | |||||||
| 34133 | Javier | Alvarez | De tus manos brotan pájaros | 2010 | Zuspiel / Tonband, 1 perf | 13:00:00 | bn [Fagott] | Wendy Holdaway | 2010 | Wendy Holdaway, Festival Cervantino, Mexico | 0 | ||||||||
| 34131 | Javier | Alvarez | Le repas du Serpent & Retour a la Raison | 2004 | audiovisuell, 1 perf | 9:00:00 | vc [Cello] | Ictus Ensemble | 2002 | François Deppe, Opera de Lille, France | 0 | ||||||||
| 210 | Javier | Alvarez | Luz Caterpilar | 1985/1986 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | p [Piano] | City Uni London | Mention Bourges 1986 | 0 | ||||||||
| 211 | Javier | Alvarez | Mambo à la Braque | 1990 | fixed media, akusmatisch | 3:02 | Stereo | IMED 9004/ IMED 0050/ IMED 9604/ | City Uni London | 1991 | Purcell Room, London | 1 | |||||||
| 34125 | Javier | Alvarez | Mambo Vinko | 1993 | Zuspiel / Tonband, 1 perf | 15 | trbn [Posaune] | INA • GRM | GRM with funds provided by the French Ministry of Arts | 1993 | Salle Olivier Messian, Radio France, Paris (Vinko Globockar) | 0 | |||||||
| 212 | Javier | Alvarez | Mannam | 1992 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | str (kayagum) [Streicher] | CD-SDL 390/ | IMEB Bourges | Projects Uk/ Newcastle upon Tyne | 1992 | Purcell Room, London (Inok Paek) | Auszeichnung ars electronica honorary mention 1993 | 0 | ||||
| 34132 | Javier | Alvarez | Negro Fuego y Cruzado | 2008 | audiovisuell, 2 perf | 11:00:00 | 2 b-cl [Klarinette] | Two bass clarinets, video and electroacoustic sounds | Festival Cervantino for Fernando Dominguez and Harry Spaarnay | 2008 | Fernando Dominguez and Harry Sparnaay, Festival Cervantino, Mexico | 0 | |||||||
| 23774 | Javier | Alvarez | Offrande | 2000 | Zuspiel / Tonband, 2 perf | 18:26 | Stereo | S, vc (cello-steel-pans) [Sopran, Cello] | INA e 5015/ | INA • GRM | Groupe de Récherches Musicales with funds provided by the French Ministry of Arts | 2000 | Salle Olivier Messian, Radio France, Paris (Florent Jodelet & Simon Limbrick) | 1 | |||||
| 34128 | Javier | Alvarez | Overture | 1995 | fixed media, akusmatisch | 1:00:00 | the 1995 Skinskateberg Electronic Music Festival | 1995 | Galleri Astley, Skinskateberg, Sweden | 0 | |||||||||
| 214 | Javier | Alvarez | Papalotl, Butterfly | 1987 | Zuspiel / Tonband, 1 perf | 13:13 | Stereo | p [Piano] | Fairlight | LDC 278044/45 Cultures Electroniques 2/ CD-SDL 390/ IRD 002 Irradia/ | City Uni London | September 1987 | Queen Elisabeth Hall, London (Philip Mead) | Prize Bourges 1987, Prize Prix Ars electronica 1988 |
1 | ||||
| 215 | Javier | Alvarez | Puerta sin pertas | 1990 | Zuspiel / Tonband, 1 perf | Stereo | str (kayagum) [Streicher] | City Uni London | 0 | ||||||||||
| 34126 | Javier | Alvarez | Pyramid | 1996 | Zuspiel / Tonband, 1 perf, 1 group | ≈ 7 | (any number of) inss [Instrument] | Sonic Arts Network Education | 1996 | Huddersfiled Festival | 0 | ||||||||
| 216 | Javier | Alvarez | Quemar las Naves | 1988 | live-elec, 1 group | 14:00 | ens [Ensemble] | ens | City Uni London | 0 | |||||||||
| 34129 | Javier | Alvarez | Recylce loops | 2002 | Zuspiel / Tonband, 1 perf, 1 group | perc-ens [Schlagzeug] | young percussion players | the Aldebourgh Fetival Education | 2002 | Aldebourgh Fetival.April | 0 | ||||||||
| 217 | Javier | Alvarez | Shekere | 2001 | live-elec, 4 perf | 11:00 | Stereo | 4 V [Stimme] | City Uni London | August 1995 | Dartington Hall, Devon (Simon Limbrick) | 0 | |||||||
| 218 | Javier | Alvarez | Temazcal | 1984 | Zuspiel / Tonband, 1 perf | 8:45 | Stereo | maracas [Schlagzeug] | CD-SDL 390/ | RCM London | 24.1.1984 | EMAS (Sonic Arts) series London | Mention Bourges 85 | 1 | 1994 | ||||
| 220 | Javier | Alvarez | The right mark | 1984 | Tanz | Stereo | CD-SDL 390/ | RCM London | 0 | ||||||||||
| 209 | Javier, Ian | Alvarez, Dearden | Edge Dance | 1987 | fixed media, akusmatisch | 4:00 | Stereo | BBC | November 1987 | University of East Anglia, Norwich | 0 | ||||||||
| 213 | Javier, Ian | Alvarez, Dearden | On Going On | 1987 | Zuspiel / Tonband, 1 perf | 11:11 | Stereo | bar-sax [Saxophon] | or WX7 | AVTR 001/ | City Uni London | Stephen Cottrell with fund provided by Estearn Arts Association | 1987 | University of East Anglia, Norwich (Stephen Cottrell) | 0 | ||||
| 219 | Javier, Ian | Alvarez, Dearden | The Panama Files | 1985 | fixed media, akusmatisch | Film |
4:00 | Stereo | City Uni London | Purcell Room, London October 1986 | October 1986 | Purcell Room, London | 0 | |||||||
| 28396 | Luis A., Christian, Ludger, Ludger, Hanns-Holger, Manfred, Otto, Markus | Alvarez, Fischer, Hennig, Kisters, Rutz, May, Vincze, Schlaffke | Einschluss 2 | 2006 | Klangkunst, Installation | 50 | Untertitel „Gefangenschaft hören“ - Werke für die ehemalige Untersuchungshaftanstalt des Ministeriums für Stattssicherheit Erfurt - Andreasstr., Audio-Katalog der Veranstaltung Juni - September 2006. Konzeptleitung M. May. Klangkonzepte für die Räume 102 bis 149 | Ausstellungsproduktion Erfurt | SEAM Weimar | 1 | |||||||||
| 25059 | Miguel | Alvarez | Estudio dobre Armónicos | fixed media, akusmatisch | 4:46 | 1 | |||||||||||||
| 25060 | Miguel | Alvarez | Octava Plaga | fixed media, akusmatisch | 4:04 | 1 | |||||||||||||
| 25061 | Miguel | Alvarez | Primera Plaga | fixed media, akusmatisch | 5:09 | 1 | |||||||||||||
| 38461 | Miguel | Alvarez | Representación, algunas cuestiones | 2005 - 2006 | Performance, Zuspiel, live-elec, 2 perf | 17 | tuba, actor, (elec, lights) [Tuba, Schauspieler] | TU Berlin, LIEM CDMC Madrid | 0 | https://vimeo.com/10672114 | |||||||||
| 25062 | Miguel | Alvarez | Triptico (parte 3) | fixed media, akusmatisch | 3:31 | 0 | |||||||||||||
| 25063 | Miguel, Sandra | Alvarez, Santana | Voyelles | fixed media, akusmatisch | 7:53 | lus_44 Luscinia/ | 1 | ||||||||||||
| 23803 | Pedro | Alvarez | Bahari II | 2004 | live-elec, 4 perf | fl, b-cl, va, vc [Flöte, Klarinette, Viola, Cello] | Premiere Noviembre 2004. XIV Festival de música contemporánea de la Universidad Católica. Santiago, Chile. | 0 | |||||||||||
| 23802 | Pedro | Alvarez | Tripali | 2005 | live-elec, 2 perf | 11:15 | S, va [Sopran, Viola] | Marzo 2005, Instituto Goethe. Santiago, Chile. | 0 | ||||||||||
| 33031 | Maria de | Alvear | The Inner | Performance | 9:45 | btc 04/ | 1 | ||||||||||||
| 33030 | Maria de | Alvear | Trueno | Performance | 3:49 | btc 04/ | 1 | ||||||||||||
| 35390 | Lucas Felipe | Alves de Oliveira | The Relentless Hole | 2013 | fixed media, akusmatisch | 7:18:00 | MR 2014 Métamorphoses 2014/ | 0 | |||||||||||
| 25817 | Bill | Alves | aleph | 2002 | audiovisuell | 9:37 | realized with POV-Ray, CSound | CMJ Vol 29-4, 2005/ | 1 | http://www.billalves.com/aleph.html | |||||||||
| 31682 | Bill | Alves | At First Light | 2012 | audiovisuell, live-elec, 1 group | 10:00:00 | ens, (video) [Ensemble] | 0 | |||||||||||
| 31707 | Bill | Alves | B. Bob Major | 1984 | fixed media, akusmatisch | 4:00:00 | 0 | ||||||||||||
| 31699 | Bill | Alves | Bending Space | 1988 | fixed media, akusmatisch | 7:00:00 | EMF/ | 0 | |||||||||||
| 31684 | Bill | Alves | Breath of the Compassionate | 2009 | audiovisuell, live-elec, 1 group | 9:00:00 | gamelan-ens, (video) [Ensemble] | 0 | |||||||||||
| 31686 | Bill | Alves | Celestial Dance | 2006 | audiovisuell, live-elec, 1 group | 11:00:00 | orc, (video) [Orchester] | Ins: 2222/4221/4 perc/cel/hp/str | 0 | ||||||||||
| 31690 | Bill | Alves | Collateral Damage | 1992 | audiovisuell, live-elec, 1 perf | 7:00:00 | com, (video) [computer] | Competition Musica Nova Prag 1994 | 0 | ||||||||||
| 31702 | Bill | Alves | Consort Music | 1987 | live-elec, 3 perf | 8:00:00 | 2 MIDI-Kbd, perc [Keyboard, Schlagzeug] | 0 | |||||||||||
| 31696 | Bill | Alves | Dream and Toccata | 1992 | live-elec, 1 perf | 6:00:00 | vc [Cello] | 0 | |||||||||||
| 31693 | Bill | Alves | Etude for MicroZone | 2003 | live-elec, 1 perf | 6:00:00 | (MicroZone microtonal) Kbd (controller) [Keyboard] | 0 | |||||||||||
| 31689 | Bill | Alves | Hiway 70 | 1997 | audiovisuell, live-elec, 1 perf | 11:00:00 | com, (video) [computer] | 0 | |||||||||||
| 21089 | Bill | Alves | In-yo | 1998 | Zuspiel / Tonband, 1 perf | 13:45 | shakuhachi [Flöte] | Csound | ICMC 1999/ The HMC American Gamelan/ | 1 | http://www.billalves.com/inyo.html | ||||||||
| 31695 | Bill | Alves | Late Breaking News | 2001 | live-elec, 1 perf | 8:00:00 | Sp [Sprecher] | 0 | |||||||||||
| 31683 | Bill | Alves | Liminal Landscape | 2012 | audiovisuell, live-elec, 1 group | 10:00:00 | ens, (video) [Ensemble] | 0 | |||||||||||
| 31694 | Bill | Alves | Mass Destruction | 2002 | Zuspiel, live-elec, 1 perf | 7:00:00 | (Retuned elec) va or vc, (CD) [Viola, Cello] | 0 | |||||||||||
| 31705 | Bill | Alves | Music for Lost (short film) | 1986 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 31701 | Bill | Alves | Music for Somatic Extensions (short film) | 1987 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 31706 | Bill | Alves | Redundant I | 1985 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31697 | Bill | Alves | Rubber Time | 1991 | live-elec, 4 perf | 9:00:00 | tpt, e-perc, perc, synt [Trompete, Schlagzeug, synthesizer] | 0 | |||||||||||
| 31698 | Bill | Alves | Spectral Motion | 1988 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31687 | Bill | Alves | Static Cling | 2000 | audiovisuell, live-elec, 1 perf | 8:00:00 | com, (video) [computer] | 0 | |||||||||||
| 31685 | Bill | Alves | Stellation | 2008 | audiovisuell, live-elec, 4 perf | 12:00:00 | str-qt, (video) [Streicher] | 0 | |||||||||||
| 31692 | Bill | Alves | The Geometry of Time | 2011 | fixed media, akusmatisch | 13:00:00 | com [computer] | 0 | |||||||||||
| 31704 | Bill | Alves | The Question Mark's Black Ink | 1986 | Zuspiel / Tonband, 2 perf | 17:00:00 | p, perc [Piano, Schlagzeug] | EMF/ | 0 | ||||||||||
| 31703 | Bill | Alves | The Terrain of Possibilities | 1987 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31688 | Bill | Alves | The Web Mandala | 1998 | Klangkunst, Installation | com (Web art) [computer] | 0 | ||||||||||||
| 31700 | Bill | Alves | Time Auscultations | 1987 | Zuspiel, live-elec, 1 perf | Tanz |
9:00:00 | robot, [computer] | robot choreography | EMF/ | 0 | |||||||||
| 31691 | Bill | Alves | Time Resonances | 2012 | live-elec, 1 perf | 7:30 | S [Sopran] | 0 | |||||||||||
| 221 | Akram | Alyasiri | Der Tanz der Schlange | 1980 | fixed media, akusmatisch | 5:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 222 | Magnar | Åm | Air ... av ande er du komen, til ande skal du bli ... | 1987 | Zuspiel, live-elec, 1 perf | 9:00 | db [Kontrabass] | kassett (til framføring), spolebånd (ikkje til framføring) | NOTAM | 0 | |||||||||
| 223 | Maryanne | Amacher | Adjacencies 1965 | 1965 | live-elec, 2 perf | var -60:00 | Quadro | 2 perc [Schlagzeug] | EMS UIUC | 0 | http://www.maryanneamacher.org | ||||||||
| 224 | Maryanne | Amacher | City Links, City Links WBFO Buffalo | 1967 | Klangkunst, Installation | var | Mono | including radio broadcast | Radio Buffalo, PS C. | 0 | http://www.maryanneamacher.org | ||||||||
| 33878 | Maryanne | Amacher | GLIA | 2006 | live-elec, 1 group | ens [Ensemble] | 2006 | TESLA Berlin, ens Zwischentöne | 0 | http://zkm.de/event/2012/05/maryanne-amacher-glia | |||||||||
| 27501 | Maryanne | Amacher | Gravity, Music for Sound-joined Rooms | 2006 | Klangkunst, Installation | 90:00 | 16 Tracks | Kehrer Verlag ISBN 978-3-939583-23-3/ | singuhr hörgalerie in der Parochialkirche Berlin-Mitte | 21.9.2006 | singuhr hoergalerie Berlin | 1 | 1985 | http://www.singuhr.de/page.php?ID=530 | |||||
| 38909 | Maryanne | Amacher | IMAfiction, portrait 06 | 2012 | Film | 30 | IMA portrait 06/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/portrait-08-electric-indigo/ | |||||||||
| 24838 | Maryanne | Amacher | KARYON Sound Character | 1996 | fixed media, akusmatisch | 15:31 | ASP 0966 / | 0 | http://www.maryanneamacher.org | ||||||||||
| 21551 | Maryanne | Amacher | Music for Sound-Joined Rooms, Living Sound, Patent Pending | 1979 | fixed media, akusmatisch | Ellipsis Arts 3673 - OHM: 03/ | 1 | 1985 | http://www.maryanneamacher.org | ||||||||||
| 27500 | Maryanne | Amacher | Petra, Variations for 2 Pianos | 1991 | Musikinstrument, keine EM, 2 perf | 40 | 2 p [Piano] | ISCM Zürich 1991 | 0 | http://www.maryanneamacher.org/Amacher_Archive_Project/Entries/2009/10/24_notes_on_Petra_%281991%29_variations_for_two_pianos_for_iscm_zurich.html | |||||||||
| 18584 | Maryanne | Amacher | PLAYTHING Sound Character | 1996 | fixed media, akusmatisch | 6:22 | Stereo | ASP 0966 / | 0 | http://www.maryanneamacher.org | |||||||||
| 26961 | Maryanne | Amacher | Sound Characters, making the third ear Music for Sound Joined Rooms |
1992 - 1995 | fixed media, akusmatisch | 58:00 | Stereo, Octo | "Sound Characters For Large Spaces, Architecturally Staged | Tzadik 7043 sound characters/ ARS 00/ | Auszeichnung ars electronica honorary mention 2000 (for the CD Tzadik 7043) | 1 | http://www.tzadik.com/index.php?catalog=7043 | |||||||
| 226 | Maryanne | Amacher | Stain, The Music Rooms | 1988 | live-elec, 1 perf | 3:56 | perf [Performer] | Kitchen 88, live | Nonesuch 9 79235-2, Imaginary Landscapes/ ASP 979235/ | 1 | http://www.straebel.de/gate/amacher.html | ||||||||
| 27681 | Maryanne | Amacher | TEO! | 2006 | Klangkunst, Installation | 56:00 | 48 Tracks | sound installation Mexico: plaza de Palacio de las Bellas Artes | Tzadik 8055 sound characters 2/ | Auszeichnung ars electronica: Golden Nica 2005 | 1 | ||||||||
| 28333 | Maryanne | Amacher | the critical band | 1980/1985 | Klangkunst, Installation | Festival Inventionen-85 | 0 | 1985 | |||||||||||
| 227 | Maryanne | Amacher | The House of Amacher | 1966 | fixed media, akusmatisch | ≈ 660:00 | Stereo | home or public use | EMS UIUC | 0 | http://www.maryanneamacher.org | ||||||||
| 18586 | Maryanne | Amacher | The Levi-Montalcini Variations | fixed media, akusmatisch | 19:36 | Stereo | Prix ars electronica 97/ | Auszeichnung ars electronica honorary mention 1997 | 0 | http://www.maryanneamacher.org | |||||||||
| 225 | Maryanne | Amacher | The Music rooms, Stain The Screen Dreams A Step Into It Supreme Connections |
1986 | intermedia | 25:00 | Stereo | part of the series. Under the same title Amacher had "a mini sound series" in the daad-galery Kurfürstenstraße from 20.2. - 15.3.1987 |
TU Berlin | DAAD (Musik im Februar) | 2.1987 | daad galerie Kurfürstenstraße | 0 | http://www.maryanneamacher.org | |||||
| 28422 | Maryanne | Amacher | Torse, Remainder | 1977 | Tanz, 1 group | 32 | Stereo | dancers [Tanz] | Simultanprojektion des Films (Charles Atlas "Torse" (Left Screen) and "Torse" (Right Screen)) nach der Choreographie von Merce Cunningham mit der Musik von Maryanne Amacher, 1977 (gespielt am 11.2.2010 in der Villa Elisabeth im Rahmen der Gedenkveranstaltung für Maryanne). | 1 | |||||||||
| 228 | Daniel Alejandro | Amada | Abrazos | 1993 | Zuspiel, live-elec, 1 perf | 13:00 | db [Kontrabass] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 40278 | Talia | Amar | Mutamorphosis | 2015 | fixed media, akusmatisch | 7:00:00 | Talia Amar | 0 | |||||||||||
| 21750 | Pedro | Amaral | Organa | 2001 | live-elec, 8 perf | 20:00 | 8 ins [Instrument] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 26393 | Pedro | Amaral | Réflexes I | 1996 | live-elec, 1 perf | 21:00 | bn [Fagott] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21751 | Pedro | Amaral | Script | 2003 | live-elec, 1 perf | 26:00 | perc [Schlagzeug] | Max/MSP | PS C. | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21749 | Pedro | Amaral | Transmutations | 1999 - 2000 | live-elec, 1 perf | 18:00 | p [Piano] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21862 | Michelle | Ambrosetti | Etude 1 (étude de stage) | 1970 | fixed media, akusmatisch | 5:08 | IMEB Bourges | 0 | |||||||||||
| 229 | Claudio | Ambrosini | Aula 104 | 1977 | Zuspiel / Tonband, 1 perf | ins (cromorno) [Instrument] | Con Venezia | 0 | |||||||||||
| 230 | Claudio | Ambrosini | Cadenza estesa e Coda | 1981 | Zuspiel / Tonband, 1 perf | 17:20 | Stereo | fl [Flöte] | CSC Padova | Biennale Venezia | 0 | ||||||||
| 24095 | Claudio | Ambrosini | Il Giudizio Universale | 1996 | Oper, 18 perf | ≈ 45:00 | Actor, 2 V, 15 ins [Stimme, Instrument, Schauspieler] | (opera buffa) | Tempo Reale Firenze | 0 | |||||||||
| 28378 | Claudio | Ambrosini | Rondo di forza | 1982 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 23810 | Juan | Amenábar | Amacatá | fixed media, akusmatisch | 8:55 | 0 | |||||||||||||
| 23814 | Juan | Amenábar | Cántigas en el Umbral | 1997 | fixed media, akusmatisch | 6:21 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 23812 | Juan | Amenábar | Contratempo, senzatempo | fixed media, akusmatisch | 16:18 | 0 | |||||||||||||
| 23805 | Juan | Amenábar | Feed Back | 1984 | Zuspiel / Tonband, 1 perf | vn [Violine] | Encargada por Pedro D'Andurian. 1984. Jornadas Mundiales de la SIMC. Toronto, Canadá. Sergio Polizzi, violin. |
0 | |||||||||||
| 23813 | Juan | Amenábar | Juegos | fixed media, akusmatisch | 5:42 | 0 | |||||||||||||
| 23806 | Juan | Amenábar | Klésis | fixed media, akusmatisch | 18:19 | 0 | |||||||||||||
| 23804 | Juan | Amenábar | Los Peces | 1956 | fixed media, akusmatisch | 3:03 | IDEAMA CD 057/ | 0 | |||||||||||
| 23811 | Juan | Amenábar | Ludus Vocalis | fixed media, akusmatisch | 6:30 | 0 | |||||||||||||
| 23807 | Juan | Amenábar | Música Contínua | fixed media, akusmatisch | 0 | ||||||||||||||
| 23808 | Juan | Amenábar | Preludio en High Key | fixed media, akusmatisch | 0 | ||||||||||||||
| 23809 | Juan | Amenábar | Sueño de un niño | fixed media, akusmatisch | 4:50 | 0 | |||||||||||||
| 231 | Frank | Amey | Variations I | 1960 | Zuspiel / Tonband, 1 perf | prep p [Piano] | Cage 1958 | PS C. NY | 0 | ||||||||||
| 36520 | Charles | Amirkhanian | Audience | 1971 - 1979 | fixed media, akusmatisch | 11:44:00 | Edition S Press 36/ | 0 | |||||||||||
| 233 | Charles | Amirkhanian | Bajanoom | 1990 | fixed media, akusmatisch | 3:02 | Stereo | Synclavier | IMED 9004/ IMED 9604/ | CCM Mills | 1 | http://www.ubu.com/sound/amir.html | |||||||
| 36524 | Charles | Amirkhanian | Dutiful Ducks | 1971 - 1979 | fixed media, akusmatisch | 2:00:00 | Edition S Press 36/ | 0 | |||||||||||
| 234 | Charles | Amirkhanian | Dzarim bess ga khorim | 1972 | fixed media, akusmatisch | 5:17 | text by Victor Bedoian | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 235 | Charles | Amirkhanian | Hypothetical moments | 1982 | radiophon | txtcompo | FYLP 1027/ | 1 | |||||||||||
| 42216 | Charles | Amirkhanian | Im Frühling | 1990 | radiophon | 39:55 | WDR Studio Akustische Kunst | 19.6.1990 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1375296&vi=5&SID | ||||||||
| 34402 | Charles | Amirkhanian | Just | 1972 | fixed media, akusmatisch | 4:30 | text-sound-composition | Edition S Press 36/ | SR Stockholm | 0 | |||||||||
| 232 | Charles | Amirkhanian | Mental Radio, nine text-sound compositions | 1980 - 1982 | fixed media, akusmatisch | 45 | text sound compositions | CRi SD 523/ | EMS Stockholm | 0 | |||||||||
| 34404 | Charles | Amirkhanian | Mugic, (for Francois Dufrêne) | 1973 | Performance | 5:27 | Stereo + Stereo + Stereo | text-sound-composition | Edition S Press 36/ | 0 | |||||||||
| 236 | Charles | Amirkhanian | Pas de voix - Homage to Samuel Beckett, Pas de voix | 1988 | radiophon | 16:35 | EBU 1991/ WER 6307-2/ PNM 26/ | WDR Studio Akustische Kunst | WDR / Studio Akustische Kunst | EBU Ars Acustica | 1 | ||||||||
| 42215 | Charles | Amirkhanian | Pianola, Pas de mains | 2001 | radiophon | 39:55 | WDR Studio Akustische Kunst, BEAMS | 31.3.2001 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436733&vi=4&SID | ||||||||
| 18587 | Charles | Amirkhanian | Politics as Usual | 1988 | fixed media, akusmatisch | 25:43 | Stereo | Centaur CRC 2194/ | 0 | ||||||||||
| 34401 | Charles | Amirkhanian | Radii | 1970/1972 | fixed media, akusmatisch | 2:03 | text-sound-composition | Edition S Press 36/ | SR Stockholm | 0 | |||||||||
| 36521 | Charles | Amirkhanian | Ray Man Ray | 1971 - 1979 | fixed media, akusmatisch | 2:01:00 | Edition S Press 36/ | 0 | |||||||||||
| 34403 | Charles | Amirkhanian | Roussier (Not Rouffier), (for Jim Rosenberg) | 1973 | fixed media, akusmatisch | 4 | text-sound-composition | Edition S Press 36/ | VPRO Radio | 0 | |||||||||
| 34405 | Charles | Amirkhanian | Seatbelt Seatbelt, (for Bernard Heidsieck) | 1973 | fixed media, akusmatisch | 14:58 | text-sound-composition | Edition S Press 36/ | 1750 Arch Street Concerts | 0 | |||||||||
| 36522 | Charles | Amirkhanian | Spolit Music | 1971 - 1979 | fixed media, akusmatisch | 4:38:00 | Edition S Press 36/ | 0 | |||||||||||
| 36523 | Charles | Amirkhanian | The Type without Time | 1971 - 1979 | fixed media, akusmatisch | 9:01:00 | Edition S Press 36/ | 0 | |||||||||||
| 18588 | Charles | Amirkhanian | Vers les Anges | 1990 | fixed media, akusmatisch | Stereo | ST 203, Starkland/ | Gotham NY | 0 | ||||||||||
| 34567 | Group | AMM | Later During A Flaming Riviera Sunset After Rapidly Circling The Plaza |
1967 | Performance | 41:34 | 5 perf [Performer] | Elektra EUK 256/ | 0 | ||||||||||
| 36290 | Group | AMM | Live at the Royal College of Art | 2001 | live-elec, 1 group | 6:24 | ens [Ensemble] | EMF CD 036 LMJ Vol 11/ |
0 | ||||||||||
| 238 | Benno | Ammann | "Esveha" | 1976 | fixed media, akusmatisch | 17:17 | Stereo | IPEM Gent | 0 | ||||||||||
| 239 | Benno | Ammann | Inventus | 1974 | Zuspiel / Tonband, 2 perf | 22:00 | trbn, p [Posaune, Piano] | 0 | |||||||||||
| 240 | Benno | Ammann | Les ailes de l'oiseau | 1982 | Fernsehen, | 9:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 241 | Benno | Ammann | Mouvements | 1976 | fixed media, akusmatisch | 8:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 242 | Benno | Ammann | Mutations | 1977 | Zuspiel / Tonband, 1 perf | 8:00 | S ad lib [Sopran] | 0 | |||||||||||
| 243 | Benno | Ammann | Périphériques | 1977 | fixed media, akusmatisch | 7:11 | Stereo | IPEM Gent | 0 | ||||||||||
| 244 | Benno | Ammann | Poemetto | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 245 | Benno | Ammann | Punti di Partenza, Points de départ | 1969 | Zuspiel / Tonband, 1 perf | 7:49 | Mono | b-cl [Klarinette] | Studio R7 | 0 | |||||||||
| 246 | Benno | Ammann | Reflets des Ondes | 1977 | fixed media, akusmatisch | 12:25 | Stereo + Stereo | IPEM Gent | 0 | ||||||||||
| 247 | Benno | Ammann | Refrain Lointain | 1979 | Zuspiel / Tonband, 1 perf | 6:26 | Stereo | tpt [Trompete] | IPEM Gent | 0 | |||||||||
| 248 | Benno | Ammann | Souffles du Désert, Breath of the Desert | 1974 | fixed media, akusmatisch | 18:25 | Quadro | Text: Reinhard Johannes Sorge | Sonology Utrecht | 0 | |||||||||
| 249 | Benno | Ammann | Splendeurs nocturnes | 1976, 1978 | Zuspiel / Tonband, 1 group | 26:15 | Quadro | orc [Orchester] | 2 versions: parts 1-2 (29 min), parts 1-8 (36 min) | Sonology Utrecht, Col.Princ EMC | 17.10.1977 | Utrecht, Gertekeerk | 0 | ||||||
| 250 | Benno | Ammann | Sumerian Song | 1971 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | S [Sopran] | Text: Sumerisches Kultlied aus altbabylonischer Zeit | Sonology Utrecht | 0 | ||||||||
| 251 | Benno | Ammann | The Gonm's Memory | 1979 | Zuspiel / Tonband, 1 perf | 11:44 | Stereo | tuba [Tuba] | IPEM Gent | 0 | |||||||||
| 252 | Benno | Ammann | Wanderings Strophe | 1979 | fixed media, akusmatisch | 7:54 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 253 | Benno | Ammann | Waterplants | 1974 | Zuspiel / Tonband, 2 perf | 12:04 | Quadro | V, p [Stimme, Piano] | Sonology Utrecht | 0 | |||||||||
| 237 | Benno | Ammann | Zwoelf Fasen, 12 Phasen | 1970 | Zuspiel / Tonband, 1 perf | ≈ 18:15 | Stereo | gui [Gitarre] | Synket-synt | Studio R7 | 5.5.1973 | Salzburg, Werner Raditschning | 0 | ||||||
| 42066 | Andreas, Roman | Ammer, Bunka | Benjamin loops, Die Benjamin Loops | 1992 | radiophon | 54:32 | BR | 15.7.1992 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1377520&vi=12&SID | |||||||||
| 42068 | Andreas | Ammer, Console | Loopspool | 1998 | radiophon | 22:48 | BR | 18.11.1998 | BR | 0 | |||||||||
| 38680 | Andreas, Group | AMMER, FM Einheit | Crashing Aeroplanes | 2001 | radiophon | 51:00:00 | 0 | ||||||||||||
| 42067 | Andreas, Group | Ammer, FM Einheit | Kaiser Wilhelm overdrive, Original-Sound-Fragmente vom deutschen Weltkrieg 1914 | 1991 | radiophon | 20:25 | Kurzhörspiel | BR | 20.3.1991 | BR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1372719&vi=23&SID | |||||||
| 37235 | William | Amsler | Agoraphobia | 2017 | fixed media, akusmatisch | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 254 | Gilbert | Amy | Cette etoile enseigne a s'incliner | 1970, 1976 | Zuspiel / Tonband, 2 perf, 1 group | 17:42 | Stereo | male Vs, ins [Stimme, Instrument] | INA • GRM | avril 1970 | Royan Festival, France. avec l'Ensemble du Domaine Musical et un groupe choral de l'ORTF, dir. M. Tabachnik | Heugel | 0 | ||||||
| 255 | Gilbert | Amy | Diaphonies | 1962 | Zuspiel / Tonband, 12 perf | 7:45 | Stereo | 12 ins (2 ens) [Instrument] | INA • GRM | 15.2.1963 | Paris, Salle des Conservatoires | 0 | |||||||
| 256 | Gilbert | Amy | L'enfer | ≈ 1964 | Film | Mono | Spielfilm, H: Clouzot | Siemens | 0 | ||||||||||
| 40486 | Gilbert | Amy | La femme sauvage | 1963 | Theatermusik | Pièce de Kateb Yacine. | INA • GRM | avril 1963 | Paris, Th. Récamier | 0 | |||||||||
| 257 | Gilbert | Amy | La variation ajoutée | 1984 | Zuspiel / Tonband, 1 group | 18:00 | ens [Ensemble] | IRCAM | 0 | ||||||||||
| 40498 | Gilbert | Amy | Miserable miracle | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40459 | Gilbert | Amy | Travelling, Variations | 1962 | Film | INA • GRM | 0 | ||||||||||||
| 259 | Gilbert | Amy | Une saison en enfer, Jadis si je me souviens bien… Mauvais Sang Soli piano Nuit de l'Enfer Nuite de l'Enfer (Suite) Délires 1 "Vierge folle" Délires 2 "Alchimie du Verbe" Ô Saisons, Ô châteux… |
1980 | Zuspiel / Tonband, 8 perf | 44:27 | Octo, Quadro, Stereo | S, s-V, p, perc, 4 V [Sopran, Stimme, Piano, Schlagzeug] | Text after A. Rimbaud. «Jadis si je me souviens bien…», Mauvais Sang, Nuit de l'Enfer, Nuite de l'Enfer (Suite), Délires 1 "Vierge folle", Délires 2 "Alchimie du Verbe", «Ô Saisons, Ô châteux…» |
INA C 2004/ Coll GRM AM 855.13/ INA ACM 1995/ | INA • GRM | Commande de l'Etat, de Radio France (ACR) et de l'INA.GRM. | 19.5.1980 | Paris, Maison de Radio France, Gd. Auditorium, avec C. Roque Alsina, J. P. Drouet, Hélène Garetti, solistes de la Maîtrise des Chœurs de Radio France, dir. G. Amy | 1 | ||||
| 40528 | Gilbert, Bernard | Amy, Parmegiani | Inferno | Film | INA • GRM | 0 | |||||||||||||
| 26218 | Chengbi | An | Aurore | 2004 | fixed media, akusmatisch | 21:08 | Surround 5.1 | INA • GRM | french state | 0 | http://www.anchengbi.com | ||||||||
| 25432 | Chengbi | An | Aurore II | 2004 | fixed media, akusmatisch | 15:31 | Surround 5.1 | INA • GRM | french state | 1 | http://www.anchengbi.com | ||||||||
| 26221 | Chengbi | An | Gediao | 2006 | Zuspiel / Tonband, 1 perf | 11:43 | Surround 5.1 | p [Piano] | INA • GRM | INA-GRM 2006 | 8.06.2008 | Maison de Radio-France, Paris | 0 | http://www.anchengbi.com | |||||
| 26220 | Chengbi | An | Hyun.Oh, Le rêve d'un poisson au fond de la mer son désir de lumière. |
1998 | Zuspiel / Tonband, 2 perf | 16:04 | Stereo | p, perc [Piano, Schlagzeug] | INA • GRM | Association Paris-Seoul | Second prize of the 17th International Electronic Music Competition, International Center of New Musical Sources ICONS, Italy. June. 1999 | 0 | http://www.anchengbi.com | ||||||
| 25433 | Chengbi | An | Moo.Nui, Moirés | 2002 | Zuspiel / Tonband, 1 perf | 17:59 | va [Viola] | INA • GRM | GRM | 1 | http://www.anchengbi.com | ||||||||
| 26219 | Chengbi | An | New Millenium Sunrise | 1999 | fixed media, akusmatisch | 15:09 | Stereo | INA • GRM | Sungsan New Millennium Sunrise Festival 2000 | 0 | http://www.anchengbi.com | ||||||||
| 25435 | Chengbi | An | Saek.Gong, L’espace des couleurs | 2002 | Zuspiel / Tonband, 5 perf | 21:25 | a-fl, str-qt [Flöte, Streicher] | INA • GRM | french state | 1 | http://www.anchengbi.com | ||||||||
| 25434 | Chengbi | An | Sin.Woon, Le mouvement mystique | 2001 | Zuspiel / Tonband, 1 perf | 16:07 | Stereo | cl [Klarinette] | INA • GRM | GRM | 1 | http://www.anchengbi.com | |||||||
| 25436 | Chengbi | An | The combination of Cells | 2007 | fixed media, akusmatisch | 13:20 | Surround 5.1 | INA • GRM | Shanghai PuJiang Project | 1 | http://www.anchengbi.com | ||||||||
| 39342 | Damian | Anache | Velo | 2017 | Performance, live-elec, | Live Electronics Performane Submission | 0 | ||||||||||||
| 260 | Johnny | Analog | 1000 Instant Crushes | 1985 | fixed media, akusmatisch | 3:20 | Stereo | 0 | |||||||||||
| 261 | Johnny | Analog | ECM2 | 1985 | fixed media, akusmatisch | 4:30 | Stereo | 0 | |||||||||||
| 262 | M. | Anastase | Né du Néant | 1992 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 32857 | Francesca | Ancarola | A | 1991 | fixed media, akusmatisch | 5:41 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 263 | Francesca | Ancarola | Arena | 1994 | fixed media, akusmatisch | Stereo | Uni Santiago | Ganadora de la categoría "Residencias" Bourges. | 0 | ||||||||||
| 23815 | Francesca | Ancarola | Loop | fixed media, akusmatisch | 0 | ||||||||||||||
| 40978 | James | Andean | Between the Leaves | 2012 | fixed media, akusmatisch | 5:14 | JTTP 2013 | 0 | |||||||||||
| 39878 | James | Andean | Déchirure | 2016 | fixed media, akusmatisch | James Andean | Uni De Montfort | 2nd Prize, 2013 Presque Rien Competition | 0 | ||||||||||
| 42765 | James | Andean | Hyvät matkustajat, The Good Travellers | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 40979 | James | Andean | Maledetta | 2011 | fixed media, akusmatisch | 6:48 | JTTP 2012 | 0 | |||||||||||
| 40980 | James | Andean | Medusan Torso | 2011 | fixed media, akusmatisch | 10:38 | JTTP 2011 | 0 | |||||||||||
| 264 | Carl-Olof | Anderberg | Dubbelspel | 1971 | Zuspiel / Tonband, 5 perf | S, Bar, cl, vc, p [Sopran, Bariton, Klarinette, Piano, Cello] | 0 | ||||||||||||
| 265 | Carl-Olof | Anderberg | Music for Piano, Winds and Tape | 1970 | Zuspiel / Tonband, 2 perf | p, w-ins [Piano, Bläser] | 0 | ||||||||||||
| 30896 | Torsten | Anders | bohren. knappern. raspeln. lecken. | 2000 | Klangkunst, Installation | permanent | Stereo | Stiftung Deutsches Gartenbaumuseum Erfurt, Germany | Deutsches Gartenbaumuseum Erfurt (Erfurt, Germany), permanent exhibition. | 0 | |||||||||
| 30904 | Torsten | Anders | Das grosse C | 1996 | fixed media, akusmatisch | 22 | Stereo | Liszt School of Music Weimar | 0 | ||||||||||
| 30895 | Torsten | Anders | Echospiele | 2001 | Klangkunst, Installation | 10:48 | Förderband Kulturbüro Berlin | Exhibition Reservoir V – Aerotektura. Grosser Wasserspeicher, Prenzlauer Berg (Berlin) | 0 | ||||||||||
| 30898 | Torsten | Anders | Farbklang | 1999 | Klangkunst, Installation | Design Zentrum Thüringen (Germany) | Pfrschblüt & Cyberblau: Goethe. Farbe. Raum. Kornspeicher Weimar | 0 | |||||||||||
| 30893 | Torsten | Anders | Harmony Studies | 2009 | fixed media, akusmatisch | Stereo | 2009 | Peninsula Arts Contemporary Music Festival (Plymouth) | 0 | ||||||||||
| 30897 | Torsten | Anders | Klavierkreisel | 1999 | fixed media, akusmatisch | 13:02 | Octo | Danish Institute of Electroacoustic Music (Copenhagen, Denmark) | 0 | ||||||||||
| 30901 | Torsten | Anders | Kunststoff. Fünf Variationen | 1998 | fixed media, akusmatisch | Octo | TU Berlin | 0 | |||||||||||
| 30903 | Torsten | Anders | livelets | 1998/1999 | Klangkunst, Installation | radiophon |
7:18 | Stereo, Octo | Radio sound installation (1999 octophonic concert version) | ‘Radio Dario’ of the Bauhaus-Universität Weimar, Liszt School of Music Weimar | 0 | |||||||||
| 30902 | Torsten | Anders | Longing | 1997 | Klangkunst, Installation | fixed media, akusmatisch |
Stereo, Octo | TU Berlin | 0 | |||||||||||
| 30905 | Torsten | Anders | Pfeifenspiel | 2012 | live-elec, 1 perf | org (MIDI) [Orgel] | SEAM Weimar | 16.11.2012 | HfM Weimar | 0 | |||||||||
| 30900 | Torsten | Anders | Piepser | 1999 | Klangkunst, Installation | Quadro | Municipal Atelierhaus of Weimar City (Germany). | open day of the Atelierhaus | 0 | ||||||||||
| 30892 | Torsten | Anders | Three Demos of MOTU’s Instrument Ethno 2 | 2010 | Demo, Studie | 11 | in collaboration with L’Atelier d’Exploration Harmonique (Le Thoronet, France). | Mark of the Unicorn (MOTU) | 0 | ||||||||||
| 30894 | Torsten | Anders | With Shifting Joints | 2003 | fixed media, akusmatisch | Octo | Thüringer Komponistenverband (Composers Society of Thuringia, Germany) | Conservatorio de Morelia (Morelia, Mexico) | 0 | ||||||||||
| 39586 | Anne Sophie | Andersen | Teru Teru | 2016 | fixed media, akusmatisch | Anne Sophie Andersen | 0 | ||||||||||||
| 37904 | Martin Stig | Andersen | Sleepdriver | 2003 | fixed media, akusmatisch | 8:05 | elek 001/ | 0 | |||||||||||
| 39530 | Aaron | Anderson | Studio Study No. 1 | 2015 | fixed media, akusmatisch | 6:37:00 | Aaron Anderson | 0 | |||||||||||
| 266 | Barry | Anderson | Arc | 1987 | Zuspiel / Tonband, 5 perf | 12:00 | b-cl, str-qt [Klarinette, Streicher] | CCD 1009 Continuum Records/ | IRCAM | 1 | |||||||||
| 267 | Barry | Anderson | Domingus | 1978 | Zuspiel / Tonband, 1 perf | 22:15 | Stereo | Sp [Sprecher] | after a poem by Paul Hylands | CCD 1009 Continuum Records/ | BBC, West Square London | 1 | |||||||
| 269 | Barry | Anderson | Electroacustic Fanfare | 1983 | fixed media, akusmatisch | 1:26 | CCD 1009 Continuum Records / | IRCAM | 1 | ||||||||||
| 268 | Barry | Anderson | En face de … II | 1977 | Zuspiel, live-elec, 2 perf | Quadro | S, db, (delay) [Sopran, Kontrabass] | West Square London | 0 | ||||||||||
| 270 | Barry | Anderson | Fanfarewell | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 271 | Barry | Anderson | Mask | 1976/1985 | fixed media, akusmatisch | Zuspiel, live-elec, 3 perf |
40:30 | fl, perc, Sp [Sprecher, Flöte, Schlagzeug] | No.1 tape-version ; No. 2 amp p; No. 3 with kbd and synt | CCD 1008 Continuum Records/ | IRCAM, West Square London | 1 | ||||||||
| 272 | Barry | Anderson | Piano Piece No. 1, 2, 3 | 1969/1974 | Zuspiel, live-elec, 2 perf | 33:00 | Stereo | p or amp p or synt, Kbd [Piano, Keyboard, synthesizer] | No.1 with tape; No 2 amp p; No. 3 synt Kbd | CCD 1009 Continuum Records/ | 1 | ||||||||
| 273 | Barry | Anderson | Piano Pieces I - III | 1973 | Zuspiel, live-elec, 1 perf | p, (rm) [Piano] | CCD 1009 Continuum Records/ | West Square London | 0 | ||||||||||
| 274 | Barry | Anderson | Proscenium | 1978/1979 | Zuspiel, live-elec, 1 perf | 20:12 | perc [Schlagzeug] | 0 | |||||||||||
| 275 | Barry | Anderson | Sound the tucket sonance and the note to mount | 1980 | Zuspiel / Tonband, 1 perf | 10:26 | trbn [Posaune] | CCD 1008 Continuum Records/ | 1 | ||||||||||
| 276 | Barry | Anderson | The Sun-Tamer | 1974 | Zuspiel, live-elec, 3 perf | Sp, proc p, perc [Sprecher, Piano, Schlagzeug] | Polynesian creation myths, storys-teller | West Square London | 0 | ||||||||||
| 277 | Barry | Anderson | Topograph | 1973 | live-elec, 3 groups | 3 group of perc, (elec) [Schlagzeug] | elec (Filter; rm) | West Square London | 0 | ||||||||||
| 278 | Dennis | Anderson | TIME AND THE WINGS OF SPARROWS | 1979/1980 | fixed media, akusmatisch | 10:13 | Quadro | SME Krakow | 0 | ||||||||||
| 35408 | Elizabeth | Anderson | … and Beyond, Solar Winds… and Beyond | 2012 | fixed media, akusmatisch | 9:37 | Octo | IMED 14127/ | Musiques et Recherches Ohain | October 4, 2014 | International Conference of Electroacoustic CIME / ICEM 2014, Denton, Texas | First Prize in the Musica Nova 2015 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | ||||||
| 41601 | Elizabeth | Anderson | Brussele | 1998 | fixed media, akusmatisch | 9:15:00 | Musiques et Recherches Ohain | M&R | 0 | ||||||||||
| 22319 | Elizabeth | Anderson | Chat noir | 1997 - 1999 | fixed media, akusmatisch | 9:59 | M&R, Mars 2000/ NOR 05/ | Musiques et Recherches Ohain | Prix du public du concours Noroit 1997 et parution sur CD Noroît vol 5 1998 | 1 | |||||||||
| 27756 | Elizabeth | Anderson | Ether | 2001 | fixed media, akusmatisch | 13:45 | Octo | IMED 14127/ | Musiques et Recherches Ohain, City Uni London, Akousma Soignies, CEMAMu/ Ateliers Upic/ CCMIX | Musiques et Recherches Ohain | October 3, 2001 | L’Espace du son 2001: Rue Schaeffer et Rue Schafer, Théâtre Marni (Brussels, Belgium) | Sélection à la TIME (tribune internationale de musique électroacoustique) en 2002 | 0 | 2002 | ||||
| 41599 | Elizabeth | Anderson | L'art de la guerre | 1997 | radiophon | 45:00:00 | (sur un texte radiophonique de Thierry Génicot) | Musiques et Recherches Ohain | 0 | ||||||||||
| 21777 | Elizabeth | Anderson | L'Eveil | 1998 | fixed media, akusmatisch | 10:02 | Musidisc 247982/ NOR 05/ | INA • GRM, Musiques et Recherches Ohain | 1 | ||||||||||
| 41603 | Elizabeth | Anderson | L'heure bleue: renaître du silence | 2016 | fixed media, akusmatisch | 16:38 | Octo | Musiques et Recherches Ohain | INA-GRM (avec l'aide dde la Fédération Wallonie-Bruxelles, service création artistique) | 0 | |||||||||
| 41600 | Elizabeth | Anderson | La Zone Dorée | 1998 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 24794 | Elizabeth | Anderson | Les Forges de l’invisible | 2002 - 2003 | fixed media, akusmatisch | 13:50 | MR 2004 Métamorphoses 2004/ IMED 14127/ | Métamorphoses 2004 | 1 | ||||||||||
| 279 | Elizabeth | Anderson | Mimoyecques | 1994 | fixed media, akusmatisch | 14:11 | Stereo | PANaroma 199.000.954/ IMED 14127/ | Musiques et Recherches Ohain | Zjuul Devens, Jozef Moerloos | June 4, 1994 | Fortress of Mimoyecques | Sélection Synthèse 94 Sélection au 1er concours international de musique électroacoustique de Sao Paulo CIMESP, 1995 Parution sur CD Maximal Music Vol. 2 |
1 | |||||
| 27748 | Elizabeth | Anderson | Protopia / Tesseract | 2005 - 2007 | fixed media, akusmatisch | 13:56 | Octo | wbm 168 b Electro AC Wallonie - Bruxelles/ IMED 14127/ | Musiques et Recherches Ohain, City Uni London, Akousma Soignies | May 8, 2007 | Electroacoustic Concert 5, City University London (London, England, UK) | First Prize at the Musica Nova 2008 Int. Competition of Electroacoustic Music (Prague) Honorary Mention at the Concurso Int. de Música Eletroacústica de São Paulo (CIMESP ’07, Brazil). |
1 | ||||||
| 35407 | Elizabeth | Anderson | Solar Winds, Solar Winds… and Beyond | 2012 | fixed media, akusmatisch | 9:37 | Octo | IMED 14127/ | Musiques et Recherches Ohain | Musiques & Recherches | October 27, 2012 | UNAM Campus Morelia (Morelia, Mexico) | First Prize in the Musica Nova 2015 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | |||||
| 41602 | Elizabeth | Anderson | Tesseract | 2003 - 2005 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 41598 | Elizabeth | Anderson | The Beast | 1995 | fixed media, akusmatisch | 10:00:00 | Musiques et Recherches Ohain | M&R | 0 | ||||||||||
| 280 | Elizabeth | Anderson | Transfiguration | 1994 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 39931 | Jon | Anderson | Lati | 2016 | fixed media, akusmatisch | Jon Anderson | 0 | ||||||||||||
| 42738 | Jon | Anderson | luft am morgen | 2012 | fixed media, akusmatisch | 6:19:00 | 0 | ||||||||||||
| 40989 | Joseph | Anderson | Change’s Music, ChAnGe’S MUSIC | 1996 | fixed media, akusmatisch | 26:00:00 | Spazialisation: Ambisonics | SCD 28046 Sargasso/ | BEAST | 2008 | Mexican Center for Music and Sonic Arts: Concert Series (Morelia, Mexico, 2008) · Transparent Tape Music Festival (Berkeley, USA, 2002) · Music Under the Stars (Palo Alto, USA, 2000) | 0 | https://joseph-anderson.org/works/ | ||||||
| 40981 | Joseph | Anderson | études d’image | 2006 | fixed media, akusmatisch | 13:07:00 | Spazialisation: Ambisonics | 2007 | Sounds Electric (Dundalk, Ireland, 2007) · San Francisco Tape Music Festival (San Francisco, USA, 2006) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 18589 | Joseph | Anderson | in mosaic | 1992 | fixed media, akusmatisch | 10:00 | Stereo | SEAMUS EAM 9402 Vol. 3/ | 0 | ||||||||||
| 40986 | Joseph | Anderson | Kyai Pranaja | 1998 | fixed media, akusmatisch | 19:45:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2010 | DXARTS Presents (Seattle, USA, 2010) · Sounds Electric (Dundalk, Ireland, 2007) · UnBalanced Connection (Gainesville, USA, 2007) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40992 | Joseph | Anderson | Loch Lomond | 1995 | fixed media, akusmatisch | 8:30:00 | Spazialisation: Ambisonics | 2009 | Soundings… (Edinburgh, UK, 2009) · Big Sur Experimental Music Festival (Big Sur, USA, 2000) · State of the Nation (London, UK, 1997) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40984 | Joseph | Anderson | Mpingo | 2009 | fixed media, akusmatisch | 23:20:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2009 | DXARTS Presents (Seattle, USA, 2010) · Ambisonic Symposium 2009 (Graz, Austria, 2009) · Habitación del Ruido (Mexico City, MEX, 2008) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40985 | Joseph | Anderson | Pacific Slope | 2002 | fixed media, akusmatisch | 26:15:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2010 | DXARTS Presents (Seattle, USA, 2010) · Ambisonic Symposium 2010 (Paris, France, 2010) · Sounds Electric (Dundalk, Ireland, 2007) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40982 | Joseph | Anderson | Rodeo Beach | 2005 | fixed media, akusmatisch | 3:15:00 | Spazialisation: Ambisonics | 2005 | San Francisco Tape Music Festival (San Francisco, USA, 2005) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40987 | Joseph | Anderson | Standing Waves at Christchurch Spitalfields | 1998 | Klangkunst, Installation | 1998 | Spitalfields Festival (London, UK, 1998) | 0 | https://joseph-anderson.org/works/ | ||||||||||
| 40988 | Joseph | Anderson | Standing Waves at Manchester Town Hall | 1998 | Klangkunst, Installation | 1998 | New Music ’98 ISCM World Music Days (Manchester, UK, 1998) | 0 | https://joseph-anderson.org/works/ | ||||||||||
| 40990 | Joseph | Anderson | the 7GATES of thebes | 1995 | fixed media, akusmatisch | 12:20:00 | Spazialisation: Ambisonics | 2002 | BEAST: Industry (Birmingham, UK, 2002) · 9th International Audio Visual Experimental Festival (Arnhem, Netherlands, 1995) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40983 | Joseph | Anderson | Train in Jack London Square | 2005 | fixed media, akusmatisch | 3:21:00 | Spazialisation: Ambisonics | 2005 | San Francisco Tape Music Festival (San Francisco, USA, 2005) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40991 | Joseph, Mathew, Rose, Jonty, Joseph, Alistair, Mario | Anderson, Adkins, Dodd, Harrison, Hyde, MacDonald, Verandi | Web | 1995 | Klangkunst, Installation | 21:40:00 | 1996 | 220 Volt, De Concertzender (Netherlands, 1996) · Hear and Now, BBC Radio 3 (UK, 1996) | 0 | https://joseph-anderson.org/works/ | |||||||||
| 281 | Laurie | Anderson | Automotive | 1972 | Klangkunst, Installation | live-elec, 1 perf |
∞ | vn [Violine] | PS C. | 0 | http://www.laurieanderson.com/ | |||||||||
| 21771 | Laurie | Anderson | Big Science | 1982 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 3674/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 21772 | Laurie | Anderson | Bright Red | 1995 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 45534/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 35060 | Laurie | Anderson | Handphone Table | 1978 | Klangkunst, Installation | ∞ | 2 user (wooden table, amp, elec box, 2 seats) [] | 0 | |||||||||||
| 33055 | Laurie | Anderson | Home of the brave, Smoke Rings White Lily Late Show Talk Normal Language Is A Virus Radar Sharkey's Night Credit Racket |
1986 | Film, live-elec, 5 perf | 34 | perc, gui, Kbd, sax, V [Stimme, Saxophon, Keyboard, Gitarre, Schlagzeug] | Warner 925 400/ | 1 | ||||||||||
| 21773 | Laurie | Anderson | Mister Heartbreak, Sharkey's Day Langue D'Amour Gravity's Angel Kokoku Excellent Birds Blue Lagoon Sharkey's Night |
1984 | live-elec, 9 perf | V, perc, vn, synt, str (kayagum), gui, perc (Linn-drum), sax, synclavier [Stimme, Saxophon, Gitarre, Schlagzeug, Violine, synthesizer, Streicher] | Warner 25077/ Warner 925077/ | 1 | http://www.laurieanderson.com/ | ||||||||||
| 282 | Laurie | Anderson | New York Social Life | 1977 | live-elec, 2 perf | 3:21 | Stereo | tambura, V and perf [Stimme, Performer, Streicher] | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ | PS C. | 1 | http://www.laurieanderson.com/ | |||||||
| 21774 | Laurie | Anderson | Puppet Motel | 1995 | live-elec, | CD-ROM | Voyager Company CPUPPM/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 22756 | Laurie | Anderson | Radar, Home of the brave | 1986 | fixed media, akusmatisch | 2:03 | Nuova atlantide (Beilage Buch)/ | 1 | http://www.laurieanderson.com/ | ||||||||||
| 21775 | Laurie | Anderson | Strange Angels | 1989 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 25900/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 283 | Laurie | Anderson | Time to go | 1977 | live-elec, 2 perf | 2:56 | Stereo | gui and org, V and vn [Stimme, Orgel, Gitarre, Violine] | for Diego | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ | PS C. | 1 | http://www.laurieanderson.com/ | ||||||
| 21776 | Laurie | Anderson | United States Live | 1983 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 25192/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 19035 | Laurie | Anderson | Whirlwind | 1996 | Klangkunst, Installation | 2:25 | Sonambiente Ausstellung (1996) Katalog S.35 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.laurieanderson.com/ | |||||||||
| 284 | Ruth | Anderson | Points | 1973 - 1974 | fixed media, akusmatisch | 5:25 | Stereo | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ Infiné IF 4002/ | Hunter Coll | 1 | |||||||||
| 22060 | Scott | Anderson | Boing farewell | fixed media, akusmatisch | 4:13 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 285 | Viki | Anderson | Endgame | 1995 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 286 | Åke | Andersson | Brown Autumn | 1979 | Yleisradio | 0 | |||||||||||||
| 287 | Åke | Andersson | Lapinkylä jää Tchojärven alle | 1977 | Yleisradio | 0 | |||||||||||||
| 288 | Åke, Antero | Andersson, Honkanen | Reidar's Electric Pictures | 1975 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 37221 | Klara | Andersson | My love is a dot on a line I don't know | 2017 | Zuspiel, live-elec, | 10:00:00 | Live-Elektronik und Zuspiel | UdK Berlin | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 289 | Magnus F | Andersson | Utan att passera | 1990 | fixed media, akusmatisch | 12:00 | 0 | ||||||||||||
| 26112 | Zhang, Zhang | Anding, Zafka | When HK Narbours London | 2005 | fixed media, akusmatisch | 11:40 | Surround 5.1 | a.k.a. Zhang Anding | CMJ Vol 31-4, 2007/ | 0 | |||||||||
| 18590 | Yasufumi | Ando | Incantation | 1994/1995 | fixed media, akusmatisch | 5:17 | Stereo | EX 256 ELAK (1995)/ | 0 | ||||||||||
| 290 | Michael | Andrade | Evolution | 1992 | live-elec, 1 perf, 1 group | 9:00 | Stereo | w-ens [Bläser] | CREAM | 0 | |||||||||
| 291 | Michael | Andrade | Fear Not Your Enemies | 1993 | fixed media, akusmatisch | 8:40 | Stereo | CREAM | 0 | ||||||||||
| 292 | Michael | Andrade | Umbrae | 1992 | fixed media, akusmatisch | 8:30 | Stereo | 1992 Eva Thompson Philips Award | CREAM | 0 | |||||||||
| 293 | Michael | Andrade | Urban Sonorities | 1995 | fixed media, akusmatisch | 40:00 | Stereo | CREAM | 0 | ||||||||||
| 32557 | Mark | Andre | … 22,13…, … Das O… (After „The Seventh Seal“ by Ingmar Bergman) … Der Letzte … … Das Ende … |
2011 | Musiktheater | 87 | Surround 5.1 | V, ins, (elec) [Stimme, Instrument] | work in progress | Neos 11122 SACD/ Neos 11067-68 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||
| 32879 | Mark | Andre | …22,13…, Das O (Nach dem Siebenten Siegel von Ingmar Bergman) Der Letzte Das Ende |
2004 | Oper, live-elec, 1 perf, 1 group | ≈ | Stereo, Surround 5.1 | ch, ins [Instrument, Chor] | work in progress. A Music-Theatrical Passion |
NEOS 11067-68 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||
| 22303 | Mark | Andre | AB II | 1996 | live-elec, 5 perf | 24:55 | db-cl, vc, cymbalom, perc, p [Klarinette, Piano, Schlagzeug, Cello, Streicher] | Endemble Recherche: Uwe Möckel, cl; Lucas Fels, vc; Françoise Rivalland, Cymbalon; Christian Dierstein, perc; Klaus Steffes-Holländer, p; Musikinformatik: Kent Celland Klangregie der Aufführung: André Richard, Experimentalstudio Freiburg Konzertmitschnitt ind Mischung: Christian Venghaus, ZKM |
WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ | Experimentalstudio für Akustische Kunst Freiburg | 07.11.1997 | ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe | 1 | http://brahms.ircam.fr/mark-andre | |||||
| 32574 | Mark | Andre | … als … II | 2001 | live-elec, 3 perf | db-cl, vc, p [Klarinette, Piano, Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32728 | Mark | Andre | … auf …,, Triptych for large orchestra | 2008 - 2013 | live-elec, 1 group | orc, (elec) [Orchester] | NEOS 10826/ WER 73222/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 32576 | Mark | Andre | hij2 | 2012 | live-elec, 1 group | ch [Chor] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32727 | Mark | Andre | Hoc | 2006 | live-elec, 1 perf | vc, (elec) [Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 38848 | Mark | Andre | … SELIG SIND … | 2018 | live-elec, 1 perf | 26 | multichannel | cl [Klarinette] | Zwischenräume des Entschwindens für Klarinette und Elektronik. Der Klarinettist „wandert“ von Raum zu Raum (14 Positionen), man hört „entfernte“ und direkte Klänge von ihm und Zuspielungen. |
Experimentalstudio für Akustische Kunst Freiburg | 28.4.2018 | Wittener Tage für neue Kammermusik 2018, Jörg Widmann, Märkisches Museum | 0 | https://www1.wdr.de/mediathek/av/video-mark-andre-ueber-seine-komposition-selig-sind-100.html | |||||
| 32575 | Mark | Andre | üg | 2008 | live-elec, 1 group | orc [Orchester] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32586 | Mark | Andre | wunderzaichen | 2014 | Oper | orc [Orchester] | siehe auch „Ringen um die Gegenwart“ (ein Film von Uli Aumüller). | Experimentalstudio für Akustische Kunst Freiburg | Staatsoper Stuttgart | 2.3.2014 | Staatsoper Stuttgart, Ltg. S. Cambreling | 0 | |||||||
| 294 | Gjermund | Andreassen | Requiem | 1986 | Zuspiel / Tonband, 7 perf, 1 group | ch, S, T, str-qt, p [Sopran, Tenor, Piano, Streicher, Chor] | NOTAM | 0 | |||||||||||
| 295 | Riccardo | Andreoni | 3C / FRP | 1965 | fixed media, akusmatisch | 30:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 296 | Riccardo | Andreoni | 4 PS | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 297 | Riccardo | Andreoni | F 3 A | 1965 | fixed media, akusmatisch | 60:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 31553 | Simon Ole | Andresen | …immer, rückwärts… | 2013 | live-elec, 2 perf | ≈ 8:00 | 2 perc [Schlagzeug] | next_generation 5.0 | HfM Lübeck | 26.6.2013 | ZKM | 0 | |||||||
| 40156 | Nicoletta | Andreuccetti | Living Voices | 2016 | Performance | Nicoletta Andreuccetti | 0 | ||||||||||||
| 39470 | Nicoletta | Andreuccetti | Notturno Sole | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39634 | Bruce, Michael | Andrews, Schumacher | Unintending | 2016 | fixed media, akusmatisch | Bruce Andrews and Michael Schumacher | Diapason | 0 | |||||||||||
| 40100 | Michael | Andrews | Creatures in the Gears | 2016 | fixed media, akusmatisch | Michael Andrews | 0 | ||||||||||||
| 24863 | Jurriaan | Andriessen | Overture to Orpheus | 1982 | Zuspiel / Tonband, 1 perf | 12:04 | hpd [Cembalo] | Spiteri | SNE 542/ | 0 | |||||||||
| 298 | Jurriaan | Andriessen | Pasticcio-Finale | 1974 | Zuspiel / Tonband, 2 groups | orc, jazz-band [Ensemble, Orchester] | 0 | ||||||||||||
| 299 | Jurriaan | Andriessen | The Cave | 1976 | Zuspiel / Tonband, 17 perf | vc, 12 w, 4 Kbd [Keyboard, Cello, Bläser] | 0 | ||||||||||||
| 300 | Louis | Andriessen | Il duce | 1977 | fixed media, akusmatisch | Stereo | CV 7702/ | Sonology Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 301 | Louis | Andriessen | In Memoriam | 1971 | fixed media, akusmatisch | 5:06 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 302 | Louis | Andriessen | Suite for recorders | 1964 | fixed media, akusmatisch | 8:00 | Mono | CEM Bilthoven | 0 | ||||||||||
| 34439 | Louis, Frits | Andriessen, Weiland | De Tuin der Lusten | 1969 | Theatermusik | 15 | Mono | Sonology Utrecht | 0 | ||||||||||
| 38472 | Elise | ANDRIEU | Parmi les oiseaux | 2009 | radiophon | 28:20:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 39866 | Ioannis | Andriotis | Shades of Life: Negative Space | 2015 | fixed media, akusmatisch | 2:59:00 | Ioannis Andriotis | 0 | |||||||||||
| 303 | Donald | Andrus | Electronic Study | 1963 | fixed media, akusmatisch | 3:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 304 | Donald | Andrus | Macbeth | 1964 | Theatermusik | 45:00 | Mono | EMS UIUC | 0 | ||||||||||
| 305 | Donald | Andrus | Study | 1964 | fixed media, akusmatisch | 4:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 306 | Leif | Andruszkow | Disparity m. v. | 1988 | live-elec, | 20:00 | DIEM Aarhus | 0 | |||||||||||
| 307 | Malgorzata | Andziak | Der Wald | 1972 | fixed media, akusmatisch | 7:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 308 | Malgorzata, Camilla | Andziak, Söderberg | Sphärenklänge | 1972 | fixed media, akusmatisch | 11:45 | Stereo | Raumadaption über einen Walzer von Josef Strauss | ELAK Wien | 0 | |||||||||
| 309 | Louis | Angelini | Derivazioni No. 5 | 1963 | fixed media, akusmatisch | 4:30 | Stereo | Fonologia Milano | 0 | ||||||||||
| 34239 | Klaus | Angermann | La Paloma | 1986 | Klangkunst, Installation | 45 | 6 Kassettenrecorder | Edition Giannozzo/ | Galerie Giannozzo | 1.-22.2.1986 | Galerie Giannozzo Berlin | 0 | |||||||
| 310 | István | Anhalt | Cento on Eldon Grier's "An Ecstasy" | 1966 | Zuspiel / Tonband, 12 perf | 10:50 | Stereo | 12 V [Stimme] | McGill MR 2001-01-2 Disc 1/ | McGill Montréal | 0 | ||||||||
| 311 | István | Anhalt | Electronic Composition No. 1 | 1959 | fixed media, akusmatisch | 6:08 | Stereo | sine nomine #1 | NRC Ottawa | 0 | |||||||||
| 312 | István | Anhalt | Electronic Composition No. 2 | 1959 | fixed media, akusmatisch | 8:48 | Stereo | sine nomine #2 | IDEAMA CD 091/ | NRC Ottawa | 0 | ||||||||
| 313 | István | Anhalt | Electronic Composition No. 3 "Birds & Bells" | 1960 | fixed media, akusmatisch | 11:00 | Stereo | IDEAMA CD 091/ | NRC Ottawa | 0 | |||||||||
| 314 | István | Anhalt | Electronic Composition No. 4 | 1961 | fixed media, akusmatisch | 11:20 | Stereo | IDEAMA CD 091/ | NRC Ottawa, Col.Princ EMC | 0 | |||||||||
| 31521 | Elena | Anisimova | Halimede S/2002 N 1 | 2013 | live-elec, 1 perf | ≈ 5 | Spazialisation: Zirkonium | theremin [synthesizer] | next_generation 5.0 | HfM Karlsruhe | 0 | ||||||||
| 28489 | Thomas | Ankersmit | Kleinere Zwerm | fixed media, akusmatisch | 3:11 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.thomasankersmit.net/ | |||||||||||
| 38681 | Thomas, Valerio | ANKERSMIT, TRICOLI | Echelon Teufelsberg | 2010 | radiophon | fixed media, akusmatisch |
48:34:00 | Auszeichnung ars electronica honorary mention 2011 | 0 | http://www.dradio.de/dkultur/sendungen/klangkunst/1293817/ | ||||||||||
| 43195 | Thomas, Valerio | ANKERSMIT, TRICOLI | Forma II, Zwerm Voor Tithonus Brent Mini Hunt Plague #7 Takht-e Tâvus |
2010 | fixed media, akusmatisch | 45 | (Serge Analogue Modular Synthesizer, Alto Saxophone, Guitar Pickups, Holosonic Speakers, Revox Tape Recorder, Walkman, Computer) [] | P-A 16/ | Auszeichnung ars electronica honorary mention 2012 | 0 | https://p-a-n.org/releases/ | ||||||||
| 18591 | Harri | Ansorge | Atmo stargd731X96 abends | 1996 | fixed media, akusmatisch | 73:34 | Stereo | (7 mouvements) | e. C. 500/147/ | 0 | |||||||||
| 36622 | Linda | Antas | A River from the Walls | 1999 | Zuspiel / Tonband, 1 perf | 10:12 | fl [Flöte] | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | 0 | |||||||||
| 40020 | Linda | Antas | All that Glitters and Goes Bump in the Night | 2015 | fixed media, akusmatisch | 7:39:00 | Linda Antas | 0 | |||||||||||
| 43033 | Linda | Antas | Iridescence | 2013 | fixed media, akusmatisch | 6:50:00 | 0 | ||||||||||||
| 315 | George | Antheil | Ballet mécanique | 1924, 1999 | live-elec, 26 perf | 30:51 | 3 xyl, 4 b-drums, tam tam, 2 p, (siren, 7 bells, 3 airplane propellors,) 16 player p [Piano, Schlagzeug] | after Fernand Léger. several Versions in 1926, 1927, 1953 | EMF 120/ Columbia ML 4956/ EMF 020/ EMF 160/ CDCD 5067/ | 1 | |||||||||
| 18592 | Group | Antimatter | Flyback transformer | 1996 | fixed media, akusmatisch | 5:16 | Stereo | ASP 0966 / | 0 | ||||||||||
| 23816 | Fernando | Antireno | Música para los ojos | 1985 | audiovisuell | Con video de pInturas Octubre de 1985, Festival Anacrusa. Santiago, Chile. |
0 | ||||||||||||
| 23817 | Fernando | Antireno | Stratus | live-elec, 1 perf | 6:16 | gui [Gitarre] | Luis Orlandini, guitarra | 0 | |||||||||||
| 316 | Theodore | Antoniou | Events III | 1969 | Zuspiel/Tonband, 1 group | intermedia |
ens, (slides) [Ensemble] | 0 | ||||||||||||
| 317 | Theodore | Antoniou | Heterophony | 1966 | fixed media, akusmatisch | 10:00 | Mono | Siemens | 0 | ||||||||||
| 318 | Theodore | Antoniou | Ich bin ein Gastarbeiter | 1964 | Film | 20:00 | Mono | Kurzfilm | Siemens | 0 | |||||||||
| 319 | Theodore | Antoniou | Kassandra | 1969 | Oper | 0 | |||||||||||||
| 320 | Theodore | Antoniou | Katharsis | 1968 | Zuspiel / Tonband, 1 perf, 1 group | fl, ens [Flöte, Ensemble] | EMI SCXG 56/ | 0 | |||||||||||
| 321 | Theodore | Antoniou | Klytemnestra | 1968 | Musiktheater, 3 groups | actors, dancers, ens [Schauspieler, Tanz, Ensemble] | 0 | ||||||||||||
| 322 | Theodore | Antoniou | OP overture | 1966 | Zuspiel / Tonband, 1 group | 4:00 | 3 tracks | orc [Orchester] | Siemens | Bärenreiter | 0 | ||||||||
| 323 | Theodore | Antoniou | Otan oi Atreides | 1964 | Theatermusik | 35:00 | Stereo | Siemens | 1964 | 0 | |||||||||
| 325 | Theodore | Antoniou | Parastasis I | 1977 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 326 | Theodore | Antoniou | Protest II | 1971 | Zuspiel / Tonband, | EMI CSDG 66/ | 0 | ||||||||||||
| 327 | Theodore | Antoniou | Schwerkraft | 1966 | Film | 7:00 | Mono | Industriefilm | Siemens | 0 | |||||||||
| 328 | Theodore | Antoniou | Synthesis | 1971 | live-elec, 8 perf | ob, org, perc, db, 4 synt [Oboe, Orgel, Schlagzeug, Kontrabass, synthesizer] | 0 | ||||||||||||
| 329 | Theodore | Antoniou | The Rhinoceros | 1962 | Theatermusik | 25:00 | Mono | PS C. | 0 | ||||||||||
| 42455 | Steve | Antosca | One becomes Two | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 330 | Anna | Antoszkiewicz | The Phoenix | 1975 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 35608 | Jesús | Antruejo | Contraposición de eventos | 2002 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 32566 | Jorge | Antunes | 3 evenements de la lumiere blanche | 1967 | Zuspiel / Tonband, 3 perf | 180 | str orc, fl, S, perc [Sopran, Flöte, Schlagzeug, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 31758 | Jorge | Antunes | Anaphore Symphocéanique | 2004 | fixed media, akusmatisch | 17:42 | Octo | SBME 008 Coletânea de Música Eletroacústica Brasileira/ | INA • GRM | 1 | |||||||||
| 331 | Jorge | Antunes | Auto-Retrato Sobre Paisaje Porteño | 1969/1970 | fixed media, akusmatisch | 14:50 | Stereo | Sistrum CD ST 001/ Musica el. periodo do pioneirismo/ E.S.Mangione LP.15003/ | Tella B.Aires | 1 | |||||||||
| 19482 | Jorge | Antunes | Ballade Dure | 1995 | fixed media, akusmatisch | 20:30 | Stereo | Sistrum CD ST 004/ | INA • GRM | Competition Musica Nova Prag 1996 | 1 | ||||||||
| 23285 | Jorge | Antunes | Canto do Pedeiro | 1968 | fixed media, akusmatisch | 4:11 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 32570 | Jorge | Antunes | Canto esthereofônico | 1978 | Zuspiel / Tonband, 7 perf | 14 | cl, bn, hn, va, vc, db, perc [Klarinette, Fagott, Horn, Schlagzeug, Viola, Cello, Kontrabass] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 23283 | Jorge | Antunes | Canto Selvagem, Savage Song | 1967 | fixed media, akusmatisch | 2:52 | Stereo | first piece made in the Villa-Lobos-Institut | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | Center for Chromo-Musical Research, Villa-Lobos Institut | 1 | ||||||||
| 33856 | Jorge | Antunes | Catastrofe Ultra-Violeta | 1974 | Zuspiel / Tonband, 2 groups | 20:10 | ch, orc [Chor, Orchester] | SISTRUM LPS 3001/ | 0 | ||||||||||
| 332 | Jorge | Antunes | Cinta Cita | 1969 | fixed media, akusmatisch | 4:55 | Stereo | first piece not at his private studio | Sistrum CD ST 001/ Musica el. periodo do pioneirismo/ E.S.Mangione LP.15003/ | Tella B.Aires | 1 | ||||||||
| 32567 | Jorge | Antunes | Concertatio I | 1969 | Zuspiel / Tonband, 5 perf, 1 group | 6 | 3 V, e-gui, perc, orc [Stimme, Gitarre, Schlagzeug, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 19199 | Jorge | Antunes | Contrapunctus contra Contrapunctus | 1965 | fixed media, akusmatisch | 4:16 | Stereo | E.S.Mangione LP.15003/ Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 33859 | Jorge | Antunes | Cromofonetica | 1980 | fixed media, akusmatisch | SISTRUM LPS 3002/ | 0 | ||||||||||||
| 33858 | Jorge | Antunes | Elegia Violeta para Monsenhor Romero | 1980 | fixed media, akusmatisch | SISTRUM LPS 3002/ | 1 | ||||||||||||
| 23361 | Jorge | Antunes | FlautatualF | 1972 | Zuspiel, live-elec, 1 perf | 12:45 | fl, (mic, bottle) [Flöte] | UnB CD 350010/ | Suvini Zerboni | 1 | |||||||||
| 23281 | Jorge | Antunes | Fluxo Luminoso para Sons Brancos I, Luminous flow for white sounds I | 1964 | fixed media, akusmatisch | 2:29 | Stereo | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | |||||||||
| 19197 | Jorge | Antunes | Historia de un Pueblo (BRLXX3) | 1970 | fixed media, akusmatisch | 15:50 | Stereo | some words ("General") was cutted by politicians 4 parts |
E.S.Mangione LP.15003/ ELCD 026 Electroshock Records/ | Tella B.Aires | 0 | ||||||||
| 23286 | Jorge | Antunes | Historia de un Pueblo por Nacer ou Carta Abierta a Vassili Vasilikos y a todos los Pesimista | 1970 | fixed media, akusmatisch | 15:50 | Stereo | 4 parts | Musica el. periodo do pioneirismo/ ELCD 027 Electroshock Records/ E.S.Mangione LP.15003/ IDEAMA CD 059/ | Tella B.Aires | 1 | ||||||||
| 23272 | Jorge | Antunes | Hombres tristes y sin titulo rodeados de pájaros en noche amarilla, violeta y naranja | 1998 | fixed media, akusmatisch | 8:46 | SBME 002, Musica el. Brasileira Vol 2/ ELCD 020 Electroshock Records/ | LIEM CDMC Madrid | 1 | ||||||||||
| 333 | Jorge | Antunes | Interlude No 1 pour Olga | 1993 | fixed media, akusmatisch | 3:13 | Stereo | Upic; excerpt from the Opera "Olga" | Sistrum CD ST 001/ SBME 001, Musica el. Brasileira Vol 1/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | ||||||||
| 32571 | Jorge | Antunes | Invocation en defense de la machine | 1968 | Zuspiel / Tonband, 4 perf | 9 | 4 perc [Schlagzeug] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 33857 | Jorge | Antunes | Isomerism | 1974 | Zuspiel / Tonband, 1 group | 10:40 | orc [Orchester] | SISTRUM LPS 3001/ | 0 | ||||||||||
| 31738 | Jorge | Antunes | João da Silva | 1966 | Musiktheater | ≈ 60 | Also short concertversion (on CD SBME 5:16) after the same stageplay by Emanuel de Moraes. | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 18400 | Jorge | Antunes | La beauté indiscrète d'une note violette | 1995 | fixed media, akusmatisch | 2:00 | Stereo | CEC Presence 2/ | IMEB Bourges | 1 | |||||||||
| 334 | Jorge | Antunes | Le cru et le cuit | 1993 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 32568 | Jorge | Antunes | Le Papillon bleu | 1969 | Oper, 9 perf | 22 | S, Mez, T, 2 actor, va, vc, p, perc [Sopran, Mezzo, Tenor, Piano, Schlagzeug, Viola, Cello, Schauspieler] | Mini-Opera for children | 0 | http://www.americasnet.com.br/antunes/index2.htm | |||||||||
| 23342 | Jorge | Antunes | Mixolydia | 1995 | Zuspiel, live-elec, 1 perf | 11:24 | theremin [synthesizer] | Lydia Kavina (Theremin). Mixolydische Tonart | mode 76/ | INA • GRM | 1 | http://www.moderecords.com/ | |||||||
| 23284 | Jorge | Antunes | Movimento Browniano | 1968 | fixed media, akusmatisch | 3:59 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 23280 | Jorge | Antunes | Música para Varreduras de Frequência | 1963 | fixed media, akusmatisch | 2:33 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 32573 | Jorge | Antunes | Nsubstituivel segunda | 1967 | Zuspiel / Tonband, 1 perf | 6 | vc [Cello] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 32564 | Jorge | Antunes | Olga | 1987/1997 | Oper, 2 perf, 2 groups | 120 | V, orc, ch, dancer [Stimme, Tanz, Chor, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 335 | Jorge | Antunes | Para nascer aqui | 1971 | fixed media, akusmatisch | 24:55 | Quadro | Sistrum CD ST 002/ | Sonology Utrecht | 1 | http://www.latinoamerica-musica.net/quienes/de.html | ||||||||
| 23279 | Jorge | Antunes | Pequena peça para mi bequadro e harmônicos, short piece for E matural and harmonics | 1961 | fixed media, akusmatisch | 3:46 | Stereo | first EM piece by Antunes (made in Rio de Janeiro: Center for Chromo-Musical Research) | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | ||||||||
| 336 | Jorge | Antunes | Proudhonia | 1972 | Zuspiel / Tonband, 12 perf | 10:19 | Stereo | 12 V [Stimme] | Sistrum LP 002/ Paulinas Comep/ SISTRUM LPS 3002/ | INA • GRM | 26.8.1972 | München, Haus der Kunst, Olympics; avec les solistes des chœurs de l’ORTF, dir. M. Courad | 1 | ||||||
| 32565 | Jorge | Antunes | Qorpo Santo | 1983 | Oper, 2 perf, 2 groups | 180 | V, orc, ch, actor, (2 tapes) [Stimme, Schauspieler, Chor, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 23543 | Jorge | Antunes | Rituel Violet | 1999 | Zuspiel / Tonband, 1 perf | 5:47 | t-sax [Saxophon] | Daniel Kientzy | CD 11807-9/ Pogus 21067/ | 1 | |||||||||
| 32572 | Jorge | Antunes | Serie enfants | 1987 | Zuspiel / Tonband, 1 perf | 17 | vn [Violine] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 32569 | Jorge | Antunes | Sinfonia das diretas | 1984 | Zuspiel, Performance, 6 perf, 1 group | 44 | sax, e-gui, e-b, e-p, perc, Sp, ch [Bass, Sprecher, Saxophon, Piano, Gitarre, Schlagzeug, Chor] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 25818 | Jorge | Antunes | Source | 1974 | Zuspiel, live-elec, 6 perf | 24:10 | A, fl, va, vc, p, synt AKS [Alt, Flöte, Piano, Viola, Cello, synthesizer] | GeMunB Brasilia | UnB CD 350010/ | 1 | |||||||||
| 23282 | Jorge | Antunes | Três Estudos Cromofônicos: Estudio para Circulos Verdes e Vermelhos Estudio para Espirais Azuis e Laranjas Estudio para Pontos Amarelos e Violetas |
1966 | fixed media, akusmatisch | 8:12 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 19198 | Jorge | Antunes | Valsa Sideral, Sideral Waltz | 1962 | fixed media, akusmatisch | 3:04 | Stereo | first electronic music work composed in Brazil (Center for Chromo-Musical Research ≈ his private Studio) | E.S.Mangione LP.15003/ Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ CMJ Vol 23-4, 1999/ | PS C. | 1 | ||||||||
| 18399 | Jorge | Antunes | Vitraux MCMXCY - hommage au huitième centenaire de la Cathédrale de Bourges | 1995 | fixed media, akusmatisch | 19:26 | Stereo | ELCD 026 Electroshock Records/ | IMEB Bourges | 0 | |||||||||
| 23363 | Jorge | Antunes | Vivaldia MCMLXXV | 1975 | Oper, live-elec, 8 perf | 21:18 | V, dancer, fl, ehn, hn, va, vc, p [Stimme, Flöte, Oboe, Horn, Piano, Viola, Cello, Tanz] | GeMunB Brasilia. Opéra-bouffe de chambre |
UnB CD 350010/ | Sistrum | 1 | ||||||||
| 31739 | Jorge | Antunes | Xadrez Especial | 1968 | Musiktheater | 3:27 | also excerpt for concert (CD SBME 3:27), after the stageplay „Special hoosegow“ by Alfredo Gerhardt. Last piece made at Villa-Lobos-Institut | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 31570 | Siamak | Anvari | Gereh | 2013 | fixed media, akusmatisch | 7:30 | next_generation 5.0 | Sonology Den Haag | 0 | ||||||||||
| 43145 | Ted | Apel | Potential Difference | 2001 | Klangkunst, Installation | Auszeichnung ars electronica honorary mention 2001 | 0 | ||||||||||||
| 23585 | Ted | Apel | Surface Osculations | 1998 | Klangkunst, Installation | 7:07 | Surround 5.1 | Sounds from large Metal-Plates returned back | CMJ Vol 27-4, 2003/ | UCSD | 1 | ||||||||
| 33463 | Theodore R. | Apel | Inverse Music Box | 2005 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33462 | Theodore R. | Apel | Irresonance | 2004 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33465 | Theodore R. | Apel | Negated Music Series | 2008 | audiovisuell | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33464 | Theodore R. | Apel | Whiteout | 2007 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 28577 | Georges | Aperghis | Dans le mur | 2007 | Zuspiel / Tonband, 1 perf | 18:25 | p [Piano] | IRCAM, S. Roux, Nicolas Hodges (p); Strobelstiftung | WD 2009, Wittener Tage Für Neue Kammermusik 2009/ | IRCAM, Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 337 | Georges | Aperghis | Entretiens | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 338 | Georges | Aperghis | Music for an Orange-Girl | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EMI SCXG 59/ | 0 | |||||||||||
| 339 | Georges | Aperghis | Sports et rebondissements | 1974 | Zuspiel / Tonband, 10 perf | 25 | 6 V, 2 trbn, tuba, perc [Stimme, Posaune, Tuba, Schlagzeug] | 30.6.1974 | Festival La Rochelle | Salabert | 0 | http://brahms.ircam.fr/textes/c00000002/n00004562/ | |||||||
| 40672 | Georges | Aperghis | Thinking Things, machine trilogy | 2017 | live-elec, 4 perf | 4 perf (robotische Erweiterungen, Video, Licht, Elektronik) [Performer] | last part of „machine trilogy“ (Machinations, 2000; Luna Park 2011) | IRCAM | 20.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, IRCAM | 0 | ||||||||
| 28572 | Georges | Aperghis | Zeugen | 2007 | Performance | 9:35 | V, actor, Sp, b-cl, a-sax, acc, cymbalom, p, (Live-video) [Sprecher, Stimme, Klarinette, Saxophon, Piano, Akkordeon, Schauspieler, Streicher] | WD 2007, Wittener Tage Für Neue Kammermusik 2007/ | Kompositionsuaftrag des WDR, der HdK Bern, Stadt Witten | 2007 | Wittener Tage für neue Kammermusik 2007mit Aperghis Ensemble, Ltg. Zsolt Nagy; S. Kammer (V), Chr. Widauer (Puppenspieler) | 1 | |||||||
| 340 | Aphrodita | Aphrodita | Dream | 1983 | fixed media, akusmatisch | 8:53 | Radio Sofia | 0 | |||||||||||
| 341 | Aphrodita | Aphrodita | Nirvana | 1987 | fixed media, akusmatisch | 11:00 | Radio Sofia | 0 | |||||||||||
| 342 | Aphrodita | Aphrodita | Observation of City Life | 1988 | fixed media, akusmatisch | 5:08 | Radio Sofia | 0 | |||||||||||
| 21942 | Nicolay, Kjell | Apollyon, Johnsen | BassOrganics | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 343 | Nicolay, Kjell | Apollyon, Johnsen | Cellorganics | 1994 | live-elec, 1 perf | vc [Cello] | NOTAM | 0 | |||||||||||
| 21943 | Nicolay, Kjell | Apollyon, Johnsen | Esquisse | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21944 | Nicolay, Kjell | Apollyon, Johnsen | Extended Noise II | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21945 | Nicolay, Kjell | Apollyon, Johnsen | Fractal Circles | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 344 | Nicolay, Kjell | Apollyon, Johnsen | Garden of Delight | 1990 | Zuspiel / Tonband, 1 perf | 18:25 | V [Stimme] | Rostrum 90 Oslo | PS IACS, NRK Oslo | 1 | |||||||||
| 345 | Nicolay, Kjell | Apollyon, Johnsen | Hommage à César Franck | 1990 | Zuspiel / Tonband, 1 perf | org [Orgel] | NOTAM | 0 | |||||||||||
| 346 | Nicolay, Kjell | Apollyon, Johnsen | Jeu aux grands jeux II | 1992 | Zuspiel / Tonband, 1 perf | 17:00 | org [Orgel] | NOTAM | 0 | ||||||||||
| 347 | Nicolay, Kjell | Apollyon, Johnsen | Liquescence | 1994 | Zuspiel / Tonband, 1 perf, 1 group | 30:00 | Bar, ens [Bariton, Ensemble] | IACS | 0 | ||||||||||
| 348 | Nicolay, Kjell | Apollyon, Johnsen | Mura-Iki | 1990 | live-elec, 1 perf | 17:25 | fl [Flöte] | (c-fl; a-fl; pic-fl) | LDC 278051/52 Cultures Electroniques 5/ | PS C. | 1 | ||||||||
| 349 | Nicolay, Kjell | Apollyon, Johnsen | Ram of Tides | 1992 | live-elec, 6 perf | S, fl, ob, cl, hn, vc, (elec ad lib) [Sopran, Flöte, Klarinette, Oboe, Horn, Cello] | NOTAM | 0 | |||||||||||
| 21946 | Nicolay, Kjell | Apollyon, Johnsen | Sora-Iki | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21947 | Nicolay, Kjell | Apollyon, Johnsen | Tachyon | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 350 | Nicolay, Kjell | Apollyon, Johnsen | Transmutations | 1994 | Zuspiel / Tonband, 1 group | 15:00 | orc [Orchester] | NMI | AURORA 4979/ | 0 | |||||||||
| 33225 | Rafael | Aponte-Ledée | Cuídense de los ángeles que caen | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 33224 | Rafael | Aponte-Ledée | Estravagario | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 33227 | Rafael | Aponte-Ledée | In Memoriam Salvador Allende | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | |||||||||||||
| 33226 | Rafael | Aponte-Ledée | Los huevos de Pandora | 1974 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 351 | Rafael | Aponte-Ledée | Presagio de pájaros muertos | 1966 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | Sp [Sprecher] | LIPM B.Aires | 0 | |||||||||
| 33228 | Rafael | Aponte-Ledée | Tentativas | Zuspiel / Tonband, 1 perf, 1 group | vn, orc [Violine, Orchester] | 0 | |||||||||||||
| 39290 | Alex | Appel | Great White, Sweetness | 2017 | fixed media, akusmatisch | Movement II | 0 | ||||||||||||
| 352 | Karel | Appel | Le cavalier blanc | 1961 | Film | 28:00 | Mono | PHI 99954/ | STEM Utrecht | 0 | |||||||||
| 353 | Karel | Appel | Musique Barbare, Paysage électronique Poème barbare Orgue de Barbarie et percussion |
1961 | Film | 28:00 | Mono | PHI 99954/ SR 420 sub rosa/ | STEM Utrecht | 0 | http://thresholdofbeauty.com/music excerpts/Musique barbare excerpt.mp3 | ||||||||
| 354 | Karel | Appel | Paysage electronique | 1961 | Film | 28:00 | Mono | PHI 99954/ | STEM Utrecht | 0 | |||||||||
| 18593 | Jacki | Apple | Voices in the Dark | 1988/1990 | radiophon | 25:26 | Stereo | WN 0014/ | 0 | ||||||||||
| 355 | Louis, Gustav | Applebaum, Ciamaga | Ottawa 1967 | 1966 | Theatermusik | 15:00 | Mono | outdoor th | UTEMS Toronto | 0 | http://www.markapplebaum.com/ | ||||||||
| 18594 | Mark | Applebaum | 16 Things | 1995 - 1996 | live-elec, | 0:35 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27152 | Mark | Applebaum | Aphoristic Fragment | fixed media, akusmatisch | 1:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 18595 | Mark | Applebaum | Bow:Tam Trees | 1995 - 1996 | live-elec, | 9:12 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27157 | Mark | Applebaum | Catastrophe | fixed media, akusmatisch | 4:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 22891 | Mark | Applebaum | Dead White Males ReMix, The Janus Remixes | 1998 | fixed media, akusmatisch | 6:05 | Stereo | from „The Janus Remixes“ | innova 532/ innova 116 / | 1 | http://www.markapplebaum.com | ||||||||
| 27145 | Mark | Applebaum | Echolalia | Zuspiel, Performance, 2 perf | 4:00 | 2 perf [Performer] | 22 amplified Dadaist rituals, electronically transformed and diffused by a second performer | 0 | http://www.markapplebaum.com | ||||||||||
| 27153 | Mark | Applebaum | Feldhausen | fixed media, akusmatisch | 5:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 27144 | Mark | Applebaum | Ferneyhough ReMix (Affection Aphorism 1) | Zuspiel / Tonband, 2 perf | 2:25 | Stereo | 2 perc [Schlagzeug] | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 27147 | Mark | Applebaum | Glass Bead Game | live-elec, 1 perf | 4:00 | roboter (orc) [computer] | for the LOGOS Foundation (Gent, Belgium). robot orc: piperola, ake, pianola, vibi, tubi, klung, troms, thunderwood, springers, drippers |
0 | http://www.markapplebaum.com | ||||||||||
| 27151 | Mark | Applebaum | Licensed to Fail | Zuspiel, Performance, 1 perf | 5:00 | ins (quadrachord) (2 sound-sculptures) [Instrument] | with Paul Dresher (quadrachord) | 0 | http://www.markapplebaum.com | ||||||||||
| 27150 | Mark | Applebaum | Mouseketier Praxis | Zuspiel, Performance, 4 perf | 25:35 | 4 perf (4 mouseketier; electroacoustic sound-sculpture) [Performer] | improvisations with live electronics | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 27148 | Mark | Applebaum | Mousetrap Music | fixed media, akusmatisch | 69:00 | a CD of electroacoustic sound-sculpture improvisations | 0 | http://www.markapplebaum.com | |||||||||||
| 18596 | Mark | Applebaum | Pluck: Koto | 1995 - 1996 | live-elec, | 3:18 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27146 | Mark | Applebaum | Plundergraphic | live-elec, 1 perf | 4:43 | Octo | 1 ins [Instrument] | for 1 or more acoustic instruments with live electronics, 8-channel tape, and live sound diffusion | innova 602/ | 0 | http://www.markapplebaum.com | ||||||||
| 27341 | Mark | Applebaum | Pre-Composition | 2003 | fixed media, akusmatisch | 13:27 | Octo | innova 602/ SEAMUS EAM Vol. 13/ | Electronic Music Midwest 2002 | 1 | 2008 | http://www.markapplebaum.com | |||||||
| 18597 | Mark | Applebaum | S-tog | 1993 | live-elec, 1 perf | 90:00 | Stereo | dancer [Tanz] | piece named "sound-sculptures". also version for any number of players (Improvisation) |
Innova 511/ | 0 | http://www.markapplebaum.com | |||||||
| 18598 | Mark | Applebaum | Salmagundi | 1995 - 1996 | live-elec, | 15:03 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27158 | Mark | Applebaum | Sandman | fixed media, akusmatisch | 5:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 27140 | Mark | Applebaum | Sargasso ReMix, The Janus Remixes | 1998 | fixed media, akusmatisch | 5:14 | Stereo | from „The Janus Remixes“ | innova 532/ | 0 | http://www.markapplebaum.com | ||||||||
| 27143 | Mark | Applebaum | Scipio Wakes Up and Smells the Coffee, The Janus Remixes | live-elec, 6 perf | 12:47 | vn, bn, 2 Kbd, e-perc, e-mar, (6 electroacoustic sound-sculptures (cross-listed above in "chamber")) [Fagott, Keyboard, Schlagzeug, Violine] | six players performing | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 18599 | Mark | Applebaum | Scrape: Threaded Rods | 1995 - 1996 | live-elec, | 3:56 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27156 | Mark | Applebaum | Skeletons in the Closet | fixed media, akusmatisch | var | Octo | 0 | http://www.markapplebaum.com | |||||||||||
| 27141 | Mark | Applebaum | Snagglepuss ReMix | 1998 | fixed media, akusmatisch | 3:00 | Stereo | a remix of John Zorn's/Naked City's "Snagglepuss" | Tzadik/ | 1 | http://www.markapplebaum.com | ||||||||
| 18602 | Mark | Applebaum | Storke: Nails | 1995 - 1996 | live-elec, | 4:57 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 18600 | Mark | Applebaum | Strike: 3/2+5: Groove | 1995 - 1996 | live-elec, | 3:14 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 18601 | Mark | Applebaum | Strike: Dulcimer Groove | 1995 - 1996 | live-elec, | 1:10 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27154 | Mark | Applebaum | Suicides | 1956, 1970 | fixed media, akusmatisch | 3:00 | Stereo | 0 | http://www.markapplebaum.com | ||||||||||
| 27159 | Mark | Applebaum | That Brainwave Chick | Performance | collaboration with Paras Kaul involving the transformation of neural activity into sound in live performance | 0 | http://www.markapplebaum.com | ||||||||||||
| 27149 | Mark | Applebaum | The Janus ReMixes, Narcissus Remix Mt. Moriah Remix Dead White Males Remix Triple Remix Anesthesia Remix Elegy Remix Sargasso Remix Scipio Remix Tlon Remix Chameleon Remix Janus Remix |
1998 | fixed media, akusmatisch | 61:00 | a CD of digital remixes of original acoustic works | innova 532/ | 1 | http://www.markapplebaum.com | |||||||||
| 27155 | Mark | Applebaum | Variations on Variations on a Theme by Mozart | fixed media, akusmatisch | 6:00 | Quadro | 0 | http://www.markapplebaum.com | |||||||||||
| 27142 | Mark | Applebaum | Zero-One | Klangkunst, Installation | 7:00 | mousetrap, an electroacoustic sound-sculpture | 0 | http://www.markapplebaum.com/zero.gif | |||||||||||
| 356 | Mary Jeanne van | Appledorn | Freedom of Youth | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 357 | Mary Jeanne van | Appledorn | Liquid Gold | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 358 | Mary Jeanne van | Appledorn | Matrices | 1979 | fixed media, akusmatisch | Stereo | Texas Composers Guild Award, 1980 | 0 | |||||||||||
| 359 | Jon | Appleton | 2 melodrams for Synclavier : Tale of W. Mariner; Snow Queen | 1982 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 37470/ | 1 | ||||||||||
| 360 | Jon | Appleton | Apolliana | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ IDEAMA CD 064/ | Bregman Dartmouth | 1 | |||||||||
| 361 | Jon | Appleton | Borrego Springs | fixed media, akusmatisch | 0 | ||||||||||||||
| 362 | Jon | Appleton | Boum Sha Boom | 1983 | fixed media, akusmatisch | 5:33 | Stereo | Darthmouth Archive DA10/ | IMEB Bourges | 0 | |||||||||
| 363 | Jon | Appleton | Brush Canyon | 1983 | fixed media, akusmatisch | 12:50 | Stereo | Synclavier | Centaur CRC 2052, CDCM Vol. 6/ | Bregman Dartmouth | 1 | ||||||||
| 364 | Jon | Appleton | C.C.C.P., in memoriam: Anatoly Kuznetsov | 1969 | radiophon | 5:10 | Stereo | Synclavier II (in memoriam: Anatoly Kuznetsov) |
FTS 33437/ IMED 9635/ Darthmouth Archive DA02/ Darthmouth Archive DA05/ | Bregman Dartmouth | 1 | ||||||||
| 33688 | Jon | Appleton | Ce Que Signifie La Déclaration Des Droits De L'Homme Et Du Citoyen De 1798, Pour Les Hommes Et Les Citoyens Des Îles Marquises | 1989 | fixed media, akusmatisch | 10:10 | 200. anniversary french constitution | maat 034/ | IMEB Bourges | 1 | |||||||||
| 18605 | Jon | Appleton | Chef d'oeuvre | 1967 | fixed media, akusmatisch | 2:23 | Stereo | IMED 9635/ Darthmouth Archive DA02/ IDEAMA CD 064/ | Bregman Dartmouth | 1 | |||||||||
| 366 | Jon | Appleton | Degitaru Ongaku | 1983 | fixed media, akusmatisch | 14:37 | Stereo | Synclavier | Centaur CRC 2052, CDCM Vol. 6/ Darthmouth Archive DA10/ | Bregman Dartmouth | 1 | ||||||||
| 19483 | Jon | Appleton | Dima dobralasa domoy | 1993 | fixed media, akusmatisch | 7:15 | Stereo | IMED 9635/ | Col.Princ EMC | 0 | |||||||||
| 367 | Jon | Appleton | Dr. Quisling in Stockholm | 1969 | fixed media, akusmatisch | CAP 60008/ | SR Stockholm | 0 | |||||||||||
| 368 | Jon | Appleton | Georganna's Fancy | 1966 | fixed media, akusmatisch | 2:30 | Stereo | IMED 9635/ Darthmouth Archive DA02/ Darthmouth Archive DA06/ | Col.Princ EMC | 0 | |||||||||
| 28157 | Jon | Appleton | Georganna's Farewell | 1975 | fixed media, akusmatisch | 6:10 | Stereo | one the first four pieces made with "The Dartmouth Digital Synthesizer" | FTS 33442/ | Bregman Dartmouth | 0 | ||||||||
| 370 | Jon | Appleton | Homage to Orpheus | 1967/1973 | fixed media, akusmatisch | Hintergrundmusik |
3:10 | Stereo | Synclavier II | FTS 33437/ IMED 9635/ | Bregman Dartmouth | 0 | ||||||||
| 369 | Jon | Appleton | Homenaje a Milanés | 1987 | fixed media, akusmatisch | 5:26 | Synclavier | Centaur CRC 2133, CDCM Vol. 11/ | 1 | ||||||||||
| 371 | Jon | Appleton | Human music | fixed media, akusmatisch | 1 | ||||||||||||||
| 376 | Jon | Appleton | In Deserto | 1977 | live-elec, 1 perf | 10:02 | synt [synthesizer] | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | ||||||||
| 18613 | Jon | Appleton | In medias res | 1978 | fixed media, akusmatisch | 9:46 | Stereo | IMED 9635/ | 0 | ||||||||||
| 372 | Jon | Appleton | Infantasy | 1965 | fixed media, akusmatisch | 2:56 | Stereo | FDS 103 Flying Dutchman/ Darthmouth Archive DA01/ | Col.Princ EMC | 0 | |||||||||
| 373 | Jon | Appleton | Kamuela, (Return to Waimea) | 1983 | fixed media, akusmatisch | 7:50 | Stereo | Darthmouth Archive DA10/ | EMS Stockholm | 0 | |||||||||
| 374 | Jon | Appleton | Kapingamarangi | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 375 | Jon | Appleton | Kungsgatan 8 | 1970 | fixed media, akusmatisch | 4:35 | EMS Stockholm | 0 | |||||||||||
| 34931 | Jon | Appleton | Mussems Sang | 1976 | live-elec, | 7:45 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ CAP 60008/ | Bregman Dartmouth | 0 | |||||||||
| 33685 | Jon | Appleton | Narita Airport Rock | 2002 | fixed media, akusmatisch | 7:01 | maat 034/ | IAMAS | 1 | ||||||||||
| 22351 | Jon | Appleton | Nevsehir | 1967/1973 | fixed media, akusmatisch | Synclavier II | FTS 33437/ | Bregman Dartmouth | 1 | ||||||||||
| 18612 | Jon | Appleton | Newark Airport Rock | 1968 | fixed media, akusmatisch | 2:12 | Stereo | IMED 9635/ Darthmouth Archive DA02/ maat 034/ | Bregman Studios Dartmouth | 1 | |||||||||
| 381 | Jon | Appleton | Nukuoro | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 382 | Jon | Appleton | Ofa atu Tonga | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ | Bregman Dartmouth | 1 | |||||||||
| 383 | Jon | Appleton | Oskuldens Dröm | 1985 | fixed media, akusmatisch | 8:20 | Stereo | Darthmouth Archive DA11/ | EMS Stockholm | 0 | |||||||||
| 384 | Jon | Appleton | Otahiti | 1974 | fixed media, akusmatisch | 9:07 | Stereo | Darthmouth Archive DA05/ maat 034/ | IMEB Bourges | 1 | |||||||||
| 18608 | Jon | Appleton | Pacific Rimbombo | 1992 | fixed media, akusmatisch | 5:46 | Stereo | Mathews / Boie Radio Drum and Radio Baton | Centaur CRC 2190, CDCM Vol. 15/ | Bregman Dartmouth | 1 | ||||||||
| 385 | Jon | Appleton | Primary Experience | 1965 | fixed media, akusmatisch | 3:00 | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | |||||||||
| 18611 | Jon | Appleton | San Francisco Airport Rock | 1996 | fixed media, akusmatisch | 3:23 | Stereo | IMED 9635/ maat 034/ Kiasma 1998/ | Bregman Studios Dartmouth | 1 | |||||||||
| 386 | Jon | Appleton | Sashasonjon | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ Darthmouth Archive DA09/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 32104 | Jon | Appleton | Sheremetyevo Airport Rock | 2003 | fixed media, akusmatisch | 5:19 | SEAMUS EAM Vol. 13/ Darthmouth Archive DA15/ maat 034/ | Theremin Center Moscou | 1 | ||||||||||
| 387 | Jon | Appleton | Sones de San Blas | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ Darthmouth Archive DA05/ | Bregman Dartmouth | 1 | |||||||||
| 18610 | Jon | Appleton | Spuyten Duyvil | 1967 | fixed media, akusmatisch | 2:58 | Stereo | IMED 9635/ Darthmouth Archive DA02/ | Uni Ann Arbor | 0 | |||||||||
| 388 | Jon | Appleton | Stereopticon | 1972 | fixed media, akusmatisch | 8:15 | Stereo | Synthi 100 | LDC 278053/54 Cultures Electroniques 6/ | Bregman Dartmouth | 2nd prize Bourges | 1 | |||||||
| 389 | Jon | Appleton | Study #1 | 1963 | fixed media, akusmatisch | 6:00 | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | |||||||||
| 21496 | Jon | Appleton | Study #2 | 1963 | fixed media, akusmatisch | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | ||||||||||
| 390 | Jon | Appleton | Study #3 (Columbia Etude I) | 1965 | fixed media, akusmatisch | 1:55 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 34928 | Jon | Appleton | Syntrophia | 1977 | live-elec, | 9:02 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 391 | Jon | Appleton | The Sweet dreams of Miss Pamela Beach | 1979/1981 | live-elec, 1 perf | 11:30 | Stereo | synt [synthesizer] | Synclavier I & II | FTS 37461/ Darthmouth Archive DA09/ hap vol 18 - 3/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||
| 34929 | Jon | Appleton | The Sydsing Camklang | 1976 | live-elec, | 6:45 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 394 | Jon | Appleton | Times Square Times Ten | 1969 | fixed media, akusmatisch | 9:02 | Stereo | FDS 103 Flying Dutchman/ FTS 33437/ IMED 9635/ Darthmouth Archive DA02/ IDEAMA CD 064/ | Col.Princ EMC, Bregman Dartmouth | 1 | |||||||||
| 33684 | Jon | Appleton | Tu Vas Très Bien, Madame Risset | 2004 | fixed media, akusmatisch | 7:32 | maat 034/ | Bregman Studios Dartmouth | 1 | ||||||||||
| 33687 | Jon | Appleton | Yamanote To Ko | 1997 | fixed media, akusmatisch | 8:30 | maat 034/ | 1 | |||||||||||
| 33686 | Jon | Appleton | Yuri Goes To America | 2004 | fixed media, akusmatisch | 4:14 | maat 034/ | Theremin Center Moscou | 1 | ||||||||||
| 34930 | Jon | Appleton | Zoetrope | 1974 | live-elec, | 5:17 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 392 | Jon, Georges | Appleton, Boeuf | Synclavier Connection | 1978 | live-elec, 1 perf | 20:00 | Stereo | synt [synthesizer] | GMEM Marseille | 0 | |||||||||
| 39977 | Katsuyuki | Araki | The Stream – Nagare – | 2017 | fixed media, akusmatisch | Katsuyuki Araki | 0 | ||||||||||||
| 40996 | David | Arango Valencia | Burundanga | 2013 | fixed media, akusmatisch | 10:26 | 0 | ||||||||||||
| 32001 | David | Arango Valencia | Canción de Otraparte, Chanson d'ailleurs | 2011 | fixed media, akusmatisch | 12:04 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 2. prize | 1 | |||||||||
| 34351 | David | Arango Valencia | To Foglets | 2012 | fixed media, akusmatisch | 11:13:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 1. prize | 0 | |||||||||
| 40997 | David | Arango Valencia | Trompe | 2012 | fixed media, akusmatisch | 10:34 | JTTP 2013 | 0 | |||||||||||
| 36469 | Naoyuki | Arashi | From Scene 99 To The End - Kohayagawa-ke No Aki | 2007 | radiophon | 1:34:00 | and 26/ | 0 | |||||||||||
| 28379 | George | Arasimowicz | Bohater | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 395 | George | Arasimowicz | Extensions | 1985 | live-elec, 1 perf | Stereo | fl, (extensions) [Flöte] | Out to pasture | 0 | ||||||||||
| 396 | George | Arasimowicz | Resonances/Dissonances | 1986 | audiovisuell | 10:50 | Stereo | 0 | |||||||||||
| 397 | George | Arasimowicz | Vai | 1984 | fixed media, akusmatisch | 11:22 | Stereo | 0 | |||||||||||
| 398 | Delphina | Araujo | Vision Conformiste | 1976 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 399 | Sergio | Araujo | Delirium Tremens | 1976 | fixed media, akusmatisch | 20:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 40998 | Frederic | Arbour | Invocation | 2009 | fixed media, akusmatisch | 10:29 | 0 | ||||||||||||
| 32006 | Frederic | Arbour | Vortexed | 2008 | fixed media, akusmatisch | 9:51 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 32902 | Cory | Arcangel | Music for Stereos | 2010 | Performance | ∞ | 30.11.2010 - 1.5.2011 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | ||||||||||
| 40022 | Loredana | Arcaro | F_for_G#_T_Studio n. 3 | 2015 | fixed media, akusmatisch | 4:20:00 | Loredana Arcaro | 0 | |||||||||||
| 25819 | Mikel | Arce Sagarduy | *.WAV | 2004 | Klangkunst, Installation | 3:23:00 | Dokumentation einer Klanginstallation mit 4 bewegten / angeregten Metallplatten, KEIN Ton! | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2004 | 1 | |||||||||
| 400 | Aluizio | Arcela | /cartas/rs95.car | 1995 | fixed media, akusmatisch | 4:25 | II SBC&M/ | Uni Brasília sala 24 | 1 | ||||||||||
| 24337 | Phil | Archer | CD err | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21087 | Phil | Archer | Kung Fu | 1999 | fixed media, akusmatisch | 3:40 | SAN 08/99 Sonic arts network/ | 1 | |||||||||||
| 23364 | Phil | Archer | Study No. 36 - swing piano | 2002 | fixed media, akusmatisch | 3:37 | ARiADA 2003/ | UEA Norwich | 1 | ||||||||||
| 401 | Violet | Archer | Episodes | fixed media, akusmatisch | 8:40 | WM- SMLP 4024/ | Con Toronto | 1 | |||||||||||
| 402 | Serge | Arcuri | Chronaxie | 1983/1984 | Zuspiel / Tonband, 1 perf | 12:05 | Stereo | perc [Schlagzeug] | IMED 9310/ Centrediscs CMC 2786 Canadian Music Center/ | Uni Saskatoon, Uni Montréal | Mention Bourges 87 | 1 | |||||||
| 403 | Serge | Arcuri | Errances | 1992 | Zuspiel / Tonband, 2 perf | 14:00 | Stereo | ob d'amore, hp [Oboe, Harfe] | IMED 9310/ | Info-MIDI Montreal | Mention Bourges 1993 | 1 | |||||||
| 404 | Serge | Arcuri | La porte des sables | 1989 | live-elec, 3 perf | 11:30 | Stereo | ob, perc, synt [Oboe, Schlagzeug, synthesizer] | IMED 9310/ | 1 | |||||||||
| 406 | Serge | Arcuri | Lueurs | 1987 | Zuspiel / Tonband, 2 perf | 12:27 | Stereo | hn, perc [Horn, Schlagzeug] | IMED 9310/ | Info-MIDI Montreal, St 605 Montréal | 1 | ||||||||
| 407 | Serge | Arcuri | Murmure | 1989 | fixed media, akusmatisch | 12:26 | Stereo | MIDI | IMED 9310/ ACM 37 CD 1-4/ | PS Bruit vert Montreal | 1 | ||||||||
| 408 | Serge | Arcuri | Prélude aux Méandres | 1985 | fixed media, akusmatisch | 3:29 | Stereo | Jupiter 8, Fairlight II | IMED 9310/ | Uni Montréal | 1 | ||||||||
| 409 | Serge | Arcuri | Résurgence | 1982 | fixed media, akusmatisch | 6:42 | Stereo | IMED 9310/ | HfM Montreal | 1 | |||||||||
| 37181 | Alfredo | Ardia | Metamorfosi | 2016 | Klangkunst, Installation | ∞ | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 43071 | Alfredo | Ardia | Metamorfosi | 2016 | Klangkunst, Installation | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | |||||||||||
| 23329 | Bülent | Arel | Capriccio for TV | 1969 | fixed media, akusmatisch | 6:06 | Stereo | Opus one 59/ | Col.Princ EMC | 1 | |||||||||
| 410 | Bülent | Arel | Electronic Music No. 1 | 1960 | fixed media, akusmatisch | 8:44 | Mono | one of the first piece of RCA-synzhesizer Mark II | CRi S 356/ Son Nova 3/ SR 300 sub rosa/ SR 431 sub rosa/ | Col.Princ EMC | 0 | ||||||||
| 23328 | Bülent | Arel | Fantasy of Dance | 1973 | Zuspiel / Tonband, 5 perf | 8:02 | Stereo | 5 va [Viola] | Col.Princ EMC | 1 | |||||||||
| 23326 | Bülent | Arel | Mimiana I : Flux | 1968 | Tanz | 10:38 | Stereo | Finna SR 9020/ IDEAMA CD 064/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 411 | Bülent | Arel | Mimiana II : Frieze | 1969 | Tanz | 12:57 | Mono | CRi SD 300/ Finna SR 9020/ IDEAMA CD 064/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 23327 | Bülent | Arel | Mimiana III : 6 - 7, Mimiana III : Six & Seven | 1973 | Tanz | 12:14 | Stereo | Finna SR 9020/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 415 | Bülent | Arel | Music for a Sacred Service, Prelude and Postlude | 1961 | Film | 6:49 | Stereo | Son Nova 3/ NWR 80521/ | Col.Princ EMC | 0 | |||||||||
| 412 | Bülent | Arel | Music for string Quartet and electronic Oscillator | 1957 | live-elec, 5 perf | 9:00 | Mono | str-qt, elec (oscillator) [elektronik, Streicher] | Col.Princ EMC, Radio Ankara | 0 | |||||||||
| 413 | Bülent | Arel | Music for String Quartet and electronic Sound | 1957, 1962 | Zuspiel / Tonband, 4 perf | 10:00 | Mono | str-qt [Streicher] | rev. from M. for string quartet and elec Oscillator (59) | Opus one 59/ | Col.Princ EMC | 0 | |||||||
| 414 | Bülent | Arel | Postlude, from music for a sacred service | 1961 | fixed media, akusmatisch | 3:57 | Mono | SoN S 3/ SR 390 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 416 | Bülent | Arel | Stereo Electronic Music No. 1 | 1961 | fixed media, akusmatisch | 10:28 | Stereo | one of the first piece of RCA-synzhesizer Mark II | SR 431 sub rosa/ CRI SD 268/ Mainstream MS 6566/ NWCR 611/ | Col.Princ EMC | 1 | ||||||||
| 417 | Bülent | Arel | Stereo Electronic Music No. 2 | 1970 | fixed media, akusmatisch | 14:18 | Stereo | siehe CRI SD 268 | CRi CD 611/ Finna QD 9010/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | ||||||||
| 419 | Bülent | Arel | The Scapegoat Suite | 1961 | fixed media, akusmatisch | 28:54 | Mono | Col.Princ EMC | 0 | ||||||||||
| 418 | Bülent | Arel | The Scapegoat, a Fragment | 1961 | fixed media, akusmatisch | 1:23 | Mono | Son Nova 3/ | Col.Princ EMC | 0 | |||||||||
| 420 | Bülent | Arel | Wall Street Impressions | 1961 | Film | 3:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 22936 | Bülent, Daria | Arel, Semegen | Out of Into | 1972 | fixed media, akusmatisch | 16:32 | NWR 80521/ SR 431 sub rosa/ | Col.Princ EMC | 1 | ||||||||||
| 35637 | Mario | Arenas | Busqueda y retorno | 1998 | fixed media, akusmatisch | 8:23 | Uni de la serena 1/ | 0 | |||||||||||
| 23818 | Mario | Arenas | Fuego fatuo | 2000 | fixed media, akusmatisch | 4:00 | software "Punto y Tono" | 07.2000 | Sala SCD, Santiago, Chile. | 0 | |||||||||
| 23819 | Mario | Arenas | Fuego fatuo II | fixed media, akusmatisch | 0 | ||||||||||||||
| 21863 | Daniel | Arfib | Fragments complets | 1998 | fixed media, akusmatisch | 11:15 | IMEB Bourges | 0 | |||||||||||
| 421 | Daniel | Arfib | L'approche de la lumière | 1980 | fixed media, akusmatisch | 13:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 422 | Daniel | Arfib | Le Souffle du Doux | 1978 | fixed media, akusmatisch | 10:22 | Stereo | WER 2022-50, Computer Music Currents 2/ | CNRS Marseille | 1 | |||||||||
| 423 | Daniel | Arfib | Tre de Dos | 1984 | fixed media, akusmatisch | 22:10 | Stereo | 1st prize Bourges | 0 | ||||||||||
| 424 | Daniel | Arfib | Voyelles d'éveil | 1977 | fixed media, akusmatisch | 8:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 25015 | Steve | Argüelles | Metro Mix | 2001 | fixed media, akusmatisch | 5:52 | Beats und anderes | real ambient vol. 4/ | PS | 1 | |||||||||
| 34852 | Matthew, Kvanç | Ariaratnam, Tatar | Oblique Strategies | 2016 | fixed media, akusmatisch | 17:00:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 425 | Javier | Arias Bal | Limiar | 1991 | live-elec, 1 perf | 11:00 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 42892 | Ricardo | Arias | Eight Bells | 2013 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 42456 | Christopher | Ariza | demiurgic ecstasy whispering in streets of ear | 2008 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 32109 | Christopher | Ariza | onomatopoeticized | 2004 | fixed media, akusmatisch | 8:31:00 | SEAMUS EAM Vol. 15/ | 0 | |||||||||||
| 19282 | Javier | Ariza | Low Level | 1997 | radiophon | 11:56 | La Muse en Circuit, 3. concours de création radiophonique/ | GME Cuenca | 1 | ||||||||||
| 18616 | Manuel | Ariza | The West End | 1997 | Zuspiel / Tonband, 1 perf | 5:47 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | |||||||||
| 37257 | Anna | Arkushyna | Ihearyou | 2016 | fixed media, akusmatisch | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 426 | Paul | Arma | 7 variations spatiophoniques | 1959 | fixed media, akusmatisch | 22:00 | Mono | IDEAMA CD 020/ | PS C. Paris | 0 | |||||||||
| 427 | Paul | Arma | Concerto pour bande magnétique | 1959 | fixed media, akusmatisch | 38:30 | Mono | with text by Jaime Torres | ORTF Paris | 0 | |||||||||
| 428 | Paul | Arma | Grille d’azur et de menthe | 1967 | fixed media, akusmatisch | 90:00 | oratorio pour bande magnetique; (texte de Pablo Picasso) | ORTF Paris | 0 | ||||||||||
| 429 | Paul | Arma | L'Oiseau-qui-n'existe-pas | 1964 | fixed media, akusmatisch | 6:00 | Mono | after a poem by Claude Aveline | PS C. Paris | 0 | |||||||||
| 430 | Paul | Arma | Musique de chambre | 1966 | fixed media, akusmatisch | 21:50 | 0 | ||||||||||||
| 431 | Paul | Arma | Quand la mesure est pleine – cantate pour bande magnetique | 1962 | fixed media, akusmatisch | 47:45 | Mono | with text by Michel Seuphor | ORTF Paris | 0 | |||||||||
| 432 | Paul | Arma | Quatre transparences | 1967 | fixed media, akusmatisch | 16:30 | ORTF Paris | 0 | |||||||||||
| 433 | Paul | Arma | Suite pour bande magnetique | 1960 | fixed media, akusmatisch | 21:30 | Mono | Radio Luxembourg Paris | 0 | ||||||||||
| 39943 | Joshua | Armenta | Tres Gritos Para Mi Patria | 2016 | fixed media, akusmatisch | Joshua Armenta | 0 | ||||||||||||
| 19724 | Eduardo | Armenteros | Danzas Clónicas y Fractales | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 18617 | Eduardo | Armenteros | El granito gegra extrañas vibraciones ( 3 mouvements) | Zuspiel / Tonband, 1 perf | 7:57 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | ||||||||||
| 19719 | Eduardo | Armenteros | El Planeta Verde | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19722 | Eduardo | Armenteros | El Secuenciario anacreóntico | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 19720 | Eduardo | Armenteros | El Sueño de la Razón produce Monstruos | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19717 | Eduardo | Armenteros | Formación de un Tríptico | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19718 | Eduardo | Armenteros | Las Pinturas negras de Goya | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19723 | Eduardo | Armenteros | Mil Novecientos y d"OMS" | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 19721 | Eduardo | Armenteros | Preludios ómnicos I & II | 1986 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 434 | Eduardo | Armenteros | Tres piezas en forma de tríptico, (Apparition Strates Rituel) |
1983 | fixed media, akusmatisch | CIRM Nice | 0 | ||||||||||||
| 28550 | Iain | Armstrong | Matchine | 2005 | fixed media, akusmatisch | 6:20 | Stereo | BEAST | 1 | 2010 | www.iainarmstrong.net | ||||||||
| 21579 | Iain | Armstrong | set adrift in stolen moments | 1999 | fixed media, akusmatisch | 12:45 | SCD 28034 Sargasso/ | BEAST | 1 | 2000 | www.iainarmstrong.net | ||||||||
| 40999 | Iain | Armstrong | Transcriptions électroniques | fixed media, akusmatisch | 12:01 | 0 | |||||||||||||
| 31601 | Sebastian | Arnold | Public Static Void | 2013 | fixed media, akusmatisch | 5:00 | 5 tracks | next_generation 5.0 | TU Berlin | 0 | |||||||||
| 33429 | Thomas | Aronis | Electronic Study | 1965 | fixed media, akusmatisch | 3:30 | Stereo | Uni Philadelphia | 0 | ||||||||||
| 33430 | Thomas | Aronis | Poor Bitos | 1966 | Theatermusik | 10 | Mono | Uni Philadelphia | 0 | ||||||||||
| 435 | Thomas | Arras | A.B.C. | 1968 | fixed media, akusmatisch | 8:33 | Quadro | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | PS Raaijmakers | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 436 | Thomas | Arras | FRS, 'n ode aan atoombom 2 or the next one | 1971/1972 | fixed media, akusmatisch | 60:00 | Quadro | on 2 tapes | Sonology Utrecht | 0 | |||||||||
| 437 | Thomas | Arras | Gamma No. III | 1970 | fixed media, akusmatisch | 26:53 | Quadro, Stereo | Sonology Utrecht | 0 | ||||||||||
| 39661 | Chris | Arrell | Altamira 1b | 2017 | fixed media, akusmatisch | Chris Arrell | 0 | ||||||||||||
| 39329 | Chris | Arrell | Creme 21 | 2017 | live-elec, | (music for) | 0 | ||||||||||||
| 39662 | Chris | Arrell | Mutations | 2015 | fixed media, akusmatisch | 7:38:00 | Chris Arrell | 0 | |||||||||||
| 23821 | Jorge | Arriagada | A4 | fixed media, akusmatisch | 0 | ||||||||||||||
| 438 | Jorge | Arriagada | Arena y mas allá | 1974 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 23822 | Jorge | Arriagada | Chile 1970 | Zuspiel / Tonband, 9 perf | str-octet, mus [Musiker, Streicher] | 0 | |||||||||||||
| 439 | Jorge | Arriagada | Chile 1973 | 1973 | fixed media, akusmatisch | 19:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 23820 | Jorge | Arriagada | Concierto para violín y cinta | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | |||||||||||||
| 23823 | Jorge | Arriagada | Cuatro momentos musicales | fixed media, akusmatisch | 0 | ||||||||||||||
| 440 | Jorge | Arriagada | Etude | 1972 | fixed media, akusmatisch | 9:15 | Stereo | Pueblo Nuevo PN.CD.001/ | IMEB Bourges | IMEB Bourges | 0 | ||||||||
| 441 | Jorge | Arriagada | Indio | 1972 | fixed media, akusmatisch | 13:00 | Stereo | LDC 2781126 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 442 | Girolamo | Arrigo | 2 studios | 1963 | fixed media, akusmatisch | 5:50 | Mono | Fonologia Milano | 0 | ||||||||||
| 443 | Girolamo | Arrigo | Etude | 1959 | fixed media, akusmatisch | 3:30 | Mono | Etude de stage | INA • GRM | 0 | |||||||||
| 31658 | Pelayo F. | Arrizabalaga | Atravesando un Cuadro | 1998 | fixed media, akusmatisch | 6:00:00 | Quadro | HSM Basel | 0 | ||||||||||
| 31641 | Pelayo F. | Arrizabalaga | Die gelbe Schlage – Azufre es serpiente | 1999 | live-elec, 3 perf | 7:20:00 | Counter-T, cl, b-cl, (elec) [Tenor, Klarinette] | HSM Basel | 0 | ||||||||||
| 31659 | Pelayo F. | Arrizabalaga | Pieza Metallica | 1997 | fixed media, akusmatisch | 4:30:00 | HSM Basel | 0 | |||||||||||
| 444 | Diodato | Arru | Endura | 1991 | live-elec, 2 perf | V, va [Stimme, Viola] | CRM Roma, CERM Sassari | 0 | |||||||||||
| 27351 | Mathieu | Arsenault | Edges | 2008 | fixed media, akusmatisch | 5:35 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 5. prize | 1 | http://cec.concordia.ca/jttp | ||||||||
| 41000 | Mathieu | Arsenault | Portrait | 2009 | fixed media, akusmatisch | 5:50 | JTTP 2009 | 0 | |||||||||||
| 42069 | Antonin | Artaud | Pour en finir avec le jugement de dieu | 1947 - 1948 | radiophon | RDF | 0 | ||||||||||||
| 445 | Pierre-Yves | Artaud | Soleil noir | 1991 | Zuspiel / Tonband, 1 perf | 10:40 | Stereo | fl [Flöte] | INA • GRM | 0 | |||||||||
| 19798 | Alex | Arteaga | Daimon | 1994 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 32559 | Alex | Arteaga | Espacio Vibrado | 1998 | Klangkunst, Installation | MACBA Barcelona | 0 | ||||||||||||
| 32560 | Alex | Arteaga | Klangspur | 2001 | Klangkunst, Installation | Oberlinhaus Potsdam | 0 | ||||||||||||
| 22805 | Alex | Arteaga | Lob des Schattens | 1997 | Zuspiel / Tonband, 14 perf | 14 ins [Instrument] | TU Berlin | 1 | |||||||||||
| 25820 | Alex | Arteaga | Modul 2 | 2001 | Zuspiel / Tonband, 8 perf | 8 fl [Flöte] | TU Berlin | 26.4.2001 | Barcelona | 1 | |||||||||
| 32558 | Alex | Arteaga | schwankende Räume | 2000 | Klangkunst, Installation | Mies van der Rohe Haus (“Haus Lemke“) Berlin | TU Berlin | 0 | |||||||||||
| 34731 | Alex | Arteaga | sururb.wasserspeicher | 2010 | Klangkunst, Installation | Performance |
9:10 | 3 perf [Performer] | Kehrer Verlag ISBN 978-3-86828-493-5/ | 3.6.-13.7.2010 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=684 | |||||||
| 19799 | Alex | Arteaga | Témenos | 1996 | Zuspiel / Tonband, 1 perf | 6:40 | Stereo | rec [Flöte] | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||
| 21139 | Alex | Arteaga | Über das Wandern | 1999 | Zuspiel / Tonband, 1 perf | 13:00 | Octo | Sp [Sprecher] | TU Berlin | 1 | |||||||||
| 21122 | Alex | Arteaga | Übergang | 1998 | fixed media, akusmatisch | 23:00 | 14 Tracks | nach einer architektonischen Idee des Japaners Tadao Andos | TU Berlin | 0 | |||||||||
| 18618 | Gilles | Arteau | Kes que C/que C Q/kes que G | 1989/1992 | Zuspiel / Tonband, | 8:00 | Stereo | OBZ 001/ | 0 | ||||||||||
| 18619 | Gilles, Louis | Arteau, Ouellet | G di sa | 1989/1992 | Zuspiel / Tonband, | 13:37 | Stereo | OBZ 001/ | 0 | ||||||||||
| 18620 | Gilles, Louis | Arteau, Ouellet | Saragosse/Quèbec | 1989/1992 | Zuspiel / Tonband, | 18:34 | Stereo | OBZ 001/ | 0 | ||||||||||
| 451 | Artemiy | Artemiev | I would like to return | 1993 | fixed media, akusmatisch | 11:24 | LDC 2781115/16/17 opus 30/ ELCD 005 Electroshock Records/ | IMEB Bourges | 0 | ||||||||||
| 28435 | Artemiy | Artemiev | Space Distortion Evening in the Country |
fixed media, akusmatisch | 9:00 | ELCD 005 Electroshock Records/ | 0 | ||||||||||||
| 446 | Eduard | Artemiev | 12 glimpses on the world of sound, 12 Looks at the world of sound | 1969 | fixed media, akusmatisch | 12:52 | ANS - synt. | Melody S60 30721/ ELCD 011 Electroshock Records/ IDEAMA CD 012/ CTEPEO C60 30721/ | Muzei Skryabina Moskva | 1 | |||||||||
| 447 | Eduard | Artemiev | A man by the fireside | 1977 | fixed media, akusmatisch | 10:00 | Stereo | a poem for rock group & phonogram | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 448 | Eduard | Artemiev | Crime and punishment (Raskolnikow) | 1987 | Oper | Dostoyevsky | Melody S60 30721/ | PS C. | 0 | ||||||||||
| 449 | Eduard | Artemiev | Etyud | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 450 | Eduard | Artemiev | Glossolalie | 1972 | Zuspiel / Tonband, 2 perf, 2 groups | Mono | V, ch, orc, synt [Stimme, synthesizer, Chor, Orchester] | Muzei Skryabina Moskva | 0 | ||||||||||
| 452 | Eduard | Artemiev | Impertire tempus cogitatio | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 453 | Eduard | Artemiev | In outer space | 1961 | fixed media, akusmatisch | 4:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 454 | Eduard | Artemiev | Man at the Fireside | 1977 | Zuspiel / Tonband, 1 group | 10:00 | Mono | rock-ens [Ensemble] | Muzei Skryabina Moskva | 0 | |||||||||
| 455 | Eduard | Artemiev | Metamorphoses | 1976 | fixed media, akusmatisch | 10:00 | Stereo | elec interpretation of classic M.; synthi 100 | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 456 | Eduard | Artemiev | Metchte navstrechu (Meeting the Dream) | 1961 | Film | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 457 | Eduard | Artemiev | Mood-pictures, suite for synthi-100 | 1974 | fixed media, akusmatisch | 40:00 | Stereo | synthi 100 | Melody S60 30721/ Melody S10 21077/ | Muzei Skryabina Moskva | 0 | ||||||||
| 458 | Eduard | Artemiev | Mosaic | 1967 | fixed media, akusmatisch | 4:00 | ANS - synt. | Melody S60 30721/ ELCD 011 Electroshock Records/ CTEPEO C60 30721/ | Muzei Skryabina Moskva | 1 | |||||||||
| 461 | Eduard | Artemiev | music for Electronics Pavilion, Moscow | 1962 | Hintergrundmusik | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 462 | Eduard | Artemiev | music for Soviet Space Technology Pavilion, London | 1962 | Hintergrundmusik | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 463 | Eduard | Artemiev | Perpetual motion | 1987 | fixed media, akusmatisch | 5:00 | Stereo | Melody S60 30721/ | PS C. | 0 | |||||||||
| 464 | Eduard | Artemiev | Requiem (Credo) | 1987 | live-elec, 1 perf, 1 group | 3:00 | ch, synt [synthesizer, Chor] | 0 | |||||||||||
| 465 | Eduard | Artemiev | Ritual | 1980 | intermedia | 40:00 | Stereo | for olympic games (rock-music) | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 466 | Eduard | Artemiev | Sibiriada | 1978 | Film | LDX 74719 Le chant du monde/ | Muzei Skryabina Moskva | 0 | |||||||||||
| 467 | Eduard | Artemiev | Solaris / The mirror / Stalker | 1972 - 1978 | Film | 80:00 | Stereo | see "Cycle of 12 Pieces from Films by Tarkovsky" 1989, CD | Melody S60 30721/ ELCD 012 Electroshock Records/ | PS C. | 0 | ||||||||
| 468 | Eduard | Artemiev | Star nocturne | 1961 | fixed media, akusmatisch | 5:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 469 | Eduard | Artemiev | The Ocean (in memory of Andrei Tarkovski) | 1987 | fixed media, akusmatisch | 5:00 | 0 | ||||||||||||
| 470 | Eduard | Artemiev | The seven gates into the world of Satori | 1974 | fixed media, akusmatisch | 40:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 471 | Eduard | Artemiev | The warmth of the earth | 1988 | Oper | 120:00 | Melody S60 30721/ | PS C. | 0 | ||||||||||
| 472 | Eduard | Artemiev | Three glimpses on the revolution | 1989 | fixed media, akusmatisch | 15:00 | Stereo | to french revol. | Melody S60 30721/ | PS C. | 0 | ||||||||
| 473 | Eduard | Artemiev | Three poems, White Dove Vision summer |
1982 | live-elec, 3 perf | 33:00 | Stereo | S, vn, synt [Sopran, Violine, synthesizer] | words by Sigitus Gedda | Melody S60 30721/ ELCD 005 Electroshock Records/ | PS C. | 0 | |||||||
| 475 | Eduard | Artemiev | Val’s konsertnyi | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 476 | Eduard | Artemiev | Zvezdnyi noktyurn (Starry Nocturne) | 1964 | Zuspiel / Tonband, 1 group | Mono | ch [Chor] | IDEAMA CD 049/ | Muzei Skryabina Moskva | 0 | |||||||||
| 460 | Eduard, Yu. | Artemiev, Bogdanov | Motion | 1980 | fixed media, akusmatisch | 8:35 | Synthi 100 | Melody S60 30721/ C 10 13889-90/ | PS C. | 1 | |||||||||
| 474 | Eduard, Stanislav | Artemiev, Kreitchi | V kosmose, Cosmos | 1961 | Film | 12:15 | Mono | Film Music, ANS - synt | Melodiya D-25631-32/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 0 | ||||||||
| 40393 | Philippe | Arthuys | 1956 | Film | film de Gruel (Argos film) | INA • GRM | 0 | ||||||||||||
| 478 | Philippe | Arthuys | Boite à musique | 1955, 1957 | fixed media, akusmatisch | 2:52 | Mono | rev. | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1032 27652 archives grm CD 2/5/ Ducretet-Thomson 320 C 100, Panorama de la musique concrète No. 1, 1955/ Klett Stuttgart 92422, 1974/ IDEAMA CD 038/ CND 15-16/ | INA • GRM | 5.10.1958 | Bruxelles Expo, french Pavillon | 1 | ||||||
| 479 | Philippe | Arthuys | Etude chinoise | 1956 | fixed media, akusmatisch | 3:00 | Stereo | INA • GRM | 0 | ||||||||||
| 480 | Philippe | Arthuys | Galaxie | 1965 | fixed media, akusmatisch | 15:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40388 | Philippe | Arthuys | Ils recolteront la tempête | 1956 | Theatermusik | 40 | Cantata dramatique. Text de P. Arthuys, dit par M. Bouquet et J. L. Barrault | INA • GRM | 0 | ||||||||||
| 481 | Philippe | Arthuys | India | 1958 | Film | 50:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 482 | Philippe | Arthuys | Jardin de corail | 1958 | Film | 12:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 483 | Philippe | Arthuys | La Cage de Verre | 1965 | intermedia | 25:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 484 | Philippe | Arthuys | La demoiselle de coeurs | 1963 | intermedia | 26:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 485 | Philippe | Arthuys | La machine et l'homme | 1957 | Film | 30:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40389 | Philippe | Arthuys | La machine humaine | 1956 | Film | INA • GRM | 0 | ||||||||||||
| 40396 | Philippe | Arthuys | La malaria | 1957 | Film | INA • GRM | 0 | ||||||||||||
| 486 | Philippe | Arthuys | La tâche des hommes | 1957 | Film | 50:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 487 | Philippe | Arthuys | Le crabe qui jouait avec la mer, Illustration musicale d'un conte pour enfants de R. Kipling | 1955 | fixed media, akusmatisch | Musiktheater |
25:05 | Mono | 2 Versions: Musiktheater und Konzert | BAM LD 305/ Creel Pone 19/ | INA • GRM | 31.12.1955 | Paris | 0 | ||||||
| 40395 | Philippe | Arthuys | Le personnage combattant | 1957 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40398 | Philippe | Arthuys | Les Astronautes | 1957 | radiophon | Emission dramatique radio diffusée | INA • GRM | 0 | |||||||||||
| 488 | Philippe | Arthuys | Les carabiniers | 1963 | Film | 10:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 489 | Philippe | Arthuys | Les eaux sauvages | 1959 | Film | 8:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 490 | Philippe | Arthuys | Les iles enchantées | 1966 | Film | 13:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40392 | Philippe | Arthuys | Les sources de la nuit, sont baignées de lumière | 1956 | radiophon | Sur um poème de Desnos, dit par G. Blin | INA • GRM | 0 | |||||||||||
| 491 | Philippe | Arthuys | Monsieur Tête | 1959 | Film | 10:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 492 | Philippe | Arthuys | Nature morte a la guitare | 1957 | fixed media, akusmatisch | 6:54 | Stereo | IDEAMA CD 038/ | INA • GRM | 3.2.1958 | Radio Paris IV | 0 | |||||||
| 28634 | Philippe | Arthuys | Nature morte au vibraphone | 1956 | fixed media, akusmatisch | 9:10 | Stereo | Manipulation à partir d’un seul son de vibraphone. Duration 6:00 ? |
INA • GRM | 0 | |||||||||
| 493 | Philippe | Arthuys | Paris nous appartient | 1959 | Film, 2 groups | 35:00 | Mono | ens, ch [Ensemble, Chor] | Tadie Cinema Paris | 0 | |||||||||
| 494 | Philippe | Arthuys | Pau amma, Le crabe qui jouait avec la mer | 1955 | fixed media, akusmatisch | 12:00 | Mono | version concert du "le crabe …" | IDEAMA CD 038/ | INA • GRM | 0 | ||||||||
| 40391 | Philippe | Arthuys | Portee de chats | 1956 | Performance | Musique pour un spectacle avec des dessins de Siné, réalisés sur plaques de verre | INA • GRM | 0 | |||||||||||
| 40397 | Philippe | Arthuys | Sheherazade | 1957 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 495 | Philippe | Arthuys | Tu auras nom … Tristan - 1963 | 1963 | Tanz | 90:00 | Mono | décor sonore pour Ballet de Jef Maes | Tadie Cinema Paris | 0 | |||||||||
| 40386 | Philippe | Arthuys | Voila l’Homme | 1955 | Tanz | texte by A. Kenan; décors A. Fabra | INA • GRM | 6.2.1956 | Paris, Fontaine des Quatre Saisons | 0 | |||||||||
| 477 | Philippe, Ivo | Arthuys, Malec | Avant le petit déjeuner | 1958 | Tanz | Mono | Tadie Cinema Paris | 0 | |||||||||||
| 40399 | Philippe, Ivo | Arthuys, Malec | Le bateau | 1958 | Film | INA • GRM | 0 | ||||||||||||
| 40394 | Philippe, Ivo | Arthuys, Malec | Svjetionik, Le phare | 1956 | Theatermusik | 25 | INA • GRM | 0 | |||||||||||
| 496 | Group | Artmix | Vingt minutes pour salle, table et rideau | 1984 | Musiktheater | CNR Lyon | 0 | ||||||||||||
| 41439 | Selcuk | Artut | Estranged Music | 2018 | Klangkunst, Installation | 21.9.2018 | Dystopie Festival September 2018 Berlin, Kleiner Wasserspeicher | 0 | http://www.dystopie-festival.net/wp/?lang=en | ||||||||||
| 497 | Jacques | Arveiller | Paire de lacs | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 498 | Jacques | Arveiller | Stuckstock pour piano à 4 mains | 1975 | fixed media, akusmatisch | (programme Putervalle) | GAIV Paris | 0 | |||||||||||
| 499 | Jacques | Arveiller | Timpoes | 1975 | live-elec, 2 perf | perc, synt, (com) [Schlagzeug, synthesizer] | CICM Paris | 0 | |||||||||||
| 500 | Per | Arvidsson | Dreams of Sleeplessness | 1990 | fixed media, akusmatisch | 9:00 | 0 | ||||||||||||
| 501 | David | Arzouman | Precipitation | 1991 | fixed media, akusmatisch | 10:25 | Stereo | LDC 278053/54 Cultures Electroniques 6/ | Brooklyn Coll | 2nd prize Bourges | 1 | ||||||||
| 18401 | Patrick | Ascione | A la mémoire de…? | 1980 | fixed media, akusmatisch | 14:45 | IMEB Bourges | 0 | |||||||||||
| 41604 | Patrick | Ascione | Barcarolle pour studio et bande | 2003 | fixed media, akusmatisch | 12:30:00 | Octo | Musiques et Recherches Ohain | M&R | 0 | |||||||||
| 502 | Patrick | Ascione | Bleus et formes | 1980 | fixed media, akusmatisch | 16:10 | Stereo | INA • GRM | 0 | ||||||||||
| 21865 | Patrick | Ascione | Bolero Picasso | 1999 | fixed media, akusmatisch | 13:10 | IMEB Bourges | 0 | |||||||||||
| 18403 | Patrick | Ascione | Cet extrême silence des couleurs | 1995 | fixed media, akusmatisch | 12:10 | IMEB Bourges | 0 | |||||||||||
| 24338 | Patrick | Ascione | Divertissement | 2001 | fixed media, akusmatisch | 13:44:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 503 | Patrick | Ascione | Espaces paradoxes | 1989 | fixed media, akusmatisch | 30:30 | Stereo | INA e 5012/ | INA • GRM | INA GRM | Auszeichnung ars electronica 1994 | 1 | |||||||
| 21864 | Patrick | Ascione | Et puis l'oubli | 1997 | fixed media, akusmatisch | 10:10 | IMEB Bourges | 0 | |||||||||||
| 41605 | Patrick | Ascione | Figures de style: Ascionerie n°2 | 2006 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 31323 | Patrick | Ascione | Images | 1980 | fixed media, akusmatisch | 16:32 | INA • GRM | INA • GRM | 0 | ||||||||||
| 504 | Patrick | Ascione | Lune Noire, Polyphonie / Polychrome 3 | 1987 - 1989 | fixed media, akusmatisch | 25:08 | 3rd version of "Polyphonie-Polychrome" | nor 01/ IMED 9522/ INA ACM 1995/ | INA • GRM | 1 | |||||||||
| 505 | Patrick | Ascione | Métamorphose d'un jaune citron | 1979 | fixed media, akusmatisch | 14:10 | Metamorphose einer Zitrone | LDC 278058/59 Cultures Electroniques 8/ MK CD 014/ | IMEB Bourges | Prize Bourges 1994 | 1 | ||||||||
| 18402 | Patrick | Ascione | Orlanda | 1981 | fixed media, akusmatisch | 14:00 | IMEB Bourges | 0 | |||||||||||
| 18621 | Patrick | Ascione | Primitive | 1995 | fixed media, akusmatisch | 15:01 | Stereo | Prix ars electronica 97/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA e 5012/ | INA • GRM | INA GRM | Auszeichnung ars electronica honorary mention 1997 | 1 | |||||||
| 40786 | Patrick | Ascione | Quantique musique | 1998 | fixed media, akusmatisch | 16:10 | Stereo | INA • GRM | 23.2.1998 | Paris, Maison de la Radio, Salle Olivier Messiaen | 0 | ||||||||
| 506 | Patrick | Ascione | Soleil Baroque | 1977 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 41922 | Patrick | Ascione | Suite blanche pour les temps nouveaux, White Suite for the New Age | 1995 | fixed media, akusmatisch | 18:14 | Competition Musica Nova Prag 1995 Auszeichnung ars electronica 1995 |
0 | |||||||||||
| 18622 | Patrick | Ascione | Sur champ d'azur | 1986 | fixed media, akusmatisch | 20:42 | Stereo | (extrait) | IMED 9522/ | 0 | |||||||||
| 507 | Patrick | Ascione | Sur champ d'azur II, Polyphonie / Polychrome 1 | 1984/1986 | fixed media, akusmatisch | 24:40 | Stereo | Version I realized at IMEB (GMEB), Version II realized at INA.GRM | INA • GRM, IMEB Bourges | 24.3.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 508 | Patrick | Ascione | Valeurs d'ombre, Polyphonie / Polychrome 2 | 1986 | fixed media, akusmatisch | 25:19 | Stereo | IMED 9522/ | INA • GRM | 21.1.1987 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 39505 | Steven | Ashby | glass and trolley I | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 509 | Nils Henrik | Asheim | In between | 1985 | live-elec, 1 perf | 7:00 | ob, (dig delay) [Oboe] | NOTAM | 0 | ||||||||||
| 510 | Nils Henrik | Asheim | Som Ringer I Vann | 1984 | Zuspiel / Tonband, 4 perf | 11:25 | 4 perc [Schlagzeug] | Sweelinck | 0 | ||||||||||
| 511 | Robert | Ashley | A closer Look | 1961 | Musiktheater | 9:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 512 | Robert | Ashley | A Gathering of Seasons | 1961 | Musiktheater | 25:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 513 | Robert | Ashley | A Slice of Life | 1961 | fixed media, akusmatisch | 45:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 18623 | Robert | Ashley | Automatic Writing | 1979 | fixed media, akusmatisch | 46:00 | Stereo | LM- LCD 1002/ Ellipsis Arts 3673 - OHM: 03/ ISAST LMJ 8/ EMF CD 012 ISAST 8/ |
1 | ||||||||||
| 514 | Robert | Ashley | Big Danger in 5 parts | 1961 | fixed media, akusmatisch | 1:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 515 | Robert | Ashley | Boxes | 1960 | Musiktheater | 8:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 516 | Robert | Ashley | Boxes IV | 1962 | fixed media, akusmatisch | 2:40 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 517 | Robert | Ashley | Chunk | 1962 | fixed media, akusmatisch | var | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 518 | Robert | Ashley | Detroit Divided | 1962 | Musiktheater | 60:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 519 | Robert | Ashley | Eimert Plays Basie | 1961 | fixed media, akusmatisch | 9:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 520 | Robert | Ashley | eL / Aficionado | 1991 | Oper, 9 perf | 90:00 | 7 actor, 2 p [Piano, Schauspieler] | LM- CD 1004/ | Mutable Music Productions für Thomas Buckner | 1 | 1992 | http://www.ubu.com/sound/ashley.html | |||||||
| 33042 | Robert | Ashley | Flying Saucer Dialogue, Atalanta (Acts of God) | 1985 | live-elec, 2 perf | 7:14 | V, Kbd [Stimme, Keyboard] | MC 001 Mills College/ | CCM Mills | 1 | http://www.ubu.com/sound/mills.html | ||||||||
| 521 | Robert | Ashley | Four Ways | 1967 | Zuspiel, live-elec, 1 perf | var | multichannel | perf [Performer] | CSEM Ann Arbor | 0 | |||||||||
| 522 | Robert | Ashley | Frogs | 1967 | Zuspiel, live-elec, 6 perf | 20:00 | Stereo + Stereo | amp narrator, 2 amp Sp, 3 dancer [Sprecher, Schauspieler, Tanz] | CSEM Ann Arbor | 0 | |||||||||
| 18624 | Robert | Ashley | Giving Love Away | 1990 | fixed media, akusmatisch | 3:30 | Stereo | CIRM (1991)/ | 0 | ||||||||||
| 523 | Robert | Ashley | Heat | 1961 | fixed media, akusmatisch | 8:30 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 524 | Robert | Ashley | I Love You Do Not Be Afraid | 1963 | Film | 1:40 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 525 | Robert | Ashley | I Must See You Regarding a Matter of the Utmost Urgency | 1963 | Film | 2:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 526 | Robert | Ashley | Improvement (Don leaves Linda) | 1984/1991 | Oper, 7 perf | 90:00 | 7 actor [Schauspieler] | CCM Mills | 0 | ||||||||||
| 527 | Robert | Ashley | Interlude for Space Theatre | 1964 | Musiktheater | var | Quadro | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 528 | Robert | Ashley | Issues for Milton Cohen, Good Intention The Spy Hum The 4th of July |
1960 | Musiktheater | 55:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 529 | Robert | Ashley | Jennie and the Poet | 1963 | Film | 37:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 530 | Robert | Ashley | Lecture Series | 1965 | live-elec, 1 perf | 45:00 | Mono | MIDI [synthesizer] | CSEM Ann Arbor | 0 | |||||||||
| 27682 | Robert | Ashley | Music with Roots in the Aether, Landscape With Robert Ashley | What She Thinks (It's History) 57:40 The Music Of Robert Ashley | Title Withdrawn 45:00 |
1976 | audiovisuell | 840:00 | Stereo | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. Produced and directed by Robert Ashley. Philip Makanna, Director and Camera; Maggi Payne, Audio Recordist; Jerry Pearsall, Video Recordist and Technical Director. Seven 2-hour NTSC |
DV 7707 Lovely Music/ LVHS 7/ Music with Roots in the Aether/ | 1 | http://www.lovely.com/titles/dvdroots.html | ||||||||
| 531 | Robert | Ashley | My May | 1964 | Film | 27:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 532 | Robert | Ashley | News | 1961 | Musiktheater | 10:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 533 | Robert | Ashley | Public Opinion Descends Upon the Demonstrators | 1961 | Zuspiel / Tonband, | max 26:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 534 | Robert | Ashley | Purposeful Lady Slow Afternoon | 1968 | Zuspiel / Tonband, | 10:14 | Mainstream MS 5010 Earle Brown Contemporary Sound Series Vol 13/ LM LCD 1002/ WER 6940/ | CSEM Ann Arbor | 0 | ||||||||||
| 35039 | Robert | Ashley | She was a visitor | 1967 | live-elec, 1 group | 5:46 | ch (synt, vocoder) [Chor] | Odyssey 32160156/ | 0 | ||||||||||
| 535 | Robert | Ashley | Something for Clarinet, Pianos and Tape | 1962 | Zuspiel / Tonband, 1 perf | var | Mono | jazz-mus [Musiker] | CSEM Ann Arbor | 0 | |||||||||
| 536 | Robert | Ashley | The Bottleman | 1960 | Film | 43:00 | Mono | Manupelli ; also 2 other versions | CSEM Ann Arbor | 0 | |||||||||
| 25695 | Robert | Ashley | The Fourth of July | 1960 | fixed media, akusmatisch | 18:37 | Stereo | Music from the Once Festival 1961 | NWR 80567 „Music from the Once Festival“/ | CSEM Ann Arbor | 1 | ||||||||
| 537 | Robert | Ashley | The Fox | 1966 | radiophon | 5:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 538 | Robert | Ashley | The House | 1961 | Film | 10:30 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 539 | Robert | Ashley | The Image in Time | 1958 | Film | 13:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 540 | Robert | Ashley | The Wolfman | 1964 | Zuspiel / Tonband, 1 perf | 15:33 | Mono | amp V [Stimme] | Ashley (V); G. Mumma (elec) | eSP 1009 Shelan/ Source Records, SR 13/ Pogus 21050-2/ IDEAMA CD 077/ | CSEM Ann Arbor | 1967 | first festival of Live-Elec Music 1967, UC at Davis | 1 | |||||
| 541 | Robert | Ashley | The Wolfman Motor City Revue | 1968 | live-elec, | CSEM Ann Arbor | 0 | ||||||||||||
| 542 | Robert | Ashley | Untitled Mixes | 1965 | Zuspiel / Tonband, 3 perf | 5:05 | Mono | jazz-trio [Instrument] | eSP 1009 Shelan/ | CSEM Ann Arbor | 0 | ||||||||
| 27331 | Robert | Ashley | What she thinks (it’s history) | 1976 | Performance | 4:00 | Performing Ashley, Mimi Johnson, DeMarinis, Tyranny excerpt |
Ellipsis Arts 3694 - OHM DVD/ | 0 | ||||||||||
| 18625 | Robert, Ben | Ashley, Azarm | Unititeld 2 | 1995 | Zuspiel / Tonband, | 21:37 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 18626 | Robert, Ben, Bob, Jim | Ashley, Azarm, Gonsalves, Horton | <p;r 362 | 1995 | Zuspiel / Tonband, | 16:33 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 34841 | Alyssa | Aska | City of Marbles | 2014 | audiovisuell | 9:12:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 21948 | Bjørn | Askefoss | Music for installasjonen"two/too/you" | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21949 | Bjørn | Askefoss | No voice, Intermezzo for "AV-Quintet Plus many" | 1998 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 543 | Carroline | Askew | Sleeping in the forest | 1993 | Zuspiel / Tonband, 4 perf | fl, 2 perc, S [Sopran, Flöte, Schlagzeug] | CCD 1008 Continuum Records/ | Uni Huddersfield | 0 | ||||||||||
| 31361 | Anton | Aslamas | Aus alten Zeiten | 2010 | fixed media, akusmatisch | 3:37:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 19304 | Bernd | Asmus | malang mujur | 1995 | live-elec, 1 perf | 17:29 | p [Piano] | Kiebler, Richard | 2e2m Collection 1014/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 36952 | Gilberto | Assis Rosa | The Arrow | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 544 | Vito | Asta | A Volte | 1980 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 22062 | Tiina | Aste | Go,go away | fixed media, akusmatisch | 1:54 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 23824 | Jose Vicente | Asuar | Dúo Concreto | 1957 | fixed media, akusmatisch | Obra descatalogada por el autor. | 0 | ||||||||||||
| 545 | José Vicente | Asuar | 3 Ambientes sonoros para música electrónica, Catedral Divertimento Caleidoscopio |
1967 | fixed media, akusmatisch | 18:00 | Quadro | parts: Catedral, Divertimento (7:06), Caleidoscopio | Uni Catholic Santiago | 1 | |||||||||
| 546 | José Vicente | Asuar | Affaires des oiseaux | 1976 | fixed media, akusmatisch | 23:26 | Stereo | LDC 2781112/13/14 opus 30/ Pueblo Nuevo PN.CD.008/ | IMEB Bourges | IMEB Bourges | 1 | ||||||||
| 547 | José Vicente | Asuar | Amanecer | 1978 | fixed media, akusmatisch | 8:07 | Stereo | Pueblo Nuevo PN.CD.008/ | TU Berlin | 1 | |||||||||
| 23826 | José Vicente | Asuar | Buffalo 1971 | 1972 | fixed media, akusmatisch | 12:00 | Compuesta en el estudio de música electrónica de la Universidad de Nueva York. 1972 (?) Festival de Música Contemporánea del Instituto de Música de la Universidad Católica. |
Pueblo Nuevo PN.CD.008/ | SUNY Buffalo | 0 | |||||||||
| 32863 | José Vicente | Asuar | Caleidoscopio | 1968 | fixed media, akusmatisch | 5:33 | Quadro | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | Municipal de Caracas, Venezuela | 0 | ||||||||
| 32861 | José Vicente | Asuar | Catedral | 1968 | audiovisuell | 7:01 | Quadro | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | St Caracas | Municipal de Caracas, Venezuela | Caracas | 0 | ||||||
| 23834 | José Vicente | Asuar | Cuatro Piezas Instrumentales | 1989 | fixed media, akusmatisch | 17:30 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23830 | José Vicente | Asuar | Diálogos | 1985 | fixed media, akusmatisch | 12:12 | Pueblo Nuevo PN.CD.008/ | October 1985 | Festival Anacrusa. Sala Goethe. Santiago, Chile | 0 | |||||||||
| 32862 | José Vicente | Asuar | Divertimento | 1968 | fixed media, akusmatisch | 7:04 | Stereo | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ IDEAMA CD 058/ | St Caracas | Municipal de Caracas, Venezuela | 1st prize Dartmouth Computer Music Contest | 0 | ||||||
| 23829 | José Vicente | Asuar | Elegía, COMDA 5 | 1982 | fixed media, akusmatisch | 16:25 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23832 | José Vicente | Asuar | En el Infinito, COMDA 8 | 1987 | fixed media, akusmatisch | 9:22 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23831 | José Vicente | Asuar | En el Jardín, COMDA 7 | 1985 | fixed media, akusmatisch | 12:05 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23833 | José Vicente | Asuar | Erase una vez en Francia | 1989 | fixed media, akusmatisch | 11:30 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 548 | José Vicente | Asuar | Estudio aleatorio | 1961 | fixed media, akusmatisch | 5:23 | Stereo | unfinished | Pueblo Nuevo PN.CD.008/ | TH Karlsruhe | 0 | ||||||||
| 549 | José Vicente | Asuar | Guararia repano | 1968 | fixed media, akusmatisch | 14:21 | LDC 278051/52 Cultures Electroniques 5/ Pueblo Nuevo PN.CD.008/ | INCIBA Caracas | 1st Prize Bourges 1975 | 1 | |||||||||
| 23825 | José Vicente | Asuar | Imágen de Caracas, Catedral Divertimento Caleidoscopio La noche II |
1967 - 1968 | audiovisuell | 150:00 | Obra comisionada por el consejo Municipal de Carácas en conmemoracion del cuatricentenario de la ciudad. | Municipal de Caracas, Venezuela | 0 | ||||||||||
| 550 | José Vicente | Asuar | In the garden | 1985 | fixed media, akusmatisch | 12:05 | (COMDA 7) | PS Comdasuar | 1 | ||||||||||
| 551 | José Vicente | Asuar | La noche II | 1967 | fixed media, akusmatisch | 27:00 | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | INCIBA Caracas | 0 | |||||||||
| 23827 | José Vicente | Asuar | Partita Electronica | 1974 | fixed media, akusmatisch | 20:00 | 0 | ||||||||||||
| 552 | José Vicente | Asuar | Preludio "La noche" | 1961 | fixed media, akusmatisch | Tanz |
4:00 | Mono | Pueblo Nuevo PN.CD.008/ IDEAMA CD 060/ | Radio HR Frankfurt, TH Karlsruhe | May 1964 | Santiago de Chile | 0 | |||||||
| 553 | José Vicente | Asuar | Serenata para mi voz y sonidos sinusoidales | 1961 | fixed media, akusmatisch | 6:00 | Stereo | unfinished (“out of catalog“) | Pueblo Nuevo PN.CD.008/ | Radio HR Frankfurt, TH Karlsruhe | 0 | ||||||||
| 554 | José Vicente | Asuar | Sonata | 1985 | fixed media, akusmatisch | 12:14 | PS Comdasuar | 1 | |||||||||||
| 23828 | José Vicente | Asuar | Una Flauta en el camino (COMDA 2) | 1988 | fixed media, akusmatisch | 2:48 | duration 3:54 ?? | 0 | |||||||||||
| 555 | José Vicente | Asuar | Variaciones Espectrales | 1959 | fixed media, akusmatisch | Tanz |
12:48 | Mono | first electroacoustic music in Chile! | Pueblo Nuevo PN.CD.001/ Pueblo Nuevo PN.CD.008/ IDEAMA CD 058/ | Uni Catholic Santiago | May 1964 | Santiago de Chile | 0 | ||||||
| 556 | K. | Atchley | Don Giovanni, Act I | 1989 | fixed media, akusmatisch | 5:59 | 68000 com, MIDI | ISAST LMJ 1/ | 1 | ||||||||||
| 18627 | K., Ben | Atchley, Azarm | Parada 7 | 1982 | Zuspiel / Tonband, | 5:46 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 557 | Blas | Atehortúa | Syrigma I | 1966 | fixed media, akusmatisch | 8:00 | Stereo | LIPM B.Aires | 0 | ||||||||||
| 38682 | Group | Atelier Kaye Mortley | 280, Rhône | 2002 | radiophon | 13:34:00 | 0 | ||||||||||||
| 38683 | Group | Atelier Kaye Mortley | Anne- Marie (portrait n° 2, réaliste) | 2011 | radiophon | 9:00:00 | 0 | ||||||||||||
| 38684 | Group | Atelier Kaye Mortley | Arles : quartier d'été/passages | 2009 | radiophon | 32:54:00 | 0 | ||||||||||||
| 38685 | Group | Atelier Kaye Mortley | Attentes | 2010 | radiophon | 5:04:00 | 0 | ||||||||||||
| 38686 | Group | Atelier Kaye Mortley | Au bout de la rue | 2015 | radiophon | 18:56:00 | 0 | ||||||||||||
| 38687 | Group | Atelier Kaye Mortley | C'est moi qui pars | 2010 | radiophon | 8:29:00 | 0 | ||||||||||||
| 38688 | Group | Atelier Kaye Mortley | C'est un secret | 2010 | radiophon | 12:45:00 | 0 | ||||||||||||
| 38689 | Group | Atelier Kaye Mortley | Ce jour-là | 2011 | radiophon | 27:42:00 | 0 | ||||||||||||
| 38690 | Group | Atelier Kaye Mortley | Clarines | 1990 | radiophon | 14:39:00 | 0 | ||||||||||||
| 38691 | Group | Atelier Kaye Mortley | Débordement(s) | 2012 | radiophon | 16:19:00 | 0 | ||||||||||||
| 38692 | Group | Atelier Kaye Mortley | Des murs | 1992 | radiophon | 18:07:00 | 0 | ||||||||||||
| 38693 | Group | Atelier Kaye Mortley | Effet Papillon | 2015 | radiophon | 19:41:00 | 0 | ||||||||||||
| 38694 | Group | Atelier Kaye Mortley | En suspension | 2013 | radiophon | 19:13:00 | 0 | ||||||||||||
| 38695 | Group | Atelier Kaye Mortley | Et les tables cà vous intéresse | 2014 | radiophon | 13:44:00 | 0 | ||||||||||||
| 38696 | Group | Atelier Kaye Mortley | Et où s'en va la nuit | 2013 | radiophon | 19:04:00 | 0 | ||||||||||||
| 38697 | Group | Atelier Kaye Mortley | Faîtes venir le piano | 2006 | radiophon | 19:40:00 | 0 | ||||||||||||
| 38698 | Group | Atelier Kaye Mortley | Fil blanc | 2003 | radiophon | 15:37:00 | 0 | ||||||||||||
| 38699 | Group | Atelier Kaye Mortley | Herbier sonore | 2009 | radiophon | 6:01:00 | 0 | ||||||||||||
| 38700 | Group | Atelier Kaye Mortley | Histoires de clefs 1,2,3,4 | 2007 | radiophon | 16:08:00 | 0 | ||||||||||||
| 38701 | Group | Atelier Kaye Mortley | Il y a quelque chose qui cloche | 2003 | radiophon | 13:23:00 | 0 | ||||||||||||
| 38702 | Group | Atelier Kaye Mortley | Impressions | 2010 | radiophon | 8:14:00 | 0 | ||||||||||||
| 38703 | Group | Atelier Kaye Mortley | Jonathan (portrait n° 1, en creux) | 2011 | radiophon | 11:12:00 | 0 | ||||||||||||
| 38704 | Group | Atelier Kaye Mortley | L'arlésienne | 1996 | radiophon | 16:57:00 | 0 | ||||||||||||
| 38705 | Group | Atelier Kaye Mortley | L'habitation | 1998 | radiophon | 22:33:00 | 0 | ||||||||||||
| 38706 | Group | Atelier Kaye Mortley | L'heure du bain | 1994 | radiophon | 21:01:00 | 0 | ||||||||||||
| 38707 | Group | Atelier Kaye Mortley | La bergère | 2006 | radiophon | 14:24:00 | 0 | ||||||||||||
| 38708 | Group | Atelier Kaye Mortley | Le cri de la tarasquette | 2004 | radiophon | 7:55:00 | 0 | ||||||||||||
| 38709 | Group | Atelier Kaye Mortley | Liberté Lumière | 2005 | radiophon | 12:08:00 | 0 | ||||||||||||
| 38710 | Group | Atelier Kaye Mortley | Lost property | 2010 | radiophon | 11:44:00 | 0 | ||||||||||||
| 38711 | Group | Atelier Kaye Mortley | Lucien C. (portrait n° 3, ironique) | 2011 | radiophon | 11:16:00 | 0 | ||||||||||||
| 38712 | Group | Atelier Kaye Mortley | Many Roads | 2007 | radiophon | 16:13:00 | 0 | ||||||||||||
| 38713 | Group | Atelier Kaye Mortley | Ne toquer pas trop fort | 2012 | radiophon | 21:03:00 | 0 | ||||||||||||
| 38714 | Group | Atelier Kaye Mortley | Oedipos (portrait n° 4, pêle-mêle) | 2011 | radiophon | 9:37:00 | 0 | ||||||||||||
| 38715 | Group | Atelier Kaye Mortley | Où est passé Gaspard? | 2005 | radiophon | 16:29:00 | 0 | ||||||||||||
| 38716 | Group | Atelier Kaye Mortley | Pas nés en 68 | 2008 | radiophon | 14:07:00 | 0 | ||||||||||||
| 38717 | Group | Atelier Kaye Mortley | Plein comme un oeuf | 2004 | radiophon | 11:02:00 | 0 | ||||||||||||
| 38718 | Group | Atelier Kaye Mortley | Quatremobetdemie | 2009 | radiophon | 4:06:00 | 0 | ||||||||||||
| 38719 | Group | Atelier Kaye Mortley | Rien que des rues | 1993 | radiophon | 23:34:00 | 0 | ||||||||||||
| 38720 | Group | Atelier Kaye Mortley | Sans bruit la rue meurt | 2015 | radiophon | 15:23:00 | 0 | ||||||||||||
| 38721 | Group | Atelier Kaye Mortley | Sis dessous, ci-dessous | 1989 | radiophon | 19:13:00 | 0 | ||||||||||||
| 38722 | Group | Atelier Kaye Mortley | Sonarles | 2009 | radiophon | 12:20:00 | 0 | ||||||||||||
| 38723 | Group | Atelier Kaye Mortley | Stéphane (portrait n° 5, musical) | 2011 | radiophon | 6:53:00 | 0 | ||||||||||||
| 38724 | Group | Atelier Kaye Mortley | Traverser le pont | 2012 | radiophon | 14:43:00 | 0 | ||||||||||||
| 38725 | Group | Atelier Kaye Mortley | Un aller simple | 2010 | radiophon | 6:54:00 | 0 | ||||||||||||
| 38726 | Group | Atelier Kaye Mortley | Une nuit | 2005 | radiophon | 23:06:00 | 0 | ||||||||||||
| 38727 | Group | Atelier Kaye Mortley | Variations sur une chambre | 2014 | radiophon | 20:56:00 | 0 | ||||||||||||
| 558 | Nikos | Athinaios | Crisis | 1977 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 33425 | Dennis | Atkinson | Collage | 1962 | fixed media, akusmatisch | Uni Eugene | 0 | ||||||||||||
| 559 | Simon | Atkinson | Babble | 1991 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 27659 | Simon | Atkinson | Nocturne | 2001 | fixed media, akusmatisch | 8:38 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | |||||||||
| 41920 | Simon | Atkinson | Touching Edges | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 41852 | Wendy | Atkinson | Summer BBQ | 2008 | radiophon | 1:19:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 560 | Richard | Attree | City at Night | fixed media, akusmatisch | 16:10 | Stereo, Quadro | City Uni London | 0 | |||||||||||
| 561 | Richard | Attree | Dun-Dun | 1981/1983 | fixed media, akusmatisch | intermedia |
22:30 | Stereo, Quadro | slides | City Uni London | 0 | |||||||||
| 562 | Richard | Attree | Mirooo | radiophon | BBC | 0 | |||||||||||||
| 42070 | Gilles, Robert | Aubry, Millis | The gramophone effect | 2017 | radiophon | 44:30 | SAVVY-Funk - Documenta 14, Dlf Kultur | 18.8.2017 | Deuschlandfunk Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4942667&vi=2&SID | ||||||||
| 38728 | Gilles, Robert, Tarek, Charbel, Marcus, Hayden | AUBRY, MILLIS, ATOUI, HABER, SCHMICKLER, CHISHOLM | Art´s Birthday 2015 // Konzertmitschnitte vom 16. Januar 2015 im Berghain Berlin | 2015 | radiophon | 72:00:00 | 0 | ||||||||||||
| 21866 | Philippe | Auclair | 3 Visage pour un Regard | 1990 | fixed media, akusmatisch | 10:10 | IMEB Bourges | 0 | |||||||||||
| 24340 | Philippe | Auclair | Aphorisme XX | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21868 | Philippe | Auclair | Blac Lilac and New Life | 1988 | fixed media, akusmatisch | 8:10 | IMEB Bourges | 0 | |||||||||||
| 24339 | Philippe | Auclair | "..bruit qui pense"(tombeau schaffer 1996) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18407 | Philippe | Auclair | Canto de l'Oustal I | 1992 | fixed media, akusmatisch | 4:05 | IMEB Bourges | 0 | |||||||||||
| 24341 | Philippe | Auclair | Diabolus in campanile | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24345 | Philippe | Auclair | Ginnungagap | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24346 | Philippe | Auclair | Hiranyagarbha (l'?uf d'or de l'Inde) | 2001 | fixed media, akusmatisch | 12:08 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 21869 | Philippe | Auclair | Jeanne Duval dite Liberte | 1988 | fixed media, akusmatisch | 15:50 | IMEB Bourges | 0 | |||||||||||
| 24347 | Philippe | Auclair | Kaars lichtjes in Limburg | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24342 | Philippe | Auclair | L'Anachorète de Sainte-Agathe | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 27239 | Philippe | Auclair | Le creux de l'enfer | 2006 | fixed media, akusmatisch | 10:10 | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18405 | Philippe | Auclair | Le renard du nord - suite de concert | 1992 | fixed media, akusmatisch | 8:30 | IMEB Bourges | 0 | |||||||||||
| 18404 | Philippe | Auclair | M et T danse cabalistique | 1990 | fixed media, akusmatisch | 11:15 | IMEB Bourges | 0 | |||||||||||
| 24348 | Philippe | Auclair | Railways sounwalk enigma | 2003 | fixed media, akusmatisch | 11:29 | LDC 2781125/ | IMEB Bourges | 0 | ||||||||||
| 18409 | Philippe | Auclair | Rêve blanc | 1995 | fixed media, akusmatisch | 16:10 | IMEB Bourges | 0 | |||||||||||
| 24344 | Philippe | Auclair | Rumeur dans les combrailles (pour saxo alto et bande) | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21867 | Philippe | Auclair | Sous les Murs de Boismorand | 1989 | fixed media, akusmatisch | 10:16 | IMEB Bourges | 0 | |||||||||||
| 18406 | Philippe | Auclair | Spirale | 1992 | fixed media, akusmatisch | 5:55 | LDC 278068/69 Cultures Electroniques 12/ | IMEB Bourges | 0 | ||||||||||
| 24343 | Philippe | Auclair | Toccata per sonare XXI | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18408 | Philippe | Auclair | Vitrail culanesque | 1992 | fixed media, akusmatisch | 17:33 | IMEB Bourges | 0 | |||||||||||
| 42071 | Knut | Aufermann | Changing the guard | 2016 | radiophon | PS C. für Radio Revolten | 0 | ||||||||||||
| 28227 | Knut, Ivo, Hiroki, Jobina, Ge-Suk | Aufermann, Bol, Nishino, Tinnemans, Yeo | Resonanz117,5fm The Gasometer Universe Oberhausen Requiem Shakespeare und Heckenschere Windgeflüster |
2007 | fixed media, akusmatisch | audiovisuell |
Mono | Projekt „MONO“, Elektronische Musik im Gasometer Oberhausen 2007 | degem Projekt Mono im Gasometer Oberhausen | 1 | ||||||||||
| 35902 | Knut, Sarah | Aufermann, Washington | Tonic Train | 2005 | Performance | 13 | WER ARTS 8102 5/ | 0 | |||||||||||
| 38473 | Oliver | AUGST | Alle Toten 1914 | 2014 | radiophon | 52:58:00 | 0 | ||||||||||||
| 38729 | Oliver, Rüdiger, Sven-Åke | AUGST, CARL, JOHANSSON | Kippenberger hören | 2008 | radiophon | 51:59:00 | 0 | ||||||||||||
| 42072 | Oliver, Christoph | Augst, Korn | Modell Volksliedmaschine | 2002 | radiophon | 46:46 | HR /Intermedium 2, ZKM | 19.6.2002 | HR | 0 | |||||||||
| 33128 | Rafal | Augustyn | Long Island Rail Road from Pennsylvania Station, N. Y. C. to Port Jefferson, Suffolk, L. I. (eastbound); Change at Huntington or From Nathan Milstein to Paul Zukofsky for Solo Violin for LASROM TYCHY | 1984 | audiovisuell | live-elec, 1 perf |
13:33:00 | vn [Violine] | audiovisual composition for violin and accompanying objects | WJ 2002/ | 0 | |||||||||
| 563 | Rafal | Augustyn | THE LONG ISLAND | 1985 | fixed media, akusmatisch | 1:42 | Stereo | SME Krakow | 0 | ||||||||||
| 19092 | Sam | Auinger | Flugstunden | 1995 | radiophon | 41:56 | FlugMotorenOrchester; 3 Teile | ORF Kunstradio 10007280/ | PS Linz | 1 | |||||||||
| 30886 | Sam | Auinger | Grundklang Bonn | 2010 | Klangkunst, Installation | permanent | Projekt „stadtklangkünstler“ | bonn hoeren | 10.10.2010 | Bonn Bahnhofsvorplatz | 0 | http://www.bonnhoeren.de/?page_id=18 | |||||||
| 29992 | Sam | Auinger | Rheinharfe | fixed media, akusmatisch | 5:02:00 | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 38474 | Sam | AUINGER | sechs uhr läuten | 2008 | radiophon | 52:04:00 | WDR Studio Akustische Kunst | 4.7.2008 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1525163&vi=7&SID | ||||||||
| 38730 | Sam, Peter, Bruce, Stella, Josef Maria, Budhaditya, Hannes | AUINGER, CUSACK, ODLAND, LUNCKE, SCHÄFERS, CHATTOPADHYAY, STROBL | Cage100 - Slouch Hat Comeback 1 | 2012 | radiophon | 58:00:00 | 0 | ||||||||||||
| 28387 | Sam, Rupert | Auinger, Huber | ain't that a shame! | 1997/2000 | Performance | PS | 24.6.2000 | Inventionen Sophiensäle Berlin | 1 | 2000 | |||||||||
| 19358 | Sam, Rupert | Auinger, Huber | Berliner Theorie Hauskonzerte | 1997/1998 | live-elec, 1 perf | 74:00 | MIDI [synthesizer] | Audio-CD mit 11 Tracks; Gäste auch Richard Dorfmeister, Isabella Bordoni, Markus Binder, Toshi Nakamuro, Bruce Odland, Sergio Messina CD-ROM : programmed am futurlab 1997/98 |
DAAD / fa. huber musik / sam Auinger/ | PS C. | 23.4.-26.9.1997 | internet http://www.kgw.tu-berlin.de/~bt | 1 | ||||||
| 22103 | Sam, Rupert | Auinger, Huber | brucewillis | fixed media, akusmatisch | 5:13 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Berlin | 1 | ||||||||||
| 38731 | Sam, Rupert | AUINGER, HUBER | Herzschlagsonate | 1998 | radiophon | 49:50:00 | DLR Berlin | 32-1-1998 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1394991&vi=9&SID | ||||||||
| 22102 | Sam, Rupert | Auinger, Huber | intro | fixed media, akusmatisch | 12:40 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Berlin | 1 | ||||||||||
| 23258 | Sam, Rupert | Auinger, Huber | mantilla matador | Klangkunst, Installation | 9:16 | Produktion bei "format 5" der singuhr - hoergalerie in parochial. berliner theorie = Sam Auinger + Rupert Huber | Tick 02 tourette - Format 5/ | PS | 1 | ||||||||||
| 22101 | Sam, Rupert | Auinger, Huber | Miles | fixed media, akusmatisch | 6:08 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Linz | 1 | ||||||||||
| 20283 | Sam, Rupert | Auinger, Huber | Shining | 1998 | Performance, live-elec, 1 perf | Stereo | MIDI [synthesizer] | PS C. | Inventionen 1998 | 25.9.1998 | Inventionen Parochialkirche Berlin | 0 | 1998 | ||||||
| 19037 | Sam, Bruce | Auinger, Odland | Balance | 1996 | Klangkunst, Installation | 1:19 | Sonambiente Ausstellung (1996) Katalog S.37 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.stadtmusik.org | |||||||||
| 23078 | Sam, Bruce | Auinger, Odland | Box 30/70 | 2001 | Klangkunst, Installation | umgebauter Bürocontainer | Tick 7 tourette/ Kehrer Verlag ISBN 978-3-939583-23-3/ | WDR 2000 | 2.-22.42001 26.4.-6.5.2001 |
Siemenserk Berlin-Spandau Wittener Tage für neue Kammermusik, Hauptbahnhof Witten |
1 | ||||||||
| 23104 | Sam, Bruce | Auinger, Odland | box 30/70 - nullform/hive | 2001 | Klangkunst, Installation | 4:32 | Produktion bei "format 5" der singuhr - hoergalerie in parochial. o + a = bruce odland + sam auinger | Tick 02 tourette - Format 5/ | 1 | ||||||||||
| 23365 | Sam, Bruce | Auinger, Odland | Garten der Zeiträume, Time Venus Erde Merkur Jupiter Mond Sonne Himmel und Sterne Mars Kepler Raum Unendlich |
1990 | Klangkunst, Installation | Klanginstallation bei OÖ. Landesausst. 1990 "Mensch und Kosmos" Schloss Linz (Österreich) | LC 7280 CD 0401/ | 1 | |||||||||||
| 34765 | Sam, Bruce | Auinger, Odland | Motet R | 1999 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 5.8.-5.9.1999 | singuhr hoergalerie Berlin | 0 | http://www.stadtmusik.org | |||||||||
| 25821 | Sam, Bruce | Auinger, Odland | Requiem for fossil fuels | 2004 | fixed media, akusmatisch | 48:00 | 9 tracks | Installation = Einstündiger Zyklus. Für 8 Lautsprecher + 1 subwoofer, ferngesteuerte Orgel, DVD-Projektion. Second Version: with VOXNOVA quartet: kata hajnal (soprano), sabine neumann (mezzo-soprano), paul hörmann (tenor), nicholas isherwood (bass) at st.elisabeth church, invaliden strasse 3, berlin mitte, wednesday july, 23rd at 8:00 pm |
LC 07280 SWAP 0702/ | Inventionen 2004 für Sophienkirche Berlin Mitte | 23.06.2004 | Inventionen Sophienkirche Berlin | 1 | 2004 | http://www.samauinger.de/page.php?ID=267 | ||||
| 2008 | |||||||||||||||||||
| 23105 | Sam, Bruce | Auinger, Odland | Resonance, Weather Yampa R4-Cities (Rom, Salzburg, Berlin, NY) The Letter F Stones Water Raga Infrastructure Harmonics Coremeltz |
1995 | Klangkunst, Installation | CD O+A 002/ | 1 | ||||||||||||
| 38463 | Sam, Bruce | Auinger, Odland | Ten Thousand Shells | 2017 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 42217 | Sam, Bruce, Johannes | AUINGER, Odland, Strobl | The Planet Earth Gallery Radioshow | 2001 | radiophon | 52:04:00 | RBB | 16.3.2001 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436631&vi=8&SID | ||||||||
| 38732 | Sam, Hannes | AUINGER, STROBL | 10439 Berlin | 2004 | radiophon | 53:02:00 | 0 | ||||||||||||
| 25049 | Sam, Hannes | Auinger, Strobl | Berlin 10439 | 2004 | radiophon | 53:00 | 1 | ||||||||||||
| 26276 | Sam, Hannes | Auinger, Strobl | Besenbahn Mauerpark Sunseeker 0-from Living harmnies |
2001 - 2006 | Performance | Klangkunst, Installation || audiovisuell |
excerpts and videostudies Sam Auinger and friends! |
Offenes Kulturhaus/ | 1 | 2008 | http://www.samauinger.de | |||||||||
| 24764 | Uli | Aumüller | Anniversaire | 2000 | radiophon | IFSS 23/ | Inpetto Berlin | 0 | |||||||||||
| 25079 | Uli | Aumüller | "Auf der Suche nach noch nie gehörten Klängen", 4 Arten den Computer zu beschreiben | 2001 | audiovisuell | 60:00 | Siemens Studio München, Hans Tutschku, Luigi Ceccarelli, Hanspeter Kyburz | Inpetto Berlin | 1 | ||||||||||
| 24763 | Uli | Aumüller | Berlin 1999 | 1999 | radiophon | IFSS 22/ | Inpetto Berlin | 0 | |||||||||||
| 24743 | Uli | Aumüller | Bürgerablage | 2003 | radiophon | IFSS 02/ | Inpetto Berlin | 0 | |||||||||||
| 24748 | Uli | Aumüller | Canadian Spring | radiophon | IFSS 07/ | Inpetto Berlin | 0 | ||||||||||||
| 24752 | Uli | Aumüller | Dannenwalder Mühle | radiophon | IFSS 12/ | Inpetto Berlin | 0 | ||||||||||||
| 24767 | Uli | Aumüller | Das Bedeutende der Nicht-Musik | 1999 | radiophon | Radioessay über Helmut Lachenmann | IFSS 27/ | Inpetto Berlin | 0 | ||||||||||
| 24766 | Uli | Aumüller | dein Kuss von göttlicher Natur | radiophon | Radiosendung zum gleichnamigen Filmprojekt (on DVD) | IFSS 26/ | Inpetto Berlin | 1 | |||||||||||
| 25078 | Uli | Aumüller | Die Adorno-Sonate oder Das Selbstbewusstsein von der Nichtigkeit | 1994 | radiophon | 44:00 | Produktion: DLF 1994 | Inpetto Berlin | 0 | ||||||||||
| 25077 | Uli | Aumüller | Ein unendliches Lied von der Liebe | 1997 | radiophon | 18:00 | Produktion: SDR 1997 | Inpetto Berlin | 0 | ||||||||||
| 24754 | Uli | Aumüller | Eine Art von Ordnung, die Muster erzeugt | radiophon | Radioessay for BR; to music by Feldman | IFSS 13/ | Inpetto Berlin | 0 | |||||||||||
| 25076 | Uli | Aumüller | Freitag Nacht in Kairo | 1997 | radiophon | 30:00 | Produktion: SDR Stuttgart | Inpetto Berlin | 0 | ||||||||||
| 24755 | Uli | Aumüller | Freitagsgebet | radiophon | Al Aksha mosque in Cairo | IFSS 14/ | Inpetto Berlin | 0 | |||||||||||
| 24765 | Uli | Aumüller | Fürst Pückler Park | radiophon | IFSS 25/ | Inpetto Berlin | 0 | ||||||||||||
| 24768 | Uli | Aumüller | Gebenedeit sei dein Leib (Katholischer Gottesdienst Hanoi 1995) | 1995 | radiophon | IFSS 28/ | Inpetto Berlin | 0 | |||||||||||
| 24757 | Uli | Aumüller | Gewitter in Kärnten | 2005 | radiophon | IFSS 16/ | Inpetto Berlin | 0 | |||||||||||
| 24770 | Uli | Aumüller | Grillen | radiophon | IFSS 30/ | Inpetto Berlin | 0 | ||||||||||||
| 24751 | Uli | Aumüller | Grunewald | radiophon | IFSS 10/ | Inpetto Berlin | 0 | ||||||||||||
| 24762 | Uli | Aumüller | Guten Morgen, Liebling! | radiophon | IFSS 21/ | Inpetto Berlin | 0 | ||||||||||||
| 24746 | Uli | Aumüller | Hadra | 1999 | radiophon | IFSS 05/ | Inpetto Berlin | 0 | |||||||||||
| 24744 | Uli | Aumüller | Hochhörndlinger Hütte (Almrauschen) | radiophon | IFSS 03/ | Inpetto Berlin | 0 | ||||||||||||
| 24756 | Uli | Aumüller | Hörndlinger Graben | radiophon | IFSS 15/ | Inpetto Berlin | 0 | ||||||||||||
| 24771 | Uli | Aumüller | Im Affenhaus | radiophon | IFSS 31/ | Inpetto Berlin | 0 | ||||||||||||
| 24774 | Uli | Aumüller | Ist Hinhören schon Komposition? | 2005 | radiophon | 60:00 | Radioessay for BR | IFSS 35/ | Inpetto Berlin | 0 | http://www.inpetto-filmproduktion.de | ||||||||
| 24749 | Uli | Aumüller | Leittoenen 2 | radiophon | IFSS 08/ | Inpetto Berlin | 0 | ||||||||||||
| 24759 | Uli | Aumüller | Marktkauf | radiophon | IFSS 18/ | Inpetto Berlin | 0 | ||||||||||||
| 24772 | Uli | Aumüller | Morgenstunde | radiophon | IFSS 32/ | Inpetto Berlin | 0 | ||||||||||||
| 25080 | Uli | Aumüller | Musik für 1000 Finger: Der Komponist Conlon Nancarrow | 1997 | audiovisuell | 45:00 | Gespräche mit Jürgen Hocker (am Schluss auch Spiel seines neueren Pianolas), Ligeti (er erzählt lange!), Ch. Amirkhanian (sein Plattenkonzern) und Nancarrow (mit Lebenslauf, man sieht auch die Stanze, die Werkstatt), Carlos Sandoval, Ivar Mikashof, Anna Lara Studie Nr. 21 gefilmt, auch Nr. 37, 26 |
Inpetto Berlin | BR | 1 | |||||||||
| 24742 | Uli | Aumüller | Nachtigall | radiophon | IFSS 01/ | Inpetto Berlin | 0 | ||||||||||||
| 24747 | Uli | Aumüller | Ostseerauschen | radiophon | 80:00 | IFSS 06/ | Inpetto Berlin | 0 | |||||||||||
| 24761 | Uli | Aumüller | Parisiana Club Cairo | radiophon | IFSS 20/ | Inpetto Berlin | 0 | ||||||||||||
| 24750 | Uli | Aumüller | Pflegeleicht 60° | radiophon | 80:00 | IFSS 09/ | Inpetto Berlin | 0 | |||||||||||
| 24753 | Uli | Aumüller | Rudower See | radiophon | IFSS 11/ | Inpetto Berlin | 0 | ||||||||||||
| 25075 | Uli | Aumüller | Siemens Luftgeräusche unpluggrd, Luftgeräusche | 2000, 2006 | radiophon | 79:00 | Phonoskopie aus der Welt der Produktion | Inpetto Berlin, WDR Studio Akustische Kunst | 11.1.2000 | 0 | |||||||||
| 24745 | Uli | Aumüller | Sommer | radiophon | IFSS 04/ | Inpetto Berlin | 0 | ||||||||||||
| 24758 | Uli | Aumüller | Stare und Schwalben / Krakau | radiophon | IFSS 17/ | Inpetto Berlin | 0 | ||||||||||||
| 24760 | Uli | Aumüller | Suhum St. Cecilia Choir | radiophon | IFSS 19/ | Inpetto Berlin | 0 | ||||||||||||
| 24769 | Uli | Aumüller | Unter dem Kirschbaum | radiophon | IFSS 29/ | Inpetto Berlin | 0 | ||||||||||||
| 25067 | Uli | Aumüller | Versuch über einen Kirschbaum | 2002 | radiophon | 58:00 | 39 Teile, Philosophie des Klanges und Hörens. Sprecher: der Autor | Inpetto Berlin | 1 | ||||||||||
| 24773 | Uli | Aumüller | Windmühle | radiophon | IFSS 33/ | Inpetto Berlin | 0 | ||||||||||||
| 24842 | Uli, Francis, Paul | Aumüller, Dhomont, Lansky | My Cinema for the Ears | 2000 | audiovisuell | 52:51 | The musique concrète of Francis Dhomont and Paul Lansky | BRIDGE 9117 DVD/ | Inpetto Berlin | 0 | |||||||||
| 32577 | Uli, Sebastian | Aumüller, Rausch | Im Wald, Under the trees | 2012 | audiovisuell | 103 | Stereo | 8 Studien über animiertes Stillleben und Musik. Konzertinstallation. Teil 01&02: Der Atem des Waldes (Ludger Kisters) Teil 04: Entre les deux rives du printemps (Gilles Gobeil) Teil 07: Nachtlicht (Gilles Gobeil) |
Arthaus 102174/ | 0 | |||||||||
| 564 | Uli, Frank | Aumüller, Schweizer | Der Blick in den Kühlschrank | 1992 | radiophon | 58:00 | Stereo | Koproduktion mit dem BR | ZKM Karlsruhe | 0 | |||||||||
| 27770 | Jonathan | Aussens | Distilation du Do3 | 2006 | live-elec, 1 perf | vc [Cello] | CRFMW Liège | 12.6.2006 | Liège Con | 0 | |||||||||
| 21950 | Siri | Austeen | Laridae Lunaire, (performance piece | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 567 | Kevin | Austin | Bonsai Watermelon | 1982 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 568 | Kevin | Austin | By'ou in the morning | 1983 | fixed media, akusmatisch | 14:45 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 569 | Kevin | Austin | Canada Unlimited Number Two (2nd movement) | 1970 | fixed media, akusmatisch | 9:40 | Stereo | McGill Montréal | 0 | ||||||||||
| 570 | Kevin | Austin | CutieGrey d'un | 1986 | live-elec, 1 perf, 1 group | Stereo | mul Kbds, (elec delay) [Keyboard] | 0 | |||||||||||
| 571 | Kevin | Austin | CutieGrey deux | 1986 | live-elec, 1 perf, 1 group | Stereo | mul Kbds, (elec delay) [Keyboard] | 0 | |||||||||||
| 41001 | Kevin | Austin | Dancers | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 572 | Kevin | Austin | Deer Barks | 1984 | Zuspiel, live-elec, | 9:00 | Stereo | (delay) [] | 0 | ||||||||||
| 573 | Kevin | Austin | Dipper Turn | 1983 | fixed media, akusmatisch | 45:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 36950 | Kevin | Austin | Doggy Trot (4KK) | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 574 | Kevin | Austin | DX-ture (I-XII), Gamut Spectr B Brime Hues Granul NASA A NASA TS Steve I Steve II Chroma Plenum Spectr A |
1985 | fixed media, akusmatisch | 150 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 41002 | Kevin | Austin | Eagles | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 576 | Kevin | Austin | Epitaph for a Fisherman (JamesText VII) | 1983 | live-elec, 1 perf | Stereo | proc V [Stimme] | 0 | |||||||||||
| 577 | Kevin | Austin | Family Games (I) | 1983 | fixed media, akusmatisch | 4:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 579 | Kevin | Austin | Formant Pulses | 1987 | fixed media, akusmatisch | Stereo | Uni Saskatoon | 0 | |||||||||||
| 41003 | Kevin | Austin | Four Arts | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 580 | Kevin | Austin | France Lafleur (I) | 1982 | Zuspiel, live-elec, 1 perf | intermedia |
Stereo | synt, slides [synthesizer] | 0 | |||||||||||
| 581 | Kevin | Austin | Free Running Clocks (I) | 1983 | fixed media, akusmatisch | 4:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 582 | Kevin | Austin | Froggy Bits | 1984 | fixed media, akusmatisch | 29:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 41004 | Kevin | Austin | Girl Lying | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 41005 | Kevin | Austin | High Moon | 2003 | Zuspiel / Tonband, 1 perf | 8:47 | zheng [Streicher] | 0 | |||||||||||
| 41006 | Kevin | Austin | Hockey | 1977 | fixed media, akusmatisch | 8:47 | 0 | ||||||||||||
| 583 | Kevin | Austin | I've a Notion it's the Sea | 1984 | fixed media, akusmatisch | 19:10 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 584 | Kevin | Austin | injections enChanté | 1986 | live-elec, 2 perf | intermedia |
Stereo | (elec-extended) V, (synthetic ambiences,) synt [Stimme, synthesizer] | 0 | |||||||||||
| 41007 | Kevin | Austin | King Bob’s Fanrasy Variations | 1970 | fixed media, akusmatisch | 8:47 | 0 | ||||||||||||
| 586 | Kevin | Austin | Konzert Tone #2, [ reveriesenvisioned ] | 1986 | Zuspiel, live-elec, 3 perf, 1 group | intermedia |
Stereo | hn, Kbds, proc V, slides [Stimme, Horn, Keyboard] | 0 | |||||||||||
| 585 | Kevin | Austin | Konzert Tone 1 | 1984 | Zuspiel / Tonband, 3 perf | Stereo | db, perc, V, (extensions) [Stimme, Schlagzeug, Kontrabass] | 0 | |||||||||||
| 587 | Kevin | Austin | KonzertTone #3 | 1988 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 588 | Kevin | Austin | Light Cycle | 1986 | Zuspiel / Tonband, 1 perf | Stereo | Kbd [Keyboard] | 0 | |||||||||||
| 589 | Kevin | Austin | March Storm | 1985 | Zuspiel, live-elec, | Stereo | (delay) [] | MetaM. Montréal | 0 | ||||||||||
| 41008 | Kevin | Austin | Masks, Mirrors and Shadows | 2006 | fixed media, akusmatisch | 8:47 | eContact! 9.2 | 0 | |||||||||||
| 590 | Kevin | Austin | Midsummer Night Solstice | 1984 | fixed media, akusmatisch | 5:00 | Quadro | 0 | |||||||||||
| 41009 | Kevin | Austin | Moonlight Night | 2003 | Zuspiel / Tonband, 1 perf | 8:47 | zheng [Streicher] | eContact! 9.2 | 0 | ||||||||||
| 591 | Kevin | Austin | Mozart in the Hatteras | 1984 | fixed media, akusmatisch | Stereo | MetaM. Montréal | 0 | |||||||||||
| 592 | Kevin | Austin | N.U.S. | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41010 | Kevin | Austin | Na Dia Sto Matos | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 593 | Kevin | Austin | Onde | 1980 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo, Octo | p, (rings) [Piano] | MetaM. Montréal | 0 | |||||||||
| 594 | Kevin | Austin | Ot'n'Umid (Saturdaze) | 1982 | fixed media, akusmatisch | 40:00 | Stereo, Octo | MetaM. Montréal | 0 | ||||||||||
| 41011 | Kevin | Austin | Piece for Four-Track Tape Recorder Canada Unlimited Number Two, Sam McGee | 1970 | fixed media, akusmatisch | 55:00:00 | Quadro | 0 | |||||||||||
| 595 | Kevin | Austin | Rigeaud Sinfonietta | 1977 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 599 | Kevin | Austin | Sectional Overtones - Aphorisms for voice and keyboards | 1985 | live-elec, 2 perf, 1 group | Stereo | V, Kbds [Stimme, Keyboard] | 0 | |||||||||||
| 41012 | Kevin | Austin | Seven Concrete Studies in Nine Movements | 2008 | fixed media, akusmatisch | 18:54:00 | 0 | ||||||||||||
| 601 | Kevin | Austin | Spheres, Chains, Corridors and Passage | 1980 | Zuspiel, live-elec, | 24:00 | Stereo | McGill Montréal, Uni NY Potsdam | 0 | ||||||||||
| 602 | Kevin | Austin | Sporas | 1985 | Zuspiel / Tonband, 1 group | Octo | chamb-ch [Chor] | 0 | |||||||||||
| 41013 | Kevin | Austin | Stadium | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 603 | Kevin | Austin | Star Wink | 1983 | fixed media, akusmatisch | 45:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 604 | Kevin | Austin | Static Gesture Ir - III - I | 1987 | fixed media, akusmatisch | Stereo | Uni Saskatoon | 0 | |||||||||||
| 19266 | Kevin | Austin | Static Gestures II (Formant Pulses) | 1987 | fixed media, akusmatisch | 10:00 | CEC Presence 1/ | Concordia Montréal | 0 | ||||||||||
| 605 | Kevin | Austin | String Mobiles | 1983 | live-elec, 1 perf | Stereo | str, (delay) [Streicher] | 0 | |||||||||||
| 606 | Kevin | Austin | SUN | 1982 | Zuspiel, live-elec, | 40:00 | Stereo | eContact! 9.2 — Canadian Regions: The Prairies | MetaM. Montréal | 0 | |||||||||
| 18632 | Kevin | Austin | Tears of Early Morning Rain and Cat Fade Away | 1983 | fixed media, akusmatisch | 10:15 | Stereo | ACM 37 CD 1-4/ | MetaM. Montréal | 0 | |||||||||
| 608 | Kevin | Austin | The Expansion of an Infinitely Large Point (JamesText III) | 1983 | live-elec, | Stereo | 0 | ||||||||||||
| 41015 | Kevin | Austin | Three Zheng Études, version 1 | 2003 | fixed media, akusmatisch | 13:08:00 | 0 | ||||||||||||
| 41016 | Kevin | Austin | Three Zheng Études, version 2 | 2003 | fixed media, akusmatisch | 13:46:00 | 0 | ||||||||||||
| 41017 | Kevin | Austin | Titles, MMFA-SAD presents Kevin Austin | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 609 | Kevin | Austin | Toy Symphony (FJ Haydn) | 1977 | Zuspiel / Tonband, | 11:00 | Stereo | (audience participation) [] | MetaM. Montréal | 0 | |||||||||
| 610 | Kevin | Austin | Tweazlling Snarls | 1981 | Performance | 150:00 | Quadro | 0 | |||||||||||
| 611 | Kevin | Austin | Vortex | 1981 | fixed media, akusmatisch | 23:45 | Stereo | Concordia Montréal, MetaM. Montréal | 0 | ||||||||||
| 41018 | Kevin | Austin | Wait Too! | 1982 | fixed media, akusmatisch | 19:45:00 | CECG/GEC | 0 | |||||||||||
| 41019 | Kevin | Austin | Wait! | 1982 | fixed media, akusmatisch | 21:45:00 | CECG/GEC | 0 | |||||||||||
| 612 | Kevin | Austin | Waiting for James (JamesText I) | 1983 | live-elec, 1 perf | intermedia |
Stereo | Narrator, slides [Schauspieler] | 0 | |||||||||||
| 613 | Kevin | Austin | Wave Link One | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 614 | Kevin | Austin | Wave Link Too | 1985 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41020 | Kevin | Austin | Waves and Tides of Time | 2004 | fixed media, akusmatisch | 13:51:00 | 0 | ||||||||||||
| 41021 | Kevin | Austin | Window on World | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 600 | Kevin, Joan, Illana | Austin, Baller, Steele | Snow Peas | 1984 | live-elec, 2 perf | Stereo | fl, cl, [Flöte, Klarinette] | 0 | |||||||||||
| 615 | Kevin, Joan, Illana | Austin, Baller, Steele | X-Flu-Toot | 1985 | live-elec, 2 perf | Stereo | fl, cl, [Flöte, Klarinette] | 0 | |||||||||||
| 565 | Kevin, Jill | Austin, Bedoukian | Aux nørd du Kédbèk | 1985 | Zuspiel, live-elec, | 10:17 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 566 | Kevin, Jill | Austin, Bedoukian | Bog the Frog | 1983 | fixed media, akusmatisch | 17:00 | Stereo, Quadro | MetaM. Montréal | 0 | ||||||||||
| 578 | Kevin, Jill | Austin, Bedoukian | Florida Sweet | 1983 | fixed media, akusmatisch | 20:30 | Stereo, Quadro | MetaM. Montréal | 0 | ||||||||||
| 598 | Kevin, Ej | Austin, Brulé | San-Denis Blues | 1986 | live-elec, 1 perf | Stereo | V, (extensions) [Stimme] | 0 | |||||||||||
| 41014 | Kevin, Chih-Lin | Austin, Chou | Temple (for zheng and electroacoustic sounds) | 2003 | Zuspiel / Tonband, 1 perf | 7:16:00 | zheng [Streicher] | 0 | |||||||||||
| 596 | Kevin, Shawn | Austin, Hill | Ritual for a Noisy gong / Subjoctive | 1985 | Zuspiel / Tonband, 2 perf | Stereo | e-bass, synt [Gitarre, synthesizer] | 0 | |||||||||||
| 597 | Kevin, Shawn | Austin, Hill | Sabre Dancers | 1986 | live-elec, 1 perf | Stereo | synt (delay) [synthesizer] | 0 | |||||||||||
| 575 | Kevin, Doris | Austin, May | Earthy Delights | 1984 | intermedia, | Stereo | (slides) [] | tape, slides | 0 | ||||||||||
| 616 | Larry | Austin | Accidents | 1967 | Zuspiel, Performance, 1 perf | 26:48 | prep p, (rm) [Piano] | David Tudor (elec prep p), UC at Davis 1967; Synt = Buchla 100 | Centaur CRC 2219, CDCM Vol. 19/ Source Records, SR 13/ Pogus 21050-2/ | Col.Princ EMC | 1967 | MEV Rom; 2. P: UC at Davis 1967 |
1 | http://cemi.music.unt.edu/larry_austin | |||||
| 18808 | Larry | Austin | Accidents Two | 1992 | live-elec, 1 perf | 14:27 | p [Piano] | Centaur CRC 2219, CDCM Vol. 19/ | PS Austin | Montague / Mead Piano Plus | 1993 | London | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 26396 | Larry | Austin | Adagio: Convolutions on a Theme by Mozart | 2005 | Zuspiel / Tonband, 1 perf | 10:00 | cl [Klarinette] | Centaur CRC 2830, CDCM Vol. 35/ | Gerard Errante | 27.10.2005 | 26th annual new music & art festival Ohio | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 36606 | Larry | Austin | Art is Self-Alteration is Cage is … | 1982 - 1983, 1993 | Zuspiel / Tonband, 1 perf | 8:04 | db (15 recorded db on tape) [Kontrabass] | Centaur CRC 2830, CDCM Vol. 35/ | 0 | ||||||||||
| 618 | Larry | Austin | Bass | 1966 | Theater, 2 perf | 10:30 | Stereo | db, mus, (film) [Kontrabass, Musiker] | SanFran Tape M. C. | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 619 | Larry | Austin | Beachcombers | 1991 | Zuspiel / Tonband, 4 perf | 10:13 | Stereo | 4 ins [Instrument] | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 18628 | Larry | Austin | BluesAx | 1995/1996 | Zuspiel / Tonband, 1 perf | 18:30 | Stereo | sax [Saxophon] | 7 parts; NeXT with Csound & Cmix | LDC 278062 Cultures Electroniques 9 Magisterium/ Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton | Magisterium Bourges 1996 | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 620 | Larry | Austin | Canadian Coastlines Canonic Fractals for musicians and computer band |
1981 | Zuspiel / Tonband, 1 group | 10:10 | ens [Ensemble] | Synclavier (andere Zeitangaben 12:28) |
FTS 37475/ Centaur CRC 2219, CDCM Vol. 19/ | CEMI Denton | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 621 | Larry | Austin | Caritas | 1969 | Klangkunst, Installation | fixed media, akusmatisch |
20:00 | 9 tracks, Stereo | Caritas, in two versions, 9-channel tape for installation, 90 minutes and stereo tape concert version; 20 minutes, 1969. [created during the first summer workshop PDP10, Music V) |
Source Records, SR 17/ Source Records, SR 3/ Pogus 21050-2/ | CCRMA | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26399 | Larry | Austin | Catalogog Sonoro - 'Narcisso' | 1978 | fixed media, akusmatisch | 10:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 622 | Larry | Austin | Catharsis | 1965 | Zuspiel/Tonband, 1 group | Tanz |
8:00 | Quadro | ens [Ensemble] | improvisation | SanFran Tape M. C. | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 623 | Larry | Austin | Changes, open style for trombone and tape | 1965 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | trbn [Posaune] | UC Davis | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 24905 | Larry | Austin | Djuro's Tree | 1997 | radiophon | 12:30 | Octo | EMF 139/ | Borik Press | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 624 | Larry | Austin | Hybrid Musics | 1980 | live-elec, | IRIDA 0022/ | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 27726 | Larry | Austin | John Explains | 2007 | fixed media, akusmatisch | 10:00 | Octo | 0 | |||||||||||
| 625 | Larry | Austin | La Barbara: The Name, The Sounds, The Music | 1991 | Zuspiel / Tonband, 1 perf | 23:00 | V [Stimme] | Centaur CRC 2166, CDCM Vol. 13/ | Dallas Sound Lab | Joan La Barbara | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26395 | Larry | Austin | Les flûtes de Pan, Hommage à Debussy | 2006 | Zuspiel / Tonband, 1 perf, 1 group | 7:30 | Octo | fl, dancers [Flöte, Tanz] | Centaur CRC 2830, CDCM Vol. 35/ | Jacqueline Martelle | 15.03.2007 | exp. Media Fdt. NY | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 626 | Larry | Austin | Life Pulse Prelude, Based on skethes and plans for percusiion orch. music from a portion of Charles Ive's Universe Symphony | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 24:08 | perc-ens [Schlagzeug] | Centaur CRC 2133, CDCM Vol. 11/ | 1 | http://cemi.music.unt.edu/larry_austin | |||||||||
| 26402 | Larry | Austin | Ludus Fractalis | 1984 | audiovisuell | 11:00 | Deep Listening DL LA-V-VHS Deep Listening video cassette, stereo sound, 1990/ | 0 | http://cemi.music.unt.edu/larry_austin/ | ||||||||||
| 19484 | Larry | Austin | Max Mathews Episode | 1989 | Zuspiel, live-elec, 2 perf, 1 group | 11:06 | Stereo | ch, Kbd, MIDI [Keyboard, synthesizer, Chor] | Mathews / Boie Radio Drum and Radio Baton | Centaur CRC 2190, CDCM Vol. 15/ | CCRMA | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 627 | Larry | Austin | Montage | 1985 | Zuspiel / Tonband, 1 perf | 13:17 | Stereo | vn [Violine] | Themes and Variations | Centaur CRC 2110, CDCM Vol. 10/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 628 | Larry | Austin | Morton Subotnick Episode from Transmission II | 1990 | live-elec, 3 perf, 1 group | 6:15 | ch, Kbd, celletto, perc [Keyboard, Schlagzeug, Cello, Chor] | ISAST LMJ 1/ | 1 | http://cemi.music.unt.edu/larry_austin | |||||||||
| 26406 | Larry | Austin | Nineteen seventy-six | 1972 | fixed media, akusmatisch | 16:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 36605 | Larry | Austin | Ottuplo! | 1998 - 2000 | Zuspiel / Tonband, 4 perf | 11:42 | str-qt [Streicher] | Centaur CRC 2830, CDCM Vol. 35/ | 0 | ||||||||||
| 26405 | Larry | Austin | Phoenix | 1974 | fixed media, akusmatisch | 10:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26401 | Larry | Austin | Prelude and Postlude to Plastic Surgery | 1971 | Film, live-elec, 2 perf | 15:00 | Kbd, p [Piano, Keyboard] | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26408 | Larry | Austin | Primal Hybrid | 1972 | fixed media, akusmatisch | 11:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26404 | Larry | Austin | Protoforms | 1980 | fixed media, akusmatisch | 10:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26407 | Larry | Austin | Quadrants | 1972 | fixed media, akusmatisch | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ CRC 2219/ IRIDA 0022/ LDC 278062 Cultures Electroniques 9 Magisterium/ | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 629 | Larry | Austin | Quadrants Event / Complex No. 4 and No. 9 |
1972/1994 | Zuspiel, live-elec, 2 perf | 8:49 | disklavier, perc [Piano, Schlagzeug] | delay - system | Centaur CRC 2219, CDCM Vol. 19/ LDC 278062 Cultures Electroniques 9 Magisterium/ | CCM Mills, Lunetta St Sacramento | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 20981 | Larry | Austin | Quadrants: Event / Complex No. 1 | 1972/1994 | Zuspiel / Tonband, 1 perf, 1 group | 8:38 | Stereo | w-ens [Bläser] | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26400 | Larry | Austin | Quadrants: Event / Complex No. 11, 10, 9, 8, 7, 6, 4, 3 | 1977 | Zuspiel / Tonband, 9 perf | db, trbn, perc, va, fl, cl, vc, p, vn [Flöte, Klarinette, Posaune, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | performed singly or in any combination, but always with Quadrants tape, respectively, db, trbn, perc, va, fl, cl, vc, pno, vn; ACE; 9' | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26409 | Larry | Austin | Quartet Four | 1971 | fixed media, akusmatisch | 8:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26410 | Larry | Austin | Quartet Three | 1971 | fixed media, akusmatisch | 12:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26394 | Larry | Austin | Redux | 2007 | fixed media, akusmatisch | 7:30 | Octo | Centaur CRC 3219 Vol. 39/ |
CEMI Denton | Patricia Strange | 14.05.2007 | Uni of Maryland, Baltimore | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 28069 | Larry | Austin | RomaDue, A Theater Piece in Open Style for Improvisation Ensemble, Dancers and Tape | 1965, 1997 | fixed media, akusmatisch | 16:00 | Stereo | Improvisation | Centaur CRC 2830, CDCM Vol. 35/ | American Academy Roma | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 18629 | Larry | Austin | ;Rompido!, GraniteHarp - ThunderStone - SteleMusic | 1993 | fixed media, akusmatisch | 24:07 | Stereo | 3 parts; Csound, Soundworks, cmix, rt | Centaur CRC 2310, CDCM Vol. 24/ | PS gaLarry Denton | copyright Borik Press 1993 | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 20989 | Larry | Austin | Shin-Edo: CityscapeSet | 1994 - 1996 | fixed media, akusmatisch | 19:41 | Stereo | 5 parts | Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton, Kunitachi Tokyo | Borik Press | Competition Musica Nova Prag 1996 | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 631 | Larry | Austin | Sinfonia Concertante: A Mozartean Episode | 1988 | live-elec, 1 perf, 2 groups | 16:47 | Stereo | ch, ens, Sp [Sprecher, Ensemble, Chor] | Synclavier | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 24904 | Larry | Austin | Singing! … the music of my own time | 1998 | live-elec, 1 perf | 25:00 | Octo | V [Stimme] | EMF 139/ | BEAST, IMEB Bourges, PS C. | Thomas Buckner | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 632 | Larry | Austin | Sonata Concertante | 1984 | Zuspiel / Tonband, 1 perf | 11:55 | Stereo | p [Piano] | Mandelbrot-Fractale | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | Bob Houston for Sound Source | 1984 | Buffalo | 1 | http://cemi.music.unt.edu/larry_austin | |||
| 18630 | Larry | Austin | SoundPoemSet | 1991 | fixed media, akusmatisch | 18:07 | Stereo | Centaur CRC 2029, CDCM Vol. 1/ CRC 2193/ Centaur CRC 2193, CDCM Vol. 16/ | PS gaLarry Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 26403 | Larry | Austin | Stars | 1982 | fixed media, akusmatisch | 8:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | CEMI Denton | 0 | http://cemi.music.unt.edu/larry_austin/ | |||||||||
| 26397 | Larry | Austin | Tableaux: Convolutions on a Theme | 2003 | live-elec, 1 perf | 16:00 | Octo | a-sax [Saxophon] | Centaur CRC 2830, CDCM Vol. 35/ | Stephen Duke | 10.022004 | DeKalb | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 24903 | Larry | Austin | ;Tarogató! | 1998 | live-elec, 1 perf | Octo | cl (tarogato) [Klarinette] | EMF 139/ | NY new music and dance ens | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 630 | Larry | Austin | The Maze, A Theater Piece in Open Style for Three Percussionists, Dancer, Tapes, Machines, and Projections | 1966 | Tanz, 4 perf | Musiktheater, 4 perf |
31:00 | Stereo | 3 perc, dancer (lights) [Schlagzeug, Tanz] | LA | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 26398 | Larry | Austin | Threnos | 2001 - 2002 | Zuspiel / Tonband, | 7:30 | Octo | b-cl (1 or 2 or 4 or 8 cl) [Klarinette] | for real and virtual b-cl. Michael Lowenstern, bass clarinetorton |
SEAMUS EAM Vol. 13/ Centaur CRC 2830, CDCM Vol. 35/ | Michael Lowenstern | 30.01.2003 | New York | 0 | http://cemi.music.unt.edu/larry_austin | ||||
| 634 | Larry | Austin | Transmission II : the great excursion | 1990 | Zuspiel, live-elec, 1 perf, 1 group | 107:00 | ch, (radio drum,) celletto [Cello, Chor] | [Recorded material, Xavier Serra's SANSY program, LM2] | ISAST LMJ 1/ Centaur CRC 1994/ ISAST 1/ | CCRMA | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 20988 | Larry | Austin | Variations … beyond Pierrot | 1993 - 1995 | Zuspiel, live-elec, 6 perf | 30:30 | S, 5 ins, [Sopran, Instrument] | Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton, Banff C., Kunitachi Tokyo | 1 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 24349 | Larry | Austin | Williams(re)mix(ed) | 2000 | fixed media, akusmatisch | 19:23 | Octo | after Cage's piece from 1952. Williams [re]Mix[ed] (1997-2000), for octophonic computer music system (ADAT), based on John Cage's Williams Mix (1951-53), for eight magnetic tapes: The Theme Restored; Six Short Variations: A-city sounds, B-country sounds, C-electronic sounds, D-manually produced sounds, E-wind produced sounds, F-small sounds; The Nth Realization; commissioned by the International Institute for Electroacoustic Music, Bourges, France, with sponsorship and support from the John Cage Trust and C. F. Peters Corporation; LAM, duration, 19 to 23 minutes |
EMF 139/ | IMEB Bourges | IMEB Bourges | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 40072 | Massimo | Avantaggiato | ATLAS OF UNCERTAINTY | 2017 | fixed media, akusmatisch | Massimo Avantaggiato | 0 | ||||||||||||
| 34658 | Massimo | Avantaggiato | Penumbra | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 40071 | Massimo | Avantaggiato | Vana Imago | 2016 | Performance | Massimo Avantaggiato | 0 | ||||||||||||
| 39446 | Massimo vito | Avantaggiato | THREE MINIATURES | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 38733 | Peter, Iris | AVAR, DISSE | Das Herz der Tänzer – El corazon de los bailarines | 2003 | radiophon | 54:00:00 | 0 | ||||||||||||
| 43116 | Ron | Averill | gdod kreasi baru | 1990 | live-elec, 5 perf | 4 trbn, p [Posaune, Piano] | 0 | ||||||||||||
| 36621 | Ron | Averill | painting legs on the snake, (Curtain Opens To Reveal), The Dark Continent Monk Wandering Westerly Prelude (Fade To Black) |
1993 | fixed media, akusmatisch | 16:13 | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | Mention Bourges 1994 Auszeichnung ars electronica 1995 |
0 | |||||||||
| 41606 | Jon | Aveyard | Mis | 2003 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 635 | Tzvi | Avni | Collage | 1967 | Zuspiel / Tonband, 3 perf | V, fl, perc [Stimme, Flöte, Schlagzeug] | 0 | ||||||||||||
| 636 | Tzvi | Avni | Gilgulim (Reincarnations) | 1973 | Radiokunst, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 637 | Tzvi | Avni | Lyric Episodes | 1972 | Tanz, 2 perf | S, ob [Sopran, Oboe] | FTS 33878/ | 0 | |||||||||||
| 638 | Tzvi | Avni | Retrospections | 1975 | Zuspiel / Tonband, 2 perf | vc, perc [Schlagzeug, Cello] | 0 | ||||||||||||
| 639 | Tzvi | Avni | Study for the "Tower of Babel" | 1964 | fixed media, akusmatisch | 6:40 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 640 | Tzvi | Avni | Synchromotrask | 1976 | Musiktheater, 1 perf | actor [Schauspieler] | 0 | ||||||||||||
| 641 | Tzvi | Avni | Vocalise | 1964 | fixed media, akusmatisch | 5:47 | Stereo | Soprano Vocals – Pnina Avni | TV 34004S/ SR 290 sub rosa/ | Col.Princ EMC | 0 | ||||||||
| 32277 | Arseny | Avraamov | Symphony of Sirenes, Sinfoniya Gudkov | 1922 | Performance | 28 | > 1000 V, (foghorns, artillery batteries, mul infantry regiments, hydroplanes, 25 steam locomotives, all factory sirenes in the city) [Stimme] | Bookcontens: CD 1 & CD 2 with original documents and reconstructions of 72 Kew Works of Music, Poetry and Agitprop from the Russian Avantgardes 1908 - 1942 | ReR RAG 1&2/ | 1922 | Baku | 0 | |||||||
| 38408 | Ana-Maria | Avram | Anamorphosis | live-elec, | 12:20 | EDMN 1012/ | 0 | ||||||||||||
| 18711 | Ana-Maria | Avram | Icarus | 1993 | fixed media, akusmatisch | 13:22 | Stereo | EDMN 1006/ | 0 | ||||||||||
| 18712 | Ana-Maria | Avram | Ikarus II | 1993 | Zuspiel / Tonband, 1 perf | 13:35 | Stereo | p [Piano] | EDMN 1008/ | 0 | |||||||||
| 18713 | Ana-Maria | Avram | On the Abolition of the Soul | Zuspiel / Tonband, 1 group | 20:21 | Stereo | ens [Ensemble] | ensemble instrumental | EDMN 1008/ | 0 | |||||||||
| 18714 | Ana-Maria | Avram | Signum Gemini | 1989 | Zuspiel / Tonband, 1 group | 12:30 | Stereo | ens [Ensemble] | ensemble instrumental | EDMN 1008/ EDMN 1002/ | 0 | ||||||||
| 642 | Ana-Maria | Avram | Zodiaque | Zuspiel / Tonband, 2 perf | prep p, perc [Piano, Schlagzeug] | EDMN 1003/ | 0 | ||||||||||||
| 643 | Ana-Maria | Avram | Zodiaque III | fixed media, akusmatisch | 16:10 | EDMN 1002/ | 0 | ||||||||||||
| 43152 | Ana-Maria, Iancu | Avram, Dumitrescu | Oiseaux Céléstes II / Traces, Sillons, Sillages II | 2002 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2002 | 0 | ||||||||||||
| 644 | Freddy | Awad | Ragdong | 1978 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 645 | Freddy | Awad | Ritmofonia per due | 1978 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 646 | Freddy | Awad | Sun I | 1980 | fixed media, akusmatisch | 13:20 | Stereo | CRM Roma | 0 | ||||||||||
| 36943 | Kwesi | Awotwi | Trip Hop Double'O'Zero | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 25688 | Mauricio | Ayer | Répétitions - drama sonoro | 1997 - 1998 | fixed media, akusmatisch | 7:58 | Stereo | Text by Fernando Pessoa | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | ||||||||
| 41855 | Lydia | Ayers | Glassminute | 2005 | radiophon | 0:56:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 18633 | Ben | Azarm | Unclassified | 1982 | fixed media, akusmatisch | 3:34 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 18634 | Ben, Brian | Azarm, Reinbolt | P boone | 1983 | live-elec, 1 perf | 4:07 | Stereo | MIDI [synthesizer] | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | ||||||||
| 18635 | Ben, Brian, John | Azarm, Reinbolt, Bischoff | X X 1 | 1983 | Zuspiel / Tonband, 1 perf | 3:23 | Stereo | MIDI [synthesizer] | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | ||||||||
| 21763 | Miguel | Azguime | 96 digital Bells | 1993 | fixed media, akusmatisch | 21:00 | Miso Studio | Centro Cultural de Belém | 1993 | Lisboa Centro Belém | 0 | http://www.misoensemble.com/miguelazguime/english/works/electromusic.html | |||||||
| 21752 | Miguel | Azguime | ÁGUA ou MARÉ - NOME de PEDRA | 1991 | Zuspiel, live-elec, 3 perf | 18:00 | pic-fl, b-fl, perc, (water, mós de pedra) [Flöte, Schlagzeug] | PS C. | Câmara Municipal do Seixal | 0 | http://www.misomusic.com | ||||||||
| 33523 | Miguel | Azguime | Aguas Marinhas | 2005 | live-elec, 14 perf | 14:21 | fl, ob, cl, bn, hn, tpt, trbn, perc, p, 2 vn, va, vc, db, (elec) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | miso records mcd 035.13/ | Miso Studio | JSCM (Japanese Society for Contemporary Music) | 0 | ||||||||
| 21764 | Miguel | Azguime | COMUNICAÇÕEs, Communications | 1998 | fixed media, akusmatisch | Klangkunst, Installation |
7:54 | 94 Tracks | miso records mcd 027.11/ | Miso Studio | Lisbon World Fair Expo'98 | November 1998 | Lisboa, Music in November, Culturgest | 1 | http://www.misomusic.com | |||||
| 33522 | Miguel | Azguime | Conver(say)tions | 2011 | live-elec, 3 perf | 13:06 | vn, p, perc, (elec) [Piano, Schlagzeug, Violine] | miso records mcd 035.13/ | Miso Studio | The California EAR Unit | 0 | ||||||||
| 21759 | Miguel | Azguime | DE L'ÉTANT QUI LE NIE | 1997 | live-elec, 1 perf | 16:00 | p [Piano] | piano with midi triggering system and real-time processing and spacialization system | miso records mcd 017.07/ | Miso Studio | Ministério da Cultura | 11.1998 | 1 | http://www.misomusic.com | |||||
| 33521 | Miguel | Azguime | De Part et d'Autre | 2011 | live-elec, 5 perf | 17:53 | fl, cl, vn, va, p, (elec) [Flöte, Klarinette, Piano, Viola, Violine] | miso records mcd 035.13/ | Miso Studio | French Ministry of Culture | 0 | ||||||||
| 23487 | Miguel | Azguime | Derrière son double | 2001 | live-elec, 6 perf | 25:00 | Stereo | fl, cl, vn, va, vc, p [Flöte, Klarinette, Piano, Viola, Cello, Violine] | miso records mcd 021.09/ sond’ar-TE Vol. 1/ miso records mcd 035.13/ | Miso Studio | Porto 2001 / Casa da Música | 1 | http://www.misomusic.com | ||||||
| 25649 | Miguel | Azguime | Des cercles en cercle | 2007 - 2008 | fixed media, akusmatisch | 15:09 | Stereo | Dedicated to Folkmar Hein | miso records mcd 027.11/ | TU Berlin, PS C. | 25.01.2008 | Ultraschall-Festival, Berlin, Radial System | 1 | http://www.misomusic.com | |||||
| 21755 | Miguel | Azguime | DU NÉANT DE L'ÉTANT | 2000 | live-elec, 1 perf | 6:00 | vib [Schlagzeug] | Miso Studio | 0 | http://www.misomusic.com | |||||||||
| 21758 | Miguel | Azguime | DU NÉANT QUI LE CROIT | 1994 | live-elec, 1 perf | 15:00 | bn [Fagott] | miso records mcd 017.07/ | Miso Studio | Fundação das Casas de Fronteira e Alorna | 1 | http://www.misomusic.com | |||||||
| 23488 | Miguel | Azguime | EIO-IN ou les Modßeles de l'Indifférence | 2001 | live-elec, 3 perf | Stereo | vn, trbn, p [Posaune, Piano, Violine] | Miso Studio | 1 | http://www.misomusic.com | |||||||||
| 27549 | Miguel | Azguime | Itinerário do Sal | 2006 | audiovisuell | Performance, live-elec, 1 perf |
≈ 60:00 | Octo | actor [Schauspieler] | miso records mdvd 001.07/ | Miso Studio | Inventionen 2006 | 1 | 2006 | http://www.misomusic.com | |||||
| 28599 | Miguel | Azguime | L … | 2010 | fixed media, akusmatisch | 6:09 | with the voices (singing and improvising) of Frances M. Lynch and David Moss; composed for a project named "Erotic Sound Fictions". | miso records mcd 027.11/ | 17.04.2010 | 25th anniversary of Miso Musik, Franco-Portuguese Institut Lisbon | 1 | http://www.misomusic.com | |||||||
| 23785 | Miguel | Azguime | Le dicible enfin fini | 2003 | fixed media, akusmatisch | 8:47 | Stereo | Text-Sound Composition | CAP 22057/ miso records mcd 027.11/ miso records mcd 013/014/ EBU Ars Acustica 2009/ | Miso Studio | 06.2004 | Bourges Synthese Festival | EMS Prize 2003 EBU Ars Acustica 2009 |
1 | http://www.misomusic.com | ||||
| 28600 | Miguel | Azguime | Liquidus Sonorus Luminaris | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
16:12 | Stereo | Work originally written for the cyber fountain at Parque dos Príncipes (Oeiras, Portugal) which may be performed per se. However there is a MIDI sequence to control the water jets than can be adapted to similar fontains. | miso records mcd 027.11/ | EMS Stockholm | Oeiras Municipality in Portugal | 25.06.2005 | Oeiras, Portugal, Musica Viva Festival, Poet’s Park | 1 | http://www.misomusic.com | ||||
| 21765 | Miguel | Azguime | Música e Texturas Sonoras | 1998 | Klangkunst, Installation | 7:59 | 94 Tracks | music and sound installation in 94 audio channels (±300 loudspeakers) for the exhibition at the "Pavilhão do Conhecimento dos Mares" by the atelier ARX Portugal Lisboa - Pavilhão do Conhecimento dos Mares da Expo'98 | Miso Studio | 0 | http://www.misomusic.com | ||||||||
| 21766 | Miguel | Azguime | Nave | 1998 | Klangkunst, Installation | 10:00 | Miso Studio | 0 | http://www.misomusic.com | ||||||||||
| 33796 | Miguel | Azguime | Notes on Books | 2012 | fixed media, akusmatisch | 8:41:00 | Composing with Sounds/ | INA-GRM | 1 | ||||||||||
| 21761 | Miguel | Azguime | O CENTRO DO EXCÊNTRICO DO CENTRO DO MUNDO | 1999 | live-elec, 18 perf | 30:00 | 16 V, 2 dichter [Stimme, Performer] | sung in Latin and Portuguese through Pedro Nunes' texts (XVIth Century) | miso records mcd 015.06/ | Miso Studio | Fundação Calouste Gulbenkian | 1 | http://www.misomusic.com | ||||||
| 21756 | Miguel | Azguime | PARFAIRE LE BLEU | 1996/1998 | live-elec, 3 perf | 25:00 | fl, hpd or cl, p [Flöte, Klarinette, Piano, Cembalo] | fl, hpd (Version 1) / cl; p (Version 2) | Miso Studio | Fundação Calouste Gulbenkian | 0 | http://www.misomusic.com | |||||||
| 21753 | Miguel | Azguime | PULSE CODE MODULATION: uma história industrial | 1996 | Zuspiel, live-elec, 3 perf | 18:00 | fl, b-fl, perc [Flöte, Schlagzeug] | miso records 2001/ | Miso Studio | Câmara Municipal do Seixal | 0 | http://www.misomusic.com | |||||||
| 27547 | Miguel | Azguime | Sobreposições | 2000 | fixed media, akusmatisch | 9:17 | Miso Studio | 2000 | Lisboa, Festival Musica Viva | 0 | http://www.misomusic.com | ||||||||
| 27548 | Miguel | Azguime | Uniusombadiudubi | 2003/2004 | fixed media, akusmatisch | Miso Studio | 0 | http://www.misomusic.com | |||||||||||
| 21760 | Miguel | Azguime | YUAN ZHI YUAN, (de origem em origens) | 1998 | live-elec, 8 perf, 1 group | 30:40 | S, T, 6 (traditional chinese) ins, chamber-ch [Sopran, Tenor, Instrument, Chor] | miso records mcd 015.06/ | Fundação Oriente | 1 | http://www.misomusic.com | ||||||||
| 21762 | Miguel, Paula | Azguime, Azguime | DÉPOSER LA FORÊT | 1990 | fixed media, akusmatisch | 7:33 | Miso Studio | 1993 | Santiago de Compostela | 1 | http://www.misomusic.com | ||||||||
| 25470 | Miguel, Paula | Azguime, Azguime | Escrituras | 2002 | Zuspiel, live-elec, 2 perf | 14:57 | fl, perc [Flöte, Schlagzeug] | Miguel Azguime (perc), Paula Azguime (fl) Live-recording at Teatro do Campo Allegre, Porto, P on 16.12.2002 |
miso records mcd 017.07/ | Miso Studio | Ministério Da Cultura / IPAE | 1 | http://www.misomusic.com | ||||||
| 21754 | Miguel, Paula | Azguime, Azguime | NÓNIO | 1998 - 2002 | live-elec, 2 perf | 17:02 | fl, perc [Flöte, Schlagzeug] | miso records mcd 017.07/ | Miso Studio | Ministério da Cultura / IPAE | May 1999 | Lisbon, Grande Auditório, Fundação Calouste Gulbenkian | 1 | http://www.misomusic.com | |||||
| 25822 | Kinan | Azmeh | Iraq Re-visited, from the Gilgamesh Project | 2005 | audiovisuell | 10:00 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 1 | ||||||||||
| 42574 | Kinan | Azmeh | Walls and Towers | 2010 | audiovisuell, live-elec, 4 perf | 10 | cl, vn, va, vc [Klarinette, Viola, Cello, Violine] | Juilliard school’s Beyond the Ma- chine festival 2010 | 0 | ||||||||||
| 39837 | Hanae | Azuma | In the Bay I | 2017 | fixed media, akusmatisch | 16 Tracks | Hanae Azuma | 0 | |||||||||||
| 39836 | Hanae | Azuma | In the Bay II | 2017 | fixed media, akusmatisch | Hanae Azuma | 0 | ||||||||||||
| 39838 | Hanae | Azuma | watercolor painting | 2016 | fixed media, akusmatisch | Hanae Azuma | 0 | ||||||||||||
| 39387 | Hanae | Azuma | Where am I in the Universe? | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24852 | Georges | Azzaria | Concret | 2002 | fixed media, akusmatisch | Stereo | AVTR 031/ | 0 | |||||||||||
| 18636 | Georges | Azzaria | ET/Ou | 1989/1992 | fixed media, akusmatisch | 9:01 | Stereo | OBZ 001/ | 0 | ||||||||||
| 24849 | Georges | Azzaria | Monopole | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 24851 | Georges | Azzaria | National-local | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 24850 | Georges | Azzaria | Nul ist prophet en su patria | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 26210 | Marije | Baalman | Beuerskrach | 2003 | fixed media, akusmatisch | 3:28 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Electrofringe | 1 | ||||||||
| 26211 | Marije | Baalman | Pollock's Sprechwunsch | 2003 | fixed media, akusmatisch | 6:32 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | ||||||||
| 26209 | Marije | Baalman | Scratch | 2004 | fixed media, akusmatisch | 24 Tracks, Spazialisation: WFS | TU Berlin | 2004 | LAC 2004 ZKM | 0 | |||||||||
| 39385 | Girilal | Baars | Mother’s War | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 41976 | Younes | Baba-Ali | Tic Nerveux | 2018 | audiovisuell | Klangkunst, Installation |
3-channel Videoinstallation | 19.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, Heinrich-Feuerstein-Schule, Turnhalle | 0 | ||||||||||
| 38734 | Younes, Anna | BABA-ALI, RAIMONDO | Carroussa Sonore | 2013 | radiophon | 51:53:00 | 0 | ||||||||||||
| 36289 | Milton | Babbitt | Arie da capo | 1974 | fixed media, akusmatisch | 12:46 | PNM 26/ | CalArts | Walter W. Naumburg Foundation | 0 | |||||||||
| 647 | Milton | Babbitt | Composition for Synthesizer | 1961 | fixed media, akusmatisch | 10:36 | Quadro | one of the first piece of RCA-synzhesizer Mark II | Mainstream MS 6566/ IDEAMA CD 066/ | Col.Princ EMC | 1 | ||||||||
| 648 | Milton | Babbitt | Ensembles for Synthesizers | 1964 | fixed media, akusmatisch | 10:39 | Quadro | RCA-Synthesizer Mark II | Finna QD 9010/ Columbia MS 7051/ SICC 78/ IDEAMA CD 066/ | Col.Princ EMC | 1 | ||||||||
| 649 | Milton | Babbitt | Philomel | 1964 | Zuspiel / Tonband, 1 perf | 18:27 | S [Sopran] | RCA-Synthesizer Mark II ; text by Ovid | Neuma 450-74/ NWR 80466/ Ellipsis Arts 3671 - OHM: 01/ IDEAMA CD 067/ | Col.Princ EMC | 1 | http://www.furious.com/perfect/ohm/columbiaprinceton.html | |||||||
| 650 | Milton | Babbitt | Phonemena | 1969 | Zuspiel / Tonband, 1 perf | 4:11 | Stereo, Quadro | S [Sopran] | RCA-Synthesizer Mark II there is another version for S & p |
NWR 209/ Neuma 450-74/ NWR 80466/ IDEAMA CD 066/ | Col.Princ EMC | 1 | |||||||
| 651 | Milton | Babbitt | Reflections | 1975 | Zuspiel / Tonband, 1 perf | 10:16 | p [Piano] | NWR 209/ NWR 80466/ DIDX 022920/ | Col.Princ EMC | 1 | |||||||||
| 652 | Milton | Babbitt | Vision and Prayer | 1961 | Zuspiel / Tonband, 1 perf | 14:30 | Quadro | S [Sopran] | text by Dylan Thomas | CRi SD 268/ CRi CD 521/ IDEAMA CD 067/ | Col.Princ EMC | 1 | |||||||
| 35834 | Andrew | Babcock | Anagoge | 2012 | fixed media, akusmatisch | 9:48 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 42962 | Andrew | Babcock | Pianolanche | 2013 | fixed media, akusmatisch | 5:32:00 | 0 | ||||||||||||
| 42718 | Andrew | Babcock | Reconstruction | 2012 | fixed media, akusmatisch | 7:20:00 | 0 | ||||||||||||
| 39575 | Andrew | Babcock | Transformations | 2015 | fixed media, akusmatisch | 9:26:00 | Andrew Babcock | 0 | |||||||||||
| 39574 | Andrew | Babcock | Ventriloquy | 2016 | fixed media, akusmatisch | Andrew Babcock | 0 | ||||||||||||
| 43044 | Jacopo | Baboni Schilingi | Für Hans_sonata | 2014 | fixed media, akusmatisch | 25:00:00 | 0 | ||||||||||||
| 39874 | Jacopo | Baboni Schilingi | Reflexions | 2015 | live-elec, | Jacopo Baboni Schilingi | 0 | ||||||||||||
| 25823 | Ignacio | Baca Lobera | Creaturas secundarias | 2007 | fixed media, akusmatisch | Stereo | 1 | ||||||||||||
| 25824 | Ignacio | Baca Lobera | Questionable tone | 2007 | fixed media, akusmatisch | Stereo | 1 | ||||||||||||
| 27174 | Ignacio | Baca Lobera | Recall | 2001 | Zuspiel / Tonband, 1 perf | 8:36 | gui [Gitarre] | 0 | |||||||||||
| 655 | Antonio | Bacchelli | E 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 653 | Grazyna | Bacewicz | Pozdanie (Desire) | 1968 | Tanz, 1 group | 84:00 | orc [Orchester] | 0 | |||||||||||
| 654 | Michael | Bach | One13 | 1993 | Zuspiel / Tonband, 1 perf | 28:00 | Stereo | vc [Cello] | ZKM Karlsruhe | 0 | |||||||||
| 656 | Jan | Backstuber | EH - 50 | 1989 | fixed media, akusmatisch | 8:35 | Stereo | CECM Bratislava | 0 | ||||||||||
| 657 | Jan | Backstuber | Lamento per 25 000 | 1988 | fixed media, akusmatisch | 8:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 658 | Jan | Backstuber | Stop | 1990 | fixed media, akusmatisch | 12:32 | Stereo | CECM Bratislava | 0 | ||||||||||
| 42458 | Alexis | Bacon | Cowboy Song | live-elec, 1 perf | perc [Schlagzeug] | dedicated to Greg Beyer | ASCAP/SEAMUS | 0 | |||||||||||
| 32110 | Alexis | Bacon | Cradle | 2005 | Zuspiel / Tonband, 1 perf | 8:29:00 | a-sax [Saxophon] | Dan Puccio, alto saxophone | SEAMUS EAM Vol. 18/ | 0 | |||||||||
| 39554 | Alexis | Bacon | Ojibwe Song | 2017 | fixed media, akusmatisch | Alexis Bacon | 0 | ||||||||||||
| 659 | Krzysztof | Baculewski | Quartier Latin | 1981 | fixed media, akusmatisch | 13:34 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22121 | Krzysztof | Baculewski | Voyage a'travers le Paysage Metaphysique | fixed media, akusmatisch | 14:50 | Stereo | ExpSt Warsaw | 0 | |||||||||||
| 660 | Henk | Badings | 3 Lucebert-songs | 1963 | Zuspiel / Tonband, 1 group | 15:00 | Stereo | male ch [Chor] | based on poems by the dutch artist Lucebert (1924-1994) | STEM Utrecht | 0 | ||||||||
| 661 | Henk | Badings | 3 Schwärmereien | 1963 | Zuspiel / Tonband, 1 group | 13:10 | Stereo | mx ch [Chor] | version of 3 Lucebert-songs | STEM Utrecht | 0 | ||||||||
| 662 | Henk | Badings | Armageddon | 1968 | Zuspiel / Tonband, 1 perf | S, w orc [Sopran, Orchester] | PPC KP101 Point Park College/ | 0 | |||||||||||
| 663 | Henk | Badings | Asterion | 1957 | radiophon | 75:00 | Mono | Radio Johannesburg | 0 | ||||||||||
| 664 | Henk | Badings | Ballade van die bloeddorstige jagter (Cantata VII) | 1970 | Zuspiel / Tonband, 1 perf, 3 groups | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 665 | Henk | Badings | Capriccio, Introduzione Lento Allegro |
1959 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | vn [Violine] | first piece in the Netherlands for tape & instrument | PHI 835056/ BC 1118/ LS 86055/ IDEAMA CD 015/ BASTA 30-9172-2/ | Philips Laboratories Eindhoven | August 8, 1959 | Gravesano, Joke Vermeulen (vn) | 0 | http://thresholdofbeauty.com/music excerpts/Capriccio excerpt.mp3 | ||||
| 666 | Henk | Badings | Chaconne | 1965 | Zuspiel / Tonband, 1 perf | 12:00 | tpt [Trompete] | 0 | |||||||||||
| 667 | Henk | Badings | Concert | 1964 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | ww-ins [Bläser] | STEM Utrecht | 0 | |||||||||
| 668 | Henk | Badings | Concertino | 1967 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | 0 | |||||||||||
| 669 | Henk | Badings | De gravin Catalene | 1952 | radiophon | 20:00 | Mono | W.B. Yeats | NRU Hilversum | 0 | |||||||||
| 670 | Henk | Badings | De Hoorschelp | 1958 | radiophon | 20:00 | Mono | acousticon | NRU Hilversum | 0 | |||||||||
| 671 | Henk | Badings | De Nacht van Morgen | 1956 | Fernsehen, | 15:00 | Mono | NRU Hilversum, AVRO-Studio | AVRO | 0 | |||||||||
| 672 | Henk | Badings | De Spreekcel | 1959 | radiophon | 40:00 | Mono | words : Ab van Eyk | Philips Laboratories Eindhoven | 0 | |||||||||
| 673 | Henk | Badings | De Vliegende Hollander | 1957 | Film | 45:00 | Mono | NRU Hilversum, VARA | Cinetone | 0 | |||||||||
| 674 | Henk | Badings | Dialogues for man and machine | 1958 | Zuspiel / Tonband, 1 perf | 20:00 | Quadro | V [Stimme] | text by Ramses Shaffy | BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 1 | |||||||
| 675 | Henk | Badings | Die Frau von Andros The Woman of Andros, Andros Introduction Interrupted Dinner Party Solo Glycerium Milieu Pamphilus Guest Meal Pas De Deux Meeting Of Pamphilus And Glycerium Solo Chrysis Farewell Chrysis Death Of Chrysis |
1959 | Tanz | 45:00 | Quadro | in 10 scenes | BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 0 | ||||||||
| 676 | Henk | Badings | Electronic Ballet music III | 1959 | Tanz | 22:00 | Stereo | Philips Laboratories Eindhoven | 0 | ||||||||||
| 677 | Henk | Badings | Electronic music | 1957 | fixed media, akusmatisch | 75:00 | Mono | PHI 09959/ | Philips Laboratories Eindhoven | 0 | |||||||||
| 678 | Henk | Badings | Elektromagnetische Klankfiguren | 1959 | fixed media, akusmatisch | 5:00 | Quadro | Philips Laboratories Eindhoven | August 8, 1959 | planed un Gravesano, but canceled | 0 | ||||||||
| 679 | Henk | Badings | Elektronische Sonatine | 1954 | fixed media, akusmatisch | 5:00 | Mono | NRU Hilversum | 0 | ||||||||||
| 40928 | Henk | Badings | Evolutionen | 1956 | Tanz | Philips Laboratories Eindhoven | Ballett Hannover | 1 | |||||||||||
| 680 | Henk | Badings | Evolutionen Evolutions - Ballet Suite, Overture Air Ragtime Intermezzo Waltz Finale |
1958 | Tanz | 13:37 | Mono | 6 parts (Overture, Air, Ragtime, Intermezzo, Waltz, Finale). Sometimes played together with an orchestra |
PHI 835056/ BC 1118/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ LS 86055/ | Philips Laboratories Eindhoven | 1958 | Hanover Opera Ballet (choreogr. Georgi) | 1 | ||||||
| 681 | Henk | Badings | Geluid der werkwlijkheid, Sound of reality | 1958 | Theatermusik | radiophon |
90:00 | Quadro | illustration | Philips Laboratories Eindhoven | Jan 1958 | opening of the new auditorium at the Rijksakademie voor Beeldende Kunsten Amsterdam | 0 | |||||||
| 682 | Henk | Badings | Genese, Genesis | 1958 | Zuspiel / Tonband, 6 perf, 1 group | 15:00 | Quadro | T, Bar, male ch, 4 perc [Tenor, Bariton, Schlagzeug, Chor] | words : A. Saffy. Music for five Audio-Frequency oscillators | PHI 835056/ BC 1118/ IDEAMA CD 043/ BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Genese excerpt.mp3 | ||||||
| 684 | Henk | Badings | Jonah | 1963 | Zuspiel / Tonband, 3 perf, 1 group | 20:00 | Stereo | Sp, 2 male V, ch [Sprecher, Stimme, Chor] | NRU Hilversum | 0 | |||||||||
| 685 | Henk | Badings | Kain und Abel, Introduction / Dance / Dance Of The Destructive Forces Conflict Conclusion Transition Passacaglia Arioso Conflict Reprise (Arioso) Conflict Finale |
1956 | Tanz | 17:30 | Stereo | Electronic Ballet Music, (choreography by Zielstra). Composition divided in 2 Episodes. 1. Episode with 2 parts, 2. Episode 4 parts |
PHI 400036/ PHI 099597/ IDEAMA CD 016/ CV 7803/ BASTA 30-9182-2/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ Creel Pone 10/ | Philips Laboratories Eindhoven | Dutch National Ballet at Hollandfestival 1956 | June 22 1956 July 9, 1956 |
Koninklijke Schouwburg The Hague Stadtsschouwburg Amsterdam |
1 | |||||
| 687 | Henk | Badings | Martin Korda D.P. | 1960 | Oper | 18:00 | Mono | act III, scene I on BASTA-CD text by Ab van Eyk |
BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 0 | ||||||||
| 688 | Henk | Badings | Mens en Machine in Eindhoven | 1958 | fixed media, akusmatisch | 14:00 | Mono | Suite | Philips Laboratories Eindhoven | 0 | |||||||||
| 689 | Henk | Badings | Music | 1972 | Zuspiel / Tonband, 1 perf | org [Orgel] | 0 | ||||||||||||
| 690 | Henk | Badings | Op het tweede gehoor | 1957 | intermedia | 20:00 | Mono | acousticon | NRU Hilversum | 0 | |||||||||
| 691 | Henk | Badings | Orestes, Prologue Fantasmagoria Episode |
1954 | radiophon | 54:00 | Mono | This is the second electronic piece realized in the Netherlands! Radiophonic Opera with text by Jan Starink |
NRU Hilversum, AVRO-Studio | NRU | 1954 | Florenz | Prix Italia 1954 | 0 | http://thresholdofbeauty.com/music%20excerpts/Orestes%20excerpt.mp3 | ||||
| 692 | Henk | Badings | Pauzeteken | 1959 | fixed media, akusmatisch | 0:20 | Mono | for NRU | Philips Laboratories Eindhoven | 0 | |||||||||
| 693 | Henk | Badings | Polly Picklenose | 1971 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 694 | Henk | Badings | Salto mortale | 1959 | Fernsehen, | 50:00 | Mono | TV opera ; Salzburg TV com. 3. price | Philips Laboratories Eindhoven | Prix Italia 1954 | 1 | ||||||||
| 695 | Henk | Badings | Sigmund Freud: the Secret Passion | 1962 | Film | 0 | |||||||||||||
| 696 | Henk | Badings | St. Mark Passion | 1971 | Zuspiel / Tonband, 1 perf, 3 groups | 45:00 | Vs, male ch, orc [Stimme, Chor, Orchester] | 0 | |||||||||||
| 32210 | Henk | Badings | The Countess Cathleen | 1952 | radiophon | 54 | Mono | after William Butler’s „Yeats’“ 1892. This is the first el. piece realized in the Netherlands! |
KRO Hilversum | KRO (Katholieke Radio Omroep) | Dezember 1952 | KRO | 0 | ||||||
| 697 | Henk | Badings | Toccata I | 1964 | fixed media, akusmatisch | 3:00 | Stereo | STEM Utrecht | 0 | ||||||||||
| 698 | Henk | Badings | Toccata II | 1964 | fixed media, akusmatisch | 4:00 | Quadro | BASTA 30-9172-2/ | STEM Utrecht | 0 | |||||||||
| 699 | Henk | Badings | Triple Concerto no. 2 | 1970 | Zuspiel / Tonband, 4 perf, 1 group | 3 hn, ww-orc [Horn, Bläser] | 0 | ||||||||||||
| 700 | Henk | Badings | Tune | 1958 | Hintergrundmusik | 0:30 | Mono | NRU Hilversum | 0 | ||||||||||
| 701 | Henk | Badings | Variations électroniques | 1957 | Film | 9:58 | Mono | advertising film | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Variations electroniques excerpt.mp3 | |||||||
| 686 | Henk, Helmut | Badings, Schoell | Kontrapunkte | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 702 | Nikolai | Badinski | A ' S | 1974 | Zuspiel / Tonband, 2 groups | 2 ens [Ensemble] | 0 | ||||||||||||
| 703 | Nikolai | Badinski | Ab-stand, Ab-seits; Werste, Weiten… | 1988 | Zuspiel / Tonband, 1 perf | 9:55 | Stereo | vn [Violine] | after "Für Boris Pasternak" by Marina Zwetajewa | AB 2232, ABAN/ | TU Berlin | 1 | |||||||
| 704 | Nikolai | Badinski | Begegnungen von Unendlichkeiten | 1982 | Zuspiel, live-elec, 1 perf | 21:46 | Stereo | amp ins [Instrument] | HfMT Köln | 0 | |||||||||
| 705 | Nikolai | Badinski | Berührung mit der Orpheus–Sage | 1979/1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 706 | Nikolai | Badinski | Cantico di San Francesco | 1981/1982 | Zuspiel / Tonband, 1 perf | Bar [Bariton] | 0 | ||||||||||||
| 707 | Nikolai | Badinski | Decipio Nr.3 | 1977/1978 | Zuspiel / Tonband, 1 perf | p [Piano] | 1978 | Bergamo/Brescia | 0 | ||||||||||
| 708 | Nikolai | Badinski | Decipio Nr.3b | 1977/1978 | Zuspiel / Tonband, 2 perf | 2 p [Piano] | 0 | ||||||||||||
| 709 | Nikolai | Badinski | Decipio Nr.4 | 1978 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 710 | Nikolai | Badinski | Dostoevsky Reflections | 1979 | fixed media, akusmatisch | 1981 | Musica verticale, Rom | 0 | |||||||||||
| 711 | Nikolai | Badinski | Friedenspsalm | 1983 | fixed media, akusmatisch | 11:12 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 712 | Nikolai | Badinski | Gaidi, Bagpipes | 1983/1984 | Theatermusik | 20:12 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 713 | Nikolai | Badinski | ...GEGEN - und MIT-EINANDER | 1991 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | hp [Harfe] | TU Berlin | BGNM | 1 | ||||||||
| 714 | Nikolai | Badinski | Hommage à Kafka | 1979 | fixed media, akusmatisch | 0 | |||||||||||||
| 715 | Nikolai | Badinski | Kukeri | 1983/1984 | Theatermusik | 22:12 | Quadro | a rites-scene | Sonology Utrecht | 0 | |||||||||
| 716 | Nikolai | Badinski | Phönixe | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 717 | Nikolai | Badinski | Ritualgesang | 1983 | fixed media, akusmatisch | 10:55 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 718 | Nikolai | Badinski | ro–ma–vil–la–mas–si–mo | 1981 | fixed media, akusmatisch | 1981 | Rom | 0 | |||||||||||
| 719 | Nikolai | Badinski | Rotation / In memory of a cosmonaut/ | 1974 | fixed media, akusmatisch | May 1977 | Lautenbacher Pfingst–Musiktage | 0 | |||||||||||
| 720 | Nikolai | Badinski | Sevtopolis | 1974/1983 | fixed media, akusmatisch | 10:10 | Stereo | Neufassung 1983 | Sonology Utrecht | 0 | |||||||||
| 722 | Nikolai | Badinski | Steigende Figur | 1983 | fixed media, akusmatisch | 7:03 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 723 | Nikolai | Badinski | Traumvisionen | 1982 | fixed media, akusmatisch | 62:53 | Quadro | HfMT Köln | Deutsche Oper, Berlin | 1983 | Deutsche Oper Berlin | 0 | |||||||
| 724 | Nikolai | Badinski | Tre espressioni | 1981 | Zuspiel / Tonband, 1 perf | S [Sopran] | n. Texten von R. Malkowski, R. Philombe, K.A. Wolken | 1981 | Musica verticale, Rom | 0 | |||||||||
| 725 | Nikolai | Badinski | Trio imaginable | 1980 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 726 | Nikolai | Badinski | Water Music | 1984 | fixed media, akusmatisch | 21:05 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 727 | Sven-Erik | Bäck | Annus Solaris | 1980 | Zuspiel / Tonband, 1 perf | 12:10 | S [Sopran] | FYLP 1025/ | EMS Stockholm, Sonology Utrecht | 1 | |||||||||
| 728 | Sven-Erik | Bäck | Aux faux-penseur, ou, Trugschlüsse aus der Musik in Geschichte und Gegenwart, oder Thou shalt reach Jordan in the end, or... | 1975 | fixed media, akusmatisch | 7:36 | Stereo | EMS Stockholm | 0 | ||||||||||
| 729 | Sven-Erik | Bäck | Bronsporten | 1972 | fixed media, akusmatisch | 5:00 | 0 | ||||||||||||
| 730 | Sven-Erik | Bäck | Ekvator | 1988 | Zuspiel / Tonband, 1 perf, 1 group | V, orc [Stimme, Orchester] | 0 | ||||||||||||
| 731 | Sven-Erik | Bäck | Fem skisser för Saluki | 1976 | Zuspiel / Tonband, 2 perf | 8:00 | org, va [Orgel, Viola] | 0 | |||||||||||
| 27956 | Sven-Erik | Bäck | Genom Jorden Genom Havet, Through the Earth Through the Sea | 1972 | Tanz | 24:00 | Ballet in 8 scenes; here are 4 parts: Prolog (8:14), Parken (4:40), A Domen Maltiden (6:13), Museet (4:54) | FYLP 1021/ | AB Nordiska Musikforlaget | 1 | |||||||||
| 733 | Sven-Erik | Bäck | Hommage aux grands faux | 1975 | fixed media, akusmatisch | 7:35 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 734 | Sven-Erik | Bäck | "In Principio" (I Begynnelsen) | 1969 | fixed media, akusmatisch | 14:14 | Stereo | PSCD 41 Phono Suecia/ CAP 60008 Beilage Buch Sanne Krogh Groth/ IDEAMA CD 047/ |
EMS Stockholm | 0 | |||||||||
| 735 | Sven-Erik | Bäck | Mur och port | 1971 | fixed media, akusmatisch | 15:00 | 0 | ||||||||||||
| 736 | Sven-Erik | Bäck | Murar, Walls | 1972 | Zuspiel / Tonband, | 15:00 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 737 | Sven-Erik | Bäck | Music to "Choreography - for the Churches" | 1971 | Tanz | 30:00 | Mono | 0 | |||||||||||
| 738 | Sven-Erik | Bäck | Nox Lucebit (Psalm 139) | 1972 | fixed media, akusmatisch | 11:45 | Stereo | EMS Stockholm | SR | 0 | |||||||||
| 739 | Sven-Erik | Bäck | Orgelfjäril | 1975 | fixed media, akusmatisch | 5:50 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 740 | Sven-Erik | Bäck | Porten | 1969 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 741 | Sven-Erik | Bäck | Time present II | 1975 | Zuspiel / Tonband, 2 perf | 13:50 | 2 vn [Violine] | 0 | |||||||||||
| 742 | Sven-Erik | Bäck | Tollo II | 1975 | Zuspiel / Tonband, 2 perf | 10:00 | 2 p [Piano] | 0 | |||||||||||
| 743 | Karl-Otto | Bäder | Fünf Tage im Leben des Hamilton D. Brown | 1978 | live-elec, 1 group | jazz-ens [Ensemble] | Lyrik, Jazz und Live-Elektronic | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 42905 | Yoomee, Jaeseong | Baek, You | Dance Music 16 | 2013 | fixed media, akusmatisch | 7:20:00 | 0 | ||||||||||||
| 744 | Anton | Bagatov | Music | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 745 | Mauro | Bagella | Come un esercizio per intermedia | 1987 | Zuspiel / Tonband, 5 perf | 11:00 | Stereo | 3 V, synt, db [Stimme, Kontrabass, synthesizer] | CRM Roma, STREAM Roma | 0 | |||||||||
| 746 | Mauro | Bagella | Della fatica e del suono | Zuspiel, live-elec, 1 perf | 17:23 | perc [Schlagzeug] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | |||||||||
| 747 | Mauro | Bagella | Fotografia di un arabesco | 1984 | Zuspiel / Tonband, 6 perf | 10:00 | Stereo | fl, ob, cl, bn, hn, trbn [Flöte, Klarinette, Oboe, Fagott, Horn, Posaune] | STREAM Roma | 0 | |||||||||
| 748 | Mauro | Bagella | Negativo di Fotografia di un Arabesco | 1984 | Zuspiel / Tonband, 6 perf | 19:30 | Stereo | 6 str [Streicher] | CRM Roma, STREAM Roma | 0 | |||||||||
| 749 | Mauro | Bagella | Per legno e metallo sottile | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | prep p [Piano] | STREAM Roma | 0 | |||||||||
| 750 | Mauro | Bagella | Pocco prima della notte | 1988 | fixed media, akusmatisch | 10:35 | Stereo | Fonit Cetra CDC 43/ | STREAM Roma | 0 | |||||||||
| 751 | Mauro | Bagella | Proporzioni | 1980 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fl [Flöte] | CRM Roma | 0 | |||||||||
| 752 | Mauro | Bagella | Un canto lontano | 1985 | Zuspiel / Tonband, 6 perf | 12:30 | Stereo | 6 ww-ins [Bläser] | CRM Roma, STREAM Roma | 0 | |||||||||
| 753 | Mauro | Bagella | Zone di memoria | 1986 | Zuspiel / Tonband, 9 perf | 12:00 | Stereo | 9 ins [Instrument] | CRM Roma, STREAM Roma | 0 | |||||||||
| 41391 | Joan | Bages i Rubi | Calida Construccio | fixed media, akusmatisch | CIME 2008 | 0 | https://www.ckcufm.com/ | ||||||||||||
| 26122 | Joan | Bagés | Deux poissons japonais électroacoustique | 2008 | fixed media, akusmatisch | 11:30 | Stereo | MR 2008 Métamorphoses 2008/ AMEE 60 Aniversario/ | Catalunya Creation Scholarship | 1. prix ex aequo Métamorphoses 2008 | 1 | ||||||||
| 39913 | Joan | Bagés | HOLOFONIA v1 | 2017 | fixed media, akusmatisch | Joan Bagés | 0 | ||||||||||||
| 18410 | Guido | Baggiani | A piu voci nell'ombra | 1990 | fixed media, akusmatisch | 16:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 754 | Guido | Baggiani | Accordo presunto | 1973 | Zuspiel / Tonband, 6 perf | Stereo | 6 ins [Instrument] | CRM Roma | 0 | ||||||||||
| 755 | Guido | Baggiani | Anabasi | 1985/1986 | live-elec, 9 perf | 4 V, 2 fl, 2 cl, vib [Stimme, Flöte, Klarinette, Schlagzeug] | CRM Roma | 0 | |||||||||||
| 756 | Guido | Baggiani | Profili | 1987/1988 | live-elec, 1 group | chamber-orc [Orchester] | CRM Roma | 0 | |||||||||||
| 758 | Guido | Baggiani | Senza voci 3 | 1985 | fixed media, akusmatisch | 15:34 | Quadro | PAN PRC S20-18/ | CSC Padova | Biennale Venezia | 1 | ||||||||
| 759 | Guido | Baggiani | Twins | 1972 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | p, (rm) [Piano] | CRM Roma | 0 | |||||||||
| 757 | Guido, Giorgio | Baggiani, Nottoli | Senza voci 2 | 1978/1979 | fixed media, akusmatisch | 6:53 | Stereo, Quadro | PAN 20-15/ | CSC Padova | 1 | |||||||||
| 21202 | Guido, Giorgio, Vito | Baggiani, Nottoli, Asta | Senza voci 1 | 1978/1979 | fixed media, akusmatisch | 12:40 | Stereo | PAN 20-15/ | CSC Padova | 0 | |||||||||
| 38735 | Serge, Boris | BAGHDASSARIANS, BALTSCHUN | Audioguide | 2010 | radiophon | 44:39:00 | 0 | ||||||||||||
| 38736 | Serge, Boris | BAGHDASSARIANS, BALTSCHUN | memorandum of understanding | 2013 | radiophon | 38:57:00 | 0 | ||||||||||||
| 42901 | Gry | Bagøien | Kairos | 2013 | fixed media, akusmatisch | 7:16:00 | 0 | ||||||||||||
| 39905 | Jeremy | Baguyos | Chindogu | 2015 | fixed media, akusmatisch | 2:56:00 | Jeremy Baguyos | 0 | |||||||||||
| 760 | Junsang | Bahk | Elektronische Musik | 1970 | fixed media, akusmatisch | 7:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 761 | Junsang | Bahk | Parodie für Flöte und drei Ringmodulatoren | 1970 | fixed media, akusmatisch | 13:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 39691 | Curtis, Thomas | Bahn, Ciufo | Sonic Constructions | 2017 | fixed media, akusmatisch | Curtis Bahn and Thomas Ciufo | EMPAC | 0 | |||||||||||
| 39670 | Christopher | Bailey | Composition | 2016 | live-elec, 1 perf | p, (S#|++¥) [Piano] | Christopher Bailey | 0 | |||||||||||
| 42459 | Christopher | Bailey | Mergurs ehd ffleweh bq nsolst | 2008 | live-elec, 1 perf | V [Stimme] | Sukato, vocals | 0 | |||||||||||
| 42880 | Christopher | Bailey | Microtonal Miniatures | 2013 | fixed media, akusmatisch | 2:17:00 | 0 | ||||||||||||
| 35505 | Christopher | Bailey | Ow my head | 1996 | fixed media, akusmatisch | 7:29 | ICMC | 0 | |||||||||||
| 40255 | Stephen | Bailey | The Uncurling Nautilus | 2015 | fixed media, akusmatisch | 6:52:00 | Stephen Bailey | 0 | |||||||||||
| 41562 | Joanna | Bailie | Analogue | 2011 | Zuspiel / Tonband, 3 perf | 25 | amp str-trio, (camera obscura) [Streicher] | 0 | |||||||||||
| 41560 | Joanna | Bailie | Artificial Enviroments No. 7 | 2012 | Zuspiel / Tonband, 6 perf | 12 | 2 S, 2 A, T, B [Sopran, Alt, Tenor, Bass] | Exaudi | 0 | ||||||||||
| 41558 | Joanna | Bailie | Artificial Enviroments No. 8 | 2013 | Zuspiel / Tonband, 1 perf | 16 | p [Piano] | 0 | |||||||||||
| 35322 | Joanna | Bailie | Artificial Enviroments Nos. 1 - 5, Artificial Enviroment 1 | 2011, 2014 | Zuspiel / Tonband, 5 perf | 21 | cl, vn, va, vc, perc (fl, cl, p, vn, va) [Klarinette, Schlagzeug, Viola, Cello, Violine] | az 7 another timbre/ | 0 | ||||||||||
| 41564 | Joanna | Bailie | Long slow sweep | 2016 | Film | 7 | 3 tracks | three-channel video installation | 0 | http://joannabailie.com/index.php/films/ | |||||||||
| 35004 | Joanna | Bailie | Music from Public Places | 2016 | Zuspiel / Tonband, 28 perf | 24 | 6 S, 6 A, 6 T, 6 B, str-qt [Sopran, Alt, Tenor, Bass, Streicher] | Donaueschingen Musiktage 2016 | 14.10.2016 | Donaueschinger Musiktage, Christuskirche, mit SWR Vokalensemble Stuttgart, Améi Quartett. Ltg. Marcus Creed | 0 | ||||||||
| 41559 | Joanna | Bailie | On and Off 2 | 2008 | live-elec, 6 perf | 8 | 6 perf (3 radios, 3 radio/CD players) [Performer] | 0 | |||||||||||
| 41561 | Joanna | Bailie | Symphony-Street-Souvenir | 2010 | Zuspiel / Tonband, 7 perf | 13 | fl, cl and b-cl, p, vn, va, vc, db [Flöte, Klarinette, Piano, Viola, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 41565 | Joanna | Bailie | The Grand Tour | 2013 - 2015 | Film | 15 | 0 | http://joannabailie.com/index.php/films/ | |||||||||||
| 41563 | Joanna | Bailie | The place you can see and hear | 2012 - | Klangkunst, Installation | audio-video installation | 0 | http://joannabailie.com/index.php/i/ | |||||||||||
| 41940 | Daria | Baiocchi | Plasma | fixed media, akusmatisch | 0 | ||||||||||||||
| 762 | Rick | Baitz | Kaleidocycles | 1985 | fixed media, akusmatisch | 9:54 | Stereo | Synclavier | Centaur CRC 2039, CDCM Vol. 2/ | iEAR Rensselaer | 1 | ||||||||
| 25446 | Mario | Bajardi | Bjm Violin Studio 7 | 2001 | fixed media, akusmatisch | 6:38 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 42073 | Zvonimir | Bajsić | Janus oder das Programm der Zukunft | 1987 | radiophon | 45:20 | SWF, SFB | 29.9.1987 | 0 | ||||||||||
| 42074 | Zvonimir | Bajsić | Slike iz zivota jednog radiodramaturga | 1987 | radiophon | RTV Zagreb | 0 | ||||||||||||
| 763 | Robert | Baker | CSX-1 Study | 1963 | fixed media, akusmatisch | 2:00 | Stereo | com M. | EMS UIUC | 0 | |||||||||
| 764 | Ruth | Bakke | (fragments d')un homme moderne | 1985 | Zuspiel, live-elec, 3 perf | 15:50 | Bar, perc, synt [Bariton, Schlagzeug, synthesizer] | NOTAM | 0 | ||||||||||
| 765 | Osvaldas | Balakauskas | Do nata | 1982 | Zuspiel / Tonband, 1 perf | va [Viola] | 0 | ||||||||||||
| 766 | Osvaldas | Balakauskas | Notes | 1983 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 33332 | Nanni | Balestrini | Un Istante con Figure | 1962 | fixed media, akusmatisch | 12 | Mono | text sound composition | Fonologia Milano | 0 | |||||||||
| 36376 | Xavier | Balfegó | Noelius | 1989 | fixed media, akusmatisch | 4:20 | Audiovisuals de Sarria 29-1421/ | 0 | |||||||||||
| 767 | Jon | Balke | Kvartett | 1988 | live-elec, 3 perf | tpt, perc, p, [Trompete, Piano, Schlagzeug] | MIDI | NOTAM | 0 | ||||||||||
| 40480 | Claude | Ballif | Double Trio | 1963 | Zuspiel / Tonband, 3 perf | 7:35 | trio [Instrument] | INA • GRM | 15.2.1962 | Paris, Salle des Conservatoires | 0 | ||||||||
| 768 | Claude | Ballif | Points Mouvements, Points-Mouvements | 1962 | fixed media, akusmatisch | 10:08 | Quadro, Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 035/ SR 270 sub rosa/ | INA • GRM | 15.12.1962 | Paris Salle des Conservatoire; 8 canaux | 1 | |||||||
| 43097 | Vykintas | Baltakas | Music of falling sounds | 2015 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 28568 | Vykintas | Baltakas | Ouroboros-Zyklus 1, Ouroboros I (d)ou(ble) (co)ro(na) |
2005 | Zuspiel / Tonband, 1 perf, 1 group | 26:59 | S, ens [Sopran, Ensemble] | WD 2005, Wittener Tage Für Neue Kammermusik 2005/ | Kompositionsuaftrag des WDR | 2005 | Wittener Tage für neue Kammermusik 2005 mit Klangforum Wien, Rita Balta, Johannes Kalitzke | 1 | |||||||
| 43096 | Vykintas | Baltakas | Pasaka | 1995 - 1997 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 41936 | Vykintas | Baltakas | Pažeistas šešelis | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 38826 | Vykintas | Baltakas | Sandwriting | 2018 | live-elec, 2 perf | 15 | 2 Kbd [Keyboard] | Experimentalstudio für Akustische Kunst Freiburg | WDR | 28.4.2018 | Wittener Tage für neue Kammermusik 2018, Piano-Duo GrauSchumacher (Andreas Grau, Götz Schumacher) | 0 | http://www.baltakas.net/work/sandwriting | ||||||
| 33714 | Bill, Jim, Group | Baltitas, White, Collapse/Relapse | Webs | 1990 | fixed media, akusmatisch | 1:12:00 | WN 00006/1991/ | 1 | |||||||||||
| 35242 | Boris, Serge | Baltschun, Baghdassarians | Bodybuilding | 2012 | radiophon | 55:51:00 | Karl-Sczuka-Preis 2012 | 0 | |||||||||||
| 34735 | Boris, Serge | Baltschun, Baghdassarians | maßnahmepaket | 2010 | Klangkunst, Installation | 10:08 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 25.8.-12.9.2010 | singuhr hoergalerie Berlin im Meinblau, Pfefferberg | 0 | |||||||||
| 37590 | Boris, Serge | Baltschun, Baghdassarians | who cooks for you? | 2017 | Klanginstallation, live-elec, | für präparierte Streifenkauzeier, Lautsprecher und Infraschall | SWR | 19.-22.10.2017 | Donaueschinger Musiktage 2017, Fürstlich Fürstenbergische Sammlungen | 0 | |||||||||
| 769 | Roumen | Balyosov | Preludio, Aria and Toccata | 1981 | fixed media, akusmatisch | 10:35 | Radio Sofia | 0 | |||||||||||
| 770 | Klaus | Balzer | Musica Planetaria 1 "Mozart" | 1990 | Zuspiel / Tonband, 1 group | 17:50 | Stereo | orc [Orchester] | PS C. | 0 | |||||||||
| 771 | Klaus | Balzer | Musica Planetaria 2 "Kepler" | 1990 | fixed media, akusmatisch | 27:30 | 10 Tracks | PS C. | 0 | ||||||||||
| 772 | Christian | Banasik | Baumblütenzeit in Werder / AFSTS 1 | 1929, 1992 | Film, live-elec, 2 perf | 10:00 | MIDI p, sam [Piano, computer] | with Software AFSTS | HfM Düsseldorf | 0 | |||||||||
| 28859 | Christian | Banasik | Begegnung I | 1985/1986 | Zuspiel / Tonband, 2 perf | a-sax, va [Saxophon, Viola] | PS Banasik | 0 | |||||||||||
| 28860 | Christian | Banasik | Begegnung II | 1992 | live-elec, 1 perf | ob [Oboe] | PS Banasik | 0 | |||||||||||
| 28861 | Christian | Banasik | Begegnung III | 1992 | live-elec, 1 perf | bn [Fagott] | PS Banasik | 0 | |||||||||||
| 20201 | Christian | Banasik | Begegnung VI | 1996 | Zuspiel / Tonband, 1 perf | 13:07 | acc [Akkordeon] | Edwin A. Buchholz | Cybele 960.204/ DegeM CD 04/ | PS Banasik | 1 | ||||||||
| 28862 | Christian | Banasik | Begegnung VII | 1992 | audiovisuell | fl, cl, bn, p, str-qt, elec, (Videoproj) [Flöte, Klarinette, Fagott, Piano, elektronik, Streicher] | (über die Begegnungen von Robert Schumann und Frédéric Chopin 1835/36) | PS Banasik | 0 | ||||||||||
| 39664 | Christian | Banasik | Begegnung VIII | 2017 | fixed media, akusmatisch | Christian Banasik | 0 | ||||||||||||
| 773 | Christian | Banasik | Begrenzte Sicht | 1991 | Film, 1 perf | 11:00 | Stereo | a-sax [Saxophon] | (Filmmusik, ein Film von Christian Schumacher) | HfM Düsseldorf | 0 | ||||||||
| 24257 | Christian | Banasik | Glass Cutter | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ NAISA Deep Wireless 4/ VOX NOVUS 2007/ | 1 | |||||||||||
| 42739 | Christian | Banasik | I see a voice (ver. 2), I see a voice | 2012 | fixed media, akusmatisch | 7:15:00 | 0 | ||||||||||||
| 775 | Christian | Banasik | Igor's Smile | 1993 | radiophon | 15:00 | Stereo | with soundsamples by Strawinski-M. (Feuervogel, Le sacre…); Synclavier | Russolo Pratella EF.ER.P 93/ | HfM Frankfurt | Prize Russolo Varese 1993 | 1 | |||||||
| 42575 | Christian | Banasik | Ihr Fassen nach Wind | 2003/2005 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 39667 | Christian | Banasik | Ik’ | 2015 | fixed media, akusmatisch | 9:03:00 | Christian Banasik | 0 | |||||||||||
| 776 | Christian | Banasik | Im Zentrum ohne Worte I | 1986/1987 | live-elec, 10 perf | 13:00 | Stereo | S, ob, cl, 3 tim, hp, 2 vn, sam [Sopran, Klarinette, Oboe, Harfe, Schlagzeug, Violine, computer] | HfM Düsseldorf | 0 | |||||||||
| 777 | Christian | Banasik | Im Zentrum ohne Worte II | 1991 | live-elec, 3 perf | 16:00 | Stereo | 3 high fem V (sam) [Stimme] | für drei hohe Frauenstimmen und computergesteuerten Sampler mit Texten aus der aktuellen Tagespresse | HfM Düsseldorf | 0 | ||||||||
| 39665 | Christian | Banasik | Kontaktanzeigen/Personals (I Am) | 2016 | fixed media, akusmatisch | qnt [Instrument] | Christian Banasik | 0 | |||||||||||
| 778 | Christian | Banasik | La sonrisa de Igor | fixed media, akusmatisch | 0 | ||||||||||||||
| 42926 | Christian | Banasik | Last Gestures of Open Mouths | 2013 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 23779 | Christian | Banasik | …letzte Gebärde offener Münder | 1998/1999 | radiophon | 15:41 | Stereo | Hörstück / elektroakustische Musik nach Texten von Michael Wüstefeld | CAP 22057/ Kiasma 1999/ | emsPrize 2001 | 1 | ||||||||
| 41388 | Christian | Banasik | METROPOLITAN 2 | 2018 | Musiktheater, live-elec, 4 perf, 1 group | Performance |
S, acc, org, mix ch, elec (portable electronic devices) [Sopran, Orgel, Akkordeon, elektronik, Chor] | music theater - performance, art in public spaces | 22.9.2018 | Düsseldorf, Kirchplatz subway station (start) St. Peter Church, Irene Kurka, soprano; Marko Kassl, accordion; Alexander Herren, organ; The DIVA Choir / Barbara Beckmann; Frederik Goeke, director | 0 | |||||||||
| 39330 | Christian | Banasik | scenes from life fragments | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 779 | Christian | Banasik | Tanz | 1987/1988 | Performance, live-elec, 1 perf | 20:00 | Stereo | dancer, (com, sam) [Tanz] | zur Skulptur von Andreas Dettloff | HfM Düsseldorf | 0 | ||||||||
| 39666 | Christian | Banasik | Tree Blossoms II | 2016 | fixed media, akusmatisch | Christian Banasik | 0 | ||||||||||||
| 780 | Christian | Banasik | Uriel | 1993 | Film | 32:00 | com-con p, vn [Piano, Violine] | Filmmusik, ein Film von Christian Schumacher | HfM Düsseldorf | 0 | |||||||||
| 24350 | Jean-Christophe | Banaszak | Dilaton | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 781 | Alain | Bancquart | Lento | 1981 | fixed media, akusmatisch | 21:30 | Stereo | INA • GRM | Commande INA.GRM et Radio-France | 29.1.1981 | Paris, Maison de Radio France, Studio 105 | 0 | |||||||
| 18642 | Ellen | Band | Railroad Gamelan | 1992 | fixed media, akusmatisch | 9:37 | Stereo | AER 1994 / 6/ | 0 | ||||||||||
| 18643 | Ros | Bandt | Genesis | 1983 | Zuspiel / Tonband, | 9:27 | Stereo | NA 028/ | 0 | ||||||||||
| 41365 | Ros | Bandt | Isobue | 2008 | radiophon | 117 | SG 0801/ | ABC | ABC Radio eye | 0 | |||||||||
| 41366 | Ros | Bandt | Jaara Jaara Seasons | 2013 | Klangkunst, Installation | Performance |
∞ | Surround 5.1 | ens (hp and V, sheng, fl, …) [Ensemble] | SG 1361/ | Sunday November 3rd 2013 | Fryerstown, Central Victoria | 0 | http://hearingjaarajaara2013.wordpress.com | ||||||
| 22054 | Ros | Bandt | Mungo | radiophon | 2:00 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 42218 | Ros | Bandt | Thrausmata, Sieben akustische Vignetten | 1996 | radiophon | 24:14 | WDR Studio Akustische Kunst | 30.5.1998 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1403986&vi=15&SID | ||||||||
| 782 | Jacques | Bank | Thomas | 1975 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 783 | Gyula | Bánkövi | Hydrofónia | 1990 | fixed media, akusmatisch | 8:05 | Stereo | MR Budapest | 0 | ||||||||||
| 38737 | Gyula, Janós | BANKÖVI, DECSENYI | Hungarian Soundscapes II – Klanglandschaften aus Ungarn | 1996 | radiophon | 54:29:00 | 0 | ||||||||||||
| 784 | Don | Banks | Batucada amenazante para los que huyen | 1969 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 785 | Don | Banks | Equation, part 1 digitalisation of live performance of instrumental work |
1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 786 | Don | Banks | Intersections | 1969 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | Goldsmith London, PS Banks | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 34406 | Rick | Banks | Assez dans la dock de le Pays Bas | 1979 | fixed media, akusmatisch | 12:33 | Mono | Study with PILE and analog FM | Sonology Utrecht | 0 | |||||||||
| 787 | Rick | Banks | Betsy | 1979 | fixed media, akusmatisch | 7:20 | Stereo | computer music | Sonology Utrecht | 0 | |||||||||
| 788 | Rick | Banks | Disco I & II, Rob Carol Dave and Alice fade out at the disco Disk Goes |
1979 | fixed media, akusmatisch | 4:35 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 36779 | Rick | Banks | Improvisations | fixed media, akusmatisch | 18:05:00 | 0 | |||||||||||||
| 789 | Rick | Banks | Priscilla hits the street | 1979 | fixed media, akusmatisch | 7:20 | Quadro | Study with PR1 | Sonology Utrecht | 0 | |||||||||
| 21594 | Alastair | Bannerman | In th'air or th'earth | 1997/1999 | fixed media, akusmatisch | 10:52 | CEC Presence 2/ | BEAST | 1 | ||||||||||
| 21621 | Alastair | Bannerman | Intermediations | 2000 | fixed media, akusmatisch | 14:23 | CD 786 is the tape part only! | BEAST | 1 | ||||||||||
| 21622 | Alastair | Bannerman | Transparent Being | 1999 | fixed media, akusmatisch | 17:00 | BEAST | 1 | |||||||||||
| 790 | Árpád | Barabás | Lilac Vision | 1987 | fixed media, akusmatisch | 6:45 | Stereo | MR Budapest | 0 | ||||||||||
| 791 | Antonio G. | Barata | Cantes Rojos y Negros | 1983 | Zuspiel / Tonband, 1 perf | 6:40 | S [Sopran] | UIUC LC 84-743210/ | EMS UIUC | 1 | |||||||||
| 792 | Roberto | Barbanti | Specchi | 1981 | fixed media, akusmatisch | 14:29 | electronikaruna "musiche sole"/ | Fonologia Firenze | 1 | ||||||||||
| 793 | Pierre | Barbaud | Der Damm | 1964 | Film | 20:00 | Mono | Kurzfilm, V. Kristl. Real-Film | Siemens | 0 | |||||||||
| 794 | Llorenç | Barber | Vivos voco | Zuspiel / Tonband, 1 perf | ≈ 12:00 | bells [Schlagzeug] | bells | 0 | |||||||||||
| 40077 | Matthew | Barber | Call it What You Will, in Memoriam Milton Babbitt | 2017 | fixed media, akusmatisch | Matthew Barber | 0 | ||||||||||||
| 795 | Alvaro, Valerio | Barbi, Barbi | S V 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 27737 | Alejandro | Barbot | El túnel | 2008 | fixed media, akusmatisch | 5:38 | 1 | 1 | |||||||||||
| 34158 | Mark | Barden | aMass | 2015 | live-elec, 1 group | amp ens [Ensemble] | 17.10.2015 | Donaueschingen, Donauhalle, Ensemble Mosaik | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/donaueschinger-musiktage-2015-programm-06/-/id=2136962/did=15652820/nid=2136962/mkps9x/index.html | |||||||||
| 39046 | Mark | Barden | Study for Subharchord and Soloist | 2018 | Zuspiel / Tonband, 1 perf | 7 | Quadro | tpt, (Subharchord) [Trompete] | AdK Berlin | 11.7.2018 | Akademie der Künste Berlin EM4 (13), Nathan Plante (tpt) | 0 | |||||||
| 34648 | Elad | Bardes | Manual | 2016 | Tanz, live-elec, 1 perf | dance [Tanz] | multi-channel soundtrack for dancers / performed by Kerem Shemi. SMC2016 |
0 | |||||||||||
| 34649 | Elad | Bardes | Shunum Sunum | 2016 | live-elec, 2 perf | 2 gui [Gitarre] | SMC2016 | 0 | |||||||||||
| 43039 | Miriam Montañana | Barea | Fear the Piano | 2013 | fixed media, akusmatisch | 3:32:00 | 0 | ||||||||||||
| 796 | Robin | Bargar | To the Distant Observer | 1989 | fixed media, akusmatisch | 6:20 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 797 | Zbigniew | Bargielski | Ein Zimmer | 1972 | Zuspiel / Tonband, 5 perf | cl, vc, trbn, p, Sp [Sprecher, Klarinette, Posaune, Piano, Cello] | 0 | ||||||||||||
| 798 | Zbigniew | Bargielski | Nature morte II | 1972 | Zuspiel / Tonband, 4 perf | vn, va, vc, hp [Harfe, Viola, Cello, Violine] | 0 | ||||||||||||
| 40146 | Navid | Bargrizan | Lava Illogica | 2016 | fixed media, akusmatisch | Navid Bargrizan | 0 | ||||||||||||
| 18644 | Bernard | Baritaud | La voix des sables | 1995 | fixed media, akusmatisch | 8:45 | Stereo | OC 951/ | 0 | ||||||||||
| 36348 | Jan | Bark | Ach Chamberlin | 1965 | Performance, live-elec, | 5:51 | KD 006/ | SanFran Tape M. C. | 0 | ||||||||||
| 34709 | Jan | Bark | Bar | 1967 | fixed media, akusmatisch | 10:32 | Stereo | PSLP 002/ KD 006/ | EMS Stockholm | 0 | |||||||||
| 799 | Jan | Bark | Eko | 1962 | Zuspiel/Tonband, 10 perf | intermedia |
Stereo + Mono + Mono + Mono | 10 perf [Performer] | PS C. Stockholm | 0 | ||||||||||
| 801 | Jan | Bark | Gift for Jones | 1963 | Zuspiel/Tonband, 7 perf | intermedia |
Mono + Mono + Mono | p, V, e-p, 4 perf [Stimme, Piano, Performer] | PS C. Stockholm | 0 | ||||||||||
| 36349 | Jan | Bark | Memoria In Memoriam | 1975 | Performance | 17:20 | KD 006/ | Fylkingen | May 1975 | Fylkingen Stockholm | 0 | ||||||||
| 800 | Jan, Thord | Bark, Normann | Flottemusik II | 1990 | intermedia | Film |
10:30 | 16mm-film, slides | KD 006/ | 0 | ||||||||||
| 36780 | Michael H. | Barker | Configurations I | 1989 | live-elec, 1 perf | db-rec (MIDI) [Flöte] | Sonology Den Haag | 0 | |||||||||||
| 802 | Paul | Barker | The Six-Daies World | 1984 | fixed media, akusmatisch | 7:10 | Uni Durham | 0 | |||||||||||
| 37679 | Clarence | Barlow | 13C2=∫ φn, fünf dodekaphone Stücke | 2016 | fixed media, akusmatisch | 8:40 | 12 Tracks | Aussprache „2 aus 13 Stephan“ or pronounced “2 out of 13 Stephan” | DegeM CD 15/ | 0 | |||||||||
| 40698 | Clarence | Barlow | Amaludus | 1995 | Klangkunst, Installation | 2 com, 2 player p [Piano, computer] | live computer installation | 0 | |||||||||||
| 27731 | Clarence | Barlow | Approximating π, Approximating Pi | 2007 | Klangkunst, Installation | 8, 15, 74 7:30 | Stereo, Quadro, Octo, Spazialisation: , 16 | Approximating Pi, 2-, 4-, 8- or 16- track [various versions 8’, 15’, 74’] |
CMJ Vol 33-4, 2009/ | 1 | |||||||||
| 803 | Clarence | Barlow | CCU | 1979/1980 | radiophon | 48:00 | Stereo | Feedback | 0 | http://en.wikipedia.org/wiki/Clarence_Barlow | |||||||||
| 22043 | Clarence | Barlow | CCU. Metropolis Calcutta | radiophon | 3:21 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 804 | Clarence | Barlow | Cogluotobüsisletmesi | 1975 - 1979 | fixed media, akusmatisch | 30:00 | Stereo, Quadro | 1. Version 1980 PDP-10; 2. Quadro-Version 1982 mit 4X, PDP-11 3. Version für vier Klaviere (cybele SACD!) |
Cybele SACD 960.308/ WER 60098/ CMJ Vol 30-4, 2006/ CMJ Vol 09, 1985/ | IRCAM | 27.7.1980 | 1 | |||||||
| 805 | Clarence | Barlow | Deutscher Sang | 1970 | radiophon | 30:00 | Stereo | Radio HR Frankfurt | 1 | 1986 | |||||||||
| 806 | Clarence | Barlow | Documissa '87 | 1987 | live-elec, 1 perf, 1 group | 30:00 | Stereo | ch, org [Orgel, Chor] | DMR Musik in Deutschland 1950 - 2000 74321 73533 2/ | PS C. Amsterdam | Feedback | 1 | http://genterstr.hypermart.net/f_comps/barlow.html | ||||||
| 39680 | Clarence | Barlow | )ertur( | 2016 | audiovisuell, live-elec, 5 perf | fl, cl, vn, vc, p [Flöte, Klarinette, Piano, Cello, Violine] | Clarence Barlow | 0 | |||||||||||
| 23064 | Clarence | Barlow | Farting Quietly in Church - Vortrag über Haiku | 1994 | Musiktheater | 40:00 | Bar, player p, 6 com [Bariton, Piano, computer] | WDR 1994 | 10.6.1994 | Köln | Feedback | 0 | |||||||
| 807 | Clarence | Barlow | Fruitti D'Amore | 1988 | live-elec, 1 perf | ≈ 25:00 | Stereo | vc [Cello] | Diskette ATARI. e, ffedb | WDR SEM | WDR 1988 | 23.10.1988 | Den Haag | Feedback | 0 | ||||
| 810 | Clarence | Barlow | ƒLvXv$: A time and attentionstudy, His Masters Voice | 1992 | live-elec, 1 perf | 17:00 | Stereo | ins (taperecoder) [Instrument] | mit Talkmaster's-Stereo-Tonband ≈ Talkmaster's Choice |
30.5.1992 | Skinnskatteberg | Feedback | 0 | ||||||
| 808 | Clarence | Barlow | Im Januar am Nil | Zuspiel/Tonband, 1 group | computer generated score |
ens [Ensemble] | CMJ Vol 09, 1985/ Koch Schwann 350371/ | 1 | ||||||||||||
| 26363 | Clarence | Barlow | Klavierkonzert Nr. 2, aux fins des quelques siècles | 1961 - 1998 | live-elec, 1 perf, 1 group | 16:00 | Quadro | p, orc [Piano, Orchester] | 3.4.1998 | Amsterdam | Feedback | 0 | http://genterstr.hypermart.net/f_comps/barlow.html | ||||||
| 809 | Clarence | Barlow | Konzert für Kladiophon, Grammophon und Magnetophon | 1973 | live-elec, 1 perf | 12:00 | Stereo | ins (kladiophon, Grammophon, Magnetophon) [Instrument] | Feedback | 0 | |||||||||
| 811 | Clarence | Barlow | Milly van Illik (Stopt niet in de vink) | 1991 | fixed media, akusmatisch | 17:00 | Stereo | Sonology Den Haag | Feedback | 0 | |||||||||
| 812 | Clarence | Barlow | OTOdeBLU | 1990 | live-elec, 1 perf | 4:00 | Stereo | e-p [Piano] | CMJ Vol 19, 1995/ CMJ Vol 16, 1992/ | 15.11.1990 | Chicago | Feedback | 1 | ||||||
| 22801 | Clarence | Barlow | Pandora | 1989 | fixed media, akusmatisch | 7:30 | Sampler-Realisation des Klavierstückes von Michael Manion | Feedback Studio Köln / HerMit/ | Feedback St | 1 | |||||||||
| 813 | Clarence | Barlow | Reidosklopädie? Enzykloskoport? | 1972/1976 | fixed media, akusmatisch | 88:00 | Stereo | Feedback | 0 | ||||||||||
| 814 | Clarence | Barlow | Relationships for Melody Instruments | 1986 | Zuspiel, live-elec, 3 perf | 10:00 | b-cl, perc, p [Klarinette, Piano, Schlagzeug] | Barlow, Riessler (Basskl.), Liebezeit (Perc.) | WER 2010-50/ | 1 | |||||||||
| 40700 | Clarence | Barlow | resonancia flautomática | 2008 | live-elec, 2 perf | 8 | ins (melody instrument), com [Instrument, computer] | 0 | |||||||||||
| 816 | Clarence | Barlow | SF 2 | 1972/1973 | fixed media, akusmatisch | 25:25 | Octo | HfMT Köln, EMS Stockholm | 0 | ||||||||||
| 817 | Clarence | Barlow | Sinophonie I | 1969/1970 | fixed media, akusmatisch | 10:16 | Quadro | geänderte Fassung in stereo (von A. Hoppenrath) | DMR Musik in Deutschland 1950 - 2000, Musik für Tonband 74321 73503 2/ Feedback Studio Köln CD 2/ | HfMT Köln | 1.7.1971 | Köln | Feedback | 1 | |||||
| 818 | Clarence | Barlow | Sinophonie II | 1969 - 1972 | fixed media, akusmatisch | 23:37 | Octo | Lesepartitur | EMS Stockholm | 2.4.1973 | Köln | Feedback | 0 | ||||||
| 40697 | Clarence | Barlow | Six Fugues on the Name Cage after Six Fugues on the Name Bach Op. 60 by Robert Schumann | 1973, 1992 | live-elec, 1 perf | 10 | Kbd and com [Keyboard, computer] | 0 | |||||||||||
| 40701 | Clarence | Barlow | Songbird’s Hour, Songbird’s Hour Octasected | 2011, 2013 | fixed media, akusmatisch | 60 | Mono, Octo | 0 | |||||||||||
| 819 | Clarence | Barlow | Talkmaster's Choice | 1992 | Klangkunst, Installation | 18 | Stereo | 4 com [computer] | also 2-track version as fLvXv$: A Time and Attention Study, or His Master’s Voice, 1992) |
25.9.1992 12.5.1993 |
Berlin, Festival SprachTonArt der BGNM im Podewil Klosterstraße 68 Rotterdam |
Feedback | 0 | ||||||
| 37736 | Clarence | Barlow | … until … | 1980/1981 | live-elec, 1 perf | 3 | Stereo | gui [Gitarre] | some versions available | 0 | |||||||||
| 21493 | Clarence | Barlow | Urahnen meiner Oma | fixed media, akusmatisch | 26:00 | Stereo | 1 | ||||||||||||
| 820 | Clarence | Barlow | Variazioni e un Pianoforte Meccanico | 1986 | live-elec, 1 perf | 24:00 | Stereo | Pianocorda or disklavier [Piano] | MIDI; Ausleihe beim Feedb | STEIM | ICMC 1986 | 23.10.1986 | Den Haag | 0 | |||||
| 821 | Clarence | Barlow | Verhältnisse | 1974 | live-elec, 3 perf | 17:00 | Stereo | p, b-cl, perc [Klarinette, Piano, Schlagzeug] | 6. Version Version 5 with Pianola |
WDR 1985 | Feedback | 1 | |||||||
| 37735 | Clarence | Barlow | Vier ISIS-Studien, Four ISIS Studies | 2003 - 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 822 | Clarence | Barlow | Was uns blüht | 1979 | Zuspiel / Tonband, 15 perf, 1 group | 100:00 | Stereo | fem Sp, 3 male Sp, S, Bar, tpt, trbn, sax, cl, vib, db, p, vn, org, ch [Sopran, Bariton, Sprecher, Klarinette, Saxophon, Trompete, Posaune, Piano, Orgel, Schlagzeug, Violine, Kontrabass, Chor] | Feedback | 0 | |||||||||
| 40699 | Clarence | Barlow | Zero Crossing | 2001 | radiophon | 41 | Stereo, Quadro | WDR Studio Akustische Kunst | WDR | 28.4.2001 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436737&vi=16&SID | ||||||
| 823 | Clarence | Barlow | Zwölf Variationen für Klavier und Reivalk | 1968 | fixed media, akusmatisch | 4:00 | Stereo | Feedback | 0 | ||||||||||
| 42852 | Shaun | Barlow | Halos | 2013 | live-elec, 1 perf | 5:00:00 | fl [Flöte] | Shaun Barlow, flute | 0 | ||||||||||
| 824 | Wayne B. | Barlow | Quintet, Study in electronic sound | 1965 | fixed media, akusmatisch | 6:25 | Stereo | STEM Utrecht | 0 | ||||||||||
| 825 | Wayne B. | Barlow | Toccata | 1965 | Zuspiel / Tonband, 1 perf | Mono | perc [Schlagzeug] | PS Apelac | 0 | ||||||||||
| 20992 | David | Barnes | Panic in Legoland | live-elec, 3 perf | 5:10 | Stereo | w (didgeridoo), sax, com [Saxophon, computer, Bläser] | innova 115/ | 1 | ||||||||||
| 42733 | Dave | Barnett | Crypticdes | 2012 | fixed media, akusmatisch | 21:58:00 | 0 | ||||||||||||
| 28392 | Matthew | Barney | Der Körper der Matrix | 2002 | Fernsehen, | 1 | |||||||||||||
| 826 | Michael | Barolsky | Apocalypse | 1976 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 827 | Michael | Barolsky | Cries and Whispers | 1975 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 828 | Michael | Barolsky | Dakar | 1972 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | 0 | ||||||||||||
| 829 | Michael | Barolsky | Piccolo Stück | 1983 | Zuspiel / Tonband, 1 perf | pic-fl [Flöte] | 0 | ||||||||||||
| 830 | Michael | Barolsky | Pranah | 1976 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 831 | Michael | Barolsky | Stück aus der Nacht | 1978/1979 | Theater, 1 perf | 15:00 | Stereo | mime [Schauspieler] | HfMT Köln | 0 | |||||||||
| 832 | Michael | Barolsky | Stück-Mund-Stück | 1983 | Zuspiel/Tonband, 1 perf | audiovisuell |
trbn [Posaune] | 0 | ||||||||||||
| 833 | Michael | Barolsky | Sublimatio | 1975 | Zuspiel / Tonband, 5 perf | fl, vc, 2 p, perc [Flöte, Piano, Schlagzeug, Cello] | 0 | ||||||||||||
| 834 | Michael | Barolsky | Synagogalien | 1978 | Zuspiel / Tonband, 1 perf | 13:00 | org [Orgel] | 0 | |||||||||||
| 835 | Michael | Barolsky | Tonus | 1981 | fixed media, akusmatisch | 10:00 | Quadro | HfMT Köln CD3/ | HfMT Köln | 1 | |||||||||
| 836 | Mario | Baroni | ß t(S>Q) | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 33360 | Jean | Baronnet | Le Horla | 1966 | Film | 47 | Mono | Aura Films Paris | 0 | ||||||||||
| 837 | Jean | Baronnet | Sonate | 1962 | fixed media, akusmatisch | 15:00 | Stereo | PS Apsome | 0 | ||||||||||
| 838 | Jean, François | Baronnet, Dufrêne | U47 | 1960 | fixed media, akusmatisch | 3:30 | Stereo | PHI 835 485/86/ Mercury SR2 9123/ | PS Apsome | 0 | |||||||||
| 24096 | Patrizio | Barontini | Illusione del doppio | 2004 | Zuspiel / Tonband, 1 perf | 8:03 | Stereo | sax [Saxophon] | Tempo Reale Firenze | 1 | |||||||||
| 839 | Jean | Barraqué | Etude | 1953 / 1961 | fixed media, akusmatisch | Film |
5:02 | Mono | INA C 1031 27651 archives grm CD 1/5/ Barclay 89005/ IDEAMA CD 001/ | INA • GRM | 1 | |||||||||
| 28403 | Vincent, Jacques | Barras, Denmierre | OOA | 2005 | Performance | 3:42 | recorded at Genf | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 41814 | Stephen | Barrass | Secret Men's Musik! | 2001 | fixed media, akusmatisch | 0:52:00 | codemist ICMC2001/ | 0 | |||||||||||
| 840 | Jacques | Barreau | Mouvements | 1985 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | MIM Marseille | 0 | |||||||||
| 841 | Jacques, Armand | Barreau, Pialat | Samba Syter | 1988 | live-elec, 2 perf | e-gui, synt [Gitarre, synthesizer] | Syter | MIM Marseille | 0 | ||||||||||
| 842 | Marc | Barreca | Messier Crosses the Blue Line | 1989 | live-elec, 2 perf | 5:32 | synt, sam [computer, synthesizer] | AER 1991 / 3/ | 1 | ||||||||||
| 35509 | Daniel | Barreiro | Interferências | Zuspiel / Tonband, 1 perf | 10:04 | vc [Cello] | 0 | ||||||||||||
| 25825 | Daniel | Barreiro | Maresia | 2005 - 2006 | fixed media, akusmatisch | 11:55 | Stereo, Octo | MR 2006 Métamorphoses 2006/ | BEAST | Métamorphoses 2006 Mention Bourges 2006 |
1 | 2010 | |||||||
| 28245 | Daniel | Barreiro | Open Field | fixed media, akusmatisch | 9:05 | Octo | BEAST | 1 | http://www.beast.bham.ac.uk/ | ||||||||||
| 25826 | Daniel | Barreiro | Percursos Enredados | 2004 | fixed media, akusmatisch | 17:54 | Octo | LDC 278080 Cultures électroniques 19 2006/ | BEAST | 1 | |||||||||
| 28244 | Daniel | Barreiro | Sons Adentro | fixed media, akusmatisch | 15:27 | Octo | BEAST | 1 | http://www.beast.bham.ac.uk/ | ||||||||||
| 19637 | Luis de la | Barrera | Hibernia | 1994 | live-elec, | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 37119 | Natasha | Barrett | A Soundwalk through Shanghai | 2014 | fixed media, akusmatisch | 8:35:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 25827 | Natasha | Barrett | Abemolpas, Avoid being eaten by mimicking other less palatable species | 2004 | fixed media, akusmatisch | 13:00 | 6 | IMED 10104/ | 1 | 2006 | |||||||||
| 23095 | Natasha | Barrett | Angels and Devils | 2002 | fixed media, akusmatisch | 12:22 | Voice- Sounds | ACD 5018 Aurora/ | 1 | ||||||||||
| 37125 | Natasha | Barrett | Animalcules | 2010 | fixed media, akusmatisch | 5:03:00 | Stereo, Spazialisation: Ambisonics | Ambisonics, stereo and various multi-channel formats. Commissioned for the Pierre Schaeffer-jubileum, Grönland Kammermusikkfestival (Nymusikk / Notam) | Pierre Schaeffer-100 Year- jubileum | 0 | |||||||||
| 37111 | Natasha | Barrett | Barely, Rhizaria Gentle Sediment The Barely Project |
2007 - 2008 | fixed media, akusmatisch | 60 | IMED 10104/ | PS C. | 4.11.2008 | Numusic Festival 2008 in Stavanger (Norway) | 0 | ||||||||
| 22630 | Natasha | Barrett | Bindu | 1996 | Tanz | 20:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 28100 | Natasha | Barrett | Black Bile Extempore | 2009 | Zuspiel, live-elec, 2 perf | lute, a-gui [Gitarre] | Elektron EM 1012/ | NOTAM, HfM Malmö, EMS Stockholm | 0 | ||||||||||
| 22615 | Natasha | Barrett | Buoyant Charm | 1997 | Zuspiel / Tonband, 1 group | 25:00 | Stereo | amp ens [Ensemble] | NB 980101M Nota Bene/ | BEAST | 0 | ||||||||
| 22626 | Natasha | Barrett | Caressing Eternity | 1994 | Zuspiel / Tonband, 1 perf | 14:35 | Stereo | amp gui [Gitarre] | BEAST | 0 | |||||||||
| 38977 | Natasha | Barrett | Dark Flight with Luminescence | 2018 | fixed media, akusmatisch | Spazialisation: Ambisonics | 8.7.2018 | Villa Elisabeth Berlin | 0 | ||||||||||
| 28605 | Natasha | Barrett | Deep Layer | fixed media, akusmatisch | 11:54 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 24585 | Natasha | Barrett | Displaced:Replaced, Fog, light wind Wet and gusty Gathering wind |
2001 | intermedia | 6:38 | Octo, Spazialisation: Ambisonics | IMED 0262/ | PS C., NOTAM | Ilios Contemporary Music Festival in Harstad (Norway) | 1.02.2001 | Galleri Nord-Norge in Harstad (Norway) | 0 | ||||||
| 22621 | Natasha | Barrett | Earth Haze | 1995 | fixed media, akusmatisch | 13:53 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 24841 | Natasha | Barrett | Exploratio Invisibilis | 2003 | fixed media, akusmatisch | 27:30 | Surround 5.1 | ACD 5037 Aurora/ CMJ Vol 31-4, 2007/ | Ultima Festival | 1 | |||||||||
| 24839 | Natasha | Barrett | … fetters… | 2002 | live-elec, | 14:40 | Surround 5.1 | ACD 5037 Aurora/ CMJ Vol 31-4, 2007/ | NRK | 1 | |||||||||
| 22629 | Natasha | Barrett | First Whispers | 1996 | Tanz | 30:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 37120 | Natasha | Barrett | Flammepunkt | 2014 | Performance | 15:30:00 | multichannel | Multichannel. Commission by Metrofon for the 200th anniversary of the Norwegian Constitution (Grunnlovsjubileet 1814-2014) | Metrofon for the 200th anniversary of the Norwegian Constitution | 0 | |||||||||
| 37121 | Natasha | Barrett | Flammepunkt Miniatures, Megaphone and Fire Drumming up the crowd Flow with the crowd |
2014 | fixed media, akusmatisch | 15:30:00 | Stereo | 22 short stereo composisions. Commission by Metrofon for the 200th anniversary of the Norwegian Constitution (Grunnlovsjubileet 1814-2014) | Metrofon for the 200th anniversary of the Norwegian Constitution | 0 | |||||||||
| 22627 | Natasha | Barrett | Gourmet | 1997 | Tanz | 64:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 37113 | Natasha | Barrett | He slowly fell and transformed into the terrain | 2016 | fixed media, akusmatisch | 24:00:00 | Spazialisation: Ambisonics | Higher-order ambisonics (full 3D 6th order HOA; Large hemisphere through to stereo and binaural versions are available). Commissioned by Electric Audio Unit (EAU) with funding from the Norwegian Cultural Council. | CMJ Vol 41, 2017/ | Electric Audio Unit (EAU) | 0 | ||||||||
| 37122 | Natasha | Barrett | Hidden Values, The Umbrella The Lock Optical Tubes |
2012 | fixed media, akusmatisch | 22:00:00 | Spazialisation: Ambisonics | High order ambisonics (full 3D, from 7th order down to stereo). Composed at IRCAM with support from Norsk Komponistfond and IRCAM | 0 | ||||||||||
| 22623 | Natasha | Barrett | Imago | 1995 | Zuspiel / Tonband, 2 perf | 14:30 | Stereo | amp cl, vc [Klarinette, Cello] | NB 970101M Nota Bene/ | BEAST | 0 | ||||||||
| 23025 | Natasha | Barrett | Industrial Revelations | 2001 | fixed media, akusmatisch | 11:32 | CDR Musica Nova 2001/ IMED 0262/ | PS C. | 18.11.2001 | concert celebrating the relocation of NoTAM | 1st prize Musica Nova 2001 honorable mention at IV CIMESP, São PauloBrazil, 2001 |
1 | |||||||
| 26229 | Natasha | Barrett | Interference | 1996 - 2000 | Zuspiel / Tonband, 1 perf | 10:00 | db-cl [Klarinette] | ELISION | 0 | ||||||||||
| 37112 | Natasha | Barrett | Involuntary Expression | 2017 | fixed media, akusmatisch | 17:00:00 | Spazialisation: Ambisonics | Higher-order ambisonics (full 3D 6th order HOA; Large hemisphere through to stereo and binaural versions are available). Commissioned by Notam with funding from the Norwegian Cultural Council. | 11.9.2017 | Ultima Festival. Marmorsalen, Sentralen, Oslo | 0 | ||||||||
| 22614 | Natasha | Barrett | Jinn | 1995 | fixed media, akusmatisch | 13:00 | Stereo | BEAST | Competition Musica Nova Prag 1994 | 1 | |||||||||
| 37128 | Natasha | Barrett | Kernel Expansion | 2009 | fixed media, akusmatisch | 14:26:00 | Spazialisation: Ambisonics | Ambisonics for 3D domed array, stereo and various multi-channel formats. Commissioned by ZKM. | ZKM Karlsruhe | 0 | |||||||||
| 22616 | Natasha | Barrett | Little Animals | 1997 | fixed media, akusmatisch | 12:00 | Stereo | CMJ Vol 24-4, 2000/ Musidisc 247982/ LDC 278065/66 Cultures Electroniques 11/ NOR 05/ NB 980101M Note Bene/ Prix Ars Electronica 98/ | BEAST | Auszeichnung ars electronica honorary mention 1998 | 1 | ||||||||
| 21951 | Natasha | Barrett | Microclimate I, Snow and Instability | 1998 | Zuspiel / Tonband, 3 perf | 17:20 | perc, db, a-fl [Flöte, Schlagzeug, Kontrabass] | Centaur CRC 2552, CDCM Vol. 32/ | NOTAM | ICMA Commission Awards 1997-99 | 0 | ||||||||
| 25789 | Natasha | Barrett | Microclimate III - VI, Glacial Loop Wet Face Water Fall Remote Gale |
2007 | fixed media, akusmatisch | 23:32 | 16 Tracks | CMJ Vol 31-4, 2007/ IMED 10104/ | NOTAM | 0 | https://www.discogs.com/de/Natasha-Barrett-Bouteilles-De-Klein/release/3037268 | ||||||||
| 28607 | Natasha | Barrett | Migration | fixed media, akusmatisch | 6:15 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28604 | Natasha | Barrett | Mobilis In Mobili | 2006 | fixed media, akusmatisch | 9:01 | ACD 5056 Aurora CD / SACD/ IMED 10104/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | ||||||||||
| 28608 | Natasha | Barrett | Nordfjorden Shore | fixed media, akusmatisch | 1:56 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28603 | Natasha | Barrett | Open Ocean | fixed media, akusmatisch | 14:25 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28601 | Natasha | Barrett | Opening | fixed media, akusmatisch | 3:04 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 37117 | Natasha | Barrett | OSSTS Route no.1 | 2014 | fixed media, akusmatisch | 22:38:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 28606 | Natasha | Barrett | Planctonic Float | fixed media, akusmatisch | 2:19 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 24840 | Natasha | Barrett | Prince Prospero’s Party | 2002 | fixed media, akusmatisch | 16:05 | Surround 5.1 | ACD 5037 Aurora/ | Practice Music Festival at Richmond | 0 | |||||||||
| 22625 | Natasha | Barrett | Puzzle Wood | 1994 | fixed media, akusmatisch | 13:54 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 22620 | Natasha | Barrett | Racing Through | 1996 | fixed media, akusmatisch | 3:00 | Stereo | IMED 0050/ | BEAST | 0 | |||||||||
| 22619 | Natasha | Barrett | Racing Unseen | 1996 | fixed media, akusmatisch | 20:10 | Stereo | NB 970101M Nota Bene/ IMED 9837/ | BEAST | 0 | |||||||||
| 37124 | Natasha | Barrett | Reality and Secrets no. 2 | 2010 | fixed media, akusmatisch | 18:45:00 | Stereo, Spazialisation: Ambisonics | Ambisonics for 3D domed array, stereo and various multi-channel formats. Commissioned by Notam. | Notam | 0 | |||||||||
| 22624 | Natasha | Barrett | Receive | 1995 | Film | 9:00 | Stereo | BEAST | 0 | ||||||||||
| 24586 | Natasha | Barrett | Red snow, Microclimate II | 1998 | fixed media, akusmatisch | 15:39 | IMED 0262/ NB 980101M Nota Bene/ | NOTAM | 26.05.1999 | Music Factory Contemporary Music Festival in Bergen (Norway) | 0 | ||||||||
| 844 | Natasha | Barrett | Searching for perspectives | 1994 | Klanginstallation, live-elec, 2 perf | 24:00 | Stereo | (4 taperecorder,) sam, com [computer] | Gal installation | BEAST | 0 | ||||||||
| 37118 | Natasha | Barrett | Sound Exposure in Peru (six sections) | 2014 | fixed media, akusmatisch | 33:00:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 22618 | Natasha | Barrett | St Paul's Descending into the Autumn Mist | 1996 | fixed media, akusmatisch | 2:50 | Stereo | BEAST | 0 | ||||||||||
| 37110 | Natasha | Barrett | Sub Terra Cycle | 2007 - 2008 | Klangkunst, Installation | 35:30 | IMED 10104/ | PS C. | 4.11.2008 | Numusic Festival 2008 in Stavanger (Norway) | 0 | ||||||||
| 28602 | Natasha | Barrett | Submerged | fixed media, akusmatisch | 3:14 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 22617 | Natasha | Barrett | Surf | 1997 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | amp gui [Gitarre] | NB 980101M Nota Bene/ | BEAST | 0 | ||||||||
| 22622 | Natasha | Barrett | Swaying to See | 1995 | fixed media, akusmatisch | 15:20 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 22628 | Natasha | Barrett | Sweet Sensations | 1997 | Tanz | 40:00 | Stereo | BEAST | 0 | ||||||||||
| 24588 | Natasha | Barrett | The Utility of Space | 2000 | fixed media, akusmatisch | 13:25 | Spazialisation: Ambisonics | IMED 0262/ LDC 278074/75 Cultures Electroniques 15/ | PS C., NOTAM | NICEM | 7.10.2000 | Space Escape NICEM | First Prize at the 28th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2001) | 0 | |||||
| 24351 | Natasha | Barrett | Three Fictions, In the Rain Midnight Sun: Midday Moon Outside Snow Falls |
2000 | fixed media, akusmatisch | 10:34 | IMED 0262/ LDC 2781119/ | IMEB Bourges, PS C. | IMEB | 06.2000 | Synthèse Festival Bourges | 0 | |||||||
| 37115 | Natasha | Barrett | Topology Chamber 1 | 2015 | fixed media, akusmatisch | 12:00:00 | Spazialisation: Ambisonics | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). | 0 | ||||||||||
| 37114 | Natasha | Barrett | Topology Chamber 2 | 2015 | fixed media, akusmatisch | 13:22 | Spazialisation: Ambisonics | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). | 0 | ||||||||||
| 25790 | Natasha | Barrett | Trade Winds | 2006 | fixed media, akusmatisch | Surround 5.1 | CMJ Vol 31-4, 2007/ | NOTAM | 1 | ||||||||||
| 845 | Natasha | Barrett | Trompe l'oeil | 1994 | Zuspiel / Tonband, 1 perf | 23:40 | Stereo | amp fl [Flöte] | BEAST | 0 | |||||||||
| 37123 | Natasha | Barrett | Untitled 3, Crush project | 2011 | fixed media, akusmatisch | 14:50:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. Composed during a grant from the Norwegian Composer's remuneration fund. | 0 | ||||||||||
| 37127 | Natasha | Barrett | Untitled One | 2010 | fixed media, akusmatisch | 4:50:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. | 0 | ||||||||||
| 37126 | Natasha | Barrett | Untitled Two | 2010 | fixed media, akusmatisch | 7:43:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. | 0 | ||||||||||
| 24587 | Natasha | Barrett | Viva la Selva! | 1999 | fixed media, akusmatisch | 17:28 | IMED 0262/ | HfM Tromsø | NICEM | 2.10.1999 | NICEM | Prix SCRIME 2000 (Bordeaux, France) 1999 Ciber@RT Valencia |
0 | ||||||
| 37116 | Natasha | Barrett | Volvelle 1 | 2015 | fixed media, akusmatisch | 20:34:00 | Spazialisation: Ambisonics, WFS | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). Composed during a Norwegian Cultural Council artists grant. | 0 | ||||||||||
| 43134 | Natasha, Anthony | Barrett, Rowe | We Are Not Alone | 2017 | Performance | Spazialisation: Ambisonics, WFS, ultrasonic sound.beam | Auszeichnung ars electronica honorary mention 2017 | 0 | |||||||||||
| 26411 | Richard | Barrett | Adrift | 2004 - 2007 | live-elec, 1 perf | p, (elec) [Piano] | 0 | ||||||||||||
| 846 | Richard | Barrett | alba | 1987 | live-elec, 1 perf | bn [Fagott] | 0 | ||||||||||||
| 23343 | Richard | Barrett | Dark Matter, Pralaya The Empire of Lights Transmission I bis III Ars Magna Mucis et Umbræ Transmission V und VI Katasterismoi Sounds |
2003 | Performance, live-elec, 21 perf | Oper, live-elec, 21 perf |
116:37 | 5 cl, sax, 2 perc, p and synt, e-gui, gui, 2 vn, vn (hardingfele), va, 2 vc, db, 2 V, elec [Stimme, Klarinette, Saxophon, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine, Kontrabass, elektronik, synthesizer] | PS | 2003 | Maerzmusik Festival | 1 | ||||||||
| 28341 | Richard | Barrett | Duo M87 (Solo) |
2002 | live-elec, 1 perf | 28:00 | sax, (elec) [Saxophon] | Inventionen 2002 | 5.7.2002 | Inventionen staatsbank Berlin mit Richard Barrett (el), Evan Parker (sax) | 1 | 2002 | |||||||
| 26413 | Richard | Barrett | Involuntary 2 | 2002 | audiovisuell | 3:00 | PS C. | 6.05.2005 | Berlin | 0 | |||||||||
| 22312 | Richard | Barrett | Katasterismoi | 1998 - 1999 | fixed media, akusmatisch | 10:05 | Tape piece from "Dark Matter" | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#acousmatrix | ||||||||
| 26412 | Richard | Barrett | Landschaft mit Umenwesen | 1997 | fixed media, akusmatisch | Sonology Den Haag, STEIM | 0 | ||||||||||||
| 847 | Richard | Barrett | Open and Close | 1988 | live-elec, 4 perf | amp str-qt [Streicher] | 0 | ||||||||||||
| 28534 | Richard | Barrett | SIMORGH | 2010 | fixed media, akusmatisch | 10:59 | Octo | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | PS C. | Inventionen 2010 / DAAD | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||
| 848 | Richard | Barrett | Temptation | 1986 | live-elec, 5 perf | 12:00 | sax, tpt, vc, synt, perc [Saxophon, Trompete, Schlagzeug, Cello, synthesizer] | 0 | |||||||||||
| 34367 | Richard | Barrett | Tendril | 2013 | live-elec, 1 perf | 13:34 | hp [Harfe] | Post Scriptum PS 001/ | Sonology Den Haag | 17.1.2016 | Belgrade Philharmonic Hall, Ivan Brusic, Richard Barrett | 0 | |||||||
| 849 | Richard | Barrett | The Unthinkable | 1988/1995 | fixed media, akusmatisch | 6:48 | Upic | CMJ Vol 26, 2002/ | CEMAMu/ Ateliers Upic/ CCMIX, STEIM | 27.01.1989 | London | 0 | |||||||
| 28342 | Richard | Barrett | Tutti 1 und Tutti 2 und Zugabe | 2002 | live-elec, 4 perf | 45:00 | perc, vc, va, sax, (elec) [Saxophon, Schlagzeug, Viola, Cello] | Richard Barrett (elec), Miachael Griener (perc), Sebastian Hilken (vc), Aleksander Kolkowski (vn, va), Evan Parker (sax) | 5.7.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 23366 | Richard, Jonathan, Evan | Barrett, Impett, Parker | IBP3 | 2001 | live-elec, 3 perf | 15:16 | Kbd, trbn, tpt [Trompete, Posaune, Keyboard] | Improvisation Hybrids Festival Norwich. Software: LiSa, metatrumpet | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 32003 | Guillaume | Barrette | Parasite | 2011 | fixed media, akusmatisch | 10 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 4. prize | 1 | |||||||||
| 34361 | Guillaume | Barrette | Résurgence | 2012 | live-elec, 1 perf | 8:55:00 | gui [Gitarre] | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 6. prize | 0 | ||||||||
| 28029 | Guillaume | Barrette | Syncrétisme | 2009 | fixed media, akusmatisch | 7:28 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | JTTP-Winner 2009 canadian 4. prize | 1 | |||||||||
| 850 | Brendan | Barrie | Missa | fixed media, akusmatisch | Uni Cardiff | 0 | |||||||||||||
| 27236 | Françoise | Barrière | 3 modes de lamentations | 2006 | Zuspiel / Tonband, 1 perf | 18:55 | acc [Akkordeon] | (Claudio JACOMUCCI, accordéon) | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||
| 24355 | Françoise | Barrière | Accélération | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 851 | Françoise | Barrière | Actuelles TV | 1981 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 852 | Françoise | Barrière | Au paradis des assassins | 1973 | fixed media, akusmatisch | 16:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 853 | Françoise | Barrière | Aujourd'hui | 1975 | fixed media, akusmatisch | 18:53 | Stereo | LDC 2781089/ | IMEB Bourges | 0 | |||||||||
| 24358 | Françoise | Barrière | Cérémonie | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 854 | Françoise | Barrière | Chant à la mémoire des Aurignaciens | 1977 | fixed media, akusmatisch | 25:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18413 | Françoise | Barrière | Chant de consonnes | 1987 | fixed media, akusmatisch | 9:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 855 | Françoise | Barrière | Conversations enfantines | 1991 | Zuspiel / Tonband, 1 perf | Stereo | (actions,) small ins [Instrument] | CRFMW Liège | 0 | ||||||||||
| 856 | Françoise | Barrière | Cordes-ci, Cordes-ça | 1971 | Zuspiel / Tonband, 2 perf | 22:52 | Stereo | vn, ins (barrel - Drehleier) [Violine, Instrument] | 3 parts (9:56, 7:18, 5:38) | Marconi 2C 05312112/ Creel Pone 173/ | IMEB Bourges | 0 | |||||||
| 18411 | Françoise | Barrière | Dessus la Mer | 1997 | fixed media, akusmatisch | 26:36 | Stereo | LDC 2781111/ | IMEB Bourges | 1 | |||||||||
| 18417 | Françoise | Barrière | Equus, Carnet d'esquisses | 1993 | fixed media, akusmatisch | 24:03 | Stereo | derived from a 4-seconds recording of the steps of a horse | LDC 2781111/ | IMEB Bourges | 1 | ||||||||
| 868 | Françoise | Barrière | Fresque Montagnarde - Echos d'une ville | 1976 | fixed media, akusmatisch | 15:32 | Stereo | Tour de France pour deux Enfants | IMEB Bourges | 0 | |||||||||
| 857 | Françoise | Barrière | Java Rosa | 1972 | fixed media, akusmatisch | 17:00 | Stereo | LDC 2781127 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 18415 | Françoise | Barrière | L'envers des mots | 1990 | fixed media, akusmatisch | 16:57 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18412 | Françoise | Barrière | L'Or | 1987 | fixed media, akusmatisch | 21:00 | Stereo | LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | |||||||||
| 24353 | Françoise | Barrière | La marche nuptiale ou les bébés | 1972 | Musiktheater | IMEB Bourges | 0 | ||||||||||||
| 858 | Françoise | Barrière | Le Mesel et la Harpe | 1973 | fixed media, akusmatisch | 15:10 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18414 | Françoise | Barrière | Le tombeau de Robespierre, suite la Révolution Française | 1989 | fixed media, akusmatisch | 33:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24361 | Françoise | Barrière | Les messages | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24352 | Françoise | Barrière | Les murs ont des oreilles | 1971 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24360 | Françoise | Barrière | Les parfums dans le soir | 2002 | fixed media, akusmatisch | 17:37 | LDC 2781129 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 21871 | Françoise | Barrière | Macbeth | 1988 | Theatermusik | 50:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 859 | Françoise | Barrière | Mémoires enfuies | 1981 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 860 | Françoise | Barrière | Musique pour le Temps de Noël | 1979 | Zuspiel / Tonband, 4 perf | 16:16 | Stereo | A, vc, sax, perc [Alt, Saxophon, Schlagzeug, Cello] | GMEB 84007/ LDC 2781089/ | IMEB Bourges | 1 | ||||||||
| 861 | Françoise | Barrière | Musiques Dispersees (D), Code Pénal | 1969 | Performance | 3:57 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 18419 | Françoise | Barrière | Musiques gelées | 1995 | fixed media, akusmatisch | 9:45 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18416 | Françoise | Barrière | Nos petits Monstres musiciens | 1992 | Zuspiel / Tonband, 1 perf | 35:30 | Stereo | young actrice [Schauspieler] | Poudre d'escampette | IMEB Bourges | 0 | ||||||||
| 862 | Françoise | Barrière | Ode à la Terre Marine | 1970 | fixed media, akusmatisch | 18:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 35785 | Françoise | Barrière | Oriental | 2006 | live-elec, 4 perf | str-qt [Streicher] | 3.11.2006 | HfMT Köln | 0 | ||||||||||
| 21870 | Françoise | Barrière | Othello | 1973 | Theatermusik | Stereo | IMEB Bourges | 0 | |||||||||||
| 863 | Françoise | Barrière | Par temps calme et ensoleillé I | 1983 | Zuspiel / Tonband, 1 perf | 15:41 | Stereo | p [Piano] | LDC 2781089/ | IMEB Bourges | 0 | ||||||||
| 864 | Françoise | Barrière | Par temps calme et ensoleillé II | 1985 | Zuspiel / Tonband, 1 perf | 17:33 | Stereo | vc [Cello] | LDC 2781089/ | IMEB Bourges | 0 | ||||||||
| 865 | Françoise | Barrière | Paysages d'Enfance | 1978 | fixed media, akusmatisch | 19:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24357 | Françoise | Barrière | Petite Musique de nuit cubaine - casque d'or danse avec Juan | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18418 | Françoise | Barrière | Quand Philippe de Macédoine… ? | 1994 | fixed media, akusmatisch | 12:20 | Stereo | LDC 2781105/ | IMEB Bourges | 0 | |||||||||
| 24359 | Françoise | Barrière | Ritratto di Fanciula | 2001 | fixed media, akusmatisch | 14:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 866 | Françoise | Barrière | Ritratto di Giovane, Le Vieux Clown Et Le Jour Et La Nuit La Leçon De Musique Samba Compiégnoise A La Jeunesse |
1972 | Zuspiel / Tonband, 1 perf | 31:00 | Stereo | p [Piano] | Creel Pone 194/ | IMEB Bourges | 0 | ||||||||
| 24356 | Françoise | Barrière | S'y sont baignés | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 867 | Françoise | Barrière | Scènes des Voyages d'Ulysse | 1981 | fixed media, akusmatisch | 21:45 | Stereo | created as incidental music for a production of The Odyssey | GMEB 84007/ LDC 2781111/ | IMEB Bourges | 1 | ||||||||
| 24354 | Françoise | Barrière | Thinking of? (hommage à Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 869 | Françoise | Barrière | Variations hydrophilusiennes | 1972 | fixed media, akusmatisch | 25:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 95 | Françoise, Jacques | Barrière, Beaujean | Musiques Eclatees, Les végétaux la nuit | 1969 | Performance | 9:28 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 25072 | Jean-Baptiste | Barrière | 100 Objets pour représenter le monde | 1997 | Oper, 5 perf | 70:00 | 5 V [Stimme] | a Prop-Opera by peter Greenaway | IRCAM Collection/ | IRCAM | 1997 | Salzburg | 0 | ||||||
| 870 | Jean-Baptiste | Barrière | Chréode I | 1983 | fixed media, akusmatisch | 10:00 | dedicated to the CHANT/FORMES project and to Kaija Saariaho. Siehe Programmbuch „SprachTonArt“ der BGNM (Martin Supper) Seite 143 (french version 1984 in Machover). Software: CHANT, FORMES by IRCAM |
WER 2024-50, Computer Music Currents 4/ | IRCAM | Prix de la Musique Numerique of Bourges 1983 | 1 | http://www.music.columbia.edu/masterpieces/notes/barriere/index.html | |||||||
| 871 | Jean-Baptiste | Barrière | Epigénèse | 1986 | Zuspiel, live-elec, 1 perf, 1 group | 16:00 | str-ens [Streicher] | IRCAM | 0 | ||||||||||
| 872 | Jean-Baptiste | Barrière | Hybris | 1988 | fixed media, akusmatisch | 10:45 | Stereo | IRCAM 0002 F, Creations IRCAM/ | IRCAM | 1 | |||||||||
| 25071 | Jean-Baptiste | Barrière | Le Messager | 1995 | fixed media, akusmatisch | 11:00 | IRCAM | 0 | |||||||||||
| 35475 | Ana | Barrio | Aglaura | 2001 | Zuspiel / Tonband, 2 perf | vn, b-cl [Klarinette, Violine] | 0 | ||||||||||||
| 35476 | Ana | Barrio | In the middle | 2000 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 35477 | Ana | Barrio | Recreo op. 1 | 1999 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 873 | Bebe | Barron | Bridges | 1959 | Film | 8:00 | Mono + Mono + Mono | PS C. NY | 0 | ||||||||||
| 37916 | Bebe | Barron | Elegy for a Dying Planet | 1982 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 874 | Bebe | Barron | Firstborn | 1958 | Theatermusik | 11:00 | Mono | PS C. NY | 0 | ||||||||||
| 37913 | Bebe | Barron | For an Electronic Nervous System | 1954 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 37912 | Bebe | Barron | Heavenly Menagerie | 1951 - 1952 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 878 | Bebe | Barron | Jazz of Lights | 1955 | Film | 15:00 | Mono + Mono | PS C. NY | 0 | ||||||||||
| 879 | Bebe | Barron | Legend | 1955 | Tanz | 15:00 | Mono + Mono + Mono | PS C. NY | 0 | ||||||||||
| 880 | Bebe | Barron | Miramagic | 1954 | Film | 9:00 | Mono | PS C. NY | 0 | ||||||||||
| 37911 | Bebe | Barron | Mixed Emotions | 2000 | fixed media, akusmatisch | 1:27 | AUD 04612/ | PS C. NY | 0 | ||||||||||
| 882 | Bebe | Barron | Music & the Senses | 1965 | fixed media, akusmatisch | 11:00 | Stereo + Stereo + Stereo + Stereo | PS C. LA | 0 | ||||||||||
| 881 | Bebe | Barron | Music of Tomorrow | 1960 | Hintergrundmusik | 5:00 | Stereo + Stereo + Stereo + Stereo | lights | PS C. NY | 0 | |||||||||
| 37914 | Bebe | Barron | Space Boy | 1971, 1973 | fixed media, akusmatisch | Film |
PS C. NY | 0 | ||||||||||||
| 37915 | Bebe | Barron | The Circe Circuit | 1982 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 885 | Bebe | Barron | The Happiest Girl in the World | 1961 | Theatermusik | 8:00 | Stereo + Stereo | PS C. NY | 0 | ||||||||||
| 886 | Bebe | Barron | Visit to a Small Planet | 1957 | Theatermusik | 12:00 | Stereo + Stereo + Stereo + Stereo | PS C. NY | 0 | ||||||||||
| 884 | Bebe, Louis | Barron, Barron | The Bells of Atlantis | 1952 | Film | 10:00 | Mono | STJ 104/ SR 300 sub rosa/ | PS C. NY | 0 | |||||||||
| 33657 | Bebe, Louis | Barron, Barron | The Monster Pursues / Morbius is overcome | 1958 | fixed media, akusmatisch | 5:47 | CDCD 5067/ | 1 | |||||||||||
| 887 | Louis, Bebe | Barron, Barron | For an Electronic Nervous System #1 | 1953 | fixed media, akusmatisch | 4:00 | Mono + Mono + Mono + Mono | Ava/ | PS Barron NY | 0 | |||||||||
| 876 | Louis, Bebe | Barron, Barron | Forbidden Planet | 1956 | Film | 55:20 | Mono, Quadro | deutsche Fassung "Alarm im Weltall". Produktion MGM. Erster Science-Fiction-Film mit EM |
Ellipsis Arts 3671 - OHM: 01/ GNP Crescendo PR 001/ IDEAMA CD 137/ PRD 001/ | PS C. NY | 1 | ||||||||
| 877 | Louis, Bebe | Barron, Barron | Heavenly Menagerie | 1951 | fixed media, akusmatisch | 7:20 | Mono | Ava/ | PS C. NY | 0 | |||||||||
| 889 | Louis, Bebe | Barron, Barron | Progressive Beta | 1956 | fixed media, akusmatisch | 3:10 | Mono + Mono + Mono + Mono | Ava/ | PS Barron NY | 0 | |||||||||
| 42576 | Edgar | Barroso | ACU | 2009 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 25828 | Edgar | Barroso | CYT | 2005 - 2007 | fixed media, akusmatisch | 8:00 | 5 tracks | Phonos Barcelona | 1 | ||||||||||
| 26117 | Edgar | Barroso | DUX | 2005 - 2007 | fixed media, akusmatisch | 7:45 | 5 tracks | Phonos Barcelona | 1 | ||||||||||
| 25829 | Edgar | Barroso | ODD | 2006 | fixed media, akusmatisch | 10:36 | Octo | ed. rz 10016 Inventionen 2005&06/ | Phonos Barcelona | Inventionen 2006 | 28.5.2006 | Inventionen Villa Elisabeth Berlin | 1 | 2006 | |||||
| 26118 | Edgar | Barroso | TAU | 2005 - 2007 | fixed media, akusmatisch | 5:40 | 5 tracks | Uni de la serena/ | Phonos Barcelona | 1 | |||||||||
| 890 | Sergio | Barroso | 2 Scenes from "The House of Bernarda Alba" | 1969 | fixed media, akusmatisch | Stereo | Egrem St Habana | 0 | |||||||||||
| 891 | Sergio | Barroso | Béisbol (Baseball) | 1970 | fixed media, akusmatisch | 5:30 | Stereo | Egrem St Habana | 0 | ||||||||||
| 892 | Sergio | Barroso | Canzona | 1988 | fixed media, akusmatisch | 12:21 | MIDI | IMED 9628/29/ SNE 556/ | IREME Vancouver | 1988 | Vancouver Art Gallery | 1 | |||||||
| 18647 | Sergio | Barroso | Charangas Delirantes | 1993 | Zuspiel, live-elec, 1 perf | 16:07 | Stereo | kbd [Keyboard] | IMED 9628/29/ | IREME Vancouver | Canadian Electronic Ensemble (CEE) with the financial assistance of the Canada Council | 17.06.1995 | Music Gallery in Toronto | 0 | |||||
| 893 | Sergio | Barroso | Concerto for Pianos, Percussion, & Audience | 1968 | fixed media, akusmatisch | Stereo | Egrem St Habana | 0 | |||||||||||
| 18648 | Sergio | Barroso | Crònicas de Ultrasueño |
1992 | live-elec, 2 perf | 12:51 | Stereo | ob, kbd [Oboe, Keyboard] | IMED 9628/29/ CMC CD 4793/ | IREME Vancouver | León Biriotti with the financial assistance of the Canada Council | 06.1992 | León Biriotti in Vancouver. | IREM (Helsinki, Finland, 1994) | 0 | ||||
| 894 | Sergio | Barroso | D'ici et là | 1970 | fixed media, akusmatisch | 7:35 | Stereo | Egrem St Habana | 0 | ||||||||||
| 18649 | Sergio | Barroso | En Febrero Mueren Las Flores, In February the Flowers Die | 1987 | Zuspiel / Tonband, 1 perf | 15:28 | Stereo | vn [Violine] | IMED 9628/29/ | IREME Vancouver | Manuel Enríquez | 01.1988 | Mexico City International Electroacoustic Music Festival En Torno a los Sonidos Electrónicos | 0 | |||||
| 896 | Sergio | Barroso | Four Cuban Colonial Dances | 1984 | fixed media, akusmatisch | Stereo | IREME Vancouver | 0 | |||||||||||
| 897 | Sergio | Barroso | íreme | 1985 | Zuspiel / Tonband, 2 perf | 11:48 | Stereo | S or T, perc [Sopran, Tenor, Schlagzeug] | SFU | 0 | |||||||||
| 18650 | Sergio | Barroso | La Fiesta |
1989 | Zuspiel / Tonband, 1 perf | 9:52 | Stereo | kbd [Keyboard] | IMED 9628/29/ AMC 37 CD 1-4/ | IREME Vancouver | 10.1989 | South Bank Centre (London) | IREM (Oslo, Norway, 1990) | 0 | |||||
| 898 | Sergio | Barroso | Nocturnal | 1988 | Zuspiel / Tonband, | Stereo | IREME Vancouver | 0 | |||||||||||
| 899 | Sergio | Barroso | Soledad | 1988 | live-elec, 1 perf | 23:45 | Kbd [Keyboard] | SNE 556/ | IREME Vancouver | 1 | |||||||||
| 18651 | Sergio | Barroso | Sonatada |
1992 | live-elec, 1 perf | 13:46 | Stereo | MIDI-Kbd [Keyboard] | MIDI | IMED 9628/29/ | IREME Vancouver | Canadian pianist Kathleen Solose with the financial assistance of the Canada Council | 05.1993 | Brussels (Belgium) | 0 | ||||
| 900 | Sergio | Barroso | Tablao | 1990 | fixed media, akusmatisch | 10:32 | CÉC 1Z/M (extrait) 2:36 | IMED 9628/29/ CEC DISContact_2/ | LIEM CDMC Madrid, IREME Vancouver | Flores Chaviano with the financial assistance of the Canada Council | February, 1992 | Madrid | 1 | ||||||
| 18652 | Sergio | Barroso | Viejas voce |
1993 - 1995 | Zuspiel / Tonband, 1 perf | 9:28 | Stereo | va [Viola] | IMED 9628/29/ | IREME Vancouver | 17.05.1996 | Music Gallery in Toronto, Laura Wilcox | 0 | ||||||
| 901 | Sergio | Barroso | Yantra IV | 1975 | Zuspiel, live-elec, 1 perf | Stereo | fl [Flöte] | Concert recording | Egrem St Habana | 0 | |||||||||
| 902 | Sergio | Barroso | Yantra IX | 1979 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | a-sax or s-sax [Saxophon] | Egrem St Habana | 0 | |||||||||
| 903 | Sergio | Barroso | Yantra VI | 1979 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Egrem St Habana | 0 | ||||||||||
| 18653 | Sergio | Barroso | Yantra X , De Profundis |
1982 | Zuspiel / Tonband, 1 perf | 16:29 | Stereo | bn [Fagott] | IMED 9628/29/ | Uni BC Victoria | Jesse Read with the financial assistance of the Canada Council | 05.1982 | Utrecht Conservatorium | 0 | |||||
| 905 | Jiří, L. | Bárta, Faltus | Kvadriga | fixed media, akusmatisch | 6:42 | Radio Brno | 0 | ||||||||||||
| 906 | David | Barteaux | Time Basing | 1985 | fixed media, akusmatisch | 4:25 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 28866 | Andre | Bartetzki | durchschlagend | 2007 | fixed media, akusmatisch | 5:30 | Stereo | PS C. | Randspiele in Zepernick | 0 | |||||||||
| 28867 | Andre | Bartetzki | Jazvuk | 2007 | radiophon | 19:30 | Stereo | NAISA Deep Wireless 5/ | PS C. | PremEdice Radioatelier | 1 | ||||||||
| 28868 | Andre | Bartetzki | Klangkunst | 1997 - 2012 | Klangkunst, Installation | PS C. | 0 | http://www.bartetzki.de/de/soundart.html | |||||||||||
| 26151 | Andre | Bartetzki | L‘eco d‘Orfeo | 2007 | fixed media, akusmatisch | 6:07 | Stereo | Cybele 960.209/ DegeM CD 09/ | PS C. | 1 | |||||||||
| 25830 | André | Bartetzki | agrajag | 2007 | fixed media, akusmatisch | 12:30 | 16 Tracks | PS C. | 20.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | http://www.bartetzki.de/ | |||||||
| 25831 | André | Bartetzki | Einklang | 2004 | audiovisuell | fixed media, akusmatisch |
20:10 | Octo | Die Originalfassung besteht aus 8 Audiotracks und 7 DVD-Videos. | ZKM Karlsruhe | 2004 | Europäische Glockentage 2004 in Karlsruhe | 1 | |||||||
| 28614 | André | Bartetzki | encounters | 2008 | fixed media, akusmatisch | 13:14 | + Octo | PS C. | 0 | ||||||||||
| 26206 | André | Bartetzki | Expression | 2006 | fixed media, akusmatisch | 11:30 | Octo | PS C. | 2007 | TESLA Berlin, LAC | 0 | ||||||||
| 42031 | André | Bartetzki | Heavy Metal | 2018 | Performance, live-elec, | 8 | (perc, com) [] | für Windgong und Live-Elektronik | 0 | ||||||||||
| 28863 | André | Bartetzki | Hrönir | 2009 | fixed media, akusmatisch | 15:10 | Octo | PS C. | 0 | ||||||||||
| 34283 | André | Bartetzki | Insideout, The Incredible Journey of Yoriko, Andreas, Lea Rahel, Jean-Claude and Friedemann on a Moebius Strip as seen by Andre at the mixing desk and from various other perspectives | 2015 | live-elec, 5 perf | audiovisuell |
p, perc, str-trio [Piano, Schlagzeug, Streicher] | PS C. | 0 | |||||||||||
| 28738 | André | Bartetzki | Momentum | 2012 | live-elec, 4 perf | audiovisuell |
Octo | fl, vn, trbn, db [Flöte, Posaune, Violine, Kontrabass] | PS C. | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte, ens unitedberlin | 0 | ||||||||
| 28864 | André | Bartetzki | neoZoen | 2009 | fixed media, akusmatisch | 6:55 | Quadro | PS C. | 0 | ||||||||||
| 26201 | André | Bartetzki | Reale Existenz | 2007 | fixed media, akusmatisch | 14 | Quadro, Spazialisation: WFS | Tonband für WFS (32 Klangquellen auf 840 Kanäle) | TU Berlin, PS C. | 1 | |||||||||
| 25833 | André | Bartetzki | Responsorium | 1999/2001 | fixed media, akusmatisch | 12:50 | Octo | STEAM Berlin | 1 | ||||||||||
| 25834 | André | Bartetzki | Rondeaux Trouvés | 2000 | fixed media, akusmatisch | 14:40 | Octo | PANaroma 199013216/ | STEAM Berlin | 1 | |||||||||
| 28865 | André | Bartetzki | Sprachspiel | 2008 | fixed media, akusmatisch | 14 | Octo | PS C. | 0 | ||||||||||
| 25835 | André | Bartetzki | String-Theory | 2005 | live-elec, 1 perf | ≈ 13:00 | Stereo | e-vn [Violine] | Župková Lenka (vn) | WER ARTS 8115/ | 2005 | GRIM, Marseille, Violine: Lenka Župková | 1 | ||||||
| 34090 | André | Bartetzki | ton-technik | 2011 - 2015 | Klangkunst, Installation | elektromechanische Klanginstallation mit Blumentöpfen, Hubmagneten, Arduino und SuperCollider | 0 | ||||||||||||
| 27605 | André | Bartetzki | Z0 | 2010 | fixed media, akusmatisch | 12 | Spazialisation: WFS | TU Berlin | 27.7.2010 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 0 | 2010 | http://www.bartetzki.de/de/index.html | ||||||
| 25836 | André | Bartetzki | Zungenschlag | 2003 | fixed media, akusmatisch | 13:40 | Octo | PS C. | 1 | ||||||||||
| 28343 | André, Robin, Dieter, Group | Bartetzki, Minard, Kemter, SEAM Weimar | RUMOR | 2002 | Klangkunst, Installation | ∞ | DAAD 205-1 ISBN 3-89727-259-8 | SEAM Weimar | Inventionen 2002 | 27.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | ||||||
| 22584 | André, Thomas | Bartetzki, Noll | Die Bibliothek von Babel | 1997 | Klangkunst, Installation | 120:00 | 6 | CD-Player, Video . 1997, Wasserturm Torgau und singuhr hoergalerie Berlin |
Kehrer Verlag ISBN 978-3-939583-23-3/ | STEAM Berlin | Juni 1997 22.8.-14.9.1997 |
Torgau Wasserturm singuhr hoergalerie Berlin |
0 | http://www.bartetzki.de/de/bio.html | |||||
| 25832 | André, Yueyang | Bartetzki, Wang | LàiQu… | 2001 | live-elec, 1 perf | 12:05 | Stereo | Zheng [Streicher] | Yueyang Wang (Zheng) | 1 | |||||||||
| 907 | Dominique | Barthassat | Ephémérides | 1989 | Zuspiel / Tonband, 3 perf | 30:00 | Stereo | prep p, gui, S [Sopran, Piano, Gitarre] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 908 | Dominique | Barthassat | Les Nuits de Christian FARGEON | 1989 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 909 | Dominique | Barthassat | No si volta chi a stella è fisso | 1988 | Zuspiel / Tonband, 4 perf | 40:00 | Stereo | prep p, V, perc, ins [Stimme, Piano, Schlagzeug, Instrument] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 35393 | Maxine | Barthélemy | Bleu, Blanche, Rouges | 2014 | fixed media, akusmatisch | 6:05:00 | Writer: Dana Mbé | MR 2014 Métamorphoses 2014/ | Con Paris | March 3, 2014 | Musique à réaction 5.3, Auditorium — Conservatoire à rayonnement régional de Paris (Paris, France) | 0 | |||||||
| 910 | Pierre | Bartholomée | Cantate aux alentours | 1966 | Zuspiel / Tonband, 1 perf, 2 groups | 25:00 | Stereo | Vs, ens [Stimme, Ensemble] | PS Apelac | 0 | |||||||||
| 27769 | Pierre | Bartholomée | Passacaille | 2005 | live-elec, 1 perf | mar [Schlagzeug] | CRFMW Liège | 26.11.2005 | Liège | 1 | |||||||||
| 912 | Pierre, Henri | Bartholomée, Pousseur | Stravinsky au futur | fixed media, akusmatisch | BASF 20 21554-7/ | CRFMW Liège | 0 | ||||||||||||
| 911 | Pierre, Paul | Bartholomée, Uyttebrouck | Les Etrusques | 1964 | Film | 30:00 | Mono | IPEM Gent | 0 | ||||||||||
| 913 | Martin | Bartlett | Composition | 1965 | Zuspiel / Tonband, 1 perf | 4:00 | Mono | actor [Schauspieler] | Uni BC Vancouver | 0 | |||||||||
| 914 | Martin | Bartlett | Hexachords | 1985 | live-elec, 1 perf | Stereo | rec [Flöte] | 0 | |||||||||||
| 18639 | Martin | Bartlett | New Leaves | 1983 | Zuspiel / Tonband, | 14:13 | Stereo | MW 69/ | 0 | ||||||||||
| 18640 | Martin | Bartlett | Pythagora's Ghost | 1990 | Zuspiel / Tonband, | 26:32 | Stereo | FRONT 001/ | 0 | ||||||||||
| 18641 | Martin | Bartlett | The Arrival of Sir John Franklin in Paradise | 1988 | Zuspiel / Tonband, | 13:09 | Stereo | FRONT 001/ | 0 | ||||||||||
| 915 | Wende | Bartley | Ellipsis | 1989 - 1993 | Zuspiel / Tonband, 1 perf | 14:31 | S [Sopran] | Synclavier II | IMED 9414/ | Gerr Elec. Toronto, McGill Montréal | 10.11.1989 | Banff Centre for the Arts | 1 | ||||||
| 916 | Wende | Bartley | IceBreak | 1992 | fixed media, akusmatisch | 14:22 | Klänge des Gamelan-Instrumentes Kyai Madu Sari | IMED 9414/ | Banff C., PS Randall Smith Toronto | 8.07.1992 | The Banff Centre for the Arts | 1 | |||||||
| 917 | Wende | Bartley | Mi Homo | fixed media, akusmatisch | 7:00 | Stereo | 0 | ||||||||||||
| 918 | Wende | Bartley | Ocean of Ages Revealed | 1991 | fixed media, akusmatisch | 13:21 | PODX granular synthesis | IMED 9414/ | SFU, M. Gal Toronto, PS Randall Smith Toronto | David Olds for Transfigured Night on CKLN FM radio in Toronto | 28.01.1991 | CKLN FM radio in Toronto | 1 | ||||||
| 18654 | Wende | Bartley | Radio>>Perspectives>>1 | 1991 | fixed media, akusmatisch | 9:40 | Stereo | CEC DISContact_1/ | 0 | ||||||||||
| 919 | Wende | Bartley | Rising Tides of Generations Lost | 1985 - 1993 | fixed media, akusmatisch | 15:01 | Stereo | txtcompo; Synclavier II | IMED 9414/ | McGill Montréal, Banff C. | 4.04.1985. | Pollack Hall in Montréal | 1 | ||||||
| 41022 | Wende | Bartley | Sound Dreaming, Stone Mysteries Sirens of the Deep Sounding Dream Woman Serpentine Dance Temple Muses Into The Hypogeum |
2012 | fixed media, akusmatisch | 55 | Stereo, Surround 5.1 | 0 | |||||||||||
| 920 | Stefan | Bartling | Finale oder Ich, das sind wir und wir, das sind die anderen | 1988 | Zuspiel / Tonband, | 15:03 | 0 | ||||||||||||
| 921 | Stefan | Bartling | quasi scherzo | 1988 | Zuspiel / Tonband, 4 perf | 21:30 | vc, 2 b-tuba, S [Sopran, Tuba, Cello] | 0 | |||||||||||
| 922 | Stefan | Bartling | Vom Geheimnis, den Sternen zuzuhören | 1988 | fixed media, akusmatisch | 10:45 | Stereo | ICEM Essen | 0 | ||||||||||
| 923 | Stefan | Bartling | World Between | 1986 | Zuspiel / Tonband, 1 perf | 14:44 | vn [Violine] | 0 | |||||||||||
| 43028 | Scott | Barton | Figure-Ground | 2013 | fixed media, akusmatisch | 2:39:00 | 0 | ||||||||||||
| 924 | Wolfgang | Bartsch | Melancholie in Sinustönen | fixed media, akusmatisch | 11:00 | Mono | Study | Sonology Utrecht | 0 | ||||||||||
| 34407 | Wolfgang | Bartsch | Studie in continu spectra | fixed media, akusmatisch | 11:00 | Mono | Study | Sonology Utrecht | 0 | ||||||||||
| 925 | Vidmantas | Bartulis | Sound Life | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 18656 | Gray | Barwin | Down to the Middle and Back Again | 1992 | Zuspiel / Tonband, 1 perf | 9:22 | Stereo | V [Stimme] | MW 60/ | 0 | |||||||||
| 28024 | Adam | Basanta | a glass is not a glass | 2009 | fixed media, akusmatisch | 18:55 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ MR 2010 Métamorphoses 2010/ | JTTP-Winner 2010 2. prize 1. prize Metamorphoses 2010 (student category) |
1 | http://cec.concordia.ca/jttp | ||||||||
| 41030 | Adam | Basanta | A line listening to itself | 2016 | Klangkunst, Installation | Sound sculpture | 0 | ||||||||||||
| 41035 | Adam | Basanta | A Room Listening to Itself | 2015 | Klangkunst, Installation | Sound installation | Canada Council for the Arts. | 0 | |||||||||||
| 41028 | Adam | Basanta | A Truly Magical Moment | 2016 | Klangkunst, Installation | Interactive kinetic sculpture | Canada Council for the Arts and The Agosto Fondation | 0 | |||||||||||
| 41023 | Adam | Basanta | All We'd Ever Need Is One Another | 2018 | Klangkunst, Installation | Mixed media installation | 0 | http://adambasanta.com/allwedeverneed | |||||||||||
| 41033 | Adam | Basanta | Closer then farther away | 2015 | Klangkunst, Installation | Kinetic sound sculpture | 0 | http://adambasanta.com/closerfarther | |||||||||||
| 41026 | Adam | Basanta | Curtain (white) | 2016 | Klangkunst, Installation | 24 Tracks | Canada Council for the Arts and The Agosto Foundation. | 0 | |||||||||||
| 41039 | Adam | Basanta | Écologie matérielle | 2008 | fixed media, akusmatisch | 9:07 | Deep Wireless 6 (New Adventures in Sound Art), 1, 10 | 0 | |||||||||||
| 41040 | Adam | Basanta | Free / Association | 2009 | fixed media, akusmatisch | JTTP 2009 | 0 | ||||||||||||
| 41032 | Adam | Basanta | Listening through a small plastic box | 2015 | Klangkunst, Installation | Sound installation | 0 | ||||||||||||
| 41034 | Adam | Basanta | Message Past Future | 2015 | Klangkunst, Installation | Sound installation | 0 | ||||||||||||
| 41036 | Adam | Basanta | Pirouette | 2015 | Klangkunst, Installation | 7 tracks | Sound installation | 0 | |||||||||||
| 41029 | Adam | Basanta | Plugs (the most important thing is) | 2016 | Klangkunst, Installation | Mixed media installation | Canada Council for the Arts and The Agosto Fondation | 0 | |||||||||||
| 41031 | Adam | Basanta | Positive Vibes | 2015 | Performance | audiovisuell |
Public intervention, video and sculptural documentation | 0 | ||||||||||||
| 41025 | Adam | Basanta | Sectioning | 2016 | Klangkunst, Installation | Quadro | Sound and mixed media installation | POP Montreal Festival with the assistance of Canada Council for the Arts. | 0 | ||||||||||
| 41041 | Adam | Basanta | Shiva Creates, Destroy | 2008 | fixed media, akusmatisch | 1 | 60x60 | 60X60 Canada 2008–09 | 0 | |||||||||||
| 41024 | Adam | Basanta | Sounds Not Heard | 2017, | Klangkunst, Installation | Sculpture series | 0 | http://adambasanta.com/soundsnotheard | |||||||||||
| 41042 | Adam | Basanta | The fine line between Civility and the Truth | 2007 | fixed media, akusmatisch | 7:59 | JTTP 2007 | 0 | |||||||||||
| 41037 | Adam | Basanta | The loudest sound in the room experienced very quietly | 2015 | Klangkunst, Installation | Sound installation | 0 | http://adambasanta.com/loudestsound | |||||||||||
| 34352 | Adam | Basanta | Three Myths of Liberalism | 2012 | fixed media, akusmatisch | 17:34:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 2. prize | 0 | |||||||||
| 27361 | Adam | Basanta | Transients And Resonance | 2008 | fixed media, akusmatisch | 8:27 | JTTP 2008 | CEC Cache 2008, PeP 013/ | 1 | http://cec.concordia.ca/jttp | |||||||||
| 41027 | Adam | Basanta | Triad | 2017 | Klangkunst, Installation | Permanent outdoor sculpture | The DAIMON Centre | 0 | |||||||||||
| 41038 | Adam | Basanta | Vessel | 2015 | Klangkunst, Installation | Kinetic sound sculpture | 0 | ||||||||||||
| 926 | Florence | Baschet | Alma Luvia | 1993 | live-elec, 4 perf | 7:00 | Mez, cl, va, ins (Baschet Cristal) [Mezzo, Klarinette, Viola, Instrument] | IRCAM | 0 | ||||||||||
| 927 | Florence | Baschet | Mai Mia | 1990 | Zuspiel, live-elec, 3 perf | 9:30 | ins (Baschet Cristal), p, mar [Piano, Schlagzeug, Instrument] | SONVS Lyon | 0 | ||||||||||
| 928 | Florence | Baschet | Nuraghe | 1991 | Zuspiel, live-elec, 6 perf | 9:15 | ins (Baschet Cristal), va, vc, db, mar, p [Piano, Schlagzeug, Viola, Cello, Kontrabass, Instrument] | SONVS Lyon | 1 | ||||||||||
| 929 | Florence | Baschet | Nuraghe | 1991 | Zuspiel / Tonband, 3 perf | 9:15 | Stereo | str, hpd, ins (Baschet Cristal)t [Tenor, Cembalo, Streicher] | SONVS Lyon | 1 | |||||||||
| 34634 | Constantin | Basica | Tell Me What to Do | 2013 | audiovisuell, live-elec, 2 perf | cl, conductor (Kinect) [Klarinette, Performer] | SMC2016 | 0 | |||||||||||
| 22448 | Nicolas | Basque | Polyèdres | 2000 | fixed media, akusmatisch | 7:50 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | winner JTTP 2001 5. prize | 1 | ||||||||
| 41043 | Nicolas, Andrew | Basque, Watson | 16.10.03 Room 209 | 2004 | fixed media, akusmatisch | 3:11:00 | 0 | ||||||||||||
| 41044 | Nicolas, Andrew | Basque, Watson | 23.11.2003 Room 207 | 2004 | fixed media, akusmatisch | 5:53:00 | 0 | ||||||||||||
| 41045 | Nicolas, Andrew | Basque, Watson | 25.09.2003 Room 209 | 2004 | fixed media, akusmatisch | 5:15:00 | 0 | ||||||||||||
| 41046 | Nicolas, Andrew | Basque, Watson | 29.10.2003 11:23 AM Room 209 | 2003 | fixed media, akusmatisch | 5:39:00 | JTTP 2004 | 0 | |||||||||||
| 41047 | Nicolas, Andrew | Basque, Watson | Chairdrone | 2004 | fixed media, akusmatisch | 2:23:00 | 0 | ||||||||||||
| 41048 | Nicolas, Andrew | Basque, Watson | Crécelles | 2004 | fixed media, akusmatisch | 4:47:00 | 0 | ||||||||||||
| 41049 | Nicolas, Andrew | Basque, Watson | Disco | 2004 | fixed media, akusmatisch | 5:41:00 | 0 | ||||||||||||
| 41050 | Nicolas, Andrew | Basque, Watson | Instrumental I | 2004 | fixed media, akusmatisch | 2:32:00 | 0 | ||||||||||||
| 41051 | Nicolas, Andrew | Basque, Watson | Instrumental II | 2004 | fixed media, akusmatisch | 2:40:00 | 0 | ||||||||||||
| 41052 | Nicolas, Andrew | Basque, Watson | Mozart vs McGill | 2004 | fixed media, akusmatisch | 4:34:00 | 0 | ||||||||||||
| 41053 | Nicolas, Andrew | Basque, Watson | Phone Ambient | 2004 | fixed media, akusmatisch | 10:52:00 | 0 | ||||||||||||
| 41054 | Nicolas, Andrew | Basque, Watson | Pour Christian | 2004 | fixed media, akusmatisch | 10:43:00 | 0 | ||||||||||||
| 41055 | Nicolas, Andrew | Basque, Watson | Tangential Japanese Bathroom | 2004 | fixed media, akusmatisch | 2:11:00 | 0 | ||||||||||||
| 41056 | Nicolas, Andrew | Basque, Watson | Travelling Sounds | 2004 | fixed media, akusmatisch | 3:15:00 | 0 | ||||||||||||
| 37052 | Dominique | Bassal | Babylone, les regrets | 2013 | fixed media, akusmatisch | 8:25:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37054 | Dominique | Bassal | Broto et sa z’complice | 2013 | fixed media, akusmatisch | 12:40:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37050 | Dominique | Bassal | Choraal: frontière Nord | 2012 | fixed media, akusmatisch | 9:28:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37053 | Dominique | Bassal | Conséquences des gaz à effet de serre | 2012 | fixed media, akusmatisch | 13:37:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 25.10.2012 | Elektramusic at Musée d’art moderne et contemporain (Strasbourg, France) | 0 | |||||||
| 930 | Dominique | Bassal | Espoirs et illusions d'une société rugueuse | 1979 | fixed media, akusmatisch | 30:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 35536 | Dominique | Bassal | L'inénarrable Nout | 2002 | fixed media, akusmatisch | 18:53 | Surround 5.1 | IMED 09101/ | 0 | ||||||||||
| 37051 | Dominique | Bassal | La main visible | 2014 | fixed media, akusmatisch | 17:48:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 931 | Dominique | Bassal | La rencontre de Zoé et du carnassier | 1977 | fixed media, akusmatisch | 11:16 | Stereo | Concordia Montréal | 0 | ||||||||||
| 932 | Dominique | Bassal | Le Cacanome | 1978 | fixed media, akusmatisch | 14:08 | Stereo | Concordia Montréal | 0 | ||||||||||
| 933 | Dominique | Bassal | Le troupeau à midi | 1977 | fixed media, akusmatisch | 8:19 | Stereo | Concordia Montréal | 0 | ||||||||||
| 35537 | Dominique | Bassal | Mont des borgnes | 2002 | fixed media, akusmatisch | 12:52 | Surround 5.1 | IMED 09101/ | 0 | ||||||||||
| 35538 | Dominique | Bassal | Noyade en magma | 2001 | fixed media, akusmatisch | 10 | Surround 5.1 | eContact! 8.3 — Harvest Moon and Other Festivals, Conferences | IMED 09101/ | 0 | |||||||||
| 37049 | Dominique | Bassal | Poupées mathématiques | 2013 | fixed media, akusmatisch | 12:23:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 23106 | Dominique | Bassal | Rites d'oiseaux pensants | 2001 | fixed media, akusmatisch | 7:59 | Surround 5.1 | JTTP 2002 | CEC Cache 2002/ IMED 09101/ | winner JTTP 2002 4. prize | 0 | ||||||||
| 934 | Stefano | Bassanese | Nulla | 1980 | fixed media, akusmatisch | Con Venezia | 0 | ||||||||||||
| 31139 | Alexandra von | Bassen | Marseille, ma ville | 2010 | Klangkunst, Installation | 5:26 | Stereo, Spazialisation: binaural | Headscapes, Kompositionen für Kopfhörer – CD (Besenkammer, Germany) 2010; Framework Seasonal Issue #1 Autumn 2011 – CDR (Framework Radio, Estonia) | Besenkammer bb 03/ | 24.5.2010 | Besenkammer, Saarbrücken, Germany, 2010 | 0 | |||||||
| 42075 | Ulrich | Bassenge | Shashlyk for paik | 2007 | radiophon | BR | 0 | ||||||||||||
| 42076 | Ulrich, Philip | Bassenge, Stegers | Sirius FM, Expedition an den Bandtellerrand | 2017 | radiophon | WDR, DLF, SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4933464&vi=1&SID | |||||||||||
| 33412 | Leslie | Bassett | Triform | 1966 | fixed media, akusmatisch | Uni Ann Arbor | 0 | ||||||||||||
| 22299 | J. | Bassetti | Station Hill | 2000 | fixed media, akusmatisch | 8:18 | Station Hill is dedicated to dermot Furlong and Cian, Written January 2001. | SIDO 010/ | 1 | ||||||||||
| 28088 | Alain | Basso | Ab Irato | 1999 | fixed media, akusmatisch | Stereo | C&C Annecy | 0 | |||||||||||
| 28086 | Alain | Basso | Excocet | 1988 | fixed media, akusmatisch | Stereo | Collectif & Cie C 02/ | C&C Annecy | 0 | ||||||||||
| 935 | Alain | Basso | Le Contrat | 1986 | fixed media, akusmatisch | Collectif & Cie C 01/ | C&C Annecy | 1 | |||||||||||
| 18655 | Alain | Basso | Nemesis | fixed media, akusmatisch | 9:43 | Stereo | Collectif & Cie 12/ | C&C Annecy | 0 | ||||||||||
| 936 | René | Bastien | Avers | 1975/1976 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 937 | René | Bastien | Extra-systoles | 1972 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 938 | René | Bastien | Le bain du dinosaure | 1971/1972 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 939 | René | Bastien | Les Archanges au galop | 1973 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 940 | René | Bastien | Régressions 1-3 | 1975/1976 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 38475 | Caroline | BASTIN | Casa Nostra | 2009 | radiophon | 37:48:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 941 | Ernest | Bastin | Ghost Sonata | 1965 | fixed media, akusmatisch | 4:00 | Mono | EMS UIUC | 0 | ||||||||||
| 27668 | Peter | Batchelor | Kaleidoscope, Fissure Arcade |
2004 | fixed media, akusmatisch | 9:40 | Stereo, Octo, 12 tracks | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | 2010 | http://www.peterbatchelor.com | |||||||
| 41057 | Peter | Batchelor | Reel | 1997 | fixed media, akusmatisch | 13 | 0 | 2000 | |||||||||||
| 21584 | Peter | Batchelor | steamin' | 2000 | fixed media, akusmatisch | 3:00 | SCD 28034 Sargasso/ | BEAST | sonic arts Network | 1 | |||||||||
| 21593 | Peter | Batchelor | Velocity | 1996 | fixed media, akusmatisch | 9:57 | CEC Presence 2/ | BEAST | 1 | ||||||||||
| 942 | Trevor | Batten | Audio-Visual III | 1979 | audiovisuell | 5:00 | UMATIC | Sonology Utrecht | 0 | ||||||||||
| 943 | Trevor | Batten | Cross-Media Mapping, Composition I Stockholm Circuit I Pulse Demonstration |
1974/1976 | audiovisuell | 25 | Mono | Sonology Utrecht | 0 | ||||||||||
| 39623 | Bret | Battey | Clonal Colonies I | 2016 | fixed media, akusmatisch | Bret Battey | 0 | ||||||||||||
| 33867 | Bret | Battey | On the presencs of water | 1997 | fixed media, akusmatisch | audiovisuell |
8:35 | Prix Ars Electronica 98/ | Prix Ars Electronica 1998 | 0 | ||||||||||
| 36620 | Bret | Battey | Pater Nosters Tricyclic Companion | 1998 | Zuspiel / Tonband, 1 perf | 7:52 | fl [Flöte] | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | 0 | |||||||||
| 27670 | Bret | Battey | Retrocoagulant Vox | 2001 | Zuspiel / Tonband, 1 perf | 11:34 | Stereo | b-trbn [Posaune] | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | Chad Kirby | 1 | http://www.mti.dmu.ac.uk/~bbattey/ | ||||||
| 33778 | Marc | Battier | Audioscan | 2010 | fixed media, akusmatisch | audiovisuell |
6:02:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 10.2006 | Musicacoustica, Beijing (China) | 1 | ||||||||
| 944 | Marc | Battier | Composition en Bleu (bande) | 1976 | fixed media, akusmatisch | VCS-3 | GAIV Paris | 0 | |||||||||||
| 28737 | Marc | Battier | Constellations | 2012 | Zuspiel / Tonband, 1 perf | Octo | koto [Streicher] | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte | 0 | |||||||||
| 33771 | Marc | Battier | D99_14 | 2010 | fixed media, akusmatisch | 10:18:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 33775 | Marc | Battier | D99_3 | 2010 | fixed media, akusmatisch | 6:07:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 945 | Marc | Battier | Encre sur Polyester | 1984 | Zuspiel / Tonband, 5 perf | 13:00 | Quadro | br-qnt [Bläser] | IRCAM | 0 | |||||||||
| 946 | Marc | Battier | Géométrie d'hiver | 1977 | fixed media, akusmatisch | 12:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 18657 | Marc | Battier | Ink on Polyester | 1984 | fixed media, akusmatisch | 5:22 | Stereo | (extrait) | ISAST LMJ 1/ | PS Stars nova international | 1 | ||||||||
| 33772 | Marc | Battier | Invasion Of The Night | 2010 | fixed media, akusmatisch | 9:02:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 27098 | Marc | Battier | L'oiseau de la capitale | 2008 | Zuspiel / Tonband, 1 perf | 14:00 | Octo | shakuhachi [Flöte] | INA • GRM | INA - GRM | 8 June 2008 | Salle Olivier Messiaen, Maison de la Radio France | 0 | ||||||
| 27101 | Marc | Battier | Le monde de Kiyoshi Takahashi | 1982 | fixed media, akusmatisch | 30:00 | Stereo | K. Takahashi | 0 | ||||||||||
| 33776 | Marc | Battier | Mercury Rimbaud | 2010 | fixed media, akusmatisch | 4:19:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 27100 | Marc | Battier | Mixed Media | 1989 - 1991 | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | de l'Etat francais pour le GERM | 11.1989 | Porte de la Suisse, Paris | 0 | ||||||||
| 947 | Marc | Battier | Re cosa materiale | 1976 | fixed media, akusmatisch | live-elec, 2 perf |
2 synt [synthesizer] | CICM Paris | 0 | |||||||||||
| 948 | Marc | Battier | Ritratto a Memoria | 1982 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 33777 | Marc | Battier | The Earth Is A Man | 2010 | fixed media, akusmatisch | 14:11:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 949 | Marc | Battier | Toca | 1993 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | mar [Schlagzeug] | PS Stars nova international | 1 | |||||||||
| 18886 | Marc | Battier | transparence | 1995 | fixed media, akusmatisch | ≈ 60:00 | Stereo | Sprachverarbeitung. nach einem audio-poem von Henry Chopin in 16 Teilen |
BRCD 9595 Bond Age/ | PS Battier | 1 | ||||||||
| 33770 | Marc | Battier | Tu Laisses La Nuit T'Envahir | 2010 | fixed media, akusmatisch | 4:28:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu. |
maat 011/ | 1 | ||||||||||
| 33774 | Marc | Battier | Untitled 1938 | 2010 | fixed media, akusmatisch | 3:44:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 950 | Marc | Battier | Verbes comme cueillir | 1980 | live-elec, 1 perf | 12:20 | Stereo | com [computer] | INA • GRM | 0 | |||||||||
| 33773 | Marc | Battier | Winds | 2010 | fixed media, akusmatisch | 2:42:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 39545 | Alba | Battista | Interférence | 2017 | fixed media, akusmatisch | 16 Tracks | Alba Battista | 0 | |||||||||||
| 39546 | Alba | Battista | Les Axiomes de la Tentation | 2016 | fixed media, akusmatisch | Alba Battista | 0 | ||||||||||||
| 952 | Tonio | Battista | Body and Sound | live-elec, 3 perf | 12:49 | 3 ins [Instrument] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | |||||||||
| 28353 | Tonio | Battista | C'est ça, c'est tout | 2000 | fixed media, akusmatisch | CRM Roma | 0 | ||||||||||||
| 951 | Tonio, Maurizio | Battista, Giri | Amoebhius | 1987 | Zuspiel / Tonband, 2 perf | Stereo | cl, db [Klarinette, Kontrabass] | CRM Roma | 0 | ||||||||||
| 953 | Giorgio | Battistelli | Frau Frankenstein | 1993 | Theatermusik | CSC Padova | 0 | ||||||||||||
| 24097 | Giorgio | Battistelli | Il Principe Costante | 2002 | Theater, live-elec, | ≈ 240:00 | Octo | Tempo Reale Firenze | 0 | ||||||||||
| 954 | Giorgio | Battistelli | Ostinato, Großstadtnovelle | 1986 | Zuspiel/Tonband, 21 perf | intermedia |
20:00 | 20 Sp, perc [Sprecher, Schlagzeug] | 20 languages | 1.3.1986 | Inventionen, Berlin, Ackerstr. | 1 | 1986 | |||||||
| 24098 | Giorgio | Battistelli | The Cenci | 1997 | Musiktheater, live-elec, 18 perf | 80:00 | 4 V, fl, 2 cl, b-cl, 3 vc, db, fl, trbn, tuba, sam, 2 perc [Stimme, Flöte, Klarinette, Posaune, Tuba, Schlagzeug, Cello, Kontrabass, computer] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 24099 | Giorgio | Battistelli | Tre Voci | 1996 | live-elec, | 38:00 | Tempo Reale Firenze | Ricordi | 0 | ||||||||||
| 955 | Peter | Battisti | Camapu - 13 Bilder | 1983/1984 | fixed media, akusmatisch | 66:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 25837 | Pascal | Battus | Sound Massages | 2005 | Klangkunst, Installation | 6:14 | Binaural Rec. Sonore Festival Albi | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 42460 | Jay C. | Batzner | Carnival Daring-Do | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 38371 | Carola | Bauckholt | 2 Trichter | 1987/1988 | audiovisuell, live-elec, 10 perf | ≈ 16:00:00 | fl, bn, tpt, tuba, va, e-gui, 4 perc [Flöte, Fagott, Trompete, Tuba, Gitarre, Schlagzeug, Viola] | 1989 | Bonn | Thürmchen Verlag Köln | 0 | ||||||||
| 38387 | Carola | Bauckholt | 3 Sätze für Blechbläserquintett | 1989 | live-elec, 5 perf | ≈ 10:00:00 | 5 brass [Bläser] | 1991 | Mönchengladbach | Thürmchen Verlag Köln | 0 | ||||||||
| 38392 | Carola | Bauckholt | Cellotrio | 2002 | live-elec, 3 perf | ≈ 12:00:00 | 3 vc [Cello] | 2002 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38847 | Carola | Bauckholt | Doppelbelichtung | 2016 | live-elec, 1 perf | 12 | 5 tracks | vn (5 vn with transducers) [Violine] | „Kampf“ zwischen vogelartig gespieltem Geigenklang und den mit Transducern angeregten 5 hängenden Geigen. | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 38372 | Carola | Bauckholt | erinnern vergessen | 1990/1991 | audiovisuell, 7 perf | 30:00:00 | fl, bn, vc, db, perc, Objekte, Diaprojektion [Flöte, Fagott, Schlagzeug, Cello, Kontrabass] | 1991 | Wuppertal | Thürmchen Verlag Köln | 0 | ||||||||
| 38373 | Carola | Bauckholt | Galopp | 1996 | audiovisuell, live-elec, 5 perf | ≈ 3:00:00 | fl, sax, vc, e-gui, perc [Flöte, Saxophon, Gitarre, Schlagzeug, Cello] | 1996 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38399 | Carola | Bauckholt | Gegenwind | 2004 | live-elec, 1 perf | ≈ 8:00:00 | org [Orgel] | 2004 | Kassel | Thürmchen Verlag Köln | 0 | ||||||||
| 38365 | Carola | Bauckholt | Geräusche | 1992 | Zuspiel / Tonband, 2 perf | ≈ 3 | 2 mus [Musiker] | ETH 9832 Thürmchen/ | 1992 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38393 | Carola | Bauckholt | Geräuschtöne | 2003 | live-elec, 3 perf | ≈ 12:00:00 | vn, vc, perc [Schlagzeug, Cello, Violine] | 2003 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38407 | Carola | Bauckholt | Hellhörig | 2009 | live-elec, 11 perf, 1 group | Bar, Mez, S, 3 vc, ens, 4 perc, p, [Sopran, Mezzo, Bariton, Piano, Schlagzeug, Cello, Ensemble] | COV 61009/ | 0 | |||||||||||
| 38395 | Carola | Bauckholt | Hirn & Ei | 2010/2011 | live-elec, 4 perf | 10:00:00 | 4 perc [Schlagzeug] | 2011 | Hamburg | Thürmchen Verlag Köln | 0 | ||||||||
| 38379 | Carola | Bauckholt | Humus | 2011 | audiovisuell, live-elec, 9 perf | 12:00:00 | b-fl, b-cl, hn, 6 Orgelpfeifen [Flöte, Klarinette, Horn] | 2011 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38405 | Carola | Bauckholt | Im inneren Ohr | 1983 | Zuspiel, Performance, 1 perf | ≈ 17:00:00 | actor [Schauspieler] | 1983 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38401 | Carola | Bauckholt | In gewohnter Umgebung I | 1991 | audiovisuell, live-elec, 2 perf | ≈ 15:00:00 | 2 perc, (Objekte, Diaprojektion) [Schlagzeug] | 1992 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38402 | Carola | Bauckholt | In gewohnter Umgebung III | 1994 | audiovisuell, live-elec, 2 perf | ≈ 17:00:00 | vc, p (oder Espérou, Video) [Piano, Cello] | 1994 | Vandoeuvre | Thürmchen Verlag Köln | 0 | ||||||||
| 38374 | Carola | Bauckholt | Keil | 2000 | audiovisuell, live-elec, 8 perf | ≈ 15:00:00 | fl, cl, vn, va, vc, db, perc, p [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 2L 116 SABD/ | 2001 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38388 | Carola | Bauckholt | Klarinettentrio | 1993 | live-elec, 3 perf | ≈ 10:00:00 | cl, vc, p [Klarinette, Piano, Cello] | 1994 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||||
| 38404 | Carola | Bauckholt | Kohle, Kreide | 2012 | Film, live-elec, 2 perf | ≈ 5:00:00 | Mez, vc, (Film mit Susanne Walter) [Mezzo, Cello] | 2012 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38391 | Carola | Bauckholt | Kugel | 2002 | Zuspiel / Tonband, 3 perf | ≈ 18:00:00 | 3 vc [Cello] | 2003 | Witten | Thürmchen Verlag Köln | 0 | ||||||||
| 38384 | Carola | Bauckholt | Kurbel, Wolke | 1986/1987 | live-elec, 2 perf | ≈ 12:00:00 | 2 hn [Horn] | 1987 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 21779 | Carola | Bauckholt | Langsamer als ich dachte | 1990 | audiovisuell | ≈ 3 | vc, perc (Diaprojektion) [Schlagzeug, Cello] | ETH 9832 Thürmchen/ | 1990 | Stuttgart | Thürmchen Verlag Köln | 0 | |||||||
| 38380 | Carola | Bauckholt | Laufwerk | 2011 | audiovisuell, 1 group | ens [Ensemble] | 2L 116 SABD/ | 0 | |||||||||||
| 38397 | Carola | Bauckholt | Lichtung | 2011 | live-elec, 4 perf | ≈ 10:00:00 | str-qt [Streicher] | 2012 | Venedig | Thürmchen Verlag Köln | 0 | ||||||||
| 38378 | Carola | Bauckholt | Liebeslied | 2010 | audiovisuell, live-elec, 8 perf | ≈ 5:00:00 | fl, ob, cl, vn, va, vc, perc, p [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Viola, Cello, Violine] | 2010 | Freiburg | Thürmchen Verlag Köln | 0 | ||||||||
| 38368 | Carola | Bauckholt | Luftwurzeln | 1993 | live-elec, 4 perf | ≈ 10 | fl, cl, va, vc [Flöte, Klarinette, Viola, Cello] | WER 6538/ | 1994 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38389 | Carola | Bauckholt | Maulwurf | 1993 | Zuspiel / Tonband, 3 perf | ≈ 8:00:00 | 2 bn, b-bn [Fagott] | 1994 | Darmstadt | Thürmchen Verlag Köln | 0 | ||||||||
| 38370 | Carola | Bauckholt | mehr oder weniger | 1991 | audiovisuell | ≈ 12 | fl, ob, cl, vn, va, vc, db, perc, p [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 5 parts (3:24 + 2:06 + 1:14 + 0:56 + 5:56) | WER 6538/ | 1991 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||
| 38394 | Carola | Bauckholt | Myzel | 2009 | live-elec, 2 perf | ≈ 10:00:00 | 2 p (in der Präparation von John Cages „Three Dances“) [Piano] | 2009 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||||
| 38390 | Carola | Bauckholt | Nestwärme | 2000 | live-elec, 3 perf | ≈ 7:00:00 | 3 b-rec [Flöte] | 2002 | Donaueschingen | Thürmchen Verlag Köln | 0 | ||||||||
| 38400 | Carola | Bauckholt | ohne Worte | 2011 | Zuspiel / Tonband, 1 perf | vc [Cello] | 2012 | Florenz | Köln: Thürmchen Verlag | 0 | |||||||||
| 38396 | Carola | Bauckholt | ohne worte 2 | 2011 | Zuspiel, live-elec, 2 perf | vc, db-cl [Klarinette, Cello] | Köln: Thürmchen Verlag | 0 | |||||||||||
| 38383 | Carola | Bauckholt | Polizeitrieb | 1985 | live-elec, 2 perf | ≈ 10:00:00 | 2 perc [Schlagzeug] | 1986 | Bonn-Beuel | Thürmchen Verlag Köln | 0 | ||||||||
| 38398 | Carola | Bauckholt | Polsch | 1989 | live-elec, 1 perf | ≈ 6:00:00 | p [Piano] | 1989 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38386 | Carola | Bauckholt | Quintett | 1989 | live-elec, 1 perf | ≈ 15:00:00 | var ins [Instrument] | 1989 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38406 | Carola | Bauckholt | scala mòbile“ | 1988 | fixed media, akusmatisch | ≈ 4:00:00 | Siebzehnton-Studie für Computer | 1991 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38377 | Carola | Bauckholt | Schlammflocke | 2010 | audiovisuell, live-elec, 1 group | 20:00:00 | ens [Ensemble] | 2010 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38382 | Carola | Bauckholt | Schlammflocke II | 2012 | audiovisuell, live-elec, 10 perf | fl, cl, bn, tpt, vn, va, vc, db, perc, p [Flöte, Klarinette, Fagott, Trompete, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 2012 | Amsterdam | Thürmchen Verlag Köln | 0 | |||||||||
| 38369 | Carola | Bauckholt | sottovoce | 1988 | live-elec, 2 perf | ≈ 9 | 2 vc [Cello] | WER 6538/ | 1989 | Rom | Thürmchen Verlag Köln | 0 | |||||||
| 38375 | Carola | Bauckholt | streicheln | 2001 | audiovisuell, live-elec, 9 perf | ≈ 11:00:00 | fl, cl, bn, hn, trbn, vc, db, perc, p [Flöte, Klarinette, Fagott, Horn, Posaune, Piano, Schlagzeug, Cello, Kontrabass] | 2002 | Paris | Thürmchen Verlag Köln | 0 | ||||||||
| 38367 | Carola | Bauckholt | Streichtrio | 1994 | live-elec, 3 perf | ≈ 10:30 | vn, va, vc [Viola, Cello, Violine] | WER 6538/ | 1994 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 21780 | Carola | Bauckholt | Treibstoff | 1995 | audiovisuell | ≈ 10 | fl, cl, vn, va, vc, db, p, perc [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | WER 6538/ 2L 116 SABD/ | 1995 | Dresden | Thürmchen Verlag Köln | 0 | |||||||
| 38385 | Carola | Bauckholt | Trio | 1988/1989 | live-elec, 3 perf | ≈ 17:00:00 | 2 vc, p [Piano, Cello] | 1989 | New York | Thürmchen Verlag Köln | 0 | ||||||||
| 38403 | Carola | Bauckholt | vertraute Rätsel | 1995/1996 | audiovisuell, live-elec, 8 perf | ≈ 25:00:00 | (Video) fl, cl, vn, va, vc, db, p, perc [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 1996 | Dresden | Thürmchen Verlag Köln | 0 | ||||||||
| 38376 | Carola | Bauckholt | Vormittagsspuk | 2008 | Film, live-elec, 7 perf | 10:00:00 | tpt, trbn, vc, gui, p, 2 perc, (Musik zum gleichnamigen Film von Hans Richter) [Trompete, Posaune, Piano, Gitarre, Schlagzeug, Cello] | 2008 | Dresden | Thürmchen Verlag Köln | 0 | ||||||||
| 38366 | Carola | Bauckholt | Zopf | 1992, 1994 | live-elec, 3 perf | ≈ 8 | fl, ob, cl [Flöte, Klarinette, Oboe] | WER 6538/ | 1993 | Freiburg | Thürmchen Verlag Köln | 0 | |||||||
| 38381 | Carola | Bauckholt | Zugvögel | 2011/2012 | audiovisuell, live-elec, 5 perf | ≈ 15:00:00 | ob, cl, a-sax, b-cl, bn [Klarinette, Oboe, Saxophon, Fagott] | 2012 | Witten | Thürmchen Verlag Köln | 0 | ||||||||
| 27757 | Roald | Baudoux | Ici et lá | 2003 | fixed media, akusmatisch | 17:00 | 16 Tracks, Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 27749 | Roald | Baudoux | Improglio | 2005 | fixed media, akusmatisch | 10:50 | wbm 168 b Electro AC Wallonie - Bruxelles/ | Musiques et Recherches Ohain | 1 | ||||||||||
| 41058 | Roald | Baudoux | La violence | 2001 | fixed media, akusmatisch | 2:45 | 0 | ||||||||||||
| 22325 | Roald | Baudoux | Vitesse / Critique | fixed media, akusmatisch | 7:00 | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||||
| 41607 | Roald, Christophe | Baudoux, Peterfalvy | Yin Yang | 1998 | fixed media, akusmatisch | 10:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 37241 | Alexander | Bauer | "der tag ist der käfig, die nacht ist die freiheit" | 2017 | live-elec, 1 perf | 7:00:00 | Quadro | b-fl (Live-Elektronik) [Flöte] | SEM Salzburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 43133 | Zorah Man | Bauer | Volkslieder für gemischte Stimmen & Sampler | 1989/1990 | live-elec, | 8:36 | Auszeichnung ars electronica honorary mention 1990 | 0 | |||||||||||
| 956 | Herbert | Baumann | Elektra | 1954 | Theatermusik | 29:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 957 | Herbert | Baumann | Nach Damaskus | 1956 | Theatermusik | 15:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 958 | Herbert | Baumann | Penthesilea | 1957 | Theatermusik | 60:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 31440 | Martin | Baumgärtel | a-t-e-m Var2 | 2010 | Zuspiel, live-elec, 4 perf | 45/60 | S, Mez, fl, org [Sopran, Mezzo, Flöte, Orgel] | Biegewellenlautsprecher | HfM Dresden | 0 | |||||||||
| 31404 | Martin | Baumgärtel | atem Gottes (Studie) | 2009 | fixed media, akusmatisch | 12 Tracks | HfM Dresden | 0 | |||||||||||
| 31406 | Martin | Baumgärtel | Enna - Klangstruktur Nr. 7 | 2011 | fixed media, akusmatisch | 7:15:00 | 6 | HfM Dresden | 0 | ||||||||||
| 31391 | Martin | Baumgärtel | Fragmente 3/4 | 2008 | fixed media, akusmatisch | Quadro | HfM Dresden | 0 | |||||||||||
| 31405 | Martin | Baumgärtel | Klangstruktur Nr. 6 | 2010 | fixed media, akusmatisch | 6, Octo | HfM Dresden | 0 | |||||||||||
| 31455 | Martin | Baumgärtel | Linie Blau | 2013 | radiophon | 21:27 | Stereo | HfM Dresden, Radio HR Frankfurt | 30.4.2013 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3645141&vi=123&SID | |||||||
| 31547 | Martin | Baumgärtel | Segmente II | 2013 | fixed media, akusmatisch | 8:00 | next_generation 5.0 | HfM Dresden | 26.6.2013 | ZKM | 0 | ||||||||
| 31439 | Martin | Baumgärtel | WO-MAN…? | 2009 | Zuspiel, live-elec, 3 perf | Sp, fl, vc [Sprecher, Flöte, Cello] | HfM Dresden | 0 | |||||||||||
| 31767 | Jan | Baumgart | LautRiss | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31766 | Jan | Baumgart | Warp and Wooves | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 959 | Herwig, Alexander | Baumgartner, Eberhard | Circulation and Concentration, Hommage an John Cage | 1994 | intermedia | ELAK Wien | 0 | ||||||||||||
| 960 | Herwig, Alexander, Klaus, Michael, Nicolaj, Katharina, Andreas, Igor, Heinrich, Wolfgang | Baumgartner, Eberhard, Filip, Kieslinger, Kirisitz, Klement, Lichtenfels, Lintz-Maués, Mader, Musil | Sigharting-Projekt | 1992 | intermedia | 60:00 | Kollektivkomposition; other composer: Horst Zachmann | ELAK Wien | 0 | ||||||||||
| 38947 | Walter | Baumgartner | Wunder der Verwandlung | 1962 | Film | 11:51 | Siemens | Sandoz- AG Basel und Unternehmensverband Ruhrbergbau Essen | 0 | ||||||||||
| 25456 | Jürg | Baur | Konzert für Mixturtrautonium und Streichquartett | 1956 | live-elec, 5 perf | mtr, str-qt [synthesizer, Streicher] | 1 | ||||||||||||
| 20014 | Eduardo | Bautista | El Aroma del Copal | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20016 | Eduardo | Bautista | Guernika | Tanz | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20015 | Eduardo | Bautista | Las Huellas del Lince | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20013 | Eduardo | Bautista | Memoria del Agua | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20012 | Eduardo | Bautista | Vientos de España | 1992 | fixed media, akusmatisch | Stereo | Expo 92 | PS C. MIDIPolis | 0 | ||||||||||
| 961 | F. | Bayer | Propositions VII | 1988 | fixed media, akusmatisch | 13:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 962 | François | Bayle | Aêr | 1986 | intermedia | 34:50 | avec lumière | IRCAM | 0 | http://www.magison.org/ | |||||||||
| 963 | François | Bayle | Aéroformes | 1984 | fixed media, akusmatisch | 67:30 | 16 parts | IRCAM | 0 | http://www.magison.org/ | |||||||||
| 32241 | François | Bayle | Arc, pour Gérard Grisey | 1999 | fixed media, akusmatisch | 8:02 | pour Gérard Grisey | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 0 | |||||||||
| 40740 | François | Bayle | Blockzeit | 1974 | Hintergrundmusik | INA • GRM | Airport Wien | 0 | |||||||||||
| 40468 | François | Bayle | Calabardin | 1962 | Film | film „image par image“. Texte d’ A. Voisin | INA • GRM | 11.1.1965 | TV ORTF, 2. chaine | 0 | |||||||||
| 964 | François | Bayle | Camera lucida, Camera Oscura, part 1 | 1979 | Tanz | 28:00 | Stereo | INA • GRM | 4.11.1979 | Paris | 0 | http://www.magison.org/ | |||||||
| 965 | François | Bayle | Camera oscura, Sept préludes Labyrinthe |
1976 | Tanz | Performance |
40:42 | Stereo, 3 tracks | 7 préludes et un "labyrinthe", Vol 14 | MGCB 1400/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Commande de l'Etat et de l'INA·GRM | 19.11.1976 | Theâtre de Metz; 5. Rencontres Int. de Musique Contemporaine; Chor. et mise en scène J. Babilée. Soliste C. Imbert | 1 | http://www.magison.org/ | ||||
| 26164 | François | Bayle | Cinq dessins en rosace | 1973 | fixed media, akusmatisch | 14:00 | Stereo | INA • GRM | 18.2.1978 | Bern | 0 | http://www.magison.org/ | |||||||
| 966 | François | Bayle | cinq thèmes sons | 1970 | fixed media, akusmatisch | 1:55 | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | |||||||||
| 40730 | François | Bayle | Coeur de secours | 1973 | Film | 9 | INA • GRM | Dragon d'argent du Festival de Cracovie 1973 Prix spécial du Festival d'Annecy 1973 |
0 | ||||||||||
| 40425 | François | Bayle | Comme Si | 1961 | fixed media, akusmatisch | partition graphique à partir du poème de Mallarmé | INA • GRM | 0 | |||||||||||
| 967 | François | Bayle | Cristal | 1972 | fixed media, akusmatisch | 19:30 | Stereo | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 968 | François | Bayle | Cristal | 1977 | live-elec, 11 perf | 22:00 | 11 Tracks, Quadro, Stereo | 11 ens, syter [synthesizer, Ensemble] | Syter | CRF 043, Cassette Radio France/ | INA • GRM | Radio France | 16.3.1977 | Paris, Maison de la Radio, Gd. Auditorium; avec le NOP, dir. Lukas Vis et Syter, dir. J.-F. Allouis | 0 | http://www.magison.org/ | |||
| 969 | François | Bayle | D'une Boite a musique | 1981 | fixed media, akusmatisch | 4:02 | Stereo | CIRM (1991)/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 32244 | François | Bayle | Déplacements, horizontal - vertical spiral |
2012 | fixed media, akusmatisch | 25:30 | Concert-Surprise pour Ch.von Blumröder ≈ 3 minutes | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 28.10.2011 12.10.2012 |
Köln Paris |
0 | |||||||
| 37902 | François | Bayle | Diabolus in Musica | 2009 | fixed media, akusmatisch | MGLD 1908/ | 0 | ||||||||||||
| 40410 | François | Bayle | Echiquier | 1960 | live-elec, 1 group | 7:55 | ens [Ensemble] | INA • GRM | 17.12.1962 | Paris, Salle des Conservatoires, dir. K. Simonovic | 0 | ||||||||
| 970 | François | Bayle | Electrucs, Sophistication Train noir Voltage stomp Crépuscule Quadrille Arpegiatto Mélodie zèbre Saccades La «chose» Ennemi intime |
1974 | fixed media, akusmatisch | 22:02 | Stereo | 10 parts | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 974 | François | Bayle | Erosphère, Eros bleu La fin du bruit |
1979 - 1980 | fixed media, akusmatisch | 34:50 | Stereo | première partie | Coll GRM 9108 BA/ INA C 3002/ INA T 9501/ INA C 1000/ MGLD 2009/ INA C 1033 27653 archives grm CD 3/5/ MGCB 1705/ MGLD 2009/ Coll GRM G 101 BA | INA • GRM | Commande de l’Etat (pour La Fin du bruit) | 21.1.1980 | Paris, Maison de Radio-France, Gd. Auditorium "Cycle Acousmatique 1980" |
1 | 1984 | http://www.magison.org/ | |||
| 1998 | |||||||||||||||||||
| 28656 | François | Bayle | Erosphère, Eros rouge Tremblement de terre très doux Eros noir Toupie dans le ciel Eros noir fin |
1979 - 1980 | fixed media, akusmatisch | 62:25 | Stereo | deux. partie trois. partie |
Coll GRM 9108 BA/ INA C 3002/ INA T 9501/ INA C 1000/ Coll GRM 9101 BA / INA C 1033 27653 archives grm CD 3/5/ MGCB e102/ MGCB 1705/ MGLD 2009/ Coll GRM G 101 BA | INA • GRM | 21.1.1980 | Maison de Radio-France, Paris | 1 | 1984 | http://www.magison.org/ | ||||
| 28657 | François | Bayle | Erosphère, 3 Éros Eros bleu Eros rouge Eros noir |
1979 - 1980 | Zuspiel, live-elec, 1 perf | 27:14 | Stereo | com [computer] | suite tirée d'Erosphère | Coll GRM 9108 BA/ MGLD 2009/ INA T 9501/ INA C 1000/ Coll GRM G 101 BA / INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | 5.10.1980 | Budapest, Salle Semmelweis | 1 | 1984 | http://www.magison.org/ | |||
| 975 | François | Bayle | Espaces inhabitables, Jardin de rien Géophonie Hommage à Robur le bleu du ciel Amertumes |
1967 | fixed media, akusmatisch | Tanz |
17:41 | Stereo | 1972 choreografie in the opera Lyon | Coll GRM 9101 BA/ WER 30252/ MGCB 1400/ PHI 836.895 DSY/ INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 027/ INA-GRM 9101 ba Gramme/ | INA • GRM | 30.05.67 | Paris, Maison de la Radio, Studio 105 | 1 | http://www.magison.org/ | |||||
| 40729 | François | Bayle | Etes-vous a Côte Mister Vibes?, l'espace décousu l'espace des images les êtres nocturnes les êtres diurnes |
1973 | radiophon | 115:17 | INA • GRM | ORTF pour Atelier de Création Radiophonique | 23.1.1973 | ORTF France-Culture | 0 | ||||||||
| 976 | François | Bayle | Exercices Sons, No. 1 No. 2 No. 3 |
1972 - 1974 | fixed media, akusmatisch | 26:30 | Stereo | first serie number 1 - 3 (1972 - 73; 27'); second serie number 4 - 5 (1974; 22') |
INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 31320 | François | Bayle | Exercices Sons, No. 4 No. 5 |
1972/1974 | Tanz | 21:48 | Stereo | first serie number 1 - 3 (1972 - 73; 27'); second serie number 4 - 5 (1974; 22') |
INA • GRM | novembre 1972 | 0 | http://www.magison.org/ | |||||||
| 978 | François | Bayle | Fabulæ, fabula onoma nota sonora |
1990/1991 | fixed media, akusmatisch | 56:45 | Stereo | MGCB 0493/ MGCB 0498/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Ina-GRM and french state | 10.11.1992 | Perpignan | 1 | http://www.magison.org/ | |||||
| 18667 | François | Bayle | Fabulæ, …nota | 1991 | fixed media, akusmatisch | 10:18 | Stereo | 3. part | MGCB 5694/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 18668 | François | Bayle | Fabulæ, …onoma | 1990 | fixed media, akusmatisch | 15:55 | Stereo | 2. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 18669 | François | Bayle | Fabulæ, …sonora | 1992 | fixed media, akusmatisch | 15:37 | Stereo | 4. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 37899 | François | Bayle | Fabulæ, …Fabula | 1991 | fixed media, akusmatisch | 14:28 | Stereo | 1. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 40509 | François | Bayle | Fautrier l’enragé | 1964 | Film | INA • GRM | 1964 | Venedig | Prix Lion St. Marc | 0 | |||||||||
| 979 | François | Bayle | Franchir l'espace | 1986 | fixed media, akusmatisch | 30:00 | Stereo | Text by Michel Butor | INA • GRM | Cité des Sciences et de l’Industrie | 6.10.1986 | Paris, La Villette ≈ spectacle inaugural du Planétarium | 0 | http://www.magison.org/ | |||||
| 980 | François | Bayle | Galaxie | 1964 | Film | 7:34 | Stereo | Pour un film de P. Kamler | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1964 | Bergamo Festival | 0 | http://www.magison.org/ | |||||
| 981 | François | Bayle | Germinal, feux d'eau | 1985 | fixed media, akusmatisch | 5:53 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | http://www.magison.org/ | ||||||
| 40491 | François | Bayle | Graine de rien | 1963 | Film | 4 | texte d’ A. Voisin | INA • GRM | 0 | ||||||||||
| 982 | François | Bayle | Grande Polyphonie, Appel Aux lignes actives Aux notes répétées Au jardin Figures doubles Grande polyphonie Rappel |
1974 - 1975 | fixed media, akusmatisch | 36:32 | Stereo, Quadro | 7 parts | MGCB 0392/ Coll GRM AM 227.04/ | INA • GRM | 7.4.1975 | Paris, Maison de la Radio, Studio 104 | 1 | http://www.magison.org/ | |||||
| 984 | François | Bayle | Histoire agitée | 1978 | Demo, Studie | 3:40 | Stereo | Composition pédagogique pour un ouvrage de Rudolf Frisius | Klett Stuttgart 92422/ | INA • GRM | Edition Klett | 0 | http://www.magison.org/ | ||||||
| 985 | François | Bayle | Histoire calme | 1979 | Lehre & Forschung | 1:20 | Stereo | Composition pédagogique pour un ouvrage de R. Frisius | WER 30252/ Klett Stuttgart 92422/ | INA • GRM | Edition Klett | 1 | http://www.magison.org/ | ||||||
| 40707 | François | Bayle | Ici Radio Elements, Jeîta | 1970 | radiophon | 60:25 | INA • GRM | 30.11.1970 | ORTF France-Culture | 0 | |||||||||
| 40783 | François | Bayle | Indicatif in A | 1980 | audiovisuell | 0:30 | INA • GRM | 0 | |||||||||||
| 18659 | François | Bayle | intervalles, Son Vitesse-Lumière | 1971 | fixed media, akusmatisch | 6:53 | Stereo | Pour l’audition complète de „Son Vitesse-Lumière“, ces intervalles s’intercalent entre les mouvements | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 987 | François | Bayle | Jeita ou horloge de sang, Jeîta ou murmure des eaux | 1970, 1985 | fixed media, akusmatisch | 26:30 | Stereo, Quadro | new Version with 4 tracks (voir 1970, No. 584) 17 parts |
INA • GRM | 20.5.1985 | Maison de Radio France | 1 | http://www.magison.org/ | ||||||
| 988 | François | Bayle | Jeita ou murmure des eaux, Murmure des eaux Cloches fossiles Murmure des abeilles de pierre Bouche d'ombre Rêverie de la multiplication Le vaisseau Nadir Oracle Murmure des eaux L'eau verticale Ailleurs Rêverie de la résonance «Eau forte» Murmure des dentelles d'eau Intervalles d'eau Ecriture murmurées Oracles Murmure des eaux |
1970, 1985 | fixed media, akusmatisch | 40:12 | Stereo | 17 parts; new version 1985 | MGCB 1399/ PHI 6521.016/ Klett Stuttgart 92422/ INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 101/ | INA • GRM | Conseil National du Tourisme au Liban | 19.11.1970 4.2.1971 |
Bordeaux Alhambra, Sigma 6 (Version 8 Mvts.) Paris, Halles Baltard (version integrale) |
Prix Italia | 1 | http://www.magison.org/ | |||
| 22007 | François | Bayle | Jeita-retour, Oracle des eaux 1 Oracles des eaux 2 |
1985 - 1999 | fixed media, akusmatisch | 5:23 | Stück in zwei Sätzen: Oracle des eaux 1, Oracles des eaux 2 | MGCB 1399/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 989 | François | Bayle | Journal, L'Expérience acoustique No. 2 | 1969 | fixed media, akusmatisch | 6:30 | Stereo | 1. Version | INA • GRM | 27.2.1969 | Paris, Maison de la Radio, Studio 105 | 1 | http://www.magison.org/ | ||||||
| 18660 | François | Bayle | Journal, L'Expérience Acoustique 2 | 1971 | fixed media, akusmatisch | 3:10 | Stereo | (II.7) | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | |||||||
| 990 | François | Bayle | L'Archipel, Légers balancements Cadence, libre mais rigoureusements contenu. Pliages. Objets enfin immobliles |
1963, 1967 | Zuspiel / Tonband, 4 perf | 18:00 | Stereo | str-qt [Streicher] | zurückgezogen / withdrawn | PHI 836.895 DSY/ IDEAMA CD 027/ | INA • GRM | 11.1.1963 | Paris Salle des Conservatoire, avec le Quatuor Parenin | 0 | http://www.magison.org/ | ||||
| 40711 | François | Bayle | L’Avenir a Reculsons | 1970 | Musikinstrument, keine EM, 1 perf | 180 | org [Orgel] | INA • GRM | 17.2.1971 | Paris, Eglise St. Séverin | 0 | ||||||||
| 40652 | François | Bayle | L’enfant de la haute mer | 1968 | Film | INA • GRM | 21.12.1968 | TV ORTF, 2. chaine | 0 | ||||||||||
| 33882 | François | Bayle | L'Expérience acoustique | 1969 - 1972 | fixed media, akusmatisch | 130 | version with 16 parts: 01:55 + 10:04 + 04:57 + 02:15 + 12:45 + 00:35 + 10:26 + 07:28 + 03:10 + 10:12 + 06:53 + 03:49 + 07:22 + 03:17 + 24:45 + 08:55 |
MGLD 2113/ IDEAMA CD 102-103/ | INA • GRM | 3.8.1972 | Avignon | 0 | |||||||
| 992 | François | Bayle | L'Expérience acoustique No. 1 L'Aventure du cri, ...l’inconscient de la forme Match nul Solitioude |
1969 | fixed media, akusmatisch | 17:23 | Stereo | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 12.5.1970 25.2.1971 |
Gulbekian Festival Lisboa Paris, Halles Baltard (Création avec „Le langage des fleurs“ sous le titre „L’expérience acoustique“) |
1 | http://www.magison.org/ | ||||||
| 993 | François | Bayle | L'Expérience acoustique No. 2, Le langage des fleurs Substance du signe Métaphore Métaphore / Ligne et points Journal |
1971 | fixed media, akusmatisch | Film |
34:37 | 4 parts | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | de l'Etat | 26.2.1971 | Paris, Halles Baltard "Cinq Journées Rencontres 1971" |
1 | http://www.magison.org/ | |||||
| 991 | François | Bayle | L'Expérience acoustique No. 4 L'Épreuve par le son, transparence du purgatoire |
1971 | fixed media, akusmatisch | 33 | 1 part: (No. 13) transparence du purgatoire | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 996 | François | Bayle | L'Expérience acoustique No. 5 La philosophie du non, Energie libre, énergie liée |
1972 | fixed media, akusmatisch | 9:00 | Stereo | Energie libre, énergie liée. Conclut la première série de „L'Expérience acoustique“ |
MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 3.8.1972 | Avignon, dans l’intégrale de „L’expérience acoustique“ (1. série) | 1 | http://www.magison.org/ | |||||
| 18662 | François | Bayle | …l'inconscient de la forme, L'Expérience acoustique No. 1 part 1 |
1970 | fixed media, akusmatisch | 10:04 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 22006 | François | Bayle | L’infini du bruit | 1980 - 1999 | fixed media, akusmatisch | 10:55 | MGCB 1399/ | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 40470 | François | Bayle | L’objét captif | 1962 | Film | 3:24 | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 22352 | François | Bayle | L'Oiseau chanteur | 1963 | Film | 3:26 | Stereo | Beilage NZ 5/97 zum Artikel von Rolf Frisius (konkrete Musik); "Klang Welten". For the film "3 portraits d'un Oiseau-Qui-N'Existe-Pas". This is the first EM-Piece by Bayle! |
WER 30252/ Fratello Fabri Editori 103/ Candide CE 31025/ PHI 836.895 DSY/ Klett Stuttgart 92422/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 32242 | François | Bayle | L’Oreille étonée, L’Oreille étonée (in memoriam O. Messiaen) | 2006 | fixed media, akusmatisch | 19:20 | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 12.10.2007 | Köln | 0 | ||||||||
| 40641 | François | Bayle | La belle cerebrale | 1968 | Film | INA • GRM | 1968 | Cannes Festival | Grand Prix du Festival de Cork 1968 | 0 | |||||||||
| 24741 | François | Bayle | La forme de l’esprit est un papillon, Ombrages et trouées Couleurs inventées |
2002 - 2004 | fixed media, akusmatisch | 35:35 | MGCB 1804/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 9.10.2004 | Köln | 0 | http://www.magison.org/ | |||||||
| 24740 | François | Bayle | La forme du temps est un cercle, concrescence si loin, si proche… tempi allures cercles |
1999 - 2001 | fixed media, akusmatisch | 59:20 | Octo | last part cercle: 13:25 Minutes | MGCB 1501/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | INA - GRM Paris | 12.1.2002 | Salle Olivier Messiaen of Maison de Radio France | Magison | 1 | http://www.magison.org/ | |||
| 18664 | François | Bayle | la langue inconnue, L'Expérience acoustique No. 3 part 8 |
1971 | fixed media, akusmatisch | 10:14 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 997 | François | Bayle | La Main Vide, bâton de pluie la fleur future Inventions |
1993/1995 | fixed media, akusmatisch | 42:41 | Stereo | bâton de pluie, la fleur future, Inventions | MGCB 0896/ MGCB 0807/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1 | 1996 | http://www.magison.org/ | ||||||
| 998 | François | Bayle | La philosophie du non, énergie libre énergie liée |
1972 | fixed media, akusmatisch | 8:55 | -> L'Expérience acoustique Chapter 5: La philosophie du non | MGCB 5694/ | INA • GRM | 3.8.1972 | Avignon, dans l’intégrale de „L’expérience acoustique“ (1. série) | 1 | http://www.magison.org/ | ||||||
| 40619 | François | Bayle | La Plaie et le Couteau | 1967 | Fernsehen, | INA • GRM | novembre 1967 | TV ORTF | 0 | ||||||||||
| 40714 | François | Bayle | La verite difficile | 1971 | Film | INA • GRM | 10.11.1971 | TV ORTF | 0 | ||||||||||
| 40469 | François | Bayle | Le chevalier de la Charette | 1962 | Theatermusik | Marionetten Theater | INA • GRM | Avril 1962 | Paris | 0 | |||||||||
| 40718 | François | Bayle | Le jardin des fleurs vivantes | 1971 | radiophon | 39 | Prodisc PS 17346/ | INA • GRM | 1.11.1971 | ORTF France-Culture | 0 | ||||||||
| 40458 | François | Bayle | Le regard | 1962 | Tanz | INA • GRM | 1962 | Lyon, Opéra | 0 | ||||||||||
| 1000 | François | Bayle | Les couleurs de la nuit, Sept moments enchaînés: animé plus animé trois andantes: couleurs froissées, lune floue, bouffées nuit noire nuit blanche nuit dénouée |
1982 | fixed media, akusmatisch | 38:03 | Stereo | INA C 1001/ Coll GRM 9117 BA/ INA G 6033-47 | 50 ans d'acousmatique/ SR 371 sub rosa/ | INA • GRM | 15.3.1983 | Paris, IRCAM Espace de projection | 1 | 1984 | http://www.magison.org/ | |||||
| 40620 | François | Bayle | Levi Strauss | 1967 | Fernsehen, | INA • GRM | 2.11.1968 | TV ORTF, 1. chaine | 0 | ||||||||||
| 22757 | François | Bayle | Liaison 17, Concert Collectif | 1962 | Zuspiel / Tonband, 17 perf | 8:23 | 17 ins [Instrument] | unvollständig | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40452 | François | Bayle | Liaison 8 Liaison 4 |
1962 | Zuspiel / Tonband, 12 perf | 8 | Mono | 2 perc, 10 ins [Schlagzeug, Instrument] | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||
| 1001 | François | Bayle | Lignes et Points | 1966 | Film | 6:20 | Stereo, Quadro | 5 parts | PHI 836.895 DSY/ | INA • GRM | April 1966 | 3rd Festival Royan | 1 | 1998 | http://www.magison.org/ | ||||
| 40420 | François | Bayle | Llanto | 1961 | Tanz | 18 | Poème de F. G. Lorca | INA • GRM | décembre 1961 | Frankfurt | 0 | ||||||||
| 40664 | François | Bayle | M… E…, Musique eclatées | 1969 | fixed media, akusmatisch | 39:30 | Spectacle musical à partir de 16 séquences des MUSIQUES ECLATEES. | INA • GRM | 24.10.1969 | Paris, Maison de la Radio, Studio 104, SMIP 1969, avec Rufus et le Bel Canto Choir de Stockholm | 0 | ||||||||
| 18665 | François | Bayle | match nul, L'Expérience acoustique No. 1 part 2 |
1970 | fixed media, akusmatisch | 4:57 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40501 | François | Bayle | Mensonges | 1963 | Film | pour le film „Rebecca“ de P. Vecchiali | INA • GRM | 0 | |||||||||||
| 18666 | François | Bayle | Métaphore | 1970 | fixed media, akusmatisch | 10:26 | Stereo | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 1003 | François | Bayle | Métaphore + lignes et points, L'expérience acoustique | 1970, 1971 | Film | intermedia |
7:30 | Quadro | MGCB 5694/ | INA • GRM | December 1970 | Saint-Etienne, Maison de la Culture | 0 | http://www.magison.org/ | ||||||
| 40523 | François | Bayle | Meurtre | 1964 | Film | 3:30 | d’après Franz Kafka | INA • GRM | 19.1.1965 | Frankfurt, Musica Viva | 0 | ||||||||
| 1004 | François | Bayle | Mimaméta | 1989, 2004 | fixed media, akusmatisch | 11:02 | Syter. Rev. 2004 | MGCB 0291/ Agon PV 725001/ INA C 1034 27654 archives grm CD 4/5/ MGCB 1804/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 25.11.1989 | São Paulo | 1 | http://www.magison.org/ | ||||||
| 1005 | François | Bayle | Mon daimon de recherche | 1971 | radiophon | 11:15 | Stereo | pour un poème de F. Billetdou | INA • GRM | ORTF | 17.1.1971 26.8.1971 27.8.1971 |
ORTF France-Culture Menton, Festival Chantiers Navals |
0 | http://www.magison.org/ | |||||
| 1006 | François | Bayle | Monde 73 | 1973 | fixed media, akusmatisch | 3:32 | Stereo | Final du spectacle „Page Noire“ | INA • GRM | 14.4.1973 | Paris, Espace Cardin | 0 | http://www.magison.org/ | ||||||
| 24739 | François | Bayle | Morceaux de ciels | 1997 | fixed media, akusmatisch | 25:27 | dedicated to Stockhausen (zum 70. Geburtstag) | MGCB 1298/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 1007 | François | Bayle | Motion - Émotion | 1985 | fixed media, akusmatisch | 22:01 | Stereo | INA C 1001/ INA e 5009/ INA G 6033-47 | 50 ans d'acousmatique/ MGCB 0000/ | INA • GRM | 27.1.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | 1998 | http://www.magison.org/ | |||||
| 1008 | François | Bayle | Nadir, Jeita ou murmure des eaux | 1968 | live-elec, 7 perf | Stereo | S, T, B, b-cl, gui, oma, perc [Sopran, Tenor, Bass, Klarinette, Gitarre, Schlagzeug, synthesizer] | INA • GRM | 1 | http://www.magison.org/ | |||||||||
| 40443 | François | Bayle | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | INA • GRM | 0 | ||||||||||||
| 37900 | François | Bayle | Opus 100, Deviner-devenir | 2013 - 2014 | fixed media, akusmatisch | 23:50 | 0 | ||||||||||||
| 37901 | François | Bayle | Ouïr, Figures sans origine | 2015 - 2017 | fixed media, akusmatisch | 40 | PS C. | 0 | |||||||||||
| 1011 | François | Bayle | Personnage et intervalles bleus, Personnage intervalles bleus |
1976 | Theatermusik | 18:40 | Stereo | MGCB 5694/ | INA • GRM | 23.02.1976 | Théâtre Récamier, Paris; avec Catherine Imbert et Paul de Laminat | 0 | http://www.magison.org/ | ||||||
| 1012 | François | Bayle | Pluriel, Concert Collectif | 1963 | Zuspiel / Tonband, 17 perf | 8:23 | Stereo | 17 ins [Instrument] | PHI 836.895 DSY/ IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck. (Version définitive du c.c., cf. 1962 Nr. 216, neuf séquences de base) | 0 | http://www.magison.org/ | |||||
| 40405 | François | Bayle | Points critiques | 1960 | live-elec, 1 group | 5:30 | Stereo | ens [Ensemble] | enregistrement de EIMCP, dir. K. Simonovic | INA • GRM | 1961 | Paris, Biennale | Prix Biennale de Paris 1961 | 0 | |||||
| 1013 | François | Bayle | Portrait poeme pour Leonor Fini | 1968 | Fernsehen, | 27:00 | Stereo | INA • GRM | 25.1.1968 | TV ORTF, 2. chaine | 0 | http://www.magison.org/ | |||||||
| 40621 | François | Bayle | Portrait poème pour Leonor Fini | 1967 | Fernsehen, | INA • GRM | 25.1.1968 | TV ORTF, 2. chaine | 0 | ||||||||||
| 1014 | François | Bayle | Profane, Portrait-poème pour Léonor Fini | 1968 | Tanz | 25:10 | Stereo | INA • GRM | 31.1.1969 | Amiens, Maison de la Culture | 0 | http://www.magison.org/ | |||||||
| 40537 | François | Bayle | Psaumes et versets | 1964, 1967 | Film | INA • GRM | 0 | ||||||||||||
| 1015 | François | Bayle | Purgatoire, Cantique électronique | 1972 | Zuspiel/Tonband, 4 perf | Tanz |
72:15 | Stereo | V, perc, cl, hpd [Stimme, Klarinette, Cembalo, Schlagzeug] | d'après la Divine Comedie di Dante; prologue, 10 "Chiffres". 2 Versions! |
MGCB 0795/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Commande de l’Etat | 5.2.1973 28.3.1973 31.3.1976 |
Paris, Th. Récamier (version concert) dito (proj. disp. des Botticell) Lyon, Auditorium Maurice Ravel (Chor. de V. Biagi; Décors: R. Allio) |
1 | http://www.magison.org/ | |||
| 40584 | François | Bayle | Quatre savants une sciénce | 1966 | Film | INA • GRM | 20.11. & 18.12.1966 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40757 | François | Bayle | Raga du matin | 1975 | radiophon | 58 | INA • GRM | 18.8.1975 | ORTF France-Culture | 0 | |||||||||
| 1016 | François | Bayle | Rébus | 1968 | live-elec, 3 perf | 12:00 | Stereo | S, Sp, oma [Sopran, Sprecher, synthesizer] | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 32243 | François | Bayle | Rien n’est réel, sensations perceptions |
2009 - 2010 | fixed media, akusmatisch | 25:30 | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 0 | ||||||||||
| 40550 | François | Bayle | Six comediens sans personnage | 1965 | Film | sequences de clavecin | INA • GRM | 9.5.1965 | TV ORTF, 1. chaine | 0 | |||||||||
| 1018 | François | Bayle | Solitioude, L’expérience acoustique No. 1 | 1969 | fixed media, akusmatisch | 6:35 | Stereo | 1. version | PHI 6526003/ MGCB 5694/ PHI 6585 007/ PHI 6740 001/ Klett Stuttgart 98762/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 1019 | François | Bayle | Son vitesse-lumière, version F.A.U.S.T. Grandeur Nature Paysage, Personnage, Nuage Voyage au centre de la tête Le sommeil d'Euclide Lumière ralentie |
1986 | fixed media, akusmatisch | radiophon |
122:00 | Stereo | Text by H. Michaux | INA G 6033-47 | 50 ans d'acousmatique/ MGLD 2216/ | INA • GRM | 26.10.1986 | Toulouse, Halle aux Grains; Luminographie: J. Rouveyrollis; Lasers: P. Richard; Pour le premier Forum des Arts et Univers Scientifique et Technique (F.A.U.S.T.) | 1 | http://www.magison.org/ | |||||
| 22290 | François | Bayle | Son Vitesse-Lumière, Grandeur nature Paysage, personnage, nuage |
1980 - 1983 | fixed media, akusmatisch | 57:30 | MGCB 9097/ SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musicisc 247392/ MGCB 91097/ | INA • GRM | INA • GRM | 23.3.1981 | Paris, Maison de Radio France, Gd. Auditorium | 1 | http://www.magison.org/ | ||||||
| 31324 | François | Bayle | Son Vitesse-Lumière, Voyage au centre de la Tète | 1982 | fixed media, akusmatisch | 20:30 | 3. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | Commande d'Etat et de l'INA.GRM | 23.4.1982 | Paris, Maison de Radio France, Gd. Auditorium | 1 | http://www.magison.org/ | |||||
| 31326 | François | Bayle | Son Vitesse-Lumière, Le sommeil d'Euclide | 1983 | fixed media, akusmatisch | intermedia |
20:30 | 4. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | Ministère de la Culture | 18.11.1983 | Metz, Palais des Sports, 12. Rencontres Internationales de Musique Contemporaine de Metz | 1 | http://www.magison.org/ | |||||
| 31327 | François | Bayle | Son Vitesse-Lumière, Lumière ralentie | 1983 | fixed media, akusmatisch | intermedia |
34 | 5. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | 18.11.1983 | Metz, Palais des Sports | 1 | http://www.magison.org/ | ||||||
| 18670 | François | Bayle | substance du singe, L'Expérience acoustique No. 2 part 4 |
1971 | fixed media, akusmatisch | 12:45 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 1020 | François | Bayle | Tests projectifs sonores | 1971 | fixed media, akusmatisch | 27:52 | Stereo | ORTF - SR2 3 LP/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 1021 | François | Bayle | Théâtre d’Ombres, derrière l'image ombres blanches |
1988 | fixed media, akusmatisch | 39:37 | Stereo | 12 tracks / parts | Prix ars electronica 89/ MGCB 0291/ MGCB 1298/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 06.07.89 | Festival MANCA-CIRM | Auszeichnung ars electronica 1989 | 0 | http://www.magison.org/ | ||||
| 24738 | François | Bayle | Thèmes-sons, L'Expérience acoustique | 1970 - 1973 | fixed media, akusmatisch | 1:55 | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 40592 | François | Bayle | Titan, Andromede | Film | 3:15 | Musique pour l’Image MPI/LP 105/ | INA • GRM | 8.9.1968 | TV ORTF, 2. chaine | 0 | |||||||||
| 40525 | François | Bayle | Tournoi | 1964 | Film | 9 | texte A. Voisin | INA • GRM | 0 | ||||||||||
| 31322 | François | Bayle | Tremblement de terre très doux, Suite Erosphère part 2 |
1978 | fixed media, akusmatisch | 28:11 | Coll GRM 9101 BA/ | INA • GRM | INA • GRM | 19.3.1979 | Paris, Maison de Radio France, Gd. Auditorium | 0 | |||||||
| 1023 | François | Bayle | Trois rêves d'oiseau, l'oiseau moqueur l'oiseau triste l'oiseau Zen |
1963, 1971 | fixed media, akusmatisch | audiovisuell |
9:58 | Stereo | exemplaire d'archive numéroté, 11/50 | Coll GRM 9101 BA/ Agon PV 725001/ MGCB 1804/ INA-GRM 9101 ba Gramme/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 6.2.1972 October 1979 |
Paris, Musée Guimet ACIC Paris, Sacem |
1 | http://www.magison.org/ | |||||
| 1024 | François | Bayle | Trois-portraits-d'un-oiseau-qui-n'existe-pas, Oiseau carnassier Oiseau mouche Oiseau chanteur |
1963, 1971 | Film | 7:22 | Stereo | ob, hp, hn, hpd, vib [Oboe, Horn, Harfe, Cembalo, Schlagzeug] | INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 027/ | INA • GRM | 22.12.1963 | Knokke-le-Zoute Festival | 0 | http://www.magison.org/ | |||||
| 18671 | François | Bayle | uirapuru, L'Expérience acoustique No. 3 part 10 |
1971 | fixed media, akusmatisch | 3:49 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40725 | François | Bayle | Un geant sur la mer | 1972 | Film | 11:20 | INA • GRM | 30.6.1972 | TV ORTF, 1. chaine | 0 | |||||||||
| 28707 | François | Bayle | Univers nerveux, Univers nerveux in memoriam K. Stockhausen | 2005 | fixed media, akusmatisch | 21:49 | Stereo, Octo | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 11.10.2007 | Universität zu Köln | 1 | 2008 | http://www.amirapress.com/tag/wdr3-studio-elektronische-musik-franois-bayle-univers-nerveux-2006 | |||||
| 1025 | François | Bayle | Vapeur | 1961, 1966 | Film | 5:12 | Stereo, Quadro | Vorversion von "Lignes et points" | BAM LD 071/ | INA • GRM | 18.7.1962 | Ranelagh Paris, Expérience 62 | 0 | http://www.magison.org/ | |||||
| 1026 | François | Bayle | Vibrations composées, rosace 1 Respiration rosace 2 Texture rosace 3 rosace 4 Polyrythmie Petite polyphonie rosace 5 |
1973 | fixed media, akusmatisch | 37:20 | Stereo | 9 (?) parts in two series | MGCB 0392/ INA R 9501/ Ellipsis Arts 3672 - OHM: 02/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 12.2.1972 7.10.1975 |
Paris, Espace Cardin (1. Serie) Paris, Grand Amphitheâtre de la Sorbonne (both Series) |
1 | http://www.magison.org/ | |||||
| 40618 | François | Bayle | Voyage interieur | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 40784 | François | Bayle | Zen - Atlan | 1980 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 32762 | François, Edgardo, Philippe, Luc, François-Bernard, Ivo, Jean-Etienne, Bernard, N'Guyen van, | Bayle, Canton, Carson, Ferrari, Mâche, Malec, Marie, Parmegiani, Tuong, | Concert Collectif, Pluriel Liaison 17 D'un bout á l'autre Collages Phonologie 6 pour 4 Compose-composite Synergies Tutti L'experience ambigue Alternances Eventail |
1962 - 1963 | fixed media, akusmatisch | Zuspiel/Tonband, 20 perf |
Stereo, Quadro | 12 - 20 ins [Instrument] | INA • GRM | 18.3.1963 | Paris, Salle des Conservatoires, dir. Ch. Bruck | 1 | ||||||||
| 31275 | François, Edgardo, Luc, Ivo, Bernard | Bayle, Canton, Ferrari, Malec, Parmegiani | Operabus, Concert Collectif II | 1965 | Theatermusik | 36:16 | 4 actor, ens [Schauspieler, Ensemble] | IDEAMA-Durations: 6:58 + 5:14 + 7:24 + 7:06 + 9:34 | IDEAMA CD 051/ | INA • GRM | May 1965 | Zagreb Biennale; dir. Ch. Bruck | 0 | ||||||
| 40412 | François, Beatriz | Bayle, Ferreyra | Ereignis | 1960 | live-elec, 1 group | 7 | Mono, Stereo | ens [Ensemble] | INA • GRM | 18.6.1964 | Paris, Maison de l’Etudiant | 0 | |||||||
| 40731 | François, Bernard | Bayle, Parmegiani | La divine comedie | 1973 | Film | 27:10 | INA • GRM | 26.3.1973 26.3.1973 |
Paris, Théâtre Récamier TV ORTF, 1. chaine |
0 | |||||||||
| 1009 | François, Bernard | Bayle, Parmegiani | Paradis | 1974 | Zuspiel, live-elec, 2 perf | Tanz |
22 | Mono + Mono + Mono + Mono, Quadro | 2 synt [synthesizer] | 4 taperecorders. First GRM-work with Synt in real time |
INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 30.1.1974 31.3.1976 |
Paris, Eglise St. Séverin Lyon, Audit. Maurice Ravel; Choré. de V. Biagi; Décor: R. Allio |
1 | http://www.inagrm.com/sites/default/files/mini-sites/parmegiani/co/Bernard_Parmegiani.html | ||||
| 31319 | François, Bernard | Bayle, Parmegiani | Paradis, Écriture | 1974 | fixed media, akusmatisch | 19:30 | INA • GRM | 30.1.1974 31.3.1976 |
Paris, Eglise St. Séverin Lyon, Audit. Maurice Ravel; Choré. de V. Biagi; Décor: R. Allio |
1 | |||||||||
| 40728 | François, Bernard, Keith | Bayle, Parmegiani, Jarrett | Page noire | 1972, 1973 | Theatermusik | Film || Tanz |
100 | Spectacle musical multi media avec chorégraphie, projection film, diapositives et film d'animation de H. Bettiol. Textes de S. Leclaire, L. Caroll, B. Noël, Black Panthers, A. Jouffroy. |
INA • GRM | novembre 1972 | Bordeaux Sigma 8 | 0 | ||||||||
| 1017 | François, Guy | Bayle, Reibel | Rumeurs, Ailleurs 1 Gesang Ailleurs 2 La leçonde musique Monde et fin Echappée 2 Bloc choral Continuo |
1968 | Zuspiel / Tonband, 21 perf, 2 groups | 31:08 | Stereo | 3 V, oma, p, 2 perc, 2 ch, 6 large ch, 9 conductor [Stimme, Piano, Schlagzeug, Performer, synthesizer, Chor] | 5 parts (Bayle; 06:30 + 05:34 + 05:04 + 05:36 + 07:49 = 31:08 min) + 3 parts (Reibel; 21min) Scénario de François Bayle 6 large ch ≈ 6000 V at 9 chefs |
IDEAMA CD 031/ | INA • GRM | Commande d’Etat | 10.8.1968 | Vaison la Romaine, A. Savouret, S. Caillat, R. Boesch (3 conductors) avec J. Higelin | 1 | http://www.magison.org/ | |||
| 994 | François, Robert | Bayle, Wyatt | L'Expérience acoustique No. 3 La Preuve par le son, La langue inconnue intervalles bleus Uirapuru L'écriture acoustique it |
1971 | fixed media, akusmatisch | Theatermusik |
32:15 | Stereo | 5 Parts with Number 8. - 12. | MGCB 5694/ INA C 1035 27655 archives grm CD 5/5/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 26.8.1971 18.6.1971 17.5.1872 |
Menton, Festival Chantiers Navals Bourges dans la cour Jacques Cœur Paris, Musée Guimet (chorégraphie: V. Biagi avec C.Imbert &C.Richet, images du "Bread and Puppet Theater" par M.Tréguer) |
1 | http://www.magison.org/ | |||||
| 1028 | Oscar | Bazán | Simbiosis I | 1964 | Zuspiel, live-elec, 2 perf | 6:00 | Stereo | e-org, perc [Keyboard, Schlagzeug] | 5 parts | LIPM B.Aires | 0 | ||||||||
| 1029 | Oscar | Bazán | Simbiosis II | 1965 | fixed media, akusmatisch | 6:20 | Mono | LME Uni Cordoba | 0 | ||||||||||
| 1030 | Miro | Bázlik | Adieu | 1970 | fixed media, akusmatisch | 6:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1031 | Miro | Bázlik | Arie | 1970 | fixed media, akusmatisch | 10:55 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1032 | Miro | Bázlik | Balada | 1987 | fixed media, akusmatisch | 10:55 | Stereo | MR Budapest | 0 | ||||||||||
| 1033 | Miro | Bázlik | Balada o dreve (Ballade über das Holz) | 1987 | fixed media, akusmatisch | 10:58 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1034 | Miro | Bázlik | Concertino | 1972 | fixed media, akusmatisch | 9:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1035 | Miro | Bázlik | Epoche | 1984 | Zuspiel / Tonband, | 32:10 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 1036 | Miro | Bázlik | Epoché II | 1994 | Zuspiel / Tonband, 1 perf | 17:21 | vc [Cello] | EM CD 003/ | CECM Bratislava | 1 | |||||||||
| 1037 | Miro | Bázlik | Ergodicka kompozicia | 1980 | fixed media, akusmatisch | 17:30 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 1038 | Miro | Bázlik | Imersion | 1975 | fixed media, akusmatisch | 5:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1039 | Miro | Bázlik | Pieta | 1972 | fixed media, akusmatisch | 8:55 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1040 | Miro | Bázlik | Simple electronic symphony, Sonata Cantus firmus Madrigal Giaccona |
1975 | fixed media, akusmatisch | 22:13 | Stereo | EM CD 001/ | CECM Bratislava | 1 | |||||||||
| 1041 | Miro | Bázlik | Spektra | 1970 - 1974 | Zuspiel / Tonband, | 120:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1042 | Miro | Bázlik | Triptych | 1971 | fixed media, akusmatisch | 19:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1044 | Group | BBC Radiophonic workshop | Adventure Playground | 1962 | Fernsehen, | 15:00 | Mono | BBC | 0 | ||||||||||
| 33329 | Group | BBC Radiophonic workshop | Ape ans Essence | 1966 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 1045 | Group | BBC Radiophonic workshop | Choice | 1964 | radiophon | 0:40 | BBC | 1 | |||||||||||
| 33318 | Group | BBC Radiophonic workshop | Death of a Jelly Baby | 1963 | radiophon | 90 | Mono | BBC | 0 | ||||||||||
| 1046 | Group | BBC Radiophonic workshop | Embers | 1959 | radiophon | 60:00 | Mono | BBC | 0 | ||||||||||
| 1047 | Group | BBC Radiophonic workshop | Exploding stomach | 1964 | radiophon | 0:10 | BBC | 1 | |||||||||||
| 1048 | Group | BBC Radiophonic workshop | Family car | 1964 | Fernsehen, | 1:08 | BBC | 1 | |||||||||||
| 1049 | Group | BBC Radiophonic workshop | Free Fall | 1959 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1050 | Group | BBC Radiophonic workshop | Gravel | 1964 | radiophon | 8:00 | BBC | 1 | |||||||||||
| 1051 | Group | BBC Radiophonic workshop | Orpheus | 1962 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1052 | Group | BBC Radiophonic workshop | Poetry of Ernst Jandl "Laut und Leise" | 1965 | radiophon | Mono | BBC | 0 | |||||||||||
| 33324 | Group | BBC Radiophonic workshop | Secret fo the Chasm | 1964 | Fernsehen, | 30 | BBC | 0 | |||||||||||
| 33328 | Group | BBC Radiophonic workshop | Shadow in the clouds | 1966 | Fernsehen, | 60 | Mono | BBC | 0 | ||||||||||
| 1053 | Group | BBC Radiophonic workshop | Sono-Montage | 1965 | Hintergrundmusik | 30:00 | Mono | background for poetry recital, with kinetic art | BBC, Stagesound London | 0 | |||||||||
| 33325 | Group | BBC Radiophonic workshop | The Building of the Bomb | 1964 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 33323 | Group | BBC Radiophonic workshop | The caves of steel | 1964 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 33321 | Group | BBC Radiophonic workshop | The Dark Ages | 1964 | radiophon | 125 | Mono | BBC | 0 | ||||||||||
| 1057 | Group | BBC Radiophonic workshop | The Ocean | 1958 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1058 | Group | BBC Radiophonic workshop | Under the Loofah Tree | 1958 | radiophon | 45:00 | Mono | BBC | 0 | ||||||||||
| 33322 | Group, Barry | BBC Radiophonic workshop, Bermange | Amor dei | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | http://www.novars.manchester.ac.uk/research/delia/english_html/img8.html | ||||||||
| 1054 | Group, Barry | BBC Radiophonic workshop, Bermange | The After-Life | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | |||||||||
| 1055 | Group, Barry | BBC Radiophonic workshop, Bermange | The dreams | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 1 | http://www.novars.manchester.ac.uk/research/delia/english_html/img8.html | ||||||||
| 1056 | Group, Barry | BBC Radiophonic workshop, Bermange | The Evenings of Certain Lives | 1965 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | |||||||||
| 33326 | Group, Peter Maxwell | BBC Radiophonic workshop, Davies | The Pagoda Fugue | 1966 | radiophon | 60 | Mono | orc-music by P. M. Davies | BBC | 0 | |||||||||
| 33319 | Group, John | BBC Radiophonic workshop, Grainer | Giants of Steam | 1963 | Fernsehen, | 40 | Mono | BBC | 0 | ||||||||||
| 22758 | Group, Ron | BBC Radiophonic workshop, Grainer | Dr. Who | 1964 | radiophon | Fernsehen, |
2:20 | Pop | BBC | 1 | ||||||||||
| 33317 | Group, Brion | BBC Radiophonic workshop, Gysin | Permutated Poems, Pistol Poem I am that I am |
1960 | fixed media, akusmatisch | 30 | Mono | text sound poem | BBC | 0 | |||||||||
| 33320 | Group, Humphrey | BBC Radiophonic workshop, Searle | The Photo of the Colonel | 1964 | radiophon | 10 | Mono | BBC | 0 | ||||||||||
| 1060 | Janet | Beat | A springtime pillow book | 1990 | Zuspiel, live-elec, 3 perf | 21:00 | Mez, fl, a-fl, (synt, con synt) [Mezzo, Flöte] | PS C. | 0 | ||||||||||
| 1061 | Janet | Beat | A vision of the unseen No. 1 | 1988 | Zuspiel / Tonband, 3 perf | 20:00 | Stereo | impro trio [Instrument] | PS C. | 0 | |||||||||
| 1062 | Janet | Beat | A vision of the unseen No. 2 | 1988 | fixed media, akusmatisch | 17:40 | Stereo | BPEM 01/ | PS C. | 0 | |||||||||
| 1063 | Janet | Beat | A willow swept by rain | 1982 | Zuspiel / Tonband, 1 perf | 12:08 | Stereo | gui [Gitarre] | PS C. | 0 | |||||||||
| 1064 | Janet | Beat | Apollo and Marsyas | 1972/1973 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | cl [Klarinette] | PS C. | 0 | |||||||||
| 1065 | Janet | Beat | Aztec myth | 1987 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | Mez [Mezzo] | PS C. | 0 | |||||||||
| 1066 | Janet | Beat | Beating around the bush | 1990 | live-elec, | 10:00-12:00 | BPEM 01/ | PS C. | 0 | ||||||||||
| 1067 | Janet | Beat | Cezanne & Poussin | 1990 | Film | elec film score | PS C. | 0 | |||||||||||
| 1068 | Janet | Beat | Cross currents and reflections (in 2 volumes ) | 1981/1982 | Zuspiel / Tonband, 2 perf | 25:00 | Stereo | p and e-p, synt [Piano, synthesizer] | Vol. 1 for sol p can be played on its own. Vol. 2 can only be played along with Vol. 1 |
PS C. | 0 | ||||||||
| 1069 | Janet | Beat | Dancing on moonbeams | 1980 | fixed media, akusmatisch | 9:44 | Stereo | elec fantasy. | SSC 001 Scottish Society of Composers/ | PS C. | 0 | ||||||||
| 1070 | Janet | Beat | Dreamscapes | 1980 | Zuspiel / Tonband, 1 perf | 12:33 | Stereo | bn [Fagott] | PS C. | 0 | |||||||||
| 1071 | Janet | Beat | Echoes from Bali | 1987 | live-elec, 1 perf | ≈ | MIDI [synthesizer] | BPEM 01/ | PS C. | 0 | |||||||||
| 1072 | Janet | Beat | Graphic video : As one opened her eyes .. | 1990 | Film | elec film score | PS C. | 0 | |||||||||||
| 1073 | Janet | Beat | Hunting horns are memories | 1977 | Zuspiel / Tonband, 1 perf | 21:50 | Stereo | hn [Horn] | PS C. | 0 | |||||||||
| 1074 | Janet | Beat | Hunza Aubade | 1987 | Zuspiel / Tonband, 1 perf | 6:47 | Stereo | t-rec [Flöte] | PS C. | 0 | |||||||||
| 1075 | Janet | Beat | Intermezzo | 1988 | live-elec, | ≈ | PS C. | 0 | |||||||||||
| 1076 | Janet | Beat | Journey of a letter | 1986 | fixed media, akusmatisch | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1077 | Janet | Beat | Kist d'Ayres | 1989 | Zuspiel, live-elec, 4 perf | 7:00-8:00 | V, fl, lute, con synt [Stimme, Flöte, Gitarre, synthesizer] | PS C. | 0 | ||||||||||
| 1078 | Janet | Beat | Lydian mix | 1989 | live-elec, 1 perf | ≈ | Stereo | (con mul timbral) synt [synthesizer] | BPEM 01/ | PS C. | 0 | ||||||||
| 1079 | Janet | Beat | Mandala | 1990 | fixed media, akusmatisch | Zuspiel, live-elec, 2 perf |
10:00 | Stereo | fl, perc (tibetian monestary bells, MIDI) [Flöte, Schlagzeug] | WX 7 | PS C. | 0 | ||||||||
| 1080 | Janet | Beat | Memories of Java | 1990 | Zuspiel, live-elec, 2 perf | 7:00 | Stereo | gender panerus, MIDI [synthesizer] | PS C. | 0 | |||||||||
| 1081 | Janet | Beat | Ongaku | 1981 | Zuspiel / Tonband, 1 perf | 17:48 | Stereo | hpd [Cembalo] | PS C. | 0 | |||||||||
| 1082 | Janet | Beat | Pastore d'Aria | 1979 | Zuspiel / Tonband, 3 perf | 13:04 | Stereo | ob, ob d´amore, ehn [Oboe] | PS C. | 0 | |||||||||
| 1083 | Janet | Beat | Piangam | 1978/1979 | Zuspiel / Tonband, 1 perf | 17:26 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 1084 | Janet | Beat | Puspawarna | 1988/1990 | fixed media, akusmatisch | live-elec, 3 perf |
≈ | V, perc (low gong), con synt [Stimme, Schlagzeug, synthesizer] | PS C. | 0 | ||||||||||
| 1085 | Janet | Beat | Second glance : Clocks, times past | 1983 | Film | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1086 | Janet | Beat | Second glance : Lighthouses | 1983 | Film | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1087 | Janet | Beat | The cranes call | 1981 | fixed media, akusmatisch | 4:30 | Stereo | elec tone poem | PS C. | 0 | |||||||||
| 1088 | Janet | Beat | The Gossamer web | 1975 | Zuspiel / Tonband, 3 perf | 28:30 | Stereo | S, p, perc [Sopran, Piano, Schlagzeug] | PS C. | 0 | |||||||||
| 39419 | Julien | Beau | La perle noire | 2017 | audiovisuell | 0 | |||||||||||||
| 1089 | James | Beauchamp | Study #5 | 1965 | fixed media, akusmatisch | 2:40 | Stereo | EMS UIUC | 0 | ||||||||||
| 1090 | Thierry | Beaucoup | Un souffle... | 1993 | Zuspiel, live-elec, 2 perf | vib, vc [Schlagzeug, Cello] | SONVS Lyon | 0 | |||||||||||
| 24177 | Paul | Beaudoin | Lamentus | 2002 | fixed media, akusmatisch | 3:30 | for robert kogan and pozzi escot | Discontact! III 2003 PeP 007/ | 1 | ||||||||||
| 24319 | Samuel | Beaudoin | ékhôs | 2004 | fixed media, akusmatisch | 8:00 | JTTP 2004 | CEC Cache 2004, PeP 009/ | 1 | ||||||||||
| 25838 | Samuel | Beaudoin | N'importe quoi | 2005 | fixed media, akusmatisch | 8:00 | Stereo | JTTP 2005 | CEC Cache 2005, PeP 010/ | winner JTTP 2005 4. prize | 0 | ||||||||
| 1092 | Olivier | Beaufils | Nach Constantinopolis | 1992 | Zuspiel, live-elec, 8 perf | 5 V, p, cl, perc [Stimme, Klarinette, Piano, Schlagzeug] | SONVS Lyon | 0 | |||||||||||
| 1091 | Olivier, Adrian | Beaufils, Russovich | Indo | 1991 | Film | SONVS Lyon | 0 | ||||||||||||
| 1093 | Jacques | Beaujean | Musiques Dispersees (C), Interlude | 1969 | Performance | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | ||||||||
| 24589 | Yves | Beaupré | Humeur de facteur, Prélude démesuré Beauséjour La Laurendeau La Pelots Point La DDB Péroraison |
1998 - 1999 | fixed media, akusmatisch | 54:13 | Stereo | IMED 0160/ | PS C. | 0 | |||||||||
| 32765 | Paul, Bernard L. | Beaver, Krause | The Nonesuch Guide to Electronic Music | 1967 | Demo, Studie | included: 2 LPs, scores | Nonesuch HC 73018/ | 0 | |||||||||||
| 33404 | Paul, Alexander | Beaver, Laszlo | Atomic Submarine | 1960 | Film | Mono | EMC Los Angeles | 0 | |||||||||||
| 23107 | Daniel | Beban | Herakles | 1999 | fixed media, akusmatisch | 8:33 | UWMD 1201 New Zealand Sonic Art Vol. 2/ | 1 | |||||||||||
| 1095 | Egils | Bebris | Hockey Night In Opera | 1995 | fixed media, akusmatisch | 2:26 | CEC DISContact_2/ | 1 | |||||||||||
| 1096 | Egils | Bebris | Immersion | 1992 | fixed media, akusmatisch | 2:55 | human voice | CEC DISContact_1/ | Con Toronto | 1 | |||||||||
| 1097 | Egils | Bebris | Process Piano | 1989 | fixed media, akusmatisch | 9:39 | Stereo | PS C. | 0 | ||||||||||
| 42461 | Géraud | Bec | Buzzz | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 23835 | Gustavo | Becerra | 2da Sinfonía | 1958 | live-elec, 1 group | 20:00 | orc, (osc, moving sound) [Orchester] | El oscilador empleado estaba programado para emitir una onda sinusoidal y luego una diente de sierra. Noviembre 1958. Teatro Astor, Santiago de Chile. |
11.1958 | Teatro Astor, Santiago de Chile | 0 | ||||||||
| 23854 | Gustavo | Becerra | Balistocata | 1982 | fixed media, akusmatisch | 3:10 | Obra de música computacional: el computador controla modulos de sonido periféricos mediante un diagrama de flujo realizado por el compositor. Existe una transcripción para piano solo. | WDR SEM | 01.1982 | WDR | 0 | ||||||||
| 23853 | Gustavo | Becerra | Batallas para Allende | fixed media, akusmatisch | 9:46 | Forma parte de la cantata “Allende”, compuesta para Quilapayún. Textos de Eduardo Carrasco. | 0 | ||||||||||||
| 23842 | Gustavo | Becerra | Batuque | fixed media, akusmatisch | 4:14 | Materiales sonoros reformulados en "Corvalán". | 0 | ||||||||||||
| 23861 | Gustavo | Becerra | Concierto para 4 pianos sampleados | 2004 | fixed media, akusmatisch | 17:56 | Estreno organizado por Mario Arenas con empleo de su programa "Punto y Tono". Es posible confiar algunas partes a pianos acústicos | 11.2004 | Sala el Pentágono, Universidad de La Serena, Chile. | 0 | |||||||||
| 23846 | Gustavo | Becerra | Cornos Volantes | fixed media, akusmatisch | 22:00 | Materiales sonoros reformulados en "Corvalán". | 0 | ||||||||||||
| 23847 | Gustavo | Becerra | Corvalán | 1975 | Zuspiel / Tonband, 1 perf | 41:07 | Sp [Sprecher] | Carla Cristi, Recitante. Luigi Nono, proyección sonora. Versión original con texto en aleman. 1975. Teatro Benedetto Marcello. Bienal de Venecia, Italia. Estreno parcial. |
0 | ||||||||||
| 23851 | Gustavo | Becerra | Cuando | Zuspiel / Tonband, 1 perf | 16:08 | Sp [Sprecher] | 0 | ||||||||||||
| 23849 | Gustavo | Becerra | Das Neue Wort | Zuspiel / Tonband, 1 perf | 10:00 | V [Stimme] | Versión electrónica de la obra original para voz y clarinete Bajo. La cinta que contiene la parte electrónica esta extraviada. | 0 | |||||||||||
| 23859 | Gustavo | Becerra | Das Schweigen | 1987 | Musiktheater, 1 perf | 22:46 | Contra-A [Alt] | Monodrama. Ilse Zahn Wienands, contralto. Texto de Gertrud Meyer. Como todas las obras electroacústicas o con electroacústica de Becerra, estan abiertas de acuerdo a las posibilidades de reproducción, a la intervención de "live electronics". 1a Versión: Febrero 1987, Hamburgo. 2a Versión: Junio 1987, Bremen, Alemania. |
0 | ||||||||||
| 23856 | Gustavo | Becerra | Exposición Concertante | 1981 | audiovisuell | 03.1981 | Kuntsverein Oldenburgo | 0 | |||||||||||
| 23844 | Gustavo | Becerra | Historia de una provocación | 1972 | Zuspiel / Tonband, 1 perf, 1 group | 20:17 | Bar, ens [Bariton, Ensemble] | Estreno bajo la dirección del autor con Fernando Lara, barítono y la orquesta filarmónica de la UNESCO. Septiembre 1972 palacio de la UNESCO en Paris. Francia. |
0 | ||||||||||
| 23860 | Gustavo | Becerra | Interior | fixed media, akusmatisch | 16:14 | Obra de música computacional: el computador controla modulos de sonido periféricos (tres Yamaha DX7 en este caso) mediante un diagrama de flujo realizado por el compositor. "Dedicada a mi padre". | 0 | ||||||||||||
| 23836 | Gustavo | Becerra | Juegos | 1966 | Zuspiel / Tonband, 14 perf | p, 12 perf (pelotas de ping-pong), 1 ladrillo [Piano, Performer] | La parte electrónica consistía en la grabación de parte del concierto la que luego debía ser reproducida simultáneamente con la continuación de la obra 1966, Auditorium de la Biblioteca Nacional. Santiago, Chile |
0 | |||||||||||
| 23841 | Gustavo | Becerra | Lénin | 1970 | Zuspiel / Tonband, 1 perf | 16:52 | V [Stimme] | Como voz recitante actúa el propio autor. 1970, Bonn, Alemania. |
0 | ||||||||||
| 23838 | Gustavo | Becerra | Lord Cochrane de Chile | Zuspiel, live-elec, 2 perf, 2 groups | 25:00 | Sp, V, ch, amp orc [Sprecher, Stimme, Chor, Orchester] | 0 | ||||||||||||
| 23845 | Gustavo | Becerra | Nocturno | fixed media, akusmatisch | 15:25 | Parte de la ópera "La muerte de Rodrigo" no estrenada. | 0 | ||||||||||||
| 23840 | Gustavo | Becerra | Oda al alambre de púa | 1970 | Zuspiel / Tonband, 2 perf, 1 group | 24:00 | S, prep p, orc [Sopran, Piano, Orchester] | Encargo del festival de Guanabara. Texto basado en el poema homónimo de Pablo Neruda. La cinta ha sido extraviada. Mayo 1970, II Festival de música de Guanabara. Rio de Janeiro, Brasil. |
0 | ||||||||||
| 23858 | Gustavo | Becerra | Oda al mar | 1987 | fixed media, akusmatisch | 14:10 | Musica de Fondo para la obra homonima de Pablo Neruda. Junio de 1987. Sala de actos y exposiciones de la biblioteca central de la U. de Oldenburgo. |
0 | |||||||||||
| 23837 | Gustavo | Becerra | Oratorio Macchu Picchu | Zuspiel, live-elec, 4 perf, 2 groups | 38:00 | S, 2 Sp, ch, osc, orc [Sopran, Sprecher, elektronik, Chor, Orchester] | Textos de Pablo Neruda: Alturas de Macchu Picchu y Canto II del Canto General. | 0 | |||||||||||
| 23857 | Gustavo | Becerra | Ossietzky Oratorium | 1985 | Zuspiel / Tonband, 9 perf, 2 groups | 75:00 | 2 S, 2 A, T, 2 Bar, B, ch, perc, orc [Sopran, Alt, Tenor, Bariton, Bass, Schlagzeug, Chor, Orchester] | Encargo de la Universidad de Oldemburgo. Febrero de 1985, Oldemburgo, Alemania. |
0 | ||||||||||
| 23843 | Gustavo | Becerra | Parsifae | Oper, 3 perf | 2 actor, mime [Schauspieler] | Texto de Tobías Barros Alonso. | 0 | ||||||||||||
| 23848 | Gustavo | Becerra | Progresiones | 1977 | audiovisuell, | 23:50 | (film, slides) [] | 1977, Maracaibo, Venezuela. | 0 | ||||||||||
| 23852 | Gustavo | Becerra | Quipus | fixed media, akusmatisch | 3:04 | 0 | |||||||||||||
| 23850 | Gustavo | Becerra | Strukturen | 1978 - 1980 | fixed media, akusmatisch | 11:05 | 0 | ||||||||||||
| 23839 | Gustavo | Becerra | Tres piezas para clavecín y cinta magnética | 1968 | Zuspiel / Tonband, 1 perf | 5:12 | hpd [Cembalo] | Las piezas son: 1-Morula 2- Gastrula 3-Blastula Ruby Ried, Clavecin. Noviembre 1968. Teatro IEM. Santiago, Chile. |
0 | ||||||||||
| 23855 | Gustavo | Becerra | Variationen über Balistocata von G. Becerra Scmidt | 1982 | fixed media, akusmatisch | 9:36 | Compuesta en conjunto con Wolfgang Marin Stroth. existe una transcripción para piano solo Enero de 1982 at WDR |
0 | |||||||||||
| 1098 | László | Beck | Canon | 1959 | fixed media, akusmatisch | Mono | Qualiton Budapest | 0 | |||||||||||
| 40256 | Stephen | Beck | Vale Veneto Remix | 2016 | fixed media, akusmatisch | Stephen Beck | 0 | ||||||||||||
| 18709 | Stephen David | Beck | Improvisation on Strange Attractors v1.Ob | 1990 | live-elec, 1 perf | 10:23 | Stereo | bn [Fagott] | for bassoon and Virtual Instrument Paradigm. William Ludwig (bn) | CEC DISContact_1/ SEAMUS EAM 9301 Vol. 1/ | 0 | ||||||||
| 42999 | Stephen David | Beck | inChuck | 2013 | live-elec, | 10:00:00 | laptop orc [Orchester] | Laptop Orchestra of Louisiana (the LOLs) | 0 | ||||||||||
| 18710 | Stephen David | Beck | Lov's Not Time's Fool | 1992 | live-elec, 1 perf | 8:08 | Stereo | com [computer] | MIDI; for wind controller, Yamaha TX802 synthesizer and computer. Griffin Campbell, wind controller | SEAMUS EAM 9402 Vol. 3/ CEC DISContact_1/ | 0 | ||||||||
| 37832 | Stephen David | Beck | Oh, No! (Music for Kenneth) | fixed media, akusmatisch | 0 | ||||||||||||||
| 24886 | Stephen David | Beck | Sarah-nade (After Brahms) | 1995 | fixed media, akusmatisch | 3:30 | after Brahms. KYMA and Audiosculpt |
EMF 031 „Florida EM Festival, Vol 1“/ | 0 | ||||||||||
| 42717 | Stephen David | Beck | Unhinged | 2012 | fixed media, akusmatisch | 7:43:00 | 0 | ||||||||||||
| 40257 | Stephen David, Edgar | Beck, Berdahl | Quartet for Strings | 2017 | fixed media, akusmatisch | Stephen David Beck and Edgar Berdahl | 0 | ||||||||||||
| 33888 | Thomas Taxus | Beck | Brandopfer am Sonntag | 2002 | radiophon | 31:20:00 | Stereo | (Leopold von Verschuer,) Sp [Sprecher] | Hörstück nach einer Erzählung von Jacques Hamelink | HfMT Köln CD7/ | HfMT Köln, WDR Studio Akustische Kunst | WDR | Prix Ars Acustica 2003 | 0 | |||||
| 33887 | Thomas Taxus | Beck | Hackordnung (überhühner Nr. 9) | 2000 | Zuspiel / Tonband, 1 perf | 23:50:00 | Quadro | Sp [Sprecher] | Groteske für Sprecher und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 33886 | Thomas Taxus | Beck | Monosom | 1999 | fixed media, akusmatisch | 16:36:00 | Quadro | HfMT Köln, WDR Studio Akustische Kunst | 0 | ||||||||||
| 33889 | Thomas Taxus | Beck | . punkt um. punkt, 5 Texte von Ernst Jandl | 2003 | Zuspiel / Tonband, 2 perf | 14:46:00 | Quadro + Mono | Mez, Bar, (CD-Player) [Mezzo, Bariton] | Komposition für tragbaren CD-player, Mezzosopran, Bariton und elektron. Klänge | HfMT Köln | 0 | ||||||||
| 33890 | Thomas Taxus | Beck | this guy | 2005 | radiophon | 42:30:00 | Stereo, Quadro | Hörstück über ein englisches Volksmärchen Tom Zahner, Sprecher, Stimmen von 12 englischsprachigen Personen |
HfMT Köln, WDR Studio Akustische Kunst | 0 | |||||||||
| 18809 | Rüdiger | Beckemeier | Wohlverwahrt - Essener Elegie | 1991 | intermedia | 8:43 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records/ | 1 | |||||||||
| 26414 | Daniel | Becker | Revolution | 2004 | live-elec, 1 perf | disklavier [Piano] | 0 | ||||||||||||
| 37427 | Frank W. | Becker | Incursion | 1972 | fixed media, akusmatisch | 7:50 | Stereo | NHK Tokyo | 0 | ||||||||||
| 1099 | Günther | Becker | Aktionen für Tänzer | 1971 | Zuspiel, live-elec, 1 group | Tanz |
25:00 | ens [Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1100 | Günther | Becker | Apeiron | 1972 | Zuspiel, live-elec, 2 groups | 30:00 | Quadro | ch, ens [Ensemble, Chor] | HfM Düsseldorf | 0 | |||||||||
| 26182 | Günther | Becker | Aus Alpbachs Hain und Flur | 1975/1976 | fixed media, akusmatisch | 8:55 | Cybele SACD 960.401/ | HfM Düsseldorf | 0 | ||||||||||
| 1101 | Günther | Becker | Correspondances III | 1969 | live-elec, 2 perf | 10:00 | va, db [Viola, Kontrabass] | HfM Düsseldorf | 0 | ||||||||||
| 1102 | Günther | Becker | Epiklesis Alpha | 1976 | Zuspiel / Tonband, 6 perf | 11:00 | Stereo | 6 ins [Instrument] | HfM Düsseldorf | 0 | |||||||||
| 1103 | Günther | Becker | Ferrophonie | 1973 | fixed media, akusmatisch | 21:17 | Cybele SACD 960.401/ | HfM Düsseldorf | 0 | ||||||||||
| 1105 | Günther | Becker | Hz | 1971 | live-elec, 1 perf | ob [Oboe] | HfM Düsseldorf | 0 | |||||||||||
| 1106 | Günther | Becker | Ihre Bosheit wird die ganze Erde zu einer Wüste machen | 1978 | Zuspiel / Tonband, 1 perf, 2 groups | 25:00 | Vs, ens [Stimme, Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1107 | Günther | Becker | Magnum Mysterium - Zeugenaussagen zur Auferstehung | 1979/1980 | Zuspiel / Tonband, 1 perf, 2 groups | 70:00 | Vs, ens [Stimme, Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1108 | Günther | Becker | Meteoron | 1969 | Zuspiel / Tonband, 2 perf | 14:05 | Stereo | org, perc [Orgel, Schlagzeug] | Koch 3-5037-2/ | HfM Düsseldorf | Kantorei St. Martin Kassel | 10.4.1969 | Kassel | 0 | |||||
| 1109 | Günther | Becker | Oboenkonzert | 1973/1974 | live-elec, 1 perf, 1 group | ob, orc [Oboe, Orchester] | HfM Düsseldorf | 0 | |||||||||||
| 1110 | Günther | Becker | Odyssee | 1977 | Film | film | HfM Düsseldorf | 0 | |||||||||||
| 1111 | Günther | Becker | Oh, Mr. Dolby, what a terrible noise | 1990 | Zuspiel / Tonband, 1 perf | 10:00 | b-cl [Klarinette] | HfM Düsseldorf | 0 | ||||||||||
| 1112 | Günther | Becker | Passagen | 1975/1976 | live-elec, 2 perf, 2 groups | 22:45 | Vs, ens, perc [Stimme, Schlagzeug, Ensemble] | für Sprachklänge, Tasteninstr., Schlagzeug und elektr. Modulationsgeräte | Cybele SACD 960.401/ | ICEM Essen | WDR 1976 | 0 | |||||||
| 1113 | Günther | Becker | Rigolo | 1967 | Zuspiel / Tonband, 6 perf | 8:00 | V, 5 ins [Stimme, Instrument] | HfM Düsseldorf | 0 | ||||||||||
| 1114 | Günther | Becker | Scanning | 1970 | Zuspiel / Tonband, 5 perf | Stereo | 2 tpt, hn, 2 trbn [Horn, Trompete, Posaune] | HfM Düsseldorf | Stadt Witten | 25.4.1970 | Witten, Wittener Tage für Neue Kammermusik | 0 | |||||||
| 1115 | Günther | Becker | Schnickschnack | 1969 | Zuspiel, live-elec, 1 perf | Quadro | db, slides [Kontrabass] | zurückhezogen | HfM Düsseldorf | 0 | |||||||||
| 1116 | Günther | Becker | Serie 8 | 1972 | Zuspiel, live-elec, 1 group | 35:00 | ens [Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1117 | Günther | Becker | Transformationen | 1969/1970 | Zuspiel, live-elec, 2 groups | 23:00 | ens, orc [Ensemble, Orchester] | HfM Düsseldorf | 0 | ||||||||||
| 1104 | Günther, Dirk | Becker, Reith | Ferrosound | 1970 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||||
| 38738 | Hannes, Julia | BECKER, VORKEFELD | 31 mechanische Tiere treten auf | 2011 | radiophon | 3:37:00 | 0 | ||||||||||||
| 1118 | John | Beckwith | Electronic composition #1 — #3 | 1965 | fixed media, akusmatisch | ≈ 10:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 37058 | Martin | Bédard | Champs de fouilles | 2008 | fixed media, akusmatisch | 10:40 | Stereo | IMED 13121/ | PS C. | Erreur de type 27 (E27) | 11.5.2008 | Chapelle du Musée de l’Amérique française in Québec | Second Prize at the 7th Prix collégien de musique contemporaine 2014-15 (Sherbrooke, Québec) Second Prize at the Sound in Space competition (Boston, USA, 2011) mention at Prix Ars Electronica (Linz, Austria, 2010) First Prize at Computer Space (Sofia, Bulgaria, 2010) Honorable mention at Prix Ton Bruynèl (Amsterdam, The Netherlands, 2010) First Prize at the 2nd International Electroacoustic Music Contest (CEMVA) (Varginha, Brazil, 2008 |
0 | |||||
| 24673 | Martin | Bédard | Check-point | 2003 | fixed media, akusmatisch | 14:08 | JTTP 2003 | CEC Cache 2003 CA/ MR 2004 Métamorphoses 2004/ | winner JTTP 2003 1. prize Métamorphoses 2004 |
1 | |||||||||
| 31986 | Martin | Bédard | Excavations | 2008 | fixed media, akusmatisch | 10:00:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 1 am 1.8.2008 18h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
Québec City 400th anniversary (1608-2008) celebrations | 2008 | 1 | 2008 | ||||||||
| 37055 | Martin | Bédard | Grand dehors, Great Outside | 2011 | fixed media, akusmatisch | 9:53 | Stereo | IMED 13121/ | PS C. | E27 | 28.1.2011 | Espaces de mémoires presented by Erreur de type 27 (E27) at Musée national des beaux-arts du Québec | 0 | ||||||
| 35701 | Martin | Bédard | Kissland | 2016 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 37057 | Martin | Bédard | Métal fatigue | 2012 | fixed media, akusmatisch | 12:43 | Stereo | IMED 13121/ | PS C. | Honorable mention at the Musicacoustica competition (Beijing, China, 2012) | 0 | ||||||||
| 37056 | Martin | Bédard | Push & Pull | 2010 | fixed media, akusmatisch | 16:00 | Stereo | IMED 13121/ | PS C. | Réseaux des arts médiatiques | 28.10.2010 | festival Akousma (7), at the Studio Hydro-Québec of the Monument-National (Montréal, Québec) | Second Prize at the Musicacoustica competition (Beijing, China, 2012) | 0 | |||||
| 25559 | Martin | Bédard | Topographie de la noirceur | 2004 | fixed media, akusmatisch | 3:57 | JTTP 2005 | CEC Cache 2005, PeP 010/ IMED 13121/ | winner JTTP 2005 2. prize | 1 | |||||||||
| 35383 | Martin, Marie-Hélène | Bédard, Breault | Replica | 2013 | fixed media, akusmatisch | 119:22 | MR 2014 Métamorphoses 2014/ Taukay 156/ | March 13, 2013 | Espaces mixtes II, Salle Multi — Méduse (Quebec City, Québec) | 0 | |||||||||
| 1119 | Roger | Bedard | Studie I, (über einen einzigen Klang) | 1972 | fixed media, akusmatisch | 15:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 1120 | Rafael, Ulrich | Bedaux, Stranz | Rhapsodie | 1974 | fixed media, akusmatisch | 10:05 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 33860 | David | Bedford | Come in here child | 1968 | live-elec, 2 perf | 8:24 | S, amp p [Sopran, Piano] | WER 6931/ | 0 | ||||||||||
| 1121 | David | Bedford | Piece 1 | 1962 | fixed media, akusmatisch | 5:00 | Stereo | non-existent | Fonologia Milano | 0 | |||||||||
| 1122 | David | Bedford | Piece 2 | 1963 | fixed media, akusmatisch | 8:00 | Stereo | withdrawn | PS C. London | 0 | |||||||||
| 24696 | David | Bednarczyk | Out of Focus | 2004 | fixed media, akusmatisch | 7:58 | JTTP 2004 | CEC Cache 2004, PeP 009/ | 1 | ||||||||||
| 41059 | David | Bednarczyk | Rape me | 2005 | fixed media, akusmatisch | 7:58 | JTTP 2005 | 1 | |||||||||||
| 1123 | Jill | Bedoukian | En Train Un | 1985 | fixed media, akusmatisch | 12:12 | Stereo | Concordia Montréal | 0 | ||||||||||
| 1124 | Jill | Bedoukian | Living Water | 1985 | fixed media, akusmatisch | 8:20 | Stereo | Concordia Montréal | 0 | ||||||||||
| 1125 | Jill | Bedoukian | Nullarbor | 1985 | live-elec, 2 perf, 1 group | Stereo | V, Kbds [Stimme, Keyboard] | 0 | |||||||||||
| 1126 | Jill | Bedoukian | <