| SN | firstname. | surname. | Titels | year | Genre_de | durations | tracksZahl | Besetzung | comments | Labels | Studios. | Commission | Premiere_Datum | Premiere_Ort | Prize | Publisher_Edition | TUlib | Inventionen | URL_StudComp |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 33875 | CYberArts 2012 | 2012 | audiovisuell | Programm und Preise | Prix ars electronica 2012/ | 2012 | alles 2012 ars electronica | Hatje Cantz Verlag | 0 | ||||||||||
| 28332 | Funkausstellung 1932, Neobechstein, Hellertion, El. Orchester, Theremin, Martenot | 1932 | Lehre & Forschung | Funkausstellung 1932 mit Kommentaren von Leithäuser. Neo-Bechstein-p, Hellertion, Elektrisches orc, theremin, oma, mtr |
1932 | 0 | http://www.oskar-sala.de/oskar-sala-fonds/trautonium/rvs-trautonium/weiterentwicklung/ | ||||||||||||
| 37932 | Horizontal Radio | 1996 | radiophon | Netzmusik |
ORF 583583/ | ORF Kunstradio | 0 | |||||||||||||
| 22803 | Group, Veronica, Arnd | 440 Hertz, Kupzog, Sprung | Vom Winde zersägt, update city ozone vision dynamo Joe 1951 waterproof shock the fly slightly scratched Mrs. overdrive Cybermaria'n'jesus |
1996 | radiophon | fixed media, akusmatisch |
19:46 | WestPark Music Köln, WP 47011/ | 440 hertz | 1 | ||||||||||
| 1 | Group, Veronica, Arnd | 440 Hertz, Kupzog, Sprung | Zeitspiele, Wolferl 200 Ode an die Nachgeburten Gesang vom Bunkerblock Walhalla "Lebt der noch?" Purée De Medusa |
1991 | radiophon | 74:55 | ARIS 883 782-907/ | 440 hertz | WDR | 1 | |||||||||
| 38677 | Group, Patrick, Ulrich, Siegfried | 48nord, SCHIMANSKI, MÜLLER, RÖSSERT | Die Ankunft der schwachen Impulse | 2014 | radiophon | 52:00:00 | 0 | ||||||||||||
| 2 | Group | 8 | Oktabus I & II | 1969 | fixed media, akusmatisch | 46:35 | Stereo | Teil 1: 23:19 Teil 2: 23:15 |
HfMT Köln | 0 | |||||||||
| 4 | Svend | Aaquist Johansen | Skyggedanse | 1989 | live-elec, 1 group | 15:00 | Quadro | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 23798 | Juan Pablo | Abalo | El Milagro del Insectario | 2005 | live-elec, 2 perf | 12:05 | 2 vn [Violine] | Marzo 2005, Instituto Goethe. Santiago, Chile. | Marzo 2005 | Instituto Goethe. Santiago, Chile | 0 | ||||||||
| 38468 | Deena | ABDELWAHED | All Hail Mother Internet | 2016 | radiophon | 38:50:00 | 0 | ||||||||||||
| 5 | Kyoko | Abe | Metamorphose 1 | 1977 | Zuspiel / Tonband, 2 perf | 11:25 | Stereo | rec, hpd [Flöte, Cembalo] | ELAK Wien | 0 | |||||||||
| 6 | Kyoko, Mayako | Abe, Kubo | Welche Rolle spielt für sie elektronische Musik? | 1977 - 1978 | fixed media, akusmatisch | 8:30 | Stereo | ARP-synt | ELAK Wien | 0 | |||||||||
| 34703 | Arsalan | Abedian | "\a" | 2016 | fixed media, akusmatisch | 4:04:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 36883 | Arsalan | Abedian | All the requirements for becoming Werewolf! | 2014 | live-elec, 1 perf | ob [Oboe] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | |||||||||
| 36884 | Arsalan | Abedian | Autopsie | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 37785 | Arsalan | Abedian | CITStück | 2015 | live-elec, 1 perf | Stereo | fl, (elec) [Flöte] | Incontri HMTM Hannover | 13.02.2015 | Sparkassen-Forum hannover | 0 | ||||||||
| 31592 | Arsalan | Abedian | CStück Nr. 1 | 2012 | fixed media, akusmatisch | 7:00 | Octo | next_generation 5.0 | Incontri HMTM Hannover | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||
| 36882 | Arsalan | Abedian | CStück Nr. 1.1 | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 06.11.2014 | Kestnergesellschaft | 0 | |||||||||
| 34058 | Arsalan | Abedian | Cstück Nr.2 | 2015 | fixed media, akusmatisch | 5:04:00 | degem CD 13/ | 0 | |||||||||||
| 37801 | Arsalan | Abedian | Elektroakustische Szenen | 2016 | fixed media, akusmatisch | 10 Tracks | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | |||||||||
| 32510 | Arsalan | Abedian | FrühAkusmatikStück | 2013 | live-elec, 1 perf | 10:00-12:00 | Spazialisation: var 2-8 | perf (Küchengeräte und Live-Elektronik) [Performer] | Incontri HMTM Hannover | 3.6.2013 | HMTMH | 0 | |||||||
| 32515 | Arsalan | Abedian | Herrenhäuser Mosaike | 2013 | live-elec, 3 perf | 4:40 | Quadro | fl, cl, perc, (elec) [Flöte, Klarinette, Schlagzeug] | Incontri HMTM Hannover | KunsFestSpiele | 2.6.2013 | Herrenhäuser Gärten, Hannover | 0 | ||||||
| 37802 | Arsalan | Abedian | Hör_regi(e)_ON! | 2016 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 02.02.2016 | Hannover Congress Centrum | 0 | |||||||||
| 32521 | Arsalan | Abedian | Klänge der Plätze der Weltausstellung | 2013 | fixed media, akusmatisch | 10:00 | 16 Tracks | Incontri HMTM Hannover | Musik 21 Festival | 16.8.2013 | Platz der Weltausstellung, Hannover | 0 | |||||||
| 36877 | Arsalan | Abedian | Pain Killer | 2015 | fixed media, akusmatisch | Klangkunst, Installation |
Octo | for an installation of Lorna Mills | Incontri HMTM Hannover | 21.04.2015 | Kunstverein Hannover | 0 | ||||||||
| 37795 | Arsalan | Abedian | Painkiller 0.3.1 | 2016 | live-elec, 2 perf | Quadro | 2 santur, (elec) [Streicher] | Incontri HMTM Hannover | 05.11.2016 | Faust Warenannahme Hannover | 0 | ||||||||
| 7 | George | Abend | Organic Triangle | 1957 | fixed media, akusmatisch | 2:48 | Mono | PS C. SanFran | 0 | ||||||||||
| 8 | Peter | Abfal | Fugue…euguF | 1987 | fixed media, akusmatisch | 7:35 | Stereo | Brock Uni ON | 0 | ||||||||||
| 9 | Rob | Ablenas | fermata via media | 1990 | fixed media, akusmatisch | 21:25 | Stereo | SFU | 0 | ||||||||||
| 10 | Rob | Ablenas | How to get there | 1985 | fixed media, akusmatisch | 1:55 | Stereo | 0 | |||||||||||
| 11 | Rob | Ablenas | Line Lining | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 23100 | Peter | Ablinger | Instrumente und ElektroAkustisch Ortsbezogene Verdichtung, (Nerz und Campari) | 1998 | Klanginstallation, live-elec, 4 perf | 64:00 | a-sax, vc, fl, hn [Flöte, Saxophon, Horn, Cello] | Maria de Alvear World Edition 0008/ | IEM Graz | 1 | |||||||||
| 23340 | Peter | Ablinger | Red on Maroon | 1995/1999 | live-elec, 1 perf | 16:01 | fl [Flöte] | Kirsten Reese (fl), Thomas Seelig (com); 12.9.2003 Podewil | 1 | ||||||||||
| 28571 | Peter | Ablinger | Voices and Piano | 1998 - 2007 | Zuspiel / Tonband, 1 perf | 9:25 | Stereo | p [Piano] | WD 2007, Wittener Tage Für Neue Kammermusik 2007/ | Kompositionsuaftrag der Stadt Witten | 2007 | Wittener Tage für neue Kammermusik 2007 mit Nicolas Hodges (p) | 1 | ||||||
| 22866 | Peter | Ablinger | Weiss / Weisslich 12 | 1999 | Klangkunst, Installation | TU Berlin | 1 | ||||||||||||
| 19363 | Peter | Ablinger | Weiss / Weisslich 22a (Haydn, Mozart, Beethoven, Schubert, Bruckner, Mahler) | 1996 | fixed media, akusmatisch | 4:00 | GEM 9701/ | IEM Graz | 0 | ||||||||||
| 23016 | Peter | Ablinger | Weiss/weisslich (für Robert Ranke-Graves") 18A (Birke, Eberesche, Esche, Erle, Weide, Weißdorn, Eiche) 18B (Steineiche, Hasel, Wein, Efeu, Schlehe, Hollunder) 18C (Tanne, Ginster, Heide, Pappel, Eibe) |
1986 - 1997 | fixed media, akusmatisch | 12:00 | Stereo | Maria de Alvear World Edition 0008/ | TU Berlin, IEM Graz | 0 | |||||||||
| 12 | Peter | Ablinger | WEISS/WEISSLICH 15A und 15B (Installation und Hinweis) | 1995 | Klangkunst, Installation | ∞ | 20 Tracks | 5 rooms with 4 speakers | TU Berlin, IEM Graz | Steirischer Herbst | 5.10.1995 | Graz, Steirischer Hrbst | 0 | ||||||
| 38678 | Peter, Götz | ABLINGER, NALEPPA | Quadraturen-Annhäherungen an Peter Ablinger | 2005 | radiophon | 51:16:00 | 0 | ||||||||||||
| 31557 | Ludwig | Abraham | Live in Moscow 91 | 2012 | fixed media, akusmatisch | ≈ 9:00 | next_generation 5.0 | ICEM Essen | 0 | ||||||||||
| 13 | John | Abram | Nature Pieces | 1985 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 39249 | Juan Manuel | Abras | De coelesti hierarchia | 2002 | Zuspiel / Tonband, 3 perf, 1 group | male ch, vib, org, vc [Orgel, Schlagzeug, Cello, Chor] | 0 | ||||||||||||
| 39250 | Juan Manuel | Abras | Diálogos franciscano(n)s | 2012 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 39251 | Juan Manuel | Abras | Pentecostés (Veni Sancte Spiritus) | 2007 | Zuspiel / Tonband, 1 group | ch [Chor] | 0 | ||||||||||||
| 39252 | Juan Manuel | Abras | Pésame (Actus contritionis) | 2006 | Zuspiel / Tonband, 1 perf, 2 groups | narrator, ch, cham ens [Schauspieler, Ensemble, Chor] | 0 | ||||||||||||
| 39253 | Juan Manuel | Abras | Sitwa Raymi (Oración primera al Hacedor) | 2014 | Zuspiel / Tonband, 1 group | mix ch [Chor] | 0 | ||||||||||||
| 39254 | Juan Manuel | Abras | Un réquiem lorquiano, Balada de la placeta | 2009 | fixed media, akusmatisch | 4:20 | CLS 170901/ | 0 | |||||||||||
| 24683 | Matthew | Abrey | F5v.6 | 2003 | fixed media, akusmatisch | 5:20 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 40945 | Freida | Abtan | carnival lights | 2003 | fixed media, akusmatisch | 4:10 | 0 | ||||||||||||
| 40946 | Freida | Abtan | even small things break (into smaller things) | 2004 | fixed media, akusmatisch | 5:23 | JTTP 2005 | 0 | |||||||||||
| 40947 | Freida | Abtan | heartstrings | 2004 | fixed media, akusmatisch | 3:48 | 0 | ||||||||||||
| 40948 | Freida | Abtan | insignificant or worse | 2002 | fixed media, akusmatisch | 2 | DISContact! III competition | 0 | |||||||||||
| 24694 | Freida | Abtan | lightness (and weight) | 2004 | fixed media, akusmatisch | 6:40 | JTTP 2004 | CEC Cache 2004, PeP 009/ | Concordia Montreal | 0 | |||||||||
| 25815 | Vito | Acconci | Viraphone | 2004 | Klangkunst, Installation | "Itinerarios del Sonido“ in Madrid 2004 | 1 | ||||||||||||
| 27172 | Guillermo | Acevedo | Punto de Partida | 2002 | fixed media, akusmatisch | 7:54 | IRD 002 Irradia/ | 0 | |||||||||||
| 23341 | Isidor | Achron | Improvisation | 1945 | live-elec, 2 perf | 3:48 | theremin, p [Piano, synthesizer] | Lydia Kavina (Theremin), Joshua Pierce (p) | mode 76/ | 1 | http://www.moderecords.com/ | ||||||||
| 40280 | Taylor D. | Ackley | Fantasy for Buchla No. 1 | 2016 | fixed media, akusmatisch | Taylor D. Ackley | 0 | https://www.taylorackleymusic.com/more-music | |||||||||||
| 31884 | Rodolfo | Acosta | Cada día es un principio cada principio un final |
2007 | live-elec, 1 perf | ≈ 20 | gui [Gitarre] | uiachii. guitarra y electrónica | April 2007 | La Voragine Theater, Villavicencio, Colombia | 0 | ||||||||
| 31882 | Rodolfo | Acosta | Doft | 2000 | live-elec, 2 perf | ≈ 22 | b-cl, perc [Klarinette, Schlagzeug] | Contemporánea, Copenhagen Electroacoustic Music Ensemble | November 2000 | Danish National Radio, Copenhagen, Denmark | 0 | ||||||||
| 31878 | Rodolfo | Acosta | El silencio de la ausencia | 2004 | Tanz | 51:53 | Sandrine Legendre | June 2004 | Jorge Eliecer Gaitán Municipal Theater, Bogotá | 0 | |||||||||
| 21861 | Rodolfo | Acosta | In Abyssus Humanæ Conscientinæ | 1996 | fixed media, akusmatisch | 31:09 | Stereo | IMEB Bourges | 0 | ||||||||||
| 31885 | Rodolfo | Acosta | La espiral mística | 2009 | live-elec, 1 perf | > 7 | db-cl (reverb) [Klarinette] | composed for Mauricio Salguero | October 2010 | Urban Culture Project, Kansas City | 0 | ||||||||
| 31883 | Rodolfo | Acosta | loas, Luciano Berio in memoriam | 2003 - 2004 | Zuspiel, live-elec, 1 perf | ≈ 24 | S [Sopran] | September 2004 | Beatriz Elena Martínez (V) and Rodolfo Acosta R. (elecs.), Delia Zapata Olivella Theater, Bogotá | 0 | |||||||||
| 31875 | Rodolfo | Acosta | Si tan solo fuéramos libres … | 1993 | fixed media, akusmatisch | 8:04:00 | November 1993 | Alberto Lleras Auditorium, University of Los Andes, Bogotá | 0 | ||||||||||
| 31881 | Rodolfo | Acosta | SUSPENSION 1 | 1995 - 1998 | Zuspiel, live-elec, 1 perf | ≈ 22 | fl [Flöte] | April 1997 | Santiago Sierra (fl.) and Rodolfo Acosta R. (elecs.), Luis Ángel Arango Library, Bogotá | 0 | |||||||||
| 31877 | Rodolfo | Acosta | Todas las noches, el cielo arde sobre Bogotá | 2004 | fixed media, akusmatisch | 11:33:00 | Ana María Romano | 2004 | Fête de la Musique '04, Genève, Switzerland | 0 | |||||||||
| 31886 | Rodolfo | Acosta | Transmutaciones | 2010 | live-elec, 1 perf | sax, (ad lib elec) [Saxophon] | Josetxo Silguero | November 2010 | Josetxo Silguero (bar. sax.) and Rodrigo Cádiz (elecs.), Centro Cultural Gabriela Mistral, Santiago, Chile | 0 | |||||||||
| 31876 | Rodolfo | Acosta | Us a calm mystery? | 2000 | fixed media, akusmatisch | 10:08:00 | May 2001 | Jornadas 2001 de música electroacústica, Montevideo, Uruguay | 0 | ||||||||||
| 31880 | Rodolfo | Acosta | Wash | 2010 | Klangkunst, Installation | 13:19:00 | Octo | Ricardo Arias | September 2010 | Diapason Gallery, New York City | 0 | ||||||||
| 31879 | Rodolfo | Acosta | Y aún así | 2008 | fixed media, akusmatisch | 4:58:00 | La Distritofónica | October 2008 | Roberto Rollié Hall, National University of La Plata, La Plata, Argentina | 0 | |||||||||
| 18572 | Frédéric | Acquaviva | Sens unique(s), hörspiele | 1995 | Radiokunst, 3 perf | 59:19 | Stereo | V, vn, e-gui [Stimme, Gitarre, Violine] | Casus Belli 09495/ | 0 | |||||||||
| 14 | Group | Ad Hoc | Brute Force | 1983 | live-elec, 4 perf | Stereo | sax, perc, synt, V [Stimme, Saxophon, Schlagzeug, synthesizer] | ad hoc: + Duchow | 0 | ||||||||||
| 15 | Group | Ad Hoc | Friday Night Live | 1983 | live-elec, 1 perf | Stereo | sax [Saxophon] | 0 | |||||||||||
| 16 | Group | Ad Hoc | La tempête | 1983 | live-elec, 2 perf | Stereo | sax, perc [Saxophon, Schlagzeug] | 0 | |||||||||||
| 17 | Group | Ad Hoc | Palinurus | 1989 | Zuspiel / Tonband, 1 group | 20:00 | Stereo | ens [Ensemble] | 0 | ||||||||||
| 18 | Group | Ad Hoc | Paysage | 1983 | live-elec, 1 perf | Stereo | sax [Saxophon] | 0 | |||||||||||
| 19 | Group | Ad Hoc | Relative Silence | 1986 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | 0 | |||||||||||
| 20 | Group | Ad Hoc | Songs of Life and Love | 1987 | live-elec, 1 group | Stereo | ens [Ensemble] | ad hoc: + Cale, Abdelali | 0 | ||||||||||
| 38469 | Tomomi | ADACHI | Art´s Birthday 2016 MAVOtek (Part II) |
2016 | radiophon | 30:12:00 | Konzertmitschnitt vom 17. Januar aus der Schaubühne Lindenfels, Leipzig | 0 | |||||||||||
| 36222 | Tomomi | Adachi | Collection of self-made instruments and interfaces, Tomoring Voice, The Right Hand Tomominsynthesizer II Tomoring II Tomomin II (resonating in mouth) Voice, Infrared Sensor Shirt Tomoring II 4 VCOs Tomomin, Tomomin II |
2005 - 2011 | Performance, live-elec, 1 perf | 67 | perf and V, (com, synt, self-made ins) [Stimme, Performer] | naya 0004/ | 0 | http://www.purple.dti.ne.jp/naya/contens/records/0004/index.html | |||||||||
| 36233 | Tomomi | Adachi | Gestures | 2016 | live-elec, | elec ens [Ensemble] | elektronisches Kammerensemble | 0 | |||||||||||
| 36226 | Tomomi | Adachi | How to learn to talk 2U | 2013 | live-elec, 2 perf | V, synt (talking machine) [Stimme, synthesizer] | Martine Riches' Talking Machine, Stimme, Gestik und Elektronik | 0 | |||||||||||
| 28399 | Tomomi | Adachi | KANA | 2005 | Performance | 5:09 | recorded at Künstlerhaus Dortmund | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | http://mitpress2.mit.edu/e-journals/Leonardo/lmj/index.html | |||||||||
| 36232 | Tomomi | Adachi | Let's Mikrophonie | 2016 | live-elec, 5 perf | 4 V, perf (electronic operator) [Stimme, Performer] | vier Sänger und einen Elektronik-Operator | 0 | |||||||||||
| 36225 | Tomomi | Adachi | Odorinbisha | 2009 | live-elec, 2 perf, 1 group | Vs, lute (shamisen) [Stimme, Gitarre] | 0 | ||||||||||||
| 36227 | Tomomi | Adachi | Relationship among Goats, Frogs and the Girls | 2014 | Tanz, live-elec, 5 perf | Stereo + 5 tracks | 5 dancer (with 5 boomboxes ≈ Kofferradios) [Tanz] | Stereo-PA-System, fünf Boomboxes und fünf Tänzer | 0 | ||||||||||
| 39047 | Tomomi | Adachi | The Love for Forty-six Oranges | 2018 | live-elec, 1 perf | 20 | Quadro | V and Subharchord [Stimme, synthesizer] | für Subharchord-Prototyp mit 4-Kanal Live-Elektronik und Stimme | AdK Berlin | 11.7.2018 | Akademie der Künste Berlin EM4 (13), Subharchord, Live-Elektronik, Stimme: Tomomi Adachi | 0 | ||||||
| 36231 | Tomomi | Adachi | Things seen by the right band and the left hand (with glasses) | 2016 | audiovisuell | 2 p [Piano] | zwei Klaviere mit zwei Videokameras und zwei Projektoren | 0 | |||||||||||
| 36228 | Tomomi | Adachi | Torturing Twitter | 2014 | Performance | interaktive Radio /Internet Performance | 0 | ||||||||||||
| 36229 | Tomomi | Adachi | Ursonate 2 | 2014 | fixed media, akusmatisch | Surround 5.1 | Lautpoesie | 0 | |||||||||||
| 36343 | Tomomi | Adachi | Violin & Electronics Improvisations | 1994 | live-elec, 1 perf | 10:45 | vn [Violine] | OPX 003/ | 0 | ||||||||||
| 36342 | Tomomi | Adachi | Voice & Electronics Improvisations | 1996 | live-elec, 1 perf | 17:50 | V [Stimme] | OPX 003/ | August 1996 | Akagi Dream House | 0 | ||||||||
| 36224 | Tomomi | Adachi | Voice and Infrared Sensor Shirt | 2004-2011 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 36230 | Tomomi | Adachi | Where Does the Gap Between the Poor and Rieb Come From? | 2015 | live-elec, 1 perf | org [Orgel] | 0 | ||||||||||||
| 21 | Sotiria | Adam | Aymar | 1992 | fixed media, akusmatisch | 9:15 | Stereo | KSYME | 0 | ||||||||||
| 22 | Sotiria | Adam | KER | 1993 | fixed media, akusmatisch | 9:10 | Stereo | KSYME | 0 | ||||||||||
| 23 | Milan | Adamciak | Capriccio | 1983 | fixed media, akusmatisch | 8:04 | Stereo | CECM Bratislava | 0 | ||||||||||
| 24 | Milan | Adamciak | Dalila | 1993 | fixed media, akusmatisch | 5:05 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 25 | Milan | Adamciak | Mala uspavanka pre neznu | 1993 | fixed media, akusmatisch | 11:50 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 26152 | Jiri | Adamek | Tiká tiká politika, Tick Tock Politics | 2006 | radiophon | 18:44 | Stereo | radiocustica selected 2006 Cesky rozhlas/ | Czech Radio Prague | Radioatelier Czech Radio Michal Rataj | 1 | ||||||||
| 24791 | Ondrej | Adamek | Cercle des rythmes vitaux | 2003 | fixed media, akusmatisch | 15:22 | MR 2004 Métamorphoses 2004/ | Musiques et Recherches Ohain | Métamorphoses 2004 | 1 | |||||||||
| 24781 | Ondrej | Adamek | Un souffle, une ombre, un rien | 2001 | fixed media, akusmatisch | 10:56 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 1. prize | 1 | |||||||||
| 26 | Michael | Adamis | Apocalypsis, Sixth Seal | 1967 | Zuspiel / Tonband, 2 perf, 1 group | Stereo + Stereo | Sp, ch, p [Sprecher, Piano, Chor] | EMI CSDG 62/ | 0 | ||||||||||
| 27 | Michael | Adamis | Baby Cry | 1968 | fixed media, akusmatisch | 0 | |||||||||||||
| 28 | Michael | Adamis | Canon | 1965 | fixed media, akusmatisch | 3:42 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 29 | Michael | Adamis | Electronic Piece | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 30 | Michael | Adamis | Electronic Piece 1966 | 1966 | fixed media, akusmatisch | 5:00 | Stereo | PS C. | 0 | ||||||||||
| 34577 | Michael | Adamis | Endon | 2001 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 31 | Michael | Adamis | Genesis | 1968 | Zuspiel / Tonband, 1 perf, 3 groups | Sp, 3 ch [Sprecher, Chor] | EMI SCXG 57/ | 0 | |||||||||||
| 34575 | Michael | Adamis | Glaros II, | 1977/2006 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 34579 | Michael | Adamis | Ifigenia In Aulis | 1970 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 32 | Michael | Adamis | Iketirion | 1971 | Zuspiel / Tonband, 1 perf, 1 group | fem ch, perc [Schlagzeug, Chor] | 0 | ||||||||||||
| 33 | Michael | Adamis | Kratema | 1971/2001 | Zuspiel / Tonband, 3 perf | 10:48 | Sp, ob, tuba [Sprecher, Oboe, Tuba] | EMI CSDG 63/ rekem 03/ Creel Pone 057/ | 0 | ||||||||||
| 34576 | Michael | Adamis | Lament | 1970 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 34 | Michael | Adamis | Metallika Glypta III | 1972 | fixed media, akusmatisch | 5:45 | Creel Pone 34/ | PS C. | 0 | ||||||||||
| 35 | Michael | Adamis | Metaschematismoi, Trans- formations | 1967 | fixed media, akusmatisch | Quadro + Quadro | 0 | ||||||||||||
| 34574 | Michael | Adamis | Minyrismos | 1966 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 36 | Michael | Adamis | Moiroloi, Lamentation | 1970 | Zuspiel / Tonband, 5 perf | 4 V, perc [Stimme, Schlagzeug] | 0 | ||||||||||||
| 37 | Michael | Adamis | Orestie | 1972 | Zuspiel / Tonband, 2 perf | Bar, perc [Bariton, Schlagzeug] | 0 | ||||||||||||
| 34578 | Michael | Adamis | Paegma | 1976 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 38 | Michael | Adamis | Paramythi | 1977 | Zuspiel, live-elec, 5 perf | Quadro | Sp, 4 ins [Sprecher, Instrument] | 0 | |||||||||||
| 39 | Michael | Adamis | Piece one | 1964 | fixed media, akusmatisch | 3:40 | Stereo | rekem 03/ | Uni Waltham | 0 | |||||||||
| 40 | Michael | Adamis | Piece two | 1964 | fixed media, akusmatisch | 7:30 | Stereo | rekem 03/ | Uni Waltham | 0 | |||||||||
| 41 | Michael | Adamis | Proschemata, Pretexts | 1964 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
6:27 | Stereo | Sp [Sprecher] | rekem 03/ | Uni Waltham | 0 | ||||||||
| 42 | Michael | Adamis | Teletestai | 1971 | Zuspiel / Tonband, 2 perf, 1 group | Sp, ch, bells [Sprecher, Schlagzeug, Chor] | 0 | ||||||||||||
| 36969 | Mathew | Adkins | [60] Project, Abstract / Ambient Concrète / Instrumental Concrète / Experimental Sea Soundscape Urban Soundscape Ambient Instrumental Noise Study Extended Vocal |
2008 | fixed media, akusmatisch | 60 | Stereo | 66 contributors | IMED 0898/ | PS C., INA • GRM | Huddersfield Contemporary Music Festival (HCMF) | November 28, 2008 | Huddersfield Contemporary Music Festival | 0 | |||||
| 40943 | Mathew | Adkins | A year at ushers hill, Alone An Eden Within Shifting Ground Small Steps Radiant Moon In Memoriam Jacques Hamel Ushers Hill Before Sleep Solstice Burnt Sun Under A Luna Sky |
2017 | live-elec, 2 perf | 12:52 | p, celesta and org and elec [Piano, Orgel, elektronik] | eilean 28/ | 0 | https://soundcloud.com/eilean_rec/monty-adkins-a-year-at-ushers-hill-album-preview | |||||||||
| 37159 | Mathew | Adkins | Aerial | 2002 | fixed media, akusmatisch | 9:40 | Stereo, Surround 5.1 | IMED 0679/ | INA • GRM | 7.3.2003 | 20th anniversary concerts of the Birmingham Electroacoustic Sound Theatre (BEAST) “20/20 Re:Vision” at the CBSO Centre (Birmingham, UK) | Honorary Mention in the Musica Nova 2002 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | ||||||
| 37018 | Mathew | Adkins | Anisoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 10:00:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 40941 | Mathew | Adkins | Clothed in the Soft Horizon | 1994 | fixed media, akusmatisch | 13:27 | Competition Musica Nova Prag 1994 | 0 | |||||||||||
| 37162 | Mathew | Adkins | Cortex | 2004 -2005 | fixed media, akusmatisch | 9:05 | Stereo | IMED 0679/ | INA • GRM | INA-GRM | 17.2.2005 | Présences “électronique” festival in the Salle Olivier Messiaen of the Maison de Radio France (Paris, France) | 0 | ||||||
| 37160 | Mathew | Adkins | Deepfield | 2000 | fixed media, akusmatisch | 12:22 | Stereo, Surround 5.1 | IMED 0679/ | Césaré St | Césaré and the Planétarium de Reims (France) | 24.10.2000 | Planétarium de Reims (France). | honorary mentions at the 23rd Luigi Russolo International Competition (Varese, Italy, 2001) and the Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2002). | 0 | |||||
| 37019 | Mathew | Adkins | Ephemeroptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 10:41:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 45 | Mathew | Adkins | Flow | 1994 | fixed media, akusmatisch | 2:45 | Stereo | BEAST | 0 | ||||||||||
| 46 | Mathew | Adkins | L'arche | 1994 | fixed media, akusmatisch | 12:00 | Stereo | BEAST | 0 | ||||||||||
| 37016 | Mathew | Adkins | Lepidoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 8:13:00 | Stereo | rec [Flöte] | [movement] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | |||||
| 21084 | Mathew | Adkins | Liquid Neon | 1999 | fixed media, akusmatisch | 3:07 | SAN 08/99 Sonic arts network/ | 1 | |||||||||||
| 22010 | Mathew | Adkins | Mapping | 1995, 1997 | fixed media, akusmatisch | 14:19 | Stereo, Surround 5.1 | Musidisc 247982/ NOR 05/ Kiasma 1999/ IMED 0679/ | EMS Stockholm, UEA Norwich, PS C. | 29.5.1995 | Artothek (Vienna, Austria) | 1st Prize at the Hungarian Radio’s EAR’95 International Competition of Electroacoustic Music (Budapest, Hungary, 1995) finalist at the 5th Prix international Noroit-Léonce Petitot (Arras, France, 1998) finalist 26th Bourges International Electroacoustic Music and Sonic Art Competition (France, 1999). |
1 | ||||||
| 47 | Mathew | Adkins | Melt | 1994 | fixed media, akusmatisch | 11:44 | Stereo, Surround 5.1 | FYCD 1014/ IMED 0679/ | BEAST | 1995 | Synthèse Festival in Bourges (France) | Prix Résidence at the 22nd Bourges International Electroacoustic Music Competition (France, 1994) First prize of the Stockholm Electronic Arts Award (Sweden, 1995). Competition Musica Nova Prag 1995 |
1 | ||||||
| 24818 | Mathew | Adkins | Noumena | 2001 | Zuspiel / Tonband, 1 perf | 10:40 | vc [Cello] | LDC 278074/75 Cultures Electroniques 15/ Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 tape + ins | 0 | |||||||||
| 24799 | Mathew | Adkins | Pagan Circus | 1996 | fixed media, akusmatisch | 14:33 | LDC 278063/64 Cultures Electroniques 10/ | Competition Musica Nova Prag 1996 | 0 | ||||||||||
| 48 | Mathew | Adkins | Phoenix Games | 1993 | fixed media, akusmatisch | 13:00 | Stereo | BEAST | 0 | ||||||||||
| 37017 | Mathew | Adkins | Saturniid, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 8:41:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 27246 | Mathew | Adkins | Silk to steel | 2005 | fixed media, akusmatisch | 10:32 | Stereo, Surround 5.1 | LDC 2781138 Compendium 2005/ IMED 0679/ | IMEB Bourges | IMEB Bourges | 4.6.2005 | Synthèse, the 35th Bourges International Electronic Music and Creation Festival (France) | mention at the 32nd Bourges International Electroacoustic Music and Sonic Art Competition (France, 2005). | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | ||||
| 37161 | Mathew | Adkins | Still Time | 2001 | Zuspiel / Tonband, 1 perf | 8:52 | Stereo | fl (processing; Alejandro Escuer, flute) [Flöte] | IMED 0679/ | PS C. | flutist Alejandro Escuer | 28.6.2002 | Festival Internacional de Arte Sonoro (Mexico City, Mexico) | 2nd Prize at the Hungarian Radio’s EAR’03 International Competition of Electroacoustic Music (Budapest, Hungary, 2003). | 0 | ||||
| 40942 | Mathew | Adkins | Surfacing | 2003 | fixed media, akusmatisch | 9:03 | 0 | ||||||||||||
| 36179 | Mathew | Adkins | Symbiont | 2002 | audiovisuell | 9:15 | Stereo, Surround 5.1 | innova 121/ IMED 0679/ | PS C., INA • GRM | Huddersfield Contemporary Music Festival, INA-GRM, Sonic Arts Network | 24.11.2002 | Huddersfield Contemporary Music Festival (UK) | finalist at the 30th Bourges International Electroacoustic Music Competition (France, 2003). | 0 | |||||
| 37015 | Mathew | Adkins | Zygoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 4:12:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 42953 | Monty | Adkins | Clockwork Cities | 2013 | fixed media, akusmatisch | 7:13:00 | 0 | ||||||||||||
| 42452 | Monty | Adkins | Five Panels no. 1 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42453 | Monty | Adkins | Five Panels no. 5 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42695 | Monty | Adkins | Four Shibusa (no.4—Permutations) | 2012 | live-elec, 1 perf | 9:00:00 | cl [Klarinette] | Heather Roche, clarinet | 0 | ||||||||||
| 42572 | Monty | Adkins | veil | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 49 | Tommy, Jörgen | Adolfsson, Adolfsson | Glaciär : Musik till dans | 1990 | Tanz, live-elec, 3 perf | 20:00 | fl, synt, (octapad,) perc [Flöte, Schlagzeug, synthesizer] | Koreograf Kenneth Kvarnström | 0 | ||||||||||
| 50 | Tommy, Jörgen | Adolfsson, Adolfsson | Som ung blev hon skrämd: Musik till dans | 1991 | Tanz | Koreograf Kenneth Kvarnström | 0 | ||||||||||||
| 51 | Tommy, Jörgen | Adolfsson, Adolfsson | Trio, duo, solo : Musik till dans | 1991 | Tanz | Koreograf Kenneth Kvarnström | 0 | ||||||||||||
| 26392 | Peter | Adriaansz | 43 Three Quartets | 2009 | live-elec, 12 perf | 26:00 | str-qt, sax-qt, perc-qt, (sinewaves) [Saxophon, Schlagzeug, Streicher] | 0 | |||||||||||
| 26390 | Peter | Adriaansz | Enclosures | 2008 | live-elec, 3 perf | 20:00 | V, va, (microtonal) Kbd, (sinewaves) [Stimme, Keyboard, Viola] | 0 | |||||||||||
| 26391 | Peter | Adriaansz | Music for Sines, eBows, Percussion & Variable Ensemble | 2008 | live-elec, 7 perf | 30:00 | rec, cl, trbn, vn, db, p, perc [Flöte, Klarinette, Posaune, Piano, Schlagzeug, Violine, Kontrabass] | 0 | |||||||||||
| 26388 | Peter | Adriaansz | Prana I - V | 2007 | live-elec, 3 perf, 1 group | 63:00 | e-gui-ens, perc, fem V [Stimme, Gitarre, Schlagzeug] | Output festival 2007 | 2007 | Output festival | 0 | ||||||||
| 26387 | Peter | Adriaansz | Structures I - XVI | 2005 | live-elec, 1 group | 400:00 | any ens, (elec delay) [Ensemble] | 0 | |||||||||||
| 26389 | Peter | Adriaansz | Waves 5 - 13 | 2007 - 2008 | live-elec, 1 group | 62:00 | var ens, (elec delay, sinetones subsonic waves) [Ensemble] | 0 | |||||||||||
| 52 | Paul | Adriaenssens | A Short Walk with Karl F. | 1979 | fixed media, akusmatisch | 5:00 | SEM Antwerpen | 0 | |||||||||||
| 53 | Paul | Adriaenssens | Current Affairs | 1988 | fixed media, akusmatisch | 7:45 | SEM Antwerpen | 0 | |||||||||||
| 54 | Paul | Adriaenssens | Dinaou | 1982 | Zuspiel / Tonband, 1 perf | 11:40 | ob (bombard) [Oboe] | PS C. | 0 | ||||||||||
| 55 | Paul | Adriaenssens | Levels II | 1984/1985 | Zuspiel / Tonband, 1 perf | ins [Instrument] | PS C. | 0 | |||||||||||
| 56 | Paul | Adriaenssens | Steps | 1981 | live-elec, 2 perf | intermedia |
16:00 | fl, synt [Flöte, synthesizer] | slides | PS C. | 0 | |||||||||
| 57 | Paul | Adriaenssens | Strange Attractors | 1983 | Zuspiel / Tonband, 1 perf | synt, (com) [synthesizer] | PS C. | 0 | |||||||||||
| 58 | Paul | Adriaenssens | Three Easy Ways to Slice an Egg | 1982 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 59 | Aertgeerts | Didactische montages | 1976 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | ||||||||||||
| 60 | Aertgeerts | Drie Fabels | 1967 | fixed media, akusmatisch | 9:50 | Mono | IPEM Gent | 0 | |||||||||||
| 67 | Group | AfEM | Isotopenmesstechnik | 1967 | Film | Mono | 16 mm Film | TU Berlin | 1 | ||||||||||
| 71 | Group | AfEM | Persische Sinnsprüche | 1963 | fixed media, akusmatisch | 5:32 | Mono, Quadro | 3 parts; txtcompo | TU Berlin | 1 | |||||||||
| 28721 | Group | AfEM | Spacio vocale e instrumentale | 1964 | fixed media, akusmatisch | Stereo | TU Berlin | 3.2.1964 | Zürich (Pro Musica) | 0 | http://www2.ak.tu-berlin.de/Geschichte/chrono/chronoindex.html | ||||||||
| 22892 | Christina | Agamanolis | Aftermath | 1998 | fixed media, akusmatisch | 5:33 | innova 116/ | Oberlin Col | 1 | ||||||||||
| 74 | Klaus | Ager | Bibyké | 1991 | fixed media, akusmatisch | intermedia |
14:00 | with movebal bicycles | SEM Salzburg | 0 | ||||||||||
| 75 | Klaus | Ager | CLB512 | 1983 | Zuspiel / Tonband, 1 perf | 12:00 | cl [Klarinette] | die mühle A 850191/ | Colgate Hamilton | 1 | |||||||||
| 76 | Klaus | Ager | es esta la muerte | 1972/1976 | Zuspiel / Tonband, 5 perf | 20:00 | cl, trbn, perc, p, vn [Klarinette, Posaune, Piano, Schlagzeug, Violine] | INA • GRM | 0 | ||||||||||
| 77 | Klaus | Ager | Glastraum | 1978 | Zuspiel / Tonband, 2 perf | 12:00 | cl, synt [Klarinette, synthesizer] | 0 | |||||||||||
| 78 | Klaus | Ager | Hölderlin Fragmente | 1987 - 1989 | Zuspiel / Tonband, 1 perf | ≈ 10:00 | ob [Oboe] | com gen tape | SEM Salzburg | 0 | |||||||||
| 79 | Klaus | Ager | HOSHI | 1974/1975 | Zuspiel / Tonband, 5 perf | 20:00 | br-qnt [Bläser] | SEM Salzburg | 0 | ||||||||||
| 80 | Klaus | Ager | I remember a bird | 1976 | Zuspiel / Tonband, 5 perf | 14:00 | cl, trbn, gui, perc, p [Klarinette, Posaune, Piano, Gitarre, Schlagzeug] | SEM Salzburg | 0 | ||||||||||
| 81 | Klaus | Ager | Immer klingen die weißen Mauern der Stadt | 1988 | fixed media, akusmatisch | 12:00 | amadeo 427041 Oesterreichische Musik Der Gegenwart: Elektronische Musik 3/ Polygram/ | SEM Salzburg | 1 | dc.relation | |||||||||
| 82 | Klaus | Ager | l'arbre de la tristesse | 1976 | fixed media, akusmatisch | ≈ 9:00 | SEM Salzburg | 0 | |||||||||||
| 83 | Klaus | Ager | Métaboles III | 1977 | fixed media, akusmatisch | 7:00 | 0 | ||||||||||||
| 84 | Klaus | Ager | ORC17 | 1981 | fixed media, akusmatisch | ≈ 9:00 | com gen tape | Colgate Hamilton | 0 | ||||||||||
| 85 | Klaus | Ager | Poèmes | 1976 | fixed media, akusmatisch | 28:00 | SEM Salzburg | 0 | |||||||||||
| 86 | Klaus | Ager | Silence V | 1972 | fixed media, akusmatisch | 10:00 | INA • GRM | 0 | |||||||||||
| 87 | Klaus | Ager | Silences VII | 1973 | live-elec, 2 perf | 8:00 | amp p {4 hands} [Piano] | 0 | |||||||||||
| 88 | Klaus | Ager | Silences VIII | 1972 | fixed media, akusmatisch | 15:00 | Centro Americano Studio Paris | 0 | |||||||||||
| 89 | Klaus | Ager | Silences XI | 1974 | Zuspiel, live-elec, 1 perf | 15:00 | amp cl [Klarinette] | INA • GRM | 0 | ||||||||||
| 90 | Klaus | Ager | Sole Shadow Shows | 1990 | Zuspiel / Tonband, 1 perf | 14:00 | db [Kontrabass] | SEM Salzburg | 0 | ||||||||||
| 91 | Klaus | Ager | sondern die sterne sind’s | 1974/1976 | fixed media, akusmatisch | 19:00 | AUL 53544/ | EMS Stockholm, SEM Salzburg | 0 | ||||||||||
| 92 | Klaus | Ager | spirale silencieuse | 1971 | fixed media, akusmatisch | 11:00 | INA • GRM | 0 | |||||||||||
| 93 | Klaus | Ager | Tristan for Lucinda | 1981 | fixed media, akusmatisch | 10:00 | SEM Salzburg | 0 | |||||||||||
| 94 | Klaus | Ager | Wandering around | 1987/1993 | fixed media, akusmatisch | 22:00 | SEM Salzburg | 0 | |||||||||||
| 38937 | Savannah | Agger | Berlin/Stockholm | 2009 - 2010 | Theatermusik | Orionteatern | 2010 | Orionteatern Stockholm | 0 | ||||||||||
| 38929 | Savannah | Agger | Brücken/Inseln | 2012 | live-elec, 1 group | ens [Ensemble] | Brücken/Inseln is a part of the project "Delar av någonting större" with music of Savannah Agger, Joakim Sandgren, Tomas Hulenvik and Ylva Lund Bergner for Gageego and visuals with the artist Carolina Falkholt | Ensemble Gageego and support Konstnärsnämnden, Sweden | 12.5.2012 | Gothenburg Festival GAS | 0 | ||||||||
| 38930 | Savannah | Agger | Brücken/Inseln II | 2015 | fixed media, akusmatisch | 1.5.2015 | BEAST, Birmingham | 0 | |||||||||||
| 36708 | Savannah | Agger | Extended terminations | 2009 | fixed media, akusmatisch | 9:25 | Surround 8.1 | 2009 | Fylkingen Stockholm | 0 | https://soundcloud.com/sajoau/extended-terminations-excerpt | ||||||||
| 38928 | Savannah | Agger | Guiame los Pasos | 2011 | fixed media, akusmatisch | 10:00:00 | TU Berlin, BEAST | EMS/Rikskonserter | 12.4.2011 | SR Swedish Radio P2 | 0 | ||||||||
| 36710 | Savannah | Agger | In Nihilo | 2008 | live-elec, 1 perf | db, (com, 2 metal plates) [Kontrabass] | IRCAM | 2008 | IRCAM, Espace de Projection, Charlotte Testu | 0 | http://savannahagger.com/sound/In_Nihilo_excerpt.aif | ||||||||
| 38935 | Savannah | Agger | Inaff | 2006 | Tanz | Composition for contemporary dance (tape) | Kompani Raande-Vo and Lena Josefsson | 2006 | Örebro | 0 | |||||||||
| 25816 | Savannah | Agger | Metal degrees | 2007 | Zuspiel, live-elec, 1 perf | 15:00 | 12 Tracks | perf (4 metal plates) [Performer] | für 12-kanalige Zuspielung, liveelektronisches Prozessing der von 4 Metallplatten abgenommen Kläng, die durch 4 Transducer indirekt in Schwingung gesetzt werden. | TU Berlin | summer 2007 | Karlsruhe, ZKM, next generation | 1 | ||||||
| 38933 | Savannah | Agger | Mor Courage och hennes barn Barnkorståget |
2010 | Theatermusik | 4 V (electric quartet, singers) [Stimme] | music for Bertold Brechts “Mutter Courage…” | 5.2.2010 | Orionteatern Stockholm | 0 | |||||||||
| 38934 | Savannah | Agger | Pluoto la Vie | 2007 - 2008 | Tanz | Composition for contemporary dance (tape) | HfM Stockholm | 0 | |||||||||||
| 31995 | Savannah | Agger | Terminations | 2008 | fixed media, akusmatisch | 5:16:00 | Stereo + Octo, Spazialisation: WFS | using the reactable | TU Berlin | 3.8.2008 | Inventionen 2008, TU Berlin, WellenFeld | 1 | 2008 | ||||||
| 34629 | Savannah | Agger | Undercurrents | 2016 | fixed media, akusmatisch | 10:06 | Octo | SMC2016 | TU Berlin, EMS Stockholm | 0 | |||||||||
| 36709 | Savannah | Agger | Untitled Requiem | 2010 | fixed media, akusmatisch | Surround 8.1 | TU Berlin, BEAST | 10.11.2010 | Audiorama Stockholm, Sound of Stockholm | 0 | |||||||||
| 38931 | Savannah | Agger | Vacuum | 2013 | fixed media, akusmatisch | Surround 17.4 | 3rd part in the trilogy ”Transit” by S.Agger, Hanna Hartman and Ylva Betancor. | Statensmusikverk | 23. August 2013 | Audiorama in Stockholm | 0 | ||||||||
| 38932 | Savannah | Agger | Venus | 2014 | Theatermusik | Orionteatern | 15.3.2014 | Orionteatern Stockholm | 0 | ||||||||||
| 38936 | Savannah, Frederik | Agger, Iversen | Roundabout | 2005 | Theater, live-elec, 4 perf, 2 groups | trbn, Vs, acc, Kbds [Stimme, Posaune, Keyboard, Akkordeon] | HfM Stockholm | 2005 | Kanonhallen Copenhagen, directed by Annesophie Bergman-Steen | 0 | |||||||||
| 32009 | Laurent | Aglat | Pays sages | 2007 | fixed media, akusmatisch | 3:50 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 96 | Michael | Agnello | Music for Silent Movies | 1967 | Film | Mono | PS LA | 0 | |||||||||||
| 97 | Michael | Agnello | Scream | 1966 | Film | Mono | PS LA | 0 | |||||||||||
| 100 | Udo | Agnesen | le cheval au soleil | 1988 | fixed media, akusmatisch | 12:00 | Stereo | com M. | TU Berlin | 12.8.1988 | Berlin | 1 | |||||||
| 99 | Udo, Fabio | Agnesen, Biasio | Guidos Reise | 1995 | intermedia, live-elec, 3 perf | 20:00 | p, synt, vc [Piano, Cello, synthesizer] | PS C. | 0 | ||||||||||
| 98 | Udo, Marcus | Agnesen, Waibel | Das neue Universum | 1989 | fixed media, akusmatisch | 13:27 | Stereo | HdK CD 008/ | TU Berlin | 1 | |||||||||
| 22547 | Andrea | Agostini | Funus | 2001 | fixed media, akusmatisch | 12:13 | nur aus Pianoklängen | miso records mcd 013/014/ | Con Martini Bologna | Einreichung Prix Noroit 2002 | 1 | ||||||||
| 22188 | Andrea | Agostini | Thurston Moore | 1999 | fixed media, akusmatisch | Stereo | Con Martini Bologna | 0 | |||||||||||
| 18372 | Celso | Aguiar | All blue, I write with a blue pencil, on a blue sky | 1996 | fixed media, akusmatisch | Quadro | CLM | CCRMA | 0 | ||||||||||
| 18351 | Celso | Aguiar | Ayahuasca | 1994 | fixed media, akusmatisch | SMS, CLM and CM, awarded"Premio Sao Paulo '95" | CCRMA | 0 | |||||||||||
| 18373 | Celso | Aguiar | Monologue for Two | 1993/1997 | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | CCRMA | 0 | ||||||||||
| 101 | Celso | Aguiar | Piece of Mind | 1994 | fixed media, akusmatisch | 7:45 | II SBC&M/ PANaroma 199.000.954/ | CCRMA | 1 | ||||||||||
| 22893 | Javier | Aguilar | Chimenea del Absurdo | 1998 | fixed media, akusmatisch | 1:25 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 27173 | Sergio | Aguilar | Broken Time | 1999 | fixed media, akusmatisch | 6:24 | 0 | ||||||||||||
| 19625 | Francisco | Aguilera Zarapuz | Tema Luz | 1991 | live-elec, 3 perf | Stereo | vn, synt, p [Piano, Violine, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 19659 | Juan de Dios | Aguilera | Acre | 1995 | fixed media, akusmatisch | 8:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19658 | Juan de Dios | Aguilera | Evolo | 1993 | fixed media, akusmatisch | 9:50 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19597 | Juan de Dios | Aguilera | Teatro de Sombras | 1995 | fixed media, akusmatisch | 11:10 | Stereo | GME Cuenca | 0 | ||||||||||
| 102 | Antonio, Fernando | Agúndez, Palacios | No, No, No | fixed media, akusmatisch | 7:24 | UM CD 7 Vol. I/ | 1 | ||||||||||||
| 28308 | Coriun | Aharonián | Llueve sobre el Rio de la Plata | 2000 | live-elec, 1 perf | 16:00 | gui [Gitarre] | GRABACION DEFECTUOSA. Christoph Jäggin (gui). | 1 | ||||||||||
| 28309 | Coriun | Aharonián | Lorenzaccio, para 9 solistas (4 de ellos amplificados), orquesta de arcos y 3 percusionistas | 1968 | live-elec, 50 perf | 11:00 | 9 ins (amp str-qt), 38 str, 3 perc [Schlagzeug, Instrument, Streicher] | GRABACION DEFECTUOSA. Orquesta Filarmonica de Montevideo, dir. Roberto Garcia Mareco | 1 | ||||||||||
| 103 | Coriún | Aharonián | Apruebo el Sol | 1984 | fixed media, akusmatisch | 10:00 | Stereo | Tacuabé T/E 25 CD/ | EMS Stockholm | 0 | |||||||||
| 104 | Coriún | Aharonián | Esos silencios | 1978 - 1981 | fixed media, akusmatisch | Mono | Tacuabé T/E 25 CD/ | ELAC Montevideo | 0 | ||||||||||
| 105 | Coriún | Aharonián | Gran Tiempo | 1974 | fixed media, akusmatisch | 15:24 | Stereo | Tacuabé T/E 25 CD/ | IMEB Bourges | 0 | 1984 | http://www.latinoamerica-musica.net/index.html | |||||||
| 106 | Coriún | Aharonián | Hecho 2 | 1966 | Musiktheater, 11 perf | 6 | 6 actor, 5 ins [Instrument, Schauspieler] | 0 | |||||||||||
| 107 | Coriún | Aharonián | Homenaje a la flecha clavada en el pecho de Don Juan Diaz de Solis | 1974 | fixed media, akusmatisch | 13:30 | Stereo | Tacuabé T/E 8/ Tacuabé T/E 25 CD/ | IMEB Bourges | 1 | |||||||||
| 108 | Coriún | Aharonián | Música para aluminios, El Progresso DE - Música para Aluminios | 1967 | Zuspiel / Tonband, 3 perf | Stereo | 3 perc [Schlagzeug] | Tacuabé T/E 25 CD/ | SODRE Montevideo | 0 | |||||||||
| 109 | Coriún | Aharonián | Que | 1969 | fixed media, akusmatisch | Stereo | Tacuabé T/E 25 CD/ | Tella B.Aires | 0 | ||||||||||
| 110 | Coriún | Aharonián | Salvad los niños ! | 1976 | fixed media, akusmatisch | Stereo | Tacuabé T/E 25 CD/ | ELAC Montevideo | 0 | ||||||||||
| 111 | Coriún | Aharonián | Secas las pilas de todos los timbres | 1995, 1997 | radiophon | 13:14 | Stereo, Octo | DegeM CD 02/ Tacuabe 35 CD/ | AdK Berlin | 1 | |||||||||
| 42981 | Iddo | Aharony | lost between | 2013 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 39395 | Iddo | Aharony | Occupation | 2017 | audiovisuell | 0 | |||||||||||||
| 112 | Bengt | Åhlin | Termodynamikens andra huvudsats | 1981 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 113 | David | Ahlstrom | Anthem #1, #3, #4 | 1963 - 1965 | Zuspiel / Tonband, 2 perf, 1 group | 16:00 | Stereo | S, org, ch [Sopran, Orgel, Chor] | PS C. Dallas | 0 | |||||||||
| 114 | David | Ahlstrom | Recitative, Aria and Cadenza | 1963 | Zuspiel / Tonband, 1 perf | 4:00 | Mono | p [Piano] | PS C. Dallas | 0 | |||||||||
| 115 | David | Ahlstrom | Suite #3 | 1964 | Theatermusik | 10:00 | Mono | PS C. Dallas | 0 | ||||||||||
| 116 | David | Ahlstrom | Symphony #2 | 1964 | Zuspiel / Tonband, 8 perf | 20:00 | Mono | 6 dancer, e-p, perc, (opt ins) [Piano, Schlagzeug, Tanz] | PS C. Dallas | 0 | |||||||||
| 117 | David | Ahlstrom | Symphony #3 - No Exit | 1965 | Musiktheater | 38:00 | Stereo | PS C. Dallas | 0 | ||||||||||
| 24971 | Doo Jin | Ahn | Bicheon | 2000 | Zuspiel / Tonband, 2 perf | 8:04 | b-cl, perc [Klarinette, Schlagzeug] | KEAMS 10th Anniversary/ | 1 | ||||||||||
| 42454 | Jean | Ahn | Berkeley Arirang | 2008 | live-elec, 1 perf | p [Piano] | Marcel Rominger, piano | 0 | |||||||||||
| 43052 | Sang Mi | Ahn | Metabolism | 2014 | fixed media, akusmatisch | 3:44:00 | 0 | ||||||||||||
| 39507 | Su Kyoung | Ahn | Extension | 2017 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 40848 | Tom | Ahola | Deep Sea Tribe | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 22350 | Marc | Aigner | Dreaming Hills | 1995 | fixed media, akusmatisch | 15:00 | Von CD "Sonic Circuits 4". Musica Nova Award 1995. C-Sound with granular synthesis, VSP |
innova 113/ | PS | 1 | |||||||||
| 16882 | James, Armando | Aikman, Tranquilino | Tragoida / Komoidia | 1987 | fixed media, akusmatisch | 9:05 | LDC 278046/47 Cultures Electroniques 3/ | 1 | |||||||||||
| 37831 | Marc | Ainger | 1956 | fixed media, akusmatisch | part one | 0 | |||||||||||||
| 24993 | Marc | Ainger | Annotations | 2003 | Zuspiel / Tonband, 1 perf | 4:43 | fl [Flöte] | ICMC 2005 Barcelona; Ann Stimson (flute) | ICMC 2005, ars harmonica/ | 2005 | ICMC Barcelona; Ann Stimson (flute) | 1 | |||||||
| 41924 | Marc | Ainger | Dreaming Hills | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 42894 | Marc | Ainger | Kitchen Landscapes | 2013 | fixed media, akusmatisch | 10:30:00 | 0 | ||||||||||||
| 40041 | Marc | Ainger | Scribbles and Smears in Space | 2017 | fixed media, akusmatisch | Marc Ainger | 0 | ||||||||||||
| 22205 | Marc | Ainger | Shatter | 1998 | fixed media, akusmatisch | 8:00 | ICMC 2000/ Kiasma 1999/ | PS | 1 | ||||||||||
| 40042 | Marc | Ainger | Windswept | 2016 | fixed media, akusmatisch | Marc Ainger | 0 | ||||||||||||
| 42731 | Mark | Ainger | 13forLucky | 2012 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 33874 | Agnes | Aistleitner | state of revolution | 2012 | audiovisuell | Prix ars electronica 2012/ | HBLA Linz | Goldene Nica 2012 ars electronica | 1 | ||||||||||
| 118 | Marcello, Francesco | Aitiani, Giomi | NAVE DI LUCE | 1990 | intermedia, live-elec, 1 perf, 1 group | audiovisuell |
30:00 | ch, org [Orgel, Chor] | telematic artwork involving visual installations; communication via video, phone, com line | CNUCE Firenze | 0 | |||||||||
| 119 | Robert | Aitken | Composition for flute and tape recorder | 1963 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fl [Flöte] | UTEMS Toronto | 0 | |||||||||
| 120 | Robert | Aitken | Noesis | 1963 | fixed media, akusmatisch | 6:00 | Stereo + Stereo | FMS 33436/ | UTEMS Toronto | 1 | |||||||||
| 121 | Robert | Aitken | Soliloquy | 1962 | fixed media, akusmatisch | 8:20 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 122 | Robert | Aitken | Suite from music for Hamlet | 1964 | fixed media, akusmatisch | Theatermusik |
8:55 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 43131 | Nelo | Akamatsu | Chijikinkutsu | 1013 - 2015 | Klangkunst, Installation | Auszeichnung ars electronica: Golden Nica 2015 | 0 | ||||||||||||
| 33005 | Lars | Akerlund | Acoustic Mirror | fixed media, akusmatisch | 15:24 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33007 | Lars | Akerlund | Additive | fixed media, akusmatisch | 16:32 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33006 | Lars | Akerlund | No Room No Shadow | fixed media, akusmatisch | 11:54 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33004 | Lars | Akerlund | Slow, Horizontal | fixed media, akusmatisch | 12:12 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33003 | Lars | Akerlund | White Shade | fixed media, akusmatisch | 9:25 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 23667 | Lars | Åkerlund | Rivers of Mercury | 1998 | Tanz, live-elec, 2 perf | 22:26 | Stereo | dancer, perc [Schlagzeug, Tanz] | FER 1025 Firework Edition Records/ | EMS Stockholm | 1 | ||||||||
| 130 | Lars | Åkerlund | Strupens följder | 1987 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | e-gui [Gitarre] | EMS Stockholm | 0 | |||||||||
| 28109 | Lars | Åkerlund | Ur | 1998 | fixed media, akusmatisch | Tanz |
29:30 | Stereo | Originally composed for a choreography by Per Jonsson | FYCD 1028/ | EMS Stockholm | Finnish National Opera | 1 | |||||||
| 23668 | Lars | Åkerlund | Via Styx | 1996 | Tanz, live-elec, 2 perf | 45:20 | Stereo | dancer, perc [Schlagzeug, Tanz] | FER 1025 Firework Edition Records/ | EMS Stockholm | 1 | ||||||||
| 28110 | Lars | Åkerlund | Volt | 2004 | fixed media, akusmatisch | Tanz |
36:47 | Stereo | Originally composed for a choreography by Björn Elisson | FYCD 1028/ | EMS Stockholm | EMS/Rikskonserter with support from Stiftelsen Framtidens Kultur | 1 | |||||||
| 131 | Lars | Åkerlund | Welcome to lucky people center | 1991/1993 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 123 | Lars, Mikael | Åkerlund, Pauli | Bars | 1983 | Hintergrundmusik | 90:00 | Stereo | 0 | |||||||||||
| 124 | Lars, Mikael | Åkerlund, Pauli | Datorstycke | 1982 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 125 | Lars, Mikael | Åkerlund, Pauli | In - out | 1982/1984 | Hintergrundmusik | 26:30 | Quadro | EMS Stockholm | 0 | ||||||||||
| 126 | Lars, Mikael | Åkerlund, Pauli | Magoma | 1983 | intermedia | 20:00 | Stereo | slides | 0 | ||||||||||
| 127 | Lars, Mikael | Åkerlund, Pauli | Ngamiani band | 1980 | Hintergrundmusik | 28:00 | Stereo | 0 | |||||||||||
| 128 | Lars, Mikael | Åkerlund, Pauli | Nocturne | 1981 | fixed media, akusmatisch | 9:00 | Stereo | 0 | |||||||||||
| 129 | Lars, Mikael | Åkerlund, Pauli | Plumber Fundi Bomba | 1981 | Hintergrundmusik | 5:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 132 | Sonja, Jarl | Åkesson, Hammarberg | Frågar du vad vi håller på med? | 1968 | fixed media, akusmatisch | radiophon |
11:55 | Quadro | FYCD 1024 CD 2 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 133 | Kuniharu | Akiyama | 2 hiki no sanma | 1960 | Film | 20:00 | Mono | PS Sogetsu Tokyo | 0 | ||||||||||
| 36316 | Kuniharu | Akiyama | 'Demonstration' Of Nissei Theater | 1963 | fixed media, akusmatisch | 16:01 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 134 | Kuniharu | Akiyama | Enviromental mechanical Orchestra #1 | 1966 | fixed media, akusmatisch | ∞ 19:32 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 29221 | Kuniharu | Akiyama | Études | 1952 | fixed media, akusmatisch | Mono | ? first japanese EM-Piece? | NHK Tokyo | 0 | ||||||||||
| 135 | Kuniharu | Akiyama | Hi ho 19 | 1960 | Zuspiel / Tonband, 5 perf, 1 group | 20:00 | Mono | ch, 5 perf [Performer, Chor] | PS Sogetsu Tokyo | 0 | |||||||||
| 136 | Kuniharu | Akiyama | Ikoi no tame no ongaku | 1964 | Hintergrundmusik | 30:00 | Mono | for the Tokio Olympic Games | PS Sogetsu Tokyo | 0 | |||||||||
| 137 | Kuniharu | Akiyama | Ishi no Uta | 1963 | fixed media, akusmatisch | Film |
28:00 | Mono | PS Sogetsu Tokyo, TBS Radio Tokyo | 0 | ||||||||||
| 36337 | Kuniharu | Akiyama | Music For Eating | 1964 | Klangkunst, Installation | intermedia |
30:46 | OPA 021/ | 0 | |||||||||||
| 36315 | Kuniharu | Akiyama | Music for H. Bomb | 1971 | fixed media, akusmatisch | 10:50 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 36336 | Kuniharu | Akiyama | Music For Resting | 1964 | Klangkunst, Installation | intermedia |
30:37 | OPA 021/ | 0 | |||||||||||
| 138 | Kuniharu | Akiyama | Poem | 1960 | Fernsehen, | 6:00 | Mono | txtcompo | NHK Tokyo | 0 | |||||||||
| 139 | Kuniharu | Akiyama | Shokuji no tame no ongaku | 1964 | Hintergrundmusik | 30:00 | Mono | for the Tokio Olympic Games | PS Sogetsu Tokyo | 0 | |||||||||
| 140 | Kuniharu | Akiyama | Tonari no Yaro | 1965 | Film | 15:00 | Mono | PS Sogetsu Tokyo | 0 | ||||||||||
| 41822 | Cem | Akkan | Doors | 2001 | fixed media, akusmatisch | codemist ICMC2001/ | 0 | ||||||||||||
| 22844 | Jana | Aksenova | The Gesture of Memory | fixed media, akusmatisch | 8:00 | Theremin C. Moscou | 1 | ||||||||||||
| 35782 | César | Alarcón | Recover | 2013 | fixed media, akusmatisch | mention 4º concurso latinoamericano de composición electroacústica y electrónica Gustavo Becerra schmidt 2013 | 0 | ||||||||||||
| 20998 | David | Alarcón | Analisis y Fantasia sobre Saltar | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||||
| 18397 | David | Alarcón | Ausencia 11 | 1997 | fixed media, akusmatisch | 13:06 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18396 | David | Alarcón | Ausencia 9 | 1994 | fixed media, akusmatisch | 16:40 | Stereo | IMEB Bourges | Competition Musica Nova Prag 1995 | 0 | |||||||||
| 19526 | David | Alarcón | Ausencia n° 1 | 1991 | fixed media, akusmatisch | 2:34 | Stereo | GME Cuenca | 0 | ||||||||||
| 27399 | David | Alarcón | Ausencia No. 12 | fixed media, akusmatisch | 15:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 19640 | David | Alarcón | Ausencia No. 8 | 1994 | fixed media, akusmatisch | 9:50 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 34377 | David | Alarcón | Azote | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 19527 | David | Alarcón | El Rapto de Gaby (2, 3) | 1989 | fixed media, akusmatisch | 5:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19529 | David | Alarcón | Grito No. 3 | 1992 | fixed media, akusmatisch | 12:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19641 | David | Alarcón | Hymnomada | 1995 | fixed media, akusmatisch | 17:00 | Stereo | horizontal radio | LIEM CDMC Madrid | 0 | |||||||||
| 142 | David | Alarcón | INDEMU | 1992 | fixed media, akusmatisch | 7:20 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19308 | David | Alarcón | Olvidar Pedro, Homenaje a Pierre Schaeffer | fixed media, akusmatisch | 6:03 | música electroacústica española 1/ | 1 | ||||||||||||
| 19796 | David | Alarcón | Requiem | fixed media, akusmatisch | Stereo | PS Digimedia | 0 | ||||||||||||
| 19528 | David | Alarcón | Témporas | 1989 | fixed media, akusmatisch | 3:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19530 | David, Anna | Alarcón, Mayor | La Cinta de Krapp | 1990 | fixed media, akusmatisch | 6:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 27673 | Ximena | Alarcón | A to Z | 1998 | fixed media, akusmatisch | 3:24 | Stereo | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | ||||||||
| 40949 | Ximena | Alarcón | Beat | 2002 | fixed media, akusmatisch | 3:47 | DISContact III | 0 | |||||||||||
| 37662 | Wilma | Alba Cal | Hej! | 2012 | audiovisuell | 6:16 | elektroakustische Klänge, voraufgenommenes Cello und Video |
ICAP Habana | 0 | ||||||||||
| 143 | A. | Alberts | Haké | 1992 | Zuspiel / Tonband, 1 group | Stereo | gamelan-ens [Ensemble] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 38470 | Armeno | ALBERTS | Le chant du cygne | 2003 | radiophon | 5:09:00 | Prix Phonurgia nova | 0 | |||||||||||
| 32858 | Alejandro | Albornoz | Ciento Veinte Millones | 2005 - 2006 | fixed media, akusmatisch | 10:44 | inspired by writer Eduardo Galeano (Urugay) | Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 23799 | Alejandro | Albornoz | Eeeh…jercicio | fixed media, akusmatisch | 2:54 | 0 | |||||||||||||
| 144 | William | Albright | Sphaera | 1985 | Zuspiel / Tonband, 1 perf | 12:44 | Stereo | p [Piano] | WER 2029; Computer Music Currents 9/ | MIT Media Lab | 1 | ||||||||
| 145 | Luna | Alcalay | In Memoriam Ossip Mandelstam | 1973 | Zuspiel / Tonband, 1 perf, 1 group | 16:00 | Sp, orc [Sprecher, Orchester] | EM ?? | 0 | ||||||||||
| 23800 | Andrés | Alcalde | Añoranza | Zuspiel / Tonband, 1 perf | ob [Oboe] | 0 | |||||||||||||
| 146 | Jose Antonio | Alcaraz | Fonologia | 1964 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | p, orc [Piano, Orchester] | 0 | |||||||||||
| 147 | Jose Antonio | Alcaraz | Mutis | 1986 | Zuspiel / Tonband, 2 perf | V, fl [Stimme, Flöte] | 0 | ||||||||||||
| 148 | Jose Antonio | Alcaraz | Tablada | 1984 | Zuspiel / Tonband, 2 perf | V, ins [Stimme, Instrument] | 0 | ||||||||||||
| 22894 | Antonio | Alcazar Aranda | Letania | 1998 | fixed media, akusmatisch | 3:04 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 19534 | Antonio | Alcázar Aranda | Materia: Piedras | 1995 | fixed media, akusmatisch | 7:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19533 | Antonio | Alcázar Aranda | Transformaciones | 1994 | fixed media, akusmatisch | 15:56 | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||
| 149 | Michael | Alcorn | A Slow Dance | 1992 | Zuspiel, live-elec, 4 perf | 17:15 | S, A, T, B [Sopran, Alt, Tenor, Bass] | Tape Version: NeXT with ISPW Text by Montague |
ICMC 1993, LMCD 1375/ | SARC Belfast | New Macnaghten Concerts & London Arts Board | 22.20.1992 | London with Singcircle | 1 | |||||
| 25082 | Michael | Alcorn | Caoine | 1996 | live-elec, 1 perf | 10:00 | str [Streicher] | ISPW | Uni Limerick | 31.10.1996 | Sionna Festival Limerick | 0 | |||||||
| 24298 | Michael | Alcorn | Crossing the Threshold | 2001 | live-elec, 1 perf | 9:17 | vn [Violine] | SARCCD 001 Vol. 1/ CMC CD 06 Contemporary Music from Ireland Vol 6/ | SARC Belfast | 1 | |||||||||
| 25086 | Michael | Alcorn | Double Escapement | 1992 | Zuspiel / Tonband, 1 perf | 9:00 | p [Piano] | 20.7.1995 | Frost (USA) | 0 | |||||||||
| 25087 | Michael | Alcorn | Hanging Stones | 1985 | intermedia, | 34:00 | (slides) [] | SARC Belfast | 27.4.1995 | Belfast | 0 | ||||||||
| 25085 | Michael | Alcorn | Jubilate | 1986 - 1987 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | 01.1987 | Dublin | 0 | |||||||||
| 25088 | Michael | Alcorn | Patina | 1998 | fixed media, akusmatisch | 15:00 | SARC Belfast | Sonorities Festival & Arts Council of Northern Ireland | 14.5.1998 | Belfast | 0 | ||||||||
| 22297 | Michael | Alcorn | Resonant air | 2000 | fixed media, akusmatisch | 10:51 | SIDO 010/ | SARC Belfast | Galways Arts Festival & Arts Counci of Ireland | 22.6.2000 | Galway | 1 | |||||||
| 25084 | Michael | Alcorn | The Old Woman of Beare | 1994 | live-elec, 4 perf | 20:00 | str-qt [Streicher] | ISPW | Kyoto International Music Festival | 23.11.1994 | Kobe | 0 | |||||||
| 25083 | Michael | Alcorn | Voyager | 1990 | Zuspiel, live-elec, 9 perf | 13:00 | 4 - 9 ins, slides [Instrument] | Arts council of Northern Ireland for Young Arts Festiva | 24.1.1990 | Enniskillen | 0 | ||||||||
| 150 | Anthony | Aldridge | Pericles | 1991/1992 | Musiktheater | Stereo, Octo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 18580 | Brian | Ales | Low Cloud | 1989 | fixed media, akusmatisch | 4:46 | Stereo | BCA 1/ | Banff C. | 0 | |||||||||
| 37609 | Patricia | Alessandrini | à mon seul désir | 2001 | live-elec, 1 perf, 1 group | S, ens [Sopran, Ensemble] | 0 | ||||||||||||
| 37603 | Patricia | Alessandrini | Adagio pour l’absence | 2011 | audiovisuell, live-elec, 3 perf | 3 mus [Musiker] | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | |||||||||||
| 37606 | Patricia | Alessandrini | Adagio sans quatuor | 2010 | Klangkunst, Installation | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37611 | Patricia | Alessandrini | Arrangement in Gray and Black | 2005 | live-elec, 8 perf | 8 ins [Instrument] | 0 | ||||||||||||
| 37622 | Patricia | Alessandrini | Bodied Chambers | 2014 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 37604 | Patricia | Alessandrini | Conversations with changes | 2010 | audiovisuell | 2 sax [Saxophon] | 0 | https://www.youtube.com/watch?v=tRnssFzPMdc | |||||||||||
| 37614 | Patricia | Alessandrini | De profundis clamavi (Hommage à Alban Berg) | 2007 | live-elec, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 37615 | Patricia | Alessandrini | Funeral Sentences | 2008 | live-elec, 4 perf | vn, vc, gui, perc [Gitarre, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 37602 | Patricia | Alessandrini | Gurre-Klänge | 2012 | audiovisuell, live-elec, 14 perf | S, fl (singing), 12 ins, (resonating objects) [Sopran, Flöte, Instrument] | 0 | https://vimeo.com/57261081 | |||||||||||
| 35009 | Patricia | Alessandrini | Leçons de ténèbres | 2016 | live-elec, 1 group | ens [Ensemble] | Experimentalstudio für Akustische Kunst Freiburg | SWR | 16.10.2016 | Donaueschinger Musiktage, Donauhallen, ensemble recherche | 0 | ||||||||
| 37616 | Patricia | Alessandrini | menus morceaux par un autre moi réunis | 2009, 2013 | live-elec, 1 perf | gui [Gitarre] | 4 miniatures | 0 | |||||||||||
| 37618 | Patricia | Alessandrini | Mismoded | 2011 | audiovisuell, live-elec, 3 perf | S, gui, perc, (live-ele, interactive video) [Sopran, Gitarre, Schlagzeug] | 4 versions | 0 | |||||||||||
| 37600 | Patricia | Alessandrini | Mondgewächse | 2013 | audiovisuell, live-elec, 1 group | ens [Ensemble] | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | |||||||||||
| 37623 | Patricia | Alessandrini | Nachtgewächse | 2014 | live-elec, 7 perf | fl, cl, vn, vc, p, perc, kbd (Melodica), (live-elec) [Flöte, Klarinette, Piano, Keyboard, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 37617 | Patricia | Alessandrini | Nani | 2009 - 2010 | fixed media, akusmatisch | 4 versions | 0 | ||||||||||||
| 37624 | Patricia | Alessandrini | Parlour Sounds | 2016 | live-elec, 1 perf, 1 group | fem V, ens [Stimme, Ensemble] | Monodrama | 0 | |||||||||||
| 37621 | Patricia | Alessandrini | Pastorale (Hommage à Schnittke) | 2014 | Klanginstallation, live-elec, 5 perf | p, str-qt [Piano, Streicher] | 0 | ||||||||||||
| 37619 | Patricia | Alessandrini | Schattengewächse | 2013 | Klanginstallation, live-elec, 1 perf | toy p [Piano] | 0 | ||||||||||||
| 37613 | Patricia | Alessandrini | Soliloque (c’est ce parfait et pur amour …) | 2007 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 37608 | Patricia | Alessandrini | Sospiri | 2000 | live-elec, 3 perf | 3 S [Sopran] | 0 | ||||||||||||
| 37601 | Patricia | Alessandrini | The Yellow Ones Are Mine | 2013 | audiovisuell | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37605 | Patricia | Alessandrini | They think therefore I am | 2010 | audiovisuell | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37625 | Patricia | Alessandrini | Tracer la lune | 2017 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 37610 | Patricia | Alessandrini | Trio (d’après Schoenberg) | 2004 | live-elec, 3 perf | cl, vc, p [Klarinette, Piano, Cello] | 0 | ||||||||||||
| 37612 | Patricia | Alessandrini | When David Heard | 2005 | live-elec, 2 perf | db, perc [Schlagzeug, Kontrabass] | 0 | ||||||||||||
| 37620 | Patricia, Freida | Alessandrini, Abtan | Orpheus Machines | 2014 | Klanginstallation, live-elec, | 0 | |||||||||||||
| 151 | Magnus | Alexanderson | FU | 1991 | fixed media, akusmatisch | 32:00 | Elektron EM 1010/ | EMS Stockholm | 0 | ||||||||||
| 28098 | Magnus | Alexanderson | Melting Points | 1997 | live-elec, 1 perf | MIDI-gui [Gitarre] | with MIDI-gui | Elektron EM 1010/ | EMS Stockholm | 0 | |||||||||
| 28099 | Magnus | Alexanderson | Stretched in Dark | 2000 | fixed media, akusmatisch | Elektron EM 1010/ | EMS Stockholm | 0 | |||||||||||
| 152 | Minas | Alexiadis | Domestic Variations | 1989 | fixed media, akusmatisch | 9:05 | Stereo | Spectrum | 0 | ||||||||||
| 153 | Minas | Alexiadis | Hydrophonie | 1984 | fixed media, akusmatisch | 10:05 | Stereo | HfM Düsseldorf | 0 | ||||||||||
| 154 | Minas | Alexiadis | Life after life | 1988 | Tanz | 21:20 | Stereo | Spectrum | 0 | ||||||||||
| 155 | Minas | Alexiadis | Nyktoor | 1989 | Zuspiel / Tonband, | 5:30 | Stereo | Spectrum | 0 | ||||||||||
| 156 | Minas | Alexiadis | Prayers | 1986 | fixed media, akusmatisch | 11:35 | Stereo | Spectrum, PS C. | 0 | ||||||||||
| 157 | Minas | Alexiadis | Soul journey | 1987 | Hintergrundmusik | 10:35 | Stereo | Spectrum, PS C. | 0 | ||||||||||
| 158 | Minas | Alexiadis | Tostohream Chant | 1990 | Tanz | 16:42 | Stereo | Spectrum | 0 | ||||||||||
| 159 | Blagomir | Alexiev | For tape only | 1992 | fixed media, akusmatisch | 8:45 | 0 | ||||||||||||
| 23102 | Blagomir | Alexiev | In the end of the Road | 2001 | radiophon | Karl Sczuka Förderpreis 2001 | Radio Sofia | 1 | |||||||||||
| 38471 | Rodolphe | ALEXIS | Dry, wet, evergreen | 2013 | radiophon | 15:27:00 | Prix Phonurgia nova | 0 | |||||||||||
| 35339 | Rodolphe | Alexis | The Glittering Thing On The Mountain, Cicada of the dusk The hill was sinking into the night, some frogs were playing the harp Rice field interlude Megabats party in the backyard Morning whispers, Urauchi River Chatting around midday Gentle breeze on the forest edge interlude Early morning for Mudskippers Night’s Calling |
2014 | fixed media, akusmatisch | 48:58 | 9 parts, fieldrecordings | Gruen 158/ | 0 | http://www.gruenrekorder.de/?page_id=14303 | |||||||||
| 40269 | Susan | Alexjander | Portal/Black Holes White Holes | 2015 | fixed media, akusmatisch | 10:00:00 | Susan Alexjander | 0 | |||||||||||
| 39432 | Luzilei | Aliel | Wysoccan: between men and gods | 2017 | live-elec, | 0 | |||||||||||||
| 34769 | Simo | Alitalo | … but where does it come from? | 1998 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 21.8.-13.9.1998 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 160 | Simo, Jouko | Alitalo, Koivusaari | Virtual Wetlands — wish you were here | 1995 | radiophon | 6:00 | Yleisradio | 1 | |||||||||||
| 18581 | Thierry | Alla | Spot | 1993 | fixed media, akusmatisch | 10:13 | Stereo | OC 951/ | 0 | ||||||||||
| 42573 | Andrew S. | Allen | Leaflet | 2009 | live-elec, 2 perf | 3 | p, fl [Flöte, Piano] | 0 | |||||||||||
| 42899 | Clay | Allen | Aqueous | 2013 | fixed media, akusmatisch | 8:08:00 | 0 | ||||||||||||
| 161 | J Peter | Allen | Sundance | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 162 | J Peter | Allen | Sundance III | fixed media, akusmatisch | 13:10 | Stereo | 0 | ||||||||||||
| 18582 | Terry | Allen | Bleeder | 1990 | radiophon | 27:07 | Stereo | WN 0013/ | 0 | ||||||||||
| 41994 | Juan | Allende-Blin | Gegenträume / contre-rêves | 2003 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 28365 | Juan | Allende-Blin | Les voies de la voix | 1984 | radiophon | Stereo | WDR Studio Akustische Kunst | 0 | |||||||||||
| 41993 | Juan | Allende-Blin | Magnetfelder | Zuspiel / Tonband, 3 perf | p, cl, db [Klarinette, Piano, Kontrabass] | 0 | |||||||||||||
| 1857 | Juan | Allende-Blin | Rapport sonore / Relato sonoro / Klangbericht, Das Märchen Krieg Ausschau Reise Situationen |
1983 | radiophon | 24:00 | Stereo | 5 parts. Inventionen 7.2.85 Ackerstr. |
WDR Studio Akustische Kunst, CERM Metz | Centre Européen pour la Recherche Musicale Metz; Studio Akustische Kunst WDR Köln | Karl-Sczuka-Preis 1983 | 1 | 1985 | ||||||
| 41997 | Juan | Allende-Blin | Traumräume | 2007 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 41996 | Juan | Allende-Blin | Wandlungen | 2005 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 41995 | Juan | Allende-Blin | Wunde am Ende der Zeit | 2003 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 42202 | Juan, Filippo Tommaso | Allende-Blin, Marinetti | Fünf Klanghörspiele | 1988 | radiophon | 21:30 | WDR | 24.5.1988 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1445977&vi=2&SID | ||||||||
| 163 | Kristi | Allik | Alambic Rhythms | 1987 | audiovisuell | 23:00 | Stereo | Video transfer of multi-image (Images: Robert Mulder) | Luminart London ON, Uni Western ON | 0 | |||||||||
| 40975 | Kristi | Allik | Anooee-Intersection (Shananditti) | 1987 | audiovisuell | 50:00:00 | Theatre of mixed-means for eight-track electroacoustic tape, dancers, soprano, and 360° surround image projection. | 0 | |||||||||||
| 164 | Kristi | Allik | Cometose | 1986 | audiovisuell | intermedia |
27:00 | Stereo | 6 com con slide projectors and dig sound | Luminart London ON | 0 | |||||||||
| 40960 | Kristi | Allik | Cool Jazz | 1982 | Zuspiel / Tonband, 2 perf | 10:00:00 | vn, vc [Cello, Violine] | 0 | |||||||||||
| 40964 | Kristi | Allik | Electronic Purgatory, Berlin Version | 1997 | audiovisuell, live-elec, | 31:00:00 | Digital music-theatre work inspired by Dante's Divine Comedy in a contemporary look at heaven and hell. | 0 | |||||||||||
| 40968 | Kristi | Allik | Electronic Purgatory, Linz Version | 1991 | Theater, live-elec, | 78:00:00 | Digital Music-theatre work inspired by Dante's Divine Comedy in a contemporary look at the big bang, heaven, hell and purgatory. | Linz | 0 | ||||||||||
| 40970 | Kristi | Allik | Electronic Purgatory, Oslo Version | 1989 - 1992 | Theater, live-elec, 1 perf | 32:00:00 | p [Piano] | Digital Music-theatre work inspired by Dante's Divine Comedy in a contemporary look at the heaven, hell and purgatory. | 0 | http://www3.sympatico.ca/robmulder/elecpurg.htm | |||||||||
| 40959 | Kristi | Allik | Four Steps to a Layer Cake | 1983 | radiophon | 8:00:00 | radio broadcast. | 0 | |||||||||||
| 40961 | Kristi | Allik | Fragrances of Time and Space | 2001 | Klangkunst, Installation | Interactive multimedia soundscape installation | Arts Ontario Conference, May 2001 | 0 | |||||||||||
| 40962 | Kristi | Allik | ~infoweaver | 2000 | audiovisuell | 100:00:00 | multichannel | Digital music-theatre work. A multi-media work | 0 | ||||||||||
| 166 | Kristi | Allik | Integra | 1986 | audiovisuell | 10:00 | Stereo | 6 com con slide projectors and dig sound | Luminart London ON, Queens Uni Kingston | 1 | |||||||||
| 40955 | Kristi | Allik | Integra | 1987 | Zuspiel / Tonband, 1 perf | 11:00:00 | s-sax [Saxophon] | 1 | |||||||||||
| 167 | Kristi | Allik | Introspection | 1983 | fixed media, akusmatisch | 7:00 | Stereo | 'Introspections' explores the boundary between harmonic and inharmonic electroacoustic timbres. | Uni Western ON | 0 | |||||||||
| 40977 | Kristi | Allik | Loom Sword River | 1982 | Oper | 120:00:00 | V, chamber-orc [Stimme, Orchester] | (Chamber opera). For solo vocalists and chamber orchestra. | 0 | ||||||||||
| 23103 | Kristi | Allik | Machine Symphony | 2000 | fixed media, akusmatisch | 3:03 | Cec Presence 3/ | Queens Uni Kingston | 1 | ||||||||||
| 40957 | Kristi | Allik | Meditation | 1984 | Zuspiel / Tonband, 2 perf | 15:00:00 | vn, vc [Cello, Violine] | 0 | |||||||||||
| 40953 | Kristi | Allik | Nel Mezzo del Cammin di Nostra Vita | 1995 | live-elec, 2 perf | 12:54:00 | S, gui [Sopran, Gitarre] | 0 | |||||||||||
| 40971 | Kristi | Allik | Pentaprism | 1989 | Theater, live-elec, | 16:00:00 | Digital Music-theatre work.. | 0 | |||||||||||
| 40973 | Kristi | Allik | Pentaprism | 1988 | audiovisuell, live-elec, | 11:00:00 | Digital Music-theatre for theatre, video, electroacoustics and virtual realty system. | 0 | |||||||||||
| 168 | Kristi | Allik | Rhapsody | 1986 | Zuspiel / Tonband, 1 perf | 12 | cl [Klarinette] | 'Rhapsody' is inspired by the first musical gesture in George Gershwin's 'Rhapsody in Blue' | Auszeichnung ars electronica 1992 | 1 | |||||||||
| 40976 | Kristi | Allik | Rhythm and Culture | 1986 | audiovisuell | 45:00:00 | perf, perc [Schlagzeug, Performer] | Theatre of Mixed-means for electroacoustic tape, performer, percussion and multi-image projection. | 0 | ||||||||||
| 40958 | Kristi | Allik | Riddim | 1984 | Zuspiel, live-elec, 4 perf | 10:00:00 | 4 synt [synthesizer] | 0 | |||||||||||
| 169 | Kristi | Allik | Rondeau | 1985 | audiovisuell | 22:00 | Stereo | 6 com con slide projectors and dig sound | Uni Western ON | 0 | |||||||||
| 24176 | Kristi | Allik | Sea Spirits | 2002 | fixed media, akusmatisch | 5:00 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 40951 | Kristi | Allik | Shadow of the Wolf | 1997 | Zuspiel / Tonband, 1 perf | 7:43:00 | en-hn [Oboe] | 0 | |||||||||||
| 40956 | Kristi | Allik | Silicon Sidewinder | 1985 | Zuspiel / Tonband, 2 perf | 10:00:00 | 2 perc [Schlagzeug] | 0 | |||||||||||
| 40969 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part I | 1991 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40965 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part II | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40966 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part III | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40963 | Kristi | Allik | Skyharp: Icestorm | 2000 | Klangkunst, Installation | Interactive audio-visual installation/performance. | 0 | ||||||||||||
| 40952 | Kristi | Allik | Skyharp: The Skyline Variations | fixed media, akusmatisch | environmentally generated music | 0 | |||||||||||||
| 40967 | Kristi | Allik | Skyharp: The Skyline Variations | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40950 | Kristi | Allik | Songs of Auyuittuq | 1997 | Zuspiel / Tonband, 1 group | 10:04:00 | fem ch [Chor] | 0 | |||||||||||
| 40974 | Kristi | Allik | Until Rust Do Us Part | 1988 | Klanginstallation, live-elec, | 15:00:00 | Installation for electroacoustic tape, computer controlled 3-D multi-image projection, and sculptural kinetics. Visuals by Robert Mulder. | 0 | |||||||||||
| 40972 | Kristi | Allik | Vitamin B52 | 1989 | audiovisuell, live-elec, 1 perf | 25:00:00 | perf [Performer] | Digital Music-theatre for live performer, electroacoustic tape and computer controlled multi-image projection. Visuals by Robert Mulder. | 0 | ||||||||||
| 40954 | Kristi | Allik | Xanthé | 1988 | Zuspiel / Tonband, 1 perf | 11:00:00 | cl [Klarinette] | 0 | |||||||||||
| 165 | Kristi, Bentley | Allik, Jarvis | Electronic Zen Garden | 1984, 2005 | audiovisuell | 70 | Stereo | 0 | |||||||||||
| 38815 | Clara | Alloing | Nous somme | radiophon | 19:41 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | ||||||||||||
| 19309 | José | Alloza Escudero | 28 Diapasones | fixed media, akusmatisch | 7:57 | música electroacústica española 1/ | 1 | ||||||||||||
| 3 | Daniel, Gerald, Art, Wolfgang, Thomas, Gunnar, Roland, Balz, Daniel, | Almada, Bennett, Clay, Heiniger, Kessler, Kristinsson, Moser, Trümpy, Weissberg, | Klanglabyrinth | 1991 | fixed media, akusmatisch | nach Beethoven´s Ouverture"Die Weihe des Hauses". Group: Daniel Alejandro Almada, Gerald Bennett, Art Clay, Wolfgang Heiniger, Heinz Holliger, Thomas Kessler, Gunnar Kristinsson, Roland Moser, Balz Trümpy, Daniel Weissberg | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 171 | Daniel Alejandro | Almada | Interferencia | 1992 | fixed media, akusmatisch | 10:30 | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 172 | Daniel Alejandro | Almada | Presion Suburbana | 1992 | live-elec, 3 perf | 13:30 | p, Kbd, sam, (Elektronische Hände) [Piano, Keyboard, computer] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 170 | Daniel Alejandro, Art, Olaf, Gunnar | Almada, Clay, Järmann, Kristinsson | 44°15' auf 40° West | 1990 | live-elec, 1 group | 12:30 | ens [Ensemble] | Inventionen 4.2.1991 AdK | HSM Basel | 1 | 1991 | http://www.esbasel.ch/ | |||||||
| 25465 | Pedro | Almeida | In Rota | fixed media, akusmatisch | 10:51 | miso records mcd 016.07/ | 2005 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | |||||||||||
| 38679 | Pablo Sanz, Francesco, Katrin, Konrad, Group, Stefan, Group, Etienne, Tamer Fahri, Thomas | ALMOGUERA, GIOMI, Emler, KORABIEWSKI, LA COSA PREZIOSA, MALESEVIC, SOFTDAY, NOISEAU, ÖZGÖNENC, KÖNER | Europa – ein Klangpanorama (2) | 2011 | radiophon | 25:56:00 | 0 | ||||||||||||
| 33335 | André | Almuro | Androgyne Asiatique Adolescent | 1966 | radiophon | 5:40 | after own texts | PS C. Paris | 0 | ||||||||||
| 173 | André | Almuro | Arcadie | 1964 | fixed media, akusmatisch | 7:30 | Mono | PS C. Paris | 0 | ||||||||||
| 174 | André | Almuro | Artefact | 1981 | fixed media, akusmatisch | 25:54 | Stereo | INA • GRM | 28.3.1983 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||||
| 175 | André | Almuro | Emportez-moi | 1957 | radiophon | 1:30 | Mono | text by Michaux | Club d'Essai Paris | 0 | |||||||||
| 33333 | André | Almuro | Garde à vous au couchant | 1966 | radiophon | 2:30 | Mono | after words by Olivier Larronde | PS C. Paris | 0 | |||||||||
| 176 | André | Almuro | Grafitti – Poème Electronique II | 1957/1961 | fixed media, akusmatisch | 17:00 | Mono | new version of "de la nature" | PS C. Paris | 0 | |||||||||
| 177 | André | Almuro | L'enfant poète (Oratorio) | 1950 | fixed media, akusmatisch | 25:00 | Mono | PS C. Paris | 0 | ||||||||||
| 178 | André | Almuro | L’Envol | 1968 | fixed media, akusmatisch | BAM LD 60-18/ | 0 | ||||||||||||
| 179 | André | Almuro | Le condamné à mort | 1967 | fixed media, akusmatisch | 30:00 | Mono | after words by Jean Genèt | PS C. Paris | 0 | |||||||||
| 180 | André | Almuro | Le grand combat | 1957 | radiophon | 1:00 | Mono | text by Michaux | Club d'Essai Paris | 0 | |||||||||
| 181 | André | Almuro | Lévogyre | 1973 | fixed media, akusmatisch | 22:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 182 | André | Almuro | Opèra de corail – Poème Electronique IV | 1964 | fixed media, akusmatisch | 28:00 | Mono | with photos by N. Doyon, sculptures by L. Stoskopf | PS C. Paris | 0 | |||||||||
| 183 | André | Almuro | Opium | 1957 | radiophon | 29:12 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 184 | André | Almuro | Phonolite #1, #2 | 1966 | fixed media, akusmatisch | 11:00 | Mono | Mau/ | PS C. Paris | 0 | |||||||||
| 185 | André | Almuro | Réflexes | 1960 | fixed media, akusmatisch | 12:20 | Mono | PS C. Paris | 0 | ||||||||||
| 186 | André | Almuro | Sable memorial | 1985 | radiophon | 28:40 | Stereo | INA • GRM | Radio-France | 5.7.1986, 20h | France Culture | 0 | |||||||
| 188 | André | Almuro | several Radiophonic works | 1954 - 1960 | radiophon | Mono | Maison des Lettres Paris, CERT Paris | 0 | |||||||||||
| 189 | André | Almuro | Stratification – Poème Electronique V | 1967 | Performance | Klangkunst, Installation |
Mono | with films and sculptures | PS C. Paris | 0 | ||||||||||
| 33334 | André | Almuro | Structure rouge | 1966 | Demo, Studie | 28 | Mono | structures sonores pour des textes dits et chantés par Colette Magny | PS C. Paris | 0 | |||||||||
| 190 | André | Almuro | The Creation of the Animals | 1958 | radiophon | 19:50 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 191 | André | Almuro | The Ox and the Ass | 1958 | radiophon | 45:00 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 192 | André | Almuro | Transhumances – Poème Electronique III | 1963 | fixed media, akusmatisch | 28:30 | Mono | with photos by N. Doyon | PS C. Paris | 0 | |||||||||
| 193 | André | Almuro | Va et vient | 1966 | fixed media, akusmatisch | 4:35 | Mono | Mau/ | PS C. Paris | 0 | |||||||||
| 36288 | André, Colette | Almuro, Magny | Bura Bura | 1967 | fixed media, akusmatisch | 3:14 | Creel pone 057/ | 0 | |||||||||||
| 194 | Avelino | Alonso Rodriguez | Canciu de Seronda | 1985 | Zuspiel / Tonband, 1 perf | 24:15 | Quadro | a-rec [Flöte] | Sonology Utrecht | 0 | |||||||||
| 19532 | Avelino | Alonso Rodriguez | La Flor del Agua II | 1986 | fixed media, akusmatisch | 6:11 | Stereo | GME Cuenca | 0 | ||||||||||
| 19531 | Avelino | Alonso Rodriguez | Naira | 1986 | fixed media, akusmatisch | 13:05 | Stereo | GME Cuenca | 0 | ||||||||||
| 36426 | Edith | Alonso | Acerca de Tus Palabras | 2010 | fixed media, akusmatisch | lus_44 Luscinia/ | 0 | ||||||||||||
| 35718 | Edith | Alonso | Cicuit Messe | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 36679 | Edith | Alonso | Una Estancia Breve | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 34650 | Hara | Alonso | Resonance virtuel du piano corporel V. 2.0 | 2016 | live-elec, 1 perf | (imaginary) p [Piano] | SMC2016 | 03.2016 | Lyon | 0 | |||||||||
| 34651 | Hara, Anneke | Alonso, Kleimann | Saturn Rings, The City Composing | 2016 | live-elec, 1 perf | var mus [Musiker] | SMC2016 | 0 | |||||||||||
| 18583 | Juan Manuel | Alonso | Sine nomine | Zuspiel / Tonband, 1 perf | 5:46 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | ||||||||||
| 42785 | Max | Alper | peacenoisefarrockaway | 2012 | fixed media, akusmatisch | 4:06:00 | 0 | ||||||||||||
| 39599 | Ariadna | Alsina | “Closca KC” | 2017 | fixed media, akusmatisch | Ariadna Alsina | 0 | ||||||||||||
| 20750 | Carlos Roqué | Alsina | Entre vents et marées | 1994 | fixed media, akusmatisch | 12:11 | Stereo | INA C 2009/ | INA • GRM | 1 | |||||||||
| 195 | Carlos Roqué | Alsina | Etudes | 1978 | Zuspiel, live-elec, 1 group | 18:11 | Stereo | orc [Orchester] | 7 Ètudes | INA • GRM | Commande de l'Etat et de l'INA·GRM | 17.11.1979 | Metz, 8. Rencontres int., NOP, dir. G. Amy | 0 | |||||
| 196 | Carlos Roqué | Alsina | Harmonies | 1983 | Zuspiel / Tonband, 1 perf, 2 groups | 9:50 | Stereo | S, ch, orc [Sopran, Chor, Orchester] | INA • GRM | 0 | |||||||||
| 197 | Carlos Roqué | Alsina | Hinterland | 1982 | Zuspiel / Tonband, 2 perf | 26:03 | Stereo | p, perc [Piano, Schlagzeug] | INA C 2009/ | INA • GRM | Commande du Ministère de la Culture et de l'INA.GRM | 22.2.1982 | Paris, Maison de Radio France, Gd. Auditorium. C. Roque-Alsina (p), G. Sylvestre (perc) | 1 | |||||
| 198 | Carlos Roqué | Alsina | Hommage | 1984 | Zuspiel / Tonband, 1 perf | 21:16 | Stereo | p [Piano] | INA • GRM | Radio France | June 1984 | Toulouse | 0 | ||||||
| 20749 | Carlos Roqué | Alsina | Klavierstück VI, Hommage à Bach | 1984 | Zuspiel / Tonband, 1 perf | 20:53 | Stereo | p [Piano] | INA C 2009/ | INA • GRM | 1 | 2008 | |||||||
| 43057 | Birgitte | Alstead | Ice and Us | 2014 | Klangkunst, Installation | Location: Underground Theater | 0 | ||||||||||||
| 199 | Birgitte | Alsted | Growth | fixed media, akusmatisch | 0 | ||||||||||||||
| 19367 | Birgitte | Alsted | Sorgsang II (Lament II) | 1995 | fixed media, akusmatisch | 21:10 | Carsten Hobolt (Stimme) | dacapo 8.224083/ | DIEM Aarhus | Planetarium-concert-series | 0 | ||||||||
| 39616 | Birgitte | Alsted | WOANDERS (elsewhere) | 2015 | fixed media, akusmatisch | 20:10:00 | Birgitte Alsted | 0 | |||||||||||
| 200 | André | Altagör, Vernier | Métapoesie | 1952 | fixed media, akusmatisch | Mono | txtcompo with M. concrète | Club d'Essai Paris | 0 | ||||||||||
| 39498 | Siana | Altiise | Hypnagogia: The Space Between | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39787 | Francesco | Altilio | Aaktr | 2015 | fixed media, akusmatisch | 15:12:00 | Francesco Altilio | 0 | |||||||||||
| 23801 | Boris | Alvarado | Shu-Shu | fixed media, akusmatisch | 5:30 | 0 | |||||||||||||
| 201 | Eduardo Guimarães | Álvares | Estórias | 1987 | Zuspiel/Tonband, 1 perf | Musiktheater |
5:00 | Stereo | trbn [Posaune] | PS Bemol | 0 | |||||||||
| 202 | Eduardo Guimarães | Álvares | Nocturnal | 1991 | Zuspiel / Tonband, 1 perf | 4:50 | Stereo | a-sax [Saxophon] | PS Bemol | 0 | |||||||||
| 33975 | Paulo | Álvares | Pirlimpsiquice | 1993 | Zuspiel / Tonband, 1 perf | 13:02 | Quadro | va [Viola] | HfMT Köln | 0 | |||||||||
| 203 | Paulo | Álvares | Zero | 1991/1992 | fixed media, akusmatisch | 17:26 | Quadro | HfMT Köln | 0 | ||||||||||
| 204 | Paulo | Álvares | Zero II, ...fugatos magnificos, legatissimo... | 1993 | Zuspiel / Tonband, 1 perf | 7:00 | Quadro | p [Piano] | Komposition für Tasteninstrumente und quadrophones Tonband | HfMT Köln CD5/ | HfMT Köln | 1 | |||||||
| 34079 | Javier | Alvarez | A puro chanfle | 2006 | fixed media, akusmatisch | 8:39:00 | Quadro | 0 | |||||||||||
| 205 | Javier | Alvarez | Acuerdos por diferencia | 1989 | Zuspiel / Tonband, 1 perf | 11:29 | Stereo | hp [Harfe] | CD-SDL 390/ | City Uni London | Park Lane Group | 1989 | Hugh Webb, Purcell Room, London | Mention Bourges 1989 | 0 | ||||
| 206 | Javier | Alvarez | Appearance | 1989 | Tanz, 2 perf | Stereo | perc, MIDI [Schlagzeug, synthesizer] | City Uni London | 0 | ||||||||||
| 207 | Javier | Alvarez | Asi el acero | 1988 | Zuspiel / Tonband, 2 perf | 9:10 | Stereo | steel-drum, T [Tenor, Schlagzeug] | CD-SDL 390/ | City Uni London | Simon Limbrick with funds provided by the 1988 London Percussion Festival | 1988 | London Percussion Festival, London | 0 | |||||
| 23773 | Javier | Alvarez | Cactus géométries | 2002 | fixed media, akusmatisch | 19:22 | Stereo, Quadro | INA e 5015/ | INA • GRM | Groupe de Récherches Musicales with funds provided by the French Ministry of Arts | 2002 | Salle Olivier Messian, Radio France, Paris | 1 | ||||||
| 34127 | Javier | Alvarez | Calacas Imaginarias | 1994 | Zuspiel / Tonband, 1 group | 24 | mx ch [Chor] | New London Cahmber Choir with funds provided by Leicester Arts | 1994 | St. Mary de Castro, Leicester (New London Chamber Choir) | Auszeichnung ars electronica 1995 | 0 | |||||||
| 208 | Javier | Alvarez | Chak | 1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | MIDI [synthesizer] | MIDI | City Uni London | 0 | ||||||||
| 34130 | Javier | Alvarez | cylinder clouds/ | 2002 | fixed media, akusmatisch | Klangkunst, Installation |
24:00:00 | 3 fl [Flöte] | Installation for three flutes & electroacoustic sounds | the Scottish Flute Trio with funds provided by the Scottish Arts Council. | 2002 | The Scottish Flute Trio, The Lighthouse Art Centre, Glasgow Scotland | 0 | |||||||
| 34133 | Javier | Alvarez | De tus manos brotan pájaros | 2010 | Zuspiel / Tonband, 1 perf | 13:00:00 | bn [Fagott] | Wendy Holdaway | 2010 | Wendy Holdaway, Festival Cervantino, Mexico | 0 | ||||||||
| 34131 | Javier | Alvarez | Le repas du Serpent & Retour a la Raison | 2004 | audiovisuell, 1 perf | 9:00:00 | vc [Cello] | Ictus Ensemble | 2002 | François Deppe, Opera de Lille, France | 0 | ||||||||
| 210 | Javier | Alvarez | Luz Caterpilar | 1985/1986 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | p [Piano] | City Uni London | Mention Bourges 1986 | 0 | ||||||||
| 211 | Javier | Alvarez | Mambo à la Braque | 1990 | fixed media, akusmatisch | 3:02 | Stereo | IMED 9004/ IMED 0050/ IMED 9604/ | City Uni London | 1991 | Purcell Room, London | 1 | |||||||
| 34125 | Javier | Alvarez | Mambo Vinko | 1993 | Zuspiel / Tonband, 1 perf | 15 | trbn [Posaune] | INA • GRM | GRM with funds provided by the French Ministry of Arts | 1993 | Salle Olivier Messian, Radio France, Paris (Vinko Globockar) | 0 | |||||||
| 212 | Javier | Alvarez | Mannam | 1992 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | str (kayagum) [Streicher] | CD-SDL 390/ | IMEB Bourges | Projects Uk/ Newcastle upon Tyne | 1992 | Purcell Room, London (Inok Paek) | Auszeichnung ars electronica honorary mention 1993 | 0 | ||||
| 34132 | Javier | Alvarez | Negro Fuego y Cruzado | 2008 | audiovisuell, 2 perf | 11:00:00 | 2 b-cl [Klarinette] | Two bass clarinets, video and electroacoustic sounds | Festival Cervantino for Fernando Dominguez and Harry Spaarnay | 2008 | Fernando Dominguez and Harry Sparnaay, Festival Cervantino, Mexico | 0 | |||||||
| 23774 | Javier | Alvarez | Offrande | 2000 | Zuspiel / Tonband, 2 perf | 18:26 | Stereo | S, vc (cello-steel-pans) [Sopran, Cello] | INA e 5015/ | INA • GRM | Groupe de Récherches Musicales with funds provided by the French Ministry of Arts | 2000 | Salle Olivier Messian, Radio France, Paris (Florent Jodelet & Simon Limbrick) | 1 | |||||
| 34128 | Javier | Alvarez | Overture | 1995 | fixed media, akusmatisch | 1:00:00 | the 1995 Skinskateberg Electronic Music Festival | 1995 | Galleri Astley, Skinskateberg, Sweden | 0 | |||||||||
| 214 | Javier | Alvarez | Papalotl, Butterfly | 1987 | Zuspiel / Tonband, 1 perf | 13:13 | Stereo | p [Piano] | Fairlight | LDC 278044/45 Cultures Electroniques 2/ CD-SDL 390/ IRD 002 Irradia/ | City Uni London | September 1987 | Queen Elisabeth Hall, London (Philip Mead) | Prize Bourges 1987, Prize Prix Ars electronica 1988 |
1 | ||||
| 215 | Javier | Alvarez | Puerta sin pertas | 1990 | Zuspiel / Tonband, 1 perf | Stereo | str (kayagum) [Streicher] | City Uni London | 0 | ||||||||||
| 34126 | Javier | Alvarez | Pyramid | 1996 | Zuspiel / Tonband, 1 perf, 1 group | ≈ 7 | (any number of) inss [Instrument] | Sonic Arts Network Education | 1996 | Huddersfiled Festival | 0 | ||||||||
| 216 | Javier | Alvarez | Quemar las Naves | 1988 | live-elec, 1 group | 14:00 | ens [Ensemble] | ens | City Uni London | 0 | |||||||||
| 34129 | Javier | Alvarez | Recylce loops | 2002 | Zuspiel / Tonband, 1 perf, 1 group | perc-ens [Schlagzeug] | young percussion players | the Aldebourgh Fetival Education | 2002 | Aldebourgh Fetival.April | 0 | ||||||||
| 217 | Javier | Alvarez | Shekere | 2001 | live-elec, 4 perf | 11:00 | Stereo | 4 V [Stimme] | City Uni London | August 1995 | Dartington Hall, Devon (Simon Limbrick) | 0 | |||||||
| 218 | Javier | Alvarez | Temazcal | 1984 | Zuspiel / Tonband, 1 perf | 8:45 | Stereo | maracas [Schlagzeug] | CD-SDL 390/ | RCM London | 24.1.1984 | EMAS (Sonic Arts) series London | Mention Bourges 85 | 1 | 1994 | ||||
| 220 | Javier | Alvarez | The right mark | 1984 | Tanz | Stereo | CD-SDL 390/ | RCM London | 0 | ||||||||||
| 209 | Javier, Ian | Alvarez, Dearden | Edge Dance | 1987 | fixed media, akusmatisch | 4:00 | Stereo | BBC | November 1987 | University of East Anglia, Norwich | 0 | ||||||||
| 213 | Javier, Ian | Alvarez, Dearden | On Going On | 1987 | Zuspiel / Tonband, 1 perf | 11:11 | Stereo | bar-sax [Saxophon] | or WX7 | AVTR 001/ | City Uni London | Stephen Cottrell with fund provided by Estearn Arts Association | 1987 | University of East Anglia, Norwich (Stephen Cottrell) | 0 | ||||
| 219 | Javier, Ian | Alvarez, Dearden | The Panama Files | 1985 | fixed media, akusmatisch | Film |
4:00 | Stereo | City Uni London | Purcell Room, London October 1986 | October 1986 | Purcell Room, London | 0 | |||||||
| 28396 | Luis A., Christian, Ludger, Ludger, Hanns-Holger, Manfred, Otto, Markus | Alvarez, Fischer, Hennig, Kisters, Rutz, May, Vincze, Schlaffke | Einschluss 2 | 2006 | Klangkunst, Installation | 50 | Untertitel „Gefangenschaft hören“ - Werke für die ehemalige Untersuchungshaftanstalt des Ministeriums für Stattssicherheit Erfurt - Andreasstr., Audio-Katalog der Veranstaltung Juni - September 2006. Konzeptleitung M. May. Klangkonzepte für die Räume 102 bis 149 | Ausstellungsproduktion Erfurt | SEAM Weimar | 1 | |||||||||
| 25059 | Miguel | Alvarez | Estudio dobre Armónicos | fixed media, akusmatisch | 4:46 | 1 | |||||||||||||
| 25060 | Miguel | Alvarez | Octava Plaga | fixed media, akusmatisch | 4:04 | 1 | |||||||||||||
| 25061 | Miguel | Alvarez | Primera Plaga | fixed media, akusmatisch | 5:09 | 1 | |||||||||||||
| 38461 | Miguel | Alvarez | Representación, algunas cuestiones | 2005 - 2006 | Performance, Zuspiel, live-elec, 2 perf | 17 | tuba, actor, (elec, lights) [Tuba, Schauspieler] | TU Berlin, LIEM CDMC Madrid | 0 | https://vimeo.com/10672114 | |||||||||
| 25062 | Miguel | Alvarez | Triptico (parte 3) | fixed media, akusmatisch | 3:31 | 0 | |||||||||||||
| 25063 | Miguel, Sandra | Alvarez, Santana | Voyelles | fixed media, akusmatisch | 7:53 | lus_44 Luscinia/ | 1 | ||||||||||||
| 23803 | Pedro | Alvarez | Bahari II | 2004 | live-elec, 4 perf | fl, b-cl, va, vc [Flöte, Klarinette, Viola, Cello] | Premiere Noviembre 2004. XIV Festival de música contemporánea de la Universidad Católica. Santiago, Chile. | 0 | |||||||||||
| 23802 | Pedro | Alvarez | Tripali | 2005 | live-elec, 2 perf | 11:15 | S, va [Sopran, Viola] | Marzo 2005, Instituto Goethe. Santiago, Chile. | 0 | ||||||||||
| 33031 | Maria de | Alvear | The Inner | Performance | 9:45 | btc 04/ | 1 | ||||||||||||
| 33030 | Maria de | Alvear | Trueno | Performance | 3:49 | btc 04/ | 1 | ||||||||||||
| 35390 | Lucas Felipe | Alves de Oliveira | The Relentless Hole | 2013 | fixed media, akusmatisch | 7:18:00 | MR 2014 Métamorphoses 2014/ | 0 | |||||||||||
| 25817 | Bill | Alves | aleph | 2002 | audiovisuell | 9:37 | realized with POV-Ray, CSound | CMJ Vol 29-4, 2005/ | 1 | http://www.billalves.com/aleph.html | |||||||||
| 31682 | Bill | Alves | At First Light | 2012 | audiovisuell, live-elec, 1 group | 10:00:00 | ens, (video) [Ensemble] | 0 | |||||||||||
| 31707 | Bill | Alves | B. Bob Major | 1984 | fixed media, akusmatisch | 4:00:00 | 0 | ||||||||||||
| 31699 | Bill | Alves | Bending Space | 1988 | fixed media, akusmatisch | 7:00:00 | EMF/ | 0 | |||||||||||
| 31684 | Bill | Alves | Breath of the Compassionate | 2009 | audiovisuell, live-elec, 1 group | 9:00:00 | gamelan-ens, (video) [Ensemble] | 0 | |||||||||||
| 31686 | Bill | Alves | Celestial Dance | 2006 | audiovisuell, live-elec, 1 group | 11:00:00 | orc, (video) [Orchester] | Ins: 2222/4221/4 perc/cel/hp/str | 0 | ||||||||||
| 31690 | Bill | Alves | Collateral Damage | 1992 | audiovisuell, live-elec, 1 perf | 7:00:00 | com, (video) [computer] | Competition Musica Nova Prag 1994 | 0 | ||||||||||
| 31702 | Bill | Alves | Consort Music | 1987 | live-elec, 3 perf | 8:00:00 | 2 MIDI-Kbd, perc [Keyboard, Schlagzeug] | 0 | |||||||||||
| 31696 | Bill | Alves | Dream and Toccata | 1992 | live-elec, 1 perf | 6:00:00 | vc [Cello] | 0 | |||||||||||
| 31693 | Bill | Alves | Etude for MicroZone | 2003 | live-elec, 1 perf | 6:00:00 | (MicroZone microtonal) Kbd (controller) [Keyboard] | 0 | |||||||||||
| 31689 | Bill | Alves | Hiway 70 | 1997 | audiovisuell, live-elec, 1 perf | 11:00:00 | com, (video) [computer] | 0 | |||||||||||
| 21089 | Bill | Alves | In-yo | 1998 | Zuspiel / Tonband, 1 perf | 13:45 | shakuhachi [Flöte] | Csound | ICMC 1999/ The HMC American Gamelan/ | 1 | http://www.billalves.com/inyo.html | ||||||||
| 31695 | Bill | Alves | Late Breaking News | 2001 | live-elec, 1 perf | 8:00:00 | Sp [Sprecher] | 0 | |||||||||||
| 31683 | Bill | Alves | Liminal Landscape | 2012 | audiovisuell, live-elec, 1 group | 10:00:00 | ens, (video) [Ensemble] | 0 | |||||||||||
| 31694 | Bill | Alves | Mass Destruction | 2002 | Zuspiel, live-elec, 1 perf | 7:00:00 | (Retuned elec) va or vc, (CD) [Viola, Cello] | 0 | |||||||||||
| 31705 | Bill | Alves | Music for Lost (short film) | 1986 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 31701 | Bill | Alves | Music for Somatic Extensions (short film) | 1987 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 31706 | Bill | Alves | Redundant I | 1985 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31697 | Bill | Alves | Rubber Time | 1991 | live-elec, 4 perf | 9:00:00 | tpt, e-perc, perc, synt [Trompete, Schlagzeug, synthesizer] | 0 | |||||||||||
| 31698 | Bill | Alves | Spectral Motion | 1988 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31687 | Bill | Alves | Static Cling | 2000 | audiovisuell, live-elec, 1 perf | 8:00:00 | com, (video) [computer] | 0 | |||||||||||
| 31685 | Bill | Alves | Stellation | 2008 | audiovisuell, live-elec, 4 perf | 12:00:00 | str-qt, (video) [Streicher] | 0 | |||||||||||
| 31692 | Bill | Alves | The Geometry of Time | 2011 | fixed media, akusmatisch | 13:00:00 | com [computer] | 0 | |||||||||||
| 31704 | Bill | Alves | The Question Mark's Black Ink | 1986 | Zuspiel / Tonband, 2 perf | 17:00:00 | p, perc [Piano, Schlagzeug] | EMF/ | 0 | ||||||||||
| 31703 | Bill | Alves | The Terrain of Possibilities | 1987 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31688 | Bill | Alves | The Web Mandala | 1998 | Klangkunst, Installation | com (Web art) [computer] | 0 | ||||||||||||
| 31700 | Bill | Alves | Time Auscultations | 1987 | Zuspiel, live-elec, 1 perf | Tanz |
9:00:00 | robot, [computer] | robot choreography | EMF/ | 0 | |||||||||
| 31691 | Bill | Alves | Time Resonances | 2012 | live-elec, 1 perf | 7:30 | S [Sopran] | 0 | |||||||||||
| 221 | Akram | Alyasiri | Der Tanz der Schlange | 1980 | fixed media, akusmatisch | 5:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 222 | Magnar | Åm | Air ... av ande er du komen, til ande skal du bli ... | 1987 | Zuspiel, live-elec, 1 perf | 9:00 | db [Kontrabass] | kassett (til framføring), spolebånd (ikkje til framføring) | NOTAM | 0 | |||||||||
| 223 | Maryanne | Amacher | Adjacencies 1965 | 1965 | live-elec, 2 perf | var -60:00 | Quadro | 2 perc [Schlagzeug] | EMS UIUC | 0 | http://www.maryanneamacher.org | ||||||||
| 224 | Maryanne | Amacher | City Links, City Links WBFO Buffalo | 1967 | Klangkunst, Installation | var | Mono | including radio broadcast | Radio Buffalo, PS C. | 0 | http://www.maryanneamacher.org | ||||||||
| 33878 | Maryanne | Amacher | GLIA | 2006 | live-elec, 1 group | ens [Ensemble] | 2006 | TESLA Berlin, ens Zwischentöne | 0 | http://zkm.de/event/2012/05/maryanne-amacher-glia | |||||||||
| 27501 | Maryanne | Amacher | Gravity, Music for Sound-joined Rooms | 2006 | Klangkunst, Installation | 90:00 | 16 Tracks | Kehrer Verlag ISBN 978-3-939583-23-3/ | singuhr hörgalerie in der Parochialkirche Berlin-Mitte | 21.9.2006 | singuhr hoergalerie Berlin | 1 | 1985 | http://www.singuhr.de/page.php?ID=530 | |||||
| 38909 | Maryanne | Amacher | IMAfiction, portrait 06 | 2012 | Film | 30 | IMA portrait 06/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/portrait-08-electric-indigo/ | |||||||||
| 24838 | Maryanne | Amacher | KARYON Sound Character | 1996 | fixed media, akusmatisch | 15:31 | ASP 0966 / | 0 | http://www.maryanneamacher.org | ||||||||||
| 21551 | Maryanne | Amacher | Music for Sound-Joined Rooms, Living Sound, Patent Pending | 1979 | fixed media, akusmatisch | Ellipsis Arts 3673 - OHM: 03/ | 1 | 1985 | http://www.maryanneamacher.org | ||||||||||
| 27500 | Maryanne | Amacher | Petra, Variations for 2 Pianos | 1991 | Musikinstrument, keine EM, 2 perf | 40 | 2 p [Piano] | ISCM Zürich 1991 | 0 | http://www.maryanneamacher.org/Amacher_Archive_Project/Entries/2009/10/24_notes_on_Petra_%281991%29_variations_for_two_pianos_for_iscm_zurich.html | |||||||||
| 18584 | Maryanne | Amacher | PLAYTHING Sound Character | 1996 | fixed media, akusmatisch | 6:22 | Stereo | ASP 0966 / | 0 | http://www.maryanneamacher.org | |||||||||
| 26961 | Maryanne | Amacher | Sound Characters, making the third ear Music for Sound Joined Rooms |
1992 - 1995 | fixed media, akusmatisch | 58:00 | Stereo, Octo | "Sound Characters For Large Spaces, Architecturally Staged | Tzadik 7043 sound characters/ ARS 00/ | Auszeichnung ars electronica honorary mention 2000 (for the CD Tzadik 7043) | 1 | http://www.tzadik.com/index.php?catalog=7043 | |||||||
| 226 | Maryanne | Amacher | Stain, The Music Rooms | 1988 | live-elec, 1 perf | 3:56 | perf [Performer] | Kitchen 88, live | Nonesuch 9 79235-2, Imaginary Landscapes/ ASP 979235/ | 1 | http://www.straebel.de/gate/amacher.html | ||||||||
| 27681 | Maryanne | Amacher | TEO! | 2006 | Klangkunst, Installation | 56:00 | 48 Tracks | sound installation Mexico: plaza de Palacio de las Bellas Artes | Tzadik 8055 sound characters 2/ | Auszeichnung ars electronica: Golden Nica 2005 | 1 | ||||||||
| 28333 | Maryanne | Amacher | the critical band | 1980/1985 | Klangkunst, Installation | Festival Inventionen-85 | 0 | 1985 | |||||||||||
| 227 | Maryanne | Amacher | The House of Amacher | 1966 | fixed media, akusmatisch | ≈ 660:00 | Stereo | home or public use | EMS UIUC | 0 | http://www.maryanneamacher.org | ||||||||
| 18586 | Maryanne | Amacher | The Levi-Montalcini Variations | fixed media, akusmatisch | 19:36 | Stereo | Prix ars electronica 97/ | Auszeichnung ars electronica honorary mention 1997 | 0 | http://www.maryanneamacher.org | |||||||||
| 225 | Maryanne | Amacher | The Music rooms, Stain The Screen Dreams A Step Into It Supreme Connections |
1986 | intermedia | 25:00 | Stereo | part of the series. Under the same title Amacher had "a mini sound series" in the daad-galery Kurfürstenstraße from 20.2. - 15.3.1987 |
TU Berlin | DAAD (Musik im Februar) | 2.1987 | daad galerie Kurfürstenstraße | 0 | http://www.maryanneamacher.org | |||||
| 28422 | Maryanne | Amacher | Torse, Remainder | 1977 | Tanz, 1 group | 32 | Stereo | dancers [Tanz] | Simultanprojektion des Films (Charles Atlas "Torse" (Left Screen) and "Torse" (Right Screen)) nach der Choreographie von Merce Cunningham mit der Musik von Maryanne Amacher, 1977 (gespielt am 11.2.2010 in der Villa Elisabeth im Rahmen der Gedenkveranstaltung für Maryanne). | 1 | |||||||||
| 228 | Daniel Alejandro | Amada | Abrazos | 1993 | Zuspiel, live-elec, 1 perf | 13:00 | db [Kontrabass] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 40278 | Talia | Amar | Mutamorphosis | 2015 | fixed media, akusmatisch | 7:00:00 | Talia Amar | 0 | |||||||||||
| 21750 | Pedro | Amaral | Organa | 2001 | live-elec, 8 perf | 20:00 | 8 ins [Instrument] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 26393 | Pedro | Amaral | Réflexes I | 1996 | live-elec, 1 perf | 21:00 | bn [Fagott] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21751 | Pedro | Amaral | Script | 2003 | live-elec, 1 perf | 26:00 | perc [Schlagzeug] | Max/MSP | PS C. | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21749 | Pedro | Amaral | Transmutations | 1999 - 2000 | live-elec, 1 perf | 18:00 | p [Piano] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21862 | Michelle | Ambrosetti | Etude 1 (étude de stage) | 1970 | fixed media, akusmatisch | 5:08 | IMEB Bourges | 0 | |||||||||||
| 229 | Claudio | Ambrosini | Aula 104 | 1977 | Zuspiel / Tonband, 1 perf | ins (cromorno) [Instrument] | Con Venezia | 0 | |||||||||||
| 230 | Claudio | Ambrosini | Cadenza estesa e Coda | 1981 | Zuspiel / Tonband, 1 perf | 17:20 | Stereo | fl [Flöte] | CSC Padova | Biennale Venezia | 0 | ||||||||
| 24095 | Claudio | Ambrosini | Il Giudizio Universale | 1996 | Oper, 18 perf | ≈ 45:00 | Actor, 2 V, 15 ins [Stimme, Instrument, Schauspieler] | (opera buffa) | Tempo Reale Firenze | 0 | |||||||||
| 28378 | Claudio | Ambrosini | Rondo di forza | 1982 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 23810 | Juan | Amenábar | Amacatá | fixed media, akusmatisch | 8:55 | 0 | |||||||||||||
| 23814 | Juan | Amenábar | Cántigas en el Umbral | 1997 | fixed media, akusmatisch | 6:21 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 23812 | Juan | Amenábar | Contratempo, senzatempo | fixed media, akusmatisch | 16:18 | 0 | |||||||||||||
| 23805 | Juan | Amenábar | Feed Back | 1984 | Zuspiel / Tonband, 1 perf | vn [Violine] | Encargada por Pedro D'Andurian. 1984. Jornadas Mundiales de la SIMC. Toronto, Canadá. Sergio Polizzi, violin. |
0 | |||||||||||
| 23813 | Juan | Amenábar | Juegos | fixed media, akusmatisch | 5:42 | 0 | |||||||||||||
| 23806 | Juan | Amenábar | Klésis | fixed media, akusmatisch | 18:19 | 0 | |||||||||||||
| 23804 | Juan | Amenábar | Los Peces | 1956 | fixed media, akusmatisch | 3:03 | IDEAMA CD 057/ | 0 | |||||||||||
| 23811 | Juan | Amenábar | Ludus Vocalis | fixed media, akusmatisch | 6:30 | 0 | |||||||||||||
| 23807 | Juan | Amenábar | Música Contínua | fixed media, akusmatisch | 0 | ||||||||||||||
| 23808 | Juan | Amenábar | Preludio en High Key | fixed media, akusmatisch | 0 | ||||||||||||||
| 23809 | Juan | Amenábar | Sueño de un niño | fixed media, akusmatisch | 4:50 | 0 | |||||||||||||
| 231 | Frank | Amey | Variations I | 1960 | Zuspiel / Tonband, 1 perf | prep p [Piano] | Cage 1958 | PS C. NY | 0 | ||||||||||
| 36520 | Charles | Amirkhanian | Audience | 1971 - 1979 | fixed media, akusmatisch | 11:44:00 | Edition S Press 36/ | 0 | |||||||||||
| 233 | Charles | Amirkhanian | Bajanoom | 1990 | fixed media, akusmatisch | 3:02 | Stereo | Synclavier | IMED 9004/ IMED 9604/ | CCM Mills | 1 | http://www.ubu.com/sound/amir.html | |||||||
| 36524 | Charles | Amirkhanian | Dutiful Ducks | 1971 - 1979 | fixed media, akusmatisch | 2:00:00 | Edition S Press 36/ | 0 | |||||||||||
| 234 | Charles | Amirkhanian | Dzarim bess ga khorim | 1972 | fixed media, akusmatisch | 5:17 | text by Victor Bedoian | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 235 | Charles | Amirkhanian | Hypothetical moments | 1982 | radiophon | txtcompo | FYLP 1027/ | 1 | |||||||||||
| 42216 | Charles | Amirkhanian | Im Frühling | 1990 | radiophon | 39:55 | WDR Studio Akustische Kunst | 19.6.1990 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1375296&vi=5&SID | ||||||||
| 34402 | Charles | Amirkhanian | Just | 1972 | fixed media, akusmatisch | 4:30 | text-sound-composition | Edition S Press 36/ | SR Stockholm | 0 | |||||||||
| 232 | Charles | Amirkhanian | Mental Radio, nine text-sound compositions | 1980 - 1982 | fixed media, akusmatisch | 45 | text sound compositions | CRi SD 523/ | EMS Stockholm | 0 | |||||||||
| 34404 | Charles | Amirkhanian | Mugic, (for Francois Dufrêne) | 1973 | Performance | 5:27 | Stereo + Stereo + Stereo | text-sound-composition | Edition S Press 36/ | 0 | |||||||||
| 236 | Charles | Amirkhanian | Pas de voix - Homage to Samuel Beckett, Pas de voix | 1988 | radiophon | 16:35 | EBU 1991/ WER 6307-2/ PNM 26/ | WDR Studio Akustische Kunst | WDR / Studio Akustische Kunst | EBU Ars Acustica | 1 | ||||||||
| 42215 | Charles | Amirkhanian | Pianola, Pas de mains | 2001 | radiophon | 39:55 | WDR Studio Akustische Kunst, BEAMS | 31.3.2001 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436733&vi=4&SID | ||||||||
| 18587 | Charles | Amirkhanian | Politics as Usual | 1988 | fixed media, akusmatisch | 25:43 | Stereo | Centaur CRC 2194/ | 0 | ||||||||||
| 34401 | Charles | Amirkhanian | Radii | 1970/1972 | fixed media, akusmatisch | 2:03 | text-sound-composition | Edition S Press 36/ | SR Stockholm | 0 | |||||||||
| 36521 | Charles | Amirkhanian | Ray Man Ray | 1971 - 1979 | fixed media, akusmatisch | 2:01:00 | Edition S Press 36/ | 0 | |||||||||||
| 34403 | Charles | Amirkhanian | Roussier (Not Rouffier), (for Jim Rosenberg) | 1973 | fixed media, akusmatisch | 4 | text-sound-composition | Edition S Press 36/ | VPRO Radio | 0 | |||||||||
| 34405 | Charles | Amirkhanian | Seatbelt Seatbelt, (for Bernard Heidsieck) | 1973 | fixed media, akusmatisch | 14:58 | text-sound-composition | Edition S Press 36/ | 1750 Arch Street Concerts | 0 | |||||||||
| 36522 | Charles | Amirkhanian | Spolit Music | 1971 - 1979 | fixed media, akusmatisch | 4:38:00 | Edition S Press 36/ | 0 | |||||||||||
| 36523 | Charles | Amirkhanian | The Type without Time | 1971 - 1979 | fixed media, akusmatisch | 9:01:00 | Edition S Press 36/ | 0 | |||||||||||
| 18588 | Charles | Amirkhanian | Vers les Anges | 1990 | fixed media, akusmatisch | Stereo | ST 203, Starkland/ | Gotham NY | 0 | ||||||||||
| 34567 | Group | AMM | Later During A Flaming Riviera Sunset After Rapidly Circling The Plaza |
1967 | Performance | 41:34 | 5 perf [Performer] | Elektra EUK 256/ | 0 | ||||||||||
| 36290 | Group | AMM | Live at the Royal College of Art | 2001 | live-elec, 1 group | 6:24 | ens [Ensemble] | EMF CD 036 LMJ Vol 11/ |
0 | ||||||||||
| 238 | Benno | Ammann | "Esveha" | 1976 | fixed media, akusmatisch | 17:17 | Stereo | IPEM Gent | 0 | ||||||||||
| 239 | Benno | Ammann | Inventus | 1974 | Zuspiel / Tonband, 2 perf | 22:00 | trbn, p [Posaune, Piano] | 0 | |||||||||||
| 240 | Benno | Ammann | Les ailes de l'oiseau | 1982 | Fernsehen, | 9:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 241 | Benno | Ammann | Mouvements | 1976 | fixed media, akusmatisch | 8:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 242 | Benno | Ammann | Mutations | 1977 | Zuspiel / Tonband, 1 perf | 8:00 | S ad lib [Sopran] | 0 | |||||||||||
| 243 | Benno | Ammann | Périphériques | 1977 | fixed media, akusmatisch | 7:11 | Stereo | IPEM Gent | 0 | ||||||||||
| 244 | Benno | Ammann | Poemetto | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 245 | Benno | Ammann | Punti di Partenza, Points de départ | 1969 | Zuspiel / Tonband, 1 perf | 7:49 | Mono | b-cl [Klarinette] | Studio R7 | 0 | |||||||||
| 246 | Benno | Ammann | Reflets des Ondes | 1977 | fixed media, akusmatisch | 12:25 | Stereo + Stereo | IPEM Gent | 0 | ||||||||||
| 247 | Benno | Ammann | Refrain Lointain | 1979 | Zuspiel / Tonband, 1 perf | 6:26 | Stereo | tpt [Trompete] | IPEM Gent | 0 | |||||||||
| 248 | Benno | Ammann | Souffles du Désert, Breath of the Desert | 1974 | fixed media, akusmatisch | 18:25 | Quadro | Text: Reinhard Johannes Sorge | Sonology Utrecht | 0 | |||||||||
| 249 | Benno | Ammann | Splendeurs nocturnes | 1976, 1978 | Zuspiel / Tonband, 1 group | 26:15 | Quadro | orc [Orchester] | 2 versions: parts 1-2 (29 min), parts 1-8 (36 min) | Sonology Utrecht, Col.Princ EMC | 17.10.1977 | Utrecht, Gertekeerk | 0 | ||||||
| 250 | Benno | Ammann | Sumerian Song | 1971 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | S [Sopran] | Text: Sumerisches Kultlied aus altbabylonischer Zeit | Sonology Utrecht | 0 | ||||||||
| 251 | Benno | Ammann | The Gonm's Memory | 1979 | Zuspiel / Tonband, 1 perf | 11:44 | Stereo | tuba [Tuba] | IPEM Gent | 0 | |||||||||
| 252 | Benno | Ammann | Wanderings Strophe | 1979 | fixed media, akusmatisch | 7:54 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 253 | Benno | Ammann | Waterplants | 1974 | Zuspiel / Tonband, 2 perf | 12:04 | Quadro | V, p [Stimme, Piano] | Sonology Utrecht | 0 | |||||||||
| 237 | Benno | Ammann | Zwoelf Fasen, 12 Phasen | 1970 | Zuspiel / Tonband, 1 perf | ≈ 18:15 | Stereo | gui [Gitarre] | Synket-synt | Studio R7 | 5.5.1973 | Salzburg, Werner Raditschning | 0 | ||||||
| 42066 | Andreas, Roman | Ammer, Bunka | Benjamin loops, Die Benjamin Loops | 1992 | radiophon | 54:32 | BR | 15.7.1992 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1377520&vi=12&SID | |||||||||
| 42068 | Andreas | Ammer, Console | Loopspool | 1998 | radiophon | 22:48 | BR | 18.11.1998 | BR | 0 | |||||||||
| 38680 | Andreas, Group | AMMER, FM Einheit | Crashing Aeroplanes | 2001 | radiophon | 51:00:00 | 0 | ||||||||||||
| 42067 | Andreas, Group | Ammer, FM Einheit | Kaiser Wilhelm overdrive, Original-Sound-Fragmente vom deutschen Weltkrieg 1914 | 1991 | radiophon | 20:25 | Kurzhörspiel | BR | 20.3.1991 | BR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1372719&vi=23&SID | |||||||
| 37235 | William | Amsler | Agoraphobia | 2017 | fixed media, akusmatisch | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 254 | Gilbert | Amy | Cette etoile enseigne a s'incliner | 1970, 1976 | Zuspiel / Tonband, 2 perf, 1 group | 17:42 | Stereo | male Vs, ins [Stimme, Instrument] | INA • GRM | avril 1970 | Royan Festival, France. avec l'Ensemble du Domaine Musical et un groupe choral de l'ORTF, dir. M. Tabachnik | Heugel | 0 | ||||||
| 255 | Gilbert | Amy | Diaphonies | 1962 | Zuspiel / Tonband, 12 perf | 7:45 | Stereo | 12 ins (2 ens) [Instrument] | INA • GRM | 15.2.1963 | Paris, Salle des Conservatoires | 0 | |||||||
| 256 | Gilbert | Amy | L'enfer | ≈ 1964 | Film | Mono | Spielfilm, H: Clouzot | Siemens | 0 | ||||||||||
| 40486 | Gilbert | Amy | La femme sauvage | 1963 | Theatermusik | Pièce de Kateb Yacine. | INA • GRM | avril 1963 | Paris, Th. Récamier | 0 | |||||||||
| 257 | Gilbert | Amy | La variation ajoutée | 1984 | Zuspiel / Tonband, 1 group | 18:00 | ens [Ensemble] | IRCAM | 0 | ||||||||||
| 40498 | Gilbert | Amy | Miserable miracle | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40459 | Gilbert | Amy | Travelling, Variations | 1962 | Film | INA • GRM | 0 | ||||||||||||
| 259 | Gilbert | Amy | Une saison en enfer, Jadis si je me souviens bien… Mauvais Sang Soli piano Nuit de l'Enfer Nuite de l'Enfer (Suite) Délires 1 "Vierge folle" Délires 2 "Alchimie du Verbe" Ô Saisons, Ô châteux… |
1980 | Zuspiel / Tonband, 8 perf | 44:27 | Octo, Quadro, Stereo | S, s-V, p, perc, 4 V [Sopran, Stimme, Piano, Schlagzeug] | Text after A. Rimbaud. «Jadis si je me souviens bien…», Mauvais Sang, Nuit de l'Enfer, Nuite de l'Enfer (Suite), Délires 1 "Vierge folle", Délires 2 "Alchimie du Verbe", «Ô Saisons, Ô châteux…» |
INA C 2004/ Coll GRM AM 855.13/ INA ACM 1995/ | INA • GRM | Commande de l'Etat, de Radio France (ACR) et de l'INA.GRM. | 19.5.1980 | Paris, Maison de Radio France, Gd. Auditorium, avec C. Roque Alsina, J. P. Drouet, Hélène Garetti, solistes de la Maîtrise des Chœurs de Radio France, dir. G. Amy | 1 | ||||
| 40528 | Gilbert, Bernard | Amy, Parmegiani | Inferno | Film | INA • GRM | 0 | |||||||||||||
| 26218 | Chengbi | An | Aurore | 2004 | fixed media, akusmatisch | 21:08 | Surround 5.1 | INA • GRM | french state | 0 | http://www.anchengbi.com | ||||||||
| 25432 | Chengbi | An | Aurore II | 2004 | fixed media, akusmatisch | 15:31 | Surround 5.1 | INA • GRM | french state | 1 | http://www.anchengbi.com | ||||||||
| 26221 | Chengbi | An | Gediao | 2006 | Zuspiel / Tonband, 1 perf | 11:43 | Surround 5.1 | p [Piano] | INA • GRM | INA-GRM 2006 | 8.06.2008 | Maison de Radio-France, Paris | 0 | http://www.anchengbi.com | |||||
| 26220 | Chengbi | An | Hyun.Oh, Le rêve d'un poisson au fond de la mer son désir de lumière. |
1998 | Zuspiel / Tonband, 2 perf | 16:04 | Stereo | p, perc [Piano, Schlagzeug] | INA • GRM | Association Paris-Seoul | Second prize of the 17th International Electronic Music Competition, International Center of New Musical Sources ICONS, Italy. June. 1999 | 0 | http://www.anchengbi.com | ||||||
| 25433 | Chengbi | An | Moo.Nui, Moirés | 2002 | Zuspiel / Tonband, 1 perf | 17:59 | va [Viola] | INA • GRM | GRM | 1 | http://www.anchengbi.com | ||||||||
| 26219 | Chengbi | An | New Millenium Sunrise | 1999 | fixed media, akusmatisch | 15:09 | Stereo | INA • GRM | Sungsan New Millennium Sunrise Festival 2000 | 0 | http://www.anchengbi.com | ||||||||
| 25435 | Chengbi | An | Saek.Gong, L’espace des couleurs | 2002 | Zuspiel / Tonband, 5 perf | 21:25 | a-fl, str-qt [Flöte, Streicher] | INA • GRM | french state | 1 | http://www.anchengbi.com | ||||||||
| 25434 | Chengbi | An | Sin.Woon, Le mouvement mystique | 2001 | Zuspiel / Tonband, 1 perf | 16:07 | Stereo | cl [Klarinette] | INA • GRM | GRM | 1 | http://www.anchengbi.com | |||||||
| 25436 | Chengbi | An | The combination of Cells | 2007 | fixed media, akusmatisch | 13:20 | Surround 5.1 | INA • GRM | Shanghai PuJiang Project | 1 | http://www.anchengbi.com | ||||||||
| 39342 | Damian | Anache | Velo | 2017 | Performance, live-elec, | Live Electronics Performane Submission | 0 | ||||||||||||
| 260 | Johnny | Analog | 1000 Instant Crushes | 1985 | fixed media, akusmatisch | 3:20 | Stereo | 0 | |||||||||||
| 261 | Johnny | Analog | ECM2 | 1985 | fixed media, akusmatisch | 4:30 | Stereo | 0 | |||||||||||
| 262 | M. | Anastase | Né du Néant | 1992 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 32857 | Francesca | Ancarola | A | 1991 | fixed media, akusmatisch | 5:41 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 263 | Francesca | Ancarola | Arena | 1994 | fixed media, akusmatisch | Stereo | Uni Santiago | Ganadora de la categoría "Residencias" Bourges. | 0 | ||||||||||
| 23815 | Francesca | Ancarola | Loop | fixed media, akusmatisch | 0 | ||||||||||||||
| 40978 | James | Andean | Between the Leaves | 2012 | fixed media, akusmatisch | 5:14 | JTTP 2013 | 0 | |||||||||||
| 39878 | James | Andean | Déchirure | 2016 | fixed media, akusmatisch | James Andean | Uni De Montfort | 2nd Prize, 2013 Presque Rien Competition | 0 | ||||||||||
| 42765 | James | Andean | Hyvät matkustajat, The Good Travellers | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 40979 | James | Andean | Maledetta | 2011 | fixed media, akusmatisch | 6:48 | JTTP 2012 | 0 | |||||||||||
| 40980 | James | Andean | Medusan Torso | 2011 | fixed media, akusmatisch | 10:38 | JTTP 2011 | 0 | |||||||||||
| 264 | Carl-Olof | Anderberg | Dubbelspel | 1971 | Zuspiel / Tonband, 5 perf | S, Bar, cl, vc, p [Sopran, Bariton, Klarinette, Piano, Cello] | 0 | ||||||||||||
| 265 | Carl-Olof | Anderberg | Music for Piano, Winds and Tape | 1970 | Zuspiel / Tonband, 2 perf | p, w-ins [Piano, Bläser] | 0 | ||||||||||||
| 30896 | Torsten | Anders | bohren. knappern. raspeln. lecken. | 2000 | Klangkunst, Installation | permanent | Stereo | Stiftung Deutsches Gartenbaumuseum Erfurt, Germany | Deutsches Gartenbaumuseum Erfurt (Erfurt, Germany), permanent exhibition. | 0 | |||||||||
| 30904 | Torsten | Anders | Das grosse C | 1996 | fixed media, akusmatisch | 22 | Stereo | Liszt School of Music Weimar | 0 | ||||||||||
| 30895 | Torsten | Anders | Echospiele | 2001 | Klangkunst, Installation | 10:48 | Förderband Kulturbüro Berlin | Exhibition Reservoir V – Aerotektura. Grosser Wasserspeicher, Prenzlauer Berg (Berlin) | 0 | ||||||||||
| 30898 | Torsten | Anders | Farbklang | 1999 | Klangkunst, Installation | Design Zentrum Thüringen (Germany) | Pfrschblüt & Cyberblau: Goethe. Farbe. Raum. Kornspeicher Weimar | 0 | |||||||||||
| 30893 | Torsten | Anders | Harmony Studies | 2009 | fixed media, akusmatisch | Stereo | 2009 | Peninsula Arts Contemporary Music Festival (Plymouth) | 0 | ||||||||||
| 30897 | Torsten | Anders | Klavierkreisel | 1999 | fixed media, akusmatisch | 13:02 | Octo | Danish Institute of Electroacoustic Music (Copenhagen, Denmark) | 0 | ||||||||||
| 30901 | Torsten | Anders | Kunststoff. Fünf Variationen | 1998 | fixed media, akusmatisch | Octo | TU Berlin | 0 | |||||||||||
| 30903 | Torsten | Anders | livelets | 1998/1999 | Klangkunst, Installation | radiophon |
7:18 | Stereo, Octo | Radio sound installation (1999 octophonic concert version) | ‘Radio Dario’ of the Bauhaus-Universität Weimar, Liszt School of Music Weimar | 0 | |||||||||
| 30902 | Torsten | Anders | Longing | 1997 | Klangkunst, Installation | fixed media, akusmatisch |
Stereo, Octo | TU Berlin | 0 | |||||||||||
| 30905 | Torsten | Anders | Pfeifenspiel | 2012 | live-elec, 1 perf | org (MIDI) [Orgel] | SEAM Weimar | 16.11.2012 | HfM Weimar | 0 | |||||||||
| 30900 | Torsten | Anders | Piepser | 1999 | Klangkunst, Installation | Quadro | Municipal Atelierhaus of Weimar City (Germany). | open day of the Atelierhaus | 0 | ||||||||||
| 30892 | Torsten | Anders | Three Demos of MOTU’s Instrument Ethno 2 | 2010 | Demo, Studie | 11 | in collaboration with L’Atelier d’Exploration Harmonique (Le Thoronet, France). | Mark of the Unicorn (MOTU) | 0 | ||||||||||
| 30894 | Torsten | Anders | With Shifting Joints | 2003 | fixed media, akusmatisch | Octo | Thüringer Komponistenverband (Composers Society of Thuringia, Germany) | Conservatorio de Morelia (Morelia, Mexico) | 0 | ||||||||||
| 39586 | Anne Sophie | Andersen | Teru Teru | 2016 | fixed media, akusmatisch | Anne Sophie Andersen | 0 | ||||||||||||
| 37904 | Martin Stig | Andersen | Sleepdriver | 2003 | fixed media, akusmatisch | 8:05 | elek 001/ | 0 | |||||||||||
| 39530 | Aaron | Anderson | Studio Study No. 1 | 2015 | fixed media, akusmatisch | 6:37:00 | Aaron Anderson | 0 | |||||||||||
| 266 | Barry | Anderson | Arc | 1987 | Zuspiel / Tonband, 5 perf | 12:00 | b-cl, str-qt [Klarinette, Streicher] | CCD 1009 Continuum Records/ | IRCAM | 1 | |||||||||
| 267 | Barry | Anderson | Domingus | 1978 | Zuspiel / Tonband, 1 perf | 22:15 | Stereo | Sp [Sprecher] | after a poem by Paul Hylands | CCD 1009 Continuum Records/ | BBC, West Square London | 1 | |||||||
| 269 | Barry | Anderson | Electroacustic Fanfare | 1983 | fixed media, akusmatisch | 1:26 | CCD 1009 Continuum Records / | IRCAM | 1 | ||||||||||
| 268 | Barry | Anderson | En face de … II | 1977 | Zuspiel, live-elec, 2 perf | Quadro | S, db, (delay) [Sopran, Kontrabass] | West Square London | 0 | ||||||||||
| 270 | Barry | Anderson | Fanfarewell | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 271 | Barry | Anderson | Mask | 1976/1985 | fixed media, akusmatisch | Zuspiel, live-elec, 3 perf |
40:30 | fl, perc, Sp [Sprecher, Flöte, Schlagzeug] | No.1 tape-version ; No. 2 amp p; No. 3 with kbd and synt | CCD 1008 Continuum Records/ | IRCAM, West Square London | 1 | ||||||||
| 272 | Barry | Anderson | Piano Piece No. 1, 2, 3 | 1969/1974 | Zuspiel, live-elec, 2 perf | 33:00 | Stereo | p or amp p or synt, Kbd [Piano, Keyboard, synthesizer] | No.1 with tape; No 2 amp p; No. 3 synt Kbd | CCD 1009 Continuum Records/ | 1 | ||||||||
| 273 | Barry | Anderson | Piano Pieces I - III | 1973 | Zuspiel, live-elec, 1 perf | p, (rm) [Piano] | CCD 1009 Continuum Records/ | West Square London | 0 | ||||||||||
| 274 | Barry | Anderson | Proscenium | 1978/1979 | Zuspiel, live-elec, 1 perf | 20:12 | perc [Schlagzeug] | 0 | |||||||||||
| 275 | Barry | Anderson | Sound the tucket sonance and the note to mount | 1980 | Zuspiel / Tonband, 1 perf | 10:26 | trbn [Posaune] | CCD 1008 Continuum Records/ | 1 | ||||||||||
| 276 | Barry | Anderson | The Sun-Tamer | 1974 | Zuspiel, live-elec, 3 perf | Sp, proc p, perc [Sprecher, Piano, Schlagzeug] | Polynesian creation myths, storys-teller | West Square London | 0 | ||||||||||
| 277 | Barry | Anderson | Topograph | 1973 | live-elec, 3 groups | 3 group of perc, (elec) [Schlagzeug] | elec (Filter; rm) | West Square London | 0 | ||||||||||
| 278 | Dennis | Anderson | TIME AND THE WINGS OF SPARROWS | 1979/1980 | fixed media, akusmatisch | 10:13 | Quadro | SME Krakow | 0 | ||||||||||
| 35408 | Elizabeth | Anderson | … and Beyond, Solar Winds… and Beyond | 2012 | fixed media, akusmatisch | 9:37 | Octo | IMED 14127/ | Musiques et Recherches Ohain | October 4, 2014 | International Conference of Electroacoustic CIME / ICEM 2014, Denton, Texas | First Prize in the Musica Nova 2015 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | ||||||
| 41601 | Elizabeth | Anderson | Brussele | 1998 | fixed media, akusmatisch | 9:15:00 | Musiques et Recherches Ohain | M&R | 0 | ||||||||||
| 22319 | Elizabeth | Anderson | Chat noir | 1997 - 1999 | fixed media, akusmatisch | 9:59 | M&R, Mars 2000/ NOR 05/ | Musiques et Recherches Ohain | Prix du public du concours Noroit 1997 et parution sur CD Noroît vol 5 1998 | 1 | |||||||||
| 27756 | Elizabeth | Anderson | Ether | 2001 | fixed media, akusmatisch | 13:45 | Octo | IMED 14127/ | Musiques et Recherches Ohain, City Uni London, Akousma Soignies, CEMAMu/ Ateliers Upic/ CCMIX | Musiques et Recherches Ohain | October 3, 2001 | L’Espace du son 2001: Rue Schaeffer et Rue Schafer, Théâtre Marni (Brussels, Belgium) | Sélection à la TIME (tribune internationale de musique électroacoustique) en 2002 | 0 | 2002 | ||||
| 41599 | Elizabeth | Anderson | L'art de la guerre | 1997 | radiophon | 45:00:00 | (sur un texte radiophonique de Thierry Génicot) | Musiques et Recherches Ohain | 0 | ||||||||||
| 21777 | Elizabeth | Anderson | L'Eveil | 1998 | fixed media, akusmatisch | 10:02 | Musidisc 247982/ NOR 05/ | INA • GRM, Musiques et Recherches Ohain | 1 | ||||||||||
| 41603 | Elizabeth | Anderson | L'heure bleue: renaître du silence | 2016 | fixed media, akusmatisch | 16:38 | Octo | Musiques et Recherches Ohain | INA-GRM (avec l'aide dde la Fédération Wallonie-Bruxelles, service création artistique) | 0 | |||||||||
| 41600 | Elizabeth | Anderson | La Zone Dorée | 1998 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 24794 | Elizabeth | Anderson | Les Forges de l’invisible | 2002 - 2003 | fixed media, akusmatisch | 13:50 | MR 2004 Métamorphoses 2004/ IMED 14127/ | Métamorphoses 2004 | 1 | ||||||||||
| 279 | Elizabeth | Anderson | Mimoyecques | 1994 | fixed media, akusmatisch | 14:11 | Stereo | PANaroma 199.000.954/ IMED 14127/ | Musiques et Recherches Ohain | Zjuul Devens, Jozef Moerloos | June 4, 1994 | Fortress of Mimoyecques | Sélection Synthèse 94 Sélection au 1er concours international de musique électroacoustique de Sao Paulo CIMESP, 1995 Parution sur CD Maximal Music Vol. 2 |
1 | |||||
| 27748 | Elizabeth | Anderson | Protopia / Tesseract | 2005 - 2007 | fixed media, akusmatisch | 13:56 | Octo | wbm 168 b Electro AC Wallonie - Bruxelles/ IMED 14127/ | Musiques et Recherches Ohain, City Uni London, Akousma Soignies | May 8, 2007 | Electroacoustic Concert 5, City University London (London, England, UK) | First Prize at the Musica Nova 2008 Int. Competition of Electroacoustic Music (Prague) Honorary Mention at the Concurso Int. de Música Eletroacústica de São Paulo (CIMESP ’07, Brazil). |
1 | ||||||
| 35407 | Elizabeth | Anderson | Solar Winds, Solar Winds… and Beyond | 2012 | fixed media, akusmatisch | 9:37 | Octo | IMED 14127/ | Musiques et Recherches Ohain | Musiques & Recherches | October 27, 2012 | UNAM Campus Morelia (Morelia, Mexico) | First Prize in the Musica Nova 2015 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | |||||
| 41602 | Elizabeth | Anderson | Tesseract | 2003 - 2005 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 41598 | Elizabeth | Anderson | The Beast | 1995 | fixed media, akusmatisch | 10:00:00 | Musiques et Recherches Ohain | M&R | 0 | ||||||||||
| 280 | Elizabeth | Anderson | Transfiguration | 1994 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 39931 | Jon | Anderson | Lati | 2016 | fixed media, akusmatisch | Jon Anderson | 0 | ||||||||||||
| 42738 | Jon | Anderson | luft am morgen | 2012 | fixed media, akusmatisch | 6:19:00 | 0 | ||||||||||||
| 40989 | Joseph | Anderson | Change’s Music, ChAnGe’S MUSIC | 1996 | fixed media, akusmatisch | 26:00:00 | Spazialisation: Ambisonics | SCD 28046 Sargasso/ | BEAST | 2008 | Mexican Center for Music and Sonic Arts: Concert Series (Morelia, Mexico, 2008) · Transparent Tape Music Festival (Berkeley, USA, 2002) · Music Under the Stars (Palo Alto, USA, 2000) | 0 | https://joseph-anderson.org/works/ | ||||||
| 40981 | Joseph | Anderson | études d’image | 2006 | fixed media, akusmatisch | 13:07:00 | Spazialisation: Ambisonics | 2007 | Sounds Electric (Dundalk, Ireland, 2007) · San Francisco Tape Music Festival (San Francisco, USA, 2006) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 18589 | Joseph | Anderson | in mosaic | 1992 | fixed media, akusmatisch | 10:00 | Stereo | SEAMUS EAM 9402 Vol. 3/ | 0 | ||||||||||
| 40986 | Joseph | Anderson | Kyai Pranaja | 1998 | fixed media, akusmatisch | 19:45:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2010 | DXARTS Presents (Seattle, USA, 2010) · Sounds Electric (Dundalk, Ireland, 2007) · UnBalanced Connection (Gainesville, USA, 2007) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40992 | Joseph | Anderson | Loch Lomond | 1995 | fixed media, akusmatisch | 8:30:00 | Spazialisation: Ambisonics | 2009 | Soundings… (Edinburgh, UK, 2009) · Big Sur Experimental Music Festival (Big Sur, USA, 2000) · State of the Nation (London, UK, 1997) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40984 | Joseph | Anderson | Mpingo | 2009 | fixed media, akusmatisch | 23:20:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2009 | DXARTS Presents (Seattle, USA, 2010) · Ambisonic Symposium 2009 (Graz, Austria, 2009) · Habitación del Ruido (Mexico City, MEX, 2008) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40985 | Joseph | Anderson | Pacific Slope | 2002 | fixed media, akusmatisch | 26:15:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2010 | DXARTS Presents (Seattle, USA, 2010) · Ambisonic Symposium 2010 (Paris, France, 2010) · Sounds Electric (Dundalk, Ireland, 2007) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40982 | Joseph | Anderson | Rodeo Beach | 2005 | fixed media, akusmatisch | 3:15:00 | Spazialisation: Ambisonics | 2005 | San Francisco Tape Music Festival (San Francisco, USA, 2005) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40987 | Joseph | Anderson | Standing Waves at Christchurch Spitalfields | 1998 | Klangkunst, Installation | 1998 | Spitalfields Festival (London, UK, 1998) | 0 | https://joseph-anderson.org/works/ | ||||||||||
| 40988 | Joseph | Anderson | Standing Waves at Manchester Town Hall | 1998 | Klangkunst, Installation | 1998 | New Music ’98 ISCM World Music Days (Manchester, UK, 1998) | 0 | https://joseph-anderson.org/works/ | ||||||||||
| 40990 | Joseph | Anderson | the 7GATES of thebes | 1995 | fixed media, akusmatisch | 12:20:00 | Spazialisation: Ambisonics | 2002 | BEAST: Industry (Birmingham, UK, 2002) · 9th International Audio Visual Experimental Festival (Arnhem, Netherlands, 1995) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40983 | Joseph | Anderson | Train in Jack London Square | 2005 | fixed media, akusmatisch | 3:21:00 | Spazialisation: Ambisonics | 2005 | San Francisco Tape Music Festival (San Francisco, USA, 2005) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40991 | Joseph, Mathew, Rose, Jonty, Joseph, Alistair, Mario | Anderson, Adkins, Dodd, Harrison, Hyde, MacDonald, Verandi | Web | 1995 | Klangkunst, Installation | 21:40:00 | 1996 | 220 Volt, De Concertzender (Netherlands, 1996) · Hear and Now, BBC Radio 3 (UK, 1996) | 0 | https://joseph-anderson.org/works/ | |||||||||
| 281 | Laurie | Anderson | Automotive | 1972 | Klangkunst, Installation | live-elec, 1 perf |
∞ | vn [Violine] | PS C. | 0 | http://www.laurieanderson.com/ | |||||||||
| 21771 | Laurie | Anderson | Big Science | 1982 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 3674/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 21772 | Laurie | Anderson | Bright Red | 1995 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 45534/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 35060 | Laurie | Anderson | Handphone Table | 1978 | Klangkunst, Installation | ∞ | 2 user (wooden table, amp, elec box, 2 seats) [] | 0 | |||||||||||
| 33055 | Laurie | Anderson | Home of the brave, Smoke Rings White Lily Late Show Talk Normal Language Is A Virus Radar Sharkey's Night Credit Racket |
1986 | Film, live-elec, 5 perf | 34 | perc, gui, Kbd, sax, V [Stimme, Saxophon, Keyboard, Gitarre, Schlagzeug] | Warner 925 400/ | 1 | ||||||||||
| 21773 | Laurie | Anderson | Mister Heartbreak, Sharkey's Day Langue D'Amour Gravity's Angel Kokoku Excellent Birds Blue Lagoon Sharkey's Night |
1984 | live-elec, 9 perf | V, perc, vn, synt, str (kayagum), gui, perc (Linn-drum), sax, synclavier [Stimme, Saxophon, Gitarre, Schlagzeug, Violine, synthesizer, Streicher] | Warner 25077/ Warner 925077/ | 1 | http://www.laurieanderson.com/ | ||||||||||
| 282 | Laurie | Anderson | New York Social Life | 1977 | live-elec, 2 perf | 3:21 | Stereo | tambura, V and perf [Stimme, Performer, Streicher] | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ | PS C. | 1 | http://www.laurieanderson.com/ | |||||||
| 21774 | Laurie | Anderson | Puppet Motel | 1995 | live-elec, | CD-ROM | Voyager Company CPUPPM/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 22756 | Laurie | Anderson | Radar, Home of the brave | 1986 | fixed media, akusmatisch | 2:03 | Nuova atlantide (Beilage Buch)/ | 1 | http://www.laurieanderson.com/ | ||||||||||
| 21775 | Laurie | Anderson | Strange Angels | 1989 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 25900/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 283 | Laurie | Anderson | Time to go | 1977 | live-elec, 2 perf | 2:56 | Stereo | gui and org, V and vn [Stimme, Orgel, Gitarre, Violine] | for Diego | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ | PS C. | 1 | http://www.laurieanderson.com/ | ||||||
| 21776 | Laurie | Anderson | United States Live | 1983 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 25192/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 19035 | Laurie | Anderson | Whirlwind | 1996 | Klangkunst, Installation | 2:25 | Sonambiente Ausstellung (1996) Katalog S.35 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.laurieanderson.com/ | |||||||||
| 284 | Ruth | Anderson | Points | 1973 - 1974 | fixed media, akusmatisch | 5:25 | Stereo | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ Infiné IF 4002/ | Hunter Coll | 1 | |||||||||
| 22060 | Scott | Anderson | Boing farewell | fixed media, akusmatisch | 4:13 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 285 | Viki | Anderson | Endgame | 1995 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 286 | Åke | Andersson | Brown Autumn | 1979 | Yleisradio | 0 | |||||||||||||
| 287 | Åke | Andersson | Lapinkylä jää Tchojärven alle | 1977 | Yleisradio | 0 | |||||||||||||
| 288 | Åke, Antero | Andersson, Honkanen | Reidar's Electric Pictures | 1975 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 37221 | Klara | Andersson | My love is a dot on a line I don't know | 2017 | Zuspiel, live-elec, | 10:00:00 | Live-Elektronik und Zuspiel | UdK Berlin | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 289 | Magnus F | Andersson | Utan att passera | 1990 | fixed media, akusmatisch | 12:00 | 0 | ||||||||||||
| 26112 | Zhang, Zhang | Anding, Zafka | When HK Narbours London | 2005 | fixed media, akusmatisch | 11:40 | Surround 5.1 | a.k.a. Zhang Anding | CMJ Vol 31-4, 2007/ | 0 | |||||||||
| 18590 | Yasufumi | Ando | Incantation | 1994/1995 | fixed media, akusmatisch | 5:17 | Stereo | EX 256 ELAK (1995)/ | 0 | ||||||||||
| 290 | Michael | Andrade | Evolution | 1992 | live-elec, 1 perf, 1 group | 9:00 | Stereo | w-ens [Bläser] | CREAM | 0 | |||||||||
| 291 | Michael | Andrade | Fear Not Your Enemies | 1993 | fixed media, akusmatisch | 8:40 | Stereo | CREAM | 0 | ||||||||||
| 292 | Michael | Andrade | Umbrae | 1992 | fixed media, akusmatisch | 8:30 | Stereo | 1992 Eva Thompson Philips Award | CREAM | 0 | |||||||||
| 293 | Michael | Andrade | Urban Sonorities | 1995 | fixed media, akusmatisch | 40:00 | Stereo | CREAM | 0 | ||||||||||
| 32557 | Mark | Andre | … 22,13…, … Das O… (After „The Seventh Seal“ by Ingmar Bergman) … Der Letzte … … Das Ende … |
2011 | Musiktheater | 87 | Surround 5.1 | V, ins, (elec) [Stimme, Instrument] | work in progress | Neos 11122 SACD/ Neos 11067-68 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||
| 32879 | Mark | Andre | …22,13…, Das O (Nach dem Siebenten Siegel von Ingmar Bergman) Der Letzte Das Ende |
2004 | Oper, live-elec, 1 perf, 1 group | ≈ | Stereo, Surround 5.1 | ch, ins [Instrument, Chor] | work in progress. A Music-Theatrical Passion |
NEOS 11067-68 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||
| 22303 | Mark | Andre | AB II | 1996 | live-elec, 5 perf | 24:55 | db-cl, vc, cymbalom, perc, p [Klarinette, Piano, Schlagzeug, Cello, Streicher] | Endemble Recherche: Uwe Möckel, cl; Lucas Fels, vc; Françoise Rivalland, Cymbalon; Christian Dierstein, perc; Klaus Steffes-Holländer, p; Musikinformatik: Kent Celland Klangregie der Aufführung: André Richard, Experimentalstudio Freiburg Konzertmitschnitt ind Mischung: Christian Venghaus, ZKM |
WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ | Experimentalstudio für Akustische Kunst Freiburg | 07.11.1997 | ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe | 1 | http://brahms.ircam.fr/mark-andre | |||||
| 32574 | Mark | Andre | … als … II | 2001 | live-elec, 3 perf | db-cl, vc, p [Klarinette, Piano, Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32728 | Mark | Andre | … auf …,, Triptych for large orchestra | 2008 - 2013 | live-elec, 1 group | orc, (elec) [Orchester] | NEOS 10826/ WER 73222/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 32576 | Mark | Andre | hij2 | 2012 | live-elec, 1 group | ch [Chor] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32727 | Mark | Andre | Hoc | 2006 | live-elec, 1 perf | vc, (elec) [Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 38848 | Mark | Andre | … SELIG SIND … | 2018 | live-elec, 1 perf | 26 | multichannel | cl [Klarinette] | Zwischenräume des Entschwindens für Klarinette und Elektronik. Der Klarinettist „wandert“ von Raum zu Raum (14 Positionen), man hört „entfernte“ und direkte Klänge von ihm und Zuspielungen. |
Experimentalstudio für Akustische Kunst Freiburg | 28.4.2018 | Wittener Tage für neue Kammermusik 2018, Jörg Widmann, Märkisches Museum | 0 | https://www1.wdr.de/mediathek/av/video-mark-andre-ueber-seine-komposition-selig-sind-100.html | |||||
| 32575 | Mark | Andre | üg | 2008 | live-elec, 1 group | orc [Orchester] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32586 | Mark | Andre | wunderzaichen | 2014 | Oper | orc [Orchester] | siehe auch „Ringen um die Gegenwart“ (ein Film von Uli Aumüller). | Experimentalstudio für Akustische Kunst Freiburg | Staatsoper Stuttgart | 2.3.2014 | Staatsoper Stuttgart, Ltg. S. Cambreling | 0 | |||||||
| 294 | Gjermund | Andreassen | Requiem | 1986 | Zuspiel / Tonband, 7 perf, 1 group | ch, S, T, str-qt, p [Sopran, Tenor, Piano, Streicher, Chor] | NOTAM | 0 | |||||||||||
| 295 | Riccardo | Andreoni | 3C / FRP | 1965 | fixed media, akusmatisch | 30:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 296 | Riccardo | Andreoni | 4 PS | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 297 | Riccardo | Andreoni | F 3 A | 1965 | fixed media, akusmatisch | 60:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 31553 | Simon Ole | Andresen | …immer, rückwärts… | 2013 | live-elec, 2 perf | ≈ 8:00 | 2 perc [Schlagzeug] | next_generation 5.0 | HfM Lübeck | 26.6.2013 | ZKM | 0 | |||||||
| 40156 | Nicoletta | Andreuccetti | Living Voices | 2016 | Performance | Nicoletta Andreuccetti | 0 | ||||||||||||
| 39470 | Nicoletta | Andreuccetti | Notturno Sole | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39634 | Bruce, Michael | Andrews, Schumacher | Unintending | 2016 | fixed media, akusmatisch | Bruce Andrews and Michael Schumacher | Diapason | 0 | |||||||||||
| 40100 | Michael | Andrews | Creatures in the Gears | 2016 | fixed media, akusmatisch | Michael Andrews | 0 | ||||||||||||
| 24863 | Jurriaan | Andriessen | Overture to Orpheus | 1982 | Zuspiel / Tonband, 1 perf | 12:04 | hpd [Cembalo] | Spiteri | SNE 542/ | 0 | |||||||||
| 298 | Jurriaan | Andriessen | Pasticcio-Finale | 1974 | Zuspiel / Tonband, 2 groups | orc, jazz-band [Ensemble, Orchester] | 0 | ||||||||||||
| 299 | Jurriaan | Andriessen | The Cave | 1976 | Zuspiel / Tonband, 17 perf | vc, 12 w, 4 Kbd [Keyboard, Cello, Bläser] | 0 | ||||||||||||
| 300 | Louis | Andriessen | Il duce | 1977 | fixed media, akusmatisch | Stereo | CV 7702/ | Sonology Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 301 | Louis | Andriessen | In Memoriam | 1971 | fixed media, akusmatisch | 5:06 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 302 | Louis | Andriessen | Suite for recorders | 1964 | fixed media, akusmatisch | 8:00 | Mono | CEM Bilthoven | 0 | ||||||||||
| 34439 | Louis, Frits | Andriessen, Weiland | De Tuin der Lusten | 1969 | Theatermusik | 15 | Mono | Sonology Utrecht | 0 | ||||||||||
| 38472 | Elise | ANDRIEU | Parmi les oiseaux | 2009 | radiophon | 28:20:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 39866 | Ioannis | Andriotis | Shades of Life: Negative Space | 2015 | fixed media, akusmatisch | 2:59:00 | Ioannis Andriotis | 0 | |||||||||||
| 303 | Donald | Andrus | Electronic Study | 1963 | fixed media, akusmatisch | 3:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 304 | Donald | Andrus | Macbeth | 1964 | Theatermusik | 45:00 | Mono | EMS UIUC | 0 | ||||||||||
| 305 | Donald | Andrus | Study | 1964 | fixed media, akusmatisch | 4:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 306 | Leif | Andruszkow | Disparity m. v. | 1988 | live-elec, | 20:00 | DIEM Aarhus | 0 | |||||||||||
| 307 | Malgorzata | Andziak | Der Wald | 1972 | fixed media, akusmatisch | 7:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 308 | Malgorzata, Camilla | Andziak, Söderberg | Sphärenklänge | 1972 | fixed media, akusmatisch | 11:45 | Stereo | Raumadaption über einen Walzer von Josef Strauss | ELAK Wien | 0 | |||||||||
| 309 | Louis | Angelini | Derivazioni No. 5 | 1963 | fixed media, akusmatisch | 4:30 | Stereo | Fonologia Milano | 0 | ||||||||||
| 34239 | Klaus | Angermann | La Paloma | 1986 | Klangkunst, Installation | 45 | 6 Kassettenrecorder | Edition Giannozzo/ | Galerie Giannozzo | 1.-22.2.1986 | Galerie Giannozzo Berlin | 0 | |||||||
| 310 | István | Anhalt | Cento on Eldon Grier's "An Ecstasy" | 1966 | Zuspiel / Tonband, 12 perf | 10:50 | Stereo | 12 V [Stimme] | McGill MR 2001-01-2 Disc 1/ | McGill Montréal | 0 | ||||||||
| 311 | István | Anhalt | Electronic Composition No. 1 | 1959 | fixed media, akusmatisch | 6:08 | Stereo | sine nomine #1 | NRC Ottawa | 0 | |||||||||
| 312 | István | Anhalt | Electronic Composition No. 2 | 1959 | fixed media, akusmatisch | 8:48 | Stereo | sine nomine #2 | IDEAMA CD 091/ | NRC Ottawa | 0 | ||||||||
| 313 | István | Anhalt | Electronic Composition No. 3 "Birds & Bells" | 1960 | fixed media, akusmatisch | 11:00 | Stereo | IDEAMA CD 091/ | NRC Ottawa | 0 | |||||||||
| 314 | István | Anhalt | Electronic Composition No. 4 | 1961 | fixed media, akusmatisch | 11:20 | Stereo | IDEAMA CD 091/ | NRC Ottawa, Col.Princ EMC | 0 | |||||||||
| 31521 | Elena | Anisimova | Halimede S/2002 N 1 | 2013 | live-elec, 1 perf | ≈ 5 | Spazialisation: Zirkonium | theremin [synthesizer] | next_generation 5.0 | HfM Karlsruhe | 0 | ||||||||
| 28489 | Thomas | Ankersmit | Kleinere Zwerm | fixed media, akusmatisch | 3:11 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.thomasankersmit.net/ | |||||||||||
| 38681 | Thomas, Valerio | ANKERSMIT, TRICOLI | Echelon Teufelsberg | 2010 | radiophon | fixed media, akusmatisch |
48:34:00 | Auszeichnung ars electronica honorary mention 2011 | 0 | http://www.dradio.de/dkultur/sendungen/klangkunst/1293817/ | ||||||||||
| 43195 | Thomas, Valerio | ANKERSMIT, TRICOLI | Forma II, Zwerm Voor Tithonus Brent Mini Hunt Plague #7 Takht-e Tâvus |
2010 | fixed media, akusmatisch | 45 | (Serge Analogue Modular Synthesizer, Alto Saxophone, Guitar Pickups, Holosonic Speakers, Revox Tape Recorder, Walkman, Computer) [] | P-A 16/ | Auszeichnung ars electronica honorary mention 2012 | 0 | https://p-a-n.org/releases/ | ||||||||
| 18591 | Harri | Ansorge | Atmo stargd731X96 abends | 1996 | fixed media, akusmatisch | 73:34 | Stereo | (7 mouvements) | e. C. 500/147/ | 0 | |||||||||
| 36622 | Linda | Antas | A River from the Walls | 1999 | Zuspiel / Tonband, 1 perf | 10:12 | fl [Flöte] | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | 0 | |||||||||
| 40020 | Linda | Antas | All that Glitters and Goes Bump in the Night | 2015 | fixed media, akusmatisch | 7:39:00 | Linda Antas | 0 | |||||||||||
| 43033 | Linda | Antas | Iridescence | 2013 | fixed media, akusmatisch | 6:50:00 | 0 | ||||||||||||
| 315 | George | Antheil | Ballet mécanique | 1924, 1999 | live-elec, 26 perf | 30:51 | 3 xyl, 4 b-drums, tam tam, 2 p, (siren, 7 bells, 3 airplane propellors,) 16 player p [Piano, Schlagzeug] | after Fernand Léger. several Versions in 1926, 1927, 1953 | EMF 120/ Columbia ML 4956/ EMF 020/ EMF 160/ CDCD 5067/ | 1 | |||||||||
| 18592 | Group | Antimatter | Flyback transformer | 1996 | fixed media, akusmatisch | 5:16 | Stereo | ASP 0966 / | 0 | ||||||||||
| 23816 | Fernando | Antireno | Música para los ojos | 1985 | audiovisuell | Con video de pInturas Octubre de 1985, Festival Anacrusa. Santiago, Chile. |
0 | ||||||||||||
| 23817 | Fernando | Antireno | Stratus | live-elec, 1 perf | 6:16 | gui [Gitarre] | Luis Orlandini, guitarra | 0 | |||||||||||
| 316 | Theodore | Antoniou | Events III | 1969 | Zuspiel/Tonband, 1 group | intermedia |
ens, (slides) [Ensemble] | 0 | ||||||||||||
| 317 | Theodore | Antoniou | Heterophony | 1966 | fixed media, akusmatisch | 10:00 | Mono | Siemens | 0 | ||||||||||
| 318 | Theodore | Antoniou | Ich bin ein Gastarbeiter | 1964 | Film | 20:00 | Mono | Kurzfilm | Siemens | 0 | |||||||||
| 319 | Theodore | Antoniou | Kassandra | 1969 | Oper | 0 | |||||||||||||
| 320 | Theodore | Antoniou | Katharsis | 1968 | Zuspiel / Tonband, 1 perf, 1 group | fl, ens [Flöte, Ensemble] | EMI SCXG 56/ | 0 | |||||||||||
| 321 | Theodore | Antoniou | Klytemnestra | 1968 | Musiktheater, 3 groups | actors, dancers, ens [Schauspieler, Tanz, Ensemble] | 0 | ||||||||||||
| 322 | Theodore | Antoniou | OP overture | 1966 | Zuspiel / Tonband, 1 group | 4:00 | 3 tracks | orc [Orchester] | Siemens | Bärenreiter | 0 | ||||||||
| 323 | Theodore | Antoniou | Otan oi Atreides | 1964 | Theatermusik | 35:00 | Stereo | Siemens | 1964 | 0 | |||||||||
| 325 | Theodore | Antoniou | Parastasis I | 1977 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 326 | Theodore | Antoniou | Protest II | 1971 | Zuspiel / Tonband, | EMI CSDG 66/ | 0 | ||||||||||||
| 327 | Theodore | Antoniou | Schwerkraft | 1966 | Film | 7:00 | Mono | Industriefilm | Siemens | 0 | |||||||||
| 328 | Theodore | Antoniou | Synthesis | 1971 | live-elec, 8 perf | ob, org, perc, db, 4 synt [Oboe, Orgel, Schlagzeug, Kontrabass, synthesizer] | 0 | ||||||||||||
| 329 | Theodore | Antoniou | The Rhinoceros | 1962 | Theatermusik | 25:00 | Mono | PS C. | 0 | ||||||||||
| 42455 | Steve | Antosca | One becomes Two | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 330 | Anna | Antoszkiewicz | The Phoenix | 1975 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 35608 | Jesús | Antruejo | Contraposición de eventos | 2002 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 32566 | Jorge | Antunes | 3 evenements de la lumiere blanche | 1967 | Zuspiel / Tonband, 3 perf | 180 | str orc, fl, S, perc [Sopran, Flöte, Schlagzeug, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 31758 | Jorge | Antunes | Anaphore Symphocéanique | 2004 | fixed media, akusmatisch | 17:42 | Octo | SBME 008 Coletânea de Música Eletroacústica Brasileira/ | INA • GRM | 1 | |||||||||
| 331 | Jorge | Antunes | Auto-Retrato Sobre Paisaje Porteño | 1969/1970 | fixed media, akusmatisch | 14:50 | Stereo | Sistrum CD ST 001/ Musica el. periodo do pioneirismo/ E.S.Mangione LP.15003/ | Tella B.Aires | 1 | |||||||||
| 19482 | Jorge | Antunes | Ballade Dure | 1995 | fixed media, akusmatisch | 20:30 | Stereo | Sistrum CD ST 004/ | INA • GRM | Competition Musica Nova Prag 1996 | 1 | ||||||||
| 23285 | Jorge | Antunes | Canto do Pedeiro | 1968 | fixed media, akusmatisch | 4:11 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 32570 | Jorge | Antunes | Canto esthereofônico | 1978 | Zuspiel / Tonband, 7 perf | 14 | cl, bn, hn, va, vc, db, perc [Klarinette, Fagott, Horn, Schlagzeug, Viola, Cello, Kontrabass] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 23283 | Jorge | Antunes | Canto Selvagem, Savage Song | 1967 | fixed media, akusmatisch | 2:52 | Stereo | first piece made in the Villa-Lobos-Institut | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | Center for Chromo-Musical Research, Villa-Lobos Institut | 1 | ||||||||
| 33856 | Jorge | Antunes | Catastrofe Ultra-Violeta | 1974 | Zuspiel / Tonband, 2 groups | 20:10 | ch, orc [Chor, Orchester] | SISTRUM LPS 3001/ | 0 | ||||||||||
| 332 | Jorge | Antunes | Cinta Cita | 1969 | fixed media, akusmatisch | 4:55 | Stereo | first piece not at his private studio | Sistrum CD ST 001/ Musica el. periodo do pioneirismo/ E.S.Mangione LP.15003/ | Tella B.Aires | 1 | ||||||||
| 32567 | Jorge | Antunes | Concertatio I | 1969 | Zuspiel / Tonband, 5 perf, 1 group | 6 | 3 V, e-gui, perc, orc [Stimme, Gitarre, Schlagzeug, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 19199 | Jorge | Antunes | Contrapunctus contra Contrapunctus | 1965 | fixed media, akusmatisch | 4:16 | Stereo | E.S.Mangione LP.15003/ Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 33859 | Jorge | Antunes | Cromofonetica | 1980 | fixed media, akusmatisch | SISTRUM LPS 3002/ | 0 | ||||||||||||
| 33858 | Jorge | Antunes | Elegia Violeta para Monsenhor Romero | 1980 | fixed media, akusmatisch | SISTRUM LPS 3002/ | 1 | ||||||||||||
| 23361 | Jorge | Antunes | FlautatualF | 1972 | Zuspiel, live-elec, 1 perf | 12:45 | fl, (mic, bottle) [Flöte] | UnB CD 350010/ | Suvini Zerboni | 1 | |||||||||
| 23281 | Jorge | Antunes | Fluxo Luminoso para Sons Brancos I, Luminous flow for white sounds I | 1964 | fixed media, akusmatisch | 2:29 | Stereo | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | |||||||||
| 19197 | Jorge | Antunes | Historia de un Pueblo (BRLXX3) | 1970 | fixed media, akusmatisch | 15:50 | Stereo | some words ("General") was cutted by politicians 4 parts |
E.S.Mangione LP.15003/ ELCD 026 Electroshock Records/ | Tella B.Aires | 0 | ||||||||
| 23286 | Jorge | Antunes | Historia de un Pueblo por Nacer ou Carta Abierta a Vassili Vasilikos y a todos los Pesimista | 1970 | fixed media, akusmatisch | 15:50 | Stereo | 4 parts | Musica el. periodo do pioneirismo/ ELCD 027 Electroshock Records/ E.S.Mangione LP.15003/ IDEAMA CD 059/ | Tella B.Aires | 1 | ||||||||
| 23272 | Jorge | Antunes | Hombres tristes y sin titulo rodeados de pájaros en noche amarilla, violeta y naranja | 1998 | fixed media, akusmatisch | 8:46 | SBME 002, Musica el. Brasileira Vol 2/ ELCD 020 Electroshock Records/ | LIEM CDMC Madrid | 1 | ||||||||||
| 333 | Jorge | Antunes | Interlude No 1 pour Olga | 1993 | fixed media, akusmatisch | 3:13 | Stereo | Upic; excerpt from the Opera "Olga" | Sistrum CD ST 001/ SBME 001, Musica el. Brasileira Vol 1/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | ||||||||
| 32571 | Jorge | Antunes | Invocation en defense de la machine | 1968 | Zuspiel / Tonband, 4 perf | 9 | 4 perc [Schlagzeug] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 33857 | Jorge | Antunes | Isomerism | 1974 | Zuspiel / Tonband, 1 group | 10:40 | orc [Orchester] | SISTRUM LPS 3001/ | 0 | ||||||||||
| 31738 | Jorge | Antunes | João da Silva | 1966 | Musiktheater | ≈ 60 | Also short concertversion (on CD SBME 5:16) after the same stageplay by Emanuel de Moraes. | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 18400 | Jorge | Antunes | La beauté indiscrète d'une note violette | 1995 | fixed media, akusmatisch | 2:00 | Stereo | CEC Presence 2/ | IMEB Bourges | 1 | |||||||||
| 334 | Jorge | Antunes | Le cru et le cuit | 1993 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 32568 | Jorge | Antunes | Le Papillon bleu | 1969 | Oper, 9 perf | 22 | S, Mez, T, 2 actor, va, vc, p, perc [Sopran, Mezzo, Tenor, Piano, Schlagzeug, Viola, Cello, Schauspieler] | Mini-Opera for children | 0 | http://www.americasnet.com.br/antunes/index2.htm | |||||||||
| 23342 | Jorge | Antunes | Mixolydia | 1995 | Zuspiel, live-elec, 1 perf | 11:24 | theremin [synthesizer] | Lydia Kavina (Theremin). Mixolydische Tonart | mode 76/ | INA • GRM | 1 | http://www.moderecords.com/ | |||||||
| 23284 | Jorge | Antunes | Movimento Browniano | 1968 | fixed media, akusmatisch | 3:59 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 23280 | Jorge | Antunes | Música para Varreduras de Frequência | 1963 | fixed media, akusmatisch | 2:33 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 32573 | Jorge | Antunes | Nsubstituivel segunda | 1967 | Zuspiel / Tonband, 1 perf | 6 | vc [Cello] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 32564 | Jorge | Antunes | Olga | 1987/1997 | Oper, 2 perf, 2 groups | 120 | V, orc, ch, dancer [Stimme, Tanz, Chor, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 335 | Jorge | Antunes | Para nascer aqui | 1971 | fixed media, akusmatisch | 24:55 | Quadro | Sistrum CD ST 002/ | Sonology Utrecht | 1 | http://www.latinoamerica-musica.net/quienes/de.html | ||||||||
| 23279 | Jorge | Antunes | Pequena peça para mi bequadro e harmônicos, short piece for E matural and harmonics | 1961 | fixed media, akusmatisch | 3:46 | Stereo | first EM piece by Antunes (made in Rio de Janeiro: Center for Chromo-Musical Research) | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | ||||||||
| 336 | Jorge | Antunes | Proudhonia | 1972 | Zuspiel / Tonband, 12 perf | 10:19 | Stereo | 12 V [Stimme] | Sistrum LP 002/ Paulinas Comep/ SISTRUM LPS 3002/ | INA • GRM | 26.8.1972 | München, Haus der Kunst, Olympics; avec les solistes des chœurs de l’ORTF, dir. M. Courad | 1 | ||||||
| 32565 | Jorge | Antunes | Qorpo Santo | 1983 | Oper, 2 perf, 2 groups | 180 | V, orc, ch, actor, (2 tapes) [Stimme, Schauspieler, Chor, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 23543 | Jorge | Antunes | Rituel Violet | 1999 | Zuspiel / Tonband, 1 perf | 5:47 | t-sax [Saxophon] | Daniel Kientzy | CD 11807-9/ Pogus 21067/ | 1 | |||||||||
| 32572 | Jorge | Antunes | Serie enfants | 1987 | Zuspiel / Tonband, 1 perf | 17 | vn [Violine] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 32569 | Jorge | Antunes | Sinfonia das diretas | 1984 | Zuspiel, Performance, 6 perf, 1 group | 44 | sax, e-gui, e-b, e-p, perc, Sp, ch [Bass, Sprecher, Saxophon, Piano, Gitarre, Schlagzeug, Chor] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 25818 | Jorge | Antunes | Source | 1974 | Zuspiel, live-elec, 6 perf | 24:10 | A, fl, va, vc, p, synt AKS [Alt, Flöte, Piano, Viola, Cello, synthesizer] | GeMunB Brasilia | UnB CD 350010/ | 1 | |||||||||
| 23282 | Jorge | Antunes | Três Estudos Cromofônicos: Estudio para Circulos Verdes e Vermelhos Estudio para Espirais Azuis e Laranjas Estudio para Pontos Amarelos e Violetas |
1966 | fixed media, akusmatisch | 8:12 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 19198 | Jorge | Antunes | Valsa Sideral, Sideral Waltz | 1962 | fixed media, akusmatisch | 3:04 | Stereo | first electronic music work composed in Brazil (Center for Chromo-Musical Research ≈ his private Studio) | E.S.Mangione LP.15003/ Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ CMJ Vol 23-4, 1999/ | PS C. | 1 | ||||||||
| 18399 | Jorge | Antunes | Vitraux MCMXCY - hommage au huitième centenaire de la Cathédrale de Bourges | 1995 | fixed media, akusmatisch | 19:26 | Stereo | ELCD 026 Electroshock Records/ | IMEB Bourges | 0 | |||||||||
| 23363 | Jorge | Antunes | Vivaldia MCMLXXV | 1975 | Oper, live-elec, 8 perf | 21:18 | V, dancer, fl, ehn, hn, va, vc, p [Stimme, Flöte, Oboe, Horn, Piano, Viola, Cello, Tanz] | GeMunB Brasilia. Opéra-bouffe de chambre |
UnB CD 350010/ | Sistrum | 1 | ||||||||
| 31739 | Jorge | Antunes | Xadrez Especial | 1968 | Musiktheater | 3:27 | also excerpt for concert (CD SBME 3:27), after the stageplay „Special hoosegow“ by Alfredo Gerhardt. Last piece made at Villa-Lobos-Institut | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 31570 | Siamak | Anvari | Gereh | 2013 | fixed media, akusmatisch | 7:30 | next_generation 5.0 | Sonology Den Haag | 0 | ||||||||||
| 43145 | Ted | Apel | Potential Difference | 2001 | Klangkunst, Installation | Auszeichnung ars electronica honorary mention 2001 | 0 | ||||||||||||
| 23585 | Ted | Apel | Surface Osculations | 1998 | Klangkunst, Installation | 7:07 | Surround 5.1 | Sounds from large Metal-Plates returned back | CMJ Vol 27-4, 2003/ | UCSD | 1 | ||||||||
| 33463 | Theodore R. | Apel | Inverse Music Box | 2005 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33462 | Theodore R. | Apel | Irresonance | 2004 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33465 | Theodore R. | Apel | Negated Music Series | 2008 | audiovisuell | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33464 | Theodore R. | Apel | Whiteout | 2007 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 28577 | Georges | Aperghis | Dans le mur | 2007 | Zuspiel / Tonband, 1 perf | 18:25 | p [Piano] | IRCAM, S. Roux, Nicolas Hodges (p); Strobelstiftung | WD 2009, Wittener Tage Für Neue Kammermusik 2009/ | IRCAM, Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 337 | Georges | Aperghis | Entretiens | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 338 | Georges | Aperghis | Music for an Orange-Girl | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EMI SCXG 59/ | 0 | |||||||||||
| 339 | Georges | Aperghis | Sports et rebondissements | 1974 | Zuspiel / Tonband, 10 perf | 25 | 6 V, 2 trbn, tuba, perc [Stimme, Posaune, Tuba, Schlagzeug] | 30.6.1974 | Festival La Rochelle | Salabert | 0 | http://brahms.ircam.fr/textes/c00000002/n00004562/ | |||||||
| 40672 | Georges | Aperghis | Thinking Things, machine trilogy | 2017 | live-elec, 4 perf | 4 perf (robotische Erweiterungen, Video, Licht, Elektronik) [Performer] | last part of „machine trilogy“ (Machinations, 2000; Luna Park 2011) | IRCAM | 20.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, IRCAM | 0 | ||||||||
| 28572 | Georges | Aperghis | Zeugen | 2007 | Performance | 9:35 | V, actor, Sp, b-cl, a-sax, acc, cymbalom, p, (Live-video) [Sprecher, Stimme, Klarinette, Saxophon, Piano, Akkordeon, Schauspieler, Streicher] | WD 2007, Wittener Tage Für Neue Kammermusik 2007/ | Kompositionsuaftrag des WDR, der HdK Bern, Stadt Witten | 2007 | Wittener Tage für neue Kammermusik 2007mit Aperghis Ensemble, Ltg. Zsolt Nagy; S. Kammer (V), Chr. Widauer (Puppenspieler) | 1 | |||||||
| 340 | Aphrodita | Aphrodita | Dream | 1983 | fixed media, akusmatisch | 8:53 | Radio Sofia | 0 | |||||||||||
| 341 | Aphrodita | Aphrodita | Nirvana | 1987 | fixed media, akusmatisch | 11:00 | Radio Sofia | 0 | |||||||||||
| 342 | Aphrodita | Aphrodita | Observation of City Life | 1988 | fixed media, akusmatisch | 5:08 | Radio Sofia | 0 | |||||||||||
| 21942 | Nicolay, Kjell | Apollyon, Johnsen | BassOrganics | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 343 | Nicolay, Kjell | Apollyon, Johnsen | Cellorganics | 1994 | live-elec, 1 perf | vc [Cello] | NOTAM | 0 | |||||||||||
| 21943 | Nicolay, Kjell | Apollyon, Johnsen | Esquisse | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21944 | Nicolay, Kjell | Apollyon, Johnsen | Extended Noise II | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21945 | Nicolay, Kjell | Apollyon, Johnsen | Fractal Circles | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 344 | Nicolay, Kjell | Apollyon, Johnsen | Garden of Delight | 1990 | Zuspiel / Tonband, 1 perf | 18:25 | V [Stimme] | Rostrum 90 Oslo | PS IACS, NRK Oslo | 1 | |||||||||
| 345 | Nicolay, Kjell | Apollyon, Johnsen | Hommage à César Franck | 1990 | Zuspiel / Tonband, 1 perf | org [Orgel] | NOTAM | 0 | |||||||||||
| 346 | Nicolay, Kjell | Apollyon, Johnsen | Jeu aux grands jeux II | 1992 | Zuspiel / Tonband, 1 perf | 17:00 | org [Orgel] | NOTAM | 0 | ||||||||||
| 347 | Nicolay, Kjell | Apollyon, Johnsen | Liquescence | 1994 | Zuspiel / Tonband, 1 perf, 1 group | 30:00 | Bar, ens [Bariton, Ensemble] | IACS | 0 | ||||||||||
| 348 | Nicolay, Kjell | Apollyon, Johnsen | Mura-Iki | 1990 | live-elec, 1 perf | 17:25 | fl [Flöte] | (c-fl; a-fl; pic-fl) | LDC 278051/52 Cultures Electroniques 5/ | PS C. | 1 | ||||||||
| 349 | Nicolay, Kjell | Apollyon, Johnsen | Ram of Tides | 1992 | live-elec, 6 perf | S, fl, ob, cl, hn, vc, (elec ad lib) [Sopran, Flöte, Klarinette, Oboe, Horn, Cello] | NOTAM | 0 | |||||||||||
| 21946 | Nicolay, Kjell | Apollyon, Johnsen | Sora-Iki | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21947 | Nicolay, Kjell | Apollyon, Johnsen | Tachyon | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 350 | Nicolay, Kjell | Apollyon, Johnsen | Transmutations | 1994 | Zuspiel / Tonband, 1 group | 15:00 | orc [Orchester] | NMI | AURORA 4979/ | 0 | |||||||||
| 33225 | Rafael | Aponte-Ledée | Cuídense de los ángeles que caen | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 33224 | Rafael | Aponte-Ledée | Estravagario | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 33227 | Rafael | Aponte-Ledée | In Memoriam Salvador Allende | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | |||||||||||||
| 33226 | Rafael | Aponte-Ledée | Los huevos de Pandora | 1974 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 351 | Rafael | Aponte-Ledée | Presagio de pájaros muertos | 1966 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | Sp [Sprecher] | LIPM B.Aires | 0 | |||||||||
| 33228 | Rafael | Aponte-Ledée | Tentativas | Zuspiel / Tonband, 1 perf, 1 group | vn, orc [Violine, Orchester] | 0 | |||||||||||||
| 39290 | Alex | Appel | Great White, Sweetness | 2017 | fixed media, akusmatisch | Movement II | 0 | ||||||||||||
| 352 | Karel | Appel | Le cavalier blanc | 1961 | Film | 28:00 | Mono | PHI 99954/ | STEM Utrecht | 0 | |||||||||
| 353 | Karel | Appel | Musique Barbare, Paysage électronique Poème barbare Orgue de Barbarie et percussion |
1961 | Film | 28:00 | Mono | PHI 99954/ SR 420 sub rosa/ | STEM Utrecht | 0 | http://thresholdofbeauty.com/music excerpts/Musique barbare excerpt.mp3 | ||||||||
| 354 | Karel | Appel | Paysage electronique | 1961 | Film | 28:00 | Mono | PHI 99954/ | STEM Utrecht | 0 | |||||||||
| 18593 | Jacki | Apple | Voices in the Dark | 1988/1990 | radiophon | 25:26 | Stereo | WN 0014/ | 0 | ||||||||||
| 355 | Louis, Gustav | Applebaum, Ciamaga | Ottawa 1967 | 1966 | Theatermusik | 15:00 | Mono | outdoor th | UTEMS Toronto | 0 | http://www.markapplebaum.com/ | ||||||||
| 18594 | Mark | Applebaum | 16 Things | 1995 - 1996 | live-elec, | 0:35 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27152 | Mark | Applebaum | Aphoristic Fragment | fixed media, akusmatisch | 1:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 18595 | Mark | Applebaum | Bow:Tam Trees | 1995 - 1996 | live-elec, | 9:12 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27157 | Mark | Applebaum | Catastrophe | fixed media, akusmatisch | 4:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 22891 | Mark | Applebaum | Dead White Males ReMix, The Janus Remixes | 1998 | fixed media, akusmatisch | 6:05 | Stereo | from „The Janus Remixes“ | innova 532/ innova 116 / | 1 | http://www.markapplebaum.com | ||||||||
| 27145 | Mark | Applebaum | Echolalia | Zuspiel, Performance, 2 perf | 4:00 | 2 perf [Performer] | 22 amplified Dadaist rituals, electronically transformed and diffused by a second performer | 0 | http://www.markapplebaum.com | ||||||||||
| 27153 | Mark | Applebaum | Feldhausen | fixed media, akusmatisch | 5:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 27144 | Mark | Applebaum | Ferneyhough ReMix (Affection Aphorism 1) | Zuspiel / Tonband, 2 perf | 2:25 | Stereo | 2 perc [Schlagzeug] | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 27147 | Mark | Applebaum | Glass Bead Game | live-elec, 1 perf | 4:00 | roboter (orc) [computer] | for the LOGOS Foundation (Gent, Belgium). robot orc: piperola, ake, pianola, vibi, tubi, klung, troms, thunderwood, springers, drippers |
0 | http://www.markapplebaum.com | ||||||||||
| 27151 | Mark | Applebaum | Licensed to Fail | Zuspiel, Performance, 1 perf | 5:00 | ins (quadrachord) (2 sound-sculptures) [Instrument] | with Paul Dresher (quadrachord) | 0 | http://www.markapplebaum.com | ||||||||||
| 27150 | Mark | Applebaum | Mouseketier Praxis | Zuspiel, Performance, 4 perf | 25:35 | 4 perf (4 mouseketier; electroacoustic sound-sculpture) [Performer] | improvisations with live electronics | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 27148 | Mark | Applebaum | Mousetrap Music | fixed media, akusmatisch | 69:00 | a CD of electroacoustic sound-sculpture improvisations | 0 | http://www.markapplebaum.com | |||||||||||
| 18596 | Mark | Applebaum | Pluck: Koto | 1995 - 1996 | live-elec, | 3:18 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27146 | Mark | Applebaum | Plundergraphic | live-elec, 1 perf | 4:43 | Octo | 1 ins [Instrument] | for 1 or more acoustic instruments with live electronics, 8-channel tape, and live sound diffusion | innova 602/ | 0 | http://www.markapplebaum.com | ||||||||
| 27341 | Mark | Applebaum | Pre-Composition | 2003 | fixed media, akusmatisch | 13:27 | Octo | innova 602/ SEAMUS EAM Vol. 13/ | Electronic Music Midwest 2002 | 1 | 2008 | http://www.markapplebaum.com | |||||||
| 18597 | Mark | Applebaum | S-tog | 1993 | live-elec, 1 perf | 90:00 | Stereo | dancer [Tanz] | piece named "sound-sculptures". also version for any number of players (Improvisation) |
Innova 511/ | 0 | http://www.markapplebaum.com | |||||||
| 18598 | Mark | Applebaum | Salmagundi | 1995 - 1996 | live-elec, | 15:03 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27158 | Mark | Applebaum | Sandman | fixed media, akusmatisch | 5:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 27140 | Mark | Applebaum | Sargasso ReMix, The Janus Remixes | 1998 | fixed media, akusmatisch | 5:14 | Stereo | from „The Janus Remixes“ | innova 532/ | 0 | http://www.markapplebaum.com | ||||||||
| 27143 | Mark | Applebaum | Scipio Wakes Up and Smells the Coffee, The Janus Remixes | live-elec, 6 perf | 12:47 | vn, bn, 2 Kbd, e-perc, e-mar, (6 electroacoustic sound-sculptures (cross-listed above in "chamber")) [Fagott, Keyboard, Schlagzeug, Violine] | six players performing | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 18599 | Mark | Applebaum | Scrape: Threaded Rods | 1995 - 1996 | live-elec, | 3:56 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27156 | Mark | Applebaum | Skeletons in the Closet | fixed media, akusmatisch | var | Octo | 0 | http://www.markapplebaum.com | |||||||||||
| 27141 | Mark | Applebaum | Snagglepuss ReMix | 1998 | fixed media, akusmatisch | 3:00 | Stereo | a remix of John Zorn's/Naked City's "Snagglepuss" | Tzadik/ | 1 | http://www.markapplebaum.com | ||||||||
| 18602 | Mark | Applebaum | Storke: Nails | 1995 - 1996 | live-elec, | 4:57 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 18600 | Mark | Applebaum | Strike: 3/2+5: Groove | 1995 - 1996 | live-elec, | 3:14 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 18601 | Mark | Applebaum | Strike: Dulcimer Groove | 1995 - 1996 | live-elec, | 1:10 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27154 | Mark | Applebaum | Suicides | 1956, 1970 | fixed media, akusmatisch | 3:00 | Stereo | 0 | http://www.markapplebaum.com | ||||||||||
| 27159 | Mark | Applebaum | That Brainwave Chick | Performance | collaboration with Paras Kaul involving the transformation of neural activity into sound in live performance | 0 | http://www.markapplebaum.com | ||||||||||||
| 27149 | Mark | Applebaum | The Janus ReMixes, Narcissus Remix Mt. Moriah Remix Dead White Males Remix Triple Remix Anesthesia Remix Elegy Remix Sargasso Remix Scipio Remix Tlon Remix Chameleon Remix Janus Remix |
1998 | fixed media, akusmatisch | 61:00 | a CD of digital remixes of original acoustic works | innova 532/ | 1 | http://www.markapplebaum.com | |||||||||
| 27155 | Mark | Applebaum | Variations on Variations on a Theme by Mozart | fixed media, akusmatisch | 6:00 | Quadro | 0 | http://www.markapplebaum.com | |||||||||||
| 27142 | Mark | Applebaum | Zero-One | Klangkunst, Installation | 7:00 | mousetrap, an electroacoustic sound-sculpture | 0 | http://www.markapplebaum.com/zero.gif | |||||||||||
| 356 | Mary Jeanne van | Appledorn | Freedom of Youth | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 357 | Mary Jeanne van | Appledorn | Liquid Gold | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 358 | Mary Jeanne van | Appledorn | Matrices | 1979 | fixed media, akusmatisch | Stereo | Texas Composers Guild Award, 1980 | 0 | |||||||||||
| 359 | Jon | Appleton | 2 melodrams for Synclavier : Tale of W. Mariner; Snow Queen | 1982 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 37470/ | 1 | ||||||||||
| 360 | Jon | Appleton | Apolliana | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ IDEAMA CD 064/ | Bregman Dartmouth | 1 | |||||||||
| 361 | Jon | Appleton | Borrego Springs | fixed media, akusmatisch | 0 | ||||||||||||||
| 362 | Jon | Appleton | Boum Sha Boom | 1983 | fixed media, akusmatisch | 5:33 | Stereo | Darthmouth Archive DA10/ | IMEB Bourges | 0 | |||||||||
| 363 | Jon | Appleton | Brush Canyon | 1983 | fixed media, akusmatisch | 12:50 | Stereo | Synclavier | Centaur CRC 2052, CDCM Vol. 6/ | Bregman Dartmouth | 1 | ||||||||
| 364 | Jon | Appleton | C.C.C.P., in memoriam: Anatoly Kuznetsov | 1969 | radiophon | 5:10 | Stereo | Synclavier II (in memoriam: Anatoly Kuznetsov) |
FTS 33437/ IMED 9635/ Darthmouth Archive DA02/ Darthmouth Archive DA05/ | Bregman Dartmouth | 1 | ||||||||
| 33688 | Jon | Appleton | Ce Que Signifie La Déclaration Des Droits De L'Homme Et Du Citoyen De 1798, Pour Les Hommes Et Les Citoyens Des Îles Marquises | 1989 | fixed media, akusmatisch | 10:10 | 200. anniversary french constitution | maat 034/ | IMEB Bourges | 1 | |||||||||
| 18605 | Jon | Appleton | Chef d'oeuvre | 1967 | fixed media, akusmatisch | 2:23 | Stereo | IMED 9635/ Darthmouth Archive DA02/ IDEAMA CD 064/ | Bregman Dartmouth | 1 | |||||||||
| 366 | Jon | Appleton | Degitaru Ongaku | 1983 | fixed media, akusmatisch | 14:37 | Stereo | Synclavier | Centaur CRC 2052, CDCM Vol. 6/ Darthmouth Archive DA10/ | Bregman Dartmouth | 1 | ||||||||
| 19483 | Jon | Appleton | Dima dobralasa domoy | 1993 | fixed media, akusmatisch | 7:15 | Stereo | IMED 9635/ | Col.Princ EMC | 0 | |||||||||
| 367 | Jon | Appleton | Dr. Quisling in Stockholm | 1969 | fixed media, akusmatisch | CAP 60008/ | SR Stockholm | 0 | |||||||||||
| 368 | Jon | Appleton | Georganna's Fancy | 1966 | fixed media, akusmatisch | 2:30 | Stereo | IMED 9635/ Darthmouth Archive DA02/ Darthmouth Archive DA06/ | Col.Princ EMC | 0 | |||||||||
| 28157 | Jon | Appleton | Georganna's Farewell | 1975 | fixed media, akusmatisch | 6:10 | Stereo | one the first four pieces made with "The Dartmouth Digital Synthesizer" | FTS 33442/ | Bregman Dartmouth | 0 | ||||||||
| 370 | Jon | Appleton | Homage to Orpheus | 1967/1973 | fixed media, akusmatisch | Hintergrundmusik |
3:10 | Stereo | Synclavier II | FTS 33437/ IMED 9635/ | Bregman Dartmouth | 0 | ||||||||
| 369 | Jon | Appleton | Homenaje a Milanés | 1987 | fixed media, akusmatisch | 5:26 | Synclavier | Centaur CRC 2133, CDCM Vol. 11/ | 1 | ||||||||||
| 371 | Jon | Appleton | Human music | fixed media, akusmatisch | 1 | ||||||||||||||
| 376 | Jon | Appleton | In Deserto | 1977 | live-elec, 1 perf | 10:02 | synt [synthesizer] | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | ||||||||
| 18613 | Jon | Appleton | In medias res | 1978 | fixed media, akusmatisch | 9:46 | Stereo | IMED 9635/ | 0 | ||||||||||
| 372 | Jon | Appleton | Infantasy | 1965 | fixed media, akusmatisch | 2:56 | Stereo | FDS 103 Flying Dutchman/ Darthmouth Archive DA01/ | Col.Princ EMC | 0 | |||||||||
| 373 | Jon | Appleton | Kamuela, (Return to Waimea) | 1983 | fixed media, akusmatisch | 7:50 | Stereo | Darthmouth Archive DA10/ | EMS Stockholm | 0 | |||||||||
| 374 | Jon | Appleton | Kapingamarangi | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 375 | Jon | Appleton | Kungsgatan 8 | 1970 | fixed media, akusmatisch | 4:35 | EMS Stockholm | 0 | |||||||||||
| 34931 | Jon | Appleton | Mussems Sang | 1976 | live-elec, | 7:45 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ CAP 60008/ | Bregman Dartmouth | 0 | |||||||||
| 33685 | Jon | Appleton | Narita Airport Rock | 2002 | fixed media, akusmatisch | 7:01 | maat 034/ | IAMAS | 1 | ||||||||||
| 22351 | Jon | Appleton | Nevsehir | 1967/1973 | fixed media, akusmatisch | Synclavier II | FTS 33437/ | Bregman Dartmouth | 1 | ||||||||||
| 18612 | Jon | Appleton | Newark Airport Rock | 1968 | fixed media, akusmatisch | 2:12 | Stereo | IMED 9635/ Darthmouth Archive DA02/ maat 034/ | Bregman Studios Dartmouth | 1 | |||||||||
| 381 | Jon | Appleton | Nukuoro | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 382 | Jon | Appleton | Ofa atu Tonga | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ | Bregman Dartmouth | 1 | |||||||||
| 383 | Jon | Appleton | Oskuldens Dröm | 1985 | fixed media, akusmatisch | 8:20 | Stereo | Darthmouth Archive DA11/ | EMS Stockholm | 0 | |||||||||
| 384 | Jon | Appleton | Otahiti | 1974 | fixed media, akusmatisch | 9:07 | Stereo | Darthmouth Archive DA05/ maat 034/ | IMEB Bourges | 1 | |||||||||
| 18608 | Jon | Appleton | Pacific Rimbombo | 1992 | fixed media, akusmatisch | 5:46 | Stereo | Mathews / Boie Radio Drum and Radio Baton | Centaur CRC 2190, CDCM Vol. 15/ | Bregman Dartmouth | 1 | ||||||||
| 385 | Jon | Appleton | Primary Experience | 1965 | fixed media, akusmatisch | 3:00 | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | |||||||||
| 18611 | Jon | Appleton | San Francisco Airport Rock | 1996 | fixed media, akusmatisch | 3:23 | Stereo | IMED 9635/ maat 034/ Kiasma 1998/ | Bregman Studios Dartmouth | 1 | |||||||||
| 386 | Jon | Appleton | Sashasonjon | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ Darthmouth Archive DA09/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 32104 | Jon | Appleton | Sheremetyevo Airport Rock | 2003 | fixed media, akusmatisch | 5:19 | SEAMUS EAM Vol. 13/ Darthmouth Archive DA15/ maat 034/ | Theremin Center Moscou | 1 | ||||||||||
| 387 | Jon | Appleton | Sones de San Blas | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ Darthmouth Archive DA05/ | Bregman Dartmouth | 1 | |||||||||
| 18610 | Jon | Appleton | Spuyten Duyvil | 1967 | fixed media, akusmatisch | 2:58 | Stereo | IMED 9635/ Darthmouth Archive DA02/ | Uni Ann Arbor | 0 | |||||||||
| 388 | Jon | Appleton | Stereopticon | 1972 | fixed media, akusmatisch | 8:15 | Stereo | Synthi 100 | LDC 278053/54 Cultures Electroniques 6/ | Bregman Dartmouth | 2nd prize Bourges | 1 | |||||||
| 389 | Jon | Appleton | Study #1 | 1963 | fixed media, akusmatisch | 6:00 | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | |||||||||
| 21496 | Jon | Appleton | Study #2 | 1963 | fixed media, akusmatisch | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | ||||||||||
| 390 | Jon | Appleton | Study #3 (Columbia Etude I) | 1965 | fixed media, akusmatisch | 1:55 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 34928 | Jon | Appleton | Syntrophia | 1977 | live-elec, | 9:02 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 391 | Jon | Appleton | The Sweet dreams of Miss Pamela Beach | 1979/1981 | live-elec, 1 perf | 11:30 | Stereo | synt [synthesizer] | Synclavier I & II | FTS 37461/ Darthmouth Archive DA09/ hap vol 18 - 3/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||
| 34929 | Jon | Appleton | The Sydsing Camklang | 1976 | live-elec, | 6:45 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 394 | Jon | Appleton | Times Square Times Ten | 1969 | fixed media, akusmatisch | 9:02 | Stereo | FDS 103 Flying Dutchman/ FTS 33437/ IMED 9635/ Darthmouth Archive DA02/ IDEAMA CD 064/ | Col.Princ EMC, Bregman Dartmouth | 1 | |||||||||
| 33684 | Jon | Appleton | Tu Vas Très Bien, Madame Risset | 2004 | fixed media, akusmatisch | 7:32 | maat 034/ | Bregman Studios Dartmouth | 1 | ||||||||||
| 33687 | Jon | Appleton | Yamanote To Ko | 1997 | fixed media, akusmatisch | 8:30 | maat 034/ | 1 | |||||||||||
| 33686 | Jon | Appleton | Yuri Goes To America | 2004 | fixed media, akusmatisch | 4:14 | maat 034/ | Theremin Center Moscou | 1 | ||||||||||
| 34930 | Jon | Appleton | Zoetrope | 1974 | live-elec, | 5:17 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 392 | Jon, Georges | Appleton, Boeuf | Synclavier Connection | 1978 | live-elec, 1 perf | 20:00 | Stereo | synt [synthesizer] | GMEM Marseille | 0 | |||||||||
| 39977 | Katsuyuki | Araki | The Stream – Nagare – | 2017 | fixed media, akusmatisch | Katsuyuki Araki | 0 | ||||||||||||
| 40996 | David | Arango Valencia | Burundanga | 2013 | fixed media, akusmatisch | 10:26 | 0 | ||||||||||||
| 32001 | David | Arango Valencia | Canción de Otraparte, Chanson d'ailleurs | 2011 | fixed media, akusmatisch | 12:04 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 2. prize | 1 | |||||||||
| 34351 | David | Arango Valencia | To Foglets | 2012 | fixed media, akusmatisch | 11:13:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 1. prize | 0 | |||||||||
| 40997 | David | Arango Valencia | Trompe | 2012 | fixed media, akusmatisch | 10:34 | JTTP 2013 | 0 | |||||||||||
| 36469 | Naoyuki | Arashi | From Scene 99 To The End - Kohayagawa-ke No Aki | 2007 | radiophon | 1:34:00 | and 26/ | 0 | |||||||||||
| 28379 | George | Arasimowicz | Bohater | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 395 | George | Arasimowicz | Extensions | 1985 | live-elec, 1 perf | Stereo | fl, (extensions) [Flöte] | Out to pasture | 0 | ||||||||||
| 396 | George | Arasimowicz | Resonances/Dissonances | 1986 | audiovisuell | 10:50 | Stereo | 0 | |||||||||||
| 397 | George | Arasimowicz | Vai | 1984 | fixed media, akusmatisch | 11:22 | Stereo | 0 | |||||||||||
| 398 | Delphina | Araujo | Vision Conformiste | 1976 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 399 | Sergio | Araujo | Delirium Tremens | 1976 | fixed media, akusmatisch | 20:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 40998 | Frederic | Arbour | Invocation | 2009 | fixed media, akusmatisch | 10:29 | 0 | ||||||||||||
| 32006 | Frederic | Arbour | Vortexed | 2008 | fixed media, akusmatisch | 9:51 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 32902 | Cory | Arcangel | Music for Stereos | 2010 | Performance | ∞ | 30.11.2010 - 1.5.2011 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | ||||||||||
| 40022 | Loredana | Arcaro | F_for_G#_T_Studio n. 3 | 2015 | fixed media, akusmatisch | 4:20:00 | Loredana Arcaro | 0 | |||||||||||
| 25819 | Mikel | Arce Sagarduy | *.WAV | 2004 | Klangkunst, Installation | 3:23:00 | Dokumentation einer Klanginstallation mit 4 bewegten / angeregten Metallplatten, KEIN Ton! | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2004 | 1 | |||||||||
| 400 | Aluizio | Arcela | /cartas/rs95.car | 1995 | fixed media, akusmatisch | 4:25 | II SBC&M/ | Uni Brasília sala 24 | 1 | ||||||||||
| 24337 | Phil | Archer | CD err | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21087 | Phil | Archer | Kung Fu | 1999 | fixed media, akusmatisch | 3:40 | SAN 08/99 Sonic arts network/ | 1 | |||||||||||
| 23364 | Phil | Archer | Study No. 36 - swing piano | 2002 | fixed media, akusmatisch | 3:37 | ARiADA 2003/ | UEA Norwich | 1 | ||||||||||
| 401 | Violet | Archer | Episodes | fixed media, akusmatisch | 8:40 | WM- SMLP 4024/ | Con Toronto | 1 | |||||||||||
| 402 | Serge | Arcuri | Chronaxie | 1983/1984 | Zuspiel / Tonband, 1 perf | 12:05 | Stereo | perc [Schlagzeug] | IMED 9310/ Centrediscs CMC 2786 Canadian Music Center/ | Uni Saskatoon, Uni Montréal | Mention Bourges 87 | 1 | |||||||
| 403 | Serge | Arcuri | Errances | 1992 | Zuspiel / Tonband, 2 perf | 14:00 | Stereo | ob d'amore, hp [Oboe, Harfe] | IMED 9310/ | Info-MIDI Montreal | Mention Bourges 1993 | 1 | |||||||
| 404 | Serge | Arcuri | La porte des sables | 1989 | live-elec, 3 perf | 11:30 | Stereo | ob, perc, synt [Oboe, Schlagzeug, synthesizer] | IMED 9310/ | 1 | |||||||||
| 406 | Serge | Arcuri | Lueurs | 1987 | Zuspiel / Tonband, 2 perf | 12:27 | Stereo | hn, perc [Horn, Schlagzeug] | IMED 9310/ | Info-MIDI Montreal, St 605 Montréal | 1 | ||||||||
| 407 | Serge | Arcuri | Murmure | 1989 | fixed media, akusmatisch | 12:26 | Stereo | MIDI | IMED 9310/ ACM 37 CD 1-4/ | PS Bruit vert Montreal | 1 | ||||||||
| 408 | Serge | Arcuri | Prélude aux Méandres | 1985 | fixed media, akusmatisch | 3:29 | Stereo | Jupiter 8, Fairlight II | IMED 9310/ | Uni Montréal | 1 | ||||||||
| 409 | Serge | Arcuri | Résurgence | 1982 | fixed media, akusmatisch | 6:42 | Stereo | IMED 9310/ | HfM Montreal | 1 | |||||||||
| 37181 | Alfredo | Ardia | Metamorfosi | 2016 | Klangkunst, Installation | ∞ | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 43071 | Alfredo | Ardia | Metamorfosi | 2016 | Klangkunst, Installation | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | |||||||||||
| 23329 | Bülent | Arel | Capriccio for TV | 1969 | fixed media, akusmatisch | 6:06 | Stereo | Opus one 59/ | Col.Princ EMC | 1 | |||||||||
| 410 | Bülent | Arel | Electronic Music No. 1 | 1960 | fixed media, akusmatisch | 8:44 | Mono | one of the first piece of RCA-synzhesizer Mark II | CRi S 356/ Son Nova 3/ SR 300 sub rosa/ SR 431 sub rosa/ | Col.Princ EMC | 0 | ||||||||
| 23328 | Bülent | Arel | Fantasy of Dance | 1973 | Zuspiel / Tonband, 5 perf | 8:02 | Stereo | 5 va [Viola] | Col.Princ EMC | 1 | |||||||||
| 23326 | Bülent | Arel | Mimiana I : Flux | 1968 | Tanz | 10:38 | Stereo | Finna SR 9020/ IDEAMA CD 064/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 411 | Bülent | Arel | Mimiana II : Frieze | 1969 | Tanz | 12:57 | Mono | CRi SD 300/ Finna SR 9020/ IDEAMA CD 064/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 23327 | Bülent | Arel | Mimiana III : 6 - 7, Mimiana III : Six & Seven | 1973 | Tanz | 12:14 | Stereo | Finna SR 9020/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 415 | Bülent | Arel | Music for a Sacred Service, Prelude and Postlude | 1961 | Film | 6:49 | Stereo | Son Nova 3/ NWR 80521/ | Col.Princ EMC | 0 | |||||||||
| 412 | Bülent | Arel | Music for string Quartet and electronic Oscillator | 1957 | live-elec, 5 perf | 9:00 | Mono | str-qt, elec (oscillator) [elektronik, Streicher] | Col.Princ EMC, Radio Ankara | 0 | |||||||||
| 413 | Bülent | Arel | Music for String Quartet and electronic Sound | 1957, 1962 | Zuspiel / Tonband, 4 perf | 10:00 | Mono | str-qt [Streicher] | rev. from M. for string quartet and elec Oscillator (59) | Opus one 59/ | Col.Princ EMC | 0 | |||||||
| 414 | Bülent | Arel | Postlude, from music for a sacred service | 1961 | fixed media, akusmatisch | 3:57 | Mono | SoN S 3/ SR 390 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 416 | Bülent | Arel | Stereo Electronic Music No. 1 | 1961 | fixed media, akusmatisch | 10:28 | Stereo | one of the first piece of RCA-synzhesizer Mark II | SR 431 sub rosa/ CRI SD 268/ Mainstream MS 6566/ NWCR 611/ | Col.Princ EMC | 1 | ||||||||
| 417 | Bülent | Arel | Stereo Electronic Music No. 2 | 1970 | fixed media, akusmatisch | 14:18 | Stereo | siehe CRI SD 268 | CRi CD 611/ Finna QD 9010/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | ||||||||
| 419 | Bülent | Arel | The Scapegoat Suite | 1961 | fixed media, akusmatisch | 28:54 | Mono | Col.Princ EMC | 0 | ||||||||||
| 418 | Bülent | Arel | The Scapegoat, a Fragment | 1961 | fixed media, akusmatisch | 1:23 | Mono | Son Nova 3/ | Col.Princ EMC | 0 | |||||||||
| 420 | Bülent | Arel | Wall Street Impressions | 1961 | Film | 3:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 22936 | Bülent, Daria | Arel, Semegen | Out of Into | 1972 | fixed media, akusmatisch | 16:32 | NWR 80521/ SR 431 sub rosa/ | Col.Princ EMC | 1 | ||||||||||
| 35637 | Mario | Arenas | Busqueda y retorno | 1998 | fixed media, akusmatisch | 8:23 | Uni de la serena 1/ | 0 | |||||||||||
| 23818 | Mario | Arenas | Fuego fatuo | 2000 | fixed media, akusmatisch | 4:00 | software "Punto y Tono" | 07.2000 | Sala SCD, Santiago, Chile. | 0 | |||||||||
| 23819 | Mario | Arenas | Fuego fatuo II | fixed media, akusmatisch | 0 | ||||||||||||||
| 21863 | Daniel | Arfib | Fragments complets | 1998 | fixed media, akusmatisch | 11:15 | IMEB Bourges | 0 | |||||||||||
| 421 | Daniel | Arfib | L'approche de la lumière | 1980 | fixed media, akusmatisch | 13:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 422 | Daniel | Arfib | Le Souffle du Doux | 1978 | fixed media, akusmatisch | 10:22 | Stereo | WER 2022-50, Computer Music Currents 2/ | CNRS Marseille | 1 | |||||||||
| 423 | Daniel | Arfib | Tre de Dos | 1984 | fixed media, akusmatisch | 22:10 | Stereo | 1st prize Bourges | 0 | ||||||||||
| 424 | Daniel | Arfib | Voyelles d'éveil | 1977 | fixed media, akusmatisch | 8:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 25015 | Steve | Argüelles | Metro Mix | 2001 | fixed media, akusmatisch | 5:52 | Beats und anderes | real ambient vol. 4/ | PS | 1 | |||||||||
| 34852 | Matthew, Kvanç | Ariaratnam, Tatar | Oblique Strategies | 2016 | fixed media, akusmatisch | 17:00:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 425 | Javier | Arias Bal | Limiar | 1991 | live-elec, 1 perf | 11:00 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 42892 | Ricardo | Arias | Eight Bells | 2013 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 42456 | Christopher | Ariza | demiurgic ecstasy whispering in streets of ear | 2008 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 32109 | Christopher | Ariza | onomatopoeticized | 2004 | fixed media, akusmatisch | 8:31:00 | SEAMUS EAM Vol. 15/ | 0 | |||||||||||
| 19282 | Javier | Ariza | Low Level | 1997 | radiophon | 11:56 | La Muse en Circuit, 3. concours de création radiophonique/ | GME Cuenca | 1 | ||||||||||
| 18616 | Manuel | Ariza | The West End | 1997 | Zuspiel / Tonband, 1 perf | 5:47 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | |||||||||
| 37257 | Anna | Arkushyna | Ihearyou | 2016 | fixed media, akusmatisch | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 426 | Paul | Arma | 7 variations spatiophoniques | 1959 | fixed media, akusmatisch | 22:00 | Mono | IDEAMA CD 020/ | PS C. Paris | 0 | |||||||||
| 427 | Paul | Arma | Concerto pour bande magnétique | 1959 | fixed media, akusmatisch | 38:30 | Mono | with text by Jaime Torres | ORTF Paris | 0 | |||||||||
| 428 | Paul | Arma | Grille d’azur et de menthe | 1967 | fixed media, akusmatisch | 90:00 | oratorio pour bande magnetique; (texte de Pablo Picasso) | ORTF Paris | 0 | ||||||||||
| 429 | Paul | Arma | L'Oiseau-qui-n'existe-pas | 1964 | fixed media, akusmatisch | 6:00 | Mono | after a poem by Claude Aveline | PS C. Paris | 0 | |||||||||
| 430 | Paul | Arma | Musique de chambre | 1966 | fixed media, akusmatisch | 21:50 | 0 | ||||||||||||
| 431 | Paul | Arma | Quand la mesure est pleine – cantate pour bande magnetique | 1962 | fixed media, akusmatisch | 47:45 | Mono | with text by Michel Seuphor | ORTF Paris | 0 | |||||||||
| 432 | Paul | Arma | Quatre transparences | 1967 | fixed media, akusmatisch | 16:30 | ORTF Paris | 0 | |||||||||||
| 433 | Paul | Arma | Suite pour bande magnetique | 1960 | fixed media, akusmatisch | 21:30 | Mono | Radio Luxembourg Paris | 0 | ||||||||||
| 39943 | Joshua | Armenta | Tres Gritos Para Mi Patria | 2016 | fixed media, akusmatisch | Joshua Armenta | 0 | ||||||||||||
| 19724 | Eduardo | Armenteros | Danzas Clónicas y Fractales | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 18617 | Eduardo | Armenteros | El granito gegra extrañas vibraciones ( 3 mouvements) | Zuspiel / Tonband, 1 perf | 7:57 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | ||||||||||
| 19719 | Eduardo | Armenteros | El Planeta Verde | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19722 | Eduardo | Armenteros | El Secuenciario anacreóntico | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 19720 | Eduardo | Armenteros | El Sueño de la Razón produce Monstruos | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19717 | Eduardo | Armenteros | Formación de un Tríptico | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19718 | Eduardo | Armenteros | Las Pinturas negras de Goya | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19723 | Eduardo | Armenteros | Mil Novecientos y d"OMS" | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 19721 | Eduardo | Armenteros | Preludios ómnicos I & II | 1986 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 434 | Eduardo | Armenteros | Tres piezas en forma de tríptico, (Apparition Strates Rituel) |
1983 | fixed media, akusmatisch | CIRM Nice | 0 | ||||||||||||
| 28550 | Iain | Armstrong | Matchine | 2005 | fixed media, akusmatisch | 6:20 | Stereo | BEAST | 1 | 2010 | www.iainarmstrong.net | ||||||||
| 21579 | Iain | Armstrong | set adrift in stolen moments | 1999 | fixed media, akusmatisch | 12:45 | SCD 28034 Sargasso/ | BEAST | 1 | 2000 | www.iainarmstrong.net | ||||||||
| 40999 | Iain | Armstrong | Transcriptions électroniques | fixed media, akusmatisch | 12:01 | 0 | |||||||||||||
| 31601 | Sebastian | Arnold | Public Static Void | 2013 | fixed media, akusmatisch | 5:00 | 5 tracks | next_generation 5.0 | TU Berlin | 0 | |||||||||
| 33429 | Thomas | Aronis | Electronic Study | 1965 | fixed media, akusmatisch | 3:30 | Stereo | Uni Philadelphia | 0 | ||||||||||
| 33430 | Thomas | Aronis | Poor Bitos | 1966 | Theatermusik | 10 | Mono | Uni Philadelphia | 0 | ||||||||||
| 435 | Thomas | Arras | A.B.C. | 1968 | fixed media, akusmatisch | 8:33 | Quadro | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | PS Raaijmakers | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 436 | Thomas | Arras | FRS, 'n ode aan atoombom 2 or the next one | 1971/1972 | fixed media, akusmatisch | 60:00 | Quadro | on 2 tapes | Sonology Utrecht | 0 | |||||||||
| 437 | Thomas | Arras | Gamma No. III | 1970 | fixed media, akusmatisch | 26:53 | Quadro, Stereo | Sonology Utrecht | 0 | ||||||||||
| 39661 | Chris | Arrell | Altamira 1b | 2017 | fixed media, akusmatisch | Chris Arrell | 0 | ||||||||||||
| 39329 | Chris | Arrell | Creme 21 | 2017 | live-elec, | (music for) | 0 | ||||||||||||
| 39662 | Chris | Arrell | Mutations | 2015 | fixed media, akusmatisch | 7:38:00 | Chris Arrell | 0 | |||||||||||
| 23821 | Jorge | Arriagada | A4 | fixed media, akusmatisch | 0 | ||||||||||||||
| 438 | Jorge | Arriagada | Arena y mas allá | 1974 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 23822 | Jorge | Arriagada | Chile 1970 | Zuspiel / Tonband, 9 perf | str-octet, mus [Musiker, Streicher] | 0 | |||||||||||||
| 439 | Jorge | Arriagada | Chile 1973 | 1973 | fixed media, akusmatisch | 19:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 23820 | Jorge | Arriagada | Concierto para violín y cinta | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | |||||||||||||
| 23823 | Jorge | Arriagada | Cuatro momentos musicales | fixed media, akusmatisch | 0 | ||||||||||||||
| 440 | Jorge | Arriagada | Etude | 1972 | fixed media, akusmatisch | 9:15 | Stereo | Pueblo Nuevo PN.CD.001/ | IMEB Bourges | IMEB Bourges | 0 | ||||||||
| 441 | Jorge | Arriagada | Indio | 1972 | fixed media, akusmatisch | 13:00 | Stereo | LDC 2781126 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 442 | Girolamo | Arrigo | 2 studios | 1963 | fixed media, akusmatisch | 5:50 | Mono | Fonologia Milano | 0 | ||||||||||
| 443 | Girolamo | Arrigo | Etude | 1959 | fixed media, akusmatisch | 3:30 | Mono | Etude de stage | INA • GRM | 0 | |||||||||
| 31658 | Pelayo F. | Arrizabalaga | Atravesando un Cuadro | 1998 | fixed media, akusmatisch | 6:00:00 | Quadro | HSM Basel | 0 | ||||||||||
| 31641 | Pelayo F. | Arrizabalaga | Die gelbe Schlage – Azufre es serpiente | 1999 | live-elec, 3 perf | 7:20:00 | Counter-T, cl, b-cl, (elec) [Tenor, Klarinette] | HSM Basel | 0 | ||||||||||
| 31659 | Pelayo F. | Arrizabalaga | Pieza Metallica | 1997 | fixed media, akusmatisch | 4:30:00 | HSM Basel | 0 | |||||||||||
| 444 | Diodato | Arru | Endura | 1991 | live-elec, 2 perf | V, va [Stimme, Viola] | CRM Roma, CERM Sassari | 0 | |||||||||||
| 27351 | Mathieu | Arsenault | Edges | 2008 | fixed media, akusmatisch | 5:35 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 5. prize | 1 | http://cec.concordia.ca/jttp | ||||||||
| 41000 | Mathieu | Arsenault | Portrait | 2009 | fixed media, akusmatisch | 5:50 | JTTP 2009 | 0 | |||||||||||
| 42069 | Antonin | Artaud | Pour en finir avec le jugement de dieu | 1947 - 1948 | radiophon | RDF | 0 | ||||||||||||
| 445 | Pierre-Yves | Artaud | Soleil noir | 1991 | Zuspiel / Tonband, 1 perf | 10:40 | Stereo | fl [Flöte] | INA • GRM | 0 | |||||||||
| 19798 | Alex | Arteaga | Daimon | 1994 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 32559 | Alex | Arteaga | Espacio Vibrado | 1998 | Klangkunst, Installation | MACBA Barcelona | 0 | ||||||||||||
| 32560 | Alex | Arteaga | Klangspur | 2001 | Klangkunst, Installation | Oberlinhaus Potsdam | 0 | ||||||||||||
| 22805 | Alex | Arteaga | Lob des Schattens | 1997 | Zuspiel / Tonband, 14 perf | 14 ins [Instrument] | TU Berlin | 1 | |||||||||||
| 25820 | Alex | Arteaga | Modul 2 | 2001 | Zuspiel / Tonband, 8 perf | 8 fl [Flöte] | TU Berlin | 26.4.2001 | Barcelona | 1 | |||||||||
| 32558 | Alex | Arteaga | schwankende Räume | 2000 | Klangkunst, Installation | Mies van der Rohe Haus (“Haus Lemke“) Berlin | TU Berlin | 0 | |||||||||||
| 34731 | Alex | Arteaga | sururb.wasserspeicher | 2010 | Klangkunst, Installation | Performance |
9:10 | 3 perf [Performer] | Kehrer Verlag ISBN 978-3-86828-493-5/ | 3.6.-13.7.2010 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=684 | |||||||
| 19799 | Alex | Arteaga | Témenos | 1996 | Zuspiel / Tonband, 1 perf | 6:40 | Stereo | rec [Flöte] | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||
| 21139 | Alex | Arteaga | Über das Wandern | 1999 | Zuspiel / Tonband, 1 perf | 13:00 | Octo | Sp [Sprecher] | TU Berlin | 1 | |||||||||
| 21122 | Alex | Arteaga | Übergang | 1998 | fixed media, akusmatisch | 23:00 | 14 Tracks | nach einer architektonischen Idee des Japaners Tadao Andos | TU Berlin | 0 | |||||||||
| 18618 | Gilles | Arteau | Kes que C/que C Q/kes que G | 1989/1992 | Zuspiel / Tonband, | 8:00 | Stereo | OBZ 001/ | 0 | ||||||||||
| 18619 | Gilles, Louis | Arteau, Ouellet | G di sa | 1989/1992 | Zuspiel / Tonband, | 13:37 | Stereo | OBZ 001/ | 0 | ||||||||||
| 18620 | Gilles, Louis | Arteau, Ouellet | Saragosse/Quèbec | 1989/1992 | Zuspiel / Tonband, | 18:34 | Stereo | OBZ 001/ | 0 | ||||||||||
| 451 | Artemiy | Artemiev | I would like to return | 1993 | fixed media, akusmatisch | 11:24 | LDC 2781115/16/17 opus 30/ ELCD 005 Electroshock Records/ | IMEB Bourges | 0 | ||||||||||
| 28435 | Artemiy | Artemiev | Space Distortion Evening in the Country |
fixed media, akusmatisch | 9:00 | ELCD 005 Electroshock Records/ | 0 | ||||||||||||
| 446 | Eduard | Artemiev | 12 glimpses on the world of sound, 12 Looks at the world of sound | 1969 | fixed media, akusmatisch | 12:52 | ANS - synt. | Melody S60 30721/ ELCD 011 Electroshock Records/ IDEAMA CD 012/ CTEPEO C60 30721/ | Muzei Skryabina Moskva | 1 | |||||||||
| 447 | Eduard | Artemiev | A man by the fireside | 1977 | fixed media, akusmatisch | 10:00 | Stereo | a poem for rock group & phonogram | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 448 | Eduard | Artemiev | Crime and punishment (Raskolnikow) | 1987 | Oper | Dostoyevsky | Melody S60 30721/ | PS C. | 0 | ||||||||||
| 449 | Eduard | Artemiev | Etyud | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 450 | Eduard | Artemiev | Glossolalie | 1972 | Zuspiel / Tonband, 2 perf, 2 groups | Mono | V, ch, orc, synt [Stimme, synthesizer, Chor, Orchester] | Muzei Skryabina Moskva | 0 | ||||||||||
| 452 | Eduard | Artemiev | Impertire tempus cogitatio | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 453 | Eduard | Artemiev | In outer space | 1961 | fixed media, akusmatisch | 4:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 454 | Eduard | Artemiev | Man at the Fireside | 1977 | Zuspiel / Tonband, 1 group | 10:00 | Mono | rock-ens [Ensemble] | Muzei Skryabina Moskva | 0 | |||||||||
| 455 | Eduard | Artemiev | Metamorphoses | 1976 | fixed media, akusmatisch | 10:00 | Stereo | elec interpretation of classic M.; synthi 100 | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 456 | Eduard | Artemiev | Metchte navstrechu (Meeting the Dream) | 1961 | Film | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 457 | Eduard | Artemiev | Mood-pictures, suite for synthi-100 | 1974 | fixed media, akusmatisch | 40:00 | Stereo | synthi 100 | Melody S60 30721/ Melody S10 21077/ | Muzei Skryabina Moskva | 0 | ||||||||
| 458 | Eduard | Artemiev | Mosaic | 1967 | fixed media, akusmatisch | 4:00 | ANS - synt. | Melody S60 30721/ ELCD 011 Electroshock Records/ CTEPEO C60 30721/ | Muzei Skryabina Moskva | 1 | |||||||||
| 461 | Eduard | Artemiev | music for Electronics Pavilion, Moscow | 1962 | Hintergrundmusik | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 462 | Eduard | Artemiev | music for Soviet Space Technology Pavilion, London | 1962 | Hintergrundmusik | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 463 | Eduard | Artemiev | Perpetual motion | 1987 | fixed media, akusmatisch | 5:00 | Stereo | Melody S60 30721/ | PS C. | 0 | |||||||||
| 464 | Eduard | Artemiev | Requiem (Credo) | 1987 | live-elec, 1 perf, 1 group | 3:00 | ch, synt [synthesizer, Chor] | 0 | |||||||||||
| 465 | Eduard | Artemiev | Ritual | 1980 | intermedia | 40:00 | Stereo | for olympic games (rock-music) | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 466 | Eduard | Artemiev | Sibiriada | 1978 | Film | LDX 74719 Le chant du monde/ | Muzei Skryabina Moskva | 0 | |||||||||||
| 467 | Eduard | Artemiev | Solaris / The mirror / Stalker | 1972 - 1978 | Film | 80:00 | Stereo | see "Cycle of 12 Pieces from Films by Tarkovsky" 1989, CD | Melody S60 30721/ ELCD 012 Electroshock Records/ | PS C. | 0 | ||||||||
| 468 | Eduard | Artemiev | Star nocturne | 1961 | fixed media, akusmatisch | 5:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 469 | Eduard | Artemiev | The Ocean (in memory of Andrei Tarkovski) | 1987 | fixed media, akusmatisch | 5:00 | 0 | ||||||||||||
| 470 | Eduard | Artemiev | The seven gates into the world of Satori | 1974 | fixed media, akusmatisch | 40:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 471 | Eduard | Artemiev | The warmth of the earth | 1988 | Oper | 120:00 | Melody S60 30721/ | PS C. | 0 | ||||||||||
| 472 | Eduard | Artemiev | Three glimpses on the revolution | 1989 | fixed media, akusmatisch | 15:00 | Stereo | to french revol. | Melody S60 30721/ | PS C. | 0 | ||||||||
| 473 | Eduard | Artemiev | Three poems, White Dove Vision summer |
1982 | live-elec, 3 perf | 33:00 | Stereo | S, vn, synt [Sopran, Violine, synthesizer] | words by Sigitus Gedda | Melody S60 30721/ ELCD 005 Electroshock Records/ | PS C. | 0 | |||||||
| 475 | Eduard | Artemiev | Val’s konsertnyi | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 476 | Eduard | Artemiev | Zvezdnyi noktyurn (Starry Nocturne) | 1964 | Zuspiel / Tonband, 1 group | Mono | ch [Chor] | IDEAMA CD 049/ | Muzei Skryabina Moskva | 0 | |||||||||
| 460 | Eduard, Yu. | Artemiev, Bogdanov | Motion | 1980 | fixed media, akusmatisch | 8:35 | Synthi 100 | Melody S60 30721/ C 10 13889-90/ | PS C. | 1 | |||||||||
| 474 | Eduard, Stanislav | Artemiev, Kreitchi | V kosmose, Cosmos | 1961 | Film | 12:15 | Mono | Film Music, ANS - synt | Melodiya D-25631-32/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 0 | ||||||||
| 40393 | Philippe | Arthuys | 1956 | Film | film de Gruel (Argos film) | INA • GRM | 0 | ||||||||||||
| 478 | Philippe | Arthuys | Boite à musique | 1955, 1957 | fixed media, akusmatisch | 2:52 | Mono | rev. | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1032 27652 archives grm CD 2/5/ Ducretet-Thomson 320 C 100, Panorama de la musique concrète No. 1, 1955/ Klett Stuttgart 92422, 1974/ IDEAMA CD 038/ CND 15-16/ | INA • GRM | 5.10.1958 | Bruxelles Expo, french Pavillon | 1 | ||||||
| 479 | Philippe | Arthuys | Etude chinoise | 1956 | fixed media, akusmatisch | 3:00 | Stereo | INA • GRM | 0 | ||||||||||
| 480 | Philippe | Arthuys | Galaxie | 1965 | fixed media, akusmatisch | 15:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40388 | Philippe | Arthuys | Ils recolteront la tempête | 1956 | Theatermusik | 40 | Cantata dramatique. Text de P. Arthuys, dit par M. Bouquet et J. L. Barrault | INA • GRM | 0 | ||||||||||
| 481 | Philippe | Arthuys | India | 1958 | Film | 50:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 482 | Philippe | Arthuys | Jardin de corail | 1958 | Film | 12:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 483 | Philippe | Arthuys | La Cage de Verre | 1965 | intermedia | 25:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 484 | Philippe | Arthuys | La demoiselle de coeurs | 1963 | intermedia | 26:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 485 | Philippe | Arthuys | La machine et l'homme | 1957 | Film | 30:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40389 | Philippe | Arthuys | La machine humaine | 1956 | Film | INA • GRM | 0 | ||||||||||||
| 40396 | Philippe | Arthuys | La malaria | 1957 | Film | INA • GRM | 0 | ||||||||||||
| 486 | Philippe | Arthuys | La tâche des hommes | 1957 | Film | 50:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 487 | Philippe | Arthuys | Le crabe qui jouait avec la mer, Illustration musicale d'un conte pour enfants de R. Kipling | 1955 | fixed media, akusmatisch | Musiktheater |
25:05 | Mono | 2 Versions: Musiktheater und Konzert | BAM LD 305/ Creel Pone 19/ | INA • GRM | 31.12.1955 | Paris | 0 | ||||||
| 40395 | Philippe | Arthuys | Le personnage combattant | 1957 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40398 | Philippe | Arthuys | Les Astronautes | 1957 | radiophon | Emission dramatique radio diffusée | INA • GRM | 0 | |||||||||||
| 488 | Philippe | Arthuys | Les carabiniers | 1963 | Film | 10:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 489 | Philippe | Arthuys | Les eaux sauvages | 1959 | Film | 8:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 490 | Philippe | Arthuys | Les iles enchantées | 1966 | Film | 13:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40392 | Philippe | Arthuys | Les sources de la nuit, sont baignées de lumière | 1956 | radiophon | Sur um poème de Desnos, dit par G. Blin | INA • GRM | 0 | |||||||||||
| 491 | Philippe | Arthuys | Monsieur Tête | 1959 | Film | 10:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 492 | Philippe | Arthuys | Nature morte a la guitare | 1957 | fixed media, akusmatisch | 6:54 | Stereo | IDEAMA CD 038/ | INA • GRM | 3.2.1958 | Radio Paris IV | 0 | |||||||
| 28634 | Philippe | Arthuys | Nature morte au vibraphone | 1956 | fixed media, akusmatisch | 9:10 | Stereo | Manipulation à partir d’un seul son de vibraphone. Duration 6:00 ? |
INA • GRM | 0 | |||||||||
| 493 | Philippe | Arthuys | Paris nous appartient | 1959 | Film, 2 groups | 35:00 | Mono | ens, ch [Ensemble, Chor] | Tadie Cinema Paris | 0 | |||||||||
| 494 | Philippe | Arthuys | Pau amma, Le crabe qui jouait avec la mer | 1955 | fixed media, akusmatisch | 12:00 | Mono | version concert du "le crabe …" | IDEAMA CD 038/ | INA • GRM | 0 | ||||||||
| 40391 | Philippe | Arthuys | Portee de chats | 1956 | Performance | Musique pour un spectacle avec des dessins de Siné, réalisés sur plaques de verre | INA • GRM | 0 | |||||||||||
| 40397 | Philippe | Arthuys | Sheherazade | 1957 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 495 | Philippe | Arthuys | Tu auras nom … Tristan - 1963 | 1963 | Tanz | 90:00 | Mono | décor sonore pour Ballet de Jef Maes | Tadie Cinema Paris | 0 | |||||||||
| 40386 | Philippe | Arthuys | Voila l’Homme | 1955 | Tanz | texte by A. Kenan; décors A. Fabra | INA • GRM | 6.2.1956 | Paris, Fontaine des Quatre Saisons | 0 | |||||||||
| 477 | Philippe, Ivo | Arthuys, Malec | Avant le petit déjeuner | 1958 | Tanz | Mono | Tadie Cinema Paris | 0 | |||||||||||
| 40399 | Philippe, Ivo | Arthuys, Malec | Le bateau | 1958 | Film | INA • GRM | 0 | ||||||||||||
| 40394 | Philippe, Ivo | Arthuys, Malec | Svjetionik, Le phare | 1956 | Theatermusik | 25 | INA • GRM | 0 | |||||||||||
| 496 | Group | Artmix | Vingt minutes pour salle, table et rideau | 1984 | Musiktheater | CNR Lyon | 0 | ||||||||||||
| 41439 | Selcuk | Artut | Estranged Music | 2018 | Klangkunst, Installation | 21.9.2018 | Dystopie Festival September 2018 Berlin, Kleiner Wasserspeicher | 0 | http://www.dystopie-festival.net/wp/?lang=en | ||||||||||
| 497 | Jacques | Arveiller | Paire de lacs | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 498 | Jacques | Arveiller | Stuckstock pour piano à 4 mains | 1975 | fixed media, akusmatisch | (programme Putervalle) | GAIV Paris | 0 | |||||||||||
| 499 | Jacques | Arveiller | Timpoes | 1975 | live-elec, 2 perf | perc, synt, (com) [Schlagzeug, synthesizer] | CICM Paris | 0 | |||||||||||
| 500 | Per | Arvidsson | Dreams of Sleeplessness | 1990 | fixed media, akusmatisch | 9:00 | 0 | ||||||||||||
| 501 | David | Arzouman | Precipitation | 1991 | fixed media, akusmatisch | 10:25 | Stereo | LDC 278053/54 Cultures Electroniques 6/ | Brooklyn Coll | 2nd prize Bourges | 1 | ||||||||
| 18401 | Patrick | Ascione | A la mémoire de…? | 1980 | fixed media, akusmatisch | 14:45 | IMEB Bourges | 0 | |||||||||||
| 41604 | Patrick | Ascione | Barcarolle pour studio et bande | 2003 | fixed media, akusmatisch | 12:30:00 | Octo | Musiques et Recherches Ohain | M&R | 0 | |||||||||
| 502 | Patrick | Ascione | Bleus et formes | 1980 | fixed media, akusmatisch | 16:10 | Stereo | INA • GRM | 0 | ||||||||||
| 21865 | Patrick | Ascione | Bolero Picasso | 1999 | fixed media, akusmatisch | 13:10 | IMEB Bourges | 0 | |||||||||||
| 18403 | Patrick | Ascione | Cet extrême silence des couleurs | 1995 | fixed media, akusmatisch | 12:10 | IMEB Bourges | 0 | |||||||||||
| 24338 | Patrick | Ascione | Divertissement | 2001 | fixed media, akusmatisch | 13:44:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 503 | Patrick | Ascione | Espaces paradoxes | 1989 | fixed media, akusmatisch | 30:30 | Stereo | INA e 5012/ | INA • GRM | INA GRM | Auszeichnung ars electronica 1994 | 1 | |||||||
| 21864 | Patrick | Ascione | Et puis l'oubli | 1997 | fixed media, akusmatisch | 10:10 | IMEB Bourges | 0 | |||||||||||
| 41605 | Patrick | Ascione | Figures de style: Ascionerie n°2 | 2006 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 31323 | Patrick | Ascione | Images | 1980 | fixed media, akusmatisch | 16:32 | INA • GRM | INA • GRM | 0 | ||||||||||
| 504 | Patrick | Ascione | Lune Noire, Polyphonie / Polychrome 3 | 1987 - 1989 | fixed media, akusmatisch | 25:08 | 3rd version of "Polyphonie-Polychrome" | nor 01/ IMED 9522/ INA ACM 1995/ | INA • GRM | 1 | |||||||||
| 505 | Patrick | Ascione | Métamorphose d'un jaune citron | 1979 | fixed media, akusmatisch | 14:10 | Metamorphose einer Zitrone | LDC 278058/59 Cultures Electroniques 8/ MK CD 014/ | IMEB Bourges | Prize Bourges 1994 | 1 | ||||||||
| 18402 | Patrick | Ascione | Orlanda | 1981 | fixed media, akusmatisch | 14:00 | IMEB Bourges | 0 | |||||||||||
| 18621 | Patrick | Ascione | Primitive | 1995 | fixed media, akusmatisch | 15:01 | Stereo | Prix ars electronica 97/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA e 5012/ | INA • GRM | INA GRM | Auszeichnung ars electronica honorary mention 1997 | 1 | |||||||
| 40786 | Patrick | Ascione | Quantique musique | 1998 | fixed media, akusmatisch | 16:10 | Stereo | INA • GRM | 23.2.1998 | Paris, Maison de la Radio, Salle Olivier Messiaen | 0 | ||||||||
| 506 | Patrick | Ascione | Soleil Baroque | 1977 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 41922 | Patrick | Ascione | Suite blanche pour les temps nouveaux, White Suite for the New Age | 1995 | fixed media, akusmatisch | 18:14 | Competition Musica Nova Prag 1995 Auszeichnung ars electronica 1995 |
0 | |||||||||||
| 18622 | Patrick | Ascione | Sur champ d'azur | 1986 | fixed media, akusmatisch | 20:42 | Stereo | (extrait) | IMED 9522/ | 0 | |||||||||
| 507 | Patrick | Ascione | Sur champ d'azur II, Polyphonie / Polychrome 1 | 1984/1986 | fixed media, akusmatisch | 24:40 | Stereo | Version I realized at IMEB (GMEB), Version II realized at INA.GRM | INA • GRM, IMEB Bourges | 24.3.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 508 | Patrick | Ascione | Valeurs d'ombre, Polyphonie / Polychrome 2 | 1986 | fixed media, akusmatisch | 25:19 | Stereo | IMED 9522/ | INA • GRM | 21.1.1987 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 39505 | Steven | Ashby | glass and trolley I | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 509 | Nils Henrik | Asheim | In between | 1985 | live-elec, 1 perf | 7:00 | ob, (dig delay) [Oboe] | NOTAM | 0 | ||||||||||
| 510 | Nils Henrik | Asheim | Som Ringer I Vann | 1984 | Zuspiel / Tonband, 4 perf | 11:25 | 4 perc [Schlagzeug] | Sweelinck | 0 | ||||||||||
| 511 | Robert | Ashley | A closer Look | 1961 | Musiktheater | 9:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 512 | Robert | Ashley | A Gathering of Seasons | 1961 | Musiktheater | 25:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 513 | Robert | Ashley | A Slice of Life | 1961 | fixed media, akusmatisch | 45:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 18623 | Robert | Ashley | Automatic Writing | 1979 | fixed media, akusmatisch | 46:00 | Stereo | LM- LCD 1002/ Ellipsis Arts 3673 - OHM: 03/ ISAST LMJ 8/ EMF CD 012 ISAST 8/ |
1 | ||||||||||
| 514 | Robert | Ashley | Big Danger in 5 parts | 1961 | fixed media, akusmatisch | 1:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 515 | Robert | Ashley | Boxes | 1960 | Musiktheater | 8:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 516 | Robert | Ashley | Boxes IV | 1962 | fixed media, akusmatisch | 2:40 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 517 | Robert | Ashley | Chunk | 1962 | fixed media, akusmatisch | var | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 518 | Robert | Ashley | Detroit Divided | 1962 | Musiktheater | 60:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 519 | Robert | Ashley | Eimert Plays Basie | 1961 | fixed media, akusmatisch | 9:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 520 | Robert | Ashley | eL / Aficionado | 1991 | Oper, 9 perf | 90:00 | 7 actor, 2 p [Piano, Schauspieler] | LM- CD 1004/ | Mutable Music Productions für Thomas Buckner | 1 | 1992 | http://www.ubu.com/sound/ashley.html | |||||||
| 33042 | Robert | Ashley | Flying Saucer Dialogue, Atalanta (Acts of God) | 1985 | live-elec, 2 perf | 7:14 | V, Kbd [Stimme, Keyboard] | MC 001 Mills College/ | CCM Mills | 1 | http://www.ubu.com/sound/mills.html | ||||||||
| 521 | Robert | Ashley | Four Ways | 1967 | Zuspiel, live-elec, 1 perf | var | multichannel | perf [Performer] | CSEM Ann Arbor | 0 | |||||||||
| 522 | Robert | Ashley | Frogs | 1967 | Zuspiel, live-elec, 6 perf | 20:00 | Stereo + Stereo | amp narrator, 2 amp Sp, 3 dancer [Sprecher, Schauspieler, Tanz] | CSEM Ann Arbor | 0 | |||||||||
| 18624 | Robert | Ashley | Giving Love Away | 1990 | fixed media, akusmatisch | 3:30 | Stereo | CIRM (1991)/ | 0 | ||||||||||
| 523 | Robert | Ashley | Heat | 1961 | fixed media, akusmatisch | 8:30 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 524 | Robert | Ashley | I Love You Do Not Be Afraid | 1963 | Film | 1:40 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 525 | Robert | Ashley | I Must See You Regarding a Matter of the Utmost Urgency | 1963 | Film | 2:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 526 | Robert | Ashley | Improvement (Don leaves Linda) | 1984/1991 | Oper, 7 perf | 90:00 | 7 actor [Schauspieler] | CCM Mills | 0 | ||||||||||
| 527 | Robert | Ashley | Interlude for Space Theatre | 1964 | Musiktheater | var | Quadro | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 528 | Robert | Ashley | Issues for Milton Cohen, Good Intention The Spy Hum The 4th of July |
1960 | Musiktheater | 55:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 529 | Robert | Ashley | Jennie and the Poet | 1963 | Film | 37:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 530 | Robert | Ashley | Lecture Series | 1965 | live-elec, 1 perf | 45:00 | Mono | MIDI [synthesizer] | CSEM Ann Arbor | 0 | |||||||||
| 27682 | Robert | Ashley | Music with Roots in the Aether, Landscape With Robert Ashley | What She Thinks (It's History) 57:40 The Music Of Robert Ashley | Title Withdrawn 45:00 |
1976 | audiovisuell | 840:00 | Stereo | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. Produced and directed by Robert Ashley. Philip Makanna, Director and Camera; Maggi Payne, Audio Recordist; Jerry Pearsall, Video Recordist and Technical Director. Seven 2-hour NTSC |
DV 7707 Lovely Music/ LVHS 7/ Music with Roots in the Aether/ | 1 | http://www.lovely.com/titles/dvdroots.html | ||||||||
| 531 | Robert | Ashley | My May | 1964 | Film | 27:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 532 | Robert | Ashley | News | 1961 | Musiktheater | 10:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 533 | Robert | Ashley | Public Opinion Descends Upon the Demonstrators | 1961 | Zuspiel / Tonband, | max 26:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 534 | Robert | Ashley | Purposeful Lady Slow Afternoon | 1968 | Zuspiel / Tonband, | 10:14 | Mainstream MS 5010 Earle Brown Contemporary Sound Series Vol 13/ LM LCD 1002/ WER 6940/ | CSEM Ann Arbor | 0 | ||||||||||
| 35039 | Robert | Ashley | She was a visitor | 1967 | live-elec, 1 group | 5:46 | ch (synt, vocoder) [Chor] | Odyssey 32160156/ | 0 | ||||||||||
| 535 | Robert | Ashley | Something for Clarinet, Pianos and Tape | 1962 | Zuspiel / Tonband, 1 perf | var | Mono | jazz-mus [Musiker] | CSEM Ann Arbor | 0 | |||||||||
| 536 | Robert | Ashley | The Bottleman | 1960 | Film | 43:00 | Mono | Manupelli ; also 2 other versions | CSEM Ann Arbor | 0 | |||||||||
| 25695 | Robert | Ashley | The Fourth of July | 1960 | fixed media, akusmatisch | 18:37 | Stereo | Music from the Once Festival 1961 | NWR 80567 „Music from the Once Festival“/ | CSEM Ann Arbor | 1 | ||||||||
| 537 | Robert | Ashley | The Fox | 1966 | radiophon | 5:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 538 | Robert | Ashley | The House | 1961 | Film | 10:30 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 539 | Robert | Ashley | The Image in Time | 1958 | Film | 13:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 540 | Robert | Ashley | The Wolfman | 1964 | Zuspiel / Tonband, 1 perf | 15:33 | Mono | amp V [Stimme] | Ashley (V); G. Mumma (elec) | eSP 1009 Shelan/ Source Records, SR 13/ Pogus 21050-2/ IDEAMA CD 077/ | CSEM Ann Arbor | 1967 | first festival of Live-Elec Music 1967, UC at Davis | 1 | |||||
| 541 | Robert | Ashley | The Wolfman Motor City Revue | 1968 | live-elec, | CSEM Ann Arbor | 0 | ||||||||||||
| 542 | Robert | Ashley | Untitled Mixes | 1965 | Zuspiel / Tonband, 3 perf | 5:05 | Mono | jazz-trio [Instrument] | eSP 1009 Shelan/ | CSEM Ann Arbor | 0 | ||||||||
| 27331 | Robert | Ashley | What she thinks (it’s history) | 1976 | Performance | 4:00 | Performing Ashley, Mimi Johnson, DeMarinis, Tyranny excerpt |
Ellipsis Arts 3694 - OHM DVD/ | 0 | ||||||||||
| 18625 | Robert, Ben | Ashley, Azarm | Unititeld 2 | 1995 | Zuspiel / Tonband, | 21:37 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 18626 | Robert, Ben, Bob, Jim | Ashley, Azarm, Gonsalves, Horton | <p;r 362 | 1995 | Zuspiel / Tonband, | 16:33 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 34841 | Alyssa | Aska | City of Marbles | 2014 | audiovisuell | 9:12:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 21948 | Bjørn | Askefoss | Music for installasjonen"two/too/you" | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21949 | Bjørn | Askefoss | No voice, Intermezzo for "AV-Quintet Plus many" | 1998 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 543 | Carroline | Askew | Sleeping in the forest | 1993 | Zuspiel / Tonband, 4 perf | fl, 2 perc, S [Sopran, Flöte, Schlagzeug] | CCD 1008 Continuum Records/ | Uni Huddersfield | 0 | ||||||||||
| 31361 | Anton | Aslamas | Aus alten Zeiten | 2010 | fixed media, akusmatisch | 3:37:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 19304 | Bernd | Asmus | malang mujur | 1995 | live-elec, 1 perf | 17:29 | p [Piano] | Kiebler, Richard | 2e2m Collection 1014/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 36952 | Gilberto | Assis Rosa | The Arrow | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 544 | Vito | Asta | A Volte | 1980 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 22062 | Tiina | Aste | Go,go away | fixed media, akusmatisch | 1:54 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 23824 | Jose Vicente | Asuar | Dúo Concreto | 1957 | fixed media, akusmatisch | Obra descatalogada por el autor. | 0 | ||||||||||||
| 545 | José Vicente | Asuar | 3 Ambientes sonoros para música electrónica, Catedral Divertimento Caleidoscopio |
1967 | fixed media, akusmatisch | 18:00 | Quadro | parts: Catedral, Divertimento (7:06), Caleidoscopio | Uni Catholic Santiago | 1 | |||||||||
| 546 | José Vicente | Asuar | Affaires des oiseaux | 1976 | fixed media, akusmatisch | 23:26 | Stereo | LDC 2781112/13/14 opus 30/ Pueblo Nuevo PN.CD.008/ | IMEB Bourges | IMEB Bourges | 1 | ||||||||
| 547 | José Vicente | Asuar | Amanecer | 1978 | fixed media, akusmatisch | 8:07 | Stereo | Pueblo Nuevo PN.CD.008/ | TU Berlin | 1 | |||||||||
| 23826 | José Vicente | Asuar | Buffalo 1971 | 1972 | fixed media, akusmatisch | 12:00 | Compuesta en el estudio de música electrónica de la Universidad de Nueva York. 1972 (?) Festival de Música Contemporánea del Instituto de Música de la Universidad Católica. |
Pueblo Nuevo PN.CD.008/ | SUNY Buffalo | 0 | |||||||||
| 32863 | José Vicente | Asuar | Caleidoscopio | 1968 | fixed media, akusmatisch | 5:33 | Quadro | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | Municipal de Caracas, Venezuela | 0 | ||||||||
| 32861 | José Vicente | Asuar | Catedral | 1968 | audiovisuell | 7:01 | Quadro | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | St Caracas | Municipal de Caracas, Venezuela | Caracas | 0 | ||||||
| 23834 | José Vicente | Asuar | Cuatro Piezas Instrumentales | 1989 | fixed media, akusmatisch | 17:30 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23830 | José Vicente | Asuar | Diálogos | 1985 | fixed media, akusmatisch | 12:12 | Pueblo Nuevo PN.CD.008/ | October 1985 | Festival Anacrusa. Sala Goethe. Santiago, Chile | 0 | |||||||||
| 32862 | José Vicente | Asuar | Divertimento | 1968 | fixed media, akusmatisch | 7:04 | Stereo | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ IDEAMA CD 058/ | St Caracas | Municipal de Caracas, Venezuela | 1st prize Dartmouth Computer Music Contest | 0 | ||||||
| 23829 | José Vicente | Asuar | Elegía, COMDA 5 | 1982 | fixed media, akusmatisch | 16:25 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23832 | José Vicente | Asuar | En el Infinito, COMDA 8 | 1987 | fixed media, akusmatisch | 9:22 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23831 | José Vicente | Asuar | En el Jardín, COMDA 7 | 1985 | fixed media, akusmatisch | 12:05 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23833 | José Vicente | Asuar | Erase una vez en Francia | 1989 | fixed media, akusmatisch | 11:30 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 548 | José Vicente | Asuar | Estudio aleatorio | 1961 | fixed media, akusmatisch | 5:23 | Stereo | unfinished | Pueblo Nuevo PN.CD.008/ | TH Karlsruhe | 0 | ||||||||
| 549 | José Vicente | Asuar | Guararia repano | 1968 | fixed media, akusmatisch | 14:21 | LDC 278051/52 Cultures Electroniques 5/ Pueblo Nuevo PN.CD.008/ | INCIBA Caracas | 1st Prize Bourges 1975 | 1 | |||||||||
| 23825 | José Vicente | Asuar | Imágen de Caracas, Catedral Divertimento Caleidoscopio La noche II |
1967 - 1968 | audiovisuell | 150:00 | Obra comisionada por el consejo Municipal de Carácas en conmemoracion del cuatricentenario de la ciudad. | Municipal de Caracas, Venezuela | 0 | ||||||||||
| 550 | José Vicente | Asuar | In the garden | 1985 | fixed media, akusmatisch | 12:05 | (COMDA 7) | PS Comdasuar | 1 | ||||||||||
| 551 | José Vicente | Asuar | La noche II | 1967 | fixed media, akusmatisch | 27:00 | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | INCIBA Caracas | 0 | |||||||||
| 23827 | José Vicente | Asuar | Partita Electronica | 1974 | fixed media, akusmatisch | 20:00 | 0 | ||||||||||||
| 552 | José Vicente | Asuar | Preludio "La noche" | 1961 | fixed media, akusmatisch | Tanz |
4:00 | Mono | Pueblo Nuevo PN.CD.008/ IDEAMA CD 060/ | Radio HR Frankfurt, TH Karlsruhe | May 1964 | Santiago de Chile | 0 | |||||||
| 553 | José Vicente | Asuar | Serenata para mi voz y sonidos sinusoidales | 1961 | fixed media, akusmatisch | 6:00 | Stereo | unfinished (“out of catalog“) | Pueblo Nuevo PN.CD.008/ | Radio HR Frankfurt, TH Karlsruhe | 0 | ||||||||
| 554 | José Vicente | Asuar | Sonata | 1985 | fixed media, akusmatisch | 12:14 | PS Comdasuar | 1 | |||||||||||
| 23828 | José Vicente | Asuar | Una Flauta en el camino (COMDA 2) | 1988 | fixed media, akusmatisch | 2:48 | duration 3:54 ?? | 0 | |||||||||||
| 555 | José Vicente | Asuar | Variaciones Espectrales | 1959 | fixed media, akusmatisch | Tanz |
12:48 | Mono | first electroacoustic music in Chile! | Pueblo Nuevo PN.CD.001/ Pueblo Nuevo PN.CD.008/ IDEAMA CD 058/ | Uni Catholic Santiago | May 1964 | Santiago de Chile | 0 | ||||||
| 556 | K. | Atchley | Don Giovanni, Act I | 1989 | fixed media, akusmatisch | 5:59 | 68000 com, MIDI | ISAST LMJ 1/ | 1 | ||||||||||
| 18627 | K., Ben | Atchley, Azarm | Parada 7 | 1982 | Zuspiel / Tonband, | 5:46 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 557 | Blas | Atehortúa | Syrigma I | 1966 | fixed media, akusmatisch | 8:00 | Stereo | LIPM B.Aires | 0 | ||||||||||
| 38682 | Group | Atelier Kaye Mortley | 280, Rhône | 2002 | radiophon | 13:34:00 | 0 | ||||||||||||
| 38683 | Group | Atelier Kaye Mortley | Anne- Marie (portrait n° 2, réaliste) | 2011 | radiophon | 9:00:00 | 0 | ||||||||||||
| 38684 | Group | Atelier Kaye Mortley | Arles : quartier d'été/passages | 2009 | radiophon | 32:54:00 | 0 | ||||||||||||
| 38685 | Group | Atelier Kaye Mortley | Attentes | 2010 | radiophon | 5:04:00 | 0 | ||||||||||||
| 38686 | Group | Atelier Kaye Mortley | Au bout de la rue | 2015 | radiophon | 18:56:00 | 0 | ||||||||||||
| 38687 | Group | Atelier Kaye Mortley | C'est moi qui pars | 2010 | radiophon | 8:29:00 | 0 | ||||||||||||
| 38688 | Group | Atelier Kaye Mortley | C'est un secret | 2010 | radiophon | 12:45:00 | 0 | ||||||||||||
| 38689 | Group | Atelier Kaye Mortley | Ce jour-là | 2011 | radiophon | 27:42:00 | 0 | ||||||||||||
| 38690 | Group | Atelier Kaye Mortley | Clarines | 1990 | radiophon | 14:39:00 | 0 | ||||||||||||
| 38691 | Group | Atelier Kaye Mortley | Débordement(s) | 2012 | radiophon | 16:19:00 | 0 | ||||||||||||
| 38692 | Group | Atelier Kaye Mortley | Des murs | 1992 | radiophon | 18:07:00 | 0 | ||||||||||||
| 38693 | Group | Atelier Kaye Mortley | Effet Papillon | 2015 | radiophon | 19:41:00 | 0 | ||||||||||||
| 38694 | Group | Atelier Kaye Mortley | En suspension | 2013 | radiophon | 19:13:00 | 0 | ||||||||||||
| 38695 | Group | Atelier Kaye Mortley | Et les tables cà vous intéresse | 2014 | radiophon | 13:44:00 | 0 | ||||||||||||
| 38696 | Group | Atelier Kaye Mortley | Et où s'en va la nuit | 2013 | radiophon | 19:04:00 | 0 | ||||||||||||
| 38697 | Group | Atelier Kaye Mortley | Faîtes venir le piano | 2006 | radiophon | 19:40:00 | 0 | ||||||||||||
| 38698 | Group | Atelier Kaye Mortley | Fil blanc | 2003 | radiophon | 15:37:00 | 0 | ||||||||||||
| 38699 | Group | Atelier Kaye Mortley | Herbier sonore | 2009 | radiophon | 6:01:00 | 0 | ||||||||||||
| 38700 | Group | Atelier Kaye Mortley | Histoires de clefs 1,2,3,4 | 2007 | radiophon | 16:08:00 | 0 | ||||||||||||
| 38701 | Group | Atelier Kaye Mortley | Il y a quelque chose qui cloche | 2003 | radiophon | 13:23:00 | 0 | ||||||||||||
| 38702 | Group | Atelier Kaye Mortley | Impressions | 2010 | radiophon | 8:14:00 | 0 | ||||||||||||
| 38703 | Group | Atelier Kaye Mortley | Jonathan (portrait n° 1, en creux) | 2011 | radiophon | 11:12:00 | 0 | ||||||||||||
| 38704 | Group | Atelier Kaye Mortley | L'arlésienne | 1996 | radiophon | 16:57:00 | 0 | ||||||||||||
| 38705 | Group | Atelier Kaye Mortley | L'habitation | 1998 | radiophon | 22:33:00 | 0 | ||||||||||||
| 38706 | Group | Atelier Kaye Mortley | L'heure du bain | 1994 | radiophon | 21:01:00 | 0 | ||||||||||||
| 38707 | Group | Atelier Kaye Mortley | La bergère | 2006 | radiophon | 14:24:00 | 0 | ||||||||||||
| 38708 | Group | Atelier Kaye Mortley | Le cri de la tarasquette | 2004 | radiophon | 7:55:00 | 0 | ||||||||||||
| 38709 | Group | Atelier Kaye Mortley | Liberté Lumière | 2005 | radiophon | 12:08:00 | 0 | ||||||||||||
| 38710 | Group | Atelier Kaye Mortley | Lost property | 2010 | radiophon | 11:44:00 | 0 | ||||||||||||
| 38711 | Group | Atelier Kaye Mortley | Lucien C. (portrait n° 3, ironique) | 2011 | radiophon | 11:16:00 | 0 | ||||||||||||
| 38712 | Group | Atelier Kaye Mortley | Many Roads | 2007 | radiophon | 16:13:00 | 0 | ||||||||||||
| 38713 | Group | Atelier Kaye Mortley | Ne toquer pas trop fort | 2012 | radiophon | 21:03:00 | 0 | ||||||||||||
| 38714 | Group | Atelier Kaye Mortley | Oedipos (portrait n° 4, pêle-mêle) | 2011 | radiophon | 9:37:00 | 0 | ||||||||||||
| 38715 | Group | Atelier Kaye Mortley | Où est passé Gaspard? | 2005 | radiophon | 16:29:00 | 0 | ||||||||||||
| 38716 | Group | Atelier Kaye Mortley | Pas nés en 68 | 2008 | radiophon | 14:07:00 | 0 | ||||||||||||
| 38717 | Group | Atelier Kaye Mortley | Plein comme un oeuf | 2004 | radiophon | 11:02:00 | 0 | ||||||||||||
| 38718 | Group | Atelier Kaye Mortley | Quatremobetdemie | 2009 | radiophon | 4:06:00 | 0 | ||||||||||||
| 38719 | Group | Atelier Kaye Mortley | Rien que des rues | 1993 | radiophon | 23:34:00 | 0 | ||||||||||||
| 38720 | Group | Atelier Kaye Mortley | Sans bruit la rue meurt | 2015 | radiophon | 15:23:00 | 0 | ||||||||||||
| 38721 | Group | Atelier Kaye Mortley | Sis dessous, ci-dessous | 1989 | radiophon | 19:13:00 | 0 | ||||||||||||
| 38722 | Group | Atelier Kaye Mortley | Sonarles | 2009 | radiophon | 12:20:00 | 0 | ||||||||||||
| 38723 | Group | Atelier Kaye Mortley | Stéphane (portrait n° 5, musical) | 2011 | radiophon | 6:53:00 | 0 | ||||||||||||
| 38724 | Group | Atelier Kaye Mortley | Traverser le pont | 2012 | radiophon | 14:43:00 | 0 | ||||||||||||
| 38725 | Group | Atelier Kaye Mortley | Un aller simple | 2010 | radiophon | 6:54:00 | 0 | ||||||||||||
| 38726 | Group | Atelier Kaye Mortley | Une nuit | 2005 | radiophon | 23:06:00 | 0 | ||||||||||||
| 38727 | Group | Atelier Kaye Mortley | Variations sur une chambre | 2014 | radiophon | 20:56:00 | 0 | ||||||||||||
| 558 | Nikos | Athinaios | Crisis | 1977 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 33425 | Dennis | Atkinson | Collage | 1962 | fixed media, akusmatisch | Uni Eugene | 0 | ||||||||||||
| 559 | Simon | Atkinson | Babble | 1991 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 27659 | Simon | Atkinson | Nocturne | 2001 | fixed media, akusmatisch | 8:38 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | |||||||||
| 41920 | Simon | Atkinson | Touching Edges | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 41852 | Wendy | Atkinson | Summer BBQ | 2008 | radiophon | 1:19:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 560 | Richard | Attree | City at Night | fixed media, akusmatisch | 16:10 | Stereo, Quadro | City Uni London | 0 | |||||||||||
| 561 | Richard | Attree | Dun-Dun | 1981/1983 | fixed media, akusmatisch | intermedia |
22:30 | Stereo, Quadro | slides | City Uni London | 0 | |||||||||
| 562 | Richard | Attree | Mirooo | radiophon | BBC | 0 | |||||||||||||
| 42070 | Gilles, Robert | Aubry, Millis | The gramophone effect | 2017 | radiophon | 44:30 | SAVVY-Funk - Documenta 14, Dlf Kultur | 18.8.2017 | Deuschlandfunk Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4942667&vi=2&SID | ||||||||
| 38728 | Gilles, Robert, Tarek, Charbel, Marcus, Hayden | AUBRY, MILLIS, ATOUI, HABER, SCHMICKLER, CHISHOLM | Art´s Birthday 2015 // Konzertmitschnitte vom 16. Januar 2015 im Berghain Berlin | 2015 | radiophon | 72:00:00 | 0 | ||||||||||||
| 21866 | Philippe | Auclair | 3 Visage pour un Regard | 1990 | fixed media, akusmatisch | 10:10 | IMEB Bourges | 0 | |||||||||||
| 24340 | Philippe | Auclair | Aphorisme XX | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21868 | Philippe | Auclair | Blac Lilac and New Life | 1988 | fixed media, akusmatisch | 8:10 | IMEB Bourges | 0 | |||||||||||
| 24339 | Philippe | Auclair | "..bruit qui pense"(tombeau schaffer 1996) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18407 | Philippe | Auclair | Canto de l'Oustal I | 1992 | fixed media, akusmatisch | 4:05 | IMEB Bourges | 0 | |||||||||||
| 24341 | Philippe | Auclair | Diabolus in campanile | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24345 | Philippe | Auclair | Ginnungagap | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24346 | Philippe | Auclair | Hiranyagarbha (l'?uf d'or de l'Inde) | 2001 | fixed media, akusmatisch | 12:08 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 21869 | Philippe | Auclair | Jeanne Duval dite Liberte | 1988 | fixed media, akusmatisch | 15:50 | IMEB Bourges | 0 | |||||||||||
| 24347 | Philippe | Auclair | Kaars lichtjes in Limburg | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24342 | Philippe | Auclair | L'Anachorète de Sainte-Agathe | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 27239 | Philippe | Auclair | Le creux de l'enfer | 2006 | fixed media, akusmatisch | 10:10 | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18405 | Philippe | Auclair | Le renard du nord - suite de concert | 1992 | fixed media, akusmatisch | 8:30 | IMEB Bourges | 0 | |||||||||||
| 18404 | Philippe | Auclair | M et T danse cabalistique | 1990 | fixed media, akusmatisch | 11:15 | IMEB Bourges | 0 | |||||||||||
| 24348 | Philippe | Auclair | Railways sounwalk enigma | 2003 | fixed media, akusmatisch | 11:29 | LDC 2781125/ | IMEB Bourges | 0 | ||||||||||
| 18409 | Philippe | Auclair | Rêve blanc | 1995 | fixed media, akusmatisch | 16:10 | IMEB Bourges | 0 | |||||||||||
| 24344 | Philippe | Auclair | Rumeur dans les combrailles (pour saxo alto et bande) | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21867 | Philippe | Auclair | Sous les Murs de Boismorand | 1989 | fixed media, akusmatisch | 10:16 | IMEB Bourges | 0 | |||||||||||
| 18406 | Philippe | Auclair | Spirale | 1992 | fixed media, akusmatisch | 5:55 | LDC 278068/69 Cultures Electroniques 12/ | IMEB Bourges | 0 | ||||||||||
| 24343 | Philippe | Auclair | Toccata per sonare XXI | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18408 | Philippe | Auclair | Vitrail culanesque | 1992 | fixed media, akusmatisch | 17:33 | IMEB Bourges | 0 | |||||||||||
| 42071 | Knut | Aufermann | Changing the guard | 2016 | radiophon | PS C. für Radio Revolten | 0 | ||||||||||||
| 28227 | Knut, Ivo, Hiroki, Jobina, Ge-Suk | Aufermann, Bol, Nishino, Tinnemans, Yeo | Resonanz117,5fm The Gasometer Universe Oberhausen Requiem Shakespeare und Heckenschere Windgeflüster |
2007 | fixed media, akusmatisch | audiovisuell |
Mono | Projekt „MONO“, Elektronische Musik im Gasometer Oberhausen 2007 | degem Projekt Mono im Gasometer Oberhausen | 1 | ||||||||||
| 35902 | Knut, Sarah | Aufermann, Washington | Tonic Train | 2005 | Performance | 13 | WER ARTS 8102 5/ | 0 | |||||||||||
| 38473 | Oliver | AUGST | Alle Toten 1914 | 2014 | radiophon | 52:58:00 | 0 | ||||||||||||
| 38729 | Oliver, Rüdiger, Sven-Åke | AUGST, CARL, JOHANSSON | Kippenberger hören | 2008 | radiophon | 51:59:00 | 0 | ||||||||||||
| 42072 | Oliver, Christoph | Augst, Korn | Modell Volksliedmaschine | 2002 | radiophon | 46:46 | HR /Intermedium 2, ZKM | 19.6.2002 | HR | 0 | |||||||||
| 33128 | Rafal | Augustyn | Long Island Rail Road from Pennsylvania Station, N. Y. C. to Port Jefferson, Suffolk, L. I. (eastbound); Change at Huntington or From Nathan Milstein to Paul Zukofsky for Solo Violin for LASROM TYCHY | 1984 | audiovisuell | live-elec, 1 perf |
13:33:00 | vn [Violine] | audiovisual composition for violin and accompanying objects | WJ 2002/ | 0 | |||||||||
| 563 | Rafal | Augustyn | THE LONG ISLAND | 1985 | fixed media, akusmatisch | 1:42 | Stereo | SME Krakow | 0 | ||||||||||
| 19092 | Sam | Auinger | Flugstunden | 1995 | radiophon | 41:56 | FlugMotorenOrchester; 3 Teile | ORF Kunstradio 10007280/ | PS Linz | 1 | |||||||||
| 30886 | Sam | Auinger | Grundklang Bonn | 2010 | Klangkunst, Installation | permanent | Projekt „stadtklangkünstler“ | bonn hoeren | 10.10.2010 | Bonn Bahnhofsvorplatz | 0 | http://www.bonnhoeren.de/?page_id=18 | |||||||
| 29992 | Sam | Auinger | Rheinharfe | fixed media, akusmatisch | 5:02:00 | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 38474 | Sam | AUINGER | sechs uhr läuten | 2008 | radiophon | 52:04:00 | WDR Studio Akustische Kunst | 4.7.2008 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1525163&vi=7&SID | ||||||||
| 38730 | Sam, Peter, Bruce, Stella, Josef Maria, Budhaditya, Hannes | AUINGER, CUSACK, ODLAND, LUNCKE, SCHÄFERS, CHATTOPADHYAY, STROBL | Cage100 - Slouch Hat Comeback 1 | 2012 | radiophon | 58:00:00 | 0 | ||||||||||||
| 28387 | Sam, Rupert | Auinger, Huber | ain't that a shame! | 1997/2000 | Performance | PS | 24.6.2000 | Inventionen Sophiensäle Berlin | 1 | 2000 | |||||||||
| 19358 | Sam, Rupert | Auinger, Huber | Berliner Theorie Hauskonzerte | 1997/1998 | live-elec, 1 perf | 74:00 | MIDI [synthesizer] | Audio-CD mit 11 Tracks; Gäste auch Richard Dorfmeister, Isabella Bordoni, Markus Binder, Toshi Nakamuro, Bruce Odland, Sergio Messina CD-ROM : programmed am futurlab 1997/98 |
DAAD / fa. huber musik / sam Auinger/ | PS C. | 23.4.-26.9.1997 | internet http://www.kgw.tu-berlin.de/~bt | 1 | ||||||
| 22103 | Sam, Rupert | Auinger, Huber | brucewillis | fixed media, akusmatisch | 5:13 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Berlin | 1 | ||||||||||
| 38731 | Sam, Rupert | AUINGER, HUBER | Herzschlagsonate | 1998 | radiophon | 49:50:00 | DLR Berlin | 32-1-1998 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1394991&vi=9&SID | ||||||||
| 22102 | Sam, Rupert | Auinger, Huber | intro | fixed media, akusmatisch | 12:40 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Berlin | 1 | ||||||||||
| 23258 | Sam, Rupert | Auinger, Huber | mantilla matador | Klangkunst, Installation | 9:16 | Produktion bei "format 5" der singuhr - hoergalerie in parochial. berliner theorie = Sam Auinger + Rupert Huber | Tick 02 tourette - Format 5/ | PS | 1 | ||||||||||
| 22101 | Sam, Rupert | Auinger, Huber | Miles | fixed media, akusmatisch | 6:08 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Linz | 1 | ||||||||||
| 20283 | Sam, Rupert | Auinger, Huber | Shining | 1998 | Performance, live-elec, 1 perf | Stereo | MIDI [synthesizer] | PS C. | Inventionen 1998 | 25.9.1998 | Inventionen Parochialkirche Berlin | 0 | 1998 | ||||||
| 19037 | Sam, Bruce | Auinger, Odland | Balance | 1996 | Klangkunst, Installation | 1:19 | Sonambiente Ausstellung (1996) Katalog S.37 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.stadtmusik.org | |||||||||
| 23078 | Sam, Bruce | Auinger, Odland | Box 30/70 | 2001 | Klangkunst, Installation | umgebauter Bürocontainer | Tick 7 tourette/ Kehrer Verlag ISBN 978-3-939583-23-3/ | WDR 2000 | 2.-22.42001 26.4.-6.5.2001 |
Siemenserk Berlin-Spandau Wittener Tage für neue Kammermusik, Hauptbahnhof Witten |
1 | ||||||||
| 23104 | Sam, Bruce | Auinger, Odland | box 30/70 - nullform/hive | 2001 | Klangkunst, Installation | 4:32 | Produktion bei "format 5" der singuhr - hoergalerie in parochial. o + a = bruce odland + sam auinger | Tick 02 tourette - Format 5/ | 1 | ||||||||||
| 23365 | Sam, Bruce | Auinger, Odland | Garten der Zeiträume, Time Venus Erde Merkur Jupiter Mond Sonne Himmel und Sterne Mars Kepler Raum Unendlich |
1990 | Klangkunst, Installation | Klanginstallation bei OÖ. Landesausst. 1990 "Mensch und Kosmos" Schloss Linz (Österreich) | LC 7280 CD 0401/ | 1 | |||||||||||
| 34765 | Sam, Bruce | Auinger, Odland | Motet R | 1999 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 5.8.-5.9.1999 | singuhr hoergalerie Berlin | 0 | http://www.stadtmusik.org | |||||||||
| 25821 | Sam, Bruce | Auinger, Odland | Requiem for fossil fuels | 2004 | fixed media, akusmatisch | 48:00 | 9 tracks | Installation = Einstündiger Zyklus. Für 8 Lautsprecher + 1 subwoofer, ferngesteuerte Orgel, DVD-Projektion. Second Version: with VOXNOVA quartet: kata hajnal (soprano), sabine neumann (mezzo-soprano), paul hörmann (tenor), nicholas isherwood (bass) at st.elisabeth church, invaliden strasse 3, berlin mitte, wednesday july, 23rd at 8:00 pm |
LC 07280 SWAP 0702/ | Inventionen 2004 für Sophienkirche Berlin Mitte | 23.06.2004 | Inventionen Sophienkirche Berlin | 1 | 2004 | http://www.samauinger.de/page.php?ID=267 | ||||
| 2008 | |||||||||||||||||||
| 23105 | Sam, Bruce | Auinger, Odland | Resonance, Weather Yampa R4-Cities (Rom, Salzburg, Berlin, NY) The Letter F Stones Water Raga Infrastructure Harmonics Coremeltz |
1995 | Klangkunst, Installation | CD O+A 002/ | 1 | ||||||||||||
| 38463 | Sam, Bruce | Auinger, Odland | Ten Thousand Shells | 2017 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 42217 | Sam, Bruce, Johannes | AUINGER, Odland, Strobl | The Planet Earth Gallery Radioshow | 2001 | radiophon | 52:04:00 | RBB | 16.3.2001 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436631&vi=8&SID | ||||||||
| 38732 | Sam, Hannes | AUINGER, STROBL | 10439 Berlin | 2004 | radiophon | 53:02:00 | 0 | ||||||||||||
| 25049 | Sam, Hannes | Auinger, Strobl | Berlin 10439 | 2004 | radiophon | 53:00 | 1 | ||||||||||||
| 26276 | Sam, Hannes | Auinger, Strobl | Besenbahn Mauerpark Sunseeker 0-from Living harmnies |
2001 - 2006 | Performance | Klangkunst, Installation || audiovisuell |
excerpts and videostudies Sam Auinger and friends! |
Offenes Kulturhaus/ | 1 | 2008 | http://www.samauinger.de | |||||||||
| 24764 | Uli | Aumüller | Anniversaire | 2000 | radiophon | IFSS 23/ | Inpetto Berlin | 0 | |||||||||||
| 25079 | Uli | Aumüller | "Auf der Suche nach noch nie gehörten Klängen", 4 Arten den Computer zu beschreiben | 2001 | audiovisuell | 60:00 | Siemens Studio München, Hans Tutschku, Luigi Ceccarelli, Hanspeter Kyburz | Inpetto Berlin | 1 | ||||||||||
| 24763 | Uli | Aumüller | Berlin 1999 | 1999 | radiophon | IFSS 22/ | Inpetto Berlin | 0 | |||||||||||
| 24743 | Uli | Aumüller | Bürgerablage | 2003 | radiophon | IFSS 02/ | Inpetto Berlin | 0 | |||||||||||
| 24748 | Uli | Aumüller | Canadian Spring | radiophon | IFSS 07/ | Inpetto Berlin | 0 | ||||||||||||
| 24752 | Uli | Aumüller | Dannenwalder Mühle | radiophon | IFSS 12/ | Inpetto Berlin | 0 | ||||||||||||
| 24767 | Uli | Aumüller | Das Bedeutende der Nicht-Musik | 1999 | radiophon | Radioessay über Helmut Lachenmann | IFSS 27/ | Inpetto Berlin | 0 | ||||||||||
| 24766 | Uli | Aumüller | dein Kuss von göttlicher Natur | radiophon | Radiosendung zum gleichnamigen Filmprojekt (on DVD) | IFSS 26/ | Inpetto Berlin | 1 | |||||||||||
| 25078 | Uli | Aumüller | Die Adorno-Sonate oder Das Selbstbewusstsein von der Nichtigkeit | 1994 | radiophon | 44:00 | Produktion: DLF 1994 | Inpetto Berlin | 0 | ||||||||||
| 25077 | Uli | Aumüller | Ein unendliches Lied von der Liebe | 1997 | radiophon | 18:00 | Produktion: SDR 1997 | Inpetto Berlin | 0 | ||||||||||
| 24754 | Uli | Aumüller | Eine Art von Ordnung, die Muster erzeugt | radiophon | Radioessay for BR; to music by Feldman | IFSS 13/ | Inpetto Berlin | 0 | |||||||||||
| 25076 | Uli | Aumüller | Freitag Nacht in Kairo | 1997 | radiophon | 30:00 | Produktion: SDR Stuttgart | Inpetto Berlin | 0 | ||||||||||
| 24755 | Uli | Aumüller | Freitagsgebet | radiophon | Al Aksha mosque in Cairo | IFSS 14/ | Inpetto Berlin | 0 | |||||||||||
| 24765 | Uli | Aumüller | Fürst Pückler Park | radiophon | IFSS 25/ | Inpetto Berlin | 0 | ||||||||||||
| 24768 | Uli | Aumüller | Gebenedeit sei dein Leib (Katholischer Gottesdienst Hanoi 1995) | 1995 | radiophon | IFSS 28/ | Inpetto Berlin | 0 | |||||||||||
| 24757 | Uli | Aumüller | Gewitter in Kärnten | 2005 | radiophon | IFSS 16/ | Inpetto Berlin | 0 | |||||||||||
| 24770 | Uli | Aumüller | Grillen | radiophon | IFSS 30/ | Inpetto Berlin | 0 | ||||||||||||
| 24751 | Uli | Aumüller | Grunewald | radiophon | IFSS 10/ | Inpetto Berlin | 0 | ||||||||||||
| 24762 | Uli | Aumüller | Guten Morgen, Liebling! | radiophon | IFSS 21/ | Inpetto Berlin | 0 | ||||||||||||
| 24746 | Uli | Aumüller | Hadra | 1999 | radiophon | IFSS 05/ | Inpetto Berlin | 0 | |||||||||||
| 24744 | Uli | Aumüller | Hochhörndlinger Hütte (Almrauschen) | radiophon | IFSS 03/ | Inpetto Berlin | 0 | ||||||||||||
| 24756 | Uli | Aumüller | Hörndlinger Graben | radiophon | IFSS 15/ | Inpetto Berlin | 0 | ||||||||||||
| 24771 | Uli | Aumüller | Im Affenhaus | radiophon | IFSS 31/ | Inpetto Berlin | 0 | ||||||||||||
| 24774 | Uli | Aumüller | Ist Hinhören schon Komposition? | 2005 | radiophon | 60:00 | Radioessay for BR | IFSS 35/ | Inpetto Berlin | 0 | http://www.inpetto-filmproduktion.de | ||||||||
| 24749 | Uli | Aumüller | Leittoenen 2 | radiophon | IFSS 08/ | Inpetto Berlin | 0 | ||||||||||||
| 24759 | Uli | Aumüller | Marktkauf | radiophon | IFSS 18/ | Inpetto Berlin | 0 | ||||||||||||
| 24772 | Uli | Aumüller | Morgenstunde | radiophon | IFSS 32/ | Inpetto Berlin | 0 | ||||||||||||
| 25080 | Uli | Aumüller | Musik für 1000 Finger: Der Komponist Conlon Nancarrow | 1997 | audiovisuell | 45:00 | Gespräche mit Jürgen Hocker (am Schluss auch Spiel seines neueren Pianolas), Ligeti (er erzählt lange!), Ch. Amirkhanian (sein Plattenkonzern) und Nancarrow (mit Lebenslauf, man sieht auch die Stanze, die Werkstatt), Carlos Sandoval, Ivar Mikashof, Anna Lara Studie Nr. 21 gefilmt, auch Nr. 37, 26 |
Inpetto Berlin | BR | 1 | |||||||||
| 24742 | Uli | Aumüller | Nachtigall | radiophon | IFSS 01/ | Inpetto Berlin | 0 | ||||||||||||
| 24747 | Uli | Aumüller | Ostseerauschen | radiophon | 80:00 | IFSS 06/ | Inpetto Berlin | 0 | |||||||||||
| 24761 | Uli | Aumüller | Parisiana Club Cairo | radiophon | IFSS 20/ | Inpetto Berlin | 0 | ||||||||||||
| 24750 | Uli | Aumüller | Pflegeleicht 60° | radiophon | 80:00 | IFSS 09/ | Inpetto Berlin | 0 | |||||||||||
| 24753 | Uli | Aumüller | Rudower See | radiophon | IFSS 11/ | Inpetto Berlin | 0 | ||||||||||||
| 25075 | Uli | Aumüller | Siemens Luftgeräusche unpluggrd, Luftgeräusche | 2000, 2006 | radiophon | 79:00 | Phonoskopie aus der Welt der Produktion | Inpetto Berlin, WDR Studio Akustische Kunst | 11.1.2000 | 0 | |||||||||
| 24745 | Uli | Aumüller | Sommer | radiophon | IFSS 04/ | Inpetto Berlin | 0 | ||||||||||||
| 24758 | Uli | Aumüller | Stare und Schwalben / Krakau | radiophon | IFSS 17/ | Inpetto Berlin | 0 | ||||||||||||
| 24760 | Uli | Aumüller | Suhum St. Cecilia Choir | radiophon | IFSS 19/ | Inpetto Berlin | 0 | ||||||||||||
| 24769 | Uli | Aumüller | Unter dem Kirschbaum | radiophon | IFSS 29/ | Inpetto Berlin | 0 | ||||||||||||
| 25067 | Uli | Aumüller | Versuch über einen Kirschbaum | 2002 | radiophon | 58:00 | 39 Teile, Philosophie des Klanges und Hörens. Sprecher: der Autor | Inpetto Berlin | 1 | ||||||||||
| 24773 | Uli | Aumüller | Windmühle | radiophon | IFSS 33/ | Inpetto Berlin | 0 | ||||||||||||
| 24842 | Uli, Francis, Paul | Aumüller, Dhomont, Lansky | My Cinema for the Ears | 2000 | audiovisuell | 52:51 | The musique concrète of Francis Dhomont and Paul Lansky | BRIDGE 9117 DVD/ | Inpetto Berlin | 0 | |||||||||
| 32577 | Uli, Sebastian | Aumüller, Rausch | Im Wald, Under the trees | 2012 | audiovisuell | 103 | Stereo | 8 Studien über animiertes Stillleben und Musik. Konzertinstallation. Teil 01&02: Der Atem des Waldes (Ludger Kisters) Teil 04: Entre les deux rives du printemps (Gilles Gobeil) Teil 07: Nachtlicht (Gilles Gobeil) |
Arthaus 102174/ | 0 | |||||||||
| 564 | Uli, Frank | Aumüller, Schweizer | Der Blick in den Kühlschrank | 1992 | radiophon | 58:00 | Stereo | Koproduktion mit dem BR | ZKM Karlsruhe | 0 | |||||||||
| 27770 | Jonathan | Aussens | Distilation du Do3 | 2006 | live-elec, 1 perf | vc [Cello] | CRFMW Liège | 12.6.2006 | Liège Con | 0 | |||||||||
| 21950 | Siri | Austeen | Laridae Lunaire, (performance piece | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 567 | Kevin | Austin | Bonsai Watermelon | 1982 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 568 | Kevin | Austin | By'ou in the morning | 1983 | fixed media, akusmatisch | 14:45 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 569 | Kevin | Austin | Canada Unlimited Number Two (2nd movement) | 1970 | fixed media, akusmatisch | 9:40 | Stereo | McGill Montréal | 0 | ||||||||||
| 570 | Kevin | Austin | CutieGrey d'un | 1986 | live-elec, 1 perf, 1 group | Stereo | mul Kbds, (elec delay) [Keyboard] | 0 | |||||||||||
| 571 | Kevin | Austin | CutieGrey deux | 1986 | live-elec, 1 perf, 1 group | Stereo | mul Kbds, (elec delay) [Keyboard] | 0 | |||||||||||
| 41001 | Kevin | Austin | Dancers | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 572 | Kevin | Austin | Deer Barks | 1984 | Zuspiel, live-elec, | 9:00 | Stereo | (delay) [] | 0 | ||||||||||
| 573 | Kevin | Austin | Dipper Turn | 1983 | fixed media, akusmatisch | 45:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 36950 | Kevin | Austin | Doggy Trot (4KK) | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 574 | Kevin | Austin | DX-ture (I-XII), Gamut Spectr B Brime Hues Granul NASA A NASA TS Steve I Steve II Chroma Plenum Spectr A |
1985 | fixed media, akusmatisch | 150 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 41002 | Kevin | Austin | Eagles | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 576 | Kevin | Austin | Epitaph for a Fisherman (JamesText VII) | 1983 | live-elec, 1 perf | Stereo | proc V [Stimme] | 0 | |||||||||||
| 577 | Kevin | Austin | Family Games (I) | 1983 | fixed media, akusmatisch | 4:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 579 | Kevin | Austin | Formant Pulses | 1987 | fixed media, akusmatisch | Stereo | Uni Saskatoon | 0 | |||||||||||
| 41003 | Kevin | Austin | Four Arts | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 580 | Kevin | Austin | France Lafleur (I) | 1982 | Zuspiel, live-elec, 1 perf | intermedia |
Stereo | synt, slides [synthesizer] | 0 | |||||||||||
| 581 | Kevin | Austin | Free Running Clocks (I) | 1983 | fixed media, akusmatisch | 4:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 582 | Kevin | Austin | Froggy Bits | 1984 | fixed media, akusmatisch | 29:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 41004 | Kevin | Austin | Girl Lying | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 41005 | Kevin | Austin | High Moon | 2003 | Zuspiel / Tonband, 1 perf | 8:47 | zheng [Streicher] | 0 | |||||||||||
| 41006 | Kevin | Austin | Hockey | 1977 | fixed media, akusmatisch | 8:47 | 0 | ||||||||||||
| 583 | Kevin | Austin | I've a Notion it's the Sea | 1984 | fixed media, akusmatisch | 19:10 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 584 | Kevin | Austin | injections enChanté | 1986 | live-elec, 2 perf | intermedia |
Stereo | (elec-extended) V, (synthetic ambiences,) synt [Stimme, synthesizer] | 0 | |||||||||||
| 41007 | Kevin | Austin | King Bob’s Fanrasy Variations | 1970 | fixed media, akusmatisch | 8:47 | 0 | ||||||||||||
| 586 | Kevin | Austin | Konzert Tone #2, [ reveriesenvisioned ] | 1986 | Zuspiel, live-elec, 3 perf, 1 group | intermedia |
Stereo | hn, Kbds, proc V, slides [Stimme, Horn, Keyboard] | 0 | |||||||||||
| 585 | Kevin | Austin | Konzert Tone 1 | 1984 | Zuspiel / Tonband, 3 perf | Stereo | db, perc, V, (extensions) [Stimme, Schlagzeug, Kontrabass] | 0 | |||||||||||
| 587 | Kevin | Austin | KonzertTone #3 | 1988 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 588 | Kevin | Austin | Light Cycle | 1986 | Zuspiel / Tonband, 1 perf | Stereo | Kbd [Keyboard] | 0 | |||||||||||
| 589 | Kevin | Austin | March Storm | 1985 | Zuspiel, live-elec, | Stereo | (delay) [] | MetaM. Montréal | 0 | ||||||||||
| 41008 | Kevin | Austin | Masks, Mirrors and Shadows | 2006 | fixed media, akusmatisch | 8:47 | eContact! 9.2 | 0 | |||||||||||
| 590 | Kevin | Austin | Midsummer Night Solstice | 1984 | fixed media, akusmatisch | 5:00 | Quadro | 0 | |||||||||||
| 41009 | Kevin | Austin | Moonlight Night | 2003 | Zuspiel / Tonband, 1 perf | 8:47 | zheng [Streicher] | eContact! 9.2 | 0 | ||||||||||
| 591 | Kevin | Austin | Mozart in the Hatteras | 1984 | fixed media, akusmatisch | Stereo | MetaM. Montréal | 0 | |||||||||||
| 592 | Kevin | Austin | N.U.S. | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41010 | Kevin | Austin | Na Dia Sto Matos | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 593 | Kevin | Austin | Onde | 1980 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo, Octo | p, (rings) [Piano] | MetaM. Montréal | 0 | |||||||||
| 594 | Kevin | Austin | Ot'n'Umid (Saturdaze) | 1982 | fixed media, akusmatisch | 40:00 | Stereo, Octo | MetaM. Montréal | 0 | ||||||||||
| 41011 | Kevin | Austin | Piece for Four-Track Tape Recorder Canada Unlimited Number Two, Sam McGee | 1970 | fixed media, akusmatisch | 55:00:00 | Quadro | 0 | |||||||||||
| 595 | Kevin | Austin | Rigeaud Sinfonietta | 1977 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 599 | Kevin | Austin | Sectional Overtones - Aphorisms for voice and keyboards | 1985 | live-elec, 2 perf, 1 group | Stereo | V, Kbds [Stimme, Keyboard] | 0 | |||||||||||
| 41012 | Kevin | Austin | Seven Concrete Studies in Nine Movements | 2008 | fixed media, akusmatisch | 18:54:00 | 0 | ||||||||||||
| 601 | Kevin | Austin | Spheres, Chains, Corridors and Passage | 1980 | Zuspiel, live-elec, | 24:00 | Stereo | McGill Montréal, Uni NY Potsdam | 0 | ||||||||||
| 602 | Kevin | Austin | Sporas | 1985 | Zuspiel / Tonband, 1 group | Octo | chamb-ch [Chor] | 0 | |||||||||||
| 41013 | Kevin | Austin | Stadium | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 603 | Kevin | Austin | Star Wink | 1983 | fixed media, akusmatisch | 45:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 604 | Kevin | Austin | Static Gesture Ir - III - I | 1987 | fixed media, akusmatisch | Stereo | Uni Saskatoon | 0 | |||||||||||
| 19266 | Kevin | Austin | Static Gestures II (Formant Pulses) | 1987 | fixed media, akusmatisch | 10:00 | CEC Presence 1/ | Concordia Montréal | 0 | ||||||||||
| 605 | Kevin | Austin | String Mobiles | 1983 | live-elec, 1 perf | Stereo | str, (delay) [Streicher] | 0 | |||||||||||
| 606 | Kevin | Austin | SUN | 1982 | Zuspiel, live-elec, | 40:00 | Stereo | eContact! 9.2 — Canadian Regions: The Prairies | MetaM. Montréal | 0 | |||||||||
| 18632 | Kevin | Austin | Tears of Early Morning Rain and Cat Fade Away | 1983 | fixed media, akusmatisch | 10:15 | Stereo | ACM 37 CD 1-4/ | MetaM. Montréal | 0 | |||||||||
| 608 | Kevin | Austin | The Expansion of an Infinitely Large Point (JamesText III) | 1983 | live-elec, | Stereo | 0 | ||||||||||||
| 41015 | Kevin | Austin | Three Zheng Études, version 1 | 2003 | fixed media, akusmatisch | 13:08:00 | 0 | ||||||||||||
| 41016 | Kevin | Austin | Three Zheng Études, version 2 | 2003 | fixed media, akusmatisch | 13:46:00 | 0 | ||||||||||||
| 41017 | Kevin | Austin | Titles, MMFA-SAD presents Kevin Austin | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 609 | Kevin | Austin | Toy Symphony (FJ Haydn) | 1977 | Zuspiel / Tonband, | 11:00 | Stereo | (audience participation) [] | MetaM. Montréal | 0 | |||||||||
| 610 | Kevin | Austin | Tweazlling Snarls | 1981 | Performance | 150:00 | Quadro | 0 | |||||||||||
| 611 | Kevin | Austin | Vortex | 1981 | fixed media, akusmatisch | 23:45 | Stereo | Concordia Montréal, MetaM. Montréal | 0 | ||||||||||
| 41018 | Kevin | Austin | Wait Too! | 1982 | fixed media, akusmatisch | 19:45:00 | CECG/GEC | 0 | |||||||||||
| 41019 | Kevin | Austin | Wait! | 1982 | fixed media, akusmatisch | 21:45:00 | CECG/GEC | 0 | |||||||||||
| 612 | Kevin | Austin | Waiting for James (JamesText I) | 1983 | live-elec, 1 perf | intermedia |
Stereo | Narrator, slides [Schauspieler] | 0 | |||||||||||
| 613 | Kevin | Austin | Wave Link One | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 614 | Kevin | Austin | Wave Link Too | 1985 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41020 | Kevin | Austin | Waves and Tides of Time | 2004 | fixed media, akusmatisch | 13:51:00 | 0 | ||||||||||||
| 41021 | Kevin | Austin | Window on World | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 600 | Kevin, Joan, Illana | Austin, Baller, Steele | Snow Peas | 1984 | live-elec, 2 perf | Stereo | fl, cl, [Flöte, Klarinette] | 0 | |||||||||||
| 615 | Kevin, Joan, Illana | Austin, Baller, Steele | X-Flu-Toot | 1985 | live-elec, 2 perf | Stereo | fl, cl, [Flöte, Klarinette] | 0 | |||||||||||
| 565 | Kevin, Jill | Austin, Bedoukian | Aux nørd du Kédbèk | 1985 | Zuspiel, live-elec, | 10:17 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 566 | Kevin, Jill | Austin, Bedoukian | Bog the Frog | 1983 | fixed media, akusmatisch | 17:00 | Stereo, Quadro | MetaM. Montréal | 0 | ||||||||||
| 578 | Kevin, Jill | Austin, Bedoukian | Florida Sweet | 1983 | fixed media, akusmatisch | 20:30 | Stereo, Quadro | MetaM. Montréal | 0 | ||||||||||
| 598 | Kevin, Ej | Austin, Brulé | San-Denis Blues | 1986 | live-elec, 1 perf | Stereo | V, (extensions) [Stimme] | 0 | |||||||||||
| 41014 | Kevin, Chih-Lin | Austin, Chou | Temple (for zheng and electroacoustic sounds) | 2003 | Zuspiel / Tonband, 1 perf | 7:16:00 | zheng [Streicher] | 0 | |||||||||||
| 596 | Kevin, Shawn | Austin, Hill | Ritual for a Noisy gong / Subjoctive | 1985 | Zuspiel / Tonband, 2 perf | Stereo | e-bass, synt [Gitarre, synthesizer] | 0 | |||||||||||
| 597 | Kevin, Shawn | Austin, Hill | Sabre Dancers | 1986 | live-elec, 1 perf | Stereo | synt (delay) [synthesizer] | 0 | |||||||||||
| 575 | Kevin, Doris | Austin, May | Earthy Delights | 1984 | intermedia, | Stereo | (slides) [] | tape, slides | 0 | ||||||||||
| 616 | Larry | Austin | Accidents | 1967 | Zuspiel, Performance, 1 perf | 26:48 | prep p, (rm) [Piano] | David Tudor (elec prep p), UC at Davis 1967; Synt = Buchla 100 | Centaur CRC 2219, CDCM Vol. 19/ Source Records, SR 13/ Pogus 21050-2/ | Col.Princ EMC | 1967 | MEV Rom; 2. P: UC at Davis 1967 |
1 | http://cemi.music.unt.edu/larry_austin | |||||
| 18808 | Larry | Austin | Accidents Two | 1992 | live-elec, 1 perf | 14:27 | p [Piano] | Centaur CRC 2219, CDCM Vol. 19/ | PS Austin | Montague / Mead Piano Plus | 1993 | London | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 26396 | Larry | Austin | Adagio: Convolutions on a Theme by Mozart | 2005 | Zuspiel / Tonband, 1 perf | 10:00 | cl [Klarinette] | Centaur CRC 2830, CDCM Vol. 35/ | Gerard Errante | 27.10.2005 | 26th annual new music & art festival Ohio | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 36606 | Larry | Austin | Art is Self-Alteration is Cage is … | 1982 - 1983, 1993 | Zuspiel / Tonband, 1 perf | 8:04 | db (15 recorded db on tape) [Kontrabass] | Centaur CRC 2830, CDCM Vol. 35/ | 0 | ||||||||||
| 618 | Larry | Austin | Bass | 1966 | Theater, 2 perf | 10:30 | Stereo | db, mus, (film) [Kontrabass, Musiker] | SanFran Tape M. C. | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 619 | Larry | Austin | Beachcombers | 1991 | Zuspiel / Tonband, 4 perf | 10:13 | Stereo | 4 ins [Instrument] | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 18628 | Larry | Austin | BluesAx | 1995/1996 | Zuspiel / Tonband, 1 perf | 18:30 | Stereo | sax [Saxophon] | 7 parts; NeXT with Csound & Cmix | LDC 278062 Cultures Electroniques 9 Magisterium/ Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton | Magisterium Bourges 1996 | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 620 | Larry | Austin | Canadian Coastlines Canonic Fractals for musicians and computer band |
1981 | Zuspiel / Tonband, 1 group | 10:10 | ens [Ensemble] | Synclavier (andere Zeitangaben 12:28) |
FTS 37475/ Centaur CRC 2219, CDCM Vol. 19/ | CEMI Denton | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 621 | Larry | Austin | Caritas | 1969 | Klangkunst, Installation | fixed media, akusmatisch |
20:00 | 9 tracks, Stereo | Caritas, in two versions, 9-channel tape for installation, 90 minutes and stereo tape concert version; 20 minutes, 1969. [created during the first summer workshop PDP10, Music V) |
Source Records, SR 17/ Source Records, SR 3/ Pogus 21050-2/ | CCRMA | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26399 | Larry | Austin | Catalogog Sonoro - 'Narcisso' | 1978 | fixed media, akusmatisch | 10:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 622 | Larry | Austin | Catharsis | 1965 | Zuspiel/Tonband, 1 group | Tanz |
8:00 | Quadro | ens [Ensemble] | improvisation | SanFran Tape M. C. | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 623 | Larry | Austin | Changes, open style for trombone and tape | 1965 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | trbn [Posaune] | UC Davis | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 24905 | Larry | Austin | Djuro's Tree | 1997 | radiophon | 12:30 | Octo | EMF 139/ | Borik Press | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 624 | Larry | Austin | Hybrid Musics | 1980 | live-elec, | IRIDA 0022/ | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 27726 | Larry | Austin | John Explains | 2007 | fixed media, akusmatisch | 10:00 | Octo | 0 | |||||||||||
| 625 | Larry | Austin | La Barbara: The Name, The Sounds, The Music | 1991 | Zuspiel / Tonband, 1 perf | 23:00 | V [Stimme] | Centaur CRC 2166, CDCM Vol. 13/ | Dallas Sound Lab | Joan La Barbara | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26395 | Larry | Austin | Les flûtes de Pan, Hommage à Debussy | 2006 | Zuspiel / Tonband, 1 perf, 1 group | 7:30 | Octo | fl, dancers [Flöte, Tanz] | Centaur CRC 2830, CDCM Vol. 35/ | Jacqueline Martelle | 15.03.2007 | exp. Media Fdt. NY | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 626 | Larry | Austin | Life Pulse Prelude, Based on skethes and plans for percusiion orch. music from a portion of Charles Ive's Universe Symphony | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 24:08 | perc-ens [Schlagzeug] | Centaur CRC 2133, CDCM Vol. 11/ | 1 | http://cemi.music.unt.edu/larry_austin | |||||||||
| 26402 | Larry | Austin | Ludus Fractalis | 1984 | audiovisuell | 11:00 | Deep Listening DL LA-V-VHS Deep Listening video cassette, stereo sound, 1990/ | 0 | http://cemi.music.unt.edu/larry_austin/ | ||||||||||
| 19484 | Larry | Austin | Max Mathews Episode | 1989 | Zuspiel, live-elec, 2 perf, 1 group | 11:06 | Stereo | ch, Kbd, MIDI [Keyboard, synthesizer, Chor] | Mathews / Boie Radio Drum and Radio Baton | Centaur CRC 2190, CDCM Vol. 15/ | CCRMA | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 627 | Larry | Austin | Montage | 1985 | Zuspiel / Tonband, 1 perf | 13:17 | Stereo | vn [Violine] | Themes and Variations | Centaur CRC 2110, CDCM Vol. 10/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 628 | Larry | Austin | Morton Subotnick Episode from Transmission II | 1990 | live-elec, 3 perf, 1 group | 6:15 | ch, Kbd, celletto, perc [Keyboard, Schlagzeug, Cello, Chor] | ISAST LMJ 1/ | 1 | http://cemi.music.unt.edu/larry_austin | |||||||||
| 26406 | Larry | Austin | Nineteen seventy-six | 1972 | fixed media, akusmatisch | 16:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 36605 | Larry | Austin | Ottuplo! | 1998 - 2000 | Zuspiel / Tonband, 4 perf | 11:42 | str-qt [Streicher] | Centaur CRC 2830, CDCM Vol. 35/ | 0 | ||||||||||
| 26405 | Larry | Austin | Phoenix | 1974 | fixed media, akusmatisch | 10:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26401 | Larry | Austin | Prelude and Postlude to Plastic Surgery | 1971 | Film, live-elec, 2 perf | 15:00 | Kbd, p [Piano, Keyboard] | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26408 | Larry | Austin | Primal Hybrid | 1972 | fixed media, akusmatisch | 11:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26404 | Larry | Austin | Protoforms | 1980 | fixed media, akusmatisch | 10:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26407 | Larry | Austin | Quadrants | 1972 | fixed media, akusmatisch | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ CRC 2219/ IRIDA 0022/ LDC 278062 Cultures Electroniques 9 Magisterium/ | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 629 | Larry | Austin | Quadrants Event / Complex No. 4 and No. 9 |
1972/1994 | Zuspiel, live-elec, 2 perf | 8:49 | disklavier, perc [Piano, Schlagzeug] | delay - system | Centaur CRC 2219, CDCM Vol. 19/ LDC 278062 Cultures Electroniques 9 Magisterium/ | CCM Mills, Lunetta St Sacramento | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 20981 | Larry | Austin | Quadrants: Event / Complex No. 1 | 1972/1994 | Zuspiel / Tonband, 1 perf, 1 group | 8:38 | Stereo | w-ens [Bläser] | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26400 | Larry | Austin | Quadrants: Event / Complex No. 11, 10, 9, 8, 7, 6, 4, 3 | 1977 | Zuspiel / Tonband, 9 perf | db, trbn, perc, va, fl, cl, vc, p, vn [Flöte, Klarinette, Posaune, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | performed singly or in any combination, but always with Quadrants tape, respectively, db, trbn, perc, va, fl, cl, vc, pno, vn; ACE; 9' | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26409 | Larry | Austin | Quartet Four | 1971 | fixed media, akusmatisch | 8:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26410 | Larry | Austin | Quartet Three | 1971 | fixed media, akusmatisch | 12:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26394 | Larry | Austin | Redux | 2007 | fixed media, akusmatisch | 7:30 | Octo | Centaur CRC 3219 Vol. 39/ |
CEMI Denton | Patricia Strange | 14.05.2007 | Uni of Maryland, Baltimore | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 28069 | Larry | Austin | RomaDue, A Theater Piece in Open Style for Improvisation Ensemble, Dancers and Tape | 1965, 1997 | fixed media, akusmatisch | 16:00 | Stereo | Improvisation | Centaur CRC 2830, CDCM Vol. 35/ | American Academy Roma | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 18629 | Larry | Austin | ;Rompido!, GraniteHarp - ThunderStone - SteleMusic | 1993 | fixed media, akusmatisch | 24:07 | Stereo | 3 parts; Csound, Soundworks, cmix, rt | Centaur CRC 2310, CDCM Vol. 24/ | PS gaLarry Denton | copyright Borik Press 1993 | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 20989 | Larry | Austin | Shin-Edo: CityscapeSet | 1994 - 1996 | fixed media, akusmatisch | 19:41 | Stereo | 5 parts | Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton, Kunitachi Tokyo | Borik Press | Competition Musica Nova Prag 1996 | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 631 | Larry | Austin | Sinfonia Concertante: A Mozartean Episode | 1988 | live-elec, 1 perf, 2 groups | 16:47 | Stereo | ch, ens, Sp [Sprecher, Ensemble, Chor] | Synclavier | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 24904 | Larry | Austin | Singing! … the music of my own time | 1998 | live-elec, 1 perf | 25:00 | Octo | V [Stimme] | EMF 139/ | BEAST, IMEB Bourges, PS C. | Thomas Buckner | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 632 | Larry | Austin | Sonata Concertante | 1984 | Zuspiel / Tonband, 1 perf | 11:55 | Stereo | p [Piano] | Mandelbrot-Fractale | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | Bob Houston for Sound Source | 1984 | Buffalo | 1 | http://cemi.music.unt.edu/larry_austin | |||
| 18630 | Larry | Austin | SoundPoemSet | 1991 | fixed media, akusmatisch | 18:07 | Stereo | Centaur CRC 2029, CDCM Vol. 1/ CRC 2193/ Centaur CRC 2193, CDCM Vol. 16/ | PS gaLarry Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 26403 | Larry | Austin | Stars | 1982 | fixed media, akusmatisch | 8:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | CEMI Denton | 0 | http://cemi.music.unt.edu/larry_austin/ | |||||||||
| 26397 | Larry | Austin | Tableaux: Convolutions on a Theme | 2003 | live-elec, 1 perf | 16:00 | Octo | a-sax [Saxophon] | Centaur CRC 2830, CDCM Vol. 35/ | Stephen Duke | 10.022004 | DeKalb | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 24903 | Larry | Austin | ;Tarogató! | 1998 | live-elec, 1 perf | Octo | cl (tarogato) [Klarinette] | EMF 139/ | NY new music and dance ens | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 630 | Larry | Austin | The Maze, A Theater Piece in Open Style for Three Percussionists, Dancer, Tapes, Machines, and Projections | 1966 | Tanz, 4 perf | Musiktheater, 4 perf |
31:00 | Stereo | 3 perc, dancer (lights) [Schlagzeug, Tanz] | LA | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 26398 | Larry | Austin | Threnos | 2001 - 2002 | Zuspiel / Tonband, | 7:30 | Octo | b-cl (1 or 2 or 4 or 8 cl) [Klarinette] | for real and virtual b-cl. Michael Lowenstern, bass clarinetorton |
SEAMUS EAM Vol. 13/ Centaur CRC 2830, CDCM Vol. 35/ | Michael Lowenstern | 30.01.2003 | New York | 0 | http://cemi.music.unt.edu/larry_austin | ||||
| 634 | Larry | Austin | Transmission II : the great excursion | 1990 | Zuspiel, live-elec, 1 perf, 1 group | 107:00 | ch, (radio drum,) celletto [Cello, Chor] | [Recorded material, Xavier Serra's SANSY program, LM2] | ISAST LMJ 1/ Centaur CRC 1994/ ISAST 1/ | CCRMA | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 20988 | Larry | Austin | Variations … beyond Pierrot | 1993 - 1995 | Zuspiel, live-elec, 6 perf | 30:30 | S, 5 ins, [Sopran, Instrument] | Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton, Banff C., Kunitachi Tokyo | 1 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 24349 | Larry | Austin | Williams(re)mix(ed) | 2000 | fixed media, akusmatisch | 19:23 | Octo | after Cage's piece from 1952. Williams [re]Mix[ed] (1997-2000), for octophonic computer music system (ADAT), based on John Cage's Williams Mix (1951-53), for eight magnetic tapes: The Theme Restored; Six Short Variations: A-city sounds, B-country sounds, C-electronic sounds, D-manually produced sounds, E-wind produced sounds, F-small sounds; The Nth Realization; commissioned by the International Institute for Electroacoustic Music, Bourges, France, with sponsorship and support from the John Cage Trust and C. F. Peters Corporation; LAM, duration, 19 to 23 minutes |
EMF 139/ | IMEB Bourges | IMEB Bourges | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 40072 | Massimo | Avantaggiato | ATLAS OF UNCERTAINTY | 2017 | fixed media, akusmatisch | Massimo Avantaggiato | 0 | ||||||||||||
| 34658 | Massimo | Avantaggiato | Penumbra | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 40071 | Massimo | Avantaggiato | Vana Imago | 2016 | Performance | Massimo Avantaggiato | 0 | ||||||||||||
| 39446 | Massimo vito | Avantaggiato | THREE MINIATURES | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 38733 | Peter, Iris | AVAR, DISSE | Das Herz der Tänzer – El corazon de los bailarines | 2003 | radiophon | 54:00:00 | 0 | ||||||||||||
| 43116 | Ron | Averill | gdod kreasi baru | 1990 | live-elec, 5 perf | 4 trbn, p [Posaune, Piano] | 0 | ||||||||||||
| 36621 | Ron | Averill | painting legs on the snake, (Curtain Opens To Reveal), The Dark Continent Monk Wandering Westerly Prelude (Fade To Black) |
1993 | fixed media, akusmatisch | 16:13 | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | Mention Bourges 1994 Auszeichnung ars electronica 1995 |
0 | |||||||||
| 41606 | Jon | Aveyard | Mis | 2003 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 635 | Tzvi | Avni | Collage | 1967 | Zuspiel / Tonband, 3 perf | V, fl, perc [Stimme, Flöte, Schlagzeug] | 0 | ||||||||||||
| 636 | Tzvi | Avni | Gilgulim (Reincarnations) | 1973 | Radiokunst, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 637 | Tzvi | Avni | Lyric Episodes | 1972 | Tanz, 2 perf | S, ob [Sopran, Oboe] | FTS 33878/ | 0 | |||||||||||
| 638 | Tzvi | Avni | Retrospections | 1975 | Zuspiel / Tonband, 2 perf | vc, perc [Schlagzeug, Cello] | 0 | ||||||||||||
| 639 | Tzvi | Avni | Study for the "Tower of Babel" | 1964 | fixed media, akusmatisch | 6:40 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 640 | Tzvi | Avni | Synchromotrask | 1976 | Musiktheater, 1 perf | actor [Schauspieler] | 0 | ||||||||||||
| 641 | Tzvi | Avni | Vocalise | 1964 | fixed media, akusmatisch | 5:47 | Stereo | Soprano Vocals – Pnina Avni | TV 34004S/ SR 290 sub rosa/ | Col.Princ EMC | 0 | ||||||||
| 32277 | Arseny | Avraamov | Symphony of Sirenes, Sinfoniya Gudkov | 1922 | Performance | 28 | > 1000 V, (foghorns, artillery batteries, mul infantry regiments, hydroplanes, 25 steam locomotives, all factory sirenes in the city) [Stimme] | Bookcontens: CD 1 & CD 2 with original documents and reconstructions of 72 Kew Works of Music, Poetry and Agitprop from the Russian Avantgardes 1908 - 1942 | ReR RAG 1&2/ | 1922 | Baku | 0 | |||||||
| 38408 | Ana-Maria | Avram | Anamorphosis | live-elec, | 12:20 | EDMN 1012/ | 0 | ||||||||||||
| 18711 | Ana-Maria | Avram | Icarus | 1993 | fixed media, akusmatisch | 13:22 | Stereo | EDMN 1006/ | 0 | ||||||||||
| 18712 | Ana-Maria | Avram | Ikarus II | 1993 | Zuspiel / Tonband, 1 perf | 13:35 | Stereo | p [Piano] | EDMN 1008/ | 0 | |||||||||
| 18713 | Ana-Maria | Avram | On the Abolition of the Soul | Zuspiel / Tonband, 1 group | 20:21 | Stereo | ens [Ensemble] | ensemble instrumental | EDMN 1008/ | 0 | |||||||||
| 18714 | Ana-Maria | Avram | Signum Gemini | 1989 | Zuspiel / Tonband, 1 group | 12:30 | Stereo | ens [Ensemble] | ensemble instrumental | EDMN 1008/ EDMN 1002/ | 0 | ||||||||
| 642 | Ana-Maria | Avram | Zodiaque | Zuspiel / Tonband, 2 perf | prep p, perc [Piano, Schlagzeug] | EDMN 1003/ | 0 | ||||||||||||
| 643 | Ana-Maria | Avram | Zodiaque III | fixed media, akusmatisch | 16:10 | EDMN 1002/ | 0 | ||||||||||||
| 43152 | Ana-Maria, Iancu | Avram, Dumitrescu | Oiseaux Céléstes II / Traces, Sillons, Sillages II | 2002 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2002 | 0 | ||||||||||||
| 644 | Freddy | Awad | Ragdong | 1978 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 645 | Freddy | Awad | Ritmofonia per due | 1978 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 646 | Freddy | Awad | Sun I | 1980 | fixed media, akusmatisch | 13:20 | Stereo | CRM Roma | 0 | ||||||||||
| 36943 | Kwesi | Awotwi | Trip Hop Double'O'Zero | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 25688 | Mauricio | Ayer | Répétitions - drama sonoro | 1997 - 1998 | fixed media, akusmatisch | 7:58 | Stereo | Text by Fernando Pessoa | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | ||||||||
| 41855 | Lydia | Ayers | Glassminute | 2005 | radiophon | 0:56:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 18633 | Ben | Azarm | Unclassified | 1982 | fixed media, akusmatisch | 3:34 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 18634 | Ben, Brian | Azarm, Reinbolt | P boone | 1983 | live-elec, 1 perf | 4:07 | Stereo | MIDI [synthesizer] | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | ||||||||
| 18635 | Ben, Brian, John | Azarm, Reinbolt, Bischoff | X X 1 | 1983 | Zuspiel / Tonband, 1 perf | 3:23 | Stereo | MIDI [synthesizer] | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | ||||||||
| 21763 | Miguel | Azguime | 96 digital Bells | 1993 | fixed media, akusmatisch | 21:00 | Miso Studio | Centro Cultural de Belém | 1993 | Lisboa Centro Belém | 0 | http://www.misoensemble.com/miguelazguime/english/works/electromusic.html | |||||||
| 21752 | Miguel | Azguime | ÁGUA ou MARÉ - NOME de PEDRA | 1991 | Zuspiel, live-elec, 3 perf | 18:00 | pic-fl, b-fl, perc, (water, mós de pedra) [Flöte, Schlagzeug] | PS C. | Câmara Municipal do Seixal | 0 | http://www.misomusic.com | ||||||||
| 33523 | Miguel | Azguime | Aguas Marinhas | 2005 | live-elec, 14 perf | 14:21 | fl, ob, cl, bn, hn, tpt, trbn, perc, p, 2 vn, va, vc, db, (elec) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | miso records mcd 035.13/ | Miso Studio | JSCM (Japanese Society for Contemporary Music) | 0 | ||||||||
| 21764 | Miguel | Azguime | COMUNICAÇÕEs, Communications | 1998 | fixed media, akusmatisch | Klangkunst, Installation |
7:54 | 94 Tracks | miso records mcd 027.11/ | Miso Studio | Lisbon World Fair Expo'98 | November 1998 | Lisboa, Music in November, Culturgest | 1 | http://www.misomusic.com | |||||
| 33522 | Miguel | Azguime | Conver(say)tions | 2011 | live-elec, 3 perf | 13:06 | vn, p, perc, (elec) [Piano, Schlagzeug, Violine] | miso records mcd 035.13/ | Miso Studio | The California EAR Unit | 0 | ||||||||
| 21759 | Miguel | Azguime | DE L'ÉTANT QUI LE NIE | 1997 | live-elec, 1 perf | 16:00 | p [Piano] | piano with midi triggering system and real-time processing and spacialization system | miso records mcd 017.07/ | Miso Studio | Ministério da Cultura | 11.1998 | 1 | http://www.misomusic.com | |||||
| 33521 | Miguel | Azguime | De Part et d'Autre | 2011 | live-elec, 5 perf | 17:53 | fl, cl, vn, va, p, (elec) [Flöte, Klarinette, Piano, Viola, Violine] | miso records mcd 035.13/ | Miso Studio | French Ministry of Culture | 0 | ||||||||
| 23487 | Miguel | Azguime | Derrière son double | 2001 | live-elec, 6 perf | 25:00 | Stereo | fl, cl, vn, va, vc, p [Flöte, Klarinette, Piano, Viola, Cello, Violine] | miso records mcd 021.09/ sond’ar-TE Vol. 1/ miso records mcd 035.13/ | Miso Studio | Porto 2001 / Casa da Música | 1 | http://www.misomusic.com | ||||||
| 25649 | Miguel | Azguime | Des cercles en cercle | 2007 - 2008 | fixed media, akusmatisch | 15:09 | Stereo | Dedicated to Folkmar Hein | miso records mcd 027.11/ | TU Berlin, PS C. | 25.01.2008 | Ultraschall-Festival, Berlin, Radial System | 1 | http://www.misomusic.com | |||||
| 21755 | Miguel | Azguime | DU NÉANT DE L'ÉTANT | 2000 | live-elec, 1 perf | 6:00 | vib [Schlagzeug] | Miso Studio | 0 | http://www.misomusic.com | |||||||||
| 21758 | Miguel | Azguime | DU NÉANT QUI LE CROIT | 1994 | live-elec, 1 perf | 15:00 | bn [Fagott] | miso records mcd 017.07/ | Miso Studio | Fundação das Casas de Fronteira e Alorna | 1 | http://www.misomusic.com | |||||||
| 23488 | Miguel | Azguime | EIO-IN ou les Modßeles de l'Indifférence | 2001 | live-elec, 3 perf | Stereo | vn, trbn, p [Posaune, Piano, Violine] | Miso Studio | 1 | http://www.misomusic.com | |||||||||
| 27549 | Miguel | Azguime | Itinerário do Sal | 2006 | audiovisuell | Performance, live-elec, 1 perf |
≈ 60:00 | Octo | actor [Schauspieler] | miso records mdvd 001.07/ | Miso Studio | Inventionen 2006 | 1 | 2006 | http://www.misomusic.com | |||||
| 28599 | Miguel | Azguime | L … | 2010 | fixed media, akusmatisch | 6:09 | with the voices (singing and improvising) of Frances M. Lynch and David Moss; composed for a project named "Erotic Sound Fictions". | miso records mcd 027.11/ | 17.04.2010 | 25th anniversary of Miso Musik, Franco-Portuguese Institut Lisbon | 1 | http://www.misomusic.com | |||||||
| 23785 | Miguel | Azguime | Le dicible enfin fini | 2003 | fixed media, akusmatisch | 8:47 | Stereo | Text-Sound Composition | CAP 22057/ miso records mcd 027.11/ miso records mcd 013/014/ EBU Ars Acustica 2009/ | Miso Studio | 06.2004 | Bourges Synthese Festival | EMS Prize 2003 EBU Ars Acustica 2009 |
1 | http://www.misomusic.com | ||||
| 28600 | Miguel | Azguime | Liquidus Sonorus Luminaris | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
16:12 | Stereo | Work originally written for the cyber fountain at Parque dos Príncipes (Oeiras, Portugal) which may be performed per se. However there is a MIDI sequence to control the water jets than can be adapted to similar fontains. | miso records mcd 027.11/ | EMS Stockholm | Oeiras Municipality in Portugal | 25.06.2005 | Oeiras, Portugal, Musica Viva Festival, Poet’s Park | 1 | http://www.misomusic.com | ||||
| 21765 | Miguel | Azguime | Música e Texturas Sonoras | 1998 | Klangkunst, Installation | 7:59 | 94 Tracks | music and sound installation in 94 audio channels (±300 loudspeakers) for the exhibition at the "Pavilhão do Conhecimento dos Mares" by the atelier ARX Portugal Lisboa - Pavilhão do Conhecimento dos Mares da Expo'98 | Miso Studio | 0 | http://www.misomusic.com | ||||||||
| 21766 | Miguel | Azguime | Nave | 1998 | Klangkunst, Installation | 10:00 | Miso Studio | 0 | http://www.misomusic.com | ||||||||||
| 33796 | Miguel | Azguime | Notes on Books | 2012 | fixed media, akusmatisch | 8:41:00 | Composing with Sounds/ | INA-GRM | 1 | ||||||||||
| 21761 | Miguel | Azguime | O CENTRO DO EXCÊNTRICO DO CENTRO DO MUNDO | 1999 | live-elec, 18 perf | 30:00 | 16 V, 2 dichter [Stimme, Performer] | sung in Latin and Portuguese through Pedro Nunes' texts (XVIth Century) | miso records mcd 015.06/ | Miso Studio | Fundação Calouste Gulbenkian | 1 | http://www.misomusic.com | ||||||
| 21756 | Miguel | Azguime | PARFAIRE LE BLEU | 1996/1998 | live-elec, 3 perf | 25:00 | fl, hpd or cl, p [Flöte, Klarinette, Piano, Cembalo] | fl, hpd (Version 1) / cl; p (Version 2) | Miso Studio | Fundação Calouste Gulbenkian | 0 | http://www.misomusic.com | |||||||
| 21753 | Miguel | Azguime | PULSE CODE MODULATION: uma história industrial | 1996 | Zuspiel, live-elec, 3 perf | 18:00 | fl, b-fl, perc [Flöte, Schlagzeug] | miso records 2001/ | Miso Studio | Câmara Municipal do Seixal | 0 | http://www.misomusic.com | |||||||
| 27547 | Miguel | Azguime | Sobreposições | 2000 | fixed media, akusmatisch | 9:17 | Miso Studio | 2000 | Lisboa, Festival Musica Viva | 0 | http://www.misomusic.com | ||||||||
| 27548 | Miguel | Azguime | Uniusombadiudubi | 2003/2004 | fixed media, akusmatisch | Miso Studio | 0 | http://www.misomusic.com | |||||||||||
| 21760 | Miguel | Azguime | YUAN ZHI YUAN, (de origem em origens) | 1998 | live-elec, 8 perf, 1 group | 30:40 | S, T, 6 (traditional chinese) ins, chamber-ch [Sopran, Tenor, Instrument, Chor] | miso records mcd 015.06/ | Fundação Oriente | 1 | http://www.misomusic.com | ||||||||
| 21762 | Miguel, Paula | Azguime, Azguime | DÉPOSER LA FORÊT | 1990 | fixed media, akusmatisch | 7:33 | Miso Studio | 1993 | Santiago de Compostela | 1 | http://www.misomusic.com | ||||||||
| 25470 | Miguel, Paula | Azguime, Azguime | Escrituras | 2002 | Zuspiel, live-elec, 2 perf | 14:57 | fl, perc [Flöte, Schlagzeug] | Miguel Azguime (perc), Paula Azguime (fl) Live-recording at Teatro do Campo Allegre, Porto, P on 16.12.2002 |
miso records mcd 017.07/ | Miso Studio | Ministério Da Cultura / IPAE | 1 | http://www.misomusic.com | ||||||
| 21754 | Miguel, Paula | Azguime, Azguime | NÓNIO | 1998 - 2002 | live-elec, 2 perf | 17:02 | fl, perc [Flöte, Schlagzeug] | miso records mcd 017.07/ | Miso Studio | Ministério da Cultura / IPAE | May 1999 | Lisbon, Grande Auditório, Fundação Calouste Gulbenkian | 1 | http://www.misomusic.com | |||||
| 25822 | Kinan | Azmeh | Iraq Re-visited, from the Gilgamesh Project | 2005 | audiovisuell | 10:00 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 1 | ||||||||||
| 42574 | Kinan | Azmeh | Walls and Towers | 2010 | audiovisuell, live-elec, 4 perf | 10 | cl, vn, va, vc [Klarinette, Viola, Cello, Violine] | Juilliard school’s Beyond the Ma- chine festival 2010 | 0 | ||||||||||
| 39837 | Hanae | Azuma | In the Bay I | 2017 | fixed media, akusmatisch | 16 Tracks | Hanae Azuma | 0 | |||||||||||
| 39836 | Hanae | Azuma | In the Bay II | 2017 | fixed media, akusmatisch | Hanae Azuma | 0 | ||||||||||||
| 39838 | Hanae | Azuma | watercolor painting | 2016 | fixed media, akusmatisch | Hanae Azuma | 0 | ||||||||||||
| 39387 | Hanae | Azuma | Where am I in the Universe? | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24852 | Georges | Azzaria | Concret | 2002 | fixed media, akusmatisch | Stereo | AVTR 031/ | 0 | |||||||||||
| 18636 | Georges | Azzaria | ET/Ou | 1989/1992 | fixed media, akusmatisch | 9:01 | Stereo | OBZ 001/ | 0 | ||||||||||
| 24849 | Georges | Azzaria | Monopole | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 24851 | Georges | Azzaria | National-local | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 24850 | Georges | Azzaria | Nul ist prophet en su patria | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 26210 | Marije | Baalman | Beuerskrach | 2003 | fixed media, akusmatisch | 3:28 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Electrofringe | 1 | ||||||||
| 26211 | Marije | Baalman | Pollock's Sprechwunsch | 2003 | fixed media, akusmatisch | 6:32 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | ||||||||
| 26209 | Marije | Baalman | Scratch | 2004 | fixed media, akusmatisch | 24 Tracks, Spazialisation: WFS | TU Berlin | 2004 | LAC 2004 ZKM | 0 | |||||||||
| 39385 | Girilal | Baars | Mother’s War | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 41976 | Younes | Baba-Ali | Tic Nerveux | 2018 | audiovisuell | Klangkunst, Installation |
3-channel Videoinstallation | 19.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, Heinrich-Feuerstein-Schule, Turnhalle | 0 | ||||||||||
| 38734 | Younes, Anna | BABA-ALI, RAIMONDO | Carroussa Sonore | 2013 | radiophon | 51:53:00 | 0 | ||||||||||||
| 36289 | Milton | Babbitt | Arie da capo | 1974 | fixed media, akusmatisch | 12:46 | PNM 26/ | CalArts | Walter W. Naumburg Foundation | 0 | |||||||||
| 647 | Milton | Babbitt | Composition for Synthesizer | 1961 | fixed media, akusmatisch | 10:36 | Quadro | one of the first piece of RCA-synzhesizer Mark II | Mainstream MS 6566/ IDEAMA CD 066/ | Col.Princ EMC | 1 | ||||||||
| 648 | Milton | Babbitt | Ensembles for Synthesizers | 1964 | fixed media, akusmatisch | 10:39 | Quadro | RCA-Synthesizer Mark II | Finna QD 9010/ Columbia MS 7051/ SICC 78/ IDEAMA CD 066/ | Col.Princ EMC | 1 | ||||||||
| 649 | Milton | Babbitt | Philomel | 1964 | Zuspiel / Tonband, 1 perf | 18:27 | S [Sopran] | RCA-Synthesizer Mark II ; text by Ovid | Neuma 450-74/ NWR 80466/ Ellipsis Arts 3671 - OHM: 01/ IDEAMA CD 067/ | Col.Princ EMC | 1 | http://www.furious.com/perfect/ohm/columbiaprinceton.html | |||||||
| 650 | Milton | Babbitt | Phonemena | 1969 | Zuspiel / Tonband, 1 perf | 4:11 | Stereo, Quadro | S [Sopran] | RCA-Synthesizer Mark II there is another version for S & p |
NWR 209/ Neuma 450-74/ NWR 80466/ IDEAMA CD 066/ | Col.Princ EMC | 1 | |||||||
| 651 | Milton | Babbitt | Reflections | 1975 | Zuspiel / Tonband, 1 perf | 10:16 | p [Piano] | NWR 209/ NWR 80466/ DIDX 022920/ | Col.Princ EMC | 1 | |||||||||
| 652 | Milton | Babbitt | Vision and Prayer | 1961 | Zuspiel / Tonband, 1 perf | 14:30 | Quadro | S [Sopran] | text by Dylan Thomas | CRi SD 268/ CRi CD 521/ IDEAMA CD 067/ | Col.Princ EMC | 1 | |||||||
| 35834 | Andrew | Babcock | Anagoge | 2012 | fixed media, akusmatisch | 9:48 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 42962 | Andrew | Babcock | Pianolanche | 2013 | fixed media, akusmatisch | 5:32:00 | 0 | ||||||||||||
| 42718 | Andrew | Babcock | Reconstruction | 2012 | fixed media, akusmatisch | 7:20:00 | 0 | ||||||||||||
| 39575 | Andrew | Babcock | Transformations | 2015 | fixed media, akusmatisch | 9:26:00 | Andrew Babcock | 0 | |||||||||||
| 39574 | Andrew | Babcock | Ventriloquy | 2016 | fixed media, akusmatisch | Andrew Babcock | 0 | ||||||||||||
| 43044 | Jacopo | Baboni Schilingi | Für Hans_sonata | 2014 | fixed media, akusmatisch | 25:00:00 | 0 | ||||||||||||
| 39874 | Jacopo | Baboni Schilingi | Reflexions | 2015 | live-elec, | Jacopo Baboni Schilingi | 0 | ||||||||||||
| 25823 | Ignacio | Baca Lobera | Creaturas secundarias | 2007 | fixed media, akusmatisch | Stereo | 1 | ||||||||||||
| 25824 | Ignacio | Baca Lobera | Questionable tone | 2007 | fixed media, akusmatisch | Stereo | 1 | ||||||||||||
| 27174 | Ignacio | Baca Lobera | Recall | 2001 | Zuspiel / Tonband, 1 perf | 8:36 | gui [Gitarre] | 0 | |||||||||||
| 655 | Antonio | Bacchelli | E 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 653 | Grazyna | Bacewicz | Pozdanie (Desire) | 1968 | Tanz, 1 group | 84:00 | orc [Orchester] | 0 | |||||||||||
| 654 | Michael | Bach | One13 | 1993 | Zuspiel / Tonband, 1 perf | 28:00 | Stereo | vc [Cello] | ZKM Karlsruhe | 0 | |||||||||
| 656 | Jan | Backstuber | EH - 50 | 1989 | fixed media, akusmatisch | 8:35 | Stereo | CECM Bratislava | 0 | ||||||||||
| 657 | Jan | Backstuber | Lamento per 25 000 | 1988 | fixed media, akusmatisch | 8:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 658 | Jan | Backstuber | Stop | 1990 | fixed media, akusmatisch | 12:32 | Stereo | CECM Bratislava | 0 | ||||||||||
| 42458 | Alexis | Bacon | Cowboy Song | live-elec, 1 perf | perc [Schlagzeug] | dedicated to Greg Beyer | ASCAP/SEAMUS | 0 | |||||||||||
| 32110 | Alexis | Bacon | Cradle | 2005 | Zuspiel / Tonband, 1 perf | 8:29:00 | a-sax [Saxophon] | Dan Puccio, alto saxophone | SEAMUS EAM Vol. 18/ | 0 | |||||||||
| 39554 | Alexis | Bacon | Ojibwe Song | 2017 | fixed media, akusmatisch | Alexis Bacon | 0 | ||||||||||||
| 659 | Krzysztof | Baculewski | Quartier Latin | 1981 | fixed media, akusmatisch | 13:34 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22121 | Krzysztof | Baculewski | Voyage a'travers le Paysage Metaphysique | fixed media, akusmatisch | 14:50 | Stereo | ExpSt Warsaw | 0 | |||||||||||
| 660 | Henk | Badings | 3 Lucebert-songs | 1963 | Zuspiel / Tonband, 1 group | 15:00 | Stereo | male ch [Chor] | based on poems by the dutch artist Lucebert (1924-1994) | STEM Utrecht | 0 | ||||||||
| 661 | Henk | Badings | 3 Schwärmereien | 1963 | Zuspiel / Tonband, 1 group | 13:10 | Stereo | mx ch [Chor] | version of 3 Lucebert-songs | STEM Utrecht | 0 | ||||||||
| 662 | Henk | Badings | Armageddon | 1968 | Zuspiel / Tonband, 1 perf | S, w orc [Sopran, Orchester] | PPC KP101 Point Park College/ | 0 | |||||||||||
| 663 | Henk | Badings | Asterion | 1957 | radiophon | 75:00 | Mono | Radio Johannesburg | 0 | ||||||||||
| 664 | Henk | Badings | Ballade van die bloeddorstige jagter (Cantata VII) | 1970 | Zuspiel / Tonband, 1 perf, 3 groups | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 665 | Henk | Badings | Capriccio, Introduzione Lento Allegro |
1959 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | vn [Violine] | first piece in the Netherlands for tape & instrument | PHI 835056/ BC 1118/ LS 86055/ IDEAMA CD 015/ BASTA 30-9172-2/ | Philips Laboratories Eindhoven | August 8, 1959 | Gravesano, Joke Vermeulen (vn) | 0 | http://thresholdofbeauty.com/music excerpts/Capriccio excerpt.mp3 | ||||
| 666 | Henk | Badings | Chaconne | 1965 | Zuspiel / Tonband, 1 perf | 12:00 | tpt [Trompete] | 0 | |||||||||||
| 667 | Henk | Badings | Concert | 1964 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | ww-ins [Bläser] | STEM Utrecht | 0 | |||||||||
| 668 | Henk | Badings | Concertino | 1967 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | 0 | |||||||||||
| 669 | Henk | Badings | De gravin Catalene | 1952 | radiophon | 20:00 | Mono | W.B. Yeats | NRU Hilversum | 0 | |||||||||
| 670 | Henk | Badings | De Hoorschelp | 1958 | radiophon | 20:00 | Mono | acousticon | NRU Hilversum | 0 | |||||||||
| 671 | Henk | Badings | De Nacht van Morgen | 1956 | Fernsehen, | 15:00 | Mono | NRU Hilversum, AVRO-Studio | AVRO | 0 | |||||||||
| 672 | Henk | Badings | De Spreekcel | 1959 | radiophon | 40:00 | Mono | words : Ab van Eyk | Philips Laboratories Eindhoven | 0 | |||||||||
| 673 | Henk | Badings | De Vliegende Hollander | 1957 | Film | 45:00 | Mono | NRU Hilversum, VARA | Cinetone | 0 | |||||||||
| 674 | Henk | Badings | Dialogues for man and machine | 1958 | Zuspiel / Tonband, 1 perf | 20:00 | Quadro | V [Stimme] | text by Ramses Shaffy | BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 1 | |||||||
| 675 | Henk | Badings | Die Frau von Andros The Woman of Andros, Andros Introduction Interrupted Dinner Party Solo Glycerium Milieu Pamphilus Guest Meal Pas De Deux Meeting Of Pamphilus And Glycerium Solo Chrysis Farewell Chrysis Death Of Chrysis |
1959 | Tanz | 45:00 | Quadro | in 10 scenes | BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 0 | ||||||||
| 676 | Henk | Badings | Electronic Ballet music III | 1959 | Tanz | 22:00 | Stereo | Philips Laboratories Eindhoven | 0 | ||||||||||
| 677 | Henk | Badings | Electronic music | 1957 | fixed media, akusmatisch | 75:00 | Mono | PHI 09959/ | Philips Laboratories Eindhoven | 0 | |||||||||
| 678 | Henk | Badings | Elektromagnetische Klankfiguren | 1959 | fixed media, akusmatisch | 5:00 | Quadro | Philips Laboratories Eindhoven | August 8, 1959 | planed un Gravesano, but canceled | 0 | ||||||||
| 679 | Henk | Badings | Elektronische Sonatine | 1954 | fixed media, akusmatisch | 5:00 | Mono | NRU Hilversum | 0 | ||||||||||
| 40928 | Henk | Badings | Evolutionen | 1956 | Tanz | Philips Laboratories Eindhoven | Ballett Hannover | 1 | |||||||||||
| 680 | Henk | Badings | Evolutionen Evolutions - Ballet Suite, Overture Air Ragtime Intermezzo Waltz Finale |
1958 | Tanz | 13:37 | Mono | 6 parts (Overture, Air, Ragtime, Intermezzo, Waltz, Finale). Sometimes played together with an orchestra |
PHI 835056/ BC 1118/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ LS 86055/ | Philips Laboratories Eindhoven | 1958 | Hanover Opera Ballet (choreogr. Georgi) | 1 | ||||||
| 681 | Henk | Badings | Geluid der werkwlijkheid, Sound of reality | 1958 | Theatermusik | radiophon |
90:00 | Quadro | illustration | Philips Laboratories Eindhoven | Jan 1958 | opening of the new auditorium at the Rijksakademie voor Beeldende Kunsten Amsterdam | 0 | |||||||
| 682 | Henk | Badings | Genese, Genesis | 1958 | Zuspiel / Tonband, 6 perf, 1 group | 15:00 | Quadro | T, Bar, male ch, 4 perc [Tenor, Bariton, Schlagzeug, Chor] | words : A. Saffy. Music for five Audio-Frequency oscillators | PHI 835056/ BC 1118/ IDEAMA CD 043/ BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Genese excerpt.mp3 | ||||||
| 684 | Henk | Badings | Jonah | 1963 | Zuspiel / Tonband, 3 perf, 1 group | 20:00 | Stereo | Sp, 2 male V, ch [Sprecher, Stimme, Chor] | NRU Hilversum | 0 | |||||||||
| 685 | Henk | Badings | Kain und Abel, Introduction / Dance / Dance Of The Destructive Forces Conflict Conclusion Transition Passacaglia Arioso Conflict Reprise (Arioso) Conflict Finale |
1956 | Tanz | 17:30 | Stereo | Electronic Ballet Music, (choreography by Zielstra). Composition divided in 2 Episodes. 1. Episode with 2 parts, 2. Episode 4 parts |
PHI 400036/ PHI 099597/ IDEAMA CD 016/ CV 7803/ BASTA 30-9182-2/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ Creel Pone 10/ | Philips Laboratories Eindhoven | Dutch National Ballet at Hollandfestival 1956 | June 22 1956 July 9, 1956 |
Koninklijke Schouwburg The Hague Stadtsschouwburg Amsterdam |
1 | |||||
| 687 | Henk | Badings | Martin Korda D.P. | 1960 | Oper | 18:00 | Mono | act III, scene I on BASTA-CD text by Ab van Eyk |
BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 0 | ||||||||
| 688 | Henk | Badings | Mens en Machine in Eindhoven | 1958 | fixed media, akusmatisch | 14:00 | Mono | Suite | Philips Laboratories Eindhoven | 0 | |||||||||
| 689 | Henk | Badings | Music | 1972 | Zuspiel / Tonband, 1 perf | org [Orgel] | 0 | ||||||||||||
| 690 | Henk | Badings | Op het tweede gehoor | 1957 | intermedia | 20:00 | Mono | acousticon | NRU Hilversum | 0 | |||||||||
| 691 | Henk | Badings | Orestes, Prologue Fantasmagoria Episode |
1954 | radiophon | 54:00 | Mono | This is the second electronic piece realized in the Netherlands! Radiophonic Opera with text by Jan Starink |
NRU Hilversum, AVRO-Studio | NRU | 1954 | Florenz | Prix Italia 1954 | 0 | http://thresholdofbeauty.com/music%20excerpts/Orestes%20excerpt.mp3 | ||||
| 692 | Henk | Badings | Pauzeteken | 1959 | fixed media, akusmatisch | 0:20 | Mono | for NRU | Philips Laboratories Eindhoven | 0 | |||||||||
| 693 | Henk | Badings | Polly Picklenose | 1971 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 694 | Henk | Badings | Salto mortale | 1959 | Fernsehen, | 50:00 | Mono | TV opera ; Salzburg TV com. 3. price | Philips Laboratories Eindhoven | Prix Italia 1954 | 1 | ||||||||
| 695 | Henk | Badings | Sigmund Freud: the Secret Passion | 1962 | Film | 0 | |||||||||||||
| 696 | Henk | Badings | St. Mark Passion | 1971 | Zuspiel / Tonband, 1 perf, 3 groups | 45:00 | Vs, male ch, orc [Stimme, Chor, Orchester] | 0 | |||||||||||
| 32210 | Henk | Badings | The Countess Cathleen | 1952 | radiophon | 54 | Mono | after William Butler’s „Yeats’“ 1892. This is the first el. piece realized in the Netherlands! |
KRO Hilversum | KRO (Katholieke Radio Omroep) | Dezember 1952 | KRO | 0 | ||||||
| 697 | Henk | Badings | Toccata I | 1964 | fixed media, akusmatisch | 3:00 | Stereo | STEM Utrecht | 0 | ||||||||||
| 698 | Henk | Badings | Toccata II | 1964 | fixed media, akusmatisch | 4:00 | Quadro | BASTA 30-9172-2/ | STEM Utrecht | 0 | |||||||||
| 699 | Henk | Badings | Triple Concerto no. 2 | 1970 | Zuspiel / Tonband, 4 perf, 1 group | 3 hn, ww-orc [Horn, Bläser] | 0 | ||||||||||||
| 700 | Henk | Badings | Tune | 1958 | Hintergrundmusik | 0:30 | Mono | NRU Hilversum | 0 | ||||||||||
| 701 | Henk | Badings | Variations électroniques | 1957 | Film | 9:58 | Mono | advertising film | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Variations electroniques excerpt.mp3 | |||||||
| 686 | Henk, Helmut | Badings, Schoell | Kontrapunkte | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 702 | Nikolai | Badinski | A ' S | 1974 | Zuspiel / Tonband, 2 groups | 2 ens [Ensemble] | 0 | ||||||||||||
| 703 | Nikolai | Badinski | Ab-stand, Ab-seits; Werste, Weiten… | 1988 | Zuspiel / Tonband, 1 perf | 9:55 | Stereo | vn [Violine] | after "Für Boris Pasternak" by Marina Zwetajewa | AB 2232, ABAN/ | TU Berlin | 1 | |||||||
| 704 | Nikolai | Badinski | Begegnungen von Unendlichkeiten | 1982 | Zuspiel, live-elec, 1 perf | 21:46 | Stereo | amp ins [Instrument] | HfMT Köln | 0 | |||||||||
| 705 | Nikolai | Badinski | Berührung mit der Orpheus–Sage | 1979/1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 706 | Nikolai | Badinski | Cantico di San Francesco | 1981/1982 | Zuspiel / Tonband, 1 perf | Bar [Bariton] | 0 | ||||||||||||
| 707 | Nikolai | Badinski | Decipio Nr.3 | 1977/1978 | Zuspiel / Tonband, 1 perf | p [Piano] | 1978 | Bergamo/Brescia | 0 | ||||||||||
| 708 | Nikolai | Badinski | Decipio Nr.3b | 1977/1978 | Zuspiel / Tonband, 2 perf | 2 p [Piano] | 0 | ||||||||||||
| 709 | Nikolai | Badinski | Decipio Nr.4 | 1978 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 710 | Nikolai | Badinski | Dostoevsky Reflections | 1979 | fixed media, akusmatisch | 1981 | Musica verticale, Rom | 0 | |||||||||||
| 711 | Nikolai | Badinski | Friedenspsalm | 1983 | fixed media, akusmatisch | 11:12 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 712 | Nikolai | Badinski | Gaidi, Bagpipes | 1983/1984 | Theatermusik | 20:12 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 713 | Nikolai | Badinski | ...GEGEN - und MIT-EINANDER | 1991 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | hp [Harfe] | TU Berlin | BGNM | 1 | ||||||||
| 714 | Nikolai | Badinski | Hommage à Kafka | 1979 | fixed media, akusmatisch | 0 | |||||||||||||
| 715 | Nikolai | Badinski | Kukeri | 1983/1984 | Theatermusik | 22:12 | Quadro | a rites-scene | Sonology Utrecht | 0 | |||||||||
| 716 | Nikolai | Badinski | Phönixe | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 717 | Nikolai | Badinski | Ritualgesang | 1983 | fixed media, akusmatisch | 10:55 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 718 | Nikolai | Badinski | ro–ma–vil–la–mas–si–mo | 1981 | fixed media, akusmatisch | 1981 | Rom | 0 | |||||||||||
| 719 | Nikolai | Badinski | Rotation / In memory of a cosmonaut/ | 1974 | fixed media, akusmatisch | May 1977 | Lautenbacher Pfingst–Musiktage | 0 | |||||||||||
| 720 | Nikolai | Badinski | Sevtopolis | 1974/1983 | fixed media, akusmatisch | 10:10 | Stereo | Neufassung 1983 | Sonology Utrecht | 0 | |||||||||
| 722 | Nikolai | Badinski | Steigende Figur | 1983 | fixed media, akusmatisch | 7:03 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 723 | Nikolai | Badinski | Traumvisionen | 1982 | fixed media, akusmatisch | 62:53 | Quadro | HfMT Köln | Deutsche Oper, Berlin | 1983 | Deutsche Oper Berlin | 0 | |||||||
| 724 | Nikolai | Badinski | Tre espressioni | 1981 | Zuspiel / Tonband, 1 perf | S [Sopran] | n. Texten von R. Malkowski, R. Philombe, K.A. Wolken | 1981 | Musica verticale, Rom | 0 | |||||||||
| 725 | Nikolai | Badinski | Trio imaginable | 1980 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 726 | Nikolai | Badinski | Water Music | 1984 | fixed media, akusmatisch | 21:05 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 727 | Sven-Erik | Bäck | Annus Solaris | 1980 | Zuspiel / Tonband, 1 perf | 12:10 | S [Sopran] | FYLP 1025/ | EMS Stockholm, Sonology Utrecht | 1 | |||||||||
| 728 | Sven-Erik | Bäck | Aux faux-penseur, ou, Trugschlüsse aus der Musik in Geschichte und Gegenwart, oder Thou shalt reach Jordan in the end, or... | 1975 | fixed media, akusmatisch | 7:36 | Stereo | EMS Stockholm | 0 | ||||||||||
| 729 | Sven-Erik | Bäck | Bronsporten | 1972 | fixed media, akusmatisch | 5:00 | 0 | ||||||||||||
| 730 | Sven-Erik | Bäck | Ekvator | 1988 | Zuspiel / Tonband, 1 perf, 1 group | V, orc [Stimme, Orchester] | 0 | ||||||||||||
| 731 | Sven-Erik | Bäck | Fem skisser för Saluki | 1976 | Zuspiel / Tonband, 2 perf | 8:00 | org, va [Orgel, Viola] | 0 | |||||||||||
| 27956 | Sven-Erik | Bäck | Genom Jorden Genom Havet, Through the Earth Through the Sea | 1972 | Tanz | 24:00 | Ballet in 8 scenes; here are 4 parts: Prolog (8:14), Parken (4:40), A Domen Maltiden (6:13), Museet (4:54) | FYLP 1021/ | AB Nordiska Musikforlaget | 1 | |||||||||
| 733 | Sven-Erik | Bäck | Hommage aux grands faux | 1975 | fixed media, akusmatisch | 7:35 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 734 | Sven-Erik | Bäck | "In Principio" (I Begynnelsen) | 1969 | fixed media, akusmatisch | 14:14 | Stereo | PSCD 41 Phono Suecia/ CAP 60008 Beilage Buch Sanne Krogh Groth/ IDEAMA CD 047/ |
EMS Stockholm | 0 | |||||||||
| 735 | Sven-Erik | Bäck | Mur och port | 1971 | fixed media, akusmatisch | 15:00 | 0 | ||||||||||||
| 736 | Sven-Erik | Bäck | Murar, Walls | 1972 | Zuspiel / Tonband, | 15:00 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 737 | Sven-Erik | Bäck | Music to "Choreography - for the Churches" | 1971 | Tanz | 30:00 | Mono | 0 | |||||||||||
| 738 | Sven-Erik | Bäck | Nox Lucebit (Psalm 139) | 1972 | fixed media, akusmatisch | 11:45 | Stereo | EMS Stockholm | SR | 0 | |||||||||
| 739 | Sven-Erik | Bäck | Orgelfjäril | 1975 | fixed media, akusmatisch | 5:50 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 740 | Sven-Erik | Bäck | Porten | 1969 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 741 | Sven-Erik | Bäck | Time present II | 1975 | Zuspiel / Tonband, 2 perf | 13:50 | 2 vn [Violine] | 0 | |||||||||||
| 742 | Sven-Erik | Bäck | Tollo II | 1975 | Zuspiel / Tonband, 2 perf | 10:00 | 2 p [Piano] | 0 | |||||||||||
| 743 | Karl-Otto | Bäder | Fünf Tage im Leben des Hamilton D. Brown | 1978 | live-elec, 1 group | jazz-ens [Ensemble] | Lyrik, Jazz und Live-Elektronic | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 42905 | Yoomee, Jaeseong | Baek, You | Dance Music 16 | 2013 | fixed media, akusmatisch | 7:20:00 | 0 | ||||||||||||
| 744 | Anton | Bagatov | Music | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 745 | Mauro | Bagella | Come un esercizio per intermedia | 1987 | Zuspiel / Tonband, 5 perf | 11:00 | Stereo | 3 V, synt, db [Stimme, Kontrabass, synthesizer] | CRM Roma, STREAM Roma | 0 | |||||||||
| 746 | Mauro | Bagella | Della fatica e del suono | Zuspiel, live-elec, 1 perf | 17:23 | perc [Schlagzeug] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | |||||||||
| 747 | Mauro | Bagella | Fotografia di un arabesco | 1984 | Zuspiel / Tonband, 6 perf | 10:00 | Stereo | fl, ob, cl, bn, hn, trbn [Flöte, Klarinette, Oboe, Fagott, Horn, Posaune] | STREAM Roma | 0 | |||||||||
| 748 | Mauro | Bagella | Negativo di Fotografia di un Arabesco | 1984 | Zuspiel / Tonband, 6 perf | 19:30 | Stereo | 6 str [Streicher] | CRM Roma, STREAM Roma | 0 | |||||||||
| 749 | Mauro | Bagella | Per legno e metallo sottile | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | prep p [Piano] | STREAM Roma | 0 | |||||||||
| 750 | Mauro | Bagella | Pocco prima della notte | 1988 | fixed media, akusmatisch | 10:35 | Stereo | Fonit Cetra CDC 43/ | STREAM Roma | 0 | |||||||||
| 751 | Mauro | Bagella | Proporzioni | 1980 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fl [Flöte] | CRM Roma | 0 | |||||||||
| 752 | Mauro | Bagella | Un canto lontano | 1985 | Zuspiel / Tonband, 6 perf | 12:30 | Stereo | 6 ww-ins [Bläser] | CRM Roma, STREAM Roma | 0 | |||||||||
| 753 | Mauro | Bagella | Zone di memoria | 1986 | Zuspiel / Tonband, 9 perf | 12:00 | Stereo | 9 ins [Instrument] | CRM Roma, STREAM Roma | 0 | |||||||||
| 41391 | Joan | Bages i Rubi | Calida Construccio | fixed media, akusmatisch | CIME 2008 | 0 | https://www.ckcufm.com/ | ||||||||||||
| 26122 | Joan | Bagés | Deux poissons japonais électroacoustique | 2008 | fixed media, akusmatisch | 11:30 | Stereo | MR 2008 Métamorphoses 2008/ AMEE 60 Aniversario/ | Catalunya Creation Scholarship | 1. prix ex aequo Métamorphoses 2008 | 1 | ||||||||
| 39913 | Joan | Bagés | HOLOFONIA v1 | 2017 | fixed media, akusmatisch | Joan Bagés | 0 | ||||||||||||
| 18410 | Guido | Baggiani | A piu voci nell'ombra | 1990 | fixed media, akusmatisch | 16:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 754 | Guido | Baggiani | Accordo presunto | 1973 | Zuspiel / Tonband, 6 perf | Stereo | 6 ins [Instrument] | CRM Roma | 0 | ||||||||||
| 755 | Guido | Baggiani | Anabasi | 1985/1986 | live-elec, 9 perf | 4 V, 2 fl, 2 cl, vib [Stimme, Flöte, Klarinette, Schlagzeug] | CRM Roma | 0 | |||||||||||
| 756 | Guido | Baggiani | Profili | 1987/1988 | live-elec, 1 group | chamber-orc [Orchester] | CRM Roma | 0 | |||||||||||
| 758 | Guido | Baggiani | Senza voci 3 | 1985 | fixed media, akusmatisch | 15:34 | Quadro | PAN PRC S20-18/ | CSC Padova | Biennale Venezia | 1 | ||||||||
| 759 | Guido | Baggiani | Twins | 1972 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | p, (rm) [Piano] | CRM Roma | 0 | |||||||||
| 757 | Guido, Giorgio | Baggiani, Nottoli | Senza voci 2 | 1978/1979 | fixed media, akusmatisch | 6:53 | Stereo, Quadro | PAN 20-15/ | CSC Padova | 1 | |||||||||
| 21202 | Guido, Giorgio, Vito | Baggiani, Nottoli, Asta | Senza voci 1 | 1978/1979 | fixed media, akusmatisch | 12:40 | Stereo | PAN 20-15/ | CSC Padova | 0 | |||||||||
| 38735 | Serge, Boris | BAGHDASSARIANS, BALTSCHUN | Audioguide | 2010 | radiophon | 44:39:00 | 0 | ||||||||||||
| 38736 | Serge, Boris | BAGHDASSARIANS, BALTSCHUN | memorandum of understanding | 2013 | radiophon | 38:57:00 | 0 | ||||||||||||
| 42901 | Gry | Bagøien | Kairos | 2013 | fixed media, akusmatisch | 7:16:00 | 0 | ||||||||||||
| 39905 | Jeremy | Baguyos | Chindogu | 2015 | fixed media, akusmatisch | 2:56:00 | Jeremy Baguyos | 0 | |||||||||||
| 760 | Junsang | Bahk | Elektronische Musik | 1970 | fixed media, akusmatisch | 7:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 761 | Junsang | Bahk | Parodie für Flöte und drei Ringmodulatoren | 1970 | fixed media, akusmatisch | 13:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 39691 | Curtis, Thomas | Bahn, Ciufo | Sonic Constructions | 2017 | fixed media, akusmatisch | Curtis Bahn and Thomas Ciufo | EMPAC | 0 | |||||||||||
| 39670 | Christopher | Bailey | Composition | 2016 | live-elec, 1 perf | p, (S#|++¥) [Piano] | Christopher Bailey | 0 | |||||||||||
| 42459 | Christopher | Bailey | Mergurs ehd ffleweh bq nsolst | 2008 | live-elec, 1 perf | V [Stimme] | Sukato, vocals | 0 | |||||||||||
| 42880 | Christopher | Bailey | Microtonal Miniatures | 2013 | fixed media, akusmatisch | 2:17:00 | 0 | ||||||||||||
| 35505 | Christopher | Bailey | Ow my head | 1996 | fixed media, akusmatisch | 7:29 | ICMC | 0 | |||||||||||
| 40255 | Stephen | Bailey | The Uncurling Nautilus | 2015 | fixed media, akusmatisch | 6:52:00 | Stephen Bailey | 0 | |||||||||||
| 41562 | Joanna | Bailie | Analogue | 2011 | Zuspiel / Tonband, 3 perf | 25 | amp str-trio, (camera obscura) [Streicher] | 0 | |||||||||||
| 41560 | Joanna | Bailie | Artificial Enviroments No. 7 | 2012 | Zuspiel / Tonband, 6 perf | 12 | 2 S, 2 A, T, B [Sopran, Alt, Tenor, Bass] | Exaudi | 0 | ||||||||||
| 41558 | Joanna | Bailie | Artificial Enviroments No. 8 | 2013 | Zuspiel / Tonband, 1 perf | 16 | p [Piano] | 0 | |||||||||||
| 35322 | Joanna | Bailie | Artificial Enviroments Nos. 1 - 5, Artificial Enviroment 1 | 2011, 2014 | Zuspiel / Tonband, 5 perf | 21 | cl, vn, va, vc, perc (fl, cl, p, vn, va) [Klarinette, Schlagzeug, Viola, Cello, Violine] | az 7 another timbre/ | 0 | ||||||||||
| 41564 | Joanna | Bailie | Long slow sweep | 2016 | Film | 7 | 3 tracks | three-channel video installation | 0 | http://joannabailie.com/index.php/films/ | |||||||||
| 35004 | Joanna | Bailie | Music from Public Places | 2016 | Zuspiel / Tonband, 28 perf | 24 | 6 S, 6 A, 6 T, 6 B, str-qt [Sopran, Alt, Tenor, Bass, Streicher] | Donaueschingen Musiktage 2016 | 14.10.2016 | Donaueschinger Musiktage, Christuskirche, mit SWR Vokalensemble Stuttgart, Améi Quartett. Ltg. Marcus Creed | 0 | ||||||||
| 41559 | Joanna | Bailie | On and Off 2 | 2008 | live-elec, 6 perf | 8 | 6 perf (3 radios, 3 radio/CD players) [Performer] | 0 | |||||||||||
| 41561 | Joanna | Bailie | Symphony-Street-Souvenir | 2010 | Zuspiel / Tonband, 7 perf | 13 | fl, cl and b-cl, p, vn, va, vc, db [Flöte, Klarinette, Piano, Viola, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 41565 | Joanna | Bailie | The Grand Tour | 2013 - 2015 | Film | 15 | 0 | http://joannabailie.com/index.php/films/ | |||||||||||
| 41563 | Joanna | Bailie | The place you can see and hear | 2012 - | Klangkunst, Installation | audio-video installation | 0 | http://joannabailie.com/index.php/i/ | |||||||||||
| 41940 | Daria | Baiocchi | Plasma | fixed media, akusmatisch | 0 | ||||||||||||||
| 762 | Rick | Baitz | Kaleidocycles | 1985 | fixed media, akusmatisch | 9:54 | Stereo | Synclavier | Centaur CRC 2039, CDCM Vol. 2/ | iEAR Rensselaer | 1 | ||||||||
| 25446 | Mario | Bajardi | Bjm Violin Studio 7 | 2001 | fixed media, akusmatisch | 6:38 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 42073 | Zvonimir | Bajsić | Janus oder das Programm der Zukunft | 1987 | radiophon | 45:20 | SWF, SFB | 29.9.1987 | 0 | ||||||||||
| 42074 | Zvonimir | Bajsić | Slike iz zivota jednog radiodramaturga | 1987 | radiophon | RTV Zagreb | 0 | ||||||||||||
| 763 | Robert | Baker | CSX-1 Study | 1963 | fixed media, akusmatisch | 2:00 | Stereo | com M. | EMS UIUC | 0 | |||||||||
| 764 | Ruth | Bakke | (fragments d')un homme moderne | 1985 | Zuspiel, live-elec, 3 perf | 15:50 | Bar, perc, synt [Bariton, Schlagzeug, synthesizer] | NOTAM | 0 | ||||||||||
| 765 | Osvaldas | Balakauskas | Do nata | 1982 | Zuspiel / Tonband, 1 perf | va [Viola] | 0 | ||||||||||||
| 766 | Osvaldas | Balakauskas | Notes | 1983 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 33332 | Nanni | Balestrini | Un Istante con Figure | 1962 | fixed media, akusmatisch | 12 | Mono | text sound composition | Fonologia Milano | 0 | |||||||||
| 36376 | Xavier | Balfegó | Noelius | 1989 | fixed media, akusmatisch | 4:20 | Audiovisuals de Sarria 29-1421/ | 0 | |||||||||||
| 767 | Jon | Balke | Kvartett | 1988 | live-elec, 3 perf | tpt, perc, p, [Trompete, Piano, Schlagzeug] | MIDI | NOTAM | 0 | ||||||||||
| 40480 | Claude | Ballif | Double Trio | 1963 | Zuspiel / Tonband, 3 perf | 7:35 | trio [Instrument] | INA • GRM | 15.2.1962 | Paris, Salle des Conservatoires | 0 | ||||||||
| 768 | Claude | Ballif | Points Mouvements, Points-Mouvements | 1962 | fixed media, akusmatisch | 10:08 | Quadro, Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 035/ SR 270 sub rosa/ | INA • GRM | 15.12.1962 | Paris Salle des Conservatoire; 8 canaux | 1 | |||||||
| 43097 | Vykintas | Baltakas | Music of falling sounds | 2015 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 28568 | Vykintas | Baltakas | Ouroboros-Zyklus 1, Ouroboros I (d)ou(ble) (co)ro(na) |
2005 | Zuspiel / Tonband, 1 perf, 1 group | 26:59 | S, ens [Sopran, Ensemble] | WD 2005, Wittener Tage Für Neue Kammermusik 2005/ | Kompositionsuaftrag des WDR | 2005 | Wittener Tage für neue Kammermusik 2005 mit Klangforum Wien, Rita Balta, Johannes Kalitzke | 1 | |||||||
| 43096 | Vykintas | Baltakas | Pasaka | 1995 - 1997 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 41936 | Vykintas | Baltakas | Pažeistas šešelis | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 38826 | Vykintas | Baltakas | Sandwriting | 2018 | live-elec, 2 perf | 15 | 2 Kbd [Keyboard] | Experimentalstudio für Akustische Kunst Freiburg | WDR | 28.4.2018 | Wittener Tage für neue Kammermusik 2018, Piano-Duo GrauSchumacher (Andreas Grau, Götz Schumacher) | 0 | http://www.baltakas.net/work/sandwriting | ||||||
| 33714 | Bill, Jim, Group | Baltitas, White, Collapse/Relapse | Webs | 1990 | fixed media, akusmatisch | 1:12:00 | WN 00006/1991/ | 1 | |||||||||||
| 35242 | Boris, Serge | Baltschun, Baghdassarians | Bodybuilding | 2012 | radiophon | 55:51:00 | Karl-Sczuka-Preis 2012 | 0 | |||||||||||
| 34735 | Boris, Serge | Baltschun, Baghdassarians | maßnahmepaket | 2010 | Klangkunst, Installation | 10:08 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 25.8.-12.9.2010 | singuhr hoergalerie Berlin im Meinblau, Pfefferberg | 0 | |||||||||
| 37590 | Boris, Serge | Baltschun, Baghdassarians | who cooks for you? | 2017 | Klanginstallation, live-elec, | für präparierte Streifenkauzeier, Lautsprecher und Infraschall | SWR | 19.-22.10.2017 | Donaueschinger Musiktage 2017, Fürstlich Fürstenbergische Sammlungen | 0 | |||||||||
| 769 | Roumen | Balyosov | Preludio, Aria and Toccata | 1981 | fixed media, akusmatisch | 10:35 | Radio Sofia | 0 | |||||||||||
| 770 | Klaus | Balzer | Musica Planetaria 1 "Mozart" | 1990 | Zuspiel / Tonband, 1 group | 17:50 | Stereo | orc [Orchester] | PS C. | 0 | |||||||||
| 771 | Klaus | Balzer | Musica Planetaria 2 "Kepler" | 1990 | fixed media, akusmatisch | 27:30 | 10 Tracks | PS C. | 0 | ||||||||||
| 772 | Christian | Banasik | Baumblütenzeit in Werder / AFSTS 1 | 1929, 1992 | Film, live-elec, 2 perf | 10:00 | MIDI p, sam [Piano, computer] | with Software AFSTS | HfM Düsseldorf | 0 | |||||||||
| 28859 | Christian | Banasik | Begegnung I | 1985/1986 | Zuspiel / Tonband, 2 perf | a-sax, va [Saxophon, Viola] | PS Banasik | 0 | |||||||||||
| 28860 | Christian | Banasik | Begegnung II | 1992 | live-elec, 1 perf | ob [Oboe] | PS Banasik | 0 | |||||||||||
| 28861 | Christian | Banasik | Begegnung III | 1992 | live-elec, 1 perf | bn [Fagott] | PS Banasik | 0 | |||||||||||
| 20201 | Christian | Banasik | Begegnung VI | 1996 | Zuspiel / Tonband, 1 perf | 13:07 | acc [Akkordeon] | Edwin A. Buchholz | Cybele 960.204/ DegeM CD 04/ | PS Banasik | 1 | ||||||||
| 28862 | Christian | Banasik | Begegnung VII | 1992 | audiovisuell | fl, cl, bn, p, str-qt, elec, (Videoproj) [Flöte, Klarinette, Fagott, Piano, elektronik, Streicher] | (über die Begegnungen von Robert Schumann und Frédéric Chopin 1835/36) | PS Banasik | 0 | ||||||||||
| 39664 | Christian | Banasik | Begegnung VIII | 2017 | fixed media, akusmatisch | Christian Banasik | 0 | ||||||||||||
| 773 | Christian | Banasik | Begrenzte Sicht | 1991 | Film, 1 perf | 11:00 | Stereo | a-sax [Saxophon] | (Filmmusik, ein Film von Christian Schumacher) | HfM Düsseldorf | 0 | ||||||||
| 24257 | Christian | Banasik | Glass Cutter | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ NAISA Deep Wireless 4/ VOX NOVUS 2007/ | 1 | |||||||||||
| 42739 | Christian | Banasik | I see a voice (ver. 2), I see a voice | 2012 | fixed media, akusmatisch | 7:15:00 | 0 | ||||||||||||
| 775 | Christian | Banasik | Igor's Smile | 1993 | radiophon | 15:00 | Stereo | with soundsamples by Strawinski-M. (Feuervogel, Le sacre…); Synclavier | Russolo Pratella EF.ER.P 93/ | HfM Frankfurt | Prize Russolo Varese 1993 | 1 | |||||||
| 42575 | Christian | Banasik | Ihr Fassen nach Wind | 2003/2005 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 39667 | Christian | Banasik | Ik’ | 2015 | fixed media, akusmatisch | 9:03:00 | Christian Banasik | 0 | |||||||||||
| 776 | Christian | Banasik | Im Zentrum ohne Worte I | 1986/1987 | live-elec, 10 perf | 13:00 | Stereo | S, ob, cl, 3 tim, hp, 2 vn, sam [Sopran, Klarinette, Oboe, Harfe, Schlagzeug, Violine, computer] | HfM Düsseldorf | 0 | |||||||||
| 777 | Christian | Banasik | Im Zentrum ohne Worte II | 1991 | live-elec, 3 perf | 16:00 | Stereo | 3 high fem V (sam) [Stimme] | für drei hohe Frauenstimmen und computergesteuerten Sampler mit Texten aus der aktuellen Tagespresse | HfM Düsseldorf | 0 | ||||||||
| 39665 | Christian | Banasik | Kontaktanzeigen/Personals (I Am) | 2016 | fixed media, akusmatisch | qnt [Instrument] | Christian Banasik | 0 | |||||||||||
| 778 | Christian | Banasik | La sonrisa de Igor | fixed media, akusmatisch | 0 | ||||||||||||||
| 42926 | Christian | Banasik | Last Gestures of Open Mouths | 2013 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 23779 | Christian | Banasik | …letzte Gebärde offener Münder | 1998/1999 | radiophon | 15:41 | Stereo | Hörstück / elektroakustische Musik nach Texten von Michael Wüstefeld | CAP 22057/ Kiasma 1999/ | emsPrize 2001 | 1 | ||||||||
| 41388 | Christian | Banasik | METROPOLITAN 2 | 2018 | Musiktheater, live-elec, 4 perf, 1 group | Performance |
S, acc, org, mix ch, elec (portable electronic devices) [Sopran, Orgel, Akkordeon, elektronik, Chor] | music theater - performance, art in public spaces | 22.9.2018 | Düsseldorf, Kirchplatz subway station (start) St. Peter Church, Irene Kurka, soprano; Marko Kassl, accordion; Alexander Herren, organ; The DIVA Choir / Barbara Beckmann; Frederik Goeke, director | 0 | |||||||||
| 39330 | Christian | Banasik | scenes from life fragments | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 779 | Christian | Banasik | Tanz | 1987/1988 | Performance, live-elec, 1 perf | 20:00 | Stereo | dancer, (com, sam) [Tanz] | zur Skulptur von Andreas Dettloff | HfM Düsseldorf | 0 | ||||||||
| 39666 | Christian | Banasik | Tree Blossoms II | 2016 | fixed media, akusmatisch | Christian Banasik | 0 | ||||||||||||
| 780 | Christian | Banasik | Uriel | 1993 | Film | 32:00 | com-con p, vn [Piano, Violine] | Filmmusik, ein Film von Christian Schumacher | HfM Düsseldorf | 0 | |||||||||
| 24350 | Jean-Christophe | Banaszak | Dilaton | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 781 | Alain | Bancquart | Lento | 1981 | fixed media, akusmatisch | 21:30 | Stereo | INA • GRM | Commande INA.GRM et Radio-France | 29.1.1981 | Paris, Maison de Radio France, Studio 105 | 0 | |||||||
| 18642 | Ellen | Band | Railroad Gamelan | 1992 | fixed media, akusmatisch | 9:37 | Stereo | AER 1994 / 6/ | 0 | ||||||||||
| 18643 | Ros | Bandt | Genesis | 1983 | Zuspiel / Tonband, | 9:27 | Stereo | NA 028/ | 0 | ||||||||||
| 41365 | Ros | Bandt | Isobue | 2008 | radiophon | 117 | SG 0801/ | ABC | ABC Radio eye | 0 | |||||||||
| 41366 | Ros | Bandt | Jaara Jaara Seasons | 2013 | Klangkunst, Installation | Performance |
∞ | Surround 5.1 | ens (hp and V, sheng, fl, …) [Ensemble] | SG 1361/ | Sunday November 3rd 2013 | Fryerstown, Central Victoria | 0 | http://hearingjaarajaara2013.wordpress.com | ||||||
| 22054 | Ros | Bandt | Mungo | radiophon | 2:00 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 42218 | Ros | Bandt | Thrausmata, Sieben akustische Vignetten | 1996 | radiophon | 24:14 | WDR Studio Akustische Kunst | 30.5.1998 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1403986&vi=15&SID | ||||||||
| 782 | Jacques | Bank | Thomas | 1975 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 783 | Gyula | Bánkövi | Hydrofónia | 1990 | fixed media, akusmatisch | 8:05 | Stereo | MR Budapest | 0 | ||||||||||
| 38737 | Gyula, Janós | BANKÖVI, DECSENYI | Hungarian Soundscapes II – Klanglandschaften aus Ungarn | 1996 | radiophon | 54:29:00 | 0 | ||||||||||||
| 784 | Don | Banks | Batucada amenazante para los que huyen | 1969 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 785 | Don | Banks | Equation, part 1 digitalisation of live performance of instrumental work |
1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 786 | Don | Banks | Intersections | 1969 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | Goldsmith London, PS Banks | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 34406 | Rick | Banks | Assez dans la dock de le Pays Bas | 1979 | fixed media, akusmatisch | 12:33 | Mono | Study with PILE and analog FM | Sonology Utrecht | 0 | |||||||||
| 787 | Rick | Banks | Betsy | 1979 | fixed media, akusmatisch | 7:20 | Stereo | computer music | Sonology Utrecht | 0 | |||||||||
| 788 | Rick | Banks | Disco I & II, Rob Carol Dave and Alice fade out at the disco Disk Goes |
1979 | fixed media, akusmatisch | 4:35 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 36779 | Rick | Banks | Improvisations | fixed media, akusmatisch | 18:05:00 | 0 | |||||||||||||
| 789 | Rick | Banks | Priscilla hits the street | 1979 | fixed media, akusmatisch | 7:20 | Quadro | Study with PR1 | Sonology Utrecht | 0 | |||||||||
| 21594 | Alastair | Bannerman | In th'air or th'earth | 1997/1999 | fixed media, akusmatisch | 10:52 | CEC Presence 2/ | BEAST | 1 | ||||||||||
| 21621 | Alastair | Bannerman | Intermediations | 2000 | fixed media, akusmatisch | 14:23 | CD 786 is the tape part only! | BEAST | 1 | ||||||||||
| 21622 | Alastair | Bannerman | Transparent Being | 1999 | fixed media, akusmatisch | 17:00 | BEAST | 1 | |||||||||||
| 790 | Árpád | Barabás | Lilac Vision | 1987 | fixed media, akusmatisch | 6:45 | Stereo | MR Budapest | 0 | ||||||||||
| 791 | Antonio G. | Barata | Cantes Rojos y Negros | 1983 | Zuspiel / Tonband, 1 perf | 6:40 | S [Sopran] | UIUC LC 84-743210/ | EMS UIUC | 1 | |||||||||
| 792 | Roberto | Barbanti | Specchi | 1981 | fixed media, akusmatisch | 14:29 | electronikaruna "musiche sole"/ | Fonologia Firenze | 1 | ||||||||||
| 793 | Pierre | Barbaud | Der Damm | 1964 | Film | 20:00 | Mono | Kurzfilm, V. Kristl. Real-Film | Siemens | 0 | |||||||||
| 794 | Llorenç | Barber | Vivos voco | Zuspiel / Tonband, 1 perf | ≈ 12:00 | bells [Schlagzeug] | bells | 0 | |||||||||||
| 40077 | Matthew | Barber | Call it What You Will, in Memoriam Milton Babbitt | 2017 | fixed media, akusmatisch | Matthew Barber | 0 | ||||||||||||
| 795 | Alvaro, Valerio | Barbi, Barbi | S V 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 27737 | Alejandro | Barbot | El túnel | 2008 | fixed media, akusmatisch | 5:38 | 1 | 1 | |||||||||||
| 34158 | Mark | Barden | aMass | 2015 | live-elec, 1 group | amp ens [Ensemble] | 17.10.2015 | Donaueschingen, Donauhalle, Ensemble Mosaik | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/donaueschinger-musiktage-2015-programm-06/-/id=2136962/did=15652820/nid=2136962/mkps9x/index.html | |||||||||
| 39046 | Mark | Barden | Study for Subharchord and Soloist | 2018 | Zuspiel / Tonband, 1 perf | 7 | Quadro | tpt, (Subharchord) [Trompete] | AdK Berlin | 11.7.2018 | Akademie der Künste Berlin EM4 (13), Nathan Plante (tpt) | 0 | |||||||
| 34648 | Elad | Bardes | Manual | 2016 | Tanz, live-elec, 1 perf | dance [Tanz] | multi-channel soundtrack for dancers / performed by Kerem Shemi. SMC2016 |
0 | |||||||||||
| 34649 | Elad | Bardes | Shunum Sunum | 2016 | live-elec, 2 perf | 2 gui [Gitarre] | SMC2016 | 0 | |||||||||||
| 43039 | Miriam Montañana | Barea | Fear the Piano | 2013 | fixed media, akusmatisch | 3:32:00 | 0 | ||||||||||||
| 796 | Robin | Bargar | To the Distant Observer | 1989 | fixed media, akusmatisch | 6:20 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 797 | Zbigniew | Bargielski | Ein Zimmer | 1972 | Zuspiel / Tonband, 5 perf | cl, vc, trbn, p, Sp [Sprecher, Klarinette, Posaune, Piano, Cello] | 0 | ||||||||||||
| 798 | Zbigniew | Bargielski | Nature morte II | 1972 | Zuspiel / Tonband, 4 perf | vn, va, vc, hp [Harfe, Viola, Cello, Violine] | 0 | ||||||||||||
| 40146 | Navid | Bargrizan | Lava Illogica | 2016 | fixed media, akusmatisch | Navid Bargrizan | 0 | ||||||||||||
| 18644 | Bernard | Baritaud | La voix des sables | 1995 | fixed media, akusmatisch | 8:45 | Stereo | OC 951/ | 0 | ||||||||||
| 36348 | Jan | Bark | Ach Chamberlin | 1965 | Performance, live-elec, | 5:51 | KD 006/ | SanFran Tape M. C. | 0 | ||||||||||
| 34709 | Jan | Bark | Bar | 1967 | fixed media, akusmatisch | 10:32 | Stereo | PSLP 002/ KD 006/ | EMS Stockholm | 0 | |||||||||
| 799 | Jan | Bark | Eko | 1962 | Zuspiel/Tonband, 10 perf | intermedia |
Stereo + Mono + Mono + Mono | 10 perf [Performer] | PS C. Stockholm | 0 | ||||||||||
| 801 | Jan | Bark | Gift for Jones | 1963 | Zuspiel/Tonband, 7 perf | intermedia |
Mono + Mono + Mono | p, V, e-p, 4 perf [Stimme, Piano, Performer] | PS C. Stockholm | 0 | ||||||||||
| 36349 | Jan | Bark | Memoria In Memoriam | 1975 | Performance | 17:20 | KD 006/ | Fylkingen | May 1975 | Fylkingen Stockholm | 0 | ||||||||
| 800 | Jan, Thord | Bark, Normann | Flottemusik II | 1990 | intermedia | Film |
10:30 | 16mm-film, slides | KD 006/ | 0 | ||||||||||
| 36780 | Michael H. | Barker | Configurations I | 1989 | live-elec, 1 perf | db-rec (MIDI) [Flöte] | Sonology Den Haag | 0 | |||||||||||
| 802 | Paul | Barker | The Six-Daies World | 1984 | fixed media, akusmatisch | 7:10 | Uni Durham | 0 | |||||||||||
| 37679 | Clarence | Barlow | 13C2=∫ φn, fünf dodekaphone Stücke | 2016 | fixed media, akusmatisch | 8:40 | 12 Tracks | Aussprache „2 aus 13 Stephan“ or pronounced “2 out of 13 Stephan” | DegeM CD 15/ | 0 | |||||||||
| 40698 | Clarence | Barlow | Amaludus | 1995 | Klangkunst, Installation | 2 com, 2 player p [Piano, computer] | live computer installation | 0 | |||||||||||
| 27731 | Clarence | Barlow | Approximating π, Approximating Pi | 2007 | Klangkunst, Installation | 8, 15, 74 7:30 | Stereo, Quadro, Octo, Spazialisation: , 16 | Approximating Pi, 2-, 4-, 8- or 16- track [various versions 8’, 15’, 74’] |
CMJ Vol 33-4, 2009/ | 1 | |||||||||
| 803 | Clarence | Barlow | CCU | 1979/1980 | radiophon | 48:00 | Stereo | Feedback | 0 | http://en.wikipedia.org/wiki/Clarence_Barlow | |||||||||
| 22043 | Clarence | Barlow | CCU. Metropolis Calcutta | radiophon | 3:21 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 804 | Clarence | Barlow | Cogluotobüsisletmesi | 1975 - 1979 | fixed media, akusmatisch | 30:00 | Stereo, Quadro | 1. Version 1980 PDP-10; 2. Quadro-Version 1982 mit 4X, PDP-11 3. Version für vier Klaviere (cybele SACD!) |
Cybele SACD 960.308/ WER 60098/ CMJ Vol 30-4, 2006/ CMJ Vol 09, 1985/ | IRCAM | 27.7.1980 | 1 | |||||||
| 805 | Clarence | Barlow | Deutscher Sang | 1970 | radiophon | 30:00 | Stereo | Radio HR Frankfurt | 1 | 1986 | |||||||||
| 806 | Clarence | Barlow | Documissa '87 | 1987 | live-elec, 1 perf, 1 group | 30:00 | Stereo | ch, org [Orgel, Chor] | DMR Musik in Deutschland 1950 - 2000 74321 73533 2/ | PS C. Amsterdam | Feedback | 1 | http://genterstr.hypermart.net/f_comps/barlow.html | ||||||
| 39680 | Clarence | Barlow | )ertur( | 2016 | audiovisuell, live-elec, 5 perf | fl, cl, vn, vc, p [Flöte, Klarinette, Piano, Cello, Violine] | Clarence Barlow | 0 | |||||||||||
| 23064 | Clarence | Barlow | Farting Quietly in Church - Vortrag über Haiku | 1994 | Musiktheater | 40:00 | Bar, player p, 6 com [Bariton, Piano, computer] | WDR 1994 | 10.6.1994 | Köln | Feedback | 0 | |||||||
| 807 | Clarence | Barlow | Fruitti D'Amore | 1988 | live-elec, 1 perf | ≈ 25:00 | Stereo | vc [Cello] | Diskette ATARI. e, ffedb | WDR SEM | WDR 1988 | 23.10.1988 | Den Haag | Feedback | 0 | ||||
| 810 | Clarence | Barlow | ƒLvXv$: A time and attentionstudy, His Masters Voice | 1992 | live-elec, 1 perf | 17:00 | Stereo | ins (taperecoder) [Instrument] | mit Talkmaster's-Stereo-Tonband ≈ Talkmaster's Choice |
30.5.1992 | Skinnskatteberg | Feedback | 0 | ||||||
| 808 | Clarence | Barlow | Im Januar am Nil | Zuspiel/Tonband, 1 group | computer generated score |
ens [Ensemble] | CMJ Vol 09, 1985/ Koch Schwann 350371/ | 1 | ||||||||||||
| 26363 | Clarence | Barlow | Klavierkonzert Nr. 2, aux fins des quelques siècles | 1961 - 1998 | live-elec, 1 perf, 1 group | 16:00 | Quadro | p, orc [Piano, Orchester] | 3.4.1998 | Amsterdam | Feedback | 0 | http://genterstr.hypermart.net/f_comps/barlow.html | ||||||
| 809 | Clarence | Barlow | Konzert für Kladiophon, Grammophon und Magnetophon | 1973 | live-elec, 1 perf | 12:00 | Stereo | ins (kladiophon, Grammophon, Magnetophon) [Instrument] | Feedback | 0 | |||||||||
| 811 | Clarence | Barlow | Milly van Illik (Stopt niet in de vink) | 1991 | fixed media, akusmatisch | 17:00 | Stereo | Sonology Den Haag | Feedback | 0 | |||||||||
| 812 | Clarence | Barlow | OTOdeBLU | 1990 | live-elec, 1 perf | 4:00 | Stereo | e-p [Piano] | CMJ Vol 19, 1995/ CMJ Vol 16, 1992/ | 15.11.1990 | Chicago | Feedback | 1 | ||||||
| 22801 | Clarence | Barlow | Pandora | 1989 | fixed media, akusmatisch | 7:30 | Sampler-Realisation des Klavierstückes von Michael Manion | Feedback Studio Köln / HerMit/ | Feedback St | 1 | |||||||||
| 813 | Clarence | Barlow | Reidosklopädie? Enzykloskoport? | 1972/1976 | fixed media, akusmatisch | 88:00 | Stereo | Feedback | 0 | ||||||||||
| 814 | Clarence | Barlow | Relationships for Melody Instruments | 1986 | Zuspiel, live-elec, 3 perf | 10:00 | b-cl, perc, p [Klarinette, Piano, Schlagzeug] | Barlow, Riessler (Basskl.), Liebezeit (Perc.) | WER 2010-50/ | 1 | |||||||||
| 40700 | Clarence | Barlow | resonancia flautomática | 2008 | live-elec, 2 perf | 8 | ins (melody instrument), com [Instrument, computer] | 0 | |||||||||||
| 816 | Clarence | Barlow | SF 2 | 1972/1973 | fixed media, akusmatisch | 25:25 | Octo | HfMT Köln, EMS Stockholm | 0 | ||||||||||
| 817 | Clarence | Barlow | Sinophonie I | 1969/1970 | fixed media, akusmatisch | 10:16 | Quadro | geänderte Fassung in stereo (von A. Hoppenrath) | DMR Musik in Deutschland 1950 - 2000, Musik für Tonband 74321 73503 2/ Feedback Studio Köln CD 2/ | HfMT Köln | 1.7.1971 | Köln | Feedback | 1 | |||||
| 818 | Clarence | Barlow | Sinophonie II | 1969 - 1972 | fixed media, akusmatisch | 23:37 | Octo | Lesepartitur | EMS Stockholm | 2.4.1973 | Köln | Feedback | 0 | ||||||
| 40697 | Clarence | Barlow | Six Fugues on the Name Cage after Six Fugues on the Name Bach Op. 60 by Robert Schumann | 1973, 1992 | live-elec, 1 perf | 10 | Kbd and com [Keyboard, computer] | 0 | |||||||||||
| 40701 | Clarence | Barlow | Songbird’s Hour, Songbird’s Hour Octasected | 2011, 2013 | fixed media, akusmatisch | 60 | Mono, Octo | 0 | |||||||||||
| 819 | Clarence | Barlow | Talkmaster's Choice | 1992 | Klangkunst, Installation | 18 | Stereo | 4 com [computer] | also 2-track version as fLvXv$: A Time and Attention Study, or His Master’s Voice, 1992) |
25.9.1992 12.5.1993 |
Berlin, Festival SprachTonArt der BGNM im Podewil Klosterstraße 68 Rotterdam |
Feedback | 0 | ||||||
| 37736 | Clarence | Barlow | … until … | 1980/1981 | live-elec, 1 perf | 3 | Stereo | gui [Gitarre] | some versions available | 0 | |||||||||
| 21493 | Clarence | Barlow | Urahnen meiner Oma | fixed media, akusmatisch | 26:00 | Stereo | 1 | ||||||||||||
| 820 | Clarence | Barlow | Variazioni e un Pianoforte Meccanico | 1986 | live-elec, 1 perf | 24:00 | Stereo | Pianocorda or disklavier [Piano] | MIDI; Ausleihe beim Feedb | STEIM | ICMC 1986 | 23.10.1986 | Den Haag | 0 | |||||
| 821 | Clarence | Barlow | Verhältnisse | 1974 | live-elec, 3 perf | 17:00 | Stereo | p, b-cl, perc [Klarinette, Piano, Schlagzeug] | 6. Version Version 5 with Pianola |
WDR 1985 | Feedback | 1 | |||||||
| 37735 | Clarence | Barlow | Vier ISIS-Studien, Four ISIS Studies | 2003 - 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 822 | Clarence | Barlow | Was uns blüht | 1979 | Zuspiel / Tonband, 15 perf, 1 group | 100:00 | Stereo | fem Sp, 3 male Sp, S, Bar, tpt, trbn, sax, cl, vib, db, p, vn, org, ch [Sopran, Bariton, Sprecher, Klarinette, Saxophon, Trompete, Posaune, Piano, Orgel, Schlagzeug, Violine, Kontrabass, Chor] | Feedback | 0 | |||||||||
| 40699 | Clarence | Barlow | Zero Crossing | 2001 | radiophon | 41 | Stereo, Quadro | WDR Studio Akustische Kunst | WDR | 28.4.2001 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436737&vi=16&SID | ||||||
| 823 | Clarence | Barlow | Zwölf Variationen für Klavier und Reivalk | 1968 | fixed media, akusmatisch | 4:00 | Stereo | Feedback | 0 | ||||||||||
| 42852 | Shaun | Barlow | Halos | 2013 | live-elec, 1 perf | 5:00:00 | fl [Flöte] | Shaun Barlow, flute | 0 | ||||||||||
| 824 | Wayne B. | Barlow | Quintet, Study in electronic sound | 1965 | fixed media, akusmatisch | 6:25 | Stereo | STEM Utrecht | 0 | ||||||||||
| 825 | Wayne B. | Barlow | Toccata | 1965 | Zuspiel / Tonband, 1 perf | Mono | perc [Schlagzeug] | PS Apelac | 0 | ||||||||||
| 20992 | David | Barnes | Panic in Legoland | live-elec, 3 perf | 5:10 | Stereo | w (didgeridoo), sax, com [Saxophon, computer, Bläser] | innova 115/ | 1 | ||||||||||
| 42733 | Dave | Barnett | Crypticdes | 2012 | fixed media, akusmatisch | 21:58:00 | 0 | ||||||||||||
| 28392 | Matthew | Barney | Der Körper der Matrix | 2002 | Fernsehen, | 1 | |||||||||||||
| 826 | Michael | Barolsky | Apocalypse | 1976 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 827 | Michael | Barolsky | Cries and Whispers | 1975 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 828 | Michael | Barolsky | Dakar | 1972 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | 0 | ||||||||||||
| 829 | Michael | Barolsky | Piccolo Stück | 1983 | Zuspiel / Tonband, 1 perf | pic-fl [Flöte] | 0 | ||||||||||||
| 830 | Michael | Barolsky | Pranah | 1976 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 831 | Michael | Barolsky | Stück aus der Nacht | 1978/1979 | Theater, 1 perf | 15:00 | Stereo | mime [Schauspieler] | HfMT Köln | 0 | |||||||||
| 832 | Michael | Barolsky | Stück-Mund-Stück | 1983 | Zuspiel/Tonband, 1 perf | audiovisuell |
trbn [Posaune] | 0 | ||||||||||||
| 833 | Michael | Barolsky | Sublimatio | 1975 | Zuspiel / Tonband, 5 perf | fl, vc, 2 p, perc [Flöte, Piano, Schlagzeug, Cello] | 0 | ||||||||||||
| 834 | Michael | Barolsky | Synagogalien | 1978 | Zuspiel / Tonband, 1 perf | 13:00 | org [Orgel] | 0 | |||||||||||
| 835 | Michael | Barolsky | Tonus | 1981 | fixed media, akusmatisch | 10:00 | Quadro | HfMT Köln CD3/ | HfMT Köln | 1 | |||||||||
| 836 | Mario | Baroni | ß t(S>Q) | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 33360 | Jean | Baronnet | Le Horla | 1966 | Film | 47 | Mono | Aura Films Paris | 0 | ||||||||||
| 837 | Jean | Baronnet | Sonate | 1962 | fixed media, akusmatisch | 15:00 | Stereo | PS Apsome | 0 | ||||||||||
| 838 | Jean, François | Baronnet, Dufrêne | U47 | 1960 | fixed media, akusmatisch | 3:30 | Stereo | PHI 835 485/86/ Mercury SR2 9123/ | PS Apsome | 0 | |||||||||
| 24096 | Patrizio | Barontini | Illusione del doppio | 2004 | Zuspiel / Tonband, 1 perf | 8:03 | Stereo | sax [Saxophon] | Tempo Reale Firenze | 1 | |||||||||
| 839 | Jean | Barraqué | Etude | 1953 / 1961 | fixed media, akusmatisch | Film |
5:02 | Mono | INA C 1031 27651 archives grm CD 1/5/ Barclay 89005/ IDEAMA CD 001/ | INA • GRM | 1 | |||||||||
| 28403 | Vincent, Jacques | Barras, Denmierre | OOA | 2005 | Performance | 3:42 | recorded at Genf | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 41814 | Stephen | Barrass | Secret Men's Musik! | 2001 | fixed media, akusmatisch | 0:52:00 | codemist ICMC2001/ | 0 | |||||||||||
| 840 | Jacques | Barreau | Mouvements | 1985 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | MIM Marseille | 0 | |||||||||
| 841 | Jacques, Armand | Barreau, Pialat | Samba Syter | 1988 | live-elec, 2 perf | e-gui, synt [Gitarre, synthesizer] | Syter | MIM Marseille | 0 | ||||||||||
| 842 | Marc | Barreca | Messier Crosses the Blue Line | 1989 | live-elec, 2 perf | 5:32 | synt, sam [computer, synthesizer] | AER 1991 / 3/ | 1 | ||||||||||
| 35509 | Daniel | Barreiro | Interferências | Zuspiel / Tonband, 1 perf | 10:04 | vc [Cello] | 0 | ||||||||||||
| 25825 | Daniel | Barreiro | Maresia | 2005 - 2006 | fixed media, akusmatisch | 11:55 | Stereo, Octo | MR 2006 Métamorphoses 2006/ | BEAST | Métamorphoses 2006 Mention Bourges 2006 |
1 | 2010 | |||||||
| 28245 | Daniel | Barreiro | Open Field | fixed media, akusmatisch | 9:05 | Octo | BEAST | 1 | http://www.beast.bham.ac.uk/ | ||||||||||
| 25826 | Daniel | Barreiro | Percursos Enredados | 2004 | fixed media, akusmatisch | 17:54 | Octo | LDC 278080 Cultures électroniques 19 2006/ | BEAST | 1 | |||||||||
| 28244 | Daniel | Barreiro | Sons Adentro | fixed media, akusmatisch | 15:27 | Octo | BEAST | 1 | http://www.beast.bham.ac.uk/ | ||||||||||
| 19637 | Luis de la | Barrera | Hibernia | 1994 | live-elec, | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 37119 | Natasha | Barrett | A Soundwalk through Shanghai | 2014 | fixed media, akusmatisch | 8:35:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 25827 | Natasha | Barrett | Abemolpas, Avoid being eaten by mimicking other less palatable species | 2004 | fixed media, akusmatisch | 13:00 | 6 | IMED 10104/ | 1 | 2006 | |||||||||
| 23095 | Natasha | Barrett | Angels and Devils | 2002 | fixed media, akusmatisch | 12:22 | Voice- Sounds | ACD 5018 Aurora/ | 1 | ||||||||||
| 37125 | Natasha | Barrett | Animalcules | 2010 | fixed media, akusmatisch | 5:03:00 | Stereo, Spazialisation: Ambisonics | Ambisonics, stereo and various multi-channel formats. Commissioned for the Pierre Schaeffer-jubileum, Grönland Kammermusikkfestival (Nymusikk / Notam) | Pierre Schaeffer-100 Year- jubileum | 0 | |||||||||
| 37111 | Natasha | Barrett | Barely, Rhizaria Gentle Sediment The Barely Project |
2007 - 2008 | fixed media, akusmatisch | 60 | IMED 10104/ | PS C. | 4.11.2008 | Numusic Festival 2008 in Stavanger (Norway) | 0 | ||||||||
| 22630 | Natasha | Barrett | Bindu | 1996 | Tanz | 20:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 28100 | Natasha | Barrett | Black Bile Extempore | 2009 | Zuspiel, live-elec, 2 perf | lute, a-gui [Gitarre] | Elektron EM 1012/ | NOTAM, HfM Malmö, EMS Stockholm | 0 | ||||||||||
| 22615 | Natasha | Barrett | Buoyant Charm | 1997 | Zuspiel / Tonband, 1 group | 25:00 | Stereo | amp ens [Ensemble] | NB 980101M Nota Bene/ | BEAST | 0 | ||||||||
| 22626 | Natasha | Barrett | Caressing Eternity | 1994 | Zuspiel / Tonband, 1 perf | 14:35 | Stereo | amp gui [Gitarre] | BEAST | 0 | |||||||||
| 38977 | Natasha | Barrett | Dark Flight with Luminescence | 2018 | fixed media, akusmatisch | Spazialisation: Ambisonics | 8.7.2018 | Villa Elisabeth Berlin | 0 | ||||||||||
| 28605 | Natasha | Barrett | Deep Layer | fixed media, akusmatisch | 11:54 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 24585 | Natasha | Barrett | Displaced:Replaced, Fog, light wind Wet and gusty Gathering wind |
2001 | intermedia | 6:38 | Octo, Spazialisation: Ambisonics | IMED 0262/ | PS C., NOTAM | Ilios Contemporary Music Festival in Harstad (Norway) | 1.02.2001 | Galleri Nord-Norge in Harstad (Norway) | 0 | ||||||
| 22621 | Natasha | Barrett | Earth Haze | 1995 | fixed media, akusmatisch | 13:53 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 24841 | Natasha | Barrett | Exploratio Invisibilis | 2003 | fixed media, akusmatisch | 27:30 | Surround 5.1 | ACD 5037 Aurora/ CMJ Vol 31-4, 2007/ | Ultima Festival | 1 | |||||||||
| 24839 | Natasha | Barrett | … fetters… | 2002 | live-elec, | 14:40 | Surround 5.1 | ACD 5037 Aurora/ CMJ Vol 31-4, 2007/ | NRK | 1 | |||||||||
| 22629 | Natasha | Barrett | First Whispers | 1996 | Tanz | 30:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 37120 | Natasha | Barrett | Flammepunkt | 2014 | Performance | 15:30:00 | multichannel | Multichannel. Commission by Metrofon for the 200th anniversary of the Norwegian Constitution (Grunnlovsjubileet 1814-2014) | Metrofon for the 200th anniversary of the Norwegian Constitution | 0 | |||||||||
| 37121 | Natasha | Barrett | Flammepunkt Miniatures, Megaphone and Fire Drumming up the crowd Flow with the crowd |
2014 | fixed media, akusmatisch | 15:30:00 | Stereo | 22 short stereo composisions. Commission by Metrofon for the 200th anniversary of the Norwegian Constitution (Grunnlovsjubileet 1814-2014) | Metrofon for the 200th anniversary of the Norwegian Constitution | 0 | |||||||||
| 22627 | Natasha | Barrett | Gourmet | 1997 | Tanz | 64:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 37113 | Natasha | Barrett | He slowly fell and transformed into the terrain | 2016 | fixed media, akusmatisch | 24:00:00 | Spazialisation: Ambisonics | Higher-order ambisonics (full 3D 6th order HOA; Large hemisphere through to stereo and binaural versions are available). Commissioned by Electric Audio Unit (EAU) with funding from the Norwegian Cultural Council. | CMJ Vol 41, 2017/ | Electric Audio Unit (EAU) | 0 | ||||||||
| 37122 | Natasha | Barrett | Hidden Values, The Umbrella The Lock Optical Tubes |
2012 | fixed media, akusmatisch | 22:00:00 | Spazialisation: Ambisonics | High order ambisonics (full 3D, from 7th order down to stereo). Composed at IRCAM with support from Norsk Komponistfond and IRCAM | 0 | ||||||||||
| 22623 | Natasha | Barrett | Imago | 1995 | Zuspiel / Tonband, 2 perf | 14:30 | Stereo | amp cl, vc [Klarinette, Cello] | NB 970101M Nota Bene/ | BEAST | 0 | ||||||||
| 23025 | Natasha | Barrett | Industrial Revelations | 2001 | fixed media, akusmatisch | 11:32 | CDR Musica Nova 2001/ IMED 0262/ | PS C. | 18.11.2001 | concert celebrating the relocation of NoTAM | 1st prize Musica Nova 2001 honorable mention at IV CIMESP, São PauloBrazil, 2001 |
1 | |||||||
| 26229 | Natasha | Barrett | Interference | 1996 - 2000 | Zuspiel / Tonband, 1 perf | 10:00 | db-cl [Klarinette] | ELISION | 0 | ||||||||||
| 37112 | Natasha | Barrett | Involuntary Expression | 2017 | fixed media, akusmatisch | 17:00:00 | Spazialisation: Ambisonics | Higher-order ambisonics (full 3D 6th order HOA; Large hemisphere through to stereo and binaural versions are available). Commissioned by Notam with funding from the Norwegian Cultural Council. | 11.9.2017 | Ultima Festival. Marmorsalen, Sentralen, Oslo | 0 | ||||||||
| 22614 | Natasha | Barrett | Jinn | 1995 | fixed media, akusmatisch | 13:00 | Stereo | BEAST | Competition Musica Nova Prag 1994 | 1 | |||||||||
| 37128 | Natasha | Barrett | Kernel Expansion | 2009 | fixed media, akusmatisch | 14:26:00 | Spazialisation: Ambisonics | Ambisonics for 3D domed array, stereo and various multi-channel formats. Commissioned by ZKM. | ZKM Karlsruhe | 0 | |||||||||
| 22616 | Natasha | Barrett | Little Animals | 1997 | fixed media, akusmatisch | 12:00 | Stereo | CMJ Vol 24-4, 2000/ Musidisc 247982/ LDC 278065/66 Cultures Electroniques 11/ NOR 05/ NB 980101M Note Bene/ Prix Ars Electronica 98/ | BEAST | Auszeichnung ars electronica honorary mention 1998 | 1 | ||||||||
| 21951 | Natasha | Barrett | Microclimate I, Snow and Instability | 1998 | Zuspiel / Tonband, 3 perf | 17:20 | perc, db, a-fl [Flöte, Schlagzeug, Kontrabass] | Centaur CRC 2552, CDCM Vol. 32/ | NOTAM | ICMA Commission Awards 1997-99 | 0 | ||||||||
| 25789 | Natasha | Barrett | Microclimate III - VI, Glacial Loop Wet Face Water Fall Remote Gale |
2007 | fixed media, akusmatisch | 23:32 | 16 Tracks | CMJ Vol 31-4, 2007/ IMED 10104/ | NOTAM | 0 | https://www.discogs.com/de/Natasha-Barrett-Bouteilles-De-Klein/release/3037268 | ||||||||
| 28607 | Natasha | Barrett | Migration | fixed media, akusmatisch | 6:15 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28604 | Natasha | Barrett | Mobilis In Mobili | 2006 | fixed media, akusmatisch | 9:01 | ACD 5056 Aurora CD / SACD/ IMED 10104/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | ||||||||||
| 28608 | Natasha | Barrett | Nordfjorden Shore | fixed media, akusmatisch | 1:56 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28603 | Natasha | Barrett | Open Ocean | fixed media, akusmatisch | 14:25 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28601 | Natasha | Barrett | Opening | fixed media, akusmatisch | 3:04 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 37117 | Natasha | Barrett | OSSTS Route no.1 | 2014 | fixed media, akusmatisch | 22:38:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 28606 | Natasha | Barrett | Planctonic Float | fixed media, akusmatisch | 2:19 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 24840 | Natasha | Barrett | Prince Prospero’s Party | 2002 | fixed media, akusmatisch | 16:05 | Surround 5.1 | ACD 5037 Aurora/ | Practice Music Festival at Richmond | 0 | |||||||||
| 22625 | Natasha | Barrett | Puzzle Wood | 1994 | fixed media, akusmatisch | 13:54 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 22620 | Natasha | Barrett | Racing Through | 1996 | fixed media, akusmatisch | 3:00 | Stereo | IMED 0050/ | BEAST | 0 | |||||||||
| 22619 | Natasha | Barrett | Racing Unseen | 1996 | fixed media, akusmatisch | 20:10 | Stereo | NB 970101M Nota Bene/ IMED 9837/ | BEAST | 0 | |||||||||
| 37124 | Natasha | Barrett | Reality and Secrets no. 2 | 2010 | fixed media, akusmatisch | 18:45:00 | Stereo, Spazialisation: Ambisonics | Ambisonics for 3D domed array, stereo and various multi-channel formats. Commissioned by Notam. | Notam | 0 | |||||||||
| 22624 | Natasha | Barrett | Receive | 1995 | Film | 9:00 | Stereo | BEAST | 0 | ||||||||||
| 24586 | Natasha | Barrett | Red snow, Microclimate II | 1998 | fixed media, akusmatisch | 15:39 | IMED 0262/ NB 980101M Nota Bene/ | NOTAM | 26.05.1999 | Music Factory Contemporary Music Festival in Bergen (Norway) | 0 | ||||||||
| 844 | Natasha | Barrett | Searching for perspectives | 1994 | Klanginstallation, live-elec, 2 perf | 24:00 | Stereo | (4 taperecorder,) sam, com [computer] | Gal installation | BEAST | 0 | ||||||||
| 37118 | Natasha | Barrett | Sound Exposure in Peru (six sections) | 2014 | fixed media, akusmatisch | 33:00:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 22618 | Natasha | Barrett | St Paul's Descending into the Autumn Mist | 1996 | fixed media, akusmatisch | 2:50 | Stereo | BEAST | 0 | ||||||||||
| 37110 | Natasha | Barrett | Sub Terra Cycle | 2007 - 2008 | Klangkunst, Installation | 35:30 | IMED 10104/ | PS C. | 4.11.2008 | Numusic Festival 2008 in Stavanger (Norway) | 0 | ||||||||
| 28602 | Natasha | Barrett | Submerged | fixed media, akusmatisch | 3:14 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 22617 | Natasha | Barrett | Surf | 1997 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | amp gui [Gitarre] | NB 980101M Nota Bene/ | BEAST | 0 | ||||||||
| 22622 | Natasha | Barrett | Swaying to See | 1995 | fixed media, akusmatisch | 15:20 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 22628 | Natasha | Barrett | Sweet Sensations | 1997 | Tanz | 40:00 | Stereo | BEAST | 0 | ||||||||||
| 24588 | Natasha | Barrett | The Utility of Space | 2000 | fixed media, akusmatisch | 13:25 | Spazialisation: Ambisonics | IMED 0262/ LDC 278074/75 Cultures Electroniques 15/ | PS C., NOTAM | NICEM | 7.10.2000 | Space Escape NICEM | First Prize at the 28th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2001) | 0 | |||||
| 24351 | Natasha | Barrett | Three Fictions, In the Rain Midnight Sun: Midday Moon Outside Snow Falls |
2000 | fixed media, akusmatisch | 10:34 | IMED 0262/ LDC 2781119/ | IMEB Bourges, PS C. | IMEB | 06.2000 | Synthèse Festival Bourges | 0 | |||||||
| 37115 | Natasha | Barrett | Topology Chamber 1 | 2015 | fixed media, akusmatisch | 12:00:00 | Spazialisation: Ambisonics | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). | 0 | ||||||||||
| 37114 | Natasha | Barrett | Topology Chamber 2 | 2015 | fixed media, akusmatisch | 13:22 | Spazialisation: Ambisonics | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). | 0 | ||||||||||
| 25790 | Natasha | Barrett | Trade Winds | 2006 | fixed media, akusmatisch | Surround 5.1 | CMJ Vol 31-4, 2007/ | NOTAM | 1 | ||||||||||
| 845 | Natasha | Barrett | Trompe l'oeil | 1994 | Zuspiel / Tonband, 1 perf | 23:40 | Stereo | amp fl [Flöte] | BEAST | 0 | |||||||||
| 37123 | Natasha | Barrett | Untitled 3, Crush project | 2011 | fixed media, akusmatisch | 14:50:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. Composed during a grant from the Norwegian Composer's remuneration fund. | 0 | ||||||||||
| 37127 | Natasha | Barrett | Untitled One | 2010 | fixed media, akusmatisch | 4:50:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. | 0 | ||||||||||
| 37126 | Natasha | Barrett | Untitled Two | 2010 | fixed media, akusmatisch | 7:43:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. | 0 | ||||||||||
| 24587 | Natasha | Barrett | Viva la Selva! | 1999 | fixed media, akusmatisch | 17:28 | IMED 0262/ | HfM Tromsø | NICEM | 2.10.1999 | NICEM | Prix SCRIME 2000 (Bordeaux, France) 1999 Ciber@RT Valencia |
0 | ||||||
| 37116 | Natasha | Barrett | Volvelle 1 | 2015 | fixed media, akusmatisch | 20:34:00 | Spazialisation: Ambisonics, WFS | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). Composed during a Norwegian Cultural Council artists grant. | 0 | ||||||||||
| 43134 | Natasha, Anthony | Barrett, Rowe | We Are Not Alone | 2017 | Performance | Spazialisation: Ambisonics, WFS, ultrasonic sound.beam | Auszeichnung ars electronica honorary mention 2017 | 0 | |||||||||||
| 26411 | Richard | Barrett | Adrift | 2004 - 2007 | live-elec, 1 perf | p, (elec) [Piano] | 0 | ||||||||||||
| 846 | Richard | Barrett | alba | 1987 | live-elec, 1 perf | bn [Fagott] | 0 | ||||||||||||
| 23343 | Richard | Barrett | Dark Matter, Pralaya The Empire of Lights Transmission I bis III Ars Magna Mucis et Umbræ Transmission V und VI Katasterismoi Sounds |
2003 | Performance, live-elec, 21 perf | Oper, live-elec, 21 perf |
116:37 | 5 cl, sax, 2 perc, p and synt, e-gui, gui, 2 vn, vn (hardingfele), va, 2 vc, db, 2 V, elec [Stimme, Klarinette, Saxophon, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine, Kontrabass, elektronik, synthesizer] | PS | 2003 | Maerzmusik Festival | 1 | ||||||||
| 28341 | Richard | Barrett | Duo M87 (Solo) |
2002 | live-elec, 1 perf | 28:00 | sax, (elec) [Saxophon] | Inventionen 2002 | 5.7.2002 | Inventionen staatsbank Berlin mit Richard Barrett (el), Evan Parker (sax) | 1 | 2002 | |||||||
| 26413 | Richard | Barrett | Involuntary 2 | 2002 | audiovisuell | 3:00 | PS C. | 6.05.2005 | Berlin | 0 | |||||||||
| 22312 | Richard | Barrett | Katasterismoi | 1998 - 1999 | fixed media, akusmatisch | 10:05 | Tape piece from "Dark Matter" | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#acousmatrix | ||||||||
| 26412 | Richard | Barrett | Landschaft mit Umenwesen | 1997 | fixed media, akusmatisch | Sonology Den Haag, STEIM | 0 | ||||||||||||
| 847 | Richard | Barrett | Open and Close | 1988 | live-elec, 4 perf | amp str-qt [Streicher] | 0 | ||||||||||||
| 28534 | Richard | Barrett | SIMORGH | 2010 | fixed media, akusmatisch | 10:59 | Octo | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | PS C. | Inventionen 2010 / DAAD | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||
| 848 | Richard | Barrett | Temptation | 1986 | live-elec, 5 perf | 12:00 | sax, tpt, vc, synt, perc [Saxophon, Trompete, Schlagzeug, Cello, synthesizer] | 0 | |||||||||||
| 34367 | Richard | Barrett | Tendril | 2013 | live-elec, 1 perf | 13:34 | hp [Harfe] | Post Scriptum PS 001/ | Sonology Den Haag | 17.1.2016 | Belgrade Philharmonic Hall, Ivan Brusic, Richard Barrett | 0 | |||||||
| 849 | Richard | Barrett | The Unthinkable | 1988/1995 | fixed media, akusmatisch | 6:48 | Upic | CMJ Vol 26, 2002/ | CEMAMu/ Ateliers Upic/ CCMIX, STEIM | 27.01.1989 | London | 0 | |||||||
| 28342 | Richard | Barrett | Tutti 1 und Tutti 2 und Zugabe | 2002 | live-elec, 4 perf | 45:00 | perc, vc, va, sax, (elec) [Saxophon, Schlagzeug, Viola, Cello] | Richard Barrett (elec), Miachael Griener (perc), Sebastian Hilken (vc), Aleksander Kolkowski (vn, va), Evan Parker (sax) | 5.7.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 23366 | Richard, Jonathan, Evan | Barrett, Impett, Parker | IBP3 | 2001 | live-elec, 3 perf | 15:16 | Kbd, trbn, tpt [Trompete, Posaune, Keyboard] | Improvisation Hybrids Festival Norwich. Software: LiSa, metatrumpet | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 32003 | Guillaume | Barrette | Parasite | 2011 | fixed media, akusmatisch | 10 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 4. prize | 1 | |||||||||
| 34361 | Guillaume | Barrette | Résurgence | 2012 | live-elec, 1 perf | 8:55:00 | gui [Gitarre] | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 6. prize | 0 | ||||||||
| 28029 | Guillaume | Barrette | Syncrétisme | 2009 | fixed media, akusmatisch | 7:28 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | JTTP-Winner 2009 canadian 4. prize | 1 | |||||||||
| 850 | Brendan | Barrie | Missa | fixed media, akusmatisch | Uni Cardiff | 0 | |||||||||||||
| 27236 | Françoise | Barrière | 3 modes de lamentations | 2006 | Zuspiel / Tonband, 1 perf | 18:55 | acc [Akkordeon] | (Claudio JACOMUCCI, accordéon) | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||
| 24355 | Françoise | Barrière | Accélération | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 851 | Françoise | Barrière | Actuelles TV | 1981 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 852 | Françoise | Barrière | Au paradis des assassins | 1973 | fixed media, akusmatisch | 16:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 853 | Françoise | Barrière | Aujourd'hui | 1975 | fixed media, akusmatisch | 18:53 | Stereo | LDC 2781089/ | IMEB Bourges | 0 | |||||||||
| 24358 | Françoise | Barrière | Cérémonie | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 854 | Françoise | Barrière | Chant à la mémoire des Aurignaciens | 1977 | fixed media, akusmatisch | 25:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18413 | Françoise | Barrière | Chant de consonnes | 1987 | fixed media, akusmatisch | 9:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 855 | Françoise | Barrière | Conversations enfantines | 1991 | Zuspiel / Tonband, 1 perf | Stereo | (actions,) small ins [Instrument] | CRFMW Liège | 0 | ||||||||||
| 856 | Françoise | Barrière | Cordes-ci, Cordes-ça | 1971 | Zuspiel / Tonband, 2 perf | 22:52 | Stereo | vn, ins (barrel - Drehleier) [Violine, Instrument] | 3 parts (9:56, 7:18, 5:38) | Marconi 2C 05312112/ Creel Pone 173/ | IMEB Bourges | 0 | |||||||
| 18411 | Françoise | Barrière | Dessus la Mer | 1997 | fixed media, akusmatisch | 26:36 | Stereo | LDC 2781111/ | IMEB Bourges | 1 | |||||||||
| 18417 | Françoise | Barrière | Equus, Carnet d'esquisses | 1993 | fixed media, akusmatisch | 24:03 | Stereo | derived from a 4-seconds recording of the steps of a horse | LDC 2781111/ | IMEB Bourges | 1 | ||||||||
| 868 | Françoise | Barrière | Fresque Montagnarde - Echos d'une ville | 1976 | fixed media, akusmatisch | 15:32 | Stereo | Tour de France pour deux Enfants | IMEB Bourges | 0 | |||||||||
| 857 | Françoise | Barrière | Java Rosa | 1972 | fixed media, akusmatisch | 17:00 | Stereo | LDC 2781127 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 18415 | Françoise | Barrière | L'envers des mots | 1990 | fixed media, akusmatisch | 16:57 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18412 | Françoise | Barrière | L'Or | 1987 | fixed media, akusmatisch | 21:00 | Stereo | LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | |||||||||
| 24353 | Françoise | Barrière | La marche nuptiale ou les bébés | 1972 | Musiktheater | IMEB Bourges | 0 | ||||||||||||
| 858 | Françoise | Barrière | Le Mesel et la Harpe | 1973 | fixed media, akusmatisch | 15:10 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18414 | Françoise | Barrière | Le tombeau de Robespierre, suite la Révolution Française | 1989 | fixed media, akusmatisch | 33:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24361 | Françoise | Barrière | Les messages | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24352 | Françoise | Barrière | Les murs ont des oreilles | 1971 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24360 | Françoise | Barrière | Les parfums dans le soir | 2002 | fixed media, akusmatisch | 17:37 | LDC 2781129 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 21871 | Françoise | Barrière | Macbeth | 1988 | Theatermusik | 50:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 859 | Françoise | Barrière | Mémoires enfuies | 1981 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 860 | Françoise | Barrière | Musique pour le Temps de Noël | 1979 | Zuspiel / Tonband, 4 perf | 16:16 | Stereo | A, vc, sax, perc [Alt, Saxophon, Schlagzeug, Cello] | GMEB 84007/ LDC 2781089/ | IMEB Bourges | 1 | ||||||||
| 861 | Françoise | Barrière | Musiques Dispersees (D), Code Pénal | 1969 | Performance | 3:57 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 18419 | Françoise | Barrière | Musiques gelées | 1995 | fixed media, akusmatisch | 9:45 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18416 | Françoise | Barrière | Nos petits Monstres musiciens | 1992 | Zuspiel / Tonband, 1 perf | 35:30 | Stereo | young actrice [Schauspieler] | Poudre d'escampette | IMEB Bourges | 0 | ||||||||
| 862 | Françoise | Barrière | Ode à la Terre Marine | 1970 | fixed media, akusmatisch | 18:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 35785 | Françoise | Barrière | Oriental | 2006 | live-elec, 4 perf | str-qt [Streicher] | 3.11.2006 | HfMT Köln | 0 | ||||||||||
| 21870 | Françoise | Barrière | Othello | 1973 | Theatermusik | Stereo | IMEB Bourges | 0 | |||||||||||
| 863 | Françoise | Barrière | Par temps calme et ensoleillé I | 1983 | Zuspiel / Tonband, 1 perf | 15:41 | Stereo | p [Piano] | LDC 2781089/ | IMEB Bourges | 0 | ||||||||
| 864 | Françoise | Barrière | Par temps calme et ensoleillé II | 1985 | Zuspiel / Tonband, 1 perf | 17:33 | Stereo | vc [Cello] | LDC 2781089/ | IMEB Bourges | 0 | ||||||||
| 865 | Françoise | Barrière | Paysages d'Enfance | 1978 | fixed media, akusmatisch | 19:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24357 | Françoise | Barrière | Petite Musique de nuit cubaine - casque d'or danse avec Juan | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18418 | Françoise | Barrière | Quand Philippe de Macédoine… ? | 1994 | fixed media, akusmatisch | 12:20 | Stereo | LDC 2781105/ | IMEB Bourges | 0 | |||||||||
| 24359 | Françoise | Barrière | Ritratto di Fanciula | 2001 | fixed media, akusmatisch | 14:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 866 | Françoise | Barrière | Ritratto di Giovane, Le Vieux Clown Et Le Jour Et La Nuit La Leçon De Musique Samba Compiégnoise A La Jeunesse |
1972 | Zuspiel / Tonband, 1 perf | 31:00 | Stereo | p [Piano] | Creel Pone 194/ | IMEB Bourges | 0 | ||||||||
| 24356 | Françoise | Barrière | S'y sont baignés | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 867 | Françoise | Barrière | Scènes des Voyages d'Ulysse | 1981 | fixed media, akusmatisch | 21:45 | Stereo | created as incidental music for a production of The Odyssey | GMEB 84007/ LDC 2781111/ | IMEB Bourges | 1 | ||||||||
| 24354 | Françoise | Barrière | Thinking of? (hommage à Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 869 | Françoise | Barrière | Variations hydrophilusiennes | 1972 | fixed media, akusmatisch | 25:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 95 | Françoise, Jacques | Barrière, Beaujean | Musiques Eclatees, Les végétaux la nuit | 1969 | Performance | 9:28 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 25072 | Jean-Baptiste | Barrière | 100 Objets pour représenter le monde | 1997 | Oper, 5 perf | 70:00 | 5 V [Stimme] | a Prop-Opera by peter Greenaway | IRCAM Collection/ | IRCAM | 1997 | Salzburg | 0 | ||||||
| 870 | Jean-Baptiste | Barrière | Chréode I | 1983 | fixed media, akusmatisch | 10:00 | dedicated to the CHANT/FORMES project and to Kaija Saariaho. Siehe Programmbuch „SprachTonArt“ der BGNM (Martin Supper) Seite 143 (french version 1984 in Machover). Software: CHANT, FORMES by IRCAM |
WER 2024-50, Computer Music Currents 4/ | IRCAM | Prix de la Musique Numerique of Bourges 1983 | 1 | http://www.music.columbia.edu/masterpieces/notes/barriere/index.html | |||||||
| 871 | Jean-Baptiste | Barrière | Epigénèse | 1986 | Zuspiel, live-elec, 1 perf, 1 group | 16:00 | str-ens [Streicher] | IRCAM | 0 | ||||||||||
| 872 | Jean-Baptiste | Barrière | Hybris | 1988 | fixed media, akusmatisch | 10:45 | Stereo | IRCAM 0002 F, Creations IRCAM/ | IRCAM | 1 | |||||||||
| 25071 | Jean-Baptiste | Barrière | Le Messager | 1995 | fixed media, akusmatisch | 11:00 | IRCAM | 0 | |||||||||||
| 35475 | Ana | Barrio | Aglaura | 2001 | Zuspiel / Tonband, 2 perf | vn, b-cl [Klarinette, Violine] | 0 | ||||||||||||
| 35476 | Ana | Barrio | In the middle | 2000 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 35477 | Ana | Barrio | Recreo op. 1 | 1999 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 873 | Bebe | Barron | Bridges | 1959 | Film | 8:00 | Mono + Mono + Mono | PS C. NY | 0 | ||||||||||
| 37916 | Bebe | Barron | Elegy for a Dying Planet | 1982 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 874 | Bebe | Barron | Firstborn | 1958 | Theatermusik | 11:00 | Mono | PS C. NY | 0 | ||||||||||
| 37913 | Bebe | Barron | For an Electronic Nervous System | 1954 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 37912 | Bebe | Barron | Heavenly Menagerie | 1951 - 1952 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 878 | Bebe | Barron | Jazz of Lights | 1955 | Film | 15:00 | Mono + Mono | PS C. NY | 0 | ||||||||||
| 879 | Bebe | Barron | Legend | 1955 | Tanz | 15:00 | Mono + Mono + Mono | PS C. NY | 0 | ||||||||||
| 880 | Bebe | Barron | Miramagic | 1954 | Film | 9:00 | Mono | PS C. NY | 0 | ||||||||||
| 37911 | Bebe | Barron | Mixed Emotions | 2000 | fixed media, akusmatisch | 1:27 | AUD 04612/ | PS C. NY | 0 | ||||||||||
| 882 | Bebe | Barron | Music & the Senses | 1965 | fixed media, akusmatisch | 11:00 | Stereo + Stereo + Stereo + Stereo | PS C. LA | 0 | ||||||||||
| 881 | Bebe | Barron | Music of Tomorrow | 1960 | Hintergrundmusik | 5:00 | Stereo + Stereo + Stereo + Stereo | lights | PS C. NY | 0 | |||||||||
| 37914 | Bebe | Barron | Space Boy | 1971, 1973 | fixed media, akusmatisch | Film |
PS C. NY | 0 | ||||||||||||
| 37915 | Bebe | Barron | The Circe Circuit | 1982 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 885 | Bebe | Barron | The Happiest Girl in the World | 1961 | Theatermusik | 8:00 | Stereo + Stereo | PS C. NY | 0 | ||||||||||
| 886 | Bebe | Barron | Visit to a Small Planet | 1957 | Theatermusik | 12:00 | Stereo + Stereo + Stereo + Stereo | PS C. NY | 0 | ||||||||||
| 884 | Bebe, Louis | Barron, Barron | The Bells of Atlantis | 1952 | Film | 10:00 | Mono | STJ 104/ SR 300 sub rosa/ | PS C. NY | 0 | |||||||||
| 33657 | Bebe, Louis | Barron, Barron | The Monster Pursues / Morbius is overcome | 1958 | fixed media, akusmatisch | 5:47 | CDCD 5067/ | 1 | |||||||||||
| 887 | Louis, Bebe | Barron, Barron | For an Electronic Nervous System #1 | 1953 | fixed media, akusmatisch | 4:00 | Mono + Mono + Mono + Mono | Ava/ | PS Barron NY | 0 | |||||||||
| 876 | Louis, Bebe | Barron, Barron | Forbidden Planet | 1956 | Film | 55:20 | Mono, Quadro | deutsche Fassung "Alarm im Weltall". Produktion MGM. Erster Science-Fiction-Film mit EM |
Ellipsis Arts 3671 - OHM: 01/ GNP Crescendo PR 001/ IDEAMA CD 137/ PRD 001/ | PS C. NY | 1 | ||||||||
| 877 | Louis, Bebe | Barron, Barron | Heavenly Menagerie | 1951 | fixed media, akusmatisch | 7:20 | Mono | Ava/ | PS C. NY | 0 | |||||||||
| 889 | Louis, Bebe | Barron, Barron | Progressive Beta | 1956 | fixed media, akusmatisch | 3:10 | Mono + Mono + Mono + Mono | Ava/ | PS Barron NY | 0 | |||||||||
| 42576 | Edgar | Barroso | ACU | 2009 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 25828 | Edgar | Barroso | CYT | 2005 - 2007 | fixed media, akusmatisch | 8:00 | 5 tracks | Phonos Barcelona | 1 | ||||||||||
| 26117 | Edgar | Barroso | DUX | 2005 - 2007 | fixed media, akusmatisch | 7:45 | 5 tracks | Phonos Barcelona | 1 | ||||||||||
| 25829 | Edgar | Barroso | ODD | 2006 | fixed media, akusmatisch | 10:36 | Octo | ed. rz 10016 Inventionen 2005&06/ | Phonos Barcelona | Inventionen 2006 | 28.5.2006 | Inventionen Villa Elisabeth Berlin | 1 | 2006 | |||||
| 26118 | Edgar | Barroso | TAU | 2005 - 2007 | fixed media, akusmatisch | 5:40 | 5 tracks | Uni de la serena/ | Phonos Barcelona | 1 | |||||||||
| 890 | Sergio | Barroso | 2 Scenes from "The House of Bernarda Alba" | 1969 | fixed media, akusmatisch | Stereo | Egrem St Habana | 0 | |||||||||||
| 891 | Sergio | Barroso | Béisbol (Baseball) | 1970 | fixed media, akusmatisch | 5:30 | Stereo | Egrem St Habana | 0 | ||||||||||
| 892 | Sergio | Barroso | Canzona | 1988 | fixed media, akusmatisch | 12:21 | MIDI | IMED 9628/29/ SNE 556/ | IREME Vancouver | 1988 | Vancouver Art Gallery | 1 | |||||||
| 18647 | Sergio | Barroso | Charangas Delirantes | 1993 | Zuspiel, live-elec, 1 perf | 16:07 | Stereo | kbd [Keyboard] | IMED 9628/29/ | IREME Vancouver | Canadian Electronic Ensemble (CEE) with the financial assistance of the Canada Council | 17.06.1995 | Music Gallery in Toronto | 0 | |||||
| 893 | Sergio | Barroso | Concerto for Pianos, Percussion, & Audience | 1968 | fixed media, akusmatisch | Stereo | Egrem St Habana | 0 | |||||||||||
| 18648 | Sergio | Barroso | Crònicas de Ultrasueño |
1992 | live-elec, 2 perf | 12:51 | Stereo | ob, kbd [Oboe, Keyboard] | IMED 9628/29/ CMC CD 4793/ | IREME Vancouver | León Biriotti with the financial assistance of the Canada Council | 06.1992 | León Biriotti in Vancouver. | IREM (Helsinki, Finland, 1994) | 0 | ||||
| 894 | Sergio | Barroso | D'ici et là | 1970 | fixed media, akusmatisch | 7:35 | Stereo | Egrem St Habana | 0 | ||||||||||
| 18649 | Sergio | Barroso | En Febrero Mueren Las Flores, In February the Flowers Die | 1987 | Zuspiel / Tonband, 1 perf | 15:28 | Stereo | vn [Violine] | IMED 9628/29/ | IREME Vancouver | Manuel Enríquez | 01.1988 | Mexico City International Electroacoustic Music Festival En Torno a los Sonidos Electrónicos | 0 | |||||
| 896 | Sergio | Barroso | Four Cuban Colonial Dances | 1984 | fixed media, akusmatisch | Stereo | IREME Vancouver | 0 | |||||||||||
| 897 | Sergio | Barroso | íreme | 1985 | Zuspiel / Tonband, 2 perf | 11:48 | Stereo | S or T, perc [Sopran, Tenor, Schlagzeug] | SFU | 0 | |||||||||
| 18650 | Sergio | Barroso | La Fiesta |
1989 | Zuspiel / Tonband, 1 perf | 9:52 | Stereo | kbd [Keyboard] | IMED 9628/29/ AMC 37 CD 1-4/ | IREME Vancouver | 10.1989 | South Bank Centre (London) | IREM (Oslo, Norway, 1990) | 0 | |||||
| 898 | Sergio | Barroso | Nocturnal | 1988 | Zuspiel / Tonband, | Stereo | IREME Vancouver | 0 | |||||||||||
| 899 | Sergio | Barroso | Soledad | 1988 | live-elec, 1 perf | 23:45 | Kbd [Keyboard] | SNE 556/ | IREME Vancouver | 1 | |||||||||
| 18651 | Sergio | Barroso | Sonatada |
1992 | live-elec, 1 perf | 13:46 | Stereo | MIDI-Kbd [Keyboard] | MIDI | IMED 9628/29/ | IREME Vancouver | Canadian pianist Kathleen Solose with the financial assistance of the Canada Council | 05.1993 | Brussels (Belgium) | 0 | ||||
| 900 | Sergio | Barroso | Tablao | 1990 | fixed media, akusmatisch | 10:32 | CÉC 1Z/M (extrait) 2:36 | IMED 9628/29/ CEC DISContact_2/ | LIEM CDMC Madrid, IREME Vancouver | Flores Chaviano with the financial assistance of the Canada Council | February, 1992 | Madrid | 1 | ||||||
| 18652 | Sergio | Barroso | Viejas voce |
1993 - 1995 | Zuspiel / Tonband, 1 perf | 9:28 | Stereo | va [Viola] | IMED 9628/29/ | IREME Vancouver | 17.05.1996 | Music Gallery in Toronto, Laura Wilcox | 0 | ||||||
| 901 | Sergio | Barroso | Yantra IV | 1975 | Zuspiel, live-elec, 1 perf | Stereo | fl [Flöte] | Concert recording | Egrem St Habana | 0 | |||||||||
| 902 | Sergio | Barroso | Yantra IX | 1979 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | a-sax or s-sax [Saxophon] | Egrem St Habana | 0 | |||||||||
| 903 | Sergio | Barroso | Yantra VI | 1979 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Egrem St Habana | 0 | ||||||||||
| 18653 | Sergio | Barroso | Yantra X , De Profundis |
1982 | Zuspiel / Tonband, 1 perf | 16:29 | Stereo | bn [Fagott] | IMED 9628/29/ | Uni BC Victoria | Jesse Read with the financial assistance of the Canada Council | 05.1982 | Utrecht Conservatorium | 0 | |||||
| 905 | Jiří, L. | Bárta, Faltus | Kvadriga | fixed media, akusmatisch | 6:42 | Radio Brno | 0 | ||||||||||||
| 906 | David | Barteaux | Time Basing | 1985 | fixed media, akusmatisch | 4:25 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 28866 | Andre | Bartetzki | durchschlagend | 2007 | fixed media, akusmatisch | 5:30 | Stereo | PS C. | Randspiele in Zepernick | 0 | |||||||||
| 28867 | Andre | Bartetzki | Jazvuk | 2007 | radiophon | 19:30 | Stereo | NAISA Deep Wireless 5/ | PS C. | PremEdice Radioatelier | 1 | ||||||||
| 28868 | Andre | Bartetzki | Klangkunst | 1997 - 2012 | Klangkunst, Installation | PS C. | 0 | http://www.bartetzki.de/de/soundart.html | |||||||||||
| 26151 | Andre | Bartetzki | L‘eco d‘Orfeo | 2007 | fixed media, akusmatisch | 6:07 | Stereo | Cybele 960.209/ DegeM CD 09/ | PS C. | 1 | |||||||||
| 25830 | André | Bartetzki | agrajag | 2007 | fixed media, akusmatisch | 12:30 | 16 Tracks | PS C. | 20.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | http://www.bartetzki.de/ | |||||||
| 25831 | André | Bartetzki | Einklang | 2004 | audiovisuell | fixed media, akusmatisch |
20:10 | Octo | Die Originalfassung besteht aus 8 Audiotracks und 7 DVD-Videos. | ZKM Karlsruhe | 2004 | Europäische Glockentage 2004 in Karlsruhe | 1 | |||||||
| 28614 | André | Bartetzki | encounters | 2008 | fixed media, akusmatisch | 13:14 | + Octo | PS C. | 0 | ||||||||||
| 26206 | André | Bartetzki | Expression | 2006 | fixed media, akusmatisch | 11:30 | Octo | PS C. | 2007 | TESLA Berlin, LAC | 0 | ||||||||
| 42031 | André | Bartetzki | Heavy Metal | 2018 | Performance, live-elec, | 8 | (perc, com) [] | für Windgong und Live-Elektronik | 0 | ||||||||||
| 28863 | André | Bartetzki | Hrönir | 2009 | fixed media, akusmatisch | 15:10 | Octo | PS C. | 0 | ||||||||||
| 34283 | André | Bartetzki | Insideout, The Incredible Journey of Yoriko, Andreas, Lea Rahel, Jean-Claude and Friedemann on a Moebius Strip as seen by Andre at the mixing desk and from various other perspectives | 2015 | live-elec, 5 perf | audiovisuell |
p, perc, str-trio [Piano, Schlagzeug, Streicher] | PS C. | 0 | |||||||||||
| 28738 | André | Bartetzki | Momentum | 2012 | live-elec, 4 perf | audiovisuell |
Octo | fl, vn, trbn, db [Flöte, Posaune, Violine, Kontrabass] | PS C. | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte, ens unitedberlin | 0 | ||||||||
| 28864 | André | Bartetzki | neoZoen | 2009 | fixed media, akusmatisch | 6:55 | Quadro | PS C. | 0 | ||||||||||
| 26201 | André | Bartetzki | Reale Existenz | 2007 | fixed media, akusmatisch | 14 | Quadro, Spazialisation: WFS | Tonband für WFS (32 Klangquellen auf 840 Kanäle) | TU Berlin, PS C. | 1 | |||||||||
| 25833 | André | Bartetzki | Responsorium | 1999/2001 | fixed media, akusmatisch | 12:50 | Octo | STEAM Berlin | 1 | ||||||||||
| 25834 | André | Bartetzki | Rondeaux Trouvés | 2000 | fixed media, akusmatisch | 14:40 | Octo | PANaroma 199013216/ | STEAM Berlin | 1 | |||||||||
| 28865 | André | Bartetzki | Sprachspiel | 2008 | fixed media, akusmatisch | 14 | Octo | PS C. | 0 | ||||||||||
| 25835 | André | Bartetzki | String-Theory | 2005 | live-elec, 1 perf | ≈ 13:00 | Stereo | e-vn [Violine] | Župková Lenka (vn) | WER ARTS 8115/ | 2005 | GRIM, Marseille, Violine: Lenka Župková | 1 | ||||||
| 34090 | André | Bartetzki | ton-technik | 2011 - 2015 | Klangkunst, Installation | elektromechanische Klanginstallation mit Blumentöpfen, Hubmagneten, Arduino und SuperCollider | 0 | ||||||||||||
| 27605 | André | Bartetzki | Z0 | 2010 | fixed media, akusmatisch | 12 | Spazialisation: WFS | TU Berlin | 27.7.2010 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 0 | 2010 | http://www.bartetzki.de/de/index.html | ||||||
| 25836 | André | Bartetzki | Zungenschlag | 2003 | fixed media, akusmatisch | 13:40 | Octo | PS C. | 1 | ||||||||||
| 28343 | André, Robin, Dieter, Group | Bartetzki, Minard, Kemter, SEAM Weimar | RUMOR | 2002 | Klangkunst, Installation | ∞ | DAAD 205-1 ISBN 3-89727-259-8 | SEAM Weimar | Inventionen 2002 | 27.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | ||||||
| 22584 | André, Thomas | Bartetzki, Noll | Die Bibliothek von Babel | 1997 | Klangkunst, Installation | 120:00 | 6 | CD-Player, Video . 1997, Wasserturm Torgau und singuhr hoergalerie Berlin |
Kehrer Verlag ISBN 978-3-939583-23-3/ | STEAM Berlin | Juni 1997 22.8.-14.9.1997 |
Torgau Wasserturm singuhr hoergalerie Berlin |
0 | http://www.bartetzki.de/de/bio.html | |||||
| 25832 | André, Yueyang | Bartetzki, Wang | LàiQu… | 2001 | live-elec, 1 perf | 12:05 | Stereo | Zheng [Streicher] | Yueyang Wang (Zheng) | 1 | |||||||||
| 907 | Dominique | Barthassat | Ephémérides | 1989 | Zuspiel / Tonband, 3 perf | 30:00 | Stereo | prep p, gui, S [Sopran, Piano, Gitarre] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 908 | Dominique | Barthassat | Les Nuits de Christian FARGEON | 1989 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 909 | Dominique | Barthassat | No si volta chi a stella è fisso | 1988 | Zuspiel / Tonband, 4 perf | 40:00 | Stereo | prep p, V, perc, ins [Stimme, Piano, Schlagzeug, Instrument] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 35393 | Maxine | Barthélemy | Bleu, Blanche, Rouges | 2014 | fixed media, akusmatisch | 6:05:00 | Writer: Dana Mbé | MR 2014 Métamorphoses 2014/ | Con Paris | March 3, 2014 | Musique à réaction 5.3, Auditorium — Conservatoire à rayonnement régional de Paris (Paris, France) | 0 | |||||||
| 910 | Pierre | Bartholomée | Cantate aux alentours | 1966 | Zuspiel / Tonband, 1 perf, 2 groups | 25:00 | Stereo | Vs, ens [Stimme, Ensemble] | PS Apelac | 0 | |||||||||
| 27769 | Pierre | Bartholomée | Passacaille | 2005 | live-elec, 1 perf | mar [Schlagzeug] | CRFMW Liège | 26.11.2005 | Liège | 1 | |||||||||
| 912 | Pierre, Henri | Bartholomée, Pousseur | Stravinsky au futur | fixed media, akusmatisch | BASF 20 21554-7/ | CRFMW Liège | 0 | ||||||||||||
| 911 | Pierre, Paul | Bartholomée, Uyttebrouck | Les Etrusques | 1964 | Film | 30:00 | Mono | IPEM Gent | 0 | ||||||||||
| 913 | Martin | Bartlett | Composition | 1965 | Zuspiel / Tonband, 1 perf | 4:00 | Mono | actor [Schauspieler] | Uni BC Vancouver | 0 | |||||||||
| 914 | Martin | Bartlett | Hexachords | 1985 | live-elec, 1 perf | Stereo | rec [Flöte] | 0 | |||||||||||
| 18639 | Martin | Bartlett | New Leaves | 1983 | Zuspiel / Tonband, | 14:13 | Stereo | MW 69/ | 0 | ||||||||||
| 18640 | Martin | Bartlett | Pythagora's Ghost | 1990 | Zuspiel / Tonband, | 26:32 | Stereo | FRONT 001/ | 0 | ||||||||||
| 18641 | Martin | Bartlett | The Arrival of Sir John Franklin in Paradise | 1988 | Zuspiel / Tonband, | 13:09 | Stereo | FRONT 001/ | 0 | ||||||||||
| 915 | Wende | Bartley | Ellipsis | 1989 - 1993 | Zuspiel / Tonband, 1 perf | 14:31 | S [Sopran] | Synclavier II | IMED 9414/ | Gerr Elec. Toronto, McGill Montréal | 10.11.1989 | Banff Centre for the Arts | 1 | ||||||
| 916 | Wende | Bartley | IceBreak | 1992 | fixed media, akusmatisch | 14:22 | Klänge des Gamelan-Instrumentes Kyai Madu Sari | IMED 9414/ | Banff C., PS Randall Smith Toronto | 8.07.1992 | The Banff Centre for the Arts | 1 | |||||||
| 917 | Wende | Bartley | Mi Homo | fixed media, akusmatisch | 7:00 | Stereo | 0 | ||||||||||||
| 918 | Wende | Bartley | Ocean of Ages Revealed | 1991 | fixed media, akusmatisch | 13:21 | PODX granular synthesis | IMED 9414/ | SFU, M. Gal Toronto, PS Randall Smith Toronto | David Olds for Transfigured Night on CKLN FM radio in Toronto | 28.01.1991 | CKLN FM radio in Toronto | 1 | ||||||
| 18654 | Wende | Bartley | Radio>>Perspectives>>1 | 1991 | fixed media, akusmatisch | 9:40 | Stereo | CEC DISContact_1/ | 0 | ||||||||||
| 919 | Wende | Bartley | Rising Tides of Generations Lost | 1985 - 1993 | fixed media, akusmatisch | 15:01 | Stereo | txtcompo; Synclavier II | IMED 9414/ | McGill Montréal, Banff C. | 4.04.1985. | Pollack Hall in Montréal | 1 | ||||||
| 41022 | Wende | Bartley | Sound Dreaming, Stone Mysteries Sirens of the Deep Sounding Dream Woman Serpentine Dance Temple Muses Into The Hypogeum |
2012 | fixed media, akusmatisch | 55 | Stereo, Surround 5.1 | 0 | |||||||||||
| 920 | Stefan | Bartling | Finale oder Ich, das sind wir und wir, das sind die anderen | 1988 | Zuspiel / Tonband, | 15:03 | 0 | ||||||||||||
| 921 | Stefan | Bartling | quasi scherzo | 1988 | Zuspiel / Tonband, 4 perf | 21:30 | vc, 2 b-tuba, S [Sopran, Tuba, Cello] | 0 | |||||||||||
| 922 | Stefan | Bartling | Vom Geheimnis, den Sternen zuzuhören | 1988 | fixed media, akusmatisch | 10:45 | Stereo | ICEM Essen | 0 | ||||||||||
| 923 | Stefan | Bartling | World Between | 1986 | Zuspiel / Tonband, 1 perf | 14:44 | vn [Violine] | 0 | |||||||||||
| 43028 | Scott | Barton | Figure-Ground | 2013 | fixed media, akusmatisch | 2:39:00 | 0 | ||||||||||||
| 924 | Wolfgang | Bartsch | Melancholie in Sinustönen | fixed media, akusmatisch | 11:00 | Mono | Study | Sonology Utrecht | 0 | ||||||||||
| 34407 | Wolfgang | Bartsch | Studie in continu spectra | fixed media, akusmatisch | 11:00 | Mono | Study | Sonology Utrecht | 0 | ||||||||||
| 925 | Vidmantas | Bartulis | Sound Life | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 18656 | Gray | Barwin | Down to the Middle and Back Again | 1992 | Zuspiel / Tonband, 1 perf | 9:22 | Stereo | V [Stimme] | MW 60/ | 0 | |||||||||
| 28024 | Adam | Basanta | a glass is not a glass | 2009 | fixed media, akusmatisch | 18:55 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ MR 2010 Métamorphoses 2010/ | JTTP-Winner 2010 2. prize 1. prize Metamorphoses 2010 (student category) |
1 | http://cec.concordia.ca/jttp | ||||||||
| 41030 | Adam | Basanta | A line listening to itself | 2016 | Klangkunst, Installation | Sound sculpture | 0 | ||||||||||||
| 41035 | Adam | Basanta | A Room Listening to Itself | 2015 | Klangkunst, Installation | Sound installation | Canada Council for the Arts. | 0 | |||||||||||
| 41028 | Adam | Basanta | A Truly Magical Moment | 2016 | Klangkunst, Installation | Interactive kinetic sculpture | Canada Council for the Arts and The Agosto Fondation | 0 | |||||||||||
| 41023 | Adam | Basanta | All We'd Ever Need Is One Another | 2018 | Klangkunst, Installation | Mixed media installation | 0 | http://adambasanta.com/allwedeverneed | |||||||||||
| 41033 | Adam | Basanta | Closer then farther away | 2015 | Klangkunst, Installation | Kinetic sound sculpture | 0 | http://adambasanta.com/closerfarther | |||||||||||
| 41026 | Adam | Basanta | Curtain (white) | 2016 | Klangkunst, Installation | 24 Tracks | Canada Council for the Arts and The Agosto Foundation. | 0 | |||||||||||
| 41039 | Adam | Basanta | Écologie matérielle | 2008 | fixed media, akusmatisch | 9:07 | Deep Wireless 6 (New Adventures in Sound Art), 1, 10 | 0 | |||||||||||
| 41040 | Adam | Basanta | Free / Association | 2009 | fixed media, akusmatisch | JTTP 2009 | 0 | ||||||||||||
| 41032 | Adam | Basanta | Listening through a small plastic box | 2015 | Klangkunst, Installation | Sound installation | 0 | ||||||||||||
| 41034 | Adam | Basanta | Message Past Future | 2015 | Klangkunst, Installation | Sound installation | 0 | ||||||||||||
| 41036 | Adam | Basanta | Pirouette | 2015 | Klangkunst, Installation | 7 tracks | Sound installation | 0 | |||||||||||
| 41029 | Adam | Basanta | Plugs (the most important thing is) | 2016 | Klangkunst, Installation | Mixed media installation | Canada Council for the Arts and The Agosto Fondation | 0 | |||||||||||
| 41031 | Adam | Basanta | Positive Vibes | 2015 | Performance | audiovisuell |
Public intervention, video and sculptural documentation | 0 | ||||||||||||
| 41025 | Adam | Basanta | Sectioning | 2016 | Klangkunst, Installation | Quadro | Sound and mixed media installation | POP Montreal Festival with the assistance of Canada Council for the Arts. | 0 | ||||||||||
| 41041 | Adam | Basanta | Shiva Creates, Destroy | 2008 | fixed media, akusmatisch | 1 | 60x60 | 60X60 Canada 2008–09 | 0 | |||||||||||
| 41024 | Adam | Basanta | Sounds Not Heard | 2017, | Klangkunst, Installation | Sculpture series | 0 | http://adambasanta.com/soundsnotheard | |||||||||||
| 41042 | Adam | Basanta | The fine line between Civility and the Truth | 2007 | fixed media, akusmatisch | 7:59 | JTTP 2007 | 0 | |||||||||||
| 41037 | Adam | Basanta | The loudest sound in the room experienced very quietly | 2015 | Klangkunst, Installation | Sound installation | 0 | http://adambasanta.com/loudestsound | |||||||||||
| 34352 | Adam | Basanta | Three Myths of Liberalism | 2012 | fixed media, akusmatisch | 17:34:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 2. prize | 0 | |||||||||
| 27361 | Adam | Basanta | Transients And Resonance | 2008 | fixed media, akusmatisch | 8:27 | JTTP 2008 | CEC Cache 2008, PeP 013/ | 1 | http://cec.concordia.ca/jttp | |||||||||
| 41027 | Adam | Basanta | Triad | 2017 | Klangkunst, Installation | Permanent outdoor sculpture | The DAIMON Centre | 0 | |||||||||||
| 41038 | Adam | Basanta | Vessel | 2015 | Klangkunst, Installation | Kinetic sound sculpture | 0 | ||||||||||||
| 926 | Florence | Baschet | Alma Luvia | 1993 | live-elec, 4 perf | 7:00 | Mez, cl, va, ins (Baschet Cristal) [Mezzo, Klarinette, Viola, Instrument] | IRCAM | 0 | ||||||||||
| 927 | Florence | Baschet | Mai Mia | 1990 | Zuspiel, live-elec, 3 perf | 9:30 | ins (Baschet Cristal), p, mar [Piano, Schlagzeug, Instrument] | SONVS Lyon | 0 | ||||||||||
| 928 | Florence | Baschet | Nuraghe | 1991 | Zuspiel, live-elec, 6 perf | 9:15 | ins (Baschet Cristal), va, vc, db, mar, p [Piano, Schlagzeug, Viola, Cello, Kontrabass, Instrument] | SONVS Lyon | 1 | ||||||||||
| 929 | Florence | Baschet | Nuraghe | 1991 | Zuspiel / Tonband, 3 perf | 9:15 | Stereo | str, hpd, ins (Baschet Cristal)t [Tenor, Cembalo, Streicher] | SONVS Lyon | 1 | |||||||||
| 34634 | Constantin | Basica | Tell Me What to Do | 2013 | audiovisuell, live-elec, 2 perf | cl, conductor (Kinect) [Klarinette, Performer] | SMC2016 | 0 | |||||||||||
| 22448 | Nicolas | Basque | Polyèdres | 2000 | fixed media, akusmatisch | 7:50 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | winner JTTP 2001 5. prize | 1 | ||||||||
| 41043 | Nicolas, Andrew | Basque, Watson | 16.10.03 Room 209 | 2004 | fixed media, akusmatisch | 3:11:00 | 0 | ||||||||||||
| 41044 | Nicolas, Andrew | Basque, Watson | 23.11.2003 Room 207 | 2004 | fixed media, akusmatisch | 5:53:00 | 0 | ||||||||||||
| 41045 | Nicolas, Andrew | Basque, Watson | 25.09.2003 Room 209 | 2004 | fixed media, akusmatisch | 5:15:00 | 0 | ||||||||||||
| 41046 | Nicolas, Andrew | Basque, Watson | 29.10.2003 11:23 AM Room 209 | 2003 | fixed media, akusmatisch | 5:39:00 | JTTP 2004 | 0 | |||||||||||
| 41047 | Nicolas, Andrew | Basque, Watson | Chairdrone | 2004 | fixed media, akusmatisch | 2:23:00 | 0 | ||||||||||||
| 41048 | Nicolas, Andrew | Basque, Watson | Crécelles | 2004 | fixed media, akusmatisch | 4:47:00 | 0 | ||||||||||||
| 41049 | Nicolas, Andrew | Basque, Watson | Disco | 2004 | fixed media, akusmatisch | 5:41:00 | 0 | ||||||||||||
| 41050 | Nicolas, Andrew | Basque, Watson | Instrumental I | 2004 | fixed media, akusmatisch | 2:32:00 | 0 | ||||||||||||
| 41051 | Nicolas, Andrew | Basque, Watson | Instrumental II | 2004 | fixed media, akusmatisch | 2:40:00 | 0 | ||||||||||||
| 41052 | Nicolas, Andrew | Basque, Watson | Mozart vs McGill | 2004 | fixed media, akusmatisch | 4:34:00 | 0 | ||||||||||||
| 41053 | Nicolas, Andrew | Basque, Watson | Phone Ambient | 2004 | fixed media, akusmatisch | 10:52:00 | 0 | ||||||||||||
| 41054 | Nicolas, Andrew | Basque, Watson | Pour Christian | 2004 | fixed media, akusmatisch | 10:43:00 | 0 | ||||||||||||
| 41055 | Nicolas, Andrew | Basque, Watson | Tangential Japanese Bathroom | 2004 | fixed media, akusmatisch | 2:11:00 | 0 | ||||||||||||
| 41056 | Nicolas, Andrew | Basque, Watson | Travelling Sounds | 2004 | fixed media, akusmatisch | 3:15:00 | 0 | ||||||||||||
| 37052 | Dominique | Bassal | Babylone, les regrets | 2013 | fixed media, akusmatisch | 8:25:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37054 | Dominique | Bassal | Broto et sa z’complice | 2013 | fixed media, akusmatisch | 12:40:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37050 | Dominique | Bassal | Choraal: frontière Nord | 2012 | fixed media, akusmatisch | 9:28:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37053 | Dominique | Bassal | Conséquences des gaz à effet de serre | 2012 | fixed media, akusmatisch | 13:37:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 25.10.2012 | Elektramusic at Musée d’art moderne et contemporain (Strasbourg, France) | 0 | |||||||
| 930 | Dominique | Bassal | Espoirs et illusions d'une société rugueuse | 1979 | fixed media, akusmatisch | 30:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 35536 | Dominique | Bassal | L'inénarrable Nout | 2002 | fixed media, akusmatisch | 18:53 | Surround 5.1 | IMED 09101/ | 0 | ||||||||||
| 37051 | Dominique | Bassal | La main visible | 2014 | fixed media, akusmatisch | 17:48:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 931 | Dominique | Bassal | La rencontre de Zoé et du carnassier | 1977 | fixed media, akusmatisch | 11:16 | Stereo | Concordia Montréal | 0 | ||||||||||
| 932 | Dominique | Bassal | Le Cacanome | 1978 | fixed media, akusmatisch | 14:08 | Stereo | Concordia Montréal | 0 | ||||||||||
| 933 | Dominique | Bassal | Le troupeau à midi | 1977 | fixed media, akusmatisch | 8:19 | Stereo | Concordia Montréal | 0 | ||||||||||
| 35537 | Dominique | Bassal | Mont des borgnes | 2002 | fixed media, akusmatisch | 12:52 | Surround 5.1 | IMED 09101/ | 0 | ||||||||||
| 35538 | Dominique | Bassal | Noyade en magma | 2001 | fixed media, akusmatisch | 10 | Surround 5.1 | eContact! 8.3 — Harvest Moon and Other Festivals, Conferences | IMED 09101/ | 0 | |||||||||
| 37049 | Dominique | Bassal | Poupées mathématiques | 2013 | fixed media, akusmatisch | 12:23:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 23106 | Dominique | Bassal | Rites d'oiseaux pensants | 2001 | fixed media, akusmatisch | 7:59 | Surround 5.1 | JTTP 2002 | CEC Cache 2002/ IMED 09101/ | winner JTTP 2002 4. prize | 0 | ||||||||
| 934 | Stefano | Bassanese | Nulla | 1980 | fixed media, akusmatisch | Con Venezia | 0 | ||||||||||||
| 31139 | Alexandra von | Bassen | Marseille, ma ville | 2010 | Klangkunst, Installation | 5:26 | Stereo, Spazialisation: binaural | Headscapes, Kompositionen für Kopfhörer – CD (Besenkammer, Germany) 2010; Framework Seasonal Issue #1 Autumn 2011 – CDR (Framework Radio, Estonia) | Besenkammer bb 03/ | 24.5.2010 | Besenkammer, Saarbrücken, Germany, 2010 | 0 | |||||||
| 42075 | Ulrich | Bassenge | Shashlyk for paik | 2007 | radiophon | BR | 0 | ||||||||||||
| 42076 | Ulrich, Philip | Bassenge, Stegers | Sirius FM, Expedition an den Bandtellerrand | 2017 | radiophon | WDR, DLF, SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4933464&vi=1&SID | |||||||||||
| 33412 | Leslie | Bassett | Triform | 1966 | fixed media, akusmatisch | Uni Ann Arbor | 0 | ||||||||||||
| 22299 | J. | Bassetti | Station Hill | 2000 | fixed media, akusmatisch | 8:18 | Station Hill is dedicated to dermot Furlong and Cian, Written January 2001. | SIDO 010/ | 1 | ||||||||||
| 28088 | Alain | Basso | Ab Irato | 1999 | fixed media, akusmatisch | Stereo | C&C Annecy | 0 | |||||||||||
| 28086 | Alain | Basso | Excocet | 1988 | fixed media, akusmatisch | Stereo | Collectif & Cie C 02/ | C&C Annecy | 0 | ||||||||||
| 935 | Alain | Basso | Le Contrat | 1986 | fixed media, akusmatisch | Collectif & Cie C 01/ | C&C Annecy | 1 | |||||||||||
| 18655 | Alain | Basso | Nemesis | fixed media, akusmatisch | 9:43 | Stereo | Collectif & Cie 12/ | C&C Annecy | 0 | ||||||||||
| 936 | René | Bastien | Avers | 1975/1976 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 937 | René | Bastien | Extra-systoles | 1972 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 938 | René | Bastien | Le bain du dinosaure | 1971/1972 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 939 | René | Bastien | Les Archanges au galop | 1973 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 940 | René | Bastien | Régressions 1-3 | 1975/1976 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 38475 | Caroline | BASTIN | Casa Nostra | 2009 | radiophon | 37:48:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 941 | Ernest | Bastin | Ghost Sonata | 1965 | fixed media, akusmatisch | 4:00 | Mono | EMS UIUC | 0 | ||||||||||
| 27668 | Peter | Batchelor | Kaleidoscope, Fissure Arcade |
2004 | fixed media, akusmatisch | 9:40 | Stereo, Octo, 12 tracks | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | 2010 | http://www.peterbatchelor.com | |||||||
| 41057 | Peter | Batchelor | Reel | 1997 | fixed media, akusmatisch | 13 | 0 | 2000 | |||||||||||
| 21584 | Peter | Batchelor | steamin' | 2000 | fixed media, akusmatisch | 3:00 | SCD 28034 Sargasso/ | BEAST | sonic arts Network | 1 | |||||||||
| 21593 | Peter | Batchelor | Velocity | 1996 | fixed media, akusmatisch | 9:57 | CEC Presence 2/ | BEAST | 1 | ||||||||||
| 942 | Trevor | Batten | Audio-Visual III | 1979 | audiovisuell | 5:00 | UMATIC | Sonology Utrecht | 0 | ||||||||||
| 943 | Trevor | Batten | Cross-Media Mapping, Composition I Stockholm Circuit I Pulse Demonstration |
1974/1976 | audiovisuell | 25 | Mono | Sonology Utrecht | 0 | ||||||||||
| 39623 | Bret | Battey | Clonal Colonies I | 2016 | fixed media, akusmatisch | Bret Battey | 0 | ||||||||||||
| 33867 | Bret | Battey | On the presencs of water | 1997 | fixed media, akusmatisch | audiovisuell |
8:35 | Prix Ars Electronica 98/ | Prix Ars Electronica 1998 | 0 | ||||||||||
| 36620 | Bret | Battey | Pater Nosters Tricyclic Companion | 1998 | Zuspiel / Tonband, 1 perf | 7:52 | fl [Flöte] | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | 0 | |||||||||
| 27670 | Bret | Battey | Retrocoagulant Vox | 2001 | Zuspiel / Tonband, 1 perf | 11:34 | Stereo | b-trbn [Posaune] | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | Chad Kirby | 1 | http://www.mti.dmu.ac.uk/~bbattey/ | ||||||
| 33778 | Marc | Battier | Audioscan | 2010 | fixed media, akusmatisch | audiovisuell |
6:02:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 10.2006 | Musicacoustica, Beijing (China) | 1 | ||||||||
| 944 | Marc | Battier | Composition en Bleu (bande) | 1976 | fixed media, akusmatisch | VCS-3 | GAIV Paris | 0 | |||||||||||
| 28737 | Marc | Battier | Constellations | 2012 | Zuspiel / Tonband, 1 perf | Octo | koto [Streicher] | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte | 0 | |||||||||
| 33771 | Marc | Battier | D99_14 | 2010 | fixed media, akusmatisch | 10:18:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 33775 | Marc | Battier | D99_3 | 2010 | fixed media, akusmatisch | 6:07:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 945 | Marc | Battier | Encre sur Polyester | 1984 | Zuspiel / Tonband, 5 perf | 13:00 | Quadro | br-qnt [Bläser] | IRCAM | 0 | |||||||||
| 946 | Marc | Battier | Géométrie d'hiver | 1977 | fixed media, akusmatisch | 12:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 18657 | Marc | Battier | Ink on Polyester | 1984 | fixed media, akusmatisch | 5:22 | Stereo | (extrait) | ISAST LMJ 1/ | PS Stars nova international | 1 | ||||||||
| 33772 | Marc | Battier | Invasion Of The Night | 2010 | fixed media, akusmatisch | 9:02:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 27098 | Marc | Battier | L'oiseau de la capitale | 2008 | Zuspiel / Tonband, 1 perf | 14:00 | Octo | shakuhachi [Flöte] | INA • GRM | INA - GRM | 8 June 2008 | Salle Olivier Messiaen, Maison de la Radio France | 0 | ||||||
| 27101 | Marc | Battier | Le monde de Kiyoshi Takahashi | 1982 | fixed media, akusmatisch | 30:00 | Stereo | K. Takahashi | 0 | ||||||||||
| 33776 | Marc | Battier | Mercury Rimbaud | 2010 | fixed media, akusmatisch | 4:19:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 27100 | Marc | Battier | Mixed Media | 1989 - 1991 | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | de l'Etat francais pour le GERM | 11.1989 | Porte de la Suisse, Paris | 0 | ||||||||
| 947 | Marc | Battier | Re cosa materiale | 1976 | fixed media, akusmatisch | live-elec, 2 perf |
2 synt [synthesizer] | CICM Paris | 0 | |||||||||||
| 948 | Marc | Battier | Ritratto a Memoria | 1982 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 33777 | Marc | Battier | The Earth Is A Man | 2010 | fixed media, akusmatisch | 14:11:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 949 | Marc | Battier | Toca | 1993 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | mar [Schlagzeug] | PS Stars nova international | 1 | |||||||||
| 18886 | Marc | Battier | transparence | 1995 | fixed media, akusmatisch | ≈ 60:00 | Stereo | Sprachverarbeitung. nach einem audio-poem von Henry Chopin in 16 Teilen |
BRCD 9595 Bond Age/ | PS Battier | 1 | ||||||||
| 33770 | Marc | Battier | Tu Laisses La Nuit T'Envahir | 2010 | fixed media, akusmatisch | 4:28:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu. |
maat 011/ | 1 | ||||||||||
| 33774 | Marc | Battier | Untitled 1938 | 2010 | fixed media, akusmatisch | 3:44:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 950 | Marc | Battier | Verbes comme cueillir | 1980 | live-elec, 1 perf | 12:20 | Stereo | com [computer] | INA • GRM | 0 | |||||||||
| 33773 | Marc | Battier | Winds | 2010 | fixed media, akusmatisch | 2:42:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 39545 | Alba | Battista | Interférence | 2017 | fixed media, akusmatisch | 16 Tracks | Alba Battista | 0 | |||||||||||
| 39546 | Alba | Battista | Les Axiomes de la Tentation | 2016 | fixed media, akusmatisch | Alba Battista | 0 | ||||||||||||
| 952 | Tonio | Battista | Body and Sound | live-elec, 3 perf | 12:49 | 3 ins [Instrument] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | |||||||||
| 28353 | Tonio | Battista | C'est ça, c'est tout | 2000 | fixed media, akusmatisch | CRM Roma | 0 | ||||||||||||
| 951 | Tonio, Maurizio | Battista, Giri | Amoebhius | 1987 | Zuspiel / Tonband, 2 perf | Stereo | cl, db [Klarinette, Kontrabass] | CRM Roma | 0 | ||||||||||
| 953 | Giorgio | Battistelli | Frau Frankenstein | 1993 | Theatermusik | CSC Padova | 0 | ||||||||||||
| 24097 | Giorgio | Battistelli | Il Principe Costante | 2002 | Theater, live-elec, | ≈ 240:00 | Octo | Tempo Reale Firenze | 0 | ||||||||||
| 954 | Giorgio | Battistelli | Ostinato, Großstadtnovelle | 1986 | Zuspiel/Tonband, 21 perf | intermedia |
20:00 | 20 Sp, perc [Sprecher, Schlagzeug] | 20 languages | 1.3.1986 | Inventionen, Berlin, Ackerstr. | 1 | 1986 | |||||||
| 24098 | Giorgio | Battistelli | The Cenci | 1997 | Musiktheater, live-elec, 18 perf | 80:00 | 4 V, fl, 2 cl, b-cl, 3 vc, db, fl, trbn, tuba, sam, 2 perc [Stimme, Flöte, Klarinette, Posaune, Tuba, Schlagzeug, Cello, Kontrabass, computer] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 24099 | Giorgio | Battistelli | Tre Voci | 1996 | live-elec, | 38:00 | Tempo Reale Firenze | Ricordi | 0 | ||||||||||
| 955 | Peter | Battisti | Camapu - 13 Bilder | 1983/1984 | fixed media, akusmatisch | 66:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 25837 | Pascal | Battus | Sound Massages | 2005 | Klangkunst, Installation | 6:14 | Binaural Rec. Sonore Festival Albi | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 42460 | Jay C. | Batzner | Carnival Daring-Do | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 38371 | Carola | Bauckholt | 2 Trichter | 1987/1988 | audiovisuell, live-elec, 10 perf | ≈ 16:00:00 | fl, bn, tpt, tuba, va, e-gui, 4 perc [Flöte, Fagott, Trompete, Tuba, Gitarre, Schlagzeug, Viola] | 1989 | Bonn | Thürmchen Verlag Köln | 0 | ||||||||
| 38387 | Carola | Bauckholt | 3 Sätze für Blechbläserquintett | 1989 | live-elec, 5 perf | ≈ 10:00:00 | 5 brass [Bläser] | 1991 | Mönchengladbach | Thürmchen Verlag Köln | 0 | ||||||||
| 38392 | Carola | Bauckholt | Cellotrio | 2002 | live-elec, 3 perf | ≈ 12:00:00 | 3 vc [Cello] | 2002 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38847 | Carola | Bauckholt | Doppelbelichtung | 2016 | live-elec, 1 perf | 12 | 5 tracks | vn (5 vn with transducers) [Violine] | „Kampf“ zwischen vogelartig gespieltem Geigenklang und den mit Transducern angeregten 5 hängenden Geigen. | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 38372 | Carola | Bauckholt | erinnern vergessen | 1990/1991 | audiovisuell, 7 perf | 30:00:00 | fl, bn, vc, db, perc, Objekte, Diaprojektion [Flöte, Fagott, Schlagzeug, Cello, Kontrabass] | 1991 | Wuppertal | Thürmchen Verlag Köln | 0 | ||||||||
| 38373 | Carola | Bauckholt | Galopp | 1996 | audiovisuell, live-elec, 5 perf | ≈ 3:00:00 | fl, sax, vc, e-gui, perc [Flöte, Saxophon, Gitarre, Schlagzeug, Cello] | 1996 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38399 | Carola | Bauckholt | Gegenwind | 2004 | live-elec, 1 perf | ≈ 8:00:00 | org [Orgel] | 2004 | Kassel | Thürmchen Verlag Köln | 0 | ||||||||
| 38365 | Carola | Bauckholt | Geräusche | 1992 | Zuspiel / Tonband, 2 perf | ≈ 3 | 2 mus [Musiker] | ETH 9832 Thürmchen/ | 1992 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38393 | Carola | Bauckholt | Geräuschtöne | 2003 | live-elec, 3 perf | ≈ 12:00:00 | vn, vc, perc [Schlagzeug, Cello, Violine] | 2003 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38407 | Carola | Bauckholt | Hellhörig | 2009 | live-elec, 11 perf, 1 group | Bar, Mez, S, 3 vc, ens, 4 perc, p, [Sopran, Mezzo, Bariton, Piano, Schlagzeug, Cello, Ensemble] | COV 61009/ | 0 | |||||||||||
| 38395 | Carola | Bauckholt | Hirn & Ei | 2010/2011 | live-elec, 4 perf | 10:00:00 | 4 perc [Schlagzeug] | 2011 | Hamburg | Thürmchen Verlag Köln | 0 | ||||||||
| 38379 | Carola | Bauckholt | Humus | 2011 | audiovisuell, live-elec, 9 perf | 12:00:00 | b-fl, b-cl, hn, 6 Orgelpfeifen [Flöte, Klarinette, Horn] | 2011 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38405 | Carola | Bauckholt | Im inneren Ohr | 1983 | Zuspiel, Performance, 1 perf | ≈ 17:00:00 | actor [Schauspieler] | 1983 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38401 | Carola | Bauckholt | In gewohnter Umgebung I | 1991 | audiovisuell, live-elec, 2 perf | ≈ 15:00:00 | 2 perc, (Objekte, Diaprojektion) [Schlagzeug] | 1992 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38402 | Carola | Bauckholt | In gewohnter Umgebung III | 1994 | audiovisuell, live-elec, 2 perf | ≈ 17:00:00 | vc, p (oder Espérou, Video) [Piano, Cello] | 1994 | Vandoeuvre | Thürmchen Verlag Köln | 0 | ||||||||
| 38374 | Carola | Bauckholt | Keil | 2000 | audiovisuell, live-elec, 8 perf | ≈ 15:00:00 | fl, cl, vn, va, vc, db, perc, p [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 2L 116 SABD/ | 2001 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38388 | Carola | Bauckholt | Klarinettentrio | 1993 | live-elec, 3 perf | ≈ 10:00:00 | cl, vc, p [Klarinette, Piano, Cello] | 1994 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||||
| 38404 | Carola | Bauckholt | Kohle, Kreide | 2012 | Film, live-elec, 2 perf | ≈ 5:00:00 | Mez, vc, (Film mit Susanne Walter) [Mezzo, Cello] | 2012 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38391 | Carola | Bauckholt | Kugel | 2002 | Zuspiel / Tonband, 3 perf | ≈ 18:00:00 | 3 vc [Cello] | 2003 | Witten | Thürmchen Verlag Köln | 0 | ||||||||
| 38384 | Carola | Bauckholt | Kurbel, Wolke | 1986/1987 | live-elec, 2 perf | ≈ 12:00:00 | 2 hn [Horn] | 1987 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 21779 | Carola | Bauckholt | Langsamer als ich dachte | 1990 | audiovisuell | ≈ 3 | vc, perc (Diaprojektion) [Schlagzeug, Cello] | ETH 9832 Thürmchen/ | 1990 | Stuttgart | Thürmchen Verlag Köln | 0 | |||||||
| 38380 | Carola | Bauckholt | Laufwerk | 2011 | audiovisuell, 1 group | ens [Ensemble] | 2L 116 SABD/ | 0 | |||||||||||
| 38397 | Carola | Bauckholt | Lichtung | 2011 | live-elec, 4 perf | ≈ 10:00:00 | str-qt [Streicher] | 2012 | Venedig | Thürmchen Verlag Köln | 0 | ||||||||
| 38378 | Carola | Bauckholt | Liebeslied | 2010 | audiovisuell, live-elec, 8 perf | ≈ 5:00:00 | fl, ob, cl, vn, va, vc, perc, p [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Viola, Cello, Violine] | 2010 | Freiburg | Thürmchen Verlag Köln | 0 | ||||||||
| 38368 | Carola | Bauckholt | Luftwurzeln | 1993 | live-elec, 4 perf | ≈ 10 | fl, cl, va, vc [Flöte, Klarinette, Viola, Cello] | WER 6538/ | 1994 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38389 | Carola | Bauckholt | Maulwurf | 1993 | Zuspiel / Tonband, 3 perf | ≈ 8:00:00 | 2 bn, b-bn [Fagott] | 1994 | Darmstadt | Thürmchen Verlag Köln | 0 | ||||||||
| 38370 | Carola | Bauckholt | mehr oder weniger | 1991 | audiovisuell | ≈ 12 | fl, ob, cl, vn, va, vc, db, perc, p [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 5 parts (3:24 + 2:06 + 1:14 + 0:56 + 5:56) | WER 6538/ | 1991 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||
| 38394 | Carola | Bauckholt | Myzel | 2009 | live-elec, 2 perf | ≈ 10:00:00 | 2 p (in der Präparation von John Cages „Three Dances“) [Piano] | 2009 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||||
| 38390 | Carola | Bauckholt | Nestwärme | 2000 | live-elec, 3 perf | ≈ 7:00:00 | 3 b-rec [Flöte] | 2002 | Donaueschingen | Thürmchen Verlag Köln | 0 | ||||||||
| 38400 | Carola | Bauckholt | ohne Worte | 2011 | Zuspiel / Tonband, 1 perf | vc [Cello] | 2012 | Florenz | Köln: Thürmchen Verlag | 0 | |||||||||
| 38396 | Carola | Bauckholt | ohne worte 2 | 2011 | Zuspiel, live-elec, 2 perf | vc, db-cl [Klarinette, Cello] | Köln: Thürmchen Verlag | 0 | |||||||||||
| 38383 | Carola | Bauckholt | Polizeitrieb | 1985 | live-elec, 2 perf | ≈ 10:00:00 | 2 perc [Schlagzeug] | 1986 | Bonn-Beuel | Thürmchen Verlag Köln | 0 | ||||||||
| 38398 | Carola | Bauckholt | Polsch | 1989 | live-elec, 1 perf | ≈ 6:00:00 | p [Piano] | 1989 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38386 | Carola | Bauckholt | Quintett | 1989 | live-elec, 1 perf | ≈ 15:00:00 | var ins [Instrument] | 1989 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38406 | Carola | Bauckholt | scala mòbile“ | 1988 | fixed media, akusmatisch | ≈ 4:00:00 | Siebzehnton-Studie für Computer | 1991 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38377 | Carola | Bauckholt | Schlammflocke | 2010 | audiovisuell, live-elec, 1 group | 20:00:00 | ens [Ensemble] | 2010 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38382 | Carola | Bauckholt | Schlammflocke II | 2012 | audiovisuell, live-elec, 10 perf | fl, cl, bn, tpt, vn, va, vc, db, perc, p [Flöte, Klarinette, Fagott, Trompete, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 2012 | Amsterdam | Thürmchen Verlag Köln | 0 | |||||||||
| 38369 | Carola | Bauckholt | sottovoce | 1988 | live-elec, 2 perf | ≈ 9 | 2 vc [Cello] | WER 6538/ | 1989 | Rom | Thürmchen Verlag Köln | 0 | |||||||
| 38375 | Carola | Bauckholt | streicheln | 2001 | audiovisuell, live-elec, 9 perf | ≈ 11:00:00 | fl, cl, bn, hn, trbn, vc, db, perc, p [Flöte, Klarinette, Fagott, Horn, Posaune, Piano, Schlagzeug, Cello, Kontrabass] | 2002 | Paris | Thürmchen Verlag Köln | 0 | ||||||||
| 38367 | Carola | Bauckholt | Streichtrio | 1994 | live-elec, 3 perf | ≈ 10:30 | vn, va, vc [Viola, Cello, Violine] | WER 6538/ | 1994 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 21780 | Carola | Bauckholt | Treibstoff | 1995 | audiovisuell | ≈ 10 | fl, cl, vn, va, vc, db, p, perc [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | WER 6538/ 2L 116 SABD/ | 1995 | Dresden | Thürmchen Verlag Köln | 0 | |||||||
| 38385 | Carola | Bauckholt | Trio | 1988/1989 | live-elec, 3 perf | ≈ 17:00:00 | 2 vc, p [Piano, Cello] | 1989 | New York | Thürmchen Verlag Köln | 0 | ||||||||
| 38403 | Carola | Bauckholt | vertraute Rätsel | 1995/1996 | audiovisuell, live-elec, 8 perf | ≈ 25:00:00 | (Video) fl, cl, vn, va, vc, db, p, perc [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 1996 | Dresden | Thürmchen Verlag Köln | 0 | ||||||||
| 38376 | Carola | Bauckholt | Vormittagsspuk | 2008 | Film, live-elec, 7 perf | 10:00:00 | tpt, trbn, vc, gui, p, 2 perc, (Musik zum gleichnamigen Film von Hans Richter) [Trompete, Posaune, Piano, Gitarre, Schlagzeug, Cello] | 2008 | Dresden | Thürmchen Verlag Köln | 0 | ||||||||
| 38366 | Carola | Bauckholt | Zopf | 1992, 1994 | live-elec, 3 perf | ≈ 8 | fl, ob, cl [Flöte, Klarinette, Oboe] | WER 6538/ | 1993 | Freiburg | Thürmchen Verlag Köln | 0 | |||||||
| 38381 | Carola | Bauckholt | Zugvögel | 2011/2012 | audiovisuell, live-elec, 5 perf | ≈ 15:00:00 | ob, cl, a-sax, b-cl, bn [Klarinette, Oboe, Saxophon, Fagott] | 2012 | Witten | Thürmchen Verlag Köln | 0 | ||||||||
| 27757 | Roald | Baudoux | Ici et lá | 2003 | fixed media, akusmatisch | 17:00 | 16 Tracks, Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 27749 | Roald | Baudoux | Improglio | 2005 | fixed media, akusmatisch | 10:50 | wbm 168 b Electro AC Wallonie - Bruxelles/ | Musiques et Recherches Ohain | 1 | ||||||||||
| 41058 | Roald | Baudoux | La violence | 2001 | fixed media, akusmatisch | 2:45 | 0 | ||||||||||||
| 22325 | Roald | Baudoux | Vitesse / Critique | fixed media, akusmatisch | 7:00 | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||||
| 41607 | Roald, Christophe | Baudoux, Peterfalvy | Yin Yang | 1998 | fixed media, akusmatisch | 10:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 37241 | Alexander | Bauer | "der tag ist der käfig, die nacht ist die freiheit" | 2017 | live-elec, 1 perf | 7:00:00 | Quadro | b-fl (Live-Elektronik) [Flöte] | SEM Salzburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 43133 | Zorah Man | Bauer | Volkslieder für gemischte Stimmen & Sampler | 1989/1990 | live-elec, | 8:36 | Auszeichnung ars electronica honorary mention 1990 | 0 | |||||||||||
| 956 | Herbert | Baumann | Elektra | 1954 | Theatermusik | 29:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 957 | Herbert | Baumann | Nach Damaskus | 1956 | Theatermusik | 15:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 958 | Herbert | Baumann | Penthesilea | 1957 | Theatermusik | 60:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 31440 | Martin | Baumgärtel | a-t-e-m Var2 | 2010 | Zuspiel, live-elec, 4 perf | 45/60 | S, Mez, fl, org [Sopran, Mezzo, Flöte, Orgel] | Biegewellenlautsprecher | HfM Dresden | 0 | |||||||||
| 31404 | Martin | Baumgärtel | atem Gottes (Studie) | 2009 | fixed media, akusmatisch | 12 Tracks | HfM Dresden | 0 | |||||||||||
| 31406 | Martin | Baumgärtel | Enna - Klangstruktur Nr. 7 | 2011 | fixed media, akusmatisch | 7:15:00 | 6 | HfM Dresden | 0 | ||||||||||
| 31391 | Martin | Baumgärtel | Fragmente 3/4 | 2008 | fixed media, akusmatisch | Quadro | HfM Dresden | 0 | |||||||||||
| 31405 | Martin | Baumgärtel | Klangstruktur Nr. 6 | 2010 | fixed media, akusmatisch | 6, Octo | HfM Dresden | 0 | |||||||||||
| 31455 | Martin | Baumgärtel | Linie Blau | 2013 | radiophon | 21:27 | Stereo | HfM Dresden, Radio HR Frankfurt | 30.4.2013 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3645141&vi=123&SID | |||||||
| 31547 | Martin | Baumgärtel | Segmente II | 2013 | fixed media, akusmatisch | 8:00 | next_generation 5.0 | HfM Dresden | 26.6.2013 | ZKM | 0 | ||||||||
| 31439 | Martin | Baumgärtel | WO-MAN…? | 2009 | Zuspiel, live-elec, 3 perf | Sp, fl, vc [Sprecher, Flöte, Cello] | HfM Dresden | 0 | |||||||||||
| 31767 | Jan | Baumgart | LautRiss | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31766 | Jan | Baumgart | Warp and Wooves | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 959 | Herwig, Alexander | Baumgartner, Eberhard | Circulation and Concentration, Hommage an John Cage | 1994 | intermedia | ELAK Wien | 0 | ||||||||||||
| 960 | Herwig, Alexander, Klaus, Michael, Nicolaj, Katharina, Andreas, Igor, Heinrich, Wolfgang | Baumgartner, Eberhard, Filip, Kieslinger, Kirisitz, Klement, Lichtenfels, Lintz-Maués, Mader, Musil | Sigharting-Projekt | 1992 | intermedia | 60:00 | Kollektivkomposition; other composer: Horst Zachmann | ELAK Wien | 0 | ||||||||||
| 38947 | Walter | Baumgartner | Wunder der Verwandlung | 1962 | Film | 11:51 | Siemens | Sandoz- AG Basel und Unternehmensverband Ruhrbergbau Essen | 0 | ||||||||||
| 25456 | Jürg | Baur | Konzert für Mixturtrautonium und Streichquartett | 1956 | live-elec, 5 perf | mtr, str-qt [synthesizer, Streicher] | 1 | ||||||||||||
| 20014 | Eduardo | Bautista | El Aroma del Copal | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20016 | Eduardo | Bautista | Guernika | Tanz | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20015 | Eduardo | Bautista | Las Huellas del Lince | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20013 | Eduardo | Bautista | Memoria del Agua | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20012 | Eduardo | Bautista | Vientos de España | 1992 | fixed media, akusmatisch | Stereo | Expo 92 | PS C. MIDIPolis | 0 | ||||||||||
| 961 | F. | Bayer | Propositions VII | 1988 | fixed media, akusmatisch | 13:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 962 | François | Bayle | Aêr | 1986 | intermedia | 34:50 | avec lumière | IRCAM | 0 | http://www.magison.org/ | |||||||||
| 963 | François | Bayle | Aéroformes | 1984 | fixed media, akusmatisch | 67:30 | 16 parts | IRCAM | 0 | http://www.magison.org/ | |||||||||
| 32241 | François | Bayle | Arc, pour Gérard Grisey | 1999 | fixed media, akusmatisch | 8:02 | pour Gérard Grisey | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 0 | |||||||||
| 40740 | François | Bayle | Blockzeit | 1974 | Hintergrundmusik | INA • GRM | Airport Wien | 0 | |||||||||||
| 40468 | François | Bayle | Calabardin | 1962 | Film | film „image par image“. Texte d’ A. Voisin | INA • GRM | 11.1.1965 | TV ORTF, 2. chaine | 0 | |||||||||
| 964 | François | Bayle | Camera lucida, Camera Oscura, part 1 | 1979 | Tanz | 28:00 | Stereo | INA • GRM | 4.11.1979 | Paris | 0 | http://www.magison.org/ | |||||||
| 965 | François | Bayle | Camera oscura, Sept préludes Labyrinthe |
1976 | Tanz | Performance |
40:42 | Stereo, 3 tracks | 7 préludes et un "labyrinthe", Vol 14 | MGCB 1400/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Commande de l'Etat et de l'INA·GRM | 19.11.1976 | Theâtre de Metz; 5. Rencontres Int. de Musique Contemporaine; Chor. et mise en scène J. Babilée. Soliste C. Imbert | 1 | http://www.magison.org/ | ||||
| 26164 | François | Bayle | Cinq dessins en rosace | 1973 | fixed media, akusmatisch | 14:00 | Stereo | INA • GRM | 18.2.1978 | Bern | 0 | http://www.magison.org/ | |||||||
| 966 | François | Bayle | cinq thèmes sons | 1970 | fixed media, akusmatisch | 1:55 | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | |||||||||
| 40730 | François | Bayle | Coeur de secours | 1973 | Film | 9 | INA • GRM | Dragon d'argent du Festival de Cracovie 1973 Prix spécial du Festival d'Annecy 1973 |
0 | ||||||||||
| 40425 | François | Bayle | Comme Si | 1961 | fixed media, akusmatisch | partition graphique à partir du poème de Mallarmé | INA • GRM | 0 | |||||||||||
| 967 | François | Bayle | Cristal | 1972 | fixed media, akusmatisch | 19:30 | Stereo | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 968 | François | Bayle | Cristal | 1977 | live-elec, 11 perf | 22:00 | 11 Tracks, Quadro, Stereo | 11 ens, syter [synthesizer, Ensemble] | Syter | CRF 043, Cassette Radio France/ | INA • GRM | Radio France | 16.3.1977 | Paris, Maison de la Radio, Gd. Auditorium; avec le NOP, dir. Lukas Vis et Syter, dir. J.-F. Allouis | 0 | http://www.magison.org/ | |||
| 969 | François | Bayle | D'une Boite a musique | 1981 | fixed media, akusmatisch | 4:02 | Stereo | CIRM (1991)/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 32244 | François | Bayle | Déplacements, horizontal - vertical spiral |
2012 | fixed media, akusmatisch | 25:30 | Concert-Surprise pour Ch.von Blumröder ≈ 3 minutes | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 28.10.2011 12.10.2012 |
Köln Paris |
0 | |||||||
| 37902 | François | Bayle | Diabolus in Musica | 2009 | fixed media, akusmatisch | MGLD 1908/ | 0 | ||||||||||||
| 40410 | François | Bayle | Echiquier | 1960 | live-elec, 1 group | 7:55 | ens [Ensemble] | INA • GRM | 17.12.1962 | Paris, Salle des Conservatoires, dir. K. Simonovic | 0 | ||||||||
| 970 | François | Bayle | Electrucs, Sophistication Train noir Voltage stomp Crépuscule Quadrille Arpegiatto Mélodie zèbre Saccades La «chose» Ennemi intime |
1974 | fixed media, akusmatisch | 22:02 | Stereo | 10 parts | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 974 | François | Bayle | Erosphère, Eros bleu La fin du bruit |
1979 - 1980 | fixed media, akusmatisch | 34:50 | Stereo | première partie | Coll GRM 9108 BA/ INA C 3002/ INA T 9501/ INA C 1000/ MGLD 2009/ INA C 1033 27653 archives grm CD 3/5/ MGCB 1705/ MGLD 2009/ Coll GRM G 101 BA | INA • GRM | Commande de l’Etat (pour La Fin du bruit) | 21.1.1980 | Paris, Maison de Radio-France, Gd. Auditorium "Cycle Acousmatique 1980" |
1 | 1984 | http://www.magison.org/ | |||
| 1998 | |||||||||||||||||||
| 28656 | François | Bayle | Erosphère, Eros rouge Tremblement de terre très doux Eros noir Toupie dans le ciel Eros noir fin |
1979 - 1980 | fixed media, akusmatisch | 62:25 | Stereo | deux. partie trois. partie |
Coll GRM 9108 BA/ INA C 3002/ INA T 9501/ INA C 1000/ Coll GRM 9101 BA / INA C 1033 27653 archives grm CD 3/5/ MGCB e102/ MGCB 1705/ MGLD 2009/ Coll GRM G 101 BA | INA • GRM | 21.1.1980 | Maison de Radio-France, Paris | 1 | 1984 | http://www.magison.org/ | ||||
| 28657 | François | Bayle | Erosphère, 3 Éros Eros bleu Eros rouge Eros noir |
1979 - 1980 | Zuspiel, live-elec, 1 perf | 27:14 | Stereo | com [computer] | suite tirée d'Erosphère | Coll GRM 9108 BA/ MGLD 2009/ INA T 9501/ INA C 1000/ Coll GRM G 101 BA / INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | 5.10.1980 | Budapest, Salle Semmelweis | 1 | 1984 | http://www.magison.org/ | |||
| 975 | François | Bayle | Espaces inhabitables, Jardin de rien Géophonie Hommage à Robur le bleu du ciel Amertumes |
1967 | fixed media, akusmatisch | Tanz |
17:41 | Stereo | 1972 choreografie in the opera Lyon | Coll GRM 9101 BA/ WER 30252/ MGCB 1400/ PHI 836.895 DSY/ INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 027/ INA-GRM 9101 ba Gramme/ | INA • GRM | 30.05.67 | Paris, Maison de la Radio, Studio 105 | 1 | http://www.magison.org/ | |||||
| 40729 | François | Bayle | Etes-vous a Côte Mister Vibes?, l'espace décousu l'espace des images les êtres nocturnes les êtres diurnes |
1973 | radiophon | 115:17 | INA • GRM | ORTF pour Atelier de Création Radiophonique | 23.1.1973 | ORTF France-Culture | 0 | ||||||||
| 976 | François | Bayle | Exercices Sons, No. 1 No. 2 No. 3 |
1972 - 1974 | fixed media, akusmatisch | 26:30 | Stereo | first serie number 1 - 3 (1972 - 73; 27'); second serie number 4 - 5 (1974; 22') |
INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 31320 | François | Bayle | Exercices Sons, No. 4 No. 5 |
1972/1974 | Tanz | 21:48 | Stereo | first serie number 1 - 3 (1972 - 73; 27'); second serie number 4 - 5 (1974; 22') |
INA • GRM | novembre 1972 | 0 | http://www.magison.org/ | |||||||
| 978 | François | Bayle | Fabulæ, fabula onoma nota sonora |
1990/1991 | fixed media, akusmatisch | 56:45 | Stereo | MGCB 0493/ MGCB 0498/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Ina-GRM and french state | 10.11.1992 | Perpignan | 1 | http://www.magison.org/ | |||||
| 18667 | François | Bayle | Fabulæ, …nota | 1991 | fixed media, akusmatisch | 10:18 | Stereo | 3. part | MGCB 5694/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 18668 | François | Bayle | Fabulæ, …onoma | 1990 | fixed media, akusmatisch | 15:55 | Stereo | 2. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 18669 | François | Bayle | Fabulæ, …sonora | 1992 | fixed media, akusmatisch | 15:37 | Stereo | 4. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 37899 | François | Bayle | Fabulæ, …Fabula | 1991 | fixed media, akusmatisch | 14:28 | Stereo | 1. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 40509 | François | Bayle | Fautrier l’enragé | 1964 | Film | INA • GRM | 1964 | Venedig | Prix Lion St. Marc | 0 | |||||||||
| 979 | François | Bayle | Franchir l'espace | 1986 | fixed media, akusmatisch | 30:00 | Stereo | Text by Michel Butor | INA • GRM | Cité des Sciences et de l’Industrie | 6.10.1986 | Paris, La Villette ≈ spectacle inaugural du Planétarium | 0 | http://www.magison.org/ | |||||
| 980 | François | Bayle | Galaxie | 1964 | Film | 7:34 | Stereo | Pour un film de P. Kamler | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1964 | Bergamo Festival | 0 | http://www.magison.org/ | |||||
| 981 | François | Bayle | Germinal, feux d'eau | 1985 | fixed media, akusmatisch | 5:53 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | http://www.magison.org/ | ||||||
| 40491 | François | Bayle | Graine de rien | 1963 | Film | 4 | texte d’ A. Voisin | INA • GRM | 0 | ||||||||||
| 982 | François | Bayle | Grande Polyphonie, Appel Aux lignes actives Aux notes répétées Au jardin Figures doubles Grande polyphonie Rappel |
1974 - 1975 | fixed media, akusmatisch | 36:32 | Stereo, Quadro | 7 parts | MGCB 0392/ Coll GRM AM 227.04/ | INA • GRM | 7.4.1975 | Paris, Maison de la Radio, Studio 104 | 1 | http://www.magison.org/ | |||||
| 984 | François | Bayle | Histoire agitée | 1978 | Demo, Studie | 3:40 | Stereo | Composition pédagogique pour un ouvrage de Rudolf Frisius | Klett Stuttgart 92422/ | INA • GRM | Edition Klett | 0 | http://www.magison.org/ | ||||||
| 985 | François | Bayle | Histoire calme | 1979 | Lehre & Forschung | 1:20 | Stereo | Composition pédagogique pour un ouvrage de R. Frisius | WER 30252/ Klett Stuttgart 92422/ | INA • GRM | Edition Klett | 1 | http://www.magison.org/ | ||||||
| 40707 | François | Bayle | Ici Radio Elements, Jeîta | 1970 | radiophon | 60:25 | INA • GRM | 30.11.1970 | ORTF France-Culture | 0 | |||||||||
| 40783 | François | Bayle | Indicatif in A | 1980 | audiovisuell | 0:30 | INA • GRM | 0 | |||||||||||
| 18659 | François | Bayle | intervalles, Son Vitesse-Lumière | 1971 | fixed media, akusmatisch | 6:53 | Stereo | Pour l’audition complète de „Son Vitesse-Lumière“, ces intervalles s’intercalent entre les mouvements | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 987 | François | Bayle | Jeita ou horloge de sang, Jeîta ou murmure des eaux | 1970, 1985 | fixed media, akusmatisch | 26:30 | Stereo, Quadro | new Version with 4 tracks (voir 1970, No. 584) 17 parts |
INA • GRM | 20.5.1985 | Maison de Radio France | 1 | http://www.magison.org/ | ||||||
| 988 | François | Bayle | Jeita ou murmure des eaux, Murmure des eaux Cloches fossiles Murmure des abeilles de pierre Bouche d'ombre Rêverie de la multiplication Le vaisseau Nadir Oracle Murmure des eaux L'eau verticale Ailleurs Rêverie de la résonance «Eau forte» Murmure des dentelles d'eau Intervalles d'eau Ecriture murmurées Oracles Murmure des eaux |
1970, 1985 | fixed media, akusmatisch | 40:12 | Stereo | 17 parts; new version 1985 | MGCB 1399/ PHI 6521.016/ Klett Stuttgart 92422/ INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 101/ | INA • GRM | Conseil National du Tourisme au Liban | 19.11.1970 4.2.1971 |
Bordeaux Alhambra, Sigma 6 (Version 8 Mvts.) Paris, Halles Baltard (version integrale) |
Prix Italia | 1 | http://www.magison.org/ | |||
| 22007 | François | Bayle | Jeita-retour, Oracle des eaux 1 Oracles des eaux 2 |
1985 - 1999 | fixed media, akusmatisch | 5:23 | Stück in zwei Sätzen: Oracle des eaux 1, Oracles des eaux 2 | MGCB 1399/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 989 | François | Bayle | Journal, L'Expérience acoustique No. 2 | 1969 | fixed media, akusmatisch | 6:30 | Stereo | 1. Version | INA • GRM | 27.2.1969 | Paris, Maison de la Radio, Studio 105 | 1 | http://www.magison.org/ | ||||||
| 18660 | François | Bayle | Journal, L'Expérience Acoustique 2 | 1971 | fixed media, akusmatisch | 3:10 | Stereo | (II.7) | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | |||||||
| 990 | François | Bayle | L'Archipel, Légers balancements Cadence, libre mais rigoureusements contenu. Pliages. Objets enfin immobliles |
1963, 1967 | Zuspiel / Tonband, 4 perf | 18:00 | Stereo | str-qt [Streicher] | zurückgezogen / withdrawn | PHI 836.895 DSY/ IDEAMA CD 027/ | INA • GRM | 11.1.1963 | Paris Salle des Conservatoire, avec le Quatuor Parenin | 0 | http://www.magison.org/ | ||||
| 40711 | François | Bayle | L’Avenir a Reculsons | 1970 | Musikinstrument, keine EM, 1 perf | 180 | org [Orgel] | INA • GRM | 17.2.1971 | Paris, Eglise St. Séverin | 0 | ||||||||
| 40652 | François | Bayle | L’enfant de la haute mer | 1968 | Film | INA • GRM | 21.12.1968 | TV ORTF, 2. chaine | 0 | ||||||||||
| 33882 | François | Bayle | L'Expérience acoustique | 1969 - 1972 | fixed media, akusmatisch | 130 | version with 16 parts: 01:55 + 10:04 + 04:57 + 02:15 + 12:45 + 00:35 + 10:26 + 07:28 + 03:10 + 10:12 + 06:53 + 03:49 + 07:22 + 03:17 + 24:45 + 08:55 |
MGLD 2113/ IDEAMA CD 102-103/ | INA • GRM | 3.8.1972 | Avignon | 0 | |||||||
| 992 | François | Bayle | L'Expérience acoustique No. 1 L'Aventure du cri, ...l’inconscient de la forme Match nul Solitioude |
1969 | fixed media, akusmatisch | 17:23 | Stereo | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 12.5.1970 25.2.1971 |
Gulbekian Festival Lisboa Paris, Halles Baltard (Création avec „Le langage des fleurs“ sous le titre „L’expérience acoustique“) |
1 | http://www.magison.org/ | ||||||
| 993 | François | Bayle | L'Expérience acoustique No. 2, Le langage des fleurs Substance du signe Métaphore Métaphore / Ligne et points Journal |
1971 | fixed media, akusmatisch | Film |
34:37 | 4 parts | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | de l'Etat | 26.2.1971 | Paris, Halles Baltard "Cinq Journées Rencontres 1971" |
1 | http://www.magison.org/ | |||||
| 991 | François | Bayle | L'Expérience acoustique No. 4 L'Épreuve par le son, transparence du purgatoire |
1971 | fixed media, akusmatisch | 33 | 1 part: (No. 13) transparence du purgatoire | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 996 | François | Bayle | L'Expérience acoustique No. 5 La philosophie du non, Energie libre, énergie liée |
1972 | fixed media, akusmatisch | 9:00 | Stereo | Energie libre, énergie liée. Conclut la première série de „L'Expérience acoustique“ |
MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 3.8.1972 | Avignon, dans l’intégrale de „L’expérience acoustique“ (1. série) | 1 | http://www.magison.org/ | |||||
| 18662 | François | Bayle | …l'inconscient de la forme, L'Expérience acoustique No. 1 part 1 |
1970 | fixed media, akusmatisch | 10:04 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 22006 | François | Bayle | L’infini du bruit | 1980 - 1999 | fixed media, akusmatisch | 10:55 | MGCB 1399/ | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 40470 | François | Bayle | L’objét captif | 1962 | Film | 3:24 | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 22352 | François | Bayle | L'Oiseau chanteur | 1963 | Film | 3:26 | Stereo | Beilage NZ 5/97 zum Artikel von Rolf Frisius (konkrete Musik); "Klang Welten". For the film "3 portraits d'un Oiseau-Qui-N'Existe-Pas". This is the first EM-Piece by Bayle! |
WER 30252/ Fratello Fabri Editori 103/ Candide CE 31025/ PHI 836.895 DSY/ Klett Stuttgart 92422/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 32242 | François | Bayle | L’Oreille étonée, L’Oreille étonée (in memoriam O. Messiaen) | 2006 | fixed media, akusmatisch | 19:20 | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 12.10.2007 | Köln | 0 | ||||||||
| 40641 | François | Bayle | La belle cerebrale | 1968 | Film | INA • GRM | 1968 | Cannes Festival | Grand Prix du Festival de Cork 1968 | 0 | |||||||||
| 24741 | François | Bayle | La forme de l’esprit est un papillon, Ombrages et trouées Couleurs inventées |
2002 - 2004 | fixed media, akusmatisch | 35:35 | MGCB 1804/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 9.10.2004 | Köln | 0 | http://www.magison.org/ | |||||||
| 24740 | François | Bayle | La forme du temps est un cercle, concrescence si loin, si proche… tempi allures cercles |
1999 - 2001 | fixed media, akusmatisch | 59:20 | Octo | last part cercle: 13:25 Minutes | MGCB 1501/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | INA - GRM Paris | 12.1.2002 | Salle Olivier Messiaen of Maison de Radio France | Magison | 1 | http://www.magison.org/ | |||
| 18664 | François | Bayle | la langue inconnue, L'Expérience acoustique No. 3 part 8 |
1971 | fixed media, akusmatisch | 10:14 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 997 | François | Bayle | La Main Vide, bâton de pluie la fleur future Inventions |
1993/1995 | fixed media, akusmatisch | 42:41 | Stereo | bâton de pluie, la fleur future, Inventions | MGCB 0896/ MGCB 0807/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1 | 1996 | http://www.magison.org/ | ||||||
| 998 | François | Bayle | La philosophie du non, énergie libre énergie liée |
1972 | fixed media, akusmatisch | 8:55 | -> L'Expérience acoustique Chapter 5: La philosophie du non | MGCB 5694/ | INA • GRM | 3.8.1972 | Avignon, dans l’intégrale de „L’expérience acoustique“ (1. série) | 1 | http://www.magison.org/ | ||||||
| 40619 | François | Bayle | La Plaie et le Couteau | 1967 | Fernsehen, | INA • GRM | novembre 1967 | TV ORTF | 0 | ||||||||||
| 40714 | François | Bayle | La verite difficile | 1971 | Film | INA • GRM | 10.11.1971 | TV ORTF | 0 | ||||||||||
| 40469 | François | Bayle | Le chevalier de la Charette | 1962 | Theatermusik | Marionetten Theater | INA • GRM | Avril 1962 | Paris | 0 | |||||||||
| 40718 | François | Bayle | Le jardin des fleurs vivantes | 1971 | radiophon | 39 | Prodisc PS 17346/ | INA • GRM | 1.11.1971 | ORTF France-Culture | 0 | ||||||||
| 40458 | François | Bayle | Le regard | 1962 | Tanz | INA • GRM | 1962 | Lyon, Opéra | 0 | ||||||||||
| 1000 | François | Bayle | Les couleurs de la nuit, Sept moments enchaînés: animé plus animé trois andantes: couleurs froissées, lune floue, bouffées nuit noire nuit blanche nuit dénouée |
1982 | fixed media, akusmatisch | 38:03 | Stereo | INA C 1001/ Coll GRM 9117 BA/ INA G 6033-47 | 50 ans d'acousmatique/ SR 371 sub rosa/ | INA • GRM | 15.3.1983 | Paris, IRCAM Espace de projection | 1 | 1984 | http://www.magison.org/ | |||||
| 40620 | François | Bayle | Levi Strauss | 1967 | Fernsehen, | INA • GRM | 2.11.1968 | TV ORTF, 1. chaine | 0 | ||||||||||
| 22757 | François | Bayle | Liaison 17, Concert Collectif | 1962 | Zuspiel / Tonband, 17 perf | 8:23 | 17 ins [Instrument] | unvollständig | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40452 | François | Bayle | Liaison 8 Liaison 4 |
1962 | Zuspiel / Tonband, 12 perf | 8 | Mono | 2 perc, 10 ins [Schlagzeug, Instrument] | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||
| 1001 | François | Bayle | Lignes et Points | 1966 | Film | 6:20 | Stereo, Quadro | 5 parts | PHI 836.895 DSY/ | INA • GRM | April 1966 | 3rd Festival Royan | 1 | 1998 | http://www.magison.org/ | ||||
| 40420 | François | Bayle | Llanto | 1961 | Tanz | 18 | Poème de F. G. Lorca | INA • GRM | décembre 1961 | Frankfurt | 0 | ||||||||
| 40664 | François | Bayle | M… E…, Musique eclatées | 1969 | fixed media, akusmatisch | 39:30 | Spectacle musical à partir de 16 séquences des MUSIQUES ECLATEES. | INA • GRM | 24.10.1969 | Paris, Maison de la Radio, Studio 104, SMIP 1969, avec Rufus et le Bel Canto Choir de Stockholm | 0 | ||||||||
| 18665 | François | Bayle | match nul, L'Expérience acoustique No. 1 part 2 |
1970 | fixed media, akusmatisch | 4:57 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40501 | François | Bayle | Mensonges | 1963 | Film | pour le film „Rebecca“ de P. Vecchiali | INA • GRM | 0 | |||||||||||
| 18666 | François | Bayle | Métaphore | 1970 | fixed media, akusmatisch | 10:26 | Stereo | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 1003 | François | Bayle | Métaphore + lignes et points, L'expérience acoustique | 1970, 1971 | Film | intermedia |
7:30 | Quadro | MGCB 5694/ | INA • GRM | December 1970 | Saint-Etienne, Maison de la Culture | 0 | http://www.magison.org/ | ||||||
| 40523 | François | Bayle | Meurtre | 1964 | Film | 3:30 | d’après Franz Kafka | INA • GRM | 19.1.1965 | Frankfurt, Musica Viva | 0 | ||||||||
| 1004 | François | Bayle | Mimaméta | 1989, 2004 | fixed media, akusmatisch | 11:02 | Syter. Rev. 2004 | MGCB 0291/ Agon PV 725001/ INA C 1034 27654 archives grm CD 4/5/ MGCB 1804/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 25.11.1989 | São Paulo | 1 | http://www.magison.org/ | ||||||
| 1005 | François | Bayle | Mon daimon de recherche | 1971 | radiophon | 11:15 | Stereo | pour un poème de F. Billetdou | INA • GRM | ORTF | 17.1.1971 26.8.1971 27.8.1971 |
ORTF France-Culture Menton, Festival Chantiers Navals |
0 | http://www.magison.org/ | |||||
| 1006 | François | Bayle | Monde 73 | 1973 | fixed media, akusmatisch | 3:32 | Stereo | Final du spectacle „Page Noire“ | INA • GRM | 14.4.1973 | Paris, Espace Cardin | 0 | http://www.magison.org/ | ||||||
| 24739 | François | Bayle | Morceaux de ciels | 1997 | fixed media, akusmatisch | 25:27 | dedicated to Stockhausen (zum 70. Geburtstag) | MGCB 1298/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 1007 | François | Bayle | Motion - Émotion | 1985 | fixed media, akusmatisch | 22:01 | Stereo | INA C 1001/ INA e 5009/ INA G 6033-47 | 50 ans d'acousmatique/ MGCB 0000/ | INA • GRM | 27.1.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | 1998 | http://www.magison.org/ | |||||
| 1008 | François | Bayle | Nadir, Jeita ou murmure des eaux | 1968 | live-elec, 7 perf | Stereo | S, T, B, b-cl, gui, oma, perc [Sopran, Tenor, Bass, Klarinette, Gitarre, Schlagzeug, synthesizer] | INA • GRM | 1 | http://www.magison.org/ | |||||||||
| 40443 | François | Bayle | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | INA • GRM | 0 | ||||||||||||
| 37900 | François | Bayle | Opus 100, Deviner-devenir | 2013 - 2014 | fixed media, akusmatisch | 23:50 | 0 | ||||||||||||
| 37901 | François | Bayle | Ouïr, Figures sans origine | 2015 - 2017 | fixed media, akusmatisch | 40 | PS C. | 0 | |||||||||||
| 1011 | François | Bayle | Personnage et intervalles bleus, Personnage intervalles bleus |
1976 | Theatermusik | 18:40 | Stereo | MGCB 5694/ | INA • GRM | 23.02.1976 | Théâtre Récamier, Paris; avec Catherine Imbert et Paul de Laminat | 0 | http://www.magison.org/ | ||||||
| 1012 | François | Bayle | Pluriel, Concert Collectif | 1963 | Zuspiel / Tonband, 17 perf | 8:23 | Stereo | 17 ins [Instrument] | PHI 836.895 DSY/ IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck. (Version définitive du c.c., cf. 1962 Nr. 216, neuf séquences de base) | 0 | http://www.magison.org/ | |||||
| 40405 | François | Bayle | Points critiques | 1960 | live-elec, 1 group | 5:30 | Stereo | ens [Ensemble] | enregistrement de EIMCP, dir. K. Simonovic | INA • GRM | 1961 | Paris, Biennale | Prix Biennale de Paris 1961 | 0 | |||||
| 1013 | François | Bayle | Portrait poeme pour Leonor Fini | 1968 | Fernsehen, | 27:00 | Stereo | INA • GRM | 25.1.1968 | TV ORTF, 2. chaine | 0 | http://www.magison.org/ | |||||||
| 40621 | François | Bayle | Portrait poème pour Leonor Fini | 1967 | Fernsehen, | INA • GRM | 25.1.1968 | TV ORTF, 2. chaine | 0 | ||||||||||
| 1014 | François | Bayle | Profane, Portrait-poème pour Léonor Fini | 1968 | Tanz | 25:10 | Stereo | INA • GRM | 31.1.1969 | Amiens, Maison de la Culture | 0 | http://www.magison.org/ | |||||||
| 40537 | François | Bayle | Psaumes et versets | 1964, 1967 | Film | INA • GRM | 0 | ||||||||||||
| 1015 | François | Bayle | Purgatoire, Cantique électronique | 1972 | Zuspiel/Tonband, 4 perf | Tanz |
72:15 | Stereo | V, perc, cl, hpd [Stimme, Klarinette, Cembalo, Schlagzeug] | d'après la Divine Comedie di Dante; prologue, 10 "Chiffres". 2 Versions! |
MGCB 0795/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Commande de l’Etat | 5.2.1973 28.3.1973 31.3.1976 |
Paris, Th. Récamier (version concert) dito (proj. disp. des Botticell) Lyon, Auditorium Maurice Ravel (Chor. de V. Biagi; Décors: R. Allio) |
1 | http://www.magison.org/ | |||
| 40584 | François | Bayle | Quatre savants une sciénce | 1966 | Film | INA • GRM | 20.11. & 18.12.1966 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40757 | François | Bayle | Raga du matin | 1975 | radiophon | 58 | INA • GRM | 18.8.1975 | ORTF France-Culture | 0 | |||||||||
| 1016 | François | Bayle | Rébus | 1968 | live-elec, 3 perf | 12:00 | Stereo | S, Sp, oma [Sopran, Sprecher, synthesizer] | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 32243 | François | Bayle | Rien n’est réel, sensations perceptions |
2009 - 2010 | fixed media, akusmatisch | 25:30 | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 0 | ||||||||||
| 40550 | François | Bayle | Six comediens sans personnage | 1965 | Film | sequences de clavecin | INA • GRM | 9.5.1965 | TV ORTF, 1. chaine | 0 | |||||||||
| 1018 | François | Bayle | Solitioude, L’expérience acoustique No. 1 | 1969 | fixed media, akusmatisch | 6:35 | Stereo | 1. version | PHI 6526003/ MGCB 5694/ PHI 6585 007/ PHI 6740 001/ Klett Stuttgart 98762/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 1019 | François | Bayle | Son vitesse-lumière, version F.A.U.S.T. Grandeur Nature Paysage, Personnage, Nuage Voyage au centre de la tête Le sommeil d'Euclide Lumière ralentie |
1986 | fixed media, akusmatisch | radiophon |
122:00 | Stereo | Text by H. Michaux | INA G 6033-47 | 50 ans d'acousmatique/ MGLD 2216/ | INA • GRM | 26.10.1986 | Toulouse, Halle aux Grains; Luminographie: J. Rouveyrollis; Lasers: P. Richard; Pour le premier Forum des Arts et Univers Scientifique et Technique (F.A.U.S.T.) | 1 | http://www.magison.org/ | |||||
| 22290 | François | Bayle | Son Vitesse-Lumière, Grandeur nature Paysage, personnage, nuage |
1980 - 1983 | fixed media, akusmatisch | 57:30 | MGCB 9097/ SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musicisc 247392/ MGCB 91097/ | INA • GRM | INA • GRM | 23.3.1981 | Paris, Maison de Radio France, Gd. Auditorium | 1 | http://www.magison.org/ | ||||||
| 31324 | François | Bayle | Son Vitesse-Lumière, Voyage au centre de la Tète | 1982 | fixed media, akusmatisch | 20:30 | 3. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | Commande d'Etat et de l'INA.GRM | 23.4.1982 | Paris, Maison de Radio France, Gd. Auditorium | 1 | http://www.magison.org/ | |||||
| 31326 | François | Bayle | Son Vitesse-Lumière, Le sommeil d'Euclide | 1983 | fixed media, akusmatisch | intermedia |
20:30 | 4. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | Ministère de la Culture | 18.11.1983 | Metz, Palais des Sports, 12. Rencontres Internationales de Musique Contemporaine de Metz | 1 | http://www.magison.org/ | |||||
| 31327 | François | Bayle | Son Vitesse-Lumière, Lumière ralentie | 1983 | fixed media, akusmatisch | intermedia |
34 | 5. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | 18.11.1983 | Metz, Palais des Sports | 1 | http://www.magison.org/ | ||||||
| 18670 | François | Bayle | substance du singe, L'Expérience acoustique No. 2 part 4 |
1971 | fixed media, akusmatisch | 12:45 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 1020 | François | Bayle | Tests projectifs sonores | 1971 | fixed media, akusmatisch | 27:52 | Stereo | ORTF - SR2 3 LP/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 1021 | François | Bayle | Théâtre d’Ombres, derrière l'image ombres blanches |
1988 | fixed media, akusmatisch | 39:37 | Stereo | 12 tracks / parts | Prix ars electronica 89/ MGCB 0291/ MGCB 1298/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 06.07.89 | Festival MANCA-CIRM | Auszeichnung ars electronica 1989 | 0 | http://www.magison.org/ | ||||
| 24738 | François | Bayle | Thèmes-sons, L'Expérience acoustique | 1970 - 1973 | fixed media, akusmatisch | 1:55 | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 40592 | François | Bayle | Titan, Andromede | Film | 3:15 | Musique pour l’Image MPI/LP 105/ | INA • GRM | 8.9.1968 | TV ORTF, 2. chaine | 0 | |||||||||
| 40525 | François | Bayle | Tournoi | 1964 | Film | 9 | texte A. Voisin | INA • GRM | 0 | ||||||||||
| 31322 | François | Bayle | Tremblement de terre très doux, Suite Erosphère part 2 |
1978 | fixed media, akusmatisch | 28:11 | Coll GRM 9101 BA/ | INA • GRM | INA • GRM | 19.3.1979 | Paris, Maison de Radio France, Gd. Auditorium | 0 | |||||||
| 1023 | François | Bayle | Trois rêves d'oiseau, l'oiseau moqueur l'oiseau triste l'oiseau Zen |
1963, 1971 | fixed media, akusmatisch | audiovisuell |
9:58 | Stereo | exemplaire d'archive numéroté, 11/50 | Coll GRM 9101 BA/ Agon PV 725001/ MGCB 1804/ INA-GRM 9101 ba Gramme/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 6.2.1972 October 1979 |
Paris, Musée Guimet ACIC Paris, Sacem |
1 | http://www.magison.org/ | |||||
| 1024 | François | Bayle | Trois-portraits-d'un-oiseau-qui-n'existe-pas, Oiseau carnassier Oiseau mouche Oiseau chanteur |
1963, 1971 | Film | 7:22 | Stereo | ob, hp, hn, hpd, vib [Oboe, Horn, Harfe, Cembalo, Schlagzeug] | INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 027/ | INA • GRM | 22.12.1963 | Knokke-le-Zoute Festival | 0 | http://www.magison.org/ | |||||
| 18671 | François | Bayle | uirapuru, L'Expérience acoustique No. 3 part 10 |
1971 | fixed media, akusmatisch | 3:49 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40725 | François | Bayle | Un geant sur la mer | 1972 | Film | 11:20 | INA • GRM | 30.6.1972 | TV ORTF, 1. chaine | 0 | |||||||||
| 28707 | François | Bayle | Univers nerveux, Univers nerveux in memoriam K. Stockhausen | 2005 | fixed media, akusmatisch | 21:49 | Stereo, Octo | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 11.10.2007 | Universität zu Köln | 1 | 2008 | http://www.amirapress.com/tag/wdr3-studio-elektronische-musik-franois-bayle-univers-nerveux-2006 | |||||
| 1025 | François | Bayle | Vapeur | 1961, 1966 | Film | 5:12 | Stereo, Quadro | Vorversion von "Lignes et points" | BAM LD 071/ | INA • GRM | 18.7.1962 | Ranelagh Paris, Expérience 62 | 0 | http://www.magison.org/ | |||||
| 1026 | François | Bayle | Vibrations composées, rosace 1 Respiration rosace 2 Texture rosace 3 rosace 4 Polyrythmie Petite polyphonie rosace 5 |
1973 | fixed media, akusmatisch | 37:20 | Stereo | 9 (?) parts in two series | MGCB 0392/ INA R 9501/ Ellipsis Arts 3672 - OHM: 02/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 12.2.1972 7.10.1975 |
Paris, Espace Cardin (1. Serie) Paris, Grand Amphitheâtre de la Sorbonne (both Series) |
1 | http://www.magison.org/ | |||||
| 40618 | François | Bayle | Voyage interieur | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 40784 | François | Bayle | Zen - Atlan | 1980 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 32762 | François, Edgardo, Philippe, Luc, François-Bernard, Ivo, Jean-Etienne, Bernard, N'Guyen van, | Bayle, Canton, Carson, Ferrari, Mâche, Malec, Marie, Parmegiani, Tuong, | Concert Collectif, Pluriel Liaison 17 D'un bout á l'autre Collages Phonologie 6 pour 4 Compose-composite Synergies Tutti L'experience ambigue Alternances Eventail |
1962 - 1963 | fixed media, akusmatisch | Zuspiel/Tonband, 20 perf |
Stereo, Quadro | 12 - 20 ins [Instrument] | INA • GRM | 18.3.1963 | Paris, Salle des Conservatoires, dir. Ch. Bruck | 1 | ||||||||
| 31275 | François, Edgardo, Luc, Ivo, Bernard | Bayle, Canton, Ferrari, Malec, Parmegiani | Operabus, Concert Collectif II | 1965 | Theatermusik | 36:16 | 4 actor, ens [Schauspieler, Ensemble] | IDEAMA-Durations: 6:58 + 5:14 + 7:24 + 7:06 + 9:34 | IDEAMA CD 051/ | INA • GRM | May 1965 | Zagreb Biennale; dir. Ch. Bruck | 0 | ||||||
| 40412 | François, Beatriz | Bayle, Ferreyra | Ereignis | 1960 | live-elec, 1 group | 7 | Mono, Stereo | ens [Ensemble] | INA • GRM | 18.6.1964 | Paris, Maison de l’Etudiant | 0 | |||||||
| 40731 | François, Bernard | Bayle, Parmegiani | La divine comedie | 1973 | Film | 27:10 | INA • GRM | 26.3.1973 26.3.1973 |
Paris, Théâtre Récamier TV ORTF, 1. chaine |
0 | |||||||||
| 1009 | François, Bernard | Bayle, Parmegiani | Paradis | 1974 | Zuspiel, live-elec, 2 perf | Tanz |
22 | Mono + Mono + Mono + Mono, Quadro | 2 synt [synthesizer] | 4 taperecorders. First GRM-work with Synt in real time |
INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 30.1.1974 31.3.1976 |
Paris, Eglise St. Séverin Lyon, Audit. Maurice Ravel; Choré. de V. Biagi; Décor: R. Allio |
1 | http://www.inagrm.com/sites/default/files/mini-sites/parmegiani/co/Bernard_Parmegiani.html | ||||
| 31319 | François, Bernard | Bayle, Parmegiani | Paradis, Écriture | 1974 | fixed media, akusmatisch | 19:30 | INA • GRM | 30.1.1974 31.3.1976 |
Paris, Eglise St. Séverin Lyon, Audit. Maurice Ravel; Choré. de V. Biagi; Décor: R. Allio |
1 | |||||||||
| 40728 | François, Bernard, Keith | Bayle, Parmegiani, Jarrett | Page noire | 1972, 1973 | Theatermusik | Film || Tanz |
100 | Spectacle musical multi media avec chorégraphie, projection film, diapositives et film d'animation de H. Bettiol. Textes de S. Leclaire, L. Caroll, B. Noël, Black Panthers, A. Jouffroy. |
INA • GRM | novembre 1972 | Bordeaux Sigma 8 | 0 | ||||||||
| 1017 | François, Guy | Bayle, Reibel | Rumeurs, Ailleurs 1 Gesang Ailleurs 2 La leçonde musique Monde et fin Echappée 2 Bloc choral Continuo |
1968 | Zuspiel / Tonband, 21 perf, 2 groups | 31:08 | Stereo | 3 V, oma, p, 2 perc, 2 ch, 6 large ch, 9 conductor [Stimme, Piano, Schlagzeug, Performer, synthesizer, Chor] | 5 parts (Bayle; 06:30 + 05:34 + 05:04 + 05:36 + 07:49 = 31:08 min) + 3 parts (Reibel; 21min) Scénario de François Bayle 6 large ch ≈ 6000 V at 9 chefs |
IDEAMA CD 031/ | INA • GRM | Commande d’Etat | 10.8.1968 | Vaison la Romaine, A. Savouret, S. Caillat, R. Boesch (3 conductors) avec J. Higelin | 1 | http://www.magison.org/ | |||
| 994 | François, Robert | Bayle, Wyatt | L'Expérience acoustique No. 3 La Preuve par le son, La langue inconnue intervalles bleus Uirapuru L'écriture acoustique it |
1971 | fixed media, akusmatisch | Theatermusik |
32:15 | Stereo | 5 Parts with Number 8. - 12. | MGCB 5694/ INA C 1035 27655 archives grm CD 5/5/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 26.8.1971 18.6.1971 17.5.1872 |
Menton, Festival Chantiers Navals Bourges dans la cour Jacques Cœur Paris, Musée Guimet (chorégraphie: V. Biagi avec C.Imbert &C.Richet, images du "Bread and Puppet Theater" par M.Tréguer) |
1 | http://www.magison.org/ | |||||
| 1028 | Oscar | Bazán | Simbiosis I | 1964 | Zuspiel, live-elec, 2 perf | 6:00 | Stereo | e-org, perc [Keyboard, Schlagzeug] | 5 parts | LIPM B.Aires | 0 | ||||||||
| 1029 | Oscar | Bazán | Simbiosis II | 1965 | fixed media, akusmatisch | 6:20 | Mono | LME Uni Cordoba | 0 | ||||||||||
| 1030 | Miro | Bázlik | Adieu | 1970 | fixed media, akusmatisch | 6:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1031 | Miro | Bázlik | Arie | 1970 | fixed media, akusmatisch | 10:55 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1032 | Miro | Bázlik | Balada | 1987 | fixed media, akusmatisch | 10:55 | Stereo | MR Budapest | 0 | ||||||||||
| 1033 | Miro | Bázlik | Balada o dreve (Ballade über das Holz) | 1987 | fixed media, akusmatisch | 10:58 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1034 | Miro | Bázlik | Concertino | 1972 | fixed media, akusmatisch | 9:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1035 | Miro | Bázlik | Epoche | 1984 | Zuspiel / Tonband, | 32:10 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 1036 | Miro | Bázlik | Epoché II | 1994 | Zuspiel / Tonband, 1 perf | 17:21 | vc [Cello] | EM CD 003/ | CECM Bratislava | 1 | |||||||||
| 1037 | Miro | Bázlik | Ergodicka kompozicia | 1980 | fixed media, akusmatisch | 17:30 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 1038 | Miro | Bázlik | Imersion | 1975 | fixed media, akusmatisch | 5:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1039 | Miro | Bázlik | Pieta | 1972 | fixed media, akusmatisch | 8:55 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1040 | Miro | Bázlik | Simple electronic symphony, Sonata Cantus firmus Madrigal Giaccona |
1975 | fixed media, akusmatisch | 22:13 | Stereo | EM CD 001/ | CECM Bratislava | 1 | |||||||||
| 1041 | Miro | Bázlik | Spektra | 1970 - 1974 | Zuspiel / Tonband, | 120:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1042 | Miro | Bázlik | Triptych | 1971 | fixed media, akusmatisch | 19:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1044 | Group | BBC Radiophonic workshop | Adventure Playground | 1962 | Fernsehen, | 15:00 | Mono | BBC | 0 | ||||||||||
| 33329 | Group | BBC Radiophonic workshop | Ape ans Essence | 1966 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 1045 | Group | BBC Radiophonic workshop | Choice | 1964 | radiophon | 0:40 | BBC | 1 | |||||||||||
| 33318 | Group | BBC Radiophonic workshop | Death of a Jelly Baby | 1963 | radiophon | 90 | Mono | BBC | 0 | ||||||||||
| 1046 | Group | BBC Radiophonic workshop | Embers | 1959 | radiophon | 60:00 | Mono | BBC | 0 | ||||||||||
| 1047 | Group | BBC Radiophonic workshop | Exploding stomach | 1964 | radiophon | 0:10 | BBC | 1 | |||||||||||
| 1048 | Group | BBC Radiophonic workshop | Family car | 1964 | Fernsehen, | 1:08 | BBC | 1 | |||||||||||
| 1049 | Group | BBC Radiophonic workshop | Free Fall | 1959 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1050 | Group | BBC Radiophonic workshop | Gravel | 1964 | radiophon | 8:00 | BBC | 1 | |||||||||||
| 1051 | Group | BBC Radiophonic workshop | Orpheus | 1962 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1052 | Group | BBC Radiophonic workshop | Poetry of Ernst Jandl "Laut und Leise" | 1965 | radiophon | Mono | BBC | 0 | |||||||||||
| 33324 | Group | BBC Radiophonic workshop | Secret fo the Chasm | 1964 | Fernsehen, | 30 | BBC | 0 | |||||||||||
| 33328 | Group | BBC Radiophonic workshop | Shadow in the clouds | 1966 | Fernsehen, | 60 | Mono | BBC | 0 | ||||||||||
| 1053 | Group | BBC Radiophonic workshop | Sono-Montage | 1965 | Hintergrundmusik | 30:00 | Mono | background for poetry recital, with kinetic art | BBC, Stagesound London | 0 | |||||||||
| 33325 | Group | BBC Radiophonic workshop | The Building of the Bomb | 1964 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 33323 | Group | BBC Radiophonic workshop | The caves of steel | 1964 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 33321 | Group | BBC Radiophonic workshop | The Dark Ages | 1964 | radiophon | 125 | Mono | BBC | 0 | ||||||||||
| 1057 | Group | BBC Radiophonic workshop | The Ocean | 1958 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1058 | Group | BBC Radiophonic workshop | Under the Loofah Tree | 1958 | radiophon | 45:00 | Mono | BBC | 0 | ||||||||||
| 33322 | Group, Barry | BBC Radiophonic workshop, Bermange | Amor dei | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | http://www.novars.manchester.ac.uk/research/delia/english_html/img8.html | ||||||||
| 1054 | Group, Barry | BBC Radiophonic workshop, Bermange | The After-Life | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | |||||||||
| 1055 | Group, Barry | BBC Radiophonic workshop, Bermange | The dreams | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 1 | http://www.novars.manchester.ac.uk/research/delia/english_html/img8.html | ||||||||
| 1056 | Group, Barry | BBC Radiophonic workshop, Bermange | The Evenings of Certain Lives | 1965 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | |||||||||
| 33326 | Group, Peter Maxwell | BBC Radiophonic workshop, Davies | The Pagoda Fugue | 1966 | radiophon | 60 | Mono | orc-music by P. M. Davies | BBC | 0 | |||||||||
| 33319 | Group, John | BBC Radiophonic workshop, Grainer | Giants of Steam | 1963 | Fernsehen, | 40 | Mono | BBC | 0 | ||||||||||
| 22758 | Group, Ron | BBC Radiophonic workshop, Grainer | Dr. Who | 1964 | radiophon | Fernsehen, |
2:20 | Pop | BBC | 1 | ||||||||||
| 33317 | Group, Brion | BBC Radiophonic workshop, Gysin | Permutated Poems, Pistol Poem I am that I am |
1960 | fixed media, akusmatisch | 30 | Mono | text sound poem | BBC | 0 | |||||||||
| 33320 | Group, Humphrey | BBC Radiophonic workshop, Searle | The Photo of the Colonel | 1964 | radiophon | 10 | Mono | BBC | 0 | ||||||||||
| 1060 | Janet | Beat | A springtime pillow book | 1990 | Zuspiel, live-elec, 3 perf | 21:00 | Mez, fl, a-fl, (synt, con synt) [Mezzo, Flöte] | PS C. | 0 | ||||||||||
| 1061 | Janet | Beat | A vision of the unseen No. 1 | 1988 | Zuspiel / Tonband, 3 perf | 20:00 | Stereo | impro trio [Instrument] | PS C. | 0 | |||||||||
| 1062 | Janet | Beat | A vision of the unseen No. 2 | 1988 | fixed media, akusmatisch | 17:40 | Stereo | BPEM 01/ | PS C. | 0 | |||||||||
| 1063 | Janet | Beat | A willow swept by rain | 1982 | Zuspiel / Tonband, 1 perf | 12:08 | Stereo | gui [Gitarre] | PS C. | 0 | |||||||||
| 1064 | Janet | Beat | Apollo and Marsyas | 1972/1973 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | cl [Klarinette] | PS C. | 0 | |||||||||
| 1065 | Janet | Beat | Aztec myth | 1987 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | Mez [Mezzo] | PS C. | 0 | |||||||||
| 1066 | Janet | Beat | Beating around the bush | 1990 | live-elec, | 10:00-12:00 | BPEM 01/ | PS C. | 0 | ||||||||||
| 1067 | Janet | Beat | Cezanne & Poussin | 1990 | Film | elec film score | PS C. | 0 | |||||||||||
| 1068 | Janet | Beat | Cross currents and reflections (in 2 volumes ) | 1981/1982 | Zuspiel / Tonband, 2 perf | 25:00 | Stereo | p and e-p, synt [Piano, synthesizer] | Vol. 1 for sol p can be played on its own. Vol. 2 can only be played along with Vol. 1 |
PS C. | 0 | ||||||||
| 1069 | Janet | Beat | Dancing on moonbeams | 1980 | fixed media, akusmatisch | 9:44 | Stereo | elec fantasy. | SSC 001 Scottish Society of Composers/ | PS C. | 0 | ||||||||
| 1070 | Janet | Beat | Dreamscapes | 1980 | Zuspiel / Tonband, 1 perf | 12:33 | Stereo | bn [Fagott] | PS C. | 0 | |||||||||
| 1071 | Janet | Beat | Echoes from Bali | 1987 | live-elec, 1 perf | ≈ | MIDI [synthesizer] | BPEM 01/ | PS C. | 0 | |||||||||
| 1072 | Janet | Beat | Graphic video : As one opened her eyes .. | 1990 | Film | elec film score | PS C. | 0 | |||||||||||
| 1073 | Janet | Beat | Hunting horns are memories | 1977 | Zuspiel / Tonband, 1 perf | 21:50 | Stereo | hn [Horn] | PS C. | 0 | |||||||||
| 1074 | Janet | Beat | Hunza Aubade | 1987 | Zuspiel / Tonband, 1 perf | 6:47 | Stereo | t-rec [Flöte] | PS C. | 0 | |||||||||
| 1075 | Janet | Beat | Intermezzo | 1988 | live-elec, | ≈ | PS C. | 0 | |||||||||||
| 1076 | Janet | Beat | Journey of a letter | 1986 | fixed media, akusmatisch | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1077 | Janet | Beat | Kist d'Ayres | 1989 | Zuspiel, live-elec, 4 perf | 7:00-8:00 | V, fl, lute, con synt [Stimme, Flöte, Gitarre, synthesizer] | PS C. | 0 | ||||||||||
| 1078 | Janet | Beat | Lydian mix | 1989 | live-elec, 1 perf | ≈ | Stereo | (con mul timbral) synt [synthesizer] | BPEM 01/ | PS C. | 0 | ||||||||
| 1079 | Janet | Beat | Mandala | 1990 | fixed media, akusmatisch | Zuspiel, live-elec, 2 perf |
10:00 | Stereo | fl, perc (tibetian monestary bells, MIDI) [Flöte, Schlagzeug] | WX 7 | PS C. | 0 | ||||||||
| 1080 | Janet | Beat | Memories of Java | 1990 | Zuspiel, live-elec, 2 perf | 7:00 | Stereo | gender panerus, MIDI [synthesizer] | PS C. | 0 | |||||||||
| 1081 | Janet | Beat | Ongaku | 1981 | Zuspiel / Tonband, 1 perf | 17:48 | Stereo | hpd [Cembalo] | PS C. | 0 | |||||||||
| 1082 | Janet | Beat | Pastore d'Aria | 1979 | Zuspiel / Tonband, 3 perf | 13:04 | Stereo | ob, ob d´amore, ehn [Oboe] | PS C. | 0 | |||||||||
| 1083 | Janet | Beat | Piangam | 1978/1979 | Zuspiel / Tonband, 1 perf | 17:26 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 1084 | Janet | Beat | Puspawarna | 1988/1990 | fixed media, akusmatisch | live-elec, 3 perf |
≈ | V, perc (low gong), con synt [Stimme, Schlagzeug, synthesizer] | PS C. | 0 | ||||||||||
| 1085 | Janet | Beat | Second glance : Clocks, times past | 1983 | Film | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1086 | Janet | Beat | Second glance : Lighthouses | 1983 | Film | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1087 | Janet | Beat | The cranes call | 1981 | fixed media, akusmatisch | 4:30 | Stereo | elec tone poem | PS C. | 0 | |||||||||
| 1088 | Janet | Beat | The Gossamer web | 1975 | Zuspiel / Tonband, 3 perf | 28:30 | Stereo | S, p, perc [Sopran, Piano, Schlagzeug] | PS C. | 0 | |||||||||
| 39419 | Julien | Beau | La perle noire | 2017 | audiovisuell | 0 | |||||||||||||
| 1089 | James | Beauchamp | Study #5 | 1965 | fixed media, akusmatisch | 2:40 | Stereo | EMS UIUC | 0 | ||||||||||
| 1090 | Thierry | Beaucoup | Un souffle... | 1993 | Zuspiel, live-elec, 2 perf | vib, vc [Schlagzeug, Cello] | SONVS Lyon | 0 | |||||||||||
| 24177 | Paul | Beaudoin | Lamentus | 2002 | fixed media, akusmatisch | 3:30 | for robert kogan and pozzi escot | Discontact! III 2003 PeP 007/ | 1 | ||||||||||
| 24319 | Samuel | Beaudoin | ékhôs | 2004 | fixed media, akusmatisch | 8:00 | JTTP 2004 | CEC Cache 2004, PeP 009/ | 1 | ||||||||||
| 25838 | Samuel | Beaudoin | N'importe quoi | 2005 | fixed media, akusmatisch | 8:00 | Stereo | JTTP 2005 | CEC Cache 2005, PeP 010/ | winner JTTP 2005 4. prize | 0 | ||||||||
| 1092 | Olivier | Beaufils | Nach Constantinopolis | 1992 | Zuspiel, live-elec, 8 perf | 5 V, p, cl, perc [Stimme, Klarinette, Piano, Schlagzeug] | SONVS Lyon | 0 | |||||||||||
| 1091 | Olivier, Adrian | Beaufils, Russovich | Indo | 1991 | Film | SONVS Lyon | 0 | ||||||||||||
| 1093 | Jacques | Beaujean | Musiques Dispersees (C), Interlude | 1969 | Performance | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | ||||||||
| 24589 | Yves | Beaupré | Humeur de facteur, Prélude démesuré Beauséjour La Laurendeau La Pelots Point La DDB Péroraison |
1998 - 1999 | fixed media, akusmatisch | 54:13 | Stereo | IMED 0160/ | PS C. | 0 | |||||||||
| 32765 | Paul, Bernard L. | Beaver, Krause | The Nonesuch Guide to Electronic Music | 1967 | Demo, Studie | included: 2 LPs, scores | Nonesuch HC 73018/ | 0 | |||||||||||
| 33404 | Paul, Alexander | Beaver, Laszlo | Atomic Submarine | 1960 | Film | Mono | EMC Los Angeles | 0 | |||||||||||
| 23107 | Daniel | Beban | Herakles | 1999 | fixed media, akusmatisch | 8:33 | UWMD 1201 New Zealand Sonic Art Vol. 2/ | 1 | |||||||||||
| 1095 | Egils | Bebris | Hockey Night In Opera | 1995 | fixed media, akusmatisch | 2:26 | CEC DISContact_2/ | 1 | |||||||||||
| 1096 | Egils | Bebris | Immersion | 1992 | fixed media, akusmatisch | 2:55 | human voice | CEC DISContact_1/ | Con Toronto | 1 | |||||||||
| 1097 | Egils | Bebris | Process Piano | 1989 | fixed media, akusmatisch | 9:39 | Stereo | PS C. | 0 | ||||||||||
| 42461 | Géraud | Bec | Buzzz | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 23835 | Gustavo | Becerra | 2da Sinfonía | 1958 | live-elec, 1 group | 20:00 | orc, (osc, moving sound) [Orchester] | El oscilador empleado estaba programado para emitir una onda sinusoidal y luego una diente de sierra. Noviembre 1958. Teatro Astor, Santiago de Chile. |
11.1958 | Teatro Astor, Santiago de Chile | 0 | ||||||||
| 23854 | Gustavo | Becerra | Balistocata | 1982 | fixed media, akusmatisch | 3:10 | Obra de música computacional: el computador controla modulos de sonido periféricos mediante un diagrama de flujo realizado por el compositor. Existe una transcripción para piano solo. | WDR SEM | 01.1982 | WDR | 0 | ||||||||
| 23853 | Gustavo | Becerra | Batallas para Allende | fixed media, akusmatisch | 9:46 | Forma parte de la cantata “Allende”, compuesta para Quilapayún. Textos de Eduardo Carrasco. | 0 | ||||||||||||
| 23842 | Gustavo | Becerra | Batuque | fixed media, akusmatisch | 4:14 | Materiales sonoros reformulados en "Corvalán". | 0 | ||||||||||||
| 23861 | Gustavo | Becerra | Concierto para 4 pianos sampleados | 2004 | fixed media, akusmatisch | 17:56 | Estreno organizado por Mario Arenas con empleo de su programa "Punto y Tono". Es posible confiar algunas partes a pianos acústicos | 11.2004 | Sala el Pentágono, Universidad de La Serena, Chile. | 0 | |||||||||
| 23846 | Gustavo | Becerra | Cornos Volantes | fixed media, akusmatisch | 22:00 | Materiales sonoros reformulados en "Corvalán". | 0 | ||||||||||||
| 23847 | Gustavo | Becerra | Corvalán | 1975 | Zuspiel / Tonband, 1 perf | 41:07 | Sp [Sprecher] | Carla Cristi, Recitante. Luigi Nono, proyección sonora. Versión original con texto en aleman. 1975. Teatro Benedetto Marcello. Bienal de Venecia, Italia. Estreno parcial. |
0 | ||||||||||
| 23851 | Gustavo | Becerra | Cuando | Zuspiel / Tonband, 1 perf | 16:08 | Sp [Sprecher] | 0 | ||||||||||||
| 23849 | Gustavo | Becerra | Das Neue Wort | Zuspiel / Tonband, 1 perf | 10:00 | V [Stimme] | Versión electrónica de la obra original para voz y clarinete Bajo. La cinta que contiene la parte electrónica esta extraviada. | 0 | |||||||||||
| 23859 | Gustavo | Becerra | Das Schweigen | 1987 | Musiktheater, 1 perf | 22:46 | Contra-A [Alt] | Monodrama. Ilse Zahn Wienands, contralto. Texto de Gertrud Meyer. Como todas las obras electroacústicas o con electroacústica de Becerra, estan abiertas de acuerdo a las posibilidades de reproducción, a la intervención de "live electronics". 1a Versión: Febrero 1987, Hamburgo. 2a Versión: Junio 1987, Bremen, Alemania. |
0 | ||||||||||
| 23856 | Gustavo | Becerra | Exposición Concertante | 1981 | audiovisuell | 03.1981 | Kuntsverein Oldenburgo | 0 | |||||||||||
| 23844 | Gustavo | Becerra | Historia de una provocación | 1972 | Zuspiel / Tonband, 1 perf, 1 group | 20:17 | Bar, ens [Bariton, Ensemble] | Estreno bajo la dirección del autor con Fernando Lara, barítono y la orquesta filarmónica de la UNESCO. Septiembre 1972 palacio de la UNESCO en Paris. Francia. |
0 | ||||||||||
| 23860 | Gustavo | Becerra | Interior | fixed media, akusmatisch | 16:14 | Obra de música computacional: el computador controla modulos de sonido periféricos (tres Yamaha DX7 en este caso) mediante un diagrama de flujo realizado por el compositor. "Dedicada a mi padre". | 0 | ||||||||||||
| 23836 | Gustavo | Becerra | Juegos | 1966 | Zuspiel / Tonband, 14 perf | p, 12 perf (pelotas de ping-pong), 1 ladrillo [Piano, Performer] | La parte electrónica consistía en la grabación de parte del concierto la que luego debía ser reproducida simultáneamente con la continuación de la obra 1966, Auditorium de la Biblioteca Nacional. Santiago, Chile |
0 | |||||||||||
| 23841 | Gustavo | Becerra | Lénin | 1970 | Zuspiel / Tonband, 1 perf | 16:52 | V [Stimme] | Como voz recitante actúa el propio autor. 1970, Bonn, Alemania. |
0 | ||||||||||
| 23838 | Gustavo | Becerra | Lord Cochrane de Chile | Zuspiel, live-elec, 2 perf, 2 groups | 25:00 | Sp, V, ch, amp orc [Sprecher, Stimme, Chor, Orchester] | 0 | ||||||||||||
| 23845 | Gustavo | Becerra | Nocturno | fixed media, akusmatisch | 15:25 | Parte de la ópera "La muerte de Rodrigo" no estrenada. | 0 | ||||||||||||
| 23840 | Gustavo | Becerra | Oda al alambre de púa | 1970 | Zuspiel / Tonband, 2 perf, 1 group | 24:00 | S, prep p, orc [Sopran, Piano, Orchester] | Encargo del festival de Guanabara. Texto basado en el poema homónimo de Pablo Neruda. La cinta ha sido extraviada. Mayo 1970, II Festival de música de Guanabara. Rio de Janeiro, Brasil. |
0 | ||||||||||
| 23858 | Gustavo | Becerra | Oda al mar | 1987 | fixed media, akusmatisch | 14:10 | Musica de Fondo para la obra homonima de Pablo Neruda. Junio de 1987. Sala de actos y exposiciones de la biblioteca central de la U. de Oldenburgo. |
0 | |||||||||||
| 23837 | Gustavo | Becerra | Oratorio Macchu Picchu | Zuspiel, live-elec, 4 perf, 2 groups | 38:00 | S, 2 Sp, ch, osc, orc [Sopran, Sprecher, elektronik, Chor, Orchester] | Textos de Pablo Neruda: Alturas de Macchu Picchu y Canto II del Canto General. | 0 | |||||||||||
| 23857 | Gustavo | Becerra | Ossietzky Oratorium | 1985 | Zuspiel / Tonband, 9 perf, 2 groups | 75:00 | 2 S, 2 A, T, 2 Bar, B, ch, perc, orc [Sopran, Alt, Tenor, Bariton, Bass, Schlagzeug, Chor, Orchester] | Encargo de la Universidad de Oldemburgo. Febrero de 1985, Oldemburgo, Alemania. |
0 | ||||||||||
| 23843 | Gustavo | Becerra | Parsifae | Oper, 3 perf | 2 actor, mime [Schauspieler] | Texto de Tobías Barros Alonso. | 0 | ||||||||||||
| 23848 | Gustavo | Becerra | Progresiones | 1977 | audiovisuell, | 23:50 | (film, slides) [] | 1977, Maracaibo, Venezuela. | 0 | ||||||||||
| 23852 | Gustavo | Becerra | Quipus | fixed media, akusmatisch | 3:04 | 0 | |||||||||||||
| 23850 | Gustavo | Becerra | Strukturen | 1978 - 1980 | fixed media, akusmatisch | 11:05 | 0 | ||||||||||||
| 23839 | Gustavo | Becerra | Tres piezas para clavecín y cinta magnética | 1968 | Zuspiel / Tonband, 1 perf | 5:12 | hpd [Cembalo] | Las piezas son: 1-Morula 2- Gastrula 3-Blastula Ruby Ried, Clavecin. Noviembre 1968. Teatro IEM. Santiago, Chile. |
0 | ||||||||||
| 23855 | Gustavo | Becerra | Variationen über Balistocata von G. Becerra Scmidt | 1982 | fixed media, akusmatisch | 9:36 | Compuesta en conjunto con Wolfgang Marin Stroth. existe una transcripción para piano solo Enero de 1982 at WDR |
0 | |||||||||||
| 1098 | László | Beck | Canon | 1959 | fixed media, akusmatisch | Mono | Qualiton Budapest | 0 | |||||||||||
| 40256 | Stephen | Beck | Vale Veneto Remix | 2016 | fixed media, akusmatisch | Stephen Beck | 0 | ||||||||||||
| 18709 | Stephen David | Beck | Improvisation on Strange Attractors v1.Ob | 1990 | live-elec, 1 perf | 10:23 | Stereo | bn [Fagott] | for bassoon and Virtual Instrument Paradigm. William Ludwig (bn) | CEC DISContact_1/ SEAMUS EAM 9301 Vol. 1/ | 0 | ||||||||
| 42999 | Stephen David | Beck | inChuck | 2013 | live-elec, | 10:00:00 | laptop orc [Orchester] | Laptop Orchestra of Louisiana (the LOLs) | 0 | ||||||||||
| 18710 | Stephen David | Beck | Lov's Not Time's Fool | 1992 | live-elec, 1 perf | 8:08 | Stereo | com [computer] | MIDI; for wind controller, Yamaha TX802 synthesizer and computer. Griffin Campbell, wind controller | SEAMUS EAM 9402 Vol. 3/ CEC DISContact_1/ | 0 | ||||||||
| 37832 | Stephen David | Beck | Oh, No! (Music for Kenneth) | fixed media, akusmatisch | 0 | ||||||||||||||
| 24886 | Stephen David | Beck | Sarah-nade (After Brahms) | 1995 | fixed media, akusmatisch | 3:30 | after Brahms. KYMA and Audiosculpt |
EMF 031 „Florida EM Festival, Vol 1“/ | 0 | ||||||||||
| 42717 | Stephen David | Beck | Unhinged | 2012 | fixed media, akusmatisch | 7:43:00 | 0 | ||||||||||||
| 40257 | Stephen David, Edgar | Beck, Berdahl | Quartet for Strings | 2017 | fixed media, akusmatisch | Stephen David Beck and Edgar Berdahl | 0 | ||||||||||||
| 33888 | Thomas Taxus | Beck | Brandopfer am Sonntag | 2002 | radiophon | 31:20:00 | Stereo | (Leopold von Verschuer,) Sp [Sprecher] | Hörstück nach einer Erzählung von Jacques Hamelink | HfMT Köln CD7/ | HfMT Köln, WDR Studio Akustische Kunst | WDR | Prix Ars Acustica 2003 | 0 | |||||
| 33887 | Thomas Taxus | Beck | Hackordnung (überhühner Nr. 9) | 2000 | Zuspiel / Tonband, 1 perf | 23:50:00 | Quadro | Sp [Sprecher] | Groteske für Sprecher und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 33886 | Thomas Taxus | Beck | Monosom | 1999 | fixed media, akusmatisch | 16:36:00 | Quadro | HfMT Köln, WDR Studio Akustische Kunst | 0 | ||||||||||
| 33889 | Thomas Taxus | Beck | . punkt um. punkt, 5 Texte von Ernst Jandl | 2003 | Zuspiel / Tonband, 2 perf | 14:46:00 | Quadro + Mono | Mez, Bar, (CD-Player) [Mezzo, Bariton] | Komposition für tragbaren CD-player, Mezzosopran, Bariton und elektron. Klänge | HfMT Köln | 0 | ||||||||
| 33890 | Thomas Taxus | Beck | this guy | 2005 | radiophon | 42:30:00 | Stereo, Quadro | Hörstück über ein englisches Volksmärchen Tom Zahner, Sprecher, Stimmen von 12 englischsprachigen Personen |
HfMT Köln, WDR Studio Akustische Kunst | 0 | |||||||||
| 18809 | Rüdiger | Beckemeier | Wohlverwahrt - Essener Elegie | 1991 | intermedia | 8:43 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records/ | 1 | |||||||||
| 26414 | Daniel | Becker | Revolution | 2004 | live-elec, 1 perf | disklavier [Piano] | 0 | ||||||||||||
| 37427 | Frank W. | Becker | Incursion | 1972 | fixed media, akusmatisch | 7:50 | Stereo | NHK Tokyo | 0 | ||||||||||
| 1099 | Günther | Becker | Aktionen für Tänzer | 1971 | Zuspiel, live-elec, 1 group | Tanz |
25:00 | ens [Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1100 | Günther | Becker | Apeiron | 1972 | Zuspiel, live-elec, 2 groups | 30:00 | Quadro | ch, ens [Ensemble, Chor] | HfM Düsseldorf | 0 | |||||||||
| 26182 | Günther | Becker | Aus Alpbachs Hain und Flur | 1975/1976 | fixed media, akusmatisch | 8:55 | Cybele SACD 960.401/ | HfM Düsseldorf | 0 | ||||||||||
| 1101 | Günther | Becker | Correspondances III | 1969 | live-elec, 2 perf | 10:00 | va, db [Viola, Kontrabass] | HfM Düsseldorf | 0 | ||||||||||
| 1102 | Günther | Becker | Epiklesis Alpha | 1976 | Zuspiel / Tonband, 6 perf | 11:00 | Stereo | 6 ins [Instrument] | HfM Düsseldorf | 0 | |||||||||
| 1103 | Günther | Becker | Ferrophonie | 1973 | fixed media, akusmatisch | 21:17 | Cybele SACD 960.401/ | HfM Düsseldorf | 0 | ||||||||||
| 1105 | Günther | Becker | Hz | 1971 | live-elec, 1 perf | ob [Oboe] | HfM Düsseldorf | 0 | |||||||||||
| 1106 | Günther | Becker | Ihre Bosheit wird die ganze Erde zu einer Wüste machen | 1978 | Zuspiel / Tonband, 1 perf, 2 groups | 25:00 | Vs, ens [Stimme, Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1107 | Günther | Becker | Magnum Mysterium - Zeugenaussagen zur Auferstehung | 1979/1980 | Zuspiel / Tonband, 1 perf, 2 groups | 70:00 | Vs, ens [Stimme, Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1108 | Günther | Becker | Meteoron | 1969 | Zuspiel / Tonband, 2 perf | 14:05 | Stereo | org, perc [Orgel, Schlagzeug] | Koch 3-5037-2/ | HfM Düsseldorf | Kantorei St. Martin Kassel | 10.4.1969 | Kassel | 0 | |||||
| 1109 | Günther | Becker | Oboenkonzert | 1973/1974 | live-elec, 1 perf, 1 group | ob, orc [Oboe, Orchester] | HfM Düsseldorf | 0 | |||||||||||
| 1110 | Günther | Becker | Odyssee | 1977 | Film | film | HfM Düsseldorf | 0 | |||||||||||
| 1111 | Günther | Becker | Oh, Mr. Dolby, what a terrible noise | 1990 | Zuspiel / Tonband, 1 perf | 10:00 | b-cl [Klarinette] | HfM Düsseldorf | 0 | ||||||||||
| 1112 | Günther | Becker | Passagen | 1975/1976 | live-elec, 2 perf, 2 groups | 22:45 | Vs, ens, perc [Stimme, Schlagzeug, Ensemble] | für Sprachklänge, Tasteninstr., Schlagzeug und elektr. Modulationsgeräte | Cybele SACD 960.401/ | ICEM Essen | WDR 1976 | 0 | |||||||
| 1113 | Günther | Becker | Rigolo | 1967 | Zuspiel / Tonband, 6 perf | 8:00 | V, 5 ins [Stimme, Instrument] | HfM Düsseldorf | 0 | ||||||||||
| 1114 | Günther | Becker | Scanning | 1970 | Zuspiel / Tonband, 5 perf | Stereo | 2 tpt, hn, 2 trbn [Horn, Trompete, Posaune] | HfM Düsseldorf | Stadt Witten | 25.4.1970 | Witten, Wittener Tage für Neue Kammermusik | 0 | |||||||
| 1115 | Günther | Becker | Schnickschnack | 1969 | Zuspiel, live-elec, 1 perf | Quadro | db, slides [Kontrabass] | zurückhezogen | HfM Düsseldorf | 0 | |||||||||
| 1116 | Günther | Becker | Serie 8 | 1972 | Zuspiel, live-elec, 1 group | 35:00 | ens [Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1117 | Günther | Becker | Transformationen | 1969/1970 | Zuspiel, live-elec, 2 groups | 23:00 | ens, orc [Ensemble, Orchester] | HfM Düsseldorf | 0 | ||||||||||
| 1104 | Günther, Dirk | Becker, Reith | Ferrosound | 1970 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||||
| 38738 | Hannes, Julia | BECKER, VORKEFELD | 31 mechanische Tiere treten auf | 2011 | radiophon | 3:37:00 | 0 | ||||||||||||
| 1118 | John | Beckwith | Electronic composition #1 — #3 | 1965 | fixed media, akusmatisch | ≈ 10:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 37058 | Martin | Bédard | Champs de fouilles | 2008 | fixed media, akusmatisch | 10:40 | Stereo | IMED 13121/ | PS C. | Erreur de type 27 (E27) | 11.5.2008 | Chapelle du Musée de l’Amérique française in Québec | Second Prize at the 7th Prix collégien de musique contemporaine 2014-15 (Sherbrooke, Québec) Second Prize at the Sound in Space competition (Boston, USA, 2011) mention at Prix Ars Electronica (Linz, Austria, 2010) First Prize at Computer Space (Sofia, Bulgaria, 2010) Honorable mention at Prix Ton Bruynèl (Amsterdam, The Netherlands, 2010) First Prize at the 2nd International Electroacoustic Music Contest (CEMVA) (Varginha, Brazil, 2008 |
0 | |||||
| 24673 | Martin | Bédard | Check-point | 2003 | fixed media, akusmatisch | 14:08 | JTTP 2003 | CEC Cache 2003 CA/ MR 2004 Métamorphoses 2004/ | winner JTTP 2003 1. prize Métamorphoses 2004 |
1 | |||||||||
| 31986 | Martin | Bédard | Excavations | 2008 | fixed media, akusmatisch | 10:00:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 1 am 1.8.2008 18h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
Québec City 400th anniversary (1608-2008) celebrations | 2008 | 1 | 2008 | ||||||||
| 37055 | Martin | Bédard | Grand dehors, Great Outside | 2011 | fixed media, akusmatisch | 9:53 | Stereo | IMED 13121/ | PS C. | E27 | 28.1.2011 | Espaces de mémoires presented by Erreur de type 27 (E27) at Musée national des beaux-arts du Québec | 0 | ||||||
| 35701 | Martin | Bédard | Kissland | 2016 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 37057 | Martin | Bédard | Métal fatigue | 2012 | fixed media, akusmatisch | 12:43 | Stereo | IMED 13121/ | PS C. | Honorable mention at the Musicacoustica competition (Beijing, China, 2012) | 0 | ||||||||
| 37056 | Martin | Bédard | Push & Pull | 2010 | fixed media, akusmatisch | 16:00 | Stereo | IMED 13121/ | PS C. | Réseaux des arts médiatiques | 28.10.2010 | festival Akousma (7), at the Studio Hydro-Québec of the Monument-National (Montréal, Québec) | Second Prize at the Musicacoustica competition (Beijing, China, 2012) | 0 | |||||
| 25559 | Martin | Bédard | Topographie de la noirceur | 2004 | fixed media, akusmatisch | 3:57 | JTTP 2005 | CEC Cache 2005, PeP 010/ IMED 13121/ | winner JTTP 2005 2. prize | 1 | |||||||||
| 35383 | Martin, Marie-Hélène | Bédard, Breault | Replica | 2013 | fixed media, akusmatisch | 119:22 | MR 2014 Métamorphoses 2014/ Taukay 156/ | March 13, 2013 | Espaces mixtes II, Salle Multi — Méduse (Quebec City, Québec) | 0 | |||||||||
| 1119 | Roger | Bedard | Studie I, (über einen einzigen Klang) | 1972 | fixed media, akusmatisch | 15:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 1120 | Rafael, Ulrich | Bedaux, Stranz | Rhapsodie | 1974 | fixed media, akusmatisch | 10:05 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 33860 | David | Bedford | Come in here child | 1968 | live-elec, 2 perf | 8:24 | S, amp p [Sopran, Piano] | WER 6931/ | 0 | ||||||||||
| 1121 | David | Bedford | Piece 1 | 1962 | fixed media, akusmatisch | 5:00 | Stereo | non-existent | Fonologia Milano | 0 | |||||||||
| 1122 | David | Bedford | Piece 2 | 1963 | fixed media, akusmatisch | 8:00 | Stereo | withdrawn | PS C. London | 0 | |||||||||
| 24696 | David | Bednarczyk | Out of Focus | 2004 | fixed media, akusmatisch | 7:58 | JTTP 2004 | CEC Cache 2004, PeP 009/ | 1 | ||||||||||
| 41059 | David | Bednarczyk | Rape me | 2005 | fixed media, akusmatisch | 7:58 | JTTP 2005 | 1 | |||||||||||
| 1123 | Jill | Bedoukian | En Train Un | 1985 | fixed media, akusmatisch | 12:12 | Stereo | Concordia Montréal | 0 | ||||||||||
| 1124 | Jill | Bedoukian | Living Water | 1985 | fixed media, akusmatisch | 8:20 | Stereo | Concordia Montréal | 0 | ||||||||||
| 1125 | Jill | Bedoukian | Nullarbor | 1985 | live-elec, 2 perf, 1 group | Stereo | V, Kbds [Stimme, Keyboard] | 0 | |||||||||||
| 1126 | Jill | Bedoukian | Trenholme Park after Dark | 1984 | fixed media, akusmatisch | Stereo | MetaM. Montréal | 0 | |||||||||||
| 1127 | Joshua, Tabitha | Bedoukian, Bedoukian | Clipperfix—Super song | 1983 | fixed media, akusmatisch | Stereo, Quadro | MetaM. Montréal | 0 | |||||||||||
| 36506 | Franck | Bedrossian | Digital | 2003 | live-elec, 2 perf | 12:30 | db, perc [Schlagzeug, Kontrabass] | sismal Records SR 003/ | IRCAM | Festival MANCA | 1.11.2003 | Nice, théâtre Francis Gag, CIRM-festival MANCA, par Jean Geoffroy: percussion et Didier Meu : contrebasse, de l'ensemble Court-Circuit. | Billaudot | 0 | |||||
| 36513 | Franck | Bedrossian | Division | 2006 | live-elec, 20 perf | 16:00:00 | b-cl, trb, db, fl, ob, 2 cl, bn, hn, tpt, trbn, p, 3 vn, 2 va, 2 vc, db [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Piano, Viola, Cello, Violine, Kontrabass] | IRCAM | Françoise et Jean-Philippe Billarant | 17.6.2006 | festival Agora, Centre-Pompidou, grande salle, par Alain Billard : clarinette, Benny Sluchin : trombone, Frédéric Stochl : contrebasse | Billaudot | 0 | ||||||
| 38827 | Franck | Bedrossian | Epigram I - III | 2012 - 2018 | live-elec, 12 perf | computer generated score |
38 | S, 11 ins [Sopran, Instrument] | Texts by Emily Dickkinson There is also a film by Véronique Caye and Philippe Langlois about the piece (“Images of a Work No. 24) |
IRCAM | WDR, Manifeste 2018 | 28.4.2018 | Wittener Tage für neue Kammermusik 2018, Klangforum Wien, Ltg Emilio Pomarico; Donatienne Michel-Dansac (Sopran), Peter Böhm (Klangregie) | 0 | ||||||
| 33544 | Franck | Bedrossian | Epigram II | 2014 | live-elec, 12 perf | computer generated score |
9:04:00 | S, 11 ins [Sopran, Instrument] | Klangforum Wien, Ltg Emilio Pomarico | WD 2014, Wittener Tage Für Neue Kammermusik 2014/ | IRCAM | UA, Auftrag WDR und IRCAM | 10.5.2014 | Wittener Tage für neue Kammermusik 2018, | 1 | |||||
| 36514 | Franck | Bedrossian | Lamento | 2007 | live-elec, 1 perf | 10:00:00 | fem V [Stimme] | IRCAM | Ircam / Printemps des Arts de Monaco | 7.4.2007 | Monaco, festival Printemps des Arts, par Françoise Klüber | Billaudot | 0 | ||||||
| 36508 | Franck | Bedrossian | Procession | 2006 | live-elec, 1 perf | 16:00:00 | va [Viola] | IRCAM | GRAME | 10.2006 | Lyon, Biennale Musiques en Scènes, par Christophe Desjardins, alto. | Billaudot | 0 | ||||||
| 36511 | Franck | Bedrossian | Propaganda | 2008 | live-elec, 4 perf | 4 sax [Saxophon] | CIRM | 4.3.2008 | Lyon, Opéra, Biennale Musiques en scène du GRAME, par le Quatuor Habanera. | 0 | |||||||||
| 36512 | Franck | Bedrossian | Swing | 2009 | live-elec, 11 perf | fl, b-cl, bar-sax, perc, gui, p, 2 vn, va, vc, db [Flöte, Klarinette, Saxophon, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine, Kontrabass] | IRCAM | SWR für die Donaueschinger Musiktage 2009 | 18.10.2009 | Donaueschingen, festival, par l'ensemble Ictus, direction : Georges-Elie Octors | 0 | ||||||||
| 36509 | Franck | Bedrossian | The Edges are no longer Parallel | 2013 | live-elec, 1 perf | 12:00:00 | p [Piano] | IRCAM | GRAME | Billaudot | 0 | ||||||||
| 36510 | Franck | Bedrossian | The Spider as an Artist | 2014 | live-elec, 1 perf | 8:00:00 | amp vc [Cello] | IRCAM | 23.11.2014 | Berlin, Faithful Festival, par Sévérine Ballon, violoncelle | Verlag Neue Musik | 0 | |||||||
| 36507 | Franck | Bedrossian | Transmission | 2002 | live-elec, 1 perf | 10:32 | bn [Fagott] | sismal Records SR 003/ | IRCAM | 17.10.2002 | IRCAM, Espace de Projection, par Brice Martin | Billaudot | 0 | ||||||
| 35010 | Franck | Bedrossian | Twist | 2016 | live-elec, 32 perf, 1 group | 11 | 3 fl, 3 cl, 3 bn, 4 sax, 4 hn, 3 tpt, 3 tbn, tuba, tim, 3 perc, prep p, Kbd (e-p, MIDI, synt), acc, e-gui, strs [Flöte, Klarinette, Saxophon, Fagott, Horn, Trompete, Tuba, Piano, Keyboard, Akkordeon, Gitarre, Schlagzeug, Streicher] | IRCAM | SWR, IRCAM | 16.10.2016 | Donaueschingen (Donaueschinger Musiktage) 2016, l'Orchestre symphonique de la SWR, Alejo Pérez, direction |
0 | http://brahms.ircam.fr/works/work/39207/ | ||||||
| 1128 | Norma | Beecroft | From Dreams of Breath | 1964 | Zuspiel / Tonband, 2 perf, 2 groups | 15:55 | Stereo | narrator, S, ch, orc [Sopran, Schauspieler, Chor, Orchester] | Col.Princ EMC | 0 | |||||||||
| 1129 | Norma | Beecroft | The Dissipation of Purely Sound | 1988 | fixed media, akusmatisch | 17:30 | Stereo | 0 | |||||||||||
| 1130 | Paul | Beelaerts | Banden bij "Maartse Buien" | 1983 | Oper | Stereo | 4 operas for children | IPEM Gent | 0 | ||||||||||
| 26417 | Burton | Beerman | Conversations | 2004 | live-elec, 2 perf | p, Kyma [Piano, computer] | 0 | ||||||||||||
| 36591 | Burton | Beerman | Dayscapes | live-elec, 1 perf | cl [Klarinette] | Centaur CRC, CDMC Vol. 38/ | 0 | ||||||||||||
| 42577 | Burton | Beerman | INVISIBLE IMAGES | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 41937 | Burton | Beerman | Jesus´ Daughter | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 41932 | Burton | Beerman | Wind Whispers,Sounds... | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 40503 | Philippe | Beetz | Amelia | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 32764 | Philippe | Beetz | Ballade du cosmonaute | 1976 | fixed media, akusmatisch | partie concrète d’une chanson de M. Amont | Polydor 46152/ | INA • GRM | 0 | ||||||||||
| 40588 | Philippe | Beetz | Barbe | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 40502 | Philippe | Beetz | Captain Cap | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40546 | Philippe | Beetz | Demandez le Programme | 1965 | Hintergrundmusik | 1 | Génerique | INA • GRM | 0 | ||||||||||
| 33364 | Philippe | Beetz | Exposition de Lausanne | 1963 | Hintergrundmusik | 30 | Mono | PS C. Paris | 0 | ||||||||||
| 40494 | Philippe | Beetz | Fando et Lis | 1963 | Theatermusik | Pièce de Arrabal | INA • GRM | 0 | |||||||||||
| 40495 | Philippe | Beetz | Haschich | 1963 | Film | Pièce de Arrabal | INA • GRM | 0 | |||||||||||
| 40512 | Philippe | Beetz | Itineraire pour demain soir | 1964 | Theatermusik | Pièce de Paliard | INA • GRM | 0 | |||||||||||
| 33365 | Philippe | Beetz | L’atome | 1963 | Film | 30 | Mono | PS C. Paris | 0 | ||||||||||
| 40520 | Philippe | Beetz | La Revolution | Theatermusik | Pièce de Paliard | INA • GRM | 0 | ||||||||||||
| 40521 | Philippe | Beetz | Les Mauvais rêves | 1964 | Theatermusik | Pièce de Paliard | INA • GRM | 0 | |||||||||||
| 40485 | Philippe | Beetz | Les pellerins d’Hellenkraus | 1963 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40559 | Philippe | Beetz | Les Shadoks | 1965 | Film | 5 | INA • GRM | 0 | |||||||||||
| 40589 | Philippe | Beetz | Les Trucages | 1966 | Film | INA • GRM | 22.1.1967 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40538 | Philippe | Beetz | Mac Doodle et les 7 Merveilles du Monde | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 40492 | Philippe | Beetz | Magazine No. 3 | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40531 | Philippe | Beetz | Max l’Explorateur | 1964 | Musikinstrument, keine EM, | INA • GRM | 0 | ||||||||||||
| 40543 | Philippe | Beetz | Pif le Chien | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 40493 | Philippe | Beetz | Tricycle | 1963 | Theatermusik | Pièce de Arrabal | INA • GRM | 0 | |||||||||||
| 40530 | Philippe | Beetz | Triennale de Milan | 1964 | Musikinstrument, keine EM, | INA • GRM | 0 | ||||||||||||
| 40552 | Philippe | Beetz | Une histoire de la mer | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 40558 | Philippe | Beetz | Venezuela | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 1131 | Franco | Befani | CF 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 1132 | Gerhard | Behles | Silicea | 1994 | fixed media, akusmatisch | 7:45 | Stereo | Cybele 960.203/ DegeM CD 03/ | TU Berlin | 1 | |||||||||
| 1133 | Gerhard, Penko | Behles, Stoitschev | Wonga, offene Komposition | 1994 | fixed media, akusmatisch | Klangkunst, Installation |
11:00 | Quadro | TU Berlin | 28.9.-2.10.1994 | UdK Berlin, Kongress "Zeichen der Zeit" der ELIA | 1 | ||||||||
| 28914 | Marc | Behrens | <0 | 2001 | fixed media, akusmatisch | 2:06 | Stereo | Crónica 008/ | 2007 | Frankfurt, Germany | 0 | ||||||||
| 28915 | Marc | Behrens | >0 | 2001 | fixed media, akusmatisch | 7:00 | Stereo | mu-label 003-004/ | 0 | ||||||||||
| 29147 | Marc | Behrens | 20 Zonen | 2010 | fixed media, akusmatisch | 40 | Stereo | Hessen Hören | AATP 35/ | 1990 | Frankfurt, Germany | 0 | |||||||
| 29174 | Marc | Behrens | 3 Winged Zones | 2007 | fixed media, akusmatisch | 10:17 | Stereo | EDRM 417/ | 0 | ||||||||||
| 42254 | Marc | Behrens | 4a Signals, 4b Flowers | 1991 | fixed media, akusmatisch | 5:01:00 | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | ||||||||||
| 29190 | Marc | Behrens | A Disco Boy | 2004 | fixed media, akusmatisch | 2:47 | Stereo | Crónica 017/ | 0 | ||||||||||
| 29191 | Marc | Behrens | A Disco Boy (long version) | 2004 | fixed media, akusmatisch | 3:11 | Stereo | 0 | |||||||||||
| 29170 | Marc | Behrens | A Holiday Landscape | 2008 | radiophon | 5:01 | Stereo | Audible Geography – CD (Room 40, Australia) 2008 | EDRM 416/ | 0 | |||||||||
| 29213 | Marc | Behrens | A Music of Birth and Death in Ramallah (live version) | 2003 | fixed media, akusmatisch | 25 | Stereo | 1989 | Darmstadt, Germany | 0 | |||||||||
| 29160 | Marc | Behrens | A Narrow Angle: Game Parlour Saint Fun | 2008 - 2009 | fixed media, akusmatisch | 16:06 | Stereo | Entr’acte E71/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1531667&vi=21&SID | ||||||||
| 29169 | Marc | Behrens | A Narrow Angle: Taipei Metro Easycard 500 NT$ | 2008 | fixed media, akusmatisch | 18:17 | Stereo, Quadro | Entr’acte E71/ | 0 | ||||||||||
| 29161 | Marc | Behrens | A Narrow Angle: Temple Drink Vending Machine | 2008 - 2009 | fixed media, akusmatisch | 20:56 | Stereo | Entr’acte E71/ | 0 | ||||||||||
| 29090 | Marc | Behrens | A Pin-up of the Pope: Excerpt from Paranoise | 1990 | fixed media, akusmatisch | 2:00 | Stereo | 0 | |||||||||||
| 29088 | Marc | Behrens | A Pin-up of the Pope: Faint Hearts | 1990 | fixed media, akusmatisch | 5:26 | Stereo | Kbd [Keyboard] | 0 | ||||||||||
| 29089 | Marc | Behrens | A Pin-up of the Pope: Hormony, Hormony | 1990 | fixed media, akusmatisch | 3:12 | Stereo | Kbd [Keyboard] | published as Hormony on: aa 10 live show "A Pin-up Of The Pope" and video by Psy-D-Light and Animal Art. |
Animal Art aa 010/ | 1993 | Darmstadt, Germany | 0 | ||||||
| 29087 | Marc | Behrens | A Pin-up of the Pope: Pope, Pope | 1990 | fixed media, akusmatisch | 4:36 | Stereo | Kbd, b-gui [Keyboard, Gitarre] | [published as Pope on:] Kombinat M Live Kompilation – cassette tape (in ZKZ, D) 1991 | ZKZ, D 1991/ | 1993 | Darmstadt, Germany | 0 | ||||||
| 29086 | Marc | Behrens | A Pin-up of the Pope: Prescape | 1990 | fixed media, akusmatisch | 2:10 | Stereo | Kbd, b-gui [Keyboard, Gitarre] | 1994 | Frankfurt, Germany | 0 | ||||||||
| 29070 | Marc | Behrens | A Special Second | 1990 | fixed media, akusmatisch | 4:24 | Stereo | 1996 | Zürich, Switzerland | 0 | |||||||||
| 28988 | Marc | Behrens | Addition | 1996 | fixed media, akusmatisch | 11:19 | Stereo | Crónica 041/ | 0 | ||||||||||
| 28995 | Marc | Behrens | Advanced Environmental Control 1 | 1995 | fixed media, akusmatisch | 12:26 | Stereo | TOC 952/ | 0 | ||||||||||
| 28996 | Marc | Behrens | Advanced Environmental Control 2 | 1995 | fixed media, akusmatisch | 8:51 | Stereo | TOC 952/ | 0 | ||||||||||
| 28997 | Marc | Behrens | Advanced Environmental Control 3 | 1995 | fixed media, akusmatisch | 11:59 | Stereo | TOC 952/ | 0 | ||||||||||
| 29112 | Marc | Behrens | Adventurers | 1989 | live-elec, 2 perf | 3:16 | Stereo | V, perc [Stimme, Schlagzeug] | Animal Art aa 003/ | 1993 | Bochum, Germany | 0 | |||||||
| 28944 | Marc | Behrens | Animistic | 1999 | fixed media, akusmatisch | Quadro | 2004 | Darmstadt, Germany | 0 | ||||||||||
| 29209 | Marc | Behrens | Animistic [for Donatella] | 2003 | fixed media, akusmatisch | 29:54 | Stereo | Marc Behrens: Animistic [for Donatella] – CD (Auf Abwegen, Germany) 2004 | AATP 14/ | 0 | |||||||||
| 29051 | Marc | Behrens | Another Race, Unexpected | 1991 | fixed media, akusmatisch | 4:51 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 29237 | Marc | Behrens | APPARATUS | 2010 | Klangkunst, Installation | Stereo + Stereo | two channels via open headphones, two via ceiling speakers. Marc Behrens: Apparatus – CDR (ΑΓΧΙΒΑΤΕΙΝ, Greece) 2011 |
Agxivatein – 08/ ala 012/ | 0 | ||||||||||
| 28847 | Marc | Behrens | Architectural Commentaries and Untitled Songs | 2005 | live-elec, 1 perf | Quadro | com [computer] | 0 | |||||||||||
| 29192 | Marc | Behrens | Architectural Commentaries, [fragment] | 2002 - 2004 | fixed media, akusmatisch | 3:05 | Stereo | Entr’acte E45/ | Deutschlandradio Berlin | 0 | |||||||||
| 42298 | Marc | Behrens | Architectural Commentaries, [Hamburg fragment] | 2016 | fixed media, akusmatisch | 3:30 | Stereo | Marc Behrens: Architectural Commentaries – digital (Availabel) 2016 | ala 016/ | 0 | |||||||||
| 28911 | Marc | Behrens | Architectural Commentary 1 | 2001 | fixed media, akusmatisch | 14:38 | Stereo | Entr’acte/ CMR 2/ ala 016/ | 0 | ||||||||||
| 28912 | Marc | Behrens | Architectural Commentary 2 | 2001 | fixed media, akusmatisch | 7:49 | Stereo | Entr’acte/ CMR 2/ ala 016/ | 0 | ||||||||||
| 28913 | Marc | Behrens | Architectural Commentary 3 | 2001 | fixed media, akusmatisch | 7:46 | Stereo | Entr’acte/ CMR 2/ ala 016/ | 0 | ||||||||||
| 29194 | Marc | Behrens | Architectural Commentary 4 | 2002 - 2004 | fixed media, akusmatisch | 24:17 | Stereo | Entr’acte E45/ | Deutschlandradio Berlin | 0 | |||||||||
| 29193 | Marc | Behrens | Architectural Commentary 5: Some Models for Resonant Behaviour | 2005 | fixed media, akusmatisch | 23:55 | Stereo | Entr’acte E45/ | Deutschlandradio Berlin | 0 | |||||||||
| 29113 | Marc | Behrens | Art Start (version 1) | 1989 | fixed media, akusmatisch | 2:30 | Stereo | 0 | |||||||||||
| 29114 | Marc | Behrens | Art Start (version 2) | 1989 | live-elec, 1 perf | 2:13 | Stereo | com and Kbd [Keyboard, computer] | Animal Art aa 003/ | 0 | |||||||||
| 29157 | Marc | Behrens | Att Imm Mut | 2009 | live-elec, 1 perf | 38:20 | com [computer] | 0 | |||||||||||
| 42258 | Marc | Behrens | Att Imm Mut (Bergen) | 2018 | live-elec, 1 perf | 27:38 | Stereo, Quadro | com [computer] | AATP 46/ | B-Movie, Hamburg, Germany, Dampfzentrale, Bern; and Shedhalle, Zürich, Switzerland |
0 | ||||||||
| 29254 | Marc | Behrens | BLACK BOX / LIGHT BOX | 1996 | Klangkunst, Installation | light and sound installation | 0 | ||||||||||||
| 29185 | Marc | Behrens | Blindenampeln | 2004 | fixed media, akusmatisch | 5:00 | Stereo | 1990 | Darmstadt, Germany | 0 | |||||||||
| 29105 | Marc | Behrens | Brutalism Disco | 1990 | live-elec, 1 perf | 3:24 | Stereo | Kbd [Keyboard] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29151 | Marc | Behrens | Bush | 2009 | fixed media, akusmatisch | 10:07 | Stereo | 1990 | Frankfurt, Germany | 0 | |||||||||
| 29098 | Marc | Behrens | C64 Noise | 1990 | fixed media, akusmatisch | 2:45 | Stereo | 1993 | Herford, Germany | 0 | |||||||||
| 29097 | Marc | Behrens | C64 Voice | 1990 | fixed media, akusmatisch | 2:21 | Stereo | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Herford, Germany | 0 | |||||||
| 28971 | Marc | Behrens | ccdeinnorsttu | 1997 | fixed media, akusmatisch | 9:42 | Stereo | Crónica 041/ | 0 | ||||||||||
| 28920 | Marc | Behrens | Central Invariance | 2001 | fixed media, akusmatisch | 4:03 | Stereo | sirr 2004/ | 0 | ||||||||||
| 28919 | Marc | Behrens | Central Matches | 2001 | fixed media, akusmatisch | 13:12 | Stereo | sirr 2004/ | 2006 | Taipei, Taiwan | 0 | ||||||||
| 42299 | Marc | Behrens | Central Matches (Dortmund version) | 2014 | fixed media, akusmatisch | 11:04 | Quadro | 0 | |||||||||||
| 29106 | Marc | Behrens | Chiba City | 1990 | live-elec, 2 perf | 3:21 | Stereo | Kbd, e-gui [Keyboard, Gitarre] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29256 | Marc | Behrens | CIRCLE | 1996 | Klangkunst, Installation | Version 1: B-Movie, Hamburg, Germany, Version 1.1: Dampfzentrale, Bern; and Shedhalle, Zürich, Switzerland) |
2010 | IMO, Copenhagen, Denmark | 0 | ||||||||||
| 28991 | Marc | Behrens | Circle v1.0 | 1996 | Performance | Stereo | 2001 | Bratislava, Slovak Republic | 0 | ||||||||||
| 28989 | Marc | Behrens | Circle v1.1 Bern | 1996 | Performance | Stereo | 2002 | Frankfurt, Germany | 0 | ||||||||||
| 28990 | Marc | Behrens | Circle v1.1 Zürich | 1996 | Performance | Stereo | 0 | ||||||||||||
| 28794 | Marc | Behrens | Clould (1st Movement) | 2011 | fixed media, akusmatisch | 13:25 | Stereo, Quadro, Octo | 2.3.2012 | WDR3, Cologne, Germany | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3304651&vi=20&SID | ||||||||
| 42297 | Marc | Behrens | Clould (2nd Movement) | 2013 | fixed media, akusmatisch | 5:35 | Stereo, Quadro, Octo | DegeM CD 15/ | 0 | ||||||||||
| 28796 | Marc | Behrens | Clould (3rd Movement) | 2011 | Performance | audiovisuell |
11:58 | Stereo, Quadro, Octo | 14.09.2011 | Culturgest, Lisbon, Portugal | 0 | |||||||||
| 28795 | Marc | Behrens | Clould (4th Movement) | 2011 | fixed media, akusmatisch | 6:14 | Stereo, Quadro, Octo | 14.09.2011 | Culturgest, Lisbon, Portugal | 0 | |||||||||
| 29184 | Marc | Behrens | Coincident (Behrens) | 2005 | live-elec, 1 perf | 4:00 | Stereo | perf (wooden table, com) [Performer] | Marc Behrens / Dave Phillips / Cheapmachines / Keith Berry: Coincident – CD (Entr’acte, U.K.) 2005 | Entr’acte/ | 1990 | Darmstadt, Germany | 0 | ||||||
| 29134 | Marc | Behrens | Collage Nr. 5 Crack | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29133 | Marc | Behrens | Collage Nr. 7 | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29132 | Marc | Behrens | Collage Nr. 8 Die Abstrakte Oper | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 28993 | Marc | Behrens | Compressed Location 1, Compressed Location | 1995 | fixed media, akusmatisch | 8:35 | Stereo | Location – cassette tape (Fich Art, D) 1996; Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | FICH 035/ Edition … 028/ | 0 | |||||||||
| 28994 | Marc | Behrens | Compressed Location 2, Compressed Location | 1995 | fixed media, akusmatisch | 8:42 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | FICH 035/ Edition … 028/ | 0 | |||||||||
| 29240 | Marc | Behrens | CONTINUUM | 2007 | intermedia | Ultima, Oslo, Norway | 0 | ||||||||||||
| 29124 | Marc | Behrens | Crack | 1989 | live-elec, 5 perf | 7:24 | Stereo | Kbd, synt, e-b-gui, t-sax, b-sax [Saxophon, Keyboard, Gitarre, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 1992 | Wiesbaden, Germany | 0 | ||||||
| 29127 | Marc | Behrens | Crack Reprise | 1989 | live-elec, 3 perf | 3:08 | Stereo | Kbd, synt, db, (turntables) [Keyboard, Kontrabass, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 0 | ||||||||
| 28793 | Marc | Behrens | Crowd | 2012 | radiophon | 52:04 | Stereo | WDR Studio Akustische Kunst | 02.05.2012 | Fábrica ASA, Guimarães, Portugal | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3304651&vi=20&SID | |||||||
| 29081 | Marc | Behrens | Deadlock | 1990 | fixed media, akusmatisch | 2:20 | Stereo | Kbd, (radio) [Keyboard] | 1994 | Frankfurt, Germany | 0 | ||||||||
| 28958 | Marc | Behrens | Decaying Study 1 | 1999 | fixed media, akusmatisch | 10:43 | Stereo | Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 0 | |||||||||
| 28957 | Marc | Behrens | Decaying Study 2 | 1999 | fixed media, akusmatisch | 7:43 | Stereo | Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 0 | |||||||||
| 29210 | Marc | Behrens | Decaying Study 3 | 2003 | fixed media, akusmatisch | 11:30 | Stereo | Marc Behrens: Animistic [for Donatella] – CD (Auf Abwegen, Germany) 2004 | AATP 14/ | 0 | |||||||||
| 28937 | Marc | Behrens | Decaying Study 4 | 2000 | fixed media, akusmatisch | 7:48 | Stereo | Crónica 041/ | 2006 | Deutschlandradio, Berlin | 0 | ||||||||
| 29043 | Marc | Behrens | Der Raum | 1992 | fixed media, akusmatisch | audiovisuell |
11:00 | Stereo | ala 016/ CMR 2/ | 0 | ||||||||||
| 29152 | Marc | Behrens | Desert | 2009 | fixed media, akusmatisch | 22:05 | Stereo | 1990 | Frankfurt, Germany | 0 | |||||||||
| 29125 | Marc | Behrens | Die Freiheitsstatue | 1989 | live-elec, 7 perf | 9:03 | Stereo | e-gui, e-b-gui, t-sax, b-sax, s-sax, p, db [Saxophon, Piano, Gitarre, Kontrabass] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 1991 | Wiesbaden, Germany | 0 | ||||||
| 29115 | Marc | Behrens | Disintegration | 1989 | live-elec, 2 perf | 2:13 | Stereo | Kbd, e-gui [Keyboard, Gitarre] | Animal Art aa 003/ | 1992 | Frankfurt, Germany | 0 | |||||||
| 29074 | Marc | Behrens | Doppler | 1990 | fixed media, akusmatisch | 2:25 | Stereo | Featuring Boche | Animal Art aa 000/ | 1996 | Hamburg, Germany | 0 | |||||||
| 29073 | Marc | Behrens | Edgar Cayce | 1990 | fixed media, akusmatisch | 1:57 | Stereo | Animal Art aa 000/ | 1996 | Hamburg, Germany | 0 | ||||||||
| 28801 | Marc | Behrens | eeaiooaeieeaiooaei | 2011 | fixed media, akusmatisch | 6:42 | Stereo | 0 | |||||||||||
| 28981 | Marc | Behrens | Elapsed Time 1: 1939 | 1996 | fixed media, akusmatisch | 8:58 | Stereo | INT 017/ ala 007/ | 2002 | Münster, Germany | 0 | ||||||||
| 28982 | Marc | Behrens | Elapsed Time 2: 1940 | 1996 | fixed media, akusmatisch | 8:20 | Stereo | INT 017/ ala 007/ | 2002 | Münster, Germany | 0 | ||||||||
| 28983 | Marc | Behrens | Elapsed Time 3: 1941 | 1996 | fixed media, akusmatisch | 6:17 | Stereo | INT 017/ ala 007/ | 2002 | Münster, Germany | 0 | ||||||||
| 28984 | Marc | Behrens | Elapsed Time 4: 1942 | 1996 | fixed media, akusmatisch | 8:30 | Stereo | INT 017/ ala 007/ | 0 | ||||||||||
| 28985 | Marc | Behrens | Elapsed Time 5: 1943 | 1996 | fixed media, akusmatisch | 9:47 | Stereo | INT 017/ ala 007/ | 0 | ||||||||||
| 28986 | Marc | Behrens | Elapsed Time 6: 1944 | 1996 | fixed media, akusmatisch | 6:27 | Stereo | INT 017/ ala 007/ | 0 | ||||||||||
| 28987 | Marc | Behrens | Elapsed Time 7: 1945 | 1996 | fixed media, akusmatisch | 9:34 | Stereo | INT 017/ ala 007/ | 0 | ||||||||||
| 29071 | Marc | Behrens | Emme Ya | 1990 | fixed media, akusmatisch | 2:57 | Stereo | Animal Art aa 000/ | 1996 | Hamburg, Germany | 0 | ||||||||
| 42253 | Marc | Behrens | Engineer | 1991 | fixed media, akusmatisch | 5:01:00 | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 1998 | G-Werk Ost, Frankfurt, Germany) | 0 | ||||||||
| 29053 | Marc | Behrens | Enjoy The Screws, Assault Me | 1991 | fixed media, akusmatisch | 3:39 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 28961 | Marc | Behrens | Entity INM | 1998 | Klangkunst, Installation | ∞ | Quadro | Sound recordings of the server room in the institute were processed and played back in shifting layers over a six-channel speaker system distributed over two and a half building floors. A sound entity that overlaps the actual physical space in at least four dimensions. | 2003 | Ramallah, West Bank | 0 | ||||||||
| 28960 | Marc | Behrens | Entity INM, NSE | 1998 | fixed media, akusmatisch | 7:46 | Stereo | TOC 992/ | 0 | ||||||||||
| 28959 | Marc | Behrens | Entity INM, TNE | 1998 | fixed media, akusmatisch | 8:37 | Stereo | TOC 992/ | 2003 | Topolò, Italy | 0 | ||||||||
| 29243 | Marc | Behrens | ENTITY K | 2002 | Klangkunst, Installation | Stereo | Simple sound installation. Sound playback controlled by a motion detector accompanying a jewellery exhibition | 0 | |||||||||||
| 29241 | Marc | Behrens | ENTITY MÜLHEIM | 2005 | Klangkunst, Installation | Stereo + Stereo | 7th annual SOUNDplay Festival, Theatre Centre, Toronto, Canada | AATP 22/ | 0 | ||||||||||
| 29182 | Marc | Behrens | Entity Mülheim (Deutsch Almanca German) | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
28:43 | Stereo | AATP 22/ | 1990 | Darmstadt, Germany | 0 | ||||||||
| 29183 | Marc | Behrens | Entity Mülheim (Türkisch Türkçe Turkish) | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
30:35 | Stereo | AATP 22/ | 1990 | Darmstadt, Germany | 0 | ||||||||
| 29052 | Marc | Behrens | Environmental Control | 1991 | fixed media, akusmatisch | 5:01 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 29246 | Marc | Behrens | EXPERIMENT IN SCALE | 1999 | Klangkunst, Installation | audiovisuell |
Quadro | 0 | ||||||||||||
| 28905 | Marc | Behrens | Experiment in Scale (documentary version) | 2001 | fixed media, akusmatisch | 5:19 | Stereo | 2008 | Deutschlandradio, Berlin | 0 | |||||||||
| 29084 | Marc | Behrens | Extracts from the Housewife | 1990 | fixed media, akusmatisch | Stereo | perc [Schlagzeug] | German Noise – cassette tape (Animal Art, Germany) 1990 | Animal Art/ | 1994 | Frankfurt, Germany | 0 | |||||||
| 29067 | Marc | Behrens | Fairly False Metronome | 1990 | fixed media, akusmatisch | 4:58 | Stereo | 1996 | Vienna, Austria | 0 | |||||||||
| 29116 | Marc | Behrens | Feet or Fist | 1989 | live-elec, 3 perf | 2:14 | Stereo | Kbd, perc, (unidentified bamboo) w-inss [Keyboard, Schlagzeug] | Animal Art aa 003/ | 1992 | Frankfurt, Germany | 0 | |||||||
| 29139 | Marc | Behrens | Fernsehn | 1986 | live-elec, 4 perf | Stereo | com, perc, e-gui, V [Stimme, Gitarre, Schlagzeug, computer] | Animal Art aa 001/ | 0 | ||||||||||
| 42032 | Marc | Behrens | Fever | 2015 | fixed media, akusmatisch | 9:11 | Stereo | 0 | |||||||||||
| 29076 | Marc | Behrens | Flesh Echo | 1990 | fixed media, akusmatisch | 1:19 | Stereo | Animal Art aa 000/ | 0 | ||||||||||
| 29196 | Marc | Behrens | For Dimitris | 2004 | fixed media, akusmatisch | 6:29 | Stereo | Crónica 041/ | 0 | ||||||||||
| 29055 | Marc | Behrens | For Hannes 1 | 1991 | fixed media, akusmatisch | 2:25 | Stereo | private tape for Hannes Jacoby | 0 | ||||||||||
| 29056 | Marc | Behrens | For Hannes 2 | 1991 | fixed media, akusmatisch | 2:46 | Stereo | private tape for Hannes Jacoby | 0 | ||||||||||
| 28887 | Marc | Behrens | For the Further Consequences of Reinterpretation | 2003 | fixed media, akusmatisch | 9:11 | Stereo | Splitting Bits, Closing Loops, Sound on Sound – CD insert for Leonardo Music Journal Vol. 13, «Groove, Pit and Wave: Recording, Transmission and Music»; (The MIT Press, USA) 2003 | LMJ 13 CD/ | HR2 | 27.11.2010 | HR2, Germany | 0 | ||||||
| 28916 | Marc | Behrens | Fringe 1 | 2001 | fixed media, akusmatisch | 4:46 | Stereo | sirr 2004/ | 0 | ||||||||||
| 28921 | Marc | Behrens | Fringe 2 | 2001 | fixed media, akusmatisch | 7:59 | Stereo | sirr 2004/ | 0 | ||||||||||
| 29061 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Blutrausch (Splatterdance II), Splatterdance | 1990 | fixed media, akusmatisch | 4:55 | Stereo | published as Splatterdance on: aa 010 performance soundtrack for „Im Kranz der Wälder“ |
Animal Art aa 010/ | 1996 | Vienna, Austria | 0 | |||||||
| 29062 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Clubmoral I, Clubmoral I | 1990 | fixed media, akusmatisch | 1:32 | Stereo | published as Clubmoral I on: aa 010 performance soundtrack for „Im Kranz der Wälder“ |
Animal Art aa 010/ | 1996 | Vienna, Austria | 0 | |||||||
| 29063 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Clubmoral II (Blutbahn), Clubmoral II | 1990 | fixed media, akusmatisch | 3:40 | Stereo | published as Clubmoral II on: aa 010 performance soundtrack for „Im Kranz der Wälder“ |
Animal Art aa 010/ | 1996 | Vienna, Austria | 0 | |||||||
| 29059 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Einfallquote | 1990 | fixed media, akusmatisch | 1:34 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 0 | ||||||||||
| 29058 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Extern | 1990 | fixed media, akusmatisch | 3:13 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 0 | ||||||||||
| 29066 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Intern | 1990 | fixed media, akusmatisch | 1:50 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 1996 | Vienna, Austria | 0 | ||||||||
| 29065 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Periode des Jammers | 1990 | fixed media, akusmatisch | 2:38 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 1996 | Vienna, Austria | 0 | ||||||||
| 29064 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Ski Zoo | 1990 | fixed media, akusmatisch | 2:31 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 1996 | Vienna, Austria | 0 | ||||||||
| 29060 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Splittertanz | 1990 | fixed media, akusmatisch | 1:08 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 0 | ||||||||||
| 28883 | Marc | Behrens | Further Consequences of Reinterpretation, add0 | 2003 | fixed media, akusmatisch | 2:27 | Stereo | Crónica 008/ | 0 | ||||||||||
| 28885 | Marc | Behrens | Further Consequences of Reinterpretation, addaube 1 | 2003 | fixed media, akusmatisch | 1:06 | Stereo | Crónica 008/ | 0 | ||||||||||
| 28886 | Marc | Behrens | Further Consequences of Reinterpretation, addaube 2 | 2003 | fixed media, akusmatisch | 1:15 | Stereo | Crónica 008/ | 27.05.2010 | Besenkammer, Saarbrücken, Germany | 0 | http://galeriebesenkammer.wordpress.com/ruckblick/ | |||||||
| 28884 | Marc | Behrens | Further Consequences of Reinterpretation, addhudak | 2003 | fixed media, akusmatisch | 0:38 | Stereo | Crónica 008/ | 5.11.2010 | Auditório Serralves, Porto, Portugal | 0 | ||||||||
| 29214 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 1 | 2003 | fixed media, akusmatisch | 1:58 | Stereo | Crónica 008/ | 1989 | Darmstadt, Germany | 0 | ||||||||
| 29215 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 2 | 2003 | fixed media, akusmatisch | 2:17 | Stereo | Crónica 008/ | 1989 | Darmstadt, Germany | 0 | ||||||||
| 29216 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 3 | 2003 | fixed media, akusmatisch | 0:29 | Stereo | Crónica 008/ | 1989 | Darmstadt, Germany | 0 | ||||||||
| 29217 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 4 | 2003 | fixed media, akusmatisch | 3:57 | Stereo | Crónica 008/ | 1989 | Darmstadt, Germany | 0 | ||||||||
| 29218 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 5 | 2003 | fixed media, akusmatisch | 1:18 | Stereo | Crónica 008/ | 0 | ||||||||||
| 28882 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 6 new | 2003 | fixed media, akusmatisch | 1:14 | Stereo | Crónica 008/ | 0 | ||||||||||
| 29238 | Marc | Behrens | GGAAFFISEC | 2009 | Klangkunst, Installation | Octo | 0 | ||||||||||||
| 33782 | Marc | Behrens | Grace | 2013 | fixed media, akusmatisch | 7:00 | Stereo | DegeM CD 12 Seltene Erden/ | Weißfrauen Diakoniekirche, Frankfurt am Main, Germany | 1 | |||||||||
| 29163 | Marc | Behrens | Guangzhou, September 2008 | 2008 | fixed media, akusmatisch | 0:55 | Stereo | 0 | |||||||||||
| 29188 | Marc | Behrens | I was never | 2004 | fixed media, akusmatisch | 2:15 | Stereo | Crónica 017/ | 0 | ||||||||||
| 29189 | Marc | Behrens | I was never (long version) | 2004 | fixed media, akusmatisch | 2:25 | Stereo | 0 | |||||||||||
| 29122 | Marc | Behrens | If only you could be possible… Miss America! | 1989 | live-elec, 5 perf | 3:21 | Stereo | fem Sp, perc, e-b-gui, synt, Kbd [Sprecher, Keyboard, Gitarre, Schlagzeug, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 1992 | Frankfurt, Germany | 0 | ||||||
| 42257 | Marc | Behrens | Imm (A) | 2018 | live-elec, 1 perf | 12:12 | Stereo, Quadro | com [computer] | AATP 46/ | Path. Anat. Bundesmuseum Narrenturm, Vienna, Austria) | 0 | ||||||||
| 29176 | Marc | Behrens | Immersion | 2006 | fixed media, akusmatisch | 30 | Quadro | 1990 | Darmstadt, Germany | 0 | |||||||||
| 29175 | Marc | Behrens | Immersion (excerpt) | 2007 | fixed media, akusmatisch | 5:18 | Stereo | Atlantic Waves 2007 festival sampler – double CD (Calouste Gulbenkian Foundation, U.K.), in association with THE WIRE 25, enclosed in THE WIRE November 2007 issue | 1990 | Darmstadt, Germany | 0 | ||||||||
| 28953 | Marc | Behrens | Infiltration | 1999 | fixed media, akusmatisch | 7:46 | Stereo | TOC 992/ | 2001 | Rüsselsheim, Germany | 0 | ||||||||
| 28967 | Marc | Behrens | Infiltration (Environment) | 1998 | Klangkunst, Installation | 6:00 | Stereo | 2003 | Lisbon, Portugal | 0 | |||||||||
| 29117 | Marc | Behrens | Inner City Demons | 1989 | live-elec, 3 perf | 7:33 | Stereo | b-gui, db, t-sax [Saxophon, Gitarre, Kontrabass] | Animal Art aa 003/ | 0 | |||||||||
| 28933 | Marc | Behrens | Integracija Ljubljana | 2000 | fixed media, akusmatisch | 17:28 | Quadro | 0 | |||||||||||
| 28925 | Marc | Behrens | Integració Alacant | 2001 | fixed media, akusmatisch | 28:22 | Quadro | 0 | |||||||||||
| 28926 | Marc | Behrens | Integració Barcelona, (excerpt from) Integració Barcelona | 2001 | fixed media, akusmatisch | 3:09 | Stereo | Metrònom 2000·2001 – book + double DVD (Metrònom Fundaciò Rafael Tous d'Art Contemporani, ES) 2001 | 2005 | Zürich, Switzerland | 0 | ||||||||
| 28927 | Marc | Behrens | Integració Barcelona | 2001 | fixed media, akusmatisch | 28:22 | Quadro | 2005 | Deutschlandradio, Berlin | 0 | |||||||||
| 28932 | Marc | Behrens | Integration Hamburg | 2000 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 28924 | Marc | Behrens | Integration London | 2001 | fixed media, akusmatisch | Quadro | 2005 | Cologne, Germany | 0 | ||||||||||
| 28918 | Marc | Behrens | Integration of Silence | 2001 | fixed media, akusmatisch | 12:40 | Stereo | sirr 2004/ | 2006 | Taipei, Taiwan | 0 | ||||||||
| 28923 | Marc | Behrens | Integrazione Roma | 2001 | fixed media, akusmatisch | Quadro | kulturbunker muelheim e.v. as part of the festival muelheim klingt in 2005 | 2005 | Cologne, Germany | 0 | |||||||||
| 28934 | Marc | Behrens | Integrazione Topolò | 2000 | fixed media, akusmatisch | Quadro | 2006 | Deutschlandradio, Berlin | 0 | ||||||||||
| 28992 | Marc | Behrens | Intermatter | 1995 | fixed media, akusmatisch | 8:38 | Stereo | A Fault in the Nothing, Double CD, Ash International 1996; Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | KREV Greece 2002/ Ash International ASH 2.6/ | 2006 | Stuttgart, Germany | 0 | |||||||
| 29143 | Marc | Behrens | Irregular Characters | 2010 | fixed media, akusmatisch | 19:41 | Stereo, Quadro, 10 tracks | ala 002/ | 0 | ||||||||||
| 29107 | Marc | Behrens | Kabuki Hairdryer | 1990 | live-elec, 2 perf | 5:20 | Stereo | synt, e-gui [Gitarre, synthesizer] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29247 | Marc | Behrens | KEYHOLES | 1999 | Klangkunst, Installation | 19:31 | Octo | TOC 992/ | 0 | ||||||||||
| 28952 | Marc | Behrens | Keyholes (installation version) | 1999 | Klangkunst, Installation | ∞ 19:18 | Stereo | 2001 | Rüsselsheim, Germany | 0 | |||||||||
| 28910 | Marc | Behrens | Khabul Rubble | 2001 | fixed media, akusmatisch | 9:00 | Stereo | Crónica 041/ | 2008 | Deutschlandradio, Berlin | 0 | ||||||||
| 29249 | Marc | Behrens | Komunikazijski instrument za ohranjanje stika z izginulimi | 1998 | intermedia | installation | 7.3.2011 | «Paivascapes #1», Paiva river at Espiunca, Arouca, Portugal | 0 | ||||||||||
| 28940 | Marc | Behrens | Kosovski Rekvijem 1 – Dialectic | 1999 | fixed media, akusmatisch | 6:21 | Stereo | ala 010/ | 2006 | Deutschlandradio, Berlin | «Broadcasting Art I» (Museo de Arte Contemporáneo de Castilla y Léon, MUSAC & Radio Nacional de España – Radio 3), 2006 | 0 | |||||||
| 28941 | Marc | Behrens | Kosovski Rekvijem 2 – Incentive | 1999 | fixed media, akusmatisch | audiovisuell |
9:28 | Stereo | ala 010/ | 2004 | Hull, U.K. | 0 | ||||||||
| 28942 | Marc | Behrens | Kosovski Rekvijem 3 – Cerebral | 1999 | fixed media, akusmatisch | 5:38 | Stereo | ala 010/ | 0 | ||||||||||
| 42055 | Marc | Behrens | Kupari Odradek Drug Party (Megamix 2018) | 2018 | fixed media, akusmatisch | 6:39 | Stereo | degem CD 16/ | 1998 | «Transverzala Utrinkov», Strzišce, Znojile and Kal, Slovenia | 1 | ||||||||
| 29171 | Marc | Behrens | L’Attesa | 2008 | fixed media, akusmatisch | 8:44 | Stereo | 0 | |||||||||||
| 28970 | Marc | Behrens | L’Eco di un Esplosione che non ha mai avuto Luogo | 1998 | Klangkunst, Installation | ∞ | Quadro | sound and film installation | 0 | ||||||||||
| 28969 | Marc | Behrens | L’Eco di un Esplosione che non ha mai avuto Luogo (exterior parts) | 1998 | fixed media, akusmatisch | 7:22 | Stereo | TOC 992/ | 0 | ||||||||||
| 28968 | Marc | Behrens | L’Eco di un Esplosione che non ha mai avuto Luogo (interior parts) | 1998 | fixed media, akusmatisch | 1:13 | Stereo | TOC 992/ | 2003 | Lisbon, Portugal | 0 | ||||||||
| 28964 | Marc | Behrens | La Coscienza dell’Altoparlante | 1998 | live-elec, 1 perf | 18:00 | Quadro | elec [elektronik] | 2003 | Lisbon, Portugal | 0 | ||||||||
| 29172 | Marc | Behrens | La Mutazione | 2008 | fixed media, akusmatisch | 6:24 | Stereo, Quadro | Michelangelo Antonioni: Trilogy And Epilogue – double CD (and/OAR, USA) 2010 | and 25/ | 0 | |||||||||
| 29137 | Marc | Behrens | Langeweile | 1986 | live-elec, 2 perf | Stereo | e-gui, perc [Gitarre, Schlagzeug] | 0 | |||||||||||
| 29154 | Marc | Behrens | Le Combinazioni | 2009 | live-elec, 2 perf | 22:30 | Octo | com, perc [Schlagzeug, computer] | 0 | ||||||||||
| 28802 | Marc | Behrens | Le train muet | 2011 | fixed media, akusmatisch | 4:17 | Stereo | remix of «Le train muet» by hama Yôko (Yôko Higashi). hamaYôko vu par… - CD (Entr’acte, B) forthcoming |
Entr’acte/ | 27.06.2011 | The Bakery, Perth, Australia | 0 | |||||||
| 29007 | Marc | Behrens | Lfdbk 1 | 1993 | fixed media, akusmatisch | 8:53 | Stereo | 2001 | Budapest, Hungary | 0 | |||||||||
| 29008 | Marc | Behrens | Lfdbk 1 (short version) | 1993 | fixed media, akusmatisch | 7:53 | Stereo | WP 05/ | 2001 | Frankfurt, Germany | 0 | ||||||||
| 29009 | Marc | Behrens | Lfdbk 2 | 1993 | fixed media, akusmatisch | 7:08 | Stereo | 2001 | Rome, Italy | 0 | |||||||||
| 29010 | Marc | Behrens | Lfdbk 2 (short version) | 1993 | fixed media, akusmatisch | 4:16 | Stereo | WP 05/ | 2001 | London, U.K. | 0 | ||||||||
| 29011 | Marc | Behrens | Lfdbk 3 | 1993 | fixed media, akusmatisch | 4:07 | Stereo | 2001 | Alicante, Spain | 0 | |||||||||
| 29012 | Marc | Behrens | Lfdbk 4 | 1993 | fixed media, akusmatisch | 5:48 | Stereo | 2001 | Barcelona, Spain | 0 | |||||||||
| 28922 | Marc | Behrens | Liedgut | 2001 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 42261 | Marc | Behrens | Live At Natal Dos Experimentais 2011 | 2011 | Performance, live-elec, 1 perf | 15:15 | Mono | synt, (tape machine) [synthesizer] | Recorded live at Passos Manuel, Porto, 16 December 2011 | Crónica 090/ | 26.09.2015 | Akademie der Künst, Berlin | 0 | ||||||
| 29024 | Marc | Behrens | Location Recordings - Inbetween | 1993 | fixed media, akusmatisch | 8:13 | 1999 | Zürich, Switzerland | 0 | ||||||||||
| 29022 | Marc | Behrens | Location Recordings - Inside | 1993 | fixed media, akusmatisch | 7:08 | Stereo, Quadro | TOC 952/ | 0 | ||||||||||
| 29025 | Marc | Behrens | Location Recordings - Supplement Programme 1 | 1993 | fixed media, akusmatisch | 1:11 | Stereo, Quadro | TOC 952/ | 1999 | Zürich, Switzerland | 0 | ||||||||
| 29026 | Marc | Behrens | Location Recordings - Supplement Programme 2 | 1993 | fixed media, akusmatisch | 1:49 | Stereo, Quadro | TOC 952/ | 1999 | Leipzig, Germany | 0 | ||||||||
| 29027 | Marc | Behrens | Location Recordings - Supplement Programme 3 | 1993 | fixed media, akusmatisch | 1:20 | Stereo, Quadro | TOC 952/ | 0 | ||||||||||
| 29028 | Marc | Behrens | Location Recordings - Supplement Programme 4 | 1993 | fixed media, akusmatisch | 1:39 | Stereo, Quadro | TOC 952/ | 1999 | Hamburg, Germany | 0 | ||||||||
| 29029 | Marc | Behrens | Location Recordings - Supplement Programme 5 | 1993 | fixed media, akusmatisch | 1:40 | Stereo, Quadro | TOC 952/ | 1999 | Hamburg, Germany | 0 | ||||||||
| 29030 | Marc | Behrens | Location Recordings - Supplement Programme 6 | 1993 | fixed media, akusmatisch | 3:53 | Stereo, Quadro | 1999 | Hamburg, Germany | 0 | |||||||||
| 29023 | Marc | Behrens | Location Recordings – Outside | 1993 | fixed media, akusmatisch | 8:47 | Stereo, Quadro | TOC 952/ | 1999 | Zürich, Switzerland | 0 | ||||||||
| 29042 | Marc | Behrens | Macht/Struktur | 1992 | live-elec, 1 perf | 25 | Stereo | synt [synthesizer] | 1998 | «Salon Vireal», INM-Institut für Neue Medien, Frankfurt, Germany) | 0 | ||||||||
| 29036 | Marc | Behrens | Magnet I | 1992 | fixed media, akusmatisch | 22:29 | Stereo | 1999 | Udine, Italy | 0 | |||||||||
| 29037 | Marc | Behrens | Magnet II | 1992 | fixed media, akusmatisch | 8:19 | Stereo | 1999 | Udine, Italy | 0 | |||||||||
| 29038 | Marc | Behrens | Magnet III | 1992 | fixed media, akusmatisch | 6:16 | Stereo | 0 | |||||||||||
| 29162 | Marc | Behrens | Mamori | 2008 | fixed media, akusmatisch | 10:13 | Stereo | Agxivatein – 08/ ala 012/ | 0 | ||||||||||
| 29078 | Marc | Behrens | Matrix of Pain | 1990 | fixed media, akusmatisch | 10:24 | Stereo | Featuring Boche | Animal Art aa 000/ | 0 | |||||||||
| 28792 | Marc | Behrens | Maybe Rise | 2012 | fixed media, akusmatisch | 41:27 | Stereo, Quadro | Crónica 076/ | 19.12.2012 | Deutschlandradio Kultur, Berlin | Freibank Musikverlag | 0 | |||||||
| 28965 | Marc | Behrens | Memetic Junk | 1998 | fixed media, akusmatisch | 10:02 | Stereo | Crónica 041/ | 2003 | Lisbon, Portugal | 0 | ||||||||
| 29148 | Marc | Behrens | Mobilization of Ecstasy | 2009 | fixed media, akusmatisch | 9:38 | Stereo | Istanbul Split – CD (Hochschule der Bildenden Künste Saar, Germany) | 1990 | Frankfurt, Germany | 0 | ||||||||
| 29251 | Marc | Behrens | MODEL fOR a wHITE OUT | 1998 | Klangkunst, Installation | Mono + Mono | Two shelves in an industrial shelving system housing a group exhibition, embraced a neon tube. A transparent text print (an excerpt on attack tactics under difficult weather situations) was glued onto the tube. A peep-hole permitted view to some rice grains in motion on the membrane of a hidden speaker, immersed in intense red light. A high static crackling on a second speaker parasited another artist’s sculpture nearby. | 0 | |||||||||||
| 25798 | Marc | Behrens | Multiplication | 2005 | fixed media, akusmatisch | 10:33 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | Crónica 041/ | 1 | www.marcbehrens.com | ||||||||
| 28800 | Marc | Behrens | Mut Att Narc Imm | 2011 | live-elec, 1 perf | 30:45 | Stereo, Quadro | com [computer] | 0 | ||||||||||
| 42259 | Marc | Behrens | Mut Att Narc Imm (Córdoba) | 2018 | live-elec, 1 perf | 27:32 | Stereo, Quadro | com [computer] | AATP 46/ | 0 | |||||||||
| 28797 | Marc | Behrens | Neighbour 3F | 2011 | fixed media, akusmatisch | 5:47 | Stereo | Crónica 061/ | 05.12.2013 | Parque Cultural de Valparaíso, Valparaíso, Chile, 2013 | 0 | ||||||||
| 28798 | Marc | Behrens | Neighbour GS | 2011 | fixed media, akusmatisch | 3:37 | Stereo | Crónica 061/ | 14.09.2011 | Culturgest, Lisbon, Portugal | 0 | ||||||||
| 28799 | Marc | Behrens | Neighbour J*J*J | 2011 | fixed media, akusmatisch | 1:49 | Stereo | Crónica 061/ | 0 | ||||||||||
| 29080 | Marc | Behrens | Nerve, No | 1990 | fixed media, akusmatisch | 1:45 | Stereo | 1994 | Frankfurt, Germany | 0 | |||||||||
| 29072 | Marc | Behrens | Nerve, No Beat | 1990 | fixed media, akusmatisch | 2:32 | Stereo | Animal Art aa 000/ | 1996 | Hamburg, Germany | 0 | ||||||||
| 29129 | Marc | Behrens | Now! Now! | 1988 | live-elec, 6 perf | 19:53 | Stereo | V, synt, s-sax, e-gui, db, perc [Stimme, Saxophon, Gitarre, Schlagzeug, Kontrabass, synthesizer] | Animal Art aa 001/ | 0 | |||||||||
| 28908 | Marc | Behrens | nterpretation of a Reinterpretation of a Rei | 2001 | fixed media, akusmatisch | 6:00 | Stereo | DLRadio | 25.7.2008 | Deutschlandradio, Berlin | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | |||||||
| 28907 | Marc | Behrens | ntrprttnfrntrprttnfr | 2001 | fixed media, akusmatisch | 4:28 | Stereo | DLRadio | 25.7.2008 | Deutschlandradio, Berlin | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | |||||||
| 29195 | Marc | Behrens | Of Mouths and Explosions | 2004 | fixed media, akusmatisch | audiovisuell |
12:12 | Stereo | fem Sp, 2 male Sp, (com) [Sprecher] | 0 | ||||||||||
| 28936 | Marc | Behrens | One Minute | 2000 | fixed media, akusmatisch | 1:00 | Stereo | Crónica 041/ ala 016/ | 0 | ||||||||||
| 42226 | Marc | Behrens | Our Tongues in Your Ears | 2018 | radiophon | 36:10 | Stereo | HR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4949063&vi=122&SID | |||||||||
| 29142 | Marc | Behrens | Paiva Players | 2011 | fixed media, akusmatisch | 9:56 | Stereo | 0 | |||||||||||
| 29079 | Marc | Behrens | Paranoise | 1990 | fixed media, akusmatisch | 3:37 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | Animal Art aa 000/ CAT-no. 062/ | 1994 | Frankfurt, Germany | 0 | |||||||
| 28917 | Marc | Behrens | Peripheral Molds | 2001 | fixed media, akusmatisch | 6:04 | Stereo | sirr 2004/ | 2006 | Berlin, Germany | 0 | ||||||||
| 29033 | Marc | Behrens | Political/Statement 1 | 1993 | fixed media, akusmatisch | 6:32 | Stereo | Keine Einzelgänger *6*, tape, Cat Kiiier 1994, Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 1999 | Frankfurt, Germany | 0 | |||||||
| 29034 | Marc | Behrens | Political/Statement 2 | 1993 | fixed media, akusmatisch | 5:25 | Stereo | Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 0 | |||||||||
| 28904 | Marc | Behrens | Power Station | 2002 | live-elec, 1 perf | 24:25 | Stereo | elec [elektronik] | 2008 | Mamori Artlab, Brazil | 0 | ||||||||
| 29135 | Marc | Behrens | Primadonna | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 38478 | Marc | Behrens | Progress | 2013 | radiophon | 52 | Stereo | 2000 | ICC InterCommunication Center, Tokyo, Japan; INM-Institut für Neue Medien, Frankfurt, Germany; «Hörgänge», Hermannshof Völksen, Germany; Galerie t-u-b-e, Munich, Germany; «Erlanger Hörkunstfestival», Markgraphentheater, Erlangen, Germany; «b!as Sound Art Exhibition», Taipei Fine Arts Museum, Taiwan | 0 | |||||||||
| 28972 | Marc | Behrens | Quersumme rlw | 1997 | fixed media, akusmatisch | 11:17 | Stereo | Crónica 041/ CMR 2/ Selektion SCD 024/ ala 016/ | 0 | ||||||||||
| 29158 | Marc | Behrens | Rabies | 2009 | live-elec, 13 perf | 12:06 | Quadro | 12 V (ch), com [Stimme, computer] | 0 | ||||||||||
| 29153 | Marc | Behrens | Rainforest | 2009 | fixed media, akusmatisch | 19:48 | Stereo | 1990 | Frankfurt, Germany | 0 | |||||||||
| 29054 | Marc | Behrens | Re-shaping | 1991 | fixed media, akusmatisch | 2:30 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 28909 | Marc | Behrens | Real Player fucked my Netscape Settings | 2001 | fixed media, akusmatisch | 1:00 | Stereo | Crónica 041/ | DLRadio | 25.7.2008 | Deutschlandradio, Berlin | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||
| 29236 | Marc | Behrens | RECURRENT | 2011 | Klangkunst, Installation | 43 | Quadro | iHab 094/ | 0 | ||||||||||
| 42302 | Marc | Behrens | Recurrent II | 2014 | fixed media, akusmatisch | 9:49 | Stereo | iHab 094/ | 0 | ||||||||||
| 42303 | Marc | Behrens | Recurrent III | 2014 | fixed media, akusmatisch | 12:36 | Stereo | iHab 094/ | 0 | ||||||||||
| 42300 | Marc | Behrens | Recurrent, Recurrent 0 | 2014 | fixed media, akusmatisch | 11:45 | Stereo | iHab 094/ | 17.3.2018 | hr2-kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4949063&vi=122&SID | |||||||
| 42301 | Marc | Behrens | Recurrent, Recurrent I | 2014 | fixed media, akusmatisch | 9:19 | Stereo | iHab 094/ | 0 | ||||||||||
| 29108 | Marc | Behrens | Retina | 1990 | live-elec, 1 perf | 3:33 | Stereo | Kbd [Keyboard] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29020 | Marc | Behrens | Revelation | 1993 | fixed media, akusmatisch | 7:10 | Stereo | Crónica 041/ INT 013/ | 2000 | Topolò, Italy | 0 | ||||||||
| 29118 | Marc | Behrens | Right Off The Output 1 | 1989 | live-elec, 1 perf | 2:53 | Stereo | perf (radio) [Performer] | Animal Art aa 003/ | 0 | |||||||||
| 29119 | Marc | Behrens | Right Off The Output 2 | 1989 | live-elec, 1 perf | 3:18 | Stereo | perf (radio) [Performer] | German Noise – cassette tape (Animal Art, Germany) 1990 | Animal Art/ | 1992 | Herford, Germany | 0 | ||||||
| 28963 | Marc | Behrens | Robots | 1998 | fixed media, akusmatisch | 30 | Quadro | 2003 | Lisbon, Portugal | 0 | |||||||||
| 29181 | Marc | Behrens | Samma No Aji | 2006 | fixed media, akusmatisch | 7:20 | Stereo | Yasujiro Ozu: Hitokomakura – double CD (and/oar, USA) 2007 | and 26/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 28973 | Marc | Behrens | Scene Nr. 1 | 1996 | fixed media, akusmatisch | 6:10 | Stereo | CDR 13/ | 0 | ||||||||||
| 28974 | Marc | Behrens | Scene Nr. 2 | 1996 | fixed media, akusmatisch | 10:37 | Stereo | CDR 13/ | 0 | ||||||||||
| 28975 | Marc | Behrens | Scene Nr. 3 | 1996 | fixed media, akusmatisch | 2:40 | Stereo | CDR 13/ | 2002 | Frankfurt, Germany | 0 | ||||||||
| 28976 | Marc | Behrens | Scene Nr. 4 | 1996 | fixed media, akusmatisch | 4:07 | Stereo | CDR 13/ | 2002 | Darmstadt, Germany | 0 | ||||||||
| 28977 | Marc | Behrens | Scene Nr. 5 | 1996 | fixed media, akusmatisch | 10:05 | Stereo | CDR 13/ | 0 | ||||||||||
| 28978 | Marc | Behrens | Scene Nr. 6 | 1996 | fixed media, akusmatisch | 5:53 | Stereo | CDR 13/ | 0 | ||||||||||
| 28979 | Marc | Behrens | Scene Nr. 7 | 1996 | fixed media, akusmatisch | 12:39 | Stereo | CDR 13/ | 0 | ||||||||||
| 28946 | Marc | Behrens | Scenes for Contraction, part 1 | 1999 | fixed media, akusmatisch | 5:12 | Stereo | DNCD 006 Digital Narcis/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 28947 | Marc | Behrens | Scenes for Contraction, part 2 | 1999 | fixed media, akusmatisch | 4:17 | Stereo | DNCD 006 Digital Narcis/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 28948 | Marc | Behrens | Scenes for Contraction, part 3 | 1999 | fixed media, akusmatisch | 8:25 | Stereo | DNCD 006 Digital Narcis/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 28949 | Marc | Behrens | Scenes for Contraction, part 4 | 1999 | fixed media, akusmatisch | 6:03 | Stereo | DNCD 006 Digital Narcis/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 28950 | Marc | Behrens | Scenes for Contraction, part 5 | 1999 | fixed media, akusmatisch | 2:17 | Stereo | DNCD 006 Digital Narcis/ | 2001 | Rüsselsheim, Germany | 0 | ||||||||
| 28956 | Marc | Behrens | Scrutto, Insects/Frogs/Cars | 1997 - 1999 | fixed media, akusmatisch | 11:20 | Stereo | DNCD 006 Digital Narcis/ | 0 | ||||||||||
| 28954 | Marc | Behrens | Scrutto, Shakuhachi/Insects | 1997 - 1999 | fixed media, akusmatisch | 4:10 | Stereo | DNCD 006 Digital Narcis/ | 0 | ||||||||||
| 28955 | Marc | Behrens | Scrutto, Shakuhachi/Insects/Frogs | 1997 - 1999 | fixed media, akusmatisch | 8:08 | Stereo | DNCD 006 Digital Narcis/ | 2003 | Porto, Portugal | 0 | ||||||||
| 28980 | Marc | Behrens | Secret Scene: Gesture 1 | 1996 | fixed media, akusmatisch | 9:03 | Stereo | CDR 13/ | 2002 | Münster, Germany | 0 | ||||||||
| 28962 | Marc | Behrens | Secular Air | 1998 | fixed media, akusmatisch | 11:08 | Stereo | DNCD 006 Digital Narcis/ | 2003 | Lisbon, Portugal | 0 | ||||||||
| 29128 | Marc | Behrens | Seelendekor | 1989 | live-elec, 2 perf | 7:16 | Stereo | Kbd, synt [Keyboard, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 0 | ||||||||
| 29120 | Marc | Behrens | Seriousness of Laughter | 1989 | live-elec, 3 perf | 5:09 | Stereo | e-gui, (glass) hp, perc [Gitarre, Harfe, Schlagzeug] | Animal Art aa 003/ | 1992 | Herford, Germany | 0 | |||||||
| 29013 | Marc | Behrens | Sfdbk 1 | 1993 | fixed media, akusmatisch | 5:38 | Stereo | 2001 | Barcelona, Spain | 0 | |||||||||
| 29014 | Marc | Behrens | Sfdbk 2 | 1993 | fixed media, akusmatisch | 3:39 | Stereo | WP 05/ | 0 | ||||||||||
| 29015 | Marc | Behrens | Sfdbk 3 | 1993 | fixed media, akusmatisch | 2:43 | Stereo | 0 | |||||||||||
| 29016 | Marc | Behrens | Sfdbk 4 | 1993 | fixed media, akusmatisch | 4:08 | Stereo | 2000 | Mühltal, Germany | 0 | |||||||||
| 29017 | Marc | Behrens | Sfdbk 5 | 1993 | fixed media, akusmatisch | 3:36 | Stereo | 0 | |||||||||||
| 29018 | Marc | Behrens | Sfdbk 6 | 1993 | fixed media, akusmatisch | 6:38 | Stereo | 2000 | Hamburg, Germany | 0 | |||||||||
| 29019 | Marc | Behrens | Sfdbk 6 (short version) | 1993 | fixed media, akusmatisch | 6:26 | Stereo | WP 05/ | 2000 | Ljubljana, Slovenia | 0 | ||||||||
| 29121 | Marc | Behrens | Shogoin Palace | 1989 | live-elec, 2 perf | 2:43 | Stereo | Kbd, perc [Keyboard, Schlagzeug] | Animal Art aa 003/ | 0 | |||||||||
| 29075 | Marc | Behrens | Shstthstst | 1990 | fixed media, akusmatisch | 2:40 | Stereo | Featuring Andreas K. | Animal Art aa 000/ | 0 | |||||||||
| 34068 | Marc | Behrens | Sin and Temper | 2015 | Performance, live-elec, 1 perf | 40 | Quadro | synt, (taperecorder) [synthesizer] | Liveset mit Synthesizern und Tonbandgeräten | 2007 | «Sleppet», Galleri 3,14, Bergen, Norway | 0 | |||||||
| 29159 | Marc | Behrens | Site for a Numb | 2009 | fixed media, akusmatisch | 9:54 | Stereo | Rui Costa and Friends: Sightseeing for the Blind – CD (1000füssler, Germany) 2009 | 0 | ||||||||||
| 29099 | Marc | Behrens | Six Metal Samples: Metal Sample 1 | 1990 | fixed media, akusmatisch | 1:57 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 0 | |||||||||
| 29100 | Marc | Behrens | Six Metal Samples: Metal Sample 2 | 1990 | fixed media, akusmatisch | 3:36 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Herford, Germany | 0 | |||||||
| 29101 | Marc | Behrens | Six Metal Samples: Metal Sample 3 | 1990 | fixed media, akusmatisch | 5:11 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 0 | |||||||||
| 29102 | Marc | Behrens | Six Metal Samples: Metal Sample 4 | 1990 | fixed media, akusmatisch | 6:10 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Frankfurt, Germany | 0 | |||||||
| 29103 | Marc | Behrens | Six Metal Samples: Metal Sample 5 | 1990 | fixed media, akusmatisch | 2:33 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Frankfurt, Germany | 0 | |||||||
| 29104 | Marc | Behrens | Six Metal Samples: Metal Sample 6 | 1990 | fixed media, akusmatisch | 1:59 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Frankfurt, Germany | 0 | |||||||
| 42256 | Marc | Behrens | Skeleton | 1991 | fixed media, akusmatisch | 5:01:00 | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | Selektion, Frankfurt, Germany | 0 | |||||||||
| 29212 | Marc | Behrens | Sketch for Bagdad é em Lisboa | 2003 | fixed media, akusmatisch | 1:00 | Stereo | 60 sound artists protest the war – CD (Atak, JP) 2003 | Crónica 041/ | 1989 | Darmstadt, Germany | 0 | |||||||
| 29044 | Marc | Behrens | Slaughterhouse | 1992 | fixed media, akusmatisch | 8:46 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 [excerpt] | 1998 | Zürich, Switzerland | 0 | ||||||||
| 29165 | Marc | Behrens | Sleppet (1) Seagulls and Cattle, Sleppet | 2008 | fixed media, akusmatisch | radiophon |
10:09 | Stereo, Quadro | Crónica 046/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||||
| 29166 | Marc | Behrens | Sleppet (2–3) Avalanches, Water and Stones, Sleppet | 2008 | fixed media, akusmatisch | radiophon |
9:35 | Stereo, Quadro, Octo | Crónica 046/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||||
| 29167 | Marc | Behrens | Sleppet (4) Glacier, Sleppet | 2008 | fixed media, akusmatisch | radiophon |
10:00 | Stereo, Quadro, Octo | Crónica 046/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||||
| 29168 | Marc | Behrens | Sleppet (5) Sheep and Industry, Sleppet | 2008 | fixed media, akusmatisch | radiophon |
11:06 | Stereo, Quadro | Crónica 046/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||||
| 29077 | Marc | Behrens | Squealing Wheat People | 1990 | fixed media, akusmatisch | 2:03 | Stereo | Animal Art/ | 0 | ||||||||||
| 29021 | Marc | Behrens | Statics | 1993 | fixed media, akusmatisch | 6:26 | Stereo | Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 0 | |||||||||
| 42255 | Marc | Behrens | Strength | 1991 | fixed media, akusmatisch | 5:01:00 | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | Galerie Fruchtig, Frankfurt, Germany) | 0 | |||||||||
| 28411 | Marc | Behrens | Summation 0.3 | 2005 | audiovisuell | 3:45 | Stereo | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | ||||||||
| 29150 | Marc | Behrens | Sustained Revolution | 2009 | fixed media, akusmatisch | 30:45 | Stereo, Quadro | Overlapcast – podcast/mp3 (Overlap.org, Australia) 2010 | 1990 | Frankfurt, Germany | 0 | ||||||||
| 28892 | Marc | Behrens | That which is the | 2002 | fixed media, akusmatisch | 6:49 | Stereo | Crónica 041/ | 02.10.2009 | WDR3, Cologne, Germany | Produktionspreis des Kulturradios WDR 3, 2010 | 0 | |||||||
| 29005 | Marc | Behrens | The Aesthetics of Censorship, Harpsichord 1 | 1994 | fixed media, akusmatisch | 5:00 | Stereo | WP 05/ ala 014/ | 09.11.2014 | Radio Depot, Dortmund | 0 | ||||||||
| 29006 | Marc | Behrens | The Aesthetics of Censorship, Harpsichord 2 | 1994 | fixed media, akusmatisch | 3:50 | Stereo | ala 014/ | 0 | ||||||||||
| 28999 | Marc | Behrens | The Aesthetics of Censorship, Piano 1 | 1994 | fixed media, akusmatisch | 5:14 | Stereo | ala 014/ | 2001 | Budapest, Hungary | 0 | ||||||||
| 29000 | Marc | Behrens | The Aesthetics of Censorship, Piano 2 | 1994 | fixed media, akusmatisch | 8:23 | Stereo | WP 05/ ala 014/ | 2001 | Budapest, Hungary | 0 | ||||||||
| 29001 | Marc | Behrens | The Aesthetics of Censorship, Piano 3 | 1994 | fixed media, akusmatisch | 2:06 | Stereo | WP 05/ ala 014/ | 0 | ||||||||||
| 29002 | Marc | Behrens | The Aesthetics of Censorship, Violin 1 | 1994 | fixed media, akusmatisch | 7:00 | Stereo | WP 05/ ala 014/ | 0 | ||||||||||
| 29003 | Marc | Behrens | The Aesthetics of Censorship, Violin 2 | 1994 | fixed media, akusmatisch | 5:24 | Stereo | WP 05/ ala 014/ | 0 | ||||||||||
| 29004 | Marc | Behrens | The Aesthetics of Censorship, Violin 3 | 1994 | fixed media, akusmatisch | 3:33 | Stereo | ala 014/ | 0 | ||||||||||
| 29085 | Marc | Behrens | The Housewife | 1990 | fixed media, akusmatisch | Stereo | perc [Schlagzeug] | 1994 | Frankfurt, Germany | 0 | |||||||||
| 29083 | Marc | Behrens | The Housewife as a Woman (Whoosh, there it Went and I Forgot all about the Metal) | 1990 | fixed media, akusmatisch | Stereo | perc [Schlagzeug] | Animal Art aa 007/ | 1994 | Frankfurt, Germany | 0 | ||||||||
| 29082 | Marc | Behrens | The Housewife Working Alone (with the Vacuum Cleaner on, Full Blast) | 1990 | fixed media, akusmatisch | Stereo | perc [Schlagzeug] | Animal Art aa 007/ | 1994 | Frankfurt, Germany | 0 | ||||||||
| 38975 | Marc | Behrens | The Religion of Toxins | 2015 | Klangkunst, Installation | 23:00 | Mono + Mono | double mono sound installation. 3 parts |
ala 011/ | 1999 | INM-Institut für Neue Medien, Frankfurt, Germany | 0 | https://marcbehrens.bandcamp.com/album/the-religion-of-toxins | ||||||
| 28895 | Marc | Behrens | The Unknown (CD version), part 1 | 2002 | fixed media, akusmatisch | 4:08 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | Edition … 028/ | 02.10.2009 | WDR3, Cologne, Germany | Produktionspreis des Kulturradios WDR 3, 2010 | 0 | ||||||
| 28896 | Marc | Behrens | The Unknown (CD version), part 2 | 2002 | fixed media, akusmatisch | 6:21 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | Edition … 028/ | 05.07.2009 | Cologne, Germany | 0 | |||||||
| 28897 | Marc | Behrens | The Unknown (CD version), part 3 | 2002 | fixed media, akusmatisch | 4:10 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | Edition … 028/ | 0 | |||||||||
| 28898 | Marc | Behrens | The Unknown (CD version), part 4 | 2002 | fixed media, akusmatisch | 4:33 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | Edition … 028/ | 11.04.2009 | Karben, Germany | 0 | |||||||
| 28906 | Marc | Behrens | The Unknown (version Bratislava) | 2001 | Klangkunst, Installation | ∞ 15:45:00 | Quadro | DLRadio | 25.7.2008 | Deutschlandradio, Berlin | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | |||||||
| 29187 | Marc | Behrens | The Unknown (version Valencia) | 2004 | Klangkunst, Installation | ∞ 22:56:00 | Quadro | 0 | |||||||||||
| 42304 | Marc | Behrens | Thorns/Seeds | 2018 | live-elec, 1 perf | 1:20 | synt [synthesizer] | 17.05.2018 | Port25, Mannheim | 0 | |||||||||
| 34061 | Marc | Behrens | To Break an Elephant's Leg | 2015 | fixed media, akusmatisch | 5:00 | Stereo | degem CD 13/ | 2008 | «Farewell to Post-Colonialism. The Third Guangzhou Triennial», Time Museum/Guangdong Museum of Art, Guangzhou, China | 0 | ||||||||
| 29245 | Marc | Behrens | TOKYO CIRCLE | 2000 - 2005 | Klanginstallation, live-elec, | 6 | «Sound Art – Sound as Media» | 0 | |||||||||||
| 25498 | Marc | Behrens | Tokyo Circle, Symbol Survey | 1999 | fixed media, akusmatisch | 5:40 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ Crónica 041/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | ||||||||
| 29253 | Marc | Behrens | TOP DOWN/BOTTOM UP | 1997 | Klangkunst, Installation | Linked to the discovery of the ‹up›/‹down› and ‹top›/‹bottom› quarks, the latter only observed in short-lived matter. Rice grains on the membranes of three bass speakers’ membranes mounted under the planks of a wooden walkway jumped up when sounds occurred on the speakers, affected by wind intensity. | 0 | ||||||||||||
| 29035 | Marc | Behrens | Transmission | 1992 | fixed media, akusmatisch | 21:45 | Stereo | 1999 | Udine, Italy | 0 | |||||||||
| 29068 | Marc | Behrens | Trembling Spy | 1990 | fixed media, akusmatisch | 6:04 | Stereo | 0 | |||||||||||
| 29069 | Marc | Behrens | Twilight (dry) | 1990 | fixed media, akusmatisch | 2:30 | Stereo | 1996 | Bern, Switzerland | 0 | |||||||||
| 29057 | Marc | Behrens | Twilight’s Last Gleaming | 1991 | fixed media, akusmatisch | 5:40 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 28931 | Marc | Behrens | Two Leipzig Zones | 2000 | fixed media, akusmatisch | 6:11 | Stereo | Crónica 041/ | 0 | ||||||||||
| 28945 | Marc | Behrens | Two Zones | 1999 | fixed media, akusmatisch | 5:50 | Stereo | Crónica 041/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 29144 | Marc | Behrens | Unit, CD version | 2010 | fixed media, akusmatisch | 42:40 | Stereo | Marc Behrens: Unit – CD (and/OAR, USA) 2012 | and 41/ | 1990 | Frankfurt, Germany | 0 | |||||||
| 29239 | Marc | Behrens | UNIT | 2008 | Klangkunst, Installation | 5 tracks | 0 | ||||||||||||
| 29208 | Marc | Behrens | Untitled (for Lida) | 2003 | fixed media, akusmatisch | 7:00 | Stereo | Crónica 041/ afro 2019/ | 0 | ||||||||||
| 29046 | Marc | Behrens | Untitled 1 [Organ] | 1991 | fixed media, akusmatisch | 4:25 | Stereo | 0 | |||||||||||
| 29047 | Marc | Behrens | Untitled 2 [Orchestra] | 1991 | fixed media, akusmatisch | 6:46 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | 1998 | rraum, Frankfurt, Germany | 0 | ||||||||
| 29048 | Marc | Behrens | Untitled 3 [Orchestra, Feedback] | 1991 | fixed media, akusmatisch | 7:53 | Stereo | 0 | |||||||||||
| 29049 | Marc | Behrens | Untitled 4 [Feedback] | 1991 | fixed media, akusmatisch | 2:25 | Stereo | 0 | |||||||||||
| 29050 | Marc | Behrens | Untitled 5 [Wet Feedback] | 1991 | fixed media, akusmatisch | 2:06 | Stereo | 1998 | Topolò, Italy | 0 | |||||||||
| 29110 | Marc | Behrens | Untitled Fast | 1990 | live-elec, 2 perf | 3:19 | Stereo | synt, Kbd [Keyboard, synthesizer] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 28998 | Marc | Behrens | Untitled Fdbk 95-1 | 1995 | fixed media, akusmatisch | 8:56 | Stereo | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 0 | |||||||||
| 28929 | Marc | Behrens | Untitled Fdbk 95–2 | 2001 | fixed media, akusmatisch | 11:06 | Stereo | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 2004 | Valencia, Spain | 0 | |||||||
| 29109 | Marc | Behrens | Untitled Sequencer Piece | 1990 | live-elec, 1 perf | 1:44 | Stereo | synt [synthesizer] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29111 | Marc | Behrens | Untitled Slow | 1990 | live-elec, 2 perf | 3:27 | Stereo | Kbd, synt [Keyboard, synthesizer] | 1993 | Bochum, Germany | 0 | ||||||||
| 29186 | Marc | Behrens | [Untitled Song] | 2004 | fixed media, akusmatisch | 6:50 | Stereo | Crónica 041/ | 0 | ||||||||||
| 29123 | Marc | Behrens | Virgo Analyse | 1989 | live-elec, 3 perf | 2:53 | Stereo | Kbd, synt, db [Keyboard, Kontrabass, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 1992 | Mainz, Germany | 0 | ||||||
| 28928 | Marc | Behrens | Website | 2001 | fixed media, akusmatisch | 8:47 | Stereo | Crónica 032/ | 2005 | Weimar, Germany | 0 | ||||||||
| 29146 | Marc | Behrens | Yes, China | 2010 | fixed media, akusmatisch | 9:54 | Spazialisation: binaural | Headscapes, Kompositionen für Kopfhörer – CD (Besenkammer, Germany) 2010; Framework Seasonal Issue #1 Autumn 2011 – CDR (Framework Radio, Estonia) | Besenkammer bb 03/ | 1990 | Frankfurt, Germany | 0 | http://galeriebesenkammer.wordpress.com/ruckblick/ | ||||||
| 29126 | Marc | Behrens | Zazou | 1989 | live-elec, 2 perf | 2:29 | Stereo | Kbd, synt, (turntables) [Keyboard, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 0 | ||||||||
| 29031 | Marc, Jörg | Behrens, Eberle | Scanning, part 1 | 1993 | live-elec, 2 perf | 28:32 | Stereo | sam, elec [computer, elektronik] | 1999 | Hamburg, Germany | 0 | ||||||||
| 29032 | Marc, Jörg | Behrens, Eberle | Scanning, part 2 | 1993 | live-elec, 2 perf | 16:28 | Stereo, Quadro | elec, perc [Schlagzeug, elektronik] | 1999 | Hamburg, Germany | 0 | ||||||||
| 29041 | Marc, Lukas | Behrens, Ernst | Instant Movie Instance III | 1992 | fixed media, akusmatisch | 24:40 | Stereo | Human Factor (Lukas Ernst) and Animal Art (Marc Behrens) soundtrack for the film "Instant Movie". This version is a transformed version of the original performance. |
Animal Art aa 010/ | 0 | |||||||||
| 29149 | Marc, Cem | Behrens, Güney | Mouth to Mouse | 2009 | fixed media, akusmatisch | 6:54 | Stereo | Crónica 050/ | 1990 | Frankfurt, Germany | 0 | ||||||||
| 29255 | Marc, Bernhard | Behrens, Günter | VIENNA INSTALLATION | 1996 | Klangkunst, Installation | Octo | A sound installation was implanted into several cells of the circular museum building. A stereo source was distributed to 8 channels and manipulated with long delays to create a sound entity moving through the building. | 0 | |||||||||||
| 29211 | Marc, Nikolaus | Behrens, Heyduck | Concerto a Topolò (Pioggia di Topolò) | 2003 | Performance | ∞ 22:00 | Stereo | 1989 | Darmstadt, Germany | 0 | |||||||||
| 28930 | Marc, Nikolaus | Behrens, Heyduck | Kunststoffklänge | 2000 | fixed media, akusmatisch | 33:30 | 10 Tracks | Plastic 1 - 4 | afro 2030/ | 0 | |||||||||
| 28891 | Marc, Nikolaus | Behrens, Heyduck | Material performance [Metal] | 2002 | Performance | 36:47 | Quadro | Metal 1 - 10 | afro 2031/ | 14.10.2009 | Casa da Música, Porto, Portugal | 0 | |||||||
| 29197 | Marc, Nikolaus | Behrens, Heyduck | Metal 1 | 2004 | fixed media, akusmatisch | 2:47 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 36492 | Marc, Nikolaus | Behrens, Heyduck | Metal 10 | 2004 | fixed media, akusmatisch | Stereo | afro 2031/ | 0 | |||||||||||
| 29198 | Marc, Nikolaus | Behrens, Heyduck | Metal 2 | 2004 | fixed media, akusmatisch | 2:42 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 29199 | Marc, Nikolaus | Behrens, Heyduck | Metal 3 | 2004 | fixed media, akusmatisch | 4:08 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 29200 | Marc, Nikolaus | Behrens, Heyduck | Metal 4 | 2004 | fixed media, akusmatisch | 7:39 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 29201 | Marc, Nikolaus | Behrens, Heyduck | Metal 5 | 2004 | fixed media, akusmatisch | 3:40 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 29202 | Marc, Nikolaus | Behrens, Heyduck | Metal 6 | 2004 | fixed media, akusmatisch | 3:47 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 36489 | Marc, Nikolaus | Behrens, Heyduck | Metal 7 | 2004 | fixed media, akusmatisch | Stereo | afro 2031/ | 2005 | «Mülheimer Profile 2005/Mülheim klingt», Kulturbunker Mülheim, Cologne, Germany | 0 | |||||||||
| 36490 | Marc, Nikolaus | Behrens, Heyduck | Metal 8 | 2004 | fixed media, akusmatisch | Stereo | afro 2031/ | 2003 | «Stazione di Topolò – Postaja Topolove», Topolò, Grimacco/UD, Italy | 0 | http://www.behrensheyduck.de | ||||||||
| 36491 | Marc, Nikolaus | Behrens, Heyduck | Metal 9 | 2004 | fixed media, akusmatisch | Stereo | afro 2031/ | 2002 | Schmuckmanufaktur Kneist, Darmstadt, Germany) | 0 | |||||||||
| 29242 | Marc, Nikolaus | Behrens, Heyduck | Pioggia di Topolò – Topolovski Daž – Rain of Topolò | 2003 | Klangkunst, Installation | Stereo | sound installation with rain | 0 | |||||||||||
| 29203 | Marc, Nikolaus | Behrens, Heyduck | Plastic 1 | 2003 | fixed media, akusmatisch | 11:29 | Stereo | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2030/ | 0 | |||||||||
| 29204 | Marc, Nikolaus | Behrens, Heyduck | Plastic 2 | 2003 | fixed media, akusmatisch | 4:39 | Stereo | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2030/ | 0 | |||||||||
| 29205 | Marc, Nikolaus | Behrens, Heyduck | Plastic 3 | 2003 | fixed media, akusmatisch | 6:47 | Stereo | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2030/ | 0 | |||||||||
| 29206 | Marc, Nikolaus | Behrens, Heyduck | Plastic 4 | 2003 | fixed media, akusmatisch | 10:35 | Stereo | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2030/ | 0 | |||||||||
| 29173 | Marc, Nikolaus | Behrens, Heyduck | Tape Disk | 2007 | Zuspiel, live-elec, 4 perf | audiovisuell |
40:06 | Stereo + Stereo | 2 com, 2 elec (2 tape machines, video) [computer, elektronik] | 0 | ||||||||||
| 29156 | Marc, Yôko | Behrens, Higashi | Queendom | 2009 | live-elec, 1 perf | 8:07 | V and com [Stimme, computer] | (Featuring Yôko Higashi); Voice – Yôko Higashi | Crónica 076/ | 0 | |||||||||
| 29091 | Marc, Chris | Behrens, Keller | Junta 1 | 1990 | fixed media, akusmatisch | 7:32 | Stereo | 1993 | Darmstadt, Germany | 0 | |||||||||
| 29092 | Marc, Chris | Behrens, Keller | Junta 2 | 1990 | fixed media, akusmatisch | 3:25 | Stereo | 1993 | Darmstadt, Germany | 0 | |||||||||
| 29093 | Marc, Chris | Behrens, Keller | Junta 3 | 1990 | fixed media, akusmatisch | 3:15 | Stereo | 1993 | Herford, Germany | 0 | |||||||||
| 29094 | Marc, Chris | Behrens, Keller | Junta 4, Soundtrack for Original Torture Performance | 1990 | fixed media, akusmatisch | 8:59 | Stereo | [published as Soundtrack for Original Torture Performanceon:] Power to Destroy – double cassette tape (Lebensborn, UK) | 1993 | Herford, Germany | 0 | ||||||||
| 29095 | Marc, Chris | Behrens, Keller | Junta 5 | 1990 | fixed media, akusmatisch | 1:47 | Stereo | 1993 | Herford, Germany | 0 | |||||||||
| 28888 | Marc, Francisco | Behrens, López | A Szellem Álma · FL | 2002 | fixed media, akusmatisch | 73:42 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 16.10.2010 | Radio Grenouille, Marseille, France | 0 | |||||||
| 28899 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 1 | 2002 | fixed media, akusmatisch | 17:57 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 04.04.2009 | Casa da Música, Porto, Portugal | 0 | |||||||
| 28900 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 2 | 2002 | fixed media, akusmatisch | 14:56 | Stereo, Quadro | 12 V, (12 Voices in Space, 4 tracks elec) [Stimme] | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 24.03.2009 | London, U.K. | 0 | ||||||
| 28901 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 3 | 2002 | fixed media, akusmatisch | 12:33 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 0 | |||||||||
| 28902 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 4 | 2002 | fixed media, akusmatisch | 8:51 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | DeutschlandRadio | 25.7.2008 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1531667&vi=21&SID | ||||||
| 28903 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 5 | 2002 | fixed media, akusmatisch | 10:23 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 0 | |||||||||
| 38974 | Marc, Julia, Annesley | Behrens, Mihály, Black | hyperMOODbox | 2018 | Klangkunst, Installation | Octo | 1999 | «Projekt: Medusa» Kunst.verladehalle, Rüsselsheim, Germany | 0 | ||||||||||
| 29096 | Marc, Christoph | Behrens, Nees | Pentagon | 1990 | live-elec, 2 perf | 11:26 | Stereo | Kbd, t-sax [Saxophon, Keyboard] | 1993 | Herford, Germany | 0 | ||||||||
| 29039 | Marc, Michael | Behrens, Northam | Organic Feedback part I | 1992 | live-elec, 2 perf | 3:26 | Stereo | 2 elec [elektronik] | Neuklang II – double cassette tape (Fich Art, D) 1992 | 2000 | Tokyo, Japan | 0 | |||||||
| 29040 | Marc, Michael | Behrens, Northam | Organic Feedback part II | 1992 | live-elec, 2 perf | 5:03 | Stereo | 2 elec [elektronik] | Neuklang II – double cassette tape (Fich Art, D) 1992 | 0 | |||||||||
| 29177 | Marc, Paulo | Behrens, Raposo | Hades 1 Gate | 2006 | fixed media, akusmatisch | 8:05 | Stereo | Marc Behrens, Paulo Raposo: Hades – CD (and/oar, USA) 2006 | and 25/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 29178 | Marc, Paulo | Behrens, Raposo | Hades 2 Crossing Into | 2006 | fixed media, akusmatisch | 21:30 | Stereo | Marc Behrens, Paulo Raposo: Hades – CD (and/oar, USA) 2006 | and 25/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 29179 | Marc, Paulo | Behrens, Raposo | Hades 3 Gate | 2006 | fixed media, akusmatisch | 5:08 | Stereo | Marc Behrens, Paulo Raposo: Hades – CD (and/oar, USA) 2006 | and 25/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 29180 | Marc, Paulo | Behrens, Raposo | Hades 4 Crossing Out Of | 2006 | fixed media, akusmatisch | 21:49 | Stereo | Marc Behrens, Paulo Raposo: Hades – CD (and/oar, USA) 2006 | and 25/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 29207 | Marc, Paulo, Jeremy | Behrens, Raposo, Bernstein | Post-Architectural Commentaries | 2003 | audiovisuell, live-elec, 3 perf | Quadro | 3 com [computer] | 0 | |||||||||||
| 28791 | Marc, Uwe | Behrens, Schmidt, Atom™ | Bauteile | 2012 | radiophon | 52:01 | Stereo | Uwe Schmidt alias Atom™ | eMEGO 184/ | 0 | |||||||||
| 28894 | Marc, Tobias | Behrens, Schmitt | Chair | 2002 | live-elec, 2 perf | 2:31 | Stereo | (office chair,) 2 com [computer] | Syntax Error – Magazine + CD («Failure» issue of CABINET Magazine, USA) 2002 | 02.10.2009 | WDR3, Cologne, Germany | Produktionspreis des Kulturradios WDR 3, 2010 | 0 | ||||||
| 29045 | Marc, Ho. | Behrens, Turner | Instant Movie | 1991 | fixed media, akusmatisch | audiovisuell |
58:21 | Quadro | 1998 | Zürich, Switzerland | 0 | |||||||||
| 28889 | Marc, Achim | Behrens, Wollscheid | - | 2002 | fixed media, akusmatisch | 2:00 | Stereo, Octo | Frequencies [Hz] – CD (Schirn Kunsthalle Frankfurt, D) 2003 | 0 | ||||||||||
| 21498 | David | Behrman | A Migratory Tale | 1977 | live-elec, 2 perf | 2 perf, (com) [Performer] | LCD 1042/ | 1 | 1989 | ||||||||||
| 18715 | David | Behrman | A Traveller's Dream Journal, Berlin-NY | 1967 | Zuspiel / Tonband, 1 perf | 18:42 | Stereo | p [Piano] | interactiv; 2 parts | LCD 1042/ | PS C. NY | 0 | |||||||
| 21499 | David | Behrman | All Thumbs | 1977 | live-elec, 2 perf | 2 ins (mbiras) [Instrument] | LCD 1042/ | 1 | 1989 | ||||||||||
| 1134 | David | Behrman | Etuder | 1960 | fixed media, akusmatisch | 3:00 | Mono | PS Apelac | 0 | ||||||||||
| 1135 | David | Behrman | Figure in a Clearing | 1977 | live-elec, 1 perf | 19:12 | vc, (com) [Cello] | LML 1041/ | Mills Col | 1 | 1989 | ||||||||
| 23108 | David | Behrman | Homemade Synthesizer Music with Sliding Pitches | 1972/2002 | live-elec, 1 perf | 21:20 | vc [Cello] | 1 | 2002 | ||||||||||
| 1136 | David | Behrman | Interspecies Smalltalk | 1984 | Performance, live-elec, 1 perf | 21:32 | vn, (elec) [Violine] | interactiv, 2 Scenes | LCD 1042/ MC 001 Mills College/ | CCM Mills | Merce Cunningham's dance "Pictures" | 1 | 1989 | ||||||
| 36678 | David | Behrman | Landscape with David Behrman | 1987 | Fernsehen, | 57:40 | LVHS 1/ | 0 | |||||||||||
| 18716 | David | Behrman | Leapday Night | 1983/1986 | Zuspiel, live-elec, 1 perf | 32:37 | Stereo | tpt [Trompete] | interactiv; 3 parts | LCD 1042/ | 1 | 1989 | |||||||
| 33572 | David | Behrman | Long Throw | 2007 | Tanz, live-elec, 3 perf | (com), e-vn, e-gui, prep p [Piano, Gitarre, Violine] | Computer [Laptop] – David Behrman Electric Guitar, Viola – John King Piano [Prepared] – Christian Wolff Violin [Electric] – Takehisa Kosugi Dance: eyeSpace (2007) |
NWR 80712/ | 1 | ||||||||||
| 1137 | David | Behrman | Milwaukee Combination | 1964 | Zuspiel / Tonband, 4 perf | 11:00 | Mono + Mono + Mono + Mono | 4 ins [Instrument] | Uni Waltham | 0 | |||||||||
| 25839 | David | Behrman | Music with Melody-Driven Electronics | 1975 | audiovisuell | 57:40 | 4 perf [Performer] | Performing Behrman, Cardoza, Denman, Morton 1975 | Ellipsis Arts 3694 - OHM DVD/ LVHS 1/ | 1 | |||||||||
| 32162 | David | Behrman | Music with Roots in the Aether, Landscape with David Behrman (57:40) The Music of David Behrman (57:40) |
1975 | Fernsehen, | Oper |
115 | Music with Melody-Driven Electronics. Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. |
DV 7701 Lovely Music/ LVHS 1/ Music with Roots in the Aether/ | 1 | ||||||||||
| 18717 | David | Behrman | On the Other Ocean | 1977 | Zuspiel, live-elec, 2 perf | 23:31 | Stereo | fl, bn [Flöte, Fagott] | interactiv | LML 1041/ Ellipsis Arts 3673 - OHM: 03/ | Mills Col | 1 | |||||||
| 1138 | David | Behrman | Oracolo | 1983 | live-elec, 1 perf | 10:20 | Quadro | com [computer] | 4i real-time system | CSC Padova | 0 | ||||||||
| 23109 | David | Behrman | Pen Light, View Finder | 1998 - 2001 | Klangkunst, Installation | DAAD 205-1 ISBN 3-89727-259-8/ Prix Ars Electronica 98/ Kehrer Verlag ISBN 978-3-939583-23-3/ | Auszeichnung ars electronica honorary mention 1998 | 1 | 2002 | ||||||||||
| 2002 | |||||||||||||||||||
| 1139 | David | Behrman | Players with circuits | 1966 | live-elec, 3 perf | 12:00 | Mono | str (zither), gui, p, (oscillator, rm) [Piano, Gitarre, Streicher] | PS C. NY | 0 | |||||||||
| 18718 | David | Behrman | Refractive Light | fixed media, akusmatisch | 4:22 | Stereo | interactiv | Nova Era CD 2002/ NWCR 807/ | 0 | ||||||||||
| 18719 | David | Behrman | Refractive Light | live-elec, | 11:40 | Stereo | interactiv; (3 mouvements) | XI 105 experimental intermedia/ | 0 | ||||||||||
| 1140 | David | Behrman | runthrough | 1967, 1998 | live-elec, 2 perf | 12:00-18:00 11:54 | Stereo | 2 mus (psalter, kalimba), (rm) [Musiker] | Centaur CRC 2490, CDCM Vol. 30/ Mainstream MS 5010 Earle Brown Contemporary Sound Series Vol 13/ WER 6940/ IDEAMA CD 077/ | PS C. NY, Calarts | 1 | ||||||||
| 18720 | David | Behrman | Unforeseen Events | Zuspiel, live-elec, 1 perf | 37:52 | Stereo | tpt [Trompete] | (4 mouvements) | XI 105 experimental intermedia/ | 0 | |||||||||
| 27345 | David | Behrman | View Finder | 1972 - 1973 | Klangkunst, Installation | DAAD 205-1 ISBN 3-89727-259-8/ | November 2001 | Valerian Maly’s gallery Köln | 1 | 2002 | |||||||||
| 1141 | David | Behrman | Wave Train | 1966 | live-elec, 1 perf | 15:31 | Mono | amp ins, (rm) [Instrument] | feedback. performed by D. Berhman & G. Mumma | Source Records, SR 13/ Pogus 21050-2/ | PS C. NY | Center of the Creative Arts, Buffalo, NY | 1 | ||||||
| 33575 | David, Fast, Takehisa | Behrman, Forward, Kosugi | Event — September 14, 1996, Annemasse, France | 1996 | Performance | 5:53:00 | 3 perf [Performer] | Computer [Laptop], Percussion – David Behrman Percussion [Steel Pan], Performer [Objects] – Fast Forward Violin [Electric], Electronics [Live] – Takehisa Kosugi |
NWR 80712/ | 1 | |||||||||
| 33580 | David, John, Ikue | Behrman, King, Mori | Event — December 14, 2004, New York City | 2004 | Performance | 3:54:00 | 3 perf [Performer] | Computer [Laptop], Violin, Psaltery – David Behrman Electric Guitar, Electronics [Live] – John King Trombone, Computer [Laptop] – Ikue Mori |
NWR 80712/ | 1 | |||||||||
| 33585 | David, John, Christian | Behrman, King, Wolff | Event — June 23, 2007, New Canaan, Connecticut | 2007 | Performance | 3:09 | 3 perf [Performer] | Computer [Laptop], Recorder, Guitar – David Behrman Electric Guitar, Electronics [Live] – John King Electric Guitar, Melodica – Christian Wolff |
NWR 80712/ | 1 | |||||||||
| 33576 | David, Steve, Takehisa | Behrman, Lacy, Kosugi | Event — June 5, 1997, Frankfurt | 1997 | Performance | 7:30:00 | 3 perf [Performer] | Computer [Laptop], Voice – David Behrman Soprano Saxophone – Steve Lacy Violin [Electric] – Takehisa Kosugi |
NWR 80712/ | 1 | |||||||||
| 28773 | Michael | Beil | along | 2011 | Zuspiel / Tonband, 1 perf | 10:00 | e-gui [Gitarre] | 2011 | Tel Aviv, Yaron Deutsch (gui) | 0 | http://www.michael-beil.com/ | ||||||||
| 28777 | Michael | Beil | Aus EIns Mach Zehn | 2001 | Zuspiel / Tonband, 1 group | 10:00 | orc [Orchester] | 2002 | Stuttgart, SWR orchestra, Ltg. Robert HP Platz | 0 | http://www.michael-beil.com/ | ||||||||
| 28778 | Michael | Beil | Aus Fünf | 2001 | Zuspiel / Tonband, 3 perf | 11:33 | cl, bn, acc [Klarinette, Fagott, Akkordeon] | trio basso | 2001 | Berlin Klangwerkstatt | 0 | http://www.michael-beil.com/ | |||||||
| 28776 | Michael | Beil | Batterie | 2003 | audiovisuell, 1 perf | 14:13 | perc-drumset [Schlagzeug] | 2003 | Berlin Staatsoper unter den Linden, Michael Wertmueller | 0 | http://www.michael-beil.com/ | ||||||||
| 28774 | Michael | Beil | Beleuchter | 2004 | Zuspiel / Tonband, 3 perf | 6:04 | fl, vn, vc [Flöte, Cello, Violine] | 2004 | Rostock, ensemble mosaik | 0 | http://www.michael-beil.com/ | ||||||||
| 28786 | Michael | Beil | belle nuit | 2009 | audiovisuell, 4 perf | 13 | S, vn, va, vc [Sopran, Viola, Cello, Violine] | 2009 | Berlin Konzerthaus, ens united, Katja Guedes | 0 | http://www.michael-beil.com/ | ||||||||
| 28784 | Michael | Beil | BLACKJACK | 2012 | audiovisuell, 17 perf | 17 | 17 ins [Instrument] | 2012 | Köln, ens musikFabrik | 0 | http://www.michael-beil.com/ | ||||||||
| 28775 | Michael | Beil | Die Zwei | 2004 | audiovisuell, 2 perf | 10:30 | fl, p [Flöte, Piano] | Berliner Kultur-Senat | 2004 | Berlin Podewil, Bettina Junge, Ernst Surberg | 0 | http://www.michael-beil.com/ | |||||||
| 37597 | Michael | Beil | exit to enter | 2013 | audiovisuell, live-elec, 1 group | ens (live video & audio) [Ensemble] | 0 | ||||||||||||
| 28788 | Michael | Beil | Karaoke Rebrang! | 2006 | audiovisuell, 4 perf | 10 | sax, perc, p, va [Saxophon, Piano, Schlagzeug, Viola] | 2006 | Hamburg, ens intégrales | 0 | http://www.michael-beil.com/ | ||||||||
| 37599 | Michael | Beil | Key Jack | 2017 | audiovisuell, live-elec, 1 perf | perf (live video & audio) [Performer] | 0 | ||||||||||||
| 28789 | Michael | Beil | Mach Sieben | 2000 | audiovisuell, 1 perf | 21:11 | p [Piano] | 2001 | Berlin Sophiensäle, Ernst Surberg (p) | 0 | http://www.michael-beil.com/ | ||||||||
| 28783 | Michael | Beil | Nexus | 1995 | Zuspiel / Tonband, 2 perf | 11:42 | 2 p [Piano] | 1995 | Crailsheim, Klavierduo Schumacher - Grau | 0 | http://www.michael-beil.com/ | ||||||||
| 28785 | Michael | Beil | open source | 2008 | audiovisuell, 4 perf | 13 | 3 str, fl [Flöte, Streicher] | 0 | http://www.michael-beil.com/ | ||||||||||
| 41983 | Michael | Beil | Sugar Water | 2015 | audiovisuell, live-elec, 7 perf | 7 perf (live video & audio) [Performer] | 29.11.2015 | cresc. Biennale für Moderne Musik Frankfurt | 0 | ||||||||||
| 37598 | Michael | Beil | SWAP | 2014 | audiovisuell, live-elec, 3 perf | fl, cl, ob, (live video & audio) [Flöte, Klarinette, Oboe] | 0 | ||||||||||||
| 28349 | Michael | Beil | und Acht | 2000 | Zuspiel / Tonband, 1 perf | 11:27 | Stereo | acc [Akkordeon] | optional mit Video | 1999 | Podewil Berlin, Gerhard Scherer | 0 | 2002 | http://www.michael-beil.com/ | |||||
| 28782 | Michael | Beil | Und Neun ist Eins | 1998 | Zuspiel / Tonband, 4 perf | 11:04 | S, sax, perc, p [Sopran, Saxophon, Piano, Schlagzeug] | 2001 | Berlin Sophiensäle, ensemble mosaik | 0 | http://www.michael-beil.com/ | ||||||||
| 28779 | Michael | Beil | Und Sechs | 2000 | Zuspiel / Tonband, 6 perf | 10 | fl, cl, p, vn, va, vc [Flöte, Klarinette, Piano, Viola, Cello, Violine] | Modern Art Sextett | 2000 | Braunschweig, Modern Art Sextett | 0 | http://www.michael-beil.com/ | |||||||
| 28781 | Michael | Beil | Und Zehn ist keins | 1998 | Zuspiel / Tonband, 8 perf | 10:07 | S, 2 va, 4 vc, db, (2 CD-Starter) [Sopran, Viola, Cello, Kontrabass] | 1998 | Berlin Klangwerkstatt | 0 | http://www.michael-beil.com/ | ||||||||
| 28787 | Michael | Beil | Verlier die Vier | 2006 | audiovisuell, 2 perf | 6 | perc, p [Piano, Schlagzeug] | 2006 | Thun, Ernst Surberg, Michael Wertmüller | 0 | http://www.michael-beil.com/ | ||||||||
| 28630 | Michael, Elmar | Beil, Fasshauer | Tonbandmaschine, Elektronische Musik in Deutschland | 2011 | Film | 102 | 5 tracks | Volker Müller (SEM WDR), Folkmar Hein & André Bartetzki (TU Berlin), André Richard und Detlef Heusinger (Exp.Studio des SWR Freiburg), Ludger Brümmer (ZKM Karlsruhe) | HfMT Köln, KHM Köln | 1 | |||||||||
| 36456 | Burkhard | Beins | Tarmac Berlin Edit | 2007 | radiophon | 8:40:00 | EDRM 417/ | 0 | |||||||||||
| 1142 | Robert J. | Beirer | Wenn alles eins wäre | 1985 | fixed media, akusmatisch | 18:48 | ELAK Wien | 0 | |||||||||||
| 1143 | Siavash | Beizai | Klang der Wasserschritte | fixed media, akusmatisch | 30:00 | Stereo | 2 versions | ICEM Essen | 0 | ||||||||||
| 24645 | Mauricio | Bejarano | D’or et de lumière | 1998 - 2000 | Zuspiel / Tonband, 1 perf | 8:46 | Stereo | gui [Gitarre] | with Arturo Parra (gui) | IMED 0264/ | 0 | ||||||||
| 1144 | Mauricio | Bejarano | Despliegue | 1992 | fixed media, akusmatisch | 13:00 | INGESON Bogota | 1 | |||||||||||
| 18682 | Mauricio | Bejarano | Jagua(r) | 1995 | fixed media, akusmatisch | 8:01 | Stereo | Musidisc 245752/ NOR 04/ | INGESON Bogota | 0 | |||||||||
| 1145 | Jacques | Bekaert | Pop Corner | 1969 | Zuspiel / Tonband, 1 perf | e-gui [Gitarre] | 0 | ||||||||||||
| 1146 | Jacques | Bekaert | The Day After | 1969 | fixed media, akusmatisch | 7:08 | OU 38-39/ | 0 | |||||||||||
| 33392 | István | Bélai | A harmadik | 1964 | Film | 8 | Mono | Pannónia Filmgyártó Vállalat Budapest | 0 | ||||||||||
| 33390 | István | Bélai | Elzett lakat | 1960 | Film | 2:15 | Mono | Pannónia Filmgyártó Vállalat Budapest | 0 | ||||||||||
| 33393 | István | Bélai | Kaleidoszkope | 1965 | Film | 10 | Mono | Pannónia Filmgyártó Vállalat Budapest | 0 | ||||||||||
| 33391 | István | Bélai | Párbas | 1962 | Film | 2 | Mono | Pannónia Filmgyártó Vállalat Budapest | 0 | ||||||||||
| 34823 | Samuel | Béland | Biodôme | 2016 | fixed media, akusmatisch | 8:49:00 | Stereo | JTTP 2016 4. prize | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 36868 | Samuel | Béland | Naïca | 2017 | audiovisuell | 7:35:00 | Con Montreal | prize JTTP 2017 | 0 | ||||||||||
| 24674 | Olivier | Bélanger | Douce tempête du matin | 2003 | fixed media, akusmatisch | 7:59 | JTTP 2003 | CEC Cache 2003 CA/ | winner JTTP 2003 4. prize | 1 | |||||||||
| 1147 | Louis-Noël | Belaubre | Dialogue | 1984 | live-elec, 2 perf | p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 39626 | Brian | Belet | Ion Trails (Cloud Chamber Storms) | 2016 | fixed media, akusmatisch | Brian Belet | 0 | ||||||||||||
| 42747 | Brian | Belet | Summer Phantoms: Nocturne | 2012 | live-elec, 1 perf | 11:00:00 | p [Piano] | Andrea Lodge, piano | 0 | ||||||||||
| 1148 | Brian | Belét | [BASS]ically Harmless | 1994 | Zuspiel / Tonband, 1 perf | 5:00 | e-bass [Gitarre] | CREAM | 0 | ||||||||||
| 1150 | Brian | Belét | Discourse {GUTs 2a} | fixed media, akusmatisch | 0 | ||||||||||||||
| 1151 | Brian | Belét | [MUTE]ation | 1994/1997 | live-elec, 1 perf | 8:46 | Stereo | com [computer] | Kyma | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | |||||||
| 1152 | Brian | Belét | Quanta affected by Observation | 1983 | fixed media, akusmatisch | 4:53 | 25th An.St. Urb/Illi. | UIUC LC 84-743210/ | EMS UIUC | 1 | |||||||||
| 1149 | Brian, William | Belét, Walker | Cross-town Traffic | 1995 | live-elec, 2 perf | Stereo | 2 disklavier [Piano] | CREAM | 0 | ||||||||||
| 1153 | Alfonso | Belfiore | Antica Parola | 1991 | live-elec, 1 perf | 10:00 | db [Kontrabass] | CNUCE Pisa | 0 | ||||||||||
| 1154 | Alfonso | Belfiore | Don Chisciotte | 1994 | Musiktheater, live-elec, | CNUCE Pisa | 0 | ||||||||||||
| 1155 | Alfonso | Belfiore | For Electra | 1990 | Musiktheater, live-elec, 1 perf | 70:00 | Sp [Sprecher] | CNUCE Pisa | 0 | ||||||||||
| 1156 | Alfonso | Belfiore | La città sommersa | 1994 | Musiktheater, live-elec, | CNUCE Pisa | 0 | ||||||||||||
| 39292 | Alfonso | Belfiore | Quanti di luce e suono | 2017 | audiovisuell, live-elec, 1 perf | cl (tarogato) [Klarinette] | 0 | ||||||||||||
| 1157 | Alfonso | Belfiore | Teneri Mormorii degli astri | 1989 | Musiktheater, live-elec, 1 perf | 63:00 | V, (com) [Stimme] | CNUCE Firenze | 0 | ||||||||||
| 1158 | Alfonso | Belfiore | The waste land | 1988 | Musiktheater, 2 perf | 50:00 | V, perc [Stimme, Schlagzeug] | CNUCE Pisa | 0 | ||||||||||
| 35974 | Erik | Belgum | Blooder | 1998 | fixed media, akusmatisch | innova 527/ | 0 | https://www.discogs.com/de/Erik-Belgum-Blooder/release/3795125 | |||||||||||
| 27444 | Erik | Belgum | Dick Tracy All Over His Body | 1987 | Performance | 5:25 | performance | AER 1991 / 4/ | 1 | ||||||||||
| 18683 | Erik | Belgum | Life's Big Dream Home | 1995 | radiophon | 5:53 | Stereo | Innova 113/ | IPEM Gent, STEIM | 1 | |||||||||
| 35944 | Erik | Belgum | Strange Neonatal Cry | 2000 | radiophon | 58:31 | Stereo | spoken word | Innova 560/ | 0 | https://itunes.apple.com/us/album/strange-neonatal-cry/id371766866?i=371766898&ign-mpt=uo%3D4 | ||||||||
| 1160 | Sergei | Belimov | I solntse v nochn | 1985/1987 | live-elec, 2 perf | V, synt [Stimme, synthesizer] | 0 | ||||||||||||
| 1163 | Alan | Belkin | Night Labyrinth, Adagio I Adagio III |
1987/1988 | live-elec, 3 perf | 80:00 | Stereo | MIDI-trio [synthesizer] | MIDI | PS C. | 0 | ||||||||
| 1166 | André van | Belle | 7 Koans traitant de l'Incertitude | 1980 | fixed media, akusmatisch | 8:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 1167 | André van | Belle | Chronomorphoses d'Orphée | 1987 | fixed media, akusmatisch | 20:46 | Musiques et Recherches Ohain | 0 | |||||||||||
| 1168 | André van | Belle | Exorcisme | 1984 | fixed media, akusmatisch | 12:51 | Musiques et Recherches Ohain | 0 | |||||||||||
| 1169 | André van | Belle | La nuit verte | 1984 | fixed media, akusmatisch | 18:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 1170 | André van | Belle | Le Bouddha exile: boat people, Nocturne, Cauchemar, Sutra, Nostalgie | 1985 | fixed media, akusmatisch | 32:04 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 1171 | André van | Belle | Les Ninôs de Almagno | 1987 | fixed media, akusmatisch | 6:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 1172 | André van | Belle | Paysage nocturne | 1988 | fixed media, akusmatisch | 17:45 | (3° part: l'animal endormi; 4° part : L'ile – tortue) | Musiques et Recherches Ohain | 0 | ||||||||||
| 1173 | André van | Belle | Taishan | 1983 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Musiques et Recherches Ohain | 0 | |||||||||||
| 1174 | Guy van | Belle | Concession à Perpetuité | 1985 | intermedia | 9:10 | with H.v.Sompel, P.v.Keymeulen | IPEM Gent | 0 | ||||||||||
| 1175 | Ricardo, José | Belles, Iges | Ludus Ecuatorialis | 1991 | radiophon | 7:00 | EBU 1991/ | RNE | EBU Ars Acustica 1991 | 1 | |||||||||
| 39287 | Alessandro | Belli | Noisy Eye | 2017 | audiovisuell | 0 | |||||||||||||
| 42875 | Angelo | Bello | CAUARC | 2013 | fixed media, akusmatisch | 10:50:00 | 0 | ||||||||||||
| 39583 | Angelo | Bello | Lorem Ipsum | 2016 | fixed media, akusmatisch | Angelo Bello | 0 | ||||||||||||
| 39298 | Angelo | Bello | Maya | 1997 | live-elec, | 0 | |||||||||||||
| 39581 | Angelo | Bello | Pilgrimage | 2017 | fixed media, akusmatisch | Angelo Bello | 0 | ||||||||||||
| 39584 | Angelo | Bello | Ricercar a GENDYN | 2015 | fixed media, akusmatisch | 10:43:00 | Angelo Bello | 0 | |||||||||||
| 39582 | Angelo | Bello | UPIC Etudes | 2017 | fixed media, akusmatisch | Angelo Bello | 0 | ||||||||||||
| 22928 | Enrique | Belloc | Dos piezas acusmáticas: poieo - ónoma, poieo ónoma |
1999 | fixed media, akusmatisch | 8:39 | 1 | ||||||||||||
| 22550 | Enrique | Belloc | Estudio en Triptico | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 22551 | Enrique | Belloc | Faber Farven | 1985 | fixed media, akusmatisch | 0 | |||||||||||||
| 22552 | Enrique | Belloc | Homenaje a Pierre Schaeffer | 1989 | live-elec, 2 perf | sam, synt [computer, synthesizer] | 0 | ||||||||||||
| 35567 | Enrique | Belloc | O Mors inevitabilis | 2004 | fixed media, akusmatisch | 05:16 | 0 | ||||||||||||
| 22553 | Enrique | Belloc | Objetos Reencontrados | 1997 | fixed media, akusmatisch | INA • GRM | 0 | ||||||||||||
| 35462 | Enrique | Belloc | Para Bla - Un Saludo A Barbara Belloc | 2000 | fixed media, akusmatisch | 5:57 | Uni de la serena 1/ | 0 | |||||||||||
| 23012 | Enrique | Belloc | Triptico de Bahia Blanca | 2000 | fixed media, akusmatisch | 7:22 | CMJ Vol 25-4, 2001/ | Town Council of Bahia Blanca | 1 | ||||||||||
| 33977 | Miguel | Bellusci | Comme une lointaine sonnerie de cors… | 1995 | Zuspiel / Tonband, 5 perf | 16:04 | Quadro | w-qnt [Bläser] | Komposition für Bläserquintett und Tonband | HfMT Köln | 0 | ||||||||
| 33976 | Miguel | Bellusci | Inconsequenza | 1993 | Zuspiel / Tonband, 1 perf | 8:36 | Stereo | fem V [Stimme] | HfMT Köln | 0 | |||||||||
| 22449 | Miguel | Bellusci | Kölnisch Wasser | 1994 | fixed media, akusmatisch | 12:00 | Quadro | HfMT Köln CD1/ | HfMT Köln | 1 | |||||||||
| 1176 | Miguel | Bellusci | Unzeiten | 1992/1993 | Zuspiel / Tonband, 10 perf | 26:00 | Quadro | 7 vc, 3 trbn [Posaune, Cello] | HfMT Köln | 0 | |||||||||
| 1177 | Ferenc | Belohorszky | A la recherche des melodies perdues | 1973 | fixed media, akusmatisch | 15:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1178 | Ferenc | Belohorszky | Alea jacta est… | 1972 | fixed media, akusmatisch | intermedia |
11:00 | Stereo | slide | EMS Stockholm | 0 | |||||||||
| 1180 | Ferenc | Belohorszky | Elegi (Piéce électronique) | 1970 | fixed media, akusmatisch | 11:15 | Stereo | 0 | |||||||||||
| 1183 | Ferenc | Belohorszky | Meditation | 1973 | fixed media, akusmatisch | 13:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1184 | Ferenc | Belohorszky | Piéce électronique | 1970 | fixed media, akusmatisch | 11:15 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1185 | Ferenc | Belohorszky | “Qui, quae, goud… Warum kannst du…“ | 1969 | fixed media, akusmatisch | 9:00 | Mono | EMS Stockholm | 0 | ||||||||||
| 1186 | Ferenc | Belohorszky | Tre elektroniska etyder | 1969 | fixed media, akusmatisch | 7:45 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1188 | Ferenc | Belohorszky | Variazioni (Variációk) | 1973 | fixed media, akusmatisch | 8:00 | Stereo | 0 | |||||||||||
| 1187 | Ferenc | Belohorszky | Variazioni umoristiche e seriose | 1972 | fixed media, akusmatisch | 13:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1189 | Ferenc | Belohorszky | “Wir sind die Elite …“ | 1968 | fixed media, akusmatisch | 7:00 | PS C. Kiel | 0 | |||||||||||
| 1179 | Ferenc, Åke | Belohorszky, Erikson | Contra … | 1971 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 1182 | Ferenc, Ralph, Sten, Ulf, Roberta | Belohorszky, Lundsten, Hanson, Grahn, Settels | Landskapsmusik 1973 | 1973 | fixed media, akusmatisch | 20:00 | Stereo | Fylkingen | 0 | ||||||||||
| 23655 | Rafael | Beltrán | Cuarteto 189 | 2002 | fixed media, akusmatisch | 17:25 | PR 0083-2 SGAE/ | 1. prize Premio Internacional SGAE 2003 | 1 | ||||||||||
| 22845 | Valery | Beluntsov | Bitter Milk | fixed media, akusmatisch | 7:00 | Theremin C. Moscou | 1 | ||||||||||||
| 22846 | Valery | Beluntsov | Lieders | fixed media, akusmatisch | 3:00 | Theremin C. Moscou | 1 | ||||||||||||
| 1190 | Valery | Beluntsov | Lzy | fixed media, akusmatisch | 0 | ||||||||||||||
| 1191 | Valery | Beluntsov | Sine Nomine | 1995 | Zuspiel / Tonband, 1 perf | 10:50 | fl [Flöte] | SLR 0044, Theremin Center/ | Theremin C. Moscou | 0 | |||||||||
| 40160 | Oded | Ben-Tal | Mitslalim | 2017 | audiovisuell | Oded Ben-Tal | 0 | ||||||||||||
| 40161 | Oded | Ben-Tal | Soliloquy | 2017 | fixed media, akusmatisch | Oded Ben-Tal | 0 | ||||||||||||
| 1192 | Francoise | Benassy | Etude No. 1 | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 1193 | Greg | Bendick | The Moods of Nebulus | fixed media, akusmatisch | 9:26 | Stereo | 0 | ||||||||||||
| 1194 | Maurice | Benhamou | 6 pièces pour Percussions | 1985 | fixed media, akusmatisch | 40:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1195 | Maurice | Benhamou | Chants | 1978 | Zuspiel / Tonband, 3 perf | 16:00 | Stereo | fl, hp, A [Alt, Flöte, Harfe] | IMEB Bourges | 0 | |||||||||
| 1196 | Maurice | Benhamou | Cordes Plus | 1973/1974 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | A [Alt] | IMEB Bourges | 0 | |||||||||
| 1197 | Maurice | Benhamou | Kaddish | 1971 | Zuspiel / Tonband, 1 group | 17:00 | Stereo | ens [Ensemble] | IMEB Bourges | 0 | |||||||||
| 1198 | Maurice | Benhamou | Lo Tirtsakh | 1971 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | S [Sopran] | IMEB Bourges | 0 | |||||||||
| 1199 | Maurice | Benhamou | Mouvements | 1979 | Zuspiel / Tonband, 1 group | 22:17 | Stereo | ens [Ensemble] | IMEB Bourges | 0 | |||||||||
| 18420 | Maurice | Benhamou | Nevel II |
1987 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | hp [Harfe] | IMEB Bourges | 0 | |||||||||
| 1200 | Maurice | Benhamou | Pièces | 1979 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | sax [Saxophon] | IMEB Bourges | 0 | |||||||||
| 18421 | Maurice | Benhamou | Prélude - Requiem d'Aqhmatova postlude |
1991 | Zuspiel / Tonband, 1 perf | 21:16 | Stereo | V [Stimme] | IMEB Bourges | 0 | |||||||||
| 1201 | Maurice | Benhamou | Psaume 130 | 1982 | Zuspiel / Tonband, 1 perf | 16:15 | Stereo | S [Sopran] | IMEB Bourges | 0 | |||||||||
| 1202 | Maurice | Benhamou | T R B | 1971 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | trbn [Posaune] | IMEB Bourges | 0 | |||||||||
| 28532 | Garfield | Benjamin | Re:# akou a sema | 2010 | fixed media, akusmatisch | 13:13 | Stereo | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||||
| 1203 | George | Benjamin | Antara | 1987 | live-elec, 4 perf | 24:00 | 2 fl, 2 Kbd [Flöte, Keyboard] | ISPW | NI 5167/ IRCAM 0002 F, Creations IRCAM/ | IRCAM | Faber Music | 1 | |||||||
| 25073 | George | Benjamin | Tape | 1985 | fixed media, akusmatisch | 3:00 | NI 5167/ | IRCAM | 0 | ||||||||||
| 1204 | David | Benke | Splutter | 1989 | fixed media, akusmatisch | 10:00 | Stereo | BEAST | 0 | ||||||||||
| 25104 | Ed | Bennett | I Need This | 2001 | fixed media, akusmatisch | 0 | |||||||||||||
| 25840 | Ed | Bennett | Monster | 2005 | Zuspiel / Tonband, 1 perf | 5:40 | b-cl [Klarinette] | Paul Roe (cl). | CMC CD 06 Contemporary Music from Ireland Vol 6/ | Uni Bangor | Paul Roe | 1 | |||||||
| 25105 | Ed | Bennett | String Factory | 2001 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 22227 | Ed | Bennett | You're always right | 2000 | Zuspiel, live-elec, 1 perf | 12:22 | S [Sopran] | Janet Halfyard (S) | 1 | ||||||||||
| 34525 | Gerald | Bennett | A Glass of the Earth | 1976 | Zuspiel / Tonband, 6 perf, 1 group | S, T, Bar, 3 cl, ch [Sopran, Tenor, Bariton, Klarinette, Chor] | IRCAM | 0 | |||||||||||
| 1205 | Gerald | Bennett | Aber die Namen der seltnen Orte und alles Schöne hatt' er behalten | 1979 | Zuspiel / Tonband, 1 perf, 1 group | 21:00 | Stereo | Bar, ens [Bariton, Ensemble] | IRCAM | 0 | |||||||||
| 1206 | Gerald | Bennett | Chances are | 1978 | fixed media, akusmatisch | 23:00 | Stereo | IRCAM | 0 | ||||||||||
| 1207 | Gerald | Bennett | Diese Blätter wirst Du wohl etwas… | 1985 | Zuspiel / Tonband, 1 perf | 12:50 | Stereo | S [Sopran] | IMEB Bourges | IMEB Bourges | 0 | ||||||||
| 27895 | Gerald | Bennett | Im Eismeer | 1997 | fixed media, akusmatisch | Stereo | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 21873 | Gerald | Bennett | Kitt (Suite Suisse) | 1982 | fixed media, akusmatisch | 27:40 | Stereo | 0 | |||||||||||
| 1208 | Gerald | Bennett | Kyotaku | 1987 | Zuspiel / Tonband, 1 perf | 22:51 | Stereo | shakuhachi [Flöte] | WER 2029; Computer Music Currents 9/ | HSM Basel, SCCM | 1 | ||||||||
| 1209 | Gerald | Bennett | Les rayons de la liberté: une fantaisie | 1989 | fixed media, akusmatisch | 9:35 | Stereo | SCCM, HSM Basel | 0 | http://www.computermusic.ch/ | |||||||||
| 19051 | Gerald | Bennett | Limericks | fixed media, akusmatisch | CMJ Vol 20, 1996/ | 1 | |||||||||||||
| 1210 | Gerald | Bennett | Offertorium: Confirma hoc | 1986 | Zuspiel / Tonband, 1 perf | 9:50 | Stereo | va [Viola] | Jecklin 617/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||
| 1211 | Gerald | Bennett | Rainstick | 1993 | fixed media, akusmatisch | 13:15 | Stereo | LDC 2781115/16/17 opus 30/ CMJ Vol 32-4, 2008/ | IMEB Bourges | 1 | |||||||||
| 24362 | Gerald | Bennett | Vêpres vénitiennes | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 1212 | Gerald | Bennett | Weißt du es noch? | 1990 | Zuspiel / Tonband, 1 perf | 13:45 | Stereo | cl [Klarinette] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 1213 | Gerald | Bennett | Wie auf schwanker Halme Bogen | 1984 | fixed media, akusmatisch | 11:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1214 | Gerald | Bennett | Winter (1980) | 1980 | fixed media, akusmatisch | 22:00 | Stereo | IRCAM | 0 | ||||||||||
| 40861 | Justin | Bennett | Ovipool | fixed media, akusmatisch | 3:25 | SR 220 sub rosa/ | 0 | ||||||||||||
| 34537 | Justin | Bennett | Resonant System | 1989 | live-elec, 1 perf | 7:20 | perc [Schlagzeug] | Sonology Den Haag | 27.4.1989 | Schoenbergzaal KC den Haag | 0 | ||||||||
| 34375 | Justin | Bennett | Shotgun Architecture | 2008 | fixed media, akusmatisch | Klangkunst, Installation |
10:14 | Post Scriptum PS 001/ OMP 27 Onomatopee/ | Sonology Den Haag | 0 | ||||||||||
| 28493 | Justin | Bennett | The Well | fixed media, akusmatisch | 5:53 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.justinbennett.net/ | |||||||||||
| 33840 | Justin, Kaffe, AnneNicolasRobin | Bennett, Matthews, Wellmer, Scanner, Collins, Zeitblom, Rimbaud | Fiber Jelly | 2000 | live-elec, | 55:39 | Surround 5.1 | WER 2058 5/ | ZKM Karlsruhe | 8.1.2000 | ZKM Karlsruhe | 0 | |||||||
| 40138 | Nathan | Bennett | Letter | 2017 | fixed media, akusmatisch | Nathan Bennett | 0 | ||||||||||||
| 33645 | William | Bennett | WHITEHOUSE, Munkisi Munkondi Nzambi La Lufua Scapegoat Fairground Muscle Twitcher Bia Mintatu The Avalanche |
2009 | live-elec, 10 perf | 27:15 | 10 amp ins (cl, tpt, trbn, p, hp, perc, vn, vc, db, elec) [Instrument] | all pieces composed by William Bennett, arranged by Reinhold Friedl played by Zeitkratzer. Recorded live at Festival Les Musiques, GMEM, Marseille, France, May 14, 2009 |
zkr 0007/ | GMEM Marseille | 1 | ||||||||
| 32011 | Group | Benoît and the Mandelbrots | Ad-liBerlin | 2010 | live-elec, 1 perf, 1 group | laptop-ens [computer] | SC-Symposium 2010, Sunday 26. September 18h, .HBC - Laptop Ensembles | 1 | http://www.the-mandelbrots.de | ||||||||||
| 43193 | Group | Benoît and the Mandelbrots | Benoît and the Mandelbrots, Live Coding @ OK-Night | 2012 | live-elec, 4 perf | 4 com (laptop orc) [computer] | Auszeichnung ars electronica honorary mention 2012 | 0 | |||||||||||
| 42077 | Ylya | Bentancor | World disorder | 2017 | radiophon | SAVVY Funk – documenta14, Dlf Kultur | 0 | ||||||||||||
| 1215 | Andrew | Bentley | Carillon | 1976 | fixed media, akusmatisch | PS C., Uni York | 0 | ||||||||||||
| 1216 | Andrew | Bentley | Kanashikere | 1973 | Theatermusik | with puppetry | Uni York | 0 | |||||||||||
| 1217 | Andrew | Bentley | MOAN | 1973 | fixed media, akusmatisch | YES, 2-4/ | Uni York | 0 | |||||||||||
| 34408 | Andrew | Bentley | Modulo | 1978 | fixed media, akusmatisch | 18:45 | Stereo | Yleisradio | 0 | ||||||||||
| 1218 | Andrew | Bentley | Portrait | 1978 | Zuspiel / Tonband, 1 group | 9:00 | ch [Chor] | Yleisradio | 0 | ||||||||||
| 1219 | Andrew | Bentley | Telephones | 1974 | Theatermusik | with th of animation | Uni York | 0 | |||||||||||
| 1220 | Andrew | Bentley | The Naked Light Show | 1975 | Film | intermedia, 1 perf |
mime [Schauspieler] | Uni York | 0 | |||||||||||
| 21585 | James | Bentley | bruit | 1997 - 1998 | fixed media, akusmatisch | 10:00 | eContact 8.3 | SCD 28034 Sargasso/ | BEAST | 1 | 2000 | ||||||||
| 23110 | James | Bentley | double exposure | 2001 | fixed media, akusmatisch | 9:00 | eContact! 8.3 | Cec Presence 3/ | BEAST | 1 | |||||||||
| 41060 | James | Bentley | In Broken Images | 2004 | fixed media, akusmatisch | 17:22 | eContact! 8.3 | 0 | |||||||||||
| 41061 | James | Bentley | Short Wave Fantasy | 1998 | fixed media, akusmatisch | 17:08 | eContact! 8.3 | 0 | |||||||||||
| 41062 | James | Bentley | Trace Element | 2003 | fixed media, akusmatisch | 14:52 | eContact! 8.3 | 0 | |||||||||||
| 1221 | Pascal | Bentoiu | Hamlet op. 18 | 1969 | Oper, 1 perf, 3 groups | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 1222 | Pascal | Bentoiu | Jertfirea Ifigeniei (The Immolation of Iphigeneia) | 1968 | radiophon | 0 | |||||||||||||
| 1223 | Arrigo | Benvenuti | omaggio a S 2F M | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 37909 | Cathy | Berberian | Morsicat(h)y | 1969 | Zuspiel / Tonband, | Fonologia Milano | 0 | ||||||||||||
| 37908 | Cathy | Berberian | Stripsody | 1966 | Zuspiel / Tonband, | 3:15 | Fonologia Milano | 0 | https://www.youtube.com/watch?v=0dNLAhL46xM | ||||||||||
| 39744 | Edgar | Berdahl | Kublai Kobra | 2017 | fixed media, akusmatisch | Edgar Berdahl | 0 | ||||||||||||
| 39361 | Edgar | Berdahl | Miniatures in Chaos | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39745 | Edgar | Berdahl | rorrirmirror | 2016 | fixed media, akusmatisch | Edgar Berdahl | 0 | ||||||||||||
| 39746 | Edgar | Berdahl | thROW | 2016 | fixed media, akusmatisch | Edgar Berdahl | 0 | ||||||||||||
| 18723 | José Manuel | Berenguer | A La Selva | 1997 | live-elec, | 9:47 | Stereo | NE 2004/ | 0 | ||||||||||
| 19802 | José Manuel | Berenguer | A-Parecidos 1 - 2 | 1982/1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 19761 | José Manuel | Berenguer | Aigua, Aigua, Aigua | 1992 | audiovisuell | Stereo | PS Coclea | 0 | |||||||||||
| 19768 | José Manuel | Berenguer | Assimptotic | 1993 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 18724 | José Manuel | Berenguer | Aventura | Zuspiel, live-elec, 1 perf | 9:10 | Stereo | gui [Gitarre] | NE 2004/ | 0 | ||||||||||
| 19762 | José Manuel | Berenguer | Bala de Palla | 1992 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 1224 | José Manuel | Berenguer | Buleria | 1988 | intermedia | Phonos Barcelona, PS Coclea | 0 | ||||||||||||
| 19800 | José Manuel | Berenguer | Buleria de Menorca | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 19805 | José Manuel | Berenguer | Buleria XV | 1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 19760 | José Manuel | Berenguer | Caracoles, Fractales y Transformaciones | 1992 | Performance | Stereo | PS Coclea | 0 | |||||||||||
| 19765 | José Manuel | Berenguer | Ciclop | 1993 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 19536 | José Manuel | Berenguer | Citas discretas y emergentes | 1994 | fixed media, akusmatisch | 10:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 18725 | José Manuel | Berenguer | Cocuprenant de Quaresme | 1994 | fixed media, akusmatisch | 13:13 | Stereo | LDC 2781106/ | , PS Coclea | 0 | |||||||||
| 19754 | José Manuel | Berenguer | Concierto Multimedia | 1989 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 19766 | José Manuel | Berenguer | Constel.Lacions | 1993 - 1994 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 19764 | José Manuel | Berenguer | Contrapunto espiral | 1993 - 1994 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 18726 | José Manuel | Berenguer | D'Altra Manera | 1993 | Zuspiel, live-elec, 1 perf | 6:48 | Stereo | cl [Klarinette] | NE 2004/ | 0 | |||||||||
| 18423 | José Manuel | Berenguer | Discontinuo | 1995 | fixed media, akusmatisch | 9:25 | IMEB Bourges | 0 | |||||||||||
| 19756 | José Manuel | Berenguer | Don Quichotte | 1991 | Performance | Stereo | PS Coclea | 0 | |||||||||||
| 21877 | José Manuel | Berenguer | Dur | 1999 | fixed media, akusmatisch | 10:35 | IMEB Bourges | 0 | |||||||||||
| 21874 | José Manuel | Berenguer | El Pensamiento que se Trabaja Hacia la Luz | 1984 | fixed media, akusmatisch | 23:41 | Stereo | IMEB Bourges | 0 | ||||||||||
| 21876 | José Manuel | Berenguer | El Ponent excessiv (una de cal y otra de Arena) | 1985 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24363 | José Manuel | Berenguer | Entre Brive et Cahors | 1984 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19535 | José Manuel | Berenguer | Es un Pájaro Ámbar | 1989 | fixed media, akusmatisch | 10:31 | Stereo | GME Cuenca | 0 | ||||||||||
| 1225 | José Manuel | Berenguer | Espace trouvé | 1987 | fixed media, akusmatisch | CIEJ Barcelona | 0 | ||||||||||||
| 19753 | José Manuel | Berenguer | Fuego | 1990 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 19770 | José Manuel | Berenguer | Horizontal Radio | 1995 | Performance | Stereo | ORF-Project | PS Coclea | 0 | ||||||||||
| 18728 | José Manuel | Berenguer | In Fractando | 1993 | Zuspiel, live-elec, 1 perf | 4:26 | Stereo | cl [Klarinette] | cl (M. Gaspa) | Nova Era CD 2002/ | 0 | ||||||||
| 19755 | José Manuel | Berenguer | IOD Ghimmel I - III | 1990 - 1991 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 19763 | José Manuel | Berenguer | Klänge | 1993 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 19804 | José Manuel | Berenguer | La Lógica de la Sorpresa | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 1226 | José Manuel | Berenguer | La perla estranya I | 1986 | fixed media, akusmatisch | 14:00 | Stereo | ICMC 2000/ | IMEB Bourges | 0 | |||||||||
| 21875 | José Manuel | Berenguer | La perla estranya II, III | 1986 | fixed media, akusmatisch | 20:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1227 | José Manuel | Berenguer | La Relojérià de Tio Paco | 1985 | fixed media, akusmatisch | 11:56 | Stereo | IMEB Bourges | 0 | ||||||||||
| 19801 | José Manuel | Berenguer | Lo Que Fue | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 19759 | José Manuel | Berenguer | Mancha: Linde, Tajo | 1991 | audiovisuell | Stereo | PS Coclea | 0 | |||||||||||
| 18424 | José Manuel | Berenguer | Maquina 2 | 1996 | fixed media, akusmatisch | 10:00 | IMEB Bourges | 0 | |||||||||||
| 19757 | José Manuel | Berenguer | Metamorfora I - III | 1991 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 19767 | José Manuel | Berenguer | Metronomia I - | 1993 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 19803 | José Manuel | Berenguer | Montardo 1 - 2 | 1982/1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 1228 | José Manuel | Berenguer | MU | 1994 | fixed media, akusmatisch | 10:00 | hyCD-24 / | IMEB Bourges, PS Coclea | 1 | ||||||||||
| 1229 | José Manuel | Berenguer | Musica en la noche | 1984 | fixed media, akusmatisch | 12:00 | Stereo | CBA 5 Musica electroacustica española 3/ | IMEB Bourges | 1 | |||||||||
| 18422 | José Manuel | Berenguer | Ob-Iectum | 1992 | fixed media, akusmatisch | 8:55 | NE 2004/ LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | ||||||||||
| 24364 | José Manuel | Berenguer | On nothing | 2003 | fixed media, akusmatisch | 13:21 | LDC 2781132 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 35627 | José Manuel | Berenguer | Pass'e Mezzo | fixed media, akusmatisch | 3:28 | 0 | |||||||||||||
| 27232 | José Manuel | Berenguer | Plasma Waves | 2006 | fixed media, akusmatisch | 12:45 | LDC 2781139 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18425 | José Manuel | Berenguer | R.N.A. Session | 1997 | fixed media, akusmatisch | 9:12 | IMEB Bourges | 0 | |||||||||||
| 19769 | José Manuel | Berenguer | SOL | 1994 | Performance | Stereo | PS Coclea | 0 | |||||||||||
| 1230 | José Manuel | Berenguer | Solo | fixed media, akusmatisch | 4:00 | Stereo | UM CD 7 Vol. I/ | LIEM CDMC Madrid | 1 | ||||||||||
| 18729 | José Manuel | Berenguer | T'Ai Chi Time | 1993 | live-elec, | 10:46 | Stereo | NE 2004/ | , PS Coclea | 0 | |||||||||
| 18730 | José Manuel | Berenguer | Toke | 1993 | live-elec, | 7:11 | Stereo | NE 2004/ | 0 | ||||||||||
| 19758 | José Manuel | Berenguer | Transcursus finis terrae I - II | 1990 - 1991 | Performance | Stereo | PS Coclea | 0 | |||||||||||
| 37648 | José Manuel, Pilar | Berenguer, Subirá | Bienen, @bienenVolk | 2017 | Klangkunst, Installation | Performance |
loop 30 | 16 Tracks | perc [Schlagzeug] | AdK Berlin | 30.9.2017 | 0 | ||||||||
| 37061 | David | Berezan | Badlands | 2008 | fixed media, akusmatisch | 10:35 | Surround 5.1 | IMED 13122/ | IMEB Bourges | IMEB Borges | 30.5.2008 | festival Synthèse at the Grand théâtre de la Maison de la culture à Bourges (France) | 1 | ||||||
| 25841 | David | Berezan | Baoding | 2002 | fixed media, akusmatisch | 7:20 | Octo | LDC 278076/77 Cultures Electroniques 16/ IMED 0896/ | BEAST | March 2, 2002 | Invisible Theatre (Birmingham, England, UK) | Trivium Category of the 29th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2002) | 1 | ||||||
| 37059 | David | Berezan | Buoy | 2011 | fixed media, akusmatisch | 9:40 | Surround 5.1 | IMED 13122/ | VICC Visby, EMS Stockholm | 19.3.2011 | Akusmatisk Magi at the Kulturkiosken of the Institutet för Digitala Konstarter (IDKA) in Gävle (Sweden) | Prize in the Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2012) | 0 | ||||||
| 23112 | David | Berezan | Close In Distant Cold Light | 2001 | fixed media, akusmatisch | 7:05 | Octo | Cec Presence 3/ | BEAST | 0 | |||||||||
| 37145 | David | Berezan | Cyclo | 2003 | fixed media, akusmatisch | 10:41 | Stereo | IMED 0896/ | BEAST | 8.3.2003 | “20/20 Re:Vision” series of concerts celebrating the 20th anniversary of BEAST | Second Prize at the 5th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’03, Brazil) | 0 | ||||||
| 34683 | David | Berezan | Dioramaphone | 2001 | fixed media, akusmatisch | 14:04 | Octo | Russolo Pratella EF.ER.P 02/ | Prize Russolo Varese 2002 | 0 | |||||||||
| 37062 | David | Berezan | Galungan | 2010 | fixed media, akusmatisch | 10:24 | Octo | IMED 13122/ | Uni Manchester NOVARS | 8.10.2010 | Ai-maako at the Teatro Municipal Lord Cochrane in Valdivia (Chile) | 0 | |||||||
| 22354 | David | Berezan | Gathering | 2000 | fixed media, akusmatisch | 5:01 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | JTTP 2000 winner 2. prize | 1 | ||||||||
| 37147 | David | Berezan | Hannibal | 2005 | fixed media, akusmatisch | 10:55 | Stereo | IMED 0896/ | HSM Basel, Uni Manchester | 17.11.2006 | Museum Tinguely in Basel (Switzerland) | 0 | |||||||
| 37146 | David | Berezan | Hoodoos | 2007 | fixed media, akusmatisch | 19:11 | Stereo | IMED 0896/ | Banff C., ZKM Karlsruhe, INA • GRM | 2.11.2007 | MANTIS Festival 2007: Novars Launch in the Cosmo Rodewald Concert Hall of the Martin Harris Centre of The University of Manchester (UK) | 0 | |||||||
| 27322 | David | Berezan | In a Cold Light | 2001 | fixed media, akusmatisch | 2:59 | Cec Presence 3/ | BEAST | 1 | ||||||||||
| 37063 | David | Berezan | Nijō | 2009 | fixed media, akusmatisch | 12:57 | Octo | IMED 13122/ | Uni Tamagawa, Uni Manchester | 30.10.2009 | MANTIS Festival at the Cosmo Rodewald Concert Hall of the Martin Harris Centre of The University of Manchester (UK) | 0 | |||||||
| 41589 | David | Berezan | Offshore | fixed media, akusmatisch | 0 | ||||||||||||||
| 39352 | David | Berezan | Pivot | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34364 | David | Berezan | Running - Dawn: Microcosm | 1999 | fixed media, akusmatisch | 5:35 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | JTTP 2000 winner 4. prize | 0 | ||||||||
| 24994 | David | Berezan | Styal | 2003 | fixed media, akusmatisch | 13:57 | Stereo | ICMC 2005 Barcelona | ICMC 2005, ars harmonica/ IMED 0896/ | Uni Manchester NOVARS | 15.10.2004 | MANTIS Festival Manchester | 1 | ||||||
| 37060 | David | Berezan | Thumbs | 2011 | fixed media, akusmatisch | 11:57 | Octo | IMED 13122/ | CMMAS Morelia, Uni Calgary, Uni Montréal | 12.8.2011 | Places for our ears to go… during the Sound Travels Festival of Sound Art at Wychwood Theatre in Toronto (Canada) | 0 | |||||||
| 19267 | David | Berezan | Zirkus Zirkus | 1996 | fixed media, akusmatisch | 3:01 | CEC Presence 1/ CEC DISContact_2/ | Uni Calgary | 1 | http://www.electrocd.com/en/bio/berezan_da/ | |||||||||
| 23570 | Christoffer | Berg | The Pond | 2003 | Klangkunst, Installation | 2:37 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 1231 | Jerry | Berg | A Variation of Six Notes | 1983 | live-elec, 1 perf | 8:00 | Stereo | V, (com) [Stimme] | 0 | ||||||||||
| 1233 | Jerry | Berg | I'll Get It In My Lunch | 1984 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 1234 | Jerry | Berg | Motivate Y'rself | fixed media, akusmatisch | 3:00 | Stereo | 0 | ||||||||||||
| 1235 | Jerry | Berg | My machine's a rock'n'roll cynic | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 1236 | Jerry | Berg | Trumpet Solo | 1984 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 1237 | Jerry | Berg | Upon Closer Inspection | 1985 | fixed media, akusmatisch | 25:00 | Stereo | 0 | |||||||||||
| 1232 | Jerry, Bentley | Berg, Jarvis | Fanfare | 1985 | fixed media, akusmatisch | 4:00 | Stereo | 0 | |||||||||||
| 1238 | Josef | Berg | Euphrides Before the Gates of Tymenas | 1964 | Oper, 3 perf, 1 group | 30:00 | actor, T, dancers, tuba [Tenor, Tuba, Schauspieler, Tanz] | Serenus 12078/ | Radio Plzen | 0 | |||||||||
| 1239 | Paul | Berg | I never knew you cared | 1978 | fixed media, akusmatisch | 13:00 | Stereo | score, programmed with PILE | Sonology Utrecht | 0 | |||||||||
| 1240 | Paul | Berg | Locks and Dams | 1977 | Zuspiel / Tonband, 1 perf | 4:20 | Stereo + Stereo | trbn [Posaune] | programmed with PILE | Sonology Utrecht | 0 | ||||||||
| 25842 | Paul | Berg | Mandolin | 1979 | fixed media, akusmatisch | 15:20 | Quadro | programmed with SSP | Sonology Utrecht | 1 | |||||||||
| 1241 | Paul | Berg | Many people looked at Iran and Saw Desert | 1975 | fixed media, akusmatisch | 5:50 | Stereo | ASP | Sonology Utrecht | 0 | |||||||||
| 1242 | Paul | Berg | Merriweather's guide to plants and people | 1975 | fixed media, akusmatisch | 7:11 | Stereo, Quadro | PDP-15, ASP | Post Scriptum PS 001/ | Sonology Utrecht | 0 | ||||||||
| 1243 | Paul | Berg | Reportage | 1975 | fixed media, akusmatisch | 11:50 | Stereo | ASP | Sonology Utrecht | 0 | |||||||||
| 1244 | Paul | Berg | Six loaves to feed a family of five for a Week | 1974 | fixed media, akusmatisch | 10:30 | Stereo | all sounds generated with POD 5 | Sonology Utrecht | 0 | |||||||||
| 1245 | Paul | Berg | To each his own | 1984 | Zuspiel / Tonband, 6 perf | 12:00 | 6 ins [Instrument] | EM ?? | 0 | ||||||||||
| 1246 | Reinhard von | Berg | Studie I und II | 1969 | fixed media, akusmatisch | 1:40 | Mono | Studie I (1'); Studie II (0'40) | HfMT Köln | 0 | |||||||||
| 1247 | Håkon | Berge | Kitairon | 1985 | Zuspiel / Tonband, 1 group | 5:40 | ch [Chor] | choir: T T B B | NOTAM | 0 | |||||||||
| 1248 | Håkon | Berge | Primitiv / Kjærlighet | 1983 | Zuspiel / Tonband, 6 perf, 1 group | Narrator, 5 V, chamber-orc [Stimme, Schauspieler, Orchester] | NOTAM | 0 | |||||||||||
| 1249 | Håkon | Berge | Vinduer | 1986 | Zuspiel / Tonband, 1 group | 22:00 | ch [Chor] | NOTAM | 0 | ||||||||||
| 1250 | Sigurd | Berge | Delta | 1970 | Zuspiel / Tonband, 3 perf | jazz-trio [Instrument] | PS C. | 0 | |||||||||||
| 1251 | Sigurd | Berge | Eruption | fixed media, akusmatisch | PHI 6507034/ | PS C. | 0 | ||||||||||||
| 1252 | Sigurd | Berge | Gaudeamus | 1968 | fixed media, akusmatisch | 5:30 | PS C. | 0 | |||||||||||
| 1253 | Sigurd | Berge | Humoresque | fixed media, akusmatisch | PHI 6507034/ | PS C. | 0 | ||||||||||||
| 1254 | Sigurd | Berge | I Harnessed my Boot | fixed media, akusmatisch | PHI 6507034/ | PS C. | 0 | ||||||||||||
| 1255 | Sigurd | Berge | Jew’s Harp | fixed media, akusmatisch | PHI 6507034/ | PS C. | 0 | ||||||||||||
| 1256 | Sigurd | Berge | Kor i kor | 1988 | Zuspiel / Tonband, 1 group | 8:00 | ch [Chor] | NOTAM | 0 | ||||||||||
| 1257 | Sigurd | Berge | Moon Landscape | 1971 | fixed media, akusmatisch | 3:00 | PHI 6507034/ | PS C. | 0 | ||||||||||
| 1258 | Sigurd | Berge | Ostinato | 1968 | fixed media, akusmatisch | 3:00 | PS C. | 0 | |||||||||||
| 1259 | Sigurd | Berge | Regndråppostludiet (Raindrop Postlude) | 1968 | fixed media, akusmatisch | 3:15 | PS C. | 0 | |||||||||||
| 1260 | Sigurd | Berge | Til Lise | 1989 | fixed media, akusmatisch | 23:00 | NOTAM | 0 | |||||||||||
| 1261 | Gilius van | Bergeijk | Chili | 1972 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 1262 | Gilius van | Bergeijk | D. E. S. | 1967 | fixed media, akusmatisch | 7:46 | CV 7903/ BASTA 30-9183-2/ X-OR 07/ Creel Pone 020/021/ Boomkat bundle_49/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 20882 | Gilius van | Bergeijk | De Roep | 1981 - 1982 | fixed media, akusmatisch | 9:16 | Stereo | X-OR 07/ | Con Den Haag | 0 | |||||||||
| 1263 | Gilius van | Bergeijk | Drie stukken voor instrumenten en electriciteit: Telefoontje, Ballade | 1970 | live-elec, 6 perf | w-qnt, perc [Schlagzeug, Bläser] | Con Den Haag | 0 | |||||||||||
| 20883 | Gilius van | Bergeijk | Een Lied van Schijn en Weezen | 1992 - 1993 | fixed media, akusmatisch | 12:50 | Stereo | X-OR 07/ | 0 | ||||||||||
| 34552 | Gilius van | Bergeijk | Feest voor Luidsprekers | 1970 | fixed media, akusmatisch | 23:10 | Quadro | Con Den Haag | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 1265 | Gilius van | Bergeijk | Het leven van Rosa Luxemburg | 1971 | Zuspiel / Tonband, 5 perf | 35:00 | 5 ins [Instrument] | Con Den Haag, NOS Hilversum | 0 | ||||||||||
| 1266 | Gilius van | Bergeijk | Over de dood en de tijd | 1980 | Zuspiel / Tonband, 2 perf | 29:27 | V, p [Stimme, Piano] | CV 8203/ | NOS Hilversum | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 36732 | Gilius van | Bergeijk | P.O.P. | 1966 | fixed media, akusmatisch | 5:00 | Stereo | Con Den Haag | 0 | ||||||||||
| 1268 | Gilius van | Bergeijk | Pro Juventute | 1984 | fixed media, akusmatisch | 11:00 | X-OR 07/ | Con Den Haag | 0 | ||||||||||
| 20884 | Gilius van | Bergeijk | Sinfonie der Duizend (alphabetisch) | 1990 - 1993 | fixed media, akusmatisch | 10:26 | Stereo | X-OR 07/ | 0 | ||||||||||
| 1269 | Gilius van | Bergeijk | Sonate | 1970 | live-elec, 2 perf | ehn, p [Oboe, Piano] | Con Den Haag | 0 | |||||||||||
| 20885 | Gilius van | Bergeijk | Vier Stukken voor Draaiorgel | 1976 | live-elec, | 4:38 | Stereo | 4 parts | X-OR 07/ | 0 | |||||||||
| 36734 | Gilius van, Victor | Bergeijk, Wentink | Het Leven van Rosa Luxemburg | 1971 | Theatermusik | Con Den Haag, NOS Hilversum | 0 | ||||||||||||
| 24809 | Michael Jude | Bergeman | Hershe tube rundown | 1993 | fixed media, akusmatisch | 2:43 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 36722 | Gary | Berger | ctrl + alt + delete | 2009 | audiovisuell, live-elec, 1 perf | 32 | sax [Saxophon] | Audio-visual composition for three-channel video, electronic and saxophone | 0 | ||||||||||
| 21663 | Gary | Berger | doppelte Wendung | 2000 | Zuspiel, live-elec, 2 perf | 6:00 | Quadro | V, perc [Stimme, Schlagzeug] | PS | 0 | |||||||||
| 18348 | Gary | Berger | Elastische Studie | 1996 | fixed media, akusmatisch | 8:15 | Stereo | AMEG CD II/ | SCCM | Prix CIMESP 1999 | 0 | http://www.computermusic.ch/ | |||||||
| 18349 | Gary | Berger | im selben raum | 1997 | fixed media, akusmatisch | 5:18 | Stereo | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 1270 | Gary | Berger | Instants d'hiver | 1994/1995 | Zuspiel / Tonband, 1 perf | 9:41 | Stereo | Mez [Mezzo] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 1271 | Gary | Berger | Konglomerat für Tonband | 1993 | fixed media, akusmatisch | 7:32 | Stereo | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 21660 | Gary | Berger | Kryptogramm | 1999 | Zuspiel, live-elec, 2 perf | 11:00 | Stereo | b-sax, s-sax [Saxophon] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 21658 | Gary | Berger | Langsam | 1999 | Zuspiel, live-elec, 1 perf | 6:00 | Stereo | perc [Schlagzeug] | PS | 0 | |||||||||
| 21662 | Gary | Berger | lichtempfindliche Erinnerungen | 2000 | Zuspiel, live-elec, 5 perf | 6:00 | Quadro | b-fl, a-sax, va, gui, perc [Flöte, Saxophon, Gitarre, Schlagzeug, Viola] | PANaroma 199013216/ | PS | 1 | ||||||||
| 21656 | Gary | Berger | LINK | 1998 | Zuspiel, live-elec, 1 perf | 5:00 | Stereo | a-sax [Saxophon] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 21661 | Gary | Berger | strung | 2000 | fixed media, akusmatisch | 5:35 | Stereo | PS | 0 | ||||||||||
| 1272 | Gary | Berger | Transition | 1995 | fixed media, akusmatisch | 7:04 | Stereo | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 21657 | Gary | Berger | unknüpfbar zerrissen | 1999 | fixed media, akusmatisch | 5:05 | Stereo | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 18350 | Gary | Berger | Zeitrisse | 1998 | fixed media, akusmatisch | 3:00 | Stereo | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 21659 | Gary | Berger | Zellen | 1999 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | t-sax [Saxophon] | PS | 0 | |||||||||
| 1273 | Jonathan | Berger | A Pocketful of Posies | 1983 | fixed media, akusmatisch | 12:00 | Quadro | CCRMA | 2nd prize Bourges 1984 | 0 | |||||||||
| 1276 | Jonathan | Berger | An Island of Tears, Island of Tears | 1985 | fixed media, akusmatisch | 9:18 | Quadro | Samson_Box, PLA | Neuma 450-75/ | CCRMA | Mention Bourges 1985 | 1 | |||||||
| 1274 | Jonathan | Berger | Chalice | 1988 | fixed media, akusmatisch | 13:00 | SAIL | CCRMA | 0 | ||||||||||
| 1275 | Jonathan | Berger | Diptych | 1984 | Zuspiel / Tonband, 5 perf | 12 | Stereo | str-qt, Mez [Mezzo, Streicher] | EdSnd on Samson_Box, PLA; after 3 poems from the spanish civil war | Centaur CRC 2091, CDCM Vol. 8/ | CCRMA | 1 | |||||||
| 1277 | Jonathan | Berger | Meteora | 1987 | fixed media, akusmatisch | 8:51 | Stereo | Samson_Box | LDC 278044/45 Cultures Electroniques 2/ Centaur CRC 2091, CDCM Vol. 8/ | CCRMA | 2nd prize Bourges 1987 | 1 | |||||||
| 23055 | Jonathan | Berger | The Lead Plates of the Rom Press | 1990 | live-elec, 1 perf | vc [Cello] | WDR 1990 | 0 | |||||||||||
| 18374 | Jonathan | Berger | The Voice Within the Hammer | 1997 | Zuspiel / Tonband, 5 perf | fl, cl, perc, db, p [Flöte, Klarinette, Piano, Schlagzeug, Kontrabass] | 2 Versions | CCRMA | 0 | ||||||||||
| 1278 | Jonathan | Berger | To the lost history of hope | 1981 | fixed media, akusmatisch | 8:00 | Quadro | CCRMA | 1 | ||||||||||
| 38479 | Ludwig | BERGER | 1959 | 2012 | radiophon | 19:59:00 | 0 | ||||||||||||
| 31565 | Ludwig | Berger | Cuyo | 2013 | radiophon | 5:00 | Stereo | next_generation 5.0 (gekürzte Fassung) |
SEAM Weimar | 27.6.2013 | ZKM | 0 | |||||||
| 1279 | Roman | Berger | Analógia | 1965 | Film | 3:50 | Mono | Radio Bratislava | 0 | ||||||||||
| 1280 | Roman | Berger | De Profundis | 1981 | fixed media, akusmatisch | 54:20 | Stereo | CECM Bratislava | 0 | ||||||||||
| 18685 | Roman | Berger | Diptych | 1986 | Zuspiel / Tonband, 1 perf | 12:54 | Stereo | S [Sopran] | CECM Bratislava | 0 | |||||||||
| 1281 | Roman | Berger | Elegia in memoriam Ján Rucka | 1969 | fixed media, akusmatisch | 14:00 | Stereo | IDEAMA CD 046/ | CECM Bratislava | 0 | |||||||||
| 1282 | Roman | Berger | en passant | 1979 | fixed media, akusmatisch | 9:35 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 1283 | Roman | Berger | Epitaph for Nicolaus Copernicus | 1973 | fixed media, akusmatisch | 19:26 | Stereo, Quadro | EM CD 001/ | CECM Bratislava | prize Bourges | 1 | ||||||||
| 1285 | Roman | Berger | Kam nechodi inspektor | 1964 | Film | 10:40 | Mono | Radio Bratislava | 0 | ||||||||||
| 1286 | Roman | Berger | Opustena zem | 1962 | Film | Mono | Radio Bratislava | 0 | |||||||||||
| 1287 | Roman | Berger | Po 17 rokoch | 1963 | Film | 4:00 | Mono | Radio Bratislava | 0 | ||||||||||
| 1288 | Roman | Berger | Transgressus I | 1993 | Zuspiel / Tonband, 1 perf | 13:38 | vn [Violine] | EM CD 003/ | CECM Bratislava | 1 | |||||||||
| 33351 | Roman | Berger | Tri spomienky | 1965 | Film | Radio Bratislava | 0 | ||||||||||||
| 1289 | Roman | Berger | Vzbúra na ulici Sycamore | 1963 | Fernsehen, | 12:20 | Mono | Radio Bratislava | 0 | ||||||||||
| 1284 | Roman, Ilja | Berger, Zeljenka | Etude #1 — #3 | 1958 | fixed media, akusmatisch | 12:00 | Mono | PS C. Bratislava | 0 | ||||||||||
| 1290 | Roxane du | Berger | Un son… une pensée | 1987 | fixed media, akusmatisch | 9:46 | Stereo | Concordia Montréal | 0 | ||||||||||
| 38480 | Sophie | BERGER | Loire | 2013 | radiophon | 50:44:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 37847 | Tristan | Berger | Recognizer | 2015 | audiovisuell | Quadro | 3-kanaliges Video | 27.10.2017 | Folkwang Hochschule Aula | 0 | |||||||||
| 1291 | José | Berghmans | Krokou | 1983 | fixed media, akusmatisch | 11:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1292 | José | Berghmans | Vendredi ou les Limbes du Pacifique | 1982 | fixed media, akusmatisch | Tanz |
101:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1293 | Bo | Bergkvist | Ängel på b | 1978 | fixed media, akusmatisch | 4:40 | Stereo | 0 | |||||||||||
| 1294 | Bo | Bergkvist | Clarsynt | 1981 | live-elec, | 12:00 | Stereo | 0 | |||||||||||
| 1295 | Bo | Bergkvist | Okexas | 1981 | live-elec, | 10:00 | Stereo | 0 | |||||||||||
| 1296 | Bo | Bergkvist | Sag - o - ljud | 1981 | Zuspiel / Tonband, | 11:30 | Stereo | 0 | |||||||||||
| 1297 | Erik | Bergman | In Springtime | 1981 | fixed media, akusmatisch | 15:00 | Yleisradio | 0 | |||||||||||
| 22330 | Johannes | Bergmark | Gråtande barn | fixed media, akusmatisch | 4:19 | Infogram 045/1/ | 1 | ||||||||||||
| 22450 | Johannes | Bergmark | Saw Octet | 1999 | fixed media, akusmatisch | 12:12 | CD: "a new Generation" at EMS / Eight Times Falling | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 22334 | Johannes | Bergmark | Validitetsprincipen | fixed media, akusmatisch | 1:49 | Infogram 045/1/ | 1 | ||||||||||||
| 42881 | Andreas | Bergsland | Jeu de Modes | 2013 | live-elec, 4 perf | 8:00:00 | V, 3 dance [Stimme, Tanz] | Robert Wechsler, Choreography Fang-Hao, singer; Jossia Clement, Annika Dörr, Teoma Naccarato, dancers | 0 | ||||||||||
| 42912 | Andreas | Bergsland | La Danse II | 2013 | live-elec, 4 perf | 8:00:00 | vc, 3 dance [Cello, Tanz] | Madeleine Shapiro, cello; Robert Wechsler, choreography Jossia Clement, Annika Dörr, Teoma Naccarato, dancers | 0 | ||||||||||
| 33498 | Leif | Bergström | Ödeskorpen | 1972 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 33499 | Leif, Peter | Bergström, Björck | Opus 1 | 1972 | fixed media, akusmatisch | 12 | EMS Stockholm | 0 | |||||||||||
| 33500 | Leif, Peter | Bergström, Björck | Sacrae Morte | 1972 | fixed media, akusmatisch | 6 | EMS Stockholm | 0 | |||||||||||
| 1298 | Carl | Bergstrøm | De elktroniske humlebiers dans | 1990 | fixed media, akusmatisch | 30:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 1299 | Carl | Bergstrøm | Omdrejniger | 1989 | Zuspiel / Tonband, 6 perf | 16:00 | Stereo | 6 perc [Schlagzeug] | DIEM Aarhus | 0 | |||||||||
| 1300 | Carl | Bergstrøm | Sammenføjninger | 1988 | live-elec, | 45:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 34919 | Luciano | Berio | a - ronne | 1974 | radiophon | 5 actor [Schauspieler] | a radiophonic documentary for five actors. Also version with 8 singers Text by Karl Marx |
0 | |||||||||||
| 34920 | Luciano | Berio | Agnus | 1971 | live-elec, 6 perf | 2 S, 3 cl, e-org [Sopran, Klarinette, Keyboard] | a Flora e Giorgio Bloch. Language: Latin |
1971 | Indiana. Scheurer, Sambuco (S) | 0 | |||||||||
| 24100 | Luciano | Berio | Altra Voce | 1999 | Zuspiel, live-elec, 2 perf | 15:00 | a-fl, Mez [Mezzo, Flöte] | Tempo Reale Firenze | Universal | 0 | |||||||||
| 1301 | Luciano | Berio | Chants paralleles | 1975 | fixed media, akusmatisch | 23:30 | Quadro, Stereo | INA • GRM | UER (Union Européenne de Radiodiffusion) et GRM | 7.4.1975 | Paris, Maison de Radio France, Grand Auditorium; Perspectives du XX. siècle | 0 | |||||||
| 1302 | Luciano | Berio | Chemins V, su Sequenza XI | 1992 | live-elec, 1 perf, 1 group | 17:00 | gui, chamber orc [Gitarre, Orchester] | IRCAM | 23/09/1992 | Bonn. Eliot Fisk, Orchester der Beethovenhalle, Luciano Berio | UE | 0 | |||||||
| 24101 | Luciano | Berio | Cronaca del Luogo | 1999 | live-elec, 10 perf, 3 groups | ≈ 86:00 | 8 V, 2 actor, 2 ch, orc [Stimme, Schauspieler, Chor, Orchester] | Azione musicale | Tempo Reale Firenze | 24/07/1999 | Salzburger Festspiele. Sylvain Camberling; Claus Guth (stage direction); Cast: Hildegard Behrens, Frode Olsen, Matthias Klink, David Moss, Monica Bacelli, Urban Malmberg; Arnold Schönberg Chor and Tölzer Knabenchor. Orchestral soloists: Gabriele Cassone, Christian Lindberg, Michele Marasco, Ernesto Molinari, David Moss, Igor Polesitsky, Georg Schulz, Foloco Vichi. Klangforum Wien and Tempo Reale | Ricordi | 0 | ||||||
| 1303 | Luciano | Berio | Diario immaginario, Imaginary Diary | 1975 | radiophon | 31:10 | Radio-Opera. Text (after Molière) by Vittorio Sermonti, Luigi Diemoz | DS 22 Die Schachtel/ | Fonologia Milano | 1975 | Florence. Cathy Berberian, Orchestra Sinfonica della RAI, Luciano Berio | Prix Italia 1975 | Universal Edition, Wien | 1 | |||||
| 1304 | Luciano | Berio | Differences | 1959 | Zuspiel / Tonband, 5 perf | 17:25 | Stereo | fl, hp, cl, va, vc [Flöte, Klarinette, Harfe, Viola, Cello] | PHI 839 323/ Tim/ WER 6931/ | Fonologia Milano, INA • GRM | 14.03.1959 | Paris, Domaine Musical, Leitung Pierre Boulez Paris | UE | 1 | 1994 | ||||
| 34921 | Luciano | Berio | Duo | 1982 | Fernsehen, 3 perf | Bar, 2 vn, (ch, orc pre-recorded on tape) [Bariton, Violine] | RAI, Radiotelevisione Italiana | First Prize in XXXIV Premio Italia; preparatory study for Un re in ascolto. | 0 | http://www.lucianoberio.org/en/node/1786 | |||||||||
| 1306 | Luciano | Berio | Esposizione | 1963 | Zuspiel/Tonband, 18 perf | Tanz |
12:00 | Quadro | 3 V, 14 ins, dancer [Stimme, Instrument, Tanz] | withdrawn ? ; new Version: "Laborintus II" ? | Fonologia Milano | 18/04/1963 | Venice, Festival di musica contemporanea della Biennale di Venezia. Performers: John Graham, Ann Halprin, A.A. Leath, Daia Lurie, Lynne Palmer, Rana Schuman; MS: Cathy Berberian; white voices: Massimo Monti, Roberto Gavirati | UE | 0 | |||||
| 40653 | Luciano | Berio | Generique d’Appel | 1969 | Theatermusik | 1:40 | Pour le Théâtre de la Ville Paris | INA • GRM | 0 | ||||||||||
| 24102 | Luciano | Berio | Geografia - installazione sonora | 2000 | Klangkunst, Installation | ≈ | 12 Tracks | Installation conceived by Berio for the Italian Pavilion at EXPO 2000 | Tempo Reale Firenze | 0 | |||||||||
| 1307 | Luciano | Berio | Il mito del buon selvaggio | 1957 | radiophon | 20:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 1308 | Luciano | Berio | Il Professor Taranne | 1959 | radiophon | (Adamov) | Fonologia Milano | 0 | |||||||||||
| 1309 | Luciano | Berio | Johnny e il Pescecane | 1960 | radiophon | (Rossi) | Fonologia Milano | 0 | |||||||||||
| 1310 | Luciano | Berio | La bella del bosco | 1958 | radiophon | (Supervielle) | Fonologia Milano | 0 | |||||||||||
| 1311 | Luciano | Berio | La fanciulla di neve | 1958 | radiophon | (Ostrovskij) | Fonologia Milano | 0 | |||||||||||
| 1312 | Luciano | Berio | La Loira | 1957 | radiophon | (Obey) | Fonologia Milano | 0 | |||||||||||
| 1313 | Luciano | Berio | La voix des voies | 1977 | fixed media, akusmatisch | IRCAM | UE | 0 | |||||||||||
| 1314 | Luciano | Berio | Laborintus | 1965 | radiophon | Zuspiel/Tonband, 2 perf, 2 groups |
30:45 | Mono | orc, Vs, perc [Stimme, Schlagzeug, Orchester] | mono, 2 Versions texte de E. Sanguinetti and Berio |
IDEAMA CD 026/ | INA • GRM | ORTF hommage à Dante | 26.9.1965 25.1.1966 |
Radio France Culture (mono) Maison de la Radio studio 105 (Bande orchestre, voix et percussion) |
Prix italia 1966 Prix de la RAI 1966 |
Universal Edition | 0 | ||
| 1315 | Luciano | Berio | Laborintus 2 | 1965 | Zuspiel/Tonband, 5 perf, 1 group | Theatermusik |
35 | 2 S, Contra-A, Sp, ch, ins [Sopran, Alt, Sprecher, Instrument, Chor] | 2nd version, done after his turn to the states; continued of the withdrawn "Esposizione". Text by Edoardo Sanguineti |
HMA 55764/ | Col.Princ EMC, Fonologia Milano | ORTF Paris | 26/09/1965 | Paris. ORTF, Luciano Berio | UE | 1 | http://www.lucianoberio.org/node/1510?872698753=1 | |||
| 1316 | Luciano | Berio | Le diciotto misure cantate del Corno Unno | 1958 | radiophon | (Tsai-Yen) | Fonologia Milano | 0 | |||||||||||
| 1317 | Luciano | Berio | Les Châteaux de la Loire | 1957 | Film | 20:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 34922 | Luciano | Berio | Memory | 1969/1973 | live-elec, 2 perf | 13 | e-p, e-hp [Piano, Harfe] | dedicated to Peter Serkin | UE | 0 | http://www.lucianoberio.org/en/node/1786 | ||||||||
| 1318 | Luciano | Berio | Mimusique #1 | 1953 | radiophon | 4:00 | Mono | withdrawn | Fonologia Milano | 0 | |||||||||
| 1319 | Luciano | Berio | Momenti | 1959 | fixed media, akusmatisch | 7:25 | Quadro | BVHAAST 9109/ PHI 835 485/86/ PHI 836.897/ Mercury SR2 9123/ IDEAMA CD 098/ | Fonologia Milano | 1.12.1960 05/04/1961 |
NDR Hamburg Milano, Congresso della Gioventù musicale |
1 | |||||||
| 1320 | Luciano | Berio | Musica di scena No. 9 | 1958 | radiophon | 40:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 1321 | Luciano | Berio | Mutazioni | 1955/1956 | fixed media, akusmatisch | 3:30 | Mono | RAI/ IDEAMA CD 010/ | Fonologia Milano | 24.5.1957 | Milan | Edizioni Suvini Zerboni Milano | 1 | ||||||
| 1322 | Luciano | Berio | Ofanim | 1988 - 2004 | live-elec, 1 perf, 4 groups | 30 | 2 children ch, 2 ens, fem V [Stimme, Ensemble, Chor] | Texts from the Old Testament: the Book of Ezekiel (1, 19) and Sons of Songs (4, 5). Dedicated to Rivi Pecker |
Tempo Reale Firenze | 25/06/1988 | Prato, inauguration Museo d'arte contemporanea. Esti Kenan, Finchley Children's Music Group, Musicus Concentus, Luciano Berio. Première first revised version (in memoriam Rivi Pecker): 11/11/1992, Jerusalem, dedication of the Supreme Court Building. Esti Kenan-Ofri, Ankor Children's Choir, Tempo Reale, Jerusalem Symphony Orchestra, David Shalon | UE | 1 | ||||||
| 1323 | Luciano | Berio | offaneme | 1987 | Zuspiel / Tonband, | Octo | 0 | ||||||||||||
| 1325 | Luciano | Berio | Orféo II | 1984 | Zuspiel / Tonband, 1 perf, 1 group | V, orc [Stimme, Orchester] | IRCAM | UE | 0 | ||||||||||
| 24103 | Luciano | Berio | Outis, azione musicale in due parti | 1996 - 1999 | live-elec, 1 perf, 2 groups | ≈ 130:00 | V, ch, orc, (elec) [Stimme, Chor, Orchester] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 34923 | Luciano | Berio | Per la dolce memoria di quel giorno | 1974 | fixed media, akusmatisch | Tanz |
80 | dedicated to Marina and Stefano Berio. electronic and instrumental sounds on tape |
Italian Television | 09/07/1974 | Florence. Ballet du XXe siècle: choreography: Maurice Béjart | UE | 0 | |||||||
| 1326 | Luciano | Berio | Perspectives | 1957 | fixed media, akusmatisch | 7:00 | Stereo | SugMus ESZ 3/ IDEAMA CD 010/ | Fonologia Milano | ESZ 5994 | 1 | http://www.lucianoberio.org/ | |||||||
| 1327 | Luciano | Berio | Peter Pan | 1958 | radiophon | 7:00 | (Barrie) | Fonologia Milano | 0 | ||||||||||
| 1328 | Luciano | Berio | Questo vuol dire che …… | 1969 | Zuspiel / Tonband, 4 perf, 1 group | 3 fem V, Sp, ch [Sprecher, Stimme, Chor] | per 3 voci femminili, piccolo gruppo vocale e musica elettronica | Fonologia Milano | RAI | 04/04/1969 | Festival du Royan. Voices: Cathy Berberian, Christiane Legrand, Sandra Mantovani; speaker: Henri Pousseur | RAI | 0 | ||||||
| 1305 | Luciano | Berio | Santa Giovanna | 1956 | radiophon | (Molière) ? ≈ Diario immaginario ? |
Fonologia Milano | 0 | |||||||||||
| 24104 | Luciano | Berio | Tempo Libero (Auditorium 2002) | 2002 | Klangkunst, Installation | ∞ | Installation conceived by Berio for the opening ceremony of the auditorium in Rome | Tempo Reale Firenze | 0 | ||||||||||
| 1330 | Luciano | Berio | Thema (Omaggio a Joyce), Thema - Omaggio a Joyce | 1958, 1995 | fixed media, akusmatisch | Film |
8:10 | Stereo | film "sirènes" 1961. Revision 1995 at Tempo Reale. |
BVHAAST 9109/ PHI 835 485/86/ PHI 836.897/ TV 34177/ BMG 09026-68302-2/ Mercury SR2 9123/ IDEAMA CD 098/ Columbia OW 7613 VX/ SR 300 sub rosa/ | Fonologia Milano, Tempo Reale Firenze | 1958 | Napoli | Edizioni Suvini Zerboni Milano | 0 | |||||
| 1331 | Luciano | Berio | Visage, Visage – racconto radiofonico | 1961/1981/1990 | radiophon | 21:10 | Stereo | based on the voice of Cathy Berberian rev. 1981 rev. 1990 at Tempo Reale |
BVHAAST 9109/ RCA 61079/ IDEAMA CD 008/ TV 34046 S/ BMG 09026-68302-2/ BOS/ Soot Records DJ/rupture/ | Fonologia Milano, Tempo Reale Firenze | 1961 | Milan | UE, Not available as a score. The tape is available on request for radio broadcast only. | 1 | https://www.universaledition.com/luciano-berio-54/works/visage-5685 | ||||
| 24105 | Luciano | Berio | Vor, während, nach Zaide, commento a Zaide di W. A. Mozart | 1995 | live-elec, 5 perf, 2 groups | 40:00 | 5 V, orc, ch [Stimme, Chor, Orchester] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 1324 | Luciano, Umberto | Berio, Eco | Omaggio a Joyce (documentario), Omaggio a Joyce. Documenti sulla qualità onomatopeica del linguaggio poetico | 1958 | radiophon | 42:02 | Mono | cooperation with Umberto Ecco. Documentary Radiofonico (Radio Work). Voices: Cathy Berberian, Furio Colombo, Umberto Eco, Ruggero De Daninos, Marise Flach, Nicoletta Rizzi |
Fonologia Milano | 0 | |||||||||
| 1329 | Luciano, Bruno, Roberto | Berio, Maderna, Leydi | Ritratto di città, Studio per una rappresentazione radiofonica | 1955/1967/1979 | radiophon | 26:00 | Mono | first piece produced in Fonologia Milano (SFU founded June 1955!). First technical director Alfredo Lietti (until 1962); Tonmeister Mario Zuccheri. 1967 renewed. Last production 1979. |
Fonologia Milano | Prix Italia 1955 | 0 | ||||||||
| 32301 | Luciano, Jocy de | Berio, Oliveira | Berio sem Censura | 2012 | Musiktheater | 120 | S, actors, narrator, vc, vn, va, ob, cl, b-cl, sax, fl, gui, tambura, perc, bandoneon, p, (elec), orc ad libitum [Sopran, Flöte, Klarinette, Oboe, Saxophon, Piano, Akkordeon, Gitarre, Schlagzeug, Viola, Cello, Violine, Schauspieler, Streicher, Orchester] | Concept, script and general direction by Jocy de Oliveira | Brookfield, Brazil, SESC SP | August 2012 | Theatro Municipal Rio de Janeiro; Ens Jocy de Oliveira, orc sinfônica brasileira | 0 | |||||||
| 1332 | Ernest | Berk | 0 52, op. 129 | 1970 | fixed media, akusmatisch | 5:50 | Stereo | first production in studio 52 Dorset str. | PS C. London | 0 | |||||||||
| 1333 | Ernest | Berk | 126, op. 126 | 1969 | fixed media, akusmatisch | 1:45 | Stereo | PS C. London | 0 | ||||||||||
| 1334 | Ernest | Berk | 127, op. 127 | 1969 | fixed media, akusmatisch | 1:45 | Stereo | elec pop | PS C. London | 0 | |||||||||
| 1335 | Ernest | Berk | 128, op. 128 | 1969 | fixed media, akusmatisch | 1:10 | Stereo | elec pop | PS C. London | 0 | |||||||||
| 1336 | Ernest | Berk | "13th", longish item for improvisation, op. 193, 7 sections | 1975 | fixed media, akusmatisch | 18:00 | Stereo | PS C. London | 0 | ||||||||||
| 1337 | Ernest | Berk | "1936" (In commemoration of the Spanish Civil War), op. 56 | 1965 | Tanz | 12:00 | Stereo | PS C. London | 0 | ||||||||||
| 1338 | Ernest | Berk | "28b Camden Street" Magic Garden, op. 62 | 1965 | Film | 18:00 | Stereo | 3 sections: Magic Garden, Breakdown, Nostalgia | PS C. London | 0 | |||||||||
| 1339 | Ernest | Berk | 400, op. 148 | 1972 | fixed media, akusmatisch | 6:15 | Stereo | PS C. London | 0 | ||||||||||
| 1340 | Ernest | Berk | "567", op. 98 | 1967 | fixed media, akusmatisch | 4:37 | Stereo | PS C. London | 0 | ||||||||||
| 1341 | Ernest | Berk | A Group of Sound Samples, Master II, op. 61 | 1965 | fixed media, akusmatisch | 9:30 | Stereo | made for CBS Sound Library USA | PS C. London | 0 | |||||||||
| 1342 | Ernest | Berk | A little Bit of Gold said Jump, op. 33 | 1963 | Fernsehen, | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1343 | Ernest | Berk | Adagio and Rondo, op. 26 | 1961 | fixed media, akusmatisch | 12:00 | Stereo | PS C. London | 0 | ||||||||||
| 1344 | Ernest | Berk | Against 7 / 4, op. 105 | 1967 | fixed media, akusmatisch | 6:52 | Stereo | made for LP disk | PS C. London | 0 | |||||||||
| 1345 | Ernest | Berk | Analysis, op. 188 | 1975 | Tanz | intermedia, 7 perf |
67:00 | Stereo | 6 dancer, taped V [Stimme, Tanz] | slides & film. copy of act I now called "Oedipus" | PS C. London | 0 | ||||||||
| 1346 | Ernest | Berk | Anecdote I, op. 28 | 1960/1961 | fixed media, akusmatisch | 8:12 | Stereo | finger on wine glasses | PS C. London | 0 | |||||||||
| 1347 | Ernest | Berk | Anecdote II, op. 99 | 1967 | fixed media, akusmatisch | 4:03 | Stereo | shorted version of Anecdote I op. 28 | PS C. London | 0 | |||||||||
| 1348 | Ernest | Berk | Answer to french music concrete, op. 23 | 1962 | fixed media, akusmatisch | Stereo | made just for fun | PS C. London | 0 | ||||||||||
| 1349 | Ernest | Berk | Anthem, op. 164 | 1973 | fixed media, akusmatisch | 2:43 | Stereo | PS C. London | 0 | ||||||||||
| 1350 | Ernest | Berk | Apparition, op. 54 | 1963 | fixed media, akusmatisch | 4:30 | Stereo | after "Nachtstück" by P. Hindemith | PS C. London | 0 | |||||||||
| 1351 | Ernest | Berk | Avarium, op. 206A | 1977 | fixed media, akusmatisch | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1352 | Ernest | Berk | Bacchae, op. 151 | 1971 | Theatermusik | ≈ 23:00 | Stereo | PS C. London | 0 | ||||||||||
| 1353 | Ernest | Berk | Balachites, op. 36 | 1963 | Theatermusik | 20:00 | Stereo | PS C. London | 0 | ||||||||||
| 1354 | Ernest | Berk | Ballad, op. 55 | 1964 | fixed media, akusmatisch | 10:00 | Stereo | PS C. London | 0 | ||||||||||
| 1356 | Ernest | Berk | Bamboo, op. 96 | 1967 | fixed media, akusmatisch | 3:31 | Stereo | PS C. London | 0 | ||||||||||
| 1357 | Ernest | Berk | Bandido, op. 166 | 1973 | fixed media, akusmatisch | 1:24 | Stereo | never perf; extracted from op. 165 | PS C. London | 0 | |||||||||
| 1358 | Ernest | Berk | Barbara Benjamin, op. 206 | 1977 | fixed media, akusmatisch | 25:00 | Stereo | PS C. London | 0 | ||||||||||
| 1359 | Ernest | Berk | Beirut to Bagdad, op. 74 | 1966 | fixed media, akusmatisch | 1:45 | Stereo | commercial (for a Porno) | PS C. London | 0 | |||||||||
| 1360 | Ernest | Berk | Beyond Suez, op. 74 | 1966 | Film | 1:12 | Stereo | PS C. London | 0 | ||||||||||
| 1361 | Ernest | Berk | Black Death, op. 147 | 1972 | Tanz | 12:26 | Stereo | for Robert Wilson | PS C. London | 0 | |||||||||
| 1362 | Ernest | Berk | Boomf Beat Breakage, op. 17 | 1959 | fixed media, akusmatisch | 3:20 | Stereo | PS C. London | 0 | ||||||||||
| 1363 | Ernest | Berk | Candlelight, op. 134 | 1970 | fixed media, akusmatisch | 0:51 | Stereo | PS C. London | 0 | ||||||||||
| 1364 | Ernest | Berk | Cataclysm, op. 18 | 1959 | fixed media, akusmatisch | 5:00 | Stereo | elec clock in echoing hall at Stanhope | PS C. London | 0 | |||||||||
| 1366 | Ernest | Berk | Chigger sound, op. 121 | 1968 | fixed media, akusmatisch | 9:00 | Stereo | elec pop. Compo I 2'40; Compo II 2'38; Compo III 3'15 | PS C. London | 0 | |||||||||
| 1365 | Ernest | Berk | Chigger Sound Composition III, IV, V, op. 123 | 1968 | fixed media, akusmatisch | 10:00 | Stereo | PS C. London | 0 | ||||||||||
| 1367 | Ernest | Berk | Chord composition I - V, op. 4 - op. 8 | 1958 | fixed media, akusmatisch | 14:00 | Stereo | made out of loops of piano echo chords | PS C. London | 0 | |||||||||
| 1368 | Ernest | Berk | Chrai, op. 177 | 1974 | fixed media, akusmatisch | 7:53 | Stereo | PS C. London | 0 | ||||||||||
| 1369 | Ernest | Berk | Chub-Chub, op. 115 or op. 68A | 1967 | fixed media, akusmatisch | 1:26 | Stereo | PS C. London | 0 | ||||||||||
| 1370 | Ernest | Berk | Clanger, op. 135 | 1970 | fixed media, akusmatisch | 0:26 | Stereo | 2 versions | PS C. London | 0 | |||||||||
| 1371 | Ernest | Berk | Class, op. 214 | 1979 | Theater, 1 perf | Stereo | mime [Schauspieler] | E. Dorman | PS C. London | 0 | |||||||||
| 1372 | Ernest | Berk | Cold Turkey (Opium-Diary of a Cure), op. 183 | 1974/1975 | Tanz | ≈ 20:00 | Stereo | words by Jean Cocteau, spoken by C. Sounders | PS C. London | 0 | |||||||||
| 1373 | Ernest | Berk | Collage, op. 141 | 1971 | Tanz | 5:35 | Stereo | PS C. London | 0 | ||||||||||
| 1374 | Ernest | Berk | Commercial series A. to E., op. 132. bis op. 132: Living Feeling Alonzo and Henry Lonely dea Burn Baby Burn California Shoeshine |
1970 | fixed media, akusmatisch | 19:00 | Stereo | PS C. London | 0 | ||||||||||
| 1375 | Ernest | Berk | Coyote, op. 215 | 1979 | Tanz | 6:50 | Stereo | dance for J. Springer | PS C. London | 0 | |||||||||
| 1376 | Ernest | Berk | Creator and Creation, op. 72 | 1966 | Tanz | 6:45 | Stereo | PS C. London | 0 | ||||||||||
| 1377 | Ernest | Berk | Crossing, op. 213 | 1978 | Tanz | Stereo | Ballet for Tara | PS C. London | 0 | ||||||||||
| 1378 | Ernest | Berk | Crucible, op. 111 A | 1967 | Film | 1:48 | Stereo | PS C. London | 0 | ||||||||||
| 1379 | Ernest | Berk | D 's Diversion, op. 202: March, Undergrowth, on air | 1976 | Tanz | 18:42 | Stereo | PS C. London | 0 | ||||||||||
| 1380 | Ernest | Berk | Daguerreo types, op. 32 and op. 32 B (remade) | 1963/1972 | fixed media, akusmatisch | 30:00 | Stereo | PS C. London | 0 | ||||||||||
| 1381 | Ernest | Berk | De Profundis, op. 44 | 1963 | fixed media, akusmatisch | 6:00 | Stereo | PS C. London | 0 | ||||||||||
| 1382 | Ernest | Berk | Death of a chicken, op. 69 | 1963 | Film | 9:04 | Stereo | PS C. London | 0 | ||||||||||
| 1383 | Ernest | Berk | Desert Village, op. 114 | 1967 | fixed media, akusmatisch | 1:23 | Stereo | see op. 74 | PS C. London | 0 | |||||||||
| 1384 | Ernest | Berk | Diaken, op. 171 | 1973 | fixed media, akusmatisch | 3:26 | Stereo | PS C. London | 0 | ||||||||||
| 1385 | Ernest | Berk | Dirge for a new Sunrise, op. 58 | 1965 | Tanz | 4:00 | Stereo | PS C. London | 0 | ||||||||||
| 1386 | Ernest | Berk | Disintegration, op. 10 | 1958 | fixed media, akusmatisch | 8:30 | Stereo | aus op. 2 & op. 9 | PS C. London | 0 | |||||||||
| 1387 | Ernest | Berk | Dissolve of 9 / 8, op. 130 | 1970 | fixed media, akusmatisch | 2:35 | Stereo | PS C. London | 0 | ||||||||||
| 1388 | Ernest | Berk | Diversed Mind, op. 109 | 1967 | fixed media, akusmatisch | 10:30 | Stereo | original made for 1st major English elec M. Concert | PS C. London | 0 | |||||||||
| 1389 | Ernest | Berk | Dotts and Patterns, op. 117 | 1968 | Studie | 1:33 | Stereo | for education | PS C. London | 0 | |||||||||
| 1390 | Ernest | Berk | Dream Sequence, op. 111 | 1968 | fixed media, akusmatisch | 16:19 | Stereo | for SPNM, in 6 sections | PS C. London | 0 | |||||||||
| 1391 | Ernest | Berk | Drips, op. 209 | 1977 | Tanz | 7:30 | Stereo | PS C. London | 0 | ||||||||||
| 1392 | Ernest | Berk | Duet for Beccy | 1976 | Tanz | Stereo | PS C. London | 0 | |||||||||||
| 1393 | Ernest | Berk | Duet for Nigel Burke, op. 211 | 1977 | Tanz | 5:30 | Stereo | PS C. London | 0 | ||||||||||
| 1394 | Ernest | Berk | Duett, op. 143 | 1971 | Tanz | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1395 | Ernest | Berk | Dust, op. 144 | 1971 | Film | 10:00 | Stereo | PS C. London | 0 | ||||||||||
| 1396 | Ernest | Berk | Eastern Poem, op. 41; or: Sparklers | 1963 | Tanz | 2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1397 | Ernest | Berk | Egoplasm, op. 21 | 1961 | Tanz | 10:45 | Stereo | PS C. London | 0 | ||||||||||
| 1399 | Ernest | Berk | Eloquy, op. 118 | 1968 | fixed media, akusmatisch | 11:33 | Stereo | made for conference Florenz | PS C. London | 0 | |||||||||
| 1400 | Ernest | Berk | Emanti, op. 170 | 1973 | fixed media, akusmatisch | 6:25 | Stereo | PS C. London | 0 | ||||||||||
| 1401 | Ernest | Berk | End of the World (or: where do we go from here), op. 1 | 1957 | fixed media, akusmatisch | 4:14 | Stereo | PS C. London | 0 | ||||||||||
| 1402 | Ernest | Berk | Entre deux mers, op. 200 | 1976 | fixed media, akusmatisch | 31:20 | Stereo | PS C. London | 0 | ||||||||||
| 1403 | Ernest | Berk | "Episode", op. 184 | 1975 | Zuspiel / Tonband, 1 perf | 7:32 | Stereo | trbn [Posaune] | PS C. London | 0 | |||||||||
| 1404 | Ernest | Berk | Escapeless Escape (Psychedelic), op. 83 | 1967 | fixed media, akusmatisch | 4:40 | Stereo | PS C. London | 0 | ||||||||||
| 1405 | Ernest | Berk | Eternal Triangel, op. 154 | 1972 | Tanz | Stereo | drumming extracted from op. 82 | PS C. London | 0 | ||||||||||
| 1406 | Ernest | Berk | Etude A, op. 174 | 1974 | fixed media, akusmatisch | 6:21 | Stereo | PS C. London | 0 | ||||||||||
| 1407 | Ernest | Berk | Etude G | 1975 | fixed media, akusmatisch | 5:10 | Stereo | for Titch | PS C. London | 0 | |||||||||
| 1408 | Ernest | Berk | Etudes B, C, D, E, & F, op. 190 | 1974 | fixed media, akusmatisch | 15:00 | Stereo | PS C. London | 0 | ||||||||||
| 1409 | Ernest | Berk | Euthenasia (or: who is to judge), op. 108 | 1967 | Tanz | 6:15 | Stereo | PS C. London | 0 | ||||||||||
| 1410 | Ernest | Berk | Fall and Pride (or: Pride and Fall), op. 50 | 1962 | Tanz | 20:00 | Stereo | PS C. London | 0 | ||||||||||
| 1411 | Ernest | Berk | Fatema, op. 113 | 1967 | fixed media, akusmatisch | 1:21 | Stereo | see op. 114, op. 74 | PS C. London | 0 | |||||||||
| 1412 | Ernest | Berk | Fermentation (Non - Parallel Path), op. 79 | 1966 | fixed media, akusmatisch | 6:45 | Stereo | PS C. London | 0 | ||||||||||
| 1413 | Ernest | Berk | For Carol (Partridge), op. 156 | 1972 | fixed media, akusmatisch | 6:30 | Stereo | PS C. London | 0 | ||||||||||
| 1414 | Ernest | Berk | For Improvisation I, op. 180 | 1973 | live-elec, | 50:00 | Stereo | PS C. London | 0 | ||||||||||
| 1415 | Ernest | Berk | For Improvisation II, op. 228 | 1979 | Tanz | intermedia |
45:00 | Stereo | PS C. London | 0 | ||||||||||
| 1416 | Ernest | Berk | Forgotten (s-h-i-t), op. 192 | 1975 | fixed media, akusmatisch | Stereo | PS C. London | 0 | |||||||||||
| 1417 | Ernest | Berk | Fragments I and II, op. 131 - op. 131A | 1970 | Tanz | 18:30 | Stereo | for Rebecca Wilson | PS C. London | 0 | |||||||||
| 1418 | Ernest | Berk | Frame 9, Path I | 1976 | fixed media, akusmatisch | 3:45 | Stereo | from Etude G for Titch | PS C. London | 0 | |||||||||
| 1419 | Ernest | Berk | Free Variations, op. 168 | 1973 | fixed media, akusmatisch | 10:06 | Stereo | PS C. London | 0 | ||||||||||
| 1420 | Ernest | Berk | Futile Span, op. 19 | 1960 | fixed media, akusmatisch | 3:45 | Stereo | accelerations of circular saw blades ringing | PS C. London | 0 | |||||||||
| 1422 | Ernest | Berk | Gemini (les Amies), op. 52 | 1962 | Tanz | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1421 | Ernest | Berk | "Gemini 71", op. 140 | 1971 | Tanz | 19:07 | Stereo | PS C. London | 0 | ||||||||||
| 1423 | Ernest | Berk | Gong - Drum - Humming, op. 12 | 1958 | fixed media, akusmatisch | Stereo | PS C. London | 0 | |||||||||||
| 1424 | Ernest | Berk | Greedy Brothers, op. 38 | 1963 | fixed media, akusmatisch | 12:08 | Stereo | PS C. London | 0 | ||||||||||
| 1425 | Ernest | Berk | Group Dance III, op. 85 | 1967 | fixed media, akusmatisch | 10:00 | Stereo | spoken by Jerome Willis words: I, in my Intricate Image (by D. Thomas) |
PS C. London | 0 | |||||||||
| 1426 | Ernest | Berk | Group Dance No. I (Boschesque), op. 81 | 1966 | fixed media, akusmatisch | 6:40 | Stereo | PS C. London | 0 | ||||||||||
| 1427 | Ernest | Berk | Group Dance No. II = Functional, op. 82 | 1967 | Tanz | 4:40 | Stereo | PS C. London | 0 | ||||||||||
| 1428 | Ernest | Berk | Here and Now, op. 30 | 1963 | Fernsehen, | Tanz |
5:10 | Stereo | PS C. London | 0 | ||||||||||
| 1429 | Ernest | Berk | Hours, op. 51 | 1962 | Tanz | 4:00 | Stereo | PS C. London | 0 | ||||||||||
| 1430 | Ernest | Berk | Hughie and Others, op. 34 | 1963 | Theatermusik | 25:00 | Stereo | by Eugene O'Neill; Backgroundmusic | PS C. London | 0 | |||||||||
| 1431 | Ernest | Berk | Humouresque, op. 124 | 1968 | fixed media, akusmatisch | 1:57 | Stereo | PS C. London | 0 | ||||||||||
| 1432 | Ernest | Berk | I saw your shadow, op. 217 | 1979 | fixed media, akusmatisch | 6:30 | Stereo | PS C. London | 0 | ||||||||||
| 1433 | Ernest | Berk | Icelandic Melody, op. 222 | 1981 | Film | Stereo | PS C. London | 0 | |||||||||||
| 1434 | Ernest | Berk | Improvisation II, op. 228 | 1979 | fixed media, akusmatisch | ≈ 45:00 | Stereo | PS C. London | 0 | ||||||||||
| 1435 | Ernest | Berk | In Your Image, op. 43 | 1963 | fixed media, akusmatisch | 2:50 | Stereo | PS C. London | 0 | ||||||||||
| 1436 | Ernest | Berk | Incidence of Gaia Frequences, op. 227 | 1984 | fixed media, akusmatisch | 16:35 | Stereo | Incidence = Angle of ReflectionGaia = Personification of earth | PS C. London | 0 | |||||||||
| 1437 | Ernest | Berk | Initiation, op. 139 | 1971 | fixed media, akusmatisch | 20:07 | Stereo | PS C. London | 0 | ||||||||||
| 1438 | Ernest | Berk | Inside of the Outside (for Titch for Sadlers Wells), op. 191 | 1975 | Tanz | 9:02 | Stereo | PS C. London | 0 | ||||||||||
| 1439 | Ernest | Berk | Interaction I, op. 150 | 1972 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
11:26 | Stereo | trbn [Posaune] | PS C. London | 0 | |||||||||
| 1440 | Ernest | Berk | Interaction II, op. 152 | 1972 | Zuspiel / Tonband, 2 perf | 13:00 | Stereo | perc, p or other ins [Piano, Schlagzeug, Instrument] | PS C. London | 0 | |||||||||
| 1441 | Ernest | Berk | Jacob's Ladder, op. 53 | 1961/1967 | fixed media, akusmatisch | 3:15 | Stereo | shorted 67 to 2'48 | PS C. London | 0 | |||||||||
| 1442 | Ernest | Berk | Janet calls it Blue Ribbon, op. 160 | 1972 | Tanz | 9:54 | Stereo | = overture + note sequ. + part of op. 143 | PS C. London | 0 | |||||||||
| 1443 | Ernest | Berk | Jazz I, attempt, op. 73 | 1965 | fixed media, akusmatisch | Stereo | with Basil Kirchin | PS C. London | 0 | ||||||||||
| 1444 | Ernest | Berk | Jazz II, op. 77 | 1966 | fixed media, akusmatisch | 1:45 | Stereo | PS C. London | 0 | ||||||||||
| 1445 | Ernest | Berk | Job: KJA34, op. 142 | 1971 | fixed media, akusmatisch | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1446 | Ernest | Berk | Joss Beat, op. 39 | 1964 | fixed media, akusmatisch | 2:15 | Stereo | concrete | PS C. London | 0 | |||||||||
| 1447 | Ernest | Berk | Kali Yuga, op. 20 | 1962 | fixed media, akusmatisch | 7:25 | Stereo | PS C. London | 0 | ||||||||||
| 1448 | Ernest | Berk | Kaligraph, op. 15 | 1959 | fixed media, akusmatisch | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1449 | Ernest | Berk | Karma, op. 11 | 1958 | Theatermusik | Stereo | PS C. London | 0 | |||||||||||
| 1450 | Ernest | Berk | Knell, op. 110 | 1967 | fixed media, akusmatisch | 2:13 | Stereo | PS C. London | 0 | ||||||||||
| 1451 | Ernest | Berk | Legend, op. 46 & 46 B | 1963/1967 | intermedia | 6:15 | Stereo | shorted and cleaned 67 to 6' | PS C. London | 0 | |||||||||
| 1452 | Ernest | Berk | Lotte's Dance for Ailsa, op. 165 | 1973 | Tanz | 9:00 | Stereo | never perf | PS C. London | 0 | |||||||||
| 1453 | Ernest | Berk | Lower Grass, op. 22 | 1962 | fixed media, akusmatisch | 3:45 | Stereo | mostly feedback | PS C. London | 0 | |||||||||
| 1454 | Ernest | Berk | Machines, op. 136 | 1970 | fixed media, akusmatisch | 2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1456 | Ernest | Berk | ME ME ME, op. 167 | 1973 | Tanz | fixed media, akusmatisch |
11:08 | Stereo | PS C. London | 1 | ||||||||||
| 1457 | Ernest | Berk | Meander 2-3-7-9, op. 216 | 1979 | fixed media, akusmatisch | 24:45 | Stereo | PS C. London | 0 | ||||||||||
| 1458 | Ernest | Berk | Miasma (Triad ) (Water Spirit), op. 42 | 1963 | fixed media, akusmatisch | 3:47 | Stereo | PS C. London | 0 | ||||||||||
| 1459 | Ernest | Berk | Moon Courtship, op. 95 | 1967 | fixed media, akusmatisch | 2:17 | Stereo | PS C. London | 0 | ||||||||||
| 1460 | Ernest | Berk | Moon Crater I - VI, op. 86 - op. 91 | 1967 | fixed media, akusmatisch | 19:00 | Stereo | PS C. London | 0 | ||||||||||
| 1461 | Ernest | Berk | Moon Music | 1972 | fixed media, akusmatisch | 8:29 | Stereo | adding together of several moon pieces | PS C. London | 0 | |||||||||
| 1462 | Ernest | Berk | Moon Shimmer I, II, III, op 92 - op. 94 | 1967 | fixed media, akusmatisch | 7:30 | Stereo | PS C. London | 0 | ||||||||||
| 1463 | Ernest | Berk | Moon storm, op. 80 | 1966 | fixed media, akusmatisch | 2:50 | Stereo | PS C. London | 0 | ||||||||||
| 1464 | Ernest | Berk | Music for Trolius and Cressida, op. 122 | 1968 | Theatermusik | 8:00 | Stereo | by Shakespeare | PS C. London | 0 | |||||||||
| 1465 | Ernest | Berk | music to film ?, op. 175 | 1974 | Film | Stereo | PS C. London | 0 | |||||||||||
| 1466 | Ernest | Berk | Night and Day, op. 45 | 1962 | fixed media, akusmatisch | 1:00 | Stereo | in coop. with John Becket | PS C. London | 0 | |||||||||
| 1467 | Ernest | Berk | No Fish, op. 29 – or: Oh Mr. Bard | 1963 | Film | 9:08 | Stereo | PS C. London | 0 | ||||||||||
| 1468 | Ernest | Berk | Nocturn (while I was asleep), op. 163 | 1972 | fixed media, akusmatisch | 8:00-10:00 | Stereo | concert version : 12' | PS C. London | 0 | |||||||||
| 1469 | Ernest | Berk | One of the Family, op. 70 – (or: one of the Family) | 1964 | Film | 24:00 | Stereo | spastic children | PS C. London | 0 | |||||||||
| 1470 | Ernest | Berk | "op. 201", (Combat, Uneasy Truce, Combat 2) | 1976 | fixed media, akusmatisch | 9:45 | Stereo | PS C. London | 0 | ||||||||||
| 1471 | Ernest | Berk | op. 218, in 6 constrasting movements | 1979 | fixed media, akusmatisch | 21:21 | Stereo | PS C. London | 0 | ||||||||||
| 1472 | Ernest | Berk | Opening, op. 64 | 1965 | Theatermusik | 2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1473 | Ernest | Berk | Osterglocken, op. 221 | 1980 | fixed media, akusmatisch | 15:31 | Stereo | PS C. London | 0 | ||||||||||
| 1474 | Ernest | Berk | Pam-Time, op. 189 | 1974 | fixed media, akusmatisch | 10:00 | Stereo | (a clock composition) | PS C. London | 0 | |||||||||
| 1475 | Ernest | Berk | Peace, ballet for Ernest, op. 182 | 1974 | Tanz | 15:08 | Stereo | 5 or 6 dancers [Tanz] | PS C. London | 0 | |||||||||
| 1476 | Ernest | Berk | Peacock, op. 196 | 1975 | fixed media, akusmatisch | ≈ 60:00 | Stereo | PS C. London | 0 | ||||||||||
| 1477 | Ernest | Berk | Piano & Glasses | 1958 | fixed media, akusmatisch | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1478 | Ernest | Berk | Picasso Trial I - II, op. 101 - 102 bzw. op. 103 - 104 | 1967 | fixed media, akusmatisch | Stereo | with drum from op. 100 (auch: 3. and 4. Picasso exhibition and impression) |
PS C. London | 0 | ||||||||||
| 1479 | Ernest | Berk | Piraparana, op. 57 | 1964 | Film | 25:00 | Stereo | with tape-loops from one note on panpipes and native M. | PS C. London | 0 | |||||||||
| 1480 | Ernest | Berk | Pixy Jazz (RSS), op. 133 | 1970 | fixed media, akusmatisch | 1:50 | Stereo | PS C. London | 0 | ||||||||||
| 1481 | Ernest | Berk | Plastic Wasteland, op. 185 | 1975 | fixed media, akusmatisch | 5:13 | Stereo | PS C. London | 0 | ||||||||||
| 1482 | Ernest | Berk | Prometheus, op. 112 | 1968 | Tanz | 20:00 | Stereo | in 3 scenes made for Rebecca Wilson; also concert version (9') | PS C. London | 0 | |||||||||
| 1483 | Ernest | Berk | Prossession, op. 159 | 1972 | fixed media, akusmatisch | 9:33 | Stereo | PS C. London | 0 | ||||||||||
| 1484 | Ernest | Berk | Pseudopodia, op. 176 | 1974 | Tanz | 6:21 | Stereo | uses part of op. 62 | PS C. London | 0 | |||||||||
| 1485 | Ernest | Berk | Psorias, op. 178 | 1974 | fixed media, akusmatisch | 13:00 | Stereo | PS C. London | 0 | ||||||||||
| 1486 | Ernest | Berk | Psychic Experience, op. 100 | 1967 | fixed media, akusmatisch | 25:00 | Stereo | for lecture "open way" | PS C. London | 0 | |||||||||
| 1487 | Ernest | Berk | Rainbow, op. 157 | 1972 | fixed media, akusmatisch | 6:30 | Stereo | as 2nd section of op. 158 | PS C. London | 0 | |||||||||
| 1488 | Ernest | Berk | Reactions (or: Resonances), op. 67 | 1966 | Tanz | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1489 | Ernest | Berk | Recognition, op. 59 | 1965 | Tanz | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1490 | Ernest | Berk | Ritual, op. 204 | 1976 | Tanz | 10:41 | Stereo | PS C. London | 0 | ||||||||||
| 1491 | Ernest | Berk | Ror Cherry | 1972 | Tanz | 4:00 | Stereo | PS C. London | 0 | ||||||||||
| 1492 | Ernest | Berk | Rotation, op. 66 – (or: Dance II) | 1965 | Tanz | 3:30 | Stereo | extracted from Magic Garden | PS C. London | 0 | |||||||||
| 1493 | Ernest | Berk | Rubish Composition, op. 49 | 1965 | fixed media, akusmatisch | 4:42 | Stereo | PS C. London | 0 | ||||||||||
| 1495 | Ernest | Berk | Sad Moon, op. 84 | 1966 | Film | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1496 | Ernest | Berk | Sans | 1977/1978 | fixed media, akusmatisch | Tanz |
Stereo | PS C. London | 0 | |||||||||||
| 1497 | Ernest | Berk | Scrapologie, op. 25A & 25B | 1961/1971 | fixed media, akusmatisch | 3:30 | Stereo | PS C. London | 0 | ||||||||||
| 1498 | Ernest | Berk | Seci (psychodellic performance), op. 158 | 1972 | fixed media, akusmatisch | 45:00 | Quadro | 2 tapes played simultaneous. part 2 = op. 157. stage prod. for large group in the round | PS C. London | 0 | |||||||||
| 1499 | Ernest | Berk | Second world, op. 106 | 1967 | fixed media, akusmatisch | 2:40 | Stereo | made for LP disk | PS C. London | 0 | |||||||||
| 1500 | Ernest | Berk | Sensitive Chaos | 1977 | Musiktheater | Tanz |
25:00 | Stereo | PS C. London | 0 | ||||||||||
| 1501 | Ernest | Berk | Shangrila, op. 16 | 1959 | fixed media, akusmatisch | 4:00 | Stereo | made together with P. &. S. Ury. later used as 2nd part of "Symphony" | PS C. London | 0 | |||||||||
| 1502 | Ernest | Berk | Shapes, op. 107 | 1967 | fixed media, akusmatisch | 3:40 | Stereo | PS C. London | 0 | ||||||||||
| 1503 | Ernest | Berk | Short Overture, op. 220 | 1976 | fixed media, akusmatisch | Musiktheater |
2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1504 | Ernest | Berk | Signature Tune Mark "MO1", op. 146 | 1971 | fixed media, akusmatisch | 20:00 | Stereo | lost ? | PS C. London | 0 | |||||||||
| 1505 | Ernest | Berk | Sisairos, op. 197 | 1976 | fixed media, akusmatisch | 9:08 | Stereo | see op. 178 | PS C. London | 0 | |||||||||
| 1506 | Ernest | Berk | Slide Tape No. I, op. 2 | 1958 | intermedia | 41:00 | Stereo | slides | PS C. London | 0 | |||||||||
| 1507 | Ernest | Berk | Soledad Brothers "10th June 1970" George Jackson, quotation: if yourt skin is black you are doomed!, op. 149 | 1972 | fixed media, akusmatisch | Tanz |
24:00 | Stereo | PS C. London | 0 | ||||||||||
| 1508 | Ernest | Berk | Solidad, op. 149 | 1972 | fixed media, akusmatisch | 17:16 | PS C. London | 1 | |||||||||||
| 1509 | Ernest | Berk | Sonambulist, op. 3 | 1958 | fixed media, akusmatisch | 6:40 | Stereo | extracted from op. 2 | PS C. London | 0 | |||||||||
| 1510 | Ernest | Berk | Soundscape I, op. 172 | 1974 | Zuspiel / Tonband, 1 group | 22:45 | Stereo | orc [Orchester] | (Tape for improvising orchestra) | PS C. London | 0 | ||||||||
| 1511 | Ernest | Berk | Soundscape II, op. 173 | 1974 | Zuspiel / Tonband, 1 group | 13:42 | Stereo | orc [Orchester] | (Tape for improvising orchestra) | PS C. London | 0 | ||||||||
| 1512 | Ernest | Berk | Spell for Sarah, op. 153 | 1972 | Tanz | Stereo | PS C. London | 0 | |||||||||||
| 1513 | Ernest | Berk | Spring Morning, op. 24 | 1961 | fixed media, akusmatisch | 2:30 | Stereo | PS C. London | 0 | ||||||||||
| 1514 | Ernest | Berk | Steps and Landing, op. 226 | 1983 | fixed media, akusmatisch | 5:38 | Stereo | PS C. London | 0 | ||||||||||
| 1515 | Ernest | Berk | Study, op. 47 | 1963 | fixed media, akusmatisch | 2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1516 | Ernest | Berk | Suite No. I, op. 155 | 1972 | fixed media, akusmatisch | 18:00 | Stereo | 4 parts: Mechanical, Erotica, Mysticism, Power | PS C. London | 0 | |||||||||
| 1518 | Ernest | Berk | Symphony, op. 18A | 1959 | fixed media, akusmatisch | 35:00 | Stereo | see also op. 16 | PS C. London | 0 | |||||||||
| 1517 | Ernest | Berk | Synchrome, op. 120 | 1968 | fixed media, akusmatisch | 15:03 | Stereo | compo for Berlin M. Festival | PS C. London | 1 | |||||||||
| 1519 | Ernest | Berk | Synthetic Suite : Opening, PVC, Interlude Machines, Foam Rubber, Interlude Steam, Polystyrene, wild cog wheels, Tin foil, op. 162 und op. 162A (cut dance version) | 1973 | fixed media, akusmatisch | 32:00 | Stereo | PS C. London | 0 | ||||||||||
| 1520 | Ernest | Berk | Taigon, op. 35 | 1963 | Theatermusik | 15:00 | Stereo | M. to a play | PS C. London | 0 | |||||||||
| 1521 | Ernest | Berk | Tears on a Ladder, op. 145 | 1971 | fixed media, akusmatisch | 6:30 | Stereo | PS C. London | 0 | ||||||||||
| 1523 | Ernest | Berk | Thalassic song, op. 179 | 1973 | Theatermusik | Stereo | PS C. London | 0 | |||||||||||
| 1524 | Ernest | Berk | That's Queer?, op. 138 | 1970 | fixed media, akusmatisch | 3:17 | Stereo | also used as part of op. 203 (What's up?) | PS C. London | 0 | |||||||||
| 1535 | Ernest | Berk | The Emperor and the Nightingale, op. 60 | 1965 | Theatermusik | Tanz |
35:00 | Stereo | PS C. London | 0 | ||||||||||
| 1525 | Ernest | Berk | The Emporor & the Nightingale | 1961 | Tanz | 30:00 | Stereo | PS C. London | 0 | ||||||||||
| 1526 | Ernest | Berk | The Great Beyond, op. 195 | 1976 | Theatermusik | 10:00 | Stereo | PS C. London | 0 | ||||||||||
| 1527 | Ernest | Berk | The Kill, op. 205 | 1976 | Tanz | 7:26 | Stereo | Ballet for Nina Falese | PS C. London | 0 | |||||||||
| 1528 | Ernest | Berk | The Sculptor, op. 13 | 1958 | fixed media, akusmatisch | 3:30 | Stereo | PS C. London | 0 | ||||||||||
| 1530 | Ernest | Berk | The Shield of Achilles, op. 119 | 1968 | Tanz | 6:40 | Stereo | a poem by W. H. Auden | PS C. London | 0 | |||||||||
| 1531 | Ernest | Berk | The Spider, op. 9 | 1958 | fixed media, akusmatisch | 6:30 | Stereo | PS C. London | 0 | ||||||||||
| 1532 | Ernest | Berk | The Tameing of: Der Hund, das Knistertier & die Peitsche, op. 224 | 1983 | fixed media, akusmatisch | 5:52 | Stereo | PS C. London | 0 | ||||||||||
| 1533 | Ernest | Berk | The Wall, op. 137 | 1971 | Tanz | 16:15 | Stereo | Ballet for Rebecca Wilson | PS C. London | 0 | |||||||||
| 1534 | Ernest | Berk | The year of the plague '1348 ', op. 207 | 1977 | fixed media, akusmatisch | 8:00 | Stereo | out of Black Death | PS C. London, sound St Diorama | 0 | |||||||||
| 1536 | Ernest | Berk | Things Past, op. 40 | 1964 | fixed media, akusmatisch | 9:00 | Stereo | PS C. London | 0 | ||||||||||
| 1537 | Ernest | Berk | Three Worlds, op. 65 | 1965 | Tanz | 11:45 | Stereo | PS C. London | 0 | ||||||||||
| 1538 | Ernest | Berk | Totentanz (von Basel), op. 161 | 1973 | fixed media, akusmatisch | 15:28 | Stereo | PS C. London | 0 | ||||||||||
| 1539 | Ernest | Berk | Trance, op. 210 | 1977 | fixed media, akusmatisch | 39:00 | Stereo | demonstartion at "Many ways of moving" | PS C. London | 0 | |||||||||
| 1540 | Ernest | Berk | Trilogy (Duo - Trio - Duo), op. 181 | 1973 | Tanz | 17:00 | Stereo | from op. 48, new bridge, Gemini I shorter, new bridge and new 3rd section | PS C. London | 0 | |||||||||
| 1541 | Ernest | Berk | Trollop, op. 186 | 1975 | fixed media, akusmatisch | 3:33 | Stereo | PS C. London | 0 | ||||||||||
| 1542 | Ernest | Berk | Tumbleweed, op. 225 | 1983 | fixed media, akusmatisch | 11:00 | Stereo | PS C. London | 0 | ||||||||||
| 1543 | Ernest | Berk | Two Dreamsongs by J. Fairfax, op. 125 | 1969 | fixed media, akusmatisch | audiovisuell |
2:20 | Stereo | also Video "Stay just a moment" by Baethe 1990 | PS C. London | 0 | |||||||||
| 1544 | Ernest | Berk | Undertown, op. 48 | 1962 | fixed media, akusmatisch | 5:00 | Stereo | PS C. London | 0 | ||||||||||
| 1522 | Ernest | Berk | Unidentified Object (or. U. O.), op. 97 | 1965 | fixed media, akusmatisch | 5:06 | Stereo | old title: Tempest | PS C. London | 0 | |||||||||
| 1545 | Ernest | Berk | untitled Ballet for Anita Shore, op. 187 | 1975 | Tanz | 10:17 | Stereo | PS C. London | 0 | ||||||||||
| 1546 | Ernest | Berk | Variant I, op. 68 | 1963 | fixed media, akusmatisch | 1:54 | Stereo | see op. 115 | PS C. London | 0 | |||||||||
| 1547 | Ernest | Berk | Variant II, op. 75 | 1966 | fixed media, akusmatisch | 1:45 | Stereo | rhythm with pixiphone | PS C. London | 0 | |||||||||
| 1548 | Ernest | Berk | Variant III, op. 76 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | rhythm with pixiphone | PS C. London | 0 | |||||||||
| 1549 | Ernest | Berk | Variant IV, op. 78 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1550 | Ernest | Berk | Vibram, op. 169 | 1973 | fixed media, akusmatisch | 10:00 | Stereo | new version with stereo-effects | PS C. London | 0 | |||||||||
| 1551 | Ernest | Berk | Vielstimmig, op. 219 | 1979 | fixed media, akusmatisch | 10:56 | Stereo | PS C. London | 0 | ||||||||||
| 1552 | Ernest | Berk | Vignette for Victor Jara, op. 198 | 1976 | Tanz | 3:40 | Stereo | made for Titch, words selected from Jara songs spoken by Titch, danced by Titch | PS C. London | 0 | |||||||||
| 1553 | Ernest | Berk | Weird, op. 208 | 1977 | fixed media, akusmatisch | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1554 | Ernest | Berk | Welding, op. 116 | 1967 | fixed media, akusmatisch | 1:18 | Stereo | PS C. London | 0 | ||||||||||
| 1555 | Ernest | Berk | What's up?, op. 203 | 1976 | Tanz | 13:48 | Stereo | made out of : op. 128, Etude A, That's queer, Etude F, part of Trollop, a bit of Etude A | PS C. London | 1 | |||||||||
| 1557 | Ernest | Berk | Wiley, op. 31 | 1963 | Theatermusik | 18:00 | Stereo | to a play by Mark McCorrmeck | PS C. London | 0 | |||||||||
| 1558 | Ernest | Berk | Wings Over the Valley of Death, op. 37 | 1960/1961 | fixed media, akusmatisch | 5:30 | Stereo | PS C. London | 0 | ||||||||||
| 1559 | Ernest | Berk | Winterstale, op. 223 | 1983 | fixed media, akusmatisch | ≈ 12:46 | Stereo | PS C. London | 1 | ||||||||||
| 1560 | Ernest | Berk | Witches | 1972 | fixed media, akusmatisch | Stereo | PS C. London | 0 | |||||||||||
| 1561 | Ernest | Berk | Women and Mouse, op. 71 | 1966 | Theatermusik | 6:45 | Stereo | words by Dylan Thomas | PS C. London | 0 | |||||||||
| 1562 | Ernest | Berk | "X7 (palindromic frame)", op. 212 | 1978 | fixed media, akusmatisch | 21:09 | Stereo | PS C. London | 0 | ||||||||||
| 1398 | Ernest, John | Berk, Tilbury | Electronic Storm, op. 63 | 1965 | fixed media, akusmatisch | 3:15 | Stereo | made with John Tilbury (better backwards) | PS C. London | 0 | |||||||||
| 1563 | Pierre van | Berkel | Gesprek | 1979 | Film | 15:00 | 16 mm | Sonology Utrecht | 0 | ||||||||||
| 1564 | Pierre van | Berkel | Heegothe | 1983/1984 | fixed media, akusmatisch | 8:28 | Quadro | Sonologie Rotterdam, Sonology Utrecht | 0 | ||||||||||
| 1565 | Pierre van | Berkel | Tjaktjakai | 1983 | Musiktheater, 1 perf | 7:00 | Quadro | V [Stimme] | Sonology Utrecht | 0 | |||||||||
| 25843 | Michael | Berkowski | Gesture Lesson | 2003 | audiovisuell | 3:04 | Cinema 4D animation software, Kyma, Tassman physical modeling synthesizer. Regis Ferguson Collective: Michael Berkowski & Greg Scranton (Video) |
CMJ Vol 29-4, 2005/ | 1 | ||||||||||
| 41063 | Michael | Berkowski | Noise-space | 2002 | fixed media, akusmatisch | 1:14 | DISContact III competition | 0 | |||||||||||
| 41511 | Michael | Berkowski | PLSR 2003 | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 1566 | Mario | Berlendis | comb I / SB | 1966 | fixed media, akusmatisch | 3:00 | Mono + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 35205 | Barry | Bermange | Metropolis oder Radioville London | 1987 | radiophon | Karl-Sczuka-Preis 1987 | 0 | ||||||||||||
| 28120 | Barry | Bermange | Mirage Kino | 1998 | radiophon | 6:44 | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | Prix ars Acustica 1998 | 0 | |||||||||
| 22030 | Barry | Bermange | SOS | radiophon | 2:13 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 35207 | Barry | Bermange | Topophonia - Hörwerk Nr. 19 | 1999 | radiophon | Karl-Sczuka-Preis 1999 | 0 | ||||||||||||
| 35719 | Alberto | Bernal | La réalité, Schaeffer, sa trace et la musique | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 1567 | Guy | Bernard | Guernica | 1950 | Film, 1 perf | 10:00 | Mono | ins [Instrument] | PS C. Paris | 0 | |||||||||
| 1568 | Guy | Bernard | Les Algues | 1953 | Tanz | Mono | PS C. Paris | 0 | |||||||||||
| 42985 | Marie Hélène | Bernard | A Swallow in the Nostril of the Great Buddha | 2013 | fixed media, akusmatisch | 9:50:00 | 0 | ||||||||||||
| 37895 | Marie-Hélène | Bernard | Alice au pays des Succubes | 2001 | fixed media, akusmatisch | 8:58 | Acousmatica CD 1200/ | 0 | |||||||||||
| 37891 | Marie-Hélène | Bernard | BOA Sr | 2017 | fixed media, akusmatisch | Surround 5.1 | Selection to world music days Peking 2018 | 0 | |||||||||||
| 37892 | Marie-Hélène | Bernard | Les Ruelles de Beijing | 2005 | fixed media, akusmatisch | 6:30 | Revue&Corrigée Issue 69/ | 0 | |||||||||||
| 1569 | Pierre | Bernard | Accident personnel | 1986 | Tanz | PS Solstice | 0 | ||||||||||||
| 1570 | Pierre | Bernard | Alliage rituel | 1990 | fixed media, akusmatisch | Musiktheater |
60:00 | Upic | CEMAMu/ Ateliers Upic/ CCMIX, PS Solstice | 0 | ||||||||||
| 1571 | Pierre | Bernard | Arbre de Jean et Marie | 1983 | fixed media, akusmatisch | 3:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 1572 | Pierre | Bernard | Assis face au ciel je contemple | 1982 | fixed media, akusmatisch | 15:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1573 | Pierre | Bernard | Au siuvant | 1984 | Tanz | PS Solstice | 0 | ||||||||||||
| 1574 | Pierre | Bernard | Cendres | 1981 | fixed media, akusmatisch | 10:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1575 | Pierre | Bernard | Chant 1 | 1978 | fixed media, akusmatisch | 7:20 | Stereo | PS Solstice | 0 | ||||||||||
| 1576 | Pierre | Bernard | Clair-obscure | 1980 | Tanz | PS Solstice | 0 | ||||||||||||
| 1577 | Pierre | Bernard | Concret 1 | 1977 | fixed media, akusmatisch | 3:40 | Stereo | PS Solstice | 0 | ||||||||||
| 1578 | Pierre | Bernard | Cristal | 1983 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 1579 | Pierre | Bernard | Dalles | 1983 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | |||||||||
| 1580 | Pierre | Bernard | Danse des ombres attardées | 1984 | fixed media, akusmatisch | 20:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1581 | Pierre | Bernard | Deroulement | 1974 | fixed media, akusmatisch | 17:20 | Stereo | PS Solstice | 0 | ||||||||||
| 1582 | Pierre | Bernard | Derriere la cour | 1978 | Film | 50:00 | Mono | PS Solstice | 0 | ||||||||||
| 1583 | Pierre | Bernard | Deux lacs l'un sur l'autre se reposent | 1979 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | fl [Flöte] | PS Solstice | 0 | |||||||||
| 1584 | Pierre | Bernard | Developpement | 1990 | Fernsehen, | Mono | de Ph. Missotte | PS Solstice | 0 | ||||||||||
| 1585 | Pierre | Bernard | du Rock | 1983 | fixed media, akusmatisch | Stereo | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||||
| 1586 | Pierre | Bernard | Eclipse | 1985 | intermedia | PS Solstice | 0 | ||||||||||||
| 1587 | Pierre | Bernard | Etude en Ecailles | 1983 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 1588 | Pierre | Bernard | Exil | 1987 | Zuspiel / Tonband, 1 perf | 45:00 | Stereo | Sp [Sprecher] | de Perse | PS Solstice | 0 | ||||||||
| 1589 | Pierre | Bernard | Fleur de snas | 1985 | Tanz | PS Solstice | 0 | ||||||||||||
| 1590 | Pierre | Bernard | Ham Sa | 1983 | fixed media, akusmatisch | 12:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 1591 | Pierre | Bernard | Holos | 1988 | fixed media, akusmatisch | 8:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1592 | Pierre | Bernard | Inde du nord | 1976 | intermedia | slide projection | PS Solstice | 0 | |||||||||||
| 1593 | Pierre | Bernard | Instantané | 1981 | fixed media, akusmatisch | 10:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1594 | Pierre | Bernard | Jeremie | 1972 | fixed media, akusmatisch | 17:30 | Stereo | PS Solstice | 0 | ||||||||||
| 1595 | Pierre | Bernard | Kanake | 1975 | Theatermusik | 9:12 | de G. Dobbelaere, J. M. Tjbaou | PS Solstice | 0 | ||||||||||
| 1596 | Pierre | Bernard | Kanake | 1982 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | sax [Saxophon] | Logovision 590070/ | PS Solstice | 0 | ||||||||
| 1597 | Pierre | Bernard | Kiran | 1992 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 1598 | Pierre | Bernard | L'Adoration perpetuelle | 1984 | Theatermusik | de Proust | PS Solstice | 0 | |||||||||||
| 1599 | Pierre | Bernard | L'héritage de la chouette | 1989 | Fernsehen, | Mono | pour la "7 de Chris Marker | PS Solstice | 0 | ||||||||||
| 1600 | Pierre | Bernard | La charte | 1988 | Fernsehen, | Mono | de Ph. Missotte | PS Solstice | 0 | ||||||||||
| 1601 | Pierre | Bernard | La croisade des enfants | 1983 | Theatermusik | de B. Brecht | PS Solstice | 0 | |||||||||||
| 1602 | Pierre | Bernard | La foire a la ferraille | 1976 | fixed media, akusmatisch | 5:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1603 | Pierre | Bernard | La vie a des oreilles profitions - en | 1980 | Musiktheater | PS Solstice | 0 | ||||||||||||
| 1604 | Pierre | Bernard | La vie au feminin | 1974 | Film | 40:00 | Mono | PS Solstice | 0 | ||||||||||
| 1605 | Pierre | Bernard | Les 7 anneaux | 1986 | live-elec, 3 perf, 1 group | Theatermusik |
30:00 | Stereo | perc, str, ch, fl [Flöte, Schlagzeug, Streicher, Chor] | Upic | CEMAMu/ Ateliers Upic/ CCMIX, PS Solstice | 0 | ||||||||
| 1606 | Pierre | Bernard | Les Desert | 1990 | Theatermusik | de B. Onfroy | PS Solstice | 0 | |||||||||||
| 1607 | Pierre | Bernard | Les fenetres s'ouvrent de l'interieur | 1975 | fixed media, akusmatisch | 12:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1608 | Pierre | Bernard | Les grandes heures de Guillaume | 1987 | Theatermusik | de Dobbelaere | PS Solstice | 0 | |||||||||||
| 1609 | Pierre | Bernard | Les sypres sont si loin | 1986 | Tanz | PS Solstice | 0 | ||||||||||||
| 1610 | Pierre | Bernard | Matinée chez la Princesse de Guermantes | 1983 | Theatermusik | de Proust | PS Solstice | 0 | |||||||||||
| 1611 | Pierre | Bernard | Meltemie | 1975 | Tanz | PS Solstice | 0 | ||||||||||||
| 1612 | Pierre | Bernard | Miroir | 1976 | Theatermusik | with M. Puig | PS Solstice | 0 | |||||||||||
| 1613 | Pierre | Bernard | Musique du present | 1977 | Tanz | intermedia |
perc, dancers, (lights) [Schlagzeug, Tanz] | PS Solstice | 0 | |||||||||||
| 1615 | Pierre | Bernard | Obsession d'hiver | 1973 | Film | de C. Hauvette | PS Solstice | 0 | |||||||||||
| 1616 | Pierre | Bernard | Or sujet | 1989 | Tanz | PS Solstice | 0 | ||||||||||||
| 1617 | Pierre | Bernard | Organ | 1971 | fixed media, akusmatisch | 8:20 | Stereo | INA • GRM | 26.2.1971 | Paris, Halles Baltard | 0 | ||||||||
| 1618 | Pierre | Bernard | Ouverture | 1980 | fixed media, akusmatisch | 6:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1619 | Pierre | Bernard | Piano d'ombre | 1974 | Zuspiel/Tonband, 1 perf | Tanz |
18:50 | Stereo | p [Piano] | PS Solstice | 0 | |||||||||
| 1620 | Pierre | Bernard | Plein soleil sur la mer | 1989 | fixed media, akusmatisch | 33:20 | Stereo | Logovision 590070/ | INA • GRM | 0 | |||||||||
| 1621 | Pierre | Bernard | Pour se perdre | 1978 | Film | 18:15 | Stereo | PS Solstice | 0 | ||||||||||
| 1622 | Pierre | Bernard | Pourrait faire mieux | 1976 | Film | 45:00 | Mono | PS Solstice | 0 | ||||||||||
| 1623 | Pierre | Bernard | Quotidien | 1976 | intermedia | Film |
∞ | concert reportage,+ films | PS Solstice | 0 | ||||||||||
| 1624 | Pierre | Bernard | Racines | 1982 | Zuspiel / Tonband, 4 perf | 10:00 | Stereo | 4 congas [Schlagzeug] | Logovision 590070/ | PS Solstice | 0 | ||||||||
| 1625 | Pierre | Bernard | Regarde au fond de la mer | 1983 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 1626 | Pierre | Bernard | Regarder au dedans | 1975 | Zuspiel / Tonband, 1 perf | 17:30 | Stereo | V [Stimme] | PS Solstice | 0 | |||||||||
| 1627 | Pierre | Bernard | Reve, Cauchemard, Aurore | 1976 | Tanz | PS Solstice | 0 | ||||||||||||
| 1628 | Pierre | Bernard | Rumeur | 1982 | fixed media, akusmatisch | 8:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1629 | Pierre | Bernard | Siddha Yoga Meditation | 1979 | Film | 30:00 | Mono | PS Solstice | 0 | ||||||||||
| 1630 | Pierre | Bernard | Solar | 1981 | fixed media, akusmatisch | 19:30 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 1631 | Pierre | Bernard | Soleil sous la neige | 1979 | Tanz | PS Solstice | 0 | ||||||||||||
| 1632 | Pierre | Bernard | Solstice | 1982 | fixed media, akusmatisch | 11:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1633 | Pierre | Bernard | Souffle | 1972 | fixed media, akusmatisch | 24:10 | Stereo | dedicated to the painter Reigl | PS Solstice | 0 | |||||||||
| 1634 | Pierre | Bernard | Temps réel | 1989 | fixed media, akusmatisch | 12:00 | Stereo | Upic Logovision 590070: Dauer 4:45 |
Logovision 590070/ | CEMAMu/ Ateliers Upic/ CCMIX, GMVL Lyon | 0 | ||||||||
| 1635 | Pierre | Bernard | Trace | 1979 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | cl [Klarinette] | PS Solstice | 0 | |||||||||
| 1636 | Pierre | Bernard | Traversée | 1976 | fixed media, akusmatisch | 12:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1637 | Pierre | Bernard | Trois instants qui se suivent | 1977 | Zuspiel/Tonband, 1 perf | Tanz |
9:15 | Stereo | perc [Schlagzeug] | PS Solstice | 0 | |||||||||
| 1638 | Pierre | Bernard | Un jour en FlandreArc en ciel | 1985 | Theatermusik | de Dobbelaere | PS Solstice | 0 | |||||||||||
| 1639 | Pierre | Bernard | Ushuaia | 1991 | Fernsehen, | Mono | pour TF1 | PS Solstice | 0 | ||||||||||
| 1640 | Pierre | Bernard | Version Concert Eclipse | 1985 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 1641 | Pierre | Bernard | Vision d'azur | 1982 | fixed media, akusmatisch | 3:30 | Stereo | PS Solstice | 0 | ||||||||||
| 1642 | Pierre | Bernard | W. A. O. | 1984 | Theatermusik | de Dobbelaere | PS Solstice | 0 | |||||||||||
| 1643 | Nicola | Bernardini | Angeuto, o il Teatro del segni | 1982 | live-elec, 1 perf | 10:06 | V [Stimme] | 1 | http://www.nicolabernardini.info | ||||||||||
| 1644 | Nicola | Bernardini | D'Altro Canto | 1988 - 1989 | live-elec, 5 perf | 10:00 | 5 fem V [Stimme] | Elec: A. Brown, L. Colbert, C. Murtas, C. Schaller, A. Talamonti | Tempo Reale Firenze | 0 | http://www.nicolabernardini.info | ||||||||
| 24106 | Nicola | Bernardini | D'Altro Canto Altro | 1989 | live-elec, 6 perf, 1 group | ≈ 14:30 | 5 fem V, ch, 1 perc (bell) [Stimme, Schlagzeug, Chor] | Tempo Reale Firenze | 0 | ||||||||||
| 22806 | Nicola | Bernardini | Partita | fixed media, akusmatisch | 3:39 | CMJ Vol 21, 1997/ | 1 | http://www.nicolabernardini.info | |||||||||||
| 1645 | Nicola | Bernardini | Prière du Matin | 1983 | live-elec, 1 perf | 6:21 | V [Stimme] | 1 | http://www.nicolabernardini.info | ||||||||||
| 26163 | Nicola | Bernardini | Recordare | 1999 - 2000 | fixed media, akusmatisch | 6:30 | madrigale recitato for processed sounds | 1 | 2000 | http://www.nicolabernardini.info | |||||||||
| 1646 | Nicola | Bernardini | Tre pezzi con voce femminile, Ho Parlato in Sogno, Java; Partita | 1984 - 1987 | Zuspiel / Tonband, 1 perf | Stereo | fem V [Stimme] | CRM Roma | 0 | http://www.nicolabernardini.info | |||||||||
| 1647 | Nicola | Bernardini | Une fugue, no. 2 | 1982 | live-elec, | 9:53 | 1 | http://www.nicolabernardini.info | |||||||||||
| 1648 | Richard | Bernas | Almanac for April / September | 1975 | Zuspiel, live-elec, 1 perf | Quadro | p [Piano] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 1649 | Richard | Bernas | Tuning a Cymbal | 1975 | fixed media, akusmatisch | Audio Arts/ | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 19054 | G. | Berndtsson | Kyrie | fixed media, akusmatisch | CMJ Vol 20, 1996/ | 1 | |||||||||||||
| 42078 | Christian, Frank | Berner, Schültge | Wurfsendung: Herr Behrlich – Radio | 2004 | radiophon | DLR Berlin | 0 | ||||||||||||
| 39293 | Alice | Berni | Con sola azione | 2017 | live-elec, | amp fl (solo flute, contact mic and micro amplifier) [Flöte] | 0 | ||||||||||||
| 35709 | Nicolas | Bernier | Antithèse électronique | 2011 | fixed media, akusmatisch | 1:00 | Surround 3.1 | IMED 12114/ | PS C. | 0 | |||||||||
| 35710 | Nicolas | Bernier | Dans le ventre de la machine | 2010 | fixed media, akusmatisch | 10:40 | Surround 5.1 | IMED 12114/ | PS C. | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2011 | 0 | ||||||||
| 43130 | Nicolas | Bernier | frequencies (a), _frequencies (a)* | 2013 | Klangkunst, Installation | Auszeichnung ars electronica: Golden Nica 2013 | 0 | ||||||||||||
| 35711 | Nicolas | Bernier | Les chambres de l’atelier | 2008, 2011 | fixed media, akusmatisch | 10:48 | Stereo | IMED 12114/ | PS C., Uni Montréal | 14.4.2008 | Pulsar *3 presented by Réseaux des arts médiatiques at the Planétarium de Montréal (Québec) | 0 | |||||||
| 35649 | Nicolas | Bernier | Liaisons Mécaniques | 2007 | fixed media, akusmatisch | 10:04 | unesp Sao Paulo musica maximalista/ IMED 12114/ | Uni Montréal, Musiques et Recherches Ohain | CALQ | 2nd prize (ex æquo) at CIMESP 2007 (Brazil) mentions at Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2007) Digital Art Awards (Japan, 2007) 34th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2007) |
0 | ||||||||
| 24697 | Nicolas | Bernier | … sans quoi les imperméables jaunes existeront… | 2004 | fixed media, akusmatisch | 8:08 | JTTP 2004 | CEC Cache 2004, PeP 009/ MR 2004 Métamorphoses 2004/ | Métamorphoses 2004 winner JTTP 2004 2. prize |
1 | |||||||||
| 24675 | Nicolas | Bernier | Tous les parapluies sont à Madagascar | 2003 | fixed media, akusmatisch | 6:39 | JTTP 2003 | CEC Cache 2003 CA/ | winner JTTP 2003 2. prize | 1 | |||||||||
| 32916 | Nicolas | Bernier | Writing Machine | 2005 | fixed media, akusmatisch | 15:29 | Octo | IMED 09100 trans_canada/ IMED 12114/ | Uni Montréal, ZKM Karlsruhe | ZKM Karlsruhe, CALQ | 10.2.2005 | trans_canada festival in the ZKM_Kubus in Karlsruhe (Germany | 0 | ||||||
| 1650 | Alec | Bernstein | Reflex hammers | fixed media, akusmatisch | 1 | ||||||||||||||
| 1651 | Jacques | Berrocal | postcard rock'n roll station, 12 little pieces | 1976 | fixed media, akusmatisch | 5:00 | 0 | ||||||||||||
| 36478 | Keith | Berry | Hatsu Yume | 2007 | radiophon | 6:57:00 | and 26/ | 0 | |||||||||||
| 1652 | Ragnhild | Berstad | Hvordan hvalen fikk sin trange hals | 1993 | Zuspiel / Tonband, 6 perf | 11:30 | Narrator, cl, 2 perc, vn, vc [Klarinette, Schlagzeug, Cello, Violine, Schauspieler] | NOTAM | 0 | ||||||||||
| 1653 | Ragnhild | Berstad | Respiro | 1994 | live-elec, 1 perf | 9:30 | amp cl [Klarinette] | NOTAM | 0 | ||||||||||
| 34734 | Pierre | Berthet | Extended Drops | 2010 | Klangkunst, Installation | 10:41 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 0 | http://singuhr.de/page.php?ID=690 | ||||||||||
| 27834 | Pierre | Berthet | Nature et Sons | 2008 | Klangkunst, Installation | CRFMW Liège | 27.04.2008 | Seneffe | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 38481 | Julie | BERTHIER | On ne va pas épiloguer | 2013 | radiophon | 25:22:00 | Prix Phonurgia nova | 0 | |||||||||||
| 1654 | Armin | Berthold | Schrittmacher | 1989 | audiovisuell | ELAK Wien | 0 | ||||||||||||
| 18731 | Yves | Bertin | Alors leurs yeux s'ouvrirent | 1992 | fixed media, akusmatisch | 15:15 | Stereo | DA 01 CD Disques Daphnis/ | 0 | ||||||||||
| 18732 | Yves | Bertin | Cantiques de guerre | 1991 | fixed media, akusmatisch | 25:50 | Stereo | DA 01 CD Disques Daphnis/ | 0 | ||||||||||
| 18733 | Yves | Bertin | Distractions | 1990 | fixed media, akusmatisch | 16:30 | Stereo | DA 01 CD Disques Daphnis/ | 0 | ||||||||||
| 18734 | Yves | Bertin | Messes pour Chloè: Musique pour un culte oe cumènique èlectroacustique | 1989 | fixed media, akusmatisch | 8:20 | Stereo | DA 01 CD Disques Daphnis/ | 0 | ||||||||||
| 18689 | Harry | Bertoia | #1032 Here and Now | Klangkunst, Installation | Stereo | PSFD-32 Modern Music/ | 0 | http://www.moderecords.com/ | |||||||||||
| 1655 | Harry | Bertoia | All and more | Klangkunst, Installation | sonambient F/W 1027/ | 1 | |||||||||||||
| 1656 | Harry | Bertoia | Bush 1964 | 1964 | Klangkunst, Installation | sonambient LPS 10570/ | 1 | ||||||||||||
| 1657 | Harry | Bertoia | Contimuum | Klangkunst, Installation | sonambient F/W 1029/ | 1 | |||||||||||||
| 1658 | Harry | Bertoia | Energizing | Klangkunst, Installation | sonambient F/W 1028/ | 1 | |||||||||||||
| 1659 | Harry | Bertoia | Gong Gong | Klangkunst, Installation | sonambient F/W 1026/ | 1 | |||||||||||||
| 1660 | Harry | Bertoia | Here and now | Klangkunst, Installation | sonambient F/W 1032/ | 1 | |||||||||||||
| 18690 | Harry | Bertoia | Here and Now Part II | Klangkunst, Installation | Stereo | PSFD-32 Modern Music/ | 0 | http://www.moderecords.com/ | |||||||||||
| 1661 | Harry | Bertoia | Ocean mysteries | Klangkunst, Installation | sonambient F/W 1031/ | 1 | |||||||||||||
| 1662 | Harry | Bertoia | Space voyage | Klangkunst, Installation | sonambient F/W 1023/ | 1 | |||||||||||||
| 1663 | Harry | Bertoia | Swift sounds | Klangkunst, Installation | sonambient F/W 1024/ | 1 | |||||||||||||
| 1664 | Harry | Bertoia | Swinging bars | Klangkunst, Installation | sonambient F/W 1030/ | 1 | |||||||||||||
| 1665 | Harry | Bertoia | Unfolding | Klangkunst, Installation | sonambient F/W 1025/ PSFD-32 Modern Music/ | 1 | http://www.moderecords.com/ | ||||||||||||
| 1667 | Agnel | Bertola | Musiques Eclatees, Episode | 1969 | Performance | 4:55 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 27078 | Eduardo | Bértola | Dilemas para un sintetizador | 1981 | live-elec, 1 perf | Stereo | synt [synthesizer] | 0 | |||||||||||
| 1666 | Eduardo | Bértola | Dynamus I | 1970 | fixed media, akusmatisch | 3:00 | Tacuabe T/E 33 CD/ | PS | 1 | ||||||||||
| 21203 | Eduardo | Bértola | Dynamus II | 1970 | fixed media, akusmatisch | 3:00 | Stereo | Tacuabé T/E 4/ | PS | 0 | |||||||||
| 27070 | Eduardo | Bértola | Elictros | 1972 | fixed media, akusmatisch | Stereo | PS C. B. Aires | 0 | |||||||||||
| 27071 | Eduardo | Bértola | Gomecito contra la Siemens, o El diablo de San Agustin | 1973 | fixed media, akusmatisch | Stereo | CICMAT, PS C. B. Aires | 0 | |||||||||||
| 27076 | Eduardo | Bértola | Historias para un movimiento imaginario | 1977 | fixed media, akusmatisch | Stereo | PS C. B. Aires | 0 | |||||||||||
| 27073 | Eduardo | Bértola | Mecanica | 1974 | fixed media, akusmatisch | Stereo | CICMAT | 0 | |||||||||||
| 27068 | Eduardo | Bértola | Mimesis | 1967 | fixed media, akusmatisch | Stereo | PS | 0 | |||||||||||
| 27072 | Eduardo | Bértola | Moiré | 1973 | fixed media, akusmatisch | Stereo | CICMAT | 0 | |||||||||||
| 1668 | Eduardo | Bértola | Penetraciones I | 1970/1971 | fixed media, akusmatisch | 5:35 | Tacuabe T/E 33 CD/ | PS C. Paris, PS C. B. Aires | 1 | 1984 | |||||||||
| 21204 | Eduardo | Bértola | Penetraciones II | 1970/1971 | fixed media, akusmatisch | Stereo | Tacuabe T/E 33 CD/ | PS C. Paris, PS C. B. Aires | 1 | ||||||||||
| 1669 | Eduardo | Bértola | Pexoa | 1971 | fixed media, akusmatisch | ORTF Paris, PS C. | 0 | ||||||||||||
| 27074 | Eduardo | Bértola | Respiraciones y voces | 1974 | fixed media, akusmatisch | Stereo | CICMAT | 0 | |||||||||||
| 1671 | Eduardo | Bértola | Rouges | 1969 | fixed media, akusmatisch | ORTF Paris, PS C. | 0 | ||||||||||||
| 27069 | Eduardo | Bértola | Signaux | 1969 | fixed media, akusmatisch | Stereo | PS | 0 | |||||||||||
| 27075 | Eduardo | Bértola | Tramos | 1975 | fixed media, akusmatisch | Stereo | Tacuabe T/E 33 CD/ | PS C. B. Aires | 1 | ||||||||||
| 27077 | Eduardo | Bértola | Trovas, cronicas y epigramas I - VII | 1977 | fixed media, akusmatisch | Stereo | PS C. B. Aires | 0 | |||||||||||
| 1672 | Lucien | Bertolina | Aller Simple | 1982 | Zuspiel / Tonband, 1 perf | 17:55 | Stereo | vc [Cello] | GMEM Marseille | 0 | |||||||||
| 1673 | Lucien | Bertolina | Au-Delà Du Rivage | 1987 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | gui [Gitarre] | GMEM Marseille | 0 | |||||||||
| 1674 | Lucien | Bertolina | Etude | 1974 | fixed media, akusmatisch | 6:30 | Stereo | GMEM Marseille | 0 | ||||||||||
| 1676 | Lucien | Bertolina | La Femme Du Prisonnier | 1983 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 1677 | Lucien | Bertolina | Les Etablissements Griffet | 1975 | radiophon | Stereo | GMEM Marseille | 0 | |||||||||||
| 1679 | Lucien | Bertolina | Musique Pour Les Roses A | 1972 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 1683 | Lucien | Bertolina | Un Eté Aux Amandiers | 1985 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 1684 | Lucien | Bertolina | Un Groupe d'Enfants De La ZUP n°1 à Marseille | 1980 | radiophon | 10:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 1685 | Lucien | Bertolina | Vorticosamente | 1984 | Zuspiel / Tonband, 1 perf | 15:50 | Stereo | vc [Cello] | GMEM Marseille | 0 | |||||||||
| 1680 | Lucien, Georges | Bertolina, Boeuf | Retour A Marseille | 1979 | Zuspiel/Tonband, | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 1681 | Lucien, Claude | Bertolina, Colon | Sequence I | 1971 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | GMEM Marseille | 0 | ||||||||||
| 1682 | Lucien, Claude | Bertolina, Colon | Séquence II | 1972 | Zuspiel / Tonband, 1 perf | Stereo | hn [Horn] | GMEM Marseille | 0 | ||||||||||
| 1675 | Lucien, Patrick | Bertolina, Portella | L'Echelle | 1981 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 1678 | Lucien, Patrick | Bertolina, Portella | Les Voyages Du Chateau | 1981 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 28329 | Mario | Bertoncini | Chain Reaction | 1973 | Klanginstallation, live-elec, 1 perf | 12:38 | äolian hp [Harfe] | with pictures by Peter Sedgley | DS 15 Die Schachtel/ | PS C. | 1973 | Haus am Waldsee Berlin | 0 | ||||||
| 1686 | Mario | Bertoncini | Chanson pour instruments à vent | 1974 | live-elec, 1 perf | 12:07 | äolian hp [Harfe] | DS 15 Die Schachtel/ | PS C. | 1 | 1982 | http://www.mariobertoncini.com/works/discography.html | |||||||
| 32591 | Mario | Bertoncini | Epitaffio in memoria d’un concerto | 1968 | Performance, live-elec, 3 perf | ≈ 20 | 3 perf [Performer] | 3 sound sources (sound sculptures) and tape-delay system | 1968 | Galeria d’ Arte moderna, Roma | 0 | http://www.mariobertoncini.com/works/epitaffioENG.html | |||||||
| 1687 | Mario | Bertoncini | Focus | 1974 | Tanz, live-elec, 2 perf | 5 tracks | perc, dancer [Schlagzeug, Tanz] | theatrical piece; five channels pre-recorded phonic material (gongs) modulated by the gestures of a dancer | TU Berlin | MetaMusik Festival | 28.9.1974 | Neue Nationalgalerie Berlin bei „MetaMusik-Festival“, mit Mitsutaka Ishii | 1 | ||||||
| 28330 | Mario | Bertoncini | Fuochi | 1982 | Zuspiel, live-elec, 8 perf | Octo | 8 w-ins [Bläser] | some tapesounds from "Venti" (1982) | DS 15 Die Schachtel/ | PS C. | 0 | ||||||||
| 1688 | Mario | Bertoncini | Illegonda | 1968 | Musiktheater, 2 perf | S, p [Sopran, Piano] | theatrical piece for solo soprano, sound environment and tape | 0 | |||||||||||
| 28328 | Mario | Bertoncini | Instantanee !, II, III | 1995 - 2006 | live-elec, 1 perf | 32:00 | äolian hp [Harfe] | DS 15 Die Schachtel/ | PS C. | 2006 | Trebnitz | 0 | |||||||
| 32592 | Mario | Bertoncini | Scratch-a-matic | 1971 | Performance, live-elec, 1 perf | var | p, (9 DC-motors, tape-delay) [Piano] | for piano (strings) and 9 DC motors + tape-delay with speed variation | 1973 | AdK Berlin | 0 | http://www.mariobertoncini.com/works/epitaffioENG.html | |||||||
| 1689 | Mario | Bertoncini | Vele, Listen to the wind | 1973 | live-elec, 3 perf | ∞ | (windharp,) 3 V [Stimme] | Aeolsharpe in the open air | MetaMusik Festival | 28.9.1974 | Neue Nationalgalerie Berlin bei „MetaMusik-Festival“ | 0 | |||||||
| 1690 | Mario | Bertoncini | Venti | 1982 | live-elec, 42 perf | (20 windharps,) 40 perf, 2 conductor [Performer] | PS C. | 1 | 1985 | ||||||||||
| 1691 | Thierry | Besche | Musique klaxon | 1982 | fixed media, akusmatisch | GME Albi | 0 | ||||||||||||
| 18691 | Thierry, Jean-Marc | Besche, Padovani | Fermentation | 1992 | Zuspiel / Tonband, 1 perf | 3:04 | Stereo | sax [Saxophon] | GMÉA MP 9201/ | GME Albi | 0 | ||||||||
| 18692 | Thierry, Jean-Marc | Besche, Padovani | Inox 3614 | 1992 | Zuspiel / Tonband, 1 perf | 12:57 | Stereo | sax [Saxophon] | GMÉA MP 9201/ | GME Albi | 0 | ||||||||
| 18693 | Thierry, Marc | Besche, Pichelin | Cinquième saveur "sucrè" | fixed media, akusmatisch | 3:03 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18698 | Thierry, Marc | Besche, Pichelin | Deuxième saveur "acide" | fixed media, akusmatisch | 3:16 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18694 | Thierry, Marc | Besche, Pichelin | Paysage sonore 1 | 1992 | fixed media, akusmatisch | 1:19 | Stereo | GMÉA MP 9201/ | GME Albi | 0 | |||||||||
| 18695 | Thierry, Marc | Besche, Pichelin | Paysage sonore 2 | 1992 | fixed media, akusmatisch | 4:08 | Stereo | GMÉA MP 9201/ | GME Albi | 0 | |||||||||
| 18696 | Thierry, Marc | Besche, Pichelin | Paysage sonore 3 | 1992 | fixed media, akusmatisch | 1:31 | Stereo | GMÉA MP 9201/ | GME Albi | 0 | |||||||||
| 18697 | Thierry, Marc | Besche, Pichelin | Première saveur "salè" | fixed media, akusmatisch | 2:52 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18699 | Thierry, Marc | Besche, Pichelin | Quatrième saveur "piquant" | fixed media, akusmatisch | 2:52 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18700 | Thierry, Marc | Besche, Pichelin | Rumeur | fixed media, akusmatisch | 0:37 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18701 | Thierry, Marc | Besche, Pichelin | Rumeur double | fixed media, akusmatisch | 0:45 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18702 | Thierry, Marc | Besche, Pichelin | Rumeur finale | fixed media, akusmatisch | 0:25 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18703 | Thierry, Marc | Besche, Pichelin | Rumeur, suite | fixed media, akusmatisch | 0:28 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18704 | Thierry, Marc | Besche, Pichelin | Troisième saveur "amer" | fixed media, akusmatisch | 5:12 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 39971 | Kari | Besharse | Omphalos | 2015 | fixed media, akusmatisch | 12:58:00 | Kari Besharse | 0 | |||||||||||
| 41064 | Kari | Besharse | Small Things | 2001 | fixed media, akusmatisch | 10:32 | 0 | ||||||||||||
| 42850 | Kari | Besharse | The Anemone Fragments | 2013 | live-elec, 1 perf | 14:30:00 | vc [Cello] | Craig Hultgren, cello | 0 | ||||||||||
| 42079 | Alfred, Friedrich, Klaus Dieter | Bester, Scholz, Mäurich | Demolition, The Demolished Man | 1973 | radiophon | Spazialisation: Kunstkopf | RIAS, BR, WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1376714&SID | ||||||||||
| 36386 | Charles | Bestor | Into the Labyrinth | 1998 | radiophon | Stereo | Kiasma 1998/ | 0 | |||||||||||
| 1692 | Charles | Bestor | Suite from "Pathways from the Dream Spell Series" | 1987 | fixed media, akusmatisch | 16:35 | Stereo | 0 | |||||||||||
| 43032 | Carl | Bettendorf | Souvenir | 2013 | live-elec, 2 perf | 9:00:00 | va, com [Viola, computer] | Miranda Cuckson, viola; Nina C. Young, live electronics | 0 | ||||||||||
| 25844 | Marc | Beugnies | De Revolutionibus Orbium Coelestium | 2004 | fixed media, akusmatisch | 14:26 | LDC 2781134 Compendium 2004/ | IMEB Bourges | 1 | ||||||||||
| 38482 | Isabella | BEUMER | Im Ton des Wassers | 2008 | radiophon | 53:11:00 | 0 | ||||||||||||
| 24289 | Isabella | Beumer | new cut | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 38739 | Isabella , Isabella |
BEUMER, BORDONI | Circonferenze Kreislinien | 2000 | radiophon | 51:14:00 | 0 | ||||||||||||
| 1693 | Jürgen | Beurle | VARIABLE REALIsATIONEN | 1977 | fixed media, akusmatisch | 7:40 | Stereo | SME Krakow | 0 | ||||||||||
| 28869 | Marcus | Beuter | auguries of innocence | fixed media, akusmatisch | Stereo | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 28880 | Marcus | Beuter | celebration dub | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28875 | Marcus | Beuter | eisen | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28876 | Marcus | Beuter | fragments of new york | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28877 | Marcus | Beuter | im namen der lippischen rose | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28878 | Marcus | Beuter | keep it clean and tidy | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28873 | Marcus | Beuter | kelimutu | 2011 | fixed media, akusmatisch | 13:33 | Stereo | NoiseFloor Festival 2011 | 0 | ||||||||||
| 28879 | Marcus | Beuter | letzte nacht | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28871 | Marcus | Beuter | rhetororio | fixed media, akusmatisch | 2:59 | Stereo | 0 | ||||||||||||
| 28874 | Marcus | Beuter | robert | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 33790 | Marcus | Beuter | schmerz | 2013 | fixed media, akusmatisch | 6:56 | DegeM CD 12 Seltene Erden/ | 1 | |||||||||||
| 28870 | Marcus | Beuter | sitting in a glass house – skimming stones | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28881 | Marcus | Beuter | spiegelungen – bilder einer klangreise | audiovisuell | Stereo | 0 | |||||||||||||
| 28872 | Marcus | Beuter | überdruck | fixed media, akusmatisch | Octo | 0 | |||||||||||||
| 41446 | Katharina | Bévand | Bardo, བར་དོ་ | 2016 | Klangkunst, Installation | loop | 3 tracks | 2016 | Crematory Südstern, Berlin | 0 | |||||||||
| 41441 | Katharina | Bévand | Grid | 2018 | Klangkunst, Installation | 30 | Quadro | 2018 | Exhibition „Grabenblicke“, Bärenzwinger am Märkischen Museum Berlin | 0 | |||||||||
| 41442 | Katharina | Bévand | Metamorphosaic | 2018 | Performance | dance [Tanz] | 2018 | Performing Arts Festival at Schiller Bibliothek Berlin | 0 | ||||||||||
| 41451 | Katharina | Bévand | Monolith | 2016 | Performance | 3 tracks | 3 fem perf (with 3 portable systems) [Performer] | 2016 | KM Gallery, Smaragd Bar and abc Berlin | 0 | http://burgundtbrandt.com/MONOLITH | ||||||||
| 41443 | Katharina | Bévand | Polyphonic Birds | 2017 | Klangkunst, Installation | 20 | Quadro | 2017 | Klangtour, Kottbuser Tor Berlin | 0 | https://katharinabevand.com/2017/09/04/polyphonic-birds/ | ||||||||
| 41450 | Katharina | Bévand | Raster Textures I | 2018 | Performance | ≈ | Surround 2.1 | 2018 | Petersburg Art Space, Berlin | 0 | |||||||||
| 41444 | Katharina | Bévand | Resonor | 2017, 2018 | Performance | 30 | Quadro | 2017 2018 |
Großer Wasserspeicher Berlin Exhibition Resonor Großer Wasserspeicher Berlin |
0 | |||||||||
| 41448 | Katharina | Bévand | Sonic Convexities | 2018 | Performance | 25…35 | 15 Tracks | 3 perf (wearable loudspeaker) [Performer] | 2018 | Sudhaus of the former Kindl Brewery Berlin | 0 | ||||||||
| 41447 | Katharina | Bévand | Soundaltar | 2017 | Klangkunst, Installation | 20 | 3 tracks | 2017 | Crematory Südstern Berlin | 0 | |||||||||
| 41449 | Katharina | Bévand | Soundbody | 2018 | Performance | 20…30 | 5 tracks | perf (wearable loudspeakers) [Performer] | 2018 | Erbil citadel, Autonomous Region of Kurdistan in Iraq | 0 | https://katharinabevand.com/2018/05/03/soundbody/ | |||||||
| 41452 | Katharina | Bévand | Sun in your head | fixed media, akusmatisch | Soundcomposition with fieldrecordings | 0 | |||||||||||||
| 41445 | Katharina | Bévand | Transorchestra | 2016 | Klangkunst, Installation | loop | 10 Tracks | 2016 | 48 Stunden Neukölln Festival Berlin | 0 | |||||||||
| 36876 | Daniel, Robin, Danil | Bevc, Schmidt, Ulmashev | Triptych | 2017 | fixed media, akusmatisch | 12:27:00 | Concordia Montréal | prize JTTP 2017 | 0 | ||||||||||
| 1694 | Brian | Bevelander | Castle Music | 1982 | Zuspiel, live-elec, 4 perf | 8:30 | Stereo | 2 perc, 2 p, (tape-delay) [Piano, Schlagzeug] | opus one 137/ | IPEM Gent, Heidelberg Coll Ohio | 1 | ||||||||
| 1695 | Brian | Bevelander | Rhythmic Sonorities | 1984 | fixed media, akusmatisch | 10:08 | IPEM Gent | 0 | |||||||||||
| 40283 | Thomas | Beverly | Dancing Tree | 2016 | fixed media, akusmatisch | Thomas Beverly | 0 | ||||||||||||
| 42934 | Thomas | Beverly | Ocotillo | 2013 | live-elec, 1 perf | 10:00:00 | perc [Schlagzeug] | Wannapha Yannavit, percussion | 0 | ||||||||||
| 40284 | Thomas | Beverly | Telepresent Storm: Rita | 2015 | fixed media, akusmatisch | 6:43:00 | Thomas Beverly | 0 | |||||||||||
| 42883 | José | Bevia | Cenzias y Fuego | 2013 | live-elec, 2 perf | 8:30:00 | hp, perc [Harfe, Schlagzeug] | Arielle, harp; June Hahn, percussion | 0 | ||||||||||
| 1696 | Frank Michael | Beyer | Schwebung | 1977 | fixed media, akusmatisch | 6:05 | Stereo | TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | 1 | http://www2.ak.tu-berlin.de/Geschichte/personen/Beyer-Nachruf.html#Anchor-Der-49575 | |||||||
| 32111 | Greg | Beyer | Bahian Counterpoint (Homage to Steve Reich) Mvt. 3 | 2002 | live-elec, 1 perf | 5:21:00 | mus (Berimbau, caxixi) [Musiker] | composition for Berimbau, caxixi and electroacoustic music, performed by Greg Beyer | SEAMUS EAM Vol. 14/ | 0 | |||||||||
| 1697 | Hermann | Beyer | “50” | 1972 | Zuspiel, live-elec, 2 perf | prep p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 1698 | Hermann | Beyer | Meditation II & III | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 37907 | Johanna Magdalena | Beyer | Dissonant Counterpoint | 1931 - 1934 | fixed media, akusmatisch | 0 | |||||||||||||
| 1699 | Johanna Magdalena | Beyer | Music of the Spheres, Status quo | 1938 | live-elec, 3 perf | 5:57 | Stereo | 3 elec (3 synt) (perc ≈ triangel) [elektronik] | Music of the Spheres ist Teil der Oper „Status quo“ (siehe Programmbuch Ultraschall 2019 Seite 56). – Bei Ultraschall 2019 wird das Werk für 2 Synthesizer angekündigt. Historische Angaben: Electronics [Frequency Shifting], Mixed By – Donald Buchla Electronics [Pulse Control] – Brenda Hutchinson Ensemble – The Electric Weasel Ensemble Recorded By – Robert Shumaker Synthesizer [Music Easel]–Allen Strange, David Morse, Stephen Ruppenthal Triangle – Charles Amirkhanian |
Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ Infiné IF 4002/ SR 200 sub rosa/ | Elec. Weas. | 1 | |||||||
| 38483 | Patrick | BEYER | Mir | 2016 | radiophon | 12:39:00 | 0 | ||||||||||||
| 1700 | Robert, Herbert | Beyer, Eimert | Klang im unbegrenzten Raum | 1952 | fixed media, akusmatisch | 10:23 | Mono | 3 parts. | BVHAAST 9106/ IDEAMA CD 097/ | WDR SEM | 1 | ||||||||
| 1701 | Robert, Herbert | Beyer, Eimert | Klangstudie I, Klangstudie 1 | 1952 | fixed media, akusmatisch | 3:50 | Mono | BVHAAST 9106/ IDEAMA CD 097/ | WDR SEM | 1 | |||||||||
| 1702 | Robert, Herbert | Beyer, Eimert | Klangstudie II, Klangstudie 2 | 1952 | fixed media, akusmatisch | 4:30 | Mono | BVHAAST 9106/ Ellipsis Arts 3671 - OHM: 01/ SR 220 sub rosa/ IDEAMA CD 097/ | WDR SEM | 1 | |||||||||
| 1703 | Robert, Herbert | Beyer, Eimert | Klangstudie III, Klangstudie 3 | 1952 | fixed media, akusmatisch | 2:55 | Mono | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||
| 1704 | Robert, Herbert | Beyer, Eimert | Ostinate Figuren und Rhythmus, 1. Version | 1952 | fixed media, akusmatisch | 3:20 | Mono | version 1 | IDEAMA CD 030/ | WDR SEM | 0 | ||||||||
| 1705 | Robert, Herbert | Beyer, Eimert | Ostinate Figuren und Rhythmus, 2. Version | 1952 | fixed media, akusmatisch | 3:45 | Mono | version 2 | IDEAMA CD 030/ | WDR SEM | 0 | ||||||||
| 23081 | Robert, Herbert | Beyer, Eimert | Spiel | 1952 | fixed media, akusmatisch | 4:30 | Melochord | DMR Musik in Deutschland 1950 - 2000: Studio des WDR Köln/ | WDR SEM | WDR | ohne Nachweis | 0 | http://cec.sonus.ca/econtact/13_4/rhea_bode_melodium.html | ||||||
| 1706 | Peter | Beyls | A Quiet Disturbance | 1984 | fixed media, akusmatisch | 14:30 | IPEM Gent | 0 | http://hala.be/portfolio/?cat=19 | ||||||||||
| 1707 | Peter | Beyls | Alea Iacta Est | 1973 | intermedia, 2 perf | Stereo + Stereo | 2 actor [Schauspieler] | slides | IPEM Gent | 0 | |||||||||
| 1708 | Peter | Beyls | Asleep at the switch | 1980 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | |||||||||||
| 1709 | Peter | Beyls | Burning Bright | 1974 | Theatermusik | 20:06 | Stereo | ( De Wilde, Steinbeck ) | IPEM Gent | 0 | |||||||||
| 1710 | Peter | Beyls | Dialogue for 2 sound stations and tape transport | 1974 | Zuspiel, live-elec, 2 perf | ≈ 20:00 | Stereo + Stereo | 2 synt [synthesizer] | IPEM Gent | 0 | |||||||||
| 1711 | Peter | Beyls | Ego | 1973 | Film | 9:21 | Stereo | IPEM Gent | 0 | ||||||||||
| 1712 | Peter | Beyls | Inexorable Evolution and Human Ecology | 1976 | fixed media, akusmatisch | 11:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 1713 | Peter | Beyls | It always takes a short time | 1975 | live-elec, | Quadro + Stereo | IPEM Gent | 0 | |||||||||||
| 1714 | Peter | Beyls | Prints | 1974 | fixed media, akusmatisch | 9:25 | Stereo | IPEM Gent | 0 | ||||||||||
| 1715 | Peter | Beyls | Rothko | 1977 | fixed media, akusmatisch | 18:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1716 | Peter | Beyls | Ruimtelijk 1 | 1973 | fixed media, akusmatisch | 10:35 | Stereo | IPEM Gent | 0 | ||||||||||
| 1717 | Peter | Beyls | Ruimtelijk 2 | 1973 | fixed media, akusmatisch | 14:14 | Stereo | IPEM Gent | 0 | ||||||||||
| 1718 | Peter | Beyls | Sea Air | 1976 | live-elec, | IPEM Gent | 0 | ||||||||||||
| 1719 | Peter | Beyls | Similis 1 | 1974 | Hintergrundmusik | 56:00 | Stereo + Stereo | also version of 2 x 56 minutes, 2Tr | IPEM Gent | 0 | |||||||||
| 1720 | Peter | Beyls | Similis 2 | 1974 | live-elec, 2 perf | 10:00-20:00 | Stereo | trbn, synt [Posaune, synthesizer] | IPEM Gent | 0 | |||||||||
| 1721 | Peter | Beyls | Slow motion | 1974 | Tanz | 8:40 | IPEM Gent | 0 | |||||||||||
| 1722 | Peter | Beyls | Stapeling | 1976 | audiovisuell | 15:00 | Mono | video-tape by Erik De Volder | IPEM Gent | 0 | |||||||||
| 1723 | Peter | Beyls | Studie I | 1972 | fixed media, akusmatisch | 24:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1724 | Peter | Beyls | Syrtis | 1974 | fixed media, akusmatisch | 21:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 1725 | Peter | Beyls | The girl beyond the gates of time | 1974 | Film | 4:48 | IPEM Gent | 0 | |||||||||||
| 1726 | Peter | Beyls | Transformation | 1974 | intermedia | 40:00 | Stereo + Stereo | IPEM Gent | 0 | ||||||||||
| 1727 | Etienne | Beyst | Aguirro | 1974 | fixed media, akusmatisch | 17:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1728 | Etienne | Beyst | Aleph | 1967 | fixed media, akusmatisch | 14:00 | Mono | IPEM Gent | 0 | ||||||||||
| 1729 | Etienne | Beyst | Apokatastasis | 1968 | intermedia, 1 group | actors [Schauspieler] | slides | IPEM Gent | 0 | ||||||||||
| 1730 | Etienne | Beyst | Ekresis | 1965 | fixed media, akusmatisch | 4:37 | Mono | IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 1731 | Etienne | Beyst | Empedokles' Dood | 1974 | fixed media, akusmatisch | 52:00 | Mono | IPEM Gent | 0 | ||||||||||
| 43074 | Etienne | Beyst | Ptysis | 1965 | fixed media, akusmatisch | Quadro | IPEM Gent | 0 | |||||||||||
| 1732 | Etienne | Beyst | Spasis | 1965 | fixed media, akusmatisch | 16:20 | Mono | IPEM Gent | 0 | ||||||||||
| 21781 | Emily | Bezar | Grandfather's Tea Leaves | 1993 | live-elec, 2 perf | V, Kbd [Stimme, Keyboard] | ORD 599/ | CCRMA | 0 | ||||||||||
| 1733 | Emily | Bezar | Madame's Reverie | 1992 | Zuspiel / Tonband, 1 perf | 12:00 | S [Sopran] | CCRMA | 0 | ||||||||||
| 1734 | Emily | Bezar | Tuneless Circles | 1988 | Zuspiel / Tonband, 1 perf | 9:00 | S [Sopran] | CCRMA | 0 | ||||||||||
| 38484 | Sandeep | BHAGWATI | Dhvanivala | 2016 | radiophon | 54:09:00 | 0 | ||||||||||||
| 41839 | Sandeep | Bhagwati | All Over Again | 2008 | radiophon | 0:59:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 38740 | Sandeep, Ulrike | BHAGWATI, DRAESNER | Cliff! | 2004 | radiophon | 26:45:00 | 0 | ||||||||||||
| 42578 | Ranjit | Bhatnagar | Closing Doors | 2009 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 42462 | Ranjit | Bhatnagar | Storyteller | 2008 | fixed media, akusmatisch | 7:14 | 0 | ||||||||||||
| 1735 | Günter | Bialas | Es regnet in mein Haus | 1964 | radiophon | 45:00 | Mono | Paul Willems / H. v. Cube | Siemens | 0 | |||||||||
| 35285 | Oscar | Bianchi | Crepuscolo | 2004 | live-elec, 1 perf | 10:52 | Quadro | db-fl (Paetzold) [Flöte] | MGB CTS-M 138 Musique Suisses/ |
IRCAM | 18.4.2012 | US premiere of CREPUSCOLO, Festival MATA, NYC; Susanne Fröhlich | 0 | ||||||
| 35288 | Oscar | Bianchi | Matra | 2007 | live-elec, 3 perf, 2 groups | 33:30 | ch, ens, db-fl (Paetzold), db-sax, b-fl [Flöte, Saxophon, Ensemble, Chor] | cantata | CYP 4502/ | Pro-Helvetia (Swiss Art Council) | 12 Oct 2007 | Festival Musica Strasbourg, Neuevocalsolisten Stuttgart, ICTUS ensemble, Susanne Fröhlich: Peatzold (contrabass) recorder; Rico Gübler: Tubax (contrabass saxophone); Michael Schmid: bass flute; George-Elie Octors conductor | 0 | http://www.oscarbianchi.com/compositions/matra/ | |||||
| 35287 | Oscar | Bianchi | Mezzogiorno | 2005 | live-elec, 11 perf | 11 ins [Instrument] | Dedicated to the memory of Fausto Romitelli | 08 mars 2005 | Paris, IRCAM Centre-Pompidou; Ensemble l’Itinéraire – Marc Foster | 0 | |||||||||
| 35286 | Oscar | Bianchi | Permeability | 2013 | live-elec, 19 perf | 19 ins [Instrument] | Ensemble Modern with support by Kulturfonds Frankfurt RheinMain, Casa da Música – Porto, and Namascae Lemanic Modern Ensemble with support of Archipel Festival, Geneva | 14 may 2013 | Alte Oper Frankfurt. Ensemble Modern, Stefan Asbury conductor | 0 | http://www.oscarbianchi.com/compositions/permeability/ | ||||||||
| 1736 | Laura | Bianchini | Awakening | live-elec, 8 perf | 11:00 | Stereo | 8 fem V [Stimme] | in preparation (autumn 93) | CRM Roma | 0 | |||||||||
| 1737 | Laura | Bianchini | Fiaba | 1994 | live-elec, 1 perf | com [computer] | Fly 30 | CRM Roma | 0 | ||||||||||
| 27539 | Laura | Bianchini | Formanti | fixed media, akusmatisch | Rumori Barbari/ CEMAT/ | CRM Roma | 0 | ||||||||||||
| 1738 | Laura | Bianchini | Happening | 1989 | live-elec, 2 perf | 11:00 | S, perc [Sopran, Schlagzeug] | Fly 10 | CRM Roma | 4.2.1990 | Inventionen Akademie der Künste Berlin | 0 | 1990 | ||||||
| 1739 | Laura | Bianchini | Hybris | 1982 | fixed media, akusmatisch | 11:00 | Stereo | CRM Roma | 0 | ||||||||||
| 1740 | Laura | Bianchini | Immobile e Doppio | 1994 | Theater, 1 perf | Stereo | Fly com [computer] | PAN CD 3055/ | CRM Roma, Edison St Roma | 1 | |||||||||
| 1741 | Laura | Bianchini | Metexis | 1981 | fixed media, akusmatisch | 8:00 | Stereo | CRM Roma | 0 | ||||||||||
| 1742 | Laura | Bianchini | Mutazione | 1983 | fixed media, akusmatisch | 9:00 | Stereo | CRM Roma | 0 | ||||||||||
| 27538 | Laura | Bianchini | Nell' aria o sulla terra?, Nell'aria o sulla terra | fixed media, akusmatisch | 8:40 | Rumori Barbari/ CEMAT/ | CRM Roma | 1 | |||||||||||
| 1743 | Laura | Bianchini | NO. DI. - Note difference | 1987 | Zuspiel / Tonband, 1 perf | 9:38 | sax [Saxophon] | CRM Roma | 1 | 1990 | |||||||||
| 1744 | Laura | Bianchini | Opposti polari | 1993 | live-elec, 2 perf | 10:16 | 2 p, (com) [Piano] | fly30 | PAN CD 3055/ | CRM Roma | 1 | ||||||||
| 1745 | Laura | Bianchini | Presente continuo | 1985 | Zuspiel / Tonband, 1 perf | 11:30 | Stereo | cl [Klarinette] | CRM Roma | 0 | |||||||||
| 1746 | Laura | Bianchini | Primarie relazioni | 1986/1987 | live-elec, 1 perf | 10:00 | com [computer] | Fly 10 | CRM Roma | 0 | |||||||||
| 1747 | Laura | Bianchini | Rifrazione | 1984 | live-elec, 1 perf | 10:00 | amp cl [Klarinette] | CRM Roma | 0 | ||||||||||
| 1748 | Laura | Bianchini | Risveglio della terra | 1991 | Zuspiel, live-elec, 3 perf | 10:53 | 3 perc, (com) [Schlagzeug] | fly30 | Musica Verticale 101/ PAN CD 3055/ | CRM Roma | 1 | ||||||||
| 27540 | Laura | Bianchini | Rivoli | fixed media, akusmatisch | Rumori Barbari/ CEMAT/ | CRM Roma | 0 | ||||||||||||
| 27541 | Laura | Bianchini | Soste | fixed media, akusmatisch | Rumori Barbari/ CEMAT/ | CRM Roma | 0 | ||||||||||||
| 27542 | Laura | Bianchini | Stormi | fixed media, akusmatisch | Rumori Barbari/ CEMAT/ | CRM Roma | 0 | ||||||||||||
| 1749 | Laura | Bianchini | Tra le voci | 1991 | Zuspiel, live-elec, 4 perf | 11:07 | Stereo | 4 sax [Saxophon] | fly10 & fly30 | PAN CD 3055/ | CRM Roma | 1 | |||||||
| 1750 | Laura | Bianchini | Universi aperti | 1992 | live-elec, 1 perf | 12:00 | p, (com) [Piano] | Fly 30 | CRM Roma | 0 | |||||||||
| 1751 | Laura | Bianchini | Voci | 1990 | audiovisuell | Theatermusik |
3:57 | Stereo | CRM Roma | 0 | ||||||||||
| 28355 | Laura | Bianchini | Voix d'ailleurs | 2000 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | 2002 | ||||||||||
| 1752 | Laura | Bianchini | Yin | 1992 | fixed media, akusmatisch | 3:35 | Stereo | CRM Roma | 0 | ||||||||||
| 28202 | Laura, Luigi , Mauro, Fabio Cifariello, Enrico, Fabrizio, Maria Cristina, Giuseppe, Walter, Alessandro |
Bianchini, Ceccarelli, Cardi, Ciardi, Cocco, Casti, De Amicis, di Giugno, Prati, Cipriani | Nell' aria o sulla terra? Dall' alto Alba Altri Passaggi Le antichissime … Trasparenze impossibili Estremi Intersezionen 01 A nice Day Quadro |
2003 | fixed media, akusmatisch | excerpts | CEMAT Promo 2004/ | 1 | |||||||||||
| 35673 | Riccardo | Bianchini | Canciones para las estrellas | fixed media, akusmatisch | 7:21 | Uni de la serena/ | 0 | ||||||||||||
| 1753 | Riccardo | Bianchini | Haiku | 1976 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | p [Piano] | CRM Roma, Fonologia Milano | 1 | 1990 | ||||||||
| 1754 | Riccardo | Bianchini | Klimt | 1991 | Zuspiel / Tonband, 7 perf | 10:50 | Stereo | fl, ob, cl, p, vn, va, vc [Flöte, Klarinette, Oboe, Piano, Viola, Cello, Violine] | RCA CCD 3001/ | CSC Padova | 1 | ||||||||
| 1755 | Riccardo | Bianchini | La principessa senza tempo | 1985 | Zuspiel / Tonband, 1 perf | 14:02 | Stereo | fl [Flöte] | CRM Roma | 0 | |||||||||
| 1756 | Riccardo | Bianchini | Novitá | 1988 | live-elec, | live elec | CRM Roma | 0 | |||||||||||
| 1757 | Riccardo | Bianchini | Our Faust | 1987 | live-elec, 3 perf | trbn, cl, db [Klarinette, Posaune, Kontrabass] | CRM Roma | 1 | |||||||||||
| 35674 | Riccardo | Bianchini | Sottovoce | 2000 | fixed media, akusmatisch | 06:01 | 0 | ||||||||||||
| 40329 | Xin | Biao | Time Capsule | 2017 | fixed media, akusmatisch | Xin Biao | 0 | ||||||||||||
| 39709 | Daria | Biaocchi | Plasma | 2015 | fixed media, akusmatisch | 6:40:00 | Daria Biaocchi | 0 | |||||||||||
| 1758 | Fabio | Biasio | 8 Studien | fixed media, akusmatisch | 1 | ||||||||||||||
| 19023 | Michele | Biasutti | Tavola IV | 1993 | live-elec, 1 perf | 11:31 | vn or va [Viola, Violine] | Russolo Pratella EF.ER.P 94/ | CSC Padova | Prize Russolo Varese 1994 | 1 | ||||||||
| 36384 | Michele | Biasutti | Tavola VII | 1995 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 19202 | Michele | Biasutti | Trasparenze | 1989 | Zuspiel, live-elec, 1 perf | 9:58 | fl [Flöte] | Tabachin (fl) | CRR 9610 Rivoalto/ | CSC Padova | 1 | ||||||||
| 1759 | Antonio | Bibalo | Cantico | 1983 | Zuspiel / Tonband, 1 perf | 13:55 | Mez [Mezzo] | ARCD 1919/ | NOTAM | 0 | |||||||||
| 1760 | Gilian | Bibby | AIE | 1975 | fixed media, akusmatisch | 17:51 | Quadro | HfMT Köln | 0 | ||||||||||
| 38485 | Andreas | BICK | Fire Pattern | 2007 | radiophon | 25:55:00 | 0 | ||||||||||||
| 38486 | Andreas | BICK | Fire Pattern | 2008 | radiophon | 25:55:00 | Prix Phonurgia nova | 0 | |||||||||||
| 38487 | Andreas | BICK | Frost Pattern | 2006 | radiophon | 26:48:00 | 0 | ||||||||||||
| 38488 | Andreas | BICK | Frost Pattern | 2008 | radiophon | 26:48:00 | Prix Phonurgia nova | 0 | |||||||||||
| 38489 | Andreas | BICK | Windscapes | 2001 | radiophon | 33:14:00 | 0 | ||||||||||||
| 1761 | Norbert | Biedermann | A und O | 1982 | fixed media, akusmatisch | 1:15 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1762 | Norbert | Biedermann | Allüren | 1983 | fixed media, akusmatisch | 12:50 | Stereo | ELAK Wien | 0 | ||||||||||
| 1763 | Norbert | Biedermann | Davon geht die Welt nicht unter | 1982 | fixed media, akusmatisch | 6:05 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1764 | Norbert | Biedermann | Die verlorene Symphonie | 1983 | fixed media, akusmatisch | 1:30 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1765 | Norbert | Biedermann | Ohne Titel 1 | 1981 | fixed media, akusmatisch | 3:35 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1766 | Norbert | Biedermann | Ohne Titel 2 | 1982 | fixed media, akusmatisch | 3:05 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1767 | Norbert | Biedermann | Ohne Titel 3 | 1983 | fixed media, akusmatisch | 4:40 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1768 | Michael von | Biel | Book for three | 1961 | live-elec, 3 perf | ∞ | 3 p [Piano] | mikrophonierte Pianos, 3 p-player | Cybele 960.303/ DegeM CD 06/ Feedback CD3/ | Feedback St | 1962 | Darmstadt | Feedback | 1 | |||||
| 1769 | Michael von | Biel | Cellokonzert | 1971 | fixed media, akusmatisch | ≈ 40:00 | Feedback 25 Jahre/ Feedback Studio Köln CD 6/ | Feedback St | Feedback | 1 | |||||||||
| 1770 | Michael von | Biel | Deklination | 1965 | live-elec, 1 perf, 1 group | ≈ 15:00 | amp ens, A [Alt, Ensemble] | dedicated to C Beberian | Radio Bremen | 1971 | Den Haag | Feedback | 0 | ||||||
| 1771 | Michael von | Biel | Deutsche Landschaften | 1970 | fixed media, akusmatisch | ≈ 40:00 | Feedback Studio Köln CD 6/ | Feedback St | Feedback | 0 | |||||||||
| 1772 | Michael von | Biel | Fassung | 1964 | fixed media, akusmatisch | 13:34 | 5 tracks, Octo | „Fassung für fünf Lautsprechergruppen“ | ed. rz 2002/ DMR Musik in Deutschland 1950 - 2000: Studio des WDR Köln/ IDEAMA CD 011/ | WDR SEM | WDR 1965 | 11.6.1965 | "Musik der Zeit" Köln | Feedback | 1 | ||||
| 1773 | Michael von | Biel | Grill Piece | 1965 | Performance, live-elec, 3 perf | var | Mono | 3 perf (3 barbecue grills, motors, mic) [Performer] | 0 | ||||||||||
| 1774 | Michael von | Biel | Jagdstück für Bläserinstrumentalisten und Live-Elektronik | 1966 | Zuspiel, live-elec, 1 group | ≈ 28:12 | ens, (elec amp gartengrills) [Ensemble] | ed. rz 2002/ | WDR SEM | 1968 | Düsseldorf | 1 | |||||||
| 23050 | Michael von | Biel | Neunzehn Stücke | 1985 | live-elec, 5 perf | gui, p, perc (bell), perc, synt [Piano, Gitarre, Schlagzeug, synthesizer] | WDR SEM | WDR 1985 | 0 | ||||||||||
| 1775 | Michael von | Biel | Übungsstück für Cello | 1971 | live-elec, 1 perf | ≈ 25:00 | elec [elektronik] | feedback filtered | Feedback St | 1971 | Saarbrücken | Feedback | 0 | ||||||
| 1776 | Michael von | Biel | Violoncellomusik II | 1972 | fixed media, akusmatisch | ≈ 20:00 | Feedback St | HR | Feedback | 0 | |||||||||
| 1777 | Michael von | Biel | Violoncellomusik III | 1972 | fixed media, akusmatisch | ≈ 20:00 | Feedback St | WDR | Feedback | 0 | |||||||||
| 1778 | Helmut | Bieler-Wendt | Eros und Thanatos | 1991 | Musiktheater | Stereo | ZKM Karlsruhe | 0 | |||||||||||
| 1779 | Helmut | Bieler-Wendt | Stimme über den Saiten | 1974 | Zuspiel, live-elec, 3 perf | S, fl, clvd [Sopran, Flöte, Cembalo] | 0 | ||||||||||||
| 1780 | Helmut | Bieler-Wendt | The Naked Lunch | 1992 | fixed media, akusmatisch | Zuspiel/Tonband, 2 perf |
90:00 | Stereo | 2 vn [Violine] | ZKM Karlsruhe | 0 | |||||||||
| 38146 | Mateusz | Bien | Retroplexis | 1991 | fixed media, akusmatisch | Stereo | SME 1973-2003/ | CECM Bratislava | 0 | ||||||||||
| 33129 | Mateusz | Bien | Sinfony II | 2002 | fixed media, akusmatisch | 10:23:00 | WJ 2002/ | HfM Krakow | 1 | ||||||||||
| 1781 | Mateusz | Bien | Turdedae | 1992 | fixed media, akusmatisch | 6:50 | Stereo | SME 2010/ | CECM Bratislava | 0 | |||||||||
| 1782 | Andrzej | Biezan | Archangel's Sword | 1980 | fixed media, akusmatisch | 8:30 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 1783 | Andrzej | Biezan | Isn't it? | 1983 | fixed media, akusmatisch | 12:30 | Stereo | polmic 008/ SX 2462/ | ExpSt Warsaw | 0 | |||||||||
| 28358 | Andrzej, Krzysztof, Stanislaw, Mieczyslaw, Andrzej, Pawel, Lydia | Biezan, Knittel, Krupowicz, Litwinski, Mitan, Szymanski, Zelinska | United Space Between |
1983 | Performance, Zuspiel, live-elec, 8 perf | var | Quadro | 8 perf [Performer] | Improvisation | 11.2.1983 | Inventionen TU-Gebäude Ackerstraße Berlin | 0 | 1983 | ||||||
| 1983 | |||||||||||||||||||
| 35592 | Gonzalo | Biffarella | Estudios y arpegios | 1996 | Zuspiel / Tonband, 1 perf | 7:50 | p [Piano] | 0 | |||||||||||
| 18735 | Gonzalo Javier | Biffarella | Ca, c'est Bourges | 1996 | fixed media, akusmatisch | 3:55 | Stereo | LDC 2781108/ | IMEB Bourges | 0 | |||||||||
| 24366 | Gonzalo Javier | Biffarella | Entre dos Mundos | 2000 | Zuspiel / Tonband, 1 perf | vc [Cello] | IMEB Bourges | 0 | |||||||||||
| 18736 | Gonzalo Javier | Biffarella | Homenaje a E.C. | 1994 | Zuspiel, live-elec, 2 perf | 6:35 | Stereo | 2 gui [Gitarre] | LDC 2781108/ | 0 | |||||||||
| 27238 | Gonzalo Javier | Biffarella | La maquina de picar memoria | 2006 | fixed media, akusmatisch | 12:43 | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18426 | Gonzalo Javier | Biffarella | La rue de la Cage Verte | 1994 | Zuspiel / Tonband, 1 perf | 8:27 | Stereo | gui [Gitarre] | IMEB Bourges | 0 | |||||||||
| 18738 | Gonzalo Javier | Biffarella | Mestizaje | 1993/1994 | fixed media, akusmatisch | 8:11 | Stereo | LDC 2781108/ | 0 | ||||||||||
| 18739 | Gonzalo Javier | Biffarella | Origenes | 1995/1996 | fixed media, akusmatisch | 8:10 | Stereo | LDC 2781108/ | 0 | ||||||||||
| 18427 | Gonzalo Javier | Biffarella | Plegaria | 1995 | fixed media, akusmatisch | 9:12 | Stereo | LDC 2781108/ | IMEB Bourges | 0 | |||||||||
| 18740 | Gonzalo Javier | Biffarella | Rastros | 1996 | fixed media, akusmatisch | 7:50 | Stereo | LDC 2781108/ | 0 | ||||||||||
| 24365 | Gonzalo Javier | Biffarella | Requiem AR.02 | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 39671 | Christopher | Biggs | Contraposition | 2016 | fixed media, akusmatisch | Christopher Biggs | 0 | ||||||||||||
| 39672 | Christopher | Biggs | decoherence | 2015 | fixed media, akusmatisch | 10:00:00 | Christopher Biggs | 0 | |||||||||||
| 41459 | Joshua | Biggs | scake | 2017 | fixed media, akusmatisch | Quadro | featuring 27 players | 0 | |||||||||||
| 41458 | Joshua | Biggs | splat | 2018 | fixed media, akusmatisch | 0 | |||||||||||||
| 24784 | Laurent | Bigot | Sur le môle | 2001 | fixed media, akusmatisch | 10:04 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 | 1 | |||||||||
| 18742 | Laurent, François | Bigot, Raulin | Vue sur Tower Bridge (Fragment) | 1992 | Zuspiel / Tonband, 3 perf | 8:10 | Stereo | MIDI, p, sax [Saxophon, Piano, synthesizer] | l’empreinte digitales 13027/ | 0 | |||||||||
| 18428 | Bruno | Billaudeau | Piqûre d'insecte |
1990 | Zuspiel / Tonband, 1 perf | 11:48 | Stereo | sax [Saxophon] | IMEB Bourges | 0 | |||||||||
| 18429 | Bruno | Billaudeau | Spoliami | 1996 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1785 | Guillaume | Billaux | EDS | 1987 | fixed media, akusmatisch | 10:00 | Stereo | CICM Paris | 0 | ||||||||||
| 1786 | Jaques | Billion | Etude No 1 | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 18743 | Phillip | Bimstein | Garland Hirschi's Cows | 1990 | fixed media, akusmatisch | 11:58 | Stereo | ST 203, Starkland/ | Gotham NY | Auszeichnung ars electronica 1990 | 0 | ||||||||
| 42463 | Reid, Colin | Bingham, Challender | Alchemy | 2009 | audiovisuell | 0 | |||||||||||||
| 18744 | Group | Biota | Almost Never | 1992 | Zuspiel, live-elec, 2 perf | 52:11 | Stereo | hn, perc [Horn, Schlagzeug] | ReR BCD3/ | 0 | |||||||||
| 18747 | Group | Biota | Bellowing Room | 1987 | Zuspiel / Tonband, | 27:36 | Stereo | ReR BCD3/ | 0 | ||||||||||
| 18745 | Group | Biota | Object Holder | 1995 | Zuspiel, live-elec, 3 perf | 70:16 | Stereo | hn, perc, gui, [Horn, Gitarre, Schlagzeug] | ReR BCD3/ | 0 | |||||||||
| 18746 | Group | Biota | Tinct | 1987 | Zuspiel, live-elec, | 29:38 | Stereo | ReR BCD3/ | 0 | ||||||||||
| 1787 | Catherine | Bir | Chant des nuits desertes, L’ecume fantôme Eclats de solitude Gouffre d’ombre inverse Des semblants engourdis de paupières La rive pleurée |
1968 | fixed media, akusmatisch | 24:30 | Stereo | INA • GRM | 14.2.1968 | Bourges, Maison de la Culture | 0 | ||||||||
| 1788 | Catherine | Bir | L'astre ouvert | 1968 | fixed media, akusmatisch | 4:30 | Stereo | INA • GRM | 0 | ||||||||||
| 1789 | Catherine | Bir | La priere engloutie | 1968, 1969 | fixed media, akusmatisch | 10:30 | Stereo | Etude de stage | INA • GRM | 10.3.1969 29.5.1969 |
Sussex University Paris, Maison de la Radio, Studio 105 |
0 | |||||||
| 40649 | Catherine | Bir | Les creatures Le Chevalier d’Ouragan |
1968 | Film | 13:45 | INA • GRM | 0 | |||||||||||
| 40643 | Catherine, Francis | Bir, Regnier | Votre silence cooper | 1968 | Theatermusik | INA • GRM | Bourges, Maison de la Culture | 0 | |||||||||||
| 1791 | Jeremy | Birchall | Crystallized Ginger | 1974 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 1790 | Jeremy, Matthew | Birchall, Doyle | Cavil's End | 1976 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 1792 | Jeremy, Matthew | Birchall, Doyle | Pizz | 1973 | intermedia | Film |
mime, str, (lights) [Schauspieler, Streicher] | Uni Durham | 0 | |||||||||||
| 25570 | Steve | Bird | Eve’s Solace | 2006 | audiovisuell | 11:33 | Stereo, Surround 5.1 | Infinity/ | PS C. | 1 | http://www.soundmangler.co.uk/ | ||||||||
| 40263 | Steve | Bird | One | 2017 | audiovisuell | Steve Bird | 0 | ||||||||||||
| 25569 | Steve | Bird | Outsourced | 2006 | audiovisuell | 11:41 | Stereo, Surround 5.1 | Infinity/ | PS C. | 1 | http://www.soundmangler.co.uk/ | ||||||||
| 18925 | León | Biriotti | Prélude à l'aprés-MIDI d´un dinosaure | 1988 | live-elec, 1 perf | 4:11 | ob [Oboe] | Compositores del Uruguay, Vol. 4/ | 1 | ||||||||||
| 18748 | León | Biriotti | Self-Portrait | 1994 | Zuspiel / Tonband, 1 perf | 11:18 | Stereo | ob [Oboe] | ISAST LMJ 4/ | Estudio Buenos Aires | 0 | ||||||||
| 21180 | Jörg | Birkenkötter | Spiel / Abbruch | 1993 - 1994 | Zuspiel / Tonband, 1 perf, 1 group | 23:25 | Quadro | inss [Instrument] | WER 6536-2/ | WDR SEM | WDR 1994 | 14.6.1994 | Köln | 0 | |||||
| 38490 | Hervé | BIROLINI | Hudson Street | 2008 | radiophon | 34:39:00 | 0 | ||||||||||||
| 38491 | Hervé | BIROLINI | Silent Celullo | 2008 | radiophon | 49:56:00 | 0 | ||||||||||||
| 1793 | Harrison | Birtwistle | Brand | 1978 | Theatermusik | EMS_London | 0 | ||||||||||||
| 1794 | Harrison | Birtwistle | Chanson de Geste | 1973 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | (sustaining) ins [Instrument] | WITHDRAWN, but performed | EMS_London | 1 | 1996 | |||||||
| 1795 | Harrison | Birtwistle | Chronometer | 1971 | fixed media, akusmatisch | 24:17 | Quadro + Quadro | MUSYS | Argo ZRG 790/ Creel Pone 058/ | EMS_London | 0 | ||||||||
| 1796 | Harrison | Birtwistle | Four Interludes from a Tragedy | 1969 | Zuspiel / Tonband, 1 perf | 12:00 | b-cl [Klarinette] | MUSYS; withdrawn | DSLO 17/ | EMS_London | 0 | ||||||||
| 1797 | Harrison | Birtwistle | Linoi II | 1968/1969 | Zuspiel / Tonband, 3 perf | 15:00 | Stereo | bassett-hn, p, dancer [Klarinette, Piano, Tanz] | WITHDRAWN | EMS_London | 0 | ||||||||
| 1798 | Harrison | Birtwistle | Medusa, (two later revs.) | 1969/1970 | Zuspiel / Tonband, 6 perf | 41:00 | Stereo | 6 ins [Instrument] | EMS_London | 0 | |||||||||
| 1799 | Harrison | Birtwistle | Oresteia | 1979 | Theatermusik | EMS_London | 0 | ||||||||||||
| 1800 | Harrison | Birtwistle | Orpheus | 1976 | Oper | Stereo | abandoned; original version of "Mask of Orpheus" | EMS_London | 0 | ||||||||||
| 1801 | Harrison | Birtwistle | Signals | 1970 | Zuspiel / Tonband, 1 perf | 45:00 | Stereo | cl, (drone) [Klarinette] | withdrawn | EMS_London | 0 | ||||||||
| 1802 | Harrison | Birtwistle | The Mask of Orpheus | 1986 | Zuspiel / Tonband, 1 perf, 1 group | 210:00 | V, orc [Stimme, Orchester] | IRCAM | UE | 0 | |||||||||
| 1803 | Jean-Robert | Bisaillon | Ethanol by the Liver | 1985 | fixed media, akusmatisch | 8:53 | Stereo | Concordia Montréal | Suicides Montréal | 0 | |||||||||
| 1804 | Jean-Robert | Bisaillon | The Weird Entertainer #1 | 1985 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 1805 | Daniel | Bisbau | La nuit est un Ruisseau | 1984 | fixed media, akusmatisch | 30:00 | Stereo | GMU Pau | 0 | ||||||||||
| 1806 | Daniel | Bisbau | Le Journal d'un Fou | 1985 | Musiktheater | 30:00 | Stereo | GMU Pau | 0 | ||||||||||
| 1807 | Daniel | Bisbau | Objets inanimes | 1981 | fixed media, akusmatisch | 10:00 | Stereo | GMU Pau | 0 | ||||||||||
| 1808 | Daniel | Bisbau | Sans mobile Apparent I | 1982 | intermedia | 8:43 | Stereo | pictures by Dominique Piollet | GMU Pau | 0 | |||||||||
| 1809 | Daniel, Agnès | Bisbau, Poisson | Sans mobile Apparent II | 1983 | intermedia | 7:22 | Stereo | GMU Pau | 0 | ||||||||||
| 42080 | Friedrich | Bischoff | Das Hörspiel vom Hörspiel | 1931 | radiophon | Berliner Funk-Stunde (RRG) | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3604893&vi=2&SID | |||||||||||
| 42081 | Friedrich | Bischoff | Hallo! Hier Welle Erdball! | 1928 | radiophon | Schlesische Funkstunde (RRG) | 0 | ||||||||||||
| 42208 | Friedrich, Walter, Gabi, Christina, Jan, Sam, Emeka | Bischoff, Ruttmann, Schaffner, Kubisch, Jelinek, Auinger, Ogboh | Das Hörspiel vom Hörspiel 2012 | 2012 | radiophon | 54:34 | Werke aus dem Wettbewerb um den Karl-Sczuka-Preis | SWR | Karl-Sczuka-Preis für Kennen Sie Otahiti? 2012 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3604893&vi=2&SID | ||||||||
| 18749 | John | Bischoff | Artificial Horizon | 1992 | fixed media, akusmatisch | Tanz |
8:57 | Stereo | Choreographie | ART 1003/ | CCM Mills | 0 | ||||||||
| 18750 | John | Bischoff | Audio Wave | 1992 | fixed media, akusmatisch | 10:35 | Stereo | ART 1003/ | CCM Mills | 0 | |||||||||
| 18751 | John | Bischoff | Drift | 1993 | fixed media, akusmatisch | 12:50 | Stereo | ART 1014/ | CCM Mills | 0 | |||||||||
| 18752 | John | Bischoff | Next Tone, Please | live-elec, | 6:46 | Stereo | ART 1003/ | CCM Mills | 0 | ||||||||||
| 1812 | John | Bischoff | Perry Mason in East Germany | 1988 | live-elec, | 5:13 | ART 1002/ | CCM Mills | 1 | ||||||||||
| 31973 | John | Bischoff | Sidewalk Chatter (Redux) | 2009/2010 | fixed media, akusmatisch | 14:50:00 | Spazialisation: WFS | Wave Field Synthesis hall H104, TU-Berlin 2010 Thursday 23. September, 19h Kunstkopfaufnahme |
SC Symposium 2010 | 0 | |||||||||
| 18754 | John | Bischoff | Surface 11, 2, 5 | 1995 | live-elec, | 3:00 | Stereo | ART 1014/ | CCM Mills | 0 | |||||||||
| 1813 | John | Bischoff | The Glass Hand | 1992 | fixed media, akusmatisch | 8:00 | Centaur CRC 2195, CDCM Vol. 17/ ART 1014/ ART 1008/ | CCM Mills | 1 | ||||||||||
| 18755 | John | Bischoff | The Industrial Revolution | 1990 | live-elec, | 12:42 | Stereo | ART 1014/ | CCM Mills | 0 | |||||||||
| 18756 | John | Bischoff | The Web of Fascination | 1994 | live-elec, | 13:52 | Stereo | ART 1014/ | CCM Mills | 0 | |||||||||
| 1810 | John, Chris, Tom, Maggi | Bischoff, Brown, Erbe, Payne | CCM Flotsam | 1993 | fixed media, akusmatisch | 4:40 | Centaur CRC 2195, CDCM Vol. 17/ | CCM Mills | 1 | http://www.maggipayne.com/ | |||||||||
| 18757 | John, Tim | Bischoff, Perkis | Happy Trails | fixed media, akusmatisch | 6:23 | Stereo | ART 1003/ | CCM Mills | 0 | ||||||||||
| 1811 | John, Tim, Mark | Bischoff, Perkis, Trayle | Dovetail | 1988 | live-elec, | 5:05 | ART 1002/ | CCM Mills | 1 | ||||||||||
| 34674 | Daniel, Jan, Tobias, Philippe, Marcus, Martin | Bisig, Schacher, Gerber, Kocher, Maeder, Neukom | Aggregat (2015) | 2016 | Klangkunst, Installation | ∞ | 16 Tracks | SMC2016, HAW | Uni Zürich | 0 | |||||||||
| 1814 | Yayoi | Bitô | Beyond the gleam | 1982 | fixed media, akusmatisch | 10:00 | Quadro | 1 | |||||||||||
| 26424 | Marcus | Bittencourt | Chimaera | 1999 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26425 | Marcus | Bittencourt | Embroidery | 1998 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26422 | Marcus | Bittencourt | KA | 2002 | radiophon | Radio-Opera in 9 scenes | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | |||||||||||
| 26421 | Marcus | Bittencourt | Lupanar | 2002 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26418 | Marcus | Bittencourt | Malédiction | 2001 | live-elec, 1 perf, 1 group | p, ens [Piano, Ensemble] | for piano and unmanned ensemble (automated live electronics controlled by the pianist) | 0 | |||||||||||
| 26419 | Marcus | Bittencourt | Mifune | 2004 | live-elec, 1 perf, 1 group | p, ens [Piano, Ensemble] | for piano and unmanned ensemble (automated live electronics controlled by the pianist) | 0 | |||||||||||
| 26426 | Marcus | Bittencourt | Processional | 1997 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26420 | Marcus | Bittencourt | Rabo-de-Arraia | 2004 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26427 | Marcus | Bittencourt | Scorching Sun | 1996 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26423 | Marcus | Bittencourt | Three Vignettes | 1999 - 2000 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 39816 | Gina | Biver | The Cellar Door | 2016 | fixed media, akusmatisch | Gina Biver | 0 | ||||||||||||
| 1815 | Thomas | Bjelkeborn | Bilad | 1990 | fixed media, akusmatisch | 21:30 | 0 | ||||||||||||
| 22880 | Thomas | Bjelkeborn | catch and run | 1999 | fixed media, akusmatisch | 10:32 | EMS Stockholm | 1 | |||||||||||
| 1816 | Thomas | Bjelkeborn | Do it again | 1991 | fixed media, akusmatisch | 10:00 | Elektron EM 1003/ | Rikskonserter | 1 | ||||||||||
| 22881 | Thomas | Bjelkeborn | drop and run | 1999 | fixed media, akusmatisch | 13:02 | EMS Stockholm | 1 | |||||||||||
| 1817 | Thomas | Bjelkeborn | Duores Bokte | 1985 | fixed media, akusmatisch | 6:50 | EMS Stockholm | 1 | |||||||||||
| 1818 | Thomas | Bjelkeborn | El-Azraq | 1988 | fixed media, akusmatisch | 11:10 | FYCD 1002/ | EMS Stockholm | 1 | ||||||||||
| 1819 | Thomas | Bjelkeborn | El-Azraq II | 1992 | fixed media, akusmatisch | 11:00 | Stereo | EMS Stockholm | Svenska ICEM | 0 | |||||||||
| 1820 | Thomas | Bjelkeborn | Enklang - ljudligheter | 1991 | fixed media, akusmatisch | 0 | |||||||||||||
| 22072 | Thomas | Bjelkeborn | Ex | 1988 | fixed media, akusmatisch | 16:50 | Stereo | Von CD " PAST TIME" | Elektron EM 1003/ INFOGRAM/ | EMS Stockholm | 1 | ||||||||
| 1822 | Thomas | Bjelkeborn | Melquiades | 1987 | fixed media, akusmatisch | 10:30 | INFO 018; (extrait - 5:50) | Elektron EM 1003/ INFOGRAM 018/ | EMS Stockholm | 1 | |||||||||
| 1823 | Thomas | Bjelkeborn | Nageltoo, Nästing och Repsnagel. | 1989/1991 | intermedia | 52:00 | Stereo | EMS Stockholm | Fylkingen | 0 | |||||||||
| 1824 | Thomas | Bjelkeborn | Oken | 1986 | fixed media, akusmatisch | 11:50 | EMS Stockholm | 1 | |||||||||||
| 1825 | Thomas | Bjelkeborn | On yer nose | 1991 | fixed media, akusmatisch | 9:00 | Rikskonserter | 0 | |||||||||||
| 1826 | Thomas | Bjelkeborn | Opus corpus | 1991 | fixed media, akusmatisch | 52:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1827 | Thomas | Bjelkeborn | Organic Vibes | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | org [Orgel] | EMS Stockholm | 1 | ||||||||||
| 22882 | Thomas | Bjelkeborn | other options | 1999 | fixed media, akusmatisch | 13:26 | EMS Stockholm | 1 | |||||||||||
| 22071 | Thomas | Bjelkeborn | TOF daugther | 1996 | fixed media, akusmatisch | 11:00 | Von CD " PAST TIME" | Elektron EM 1003/ | EMS Stockholm | 1 | |||||||||
| 1828 | Thomas | Bjelkeborn | Wind jumping | 1991 | fixed media, akusmatisch | 8:30 | Elektron EM 1003/ | 1 | |||||||||||
| 1829 | Thomas | Bjelkeborn | Within without | 1993 | fixed media, akusmatisch | 12:30 | INFO 018 - (extrait; 3:49) | Elektron EM 1003/ INFOGRAM 018/ | EMS Stockholm | 1 | |||||||||
| 1830 | Thomas | Bjelkeborn | Without a cause | 1992 | fixed media, akusmatisch | 20:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 33501 | Peter | Björck | Meta Reflex | 1972 | fixed media, akusmatisch | 12 | EMS Stockholm | 0 | |||||||||||
| 22451 | Marc | Bjorknas | Anahata Nad (unstruck sound) | 2000 | fixed media, akusmatisch | 4:53 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | 0 | |||||||||
| 1832 | Boris | Blacher | Ariadne, Duodrama für zwei Sprecher und Elektronik nach einem Text von Friedrich Wilhelm Gotter | 1968 | Theater, 2 perf | 33:00 | Quadro | 2 Sp [Sprecher] | Melodrama | TU Berlin | 11.10.1968 | TU Berlin bei "Internationale Woche für experimentelle Musik"; only excerpt! The whole piece was premiered in June 1975 | Bote&Bock | 1 | 1986 | ||||
| 42082 | Boris | Blacher | Die Flut | 1946 | radiophon | Berliner Rundfunk | 0 | https://de.wikipedia.org/wiki/Die_Flut_(Oper) | |||||||||||
| 25788 | Boris | Blacher | Fanfare | 1967 | Zuspiel / Tonband, 1 perf | 2:35 | Quadro | br [Bläser] | 6 tpt | TU Berlin | 24.11.1967 | AudiMax der TU Berlin bei „Rektoratsübergabe“ inkl. Übergabe des Neubaues des TU-Hauptgebäudes durch Senator Schwedler | 1 | ||||||
| 65 | Boris | Blacher | Glissierende Deviationen, Elektronische Studie über ein Posaunenglissando | 1958 - 1962 | fixed media, akusmatisch | 5:29 | Mono | 4 Teile, Studie über einen Posaunenklang, auch als "op. 1" bezeichnet | TU Berlin | 1 | |||||||||
| 1833 | Boris | Blacher | Musik für Osaka, Große Kugelkomposition | 1969 | fixed media, akusmatisch | 11:00 | Stereo, 7 tracks, 50 tracks | für Kugelpavillon Expo 1970 Osaka | EMF DVD 054/ | TU Berlin | Staat / für den deuschen Kugelpavillon der Expo Osaka 1970 | 15.3.1970 | Osaka Expo (DE am 19.6.1972 in der TU Berlin) | Bote&Bock | 1 | ||||
| 23439 | Boris | Blacher | Raum-Musik IV | 1960 | Zuspiel, live-elec, 1 perf | p, (Tonmühle) [Piano] | not archived. Particell Archive AdK Berlin | TU Berlin | 0 | ||||||||||
| 22348 | Boris | Blacher | Sinuston-Studien | 1960 | fixed media, akusmatisch | Mono | TU Berlin | 1 | |||||||||||
| 1834 | Boris | Blacher | Skalen 2:3:4 | 1964 | fixed media, akusmatisch | 4:42 | Quadro | DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ EMF DVD 054/ | TU Berlin | Bote&Bock | 1 | ||||||||
| 23440 | Boris | Blacher | Studie für drei Klangfarben und schlagzeugartige Klänge | 1960 | Zuspiel / Tonband, 1 perf | ins [Instrument] | not archived. score Archive AdK Berlin | TU Berlin | 0 | ||||||||||
| 70 | Boris | Blacher | Studie in Schwarz (Negro-Spiritual) | 1962 | Zuspiel / Tonband, 1 perf | 2:35 | Quadro | S [Sopran] | TU Berlin | 0 | |||||||||
| 1836 | Boris | Blacher | Zwischenfälle bei einer Notlandung, Reportage von Heinz von Cramer in zwei Phasen und 14 Situationen | 1965 | Oper | 56:18 | Stereo + Quadro | 1. Teil: Bilder I - VII; 2. Teil: Bilder VIII - XIV Bild XI = Maschinensturm (nur Lautsprechermusik!) |
DMR Musik in Deutschland 1950 - 2000: Zerbrochene Idyllen (1966-1973) 74321 73541/ | TU Berlin | Hamburgische Staatsoper, Rolf Liebermann | 4.2.1966 | Hamburgische Staatsoper | Bote&Bock | 1 | http://www.spiegel.de/spiegel/print/d-46265619.html | |||
| 63 | Boris, Group | Blacher, AfEM | Der Astronaut | 1963 | fixed media, akusmatisch | 6:14 | Quadro | deutsch und englische Fassung; zum Raumflug Major Coopers am 16.5.63 | TU Berlin | 1 | 1986 | ||||||||
| 22347 | Boris, Group | Blacher, AfEM | Der Astronaut, (Fassung 1968) | 1968 | fixed media, akusmatisch | 6:21 | Quadro | neue Fassung; zum Raumflug Major Coopers am 16.5.63 | TU Berlin | 1 | 1986 | ||||||||
| 68 | Boris, Group | Blacher, AfeM | Kaktus | 1973/1978 | Film | 12:40 | Mono | 16 mm Farbe | TU Berlin | 18.2.1973 | AdK Berlin (Abschluss der Blacher-Ausstellung) | Premio di Qualita ltalia 1981 Prädikat besonders wertvoll | 0 | http://www.ruefer.de/ | |||||
| 69 | Boris, Group | Blacher, AfeM | Multiple Raumperspektiven, Moderato Moderato Presto Moderato |
1962 | Zuspiel / Tonband, 1 perf | 7:34 | 3 tracks | p [Piano] | The only recording exists on Videodocumentation SFB "Musik im technischen Zeitalter" (Kongresshalle) 1964 by Hans Heinz Stuckenschmidt Also played at Kontakte-Festival AdK Berlin with Benjamin Kobler (p)f |
TU Berlin | 3.10.1962 | Akademie der Künste Berlin Hanseatenweg, mit Gerty Herzog (p) | 1 | http://www2.ak.tu-berlin.de/Geschichte/personen/AfEM.html | |||||
| 61 | Boris, Rüdiger | Blacher, Rüfer | Aleph | 1968 | Film | 12:00 | Mono | 16 mm S/W, Figurenspiel Michael Schwarze | TU Berlin | 10.10.1968 | TU Berlin bei "Internationale Woche für experimentelle Musik" | Prädikat wertvoll | 1 | ||||||
| 22420 | Boris, Rüdiger | Blacher, Rüfer | Reihe im Zerrspiegel | 1972 | Zuspiel, live-elec, 2 perf | 5:25 | Mono | p, hpd [Piano, Cembalo] | Musik für Tasteninstrumente und Elektronik in C | TU Berlin | 19.6.1972 Vorauff. | TU Berlin (65. Geburtstag Fritz Winckel) | 1 | ||||||
| 1835 | Boris, Rüdiger | Blacher, Rüfer | Suite | 1967 | Zuspiel / Tonband, 3 perf | 12:00 | Stereo, Quadro | vc, Bar, perc [Bariton, Schlagzeug, Cello] | TU Berlin | 29.11.1967 | MIT Boston; mit William Conable, Cello; Rafael Lebron, Bariton; Peter Canady, Percussion | Bote&Bock | 1 | ||||||
| 62 | Boris, Rüdiger, Group | Blacher, Rüfer, AfeM | Androclos und der Löwe, Improvisation: Friedensmelodie Urwaldmusik Barrabas Fucikmarsch Improvisationen: Walzer, Jazz, Fanfare |
1965 | fixed media, akusmatisch | 10:44 | Mono | 7 Teile: Improvisation (Friedensmelodie); Urwaldmusik ; Barrabas; Fucikmarsch; Walzer; Jazz; Fanfaren | TU Berlin | 1 | |||||||||
| 29234 | Annesley | Black | 4238 De Bullion | 2007/2008 | audiovisuell, live-elec, 1 perf | p, (elec) [Piano] | für Klavier, liveelektronische Klang- und Videobearbeitung | HfM Freiburg | 09.11.2008 | Klangwerkstatt Berlin, Rei Nakamura (Klavier) | Edition Juliane Klein | 0 | |||||||
| 29235 | Annesley | Black | aorko | 2009 | live-elec, 1 perf | 18 | 3 tracks | va, (elec) [Viola] | WER 65902/ | 04.05.2009 | Dr. Hochs Konservatorium, Frankfurt a.M., Jessica Rona, Violine | Edition Juliane Klein | 0 | ||||||
| 29231 | Annesley | Black | Don't spray snow on the other person's grave | 2009/2010 | Klangkunst, Installation | 45 | 16 Tracks | AdK Berlin | 16.04.2010 | Expo-Gelände, Hannover | Edition Juliane Klein | 0 | |||||||
| 32580 | Annesley | Black | Humans In Motion | 2013 | live-elec, 1 group | ens [Ensemble] | WER 65902/ | 0 | |||||||||||
| 32583 | Annesley | Black | Misinterpreting The 2008 South Sudanese Budget Reform For The Orchestra | 2013 | live-elec, 1 group | ens [Ensemble] | WER 65902/ | 0 | |||||||||||
| 29233 | Annesley | Black | smooche de la rooche II, für 3 athletisch begabte Schlagzeuger | 2007 | Performance, live-elec, 3 perf | 18 | 3 perc, (elec) [Schlagzeug] | HfM Freiburg | 4.7.2007 | Hochschule für Musik, Freiburg, Johannes Knopp, Peer Kaliss und Kevin Sims (Schlagzeug) | Edition Juliane Klein | 0 | |||||||
| 32582 | Annesley | Black | Smooche De La Rooche II, variations on a theme by Hazel Meyer) | 2013 | live-elec, 1 group | ens [Ensemble] | WER 65902/ | 0 | |||||||||||
| 32581 | Annesley | Black | Tender Pink Descender | 2013 | live-elec, 1 group | ens [Ensemble] | WER 65902/ | 0 | |||||||||||
| 32584 | Annesley | Black | This feels great, 4 computer games | 2013 | Spiel | computer games specially developed for Annesley Black's portrait CD "no use in a centre" by Andreas Schönau, Jairo Gutiérrez, Jonas Hansen and Milan Grajetzki from the Academy of Media Arts Cologne. |
WER 65902/ | 0 | http://this-feels-great.musikrat.de/files/GREAT-mac.dmg | ||||||||||
| 41990 | Annesley | Black | Tolerance Stacks | 2016 | Performance | 0 | |||||||||||||
| 29232 | Annesley, Sophie | Black, Narr | pull the plug - Las Vegas and Venice, a comparative study | 2009/2010 | Klangkunst, Installation | audiovisuell |
19 | Sound- und Videoinstallation mit Sophie Narr | AdK Berlin | 12.03.2010 | AdK Berlin | Edition Juliane Klein | 0 | |||||||
| 32910 | Chris | Black | Marvel Q | 2009 | fixed media, akusmatisch | 9:07 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 | 1 | |||||||||
| 38492 | Colin | BLACK | Alien in the Landscape | 2007 | radiophon | 40:37:00 | 0 | ||||||||||||
| 38493 | Colin | BLACK | Kilian’s Antipodean Dream | 2010 | radiophon | 51:42:00 | 0 | ||||||||||||
| 38494 | Colin | BLACK | Sonic Reflections | 2016 | radiophon | 51:30:00 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4916054&vi=3&SID | ||||||||||
| 1837 | Lynne | Black | Umbilical Chord | 1994 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | March 22, 1995 at discoveries xiii | 0 | |||||||||
| 18764 | Robert, Amy | Black, Knoles | Big and Cheap | 1990 | Zuspiel, live-elec, 2 perf | 7:07 | Stereo | db, MIDI [Kontrabass, synthesizer] | OO Discs 14/ | 0 | |||||||||
| 23262 | Robert, Richard | Black, Zvonar | Massif | 1995 | fixed media, akusmatisch | 9:44 | Cec Presence 3 / | Banff C. | 1 | ||||||||||
| 20958 | Robert, Richard | Black, Zvonar | The Banff Sessions, Two in the Hands Trio Quartet Noage |
1993 | Zuspiel, live-elec, 2 perf | 7:32 | Stereo | db, MIDI [Kontrabass, synthesizer] | OO Discs 14/ | 0 | |||||||||
| 36967 | Manuella | Blackburn | Cajón! | 2008 | fixed media, akusmatisch | 8:59 | Stereo | IMED 12117/ | LEC Lisboa | Miso music portugal | 23.9.2008 | Musica Viva 2008, Lisboa, Portugal | 3rd Prize at the Centre for Computational Musicology and Computer Music (Limerick, Ireland, 2008) Honorary Mention at Visiones Sonoras organised by the Centro Mexicano para la Música y Artes Sonoras (CMMAS, Morelia, Mexico, 2008). |
0 | |||||
| 25468 | Manuella | Blackburn | Casual Impacts | 2006 | fixed media, akusmatisch | 7:00 | miso records mcd 016.07/ | 10.05.2006 | Sonic Skylines Festival, Machester | 2006 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | ||||||||
| 39033 | Manuella | Blackburn | Ice breaker | 2015 | fixed media, akusmatisch | 7:10 | Stereo | IMED 17147/ | PS C. | 23.10.2015 | L’Espace du son festival at Théâtre Marni in Brussels (Belgium) | 2nd prize at the SIME International Electroacoustic Music Competition (Lille, France, 2016). Selection, Concorso Internazionale di Composizione Città di Udine 2016, Udine (Italy) |
0 | ||||||
| 38971 | Manuella | Blackburn | Javaari | 2013 | fixed media, akusmatisch | 10:19 | Stereo | IMED 17147/ | 4.4.2013 | NYCEMF ’13: Concert 10, Segal Theatre — Graduate Center — City University of New York | 0 | https://www.electrocd.com/en/album/5606/manuella-blackburn/petites-etincelles | |||||||
| 36966 | Manuella | Blackburn | Karita Oto | 2009 | fixed media, akusmatisch | 14:42 | Octo | IMED 12117/ | Uni Manchester | 31.10.2009 | MANTIS Festival Manchester | pre-selected in the 3rd Destellos Electroacoustic Composition Competition (Mar Del Plata, Argentina, 2010) | 0 | ||||||
| 28243 | Manuella | Blackburn | Kitchen Alchemy | 2007 | fixed media, akusmatisch | 11:34 | Stereo | IMED 12117/ | Uni Manchester | 11.3.2007 | MANTIS Festival Manchester | Grand Prize at the Digital Arts Awards (Tokyo, Japan, 2007) Honorary Mention at the Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’07, Brazil). |
1 | ||||||
| 38972 | Manuella | Blackburn | New Shruti | 2013 | fixed media, akusmatisch | 11:58 | Stereo | with Dr. Rajeeb Chakraborty, Sarod | IMED 17147/ | 1.5.2015 | BEAST FEaST 2015 | 0 | |||||||
| 31990 | Manuella | Blackburn | Origami | 2008 | fixed media, akusmatisch | 5:10:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | ||||||||||
| 39034 | Manuella | Blackburn | Snap happy | 2016 - 2017 | fixed media, akusmatisch | 8:45 | Stereo | IMED 17147/ | PS C. | 4.3.2017 | MANTIS Festival March 2017 at the John Thaw Studio Theatre of the Martin Harris Centre for Music and Drama at The University of Manchester (England, UK) | 1st prize Computer and Electronic Music, Computer Space 2017, Sofia (Bulgaria) | 0 | ||||||
| 25845 | Manuella | Blackburn | Sonidos Bailables | 2006 | Tanz | 11:17 | Surround 5.1 | sounds to dance to | CMJ Vol 31-4, 2007/ | 1 | |||||||||
| 36968 | Manuella | Blackburn | Spectral Spaces | 2008 | fixed media, akusmatisch | 10:35 | IMED 12117/ | Uni Manchester | Denis Smalley, Mike Vernusky, Damian O’Riain | 21.2.2010 | MANTIS Festival Manchester | 0 | |||||||
| 35837 | Manuella | Blackburn | Switched on | 2012 | fixed media, akusmatisch | 7:58 | Stereo | MR 2012 Métamorphoses 2012/ IMED 12117/ | Uni Hope Liverpool, EMS Stockholm | 10.6.2011 | MANTIS Festival Manchester | First Prize at the 7th Biennial Acousmatic Composition Competition, Métamorphoses 2012 (Ohain, Belgium) | 0 | ||||||
| 38961 | Manuella | Blackburn | Time will tell | 2013 | fixed media, akusmatisch | 8:24 | Stereo | IMED 17147/ CMJ Vol 45, 2018/ | EMPAC, Uni Hope Liverpool | 2013 EMPAC | 22.11.2013 | EMPAC Troy | 1st prize, Musica Nova 2014 — Category A (fixed medium), Prague (Czech Republic) | 0 | http://empac.rpi.edu/events/2013/fall/manuella-blackburn | ||||
| 39279 | Manuella | Blackburn | Two sides of Delia | 2017 | fixed media, akusmatisch | 13:51 | Honouring the 80th Birthday of Electronic Music Pioneer Delia Derbyshire | 0 | |||||||||||
| 34918 | Manuella | Blackburn | Vista points | 2009 | fixed media, akusmatisch | 10:06 | Stereo | miso records mcd 023.10/ IMED 12117/ | Uni Manchester | 8.8.2009 | Orford, Québec (ca) | Musica Viva Competition Prize 2009 | 0 | ||||||
| 1838 | Maurice | Blackburn | A Phantasy | 1952 | Zuspiel / Tonband, 1 perf | 7:15 | Mono | sax [Saxophon] | drawn sound on film | AN 27005-6 Analekta/ | NFBC Montréal | 0 | |||||||
| 18758 | Maurice | Blackburn | Blinkity Blank | 1955 | fixed media, akusmatisch | 4:55 | Stereo | ACM 37 CD 1-4/ | NFBC Montréal | 0 | |||||||||
| 18759 | Maurice | Blackburn | Cinè-crime | 1968 | fixed media, akusmatisch | 4:55 | Stereo | Audio-visuel | AN 27005-6 Analekta/ | NFBC Montréal | 0 | ||||||||
| 1839 | Maurice | Blackburn | Je | 1961 | Tanz | Film |
15:11 | Mono | AN 27005-6 Analekta/ | NFBC Montréal | 0 | |||||||||
| 18760 | Maurice | Blackburn | Jour aperès jour | 1962 | radiophon | 27:44 | Stereo | AN 27005-6 Analekta/ | NFBC Montréal | 0 | |||||||||
| 18761 | Maurice | Blackburn | L'eau+ | 1967 | fixed media, akusmatisch | 9:03 | Stereo | audio-visuel | AN 27005-6 Analekta/ | NFBC Montréal | 0 | ||||||||
| 18762 | Maurice | Blackburn | Twirligig | 1952 | audiovisuell | 3:22 | Stereo | audio-visuel | AN 27005-6 Analekta/ | NFBC Montréal | 0 | ||||||||
| 18763 | Maurice | Blackburn | Verbèration | 1969/1970 | Zuspiel / Tonband, | 22:21 | Stereo | AN 27005-6 Analekta/ | NFBC Montréal | 0 | |||||||||
| 39479 | Philip | Blackburn | Melody | 2017 | Zuspiel / Tonband, 1 perf | org or vib or p [Piano, Orgel, Schlagzeug] | 0 | ||||||||||||
| 18430 | Philippe | Blackford | Interiors… Inward turns the ivory key | 1990 | fixed media, akusmatisch | 18:48 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1840 | Ivo | Bláha | Ta láska (oh Love) | 1977 | Zuspiel / Tonband, 4 perf | 11:30 | Stereo | Sp, fl, ob, cl [Sprecher, Flöte, Klarinette, Oboe] | Radio Plzen | 0 | |||||||||
| 1841 | Franz | Blaimschlein | Animalisation | 1967 | fixed media, akusmatisch | 20:00 | Mono | ELAK Wien | 0 | ||||||||||
| 1842 | Franz | Blaimschlein | Studie I | 1967 | fixed media, akusmatisch | 11:00 | Mono | ELAK Wien | 0 | ||||||||||
| 1843 | Michael | Blake | Decomposition Mark #1 | 1959 | Theatermusik | 10:00 | Mono | PS Grant London | 0 | ||||||||||
| 1844 | Michael | Blake | Decomposition Mark #2 – #IV | 1963 | Theatermusik | 30:00 | Mono | Theâtre Champs Elysées Paris | 0 | ||||||||||
| 1845 | Michael | Blake | Decomposition Mark #V | 1965 | Theatermusik | 13:00 | Mono | PS C. Geneve | 0 | ||||||||||
| 1846 | Michael | Blake | Decomposition of William Burroughs | 1966 | fixed media, akusmatisch | 35:00 | Mono | txtcompo | Theâtre Champs Elysées Paris | 0 | |||||||||
| 38741 | William, Kai | BLAKE, GREHN | Die Hochzeit von Himmel und Hölle | 1998 | radiophon | 52:10:00 | 0 | ||||||||||||
| 38742 | William, Ilinka Colic | BLAKE, JOVANOVIC | La Parata | 1997 | radiophon | 20:46:00 | 0 | ||||||||||||
| 18766 | Philippe | Blanchard | Brasse coulèe | 1989 | fixed media, akusmatisch | 28:00 | Stereo | Blanchard = Lieutenant Caramel | MK CD 001/ | C&C Annecy | 1 | ||||||||
| 24814 | Philippe | Blanchard | Casimir | 1993 | fixed media, akusmatisch | 12:15 | LDC 278068/69 Cultures Electroniques 12/ | PS C. | 0 | ||||||||||
| 18767 | Philippe | Blanchard | Danseuses Etoiles | 1987 | fixed media, akusmatisch | 4:10 | Stereo | Blanchard = Lieutenant Caramel | MK CD 001/ | C&C Annecy | 1 | ||||||||
| 18768 | Philippe | Blanchard | Escalier de service | 1987 | fixed media, akusmatisch | 17:04 | Stereo | Blanchard = Lieutenant Caramel | MK CD 001/ Collectif & Cie C 02/ | C&C Annecy | 1 | ||||||||
| 1847 | Philippe | Blanchard | Et sonner les coucous | fixed media, akusmatisch | 18:30 | Blanchard = Lieutenant Caramel | Stèphane Santini CD 02/ | C&C Annecy | 0 | ||||||||||
| 19413 | Philippe | Blanchard | J'ai dix doigts | 1993 | fixed media, akusmatisch | 20:05 | Stereo | Blanchard = Lieutenant Caramel | SFCR CD 006/ | C&C Annecy | 0 | ||||||||
| 1848 | Philippe | Blanchard | L'Enfer est un petit dèbut | 1994 | fixed media, akusmatisch | 21:20 | Blanchard = Lieutenant Caramel | SFCR CD 006/ | C&C Annecy | 1 | |||||||||
| 18769 | Philippe | Blanchard | La boite de Pandore | 1992 | fixed media, akusmatisch | 10:30 | Stereo | Blanchard = Lieutenant Caramel | Collectif & Cie C 01/ | C&C Annecy | 1 | ||||||||
| 19414 | Philippe | Blanchard | La primitive | 1991 | Tanz | 17:03 | Stereo | Blanchard = Lieutenant Caramel | SFCR CD 006/ | C&C Annecy | 0 | ||||||||
| 18770 | Philippe | Blanchard | Planète blue | fixed media, akusmatisch | 10:00 | Stereo | Blanchard = Lieutenant Caramel | Collectif & Cie 12/ | C&C Annecy | 0 | |||||||||
| 18771 | Philippe | Blanchard | Presse - bouilles | 1988 | fixed media, akusmatisch | 8:30 | Stereo | Blanchard = Lieutenant Caramel | Collectif & Cie 12/ | C&C Annecy | 1 | ||||||||
| 22016 | Philippe | Blanchard | Variation sur un horizon perdu | 1997 | fixed media, akusmatisch | 14:38 | Musidisc 247982/ NOR 05/ | PS C. | 1 | ||||||||||
| 18772 | Philippe, Nicolas | Blanchard, Fraix | Un dimanche idèal | 1997 | radiophon | 12:09 | Stereo | Blanchard = Lieutenant Caramel | La Muse en Circuit, 3. concours de création radiophonique/ | C&C Annecy | 1 | ||||||||
| 1849 | Juan | Blanco | Ambitos | 1984 | fixed media, akusmatisch | 9 | ICAP Habana | 0 | |||||||||||
| 1850 | Juan | Blanco | Children's Suite | 1984 | fixed media, akusmatisch | 24:07 | Stereo | IMEB Bourges | 0 | ||||||||||
| 35969 | Juan | Blanco | Cirkus Toccata | 1983 | Zuspiel/Tonband, 2 perf | Film |
12:46 | Stereo | 2 perc [Schlagzeug] | innova 248/ EGREM LD 4211/ | ICAP Habana | 0 | ||||||||
| 35971 | Juan | Blanco | Ella | 1983 | fixed media, akusmatisch | 15:39 | innova 248/ | ICAP Habana | 0 | ||||||||||
| 22904 | Juan | Blanco | Espacios V | 1993 | Zuspiel / Tonband, 1 perf | 11:40 | sax [Saxophon] | CMJ Vol 23-4, 1999/ innova 248/ | ICAP Habana | 1 | |||||||||
| 34410 | Juan | Blanco | Fantasia | 1984 | fixed media, akusmatisch | 13:15 | ICAP Habana | 0 | |||||||||||
| 35973 | Juan | Blanco | Galaxia M-50 | 1979 | fixed media, akusmatisch | 9:02 | innova 248/ | ICAP Habana | 0 | ||||||||||
| 34411 | Juan | Blanco | Galileo Galilei | 1985 | fixed media, akusmatisch | 10:50 | ICAP Habana | 0 | |||||||||||
| 34412 | Juan | Blanco | Hvellas | 1983 | fixed media, akusmatisch | 20 | ICAP Habana | 0 | |||||||||||
| 35972 | Juan | Blanco | Loops | 1991 | fixed media, akusmatisch | 9:28 | computer music | innova 248/ | ICAP Habana | 0 | |||||||||
| 35970 | Juan | Blanco | Música para Danza | 1961 | fixed media, akusmatisch | 5:27 | first piece by Blanco | innova 248/ | ICAP Habana | 1964 | Union Nacional de Escritores y Artistas de Cuba, in Havana | 0 | |||||||
| 34413 | Juan | Blanco | Revelaciones | 1982 | fixed media, akusmatisch | 8 | ICAP Habana | 0 | |||||||||||
| 34409 | Juan | Blanco | Rituel | 1984 | fixed media, akusmatisch | 9:36 | ICAP Habana | 0 | |||||||||||
| 1851 | Juan | Blanco | Tañidos | 1983 | fixed media, akusmatisch | 12:00 | Stereo | ICAP Habana | 0 | ||||||||||
| 40101 | Michael | Blandino | Guest Dimensions | 2017 | fixed media, akusmatisch | Michael Blandino | 0 | ||||||||||||
| 40123 | Michael V. | Blandino | Boundless Filament | 2017 | audiovisuell | Michael V. Blandino | 0 | ||||||||||||
| 39297 | Andrew | Blanton | WAVEGUIDE | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 1852 | Oskar Gottlieb | Blarr | Autophoneumen, Gebete wegen der Verbrennungsmotoren | 1973 | Zuspiel / Tonband, 4 perf, 1 group | 4 V, ch [Stimme, Chor] | 0 | ||||||||||||
| 40098 | Mercedes | Blasco | Electronic Improvisations with Lobatus and Espongina | 2015 | fixed media, akusmatisch | 15:00:00 | Mercedes Blasco | 0 | |||||||||||
| 1853 | Antonio de | Blasio | Studio I - Simmetrie | 1959 | fixed media, akusmatisch | 5:10 | Mono | Stato Roma | 0 | ||||||||||
| 1854 | Antonio de | Blasio | Studio II - Energia e tempo | 1960 | fixed media, akusmatisch | 3:55 | Mono | Stato Roma, Poste Roma | 0 | ||||||||||
| 1855 | Antonio de | Blasio | Tensioni | 1963 | fixed media, akusmatisch | 7:45 | Mono | basato su "Studio II" | Stato Roma | 0 | |||||||||
| 1856 | Antonio de | Blasio | Volumi e cristalli | 1961 | fixed media, akusmatisch | 7:40 | Mono | basato su "Studio I" | Stato Roma | 0 | |||||||||
| 39233 | Wojtek | Blecharz | assonance | 2004 | fixed media, akusmatisch | 0 | |||||||||||||
| 34279 | Wojtek | Blecharz | DFRGMNTD, I flow | 2011 | live-elec, 4 perf | 2 p, 2 perc [Piano, Schlagzeug] | 0 | ||||||||||||
| 39234 | Wojtek | Blecharz | edge | 2009 | live-elec, 3 perf | cl, e-gui, p [Klarinette, Piano, Gitarre] | 0 | ||||||||||||
| 39235 | Wojtek | Blecharz | -onym | 2011 | live-elec, 5 perf | b-fl, b-cl, vn, vc, perc [Flöte, Klarinette, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 35032 | Wojtek | Blecharz | who’s afraid of sol la ti? (invention I) | 2016 | audiovisuell, live-elec, 1 perf | fl [Flöte] | Ari Benjamin Meyers hat eine Serie von ‚Meta-Partituren’ entwickelt, inspiriert von Sol LeWitts „Instruction Pieces“, die täglich neu in der Ausstellung in den Rieckhallen vom Komponisten Wojtek Blecharz und der Flötistin Susanne Fröhlich übersetzt und gespielt werden. Am 13. November 2016, dem letzten Tag der Ausstellung, werden sämtliche vor Ort entstandenen und einstudierten Interpretationen aus der Erinnerung heraus vorgetragen. | 0 | http://www.smb.museum/museen-und-einrichtungen/hamburger-bahnhof/ausstellungen/detail/musikwerke-bildender-kuenstler.html | ||||||||||
| 19362 | Markus | Bless | The Door - Entrance to the Image | 1995 | fixed media, akusmatisch | 6:09 | GEM 9701/ | SAMT Hagenberg | 1 | ||||||||||
| 40078 | Matthew | Blessing | Granular Quartet | 2017 | fixed media, akusmatisch | Matthew Blessing | 0 | ||||||||||||
| 39448 | Matthew | Blessing | Musical Chairs | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 35703 | Daniel | Blinkhorn | a place the night crashes against the sun | 2016 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 33470 | Daniel | Blinkhorn | and they threw his singing head into the sea | 2007 | Klangkunst, Installation | 17 | Surround 5.1, Spazialisation: var 5 - 12 | Commissioned as act III of the opera 'iOrpheus' - iPod Opera by William Duckworth and Nora Farrell | 31.08.2009 | Act III iOrpheus Opera, Southbank precinct, Brisbane | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-and-they-threw-his-singing-head-into-the-sea/22917 | |||||||
| 33473 | Daniel | Blinkhorn | Anthozoa | 2011 | fixed media, akusmatisch | 12 | Surround 5.1, Stereo | VICC Visby | 2011 | Musica Viva Festival Portugal | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-anthozoa/25965 | |||||||
| 33472 | Daniel | Blinkhorn | at a slight angle | 2008 | fixed media, akusmatisch | 5 | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-at-a-slight-angle/23301 | |||||||||||
| 33469 | Daniel | Blinkhorn | balanfô | 2006 | fixed media, akusmatisch | 14 | Surround 5.1, Stereo | Australia Council. | 15.11.2006 | ICMC - International Computer Music Conference, New Orleans, USA | Finalist - 33e Concours Internationaux de Musique et d'Art Sonore Electroacoustiques de Bourges, France | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-balanfo/22916 | ||||||
| 33467 | Daniel | Blinkhorn | built environment | 2008 | fixed media, akusmatisch | audiovisuell |
6 | Surround 5.1, Stereo | 26.10.2008 | DEAF - Dublin Electronic Arts Festival, Ireland | 2nd Prize - Diffusion 2008 International Electroacoustic Composition Competition, Centre for Computational Musicology and Computer Music, Ireland. | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-built-environment/22891 | |||||||
| 38819 | Daniel | Blinkhorn | Cradle Caldera | 2017 | radiophon | 17 | EBU Ars Acustica 2017 | 0 | |||||||||||
| 33477 | Daniel | Blinkhorn | frostbYte: cHatTer | 2012 | fixed media, akusmatisch | 10 | Surround 5.1, Stereo | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-frostbyte-chatter/27433 | ||||||||||
| 33478 | Daniel | Blinkhorn | frostbYte: red sound | 2012 | fixed media, akusmatisch | 14 | Surround 5.1, Stereo | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-frostbyte-red-sound/27435 | ||||||||||
| 33471 | Daniel | Blinkhorn | gossima collective | 2009 | fixed media, akusmatisch | 12 | EuCuE XXVIII, Université Concordia, Salle Oscar Peterson Concert Hall, Montréal, QC | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-gossima-collective/23300 | ||||||||||
| 33468 | Daniel | Blinkhorn | In situ bacia | 2009 | Radiokunst, live-elec, 1 perf | 16 | Surround 5.1, Stereo | cl [Klarinette] | Radiophonic, Videophonic, Hörspiel The work can be presented as a radiophonic composition (Hörspiel), or videophonic composition in surround sound (with or without live perfomer). |
La Muse en Circuit, France | 26.3.2009 | Archipel Festival Des Musiques D'Aujourd'Hui, Geneva | Winner - the 8th International Competition d'art Radiophonique Pour Sons Fixés et Instrument - Luc Ferrari, presented by LA MUSE EN CIRCUIT, Centre National de Création Musicale, France in 2008. | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-in-situ-bacia/22892 | ||||
| 28272 | Daniel | Blinkhorn | Jeu fabriqué | 2007 | fixed media, akusmatisch | audiovisuell |
10:00 | miso records mcd 023.10/ | Musica Viva Lisboa 2008 winner SMC08 Berlin winner |
1 | 2008 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-jeu-fabrique/26462 | ||||||||
| 37767 | Daniel | Blinkhorn | Kibuyu | 2016 | fixed media, akusmatisch | Honorable Mention 35th CIME-ICEM 2017 | 0 | ||||||||||||
| 33474 | Daniel | Blinkhorn | le son de la lumière | 2011 | fixed media, akusmatisch | 14 | Surround 5.1, Stereo | Dedicated to the memory of the composer Luc Ferrari | Prix Presque Rien - La Muse en Circuit, Paris | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-le-son-de-la-lumiere/25966 | ||||||||
| 33479 | Daniel | Blinkhorn | shudder | 2013 | Tanz | 23 | 2 dancer [Tanz] | DirtyFeet, chronology arts. | 8.10.2013 | 'Vitality', Reginald Theatre, Seymour Centre, Sydney | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-shudder/28561 | |||||||
| 33466 | Daniel | Blinkhorn | Squeak ('n bubble) | 2006 | fixed media, akusmatisch | 10 | acousmatic | 16.11.2006 | Daghdha Space, John's Square Limerick | 2nd prize - 'Diffusion 2006 International Electroacoustic Composition Competition', Centre for Computational Musicology and Computer Music and RTÉ Lyric FM, Ireland | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-squeak-n-bubble/21637 | |||||||
| 33475 | Daniel | Blinkhorn | Terra subfónica, Seascape Triptych – I Subfón – Monochrome I Sub Chron I Seascape Triptych – II Hermetica Corpus Sanus – Computare (Sub)Urban Mantra Corpus Sanus – Hominis Geste Sonore Relatively Loud Tones Tape Junk Seascape Triptych – III Cnidaria Sub Chron II Voix Sous Norse Hamn (Norse Harbor) Toy Bagatelle – I Toy Bagatelle – II (Glass Ear) – Monochrome Toy Bagatelle – Section III Intersections Place / Space Threnody |
2010 | radiophon | 55 | Stereo | 20 parts | Gruen 117/ | ABC Radio. | 10.11.2010 | ABC Radio National | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-terra-subfonica/25967 | |||||
| 31419 | Thomas | Bloch-Bonhof | Deiner Tränen | 1995 | live-elec, 1 perf | 10:40:00 | MIDI p, (Max/SMP, sam) [Piano] | HfM Dresden | 0 | ||||||||||
| 1858 | Augustyn | Bloch | Anenaiki | 1979 | live-elec, 16 perf | 16 V [Stimme] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 1859 | Augustyn | Bloch | The Voice of Silence | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 1860 | Augustyn | Bloch | Zwierciadlo (The Looking Glass) | 1975 | Tanz | 0 | |||||||||||||
| 1861 | G. | Bloch | o.T. | 1990 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX, Straßburg | 0 | ||||||||||
| 1862 | G. | Bloch | Tribouletage | 1984 | Zuspiel / Tonband, 1 perf | 5:38 | Stereo | vc [Cello] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 1863 | G. | Bloch | Tribuni A | 1983 | fixed media, akusmatisch | 4:55 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 42083 | Martin | Block | The make-believe ballroom | 1935 | radiophon | WNEW, New York, Voice of America | 0 | ||||||||||||
| 32112 | Per | Bloland | Elsewhere is a Negative Mirror, Part I | 2005 | live-elec, 1 perf | 10:43:00 | p [Piano] | for piano with electromagnets, Chryssie Nanou, piano | SEAMUS EAM Vol. 15/ | 0 | |||||||||
| 26428 | Per | Bloland | Graveshift | 2004 | audiovisuell | 5:00 | CMJ Vol 33-4, 2009/ | 1 | http://www.stanford.edu/~bloland/compositions.html | ||||||||||
| 36237 | Per | Bloland | Shadows of the Electric Moon | 2013 | live-elec, 1 perf | 12:11 | perc [Schlagzeug] | dedicated to Patti Cudd | innova 967/ | Uni Miami | 0 | ||||||||
| 26429 | Per | Bloland | The Wondrous Delight of Profound Ineptitude | 2003 | fixed media, akusmatisch | 6:53 | first prize in the ASCAP/SEAMUS | 0 | http://www.stanford.edu/~bloland/compositions.html | ||||||||||
| 26430 | Per | Bloland | Underwater | 2001 | fixed media, akusmatisch | 8:36 | 0 | http://www.stanford.edu/~bloland/compositions.html | |||||||||||
| 18812 | Karl-Heinz | Blomann | Menschen unter dem Mond | 1991 | fixed media, akusmatisch | 17:00 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records ART CD 001/ | 1 | |||||||||
| 18813 | Karl-Heinz, Georg | Blomann, Gräwe | Hymne an das Ruhrgebiet | 1991 | intermedia | 4:35 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records ART CD 001/ | 1 | |||||||||
| 1864 | Karl-Birger | Blomdahl | Altisonans | 1966 | fixed media, akusmatisch | Film || Fernsehen |
18:55 | Mono, Quadro | LPD 2, SR - Dokumentation 2/ | SR Stockholm | 1 | |||||||||
| 1865 | Karl-Birger | Blomdahl | Aniara, (a Review of Man in Time and Space) | 1959 | Oper | 120 | Stereo | 2 Acts (7 scenes), a space Opera. Text by Erik Lindegren from Harry Martinon's verse epic. Elec are the "Mima-Tapes" and "the Blibd Poetess" (Arie der Blinden) | CAP 22016/ MS 7176/ IDEAMA CD 099/ | SR Stockholm | 31.5.1959 | Royal Opera Stockholm | 1 | ||||||
| 28106 | Karl-Birger | Blomdahl | Mimamusik | 1959 | fixed media, akusmatisch | 13:11 | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | 0 | |||||||||||
| 1866 | Anders | Blomqvist | Akrobat 0.1 | 1988 | Zuspiel / Tonband, 1 perf | 10:50 | Stereo | V [Stimme] | EMS Stockholm | Rikskonserter | 0 | ||||||||
| 1867 | Anders | Blomqvist | Akrobat 02 | 1989 | fixed & Dias | 8:00 | Stereo | + 6 Diaprojektoren (Bildspel) | TU Berlin | 5.2.1989 | Inventionen1989, Künstlerhaus Bethanien Berlin Studio 1 | 1 | 1989 | ||||||
| 1868 | Anders | Blomqvist | Bertrand R | 1980 | fixed media, akusmatisch | 10:09 | Stereo | 0 | |||||||||||
| 1869 | Anders | Blomqvist | Blockbuster | 1982 | fixed media, akusmatisch | 3:20 | Stereo | 0 | |||||||||||
| 1870 | Anders | Blomqvist | Carpe Diem | 1981 | fixed media, akusmatisch | 13:28 | IMPAC | CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | |||||||||
| 28348 | Anders | Blomqvist | Cincere | 1989 | intermedia | Stereo | slide show (Josef Doukkali) | EMS Stockholm | 0 | ||||||||||
| 1871 | Anders | Blomqvist | Delta A | 1993 | fixed media, akusmatisch | 8:58 | FYCD 1003 / | EMS Stockholm | 1 | ||||||||||
| 1872 | Anders | Blomqvist | Eldon | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 1873 | Anders | Blomqvist | Hästkadaver | 1978 | fixed media, akusmatisch | 8:56 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1874 | Anders | Blomqvist | IOPS 3 | 1994 | fixed media, akusmatisch | CAP 21467/ | EMS Stockholm | 24.9.1994 | Stockholm Electronic Music Festival at Berwaldhallen „jubileumskonsert, EMS 30 år!“ | 1 | |||||||||
| 1875 | Anders | Blomqvist | Jaguar Revisited | 1983 | intermedia | 15:54 | Stereo | slide show (Josef Doukkali) | FYCDR 2001/ Infogram 045/1/ | EMS Stockholm | 1 | 2002 | |||||||
| 1876 | Anders | Blomqvist | Lag | 1986 | fixed media, akusmatisch | 12:59 | Stereo | INFO 009; (extrait- 5:05) | PSCD 41 Phono Suecia/ INFOGRAM 009/ | EMS Stockholm | 1 | ||||||||
| 1877 | Anders | Blomqvist | Ljuset | 1977 | fixed media, akusmatisch | 12:10 | Stereo | EMS Stockholm, SÄMUS | 0 | ||||||||||
| 22909 | Anders | Blomqvist | Spårar, Traces | 1997 | fixed media, akusmatisch | 9:10 | Elektron EM 1001/ | Växjö | MEDIA ARTES and SVENSKA RIKSKONSERTER | 1 | |||||||||
| 23113 | Anders | Blomqvist | Tass | 1999 | Zuspiel / Tonband, 1 perf | 9:40 | mar [Schlagzeug] | 1 | 2002 | ||||||||||
| 1880 | Anders | Blomqvist | … under a Rest | 1992/1993 | Zuspiel / Tonband, 1 perf | 11:30 | Stereo | p [Piano] | PSCD 91-2 Phono Suecia/ | EMS Stockholm | 1 | ||||||||
| 1881 | Anders | Blomqvist | Vinterljus | 1984 | Tanz | 60:00 | Stereo | Zarouki Dance Troupe | 0 | ||||||||||
| 1879 | Anders, William | Blomqvist, Brunson | Soundscape | 1982 | fixed media, akusmatisch | Hintergrundmusik |
300:00 | 26 Tracks | the AM version: 59' | HfM Stockholm | 0 | |||||||||
| 1878 | Anders, Josef | Blomqvist, Doukkali | Sincere | 1990 | fixed & Dias | Bildspel | EMS Stockholm | 0 | 2002 | ||||||||||
| 19286 | Anders, Åke | Blomqvist, Parmerud | Tangent | 1989 | live-elec, 1 perf | 7:30 | synt, (com) [synthesizer] | PSCD 91-2 Phono Suecia/ | 1 | 1992 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||
| 37816 | Julia | Blondeau | Namenlosen | 2017 | live-elec, 4 perf, 1 group | 4 mus (solo), ens [Musiker, Ensemble] | IRCAM | 0 | |||||||||||
| 28351 | Thierry | Blondeau | Étude au Doppler | 2002 | fixed media, akusmatisch | swinging loudspeaker | Inventionen 2002 | 6.7.2002 | Inventionen Parochialkirche Berlin | 0 | 2002 | ||||||||
| 19171 | Thierry | Blondeau | Ici et là I | Zuspiel / Tonband, 1 perf | 8:27 | cl [Klarinette] | MFA 216013/ | 1 | |||||||||||
| 19172 | Thierry | Blondeau | Ici et là II | Zuspiel / Tonband, 1 perf | 7:39 | fl [Flöte] | MFA 216013/ | 1 | |||||||||||
| 23114 | Thierry | Blondeau | Klang | 1992 | fixed media, akusmatisch | 10:24 | 1 | ||||||||||||
| 42426 | Thierry | Blondeau | Last Week-End on Mars | 2013 | Zuspiel / Tonband, 2 perf | 7 | 2 vn or vc (mindestens 2 Violinen und Zuspiel-CD) [Cello, Violine] | mindestens zwei Violinen und Zuspiel-CD. Eine Fassung für Celli existiert auch. Violinen und Celli können auch zusammen spielen | Éditions François Dhalmann (www.dhalmann.fr) | 0 | |||||||||
| 28097 | Thierry | Blondeau | Lieu IV | live-elec, 2 perf, 1 group | ob, cl, ens [Klarinette, Oboe, Ensemble] | Collectif & Cie mts 07/ | Musiques Tracées | 0 | |||||||||||
| 33805 | Maria | Blondeel | A40 Ruhr | 2010 | audiovisuell | Klangkunst, Installation |
57 | Stereo, Surround 5.1 | SD DVD / 56:12 / 29.97 fps / 16:9. DVD mit Poster (Auflage: 500 Exemplare) |
VAF & onomato DVD/ | 1 | http://users.telenet.be/MariaBlondeel/site/s_v.htm | ||||||||
| 1882 | Rudi | Blondia | Hybrid experiment for Bourges | 1980 | fixed media, akusmatisch | 18:56 | Stereo | IPEM Gent | 0 | ||||||||||
| 32167 | Jaap | Blonk | der minister I | 1985 | Performance | 1:10:00 | V [Stimme] | Jaap Blonk (V) | WD 2000, Wittener Tage Für Neue Kammermusik 2000/ | 2000 | Wittener Tage für neue Kammermusik 2000 | 1 | |||||||
| 32166 | Jaap | Blonk | Rhotic, Doe phonetische Etüde Nr. 1 | 1992 | Performance | 3:32:00 | V [Stimme] | Jaap Blonk (V) | WD 2000, Wittener Tage Für Neue Kammermusik 2000/ | 2000 | 1 | ||||||||
| 18783 | Jaap, Rudolf | Blonk, Blümner | Ango Laina | Performance | 4:24 | Stereo | V [Stimme] | poésie sonore | 0 | ||||||||||
| 18785 | Jaap, Dick | Blonk, Higgins | glasslass | Zuspiel, Performance, 1 perf | 2:07 | Stereo | V [Stimme] | poésie sonore | Staalplaat STCD 046/ | PS C. NY | 0 | ||||||||
| 27348 | Jean-François | Blouin | Catacombes | 2007 | fixed media, akusmatisch | 10:01 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 2. prize | 1 | http://www.myspace.com/jeanfrancoisblouin | ||||||||
| 42891 | Andrew | Bluff | Colony | 2013 | fixed media, akusmatisch | 6:52:00 | 0 | ||||||||||||
| 42722 | Andrew | Bluff | The Post-Industrial Frogscape | 2012 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41865 | Thom | Blum | Combustible | 2008-2009 | fixed media, akusmatisch | 9:30 | electroacoustic composition consisting of lots and lots of micro edits | 0 | |||||||||||
| 41863 | Thom | Blum | Couplings | 2012 | fixed media, akusmatisch | 6:35:00 | 0 | ||||||||||||
| 41867 | Thom | Blum | Cycle | 2004 | fixed media, akusmatisch | 7:22 | electroacoustic composition mixing orchestral instrument samples, synthesized and processed sounds | 0 | http://theremin.music.uiowa.edu/ | ||||||||||
| 41861 | Thom | Blum | Emancipation | 2013 | fixed media, akusmatisch | 7:30:00 | Stereo | dedicated to George Steeley III | 0 | ||||||||||
| 41873 | Thom | Blum | five haiku | 2000 | fixed media, akusmatisch | based on computer-generated sound and processed field recordings ofurban hikes in San Francisco, California | 0 | ||||||||||||
| 41875 | Thom | Blum | In or Out | 1997 | fixed media, akusmatisch | based on computer-generated sound and live-processed sound of Radish Festival, Oaxaca, Mexico and Christmas festival, San Miguel de Allenda,Mexico | 0 | ||||||||||||
| 41872 | Thom | Blum | J-Wake | 2001 | fixed media, akusmatisch | 12:45 | based on computer-generated sound and processed field recordings ofCalifornian and Mexican Pacific coastlines | 0 | |||||||||||
| 41878 | Thom | Blum | Japanese Postcard | 1995 | fixed media, akusmatisch | 14:18 | audio postcard based on computer-processed field recordings of Tokyo, Hamamatsu, and Kyoto | 0 | |||||||||||
| 41874 | Thom | Blum | Maroc | 1998 | fixed media, akusmatisch | audio postcard based on computer-processed field recordings of Fez,Tanjer, Marrakesh, and Chefchaouen, Morocco | 0 | ||||||||||||
| 41876 | Thom | Blum | Musk | 1997 | fixed media, akusmatisch | based on computer-generated sound and live-processed sound of soukin Marrakesh, Morocco | 0 | ||||||||||||
| 41870 | Thom | Blum | nomen plaid | 2003 | fixed media, akusmatisch | 8 | electroacoustic composition | 0 | |||||||||||
| 41869 | Thom | Blum | Note from Patzcuaro | 2003 | fixed media, akusmatisch | 4:17 | audio postcard based on computer-processed field recordings of Patzcuaro, Mexico | 0 | |||||||||||
| 41862 | Thom | Blum | Post from Rajasthan | 2005, 2011 | fixed media, akusmatisch | audio postcard | 0 | ||||||||||||
| 41858 | Thom | Blum | Rajasthan Post | 2000 | radiophon | 5:48:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 41866 | Thom | Blum | Squelch | 2005-2006 | fixed media, akusmatisch | 14:10 | electroacoustic composition mixing raw and processed field recordings; waveshaping is the primary processing technique in this piece | 0 | |||||||||||
| 41871 | Thom | Blum | Things Frankie Heard | 2002 | fixed media, akusmatisch | 12:23 | based on computer-generated sound and processed field recordingsof Desolation Wilderness, California | 0 | |||||||||||
| 41879 | Thom | Blum | Three Studies for Pedal Steel | 1995 | fixed media, akusmatisch | 9:07 | based on heavily computer-processed recordings of pedal steel guitar | 0 | |||||||||||
| 41864 | Thom | Blum | TimePiece (Berlin, September, 2010) | 2010 | Klangkunst, Installation | 640 | Ohrenhoch der Geräuschladen, for 8 playback devices with remote controls | 0 | |||||||||||
| 41877 | Thom | Blum | To My Son Parker, Asleep in the Next Room | 1996 | fixed media, akusmatisch | 9:34 | setting of poem of same title by the late Bob Kaufman, computer-generated sound and processed voice | 0 | |||||||||||
| 41880 | Thom, Erling | Blum, Wold | Survival of the Fit Enough: The Galapagos Project | 2003 | Tanz | by Deborah Slater Dance Theater | 0 | ||||||||||||
| 41868 | Thom, Erling | Blum, Wold | Trio | 2004 | Tanz | music for choreography by Deborah Slater Dance Theater, co-composed with Erling Wold | 0 | ||||||||||||
| 38820 | Felix | BLUME | Fuga | 2017 | radiophon | 7 | EBU Ars Acustica 2017 | 0 | |||||||||||
| 38495 | Felix | BLUME | Los Gritos de Mexico | 2015 | radiophon | 29:12:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 41065 | Bruno | Bocca | D.Re | 1998 | fixed media, akusmatisch | 5:57 | 0 | ||||||||||||
| 18788 | Bruno | Bocca | Faux mouvements | 1989 | fixed media, akusmatisch | 15:47 | Stereo | Acousmatica CD 1296/ | CICM Paris | 0 | |||||||||
| 1883 | Bruno | Bocca | Iconoclastie | 1993 | fixed media, akusmatisch | 10:00 | Stereo | CICM Paris | 0 | ||||||||||
| 1884 | Bruno | Bocca | L'escrutateur et l'infini | 1991/1992 | fixed media, akusmatisch | 10:00 | Stereo | CICM Paris | 0 | ||||||||||
| 1885 | Christian | Bock | Akustiska rum och mekaniska filter | 1982 | fixed media, akusmatisch | 9:00 | Stereo | Infogram 045/1/ | EMS Stockholm | 1 | |||||||||
| 1886 | Christian | Bock | Bosse i bitar | 1982 | fixed media, akusmatisch | radiophon |
3:55 | Stereo | CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | |||||||||
| 1887 | Christian | Bock | Duchamp | 1981 | fixed media, akusmatisch | 1:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1888 | Christian | Bock | Klippt Hyland | 1979 | fixed media, akusmatisch | 1:16 | CAP 21469 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | ||||||||||
| 22332 | Christian | Bock | The Washington Trials | 1996 | fixed media, akusmatisch | 3:19 | Infogram 045/1/ | 1 | |||||||||||
| 1889 | Christian | Bock | Transportsträcka | 1979 | fixed media, akusmatisch | 3:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 42841 | John | Bock | One Nation Under God | 2013 | fixed media, akusmatisch | 9:12:00 | 0 | ||||||||||||
| 24268 | Onnen | Bock | Fragmentierung, Studie 1 | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 25013 | Onnen, Manfred | Bock, Klauß | Was Noch Was | 2004 | fixed media, akusmatisch | 12:37 | Klangorganisation unter Verwendung von „55 similar sounds - 2 drummers drumming“ von B. Schlothauer und „bisherigori“ von A. Gillis | x-tract x-t 2006/ | 1 | ||||||||||
| 32173 | Onnen, Joachim | Bock, Roedelius | Fragen, Los geht’s Auf der Alm Zartbitter Wurzelwelt Fünf nach eins Haste Töne Josef Z. |
2011 | live-elec, 2 perf | 39 | 2 perf (elec, sam, com) [Performer] | BB 076/ | PS C. | 1 | |||||||||
| 32172 | Onnen, Joachim | Bock, Roedelius | Rufen, Live bei More Ohr Less in Lunz Live in Schönberg I, II, III |
2010 | live-elec, 2 perf | 47 | 2 perf (elec, sam, com) [Performer] | BB 075/ | PS C. | 1 | |||||||||
| 1890 | Thomas | Bocklenberg | Interview mit Autofluk | 1986 | fixed media, akusmatisch | 20:03 | Quadro | ICEM Essen | 0 | ||||||||||
| 1891 | Thomas | Bocklenberg | Ricercar 2 | 1989 | fixed media, akusmatisch | 8:00 | Synlab, Player (SC2) | 0 | |||||||||||
| 1892 | Florentijn | Boddendijk | Hotel Continuity | 1991 | fixed media, akusmatisch | 8:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 1893 | Florentijn | Boddendijk | Micro | 1988 | Zuspiel, live-elec, 1 perf | 6:00 | Stereo | com [computer] | Sonology Den Haag | 0 | |||||||||
| 1894 | Florentijn | Boddendijk | Porno Stereo | 1989 | Zuspiel, live-elec, | 8:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 1895 | Florentijn | Boddendijk | Special damage | 1989 | fixed media, akusmatisch | 2:32 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 1896 | Florentijn | Boddendijk | Virus | 1988 | live-elec, 1 perf | 5:50 | Quadro | com [computer] | A. B. live computermuziek, Olivia Trotman: Atari mega st.4 serie nv A1783001251 | Sonology Den Haag | 0 | ||||||||
| 1897 | Ian | Boddy | Jade | fixed media, akusmatisch | 0 | ||||||||||||||
| 41096 | Harald | Bode | Bell Zither | Lehre & Forschung | 1:09:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41097 | Harald | Bode | Formant Spiels 1 & 2 | Lehre & Forschung | 3:31:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41091 | Harald | Bode | Geklebte Musik Experiment | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41098 | Harald | Bode | Happy 2 | Lehre & Forschung | 2:55:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41090 | Harald | Bode | Kowloon | 2005 | Performance, live-elec, 1 perf | perf [Performer] | Moog Synt | IEA 08/ | IEA Alfred Uni | 0 | https://econtact.ca/13_4/images/bode_score_kowloon-p1.jpg | ||||||||
| 41099 | Harald | Bode | More with 2 Barberpoles | Lehre & Forschung | 7:41:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41100 | Harald | Bode | Phase 4-2 | Lehre & Forschung | 4:04:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41101 | Harald | Bode | Phase 6 | Lehre & Forschung | 19:05:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41102 | Harald | Bode | Rainbow Suite | Lehre & Forschung | 2:50:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41093 | Harald | Bode | Sequence Three | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41089 | Harald | Bode | Two Barber Poles | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41066 | Harald, Stephen, Andrew, Peer | Bode, Vitiello, Deutsch, Bode | Autumn Light | live-elec, 3 perf | 70 | 3 elec (Electronics, Sampler, Vocoder, Frequency Shifter, Barberpole Phaser) [elektronik] | Harald-Bode-Equipment | IEA 04/ | IEA Alfred Uni | 0 | https://www.discogs.com/de/Vitiello-Bode-Deutsch-Autumn-Light/release/1296704 | ||||||||
| 1898 | Lars-Gunnar | Bodin | A soundscape of Europe (Stockholm) | 1979 | fixed media, akusmatisch | 2:05 | Stereo | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 1899 | Lars-Gunnar | Bodin | Anima | 1984/1987 | Zuspiel / Tonband, 1 perf | 7:29 | Stereo | S [Sopran] | WER 2027; Computer Music Currents 7/ | 1 | |||||||||
| 24367 | Lars-Gunnar | Bodin | Anna | 1999 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 21494 | Lars-Gunnar | Bodin | Clouds | 1976 | intermedia | fixed media, akusmatisch |
44:38 | Stereo | 12 parts | FYLP 1020/ FYCD 1023/ | 1 | |||||||||
| 1901 | Lars-Gunnar | Bodin | Cybo I | 1967 | fixed media, akusmatisch | 15:40 | Mono, Quadro | txtcompo | EMS Stockholm | 0 | |||||||||
| 1902 | Lars-Gunnar | Bodin | Cybo II | 1967 | fixed media, akusmatisch | 5:00 | Mono | txtcompo | PSCD 63 Phono Suecia/ CAP 60008 Beilage Buch Sanne Krogh Groth/ IDEAMA CD 047/ |
EMS Stockholm | 1 | ||||||||
| 1903 | Lars-Gunnar | Bodin | Dedicated to you II | 1971 | fixed media, akusmatisch | 3:00 | Stereo | CAP 1035 LP/ | EMS Stockholm | 1 | |||||||||
| 1904 | Lars-Gunnar | Bodin | Divertimento för Dalle | 1991 | fixed media, akusmatisch | 15:00 | FER 1061 Firework Edition Rec/ | Rikskonserter | 1 | ||||||||||
| 18789 | Lars-Gunnar | Bodin | Dizcour: Royal Martin | 1987 | fixed media, akusmatisch | 15:36 | Stereo | INFO 009 (extrait 6:34) | INFOGRAM 009/ PSCD 50 Phono Suecia/ | EMS Stockholm, Bregman Dartmouth, IMEB Bourges | 1 | ||||||||
| 1906 | Lars-Gunnar | Bodin | Dizkus | 1986 | Zuspiel / Tonband, 5 perf | 13:40 | Stereo | w-qnt [Bläser] | 26 passages | PSCD 91-1 Phono Suecia/ | EMS Stockholm | 1 | |||||||
| 1907 | Lars-Gunnar | Bodin | Dizkus III | 1988 | fixed media, akusmatisch | 11:07 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1908 | Lars-Gunnar | Bodin | En aptitretare - inga hundar i Kina | 1966 | fixed media, akusmatisch | 10:00 | Stereo | txtcompo | 0 | ||||||||||
| 1909 | Lars-Gunnar | Bodin | Enbart för Kerstin | 1979 | Zuspiel/Tonband, 1 perf | radiophon |
12:50 | Stereo | S [Sopran] | PSCD 63 Phono Suecia/ | 1 | |||||||||
| 1910 | Lars-Gunnar | Bodin | Epilogue - Rhapsodie de la seconde récolte | 1980 | fixed media, akusmatisch | 11:29 | Stereo | FYLP 1025/ PSCD 50 Phono Suecia/ LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||||
| 1911 | Lars-Gunnar | Bodin | Fikonsnackarna | 1966 | fixed media, akusmatisch | 4:45 | Stereo | txtcompo | EMS Stockholm | 0 | |||||||||
| 1912 | Lars-Gunnar | Bodin | For Jon I, Fragments of a time to come | 1977 | radiophon | 32:00 | Stereo | FTS 33443/ LDC 278062 Cultures Electroniques 9 Magisterium/ | 1 | ||||||||||
| 1913 | Lars-Gunnar | Bodin | For Jon II, retrospective episodes (3 parts) | 1983/1989 | fixed media, akusmatisch | 32:15 | Stereo | new version 1989 PSCD 63 (1-2); Part I (extrait 6:19) |
PSCD 63 Phono Suecia/ FYCD 1023/ | EMS Stockholm | 1 | ||||||||
| 1914 | Lars-Gunnar | Bodin | For Jon III; They extricated their extremities | 1982 | fixed media, akusmatisch | 10:35 | Stereo | txtcompo Inventionen 2.3.1986 Ackerstr. |
FYLP 1029/ PSCD 63 Phono Suecia/ | EMS Stockholm | 1 | ||||||||
| 1915 | Lars-Gunnar | Bodin | Från början till slut | 1973 | fixed media, akusmatisch | 9:35 | Stereo | 0 | |||||||||||
| 1916 | Lars-Gunnar | Bodin | … from any point to any other point | 1968 | Tanz | 8:55 | Quadro | RELP 1073/ FYCD 1024 CD 1 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 1900 | Lars-Gunnar | Bodin | From Clouds | 1971 | intermedia | 90:00 | Stereo, Quadro, Octo | PSCD 50 (extrait-8:28) | PSCD 50 Phono Suecia/ | 1 | |||||||||
| 1917 | Lars-Gunnar | Bodin | God jul '92 | 1992 | Zuspiel, live-elec, 1 perf | 14:06 | Stereo | ww [Bläser] | PS C., EMS Stockholm | 0 | |||||||||
| 25846 | Lars-Gunnar | Bodin | Gyzo | 1997 | fixed media, akusmatisch | 16:13 | FER 1061 Firework Edition Rec/ | PS Semikolon Gnesta | CDMC Madrid | 1 | |||||||||
| 1918 | Lars-Gunnar | Bodin | Hälsnigar från syrenbersån | 1994 | fixed media, akusmatisch | 11:32 | CAP 21467/ LDC 278062 Cultures Electroniques 9 Magisterium/ | EMS Stockholm | 24.9.1994 | Stockholm Electronic Music Festival at Berwaldhallen „jubileumskonsert, EMS 30 år!“ | 1 | ||||||||
| 1919 | Lars-Gunnar | Bodin | Händelser och handlingar | 1971 | Fernsehen, | Tanz || fixed media, akusmatisch |
Mono, Stereo | 0 | ||||||||||||
| 1920 | Lars-Gunnar | Bodin | Images | 1975 | fixed media, akusmatisch | 10:19 | Stereo | one the first four pieces made with "The Dartmouth Digital Synthesizer" | FTS 33442/ | Bregman Dartmouth | 0 | ||||||||
| 22452 | Lars-Gunnar | Bodin | Jenseits von Licht und Dunkel | 2001 | fixed media, akusmatisch | 17:40 | PS | 1 | |||||||||||
| 25847 | Lars-Gunnar | Bodin | Mare Atlantica | 1997 | fixed media, akusmatisch | 17:10 | FER 1061 Firework Edition Rec/ | PS Semikolon Gnesta | Ultima Festival | 1 | |||||||||
| 1921 | Lars-Gunnar | Bodin | Mémoires du temps d'avant la Destruction | 1982 | fixed media, akusmatisch | 19:15 | Stereo | Inventionen 14.2.1984 Ackerstr. | GMEB 84004/ PSCD 50 Phono Suecia/ | IMEB Bourges | 1 | ||||||||
| 1922 | Lars-Gunnar | Bodin | My world - is your world | 1966 | Zuspiel / Tonband, 1 perf | 16:00 | Quadro | org [Orgel] | EMS Stockholm | 0 | |||||||||
| 1923 | Lars-Gunnar | Bodin | Nästan | 1977 | fixed media, akusmatisch | 1:10 | Stereo | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ | HfM Stockholm | 1 | |||||||||
| 1924 | Lars-Gunnar | Bodin | Nattens ljud | 1970 | Film | 2:30 | Mono | Animated film for children | 0 | ||||||||||
| 1925 | Lars-Gunnar | Bodin | Notturno alla prima | 1991 | fixed media, akusmatisch | 10:30 | 0 | ||||||||||||
| 1926 | Lars-Gunnar | Bodin | On speaking terms | 1984 | Zuspiel / Tonband, 1 perf | 29:45 | Stereo | trbn [Posaune] | 5 poems | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||
| 1927 | Lars-Gunnar | Bodin | On speaking terms II | 1986 | fixed media, akusmatisch | 7:00 | Stereo | txtcompo in 4 parts | PSCD 63 Phono Suecia/ | 1 | |||||||||
| 18791 | Lars-Gunnar | Bodin | On speaking terms II: Poem n°5 | 1986 | fixed media, akusmatisch | 1:00 | Stereo | txtcompo in 4 parts | PSCD 63 Phono Suecia/ | 0 | |||||||||
| 18790 | Lars-Gunnar | Bodin | On speaking terms II:Poem n°4 | 1986 | fixed media, akusmatisch | 2:27 | Stereo | txtcompo in 4 parts | PSCD 63 Phono Suecia/ | 0 | |||||||||
| 1928 | Lars-Gunnar | Bodin | Place of plays | 1967 | Tanz | 34:00 | Quadro | CAP 1035 LP/ IDEAMA CD 046/ | EMS Stockholm | 1 | |||||||||
| 22759 | Lars-Gunnar | Bodin | Plus | 1977 | fixed media, akusmatisch | 1:15 | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ | HfM Stockholm | 1 | ||||||||||
| 18431 | Lars-Gunnar | Bodin | Pour traverser la membrane de l'espace/temps | 1992 | fixed media, akusmatisch | 15:35 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1930 | Lars-Gunnar | Bodin | Primary Structures | 1976 | Zuspiel / Tonband, 1 perf | 5:35 | bn [Fagott] | FYLP 1011/ | 1 | ||||||||||
| 1931 | Lars-Gunnar | Bodin | Prolog | 1976 | fixed media, akusmatisch | 9:00 | Stereo | EMS Stockholm, Bregman Dartmouth | 1 | ||||||||||
| 22760 | Lars-Gunnar | Bodin | Seeings | 1973 | fixed media, akusmatisch | 13:12 | Bregman Dartmouth | 1 | |||||||||||
| 1932 | Lars-Gunnar | Bodin | Semicolon, Seance 4 | 1965 | fixed media, akusmatisch | 10:27 | CAP 21469 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | ||||||||||
| 1933 | Lars-Gunnar | Bodin | Semikolon, Den heter ingenting den heter nog Seans 2 | 1966 | fixed media, akusmatisch | 16:01 | Mono | txtcompo | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | EMS Stockholm | 0 | ||||||||
| 1934 | Lars-Gunnar | Bodin | Syner | 1973 | fixed media, akusmatisch | 13:00 | Stereo | FYCD 1023/ | 1 | ||||||||||
| 34583 | Lars-Gunnar | Bodin | The Lipton Voice Machinery | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 1935 | Lars-Gunnar | Bodin | Toccata | 1969 | fixed media, akusmatisch | 15:39 | Stereo | PSCD 50 Phono Suecia/ IDEAMA CD 045/ | SR Stockholm | SR (Swedish Radio) | 1 | ||||||||
| 1936 | Lars-Gunnar | Bodin | Traces I | 1970 | fixed media, akusmatisch | 6:57 | Mono | PSCD 41 Phono Suecia/ IDEAMA CD 047/ | EMS Stockholm | 1 | |||||||||
| 1937 | Lars-Gunnar | Bodin | Traces II | 1971 | fixed media, akusmatisch | 12:25 | Mono | EMS Stockholm | 0 | ||||||||||
| 1938 | Lars-Gunnar | Bodin | Winter events - for M | 1967 | fixed media, akusmatisch | 15:30 | Quadro | LPD 3, SR - Dokumentation 3/ | SR Stockholm | 1 | |||||||||
| 25848 | Lars-Gunnar | Bodin | Winter Nightfall | 2000 | fixed media, akusmatisch | 12:30 | FER 1061 Firework Edition Rec/ | PS C. | 1 | ||||||||||
| 1939 | Lars-Gunnar | Bodin | Wonder - void | 1990 | fixed media, akusmatisch | intermedia, 5 perf |
33:00 | Stereo | T, Mez, 3 actor [Mezzo, Tenor, Schauspieler] | Synclavier | PSCD 50 Phono Suecia/ | Bregman Dartmouth | anounced to Prix Italia 1990 | 1 | ||||||
| 1940 | Svante | Bodin | Smoothing | 1970 | fixed media, akusmatisch | 12:55 | Stereo, Quadro | FYCD 1024 CD 1 Text-Sound Compositions/ | SR Stockholm | 1 | |||||||||
| 1942 | Svante | Bodin | Transition to Majorana Space | 1969 | fixed media, akusmatisch | 11:00 | Stereo, Quadro | RELP 1072/ FYCD 1024 CD 1 Text-Sound Compositions/ | SR Stockholm, EMS Stockholm | 1 | |||||||||
| 1941 | Svante, G. | Bodin, Bengtsson | The Doppler Case | 1967 | radiophon | 20:00 | Mono | SR Stockholm | 0 | ||||||||||
| 1943 | Gábor | Bodnár | Process | 1983 | fixed media, akusmatisch | 8:50 | Stereo | MR Budapest | 0 | ||||||||||
| 1944 | Karl-Emil | Bodraeus | Musik till "Relief" | 1967 | fixed media, akusmatisch | Stereo | EMS Stockholm | SR (Swedish Radio) TV | 0 | ||||||||||
| 1946 | Jack | Body | Duets and Choruses | 1978 | fixed media, akusmatisch | 11:50 | Stereo | IMEB Bourges | 0 | ||||||||||
| 27248 | Jack | Body | Intimate History n°1 Intimate History n°2, Yono |
1976 | fixed media, akusmatisch | 13:33 | LDC 2781138 Compendium 2005/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | |||||||||
| 1945 | Jack | Body | Jangkrik Genggong | fixed media, akusmatisch | Uni Wellington | 0 | |||||||||||||
| 32844 | Jack | Body | Kryptophones | 1973 | fixed media, akusmatisch | 10:04 | Kiwi SLD-46/ SLD 44-45-46/ | Uni Wellington | 0 | ||||||||||
| 1947 | Jack | Body | Musik Anak Anak | 1978 | fixed media, akusmatisch | 13:15 | Stereo | LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||||
| 19008 | Jack | Body | Musik Dari Jalan | 1976 | fixed media, akusmatisch | 8:20 | John-Stanley ≈ Jack | LDC 278043 Cultures Electroniques 1/ LDX 78044/ | Uni Wellington | Preis Bourges 1976 | 1 | ||||||||
| 18432 | Jack | Body | Musik Mulut | 1989 | fixed media, akusmatisch | 11:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1949 | Jack | Body | Silence and me | 1970 | fixed media, akusmatisch | 9:20 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 18792 | Jack | Body | Suara | 1993 | fixed media, akusmatisch | 66:55 | Stereo | 0 | |||||||||||
| 22090 | Jack | Body | Vox Humana | radiophon | 1:19 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 1954 | Peter | Böhm | eseau topoi | 1987 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 1957 | Peter | Böhm | Illegal Direct | 1986 | Film | PS C. | 0 | ||||||||||||
| 1958 | Peter | Böhm | KRIMI | 1992 | Film | PS C. | 0 | ||||||||||||
| 1962 | Peter | Böhm | Palotin | 1991 | fixed media, akusmatisch | 8:00 | Stereo | PS C. | 0 | ||||||||||
| 1963 | Peter | Böhm | PLOT | 1988 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 1964 | Peter | Böhm | Protuberanzen | 1987 | Film | PS C. | 0 | ||||||||||||
| 1965 | Peter | Böhm | realisation of Roman Haubenstock-Ramati: Unruhiges Wohnen | fixed media, akusmatisch | ELAK Wien | 0 | |||||||||||||
| 1966 | Peter | Böhm | Redundant Air | 1993 | live-elec, 2 perf | 12:06 | p, t-sax [Saxophon, Piano] | ISPW | electronic access 95 - die andere saite Nr. 1/ | PS C. | 1 | ||||||||
| 1967 | Peter | Böhm | Stenimals | 1989 | live-elec, 3 perf | vn, vc, t-sax [Saxophon, Cello, Violine] | PS C. | 0 | |||||||||||
| 1968 | Peter | Böhm | Stenimals II | 1991 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 1970 | Peter | Böhm | Synapsen | 1991 | Film | PS C. | 0 | ||||||||||||
| 1971 | Peter | Böhm | Videoman-Spiegelraub | 1994 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 1956 | Peter, Carol | Böhm, Morgan | Gremnite Basalt QWS Keysel | 1993 | live-elec, 1 perf | p [Piano] | PS C. | 0 | |||||||||||
| 1951 | Peter, Gerald | Böhm, Trimmel | Bewegung | 1991 | live-elec, 1 perf | 50:00 | com [computer] | PS C. | 0 | ||||||||||
| 1952 | Peter, Gerald | Böhm, Trimmel | Der versprochene Raum | 1988 | intermedia | 45:30 | PS C. | 0 | |||||||||||
| 1953 | Peter, Gerald | Böhm, Trimmel | Ein Schock, der quer ums Matterhörndl sich legt | 1990 | live-elec, 1 perf | 15:00 | com [computer] | PS C. | 0 | ||||||||||
| 1955 | Peter, Gerald | Böhm, Trimmel | Fast Lautlos | 1989 | Zuspiel, live-elec, 1 perf | 22:40 | V, (soundpen) [Stimme] | PS C. | 0 | ||||||||||
| 1960 | Peter, Gerald | Böhm, Trimmel | Palimpsest / B | 1991 | live-elec, 1 perf | 20:00 | com [computer] | PS C. | 0 | ||||||||||
| 1961 | Peter, Gerald | Böhm, Trimmel | Palimpsest / C | 1993 | live-elec, | 40:00 | PS C. | 0 | |||||||||||
| 1969 | Peter, Gerald | Böhm, Trimmel | Stepsofaliena | 1989 | Zuspiel, live-elec, 1 perf | 50:00 | (com), vn [Violine] | PS C. | 0 | ||||||||||
| 1950 | Peter, Gerald, Klaus | Böhm, Trimmel, Hollinetz | a sumatra l"art amusa" | 1987 | live-elec, | 14:50 | PS C. | 0 | |||||||||||
| 1959 | Peter, Gerald, Klaus | Böhm, Trimmel, Hollinetz | Network 7 | 1987 | Klangkunst, Installation | 15:30 | PS C. | 0 | |||||||||||
| 36706 | Tatjana | Böhme-Mehner | Milonga. Stadt. Klang | fixed media, akusmatisch | elek 003/ | 0 | |||||||||||||
| 1972 | Frank | Böhme | Konturen | 1991 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | gui [Gitarre] | AdK Berlin | 0 | |||||||||
| 1973 | Frank | Böhme | Out of Town | 1990 | Film | 15:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 1974 | Konrad | Boehmer | Apocalipsis cum figuris | 1983/1984 | Zuspiel / Tonband, 9 perf | 37:48 | Quadro | 4 perc, 2 p, 3 V [Stimme, Piano, Schlagzeug] | BVHAAST 9011/ BVHAAST 0206/ | SVEM / NOS | NOS (Nederlandse Omroepprogramma Stichting, Hilversum) | 20.10.1984 | Donaueschingen (Donaueschinger Musiktage) 1984. (Slagwerkgroep Den Haag; Gunilde Cramer + Yukiko Sugawara, piano, Jan Hendriks, Ernst Jansz + Henny Vrienten, voices; Cond.: Konrad Boehmer) | 1 | http://www.kboehmer.nl/ | ||||
| 1975 | Konrad | Boehmer | Aspekt | 1966 - 1967 | fixed media, akusmatisch | 15:15 | Stereo, Quadro | serielle Arbeit | BVHAAST 9011/ SR 164 sub rosa/ BVHAAST 0206/ Post Scriptum PS 001/ SR 190 sub rosa/ | Sonology Utrecht | 27.2.1967 27.3.1967 7.10.1967 |
Utrecht Stedelijk Museum, Amsterdam (integral) Musikfest München (DE) |
Price of the 5th Biennale of Paris in 1968 EDISON in 1993 |
1 | http://www.kboehmer.nl/ | ||||
| 1976 | Konrad | Boehmer | Cry of this earth, Schrei dieser Erde Schreeuw van deze aarde |
1978 | Zuspiel / Tonband, 1 perf | 14:50 | Stereo, Quadro | perc [Schlagzeug] | BVHAAST 9011/ BVHAAST 0206/ | PS de Boer Amsterdam | 17.11.1979 | Stedelijk Museum, Amsterdam, Solistin: Willy Goudswaard | 1 | http://www.kboehmer.nl/ | |||||
| 36781 | Konrad | Boehmer | De Schreeuw van Deze Aarde | 1978 | fixed media, akusmatisch | 14:50:00 | PS Raaijmakers, PS de Boer Amsterdam | 0 | |||||||||||
| 1977 | Konrad | Boehmer | Der Tänzer unserer lieben Frau | 1963 | Tanz | 59:24 | Stereo | Ballett von Erich Walter und Heinrich Wendel | WDR SEM | Wuppertaler Ballet Company | 30.1.1964 | Wuppertaler Bühnen, Solisten: Inge Koch, André Doutreval | 0 | http://www.kboehmer.nl/ | |||||
| 32768 | Konrad | Boehmer | Echelon | 2001 | Zuspiel / Tonband, 6 perf | Stereo | 3 gui, b-gui, 2 perc [Gitarre, Schlagzeug] | Holland Festival & 'Fonds voor de Scheppende Toonkunst' | 13.6.2001 | Municipal Theatre (Stadsschouwburg) Amsterdam; Performers: Sonic Youth | 0 | ||||||||
| 37429 | Konrad | Boehmer | Jugend | 1966/1967 | radiophon | 21 | Stereo | Text by Ferdinand Kriwet | RB | 0 | |||||||||
| 1978 | Konrad | Boehmer | Korteks | 1968 | radiophon | 40:00 | Stereo | Text by Gerrit Pleitner | Sonology Utrecht, NCRV Hilversum | 0 | http://www.kboehmer.nl/ | ||||||||
| 22314 | Konrad | Boehmer | Logos Protos | 1998 - 1999 | Zuspiel / Tonband, 4 perf | 20:51 | Octo | 4 mime (2 vocals?) [Schauspieler] | 3. Teil eines "Tryptikons", zu dem auch Nomos Protos und Kronos Protos gehören | BVHAAST CD 06/0701/ | Sonology Den Haag | 12.2.2000 | Felix Meritis, Amsterdam, Ensemble Perlon (Terza Prattica Festival) | 1 | http://www.kboehmer.nl/ | ||||
| 32769 | Konrad | Boehmer | Orpheus unplugged | 1999 - 2000 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Text by Albert Ostermaier. | BVHAAST 0901/ | PS C., Sonology Den Haag | 30.6.2000 | Landsberg am Lech, Solist: Nicolas Hodges | 0 | ||||||
| 1979 | Konrad | Boehmer | Position | 1960 - 1962 | Zuspiel / Tonband, 1 perf, 2 groups | 15:50 | Quadro | Vs, orc [Stimme, Orchester] | please read comments of „Reflexe“; Text by Ferdinand Kriwet | BVHAAST 0504/ IDEAMA CD 043/ | WDR SEM | 12.1.1963 | 'Musik der Zeit', Kölner Rundfunk-Sinfonieorchester; Dir.: Bruno Maderna | 0 | http://www.kboehmer.nl/ | ||||
| 32770 | Konrad | Boehmer | Reflexe | 1958 - 1959 | fixed media, akusmatisch | 0:24 | Stereo | PEM CD 1(available @ MCN Amsterdam)/ | WDR SEM | 0 | https://soundcloud.com/imd-summer-course/nachruf-konrad-boehmer | ||||||||
| 18433 | Konrad | Boehmer | Sainte Justine - Etre suprême, suite la Révolution Française | 1989 | fixed media, akusmatisch | 17:46 | Stereo | IMEB Bourges | 9.6.1990 | Musée Estève, Bourges | 0 | http://www.kboehmer.nl/ | |||||||
| 32771 | Konrad | Boehmer | Sensor | 2007 | Musiktheater, 8 perf | 6 | 3 actor, p, cl, 2 perc, conductor [Klarinette, Piano, Schlagzeug, Performer, Schauspieler] | Text by Albert Ostermaier. „Elektrisches Musiktheater“ |
Sonology Den Haag | 23.1.2016 | Deutsche Oper Berlin, Schreinerei | 0 | http://www.deutscheoperberlin.de/de_DE/calendar/sensor.13002923# | ||||||
| 28401 | Christian | Bök | Mushroom Clouds | 2005 | Performance | 1:32 | recorded at Calgary | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 28409 | Christian | Bök | Synth Loops | 2005 | Performance, live-elec, | 2:11 | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | |||||||||||
| 1981 | Dieter | Boekle | Incisions | 1971 | Zuspiel / Tonband, 3 perf | cl, vc, p [Klarinette, Piano, Cello] | 0 | ||||||||||||
| 42209 | Heinrich, Fritz | Böll, Maldener | Doktor Murkes gesammeltes Schweigen, Dr. Murkes gesammeltes Schweigen | 1986 | radiophon | SR | 28.4.1965 | SR Saarbrücken | 0 | ||||||||||
| 42084 | Heinrich, Rolf-Hans | Böll, Müller | Doktor Murkes gesammeltes Schweigen, Dr. Murkes gesammeltes Schweigen | 1986 | radiophon | Der Hörverlag 2006/ | SWR, SR | 20.1.1987 | SWR | Radio-Eins-Hörspielkino-Publikumspreis 2004 Goldener Bobby 1988 für Udo Schuster |
0 | ||||||||
| 23115 | Georg | Bönn | 36 samples of harmony | 1995 | Zuspiel / Tonband, 7 perf | 8:00 | b-fl, ob, hn, tpt, vn, va, db [Flöte, Oboe, Horn, Trompete, Viola, Violine, Kontrabass] | Ensemble Modern. 1. Nachwuchsforum 1996 der GNM | WER NZ 5/2002/ | ZKM Karlsruhe | 27.1.1996 | Frankfurt, Ensemble Modern | 1 | ||||||
| 29265 | Georg | Bönn | CLONES | 1997/1998 | live-elec, 5 perf | 60 | (high) S, 2 perc, db-cl, elec [Sopran, Klarinette, Schlagzeug, elektronik] | Radio Bremen, HdK Bremen | 1.5.1998 | Lichthaus, Bremen, Festival pro musica nova, Radio Bremen, Petra Hoffmann and Angelika Luz, sopranos, Beate Zelinsky, contrabass clarinet, Françoise Rivalland und Christian Dierstein, percussion, Georg Boenn: Live-electronics | 0 | ||||||||
| 29264 | Georg | Bönn | DARK MATTER | 1998 | Klangkunst, Installation | Performance || audiovisuell |
65 | perfs (metal plate, b-pump, feedback, CD, video and tv-sets) [Performer] | September 1998 | Hamburg, Group exhibition in the Museum of Time | 0 | |||||||||
| 19276 | Georg | Bönn | fallout | 1995 | fixed media, akusmatisch | 15:45 | WER 2051 2/ zkm edition 1/ | ZKM Karlsruhe | 8.11.1995 | Institut Français, Bremen | 1 | ||||||||
| 29259 | Georg | Bönn | Genova VII 2001 | 2001/2002 | fixed media, akusmatisch | 16 | revised version (2002) | 9.11.2002 | pgnm festival, Bremen | 0 | |||||||||
| 29260 | Georg | Bönn | Genova VII 2001 | 2001 | Klangkunst, Installation | 11 | Installation / Digital Audio | 15.10.2001 | Hahnöfer Sand, Hamburg | 0 | |||||||||
| 29266 | Georg | Bönn | micro&megaphonia | 1997 | Zuspiel, live-elec, 3 perf | 28 | 3 perf (megaphones, tapes, spatializer) [Performer] | HdK Bremen | 27.6.1997 | Überseemuseum Bremen, dacapo-concerts, with Lilian van Haußen, Rüdiger Meyer and Christoph Ogiermann: megaphones, Georg Boenn: Live-electronics | 0 | ||||||||
| 29267 | Georg | Bönn | Piano-Fever | 1996 | audiovisuell, live-elec, 1 perf | 11 | com p [Piano] | for Player-Piano and Video | HdK Bremen | 30.5.1996 | Hochschule für Künste Bremen | 0 | |||||||
| 29268 | Georg | Bönn | protophonie 3 | 1994 | Zuspiel / Tonband, 1 perf | 14 | cl [Klarinette] | IRCAM | 14.1.1995 | IRCAM, Paris, Pierre Dutrieu, clarinet | 0 | ||||||||
| 29261 | Georg | Bönn | The Barbed-Wired Piano | 1999 | live-elec, 6 perf | 11 | Mez, fl or b-fl, hp, Kbd, p, com (Max/MSP) [Mezzo, Flöte, Piano, Keyboard, Harfe, computer] | 6.7.1999 | Musica Viva 1999 Lissabon, Institut Franco Portugais, Ensemble WireWorks, Ltg. Georg Hajdu | 0 | |||||||||
| 29258 | Georg | Bönn | The Yellow Sound | fixed media, akusmatisch | work in progress, Electronic Music after Kandinsky | 0 | |||||||||||||
| 29263 | Georg | Bönn | Trees and Pipes | 1998 | live-elec, 2 perf | 15 | fl or b-fl, perc (wood board, b-pump, feedbacks) [Flöte, Schlagzeug] | musicaphon, Kassel, M 55712/ | 27.4.1999 | Musikhochschule Trossingen, Südwestrundfunk with Carin Levine, Flutes and Georg Boenn, Electronics | 0 | ||||||||
| 29262 | Georg | Bönn | Volatile Songs | 1998 | Zuspiel / Tonband, 1 perf | 20 | rec [Flöte] | for Recorder (Ganassi) & tape | 29.4.1999 | Saarländischer Rundfunk, Saarbrücken, Städtische Galerie, with Julia Whybrow (Recorder) and Georg Boenn (Electronics) | 0 | ||||||||
| 1982 | Jan | Boerman | Alchemie, Alchemie 1961 | 1960 - 1961 | fixed media, akusmatisch | 13:32 | Mono | study in timbre-movement; used for a Dance by Dantzig | CV 7701/ CV NEAR 04/ IDEAMA CD 015/ | STEM Utrecht, TH Delft | 1 | http://thresholdofbeauty.com/music excerpts/Alchemie 1961 excerpt.mp3 | |||||||
| 1983 | Jan | Boerman | Alliage | 1960 | fixed media, akusmatisch | 13:06 | Mono | Musique concrète | CV NEAR 04/ | TH Delft | 1 | http://thresholdofbeauty.com/music excerpts/Alliage excerpt.mp3 | |||||||
| 1987 | Jan | Boerman | Composition 1972 | 1961 | fixed media, akusmatisch | 12:44 | Quadro | after the "Goldener Schnitt" | CV 7701/ CV NEAR 05/ | Con Den Haag | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 1985 | Jan | Boerman | Composition 1974 | 1974 | fixed media, akusmatisch | Con Den Haag | 0 | ||||||||||||
| 1986 | Jan | Boerman | Composition 1979 | 1979 | fixed media, akusmatisch | 19:45 | 5 parts | CV 9603/ CV NEAR 05/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 1988 | Jan | Boerman | De touwen van de tijd (The Ropes of Time) | 1970 | Tanz | (based on De Zee) | PS Raaijmakers | 0 | |||||||||||
| 1989 | Jan | Boerman | de Zee | 1964 - 1965 | fixed media, akusmatisch | 25:30 | Quadro | Musique concrète in 12 parts, using „golden raio“ / Fibonacci sequence | CV 7701/ CV NEAR 04/ IDEAMA CD 016/ | PS Raaijmakers, PS C. | 1 | http://thresholdofbeauty.com/music excerpts/De zee excerpt.mp3 | |||||||
| 1990 | Jan | Boerman | de Zee - tweede versie | 1968 | fixed media, akusmatisch | 18:30 | Stereo, Quadro | 2nd version | PS Raaijmakers | 0 | |||||||||
| 1991 | Jan | Boerman | Die Vögel | 1989 | Zuspiel / Tonband, 4 perf, 1 group | Quadro | ch, br-qt [Bläser, Chor] | 0 | |||||||||||
| 1993 | Jan | Boerman | Etude sonore, Alchemie 1961 | 1961 | fixed media, akusmatisch | 2:00 | Quadro | from Alchemie 1961 | Con Den Haag | 0 | |||||||||
| 1984 | Jan | Boerman | Kompositie 1972 | 1972 | fixed media, akusmatisch | 12:44 | Octo | CV 9603/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24245 | Jan | Boerman | Kompositie 1989 | 1989 | fixed media, akusmatisch | 18:45 | CV NEAR 06/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 24248 | Jan | Boerman | Kringloop I | 1994 | fixed media, akusmatisch | 15:26 | CV NEAR 08/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 24249 | Jan | Boerman | Kringloop II | 1995 | fixed media, akusmatisch | 19:27 | CV NEAR 08/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 1994 | Jan | Boerman | Les Bâtisseurs d‘Empire, The Empire Builders | 1964 | Theatermusik | 30:00 | Mono | PS Raaijmakers | Van Iersel | May 1964 | Holland Festival (?) | 0 | |||||||
| 1995 | Jan | Boerman | Monument voor een gestorven jongen | 1965 | Tanz | 50:00 | Mono | PS Raaijmakers | 19.6.1965 | Holland Festival Amsterdam | 0 | ||||||||
| 1996 | Jan | Boerman | Musique Concrète | 1959 | fixed media, akusmatisch | 3:04 | Mono | first elec work of Boerman | CV 7803/ CV NEAR 04/ BASTA 30-9182-2/ Creel Pone 10/ | TH Delft | 1 | http://thresholdofbeauty.com/music excerpts/Musique concrete excerpt.mp3 | |||||||
| 24243 | Jan | Boerman | Muziek voor het Maasproject I / II | 1988/1995 | Zuspiel, live-elec, 7 perf | 34:00 | 16 Tracks | 6 br, Fairlight [computer, Bläser] | Verions without brass under the Titel "Klank, Ruimte, Beweging". The CD-Production is also a reduction in time and without brass and in soundmovings |
CV NEAR 06/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 1997 | Jan | Boerman | Negen varianten | 1970 | fixed media, akusmatisch | Con Den Haag | 0 | ||||||||||||
| 1998 | Jan | Boerman | Ontketening I | 1983 | Zuspiel / Tonband, 2 perf | Stereo + Stereo | 2 perf [Performer] | 3 aluminium plates | Con Den Haag | 0 | |||||||||
| 1999 | Jan | Boerman | Ontketening II | 1984 | Zuspiel, live-elec, 4 perf | 28:41 | 4 perc [Schlagzeug] | CV 9603/ CV NEAR 05/ | Con Den Haag | Slagwerkgroep Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2000 | Jan | Boerman | Prisma | 1987 | Zuspiel, live-elec, 1 perf | com [computer] | Maasprojekt; Fairlight | 0 | |||||||||||
| 2001 | Jan | Boerman | Rinoceros | 1960 | Theatermusik | 35:00 | Mono | Text: Ionesco | TH Delft | Toneelwerkgroep Test | 0 | ||||||||
| 24250 | Jan | Boerman | Ruine | 1997 | fixed media, akusmatisch | 16:13 | CV NEAR 08/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 24246 | Jan | Boerman | Tellurisch | 1991 | fixed media, akusmatisch | 32:15 | CV NEAR 07/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 34414 | Jan | Boerman | Toon - Ruis, Uitwerking van een methode | 1971 | fixed media, akusmatisch | 7 | Stereo + Stereo | Con Den Haag | 0 | ||||||||||
| 24241 | Jan | Boerman | Variant IV | 1967 - 1970 | fixed media, akusmatisch | 7:01 | Stereo | from Negen Varianten | CV NEAR 04/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24242 | Jan | Boerman | Variant IX | 1967 - 1970 | fixed media, akusmatisch | 7:01 | Stereo | from Negen Varianten | CV NEAR 05/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24244 | Jan | Boerman | Vlechtwerk | 1988 | fixed media, akusmatisch | 12:52 | Octo | CV NEAR 06/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 24247 | Jan | Boerman | Vocalise 1994 | 1994 | fixed media, akusmatisch | 64:30 | CV NEAR 07/ | Pijper-Prize 1997 of the Wagenaar Stichting | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 2002 | Jan | Boerman | Vocalise-voorstudie | 1976 | fixed media, akusmatisch | Con Den Haag | 0 | ||||||||||||
| 24253 | Jan | Boerman | Voor de Fabriek | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 2003 | Jan | Boerman | Weerstand | 1981 | Zuspiel / Tonband, 1 group | (special) ens [Ensemble] | 0 | ||||||||||||
| 24252 | Jan | Boerman | Zonnesteen | 1968 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 24251 | Jan, Dick | Boerman, Raaijmakers | De bouwers van het rijk | 1964 | Theatermusik | Stereo | The Empire Builders (1957) by Boris Vian | PS Raaijmakers | 0 | ||||||||||
| 1992 | Jan, Dick | Boerman, Raaijmakers | Een groot dood dier | 1964 | Theatermusik | Stereo | Text: Bert Schierbeck | PS Raaijmakers | 0 | http://v2.nl/archive/articles/chronology-work-and-life-of-dick-raaymakers#top | |||||||||
| 2004 | Daniel | Börtz | Monologhi 4 | 1970/1976 | fixed media, akusmatisch | 11:00 | Stereo | rev. 1976 | 0 | ||||||||||
| 2005 | Daniel | Börtz | Muren-Vägen-Ordet | 1972 | Oper, 1 group | 45:00 | Stereo | orc [Orchester] | Akt I, II, III | EMS Stockholm | 0 | ||||||||
| 2006 | Daniel | Börtz | Pastorale | 1974 | fixed media, akusmatisch | 11:05 | Stereo | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 2007 | Daniel | Börtz | Voces | 1968 | Zuspiel / Tonband, 3 perf, 1 group | 4:34 | Stereo | orc, 3 S [Sopran, Orchester] | EMS Stockholm | 0 | |||||||||
| 2008 | Rainer | Boesch | ***, Suite II | 1988 | fixed media, akusmatisch | 11:53 | Stereo | AMEG - CD 01/ | C&C Annecy | 1 | |||||||||
| 22585 | Rainer | Boesch | à propos de quelques sons très doux | 1992 | Zuspiel / Tonband, 5 perf | gui, str-qt [Gitarre, Streicher] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 22586 | Rainer | Boesch | Bilder | 1989 | Zuspiel / Tonband, 1 perf | fl [Flöte] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 40616 | Rainer | Boesch | Camus | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 27305 | Rainer | Boesch | Cantagruelle aux enfers … | 1993 | fixed media, akusmatisch | 19:54 | LDC 2781105/ | IMEB Bourges | 0 | ||||||||||
| 2009 | Rainer | Boesch | Cantus | 1987 | fixed media, akusmatisch | 8:44 | Stereo | SZCM 01/ | C&C Annecy, CSMI Genève, SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 2010 | Rainer | Boesch | Chant dans la nuit | 1967 | fixed media, akusmatisch | 6:30 | Stereo | Etude de stage | INA • GRM | 10.3.1969 29.5.1969 |
Sussex University Paris, Maison de la Radio, Studio 105 |
0 | |||||||
| 2011 | Rainer | Boesch | Clavirissima | 1987 | live-elec, 1 perf | 10:29 | Stereo | p [Piano] | WER 2028; Computer Music Currents 8/ | SCCM | 1 | http://www.computermusic.ch/ | |||||||
| 2012 | Rainer | Boesch | Désagrégation | 1968 | Zuspiel / Tonband, 1 group | 16:28 | Stereo | ens [Ensemble] | INA • GRM | 30.1.1969 | Paris, Maison de la Radio | 0 | |||||||
| 35793 | Rainer | Boesch | Erinnerungen an Veränderungen für Logos-Automaten | 2006 | live-elec, | 4.11.2006 | HfMT Köln | 0 | |||||||||||
| 2013 | Rainer | Boesch | Fêtes | 1972 | Zuspiel/Tonband, 2 perf, 1 group | fixed media, akusmatisch |
28:18 | Stereo + Stereo, Quadro | ch, rec, ins [Flöte, Instrument, Chor] | INA • GRM | 11.8.1972 19.3.1973 |
Vaison-la-Romain, Th. Antique; dir. B. de Vinogradov Paris, Th. Récamier |
0 | |||||||
| 22587 | Rainer | Boesch | Kreise | 1986 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 24368 | Rainer | Boesch | Les deuxmilledeuxpattes se sont décidés à bouger, enfin ! | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18794 | Rainer | Boesch | Mécaniques | 1992 | fixed media, akusmatisch | 14:15 | Stereo | Collectif & Cie, AMEG CD 02/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 2014 | Rainer | Boesch | Miniatures | 1983 | fixed media, akusmatisch | 0 | |||||||||||||
| 40622 | Rainer | Boesch | Monsieur Fugue | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 18434 | Rainer | Boesch | Pierres | 1990 | fixed media, akusmatisch | 12:45 | LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | ||||||||||
| 2015 | Rainer | Boesch | Quatuor | 1982 | live-elec, 2 perf | intermedia || Tanz |
30:00 | Quadro | 2 dancer [Tanz] | QUATRON | LIMCA Auch | 0 | ||||||||
| 22588 | Rainer | Boesch | Sonneries citadines | 1986 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 18435 | Rainer | Boesch | Trajectoires, encore ! | 1996 | fixed media, akusmatisch | 9:02 | IMEB Bourges | 0 | |||||||||||
| 22589 | Rainer | Boesch | trois fois | 1992 | Zuspiel / Tonband, 3 perf | 3 mus [Musiker] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 2016 | Philippe | Boesmans | Adorable Vampire | 1964 | radiophon | 30:00 | Mono | IPEM Gent | 0 | ||||||||||
| 2017 | Philippe | Boesmans | Day dreams | 1991 | live-elec, 1 perf | 27:52 | mar [Schlagzeug] | live MIDI system | RIC 115096/ | CRFMW Liège | 0 | ||||||||
| 24369 | Pierre | Boeswillwald | Au fond la mer est belle | 1999 | fixed media, akusmatisch | 15:51 | LDC 2781135/ | IMEB Bourges | 1 | ||||||||||
| 18437 | Pierre | Boeswillwald | Comme un léger glissement | 1995 | fixed media, akusmatisch | 16:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24372 | Pierre | Boeswillwald | De l'abus de la juste mesure | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 2018 | Pierre | Boeswillwald | Fantaisie (ch'tengratt) | 1975 | fixed media, akusmatisch | 12:15 | Stereo | IMEB Bourges | 0 | ||||||||||
| 21879 | Pierre | Boeswillwald | Ha ! J'Ouis | 1998 | fixed media, akusmatisch | 15:10 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2019 | Pierre | Boeswillwald | Homo dixit solliloque… te | 1977 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | actor [Schauspieler] | IMEB Bourges | 0 | |||||||||
| 2021 | Pierre | Boeswillwald | La Chèvre de Monsieur Seguin - Enfance | 1978 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2022 | Pierre | Boeswillwald | Là où les roses sont froissée | 1971 | fixed media, akusmatisch | 13:15 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 25428 | Pierre | Boeswillwald | La prommenade du Dimanche | 1969 | fixed media, akusmatisch | 7:50 | LDC 2781135/ | PS C. | 1 | ||||||||||
| 24371 | Pierre | Boeswillwald | Le crépuscule des Sphéres | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21878 | Pierre | Boeswillwald | Le livre des morts ordinaires - Page 1, L'Instant d'Après | 1987 | fixed media, akusmatisch | 17:00 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 18795 | Pierre | Boeswillwald | Le livre des morts ordinaires - Page 2, La belle vie, quelle angoisse | 1990 | fixed media, akusmatisch | 19:15 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 24370 | Pierre | Boeswillwald | Le piano joue la caravane passe | 2000 | fixed media, akusmatisch | 15:15 | LDC 2781135/ LDC 2781119/ | IMEB Bourges | 1 | ||||||||||
| 2023 | Pierre | Boeswillwald | Les Cercles hermétiques | 1980 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18438 | Pierre | Boeswillwald | Les tribulations d'une idée fixe | 1997 | fixed media, akusmatisch | 14:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18796 | Pierre | Boeswillwald | Les tympanes syncopées | 1993 | fixed media, akusmatisch | 17:51 | Stereo | va (viola de rueda) [Viola] | LDC 2781106/ | 0 | |||||||||
| 2025 | Pierre | Boeswillwald | Nuisances | 1971 | fixed media, akusmatisch | 7:15 | Stereo | Editions Mego (LP) Recollection GRM/ | INA • GRM | February 26th, 1971 | Paris, Halles Baltard | 0 | |||||||
| 18436 | Pierre | Boeswillwald | Pathos ad libitum | 1993 | fixed media, akusmatisch | 16:00 | Stereo | LDC 2781135/ | IMEB Bourges | 1 | |||||||||
| 2026 | Pierre | Boeswillwald | Sonomachie | 1984 | fixed media, akusmatisch | 14:00 | Stereo | 0 | |||||||||||
| 2027 | Pierre | Boeswillwald | Suite Charybde | 1979 | fixed media, akusmatisch | 13:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2028 | Pierre | Boeswillwald | Sur les chemins de Venise | 1983 | fixed media, akusmatisch | 19:50 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 24373 | Pierre | Boeswillwald | The right sound in the right silence | 2003 | fixed media, akusmatisch | 12:09 | LDC 2781132 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 2029 | Pierre | Boeswillwald | Toccatanne no 1 | 1973 | fixed media, akusmatisch | 20:55 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2030 | Pierre | Boeswillwald | Toccatanne no 2 - Qui est la? | 1974 | fixed media, akusmatisch | 15:01 | Stereo | LDC 2781112/13/14 opus 30/ LDC 2781135/ | IMEB Bourges | 1 | |||||||||
| 2031 | Pierre | Boeswillwald | Toccatanne no 3 - Ouverture vers une Fête | 1975 | fixed media, akusmatisch | 9:45 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 2032 | Pierre | Boeswillwald | Toccatanne no 5 - Je vais vous dire | 1978 | fixed media, akusmatisch | 14:50 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2033 | Pierre | Boeswillwald | Tour de France pour deux Enfants / Les Vosges et le Creusot | 1976 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 2034 | Pierre | Boeswillwald | Un mannequin nu | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 2024 | Pierre, Jacques | Boeswillwald, Lejeune | Musiques eclatées, Un téléphone | 1969 | Performance | 8:25 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 2035 | Georges | Boeuf | Abyssi Symphonia | 1980 | fixed media, akusmatisch | 25:10 | Stereo | GMEM EI 01 / GMEM AL 01 LP/ | GMEM Marseille | 1 | |||||||||
| 2036 | Georges | Boeuf | Champs | 1975 | fixed media, akusmatisch | 24:00 | Stereo | GMEM AL 01 LP/ | GMEM Marseille | 0 | |||||||||
| 2037 | Georges | Boeuf | Du Coté Du Miroir | 1977 | fixed media, akusmatisch | Theatermusik |
13:25 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2038 | Georges | Boeuf | Etude | 1985 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | fl [Flöte] | GMEM Marseille | 0 | |||||||||
| 2039 | Georges | Boeuf | … FIL … | 1981 | fixed media, akusmatisch | 7:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2040 | Georges | Boeuf | Grey Cat | 1974 | fixed media, akusmatisch | 6:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2041 | Georges | Boeuf | Jusqu'au lever du jour | 1977 | fixed media, akusmatisch | 11:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2042 | Georges | Boeuf | Le Chant De La Terre | 1993 | fixed media, akusmatisch | 102:00 | Octo | GMEM Marseille | 0 | ||||||||||
| 2043 | Georges | Boeuf | Le Départ Pour La Lune | 1972 | Zuspiel / Tonband, 1 perf | 13:11 | Stereo | org [Orgel] | GMEM Marseille | 0 | |||||||||
| 2044 | Georges | Boeuf | Le Sang Des Uns | 1973 | fixed media, akusmatisch | 21:40 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2045 | Georges | Boeuf | Les filles du sommeil | 1987 | fixed media, akusmatisch | 30:34 | Stereo | GMEM EI 01/ | GMEM Marseille | 1 | |||||||||
| 2046 | Georges | Boeuf | Mémoire | 1972 | fixed media, akusmatisch | 26:41 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2047 | Georges | Boeuf | Nocturne, Aux portes de la nuit Les heures insoumises Vers le jour |
1986 | Zuspiel, live-elec, 1 perf | 18:15 | Stereo | p, (MIDI-p, sam) [Piano] | GMEM Marseille | 1 | 1992 | ||||||||
| 2048 | Georges | Boeuf | Phrases II | 1981 | Zuspiel / Tonband, 1 perf | 16:00 | Stereo | s-sax [Saxophon] | GMEM Marseille | 0 | |||||||||
| 2049 | Georges | Boeuf | Que La Vie | 1982 | fixed media, akusmatisch | Tanz |
40:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2050 | Georges | Boeuf | Six Chants Pour La Terre | 1991 | Zuspiel / Tonband, 6 perf | 30:00 | Stereo | 6 perc [Schlagzeug] | GMEM Marseille | 0 | |||||||||
| 2051 | Georges | Boeuf | Solidarnosc | 1981 | fixed media, akusmatisch | Film |
90:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2052 | Georges | Boeuf | Trois Etudes Avec Synthetiseur | 1974 | fixed media, akusmatisch | 11:10 | Stereo | GMEM Marseille | 0 | ||||||||||
| 19348 | Georges, Patrick, Christian | Boeuf, Portella, Calon | Le Chant de la Nature, Milieux marins | 1996 | fixed media, akusmatisch | Klangkunst, Installation |
71:00 | musique pour la Grande Galerie du Muséum National d'Histoire Naturelle Marseille; 15 parts | GMEM EI 05/ | GMEM Marseille | 1 | |||||||||
| 18800 | Mara | Boeuf | Nocturne | 1986 | Zuspiel / Tonband, 1 perf | 21:00 | Stereo | p [Piano] | GMEM EI 04/ | GMEM Marseille | 0 | ||||||||
| 22895 | Anna | Bofill | Punto y Seguido, Punto y Aparte | 1998 | fixed media, akusmatisch | 5:31 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 34109 | Santiago | Bogacz | Una era actual - una era antigua | 2013 | fixed media, akusmatisch | 4:27 | FONAM Urugay/ | 0 | |||||||||||
| 41608 | Mark | Bogaerts | Bamboo Manipulations | 1988 | fixed media, akusmatisch | 12:22:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 2053 | Mark | Bogaerts | Comp Guitare | 1988 | fixed media, akusmatisch | 12:04 | Musiques et Recherches Ohain | 0 | |||||||||||
| 2054 | Mark | Bogaerts | Comp Saxo | 1988 | fixed media, akusmatisch | 12:04 | Musiques et Recherches Ohain | 0 | |||||||||||
| 41609 | Mark | Bogaerts | String Journey | 1988 | fixed media, akusmatisch | 12:56:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 40134 | Nancy | Bogen | Of Wandering Forever | 2017 | audiovisuell | Nancy Bogen | 0 | ||||||||||||
| 40135 | Nancy, Hubert | Bogen, Howe | Sunday Inharmonic | 2015 | fixed media, akusmatisch | 19:41:00 | Nancy Bogen and Hubert Howe | 0 | |||||||||||
| 2055 | Natasa | Bogojevic | Full Moon Circle of Ground | 1986/1987 | Zuspiel / Tonband, 1 group | 9:00 | Stereo | fem ch [Chor] | Radio Beograd | 0 | |||||||||
| 42085 | Hermann | Bohlen | Angriff ist die beste Verteidigung | 2009 | radiophon | 54:25 | Ein von Ror Wolf vorgelassenes Hörspiel von Hermann Bohlen | SWR | 3.7.2009 | SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1528831&vi=6&SID | |||||||
| 42086 | Hermann | Bohlen | Onager | 2004 | radiophon | Eine dreiteilige Entdeckungsreise in die Welt der 50er Jahre | RB | Radio Bremen / Rudolf-Alexander-Schröder-Stiftung 2004 | 23.7.2004 | Radio Bremen | Hörspiel des Monats Juli 2004 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1470821&vi=20&SID | ||||||
| 42087 | Hermann | Bohlen | Prozedur 7.7.0 | 1995 | radiophon | 38:32 | SFB | Hörspielpreis "Lautsprecher" 1997 2. Platz Kurd Laßwitz-Preis 1997 |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1386175&vi=35&SID | |||||||||
| 38743 | Hermann, Frieder | BOHLEN, BUTZMANN | Die Wauwautheorie | 1995 | radiophon | 52:28:00 | 0 | ||||||||||||
| 39624 | Bret | Bohmann | Traces | 2016 | fixed media, akusmatisch | Bret Bohmann | 0 | ||||||||||||
| 39879 | James | Bohn | Pantone for Theremin and video | 2017 | audiovisuell, live-elec, 1 perf | Theremin [synthesizer] | James Bohn | 0 | |||||||||||
| 19642 | François | Bohy | Notas Fugaces | 1995 | Zuspiel / Tonband, 1 group | 10:00 | Stereo | ens [Ensemble] | LIEM CDMC Madrid | 0 | |||||||||
| 2056 | Paul | Boisselet | Le Chant des Hommes, poème radiophonique | 1950 | radiophon | 40:00 | Mono | ondes Martenot, gen | PS C. Paris | 0 | |||||||||
| 2057 | Paul | Boisselet | Le Robot | 1954 | Tanz, 6 perf | 25:00 | Mono + Mono | p, V, hpd, str, perc, mime [Stimme, Piano, Cembalo, Schlagzeug, Schauspieler, Streicher] | SFP/ | PS C. Paris | 0 | ||||||||
| 2058 | Paul | Boisselet | Melina | 1967 | live-elec, 4 perf | 15:00 | Mono + Mono + Mono + Mono | V, Kbd, tim, perc [Stimme, Keyboard, Schlagzeug] | PS C. Paris | 0 | |||||||||
| 2059 | Paul | Boisselet | Symphonie jaune (#2) | 1964 | live-elec, 4 perf, 1 group | 15:00 | Mono + Mono | tim, perc, orc, hpd, acc [Akkordeon, Cembalo, Schlagzeug, Orchester] | SFP/ Creel Pone 36/ | PS C. Paris | 0 | ||||||||
| 2060 | Paul | Boisselet | Symphonie noire (#3) | 1966 | Zuspiel / Tonband, 1 group | 15:00 | Mono + Mono + Mono + Mono | ch [Chor] | PS C. Paris | 0 | |||||||||
| 2061 | Paul | Boisselet | Symphonie rouge (#1) | 1949 | Zuspiel / Tonband, 3 perf, 1 group | 50:00 | Mono + Mono | orc, p, oma, hp [Piano, Harfe, synthesizer, Orchester] | SFP/ Creel Pone 36/ | PS C. Paris | 0 | ||||||||
| 2062 | Michèle | Bokanowski | 3 chambres d'inquiétude, trois chambres d'inquiétude | 1975 | fixed media, akusmatisch | 27:10 | Stereo | trAce 028/ | IMEB Bourges, PS C. | 0 | |||||||||
| 38006 | Michèle | Bokanowski | Chant d’ombre | 2004 | fixed media, akusmatisch | 24:30 | dedicated to Éliane Radigue | Optical Sound OS 055/ | PS C. | 0 | |||||||||
| 19377 | Michèle | Bokanowski | Cirque, Allegro Andante Scherzo Galop Finale (Parade) |
1994 | Tanz | fixed media, akusmatisch |
36:46 | Stereo | 5 parts: Allegro, Andante, Scherzo, Galop, Finale | IMED 9525/ Motus M 314017/ | Kira BM Films, Les Musiques de la Boulangère | 23.05.1994 | Socar factory in Crest, Futura | 0 | ||||||
| 32980 | Michèle | Bokanowski | Enfance | 2011 | fixed media, akusmatisch | 27:04 | Motus M 314017/ | 1.4.2012 | Présences «électronique», Salle 400 — Centquatre (Paris, France) | 0 | |||||||||
| 2063 | Michèle | Bokanowski | Kore | 1972 | Zuspiel / Tonband, 12 perf | 7:00 | Stereo | 12 V [Stimme] | partie bande: 7:00 | INA • GRM | 26.8.1972 | München, Haus der Kunst, Olympics; avec les solistes des chœurs de l’ORTF, dir. M. Courad | 0 | ||||||
| 24705 | Michèle | Bokanowski | L’étoile absinthe | 2000 | fixed media, akusmatisch | 20:00 | Stereo | MK CD 031/ Optical Sound OS 055/ | PS C. | 10.3.2001 | Maison de Radio-France, Paris | 0 | |||||||
| 38005 | Michèle | Bokanowski | Phone Variations | 1986 - 1988 | fixed media, akusmatisch | 23:45 | trAce 028/ | , PS C. | 0 | ||||||||||
| 2064 | Michèle | Bokanowski | Pour un pianiste | 1974 | Zuspiel / Tonband, 1 perf | 17:35 | Stereo | p [Piano] | trAce 021/ | IMEB Bourges, PS C. | 28.5.1974 | Bourges (Frankreich) | 0 | ||||||
| 2065 | Michèle | Bokanowski | Suite pour l’Ange | 1979 | Film | 63:20 | vn and va, vc, db [Viola, Cello, Violine, Kontrabass] | 10 parts | trAce 017/ | PS C. | 0 | ||||||||
| 2066 | Michèle | Bokanowski | Tabou | 1984 | fixed media, akusmatisch | 16:12 | Stereo | MK CD 003/ trAce 028/ | IMEB Bourges, PS C. | 1 | |||||||||
| 2067 | Vladimir | Bokes | Lied ohne Worte Opus 34. | 1993 | fixed media, akusmatisch | 7:37 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 2068 | Vladimir | Bokes | Tri letne preludia (3 summer Preludes) | 1982 | fixed media, akusmatisch | 14:09 | Stereo | CECM Bratislava | 0 | ||||||||||
| 25849 | Sinan | Bokesoy | Imprints | 2005 | fixed media, akusmatisch | 7:12 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 2005 | Is Sanat Hall in Istanbul | 1 | ||||||||
| 31414 | Georgios | Bokos | Dreselechtris | 2003 | Zuspiel / Tonband, 1 perf | 13:00:00 | e-gui [Gitarre] | HfM Dresden | 0 | ||||||||||
| 32805 | César | Bolaños | Alpha-Omega | 1967 | Performance | experimental audio-viual cantata | Tella B.Aires | 0 | |||||||||||
| 32803 | César | Bolaños | Canción sin Palabras, ESEPCO II | 1970 | Zuspiel / Tonband, 2 perf | 14:04:00 | 2 p [Piano] | ESEPCO ≈ Computer Sound-Expressive Structure (Homage to the unpronounced words), com-music | Pogus Productions P21053/ | Tella B.Aires | 20.12.1970 | Instituto di Tella Buenos Aires (Edgar Valcarcel, César Bolaños, p) | 0 | ||||||
| 2069 | César | Bolaños | Dos en el Mundo | 1965 | Film | 90:00 | Mono | Tella B.Aires | 0 | ||||||||||
| 2070 | César | Bolaños | El Ombú | 1965 | Tanz | 30:00 | Stereo | Tella B.Aires | 0 | ||||||||||
| 32800 | César | Bolaños | Flexum | 1969 | Zuspiel / Tonband, 3 perf, 1 group | 13:50:00 | ww-inss, str, perc [Schlagzeug, Bläser, Streicher] | Pogus Productions P21053/ | Tella B.Aires | 23.09.1969 | Instituto di Tella Buenos Aires | 0 | |||||||
| 32801 | César | Bolaños | I-10-AIFG/Rbt-1 | 1968 | Zuspiel, live-elec, 10 perf | 9:27 | 3 perf, hn, trbn, e-gui, 2 perc, 2 perf (for projections, 9 slide projectors) [Horn, Posaune, Gitarre, Schlagzeug, Performer] | Pogus Productions P21053/ | Tella B.Aires | 26.10.1968 | Instituto di Tella Buenos Aires | 0 | |||||||
| 2071 | César | Bolaños | Intensidad y Altura | 1964 | fixed media, akusmatisch | 5:15 | Stereo | after a poem de César Vallejo this seems to be the first work of Studio Di Tella |
Pogus Productions P21053/ Tacuabé T/E 3/ IDEAMA CD 057/ | Tella B.Aires | 21.11.1964 | Instituto di Tella Buenos Aires | 0 | 1984 | |||||
| 2072 | César | Bolaños | Interpolaciones | 1966 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | e-gui [Gitarre] | Pogus Productions P21053/ | Tella B.Aires | 16.09.1966 | Instituto di Tella Buenos Aires (Julio Martin Viera) | 0 | ||||||
| 2073 | César | Bolaños | Las Paredes | 1966 | Theatermusik | 90:00 | Stereo | Tella B.Aires | 0 | ||||||||||
| 2074 | César | Bolaños | Lutero | 1965 | Theatermusik | 90:00 | Stereo | Tella B.Aires | 0 | ||||||||||
| 32804 | César | Bolaños | Ñacahuasu | 1970 | live-elec, 1 perf, 1 group | 20:47:00 | orc, amp Sp [Sprecher, Orchester] | Text: Diary of Che Guevara | Pogus Productions P21053/ | Tella B.Aires | Radio Bremen | 27.05.1970 | Bremen, Pro Musica Nova, Radio Bremen Orchester, dir. Klaus Bernbacher | 0 | |||||
| 32802 | César | Bolaños | Sialoecibi, ESEPCO I | 1970 | live-elec, 2 perf | 9:19:00 | p, Sp [Sprecher, Piano] | ESEPCO ≈ Computer Sound-Expressive Structure (Homage to the unpronounced words), com-music | Pogus Productions P21053/ | Tella B.Aires | 29.10.1970 | Instituto di Tella Buenos Aires, Norberto Campos Sp, Gerardo Gandini, p) | 0 | ||||||
| 2075 | César | Bolaños | Transformaciones sobre un tema de Alberto Williams | 1966 | Hintergrundmusik | 15:00 | Mono | Tella B.Aires | 0 | ||||||||||
| 35503 | Cèsar | Bolaños | Canciò sin palabras, esepco II | 1970 | Zuspiel / Tonband, 1 perf | 14:34 | p [Piano] | 0 | |||||||||||
| 35504 | Cèsar | Bolaños | Canciòn sin palabras, esepco II | 1970 | Zuspiel / Tonband, 1 perf | 14:34 | p [Piano] | 0 | |||||||||||
| 25850 | Balint | Bolcso | Bird eye | 2003 | fixed media, akusmatisch | 5:03 | with inss | EX 656 Elak Wien/ | ELAK Wien | 1 | |||||||||
| 25609 | Balint | Bolcso | French Mirror | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 24107 | Stefano | Bollani | La casa subito dopo il ponte | 2005 | Zuspiel, live-elec, 3 perf | 25:02 | 9 tracks | jazz-trio [Instrument] | Tempo Reale Firenze | 0 | |||||||||
| 28498 | Jan-Bas | Bollen | De Karmellenberg | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 28497 | Jan-Bas | Bollen | Looking for Peter | 1996 | fixed media, akusmatisch | 0 | |||||||||||||
| 28496 | Jan-Bas | Bollen | Sync | 1995 | live-elec, | 0 | |||||||||||||
| 28491 | Jan-Bas | Bollen | Walker | fixed media, akusmatisch | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | |||||||||||||
| 19378 | Ross | Bolleter | Nallan Void | 1987 | live-elec, 1 perf | 11:24 | Stereo | p [Piano] | NA 028/ | 0 | |||||||||
| 2076 | Christian | Bollmann | Elemente, Feuer - Wasser - Erde - Luft | 1981/1982 | Musiktheater | intermedia |
12:08 | Quadro | Ein Spiel mit Musik, Bewegung und Bildern | HfMT Köln | 0 | |||||||||
| 2077 | Letizia | Bolognesi | Sinusie | 1985 | fixed media, akusmatisch | 5:40 | electronikaruna "musiche sole"/ | Fonologia Firenze, CNUCE Pisa, SMET Torino | 1 | ||||||||||
| 32523 | Balint | Bolsco | lautlos | 2009 | live-elec, 1 perf | 8:31 | Stereo | V, (elec) [Stimme] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | |||||||
| 32536 | Balint | Bolsco | Ruhezone | 2009 | Klangkunst, Installation | Incontri HMTM Hannover | 15.8.2009 | Herrenhäuser Gärten, Hannover, Musik21 Festival | 0 | ||||||||||
| 43042 | Jason | Bolte | Black (W)hole | 2014 | fixed media, akusmatisch | 10:25:00 | 0 | ||||||||||||
| 42579 | Jason | Bolte | Noises Everywhere | 2009 | fixed media, akusmatisch | 8 | ASCAP/SEAMUS Student Commission Competition 2008 | 0 | |||||||||||
| 42916 | Jason | Bolte | Puttn Around | 2013 | fixed media, akusmatisch | 5:33:00 | 0 | ||||||||||||
| 42464 | Jason | Bolte | Scrap Metal | live-elec, 1 perf | p [Piano] | Juraj Kojs (SofIA Ensemble), piano | Music Teachers National Association and the Missouri Music Teachers Association | 0 | |||||||||||
| 28275 | Jason L. | Bolte | And Death … | 2007 | fixed media, akusmatisch | 4:00 | miso records mcd 023.10/ | Musica Viva Lisboa 2008 winner | 1 | http://www.misomusic.com/port/cria/concomp/2008_main.htm | |||||||||
| 39400 | Jason L. | Bolte | AridFlow | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39886 | Jason L. | Bolte | Black (W)hole | 2015 | fixed media, akusmatisch | 10:25:00 | Jason L. Bolte | 0 | |||||||||||
| 39885 | Jason L. | Bolte | swish-swoosh | 2016 | fixed media, akusmatisch | Jason L. Bolte | 0 | ||||||||||||
| 2078 | André | Bon | Fragments | 1984 | live-elec, 3 perf | 25:00 | Quadro | sax, 2 hp [Saxophon, Harfe] | QUATRON / PACOM | LIMCA Auch | 0 | ||||||||
| 2079 | André | Bon | Histoire | 1977 | fixed media, akusmatisch | 13:00 | UEA Norwich | 0 | |||||||||||
| 2080 | André | Bon | L'image des sons | 1973 | fixed media, akusmatisch | 15:00 | INA • GRM | 0 | |||||||||||
| 2081 | Luisa | Bon | Herz aus Stein | 1983/1984 | fixed media, akusmatisch | 5:00 | Stereo | CSC Padova | 0 | ||||||||||
| 2082 | Luisa | Bon | Laguna | 1981 | fixed media, akusmatisch | 8:10 | Stereo | CSC Padova | 0 | ||||||||||
| 2083 | Luisa | Bon | Shift of Emphasis | 1983 | fixed media, akusmatisch | 8:25 | Stereo | CSC Padova | 3. prize Russolo Varese 1983 | 0 | |||||||||
| 2084 | Luisa | Bon | Tarot | 1981 | fixed media, akusmatisch | 7:30 | Stereo | CSC Padova | 0 | ||||||||||
| 2085 | Luisa | Bon | Transient | 1984 | fixed media, akusmatisch | 8:30 | Stereo | CSC Padova | 0 | ||||||||||
| 37251 | Mattia | Bonafini | Atmen | 2015 | fixed media, akusmatisch | 16:00:00 | HfK Bremen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 42917 | Alain | Bonardi | Pianotronics 2 | 2013 | live-elec, 1 perf | 7:15:00 | p [Piano] | Francesco Prode, piano | 0 | ||||||||||
| 39592 | Antonio | Bonazzo | Violin Shake | 2016 | fixed media, akusmatisch | Antonio Bonazzo | 0 | ||||||||||||
| 36923 | Daryn | Bond | Harmonic Hypercube [6-8-9-12] | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 21953 | Hans Christian | Bonden | Music for theatre performance | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 2086 | Jaques | Bondon | Themes de Orient, Quatuor | live-elec, 4 perf | 20:00 | 4 oma [synthesizer] | popular Ondes Martenot | Pyral, L´echo du monde/ | 1 | ||||||||||
| 43038 | Oren | Boneh | Eclipse | 2013 | live-elec, 1 perf | 11:46:00 | tpt [Trompete] | Daniel D’Addio, trumpet | 0 | ||||||||||
| 34667 | Núria | Bonet | Sonification Of Dark Matter | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW | 0 | |||||||||||
| 2087 | Markus | Bongartz | Autobus S | 1991 | live-elec, 7 perf | 11:00 | Stereo | es-cl, cl, bar-sax, trbn, 2 perc, Kbd [Klarinette, Saxophon, Posaune, Keyboard, Schlagzeug] | ICEM Essen | 0 | |||||||||
| 2088 | Markus | Bongartz | bousculade persistante | 1993 | fixed media, akusmatisch | 32:00 | 0 | ||||||||||||
| 2089 | Markus | Bongartz | Loplop | 1991 | fixed media, akusmatisch | 11:45 | Quadro | ICEM Essen | 0 | ||||||||||
| 2090 | Markus | Bongartz | RHYTHMEN | 1992 | audiovisuell | 7:30 | Kunstakademie | 0 | |||||||||||
| 37526 | Markus | Bongartz | Trio décentral | 1997 | Zuspiel / Tonband, 2 perf | Stereo | fl, S [Sopran, Flöte] | ICEM Essen | 0 | ||||||||||
| 2091 | Ian | Bonighton | De Quartuor Vigilia Noctis | 1974 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 2092 | Ian | Bonighton | Three Perspectives | 1974 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 40310 | Valerio de | Bonis | Arsi Meccanica | 2015 | fixed media, akusmatisch | 5:00:00 | Valerio de Bonis | 0 | |||||||||||
| 42465 | Valerio de | Bonis | Un cadeau pour… | 2008 | audiovisuell | 0 | |||||||||||||
| 2093 | Bernard, Gisèle | Bonnier, Ricard | Une autre création du monde | 1982 | fixed media, akusmatisch | 30:00 | Stereo | Amaryllie Québec | 0 | ||||||||||
| 2094 | Bernard van den | Boogaard | Kameleon | 1970/1971 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EM ?? | 0 | |||||||||||
| 2095 | Bernard van den | Boogaard | Kosmoi | 1975 | Zuspiel / Tonband, 1 perf | 14:00 | ob [Oboe] | 0 | |||||||||||
| 2096 | Bernard van den | Boogaard | Military Games | 1970 | Zuspiel / Tonband, 2 perf | 11:00 | 2 p [Piano] | 0 | |||||||||||
| 2097 | Bernard van den | Boogaard | Ogme | 1978 | live-elec, 1 group | Tanz |
90:00 | ens [Ensemble] | 0 | |||||||||||
| 38459 | Adam | Boome | bambang | 1990, 2017 | audiovisuell | 9 | Stereo + Stereo | Videoinstallation with 2 U-Matic synchron | TU Berlin, Atelier Medienkunst Berlin, WKBC London | 1990 | AdK Berlin | 1 | https://vimeo.com/channels/medienkunst/256328598 | ||||||
| 2098 | Adam | Boome | Excuse music | 1988 | audiovisuell, live-elec, 1 perf | 8:00 | Stereo | perf [Performer] | Regie Adam Boome | TU Berlin | 1 | ||||||||
| 2099 | Adam | Boome | MHTYHRRYTHM | fixed media, akusmatisch | 1 | ||||||||||||||
| 2100 | Adam | Boome | MMMMMusik | 1990 | fixed media, akusmatisch | 5:00 | Stereo | 2 Versionen (live, com); txtcompo | KüHa Beth/ | TU Berlin | 1 | ||||||||
| 2101 | Adam | Boome | Slide Musik | 1990 | intermedia | ∞ | 6 | Installation mit sm + 6 slide projectors | TU Berlin | 1.-3.3.1990 | Künstlerhaus Bethanien | 1 | |||||||
| 22789 | Adam | Boome | sprung eight | 1987 | Klanginstallation, live-elec, 1 perf | 4:28 | perc machine [Schlagzeug] | "Four Piece Percussion Installation" play Adam Booms "sprung eight"; perc-machine by Martin Riches | Apollo ACD 019209/ | PS | 1 | ||||||||
| 2102 | Adam | Boome | TWOSCORESBYADAMBOOME | fixed media, akusmatisch | 1 | ||||||||||||||
| 2103 | Charles | Boone | A cool glow of Radiation | 1966 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | fl [Flöte] | CCM Mills | 0 | |||||||||
| 2104 | Jo van den | Booren | Spiel I für Oboe und Rückkopplung | 1969 | live-elec, 1 perf | ob [Oboe] | 0 | ||||||||||||
| 39320 | Carolyn | Borcherding | Tangled Illusions in a Twisting Dream | 2017 | Zuspiel / Tonband, 1 perf | 7:27 | koto [Streicher] | 0 | |||||||||||
| 42794 | James | Borchers | Talking Drum | 2012 | live-elec, 1 perf | 7:00:00 | drum [Schlagzeug] | James Borchers, drum | 0 | ||||||||||
| 42580 | James, John | Borchers, Hulsey | 26 Years:1 Week:72 Hours | 2009 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 42088 | Wolfgang, Werner | Borchert, Haentjes | Draussen vor der Tür | 1947 | radiophon | 79:15 | weitere Produktionen durch Radio München (1948), NWDR (1952), NDR (1965, gekürzt), Deutsche Welle (1985) | Der Hörverlag 2005/ Ernst-Klett-Verlag Kassette/ | NWDR | 13.2.1947 | NWDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1348761&vi=7&SID | ||||||
| 38496 | Isabella | BORDONI | Da wo der Schatten erscheint, Lì dove l’ombra appare | 2005 | radiophon | 44:34:00 | 0 | ||||||||||||
| 38497 | François | BORDONNEAU | Récréation Sonore | 2015 | radiophon | 49:57:00 | 0 | ||||||||||||
| 2105 | Dominic | Boreham | Transduction | 1979 | fixed media, akusmatisch | 17:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 31283 | Benjamin | Boretz | Black /Noise I | 1998 | fixed media, akusmatisch | for computer | Col.Princ EMC | 0 | |||||||||||
| 31284 | Benjamin | Boretz | Black /Noise II | 1998 | audiovisuell | video images, computer | Col.Princ EMC | 0 | |||||||||||
| 31278 | Benjamin | Boretz | Elie: The Dance | 1986 | fixed media, akusmatisch | Quadro | Col.Princ EMC | 0 | |||||||||||
| 31279 | Benjamin | Boretz | forM (a music) | 1986 | fixed media, akusmatisch | Quadro | Col.Princ EMC | 0 | |||||||||||
| 31282 | Benjamin | Boretz | gendermusic | 1994 | fixed media, akusmatisch | for computer | Col.Princ EMC | 0 | |||||||||||
| 31276 | Benjamin | Boretz | Group Variations II | 1972/1994/2005 | fixed media, akusmatisch | IDEAMA CD 061/ | Col.Princ EMC | 0 | |||||||||||
| 31277 | Benjamin | Boretz | Language, as a music | 1978 | Zuspiel / Tonband, 2 perf | Sp, p [Sprecher, Piano] | six marginal pretexts for composition for speaker, piano, prerecorded tape | Col.Princ EMC | 0 | ||||||||||
| 31280 | Benjamin | Boretz | to open I | 1986 | fixed media, akusmatisch | Quadro | Col.Princ EMC | 0 | |||||||||||
| 31281 | Benjamin | Boretz | to open II | 1987 | Zuspiel / Tonband, 1 perf, 1 group | p, ens [Piano, Ensemble] | Col.Princ EMC | 0 | |||||||||||
| 32500 | David | Borges | distInct oNe | 2009 | Klangkunst, Installation | audiovisuell |
Octo | (dance?) [] | Incontri HMTM Hannover | 8.11.2009 | Sprengel Museum, Hannover | 0 | ||||||||
| 32506 | David | Borges | ent_wicklungTM | 2010 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 26.11.2010 | Altes Forsthaus Habichtshorst, Winsen | 0 | |||||||||
| 32508 | David | Borges | Er und Sie | 2008 | live-elec, 2 perf | Quadro | p, V, (elec) [Stimme, Piano] | Incontri HMTM Hannover | 22.11.2007 | HMTMH | 0 | ||||||||
| 32517 | David | Borges | In der Fremde | 2008 | live-elec, 2 perf | Quadro | p, V, (elec) [Stimme, Piano] | Incontri HMTM Hannover | 22.11.2007 | HMTMH | 0 | ||||||||
| 32518 | David | Borges | In der Nacht | 2008 | live-elec, 2 perf | Quadro | p, V, (elec) [Stimme, Piano] | Incontri HMTM Hannover | 22.11.2007 | HMTMH | 0 | ||||||||
| 32525 | David | Borges | Metamorphosis | 2009 | live-elec, 1 perf | Octo | trbn, (elec) [Posaune] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 32529 | David | Borges | oscil]o | 2009 | audiovisuell | 8 | Stereo | Film und Klang | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | |||||||
| 32539 | David | Borges | Schumann und der Wahnsinn / In der Fremde | 2007 | live-elec, 3 perf | Quadro | S, T, p, (elec) [Sopran, Tenor, Piano] | Sopran, Tenor, Klavier und Live-Elektronik | Incontri HMTM Hannover | 22.11.2007 | HMTMH | 0 | |||||||
| 32497 | David, Damian, Kostia | Borges, Marhulets, Rapoport | dak-Tilde "ma-Tilde" | 2008 | fixed media, akusmatisch | 3 tracks | synt, kbd, (turntable), elec [Keyboard, elektronik, synthesizer] | Incontri HMTM Hannover | 2.7.2008 | Sprengel Museum, Hannover | 0 | ||||||||
| 32526 | David, Damian, Kostia | Borges, Marhulets, Rapoport | Miniatouren | 2009 | live-elec, 3 perf | 3 tracks | synt, kbd, (turntable), elec [Keyboard, elektronik, synthesizer] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 32556 | David, Damian, Kostia | Borges, Marhulets, Rapoport | Whose Line Is It Anyway? | 2009 | live-elec, | 7:08 | Incontri HMTM Hannover | 0 | |||||||||||
| 2106 | Matz, Thomas | Borgström, Sjöland | The inner mounting grand piano | 1978 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 38498 | Benoît | BORIES | Une quête | 2017 | radiophon | 47:00:00 | Prix Phonurgia nova 2017 Human word archives award | 0 | |||||||||||
| 2107 | Carsten | Borkowski | Check the lyrics | 1994 | fixed media, akusmatisch | 6:12 | Stereo | EMS Stockholm | 21.4.1995 | 0 | http://www.carsten-borkowski.de | ||||||||
| 19537 | José Antonio | Bornay Linares | Rakid al Nahr | 1991 | fixed media, akusmatisch | 10:12 | Stereo | GME Cuenca | 0 | ||||||||||
| 19538 | José Antonio | Bornay Linares | Triptico Homenaje a Jackson Pollock | 1993 | fixed media, akusmatisch | 12:00 | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||
| 2108 | Matthias | Bornemann | Studie über 5 Klänge | 1990 | fixed media, akusmatisch | 5:27 | Stereo | HfMT Köln | 0 | ||||||||||
| 37493 | Achim Christian | Bornhöft | Alfried's schönste Stunde | 1993 | radiophon | 7:30:00 | Stereo | konkretes Material, (Tonbänder von Alfried Krupp ) | ICEM Essen | 0 | |||||||||
| 29280 | Achim Christian | Bornhöft | Aquarum? | 2000 | Tanz | 10 | Stereo | fem dancer [Tanz] | ICEM Essen | 1.4.2000 | Danzon, Tübingen Tanz: Katja Büchtemann | 0 | |||||||
| 2109 | Achim Christian | Bornhöft | artificial clichés | 1991 | fixed media, akusmatisch | 6:54 | Quadro | Synlab | Cybele 960.103/ | 20.6.1991 | Goethe-Institut Hongkong | 1 | http://www.Cybele .de/shop/product_info.php?products_id=49 | ||||||
| 37494 | Achim Christian | Bornhöft | Aus den Auren | 1993 | fixed media, akusmatisch | Stereo | konkretes Material | ICEM Essen | 0 | ||||||||||
| 29284 | Achim Christian | Bornhöft | Bannbullen | 2007 | fixed media, akusmatisch | 2:03 | Mono | perc [Schlagzeug] | Südwestrundfunk, Donaueschinger Musiktage | 19.1.2007 | Donaueschingen | 0 | |||||||
| 29286 | Achim Christian | Bornhöft | Bannwald, Soundscape Project | 2004 | Zuspiel / Tonband, 14 perf | 74 | Stereo | 7 vc, 7 p [Piano, Cello] | 12 parts | CD Der Grindenschwarzwald/ | 0 | ||||||||
| 2116 | Achim Christian | Bornhöft | Brentano, Wiegenlied, Wiegenlied, Brentano | 1993 | Zuspiel / Tonband, 1 group | 13:42 | Stereo | ch [Chor] | choir ≈ 16 V Das Tonband für -Wiegenlied, Brentano- ist 2kanalig. Auf Kanal 4 ist eine Synchronisationsclickspur für den Dirigenten. |
ICEM Essen | 10.12.1993 | Sacred Heart Church Melbourne, Australien, Astra Choir | Auswahl für die Weltmusiktage 1995 | 0 | http://icem.folkwang-hochschule.de/~born/de/doc/txt/brentano.htm | ||||
| 2110 | Achim Christian | Bornhöft | Cabotina | 1992 | Tanz | 17:30 | Quadro | MIDI Die Choreographie -Cabotina- entstand in Zusammenarbeit mit den Choreographen Olimpia Scardi und Stefan Hilterhaus an der Folkwanghochschule im Frühjahr 1992 |
ICEM Essen | 26.6.1992 | Folkwang Hochschule, Essen | 0 | |||||||
| 2111 | Achim Christian | Bornhöft | Chant up | 1992 | fixed media, akusmatisch | 6:50 | Stereo, Quadro | Chant, Patchwork | Szombatbely Ungarn, ICEM Essen | 23.7.1992 | Kulturzentrum Szombathely, Ungarn | 0 | |||||||
| 2112 | Achim Christian | Bornhöft | Cinema Color | 1993 | Zuspiel / Tonband, 4 perf | 5:20 | Stereo | 4 perc (Mundharmonika) [Schlagzeug] | ICEM Essen | Cooperativa Neue Musik, Bielefeld | 27.11.1993 | Matthäuskirche, Bielefeld, Düsseldorfer Schlagzeugquartett | 0 | ||||||
| 24290 | Achim Christian | Bornhöft | Courage | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | degem | 1 | ||||||||||
| 29269 | Achim Christian | Bornhöft | Elektronische Lesung I | 1995 | fixed media, akusmatisch | 9:09 | Stereo | Dr. Ulrich Maske, Cooperativa Neue Musik | 6.1.1996 | Matthäuskirche, Bielefeld | 0 | ||||||||
| 29270 | Achim Christian | Bornhöft | Elektronische Lesung II | 1995 | fixed media, akusmatisch | 8:30 | Stereo | 6.6.1997 | Wasserturm Viersen | 0 | |||||||||
| 29279 | Achim Christian | Bornhöft | Ellis Is. | 1999 | Tanz | 70 | Stereo | 3 male dancer, 3 fem dancer, ch [Tanz, Chor] | ICEM Essen | Arbeitskreis Kunst und Medien des Ministeriums für Wissenschaft und Forschung, NRW, Fonds Darstellende Künste e.V., Dresdner Zentrum für zeitgenössische Musik, Stadt Essen | 7.10.1999 | Festspielhaus Hellerau, Dresden Tanz: Laura Delfino, Francesco Pedone, Annelise Soglio, Elvira Salomone, Carlos Sampaio, Roman Vittinghoff Chor: Kantorei der Kreuzeskirche, Essen, Ltg. Eckard Manz |
0 | ||||||
| 29271 | Achim Christian | Bornhöft | Floot | 1995 | Tanz | 60 | Stereo | 5 dancer [Tanz] | ICEM Essen | 14.10.1995 | Folkwang Hochschule, Essen Tanz: Olatz Arabaolaza, Alice Cerrato, Paolo Granello, Tanja Latarjet, Giorgia Maddamma | 0 | |||||||
| 2113 | Achim Christian | Bornhöft | Germania 7, Germania | 1993 | radiophon | 144 | Stereo | Material aus der Alfried Krupp Sammlung part 1 14:00; part 2 66:00 |
ICEM Essen | 26.9.1993 | Zeche Zollverein Essen | 0 | |||||||
| 29272 | Achim Christian | Bornhöft | hologram rose | 1996 | fixed media, akusmatisch | 10:37 | Stereo, 6 | ICEM Essen | Verein für Kunst und Kultur, Universität Bielefeld | 5.7.1996 | Uni Bielefeld | 0 | |||||||
| 29278 | Achim Christian | Bornhöft | Infrarot - vision impossible | 1999 | Zuspiel / Tonband, 4 perf | 14 | Stereo | 4 perc [Schlagzeug] | ICEM Essen | 5.6.1999 | Musikhochschule Freiburg | 0 | |||||||
| 37495 | Achim Christian | Bornhöft | Krupp Sammlung | 1993 | radiophon | konkretes Material, (Tonbänder von Alfried Krupp) | ICEM Essen | 0 | |||||||||||
| 29277 | Achim Christian | Bornhöft | Lumen B | 1996 | Tanz | 70 | Stereo | 3 male dancer, 2 fem dancer, tim [Schlagzeug, Tanz] | ICEM Essen | Arbeitskreis Kunst und Medien des Ministeriums für Wissenschaft und Forschung, NRW | 1.12.1998 | Maschinenhaus, Essen Tanz: Ivaldo Castro, Francesco Pedone, Annelise Soglio, Elvira Salomone, Carlos Sampaio Pauken: Michael Pattmann |
0 | ||||||
| 29283 | Achim Christian | Bornhöft | Naturell | 2010 | fixed media, akusmatisch | 7 | Stereo | perc [Schlagzeug] | 0 | ||||||||||
| 29282 | Achim Christian | Bornhöft | Nirvana DC | 2000/2002/2008 | Zuspiel / Tonband, 1 perf | 14:32 | Stereo | perc [Schlagzeug] | Dr. Ulrich Maske / Feldkirch Festival 2002 / On/Off Limburg, Kompaktfestival Elektroakustischer Musik | 13.1.2002 | Rudolf-Steiner-Schule Bielefeld | 0 | |||||||
| 29276 | Achim Christian | Bornhöft | Reigen | 1998 | Theatermusik | 36:30 | Stereo | Prinzregenttheater, Bochum | 13.2.1998 | Prinzregenttheater, Bochum Regie: Sibylle Broll-Pape |
0 | ||||||||
| 2114 | Achim Christian | Bornhöft | ... Siehe SOMMER Folgende ... | 1991 | Performance | 45:00 | 42 Akteure [Schauspieler] | Happenigs im Freibad Kamen | 1. Kamener Komponistenforum | 9.12.1990 | Freibad, Kamen-Mitte | 0 | |||||||
| 2115 | Achim Christian | Bornhöft | Spirale, Tabu / Alter, Zigeuener, Cabotina | 1993 | Tanz | 10:00 | Quadro | choreo (zu Cabotina) Olimpia Scardi & Stefan Hilterhaus. Die Choreographie -Cabotina- entstand in Zusammenarbeit mit den Choreographen Olimpia Scardi und Stefan Hilterhaus an der Folkwanghochschule im Frühjahr 1992 |
ICEM Essen | 0 | |||||||||
| 29285 | Achim Christian | Bornhöft | Stummer Ort (k2h-bridge) | 2006 | fixed media, akusmatisch | 2:48 | Stereo | perc [Schlagzeug] | WER 6599 2/ | 0 | |||||||||
| 29281 | Achim Christian | Bornhöft | Venedig privat - venice in private parts | 2000 | Zuspiel / Tonband, 1 perf | 11 | Stereo | perc [Schlagzeug] | 12.10.2000 | Hochschule für Musik Freiburg, Viatcheslav Stakhov | 0 | ||||||||
| 29275 | Achim Christian | Bornhöft | virtual string | 1997 | fixed media, akusmatisch | 14:36 | Stereo | stcd1 sumtone / | 6.6.1997 | Wasserturm Viersen | 0 | ||||||||
| 29274 | Achim Christian | Bornhöft | vongrâlswegen | 1997 | fixed media, akusmatisch | 10:13 | Stereo | Theater Total | 0 | ||||||||||
| 37487 | Achim Christian | Bornhöft | Wiegenlied, Brentano-nahe zu fern | 1993 | fixed media, akusmatisch | 24:45 | Octo | 0 | |||||||||||
| 29273 | Achim Christian, Eckard | Bornhöft, Koltermann | invar | 1996 | Tanz | 50 | Stereo | male dancer, fem dancer, cl, prep p, e-gui, (elec) [Klarinette, Piano, Gitarre, Tanz] | ICEM Essen | Kultursekretariat NRW, ex tempore Festival | 17.10.1996 | Schauspielhaus Recklinghausen Tanz: Katja Büchtemann, Stefan Hilterhaus Bassklarinette (Klarinette): Eckard Koltermann; Klavier, E-Gitarre: Achim Bornhoeft |
0 | ||||||
| 28167 | Stephane | Borrel | Fou-rire, 2010 Complement a l’Inventaire | 2010 | fixed media, akusmatisch | 3:55 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | |||||||||
| 2117 | Dick | Borstlap | Tremors | 1982 | Film | film | Con Den Haag | 0 | |||||||||||
| 2118 | Sam | Borsuk | SIB 2248 | 1983 | fixed media, akusmatisch | 7:35 | Stereo | Concordia Montréal | 0 | ||||||||||
| 2119 | Sam | Borsuk | Watch It | 1982 | fixed media, akusmatisch | 1:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 33130 | Marcin | Bortnowski | Pieces of light | 2003 | live-elec, 2 perf | 9:10:00 | acc, hpd, (com) [Akkordeon, Cembalo] | WJ 2003/ | 1 | ||||||||||
| 2120 | Mauro | Bortolotti | Concatenazioni | 1975 | Tanz | 0 | |||||||||||||
| 32741 | Mauro | Bortolotti | L'attesa | 1980 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 32760 | Mauro | Bortolotti | Mottetto | 1971 | live-elec, 1 perf | V, (com) [Stimme] | 0 | ||||||||||||
| 2121 | Stefan | Borum | Musik gang en halv | 1988 | fixed media, akusmatisch | 3:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 22356 | Nicolas | Borycki | Le Diable au Teint Orayeux | 2000 | fixed media, akusmatisch | 4:13 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | JTTP 2000 winner 1. prize | 1 | ||||||||
| 43120 | Peter, Simone | Bosch, Simons | Electric Swaying Orchestra | 1997 | Performance | Auszeichnung ars electronica mention 1992 | 0 | ||||||||||||
| 43119 | Peter, Simone | Bosch, Simons | Krachtgever | 1997 | Performance | ARS 98/ | 0 | ||||||||||||
| 28492 | Peter, Simone | Bosch, Simons | Ultimo Esfuerzo Rural | 1998 | fixed media, akusmatisch | 3:26 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.boschsimons.com | ||||||||||
| 19190 | Francesco | Boschetto | Trasumanar | 1995 | Zuspiel / Tonband, 1 perf | 11:17 | vn [Violine] | Anna Lindal (vn) | LDC 278060/61 Cultures Electroniques 9/ Prix ars electronica 96/ | EMS Stockholm | Auszeichnung ars electronica honorary mention 1996 | 1 | 2000 | ||||||
| 23783 | Francesco | Boschetto | Your heart ia a Red Train | 1994/1995 | fixed media, akusmatisch | 12:21 | Stereo | CAP 22057/ | Stockholm Electronic Arts Award honorable mention 1995 | 1 | |||||||||
| 38499 | Alessandro | BOSETTI | 636 | 2012 | radiophon | 24:44:00 | Prix Phonurgia nova | 0 | |||||||||||
| 36493 | Alessandro | Bosetti | Advice | 2011 | Performance | 10 | afro 2055/ | 0 | https://www.discogs.com/de/Alessandro-Bosetti-Coaxial/release/3280495 | ||||||||||
| 38500 | Alessandro | BOSETTI | African Feedback | 2006 | radiophon | 45:38:00 | 0 | ||||||||||||
| 38501 | Alessandro | BOSETTI | arcoparlante | 2009 | radiophon | 51:28:00 | DeutschlandRadio | 3.7.2009 | DeutschlandRadio | 0 | |||||||||
| 36494 | Alessandro | Bosetti | Coaxial | 2011 | Performance | 10 | afro 2055/ | 0 | https://www.discogs.com/de/Alessandro-Bosetti-Coaxial/release/3280495 | ||||||||||
| 38503 | Alessandro | BOSETTI | Gesualdo Translations | 2007 | radiophon | 45:11:00 | 0 | ||||||||||||
| 27772 | Alessandro | Bosetti | Il Fiore della Bocca | 2003 | radiophon | 48:55 | Stereo | RS 025 Rossbin/ | DeutschlandRadio Kultur | 24.10.2003 | DeutschlandRadio Kultur | 1 | http://www.melgun.net/soundtextsound.html | ||||||
| 38504 | Alessandro | BOSETTI | Il fiore della bocca, Mundblume | 2003 | radiophon | 48:58:00 | 1 | ||||||||||||
| 38505 | Alessandro | BOSETTI | Minigolf | 2014 | radiophon | 47:56:00 | 0 | ||||||||||||
| 38922 | Alessandro | Bosetti | Regular Measures | 2018 | radiophon | 54:30 | Hörstück über eine Welt ohne Bilder | DeutschlandRadio Kultur | 29.6.2018 | DeutschlandRadio Kultur | 0 | ||||||||
| 38506 | Alessandro | BOSETTI | Spinoza und der Fisch | 2011 | radiophon | 48:40:00 | 0 | ||||||||||||
| 27771 | Alessandro | Bosetti | The Whistling Republic | 2003 | radiophon | 25:00 | Surround 5.1 | about the whistleing-"Language" in Gomera with the name "El Silbo" | WDR Studio Akustische Kunst | WDR Studio Akustische Kunst | 1 | http://www.melgun.net/soundtextsound.html | |||||||
| 33748 | Alessandro | Bosetti | Zahre, Noise of the Month January 2006 „Zwölf Zungen“ | 2006 | radiophon | 4:42 | Stereo | EBU Ars Acustica 2009/ | DeutschlandRadio Kultur | January 2006 | DRadio Kultur | EBU Ars Acustica 2009 | 1 | ||||||
| 18959 | Hannah | Bosma | Stadsvogels | 1995 | Klangkunst, Installation | 7:09 | Soundscape Amsterdam; audio-essay | Ssccd 001 Soundscape Amsterdam/ | Uni Amsterdam | 1 | |||||||||
| 33833 | Hannah, Boris | Bosma, Nieuwenhuijzen | Hoor Je Dat?! | 1999 | live-elec, | 5 | ISAST LMJ 9/ | 0 | |||||||||||
| 2122 | Jean-Yves | Bosseur | Mains gauches | 1972 | Zuspiel / Tonband, 1 group | strs [Streicher] | SMECA Paris | 0 | |||||||||||
| 2123 | Jean-Yves | Bosseur | Metro | 1989 | fixed media, akusmatisch | Stereo | CRFMW Liège | 0 | |||||||||||
| 26153 | Andres | Bosshard | DVRK - Space | 2006 | radiophon | 8:00 | Stereo | radiocustica selected 2006 Cesky rozhlas/ | Czech Radio Prague | Radioatelier Czech Radio Michal Rataj | 1 | ||||||||
| 25661 | Andres | Bosshard | Klangbrücke Bern, Condensation | 1990 | Klangkunst, Installation | Zuspiel, live-elec, 10 perf |
16:10 | Stereo | 3 trbn, hn, vc, vn, 2 V, 2 drum, (elec) [Stimme, Horn, Posaune, Schlagzeug, Cello, Violine] | For 4 Ears CD 305/ | 1 | |||||||||
| 25662 | Andres | Bosshard | Klangbrücke Bern, telemusic | 1990 | Klangkunst, Installation | Zuspiel, live-elec, 10 perf |
16:01 | Stereo | 3 trbn, hn, vc, vn, 2 V, 2 drum, (elec) [Stimme, Horn, Posaune, Schlagzeug, Cello, Violine] | For 4 Ears CD 305/ | 1 | |||||||||
| 25663 | Andres | Bosshard | Klangbrücke Bern, Conducting | 1990 | Klangkunst, Installation | Zuspiel, live-elec, 10 perf |
8:46 | Stereo | 3 trbn, hn, vc, vn, 2 V, 2 drum, (elec) [Stimme, Horn, Posaune, Schlagzeug, Cello, Violine] | For 4 Ears CD 305/ | 1 | |||||||||
| 25664 | Andres | Bosshard | Klangbrücke Bern, The Bridge | 1990 | Klangkunst, Installation | Zuspiel, live-elec, 10 perf |
26:23 | Stereo | 3 trbn, hn, vc, vn, 2 V, 2 drum, (elec) [Stimme, Horn, Posaune, Schlagzeug, Cello, Violine] | For 4 Ears CD 305/ | 1 | |||||||||
| 28573 | Andres | Bosshard | La Puta, Klangbaustelle mit konzertanter Aktion für Vierteltonziehharmonika und Live-Elec | 2007 | Klanginstallation, live-elec, 1 perf | 2:56 | acc [Akkordeon] | S. Vukasinovitch (1/4-ton-Ziehharmonika), A. Bosshard (live-elec) | WD 2008, Wittener Tage Für Neue Kammermusik 2008/ | Kompositionsauftrag der Stadt Witten | 2008 | Wittener Tage für neue Kammermusik 2008 mit S. Vukasinovitch (1/4-ton-Ziehharmonika), A. Bosshard (live-elec) | 1 | ||||||
| 34754 | Andres | Bosshard | Rotophonia | 2003 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 37.-10.8.2003 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 42089 | Andres | Bosshard | Telefonia | 1992 | radiophon | Grammo Records Bern | 0 | ||||||||||||
| 19063 | Andres, Christof, Peter | Bosshard, Cargnelli, Szely | Manandarbandr | 1996 | Klangkunst, Installation | 1:37 | Sonambiente Ausstellung (1996) Katalog S.41 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 2124 | Andres, Mia, Tamas | Bosshard, Zabelka, Ungvary | s. a. t. t. (small and tough tech) - pocket version | 1994 | live-elec, | 60:00 | 0 | ||||||||||||
| 39790 | Francesco | Bossi | First I was Afraid #8 | 2015 | fixed media, akusmatisch | 8:01:00 | Francesco Bossi | 0 | |||||||||||
| 39788 | Francesco | Bossi | Modus | 2017 | fixed media, akusmatisch | Francesco Bossi | 0 | ||||||||||||
| 39378 | Francesco | Bossi | Patterns from the chaos | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39789 | Francesco | Bossi | Urban Landscape – Fractures – Milano | 2016 | fixed media, akusmatisch | Francesco Bossi | 0 | ||||||||||||
| 28233 | Jeffrey | Bossin | Electronic Ringing | 2009 | fixed media, akusmatisch | 1:05 | Stereo | PS C. | 1 | ||||||||||
| 2125 | Jeffrey | Bossin | Studie 1, Piercing the Barrier | 1975 | fixed media, akusmatisch | 6:00 | Stereo, Quadro | TU Berlin | 9.3.1976 | Theater- und Probensaal der HdK Berlin | 1 | http://www.carillon-berlin.de/ | |||||||
| 2126 | Jeffrey | Bossin | Umweltklänge | 1977 | fixed media, akusmatisch | 12:00 | Stereo | TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | 1 | ||||||||
| 43026 | Paul, Jon | Botelho, Appleton | N’air sur le lit | 2013 | live-elec, 2 perf | 7:35:00 | V, p [Stimme, Piano] | Paul Botelho, voice Jon Appleton, piano | 0 | ||||||||||
| 42581 | Paul J., Russell J. | Botelho, Chartier | CONFINED-10-01-2 | 2009 | fixed media, akusmatisch | 4 | 0 | ||||||||||||
| 23574 | Paul | Bothén | Oh Lord | 2003 | Klangkunst, Installation | 5:55 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 2127 | Will | Bottje | Black Jelly Beans | 1966 | fixed media, akusmatisch | 3:15 | Stereo | UI Carbondale | 0 | ||||||||||
| 2128 | Will | Bottje | Collage #1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | UI Carbondale | 0 | ||||||||||
| 34526 | Will | Bottje | Conversation with Miro | 1966 | fixed media, akusmatisch | 3:00 | Stereo | UI Carbondale | 0 | ||||||||||
| 2129 | Will | Bottje | Dissent-Illusion | 1963 | Tanz | 11:00 | Mono | STEM Utrecht, UI Carbondale | 0 | ||||||||||
| 2130 | Will | Bottje | Elektronic piece, intuitive impulse | 1963 | fixed media, akusmatisch | 5:40 | Mono | STEM Utrecht | 0 | ||||||||||
| 2131 | Will | Bottje | Four etudes for Wind Quintet and Tape, Etude in 3rds Etude with Piano Etude from Undertones Etude in Accelerando |
1963 | Zuspiel / Tonband, 5 perf | 22:00 | Mono | w-qnt [Bläser] | STEM Utrecht | 0 | |||||||||
| 2132 | Will | Bottje | In the Hours of Darkness | 1966 - 1967 | fixed media, akusmatisch | 18:00 | Stereo + Stereo | 3 parts | UI Carbondale | 0 | |||||||||
| 34527 | Will | Bottje | Night Rush | 1966 | fixed media, akusmatisch | 3:30 | Stereo | UI Carbondale | 0 | ||||||||||
| 2133 | Will | Bottje | Six Monochromes | 1965 | fixed media, akusmatisch | 15:30 | Mono, Stereo | UI Carbondale | 0 | ||||||||||
| 2134 | Will | Bottje | Studies in Equal Temperament | 1966 | fixed media, akusmatisch | 11:00 | Stereo | 6 parts | UI Carbondale | 0 | |||||||||
| 2135 | Will | Bottje | Variations | 1963 | Zuspiel / Tonband, 1 perf | 14:00 | Mono | perc [Schlagzeug] | STEM Utrecht, UI Carbondale | 0 | |||||||||
| 24595 | Christian | Bouchard | Angle mort | 2001 - 2002 | fixed media, akusmatisch | 14:01 | Stereo | IMED 0474/ MR 2002 Métamorphoses 2002/ | PS C. | 30.10.2002 | Tentacules.03 | Métamorphoses 2002 | 1 | ||||||
| 35373 | Christian | Bouchard | Broken Ground, Linear Elasticity Intergranular Attack Hysteresis Kinetic Friction Voids Patterns Resistant Materials Ideal Strength Low Cycle Fatigue Recycling Cumulative Damage Atomic Bonds Condensed State of Matter | 2011 - 2012, 2013 | fixed media, akusmatisch | 57:50 | Stereo | IMED 17141/ | PS C. | Derek Besant | 11.2.2012 | exhibition Broken Ground by Derek Besant at Phoenix Brighton in Brighton (England, UK) | 0 | http://www.electrocd.com/en/cat/imed_17141/pistes/ | |||||
| 37093 | Christian | Bouchard | Impasto, Impasto 46 Impasto 128 Impasto finale |
2006 - 2008 | fixed media, akusmatisch | 45:46:00 | Stereo | IMED 11108/ | PS C. | 0 | |||||||||
| 37095 | Christian | Bouchard | Objet menacé | 2010 | fixed media, akusmatisch | 13:25:00 | Stereo | IMED 11108/ | PS C. | 25.11.2010 | concert Électro-chocs 2 celebrating the 20th anniversary of empreintes DIGITALes in the Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 24597 | Christian | Bouchard | Parcelles 1 | 2002 | fixed media, akusmatisch | 15:19 | Stereo | IMED 0474/ | PS C. | 14.02.2004 | Réseaux at Espace GO, in Montreal | 1 | |||||||
| 24598 | Christian | Bouchard | Parcelles 2 | 2003 | fixed media, akusmatisch | 14:21 | Stereo | IMED 0474/ | PS C. | Réseaux with the help of the Conseil des arts et des lettres du Québec | 18.10.2003 | Réseaux at Espace GO, Montreal | 1 | ||||||
| 37094 | Christian | Bouchard | Parcelles 21, Ersatz | 2008 | fixed media, akusmatisch | 14:19:00 | Stereo | IMED 11108/ | PS C. | 12.12.2008 | Akousma (5) presented by Réseaux des arts médiatiques at the Monument-National’s Studio Hydro-Québec in Montréal (Québec) | 0 | |||||||
| 22355 | Christian | Bouchard | tonicité | 2000 | fixed media, akusmatisch | 4:06 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 0 | |||||||||
| 24596 | Christian | Bouchard | Trois miniatures en suite | 1997 | fixed media, akusmatisch | 10:09 | Stereo | IMED 0474/ | HfM Montreal | 29.01.1999 | ACREQ at the Usine C in Montreal | First Prize of the Hugh-Le Caine Award 1998 | 0 | ||||||
| 2136 | Pierre | Bouchard | Dextrose-live | 1986 | live-elec, 1 perf | Stereo | com con synt [synthesizer] | 0 | |||||||||||
| 2137 | Pierre | Bouchard | Dextrose-Too (Live) | 1986 | live-elec, 1 perf | Stereo | com con synt [synthesizer] | 0 | |||||||||||
| 2138 | Pierre | Bouchard | Mécanique de la foudre | 1988 | fixed media, akusmatisch | 9:30 | Stereo | Concordia Montréal, GES Vierzon, Uni Montréal | 0 | ||||||||||
| 2139 | Pierre | Bouchard | Movements in Trans-Art | 1984 | fixed media, akusmatisch | 8:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 2140 | Pierre | Bouchard | Sensored | 1985 | fixed media, akusmatisch | 2:22 | Stereo | Concordia Montréal | 0 | ||||||||||
| 2141 | Pierre | Bouchard | Sentir numéro X | 1987 | fixed media, akusmatisch | 10:30 | Stereo | 0 | |||||||||||
| 2142 | Pierre | Bouchard | Yearning this Quarternion Beast | 1986 | Zuspiel / Tonband, 1 perf, 1 group | 11:50 | Stereo | synts, (com) [synthesizer] | Concordia Montréal | 0 | |||||||||
| 34892 | Pierre, Eric | Bouchard, Brown | Panoramique lent | 1986 | live-elec, 4 perf | 4 synt [synthesizer] | Concordia Montréal | 0 | |||||||||||
| 2143 | Georges | Bouché | A 2 | 1984 | Zuspiel, live-elec, 1 perf | 8:10 | fl [Flöte] | IPEM Gent | 0 | ||||||||||
| 2144 | Georges | Bouché | Antipode | 1983 | fixed media, akusmatisch | 117:00 | Quadro | IPEM Gent | 0 | ||||||||||
| 2145 | Georges | Bouché | Genèse | 1984 | Zuspiel / Tonband, 1 perf | 8:05 | gui, (com) [Gitarre] | IPEM Gent | 0 | ||||||||||
| 40130 | Miriam | Boucher | Cités | 2015 | fixed media, akusmatisch | 11:00:00 | Miriam Boucher | 0 | |||||||||||
| 34085 | Myriam | Boucher | Cités | 2015 | audiovisuell | 10:34:00 | Stereo | JTTP 2015 | JTTP-Winner 2015 4. prize | 0 | |||||||||
| 34820 | Myriam | Boucher | Nuées | 2016 | audiovisuell | 10:02:00 | Stereo | JTTP 2016 1. prize | 0 | http://vimeo.com/user20638366 | |||||||||
| 19380 | Pierre | Bouchet | Horizon paté croûte | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 19381 | Pierre | Bouchet | Non, je n'ai pas d'idée | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 19382 | Pierre | Bouchet | On tombe dans le Baudelaire | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 19383 | Pierre | Bouchet | Vous l'aurez pas ma vraie voix ! | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 25461 | André | Boucourechliev | Concerto pour Piano et Orchestre | 1977 | Zuspiel / Tonband, 1 perf, 1 group | 19:48 | p, orc [Piano, Orchester] | Claude Helffer (p), Orchestre National de France, conductor Ivo Malec |
INA C 2025/ | 25.04.1977 | Radio France | 1 | |||||||
| 2146 | André | Boucourechliev | Etude 1 | 1956 | fixed media, akusmatisch | 4:25 | Stereo | Fonologia Milano | 0 | ||||||||||
| 2147 | André | Boucourechliev | Le nom d'Oedipe | 1978 | Oper | 16:00 | Stereo | 2 V [Stimme] | sur un texte d’Hélène Cixous | INA • GRM | 27.5.1978 26-30.7.1978 |
Paris, Maison de Radio France, Gd. Auditorium; Voix: Sigune von Osten, Claude Méloni; Direction: Y. Prin Avignon, 32. Festival |
0 | ||||||
| 2148 | André | Boucourechliev | Texte 1, Texte I | 1958 | fixed media, akusmatisch | 6:20 | Stereo | 2 tapes | PHI 835 485/86/ INA C 2025/ Mercury SR2 9123/ | Fonologia Milano | 08.1956 | International Exposition, Brussels | 1 | ||||||
| 2149 | André | Boucourechliev | Texte 2 | 1959 | fixed media, akusmatisch | 4:36 | Stereo + Mono | Œuvre aléatoire. Création au premier concert utilisant un magnétophone 2 pistes et un magnétophone 1 piste | BAM LD 071/ INA C 1031 27651 archives grm CD 1/5/ INA C 2025/ BAM 5872/ IDEAMA CD 038/ SR 270 sub rosa/ | INA • GRM, Fonologia Milano | 01.06.59 | Salle Gaveau, Paris | 1 | ||||||
| 2150 | André | Boucourechliev | Thrène | 1974 | radiophon | 31:01 | Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 2025/ | INA • GRM | ORTF | 21.12.1974 1.12.1975 |
ORTF France Musique Paris, Centre Culturel du Marais |
1 | ||||||
| 40401 | André | Boucourechliev | Tic Tac | 1959 | Film | Mono | INA • GRM | June 1959 | Paris, Salle Gaveau | 0 | |||||||||
| 36858 | Léa | Boudreau | Dementia | 2017 | fixed media, akusmatisch | 5:10:00 | 0 | ||||||||||||
| 24881 | Michelle | Boudreau | Charnièr | 1986 - 2000 | fixed media, akusmatisch | Charnièr - 5 parts | MB CH/ MB CHMM/ | 0 | |||||||||||
| 2151 | Michelle | Boudreau | Le magasin pittoresque | 1986 | fixed media, akusmatisch | audiovisuell |
11:15 | Stereo | tape or video | McGill Montréal | 0 | |||||||||
| 24880 | Michelle | Boudreau | Ma Magie | 1992 | fixed media, akusmatisch | 4:24 | MB MM/ MB CHMM/ | 0 | |||||||||||
| 40933 | Robert Austin | Boudreau | Concerto | 1964 | Zuspiel / Tonband, 1 perf, 1 group | w-ens [Bläser] | STEM Utrecht | 0 | |||||||||||
| 40934 | Robert Austin | Boudreau | Toccata I | 1964 | fixed media, akusmatisch | STEM Utrecht | 0 | ||||||||||||
| 40935 | Robert Austin | Boudreau | Toccata II | 1964 | fixed media, akusmatisch | STEM Utrecht | 0 | ||||||||||||
| 2152 | Walter, Raôul | Boudreau, Duguay | Golgat(h)a | 1990 | Radiokunst, live-elec, 14 perf | 31:07 | 2 tpt, 2 hn, 2 trbn, 1 tuba, sam, org, 5 perc [Horn, Trompete, Posaune, Tuba, Orgel, Schlagzeug, computer] | IMSO 9201/ | CBC Montréal | Société Radio-Canada | 20.03.1991 | broadcast Musique actuelle of the FM Network of Radio-Canada | Grand Prix Paul Gilson from the Community of French Language Radios in Paris (France, March 1991) | 0 | |||||
| 25560 | Nicolas | Bougaieff | Noise at 6 | 2004 | fixed media, akusmatisch | 6:08 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 2153 | Rachel | Boughton | Pigeon Fantasies | 1985 | Film | CCRMA | 0 | ||||||||||||
| 2155 | Ned | Bouhalassa | Attraction | 1992 | fixed media, akusmatisch | 10:04 | CEC DISContact_1/ Russolo Pratella EF.ER.P 93/ IMED 9840/ | Concordia Montréal | Fall of 1993 | Concordia University | 3rd Prize 15th Luigi Russolo International Competition | 1 | |||||||
| 20303 | Ned | Bouhalassa | Bouffée délirante | 1990 | fixed media, akusmatisch | 8:22 | Stereo | IMED 9840/ | Concordia Montréal | 1990 spring | Concordia University | 2nd prize Le Caine Award 1990 | 0 | ||||||
| 20305 | Ned | Bouhalassa | Constamment | 1997 | fixed media, akusmatisch | 13:29 | Stereo | autoportrait | IMED 9840/ | PS C. | Réseaux with the help of the Canada Council | 12.11.1997 | Rien à voir (2) concert series produced by Réseaux in Montréal | 0 | |||||
| 32933 | Ned | Bouhalassa | Éclipse | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 37142 | Ned | Bouhalassa | Impulse | 1999 | fixed media, akusmatisch | 13:59 | Stereo | IMED 0895/ | PS C., Western Front’s studio | 8.3.2000 | Ex-Centris in Montréal during the Rien à voir (7) concert series presented by Réseaux | 0 | |||||||
| 21083 | Ned | Bouhalassa | Impulse (edit) | 1998/1999 | fixed media, akusmatisch | 3:40 | SAN 08/99 Sonic arts network/ | 0 | |||||||||||
| 2156 | Ned | Bouhalassa | Insomnia, Insomnie | 1987 | fixed media, akusmatisch | 4:10 | Stereo | Concordia Montréal | 0 | ||||||||||
| 20304 | Ned | Bouhalassa | Jets | 1996 - 1998 | fixed media, akusmatisch | 10:01 | Stereo | IMED 9840/ IMED 0050/ | PS C., STC-Studios | 0 | |||||||||
| 25016 | Ned | Bouhalassa | Le choeur de la Défense | 2003 | fixed media, akusmatisch | 6:49 | Beats und anderes | real ambient vol. 4/ | PS | 1 | |||||||||
| 37144 | Ned | Bouhalassa | mOrpheus, Orpheus’ First Dream Orpheus Wakes Up The Train Station Alexanderplatz |
2003 | fixed media, akusmatisch | 15:42 | Surround 5.1 | IMED 0895/ | PS C. | 15.11.2003 | Elektra at Usine C (Montréal) | 0 | |||||||
| 2157 | Ned | Bouhalassa | Move 1 | 1993 | fixed media, akusmatisch | 11:39 | CEC DISContact_2/ IMED 9840/ Musidisc 245752/ NOR 04/ Asphodel 0953/ | Uni Montreal | 04.1995 | 4th Contemporary Music Festival (Santafé de Bogotá, Columbia) | 1 | ||||||||
| 37143 | Ned | Bouhalassa | Songe errant | 2005 | fixed media, akusmatisch | 5:50 | Surround 5.1 | IMED 0895/ | PS C. | Réseaux des arts médiatiques with support from CCA | 10.12.2005 | Akousma (2), presented by Réseaux at Espace GO in Montréal | 0 | ||||||
| 41103 | Ned | Bouhalassa | Sound Traces 1 - 6 | fixed media, akusmatisch | 360 | 0 | |||||||||||||
| 37140 | Ned | Bouhalassa | The Lighthouse | 2005 | audiovisuell | 6:41 | Surround 5.1 | IMED 0895/ | PS C. | Réseaux des arts médiatiques with support from CCA | 10.12.2005 | Akousma (2), presented by Réseaux at Espace Go in Montréal | 0 | ||||||
| 41104 | Ned | Bouhalassa | Traces Sonores 1 - 6 | fixed media, akusmatisch | 360 | 0 | |||||||||||||
| 37141 | Ned, Fortner | Bouhalassa, Anderson | Urban Cuts, Montréal 1 Montréal 2 Las Vegas Berlin 1 Berlin 2 |
2005 | Zuspiel / Tonband, 3 perf | 34:06 | Surround 5.1 | perf, vc, perc (drum kit) [Schlagzeug, Cello, Performer] | IMED 0895/ | PS C. | Sabine Breitsameter of the Akademie der Künste, Berlin, Andreas Hagelüken of RBB/Klanggalerie. | 19.11.2005 | Berlin | 0 | |||||
| 2154 | Ned, Pierre, Kurt | Bouhalassa, de Gagné, Heimbach | Absolument pas | 1989 | fixed media, akusmatisch | 3:40 | Stereo | Équipe «sprint» | Concordia Montréal | 0 | |||||||||
| 2158 | Annelore | Bouillet | Blanc | 1975 | Film | 2:16 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2159 | Richard | Boulanger | from Temporal Silence | live-elec, 2 perf | 13:32 | cl, synt [Klarinette, synthesizer] | in two movements | Neuma 450-73/ | 1 | ||||||||||
| 26330 | Richard | Boulanger | Solemn Song for Evening | live-elec, 1 perf | 12:48 | S, (Radio Baton) [Sopran] | MIDI | CMJ Vol 32-4, 2008/ | 1 | ||||||||||
| 38507 | Théo | BOULENGER | Tu voudras vivre | 2010 | radiophon | 25:03:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 28143 | Pierre | Boulez | Anthèmes 2 | live-elec, 1 perf | vn [Violine] | IRCAM | 0 | ||||||||||||
| 2160 | Pierre | Boulez | Dialogue de l'ombre double | 1985 | Zuspiel, live-elec, 1 perf | 18:00 | cl [Klarinette] | IRCAM 0002 F, Creations IRCAM/ DGG 457605/ | IRCAM | UE | 1 | ||||||||
| 2161 | Pierre | Boulez | Étude I, sur un son | 1951 | fixed media, akusmatisch | 2:25 | Mono | Étude sérielle sur un son | INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 001/ | INA • GRM | 31.3.1952 | Radio-Paris, chaine nationale | 1 | ||||||
| 2162 | Pierre | Boulez | Étude II, sur sept sons | 1951 | fixed media, akusmatisch | 2:41 | Mono | Étude sérielle sur sept sons | Barclay 89005/ INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 001/ | INA • GRM | 21.5.1952 | Paris, Salle de l'Ancien Conservatoire | 1 | ||||||
| 2163 | Pierre | Boulez | experiments in sounds | ? 1963 | fixed media, akusmatisch | Mono | Siemens | 0 | |||||||||||
| 2164 | Pierre | Boulez | …explosante fixe… | 1972/1985 | live-elec, 8 perf | 18:52 | 8 ins [Instrument] | Inventionen 3.2.1989 - Künstlerhaus Bethanien (Version Donaueschingen 1985) | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 2165 | Pierre | Boulez | ...explosante fixe... | 1993 | live-elec, 3 perf, 1 group | 30:00 | ( MIDI-) fl, 2 fl, ens [Flöte, Ensemble] | ISPW | IRCAM Les Années 90/ | IRCAM | UE | 1 | |||||||
| 2166 | Pierre | Boulez | …explosante fixe… | 1986 | live-elec, 1 perf | vib [Schlagzeug] | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||||
| 2167 | Pierre | Boulez | Poésie pour Pouvoir | 1958 | Zuspiel / Tonband, 1 perf, 3 groups | 18:40 | Stereo, 5 tracks | 3 orc, Sp [Sprecher, Orchester] | withdrawn after the première Text: „Je rame“ by Henri Michaux’s three „Poèmes pour piuvoir“ |
SWF | 19.10.1958 | Donaueschinger Musiktage, orc SWF, Hans Rosbaud & Pierre Boulez; Technik: Ludwig Heck | 0 | http://thresholdofbeauty.com/music excerpts/Poesie pour pouvoir excerpt.mp3 | |||||
| 2168 | Pierre | Boulez | Répons | 1981 - 1984 | live-elec, 6 perf, 1 group | 42:00 | Stereo | 6 mus, ens [Musiker, Ensemble] | 4X | IRCAM 0002 F, Creations IRCAM/ DGG 457605/ | IRCAM | 18.10.1981 | Donaueschinger Musiktage, Soloists: Michel Cerutti, Vincent Bauer, Daniel Ciampolini, Pierre-Laurent Aimard, Alain Neveux, Marie-Claire Jamet | UE | 1 | ||||
| 2169 | Pierre | Boulez | Symphonie mécanique | 1955 | Film | 14:21 | Mono | Version 1: 14:21 Version 2: 10:50 |
ACM 2 / GRM/ NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ IDEAMA CD 034/ | Club d'Essai Paris, INA • GRM | 0 | ||||||||
| 2170 | Denys | Bouliane | Une Soirée Vian | 1990/1991 | live-elec, 8 perf | 81:00 | Stereo | 2 V, 6 ins [Stimme, Instrument] | Meta-Kabarett | col legno 31888/ | WDR SEM | 10.5.1991 | Rheinisches Musikfest Köln | 0 | |||||
| 34345 | Xavier | Bourassa | Catachresis | 2013 | fixed media, akusmatisch | 7:58 | CEC Cache 2013, PeP 018/ | Winner JTTP 2013 2. prize | 0 | http://econtact.ca/16_1/index.html#xavierbourassa | |||||||||
| 19643 | Patrick | Bourgan | Rosaces | 1994 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | gui [Gitarre] | LIEM CDMC Madrid | 0 | |||||||||
| 2171 | Yves | Bourget | I'got the blues | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2172 | Yves | Bourget | Lézomnès | 1990 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2173 | Françoise | Bourgoin | Soliloque | 1978 | fixed media, akusmatisch | 3:25 | Stereo | Étude de stage | INA • GRM | 5.8.1980 | Perugia, Italy | 0 | |||||||
| 33421 | Craig | Bourne | In Mirkwood | 1966 | fixed media, akusmatisch | 1:30 | Mono | CIT Cleveland | 0 | ||||||||||
| 33880 | Rodolphe | Bourotte | 110110 | 2012 | fixed media, akusmatisch | 7 | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 28369 | François | Bousch | Cristal | 1990 | live-elec, 1 perf | oma [synthesizer] | Jeanne Loriod (OMa) | 27.1.1990 | Inventionen Akademie der Künste Berlin | 1 | 1990 | ||||||||
| 2174 | François | Bousch | Espace temps | 1983 | live-elec, 2 perf | bn, synt [Fagott, synthesizer] | 0 | ||||||||||||
| 2175 | François | Bousch | Résonances suspensives | 1985 | Zuspiel, live-elec, 3 perf | 12:00 | oma, p, perc [Piano, Schlagzeug, synthesizer] | 0 | |||||||||||
| 2176 | François | Bousch | Soleil memoire | 1989 | Zuspiel / Tonband, 2 perf | 17:00 | Stereo | fl, hp [Flöte, Harfe] | SYTER | INA • GRM | 0 | ||||||||
| 2177 | Olivier | Bousquet | P3BO§ | 1987 | fixed media, akusmatisch | ∞ | direct perf | CICM Paris | 0 | ||||||||||
| 2180 | Olivier | Bousquet | Suite inachavée | 1987 | fixed media, akusmatisch | 6:00 | Stereo | CICM Paris | 0 | ||||||||||
| 2178 | Olivier, Anne | Bousquet, Sédes | Périple II | 1989 | fixed media, akusmatisch | ∞ | CICM Paris | 0 | |||||||||||
| 2179 | Olivier, Anne | Bousquet, Sédes | Six mois et après quoi? | 1987 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 2181 | Olivier, Anne | Bousquet, Sédes | YAX | 1988 | live-elec, 1 perf | ∞ | perf [Performer] | direct perf | CICM Paris | 0 | |||||||||
| 2182 | Thomas | Boutilier | Masks | 1966 | fixed media, akusmatisch | 11:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 2183 | Thomas | Boutilier | Pococurante | 1967 | fixed media, akusmatisch | 11:10 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 2184 | François | Bouttier | Fantaisie | 1985 | Zuspiel / Tonband, 1 perf | Stereo | gui [Gitarre] | INA • GRM | 0 | ||||||||||
| 2185 | François | Bouttier | Jeux de phonèmes, Coincidences | 1980 | fixed media, akusmatisch | 11:30 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 2186 | François | Bouttier | Suite en 3 Mvts: Invitation au voyage | 1989 | fixed media, akusmatisch | 19:45 | Stereo | INA • GRM | 0 | ||||||||||
| 26124 | Pôm | Bouvier | Spuxis | 2007 | fixed media, akusmatisch | 6:00 | Stereo | MR 2008 Métamorphoses 2008/ | prix etudiant Métamorphoses 2008 | 1 | |||||||||
| 39895 | Jeffrey | Bowen | Ignition/Convection | 2011 | fixed media, akusmatisch | 8 | Jeffrey Bowen | 0 | |||||||||||
| 39894 | Jeffrey | Bowen | What Will Sound was already sound | 2016 | live-elec, 1 perf | 15 | vn [Violine] | Jeffrey Bowen | 10.6.2016 | Chapel Performance Space at the Good Shepherd Center, Seattle; Premiered by Luke Fitzpatrick | 0 | ||||||||
| 40140 | Nathan | Bowen | Elevator Inspection | 2016 | fixed media, akusmatisch | Nathan Bowen | 0 | ||||||||||||
| 40141 | Nathan | Bowen | Fluctuations | 2015 | fixed media, akusmatisch | 7:22:00 | Nathan Bowen | 0 | |||||||||||
| 42466 | Nathan | Bowen | Gotham Swift | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 39464 | Nathan | Bowen | Ice Machine at the Hotel 6 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42582 | Nathan | Bowen | Iron Rod | 2009 | live-elec, 1 perf | 10 | trbn [Posaune] | 0 | |||||||||||
| 40139 | Nathan | Bowen | Rift | 2017 | fixed media, akusmatisch | Nathan Bowen | 0 | ||||||||||||
| 23367 | John, Graham | Bowers, Halliwell | BH2 | 2002 | live-elec, 2 perf | 13:35 | mics, sax [Saxophon, elektronik] | studio imrovisation | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 33709 | Stanley Keith, Group | Bowsza, Minoy | Sspress | 1991 | fixed media, akusmatisch | 3:21 | WN 00006/1991/ | 1 | |||||||||||
| 21880 | Marilyne | Boyd Dereggi | En ecartant les Branches du Berry | 1991 | Zuspiel / Tonband, 4 perf | 14:00 | fl, V, 2 ins [Stimme, Flöte, Instrument] | IMEB Bourges | 0 | ||||||||||
| 2187 | Darijan | Bozic | Kriki (Cries) | 1966 | Zuspiel / Tonband, 6 perf | Sp, br-qnt [Sprecher, Bläser] | 0 | ||||||||||||
| 2188 | Darijan | Bozic | Requiem, (to the Memory of a Murdered Soldier - My Father) | 1969 | Zuspiel / Tonband, 1 perf, 2 groups | Sp, ch, ens [Sprecher, Ensemble, Chor] | 0 | ||||||||||||
| 2189 | Darijan | Bozic | Trije dnevni Ane Frank (Three Days of Anne Frank) | 1963 | Zuspiel / Tonband, 2 perf | 2 Sp [Sprecher] | 0 | ||||||||||||
| 38744 | Marija, J. G. | BOZINOVSKA JONES, BIBERKOPF | GAD Technologies | 2016 | radiophon | 28:05:00 | 0 | ||||||||||||
| 34415 | Eric | Brabant | Adagio | 1970 | fixed media, akusmatisch | 14:01 | Mono, Stereo | Sonology Utrecht | 0 | ||||||||||
| 2190 | Eric | Brabant | Cantata Profana Niagara | 1971 | Fernsehen, | ≈ 120:00 | Mono + Mono + Mono | also short version ≈ 44:35, 1 track | Sonology Utrecht | 0 | |||||||||
| 2191 | Eric | Brabant | Élegie aux couleurs | 1971 | Musiktheater | 30:02 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2192 | Eric | Brabant | Figure H.C.M. | 1971 | fixed media, akusmatisch | 14:50 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 2193 | Eric | Brabant | Figure T.R. | 1971 | fixed media, akusmatisch | 6:47 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2194 | Eric | Brabant | Figure WiBr | 1974 | fixed media, akusmatisch | Sonology Utrecht | 0 | ||||||||||||
| 2195 | Eric | Brabant | Moderato | 1971 | fixed media, akusmatisch | 15:43 | Mono, Stereo | Sonology Utrecht | 0 | ||||||||||
| 2196 | Eric | Brabant | Musiques Dispersees (C), Moments | 1969 | Performance | 12:17 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 2197 | Eric | Brabant | Scherzo 1 | 1971 | fixed media, akusmatisch | 7:25 | Stereo | 1st version | Sonology Utrecht | 0 | |||||||||
| 2198 | Eric | Brabant | Scherzo 2 | 1971 | fixed media, akusmatisch | 5:10 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 33779 | Joachim | Brackx | {G}rayns | 2000 | live-elec, 6 perf | 11 | b-cl, va, vc, gui, p, perc [Klarinette, Piano, Gitarre, Schlagzeug, Viola, Cello] | 0 | |||||||||||
| 27835 | Joachim | Brackx | Pour vos beaux yeux (Henri Storck) | 2008 | Zuspiel / Tonband, 1 group | ens [Ensemble] | CRFMW Liège | 21.01.2009 | Bruxelles, Beursschouwburg, | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 33698 | Ric E. | Braden | Columbus Ave. 10pm | fixed media, akusmatisch | 3:35:00 | from URBANITIES for 4-channel sound, visuals and narrative. | WN 00006/1991/ | 1 | |||||||||||
| 41499 | Steve | Bradley | stomach lounge | 2002 | fixed media, akusmatisch | 4:59 | HAG CD 02/ | 0 | |||||||||||
| 19268 | Steve | Bradley | Tape Measure | 1996 | fixed media, akusmatisch | 5:27 | CEC Presence 1/ | 1 | |||||||||||
| 21595 | Steve | Bradley | volalle melodie vi to trot / fowl melody to trot | 1999 | fixed media, akusmatisch | 3:30 | CEC Presence 2/ | UMBC | 1 | ||||||||||
| 36398 | Steve | Bradley | Wire Music | 1999 | radiophon | Kiasma 1999/ | 0 | ||||||||||||
| 2199 | Graham | Bradshaw | Tribute to a Dancing Lady | 1975/1976 | fixed media, akusmatisch | Morley Coll, Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 24845 | Tim | Brady | 10 Collaborations | 2000 | fixed media, akusmatisch | Brady, Peyton-Jones, Bartley, Murail, Otani, Wraggett, Gundersen | JTR 8484/5/ | 0 | |||||||||||
| 19384 | Tim | Brady | Collapsing Possibility Wave | 1996 | Zuspiel, live-elec, 1 perf | 10:36 | Stereo | e-gui [Gitarre] | MW 67/ JTR 8464/ | 0 | |||||||||
| 2200 | Tim | Brady | Colorless green ideas sleep furiously | 1993 | live-elec, 1 perf | 7:59 | e-gui [Gitarre] | JTR 8445/ | 1 | ||||||||||
| 19385 | Tim | Brady | Dead of Winter | 1991 | Zuspiel, live-elec, 1 perf | 11:00 | Stereo | e-gui [Gitarre] | JTR 8440/ | 1 | |||||||||
| 19386 | Tim | Brady | Difference Engine #1, #2, #3 | 1997 | Zuspiel, live-elec, 1 perf | 13:22 | Stereo | e-gui [Gitarre] | JTR 8464/ | 0 | |||||||||
| 19387 | Tim | Brady | Doubling | 1988 | live-elec, 1 perf | 5:29 | Stereo | hpd [Cembalo] | J&W CD 931/ | 0 | |||||||||
| 19388 | Tim | Brady | Imaginary Guitars | 1991 | Zuspiel, live-elec, 1 perf | 8:37 | Stereo | e-gui [Gitarre] | JTR 8440/ | 1 | |||||||||
| 19389 | Tim | Brady | Linear Projection in a Jump Cut World | 1996 | Zuspiel, live-elec, 1 perf | 3:44 | Stereo | e-gui [Gitarre] | 2 versions | MW 67/ JTR 8464/ | 0 | ||||||||
| 19390 | Tim | Brady | Loud Solo | 1993 | Zuspiel, live-elec, 1 perf | 7:01 | Stereo | e-gui [Gitarre] | JTR 8445/ | 1 | |||||||||
| 19391 | Tim | Brady | Memory Riot | 1997 | Zuspiel, live-elec, 1 perf | 19:04 | Stereo | e-gui [Gitarre] | JTR 8464/ | 0 | |||||||||
| 19392 | Tim | Brady | Minimal Surface | 1997 | Zuspiel, live-elec, 1 perf | 4:34 | Stereo | e-gui [Gitarre] | JTR 8464/ | 0 | |||||||||
| 19393 | Tim | Brady | Pandomenium Architecture | 1997 | Zuspiel, live-elec, 1 perf | 11:23 | Stereo | e-gui [Gitarre] | JTR 8464/ | 0 | |||||||||
| 24865 | Tim | Brady | Reaching Past | 1986 | Zuspiel / Tonband, 1 perf | 14:22 | hpd [Cembalo] | Spiteri | SNE 542/ | 0 | |||||||||
| 19394 | Tim | Brady | Revolutionary Songs | 1993/1994 | Zuspiel, live-elec, 2 perf | 7:54 | Stereo | e-gui, S [Sopran, Gitarre] | MW 61/ | 1 | |||||||||
| 2201 | Tim | Brady | Symphony in Two Parts | 1989 - 1992 | Zuspiel, live-elec, 1 perf | 15:33 | e-gui [Gitarre] | JTR 8440/ | 1 | ||||||||||
| 19395 | Tim | Brady | Time Lapse Exposure | 1992 | Zuspiel, live-elec, 1 perf | 8:58 | Stereo | e-gui [Gitarre] | JTR 8440/ | 1 | |||||||||
| 2202 | Thüring | Bräm | Fragments for a War Poem | 1973 | fixed media, akusmatisch | 9:00 | Quadro | 0 | |||||||||||
| 2203 | Jürgen | Bräuninger | Panta Rhei | 1978 | fixed media, akusmatisch | 11:40 | HfM Stuttgart | 0 | |||||||||||
| 2204 | Jürgen | Bräuninger | The Tam Tam Tape | 1980 | Zuspiel / Tonband, 1 perf | 7:53 | perc [Schlagzeug] | Ornament CH 7.921/ | HfM Stuttgart | 1 | |||||||||
| 22453 | Glenn | Branca | Symphonie No. 3 (Gloria) | 1982 | live-elec, | 55:00 | TWI 151/ | 0 | |||||||||||
| 28278 | Walter | Branchi | Cento giorni dopo … | 2008 | Zuspiel / Tonband, 1 perf | 13:35 | Stereo | fl [Flöte] | 1 | http://www.walter-branchi.com/ | |||||||||
| 2205 | Walter | Branchi | Dall’angola di una nuvola | 1981 | fixed media, akusmatisch | 0 | |||||||||||||
| 2206 | Walter | Branchi | Intero - Modi di relazione di un sistema sonore | 1979/1980 | fixed media, akusmatisch | 12:13 | Stereo | PAN PRC S20-15/ | CSC Padova | 1 | |||||||||
| 2207 | Walter | Branchi | Le ali di Angelico | 1984 | fixed media, akusmatisch | 0 | http://www.walter-branchi.com/ | ||||||||||||
| 28279 | Walter | Branchi | Ora, di terra | fixed media, akusmatisch | 8:12 | Stereo | 1 | http://www.walter-branchi.com/ | |||||||||||
| 2208 | Walter | Branchi | Synergy | 1973 | live-elec, 3 perf | 12:00 | 2 actor, prep trbn [Posaune, Schauspieler] | CRM Roma | 0 | ||||||||||
| 2209 | Walter | Branchi | Thin | 1969 | fixed media, akusmatisch | 16:00 | 6 lights | CRM Roma | 0 | ||||||||||
| 28280 | Walter | Branchi | Traluce | fixed media, akusmatisch | 9:20 | Stereo | 1 | http://www.walter-branchi.com/ | |||||||||||
| 19154 | Ellen | Brand | Railroad Gamelan | 1992 | fixed media, akusmatisch | 9:37 | AER 1994 / 6/ | 1 | |||||||||||
| 26135 | Jens | Brand | evros | 2007 | fixed media, akusmatisch | 3:24 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 43163 | Jens | Brand | G-Player | 2005 | Klangkunst, Installation | GIMA, gallery for international media art | Auszeichnung ars electronica honorary mention 2005 | 0 | |||||||||||
| 25851 | Jens | Brand | HUM 4:3:5+1 | 2003 | Klangkunst, Installation | 7:59 | t-u-b-e 20.11.2003 | WER ARTS 81015 t-u-b-e reloaded 2004/ | 1 | ||||||||||
| 34746 | Jens | Brand | In Mitte (der Welt) | 2005 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 10.8.-18.9.2005 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 2210 | Max | Brand | Automation | 1965/1966 | fixed media, akusmatisch | 1:28 | PS C. Hollis | 0 | |||||||||||
| 2211 | Max | Brand | Baby-Doll | 1961 | fixed media, akusmatisch | 1:10 | PS C. Hollis | 0 | |||||||||||
| 2212 | Max | Brand | Bx-A bis Bx-U | 1959/1966 | fixed media, akusmatisch | Stereo | PS C. Hollis | 0 | |||||||||||
| 2213 | Max | Brand | Cerberus 1 | 1964 | fixed media, akusmatisch | 2:14 | PS C. Hollis | 0 | |||||||||||
| 2214 | Max | Brand | Cerberus 2 | 1964 | fixed media, akusmatisch | 2:20 | PS C. Hollis | 0 | |||||||||||
| 2215 | Max | Brand | Challenge and Descend | 1960 | fixed media, akusmatisch | 3:08 | PS C. Hollis | 0 | |||||||||||
| 2216 | Max | Brand | Contemplation | 1961 | fixed media, akusmatisch | 2:30 | PS C. Hollis | 0 | |||||||||||
| 2217 | Max | Brand | Die Astronauten | 1962 | Zuspiel / Tonband, 2 perf | 20:00 | narrator, V [Stimme, Schauspieler] | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ | PS C. Hollis | 1 | |||||||||
| 2218 | Max | Brand | Drums of Africa | 1959 | fixed media, akusmatisch | 2:45 | PS C. Hollis | 0 | |||||||||||
| 2219 | Max | Brand | Elegy A | 1960 | fixed media, akusmatisch | 2:45 | PS C. Hollis | 0 | |||||||||||
| 2220 | Max | Brand | Elegy B | 1960 | fixed media, akusmatisch | 4:00 | PS C. Hollis | 0 | |||||||||||
| 2221 | Max | Brand | Engines | 1965/1966 | fixed media, akusmatisch | 1:45 | PS C. Hollis | 0 | |||||||||||
| 2222 | Max | Brand | Four French Folksongs | 1962 | Zuspiel / Tonband, 1 perf | 6:11 | V [Stimme] | PS C. Hollis | 0 | ||||||||||
| 2223 | Max | Brand | Illian #1, #2 | 1965/1968 | fixed media, akusmatisch | 8:25 | PS C. Hollis | 0 | |||||||||||
| 2224 | Max | Brand | Jungle Drums | 1959 | fixed media, akusmatisch | 1:10 | PS C. Hollis | 0 | |||||||||||
| 2225 | Max | Brand | Meditation | 1960 | fixed media, akusmatisch | 3:50 | PS C. Hollis | 0 | |||||||||||
| 2226 | Max | Brand | Nocturno Brasileiro | 1960 | Tanz | 2:38 | PS C. Hollis | 0 | |||||||||||
| 2227 | Max | Brand | Rhinoceros | 1960 | Theatermusik | 2:24 | PS C. Hollis | 0 | |||||||||||
| 2228 | Max | Brand | Signals and Manipulated Voices | 1964 | fixed media, akusmatisch | 2:12 | PS C. Hollis | 0 | |||||||||||
| 2229 | Max | Brand | Study | 1964 | fixed media, akusmatisch | 2:10 | PS C. Hollis | 0 | |||||||||||
| 2231 | Max | Brand | Three Faces of Eve | 1961 | Tanz | 2:45 | PS C. Hollis | 0 | |||||||||||
| 2232 | Max | Brand | Three Pieces for Dance Group | 1963 | Tanz | 13:53 | PS C. Hollis | 0 | |||||||||||
| 2233 | Max | Brand | Three Pieces to Gordon Brown's "Transparencies in Motion" | 1961 | Theatermusik | 15:15 | PS C. Hollis | 0 | |||||||||||
| 2234 | Max | Brand | Triptych | 1967/1968 | fixed media, akusmatisch | 8:00 | PS C. Hollis | 0 | |||||||||||
| 41975 | Martin | Brandlmayr | Vive les fantômes | 2018 | radiophon | 53:22 | SWR | 5.6.2018 | SWR 2 | Karl-Sczuka-Preis 2018 | 0 | https://www.swr.de/swr2/programm/sendungen/hoerspiele/swr2-ars-acustica-vive-les-fantomes/-/id=660014/did=21599866/nid=660014/g4erw8/index.html | |||||||
| 2235 | Theo | Brandmüller | La nuit de paques | 1980 | live-elec, 1 perf | org [Orgel] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 39566 | Amy | Brandon | Artificial Light & War Games | 2017 | fixed media, akusmatisch | 3:40 | Amy Brandon | 0 | |||||||||||
| 2236 | Robert | Brandstetter | Schutz vor Heimat | 1995 | live-elec, | 12:00 | SEM Salzburg | 0 | |||||||||||
| 36775 | Daniel | Brandt | Dreaming in color | 1989 | live-elec, 1 perf | MIDI (voor Atari computer, MIDIlocica en elektronishc slagwerk) [synthesizer] | Sonology Den Haag | 0 | |||||||||||
| 19138 | Jakob | Brandt | 9/10 | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | ||||||||||||
| 18805 | Jakob, Chantal | Brandt, Dumas | La tour du vent | 1994 | radiophon | 12:00 | Stereo | MEC 02/ | 0 | ||||||||||
| 22038 | Johannes | Brandt | To cold down the fire | 1998 | fixed media, akusmatisch | 9:41 | Von CD All Ears: All Ears is a sound-object exhibition directed equally at ears and eyes. It is the product of a unique collaboration between the producer Fargfabriken, the curators Leif Elggren, Ulf Stenberg and Kent Tankred, and twelve artists from different parts of the world (Germany, Britain, Japan USA, France, South Africa, Estonia, Greenland and Italy) who all have a special interest in sound as object. | FER 1012 Firework Edition Records/ | 1 | ||||||||||
| 2237 | Markus | Brandt | Soon or Ever | audiovisuell | 0 | ||||||||||||||
| 2238 | Jean Louis | Brau | Concerto de Janvier | 1952 | live-elec, | 5:00 | Mono | (mic) [] | ORTF Paris | 0 | |||||||||
| 2239 | Jean Louis | Brau | Ebreda | 1951 | fixed media, akusmatisch | 6:30 | Mono | Clichy Paris | 0 | ||||||||||
| 2240 | Jean Louis | Brau | Instrumentation verbale | 1964 - 1965 | live-elec, 1 perf | Mono | mics [elektronik] | 3 versions; text-sound composition | Ach/ | CBC Paris | 0 | ||||||||
| 2241 | Gerhard | Braun | Monologe I | 1971 | Zuspiel / Tonband, 1 perf | a-rec [Flöte] | 0 | ||||||||||||
| 42090 | Peter Leonhard | Braun | 8 Uhr 15, Operationssaal III Hüftplastik, 8 Uhr 15, OP III, Hüftplastik - Aus dem Alltag eines Operationsteams | 1970 | radiophon | 51:20 | SFB | 24.11.1970 | SFB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4917861&vi=6&SID | ||||||||
| 2242 | Peter Michael | Braun | Ereignisse, Hommage a Edgar Varèse | 1966/1968 | fixed media, akusmatisch | 17:25 | Quadro | HfMT Köln | 0 | ||||||||||
| 2243 | Peter Michael | Braun | Essay | 1971 | Zuspiel / Tonband, 1 perf | ≈ 8:00 | Quadro | ob [Oboe] | WDR SEM | 1972 | Tokio | 0 | |||||||
| 2244 | Peter Michael | Braun | Klangsonden | live-elec, | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||||
| 2245 | Peter Michael | Braun | Nocturne | 1967 | fixed media, akusmatisch | 6:43 | Quadro | HfMT Köln | 0 | ||||||||||
| 2246 | Peter Michael | Braun | Pole 1,2,3 | 1965 | fixed media, akusmatisch | 11:20 | Mono | HfMT Köln | 0 | ||||||||||
| 2247 | Peter Michael | Braun | Spuren, Improvisation und Collage | 1972 | Zuspiel / Tonband, 4 perf | fl, vn, p, str [Flöte, Piano, Violine, Streicher] | 0 | ||||||||||||
| 2248 | Peter Michael | Braun | Transfer | 1969 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 2249 | Anthony | Braxton | Composition No. 107 | 1982 | Zuspiel / Tonband, 3 perf | 7:07 | Stereo | sax, p, perc [Saxophon, Piano, Schlagzeug] | HMSL (Hierarchical M. Specification Language) | Centaur CRC 2110, CDCM Vol. 10/ | CalArts | 1 | |||||||
| 33043 | Anthony | Braxton | Composition No. 62 (+30 +96) | 1976 | live-elec, 2 perf | 5:48 | s-sax, synt [Saxophon, synthesizer] | MC 001 Mills College/ | CCM Mills | 0 | http://www.ubu.com/sound/mills.html | ||||||||
| 2250 | Martha | Brech | Natürliches Ergebnis | 1985 | fixed media, akusmatisch | 6:59 | Stereo | Collage aus "Versprechern" | TU Berlin | 8.3.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1986 | ||||||
| 22036 | George | Brecht | Das Hsin Hsin Ming des Seng Ts´an | radiophon | 2:38 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 2251 | Reiner | Bredemeyer | Cello Tonband Sprecher | 1971 | Zuspiel / Tonband, 2 perf | Sp, vc [Sprecher, Cello] | EM ?? | 0 | |||||||||||
| 25670 | Reiner | Bredemeyer | Der gute Gott von Manhattan von Ingeborg Bachmann | 1977 | Radiokunst, 7 perf | Stereo | fl, acc, sax, ob, bn, p, tpt [Flöte, Oboe, Saxophon, Fagott, Trompete, Piano, Akkordeon] | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | WDR Studio Akustische Kunst | 11.11.1977 | 1 | ||||||||
| 34586 | Reiner | Bredemeyer | Kontakte suchen | 1977 | Zuspiel / Tonband, 2 perf | fl, ob [Flöte, Oboe] | 0 | ||||||||||||
| 2252 | Reiner | Bredemeyer | Stück für Klavier und Tonband | 1962 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 34585 | Reiner | Bredemeyer | Synchronisiert: Asynchron (cantos americanos) | 1975 | Zuspiel / Tonband, 1 perf | S [Sopran] | 0 | ||||||||||||
| 39571 | Andre | Brégégère | Outtake | 2016 | Zuspiel / Tonband, 1 perf | p [Piano] | Andre Brégégère | 0 | |||||||||||
| 42797 | André | Brégégère | Against the Grain | 2012 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 2254 | Michel-Georges | Brégent | atlantide | 1985 | radiophon | 29:12 | 7 sections | IMSO 9201/ | CBC Montréal | Société Radio-Canada | 8.09.1985 | FM network of Radio-Canada | First Mention and the Special Jury Prize at the Italia Prize (Cagliari, Italy, 1985) | 1 | |||||
| 2255 | Martin | Breindl | Ornamentale Reise | 1991 | fixed media, akusmatisch | 21:00 | ORF Kunstradio | 0 | |||||||||||
| 31512 | Peter | Breitenbach | Synapsis | 2013 | Klangkunst, Installation | ∞ | 6 | next_generation 5.0 | HfM Trossingen | 0 | |||||||||
| 29287 | Roland | Breitenfeld | Ageha-Chõ | 2007 | live-elec, 1 perf | ≈ 7:00 | acc, (elec) [Akkordeon] | 0 | |||||||||||
| 29288 | Roland | Breitenfeld | Annunciazione | 2005 | live-elec, 2 perf | ≈ 19:00 | org, perc, (elec) [Orgel, Schlagzeug] | nach dem gleichnamigen Bild von Leonardo da Vinci Zsigmond Szathmary und Olaf Tzschoppe gewidmet |
0 | ||||||||||
| 2256 | Roland | Breitenfeld | automats | 1990 | intermedia | audiovisuell |
≈ 15:00 | Octo | synt, com, (harm) [computer, synthesizer] | Atari com, TX802, video-graphics ad lib. | HfM Freiburg | 0 | ||||||||
| 29289 | Roland | Breitenfeld | Bambus 11 | 2011 | live-elec, 2 perf | 11:00 | 2 mus (Bambusrohre, Daegeum, elec) [Musiker] | 0 | |||||||||||
| 29329 | Roland | Breitenfeld | Café Finsternis: eine live-performance | radiophon | ≈ 21:00 | com, synt, (elec) [computer, synthesizer] | Hörspiel von Siegfried Sabert und Thomas Lehner elec ≈ "interaktiver Klangtisch", Publikum (Sehende und Blinde) |
0 | |||||||||||
| 21655 | Roland | Breitenfeld | Das Testament gestürzter Tannen | 1999 | live-elec, 3 perf | 25:15 | Octo | fl, vc, p, (harm, Mars, Matrix-Mixer) [Flöte, Piano, Cello] | txt: P. Huchel "Traum im Tellereisen" | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 21642 | Roland | Breitenfeld | Deine Kinder sind nicht deine Kinder | 1997 | live-elec, 10 perf | 7:30 | Quadro | 2 Sp, 2 S, 2 A, 2 T, 2 B, (harm) [Sopran, Alt, Tenor, Bass, Sprecher] | txt: K. Gibran | PS C. | 0 | ||||||||
| 29290 | Roland | Breitenfeld | Der ferne Klang des Echos | 2007 | live-elec, 1 perf | ≈ 22:00 | 6 | acc, (elec) [Akkordeon] | Alois Müller gewidmet | 0 | |||||||||
| 29311 | Roland | Breitenfeld | Der Königssohn vom Schwarzwald | 1996 | Performance, live-elec, 3 perf | ≈ 150:00 | Octo + Stereo | sax or trbn, hp, perc [Saxophon, Posaune, Harfe, Schlagzeug] | ein Fantasy-(Hör)Spiel ; Text: Thomas Lehner | 0 | |||||||||
| 29322 | Roland | Breitenfeld | Der Königssohn vom Schwarzwald | 1996 | Radiokunst, live-elec, 3 perf | ≈ 128:00 | Octo + Stereo | sax or trbn, hp, perc, (elec) [Saxophon, Posaune, Harfe, Schlagzeug] | ein Fantasy-(Hör)Spiel - Text von Thomas Lehner | 0 | |||||||||
| 21654 | Roland | Breitenfeld | Die Sternenreuse | 2000 | live-elec, 5 perf | 11:20 | Octo | Mez, Sp, fl, 2 vc, (Halaphon, 4 harm, Mars, Filterseq, EMT-Verz., Matrix-Mixer) [Mezzo, Sprecher, Flöte, Cello] | txt: P. Huchel | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 21643 | Roland | Breitenfeld | Echos eines Engramms | 1994 | Zuspiel, live-elec, 2 perf | 17:15 | Quadro | ob, cl, (4 harm) [Klarinette, Oboe] | PS C. | 0 | |||||||||
| 29323 | Roland | Breitenfeld | Effi’s Nacht | Radiokunst, live-elec, 2 perf | ≈ 5:00 | ob, cl, (elec) [Klarinette, Oboe] | Hörspiel nach dem Monolog von Rolf Hochhuth Hörspielbearbeitung und Regie: Gerwig Epkes |
0 | |||||||||||
| 29292 | Roland | Breitenfeld | Einblick II | live-elec, 2 perf | ≈ 7:00 | vc, trbn, (elec) [Posaune, Cello] | Version mit Live-Elektronik | 2003 | Wien | 0 | |||||||||
| 29293 | Roland | Breitenfeld | Einblick II | live-elec, 2 perf | ≈ 7:00 | acc, trbn, (elec) [Posaune, Akkordeon] | 2003 | 0 | |||||||||||
| 29294 | Roland | Breitenfeld | Einblick II "ryu-house-version" | 2011 | Zuspiel / Tonband, 2 perf | ≈ 7:00 | 2 mus (Gayageum, Daegeum) [Musiker] | 2011 | Cheongpyeong, Südkorea, Ryu-House-Gallery | 0 | |||||||||
| 29295 | Roland | Breitenfeld | Einblick III | live-elec, 8 perf | 10:00 | 7 str, hpd, (elec) [Cembalo, Streicher] | 0 | ||||||||||||
| 2257 | Roland | Breitenfeld | Engramm reagiert.. | 1989 | live-elec, 2 perf | ≈ 17:00 | Quadro, 6 | fl, (rm), synt, (4 harm) [Flöte, synthesizer] | HfM Freiburg | 0 | |||||||||
| 21644 | Roland | Breitenfeld | Ereignisse I | 1997 | Zuspiel, live-elec, 4 perf, 1 group | 27:00 | 10 Tracks | fl, ob, cl, hpd, orc, (2 rm, synt, 8 harm) [Flöte, Klarinette, Oboe, Cembalo, Orchester] | PS C. | 0 | |||||||||
| 29296 | Roland | Breitenfeld | Ereignisse II | 2009 | Zuspiel, live-elec, 2 perf | ≈ 17:00 | perc, p or hpd, (elec) [Piano, Cembalo, Schlagzeug] | und 2 Sprechstimmen auf Tonband (mit einem Text von Albert Einstein) [Sprechstimmen auf dem Tonband: Simon Breitenfeld und Sophie Brenner] |
0 | ||||||||||
| 29297 | Roland | Breitenfeld | Ereignisse IV | 2011 | Zuspiel / Tonband, 1 perf | ≈ 16:00 | hpd [Cembalo] | 0 | |||||||||||
| 2258 | Roland | Breitenfeld | Faktor Nr.1 | 1989 | Zuspiel, live-elec, 1 perf | ≈ 17:00 | Quadro | amp fl, (3 harm) [Flöte] | HfM Freiburg | 0 | |||||||||
| 29298 | Roland | Breitenfeld | Flying leaf | 2011 | Zuspiel / Tonband, 2 perf | ≈ 11:00 | Janggo, perc [Schlagzeug] | nach einem Gedicht von Young-Ae Chon | 0 | ||||||||||
| 21645 | Roland | Breitenfeld | ganz nah eine stimme | 1995 | intermedia | Zuspiel, live-elec, 6 perf |
150:00 | 6 | fl, ob, cl, p, com, synt, (3 harm, gate) [Flöte, Klarinette, Oboe, Piano, computer, synthesizer] | Dia-Proj. ad lib; Sp on tape | PS C., Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 29299 | Roland | Breitenfeld | Halbe Zeiten | 2006 | Zuspiel / Tonband, 2 perf | ≈ 8:00 | tpt, perc [Trompete, Schlagzeug] | perc (2 grosse Tom-toms; 2 Hi-hat) | 0 | ||||||||||
| 29312 | Roland | Breitenfeld | Heyri Music no. 1 | 2006 | fixed media, akusmatisch | ≈ 20:00 | Stereo, Quadro, Octo | für die Klang-Installation von Donoung Lee ; Tape-version | 1.-30. September 2006 | Heyri (Süd-Korea) in der Galerie MOA | 0 | ||||||||
| 29300 | Roland | Breitenfeld | Heyri Music no. 2 | 2008 | Zuspiel / Tonband, 1 perf | ≈ 9:00 | Quadro | perc [Schlagzeug] | [Olaf Tzschoppe gewidmet] Schlaginstrumente auf dem Tonband: Olaf Tzschoppe |
0 | |||||||||
| 29324 | Roland | Breitenfeld | Hm97 | 1997 | radiophon | ≈ 19:00 | vn, vc, (elec) [Cello, Violine] | Musik zum Hörspiel “Programm Hirnmord” von Thomas Knecht | 0 | ||||||||||
| 21646 | Roland | Breitenfeld | HM98 | 1998 | Zuspiel, live-elec, 2 perf | 11:30 | Octo | vn, com, (harm) [Violine, computer] | PS C., Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 2259 | Roland | Breitenfeld | Imaginäre Szene Nr. 1, ein Hörstück | 1987 | radiophon | 30:00 | Stereo | Text by M. Wiemer | HfM Freiburg | 0 | |||||||||
| 21647 | Roland | Breitenfeld | Imaginäre Szene Nr.2: Die Wanderer | 1993 | intermedia | Zuspiel, live-elec, 8 perf |
28:00 | 6 | A, Sp, fl, acc, w (didgeridoo), perc, com, synt, (4 harm) [Alt, Sprecher, Flöte, Akkordeon, Schlagzeug, computer, synthesizer, Bläser] | instrumentale Szene txt: M. Wiemer, Hiob. Sp on tape | PS C. | 0 | ||||||||
| 2260 | Roland | Breitenfeld | Imaginäre SzeneNr. 1: sicher- unser Leben | 1987 | Zuspiel, live-elec, 8 perf | 30:00 | Quadro | ob, rec, 4 trbn, 2 perc [Flöte, Oboe, Posaune, Schlagzeug] | HfM Freiburg | 0 | |||||||||
| 29301 | Roland | Breitenfeld | In den Gärten der Persephone | 2007 | live-elec, 3 perf | 9:00 | db-rec, sopranino, perc-ins [Flöte, Schlagzeug] | [Solo aus: "Imaginäre Szene Nr. 3"] | 0 | ||||||||||
| 21648 | Roland | Breitenfeld | …it will be in peace | 1995 | Zuspiel, live-elec, 4 perf | 24:00 | Octo | Mez, trbn, perc, synt, (3 harm) [Mezzo, Posaune, Schlagzeug, synthesizer] | txt: M. Wiemer, D. Loughrey | PS C., Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 29302 | Roland | Breitenfeld | Jasmintee | 2011 | live-elec, 1 perf | ≈ 11:00 | mus (Gayageum), (elec) [Musiker] | nach dem Gedicht "Einladung zu einer Tasse Jasmintee" von Reiner Kunze in der koreanischen Übersetzung von Young-Ae Chon |
0 | ||||||||||
| 29303 | Roland | Breitenfeld | Katharina-Kanon | live-elec, 1 perf | ≈ 9:00 | hpd, (elec) [Cembalo] | 0 | ||||||||||||
| 29304 | Roland | Breitenfeld | Katharina-Kanon | 2001 | live-elec, 3 perf | ≈ 9:00 | hpd, vn, vc, (elec) [Cembalo, Cello, Violine] | 0 | |||||||||||
| 29305 | Roland | Breitenfeld | Kesho | live-elec, 1 perf | ≈ 16:00 | Sho, (elec) [Bläser] | 0 | ||||||||||||
| 29325 | Roland | Breitenfeld | Krieger 01 | radiophon | ≈ 45:00 | V, vc, perc, com, synt, (elec) [Stimme, Schlagzeug, Cello, computer, synthesizer] | Hörspielmusik. Hörspiel von Thomas Lehner nach dem Kriminalroman von Gilles Mebes. Buch: Sonne, Mond und Sterne Verlag, Wiesbaden 1998, ISBN: 3-932284-100) | 0 | |||||||||||
| 21651 | Roland | Breitenfeld | Le Pouldu | 1999 | Zuspiel, live-elec, 5 perf | 12:35 | Octo | Mez, Sp, perc, 2 p, (Halaphon, 3 harm, Mars, Filterseq, EMT-Verz., Matrix-Mixer) [Mezzo, Sprecher, Piano, Schlagzeug] | txt: P. Huchel | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 29306 | Roland | Breitenfeld | "les couluers du midi no. 3 - aventure" | 2006 | Zuspiel / Tonband, 6 perf | 4:00 | fl or pic-fl, ob, cl, bn, perc, db [Flöte, Klarinette, Oboe, Fagott, Schlagzeug, Kontrabass] | [für das ensemble aventure] | 0 | ||||||||||
| 29307 | Roland | Breitenfeld | "les couluers du midi no. 4" | 2006 | live-elec, 2 perf | audiovisuell, live-elec, 2 perf |
≈ 14:00 | vn, str (zither), (water, elec) [Violine, Streicher] | [Hubertus Kirchgäßner gewidmet] auch mit Video-Film von Hubertus Kirchgäßner |
0 | ||||||||||
| 29308 | Roland | Breitenfeld | "les couluers du ryu" | 2006 | live-elec, 2 perf | ≈ 7:00 | vn, str (zither), (water, elec) [Violine, Streicher] | (ohne Video-Film) | 0 | ||||||||||
| 29309 | Roland | Breitenfeld | Licht rodet Kälte | 2007 | live-elec, 2 perf | 14:00 | Octo | b-fl, b-cl, (elec) [Flöte, Klarinette] | nach dem Gedicht: "Wintermorgen in Irland" von Peter Huchel (2007) [Martina Roth und Walter Ifrim gewidmet] (aus: "Von Stimmen umwittert..." : Liederzyklus nach Gedichten von Peter Huchel) |
0 | |||||||||
| 21649 | Roland | Breitenfeld | Metall98 | 1998 | fixed media, akusmatisch | 25:41 | Stereo | Metallskulpturen von M. Sauer ("Tonspur", Museum für Neue Kunst Freiburg) | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 29318 | Roland | Breitenfeld | Moments of darkness | live-elec, 1 perf | 11:00 | b-trbn, (elec) [Posaune] | Solo aus 'Einblick I' | 0 | |||||||||||
| 29326 | Roland | Breitenfeld | Musik zu Briefen Käthe Vordtriedes | radiophon | ≈ 31:00 | vn, perc, (elec) [Schlagzeug, Violine] | Feature von Thomas Lehner nach dem Buch „Mir ist es noch wie ein Traum, dass mir diese Flucht gelang...“ – Briefe von Käthe Vordtriede | 0 | |||||||||||
| 21650 | Roland | Breitenfeld | OTETH | 1998 | fixed media, akusmatisch | 5:40 | Stereo | Metallskulpturen von E. Thomann ("Tonspur", Museum für Neue Kunst Freiburg) | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 29314 | Roland | Breitenfeld | Realax, - elektronische musik zur musiktherapie | fixed media, akusmatisch | ≈ 66:00 | 0 | |||||||||||||
| 21652 | Roland | Breitenfeld | Sand und Schaum | 1997 | live-elec, 10 perf | 5:10 | Quadro | 2 Sp, 2 S, 2 A, 2 T, 2 B, (harm) [Sopran, Alt, Tenor, Bass, Sprecher] | txt: K. Gibran | PS C. | 0 | ||||||||
| 29319 | Roland | Breitenfeld | Seide 11 | 2011 | live-elec, 2 perf | 8:00 | 2 mus (Seide, Gayageum, Haegeum, elec) [Musiker] | 0 | |||||||||||
| 29328 | Roland | Breitenfeld | Soharas Reise | radiophon | ≈ 23:00 | vn, (elec) [Violine] | Hörspiel nach der gleichnamigen Erzählung von Barbara Honigmann; Hörspielbearbeitung: Gerwig Epkes | 0 | |||||||||||
| 29315 | Roland | Breitenfeld | Stand by | audiovisuell, live-elec, | ≈ 120:00 | computergesteuerte Klänge (und Live-Malerei ad lib.) | 0 | ||||||||||||
| 21653 | Roland | Breitenfeld | Steine98 | 1998 | fixed media, akusmatisch | 20:56 | Stereo | Steinskulpturen von Kubach-Wilmsen und Kubach&Kropp ("Tonspur", Museum für Neue Kunst Freiburg) | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 29320 | Roland | Breitenfeld | Stones of tranquillity | 2002 | Klangkunst, Installation | 23:00 | Steinskulpturen, (elec) [] | Steinskulpturen von Livia Kubach & Michael Kropp | 0 | ||||||||||
| 29327 | Roland | Breitenfeld | Tod im Monte Kalino | radiophon | ≈ 22:00 | mdl, perc, (elec) [Gitarre, Schlagzeug] | Hörspiel von Klaus Amann | 0 | |||||||||||
| 29316 | Roland | Breitenfeld | Tonspur | 1998/1999 | fixed media, akusmatisch | ∞ 480:00 | 1998/99 | Museum für Neue Kunst, Freiburg | 0 | ||||||||||
| 22357 | Roland | Breitenfeld | Von Stimmen umwittert… (Teil 1): Le Pouldu, In den stacheligen Grannen…, Das Testament gestürzter Tannen, Die Sternenreuse | 1999 - 2000 | live-elec, 6 perf | 74:00 | Mez, Sp, perc, p, vc, fl, [Mezzo, Sprecher, Flöte, Piano, Schlagzeug, Cello] | after poems by Peter Huchel. Aufnahme SWR 2000 | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 2261 | Roland | Breitenfeld | W… | 1990 | live-elec, 1 perf | 15:00 | Stereo, Quadro, Octo | synt, (com) [synthesizer] | Atari com, TX802,SPX90, computercontrolled elec. machines | HfM Freiburg | 0 | ||||||||
| 29317 | Roland | Breitenfeld | Water | 2009 | Klangkunst, Installation | 480:00 | 2009 | MOA - Museum of Art, Seoul National University, Seoul, Südkorea | 0 | ||||||||||
| 29321 | Roland | Breitenfeld | Zeitläuf(t)e | live-elec, 4 perf | 18:00 | str-qt, (elec) [Streicher] | 2003 | Freiburg | 0 | ||||||||||
| 29313 | Roland, Donoung | Breitenfeld, Lee | Illusion | audiovisuell, live-elec, | ≈ 46:00 | with com-con Videografik | 0 | ||||||||||||
| 29310 | Roland, Siegfried, Thomas | Breitenfeld, Sabert, Lehner | Café Finsternis: eine live-performance | 1997 | Performance, live-elec, 2 perf | 480:00 | com, synt, (elec) [computer, synthesizer] | (kontinuierlicher Einlaß und Führung durch Blinde - Führungsdauer ca. 1 h). elec ≈ "interaktiver Klangtisch", Publikum (Sehende und Blinde) |
11.-13.12.1997 | Verein Blinde und Kunst Köln | 0 | ||||||||
| 19396 | Sabine | Breitsameter | The hidden Tune | 1996 | Klangkunst, Installation | 14:16 | Stereo | CSR CD 9701/ | 0 | ||||||||||
| 36887 | Roni | Brenner | Back to Basic Clarinet | 2014 | live-elec, | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||||
| 36888 | Roni | Brenner | Back to Basic Clarinet | 2014 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 2262 | Martin | Bresnick | Fragment (for John) | 1970 | fixed media, akusmatisch | 5:00 | Stereo | PDP6, SCORE ; 1st implementation of Chownings moving sound sources work | CCRMA | 0 | |||||||||
| 2263 | Martin | Bresnick | Lady Neil's Dumpe? | 1987 | fixed media, akusmatisch | 11:56 | Stereo | MIDI | Centaur CRC 2039, CDCM Vol. 2/ | iEAR Rensselaer | 1 | ||||||||
| 2264 | Martin | Bresnick | Musica | 1972 | computer generated score, 9 perf | 9:00-22:00 | Stereo | 9 ins [Instrument] | PDP10, Fortran | CCRMA | 1972 | San Francisco Symphony, conducted by Niklaus Wyss | 0 | ||||||
| 2265 | Martin | Bresnick | PCOMP | 1968 | fixed media, akusmatisch | 1:00 | Stereo | PDP6, Music V | CCRMA | spring 1970 | Wien, America House | 0 | |||||||
| 2266 | Martin | Bresnick | Pour | 1969 | Film | 7:00 | Stereo | PDP6, SCORE | CCRMA | 0 | |||||||||
| 2267 | Hyman | Bress | Fantasy | 1961 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | vn, p [Piano, Violine] | FTS / | NRC Ottawa | 0 | ||||||||
| 29360 | Frank | Bretschneider | Kippschwingungen | 2007/2011 | live-elec, 1 perf | 37 | synt (Subharchord) and synt [synthesizer] | 8 parts | Line 057/ | klangFarBe | 2007 | Tesla Werkstatt | 0 | ||||||
| 23116 | Frank | Bretschneider | round | 2001 | Klangkunst, Installation | 18:00 | Produktion bei "format 5" der singuhr - hoergalerie in parochial. | Tick 02 tourette - Format 5/ | 1 | ||||||||||
| 26282 | Frank, Frank | Bretschneider, Hermann | Summasummarum | 2004 | Klangkunst, Installation | audiovisuell |
∞ | 3 VHS-Recorder, 3 Beamer, Lautsprecher | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2004 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 38745 | Frank, Thomas, Moritz von | BRETSCHNEIDER, RITSCHEL, RAPPARD | Hörgang Bautzen II | 2012 | radiophon | 51:53:00 | 0 | ||||||||||||
| 33027 | Frank, Steve | Bretschneider, Roden | Suite Nuit | 2004 | live-elec, | 22:06 | LINE 068/ | Parochial Church „Suite 2004“ | 2004 | Parochial Church Berlin | 1 | ||||||||
| 2268 | Wolfgang | Breuer | Balance | 1973 | Zuspiel / Tonband, 1 perf | vib [Schlagzeug] | 0 | ||||||||||||
| 2269 | Markus | Breuss | An Urban Meeting | 1991 | fixed media, akusmatisch | 8:55 | GR 01 Geometric Rec/ | 1 | |||||||||||
| 27401 | Markus | Breuss | Lost and Hidden Items | fixed media, akusmatisch | 15:00 | 6 | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 2270 | Rose | Breuss | Ein Wasserhahn in Amerika | 1991 | Tanz | 0 | |||||||||||||
| 39548 | Alejandro | Brianza | Mikrokosmika | 2016 | fixed media, akusmatisch | Alejandro Brianza | 0 | ||||||||||||
| 19397 | Tom | Brigham | Foci | Tanz | 6:18 | Stereo | SC 658 CD / Festival FAUST/ | 0 | |||||||||||
| 39705 | Danny | Bright | Fracterruptions | 2017 | fixed media, akusmatisch | Danny Bright | 0 | ||||||||||||
| 42919 | Danny | Bright | Ghosting Wilderness Threshold Shift | 2013 | fixed media, akusmatisch | 4:16:00 | 0 | ||||||||||||
| 2271 | Erik-Gustaf | Brilioth | Årstiderna | 1991 | fixed media, akusmatisch | 14:00 | percussion sound | 0 | |||||||||||
| 2272 | Nicolae | Brîndus | Antifonia | 1970 | Zuspiel / Tonband, 1 group | 11:03 | chamb-ch [Chor] | ECE 02947/ | 1 | ||||||||||
| 2273 | Nicolae | Brîndus | Archeusis – Eufonia | fixed media, akusmatisch | 20:00 | RTR, IRCAM | 0 | ||||||||||||
| 33222 | Nicolae | Brîndus | Bizarmonia | 1993 | Zuspiel, Performance, 6 perf | 60 | 6 perf [Performer] | instrumental theatre | 1998 | Bucharest, PRO Musica Nova Group, Raluca Ianegic – choreography, Laurentia Barbu – dancer, Alexandru Tocilescu – stage director | 0 | ||||||||
| 18439 | Nicolae | Brîndus | Ekstastis | 1997 | fixed media, akusmatisch | 13:30 | IMEB Bourges | 0 | |||||||||||
| 2274 | Nicolae | Brîndus | Inscriptie | 1969 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 2275 | Nicolae | Brîndus | Kitsch-N | 1974 | Musiktheater, 1 perf | cl [Klarinette] | ECE 01693/ | September 1979 | "Warsaw Autumn" (Florian Popa clarinetto) | 0 | |||||||||
| 2276 | Nicolae | Brîndus | Match - Monodie and polofonie | 1973 | Zuspiel / Tonband, 1 group | 18:45 | chamber-orc [Orchester] | ECE 02947/ | September 1973 | "Warsaw Autumn" by Ars Nova chamber orchestra of Cluj-Napoca (conducted by Cornel Taranu) | 1 | ||||||||
| 33223 | Nicolae | Brîndus | Oratorio | 1998 | Oper, 2 perf, 1 group | male ch, T, S [Sopran, Tenor, Chor] | instrumental theatre | 2002 | Bucharest, Male Choir of the Romanian Radio (conducted by Dan Goia; soloists Liana Podlovski & Marian Somesan) | 0 | |||||||||
| 33221 | Nicolae | Brîndus | Ouvedennerode | 1993 | Zuspiel, Performance, 2 perf | 12 | sax, db [Saxophon, Kontrabass] | based on the Ion Barbu poem | 0 | ||||||||||
| 33220 | Nicolae | Brîndus | SIN EU PHONIA I, symphony for tapes, 2 organs & orchestra | 1986 - 1987 | Zuspiel / Tonband, 2 perf, 1 group | 32 | 2 org, orc [Orgel, Orchester] | April 1994 | Festival of New Music, Philharmonic Orchestra of Chisinau (conducted by Dorel Pascu-Radulescu) | 0 | |||||||||
| 2277 | Nicolae | Brîndus | Soliloque 1 | 1971 | Zuspiel / Tonband, 1 group | 7:47 | chamber-orc [Orchester] | ECE 02947/ | 1 | ||||||||||
| 2278 | Nicolae | Brîndus | Soliloque 4 | 1984 | Zuspiel / Tonband, 1 group | 9:00 | chamber-orc [Orchester] | ECE 02947/ | 1 | ||||||||||
| 2279 | Nicolae | Brîndus | Strigoii (The Ghosts) | 1966 | Zuspiel / Tonband, 1 perf, 2 groups | Stereo | V, ch, ens [Stimme, Ensemble, Chor] | EM ?? | 0 | ||||||||||
| 2280 | Desmond | Briscoe | A Beginning | 1965 | Film | 25:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2281 | Desmond | Briscoe | Accident | 1960 | Tanz | Film |
5:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2282 | Desmond | Briscoe | All that fall | 1957 | radiophon | 69:10 | Mono | Samuel Beckett | BBC | 0 | |||||||||
| 2283 | Desmond | Briscoe | Approaching Automation | 1966 | Film | 20:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2284 | Desmond | Briscoe | Chemistry of Fire | 1966 | Film | 6:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2285 | Desmond | Briscoe | Children of the Damned | 1964 | Film | 14:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2286 | Desmond | Briscoe | Electronic Sound Picture | 1966 | Demo, Studie | 25:00 | Mono | HMW/ | PS C. Staines | 0 | |||||||||
| 2287 | Desmond | Briscoe | Ipcress File | 1965 | Film | 12:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2288 | Desmond | Briscoe | Moonscape | 1960 | Film | 12:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2289 | Desmond | Briscoe | Morning Departure | 1959 | Theatermusik | 20:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2291 | Desmond | Briscoe | Stirling | 1961 | Hintergrundmusik | 6:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2292 | Desmond | Briscoe | The Disagreeable Oyster | 1957 | radiophon | 44:45 | Mono | BBC | 0 | ||||||||||
| 2293 | Desmond | Briscoe | The Haunting | 1963 | Film | 18:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2294 | Desmond | Briscoe | Time Shift - 2066 | 1966 | Hintergrundmusik | 28:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2295 | Desmond | Briscoe | Time-Base Poem | 1966 | Tanz | 3:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2296 | Desmond | Briscoe | Venus Theme | 1966 | Oper | 4:00 | Mono | opera by Ph. Cannon | PS C. Staines | 0 | |||||||||
| 2290 | Desmond, Daphne | Briscoe, Oram | Private Dreams and Public Nightmares | 1957 | radiophon | 13:40 | Mono | BBC | 0 | http://daphneoram.org/ | |||||||||
| 37815 | Desmond, Daphne | Briscoe, Oram | Quartermass and the Pit | radiophon | 0:37 | Mono | SILCD 1503/ | BBC | 0 | http://daphneoram.org/ | |||||||||
| 39710 | Darien | Brito | Granite | 2015 | fixed media, akusmatisch | 9:52:00 | Surround 4.1 | Darien Brito | 0 | ||||||||||
| 22937 | Aldo | Brizzi | de la Trasmutazione de metalli | 1987 | Zuspiel / Tonband, | CSC Padova | 1 | ||||||||||||
| 37476 | Aldo | Brizzi | L'Epreuve Du Labyrinthe | fixed media, akusmatisch | 6:48 | ISAST LMJ 10/ | CSC Padova | 0 | |||||||||||
| 23866 | Gabriel | Brncic | Acuerdate, ha muerto… | 1967 | Zuspiel / Tonband, 2 perf | 7:00 | cl, vn [Klarinette, Violine] | 1967. CLAEM, Buenos Aires. | 0 | ||||||||||
| 23867 | Gabriel | Brncic | Acuerdate, ha muerto…(versión 2) | 1969 | Zuspiel / Tonband, 4 perf | 7:00 | ob, cl, vn, va [Klarinette, Oboe, Viola, Violine] | 1969. Montevideo. | 0 | ||||||||||
| 19841 | Gabriel | Brncic | Adagio Scherzo | 1991 - 1996 | fixed media, akusmatisch | 6:50 | Stereo | AH ars harmonica/ | Phonos Barcelona | 0 | |||||||||
| 23877 | Gabriel | Brncic | Agua | 1981 | fixed media, akusmatisch | 5:00 | 1981. Barcelona. | 0 | |||||||||||
| 23892 | Gabriel | Brncic | Amico ai vinto | Zuspiel / Tonband, 3 perf | ≈ 3:00 | hn, 2 va [Horn, Viola] | Texto de L. Tasso | 0 | |||||||||||
| 19814 | Gabriel | Brncic | Aria y Pasacalle | 1981 | Zuspiel / Tonband, 4 perf | 14:00 | Stereo | fl, cl, db, gui [Flöte, Klarinette, Gitarre, Kontrabass] | Phonos Barcelona | 0 | |||||||||
| 23879 | Gabriel | Brncic | Arpegios | fixed media, akusmatisch | 17:00 | 0 | |||||||||||||
| 19820 | Gabriel | Brncic | Bach y las Monedas | 1982 | Theatermusik | 8:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 2297 | Gabriel | Brncic | Batucada, Batucada 1970 | 1973 | fixed media, akusmatisch | 29:00 | IDEAMA CD 059/ | LIPM B.Aires | 0 | ||||||||||
| 2298 | Gabriel | Brncic | Batucada amenazante para los que huyen | 1968 | fixed media, akusmatisch | 28:35 | LIPM B.Aires | 0 | |||||||||||
| 19818 | Gabriel | Brncic | Canciones con Sintetizador | 1981 | fixed media, akusmatisch | 18:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 2299 | Gabriel | Brncic | Chile fertil provincia | 1975 - 1983 | Zuspiel / Tonband, 4 perf | 23:40 | perc, db, V, congas [Stimme, Schlagzeug, Kontrabass] | 2 versions | LDC 278076/77 Cultures Electroniques 16/ | Phonos Barcelona | 0 | ||||||||
| 19812 | Gabriel | Brncic | Cielo | 1980 | Zuspiel / Tonband, 4 perf | 20:00 | Stereo | 4 va [Viola] | AH ars harmonica/ | Phonos Barcelona | 0 | ||||||||
| 19539 | Gabriel | Brncic | Ciudad encantada | 1987 | fixed media, akusmatisch | 19:52 | Stereo | Encargo del Laboratorio de Cuenca 1987. Cuenca, España. |
GME Cuenca | 0 | |||||||||
| 2300 | Gabriel | Brncic | Clarinen Tres | 1986 | Zuspiel / Tonband, 1 perf | 8:16 | va (b-cl) [Viola] | a Bárbara Brncic Monsegur | Phonos 1CMO 295/ | Phonos Barcelona | 1 | ||||||||
| 23890 | Gabriel | Brncic | Clarinet Concert para Harry Sparnaay | 1999 | Zuspiel / Tonband, 1 perf | 15:23 | b-cl [Klarinette] | Existe una versión para clarinete en Sib 1999. Festival de música contemporánea de Alicante. España |
0 | ||||||||||
| 19836 | Gabriel | Brncic | Composicion de 1989 | 1989 | fixed media, akusmatisch | 12:46 | Stereo | Phonos Barcelona | 1 | ||||||||||
| 2301 | Gabriel | Brncic | Concierto - Gótico | 1985 | fixed media, akusmatisch | 26:48 | Stereo | CBA 5 Musica electroacustica española 3/ | IMEB Bourges | 1 | |||||||||
| 19847 | Gabriel | Brncic | Constanza (La casa del Viento 1) | 1996 | fixed media, akusmatisch | 6:12 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 35446 | Gabriel | Brncic | Contrabajo (concert) | Zuspiel / Tonband, 1 perf | 15:41 | db-cl [Klarinette] | Phonos 1CMO 295/ | 0 | |||||||||||
| 19813 | Gabriel | Brncic | Coral - Retrato | 1985 | Zuspiel / Tonband, 3 perf | 13:00 | Stereo | T, va, cl [Tenor, Klarinette, Viola] | Phonos Barcelona | 0 | |||||||||
| 23891 | Gabriel | Brncic | Coreútica | 1999 | Zuspiel / Tonband, 1 perf | 8:30 | va [Viola] | 1999. Teatro alla Scala. Milán, Italia. | 0 | ||||||||||
| 19811 | Gabriel | Brncic | Cuando comenzamos…? | 1979 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 23878 | Gabriel | Brncic | Cuarteto (Versión 2) | Zuspiel / Tonband, 3 perf | vn, 2 va [Viola, Violine] | 0 | |||||||||||||
| 35445 | Gabriel | Brncic | Cueca Para La Exaltación De Jorge Peña Hen | 1976 | Zuspiel / Tonband, 1 perf | 15:41 | gui [Gitarre] | Phonos 1CMO 295/ | 0 | ||||||||||
| 19827 | Gabriel | Brncic | Des Étre, (a Oscar Masotta) | 1986 | live-elec, 3 perf | 12:50 | Stereo | 2 va, synt, [Viola, synthesizer] | AH ars harmonica/ | Phonos Barcelona | 1 | ||||||||
| 19810 | Gabriel | Brncic | Destierro | 1979 | fixed media, akusmatisch | 24:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 2302 | Gabriel | Brncic | Dialexis | 1966 | Zuspiel / Tonband, 12 perf | 12:00 | Stereo | 11 perc, p [Piano, Schlagzeug] | LIPM B.Aires | 0 | |||||||||
| 23876 | Gabriel | Brncic | Donald Blues | fixed media, akusmatisch | 4:00 | 0 | |||||||||||||
| 19543 | Gabriel | Brncic | Dos Esbozos para antiguos instrumentos electronicos | 1994 | fixed media, akusmatisch | 14:40 | Stereo | Partes 1- Marcha por la calle de Alfonso VIII de Cuenca en submarino azul y con revuelo de angeles. Partes 2- Líricas del filtro Mágico o Magia del filtro lírico |
Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 07.1994 | LIEM-CDMC, dedicado al GME, Auditorio de Madrid, España | 1 | ||||||
| 19837 | Gabriel | Brncic | Dulcián-Concert | 1989 | Zuspiel / Tonband, 2 perf | Stereo | va, bn [Fagott, Viola] | Phonos Barcelona | 0 | ||||||||||
| 23873 | Gabriel | Brncic | El Túnel (a Jorge Sabato) | 1970 | fixed media, akusmatisch | 13:15 | 1997. Gran Canaria. Festival Punto de Encuentro | Pueblo Nuevo PN.CD.001/ | CLAEM, Tella B.Aires | 0 | |||||||||
| 23893 | Gabriel | Brncic | Ergon Rondeau | 2000 | Zuspiel, live-elec, 5 perf | 3:00 | 4 tpt, amp vc [Trompete, Cello] | Proyección de imágenes, pinturas y dibujos de Gabriela Vargas. Paisajes sonoros de Luis Barrie 2000. Festival RiverMusica. Barcelona, España. |
0 | ||||||||||
| 19829 | Gabriel | Brncic | Ese Mar | 1987 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | trompa or tuba [Tuba] | Existe una versión para tuba 1987. Festival de Música Contemporánea. Málaga, España. |
Phonos Barcelona | 0 | ||||||||
| 19541 | Gabriel | Brncic | Estilos | 1993 | fixed media, akusmatisch | 86:00 | Stereo | de Estilos para Guitarra, 1986 | GME Cuenca | 0 | |||||||||
| 19542 | Gabriel | Brncic | Estudio para un concierto de Arpa | 1993 | fixed media, akusmatisch | 4:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 23862 | Gabriel | Brncic | Génesis | 1964 | Tanz | Grabación Perdida. 1964. Santiago de Chile. |
0 | ||||||||||||
| 19815 | Gabriel | Brncic | Grisalla | 1981/1982 | fixed media, akusmatisch | 90:00 | Stereo | 2 Versions | Phonos Barcelona | 0 | |||||||||
| 19833 | Gabriel | Brncic | Historia de dos Ciudades | 1988 | fixed media, akusmatisch | 31:00 | Stereo | Concierto sincronizado: vln, vlc con tratamiento electrónico en Madrid y 4 perc en Barcelona | Phonos Barcelona | 1988 | Radio 2 Radio Nacional de España RNE | 0 | |||||||
| 19838 | Gabriel | Brncic | Kientzy-Concert | 1989 | Zuspiel, live-elec, 1 perf | 13:00 | Stereo | t-sax [Saxophon] | Phonos Barcelona | 0 | |||||||||
| 22900 | Gabriel | Brncic | La Casa del Vent | 1998 | Zuspiel / Tonband, 4 perf | 13:46 | fl, cl, vn, vc [Flöte, Klarinette, Cello, Violine] | 3 Versions: Version 2 a Barbara; Verion 3 a Teresa Monsegur (str-qt!) | Phonos 1CMO 295/ | Phonos Barcelona | 1 | ||||||||
| 23882 | Gabriel | Brncic | Las Afinidades electivas | live-elec, 2 perf | 2 PolyMoog [synthesizer] | No estrenada | 0 | ||||||||||||
| 23863 | Gabriel | Brncic | Máquinas | 1964 | Tanz | Grabación Perdida. 1964. Santiago de Chile. |
0 | ||||||||||||
| 19817 | Gabriel | Brncic | Memorias | 1981 | Zuspiel / Tonband, 2 perf | 25:00 | Stereo | perc, vn [Schlagzeug, Violine] | Phonos Barcelona | 0 | |||||||||
| 23880 | Gabriel | Brncic | Música de 1973 | 1973 | Zuspiel, live-elec, 3 perf | 10:00 | p, va, synt [Piano, Viola, synthesizer] | 1973. Buenos Aires. | 0 | ||||||||||
| 19831 | Gabriel | Brncic | Música de cámara III | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 1 | |||||||||||
| 19819 | Gabriel | Brncic | Música de las Apariencias | 1982 | Zuspiel / Tonband, 1 perf | 28:00 | Stereo | vn [Violine] | Dedicada a Francisco Kröpfl | Phonos Barcelona | 0 | ||||||||
| 19816 | Gabriel | Brncic | Nuestra América | 1981 | Zuspiel / Tonband, 1 perf | 26:00 | Stereo | perc [Schlagzeug] | 2 Versions | Phonos Barcelona | 0 | ||||||||
| 23883 | Gabriel | Brncic | Opera Rotas | 1993 | Oper, 16 perf, 1 group | 40:00 | 16 V, chamber-orc [Stimme, Orchester] | Opera de Cámara. 1993. Universidad de Barcelona, España. (Introducción). |
0 | ||||||||||
| 23886 | Gabriel | Brncic | Partita para Oboe | 1991 | Zuspiel / Tonband, 5 perf | ≈ 10:00 | ob, V, cl, vn, va [Stimme, Klarinette, Oboe, Viola, Violine] | Interprete: J Blanch. 1991. Bruselas, Bélgica. |
0 | ||||||||||
| 23885 | Gabriel | Brncic | Passacaglia | 1988 | live-elec, 2 perf | 2 synt [synthesizer] | 1988. Duo Eclat. Barcelona, España. | 0 | |||||||||||
| 19822 | Gabriel | Brncic | Polifonia de Barcelona | 1983 | live-elec, 1 group | 15:16 | Stereo | ens (live elec) [Ensemble] | Transformaciones en tiempo real : Jose Manuel Berenguer, Juan Jose Ordinas y Claudio Zulián. | Phonos 1CMO 295/ | Phonos Barcelona | 1983 | ICMC. Ensemble 2e2m Paris | 1 | |||||
| 19845 | Gabriel | Brncic | Polifonia de la Lluvia | 1993 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19821 | Gabriel | Brncic | Polifonia de Venecia | 1983 | fixed media, akusmatisch | 10:47 | Stereo | AMEE/ | Phonos Barcelona | 0 | |||||||||
| 23875 | Gabriel | Brncic | Preludio de Cristal | 1971 | fixed media, akusmatisch | 10:00 | Parte del espectáculo "Mecano visuales" 1971. Buenos Aires |
0 | |||||||||||
| 23874 | Gabriel | Brncic | Preludio de Madera | 1971 | fixed media, akusmatisch | 14:00 | 1971. Buenos Aires | 0 | |||||||||||
| 23872 | Gabriel | Brncic | Puerto Montt | fixed media, akusmatisch | 23:00 | No ha sido estrenada | 0 | ||||||||||||
| 19846 | Gabriel | Brncic | …que no desorganitza Cap Murmurl | 1995 | Zuspiel / Tonband, 1 perf | 11:41 | Stereo | fl [Flöte] | dedicada a Joan Brossa | Colección Phonos 5/ | Phonos Barcelona | 1996 | Sala Manuel de Falla, SGAE, Festival Punto de Encuentro. Madrid, España. | 1 | |||||
| 23864 | Gabriel | Brncic | Quodlibet II | live-elec, 1 perf | 8:00 | synt [synthesizer] | Existe solo la Partitura. | 0 | |||||||||||
| 19540 | Gabriel | Brncic | Quodlibet IV | 1976 - 1989 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | acc [Akkordeon] | GME Cuenca, Phonos Barcelona | 0 | |||||||||
| 23881 | Gabriel | Brncic | Quodlibet IV (Versiòn 2) | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | Dedicado a Carles Santos. 1976. Barcelona. Palacio de la música/ festival HispanoMexicano de México. |
0 | ||||||||||
| 19826 | Gabriel | Brncic | Quodlibet IV, Version III | 1984 | Zuspiel / Tonband, 3 perf | 16:00 | Stereo | 3 V [Stimme] | Phonos Barcelona | 0 | |||||||||
| 23888 | Gabriel | Brncic | Quodlibet VII (Versión 2) | 1998 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Dedicada a Pilar Sobirá. 1998. Barcelona, España. |
0 | |||||||||||
| 23869 | Gabriel | Brncic | Quodlibet VIII | 1968 | Zuspiel / Tonband, 2 perf | 7:00 | ob, en-hn [Oboe] | 1968. Buenos Aires. | 0 | ||||||||||
| 23870 | Gabriel | Brncic | Quodlibet VIII (Versión 2) | 1970 | Zuspiel / Tonband, 3 perf | 7:00 | fl, db, en-hn [Flöte, Oboe, Kontrabass] | 1970. Buenos Aires. | 0 | ||||||||||
| 23871 | Gabriel | Brncic | Quodlibet VIII (Versión 3) | 1971 | Zuspiel / Tonband, 2 perf | 7:00 | fl, va [Flöte, Viola] | 1971. Buenos Aires | 0 | ||||||||||
| 23894 | Gabriel | Brncic | Ronde-Bosse | 2002 | Zuspiel, live-elec, 2 perf | 24:00 | va, hp [Harfe, Viola] | Encargo del INA-GRM 2002. GRM-Multiphonies. Maison de Radio France. París, Francia. |
INA • GRM | 0 | |||||||||
| 19806 | Gabriel | Brncic | Salvat-Papasseit i la seva Epoca | 1976 | Theatermusik | 60:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 19830 | Gabriel | Brncic | Scirocco | 1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19834 | Gabriel | Brncic | Sexteto para Violas | 1988 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | va [Viola] | Phonos Barcelona | 0 | |||||||||
| 19840 | Gabriel | Brncic | Siete Conciertos para Saxofón solista | 1990 - 1995 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19832 | Gabriel | Brncic | Sinfonia concertante | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 23884 | Gabriel | Brncic | Tres Estilos | 1993 | live-elec, 1 perf | gui [Gitarre] | 1993. Cuenca, España. | 0 | |||||||||||
| 19823 | Gabriel | Brncic | Triunfo por las Madres de Plaza de Mayo | 1983 | Zuspiel / Tonband, 2 perf | Stereo | gui, V [Stimme, Gitarre] | Phonos Barcelona | 1983 | Palau de la Musica. Barcelona, España | 0 | ||||||||
| 19809 | Gabriel | Brncic | un Dia en el Jardin del Gigante | 1978 | Zuspiel, live-elec, 2 perf | 60:00 | Stereo | p, perc [Piano, Schlagzeug] | Phonos Barcelona | 0 | |||||||||
| 19808 | Gabriel | Brncic | un Jardin para todos | 1977 | Theatermusik | 60:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 19835 | Gabriel | Brncic | Uno y mil efectos de la Libertad | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | IMEB Bourges | 0 | ||||||||||
| 2303 | Gabriel | Brncic | Vade retro (a Luigi Nono), Diálogo 4 | 1990 | fixed media, akusmatisch | 12:30 | Diálogo 4 | UM CD 7 Vol. I/ | Phonos Barcelona | 0 | |||||||||
| 19807 | Gabriel | Brncic | Variaciones 1, Variacións | 1977 | fixed media, akusmatisch | 13:25 | Stereo | Phonos 1CMO 295/ | Phonos Barcelona | 0 | |||||||||
| 23887 | Gabriel | Brncic | Variaciones sobre Organo | 1996 | Zuspiel, live-elec, 1 perf | org [Orgel] | 1996. Barcelona, España. | 0 | |||||||||||
| 19825 | Gabriel | Brncic | Variaciones sobre Sonatas e Interludios | 1984 | Zuspiel, live-elec, 2 perf | 27:00 | Stereo | va, e-gui [Gitarre, Viola] | Existen Versiones con diferentes efectivos instrumentales. 1984. Barcelona, España. |
Phonos Barcelona | 0 | ||||||||
| 19839 | Gabriel | Brncic | Viaje al Invierno | 1990 | Zuspiel / Tonband, 1 perf | Stereo | fl [Flöte] | Phonos Barcelona | 0 | ||||||||||
| 19842 | Gabriel | Brncic | Viola Concert | 1992 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | va [Viola] | Phonos Barcelona | 0 | |||||||||
| 19844 | Gabriel | Brncic | Violin Concert | 1993 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | Phonos Barcelona | 0 | ||||||||||
| 19843 | Gabriel | Brncic | Violoncello Concert | 1992 | Zuspiel / Tonband, 1 perf | Stereo | vc [Cello] | Phonos Barcelona | 0 | ||||||||||
| 23865 | Gabriel | Brncic | Volveremos a las Montañas | 1966 | fixed media, akusmatisch | 10:00 | 1966. Buenos Aires. | 0 | |||||||||||
| 23868 | Gabriel | Brncic | Volveremos a las Montañas (Versión 2) | 1968 | fixed media, akusmatisch | 17:00 | 1968. New York. (Alcídez Lanza, director). | 0 | |||||||||||
| 23889 | Gabriel | Brncic | Vuelta de Paseo | Zuspiel / Tonband, 2 perf | ≈ 4:00 | S, hp [Sopran, Harfe] | Texto de F. Garcia Lorca Festival Músicas Contemporáneas. Barcelona, España. |
0 | |||||||||||
| 19824 | Gabriel | Brncic | Wagner-Wagner | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 2304 | Group, Rudolf | Brno, Ruzicka | Capriccio | 1974 | fixed media, akusmatisch | 10:25 | Radio Brno | 0 | |||||||||||
| 2309 | Group, Rudolf | Brno, Ruzicka | Peripeteias | 1968 | Zuspiel / Tonband, 1 group | 17:00 | orc [Orchester] | Radio Brno | 0 | ||||||||||
| 2310 | Group, Rudolf | Brno, Ruzicka | Private View of Voices | 1969 | Zuspiel / Tonband, 2 perf, 1 group | 28:00 | S, Bar, orc [Sopran, Bariton, Orchester] | Radio Brno | 0 | ||||||||||
| 2311 | Group, Rudolf | Brno, Ruzicka | Silence of the Little Birds in the Wood | 1970 | fixed media, akusmatisch | 14:00 | Radio Brno | 0 | |||||||||||
| 2312 | Jonas | Broberg | Buccharelli's Lamento | 1992/1993 | fixed media, akusmatisch | 6:48 | Stereo | FYCD 1003 / INFOGRAM 018/ | EMS Stockholm | 1 | |||||||||
| 19169 | Jonas | Broberg | Conversation in Cadaqués | 1996 | fixed media, akusmatisch | 8:56 | FYCD 1009/ LDC 278065/66 Cultures Electroniques 11/ | EMS Stockholm | 1 | ||||||||||
| 19170 | Jonas | Broberg | Her scent | 1995 | fixed media, akusmatisch | 2:35 | FYCD 1009/ | EMS Stockholm | 1 | ||||||||||
| 24374 | Jonas | Broberg | La fenêtre vers mes souvenirs | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19167 | Jonas | Broberg | Locations | 1994 | fixed media, akusmatisch | 8:53 | FYCD 1009/ | EMS Stockholm | 1 | ||||||||||
| 19168 | Jonas | Broberg | Minutes between Seconds | 1995 | fixed media, akusmatisch | 5:34 | FYCD 1009/ | EMS Stockholm | 1 | ||||||||||
| 22358 | Jonas | Broberg | The Drama Within | 1999 | fixed media, akusmatisch | 5:38 | CSCD 00027 Media Artes + Chamber Sound/ | PS | Media Artes | 1 | |||||||||
| 27852 | Cécile | Broché | B51@Paris | 2006 | fixed media, akusmatisch | sons de Paris et live music | CRFMW Liège | 18.11.2006 | Mazy (Gembloux), Jazz 8 | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27888 | Cécile | Broché | Violin@New-York | 2000 | live-elec, 1 perf | e-vn [Violine] | CRFMW Liège | 19.03.2001 | Bruxelles, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 2313 | Eugen | Brochier | Africa | 1985 | intermedia | ELAK Wien | 0 | ||||||||||||
| 2315 | Eugen | Brochier | Some Minutes for M. | 1986 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 2316 | Eugen | Brochier | track 5 | 1985 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 2314 | Eugen, Gregor | Brochier, Jasch | Faschingsschwank aus Wien | 1984 | fixed media, akusmatisch | 5:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 2317 | Anders | Brødsgaard | Katalog | 1991 | fixed media, akusmatisch | Stereo | DIEM Aarhus | 0 | |||||||||||
| 41110 | James | Brody | 7-1-7... | 1995 | fixed media, akusmatisch | 7:07 | 0 | http://staff.washington.edu/seymour/altvw104.html | |||||||||||
| 41114 | James | Brody | A Glance into the Garden | 1998 | fixed media, akusmatisch | 3:25 | Baltimore Composers Forum | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||
| 41107 | James | Brody | Background Count | 1997 | Zuspiel / Tonband, 1 perf | 8:06 | perc [Schlagzeug] | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||
| 41112 | James | Brody | Barzakh | 1983 | fixed media, akusmatisch | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||||
| 41108 | James | Brody | Entrainments | 1995 | fixed media, akusmatisch | 6:01 | 0 | http://staff.washington.edu/seymour/altvw104.html | |||||||||||
| 41113 | James | Brody | Miralia | 1967 | fixed media, akusmatisch | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||||
| 41111 | James | Brody | Salat | 1970 | fixed media, akusmatisch | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||||
| 41105 | James | Brody | Syllepsis, Hommage a Iannis Xenakis | 2000 | fixed media, akusmatisch | 15 | 0 | ||||||||||||
| 41106 | James | Brody | Theta Ticker | 1996 | fixed media, akusmatisch | 8:04 | 0 | ||||||||||||
| 41109 | James | Brody | Turning | 1999 | fixed media, akusmatisch | 7:19 | 0 | http://staff.washington.edu/seymour/altvw104.html | |||||||||||
| 22454 | Alois | Bröder | Im Irrenhaus | 1996 - 1998 | fixed media, akusmatisch | 14:49 | Quadro | Von CD6 der Reihe Elektronische Musik der HfMT Köln Sprachkomposition |
HfMT Köln CD6/ | HfMT Köln | 1 | ||||||||
| 33979 | Alois | Bröder | …keine Stille… | 1998 | Zuspiel / Tonband, 1 perf, 1 group | 9:21 | Stereo | gui-ens [Gitarre] | HfMT Köln | 0 | |||||||||
| 33980 | Alois | Bröder | Klospruch | 1998 | fixed media, akusmatisch | 3:33 | Stereo | HfMT Köln | 0 | ||||||||||
| 33978 | Alois | Bröder | Pizzflaggliss | 1995 | Zuspiel / Tonband, 1 perf | 8:40 | Quadro | vc [Cello] | HfMT Köln | 0 | |||||||||
| 33981 | Alois | Bröder | Traumgefieder | 2000 | fixed media, akusmatisch | 13:40:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 40007 | Lars | Bröndum | Double Helix Staircase | 2015 | fixed media, akusmatisch | 10:20:00 | Lars Bröndum | 0 | |||||||||||
| 40006 | Lars | Bröndum | Encircled | 2017 | fixed media, akusmatisch | Lars Bröndum | 0 | ||||||||||||
| 23586 | Benjamin | Broening | (after), Night's Black Bird (after Dowland) Beata Viscera (after Byrd) |
2003 | fixed media, akusmatisch | 5:10 | Quadro | CMJ Vol 27-4, 2003/ | 0 | ||||||||||
| 33482 | Benjamin | Broening | Lamentation Alphabet: Aleph | 2006 | fixed media, akusmatisch | 5 | Quadro | after Tallis | 0 | ||||||||||
| 32103 | Benjamin | Broening | Nocturne/Doubles | 2001 | live-elec, 1 perf | 7 | p, (com) [Piano] | Daniel Koppelman, piano | SEAMUS EAM Vol. 13/ | 0 | http://benjaminbroening.net/works.html | ||||||||
| 42583 | Benjamin | Broening | Radiance | 2009 | live-elec, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 33481 | Benjamin | Broening | Traces (i & ii) | 2010 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 33480 | Benjamin | Broening | Traces (iii & iv) | 2014 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 42467 | Benjamin | Broening | Trembling Air | 2007 | live-elec, 1 perf | fl [Flöte] | Jane Rigler, flute | 0 | |||||||||||
| 42779 | Benjamin | Broening | Twilight Shift | 2012 | live-elec, 1 perf | 6:38:00 | fl [Flöte] | Jane Rigler, flute | 0 | ||||||||||
| 33483 | Benjamin | Broening | Via Negativa: The Cloud of Forgetting | 1994 - 1995 | fixed media, akusmatisch | 5 | Stereo | 0 | |||||||||||
| 33801 | Éric | Broitmann | Nocturne | 2012 | fixed media, akusmatisch | 7:30:00 | Composing with Sounds/ | 1 | |||||||||||
| 35749 | Éric | Broitmann | Rouge sang | 2010 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2010 | 0 | ||||||||||||
| 2318 | Sten | Broman | Musica Cathedralis | 1973 | Zuspiel / Tonband, 1 perf, 2 groups | V, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 2319 | Sten | Broman | Sententia crevit | 1968 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 2320 | Sten | Broman | Symphony no. 7, Symfoni no. 7 | 1971 | Zuspiel / Tonband, 1 group | orc [Orchester] | EMS Stockholm | 0 | |||||||||||
| 2321 | Eleanor | Brook | Riptide | 1995 | fixed media, akusmatisch | 3:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 43031 | Taylor | Brook | Coil | 2013 | fixed media, akusmatisch | 5:56:00 | 0 | ||||||||||||
| 36954 | Arnold | Brooks | Increate 51 | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 39686 | Cody | Brookshire | Rationalize | 2017 | fixed media, akusmatisch | Cody Brookshire | 0 | ||||||||||||
| 42840 | Cody | Brookshire | To Hear before Going to Sleep | 2013 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 42991 | José Jesus | Broseta Monzo | Sonorous Impressions | 2013 | fixed media, akusmatisch | 3:34:00 | 0 | ||||||||||||
| 2322 | Chris | Brown | Chain Reaction | 1991 | Zuspiel, live-elec, 2 perf | 13:09 | MIDI p, t-sax, [Saxophon, Piano] | Centaur CRC 2195, CDCM Vol. 17/ | CCM Mills | 1 | |||||||||
| 26416 | Chris | Brown | Retrospectacles | 2003 | live-elec, 1 perf | p, (com) [Piano] | CCM Mills | 0 | |||||||||||
| 2324 | Chris | Brown | Rol'em | 1988 | live-elec, | 7:48 | ART 1002/ | CCM Mills | 1 | ||||||||||
| 26415 | Chris | Brown | Shuffle | 2004 | live-elec, 1 perf | p, (com) [Piano] | CCM Mills | 0 | |||||||||||
| 43137 | Chris | Brown | Talking Drum | 1996 | Netzmusik | Auszeichnung ars electronica honorary mention 1996 | 0 | ||||||||||||
| 19400 | Chris, Tim, Phil | Brown, Perkis, Stone | Duo | 1990 | Zuspiel / Tonband, 2 perf | 29:12 | Stereo | perc, tpt [Trompete, Schlagzeug] | 3 parts, MIDI | ART 1016/ | CCM Mills | 0 | |||||||
| 19401 | Chris, Tim, Phil | Brown, Perkis, Stone | Hall of Mirrors | 1987 | Zuspiel, live-elec, 1 perf | 10:58 | Stereo | p [Piano] | MIDI | ART 1001/ | CCM Mills | 0 | |||||||
| 19402 | Chris, Tim, Phil | Brown, Perkis, Stone | Hot Lunch | 1995 | fixed media, akusmatisch | 8:34 | Stereo | MIDI | ART 1016/ | CCM Mills | 0 | ||||||||
| 2323 | Chris, Tim, Phil | Brown, Perkis, Stone | Hot pigs | 1988 | live-elec, 1 perf | 8:49 | MIDI-Kbd [Keyboard] | MIDI | ART 1002/ | CCM Mills | 1 | ||||||||
| 19403 | Chris, Tim, Phil | Brown, Perkis, Stone | Iceberg | 1985 | Radiokunst, live-elec, 1 perf | 17:35 | Stereo | perc [Schlagzeug] | MIDI | ART 1001/ | CCM Mills | 0 | |||||||
| 19404 | Chris, Tim, Phil | Brown, Perkis, Stone | Parkula | 1995 | fixed media, akusmatisch | 6:54 | Stereo | MIDI | ART 1016/ | CCM Mills | 0 | ||||||||
| 19405 | Chris, Tim, Phil | Brown, Perkis, Stone | Post Mortem | 1986 | live-elec, 1 perf | 9:35 | Stereo | p [Piano] | MIDI | ART 1001/ | CCM Mills | 0 | |||||||
| 19406 | Chris, Tim, Phil | Brown, Perkis, Stone | Snakecharmer | 1987 | live-elec, 1 perf | 10:00 | Stereo | V [Stimme] | MIDI | ART 1001/ | CCM Mills | 0 | |||||||
| 19407 | Chris, Tim, Phil | Brown, Perkis, Stone | Sync of Swing | 1996 | live-elec, 1 perf | 9:44 | Stereo | perc [Schlagzeug] | MIDI | ART 1016/ | CCM Mills | 0 | |||||||
| 19408 | Chris, Tim, Phil | Brown, Perkis, Stone | Urge | 1981 - 1996 | live-elec, 1 perf | 7:21 | Stereo | MIDI-Kbd [Keyboard] | MIDI | ART 1016/ | CCM Mills | 0 | |||||||
| 19409 | Chris, Tim, Phil | Brown, Perkis, Stone | Wheelies | 1993 | live-elec, 1 perf | 10:07 | Stereo | MIDI-Kbd [Keyboard] | MIDI | ART 1008/ | CCM Mills | 0 | |||||||
| 23117 | Chris Cree | Brown | Under Erebus | 2000 | fixed media, akusmatisch | 14:42 | Aufnahmen aus der Antarktis | UWMD 1201 New Zealand Sonic Art Vol. 2/ | 1 | ||||||||||
| 43064 | Courtney | Brown | Blown Away | 2014 | Klangkunst, Installation | Location: Playhouse Lobby | 0 | ||||||||||||
| 42468 | Courtney | Brown | losing love in magnetic time | 2008 | Zuspiel / Tonband, 2 perf | mar, vib [Schlagzeug] | Adam Forman, Derek Kwan, percussion | 0 | |||||||||||
| 25485 | Earle | Brown | December 1952, Folio | 1952 | Zuspiel / Tonband, 2 perf | 6:08 | p, com, (elec) [Piano, computer] | Part of FOLIO, Brown's collection of graphic compositions. | NWR 80650-2/ Thorofon MTH 224/ CRI SD 330/ | 1 | 1986 | ||||||||
| 2002 | |||||||||||||||||||
| 2325 | Earle | Brown | Four Systems, Folio | 1954 | Zuspiel / Tonband, 1 perf | var 4:22 | var ins [Instrument] | Part of FOLIO, Brown's collection of graphic compositions. Indeterminate length and instrumentation |
Mainstream MS 7139/ EMI C 065 02469/ NWR 80650-2/ WER 67452/ ed. rz 1002/ | EMS UIUC | 1 | 1986 | |||||||
| 2002 | |||||||||||||||||||
| 32795 | Earle | Brown | Music for the Stadler Galerie | 1964 | Klangkunst, Installation | Quadro | Sound installation for four tape loops. Composed for an exhibit of paintings by David Budd and original text by William S. Burroughs. | 1964 | Stadler Galerie New York | 0 | |||||||||
| 2326 | Earle | Brown | Octet I | 1953 | Zuspiel / Tonband, 1 perf | 3:25 | Stereo, 8*1 tracks | ins [Instrument] | A manuscript of Octet I exists in the archive of the Earle Brown Music Foundation (in 2013 the 8 mono-tapes are discovered). | CRi SD 330/ NWR 80650-2/ mode 179/ | PS Barron NY | Project for Music for Magnetic Tape (Cage) | March 1953 | University of Illinois Arts Festival | 0 | 2008 | http://closetcurios2.blogspot.com | ||
| 26236 | Earle | Brown | Octet II | 1954 | fixed media, akusmatisch | 4:00 | Octo | Earle Brown did not make a realization of Octet II. However, his manuscript of Octet II is in the archive of the Earle Brown Music Foundation. Volker Straebel and Thomas Seelig created a realization for the Maerz Musik Festival für aktuelle Musik Berlin March 28, 2009. | 29.3.2009 | Kino Arsenal Potsdamer Platz Berlin | 0 | http://www.straebel.de/praxis/index.html | |||||||
| 2327 | Earle | Brown | Times Five | 1963 | Zuspiel / Tonband, 5 perf | 15:17 | Stereo + Stereo, Stereo | fl, trbn, hp, vn, vc [Flöte, Posaune, Harfe, Cello, Violine] | CRi SD 330/ NWR 80650-2/ BAM LD 072/ BAM LD 5072/ CRi SD 336/ IDEAMA CD 035/ | INA • GRM | ORTF, Service de la Recherche | 15.2.1963 | Paris Salle des Conservatoire | Edition Peters | 1 | 1985 | |||
| 2328 | Earle | Brown | Tracer | 1985 | Zuspiel / Tonband, 6 perf | 3:10 | Quadro | fl, cl, b-cl, vn, vc, db [Flöte, Klarinette, Cello, Violine, Kontrabass] | mode 179/ | 08.02.1985 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1985 | http://www.moderecords.com/ | |||||
| 32796 | Earle | Brown | Wikiup | 1979 | Klangkunst, Installation | ∞ | 6 | Sound installation for four tape loops. Composed for an exhibit of paintings by David Budd and original text by William S. Burroughs. | ICI New York for „Supershow“ (travelling exhibition) | Edition Peters | 0 | ||||||||
| 2329 | Eric | Brown | 99 Southbound | fixed media, akusmatisch | 12:30 | Stereo | Concordia Montréal | 0 | |||||||||||
| 2330 | Eric | Brown | Bird Flap Turn | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 2331 | Eric | Brown | Duet3 | 1986 | live-elec, 2 perf | Stereo | 2 synt [synthesizer] | 0 | |||||||||||
| 2333 | Eric | Brown | It's all in your Head | 1986 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | 0 | |||||||||||
| 2334 | Eric | Brown | Purple Shoes | 1986 | live-elec, 1 perf | Stereo | com con synt [synthesizer] | 0 | |||||||||||
| 2335 | Eric | Brown | Purple Shoes Three | 1986 | live-elec, 1 perf | 4:28 | Stereo | com con synt [synthesizer] | 0 | ||||||||||
| 2336 | Eric | Brown | Rain rain | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds, (com) [Keyboard] | 0 | |||||||||||
| 2337 | Eric | Brown | Sand/Water | 1984 | fixed media, akusmatisch | 12:17 | Stereo | 0 | |||||||||||
| 2338 | Eric | Brown | Sequence Call | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | 0 | |||||||||||
| 2339 | Eric | Brown | Sequence Call II | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | 0 | |||||||||||
| 34893 | Eric | Brown | Stewart Hall | 1986 | live-elec, 1 perf | Stereo | synt [synthesizer] | Concordia Montréal | 0 | ||||||||||
| 2340 | Eric | Brown | The Old Country (Music for PS, Part 2, Section V) | 1988 | live-elec, 1 perf | 6:30 | Stereo | com con synt [synthesizer] | 0 | ||||||||||
| 2341 | Eric | Brown | Unspiked Purple Shoes | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | 0 | |||||||||||
| 2332 | Eric, Jean-François | Brown, Denis | Fréquents passages | 1987 | live-elec, 2 perf | 10:00 | Stereo | 2 DX7 [synthesizer] | ACM 37 CD 1-4/ | 0 | |||||||||
| 2342 | Frank, Geneviève | Brown, Klein | Terra ignota | 1975 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 39802 | Galen | Brown | God is a Killer | 2016 | fixed media, akusmatisch | Galen Brown | 0 | ||||||||||||
| 34549 | George | Brown | Prisms | fixed media, akusmatisch | RCM London | 0 | |||||||||||||
| 2343 | Henry | Brown | Prima Materia | 1989 | fixed media, akusmatisch | 12:00 | Stereo | BEAST | 0 | ||||||||||
| 39858 | Hunter | Brown | IO | 2016 | fixed media, akusmatisch | Hunter Brown | 0 | ||||||||||||
| 39859 | Hunter, Leah, Christiana | Brown, Newman, Rose | Rope Study | 2017 | Klangkunst, Installation | Hunter Brown, Leah Newman & Christiana Rose | 0 | ||||||||||||
| 2344 | Steve | Browning | Lunar New-Year | fixed media, akusmatisch | 7:22 | Stereo | Queens Uni Kingston | 0 | |||||||||||
| 2345 | Daniel | Brozák | Panychida za Dmitrije Sostakovice | 1975 | fixed media, akusmatisch | 14:36 | Stereo | Radio Plzen | 0 | ||||||||||
| 41892 | Daniel | Brozák | Patologie, op. 100 | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1993 | 0 | ||||||||||||
| 2346 | Daniel | Brozák | Rigorosum | 1975 | fixed media, akusmatisch | 11:30 | Stereo | Radio Plzen | 0 | ||||||||||
| 41898 | Daniel | Brozák | Zvěřinec | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 2347 | Rudolf | Bruci | Ptice (Birds) | 1974 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EM ?? | 0 | |||||||||||
| 2348 | Ludger | Brümmer | Ambre, Lilac | 1994 | fixed media, akusmatisch | 21:45 | Quadro | CLM, CM | WER 2051 2/ zkm edition 1/ | ZKM Karlsruhe | 17.5.1995 | ZKM Karlsruhe | 1 | 1996 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||
| 29337 | Ludger | Brümmer | black | 2007 | fixed media, akusmatisch | ZKM Karlsruhe | 0 | ||||||||||||
| 29333 | Ludger | Brümmer | Carlo | 2004 | fixed media, akusmatisch | Quadro | ZKM Karlsruhe | 0 | |||||||||||
| 26433 | Ludger | Brümmer | CredoXrequiem | 2001 | fixed media, akusmatisch | Quadro | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||||
| 19231 | Ludger | Brümmer | CRI | 1995 | fixed media, akusmatisch | 19:28 | Stereo, Quadro, Octo | edel 0014522 TLR, the listening room/ | AdK Berlin | Akademie der Künste Berlin | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 23418 | Ludger | Brümmer | de la nuit | 1999 | fixed media, akusmatisch | 18:12 | Quadro | Multichannelversionen Dolby Digital und DTS | WER 2059 5/ zkm edition 9/ | ZKM Karlsruhe | Kryptonale 1999 | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 38849 | Ludger | Brümmer | Deconstructing Double District | 2017 | fixed media, akusmatisch | 4:53 | INA GRM G6050/59/ | 0 | |||||||||||
| 19030 | Ludger | Brümmer | Dele! | 1995 | fixed media, akusmatisch | 17:49 | Stereo, Quadro | phase vocoder | Cybele 960.102/ | AdK Berlin | Akademie der Künste Berlin | 1 | http://www.Cybele .de/shop/product_info.php?products_id=48 | ||||||
| 2349 | Ludger | Brümmer | Etüden über Projekt 1 von G.M.Koenig | 1986/1987 | fixed media, akusmatisch | 5:59 | Quadro | Synlab | 0 | http://de.wikipedia.org/wiki/Ludger_Br%C3%BCmmer | |||||||||
| 24299 | Ludger | Brümmer | Gestalt | 2002 | fixed media, akusmatisch | 5:09 | Quadro | For Francois Bayles’ 70th birthday | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | 2006 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 29332 | Ludger | Brümmer | Gesualdo | 2003 | fixed media, akusmatisch | Quadro | ZKM Karlsruhe | 0 | |||||||||||
| 25852 | Ludger | Brümmer | Glasharfe | 2006 | fixed media, akusmatisch | 19:01 | Stereo, 16 tracks | ed. rz 10016 Inventionen 2005&06/ INA GRM G6050/59/ | ZKM Karlsruhe | 1 | 2006 2008 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 29330 | Ludger | Brümmer | HiAnLo | 1993/1994 | Zuspiel / Tonband, 1 perf, 1 group | Quadro | (ungewöhnliche) inss [Instrument] | ICEM Essen | 0 | ||||||||||
| 22360 | Ludger | Brümmer | Inferno der Stille | 2000 | fixed media, akusmatisch | 23:30 | Octo | LS-Verteilung im Kreis (1 -> lf) 3 Versionen mit unterschiedlichem Dithering |
WER 2059 5/ zkm edition 9/ | ZKM Karlsruhe, TU Berlin | Folkmar Hein | 1 | 2002 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||
| 2350 | Ludger | Brümmer | La Cloche sans vallées | 1992/1998 | fixed media, akusmatisch | Tanz, 1 perf |
22:08 | Quadro | dancer [Tanz] | versions for solo-tape and solo-dancer and tape | Cybele 960.101/ | CCRMA | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 19094 | Ludger | Brümmer | Le Temps s'ouvre, Thrill | 1994 - 1999 | Tanz, 2 perf | 33:19 | Quadro | dancer, p [Piano, Tanz] | Carmen Luz Yanez (choroeg.) | edel 0014522 TLR, the listening room/ WER 2059 5/ zkm edition 9/ | ICEM Essen | 1 | 1998 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||
| 2351 | Ludger | Brümmer | Le Tombeau de Maurice | 1992 | fixed media, akusmatisch | 17:08 | Stereo | NeXT | CCRMA V 02/ | CCRMA | 1992 | CCRMA | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||
| 37643 | Ludger | Brümmer | Lichtspiel Op. 2 | 1921 / 2007 | audiovisuell, 1 group | 1:20 | Mono | ens [Ensemble] | after Ruttmann’s op. 2 | 0 | |||||||||
| 23417 | Ludger | Brümmer | Lizard Point | 1997 | fixed media, akusmatisch | audiovisuell |
20:19 | Quadro | zwei Versionen: ohne und mit Video; Video von Silke Braemer, Produktion INTERARTES Essen. Nutzung der physikalischen Modelle mithilfe von "Genesis" des ACROE/IMAG Grenoble |
Centaur CRC 2552, CDCM Vol. 32/ WER 2059 5/ zkm edition 9/ | ZKM Karlsruhe | ICMA für ICMC 1997 Saloniki | 1997 | ICMC Saloniki | ICMA Commission Awards 1997-99 | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||
| 26266 | Ludger | Brümmer | Medusa | 2003 | Zuspiel/Tonband, 2 perf | audiovisuell |
22:00 | Quadro, 5 tracks | 2 perc [Schlagzeug] | Genesis | WER 2058 5/ zkm edition 8/ | ZKM Karlsruhe | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 25554 | Ludger | Brümmer | Move, Triptychon für Klavier, Live-Elektronik und Video | 2006 | Zuspiel, live-elec, 1 perf | audiovisuell |
17:04 | p [Piano] | ZKM / | ZKM Karlsruhe | 1 | 2008 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 29331 | Ludger | Brümmer | Musica di Angelo | 2003 | fixed media, akusmatisch | Quadro | ZKM Karlsruhe | 0 | |||||||||||
| 24375 | Ludger | Brümmer | Nyx | 2001 | fixed media, akusmatisch | 27:30 | Octo | LDC 278074/75 Cultures Electroniques 15/ | IMEB Bourges | IMEB Bourges | Grand prix Bourges | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 29338 | Ludger | Brümmer | Opus II - Etüde zu Walter Ruttmans Film | 1921, 2007 | Zuspiel, live-elec, 4 perf | audiovisuell |
3:22 | p, vn, va, vc, (elec) [Piano, Viola, Cello, Violine] | ZKM Karlsruhe | 0 | ||||||||||
| 2352 | Ludger | Brümmer | Painted Time with fractaled Ravel | 1989 | fixed media, akusmatisch | 20:50 | Quadro | Yamaha TX16W Sampler, Abmischung Steinberg24 | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||
| 26435 | Ludger | Brümmer | Particles | 2000 | Klangkunst, Installation | von Christian Möller mit interaktiven Klängen von Ludger Brümmer (London) | Science Museum London | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||||
| 2353 | Ludger | Brümmer | Pas Moi! | 1991 | Zuspiel / Tonband, 1 perf | 25:35 | Quadro | perc [Schlagzeug] | also possible without perc | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 22911 | Ludger | Brümmer | Phrenos | 1997 | fixed media, akusmatisch | 18:40 | Quadro | CLM | WER 2059 5/ LDC 278063/64 Cultures Electroniques 10/ zkm edition 9/ | ZKM Karlsruhe | ZKM | 8.11.1997 | ZKM Karlsruhe | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||
| 25853 | Ludger | Brümmer | Repetitions | 2005 | fixed media, akusmatisch | 21:40 | 20 Tracks, Quadro | 1 | 2006 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||
| 29335 | Ludger | Brümmer | Repl(a)y | 2005 | audiovisuell | Klangkunst, Installation |
Quadro | ZKM Karlsruhe | 0 | |||||||||||
| 2354 | Ludger | Brümmer | Resi's Trance | 1989 | Zuspiel / Tonband, 6 perf | 25:00 | 6 (or 3) fl [Flöte] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||||
| 2355 | Ludger | Brümmer | Ruhrort | 1991 | Tanz | 55:00 | Quadro | choreo Susanne Linke | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||
| 26431 | Ludger | Brümmer | Schatten | 2002 | Zuspiel / Tonband, 1 perf | 17:50 | p [Piano] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/fol.html | ||||||||||
| 26432 | Ludger | Brümmer | Senza molti Emotioni | 1984 | live-elec, 5 perf | 8:30 | 3 e-org, 2 synt [Keyboard, synthesizer] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/fol.html | ||||||||||
| 27380 | Ludger | Brümmer | Shine, Speed | 2007 | audiovisuell | 12:00 | Quadro | siehe Organised Sound Vol 14/3 / Ludger Brümmer: The ZKM; 2 Excerpts from P „Remembering Newtopia - Creating our Future“ |
Organised Sound Vol 14/3/ | ZKM Karlsruhe | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 26434 | Ludger | Brümmer | Sound Garden | 1997 | Klangkunst, Installation | von Christian Möller mit interaktiven Klängen von Ludger Brümmer. (Tokio und Lissabon) | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||||
| 26436 | Ludger | Brümmer | Soundingout | 2000 | Klangkunst, Installation | von Christian Möller mit interaktiven Klängen von Ludger Brümmer (London) | Science Museum London | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||||
| 37766 | Ludger | Brümmer | Spin | 2014 | fixed media, akusmatisch | audiovisuell |
Octo, Spazialisation: binaural | also 3D-Video by Bernd Lintermann | INA GRM G6050/59/ CMJ Vol 41, 2017/ | ZKM Karlsruhe | 0 | |||||||||
| 26437 | Ludger | Brümmer | Surfaces | 2001 | audiovisuell, 5 perf | 16:00 | Quadro | vn, va, fl, cl, p [Flöte, Klarinette, Piano, Viola, Violine] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||
| 2356 | Ludger | Brümmer | Swing! Erst- und Zweithörversion | 1985, 1986 | Zuspiel / Tonband, 1 perf | 11:50 | Quadro | perc [Schlagzeug] | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||
| 29336 | Ludger | Brümmer | temps du miroir | 2004/2005 | live-elec, 1 perf | audiovisuell, live-elec, 1 perf |
p, (com) [Piano] | opt AV | ZKM Karlsruhe | 0 | ||||||||||
| 2357 | Ludger | Brümmer | The Gates of H. | 1992 | fixed media, akusmatisch | 18:50 | Stereo | DegeM CD 01/ Prix ars electronica 94/ edel 0014522 TLR, the listening room/ | CCRMA | Prix ars electronica: Golden Nica 1994 Competition Musica Nova Prag 1994 |
1 | 2000 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 20275 | Ludger | Brümmer | Thrill, Le Temps souvre | 1998 | fixed media, akusmatisch | audiovisuell |
19:12 | Quadro | CLM. Phys. Models! Same music to the Video "Le temps souvre'" |
WER 2059 5/ DMR Musik in Deutschland 1950 - 2000: Studioproduktionen 74321 73564 2/ zkm edition 9/ | ZKM Karlsruhe | ZKM | 25.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||
| 23034 | Ludger | Brümmer | TroTropf Ort | 1987 | fixed media, akusmatisch | 12:26 | Quadro | Ex Machina 5 - die achtziger Jahre. mit SynLab produziert |
Cybele 960.105, ex machina 5/ | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 2359 | Ludger | Brümmer | Umordnung, senza molti Emotioni | 1984 | live-elec, 5 perf, 1 group | ≈ 8:30 | 3 e-org, 2 synts [Keyboard, synthesizer] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||||
| 25854 | Ludger | Brümmer | Xronos | 2002 | audiovisuell | 17:54 | 16 Tracks | Elektroakutische Komposition und Video-Tryptichon. Tanz: Nick Haffner, Katja Büchtermann | INA GRM G6050/59/ | ZKM Karlsruhe | 1 | 2006 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 2360 | Ludger | Brümmer | Zu spät | 1990 | Theater, 2 perf | 57:00 | Stereo | V, MIDI [Stimme, synthesizer] | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||
| 22886 | Herbert | Brün | A Mere Ripple, Sawdust 4 | 1979 | fixed media, akusmatisch | 11:44 | Stereo, Quadro | other name "SAWDUST Nr. 4" mit Programm SAWDUST (76-81); 56-malige Wiederholung! |
EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 2362 | Herbert | Brün | Anepigraphe, Anepigraphie | 1958 | fixed media, akusmatisch | 7:42 | Stereo, Quadro | BVHAAST 9106/ AVRS 5006/ EMF CD 00614/ CDCD 5067/ IDEAMA CD 097/ | Siemens, WDR SEM | WDR | 14.12.1959 | "Musik der Zeit" Köln | 1 | http://www.herbertbrun.org/ | |||||
| 2364 | Herbert | Brün | auf und ab und zu | 1978 | fixed media, akusmatisch | 3:00 | Quadro | EMF DVD 054/ | TU Berlin | 1 | http://www.herbertbrun.org/ | ||||||||
| 2365 | Herbert | Brün | Dust, Sawdust 1 | 1976 | fixed media, akusmatisch | 9:30 | Quadro | other name "SAWDUST Nr. 1" | EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 18815 | Herbert | Brün | Dustiny, Sawdust 3 | 1978 | fixed media, akusmatisch | 5:30 | Stereo, Quadro | other name "SAWDUST Nr. 3" | EMF CD 00644/ non sequitur 1/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 2366 | Herbert | Brün | Faust I | 1956 | Theatermusik | 16:55 | Mono | WDR SEM | 0 | http://www.herbertbrun.org/ | |||||||||
| 2367 | Herbert | Brün | Futility 1964 | 1964 | fixed media, akusmatisch | 8:00 | Stereo | prerecorded speaker | EMF CD 00614/ HE HS 25047 LP/ non sequitur 3/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 2368 | Herbert | Brün | i toLD You so! | 1981 | fixed media, akusmatisch | 12:57 | Stereo | Centaur CRC 2045, CDCM Vol. 3/ EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||||
| 25797 | Herbert | Brün | Infraudibles | 1967 | fixed media, akusmatisch | 4:13 | Stereo | 3 versions | Orphica critica „Über Musik und zum Computer“ Beilage Vinyl/ IDEAMA CD 068/ | EMS UIUC | 1968 | London | 1 | http://www.herbertbrun.org/ | |||||
| 2369 | Herbert | Brün | Infraudibles II, Infraudible with quintet | 1968 | Zuspiel / Tonband, 1 group | 8:30 | Stereo | ens [Ensemble] | IDEAMA CD 069/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 22884 | Herbert | Brün | Infraudibles with Percussion | 1968 - 1984 | Zuspiel / Tonband, 1 perf | 10:17 | Stereo | perc [Schlagzeug] | Tonband mit Computer erstellt; der Instrumentalteil läuft ganz unabhängig davon (ein Analogie zum Band!) und ist nicht mit dem Computer erstellt. | EMF CD 00624/ IDEAMA CD 069/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||
| 28204 | Herbert | Brün | Interlude CSX-1, (für Sonoriferous Loops) | 1964 | Demo, Studie | 1:00 | Einspielband zu Sonoriferous Loops | orphica critica „Über Musik und zum Computer“ Beilage Vinyl/ | EMS UIUC | 1 | |||||||||
| 2370 | Herbert | Brün | Klänge unterwegs, Wayfaring Sounds | 1961 | fixed media, akusmatisch | 4:10 | Stereo | zwei Teile: - eine Einführung in die elektronische Komposition und ihre Arbeitsmethoden - das Werk |
AVRS 5006/ EMF CD 00624/ DMR Musik in Deutschland 1950 - 2000: Studioproduktionen/ Siemens AG/ IDEAMA CD 013/ Earlabs LC 007/ | Siemens | BR | 28.4.1961 | Bayerischer Rundfunk | 1 | http://www.herbertbrun.org/ | ||||
| 2371 | Herbert | Brün | König Lear | 1958 | radiophon | 10:30 | Mono | WDR SEM | 0 | http://www.herbertbrun.org/ | |||||||||
| 22885 | Herbert | Brün | More Dust, Sawdust 2 | 1977 | fixed media, akusmatisch | 12:42 | Quadro | other name "SAWDUST Nr. 2" mit Programm SAWDUST (76-81) |
EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 22888 | Herbert | Brün | More Dust with percussion | 1977 | Zuspiel / Tonband, 3 perf | 13:16 | Stereo, Quadro | 3 perc [Schlagzeug] | mit Programm SAWDUST (76-81). | EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||
| 2372 | Herbert | Brün | Mutatis Mutandis 13 | 1968 | fixed media, akusmatisch | 4:10 | Stereo | Version also for Piano or musician(s) | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||||
| 2373 | Herbert | Brün | Non Sequitur VI | 1966 | Zuspiel / Tonband, 6 perf | 13:15 | Stereo | fl, vc, hp, p, 2 perc [Flöte, Piano, Harfe, Schlagzeug, Cello] | With help of computers IBM 7094 and Illiac II in Department of Computer Science, University of Illinois | EMF CD 00624/ Vinyl non sequitur 3/ orphica critica „Über Musik und zum Computer“ Beilage Vinyl/ IDEAMA CD 068/ | EMS UIUC | Radio Bremen | 1966 | Bremen | 1 | http://www.herbertbrun.org/ | |||
| 2361 | Herbert | Brün | Piece of Prose | 1972 | fixed media, akusmatisch | 20:00 | Stereo | EMF CD 00614/ non sequitur 2/ | ExpSt Warsaw | polish radio | 1 | http://www.herbertbrun.net/ | |||||||
| 2376 | Herbert | Brün | S endendes N wo O pen W ide (SNOW) | 1984 | fixed media, akusmatisch | 10:55 | UIUC LC 84-743210/ EMF CD 00624/ | EMS UIUC | 0 | http://www.herbertbrun.org/ | |||||||||
| 2375 | Herbert | Brün | Sendezeichen für Sonderprogramm des BR | 1961 | Hintergrundmusik | 0:10 | Mono | Siemens | 0 | http://www.herbertbrun.org/ | |||||||||
| 2377 | Herbert | Brün | Sonoriferous Loops | 1964 | Zuspiel / Tonband, 6 perf | 14:12 | Stereo | fl, tpt, db, 3 perc [Flöte, Trompete, Schlagzeug, Kontrabass] | With help of computer IBM 7694, IBM 1401 and CSX-1. There is a "Interlude CSX-1" with a duration of 1 Minute (Tape only) |
EMF CD 00624/ non sequitur 2/ orphica critica „Über Musik und zum Computer“ Beilage Vinyl/ IDEAMA CD 067/ | EMS UIUC | 1965 | University of Illinois | 1 | http://www.herbertbrun.net/ | ||||
| 22887 | Herbert | Brün | U-Turn-To | 1980 | fixed media, akusmatisch | 5:39 | mit Programm SAWDUST (76-81) | EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||||
| 2378 | Claudius | Brüse | Der Weg so weit | 1986 | fixed media, akusmatisch | 15:30 | Quadro | ICEM Essen | 0 | ||||||||||
| 2379 | Claudius | Brüse | Kapitel 80 | 1987 | fixed media, akusmatisch | 16:05 | Quadro | Analog/Digitalsynthese | Cybele 960.105, ex machina 5/ | PS C., ICEM Essen | 1 | ||||||||
| 37513 | Claudius | Brüse | Plötzlich | 1985 | fixed media, akusmatisch | 11:04:00 | Stereo, Octo | Synlab | ICEM Essen | 0 | |||||||||
| 33757 | Anton | Bruhin | Reittier | 2009 | radiophon | 14:05 | Stereo | EBU Ars Acustica 2009/ | WDR Studio Akustische Kunst | EBU Ars Acustica 2009 | 1 | ||||||||
| 2380 | Ej | Brulé | Ej Brulé Live | live-elec, 1 perf | Stereo | V, (extensions) [Stimme] | 0 | ||||||||||||
| 42716 | George | Brunner | La Nuit dans le Marais | 2012 | fixed media, akusmatisch | 9:29:00 | 0 | ||||||||||||
| 42971 | George | Brunner | The Call | 2013 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 2381 | Norbert | Brunner | Heilige Mörder im Tabernakel | 1978 | fixed media, akusmatisch | 10:30 | Stereo | after a poem by J. Genet "Der zum Tode verurteilte." | ELAK Wien | 0 | |||||||||
| 2382 | Norbert | Brunner | Konkav-Konvex (Kedorg) | 1978 | fixed media, akusmatisch | 10:30 | Stereo | after a poem by G. Trakl "Grodek". | ELAK Wien | 0 | |||||||||
| 2383 | Norbert | Brunner | Schlafe falsche Flasche | 1979 | fixed media, akusmatisch | 3:20 | Stereo | after a poem by Priessnitz. | ELAK Wien | 0 | |||||||||
| 2384 | Norbert | Brunner | Sur-le-pont | 1980 | fixed media, akusmatisch | 5:20 | Stereo | ELAK Wien | 0 | ||||||||||
| 27393 | Stefan | Brunner | 1000 Nadeln | fixed media, akusmatisch | 10:16 | Stereo, Octo | Kopien liegen vor: 8 ch und stereo | ELAK Wien | 1 | ||||||||||
| 27394 | Stefan | Brunner | Ein Spiel | fixed media, akusmatisch | 5:38 | Stereo, Quadro | Kopien liegen vor: 4 ch und stereo | ELAK Wien | 1 | ||||||||||
| 32161 | Stefan, Michael, Daniel | Brunner, Wilhelm, Lercher | Vollkontakt Konzert, Full Contact Concert | 2006 | Performance, live-elec, 2 perf | 15 | 2 perf [Performer] | eine Art Boxkampf, wo die Bewegungen der Kämpfer zum Erklingen kommen via Sensoren. | ELAK Wien | 1 | |||||||||
| 2385 | William | Brunson | A is for a apple | 1976 | fixed media, akusmatisch | 5:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 23784 | William | Brunson | Creature Comforts | 1998 | fixed media, akusmatisch | 17:13 | Stereo | Elektron EM 1008/ CAP 22057/ | HfM Stockholm | EMS Prize 2001 | 1 | ||||||||
| 2387 | William | Brunson | Evidence of Things Unseen | 1987 | fixed media, akusmatisch | intermedia |
14:00 | Stereo | slides by J. Doukkali | HfM Stockholm | 0 | |||||||||
| 2388 | William | Brunson | Exile and Life Close to the Horizon | 1990 | fixed media, akusmatisch | 10:00 | INFOGRAM 009/ Elektron EM 1008/ | EMS Stockholm, HfM Stockholm | 1 | ||||||||||
| 2390 | William | Brunson | Inside Pandora's box | 1991 | fixed media, akusmatisch | 17:30 | txtcompo | INFOGRAM 018/ Elektron EM 1008/ LDC 278068/69 Cultures Electroniques 12/ | HfM Stockholm | 2nd prize Bourges 1993 | 1 | ||||||||
| 2391 | William | Brunson | Page 16, From the manual for Interdimensional Travel | 1984 | fixed media, akusmatisch | 10:00 | Stereo, Quadro | HfM Stockholm | 0 | ||||||||||
| 28155 | William | Brunson | Tapestry I | 1975 | fixed media, akusmatisch | 7:33 | one the first four pieces made with "The Dartmouth Digital Synthesizer" | FTS 33442/ | Bregman Dartmouth | 0 | |||||||||
| 2392 | William | Brunson | Tapestry II | 1981 | fixed media, akusmatisch | 9:01 | CAP 21471 "Bits and Pieces / EMS 30 Years"/ FYLP 1026/ | Col.Princ EMC, EMS Stockholm | 1 | 1982 | |||||||||
| 24714 | William | Brunson | The Lute of Pythagoras | 1996 | fixed media, akusmatisch | intermedia |
14:35 | with slides (Josef Doukkali) | Elektron EM 1008/ | HfM Stockholm | 1 | 2002 | ||||||||
| 2393 | William | Brunson | Too Pooped to Pomp | 1984 | fixed media, akusmatisch | 9:30 | Stereo, Quadro | HfM Stockholm | 0 | ||||||||||
| 2394 | William | Brunson | two topologies | 1988 | intermedia | slides (Josef Doukkali) | HfM Stockholm | 0 | |||||||||||
| 2389 | William, Leo, Nino | Brunson, Nilsson, Monastra | Harmonius Interpenetrating Mix-up | 1984 | audiovisuell | 12:00 | Stereo | Video for 5 monitors. | HfM Stockholm | 0 | |||||||||
| 2386 | William, Peter | Brunson, Schuback | Double Stop | 1983 | live-elec, 1 perf | 15:00 | Quadro | ("mute") vc [Cello] | HfM Stockholm | 0 | |||||||||
| 2395 | Leif | Brush | Terrain Instruments Are Activated | 1990 | Performance | 8:34 | terrain instruments | AER 1991 / 4/ | 1 | ||||||||||
| 18806 | Karsten | Brustad | Intarsia: Degrees of Simplicity | 1991 | Zuspiel / Tonband, 2 perf | Stereo | sax, gui [Saxophon, Gitarre] | Origo Sound OCD 9103/ | 0 | ||||||||||
| 2396 | Group | Brut | Midgard | 1989 | radiophon | 45:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 2397 | Thomas | Bruttger | Entre Chiens et Loups | 1985 | fixed media, akusmatisch | 7:45 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 2398 | Thomas | Bruttger | Speaker Francese | 1987 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 2399 | Jan | Bruyndonckx | 7 poèmes de Paul de Vree (fonetische bewerking) | 1963 | fixed media, akusmatisch | 4:00 | Mono | txtcompo | OU/ | PS C. | 0 | ||||||||
| 2400 | Jan | Bruyndonckx | Amen | 1962 | Film | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2401 | Jan | Bruyndonckx | Black Magic | 1960 | fixed media, akusmatisch | 2:20 | Mono | PS C. | 0 | ||||||||||
| 2402 | Jan | Bruyndonckx | Cesar en Jezebel | 1966 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 2403 | Jan | Bruyndonckx | De Obool | 1964 - 1965 | Film | 30:00 | Mono | PS C. | 0 | ||||||||||
| 2404 | Jan | Bruyndonckx | Diamant | 1964 | Film | 12:00 | Mono | PS C. | 0 | ||||||||||
| 2405 | Jan | Bruyndonckx | Een Roos a rose | 1966 | fixed media, akusmatisch | 0:40 | Mono | text compo after Paul de Vree | OU/ | PS C. | 0 | ||||||||
| 2406 | Jan | Bruyndonckx | Electriciteit voor U | 1963 | Film | 22:00 | Mono | PS C. | 0 | ||||||||||
| 2407 | Jan | Bruyndonckx | Essentieel | 1964 | Film | 18:00 | Mono | poem by de Vree | PS C. | 0 | |||||||||
| 2408 | Jan | Bruyndonckx | Het Huis | 1964 | Theatermusik | 30:00 | Mono | PS C. | 0 | ||||||||||
| 2409 | Jan | Bruyndonckx | In de laatste Minuut | 1966 | Theatermusik | 22:00 | Mono | PS C. | 0 | ||||||||||
| 2410 | Jan | Bruyndonckx | Kilometer 94 | 1963 | Film | 5:00 | Mono | PS C. | 0 | ||||||||||
| 2411 | Jan | Bruyndonckx | Kleine Caroli | 1964 | fixed media, akusmatisch | 0:54 | Mono | txtcompo after de Vree | OU/ Btz/ | PS C. | 0 | ||||||||
| 2412 | Jan | Bruyndonckx | Kompromis | 1959 | Film | 12:00 | Mono | PS C. | 0 | ||||||||||
| 2413 | Jan | Bruyndonckx | Le Canard géométrique | 1965 | Film | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2414 | Jan | Bruyndonckx | Mijn Evanaaste | 1963 | Film | 12:00 | Mono | txtcompo after de Vree | PS C. | 0 | |||||||||
| 2415 | Jan | Bruyndonckx | Nocturne voor twee | 1959 | fixed media, akusmatisch | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2416 | Jan | Bruyndonckx | Parallel | 1964 | Film | 8:00 | Mono | PS C. | 0 | ||||||||||
| 2417 | Jan | Bruyndonckx | Pater Noster | 1961 | fixed media, akusmatisch | 3:42 | Mono | PS C. | 0 | ||||||||||
| 2418 | Jan | Bruyndonckx | Rails | 1958 | fixed media, akusmatisch | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2419 | Jan | Bruyndonckx | The Flower and the Umbrella | 1963 | Film | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2420 | Jan | Bruyndonckx | Varieties voor voetstappen en gitaar | 1960 | fixed media, akusmatisch | 4:00 | Mono | PS C. | 0 | ||||||||||
| 2421 | Jan | Bruyndonckx | Verloren Paradijs | 1961 | fixed media, akusmatisch | 6:00 | Mono | PS C. | 0 | ||||||||||
| 2422 | Jan | Bruyndonckx | Vertigo gli | 1964 | fixed media, akusmatisch | 1:51 | Mono | txtcompo after de Vree | OU/ Btz/ | PS C. | 0 | ||||||||
| 2423 | Ton | Bruynèl | Adieu petit prince | 1983 | fixed media, akusmatisch | 18:50 | Stereo | Text: A. de Saint Exupéry | PS C. | 0 | |||||||||
| 2424 | Ton | Bruynèl | Arc, voor orgel en vier elektronische klanksporen | 1966 | Zuspiel / Tonband, 1 perf | 12:00 | Quadro | org [Orgel] | DAVS 7172 - 1/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 24225 | Ton | Bruynèl | Ascolta | 1988 | audiovisuell | Oper |
10:51 | T, ch [Tenor, Chor] | part from Video-Opera "Non sono un uccello" | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2425 | Ton | Bruynèl | Autoportrait du Diable | 1964 | Film | 5:00 | Mono | PS C. | 0 | ||||||||||
| 24229 | Ton | Bruynèl | Brouillard | 1994 | Zuspiel / Tonband, 1 perf | 8:54 | p [Piano] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2426 | Ton | Bruynèl | Chatarra | 1990 | Zuspiel / Tonband, 1 perf | 6:55 | hpd [Cembalo] | "Schrootsonate" | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2427 | Ton | Bruynèl | Chicharras | 1985 | Zuspiel / Tonband, 1 perf | 12:29 | male V [Stimme] | Text: Schierbeck | CV NEAR 12/ LDC 278065/66 Cultures Electroniques 11/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2428 | Ton | Bruynèl | Collage resonance II | 1963 | radiophon | 16:52 | Mono | Texts / Lyrics by Gerrit Kouwenaar, 4 parts | EFC 2501 LP/ CV NEAR 12/ | PS C. | NCRV television (nl) | 1964 | Stedelijk Museum Amsterdam | 1 | http://thresholdofbeauty.com/music excerpts/Collage Resonance II excerpt.mp3 | ||||
| 24224 | Ton | Bruynèl | Continuation | 1985 | Zuspiel / Tonband, 1 group | 10:23 | ch [Chor] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24231 | Ton | Bruynèl | Cours des nuages | 1998 | Zuspiel / Tonband, | 18:28 | str orc [Orchester] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2429 | Ton | Bruynèl | Cubes Project | 1969/1970 | intermedia | 80 Tracks, 80 tracks | PS C. | 0 | |||||||||||
| 2430 | Ton | Bruynèl | Das Gemälde | 1965 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 2431 | Ton | Bruynèl | De Televisie - Beeldbuis (TV- Tube) | 1963 | Film | 20:00 | Mono | industrial film (the television cathode ray tube) | PS C. | Philips | 0 | ||||||||
| 2432 | Ton | Bruynèl | Decor | 1967 | Tanz | 8:32 | Stereo | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2433 | Ton | Bruynèl | Denk mal das Denkmal | 1984 | Zuspiel / Tonband, 1 perf | 7:24 | Bar [Bariton] | Text J. Paagiviströmn | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2434 | Ton | Bruynèl | Dialogue I | 1975 | Zuspiel, live-elec, 1 perf | 8:43 | Stereo | b-cl, (rm) [Klarinette] | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2435 | Ton | Bruynèl | Diode III | 1962 | Film | 7:00 | Mono | PS C. | Philips | 0 | |||||||||
| 2436 | Ton | Bruynèl | Diode IV | 1962 | Film | 6:00 | Mono | PS C. | Philips | 0 | |||||||||
| 2437 | Ton | Bruynèl | Dust | 1992 | Zuspiel / Tonband, 1 perf | 7:51 | org [Orgel] | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2438 | Ton | Bruynèl | Elegy | 1972 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fem V ad lib [Stimme] | fem V ad libitum | DF 9004 LP/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 2439 | Ton | Bruynèl | Farbentelevisie | 1966 | Film | 6:00 | Mono | PS C. | 0 | ||||||||||
| 2440 | Ton | Bruynèl | Frame | 1965 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 24234 | Ton | Bruynèl | Freem | 1966 | Film | 10:00 | Stereo | PS C. | 0 | ||||||||||
| 2441 | Ton | Bruynèl | From the Tripod | 1981 | Zuspiel / Tonband, 1 group | 15:27 | ch [Chor] | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24230 | Ton | Bruynèl | Imker I | 1995 | Zuspiel / Tonband, 4 perf | 8:41 | 4 fl [Flöte] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24236 | Ton | Bruynèl | Imker II | 1996 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | a-cl [Klarinette] | PS C. | 0 | |||||||||
| 24235 | Ton | Bruynèl | Ingredients | 1970 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 2442 | Ton | Bruynèl | Intra | 1971/1989 | Zuspiel / Tonband, 1 perf | 10:20 | Stereo, Mono | b-cl, (rm) [Klarinette] | rev. 1989 | DF 9004 LP/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 2443 | Ton | Bruynèl | Kolom | 1987 | Zuspiel / Tonband, 1 perf | 11:27 | org [Orgel] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24238 | Ton | Bruynèl | La caduta | 1990 | audiovisuell | Oper |
7:00 | T, b-Bar, ch [Tenor, Bariton, Chor] | part from Video-Opera "Non sono un uccello", Text Schierbeck | PS C. | 0 | |||||||||
| 24240 | Ton | Bruynèl | La dernière pavane | 1989 | Zuspiel / Tonband, 1 group | 6:00 | Stereo | ch [Chor] | PS C. | 0 | |||||||||
| 24237 | Ton | Bruynèl | La vertigine | 1989 | audiovisuell | Oper |
7:00 | T, b-Bar, ch [Tenor, Bariton, Chor] | part from Video-Opera "Non sono un uccello", Text Schierbeck | PS C. | 0 | |||||||||
| 24228 | Ton | Bruynèl | Le Jardin | 1993 | Zuspiel / Tonband, 3 perf | 13:00 | fem V, a-fl, hpd [Stimme, Flöte, Cembalo] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24233 | Ton | Bruynèl | Le temps tricheur | 1994 | Zuspiel / Tonband, 1 group | 7:45 | ch [Chor] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2444 | Ton | Bruynèl | Listening Landscape | 1977 | fixed media, akusmatisch | 15:50 | Stereo | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2445 | Ton | Bruynèl | Looking Ears | 1972 | Zuspiel / Tonband, 2 perf | 8:57 | Stereo | b-cl, p [Klarinette, Piano] | DF 9004 LP/ BVHAAST 9215/ CV NEAR 12/ | Sonology Utrecht, PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2446 | Ton | Bruynèl | Mecanique ’67, Mekaniek '67 Mecanique for wind quintet and 2 sound tracks |
1967 | Zuspiel / Tonband, 5 perf | 10:00 | Stereo | w-qnt [Bläser] | PS C. | 0 | |||||||||
| 2447 | Ton | Bruynèl | Melmgren | 1963 | radiophon | 10:00 | Mono | PS C. | 0 | ||||||||||
| 2448 | Ton | Bruynèl | Milieu - April '66, Milieu | 1966 | Film | 10:00 | Mono | film music for organ and 2 soundtracks | PS C. | 0 | |||||||||
| 2450 | Ton | Bruynèl | Mobile | 1965 | fixed media, akusmatisch | 4:00 | Stereo | first version | BVHAAST 9215/ | PS C. | 1 | ||||||||
| 24232 | Ton | Bruynèl | Mobile II | 1971 | fixed media, akusmatisch | 6:33 | 2nd version from „Mobile“, 1965, 4:00 | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2451 | Ton | Bruynèl | Muziek voor piano en twee geluidssporen, Music for piano and two sound tracks | 1961 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo, Quadro | p [Piano] | STEM Utrecht | 0 | |||||||||
| 2452 | Ton | Bruynèl | Nocturno en Pedraza | 1988 | Zuspiel / Tonband, 1 perf | 8:00 | fl [Flöte] | PS C. | 0 | ||||||||||
| 24226 | Ton | Bruynèl | Non sono un uccello | 1989 | audiovisuell | Oper |
38:00 | T, b-Bar, ch [Tenor, Bariton, Chor] | Video-Opera, Text Schierbeck | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2453 | Ton | Bruynèl | Phases | 1974 | Zuspiel / Tonband, 1 group | 18:40 | Quadro | orc [Orchester] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2454 | Ton | Bruynèl | Rain | 1982 | Zuspiel / Tonband, 4 perf | 9:22 | p {4 hands}, p {4 hands} [Piano] | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 18707 | Ton | Bruynèl | Reflexes, Reflexen | 1961 | fixed media, akusmatisch | 4:40 | Stereo + Stereo | first version 1961, 4:34, mono sound material Burmese drum |
BVHAAST 9214/ CV NEAR 12/ SR 164 sub rosa/ BASTA 30-9182-2/ CV 7803/ IDEAMA CD 100/ Creel Pone 10/ | PS C., STEM Utrecht | 1962 | Mood engineering society | 1 | http://thresholdofbeauty.com/music excerpts/Reflexes excerpt.mp3 | |||||
| 2456 | Ton | Bruynèl | Relief, Reliëf | 1964 | Zuspiel/Tonband, 1 perf | fixed media, akusmatisch |
11:00 | Quadro | org (plus 3 assistants) [Orgel] | 2 versions (mix for tape; tape and organ) | EFC 2501 LP/ CV NEAR 12/ IDEAMA CD 008/ | STEM Utrecht, PS C. | 1 | http://www.tonbruynel.nl/notes/relief.htm | ||||||
| 2457 | Ton | Bruynèl | Resonance I | 1962 | Tanz | Klangkunst, Installation |
14:00 | Stereo | (sculpture) [] | also including an amplified sculpture by Shinkichi Tajiri (1923-2009) | CV NEAR 12/ | PS C., TH Delft | 14.11.1962 | De Lantaren | 1 | http://thresholdofbeauty.com/music excerpts/Resonance I excerpt.mp3 | ||||
| 2458 | Ton | Bruynèl | Save the Whale | 1992 | Zuspiel / Tonband, | 9:21 | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 2460 | Ton | Bruynèl | Serène | 1978 | Zuspiel / Tonband, 1 perf | 5:52 | fl [Flöte] | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2461 | Ton | Bruynèl | Signs | 1968/1969 | Zuspiel / Tonband, 5 perf | 11:53 | Stereo | w-qnt [Bläser] | for wind quintet and 2 electronic sound tracks | Staalplaat RL 222/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 2462 | Ton | Bruynèl | Soft Song | 1974 | Zuspiel / Tonband, 1 perf | 8:12 | Quadro | ob [Oboe] | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 24222 | Ton | Bruynèl | Studie | 1959 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | p [Piano] | first production in Bruynel’s home studio | CV NEAR 12/ | PS C. | 1 | http://thresholdofbeauty.com/music excerpts/Studie excerpt.mp3 | ||||||
| 2463 | Ton | Bruynèl | Tarde | 1991 | Zuspiel / Tonband, | BVHAAST 9215/ | PS C. | 0 | |||||||||||
| 2464 | Ton | Bruynèl | Televisie Draaggolf | 1965 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 2465 | Ton | Bruynèl | Televisie Pauzeteken | 1966 | Hintergrundmusik | 0:15 | Mono | PS C. | 0 | ||||||||||
| 2466 | Ton | Bruynèl | Toccare | 1979 | Zuspiel / Tonband, 1 perf | 10:17 | Stereo | p [Piano] | 2nd Version with hpd (rev 1988) | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 2467 | Ton | Bruynèl | Translucent I | 1976 | Zuspiel / Tonband, 4 perf | 8:00 | str-qt [Streicher] | PS C. | 0 | ||||||||||
| 2468 | Ton | Bruynèl | Translucent II | 1977/1978 | Zuspiel / Tonband, | 9:44 | str orc [Orchester] | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24239 | Ton | Bruynèl | Tropico | 1990 | audiovisuell | Oper |
4:00 | T, b-Bar, ch [Tenor, Bariton, Chor] | part from Video-Opera "Non sono un uccello", Text Schierbeck | PS C. | 0 | |||||||||
| 2469 | Joanna | Bruzdowicz | A Claire Voix | 1973 | Zuspiel / Tonband, 2 perf, 1 group | ≈ 7:00 | Stereo + Stereo | p, ww, ch [Piano, Bläser, Chor] | IPEM Gent | 0 | |||||||||
| 2470 | Joanna | Bruzdowicz | "An der schönen blauen Donau" | 1973 | Zuspiel / Tonband, 1 perf | p [Piano] | IPEM Gent | 0 | |||||||||||
| 2471 | Joanna | Bruzdowicz | Andromeda | 1980 | Zuspiel / Tonband, 1 perf | 7:50 | Stereo | fem V [Stimme] | IPEM Gent | 0 | |||||||||
| 2472 | Joanna | Bruzdowicz | Bartok - Aglia | 1980 | fixed media, akusmatisch | 11:45 | Stereo | IPEM Gent | 0 | ||||||||||
| 2473 | Joanna | Bruzdowicz | D'Amour et de Mort (H. F. IV) | 1975 | fixed media, akusmatisch | 9:52 | Stereo | IPEM Gent | 0 | ||||||||||
| 2474 | Joanna | Bruzdowicz | Elektronische Ouverture | 1984 | fixed media, akusmatisch | 26:23 | for the opera "Les portes du Paradis" | IPEM Gent | 0 | ||||||||||
| 2475 | Joanna | Bruzdowicz | Epitaph | 1973 | Zuspiel / Tonband, 1 perf | hpd [Cembalo] | IPEM Gent | 0 | |||||||||||
| 2476 | Joanna | Bruzdowicz | Inner Space | 1978 | fixed media, akusmatisch | Zuspiel/Tonband, |
23:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 2477 | Joanna | Bruzdowicz | La Sérénité, (Homo Faber III ) | 1975 | fixed media, akusmatisch | 9:48 | Stereo | IPEM Gent | 0 | ||||||||||
| 2478 | Joanna | Bruzdowicz | La Solitude | 1972 | fixed media, akusmatisch | 10:00 | Stereo, Quadro | (Homo Faber, 2) | IPEM Gent | 0 | |||||||||
| 2479 | Joanna | Bruzdowicz | Le Petit Prince | 1976 | Tanz | 68:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 2480 | Joanna | Bruzdowicz | Le Souffle | 1971 | fixed media, akusmatisch | 8:15 | Stereo, Quadro | (Homo Faber, 1) | IPEM Gent | 0 | |||||||||
| 2481 | Joanna | Bruzdowicz | Les Troyennes | 1972 | Oper, 1 perf, 2 groups | Stereo | V, ch, orc [Stimme, Chor, Orchester] | IPEM Gent | 0 | ||||||||||
| 2482 | Joanna | Bruzdowicz | Marlos Grosso Brasilieras | 1980 | Zuspiel / Tonband, 3 perf | 12:00 | Stereo | fl, vn, clvd [Flöte, Cembalo, Violine] | IPEM Gent | 0 | |||||||||
| 2484 | Joanna | Bruzdowicz | Neue Kinderszenen | 1980 | fixed media, akusmatisch | 20:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 2485 | Joanna | Bruzdowicz | Outer Space | 1978 | fixed media, akusmatisch | Zuspiel/Tonband, |
14:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 2486 | Joanna | Bruzdowicz | Salto | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 2483 | Joanna, Elzbieta | Bruzdowicz, Sikora | Musiques Dispersees (B), Echo du corps | 1969 | Performance | 4:38 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 2487 | Allan | Bryant | Bang-Bang | 1967 | live-elec, 1 perf | 12:00 | Quadro | e-org [Keyboard] | MEV Roma | 0 | |||||||||
| 2488 | Allan | Bryant | Impulses | 1967 | live-elec, 2 perf | 15:00 | 6 | perc, (special) ins [Schlagzeug, Instrument] | MEV Roma | 0 | |||||||||
| 2489 | Allan | Bryant | Masses | 1967 | live-elec, 2 perf, 1 group | 19:00 | Quadro | org, ch, str (steel-str-ins) [Orgel, Streicher, Chor] | MEV Roma | 0 | |||||||||
| 2490 | Allan | Bryant | out of the air | 1967 | fixed media, akusmatisch | 10:00 | Stereo | MEV Roma | 0 | ||||||||||
| 27720 | Allan | Bryant | Pitch Out | 1967 | live-elec, 3 perf | 17:43 | 3 gui, (elec) [Gitarre] | Barbara Bryant, C. Plantamura, F. Rzewski (gui), A. Bryant (elec), MEV Roma | Source Records, SR 13/ Pogus 21050-2/ | 1 | |||||||||
| 2491 | Allan | Bryant | Quadruple Play | 1966 | live-elec, 4 perf | 20:00 | Quadro | 4 perf, (lights) [Performer] | MEV Roma | 0 | |||||||||
| 2492 | Allan | Bryant | X-es, Sex | 1967 | live-elec, 4 perf | 40:00 | Quadro | 4 perf, (lights) [Performer] | MEV Roma | 0 | |||||||||
| 40079 | Matthew | Bryant | shift.smear | 2017 | audiovisuell | Matthew Bryant | 0 | ||||||||||||
| 31768 | Jacek | Brzozowski | Olymp-sphere | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31769 | Jacek | Brzozowski | Umme Ecke ist halt Castrop | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 2493 | Valentino | Bucchi | Girotondo | 1960 | fixed media, akusmatisch | 2:44 | Mono | Fonologia Milano | 0 | ||||||||||
| 42855 | Jason Thorpe | Buchanan | Asymptotic Flux: First Study in Entropy | 2013 | live-elec, 4 perf | 7:30:00 | b-cl, vn, va, vc [Klarinette, Viola, Cello, Violine] | the Switch~ Ensemble: Madison Greenstone, bass clarinet; Hanna Hurwitz, violin; Alyssa Roggow, viola; T.J. Borden, cello | 0 | ||||||||||
| 2494 | Donald | Buchla | Electric Laugh | 1966 | live-elec, 1 perf | 9:00 | 5 tracks | synt [synthesizer] | Buchla | SanFran Tape M. C., PS C. Berkeley | 0 | ||||||||
| 2495 | Gunnar | Bucht | Fanfar 68 | 1968 | fixed media, akusmatisch | 1:10 | Stereo | 0 | |||||||||||
| 2496 | Gunnar | Bucht | Jerikos murar | 1970 | fixed media, akusmatisch | Fernsehen, |
23:25 | Mono | SR Stockholm | 0 | ||||||||||
| 2497 | Gunnar | Bucht | Symphonie pour la musique libérée | 1969 | fixed media, akusmatisch | 12:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22122 | Magdalena | Buchwald | Angorum Catena | 2001 | fixed media, akusmatisch | 10:03 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 41591 | Alex | Buck | Fantasia Essata | 2018 | fixed media, akusmatisch | finaliste du dixième concours international de composition "Métamorphoses" | 0 | ||||||||||||
| 2498 | Boudewijn | Buckinx | De violoncel van Hertog Blauwbaard | 1969 | Zuspiel / Tonband, 1 perf | 7:00 | Mono + Stereo | vc [Cello] | contactmicrophone | IDEAMA CD 004/ | IPEM Gent | 0 | |||||||
| 2499 | Boudewijn | Buckinx | Doden om te Leven | 1967 | Film | 5:25 | Mono | IPEM Gent | 0 | ||||||||||
| 2500 | Boudewijn | Buckinx | Ouverture | 1966 | fixed media, akusmatisch | 9:15 | Mono | IPEM Gent | 0 | ||||||||||
| 2501 | Boudewijn | Buckinx | Rara B | 1966 | Zuspiel / Tonband, 3 perf | 2:03 | Mono | actor, Sp, V [Sprecher, Stimme, Schauspieler] | IPEM Gent | 0 | |||||||||
| 2502 | Boudewijn | Buckinx | Scorpio | 1972 | intermedia | Mono + Mono + Mono + Mono | IPEM Gent | 0 | |||||||||||
| 2503 | Boudewijn | Buckinx | Simparolo | 1967 | Film | 5:25 | IPEM Gent | 0 | |||||||||||
| 2504 | Boudewijn | Buckinx | Slojd | 1966 | fixed media, akusmatisch | intermedia |
5:40 | Mono | IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 2506 | Boudewijn | Buckinx | Vier Augustus A en B | 1966 | Zuspiel / Tonband, 4 perf | 1:06 | Mono | actor, ins, V, cymbal [Stimme, Schlagzeug, Instrument, Schauspieler] | IPEM Gent | 0 | |||||||||
| 2507 | Boudewijn | Buckinx | Voor Tom heb ik het verhaltje van Saartje | 1967 | Film | 16:00 | Mono | IPEM Gent | 0 | ||||||||||
| 2505 | Boudewijn, Mia | Buckinx, Loose | Studie | 1965 | fixed media, akusmatisch | 2:00 | Mono | IPEM Gent | 0 | ||||||||||
| 42469 | Irene, Mike | Buckley, Hannon | Evolution of close double stars | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 25855 | Linda | Buckley | Do you remember the planets? | 2004 | Zuspiel / Tonband, 1 perf | 6:44 | va [Viola] | K. Dervan (va) | CMC CD 06 Contemporary Music from Ireland Vol 6/ | 1 | |||||||||
| 39966 | Julius | Bucsis | In the Interest of Time | 2015 | fixed media, akusmatisch | 3:57:00 | Julius Bucsis | 0 | |||||||||||
| 39965 | Julius | Bucsis | Stories from an Alien Pond | 2016 | fixed media, akusmatisch | Julius Bucsis | 0 | ||||||||||||
| 39964 | Julius | Bucsis | The Dawn of Memory – Awakening of the Ancients | 2017 | fixed media, akusmatisch | Julius Bucsis | 0 | ||||||||||||
| 40831 | Julius | Bucsis | The Message | 2013 | fixed media, akusmatisch | 2:38 | CLS 170902/ | 0 | |||||||||||
| 22123 | Pawel | Buczynski | Nascitur Mors | 1995 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | perc [Schlagzeug] | ExpSt Warsaw | 0 | |||||||||
| 23402 | Osvaldo | Budón | … para el trato con el desierto | 1992 | fixed media, akusmatisch | 11:17 | McGill MR 2001-01-2 Disc 2; McGill Studio 35th Anniversary/ | McGill Montréal | 1. prize Le Caine Award 1994 | 1 | |||||||||
| 23403 | Osvaldo | Budón | Territorios | 1990 | Zuspiel/Tonband, 4 perf | audiovisuell |
15:33 | 4 perc [Schlagzeug] | multimedia Fotos by Bocha Budón ist auf dem Datenteil der CD zu sehen. GEMS McGill | ISBN 7717-0537-9/ | McGill Montréal | 1 | ||||||||
| 19589 | Julio | Bueno | De Tú a Tú | 1990 | fixed media, akusmatisch | 9:35 | Stereo | GME Cuenca | 0 | ||||||||||
| 2508 | Fred, Ludwig | Bürck, Heck | Das kalte Licht | 1955 | Fernsehen, | 3:25 | Mono | SWF | 0 | ||||||||||
| 2509 | Fred, Ludwig | Bürck, Heck | Von den unglücklichen Lebensbedingungen der Thunfische | 1956 | radiophon | 12:20 | Mono | SWF | 0 | ||||||||||
| 29359 | Rainer | Bürck | ABBYS | 2002 - 2008 | live-elec, 1 perf | gui, (elec) [Gitarre] | 0 | ||||||||||||
| 29356 | Rainer | Bürck | Alleluja | 1999/2000 | fixed media, akusmatisch | 12:12 | 0 | ||||||||||||
| 37637 | Rainer | Bürck | Alleluja | 2001 - 2016 | fixed media, akusmatisch | 13 | Octo | 31. Januar 2001 | Stanford | 0 | |||||||||
| 2510 | Rainer | Bürck | Des Ombres de la Nuit | 1994 | fixed media, akusmatisch | 13:35 | 0 | ||||||||||||
| 29339 | Rainer | Bürck | Electronic Studies VOL 1-X | 1988/1989 | fixed media, akusmatisch | 0 | |||||||||||||
| 2511 | Rainer | Bürck | Elpia I | 1991/1992 | live-elec, 2 perf | 16:00 | 2 p, (com) [Piano] | 0 | |||||||||||
| 2512 | Rainer | Bürck | Elpia IIa | 1994 | live-elec, 1 perf | 12:15 | p, (com) [Piano] | fmw - 02.95 Skywalk Records/ | 1 | ||||||||||
| 29354 | Rainer | Bürck | Flautando | 1997/1998 | live-elec, 1 perf | fl, (com) [Flöte] | 0 | ||||||||||||
| 2513 | Rainer | Bürck | Fluktuationen A | 1989 | fixed media, akusmatisch | 11:00 | 0 | ||||||||||||
| 2514 | Rainer | Bürck | Hommage a S... pour S... | 1996 | fixed media, akusmatisch | 3:04 | 0 | ||||||||||||
| 29353 | Rainer | Bürck | Improvisation PCV | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 2515 | Rainer | Bürck | Metallophonia | 1994 | fixed media, akusmatisch | 12:00 | fmw - 02.95 Skywalk Records/ | 1 | |||||||||||
| 29355 | Rainer | Bürck | …ohne Schrecken | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 2516 | Rainer | Bürck | Re-Aktionen | 1992 | Zuspiel / Tonband, 5 perf | 15:00 | br-qnt [Bläser] | 0 | |||||||||||
| 29350 | Rainer | Bürck | STRINGendo | 1995 | live-elec, 1 perf | 8:45 | Stereo | vn, (com) [Violine] | ES 98005 Earsay/ | 1995 | Berlin, Günter Marx (vn) | 0 | |||||||
| 29358 | Rainer | Bürck | Stromlinien | 2002/2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 2518 | Rainer | Bürck | Ta-ju | 1993 | Zuspiel / Tonband, 1 perf | 11:00 | rec [Flöte] | 0 | |||||||||||
| 29357 | Rainer | Bürck | Tausend Quellen - ein Fluss | 2001 | Klangkunst, Installation | 0 | |||||||||||||
| 2519 | Rainer | Bürck | tenant en haleine | Zuspiel / Tonband, 1 perf | 15:00 | rec [Flöte] | 0 | ||||||||||||
| 2520 | Rainer | Bürck | Transformation K | 1991 | fixed media, akusmatisch | 14:00 | Stereo | 1 | |||||||||||
| 2521 | Rainer | Bürck | Trombone Spheres | 1990 | Zuspiel / Tonband, 1 perf | 11:25 | Stereo | trbn [Posaune] | fmw - 02.95 Skywalk Records/ | 1 | |||||||||
| 2522 | Rainer | Bürck | Tuba Spheres | 1992 | Zuspiel / Tonband, 1 perf | 9:05 | tuba [Tuba] | 0 | |||||||||||
| 35290 | Alex | Buess | Ghosts of Schizophonia, Phylum II | live-elec, 1 group | ens [Ensemble] | CTS-M 110/ | 0 | ||||||||||||
| 33161 | Alex | Buess | Khat | 2003 | live-elec, 2 perf | 8:29 | fl, perc [Flöte, Schlagzeug] | for flute, percussion and live electronics | WJ 2006 polmic 025/ | 1 | |||||||||
| 41610 | François | Buffet | Holos | 2017 | fixed media, akusmatisch | 14:01:00 | Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 19141 | Per | Buhl | Pendul | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | ||||||||||||
| 2523 | Klaus | Buhlert | Aphrodite Arsionoe Philadelphos | 1987 | radiophon | radio play by Irina Liebmann | PS C. | 0 | |||||||||||
| 2524 | Klaus | Buhlert | Brut | 1989 | radiophon | radio play by Matthias Zschokke | PS C. | 0 | |||||||||||
| 2525 | Klaus | Buhlert | Das Totenfloss | 1986 | radiophon | 118:00 | radio play by Harald Müller | PS C. | 0 | ||||||||||
| 2526 | Klaus | Buhlert | Das Verhör | 1984 | Theatermusik | play by Istvan Eörsi | PS C. | 0 | |||||||||||
| 2527 | Klaus | Buhlert | Der Karakal | 1988 | radiophon | radio play by Judith Herzberg | PS C. | 0 | |||||||||||
| 2528 | Klaus | Buhlert | Die Minderleister | 1989 | radiophon | radio play by Peter Turini | PS C. | 0 | |||||||||||
| 2529 | Klaus | Buhlert | Die Troerinnen des Euripides | 1985 | Theatermusik | play by walter Jens | PS C. | 0 | |||||||||||
| 2530 | Klaus | Buhlert | Drei Sätze in den Wind | 1985 | Zuspiel, live-elec, | Stereo | PS C. | 0 | |||||||||||
| 2531 | Klaus | Buhlert | El Salvator | 1989 | Theatermusik | play by Rafael Lima | PS C. | 0 | |||||||||||
| 2532 | Klaus | Buhlert | Erste Nacht, letzte Nacht | radiophon | 89:50 | radioplay by G.Tabori and J.Jannings | RIAS Berlin, PS C. | 1 | |||||||||||
| 2533 | Klaus | Buhlert | Frauenbad in Dieppe | 1989 | radiophon | radio play by Stefan Dähnert | PS C. | 0 | |||||||||||
| 2534 | Klaus | Buhlert | Geselliebe | 1990 | radiophon | radio play by Maerta Tikkanen | PS C. | 0 | |||||||||||
| 2535 | Klaus | Buhlert | Jerschalaim - Jerusalem | 1991 | radiophon | radio play by Michail Bulgakow | PS C. | 0 | |||||||||||
| 2536 | Klaus | Buhlert | Jolan und die Männer | 1985 | radiophon | radio play by Istvan Eörsi | PS C. | 0 | |||||||||||
| 2537 | Klaus | Buhlert | Kindheit | 1987 | radiophon | radio play by Natalie Sarraute | PS C. | 0 | |||||||||||
| 2538 | Klaus | Buhlert | März - Berlin | 1990 | radiophon | radio play by Irina Liebmann | PS C. | 0 | |||||||||||
| 2540 | Klaus | Buhlert | Mein Kampf | 1988 | radiophon | radio play by George Tabori | PS C. | 0 | |||||||||||
| 2541 | Klaus | Buhlert | Meine Lieder singt man nicht, The Pound Project | Musiktheater, 3 perf | Stereo | 2 actor, bar-sax [Saxophon, Schauspieler] | PS C. | 0 | |||||||||||
| 2542 | Klaus | Buhlert | Nachtflug auf dem Trommelpferd | 1988 | Musiktheater | PS C. | 0 | ||||||||||||
| 2543 | Klaus | Buhlert | Nathans Tod | 1991 | Theatermusik | play by George Tabori | PS C. | 0 | |||||||||||
| 36585 | Klaus | Buhlert | Rule Number One Rule Number Two Rule Number Three |
2001 | radiophon | 4 | intermedium rec 006/ | 0 | |||||||||||
| 2544 | Klaus | Buhlert | Stalin | 1988 | Theatermusik | play by Gaston Salvatore | PS C. | 0 | |||||||||||
| 2545 | Klaus | Buhlert | Totenfloß | 1986 | radiophon | 120:00 | radio play by Harald Müller | PS C., Radio HR Frankfurt | 1 | ||||||||||
| 2546 | Klaus | Buhlert | Tragödien | 1991 | radiophon | radio play by Claude Prin | PS C. | 0 | |||||||||||
| 2547 | Klaus | Buhlert | UND / ODER | 1990 | radiophon | radio play by Judith Herzberg | PS C. | 0 | |||||||||||
| 2548 | Klaus | Buhlert | Wie man glücklich wird ohne sich zu verausgaben | 1991 | radiophon | radio play by George Tabori | PS C. | 0 | |||||||||||
| 2539 | Klaus, Georg | Buhlert, Jannings | Massenbach, historische Revue | 1986 | radiophon | 85:00 | ( 1. part ) by A.Schmidt | NDR Hamburg, PS C. | 1 | ||||||||||
| 2549 | Tim, Felix, Group | Buhre, Knoth, Klangkrieg | 38 cbm | 1993 | Klangkunst, Installation | 15:00 | Stereo | Hörstück für einen Container | ZKM Karlsruhe | 0 | |||||||||
| 34711 | Tim, Felix, Group | Buhre, Knoth, Klangkrieg | Klangkrieg | 1993 | fixed media, akusmatisch | 57 | Gruppe Klangkrieg = Felix Knoth & Tim Buhre; Methode "Scanning ≈ audio-mikroskop"; experimenteller DAT-Umgang von Industrie-Klang | FünfUndVierzig 65/ | PS | 0 | https://www.discogs.com/de/artist/74874-Klangkrieg | ||||||||
| 22790 | Tim, Felix, Group | Buhre, Knoth, Klangkrieg | Ortung | 1994 | fixed media, akusmatisch | 6:31 | Gruppe Klangkrieg = Felix Knoth & Tim Buhre; Methode "Scanning ≈ audio-mikroskop"; experimenteller DAT-Umgang von Industrie-Klang | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | https://www.discogs.com/de/artist/74874-Klangkrieg | ||||||||
| 33792 | Vera, Laura, Evelyn, Wei-Ju, Giacomo, Ilya, Matteo | Buhß, Aragoneses, Saylor, Shen, Gianetta, Selikhov, Spanò | Sounds for a while, 1. Mögen die Türen sich öffnen [Vera's doors) 2. Stühle rücken 3. Unser Publikum 4. Didos [ugly lamento) 5. Im Wald und auf der Heide 6. [Vorsicht) Sirenen 7. In der Halle des Werkkönigs [Wasser) . 8. The Tempest - mit Geist 9. Atmen 10. Siri - Orakel 11. Karusselfiestick 12. Drei Arien 13. Ganz schön klingende Kassettenrecorder mit Batteriebetrieb 14. Ganz kurzer Mord 15. Rührende Hirschin, röhrend 16. Im Knast, mit Ärger 17. Haushaltsartikel "in concert" 18. Knochen und Weichteile 19. Snaregesang 20. Die Opfergabe [tape mach in es] |
2015 | Performance, live-elec, 2 perf, 2 groups | 60 | multichannel | (diverse) inss, mul perf [Instrument, Performer] | Eine Musiktheaterinstallation von Studierenden des Masterstudienganges „Sound Studies“ der Universität der Künste Berlin. | UdK Berlin | Deutsche Oper | 25.6.2015 | Deutsche Oper Berlin, Schreinerei | 0 | |||||
| 28432 | Taras | Bujevski | Vox Unius Awakening Ciao, Antonio |
fixed media, akusmatisch | 35:00 | ELCD 004 Electroshock Records/ | 0 | ||||||||||||
| 33359 | Viliam | Bukovy | Rozkaz, Der Befehl - Hiroshima | 1962 | Tanz | 30 | Mono | PS C. Praha | 0 | ||||||||||
| 42584 | Ivica Ico | Bukvic | derelicts of time | 2009 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 2550 | Alan | Bullard | Study on D minor | 1971 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 2551 | John | Buller | Kommos | 1982 | live-elec, 4 perf | 12:00 | S, A, T, B [Sopran, Alt, Tenor, Bass] | SARC Belfast | 0 | ||||||||||
| 2552 | John | Buller | Le Terrazze | 1974 | Zuspiel / Tonband, 13 perf | 22:00 | fl, ob, cl, bn, 2 hn, trbn, tpt, perc, vn, va, vc, db [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Schlagzeug, Viola, Cello, Violine, Kontrabass] | SARC Belfast | 0 | ||||||||||
| 2553 | John | Buller | Towards Aquarius | 1983 | Zuspiel / Tonband, 15 perf | 18:00 | 15 ins [Instrument] | SARC Belfast | 0 | ||||||||||
| 21586 | Jamie | Bullock | *eclipse* | 2000 | fixed media, akusmatisch | 8:20 | SCD 28034 Sargasso/ | BEAST | 1 | ||||||||||
| 26438 | Jamie | Bullock | Variations | 2007 | live-elec, 1 perf | p [Piano] | BEAST | 0 | |||||||||||
| 2554 | Oleg | Buloshkin | Sacrament | 1970 | fixed media, akusmatisch | 3:34 | ANS - synt | CTEPEO C60 30721/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 1 | |||||||||
| 2555 | Oleg | Buloshkin | Secret | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 37651 | Loise | Bulot | Radio-Laria | 2017 | fixed media, akusmatisch | 14:30 | Octo | AdK Berlin | 30.9.2017 | AdK Berlin, Kontakte 17 Festival Heroines of Sound | 0 | ||||||||
| 28541 | Eric | Bumstead | BlckWnd | 2009 | fixed media, akusmatisch | 9:53 | 10 Tracks | BEAST | 1 | 2010 | |||||||||
| 38508 | Arturas | BUMSTEINAS | Epiloghi - Sei modi di dire Zangtumbtumb | 2013 | radiophon | 44:18:00 | 0 | ||||||||||||
| 38509 | Arturas | BUMSTEINAS | Sleep (an attempt at trying) | 2011 | radiophon | 54:30:00 | 0 | ||||||||||||
| 18802 | Paul | Bunger | Mirrors | 1978 | Zuspiel / Tonband, 1 perf | 9:22 | Stereo | p [Piano] | 0 | ||||||||||
| 23404 | Richard | Bunger | Mirrors | 1978 | Zuspiel / Tonband, 1 perf | 9:22 | amp p [Piano] | Alcides Lanza (p); delay ("for pianist and tape recordist") | eSP 9401 Shelan/ | McGill Montréal | 1 | ||||||||
| 36252 | Lou | Bunk | Being and Becoming | 2010 | live-elec, 1 perf | 13:47:00 | toy p [Piano] | innova 874/ | 0 | ||||||||||
| 36918 | Lou | Bunk | Em see Pea | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 40024 | Lou | Bunk | Luna | 2016 | fixed media, akusmatisch | Lou Bunk | 0 | ||||||||||||
| 40023 | Lou | Bunk | Study for Bowed Cardboard | 2017 | fixed media, akusmatisch | Lou Bunk | 0 | ||||||||||||
| 23118 | Martin | Burckhardt | Die Offenbarung des Daniel Paul Schreber | 1997 | radiophon | 58:40 | Konzept, Realisation und Klang Design: Martin Burckhardt, Produktion BR, Hörspiel und Medienkunst 1996 | Kadmos audiophil, ISBN 3-931659-04-6/ | BR München | 1 | |||||||||
| 38746 | Toby, Tilman, Kai-Uwe, Kai | BURDON, FÜRSTENAU, KOHLSCHMIDT, GREHN | Thors Hammer | 1996 | radiophon | 41:00:00 | 0 | ||||||||||||
| 42945 | Rick | Burkhardt | Audition | 2013 | live-elec, 1 perf | 14:19:00 | sax [Saxophon] | Rhonda Taylor, saxophone | 0 | ||||||||||
| 2556 | Martin | Burlas | Deti (Children) | 1980 | fixed media, akusmatisch | 10:27 | Stereo | CECM Bratislava | 0 | ||||||||||
| 2557 | Martin | Burlas | Hudba pre modry dom (Music for the blue house) | 1979 | fixed media, akusmatisch | 13:50 | Stereo | CECM Bratislava | prize Russolo Varese | 0 | |||||||||
| 2558 | Martin | Burlas | Koda | 1979 | fixed media, akusmatisch | 3:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 2559 | Martin | Burlas | Kriz a kruh (the cross and the circle) | 1989 | fixed media, akusmatisch | Zuspiel/Tonband, 2 perf |
16:19 | Stereo | 2 tpt [Trompete] | RèR 401 (1994); (extrait 5: 41) | EM CD 002/ | CECM Bratislava | 0 | |||||||
| 33829 | Martin | Burlas | Monika Vypovedá | fixed media, akusmatisch | 4:20 | Stereo | LMJ 12 CD/ | 0 | |||||||||||
| 2560 | Martin | Burlas | Oaza | 1984 | fixed media, akusmatisch | 14:45 | Stereo | CECM Bratislava | 0 | ||||||||||
| 2561 | Martin | Burlas | Plac stromov (the cry of the trees) | 1980 | fixed media, akusmatisch | Zuspiel/Tonband, |
12:47 | Stereo | CECM Bratislava | 0 | ||||||||||
| 2562 | David | Burnand | Acumen | 1991 | Film | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 2563 | David | Burnand | Constellations | 1976 | Zuspiel / Tonband, 1 group | large ens [Ensemble] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 2564 | David | Burnand | Hoi Polloi | 1990 | Film | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 2565 | David | Burnand | Songlines v 2.1 | 1989 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 36279 | Christopher | Burns | Escuela | 1999 | live-elec, 1 perf | p [Piano] | for piano and electronics | 0 | |||||||||||
| 36277 | Christopher | Burns | Fabrication | 2000 | live-elec, 1 perf | tpt [Trompete] | for trumpet and electronics | 0 | |||||||||||
| 36270 | Christopher | Burns | Fetish Object | 2010 | fixed media, akusmatisch | Stereo | stereo audio | 0 | |||||||||||
| 36262 | Christopher | Burns | Fieldwork | 2011 | audiovisuell, live-elec, 2 perf | 2 perf [Performer] | multimedia improvisation environment | 0 | |||||||||||
| 36274 | Christopher | Burns | Hero and Leander | 2003 | fixed media, akusmatisch | Octo | eight-channel audio | 0 | |||||||||||
| 36272 | Christopher | Burns | Hinge: Process | 2008 | fixed media, akusmatisch | 8:59 | Surround 5.1 | 5.1 surround audio | innova 761/ | 0 | |||||||||
| 36273 | Christopher | Burns | Hinge: Spiral | 2008 | fixed media, akusmatisch | 7:08 | Stereo | stereo audio | innova 761/ | 0 | |||||||||
| 36269 | Christopher | Burns | Jacquard | 2011 | fixed media, akusmatisch | 4:24:00 | Stereo, Octo | stereo / eight-channel audio | 0 | http://unrulymusic.tumblr.com/tagged/Jacquard | |||||||||
| 36267 | Christopher | Burns | Kepler's Monsters | 2006 | live-elec, 1 perf | perf [Performer] | audio improvisation environment | 0 | |||||||||||
| 36268 | Christopher | Burns | Lattice | 2004 | live-elec, 1 perf | perf [Performer] | audio improvisation environment | 0 | |||||||||||
| 36241 | Christopher | Burns | Newton’s Rings, Reflection Dark Bands Chromatic Dispersion Double Refraction Cloud Iridescence |
2012 | live-elec, 1 perf | 11:07 | perc [Schlagzeug] | innova 967/ | Uni Wisconsin | Patti Cudd | 0 | ||||||||
| 36266 | Christopher | Burns | Periodic Table | 2006 | live-elec, 1 perf | perf [Performer] | audio improvisation environment | 0 | |||||||||||
| 36265 | Christopher | Burns | Pipe Dream | 2007 | live-elec, 1 perf | perf [Performer] | audio improvisation environment | 0 | |||||||||||
| 36281 | Christopher | Burns | Quartet | 2007 | Klangkunst, Installation | generative sound installation | 0 | ||||||||||||
| 36278 | Christopher | Burns | Questions and Fissures | 2000 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | for saxophone and fixed media | 0 | |||||||||||
| 36263 | Christopher | Burns | Sawtooth | 2009 | audiovisuell, live-elec, 1 perf, 1 group | 7 | mul perf [Performer] | multimedia improvisation environment | 0 | ||||||||||
| 36264 | Christopher | Burns | Sonar | 2008 | live-elec, 5 perf | 5 laptop [computer] | laptop quintet | 0 | |||||||||||
| 36275 | Christopher | Burns | Strain | 1999 | fixed media, akusmatisch | Quadro | quadraphonic audio | 0 | |||||||||||
| 36276 | Christopher | Burns | The Mutiny of Rivers | 2010 | live-elec, 1 perf | 15 - 25 | 6 | ehn, (elec) [Oboe] | for English horn and electronics | 0 | |||||||||
| 36280 | Christopher | Burns | Tuning | 2008 | Klangkunst, Installation | generative sound installation | 0 | ||||||||||||
| 36261 | Christopher | Burns | Xenoglossia | 2013 | live-elec, 2 perf | 2 or more perf [Performer] | audio improvisation environment | 0 | http://unrulymusic.tumblr.com/tagged/Xenoglossia | ||||||||||
| 36271 | Christopher, David | Burns, Dinnel | Before The Seiche | 2010 | audiovisuell | Surround 5.1 | video and 5.1 surround audioEcoSono DVD Agents Against Agency | EcoSono DVD Agents Against Agency/ | 0 | ||||||||||
| 23587 | Kristine H. | Burns | Copper Islands | 2003 | audiovisuell | 9:18 | Surround 5.1 | metal sounds | CMJ Vol 27-4, 2003/ | PS Florida | 1 | ||||||||
| 2566 | Robert | Burns | Environmental Disorder | 1985 | fixed media, akusmatisch | 28:30 | Stereo | 0 | |||||||||||
| 2568 | Robert, Tamas | Burns, Cseke | Interactive Tape Loops & Electronics II | 1987 | live-elec, | 23:00 | Stereo | (tape-loops) [] | 0 | ||||||||||
| 2569 | William | Burroughs | Call Me Buroughs | 1965 | Zuspiel / Tonband, 1 perf | 40:00 | Mono | Sp [Sprecher] | readings from "Naked Lunch", "The Soft Machine", "Nova Express" | EnB/ | PS C. London | 0 | |||||||
| 2570 | William | Burroughs | St. Valentine's Day | 1965 | fixed media, akusmatisch | 35:00 | Mono | PS C. London | 0 | ||||||||||
| 2571 | George | Burt | Composition | 1964 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | fl, p [Flöte, Piano] | PS C. Northampton | 0 | |||||||||
| 18705 | George | Burt | Three Inverse Genera | 1989 | Zuspiel / Tonband, | 11:28 | Stereo | NA 028/ | PS C. Northampton | 0 | |||||||||
| 41345 | Warren | Burt | 11 Anagrammatic Chance Poems” - | 2008 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 41140 | Warren | Burt | 12 Hour Piece | 1977 | Tanz | 720:00:00 | 1977 | Eva Karczag, Nan Hassall, Les Gilbert, Bill Fontana, WB, Melbourne | 0 | ||||||||||
| 41260 | Warren | Burt | 13 Terpander Melodies | 1994 | radiophon | 12:00:00 | 0 | ||||||||||||
| 41336 | Warren | Burt | 15-17-19, 15, 17 and 19 tone) | 2004 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 41337 | Warren | Burt | 18 New Fuguing Tunes For Henry Cowell, Pocket Calculator Music III | 2005 | fixed media, akusmatisch | 63:00:00 | 0 | ||||||||||||
| 41354 | Warren | Burt | 20 Sounds for Kenneth Gaburo, After Herbert Brun’s Mutatis Mutandis | 2011 | Performance, live-elec, | 2:00:00 | 0 | ||||||||||||
| 41272 | Warren | Burt | 3 Movements for Movement Controlled Sound | 1995 | live-elec, 1 perf | 15:00:00 | sam [computer] | 0 | |||||||||||
| 41189 | Warren | Burt | 37 Views of the Zahir for David Dunn | 1986 | fixed media, akusmatisch | 37:00:00 | Stereo | 0 | |||||||||||
| 19213 | Warren | Burt | 39 Dissonant Études, Two Dissonant Études | 1993, 1994 | fixed media, akusmatisch | 3:16 | music for microtonal piano sounds | CMJ Vol 21, 1997/ TP 093 Tall Poppies/ | 1 | ||||||||||
| 41201 | Warren | Burt | 4'33" for a Radiothon | 1987 | fixed media, akusmatisch | 4:33:00 | Stereo | 0 | |||||||||||
| 41343 | Warren | Burt | 6 Irrational Improvisations | 2006 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41301 | Warren | Burt | 6 Short Pieces for Two Electronic Keyboards | 1997 | live-elec, 1 perf | 20:00:00 | synt [synthesizer] | 0 | |||||||||||
| 41294 | Warren | Burt | 64 Golden Chords | 1997 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41269 | Warren | Burt | A Book of Symmetries for Loretta Goldberg", Music for Microtonal Piano Sounds, Part 4) | 1995 | live-elec, 1 perf | 5:00:00 | Midi-p and sam [Piano, computer] | 0 | |||||||||||
| 41187 | Warren | Burt | A Didactic Gas Piece | 1986 | live-elec, 1 perf | 10:00:00 | actor [Schauspieler] | 0 | |||||||||||
| 41131 | Warren | Burt | A Guided Tour to the Caves of Uranus | 1974 | audiovisuell | 23:00:00 | UCSD | 0 | |||||||||||
| 41309 | Warren | Burt | A Little Lullaby for Lev and Clara Re-United in Heaven | 1998 | live-elec, 3 perf | 5:00:00 | Sp, theremin, elec [Sprecher, elektronik, synthesizer] | 0 | |||||||||||
| 41212 | Warren | Burt | A Musical Fractal | 1988 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41288 | Warren | Burt | A Post-Colonialist Poem on the English Language | 1996 | radiophon | 19:00:00 | 0 | ||||||||||||
| 41243 | Warren | Burt | A Simple Historical Interaction | 1992 | Klanginstallation, live-elec, 1 perf | theremin [synthesizer] | 0 | ||||||||||||
| 41191 | Warren | Burt | A Simple Patch | 1986 | live-elec, 1 perf | 9:00:00 | com [computer] | 0 | |||||||||||
| 41241 | Warren | Burt | A Small Statement on Aesthetics | 1992 | Zuspiel / Tonband, 1 perf | 5:00:00 | Sp [Sprecher] | 0 | |||||||||||
| 41314 | Warren | Burt | A Thick Sound for Imola | 1999 | fixed media, akusmatisch | 2:00:00 | 0 | ||||||||||||
| 41194 | Warren | Burt | A Treasury of New Zealand Birds | 1987 | Zuspiel / Tonband, 6 perf | 17:00:00 | Stereo | 6 e-gui [Gitarre] | 0 | ||||||||||
| 41198 | Warren | Burt | A Treasury of New Zealand Birds, Vol. 2 | 1987 | live-elec, 1 perf | 8:00:00 | sam [computer] | 0 | |||||||||||
| 41133 | Warren | Burt | Aardvarks IV, Hot Tire Islands.... Tussling with the Checkered Demon and a few of his buddies... Jabberwockies/Bite for Pietro Grossi |
1972-1975 | fixed media, akusmatisch | 72:00:00 | Quadro | Aardvark 04/ | UCSD | 0 | |||||||||
| 41170 | Warren | Burt | Aardvarks IX - part 1 | 1982-1983 | live-elec, 1 perf | fixed media, akusmatisch |
60:00:00 | Stereo | elec [elektronik] | La Trobe | 0 | |||||||||
| 41173 | Warren | Burt | Aardvarks IX - part 2 | 1984 | live-elec, 1 perf | fixed media, akusmatisch |
70:00:00 | Stereo | com [computer] | 0 | ||||||||||
| 41142 | Warren | Burt | Aardvarks V: Study for Symphony | 1977 | fixed media, akusmatisch | 15:00:00 | Stereo | Move Records/ | 0 | ||||||||||
| 41361 | Warren | Burt | Abstract Voyages” | 2015 | fixed media, akusmatisch | 80:00:00 | 0 | ||||||||||||
| 41242 | Warren | Burt | Accompaniments for Eva Karczag | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 60:00:00 | V, ens [Stimme, Ensemble] | 0 | |||||||||||
| 41168 | Warren | Burt | Acoustic Music | 1983 | radiophon | 20:00:00 | elec [elektronik] | CD Burt/ | ABC Radio Sydney | 0 | |||||||||
| 41225 | Warren | Burt | After Cicero: The Dream of Scipio Africanus | 1989-1990 | Zuspiel / Tonband, 1 perf | 13:00:00 | Stereo | opt vn [Violine] | 0 | ||||||||||
| 41340 | Warren | Burt | After Sea Pieces” | 2005 | live-elec, 1 group | 15:00:00 | ch [Chor] | 0 | |||||||||||
| 41349 | Warren | Burt | Algorithmic Demos | 2009 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 41324 | Warren | Burt | Alternations Around Zero - Water | 2000 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 41213 | Warren | Burt | An Electronic Realization of John Cage's Writing for the Second Time through Finnegan's Wake | 1988 | fixed media, akusmatisch | 10:00:00 | Stereo | 0 | |||||||||||
| 41259 | Warren | Burt | An Harmonic and Subharmonic Summer | 1993 | Klangkunst, Installation | 0 | |||||||||||||
| 41185 | Warren | Burt | Angela | 1985 | Zuspiel / Tonband, 1 perf | 11:00:00 | Stereo | vn [Violine] | 0 | ||||||||||
| 41147 | Warren | Burt | Another Son of Syntactic Switches | 1978 | Performance | 20:00:00 | V [Stimme] | 0 | |||||||||||
| 41222 | Warren | Burt | anyway you can always put language down to experience | 1989 | audiovisuell, live-elec, | 38:00:00 | 0 | ||||||||||||
| 41123 | Warren | Burt | Apres Jane Fonda" and "Cheesepuffs | 1973 | live-elec, 3 perf | 30:00:00 | 3 perf [Performer] | CALArts | 0 | ||||||||||
| 41318 | Warren | Burt | April 9th Tape | 1999 | fixed media, akusmatisch | 60:00:00 | 0 | ||||||||||||
| 41167 | Warren | Burt | Arsenal of Democracy | 1982 | audiovisuell | 20:00:00 | Stereo | 0 | |||||||||||
| 41160 | Warren | Burt | Artificial Languages | 1981 | Zuspiel / Tonband, 1 group | 10:00:00 | ch [Chor] | 0 | |||||||||||
| 41330 | Warren | Burt | Australian Mega-Mix | 2001 | radiophon | 30:00:00 | 0 | ||||||||||||
| 41172 | Warren | Burt | Australian Memories for Iowa | 1984 | live-elec, 1 perf | 60:00:00 | com [computer] | 0 | |||||||||||
| 41121 | Warren | Burt | Balloon Raga | 1972 | live-elec, 1 perf | 10:00:00 | Stereo | synt [synthesizer] | 0 | ||||||||||
| 41353 | Warren | Burt | Before, During and After The Port | 2011 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 41326 | Warren | Burt | Belusov-Zhabotinsky Double Exposure | 2000 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 41129 | Warren | Burt | Bobo the Clone..... | 1974 | live-elec, 1 perf | 55:00:00 | com [computer] | 0 | |||||||||||
| 41357 | Warren | Burt | Brisbane Nocturne Revisited | 1992-2012 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 41130 | Warren | Burt | Burial of the Dead | 1974 | live-elec, 6 perf | 25:00:00 | 4 Kbd, perc (bell), V [Stimme, Keyboard, Schlagzeug] | SUNY Albany | 1974 | Albany, NY | 0 | ||||||||
| 41137 | Warren | Burt | Canonic Variations/Remove | 1976 | fixed media, akusmatisch | 10:00:00 | Stereo | 0 | |||||||||||
| 41231 | Warren | Burt | Chaotic Research Music-1st Part: More Than Mere Dabbling; 2nd Part: Questioning Chaos | 1989-1990 | live-elec, 1 perf | 90:00:00 | com [computer] | 0 | |||||||||||
| 41322 | Warren | Burt | Charles Ives' 125th Birthday | 1999 | live-elec, 1 perf | 30:00:00 | com [computer] | 0 | |||||||||||
| 41348 | Warren | Burt | Collaboration with Josephine Truman | 2009 | live-elec, 1 perf | 15:00:00 | V [Stimme] | 0 | |||||||||||
| 41203 | Warren | Burt | Collaboration" with Amanda Stewart | 1987 | fixed media, akusmatisch | 24:22:00 | Stereo | 0 | |||||||||||
| 41266 | Warren | Burt | Combinations | 1994 | audiovisuell | 38:00:00 | 0 | ||||||||||||
| 41319 | Warren | Burt | Composed in Bed with David Tolley's Sounds | 1999 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41157 | Warren | Burt | Computer Dance Video | 1980-1981 | audiovisuell | 9:00:00 | 0 | ||||||||||||
| 41245 | Warren | Burt | Continuously Retitled | 1992 | audiovisuell, live-elec, | 20:00:00 | 0 | ||||||||||||
| 41117 | Warren | Burt | CREDO" - from "Mass Medium | 1970-1971 | live-elec, 1 perf, 1 group | 26:00:00 | Vs [Stimme] | SUNY Albany | 0 | ||||||||||
| 41122 | Warren | Burt | Crustaceana (String Quartet #2) | 1973 | live-elec, 4 perf | 21:00:00 | str-qt [Streicher] | UCSD | 0 | ||||||||||
| 41192 | Warren | Burt | Cynthia, Elaine, and Warren - Improvisation Tapes | 1986 | Zuspiel, live-elec, 1 perf | 15:00:00 | Stereo | ins [Instrument] | 0 | ||||||||||
| 41303 | Warren | Burt | Daisy Feeds the Temporal Piano Attractor | 1997 | live-elec, 1 perf | 12:00:00 | sam [computer] | 0 | |||||||||||
| 41178 | Warren | Burt | Dance Accompaniment for John McLaughlin | 1985 | fixed media, akusmatisch | 25:00:00 | Stereo | 0 | |||||||||||
| 41263 | Warren | Burt | Dance Suites for Eva Karczag's "Horizon Rerun" | 1994 | Tanz | 0 | |||||||||||||
| 41262 | Warren | Burt | Dense Room | 1993-1994 | Klangkunst, Installation | 0 | |||||||||||||
| 41300 | Warren | Burt | Diversity | 1996-1998 | Theatermusik | 1:00:00 | 0 | ||||||||||||
| 41346 | Warren | Burt | Do You Suppose He Didn't Know What He Was Doing? | 2008 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 41256 | Warren | Burt | Does It Stay Pastoral? | 1993 | Zuspiel, live-elec, 1 perf | 15:00:00 | w [Bläser] | 0 | |||||||||||
| 41156 | Warren | Burt | Dr. Burt's Disco-Fat Arkestra Plays Their Greatest Hits | 1981 | fixed media, akusmatisch | 12:00:00 | Stereo | 0 | |||||||||||
| 41268 | Warren | Burt | Drones 1994 | 1994 | fixed media, akusmatisch | 20:00:00 | Five just intonation computer music pieces | 0 | |||||||||||
| 41171 | Warren | Burt | Drones for Christine Boshier's Sculpture | 1984 | Klangkunst, Installation | Stereo | 0 | ||||||||||||
| 41182 | Warren | Burt | Drones for Joan Brassil | 1985 | Klangkunst, Installation | Stereo | 0 | ||||||||||||
| 41138 | Warren | Burt | Drowning | 1977 | live-elec, 1 perf | 16:00:00 | Stereo | va or vc [Viola, Cello] | 0 | ||||||||||
| 41356 | Warren | Burt | Dry Ice Metal Mix | 2011 | fixed media, akusmatisch | 19:00:00 | 0 | ||||||||||||
| 41223 | Warren | Burt | e'nuff said | 1989 | live-elec, 3 perf | 11:00:00 | 3 V [Stimme] | 0 | |||||||||||
| 41186 | Warren | Burt | Easy Rounds and Folk Dances | 1985 | radiophon | 40:00:00 | Stereo | UCLA, SUNY Albany, EMPAC | 1986 | broadcast KPFA, Berkeley; KPFK, Los Angeles; KUNI, Cedar Rapids | 0 | ||||||||
| 41234 | Warren | Burt | Electronic Soundscape | 1990 | fixed media, akusmatisch | 30:00:00 | 0 | ||||||||||||
| 41299 | Warren | Burt | Elwood Evening Improvisations | 1997 | audiovisuell | 16:00:00 | 0 | ||||||||||||
| 41239 | Warren | Burt | Emanzipation | 1992 | Tanz, live-elec, | 10:00:00 | 0 | ||||||||||||
| 41210 | Warren | Burt | Entrance Music for Expo 88 | 1988 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41344 | Warren | Burt | Experience of Marfa: A Book of Drones | 2007 | fixed media, akusmatisch | 256:00:00 | 0 | ||||||||||||
| 41165 | Warren | Burt | Explorations of 31 | 1981-1982 | Klangkunst, Installation | 60:00:00 | 0 | ||||||||||||
| 41208 | Warren | Burt | Fantasias, Quartets and Nocturnes | 1986-1988 | fixed media, akusmatisch | 90:00:00 | Stereo | SUNY Albany | 0 | ||||||||||
| 41273 | Warren | Burt | Five Bursts for Leif Brush | 1995 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41290 | Warren | Burt | Five Chaotic Monuments for David Tudor | 1996 | Zuspiel, live-elec, 1 perf | 57:00:00 | synt [synthesizer] | 0 | |||||||||||
| 41320 | Warren | Burt | Five for the Coming of Spring, algorithmic etudes in square root scales | 1999 | live-elec, 1 perf | 15:00:00 | com [computer] | 0 | |||||||||||
| 41179 | Warren | Burt | Five Part Inventions with Lyrebird | 1985 | Performance, live-elec, 1 perf | 15:00:00 | ins (taped lyrebird, wind up duck, performance art) [Instrument] | 0 | |||||||||||
| 41127 | Warren | Burt | Flying Pickle Music for Donald Roller Wilson | 1974 | Klangkunst, Installation | 240:00:00 | 0 | ||||||||||||
| 41125 | Warren | Burt | for Charlemagne Palestine | 1973 | fixed media, akusmatisch | 15:00:00 | Stereo | UCSC | 0 | ||||||||||
| 41267 | Warren | Burt | for orchestra and live electronics | 1994 | live-elec, 1 perf, 1 group | 12:00:00 | orc, elec [elektronik, Orchester] | Macalester Col | 0 | ||||||||||
| 41282 | Warren | Burt | for Roman Verostko; Themes without Variations) | 1995 | fixed media, akusmatisch | 8:00:00 | com, sam [computer] | 0 | |||||||||||
| 41246 | Warren | Burt | for two acoustic or electronic microtonal pianos (We haven't even yet BEGUN to emancipate the dissonance!) | 1992 | Zuspiel/Tonband, 2 perf | fixed media, akusmatisch |
10:00:00 | 2 p [Piano] | 0 | |||||||||||
| 41298 | Warren | Burt | Four Enharmonics For Al's | 1997 | live-elec, 1 perf | 20:00:00 | sam [computer] | 0 | |||||||||||
| 41161 | Warren | Burt | Four Pieces for Synthesizer 1981 | 1981 | fixed media, akusmatisch | 60:00:00 | Stereo | 0 | |||||||||||
| 41135 | Warren | Burt | Four Quartets and a Canon | 1976 | fixed media, akusmatisch | 75:00:00 | Quadro | La Trobe | 0 | ||||||||||
| 41327 | Warren | Burt | Four Short Microtonal Pieces | 2001 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 41216 | Warren | Burt | Fractals (Harangue) | 1988 | Zuspiel, live-elec, 4 perf | 15:00:00 | Quadro | pic-fl, en-hn, trbn, Sp [Sprecher, Flöte, Oboe, Posaune] | 0 | ||||||||||
| 41351 | Warren | Burt | Frankston Beach / Illawarra Rainforest” | 2010 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 41261 | Warren | Burt | Fria Improvisation | 1994 | live-elec, 1 perf | 17:00:00 | Kbd [Keyboard] | 0 | |||||||||||
| 41155 | Warren | Burt | From the Dreambooks | 1980-1981 | fixed media, akusmatisch | 30:00:00 | Stereo | 0 | |||||||||||
| 41278 | Warren | Burt | Funny Fruits Tunes | 1995 | Netzmusik | 13:00:00 | 0 | ||||||||||||
| 41207 | Warren | Burt | Ghosting William Buckley | 1988 | radiophon | 70:00:00 | 0 | ||||||||||||
| 41308 | Warren | Burt | Glynis Drone | 1998 | fixed media, akusmatisch | 8:04:00 | 0 | ||||||||||||
| 41333 | Warren | Burt | Graphic Descriptions” | 2003 | fixed media, akusmatisch | 9:11:00 | 0 | ||||||||||||
| 41128 | Warren | Burt | Harmonia Mundane | 1974 | fixed media, akusmatisch | 89:00:00 | Stereo | UCSD | 0 | ||||||||||
| 41362 | Warren | Burt | Harmonic Colour Fields | 1996 - 1997 | fixed media, akusmatisch | 68 | 5 movements (13 mins, 11 mins, 13 mins, 16 mins, 15 mins) | Pogus 21028/ | 0 | ||||||||||
| 41307 | Warren | Burt | Harry Said... | 1998 | fixed media, akusmatisch | 2:00:00 | 0 | ||||||||||||
| 41316 | Warren | Burt | Heat Wave | 1999 | Performance, Zuspiel, live-elec, 4 perf | 10:00:00 | 4 ins [Instrument] | Ensemble in New York | 0 | ||||||||||
| 41180 | Warren | Burt | Heaven/Below | 1985 | live-elec, 4 perf | 35:00:00 | p, acc, perc, elec [Piano, Akkordeon, Schlagzeug, elektronik] | 0 | |||||||||||
| 41296 | Warren | Burt | Henry Stories | 1997 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 41332 | Warren | Burt | Herbert and Arun go to Homer | 2002 | Zuspiel / Tonband, 1 perf | 8:00:00 | any str [Streicher] | 0 | |||||||||||
| 41253 | Warren | Burt | Homage to Jas Duke" by Pete Spence- electronic realization by Warren Burt | 1993 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41175 | Warren | Burt | If/Then | 1985 | audiovisuell | 4:00:00 | Stereo | 0 | |||||||||||
| 41350 | Warren | Burt | Illawarra: The Lake in Winter | 2008 - 2010 | audiovisuell | 0 | |||||||||||||
| 41265 | Warren | Burt | Improvisation for Accordion and Electronics | 1994 | live-elec, 3 perf | 30:00:00 | acc, synt, elec [Akkordeon, elektronik, synthesizer] | 0 | |||||||||||
| 41277 | Warren | Burt | Improvisation for Microtonal Piano Samples and Disclavier | 1995 | live-elec, 1 perf | 6:00:00 | sam [computer] | Yamaha Studios, New York City | 0 | ||||||||||
| 41232 | Warren | Burt | Improvisation with Al Wunder | 1990 | Zuspiel, live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 41279 | Warren | Burt | Improvisation with Ernie Althoff; Was the Trilobite an Early Precursor of the Dalkon Shield?) | 1995 | live-elec, 2 perf | sam, cymbal [Schlagzeug, computer] | 0 | ||||||||||||
| 41302 | Warren | Burt | Improvisation with Ros Bandt | 1998 | live-elec, 1 perf | 10:00:00 | w (MIDI wind controller) [Bläser] | 0 | |||||||||||
| 41306 | Warren | Burt | In Delicacy There is Hope | 1998 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 41162 | Warren | Burt | In Memoriam Bill Evans | 1982 | audiovisuell | 25:00:00 | 0 | ||||||||||||
| 41358 | Warren | Burt | In Memoriam William Duckworth | 2012 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41252 | Warren | Burt | Incidental Music for "The Brotherhood, Suite on the death of Pythagoras) | 1993 | radiophon | 9:00:00 | 0 | ||||||||||||
| 41291 | Warren | Burt | Incomputence" and "The Return of the Grapefruit | 1996 | live-elec, 4 perf | 16:00:00 | 4 synt [synthesizer] | 0 | |||||||||||
| 41321 | Warren | Burt | Installation for Three Laptops, Remembering Kenneth's Lemons) | 1999 | live-elec, 3 perf | 5:00:00 | 3 com [computer] | 0 | |||||||||||
| 41236 | Warren | Burt | Jazzmaze | 1991 | Klangkunst, Installation | 0 | |||||||||||||
| 41328 | Warren | Burt | John Cleese Noise Study | 2001 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41174 | Warren | Burt | Justice, Equality and Beatings 2A & 2B | 1985 | fixed media, akusmatisch | 50:00:00 | Stereo | 0 | |||||||||||
| 41227 | Warren | Burt | Justice, Equality and Beatings 7 | 1990 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 41202 | Warren | Burt | Justice, Equality and Beatings IV | 1987 | live-elec, 1 perf | 21:00:00 | sam [computer] | 0 | |||||||||||
| 20990 | Warren | Burt | La Strega Bianca della Luna II ( the white witch of the moon 2) | 1998 | Klangkunst, Installation | var 8:00 | org or synt [Orgel, synthesizer] | 12 tones in 5 simultaneous temperaments | innova 115/ Kiasma 1999/ | Warrnambool Art Gallery Victoria | Nov. 1998 | Switzerland | 0 | ||||||
| 41276 | Warren | Burt | Lament for Lost Cultures, String Quartet #5) | 1995 | live-elec, 4 perf | 21:00:00 | amp str-qt [Streicher] | 0 | |||||||||||
| 41153 | Warren | Burt | Leather Disco | 1980 | fixed media, akusmatisch | 15:00:00 | Stereo | 0 | |||||||||||
| 41116 | Warren | Burt | Lopsided Symmetries | 1969 | fixed media, akusmatisch | 3:00:00 | SUNY Albany | 0 | |||||||||||
| 41311 | Warren | Burt | Lovecraftian Vivisection Sound Poem | 1998 | Zuspiel / Tonband, 2 perf | 5:00:00 | 2 V [Stimme] | 0 | |||||||||||
| 41124 | Warren | Burt | Lullabies II | 1973 | live-elec, 1 perf | 30:00:00 | perf (tape delay) [Performer] | 0 | |||||||||||
| 41154 | Warren | Burt | Mass | 1980 | fixed media, akusmatisch | 25:00:00 | Stereo | 0 | |||||||||||
| 41204 | Warren | Burt | Mayakovsky, Tatlin, Malevich, El Lissitsky | 1987 | live-elec, 1 perf | 7:30:00 | synt [synthesizer] | 0 | |||||||||||
| 41218 | Warren | Burt | Meat Market Music | 1988 | Klangkunst, Installation | 0 | |||||||||||||
| 41305 | Warren | Burt | Miss Furr and Miss Skene | 1998 | Zuspiel, live-elec, 1 perf | 16:00:00 | com [computer] | 0 | |||||||||||
| 41219 | Warren | Burt | More 3DIS Patches | 1988 | Klangkunst, Installation | 0 | |||||||||||||
| 41254 | Warren | Burt | Music for Charles Roberts | 1993 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41247 | Warren | Burt | Music for Microtonal Piano Sounds, Music for Microtonal Piano Sounds, Part 1 | 1992 | Zuspiel / Tonband, 1 perf | 43:00:00 | p [Piano] | 0 | |||||||||||
| 41211 | Warren | Burt | Musical Chaology | 1988 | 10:00:00 | Stereo | 0 | ||||||||||||
| 41244 | Warren | Burt | Mutual Interactions | 1992 | live-elec, 4 perf | 10:00:00 | 2 V, 2 sam [Stimme, computer] | 0 | |||||||||||
| 37470 | Warren | Burt | My Monodies II | 1996 | live-elec, 1 perf | 7:21 | e-gui [Gitarre] | ISAST LMJ 7/ | Bregman Dartmouth | 0 | |||||||||
| 41287 | Warren | Burt | My Monodies III | 1996 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41169 | Warren | Burt | Natural Rhythm | 1983 | radiophon | 20:00:00 | CD Burt/ | ABC Radio Sydney | 0 | ||||||||||
| 41238 | Warren | Burt | New Work | 1991 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 41310 | Warren | Burt | Nocturnal Ribbons | 1998 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41347 | Warren | Burt | Noisy Lullabies | 2008 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 41215 | Warren | Burt | Not for Public Consumption, Unused Sounds from Expo 88) | 1988 | fixed media, akusmatisch | 21:00:00 | Quadro + Stereo | 0 | |||||||||||
| 41217 | Warren | Burt | of course, with extracts from Bonaparte, a neo-rationalist mechanical operetta | 1988 | Zuspiel, live-elec, 1 group | 50:00:00 | Quadro | ens [Ensemble] | 0 | ||||||||||
| 2572 | Warren | Burt | Parts of Speech | 1992 | fixed media, akusmatisch | 5:14 | ACMA/ | March 1991 | ACMA concert, Elm St. Hall, North Melbourne | 0 | |||||||||
| 41143 | Warren | Burt | Pastorale | 1977-1978 | fixed media, akusmatisch | 60:00:00 | Stereo | 0 | |||||||||||
| 41214 | Warren | Burt | Philadelphia Harmonies | 1988 | live-elec, 1 perf | 20:00:00 | ins (treble tuning forks) [Instrument] | 0 | |||||||||||
| 41363 | Warren | Burt | Poems of Rewi Alley | 2003 | radiophon | 40 | 19 poems / parts; Sp: John Britton | SG 0601/ | 0 | ||||||||||
| 41313 | Warren | Burt | Point King Beach Memories | 1999 | radiophon | 10:00:00 | 0 | ||||||||||||
| 41205 | Warren | Burt | Portrait of Miriam | 1987 | fixed media, akusmatisch | 6:30:00 | Stereo | 0 | |||||||||||
| 41177 | Warren | Burt | Portraits and Homages | 1985 | fixed media, akusmatisch | 27:00:00 | Stereo | 0 | |||||||||||
| 41352 | Warren | Burt | Prime Subharmonics Starting from 17 | 2010 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 41335 | Warren | Burt | Pythagoras’ Babylonian Bathtub | 2003 | Klangkunst, Installation | 150:00:00 | 0 | ||||||||||||
| 41188 | Warren | Burt | Pythagorean Gas Dances | 1986 | live-elec, 1 perf | 25:00:00 | com [computer] | 0 | |||||||||||
| 41248 | Warren | Burt | Racter and Eliza- A Computer Opera of Mistakes) | 1986-1993 | Oper | 23:00:00 | 0 | ||||||||||||
| 41341 | Warren | Burt | Radio Namings | 2005 | radiophon | 35:00:00 | 0 | ||||||||||||
| 41120 | Warren | Burt | Real Science Comix Funnies nr. 1 - John Lilly Meets the Dolphins | 1972 | fixed media, akusmatisch | 8:00:00 | Stereo | UCSD | 0 | ||||||||||
| 41304 | Warren | Burt | Reality Check | 1997 | Klangkunst, Installation | 0 | |||||||||||||
| 41226 | Warren | Burt | Recycled Mother Stories | 1990 | live-elec, 2 perf | 14:00:00 | V, sam [Stimme, computer] | 0 | |||||||||||
| 41224 | Warren | Burt | Remembering Griffes | 1989 | Zuspiel / Tonband, 1 perf | 14:00:00 | Stereo | fl [Flöte] | 0 | ||||||||||
| 41281 | Warren | Burt | Remembering Griffes II - An Evocation: Speculating, as if... | 1995 | live-elec, 1 perf | 17:00:00 | com [computer] | 0 | |||||||||||
| 41195 | Warren | Burt | Responses and Compressions | 1987 | Zuspiel, live-elec, 5 perf | 45:00:00 | 5 ins [Instrument] | 0 | |||||||||||
| 41292 | Warren | Burt | Return of the Grapefruit | live-elec, 1 perf | vn [Violine] | 0 | |||||||||||||
| 41220 | Warren | Burt | Riffs for Ross | 1988 | radiophon | 13:00:00 | 0 | ||||||||||||
| 41184 | Warren | Burt | Robert and Catherine | 1985 | Zuspiel / Tonband, 2 perf | 11:00:00 | Stereo | b-cl, a-fl [Flöte, Klarinette] | 0 | ||||||||||
| 41145 | Warren | Burt | Salt 81:80:63 | 1978 | audiovisuell | 6:00:00 | 0 | ||||||||||||
| 41200 | Warren | Burt | Samba Dodecaphonica for Charlie Buel | 1987 | fixed media, akusmatisch | 2:13:00 | Stereo | 0 | |||||||||||
| 41249 | Warren | Burt | Same Place, Later | 1993 | live-elec, 2 perf | 15:00:00 | V, elec [Stimme, elektronik] | 0 | |||||||||||
| 41197 | Warren | Burt | Samples for Orchestra I Samples for Orchestra II: Ravel Homage, Samples for Orchestra III |
1987 | live-elec, 1 perf | 8:00:00 | com [computer] | Samples II For Orchestra (Ravel Homage) (That Which Is Neither A Deconstruction Nor An Appropriation, Neither Bricollage Nor Post-Modern) | CD Burt/ | ABC Radio Melbourne | 0 | ||||||||
| 41257 | Warren | Burt | Scenes from the Jungle of Intonational Injustice | 1993 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 41240 | Warren | Burt | Scherbenkonzert | 1992 | Klangkunst, Installation | 0 | |||||||||||||
| 36385 | Warren | Burt | Scraps from the Lab Floor | 1995 | radiophon | 5 | Kiasma 1998/ | 22 July 1995 | Newsense Intermedium, Tacoma, WA | 0 | |||||||||
| 41228 | Warren | Burt | Sea Birds in the Trees | 1990 | live-elec, 4 perf | com, sam, 2 ins (gender players) [Instrument, computer] | 0 | ||||||||||||
| 41151 | Warren | Burt | Sea Pieces | 1979 | Zuspiel / Tonband, 1 group | 25:00:00 | Quadro | ch [Chor] | 0 | ||||||||||
| 41221 | Warren | Burt | Second Bluebell Rhapsody | 1988 | live-elec, 1 group | 10:00:00 | ens [Ensemble] | 0 | |||||||||||
| 41209 | Warren | Burt | Sensus/3DIS Installation | 1988 | Klangkunst, Installation | 0 | |||||||||||||
| 41325 | Warren | Burt | Shaman: In Memoriam Terrence McKenna | 2000 | Klangkunst, Installation | 7:00:00 | 0 | ||||||||||||
| 41342 | Warren | Burt | Silliac Piece for Stephen Jones | 2006 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41258 | Warren | Burt | Sine Waves/Harbour Waves | 1993 | Klangkunst, Installation | 0 | |||||||||||||
| 41148 | Warren | Burt | Sir Gawain and the Green Knight | 1978-1979 | Stereo | Sp [Sprecher] | 0 | ||||||||||||
| 41199 | Warren | Burt | Six Short Inventions on Six Ancient Greek Modes | 1987 | live-elec, 1 perf | 8:00:00 | sam [computer] | La Trobe | 0 | ||||||||||
| 41315 | Warren | Burt | Six Short Movements Backwards in Time from Dorian to Lespugue | 1999 | live-elec, 1 perf | 13:00:00 | com [computer] | SUNY Albany | 13 Feb. 1999 | Synaesthesia Records, Prahran | 0 | ||||||||
| 41233 | Warren | Burt | Six Soundtracks in Search of a Visual, An Assemblage) | 1990 | live-elec, 1 perf | 40:00:00 | com [computer] | 0 | |||||||||||
| 41119 | Warren | Burt | Sketches of Scenes and Seasons from Upstate New York, Afternoon, Late Spring In The Taconics; Between West Copake, N.Y. & Salisbury, CT. Moist Days In Mid-Winter; The Helderbergs Between Know Cave And Thacher Park Rain At Dawn, Late Autumn; Saranac Lake |
1971-1972 | fixed media, akusmatisch | 34:00:00 | Stereo | Aardvark 02/ | UCSD | 0 | |||||||||
| 41158 | Warren | Burt | Snodger Lip Lap | 1981 | fixed media, akusmatisch | 12:00:00 | Stereo | 0 | |||||||||||
| 41339 | Warren | Burt | Someone Moved in a Room | 2005 | fixed media, akusmatisch | 64:00:00 | 0 | ||||||||||||
| 41193 | Warren | Burt | Sonata in Memoriam Don Banks | 1987 | fixed media, akusmatisch | 12:00:00 | Stereo | 0 | |||||||||||
| 41159 | Warren | Burt | Sound Garden | 1975-1981 | Klangkunst, Installation | 0 | |||||||||||||
| 41312 | Warren | Burt | Sounding the Space | 1998 | live-elec, 1 perf | 6:00:00 | Sp [Sprecher] | 0 | |||||||||||
| 41289 | Warren | Burt | Soundings About The Erie Canal | 1995-1996 | radiophon | 34:00:00 | 0 | ||||||||||||
| 41359 | Warren | Burt | Soundtrack for Dragonfold | 2014 | Film | 7:00:00 | 0 | ||||||||||||
| 41264 | Warren | Burt | Soundtrack for Visual Haiku by Robert Randall | 1994 | Netzmusik | 64:00:00 | 0 | ||||||||||||
| 41144 | Warren | Burt | Soundtrack to Venus Reclining | 1978 | live-elec, 2 perf | 35:00:00 | V, p [Stimme, Piano] | 0 | |||||||||||
| 41229 | Warren | Burt | Speaker Swinging | 1990 | live-elec, 5 perf | com, 4 perf [Performer, computer] | 0 | ||||||||||||
| 41334 | Warren | Burt | Stretti | 2003 | fixed media, akusmatisch | 15:13:00 | 0 | ||||||||||||
| 41166 | Warren | Burt | Studies for Synthesizer | 1982 | fixed media, akusmatisch | 35:00:00 | Stereo | 0 | |||||||||||
| 41152 | Warren | Burt | Suite for Cheap Technology | 1980 | fixed media, akusmatisch | 26:00:00 | Stereo | 0 | |||||||||||
| 41317 | Warren | Burt | Sun Reflections | 1999 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 41139 | Warren | Burt | Syntactic Switches | 1977 | live-elec, 1 perf | 35:00:00 | V [Stimme] | 0 | |||||||||||
| 41149 | Warren | Burt | Tenebrae | 1979 | live-elec, 3 perf | 80:00:00 | org, w (didgeridoo), Sp [Sprecher, Orgel, Bläser] | 0 | |||||||||||
| 41163 | Warren | Burt | Texts | 1982 | radiophon | 10:00:00 | Stereo | CD Burt/ | ABC Radio Sydney | 0 | |||||||||
| 41284 | Warren | Burt | The 18'12" Suite | 1996 | fixed media, akusmatisch | 18:00:00 | 0 | ||||||||||||
| 41329 | Warren | Burt | The Air of Other Worlds" and "Bossa Noise | 2001 | fixed media, akusmatisch | 2:03:00 | 0 | ||||||||||||
| 41364 | Warren | Burt | The Animation of Lists and the Archytan Transpositions, The Animation of Lists and the Archytan Transpositions |
2004 - 2005 | Performance | 120 | 2 perf [Performer] | XI 130 Experimental Intermedia/ | 0 | ||||||||||
| 41338 | Warren | Burt | The Collage of Cardinal’s | 2005 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 41283 | Warren | Burt | The Memory Palace of Chris Wallace-Crabbe etrachords in Well-Temperament) | 1995 | fixed media, akusmatisch | 15:00:00 | 0 | ||||||||||||
| 41237 | Warren | Burt | The Mysterious Baths | 1991 | radiophon | 0 | |||||||||||||
| 41183 | Warren | Burt | The Perspecta Tapes | 1985 | fixed media, akusmatisch | 25:00:00 | 0 | ||||||||||||
| 41355 | Warren | Burt | The Shape of the Voice I: Milton Babbitt” | 2011 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41251 | Warren | Burt | The Syd Fish Themesong, Fish Tales) | 1993 | radiophon | 3:00:00 | 0 | ||||||||||||
| 41297 | Warren | Burt | This Versions For... | 1997 | live-elec, 1 perf | 10:00:00 | ins [Instrument] | 0 | |||||||||||
| 41285 | Warren | Burt | Three Bicycles | 1996 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 41181 | Warren | Burt | Three Environmental Compositions | 1984-1985 | fixed media, akusmatisch | 150:00:00 | Stereo | 0 | |||||||||||
| 41206 | Warren | Burt | Three Identical Chains of Harmonies of 5 & 7 Rhythmically Related by 29, 30 and 31 | 1987 | 8:50:00 | Stereo | elec [elektronik] | 0 | |||||||||||
| 41255 | Warren | Burt | Three Improvisations for Movements, Concrete and Electronic Sounds | 1993 | Radiokunst, live-elec, 2 perf | 18:00:00 | sam, synt [computer, synthesizer] | 0 | |||||||||||
| 41134 | Warren | Burt | Three Music Boxes for the Golden Hills Food Co-op | 1975 | Klangkunst, Installation | 0 | |||||||||||||
| 41146 | Warren | Burt | Three Studies for the Sydney Con | 1978 | fixed media, akusmatisch | 30:00:00 | Stereo | 0 | |||||||||||
| 41235 | Warren | Burt | Tram Piece | 1991 | Film | 14:00:00 | 0 | ||||||||||||
| 41274 | Warren | Burt | Transcribing Silence for Noise II, Artists are the Roadkill of the Information Superhighway) | 1995 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41271 | Warren | Burt | Transcribing Silence for Noise, On Information; After Chris Mann and John Cage got thru with it))) | 1995 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41360 | Warren | Burt | Triangle Mix April 21 | 2014 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 41118 | Warren | Burt | Trilobites and Aardvarks | 1969 - 1971 | fixed media, akusmatisch | 60:00:00 | Stereo | Aardvark 01/ | SUNY Albany | 0 | |||||||||
| 41250 | Warren | Burt | Triptych for Sandra Perrin | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 41176 | Warren | Burt | Two Dance Accompaniments for Eva Karczag | 1985 | Zuspiel, live-elec, 1 perf | 40:00:00 | elec [elektronik] | 0 | |||||||||||
| 41323 | Warren | Burt | Two Japanese Pictures | 1999-2000 | fixed media, akusmatisch | 9:03:00 | 0 | ||||||||||||
| 41293 | Warren | Burt | Two Mann-glings, Homage to Jackson Mac Low, and 'why not sneeze an airy silverspeckled green square cloud with a pendulum of blue smoke?' | 1996 | fixed media, akusmatisch | 4:03:00 | 0 | ||||||||||||
| 41150 | Warren | Burt | Two New York Drones | 1979 | fixed media, akusmatisch | 90:00:00 | Stereo | 0 | |||||||||||
| 41141 | Warren | Burt | Two Nocturnals- A-3:5:9 and B-4:6:7 | 1977 | audiovisuell | 37:38:00 | La Trobe | 0 | |||||||||||
| 41286 | Warren | Burt | Two Solo Interactions | 1996 | live-elec, 2 perf | 10:00:00 | Sp, synt [Sprecher, synthesizer] | 22 June, 1996 | Canberra School of Art Gallery | 0 | |||||||||
| 41230 | Warren | Burt | untitled | 1990 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 41331 | Warren | Burt | Variations on a Quote from Henry Cowell | 2002 | fixed media, akusmatisch | 5:22:00 | 0 | ||||||||||||
| 41270 | Warren | Burt | Variations on Sounds of Leif Brush | 1994-1995 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41132 | Warren | Burt | Very Smart Microbes | 1975 | audiovisuell | 25:00:00 | UCSD | 0 | |||||||||||
| 41280 | Warren | Burt | Vingt Enflures sur L'Enfant Melvin | 1995 | fixed media, akusmatisch | 20:00:00 | 0 | ||||||||||||
| 41136 | Warren | Burt | We Can't Call it Prelude to Naples | 1976 | live-elec, 1 perf | 20:00:00 | synt [synthesizer] | Mills Col | 0 | ||||||||||
| 41126 | Warren | Burt | WEB | 1974 | live-elec, 1 perf | 60:00:00 | com [computer] | UCSC | 0 | ||||||||||
| 41275 | Warren | Burt | Wedding Bells for Anne Kirker and Bob Elliott | 1995 | fixed media, akusmatisch | 1:30:00 | 0 | ||||||||||||
| 41295 | Warren | Burt | Wedge in Memoriam Robert Erickson | 1997 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41190 | Warren | Burt | What It's Like to be in Los Angeles | 1986 | live-elec, 1 perf, 1 group | 3:00:00 | Vs [Stimme] | 0 | |||||||||||
| 41115 | Warren | Burt | Wintermusic | 1969 | Zuspiel / Tonband, 1 perf | 12:00:00 | cl [Klarinette] | SUNY Albany | 1969 | perf. Linda King, State University of NY, Albany | 0 | ||||||||
| 41164 | Warren | Burt | Wires | 1982 | radiophon | 16:00:00 | CD Burt/ | ABC Radio Sydney | 0 | ||||||||||
| 41196 | Warren | Burt | Words and Sounds in the Australian Landscape | 1985-1987 | Radiokunst, live-elec, 5 perf | 112:00:00 | V, 4 mus [Stimme, Musiker] | ABC-FM/Australian Bicentennia | 0 | ||||||||||
| 36031 | Matthew | Burtner | A’aa | 2009 | live-elec, 2 perf | 9:00:00 | fl, cl, (amp lava rocks, elec) [Flöte, Klarinette] | 0 | |||||||||||
| 36032 | Matthew | Burtner | Aes/Aer | 2005 | live-elec, 1 perf | 12:00:00 | trbn, (com-sound) [Posaune] | 0 | |||||||||||
| 36033 | Matthew | Burtner | Animus/Anima | 2001 | live-elec, 1 perf | 12:00:00 | V, (elec) [Stimme] | 0 | |||||||||||
| 36034 | Matthew | Burtner | Anugi Unipkaaq | 2001 | live-elec, 4 perf | 6:00:00 | perc-qt, (recorded wind, optional video) [Schlagzeug] | 0 | |||||||||||
| 36035 | Matthew | Burtner | Broken Drum | 2003 | live-elec, 1 perf | 6:00:00 | perc (brake-drum), (com) [Schlagzeug] | 0 | |||||||||||
| 36036 | Matthew | Burtner | Cezanne Study | 1996 | live-elec, 1 perf | 6:00:00 | sol p [Piano] | 0 | |||||||||||
| 36037 | Matthew | Burtner | Circles | 1994 | live-elec, 4 perf | 25:00:00 | cl, b-cl, p, perc (with noise gen) [Klarinette, Piano, Schlagzeug] | 0 | |||||||||||
| 36038 | Matthew | Burtner | Citlaltepetl Vertex | 2011 | live-elec, 1 perf | 15:00:00 | (acoustic) gui, (elec) [Gitarre] | 0 | |||||||||||
| 36039 | Matthew | Burtner | Cloudprints | 2008 - 2012 | live-elec, | 20:00:00 | ins-ens, com-ens [Ensemble] | 0 | |||||||||||
| 36040 | Matthew | Burtner | Coral Attraction | 2010 | live-elec, 3 perf | S, b-ins, (coral) perc, (recorded reef sounds, elec ) [Sopran, Schlagzeug, Instrument] | 0 | ||||||||||||
| 36027 | Matthew | Burtner | (dis)Appearances | 2003 | live-elec, 3 perf | 8:00:00 | 1-3 vn (acoustic-, elec- com-vn, 1-3 players) [Violine] | 0 | |||||||||||
| 36028 | Matthew | Burtner | (dis)Integrations | 2004 | live-elec, 2 perf | 13:00:00 | vc, p, (com) [Piano, Cello] | 0 | |||||||||||
| 36029 | Matthew | Burtner | (dis)Locations | 2007 | audiovisuell, live-elec, 2 perf | 13:00:00 | 1-2 sax, (com-sound, video) [Saxophon] | EcoSono DVD Agents Against Agency/ | 0 | ||||||||||
| 36030 | Matthew | Burtner | (dis)Sensus, Dissensus Sxape Modification 1 [vio]Lens Modification 2 ianopianop Sensus |
2008 | live-elec, 4 perf | 16:08 | vn, a-sax, p, perc, (com-interaction) [Saxophon, Piano, Schlagzeug, Violine] | innova 871/ | 0 | ||||||||||
| 36041 | Matthew | Burtner | Ecotones | 2013 | live-elec, 1 perf | perc, (elec) [Schlagzeug] | 0 | ||||||||||||
| 36042 | Matthew | Burtner | Endprint | 2004 | live-elec, 9 perf | 10:00:00 | 9 t-sax or t-sax, (8 pre-recorded t-sax) [Saxophon] | innova 620/ | 0 | ||||||||||
| 22104 | Matthew | Burtner | Fern | 1997 | fixed media, akusmatisch | 8:42 | innova 526/ | Peabody Con Baltimore | 1 | ||||||||||
| 36043 | Matthew | Burtner | Flute Code | 2013 | live-elec, 2 perf | 8:00:00 | fl, laptop [Flöte, computer] | 0 | |||||||||||
| 36044 | Matthew | Burtner | Fragments from Cold | 2006 | live-elec, 1 perf | 8:00:00 | vc, (recorded snow sounds, elec) [Cello] | 0 | |||||||||||
| 22108 | Matthew | Burtner | Glass Phase | 1998 | fixed media, akusmatisch | 9:57 | com [computer] | Verwendung von MAX/MSP (for com polyrhythmicon / electronics) | innova 526/ | Peabody Con Baltimore | 1 | ||||||||
| 36045 | Matthew | Burtner | Golden Sparrow | 2012 | live-elec, 1 perf | 6:00:00 | tpt, (light, elec) [Trompete] | 0 | |||||||||||
| 36046 | Matthew | Burtner | Iceprints | 2010 | live-elec, 3 perf | 24:00:00 | 1-3 p, (elec) [Piano] | 0 | |||||||||||
| 36047 | Matthew | Burtner | Incantation 1 | 1994 | live-elec, 1 perf | 11:00:00 | vc, (com-gen sound) [Cello] | 0 | |||||||||||
| 36048 | Matthew | Burtner | Incantation 2 | 1994 | fixed media, akusmatisch | com-gen sound | 0 | ||||||||||||
| 22107 | Matthew | Burtner | Incantation S4 | 1997 | Zuspiel, live-elec, 1 perf | 11:53 | amp t-sax [Saxophon] | Verwendung von MAX/MSP | innova 526/ | Peabody Con Baltimore | 1 | ||||||||
| 36049 | Matthew | Burtner | Kuik (Aria) | 2006 | audiovisuell, live-elec, 3 perf | 13:00:00 | S, (com-sound, video with) optional narrator, perc [Sopran, Schlagzeug, Schauspieler] | 0 | |||||||||||
| 36050 | Matthew | Burtner | Kunikluk | 1999 | live-elec, 6 perf | 10:00:00 | pic-fl, b-cl, vn, vc, p, perc, (noise-gen, optional video) [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | 0 | |||||||||||
| 36051 | Matthew | Burtner | Microplastic PET | 2012 | live-elec, 2 perf | 3:30:00 | V, perc, (plastics, com) [Stimme, Schlagzeug] | 0 | |||||||||||
| 22106 | Matthew | Burtner | Mists | 1996 | live-elec, 1 perf | 4:28 | com ("3 stones") [computer] | Verwendung von MAX/MSP; "for computer noise controller and stone trio" | innova 526/ | Peabody Con Baltimore | 1 | ||||||||
| 23588 | Matthew | Burtner | Noisegate 67 | 1999 | Zuspiel / Tonband, 1 perf | 10:38 | Surround 5.1 | meta-sax [Saxophon] | CMJ Vol 27-4, 2003/ innova 620/ | 1 | |||||||||
| 36052 | Matthew | Burtner | Polyrhythmicana, Metal XY Split/Joined Diamonds (in Wood) C Acceleration Phase Slow 2:3 (in Noise) Melody Triangles |
2002 | live-elec, 4 perf | 15:00:00 | fl, vc, gui, perc, (4-channel click track) [Flöte, Gitarre, Schlagzeug, Cello] | innova 871/ | 0 | ||||||||||
| 41367 | Matthew | Burtner | Prayer (for John Pierce) | 2002 | fixed media, akusmatisch | 1:23 | DISContact! III | 0 | |||||||||||
| 36053 | Matthew | Burtner | Prismic Generations | 2003 | audiovisuell, live-elec, 1 perf | 10:00:00 | ins, (for struck & bowed pitched ins),( com-sound, video) [Instrument] | 0 | |||||||||||
| 36054 | Matthew | Burtner | Pulling in the Light | 2006 | live-elec, 7 perf | 13:00:00 | mdl, 2 vn, cl, vc, trbn, drum [Klarinette, Posaune, Gitarre, Schlagzeug, Cello, Violine] | 0 | |||||||||||
| 36055 | Matthew | Burtner | Signal Ruins | 2000 | live-elec, 3 perf | p, 1-2 opt perf, (com-sound) [Piano, Performer] | 0 | ||||||||||||
| 36056 | Matthew | Burtner | Siknik Unipkaaq | 2001 | live-elec, 1 perf | 9:00:00 | perc, ins-ens, (com-sound, optional video) [Schlagzeug, Ensemble] | 0 | |||||||||||
| 36057 | Matthew | Burtner | Siku Unipkaaq | 2001 | live-elec, 4 perf | 6:00:00 | 4 perc (on two glockenspiel, com-sound, optional video) [Schlagzeug] | 0 | |||||||||||
| 36058 | Matthew | Burtner | Six Ambient Extensions | 2010 | live-elec, 1 perf, 1 group | 30:00:00 | perc-ens, (elec) [Schlagzeug] | 0 | |||||||||||
| 36059 | Matthew | Burtner | Six Ecoacoustic Quintets | 2009 | live-elec, 5 perf | 33:00:00 | perc-qnt, (elec) [Schlagzeug] | 0 | |||||||||||
| 36060 | Matthew | Burtner | Snowprints | 2001 | audiovisuell, live-elec, 3 perf | 15:32 | fl, vc, p, (elec, video) [Flöte, Piano, Cello] | innova 871/ | 0 | ||||||||||
| 36061 | Matthew | Burtner | Somata/Asomata | 2002 | live-elec, 4 perf | 8:00:00 | str-qt, (com-sound) [Streicher] | 0 | |||||||||||
| 36062 | Matthew | Burtner | Song for Low Tree | 2011 | live-elec, 1 perf | 13:00:00 | perc, (elec) [Schlagzeug] | 0 | |||||||||||
| 36063 | Matthew | Burtner | Spectral Arctic Ice Triangulations | 2010 | live-elec, 1 perf | 12:00:00 | (amp water-) perc (with com-sound) [Schlagzeug] | 0 | |||||||||||
| 36234 | Matthew | Burtner | Spectral For 0 | 2004 | fixed media, akusmatisch | 4:42 | innova 120/ | Jerome Foundation | 0 | ||||||||||
| 36235 | Matthew | Burtner | Spectral For 60 | 2004 | fixed media, akusmatisch | 4:27 | innova 120/ | 0 | |||||||||||
| 22105 | Matthew | Burtner | Split Voices | 1999 | Zuspiel, live-elec, 1 perf | 18:18 | amp sax [Saxophon] | innova 526/ | Peabody Con Baltimore | 1 | |||||||||
| 36064 | Matthew | Burtner | Sxueak | 2006 | live-elec, 1 perf | 6:00:00 | perf (squeaky toys, com) [Performer] | 0 | |||||||||||
| 36065 | Matthew | Burtner | Syntax of Snow | 2011 | live-elec, 4 perf | 7:00:00 | 1-4 perc (glockenspiel, amp snow) [Schlagzeug] | 0 | |||||||||||
| 36066 | Matthew | Burtner | Taruyamaarutet | 1995 | live-elec, 4 perf | 10:00:00 | S, b-cl, mar, perc, (com polyrhythmicon) [Sopran, Klarinette, Schlagzeug] | 0 | |||||||||||
| 36067 | Matthew | Burtner | That which is bodiless is reflected in bodies | 2004 | Zuspiel / Tonband, | 12:00:00 | Octo | perc (Tibetan bowl or perc setup), (8-channel com-gen sound) [Schlagzeug] | 0 | ||||||||||
| 36068 | Matthew | Burtner | The Ceiling Floats Away | 2016 | fixed media, akusmatisch | 13 poems by Rita Dove | NEA Art Works Grant | 2016 | Atlas Center for Performing Arts in Washington DC | 0 | |||||||||
| 36069 | Matthew | Burtner | Tingnikvik | 2001 | audiovisuell, live-elec, 3 perf | 9:00:00 | va, a-sax, p, (noise-gens, video) [Saxophon, Piano, Viola] | 0 | |||||||||||
| 36070 | Matthew | Burtner | Wooden Dance in Fourteen Time | 2013 | live-elec, 1 perf | 7:00:00 | va, (elec) [Viola] | 0 | |||||||||||
| 36071 | Matthew | Burtner | You Sink Into the Singing Snow | 2012/2013 | live-elec, 1 perf | 7:00:00 | V, (elec) [Stimme] | 0 | |||||||||||
| 2573 | Edward | Bury | De timpani a tutti, (Symphony no. 4) | 1966 - 1967 | Zuspiel / Tonband, 1 perf, 2 groups | B, ch, orc [Bass, Chor, Orchester] | EM ?? | 0 | |||||||||||
| 37231 | Eric | Busch | Knolle | 2017 | Performance | 13:00:00 | perc (Rahmentrommel & Performance, 1 Spieler, Live-Elektronik) [Schlagzeug] | HfM Leipzig | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 37180 | Eric | Busch | reduce, reuse, recycle | Klangkunst, Installation | ∞ | HfMT Leipzig | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | |||||||||||
| 31567 | Eric | Busch | trio mécanique | 2013 | Performance, Zuspiel, live-elec, 1 perf | 6:00 | perf [Performer] | next_generation 5.0 1. Satz |
HfM Leipzig | 27.6.2013 | ZKM | 0 | |||||||
| 31634 | Markus | Buser | madrigal | 1996 | live-elec, 2 perf | 9:00:00 | S, perc, (elec) [Sopran, Schlagzeug] | HSM Basel | 0 | ||||||||||
| 43020 | Jeremy Van | Buskirk | The Noise he Used to Paint | 2013 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 24108 | Nicola | Buso | Passio et mors secundum Lukacs | 2001 | live-elec, 1 perf | 10:57 | tim [Schlagzeug] | Tempo Reale Firenze | 0 | ||||||||||
| 28741 | Nicola | Buso | Wassersprache | 2010 | live-elec, 1 perf | com [computer] | 1 | ||||||||||||
| 2574 | Michael | Bussière | Hypothesis of Memory | 1988 | fixed media, akusmatisch | 15:00 | Stereo | 0 | |||||||||||
| 2575 | Michael | Bussière | The Complicated Art of Solar War | 1989 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 36782 | Sylvano | Bussotti | mit einem gewissen sprechenden Ausdruck | 1961 - 1963 | radiophon | 15:00:00 | HR Hessischer Rundfunk | 0 | |||||||||||
| 34258 | Natalia, Daniel, Stefan, Jesper, Joen | Bustamante, Franke, Matussek, Ryom, Szmidt | The Auditive Peculiarities of Khôra | 2015 | Klangkunst, Installation | 96 Tracks, Spazialisation: WFS | WFS-Klanginstallation | UdK Berlin | 25.9.2015 | Kontakte-Festival AdK Berlin, Garten vor der Akademie Hanseatenweg | 0 | ||||||||
| 18801 | John | Butcher | Shrinkdown | 1996 | Zuspiel / Tonband, 1 perf | 7:34 | Stereo | sax [Saxophon] | BRD 026/ | 0 | |||||||||
| 2576 | P. | Butin | Ixnos | 1992 | Zuspiel / Tonband, 1 group | Stereo | chamber-orc [Orchester] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 2577 | Dave | Butler | Limbic Rotatory | 1985 | fixed media, akusmatisch | 6:30 | Stereo | Cedar ON | 0 | ||||||||||
| 2578 | Martin | Butler | American Dream | 1991 | Zuspiel / Tonband, 4 perf | 15:00 | str-qt [Streicher] | Uni Sussex | 0 | ||||||||||
| 2579 | Martin | Butler | Capistrano Song | 1984 | Zuspiel / Tonband, 1 perf | 8:00 | cl [Klarinette] | Uni Sussex | 0 | ||||||||||
| 2580 | Martin | Butler | Graffiti | 1989 | fixed media, akusmatisch | 16:00 | 0 | ||||||||||||
| 2581 | Martin | Butler | Night Machines | 1987 | fixed media, akusmatisch | 9:48 | Stereo | Inner Voices, MIDI | Centaur CRC 2076, CDCM Vol. 5/ | Winham | 1 | ||||||||
| 2582 | Martin | Butler | Piano Piano | 1988 | live-elec, 2 perf | 20:00 | 2 p [Piano] | Uni Sussex | 0 | ||||||||||
| 42960 | Paul | Butler | Acousmatism 4 | 2013 | fixed media, akusmatisch | 3:53:00 | 0 | ||||||||||||
| 2583 | Roger | Butler | Stigma | 1971 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 41503 | Matt | Butt | Dilemma, a w f 5 c a 2 c b d I |
2005 | fixed media, akusmatisch | HAG CD 08/ | 0 | ||||||||||||
| 41501 | Matt | Butt | Missing | fixed media, akusmatisch | 3:04 | HAG CD 16/ | 0 | ||||||||||||
| 28071 | Max | Butting | Die Lühengeschichte vom schwarzen Pferd, op. 71 | 1949 | live-elec, 2 perf, 2 groups | V, ch, orc, mtr [Stimme, synthesizer, Chor, Orchester] | after a tail by A. Eckener | 0 | |||||||||||
| 38510 | Frieder | BUTZMANN | Alethes Soundbeams | 2006 | radiophon | 51:09:00 | 0 | ||||||||||||
| 26213 | Frieder | Butzmann | Bunte Flügel | 2003 | fixed media, akusmatisch | 6:33 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | ||||||||
| 38511 | Frieder | BUTZMANN | Burtt’s Family Combo | 2011 | radiophon | 50:17:00 | 0 | ||||||||||||
| 38512 | Frieder | BUTZMANN | Das Spunkkrachlexikon – Vom, zum und über das Hören | 2001 | radiophon | 53:24:00 | 0 | ||||||||||||
| 38513 | Frieder | BUTZMANN | juHrop | 2009 | radiophon | 52:06:00 | 0 | ||||||||||||
| 33831 | Frieder | Butzmann | Music for Salomé, Who Was That, Who Cried Out? I Have Slipped Dance Of The 7 Veils Give Me The Head Of Jokanaan |
1998 | Performance | 6:54 | (selfmade) ins, V [Stimme, Instrument] | ISAST LMJ 8/ EMF CD 012 ISAST 8/ |
PS C. | 0 | |||||||||
| 2584 | Frieder, Marie | Butzmann, Goyette | Transatlantique | 1993 | radiophon | 53:00 | Stereo | Koproduktion mit dem SFB | ZKM Karlsruhe | 0 | |||||||||
| 2585 | Frieder, Thomas | Butzmann, Kapielski | Vampyroteuthis infernalis Giovanni | 1989 | Performance, Zuspiel, live-elec, 3 perf | 47:30 | Stereo | 2 Sp, (ventilator, film loops,) Kbd [Sprecher, Keyboard] | 1 | 1989 | |||||||||
| 38747 | Frieder, Wolfgang | BUTZMANN, RÖHRER | Ewigkeitsendeteufelgott Walla | 1997 | radiophon | 55:18:00 | 0 | ||||||||||||
| 2586 | William | Buxton | For dance | 1975 | fixed media, akusmatisch | 12:05 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 2587 | William | Buxton | Musica de Camera | 1974 | intermedia | 9:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 42470 | Monique | Buzzarté | Subtle Winds | 2007 | live-elec, 1 perf | 8 | trbn [Posaune] | Monique Buzzarté, trombone | Downtown Ensemble’s Flexible Orchestra | 0 | |||||||||
| 37250 | Nicolas | Buzzi | Focus on the behavior of Daniel V. Keller | 2016 | Performance, live-elec, 2 perf | 15:00:00 | perf, com (Türglocken und Live-Elektronik, Daniel V. Keller Performance, Nicolas Buzzi Live-Elektronik) [Performer, computer] | ICST Zürich | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 2588 | Joseph | Byrd | Prism | 1963 | Zuspiel / Tonband, 4 perf | 6:00 | Mono | fl, vib, mar, prep p [Flöte, Piano, Schlagzeug] | PS LA | 0 | |||||||||
| 2589 | Joseph | Byrd | Requiem and Selective Service | 1967 | Klangkunst, Installation | audiovisuell |
∞ | Mono | PS LA | 0 | ||||||||||
| 2590 | Joseph | Byrd | The Year of the Quiet Sun | 1964 | audiovisuell | 9:00 | Stereo | withdrawn | PS LA | 0 | |||||||||
| 2591 | Joseph | Byrd | Water Music | 1963 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | PS LA | 0 | |||||||||||
| 40036 | Madelyn | Byrne | Northern Flight | 2016 | fixed media, akusmatisch | Madelyn Byrne | 0 | ||||||||||||
| 19592 | Ignacio | Cabello Albendea | Maza y Cincel | 1994 | fixed media, akusmatisch | 11:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19591 | Ignacio | Cabello Albendea | Metrónomo | 1993 | fixed media, akusmatisch | 15:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19590 | Ignacio | Cabello Albendea | Ofrenda a Mercurio | 1992 | fixed media, akusmatisch | 6:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19593 | Ignacio | Cabello Albendea | Quincalla azul | 1994 | fixed media, akusmatisch | 9:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 34114 | Federico | Cabeza | B-S-K | 2014 | fixed media, akusmatisch | 4:24 | FONAM Urugay/ | 0 | |||||||||||
| 19595 | Nicolás | Cabrera Daza | Li (lo aherente, el fuego) | 1990 | fixed media, akusmatisch | 3:28 | Stereo | GME Cuenca | 0 | ||||||||||
| 35543 | Eduard | Caceres | Tres Momentos, Audaz, cauteloso y obsesivo Cauteloso, obsesivo y audaz Obsesivo, audaz y cauteloso |
Zuspiel / Tonband, 1 perf | 5:18 | gui [Gitarre] | 0 | ||||||||||||
| 23896 | Eduardo | Caceres | Amadeus…líbranos del mal | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | |||||||||||||
| 23895 | Eduardo | Caceres | Encuentros para un fin de siglo | fixed media, akusmatisch | 9:05 | 0 | |||||||||||||
| 23901 | Eduardo | Caceres | Leruleru…là | fixed media, akusmatisch | 6:56 | 0 | |||||||||||||
| 23900 | Eduardo | Caceres | Metalmambo | fixed media, akusmatisch | 5:06 | 0 | |||||||||||||
| 23897 | Eduardo | Caceres | Súdala | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | |||||||||||||
| 23899 | Eduardo | Caceres | Timo | live-elec, 1 perf | V, (DSP) [Stimme] | 0 | |||||||||||||
| 23898 | Eduardo | Caceres | Tubular II, los pensamientos. | Zuspiel / Tonband, 1 perf | pan-fl (Zampoña cromática baja) [Flöte] | 0 | |||||||||||||
| 34902 | Juan-Pablo | Cáceres | Give a man an orchestra and he doesn’t become us | 2007 | live-elec, 1 perf, 1 group | coms [computer] | November 30, 2007 | CCRMA Modulations - San Francisco | 0 | ||||||||||
| 34915 | Juan-Pablo | Cáceres | La ´ultima morada del … | 2001 | live-elec, 3 perf | bar-sax, trbn, tim [Saxophon, Posaune, Schlagzeug] | 0 | ||||||||||||
| 34912 | Juan-Pablo | Cáceres | la cuerda | 2004 | fixed media, akusmatisch | 4:04 | innova 213/ | 0 | |||||||||||
| 34910 | Juan-Pablo | Cáceres | la multiplicidad | 2005 | fixed media, akusmatisch | 9:22 | innova 213/ | 0 | |||||||||||
| 34907 | Juan-Pablo | Cáceres | la orquesta | 2005 | audiovisuell | 3:56 | innova 213/ | 0 | |||||||||||
| 34911 | Juan-Pablo | Cáceres | lo gaseoso | 2004 | fixed media, akusmatisch | 3 | innova 213/ | 0 | |||||||||||
| 34909 | Juan-Pablo | Cáceres | lo metálico | 2005 | fixed media, akusmatisch | 5:36 | innova 213/ | 0 | |||||||||||
| 34908 | Juan-Pablo | Cáceres | lo tenido | 2005 | fixed media, akusmatisch | 6:26 | innova 213/ | 0 | |||||||||||
| 34895 | Juan-Pablo | Cáceres | Perkussionista | 2010 | live-elec, 2 perf | p, (virtual) perc [Piano, Schlagzeug] | 2010 | MiTo Festival,Milan | 0 | ||||||||||
| 34913 | Juan-Pablo | Cáceres | [sic] | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 34914 | Juan-Pablo | Cáceres | SINTOME+ | 2002 | live-elec, 3 perf | ob, vn, S [Sopran, Oboe, Violine] | 0 | ||||||||||||
| 34896 | Juan-Pablo, Robert | Cáceres, Hamilton | Canned Bits Mechanics | 2009 | live-elec, 3 perf | audiovisuell |
p, 2 disklavier [Piano] | 2009 | MiTo Festival,Milan | 0 | ||||||||||
| 34897 | Juan-Pablo, Robert | Cáceres, Hamilton | Dei DueMondi | 2009 | live-elec, | 0 | |||||||||||||
| 34898 | Juan-Pablo, Fernando | Cáceres, López Lezcano | CAT bits mechanics, Study Num. 1 | 2009 | live-elec, 2 perf | p, (com), disklavier [Piano] | Net vs. Net Network Collective | 0 | |||||||||||
| 34900 | Juan-Pablo, Fernando, Alain | Cáceres, López Lezcano, Renaud | The Dinosaur at War | 2008 | live-elec, 3 perf | Quadro | 3 synt [synthesizer] | One Acoustic Network of Four Channels. Net vs. Net Network Collective | 0 | ||||||||||
| 34903 | Juan-Pablo, Alain | Cáceres, Renaud | Divertimento Ritmico | 2007 | live-elec, 2 perf | 2 synt [synthesizer] | two Locations, and one acoustic network of four channels. Net vs. Net Network Collective | November 9, 2007 | CCRMA Fall Concert (+ SARC) - Stanford | 0 | |||||||||
| 34899 | Juan-Pablo, Alain, Justin | Cáceres, Renaud, Yang | NET:DISTURBANCES | 2008 | live-elec, 2 perf | Quadro | synt, a-sax, (com) [Saxophon, synthesizer] | One Acoustic Network of Four Channels. Net vs. Net Network Collective | 0 | ||||||||||
| 34905 | Juan-Pablo, Bruno | Cáceres, Ruviaro | If You Insist | 2006 | live-elec, 2 perf | 2 sax (with com) [Saxophon] | February 3, 2006 | Columbia Music Scholarship Conference 2006 | 0 | ||||||||||
| 34904 | Juan-Pablo, Bruno | Cáceres, Ruviaro | If You Insist II | 2006 | live-elec, 1 perf, 1 group | coms [computer] | aka “Pressure Pan” | April 29, 2006 | CCRMA Newstage - Celebration of 20 years of CCRMA at The Knoll | 0 | |||||||||
| 34906 | Juan-Pablo, Bruno | Cáceres, Ruviaro | Insistency of The Late Half-Hour | 2005 | live-elec, 1 perf, 1 group | coms [computer] | July 21, 2005 | CCRMA, DigitalMusic Under The Stars - Stanford University, Frost Amphitheater | 0 | ||||||||||
| 34901 | Juan-Pablo, Franziska, Alain | Cáceres, Schröder, Renaud | Drony Feeds Back | 2008 | live-elec, 3 perf | synt (com), S, sax, (delay) [Sopran, Saxophon, synthesizer] | Net vs. Net Network Collective | 0 | |||||||||||
| 23907 | Rodrigo | Cádiz | ePiano | 2001 | fixed media, akusmatisch | 11:15 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 23903 | Rodrigo | Cádiz | G-3 | live-elec, 3 perf | 6:34 | 3 gui [Gitarre] | 0 | ||||||||||||
| 23905 | Rodrigo | Cádiz | ID-Fusiones | audiovisuell | 8:54 | 0 | |||||||||||||
| 23906 | Rodrigo | Cádiz | Particles | live-elec, 1 perf | 10:38 | trbn [Posaune] | 0 | ||||||||||||
| 23902 | Rodrigo | Cádiz | Transposiciones | fixed media, akusmatisch | 5:10 | 0 | |||||||||||||
| 23904 | Rodrigo | Cádiz | Yuga | fixed media, akusmatisch | 7:57 | 0 | |||||||||||||
| 2592 | Michael | Caesar | Connections | 1971 | fixed media, akusmatisch | 3:16 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2593 | Michael | Caesar | Requiem for Vietnam | 1971 | fixed media, akusmatisch | 7:30 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2594 | Rodolfo | Caesar | A carne da pedra | 1989 | Hintergrundmusik | 14:00 | Stereo | UEA Norwich | 0 | ||||||||||
| 2595 | Rodolfo | Caesar | A descida | 1986 | fixed media, akusmatisch | 22:30 | Stereo | ESt da Glória Rio | 1 | ||||||||||
| 2596 | Rodolfo | Caesar | A noite em concha, The Night in a Shell | 1994 | fixed media, akusmatisch | 16:00 | Stereo | LAMI 008/ | PS C. | arts council of uk | 1 | ||||||||
| 2597 | Rodolfo | Caesar | A paisagem, TOPOGRAFIAS | 1986 | fixed media, akusmatisch | 5:30 | Stereo | SBME 006 Coletânea de Música Eletroacústica Brasileira/ | ESt da Glória Rio | 1 | |||||||||
| 2598 | Rodolfo | Caesar | A paisagem vista de la | 1991 | fixed media, akusmatisch | 18:00 | Stereo | INA • GRM | 0 | ||||||||||
| 2599 | Rodolfo | Caesar | A princesa branca | 1988 | Theatermusik | Stereo | ESt da Glória Rio | 0 | |||||||||||
| 2600 | Rodolfo | Caesar | Antigonos | 1987 | Tanz | 60:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 2602 | Rodolfo | Caesar | Arcos (versão II) | 1990 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | vc [Cello] | UEA Norwich | 0 | |||||||||
| 2601 | Rodolfo | Caesar | Arcos I | 1989 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | vc [Cello] | UEA Norwich | 0 | |||||||||
| 2603 | Rodolfo | Caesar | Ariadne | 1991 | Theatermusik | Stereo | UEA Norwich | 0 | |||||||||||
| 2604 | Rodolfo | Caesar | Botafogo | 1983 | intermedia, live-elec, | 10:00 | Mono | (slides) [] | ESt da Glória Rio | 0 | |||||||||
| 2605 | Rodolfo | Caesar | Candomblet | 1981 | Tanz | 9:00 | Stereo | PS VDL, ESt da Glória Rio | 0 | ||||||||||
| 2606 | Rodolfo | Caesar | Canibali | 1991 | computer generated score, 3 perf | 8:00 | 3 perc [Schlagzeug] | PS C. | 0 | ||||||||||
| 2607 | Rodolfo | Caesar | Canon / Chaos | 1991 | fixed media, akusmatisch | 20:41 | Stereo | UEA Norwich | 0 | ||||||||||
| 2608 | Rodolfo | Caesar | Canto | 1990 | fixed media, akusmatisch | 13:35 | Stereo | 3. part of Norfolk Flint | UEA Norwich | 0 | |||||||||
| 31709 | Rodolfo | Caesar | Circulos ceifados | 1997 | fixed media, akusmatisch | 17:51 | LAMI 008/ | VITAE | 1 | http://www.lamut.musica.ufrj.br/cropsite/crops.htm | |||||||||
| 31714 | Rodolfo | Caesar | Clips | 2002 | audiovisuell | 2:30:00 | CD+video Estúdio domiciliar, Rio de Janeiro | PS C. | 1 | ||||||||||
| 2609 | Rodolfo | Caesar | Curare | 1975 | fixed media, akusmatisch | 5:55 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 2610 | Rodolfo | Caesar | Curare II | 1978 | fixed media, akusmatisch | 7:00 | Stereo | INA • GRM, Rádio Globo Rio | 0 | ||||||||||
| 2611 | Rodolfo | Caesar | Divertimento I | 1985 | live-elec, 1 perf | 5:00 | Stereo | synt [synthesizer] | MIDI | ESt da Glória Rio | 0 | ||||||||
| 2612 | Rodolfo | Caesar | Divertimento II (A peste) | 1986 | live-elec, 1 perf | 11:00 | Stereo | synt [synthesizer] | MIDI | ESt da Glória Rio | 0 | ||||||||
| 31721 | Rodolfo | Caesar | Divertimento III.X | 1998 | live-elec, 1 perf | 6:00:00 | synt [synthesizer] | sintetizador Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | |||||||||
| 31720 | Rodolfo | Caesar | Divertimento Iv | 1999 | live-elec, 1 perf | 6:00:00 | synt [synthesizer] | sintetizador Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | |||||||||
| 31713 | Rodolfo | Caesar | Domingo | 2003 | audiovisuell | (segunda parte de 3 CLIPS), CD+video (c/ Liliza Mendes) Estúdio domiciliar, Rio de Janeiro. | PS C. | 1 | |||||||||||
| 31715 | Rodolfo | Caesar | Dueto 1 + I | 2002 | audiovisuell, 1 perf | 7:00:00 | p [Piano] | Piano+CD+video Estúdio domiciliar, Rio de Janeiro (Composta c/ Vania Dantas Leite para obra de Milton Machado) | PS C. | 0 | |||||||||
| 2613 | Rodolfo | Caesar | Eguas da noite | 1987 | Theatermusik | Stereo | ESt da Glória Rio | 0 | |||||||||||
| 2614 | Rodolfo | Caesar | Espiral | 1982 | live-elec, 2 perf | 9:00 | Stereo | 2 synt [synthesizer] | PS VDL, ESt da Glória Rio | 0 | |||||||||
| 2615 | Rodolfo | Caesar | Estudo para Volta Redonda | 1991 - 1992 | fixed media, akusmatisch | 15:00 | Stereo | UEA Norwich, INA • GRM | 0 | ||||||||||
| 2616 | Rodolfo | Caesar | Estudos de causa e efeito I, II, III | 1986 | Zuspiel / Tonband, 1 perf | Stereo | vc [Cello] | vc playing only in part 3 | ESt da Glória Rio | 0 | |||||||||
| 2617 | Rodolfo | Caesar | Fragmentos do paraíso | 1980 | fixed media, akusmatisch | intermedia |
25:00 | Stereo + Stereo | (slides) [] | ESt da Glória Rio | 0 | |||||||||
| 2618 | Rodolfo | Caesar | Harmonia dos mistos | 1982 | intermedia | 5 tracks | several media | ESt da Glória Rio, PS VDL | 0 | ||||||||||
| 2619 | Rodolfo | Caesar | Heavy Metal | 1986 | Hintergrundmusik | 7:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 2620 | Rodolfo | Caesar | Hi-Fi | 1987 | Hintergrundmusik | 11:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 31716 | Rodolfo | Caesar | Ho Ho Ho | 2002 | audiovisuell | 6:50:00 | CD+video (c/ Simone Michelin) Estúdio domiciliar, Rio de Janeiro | PS C. | 1 | ||||||||||
| 2622 | Rodolfo | Caesar | Introduction to the Stone, Norfolk flint | 1989 | fixed media, akusmatisch | 8:50 | Stereo | 1. part of Norfolk Flint | UEA Norwich | 1989 vom Composers Desktop Project | 1 | 1994 | |||||||
| 2623 | Rodolfo | Caesar | Les deux saisons | 1975 | fixed media, akusmatisch | 6:46 | Stereo | Étude de stage | RC 8859 a arte dos sons/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 27.8.1976 | Paris, Festival Estival, Th. Récamier | 0 | ||||||
| 2624 | Rodolfo | Caesar | Moema | 1995 | Theatermusik | Stereo | PS C. | 0 | |||||||||||
| 2625 | Rodolfo | Caesar | Mosaic blues | 1983 | fixed media, akusmatisch | 18:54 | Stereo | INA • GRM | 28.1.1985 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 2626 | Rodolfo | Caesar | Neolitica | 1990 | fixed media, akusmatisch | 7:10 | Stereo | 2. part of Norfolk Flint | UEA Norwich | 0 | |||||||||
| 2627 | Rodolfo | Caesar | Niemietoia | 1994 | fixed media, akusmatisch | 11:09 | Stereo | RD003 MEB Rioarte/ | PS C. | 0 | |||||||||
| 2628 | Rodolfo | Caesar | Norfolk Flint, Introduction to the Stone Neolitica Canto |
1989/1990 | fixed media, akusmatisch | 30:00 | UEA Norwich | 1 | 1994 | ||||||||||
| 2629 | Rodolfo | Caesar | O deserto | 1987 | fixed media, akusmatisch | 23:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 2630 | Rodolfo | Caesar | O sopro… | 1988 | audiovisuell | Mono | ESt da Glória Rio | 0 | |||||||||||
| 2631 | Rodolfo | Caesar | Penelope | 1995 | Theatermusik | Stereo | PS C. | 0 | |||||||||||
| 31710 | Rodolfo | Caesar | Pernas Vazias | 2003 | fixed media, akusmatisch | Trilha musical para a peça de Regina Miranda. | 0 | ||||||||||||
| 2632 | Rodolfo | Caesar | Presença | 1988 | Zuspiel / Tonband, 1 perf | 40:00 | Stereo | vc [Cello] | ESt da Glória Rio | 0 | |||||||||
| 31719 | Rodolfo | Caesar | Ranap-Gaô | 2000 | fixed media, akusmatisch | 9:00:00 | CD Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | ||||||||||
| 31717 | Rodolfo | Caesar | RANAP-GAÔ (V.2) | 2001 | audiovisuell | 9:00:00 | CD+video (c/ Simone Michelin) Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | ||||||||||
| 2621 | Rodolfo | Caesar | Revoluções industriais, Industrial revolutions | 1993 | fixed media, akusmatisch | 16:40 | Stereo | MIDI | CMJ Vol 23-4, 1999/ LAMI 008/ | PS C. | INA • GRM | 1 | |||||||
| 2633 | Rodolfo | Caesar | Ricercare-Fuga | 1985 | Tanz | 22:00 | Stereo | 2 dancer [Tanz] | ESt da Glória Rio | 0 | |||||||||
| 31718 | Rodolfo | Caesar | Rupestre | 2000 | fixed media, akusmatisch | 20:00:00 | CD Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | ||||||||||
| 2634 | Rodolfo | Caesar | Sinfonia | 1986 | Tanz | 30:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 31712 | Rodolfo | Caesar | Steve Lá, 3 CLIPS | 2003 | audiovisuell | (terceira parte de 3 CLIPS), CD+video (c/ Larissa Pschetz) Estúdio domiciliar, Rio de Janeiro. | PS C. | 1 | |||||||||||
| 2635 | Rodolfo | Caesar | Tempo real | 1986 | Hintergrundmusik | 120:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 31711 | Rodolfo | Caesar | Tinnitus, O LIVRO BRASILEIRO DOS MORTOS | 2003 | fixed media, akusmatisch | (segunda parte d'O LIVRO BRASILEIRO DOS MORTOS), CD, Estúdio domiciliar, Rio de Janeiro. | PS C. | 0 | |||||||||||
| 2637 | Rodolfo | Caesar | Tremola impresso | 1981 | fixed media, akusmatisch | 17:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 2638 | Rodolfo | Caesar | Tutti Frutti | 1976 | Theatermusik | 18:00 | Stereo | RC 8859 a arte dos sons/ | INA • GRM | 27.8.1976 | Paris, Th. Récamier | 0 | |||||||
| 2639 | Rodolfo | Caesar | Vibrata | 1982 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | perc [Schlagzeug] | ESt da Glória Rio | 0 | |||||||||
| 2640 | Rodolfo | Caesar | Vivo (Diabolus in machina) | 1984 - 1988 | fixed media, akusmatisch | 18:00 | Quadro | 2 Versions | ESt da Glória Rio | 10.10.1984 | 0 | ||||||||
| 2641 | Rodolfo | Caesar | Volta Redonda | 1992 | fixed media, akusmatisch | 19:24 | Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ LAMI 008/ | UEA Norwich, INA • GRM | INA • GRM | 1 | ||||||||
| 2636 | Rodolfo, Peter | Caesar, Schuback | Tramontata e la luna | fixed media, akusmatisch | 0 | ||||||||||||||
| 34110 | Santiago | Caetano Grau | Riga | 2013 | fixed media, akusmatisch | 4:27 | FONAM Urugay/ | 0 | |||||||||||
| 33456 | John | Cage | 0’00’’ | 1962 | live-elec, 1 perf, 1 group | 2:36 | perfs (amp objects), (amp action) [Performer] | „In a situation provided with maximum amplification (no feedback), perform a disciplined action… Fullfilling in whole or part an obligation to others“ (sr 361). | SR 361, Early Electronic and Tape Music/ | 1 | |||||||||
| 2642 | John | Cage | A Dip in the Lake | 1978 | live-elec, 1 perf | 1 or more perf [Performer] | 0 | ||||||||||||
| 2643 | John | Cage | Alla ricerca del silenzio perduto | 1977 | Performance, Zuspiel, live-elec, | (mic) [] | for trains, played also on the stations | 0 | |||||||||||
| 2644 | John | Cage | Antic Meet | 1961 | Tanz, live-elec, 1 perf | var | multichannel | p [Piano] | dance version of "solo for piano" 1958 | PS Stony Point | 0 | ||||||||
| 2645 | John | Cage | Aria with Fontana mix, Fontana mix with aria Aria |
1958 | Zuspiel, live-elec, 1 perf | S [Sopran] | Earle Brown Contemporary Sound Series with Cathy Berberian. „Aria, to be used alone or with Fontana Mix.“ (sr 361) |
Mainstream MS 5005 Earle Brown Contemporary Sound Series Vol 4/ WER 6934/ OP 009/ ACMEM 254CD/ | 0 | ||||||||||
| 2646 | John | Cage | Atlas Eclipticalis | 1961 | live-elec, 1 group | ≈ 40:00 | var ens [Ensemble] | contact mic mode 3/6 = simultaneous performance of Atlas Eclipticalis (ens) with winter music (3 p) |
Asphodel 2000/ mode 3/6/ WER 69512/ MW 52/ | PS Stony Point | 0 | http://www.straebel.de/praxis/text/t-atlas_sax.htm | |||||||
| 2647 | John | Cage | Bird Cage | 1972 | Zuspiel / Tonband, 12 perf | 12 perf (taperecorders) [Performer] | EMF 113/ EMF 013/ | 1 | |||||||||||
| 2648 | John | Cage | But what about the noise of crumpling paper which he used to do in order to paint the sries of "papiers froissés" or tearing up paper to make "papiers déchirés"? Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests | 1985 | live-elec, 11 perf | 39:44 | 3 - 10 perc, perc (waterdrum) [Schlagzeug] | Inventionen 25.1.1992, les perc Strassb. | 1 | ||||||||||
| 2649 | John | Cage | Carillon Piece No. 4 | 1961/1966 | Zuspiel, live-elec, 1 perf | 10:00 | carillon [Keyboard] | delay, effects | PS Stony Point | 1 | |||||||||
| 2650 | John | Cage | Cartridge Music, Duet for cymbal Piano Duet |
1960 | live-elec, 1 perf, 1 group | ≈ 20:43 | mul perf (Phonograph cartridges, auxiliary sounds) [Performer] | „For amplified ,small sounds’. A cartridge is an ordinary phonograph pick-up in wich customarily a playing needle is inserted“ | ed. rz 1002/ Mainstream MS 5015 Earle Brown Contemporary Sound Series Vol 16/ SR 361, Early Electronic and Tape Music/ ACMEM 254CD/ | PS Stony Point | 1 | 1984 | |||||||
| 2651 | John | Cage | Child of Tree / Branches | 1975 | live-elec, 1 perf | amp perc, (plants) [Schlagzeug] | BVHAAST 0503/ | 0 | |||||||||||
| 2652 | John | Cage | Concerto grosso | 1979/1980 | intermedia, live-elec, 4 perf | 4 perf (tv-players, 12 radios) [Performer] | 0 | ||||||||||||
| 2653 | John | Cage | Diary: how to improve the world (you will only make matters worse) | 1966 | live-elec, 1 perf | 30:00-60:00 | 6, or more | amp V, (elec equipment) [Stimme] | WER 3022-2/ | PS Stony Point | 0 | ||||||||
| 2654 | John | Cage | electronic music for piano | 1964 | live-elec, 1 perf | var | multichannel | amp p [Piano] | PS Stony Point | 0 | |||||||||
| 42203 | John | Cage | Empty Words | 2012 | radiophon | 50 | WDR Studio Akustische Kunst | 12.10.2012 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3304660&vi=6&SID | ||||||||
| 2655 | John | Cage | Etcetera | 1973 | Tanz, 3 perf, 1 group | ens, 3 conductor [Performer, Ensemble] | 0 | ||||||||||||
| 2656 | John | Cage | Etcetera 2 / 4 Orchestras | 1985 | Zuspiel / Tonband, 4 groups | 4 orc [Orchester] | 0 | ||||||||||||
| 28031 | John | Cage | Europera 3 | 1990 | Performance, Zuspiel, live-elec, 8 perf | 70:00 | 6 V, 2 p, (record-players, "Truckera" tape) [Stimme, Piano] | mode 38/39/ | 0 | ||||||||||
| 28032 | John | Cage | Europera 4 | 1990 | Performance, Zuspiel, live-elec, 3 perf | 30:00 | 2 V, p, (record-players, "Truckera" tape) [Stimme, Piano] | mode 38/39/ | 0 | ||||||||||
| 2657 | John | Cage | Europera 5 | 1991 | Performance, Zuspiel, live-elec, 3 perf | 60:00 | 2 V, p, (sound-machines) [Stimme, Piano] | sound-machines (78-rpm victrola; "Truckera" tape) | mode 36/ MW 52/ | 0 | |||||||||
| 2659 | John | Cage | Five Stone Wind | 1988 | Tanz, live-elec, 1 perf | 55:02 | 1 mus (with drum, feedback) [Musiker] | mode 24/ | 0 | http://www.moderecords.com/ | |||||||||
| 2660 | John | Cage | Fontana mix, Fontana mix with aria Aria with Fontana mix |
1958 | live-elec, 2 perf | 11:39 | Mono + Mono + Mono + Mono | (radio, 2 open-reel tape machines,) synt, V [Stimme, synthesizer] | "can be combined with "Solo for piano", "Aria", "Solo for Voice 2"; var number of tapes. „The use of this materila is not limited to tape music but may be used freely for instrumental, vocal and theatrical purpose“. - „Aria, to be used alone or with Fontana Mix.“ |
MAS M 133/ FTS / Tim/ TV 34046S turnabout/ Columbia OW 7613 VX/ mode 222/ SR 361, Early Electronic and Tape Music/ IDEAMA CD 069/ IDEAMA CD 070/ | Fonologia Milano, Sonology Utrecht | 1 | http://www.straebel.de/praxis/index.html | ||||||
| 33565 | John | Cage | Four3 | 1991 | Tanz, live-elec, 4 perf | 4 perf [Performer] | Piano, Rainstick – David Tudor, Michael Pugliese Rainstick – John D.S. Adams Rainstick, Electronics [Oscillator] – Takehisa Kosugi Dance: Beach Birds (1991) |
NWR 80712/ | 1 | ||||||||||
| 33568 | John | Cage | Four6 | 1992 | Tanz, live-elec, 4 perf | 4 perf [Performer] | Computer [Laptop] – Jim O'Rourke, Paul DeMarinis Percussion, Tape, Electronics [Live], Voice – Takehisa Kosugi Trombone – Stuart Dempster Dance: Rondo (1996) |
NWR 80712/ | 1 | ||||||||||
| 2662 | John | Cage | Hymns and Variations | 1979 | live-elec, 12 perf | 12 amp V [Stimme] | after W. Billings | 0 | |||||||||||
| 2663 | John | Cage | Imaginary Landscape No. 1 | 1939 | live-elec, 4 perf | 6:00 | p, perc, 2 perf. [Piano, Schlagzeug, Performer] | record-players (Testton-Schallplatten) with var speed | KOBY 1501-04/ WER 286247-2/ WER 6247-2/ IDEAMA CD 071/ | 1 | |||||||||
| 2664 | John | Cage | Imaginary Landscape No. 2, Imaginary Landscape No. 2 (March No. 1) | 1940/1942 | live-elec, 5 perf | 5 perc [Schlagzeug] | record-players with var speed, amp "small sounds" with transducers | KOBY 1501-04/ | May 7, 1940 | Seattle | 1 | 1994 | http://johncage.org/pp/John-Cage-Works.cfm | ||||||
| 2665 | John | Cage | Imaginary Landscape No. 3 | 1942, 1965 | Zuspiel / Tonband, 6 perf | 3:34 | Mono | 6 perc [Schlagzeug] | elec & mech. devices | Siemens AG/ Earlabs LC 007/ | Siemens | 1 | 1994 | ||||||
| 2666 | John | Cage | Imaginary Landscape No. 4 | 1951 | live-elec, 25 perf | 4 | (12 radios,) 24 perf, 1 conductor [Performer] | KOBY 1501-04/ | 1 | ||||||||||
| 2667 | John | Cage | Imaginary Landscape No. 5 | 1952, 1986 | fixed media, akusmatisch | 4:00 | Mono | The score is for making a recording on tape, using as material any 42 phonograph records | SR 361, Early Electronic and Tape Music/ | CSC Padova, PS Barron NY | 1 | ||||||||
| 2668 | John | Cage | Improvisation I - IV | 1977 - 1982 | Tanz | 0 | |||||||||||||
| 2669 | John | Cage | Indeterminacy, new aspect of form in instrumental and electronic music | 1959 | Zuspiel, live-elec, | 90:00 | SF 40804 / 5/ FTS 3704/ | 1 | |||||||||||
| 33557 | John | Cage | Inlets | 1977 | Tanz, 4 perf | 4 perf [Performer] | Conch Shells With Water – John Cage, Mel Mercier, Paeder Mercier Horn [Foghorn], Tape – John David Fullemann Dance: Inlets (1977) |
NWR 80712/ | 1 | ||||||||||
| 2670 | John | Cage | Instances of Silence | 1982 | Klangkunst, Installation | 0 | |||||||||||||
| 2671 | John | Cage | Letter(s) to Erik Satie | 1978 | live-elec, 1 perf | V, (tape-loops) [Stimme] | 0 | ||||||||||||
| 2672 | John | Cage | Muoyce, Writing for the fifth time through Finnegans Wake | 1984 | radiophon | 113:34 | WER 6307-2/ | WDR Studio Akustische Kunst | 12.6.1984 | WDR | 1 | ||||||||
| 2673 | John | Cage | Mureau (Music of Thoreau, Mureau) | 1970 | Zuspiel, live-elec, 1 perf | 67:00 | Sp [Sprecher] | eine improvisierte Litanei eines Textes, der eine Buchstabe-Silbe-Wort-Phrase-Satz-Mischung aller thoreau’schen Bemerkungen über Töne und Musik ist. MU ist die erste Silbe des Wortes Musik und REAU die letzte Silbe von Thoreau (aus: MetaMusik 1972 1. Konzert) | ed. rz 9006/07/ Edition S Press ISBN 3-924215-14-6/ S Press 14/ | 0 | |||||||||
| 2674 | John | Cage | Music for amplified Toy Pianos | 1960 | live-elec, 1 perf, 1 group | var no of toy p [Piano] | PS Stony Point | 0 | |||||||||||
| 28033 | John | Cage | Music walk | 1958 | Performance, Zuspiel, live-elec, 2 perf | 20:00 | 1 or more p, single p, (radio and/or recordings) [Piano] | mode 47/ | 0 | http://www.johncage.info/index1.html | |||||||||
| 2675 | John | Cage | One = 4'33 | 1952 | Performance, live-elec, | 4:33 | (amp hall) [] | 0 | |||||||||||
| 2676 | John | Cage | Paragraphs of Fresh Air | 1979 | live-elec, 5 perf | (radiostation with 11 soundsources,) 4 technician, V [Stimme, Performer] | 0 | ||||||||||||
| 27330 | John | Cage | Paying Attention, From Zero | audiovisuell | 6:19 | excerpt from the larger film „From Zero“ | Ellipsis Arts 3694 - OHM DVD/ mode 130/ | 1 | |||||||||||
| 2677 | John | Cage | Radio Music | 1956 | live-elec, 8 perf | 1 - 8 (radio) player [Performer] | KOBY 1501-04/ CRSLP 6101/ | 0 | |||||||||||
| 2678 | John | Cage | Roaratorio, an Irish Circus on "Finnegans Wake" | 1981 | Zuspiel/Tonband, 2 perf, 1 group | Tanz |
65:00 | 62 Tracks, Spazialisation: Kunstkopf | Sp, perf, ens (Bagpipe, Bodhrán, Fiddle, Flute, Performer, Vocal) [Sprecher, Performer, Ensemble] | with 62 track tape | mode 28/29/ WER 6303/ WER 286303/ ISBN 3-7610-8185-5/ | IRCAM, WDR Studio Akustische Kunst | 22.10.1979 | WDR 3 | Karl-Sczuka-Preis 1979 | Peters | 1 | http://www.moderecords.com/ | ||
| 22094 | John | Cage | Roaratorio, Ein Irischer Circus über Finnegans Wake | 1979 | radiophon | 60:30 | WER 6307-2/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst, IRCAM | 22.10.1979 | WDR | Karl-Sczuka-Preis 1980 für John Cage | 1 | |||||||
| 2679 | John | Cage | Rocks | 1986 | Performance, live-elec, | (var soundsources are radio, tv, fan) [] | 0 | ||||||||||||
| 2680 | John | Cage | Rozart Mix | 1965 | live-elec, 1 group | fixed media, akusmatisch |
>90 | 12 Tracks | var ens (88 tape loops, 12 tapes) [Ensemble] | SR 190 sub rosa/ EMI 50999 2 34454 2 0/ EMI 1C 165-28 954-57 Y/ EMI EAC 80226/ | Uni Waltham | May 1965 | Waltham, Mass. | Peters | 0 | |||||
| 28035 | John | Cage | Ryoanji | 1985 | Zuspiel, Performance, 1 perf | 23:00 | octobass-fl (also V-version) [Flöte] | Neuma 450-77/ NWR 80456/ WER 69512/ OPX 013/ | 0 | http://www.johncage.info/index1.html | |||||||||
| 2681 | John | Cage | Score (40 Drawings by Thoreau) and 23 Parts: 12 Haiku | 1974 | Zuspiel, live-elec, 2 perf | var ins, V [Stimme, Instrument] | 0 | ||||||||||||
| 28034 | John | Cage | Sculptures Musicales | 1989 | Performance, live-elec, 3 perf | Tanz, live-elec, 3 perf |
33:00 | 3 perf, (amp objects) [Performer] | Dance: Inventions (1989) | mode 223/ NWR 80712/ | 1 | http://www.johncage.info/index1.html | ||||||||
| 2682 | John | Cage | Silent Environment | 1979/1980 | Klangkunst, Installation | 0 | |||||||||||||
| 2684 | John | Cage | solo for voice II, solos for voice 2 | 1966 | live-elec, 3 perf | var 12:52 | multichannel | 3 perf [Performer] | also electronic realization (on CD Odyssey 32160156), with David Tudor, Gordon Mumma | CBS S34 61066/ Odyssey 32160156/ | PS Stony Point | 0 | |||||||
| 2685 | John | Cage | Song Books I + II | 1974 | live-elec, 1 perf | V [Stimme] | WER 60074/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||||
| 2686 | John | Cage | Sounds of Venice, Fontana Mix | 1959 | Fernsehen, | 3:00 | Mono + Mono + Mono + Mono | Fonologia Milano, Sonology Utrecht | 1 | ||||||||||
| 2687 | John | Cage | Telephones and Birds | 1977 | live-elec, 3 perf | 3 perf [Performer] | 0 | ||||||||||||
| 2688 | John | Cage | The Beatles 1962-1970 | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 2689 | John | Cage | Theatre Piece (Fontana Mix) | 1960 | fixed media, akusmatisch | 0 | |||||||||||||
| 33550 | John | Cage | Variation V | 1965 | Tanz, live-elec, 3 perf | 3 perf [Performer] | Electronics [Live] – David Tudor, Gordon Mumma, John Cage Dance: Variations V (1965) |
NWR 80712/ | 1 | ||||||||||
| 21205 | John | Cage | Variations I | 1958 | Zuspiel, live-elec, 2 perf | 8:50 | Stereo | 2 perf, (any ins like record player, cassette tape, radio, Sp, 3 perf) [Performer] | „Parts to be prepared from the score, with or wothout the extra materilas; any number of players, any kind and number of instruments“ | col legno WWE 1CD 31895, 50 Jahre Neue Musik in Darmstadt, Vol. 2/ S 34 61064/ Neos 11213/ SR 361, Early Electronic and Tape Music/ | PS Stony Point | 1 | |||||||
| 2690 | John | Cage | Variations II | 1963 | Zuspiel, live-elec, 1 perf | ≈ 20 | Mono + Mono + Mono | p or ins [Piano, Instrument] | realized also by Vaggione & Echarte in Cordoba (Argentina) | JME-1/ WER 69512/ Columbia MS 7051/ SICC 78/ NWR 80737/ OP 0008/ | PS Stony Point | Peters N.Y. | 1 | ||||||
| 2691 | John | Cage | Variations III | 1963 | live-elec, 1 perf, 1 group | var | multichannel | var no of perf [Performer] | also perf simultaneously with Variations II | PS Stony Point | 0 | ||||||||
| 2692 | John | Cage | Variations IV | 1964 | Zuspiel, live-elec, 1 perf, 1 group | ≈ 180:00 | multichannel | var no of mus [Musiker] | PS Stony Point | 0 | |||||||||
| 2693 | John | Cage | Variations V | 1965 | Tanz | intermedia, live-elec, 1 group |
≈40:00 | 6-16 Tracks | dancers, (radio) [Tanz] | slides, M. Mathews 96-ch-mixer, opto-trigger, triggering of tapes by dancers. Soundsystem designed by David Tudor |
PS Stony Point | 23.7,1965 | NY Philharmonic hall | 0 | ||||||
| 2694 | John | Cage | Variations VII, 9 evenings: Theatre & Engineering | 1966 | Performance, live-elec, 39 perf | var 85:59 | 17 Tracks | 10 artist, 30 perf (engineers and scientists from Bell Lab) [Performer] | telephone lines, micro, materials, gen, Geiger-counter etc.; photocells trigger sounds off and on | E.A.T. & ARTPIX/ ISBN 978-0-9668010-8-8/ | PS Stony Point | October 13-23, 1966 | 69th Regiment Armony, New York | 1 | |||||
| 2695 | John | Cage | Voiceless Essay | 1986 | Tanz | Dance: Points in Space (1986) | EMF CD 012/ NWR 80712/ ISAST LMJ 8/ | 1 | |||||||||||
| 2696 | John | Cage | Water walk, Fontana Mix | 1959 | Fernsehen, | 3:00 | Mono | IDEAMA CD 113/ | Fonologia Milano, Sonology Utrecht | Peters | 1 | ||||||||
| 2697 | John | Cage | WBAI, (Fontana Mix) | 1960 | live-elec, 4 perf | 7 | 4 perf (Sine Wave Oscillator, record player, synt, radio) [Performer] | SR 361, Early Electronic and Tape Music/ | 0 | ||||||||||
| 2698 | John | Cage | Where Are We Going? And What Are We Doing? | 1960 | Zuspiel / Tonband, 1 perf | Sp, (4 tape rec) [Sprecher] | 0 | ||||||||||||
| 2699 | John | Cage | Williams Mix | 1952 | fixed media, akusmatisch | 4:15 | Octo | score for 8 tapes and 8 taperecorders. Perhaps the first 8-channel-performance | Ava/ WER 286247-2/ Ellipsis Arts 3671 - OHM: 01/ EMF CD 039/ IDEAMA CD 070/ Boomkat bundle_158/ | PS Barron NY | 28.10.1952 | Museum of Modern Art NY | 1 | ||||||
| 2700 | John | Cage | Wintermusic | 1957 | live-elec, 12 perf | ≈ 75:00 | 1 - 12 p [Piano] | Asphodel 2000/ ed. RZ 1018-1019/ EMI EAC 85015/ EMI EAC 60154/ Finna QD 9006/ | PS Stony Point | 0 | |||||||||
| 27465 | John, Maryanne | Cage, Amacher | empty words / close up | 1978 - 1985 | Zuspiel, Performance, | ≈ 600:00 | WER 60074/ | 1979 | Bonn | 0 | http://www.maryanneamacher.org | ||||||||
| 33804 | John, Werner, Valerio | Cage, Dafeldecker, Tricoli | Williams Mix Extended | 1952, 2011 - 2012 | fixed media, akusmatisch | 32 | Performer: Werner Dafeldecker and Valerio Tricoli. Support by: Goethe Institut, MAERZ-Musik, Elektronisches Studio TU Berlin, ZKM Karlsruhe |
QB 28/ | Studio Beige Berlin | 4.5.2012 | DeutschlandRadio | 1 | |||||||
| 2683 | John, Clytus, Josef Anton | Cage, Gottwald, Riedl | solo for voice I | 1958 | Zuspiel / Tonband, 1 perf | Mono | V [Stimme] | excerpt from "Komposition für elektronische Klänge Nr. 2" | Siemens, ARD | 0 | http://de.wikipedia.org/wiki/Josef_Anton_Riedl | ||||||||
| 2661 | John, Lejaren | Cage, Hiller | HPSCHD | 1967 - 1969 | Performance, live-elec, 58 perf | audiovisuell, 58 perf |
1 to 5 hours 300 | 59 Tracks | 1 - 7 hpd (208 tapes {4 copies of each of the 52}), 52 player (tape-players,13 stations with 4 each), (59 amp, 6400 slides {5000 from NASA}, 64 slide-projectors, 40 films, 8 motion picture projectors, 11100 x 40 foot silk screens and a 340 foot circumference circular screen made by Calvin Sumsion) [Cembalo, Performer] | Multi-Media event. For Antoinette Vischer. later version "KNOBS" (1971) different Twenty-Minute-Solos. |
nonesuch H 71224/ EMF 038/ IDEAMA CD 069/ | Antoinette Vischer | 16.05.1969 | Assembly Hall, Uni of Illinois at Urbana-Champaign | C. F. Peters | 1 | http://library.buffalo.edu/music/exhibits/hillerexhibitsummary.pdf | |||
| 22761 | John, Kenneth | Cage, Patchen | The City Wears A Slouch Hat | 1942 | radiophon | ?; Columbia Radio Workshop | 1 | ||||||||||||
| 22455 | John, Volker | Cage, Straebel | Urban Circus on Berlin Alexanderplatz | 1979/2001 | Zuspiel, live-elec, 1 perf | 71:05 | Sp [Sprecher] | Einführungsvortrag 23.1.2001 im IfNM der HdK, im Rahmen des Ultraschallfestivals. Sprecher: Hanns Zischler. Produktion ursprünglich am IRCAM, wo das Konzept "Circus on, means for translating any book into a performance without actors, a performance which is both literary and musical or one or the other". Vorhanden: die genaue Anweisung von Volker Straebel. |
Radio SFB | 24.1.2001 | gr. Sendesaal des SFB | 1 | |||||||
| 2658 | John, David | Cage, Tudor | experiments in sounds, Klangexperimente | 1963 | fixed media, akusmatisch | Mono | Siemens-CD ≈ 1:48 | Siemens AG/ Earlabs LC 007/ | Siemens | 0 | |||||||||
| 33625 | John, David | Cage, Tudor | Mesostics re Merce Cunningham / Untitled | 1972 | Performance | 55:17 | V, perf [Stimme, Performer] | [simultaneous performance] John Cage, voice; David Tudor, live electronics | NWR 80737/ | Peters NY Estate of David Tudor |
1 | ||||||||
| 28036 | John, David, Gordon | Cage, Tudor, Mumma | 52/3 | 1972 | Performance, live-elec, 3 perf | p, 2 perf [Piano, Performer] | NWR 80712/ | 1 | http://www.johncage.info/index1.html | ||||||||||
| 2701 | Robert | Cahen | Craie | 1971 | fixed media, akusmatisch | 4:50 | Stereo | INA • GRM | 24.9.1971 | Paris Biennale | 0 | ||||||||
| 40734 | Robert | Cahen | Elle a une vision | 1973 | Film | INA • GRM | 0 | ||||||||||||
| 40732 | Robert | Cahen | Images du Carnaval de Bâle | 1973 | Film | INA • GRM | 19.3.1973 | TV ORTF, 2. chaine | 0 | ||||||||||
| 40722 | Robert | Cahen | L’Oeil du Miroir | 1971 | audiovisuell | Musique électronique pour un essai video. | INA • GRM | 0 | |||||||||||
| 2702 | Robert | Cahen | La nef des fous | 1974 | fixed media, akusmatisch | 12:00 | Stereo | INA • GRM | 26.1.1976 | Paris, Th. Récamier | 0 | ||||||||
| 40724 | Robert | Cahen | La vie q comme quotidienne | 1972 | radiophon | Texte de Amette | INA • GRM | ORTF pour Atelier de Création Radiophonique | 6.2.1972 | ORTF France Musique | 0 | ||||||||
| 40723 | Robert | Cahen | Masques | 1972 | Film | 13 | INA • GRM | 19.5.1972 | Paris, Musée Guimet | 0 | |||||||||
| 2703 | Robert | Cahen | Masques 2 | 1973 | fixed media, akusmatisch | 9:00 | Stereo | Suite tirée de la version film | INA • GRM | 19.3.1973 | Paris, Th. Récamier | 0 | |||||||
| 2704 | Robert | Cahen | Passe compose | 1971 | fixed media, akusmatisch | 5:23 | Stereo | INA • GRM | 0 | ||||||||||
| 2705 | Robert | Cahen | Persona | 1971 | fixed media, akusmatisch | 8:27 | Stereo | INA • GRM | 24.9.1971 | Paris Biennale | 0 | ||||||||
| 2706 | Robert | Cahen | Plurielles | 1971 | Film | 8:30 | Stereo | INA • GRM | 24.9.1971 | Paris, Biennale | 0 | ||||||||
| 40721 | Robert | Cahen | Signe | 1971 | Hintergrundmusik | 0:33 | Indicatifs (0:33 & 0:29) | INA • GRM | 0 | ||||||||||
| 18440 | Roland | Cahen | A faire peur | 1988 | fixed media, akusmatisch | 9:30 | IMEB Bourges | 0 | |||||||||||
| 18448 | Roland | Cahen | Attention mutations | 1995 | fixed media, akusmatisch | 25:00 | IMEB Bourges | 0 | |||||||||||
| 32024 | Roland | Cahen | COUNT-BASIS | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 18442 | Roland | Cahen | Dans un jardin la nuit | 1990 | fixed media, akusmatisch | 21:00 | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | IMEB Bourges | GMEB | 0 | |||||||||
| 18449 | Roland | Cahen | Deux exercices de pensée concrète | 1995 | fixed media, akusmatisch | 3:00 | IMEB Bourges | 0 | |||||||||||
| 32015 | Roland | Cahen | eTUDES SYMPHONIQUES | 1991 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18446 | Roland | Cahen | Génération Brouillard | 1992 | fixed media, akusmatisch | 24:00 | une des études symphoniques 1992 | IMEB Bourges | 0 | ||||||||||
| 2708 | Roland | Cahen | Hymne a la lumière | 1981 | fixed media, akusmatisch | 31:54 | Stereo | INA • GRM | 1982 | Paris, Cité Universitaire | 0 | ||||||||
| 2709 | Roland | Cahen | Iguanc Café | 1992 | Tanz | 40:00 | CNR Amiens | 0 | |||||||||||
| 2710 | Roland | Cahen | Job | 1987 | Musiktheater | 90:00 | CNR Amiens | 0 | |||||||||||
| 32014 | Roland | Cahen | LA DISPARITION dE RANDOLPH CARTER, Pomort: LA DISPARITION dE RANDOLPH CARTER | 1989 | fixed media, akusmatisch | 19 | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | GRM | 0 | ||||||||||
| 2711 | Roland | Cahen | La légende de Cerf Berr | 1989 | radiophon | Musiktheater |
28:00 | created for Bourges “suite pour la Révolution Francaise“; version R: 19:00 | CNR Amiens, IMEB Bourges | 0 | ||||||||||
| 2712 | Roland | Cahen | La mesure du rêve | 1985 | fixed media, akusmatisch | 34:30 | Stereo | INA • GRM | January 1987 | Paris, Cité Universitaire | 0 | ||||||||
| 2713 | Roland | Cahen | La Mort de Danton, ou Murs | 1988 | fixed media, akusmatisch | 9:35 | Stereo | INA • GRM | 0 | ||||||||||
| 2714 | Roland | Cahen | La Mort de Danton | 1989 | Musiktheater | 40:00 | CNR Amiens | 0 | |||||||||||
| 2715 | Roland | Cahen | Lautanes Magiques | 1991 | intermedia | Film |
60:00 | CNR Amiens | 0 | |||||||||||
| 32018 | Roland | Cahen | LE COMPLEXE DU SIMPLE | 1995 | fixed media, akusmatisch | version 95 de Rapsodie Donc | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | 0 | |||||||||||
| 18445 | Roland | Cahen | Le jardinier maréchal | 1992 | fixed media, akusmatisch | 16:30 | IMEB Bourges | 0 | |||||||||||
| 18443 | Roland | Cahen | Les modems de Hameln | 1991 | fixed media, akusmatisch | 8:10 | IMEB Bourges | 0 | |||||||||||
| 32013 | Roland | Cahen | LIGNE OUVERTE | 1982 | fixed media, akusmatisch | HSM Basel | 0 | ||||||||||||
| 2716 | Roland | Cahen | Métabole No. 1, ou Rendevouz des Artistes | 1983 | fixed media, akusmatisch | 7:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 18441 | Roland | Cahen | Murs | 1989 | fixed media, akusmatisch | 6:45 | IMEB Bourges | 0 | |||||||||||
| 2717 | Roland | Cahen | Murs et murmures | 1997 | fixed media, akusmatisch | 20:30 | IMEB Bourges | GMEB Bourges | Mention Bourges 1988 | 0 | |||||||||
| 32020 | Roland | Cahen | Nocturnes electronique 1 - 2 - 3 | 2003 | fixed media, akusmatisch | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | 0 | ||||||||||||
| 32021 | Roland | Cahen | Nocturnes electronique 5 | 2004 | fixed media, akusmatisch | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | 0 | ||||||||||||
| 32733 | Roland | Cahen | Plain jeu | 2009 | Tanz | 6:10 | music for dancers | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | PS C. | 0 | |||||||||
| 18447 | Roland | Cahen | Pluies à New York | 1993 | fixed media, akusmatisch | 9:00 | IMEB Bourges | 0 | |||||||||||
| 21881 | Roland | Cahen | Presentation | 1985 | fixed media, akusmatisch | 22:00 | IMEB Bourges | 0 | |||||||||||
| 32017 | Roland | Cahen | RAPSODIE… DONC, Le Complexe du Simple | 1994 | fixed media, akusmatisch | La Muse | Mention Concours. Internat. Bourges 94 | 0 | |||||||||||
| 2718 | Roland | Cahen | Rencontre | 1984 | fixed media, akusmatisch | Musiktheater |
17:00 | CNR Amiens | 0 | |||||||||||
| 32022 | Roland | Cahen | ROTATIONS, Gestes | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 32023 | Roland | Cahen | ROTATIONS II | 2006 | fixed media, akusmatisch | 20 | 0 | ||||||||||||
| 18450 | Roland | Cahen | Suite Calliste | 1997 | fixed media, akusmatisch | 33:00 | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | IMEB Bourges | GMEB Bourges | 0 | |||||||||
| 18444 | Roland | Cahen | Synthéphonie | 1992 | fixed media, akusmatisch | 6:10 | IMEB Bourges | 0 | |||||||||||
| 2719 | Roland | Cahen | Tango | 1992 | Tanz | 17:00 | CNR Amiens | 0 | |||||||||||
| 32019 | Roland | Cahen | TANGO AD LIB | 1997 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | l’ENM de Montbéliard | 0 | |||||||||||
| 2720 | Roland | Cahen | Tonmeister ORPHEUS, Orphée Tonmeister | 1997 | Theatermusik | 36:00 | IMEB Bourges | 0 | |||||||||||
| 2721 | Roland | Cahen | Turquie 1917 - 1924 | 1984 | Film | 35:00 | Film for the collection Albert Kahn | CNR Amiens | 0 | ||||||||||
| 2722 | Roland | Cahen | Tutti media devenir du Tutti médiatique | 1989 | fixed media, akusmatisch | 32:30 | Stereo | INA • GRM | 0 | ||||||||||
| 32016 | Roland | Cahen | Va t’en rêve | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 24377 | Roland | Cahen | Wind's wings (enchaîné), Wings Winds | 2000 | fixed media, akusmatisch | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 2707 | Roland, Etienne | Cahen, Saur | Concert des Arbres de la Liberté | 1989 | fixed media, akusmatisch | Performance |
90:00 | CNR Amiens | Ville d'Amiens & ai | 0 | ||||||||||
| 24684 | Thomas | Cahill-Jones | Bounce Exe (Study in Marbles) | 2003 | fixed media, akusmatisch | 6:11 | JTTP 2003 | CEC Cache 2003 UK/ | Musica Viva Competition Prize 2003 | 0 | |||||||||
| 24785 | Thomas | Cahill-Jones | DeLeTE ’e’ Unit | 2000 | fixed media, akusmatisch | 10:06 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 student | 1 | |||||||||
| 2723 | Thaddeus | Cahill | sound works in telephone lines | 1901 | Klangkunst, Installation | Dynamophone | 0 | ||||||||||||
| 2724 | Antonio | Caimari | Peça per a museu | fixed media, akusmatisch | 3:11 | UM CD 7 Vol. I/ | 1 | ||||||||||||
| 24109 | Carlos | Caires | Quattro | 2005 | live-elec, 4 perf | 13:50 | 4 perc [Schlagzeug] | Tempo Reale Firenze | 0 | ||||||||||
| 2725 | Elizabeth | Cairns | Akimbo | 1991 | Zuspiel / Tonband, 1 perf | 4:30 | Stereo | perc, (tabla) [Schlagzeug] | BEAST | 0 | |||||||||
| 2726 | Elizabeth | Cairns | Dark Light | 1993 | Zuspiel / Tonband, 4 perf | 6:30 | Stereo | amp S, A, T, Bar [Sopran, Alt, Tenor, Bariton] | BEAST | 0 | |||||||||
| 2727 | Elizabeth | Cairns | Decadenza | 1993 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | perc [Schlagzeug] | BEAST | 1 | 1994 | ||||||||
| 2728 | Elizabeth | Cairns | Exstreams of Consciousness | 1991 | fixed media, akusmatisch | 14:30 | Stereo | BEAST | 0 | ||||||||||
| 25445 | Cesare Rosa | Calamaro | Ludus | 2000 | fixed media, akusmatisch | 5:29 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 2729 | Geneviève | Calame | L’Homme miroir | 1980 | Zuspiel / Tonband, 1 group | 27:00 | ens [Ensemble] | 0 | |||||||||||
| 2730 | Geneviève | Calame | Le son qui fut mille | 1978 | Zuspiel / Tonband, 1 perf, 1 group | ≈ | ch, perc [Schlagzeug, Chor] | 0 | |||||||||||
| 2731 | Stephen | Calder | A Certain Place | 1985 | fixed media, akusmatisch | 3:57 | Stereo | PS C. | 0 | ||||||||||
| 2732 | Stephen | Calder | Piece for Guitar | 1981 | fixed media, akusmatisch | 2:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 2733 | Stephen | Calder | Rhythm Study | 1982 | fixed media, akusmatisch | 10:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 42965 | Caterina | Calderoni | Pebbles 1 for cello and digital track | 2013 | live-elec, 1 perf | 8:30:00 | vc [Cello] | Madeleine Shapiro, cello | 0 | ||||||||||
| 23119 | James | Caldwell | Mechanism II | 1997 | fixed media, akusmatisch | 6:00 | Cec Presence 3/ | WIU Macomb | 1 | ||||||||||
| 27836 | Geert | Callaert | Monsieur Fantômas (Ernst Moerman) | 2008 | fixed media, akusmatisch | CRFMW Liège | 21.01.2009 | Bruxelles, Beursschouwburg | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 27826 | Geert | Callaert | The Sea Beast (Millard Webb) | 2009 | Zuspiel / Tonband, 1 group | ens [Ensemble] | CRFMW Liège | 28.11.2009 | Ostende, Hermetica-festival, | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 33406 | Michael | Callahan | Y | 1963 | Film | 12 | Mono | SanFran Tape M. C. | 0 | ||||||||||
| 19853 | Lluis | Callejo | A Pitàgores [en do] | 1985 | Zuspiel / Tonband, | 5:07 | Stereo | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 23480 | Lluis | Callejo | A Pitàgores [en re] | 1985 | Zuspiel / Tonband, | 10:31 | Stereo | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 19850 | Lluis | Callejo | Caleidoscopi | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19849 | Lluis | Callejo | Dibuixos | 1984 | Zuspiel / Tonband, 1 perf | 8:20 | Stereo | perc [Schlagzeug] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | ||||||||
| 2734 | Lluis | Callejo | Espai sonor I | 1976 | Zuspiel / Tonband, 1 perf | 5:12 | ob [Oboe] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 23483 | Lluis | Callejo | Espai sonor II | 1979 | Zuspiel / Tonband, 1 perf | ob [Oboe] | Phonos Barcelona | 0 | |||||||||||
| 19851 | Lluis | Callejo | Estructures 6502 | 1982 | fixed media, akusmatisch | 7:29 | Stereo | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 19852 | Lluis | Callejo | Paisatges | 1983 | fixed media, akusmatisch | 11:27 | Stereo | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 19987 | Lluis | Callejo | Stokos 4 | 1976 | Klanginstallation, live-elec, 1 perf, 1 group | 2:12 | Quadro | inss (Stokos) [Instrument] | ambientació; concert homeatge 1995 | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||
| 2735 | Lluis | Callejo | Téxtils | 1984 | Zuspiel / Tonband, 1 perf | 4:40 | cl [Klarinette] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 23482 | Lluis | Callejo | Trio | 1975 | Zuspiel / Tonband, 3 perf | 4:31 | Stereo | fl, ob, cl [Flöte, Klarinette, Oboe] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | ||||||||
| 19848 | Lluis | Callejo | Triptic I | 1977 | Zuspiel / Tonband, 2 perf | 3:37 | Stereo | fl, cl [Flöte, Klarinette] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | ||||||||
| 23481 | Lluis | Callejo | Triptic III | 1977 | Zuspiel / Tonband, 2 perf | 3:32 | Stereo | fl, cl [Flöte, Klarinette] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | ||||||||
| 28168 | Alice | Calm | Rêverie, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 5:19 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 2736 | Christian | Calon | Abysses | 1994 | Klangkunst, Installation | 30:00 | 6 | Paris Museum. For diffusion on 6 groups of LS | GMEM Marseille | 0 | |||||||||
| 2737 | Christian | Calon | CONSTELLATIONS, Surface-Nuage Terre Ressac |
1992 - 1994 | fixed media, akusmatisch | intermedia |
22:12 | polymorphous “Work in project” | PS C. | 0 | ||||||||||
| 34161 | Christian | Calon | Continental divide, Atlantique Arctique et de la Baie d’Hudson Pacifique |
2012 - 2014 | radiophon | audiovisuell |
89 | Stereo, Surround 5.0 | film-installation (90 min) and Radio-play (2012, 52:00 min): 1 Atlantique 18:51; 2 Arctique 11:51; 3 Pacifique 20:37 |
DeutschlandRadio Kultur, WDR Studio Akustische Kunst, PRIM Montréal | Conseil des arts du Canada, Deutschlandradio Kultur, WDR - Studio Akustische Kunst (Köln), PRIM | 2.3.2012 2013 |
Deutschlandradio Kultur (Red.: M. Gammel) Cinémathek Québécoise Montreal |
0 | http://www.klong.ca/proj/cdiv0.html | |||||
| 26202 | Christian | Calon | East, Atlas-Project 3 | 2007 | fixed media, akusmatisch | Spazialisation: WFS | PS C., TU Berlin | Inventionen DAAD & Canada Council | 22.3.2007 | TU Berlin | 0 | ||||||||
| 18950 | Christian | Calon | En vol | 1994 | fixed media, akusmatisch | 3:00 | CEC DISContact_2/ | GMEM Marseille | 1 | ||||||||||
| 2738 | Christian | Calon | Hockey? O.K.! | 1991 | Tanz | 40:00 | Stereo | PS C. | 0 | ||||||||||
| 2739 | Christian | Calon | La disparition, Présentation 1er mouvement 2e mouvement Le sommeil Totem La mort Épilogue |
1988 | fixed media, akusmatisch | 20:46 | Stereo | ACM 37 CD 1-4/ IMED 9001/ | GMEM Marseille, PS C. | GMEM and the Canada Council | June 17th, 1988 | Jardin des Vestiges, Marseille | 2nd prize NEWCOMP ISCM selected 1989 |
1 | 1992 | ||||
| 2740 | Christian | Calon | La voisine | 1989 | Tanz | 25:00 | Stereo | PS C. | 0 | ||||||||||
| 2741 | Christian | Calon | La voisine | 1995 | audiovisuell | 7:00 | Stereo | remix from a dance-piece to video | TU Berlin | 0 | |||||||||
| 2742 | Christian | Calon | Le déjeuner sur l'herbe | 1990 | fixed media, akusmatisch | radiophon |
1:01 | Stereo | PS C. | 0 | ||||||||||
| 2743 | Christian | Calon | Le soleil | 1990 | fixed media, akusmatisch | radiophon |
1:06 | Stereo | PS C. | 0 | ||||||||||
| 2744 | Christian | Calon | Les corps éblouis | 1992 - 1993 | fixed media, akusmatisch | 22:46 | Stereo | for multipoint spatialization perf. | LDC 278058/59 Cultures Electroniques 8/ Prix ars electronica 97/ IMED 9838/ | INA • GRM | Ina-GRM and french state | June, 1993 | Salle Olivier Messiaen, Maison de la Radio France by Francis Dhomont | 2nd Prize Bourges 1994 Distinctions at the Prix Ars Electronica (Linz, Austria, 1995, 97). |
1 | ||||
| 2745 | Christian | Calon | Lettre à M. | 1995 | radiophon | 11:00 | Stereo | für CBC-Programm "History of EM" | TU Berlin, Musiques et Recherches Ohain | 0 | |||||||||
| 2746 | Christian | Calon | Littoral | 1994 | Klangkunst, Installation | 30:00 | 6 | Paris Museum. For diffusion on 6 groups of LS | GMEM Marseille | 0 | |||||||||
| 2747 | Christian | Calon | Men, Women, Train | 1995 | radiophon | 8:00 | Stereo | TU Berlin | 1 | ||||||||||
| 2748 | Christian | Calon | Minuit, Prologue Minuit (Midnight) Immémorial |
1990 | fixed media, akusmatisch | 40:01 | Stereo | LDC 278049/50 Cultures Electroniques 4/ IMED 9001/ | PS C., INA • GRM, GMEM Marseille | January 31st, 1990 | Maison de la culture Frontenac in Montréal | Newcomp Comp prize; Bourges competition 1st prize 1989 |
1 | ||||||
| 26205 | Christian | Calon | North, Atlas-Project 1 | 2006 | fixed media, akusmatisch | 15:00 | Octo | SARC Belfast | Sonic Arts Network | 29.4.2006 | sonorities Festival Belfast | 0 | |||||||
| 2749 | Christian | Calon | Paradis | 1984 | fixed media, akusmatisch | 19:50 | Stereo | PS C. | 0 | ||||||||||
| 2751 | Christian | Calon | Portrait d'un visiteur | 1985 | fixed media, akusmatisch | 17:07 | Stereo | for multipoint spatialization perf, 4 fragments | IMED 9001/ IMED 0050/ | GMEM Marseille, PS Calon, McGill Montréal | 26.09.1985 | Pollack Hall, Montréal | 1st prize Russolo Varese 1985 | 1 | |||||
| 2753 | Christian | Calon | Ressac, Constellations 3 | 1992 | fixed media, akusmatisch | 6:50 | Stereo | for multipoint spatialization perf (in “Constellations”) | PS C. | 0 | |||||||||
| 34163 | Christian | Calon | South, Atlas-Project 4 | 2007 | fixed media, akusmatisch | 18.10.2007 | L’Espace du son (Brussels, Belgium) | 0 | http://www.electrocd.com/en/bio/calon_ch/oeuvres/ | ||||||||||
| 2754 | Christian | Calon | Surface-Nuage, Constellations 1 | 1992 | fixed media, akusmatisch | 7:14 | Stereo | for multipoint spatialization perf (in “Constellations”) | PS C. | 0 | |||||||||
| 2755 | Christian | Calon | Temps incertains | 1990 | fixed media, akusmatisch | radiophon |
3:00 | Stereo | IMED 9004/ IMED 9604/ | PS C. | 1 | |||||||||
| 2756 | Christian | Calon | Terre, Constellations 2 | 1994 | fixed media, akusmatisch | 8:08 | Stereo | for multipoint spatialization perf (in “Constellations”) | PS C. | 0 | |||||||||
| 2757 | Christian | Calon | The standing man | 1995 - 1996 | fixed media, akusmatisch | 42:10 | 24 Tracks | multichannel spatialization | TU Berlin | Festival Inventionen DAAD/TU 96 | 6.06.1996 | Inventionen Ballhaus Naunynstraße Berlin | Competition Musica Nova Prag 1996 | 1 | 1996 | ||||
| 22930 | Christian | Calon | The Ulysses Project, Les Hommes Invocation Ouverture Le récit Jupiter Circé Bloom HMS Calypso / Tempête 1 + Calypso La langue — le vent Héliosphère Le rêve Hauteur des simulacres Le parking Le contour du réel La frontière Au travers du livre + Deuxième voyage Les sanglots + Tempête 2 Dieu fait le ménage L’homme et Dieu Premier regard d’Ulysse sur la patrie Les retrouvailles |
1996 - 2001 | radiophon | fixed media, akusmatisch |
54:00 | Stereo, Surround 5.1 | 21 parts | IMED 11107/ | DeutschlandRadio, Radio Canada, PRIM Montréal, INA • GRM, PS C. | 4.12.1998 | Radio | Victor Martyn Lynch-Staunton Award (Canada Council for the Arts (CCA), 1996) Grand Prix Marulic (Hrvatska radiotelevizija (HRT), Croatia, 1999). |
1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1412765&vi=53&SID | ||||
| 25856 | Christian | Calon | Time well, Part of the Atlas-Project: immobilitè arrivées résorption lignes accélérées |
2006 | fixed media, akusmatisch | 17:00 | 1 | 2006 | |||||||||||
| 24178 | Christian | Calon | Vers les Oiseaux | 2002 | fixed media, akusmatisch | 4:54 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 34162 | Christian | Calon | West, Atlas-Project 2 | 2006 | fixed media, akusmatisch | 15 | Réseaux des arts médiatiques | 4.11.2006 | Akousma Montreal | 0 | http://www.electrocd.com/en/bio/calon_ch/oeuvres/ | ||||||||
| 38514 | Christian | CALON | Z/S Zeit/Spiegel | 2001 | radiophon | 53:36:00 | 0 | ||||||||||||
| 2758 | Christian | Calon | Zones Pélagiques | 1994 | Klangkunst, Installation | 30:00 | 6 | Paris Museum. For diffusion on 6 groups of LS | GMEM Marseille | 0 | |||||||||
| 27744 | Christian, Christian, Mario, Monique | Calon, Bouchard, Gauthier, Jean | theresa transistor, Espace critique Au bord de l’espace Espace nuisible Espace du dedans Espace composé Espace vécu Espace libre Espace littéraire Manque d’espace |
2010 | fixed media, akusmatisch | 60:00 | ohm 052 / | 1 | http://www.electrocd.com/en/cat/ohm_052/ | ||||||||||
| 23542 | Christian, Chantal | Calon, Dumas | 2 radio roadmovies: The little man in the Ear Surface Documents, Documents de surface |
2000 - 2002 | radiophon | 109:00 | Doppel-CD; Dauern: 57 + 52 Minuten. Fahrt durch Canadas Norden; Natürgeräusche; Tiere, Pflanzen etc. | 326 006 / 007 326music/ | PS C., DeutschlandRadio | 1 | |||||||||
| 2750 | Christian, Claude | Calon, Schryer | Pêche | 1990 | radiophon | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 2752 | Christian, Claude | Calon, Schryer | Prochaine station | 1990 | fixed media, akusmatisch | radiophon |
3:00 | Stereo | IMED 9004/ IMED 9604/ | PS C. | 1 | |||||||||
| 2759 | Charo | Calvo | Blind Dog | 1994 | Tanz | 8:15 | Stereo | PS C. | 1 | ||||||||||
| 22318 | Charo | Calvo | Cette blessure | fixed media, akusmatisch | 9:44 | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||||
| 27759 | Charo | Calvo | Entretemps | 2008 | fixed media, akusmatisch | Stereo | Musiques et Recherches Ohain | 0 | |||||||||||
| 41614 | Charo | Calvo | Les bains de la Perche | 1998 | fixed media, akusmatisch | 8:06:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 41612 | Charo | Calvo | Musique pour "Seven for a secret", Seven for a secret | 1997 | Tanz | 9:30:00 | chorégraphie de Wim Vandekeybus | Musiques et Recherches Ohain | 0 | ||||||||||
| 41611 | Charo | Calvo | Narcisse | 1997 | fixed media, akusmatisch | 9:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 37593 | Charo | Calvo | not my sorrow | 2017 | fixed media, akusmatisch | Octo | 25.8.2017 | mikromusic Berlin, BKP des DAAD | 0 | ||||||||||
| 37646 | Charo | Calvo | Qualia | 2017 | radiophon | 44:25 | Stereo | radiophonic work using several languages | ACSR, PS C., Musiques et Recherches Ohain | Phonurgia Nova International Radio Competition (France) in 2017 „Sound Art“ award | 0 | ||||||||
| 27758 | Charo | Calvo | So Real | 2001, 2017 | fixed media, akusmatisch | 13:20 | Quadro | Musiques et Recherches Ohain | Musiques et Recherches Ohain | 0 | |||||||||
| 38976 | Charo | Calvo | The Grass | 2018 | fixed media, akusmatisch | Quadro | 8.7.2018 | Villa Elisabeth Berlin | 0 | ||||||||||
| 38467 | Charo | Calvo | UM | 2018 | radiophon | audiovisuell |
20 | A Radio Play about numbers, poetry and hope, with the voice of Boris Filanovsky and Natalia Pschenitschnikowa based on a letter by the Russian poet Velimir Khlebnikov | TU Berlin | 19.4.2018 | DAAD Galerie Berlin | 0 | ||||||||
| 41613 | Charo | Calvo | Wild Track / Ulan Bator | 1997 | fixed media, akusmatisch | 6:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 2760 | Miguel Angel | Calzón | La vida perdurable | 1993 | fixed media, akusmatisch | 7:19 | MIDI, SY77, TG77 | Tarka CD 701/ | PS C. | 1 | |||||||||
| 24378 | Miguel Angel | Calzón | Prélèvements | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 2761 | Miguel Angel | Calzón | SLant | 1990 | fixed media, akusmatisch | 3:00 | NeXT | CCRMA | 0 | ||||||||||
| 19410 | Miguel Angel | Calzón | Three Winters | 1991 | Zuspiel / Tonband, 2 perf | 8:39 | Stereo | cl or b-cl, vc [Klarinette, Cello] | CCRMA/ | LIPM B.Aires | 0 | ||||||||
| 33303 | Robert | Cambier | Dernier feu d’artifice | 1959 | Film | 5 | „drawn sound“ on film | SIS Paris | 0 | ||||||||||
| 33306 | Robert | Cambier | Fantasie sur 4 cordes | 1957 | Film | 4 | „drawn sound“ on film | PS Marignan Paris | 0 | ||||||||||
| 2762 | Robert | Cambier | Jeune fille et l'etoile | 1958 | Film | 10:00 | Mono | SIS Paris | 0 | ||||||||||
| 2764 | Robert | Cambier | Marée Basse | 1959 | Film | 12:00 | Mono | SIS Paris | 0 | ||||||||||
| 33304 | Robert | Cambier | Nocturne Party | 1960 | Film | 5 | „drawn sound“ on film | SIS Paris | 0 | ||||||||||
| 33302 | Robert | Cambier | Space Dance | 1966 | Film | 5 | „drawn sound“ on film | Société C Paris | 0 | ||||||||||
| 2766 | Robert | Cambier | Surprise Boogie 57 | 1957 | Film | 5:00 | Mono | Marignan Paris | 0 | ||||||||||
| 2767 | Robert | Cambier | Un Nommé Z | 1960 | Film | 15:00 | Mono | SIS Paris | 0 | ||||||||||
| 2763 | Robert, Pierre | Cambier, Girard | La Main Gantée | 1963 | Film | 15:00 | Mono | SIS Paris | 0 | ||||||||||
| 2765 | Robert, Pierre | Cambier, Girard | Opération Dodo | 1962 | Film | 15:00 | Mono | SIS Paris | 0 | ||||||||||
| 33305 | Robert, Pierre | Cambier, Girard | Un Amour de Chat | 1962 | Film | 5 | „drawn sound“ on film | SIS Paris | 0 | ||||||||||
| 22940 | Allison | Cameron | Unknown Leaves | 1993 | live-elec, 1 perf, 1 group | 10:25 | ens, gui [Gitarre, Ensemble] | Musicworks MW 63/ | Music Gallery Toronto | 1 | |||||||||
| 2768 | Edwin, Group | Cameron, The Lone Stars | My Little Sister | 1985 | fixed media, akusmatisch | 3:06 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 41368 | Cédric | Camier | Groover | 2009 | live-elec, 1 perf | 4:18 | perc [Schlagzeug] | JTTP 2011 | 0 | ||||||||||
| 34348 | Cédric | Camier | Paf Gravitas | 2012 | fixed media, akusmatisch | 7:58 | CEC Cache 2013, PeP 018/ | Winner JTTP 2013 5. prize | 0 | http://econtact.ca/16_1/index.html#guillaumecliche | |||||||||
| 2769 | Lelio | Camilleri | Alda's adventures in Wonderland | 1982 | fixed media, akusmatisch | 13:20 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 19411 | Lelio | Camilleri | Apostrophe | 1995 | fixed media, akusmatisch | 8:22 | Stereo | Musidisc 245752/ NOR 04/ | CNUCE Firenze | Competition Musica Nova Prag 1995 | 1 | ||||||||
| 2770 | Lelio | Camilleri | Arcades | 1994 | fixed media, akusmatisch | Stereo | CNUCE Firenze | 0 | |||||||||||
| 2771 | Lelio | Camilleri | Blast | 1985 | Zuspiel / Tonband, 1 perf | 5:00 | cl [Klarinette] | software by the author | CNUCE Firenze | 0 | |||||||||
| 36399 | Lelio | Camilleri | Bossa no Chance | 1999 | radiophon | Kiasma 1999/ | 0 | ||||||||||||
| 2772 | Lelio | Camilleri | Come close and sleep now | 1983 | fixed media, akusmatisch | 13:45 | Quadro | IPEM Gent | 0 | ||||||||||
| 2773 | Lelio | Camilleri | Dedicated to youbut you aren't listening | 1992 - 1994 | fixed media, akusmatisch | Stereo | CNUCE Firenze | 0 | |||||||||||
| 2774 | Lelio | Camilleri | Eine Reise nach Klagenfurt | 1990 | fixed media, akusmatisch | 15:00 | Stereo | CNUCE Firenze | 0 | ||||||||||
| 2775 | Lelio | Camilleri | Gesine | 1990 | computer generated score, 1 perf | 8:00 | p [Piano] | com assisted compo | CNUCE Firenze | 0 | |||||||||
| 2776 | Lelio | Camilleri | Lines | 1988/1989 | Zuspiel / Tonband, 2 perf | 7:00 | p, cl [Klarinette, Piano] | TELETAU software package | CNUCE Firenze | 0 | |||||||||
| 2777 | Lelio | Camilleri | MEMORY LAIN … | 1992 | fixed media, akusmatisch | 10:00 | Stereo | CNUCE Firenze | 0 | ||||||||||
| 24110 | Lelio | Camilleri | Musica per il video su Palazzo Medici-Riccardi | 2000 | Klangkunst, Installation | ∞ | Tempo Reale Firenze | 0 | |||||||||||
| 2778 | Lelio | Camilleri | o.T. | 1991 | Zuspiel / Tonband, 7 perf | ≈ 9:00 | ob, fl, vib, cl, vn, va, vc [Flöte, Klarinette, Oboe, Schlagzeug, Viola, Cello, Violine] | TELETAU and other software | CNUCE Firenze | 0 | |||||||||
| 2779 | Lelio | Camilleri | Overfall | 1983 | fixed media, akusmatisch | 14:53 | Stereo | IPEM Gent | 0 | ||||||||||
| 24111 | Lelio | Camilleri | Parallel | 2000 | fixed media, akusmatisch | 14:33 | Stereo | Tempo Reale Firenze | 1 | ||||||||||
| 2781 | Lelio | Camilleri | Profile | 1987 | Zuspiel / Tonband, 1 perf | 6:40 | p [Piano] | TELETAU software | PAN PRC S20-54/ | CNUCE Firenze | 1 | ||||||||
| 2782 | Lelio | Camilleri | Tess in Stonehenge | 1983 | fixed media, akusmatisch | 9:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 2784 | Lelio | Camilleri | Underdub | 1991 | Zuspiel / Tonband, 1 perf | 8:00 | p [Piano] | TELETAU and other software | CNUCE Firenze | 0 | |||||||||
| 2786 | Lelio | Camilleri | Web | 1988 | fixed media, akusmatisch | 9:06 | Stereo | PAN PRC S20-54/ | CNUCE Firenze | 1 | |||||||||
| 36783 | Lelio, Guido | Camilleri, Bresaola | Esterno/Interno | fixed media, akusmatisch | 0 | ||||||||||||||
| 41370 | Guto | Caminhoto | 5 Minutos-19/04/2001 | 2001 | fixed media, akusmatisch | 5:14 | 01/2004 | Rádio Universidade FM 107.9 MHz, UEL, Londrina, Brazil | 0 | ||||||||||
| 41371 | Guto | Caminhoto | Bandejas | 1997 | fixed media, akusmatisch | 7:20 | eContact! 2.1 — Latin America | 0 | |||||||||||
| 41369 | Guto | Caminhoto | Frosta | 1996 | fixed media, akusmatisch | 7:23 | Uni Glasgow | 0 | |||||||||||
| 19412 | Guto | Caminhoto | Momento angular | 1995 | fixed media, akusmatisch | 5:17 | Stereo | RD003 MEB Rioarte/ | 0 | ||||||||||
| 36400 | Guto | Caminhoto | Paisagens Londrinenses 1, Paisagens Londrinenses 2 | 1997, 1999 | fixed media, akusmatisch | 6:29 | Stereo | duration: 6:29 + 11:47 | Kiasma 1999/ | 0 | |||||||||
| 35720 | Javier | Campaña | Etudes des messages à la gare | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 2787 | José Luis | Campana | Ely | 1983 | fixed media, akusmatisch | 21:00 | Stereo | INA • GRM | 14.5.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 2788 | José Luis | Campana | Insight | 1988 | Zuspiel / Tonband, 6 perf | 14:20 | Stereo | 5 ins, syter [Instrument, synthesizer] | INA • GRM | 0 | |||||||||
| 2789 | Tony van | Campen | Hoorspel | 1976 | STEIM | 0 | |||||||||||||
| 2790 | Tony van | Campen | Krètsz | 1972 | live-elec, | 18:00 | Stereo + Stereo | material for Krètsz - reportage | IPEM Gent | 0 | |||||||||
| 2791 | Tony van | Campen | Sintering | 1977 | fixed media, akusmatisch | 9:55 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Sonology Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 2792 | Tony van, Dick | Campen, Borstlap | The Speech | 1977 | STEIM | 0 | |||||||||||||
| 34349 | Guillaume | Campion | Arboreal | 2012 | fixed media, akusmatisch | 10:04 | JTTP 2013 | CEC Cache 2013, PeP 018/ | 0 | ||||||||||
| 34087 | Guillaume | Campion | Littorale | 2015 | radiophon | 45:02:00 | Stereo | acousmatic documentary JTTP 2015 |
JTTP-Winner 2015 3. prize | 0 | |||||||||
| 32004 | Guillaume | Campion | Neige cendre | 2011 | fixed media, akusmatisch | 11:22 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 5. prize | 1 | |||||||||
| 27801 | Guillaume | Campion | Quadriforis | 2010 | fixed media, akusmatisch | 10:00 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP-Winner 2010 4. prize | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 32783 | Alberto de | Campo | Day One of the New War | 2003 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 32785 | Alberto de | Campo | Imaon | 1999 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 32782 | Alberto de | Campo | Metacontrol Studies | 2014 | Performance | 0 | |||||||||||||
| 37760 | Alberto de | Campo | Navegar é Preciso | 2006 | fixed media, akusmatisch | multichannel | 2006 | ICAD conference | 0 | ||||||||||
| 32786 | Alberto de | Campo | RBRR | 2000 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 31976 | Alberto de | Campo | Reversing Pendulum Music | 2010 | fixed media, akusmatisch | 11:48:00 | Spazialisation: WFS | Wave Field Synthesis hall H104, TU-Berlin 2010 Thursday 23. September, 19h Kunstkopfaufnahme |
TU Berlin | 2010 | SuperCollider Symposium Berlin | 1 | |||||||
| 32784 | Alberto de | Campo | Transcrypt | 1993 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 19343 | Jorge | Campos | Kon-Tiki | 1996 | live-elec, 1 perf | 6:22 | com (ovaloid) [computer] | for processed ovaloid | Theremin C. Moscou | 1 | |||||||||
| 2793 | Jorge | Campos | Yaravi | 1993 | Zuspiel / Tonband, 2 perf | 11:24 | fl, perc [Flöte, Schlagzeug] | SLR 0044, Theremin Center/ | Theremin C. Moscou | 1 | |||||||||
| 33178 | Jorge E. | Campos | Bora-Bora | 1996 | Zuspiel / Tonband, 2 perf | 7:52 | b-cl, perc [Klarinette, Schlagzeug] | for bass clarinet, percussion and tape | WJ 2008 polmic 046/ | 1 | |||||||||
| 39807 | Gemma | Camps | ”Gestalt” | 2017 | fixed media, akusmatisch | Gemma Camps | 0 | ||||||||||||
| 2794 | Jean Christophe | Camps | Au bord du volcan | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2795 | Jean Christophe | Camps | Carnet de voyage | 1990 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2796 | Jean Christophe | Camps | Clap sur " Hors - saison " | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2797 | Anselmo | Cananzi | Epigenesi | 1982 | fixed media, akusmatisch | 10:40 | Stereo | CSC Padova | 0 | ||||||||||
| 23909 | José Miguel | Candela | Azul | 1995 | live-elec, 2 perf | 6:30 | 2 p [Piano] | Bárbara Perelmann y Cecilia García, intérpretes. Mayo 1995. Sala Elena Waiss (Escuela Moderna de Música). Santiago, Chile. |
0 | ||||||||||
| 23915 | José Miguel | Candela | Bajan gritando ellos | 2000 | Zuspiel / Tonband, 1 perf | 6:47 | Sp [Sprecher] | Basado en el poema homónimo de Leonel Lienlaf, quien además recita. Dedicada al pueblo mapuche en su lucha por la recuperación de sus tierras y de su dignidad. Marzo 2000. VIII Festival Internacional de Música Electroacústica de La Habana – Cuba. | Pueblo Nuevo PN.CD.001/ | CMT | 0 | ||||||||
| 23916 | José Miguel | Candela | Ciclo DJ. (A la manera de Ahmed Malek) | 2001 | fixed media, akusmatisch | 23:00 | 0 | ||||||||||||
| 35459 | José Miguel | Candela | Ciclo electroacústico | 2009 | fixed media, akusmatisch | 8 parts | Pueblo Nuevo/ | 0 | |||||||||||
| 23917 | José Miguel | Candela | Contenedor | 2003 | fixed media, akusmatisch | 60:00 | Música para la coreografía homónima de Claudia Vicuña y Alejandro Cáceres. 2003. Sala Matucana 100, Santiago. Chile. |
0 | |||||||||||
| 23910 | José Miguel | Candela | Dame un Loop | 1996 | fixed media, akusmatisch | 8:32 | 1996, 6º Festival de Música Contemporánea Chilena organizado por el IMUC. Santiago, Chile. | 0 | |||||||||||
| 23918 | José Miguel | Candela | Delta | 2002 | Tanz | 4:04 | La obra es parte de la música para la coreografía “Lapsos Vitales” del chileno Rodrigo Fernández, estrenada por el Ballet Nacional Chileno en 2002 (Teatro de la Universidad de Chile, Santiago). Luego fue modificada para ser presentada en formato de concierto. 2002, EMEC del ISA, La Habana, Cuba. |
Uni de la serena/ RedASLA 2/ | 0 | ||||||||||
| 23908 | José Miguel | Candela | El Pentágono | 1993 | Zuspiel / Tonband, 4 perf | 5:00 | str-qt [Streicher] | 1993. Sala Isidora Zegers. Santiago, Chile. | 0 | ||||||||||
| 23914 | José Miguel | Candela | Goethe, la humanidad de un genio | 1999 | Tanz | 15:00 | Música para la coreografía homónima de Nelson Avilés. 1999. Sala América, Biblioteca Nacional. Santiago, Chile. |
0 | |||||||||||
| 23913 | José Miguel | Candela | La Variante | 2003 | fixed media, akusmatisch | 22:00 | Música para la coreografía homónima de Claudia Vicuña. 2003.Sala FECH, Santiago, Chile. |
0 | |||||||||||
| 23911 | José Miguel | Candela | Las Huellas del Pequeño Venado | 1997 | fixed media, akusmatisch | 6:36 | Dedicado a la cultura huichol (México). 1997, Sala SCD Barrio Bellavista. Santiago, Chile. |
0 | |||||||||||
| 35460 | José Miguel | Candela | Micro-ciclo un camino | 2009 | fixed media, akusmatisch | 5:16 | 4 parts | Pueblo Nuevo/ | 0 | ||||||||||
| 23919 | José Miguel | Candela | TTK 81 micropiezas | 2004 | Zuspiel / Tonband, 1 perf | 79:53 | sax [Saxophon] | Obra estrenada y dedicada al saxofonista cubano Miguel Villafruela. La obra puede ser escuchada en combinaciones de micropiezas de cualquier orden y número (por lo tanto, la duración varía dependiendo de la versión). Enero 2004, Sala SCD-Barrio Bellavista, Santigo, Chile. |
0 | ||||||||||
| 23912 | José Miguel | Candela | Venus y Adonis | 1999 | Tanz | 10:17 | Música para la coreografía homónima de Nelson Avilés.Co-compuesta con Cecilka García-Gracia. 1999. Sala América, Biblioteca Nacional, Santiago, Chile. |
0 | |||||||||||
| 31611 | Remmy | Canedo | Abstract Quartet | 2012 | live-elec, 1 perf | ≈ 8-14 | V [Stimme] | next_generation 5.0 | HfM Stuttgart | 0 | |||||||||
| 33982 | Remmy | Canedo | Bipolar crash | 2012 | live-elec, 2 perf | 7:25:00 | Quadro | 2 euphonium [Horn] | Komposition für 2 Euphonien und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 33983 | Remmy | Canedo | Iterative phase elimination | 2012 | live-elec, 1 perf | 14:00:00 | Octo | hp [Harfe] | HfMT Köln | 0 | |||||||||
| 33984 | Remmy | Canedo | ROT 47 | 2011 | live-elec, 1 perf | 18:17:00 | Octo | sax [Saxophon] | HfMT Köln | 0 | |||||||||
| 2798 | Corrado | Canepa | Rioffrire l'offerta | 1986 | fixed media, akusmatisch | DIST Genova | 0 | ||||||||||||
| 2799 | Richard | Cann | Bonnylee | 1972 | fixed media, akusmatisch | 1:25 | Stereo | IBM 360/91 | Odyssey AL 34139/ | Col.Princ EMC | 1 | ||||||||
| 25103 | Rob | Canning | An Maighdean Mhara | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 25102 | Rob | Canning | Continuum | 2000 | Zuspiel, live-elec, 1 perf | amp b-cl [Klarinette] | Galway Arts Festival | 0 | |||||||||||
| 22225 | Rob | Canning | Costruzione lllegittima | 2001 | live-elec, 1 perf | 12:00 | Quadro | cl [Klarinette] | Paul Rose (cl), Rob Canning (electronics) | 1 | |||||||||
| 25101 | Rob | Canning | Out of Line | 2001 | live-elec, 2 perf | e-vn, p, (elec) [Piano, Violine] | 0 | ||||||||||||
| 40640 | Edgardo | Canton | 4 x 10 | 1968 | Film | INA • GRM | 11.5.1969 | TV ORTF, 2. chaine | 0 | ||||||||||
| 2800 | Edgardo | Canton | A cheval vers la lune s'en va lagune | 1970 | fixed media, akusmatisch | 14:25 | Stereo | Le titre de l'oeuvre est tiré du poème "Faust" de E. Stanislas del Campo (1866) | MN 12006/ | INA • GRM | 4.2.1971 | Paris, Halles Baltard | 0 | ||||||
| 2801 | Edgardo | Canton | Alto y falto | 1977 | fixed media, akusmatisch | 14:10 | Stereo | INA • GRM | INA • GRM | 0 | |||||||||
| 2802 | Edgardo | Canton | Animal Animal | 1962/1968 | fixed media, akusmatisch | 6:10 | Stereo | Nepless CO 981 2004/ MN 12006/ | INA • GRM | 15.12.1962 19.3.1968 |
Paris Salle des Conservatoire ORTF, studio 105 |
1 | |||||||
| 40432 | Edgardo | Canton | Axel | 1962 | Theatermusik | INA • GRM | janvier 1962 | Paris, Studio des Champs Elysées | 0 | ||||||||||
| 40518 | Edgardo | Canton | Casse tete | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 40519 | Edgardo | Canton | Chamson | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 40612 | Edgardo | Canton | Concerto pour 2 Nations et Percussion | 1967 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 2804 | Edgardo | Canton | D'un bout á l'autre, Concert Collectif | 1963 | Zuspiel / Tonband, 16 perf | 6:45 | Stereo | 16 ins [Instrument] | IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 1 | ||||||
| 40453 | Edgardo | Canton | D'un bout á l'autre, concert collectif | 1962 | Zuspiel / Tonband, 1 group | 5:18 | ens [Ensemble] | Version provisoire du concert collectif, même titre | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 1 | |||||||
| 40573 | Edgardo | Canton | Demenagement tragique | 1965 | Film | 4 | Texte de Cami | INA • GRM | 21.7.1970 | TV ORTF, 2. chaine | 0 | ||||||||
| 40551 | Edgardo | Canton | Don Juan et Faust | 1965 | Theatermusik | INA • GRM | 1965 | Paris, Theâtre 347 | 0 | ||||||||||
| 40416 | Edgardo | Canton | Douce Amère | 1961 | Film | INA • GRM | 1961 | Tours | 0 | ||||||||||
| 2805 | Edgardo | Canton | Edith Pitch play Voltage Stop | 1977 | fixed media, akusmatisch | 23:40 | Stereo | INA • GRM | 25.5.1977 | Paris, UNESCO, Tribune des Compositeurs | 0 | ||||||||
| 2806 | Edgardo | Canton | Etude | 1963 | fixed media, akusmatisch | 2:30 | Stereo | IDEAMA CD 036/ | Fonologia Milano | 0 | |||||||||
| 40623 | Edgardo | Canton | Etude de Rythme | 1967 | Theatermusik | 3:50 | INA • GRM | 0 | |||||||||||
| 43088 | Edgardo | Canton | Friction 60 | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 40488 | Edgardo | Canton | Fukyro maru | 1963 | Theatermusik | INA • GRM | 15.6.1963 | Paris, Hôtel de Sully, pour la Cie de St. Etienne | 0 | ||||||||||
| 40450 | Edgardo | Canton | Gilda appelle MAE-West | 1962 | Theatermusik | Pièce de M. Parent. Mise en scène J. M. Serreau. Théâtre à scènes multiples et simultanées. |
INA • GRM | juillet 1962 | Dijon, Nuits de Bourgogne | 0 | |||||||||
| 2807 | Edgardo | Canton | I Palpiti | 1966 | fixed media, akusmatisch | 7:35 | Quadro, Stereo | MN 12006/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 025/ | INA • GRM | 25.5.1966 | Paris, Maison de la Radio. studio 105. „Exposition des Musiques Expérimentales 1966" | 0 | |||||||
| 40414 | Edgardo | Canton | Impression de Andes | 1961 | Film | film de Vic Towas, images peintes sur la pellicule | MN 12006/ | INA • GRM | 0 | ||||||||||
| 40575 | Edgardo | Canton | L’Esclave | Film | INA • GRM | 0 | |||||||||||||
| 40603 | Edgardo | Canton | L’Oeil | 1967 | Film | INA • GRM | 21.4.1968 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40466 | Edgardo | Canton | La Dormeuse | 1962 | Film | INA • GRM | 12.7.1965 | TV ORTF, 2. chaine, pour une émission TV de M. Pons | 0 | ||||||||||
| 40617 | Edgardo | Canton | La mouette verte | 1967 | Film | INA • GRM | 11.8.1970 | TV ORTF, 2. chaine | 0 | ||||||||||
| 40497 | Edgardo | Canton | La seconde chance | 1963 | Film | science fiction film, text by Mac Intosh, adaption de Barthélmy | INA • GRM | 0 | |||||||||||
| 2808 | Edgardo | Canton | Langue agile, oiseau d'argile | 1973 | fixed media, akusmatisch | 16:10 | Stereo, Quadro | Entièrement réalisée par synthétiseur | INA • GRM | 25.2.1975 | Paris, Th. de la Cité des Arts | 0 | |||||||
| 40472 | Edgardo | Canton | Le Barbier de Seville | 1962 | Theatermusik | INA • GRM | 1963 | Paris, Theâtre Sarah Bernhart | 0 | ||||||||||
| 40624 | Edgardo | Canton | Le Bossu, Vitromagie | radiophon | INA • GRM | 0 | |||||||||||||
| 40632 | Edgardo | Canton | Le lion | 1968 | Theatermusik | vc [Cello] | INA • GRM | Le Havre, Maison de la Culture | 0 | ||||||||||
| 40561 | Edgardo | Canton | Le metro fantôme | 1965 | Theatermusik | Pièce de A. Bourseiller | INA • GRM | 1965 | Paris, Theâtre de Poche | 0 | |||||||||
| 40604 | Edgardo | Canton | Le Mur | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 40484 | Edgardo | Canton | Le petit prince | 1963 | Theatermusik | pour le texte de St. Exupéry | INA • GRM | 1963 | Paris | 0 | |||||||||
| 40532 | Edgardo | Canton | Le roi Christophe | 1964 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40536 | Edgardo | Canton | Les extra-terrestres | 1964 | Film | TV de DesMoulins | INA • GRM | 0 | |||||||||||
| 40548 | Edgardo | Canton | Liberte j’ecris ton nom | 1965 | Theatermusik | Pièce de Ph. Mercier | INA • GRM | 1865 | Rennes, Centre dramatique | 0 | |||||||||
| 23923 | Edgardo | Canton | Los Sueños de Attar | 2002 | fixed media, akusmatisch | 10:39 | LIEM CDMC Madrid | 2002 | museo Reina Sofia. Madrid, España. | 0 | |||||||||
| 23920 | Edgardo | Canton | Lovecraft | 1996 | fixed media, akusmatisch | 6:00 | La Muse, Con Paris | 1996 | Sala SCD, Santiago, Chile. | 0 | |||||||||
| 2809 | Edgardo | Canton | Manges par une espèce de Serpent | 1967, 1969 | fixed media, akusmatisch | 7:30 | Quadro, Stereo | MN 12006/ | INA • GRM | 30.5.1967 29.1.1973 |
Paris, Maison de la Radio, studio 105 Paris, Théâtre Récamier |
0 | |||||||
| 23922 | Edgardo | Canton | Memorias de los Andes | 1998 | fixed media, akusmatisch | 10:48 | LIPM B.Aires | 1998 | Concierto sala Universidad Pompeus Fabra. de Barcelona, España. | 0 | |||||||||
| 40444 | Edgardo | Canton | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | 7:45 | INA • GRM | 0 | |||||||||||
| 40473 | Edgardo | Canton | Phares et Balises | 1962 | Zuspiel / Tonband, 1 group | 6:05 | ens [Ensemble] | INA • GRM | 19.12.1962 | Paris, Salle des Conservatoires | 0 | ||||||||
| 2810 | Edgardo | Canton | Pi-ouit | 1966 | Theatermusik | 6:34 | Chanson concrète . Paroles A. Jarr | IDEAMA CD 036/ | INA • GRM | 0 | |||||||||
| 22272 | Edgardo | Canton | Promenade d'été d'Ulis Nasa | 1984 | fixed media, akusmatisch | 43:00 | Nepless CO 981 2004/ | INA • GRM | 1 | ||||||||||
| 24332 | Edgardo | Canton | Rengaine à pleurer | 1967 | Theatermusik | 2:51 | Text: Jean Tardieu; Singer: Mouloudji | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 1 | |||||||||
| 23921 | Edgardo | Canton | Saint Michel en carretera nocturna | 1995 | fixed media, akusmatisch | 7:00 | La Muse, Con Paris | 1995 | Sala Escuela Moderna de Música. Santiago, Chile. | 0 | |||||||||
| 40439 | Edgardo | Canton | Seattle | 1962 | Hintergrundmusik | 6 | Sonorisation de l’exposition | INA • GRM | 1962 | Seattle, Expo internationale du XXIé s | 0 | ||||||||
| 40417 | Edgardo | Canton | Sensemaya | 1961 | Film | Tanz |
11:25 | INA • GRM | 24.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 40605 | Edgardo | Canton | Sentimientos | 1967 | radiophon | 10 | INA • GRM | 0 | |||||||||||
| 40508 | Edgardo | Canton | Sillage | 1964 | Film | INA • GRM | 1964 | Cannes Festival | 0 | ||||||||||
| 2811 | Edgardo | Canton | The big Baby's Gang | 1972 | Theatermusik | Zuspiel/Tonband, 5 perf |
40:00 | Stereo | 3 V, 2 narrator [Stimme, Schauspieler] | version spectacle | INA • GRM | Commande d’Etat | 29.1.1973 | Paris, Th. Récamier, avec K. Kowalski, T. et M. de Wint (voix), A. Campo et Ch. Zappa comédiens | 0 | |||||
| 2812 | Edgardo | Canton | Tout finit par tomber dans le même trou | 1963 | fixed media, akusmatisch | 6:20 | Stereo | Fonologia Milano | 0 | ||||||||||
| 40448 | Edgardo | Canton | Transparence, Friction 60 | 1962 | Film | fixed media, akusmatisch |
4:42 | Mono, Stereo | INA • GRM | 21.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||
| 40540 | Edgardo | Canton | Un Appetit d’Oiseau | 1965 | Film | 8 | animations film | INA • GRM | 0 | ||||||||||
| 40483 | Edgardo | Canton | Un chant de Pierre | 1963 | Theatermusik | radiophon |
6 | INA • GRM | février 1963 | Paris, UNesco | 0 | |||||||||
| 40631 | Edgardo | Canton | Un froid de chien | 1968 | Theatermusik | INA • GRM | Le Havre, Maison de la Culture | 0 | |||||||||||
| 22271 | Edgardo | Canton | Une espèce de serpent | 1969 | fixed media, akusmatisch | 8:10 | Nepless CO 981 2004/ | INA • GRM | 1 | ||||||||||
| 40514 | Edgardo | Canton | Velodrame | 1964 | Film | 6:30 | INA • GRM | 0 | |||||||||||
| 40408 | Edgardo | Canton | Vert Paradis | 1960 | Film | INA • GRM | 0 | ||||||||||||
| 40496 | Edgardo | Canton | Ville nouvelle | 1963 | Film | Reklamefilm, relisiert von Bardinet | INA • GRM | Peugeot | 0 | ||||||||||
| 2813 | Edgardo | Canton | Voix Inouies | 1965, 1966 | fixed media, akusmatisch | 10:20 | Stereo, Quadro | Nepless CO 981 2004/ ME 1/ PHI 6521006/ MN 12006/ Klett Stuttgart 92422/ IDEAMA CD 025/ | INA • GRM | 25.5.1966 | Paris, Maison de la Radio, „Exposition des Musiques Expérimentales 1966“ | 1 | |||||||
| 19736 | Mercé | Capdevila | A BAO A QU | 1986 | live-elec, 2 perf | 13:00 | Stereo | 2 V [Stimme] | Audio-Visuals Sarria Barcelona 1991/ | PS C. | 0 | ||||||||
| 19751 | Mercé | Capdevila | … a Chillida | 1997 | live-elec, 1 perf | 16:30 | Stereo | sax [Saxophon] | PS C. | 0 | |||||||||
| 19742 | Mercé | Capdevila | Alegries de Comedia | 1991 | live-elec, 1 perf | 13:00 | Stereo | MIDI [synthesizer] | PS C. | 0 | |||||||||
| 19730 | Mercé | Capdevila | Baobab | 1986 | live-elec, 1 perf | 9:00 | Stereo | amp gui [Gitarre] | delay | Audio-Visuals Sarria Barcelona 1991/ | PS C. | 0 | |||||||
| 19741 | Mercé | Capdevila | Bolero de Ravel per Salomé | 1991 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 19732 | Mercé | Capdevila | Concert de Música electroacústica y Rayos Laser | 1985 | intermedia | 75:00 | Stereo | Laser | PS C. | 0 | |||||||||
| 19737 | Mercé | Capdevila | D'un Castell a un Altre | 1989 | intermedia | 30:00 | Stereo | Laser | PS C. | 0 | |||||||||
| 19746 | Mercé | Capdevila | Desde mi Luz rosa hasta la Constelación Orión | 1994 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | perc [Schlagzeug] | PS C. | 0 | |||||||||
| 19855 | Mercé | Capdevila | Deshill, Holes, Emaus | 1982 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS C. | 0 | |||||||||||
| 19745 | Mercé | Capdevila | Estos Pétalos se Harán rosa en otras rosas | 1992 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | carillon [Keyboard] | PS C. | 0 | |||||||||
| 19729 | Mercé | Capdevila | Gramatges | 1983 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Audio-Visuals Sarria Barcelona 1991/ | Phonos Barcelona, PS C. | 0 | |||||||||
| 19740 | Mercé | Capdevila | Gran Finál, Salomé | 1991 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 19854 | Mercé | Capdevila | Intermezzo 23F | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS C. | 0 | |||||||||||
| 19747 | Mercé | Capdevila | Lingam-Yoni | 1994 | fixed media, akusmatisch | 14:30 | Stereo | PS C. | 0 | ||||||||||
| 19743 | Mercé | Capdevila | Mercuri | 1991 | live-elec, 2 perf | 12:15 | Stereo | V, MIDI [Stimme, synthesizer] | PS C. | 0 | |||||||||
| 19731 | Mercé | Capdevila | Música de Molt Aprop | 1985 | fixed media, akusmatisch | 11:00 | Stereo | PS C. | 0 | ||||||||||
| 2814 | Mercé | Capdevila | Nu | 1990 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | Dino Classics 1992/ | Phonos Barcelona, PS C. | 0 | ||||||||||
| 19752 | Mercé | Capdevila | Peine del Viento (Chillida) | 1997 | Zuspiel / Tonband, 1 perf | 12:15 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 19749 | Mercé | Capdevila | Petita Peça | 1996 | live-elec, 1 perf | 7:00 | Stereo | org [Orgel] | PS C. | 0 | |||||||||
| 19744 | Mercé | Capdevila | Pierrot and Flappy the Parrot | 1992 | Zuspiel / Tonband, 2 perf | 7:00 | Stereo | cl, fl [Flöte, Klarinette] | PS C. | 0 | |||||||||
| 19733 | Mercé | Capdevila | Primer Artifici | 1985 | Zuspiel / Tonband, 4 perf | 20:00 | Stereo | vn, vc, db, gui [Gitarre, Cello, Violine, Kontrabass] | Audio-Visuals Sarria Barcelona 1991/ | PS C. | 0 | ||||||||
| 19750 | Mercé | Capdevila | Racc | 1996 | fixed media, akusmatisch | 10:15 | Stereo | PS C. | 0 | ||||||||||
| 2815 | Mercé | Capdevila | Risonanza | 1990 | fixed media, akusmatisch | 3:00 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | ||||||||||
| 19735 | Mercé | Capdevila | Segón Artifici dos | 1986 | intermedia | 13:00 | Stereo | PS C. | 0 | ||||||||||
| 19734 | Mercé | Capdevila | Segón Artifici I - II | 1986 | fixed media, akusmatisch | Zuspiel/Tonband, 2 perf |
20:00 | Stereo | db, fl [Flöte, Kontrabass] | PS C. | 0 | |||||||||
| 19738 | Mercé | Capdevila | Varas de Mafril | 1990 | live-elec, 13 perf | 10:00 | Stereo | 12 ins, Kbd [Keyboard, Instrument] | PS C. | 0 | |||||||||
| 19748 | Mercé | Capdevila | Zoom | 1995 | live-elec, 1 perf | 16:05 | Stereo | MIDI p [Piano] | PS C. | 0 | |||||||||
| 40097 | Mercè | Capdevila | Fons de Mar | 2003 | Zuspiel / Tonband, 2 perf | 8:47:00 | hn, org [Horn, Orgel] | Mercé Capedevila | 10.5.2003 | Fürth | 0 | ||||||||
| 38445 | Lucio | Capece | Space tuning conditional music | 2017 | Performance, live-elec, 1 perf | sax, (flying speakers, analogue elec, sine waves) [Saxophon] | 0 | ||||||||||||
| 38515 | Daniel | CAPEILLE | Le silence sur un fil | 2017 | radiophon | 43:00:00 | Prix Phonurgia nova 2017, Field recording award | 0 | |||||||||||
| 41615 | Bruno | Capelle | D'infimes infinités intimes | 2009 | fixed media, akusmatisch | 23:43:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 28169 | Bruno | Capelle | Pic-vert(ical), 2010 Complement a l’Inventaire | fixed media, akusmatisch | 5:20 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | http://capellebruno.e-monsite.com | |||||||||
| 2816 | Bruno | Capelle | Plume de bon sens | 1993 | Zuspiel / Tonband, 4 perf | vocal-qt [Stimme] | GRAME Lyon | 0 | |||||||||||
| 2817 | Bruno | Capelle | Tercet Secret | 1993 | fixed media, akusmatisch | GRAME Lyon | 0 | ||||||||||||
| 27845 | Mireille | Capelle | Annello di sè, Anello Naga Sunyata Artempo Academia In-finitum |
2007 | Klangkunst, Installation | vc, fl, hp, perc, va, V [Stimme, Flöte, Harfe, Schlagzeug, Viola, Cello] | 3 Sonic Architectures | audioMER 006/ | CRFMW Liège | 29.06.2007 | Venise, Biennale | 0 | http://www.crfmw.be/index1.htm | ||||||
| 27827 | Mireille | Capelle | Bonshô | 2009 | Klangkunst, Installation | CRFMW Liège | 7.06.2009 | Venise, 53e Biennale | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 27867 | Mireille | Capelle | Kinesis Akinetos | 2004 | Zuspiel / Tonband, 1 perf | V [Stimme] | CRFMW Liège | 10.03.2004 | Wijnegem (Anvers), Inspiratum | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27837 | Mireille | Capelle | La Perle | 2008 | Film | l'unique film d'Henri d'Ursel | CRFMW Liège | 21.01.2009 | Bruxelles, Beursschouwburg | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27857 | Mireille | Capelle | Nephesh | 2005 | Zuspiel / Tonband, 1 perf | V [Stimme] | montage sonore | CRFMW Liège | 17.02.2005 | Wijnegem (Anvers), Inspiratum | 0 | http://www.crfmw.be/index1.htm | |||||||
| 27858 | Mireille | Capelle | Ruach | 2005 | Zuspiel / Tonband, 2 perf | V, grand tam-tam [Stimme, Schlagzeug] | montage sonore | CRFMW Liège | 27.11.2005 | Liège, Festival Images Sonores | 0 | http://www.crfmw.be/index1.htm | |||||||
| 27846 | Mireille | Capelle | Varuni | 2007 | Klangkunst, Installation | CRFMW Liège | 2007 | Amsterdam, exposition de l'artiste peintre Gertrud J. M. Derksen | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 38423 | Mireille, Group | Capelle, HERMESensemble | Aurum | 2015 | Klangkunst, Installation | 75:21 | vc, fl, cl, p, perc, va [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello] | Architecture Sonore | Inspiratum/ | 0 | |||||||||
| 25450 | Gabriele | Cappellani | Cool Training | 2001 | fixed media, akusmatisch | 7:59 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 2818 | Sergio | Cappuccio | Tra le Quinte | 1984 | fixed media, akusmatisch | 8:05 | Stereo | CSC Padova | 0 | ||||||||||
| 2819 | Alberto | Caprioli | Intermedio I | 1988 | Zuspiel / Tonband, 1 perf | 8:32 | Quadro | fl [Flöte] | CSC Padova | 0 | |||||||||
| 2820 | Alberto | Caprioli | Per lo dolce silentio de la notte | 1987 | Zuspiel / Tonband, 1 perf | 15:00 | Quadro | p [Piano] | CSC Padova | 0 | |||||||||
| 32742 | Elisabetta | Capurso | Microstructures | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | |||||||||||||
| 2821 | Gillian | Carcas | In the Glow of the inner light | 1992 | fixed media, akusmatisch | BEAST | 0 | ||||||||||||
| 2822 | Cornelius | Cardew | 1st Exercise, first Exercise (Transpositions) | 1958 | fixed media, akusmatisch | 7:00 | Mono | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||
| 31285 | Cornelius | Cardew | 2nd Exercise, second Exercise | 1958 | fixed media, akusmatisch | 1:25 | Mono | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||
| 34568 | Cornelius, Group | Cardew, AMM | Treatise | 1963 - 1967, 2002 | Performance, live-elec, 9 perf | computer generated score |
45:57 | 9 perf (com, B, theremin, gui, perc, sax, perf, elec, p) [Performer] | graphical score 193 oages | fibrr 006/ fibrr 002/ fibrr 004/ | Festival Musique Action | 0 | ||||||||
| 42220 | Cornelius, Christopher | Cardew, Williams | A Treatise Remix | 2015 | radiophon | 46:24 | DeutschlandRadio | 14.8.2015 | DeutschlandRadio Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4826540&vi=56&SID | ||||||||
| 34882 | Mauro | Cardi | A Poison Pen | 1995 | Performance | 5:10 | e-gui, mus, ens (Sax. Tr. Perc. Ch.el. Vc. Banda ≈ 3 Fl. Cl.picc. Cl.I Cl.II Cl.b. Sax S. Sax A. Sax T. Sax B. Tr.in Sib Trbn.ten. Tb. Perc.(G.C. P.tti)) [Gitarre, Musiker, Ensemble] | 13/12/1995 | Roma, Air Terminal, Progetto Musica 95, Interpreti: Freon ensemble, Banda della SPMT, direttore Silverio Cortesi | Edizioni Ricordi | 0 | ||||||||
| 33244 | Mauro | Cardi | Alba | 2002 | live-elec, 1 perf | ≈ 10:50 | zarb [Schlagzeug] | LFDL 19401/ RTP 0090/ | 21/11/2002 | Roma, Sala Casella, "Edison Studio Crossings". Interpreti: Mahamad Ghavi-Helm | Edizioni RAI Trade / CNI | 1 | http://www.edisonstudio.it/portfolio-items/alba/ | ||||||
| 34887 | Mauro | Cardi | Altrove con il suo nome | 2000 | Performance | 14:35 | actrice [Schauspieler] | Edizioni RAI Trade DVD/ | Edison St Roma | 12/12/2000 | Roma, Sala Casella, "Edison Studio / Incontri"; Interpreti: Sonia Bergamasco | 0 | |||||||
| 34891 | Mauro | Cardi | Bianco 2.0 | 2007 | live-elec, 1 perf | 10 | e-gui [Gitarre] | 23/10/2007 | Birmingham, Conservatoire, Interpreti: Stefano Cardi, Regia del suono Mauro Cardi | 0 | |||||||||
| 33239 | Mauro | Cardi | Breath | 2007 | live-elec, 1 perf | ≈ 7 | acc [Akkordeon] | Nuovi Eventi Musicali – Firenze | 7/7/2007 | Fiesole, Teatro Romano, "60.a Estate Fiesolana". Interpreti: Francesco Gesualdi, fisarmonica. Regia del suono Mauro Cardi | 0 | ||||||||
| 33236 | Mauro | Cardi | Caro cara | 2007 | audiovisuell | 7:30 | 2 V [Stimme] | 07/11/2007 | Roma, RAI, sala A, Via Asiago, "Radio Tre Suite". Interpreti: Sonia Bergamasco, Pasquale Panella, voci su nastro, Regia del suono Mauro Cardi | Edizioni RAI Trade | 0 | ||||||||
| 34888 | Mauro | Cardi | Das Papier | 1998 | live-elec, 6 perf | 10 | S, Bar, str-qt [Sopran, Bariton, Streicher] | Fondazione Malipiero | 11/02/1999 | Venezia, Teatro Fondamenta Nuove, "Ritorni 1947-1999 - Rätsel von Mozart"; Interpreti: soprano Sonia Visentin, baritono Nicholas Isherwood, Quartetto Paul Klee, direttore Giovanni Mancuso | Edizioni Ricordi | 0 | |||||||
| 34890 | Mauro | Cardi | E la notte rischiarava la notte | 1993 | live-elec, 3 perf | 8:30 | 3 elec (MIDI) [elektronik] | CRMCD 1053 Ricordi/ | Agon | Agon - Centro Studi Armando Gentilucci | 3/5/1993 | Milano, Teatro Lirico; Interpreti: tastiere MIDI Marisella De Carli, Maria Bodini, Maria Grazia Bellocchio, direttore Luca Francesconi | Edizioni Ricordi | 0 | |||||
| 34881 | Mauro | Cardi | Eikon | 2004 | Performance, live-elec, 1 group | 10 | ens [Ensemble] | CRM Roma | Centro Ricerche Musicali - Roma | 02/03/2004 | Roma, Teatro Palladium, "Identità e forme sonore", Interpreti: Banda dell’Aeronautica Militare, direttore Patrizio Esposito | 0 | |||||||
| 33230 | Mauro | Cardi | En Dirigeable sur le champs de bataille | 2014 | live-elec, | Film |
0 | |||||||||||||
| 33240 | Mauro | Cardi | I Piatti della Bilancia | 2006 | Zuspiel / Tonband, 1 perf | ≈ 6 | actrice [Schauspieler] | 0 | |||||||||||
| 33234 | Mauro | Cardi | Inferno | 2008 | fixed media, akusmatisch | Film |
64 | DVD 2011 Il cinema ritrovato, DVD-Booklet, Cineteca di Bologna/ | Ravenna Festival | 05/07/1008 | Ravenna, Rocca Brancaleone, Ravenna Festival. Interpreti: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani | 0 | ||||||||
| 34879 | Mauro | Cardi | La mia puntualita’ fu un capolavoro | Radiokunst, 2 perf | 100 | 2 V [Stimme] | RAI Milano | RAI RadioTre | 26/8/1996 | RAI, RadioTre. Interpreti: voci recitanti Giancarlo Dettori, Elena Stancanelli | Edizioni Ricordi | 0 | |||||||
| 34885 | Mauro | Cardi | Le Parole da sola | 2007 | live-elec, 5 perf | ≈ 9 | V, tpt, e-gui, perc, db [Stimme, Trompete, Gitarre, Schlagzeug, Kontrabass] | 07/11/2007 | Roma, RAI, sala A, Via Asiago, "Radio Tre Suite"; Interpreti: Sonia Bergamasco, Freon Ensemble (Massimo Bartoletti, Stefano Cardi, Rodolfo Rossi, Carla Tutino), Regia del suono Mauro Cardi | Edizioni RAI Trade | 0 | ||||||||
| 34886 | Mauro | Cardi | Le parole e il sale | 2003 | live-elec, 2 perf | 6:30 | V, e-gui [Stimme, Gitarre] | 4/4/2003 | Terni, Accademia Musicale Umbra; Interpreti: Sonia Bergamasco voce, Stefano Cardi chitarra | Edizioni RAI Trade | 0 | ||||||||
| 34889 | Mauro | Cardi | Manao tupapau | 1996 | Zuspiel, live-elec, 2 perf | 8:48 | fl (Ott. Fl. In Sol), perc (Mar. G.C. Djambé Wind chimes Bamboo chimes Wood chimes) [Flöte, Schlagzeug] | CRMCD 1053 Ricordi/ | Gramma L'Aquila | 9/12/1996 | Roma, Acquario Romano, Progetto Musica 96, Interpreti: Giuseppe Pelura, Rodolfo Rossi; Regia del suono Mauro Cardi | Finalista al 24° Electroacustique Music Competition di Bourges | Edizioni Ricordi | 0 | |||||
| 33235 | Mauro | Cardi | Medea incontra Norma | 2008 | live-elec, | Musiktheater |
60 | Liberamente tratto da Medea di L. Cherubini e Norma di V. Bellini | Ravenna Festival | 25/06/1008 | Ravenna, Rocca Brancaleone, Ravenna Festival. Interpreti: Medea Tiziana Fabbricini, Norma Laila Martinelli, percussioni Antonio Caggiano, viola Luca Sanzò, pianoforte Claudio Veneri, rielaborazione musicale e live electronics Luigi Ceccarelli e Mauro Cardi | 0 | ||||||||
| 2823 | Mauro | Cardi | Natura morta | live-elec, 1 perf | 12:00 | p [Piano] | CRM Roma | 0 | |||||||||||
| 34878 | Mauro | Cardi | Nessuna Coincidenza | 1995 | Musiktheater, live-elec, 5 perf, 1 group | 32 | 2 S, T, actor, ens (Fl. (Ott.) Cl. Fg. Trb. Trbn. Perc. (Mar. Vibr. G.C. Octapad T.tom T.tam Cmp.tbl. S.chimes), Tastiera MIDI Chit. MIDI Vl. Vla. Vc. Cb.), elec [Sopran, Tenor, Schauspieler, elektronik, Ensemble] | Accademia Filarmonica Romana | 25/5/1995 | Roma, Teatro Olimpico, Stagione Accademia Filarmonica Romana. Interpreti: soprani Margherita Pace, Christine Marano, tenore Luigi Petroni, gruppo strumentale Musica d'oggi, direttore Fabio Maestri; Scene e costumi Emanuele Luzzati; Regia Tonino Conte | Edizioni Ricordi | 0 | |||||||
| 33238 | Mauro | Cardi | Noi siamo la materia che sussulta | 2007 | audiovisuell | Performance |
≈ 12 | V, trbn, e-gui, perc, db [Stimme, Posaune, Gitarre, Schlagzeug, Kontrabass] | 07/11/2007 | Roma, RAI, sala A, Via Asiago, "Radio Tre Suite". Interpreti: Sonia Bergamasco, Freon Ensemble (Massimo Bartoletti, Stefano Cardi, Rodolfo Rossi, Carla Tutino), Regia del suono Mauro Cardi | Edizioni RAI Trade | 0 | ||||||||
| 33233 | Mauro | Cardi | Oggetto d’amore | 2008 | live-elec, 2 perf, 1 group | Musiktheater |
62 | V, inss [Stimme, Instrument] | RTC 023 2009 - RAI Trade/ |
Edison St Roma | 52.a Biennale di Venezia | 11/10/2008 | Venezia, 11/10/2008, Biennale di Venezia, Teatro alle Vergini - Arsenale Interpreti: Sonia Bergamasco, Freon Ensemble (Massimo Bartoletti, Stefano Cardi, Rodolfo Rossi, Carla Tutino), Regia del suono Mauro Cardi |
Edizioni RAI Trade | 0 | |||||
| 34884 | Mauro | Cardi | Pastelli sul Pack 2 | 2011 | live-elec, 1 perf | ≈ 7 | fl, (elec) [Flöte] | 22 Dicembre 2011 | Roma, Discoteca di Stato, Intermedia Edison 2011, Interpreti: Manuel Zurria, flauto; Mauro Cardi, live electronics | 0 | |||||||||
| 33242 | Mauro | Cardi | Polvere di luna | 2003 | live-elec, 1 perf | 6:30 | V [Stimme] | 19/12/2003 | Roma, Goethe Institut. Interpreti: Sonia Bergamasco | 0 | |||||||||
| 2824 | Mauro | Cardi | Quattro illustrazioni | live-elec, 1 perf | p [Piano] | sound spazialization with CRM dig systems | CRM Roma | 0 | |||||||||||
| 34880 | Mauro | Cardi | Temperatura esterna | 1994 | Radiokunst, 3 perf | 29 | V, fl, perc, (MIDI) [Stimme, Flöte, Schlagzeug] | RAI Milano | RAI RadioTre | 6/12/1994 | RAI, RadioTre, Interpreti: voce recitante Paolo Bonacelli, flauto Manuel Zurria, percussioni Gianluca Ruggeri | Edizioni Ricordi | 0 | ||||||
| 33237 | Mauro | Cardi | Un gioco a incastro | 2007 | live-elec, 5 perf | Musiktheater |
≈ 4:30 | V, tpt, e-gui, perc, db [Stimme, Trompete, Gitarre, Schlagzeug, Kontrabass] | 07/11/2007 | Roma, RAI, sala A, Via Asiago, "Radio Tre Suite". Interpreti: Sonia Bergamasco, Freon Ensemble (Massimo Bartoletti, Stefano Cardi, Rodolfo Rossi, Carla Tutino). Regia del suono Mauro Cardi | Edizioni RAI Trade | 0 | ||||||||
| 34883 | Mauro | Cardi | Zone 2.0 | 2014 | live-elec, 1 perf | a-sax, (elec) [Saxophon] | Accademia Nazionale di Santa Cecilia | 24 ottobre 2014 | Roma, Sala Accademica del Conservatorio Santa Cecilia, nell’ambito della 7a Edizione dell’ EMUFest - “Festival Internazionale di Musica Elettroacustica del Conservatorio Santa Cecilia”, Enzo Filippetti sax, Mauro Cardi live electronics | 0 | |||||||||
| 33232 | Mauro, Luigi, Fabio Cifariello | Cardi, Ceccarelli, Ciardi | I luoghi comuni non sono segnati sulle carte | 2012 | live-elec, 8 perf | 54 | hn, vn, db, p, 3 perf, dancer [Horn, Piano, Violine, Kontrabass, Performer, Tanz] | Società dei Concerti B.Barattelli | 25 Luglio 2012 | L’Aquila, Basilica di Collemaggio, “I cantieri dell'immaginario”. Interpreti: Geremia Iezzi, corno; Marco Rogliano, violino; Daniele Roccato, contrabbasso; Ciro Longobardi, pianoforte. Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, regia del suono. Coreografia di Roberto Zappalà |
0 | ||||||||
| 33231 | Mauro, Luigi, Fabio Cifariello, Alessandro | Cardi, Ceccarelli, Ciardi, Cipriani | Blackmail, Blackmail Project | 2013 | live-elec, 1 perf | Film |
72 | trbn [Posaune] | live computer soundtrack per il film omonimo del 1929 di Alfred Hitchcock (2013) | Società dei Concerti “B.Barattelli” – L’Aquila 2013 | 7 Aprile 2013 | L’Aquila; Ridotto del Teatro Comunale - Stagione della Società Aquilana dei Concerti “B.Barattelli”. Live electronics: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani Angelo Benedetti regia del suono |
0 | |||||||
| 34876 | Mauro, Luigi, Fabio Cifariello, Alessandro | Cardi, Ceccarelli, Ciardi, Cipriani | Gli ultimi giorni di Pompei | 2001 | Film, live-elec, 4 perf | 54 | 4 perf [Performer] | Edison St Roma | Fondazione MM&T | 16/11/2001 | Milano, Palazzina Liberty, Rassegna “Senza parole”. Interpreti: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani | 0 | |||||||
| 33243 | Mauro, Luigi, Fabio Cifariello, Alessandro | Cardi, Ceccarelli, Ciardi, Cipriani | The Cabinet of Dr.Caligari, Das Cabinet des Dr.Caligari | 2003 | Film, live-elec, 4 perf | 83 | 4 perf [Performer] | Edison St Roma | 02/10/2003 | Singapore, ICMC 2003, NUS University. Interpreti: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani | 0 | ||||||||
| 34877 | Mauro, Maria Cristina, Michelangelo, Alessandro, Roberta | Cardi, De Amicis, Lupone, Sbordoni, Vacca | C’era una volta… la principessa dispettosa | 2000 | Performance, live-elec, 1 perf | Musiktheater |
≈ 50 | V [Stimme] | Accademia Nazionale di Santa Cecilia, Gramma L'Aquila | Accademia Nazionale Santa Cecilia | 12/05/2000 | Roma, Teatro Greco, “Santa Cecilia per i bambini”. Interpreti: voce recitante Daniele Fracassi, elettronica Istituto Gramma | 0 | |||||||
| 33241 | Mauro, Roberta | Cardi, Vacca | Trash | 2004 | fixed media, akusmatisch | Musiktheater |
65 | 3 perf [Performer] | MTh for children. musicalopera per attori, cantanti e elettronica |
Accademia Nazionale di Santa Cecilia | 07/03/2004 | Roma, Parco della Musica, Sala Sinopoli, Rassegna “Tutti a Santa Cecilia”. Interpreti: Anna Clementi, Bruno Zeni, BurattinMusica. Regia del suono Mauro Cardi. Regia Francesca Angeli | Edizioni RAI Trade | 0 | ||||||
| 36726 | Janet | Cardiff | The Forty Part Motet | 2001 | fixed media, akusmatisch | loop 14:40 | 40 Tracks | A reworking of “Spem in Alium”, by Thomas Tallis 1556 | Field Art Projects | 2001 | Salisbury Festival, The New Art Gallery Walsall | 0 | |||||||
| 35061 | Janet, George Bures | Cardiff, Miller | Cabinet of Curiousness | 2010 | Klangkunst, Installation | (Karteischrank, Lautsprecher) [] | Sound Installation Galerie Barbara Weiss Berlin | 0 | |||||||||||
| 32903 | Janet, George Bures | Cardiff, Miller | The Murder of Crows | 2009 | Klangkunst, Installation | ∞ | Mixed Media Sound Installation | 13.3.2009 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | |||||||||
| 39499 | Simone | Cardini | Amber sapwood | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40251 | Simone | Cardini | Potlach (electric) | 2015 | fixed media, akusmatisch | 9:24:00 | Simone Cardini | 0 | |||||||||||
| 39610 | Benjamin | Carey | iambic | 2015 | fixed media, akusmatisch | 6:12:00 | Benjamin Carey | 0 | |||||||||||
| 42471 | Jeff | Carey | Structural Unit II | 2007 | fixed media, akusmatisch | 0 | |||||||||||||
| 42472 | Jeff, Robert van, Bas van | Carey, Heumen, Koolwijk | SKIF++ | 2008 | audiovisuell | perf [Performer] | 0 | ||||||||||||
| 18375 | Joanne D. | Carey | Adventures on a Theme | 1997 | live-elec, 2 perf | fl, perf (radio Baton) [Flöte, Performer] | 3 parts | CCRMA | 0 | ||||||||||
| 2825 | Joanne D. | Carey | Cloud's Lament | 1988 | fixed media, akusmatisch | 11:00 | Stereo | PLA, Samson_Box | CCRMA | 0 | |||||||||
| 2826 | Joanne D. | Carey | gamalan R-gong gong | 1984 | fixed media, akusmatisch | PLA, Samson_Box | CCRMA | 0 | |||||||||||
| 18352 | Joanne D. | Carey | Gracias - La Soledad - Aqui (Trilogy) | 1992/1993 | fixed media, akusmatisch | inspired by Flamenco & poetry of Pablo Neruda; DMIX | CCRMA | 0 | |||||||||||
| 2827 | Joanne D. | Carey | Intonations of Wind | 1990 | fixed media, akusmatisch | 15:00 | PLA, Samson_Box | CCRMA | 0 | ||||||||||
| 2828 | Gene | Carl | What the River Said | 1982 | fixed media, akusmatisch | 23:33 | 0 | ||||||||||||
| 2829 | Gene | Carl | Words And Music By | 1976 | fixed media, akusmatisch | 7:25 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 2830 | Robert | Carl | Roundabout | 1985 | Zuspiel / Tonband, 1 perf | 6:35 | Stereo | db [Kontrabass] | Synclavier | opus one 137/ | CCEM Hartford | 1 | |||||||
| 38748 | Rüdiger, Sven-Åke | CARL, JOHANSSON | Dschungelmusik mit Perkussion und Gesang | 2004 | radiophon | 54:22:00 | 0 | ||||||||||||
| 24179 | Massimo | Carlentini | Granular Leaves | 2002 | fixed media, akusmatisch | 4:57 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 33190 | Massimo | Carlentini | Mutamenti | 2000 | Zuspiel / Tonband, 1 perf | 7:14 | db [Kontrabass] | Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 tape + ins | 0 | |||||||||
| 23028 | Massimo | Carlentini | Recycling recycled | 2001 | Zuspiel / Tonband, 1 perf | 10:22 | fl [Flöte] | CDR Musica Nova 2001/ EMF 047/ | HfM Vincenzo Bellini Catania | prize Musica Nova 2001 Category B | 1 | ||||||||
| 2831 | José Luis | Carles | Aquellos objetos | 1991 | fixed media, akusmatisch | 15:05 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 2832 | José Luis | Carles | El ruido y la furia de Madrid | fixed media, akusmatisch | 12:00 | Stereo | 0 | ||||||||||||
| 2833 | José Luis | Carles | Ese sentido Delicioso | 1992 | Zuspiel / Tonband, 1 perf | 15:05 | Stereo | V [Stimme] | LIEM CDMC Madrid | 0 | |||||||||
| 25857 | José Luis | Carles | L ‘onde | 2003 | fixed media, akusmatisch | 19:53 | Octo | LDC 278080 Cultures électroniques 19 2006/ | 1 | ||||||||||
| 19013 | José Luis, Isabel | Carles, López Barrio | Latidos, Escenas sonoras de Madrid (Soundscape Madrid) | 1994 | Klangkunst, Installation | 13:14 | Herzschläge. Akustische Szenen aus Madrid | ZP 9501 ZwergProductions/ real ambient/ | 1 | ||||||||||
| 34850 | Gian Tenio | Carlone | L'homme qui n'a jamais pleuré | 2015 | fixed media, akusmatisch | 10:06:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 41372 | Gian Tenio | Carlone | La Salle de l’Esprit et du Temps | 2014 | fixed media, akusmatisch | 10:06:00 | JTTP 2014 participant | 0 | http://econtact.ca/19_1/pieces.html | ||||||||||
| 34416 | Wendy | Carlos | A Clockwork Orange, Timesteps | 1972 | Film | ESD 81362/ | Trans-Elecronic Music | 0 | |||||||||||
| 2834 | Wendy | Carlos | Composition for 4 LS | 1963 | fixed media, akusmatisch | 11:00 | Quadro | Col.Princ EMC | 0 | ||||||||||
| 2835 | Wendy | Carlos | Dialogues, Dialogues For Piano And Two Loudspeakers | 1963 | Zuspiel / Tonband, 1 perf | 4:05 | Stereo | p [Piano] | TV 34004S/ | Col.Princ EMC | 0 | ||||||||
| 2836 | Wendy | Carlos | Epitaph for Man | 1964 | fixed media, akusmatisch | 8:00 | Quadro | Col.Princ EMC | 0 | ||||||||||
| 2837 | Wendy | Carlos | Image | 1964 | Film, 1 perf | 10:30 | Mono, Quadro | ins [Instrument] | Col.Princ EMC | 0 | |||||||||
| 37952 | Wendy | Carlos | Land of the Midnight Sun, Aurora Borealis Midnight Sun |
1972 | fixed media, akusmatisch | 39:52 | ESD 81372/ | 0 | |||||||||||
| 2838 | Wendy | Carlos | Noah | 1965 | Oper | 60:50 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 2839 | Wendy | Carlos | Pomposities | 1965 | Zuspiel / Tonband, 1 perf | 8:00 | Quadro | narrator [Schauspieler] | Col.Princ EMC | 0 | |||||||||
| 2840 | Wendy | Carlos | Sacred Sonorities | 1963 | Zuspiel / Tonband, | 3:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 37951 | Wendy | Carlos | Sonic Seasonings, Spring Summer Fall Winter Winter Out-take |
1972 | fixed media, akusmatisch | 92:51 | ESD 81372/ Infiné IF 4002/ | 0 | |||||||||||
| 21784 | Wendy | Carlos | Switched on Bach | 1967 | live-elec, 1 perf | synt [synthesizer] | CBS CD MK 7194/ SK 53789 Sony Classical/ | 0 | |||||||||||
| 21785 | Wendy | Carlos | The Well-Tempered Synthesizer | 1969 | live-elec, 1 perf | synt [synthesizer] | Mainstream MS 7286/ CBS S63656/ | 0 | |||||||||||
| 2841 | Wendy | Carlos | Variations, Variations For Flute And Electronic Sound | 1964 | Zuspiel / Tonband, 1 perf | 4:00 | Stereo | fl [Flöte] | original title "Motif & Metaphor" | TV 34004S/ | Col.Princ EMC | 0 | |||||||
| 21783 | Wendy | Carlos | Wendy Carlos by Request | 1975 | live-elec, 1 perf | synt [synthesizer] | LP MT 32088/ | 0 | |||||||||||
| 21782 | Wendy | Carlos | Wendy Carlos' Digital Moonscapes | 1984 | live-elec, 1 perf | synt [synthesizer] | CBS MK 39340/ | 0 | |||||||||||
| 2842 | Morten | Carlsen | Die Menschmaschine | 1989 | Zuspiel / Tonband, 1 group | 60:00 | Stereo | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 22257 | Morten | Carlsen | Iliad 5-8 | fixed media, akusmatisch | 13:12 | dacapo 8.224198/ | DIEM Aarhus | 1 | |||||||||||
| 2843 | Morten | Carlsen | Kutbay | 1990 | live-elec, 1 perf | 15:00 | Stereo | fl [Flöte] | DIEM Aarhus | 0 | |||||||||
| 2844 | Morten | Carlsen | Musik til kunstudstilling | 1990 | fixed media, akusmatisch | Stereo | DIEM Aarhus | 0 | |||||||||||
| 2845 | Morten | Carlsen | Noise Control | 1989 | live-elec, 1 group | 20:00 | Stereo | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 2846 | Morten | Carlsen | Tin Can Polka | 1989 | live-elec, 1 perf | 20:00 | Stereo | sax [Saxophon] | DIEM Aarhus | 0 | |||||||||
| 23575 | Lars | Carlsson | Pavers | 2003 | Klangkunst, Installation | 1:05 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 42821 | Oliver | Carman | Electric Strings | 2012 | fixed media, akusmatisch | 11:31:00 | 0 | ||||||||||||
| 42585 | Oliver | Carman | Metamorphosis I | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 2847 | Giuseppe, Amelia | Carmassi, Mangione | AG 126 | 1966 | fixed media, akusmatisch | 3:00 | Mono + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 23925 | Oscar | Carmona | Cygnus X-1 | 2003 | Zuspiel / Tonband, 1 perf | 7:22 | p [Piano] | Noviembre 2003.XIII Festival de Música Contemporánea. Santiago, Chile. | 0 | ||||||||||
| 23924 | Oscar | Carmona | Kinesis | fixed media, akusmatisch | 17:45 | La Habana, Cuba. | 0 | ||||||||||||
| 22762 | Daniel | Carney | Ecstatic research | 1985 | fixed media, akusmatisch | 3:00 | ICMC 1986 Den Haag | 1 | |||||||||||
| 18963 | David | Caron | Boottocht | 1995 | Klangkunst, Installation | 6:55 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | Sonology Den Haag | 1 | |||||||||
| 2848 | Paolo | Carosi | Sciarada | 1989 | live-elec, 1 perf | 10:00 | fl [Flöte] | CNUCE Pisa | 0 | ||||||||||
| 2849 | Paolo | Carosi | Synapsis | 1991 | live-elec, 3 perf | 13:00 | fl, ob, ehn, (light baton) [Flöte, Oboe] | CNUCE Pisa | 0 | ||||||||||
| 2850 | Paolo | Carosi | Waki | 1989 | live-elec, 1 perf | 10:00 | fl [Flöte] | CNUCE Firenze | 0 | ||||||||||
| 28552 | James | Carpenter | Tangle | 2010 | fixed media, akusmatisch | 9:50 | Octo | BEAST | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin | 1 | 2010 | ||||||
| 2851 | Cioni | Carpi | Chromogrammes 1 — 3 | 1961 | Film | intermedia |
7:00 | Mono | PS C. Montréal | 0 | ||||||||||
| 2852 | Cioni | Carpi | I will I shan't | 1962 | Film | intermedia |
4:00 | Mono | PS C. Montréal | 0 | ||||||||||
| 2853 | Cioni | Carpi | L'oiseau Maya | 1961 | Film | intermedia |
3:00 | Mono | PS Marko Montréal | 0 | ||||||||||
| 2854 | Cioni | Carpi | Point and Counterpoint | 1960 | Film | intermedia |
5:00 | Mono | PS Marko Montréal | 0 | ||||||||||
| 33387 | Fiorenzo | Carpi | Un jour un avion | 1963 | Film | 6 | Mono | NIS Film Roma | 0 | ||||||||||
| 23926 | Fernando | Carrasco | ajar.cl | fixed media, akusmatisch | 8:27 | 0 | |||||||||||||
| 23927 | Fernando | Carrasco | Nilnovisubsole | fixed media, akusmatisch | 5:06 | 0 | |||||||||||||
| 40167 | Pablo | Carrascosa | “Rush” | 2017 | fixed media, akusmatisch | Pablo Carrascosa | 0 | ||||||||||||
| 22456 | Patrice | Carré | Igor Wagner has gone to the Races | 2000 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory; Teil CD-ROM, Teil Audio-CD; Windows und Mac | MF 0002-2/ | Mattress Factory | 1 | ||||||||||
| 19269 | Rémy | Carré | La Trace du Souffle | 1989 - 1996 | fixed media, akusmatisch | 9:26 | CEC Presence 1/ | GMVL Lyon | GMVL | 1 | |||||||||
| 19415 | Rémy | Carré | La vallèe | 1993 | fixed media, akusmatisch | 6:00 | Stereo | e. Cactus 002/ | GMVL Lyon | GMVL | 0 | ||||||||
| 18452 | Rémy | Carré | Le bruit des ailes | 1996 | fixed media, akusmatisch | 13:15 | Stereo | IMEB Bourges | 0 | ||||||||||
| 19416 | Rémy | Carré | Le territoire | 1993 | fixed media, akusmatisch | 8:55 | Stereo | e. Cactus 002/ | GMVL Lyon | 0 | |||||||||
| 18451 | Rémy | Carré | Le train des invisibles | 1992 | fixed media, akusmatisch | 15:17 | Stereo | IMEB Bourges | 0 | ||||||||||
| 19417 | Rémy | Carré | Le voile gris | 1994 | radiophon | 11:16 | Stereo | MEC 02/ | GMVL Lyon | 0 | |||||||||
| 2855 | Rémy | Carré | Les allées de sable | 1987 | fixed media, akusmatisch | 18:45 | Stereo | INA • GRM | 0 | ||||||||||
| 19418 | Rémy | Carré | Les appels | 1993 | fixed media, akusmatisch | 2:34 | Stereo | e. Cactus 002/ | GMVL Lyon | 0 | |||||||||
| 2856 | Rémy | Carré | Les taureaux | 1990 - 1991 | fixed media, akusmatisch | 34:55 | Stereo | Version Concert 18:00 | INA • GRM, GME Cuenca | 0 | |||||||||
| 2857 | Rémy | Carré | Mira | 1991 | fixed media, akusmatisch | 17:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 2858 | Rémy | Carré | Reportage | 1987 | fixed media, akusmatisch | 18:10 | Stereo | GES Vierzon | 0 | ||||||||||
| 2859 | Rémy | Carré | Toros | 1990 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 36771 | Ulises | Carrión | Aritmética | 1977 | fixed media, akusmatisch | 5:19 | Sonology Utrecht | 0 | |||||||||||
| 36743 | Ulises | Carrión | Hamlet | 1977 | Musikinstrument, keine EM, 2 perf | 15:36 | 2 V [Stimme] | Sonology Den Haag | 0 | ||||||||||
| 40155 | Nicole | Carroll | Everything in its Place | 2015 | fixed media, akusmatisch | 13:00:00 | Nicole Carroll | 0 | |||||||||||
| 40154 | Nicole | Carroll | Hand of Marseilles | 2016 | fixed media, akusmatisch | Nicole Carroll | 0 | ||||||||||||
| 22300 | Roy | Carroll | I'm born again | 2000 | fixed media, akusmatisch | 3:15 | SIDO 010/ | 1 | |||||||||||
| 41373 | Vanessa | Carroll | Novum Sonus et Veteres Traditiones | 2012 | fixed media, akusmatisch | 5:06 | JTTP 2012 | 0 | |||||||||||
| 2860 | Philippe | Carson | Bx | 1962 | fixed media, akusmatisch | 7:55 | Quadro, Stereo | perc [Schlagzeug] | IDEAMA CD 026/ | INA • GRM | 0 | ||||||||
| 2861 | Philippe | Carson | Collages, Concert Collectif | 1963 | Zuspiel / Tonband, 16 perf | 5:57 | Stereo | 16 ins [Instrument] | IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 0 | ||||||
| 40423 | Philippe | Carson | Composition, Danse 2 | 1961 | Film | 3:45 | film by P. Kamler „Composition“ | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||
| 43089 | Philippe | Carson | Danse II | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 40454 | Philippe | Carson | Decoupages | 1962 | Zuspiel / Tonband, 1 group | 4:35 | Mono | ens [Ensemble] | INA • GRM | 0 | |||||||||
| 43090 | Philippe | Carson | Exposition de Stuyvesant | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 40524 | Philippe | Carson | La belle epoque | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 40500 | Philippe | Carson | Le Manteau | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40428 | Philippe | Carson | Les dents du singe | 1961 | Film | pour film „image par image“ de R. Laloux | INA • GRM | 0 | |||||||||||
| 40440 | Philippe | Carson | Les nuages fous | 1962 | Film | animations film | INA • GRM | 0 | |||||||||||
| 40477 | Philippe | Carson | Litterature orale | 1963 | radiophon | générique émission radio | INA • GRM | 0 | |||||||||||
| 40403 | Philippe | Carson | Monsieur Bonhomme et les Incendiaires | 1960 | Theatermusik | Piece de Max Frisch | INA • GRM | 1960 | Saint-Etienne | 0 | |||||||||
| 2862 | Philippe | Carson | Phonologie, Concert Collectif | 1962 | fixed media, akusmatisch | 6:53 | Quadro | Variations sur le timbre des voyelles (voix de X. Depraz) | INA C 1032 27652 archives grm CD 2/5/ IDEAMA CD 025/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 1 | ||||||
| 40513 | Philippe | Carson | Traite du bonheur | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 2863 | Philippe | Carson | Turmac | 1961 | fixed media, akusmatisch | 9:43 | Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ BAM LD 972/ BAM LD 5072/ Klett Stuttgart 92422/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 025/ | INA • GRM | January 1962 | Amsterdam, Musée d'Art Moderne | 1 | |||||||
| 2864 | Philippe | Carson | Une semaine en france | 1961 | Film | 15:45 | INA • GRM | 1960 | Moscou | Prix de l’UNIATEC 1962 | 0 | ||||||||
| 40522 | Philippe, Claude | Carson, Arrieu | Noces de papier | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 36904 | John | Carter | Encounters | 2008 | live-elec, 5 perf | 9:19 | cl, perc, (com), p, trbn, V [Stimme, Klarinette, Posaune, Piano, Schlagzeug] | sound check three | UCSD/ | 1 | ||||||||||
| 22031 | Paul | Carter | 7448. Eine kolumbianische Phantasie | radiophon | 2:26 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 19162 | Paul | Carter | The Calling to Come | 1995 | Performance | ISAST LMJ 6/ | 1 | ||||||||||||
| 40223 | Ryan | Carter | On the limits of a system and the consequences of my decisions | 2016 | live-elec, 1 perf | 10 | p [Piano] | Ryan Carter | 0 | ||||||||||
| 39732 | Diogo | Carvalho | Reveal | 2017 | fixed media, akusmatisch | Diogo Carvalho | 0 | ||||||||||||
| 31748 | Guilherme | Carvalho | Existence Appartenance | 2007 | fixed media, akusmatisch | 7:20 | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 1 | |||||||||||
| 2865 | Reginaldo | Carvalho | A Menina e o Vento | 1964 | Tanz | Theatermusik |
20:00 | Quadro | PS C. Brasilia | 0 | ||||||||||
| 2866 | Reginaldo | Carvalho | A pulseirinha | 1966 | fixed media, akusmatisch | 1:38 | Mono | PS C. Rio | 0 | ||||||||||
| 2867 | Reginaldo | Carvalho | A tesourinha | 1966 | fixed media, akusmatisch | 2:20 | Stereo | PS C. Rio | 0 | ||||||||||
| 2868 | Reginaldo | Carvalho | Alegria de Natal, Joy of Christmas | 1963/1964 | Zuspiel / Tonband, 1 group | 4:00 | Stereo | ch [Chor] | PS C. Brasilia | 0 | |||||||||
| 2869 | Reginaldo | Carvalho | Androcles e o leão | 1966 | Theatermusik | 15:46 | Mono | PS C. Rio | 0 | ||||||||||
| 2870 | Reginaldo | Carvalho | As interferências | 1966 | Theatermusik | 15:00 | Mono | PS C. Rio | 0 | ||||||||||
| 2871 | Reginaldo | Carvalho | Caleidoscópio I | 1966 | Film | 10:00 | Quadro | PS C. Rio | 0 | ||||||||||
| 2872 | Reginaldo | Carvalho | Caleidoscópio II | 1966 | Tanz | Film |
44:00 | Stereo + Stereo + Stereo | PS C. Rio | 0 | ||||||||||
| 2873 | Reginaldo | Carvalho | Caleidoscópio III | 1967 | Tanz | 10:00 | Stereo | PS C. Rio | 0 | ||||||||||
| 31741 | Reginaldo | Carvalho | Caleidoscópio IV, Semáforos Cleta Pontuações Luminosas |
1968 - 1969 | Film | 7:17 | 1. Semáforos 1:29 2. Cleta 2:33 3. Pontuações Luminosas (69) 4:34 |
SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. Rio | 1 | |||||||||
| 31742 | Reginaldo | Carvalho | Cemiterio sem Flores, Cemetery without flowers | 1969 | fixed media, akusmatisch | 4:34 | after a poem by Ivan Setta | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 2874 | Reginaldo | Carvalho | Cleta (poesia) | 1966 | fixed media, akusmatisch | 2:15 | Stereo | PS C. Rio | 0 | ||||||||||
| 31740 | Reginaldo | Carvalho | Estudo de martelo com piano destemperado, Hammer study with distempered piano | 1957 | fixed media, akusmatisch | 2:00 | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. Rio | 1 | ||||||||||
| 2875 | Reginaldo | Carvalho | Estudo I | 1958 | fixed media, akusmatisch | ≈ 1:00 | Mono | PS C. Rio | 0 | ||||||||||
| 31735 | Reginaldo | Carvalho | Estudo II | 1959 | fixed media, akusmatisch | PS C. Rio | 0 | ||||||||||||
| 2876 | Reginaldo | Carvalho | Estudo III (agua), Study III: water | 1963/1964 | fixed media, akusmatisch | 1:26 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2877 | Reginaldo | Carvalho | Estudo Incoerente (piano suspresa #2) | 1965 | fixed media, akusmatisch | 2:00 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2878 | Reginaldo | Carvalho | Estudo IV : plastico | 1964 | fixed media, akusmatisch | 2:18 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2879 | Reginaldo | Carvalho | Fumaça : resonancias, Smoke: Ressonances | 1964 | fixed media, akusmatisch | 2:00 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2880 | Reginaldo | Carvalho | In Memoriam: a morte do homem que quiz ser livre, In Memoriam: the death of the man who wanted to be free | 1967 | Tanz | 15:46 | Mono | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. Rio | 1 | |||||||||
| 2881 | Reginaldo | Carvalho | Negócio | 1959 | Tanz | 2:42 | Mono | PS C. Rio | 0 | ||||||||||
| 2882 | Reginaldo | Carvalho | O apêlo da montanha | 1966 | fixed media, akusmatisch | Tanz |
4:00 | Quadro + Stereo + Stereo + Stereo | PS C. Rio | 0 | ||||||||||
| 2883 | Reginaldo | Carvalho | O camaleão na lua | 1967 | Theatermusik | 20:00 | Stereo | PS C. Rio | 0 | ||||||||||
| 2884 | Reginaldo | Carvalho | Os inimigos não mandam flôres | 1964 | Theatermusik | 7:00 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2885 | Reginaldo | Carvalho | Papai, pobre papaisinho, mamãe te pendurou… | 1966 | Theatermusik | 28:50 | Mono | PS C. Rio | 0 | ||||||||||
| 2886 | Reginaldo | Carvalho | Piano Surpresa Nr. 1 | 1964 | fixed media, akusmatisch | 5:17 | Mono | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | Paris | 1 | |||||||||
| 2887 | Reginaldo | Carvalho | Primeiro acho, depois procuro | 1966 | Hintergrundmusik | 40:00 | Stereo | PS C. Rio | 0 | ||||||||||
| 2888 | Reginaldo | Carvalho | Si Bemol, B flat | 1956 | fixed media, akusmatisch | 1:13 | Mono | first brazilian work Musique concrète | RD003 MEB Rioarte/ | PS C. Rio | 0 | ||||||||
| 2889 | Reginaldo | Carvalho | Temática, theme | 1956 | fixed media, akusmatisch | 1:03 | Mono | com piano | PS C. Rio | 0 | |||||||||
| 2890 | Reginaldo | Carvalho | Tensão | 1966 | Tanz | 1:15 | Mono | PS C. Rio | 0 | ||||||||||
| 2891 | Reginaldo | Carvalho | Troco I, Things I | 1956 | fixed media, akusmatisch | 0:57 | Mono | com piano | PS C. Rio | 0 | |||||||||
| 2892 | Reginaldo | Carvalho | Troco II, Things II | 1957 | fixed media, akusmatisch | 1:12 | Mono | PS C. Rio | 0 | ||||||||||
| 2893 | Reginaldo | Carvalho | Vozes das nuvens | 1965 | fixed media, akusmatisch | Tanz |
3:15 | Stereo | PS C. Brasilia | 0 | ||||||||||
| 38516 | Ric | CARVALHO | Avolition | 2010 | radiophon | 2:39:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 23929 | Antonio | Carvallo | 02_être_02_alors_02 | fixed media, akusmatisch | 7:07 | 0 | |||||||||||||
| 23928 | Antonio | Carvallo | Nuevamente | live-elec, 1 perf | 2:20 | Sp, (elec) [Sprecher] | 0 | ||||||||||||
| 23930 | Antonio | Carvallo | (Post) Desde que (no) somos un dialogo | fixed media, akusmatisch | 5:46 | 0 | |||||||||||||
| 32859 | Antonio | Carvallo | Vacio | 2006 | live-elec, 1 perf | 4:08 | V [Stimme] | Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 2894 | Tristram | Cary | 3 4 5 | 1967 | fixed media, akusmatisch | 6:52 | Stereo | A Study in Limited Resources for Stereo Tape. Used Frequecies are 3, 4 and 4 Hz and their multiples |
Galaxy 4006/ TP 139 Tall Toppies Records Australia/ IDEAMA CD 072/ | PS C. Fressingfield | January 15 1968 | Queen Elizabeth Hall | 1 | ||||||
| 2895 | Tristram | Cary | Birth is Life is Power is Death is God is …, Birth is Life is Power is God is … | 1967 | fixed media, akusmatisch | 8:46 | Stereo | revision of a sound track | TP 139 Tall Toppies Records Australia/ IDEAMA CD 072/ | PS C. Fressingfield | January 15 1968 | Queen Elizabeth Hall | 1 | ||||||
| 25440 | Tristram | Cary | Black, White & Rose | 1991 | Zuspiel / Tonband, 1 perf | 21:47 | Stereo | perc (mar, gongs, woodblocks) [Schlagzeug] | mar with 5 octaves | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | Ryszard Pusz | 03.1992 | 1 | |||||
| 2897 | Tristram | Cary | Continuum | 1969 | fixed media, akusmatisch | 13:26 | Stereo | analog synthesizer | TP 139 Tall Toppies Records Australia/ IDEAMA CD 072/ | PS C. Fressingfield | Cheltenham Festival | July 6 1969 | Cheltenham Colleg Chapel | 1 | |||||
| 2898 | Tristram | Cary | Divertimento | 1973 | fixed media, akusmatisch | 4:07 | Stereo | MOVE MS 3017/ | EMS_London, PS C. | 0 | |||||||||
| 2899 | Tristram | Cary | East of the sun and west of the moon | 1959 | radiophon | 15:00 | Mono | PS C. London | 0 | http://www.timesonline.co.uk/tol/comment/obituaries/article3834649.ece | |||||||||
| 2901 | Tristram | Cary | Film Music | 1959 - 1962 | Film | Mono | PS C. London | 0 | |||||||||||
| 2902 | Tristram | Cary | Hall Music | 1967 | Hintergrundmusik | 4:05 | Stereo | British Pavillon EXPO 67 | PS C. | 0 | |||||||||
| 2903 | Tristram | Cary | Illness and Ghosts at the West | 1965 | radiophon | 10:00 | Mono | PS C. | 0 | ||||||||||
| 2904 | Tristram | Cary | January Piece | 1967 | fixed media, akusmatisch | Mono | 0 | ||||||||||||
| 2905 | Tristram | Cary | Leviathan '99 | 1968 | radiophon | Stereo | concert suite: 71 | 0 | |||||||||||
| 2906 | Tristram | Cary | Music for Light | 1968 | fixed media, akusmatisch | with light show | 0 | ||||||||||||
| 2908 | Tristram | Cary | Narcissus | 1968 | live-elec, 1 perf | 8:00 | Stereo | fl, (2 Tape Recorders) [Flöte] | Concert suite: 71. Version also for IRCAM-Worjstation at RCM. | Galliard GAL4007/ TP 139 Tall Toppies Records Australia/ IDEAMA CD 072/ | PS C. Fressingfield | 2.10.1969 | Queen Elizabeth Hall with Edward Walker (fl) | Galliard 1970 | 1 | ||||
| 2909 | Tristram | Cary | Nonet | 1979 | fixed media, akusmatisch | 9:03 | Quadro | SCORE, Samson_Box | TP 139 Tall Toppies Records Australia/ | CCRMA | 1 | ||||||||
| 2910 | Tristram | Cary | Romantic Interiors | 1975 | Zuspiel / Tonband, 2 perf | 13:00 | vn, vc [Cello, Violine] | PS C. Fressingfield, UEA Norwich | 0 | ||||||||||
| 25439 | Tristram | Cary | Sine City II | 1979/1996 | fixed media, akusmatisch | 6:20 | Stereo | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | |||||||||
| 25438 | Tristram | Cary | Soft Walls | 1979/1980 | fixed media, akusmatisch | 7:31 | Quadro | with Synclavier I | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | ||||||||
| 36745 | Tristram | Cary | Sog | 1969 | fixed media, akusmatisch | PS C. Fressingfield | 0 | ||||||||||||
| 2911 | Tristram | Cary | Steam Music | 1978 | fixed media, akusmatisch | 9:21 | Quadro | former "Steam Music I"! | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | ||||||||
| 27333 | Tristram | Cary | Suite, The Children of Lir | 1959, 1996 | radiophon | 8:40 | Mono | this is an excerpt of the piece "The Children of Lir" (Duration 8:40) in 7 parts | TP 139 Tall Toppies Records Australia/ | PS C. London | 1 | ||||||||
| 2912 | Tristram | Cary | Suite - Leviathan '99 | 1972 | fixed media, akusmatisch | 16:10 | Stereo | after the radioplay "Leviathan '99" (premiered 1968 by BBC). | TP 139 Tall Toppies Records Australia/ | PS C. Fressingfield | May 22 1972 | Queen Elizabeth Hall | 1 | ||||||
| 27334 | Tristram | Cary | Suite - The Japanese Fisherman | 1955 | radiophon | 15:00 | Stereo | story about the H-bomb test series 1954 where fisherman sailed in the danger zone. The suite is an excerpt of The Japanese Fisherman" | TP 139 Tall Toppies Records Australia/ | PS C. London | 1 | http://list.waikato.ac.nz/mailman/listinfo/acma-l | |||||||
| 2913 | Tristram | Cary | The Children of Lir | 1959, 1996 | radiophon | 30:00 | Mono | An excerpt is the piece "Suite - The Children of Lir" (Duration 8:40) in 7 parts | TP 139 Tall Toppies Records Australia/ | PS C. London | 9.18.1959 | BBC | 0 | ||||||
| 38112 | Tristram | Cary | The Daleks, Devils' Planets | 1963 - 1970 | radiophon | BBC Records 300880/ | BBC | 0 | |||||||||||
| 2914 | Tristram | Cary | The End of Fear | 1960 | radiophon | 15:00 | Mono | PS C. London | 0 | ||||||||||
| 2915 | Tristram | Cary | The Ha-Ha | 1963 | radiophon | 20:00 | Mono | PS C. London | 0 | ||||||||||
| 25443 | Tristram | Cary | The Impossible Piano (Homage to CN) | 1994 | live-elec, 1 perf | 14:37 | sam [computer] | CN = Conlon Nancarrow. a piece for Sequencer and Sampled Piano. Contens: 7 excerpts under titels "Counterpoints", "Power Bounces", "Cross-Accents" | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 0 | ||||||||
| 2916 | Tristram | Cary | The Infernal Machine | 1960 | radiophon | 20:00 | Mono | PS C. London | 0 | ||||||||||
| 2917 | Tristram | Cary | The Japanese Fisherman | 1955 | radiophon | 15:00 | Stereo | story about the H-bomb test series 1954 where fisherman sailed in the danger zone. A "Suite - The Japanese Fisherman" is the tape version! |
TP 139 Tall Toppies Records Australia/ | PS C. London | BBC | 9.3.1955 | (first EM-Play at BBC!) | 0 | |||||
| 2918 | Tristram | Cary | The Killer | 1964 | radiophon | 10:00 | Mono | PS C. | 0 | ||||||||||
| 2919 | Tristram | Cary | The Rhyme of the Flying Bomb | 1964 | Zuspiel / Tonband, 7 perf | 28:00 | Mono | 2 Sp, 5 ins [Sprecher, Instrument] | PS C. | 0 | |||||||||
| 2920 | Tristram | Cary | The Sirens | 1966 | radiophon | 7:00 | Mono | PS C. | 0 | ||||||||||
| 25441 | Tristram | Cary | Three Clockpieces | 1983/1996 | fixed media, akusmatisch | 4:10 | Stereo | recompilation from material 1983 from "Timepieces" | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | ||||||||
| 25442 | Tristram | Cary | Trellises | 1984 | fixed media, akusmatisch | 12:02 | Quadro | original created for a Duration of a week continuously | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | ||||||||
| 2921 | Tristram | Cary | Winter Song | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 2900 | Tristram, Peter | Cary, Zinovieff | Exercise for a Passing Cloud | 1973 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 31286 | Pedro | Caryeschi | Analogias Paraboloides | 1970 | fixed media, akusmatisch | 10:21 | IDEAMA CD 060/ | Tella B.Aires | 0 | ||||||||||
| 38517 | Amandine | CASADAMONT | Zone de Silence | 2015 | radiophon | 56:27:00 | Prix Phonurgia nova | 0 | |||||||||||
| 20999 | Daniel | Casado | Otr@s Niñ@s, UNICEF 3.1 | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 23368 | David | Casal | Boosound | 2002 | Performance, live-elec, 1 perf | 3:00 | (com), perf [Performer] | Improvisation, Boodler | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 35281 | Emanuele | Casale | 11 | 2008 | live-elec, 14 perf | ca. 16:30:00 | fl, ob, cl, bn, hn, tpt, trbn, 2 perc, p, st-qt, (elec) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Piano, Schlagzeug] | 2009 | Grame, Lyon; Ensemble Orchestral Contemporain, Mark Foster, conductor; Recording: MDI ensemble. Yoichi Sughyiama, conductor |
Edizioni Ricordi – Milan | 0 | ||||||||
| 24379 | Emanuele | Casale | 5 | 2003 | Zuspiel / Tonband, 2 perf | ≈ 8:13 | fl, cl (electronics) [Flöte, Klarinette] | STR 33750/ | IMEB Bourges | 9.3.2003 | Festival Musica Nova, Helsinki; Manuel Zurria (fl), Paolo Ravaglia (cl) | Edizioni Nuova Stradivarius – Milan | 0 | ||||||
| 35283 | Emanuele | Casale | Allegro con bocca | 2011 | live-elec, 14 perf | ca. 11:00:00 | fl, ob, cl, bn, hn, tpt, trbn, 2 perc, 2 vn, va, vc, db (elec) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Schlagzeug, Viola, Cello, Violine, Kontrabass] | december 2011 | Oslo, Grønland Kammermusikkfestival, Dramatikkens Hus; Dramatikkens Hus, Oslo Sinfonietta, Christian Eggen, conductor | Edizioni Ricordi – Milan | 0 | ||||||||
| 35280 | Emanuele | Casale | Composizione per quattro | 2000 | live-elec, 4 perf | ca. 4:30:00 | fl, V, trbn, perc (elec) [Stimme, Flöte, Posaune, Schlagzeug] | STR 33750/ | 29/11/2000 | Cemat, Roma; Mario Caroli, flute; Anna Clementi, voice; Maurizio Persia, trombone, Antonio Caggiano, percussions | Edizioni Nuova Stradivarius – Milan | 0 | |||||||
| 35282 | Emanuele | Casale | Conversazioni con Chomsky | 2010, 2013 | Theatermusik | audiovisuell |
ca. 80:00:00 | 2 fl, 2 cl, b-cl, perc, 2 vn, va, vc, db, (elec, video), [Flöte, Klarinette, Schlagzeug, Viola, Cello, Violine, Kontrabass] | October 2010 January 2014 |
Fondazione I Teatri di Reggio Emilia; REC – I Teatri, Reggio Emilia; Icarus Ensemble/MDI Ensemble, Yoichi Sughiyama, conductor; Cristina Zavalloni, voice; Francesco Micheli, director; Luca Scarzella, video; Fondazione Musica per Roma, Auditorium Parco della Musica, Rome, January 2014 Ensemble PMCE, Tonino Battista, conductor; Diana Torto, voice; Noam Chomsky – Simone Gozzano, spoken voices; Fabio Cherstich, director; Igor Renzetti, video |
Edizioni Ricordi – Milan | 0 | ||||||||
| 35284 | Emanuele | Casale | Questo è un gruppo e pace | 2014 | Zuspiel, live-elec, 4 perf | 14:00:00 | vn, va, vc, p, (elec) [Piano, Viola, Cello, Violine] | november 2014 | Milano Musica, MDI ensemble | Edizioni Ricordi – Milan | 0 | ||||||||
| 24805 | Emanuele | Casale | Studio, Studio 1 | 1997 | Zuspiel / Tonband, 1 perf | 3:48 | hn [Horn] | LDC 278065/66 Cultures Electroniques 11/ EMF 047/ STR 33750/ | HfM Vincenzo Bellini Catania | prix GMEB 25. concours | 1 | ||||||||
| 35279 | Emanuele | Casale | Studio No. 2a, Studio No. 2b | 2000 | Zuspiel / Tonband, 1 perf | ≈ 4:30 | b-rec (Paetzold) [Flöte] | 2 versions | STR 33750/ | 7.2.2000 | Galleria Chagall, Nice | Edizioni Nuova Stradivarius, Milan | 0 | ||||||
| 42822 | Alejandro | Casales | Adsem Varien | 2013 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 26120 | Alejandro | Casales | History of Nothing | 2008 | fixed media, akusmatisch | 11:24 | Stereo | MR 2008 Métamorphoses 2008/ | 1 | ||||||||||
| 42725 | Alejandro | Casales | Nymphaeas | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 19515 | Rafel, Josep Maria, Xavier | Casasempere, Saperas, Dolç | Compuflutegram / de la Mort a L'Artic | 1995 | intermedia, live-elec, 2 perf | 55:00 | Stereo | fl, Kbd [Flöte, Keyboard] | Aula Barcelona | 0 | |||||||||
| 28424 | Kim | Cascone | Anti-Musical Celestial Forces | 2009 | Klangkunst, Installation | 27:48 | with a long text (spoken by G. R. Weisberg); recordings from Istanbul, Hamburg, Berlin, Aberdeen, Cordoba; Monterey... |
str 006 störung/ | 1 | http://www.storung.com/index.php?section=releases&lang=es&a=str006 | |||||||||
| 36164 | Kim | Cascone | Dust Theories 1 Dust Theories 2 |
2001 | live-elec, | 40 | cycling74 001/ cycling74 004/ c74-001-c74-008/ c74-004-c74-007/ | 0 | https://www.discogs.com/de/Various-001-008/release/2180985 | ||||||||||
| 36165 | Kim | Cascone | Edgeboundaries 123 | 2003 | live-elec, | 10 | cycling74 001/ cycling74 004/ c74-001-c74-008/ | 0 | https://www.discogs.com/de/Various-001-008/release/2180985 | ||||||||||
| 28311 | Kim | Cascone | Music For Dagger And Guitar | 2008 | Klangkunst, Installation | 37:25 | field recordings | TRRN 0203/ | 1 | ||||||||||
| 36166 | Kim | Cascone | ResidueBondage (DJ4'33" Anagram Mix) | 2000 | fixed media, akusmatisch | 10 | cycling74 004/ | 0 | |||||||||||
| 28312 | Kim | Cascone | The Language Of Ghosts (Monologue) | 2008 | Klangkunst, Installation | 6:13 | field recordings | TRRN 0203/ | 0 | ||||||||||
| 40859 | Kim | Cascone | Zephirum Scan | 2002 | fixed media, akusmatisch | 4:58 | SR 200 sub rosa/ | 0 | |||||||||||
| 35721 | Pedro Vicente | Caselles | Hi ha trens que tan sols passen una volta | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 35628 | Juan Manuel | Càseres | Buenos Aires Implosiòn | fixed media, akusmatisch | 4:31 | Uni de la serena/ | 0 | ||||||||||||
| 40151 | Nicola | Casetta | Piano Simulacrum | 2012 | fixed media, akusmatisch | 10:41:00 | acousmatic composition for grandpiano elaborated sounds | 0 | |||||||||||
| 41411 | Ciaran | Casey | A Few Jars | 2003 | fixed media, akusmatisch | EA from Queen’s U Belfast | 0 | https://www.ckcufm.com/ | |||||||||||
| 2922 | Mike | Casey | View from the Third I | 1990 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 39347 | Dario | Casillo | Ordinary Trip Report | 2017 | live-elec, | 0 | |||||||||||||
| 2923 | John | Casken | A Belle Pavine | 1980 | Zuspiel / Tonband, 1 perf | 12:00 | vn [Violine] | Uni York | 0 | ||||||||||
| 2924 | John | Casken | Piper’s Linn | 1983/1984 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | bagpipes [Bläser] | Uni Durham | 0 | ||||||||||
| 2925 | John | Casken | Quatédrale | 1980 | fixed media, akusmatisch | Quadro | Uni York | 0 | |||||||||||
| 2926 | John | Casken | Soul Catcher | 1986 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 2927 | John | Casken | The Golem | 1989 | Oper | Virgin 667 759 028/ | Uni Durham | 0 | |||||||||||
| 2928 | Michael | Cassells | Mercurian Clouds | 1989 | fixed media, akusmatisch | 16:23 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 2929 | Michael | Cassells | Submerged | 1989 | fixed media, akusmatisch | 10:05 | Stereo | 0 | |||||||||||
| 41779 | Lawrence | Casserley | ALLOTROPY | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41790 | Lawrence | Casserley | BROWN, GRAY AND RED RELIEF/EVERYTHING AND NOTHING | fixed media, akusmatisch | 12:22 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41788 | Lawrence | Casserley | CARDBOARD WITH KNOTTED ROPE | fixed media, akusmatisch | 9:36 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41778 | Lawrence | Casserley | CRYSTALLINE MATERIALS | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41783 | Lawrence | Casserley | CRYSTALLINE SYNTHESIS | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41781 | Lawrence | Casserley | DIFFERENT KINDS OF SNOW | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41785 | Lawrence | Casserley | GREY RELIEF IN FOUR PARTS | fixed media, akusmatisch | 8:41 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41787 | Lawrence | Casserley | INFINIT | fixed media, akusmatisch | 6:14 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41791 | Lawrence | Casserley | LABYRINTH | fixed media, akusmatisch | 21:20 | SCD 28030 Sargasso/ | 0 | ||||||||||||
| 41780 | Lawrence | Casserley | LATENT HEAT OF FUSION | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41774 | Lawrence | Casserley | Lost Wax | 2007 | fixed media, akusmatisch | 6:23 | SCD 28057 Sargasso/ | 0 | |||||||||||
| 41782 | Lawrence | Casserley | QUARTZITE | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41784 | Lawrence | Casserley | RAGNAROK | fixed media, akusmatisch | 10:31 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 2931 | Lawrence | Casserley | Solos, Commentaries and Integrations | 1969 | Zuspiel / Tonband, 2 perf | Stereo | cl, perc [Klarinette, Schlagzeug] | RCM London, EMS_London | 0 | ||||||||||
| 41792 | Lawrence | Casserley | THE GARDEN OF FORKING PATHS | fixed media, akusmatisch | 20:40 | Syllabic Music - The Pavilion of the Limpid Solitude - The Labyrinth of Time | SCD 28030 Sargasso/ | 0 | |||||||||||
| 41793 | Lawrence | Casserley | THE MONKS PRAYER | fixed media, akusmatisch | 10:35 | SCD 28030 Sargasso/ | 0 | ||||||||||||
| 2932 | Lawrence | Casserley | Transformations I | 1970 | fixed media, akusmatisch | 12:00 | RCM London | 0 | |||||||||||
| 41794 | Lawrence | Casserley | VISTA CLARA | fixed media, akusmatisch | 13:29 | SCD 28030 Sargasso/ | 0 | ||||||||||||
| 41786 | Lawrence | Casserley | X | fixed media, akusmatisch | 4:18 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41789 | Lawrence | Casserley | Y | fixed media, akusmatisch | 10:02 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 2930 | Lawrence, Bob | Casserley, Cobbing | 15 Shakespeare Kaku | 1973 | Zuspiel / Tonband, 1 perf | 7:00 | V [Stimme] | SMS, Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 19419 | Lawrence, Evan | Casserley, Parker | Coyolxauhqui | 1997 | live-elec, 1 perf | 9:49 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 19420 | Lawrence, Evan | Casserley, Parker | Epicycles | live-elec, 1 perf | 13:03 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | |||||||||
| 19421 | Lawrence, Evan | Casserley, Parker | Pachacamac | 1997 | live-elec, 1 perf | 11:37 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 19422 | Lawrence, Evan | Casserley, Parker | Solar Wind | 1997 | live-elec, 1 perf | 8:23 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 19423 | Lawrence, Evan | Casserley, Parker | The Central Region | 1997 | live-elec, 1 perf | 18:23 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 19424 | Lawrence, Evan | Casserley, Parker | Tlaloc | 1997 | live-elec, 1 perf | 4:03 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 2933 | Group | Cassiber | A face we all know | 1988/1989 | live-elec, 5 perf | 45:00 | Stereo | V, Kbd, gui, b, perc [Bass, Stimme, Keyboard, Gitarre, Schlagzeug] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth | AdK Berlin, PS Goebbels | 0 | ||||||||
| 28263 | Group | CASSIBER | Chor der Gefangenen | 1982 | live-elec, 7 perf | 4:46 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28269 | Group | CASSIBER | Die Verunreinigung des Flusses ist gerade noch erträglich | 1982 | live-elec, 7 perf | 6:32 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28268 | Group | CASSIBER | Django vergibt | 1982 | live-elec, 7 perf | 3:05 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28267 | Group | CASSIBER | Man or Monkey | 1982 | live-elec, 7 perf | 16:35 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28261 | Group | CASSIBER | Not me | 1982 | live-elec, 7 perf | 3:34 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28265 | Group | CASSIBER | O Cure Me | 1982 | live-elec, 7 perf | 5:47 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text aus der Bach-Kantate „Ach Herr, mich armen Sünder“ 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28264 | Group | CASSIBER | Our colourful Culture | 1982 | live-elec, 7 perf | 3:00 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth; mit Peter Prochir (drums) Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28262 | Group | CASSIBER | Red shadow | 1982 | live-elec, 7 perf | 3:43 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28270 | Group | CASSIBER | Sag mir, wo die Blumen sind? | 1982 | live-elec, 7 perf | 2:40 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28266 | Group | CASSIBER | This Core | 1982 | live-elec, 7 perf | 4:12 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 39531 | Aaron | Cassidy | APOFIR-REDUX | 2015 | fixed media, akusmatisch | 8:40:00 | Aaron Cassidy | 0 | |||||||||||
| 33399 | Alvaro | Cassuto | Verão Coincidente | 1963 | Film | 10 | Mono | PS Lisboa | 0 | ||||||||||
| 22926 | Sebastian | Castagna | Con la mano de Dios (murguera) | fixed media, akusmatisch | 12:00 | 0 | |||||||||||||
| 22924 | Sebastian | Castagna | Intemperie | fixed media, akusmatisch | 10:00 | 1 | |||||||||||||
| 32274 | Sebastian | Castagna | Mare Marginis | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 22925 | Sebastian | Castagna | Procesión | fixed media, akusmatisch | 8:00 | 1 | |||||||||||||
| 22923 | Sebastian | Castagna | Tango | Zuspiel / Tonband, 5 perf | 5:00 | str-qnt [Streicher] | 1 | ||||||||||||
| 2934 | Giulio | Castagnoli | Action music | 1990 | live-elec, 1 perf | 11:00 | Stereo | trbn [Posaune] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 28252 | Giulio | Castagnoli | Cantico Notturno | 1997 | live-elec, 13 perf | 11:29 | 12 V, perc [Stimme, Schlagzeug] | Corale Polifonica di Milano; M. Ben Omar (perc), Walter Prati (elec) | STR 33858 Stradivarius „Missa Sancti Evasii“/ | 1 | |||||||||
| 20284 | Giulio | Castagnoli | Isole | 1998 | Zuspiel / Tonband, 1 perf | 24:30 | Stereo | vc [Cello] | TR-CD 001, Tempo Reale/ | TU Berlin | Festival Inventionen DAAD/TU 98 | 26.9.1998 | Inventionen Parochialkirche Berlin, Francesco Dillon (vc) | 1 | 1998 | ||||
| 19303 | Giulio | Castagnoli | oltre lo stretto vuoto | live-elec, 1 perf | 8:45 | amp p [Piano] | alter ego | RCA 74321-16229-2/ | 1 | ||||||||||
| 18331 | Giulio | Castagnoli | quattro poemetti | 1993 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | vc [Cello] | INA • GRM | 0 | |||||||||
| 27645 | Giulio | Castagnoli | Tre Canti Pisani | 2004 | Zuspiel / Tonband, 7 perf | 12:30 | 7 tracks | 6 V, perc [Stimme, Schlagzeug] | after Canti Pisani di Ezra Pound. Extract from the opera „Un dragone in gabbia“ (2004) | STR 33858 Stradivarius „Missa Sancti Evasii“/ | TU Berlin | 1 | |||||||
| 23520 | Giulio | Castagnoli | Un dragone in gabbia | 2003 | Oper, 6 perf | 18:00 | Octo | V, 4 perc, actor [Stimme, Schlagzeug, Schauspieler] | eine Oper in 3 Akten nach den "Pisan Cantos" von Ezra Pound; Aufführung Torino 20.-21.5. 2004 | TU Berlin | 05.2004 | Teatro Regio in Torino | 1 | ||||||
| 34074 | Alejandro | Castaños | Fisuras | 2014 | fixed media, akusmatisch | 11:10:00 | Octo | 0 | |||||||||||
| 19425 | Hervé | Castellani | Le long silence de Février | 1995 | fixed media, akusmatisch | 9:00 | Stereo | MK CD 022/ | 0 | ||||||||||
| 19426 | Hervé | Castellani | Silence de Mai | 1992 | fixed media, akusmatisch | 9:00 | Stereo | MK CD 022/ | 0 | ||||||||||
| 31757 | Luiz Eduardo | Castelões | Estudo de Plágio Nr. 1: no limbo da polimusicas, Study of Plagiarism: on the border of polymusic | 2003 | fixed media, akusmatisch | 4:43 | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | 1 | http://cdmd.mcu.es | ||||||||||
| 35634 | Luiz Eduardo | Castelões | Estudos de plágio No. I: no limbo da Polimusicas | 2003 | fixed media, akusmatisch | 4:48 | 0 | ||||||||||||
| 2935 | Fabrizio | Casti | Hai un sangue | 1992 | Zuspiel / Tonband, | Spaziomusica Cagliari | 0 | ||||||||||||
| 2936 | Fabrizio | Casti | Le rovine | 1992 | live-elec, 1 perf | ≈ 12:00 | p, (live) [Piano] | filtered p-sounds with Music V | CRM Roma, CERM Sassari | 0 | |||||||||
| 33810 | Niccolò | Castiglioni | Attraverso Lo Specchio | 1961 | radiophon | 45:58:00 | Opera radiofonica after „Alice in Wonderland“ and „Through the Looking-Glass“ by Lewis Carroll | DS 22 Die Schachtel/ | Fonologia Milano | 1.10.1961 | RAI | Prix Italia 1961 (sezione „opere musicali“) | 1 | ||||||
| 18816 | Niccolò | Castiglioni | Divertimento | 1960 | fixed media, akusmatisch | 2:36 | Mono, Quadro | SugMus ESZ 3/ IDEAMA CD 048/ | Fonologia Milano | ESZ 6000 | 1 | ||||||||
| 24380 | Graciela | Castillo | Alma Mia | 2000 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 2938 | Graciela | Castillo | Concreción 1966 | 1966 | fixed media, akusmatisch | 6:30 | Mono | LME Uni Cordoba | 0 | ||||||||||
| 40194 | Ramon | Castillo | Junk Jam | 2017 | fixed media, akusmatisch | Ramon Castillo | 0 | ||||||||||||
| 22980 | Peter | Castine | 3 Fragments from 'Ophelia und die Wörter' | 1979 | Zuspiel / Tonband, 7 perf | 11:00 | fl, gui, vc, perc, 2 p, S [Sopran, Flöte, Piano, Gitarre, Schlagzeug, Cello] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 31765 | Peter | Castine | 6.500.00 Samples (for FH) | 2009 | fixed media, akusmatisch | 1:14 | Stereo | dedicated to FH. Duration 1:13,696 Minutes | PS C. | 8.2.2009 | Pfefferberg Berlin | 0 | |||||||
| 22976 | Peter | Castine | Aperiodic Onetime Pointer | 1999 | intermedia | 90:06 | Stereo | A Ceremony | 4-15 Music & Technology/ | PS C. 4-15 | 0 | ||||||||
| 22977 | Peter | Castine | Aperture | 2001 | computer generated score, 6 perf | 12:00 | fl or a-fl or pic-fl, str-qt, str [Flöte, Streicher] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22982 | Peter | Castine | Bach Process Delta | 1999 | Zuspiel / Tonband, 1 perf | 3:00 | Octo | sub-db-fl [Flöte] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | ||||||||
| 22983 | Peter | Castine | Cargo Upkeeper Land | 2000 | fixed media, akusmatisch | 55:00 | Octo | 4-15 Music & Technology/ | PS C. 4-15, TU Berlin | 0 | |||||||||
| 22981 | Peter | Castine | Eli'zur | 2002 | live-elec, 1 perf | 8:00 | vn [Violine] | 4-15 Music & Technology/ | PS C. 4-15 | 20 May 2002 | "Kulturelle Landpartie" (Satemin/Lüchow), performed by Theodore Flindell. | 0 | |||||||
| 2939 | Peter | Castine | Entwicklung einer Stimme | 1977 | fixed media, akusmatisch | 7:50 | Stereo, Quadro | TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | 1 | ||||||||
| 22986 | Peter | Castine | Fireworks for G & G | 1999 | fixed media, akusmatisch | 15:00 | Stereo | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22978 | Peter | Castine | g'alswonos | 1980 | computer generated score, 4 perf | 12:00 | cl, vc, perc, p [Klarinette, Piano, Schlagzeug, Cello] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22786 | Peter | Castine | Introduction, Theme and Variations | 1988 | live-elec, 3 perf | 13:00 | Stereo | p, perc (Glockenspiel), MIDI con synt and sam [Piano, Schlagzeug, computer] | MIDI | 4-15 Music & Technology/ | TU Berlin | 17.8.1988 | TU Berlin, Foyer Hauptgebäude (im Rahmen von E88) | 1 | |||||
| 22979 | Peter | Castine | Lineae fractae | 1985 - 1986 | computer generated score, 2 perf | 7:00 | vn, p [Piano, Violine] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22987 | Peter | Castine | Minutes from an Installation | 1999 | fixed media, akusmatisch | 7:00 | Stereo | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 2940 | Peter | Castine | Ophelia und die Wörter | 1981 | Oper, 24 perf | 45:00 | 5 tracks | 21 mus, S, 2 actress (mute actresses) [Sopran, Musiker, Schauspieler] | Ein Bühnenstück; Text von Gerhard Rühm | TU Berlin | 28.5.1981 | Künstlerhaus Bethanien, "back to Shakespeare" der berlin arts company | Verlag der Autoren | 1 | |||||
| 35326 | Peter | Castine | Overnight Sensation | 2005 | radiophon | 1200 | Radio Copernikus | 24.-25.12.2005 | Radio Kopernikus | 0 | |||||||||
| 35792 | Peter | Castine | PNPLYR VI & VIII | 2006 | live-elec, | PS C. 4-15 | 0 | ||||||||||||
| 41810 | Peter | Castine | The Door Has Yellow Handles | 2001 | fixed media, akusmatisch | 2:48:00 | codemist ICMC2001/ | 0 | |||||||||||
| 22985 | Peter | Castine | The Door: Six Lines, The Door: 6 Lines | 2001 | fixed media, akusmatisch | 17:48 | Stereo | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22984 | Peter | Castine | The Door: Theme, Lines, Canon | 2001 | fixed media, akusmatisch | 16:14 | Octo | 4-15 Music & Technology/ | PS C. 4-15, BEK, Lydiket | 0 | |||||||||
| 35652 | Otto | Castro | Transurbano | 2004 | fixed media, akusmatisch | 3:09 | 0 | ||||||||||||
| 18817 | Jacob B. | Cats | Cadence ’67, Cadence ’67 | 1967 | fixed media, akusmatisch | 6:10 | Quadro | realized cursus 1966-67 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Sonology Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2942 | Jacob B. | Cats | Lux | 1968 | fixed media, akusmatisch | 6:55 | Quadro | PHI 6526004/ | Sonology Utrecht | 1 | |||||||||
| 2943 | Jacob B. | Cats | Prediction | 1969 | fixed media, akusmatisch | 8:45 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 2944 | Jacob B. | Cats | Psalm 135 | 1969 | fixed media, akusmatisch | 6:55 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 25448 | Vincenzo | Cavalli | Idea | 2000 | fixed media, akusmatisch | 6:52 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 2945 | Bernard | Cavanna | Goutte d'or blues | 1985 | Zuspiel / Tonband, 1 perf | 6:26 | Stereo | sax [Saxophon] | instead of the tape also version for 1 sax plus 12 saxs | ADDA 581047/ | Salabert | 1 | 1990 | ||||||
| 41670 | Peter | Cavell | 4'33: Dance Remix | 2005 | fixed media, akusmatisch | 4:33 | 0 | ||||||||||||
| 41669 | Peter | Cavell | Ariadne's Lament | 2008 | fixed media, akusmatisch | 1 | project 60x60 | 0 | |||||||||||
| 41667 | Peter | Cavell | Chipmunk Choir, Attempting to Forestall the Impending Apocalypse, Sings Bravely | 2009 | fixed media, akusmatisch | 1 | 0 | ||||||||||||
| 41668 | Peter | Cavell | Click It Like You Mean It | 2008 | fixed media, akusmatisch | 1 | A celebration of audio distortion. Projekt 60x60 |
0 | |||||||||||
| 41671 | Peter | Cavell | not an y thing ? | 2005 | Zuspiel / Tonband, 1 perf | 4 | narrator [Schauspieler] | JTTP 2008 | 0 | ||||||||||
| 41672 | Peter | Cavell | Toast Music | 2002 | fixed media, akusmatisch | 5 | 0 | ||||||||||||
| 42091 | Gion Mathias | Cavelty | Die Andouillette | 2014 | radiophon | SRF | 0 | ||||||||||||
| 2946 | Jean-François | Cavro | Casanova's Chinese Restaurant | 1991 | Zuspiel, live-elec, 2 perf | fl, vib [Flöte, Schlagzeug] | SONVS Lyon | 0 | |||||||||||
| 19181 | Jean-François | Cavro | Fission | 1991 | fixed media, akusmatisch | 3:20 | CEC Presence 1/ div 02/ | CNSM | 1 | ||||||||||
| 2947 | Jean-François | Cavro | Fracture | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2948 | Jean-François | Cavro | Géronimo | 1990 | Zuspiel, live-elec, 1 perf | 4:00 | fl [Flöte] | SONVS Lyon | 0 | ||||||||||
| 23778 | Jean-François | Cavro | K | 2002 | fixed media, akusmatisch | 7:29 | Stereo | CAP 22057/ | emsPrize 2003 | 1 | |||||||||
| 2949 | Jean-François | Cavro | L'aube sublime de la tyrannie | 1992 | Zuspiel, live-elec, 5 perf | 17:00 | 5 ww [Bläser] | SONVS Lyon | Auszeichnung ars electronica 1994 | 1 | |||||||||
| 2951 | Jean-François | Cavro | Ma vie dans l.brouse d. fantômes | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2952 | Jean-François | Cavro | Playtime | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2953 | Jean-François | Cavro | Silicone carne | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2954 | Jean-François | Cavro | Un matin au sortir d'un rêve agité | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2955 | Roger | Cawkwell | Technicolour Yawn | 1971 | fixed media, akusmatisch | Morley Coll | 0 | ||||||||||||
| 2956 | Jean | Cébron | I am alone with the beating of my heart Poem Danse ambiguous monster Receuil |
1993 | Tanz | 50:00 | M. by Jay Watt, Edgar Varése, Jean Cébron, Juan Allende-Blin | 0 | |||||||||||
| 2963 | Alberto | Ceccarelli | MF 4R | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 21882 | Luigi | Ceccarelli | A propos de la Chambre a coucher de Philippe II dans l'Eglise de L'Escorial | 1998 | fixed media, akusmatisch | 10:27 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2957 | Luigi | Ceccarelli | Abominable A | 1979 | fixed media, akusmatisch | 12:00 | Stereo | CRM Roma | 0 | ||||||||||
| 2958 | Luigi | Ceccarelli | Anima di metallo | live-elec, 1 perf | 14:18 | perc, (com) [Schlagzeug] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | |||||||||
| 19187 | Luigi | Ceccarelli | Birds | 1995 | Zuspiel / Tonband, 1 perf | 9:25 | b-cl [Klarinette] | D. Keberle | LDC 278060/61 Cultures Electroniques 9/ | CRM Roma | prix Bourges 96 | 1 | |||||||
| 27240 | Luigi | Ceccarelli | Cadenza Esplosa | 2006 | fixed media, akusmatisch | 10:39 | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18453 | Luigi | Ceccarelli | De Zarb à Daf | 1997 | Zuspiel / Tonband, 1 perf | 16:40 | Stereo | zarb [Schlagzeug] | Prix Ars Electronica 98/ | IMEB Bourges | IMEB Borges | Auszeichnung ars electronica honorary mention 1998 | 0 | ||||||
| 19428 | Luigi | Ceccarelli | Exsultet | fixed media, akusmatisch | 2:30 | Stereo | Prix ars electronica 97/ | CRM Roma | Auszeichnung ars electronica honorary mention 1997 | 1 | 2000 | ||||||||
| 32758 | Luigi | Ceccarelli | Incontro con Rama | live-elec, 1 perf | tpt [Trompete] | 0 | |||||||||||||
| 24381 | Luigi | Ceccarelli | Inferi | 2000 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 2960 | Luigi | Ceccarelli | Koramachine | 1981 | live-elec, 8 perf | (modulated) vn, 4 str, 3 ww [Violine, Bläser, Streicher] | CRM Roma | 0 | |||||||||||
| 2961 | Luigi | Ceccarelli | La guerra dei dischi | 1994 | Theatermusik | Stereo | Edison St Roma | 0 | |||||||||||
| 2962 | Luigi | Ceccarelli | La naturale condizione del moto | 1986 | live-elec, 1 perf | db [Kontrabass] | Live elaboration | CRM Roma | 0 | ||||||||||
| 25858 | Luigi | Ceccarelli | Live | 2002 | Tanz | audiovisuell |
7:22:00 | Dokumentation einer Performance, in der ein Tänzer auch abgefilmt und auf einer Leinwand projeziert wird | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2003 | 1 | |||||||||
| 2964 | Luigi | Ceccarelli | Titanic & Icarus | 1984 | live-elec, 10 perf | 14:00 | perc, 9 ins [Schlagzeug, Instrument] | CRM Roma | 0 | ||||||||||
| 2959 | Luigi, M. | Ceccarelli, Federici | Etaoin shdrlu | 1985 | live-elec, | CRM Roma | 0 | ||||||||||||
| 2968 | Group | CECG/GEC | All Worked Out Lite Wurk | 1986 | Zuspiel, live-elec, 2 perf, 1 group | 23:00 | Stereo | Kbds, e-b, (tape-delay) [Bass, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2975 | Group | CECG/GEC | Aural Spectrum | 1987 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2976 | Group | CECG/GEC | Called ‘What 4’ | 1986 | live-elec, 1 perf, 1 group | 16:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2977 | Group | CECG/GEC | Circle with Lines (I) | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2978 | Group | CECG/GEC | Circumflex | 1984 | Zuspiel, live-elec, 13 perf | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2979 | Group | CECG/GEC | Clap-click | 1984 | live-elec, 2 perf | Stereo | mics, synt [elektronik, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2980 | Group | CECG/GEC | Click-clap | 1984 | live-elec, 2 perf | Stereo | mics, synt [elektronik, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2981 | Group | CECG/GEC | Clocks Too | 1982 | Zuspiel / Tonband, 1 perf, 1 group | Stereo | Vs [Stimme] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2982 | Group | CECG/GEC | Cybernacht | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2983 | Group | CECG/GEC | Diamond Star | 1984 | live-elec, 13 perf | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2984 | Group | CECG/GEC | Dreams of Summer Dreams | 1986 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | ins [Instrument] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2985 | Group | CECG/GEC | Dual Concertone, Stuffed Guppie Farcé | 1983 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2989 | Group | CECG/GEC | Fierce Competition | 1986 | live-elec, 1 perf, 1 group | 27:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2992 | Group | CECG/GEC | Five to Play | 1983 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2994 | Group | CECG/GEC | Fore Ground | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2995 | Group | CECG/GEC | Foreplay | 1983 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2996 | Group | CECG/GEC | Fragments | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2998 | Group | CECG/GEC | Freed Images (I) | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2999 | Group | CECG/GEC | Frozen White Bog | 1986 | Zuspiel / Tonband, 1 perf | Stereo | ins [Instrument] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3002 | Group | CECG/GEC | Fugue | 1983 | live-elec, 1 group | Stereo | e-ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3003 | Group | CECG/GEC | Gandor | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3008 | Group | CECG/GEC | It's cz | 1986 | live-elec, 2 perf, 1 group | Stereo | 2 synt, synthetic orc [synthesizer, Orchester] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3011 | Group | CECG/GEC | Krow | 1986 | live-elec, 1 perf, 1 group | 40:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3012 | Group | CECG/GEC | Last Night Revel (I) | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3013 | Group | CECG/GEC | Last Night Revel (II) | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3014 | Group | CECG/GEC | Last Toon | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3015 | Group | CECG/GEC | Last Toot-Too | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3016 | Group | CECG/GEC | Latitudes - Peking at 40 | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3017 | Group | CECG/GEC | le gang !! | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3018 | Group | CECG/GEC | Li | 1986 | live-elec, 2 perf, 1 group | 22:00 | Stereo | Kbds, b [Bass, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3019 | Group | CECG/GEC | Light Werke | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3020 | Group | CECG/GEC | Lights Out | 1986 | live-elec, 1 perf, 1 group | 18:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3023 | Group | CECG/GEC | Music Around (Circle with Lines II) | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3029 | Group | CECG/GEC | One Around | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3030 | Group | CECG/GEC | Ot'n'Umid (Frydaze) | 1982 | fixed media, akusmatisch | 40:00 | Quadro, Octo | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | MetaM. Montréal | 0 | |||||||||
| 3031 | Group | CECG/GEC | Ot'n'Umid (Sundaze) | 1982 | fixed media, akusmatisch | 40:00 | Stereo, Octo | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | MetaM. Montréal | 0 | |||||||||
| 3032 | Group | CECG/GEC | Panoramique lent | 1986 | live-elec, 1 group | 16:18 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3038 | Group | CECG/GEC | Porter | 1985 | live-elec, 1 perf, 1 group | 19:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3042 | Group | CECG/GEC | Quick Step | 1986 | live-elec, 1 perf | Stereo | synt (delay) [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3043 | Group | CECG/GEC | Reiteration | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3045 | Group | CECG/GEC | Secret Musics I | 1984 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3047 | Group | CECG/GEC | Seven (Phew) to Play | 1984 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3046 | Group | CECG/GEC | Seven minus One to Play | 1983 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3048 | Group | CECG/GEC | Six to Play | 1983 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3049 | Group | CECG/GEC | Son-a-tré | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3053 | Group | CECG/GEC | Spectral Sightings | 1987 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3054 | Group | CECG/GEC | Spectral Song | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3055 | Group | CECG/GEC | Spring Around the Corner | 1985 | Zuspiel, live-elec, 2 perf | Stereo | synt, V [Stimme, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3056 | Group | CECG/GEC | Star de Light | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3057 | Group | CECG/GEC | Star Song | 1984 | live-elec, 13 perf | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3058 | Group | CECG/GEC | Stranded | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3059 | Group | CECG/GEC | Stream Line | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3060 | Group | CECG/GEC | String So Long | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3061 | Group | CECG/GEC | Strings'n'Things | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3062 | Group | CECG/GEC | Strung Out and Up | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3063 | Group | CECG/GEC | Thread Bare | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3064 | Group | CECG/GEC | Thread Carefully | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3065 | Group | CECG/GEC | Three, For Play | 1983 | live-elec, 1 group | Stereo | e-ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3066 | Group | CECG/GEC | Tidy-Up Musics | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3067 | Group | CECG/GEC | To Be Around | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3068 | Group | CECG/GEC | toot !! | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3069 | Group | CECG/GEC | Tôt-ronto | 1986 | live-elec, 4 perf | 18:00 | Stereo | 4 synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3070 | Group | CECG/GEC | TransPorter | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3071 | Group | CECG/GEC | Tree Around | 1984 | live-elec, 2 perf | Quadro | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3072 | Group | CECG/GEC | Trio Sonata | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3075 | Group | CECG/GEC | Wait Too! | 1982 | Zuspiel, live-elec, 13 perf | 19:45 | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | MetaM. Montréal | 0 | ||||||||
| 3074 | Group | CECG/GEC | Wait! | 1982 | Zuspiel, live-elec, 13 perf | 21:45 | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Hell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | MetaM. Montréal | 0 | ||||||||
| 3076 | Group | CECG/GEC | Warp | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3077 | Group | CECG/GEC | Weave | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3079 | Group | CECG/GEC | When Last It's Over | 1986 | live-elec, 1 perf, 1 group | 21:00 | Stereo | mul Kbds, (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3080 | Group | CECG/GEC | Whirls A Part | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3082 | Group | CECG/GEC | Woof | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3083 | Group | CECG/GEC | Work | 1986 | live-elec, 1 perf, 1 group | 45:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3086 | Group | CECG/GEC | Zang Gesang | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2986 | Group, Kevin | CECG/GEC, Austin | Echorex | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3005 | Group, Kevin | CECG/GEC, Austin | Hot Corns | 1985 | live-elec, 2 perf, 1 group | Stereo | proc V, Kbds [Stimme, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3050 | Group, Kevin | CECG/GEC, Austin | Sonars | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3051 | Group, Kevin | CECG/GEC, Austin | Sonars II | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3052 | Group, Kevin | CECG/GEC, Austin | Sonorous Strands | 1986 | live-elec, 2 perf, 1 group | Stereo | Kbds, proc V [Stimme, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2988 | Group, Kevin, Eric, Jean-François, Dave, John | CECG/GEC, Austin, Brown, Denis, Lindsay, Wells | En couleur | 1987 | live-elec, 1 group | 22:00 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Hill, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3035 | Group, Kevin, Jean-François, John | CECG/GEC, Austin, Denis, Wells | periphratic pleonasm | 1987 | live-elec, 5 perf | 18:20 | Stereo | 4 synt, b-gui [Gitarre, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3006 | Group, Jill | CECG/GEC, Bedoukian | Humble Dumpling | 1985 | live-elec, 1 perf, 1 group | Stereo | Vs [Stimme] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2971 | Group, Pierre | CECG/GEC, Bouchard | Anatole's Atolls | 1985 | live-elec, 4 perf | 8:41 | Stereo | 4 Kbd [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2972 | Group, Pierre | CECG/GEC, Bouchard | Anatole's Toes At All | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2993 | Group, Pierre | CECG/GEC, Bouchard | Flamenco Bossom | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3010 | Group, Pierre | CECG/GEC, Bouchard | Just Another Pulse | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3044 | Group, Pierre | CECG/GEC, Bouchard | Repression of the Sequential Realm | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3024 | Group, Jean-François | CECG/GEC, Denis | News Song | 1985 | live-elec, 1 perf, 1 group | 18:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3027 | Group, Jean-François | CECG/GEC, Denis | Not Just Another Pulse | 1985 | live-elec, 1 perf, 1 group | 9:30 | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3036 | Group, Jean-François | CECG/GEC, Denis | Piexe | 1985 | live-elec, 2 perf, 1 group | 16:00 | Stereo | Kbds, proc V [Stimme, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3084 | Group, Jean-François | CECG/GEC, Denis | Worked Out Lite Wurk | 1986 | Zuspiel / Tonband, 2 perf, 1 group | 18:00 | Stereo | Kbds, e-bass, (delay) [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2967 | Group, Normand | CECG/GEC, Gendron | A-LiveJive | 1985 | live-elec, 3 perf, 1 group | Stereo | Kbds, gui, fl [Flöte, Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2987 | Group, Normand | CECG/GEC, Gendron | Eclectic Shrock | 1985 | live-elec, 3 perf, 1 group | Stereo | b, gui, Kbds [Bass, Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3000 | Group, Shawn | CECG/GEC, Hill | Fryer | 1985 | live-elec, 3 perf, 1 group | Stereo | V, db, Kbds [Stimme, Keyboard, Kontrabass] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3001 | Group, Shawn | CECG/GEC, Hill | Fryer II | 1985 | live-elec, 3 perf, 2 groups | Stereo | Vs, db, Kbds [Stimme, Keyboard, Kontrabass] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3009 | Group, Shawn | CECG/GEC, Hill | Just Another Metaphor | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3026 | Group, Shawn | CECG/GEC, Hill | NonPulsed | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3034 | Group, Shawn | CECG/GEC, Hill | Panoramique rapide | 1986 | live-elec, 1 group | 16:06 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3078 | Group, Shawn | CECG/GEC, Hill | What Another Metaphor? | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3081 | Group, Shawn | CECG/GEC, Hill | White | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2966 | Group, Dave | CECG/GEC, Lindsay | A Work Called Work | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2974 | Group, Dave | CECG/GEC, Lindsay | Another Pulse | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2997 | Group, Dave | CECG/GEC, Lindsay | Free Flying | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3004 | Group, Dave | CECG/GEC, Lindsay | Guitar's Song | 1985 | live-elec, 2 perf, 1 group | Stereo | e-gui, Kbds [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3021 | Group, Dave | CECG/GEC, Lindsay | Lite Wurk | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3073 | Group, Dave | CECG/GEC, Lindsay | Un Arm A Leg | 1985 | live-elec, 2 perf, 1 group | Stereo | gui, Kbds [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3085 | Group, Dave | CECG/GEC, Lindsay | You Know the Name | 1986 | live-elec, 2 perf, 1 group | Stereo | e-gui, Kbds [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3007 | Group, Dave, Jean-François | CECG/GEC, Lindsay, Denis | Imdaborse | 1987 | live-elec, 2 perf, 1 group | 13:00 | Stereo | V, synts [Stimme, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3041 | Group, Dave | CECG/GEC, Linsday | Pulse'Ong | 1985 | live-elec, 1 perf, 1 group | Zuspiel, live-elec, 1 perf, 1 group |
Stereo | Kbds [Keyboard] | optional tape. Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells |
Concordia Montréal | 0 | |||||||||
| 2990 | Group, Jean | CECG/GEC, Séguin | Fine'r'Fire | 1985 | live-elec, 2 perf, 1 group | 15 | Stereo | db, Kbds [Keyboard, Kontrabass] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2973 | Group, James | CECG/GEC, Tallon | Another One | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3025 | Group, James | CECG/GEC, Tallon | No Pulse | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3039 | Group, James | CECG/GEC, Tallon | Presently | 1985 | Zuspiel, live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2965 | Group, John | CECG/GEC, Wells | A Piece Called Piece | 1986 | live-elec, 3 perf, 1 group | 20:00 | Stereo | Kbds, proc V, ehn [Stimme, Oboe, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2969 | Group, John | CECG/GEC, Wells | Along a Line | 1986 | Zuspiel, live-elec, 2 perf, 1 group | Stereo | Kbds, e-b, (delay) [Bass, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2991 | Group, John | CECG/GEC, Wells | Fire Fly | 1985 | live-elec, 2 perf, 1 group | Stereo | db, Kbds [Keyboard, Kontrabass] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3022 | Group, John | CECG/GEC, Wells | Lone Song | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3028 | Group, John | CECG/GEC, Wells | Off the Map | 1985 | live-elec, 2 perf, 1 group | Stereo | gui, Kbds [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3033 | Group, John | CECG/GEC, Wells | Panoramique moyen | 1986 | live-elec, 1 group | 14:15 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3037 | Group, John | CECG/GEC, Wells | Place'Ong | 1985 | Zuspiel, live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3040 | Group, John | CECG/GEC, Wells | Pulse | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2970 | Group, John, Kevin | CECG/GEC, Wells, Austin | anacoluthic catachresic circumlocutions | 1987 | live-elec, 1 group | 27:25 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 29425 | Werner | Cee | After All the Jets Are in Their Boxes and the Clowns Have All Gone to Bed | Klangkunst, Installation | Interimgalerie München; Kraftwerk Chemnitz; ZKM Karlsruhe | Interimgalerie München; Kraftwerk Chemnitz; ZKM Karlsruhe | 0 | ||||||||||||
| 28425 | Werner | Cee | Agon | 2010 | radiophon | 53 | Stereo, Octo, Spazialisation: WFS | PS C. | Deutschlandradio Kultur, Redaktion Marcus Gammel | 21.10.2010 | TU-Hauptgebäude WellenFeld Berlin | 1 | http://www.wernercee.com | ||||||
| 29416 | Werner | Cee | Am Anfang der See | 2009 | radiophon | Klangkunst, Installation |
53 | DeutschlandRadio Kultur | Deutschlandradio Kultur, Götz Naleppa | 0 | ||||||||||
| 20276 | Werner | Cee | Berlin indoors (slow motion) | 1998 | fixed media, akusmatisch | 12:00 | 32 Tracks, Octo | ed. rz 10009/10 Inventionen 98/ | TU Berlin, PS Cee | Festival Inventionen DAAD/TU 98 | 25.9.1998 | Inventionen Parochialkirche Berlin | 0 | http://www.wernercee.com | |||||
| 32779 | Werner | Cee | Cages | 2006 | Klangkunst, Installation | Deutscher Klangkunst-Preis 2006 | 0 | ||||||||||||
| 25571 | Werner | Cee | Der Mann mit der Kamera | 1929, 2005 | Film | fixed media, akusmatisch |
67:00 | Stereo | Soundtrack composed for the silent movie "Der Mann mit der Kamera" by Dziga Vertov (1929). | ARTE / absolut MEDIEN / | Biennale Bern, Hochschule der Künste Bern, 2005 | 1 | http://www.wernercee.com | |||||||
| 22863 | Werner | Cee | Die Kunde vom Müll, Die Kunde vom Müll - live | 1999 | radiophon | 52:36 | private CD/ | Radio HR Frankfurt | Hessischer Rundfunk, Christoph Buggert | 21.4.1999 7.6.2000 |
HR Radio | 1 | http://www.wernercee.com | ||||||
| 28587 | Werner | Cee | Die Kunde von den Klängen, The Lore of Sounds | 2011 | radiophon | 47:18 | Stereo | PS Cee | Studio Akustische Kunst WDR3, Markus Heuger | 7.10.2011 | WDR3 | 1 | http://www.wernercee.com | ||||||
| 28589 | Werner | Cee | Die Zeit weht - Ränder der Musik | 2007 | radiophon | 48 | Stereo | PS Cee, DLR | DeutschlandRadio Kultur, Götz Naleppa | 1.6.2007 | DeutschlandRadio | 1 | http://www.wernercee.com | ||||||
| 42222 | Werner | Cee | Dis-Placed | 2005 | radiophon | 40:42 | HR Hessischer Rundfunk | HR Hessischer Rundfunk | 20.4.2005 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1489512&vi=62&SID | |||||||
| 22361 | Werner | Cee | Drift | 2001 | radiophon | 38:45 | Octo | on the CD excerpt "Citie's Drift" | Cybele 960.207 DegeM CD 07/ |
HR 2, TU Berlin, RNE | Hessischer Rundfunk, Christoph Buggert | 27.6.2001 | HR Radio | 1 | http://www.wernercee.com | ||||
| 18891 | Werner | Cee | Droptrap | 1993 | fixed media, akusmatisch | Klangkunst, Installation |
25:59 | Musik für 6 Wassertropfen Klanginstallation für Wassertropfen |
LDC 278056/57 Cultures Electroniques 7/ | 2.Preis Musique Electroacoustique de Studio Bourges 93 | 1 | http://www.wernercee.com | ||||||||
| 38518 | Werner | CEE | Dry Haze | 2013 | radiophon | 47:31:00 | Das Jahr ohne Sommer. Nach dem Gedicht „Darkness“ von Lord Byron, Auszügen aus dem US Patentregister, und „Cloud Songs“ von Juna Robin | 0 | |||||||||||
| 19185 | Werner | Cee | Elegien | 1997 | Radiokunst, 1 perf | 45:00 | sax or b-cl [Klarinette, Saxophon] | mit Peter Brötzmann | WER 6307-2/ | WDR Studio Akustische Kunst | WDR Studio akustische Kunst (Schöning) | 11.2.1997 | WDR | 1 | http://www.wernercee.com | ||||
| 29423 | Werner | Cee | Feedback | 1990 | Klangkunst, Installation | Akademie Schloss Solitude | Akademie Schloss Solitude | 0 | |||||||||||
| 29417 | Werner | Cee | Fire and Forget | 2005 | radiophon | 54 | WDR Studio Akustische Kunst | WDR Studio Akustische Kunst, Markus Heuger | 2.7.2005 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1475117&vi=61&SID | |||||||
| 37877 | Werner | Cee | Fires of the Earth, The Anthropocene | 2012 | radiophon | part 1 of The Anthropocene | SWR2 | 0 | http://www.redworks.info/WernerCee/radio/fires-of-the-earth/ | ||||||||||
| 34091 | Werner | Cee | I Misteri, Eine sizilianische Trilogie | 2015 | radiophon | SWR | SWR Baden Baden | 0 | |||||||||||
| 28588 | Werner | Cee | Istanbul Crescendo | 2002 | radiophon | Klangkunst, Installation |
41:18 | Stereo | Radio HR Frankfurt | Hessischer Rundfunk, Christoph Buggert | 0 | http://www.wernercee.com | ||||||||
| 34092 | Werner | Cee | Klima | Anlage | 2015 | Klangkunst, Installation | ≈ 50 | 5 tracks | Konzeption: Kathi Vogt, Thomas Hermann, Werner Cee Programmierung: Hanns Holger Rutz, Sukandar Kartadinata Produktion: Deutschlandradio Kultur / iem Graz / CITEC Bielefeld 2015 |
DeutschlandRadio Kultur, IEM Graz, CITEC Bielefeld | 17.9.2015 | Glashalle Deutschlandradio Kultur, Berlin | 0 | http://www.deutschlandradiokultur.de/klangminiaturen-klima-anlage.1387.de.html?dram:article_id=329999 | ||||||
| 19196 | Werner | Cee | Leben sie wohl, so wohl sich's in Gießen leben läßt | 1997 | Klangkunst, Installation | 47:00 | Hörstück in 6 Teilen | Stadt Gießen ?/ | PS | 1 | http://www.wernercee.com | ||||||||
| 29424 | Werner | Cee | Lost | 1992 | Klangkunst, Installation | Badischer Kunstverein Karlsruhe | Badischer Kunstverein Karlsruhe | 0 | |||||||||||
| 19356 | Werner | Cee | Luftbrücke | 1998 | Klangkunst, Installation | 53:00 | Octo | TU Berlin, PS Cee | Tagung 50 Jahre Luftbrücke | 3.6.1998 | TU Berlin, Innenhof 1 Hauptgebäude | 1 | http://www.wernercee.com | ||||||
| 37875 | Werner | Cee | Lumen | 2017 | Performance, live-elec, 1 perf | e-chin [Gitarre] | Solo for electroacoustic Chin, performed by Dark Ambient Orchestra werner CEE (DAO CEE) | 0 | https://soundcloud.com/user2494832/sets/dao-cee-lumen | ||||||||||
| 23604 | Werner | Cee | Maschinerie der Polarlandschaft | 2004 | radiophon | 46 | Mit Cee (e-chin), Vlado Djambazov (hn), Gerald Eckert (vc), B. Wagner (fl) | DeutschlandRadio | DeutschlandRadio Kultur, Götz Naleppa | 1 | 2005 | http://www.wernercee.com | |||||||
| 29420 | Werner | Cee | Monochrom | 2002 | radiophon | 48:11:00 | DeutschlandRadio | DeutschlandRadio Kultur, Götz Naleppa | 2.8.2002 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1444947&vi=65&SID | |||||||
| 29419 | Werner | Cee | Out of Area | 2003 | radiophon | Klangkunst, Installation |
43 | HR | Hessischer Rundfunk, Manfred Hess | 0 | ||||||||||
| 29418 | Werner | Cee | Repercusión oder Die Hände de Che | 2003 | radiophon | 41 | DeutschlandRadio | DeutschlandRadio Kultur, Götz Naleppa | 4.7.2003 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1447010&vi=63&SID | |||||||
| 37592 | Werner | Cee | Sol y Sombra | 2017 | Klangkunst, Installation | radiophon |
49:52 | SWR2, DLR | SWR | 19.-22.10.2017 26.10.2017 |
Donaueschinger Musiktage 2017, Fürstlich Fürstenbergische Parkanlage Radio |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4943039&vi=58&SID | |||||||
| 33035 | Werner | Cee | The Anthropocene, Fire of the Earth Dry Haze The Accidental Paradise |
2012 - 2013 | Radiokunst, live-elec, 4 perf | Klangkunst, Installation || audiovisuell |
180 | V, e-gui, perc, e-chin [Stimme, Gitarre, Schlagzeug] | Triptych part 1 - 3 | priv Label/ | SWR, DeutschlandRadio Kultur | SWR & Deutschlandradio Kultur | 0 | http://www.redworks.info/WernerCee/radio/ | ||||||
| 37876 | Werner | Cee | Tod und Frühling, I Misteri La Mattanza Die Rückkehr der Proserpina |
2016 | radiophon | 149 | SWR2 | 31.03.2016 22.03 Uhr 03.04.2016 15.03 Uhr 05.04.2016 23.03 Uhr |
SWR2 | 0 | http://www.redworks.info/WernerCee/radio/sizilianische-trilogie/ | ||||||||
| 29421 | Werner | Cee | Ton der Luft | 2002 | radiophon | 50 | WDR Studio Akustische Kunst, PS C. | WDR Studio Akustische Kunst, Markus Heuger | 28.12.2002 | WDR | Prix Ars Acustica 2001 | 0 | |||||||
| 37874 | Werner | Cee | Torrent | 2017 | Performance, live-elec, 4 perf | perc (tamburello), e-gui, actor, gui (e-chin) [Gitarre, Schlagzeug, Schauspieler] | Currents of Sound and Torrent Tales Norway, Sicily, Germany in a melting pot | 0 | http://www.redworks.info/WernerCee/music/torrent/ | ||||||||||
| 22802 | Werner | Cee | Very slow blues | 1996 | fixed media, akusmatisch | 5:30 | elec. Ch'in | 1 | http://www.wernercee.com | ||||||||||
| 29422 | Werner | Cee | Wetter | 1999 | radiophon | 50 | DeutschlandRadio | DeutschlandRadio Kultur, Götz Naleppa | 0 | ||||||||||
| 28254 | Werner | Cee | Winterreise, featuring Schuberts Winterreise | 2010 | radiophon | 53:15 | Stereo, Surround 5.1 | HR Hessischer Rundfunk | 2010 | HR | Prix Italia 2010 | 1 | http://www.wernercee.com | ||||||
| 29426 | Werner | Cee | Wolfsrausch | Film | Dokumentarfilm aus Rinchnach / Bayrischer Wald | 0 | |||||||||||||
| 38521 | Werner | CEE | Zeit weht – Ränder der Musik | 2007 | radiophon | 47:50:00 | 0 | ||||||||||||
| 3087 | Robert | Ceely | Coition-Intuition-Fruition | 1968 | fixed media, akusmatisch | 15:00 | Stereo | PS C. Boston, PS IEMC Trumanburg | 0 | ||||||||||
| 3088 | Robert | Ceely | Elegia | 1964 | fixed media, akusmatisch | 5:00 | Quadro | non-existent | Fonologia Milano | 0 | |||||||||
| 3089 | Robert | Ceely | Hayati | 1966 | fixed media, akusmatisch | 8:00 | Stereo | PS C. Boston | 0 | ||||||||||
| 3090 | Robert | Ceely | Strati | 1963 | fixed media, akusmatisch | 4:20 | Mono | Fonologia Milano | 0 | ||||||||||
| 19429 | Linda | Ceff | Persephone's Transistion | fixed media, akusmatisch | 6:25 | Stereo | 0 | ||||||||||||
| 18985 | Joseph | Celli | World Soundprint : Pacific | 1994 | radiophon | 25:33 | EBU 1994/ | New American Radio | EBU Ars Acustica 1994 | 1 | |||||||||
| 3091 | John | Celona | Cordes de nuit | 1986 | fixed media, akusmatisch | 8:00 | Stereo | ACM 37 CD 1-4/ | PS C. | 0 | |||||||||
| 3092 | John | Celona | Élan B | 1988 | live-elec, | 14:00 | Stereo | PS C. | 0 | ||||||||||
| 3093 | John | Celona | Emerald Soft | 1986 | fixed media, akusmatisch | 11:03 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3094 | John | Celona | Hermosa | 1988 | live-elec, 5 perf | 20:00 | Stereo | 3 perc, Kbd, sam [Keyboard, Schlagzeug, computer] | PS C. | 0 | |||||||||
| 3095 | John | Celona | L'air du temps | 1988 | Zuspiel / Tonband, 1 perf | 9:15 | Stereo | MIDI-sax [Saxophon] | PS C. | 0 | |||||||||
| 3096 | John | Celona | La Jolla Shores | 1985 | fixed media, akusmatisch | 8:00 | Stereo | Uni BC Victoria | 0 | ||||||||||
| 3097 | John | Celona | Music in Circular Motions | fixed media, akusmatisch | 10:00 | Synclavier | FTS 37475/ | Uni BC Victoria | 1 | ||||||||||
| 3098 | John | Celona | Pacific Rims | 1987 | fixed media, akusmatisch | 9:16 | Stereo | PS C. | 0 | ||||||||||
| 3099 | John | Celona | Player Piano | 1978 | Zuspiel / Tonband, 1 perf | 13:47 | Stereo | p [Piano] | on tape: pre-recorded pianos | eSp 9601 Shelan/ | McGill Montréal | 1 | |||||||
| 3100 | John | Celona | Possible Orchestras (at the 21st harmonic) | 1984 | fixed media, akusmatisch | 12:41 | Stereo | Yamaha DX7 | 0 | ||||||||||
| 3101 | John | Celona | Primitive Cool | 1986 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | perc [Schlagzeug] | see also «To Drive in L.A.» | 0 | |||||||||
| 3102 | John | Celona | Srivox Filonga | 1988 | live-elec, | 15:22 | Stereo | PS C. | 0 | ||||||||||
| 3103 | John | Celona | To Drive in L.A. | 1987 | fixed media, akusmatisch | Stereo | Jersey St / Midnite Auto / Boomer / Emerald Soft / Primitive Cool (Suite): Primitive Cool, Spatial Triangles, Imaging East, To Drive in L.A. / Glassbowls (Sal Ferreras, perc) | Miramar MRS-101/ | 0 | ||||||||||
| 34640 | Leng | Censong | Jiang Xue | 2014 | audiovisuell, live-elec, 1 perf | Octo | str (yang qin) [Streicher] | SMC2016 | 0 | ||||||||||
| 40012 | Leng | Censong | Jiang Xue (Snowy River) | 2015 | fixed media, akusmatisch | 6:59:00 | Leng Censong | 0 | |||||||||||
| 41710 | Hector | Centeno | Bell | 2005 | fixed media, akusmatisch | 15:27:00 | eContact! 10.3 — TES 2007 | 0 | |||||||||||
| 41711 | Hector | Centeno | Hwadu | 2006 | fixed media, akusmatisch | 5:52:00 | eContact! 10.3 — TES 2007 | 0 | |||||||||||
| 41712 | Hector | Centeno | What is it? | 2007 | fixed media, akusmatisch | 9:24:00 | eContact! 10.3 — TES 2007 | 0 | |||||||||||
| 41713 | Hector | Centeno | Zocalo | 2008 | fixed media, akusmatisch | 1:00:00 | 60x60 | 60X60 Canada 2008–09 | 0 | |||||||||||
| 24382 | Carlos | Cerana | Anacronismos o el recordamento de zeus | 1998 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 3105 | Carlos | Cerana | Fall | 1993 | fixed media, akusmatisch | 9:55 | CCRMA/ | CCRMA | 0 | ||||||||||
| 3106 | Carlos | Cerana | Huellas digitales | 1991 | live-elec, 2 perf | 10:41 | cl, sam [Klarinette, computer] | Prophet 2002 | Tarka CD 701/ | PS CEM (Rapp) | 1 | ||||||||
| 3104 | Carlos, Diego | Cerana, Losa | Electrocañas I | 1995 | Zuspiel / Tonband, 1 perf | 7:10 | cl [Klarinette] | 2 versions | II SBC&M/ | 1 | |||||||||
| 40038 | Maja, Liubo | Cerar, Borissov | Autopoesis | 2016 | fixed media, akusmatisch | Maja Cerar and Liubo Borissov | 0 | ||||||||||||
| 3107 | Jacques | Cerf | Flamenco obsesso op. 68 | 1969 | Tanz | 13:30 | 0 | ||||||||||||
| 3108 | Friedrich | Cerha | Spiegel I | 1960/1961 | Zuspiel/Tonband, 1 group | Tanz |
orc [Orchester] | ELAK Wien | 0 | |||||||||||
| 3109 | Friedrich | Cerha | Spiegel V | 1964/1965 | Zuspiel / Tonband, 1 group | orc [Orchester] | ELAK Wien | 0 | |||||||||||
| 3110 | Friedrich | Cerha | Spiegel VII | 1971 | Zuspiel / Tonband, 1 group | orc [Orchester] | WWE 2CD 20006 col legno/ | ELAK Wien | 0 | ||||||||||
| 3111 | Friedrich | Cerha | Und Du | 1963 | Radiokunst, 1 perf | 23:00 | Mono | Sp [Sprecher] | Text: Günther Anders | ELAK Wien, ORF Kunstradio | 0 | ||||||||
| 19645 | Emiliano del | Cerro | Caligraphic Clustering | 1992 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | perc [Schlagzeug] | LIEM CDMC Madrid | 0 | |||||||||
| 22818 | Emiliano del | Cerro | Earth Gods | live-elec, 5 perf | 12:50 | fl, V, Bar, gui, perc [Bariton, Stimme, Flöte, Gitarre, Schlagzeug] | HyCD-24/ | SUNY Buffalo | 1 | ||||||||||
| 19646 | Emiliano del | Cerro | Hipérbole de mi Memoria | 1995 | fixed media, akusmatisch | 13:20 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 34378 | Emiliano del | Cerro | Punto de Des / Encuentro | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 3112 | Emiliano del | Cerro | Quejumbroso Metal | 1992 | Zuspiel / Tonband, 1 perf | 12:15 | Stereo | sax [Saxophon] | LIEM CDMC Madrid | 0 | |||||||||
| 3113 | Emiliano del | Cerro | Ritirata | 1990 | fixed media, akusmatisch | 17:55 | RTVE 65009 (CD)/ | SUNY Buffalo | 0 | ||||||||||
| 19644 | Emiliano del | Cerro | Unexpected Reflexion | 1993 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 35527 | Daniel Sergio | Cervantes | Aeternitas: La inmovilidad de sus actos | 2004 | Zuspiel / Tonband, 1 perf | 06:48 | fl (flauta dulce bajo) [Flöte] | 0 | |||||||||||
| 35528 | Daniel Sergio | Cervantes | Analogia e Identidad | 2002 | fixed media, akusmatisch | 06:40 | 0 | ||||||||||||
| 35529 | Daniel Sergio | Cervantes | Cristal al Sur | 2006 | fixed media, akusmatisch | 07:10 | 0 | ||||||||||||
| 35653 | Pablo | Cetta | Todo se vuelve presagio | 1996 | Zuspiel / Tonband, 1 perf | 7:55 | p [Piano] | 0 | |||||||||||
| 18454 | Pablo | Cetta | … y sin embargo te quiero | 1996 | fixed media, akusmatisch | 11:20 | IMEB Bourges | 0 | |||||||||||
| 3114 | Pablo | Cetta | … You did me wrong (…que me hiciste mai …), …que me hiciste mai … | 1992 | fixed media, akusmatisch | 8:00 | CARL-software | LDC 278058/59 Cultures Electroniques 8/ CCRMA/ | UCSD | prize Bourges 1994 | 0 | ||||||||
| 3115 | Corneliu | Cezar | Movimento scenico I | fixed media, akusmatisch | 7:50 | RTR | 0 | ||||||||||||
| 3116 | Corneliu | Cezar | Roata | fixed media, akusmatisch | 10:00 | RTR | 0 | ||||||||||||
| 39833 | Gustavo | Chab | Blending Birds | 2017 | fixed media, akusmatisch | 8:20 | Gustavo Chab | 0 | |||||||||||
| 41380 | Gustavo | Chab | Dedálico | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 41377 | Gustavo | Chab | Drawings I | fixed media, akusmatisch | 0 | ||||||||||||||
| 41378 | Gustavo | Chab | Drawings II | 2010 - 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 41375 | Gustavo | Chab | Espacios ausentes | 2015 | audiovisuell, live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 39834 | Gustavo | Chab | etérea ethereal | 2016 | Zuspiel, live-elec, 1 perf | vn [Violine] | Gustavo Chab | 0 | |||||||||||
| 39386 | Gustavo | Chab | Fluxion | 2017 | Zuspiel, live-elec, 1 perf | fixed media, akusmatisch |
8:20 | hn (flügelhorn) [Horn] | 0 | |||||||||||
| 41381 | Gustavo | Chab | La evolución suave / Stereopoema | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 41379 | Gustavo | Chab | Lever-k | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 3117 | Gustavo | Chab | Mirada roja | 1993 | fixed media, akusmatisch | 7:51 | after a painting by Schönberg; MIDI, Synclavier II | Tarka CD 701/ | LIPM B.Aires | 1 | |||||||||
| 41374 | Gustavo | Chab | Mixtures | 2018 | fixed media, akusmatisch | 0 | |||||||||||||
| 41376 | Gustavo | Chab | Pulsar | 2014 | fixed media, akusmatisch | 8:30 | 0 | ||||||||||||
| 22362 | Joel | Chadabe | 8 Improvisations, Valentine Many Mornings, Many Moods A Touch of Africa You Echoes of Brazil Another Approach to Rhythms Elusive Lady Spring |
1986 - 1994 | live-elec, 1 perf | 56:28 | perc, (elec) [Schlagzeug] | with "M", TX 816; Jan Williams (perc) | Deep Listening DL 1 1995 CD/ | 1 | |||||||||
| 3118 | Joel | Chadabe | albanymusic2 | 1966 | fixed media, akusmatisch | 4:58 | Mono | SUNY Albany | 0 | ||||||||||
| 3119 | Joel | Chadabe | albanymusic3 | 1967 | fixed media, akusmatisch | 4:30 | Mono | SUNY Albany | 0 | ||||||||||
| 3120 | Joel | Chadabe | Canzona Veneziana | 1983 | Zuspiel, live-elec, 1 perf | 9:20 | Quadro | com [computer] | CSC Padova | Biennale Venezia | 0 | ||||||||
| 3121 | Joel | Chadabe | Echoes | 1972 | live-elec, 1 perf | gui [Gitarre] | CP2 Recordings/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 3122 | Joel | Chadabe | Follow me softly | 1984 | live-elec, 1 perf | 16:17 | perc [Schlagzeug] | Synclavier improvisation | Centaur CRC 2310, CDCM Vol. 24/ | 1 | |||||||||
| 26877 | Joel | Chadabe | Ideas of Movement at Bolton Landing | 1971 | fixed media, akusmatisch | Opus One Recordings 17/ | 0 | ||||||||||||
| 3123 | Joel | Chadabe | Modalities | 1988 | fixed media, akusmatisch | 7:24 | Stereo | MIDI (M-Programm) | Centaur CRC 2047, CDCM Vol. 7/ | iEAR Rensselaer | 1 | ||||||||
| 32766 | Joel | Chadabe | Mona Lisa II | 1967 | audiovisuell | SUNY Albany | 0 | ||||||||||||
| 35787 | Joel | Chadabe | One World 1 | 2006 | live-elec, | 4.11.2006 | HfMT Köln | 0 | |||||||||||
| 3124 | Joel | Chadabe | Rhythms | 1980 | Zuspiel, live-elec, 2 perf | 37:00 | perc, synt [Schlagzeug, synthesizer] | Synclavier | LM VR 1301/ | 1 | |||||||||
| 3125 | Joel | Chadabe | Scenes from Stevens | 1979 | live-elec, 1 perf | 12:00 | synt [synthesizer] | Synclavier I | 1 | 1985 | |||||||||
| 26876 | Joel | Chadabe | Settings for Spirituals | 1977 | Zuspiel / Tonband, 1 perf | V [Stimme] | Synclavier | LM VR 1302/ | Uni Albany | 0 | http://www.lovely.com/albumnotes/notes1302.html | ||||||||
| 3126 | Joel | Chadabe | Solo | 1978/1981 | live-elec, 1 perf | 9:13 | com [computer] | Synclavier | LM VR 1302/ | PS C. Albany | 1 | ||||||||
| 24887 | Joel | Chadabe | Spring | 1995 | Zuspiel / Tonband, 1 perf | 6:38 | perc [Schlagzeug] | from After some songs | EMF 031 „Florida EM Festival, Vol 1“/ Deep Listening DL 1 1995 CD/ | 1 | |||||||||
| 26878 | Joel | Chadabe | Street Scene | 1967 | Zuspiel / Tonband, 1 perf | ehn [Oboe] | Opus One Recordings 16/ | 0 | |||||||||||
| 3127 | Joel | Chadabe | Tape Miniature #1, #2 | 1966 | fixed media, akusmatisch | 1:50 | Mono | SUNY Albany | 0 | ||||||||||
| 33416 | Joel | Chadabe | The Memorandum | 1966 | Theatermusik | 15 | Mono | SUNY Albany | 0 | ||||||||||
| 3128 | Joel | Chadabe | Twenty - three Go | 1985 | live-elec, 1 perf | 11:29 | trbn [Posaune] | Synclavier I | 10.2.85 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1985 | |||||||
| 3129 | Gordon | Chadwick | Musique Concrète #1 | 1965 | fixed media, akusmatisch | 5:40 | Stereo | UI Carbondale | 0 | ||||||||||
| 3130 | Gordon | Chadwick | Musique Concrète #2 | 1966 | fixed media, akusmatisch | 5:15 | Stereo | UI Carbondale | 0 | ||||||||||
| 3131 | Gordon | Chadwick | Variations on a Quarter Tone Theme | 1966 | fixed media, akusmatisch | 10:20 | Stereo | UI Carbondale | 0 | ||||||||||
| 3132 | Chris | Chafe | Backtrace | 1988 | live-elec, 1 perf | 8:45 | Stereo | celletto [Cello] | MIDI-Lisp | CRC 2514/ | CCRMA | 0 | |||||||
| 3133 | Chris | Chafe | El Zorro | 1991 | live-elec, 1 perf | 12:00 | br-ins [Bläser] | also version for shells | hap vol 18 - 3/ | CCRMA | 0 | ||||||||
| 3134 | Chris | Chafe | Free Motion, Mesh Rubbing Capture & Release |
1990 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | sol str [Streicher] | MIDI-LISP, STUDIO 440 sampler, DMPU, DYAXIS | CRC 2514/ hap vol 18 - 3/ | CCRMA | 0 | |||||||
| 3136 | Chris | Chafe | In a Word | 1982 | Zuspiel / Tonband, 1 perf | 9:21 | Stereo | vc [Cello] | PLA, Samson_Box, F2 | WER 2016-50/ | CCRMA | Mention Bourges 1984 | 0 | ||||||
| 3137 | Chris | Chafe | Marienbad | 1980 | Zuspiel / Tonband, 3 perf | 17:00 | Stereo | vn, pic-fl, tuba (Vn, Pc, Tb) [Flöte, Tuba, Violine] | PDP10, Samson_Box, SAIL | CCRMA | 0 | ||||||||
| 3138 | Chris | Chafe | Neriage | 1983 | fixed media, akusmatisch | Stereo | PLA, Samson_Box, F4 | CCRMA | 0 | ||||||||||
| 38865 | Chris | Chafe | Polartides | 2014 | audiovisuell | CMJ Vol 34, 2014/ | 0 | ||||||||||||
| 18376 | Chris | Chafe | Push Pull | 1995 | live-elec, 1 perf | 9:11 | celletto [Cello] | CRC 2514/ | CCRMA | 0 | |||||||||
| 3139 | Chris | Chafe | Quadro | 1987 | Zuspiel / Tonband, 3 perf | 14:33 | Stereo | p, vn, vc [Piano, Cello, Violine] | PLA, Samson_Box, F4 | Centaur CRC 2091, CDCM Vol. 8/ | CCRMA | 1 | |||||||
| 3140 | Chris | Chafe | Remote Control | 1991 | live-elec, 2 perf | 10:00 | synt, (gui-con) celletto [Cello, synthesizer] | CCRMA | 0 | ||||||||||
| 39663 | Chris | Chafe | Siren Cloud | 2015 | Zuspiel / Tonband, 1 perf | 10:00:00 | p [Piano] | Chris Chafe | 0 | ||||||||||
| 3141 | Chris | Chafe | Solera | 1981 | fixed media, akusmatisch | 12:20 | Stereo | PLA, Samson_Box | WER 2026; Computer Music Currents 6/ | CCRMA | 2nd prize Bourges 1982 | 1 | |||||||
| 25740 | Chris | Chafe | Tomato Quintet, Tomato Music Speed Ripenning |
2007 | fixed media, akusmatisch | 15 Tracks | CCRMA | 0 | |||||||||||
| 36295 | Chris | Chafe | Transect | fixed media, akusmatisch | 12:23 | Stereo | CRC 2514/ | CCRMA | 0 | ||||||||||
| 3142 | Chris | Chafe | Vanishing Point, Punto de fuga | 1989 | fixed media, akusmatisch | 10:29 | Stereo | MIDI-LISP, STUDIO 440 sampler, DMP-11, DYAXIS | CCRMA/ CRC 2514/ hap vol 18 - 3/ | CCRMA | 0 | ||||||||
| 3143 | Chris | Chafe | Virga | 1987 | live-elec, 1 perf | Stereo | hp (and e-hp-sythesis) [Harfe] | DATON, MIDI-Score in Max’s Language | CCRMA | 0 | |||||||||
| 18378 | Chris, Fred | Chafe, Malouf | Between the Sheets | 1997 | live-elec, 3 perf | e-gui, t-sax, celletto, [Saxophon, Gitarre, Cello] | CCRMA | 0 | |||||||||||
| 22763 | Chris, Dexter | Chafe, Morrill | Duo Improvisation | 1988 | live-elec, 2 perf | 6:32 | celletto, tpt [Trompete, Cello] | MIDI-LISP, Celletto, MIDI-Trumpet, MIDI-LIVE, DMP11 | Centaur CRC 2133, CDCM Vol. 11/ | CCRMA | 1 | ||||||||
| 18377 | Chris, Scott | Chafe, Walton | Triage | 1997 | live-elec, 2 perf | celletto, disklavier [Piano, Cello] | CCRMA | 0 | |||||||||||
| 3144 | Paulo | Chagas | Air up into the silence | 1981 | Zuspiel / Tonband, 1 perf | Stereo | fem V [Stimme] | text by E.E. Cummings | CRFMW Liège | 0 | http://composers21.com/compdocs/chagaspc.htm | ||||||||
| 26455 | Paulo | Chagas | Artaud, Fremd im eigenen Körper: Auswanderungen zu Antonin Artaud | 1997 | Tanz | Stereo | ballet music, choreography by Ismael Ivo | 0 | |||||||||||
| 3145 | Paulo | Chagas | Ashe | 1984 | Zuspiel / Tonband, 4 perf | 21:30 | Quadro | 4 perc [Schlagzeug] | ("Phantomband"). Also version only for 4 perc | HfMT Köln | 1 | ||||||||
| 26444 | Paulo | Chagas | Ave Maria | 2001 | live-elec, 3 perf | Surround 5.1 | 3 fem V, (com) [Stimme] | sound space motet | Romanischer Sommer Köln | 21.6.2001 | Festival “Romanischer Sommer Köln”, St. Severin | 0 | |||||||
| 26447 | Paulo | Chagas | Baiser | 1985 | Musiktheater, 2 perf | 8:25 | Stereo | 2 actor [Schauspieler] | HfMT Köln | 0 | |||||||||
| 19430 | Paulo | Chagas | Birth | Tanz | 2:16 | Stereo | Klang Studio C 9401/ | 0 | |||||||||||
| 3146 | Paulo | Chagas | Blutige Tränen | 1986 | Musiktheater, 1 perf | 14:10 | Stereo | fem V [Stimme] | Monodram | HfMT Köln | 0 | ||||||||
| 26458 | Paulo | Chagas | Bonfim | 1994 | Zuspiel / Tonband, 2 perf | Octo | 2 perc [Schlagzeug] | 0 | |||||||||||
| 26456 | Paulo | Chagas | Canções dos olhos | 2005 | Tanz, live-elec, 1 perf | fem dancer, (film) [Tanz] | choreography by Veronica Endo | 0 | |||||||||||
| 26454 | Paulo | Chagas | Capivara | 1997 | Tanz | Stereo | ballet music, choreography by Lina do Carmo | 0 | |||||||||||
| 29364 | Paulo | Chagas | Cine Città | 2009 | Klanginstallation, live-elec, | ears UCR | February 25 - March 22, 2009 | Katherine E. Nash Galley, University of Minnesota, Minneapolis, USA | 0 | ||||||||||
| 29363 | Paulo | Chagas | Corpo, Carne e Espirito, Body, Flesh and Spirit | 2008 | Musiktheater, live-elec, 8 perf | 75 | S, Counter-T, Bar, str-qt, perc [Sopran, Tenor, Bariton, Schlagzeug, Streicher] | ears UCR | 9 th FIT, International Theater Festival of Belo Horizonte, Brazil | 0 | |||||||||
| 26452 | Paulo | Chagas | Der Fluss, Rio Intermezzo 3 |
1994 | Oper, 12 perf | Octo | Mez, Bar, B, 3 Sp, actor, perc, str-qt [Mezzo, Bariton, Bass, Sprecher, Schlagzeug, Schauspieler, Streicher] | text by Simone Rist, after João Cabral de Melo Neto. one section may be performed separately as a concert work: Rio, Intermezzo 3! |
0 | ||||||||||
| 26448 | Paulo | Chagas | Du bist ein Schwein | 1985 | Musiktheater, 2 perf | Stereo | actress-V, perc (drumkit) [Stimme, Schlagzeug] | 0 | |||||||||||
| 24271 | Paulo | Chagas | Einblick II | 2002 | fixed media, akusmatisch | 1:30 | Stereo | Cybele 960.208/ DegeM CD 08/ | 1 | ||||||||||
| 3147 | Paulo | Chagas | Ellipse | 1986 | Theater, 2 perf | 14:10 | Stereo | mime, dancer [Schauspieler, Tanz] | Elektronische Musik für pantomimische Darstellung | HfMT Köln CD4/ | HfMT Köln | 9.12.1987 | Aula Musikhochschule Köln | 1 | |||||
| 3148 | Paulo | Chagas | Eshu | 1984 | Musiktheater, 10 perf | 20:30 | Quadro | 4 actor, dancer, bar-sax, 4 perc, slides [Saxophon, Schlagzeug, Schauspieler, Tanz] | dieses Einspielband ist auch für "Ashe" vorgesehen | HfMT Köln | 0 | ||||||||
| 3149 | Paulo | Chagas | Eshu: La porte des enfers, Eshu: the Gates of Hell | 1983 | Zuspiel / Tonband, 1 perf, 2 groups | 8:15 | Quadro | orc, (afro-amerik) perc-ens [Schlagzeug, Orchester] | HfMT Köln | „Jeunesses Musicales de Liège", Belgium | 22.12.1983 | Liège with Gomma Perc-ens, orc philharmonique de Liège | 0 | ||||||
| 26439 | Paulo | Chagas | Fais-moi peur | 1985 | Performance | section of Peep Show; may be performed separately as a concert work | 0 | ||||||||||||
| 26460 | Paulo | Chagas | Festa do Bonfim | 1997 | Zuspiel / Tonband, 3 perf | Octo | 3 perc [Schlagzeug] | 0 | |||||||||||
| 19431 | Paulo | Chagas | Foolish King, Francis Bacon | 1993 | Tanz | 2:08 | Stereo | part of Francis Bacon! | Klang Studio C 9401/ | 0 | |||||||||
| 26442 | Paulo | Chagas | Francis Bacon, Film Dance with Blanket Men's Love Blanket Handicapped 2 Meat George Dyer Distortion/Self-portrait Pope Empty Space Birthing Prison Men's Love Knife/Violation Lonely/Two Bodies Shaving Scotchtape 1 Scotchtape 2 Flowers Handicapped 1 Handicapped 3 Sitting Love Foolish King |
1993 | Tanz, 8 perf | Stereo | S, Counter-T, Bar, perc, str-qt [Sopran, Tenor, Bariton, Schlagzeug, Streicher] | texts by Francis Bacon, T.S. Eliot, choreography by Johann Kresnik, Ismael Ivo | Klang Studio C: C9401/ | Theaterhaus Stuttgart | 18.12.1993 | Theaterhaus Stuttgart, Hans Kresnek / Ismael Ivo (chor.) | 0 | ||||||
| 26446 | Paulo | Chagas | In-sein / Ausser-sein | 2003 | fixed media, akusmatisch | 8:45 | Stereo, Octo | 0 | |||||||||||
| 19432 | Paulo | Chagas | Knife/Violation | Tanz, 1 perf | 8:44 | Stereo | V [Stimme] | Klang Studio C 9401/ | 0 | ||||||||||
| 19433 | Paulo | Chagas | Love, Francis Bacon | 1993 | Tanz, 1 perf | 3:07 | Stereo | S [Sopran] | part of Francis Bacon! | Klang Studio C 9401/ | 0 | ||||||||
| 3151 | Paulo | Chagas | Magisches Auge, Fais-moi peur Computer I Computer II Computer III |
1985 | Musiktheater, 2 perf | 8:25 | Stereo | actress, actor [Schauspieler] | (St. Mühle, Voice) | Peccata Mundi: 110/ | HfMT Köln | 0 | |||||||
| 21186 | Paulo | Chagas | Migration | 1995 - 1997 | Zuspiel, live-elec, 1 perf, 1 group | 28:06 | 12 Tracks | MIDI p, ens, (elec) [Piano, Ensemble] | MAX. also version for 12-channel-tape alone. Organised Sound Vol 13/3 -> 12 channels |
Organised Sound Vol 13/3/ | WDR SEM | WDR 1997 | 14.6.1997 | MusikTriennale Köln | 0 | ||||
| 37858 | Paulo | Chagas | Migration | 1995 - 1996 | fixed media, akusmatisch | 24:20 | 12 Tracks | Organised Sound Vol 13/3 -> 12 channels | WDR SEM | 26.6.1998 | Köln | 0 | |||||||
| 26461 | Paulo | Chagas | Migration II | 1998 - 1999 | live-elec, 1 perf | vn, (com) [Violine] | 0 | ||||||||||||
| 26459 | Paulo | Chagas | Mutações | 1996 | Zuspiel / Tonband, 2 perf | Octo | 2 perc [Schlagzeug] | 0 | |||||||||||
| 26453 | Paulo | Chagas | Observation Suite | 1996 | Tanz, live-elec, | computer animation by Aeldrik Pander, Jelske Kloppenburg | 0 | ||||||||||||
| 3152 | Paulo | Chagas | Oddort | 1989 | Oper, 14 perf | 18:07 | Quadro | T, 2 Bar, B, actress, actor, sax, tpt, trbn, vn, db, p, 2 perc [Tenor, Bariton, Bass, Saxophon, Trompete, Posaune, Piano, Schlagzeug, Violine, Kontrabass, Schauspieler] | libretto by the composer, after Louis-Ferdinand Céline | HfMT Köln | 0 | ||||||||
| 29366 | Paulo | Chagas | Orbital Studies | 2008 | live-elec, 1 perf | p [Piano] | 5 etudes | ears UCR | 14.9.2008 | Festival Música Nova, SESC Vila Mariana, São Paulo, Brazil with Caio Pagano, piano Nathan Wolek, live-electronics Paulo C. Chagas, sound projection |
0 | ||||||||
| 3153 | Paulo | Chagas | Peep Show, Fais-moi peur Computer I - III |
1985/1986 | Musiktheater, 4 perf, 1 group | 41:48 | Stereo | S, actor, T, mime, ens [Sopran, Tenor, Schauspieler, Ensemble] | slides | HfMT Köln | 0 | ||||||||
| 23090 | Paulo | Chagas | Projektion | 1999 - 2001 | fixed media, akusmatisch | Klangkunst, Installation |
17:28 | Stereo, Octo, 12 tracks | last purely electroacoustic production at the WDR SEM | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | WDR SEM | City of Witten, Germany | 9.2.2001 4.5.2001 |
Köln Wittener Tage für neue Kammermusik (Klanginstallation) |
1 | |||||
| 29365 | Paulo | Chagas | Pulsing Knots | 2009 | fixed media, akusmatisch | 51:23 | 12 etudes for electronic music | ears UCR | 0 | ||||||||||
| 27709 | Paulo | Chagas | Racines circulaires | 2003 | audiovisuell, live-elec, 1 perf | vn, (video) [Violine] | CRFMW Liège | 16.03.2004 | Bruxelles, Festival Ars Musica | 0 | |||||||||
| 26451 | Paulo | Chagas | Raptus | 1992 | Tanz, 2 perf | Quadro | 2 perc [Schlagzeug] | choreography by Cláudio Bernardo | 0 | ||||||||||
| 21193 | Paulo | Chagas | RAW, Vom Kriege II | 1999 | Oper, live-elec, 12 perf | 73:00 | Stereo, Surround 6.1 | 2 S, Mez, T, Bar, 3 MIDI-Kbd, 3 MIDI-DrumPads, (12 synt, sam), dancer [Sopran, Mezzo, Tenor, Bariton, Keyboard, Tanz] | Techno- Oper | WDR SEM | Oper Bonn | 30.5.1999 | Opernhaus Bonn | 0 | |||||
| 19434 | Paulo | Chagas | Scotch Tape, Francis Bacon | 1993 | Tanz, 1 perf | 2:33 | Stereo | V [Stimme] | part of Francis Bacon! | Klang Studio C 9401/ | 0 | ||||||||
| 3154 | Paulo | Chagas | Shango Kultmusik | 1989 | Tanz, 2 perf | 61:03 | Quadro | 2 perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 19435 | Paulo | Chagas | Shaving, Francis Bacon | 1993 | Tanz | 4:47 | Stereo | part of Francis Bacon! | Klang Studio C 9401/ | 0 | |||||||||
| 26450 | Paulo | Chagas | Sodoma, Leçon des voyelles Sal Découverte du corps (Atabaques) |
1991 | Tanz, 24 perf | 7 tracks | 5 V, 3 perc, 16 str [Stimme, Schlagzeug, Streicher] | text from the Bible, choreography by Cláudio Bernardo). a concert suite was arranged; three sections may be performed separately as concert works: Leçon des voyelles; Sal; Découverte du corps; also concert versions of four sections: Atabaques, 3 percussion; Garotos, 4 percussion; Pas de deux, violin, cello |
SUBCD 026-48/ | Theater Atelier Saint-Anne, Belgium | 29.10.1991 | Bruxelles | 0 | ||||||
| 26445 | Paulo | Chagas | Streaming | 2001 | fixed media, akusmatisch | intermedia |
20:33:00 | Stereo | version with Laser-Installation by Rainer Plum | RAG-Informatik | 8.11.2001 | Gelsenkirchen, Germany, Arena AufSchalke | 0 | |||||||
| 26443 | Paulo | Chagas | Transe | 1997 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 26457 | Paulo | Chagas | Transparência | 1992 | Zuspiel / Tonband, 3 perf | Stereo | 3 tpt [Trompete] | 0 | |||||||||||
| 26440 | Paulo | Chagas | Visions machine | 2000 | Tanz, 2 perf | Octo + Octo | mime, perc [Schlagzeug, Schauspieler] | 0 | |||||||||||
| 26449 | Paulo | Chagas | Vom Kriege I | 1984 - 1990 | Oper, 2 perf | 20:44 | Quadro | Bar, p [Bariton, Piano] | libretto by the composer, Bettina Zacher, after Ernst Jünger | HfMT Köln | 0 | ||||||||
| 3155 | Paulo | Chagas | Vom Kriege III | 1984 - 1989 | Oper, 8 perf, 1 group | 42:00 | Quadro | Bar, actor, dancer, 2 perc, 2 e-perc, p, ch [Bariton, Piano, Schlagzeug, Schauspieler, Tanz, Chor] | (chamber opera, libretto by the composer, Bettina Zacher, after Ernst Jünger, Filippo Tommaso Marinetti) | HfMT Köln | 0 | ||||||||
| 3150 | Paulo, Henri | Chagas, Pousseur | La passion selon guignol, The Passion According to Punch | 1982 | Zuspiel / Tonband, 4 perf, 1 group | 27:53 | Stereo | 4 amp V, orc, (4 rm, reverb) [Stimme, Orchester] | texts by Johann Wolfgang von Goethe, Gérard de Nerval, Christopher Marlowe, William Blake, Michel Butor | CRFMW Liège | Electric Phoenix, London, UK | 24.2.1983 | Liège, Belgium, Conservatory Hall; Electric Phoenix: Judith Rees, soprano, Linda Hirst, mezzo-soprano, Daryl Runswick, tenor, Terry Edwards, bass; John Whiting, sound projection. - Orchestre Philharmonique de Liège conducted by Pierre Bartholomée | 0 | |||||
| 3156 | Luciano | Chailly | Il Mantello | 1959 | Oper | 3:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 23369 | Mike | Challis | Right Foot lower than the left | 2002 | Klangkunst, Installation | 9:27 | recordings from a sound walk | ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 3157 | Patrice | Challuleau | Chasseurs d'épave | 1988 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | MIDI [synthesizer] | MIDI | MIM Marseille | 0 | ||||||||
| 3158 | Patrice | Challuleau | Méditerranéennes | 1988 | live-elec, 2 perf | 15:00 | gui, synt [Gitarre, synthesizer] | synt (1/3-ton) | MIM Marseille | 0 | |||||||||
| 3159 | Mireille | Chamass-Kyrou | L'Étude No. 1, Etude 1 | 1960 | fixed media, akusmatisch | 5:13 | Mono, Stereo | INA C 1032 27652 archives grm CD 2/5/ PHI A. 00567/ PHI 835 487 AY/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 035/ Infiné IF 4002/ | INA • GRM | 13.6.1960 | Salle Gaveau, Paris | 1 | |||||||
| 40407 | Mireille | Chamass-Kyrou | La chute d’Icare | 1960 | Film | INA • GRM | juin 1960 | Paris, Salle des Agricultures | 0 | ||||||||||
| 40422 | Mireille | Chamass-Kyrou | Remanence | 1960 | Film | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||||
| 43091 | Mireille | Chamass-Kyrou | Rimoirs | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 3160 | Caroline | Chamberlin | Moments in Dessication | 1976 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 19024 | Evan | Chambers | Upper Midwestern Apologia | 1993 | radiophon | 12:38 | Russolo Pratella EF.ER.P 94/ | mention Russolo 94 | 1 | ||||||||||
| 39658 | Chin Ting | Chan | Of Metals and Electrons | 2017 | fixed media, akusmatisch | 4:02 | 16 Tracks | Chin Ting Chan | CLS 170902/ | 0 | |||||||||
| 39659 | Chin Ting | Chan | Rituals | 2016 | fixed media, akusmatisch | Chin Ting Chan | 0 | ||||||||||||
| 39660 | Chin Ting | Chan | tempora mutantur | 2015 | fixed media, akusmatisch | 8:27:00 | Chin Ting Chan | 0 | |||||||||||
| 42967 | Chin Ting | Chan | time, forward | 2013 | live-elec, 1 perf | 6:00:00 | p [Piano] | Francesco Prode, piano | 0 | ||||||||||
| 39328 | Chin Ting | Chan | Whispers of Time | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 19436 | Kam-Biu | Chan | The Everlasting Voices | 1979 | Zuspiel / Tonband, 2 perf, 1 group | 9:00 | Stereo | perc-ens, S [Sopran, Schlagzeug] | CMC CD 3288/ | 0 | |||||||||
| 3161 | Kam-Biu | Chan | Unknown Journey | 1992 | fixed media, akusmatisch | 9:34 | MIDI; ICMC Tokyo | ICMC 1993, LMCD 1375/ | Uni Hong Kong | 1 | |||||||||
| 42734 | Vincent | Chan | Wire | 2012 | fixed media, akusmatisch | 4:39:00 | 0 | ||||||||||||
| 42707 | Christopher | Chandler | a thing of dream and mist | 2012 | live-elec, 1 perf | 8:20:00 | perf and sax [Saxophon, Performer] | Zach Herchen, also saxophone | 0 | ||||||||||
| 42846 | Christopher | Chandler | Smoke and Mirrors | 2013 | live-elec, 6 perf | 7:30:00 | fl, cl, vn, perc, vc, p [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | the Switch~ Ensemble: Shaun Barlow, flute, Madison Greenstone, clarinet, Hanna Hurwitz, violin, Megan Arns, percussion; T.J. Borden, cello, Wei-Han Wu, piano | 0 | ||||||||||
| 42586 | Christopher | Chandler | The Spark of Opposites | 2009 | live-elec, 1 perf | 10 | vc [Cello] | 0 | |||||||||||
| 34179 | Arun | Chandra | A Bit, A Curve, Alas, A Wave! | fixed media, akusmatisch | 8:20:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/aBitACurveAlasAWave.wav | |||||||||||
| 34181 | Arun | Chandra | An Appropriate Response (JDAM) | Zuspiel / Tonband, 4 perf | 9:59:00 | Stereo | 4 V [Stimme] | For four voices and 2-channel playback | 0 | http://ada.evergreen.edu/~arunc/Compositions/jdam.wav | |||||||||
| 34177 | Arun | Chandra | An Untitled Poem in 16 Stanzae by Keith Moore | fixed media, akusmatisch | 13:30:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/untitledPoem.wav | |||||||||||
| 34175 | Arun | Chandra | Blood on my Thumb | fixed media, akusmatisch | 6:42:00 | Stereo | texts by George Jackson and Raymond Chandler | 0 | http://ada.evergreen.edu/~arunc/Compositions/blood.wav | ||||||||||
| 34176 | Arun | Chandra | Crocker | Zuspiel / Tonband, 3 perf | 8:18:00 | Stereo | 3 perc [Schlagzeug] | for 3 percussionists and 2-channel playback, after a poem by Chris Mann | 0 | http://ada.evergreen.edu/~arunc/Compositions/crocker.wav | |||||||||
| 34183 | Arun | Chandra | drift, sentence --- burst | fixed media, akusmatisch | 11:13:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/driftSentenceBurst.wav | |||||||||||
| 34171 | Arun | Chandra | Lament | 1992 | fixed media, akusmatisch | 5:56:00 | Stereo | after a poem by Alice Thorner | 0 | http://ada.evergreen.edu/~arunc/Compositions/lament.wav | |||||||||
| 34172 | Arun | Chandra | Mann in the Middle | fixed media, akusmatisch | 1:08:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/mannInTheMiddle.wav | |||||||||||
| 34184 | Arun | Chandra | on the tip of my tongue | fixed media, akusmatisch | 11:30:00 | Octo | 0 | http://ada.evergreen.edu/~arunc/Compositions/onTheTipOfMyTongue.mp3 | |||||||||||
| 34185 | Arun | Chandra | Seven poems by David Wolach | fixed media, akusmatisch | 10:30:00 | Octo | 0 | http://ada.evergreen.edu/~arunc/Compositions/sevenPoems.mp3 | |||||||||||
| 34173 | Arun | Chandra | smear pulse no sneer | fixed media, akusmatisch | 9:45:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/smearPulseNoSneer.wav | |||||||||||
| 34182 | Arun | Chandra | Sunday Drives | fixed media, akusmatisch | 8:40:00 | Stereo | after a poem by Mary Margaret Fondriest | 0 | http://ada.evergreen.edu/~arunc/Compositions/sundayDrives.wav | ||||||||||
| 34180 | Arun | Chandra | the gift of gab | fixed media, akusmatisch | 6:48:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/theGiftOfGab.wav | |||||||||||
| 34174 | Arun | Chandra | to get to the other side | fixed media, akusmatisch | 5:15:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/toGetToTheOtherSide.wav | |||||||||||
| 34178 | Arun | Chandra | We Wear the Mask | fixed media, akusmatisch | 6:44:00 | Stereo | after a poem by Paul Laurence Dunbar | 0 | http://ada.evergreen.edu/~arunc/Compositions/weWearTheMask.wav | ||||||||||
| 28170 | Chris | Chanet | Les Greux doux, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 4:33 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 39652 | Cheng-Ya | Chang | Dishes Ensemble | 2015 | fixed media, akusmatisch | 5:55:00 | Cheng-Ya Cheng | 0 | |||||||||||
| 34417 | Gary K. | Chang | When the Time Comes | 1976 | fixed media, akusmatisch | 10:45 | Quadro | CalArts | 0 | ||||||||||
| 42587 | Jen-Kuang | Chang | Drishti III | 2008 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 40013 | Leo | Chang | St. Louis Blues | 2017 | fixed media, akusmatisch | Leo Chang | 0 | ||||||||||||
| 33415 | Won Hyuk, Jack, Abby | Chang, Cordova, Millikan | Piece No. 1 | 1966 | fixed media, akusmatisch | 3 | Mono | Barlow Sch Amenia | 0 | ||||||||||
| 37569 | Young-Goo | Chang | remember? | 1998 | fixed media, akusmatisch | 10:01:00 | Stereo | Csound, Samplitude-Studio (IBM-PC), Plug Ins "Wave Native Power Pack" | ICEM Essen | 0 | |||||||||
| 27175 | Carole | Changeron | Agnioetiomix | 2000 | fixed media, akusmatisch | 6:49 | 0 | ||||||||||||
| 34134 | Esteban | Chapela | Populated Topographies | fixed media, akusmatisch | 16:43 | Stereo | 0 | ||||||||||||
| 34073 | Esteban | Chapela | Requiem | 2013 | fixed media, akusmatisch | audiovisuell |
8:53:00 | Octo | 0 | |||||||||||
| 33794 | Duncan | Chapman | …but the kitchen sink | 2012 | fixed media, akusmatisch | 5:03:00 | Composing with Sounds/ | 1 | |||||||||||
| 27377 | Owen | Chapman | Improvisation with Ice Xylophone, Ondes Martenot, Laptop and Guitar | 2007 | Zuspiel, Performance, 6 perf | 7:35 | 4 perf (with Ice), oma, gui [Gitarre, Performer, synthesizer] | excerpts; siehe Organised Sound Vol 14/1 with Chapman, Binet Audet, Audet, Madden |
Organised Sound Vol 14/3/ | Concordia Montréal | 1 | http://www.icebreaker.opositive.ca/ | |||||||
| 28420 | Owen | Chapman | The Icebreaker, Frozen Puddle / The Ice Xylophone | 2007 | Klangkunst, Installation | Performance |
5:40 | perf, (Ice) [Performer] | excerpts; siehe Organised Sound Vol 14/1 | Organised Sound Vol 14/3/ | Concordia Montréal | 1 | http://www.icebreaker.opositive.ca/ | |||||||
| 39829 | Guillaume | Chappez | Forêt-Noire | 2016 | fixed media, akusmatisch | Guillaume Chappez | 0 | ||||||||||||
| 3162 | Jeanine | Charbonnier | Homotopies | 1970 | Zuspiel / Tonband, 1 group | orc [Orchester] | CIRM Paris | 0 | |||||||||||
| 19707 | Augustin | Charles | Convex | 1992 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 3163 | Augustin | Charles | Convex II | 1990 | Zuspiel / Tonband, 1 perf | 10:08 | Stereo | vc [Cello] | AH ars harmonica/ | LIEM CDMC Madrid | 0 | ||||||||
| 3164 | Augustin | Charles | Duo | 1991 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | sax [Saxophon] | LIEM CDMC Madrid | 0 | |||||||||
| 19705 | Augustin | Charles | Modular I - II | 1992 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 19708 | Augustin | Charles | Particella | 1992 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 19706 | Augustin | Charles | Sombra Obscura | 1992 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 41816 | Carlos Lopez | Charles | Componiendo la puerta | 2001 | fixed media, akusmatisch | 2:22:00 | codemist ICMC2001/ | 0 | |||||||||||
| 36450 | Christophe | Charles | Airport Symphony: A Brief Life | 2007 | radiophon | 9:38:00 | EDRM 417/ | 0 | |||||||||||
| 42838 | Jason | Charney | Pratîtya | 2013 | live-elec, 1 perf | 7:00:00 | perf [Performer] | Jason Charney, Tibetan prayer bowl | 0 | ||||||||||
| 3165 | Arthur | Charpentier | AJA | 1966 | fixed media, akusmatisch | 4:58 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3166 | Arthur | Charpentier | Alchemy | 1966 | fixed media, akusmatisch | 13:05 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3167 | Arthur | Charpentier | December 17th | 1965 | fixed media, akusmatisch | 5:42 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 33039 | Jacques | Charpentier | Lalita | live-elec, 6 perf | 9:50 | oma, 5 perc [Schlagzeug, synthesizer] | ERA STU 70102/ | 1 | |||||||||||
| 3168 | Jacques | Charpentier | Quatuor pour ondes Martenot | 1958 | live-elec, 1 perf | 20:00 | oma [synthesizer] | Adès 14.036/ | 1 | ||||||||||
| 34506 | Jacques | Charpentier | Suite Karnatique | live-elec, | Jeanne Loriod (OMa); Inventionen 27.1.1990 AdK | 0 | 1990 | ||||||||||||
| 36446 | Richard | Chartier | Retrieval Path | 2007 | radiophon | 11:26:00 | EDRM 417/ | 0 | |||||||||||
| 43146 | Richard | Chartier | Series | 2001 | Klangkunst, Installation | Auszeichnung ars electronica honorary mention 2001 | 0 | ||||||||||||
| 26478 | Pierre | Charvet | 222, Camille's day | 1990 | Zuspiel / Tonband, 13 perf | 16:00 | 12 gui, db-gui [Gitarre] | 0 | |||||||||||
| 26468 | Pierre | Charvet | And death | 2005 | live-elec, 1 perf | 20:00 | A [Alt] | l’Etat pour La Muse en circuit. | 7.10.2006 | Radio France, Sébastien-Luigi Lévy, alto solo | 0 | ||||||||
| 26462 | Pierre | Charvet | And it was done | 2008 | Zuspiel / Tonband, 1 perf | 12:00 | fl [Flöte] | HfM Manhattan | Gionata Sgambaro | 22.04.2008 | Théâtre de Chartres, par Gionata Sgambaro | 0 | |||||||
| 26474 | Pierre | Charvet | Brandenburg | 1995 | live-elec, 1 perf | 12:00 | vn [Violine] | Accord Universal Classics/ | 1996 | New York, Manhattan School, par Schmulik Katz | 0 | ||||||||
| 26463 | Pierre | Charvet | Come away | 2008 | live-elec, 1 perf | 10:00 | ins (balafon chromatique et électronique) [Instrument] | Diffusion sur France Musique. | festival Juventus | 11.07.2008 | Festival Juventus par Ba Banga Nyeck, balafon | 0 | |||||||
| 26469 | Pierre | Charvet | Copla | 2004 | live-elec, | 10:00 | str orc [Orchester] | 4.04.2004. | Les Siècles, dirigé par François-Xavier Roth, au Théâtre de Paris | 0 | |||||||||
| 26485 | Pierre | Charvet | Études pour 3 magnétophones | 1986 | fixed media, akusmatisch | 5:00 | 1987 | Nîmes | 0 | ||||||||||
| 26473 | Pierre | Charvet | L'Invitation au voyage | 1995 | live-elec, 3 perf | 10:00 | 3 V [Stimme] | sur un poème de Charles Baudelaire | Accord Universal Classics/ | 1996 | New York, Manhattan School par Stacey Fraser, Holly Weinheimer et Rebecca Plack | 0 | |||||||
| 26471 | Pierre | Charvet | L'Ombre de la lune | 2001 | live-elec, 1 perf | 7:00 | V [Stimme] | sur un poème de Frédéric Jacques Temple. | Accord Universal Classics/ | 3.11.2001 | Julie Hassler, Théâtre du Hangar Montpellier | 0 | |||||||
| 26466 | Pierre | Charvet | La chasse infinie | 2006 | live-elec, 1 group | 8:00 | ch [Chor] | pour l’ensemble vocal « A Filetta », sur un poème de Frédéric Jacques Temple. | 0 | ||||||||||
| 26481 | Pierre | Charvet | Manhattan | 1988 | fixed media, akusmatisch | 10:00 | 1988 | Nîmes | 0 | ||||||||||
| 26472 | Pierre | Charvet | Neuf Études aux deux mondes | 2000 | live-elec, 1 perf | 18:00 | p [Piano] | Accord Universal Classics/ | INA • GRM | INA-GRM | 2000 | Maison de Radio-France, Paris, Michael Abramovich | 0 | ||||||
| 26470 | Pierre | Charvet | Petite suite au paradis perdu | 2001 | live-elec, 2 perf | 5:00 | p, vc [Piano, Cello] | 3.11.2001 | Anne Pagès et Romain Cambis au Théâtre du Hangar Montpellier | 0 | |||||||||
| 3169 | Pierre | Charvet | Qohèlèt | 1993 | live-elec, 2 perf | 10:00 | Mez, perc [Mezzo, Schlagzeug] | ISPW. | IRCAM | IRCAM | 1993 | Paris à l'IRCAM, Françoise Kubler et Roland Auzet | 0 | ||||||
| 26465 | Pierre | Charvet | Regardez-le ! | 2006 | live-elec, 1 group | 15:00 | orc [Orchester] | l’aide d’une bourse de la Sacem « pour l’écriture d’une œuvre nouvelle ». | 8.07.2006 | l’orchestre « Les Siècles », dirigé par François-Xavier Roth au Festival Juventus | 0 | ||||||||
| 26467 | Pierre | Charvet | Sonko | 2006 | live-elec, 3 perf | 8:00 | p, vn, vc [Piano, Cello, Violine] | 23.09.2006 | Philippe Graffin, violon, Seung-Won Jun, violoncelle et Denis Pascal, piano. Création au Festival Consonances de Saint Nazaire | 0 | |||||||||
| 26464 | Pierre | Charvet | Stella Maris | 2009 | live-elec, 1 group | 11:00 | ch, (elec) [Chor] | sur un poème de Frédéric Jacques Temple. | Claire Marchand à l'occasion du 25e anniversaire de son choeur Intermezzo, avec l'aide de la mpaa. | 6.03.2009 | l'Eglise des Billettes, Paris. | 0 | |||||||
| 26482 | Pierre | Charvet | Sur les rives de la Néva | 1988 | fixed media, akusmatisch | 5:00 | hommage à Alexandre Pouchkine | 1988 | Nîmes | 0 | |||||||||
| 26476 | Pierre | Charvet | The Same Spot (Not I) | 1991 | live-elec, 1 perf | 20:00 | Mez [Mezzo] | d'après Samuel Beckett | 1991 | New York, Borden Auditorium, | 0 | ||||||||
| 26484 | Pierre | Charvet | Über dieser Fuge | 1987 | fixed media, akusmatisch | 8:00 | 1987 | Nîmes | 0 | ||||||||||
| 26479 | Pierre | Charvet | Villa Marguerite II | 1990 | live-elec, 9 perf | 20:00 | Quadro | 4 sax, 3 perc, 2 synt [Saxophon, Schlagzeug, synthesizer] | sur un poème de F.-J. Temple | 1991 | New York, Borden Auditorium | 0 | |||||||
| 26480 | Pierre | Charvet | Villa Marguerite III | 1989 | Zuspiel, live-elec, 2 perf | 20:00 | vc, disklavier [Piano, Cello] | 1989 | Nîmes, Temple de Diane | 0 | |||||||||
| 41690 | Eric | Chasalow | And it flew upside-down | 1994 | fixed media, akusmatisch | 3:20 | Computer generated sound | BEAMS | Watertown Cultural Council. | 0 | |||||||||
| 41677 | Eric | Chasalow | Are You Radioactive, Pal? | 2010 | live-elec, 1 perf | 11:30 | a-sax [Saxophon] | In three movements. | BEAMS | 0 | |||||||||
| 39760 | Eric | Chasalow | As A Kind of Knowing | 2017 | fixed media, akusmatisch | Eric Chasalow | 0 | ||||||||||||
| 41687 | Eric | Chasalow | Crossing Boundaries | 2000 | fixed media, akusmatisch | 9:43 | Stereo, Quadro | BEAMS | Bates College for the millenium. | 0 | |||||||||
| 41685 | Eric | Chasalow | Dream Songs | 2001 | Zuspiel / Tonband, 1 group | orc [Orchester] | on poems of John Berryman | BEAMS | Boston Modern Orchestra Project. Boston Symphony Hall premiere. | 0 | |||||||||
| 41683 | Eric | Chasalow | Due (Cinta)mani | 2002 | Zuspiel / Tonband, 1 perf | p [Piano] | BEAMS | Vicki Ray. PianoSphere LA series. | 0 | ||||||||||
| 42588 | Eric | Chasalow | Due (Cinta)mani | 2002 | p [Piano] | Vicki Ray | 0 | ||||||||||||
| 19438 | Eric | Chasalow | Fast Forward | 1988 | Zuspiel / Tonband, 2 perf | 6:30 | Stereo | 2 perc [Schlagzeug] | Arthur Jarvinen and Amy Knoles, perc | SEAMUS EAM 9402 Vol. 3/ NWR 80440/ | BEAMS | 0 | |||||||
| 19439 | Eric | Chasalow | Hanging in the Balance | 1983 | Zuspiel / Tonband, 1 perf | 6:17 | Stereo | vc [Cello] | NWR 80440/ | BEAMS | 0 | ||||||||
| 41674 | Eric | Chasalow | I’m Just Sayin’ | 2012 | live-elec, 4 perf | str-qt [Streicher] | BEAMS | The Lydian String Quartet | 0 | ||||||||||
| 41686 | Eric | Chasalow | In a Manner of Speaking | 2000 | Zuspiel / Tonband, 1 perf | b-cl [Klarinette] | BEAMS | Guido Arbonelli. | 0 | ||||||||||
| 41676 | Eric | Chasalow | Incident and Scatter | 2011 - 2012 | live-elec, 6 perf | fl, cl, vn, vc, perc, p [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | BEAMS | Talea Ensemble and the Barlow Endowment for Music | 0 | ||||||||||
| 41680 | Eric | Chasalow | Into Your Ears | 2004 | fixed media, akusmatisch | 4:01 | Dedicated to Mario Davidovsky at 70 | BEAMS | 0 | ||||||||||
| 36387 | Eric | Chasalow | Left to his own Devices | 1996 | radiophon | 5:58 | CD of music from 1994-2001 New World Records 2003 Dedicated to Milton Babbitt at 80 |
Kiasma 1998/ | 0 | ||||||||||
| 41675 | Eric | Chasalow | On That Swirl of Ending Dust | 2011 | live-elec, 6 perf | fl, cl,vn, vc, perc, p [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | In four movements. | BEAMS | New York New Music Ensemble and Chamber Music America | 0 | |||||||||
| 41689 | Eric | Chasalow | Out of Joint | 1994 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | BEAMS | for Mauro Maur by Nuova Consonanza. | 0 | ||||||||||
| 19440 | Eric | Chasalow | Over the Edge | 1986 | Zuspiel / Tonband, 1 perf | 5:54 | Stereo | fl [Flöte] | Patricia Spencer (fl) | SEAMUS EAM 9501 Vol. 4/ NWR 80440/ | BEAMS | National Endowment for the Arts | 0 | ||||||
| 39761 | Eric | Chasalow | Scuffle and Snap | 2010, 2015 | Zuspiel / Tonband, 1 perf | 5:46:00 | vn [Violine] | Eric Chasalow | 0 | ||||||||||
| 41688 | Eric | Chasalow | ‘Scuse Me | 1998 | Zuspiel, live-elec, 1 perf | 5:41 | e-gui [Gitarre] | BEAMS | Tim Brady. | 0 | |||||||||
| 41691 | Eric | Chasalow | Seven Variations on Three Spaces | 1998 | fixed media, akusmatisch | 11 | durations: 1:01 + 0:57 + 1:36 + 1:09 + 0:54 + 3:36 + 1:54 | BEAMS | 0 | ||||||||||
| 41673 | Eric | Chasalow | Shatter and Glide | 2012 - 2013 | live-elec, 3 perf | str-trio [Streicher] | In three movements. | BEAMS | Network for New Music | 0 | |||||||||
| 32096 | Eric | Chasalow | Suspicious Motives | 1999 | Zuspiel / Tonband, 4 perf | fl, cl, vn, vc [Flöte, Klarinette, Cello, Violine] | Susan Gall, flute; Jennifer Lucht, cello; Willian Kirkley, clarinet; Sarah Thornblade, violin; Michael Adelson, conductor | SEAMUS EAM Vol. 11/ | 0 | ||||||||||
| 41678 | Eric | Chasalow | Symphony of Popular Misconceptions | 2008 - 2010 | fixed media, akusmatisch | Surround 5.1 | multiple movements, on-going | BEAMS | 0 | ||||||||||
| 19441 | Eric | Chasalow | The Furies, The fury of beatifull bone The fury of Cooks The fury of guitars and sopranos The fury of Hating Eyes |
1984 | Zuspiel / Tonband, 1 perf | 13:01 | Stereo | S [Sopran] | Four poems of Anne Sexton. In four movements | NWR 80440/ | BEAMS | National Endowment for the Arts | 0 | ||||||
| 35570 | Eric | Chasalow | The fury of beatifull bone, The Furies | 1984 | Zuspiel / Tonband, 1 perf | 4:03 | S [Sopran] | NWR 80440/ | 0 | ||||||||||
| 35571 | Eric | Chasalow | The fury of Cooks, The Furies | 1984 | Zuspiel / Tonband, 1 perf | 1:29 | S [Sopran] | NWR 80440/ | 0 | ||||||||||
| 35572 | Eric | Chasalow | The fury of guitars and sopranos, The Furies | 1984 | Zuspiel / Tonband, 1 perf | 3:31 | S [Sopran] | NWR 80440/ | 0 | ||||||||||
| 35573 | Eric | Chasalow | The fury of Hating Eyes, The Furies | 1984 | Zuspiel / Tonband, 1 perf | 3:58 | S [Sopran] | NWR 80440/ | 0 | ||||||||||
| 19442 | Eric | Chasalow | The Fury of Rainstorms | 1992 | fixed media, akusmatisch | 1:57 | Stereo | text sound comp; Text by Anne Sexton | RRRecords CD 21/ NWR 80440/ | BEAMS | 0 | ||||||||
| 41679 | Eric | Chasalow | The Puzzle Master | 2007 | Oper | 60 | 5 V, kbd [Stimme, Keyboard] | text by F.D. Reeve. One-hour multimedia opera for five singers, keyboard, electronics and video. | BEAMS | 0 | |||||||||
| 18818 | Eric | Chasalow | This Way Out | 1991 | fixed media, akusmatisch | 4:25 | rock music | ICMC 1992, PRDC 1300/ | BEAMS | 1 | |||||||||
| 41681 | Eric | Chasalow | Trois Espaces du Son | 2004 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | BEAMS | Miroglio-Aprodu duo, Paris. | 0 | ||||||||||
| 41684 | Eric | Chasalow | What is Danced…(and what is not) | 2002 | Zuspiel / Tonband, 1 perf | hp [Harfe] | BEAMS | Lucia Bova (Rome). | 0 | ||||||||||
| 41682 | Eric | Chasalow | Wolpe Variations | 2003 | fixed media, akusmatisch | BEAMS | Stefan Wolpe Society to mark the Wolpe Centennial year. | 0 | |||||||||||
| 19444 | Rick | Chatham | Constellations | 1992 | Zuspiel / Tonband, 1 perf | 9:26 | Stereo | ww [Bläser] | Centaur CRC 2193, CDCM Vol. 16/ | 1 | |||||||||
| 28408 | Anne-James | Chaton | Extraordinary Voyages | 2005 | Performance | 6:12 | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | |||||||||||
| 40288 | Tim | Chatwood | Flicker | 2016 | live-elec, | vib (Light and Effect) [Schlagzeug] | Tim Chatwood | 0 | |||||||||||
| 3171 | Cécile | Chaunier | As - tu gonflé ta bouée ? | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3172 | Cécile | Chaunier | Des bètes de la difficulté d'être compositeur | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3173 | Cécile | Chaunier | Hilnoukose | 1990 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 35651 | Oscar | Chaves | Estudio sobre mi gatita | 2005 | fixed media, akusmatisch | 02:27 | 0 | ||||||||||||
| 3174 | Juan | Chavez | Interseccion | 1988 | Zuspiel, live-elec, 1 perf | 17:00 | Stereo | vib [Schlagzeug] | HfM Freiburg | 0 | |||||||||
| 37809 | Daria | Cheikh-Sarraf | Perception | 2017 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 27.05.2017 | HMTM Hannover | 0 | |||||||||
| 3175 | Mikhail | Chekalin | Sinkreticheskaya kompozitsiya | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 3176 | Mikhail | Chekalin | The Ropes of Time | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 21495 | Hans | Chemin-Petit | Symphonische Kantate | 1966 | Zuspiel / Tonband, 1 group | 18:20 | Stereo | orc [Orchester] | Thorofon MTH 164/ | TU Berlin | 1 | ||||||||
| 32494 | Cheng-Wen | Chen | Ching-Ko-Chi (Canzona III) | 2011 | live-elec, 1 perf | 6:01 | Octo | b-fl, (elec) [Flöte] | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | |||||||
| 31574 | Cheng-Wen | Chen | Der Nebel, der Vogel und der Prophet | 2013 | fixed media, akusmatisch | ≈ 6 | next_generation 5.0 | HfM Bremen | 0 | ||||||||||
| 32505 | Cheng-Wen | Chen | emotion recollected in tranquillity | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 32524 | Cheng-Wen | Chen | listen to Hearing | 2012 | fixed media, akusmatisch | 6 | 6 mobile loudspeakers in train | Incontri HMTM Hannover | 0 | ||||||||||
| 32554 | Cheng-Wen | Chen | Wasserspiegelung | 2011 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 0 | |||||||||||
| 41697 | Chin-Chin | Chen | Oceangreen of Shadow | 2002 | fixed media, akusmatisch | 8:34 | DISContact! III competition | 0 | |||||||||||
| 41692 | Chin-Chin | Chen | Points of Arrival | 1998 | fixed media, akusmatisch | 8:34 | 0 | ||||||||||||
| 41693 | Chin-Chin | Chen | Points of Departure | 1996 | fixed media, akusmatisch | 8:27 | 0 | ||||||||||||
| 21596 | Chin-Chin | Chen | Points of No Return | 1997 | fixed media, akusmatisch | 7:29 | CEC Presence 2/ Russolo Pratella EF.ER.P 97/ Kiasma 1998/ | EMS UIUC | Prize Russolo Varese 1997 | 1 | |||||||||
| 41694 | Chin-Chin | Chen | Snow of Ages | 2002 | fixed media, akusmatisch | 2:12 | 0 | ||||||||||||
| 41695 | Chin-Chin | Chen | The Turning Point | 2000 | fixed media, akusmatisch | 7:50 | 0 | ||||||||||||
| 41696 | Chin-Chin | Chen | Waft Through an Open Door | 2002 | fixed media, akusmatisch | 7:08 | 0 | ||||||||||||
| 32056 | Kwok Ping | Chen | Ring Shades | 1990 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | Heung-Wing Lung, perc | SEAMUS EAM 9301 Vol. 1/ | 0 | |||||||||
| 40017 | Lily | Chen | Hypochondraisis | 2015 | fixed media, akusmatisch | 10:48:00 | Lily Chen | 0 | |||||||||||
| 3177 | Manliany | Chen | Nocturne | 1983 | fixed media, akusmatisch | 4:15 | Stereo | ELAK Wien | 0 | ||||||||||
| 3178 | Qigang | Chen | Rêve d'un solitaire | 1993 | live-elec, 1 group | 21:00 | ens [Ensemble] | Billaudot | IRCAM | 0 | |||||||||
| 42724 | Ying-Jung | Chen | Deconstruction of the Piano | 2012 | fixed media, akusmatisch | 3:30:00 | Stereo | 0 | |||||||||||
| 43019 | Ying-Jung | Chen | Fluctuation | 2013 | fixed media, akusmatisch | 6:47:00 | 0 | ||||||||||||
| 40335 | Ying-jung | Chen | Mirage | 2015 | fixed media, akusmatisch | 4:30:00 | Ying-jung Chen | 0 | |||||||||||
| 3179 | Roz | Cheney | The Listening Room | 1988 | radiophon | 6:35 | "A sonic fantasy" | EBU 1991/ | ABC | EBU Ars Acustica 1991 | 1 | ||||||||
| 43051 | Cheng-Ya | Cheng | Dishes Ensemble | 2014 | fixed media, akusmatisch | 5:55:00 | 0 | ||||||||||||
| 25859 | Chien Wen | Cheng | Samsara | 2005 | audiovisuell | 6:37 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 1 | ||||||||||
| 35507 | Corey | Cheng | Woods | 1996 | fixed media, akusmatisch | 2:03 | ICMC | 0 | |||||||||||
| 43192 | Xu | Cheng | Scape-Sequencer | 2010 | audiovisuell, live-elec, | Auszeichnung ars electronica Award of Distinction 2012 | 0 | ||||||||||||
| 39527 | Yu-Ting | Cheng | Haya | 2017 | live-elec, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 3180 | Brian | Cherney | Death of tragedy | 1966 | fixed media, akusmatisch | 6:35 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3181 | Brian | Cherney | Doshchyk | 1966 | fixed media, akusmatisch | 7:45 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3182 | Brian | Cherney | Night music | 1966 | fixed media, akusmatisch | 11:10 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 31594 | Daniel | Chernov | Vincent Black Shadow | 2013 | live-elec, 1 perf | ≈ 4 - 5 | p [Piano] | next_generation 5.0 | HfM Freiburg | 29.6.2013 | ZKM | 0 | |||||||
| 3183 | Igor | Chernyavsky | Weerstand | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 19446 | David | Chesworth | Composition Number Five for Silicon Valley | 1988 | fixed media, akusmatisch | 5:33 | Stereo | ACMA/ | 0 | ||||||||||
| 43112 | David | Chesworth | Southgate | 1992 | fixed media, akusmatisch | 7:50 | Stereo | ACMA/ | Auszeichnung ars electronica honorary mention 1993 | 0 | http://archive.aec.at/prix/showmode/27709/ | ||||||||
| 31989 | Ka-Ho | Cheung | FishyBahn | 2008 | fixed media, akusmatisch | 9:48:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | |||||||||||
| 25584 | Ka-Ho | Cheung | Isle Zero West | 2007 | fixed media, akusmatisch | 6:22 | Stereo | Uni Manchester NOVARS | 1 | ||||||||||
| 28242 | Ka-Ho | Cheung | Torsion | 2008 | fixed media, akusmatisch | 14:18 | Octo | Uni Manchester | 1 | ||||||||||
| 28421 | Ka-Ho | Cheung | Victoriescabossanova, Les séries sonores 51 | 2007 | Klangkunst, Installation | 50:19 | inpetto Les séries sonores 51/ | Uni Manchester | 1 | http://www.inpetto-filmproduktion.de | |||||||||
| 3184 | Raymond | Chevreuille | D'un Diable de Briquet | 1950 | radiophon | 40:00 | Mono | INR Bruxelles | Prix Italia 1950 | 0 | |||||||||
| 39325 | Chang Hsin | Chia | Aquiver | 2017 | live-elec, | 0 | |||||||||||||
| 25505 | Li Wei | Chiang | Asylum Atad | 2005 | fixed media, akusmatisch | 5:49 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | ||||||||
| 37554 | Paul | Chiara | Logs für Kontrabaß und Tonband | 1970 | Zuspiel / Tonband, 1 perf | 10:00:00 | Stereo | db (Thorsten Drees) [Kontrabass] | ICEM Essen | 8.2.1994 | Folkwang Hochschule Aula | 0 | |||||||
| 39300 | Antonino | Chiaramonte | Harry Smith’s Early Abstractions, No.7: Color Study | 1950 - 1952 | audiovisuell | 0 | |||||||||||||
| 39301 | Antonino | Chiaramonte | Into the Volcano | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42423 | Antonino | Chiaramonte | Riflessioni | 2006 | fixed media, akusmatisch | 10:19 | LDC 278082-83 Cultures électroniques 20/ | Prix Trivium et Magisterium 2007, 34th International Electroacoustic Music and Sonic Art Competitions - Bourges - 2007 | 0 | ||||||||||
| 3185 | Giuseppe | Chiari | 25 crepitacoli | 1963 | fixed media, akusmatisch | ≈ | Mono | PS C. | 0 | ||||||||||
| 3186 | Giuseppe | Chiari | 3 Studi, (sull 'attrito sul barcollare sull'acqua) |
1963 | fixed media, akusmatisch | ≈ | Mono | PS C. | 0 | ||||||||||
| 3187 | Giuseppe | Chiari | Etager–sistro, Sparpagliare, Analisi fisiologica | 1964 | live-elec, | ≈ | Mono | (contact mic) [] | PS C. | 0 | |||||||||
| 3188 | Giuseppe | Chiari | Il cielo e la terra | 1966 | live-elec, | 6:00 | Mono | (contact mic) [] | Klang-Aktion | PS C. | 0 | ||||||||
| 3190 | Giuseppe | Chiari | Il silencio - musica verità | 1966 | fixed media, akusmatisch | 180:00 | Mono | PS C. | 0 | ||||||||||
| 3191 | Giuseppe | Chiari | La Traviata en 322 minuti secondi | 1963 | fixed media, akusmatisch | ≈ 5:00 | Mono | RAI Firenze | 0 | ||||||||||
| 3192 | Giuseppe | Chiari | Omaggio a René Clair | 1966 | live-elec, | 4:00 | Mono | (contact mic) [] | Klang-Aktion | PS C. | 0 | ||||||||
| 3193 | Giuseppe | Chiari | Percussioni multiple d'urto | 1963 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 3194 | Giuseppe | Chiari | Pezzo per mani | 1966 | live-elec, | ≈ | Mono | (contact mic) [] | PS C. | 0 | |||||||||
| 3195 | Giuseppe | Chiari | pezzo per muro | 1966 | live-elec, | ≈ | Mono | (contact mic) [] | PS C. | 0 | |||||||||
| 3196 | Giuseppe | Chiari | quando il cinema è lontano | 1966 | live-elec, | 14:00 | Mono | (contact mic) [] | Klang-Aktion | PS C. | 0 | ||||||||
| 3197 | Giuseppe | Chiari | Rompere | 1963 | fixed media, akusmatisch | 5:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 3198 | Giuseppe | Chiari | Su una lastra rovente | 1965 | live-elec, | ≈ | Mono | (contact mic) [] | drop of water on a hot plate | PS C. | 0 | ||||||||
| 3199 | Giuseppe | Chiari | Woody | 1966 | live-elec, | 5:00 | Mono | (contact mic) [] | Klang-Aktion | PS C. | 0 | ||||||||
| 3189 | Giuseppe, Michele | Chiari, Borelli | Il silencio | 1967 | fixed media, akusmatisch | 0 | |||||||||||||
| 3200 | Jean-François | Chicoine | A Day in Harry's Life | 1986 | fixed media, akusmatisch | 9:03 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3201 | Jean-François | Chicoine | Dart Raider goes to Earth to… | 1986 | fixed media, akusmatisch | 2:33 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3202 | Jean-François | Chicoine | Un autre jeu (II) | 1987 | fixed media, akusmatisch | 1:05 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3203 | Alain | Chignier | Alice est une chic fille | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3204 | Alain | Chignier | Patterns corsaires | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3205 | Alain | Chignier | Peace in | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3206 | Peter | Child | Ensemblance | 1982 | Zuspiel / Tonband, 1 group | 11:30 | ch [Chor] | MUSIC11, C-Sound | Neuma 450-75/ | MIT Media Lab | 1 | ||||||||
| 19445 | Mary Ellen | Childs | Ruler Etude: a work in progress | 1992 | fixed media, akusmatisch | 2:15 | Stereo | Tellus 26/ | EMS UIUC | 0 | |||||||||
| 3207 | Mary Ellen | Childs | Standpoints | 1984 | Tanz | 9:16 | UIUC LC 84-743210/ | EMS UIUC | 1 | ||||||||||
| 42092 | Charles | Chilton | Journey into space: operation luna | 1953 - 1954 | radiophon | BBC | 0 | ||||||||||||
| 35654 | Pablo | Chimenti | Kaften, Altare Privilegiatum | 2009 | fixed media, akusmatisch | 12:05 | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 37887 | Unsuk | Chin | Akrostichon-Wortspiel | live-elec, | 0 | ||||||||||||||
| 3209 | Unsuk | Chin | Allegro ma non troppo | 1994 | fixed media, akusmatisch | 13:02 | Quadro | DegeM CD 02/ EMF DVD 054/ | TU Berlin | Folkmar Hein | 2.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 1998 | |||||
| 34284 | Unsuk | Chin | Allegro ma non troppo | 1998 | Zuspiel / Tonband, 1 perf | 13:02 | Quadro | perc [Schlagzeug] | ed. rz 10009/10 Inventionen 98/ | TU Berlin | Folkmar Hein & Inventionen 1998 | 25.9.1998 | Parochialkirche Berlin Inventionen 98, Thierry Miroglio (perc) | 1 | 1994 1998 | ||||
| 25860 | Unsuk | Chin | Double Bind? | 2006/2007 | Zuspiel, live-elec, 1 perf | 16:28 | vn [Violine] | Hae Sun Kang (vn) | IRCAM | 1 | |||||||||
| 3210 | Unsuk | Chin | El Aliento de la Sombra | 1992 | fixed media, akusmatisch | 17:54 | Quadro | com M. | edel 0085102 ACA/ | TU Berlin | Festival Inventionen DAAD/TU 92 | 12.2.92 | Inventionen Akademie der Künste Berlin | 1 | 1992 | ||||
| 33378 | Unsuk | Chin | Fanfare chimérique | 2011 | live-elec, 1 perf, 1 group | 16:28 | 2 br-ens [Bläser] | IRCAM | 15.4.2011 | Centre Pompidou, Ensemble intercontemporain, Patrick Davin | 0 | ||||||||
| 22349 | Unsuk | Chin | Gradus ad infinitum I | 1989 | fixed media, akusmatisch | 10:20 | Quadro | eight 20-tönig tuned pianos. VAX-production. first Version | SKCD C-0383 Pan-Music-Festival/ | TU Berlin | 6.9.1989 | worldmusicdays of the IGNM Amsterdam | 1 | 1990 | |||||
| 3211 | Unsuk | Chin | Gradus ad infinitum II | 1989/1990 | fixed media, akusmatisch | 10:20 | Quadro | eight 20-tönig tuned pianos. VAX-production | TU Berlin | 1 | 2008 | ||||||||
| 3212 | Unsuk | Chin | ParaMetaString | 1996 | Zuspiel / Tonband, 4 perf | 20:38 | Stereo + Stereo | str-qt [Streicher] | TU Berlin | Kronos-qt | 1 | ||||||||
| 21628 | Unsuk | Chin | Spectres - spéculaires | 2000 | Zuspiel, live-elec, 1 perf | 20:07 | 6 | vn [Violine] | MAX/MSP | WD 2000, Wittener Tage Für Neue Kammermusik 2000/ | TU Berlin, WDR SEM | WDR 2000 | 5.5.2000 | Witten, Wittener Tage für Neue Kammermusik | 1 | ||||
| 21123 | Unsuk | Chin | Xi, pour ensemble et électronique | 1998 | Zuspiel, live-elec, 18 perf | 22:53 | 12 Tracks | fl, ob, cl, bn or contra-bn, hn, tpt, trbn, tuba, hp, p, 2 perc, str-qt, db, sam [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Tuba, Piano, Harfe, Schlagzeug, Kontrabass, computer, Streicher] | DGG 00289 477 5118/ ICEM NovemberMusic 2009/ | TU Berlin | Ensemble Intercontemporaine, David Robertson | 24.2.1999 | Citè de la Musique Paris | 1 | |||||
| 3213 | Michel | Chion | 24 Préludes à la vie, Vingt-quatre préludes à la vie | 1989 | fixed media, akusmatisch | 42:17 | Stereo | Text: Christiane Sacco-Zagaroli | IMED 9523/ | INA • GRM | State commission+ INA GRM | 31.05.90 | GMVL, Villa Gillet, Lyon | 1 | |||||
| 3214 | Michel | Chion | Berceuse | 1989 | fixed media, akusmatisch | 26:47 | Stereo | From the texts of Martine Beck and Victor Hugo Michel Chion, Anne-Marie Marsaguet (vs) |
INA • GRM | 20.12.89 | GRM série "Studio 116" | 0 | |||||||
| 3215 | Michel | Chion | Crayonnes ferroviaires | 1991 | fixed media, akusmatisch | Stereo | Text: Michel Chion (v) | MCE 001/ | INA • GRM | INA GRM | 10.02.1992 | Maison de Radio-France,Paris | 1 | ||||||
| 3216 | Michel | Chion | Credo mambo | 1992 | fixed media, akusmatisch | 20:00 | MK CD 004/ M&R L’Espace du son 2000/ | Musiques et Recherches Ohain | Musiques et Recherches | 10.06.92 | Brussels | 1 | |||||||
| 3217 | Michel | Chion | Diktat, Réveil L'Amour La Gloire La Vierge Folle Le Travail Les Vacances Nuit |
1979 | fixed media, akusmatisch | 50:00 | Stereo | GMEM Marseille | Groupe de Musique Expérimentale de Marseille | 30.10.79 | Chapelle des Pénitents Blancs, Avignon | 0 | |||||||
| 3218 | Michel | Chion | Dix etudes de Musique Concrete, Toucher-Présence Phrases Mots Rêverie Craquements Rixe (Hommage to Schaeffer and Henry) Fonte Ménage Manèges Cantique |
1987 | fixed media, akusmatisch | 31:51 | Stereo | MCE 001/ | INA • GRM | INA GRM | 25.01.88 | Maison de Radio-France, GRM | 1 | ||||||
| 24706 | Michel | Chion | Dix-sept minutes | 2000 | fixed media, akusmatisch | 17:14 | MK CD 032/ | INA • GRM | INA GRM | 20.03.2000 | Salle Olivier Messiaen, Maison de la Radio France | 0 | |||||||
| 3219 | Michel | Chion | Etude d'apres Beethoven, Foetus en queue de pie | 1971 | fixed media, akusmatisch | 3:27 | Stereo | Etude de stage | MCE 001/ | INA • GRM | 02.04.71 | Maison de la Culture André Malraux, Reims | 1 | ||||||
| 3220 | Michel | Chion | Gloria | 1994 | fixed media, akusmatisch | 20:28 | Dedicated to Robert Cahen | MK CD 015/ | INA • GRM | INA GRM | 06.06.94 | Salle Olivier Messiaen, Maison de la Radio France | 1 | 1996 | |||||
| 25460 | Michel | Chion | Hymne d'enfant à son réveil | 1997 | fixed media, akusmatisch | 11:00 | Stereo | Dedicated to Association Réseaux | MCE 001/ | 22.02.97 | Théâtre La Chapelle, Réseaux, Montréal | 1 | www.michelchion.com | ||||||
| 40755 | Michel | Chion | Jeux de societé | 1975 | radiophon | 58 | INA • GRM | 11.8.1975 | ORTF France-Culture | 0 | |||||||||
| 24777 | Michel | Chion | L'Art des sons fixés, ou La Musique concrètement | 1991 | fixed media, akusmatisch | META 1991-06/ | 0 | ||||||||||||
| 25458 | Michel | Chion | La danse de l’ épervier | 1984 | audiovisuell | Tanz |
13:00 | Stereo | Music for a video by Robert Cahen based on a choreography by Hideyuki Yano | MCE 001/ | INA • GRM | INA Octet | 1 | www.michelchion.com | ||||||
| 3221 | Michel | Chion | La machine à passer le temps | 1972 | fixed media, akusmatisch | 5:20 | Stereo | Coll GRM 9114 CH/ INA e 5005/ | INA • GRM | Commande d’Etat | 25.03.72 | Festival de Royan | 1 | ||||||
| 3222 | Michel | Chion | La ronde, Pensées du matin Ariette L'été Playtime La vierge folle Les mots Pour Lucienne Jardins jadis Prière Pensées du soir |
1982 | fixed media, akusmatisch | 24:08 | Stereo | Voices of Lanie Goodman (1,5,10) and Ellen Larsen (6); p: Michel Chion | INA C 2002/03/ INA C 1000/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ Coll GRM 9114 CH/ | INA • GRM | 22.02.1982 3.10.1986 |
Paris, Maison de Radio-France, Gd. Auditorium Paris, ACNAV, Salle du Puits qui parle |
1 | ||||||
| 3223 | Michel | Chion | La tentation de Saint Antoine, Prologue (Ennoïa) Le Désert Le Prêcheur Le Nil La Cité humaine L'oubli Le Trésor La Reine de Saba La Terre La Soif |
1984 | fixed media, akusmatisch | 94:26 | Stereo | d'après Flaubert. Two parts; Prologue and 9 mouvements (Tableau) | INA C 2002/03/ NUUN 7/ | INA • GRM | Ministère de la Culture, INA-GRM, Atelier de Création Radiophonique de France-Culture | 04.06.84 | Maison de Radio-France, Paris | 1 | 1986 | ||||
| 40762 | Michel | Chion | Le diel secondaire | 1976 | Theatermusik | INA • GRM | 19.1.1977 | Paris, Arc | 0 | ||||||||||
| 3224 | Michel | Chion | Le prisonnier du son | 1972 - 1991 | fixed media, akusmatisch | 34:35 | Stereo | Mélodrame en 2 parties; Texte de M. Chion, Citation de „Visage“ de L. Berio | IMED 9523/ | INA • GRM | INA GRM | 19.5.1972 | Paris, Musée Guimet | 1 | |||||
| 3225 | Michel | Chion | Le Tricot de la Parque | 1986 | fixed media, akusmatisch | 60:00 | Stereo | Version définitive de „TU“ | INA • GRM | 1.3.1986 | Arras, Centre Noroit | 0 | |||||||
| 3226 | Michel | Chion | Nuit noire, La roue Cycle du quotidien |
1979 - 1985 | fixed media, akusmatisch | 22:14 | Stereo | Mélodrame; Dedicated to Philip K. Dick | IMED 9312/ | INA • GRM, GMEM Marseille | 24.03.86 | Salle Olivier Messiaen, Maison de la Radio France | 1 | ||||||
| 3227 | Michel | Chion | On N'arrête pas le regret La roue, cycle du quotidien, Coup de soleil sur un vitrail Cris et babils Mondnacht Ronde "Notre Dame du Regret“ Cauchemar rose |
1975 | fixed media, akusmatisch | 12:47 | Stereo | 5 parts | Coll GRM 9114 CH/ INA e 5005/ | INA • GRM | 22.3.1975 | Paris, Maison de la Radio, Studio 104 | 1 | ||||||
| 25459 | Michel | Chion | Perpetuum Kyrie | 1997 | fixed media, akusmatisch | 28:40 | Stereo | Michel Chion (v); Text: Catholic lithurgy | MCE 001/ | INA • GRM | 16.06.1997 | Salle Olivier Messiaen, Maison de la Radio France | 1 | www.michelchion.com | |||||
| 3228 | Michel | Chion | Requiem, Requiem aeternam Kyrie Eleïson Epître Dies Irae Offertoire Evangile Sanctus Pater noster - Agnus Dei Lux aeterna Libera me |
1973 | fixed media, akusmatisch | 37:16 | Stereo, Quadro | 2 sections with 10 parts | IMED 9312/ Coll GRM AM 689.05/ INA ACM 1995/ Klett Stuttgart 92422/ IMED 0050/ SR 220 sub rosa/ | INA • GRM | INA GRM | 19.03.73 | Théâtre Récamier, Paris | 1 | 1984 | ||||
| 3229 | Michel | Chion | Sambas pour jour de pluie, La roue cycle du quotidien |
1985 | fixed media, akusmatisch | 14:40 | Stereo | Hommage to Debussy. First version mixed in the studios of GMEB Bourges. |
INA e 5005/ | INA • GRM, IMEB Bourges | IMEB Bourges | 16.06.85 | IMEB Bourges, Festival | 1 | |||||
| 3230 | Michel | Chion | Sonate en trois movements, Allegro Andante Rondo |
1990 | fixed media, akusmatisch | 10:00 | Stereo | MCE 001/ | INA • GRM | State commission | 07.03.90 | Caen | 1 | ||||||
| 3231 | Michel | Chion | Suite volatile, Elégie Berceuse à la poule Galop des coqs |
1983 | Zuspiel / Tonband, 3 perf | 10:25 | Stereo | V, fl, prep p [Stimme, Flöte, Piano] | Dedicated to Christian Zanési La nuit des oiseaux |
MCE 001/ | INA • GRM | INA GRM | 20.04.84 | Brussels, Botanique Festival „L’Espace du son“ | 1 | ||||
| 3232 | Michel | Chion | TU, Prologue Nocturne 1 Veilleuse Nocturne 2 Crise Portrait Rendez-vous |
1977 | Theatermusik | 34:20 | Stereo | mélodrame en deux actes; first version; 7 parts after Text „Die Zauberflöte“ by Schikaneder |
Coll GRM 9114 CH/ | INA • GRM | Commande de l'Etat et de l'INA·GRM |
5.2.1977 | Paris, Th. Récamier | 1 | http://www.michelchion.com | ||||
| 3233 | Michel | Chion | TU, Le secret Poésie Robot Maternel Interruptions La loi des pères Veilleuse Dans la nuit Au bout du labyrinthe Tu Liebst du mich nicht mehr? |
1981 | fixed media, akusmatisch | 39:30 | Stereo | 2nd version, 10 parts | MCE 001/ Coll GRM 9114 CH/ | INA • GRM | Commande INA.GRM | 25.5.1981 | Paris, Maison de la Radio | 1 | |||||
| 3234 | Michel | Chion | Valse-innovation | 1985 | fixed media, akusmatisch | 11:00 | Stereo | Dedicated to Vincent Laborey | INA • GRM | Anvar | 20.04.1984 | Botanique de Bruxelles | 0 | ||||||
| 3235 | Michel | Chion | Variations | 1990, 2003 | fixed media, akusmatisch | 10:02 | Stereo | IMED 9312/ | INA • GRM | Ina-GRM and french state | 07.03.90 | Caen | 1 | ||||||
| 42265 | Michel, Lionel, Jérôme | Chion, Marchetti, Noetinger | Les 120 Jours | 1997/1998 | fixed media, akusmatisch | Fringes Archive 03/ | Festival Musique Action | 16 May 1998 | Vandoeuvre-lès-Nancy, France | 0 | https://www.discogs.com/de/Michel-Chion-Lionel-Marchetti-J%C3%A9r%C3%B4me-Noetinger-Les-120-Jours/release/300044 | ||||||||
| 21598 | Jef | Chippewa | DUO | 1997 - 1998 | fixed media, akusmatisch | 2:42 | CEC Presence 2/ | Concordia Montréal | 1 | 2008 | |||||||||
| 41698 | Jef | Chippewa | footscapes: march [marcha / марш] | 2013 | fixed media, akusmatisch | 2:16 | 0 | ||||||||||||
| 41699 | Jef | Chippewa | footscapes: one | 2013 | fixed media, akusmatisch | 2:05 | 0 | ||||||||||||
| 39374 | Feliciano | Chiriaco | Vacuus | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 31558 | Yen-Ning | Chiu | In der Eischale… | 2013 | fixed media, akusmatisch | ≈ 9:00 | next_generation 5.0 | SEM Salzburg | 26.6.2013 | ZKM | 0 | ||||||||
| 3236 | Derek | Chivers | A Room with a Blues | 1992 | fixed media, akusmatisch | 11:45 | Uni York | 0 | |||||||||||
| 3237 | Derek | Chivers | Cymbell | 1980 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 28215 | Rilo | Chmielorz | A La Escucha De Un Archivo | 2000 | fixed media, akusmatisch | 21:00 | CDMC | 18.9.2000 | Archivo Municipal Alicante | 1 | |||||||||
| 24256 | Rilo | Chmielorz | ff (floor + feet) | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 0 | |||||||||||
| 38522 | Rilo | CHMIELORZ | Maze | 2009 | radiophon | 46:29:00 | 0 | ||||||||||||
| 38749 | Rilo, Ulrich, Pedro | CHMIELORZ, LAND, LOPEZ | Sprache, die schreitet so tönend – Hölderlin, eine Klangpoesie im Turm | 2005 | radiophon | 51:13:00 | 0 | ||||||||||||
| 3238 | Song-On | Cho | Monolith | 1987 | fixed media, akusmatisch | 18:32 | Quadro | ICEM Essen | 0 | ||||||||||
| 3239 | Song-On | Cho | Mu Ah | 1984 | fixed media, akusmatisch | Theatermusik |
13:50 | Stereo | Koch 3-5037-1/ | ICEM Essen | 0 | |||||||||
| 3240 | Song-On | Cho | Schattenbild | 1987 | fixed media, akusmatisch | 25:15 | Quadro | ICEM Essen | 0 | ||||||||||
| 3241 | Song-On | Cho | Verbrannt | 1986 | fixed media, akusmatisch | 15:00 | Quadro | ICEM Essen | 0 | ||||||||||
| 32492 | Woosung | Cho | Cages Mix | 2012 | Zuspiel / Tonband, 1 group | Quadro | ens [Ensemble] | Incontri HMTM Hannover | 20.9.2012 | Staatsoper, Hannover | 0 | ||||||||
| 42589 | Yen-Ting, Edgar | Cho, Barroso | Kapsis | 2009 | audiovisuell | 8 | 0 | ||||||||||||
| 37568 | Young Youn | Cho | Sori 1 | 1987 | live-elec, | 4:33:00 | Stereo | Synlab | ICEM Essen | 0 | |||||||||
| 37222 | Alexander | Choeb | Subtle Shifts May Cause Seismic Effects | 2017 | fixed media, akusmatisch | 8:30 | Spazialisation: Klangdom | UdK Berlin | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 23370 | Elise | Chohan | Speechmarks | 2002 | Klangkunst, Installation | 4:55 | extract. Software: PD, Cool Edit Pro | ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 39647 | Chang Seok | Choi | Initium | 2015 | fixed media, akusmatisch | 5:19:00 | Chang Seok Choi | 0 | |||||||||||
| 32502 | Hye-Yeon | Choi | Durch | 2012 | Klangkunst, Installation | 5 tracks | perfs (eine Lichtquelle, Spiegel, Sensoren, elektronische Klänge und Publikum) [Performer] | Incontri HMTM Hannover | 24.9.2012 | Staatsoper, Hannover | 0 | ||||||||
| 43065 | Hye-Yeon | Choi | Durch | 2014 | Klangkunst, Installation | Location: Dressing Room #1 | 0 | ||||||||||||
| 37779 | Hye-Yeon | Choi | Paper Concerto | 2013 | fixed media, akusmatisch | 12 Tracks | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 36889 | Hye-Yeon | Choi | Spuren | 2014 | live-elec, 3 perf | Quadro | ob, b-cl, hpd, (elec) [Klarinette, Oboe, Cembalo] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 32552 | Hye-Yeon | Choi | Usm | 2011 | Zuspiel / Tonband, 1 perf | 5 | Stereo | perc (Djembe) [Schlagzeug] | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | |||||||
| 38416 | Insook | Choi | Coney Island | 1999 | Performance | with Machine Child | 0 | ||||||||||||
| 19451 | Insook | Choi | Lit | 1992 - 1993 | fixed media, akusmatisch | 18:00 | Stereo | Centaur CRC 2302, CDCM Vol. 23/ | EMS UIUC | 1 | |||||||||
| 38409 | Insook | Choi | The frog in a machine | 1998 | fixed media, akusmatisch | 9:52 | Neuma 450-99/ | 0 | |||||||||||
| 38415 | Insook | Choi | Unfolding Time in Manifold | 1996 | Performance | with Machine Child | 0 | ||||||||||||
| 38417 | Insook | Choi | Voices in Ruins | 2000 | Performance | with Machine Child | 0 | ||||||||||||
| 42933 | Kyong Mee | Choi | Ceaseless Cease | 2013 | live-elec, 1 perf | 7:00:00 | cl [Klarinette] | Esther Lamneck, clarinet | 0 | ||||||||||
| 32113 | Kyong Mee | Choi | It only needs to be seen | 2007 | Zuspiel / Tonband, 1 perf | 7:05:00 | gui [Gitarre] | Timothy Ernest Johnson, acoustic guitar | SEAMUS EAM Vol. 17/ | 0 | |||||||||
| 25861 | Kyong Mee | Choi | Onomatopoetic Mimesis | 2004 | fixed media, akusmatisch | 7:00 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 35753 | Kyong Mee | Choi | Photogene | 2009 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2009 | 0 | ||||||||||||
| 40002 | Kyong Mee | Choi | rare yet soft | 2017 | fixed media, akusmatisch | Kyong Mee Choi | 0 | ||||||||||||
| 25862 | Kyong Mee | Choi | Rumi | 2004 | fixed media, akusmatisch | 7:45 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 35632 | Kyong Mee | Choi | Sublimation | 2004 | Zuspiel / Tonband, 1 perf | 7:03 | mar [Schlagzeug] | unesp Sao Paulo musica maximalista/ | 0 | ||||||||||
| 42777 | Kyong Mee | Choi | To Unformed | 2012 | live-elec, 1 perf | 8:05:00 | p [Piano] | Marcel Rominger, piano | 0 | ||||||||||
| 42473 | Kyong Mee | Choi | Tranquility | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42742 | Young-Shin | Choi | Pamuk for gayageum and electronics | 2012 | live-elec, 1 perf | 7:57:00 | gui (gayageum) [Gitarre] | Young-Shin Choi, gayageum | 0 | ||||||||||
| 42959 | Young-Shin | Choi | Slow Walk | 2013 | fixed media, akusmatisch | 4:58:00 | 0 | ||||||||||||
| 42590 | Young-Shin | Choi | UJO IMU III | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 3242 | Marek | Choloniewski | A Beethoven / Synthiblage / | 1977 | fixed media, akusmatisch | 9:30 | Quadro | SME Krakow | 1 | ||||||||||
| 25159 | Marek | Choloniewski | Assemblage | 1975 | Zuspiel / Tonband, 1 perf | Stereo | concrete perf [Performer] | 0 | |||||||||||
| 24296 | Marek | Choloniewski | aus Silber | 1996 | fixed media, akusmatisch | 11:35 | SME Krakow | 1 | |||||||||||
| 25169 | Marek | Choloniewski | Beauty and the Beast | 1992 | live-elec, 1 perf | V, (com) [Stimme] | SME Krakow | 0 | |||||||||||
| 3243 | Marek | Choloniewski | …BLANK… | 1976 | fixed media, akusmatisch | 4:42 | Stereo | SME Krakow | 0 | ||||||||||
| 3244 | Marek | Choloniewski | Citroblage | 1975 | fixed media, akusmatisch | 21:00 | Stereo | for earphones | 0 | ||||||||||
| 3245 | Marek | Choloniewski | Das Buch | 1987 | live-elec, 2 perf, 1 group | V, ens, synt [Stimme, synthesizer, Ensemble] | SME Krakow | 1 | |||||||||||
| 25185 | Marek | Choloniewski | Dizzy Kinetics | 2005 | audiovisuell, live-elec, 1 perf | com [computer] | interactiv video | 0 | |||||||||||
| 25171 | Marek | Choloniewski | Doubles | 1993 | audiovisuell, live-elec, 1 perf | V, (lights) [Stimme] | SME Krakow | 0 | |||||||||||
| 25165 | Marek | Choloniewski | Ears, Eyes, Nose | 1988 | Klangkunst, Installation | Stereo | together with Marek Chlanda | 0 | |||||||||||
| 24292 | Marek | Choloniewski | Follow me II | 1987 | live-elec, 1 perf | 13:56 | synt, (com) [synthesizer] | SME 1973-2003/ | SME Krakow | 1 | |||||||||
| 25163 | Marek | Choloniewski | Follow Salzach | 1988 | Performance, live-elec, 1 perf | Stereo | ins, (Enviroment) [Instrument] | 0 | |||||||||||
| 25164 | Marek | Choloniewski | Follow, Follow | 1988 | live-elec, 4 perf, 1 group | Stereo | 4 ob, orc [Oboe, Orchester] | 0 | |||||||||||
| 25160 | Marek | Choloniewski | Global Mix | 1998 | live-elec, 1 perf, 1 group | Stereo | coms [computer] | Internetwork | 0 | ||||||||||
| 25175 | Marek | Choloniewski | GPS-Art Internet Project | 2000 - 2005 | Klanginstallation, live-elec, 1 perf, 1 group | coms [computer] | audiovisuell map of Kracow for listeners in cars and Internet | 0 | |||||||||||
| 25174 | Marek | Choloniewski | GPS-Trans | 2000 | live-elec, 1 perf, 1 group | coms [computer] | GPS- & Internetwork | 0 | |||||||||||
| 25176 | Marek | Choloniewski | GPS-Trans 1 | 2000 | Klanginstallation, live-elec, 1 perf, 1 group | coms [computer] | Internetradio; with 16 Mobiles | 0 | |||||||||||
| 25177 | Marek | Choloniewski | GPS-Trans 2 | 2001 | Klanginstallation, live-elec, 1 perf, 1 group | coms [computer] | sounding map of Kracow | 0 | |||||||||||
| 25178 | Marek | Choloniewski | GPS-Trans 3 | 2002 | Klanginstallation, live-elec, 1 perf, 1 group | coms [computer] | sounding map of Kracow | 0 | |||||||||||
| 25179 | Marek | Choloniewski | GPS-Trans 4 | 2003 | Klanginstallation, live-elec, 2 perf, 2 groups | coms, ens, dancer [computer, Tanz, Ensemble] | sounding map of Kracow | 0 | |||||||||||
| 25182 | Marek | Choloniewski | GPS-Trans 5 Net Bridge | 2005 | Klanginstallation, live-elec, 9 perf | 9 perf (coms, nonett, interactiv Systems) [Performer] | sounding map of Kracow & Luxembourg | 0 | |||||||||||
| 25184 | Marek | Choloniewski | GPS-Trans 6 | 2005 | Performance, live-elec, 1 perf, 1 group | perfs (com, 4 LS, Car, Action in Warsaw) [Performer] | 0 | ||||||||||||
| 25162 | Marek | Choloniewski | Here and There | 1986 | live-elec, 2 perf | Stereo | p, synt, (com) [Piano, synthesizer] | 0 | |||||||||||
| 24295 | Marek | Choloniewski | Hypermeable Objects | 1995 | fixed media, akusmatisch | 11:16 | SME Krakow | 1 | |||||||||||
| 3250 | Marek | Choloniewski | Kadencja | 1983 | Zuspiel, live-elec, 2 perf | Stereo | va da gamba, synt [Cello, synthesizer] | SME Krakow | 0 | ||||||||||
| 3251 | Marek | Choloniewski | La Cumparsita (hki 290880) | 1980 | fixed media, akusmatisch | Stereo | SME Krakow | 0 | |||||||||||
| 19319 | Marek | Choloniewski | Lighting 2 | 1997 | audiovisuell, live-elec, 1 perf | 20:12 | perf [Performer] | Choloniewski | Warschauer Herbst '97, Vol. 8/ | 1 | |||||||||
| 24293 | Marek | Choloniewski | Like Breathing | 1991 | live-elec, 1 perf, 1 group | 9:20 | inss [Instrument] | SME Krakow | 1 | ||||||||||
| 25180 | Marek | Choloniewski | Nortus Farae | 2004 | audiovisuell, live-elec, 1 perf | vc, (video), [Cello] | 0 | ||||||||||||
| 25181 | Marek | Choloniewski | Physical Modelling | 2004 | live-elec, 1 perf | 7:23 | fl [Flöte] | SME 2010/ | 0 | ||||||||||
| 25170 | Marek | Choloniewski | Picture Reading | 1993 | Performance | interactiv | SME Krakow | 0 | |||||||||||
| 3254 | Marek | Choloniewski | Proces - for K. | 1980 | fixed media, akusmatisch | 10:00 | Quadro | ExpSt Warsaw | 0 | ||||||||||
| 25161 | Marek | Choloniewski | Rag, Rag, Rag | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 3252 | Marek | Choloniewski | RED | 1976 | fixed media, akusmatisch | 10:10 | Stereo | SME Krakow | 0 | ||||||||||
| 25173 | Marek | Choloniewski | River Dart | 1995 | intermedia, live-elec, 2 perf | V, (lights), str [Stimme, Streicher] | SME Krakow | 0 | |||||||||||
| 3248 | Marek | Choloniewski | Same Fire for all | 1985 | fixed media, akusmatisch | 8:11 | SME Krakow | 1 | |||||||||||
| 24294 | Marek | Choloniewski | sha'ba del 'mana | 1994 | fixed media, akusmatisch | 7:00 | SME Krakow | 1 | |||||||||||
| 25172 | Marek | Choloniewski | Silber | 1994 | intermedia, live-elec, 3 perf, 1 group | ww, ens, dancer, (lights), com [computer, Bläser, Tanz, Ensemble] | SME Krakow | 0 | |||||||||||
| 3253 | Marek | Choloniewski | Swinging parameters | 1984 | Zuspiel, live-elec, 3 perf | ob, vn, synt [Oboe, Violine, synthesizer] | SME Krakow | 1 | |||||||||||
| 25167 | Marek | Choloniewski | Switched Off … | 1990 | live-elec, 1 perf, 1 group | Stereo | inss [Instrument] | 0 | |||||||||||
| 25166 | Marek | Choloniewski | Switched On … | 1990 | Klanginstallation, live-elec, 1 perf | Stereo | (objects), com [computer] | 0 | |||||||||||
| 25168 | Marek | Choloniewski | Two Suns | 1990 | live-elec, 1 perf, 1 group | Stereo | inss [Instrument] | 0 | |||||||||||
| 25183 | Marek | Choloniewski | Wieliczka Salt Mine | 2005 | Klangkunst, Installation | for Expo 2005 | 0 | ||||||||||||
| 22124 | Marek | Choloniewski | Wysig | 1989 | audiovisuell, live-elec, 1 perf | 11:20 | Stereo | (lights), com [computer] | ExpSt Warsaw | 0 | |||||||||
| 3249 | Marek, Roman | Choloniewski, Haubenstock-Ramati | Interpolation | 1957, 1981 | Zuspiel / Tonband, 1 perf | 6:55 | Stereo | fl [Flöte] | SME Krakow | 0 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | ||||||||
| 3246 | Marek, Boguslaw | Choloniewski, Schaeffer | Electroblage | 1977 | Film | 22:10 | Stereo | tape to "ALGORITHMS" | SME Krakow | 0 | |||||||||
| 3247 | Marek, Boguslaw | Choloniewski, Schaeffer | Free FormI | 1978 | fixed media, akusmatisch | 32:00 | Stereo | SME Krakow | 0 | ||||||||||
| 3255 | Th., Al. | Chondros, Katsiani | Dimosioypalliliko retrire, Kinos Nus, 3rd part | 1990 | fixed media, akusmatisch | 9:56 | ano kato 020/ | Graffiti St Larissa | 1 | ||||||||||
| 3257 | Henri | Chopin | Audiopoems, Le soleil est mecanique Espaces et gestes indicatif I & II la fusee interplanetaire la peur le bruit du sang l'energie sommeil le rirw et debout les mandibules du dejeuner sur l'hebre mes bronches new departure play leap-frog pluralite sol air vibrespace 2500, ou les grenouilles d'aristrophane |
1960 - 1963 | fixed media, akusmatisch | audiopoems; txtcompo | PS C. Paris | 1 | |||||||||||
| 3258 | Henri | Chopin | Définition des Lettres Suivantes | 1975 | fixed media, akusmatisch | 5:35 | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ | PS C. | 1 | ||||||||||
| 24529 | Henri | Chopin | Hoppa Bock | 1970 | fixed media, akusmatisch | 5:57 | Text-Sound Composition | FYCD 1024 CD 1 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 25588 | Henri | Chopin | La Digestion | 1972 | fixed media, akusmatisch | 14:06 | Stereo | Alga Marghen plana-C 5VocSon012/ | PS C. Ingatestone | 1 | |||||||||
| 24528 | Henri | Chopin | Le bruit du sang | 1969 | fixed media, akusmatisch | 8:03 | Text-Sound Composition | FYCD 1024 CD 1 Text-Sound Compositions/ | PS C. Ingatestone | 1 | |||||||||
| 36526 | Henri | Chopin | Le Cri | 1971 | radiophon | 7:08 | Homage To Marcel Janco | S Press 22/ ISBN 3-924215-22-7/ | 0 | ||||||||||
| 3259 | Henri | Chopin | Le Fond de la Gorge | 1977 | fixed media, akusmatisch | 9:06 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 3260 | Henri | Chopin | Le Palais enchanté d'années 80 | 1982 | fixed media, akusmatisch | 10:00 | Quadro | IPEM Gent | 0 | ||||||||||
| 3261 | Henri | Chopin | Le Temps Aujour d'hui | 1977 | fixed media, akusmatisch | 7:52 | Stereo | IPEM Gent | 0 | ||||||||||
| 36525 | Henri | Chopin | Le Voyage Labiovelaire | 1971 | radiophon | 11:42 | S Press 22/ | 0 | |||||||||||
| 25589 | Henri | Chopin | Les Pirouettes Vocales pour les Pirouettements Vocaux | 1995 | fixed media, akusmatisch | 5:41 | Stereo | Alga Marghen plana-C 5VocSon012/ | PS C. Paris | 1 | |||||||||
| 25590 | Henri | Chopin | Les Souffles des Tempêtes | 1993 | fixed media, akusmatisch | 14:15 | Quadro | This audiopoem is dedicated "aux Suédois". | Alga Marghen plana-C 5VocSon012/ | Fylkingen | 1 | ||||||||
| 37468 | Henri | Chopin | Les Souffles et la Lange | 1993 | live-elec, 1 perf | 10:46 | V [Stimme] | ISAST LMJ 3/ | 0 | ||||||||||
| 3256 | Henri, Arthur | Chopin, Petronio | Aérythme | 1963 | fixed media, akusmatisch | 3:00 | txtcompo | PS Petronio Paris | 0 | ||||||||||
| 19447 | Henri, Arthur | Chopin, Petronio | Echos de bouche | 1991 | fixed media, akusmatisch | 9:55 | Stereo | txtcompo | Nepless PS 9611001/ | 0 | |||||||||
| 19448 | Henri, Arthur | Chopin, Petronio | Fresque de l'impalapable voix | 1990 | fixed media, akusmatisch | 15:56 | Stereo | txtcompo | Nepless PS 9611001/ | 0 | |||||||||
| 19449 | Henri, Arthur | Chopin, Petronio | Frises majeures des lèvres | 1994 | fixed media, akusmatisch | 13:04 | Stereo | txtcompo | Nepless PS 9611001/ | 0 | |||||||||
| 19450 | Henri, Arthur | Chopin, Petronio | Le Corpsbis | 1983 | fixed media, akusmatisch | 36:19 | Stereo | txtcompo | Nepless PS 9611001/ WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||
| 3262 | Daniel | Chorzempa | Sonett | 1978 | fixed media, akusmatisch | 13:40 | Quadro | txtcompo. | HfMT Köln CD1/ | HfMT Köln | 1 | 1986 | |||||||
| 3263 | Daniel | Chorzempa | Studie I | 1971 | fixed media, akusmatisch | 7:32 | Stereo | HfMT Köln | 0 | ||||||||||
| 42898 | HsinYu | Chou | somewhere I have never travelled | 2013 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 32501 | Yi-an | Chou | Drehduett | 2009 | Klangkunst, Installation | audiovisuell |
Quadro | Klanginstallation/Video | Incontri HMTM Hannover | 15.8.2009 | Herrenhäuser Gärten, Hannover, Musik21 Festival | 0 | ||||||||
| 32507 | Yi-an | Chou | Episode | 2009 | Zuspiel / Tonband, 1 perf | Octo | va [Viola] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 3264 | Jean-Marc | Chouvel | Dialoge avec l'echo | 1992 | fixed media, akusmatisch | 12:55 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 28209 | John | Chowning | Computer Music Journal (CMJ) Sound and Video Anthology, Disc two, Volume 31, 2007 (siehe Notes!) Stria |
2007 | Demo, Studie | 17:35 | Quadro | CMJ Vol 31-4, 2007/ | IRCAM | 1977 | Luciano Berio's exhibition of electroacoustic music | 0 | |||||||
| 3265 | John | Chowning | Kaleidoscope | 1993 | live-elec, 2 perf | 2 p (Kbd) [Piano] | CCRMA | 0 | |||||||||||
| 3266 | John | Chowning | Phoné | 1981 | fixed media, akusmatisch | 12:33 | Quadro | FM-Synthesis with SCDS. Lenght also ≈ 14 min |
WER 2012-50/ CMJ Vol 32-4, 2008/ | CCRMA | 1 | ||||||||
| 3267 | John | Chowning | Sabelithe II, Sabelithe | 1966/1971 | fixed media, akusmatisch | 6:23 | Quadro | Sabelithe I from 1966 was the first version (for sound & 3 perf) and was never perf. 1st FM-piece, SCORE und MUSIC10, Samson -Box | WER 2012-50/ | CCRMA | 1 | ||||||||
| 3268 | John | Chowning | Stria | 1977 | fixed media, akusmatisch | 16:57 | Quadro | FM-Synthesis, MUSIC10, 12-Bit | WER 2012-50/ Ellipsis Arts 3673 - OHM: 03/ CMJ Vol 31-4, 2007/ Ellipsis Arts 3694 - OHM DVD/ | CCRMA | IRCAM | october 1977 | Paris, IRCAM | 1 | |||||
| 3269 | John | Chowning | Turenas | 1972 | fixed media, akusmatisch | 9:59 | Quadro | SCORE, MUSIC10, Samson-box | WER 2012-50/ CMJ Vol 32-4, 2008/ | CCRMA | 1 | 2008 | |||||||
| 32787 | John | Chowning | Voices | 2005 | live-elec, 1 perf | Quadro | S [Sopran] | MaxMSP | 0 | ||||||||||
| 3270 | Louis | Chretiennot | Arrêt sur image | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3271 | Louis | Chretiennot | Des nombres et des mots | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3272 | Chris | Christensen | untitled | 1984 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 35163 | Christian Winther | Christensen | Hymns & Spectral Songs | 2016 | live-elec, 8 perf | amp 8 mus [Musiker] | 0 | ||||||||||||
| 28219 | Ulrich | Christians | Good Mourning, Alpheos | fixed media, akusmatisch | 55:00 | seichte EM | 1 | ||||||||||||
| 3273 | Henning | Christiansen | "als die Sprache platzte und die Musik abfuhr - und der Mond erscheint" Orakel |
1985 | Performance | 60:00 | 3 perf [Performer] | 1.3.1986 | Inventionen TU-Gebäude Ackerstraße Berlin, Christiansen, Durand, Nørgaard, und Geister | 0 | 1986 | ||||||||
| 19088 | Henning | Christiansen | Lagerplatz - Beuys Pit- 75 Jahre - Walhalla | 1996 | Performance | 0:29 | Sonambiente Ausstellung (1996); Berliner Prater Katalog S.39 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 3274 | Henning | Christiansen | Umwälzung: fluxorum organum - EURASIENSTAB ist immer noch Angelpunkt | 1989 | Zuspiel, live-elec, 5 perf | intermedia |
60:00 | 5 perf [Performer] | dedicated to Joseph Beuys | PS C. | 9.2.1990 | Inventionen Ballhaus Naunynstraße Berlin | 1 | 1990 | ||||||
| 28647 | Svend | Christiansen | Pyramider | 1978 | fixed media, akusmatisch | 11:04 | Stereo | LJUD 006 CD2 n©b/ | 1 | ||||||||||
| 3275 | Svend | Christiansen | Urværk | 1976 | fixed media, akusmatisch | 12:00 | Uni Aarhus | 0 | |||||||||||
| 3277 | Günther, Paul, H. R. | Christmann, Lovens, Sonderburg | in actu | 1992 | audiovisuell | 15:00 | Stereo | Video "Malerei und Musik" | ZKM Karlsruhe | 0 | |||||||||
| 3276 | Günther, Detlef | Christmann, Schoenenberg | Harvest Work | 1979 | live-elec, 2 perf | trbn, perc [Posaune, Schlagzeug] | Improvisation | SCK 70356/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 40333 | Yiannis | Christofides | Odas | 2016 | Performance | Yiannis Christofides | 0 | ||||||||||||
| 3278 | Jani | Christou | Anaparastasis III, (The Pianist) | 1968/1969 | Zuspiel / Tonband, 2 perf, 1 group | 11:00 | p, ens, actor [Piano, Schauspieler, Ensemble] | Hinweis auf einen Film "Anaparastasis: Life & Work of Jani Christou", 2012; (ein Filmporträt) | ed. rz 1006/ | 1 | |||||||||
| 3279 | Jani | Christou | Dance Music | 1964/1965 | Tanz | ∞ | Stereo | PS C. Athen | 0 | ||||||||||
| 3280 | Jani | Christou | Lapidation | 1967 | Musiktheater, 1 perf, 2 groups | 10:00 | Stereo | ch, ins, actors [Instrument, Schauspieler, Chor] | PS C. Athen | 0 | |||||||||
| 3281 | Jani | Christou | Lecture I | 1968 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 3282 | Jani | Christou | Mysterion | 1965/1966 | Zuspiel / Tonband, 1 perf, 2 groups | 25:00 | Sp, ch, orc [Sprecher, Chor, Orchester] | (Prolog und Sprechertext, Zuspielbänder) | ed. RZ 1006/ ed. RZ 1013/ IDEAMA CD 053/ | 0 | |||||||||
| 3283 | Jani | Christou | Oedipus Rex | 1969 | Theatermusik | 0 | |||||||||||||
| 3284 | Jani | Christou | Prologue to Mysterion | 1969 | fixed media, akusmatisch | 5:00 | ed. rz 1006/ | 0 | |||||||||||
| 3285 | Jani | Christou | Prometheus Bound | 1963 | Theatermusik | Fernsehen, 1 perf |
6:00 | Mono | ins [Instrument] | PS C. Athen | 0 | |||||||||
| 3286 | Jani | Christou | The frogs | 1966 | Theatermusik | 10:00 | Mono | PS C. Athen | 0 | ||||||||||
| 3287 | Jani | Christou | The Persians | 1965 | Theatermusik | 10:00 | Mono | PS C. Athen | 0 | ||||||||||
| 3288 | Jani | Christou | The Strychnine Lady | 1967 | Musiktheater, 6 perf, 1 group | 7:00 | Mono | 5 actor, va, ens [Viola, Schauspieler, Ensemble] | PS C. Athen | 0 | 1992 | ||||||||
| 3289 | Jani | Christou | Tongues of Fire | 1964 | Zuspiel / Tonband, 1 perf, 2 groups | ch, orc, mus [Musiker, Chor, Orchester] | PS C. Athen | 0 | |||||||||||
| 18820 | Magdalena | Chrostek | Quarens | 1977 | fixed media, akusmatisch | SME Krakow | 1 | ||||||||||||
| 31970 | Thanos | Chrysakis | INSCAPES 11-10 | 2005 | fixed media, akusmatisch | 10:20:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | ||||||||||
| 23613 | Se-Lien | Chuang | Algotetrix | 2002 | fixed media, akusmatisch | 3:00 | algorithmische Komposition | 1 | |||||||||||
| 19120 | Se-Lien | Chuang | bow | 1996 | fixed media, akusmatisch | 2:49 | GRMTools | UEA Norwich | 1 | ||||||||||
| 23610 | Se-Lien | Chuang | cave | 1999 | fixed media, akusmatisch | 10:47 | 1 | ||||||||||||
| 32657 | Se-Lien | Chuang | Das Kichern der silbernen Flöte | 2006 | audiovisuell, live-elec, 1 perf | ≈ 12 | fl [Flöte] | 06.11.2006 | Great Hall, Goldswithhs College, London | 0 | |||||||||
| 32653 | Se-Lien | Chuang | „… demonstrandum“ | 2007 | live-elec, 1 perf | 30 | p, (com) [Piano] | Improvisation für Arco-piano und Computer System | 20..04.2007 | ESC labor/ Graz in series of des V:NM Festivals 07 | 0 | ||||||||
| 23616 | Se-Lien | Chuang | ec-lipse | 1999 | fixed media, akusmatisch | 5:40 | Uni Sussex | 1 | |||||||||||
| 23629 | Se-Lien | Chuang | Erinnerung in jedem Laut | 2005 | audiovisuell, live-elec, 1 perf | ≈ 15 | Stereo | ins, (DSP) [Instrument] | for live instrument, live electronic and inetraktiv visuals | 5.9.2005 | Sky Media Loft, AEC - Ars Electronica Centre Linz, Ars Electronica | 1 | |||||||
| 32652 | Se-Lien | Chuang | for Reynolds | 2007 | audiovisuell, live-elec, 1 perf | ≈ 12 | vn, (com) [Violine] | 8.06.2007 | NIME 07, Frederick Loewe Theater, NYU/ New York | 0 | |||||||||
| 23606 | Se-Lien | Chuang | fujpair | 1997 | Zuspiel / Tonband, 1 perf | 6:30 | Octo | prep p [Piano] | 1 | ||||||||||
| 19122 | Se-Lien | Chuang | greedy game | 1996 | fixed media, akusmatisch | 4:40 | GRMTools, Mac | UEA Norwich | 1 | ||||||||||
| 23612 | Se-Lien | Chuang | Horch! Der Duft der Blüten läutet nach | 2003 | fixed media, akusmatisch | 15:20 | Octo | 1 | |||||||||||
| 23614 | Se-Lien | Chuang | In der Mitte der Hängebrücke erreichte mich der Ruf des Kuckucks | 2002 | fixed media, akusmatisch | 5:12 | Octo | IEM Graz | 1 | ||||||||||
| 23615 | Se-Lien | Chuang | In die Weite eines flüsternden Gebetes blicken | 2000 | fixed media, akusmatisch | 7:36 | 1 | ||||||||||||
| 23605 | Se-Lien | Chuang | Launenspiel | 1996/1997 | fixed media, akusmatisch | 6:43 | 1 | ||||||||||||
| 23608 | Se-Lien | Chuang | Lebens-lauf | 2001 | audiovisuell | 0:45 | mit Joseph Taucher | 1 | |||||||||||
| 23611 | Se-Lien | Chuang | MetaDancer | 1999 | fixed media, akusmatisch | 3:10 | 1 | ||||||||||||
| 42768 | Se-Lien | Chuang | Of which your soul was constituted | 2012 | live-elec, 1 perf | 14:05:00 | vc [Cello] | Andrew Borkowski, cello | 0 | ||||||||||
| 19123 | Se-Lien | Chuang | oszi-chord | 1996 | fixed media, akusmatisch | 5:04 | GRMTools, Mac | BEAST | 1 | ||||||||||
| 19121 | Se-Lien | Chuang | parame | 1996 | fixed media, akusmatisch | 3:36 | GRMTools, Mac | BEAST | 1 | ||||||||||
| 32644 | Se-Lien | Chuang | Secret Momentum | 2012 | Performance, live-elec, 2 perf | ≈ 11 | 2 perf, (elec) [Performer] | Interaktion | 12.10.2012 | violin: Barbara Lüneburg, bass recorder, vocals: Se-Lien Chuang, multichannel audio processing: Andreas Weixler, Favoriten Modern - musicale | 0 | ||||||||
| 32650 | Se-Lien | Chuang | SpectraSonic VNM + Sarcastic System | 2009 | audiovisuell, live-elec, 2 perf | 2 ins, (elec) [Instrument] | audiovisual interaction | 14. April 2009 | IEM / Graz, opening concert 7. V:NM Festival, Graz 16.-18. April 2009 | 0 | |||||||||
| 32651 | Se-Lien | Chuang | who is who | 2007 | Zuspiel / Tonband, 1 perf | 6:05:00 | db [Kontrabass] | 27.10.2007 | Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria) | 0 | |||||||||
| 24908 | Se-Lien | Chuang | zum Kirschblütenfest | 2005 | fixed media, akusmatisch | 10:26 | Octo | TU Berlin | 5.5.2005 | Hidden Museum Fraxern / Feldkirch - Kirschblütenfest | 1 | ||||||||
| 32646 | Se-Lien, Jodi, Andreas, Xenia | Chuang, Rose, Weixler, Pestova | in and out | 2012 | Performance, live-elec, 2 perf | ≈ 60 | (singing bridge,) toy p, elec [Piano, elektronik] | 12.04.2012 | Bridgemasters House, Menai Suspension Bridge, INTER/actions symposium, Bangor, UK | 0 | |||||||||
| 23630 | Se-Lien, Andreas | Chuang, Weixler | Blue Elephant | 2000 | audiovisuell | 2:00 | Stereo | 1 | |||||||||||
| 23633 | Se-Lien, Andreas | Chuang, Weixler | CIC | 2000 | audiovisuell | 5:10 | Stereo | 1 | |||||||||||
| 32645 | Se-Lien, Andreas | Chuang, Weixler | for slowind | 2012 | live-elec, 5 perf | 15:10 | ww-qnt, (elec) [Bläser] | 11.09. 2012 | Kino Siska, Laibach in series of the ICMC - International computer Music Conference Non-Cochlear Sound (09.09. - 14.09. 2012) | 0 | |||||||||
| 32649 | Se-Lien, Andreas | Chuang, Weixler | Fügung | 2009 | audiovisuell, live-elec, 3 perf | ≈ 15 | 3 p [Piano] | 05. Mai 2009 | concert series Soand and Vision 3 - double concert - electronics <--> 3 pnos, Kleiner Saal, Anton Bruckner Privat University, Linz | 0 | |||||||||
| 32654 | Se-Lien, Andreas | Chuang, Weixler | Hetz | 2007 | audiovisuell, live-elec, 1 perf | 4:26:00 | p [Piano] | 11.04-13.04.2007 | Juilliard Electric ensemble (Director: Edward Bilous) at the Juilliard Music Technology Center NYC | 0 | |||||||||
| 23634 | Se-Lien, Andreas | Chuang, Weixler | Infinity op. 1 - op. 4 | 2003 | audiovisuell | 23:00 | Stereo | 1 | |||||||||||
| 32647 | Se-Lien, Andreas | Chuang, Weixler | Jade f.o.o.t. | 1996/2012 | audiovisuell | 5:40 | BEAST | 29.10.2012 | intermedial computer music concert series with emphesis on BEAST at DeepSpace des AEC - Ars Electronica Centre Linz | 0 | |||||||||
| 23609 | Se-Lien, Andreas | Chuang, Weixler | Lauf-auf | 2000 | audiovisuell | 0:55 | Stereo | 1 | |||||||||||
| 23607 | Se-Lien, Andreas | Chuang, Weixler | Lini-en | 1998 | audiovisuell | 4:31 | Octo | 1 | |||||||||||
| 23617 | Se-Lien, Andreas | Chuang, Weixler | living cave | 2001 | audiovisuell, live-elec, 2 perf | 67:00 | vc, vn [Cello, Violine] | interactive audio visual installation. with Kuwayama Kiyoharu and Kijima Rina. 7 parts | 1 | ||||||||||
| 32648 | Se-Lien, Andreas | Chuang, Weixler | Momentum BEAST | 2010 | audiovisuell, live-elec, 7 perf | ≈ 12 | 7 ins [Instrument] | 29.10.2012 | intermedial computer music concert series with emphesis on BEAST at DeepSpace des AEC - Ars Electronica Centre Linz | 0 | |||||||||
| 43041 | Se-Lien, Andreas | Chuang, Weixler | Momentum NYCEMF | 2013 | audiovisuell, live-elec, 3 perf | 12:00:00 | vn, b-rec, elec [Flöte, Violine, elektronik] | Adrianna Mateo, violin; Se-Lien Chuang, bass recorder, interactive visuals; Andreas Weixler, multi-channel audio processing | 0 | ||||||||||
| 34620 | Se-Lien, Andreas | Chuang, Weixler | Momentum TonArt_SMC | 2016 | audiovisuell, live-elec, 1 group | ens [Ensemble] | SMC2016 | 0 | |||||||||||
| 32658 | Se-Lien, Andreas | Chuang, Weixler | The Colours Of A Wooden Flute | 2006 | audiovisuell, live-elec, 1 perf | ≈ 10 | b-rec [Flöte] | 06.11.2006 | Great Hall, Goldswithhs College, London | 0 | |||||||||
| 24907 | Se-Lien, Andreas | Chuang, Weixler | Trilogie für Pi und für Io, for Pi Interlude for Pi and for Io for Io |
2005 | fixed media, akusmatisch | audiovisuell, live-elec, |
18:00 | Octo | Se-Lien Chuang (arco-Piano), Andreas Weixler (multi channel granular synthesis). Drei Teile: „für Pi“ von Andreas Weixler; „Interlude für Pi und für Io“ audiovisuelle interaktive Improvisation Weixler & Chuang; „für Io“ von Se-Lien Chuang |
TU Berlin | 17.1.2005 | Ultraschall Sophiensäle (for Io) | 1 | |||||||
| 23631 | Se-Lien, Andreas | Chuang, Weixler | Trinity | 2000 | audiovisuell | 2:47 | Stereo | 1 | |||||||||||
| 43002 | Miguel | Chuaqui | Arioso | 2013 | live-elec, 1 perf | 8:00:00 | a-rec [Flöte] | Lisa Chaufty, alto recorder | 0 | ||||||||||
| 42474 | Miguel | Chuaqui | Mareas | 2008 | live-elec, 1 perf | fl [Flöte] | Jane Rigler, flute | 0 | |||||||||||
| 42591 | Miguel | Chuaqui | Saturniana | 2009 | live-elec, 1 perf | 9 | b-trbn [Posaune] | 0 | |||||||||||
| 42774 | Miguel | Chuaqui | Trance | 2012 | live-elec, 1 perf | 10:20:00 | vc [Cello] | Madeleine Shapiro, cello | 0 | ||||||||||
| 42903 | Nicholas | Chuaqui | Antagonism Constellation Factory | 2013 | fixed media, akusmatisch | 5:29:00 | 0 | ||||||||||||
| 39469 | Nicolas | Chuaqui | Footprints I | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 31639 | Sundo | Chung | Dong Chang Yi | 1998 | live-elec, 3 perf | 12:00:00 | S, 2 cymbal, (elec) [Sopran, Schlagzeug] | HSM Basel | 0 | ||||||||||
| 31646 | Sundo | Chung | Uff der Lyss | 1999 | live-elec, 3 perf | 3 perc, (elec) [Schlagzeug] | HSM Basel | 0 | |||||||||||
| 31644 | Sundo | Chung | Wake Up The Drummer | 1999 | Zuspiel, live-elec, 1 perf | perc, (elec) [Schlagzeug] | HSM Basel | 0 | |||||||||||
| 41714 | Ian | Chuprun | Adam's song | 1997 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 3290 | Ian | Chuprun | Duet | 1993 | fixed media, akusmatisch | 2:45 | for headphones | CEC DISContact_2/ | Concordia Montréal | 1 | |||||||||
| 23120 | Ian | Chuprun | "I was very safe … in my dream" | 1998 | radiophon | 3:00 | Cec Presence 3/ | Concordia Montreal | 1 | ||||||||||
| 21599 | Ian | Chuprun | Reading Allowed (PA 11) | 1998 | fixed media, akusmatisch | 1:51 | CEC Presence 2/ | BEAST | 0 | ||||||||||
| 41715 | Ian | Chuprun | Releasing Enclosed Spaces | fixed media, akusmatisch | 9:02:00 | 0 | |||||||||||||
| 41716 | Ian | Chuprun | Sky | fixed media, akusmatisch | 9:22:00 | 0 | |||||||||||||
| 21597 | Ian | Chuprun | to many moments passed | 1998 | fixed media, akusmatisch | 7:11 | part of "Under the Playground" | CEC Presence 2/ | BEAST | 1 | |||||||||
| 41717 | Ian | Chuprun | Under the Playground | 1998 | fixed media, akusmatisch | 13:21:00 | eContact! 4.4 — ÉuCuE | 0 | |||||||||||
| 41718 | Ian | Chuprun | Vaguely Reminiscient of a place | fixed media, akusmatisch | 9:02:00 | 0 | |||||||||||||
| 41720 | Ian | Chuprun | Whither shall ye wander? | 1998 | fixed media, akusmatisch | 12:03:00 | JTTP 2000 | 0 | |||||||||||
| 41719 | Ian, Dugal, David, Antti | Chuprun, McKinnon, Prior, Saario | Ways of Hearing | 1998 | fixed media, akusmatisch | 30:06:00 | 1 | ||||||||||||
| 3291 | Gustav | Ciamaga | It's about time again | 1992 | fixed media, akusmatisch | 1:45 | CEC DISContact_1/ | Con Toronto | 1 | ||||||||||
| 3293 | Gustav | Ciamaga | Mosaic | 1966 | Film | 8:00 | Mono | UTEMS Toronto | 0 | ||||||||||
| 3294 | Gustav | Ciamaga | One part invention | 1965 | fixed media, akusmatisch | 2:33 | Stereo | Uni Toronto | 0 | ||||||||||
| 3296 | Gustav | Ciamaga | Possible Spaces 1 | 1995 | fixed media, akusmatisch | 2:42 | CEC DISContact_2/ | 0 | |||||||||||
| 24180 | Gustav | Ciamaga | Possible Spaces 6 | 2001 | fixed media, akusmatisch | 4:02 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 3297 | Gustav | Ciamaga | Pour M: | 1987 | live-elec, | 5:38 | Stereo | ACM 37 CD 1-4/ | 0 | ||||||||||
| 3298 | Gustav | Ciamaga | Scherzo | 1966 | fixed media, akusmatisch | 1:45 | Stereo | new version | UTEMS Toronto | 0 | |||||||||
| 3299 | Gustav | Ciamaga | Two part invention #1, Two part invention No. 1 | 1965 | fixed media, akusmatisch | 2:03 | Stereo | Uni Toronto | 0 | ||||||||||
| 3300 | Gustav | Ciamaga | Two part invention #2, Two part invention No. 2 | 1966 | fixed media, akusmatisch | 1:30 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3301 | Gustav | Ciamaga | Two part invention #3, Two part invention No. 3 | 1966 - 1967 | fixed media, akusmatisch | 4:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 34544 | Gustav | Ciamaga | Two part invention #6, Two part invention No. 6 | 1966 - 1967 | fixed media, akusmatisch | 4:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3302 | Gustav | Ciamaga | Two part invention #8, Two part invention No. 8 | 1970 | fixed media, akusmatisch | 7:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 3303 | Gustav | Ciamaga | Upon Hearing the First Koto in Spring | 1987 | live-elec, | 7:30 | Stereo | PS C. | 0 | ||||||||||
| 3295 | Gustav, Lowell | Ciamaga, Cross | Phone-Phugue | 1965 | Fernsehen, | 4:00 | Mono | UTEMS Toronto | 0 | ||||||||||
| 3292 | Gustav, Anthony | Ciamaga, Gnazzo | Margaree | 1966 | Fernsehen, | 14:00 | Mono | UTEMS Toronto | 0 | ||||||||||
| 38019 | Suzanne | Ciani | 13 Voice: and all dreams are not for sale | 1970 | fixed media, akusmatisch | Infiné IF 4002/ | 0 | ||||||||||||
| 37920 | Suzanne | Ciani | Paris | 1971 | fixed media, akusmatisch | 7:35 | AUD 04612/ Infiné IF 4002/ | 0 | |||||||||||
| 27955 | Fabio Cifariello | Ciardi | Ab | 2007 | live-elec, 9 perf | 9 ins [Instrument] | Organised Sound Vol 13/3/ | 0 | |||||||||||
| 27952 | Fabio Cifariello | Ciardi | Altri Passaggi | 2005 | live-elec, 2 perf | zarb, daf [Schlagzeug] | Organised Sound Vol 13/3/ | 1 | |||||||||||
| 24383 | Fabio Cifariello | Ciardi | Altri richiami | 2001 | Zuspiel / Tonband, 2 perf | daf, zarb [Schlagzeug] | IMEB Bourges | 0 | |||||||||||
| 3304 | Fabio Cifariello | Ciardi | Finzioni | 1991/1992 | Zuspiel, live-elec, 1 perf | 12:38 | Quadro | vn [Violine] | ICMC 1993, LMCD 1375/ | IRCAM | Competition Musica Nova Prag 1993 | 1 | |||||||
| 19232 | Fabio Cifariello | Ciardi | Games | 1995 | Zuspiel, live-elec, 1 perf | 13:02 | db [Kontrabass] | LDC 278065/66 Cultures Electroniques 11/ | Edison St Roma | 1 | |||||||||
| 38904 | Fabio Cifariello | Ciardi | voci vicine | 2014 | audiovisuell, live-elec, 1 perf, 1 group | actor (journalist), ens [Schauspieler, Ensemble] | Passion in 4 parts | 0 | |||||||||||
| 3305 | Franz | Cibulka | Kontinuum | Zuspiel / Tonband, 3 perf | 8:46 | Stereo | acc, gui, perc [Akkordeon, Gitarre, Schlagzeug] | IEM Graz | 0 | ||||||||||
| 43106 | Franz | Cibulka | Synthese II | 1987 | live-elec, 1 perf | 8:46 | Stereo | cl [Klarinette] | IEM Graz | Auszeichnung ars electronica 1987 | 0 | ||||||||
| 39430 | Leo | Cicala | Atman | 2017 | live-elec, | 0 | |||||||||||||
| 34607 | Leo | Cicala | Khoisan | 2015 | fixed media, akusmatisch | SMC2016 | 0 | ||||||||||||
| 40014 | Leonardo | Cicala | Ideogrammi ad Anello | 2016 | fixed media, akusmatisch | Leonardo Cicala | 0 | ||||||||||||
| 17233 | Rodrigo | Cicchelli Velloso | 15° Harmônico | 1994 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | p [Piano] | UEA Norwich | 0 | |||||||||
| 17234 | Rodrigo | Cicchelli Velloso | A consistência da prata | 1991 | fixed media, akusmatisch | 7:05 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 17236 | Rodrigo | Cicchelli Velloso | Cymbals, Ostinato Reminiscência |
1993 | fixed media, akusmatisch | 15:00 | Stereo | Russolo Pratella EF.ER.P 93/ | UEA Norwich | Prize Russolo Varese 1993 selected at the 5th International Rostrum of Electroacoustic Music (IREM) in Helsinki (1994) |
1 | ||||||||
| 17237 | Rodrigo | Cicchelli Velloso | Entangled Latitudes, Latitudes Emaranhadas | 1993 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | vc [Cello] | UEA Norwich | Prize Russolo Varese 1993 | 1 | ||||||||
| 17235 | Rodrigo | Cicchelli Velloso | Espaço de Outono, Autumn Space | 1992 | fixed media, akusmatisch | 10:30 | Stereo | SBME 006 Coletânea de Música Eletroacústica Brasileira/ | UEA Norwich | 1 | |||||||||
| 22794 | Rodrigo | Cicchelli Velloso | Latitudes Emaranhadas | 1992/1993 | Zuspiel / Tonband, 1 perf | 14:23 | vc [Cello] | Russolo Pratella EF.ER.P 94/ | UEA Norwich | 1st prize em+ins Russolo Varese 1994 | 1 | ||||||||
| 17238 | Rodrigo | Cicchelli Velloso | Multiple Reeds | 1994 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | s-sax [Saxophon] | RD003 MEB Rioarte/ | UEA Norwich | 0 | ||||||||
| 17239 | Rodrigo | Cicchelli Velloso | Ostinato | 1993 | fixed media, akusmatisch | 7:45 | Stereo | UEA Norwich | 0 | ||||||||||
| 17240 | Rodrigo | Cicchelli Velloso | Quando despertamos de entre os mortos | 1990 | fixed media, akusmatisch | 8:30 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 17241 | Rodrigo | Cicchelli Velloso | Quando nós, os mortos, despertarmos | 1991 | Theater, 1 perf | 20:00 | Stereo | a-sax [Saxophon] | text by Ibsen | ESt da Glória Rio | 0 | ||||||||
| 17242 | Rodrigo | Cicchelli Velloso | Tider | 1989 | fixed media, akusmatisch | 7:30 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 41553 | Marko | Ciciliani | 40mpH | 1991 | fixed media, akusmatisch | 3:30 | for computer | 1992 | conservatory in Hamburg/Germany | 0 | |||||||||
| 32275 | Marko | Ciciliani | 81 matters in elemental order | 2007 | live-elec, | 60 | (no-input mixer) [] | 0 | |||||||||||
| 41546 | Marko | Ciciliani | Corrosion | 2009 | live-elec, 1 perf | 13:00:00 | synt (laser reflections) [synthesizer] | for analog synthesizer and laser reflections | April 14 2009 | Los Angeles/USA. | 0 | ||||||||
| 41552 | Marko | Ciciliani | Empathy | 1994 | live-elec, | ≈ 5 | rock band [Ensemble] | 0 | |||||||||||
| 41554 | Marko | Ciciliani | Heterotopolis | 2011 | live-elec, 3 perf | 12:56:00 | 49 Tracks, Spazialisation: Klangdom | vn, synt, bar-gui and bass [Gitarre, Violine, synthesizer] | ZKM Karlsruhe | November 10, 2012 | 0 | ||||||||
| 41547 | Marko | Ciciliani | home | 2003 | Klangkunst, Installation | ∞ | 6 | 0 | |||||||||||
| 41541 | Marko | Ciciliani | Intersection | 2013 | audiovisuell, live-elec, | 9:00:00 | for live-electronics and live-video | February 5, 2013 | UCSD in San Diego | 0 | |||||||||
| 28485 | Marko | Ciciliani | Map of Marble | 2004 - 2005 | live-elec, 2 perf | 26 | V, perc, (live-electronics, computer generated light) [Stimme, Schlagzeug] | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | ||||||||||
| 41548 | Marko | Ciciliani | Mask | 2002 | live-elec, | 25:00:00 | for no-input mixer | 0 | |||||||||||
| 41543 | Marko | Ciciliani | muzART | 2010 / 2012 | audiovisuell | 20 | (solo version) for the Wendy Carlos Revival Orchestra, live electronics, lighting and video, |
0 | |||||||||||
| 41557 | Marko | Ciciliani | My Ultradeep I | 2007 | live-elec, 6 perf | 70:00:00 | e-gui, e-bass, vn and va, s-sax, w (didgeridoo), perc [Saxophon, Gitarre, Schlagzeug, Viola, Violine, Bläser] | 0 | |||||||||||
| 41545 | Marko | Ciciliani | Planetary Runway | 2009 | Klangkunst, Installation | ∞ | Octo | audiovisual installation for 8 speakers and 8 light diodes (LED) | 0 | ||||||||||
| 41544 | Marko | Ciciliani | Pop Wall Alphabet | 2011 | fixed media, akusmatisch | 270:00:00 | 26 sections | December 2011 | Experimental Intermedia Foundation in NYC | 0 | |||||||||
| 41550 | Marko | Ciciliani | Rota | 1997 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 41555 | Marko | Ciciliani | Suicidal Self Portraits, Crash Going to Hell All of Yesterday's Parties Screaming my Simian Line |
2007 - 2012 | live-elec, 3 perf | 60:00:00 | V and e-vn, perc, e-gui [Stimme, Gitarre, Schlagzeug, Violine] | Deutschlandfunk | 0 | ||||||||||
| 41549 | Marko, Michael | Ciciliani, Blank | Apfelsuite | 2001 | fixed media, akusmatisch | ≈ 10 | 0 | ||||||||||||
| 41551 | Marko, Jeff | Ciciliani, Kowalkowski | got don like describe | 1995 | fixed media, akusmatisch | ≈ 7 | 1996 | Hamburg | 0 | ||||||||||
| 41542 | Marko, Yannis | Ciciliani, Kyriakides | 8'66" (or everything that is irrelevant) | 2012, 2013 | audiovisuell | 9:00:00 | 6 perf (with iPads) [Performer] | collaborative composition with Yannis Kyriakides, for video and 6 iPads | 0 | ||||||||||
| 41556 | Marko, Terre | Ciciliani, Thaemlitz | Jeanne of the Dark | 2008 | live-elec, 3 perf | 65:00:00 | e-gui and e-bass, e-vn, perc [Gitarre, Schlagzeug, Violine] | 0 | |||||||||||
| 22125 | Wieslaw | Cienciala | Lumbercase | 1995 | fixed media, akusmatisch | 14:04 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 42847 | Taylan | Cihan | Satyricon 4 | 2013 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 38432 | Luciano | Cilio | Dialoghi del presente | 1977 | fixed media, akusmatisch | DS 7 Die Schachtel/ | Fonologia Padova | 0 | |||||||||||
| 3306 | Francesco, Valentino | Cipolla, Pellegrini | 3 M / RB 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 21090 | Alessandro | Cipriani | Al Nur, La Luce | 1998 | fixed media, akusmatisch | 17:14 | Csound, Scorex | ICMC 1999/ Organised Sound Vol 13/3/ | Edison St Roma | 1 | |||||||||
| 25863 | Alessandro | Cipriani | Angelus | 1999 | Zuspiel / Tonband, 1 perf, 1 group | 9:37 | V, ch [Stimme, Chor] | gregorianischer Gesang | Edison/ | Edison St Roma | 1 | ||||||||
| 31983 | Alessandro | Cipriani | aqua sapientiae | 1996 | Zuspiel / Tonband, 1 perf | V [Stimme] | Konzert „Kantores 99“ mit dem Ensemble Kantores 99 unter der Leitung von Mauricio Verde: Letizia Butterin, Silvia Anniballi, Patrizia Polia, Blazenko Juracic, Mauricio Verde Alessandro Cipriani & Luigi Ceccarelli (electronic) |
EDISON Rom | 1 | 2000 | |||||||||
| 27949 | Alessandro | Cipriani | In the world if Silence | audiovisuell | Stereo | Bild: Giulio Latini | Organised Sound Vol 13/3/ | 0 | |||||||||||
| 19452 | Alessandro | Cipriani | Quadro | 1993 | Zuspiel / Tonband, 4 perf | 10:38 | Stereo | qt [Instrument] | Quartetto Arianna | ICMC 1995, ICMA PRCD 1600/ | 1 | ||||||||
| 27950 | Alessandro | Cipriani | Sonografia no.1: Catania | fixed media, akusmatisch | Stereo | Organised Sound Vol 13/3/ | RAI Radio-3 | 0 | |||||||||||
| 27948 | Alessandro | Cipriani | The Return of Tuuli | audiovisuell | Stereo | Bild: Giulio Latini, Di Domenico, Rovetto | Organised Sound Vol 13/3/ | 0 | |||||||||||
| 40219 | Roc Jimenez de | Cisneros | Hands in the Air, Reach for the Laser | 2016 | fixed media, akusmatisch | Roc Jimenez de Cisneros | Diapason | 0 | |||||||||||
| 25533 | Nicola | Cisternino | Xöömij | 1997 | Zuspiel / Tonband, 1 perf | 11:57 | Stereo | B [Bass] | From Le vie dei canti (Hommage to Bruce Chatwin). For bass voice and UPIC. |
mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://www.moderecords.com/ | ||||||
| 42888 | Pasquale | Citera | Joshka | 2013 | fixed media, akusmatisch | 15:00:00 | 0 | ||||||||||||
| 42756 | Thomas | Ciufo | Fragments | 2012 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 26496 | Thomas | Ciufu | Three Meditations | 2002 | live-elec, 1 perf | prep p, (com) [Piano] | Brown Uni | 0 | |||||||||||
| 41390 | Jakub | Ciupinski | Makyo | fixed media, akusmatisch | CIME 2008 | 0 | https://www.ckcufm.com/ | ||||||||||||
| 19229 | Martina | Cizek | Augustverlust | 1997 | fixed media, akusmatisch | 10:03 | Octo | Bergdonner, Tuba, Zither, Auto-Radio | TU Berlin | 1 | |||||||||
| 19227 | Martina | Cizek | Aussicht | 1997 | fixed media, akusmatisch | 11:50 | Octo | TU Berlin | 30.5.1997 | Alte Schmiede Wien | 1 | ||||||||
| 3309 | Martina | Cizek | Brandung: Flügelsaiten in 3 Teilen | 1994 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 19224 | Martina | Cizek | DAS I | 1997 | Zuspiel, live-elec, 2 perf | 10:10 | Stereo, Octo | 2 fl [Flöte] | Material von Saxophonen & Flöten, Störgeräusche 10.6.97 Ballhaus Naunynstr. |
TU Berlin | 30.5.1997 | Alte Schmiede Wien | 1 | ||||||
| 3310 | Martina | Cizek | Die Komponistin: ein Klangvortrag | 1993 | fixed media, akusmatisch | 9:30 | 0 | ||||||||||||
| 23121 | Martina | Cizek | Ionische Fraktate | 2001 | Oper, 5 perf | 62:00 | V, 4 Sp [Sprecher, Stimme] | Gesang K. Norderval. Sprecher: Pechriggl, Steinle, Blau, Müllner Herausgeber: Kunsthistorisches Museum der Satdt Wien, H&H |
zeisig rec z 21 / | PS | 1 | ||||||||
| 21124 | Martina | Cizek | Jan | 1998 | fixed media, akusmatisch | 6:40 | Stereo | TU Berlin | 1 | ||||||||||
| 19226 | Martina | Cizek | Juniflug | 1997 | fixed media, akusmatisch | 16:16 | Octo | Material von Bassflöte (Reese) | TU Berlin | 1 | |||||||||
| 19225 | Martina | Cizek | Maibad | 1997 | fixed media, akusmatisch | 15:39 | Octo | Material von Kontrabass (Leandre) und Regen aus Lietzen; 14.6.97 Parochialkirche Berlin | TU Berlin | 30.5.1997 | Alte Schmiede Wien | 1 | |||||||
| 3316 | Martina | Cizek | Mercedes: Für Dieselmotor und Effektgerät | 1993 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 3318 | Martina | Cizek | Morgen: Gesang: Zeisig | 1994 | fixed media, akusmatisch | 4:20 | 0 | ||||||||||||
| 3320 | Martina | Cizek | Ohne Antwort | 1994 | live-elec, 2 perf | 9:00 | V, sam [Stimme, computer] | 0 | |||||||||||
| 19228 | Martina | Cizek | Peric | 1997 | fixed media, akusmatisch | 20:00 | Octo | perkussive Holzklänge | TU Berlin | 30.5.1997 | Alte Schmiede Wien | 1 | |||||||
| 3321 | Martina | Cizek | Postkreds | 1994 | fixed media, akusmatisch | 3:40 | 0 | ||||||||||||
| 19222 | Martina | Cizek | Synlab II (analoge Klangergüsse für Puristen) | 1997 | fixed media, akusmatisch | 7:40 | Octo | mit SynLab | TU Berlin | 30.5.1997 | Alte Schmiede Wien | 0 | |||||||
| 41933 | Martina | Cizek | Von anderen Sonnen II. | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 19223 | Martina | Cizek | Wasser und Muhezin | 1997 | fixed media, akusmatisch | 6:25 | Octo | Wassergeräusche und Obertongesänge | TU Berlin | 1 | |||||||||
| 21125 | Martina | Cizek | What is | 1998 | fixed media, akusmatisch | 5:33 | Stereo | Weihnachtlicher Ausklang mit Diebstahl | TU Berlin | 0 | |||||||||
| 3330 | Martina | Cizek | Zug für Eisenbahn und H-3000 | 1994 | fixed media, akusmatisch | 2:00 | 0 | ||||||||||||
| 23371 | Martina | Cizek | Zyklus Lichtschriften: Licht 3-5, Licht 7, Nordlicht, Remix, Bassaxo, Finale | 2003 | fixed media, akusmatisch | 45:06 | Produktionen von März-April | TU Berlin | 2.4.2003 | SalonFrauFabelhaft Berlin | 1 | ||||||||
| 3317 | Martina, Hildegund | Cizek, Berghold | Monoton | 1989 | audiovisuell | ELAK Wien | 0 | ||||||||||||
| 3314 | Martina, Inge | Cizek, Morgenroth | Heute | 1994 | live-elec, 2 perf | 4:00 | 2 perf (schüttelrohr, e-bass, mundstück) [Performer] | 0 | |||||||||||
| 19220 | Martina, Wolfgang | Cizek, Musil | BlasRohr | 1997 | Zuspiel, live-elec, 1 perf | 6:30 | Octo | w (BlasRohr) [Bläser] | TU Berlin | 17.4.1997 | EMhören TU-Studio "Kometenmusik" | 1 | |||||||
| 19221 | Martina, Wolfgang | Cizek, Musil | Synlab I | 1997 | fixed media, akusmatisch | 8:40 | Octo | mit SynLab | TU Berlin | 1 | |||||||||
| 3307 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Auf Gegenkurs | 1994 | live-elec, 2 perf | 6:00 | p, bar-sax [Saxophon, Piano] | 0 | |||||||||||
| 3308 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Aufgang | 1994 | live-elec, 2 perf | 7:00 | p, bar-sax [Saxophon, Piano] | 0 | |||||||||||
| 3311 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Durchsicht | 1994 | live-elec, 1 perf | 5:00 | e-bass, (Saiten, Gläser) [Gitarre] | 0 | |||||||||||
| 3313 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Glissanthemen | 1994 | live-elec, 2 perf | 10:00 | p, tpt [Trompete, Piano] | 0 | |||||||||||
| 3322 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Puls | 1994 | live-elec, 1 perf | 5:00 | e-bass, (Klaviersaiten) [Gitarre] | 0 | |||||||||||
| 3325 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Ruhendlich | 1994 | live-elec, 3 perf | 10:00 | (tasten, saiten, stoff,) fl, 2 perf [Flöte, Performer] | 0 | |||||||||||
| 3326 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Tenofluktus | 1994 | live-elec, 2 perf | 6:00 | (mundstück-) fl, melodika [Flöte] | 0 | |||||||||||
| 3329 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Zeitlose Zeit | 1994 | live-elec, 3 perf | 11:00 | p, fl, sam [Flöte, Piano, computer] | 0 | |||||||||||
| 3324 | Martina, Wolfgang, Christian | Cizek, Musil, Klein | Radio freies Albemuth | 1991 | live-elec, 3 perf | V, fl, sax [Stimme, Flöte, Saxophon] | Text: Christian Loidl | 0 | |||||||||||
| 3315 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | Hört ihr es, Knollen unter dem Schnee?: JHVH spricht | 1992 | live-elec, 4 perf | V, fl, sax, db [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3319 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | mortu tombu miyi | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 3323 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | R.A.U.M. | 1992 | live-elec, 4 perf | V, fl, sax, db [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3327 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | Vom künstlichen Himmel | 1992 | live-elec, 4 perf | V, fl, sax, db [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3328 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | Welle | 1992 | live-elec, 4 perf | V, fl, sax, db [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3312 | Martina, Wolfgang, Christian | Cizek, Musil, Loidl | Falsche Prophezeihungen | 1993 | live-elec, 4 perf | V, fl, sax, db, [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3331 | Mats, Tor | Claesson, Halmrast | Inter | 1987 | live-elec, 1 perf | 14:00 | sax [Saxophon] | HfM Oslo | 0 | ||||||||||
| 19485 | Paula, Steven | Claire, Paxton | Phos Phor, Orbiting Junk What Kind Of Astronaut Are You? |
1986 | fixed media, akusmatisch | 5:07 | Stereo | ISAST LMJ 1/ | 0 | ||||||||||
| 3332 | Richard | Clairoux | Nowhere Man in Nowhere Land | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 19486 | David | Claman | '70 | radiophon | 10:20 | Stereo | Innova 113/ | 1 | |||||||||||
| 42475 | David | Claman | Mandeville Pentacle | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 3333 | Charles | Clapaud | Ecritures | 1976 | fixed media, akusmatisch | 9:05 | Stereo | INA • GRM | 19.1.1977 | Paris, Th. Récamier | 0 | ||||||||
| 3334 | Charles | Clapaud | Mouvements et formes | 1979 | fixed media, akusmatisch | 16:28 | 0 | ||||||||||||
| 3335 | Charles | Clapaud | Ruptures | 1978 | fixed media, akusmatisch | 15:05 | Quadro, Stereo | Editions Mego (LP) Recollection GRM/ | INA • GRM | INA • GRM | 19.6.1979 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||
| 3336 | Charles | Clapaud | Trimobile, Rhombe Arabesque fleuries Equilibre instable |
1983 | fixed media, akusmatisch | 15:10 | Stereo | INA • GRM | 30.1.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 3338 | Ramsay | Clark | Mass Hysteria | 1993 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 20987 | Thomas | Clark | LIGHTFORMS 2: Star Spectra | 1993 | fixed media, akusmatisch | 7:22 | Stereo | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | |||||||||
| 3337 | Thomas | Clark | Peninsula | 1988 | Zuspiel / Tonband, 1 perf | 8:23 | Stereo | p [Piano] | Synclavier | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | 1 | |||||||
| 36588 | Thomas | Clark | The fourth Angel | 2007 | fixed media, akusmatisch | Stereo | Centaur CRC 3219 Vol. 39/ |
CEMI Denton | 0 | ||||||||||
| 3339 | Bruce | Clarke | An Orchid Whose Velocity is Sculptoral | 1966 | fixed media, akusmatisch | Mono | PS C. | 0 | |||||||||||
| 39863 | Ian | Clarke | The Laws of Nature | 2016 | fixed media, akusmatisch | Ian Clarke | 0 | ||||||||||||
| 41721 | Martin | Clarke | bell tourist factory | 2000 | fixed media, akusmatisch | 7:39:00 | 0 | ||||||||||||
| 41722 | Martin | Clarke | Postcards from Siberia | 2003 | fixed media, akusmatisch | 12:45:00 | 0 | ||||||||||||
| 41700 | Martin | Clarke | Sleep Birmingham Sleep | 2009 | fixed media, akusmatisch | 8:69 | 0 | ||||||||||||
| 41723 | Martin | Clarke | Stranger Things Happen at Sea | 2004 | fixed media, akusmatisch | 6:18:00 | 0 | ||||||||||||
| 26493 | Michael | Clarke | Constellations | live-elec, 2 perf | p, perc [Piano, Schlagzeug] | Verblendung Festival Belgium | 0 | ||||||||||||
| 26494 | Michael | Clarke | Enmeshed | 2005 | fixed media, akusmatisch | 2005 | Sonorities Festival Belfast | 0 | |||||||||||
| 42729 | Michael | Clarke | Enmeshed 3 | 2012 | live-elec, 1 perf | 9:00:00 | vc [Cello] | 0 | |||||||||||
| 26495 | Michael | Clarke | Enmeshed II | 2007 | live-elec, 1 perf | p, (com) [Piano] | 0 | ||||||||||||
| 26491 | Michael | Clarke | Epicycle | fixed media, akusmatisch | 12:13 | MPS CD 003/ | EMS Stockholm | 0 | |||||||||||
| 3340 | Michael | Clarke | Esmés Garden | 1984 | fixed media, akusmatisch | 15:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 26490 | Michael | Clarke | Mälarsäng | fixed media, akusmatisch | 14:22 | MPS CD 003/ | EMS Stockholm | 0 | |||||||||||
| 26492 | Michael | Clarke | Prism and Cascade | live-elec, 1 perf | tpt [Trompete] | 0 | |||||||||||||
| 26489 | Michael | Clarke | Refractions | fixed media, akusmatisch | 10:51 | MPS CD 003/ | EMS Stockholm | 0 | |||||||||||
| 3341 | Michael | Clarke | Soundings | 1982 | Zuspiel / Tonband, 1 perf | 10:00 | vc [Cello] | Uni Durham | prize Bourges 1983 | 0 | |||||||||
| 3342 | Michael | Clarke | Strophes & Dances | fixed media, akusmatisch | Uni Durham | 0 | |||||||||||||
| 26488 | Michael | Clarke | Tim(br)e | 1996 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 42476 | Michael | Clarke | Tim(br)e II | 2008 | fixed media, akusmatisch | 25 Tracks | 0 | ||||||||||||
| 3343 | Michael | Clarke | Uppvaknande, Awakening | 1983 | fixed media, akusmatisch | 11:00 | Quadro | MPS CD 003/ | EMS Stockholm | Chandos Prize at Musica Nova in Glasgow | 0 | ||||||||
| 3344 | Susan | Clarkson | Listening is not a Hearing | 1986 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 3345 | Susan | Clarkson | Time Piece | 1985 | fixed media, akusmatisch | 5:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3346 | Susan | Clarkson | Variations on a Common Theme | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 23931 | Samuel | Claro | Estudio N°1 | 1960 | fixed media, akusmatisch | 3:37 | Compuesta a partir de un encargo para un documental sobre el acero en chile. Realizada en el Laboratorio de Acústica de la UC y finalizada en el departamento de grabaciones del Instituto de Extension Musical de la Universidad de Chile. | Uni Santiago | 0 | ||||||||||
| 3347 | Sergio, Oscar | Claros, Garcia | Es Zas | fixed media, akusmatisch | 0 | ||||||||||||||
| 22019 | Carlfriedrich | Claus | Lautaggregat | radiophon | 1:24 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 3348 | Tilmann | Claus | …dieses Lautsein vergleiche mit jener endlosen Stillheit | 1989 | Zuspiel / Tonband, 4 perf | 12:30 | Quadro | Mez, a-fl, b-cl, db [Mezzo, Flöte, Klarinette, Kontrabass] | HfMT Köln | 0 | |||||||||
| 33884 | Tilmann | Claus | …Woraus Bewegung fließt…Giordano Bruno | 1991 - 1992 | live-elec, 1 perf | 12:59 | Quadro | V [Stimme] | txtcompo | cybele 960.205/ HfMT Köln CD4/ DegeM CD 05/ | HfMT Köln | 0 | |||||||
| 39944 | Joshua | Clausen | History is going to change | 2017 | fixed media, akusmatisch | Joshua Clausen | 0 | ||||||||||||
| 42974 | Joshua | Clausen | Neither Here nor There | 2013 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 42477 | Joshua | Clausen | she quietly enters and leaves the fray | 2008 | live-elec, 1 perf | p [Piano] | Marcel Rominger, piano | 2008 | International Computer Music Conference (ICMC) in Belfast, Ireland | 0 | |||||||||
| 42592 | Joshua | Clausen | There was a whole, there was beginning, begin there | 2009 | live-elec, 1 perf | 10 | p [Piano] | 0 | |||||||||||
| 40066 | Martina | Clausen | dots&lines | 2016 | fixed media, akusmatisch | Martina Clausen | 0 | ||||||||||||
| 40067 | Martina | Clausen | Flashback and Fairy Tale | 2017 | fixed media, akusmatisch | 16 Tracks | Martina Claussen | 0 | |||||||||||
| 39444 | Martina | Claussen | [connected]1 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 3350 | Art | Clay | Auto–Bio–Graphy | 1993 | audiovisuell, live-elec, 1 perf | perf [Performer] | 0 | ||||||||||||
| 3351 | Art | Clay | Balloon Music | 1989 | live-elec, | (ballons) [] | 0 | ||||||||||||
| 3352 | Art | Clay | Clouds of Unknowing | 1991 | live-elec, 3 perf, 1 group | 10:00 | 2 tim, rms [Schlagzeug, synthesizer] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 3353 | Art | Clay | Erratum Musical | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 3354 | Art | Clay | Melopoeme, Erato, Polymnie | 1992 | Zuspiel / Tonband, 1 perf | va da gamba [Cello] | 0 | ||||||||||||
| 3355 | Art | Clay | Message of Love | 1989 | live-elec, 1 perf | e-gui [Gitarre] | 0 | ||||||||||||
| 3356 | Art | Clay | Rilke Songs | 1988 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 3357 | Art | Clay | Same Blues | 1989 | live-elec, 3 perf | V, fl, perc (tambourin) [Stimme, Flöte, Schlagzeug] | 0 | ||||||||||||
| 3358 | Art | Clay | Seven Teas for Seven Strings | 1992 | live-elec, 1 perf | va da gamba [Cello] | 0 | ||||||||||||
| 3359 | Art | Clay | Tu m' | 1993 | live-elec, 1 perf | va da gamba [Cello] | 0 | ||||||||||||
| 3360 | Art | Clay | We Talked until Two | 1993 | Zuspiel / Tonband, 1 perf | va da gamba [Cello] | 0 | ||||||||||||
| 36430 | Siobhán | Cleary | Diamorphine | 2005 | live-elec, | 6:46 | CMC CD 06 Contemporary Music from Ireland Vol 6/ | 1 | |||||||||||
| 22226 | Siobhán | Cleary | Petering Out | 2000 | live-elec, 1 perf | 10:19 | rec [Flöte] | Peter Wells(rec), Roy Carroll (technician) | "Mostly Modern" | 9.3.2000 | Dublin | 1 | |||||||
| 3361 | Tim, Mychael | Clement, Danna | A Gradual Awakening | 1980 | fixed media, akusmatisch | 36:07 | Stereo | PS C. | 0 | ||||||||||
| 3362 | Tim, Mychael | Clement, Danna | Akasha | 1983 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 3363 | Tim, Mychael | Clement, Danna | Hyenas | 1985 | fixed media, akusmatisch | 5:43 | Stereo | PS C. | 0 | ||||||||||
| 3364 | Tim, Mychael | Clement, Danna | Persia | 1985 | fixed media, akusmatisch | 5:26 | Stereo | 0 | |||||||||||
| 3365 | Tim, Mychael | Clement, Danna | Stars & Spells | 1985 | fixed media, akusmatisch | 9:27 | Stereo | 0 | |||||||||||
| 3366 | Tim, Mychael | Clement, Danna | The Garden | 1985 | fixed media, akusmatisch | 10:38 | Stereo | 0 | |||||||||||
| 3367 | Tim, Mychael | Clement, Danna | To the land beneath the Waves | 1985 | fixed media, akusmatisch | 25:12 | Stereo | 0 | |||||||||||
| 3368 | Tim, Mychael | Clement, Danna | Under August Sun | 1985 | fixed media, akusmatisch | 5:17 | Stereo | 0 | |||||||||||
| 3369 | Aldo | Clementi | Collage 2 | 1960 | fixed media, akusmatisch | 5:15 | Quadro | SugMus ESZ 3/ IDEAMA CD 048/ | Fonologia Milano | ESZ 6035 | 1 | ||||||||
| 3370 | Aldo | Clementi | Collage 3, (Dies Irae) | 1967 | fixed media, akusmatisch | 26:00 | Fonologia Milano | 0 | |||||||||||
| 34924 | Aldo | Clementi | Collage 4, Nel mio sangue – Jesu, meine Freude | 1977 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 3371 | Aldo | Clementi | Fantasia su roBErto FABbriCiAni | 1982 | Zuspiel / Tonband, 1 perf | 17:10 | Stereo | fl [Flöte] | CSC Padova | Biennale Venezia | 0 | ||||||||
| 3372 | Aldo | Clementi | Parafrasi | 1981 | fixed media, akusmatisch | 19:30 | Stereo | CSC Padova | Biennale Venezia | 0 | |||||||||
| 24112 | Aldo | Clementi | Passacaglia (ultima versione) | 1996/1999 | Zuspiel / Tonband, 1 perf | 10:57 | Stereo | fl [Flöte] | tape with fl, ottavino in do, reg by Fabbriciani | Tempo Reale Firenze | Suvini Zerboni | 0 | |||||||
| 40102 | Michael, John Paul | Clemow, Schlegelmilch | Waver: Analemma… | 2016 | fixed media, akusmatisch | Michael Clemow and John Paul Schlegelmilch | 0 | ||||||||||||
| 3373 | Patrick de | Clerck | Lovesong | 1979 | fixed media, akusmatisch | Zuspiel/Tonband, |
12:03 | Stereo | IPEM Gent | 0 | ||||||||||
| 3374 | Patrick de | Clerck | Papiers machés | 1981 | Film | 3:45 | Mono | IPEM Gent | 0 | ||||||||||
| 24181 | Philippe | Clérin | Dérèglement | 2002 | fixed media, akusmatisch | 3:39 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 3375 | Lars, Thomas | Cleveman, Hammar | Splittra upp och marschera | 1977/1978 | fixed media, akusmatisch | 49:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 34347 | Guillaume | Cliche | Métal miette | 2012 | fixed media, akusmatisch | 9:12 | CEC Cache 2013, PeP 018/ | Winner JTTP 2013 3. prize | 0 | http://econtact.ca/16_1/index.html#guillaumecliche | |||||||||
| 34353 | Guillaume | Cliche | Tape | 2011 | fixed media, akusmatisch | 7:40:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 3. prize mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 |
0 | |||||||||
| 3376 | Jonathan | Clifford | Musica da Camera | 1973 | Zuspiel/Tonband, 1 perf | intermedia |
Stereo | p [Piano] | slides | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 26197 | Ricardo | Climent | 1666: Annus Horribilies | 2006 | fixed media, akusmatisch | 7:00 | Surround 5.1 | Techniques of Spectral Diffusion. Published by www.everglade.org DVD Stereo and 5.1 |
everglade/ | SARC Belfast | Third Practice Festival, Virgina | 0 | http://www.electro-acustica.com/ | ||||||
| 26195 | Ricardo | Climent | ca.AD | 2000 | audiovisuell | 7:00 | Stereo | SARC Belfast | 0 | http://www.electro-acustica.com/ | |||||||||
| 25014 | Ricardo | Climent | DéjaVu88 | 2001 | live-elec, 1 perf | 4:22 | prep p [Piano] | Simon Mawhinney (p) | PMV actual 003/ | SARC Belfast | 1 | http://www.electro-acustica.com/ | |||||||
| 25043 | Ricardo | Climent | e_RRATUM | 2001/2007 | fixed media, akusmatisch | 10:09 | SARC Belfast | 1st SGAE Electroacoustic Competition in December 2001. | 1 | http://www.electro-acustica.com/ | |||||||||
| 24301 | Ricardo | Climent | etude in_Cierto | 2002 | live-elec, 2 perf | 10:37 | bar-sax, vc [Saxophon, Cello] | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | http://www.electro-acustica.com/ | ||||||||
| 26199 | Ricardo | Climent | Für Leslie | 2008 | fixed media, akusmatisch | 5:48 | Surround 5.1 | Collection of miniatures for mixed media in 5.1 surround dedicated to Folkmar Hein |
Uni Manchester NOVARS | 8.02.2009 | Berlin | 0 | http://www.novars.manchester.ac.uk/indexdocs/pgnotesFurLEslie.pdf | ||||||
| 27102 | Ricardo | Climent | H`ô, eine akustische Entdeckungsreise nach Vietnam | 2009 | Klangkunst, Installation | ∞ | PS C. | 27.08.2009 | 0 | http://www.electro-acoustic.com | |||||||||
| 26196 | Ricardo | Climent | Mimesis5a | 2000 | fixed media, akusmatisch | 5:00 | Stereo | Soundwalk North Ireland | SARC Belfast | 0 | http://www.electro-acustica.com/ | ||||||||
| 26194 | Ricardo | Climent | Nyse | 1998 | fixed media, akusmatisch | 8:00 | Stereo | Csound Score using 100 years of Standard & Poor statistics | SARC Belfast | 0 | http://www.electro-acustica.com/ | ||||||||
| 37762 | Ricardo | Climent | Oxidising the Spectrum | 2004 | live-elec, | live Game-Audio | 0 | ||||||||||||
| 42593 | Ricardo | Climent | Russian Disco | 2009 | fixed media, akusmatisch | The Tornado Project | 0 | ||||||||||||
| 23652 | Ricardo | Climent | Silent Era, La Era del Silencio | 2002 | fixed media, akusmatisch | 10:57 | PR 0083-1 SGAE/ | 4. price Premio Internacional SGAE 2002 | 1 | ||||||||||
| 26198 | Ricardo | Climent | Sir George | 2008 | fixed media, akusmatisch | 8:47 | Octo | Based on 1960 British Pop (Building upon the 5th Beatle; Producer Sir George Martin) | 0 | http://www.electro-acustica.com/ | |||||||||
| 23656 | Ricardo | Climent | Sonic Tsunami | 2003 | fixed media, akusmatisch | 9:44 | PR 0083-2 SGAE/ | 2. prize Premio Internacional SGAE 2003 | 1 | http://www.electro-acustica.com/ | |||||||||
| 25044 | Ricardo | Climent | The last Castrati | 2005 | fixed media, akusmatisch | 9:03 | Based on Gramphone Recordings from Alessandro Moreschi. Published by ICMC'05, CMC- Ireland Vol IV,SGAE EA competition and IVM- Patrimonio Musical V. | ICMC 2005, ars harmonica/ CMC CD 05/ PMV actual 003/ SGAE/ | SARC Belfast | 2004 | SGAE-Madrid | 1 | http://www.electro-acustica.com/ | ||||||
| 26193 | Ricardo | Climent | VCS3++ | 1999 | fixed media, akusmatisch | 9:20 | Stereo | 1st Prize at Ciber@rt Festival in year 2000, National Category. | 0 | http://www.electro-acustica.com/ | |||||||||
| 24910 | Ricardo | Climent | Wall-Woodpeckers, Wallwoodpeckers | 2005 | fixed media, akusmatisch | 9:11 | 12 Tracks | ed. rz 10016 Inventionen 2005&06/ | TU Berlin, SARC Belfast | 2005 | Kunitachi Hall, Tokyo | 1 | 2006 | http://www.electro-acustica.com/ | |||||
| 40149 | Nicholas | Cline | water-witching | 2016 | fixed media, akusmatisch | Nicholas Cline | 0 | ||||||||||||
| 41724 | Jeff | Cloke | Alone 25Apr04 | 2004 | fixed media, akusmatisch | 8:56:00 | 0 | ||||||||||||
| 41725 | Jeff | Cloke | Arthouse 25Jan04 | 2004 | fixed media, akusmatisch | 4:24:00 | 0 | ||||||||||||
| 41726 | Jeff | Cloke | Arthouse 30May04 | 2004 | fixed media, akusmatisch | 5:16:00 | 0 | ||||||||||||
| 41727 | Jeff | Cloke | Garage 12Feb04 | 2004 | fixed media, akusmatisch | 6:24:00 | 0 | ||||||||||||
| 41728 | Jeff | Cloke | Hornsey Pumphouse | 2004 | fixed media, akusmatisch | 17:08:00 | 0 | ||||||||||||
| 41729 | Jeff | Cloke | Lewisham Arthouse | 2004 | fixed media, akusmatisch | 17:55:00 | 0 | ||||||||||||
| 41730 | Jeff | Cloke | Making Words 21Sep04 | 2004 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 41731 | Jeff | Cloke | OP Extract 1 | 2003 | fixed media, akusmatisch | 4:26:00 | 0 | ||||||||||||
| 41732 | Jeff | Cloke | OP Extract 2 | 2003 | fixed media, akusmatisch | 5:18:00 | 0 | ||||||||||||
| 41733 | Jeff | Cloke | Pumphouse 24Sep04 | 2004 | fixed media, akusmatisch | 5:12:00 | 0 | ||||||||||||
| 41734 | Jeff | Cloke | Red Rose 15Aug04 | 2004 | fixed media, akusmatisch | 8:23:00 | 0 | ||||||||||||
| 41735 | Jeff | Cloke | Red Rose 23Sep04 | 2004 | fixed media, akusmatisch | 3:55:00 | 0 | ||||||||||||
| 41736 | Jeff | Cloke | St Pauls Hall Huddersfield | 2004 | fixed media, akusmatisch | 14:52:00 | 0 | ||||||||||||
| 41737 | Jeff | Cloke | Utterance 28Mar04 | 2004 | fixed media, akusmatisch | 5:59:00 | 0 | ||||||||||||
| 3377 | Jacques | Clos | Fresques à la Mémoire de Mon Père | 1978 | fixed media, akusmatisch | 9:50 | UEA Norwich | 0 | |||||||||||
| 22862 | Jean-Louis | Clot | La Journée d'un Musicien | live-elec, | 10:03 | GMEM El 10, Project'Son/ | GMEM Marseille | 1 | |||||||||||
| 28159 | Jean-Louis | Clot | La Réponse D'Élise | 1997 | live-elec, 1 perf | 20:00 | p [Piano] | GMEM El 07/ | GMEM Marseille | 0 | |||||||||
| 33179 | Jean-Louis | Clot | Le Flâneur | 2006 | live-elec, 4 perf | 55 | S, Mez, Bar, B [Sopran, Mezzo, Bariton, Bass] | Poème électronique en cinq séquences pour voix et électronique | GMEM Marseille | Etat/GMEM | 0 | ||||||||
| 19489 | Jean-Louis | Clot | Lointain intérieur | Zuspiel / Tonband, | 15:58 | Stereo | GMEM Marseille | 0 | |||||||||||
| 19490 | Jean-Louis | Clot | Mélodies archaïques | Zuspiel / Tonband, 1 perf | 12:44 | Stereo | cl [Klarinette] | GMEM Marseille | 0 | ||||||||||
| 19491 | Jean-Louis | Clot | Souffle d' Ebéne | Zuspiel / Tonband, | 12:58 | Stereo | GMEM Marseille | 0 | |||||||||||
| 19488 | Steve | Clot | Palimpseste | Zuspiel / Tonband, | 15:05 | Stereo | e. C./ | 0 | |||||||||||
| 41701 | Paul | Clouvel | Arc | 2001 | fixed media, akusmatisch | 11:06 | 0 | ||||||||||||
| 36698 | Paul | Clouvel | Canranc | 2000 | fixed media, akusmatisch | 11:47 | elek 001/ | 0 | |||||||||||
| 41702 | Paul | Clouvel | Eléments | 1998 | fixed media, akusmatisch | 11:06 | 0 | ||||||||||||
| 24182 | Paul | Clouvel | Etude Rostock | 2002 | fixed media, akusmatisch | 3:40 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 36699 | Paul | Clouvel | Speech | 2005 | fixed media, akusmatisch | 7:20 | elek 001/ | 0 | |||||||||||
| 18461 | Christian | Clozier | 118 et 21 ans après - suite "Le Chêne des Etats-Unis d'Europe" |
1990 | fixed media, akusmatisch | 31:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3378 | Christian | Clozier | 22 août | 1972/1974 | fixed media, akusmatisch | 20:00 | Stereo | LDC 2781128 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 3379 | Christian | Clozier | A la prochaine la taupe | 1978 | fixed media, akusmatisch | 35:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3380 | Christian | Clozier | A Vie | 1971 | Oper | 110:00 | Stereo | (concert-opéra) | IMEB Bourges | 0 | |||||||||
| 18455 | Christian | Clozier | Ainsi passant des siècles la longueur surmontera la haulteur des estoilles | 1986 | fixed media, akusmatisch | 35:27 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3381 | Christian | Clozier | Aporie et Apocope | 1979 | fixed media, akusmatisch | 22:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3382 | Christian | Clozier | Cash-flow | 1977 | fixed media, akusmatisch | Stereo | IMEB Bourges | 0 | |||||||||||
| 18456 | Christian | Clozier | Cerfs vous avez franchi l'espace millénaire des ténèbres du roc aux caresses de l'air | 1987 | fixed media, akusmatisch | 45:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18458 | Christian | Clozier | Chambord, et chaque pierre fée se sent un poids nouveau qui vers l'azur délire |
1988 | fixed media, akusmatisch | 38:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24386 | Christian | Clozier | Clarissophone | 2001 | fixed media, akusmatisch | 19:35:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 24384 | Christian | Clozier | Dans le langage des choses | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24385 | Christian | Clozier | De la grève, au loin | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18462 | Christian | Clozier | Démotique | 1997 | fixed media, akusmatisch | 16:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3383 | Christian | Clozier | Dichotomie | 1969 | fixed media, akusmatisch | 4:33 | Marconi 2C 06111632/ Creel Pone 073/ IDEAMA CD 053/ | IMEB Bourges, INA • GRM | 0 | ||||||||||
| 3384 | Christian | Clozier | En | 1970 | fixed media, akusmatisch | 7:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3385 | Christian | Clozier | Etude Administrative | 1987 | fixed media, akusmatisch | 10:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 3386 | Christian | Clozier | La Discordatura | 1970 | fixed media, akusmatisch | 23:36 | Stereo | 7 parts | Marconi 2C 05312112/ LDC 2781112/13/14 opus 30/ Creel Pone 173/ | IMEB Bourges | 1 | ||||||||
| 18460 | Christian | Clozier | Le bonheur, une idée neuve en Europe, suite la Révolution Française | 1989 | fixed media, akusmatisch | 24:05 | Stereo | IMEB Bourges | 0 | ||||||||||
| 27241 | Christian | Clozier | Le fait électrique | 2005 | fixed media, akusmatisch | 20:50 | LDC 2781137 Compendium 2005/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | |||||||||
| 24388 | Christian | Clozier | Le père, le fils | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 3387 | Christian | Clozier | Le Phlogiston I | 1975 | fixed media, akusmatisch | 9:03 | Stereo | IMEB Bourges | 0 | ||||||||||
| 21883 | Christian | Clozier | Le Phlogiston II | 1975 | fixed media, akusmatisch | 22:05 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18459 | Christian | Clozier | Le temps scintille et le songe est savoir | 1988 | fixed media, akusmatisch | 38:58 | Stereo | LDC 2781104/ | IMEB Bourges | 0 | |||||||||
| 3388 | Christian | Clozier | Les Accords d'Helsinki | 1980 | fixed media, akusmatisch | 7:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3389 | Christian | Clozier | Lettre a une demoiselle, brouillon ratures post-scriptum |
1969 | fixed media, akusmatisch | 14:12 | Stereo | 3 parts: 06:20 + 04:45 + 04:07 | EMI C 061-11.632/ Marconi 2C 06111632/ IDEAMA CD 113/ Creel Pone 073/ | INA • GRM, IMEB Bourges | 0 | ||||||||
| 3390 | Christian | Clozier | Loin La Lune | 1973 | fixed media, akusmatisch | 18:48 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3391 | Christian | Clozier | Malice | 1973 | fixed media, akusmatisch | 13:45 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3392 | Christian | Clozier | Markarian 205 | 1981 | fixed media, akusmatisch | 30:00 | Stereo | 3 parts (7:54 + 7:42 + 7:31) on CD | LDC 2781090/ | IMEB Bourges | 0 | ||||||||
| 3393 | Christian | Clozier | Même | 1970 | fixed media, akusmatisch | 7:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18457 | Christian | Clozier | Mon nom sous le soleil est France j'amènerai la liberté |
1987 | fixed media, akusmatisch | 35:07 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3394 | Christian | Clozier | Musiques Eclatees, En avant la zizique | 1969 | Performance | 8:15 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 24387 | Christian | Clozier | Ont été | 2002 | fixed media, akusmatisch | 17 | LDC 2781129 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 3395 | Christian | Clozier | Par Pangloss gymnopède | 1984 | fixed media, akusmatisch | 35:00 | Stereo | LDC 2781104/ | IMEB Bourges | 0 | |||||||||
| 3396 | Christian | Clozier | Popov à Branly | 1982 | fixed media, akusmatisch | 60:00 | Stereo | Spectacle | IMEB Bourges | 0 | |||||||||
| 3397 | Christian | Clozier | Quasars 1 - 6, Quasars | 1980 | fixed media, akusmatisch | 46:00 | Stereo | GMEB 84005/ LDC 2781090/ | IMEB Bourges | 1 | |||||||||
| 27231 | Christian | Clozier | Sous l'hêtre l'étang, grenouille rient | 2006 | fixed media, akusmatisch | 8:20 | LDC 2781139 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 3398 | Christian | Clozier | Symphonie pour un enfant seul | 1972/1974 | fixed media, akusmatisch | 60:00 | Stereo | 4 parts | Creel Pone 194/ | IMEB Bourges | 0 | ||||||||
| 3399 | Christian | Clozier | Tour de France pour deux Enfants | 1976 | fixed media, akusmatisch | 27:00 | Stereo | Spectacle | IMEB Bourges | 0 | |||||||||
| 34066 | Group, Julia, Felix | CLUBbleu, Mihaly, Leuschner | charsiewbao | 2015 | fixed media, akusmatisch | 4:57:00 | degem CD 13/ | 0 | |||||||||||
| 3400 | Ilja | Cmiral | Hetta II | 1982 | fixed media, akusmatisch | 6:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 3401 | Ilja | Cmiral | Nemesis - del II | 1984/1985 | fixed media, akusmatisch | 40:00 | Stereo | EMS Stockholm | Riksteatern | 0 | |||||||||
| 3402 | Ilja | Cmiral | Resan | 1985 | Film | 6:00 | Stereo | EMS Stockholm | Sandell Film | 0 | |||||||||
| 3403 | Ilja | Cmiral | Shaman | 1986 | Tanz | 48:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 38419 | Gloria | Coates | Fiori | 1988 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 38420 | Gloria | Coates | Fiori and the Princess | 1988 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 3404 | Gloria | Coates | Fonté | 1976, 1984 | Zuspiel / Tonband, 1 group | orc [Orchester] | 1 | ||||||||||||
| 38421 | Gloria | Coates | Neptune Odyssey | 1975 | fixed media, akusmatisch | musique concrète | 0 | ||||||||||||
| 38418 | Gloria | Coates | The Force for Peace in War | 1988 | Zuspiel / Tonband, 1 perf, 1 group | S, orc [Sopran, Orchester] | Cantata da Requiem | 0 | |||||||||||
| 3405 | Gloria | Coates | Transitions | 1984 | Zuspiel / Tonband, 1 group | orc [Orchester] | Naxos 8.559371/ | 1 | |||||||||||
| 24531 | Bob | Cobbing | As Easy | 1970 | fixed media, akusmatisch | 7:10 | Text-Sound-Composition. Voice of Kerstin Lundberg | FYCD 1024 CD 2 Text-Sound Compositions/ | SR Stockholm | 1 | |||||||||
| 24530 | Bob | Cobbing | Chamber Music | 1968 | fixed media, akusmatisch | 8:59 | Text-Sound Composition. Voice of Susanne Feingold and the Author. | FYCD 1024 CD 1 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 3410 | Bob | Cobbing | Portrait of Robin Crozier | 1976 | fixed media, akusmatisch | 4:55 | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 2 Text-Sound Compositions/ | Fylkingen | 1 | ||||||||||
| 3411 | Bob | Cobbing | Swarf Process U.A.L. (Paper) 10 | 1985 | fixed media, akusmatisch | 16:16 | Stereo | EMS Stockholm | 0 | ||||||||||
| 3412 | Bob | Cobbing | Whisper Pieces | 1969 | fixed media, akusmatisch | 7:57 | Quadro | 4th part: Whissippi | FYCD 1024 CD 2 Text-Sound Compositions/ | SR Stockholm | 1 | ||||||||
| 3413 | Bob | Cobbing | Worm | 1966 | fixed media, akusmatisch | 1:11 | Stereo | poesie | PS C. London | 0 | |||||||||
| 3406 | Bob, Group | Cobbing, BBC Radiophonic workshop | An ABC in sound | 1966 | fixed media, akusmatisch | text sound compositions | BBC | 0 | |||||||||||
| 3407 | Bob, Annea | Cobbing, Lockwood | Are your children safe in the sea? | 1966 | fixed media, akusmatisch | 0:47 | Mono | poesie | PS C. London | 0 | |||||||||
| 3408 | Bob, Annea | Cobbing, Lockwood | Ata Matuma Mamuta | 1966 | Performance | 12:45 | Mono | happening | PS C. London | 0 | |||||||||
| 3409 | Bob, Annea | Cobbing, Lockwood | Kurrirrurriri | 1966 | fixed media, akusmatisch | 2:45 | Stereo | poesie | PS C. London | 0 | |||||||||
| 19544 | Adrian | Cobo Gómez | Reditus II | 1990 | fixed media, akusmatisch | 8:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19639 | Luis Miguel | Cobo | Heterofonia deportiva | 1995 | live-elec, | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 19638 | Luis Miguel | Cobo | No más Muerte | 1994 | live-elec, | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 24113 | Lamberto | Coccioli | Antidotes - Red-earth | 1997 | Zuspiel, live-elec, 1 perf | ≈ 8:00 | Stereo | tpt [Trompete] | Version with tape or Live elec | Tempo Reale Firenze | 0 | ||||||||
| 24114 | Lamberto | Coccioli | Magma | 1998 | Musiktheater, live-elec, 1 perf, 1 group | ≈ 45:00 | V, ens [Stimme, Ensemble] | Tempo Reale Firenze | 0 | ||||||||||
| 3414 | Enrico | Cocco | Equilibri per versi | 1990/1991 | Zuspiel / Tonband, 2 perf | 25:00 | V, perc [Stimme, Schlagzeug] | CRM Roma, CERM Sassari | 0 | ||||||||||
| 3415 | Enrico | Cocco | Falso sguardo (del tempo) | 1984 | fixed media, akusmatisch | 12:00 | Stereo | CRM Roma, STREAM Roma | 0 | ||||||||||
| 3416 | Enrico | Cocco | I stinti verso… | 1985 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 3417 | Enrico | Cocco | L'Assurda ragione | 1986 | Zuspiel / Tonband, 9 perf | 10:00 | Stereo | 9 ins [Instrument] | CRM Roma, STREAM Roma | 0 | |||||||||
| 3418 | Enrico | Cocco | Materia intelligente | 1987 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | p [Piano] | CRM Roma, STREAM Roma | 0 | |||||||||
| 3419 | Enrico | Cocco | Materia Intelligente II | 1990 | Zuspiel / Tonband, 1 perf | 11:20 | p [Piano] | STREAM Roma | 5.2.90 | Inventionen Akademie der Künste Berlin | 1 | 1990 | |||||||
| 3420 | Enrico | Cocco | Un poetico e notturno silenzio | 1992 | Zuspiel, live-elec, 7 perf | ≈ 17:00 | Stereo | tpt, hn, trbn, tuba, cl, perc, p, (risonante) [Klarinette, Horn, Trompete, Posaune, Tuba, Piano, Schlagzeug] | CRM Roma, CERM Sassari | 0 | |||||||||
| 3421 | Franco | Cocco | Inferni di fiumi d'oriente | 1992 | Zuspiel / Tonband, | Spaziomusica Cagliari | 0 | ||||||||||||
| 3422 | Franco | Cocco | Simple Music | 1991 | Zuspiel, live-elec, 1 perf, 1 group | 13:45 | Stereo | ens, Kbd [Keyboard, Ensemble] | mit Proteus-realtime-Gerät | RCA CCD 3001/ | 1 | ||||||||
| 3423 | Roger | Cochini | Alap | 1971 | fixed media, akusmatisch | 4:33 | Stereo | Etude de stage | INA • GRM | 2.4.1971 | Reims, Maison de la Culture | 0 | |||||||
| 3424 | Roger | Cochini | Case 9 | 1981 | Tanz | 50:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3425 | Roger | Cochini | Chansons de gestes | 1977 | fixed media, akusmatisch | 10:30 | Stereo | LDC 2781103/ | IMEB Bourges | 0 | |||||||||
| 19453 | Roger | Cochini | Chaste fleur, mon capitaine…chaste fleur! | 1993 | fixed media, akusmatisch | 4:00 | Stereo | LDC 2781103/ | 0 | ||||||||||
| 3426 | Roger | Cochini | Eva ou les yeux fermés | 1975 | fixed media, akusmatisch | 18:30 | Stereo | LDC 2781103/ | IMEB Bourges | 0 | |||||||||
| 19454 | Roger | Cochini | L'ouie lumière | 1994 | fixed media, akusmatisch | 9:13 | Stereo | LDC 2781103/ | IMEB Bourges | 0 | |||||||||
| 23013 | Roger | Cochini | La Schiuma dei Rumori | 2000 | fixed media, akusmatisch | 11:00 | CMJ Vol 25-4, 2001/ | IMEB Bourges | 1 | ||||||||||
| 3427 | Roger | Cochini | Lullaby | 1979 | fixed media, akusmatisch | 10:14 | Stereo | LDC 2781103/ | IMEB Bourges | 0 | |||||||||
| 3428 | Roger | Cochini | Remparts d'ainay | 1972 | fixed media, akusmatisch | 15:30 | Stereo | INA • GRM | 19.5.1972 | Paris, Musée Guimet | 0 | ||||||||
| 33800 | Roger | Cochini | Retour aux Sources | 2012 | fixed media, akusmatisch | 5:28:00 | Composing with Sounds/ | INA-GRM | 1 | ||||||||||
| 3429 | Roger | Cochini | Sables | 1974 | fixed media, akusmatisch | 22:15 | Stereo | INA • GRM | 25.2.1975 | Paris, Cité des Arts | 0 | ||||||||
| 3430 | Roger | Cochini | Tour de France pour deux Enfants / Le Voyage en Provence | 1976 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 22554 | Roger | Cochini | Tout est bon dans le poulet (homage à Pierre Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 40720 | Roger, Michel | Cochini, Chion | Quand on parle musique on n’en voit jamais la queue | 1971 | radiophon | 38:25 | INA • GRM | 6.12.1971 | ORTF France-Culture | 0 | |||||||||
| 25447 | Vincenzo | Coco | Endo-M | 1998 | fixed media, akusmatisch | 7:12 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 34418 | Daniel | Cody | In Between | 1972 | fixed media, akusmatisch | 7:30 | Quadro | stereo and mono versions not permitted! | Sonology Utrecht | 0 | |||||||||
| 3431 | David | Cody | In Between | 1972 | fixed media, akusmatisch | 7:30 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 31744 | Rodolfo | Coelho de Souza | Construção Eletrônica | 1989 | fixed media, akusmatisch | 7:53 | 80 Tracks | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 20. Sao Paulo Arts Biennial | Sao Paulo Arts Biennial outdoor | 1 | ||||||||
| 23269 | Rodolfo | Coelho de Souza | Metropolis | fixed media, akusmatisch | 9:45 | Stereo | SBME 001, Musica el. Brasileira Vol 1/ | 1 | |||||||||||
| 23275 | Rodolfo | Coelho de Souza | O que acontece embaixo da cama enquanto Janis está dormindo | 1997 | fixed media, akusmatisch | 7:48 | SBME 002, Musica el. Brasileira Vol 2/ | Uni Austin | 1 | ||||||||||
| 19594 | Emilio | Coello Cabrera | Lux | 1992 | fixed media, akusmatisch | 9:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 32743 | Massimo | Coen | C'era una volta… | Performance | audiovisuell |
vn, mime [Violine, Schauspieler] | 0 | |||||||||||||
| 42594 | Ted | Coffey | Blue Cycle: Noise | 2008 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 24395 | Yves | Coffy | Chaman | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24396 | Yves | Coffy | Conversations | 2002 | fixed media, akusmatisch | 11:06 | LDC 2781131 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 24394 | Yves | Coffy | In-extenso | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24397 | Yves | Coffy | L'effet Mac Gurk ou comment le cortex visuel peut-il entendre les sons | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24391 | Yves | Coffy | La mer floue : six éléments d'avant la décohérence | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21884 | Yves | Coffy | La Voix de Son Maitre | 1998 | fixed media, akusmatisch | 16:45 | IMEB Bourges | 0 | |||||||||||
| 24393 | Yves | Coffy | Laver la vaisselle | 2000 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 24389 | Yves | Coffy | Le sentiment de la perle (hommage à Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24390 | Yves | Coffy | Prise de sens | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18463 | Yves | Coffy | Quant à elle | 1998 | fixed media, akusmatisch | 15:00 | IMEB Bourges | 0 | |||||||||||
| 24392 | Yves | Coffy | Sons d'gosses | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18464 | Yves | Coffy | Tentations gazeuses | 1999 | fixed media, akusmatisch | 15:00 | IMEB Bourges | 0 | |||||||||||
| 24813 | Yves | Coffy | Ys | 1993 | fixed media, akusmatisch | 8:42 | LDC 278068/69 Cultures Electroniques 12/ | IMEB Bourges | 0 | ||||||||||
| 38523 | Joaquin | COFRECES | Hamoni Lapude Anan | 2008 | radiophon | 47:48:00 | 0 | ||||||||||||
| 38524 | Joaquin | COFRECES | The Last Voice | 2009 | radiophon | 7:21:00 | Prix Phonurgia nova | 0 | |||||||||||
| 40598 | Robert | Cohen-Solal | A vous de Jouer | 1967 | Hintergrundmusik | 0:50 | INA • GRM | 0 | |||||||||||
| 32740 | Robert | Cohen-Solal | Délicieuse Catastrophe | 1970 | Film | 11:22 | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | INA • GRM | Prix Emile Cohl 1971. Prix du Festival deNew-York 1972 Prix du Festival de Grenoble 1972 |
0 | |||||||||
| 40625 | Robert | Cohen-Solal | Jeu des enigmes | radiophon | INA • GRM | 0 | |||||||||||||
| 40654 | Robert | Cohen-Solal | L’Empereur et la Courtisane | 1969 | Film | INA • GRM | 0 | ||||||||||||
| 40599 | Robert | Cohen-Solal | La forte Terre | 1967 | Film | 1:05 | INA • GRM | 24.8.1967 | TV ORTF, 2. chaine | 0 | |||||||||
| 40593 | Robert | Cohen-Solal | La Syrie, 5000 ans de civilisation | 1966 | Film | 22 | INA • GRM | 2.4.1967 | TV ORTF, 1. chaine | 0 | |||||||||
| 3434 | Robert | Cohen-Solal | Lapsus | 1970 | fixed media, akusmatisch | 12:00 | Quadro, Stereo | IDEAMA CD 024/ | INA • GRM | Commande d’Etat | 25.2.1971 | Paris, Halles Baltard | 0 | ||||||
| 40650 | Robert | Cohen-Solal | Le Perroquet | 1968 | Film | 6:15 | oma (Ondes Martenot) [synthesizer] | INA • GRM | 22.9.1970 | TV ORTF, 2. chaine | 0 | ||||||||
| 40642 | Robert | Cohen-Solal | Le Trou | 1968 | Film | 2:19 | INA • GRM | 8.9.1968 | TV ORTF, 2. chaine | 0 | |||||||||
| 40596 | Robert | Cohen-Solal | Les Majorettes | 1966 | Film | 16 | INA • GRM | 17.10.1967 | TV ORTF, 1. chaine | 0 | |||||||||
| 3435 | Robert | Cohen-Solal | Les Shadoks | 1968 | Film | 8 | Stereo | Version concert | Coll GRM sans le savoir/ | INA • GRM | Oct.-Dec. 1968 20.2.1968 |
TV-ORTF, 1. chaine (Un épisode par jour) Paris, Maison de la Radio, Studio 105 |
1 | ||||||
| 3436 | Robert | Cohen-Solal | Les Shadoks | 1968 | Zuspiel / Tonband, 1 perf | 45:40 | Stereo | V [Stimme] | Version Disque | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1035 27655 archives grm CD 5/5/ Barclay 80380/ PHI 6521 006/ Klett Stuttgart 08762/ Klett Stuttgart 92422/ IDEAMA CD 024/ | INA • GRM | 1 | |||||||
| 40704 | Robert | Cohen-Solal | Les Shadoks, 2ème Série | 1970 | Film | INA • GRM | 1970 | TV ORTF, 1. chaine | 1 | ||||||||||
| 40595 | Robert | Cohen-Solal | Les Zlops | 1966 | Film | 20 | INA • GRM | 0 | |||||||||||
| 40635 | Robert | Cohen-Solal | Lissajeux | 1968 | Film | 2:33 | INA • GRM | 1968 | TV ORTF | 0 | |||||||||
| 40634 | Robert | Cohen-Solal | Perception visuelle | 1968 | Film | INA • GRM | 19.6.1968 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40609 | Robert | Cohen-Solal | Pour une vie, pour une ville | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 40615 | Robert | Cohen-Solal | SYDNEY VA CONNAITRE DES JOURS DE TROUBLE |
1967 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40590 | Robert | Cohen-Solal | Vallée de la Colombie | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 40581 | Robert | Cohen-Solal | Vol en Montagne | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 42094 | Andrea | Cohen | Sports et divertissements d’erik satie | 2002 | radiophon | France Culture (Radio France), GRM (RTF) | 0 | ||||||||||||
| 42093 | Andrea, Diego | Cohen, Losa | Pour la radio, making off d’une radio performance | 2018 | radiophon | France Culture (Radio France) | 0 | ||||||||||||
| 19455 | Denis | Cohen | Extraneous Noise | 1993 | fixed media, akusmatisch | 8:12 | Stereo | EMS 9300/ | IRCAM | 0 | |||||||||
| 3432 | Denis | Cohen | Jeux | 1990 | live-elec, 1 perf | 37:00 | MIDI p [Piano] | ISPW | Adès 203652/ | IRCAM | 0 | ||||||||
| 3433 | Denis | Cohen | Monologue de Leyda | 1993 | live-elec, 4 perf | 16:00 | S, vn, perc, MIDI p [Sopran, Piano, Schlagzeug, Violine] | IRCAM | 0 | ||||||||||
| 38964 | Jem | Cohen | We Have An Anchor | 2012 | Film | EMPAC | 2012 EMPAC | 0 | http://empac.rpi.edu/events/2012/spring/quote-unquote/we-have-anchor | ||||||||||
| 3437 | Nellu | Cohn | Face A Face, Trois Etudes des Visages | 1981 | Zuspiel, live-elec, 3 perf | 9:54 | Stereo | vn, 2 synt [Violine, synthesizer] | INA • GRM | 0 | |||||||||
| 3438 | Nellu | Cohn | Franges de souvenir | 1982/1986 | fixed media, akusmatisch | 25:29 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 3439 | Robert | Coinel | Un Pays De Collines Bleues | 1983 | Zuspiel / Tonband, 2 perf | 21:30 | Stereo | 2 gui [Gitarre] | GMEM Marseille | 0 | |||||||||
| 42783 | Giulio | Colangelo | Thauma | 2012 | live-elec, 2 perf | 4:25:00 | 2 perc [Schlagzeug] | Pat Kennedy and Dorian Costanza, percussion | 0 | ||||||||||
| 42897 | Guilio | Colangelo | Perception Synesthetique 5 | 2013 | fixed media, akusmatisch | 7:15:00 | 0 | ||||||||||||
| 33502 | Henrik | Colding-Jørgensen | Jeg ved det godt | 1973 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 39562 | Amanda | Cole | Vibraphone Theories | 2016 | fixed media, akusmatisch | Amanda Cole | 0 | ||||||||||||
| 42859 | Andrew | Cole | Sanctuary to Sea | 2013 | fixed media, akusmatisch | 9:28:00 | 0 | ||||||||||||
| 3440 | John | Cole | Buchla Preludes | 1977 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 39333 | Christopher | Coleman | śūnyatā, emptiness | 2017 | fixed media, akusmatisch | from Caves of Dunhuang (Triptych III) | 0 | ||||||||||||
| 39332 | Christopher | Coleman | “…the liquid mountains of the sky…” | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 28200 | Gene | Coleman | Yago | 2003 | live-elec, 5 perf | 30:48 | Gagaku-ins, sax-qt, (video) [Saxophon, Instrument] | Beilage NZ Heft 5/2003: "Transonic"- Festival des HdKdW Berlin | WER NZ 5/2003/ | 1 | |||||||||
| 42478 | Paul | Coleman | Gathering | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42030 | Henrik von | Coler | Discount | 2017 - 2018 | Performance | computer generated score |
Collage auf 30 Seiten | 0 | ||||||||||||
| 3441 | Christian | Colere | Chromes | 1980 | fixed media, akusmatisch | (sysCol) | GAIV Paris | 0 | |||||||||||
| 3442 | Christian | Colere | déconcertante | 1979 | fixed media, akusmatisch | GAIV Paris | 0 | ||||||||||||
| 3443 | Dominique | Collardey | Etude de Composition | 1976 | fixed media, akusmatisch | 8:15 | Stereo | INA • GRM | 27.8.1976 | Paris, Th. Récamier | 0 | ||||||||
| 19493 | Group | Collège de Saint-Marcellin | Bleu, rouge, jaune … nouvelles! | 1994 | fixed media, akusmatisch | 8:35 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19494 | Group | Collège de Saint-Marcellin | Correspondances | 1994 | fixed media, akusmatisch | 15:26 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19495 | Group | Collège de Saint-Marcellin | Couleurs | 1994 | fixed media, akusmatisch | 8:49 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19496 | Group | Collège de Saint-Marcellin | Gestes d'ici et d'ailleurs | 1994 | fixed media, akusmatisch | 7:07 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19497 | Group | Collège de Saint-Marcellin | Je te rencontre, je me souviens de toi | 1994 | fixed media, akusmatisch | 13:12 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19498 | Group | Collège de Saint-Marcellin | Mouvements (extraits) | 1994 | fixed media, akusmatisch | 1:51 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19499 | Group | Collège de Saint-Marcellin | Suivant la ligne | 1994 | fixed media, akusmatisch | 16:36 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19501 | Group | Collège Revesz Long | Dimanche Matin | 1995 | fixed media, akusmatisch | 16:36 | Stereo | Motus M 197001/ | 0 | ||||||||||
| 19502 | Group | Collège Revesz Long | Leçon rigole | 1995 - 1996 | fixed media, akusmatisch | 22:00 | Stereo | Motus M 197001/ | 0 | ||||||||||
| 43166 | Joe | Colley | psychic stress soundtracks | 2006 | Klangkunst, Installation | ARS 06/ | Auszeichnung ars electronica Award of Distinction 2006 | 0 | |||||||||||
| 3444 | Gerry, Chris | Collins, Meloche | Final Approach | 1986 | fixed media, akusmatisch | 6:30 | Stereo | EMAC London ON | 0 | ||||||||||
| 3445 | Gerry, Chris | Collins, Meloche | Klang | 1986 | fixed media, akusmatisch | 7:48 | Stereo | Rough Cut St | 0 | ||||||||||
| 19456 | Nicolas | Collins | Broken Light, I Corelli | fixed media, akusmatisch | 4:52 | Stereo | TE 1013/ nt 6730/ Nova Era CD 2002/ | 0 | |||||||||||
| 3446 | Nicolas | Collins | Devil's Music | 1985 | fixed media, akusmatisch | 12:00 | Stereo | Devil's Music One (18':47) / Devil's Music Two (17: 34) | TE 1013/ nt 6730/ | 0 | |||||||||
| 23075 | Nicolas | Collins | Nachtlicht | 1999 | Klangkunst, Installation | WD 99, Wittener Tage Für Neue Kammermusik 1999/ | Kompositionsauftrag der Stadt Witten | 1999 | Wittener Tage für neue Kammermusik | 1 | |||||||||
| 26287 | Nicolas | Collins | Pea Soup, Pea Soup II | 1974/2005 | Klangkunst, Installation | ∞ 23:12 | Stereo | 2 Mikros, 2 Lautsprecher; feedback | Voxxx 2003-2005 mit Katalog/ Kehrer Verlag ISBN 978-3-939583-23-3/ WER ARTS 8102 5/ | Voxxx Chemnitz | 2005 | Voxxx Chemnitz | 1 | 2005 | http://www.voxxx.de/projekte/soundart.htm | ||||
| 2005 | |||||||||||||||||||
| 3447 | Nicolas | Collins | Real Electronic Music | 1989 | live-elec, | 6:26 | Nonesuch 9 79235-2, Imaginary Landscapes/ | Airshaft St | 1 | http://www.straebel.de/praxis/index.html?/praxis/text/t-collins_portrait.htm | |||||||||
| 34612 | Nicolas | Collins | Roomtone Variations | 2013 - 2014 | live-elec, 1 group | ens [Ensemble] | TonArt ensemble SMC2016 |
0 | |||||||||||
| 23372 | Nicolas | Collins | Sled Dog | 2002 | Performance | 9:19 | Improvisation. Recordings from a Performance | ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 3448 | Nicolas | Collins | Tobabo Fonio | 1989 | live-elec, 1 perf | 7:45 | trbn [Posaune] | AER 1991 / 3/ | 1 | ||||||||||
| 19071 | Nicolas | Collins | When John Henry Was a Little Baby | 1996 | Klangkunst, Installation | 1:30 | Sonambiente Ausstellung (1996) Katalog S.45 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 41846 | Paul, Jean-Jacques | Collins, Palix | End of Dinner | 2004 | radiophon | 3:51:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 42595 | Rob | Collins | pizz collide | 2007 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 19368 | Sarah | Collins | Forest Piece | 1990 | fixed media, akusmatisch | 9:31 | NMC D036, sonic arts collection 2/ | 1 | |||||||||||
| 3449 | Sarah | Collins | Ultrasound | live-elec, 5 perf | 12:30 | fl, pic-fl, vib, mar, perc [Flöte, Schlagzeug] | 0 | ||||||||||||
| 3450 | Claude | Colon | Diastasis | 1977 | fixed media, akusmatisch | 15:34 | Stereo | GMEM Marseille | 0 | ||||||||||
| 3451 | Claude | Colon | Edifice | 1977 | fixed media, akusmatisch | 11:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 3452 | Claude | Colon | La Langue Obscure | 1976 | fixed media, akusmatisch | 11:11 | Stereo | GMEM Marseille | 0 | ||||||||||
| 3453 | Claude | Colon | Musique Pour Les Roses B | 1972 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 32946 | Jérôme | Combier | Pays de vent | 2004 | fixed media, akusmatisch | 76 | 12 parts | Motus M 204007/ | 0 | ||||||||||
| 39753 | Elizabeth | Comninellis | White Birds | 2015 | fixed media, akusmatisch | 4:06:00 | Elizabeth Comninellis | 0 | |||||||||||
| 3455 | John | Compton | The Cry | 1966 | fixed media, akusmatisch | 4:00 | Mono | after the painting by Munch | Barlow Sch Amenia | 0 | |||||||||
| 3454 | John, James | Compton, O’Connel | Steel "Variation" | 1967 | fixed media, akusmatisch | Barlow Sch Amenia | 0 | ||||||||||||
| 3456 | Peter | Con | Vita | 1990 | fixed media, akusmatisch | 11:50 | Stereo | CECM Bratislava | 0 | ||||||||||
| 38525 | Sheila | CONCARI | Bad Children | 2008 | radiophon | 34:39:00 | 0 | ||||||||||||
| 23932 | Francisco | Concha | La llave de vidrio | 2005 | live-elec, 4 perf | 15:00 | 4 fl [Flöte] | Marzo 2005, Instituto Goethe. Santiago, Chile. | 0 | ||||||||||
| 3457 | Gérard | Condé | Le Mont des Oliviers | 1988 | Zuspiel / Tonband, 2 perf | 13:00 | V, hn [Stimme, Horn] | GRAME Lyon | 0 | ||||||||||
| 39316 | Briay | Conditt | Sculpture of a Horn Player, I. drink more | 2017 | live-elec, 1 perf | hn [Horn] | 0 | ||||||||||||
| 19240 | Fernando | Condon | En familia | 1988 | fixed media, akusmatisch | 14:13 | tacuabé T/E 28 CD/ | 1 | |||||||||||
| 19239 | Fernando | Condon | Suiana Wanka | 1981 - 1982 | fixed media, akusmatisch | 15:47 | tacuabé T/E 28 CD/ | ELAC Montevideo | 1 | ||||||||||
| 24398 | Nicolas | Conge | B P M | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 3458 | David | Congo | 10 Tape Music pieces | 1978 - 1985 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41520 | David | Congo | Voyage, Prelude [Summer ’95] Prelude [Winter ’95] Mosaic The creation Midi Variations Voyage Nocturne Fantasy |
2005 | fixed media, akusmatisch | 66:37 | CPS 8772 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8772.html | ||||||||||
| 42710 | Patrick, Christina | Conlon, Giacona | Retro Rhapsody | 2012 | live-elec, 1 perf | 10:25:00 | cl [Klarinette] | Christina Giacona, clarinet | 0 | ||||||||||
| 39627 | Brian | Connolly | Critical Bands | 2017 | fixed media, akusmatisch | Brian Connolly | 0 | ||||||||||||
| 3461 | Justin | Connolly | Obbligati II, op. 13 | 1969 | Zuspiel / Tonband, 5 perf | 12:00 | Stereo | fl, cl, vn, p, vc [Flöte, Klarinette, Piano, Cello, Violine] | EMS_London | 0 | |||||||||
| 3462 | Justin | Connolly | Poems of Wallace Stevens III | 1970 | Zuspiel / Tonband, 2 perf | Stereo | S, p [Sopran, Piano] | WITHDRAWN | EMS_London | 0 | |||||||||
| 3463 | Justin | Connolly | Tesserae D, op. 15 | 1971 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | tpt [Trompete] | Soma 781/ | EMS_London | 0 | ||||||||
| 3464 | Justin | Connolly | Tetramorph, op. 18 | 1971 | Zuspiel / Tonband, | 15:00 | Stereo | str orc [Orchester] | WITHDRAWN ? | EMS_London | 0 | ||||||||
| 3465 | Justin | Connolly | Triad IV, op. 12 | 1969 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | fl, perc [Flöte, Schlagzeug] | EMS_London | 0 | |||||||||
| 3466 | Justin | Connolly | Triad VI, op. 21 | 1973 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | va, p [Piano, Viola] | EMS_London | 0 | |||||||||
| 3467 | Justin | Connolly | Variations | 1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 3459 | Justin, Peter | Connolly, Zinovieff | Intercourse, part 3 of M-Piriform | 1968 | Zuspiel / Tonband, 3 perf | Stereo | S, vn, fl [Sopran, Flöte, Violine] | EMS_London | 0 | ||||||||||
| 3460 | Justin, Peter | Connolly, Zinovieff | M-Piriform, op. 10 | 1968 | Zuspiel / Tonband, 4 perf | 10:00 | Stereo | S, vn, fl, cl [Sopran, Flöte, Klarinette, Violine] | rev. for S, 3 cl | EMS_London | 0 | ||||||||
| 42095 | Martin | Conrad | Gleich stürmen, alle schlafen (weekend remix) | 2006 | radiophon | BR | 0 | ||||||||||||
| 3468 | Tony | Conrad | Flaming Creatures | 1963 | Film | 48:00 | Mono | PS C. NY | 0 | ||||||||||
| 3469 | Tony | Conrad | The Flicker | 1965 | Film | 30:00 | Stereo | PS C. NY | 0 | ||||||||||
| 3470 | Tony | Conrad | Three Loops | 1961 | Zuspiel / Tonband, 1 perf | ∞ | Mono + Mono | perf [Performer] | PS C. NY | 0 | |||||||||
| 38750 | Tony, Keren, Dani, Achim, Natascha | CONRAD, CYTTER, GAL, LENGERER, SADR HAGHIGHIAN | Screen Off | 2011 | radiophon | 35:31:00 | 0 | ||||||||||||
| 33369 | Marius | Constant | Le joueur de flûte | 1952 | radiophon | 60 | Mono | ballet radiophinique pour basse, narrateur, choeur et orchestre | INA • GRM | Prix Italia 1952 | 0 | ||||||||
| 3471 | Maurice | Constant | Moulins à Prière | 1979 | fixed media, akusmatisch | 4:10 | Stereo | SME Krakow | 0 | ||||||||||
| 3472 | Maurice | Constant | Précis de décomposition | 1982 | Zuspiel / Tonband, 7 perf | 7 ins [Instrument] | EM ?? | 0 | |||||||||||
| 3473 | Dan | Constantinescu | Musiques structurées | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 3474 | Barry | Conyngham | Electroacoustic elements | 1975 | Oper | Stereo | CNRS Marseille | 0 | |||||||||||
| 39334 | Christopher | Cook | Gamaka | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39673 | Christopher | Cook | Prowler | 2017 | fixed media, akusmatisch | Christopher Cook | 0 | ||||||||||||
| 42878 | Christopher | Cook | Rocket | 2013 | live-elec, 1 perf | 8:30:00 | p [Piano] | Mary Hellman, piano | 0 | ||||||||||
| 42698 | Christopher | Cook | Siren Song | 2012 | live-elec, 1 perf | 7:30:00 | S [Sopran] | Rachel Holland, soprano | 0 | ||||||||||
| 39674 | Christopher | Cook | The Blue Marble | 2016 | Performance | Christopher Cook | 0 | ||||||||||||
| 23589 | Perry | Cook | DigitalDoo2003 | 2003 | fixed media, akusmatisch | 9:07 | Surround 5.1 | digitaldoo from an elec. Didgeridoo | CMJ Vol 27-4, 2003/ | iEAR Rensselaer | 1 | ||||||||
| 3475 | Antony | Coolman | Jetset | 1991 | Zuspiel/Tonband, 2 perf, 1 group | radiophon |
45:00 | Stereo | V, inss [Stimme, Instrument] | AdK Berlin | 0 | |||||||||
| 23591 | Paul | Coonce | Free Reeds | 2002 | fixed media, akusmatisch | 10:13 | Surround 5.1 | CMJ Vol 27-4, 2003/ | 1 | ||||||||||
| 36612 | Robert | Cooper | Cymbolic | 1995 | fixed media, akusmatisch | 5:54:00 | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | ||||||||||
| 3476 | Roy | Cooper | A Night at the Opera | 1967 | Hintergrundmusik | 15:00 | Mono + Mono + Mono + Mono | PS C. Chapelthorpe | 0 | ||||||||||
| 3477 | David | Cope | Extensions | Zuspiel / Tonband, 1 perf | 11:00 | Quadro | tpt [Trompete] | tpt-player must produce the tape | 0 | ||||||||||
| 3478 | David | Cope | Krap | Zuspiel / Tonband, | Quadro | 0 | |||||||||||||
| 3479 | David | Cope | Weeds | Zuspiel / Tonband, | Quadro | 0 | |||||||||||||
| 3480 | Darren | Copeland | A Sketch for Prometheus Bound | 1989 | fixed media, akusmatisch | 8:25 | Stereo | 0 | |||||||||||
| 22788 | Darren | Copeland | Always becoming somebody else | 1992 | Klangkunst, Installation | 9:21 | Stereo, Surround 5.1 | "collage", soundscape | Musicworks MW 60, Death of the Masterpiece/ IMED 0683/ | SFU | 11.1993 | Vancouver New Music at the Vancouver East Cultural Centre | honorable mention in the 1993 Vancouver New Music Young Composers Competition Competition Musica Nova Prag 1994 |
1 | |||||
| 3481 | Darren | Copeland | Amnesia | 1988 | fixed media, akusmatisch | 6:32 | Stereo | PS C., Beam Toronto | 0 | ||||||||||
| 41703 | Darren | Copeland | Bats & Elephants | 2011 | fixed media, akusmatisch | 36:06 | November 2011 | New Adventures in Sound Art’s SOUNDplay festival in Toronto | Harry Freedman Recording Award | 0 | http://www.darrencopeland.net/web2/?page_id=78 | ||||||||
| 18944 | Darren | Copeland | Darkness Colours | 1994 | fixed media, akusmatisch | 2:57 | CEC DISContact_2/ | SFU | 1 | ||||||||||
| 41704 | Darren | Copeland | Ear of Plenty | 2010 | fixed media, akusmatisch | 2:57 | 0 | http://www.darrencopeland.net/web2/?page_id=218 | |||||||||||
| 37167 | Darren | Copeland | Early Signals | 2001 | radiophon | 4:27 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | CBC Radio One | 11.12.2001 | CBC Radio One | 0 | ||||||
| 37169 | Darren | Copeland | Faith-Annihia | 1991 | fixed media, akusmatisch | 8:55 | Stereo, Surround 5.1 | IMED 0683/ | SFU | 29.11.1991 | Sonic Boom Festival of BC Composers produced by Vancuver Pro Musica in Vancouver (Canada). | 0 | |||||||
| 32917 | Darren | Copeland | Let Me Out | 2006 | radiophon | 34:59 | IMED 09100 trans_canada/ | 0 | |||||||||||
| 3482 | Darren | Copeland | Living It Out-In The Dead Air-Space | 1988 | fixed media, akusmatisch | 52:00 | Stereo | Elec. Circus St | 0 | ||||||||||
| 3483 | Darren | Copeland | Mahwje's Outlook | 1985 | Zuspiel / Tonband, 4 perf | Stereo | synt, perc, cl, proc V [Stimme, Klarinette, Schlagzeug, synthesizer] | Cherry Beach Toronto | 0 | ||||||||||
| 41705 | Darren | Copeland | Memory | 1997 - 1998 | fixed media, akusmatisch | 7 | EMS Stockholm | 0 | http://www.darrencopeland.net/web2/?page_id=153 | ||||||||||
| 20307 | Darren | Copeland | Night Camera | 1993 - 1996 | fixed media, akusmatisch | 24:41 | Stereo | IMED 9841/ | SFU | 12.1993 | Vancouver during Journées Électro-Radio Days (JERD) | 0 | |||||||
| 37168 | Darren | Copeland | On a Strange Road | 2003 | fixed media, akusmatisch | 10:55 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | 10.2004 | Tone Deaf Series at the Modern Fuel gallery in Kingston (Canada). | 0 | |||||||
| 37166 | Darren | Copeland | On Schedule | 2003 | live-elec, 2 perf | 12:22 | Stereo, Surround 5.1 | 2 perf [Performer] | IMED 0683/ | PS C. | 16.12.2003 | The Ambient Ping concert series at Club Nia in Toronto (Canada), performed by DreamState (Scott MacGregor Moore, Jamie Todd) | 0 | ||||||
| 3484 | Darren | Copeland | Pilgrimace | 1989 | fixed media, akusmatisch | 11:22 | Stereo | 0 | |||||||||||
| 19457 | Darren | Copeland | Reaching for Tomorrow | 1995 | fixed media, akusmatisch | 9:50 | Stereo | ASP 0966 / IMED 9841/ | SFU | 09.1995 | ISEA95 in Montréal | mention in the Luigi Russolo International Competition (Varese, Italy, 1995) | 0 | ||||||
| 19506 | Darren | Copeland | Recharting the Senses | 1996 | Klangkunst, Installation | 7:53 | Stereo | CSR CD 9701/ | SFU | 0 | |||||||||
| 20306 | Darren | Copeland | Rendered Visible | 1995 | fixed media, akusmatisch | 5:43 | Stereo | IMED 9841/ | 09.1995 | ISEA95 in Montréal | 0 | ||||||||
| 41706 | Darren | Copeland | River Valley Snapshots | fixed media, akusmatisch | 8:02 | Stereo, Spazialisation: Ambisonics | 0 | http://www.darrencopeland.net/web2/?page_id=224 | |||||||||||
| 37164 | Darren | Copeland | Streams of Whispers | 2002 | fixed media, akusmatisch | 12:41 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | 17.10.2002 | Bowling Green New Music and Art Festival (Bowling Green, OH, USA) | 0 | |||||||
| 3485 | Darren | Copeland | The Three Faces | 1986 | fixed media, akusmatisch | Stereo | An Introduction / The Three Faces / Colour In Motion / Spirits Danse / The Be-wild-erness (The World They Live In) / The Faces In Movement / Oe Tere (Their Minds Were Ruined) | Cherry Beach Toronto, Elec. Circus St, Beam Toronto | 0 | ||||||||||
| 37165 | Darren | Copeland | The Wrong Mistakes | 2003 | fixed media, akusmatisch | 4:34 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | 10.2004 | Tone Deaf Series at the Modern Fuel gallery in Kingston (Canada). | 0 | |||||||
| 37163 | Darren | Copeland | They’re Trying to Save Themselves | 2002 | radiophon | 3:53 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | CBC Radio | 11.9.2002 | CBC Radio One | 0 | ||||||
| 3486 | Darren | Copeland | This Morning of Wet Streets | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 41707 | Darren | Copeland | Under Falls And Creak – Fish Chorus at St. Anne’s Church | 2012 | fixed media, akusmatisch | 2:17 | 0 | ||||||||||||
| 3487 | Darren | Copeland | Zero and One: Stations and Directions | 1992 | fixed media, akusmatisch | 3:13 | CEC DISContact_1/ | SFU | 1 | ||||||||||
| 41708 | Darren, Alex | Copeland, Bulmer | Life Unseen | 1996 - 1997 | radiophon | 70 | 0 | http://www.darrencopeland.net/web2/?page_id=145 | |||||||||||
| 38751 | Darren, Andreas | COPELAND, KAHRE | The Other Night Underwater | 2008 | radiophon | 50:41:00 | 0 | ||||||||||||
| 27760 | Dimitri | Coppe | en déploiement | 2001 | fixed media, akusmatisch | 12:45 | Octo | Musiques et Recherches Ohain | Musiques et Recherches Ohain | 0 | |||||||||
| 41618 | Dimitri | Coppe | Hg 80 | 1999 | fixed media, akusmatisch | 19:40:00 | Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 3488 | Dimitri | Coppe | Lieu clos | 1995 | fixed media, akusmatisch | 10:00 | GMEM El 10, Project'Son/ | Musiques et Recherches Ohain | Musiques & Recherches | prix phonurgia nova 1995 (Hungaria) Prix spécial de la Radio hongroise, 1995 Mention d'honneur au concours Russolo, 1998 |
1 | ||||||||
| 41616 | Dimitri | Coppe | Loco | 1996 | fixed media, akusmatisch | 8:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 22323 | Dimitri | Coppe | S/M > A - E/I > C | 1997 | fixed media, akusmatisch | 7:56 | Octo | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||
| 28350 | Dimitri | Coppe | Transparence-Déhiscence | 2000 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 41617 | Dimitri | Coppe | Zwangsneurose | 1997 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 3489 | Claude A. | Coppens | The Horn of Plenty | 1979 | Zuspiel / Tonband, 2 perf | 18:45 | Stereo | perc, hn [Horn, Schlagzeug] | IPEM Gent | 0 | |||||||||
| 25691 | Leandro | Coradini | Sqrings | 2002 - 2003 | fixed media, akusmatisch | 9:49 | Stereo | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | |||||||||
| 3490 | Peter | Coraggio | Assimilation | 1967 | fixed media, akusmatisch | Mono | Uni Hawaii | 0 | |||||||||||
| 3491 | Peter | Coraggio, Hai-Luen | Opus 3*4 | 1967 | Tanz, live-elec, 1 perf | Mono | hp [Harfe] | a dance for Aeolian Harp, tape recorder and pedaphonic Dansomat (additional sounds activated by dancer’s movement) | Uni Hawaii | 0 | |||||||||
| 41406 | Maxime | Corbeil-Perron | Anti | fixed media, akusmatisch | Katharsis | 0 | https://www.ckcufm.com/ | ||||||||||||
| 42987 | Maxime | Corbeil-Perron | ANTI | 2013 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 32007 | Maxime | Corbeil-Perron | Atomes | 2010 | fixed media, akusmatisch | 11:40 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 31979 | Maxime | Corbeil-Perron | Fragments | 2011 | fixed media, akusmatisch | 9:52 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 1. prize 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2012 |
1 | |||||||||
| 41709 | Maxime | Corbeil-Perron | Vertiges | 2012 | live-elec, 1 perf | 10:50 | org [Orgel] | 2012 | Montreal | 0 | |||||||||
| 24115 | Alessandra | Corbelli | …custode delle ombre… | 2001 | live-elec, 11 perf | 8:48 | 2 fl, 2 cl, p, celesta, str-qt, perc [Flöte, Klarinette, Piano, Schlagzeug, Streicher] | Tempo Reale Firenze | 0 | ||||||||||
| 25005 | Ian | Corbett | Conversation | 2000 | fixed media, akusmatisch | 8:06 | miso records mcd 013/014/ | Uni Kanss City iMPACT | Musica Viva Competition Prize 2002 | 1 | |||||||||
| 3492 | Frank | Corcoran | Balthasars Traum | 1980 | fixed media, akusmatisch | 12:57 | Quadro | "Balthasar's Dream" | WWE 1CD 20214 col legno/ | TU Berlin | 7.4.1981 | Lichthof der Technischen Universität Berlin, „stimmen 4“ | 1 | ||||||
| 23325 | Frank | Corcoran | Joycespeak - Musik | 1995 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 23122 | Frank | Corcoran | Quasi Una Missa | 1999 | radiophon | 19:44 | WWE 1CD 20214 col legno/ CAP 22057/ | WDR Studio Akustische Kunst | WDR | emsPrize for Text-Sound-Composition 2002. | 1 | ||||||||
| 22809 | Frank | Corcoran | Sweeney's letztes Gedicht, Sweeney's Farewell (Sweeney's Last Poem) | 1997/1998 | fixed media, akusmatisch | 5:03 | WWE 1CD 20214 col legno/ | TU Berlin | 0 | ||||||||||
| 19163 | Frank | Corcoran | Sweeney's Vision | 1997 | fixed media, akusmatisch | 20:38 | Stereo | BBM 1026/ LDC 278070/71 Cultures Electroniques 13/ WER 6307-2/ | TU Berlin | WDR Studio akustische Kunst (Schöning) | 1 | ||||||||
| 23522 | Frank | Corcoran | Tradurre - Tradire | 2004 | fixed media, akusmatisch | radiophon |
24:01 | Stereo | Titelübersetzung = Verfälschung | TU Berlin, DeutschlandRadio | DeutschlandRadio Kultur Hörspiel (Götz Naleppa) | 1 | http://www.frankcorcoran.com | |||||||
| 28171 | Raphael | Corday | Comme je la vois, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 6:00 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 40142 | Nathan | Corder | Seppuku | 2015 | Zuspiel / Tonband, 1 perf | 8:12:00 | gui [Gitarre] | Nathan Corder | 0 | ||||||||||
| 19507 | Eric |
Cordier | Houlque | 1994 - 1996 | fixed media, akusmatisch | 51:12 | Stereo | 8 mouvements | LGF 003/ | 0 | |||||||||
| 19508 | Eric |
Cordier | Stéllaire Holostée | 1994 - 1996 | fixed media, akusmatisch | 21:21 | Stereo | 2 mouvements | LGF 003/ | 0 | |||||||||
| 38752 | Eric, Jean Luc, Eric, Götz | CORDIER, GUIONNET, LA CASA, NALEPPA | Afflux | 1998 | radiophon | 51:48:00 | 0 | ||||||||||||
| 42816 | Vicenzo, Fabio | Core, Scacchioli | Miss Candace Hilligoss’ flickering halo | 2012 | fixed media, akusmatisch | 13:45:00 | 0 | ||||||||||||
| 3493 | Azio | Corghi | Sinfonia dell'esercito di arlecchino | 1982 | Zuspiel / Tonband, 1 group | 8:00 | ens [Ensemble] | S.Zerboni | IRCAM | 0 | |||||||||
| 24116 | Azio | Corghi | . . . sotto l'ombra che il bambino solleva | 1999 | live-elec, 1 perf, 1 group | ≈ 30:00 | Stereo | V, orc [Stimme, Orchester] | Radi Version | Tempo Reale Firenze | Ricordi | 0 | |||||||
| 23934 | Rolando | Cori | Bailecitos con la Novia | Zuspiel / Tonband, 2 perf | 8:25 | V, gui [Stimme, Gitarre] | 0 | ||||||||||||
| 3494 | Rolando | Cori | Fiesta | 1988 | fixed media, akusmatisch | 8:33 | Stereo | HfM Freiburg | 0 | ||||||||||
| 23933 | Rolando | Cori | Trozo Experimental | 1981 | Zuspiel / Tonband, 2 perf | vib, gui [Gitarre, Schlagzeug] | 1981. Sala Isidora Zegers. Santiago, Chile. | 0 | |||||||||||
| 3495 | Miguel Angel | Coria | Collage | 1966 - 1967 | fixed media, akusmatisch | ALEA Madrid | 0 | ||||||||||||
| 23935 | Sergio | Cornejo | Arsis y Thesis | 1983 | fixed media, akusmatisch | Compuesta con motivo del XV aniversario de la carrera de Tecnología del Sonido. Agosto 1983. Sala Isidora Zegers. Santiago, Chile. |
0 | ||||||||||||
| 32114 | Gregory | Cornelius | Earth and Green | 2006 | fixed media, akusmatisch | 6:15:00 | SEAMUS EAM Vol. 18/ Centaur CRC, CDMC Vol. 38/ | 0 | |||||||||||
| 3496 | Klaus | Cornell | Passacaglia 1975 | live-elec, | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||||
| 3497 | Klaus | Cornell | Vigilia | 1973 | Zuspiel / Tonband, 1 group | 20:00 | ens [Ensemble] | 0 | |||||||||||
| 3498 | Klaus | Cornell | Wasser-Turm-Musik | 1977/1978 | Zuspiel, live-elec, 1 perf, 1 group | 23:00 | perc, ens [Schlagzeug, Ensemble] | 0 | |||||||||||
| 3499 | Phil | Corner | as pure to begin | 1965 | live-elec, 1 perf | var | Mono | p, (random noise, amp) [Piano] | PS C. NY | 0 | |||||||||
| 3500 | Phil | Corner | ATTEMTING WHITENESSES | 1979 | Zuspiel / Tonband, 1 perf | 15:20 | Stereo | bn [Fagott] | SME Krakow | 0 | http://www.ubu.com/historical/corner/index.html | ||||||||
| 3501 | Phil | Corner | Beach at Newport (Rhode Island) | fixed media, akusmatisch | ∞ | Mono | PS C. NY | 0 | |||||||||||
| 36532 | Phil | Corner | Break | radiophon | br [Bläser] | S Press 89/ | 0 | ||||||||||||
| 3502 | Phil | Corner | Composition with / or without Beverly | 1961 | Zuspiel / Tonband, 2 perf | var | Mono | perf, perc [Schlagzeug, Performer] | PS C. NY | 0 | |||||||||
| 3503 | Phil | Corner | "DO", for (with) (to?) Maxfeed AM (stereo)…FM, AM/FM | 1966 | live-elec, | var | multichannel | realization of "Maxfeed" by Max Neuhaus | PS C. NY | 0 | |||||||||
| 36533 | Phil | Corner | Dum De Dum De Dum | radiophon | V [Stimme] | S Press 89/ | 0 | ||||||||||||
| 3504 | Phil | Corner | from Thais | 1962 | Musiktheater, 1 perf | var | Mono | perf, (slides, actions) [Performer] | PS C. NY | 0 | |||||||||
| 36531 | Phil | Corner | Gamelan XII | radiophon | S Press 89/ | 0 | |||||||||||||
| 3505 | Phil | Corner | Gong/Ear | 1991 | intermedia | 11:48 | AER 1992 / 5/ | 1 | |||||||||||
| 3506 | Phil | Corner | High Contrast | 1961 | live-elec, | var | multichannel | (amp) [] | PS C. NY | 0 | |||||||||
| 3507 | Phil | Corner | Lexington Avenus Subway, 86th Street to 125th Street | fixed media, akusmatisch | var | Mono | PS C. NY | 0 | |||||||||||
| 3508 | Phil | Corner | Lucinda's Pastime | 1962 | fixed media, akusmatisch | 17:30 | Mono | 3 parts | PS C. NY | 0 | |||||||||
| 3509 | Phil | Corner | Memories: Performances | 1964 | Zuspiel / Tonband, 1 perf | ≈ 18:00 | Mono | perf [Performer] | assemblage | PS C. NY | 0 | ||||||||
| 3510 | Phil | Corner | Oracle | 1962 | fixed media, akusmatisch | ≈ 20:00 | Quadro | tape to be perf in var versions such as "Cantata on Images of War", Marches of Oracle", "Strike Week Version" | PS C. NY | 0 | |||||||||
| 3511 | Phil | Corner | Projects for outdoor seance | 1961 - 1966 | live-elec, | multichannel | (amp) [] | PS C. NY | 0 | ||||||||||
| 22093 | Phil | Corner | Satie's Rose Cross as a Revelation | radiophon | 1:41 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 3512 | Phil | Corner | Solo Music and More | 1961 - 1966 | live-elec, 1 perf | multichannel | any no of amp ins [Instrument] | PS C. NY | 0 | ||||||||||
| 3513 | Phil | Corner | Strata, ——— - Second Layers (at least a solo) | 1965 | live-elec, 1 perf | var | Mono | p (sound transformation) [Piano] | PS C. NY | 0 | |||||||||
| 3514 | Phil | Corner | The Piece of Reality for Today | fixed media, akusmatisch | var | Mono | PS C. NY | 0 | |||||||||||
| 39590 | Anthony | Cornicello | Breathing time as fishes breathe water… | 2015 | fixed media, akusmatisch | 8:00:00 | Anthony Cornicello | 0 | |||||||||||
| 42596 | Anthony | Cornicello | Spiral Jetty | 2006 | fixed media, akusmatisch | 13 | Meet The Composer/ Commissioning Music/USA 2005 | 0 | |||||||||||
| 26498 | James | Correa | Dances & Intermezzi | 2001 | Zuspiel / Tonband, 1 perf | p [Piano] | 38972604-7 Brasil/ | SUNY Buffalo | 1 | http://www.acsu.buffalo.edu/~jcsoares/index.html | |||||||||
| 26501 | James | Correa | Kyrie for Beslan | 2003 | fixed media, akusmatisch | SUNY Buffalo | 0 | http://www.acsu.buffalo.edu/~jcsoares/index.html | |||||||||||
| 26497 | James | Correa | O Jardim dos Caminhos que se Bifurcam, The Garden of the Forked Paths | 2001 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | SUNY Buffalo | 1 | http://www.acsu.buffalo.edu/~jcsoares/index.html | ||||||||||
| 39880 | James | Correa | The Italo Calvinbo Cities I: cities and the memory | 2016 | Performance | James Correa | 0 | ||||||||||||
| 26499 | James | Correa | When I Drift into my Thoughts | 2000 | fixed media, akusmatisch | SUNY Buffalo | 1 | http://www.acsu.buffalo.edu/~jcsoares/index.html | |||||||||||
| 26500 | James | Correa | Winter Études | 1999 | fixed media, akusmatisch | SUNY Buffalo | 0 | http://www.acsu.buffalo.edu/~jcsoares/index.html | |||||||||||
| 3515 | Enrique | Correggia | From the Dark Thrown to Bright Light | 1976 | Zuspiel / Tonband, 6 perf | 2 V, 4 ins [Stimme, Instrument] | 0 | ||||||||||||
| 41941 | Sara | Corry | Aftersong | fixed media, akusmatisch | 0 | ||||||||||||||
| 25006 | Nuno | Côrte-Real | Noa - Noa, tribute to Gauguin op. 3 | 1995 | fixed media, akusmatisch | 6:34 | miso records mcd 013/014/ | Musica Viva Competition Prize 2000 | 1 | ||||||||||
| 19509 | Juan Manuel | Cortés | Alas de Seda | Zuspiel / Tonband, 2 perf | 5:44 | Stereo | sax, S [Sopran, Saxophon] | 4 mouvements | 0 | ||||||||||
| 36962 | Mark | Corwin | Spelunkextract | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 3516 | Annechien | Cosijn | Qui Vive / Mikado | 1985 | Theater, 1 perf | 5:00 | Stereo | Clown [Schauspieler] | voor clown en band | Sonology Utrecht | 0 | ||||||||
| 3518 | Giovanni | Cospito | Il Canto | 1993 | live-elec, | LIM Milano | 0 | ||||||||||||
| 25007 | Gustavo | Costa | Colagens, Fluxus e Fuidos | 1999 | fixed media, akusmatisch | 5:37 | miso records mcd 013/014/ | Musica Viva Competition Prize 2000 | 1 | ||||||||||
| 33797 | Simao | Costa | DeCerto SerraMu | 2012 | fixed media, akusmatisch | 15:27:00 | Composing with Sounds/ | DMU/MTI | 1 | ||||||||||
| 39823 | Giovanni | Costantini | il battito del respiro | 2015 | fixed media, akusmatisch | 7:00:00 | Giovanni Costantini | 0 | |||||||||||
| 39821 | Giovanni | Costantini | Seclusion | 2017 | fixed media, akusmatisch | Giovanni Costantini | 0 | ||||||||||||
| 39384 | Giovanni | Costantini | Shatte-red Dreams | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39822 | Giovanni | Costantini | Traccia sospesa | 2016 | fixed media, akusmatisch | Giovanni Costantini | 0 | ||||||||||||
| 33705 | Jean-Louis Garnick Philippe | Costes | Oh Fortuna | fixed media, akusmatisch | 2:42:00 | WN 00006/1991/ | 1 | ||||||||||||
| 39639 | Carlos | Cotallo Solares | El Arzobispo de Constantinopla | 2017 | fixed media, akusmatisch | 16 Tracks | Carlos Cotallo Solares | 0 | |||||||||||
| 41738 | Guillaume | Côté | Étude hypermoderniste pour banjo en sol majeur | 2012 | fixed media, akusmatisch | 6:34:00 | JTTP 2012 | 0 | |||||||||||
| 41739 | Guillaume | Côté | Gaza | 2011 | fixed media, akusmatisch | 6:02:00 | JTTP 2011 | 0 | |||||||||||
| 34346 | Guillaume | Côté | Il n’y a que blanc | 2013 | fixed media, akusmatisch | 8:26 | CEC Cache 2013, PeP 018/ | Winner JTTP 2013 4. prize | 0 | http://econtact.ca/16_1/index.html#guillaumecote | |||||||||
| 34358 | Guillaume | Côté | La gerçure des alentours | 2014 | fixed media, akusmatisch | 9:22:00 | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 3. prize | 0 | |||||||||
| 32005 | Guillaume | Côté | La statique dans le ciel masque l’horizon | 2010 | fixed media, akusmatisch | 6:43 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 19458 | Michel | Côtè | Quelques hypocampes | 1994 | fixed media, akusmatisch | 3:35 | Stereo | AM 031 CD/ | 0 | ||||||||||
| 19459 | Michel, Diane | Côtè, Labrosse | Duo deconstructiviste, 6 pieces | 1994 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | electro-rock | AM 031 CD/ | 0 | |||||||||
| 3519 | David | Cottle | Enoch | 1989 | fixed media, akusmatisch | 4:44 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 28021 | Jeremy | Coubrough | The Spectre of The Delusion of The Fury | 2010 | fixed media, akusmatisch | 6:18 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 winner 3. prize australasian | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 28551 | Rosalyn | Coull | Stress Vs Piece 2: Ambivalence | 2010 | fixed media, akusmatisch | 10:10 | Octo | Inventionen 2010, 29.7.2010 Elisabethkirche | BEAST | 1 | 2010 | ||||||||
| 3521 | Micheline | Coulombe Saint-Marcoux | Arksalalartôq | 1971 | fixed media, akusmatisch | 6:45 | Stereo | version with ins; with Alcides Lanza and Meg Sheppard made 1976 | eSp 9601 Shelan/ IMED 0159/ ACM 18/ | INA • GRM | GRM | February 26th, 1971 | Paris, Halles Baltard | 1 | |||||
| 3522 | Micheline | Coulombe Saint-Marcoux | Bernavir | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 3523 | Micheline | Coulombe Saint-Marcoux | Constellations I | 1981 | fixed media, akusmatisch | 18:45 | Stereo | two versions: a concertversion and a version for dance (1983) | LDC 2781112/13/14 opus 30/ IMED 0159/ ACM 18/ | IMEB Bourges | GMEB | June 9th 1982 | Synthèse Festival | 1 | |||||
| 24600 | Micheline | Coulombe Saint-Marcoux | Contrastances | 1971 | fixed media, akusmatisch | 6:34 | Stereo | IMED 0159/ | PS | 1.04.1971 | Musée d’art moderne, in Paris (France) | 0 | |||||||
| 3525 | Micheline | Coulombe Saint-Marcoux | Miroirs | 1975 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | hpd [Cembalo] | Spiteri | SNE 542/ ACM 18/ | IPEM Gent | 0 | |||||||
| 3526 | Micheline | Coulombe Saint-Marcoux | Moustières | 1971 | fixed media, akusmatisch | 9:45 | Stereo | IMED 0159/ | INA • GRM | GMEB | June 17th, 1971 | Palais Jacques-Cœur during the festival “Dans Bourges ancien musiques d’aujourd’hui” in Bourges | 0 | ||||||
| 3527 | Micheline | Coulombe Saint-Marcoux | Regards | 1978 | Zuspiel / Tonband, 9 perf | 7:37 | Stereo | 9 ins [Instrument] | IPEM Gent, EMS Stockholm | 0 | |||||||||
| 3528 | Micheline | Coulombe Saint-Marcoux | Trakadie | 1970 | Zuspiel / Tonband, 1 perf | 11:00 | perc [Schlagzeug] | RM CD 222/ QCS 1189/ | 0 | ||||||||||
| 24599 | Micheline | Coulombe Saint-Marcoux | Zones | 1971 - 1972 | fixed media, akusmatisch | 9:02 | Stereo | IMED 0159/ Creel Pone 14/ RCI 373/ ACM 18/ QCS 1189/ | SFU | 25.03.1972 | Festival international d’Art contemporain (Royan, France) | 0 | http://www.thecanadianencyclopedia.ca/en/article/capac-emc/index.cfm | ||||||
| 35397 | John | Coulter | While the Sun Shines | 2013 - 2016 | fixed media, akusmatisch | 15:42:00 | multichannel | MR 2016 Métamorphoses 2016/ | finalist at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||||
| 39924 | John | Coulter | While the Sun Shines | 2015 | fixed media, akusmatisch | 12:00:00 | John Coulter | 0 | |||||||||||
| 21888 | Pierre | Couprie | Entre terre et mer ou que de rêves égarés | 1999 | fixed media, akusmatisch | 13:50 | IMEB Bourges | 0 | |||||||||||
| 27660 | Pierre | Couprie | Jukurrpa - Quatre rêves | 2001/2007 | fixed media, akusmatisch | 10:52 | version 2007 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | INA GRM | 1 | http://www.mti.dmu.ac.uk/ | |||||||
| 21886 | Pierre | Couprie | Tel un Miroir bleu … | 1996 | fixed media, akusmatisch | 14:30 | IMEB Bourges | 0 | |||||||||||
| 21887 | Pierre | Couprie | Un Soufflé … la Voix | 1996 | fixed media, akusmatisch | 13:45 | IMEB Bourges | 0 | |||||||||||
| 3529 | Mireille | Courdeau | Upsalogie | 1969 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 19510 | John | Cousins | Edit for Pauline | 1983 | fixed media, akusmatisch | 23:16 | Stereo | MANU 1436/ | Uni Wellington | 0 | |||||||||
| 19511 | John | Cousins | Parade | 1982 | fixed media, akusmatisch | 14:00 | Stereo | MANU 1436/ | Uni Wellington | 0 | |||||||||
| 19512 | John | Cousins | Sleep Exposure | 1979 | fixed media, akusmatisch | 10:39 | Stereo | MANU 1436/ | Uni Wellington | 0 | |||||||||
| 22457 | John | Cousins | Ssaufhapt | 1996 | fixed media, akusmatisch | 13:48 | Stereo | Uni Wellington | eContact 3.2 _ ACMA | 1 | |||||||||
| 19513 | John | Cousins | Tense Test | 1986 | fixed media, akusmatisch | 25:00 | Stereo | MANU 1436/ | Uni Wellington | 0 | |||||||||
| 22458 | Guillaume | Couto Dumont | Arianne Secret | 2000 | fixed media, akusmatisch | 6:30 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | 1 | |||||||||
| 3530 | Jacques | Coutu | Étude d'attaques et de résonnances | 1983 | fixed media, akusmatisch | 4:00 | Stereo | 0 | |||||||||||
| 3531 | Jacques | Coutu | Étude de comportement et d'expression mélodique | 1984 | fixed media, akusmatisch | 6:00 | Stereo | 0 | |||||||||||
| 41807 | Grant Chu | Covell | Durchschnitt | 2001 | fixed media, akusmatisch | 3:52 | codemist ICMC2001/ | 0 | |||||||||||
| 23123 | Grant Chu | Covell | Octet with Puzzle | 2001 | fixed media, akusmatisch | 2:53 | Cec Presence 3/ | 1 | |||||||||||
| 3532 | Henry | Cowell | Pulse | 1939 | Zuspiel / Tonband, 6 perf | 4:20 | Stereo | 6 perc [Schlagzeug] | NWR 80405-2 DIDX-008612/ | 1 | 1992 | ||||||||
| 3533 | Henry | Cowell | Rhythmicana | 1971 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | originally for "Rhythmicon" | CCRMA | 0 | |||||||||
| 40872 | Henry | Cowell | The Banshee | 1957 | fixed media, akusmatisch | 2:23 | SR 290 sub rosa/ | 1 | |||||||||||
| 42696 | Geoff | Cox | Voicing Deconstruction | 2012 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 40217 | Robin | Cox | Ghost of Time | 2017 | fixed media, akusmatisch | Robin Cox | 0 | ||||||||||||
| 40218 | Robin | Cox | START | 2016 | fixed media, akusmatisch | Robin Cox | 0 | ||||||||||||
| 39637 | Bryce | Craig | Crystal Ballet | 2016 | fixed media, akusmatisch | Bryce Craig | 0 | ||||||||||||
| 3534 | Heinz von | Cramer | Das große Ebenbild | 1962 | radiophon | Mono | Text by Dino Buzzatti | Siemens | NDR Hörspiel | 5.12.1962 | NDR Hamburg | 0 | |||||||
| 3535 | Heinz von | Cramer | Kreisverkehr | 1962 | radiophon | Mono | Rundfunkmusik | Siemens | 0 | ||||||||||
| 3536 | Heinz von | Cramer | Museum | 1962 | radiophon | Mono | Rundfunkmusik | Siemens | 0 | ||||||||||
| 33440 | Peter | Crane | Composition Number One | 1966 | fixed media, akusmatisch | 2 | Stereo | Uni Madison | 0 | ||||||||||
| 19479 | Noah | Creshevsky | Borrowed Time | 1992 | fixed media, akusmatisch | 11:43 | Stereo | Centaur CRC 2194/ | 0 | ||||||||||
| 19480 | Noah | Creshevsky | Coup d'ètat | 1993 - 1994 | fixed media, akusmatisch | 8:27 | Stereo | Centaur CRC 2194/ | 0 | ||||||||||
| 19481 | Noah | Creshevsky | Private Lives | 1993 - 1994 | fixed media, akusmatisch | Stereo | Centaur CRC 2194/ | 0 | |||||||||||
| 41505 | Noah | Creshevsky | Try | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 3537 | Lyell | Cresswell | Our Day begins at midnight | 1985 | Zuspiel / Tonband, 3 perf | 50:00 | a-sax, p, Sp [Sprecher, Saxophon, Piano] | Uni Glasgow | 0 | ||||||||||
| 3538 | Frank | Crijns | Pes | 1989 | live-elec, 1 perf | e-p [Piano] | Vorsetzer | Sweelinck | 0 | ||||||||||
| 3539 | Rob | Criuckshank | Starting From the House | 1995 | fixed media, akusmatisch | 2:48 | CEC DISContact_2/ | 1 | |||||||||||
| 23555 | Leonardo | Croatto | Digital Nr. 1 | 1985 | fixed media, akusmatisch | 5:21 | Sonus Montevideo | 1 | |||||||||||
| 23556 | Leonardo | Croatto | Digital Nr. 2 | 1985 | fixed media, akusmatisch | 6:01 | Sonus Montevideo | 1 | |||||||||||
| 24399 | Teodoro | Cromberg | De avarici Alchimia | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22858 | Teodoro | Cromberg | Marimbágenes | 1996 | Zuspiel / Tonband, 1 perf | 8:00 | mar [Schlagzeug] | Pogus Productions P21015-2/ | School ORT´s studio of Buenos Aires | 1 | |||||||||
| 3540 | Helmut | Cromm | Raumspiel | 1971 | Zuspiel / Tonband, 4 perf | Quadro | 4 ins [Instrument] | 0 | |||||||||||
| 42938 | James | Croson | Circular Logic | 2013 | live-elec, 1 perf | 8:39:00 | vc [Cello] | Andrew Borkowski, cello | 0 | ||||||||||
| 39881 | James | Croson | We Interrupt This Breaking News | 2015 | fixed media, akusmatisch | 6:23:00 | James Croson | 0 | |||||||||||
| 3541 | Janet | Cross | Pleasant Tasks | 1995 | fixed media, akusmatisch | 2:56 | CEC DISContact_2/ | 1 | |||||||||||
| 3542 | Lowell | Cross | After long silence | 1964 | Zuspiel / Tonband, 1 perf | 5:38 | Quadro | S [Sopran] | om a poem of Yeats | Coll Lubbock | 0 | ||||||||
| 3543 | Lowell | Cross | Antiphonies | 1964 | fixed media, akusmatisch | 4:30 | Quadro | Coll Lubbock | 0 | ||||||||||
| 3544 | Lowell | Cross | Decaphonics | 1963 | fixed media, akusmatisch | 6:12 | Stereo | Coll Lubbock | 0 | ||||||||||
| 3545 | Lowell | Cross | Four random studies | 1961 | fixed media, akusmatisch | 5:00 | Stereo | Coll Lubbock | 0 | ||||||||||
| 27724 | Lowell | Cross | Musica Instrumentalis: Video II (B)/(C)/(L) | 1965 | audiovisuell, live-elec, | 15:24 | images & sound produced simultaneously & interdependently | Pogus 21050-2/ Source Records, SR 17/ | Uni Toronto | 0 | |||||||||
| 3546 | Lowell | Cross | Three etudes for Hugh LeCaine | 1965 | fixed media, akusmatisch | 6:00 | Quadro | Uni Toronto | 0 | ||||||||||
| 3547 | Lowell | Cross | Video II (B) | 1965 | fixed media, akusmatisch | 31:17 | Stereo | special TV-techniques: visual patterns activated by the sound track | UTEMS Toronto | 0 | |||||||||
| 3548 | Allan | Crossman | Dances of Wind and Shade | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 3549 | Allan | Crossman | Dream Cycle | 1972 | Zuspiel, live-elec, | 18:00 | Stereo | 0 | |||||||||||
| 3550 | Allan | Crossman | Gretchen am Komputer | live-elec, 2 perf | Stereo | V, Kbd [Stimme, Keyboard] | 0 | ||||||||||||
| 3551 | Allan | Crossman | The Comedy of Errors | 1984 | Hintergrundmusik | 27:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 40245 | Shawn | Crouch | Pocket Life | 2015 | Zuspiel / Tonband, 1 perf | 7:05:00 | hn [Horn] | Shawn Crouch | 0 | ||||||||||
| 19478 | Rob | Cruickshank | Starting From the House, Working outwards | 1996 | fixed media, akusmatisch | 2:48 | Stereo | CEC DISContact_1/ | 0 | ||||||||||
| 3552 | George | Crumb | Black Angels, (13 Bilder des Dunklen Landes) | 1970 | live-elec, 4 perf | 20:45 | amp str-qt [Streicher] | Nonesuch 7559-79242/ | Uni Michigan | 1 | 1989 | ||||||||
| 37589 | George | Crumb | Metamorphoses, Book I | 2017 | live-elec, 4 perf, 1 group | amp p, toy p, inss, V [Stimme, Piano, Instrument] | 21.10.2017 | Donaueschinger Musiktage 2017, Margaret Leng Tan | 0 | ||||||||||
| 3553 | Zulema de la | Cruz | Canto a Europa | 1992 | Zuspiel / Tonband, 1 perf | 16:42 | Stereo | V [Stimme] | LIEM CDMC Madrid | 0 | |||||||||
| 19649 | Zulema de la | Cruz | Eridano | 1994 | Zuspiel / Tonband, 1 perf | 9:25 | Stereo | a-sax [Saxophon] | D.L.:M-19.1990-1996/ | LIEM CDMC Madrid | 0 | ||||||||
| 3554 | Zulema de la | Cruz | FUGAZ (fugace) | 1990 | fixed media, akusmatisch | 11:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 3555 | Zulema de la | Cruz | La sombra del ciprés es alargada | fixed media, akusmatisch | 4:30 | UM CD 7 Vol. I/ | LICEO Madrid | 1 | |||||||||||
| 3556 | Zulema de la | Cruz | PULSARES | 1990 | Zuspiel / Tonband, | 10:36 | Stereo | RNE/ BCD/ | LIEM CDMC Madrid | 0 | |||||||||
| 3557 | Zulema de la | Cruz | So far, so near | 1987 | fixed media, akusmatisch | 7:00 | CCRMA | prize in spain | 0 | ||||||||||
| 19648 | Zulema de la | Cruz | Soluna | 1993 | Zuspiel / Tonband, 6 perf | 16:42 | Stereo | sax-qt, p, perc [Saxophon, Piano, Schlagzeug] | LIEM CDMC Madrid | 0 | |||||||||
| 19650 | Zulema de la | Cruz | Triangulo de Verano | 1994 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | ob, p [Oboe, Piano] | LIEM CDMC Madrid | 0 | |||||||||
| 25607 | Ajtony | Csaba | overtone impromtus | 2006 | fixed media, akusmatisch | 13 | Quadro | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. basierend auf "Zigid" |
Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | ||||||||
| 25864 | Ajtony | Csaba | Zigid | 2003 | Zuspiel, live-elec, 1 perf | 11:12 | Octo | p [Piano] | EX 656 Elak Wien/ | ELAK Wien | 6.3.2003 | Uni für Musik Wien | 1 | ||||||
| 19477 | Luis Carlos | Csekö | Sound | 1982 | Zuspiel / Tonband, 1 perf | 3:40 | Stereo | V [Stimme] | RD003 MEB Rioarte/ | 0 | |||||||||
| 3558 | Miklós | Csemiczky | Meditatio mortis | 1980 | fixed media, akusmatisch | 10:10 | Stereo | HUN SLPX 12371/ | MR Budapest | 1 | |||||||||
| 3559 | Miklós | Csemiczky | Versus | 1982 | fixed media, akusmatisch | 12:15 | Stereo | MR Budapest | 0 | ||||||||||
| 3560 | Károly | Cserepes | Gamelan - 8 | 1986 | fixed media, akusmatisch | 6:50 | Stereo | MR Budapest | 0 | ||||||||||
| 27914 | Matyas | Csillagi | Objets | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 3561 | István | Csont | Awaking | 1989 | fixed media, akusmatisch | 15:10 | Stereo | MR Budapest | 0 | ||||||||||
| 41931 | Carlos Garcia | Cuéllar | Canción en el aire | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 21001 | Carlos Garcia | Cuéllar | La Ciudad de la Roca | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||||
| 42950 | Yiyi | Cui | Beijing Impression | 2013 | fixed media, akusmatisch | 12:45:00 | 0 | ||||||||||||
| 41829 | Lyndall | Culbertson | Alarming | 2007 | fixed media, akusmatisch | 3:51:00 | 0 | ||||||||||||
| 41830 | Lyndall | Culbertson | Aural Spiral #1 | 2007 | fixed media, akusmatisch | 5:12:00 | 0 | ||||||||||||
| 41831 | Lyndall | Culbertson | Black Shred | 2012 | fixed media, akusmatisch | Klangkunst, Installation |
3:36:00 | 0 | ||||||||||||
| 41832 | Lyndall | Culbertson | Gridlock | 2006 | fixed media, akusmatisch | 4:04:00 | Sonic Channels series at LMCC Swing Space and the Aqua Sound Broadcast at Miami Basel. | 0 | |||||||||||
| 41833 | Lyndall | Culbertson | Hydrophonic Hymn | 2010 | fixed media, akusmatisch | 4:06:00 | 0 | ||||||||||||
| 41834 | Lyndall | Culbertson | Subharmonics | 2010 | radiophon | 4:27:00 | Deep Wireless 8 (New Adventures in Sound Art), 2, 6 | NAISA Deep Wireless 8/ | 0 | ||||||||||
| 41835 | Lyndall | Culbertson | White Shred | 2009 | fixed media, akusmatisch | 5:08:00 | Aug. 21 – Nov. 22, 2015 | Miller Gallery at Carnegie Mellon University | 0 | ||||||||||
| 3562 | Conrad | Cummings | Beast Songs | 1979 | Zuspiel / Tonband, 1 perf, 1 group | ens, S [Sopran, Ensemble] | IRCAM | 0 | |||||||||||
| 36595 | Conrad | Cummings | Zephyr’s Lesson | 1984 | Zuspiel / Tonband, 3 perf | fl, vc, perc [Flöte, Schlagzeug, Cello] | Elise Roy, flute, Steuart Pincombe, violoncello, Jennifer Torrence, percussion | Centaur CRC 2938, CDCM Vol. 37/ | Oberlin Col | 0 | |||||||||
| 3563 | Paul | Cundren-White | Electronic Music I and II | 1975 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 3564 | Laurent | Cuniot | Cinq pieces pour Hamlet | 1987 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | INA • GRM | 0 | ||||||||||
| 3565 | Laurent | Cuniot | Diabolus games Paris | 1983 | fixed media, akusmatisch | 13:50 | Stereo | (Paris Impressions 6'25) | INA • GRM | 28.12.1983 | France-Culture | 0 | |||||||
| 3566 | Laurent | Cuniot | Jeux sur jeux | 1978 | fixed media, akusmatisch | 4:36 | Stereo | INA • GRM | 6.3.1979 | Paris, SACEM | 0 | ||||||||
| 3567 | Laurent | Cuniot | L'exil au miroir | 1984 | Zuspiel / Tonband, 1 group | Stereo | ch [Chor] | INA • GRM | Rdio France | 14.5.1984 | Paris, Maison de Radio-France, Studio 105, Concert lecture; avec l’ensemble Sei Voci | 0 | |||||||
| 3568 | Laurent | Cuniot | Par Jeux | 1979 | Zuspiel, live-elec, 3 perf | 14:50 | Stereo | 3 synt [synthesizer] | INA • GRM | 28.11.1979 | Lille, Festival Palais Rihour, avec le Trio GRM.PLUS (Cuniot, Dufour, Geslin) | 0 | |||||||
| 18822 | Laurent | Cuniot | quatuor | 1983 | Zuspiel, live-elec, 4 perf | 18:00 | 2 synt, vn, vc [Cello, Violine, synthesizer] | Trio TM+: 2 Synth.,Vl. & Vcl | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 1 | ||||||||
| 3569 | Laurent, Denis, Yann | Cuniot, Dufour, Geslin | Situations de jeu | 1981 | Zuspiel, live-elec, 3 perf | 12:00 | 2 synt, vn [Violine, synthesizer] | Trio TM+ | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 1 | 1984 | |||||||
| 39687 | Corey | Cunningham | Bind up my Wounds | 2016 | fixed media, akusmatisch | Corey Cunningham | 0 | ||||||||||||
| 3570 | James | Cunningham | Suite in the Form of a Mushroom | 1958 | fixed media, akusmatisch | 5:00 | Quadro | Universal Rec Chicago | 0 | ||||||||||
| 3571 | James | Cunningham | The Promise | 1967 | Film | Mono | Glennview Chicago | 0 | |||||||||||
| 3572 | James | Cunningham | Tic Toc Fugue | 1958 | fixed media, akusmatisch | 2:40 | Stereo | Dun/ | Universal Rec Chicago | 0 | |||||||||
| 3573 | James | Cunningham | Time Longs for Eternity | 1962 | Tanz | Stereo | Universal Rec Chicago | 0 | |||||||||||
| 40267 | Stuart | Cunningham | LSD No. 2 | 2015 | fixed media, akusmatisch | 1:04:00 | Stuart Cunningham | 0 | |||||||||||
| 40266 | Stuart | Cunningham | Noise without Noise | 2016 | fixed media, akusmatisch | Stuart Cunningham | 0 | ||||||||||||
| 39506 | Stuart | Cunningham | Titan | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 33830 | Vapori del | Cuore | Great Dance | fixed media, akusmatisch | 4 | Stereo | LMJ 12 CD/ | 0 | |||||||||||
| 22292 | Conor | Curran (CJC) | In between | 2000 | Zuspiel / Tonband, 1 perf | 5:47 | V [Stimme] | Vocals: susan spratt | SIDO 010/ | 1 | |||||||||
| 3574 | Alvin | Curran | A Day in the Country | 1967/1967 | fixed media, akusmatisch | 0 | http://www.alvincurran.com | ||||||||||||
| 3575 | Alvin | Curran | Animal Behavior | 1992 | fixed media, akusmatisch | 13:00 | Centaur CRC 2195, CDCM Vol. 17/ TZ 7001/ | CCM Mills | 1 | http://www.alvincurran.com | |||||||||
| 3576 | Alvin | Curran | Après le déjeuner sur l'Herbe | 1993 | Klangkunst, Installation | mobil soundinstallation | 0 | http://www.alvincurran.com | |||||||||||
| 3577 | Alvin | Curran | Canti e vedute del giardino magnetico, Songs and Views of the magnetic Garden | 1973 | Zuspiel, live-elec, 1 perf | 50 | 1 perf (V, Flügelhorn, synt) [Performer] | Catalyst CD 09026 61823/ NWR 80713/ | PS C. | 1 | http://www.alvincurran.com | ||||||||
| 3578 | Alvin | Curran | Canti illuminati | 1977 | Zuspiel, live-elec, 3 perf, 1 group | 45:19 | V, synt, p, ch [Stimme, Piano, synthesizer, Chor] | Fore/ Ellipsis Arts 3673 - OHM: 03/ NWR 80713/ Fringes Archive 02/ | PS C. | 1 | http://www.alvincurran.com | ||||||||
| 3579 | Alvin | Curran | Cartoline Romane | 1986 | fixed media, akusmatisch | 0 | http://www.alvincurran.com | ||||||||||||
| 19465 | Alvin | Curran | Crystal Aires | 1973 | Radiokunst, 3 perf, 1 group | 11:00 | Stereo | V, synt, (div) inss [Stimme, Instrument, synthesizer] | BMG 09026 618232 Catalyst/ | RAI Roma | 0 | http://www.alvincurran.com | |||||||
| 3580 | Alvin | Curran | Crystal Psalms - a radio concert | 1988 | Radiokunst, 9 perf, 6 groups | 13:00 | 6 ch, 6 ins, perc, acc, hn (shofar) [Horn, Akkordeon, Schlagzeug, Instrument, Chor] | 6 radio-stations | EBU 1991/ NA 067/ | RAI Roma | EBU Ars Acustica 1991 | 1 | http://www.alvincurran.com | ||||||
| 22020 | Alvin | Curran | erat verbum, Alpha Bravo Charlie Delta Echo Finale John |
1990 - 1997 | radiophon | multi-part radio work for natural sounds and live electronics (see Erat Verbum Alpha, Bravo, Charlie, Delta, Echo, Finale, John) | WER 6307-2/ | WDR Studio Akustische Kunst | WDR | 1 | http://www.alvincurran.com | ||||||||
| 33742 | Alvin | Curran | Fiori Chiari Fiori Oscuri, Light Flowers Dark Flowers | 1974 | live-elec, 1 perf | 51 | perf [Performer] | 2 parts | NWR 80713/ | RCA Roma | 1 | ||||||||
| 3581 | Alvin | Curran | Fiori chiari, fiori oscuri | 1974 | Zuspiel, live-elec, 3 perf | 90:00 | p, fl (Okarina), synt [Flöte, Piano, synthesizer] | Ananda 4/ | 0 | http://www.alvincurran.com | |||||||||
| 3582 | Alvin | Curran | For four or more | 1986 | live-elec, 5 perf | str-qt, synt [synthesizer, Streicher] | 0 | http://www.alvincurran.com | |||||||||||
| 3583 | Alvin | Curran | For Julian | 1987 | radiophon | 5:20 | WER 6307-2/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | 1 | http://www.alvincurran.com | |||||||||
| 19466 | Alvin | Curran | From a Room on the Piazza | 1973 | live-elec, 1 perf | 3:30 | Stereo | perc [Schlagzeug] | MEV Roma | BMG 09026618232/ | Am.A. Roma | 0 | http://www.alvincurran.com | ||||||
| 19078 | Alvin | Curran | In Hora Mortis | 1996 | Musiktheater | 0:50 | Sonambiente Ausstellung (1996); Hebbeltheater Katalog S.159 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.alvincurran.com | |||||||||
| 3584 | Alvin | Curran | Inner Cities | 1994 | Zuspiel / Tonband, 1 perf, 1 group | sax, actors (people) [Saxophon, Schauspieler] | 0 | http://www.alvincurran.com | |||||||||||
| 38526 | Alvin | CURRAN | Living Room Music | 2009 | radiophon | 51:27:00 | 0 | ||||||||||||
| 3585 | Alvin | Curran | Love Songs | 1984 | Zuspiel, live-elec, 1 perf | mus [Musiker] | 0 | http://www.alvincurran.com | |||||||||||
| 3586 | Alvin | Curran | Madonna and Child | 1970 | Zuspiel / Tonband, 1 perf, 2 groups | 20:00 | Vs, ens [Stimme, Ensemble] | 0 | http://www.alvincurran.com | ||||||||||
| 3587 | Alvin | Curran | Memory Banx | 1991 | Zuspiel / Tonband, 7 perf | p, 5 br, perc [Piano, Schlagzeug, Bläser] | 0 | http://www.alvincurran.com | |||||||||||
| 34245 | Alvin | Curran | Natural History | 1983 | fixed media, akusmatisch | 45 | Edition Giannozzo/ | 0 | http://www.discogs.com/Alvin-Curran-Natural-History/release/1880526 | ||||||||||
| 3588 | Alvin | Curran | On my Satin Harp | 1974 | Zuspiel / Tonband, 1 perf | 19:55 | gui [Gitarre] | BMG 09026618232/ | 0 | http://www.alvincurran.com | |||||||||
| 38527 | Alvin | CURRAN | On the Roads | 2007 | radiophon | 47:52:00 | 0 | ||||||||||||
| 3589 | Alvin | Curran | One Step Too | 1991 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | http://www.alvincurran.com | |||||||||||
| 3590 | Alvin | Curran | Rounds | 1969 | Zuspiel / Tonband, 1 perf | 20:00 | V [Stimme] | 0 | http://www.alvincurran.com | ||||||||||
| 23054 | Alvin | Curran | Shofar | 1990 | live-elec, 1 perf | ins [Instrument] | WDR 1990 | 0 | http://www.alvincurran.com | ||||||||||
| 3591 | Alvin | Curran | The Electric Rags | 1985 | live-elec, 1 perf | 66:00 | p [Piano] | from "Grand Piano" | NA 027/ | 1 | 1986 | http://www.alvincurran.com | |||||||
| 38466 | Alvin | Curran | The Irrawaddy Blues | 2017 | radiophon | 47:30 | DeutschlandRadio Kultur | DeutschlandRadio Kultur & documenta 14 | 0 | http://www.deutschlandfunkkultur.de/klangportraet-myanmars-von-alvin-curran-the-irrawaddy-blues.1022.de.html?dram:article_id=409845 | |||||||||
| 3592 | Alvin | Curran | The Magic Carpet | 1970 | Performance | ∞ 14:50 | 2 rooms? recording Gallery Arco D'Alibert Rome |
Source Records, SR 3/ Pogus 21050-2/ | 1 | http://www.alvincurran.com | |||||||||
| 33743 | Alvin | Curran | The works | 1976/1980 | live-elec, 1 perf | 45 | perf [Performer] | 2 parts | NWR 80713/ | 1 | |||||||||
| 3593 | Alvin | Curran | Tufo Muto Il parte – Opera Rock | 1990 | Oper, 9 perf, 1 group | 37:00 | Kbd, 3 perc, 5 sax, rock-band [Saxophon, Keyboard, Schlagzeug, Ensemble] | ROMAEUROPA - ARTE SONORA 93 | 0 | http://www.alvincurran.com | |||||||||
| 38528 | Alvin | CURRAN | Un altro ferragosto (Ein Tag im August) | 2002 | radiophon | 51:45:00 | 0 | ||||||||||||
| 3594 | Alvin | Curran | Under the Fig Tree | 1970 | Zuspiel, live-elec, 1 perf | 20:00 | synt [synthesizer] | 0 | http://www.alvincurran.com | ||||||||||
| 3595 | Alvin | Curran | Variations on a Scene | 1989 | intermedia | installation for Joan Jonas | 0 | http://www.alvincurran.com | |||||||||||
| 3596 | Alvin | Curran | VSTO - Alvin for Giacinto | 1988 | live-elec, 4 perf | 18 | str-qt [Streicher] | CRI 668/ | Mills Col | 23.1.1989 | Inventionen Akademie der Künste Berlin, Nicola Bernardini | 1 | 1989 | http://www.alvincurran.com | |||||
| 19467 | Alvin | Curran | Walked the Way Home | 1973 | live-elec, 1 perf | 10:30 | Stereo | perf [Performer] | MEV Roma | BMG 09026618232/ | Am.A. Roma | 0 | http://www.alvincurran.com | ||||||
| 3597 | Alvin | Curran | Walls of Jericho | 1993 | live-elec, 1 perf | w (Rams-hn) [Bläser] | 0 | http://www.alvincurran.com | |||||||||||
| 3598 | Alvin | Curran | Water Works | 1987 | Klangkunst, Installation | 22 ship-hn | 0 | http://www.alvincurran.com | |||||||||||
| 3599 | Alvin | Curran | Watercolormusic | 1966 | Performance, live-elec, | ≈ 45:00 | Mono | (19 Devices) [] | MEV Roma | Am.A. Roma | 0 | http://www.alvincurran.com | |||||||
| 19514 | Alvin, Group | Curran, the HUB | Electric Rags II | 1993 | live-elec, 1 perf | 7:53 | Stereo | MIDI [synthesizer] | ART 1008/ | CCM Mills | 0 | ||||||||
| 28172 | Curtet | Curtet | Taillanderie (from Y viré !), 2010 Complement a l’Inventaire | fixed media, akusmatisch | 5:31 | Octo | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | |||||||||
| 36946 | Mitch | Curtis | Spare Time | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 3600 | Peter | Cusack | 8 short Improvisations | 1989 | live-elec, 1 perf | 10:19 | trbn [Posaune] | worlds most beautiful melodies - Nicolas Collins | TE 1018/ | 0 | |||||||||
| 3601 | Peter | Cusack | A Dutch Landscape | 1977 | fixed media, akusmatisch | 5:31 | Stereo | BEAD 5/ | Sonology Utrecht | 0 | |||||||||
| 36784 | Peter | Cusack | African Piece | 1983 | fixed media, akusmatisch | 10:35:00 | Spectr Sound Studio Newcastle-upon-Tyne | 0 | |||||||||||
| 38464 | Peter | Cusack | Aral Sea Stories, Aral Sea Thoughts | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 3602 | Peter | Cusack | Bird Jumps into Wood | 1984 | Zuspiel / Tonband, | 4:00 | BEAD 22/ | 0 | |||||||||||
| 3609 | Peter | Cusack | Bird Piece | 1994 | fixed media, akusmatisch | 4:00 | Stereo | MW 59/ | 0 | ||||||||||
| 3603 | Peter | Cusack | Dandelion Clock | 1989 | live-elec, 2 perf | 5:52 | trbn, gui [Posaune, Gitarre] | AER 1991 / 3/ | 1 | ||||||||||
| 3604 | Peter | Cusack | Doors and Windows | 1977 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 3605 | Peter | Cusack | Maarseveenseplassen | 1977 | fixed media, akusmatisch | 13:10 | Stereo | BEAD 5/ | Sonology Utrecht | 0 | |||||||||
| 36785 | Peter | Cusack | Muziek en Omgevingingsgeluid | 1979 | fixed media, akusmatisch | Spectr Sound Studio Newcastle-upon-Tyne | 0 | ||||||||||||
| 22765 | Peter | Cusack | Nightjars Squabble Bird piece |
1991 | Klangkunst, Installation | 11:00 | Naturaufnahmen | Musicworks MW 59/ | 0 | ||||||||||
| 19470 | Peter | Cusack | Nightjars (Close Up) | 1991 | fixed media, akusmatisch | 1:35 | Stereo | MW 59/ | 0 | ||||||||||
| 19469 | Peter | Cusack | Nightjars and Rœ Deer |
1991 | fixed media, akusmatisch | 2:06 | Stereo | MW 59/ | 0 | ||||||||||
| 3606 | Peter | Cusack | North South | 1983 | fixed media, akusmatisch | 12:00 | Spectro Newcastle | 0 | |||||||||||
| 19471 | Peter | Cusack | Squaabble | 1991 | fixed media, akusmatisch | 1:29 | Stereo | MW 59/ | 0 | ||||||||||
| 3608 | Peter | Cusack | This Year in Holland | 1977 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 41440 | Peter, Katharina | Cusack, Bévand | Dystopic Mirage | 2018 | Klangkunst, Installation | Quadro | 21.9.2018 | Dystopie Festival September 2018 Berlin,Galerie meinblau | 0 | http://www.dystopie-festival.net/wp/?lang=en | |||||||||
| 37886 | Peter, Nicolas | Cusack, Collins | Hazlitt | 1999 | Performance, live-elec, 2 perf | 13:13 | 2 perf [Performer] | PL 07/ | STEIM, TU Berlin | 0 | |||||||||
| 37885 | Peter, Nicolas | Cusack, Collins | Ichor | 1999 | Performance, live-elec, 2 perf | 14:51 | 2 perf [Performer] | PL 07/ | STEIM, TU Berlin | 0 | |||||||||
| 37884 | Peter, Nicolas | Cusack, Collins | Stoyan | 1999 | Performance, live-elec, 2 perf | 21:46 | 2 perf [Performer] | PL 07/ | STEIM, TU Berlin | 0 | |||||||||
| 3607 | Peter, Max | Cusack, Eastley | Peepshow | 1983 | fixed media, akusmatisch | 9:00 | Hunt St | 0 | |||||||||||
| 38753 | Peter, Milos | CUSACK, VOJTECHOVSKY | Favourite Sounds of Prague | 2009 | radiophon | 46:47:00 | 0 | ||||||||||||
| 23647 | Tiago | Cutileiro | para modulador de frequencia | fixed media, akusmatisch | 12:30 | Octo | PS C. | 1 | |||||||||||
| 38529 | Chris | CUTLER | There and back again – Twice around the Earth | 2006 | radiophon | 50:37:00 | 0 | ||||||||||||
| 19473 | Chris, Fred | Cutler, Frith | Artcore |
1991 | Zuspiel / Tonband, 2 perf | 21:37 | Stereo | perc, gui [Gitarre, Schlagzeug] | ReR CCFF2/ | 0 | |||||||||
| 19474 | Chris, Fred | Cutler, Frith | Meltdown | 1979 | Zuspiel / Tonband, 1 perf | 10:21 | Stereo | perc [Schlagzeug] | ReR CCFF2/ | 0 | |||||||||
| 19475 | Chris, Fred | Cutler, Frith | Webcore | 1991 | Zuspiel / Tonband, 2 perf | 14:50 | Stereo | perc, gui, [Gitarre, Schlagzeug] | ReR CCFF2/ | 0 | |||||||||
| 19476 | Chris, Fred | Cutler, Frith | You Might Hear Some Traffic's Noise | 1991 | Zuspiel / Tonband, | 14:01 | Stereo | ReR CCFF2/ | 0 | ||||||||||
| 43135 | Krzysztof | Cybulski | Acoustic Additive Synthesizer | 2016 | Lehre & Forschung | Auszeichnung ars electronica honorary mention 2017 | 0 | ||||||||||||
| 3610 | Miklós | Czemiczky | Versus | 1982 | fixed media, akusmatisch | 12:15 | MR Budapest | 0 | |||||||||||
| 38323 | Chaya | Czernowin | A map of a recurrent dream | 1994 | Zuspiel / Tonband, 1 perf | sho [Bläser] | 0 | ||||||||||||
| 38322 | Chaya | Czernowin | HIDDEN | 2013 - 2014 | live-elec, 4 perf | str-qt, (elec) [Streicher] | 0 | ||||||||||||
| 38317 | Chaya | Czernowin | Infinite now | 2016-2017 | Oper, live-elec, 13 perf, 1 group | ≈ 150 | 6 V, 6 actor, solo-ins, orc, (elec) [Stimme, Instrument, Schauspieler, Orchester] | IRCAM | Vlaamse opera Antwerp and Ghent, Belgium, Mannheim Stadttheater, Germany, and IRCAM Paris | 0 | |||||||||
| 38321 | Chaya | Czernowin | Knights of the Strange | live-elec, 2 perf | e-gui, acc [Akkordeon, Gitarre] | duo version | 0 | ||||||||||||
| 38320 | Chaya | Czernowin | Maim, strange water, stolen water | 2001 - 2007 | live-elec, 5 perf, 1 group | large orc, 5 solo-mus (with tubas as pre-recorded main soloist, elec) [Musiker, Orchester] | 0 | ||||||||||||
| 23533 | Chaya | Czernowin | Shu Hai in an orchestral setting, Shu Hai | 2001 | live-elec, 1 perf, 1 group | 30:00 | orc, V [Stimme, Orchester] | Ute Wassermann (V), Basel Sinfonietta mit J. Kalitzke (Ltg), Strobelstiftung des SWR (Richard) 4 parts Dedicated to Dieter Schnebel |
mode 117/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | http://www.moderecords.com/ | |||||||
| 23534 | Chaya | Czernowin | Shu Hai mitamen behatalat kidon | 1997 | live-elec, 1 perf | 32:00 | V [Stimme] | Ute Wassermann (V), Strobelstiftung des SWR (Richard) 2 parts dedicated to Ute Wassermann |
mode 117/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | http://www.moderecords.com/ | |||||||
| 38319 | Chaya | Czernowin | Winter Songs III: Roots | 2003 | live-elec, 11 perf | 7 ins, sam, 3 amp perc, (IRCAM-elec) [Schlagzeug, Instrument, computer] | 0 | ||||||||||||
| 38318 | Chaya | Czernowin | Wintersongs I: Pending light | 2003 | live-elec, 8 perf | 7 ins, sam, (IRCAM-elec) [Instrument, computer] | 0 | ||||||||||||
| 3611 | Marek | Czeszek | Songs from the Edge of the World | 1987 | fixed media, akusmatisch | 28:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 3612 | Andrew | Czink | Canto | 1985 | Zuspiel / Tonband, 1 perf | 17:05 | Stereo | V [Stimme] | SFU | 0 | |||||||||
| 3613 | Andrew | Czink | Devour | 1987 | fixed media, akusmatisch | Stereo | ES 98005 Earsay/ | SFU | 0 | ||||||||||
| 36559 | Andrew | Czink | Mind's Rose | 1997 | fixed media, akusmatisch | 11:44:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 36562 | Andrew | Czink | Organic Delirium | 1997 | fixed media, akusmatisch | 9:25:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 36561 | Andrew | Czink | Paranoid Toetap | 1997 | fixed media, akusmatisch | 7:23:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 3614 | Andrew | Czink | Pear of / bowlers / in her setting | 1983 | fixed media, akusmatisch | Stereo | SFU | 0 | |||||||||||
| 3615 | Andrew | Czink | shadeless...peopled... | 1986 | fixed media, akusmatisch | 9:40 | Stereo | ES 98001 Earsay/ | SFU | Mention Bourges 1987 | 0 | ||||||||
| 3616 | Andrew | Czink | Stand Dwelling Persistent Surround | 1983 | fixed media, akusmatisch | 16:00 | Stereo | SFU | 0 | ||||||||||
| 36557 | Andrew | Czink | Strange Attractor Part 1 | 1997 | fixed media, akusmatisch | 12:09:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 36558 | Andrew | Czink | Strange Attractor Part 2 | 1997 | fixed media, akusmatisch | 6:55:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 3617 | Andrew | Czink | Strawberry Sermon | 1984 | fixed media, akusmatisch | 16:00 | Stereo | SFU | 0 | ||||||||||
| 36560 | Andrew | Czink | Surfaces & Depths | 1997 | fixed media, akusmatisch | 9:16:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 21548 | Holger | Czukay | Boat-Woman-Song | 1969 | Hintergrundmusik | 10:00 | Ellipsis Arts 3672 - OHM: 02/ | 1 | |||||||||||
| 25865 | Holger | Czukay | Floatspace | audiovisuell | 3:14 | Performance by the C.; Film bei der Frankfurter Musikmesse, ARP Odyssee Synthesizer | Ellipsis Arts 3694 - OHM DVD/ | 1 | |||||||||||
| 3631 | Group | D K | Turnout Tourniquet | 1984 | fixed media, akusmatisch | 5:55 | Stereo | 0 | |||||||||||
| 43 | Daniel Augusto | d' Adamo | Altazor, chroniques d'un voyage en parachute | 1993 | Zuspiel, live-elec, 3 perf | p, vib, perc [Piano, Schlagzeug] | SONVS Lyon | 0 | |||||||||||
| 3620 | Bruno | d' Auzon | Des arbres de rencontre | 1978 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 3621 | Bruno | d' Auzon | Par la fenêtre entr’ouverte | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 3622 | Bruno | d' Auzon | Triade 1 | 1977 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 3623 | Bruno | d' Auzon | Triade 2 | 1978 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 3624 | Bruno | d' Auzon | Une ombre à peine contournée | 1984 | live-elec, 3 perf | 3 synt [synthesizer] | 0 | ||||||||||||
| 3625 | Fiammetta | d' Emilio | Ogni cose che cresce | 1987 | Zuspiel / Tonband, 1 perf | 16:00 | Mono | org [Orgel] | CSC Padova, CRM Roma | 0 | |||||||||
| 3626 | Fiammetta | d' Emilio | Untitled | 1987 | fixed media, akusmatisch | 8:30 | Mono | CSC Padova | 0 | ||||||||||
| 33385 | Corrado | D’Agostini | 3 S B | 1966 | fixed media, akusmatisch | 3 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 32058 | Greg | D’Alessio | Reflections on a Poem by e.e. cummins | 1994 | Zuspiel / Tonband, 1 perf | ehn [Oboe] | Mark Hill, English Horn | SEAMUS EAM Vol. 5/ | 0 | ||||||||||
| 39593 | Antonio | D’Amato | Körper | 2017 | fixed media, akusmatisch | Antonio D’Amato | 0 | ||||||||||||
| 39594 | Antonio | D’Amato | Opus III | 2016 | fixed media, akusmatisch | Antonio D’Amato | 0 | ||||||||||||
| 39302 | Antonio | D’Amato | Organica | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39595 | Antonio | D’Amato | Sphere within a Sphere | 2015 | fixed media, akusmatisch | 3:15:00 | Antonio D’Amato | 0 | |||||||||||
| 34350 | Simone | D’Ambrosio | Villusions - Les saisons | 2012 | fixed media, akusmatisch | 19:20 | JTTP 2013 | CEC Cache 2013, PeP 018/ | 0 | http://econtact.ca/16_1/index.html#simoned%E2%80%99ambrosio | |||||||||
| 3619 | Matteo | D’Amico | Studio per "Lorenzo il Magnifico" | 1992 | Zuspiel / Tonband, 1 group | 16:00 | ens [Ensemble] | CRM Roma | 0 | ||||||||||
| 33720 | Julio | d'Escrivan | Carrizos de Porra | 2007 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 33717 | Julio | d'Escrivan | Ensayo sobre la bicicleta | 2007 | Klangkunst, Installation | ‘live code essays’ / works of live 'tweaking' sound art | 0 | ||||||||||||
| 33718 | Julio | d'Escrivan | Ensayo Sobre La Torpeza | 2007 | Klangkunst, Installation | for Live Code tweaking | 0 | ||||||||||||
| 33721 | Julio | d'Escrivan | fusil, fusil fusil vert espectral tokyo nocturnal mundo |
2011 | live-elec, 3 perf | Stereo, Spazialisation: binaural | sax, cl, S, (elec) [Sopran, Klarinette, Saxophon] | Proyecto FUSIL Iñigo Ibaibarriaga (sax), Gareth Stuart (cl), Aihoa Merzero (S), Julio d’ Escriván (elec, arreglos, producción). Cabeza binaural cortesia de Digital Performance |
ZigZag Music Productions/ | Lab @ Anglia Ruskin Uni | 1 | http://descrivan.net/proyecto-fusil/ | |||||||
| 3627 | Julio | d'Escrivan | Lover's Leap and Clown | 1987 | fixed media, akusmatisch | Tanz |
14:00 | Stereo | City Uni London | 0 | ||||||||||
| 33719 | Julio | d'Escrivan | Recuerdos del Alambre | 2005 | live-elec, 1 perf | gui (theorbo) [Gitarre] | for Theorbo and soundfile player | 0 | |||||||||||
| 3628 | Julio | d'Escrivan | Salto Mortal | 1988/1989 | fixed media, akusmatisch | 8:05 | Stereo | LDC 278049/50 Cultures Electroniques 4/ | City Uni London | 2nd Prize Bourges 1989 | 1 | ||||||||
| 3629 | Julio | d'Escrivan | Sin Medida | 1989/1990 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | S [Sopran] | City Uni London | 0 | |||||||||
| 3630 | Julio | d'Escrivan | Sin ti por el Alma Adentro | 1987 | Zuspiel / Tonband, 1 perf | 11:50 | Stereo | fl [Flöte] | Ruffer | LDC 278044/45 Cultures Electroniques 2/ | City Uni London, INCIBA Caracas | 1st Prize Bourges 1987 | 1 | ||||||
| 42694 | Julio | d’Escrivan | aguas tranquilas corren profundo, Still waters run deep | 2012 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 38530 | Irvic | D'OLIVIER | Birdless | 2013 | radiophon | 18:09:00 | Prix Phonurgia nova | 0 | |||||||||||
| 39453 | Micael Antunes | da Silva | CLUSTER! Without cohesion | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 32488 | Jie | Da | Bar | 2012 | live-elec, 1 perf | Stereo | MIDI-kbd [Keyboard] | Incontri HMTM Hannover | 20.9.2012 | 0 | |||||||||
| 32520 | Jie | Da | Jys | 2011 | fixed media, akusmatisch | 6 | Quadro | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | ||||||||
| 39901 | Jelena | Dabic | silk_road_reloaded | 2016 | fixed media, akusmatisch | Jelena Dabic | 0 | ||||||||||||
| 38136 | Werner, Lawrence | Dafeldecker, English | Echoes of Humanity | 2016 | radiophon | 41:18 | SWR | 0 | |||||||||||
| 33879 | Werner, Valerio | Dafeldecker, Tricoli | Williams Mix Extended | 1952, 2012 | Performance, live-elec, 2 perf | 32 | 2 perf [Performer] | ZKM Karlsruhe | 0 | ||||||||||
| 3633 | Peter | Dahlhoff | Weinen | 1978 | fixed media, akusmatisch | 6:56 | txtcompo | 0 | |||||||||||
| 33837 | Kurt | Dahlke | Brontologik 3.44 | fixed media, akusmatisch | 3:11 | ISAST LMJ 10/ | 0 | ||||||||||||
| 18917 | Kurt | Dahlke | Shimmering II | 1994 | live-elec, 1 perf | 6:29 | synt [synthesizer] | "Lightning" von Don Buchla | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | ||||||||
| 22908 | Palle | Dahlstedt | Gummi | 1996 | fixed media, akusmatisch | 11:30 | Elektron EM 1001/ | 1 | |||||||||||
| 19283 | Palle | Dahlstedt | Je te prête l'oreille | 1997 | radiophon | 12:02 | La Muse en Circuit, 3. concours de création radiophonique/ | 1 | |||||||||||
| 21885 | Palle | Dahlstedt | Tjuta | 1998 | fixed media, akusmatisch | 19:30 | IMEB Bourges | 0 | |||||||||||
| 40316 | Wei | Dai | If I’m Lost Now | 2015 | fixed media, akusmatisch | 5:20:00 | Wei Dai | 0 | |||||||||||
| 40341 | Yue | Dai | Rush Pantoum–Fixed Media | 2017 | fixed media, akusmatisch | Yue Dai | 0 | ||||||||||||
| 3634 | Robert | Daigneault | Flute Collage | 1973 | fixed media, akusmatisch | 11:25 | WM- SMLP 4024/ | Con Toronto | 0 | ||||||||||
| 22766 | Robert | Daigneault | Flute Collage No. " | 1973 | fixed media, akusmatisch | 11:25 | WM- SMLP 4024/ | Con Toronto | 1 | ||||||||||
| 22857 | Ricardo | Dal Farra | Ashram | 1991 | Zuspiel / Tonband, 1 perf | 9:21 | w (mukha veena) [Bläser] | mukha veena: indisches Doppelrohrblattinstr. | Pogus Productions P21015-2/ | 1 | |||||||||
| 3636 | Ricardo | Dal Farra | Audiciones | 1983 | live-elec, 1 perf | 5:10 | Stereo | ins [Instrument] | ESt B.Aires | 0 | |||||||||
| 24336 | Ricardo | Dal Farra | Civilizaciones | 2003 | live-elec, 6 perf | 15:00 | 6 perc [Schlagzeug] | CalArts New Century Players | 1 | ||||||||||
| 37436 | Ricardo | Dal Farra | Clones | 1986 | live-elec, 1 perf | 7:42 | gui [Gitarre] | Arturo Gervasoni (gui) | IRCO 31 C/ | 1 | |||||||||
| 37435 | Ricardo | Dal Farra | Double | 1986 | live-elec, 1 perf | 5:28 | gui [Gitarre] | Arturo Gervasoni (gui) | IRCO 31 C/ | 1 | |||||||||
| 35668 | Ricardo | Dal Farra | Doueble | 1986 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 3637 | Ricardo | Dal Farra | … Due Giorni Dopo | 1988 | fixed media, akusmatisch | 3:00 | Quadro | Pogus Productions P21015-2/ EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | CSC Padova | 1 | |||||||||
| 37438 | Ricardo | Dal Farra | Estudio Sobre Ritmo Y Espacio | 1986 | fixed media, akusmatisch | 1:03 | IRCO 31 C/ | 0 | |||||||||||
| 37437 | Ricardo | Dal Farra | G, Gravitacional Inercial |
1986 | live-elec, 1 perf | 8:45 | gui [Gitarre] | Arturo Gervasoni (gui) | IRCO 31 C/ | 0 | |||||||||
| 3638 | Ricardo | Dal Farra | Integrados | 1986 | live-elec, 1 perf | ≈ 7:53 | gui [Gitarre] | Arturo Gervasoni (gui) | IRCO 31 C/ | 1 | |||||||||
| 3639 | Ricardo | Dal Farra | Karma | 1986 | fixed media, akusmatisch | 5:53 | Quadro | IRCO 31 C/ | CCRMA | Prize "Tribuna Nat de Compo 1986" | 1 | ||||||||
| 20058 | Ricardo | Dal Farra | Memorias | 1992 | fixed media, akusmatisch | 5:33 | Stereo | ISAST LMJ 4/ | CCRMA | 0 | |||||||||
| 3640 | Ricardo | Dal Farra | Mixolydia | 1992 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | theremin [synthesizer] | 0 | ||||||||||
| 3642 | Ricardo | Dal Farra | Para Todos Ellos | 1987 | live-elec, 1 perf | 9:40 | Stereo | MIDI [synthesizer] | ESt B.Aires | 0 | |||||||||
| 35669 | Ricardo | Dal Farra | SP4 | 1989 | fixed media, akusmatisch | 0 | |||||||||||||
| 20059 | Ricardo | Dal Farra | Tierra y Sol | 1996 | fixed media, akusmatisch | 10:30 | Stereo | Centaur CRC 2347, CDCM Vol. 25/ | PS C. BA | ICMA-Commission-Award 96 | ICMA-Commission-Award 96 | 1 | |||||||
| 22905 | Ricardo | Dal Farra | Words through the Worlds | 1997 | fixed media, akusmatisch | 1:04 | CMJ Vol 23-4, 1999/ | 1 | |||||||||||
| 19148 | Ricardo | Dal Farra | Xastock | 1989 | live-elec, 1 perf | 8:04 | sax, (DSP) [Saxophon] | HfM Stockholm | AER 1994 / 6/ | 1 | |||||||||
| 3635 | Ricardo, Jorge | Dal Farra, Cumbo | Ancestros | 1986 | live-elec, 3 perf | 9:12 | 3 fl (antara, quena, quenacho) [Flöte] | IRCO 31 C/ | ESt B.Aires | 1 | |||||||||
| 3641 | Ricardo, Jorge, Arturo | Dal Farra, Cumbo, Gervasoni | Musica electracústica en tiempo real | 1987 | live-elec, | Stereo | Estudio Sobre Ritmo y Espacio; Ancestros; Integrados; Double; Clones; G (Gravitacional; Inercial) | 0 | |||||||||||
| 3643 | Marc-André | Dalbavie | Diadèmes | 1986 | live-elec, 1 perf, 1 group | 22:00 | va, ens [Viola, Ensemble] | Adès CD 0002/ IRCAM 0002 F, Creations IRCAM/ Adés 2005 202/ Accord 465313/ | IRCAM | Ensemble Itinéraire | Auszeichnung ars electronica 1987 | 1 | 1992 | http://archive.aec.at/prix/showmode/20508/ | |||||
| 3644 | Marc-André | Dalbavie | Impressions, mouvements | 1989 | live-elec, 2 groups | 42:00 | ch, ens [Ensemble, Chor] | Jobert | IRCAM | 0 | |||||||||
| 3645 | Marc-André | Dalbavie | Interludes | 1988 | live-elec, 1 perf | 40:00 | vn [Violine] | Jobert | IRCAM | 0 | |||||||||
| 3646 | Marc-André | Dalbavie | Seuils | 1992 | live-elec, 1 perf, 1 group | 45:00 | S, ens [Sopran, Ensemble] | Jobert | IRCAM Les Années 90/ Adès/ | IRCAM | 0 | ||||||||
| 3647 | Renzo, Marino | Dall'Oglio, Zuccheri | Plastico | 1960 | fixed media, akusmatisch | 5:45 | Stereo | Fonologia Milano | 0 | ||||||||||
| 22920 | Michele | Dall'Ongaro | Grimoire | Zuspiel / Tonband, 2 perf | 12:05 | S, vn [Sopran, Violine] | 1 | ||||||||||||
| 3648 | Diego | Dall'Osto | In effetti | 1992 | Zuspiel, live-elec, 1 perf | ≈ 15:00 | p [Piano] | CRR 9610, Rivoalto/ | CRM Roma, CERM Sassari | 1 | |||||||||
| 3649 | Gilbert | Dalmasso | Boîte écho-logique | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 3650 | Gilbert | Dalmasso | Boulevard de Port-Royal | 1975 | fixed media, akusmatisch | (pour DEC-Computerlab et VCS3) | GAIV Paris | 0 | |||||||||||
| 3651 | Gilbert | Dalmasso | Dépilostère | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 3652 | Gilbert | Dalmasso | En France avec des piles | 1975 | live-elec, 2 perf | 2 ins [Instrument] | with Patrick Greussay | GAIV Paris | 0 | ||||||||||
| 3653 | Gilbert | Dalmasso | Impropaires | 1978 | live-elec, | GAIV Paris | 0 | ||||||||||||
| 3654 | Gilbert | Dalmasso | Matières et métaux | 1982 | live-elec, 1 perf | synt [synthesizer] | Synclavier | CICM Paris | 0 | ||||||||||
| 3655 | Gilbert | Dalmasso | Nocturne des Hamadryades I et II | 1980 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3656 | Gilbert | Dalmasso | Nomades #1 et #2 | 1979 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3657 | Gilbert | Dalmasso | Nouveaux Nuages | 1979 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3658 | Gilbert | Dalmasso | Old Hendrix | 1981 | live-elec, | GAIV Paris | 0 | ||||||||||||
| 3659 | Gilbert | Dalmasso | Ouverture | 1982 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3660 | Gilbert | Dalmasso | Pièce pour vibraphone et bande | 1974 | Zuspiel / Tonband, 1 perf | vib [Schlagzeug] | GAIV Paris | 0 | |||||||||||
| 3661 | Gilbert | Dalmasso | Série continue | 1980 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3662 | Gilbert | Dalmasso | Sonate pour 2 vibraphones | 1975 | Zuspiel / Tonband, 2 perf | 2 vib [Schlagzeug] | GAIV Paris | 0 | |||||||||||
| 3663 | Gilbert | Dalmasso | Synthos viderunt | 1975 | fixed media, akusmatisch | (pour DEC-Computerlab et VCS3) | GAIV Paris | 0 | |||||||||||
| 3664 | Gilbert | Dalmasso | Trio pour Synthis | fixed media, akusmatisch | GAIV Paris | 0 | |||||||||||||
| 42290 | Lucrecia | Dalt | Dada | 1936, 2018 | Film | heroines-of-sound | 8.12.2018 | HAU 2, Festival heroines-of-sound | 0 | ||||||||||
| 22295 | Patrick | Daly | Com-plex | 2000 | fixed media, akusmatisch | 2:55 | SIDO 010/ | 1 | |||||||||||
| 27853 | Cédric | Dambrain | Blazek | 2006 | live-elec, 4 perf | 2 e-tpt, e-vc, p [Trompete, Piano, Cello] | CRFMW Liège | 25.03.2006 | Bruxelles, Festival Ars Musica, 19 mars 2006, et Lille, Opéra, Scène ouverte aux jeunes talents | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27868 | Cédric | Dambrain | Pure | 2004 | live-elec, 1 perf | vc [Cello] | nouvelle version | CRFMW Liège | 20.11.2004 | Bruges, Concertgebouw, | 0 | http://www.crfmw.be/index1.htm | |||||||
| 31591 | Clemens | Damerau | espace | 2013 | fixed media, akusmatisch | 4:00 | Stereo | next_generation 5.0 | Incontri HMTM Hannover | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||
| 39288 | Alessia | Damiani | Ora che tempo | 2017 | live-elec, | 0 | |||||||||||||
| 3665 | Klaus | Damm | Herzgift | 1984 | fixed media, akusmatisch | 4:42 | AudioProcessorSystem (APS) Microcontrol | 0 | |||||||||||
| 3666 | Klaus | Damm | Pilzmusik | 1977 | Zuspiel / Tonband, 2 perf | 11:07 | fl, va, (Filter, rm) [Flöte, Viola] | WDR - Produktion | 0 | ||||||||||
| 3667 | Klaus | Damm | Rosengarten | 1977/1978 | fixed media, akusmatisch | 18:00 | tape version with sp, Spieluhr, elec | 0 | |||||||||||
| 34106 | Jorge | Damseaux | Taitunga | 2011 | fixed media, akusmatisch | 3:03 | FONAM Urugay/ | 0 | |||||||||||
| 3668 | Debbie | Danbrook | Techno-PANT | 1985 | fixed media, akusmatisch | 13:00 | Stereo | Concordia Montréal, MetaM. Montréal | 0 | ||||||||||
| 20060 | Judd G. | Danby | Twelve can play that Game | 1993 | fixed media, akusmatisch | 8:54 | Stereo | EMS 9300/ | EMS UIUC | 0 | |||||||||
| 34957 | Andrea, Michal | Dancer, Kindernay | Walking Sound | 2011 | radiophon | 19:31 | Radioateliér PremEdition is a premiere series for new experimental radio art. It is broadcast by Czech Radio 3 - Vltava at 0:05 AM every last Saturday of the month. These work are a selection of a programm in 2011 | degem-download/ | 0 | ||||||||||
| 3669 | Liviu | Dandara | Affectus memoria | 1973 | fixed media, akusmatisch | 8:45 | Stereo | CECM Bratislava | 0 | ||||||||||
| 3670 | Liviu | Dandara | Cas ktery se zastavil | 1971 | fixed media, akusmatisch | 9:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 3671 | Liviu | Dandara | Fresca | 1973 | fixed media, akusmatisch | 9:20 | Stereo | Radio Plzen | 0 | ||||||||||
| 3672 | Liviu | Dandara | Quadriforium | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 3673 | Liviu | Dandara | Timpul suspendat | 1970 | fixed media, akusmatisch | 9:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 3674 | Keith | Daniel | Suite #1 from "The Songs a Metal Child Would Sing" | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 3675 | Keith | Daniel | Suite #2 from "The Songs a Metal Child Would Sing" | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 19354 | Irlando | Danieli | Ninne Nanne di Vivian | 1990 | live-elec, 1 perf | 11:06 | V [Stimme] | Galizia, Bellucci | PAN 3035/ | Studio ES Milano | 1 | ||||||||
| 3676 | Mychael | Danna | Nova Persei | 1983 | fixed media, akusmatisch | 6:45 | Stereo | PS C. | 2nd prize CAPAC 1983 | 0 | |||||||||
| 3677 | Mychael | Danna | Open • Sky • Window • Light | 1985 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 1st Prize CAPAC 1985 | 0 | |||||||||
| 3678 | George | Danova | E T Picture Show (Escape II) | 1984 | fixed media, akusmatisch | 5:20 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3679 | George | Danova | Hyperspace | 1985 | fixed media, akusmatisch | 7:09 | Stereo | McGill Montréal | 0 | ||||||||||
| 3680 | George | Danova | O D (The Escape III) | 1984 | fixed media, akusmatisch | 7:30 | Stereo | McGill Montréal | 0 | ||||||||||
| 3681 | George | Danova | The Escape | 1983 | fixed media, akusmatisch | 7:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3682 | George | Danova | The Sea and the Sky | 1986 | fixed media, akusmatisch | Stereo | Concordia Montréal, PS C. | 0 | |||||||||||
| 20061 | Vânia | Dantas Leite | Di-stances | 1982 | fixed media, akusmatisch | 10:30 | Stereo | SBME 001, Musica el. Brasileira Vol 1/ | PS SRSEA | 1 | |||||||||
| 3683 | Vânia | Dantas Leite | L'Indien et l'Ovni | 1986 | fixed media, akusmatisch | 14:12 | Musiques et Recherches Ohain | 0 | |||||||||||
| 20062 | Vânia | Dantas Leite | Sforzatto/piano | 1994 | fixed media, akusmatisch | 7:34 | Stereo | RD003 MEB Rioarte/ | ESt da Glória Rio | 0 | |||||||||
| 3684 | Wolfgang | Danzmayr | En face/profil | 1975 | Zuspiel / Tonband, 1 perf | 6:30 | Stereo | p [Piano] | ELAK Wien | 0 | |||||||||
| 3685 | Wolfgang | Danzmayr | Hommage a Camilla | 1973 | fixed media, akusmatisch | 2:57 | Stereo | ELAK Wien | 0 | ||||||||||
| 3686 | Wolfgang | Danzmayr | Monolith | 1974 | fixed media, akusmatisch | 12:25 | Stereo | ELAK Wien | 0 | ||||||||||
| 3687 | Wolfgang | Danzmayr | Roulette | 1973 | fixed media, akusmatisch | 2:11 | Stereo | ELAK Wien | 0 | ||||||||||
| 3688 | Wolfgang | Danzmayr | Vier kleine elektroakustische Stücke | 1976 | fixed media, akusmatisch | 2:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 37106 | Yves | Daoust | About Time | 2005 | fixed media, akusmatisch | 8:32:00 | Stereo | IMED 11113/ | PS C. | CBC radio | 27.5.2005 | Deep Wireless festival produced by NAISA at The Drake Hotel in Toronto (Canada) | 0 | ||||||
| 3689 | Yves | Daoust | Adagio | 1986 | Zuspiel / Tonband, 1 perf | 14:34 | Stereo | fl [Flöte] | 192 Zitaten virtuoser Flötenmusik verknüpft mit Mozart´s Flötenquartett KV 285 | IMED 9106/ ACM 37 CD 1-4/ | PS C. | Lise Daoust and realized with the assistance of the Canada Council | 19.04.1987 | festival Musiques actuelles Nice/Côte d’Azur (MANCA, France), Lise Daoust | 1 | ||||
| 21890 | Yves | Daoust | Bruits | 1997 - 2001 | fixed media, akusmatisch | 29:46 | Stereo | 3 Parts: Children’s Corner (14:57); Nuit (6:09, made at GMEB); Fête (6:09) | IMED 0156/ | PS C., IMEB Bourges | Sonic Arts Network | 0 | |||||||
| 3690 | Yves | Daoust | Carnaval | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 37109 | Yves | Daoust | Chorals ornés | 2007 - 2008, 2009 | Zuspiel / Tonband, 1 perf | 42:08:00 | Stereo | org [Orgel] | IMED 11113/ | PS C. | Orgue et couleurs and Réseaux des arts médiatiques | 2.10.2008 | Orgue et couleurs, as part of their Festival d’automne at Église Saint-Nom-de-Jésus in Montréal, Régis Rousseau, organ, Yves Daoust, mixing | 0 | |||||
| 24606 | Yves | Daoust | Fantaisie | 1986 | fixed media, akusmatisch | 14:00 | IMED 9843/ | PS C. | Société Radio-Canada | 09.1986 | Radio-Canada’s FM | 0 | |||||||
| 24602 | Yves | Daoust | Il était une fois…, conte sans paroles | 1986 | fixed media, akusmatisch | 15:45 | IMED 9843/ LDC 2781115/16/17 opus 30/ | IMEB Bourges | GMEB | 06.1987 | Synthèse Festival Bourges | 1 | |||||||
| 20315 | Yves | Daoust | Impromptu | 1995 | Zuspiel, live-elec, 3 perf | 16:19 | Stereo | p, synt, sam [Piano, computer, synthesizer] | version without ins also available | IMED 0156/ | PS C. | SMCQ with the assistance of CALQ | 30.01.1996 | Salle Pierre-Mercure in Montréal | 0 | ||||
| 24601 | Yves | Daoust | Impromptu | 1994 | fixed media, akusmatisch | 10:09 | second version with ins | IMED 9843/ | PS C. | ACREQ with the help of the Canada Council | 06.1994 | Montréal | 0 | ||||||
| 3693 | Yves | Daoust | Joie | 1992 | fixed media, akusmatisch | 2:38 | bell-sounds | CEC DISContact_1/ | Uni Montréal | 1 | |||||||||
| 3694 | Yves | Daoust | L'Entrevue | 1991 | Zuspiel / Tonband, 1 perf | 9:11 | Stereo | acc [Akkordeon] | IMED 9106/ | PS C. | Joseph Petric and realized with the assistance of the Canada Council | 24.04.1991 | Théâtre Les Loges in Montréal | 1 | |||||
| 3695 | Yves | Daoust | La gamme | 1980/2000 | fixed media, akusmatisch | 14:55 | Stereo | IMED 0156/ | IMEB Bourges | GMEB | June 1981 | Synthèse Festival Bourges | 0 | ||||||
| 37108 | Yves | Daoust | Le temps fixé, Fixed Time | 2004 | fixed media, akusmatisch | 9:17:00 | Stereo | IMED 11113/ | PS C. | Réseaux des arts médiatiques | 14.2.2004 | Espace GO in Montréal | 0 | ||||||
| 20063 | Yves | Daoust | Maurice Blackburn, ou un portrait d'un inconnu | 1982 - 1995 | Zuspiel / Tonband, 1 perf | 27:25 | Stereo | V [Stimme] | AN 27005-6 Analekta/ | 0 | |||||||||
| 3696 | Yves | Daoust | Mi bémol | 1990 | fixed media, akusmatisch | 2:59 | Stereo | IMED 9004/ EAR Magazine 1/ IMED 9843/ IMED 9604/ | 1 | ||||||||||
| 24400 | Yves | Daoust | Objets trouvés | 2004 | fixed media, akusmatisch | 9:05 | Stereo | LDC 2781125/ IMED 11113/ | IMEB Bourges | 0 | |||||||||
| 37107 | Yves | Daoust | Objets trouvés | 2002 | fixed media, akusmatisch | 9:05:00 | Stereo | IMED 11113/ | IMEB Bourges | IMEB Bourges | 8.6.2003 | Synthèse, the 33th Bourges International Electronic Music and Creation Festival (France) at the Palais Jacques-Cœur in Bourges (France) | 0 | ||||||
| 24607 | Yves | Daoust | Ouverture | 1989 | fixed media, akusmatisch | 14:55 | Stereo | IMED 0156/ | PS C. | GMEB for the Bicentenaire de la Révolution française | 06.1989 | Synthèse Festival Bourges | 0 | ||||||
| 21889 | Yves | Daoust | Paris: Les grands Magasins | 1976 | Theatermusik | 30:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3697 | Yves | Daoust | Petite musique sentimentale | 1984 | Zuspiel / Tonband, 1 perf | 10:11 | Stereo | p [Piano] | IMED 9106/ | PS C. | Belgium National Radio | 01.1985 | Grand Auditorium of Radio France in Paris, Anne Barteletti | 1 | |||||
| 3699 | Yves | Daoust | Quatuor | 1979 | fixed media, akusmatisch | Film |
18:43 | Stereo | also Filmmusik-Version | IMED 9106/ LDC 278043 Cultures Electroniques 1/ | PS C. | 08.04.1979 | Conventum in Montréal in a concert produced by ACREQ | 1st prize Bourges 1980 and the 1980 CIME Grand Prize | 1 | |||||
| 24604 | Yves | Daoust | Résonances | 1992 | fixed media, akusmatisch | 10:40 | IMED 9843/ | IMEB Bourges | GMEB | 06.1992 | Synthèse Festival Bourges | 0 | |||||||
| 3700 | Yves | Daoust | Suite Baroque, Toccata «Qu’ai-je entendu?» Les «Agrémens» L’Extase |
1989 | fixed media, akusmatisch | 19:12 | Stereo | Toccata, "Qu'ai-je entendu?", Les "Agréments", L'Extase | IMED 9106/ IMED 0050/ | PS C. | Catherine Perrin | 02.1989 | Obscure in Québec City | 1 | |||||
| 24605 | Yves | Daoust | Water Music | 1991 | fixed media, akusmatisch | 12:55 | IMED 9843/ | PS C. | David Olds (for Toronto’s CKLN FM program Transfigured Night) with the help of the Canada Council | 0 | |||||||||
| 3701 | Akis | Daoutis | Crystal Forest | 1986 | fixed media, akusmatisch | 3:00 | Stereo | CCRMA | 0 | ||||||||||
| 3702 | Akis | Daoutis | Fullmoon | 1990 | Zuspiel / Tonband, | 5:00 | Stereo | EMI 7243 8 8031967/ | In | 0 | |||||||||
| 3703 | Akis | Daoutis | Giant Step | 1989 | fixed media, akusmatisch | 5:00 | Stereo | PS C. | 0 | ||||||||||
| 3704 | Akis | Daoutis | Healer | 1989 | Zuspiel / Tonband, | 8:09 | Stereo | MBI 40 473/ | In | 0 | |||||||||
| 3705 | Akis | Daoutis | Illusion | 1988 | Zuspiel / Tonband, | 3:40 | Stereo | MBI 40 473/ | Omega | 0 | |||||||||
| 3706 | Akis | Daoutis | Images | 1988 | Zuspiel / Tonband, | 4:00 | Stereo | MBI 40 473/ | In | 0 | |||||||||
| 3707 | Akis | Daoutis | Into the Light | 1987 | intermedia | 9:30 | Stereo | MBI 40 473/ | Emphasis | 0 | |||||||||
| 3708 | Akis | Daoutis | Movement | 1988 | Zuspiel / Tonband, | 8:00 | Stereo | Omega | 0 | ||||||||||
| 3709 | Akis | Daoutis | New Age rising | 1988 | fixed media, akusmatisch | 40:00 | Stereo | PS C. | 0 | ||||||||||
| 3710 | Akis | Daoutis | Paradise | 1990 | fixed media, akusmatisch | 9:00 | Stereo | In | 0 | ||||||||||
| 3711 | Akis | Daoutis | Parallel Spaces | 1988 | fixed media, akusmatisch | 9:00 | Stereo | CCRMA, Omega | 0 | ||||||||||
| 3712 | Akis | Daoutis | Phoenix | 1989 | fixed media, akusmatisch | 8:00 | Stereo | CCRMA | 0 | ||||||||||
| 3713 | Akis | Daoutis | Solar Rain | 1987 | fixed media, akusmatisch | 13:00 | Stereo | CCRMA | 0 | ||||||||||
| 3714 | Akis | Daoutis | Space, time and beyond | 1986 | Zuspiel / Tonband, | 7:04 | Stereo | MBI 40 473/ | In | 0 | |||||||||
| 3715 | Akis | Daoutis | The Land beyond | 1988 | Zuspiel / Tonband, | 6:00 | Stereo | Omega | 0 | ||||||||||
| 3716 | Akis | Daoutis | Vision | 1990 | Zuspiel / Tonband, | 5:00 | Stereo | In | 0 | ||||||||||
| 3717 | Akis | Daoutis | Voyage | 1989 | Zuspiel / Tonband, | 6:42 | Stereo | MBI 40 473/ | In | 0 | |||||||||
| 3718 | Moniek | Darge | AlviCeba | 1989 - 1990 | Zuspiel / Tonband, 1 group | 4:16 | orc [Orchester] | XI 117 experimental intermedia/ | Logos | 1 | |||||||||
| 35648 | Moniek | Darge | Man-Mo | 1988 | Zuspiel / Tonband, 2 perf | 18:25 | perc, ins (instrumentos etnicos) [Schlagzeug, Instrument] | 1 | |||||||||||
| 20064 | Moniek | Darge | ShSh | 1992 | Zuspiel / Tonband, 1 perf | 3:34 | Stereo | perc [Schlagzeug] | XI 117 experimental intermedia/ | Logos | 1 | ||||||||
| 3719 | Moniek | Darge | Turkish Square | 1984 - 1985 | fixed media, akusmatisch | 9:10 | Logos | 0 | |||||||||||
| 3720 | Hans | Darmstadt | Media Vita | live-elec, 2 perf, 1 group | (elec modulated) Vs, ins [Stimme, Instrument] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 3721 | Ivor | Darreg | Automation March | 1961 | Theatermusik | 5:00 | Stereo | PS C. LA | 0 | ||||||||||
| 3722 | Ivor | Darreg | Compound Counterpoint | 1965 | fixed media, akusmatisch | ≈ 10:00 | Stereo | PS C. LA | 0 | ||||||||||
| 3723 | Ivor | Darreg | The Endopsychic Quartet | 1966 | fixed media, akusmatisch | 15:00 | Stereo | PS C. LA | 0 | ||||||||||
| 33024 | Robert | Darroll | The Taiwanese Trilogy, Things fall apart How technology saved the world What ghosts like more |
2011 | audiovisuell | music after Pierre Henry (Lointaine) | iotaCenter DVD/ | Ming Chuan Uni | 0 | ||||||||||
| 3724 | Gábor | Darvas | Antiphon | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 3725 | Gábor | Darvas | Cachot colitaire | 1978 | fixed media, akusmatisch | 9:00 | Stereo | MR Budapest | 0 | ||||||||||
| 3726 | Gábor | Darvas | Etude | 1974 | fixed media, akusmatisch | 2:11 | Quadro | MR Budapest | 0 | ||||||||||
| 3727 | Gábor | Darvas | Poèmes électroniques | 1983 | fixed media, akusmatisch | 36:40 | Stereo | MR Budapest | 0 | ||||||||||
| 3728 | Gábor | Darvas | Reminiscences | 1979 | fixed media, akusmatisch | 8:40 | Quadro | MR Budapest | 0 | ||||||||||
| 32261 | Janos | Darvas | Hörfilm, audiovisuelles Environement für Tonband, Multivision und Kopfhörer | 1976/1977 | audiovisuell | 20.5.1977 | world music days ISCM Bonn, Beethovenhalle; Experimentalstudio der Heinrich Strobel-Stiftung | 0 | |||||||||||
| 32012 | Group | Das IMM-Rundfunkorchester | Extractions Pt. I | 2010 | live-elec, 1 perf, 1 group | laptop-ens [computer] | SC-Symposium 2010, Sunday 26. September 18h, .HBC - Laptop Ensembles | 1 | |||||||||||
| 42096 | Anshuman, Sanchayan | Dasgupta, Ghosh | Short waves transit tales, Short Waves’ Transit Tales | 2017 | radiophon | 45:07 | SAVVY-Funk - Documenta 14, Dlf Kultur | 16.6.2017 | Deutschlandfunk Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4939959&vi=1&SID | ||||||||
| 3729 | James | Dashow | A Way Of Staying | 1977 | Zuspiel / Tonband, 1 perf | 10:25 | Stereo | S [Sopran] | PAN 20-05/ | CSC Padova | 0 | ||||||||
| 3730 | James | Dashow | Archimede, scena II | 1988 | Oper, 3 perf, 3 groups | 75:00 | Quadro or multichannel | chamber-orc, Vs, ch, mime, dancer [Stimme, Schauspieler, Tanz, Chor, Orchester] | dance. laser, com graphics | WER 2018-50/ | CSC Padova | 0 | |||||||
| 18823 | James | Dashow | Archimedes | 1988 | audiovisuell, live-elec, 1 perf | 16:00 | Stereo | mime [Schauspieler] | lasers, computer graphics & electronic stagecraft | WER 2018-50/ | CSC Padova | 1 | |||||||
| 3731 | James | Dashow | At Delphi | 1973 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | PS SCIADONI | Michiko Hirayama | 0 | |||||||||
| 22116 | James | Dashow | …at other times, the distances | 2000 | fixed media, akusmatisch | 12:40 | Quadro | LDC 278072/73 Cultures Electroniques 14/ CPS 8769 Capstone/ | PS | Bourges 2000 | 1 | ||||||||
| 3732 | James | Dashow | BURST! | 1971 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | text by Jack Kerouac. First piece PS Sciadoni | PS SCIADONI | 0 | |||||||||
| 3733 | James | Dashow | Conditional Assemblies | 1980 | fixed media, akusmatisch | 19:52 | Quadro | PAN 20-12/ | CSC Padova | Biennale Venezia | 2. prize Bourges 1981 | 0 | |||||||
| 3734 | James | Dashow | Disclosures | 1989 | Zuspiel / Tonband, 1 perf | 14:45 | Stereo | vc [Cello] | MUSIC360 | Neuma 450-75/ | CSC Padova | 5.2.1990 (DE) | Inventionen Akademie der Künste Berlin | 1 | 1990 | ||||
| 3735 | James | Dashow | Effetti Collaterali | 1976 | Zuspiel / Tonband, 1 perf | 9:50 | Stereo | cl [Klarinette] | PAN 20-12/ | PS SCIADONI, CSC Padova | 1 | ||||||||
| 41532 | James | Dashow | First Tangent to the Given Curve | 1995 | live-elec, 1 perf | p, (com) [Piano] | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 41533 | James | Dashow | First Tangent to the Given Curve | 1995 | live-elec, 1 perf | p, (com) [Piano] | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 3736 | James | Dashow | Il Piccolo Principe | 1982 | fixed media, akusmatisch | 10:00 | Quadro | CSC Padova | Rockefeller Foundation & Biennale Venezia | 0 | |||||||||
| 3737 | James | Dashow | In Winter Shine | 1983 | Zuspiel / Tonband, | 11:50:00 | Quadro | MIT-CD/ PAN 006/ LDC 278072/73 Cultures Electroniques 14/ | MIT Media Lab | 1 | |||||||||
| 34421 | James | Dashow | La Planta da Livio | 1974 | fixed media, akusmatisch | 7 | Stereo | PS SCIADONI | 0 | ||||||||||
| 20065 | James | Dashow | Le Trace di Kronos, i Passi | 1995 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | cl [Klarinette] | Music30 | Centaur CRC 2310, CDCM Vol. 24/ | PS SCIADONI | 1 | |||||||
| 33876 | James | Dashow | Mappings | 1991 | Zuspiel / Tonband, 1 perf | 15:55 | Stereo | vc [Cello] | ProViva ISPV 177/ | PS SCIADONI | 0 | ||||||||
| 42479 | James | Dashow | MATHEMATICS III, ARCHIMEDES | fixed media, akusmatisch | a planetarium opera | 1 | |||||||||||||
| 20066 | James | Dashow | Media Survival Kit | 1996 | fixed media, akusmatisch | 20:39 | Stereo | 3 parts | Prix ars electronica 96/ | PS SCIADONI | 0 | ||||||||
| 28135 | James | Dashow | Messages from Ortiga | Zuspiel / Tonband, 4 perf | 17:07 | 6 | b-fl and a-fl, b-cl, va, hp [Flöte, Klarinette, Harfe, Viola] | CPS 8769 Capstone/ | PS | Harvard mus ass of Boston | 0 | ||||||||
| 3738 | James | Dashow | Mnemonics | 1985 | Zuspiel / Tonband, 1 perf | 14:20 | Quadro | vn [Violine] | WER 2018-50/ | CSC Padova | nat Endowment for the Arts | 1 | |||||||
| 3739 | James | Dashow | Morfologie | 1993 | Zuspiel / Tonband, 3 perf | 14:03 | Stereo | hn, tpt, Flügelhorn [Horn, Trompete] | MUSIC30, tpt-player (cor; tpt in D; Flügelhorn) | RCA 74321-16825/ | PS SCIADONI | 1 | |||||||
| 3740 | James | Dashow | Oro, Argento e Legno | 1987 | Zuspiel / Tonband, 1 perf | 17:04 | Quadro | fl [Flöte] | WER 2018-50/ | CSC Padova | 1 | ||||||||
| 3741 | James | Dashow | Partial Distances | 1978 | fixed media, akusmatisch | 16:40 | Stereo | PAN 20-12/ | PS SCIADONI | 0 | |||||||||
| 3742 | James | Dashow | Reconstructions | 1992 | Zuspiel / Tonband, 1 perf | 13:40 | Stereo | hp [Harfe] | MUSIC30 | ProViva ISPV 177/ | PS SCIADONI | 1 | |||||||
| 3743 | James | Dashow | Ritorno a Delfi | 1991 | Zuspiel / Tonband, 1 perf | Stereo | a-fl [Flöte] | some tape-parts from "At Delphi" | PS SCIADONI | 0 | |||||||||
| 3744 | James | Dashow | Second Voyage | 1978 | Zuspiel / Tonband, 1 perf | 17:45 | Stereo | T [Tenor] | CRi SD 456/ | CSC Padova | nat Endowment for the Arts | 0 | |||||||
| 3745 | James | Dashow | Sequence Symbols | 1984 | fixed media, akusmatisch | 14:20 | Quadro | WER 2010-50/ | CSC Padova | 1 | |||||||||
| 42781 | James | Dashow | Soundings in Pure Duration 4 | 2012 | live-elec, 1 perf | 11:30:00 | va [Viola] | Nick Revel, viola | 0 | ||||||||||
| 42597 | James | Dashow | Soundings in Pure Duration N. 2a | 2009 | fixed media, akusmatisch | 13 | 0 | ||||||||||||
| 42997 | James | Dashow | Soundings in Pure Duration n. 6 | 2013 | fixed media, akusmatisch | 14:17:00 | 0 | ||||||||||||
| 39883 | James | Dashow | Soundings in Pure Duration no. 2b | 2015 | fixed media, akusmatisch | 12:26:00 | James Dashow | 0 | |||||||||||
| 39882 | James | Dashow | Soundings in Pure Duration no. 7 | 2016 | fixed media, akusmatisch | James Dashow | 0 | ||||||||||||
| 39398 | James | Dashow | Soundings in Pure Duration No. 8 | 2017 | fixed media, akusmatisch | Octo | b-Bar [Bariton] | 0 | |||||||||||
| 3746 | James | Dashow | Whispers out of time | 1976 | fixed media, akusmatisch | 11:17 | Stereo | LDC 278055 Cultures Electroniques 6 Magisterium/ | PS SCIADONI | 1. prize Bourges 1977 | 1 | ||||||||
| 36931 | Douglas | DaSilva | camp de feuilles | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 29374 | Martin | Daske | AquAria 2008 | 2008 | Performance, live-elec, 2 perf | V, perc, (elec) [Stimme, Schlagzeug] | Unterwassergesang | 2008 | Liquidrom, Berlin; mit Claudia Herr, Gesang - Claudia Sgarbi, Percussion, Martin Daske, Elektronik | 0 | |||||||||
| 29405 | Martin | Daske | backbord ein kolibri | 1996 | radiophon | Klangkunst, Installation |
Radio SFB | 0 | ||||||||||||
| 29401 | Martin | Daske | Berlin Taxi | 2000 | Film | 0 | |||||||||||||
| 3748 | Martin | Daske | Der Stein | 1991 | radiophon | 54:00 | Stereo | Koproduktion mit SFB | WER 2052 2/ zkm edition 2/ | ZKM Karlsruhe | 1 | ||||||||
| 29390 | Martin | Daske | Der Zahlenteufel | 2006 | radiophon | hr/Hörverlag | 0 | ||||||||||||
| 29408 | Martin | Daske | Die Bibelschmugglertheorie | 1994 | Radiokunst, live-elec, | live-Hörstück im Bremer Dom für "pro musica nova" | Radio SFB, SFB | pro musica nova | 0 | ||||||||||
| 29393 | Martin | Daske | Fangkunst" - Symphonie aus Fischtönen | 2004 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 38878 | Martin | Daske | Fish and other birds | 2018 | radiophon | WDR Studio Akustische Kunst | 19.5.2018 | WDR 3 open sounds | 0 | ||||||||||
| 29375 | Martin | Daske | Flammaria | 2008 | Performance, live-elec, 2 perf | V, perc, (elec) [Stimme, Schlagzeug] | 2008 | Augsburg. Claudia Herr, Gesang - Roland Neffe, Percussion, Martin Daske, Elektronik; Lange Nacht der Museen, Augsburg |
0 | ||||||||||
| 3749 | Martin | Daske | Foliant 2b | 1989 | live-elec, 2 perf | 6:14 | 2 gui [Gitarre] | 1 | 1990 | ||||||||||
| 3750 | Martin | Daske | Foliant 6 | 1987 | live-elec, 1 perf | 4:00 | Kbd [Keyboard] | 1 | 1990 | ||||||||||
| 29369 | Martin | Daske | Folianten 1-31, für diverse Instrumente | 1986 - 2010 | Klangkunst, Installation | 0 | http://www.tribordstudio.de/Folianten.html | ||||||||||||
| 29406 | Martin | Daske | horizontal radio | 1995 | Klangkunst, Installation | Radio SFB, ORF | 0 | ||||||||||||
| 29373 | Martin | Daske | Hyaden I - III | 2009 | live-elec, | tribord st | 2009 | Internationales Klangkunstfestival 2009_tiefKLANG, Berlin | 0 | ||||||||||
| 29394 | Martin | Daske | in großer angst geschrieben | 2003 | radiophon | Hörspiel mit einem Text von Unica Zürn | WDR Studio Akustische Kunst | 0 | |||||||||||
| 29386 | Martin | Daske | Je voudrais être légère | 2008/2009 | Tanz | Musik für Tanztheater, Text: Elfriede Jelinek. | compagnie "lalage", "Théâtre Les Bernardines", Marseille | 0 | |||||||||||
| 29376 | Martin | Daske | KulinAria, für kochende Sängerin und Elektronik | 2004 | Performance, live-elec, 1 perf | V, (elec) [Stimme] | tribord st | 2004 | Claudia Herr; Unerhörte Musik, BKA-Theater, Berlin | 0 | http://www.tribordstudio.de/Folianten.html | ||||||||
| 29389 | Martin | Daske | Lunik | 2006 | Film | ≈ 90 | 0 | ||||||||||||
| 3751 | Martin | Daske | mada.nces 1-7 | 1993 | radiophon | 51:00 | Stereo | 4 Sp, (elec) [Sprecher] | Koproduktion mit SFB, France culture Metz | ZKM Karlsruhe | 1993 | Metz, Frankreich | 0 | ||||||
| 29382 | Martin | Daske | manchmal doch kein bach | 1989 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | tribord st | 1989 | Unerhörte Musik, BKA-Theater, Berlin | 0 | |||||||||
| 29385 | Martin | Daske | mémoiren eines echonebels | 2010 | radiophon | Klangkunst, Installation |
0 | |||||||||||||
| 29402 | Martin | Daske | mémoires d´un siècle, Teil 2: Totale Zerstörungen | 1999 | radiophon | Klangkunst, Installation |
41:28 | DeutschlandRadio | 0 | |||||||||||
| 29403 | Martin | Daske | mémoires d´un siècle, Teil 1: Der verlorene Horizont | 1998 | radiophon | Klangkunst, Installation |
52:17 | DeutschlandRadio | 0 | |||||||||||
| 29399 | Martin | Daske | mit-ihm-zig-hosen | 2001 | radiophon | DeutschlandRadio | 0 | ||||||||||||
| 23124 | Martin | Daske | Molch, ein versunkenes Schachspiel betrachtend | 2002 | radiophon | tribord st | 1 | ||||||||||||
| 29391 | Martin | Daske | no barking at any time | 2005 | radiophon | 51:31:00 | DeutschlandRadio | DeutschlandRadio | 4.11.2005 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1489846&vi=96&SID | |||||||
| 29372 | Martin | Daske | notensetzen I | 2009 | live-elec, 2 perf | cl, acc, (elec) [Klarinette, Akkordeon] | tribord st | 2010 | Berlin, Matthias Badczong, Christine Paté, Martin Daske | 0 | http://www.tribordstudio.de/Notensetzen.html | ||||||||
| 29387 | Martin | Daske | Polyplay | 2008 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 29413 | Martin | Daske | Preußens Arkadien | 1989 | radiophon | Radio SFB | 0 | ||||||||||||
| 29378 | Martin | Daske | readings | 2000 | Zuspiel / Tonband, 3 perf | V, 2 fl [Stimme, Flöte] | tribord st | 2001 | trio soli sono; Klangbrücke Aachen | 0 | |||||||||
| 29370 | Martin | Daske | Retour | 2012 | live-elec, 2 perf | p, perc, (elec) [Piano, Schlagzeug] | tribord st | 2012 | Martin Schneuing, Ewa Korolzcyk, M. Daske | 0 | |||||||||
| 29414 | Martin | Daske | Scheinwürfe | 1990 | radiophon | Radio SFB | 0 | ||||||||||||
| 29381 | Martin | Daske | Sisaxason | 1992 | Zuspiel / Tonband, 4 perf | 4 sax [Saxophon] | tribord st | 1992 | Saxophonquartett Berlin-Bordeaux; Bordeaux, Frankreich | 0 | |||||||||
| 29380 | Martin | Daske | Steinwind | 1991 | Zuspiel / Tonband, 1 perf | fl [Flöte] | tribord st | 1991 | Carin Levine; Aachen | 0 | |||||||||
| 29392 | Martin | Daske | tiere des monats, 12 x 5 min. | 2004 | radiophon | alle "geräusche des monats" auf dlr berlin | DeutschlandRadio | 0 | |||||||||||
| 29379 | Martin | Daske | tribouret | 1996 | fixed media, akusmatisch | tribord st | 1996 | SFB | 0 | ||||||||||
| 29388 | Martin | Daske | Tupolew 134 | 2007 | fixed media, akusmatisch | SWR Baden-Baden | 0 | ||||||||||||
| 29384 | Martin | Daske | … und er zerdrückte weinend das Wölkchen der Zeit | 2012 | radiophon | 0 | |||||||||||||
| 29411 | Martin | Daske | … und immer bin ich voller mond. | 1992 | radiophon | DeutschlandRadio, WDR Studio Akustische Kunst | 0 | ||||||||||||
| 29371 | Martin | Daske | Unwritten | 2010 | live-elec, 1 perf | 5:56 | Stereo, Surround 5.1 | perf [Performer] | 8 akusmatische Miniaturen | tribord st | 0 | ||||||||
| 29395 | Martin | Daske | white crocodile being drowned by an old-fashioned rattle-snake | 2003 | radiophon | Surround 5.1 | 0 | ||||||||||||
| 3747 | Martin, Olf | Daske, Dziadek | Abfahrt | 1992 | radiophon | 26:42 | Stereo | Koproduktion mit dem SFB | ZKM Karlsruhe | 0 | |||||||||
| 23260 | Martin, Martine | Daske, Ketelbuters | Unten schweigt das Radio…, Lisbon revisited, nachts minus zwanzig, Unruhe | radiophon | 52:00 | nach Textfragmenten von Fernando Pessoa, Ricardo Reis, Alvaro de Campos und Alberto Caeiro | CDR Daske/ | tribord st | 1 | ||||||||||
| 29407 | Martin, Carine | Daske, Limbosch | Land des tödlichen Schweigens | 1995 | radiophon | Radio HR Frankfurt | 0 | ||||||||||||
| 29404 | Martin, Carine | Daske, Limbosch | Wenn Du da bist, sieht man nichts | 1997 | radiophon | Hörcompany Hamburg/ | Radio HR Frankfurt, BR, WDR Studio Akustische Kunst | 0 | |||||||||||
| 38754 | Martin, Thomas | DASKE, LIMELOH | mit-ihm-zig-hosen oder Mollys Wortwanderung | 2001 | radiophon | 53:15:00 | 0 | ||||||||||||
| 29400 | Martin, Irmgard | Daske, Maenner | Köln HBF | 2000 | radiophon | ≈ 55 | Feature | DeutschlandRadio | 0 | ||||||||||
| 29398 | Martin, Rainer | Daske, Rudloff | Die Klangschlürfer | 2001 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 29377 | Martin, Janne | Daske, Saksala | DOUBLE-BASE | 2000/2001 | live-elec, 1 perf | db [Kontrabass] | tribord st | 2001 | Unerhörte Musik, BKA-Theater, Berlin | 0 | |||||||||
| 29415 | Martin, Farah | Daske, Syed | Nächster Bahnhof: Phonologischer Garten | 1989 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 38755 | Julia, Stefanie | DATHE, HEIM | Parkour 1 | 2011 | radiophon | 5:54:00 | 0 | ||||||||||||
| 37893 | Yannick | Dauby | Cigales vs Autoroute | 2005 | fixed media, akusmatisch | 8:17 | Revue&Corrigée Issue 69/ | 0 | |||||||||||
| 33192 | Yannick | Dauby | Noophonie | 2000 | radiophon | 14:30 | Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 radio | 0 | ||||||||||
| 25503 | Yannick | Dauby | Sanguine | 2005 | fixed media, akusmatisch | 4:53 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | www.kalerne.net | ||||||||
| 25866 | Yannick | Dauby | Taiwanese Animal Phonography | 2005 | Klangkunst, Installation | 6:46 | Frogs, Insects | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 3752 | Wolfgang | Dauner | Et Cetera | 1972 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 27729 | Gerhard | Daurer | add.value 5 more | audiovisuell | 5:28 | CMJ Vol 33-4, 2009/ | 1 | ||||||||||||
| 3753 | Jean-Pierre | Dautricourt | SPELLS | 1983 | fixed media, akusmatisch | 12:00 | Quadro | CCRMA | 0 | ||||||||||
| 3754 | Guillermo | Davalos | A dúo | 1983 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | Fibonacci | PS C. Guadalajara | 0 | ||||||||||
| 3755 | Guillermo | Davalos | Astral | 1985 | Tanz | PS C. Guadalajara | 0 | ||||||||||||
| 3756 | Guillermo | Davalos | Diálogos | 1984 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Fibonacci | PS C. Guadalajara | 0 | ||||||||||
| 3767 | Joe | Davido | Orchestrations I & II | 1979 | fixed media, akusmatisch | 8:40 | Stereo | Yleisradio | 0 | ||||||||||
| 3757 | Mario | Davidovsky | Electronic study No. 1 | 1960 | fixed media, akusmatisch | 5:15 | one of the first piece of RCA-synzhesizer Mark II | Mainstream MS 6566/ | Col.Princ EMC | 1 | |||||||||
| 3758 | Mario | Davidovsky | Electronic study No. 2 | 1960 | fixed media, akusmatisch | CRi S 356/ Son Nova 3/ | Col.Princ EMC | 0 | |||||||||||
| 3759 | Mario | Davidovsky | Electronic study No. 3 | 1965 | fixed media, akusmatisch | 5:20 | Quadro | in memoriam Varese | Finna QD 9010/ | Col.Princ EMC | 1 | ||||||||
| 3760 | Mario | Davidovsky | Synchronisms No. 1 | 1963 | Zuspiel / Tonband, 1 perf | 4:15 | fl [Flöte] | for flute & recorded electronic sound | CRi SD 204/ Nonesuch H 71289/ | Col.Princ EMC | 1 | ||||||||
| 20067 | Mario | Davidovsky | Synchronisms No. 10 | 1992 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | gui [Gitarre] | BCD 9042/ | Col.Princ EMC | 0 | ||||||||
| 3761 | Mario | Davidovsky | Synchronisms No. 2 | 1964 | Zuspiel / Tonband, 4 perf | 5:45 | fl, cl, vn, vc [Flöte, Klarinette, Cello, Violine] | CRi SD 204/ | Col.Princ EMC | 1 | |||||||||
| 3762 | Mario | Davidovsky | Synchronisms No. 3 | 1965 | Zuspiel / Tonband, 1 perf | 4:45 | vc [Cello] | CRi SD 204/ | Col.Princ EMC | 1 | |||||||||
| 3763 | Mario | Davidovsky | Synchronisms No. 4 | 1967 | Zuspiel / Tonband, 1 perf, 1 group | 6:00 | Stereo | boys V, mx ch [Stimme, Chor] | Col.Princ EMC | 0 | |||||||||
| 3764 | Mario | Davidovsky | Synchronisms No. 5 | 1969 | Zuspiel / Tonband, 1 perf, 1 group | 8:32 | perc-ens [Schlagzeug] | "Klangfarben Melodie" | CRi CD 611/ CRi SD 268/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | ||||||||
| 3765 | Mario | Davidovsky | Synchronisms No. 6 | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | TV 34487/ | Col.Princ EMC | 0 | ||||||||||
| 3766 | Mario | Davidovsky | Synchronisms No. 9 | 1988 | Zuspiel / Tonband, 1 perf | 8:46 | vn [Violine] | WER 2022-50, Computer Music Currents 2/ | Col.Princ EMC, MIT Media Lab | 1 | |||||||||
| 34550 | Howard | Davidson | Omega Centauri | fixed media, akusmatisch | RCM London | 0 | |||||||||||||
| 3768 | Lyle | Davidson | Fibonacci Rehearsed | 1965 | fixed media, akusmatisch | 6:34 | Stereo | Uni Waltham | 0 | ||||||||||
| 3769 | Lyle | Davidson | Semandron | 1964 | fixed media, akusmatisch | 6:12 | Stereo | Uni Waltham | 0 | ||||||||||
| 20068 | Matthew | Davidson | #5 | 1991 | fixed media, akusmatisch | 6:07 | Stereo | CPS 8675 Capstone/ | 0 | ||||||||||
| 20069 | Matthew | Davidson | Between the Lines | 1988 | fixed media, akusmatisch | 8:00 | Stereo | CPS 8675 Capstone/ | 0 | ||||||||||
| 20070 | Matthew | Davidson | Sirnor Grinderino | 1990 | fixed media, akusmatisch | 7:39 | Stereo | CPS 8675 Capstone/ | 0 | ||||||||||
| 20071 | Matthew | Davidson | The Minute Passacaglia | 1990 | fixed media, akusmatisch | 1:00 | Stereo | CPS 8675 Capstone/ | 0 | ||||||||||
| 39808 | Gemma | Davies | Emerald Haze | 2017 | audiovisuell | Gemma Davies | 0 | ||||||||||||
| 3770 | Hugh | Davies | At Home | 1978 | live-elec, 1 perf | Musiktheater |
≈ 18:00 | Quadro | perf, (invented inss) [Performer] | rev. 1981 | PS C. | 0 | ||||||||
| 3771 | Hugh | Davies | Blind Man's Cry | 1989 | Zuspiel / Tonband, 1 perf | Stereo | w (khene) [Bläser] | new version | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 3772 | Hugh | Davies | Celeritas | 1987 | fixed media, akusmatisch | 8:36 | Stereo | Created on Fairlight Series IIx Computer music instrument in microtonal tuning. | Ants AG04/ | Goldsmith London | 1 | http://www.gold.ac.uk/ems/davies/ | |||||||
| 3773 | Hugh | Davies | Dialogues | 1989 | Tanz, 2 perf, 1 group | 22:00 | Quadro | perf, (inv) inss [Instrument, Performer] | based on "Tapestries" and "Strata" | Goldsmith London, PS Davies | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||
| 3774 | Hugh | Davies | Ex Una Voce | 1979 | live-elec, 3 perf | 12:00 | Stereo | perf, T, synt [Tenor, Performer, synthesizer] | rev. 1981 | PS C. | 0 | ||||||||
| 25599 | Hugh | Davies | From trees and rocks | 2000 | fixed media, akusmatisch | 9:48 | Stereo | Guide for the Diözesanmuseum exhibition "Walkmen". | Ants AG04/ | Diözesanmuseum, Cologne, D | 1 | ||||||||
| 3775 | Hugh | Davies | Gentle Springs | 1973 | live-elec, 5 perf | ≈ 12:00 | 5 tracks | 5 perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3776 | Hugh | Davies | H. D. Breadbins | 1972 | live-elec, 5 perf | ≈ 10:00 | 5 tracks | 5 perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3777 | Hugh | Davies | I Have A Dream | 1984/1985 | Musiktheater, 2 perf, 1 group | ≈ 20:00 | Quadro | dancer, (inv) inss, slides [Instrument, Tanz] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 3779 | Hugh | Davies | Interfaces | 1967/1968 | Zuspiel, live-elec, 6 perf | 20:00 | Quadro | 6 perf, (invented ins) [Performer] | 2 tapes | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||
| 3780 | Hugh | Davies | Madame Sin | 1971 | Film | 12:00 | Mono | PS C. | 0 | ||||||||||
| 3781 | Hugh | Davies | Mobile with Differences | 1973 | live-elec, 5 perf | ≈ 20:00 | Stereo | 5 perf [Performer] | rev. 1982 | PS C. | 0 | ||||||||
| 3782 | Hugh | Davies | Multimorphosis | 1986 | live-elec, 1 perf | 8:00 | Quadro | perf, (invented inss) [Performer] | PS C. | 0 | |||||||||
| 3783 | Hugh | Davies | Music for Bowed Diaphragms | 1973 | live-elec, 1 perf | ≈ 7:30 | Quadro | perf, (invented inss) [Performer] | rev. 1979 | FMP SAJ 36/ at 11 another timbre/ at r01 another timbre/ | PS C. | 0 | |||||||
| 36292 | Hugh | Davies | Music for Three Springs | 1979 | live-elec, 1 perf | 7:00 | Quadro | perf [Performer] | EMF CD 036/ at 11 another timbre/ at r01 another timbre/ | PS C. | 0 | ||||||||
| 3784 | Hugh | Davies | Music for Two Springs | 1977 | live-elec, 1 perf | ≈ 7:00 | Quadro | perf, (invented inss) [Performer] | rev. 1981 | at 11 another timbre/ at r01 another timbre/ | PS C. | 0 | |||||||
| 3785 | Hugh | Davies | My Spring Collection | 1975 | live-elec, 1 perf | ≈ 30:00 | Quadro | perf, (invented inss) [Performer] | rev. 1981 | PS C. | 0 | ||||||||
| 3787 | Hugh | Davies | Natural Images | 1976, 1992 | Zuspiel, live-elec, 1 perf | 13:00 | Stereo | perf, (invented inss) [Performer] | rev. 1992 | Ants AG04/ | PS C. | 1 | |||||||
| 25600 | Hugh | Davies | Natural Images | 1992/1976 | fixed media, akusmatisch | 12:46 | Stereo | Concert version for solo-tape. Previous versions of the same piece are existing for Ballet. |
Ants AG04/ | 1992 | Sound Symposium, Newfoundland, CDN | 1 | |||||||
| 3788 | Hugh | Davies | Pentaptych | 1990 | fixed media, akusmatisch | 5:00 | Stereo | Goldsmith London, PS Davies | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 3789 | Hugh | Davies | Quintet | 1967/1968 | live-elec, 5 perf | 12:00 | 6 | 5 perf [Performer] | SR 200 sub rosa/ | PS C. | 0 | ||||||||
| 3790 | Hugh | Davies | Salad, For Egg- & Vegetable Slicers | 1977 | live-elec, 1 perf | ≈ 8:00 | Quadro | perf, (invented inss) [Performer] | rev. 1981 | FMP SAJ 36/ at r01 another timbre/ | PS C. | 0 | |||||||
| 3792 | Hugh | Davies | Shozyg I (live elec version) | 1968 | live-elec, 1 perf | ≈ 8:00 | Stereo | perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3793 | Hugh | Davies | Shozyg I (Version 1) | 1968 | live-elec, 1 perf | ≈ 8:00 | Stereo | perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3794 | Hugh | Davies | Shozyg I (Version 2) | 1968 | live-elec, 2 perf | ≈ 10:00 | Quadro | 2 perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3795 | Hugh | Davies | Shozyg I (Version 3) | 1968 | live-elec, 3 perf | ≈ 9:00 | 6 | 3 perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3791 | Hugh | Davies | Shozyg I + II | 1968 | live-elec, 2 perf | ≈ 10:00 | Quadro | 2 perf, (invented ins ≈ Hugh Davies, Richard Orton) [Performer] | OU 36-37/ az 21 another timbre/ at r01 another timbre/ | PS C. | 0 | ||||||||
| 3796 | Hugh | Davies | Shozyg II | 1968 | live-elec, 1 perf | ≈ 9:00 | Stereo | perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3797 | Hugh | Davies | Shozyg Sequence No. 1 | 1971 | live-elec, 1 perf | ≈ 25:00 | Quadro | perf, (invented inss) [Performer] | FMP SAJ 36/ | PS C. | 0 | ||||||||
| 3798 | Hugh | Davies | Shozyg Sequence No. 2 | 1977 | live-elec, 1 perf | ≈ 30:00 | Quadro | perf, (invented inss) [Performer] | rev. 1980 | PS C. | 1 | ||||||||
| 3799 | Hugh | Davies | Shozyg Sequence No. 3 | 1990/1992 | live-elec, 1 perf | ≈ 22:00 | Quadro | perf, (invented inss) [Performer] | PS C. | 0 | |||||||||
| 3800 | Hugh | Davies | Solel | 1986 | live-elec, 2 perf | ≈ 10:00 | Quadro | 1 - 2 perf [Performer] | rev. from 1971 | PS C. | 0 | ||||||||
| 41569 | Hugh | Davies | Solo at Ronnie Scott’s | 1975 | live-elec, 1 perf | 24:33 | perf, (invented ins) [Performer] | at r01 another timbre/ | 0 | ||||||||||
| 3801 | Hugh | Davies | Spring Song | 1970 | live-elec, 1 perf | ≈ 10:00 | Stereo | perf, (invented ins) [Performer] | rev. 1979 | FMP SAJ 36/ | PS C. | 1 | |||||||
| 3802 | Hugh | Davies | Strata | 1987 | Zuspiel, live-elec, 2 perf | 12:00 | Quadro | perf, (inv) ins [Instrument, Performer] | Goldsmith London, PS Davies | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 3803 | Hugh | Davies | Suite | 1963 | fixed media, akusmatisch | Tanz |
5:37 | Mono | Uni Oxford | 0 | ||||||||||
| 3804 | Hugh | Davies | Tapestries | 1982/1983 | fixed media, akusmatisch | Tanz |
8:25 | Stereo | Ballet music for Modern Dance group „Dancers Anonymos“. | Ants AG04/ | Goldsmith London | Dancers Anonymos, GB | 1 | http://www.gold.ac.uk/ems/davies/ | ||||||
| 3806 | Hugh | Davies | The Scarecrow | 1963 | Theatermusik | 7:49 | Mono | PS Edinburgh | 0 | ||||||||||
| 3807 | Hugh | Davies | The Search for the Music of the Spheres | 1978 | Musiktheater, live-elec, 5 perf | ≈ 30:00 | Quadro | 5 perf, (invented ins), slides [Performer] | PS C. | 0 | |||||||||
| 3808 | Hugh | Davies | Three Nightmare Sequences | 1964 | Theatermusik | 6:33 | Mono | for "Hang down your head and die" | Uni Oxford | 0 | |||||||||
| 3809 | Hugh | Davies | Vision | 1984 - 1985, 1987 | fixed media, akusmatisch | 16:56 | Quadro | Based on "I have a Dream". Was created on the Fairlight Series IIx Computer Musical Instrument. |
Ants AG04/ | Goldsmith London | Nov. 1990 | Bratislava, CZ | 1 | http://www.gold.ac.uk/ems/davies/ | |||||
| 13547 | Hugh, Ferdinand, Hans-Karsten | Davies, Försch, Raecke | Drahtgestalten | 1988 | live-elec, | 30:30 | 1 | ||||||||||||
| 3805 | Hugh, Alec | Davies, Hill | The Dream of Peter Mann | 1963 | Theatermusik | 2:10 | Mono | Uni Oxford | 0 | ||||||||||
| 3810 | Martin | Davies | SALM Y GENEDL | 1980 | fixed media, akusmatisch | 8:20 | Quadro | SME Krakow | 0 | ||||||||||
| 43206 | Michaela | Davies | Duty | 2014 | Performance | 7 perf [Performer] | Sonic Social | 2014 | Museum of Contemporary Art Australia | Auszeichnung ars electronica honorary mention 2015 | 0 | http://www.michaeladavies.net/duty.html | |||||||
| 22459 | Robin | Davies | Weather or Not | 2000 | fixed media, akusmatisch | 4:00 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | 1 | |||||||||
| 20072 | Sheila | Davies | What is the Matter in Amy Glennon | 1988 | radiophon | 25:17 | Stereo | WN 0013/ | 0 | ||||||||||
| 3811 | Stephen | Davies | Wake up | 1990 | fixed media, akusmatisch | 8:00 | Stereo | Uni Southampton | 0 | ||||||||||
| 36375 | Benjamin | Davis | Vuelta | 1989 | fixed media, akusmatisch | 10:10 | Audiovisuals de Sarria 29-1421/ | 0 | |||||||||||
| 20073 | Bob, Jon | Davis, Raskin | Poison Hotel | 1988 | Zuspiel / Tonband, 1 perf | 3:52 | Stereo | V [Stimme] | sound poetry | AER 1990 / 2 / | 1 | ||||||||
| 42940 | D. Edward | Davis | coo coo | 2013 | live-elec, 1 perf | 7:15:00 | vn [Violine] | Mari Kimura, violin | 0 | ||||||||||
| 33872 | Joe | Davis | Bacterial Radio | 2012 | audiovisuell | Prix ars electronica 2012/ | Goldene Nica 2012 ars electronica | 1 | |||||||||||
| 1094 | Michael, Egils | Davis, Bebris | Beach Party | 1984 | fixed media, akusmatisch | 7:50 | Stereo | Uni York EMC | 1st prize Procan Award 1984 | 0 | |||||||||
| 35006 | Nathan | Davis | Echeia | 2016 | live-elec, 4 perf | 16 | str-qt [Streicher] | SWR, Camargo Foundation | 15.10.2016 | Donaueschinger Musiktage, Donauhallen, Calderquartett, IRCAM | 0 | ||||||||
| 40240 | Seth | Davis | Crystal Ball | 2016 | fixed media, akusmatisch | Seth Davis | 0 | ||||||||||||
| 3812 | Sydney | Davis | Star Axis | 1991 | Zuspiel / Tonband, 1 perf | 4:50 | p [Piano] | AER 1992 / 5/ | 1 | ||||||||||
| 3813 | Ted | Dawson | Concerto Grosso I | 1974 | fixed media, akusmatisch | 15:00 | Stereo | UTEMS Toronto, McGill Montréal | 0 | ||||||||||
| 3814 | Ted | Dawson | Portraits in a landscape | 1988 | fixed media, akusmatisch | 20:00 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 3815 | Ted | Dawson | The Land of Nurr | 1975 | fixed media, akusmatisch | 9:00 | Stereo | McGill Montréal, Uni Toronto | 0 | ||||||||||
| 19647 | Nicolás | Daza | El Cielo y la Tierra | 1993 | fixed media, akusmatisch | 7:10 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 3816 | Gualtiero | Dazzi | Wozzeck | 1987 | Theatermusik | 40:00 | Stereo | CICM Paris | 0 | ||||||||||
| 35670 | Ricardo | de Armas | Música de Bolsillo | 2005 | Zuspiel / Tonband, 1 perf | 3:20 | p [Piano] | 0 | |||||||||||
| 3817 | Marie-Claude | de Chevigny | Compositions pour groupes, Musique électroacoustique | fixed media, akusmatisch | Stereo | M-C-Mon | 0 | ||||||||||||
| 3818 | Marie-Claude | de Chevigny | El Corazon I & II | 1985 | fixed media, akusmatisch | 9:32 | Stereo | PS C. | M-C-Mon | 0 | |||||||||
| 3819 | Marie-Claude | de Chevigny | Sing-Sing | 1985 | fixed media, akusmatisch | 2:55 | Stereo | PS C. | 0 | ||||||||||
| 3820 | Marie-Claude | de Chevigny | Tiger | 1985 | fixed media, akusmatisch | 4:50 | Stereo | PS C. | M-C-Mon | 0 | |||||||||
| 3821 | Christophe | de Coudenhove | Un coup de dés jamais n'abolira le hasard | 1992 | live-elec, 1 perf | 10:00 | cl [Klarinette] | ISPW | IRCAM | 0 | |||||||||
| 27287 | Alain | De Filippis | Le songe d'Athanasius | 2003 | fixed media, akusmatisch | 4:35 | Stereo | Oreille au Vent Monts/ | 0 | ||||||||||
| 20074 | Alain | De Filippis | Ton Dieu ne s'appelle-t-il pas égo? | 1993 | fixed media, akusmatisch | 15:03 | Stereo | 8 parts | MK CD 013/ | 0 | |||||||||
| 3822 | Pierre | de Gagné | Le monde d'Alain Proviste | 1987 | fixed media, akusmatisch | 7:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 28495 | Huba | De Graaff | De dood van Poppaea | 2006 | Oper | CD: PPPouverture | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.hubiware.nl/Hnewbio.html | ||||||||||
| 22087 | Benjamin | de la Fuente | Ce doux nectar fleurant le miel… | 1994 | fixed media, akusmatisch | 11:06 | Stereo | Musidisc 245752/ NOR 04/ | CNR Toulouse | 1 | |||||||||
| 24401 | Benjamin | de la Fuente | Le vertige du papillon | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 28447 | Christopher | De Laurenti | Let me tell you about Tiger Tiger | 1999 | fixed media, akusmatisch | 9:58 | Stereo | ELCD 013 Electroshock Records/ | 0 | ||||||||||
| 39381 | Gerardo | De Pasquale | del dolore e altre passioni, lamento I | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24117 | Fabrizio | De Rossi Re | Il Dottor Semmelweis | 2002 | Theatermusik | 53:00 | Tempo Reale Firenze | 0 | |||||||||||
| 24118 | Francesco | De Rossi Re | Cesare Lombroso | 2001 | Theatermusik | ≈ 100:00 | Preparazione nastro per spettacolo su "Lombroso" | Tempo Reale Firenze | 0 | ||||||||||
| 3829 | Frederic | De Vreese | De geboorte | 1969 | Film, 1 group | 20:00 | ens [Ensemble] | IPEM Gent | 0 | ||||||||||
| 3830 | Frederic | De Vreese | De stemmer | 1971 | Theater, 1 group | 15:00 | ens [Ensemble] | IPEM Gent | 0 | ||||||||||
| 3831 | Frederic | De Vreese | De vreemde ruiter | 1969 | Fernsehen, | 30:00 | Mono | (M. de Ghelderode) | IPEM Gent | 0 | |||||||||
| 3832 | Frederic | De Vreese | La ville à voile | 1968 | Theatermusik | 15:00 | IPEM Gent | 0 | |||||||||||
| 3833 | Frederic | De Vreese | Paul Klee | 1957 | Film, 1 perf | 25:00 | perc [Schlagzeug] | IPEM Gent | 0 | ||||||||||
| 3834 | Frederic | De Vreese | Victor | 1969 | Theater, 1 group | 9:00 | ens [Ensemble] | IPEM Gent | 0 | ||||||||||
| 3835 | Frederic | De Vreese | Willem van Saeftinge | 1965 | Fernsehen, | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 18897 | Harry | de Wit | Song for the Pigeons | 1993 | Zuspiel / Tonband, 4 perf, 1 group | 20:56 | prep p, hn, tpt, inss [Horn, Trompete, Piano, Instrument] | für Multimediale 3 | Walpurgis WPR - 005/ | ZKM Karlsruhe | 1 | http://on1.zkm.de/zkm/artists/Wit | |||||||
| 3836 | Harry | De Wit | Studie I | 1966 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | |||||||||||
| 18896 | Harry | de Wit | Sweeney Astray | 1994 | intermedia | Theatermusik |
24:49 | cl, (selfmade) inss, V [Stimme, Klarinette, Instrument] | Joan Jonas | Walpurgis WPR - 005/ | 1 | http://on1.zkm.de/zkm/artists/Wit | ||||||||
| 3837 | Csaba | Deák | Etyd om våren | 1970 | Tanz | 11:00 | Mono | Tape privately owned. | EMS Stockholm | 0 | |||||||||
| 3838 | Csaba | Deák | Fäderna | 1968 | Oper | 30:00 | Stereo | Owner of the tape: IRK | EMS Stockholm | 0 | |||||||||
| 34710 | Csaba | Deák | Klarinettofoni | 1967 | fixed media, akusmatisch | 9:39 | Stereo | PSLP 002/ | EMS Stockholm | 0 | |||||||||
| 3839 | Csaba | Deák | Macbeth | 1968 | Theatermusik | 30:00 | Stereo | Owner of the tape: Roglands Th, Stavanger. Norway | EMS Stockholm | 0 | |||||||||
| 3840 | Csaba | Deák | Musik och rörelse | 1973 | Zuspiel / Tonband, 2 perf, 1 group | 10:00 | Stereo | children ch, ins, mime [Instrument, Schauspieler, Chor] | EMS Stockholm | 0 | |||||||||
| 32732 | Brett | Dean | Electric Preludes | 2011 - 2012 | live-elec, 1 perf, 1 group | 25 | e-vn, orc [Violine, Orchester] | electric violin with 6 cords | 10.9.2012 | Union Hall, Maribor, Richard Tognetti (vn) | B & H | 0 | http://www.boosey.com/pages/cr/catalogue/cat_detail.asp?site-lang=en&musicid=57840&langid=1 | ||||||
| 34362 | Michael | Dean | #422AEF9E | 2014 | fixed media, akusmatisch | 9:51 | JTTP 2014 | CEC Cache 2014/ | 0 | ||||||||||
| 19215 | Anne | Deane | Positive Thinking | live-elec, 1 perf | fl [Flöte] | CMJ Vol 21, 1997/ | CREATE | 1 | |||||||||||
| 3841 | Ian | Dearden | Airtight | 1988 | Zuspiel, live-elec, 1 group | 13:00 | ens [Ensemble] | City Uni London | 0 | ||||||||||
| 3842 | Ian | Dearden | Ensnared | 1989 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | snare-drum [Schlagzeug] | City Uni London | 0 | |||||||||
| 3843 | Ian | Dearden | Kinesis | 1984 | fixed media, akusmatisch | 11:20 | UEA Norwich | 0 | |||||||||||
| 3844 | Ian | Dearden | Lilt | 1987 | Zuspiel / Tonband, 1 perf | 9:40 | Stereo | s-sax [Saxophon] | AVTR 001/ | City Uni London | 0 | ||||||||
| 3845 | Ian | Dearden | Shuffle | 1986 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | shakuhachi [Flöte] | City Uni London | 0 | |||||||||
| 3846 | Ian | Dearden | The Glass Tower | 1986 | Zuspiel / Tonband, 1 perf, 2 groups | 60:00 | Stereo | children ch, inss [Instrument, Chor] | City Uni London | 0 | |||||||||
| 3847 | Fernand | Debats | Kollage | 1972 | fixed media, akusmatisch | 20:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 3848 | Fernand | Debats | Tennessee | 1972 | fixed media, akusmatisch | 2:32 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 3849 | Louis | Debras | Klankstrukturen | 1964 | fixed media, akusmatisch | 6:22 | Quadro | IPEM Gent | 0 | ||||||||||
| 3850 | Louis | Debras | Studie I | 1964 | fixed media, akusmatisch | 7:25 | Mono | IPEM Gent | 0 | ||||||||||
| 3851 | Louis | Debras | Studie II | 1964 | fixed media, akusmatisch | 9:00 | Mono | IPEM Gent | 0 | ||||||||||
| 3632 | Krzesimir | Debski | Motet | 1986 | fixed media, akusmatisch | 15:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 3852 | Jean | Debuffet | Musical Experiences | 1961 | live-elec, 1 perf | perf [Performer] | source: 6 records; tape-manipulation | 0 | |||||||||||
| 35192 | Claude, Hans Peter | Debussy, Kuhn | Le Martyre de Saint Sebastian | 1988 | Theatermusik | Text by Gabriele d’Annunzio | 1988 | Opera de Paris, Metropolitan Opera New York | 0 | ||||||||||
| 27329 | Rudy, Manuel | Decelière, Schwuchtig | Mille mètres sur terre | 2003 | Klangkunst, Installation | DVD-Video (PAL, 4/3) von Festival „Archipel“ vom 30.3.-6.4.2003 (Genf) 2004. DVD-Titel: The Third Ear |
archipel the third ear/ | 1 | |||||||||||
| 42928 | Brad, Zlatko | Decker, Cosic | basso images | 2013 | audiovisuell, live-elec, 1 perf | 10:00:00 | B [Bass] | Brad Decker, bass | 0 | ||||||||||
| 3853 | Georges de | Decker | Abraxas | 1976 | Tanz | 6:50 | Stereo | IPEM Gent | 0 | ||||||||||
| 3854 | Georges de | Decker | Hakanai | 1983 | fixed media, akusmatisch | 5:07 | Stereo | IPEM Gent | 0 | ||||||||||
| 3855 | Georges de | Decker | Lineas y puntos | 1979 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 3856 | Georges de | Decker | Modulatude I | 1978 | fixed media, akusmatisch | 5:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 3857 | Georges de | Decker | Omtrete HeeCee | 1979 | Zuspiel / Tonband, 3 perf | 11:40 | Stereo | t-trbn, b-cl, db [Klarinette, Posaune, Kontrabass] | IPEM Gent | 0 | |||||||||
| 3858 | Georges de | Decker | Rest in Piece | 1981 | Zuspiel / Tonband, 5 perf | 2 V, gui, b-cl, db [Stimme, Klarinette, Gitarre, Kontrabass] | 0 | ||||||||||||
| 3860 | Georges de | Decker | Tribute to Vaslav Fomitch | 1980 | Zuspiel / Tonband, 1 perf | bar-sax [Saxophon] | 0 | ||||||||||||
| 3861 | Georges de | Decker | Turn Me Upside Down ... | 1983 | Zuspiel/Tonband, 13 perf | audiovisuell |
V, 11 ins, dancer [Stimme, Instrument, Tanz] | 0 | ||||||||||||
| 3862 | Georges de | Decker | White Suited Men in a Park 84 | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 3859 | Georges de | Decker, Galle | Timelessness | 1977 | fixed media, akusmatisch | 10:10 | Stereo | IPEM Gent | 0 | https://lib.ugent.be/en/catalog/rug01:002402152?i=0&q=%22Galle%22&search_field=author&type=audio#library-services | |||||||||
| 3863 | Max, Norbert | Decker, Baumgartner | Flötenstudie 88 | 1988 | fixed media, akusmatisch | 8:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 3864 | Michel | Decoust | 7.854.693.286 | 1972 | fixed media, akusmatisch | 20:00 | Octo | 0 | |||||||||||
| 3865 | Michel | Decoust | Aentre | 1971 | Zuspiel / Tonband, 3 perf | 12:00 | hn, tpt, trbn [Horn, Trompete, Posaune] | 0 | |||||||||||
| 3866 | Michel | Decoust | C.H.9.A.M.J | 1971 | live-elec, 8 perf | 15:00 | ww, perc, oma, hp, A, vib, db, e-gui [Alt, Gitarre, Harfe, Schlagzeug, Kontrabass, synthesizer, Bläser] | 0 | |||||||||||
| 3867 | Michel | Decoust | Interphone | 1977 | fixed media, akusmatisch | 12:33 | Music V, realization Daniel Arfib, Text: Claude Minière | WER 2024-50, Computer Music Currents 4/ | IRCAM | 1 | |||||||||
| 3868 | Michel | Decoust | Ion | 1973 | Zuspiel / Tonband, 1 perf | 24:00 | Octo | S [Sopran] | EAS 18465/ | 0 | |||||||||
| 3869 | Michel | Decoust | L'Enterreur | 1971 | live-elec, 2 perf | 75:00 | db, p, (radio) [Piano, Kontrabass] | 0 | |||||||||||
| 3870 | Michel | Decoust | Marbres | 1986 | fixed media, akusmatisch | 12:00 | Quadro | EAS 18465/ | CERM Metz | 0 | |||||||||
| 3871 | Michel | Decoust | Olos | 1983 | live-elec, 1 perf | 14:00 | t-sax [Saxophon] | 10. 84, Zagreb, Daniel Kientzy | PAR 5304/ EAS 18008/ | 0 | |||||||||
| 3872 | Michel | Decoust | Solstice | 1968 | Hintergrundmusik | projet pour la M. alisation du foyer B, ORTF | 0 | ||||||||||||
| 3873 | János | Decsényi | Birds of the cathedral | 1991 | fixed media, akusmatisch | 14:07 | Stereo | MR Budapest | 0 | ||||||||||
| 3874 | János | Decsényi | Concertino | 1989 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | Zimbal [Streicher] | PDP-15 with IMPAC | MR Budapest | 0 | ||||||||
| 3875 | János | Decsényi | Prospero's Island | 1989 | fixed media, akusmatisch | 14:20 | MR Budapest | 0 | |||||||||||
| 3876 | János | Decsényi | Stones | 1987 | fixed media, akusmatisch | 11:40 | MR Budapest | 0 | |||||||||||
| 3877 | János | Decsényi | Three concert-Etudes | 1988 | fixed media, akusmatisch | 13:00 | Stereo | PDP-15 with IMPAC | EMS Stockholm | 0 | |||||||||
| 38756 | Dickson, Sainkho, Wu | DEE, NAMTCHYLAK, WEI | Art´s Birthday 2011 - Ch’a Ching | 2011 | radiophon | 42:52:00 | 0 | ||||||||||||
| 3878 | René | Defossez | Le Pecheur et son Ame | 1965 | radiophon | 5:00 | Mono | IPEM Gent | 0 | ||||||||||
| 5355 | William | DeFotis | Piece for flute with tape accomp. | 1980 | Zuspiel / Tonband, 1 perf | 10:47 | fl [Flöte] | Inventionen 8.2.1990 AdK | EMS UIUC | 1 | 1990 | ||||||||
| 27886 | Paula | Defresne | Leurres-Croyances | 2001 | live-elec, 3 perf | trbn, vn, p [Posaune, Piano, Violine] | CRFMW Liège | 12.03.2002 | Bruxelles, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 3879 | Bruno | Degazio | Amphibian | 1983 | fixed media, akusmatisch | 3:20 | Stereo | PS C. | 0 | ||||||||||
| 3880 | Bruno | Degazio | Ave Maris Stella | 1987 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 3881 | Bruno | Degazio | Duet | 1986 | live-elec, 2 perf | 4:20 | Stereo | sax, hpd [Saxophon, Cembalo] | PS C. | 0 | |||||||||
| 3882 | Bruno | Degazio | Fractal Jam | 1986 | fixed media, akusmatisch | 2:00 | Stereo | PS C. | 0 | ||||||||||
| 3883 | Bruno | Degazio | Fractal Study I | 1986 | fixed media, akusmatisch | 4:15 | Stereo | PS C. | 0 | ||||||||||
| 3884 | Bruno | Degazio | Heat Noise | 1987 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | perc [Schlagzeug] | ACM 37 CD 1-4/ | PS C. | 0 | ||||||||
| 3885 | Bruno | Degazio | Humoresque 901534 | 1990 | fixed media, akusmatisch | 3:01 | Stereo | Fraktale Musik | IMED 9004/ IMED 9604/ | 1 | |||||||||
| 3886 | Bruno | Degazio | Jolly | 1995 | Zuspiel / Tonband, 1 perf | 2:15 | e-vn [Violine] | CEC DISContact_2/ | 1 | ||||||||||
| 3887 | Bruno | Degazio | On Growth and Form | 1988 | Zuspiel, live-elec, 1 group | 11:41 | ens [Ensemble] | Fibonacci; ICMC 1992 | ICMC 1992, PRDC 1300/ | Banff C. | 1 | ||||||||
| 3888 | Bruno | Degazio | Spiral | 1983 | fixed media, akusmatisch | 18:00 | Stereo | PS C. | 0 | ||||||||||
| 3889 | Bruno | Degazio | Strange Attractions | 1986 | fixed media, akusmatisch | 7:30 | Stereo | PS Wind | 0 | ||||||||||
| 3890 | Bruno | Degazio | Tesla's Dream | 1992 | fixed media, akusmatisch | 2:38 | excerpt from multimedia opera "NT: The Man Who Invented the 20th Century" | CEC DISContact_1/ | Con Toronto | 1 | |||||||||
| 3891 | Bruno | Degazio | The Road to Chaos | 1986 | fixed media, akusmatisch | 6:30 | Stereo | PS C. | 0 | ||||||||||
| 39635 | Bruno, Christos | Degazio, Hatzis | Harmonia | 2016 | fixed media, akusmatisch | Bruno Degazio and Christos Hatzis | 0 | ||||||||||||
| 3892 | Peter | Dege | going down | 1992 | fixed media, akusmatisch | 13:40 | Stereo | com M. | TU Berlin | Competition Musica Nova Prag 1994 | 1 | ||||||||
| 25868 | Basilio | del Boca | Fragotado | fixed media, akusmatisch | 9:23 | Octo | LDC 278081 Cultures électroniques 19 2006/ | 1 | |||||||||||
| 35496 | Basilio | del Boca | Viscuap | 2008 | fixed media, akusmatisch | 6:04 | CMMAS CD 020/ | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2008 | 0 | ||||||||||
| 3893 | Robert | del Buono | Harmonica | 1995 | fixed media, akusmatisch | 2:51 | CEC DISContact_2/ | 1 | |||||||||||
| 3894 | Robert | del Buono | Solarsystemless | 1992 | fixed media, akusmatisch | 2:51 | CEC DISContact_1/ | 1 | |||||||||||
| 41645 | Sophie | Delafontaine | gris souris | 2017 | fixed media, akusmatisch | 10:03 | 0 | ||||||||||||
| 41582 | Sophie | Delafontaine | Le bruant | 2018 | fixed media, akusmatisch | création mondiale | 0 | ||||||||||||
| 41646 | Sophie | Delafontaine | Le Creux-du-Van | 2014 | fixed media, akusmatisch | 12 | 0 | ||||||||||||
| 41647 | Sophie | Delafontaine | Ondiésop | 2015 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 35744 | Sophie | Delafontaine | Respire, marche pars va-t-en | 2012 | fixed media, akusmatisch | 10:02 | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 | 0 | |||||||||||
| 35395 | Sophie | Delafontaine | Ressort spiral | 2016 | fixed media, akusmatisch | 10:49:00 | Stereo | MR 2016 Métamorphoses 2016/ | March 23, 2016 | ÉlectroBelge, Espace Senghor (Brussels, Belgium) | Public Prize ex æquo at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||
| 41648 | Sophie | Delafontaine | Tout ça à cause de Junon | 2013 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 27366 | Valérie | Delaney | Different Shades of Blue | 2007 | fixed media, akusmatisch | 7:56 | JTTP 2007 composer | CEC Cache 2007, PeP 012/ | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 28018 | Valérie | Delaney | La cité de verre | 2009 | fixed media, akusmatisch | 8:05 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP-Winner 2010 5. prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | ||||||||
| 26157 | Gordon | Delap | ahu-akiva | 2007 | fixed media, akusmatisch | 4:52 | Stereo | CMC CD 07 Contemporary Music from Ireland Vol 7/ | NUI Maynooth | 1 | |||||||||
| 25058 | Gordon | Delap | Beowulf & Grendel | 2004 | live-elec, 1 perf | 49:28 | narrator [Schauspieler] | Lesung in Altenglisch von Hugh Magennis | SARC Belfast | 1 | |||||||||
| 41477 | Gordon | Delap | I dreamt that I died and came back as a moth trapped in a practice room piano | 2018 | fixed media, akusmatisch | finaliste l’espace du son 2018 BruxellesFinalist | 0 | ||||||||||||
| 25869 | Gordon | Delap | Light Body Corpuscles | 2005 | audiovisuell | 6:21 | Antonin De Bernels (Video) | CMJ Vol 29-4, 2005/ | SARC Belfast | 1 | 2006 | ||||||||
| 28287 | Gordon | Delap | Lost Horizon | 2008 | fixed media, akusmatisch | 5:21 | Stereo | physical models | Maynooth | 1 | http://www.cmc.ie/composers/composer.cfm?composerID=173 | ||||||||
| 24304 | Gordon | Delap | Mercurious | 2000 | fixed media, akusmatisch | 7:58 | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | ||||||||||
| 25057 | Gordon | Delap | Pathless Desert | 2004 | fixed media, akusmatisch | 14:15 | akusmatisch | SARC Belfast | 1 | ||||||||||
| 25416 | Gordon | Delap | Schlesinger’s Forge | 2006 | fixed media, akusmatisch | 11:00 | Octo | together with Stefan Bilbao (physical Model) | TU Berlin | funded by the Arts Council of Northern Ireland | 1 | ||||||||
| 3895 | José Luis de | Delás | Aube | 1971 | fixed media, akusmatisch | 11:55 | Mono | Sonology Utrecht | 0 | ||||||||||
| 3896 | José Luis de | Delás | Cinco sellos | 1972 | Zuspiel / Tonband, 1 group | 9:00 | ens [Ensemble] | 0 | |||||||||||
| 3897 | José Luis de | Delás | Conjuntos | 1975/1976 | Zuspiel / Tonband, 1 group | 22:00 | ens [Ensemble] | 0 | |||||||||||
| 23049 | José Luis de | Delás | Drumphony | 1981 | live-elec, 1 perf, 1 group | perc, orc [Schlagzeug, Orchester] | WDR SEM | WDR 1981 | 0 | ||||||||||
| 3898 | José Luis de | Delás | Eilanden | 1968 | Zuspiel / Tonband, 10 perf | 13:30 | 10 ins [Instrument] | WDR | 0 | ||||||||||
| 3899 | José Luis de | Delás | Episoden des Tages und der Nacht | 1970 | Zuspiel / Tonband, 1 group | 19:35 | orc [Orchester] | 0 | |||||||||||
| 3900 | José Luis de | Delás | Gesualdo | Fernsehen, | TV-film of the SWF | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 3901 | José Luis de | Delás | Nubes | 1969 | fixed media, akusmatisch | 18:03 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 34422 | José Luis de | Delás | textes | 1967 | fixed media, akusmatisch | 13:40 | Mono | with the Soprano Margarita Sabartés | Radio Bremen | 0 | |||||||||
| 23048 | José Luis de | Delás | Tres nocturnos | 1981 | Zuspiel / Tonband, 7 perf | 14:19 | Mono | 4 perc, vn, va, vc [Schlagzeug, Viola, Cello, Violine] | Koch 3-5037-1/ | WDR SEM | WDR 1981 | 18.9.1981 | "Musik der Zeit" Köln | 0 | |||||
| 36701 | Chris | DeLaurenti | Glyph | fixed media, akusmatisch | elek 002/ | 0 | |||||||||||||
| 25870 | Chris | DeLaurenti | Our Streets! | 2004 | Klangkunst, Installation | 7:41 | protest NY | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 41856 | Christopher | DeLaurenti | Les deux eglises de Montmorillon, 9pm | 2008 | radiophon | 5:01:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 25017 | Benoit | Delbecq | Mots volés | 2003 | fixed media, akusmatisch | 2:07 | real ambient vol. 4/ | PS | 1 | ||||||||||
| 3902 | Lex van | Delden | Icarus (oratorio) | 1963 | Zuspiel, live-elec, 1 perf, 3 groups | radiophon |
45:00 | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | |||||||||||
| 38531 | Christophe | DELEU | Vers le Nord | 2010 | radiophon | 53:55:00 | Prix Phonurgia nova | 0 | |||||||||||
| 41621 | Laurent | Delforge | Avant les tigres | 2016 - 2017 | fixed media, akusmatisch | 8:40:00 | T.1 2016, T.2, 2017 | Musiques et Recherches Ohain | 0 | ||||||||||
| 32806 | Laurent | Delforge | Dragonfly | fixed media, akusmatisch | INA • GRM | 0 | |||||||||||||
| 27750 | Laurent | Delforge | Palimpseste sur souvenir | 2007 | fixed media, akusmatisch | 6:34 | wbm 168 b Electro AC Wallonie - Bruxelles/ | Musiques et Recherches Ohain | Sélection jeune compositeur à la TIME 2007 | 1 | |||||||||
| 23537 | Carlos | Delgado | alone at the edge | 2001 | Zuspiel / Tonband, 1 perf | 10:42 | fl [Flöte] | B. G. Schmitt (fl). | ISPV 191 CD ProViva Flöte und Computer 2/ | PS | 1 | ||||||||
| 39318 | Carlos | Delgado | Prelude to the Sixth Sun | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39832 | Gustavo Adolfo | Delgado | Permanente e transitorio | 2017 | fixed media, akusmatisch | Gustavo Adolfo Delgado | 0 | ||||||||||||
| 39831 | Gustavo Adolfo | Delgado | SaxOut! | 2017 | fixed media, akusmatisch | Gustavo Adolfo Delgado | 0 | ||||||||||||
| 35722 | Jaime | Delgado | Hommenage sans titre | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 3903 | Raoul | Delgado | Primelectropus | 1976 | Theatermusik | 5:35 | Stereo | INA • GRM | 27.8.1976 | Paris, Th. Récamier | 0 | ||||||||
| 41529 | Thomas | DeLio | ...a different liquid | 1996 | fixed media, akusmatisch | 3:37 | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 3823 | Thomas | DeLio | Against the silence | 1986 | Zuspiel / Tonband, 6 perf | 20:08 | Quadro | 5 perc, p [Piano, Schlagzeug] | WER 2029; Computer Music Currents 9/ | 1 | |||||||||
| 22934 | Thomas | DeLio | "because the…" | 1995 | fixed media, akusmatisch | 2:21 | Neuma 450-92/ | 1 | |||||||||||
| 38413 | Thomas | DeLio | M,nce | 1998 | fixed media, akusmatisch | 1:57 | Neuma 450-99/ | 0 | |||||||||||
| 22933 | Thomas | DeLio | Pine, Bamboo, Plum | 1994 | fixed media, akusmatisch | 2:16 | Neuma 450-92/ | 1 | |||||||||||
| 38414 | Thomas | DeLio | Pinh,h | 1998 | fixed media, akusmatisch | 2:42 | Neuma 450-99/ | 0 | |||||||||||
| 41527 | Thomas | DeLio | so again | 1994 | fixed media, akusmatisch | 2:08 | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 28132 | Thomas | DeLio | think on parch | 1995 | fixed media, akusmatisch | 17:17 | 4 songs for tape | CPS 8693 Capstone/ | 0 | ||||||||||
| 41531 | Thomas | DeLio | though, on | 1996 | fixed media, akusmatisch | 5:33 | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 41530 | Thomas | DeLio | to make / -as / in- | 1995 | fixed media, akusmatisch | 5:33 | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 41619 | Ana | Dell'Ara-Majek | La chandelle des illusions | 2007 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 41620 | Ana | Dell'Ara-Majek | Xylocopa Ransbecka | 2017 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 42977 | Ana | Dell’Ara-Majek | Akheta’s Blues | 2013 | fixed media, akusmatisch | 9:13:00 | 0 | ||||||||||||
| 3904 | Etienne | Delmas | D'un ciel à l'autre | 1987 | fixed media, akusmatisch | 20:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 3905 | Etienne | Delmas | Le monde à l'envers | 1992 | Film | 90:00 | Stereo | ZKM Karlsruhe | 0 | ||||||||||
| 35843 | Brice | Deloose | Le temps de l’oubli | 2012 | fixed media, akusmatisch | 8:20 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 42598 | Erik | DeLuca | In | 2009 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 19158 | Sherre | DeLys | Transpoes: a digital sketch of Australian Mimicry | 1996 | Klangkunst, Installation | ISAST LMJ 6/ | 1 | ||||||||||||
| 3906 | Christoph | Delz | Im Dschungel | 1984 | Zuspiel / Tonband, 1 group | 0:46 | Stereo | orc [Orchester] | HfMT Köln | 0 | |||||||||
| 3907 | Christoph | Delz | Kölner Messe | 1981 | Zuspiel / Tonband, 2 groups | 24:14 | Quadro | ch, boys ch [Chor] | HfMT Köln | WDR 1983 | 0 | ||||||||
| 36761 | Norman | DeMarco | Fantasia electronica | fixed media, akusmatisch | Sonology Utrecht | 0 | |||||||||||||
| 36760 | Norman | DeMarco | Music for an abstract film | Film | Sonology Utrecht | 0 | |||||||||||||
| 36742 | Norman | DeMarco | Sonic Etude | fixed media, akusmatisch | Sonology Utrecht | 0 | |||||||||||||
| 36762 | Norman | DeMarco | Sonic flight | fixed media, akusmatisch | Sonology Utrecht | 0 | |||||||||||||
| 26844 | Paul | DeMarinis | A Light Rain | 2004 | Klangkunst, Installation | in collaboration with Rebecca Cummins. Viewers take an umbrella, walk into the rainbow, and hear music played by water streams. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26850 | Paul | DeMarinis | According to Scripture | 2002 | Klangkunst, Installation | Sounds from before the age of the recording. An installation of large digital prints of sound traces made before the invention of the phonograph, accompanied by sound samples derived from these graphic traces by computer processing of line images into sound files. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26866 | Paul | DeMarinis | Alien Voices | 1988 | Klangkunst, Installation | Visitors enter two antique wood and glass telephone booths engage in conversation, hearing the melody of their voices translated into music or changed into whispers, robotic monotones or alien melodies. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26865 | Paul | DeMarinis | An Unsettling Matter | 1991 | Klangkunst, Installation | An autobiographical work incorporating family photos, projected panoramic desert landscapes, a small leaden hut, a geiger counter and a radio from which emanate voices telling stories about radioactive contamination spread across the Nevada desert . On the floor is a harmless but noticeable powder which spreads by clinging to visitors as it contaminates the environs. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 34732 | Paul | DeMarinis | Around the world | 2010 | Klangkunst, Installation | 4:12 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 2.7.-12.9.2010 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=688 | ||||||||
| 26862 | Paul | DeMarinis | Chaotic Jumpropes | 1994 | Klangkunst, Installation | Bright vibrating cords and motors comprise a dynamic system that moves between order and chaos. Tracked by computers, these motions are translated into musical sounds, allowing interactive exploration of chaos as sight, sound and touch. Internet access provides online control of the chaotic systems. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 3824 | Paul | DeMarinis | Eeenie Meenie Chillie Beenie | 1984 | live-elec, | 5:00 | 1 | ||||||||||||
| 26845 | Paul | DeMarinis | Firebirds | 2004 | Klangkunst, Installation | Oracular flames kept captive within birdcages recite speeches of some political leaders of the twentieth century. Gas flames, suitably modulated by electrical fields can be made to act as omnidirectional loudspeakers of surprising clarity and amplitude. | Kehrer Verlag ISBN 978-3-939583-23-3/ | 24.6.-1.8.2004 | singuhr hoergalerie Berlin | Auszeichnung ars electronica honorary mention 2005 | 0 | 2004 | http://www.well.com/~demarini/ | ||||||
| 25871 | Paul | Demarinis | Fireflies Alight on the Abacus of Al-Farabi | 1989 | audiovisuell | 1:16 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | http://www.stanford.edu/~demarini/ | |||||||||
| 26864 | Paul | DeMarinis | Fireflies Alight on the Abacus of Al-Farabi | 1989 | Klangkunst, Installation | A 60 foot long music wire with little dancing loops of monofilament is stretched in a dark room and illumined by an emerald laser beam. The loops dance on the harmonic nodes of the wire, producing flickering points of light and aeolian harp-like sounds. | ETAT Taiwan/ | 1 | http://www.well.com/~demarini/ | ||||||||||
| 26854 | Paul | DeMarinis | Four Foxhole Radios | 2000 | Klangkunst, Installation | A series of working radios constructed from unlikely materials such as chewing gum wrappers, broken light bulbs and rusty nails offers proof of technology in its absence. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26861 | Paul | DeMarinis | Gray Matter | 1995 | Klangkunst, Installation | Interactive electrified objects that produce sound and sensation when stroked with the hand. | ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.well.com/~demarini/ | ||||||||||
| 26858 | Paul | DeMarinis | Grind Snaxe Blind Apes ( A Study for Pomeroy's Tomb) | 1997 | Klangkunst, Installation | A room constructed of cardboard storage boxes. Inside, a wire cage encloses a mechanized monkey's paw that draws the face of the deceased in light on a slowly rotating phosphorescent drum, accompanied by the sound of his snoring. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26841 | Paul | DeMarinis | Hypnica | 2007 | Klangkunst, Installation | A series of talking metronomes that use the voices of hypnotists to lull the listener into a sonic trance. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 3825 | Paul | DeMarinis | I want you / Kokole | 1986 | fixed media, akusmatisch | live-elec, |
9:45 | Music&Arts CD 276/ | 1 | |||||||||||
| 26859 | Paul | DeMarinis | Living with Electricity | 1997 | Klangkunst, Installation | Three domestic settings, each containing a throw rug, a lamp, a transduced rocking chair and a sound making device fitted with actuators. The three areas are interconnected via local area network so that rocking in one chair produces movement and sound in a different one. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26851 | Paul | DeMarinis | Moondust Memories | 2001 | Klangkunst, Installation | Little autonomous rovers explore the dark side of the moon, leaving behind luminous traces; accompanied by outer space sounds, occasionally punctuated by alien giggles. Installation 15 ft. x 15 ft. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26840 | Paul | DeMarinis | Music as a second Language, Leçon par l'aiguille Fonetica Francese Odd Evening An Appeal The Sand Clock Cincinnati 1830-1850 The Power of Suggestion Beneath the Numbered Sky |
1991 | fixed media, akusmatisch | LM- 3011/ | 0 | http://www.lovely.com/titles/cd3011.html | |||||||||||
| 26868 | Paul | DeMarinis | Music Room / Faultless Jamming | 1982 | Klangkunst, Installation | A multi-player interactive music system consisting of five touch-sensitive guitars connected to a computer which allows people with no previous musical training to engage in a lively musical dialog. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26856 | Paul | DeMarinis | RainDance / Musica Acuatica | 1998 | Klangkunst, Installation | Twenty falling streams of water, modulated with audio signals, create music and sound when intercepted by visitors' umbrellas. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26843 | Paul | DeMarinis | re-Titled | 2006 | Klangkunst, Installation | site-specific installation in a bridge tunnel over the Rhine. A series of 28 sound-sensitive lights responds to the acoustic pressure waves reverbrating in the tunnel to display sound as light and shadow in motion. | 2006 | ScoreCologne, Köln | 0 | http://www.well.com/~demarini/ | |||||||||
| 26848 | Paul | DeMarinis | Rebus | 2003 | Klangkunst, Installation | Public interactive sound and art project made in collaboration with Enrique Chagoya for entrance to underground parking garage at Stanford Medical Center, opened April 2003. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26842 | Paul | DeMarinis | Rome to Tripoli | 2006 - 2008 | Klangkunst, Installation | Based on a recreation of the 1908 radio transmitter of Majorana, high voltage and a stream of vitriolic acid convene to broadcast distorted sounds of western culture (Mozart, Verdi, Bavarian Waltzes and Futurist poetry) toward unwilling ears. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26869 | Paul | DeMarinis | Sound Fountain | 1982 | Klangkunst, Installation | In collaboration with David Behrman. Touch sensitive sticks make music and move computer generated creatures around a video screen. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26860 | Paul | DeMarinis | Sound Waves and Scan-O-Vision | 1996 | Klangkunst, Installation | Two large scale public interactive installations commissioned by Swatch for their Pavilion at the 1996 Olympic Games in Atlanta. Timing devices and sensors developed for Olympic competitions are used as input and display devices allowing members of the public to trigger sounds, rhythms and create time motion images of themselves in playful and engaging ways. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26870 | Paul | DeMarinis | Sounds and the Shadows of Sounds | 1979 | Klangkunst, Installation | A computer quietly listens to the sounds in the environment for a while, analyses what it hears, then plays the spectral "shadows" of its memories as slowly shifting patterns of filtered white noise from the interchannel hash of a police scanner. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26863 | Paul | DeMarinis | The Edison Effect | 1989 - 1993 | Klangkunst, Installation | Ancient phonograph records, wax cylinders and holograms are scanned with lasers to produce music at once familiar and distant, like some faintly remembered melody running through the head. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26855 | Paul | DeMarinis | The Lecture of Comrade Stalin…, The Lecture Of Comrade Stalin At The Extraordinary 8th Plenary Congress About The Draft Concept Of The Constitution Of The Soviet Union On November 25, 1936 | 1999 - 2002 | Klangkunst, Installation | 7:06 | The voices of Joseph Stalin, Elvis Presley, Spike Jones and Lady Macbeth of Mtsensk mingle and converse in the ether and are received and made audible by four ancient shortwave radios. | ISAST LMJ 8/ EMF CD 012 ISAST 8/ |
0 | http://www.well.com/~demarini/ | |||||||||
| 26857 | Paul | DeMarinis | The Messenger | 1998 - 2005 | Klangkunst, Installation | Email messages received over the internet are displayed letter by letter on three alphabetic telegraph receivers: a large array of 26 talking washbasins, each intoning a letter of the alphabet in Spanish; a chorus line of 26 dancing skeletons and a series of 26 electrolytic jars with metal electrodes in the form of the letters A to Z that oscillate and bubble when electricity is passed through them. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 34733 | Paul | DeMarinis | The Probable Flight Path of AF 447 | 2010 | Klangkunst, Installation | 6:01 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 2.7.-12.9.2010 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=688 | ||||||||
| 26853 | Paul | DeMarinis | The Products of Our Industry | 2000 | Klangkunst, Installation | Site specific three story high text piece commissioned for exterior museum wall. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26871 | Paul | DeMarinis | The Pygmy Gamelan | 1973 | Klangkunst, Installation | Five to ten little electronic circuits respond to electrical fluctuations in the galaxy by improvising around five-note phrases. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26847 | Paul | DeMarinis | (Tommy Franks) Dérive Quebec | 2003 | Klangkunst, Installation | Kinetic object and video projection. A 48" diameter wooden disk moves and tilts unpredictably. Inside a small robotic tank roams algorithmically over a fancifully rearranged map of Quebec City, transmitting video of its location via a wireless video link to the projector. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26846 | Paul | DeMarinis | Tongues of Fire | 2004 | Klangkunst, Installation | Film recordings of vibrating flames represent the articulations of speech, based on 19th century manometric flame devices. | 0 | 2004 | http://www.well.com/~demarini/ | ||||||||||
| 3826 | Paul | DeMarinis | Untiteld Work | 1985 | live-elec, | 17:00 | 1 | ||||||||||||
| 26867 | Paul | DeMarinis | Voice Creatures | 1986 | Klangkunst, Installation | A series of synthetic personalities, including two radio-genies and a sewer-saint who respond to visitors' voices with phrases, moans, and secret codes. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26852 | Paul | DeMarinis | Walls in the Air | 2001 | Klangkunst, Installation | A postwar Polish radio set receives messages from the programs of Radio Free Europe mingled with contemporaneous AM broadcasts. Created to accompany a historical show on Radio Free Europe. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26849 | Paul | DeMarinis | Wavescape | 2003 | Klangkunst, Installation | A permanent interactive sound installation for the Ft. Lauderdale International Airport, opened January 2003. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 3827 | Paul | DeMarinis | Yellow Yankee | 1984 | live-elec, | 5:00 | 1 | ||||||||||||
| 26514 | Inouk | Demers | Chambre, vue | 2007 | audiovisuell, live-elec, 1 perf | 16:00 | amp p, (Max/MSP) [Piano] | For Heather O'Donnell | Hauptstadtkulturfonds Berlin and Tesla | 26.1.2007 | Ultraschall Festival, Berlin | 0 | |||||||
| 26515 | Inouk | Demers | Contributing Properties | 2007 | audiovisuell, live-elec, 1 perf | 16:00 | amp p, (Max/MSP) [Piano] | For Heather O'Donnell. | Hauptstadtkulturfonds Berlin and Tesla | 18.10.2008 | Sinus-Ton Festival Magdeburg, | 0 | |||||||
| 26513 | Inouk | Demers | Ville frontalière, 11 août | 2007 | fixed media, akusmatisch | 10:00 | 0 | ||||||||||||
| 43165 | Louis-Philippe | Demers | The Mechanized Eccentric Series | 2005 | audiovisuell | 39 | Auszeichnung ars electronica honorary mention 2005 | 0 | |||||||||||
| 22796 | Louis-Philippe, Bill | Demers, Vorn | The Frenchman Lake | 1996 | Klangkunst, Installation | 1:25 | Sonambiente Ausstellung (1996) Katalog S.49 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 3828 | Charles | DeMestral | Panchromatic Souvenirs | 1984 | fixed media, akusmatisch | ≈ | Stereo | 1 | |||||||||||
| 3908 | Patrick | Demeyer | Musiques Eclatees, Alinea | 1969 | Performance | 2:16 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 24811 | Henri | Demilecamps | Manèges blues | 1993 | fixed media, akusmatisch | 2:21 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 39576 | Andrew | Demirjian | Color Yourself Inspired | 2016 | Klangkunst, Installation | Andrew Demirjian | 0 | ||||||||||||
| 19043 | Gunter | Demnig | Drei schwarze Türme | 1996 | Klangkunst, Installation | 2:10 | Sonambiente Ausstellung (1996) Katalog S.51 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 20083 | Darren | Dempster | Maritime Vision | 1996 | Klangkunst, Installation | 5:39 | Stereo | ASP 0966 / | 0 | ||||||||||
| 20084 | Stuart | Dempster | Morning Light | 1995 | Zuspiel / Tonband, 1 perf | 9:40 | Stereo | trbn [Posaune] | ASP 0966 / | CCRMA | 0 | ||||||||
| 3909 | Stuart | Dempster | Standing Waves | 1978 | Zuspiel / Tonband, 1 perf | Quadro | trbn [Posaune] | CCRMA | 0 | ||||||||||
| 27652 | Stuart, Bret | Dempster, Battey | Retrocoagulant Vox | 2001 | fixed media, akusmatisch | 11:34 | uh-label 020011006 sonic voyages/ | Uni De Montfort | Chad Kirby | 1 | |||||||||
| 42772 | Thomas | Dempster | 10 Roentgens | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 36912 | Thomas | Dempster | basking in the copper look | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 40286 | Thomas | Dempster | Congaree Voices | 2015 | fixed media, akusmatisch | 10:55:00 | Thomas Dempster | 0 | |||||||||||
| 42480 | Thomas | Dempster | contact clusters | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 40285 | Thomas | Dempster | melt | 2016 | fixed media, akusmatisch | Thomas Dempster | 0 | ||||||||||||
| 3910 | Group, Bracha, Alexander | Denam, Eden, Tamir | Contrasts | 1963 | Zuspiel / Tonband, 2 perf | 5:00 | Stereo | 2 p [Piano] | PS C. Jerusalem | 0 | |||||||||
| 3911 | Group, Bracha, Alexander | Denam, Eden, Tamir | Experiments in Space | 1964 | Tanz | 17:00 | Stereo | PS C. Jerusalem | 0 | ||||||||||
| 3912 | Group, Bracha, Alexander | Denam, Eden, Tamir | Radiophonie | 1966 | Radiokunst, 3 perf | 6:00 | Quadro | xyl, hpd, org [Orgel, Cembalo, Schlagzeug] | PS C. Jerusalem | 0 | |||||||||
| 3913 | Group, Bracha, Alexander | Denam, Eden, Tamir | Suite on modern themes | 1962 | Tanz | 15:00 | Mono | PS C. Jerusalem | 0 | ||||||||||
| 3914 | Helmut | Dencker | Bruchstücke aus stylus phantasticus | 1992/1993 | fixed media, akusmatisch | 12:58 | Stereo | PS C. | Competition Musica Nova Prag 1993 | 1 | |||||||||
| 3915 | Helmut | Dencker | Current Loops | 1982 | fixed media, akusmatisch | 20:30 | Stereo | WP Steir. Herbst / IGNM Festival 82 | electronic access 95 - die andere saite Nr. 1/ | IEM Graz | 1 | ||||||||
| 3916 | Helmut | Dencker | Im Puls | 1974/1975 | fixed media, akusmatisch | 2:37 | Stereo | IEM Graz | 0 | ||||||||||
| 3917 | Helmut | Dencker | Juxtaposition | 1974 | fixed media, akusmatisch | 9:48 | Stereo | Steir. Herbst 76 | IEM Graz | 0 | |||||||||
| 3918 | Helmut | Dencker | Natté | 1989 | fixed media, akusmatisch | 11:50 | Stereo | PS C. | 0 | ||||||||||
| 3919 | Helmut | Dencker | Revolutionsständchen 89 | 1989 | fixed media, akusmatisch | 10:35 | Stereo | PS C. | 0 | ||||||||||
| 3920 | Helmut | Dencker | Stylus phantasticus I | 1990/1993 | fixed media, akusmatisch | 30:58 | Octo | Ariadne GE 07/ | PS C. | 1 | |||||||||
| 3921 | Helmut | Dencker | Variationen über … | 1974/1975 | fixed media, akusmatisch | 9:30 | Stereo | IEM Graz | 0 | ||||||||||
| 3922 | Lionel | Dendievel | Etude contrastic, Ode à la soirée d'im Magnétophone | 1990 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 3923 | Lionel | Dendievel | Le cri | 1991 | fixed media, akusmatisch | 8:00 | CNR Amiens | 0 | |||||||||||
| 3924 | Patrick | Dendievel | Etude | 1988 | Zuspiel / Tonband, 1 perf | 9:00 | sax [Saxophon] | CNR Amiens | 0 | ||||||||||
| 3925 | Patrick | Dendievel | Fando et Lis | 1989 | Theatermusik | var | CNR Amiens | 0 | |||||||||||
| 36433 | Runxia | Deng | Nachher | 2010 | Klangkunst, Installation | 1:15:00 | Besenkammer bb 03/ | 0 | |||||||||||
| 3926 | Michael | Denhoff | Poco a poro, Monolog III für Baßföte (und Tonband ad lib.) | 1989 | Zuspiel / Tonband, 1 perf | 4:40 | Stereo | b-fl [Flöte] | HfMT Köln | Möck | 0 | ||||||||
| 3927 | Michael | Denhoff | Traumgesicht | 1981 | Zuspiel / Tonband, 3 perf | 12:04 | Quadro | vc, p, tam-tam [Piano, Schlagzeug, Cello] | HfMT Köln CD5/ | HfMT Köln | Br&Hä | 1 | |||||||
| 20085 | Group | Denier du Culte | Deguenille | 1989 | fixed media, akusmatisch | 3:51 | Stereo | electro rock Members: Alain Basso, Philippe Blanchard, Sylvie Loquet |
Collectif & Cie 12/ | C&C Annecy | 0 | ||||||||
| 3928 | Anargyros | Deniosos | 13*5 | 1984/1991 | Zuspiel, live-elec, 2 perf | Hintergrundmusik |
∞ | 3 tracks | (score,) str, hpd [Cembalo, Streicher] | PS C. | 0 | |||||||||
| 3929 | Anargyros | Deniosos | 15 pieces for a brass player | 1987 | live-elec, 15 perf | 15:00 | Quadro | 15 br [Bläser] | KSYME | 0 | |||||||||
| 3930 | Anargyros | Deniosos | 4 X 4 | 1987 | Zuspiel/Tonband, 3 perf | Musiktheater |
11:00 | Stereo | pic-fl, tpt, p [Flöte, Trompete, Piano] | KSYME | 0 | |||||||||
| 3931 | Anargyros | Deniosos | A leaf fallls | 1989 | computer generated score, 2 perf | 18:00 | str, fl [Flöte, Streicher] | IRMA | 0 | ||||||||||
| 3932 | Anargyros | Deniosos | Box | 1988 | Hintergrundmusik | ∞ | Stereo | com | PS C. | 0 | |||||||||
| 3933 | Anargyros | Deniosos | Flavor pieces | 1992 | computer generated score, 1 perf | 18:00 | ins [Instrument] | IRMA | 0 | ||||||||||
| 3934 | Anargyros | Deniosos | Folksongs I | 1984 | fixed media, akusmatisch | 45:00 | Stereo, Quadro | songs from Thracea | PS C. | 0 | |||||||||
| 3935 | Anargyros | Deniosos | Folksongs II | 1985 | Zuspiel / Tonband, 1 perf | 32:00 | Quadro | var str-ins [Streicher] | songs from Cretae | PS C. | 0 | ||||||||
| 3936 | Anargyros | Deniosos | hologramms | 1984/1993 | computer generated score, 1 group | ∞ | Quadro | (com), ens [Ensemble] | IRMA | 0 | |||||||||
| 3937 | Anargyros | Deniosos | Kagel Collage | 1987 | live-elec, 1 perf | 18:00 | Quadro | tpt [Trompete] | PS C. | 0 | |||||||||
| 3938 | Anargyros | Deniosos | La marée de lys du mare: Time fractals | 1992 | Hintergrundmusik | ∞ | Stereo | com, p | IRMA | 0 | |||||||||
| 3939 | Anargyros | Deniosos | Light | 1986 | Zuspiel / Tonband, 6 perf | 18:00 | Stereo | fl, cl, tpt, db, p, perc [Flöte, Klarinette, Trompete, Piano, Schlagzeug, Kontrabass] | KSYME | 0 | |||||||||
| 3940 | Anargyros | Deniosos | Light Sculptures | 1990 | Hintergrundmusik | ∞ | Quadro | Com, synt | IRMA | 0 | |||||||||
| 3941 | Anargyros | Deniosos | Madrigal | 1986 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 3942 | Anargyros | Deniosos | NETS: LEGEND I-V | 1989/1992 | intermedia | Musiktheater || Film |
∞ | Stereo | var ens [Ensemble] | IRMA | 0 | |||||||||
| 3943 | Anargyros | Deniosos | Piano Pieces | 1988/1993 | computer generated score | ∞ | IRMA | 0 | |||||||||||
| 3944 | Anargyros | Deniosos | pieces of a invented youth | 1984/1993 | computer generated score, 1 group | ∞ | (com), ens [Ensemble] | IRMA | 0 | ||||||||||
| 3945 | Anargyros | Deniosos | Strange Attractors | 1991 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | p [Piano] | IRMA | 0 | |||||||||
| 3946 | Anargyros | Deniosos | ..Strangeness and charm and colour … | 1982/1992 | computer generated score, 5 perf | 12:00 | fl, b-cl, vn, db, p [Flöte, Klarinette, Piano, Violine, Kontrabass] | IRMA | 0 | ||||||||||
| 3947 | Anargyros | Deniosos | Vitrail | 1985 | Zuspiel / Tonband, 1 perf | ∞ | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 3948 | Anargyros | Deniosos | Walls of sound | 1988 | Hintergrundmusik | ∞ | Stereo | com | PS C. | 0 | |||||||||
| 3949 | Anargyros | Deniosos | Weave world | 1992 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | (com), p [Piano] | IRMA | 0 | |||||||||
| 27859 | Claudine | Denis | adaptation de son mannequin "préparé" | 2005 | fixed media, akusmatisch | CRFMW Liège | 9.02.2006 | spectacle Meufs marinées, Bruxelles, KVS | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 3950 | Didier | Denis | Trois partout | 1972 | Zuspiel / Tonband, 4 perf | 17:03 | S, oma, p, perc [Sopran, Piano, Schlagzeug, synthesizer] | 0 | |||||||||||
| 20086 | Jean-François | Denis | 4 Images | 1990 | fixed media, akusmatisch | 6:48 | Stereo | MW 53/ | 0 | ||||||||||
| 3951 | Jean-François | Denis | A Horse with Blinders | 1985 | Zuspiel, live-elec, 1 perf | 9:30 | Stereo | carillon [Keyboard] | Antenna | 0 | |||||||||
| 3952 | Jean-François | Denis | Africo-rythme | 1982 | fixed media, akusmatisch | 19:10 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3953 | Jean-François | Denis | An Iceman with a Horse with Blinders | 1985 | Zuspiel, live-elec, 2 perf | 13:30 | Stereo | perc (tambours), carillon [Keyboard, Schlagzeug] | Antenna | 0 | |||||||||
| 3954 | Jean-François | Denis | Expression d'un rêve | 1983 | fixed media, akusmatisch | 14:41 | Stereo | CCM Mills | 0 | ||||||||||
| 3955 | Jean-François | Denis | Fall | 1988 | fixed media, akusmatisch | 18:30 | Stereo | Concordia Montréal, PS Denis | 0 | ||||||||||
| 3956 | Jean-François | Denis | I like eggs (too) | 1986 | live-elec, 1 perf | 8:00 | Stereo | synt (MIDI) [synthesizer] | Concordia Montréal, PS Denis | 0 | |||||||||
| 3957 | Jean-François | Denis | Influences | 1986 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
14:51 | Stereo | V [Stimme] | MIDI | MetaM. Montréal | 0 | ||||||||
| 3958 | Jean-François | Denis | Limit(e)s | 1986 | live-elec, 2 perf | 15:00 | Stereo | V, synt [Stimme, synthesizer] | Concordia Montréal | 0 | |||||||||
| 3959 | Jean-François | Denis | Limit(e)s maxima(les) | 1987 | Zuspiel, live-elec, 2 perf | 12:02 | Stereo | V or narrator, synt, (com) [Stimme, Schauspieler, synthesizer] | Concordia Montréal | 0 | |||||||||
| 3961 | Jean-François | Denis | Nobody wants to hear from your t-shirt, anyway | 1985 | Zuspiel / Tonband, 1 perf | 9:20 | Stereo | e-bass [Gitarre] | CCM Mills | 0 | |||||||||
| 3962 | Jean-François | Denis | Ondes, six pianos | 1983 | intermedia, live-elec, 1 perf | 31:00 | Stereo, 6 | p, (multi-images) [Piano] | CCM Mills | 0 | |||||||||
| 3963 | Jean-François | Denis | Pièces détachées | 1988 | fixed media, akusmatisch | 24:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3964 | Jean-François | Denis | Point-virgule | 1990 | fixed media, akusmatisch | 3 | Stereo | IMED 9004/ EAR Magazine 1/ IMED 9604/ | C&C Annecy | 1 | |||||||||
| 3965 | Jean-François | Denis | Seul à la plage | 1981 | fixed media, akusmatisch | 12:08 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3966 | Jean-François | Denis | Sometimes it rains only under the trees | 1984 | fixed media, akusmatisch | Zuspiel/Tonband, 5 perf |
10:00 | Stereo | str-qt, perc [Schlagzeug, Streicher] | Antenna | 0 | |||||||||
| 3967 | Jean-François | Denis | Stonehenge | 1983 | fixed media, akusmatisch | 12:05 | Stereo | CCM Mills | 0 | ||||||||||
| 3968 | Jean-François | Denis | Trajectoires | 1988 | live-elec, 1 perf | 10:11 | Stereo | synt [synthesizer] | MIDI | SNE 556/ | IREME Vancouver | 1 | |||||||
| 3969 | Jean-François | Denis | Trajectoires parallèles | 1988 | live-elec, 1 perf | 12:45 | Stereo | com con synt [synthesizer] | PS C. | 0 | |||||||||
| 3970 | Jean-François | Denis | Tri-cycles | 1983 | fixed media, akusmatisch | 17:40 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3971 | Jean-François | Denis | Variations pour la Saint-Jean-Baptiste | 1984 | fixed media, akusmatisch | 2:15 | Stereo | 0 | |||||||||||
| 3960 | Jean-François, Shawn, John | Denis, Hill, Wells | Métamorphose pour trois | 1987 | live-elec, 3 perf | 14:45 | Stereo | elec trio [elektronik] | 0 | ||||||||||
| 3972 | Edison | Denisov | Chant d'Oiseaux, Bird's Singing | 1969 | fixed media, akusmatisch | 5:05 | ANS - synt | CTEPEO C60 30721/ ELCD 011 Electroshock Records/ IDEAMA CD 013/ | Muzei Skryabina Moskva | 1 | |||||||||
| 3973 | Edison | Denisov | Sur la nappe d'un étang glacé | 1992 | Zuspiel / Tonband, 1 group | 15:00 | Octo | ens [Ensemble] | Le Chant du Monde | IRCAM | 0 | ||||||||
| 3974 | Arteom | Denissov | 6 kurze Gedichte nach Velemir Klebnikov | 1994 | fixed media, akusmatisch | 11:00 | SEM Salzburg | 0 | |||||||||||
| 25872 | Maywa | Denki | Nonsense Musical Instruments of Maywadenki | 2005 | audiovisuell | 3:30 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | http://www.maywadenki.com/ |
|||||||||
| 43174 | Jim | Denley | Through Fire, Crevice and the Hidden Valley | 2006 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2008 | 0 | ||||||||||||
| 3975 | Jim, Amanda, Chris, Rik, Shane, Stevie | Denley, Stewart, Mann, Rue, Fahey, Wishart | Changing the Subject | 1991 | intermedia, live-elec, 3 perf | 9:53 | sax or fl, V, sam [Stimme, Flöte, Saxophon, computer] | AER 1992 / 5/ | 1 | ||||||||||
| 25092 | Donnacha | Dennehy | Counting | 2000 | Zuspiel / Tonband, 4 perf | 12:00 | Quadro | str-qt [Streicher] | Sligo Country Council | 30.4.2000 | Sligo Country Council, Vogler Quartet | 0 | |||||||
| 25095 | Donnacha | Dennehy | Curves | 1997 | Zuspiel, live-elec, 1 perf | 7:00 | amp hp [Harfe] | Maria Cleary & Arts Council | 25.11.1999 | Dublin, Cliona Doris | 0 | ||||||||
| 25090 | Donnacha | Dennehy | derailed | 2000 | Zuspiel / Tonband, 6 perf | 14:00 | fl, cl, vn, vc, db, hpd [Flöte, Klarinette, Cembalo, Cello, Violine, Kontrabass] | Project Arts Centre Dublin | 27.2.2000 | Dublin, Crash Ensemble | 0 | ||||||||
| 25096 | Donnacha | Dennehy | Du Temps Perdu | 1994 | fixed media, akusmatisch | 5:00 | EMS UIUC | 10.1994 | Uni of Illinois | 0 | |||||||||
| 25091 | Donnacha | Dennehy | Ecsrasis, full stop | 1999 | live-elec, 4 perf | 5:00 | str-qt [Streicher] | RTE | 1.1.2000 | RTE Vanbrugh Quartet | 0 | ||||||||
| 25098 | Donnacha | Dennehy | GUBU | 1995 | fixed media, akusmatisch | 7:00 | EMS 9700 waveFORMation/ | EMS UIUC | 1.5.1995 | Uni of Illinois | 0 | ||||||||
| 25089 | Donnacha | Dennehy | Junk Box Fraud | 1997 | audiovisuell, 6 perf | 17:00 | cl, trbn, 2 perc, 2 Sp, (video) [Sprecher, Klarinette, Posaune, Schlagzeug] | 23.10.1997 | Dublin | 0 | |||||||||
| 25097 | Donnacha | Dennehy | Metropolis Mutabilis | 1995 | fixed media, akusmatisch | 6:00 | EMS 9700 waveFORMation/ | EMS UIUC | 7.3.1996 | Uni of Illinois | 3rd prize Luigi Russolo 1996 | 0 | |||||||
| 22294 | Donnacha | Dennehy | pAt | 2000 | Zuspiel / Tonband, 1 perf | 10:51 | p [Piano] | Piano: joanna mac gregor | SIDO 010/ | 1 | |||||||||
| 25093 | Donnacha | Dennehy | Swerve | 1998 | Zuspiel / Tonband, 1 perf | 8:00 | fl [Flöte] | 22.5.1996 | Stadtgalerie Saarbrücken, Camilla Hoitenga | 0 | |||||||||
| 25094 | Donnacha | Dennehy | Voitures | 1996 | Zuspiel / Tonband, 1 perf | 5:00 | ob [Oboe] | EMS UIUC | 23.3.1996 | Uni of Illinois, Melissa Peña | 0 | ||||||||
| 3976 | Brian | Dennis | Bongo | 1966 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | perc [Schlagzeug] | for school children | PS C. London | 0 | ||||||||
| 3977 | Brian | Dennis | Expansion of a Module | 1967 | Zuspiel / Tonband, 1 perf | 2:00-20:00 | Stereo + Mono + Mono + Mono | perc (chimes bars) [Schlagzeug] | PS C. London | 0 | |||||||||
| 3978 | Brian | Dennis | Melopoeia | 1965 | Zuspiel / Tonband, 4 perf | 12:00 | Stereo | Sp, cl, p, tuba [Sprecher, Klarinette, Tuba, Piano] | PS C. London | 0 | |||||||||
| 3979 | Brian | Dennis | Music for percussion and tape | 1965 | Zuspiel / Tonband, 1 perf | 11:30 | Stereo | perc [Schlagzeug] | PS C. London | 0 | |||||||||
| 3980 | Brian | Dennis | Phanopoeia | 1964/1965 | Zuspiel / Tonband, 2 perf | 11:00 | Stereo | vib, perc [Schlagzeug] | PS C. London | 0 | |||||||||
| 3981 | Brian | Dennis | Study for Tape with Piano | 1962 | fixed media, akusmatisch | 4:00 | Mono | PS C. London | 0 | ||||||||||
| 31985 | Georg | Dennis | Electric Sheep | 2008 | fixed media, akusmatisch | 5:04:00 | Spazialisation: WFS | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 1 am 1.8.2008 18h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | |||||||||
| 28273 | George | Dennis | Electric Sheep | 2008 | fixed media, akusmatisch | 5:00 | miso records mcd 023.10/ | Musica Viva Lisboa 2008 winner SMC08 Berlin winner |
0 | http://www.misomusic.com/port/cria/concomp/2008_main.htm | |||||||||
| 3982 | Jean | Derbès | Araignée géante | 1970 | fixed media, akusmatisch | 19:00 | 0 | ||||||||||||
| 3983 | Jean | Derbès | Frères du feu | 1970 | fixed media, akusmatisch | 20:00 | 0 | ||||||||||||
| 3984 | Jean | Derbès | L’Inferno interno | 1970 | fixed media, akusmatisch | 16:00 | 0 | ||||||||||||
| 3985 | Jean | Derbès | Maldoror | 1971 | Tanz | 30:00 | CRS Genève | 0 | |||||||||||
| 3986 | Jean | Derbès | Solitude devant la Mort | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EM ?? | 0 | |||||||||||
| 32773 | Delia | Derbyshire | Amor Dei | 1966 | fixed media, akusmatisch | 15:00 | PS London, PS Delta Plus London | 0 | |||||||||||
| 37741 | Delia | Derbyshire | Bach’s Air | radiophon | BBC | 0 | |||||||||||||
| 37950 | Delia | Derbyshire | Blue Veils and Golden Sands | 1967 | fixed media, akusmatisch | Fernsehen, |
3:26 | SIL 71458/ | BBC | 0 | ||||||||||
| 37740 | Delia | Derbyshire | Calestial Cabtabile | radiophon | BBC | 0 | |||||||||||||
| 37745 | Delia | Derbyshire | Dance from Noah | radiophon | BBC | 0 | |||||||||||||
| 37917 | Delia | Derbyshire | Delia’s Psychadelian Waltz | 1968 | fixed media, akusmatisch | 0:39 | AUD 04612/ | 0 | |||||||||||
| 37739 | Delia | Derbyshire | Depression | radiophon | BBC | 0 | |||||||||||||
| 37948 | Delia | Derbyshire | Dr. Who, Tardis - Dr. Who | 1963 - | Fernsehen, | BBC | 0 | ||||||||||||
| 37746 | Delia | Derbyshire | Falling - From the Dreams | 1964 | radiophon | BBC | 0 | ||||||||||||
| 37744 | Delia | Derbyshire | Great Zoos of the World | radiophon | SILCD 1503/ | BBC | 0 | ||||||||||||
| 37742 | Delia | Derbyshire | Mattachin | radiophon | BBC | 0 | |||||||||||||
| 3989 | Delia | Derbyshire | Pot-pourri | 1966 | fixed media, akusmatisch | 3:00 | Stereo | PS London, PS Delta Plus London | 0 | ||||||||||
| 37949 | Delia | Derbyshire | The Delian Mode | 1968 | fixed media, akusmatisch | Fernsehen, |
5:32 | SIL 71458/ | BBC | 0 | ||||||||||
| 37743 | Delia | Derbyshire | Ziwzih Ziwzih OO-OO-OO | 1967 | radiophon | BBC | 0 | ||||||||||||
| 3987 | Delia, Ron | Derbyshire, Grainer | Mouse on the Moon | 1963 | Film | 10:00 | Mono | realization of a score by Ron Grainer | PS London, PS Delta Plus London | 0 | http://www.novars.manchester.ac.uk/research/delia/index.html | ||||||||
| 3988 | Delia, Ron | Derbyshire, Grainer | On the Level | 1966 | Oper | 10:00 | Mono | PS London, PS Delta Plus London | 0 | ||||||||||
| 37747 | Delia, Anthony | Derbyshire, Newley | Moogies Bloogies | radiophon | BBC | 0 | |||||||||||||
| 3990 | Delia, Peter | Derbyshire, Zinovieff | Random Together I | 1966 | fixed media, akusmatisch | 20:00 | Stereo | PS London, PS Delta Plus London | 0 | ||||||||||
| 3991 | Heinz | Derdack | B 58 | 1971 | fixed media, akusmatisch | 1:52 | Mono | HfMT Köln | 0 | ||||||||||
| 19345 | Andrey | Dergachev | Ban | 1997 | fixed media, akusmatisch | 23:15 | Theremin C. Moscou | 1 | |||||||||||
| 19344 | Andrey | Dergachev | Just What I Feel | 1996 | fixed media, akusmatisch | 8:49 | Theremin C. Moscou | 1 | |||||||||||
| 24406 | Andrey | Dergachev | Places I have never seen | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22907 | Brad | Derrick | Odd Waves | 1995 | fixed media, akusmatisch | 13:38 | Centaur CRC 2454, CDCM Vol 29/ | VCCM | 1 | ||||||||||
| 42097 | Lucas, Meinard | Derycke, Kraak | Screener | 2016 | radiophon | 43:47 | WDR | 17.5.2016 | WDR | ARD Online Award 2016 Hörspielpreis der Kriegsblinden 2017 |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4918875&vi=6&SID | |||||||
| 38532 | René | DESALMAND | Le miroir qui revient qui revient | 2012 | radiophon | 50:18:00 | 0 | ||||||||||||
| 3992 | Bruno | Deschênes | Ne riez pas | 1977 | fixed media, akusmatisch | 8:00 | Stereo | 0 | |||||||||||
| 20087 | Marcelle | Deschênes | Big Bang II | 1987 | intermedia | 7:40 | Stereo | music for the multimedia installation by George Dyens. rev 1995 |
ACM 37 CD 1-4/ IMED 0681/ | Bruit Blanc Montréal | 1989 | Images du futur, Cité des arts et des nouvelles technologies de Montréal (Montréal, Québec) | 1 | ||||||
| 25783 | Marcelle | Deschênes | Big Bang III | 1992 | intermedia | 2:38 | Stereo | music for the multimedia installation by George Dyens | IMED 0681/ | Bruit Blanc Montréal | 1992 | Images du futur, Cité des arts et des nouvelles technologies de Montréal (Montréal, Québec) | 1 | ||||||
| 3993 | Marcelle | Deschênes | deUs irae | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 25873 | Marcelle | Deschênes | Die Dyer | 1999 | audiovisuell | 4:53:00 | französischer Sprecher | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2002 | 1 | |||||||||
| 25780 | Marcelle | Deschênes | Indigo, Peur apprivoisée Trame de tension |
2000 | fixed media, akusmatisch | 10:40 | Stereo | recomposed from "Musique défilè (1999) | IMED 0681/ MW 86/ | Bruit Blanc Montréal | 31.10.2000 | Réseaux, Salle Beverley Webster Rolph — Musée d'art contemporain de Montréal (Montréal, Québec) | 1 | ||||||
| 3994 | Marcelle | Deschênes | Jour «J», (Éco-Fable-Atomique) | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 25781 | Marcelle | Deschênes | Le bruit des ailes | 2000 | fixed media, akusmatisch | 10:54 | Stereo | recomposed in 2002 from Musique défilé | IMED 0681/ MW 86/ | Bruit Blanc Montréal | 2.11.2002 | Festival des musiques sacrées de Québec, Église Notre-Dame-de-Jacques-Cartier (Quebec City, Québec) | finalist at the 5th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’03, Brazil). | 1 | |||||
| 3995 | Marcelle | Deschênes | Les arrivées sont des départs | 1988 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | Uni Montréal | 0 | ||||||||||
| 25782 | Marcelle | Deschênes | Lux | 1985 | fixed media, akusmatisch | 23:16 | Stereo | IMED 0681/ | Bruit Blanc Montréal | 5.12.1985 | (S)pace, SMCQ, Spectrum (Montréal, Québec) | 1 | |||||||
| 20088 | Marcelle | Deschênes | Lux aeterna | fixed media, akusmatisch | 19:42 | Stereo | UMM 101/ | 0 | |||||||||||
| 3996 | Marcelle | Deschênes | Moll, opéra lilliput pour 6 roches molles, Naissance des roches molles, Puce: Zig!… Zig! Zig!… Tu es là?… Es-tu blessé? — Zig: Je ne crois pas. Je suis tombé sur une chose molle. [«Zig et Puce»], Insectes secs — bâiller aux corneilles, Étoile variable, Insectes «amertubes»: boire la mer avec une paille, Étoile double, Jeu: vers une synchronisation, Si by the Sea, Sirènes, J’ai perdu le si de ma clarinette, Comme la lune se lève rouge [«Wozzeck»], Supernova et étoiles pulsantes, Vaisseaux fantômes, London Bridge is Falling Down, Le monde est une bulle d’air, | 1976 | Zuspiel / Tonband, 9 perf | 22:54 | Stereo | 2 cl, 3 trbn, 4 perc, (toys), (Pierre Langevin, clarinets; Réjean Marois, trombones; René Joly, Raynald Lévesque, Robert Pelletier, Robert Leroux, percussion & toys) [Klarinette, Posaune, Schlagzeug] | LDC 278056/57 Cultures Electroniques 7/ IMED 0681/ | Université Laval | SMCQ, with support from the CCA | 18.3.1976 | Concert 75, SMCQ Université McGill (Montréal, Québec) | 1. prize Bourges 1978. "Euphonie d'Or" Bourges 1992 |
1 | ||||
| 3997 | Marcelle, Alain | Deschênes, Thibault | Pot pourri | 1984 | fixed media, akusmatisch | 23:00 | Stereo | 0 | |||||||||||
| 3998 | Jean Christian | Desert | Déviance | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3999 | Jean Christian | Desert | Vibul | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 36536 | Gianluca | Deserti | Tierra II | 2014 | fixed media, akusmatisch | 6:34:00 | Taukay 156/ | 0 | |||||||||||
| 41860 | Martin | Desloovere | The Sands of Memory | 2008 | radiophon | binaural recordings | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 36866 | Louis-Olivier | Desmarais | Abbaye | 2017 | radiophon | 12:18:00 | UdeM | prize JTTP 2017 | 0 | ||||||||||
| 4000 | J. Ch. | Desnoux | L'Inhumaine | 1986 | Film | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 33869 | Jeff | Desom | Rear Window Loop | 2012 | audiovisuell | Prix ars electronica 2012/ | Goldene Nica 2012 ars electronica | 1 | |||||||||||
| 4001 | Alain | Despres | Flots | 1981 | Zuspiel / Tonband, 1 perf | Stereo | com [computer] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 4002 | Alain | Despres | Haïkus | 1986 | fixed media, akusmatisch | 7:50 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 4003 | Alain | Despres | Par instants | fixed media, akusmatisch | Stereo | UPIC | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||||
| 4004 | Alain | Despres | Sommitude II | 1988 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 4005 | Alain | Despres | Statues Statiques | 1982 | fixed media, akusmatisch | Stereo | Upic | A.R.M. | 0 | ||||||||||
| 4006 | Paul | Dessau | Einstein | 1972 | Oper | 0 | |||||||||||||
| 4007 | Paul | Dessau | Lanzelot | 1969 | Oper | 0 | |||||||||||||
| 4008 | Paul | Dessau | Lukullus | 1964 | Musiktheater | 3:00 | Mono | Eterna 8 20 423-4/ | RFZ Berlin | 0 | |||||||||
| 40925 | Paul | Dessau | Orpheus | 1930/1931 | radiophon | „musikalisches Hörspiel“, text by Robert Seitz | Juni 1930 | Berliner Funkstunde | 0 | https://de.wikipedia.org/wiki/Funkoper | |||||||||
| 33352 | Paul | Dessau | Russisches Wunder | 1962 | Film | Studie |
2:30 | Radio Bratislava | 0 | |||||||||||
| 27860 | Jean-Paul | Dessy | O clock | 2005 | live-elec, 12 perf | 2 vn, 2 va, 2 vc, db, p, perc, trbn, cl, e-gui [Klarinette, Posaune, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine, Kontrabass] | CRFMW Liège | 0 | http://www.crfmw.be/index1.htm | ||||||||||
| 4009 | Dubravko | Detoni | Bajka, Fable | 1973 | Zuspiel / Tonband, 1 group | 19:10 | ens [Ensemble] | Radio Beograd | 0 | ||||||||||
| 4010 | Dubravko | Detoni | d | 1971 | Zuspiel / Tonband, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 4011 | Dubravko | Detoni | Graphie 3 | 1970 | Zuspiel / Tonband, 2 groups | 16:00 | ch, ens [Ensemble, Chor] | PHI 6521028/ | 1 | ||||||||||
| 4012 | Dubravko | Detoni | La voix de silence | 1972 | Zuspiel / Tonband, 1 perf, 1 group | 20:00-60:00 | Stereo + Stereo + Stereo + Stereo, Mono | Sp, ens [Sprecher, Ensemble] | 0 | ||||||||||
| 4013 | Dubravko | Detoni | Music, or Tractate on the Superfluous, Muzika ili Traktat o suvisnom | 1973 | Zuspiel / Tonband, 2 groups | 21:10 | ens, orc [Ensemble, Orchester] | EM ?? | Radio Zagreb | 0 | |||||||||
| 4014 | Dubravko | Detoni | Notturni | 1970 | Zuspiel / Tonband, 2 perf, 2 groups | 15:00-20:00 | T, B, ch, orc [Tenor, Bass, Chor, Orchester] | 0 | |||||||||||
| 4015 | Dubravko | Detoni | Phonomorphia I | 1967 | fixed media, akusmatisch | 4:09 | Stereo | PHI 6521028/ Croatia Rec 6072965/ Croatia Rec 5783428/ | Radio Beograd, ExpSt Warsaw | 1 | |||||||||
| 4016 | Dubravko | Detoni | Phonomorphia II | 1968 | Zuspiel / Tonband, 1 perf | 7:18 | Stereo | p [Piano] | PHI 6521028/ Croatia Rec 6072965/ Croatia Rec 5783428/ | Radio Beograd, ExpSt Warsaw | 1 | ||||||||
| 4017 | Dubravko | Detoni | Phonomorphia III | 1969 | Zuspiel / Tonband, 1 perf, 1 group | Stereo | V, ens [Stimme, Ensemble] | PHI 6521028/ | Radio Beograd, ExpSt Warsaw | 1 | |||||||||
| 4018 | Dubravko | Detoni | Sifre | 1967 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 4019 | Dubravko | Detoni | Taboo | 1975 | Musiktheater, 1 group | 40:00-60:00 | ens [Ensemble] | 0 | |||||||||||
| 4020 | Dubravko | Detoni | Tzigane | 1975 | Zuspiel / Tonband, 2 perf, 1 group | 10:00-15:00 | 2 p, orc [Piano, Orchester] | 0 | |||||||||||
| 31531 | Felix | Deufel | Home Sweet Home | 2013 | fixed media, akusmatisch | 5:10 | Surround 8.1 | next_generation 5.0 | H Darmstadt | 26.6.2013 | ZKM | 0 | |||||||
| 34766 | Matthias | Deumlich | Die spröde Flut | 1999 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 24.6.-25.7.1999 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 36449 | Taylor | Deupree | Fear Of Flying | 2007 | radiophon | 6:12:00 | EDRM 417/ | 0 | |||||||||||
| 37198 | Nina | Deuse | Biohazard | 2017 | audiovisuell | 5:20:00 | ICEM Essen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 4021 | Pieter van | Deusen | Flight | 1958 | fixed media, akusmatisch | Tanz |
10:00 | Mono | PS C. SanFran | 0 | ||||||||||
| 41095 | Andrew | Deutsch | Ocean Phase | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41085 | Andrew | Deutsch | Trans-Parent Directory | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 4022 | Herbert | Deutsch | A Little Night Music | 1966 | fixed media, akusmatisch | 3:56 | Stereo | PS C. Huntington | 0 | ||||||||||
| 4023 | Herbert | Deutsch | Contours and Improvisation | 1963 | Zuspiel / Tonband, 1 perf | 8:51 | Stereo | perc [Schlagzeug] | with sculptur by J. Seley | PS C. Huntington | 0 | ||||||||
| 4024 | Herbert | Deutsch | Divertimento | 1967 | fixed media, akusmatisch | 3:27 | Stereo | PS C. Huntington | 0 | ||||||||||
| 4025 | Herbert | Deutsch | Good Friday | 1962 | Zuspiel / Tonband, 4 perf, 1 group | 6:13 | Stereo | ch, br-qt [Bläser, Chor] | PS C. Huntington | 0 | |||||||||
| 4026 | Herbert | Deutsch | Improvisation in Three Movements | 1965 | live-elec, 2 perf | Mono | impro ins, synt [Instrument, synthesizer] | Moog-Synt | PS C. Huntington | 0 | |||||||||
| 4027 | Herbert | Deutsch | Reri Velocitatem | 1965 | live-elec, 3 perf | 4:00 | Mono | cl, vib, synt [Klarinette, Schlagzeug, synthesizer] | Moog-Synt | PS C. Huntington | 0 | ||||||||
| 4028 | Herbert | Deutsch | The Road | 1964 | fixed media, akusmatisch | 5:51 | Stereo | Homage to Ives | PS C. Huntington | 0 | |||||||||
| 4029 | Herbert | Deutsch | The Seasons | 1964 | fixed media, akusmatisch | 10:55 | Stereo | PS C. Huntington | 0 | ||||||||||
| 4030 | Herbert | Deutsch | Variable Studies | 1965 | Film | 5:50 | Mono | PS C. Huntington | 0 | ||||||||||
| 41812 | Johanna C. | Devaney | Door Vinaigrettes | 2001 | fixed media, akusmatisch | 2:55:00 | codemist ICMC2001/ | 0 | |||||||||||
| 36786 | Natko | Devcic | Columbia | 1968 | fixed media, akusmatisch | 3:20:00 | Music Information Centre Zagreb | 0 | |||||||||||
| 4031 | Natko | Devcic | Columbia 68 | 1968 | fixed media, akusmatisch | 3:20 | Croatia Rec 6072965/ | Col.Princ EMC | 0 | ||||||||||
| 4032 | Natko | Devcic | Entre nous | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 4033 | Natko | Devcic | Igra Rijeci I, Play on words I | 1969 | Zuspiel / Tonband, 3 perf, 1 group | 10:00 | Stereo | 1 ch, 2 Sp, ins [Sprecher, Instrument, Chor] | JUGT LSY 61202/ | Radio Beograd | 0 | ||||||||
| 4034 | Natko | Devcic | Igra Rijeci II, Play on words II | 1974 | Zuspiel / Tonband, 3 perf, 1 group | 10:00 | Stereo | ch, 2 Sp, ins [Sprecher, Instrument, Chor] | Radio Beograd | 0 | |||||||||
| 4035 | Natko | Devcic | Sonata | 1973 | fixed media, akusmatisch | 6:10 | Stereo | RTB 2513/ Croatia Rec 6072965/ | Radio Beograd | 1 | |||||||||
| 36787 | Natko | Devcic | World Play II | 1974 | Zuspiel / Tonband, 1 group | 10:32:00 | ens (mixed ens) [Ensemble] | Music Information Centre Zagreb | 0 | ||||||||||
| 4037 | Kent | Devereaux | Study #3, Study #3 for Septet | 1984 | fixed media, akusmatisch | Zuspiel/Tonband, 7 perf |
septet [Instrument] | 2 versions | CCRMA | 0 | ||||||||||
| 4038 | Jean-Baptiste | Devillers | Hypnos | Zuspiel / Tonband, 1 perf | 9:30 | vc [Cello] | GRAME Lyon | 0 | |||||||||||
| 4039 | Group | DEZIBEL | A day tour – under pressure | 1993 | fixed media, akusmatisch | 36:00 | 6 parts Hampi, Senra, Tomat, Philadelphy |
TRANSIT for ROMAEUROPA 1993 | 0 | ||||||||||
| 32964 | Jean-Louis | Dhermy | Douze Miniatures | fixed media, akusmatisch | 46:07 | text by J. E. Bencheikh | Motus M 306010/ | 0 | |||||||||||
| 23373 | Jean-Louis | Dhermy | Espérance élancée | 2000 | Zuspiel, live-elec, 1 perf | 12:39 | sax [Saxophon] | Daniel Kientzy (sax's) | NMCD 5114/ | GRAME Lyon | 1 | ||||||||
| 32963 | Jean-Louis | Dhermy | La Memoire du Son | fixed media, akusmatisch | 22:51 | Tableau 1 - 4 | Motus M 306010/ | 0 | |||||||||||
| 37130 | Francis | Dhomont | À propos de K | 2006 | fixed media, akusmatisch | 21:37 | Stereo | IMED 09102/ | PS C. | French State (Music Office) | 11.11.2006 | Ina-GRM concert celebrating the 80th birthday of the composer at the Salle Olivier Messiaen of the Maison de Radio France in Paris (France) | 0 | ||||||
| 4040 | Francis | Dhomont | Artifices, Chroniques De La Lumière | 1989 | fixed media, akusmatisch | 10:32 | Stereo | ICMC 1994, DIEM 001/ IMED 0682/ | 1 | ||||||||||
| 24609 | Francis | Dhomont | AvatArsSon, Cycle du son, 3 Cycle du son |
1998 | fixed media, akusmatisch | 18:11 | Stereo | 6 parts: Fondation; Avatars; Voix; Aventures; Paysages; À suivre… | IMED 0158/ | INA • GRM, PS C. | Ministère de la Culture (France) and of Ina-GRM for the 50th anniversary of musique concrète | May 11th, 1998 | Salle Olivier Messiaen, Maison de la Radio France Cycle acousmatique | first prize at the 2nd Pierre Schaeffer International Computer Music Competition (Concorso Internazionale di Composizione Musicale Elettronica Pierre Schaeffer) (Pescara, Italy, 1999) and, in a shorter version (14:20), the second prize at Musica Nova (Prague, Czech Republic, 1998) | 0 | ||||
| 24952 | Francis | Dhomont | Brief an den Vater | 2002 | fixed media, akusmatisch | 17:37 | Stereo | Text by Franz Kafka. Voice of Martin Engler | IMED 09100 trans_canada/ IMED 09102/ | PS C. | ZKM | 12.02.2005 | trans_canada festival in the ZKM_Kubus of the Zentrum für Kunst und Medientechnologie Karlsruhe (ZKM) | 1 | http://gutenberg.spiegel.de/buch/brief-an-den-vater-169/1 | ||||
| 4041 | Francis | Dhomont | Chiaroscuro | 1987 | fixed media, akusmatisch | 17:38 | BVHAAST 9108/ LDC 278048 Cultures Electroniques 3/ IMED 9107/08/ Prix ars electronica 92/ IMED 9608/ BVHAAST 0206/ | PS C. | Les Événements du Neuf and realized with the assistance of the Canada Council [for the Arts]. | 10.04.1987 | Montréal | 1st Magisterium of the 16th Bourges International Electroacoustic Music Competition (France, 1988) Auszeichnung ars electronica 1992 |
1 | ||||||
| 4042 | Francis | Dhomont | Chroniques de la lumière, Miroitements Artifices Météores |
1989 | fixed media, akusmatisch | 32:47 | Stereo | UMM 101/ IMED 0682/ | Akousma Montréal | 1 | |||||||||
| 24953 | Francis | Dhomont | Corps et âme | 2002 | fixed media, akusmatisch | 7:41 | Stereo | IMED 0682/ | PS C. | Florence & Alexandre Yterce (Magazine Sonopsys) | 13.1.2002 | Maison de Radio-France, GRM | 1 | ||||||
| 19136 | Francis | Dhomont | Cph Pendler Music | 1995 | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | |||||||||||
| 4043 | Francis | Dhomont | Drôles d'Oiseaux | 1986/2001 | fixed media, akusmatisch | 14:51 | Stereo | rev. 2001 | IMED 0365/ | IMEB Bourges, PS C. | l’État (France) & GMEB | 2 June 1985 | Synthèse Festival Bourges | 1 | |||||
| 23763 | Francis | Dhomont | En cuerdas | 1998 | fixed media, akusmatisch | 11:25 | Stereo | IMED 0365/ BRIDGE 9117/ innova 117/ Kiasma 1999/ | PS C. | Arturo Parra | 15 May 1998 | Festival international de musique actuelle de Victoriaville (Québec) | First Prize at the Hungarian Radio’s EAR’99 International Competition of Electroacoustic Music (Budapest, Hungary, 1999) prizewinner at the competition Città di Udine (Italy, 1998) |
1 | |||||
| 4044 | Francis | Dhomont | Espace / Escape | 1989 | fixed media, akusmatisch | 19:24 | Stereo | BVHAAST 9107/ INA ACM 1995/ IMED 9607/ IMED 9107/08/ IMED 0050/ BVHAAST 0206/ | PS C. | Claude Schryer for The Banff Centre for the Arts and realized with the assistance of the Canada Council | 11.11.1989 | Canadian Electroacoustic Community (CEC) event, the 2nd CEC Electroacoustic Days, >convergence<, at The Banff Centre for the Arts | selected for ICMC’91 in Montréal Auszeichnung ars electronica honorary mention 1993 |
1 | |||||
| 4045 | Francis | Dhomont | Etude aux trois objets | 1966 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 19114 | Francis | Dhomont | Forêt profonde, Chambre d’enfants À l’orée du conte Chambre interdite Il cammin di nostra vita Les enchantements de l’imagination Antichambre La muraille d’épines Chambre des ténèbres Forêt furieuse Musique de chambre Sortilèges Chambre de lumière Fantasme, mode d’emploi |
1994 - 1996 | fixed media, akusmatisch | 58:32 | mit Texten in franz. Sprache von Andersen, Aulnoy, Bettelheim, Dante, Dobsinski, Grimm, Parra, Perault, Shakespeare. 13 Sections. | IMED 9634/ | PS C., INA • GRM | French government and by the Ina-GRM and Canada Council | 16.06.1994 | Maison de Radio-France, Paris, Cycle acousmatique | 1 | ||||||
| 20089 | Francis | Dhomont | Frankenstein Symphony | 1997 | fixed media, akusmatisch | 63:49 | Stereo | Used EM by Bouhalassa, Calon, Daoust, Dufort, Gobeil, Leduc, Normandeau, Rodrigue, Roy, Schryer, Smith, Turcotte, Vande Gorne | ASP 0978/ | PS C. | Juni 1997 | Parochialkirche Berlin im Rahmen der Klangmesse 1997 | 0 | ||||||
| 24954 | Francis | Dhomont | Here and There | 2003 | fixed media, akusmatisch | 10:09 | Stereo, Octo | IMED 0682/ Accademia Musicale Pescarese/ | PS C. | Florence & Alexandre Yterce (Magazine Sonopsys) | 13.1.2002 | Maison de Radio-France, GRM | 5º/4º Concorso Internazionale di Composizione Elettronica “Pierre Schaeffer” | 1 | |||||
| 24405 | Francis | Dhomont | Je te salue, vieil océan! | 1999 | fixed media, akusmatisch | 14:54 | Stereo | IMED 0682/ | IMEB Bourges | 0 | |||||||||
| 4046 | Francis | Dhomont | L'électro | 1990 | fixed media, akusmatisch | 1:06 | Stereo | voices | CEC DISContact_2/ IMED 0365/ | PS C. | 30.08.1995 | Futura (Crest, France) | 1 | ||||||
| 34186 | Francis | Dhomont | Le cri du Choucas, Cycle des profondeurs | 2014/2015 | fixed media, akusmatisch | 70 | IMED 16138/ | PS C. | Musiques & Recherches | 15.10.2014 | L’Espace du son 2014: Création mondiale de Francis Dhomont, Théâtre Marni | 0 | http://www.electrocd.com/fr/oeuvres/select/?id=37466 | ||||||
| 23764 | Francis | Dhomont | Les moirures du temps | 1999 - 2000 | fixed media, akusmatisch | 15:24 | Stereo | IMED 0365/ | INA • GRM, PS C. | Canadian Arts council | 20 February 1999 | Rien à voir (5) concert series produced by Réseaux | First Prize at the Musica Nova (Prague, Czech Republic, 1999). | 1 | |||||
| 4047 | Francis | Dhomont | Les travail du rêve | 1986/2010 | fixed media, akusmatisch | 17:13 | Stereo | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | Akousma Montréal | INA-GRM | 2009 | Festival de Radio France Montpellier, Salle Pasteur / Le Corum | 1 | 2010 | http://www.electrocd.com/en/bio/dhomont_fr/ | ||||
| 20090 | Francis | Dhomont | Lettre de Sarajevo | 1995 - 1996 | fixed media, akusmatisch | 14:35 | Stereo | with syter | Innova 113/ IMED 0365/ | INA • GRM, PS C. | État (France) for the Festival d’art acousmatique Futura (Crest, France) | 22 February 1996 | Salle Olivier Messiaen, Maison de la Radio France Festival Présences | 1 | |||||
| 4048 | Francis | Dhomont | Mais laisserons-nous mourir Arianna? | 1979 | fixed media, akusmatisch | 16:00 | Stereo | Uni Montréal, PS Dhomont, GMEM Marseille | Mention Bourges 1979 | 0 | |||||||||
| 4049 | Francis | Dhomont | Météores, Chroniques De La Lumière | 1989, 2005 | fixed media, akusmatisch | 10:43 | Stereo | SYTER | BVHAAST 9108/ IMED 9107/08/ IMED 9608/ UMM C 101)/ IMED 0682/ BVHAAST 0206/ | PS C. | SMCQ and realized with the assistance of the Canada Council | 26.04.1989 | Doppler Concert of the Société de musique contemporaine du Québec (SMCQ) at the Spectrum in Montréal | selected for ISCM 1990 in Oslo | 1 | ||||
| 37906 | Francis | Dhomont | Miroitements, Chroniques De La Lumière | 1989 | fixed media, akusmatisch | 8:05 | IMED 0682/ | 0 | |||||||||||
| 4050 | Francis | Dhomont | …mourir un peu, Marine Cartographie liminaire Un certain embarquement Thème de la fuite Transfert I En abîme Transfert II Palimpseste Il ritorno |
1984, 1987 | fixed media, akusmatisch | 44:52 | Stereo | 9 MOVEMENTS | BVHAAST 9107/ IMED 9107/08/ ASP 0966/ IMED 9607/ ACM 37/ BVHAAST 0206/ | PS C., GMEM Marseille | French government (Direction de la musique) and the GMEM | 21.06.1984 | Jardins des vestiges in Marseille | 4. part "Thème de la fuite" at 2nd IREM in Stockholm selected to ICMC ’86 Den Haag |
1 | ||||
| 4051 | Francis | Dhomont | Novars, Cycle du son, 2 Cycle du son |
1989 | fixed media, akusmatisch | 19:13 | Stereo | BVHAAST 9108/ IMED 9107/08/ INA C 1033 27653 archives grm CD 3/5/ IMED 9608/ IMED 0158/ BVHAAST 0206/ | INA • GRM, PS C. | Ina-GRM | May 29th, 1989 | 11th GRM Acousmatic Concert Series at the Grand Auditorium of Rthe Maison Radio France | This piece was selected by the 1990 International Computer Music Conference (ICMC’90) in Glasgow (Scotland), and by the International Society for Contemporary Music (ISCM) for the 1991 World Music Days in Zürich (Switzerland). The jury of the 1991 Stockholm Electronic Arts Award also selected it for performance at its award concert in Stockholm (Sweden) | 1 | 1996 | ||||
| 24608 | Francis | Dhomont | Objets retrouvés, Cycle du son, 1 Cycle du son |
1996 | fixed media, akusmatisch | 5:20 | Stereo | Tombeau de Pierre Schaeffer | IMED 0158/ | IMEB Bourges, PS C. | 31.05.1996 | Bourges | 0 | ||||||
| 37890 | Francis | Dhomont | Phoenix XXI | 2017 | fixed media, akusmatisch | PS C. | Selection to world music days Peking 2018 | 0 | |||||||||||
| 20277 | Francis | Dhomont | Phonurgie, Cycle du son, 4 Cycle du son |
1998 | fixed media, akusmatisch | 12:43 | Stereo | IMED 0158/ ed. rz 10009/10 Inventionen 98/ CIMESP 1999 disc (CD 199008708/ | INA • GRM | Inventionen 1998, Deutscher Akademischer Austauschdienst (DAAD) | September 25th, 1998 | Inventionen Parochialkirche Berlin | First Prize at CIMESP 1999 (São Paulo, Brazil) First Prize at CibertArt 1999 (Valencia, Spain) |
1 | 1998 | ||||
| 4052 | Francis | Dhomont | Poe-Debussy, Autour de la maison Usher | 1988 | Theatermusik | 41:00 | Stereo | Akousma Montréal | 0 | ||||||||||
| 4053 | Francis | Dhomont | Points de fuite, Vanishing Points | 1982 | fixed media, akusmatisch | 12:21 | Stereo | in 10 Teilen ; mit umfangreichen Buch "Mouvances ≈ Métaphores" ; Cycle de l'Errance | BVHAAST 9107/ IMED 9107/08/ IMED 9607/ IMED 9107/08/ BVHAAST 0206/ | PS C. | 13.06.1982 | Bourges | 2nd prize Bourges 1984 ; 1st prize Brock Uni 1985; selected for the 1984 World Music Days in Montréal |
1 | |||||
| 37131 | Francis | Dhomont | Premières traces du Choucas | 2006 | fixed media, akusmatisch | 15:00 | Stereo | IMED 09102/ | PS C. | Réseaux des arts médiatiques Canada Council for the Arts (CCA), Musiques & Recherches (Belgium) | 21.10.2006 | 13th International Acousmatic Festival L’Espace du son (Brussels, Belgium) | Pubic Prize at the 7th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’07, Brazil) finalist for the “Premiere of the Year” at the 11th Prix Opus 2006-07 of the Conseil québécois de la musique (CQM) |
0 | |||||
| 4054 | Francis | Dhomont | Qui est là ? | 1990 | fixed media, akusmatisch | 3 | Stereo | IMED 9004/ IMED 9604/ | Uni Montréal | 1 | |||||||||
| 4055 | Francis | Dhomont | Signé Dionysos | 1986/1989/1991 | fixed media, akusmatisch | 28:22 | SYTER | BVHAAST 9108/ IMED 9107/08/ IMED 9608/ BVHAAST 0206/ | PS C., INA • GRM | Jean-Étienne Marie for the CIRM | 1.02.1986 | festival Musiques actuelles Nice/Côte d’Azur (MANCA, France) | 1 | ||||||
| 24646 | Francis | Dhomont | Sol y sombra … L’Espace des spectres | 1998 - 2000 | Zuspiel / Tonband, 1 perf | 11:49 | Stereo | gui [Gitarre] | with Arturo Parra (gui) | IMED 0264/ ICMC 2005, ars harmonica/ | 1 | ||||||||
| 4056 | Francis | Dhomont | Sous le regard d'un soleil noir, Pareil à un voyageur perdu Engloutissement Arrête! Arrête! Elle me tue Explosion Le moi divisé Citadelle intérieure Pétrification Le message quand vient le soir |
1981 | fixed media, akusmatisch | 51:31 | Stereo | 8 Sections | GRAMME 9109dh/ IMED 9633/ Coll GRM 9109 DH/ | INA • GRM, Uni Montréal | Ina-GRM | 28.4.1983 | Paris, Maison de Radio France, Gd. Auditorium | 1er prize Bourges, 1981 | 1 | ||||
| 4057 | Francis | Dhomont | Studio de nuit | 1992 | fixed media, akusmatisch | 3:00 | Stereo | CEC DISContact_1/ IMED 0365/ | PS C. | David Olds for the program Transfigured Night, on CKLN-FM in Toronto | 2 September 1995 | Festival international d’art acousmatique Futura | 1 | ||||||
| 20091 | Francis | Dhomont | Thème de la fuite | 1982 | fixed media, akusmatisch | 8:55 | Stereo | ACM 37 CD 1-4/ | 0 | ||||||||||
| 4058 | Francis | Dhomont | Transits élémentaires 2 | 1983 | fixed media, akusmatisch | 16:35 | Stereo | PS C. | 0 | ||||||||||
| 23752 | Francis | Dhomont | Un autre Printemps | 2000 | audiovisuell | 6:11 | Stereo | based on Vivaldi - 4 Jahreszeiten, also only-tape-version | ed. rz 290405/ IMED 0365/ BRIDGE 9117/ | PS C. | Uli Aumüller for the film "Mein Kino für die Ohren" | 14.03.2001 | ARTE-ZDF | 2nd prize at the „Ear01“ Radio Budapest Vontest (Hungary) | 1 | http://www.iotacenter.org/program/publication/darroll/statements | |||
| 23762 | Francis | Dhomont | Vol d'Arondes, trans_canada 1 | 1999/2002 | fixed media, akusmatisch | 11:25 | Stereo, Octo | rev. 2001. Part of „trans_canada 1“ (Deutschlandradio Kultur 2005, 53 Minuten) |
IMED 0365/ | Musiques et Recherches Ohain | Musiques & Recherches | 21 November 1999 | hall of the XL-Théâtre du Grand Midi (Brussels, Belgium) | 1 | 2006 | ||||
| 24951 | Francis | Dhomont | Voyage-miroir, Voyage-mirror | 2004 | fixed media, akusmatisch | 14:50 | Stereo | IMED 0682/ | PS C. | Réseaux | 1 | 2005 | |||||||
| 23470 | Agostino | Di Scipio | 2 di 1, Due di uno | 2002 - 2003 | live-elec, 2 perf | 8:00 | pic-rec, vn, (DSP) [Violine] | IMEB Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 23456 | Agostino | Di Scipio | 2 pezzi muti su Hans Richter | 1998 | fixed media, akusmatisch | audiovisuell |
6:00 | Stereo | Sonorisation of a 1922-1923 film | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 23466 | Agostino | Di Scipio | 2 remix | 2002 | fixed media, akusmatisch | 6:00 | Stereo | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 23476 | Agostino | Di Scipio | 30 oggetti sonori | 1996 | Klangkunst, Installation | Stereo | Created for the Art exhibition by Ennio de Vincenzo. | PS L'Aquila | 1996 | L'Aquila, Spanish Castle, Italy | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23472 | Agostino | Di Scipio | 30 second piece | 2003 | fixed media, akusmatisch | 0:30 | 5 audio tracks for DVD | IMEB Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 23474 | Agostino | Di Scipio | 4 esquisses de surveillance et de controle | 2003 - 2004 | live-elec, 5 perf | 15:00 | str-qt, w-duo, (DSP) [Streicher] | withdrawn | PS L'Aquila | Harmoniques Lausanne | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23447 | Agostino | Di Scipio | 4 variazioni sul ritmo del vento, Version A | 1995 | live-elec, 1 perf | 10:00 | Stereo | db-rec, (DSP) [Flöte] | Cavalli Records CCD 274 2005/ | PS L'Aquila, Sibelius AC Helsinki | 1995 | Sibelius Academy, Helsinki | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 25653 | Agostino | Di Scipio | 4 variazioni sul ritmo del vento, Version A & B | 1995 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | db-rec, (tape) [Flöte] | PS L'Aquila, Sibelius AC Helsinki | 1995 | Sibelius Academy, Helsinki | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23459 | Agostino | Di Scipio | 5 interazioni cicliche alle differenze sensibili | 1998 | Zuspiel, live-elec, 4 perf | 12:00 - 16:00 11 | Octo | str-qt, (DSP) [Streicher] | ICMC 2000/ PanAroma Vol 6/ CEMAT 1/ ed. rz 10015 / | PS L'Aquila, Gramma L'Aquila | CEMAT | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23451 | Agostino | Di Scipio | 5 piccoli ritmi | 1996 | Zuspiel, live-elec, 1 perf | 6:00 | Quadro | com (tape, DSP) [computer] | based on a poem by H. Maturana | Neuma 450-99/ | Uni L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23449 | Agostino | Di Scipio | 6 studi "dalla muta distesa delle cose" | 1996 - 1997 | Zuspiel, live-elec, 1 perf | 8:00 - 12:00 | Quadro | p, (DSP) [Piano] | PS L'Aquila | 1996 | L'Aquila; Milano La Scala, 1999 (complete work) | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23446 | Agostino | Di Scipio | 7 piccole variazioni sul freddo, 7 short improvisations on the cold | 1994 - 1995 | Zuspiel, live-elec, 1 perf | 4:50 | Stereo | tpt (blowing), (DSP) [Trompete] | Prix ars electronica 95/ | PS L'Aquila | 1995 | Banff, CDN | Honorary mention Ars Electronica Linz, 1995 | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||
| 23468 | Agostino | Di Scipio | Audible EcoSystemics n. 1, Impulse Response Study | 2002 | live-elec, 1 perf | 8:16 | com (DSP) [computer] | solo live electronics (room dependent) mit Kyma |
ed. rz 10015/ | PS L'Aquila | 1 | 2004 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23473 | Agostino | Di Scipio | Audible EcoSystemics n. 2a, Feedback Study | 2003 | live-elec, 1 perf | 5:00 - 8:00 5:50 | com (DSP) [computer] | solo live electronics (room dependent) | ICMC 2005, ars harmonica/ ed. rz 10015 / | PS L'Aquila, Gramma L'Aquila | 1 | 2004 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 25795 | Agostino | Di Scipio | Audible EcoSystemics n. 2b, Feedback Study with vocalresonances | 2003 | live-elec, 1 perf | 5:00 - 8:00 4:40 | perf (DSP, mouth) [Performer] | solo live electronics (room dependent); Uni Mainz | ed. rz 10015 / | PS L'Aquila, Gramma L'Aquila | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23478 | Agostino | Di Scipio | Audible EcoSystemics n. 3a, background noise Study | 2005 | live-elec, 1 perf | 5:00 - 12:00 6:55 | 6 | (Live-elec) com [computer] | ed. rz 10015 / | PS Berlin | DAAD, Germany | 2005 | Tesla Berlin | 1 | 2005 | http://xoomer.virgilio.it/adiscipi/ | |||
| 25796 | Agostino | Di Scipio | Audible EcoSystemics n. 3b, background noise Study with mouth performer | 2005 | live-elec, 1 perf | 5:00 - 12:00 8:42 | 6 | (Live-elec) mus, (mouth) [Musiker] | ed. rz 10015 / | PS Berlin, TU Berlin | Berliner Künstlerprogramm des DAAD | 1 | 2005 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 23467 | Agostino | Di Scipio | Craquelure | 2002 | fixed media, akusmatisch | 10:01 | Stereo | 2 pezzi silenti, a Giuliano | ed. rz 10015 / | PS L'Aquila | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23453 | Agostino | Di Scipio | Dissequentia | 1997 | Zuspiel, live-elec, 1 perf | 8:00 | Octo | 1 actress [Schauspieler] | sonic desconstruction of E. Sanguineti's poems concerning L. Berio's Sequenzas | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23469 | Agostino | Di Scipio | eBss (e-Book Sound Supplement) | 2002 | fixed media, akusmatisch | 8:59 | Stereo | internet audio material | LDC 2781130/ | IMEB Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 4059 | Agostino | Di Scipio | Essai du Vide (Schweigen) | 1993 | fixed media, akusmatisch | 14:50 | Stereo | SFU | Competition Musica Nova Prag 1994 | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 4060 | Agostino | Di Scipio | Estensioni, Studio n.2 sul valore formante della durata | 1988 | fixed media, akusmatisch | 12:00 | Stereo | Digital Synthesis with Music360. Score available from the composer. |
CSC Padova | 1989 | Synthèse, Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 4061 | Agostino | Di Scipio | Event | 1990 | Zuspiel, live-elec, 2 perf | 10:00 | Quadro | fl, cl [Flöte, Klarinette] | Soloists of the Artisanat Furieux Ensemble Electronics = Comb Filters |
PS L'Aquila | Festival Musica Verticale, Roma, Italy | Galleria Nationale di Arte Moderna, Roma, Italy | Finalist in the Irino Prize, Tokyo | BMG | 0 | http://xoomer.virgilio.it/adiscipi/ | |||
| 4062 | Agostino | Di Scipio | Fractus | 1990 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | va [Viola] | CSC Padova | 1990 | Hans van Dijk, L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 4063 | Agostino | Di Scipio | Hy-Lur | 1987 | Zuspiel / Tonband, 1 perf | 12:50 | Stereo | tpt [Trompete] | withdrawn | Con L'Aquila | 1987 | Conservatory of Foggia, Italy | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 26269 | Agostino | Di Scipio | Il silencio di Fedro, für eine beliebige Anzahl von Spielern und Elektronik | 2007/2008 | Zuspiel / Tonband, 1 perf, 1 group | 13:00 | Octo | fl-ens [Flöte] | performance 29.5.2008 UdK Berlin with PRIME (Paetzold Recorder Investigation for Music with Electronics) | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 22921 | Agostino | Di Scipio | Install QRTT | 1998 | Klangkunst, Installation | Octo | requires simultaneous performance of "5 interazioni cicliche alle differenze sensibili" and "Kairos Qrtt" | Gramma L'Aquila, PS L'Aquila | Cemat | 1989 | Roma | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 4064 | Agostino | Di Scipio | Kairòs | 1991 - 1992, 2006 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | s-sax [Saxophon] | First Version Enzo Filippetti (s-sax) rev 2006 at ZKM |
PS L'Aquila, ZKM Karlsruhe | 1992 | GRAME, Lyon, France | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 25598 | Agostino | Di Scipio | Kairòs | 2007 | Zuspiel, live-elec, 1 perf | 11:00 | multichannel | s-sax, (com) [Saxophon] | Second Version | PS L'Aquila, ZKM Karlsruhe | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23455 | Agostino | Di Scipio | Kairòs Qrtt | 1997 - 1998 | Zuspiel, live-elec, 1 perf | Klangkunst, Installation |
Stereo | perf [Performer] | room-dependent live signal processing, also known as Studio 1997 | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 25553 | Agostino | Di Scipio | Modes of Interference No. 1 | 2005 - 2006 | live-elec, 1 perf | 10:08 | Stereo | tpt [Trompete] | Für autonomes Feedback-System mit Trompete und Elektronik Marco Blaauw (tr) |
ZKM / | ZKM Karlsruhe | ZKM | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 26274 | Agostino | Di Scipio | Modes of Interference No. 2 | 2005 - 2006 | live-elec, 1 perf | Stereo | sax [Saxophon] | (Pedro Bittencourt, sax) | ZKM / WER 20742/ | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 26272 | Agostino | Di Scipio | Modes of Interference No. 3, autonomous feedback system, with electric guitars, combo amps, computer | 2007 | live-elec, 3 perf | ∞ | 3 gui [Gitarre] | CD-Rom enthält die gesamte Dokumentation über das Werk, auch Klangbeispiel aus dem Kloster der Musikhochschule Neapel 2007 | ZKM / | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 4065 | Agostino | Di Scipio | N/Tropics | 1989 | Zuspiel / Tonband, 9 perf | 8:10 | Stereo | 9 ww-ins [Bläser] | CSC Padova | By the Festival | 1989 | Palazzo della Cancelleria, Festival Musica Verticale, Roma, Italy | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 23460 | Agostino | Di Scipio | Natura allo specchio | 1998 - 2000 | Zuspiel, live-elec, 2 perf | 8:00 | Octo | 2 or more perc, (DSP) [Schlagzeug] | room-dependent live signal processing. Performed independent of "Sound & Fury" | BUG 108 BufRecords Melbourne/ CMJ Vol 26, 2002/ DVD Recombinant Art Toronto/ CMJ Vol 26, 2002/ | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23477 | Agostino | Di Scipio | Oggetti sonori per Verde Utopia | 1997 | Klangkunst, Installation | for a country place | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||||
| 23465 | Agostino | Di Scipio | Os, oris, schizzi dell'aria che manca | 2002 | live-elec, 1 perf | 10:00 | trbn, (DSP) [Posaune] | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 23461 | Agostino | Di Scipio | Paesaggio storico n. 2 (Berlin, bad sampling) | 2000 | fixed media, akusmatisch | 2:10 | Stereo, Octo | based on recordings of Berlin-related political speeches (Kennedy, DDR Politbüro,..) | LDC 2781130/ | PS L'Aquila | HR; Deutschlandradio | 0 | http://xoomer.virgilio.it/adiscipi/ps.htm | ||||||
| 26271 | Agostino | Di Scipio | Paesaggio storico n. 4 (New York, Background Media Noise) | 2005 | fixed media, akusmatisch | 14:30 | Octo | LDC 2781130/ | IMEB Bourges, PS C. Berlin | IMEB, Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23471 | Agostino | Di Scipio | Paesaggio storico No. 3, Paris, la robotique des Lumières | 2003 | fixed media, akusmatisch | 14:07 | Octo, 16 tracks | Based on early Gramophone Recordings | LDC 2781130/ | IMEB Bourges | IMEB Bourges | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23458 | Agostino | Di Scipio | Paesaggio storico nr. 1 (Roma, Cantor set), Paysage Historique n. 1 (Roma, Cantor Set) | 1998, 2005 | fixed media, akusmatisch | 7:53 | Stereo, Octo | in cooperation with M. Rüsenberg | Real Ambient Vol. 1 CD NW 5101-2 Colonia/ LDC 2781130/ | PS L'Aquila | Goethe-Institut Rom | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23464 | Agostino | Di Scipio | Per la meccanica dei flauti | 2001 | live-elec, 1 perf | 15:00 | fl, (DSP) [Flöte] | also known as "Book of flute dynamics (5 Chapters, 4 Appendixes)" | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 23442 | Agostino | Di Scipio | Plex | 1991 | Zuspiel / Tonband, 1 perf | 16:00 | Quadro | db [Kontrabass] | Stefano Scodanibbio (db) Composer's own computer program Music5, Music360 |
CSC Padova, PS L'Aquila | Festival Musica Verticale, Roma, Italy | 1991 | Palazzo delle Esposizioni, Roma, Italy | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||
| 23454 | Agostino | Di Scipio | pp.528-529 | 1997 | Klanginstallation, live-elec, | (slides) [] | audiovideo installation with 1 or 2 CD-Players, based on an excerpt of Schönbergs Harmonielehre | PS L'Aquila | Itinerari Armonici | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 23475 | Agostino | Di Scipio | Pulse code (on wood) | 2002 - 2004 | Zuspiel, live-elec, 1 perf | 14:00 | Octo | perc, (DSP) [Schlagzeug] | CMJ Vol 29-4, 2005/ | IMEB Bourges, CEMAMu/ Ateliers Upic/ CCMIX | CCMIX | 2004 | Paris | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||
| 23441 | Agostino | Di Scipio | Punti di tempo, Studio n.1 sul valore formante della durata | 1987 - 1988 | fixed media, akusmatisch | 4:00 | Stereo | Analog Synthesis controlled by computer (Granular Synthesis). Score available from the composer. |
PS L'Aquila | 1997 | Cordoba (Argentina) | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23457 | Agostino | Di Scipio | SCHBRT LIED | 1998 | fixed media, akusmatisch | 9:00 | Stereo | (2 CD-player) [] | text fragments from Goethe, Müller, Heine and other German poets used by Schubert in his Lieder. | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23443 | Agostino | Di Scipio | Schizzo discreto della nuvola MXIX | 1993 | fixed media, akusmatisch | Stereo | SFU | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||||
| 23444 | Agostino | Di Scipio | Some strings quiet, some strings cry | 1993/2000 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | hp [Harfe] | for Maria di Giulio; revision 2000 | SFU | 1993 | Vancouver | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 23448 | Agostino | Di Scipio | Sound & Fury, Towards a theatre of noise, sounds, and sometimes voices | 1995 - 1998 | Theater, live-elec, 4 perf | 55:00 | Octo | 2 actor, 2 perc, (DSP), slides [Schlagzeug, Schauspieler] | excerpts from "the tempest" (Shakespeare), the mirror and the sea (Auden), lyrics by Eu. Tescione. Includes: Natura allo specchio (98), L'Isola (95), Intermezzo-Intermittence (98), Caliban (97), Specchio alla natura (96) |
PS L'Aquila, Sibelius AC Helsinki | 2000 | Evora, Portugal | 0 | http://xoomer.virgilio.it/adiscipi/Sound&Fury.htm | |||||
| 23445 | Agostino | Di Scipio | Texture-Multiple | 1993, 1997 - 2002 | Zuspiel, live-elec, 6 perf | 10:00-15:00 12:25 | 6 | 3 - 6 ins, (room-dependent live) (DSP) [Instrument] | rev 2000 for Ensemble 2000 Aarhus; rev 2002 for Ensemble Mosaik Berlin | ed. rz 10015 / | PS L'Aquila | 1994 | Roma, Goethe-Institut | 1 | 2002 | http://xoomer.virgilio.it/adiscipi/ | |||
| 26273 | Agostino | Di Scipio | Texture-Residue | 2006 | Performance | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||||||
| 23450 | Agostino | Di Scipio | Three | 1996 | Zuspiel / Tonband, 3 perf | Stereo | fem V, 1 - 2 db-rec [Stimme, Flöte] | based on a poem by G. Corso | PS L'Aquila | 1996 | Villa Medici, Roma, | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23462 | Agostino | Di Scipio | Tiresia | 2000 - 2001 | Zuspiel, live-elec, 2 perf | 25:00 | 6, Octo | 2 V [Stimme] | Text by Giuliano Mesa | CPS 8693 Capstone/ | PS L'Aquila | 2001 | L'Aquila, Italy | 0 | 2005 | http://xoomer.virgilio.it/adiscipi/ | |||
| 25874 | Agostino | Di Scipio | Untitled 2001, (sound synthesis, October '01) | 2001 | fixed media, akusmatisch | 6:35 | Stereo | Mutation of a Rome-soundscape by means of an algorithmic process following the Cantor's mathematical set (Cantor's powder). Version of 2003. Also known as "Untitled 2001" or "3 untitled" |
LDC 2781130/ | PS L'Aquila | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 25064 | Agostino | di Scipio | Untitled 2004 | 2004 | live-elec, 1 perf | Kyma [computer] | recorded July 31 alte Mensa Uni Mainz; Text von Pieter Verstraete, gelesen von Workshopteilnehmern in verschiedenen Sprachen (flämisch, amerikanisches Englisch, griechisch, deutsch, italienisch) | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||||||||
| 25875 | Agostino | di Scipio | Untitled 2005, Ecosytemic Sound Installation in Small Reverberant Space (at the DAAD-Galery Zimmerstraße) | 2005 | Klangkunst, Installation | ∞ | Quadro, or more | DAAD Berliner Künstlerprogramm | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 26270 | Agostino | di Scipio | Untitled 2008, Ecosytemic Sound Installation in Abandoned or Dismantled Rooms | 2008 | Klangkunst, Installation | ∞ | Octo | DAAD Berliner Künstlerprogramm für Inventionen 2008 | 24.7.2008 | Inventionen Villa Elisabeth Berlin | 0 | http://www.inventionen.de/Inventionen_08/Notes/Scipio-Notes-en.html | |||||||
| 23479 | Agostino, Mario, Mariano, Annamaria | Di Scipio, Lunetta, Baino, Giancarli | Improvviso-Polifonico-Poetronico | 1998 | Klanginstallation, live-elec, 4 perf | 15:00 | 3 poets, e-gui, (DSP) [Gitarre] | poetry reading and mixing | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 23452 | Agostino, Manilio | Di Scipio, Prignano | Interactive Island | 1996 | Klangkunst, Installation | Octo | audio-video-Installation | PS L'Aquila | 1996 | Nettuno, Italy | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 4066 | Hilda | Dianda | a - 7 | 1966 | Zuspiel / Tonband, 1 perf | 14:35 | Stereo + Stereo + Stereo | vc [Cello] | MCBA, 0010 (Municipalidad de la Ciudad de Buenos Aires)/ Creel Pone 068/ | Northridge Coll | 0 | ||||||||
| 4067 | Hilda | Dianda | Dos estudios en oposicion | 1959 | fixed media, akusmatisch | 6:30 | Stereo | MCBA, 0010 (Municipalidad de la Ciudad de Buenos Aires)/ Creel Pone 068/ | Fonologia Milano | 0 | |||||||||
| 28359 | Hilda | Dianda | … y después el silencio | 1976 | fixed media, akusmatisch | 15:00 | Stereo | Tacuabé T/E 12/ | CICMAT | 0 | 1984 | ||||||||
| 37666 | Humberto, Sunlay | Diaz, Almeida Rodriguez | Body Symphony | 2017 | Performance | 7:30 | ICAP Habana | 1.10.2017 | AdK Berlin, Kontakte 17 Festival | 0 | |||||||||
| 19790 | Rafael | Diaz | A propósito de … | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | PS C. Malaga | 0 | |||||||||||
| 33252 | Rafael | Diaz | Amor Pelirrojo | Oper, 4 perf | 70:00 | 4 V, (Ópera electroacústica, 4 Cantantes) [Stimme] | 0 | ||||||||||||
| 19791 | Rafael | Diaz | Ascolta, Seyor Granados | Zuspiel / Tonband, 1 perf | Stereo | db [Kontrabass] | PS C. Malaga | 0 | |||||||||||
| 33251 | Rafael | Diaz | Bolero de Concierto | Zuspiel / Tonband, 5 perf | 8:00 | vn, va, cl, t-sax, p [Klarinette, Saxophon, Piano, Viola, Violine] | 0 | ||||||||||||
| 33249 | Rafael | Diaz | Cuasi un viaje | Zuspiel / Tonband, 4 perf | 8:00 | 4 sax [Saxophon] | 0 | ||||||||||||
| 33253 | Rafael | Diaz | Diálogo con Manuel Castillo | Zuspiel / Tonband, 1 perf | 7:00 | gui [Gitarre] | 0 | ||||||||||||
| 33248 | Rafael | Diaz | Dual | live-elec, 1 perf | 8:00 | Interpret [Performer] | 2 Saxos tocados simultáneamente por un solo interprete y electrónica en vivo | 0 | |||||||||||
| 33259 | Rafael | Diaz | El misterio del pasodoble | fixed media, akusmatisch | 6:00:00 | MMV-003/ | 0 | ||||||||||||
| 4068 | Rafael | Diaz | Entrada de Luigi Nono en el Olimpo | 1992 | fixed media, akusmatisch | 4:15 | UM CD 7 Vol. I/ | PS C. Malaga | 1 | ||||||||||
| 19792 | Rafael | Diaz | ;Hola, Señor Albeniz! | Zuspiel / Tonband, 4 perf | Stereo | 4 sax [Saxophon] | PS C. Malaga | 0 | |||||||||||
| 33247 | Rafael | Diaz | Inerte | Zuspiel / Tonband, 1 perf | 8:00 | perc [Schlagzeug] | 0 | ||||||||||||
| 19789 | Rafael | Diaz | La Elipse del Grito | Zuspiel / Tonband, 1 perf | Stereo | trbn [Posaune] | PS C. Malaga | 0 | |||||||||||
| 19782 | Rafael | Diaz | La Fiesta nacional | fixed media, akusmatisch | 28 | Stereo | PS C. Malaga | 0 | |||||||||||
| 19783 | Rafael | Diaz | Li - Po | fixed media, akusmatisch | 25 | Stereo | PS C. Malaga | 0 | |||||||||||
| 33256 | Rafael | Diaz | Misa de Andalucía | fixed media, akusmatisch | 38 | 0 | |||||||||||||
| 19794 | Rafael | Diaz | Misa Flamenca | Zuspiel / Tonband, 2 groups | Stereo | 2 ch [Chor] | PS C. Malaga | 0 | |||||||||||
| 19795 | Rafael | Diaz | ;pasodoble! | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | PS C. Malaga | 0 | |||||||||||
| 19785 | Rafael | Diaz | Perfil de la blanca Luna | Zuspiel / Tonband, 1 perf | Stereo | va [Viola] | PS C. Malaga | 0 | |||||||||||
| 19784 | Rafael | Diaz | Perfil de Mujer que Baila | Zuspiel / Tonband, 1 perf | Stereo | gui [Gitarre] | PS C. Malaga | 0 | |||||||||||
| 19786 | Rafael | Diaz | Perfil de un Poema | Zuspiel / Tonband, 2 perf | Stereo | vn, db [Violine, Kontrabass] | PS C. Malaga | 0 | |||||||||||
| 19788 | Rafael | Diaz | Perfil del Agua, Perfil del Viento | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | PS C. Malaga | 0 | |||||||||||
| 19787 | Rafael | Diaz | Perfil rn Azul | Zuspiel / Tonband, 1 perf | 7 | Stereo | cl [Klarinette] | PS C. Malaga | 0 | ||||||||||
| 33255 | Rafael | Diaz | ¡ Picassoooh ! | fixed media, akusmatisch | 35 | 0 | |||||||||||||
| 33257 | Rafael | Diaz | Por, Para; hacia… | fixed media, akusmatisch | 18 | 0 | |||||||||||||
| 33258 | Rafael | Diaz | Reality show | fixed media, akusmatisch | 6:00:00 | AMEE/ | 0 | ||||||||||||
| 33250 | Rafael | Diaz | Segundo movimiento de…(homenaje a José Andreu) | Zuspiel / Tonband, 1 perf | 8:00 | vc [Cello] | 0 | ||||||||||||
| 19651 | Rafael | Diaz | Silenzio ondulado | 1993 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | cl [Klarinette] | LIEM CDMC Madrid, PS C. Malagad | 0 | |||||||||
| 33246 | Rafael | Diaz | Smile | Zuspiel / Tonband, 1 perf | 9:00 | gui [Gitarre] | 0 | ||||||||||||
| 33254 | Rafael | Diaz | Sobre Pájaros y Flores (DVD) | Zuspiel / Tonband, 1 perf | 9:00 | tpt [Trompete] | 0 | ||||||||||||
| 33245 | Rafael | Diaz | Soy | live-elec, 2 perf | cl, MIDI [Klarinette, synthesizer] | 0 | |||||||||||||
| 19793 | Rafael | Diaz | Yo, Amadeo | Zuspiel / Tonband, 1 group | Stereo | ch [Chor] | PS C. Malaga | 0 | |||||||||||
| 23936 | Sergio, Alfonso | Diaz, Feeley | Biósfera | 1983 | fixed media, akusmatisch | Compuesta con motivo del XV aniversario de la carrera de Tecnología del Sonido. Agosto 1983. Sala Isidora Zegers. Santiago, Chile. |
0 | ||||||||||||
| 40043 | Marco | Dibeltulu | C’era una volta | 2015 | fixed media, akusmatisch | 6:20:00 | Marco Dibeltulu | 0 | |||||||||||
| 41407 | Marco | Dibeltulu | Nello spazio sommerso | fixed media, akusmatisch | Sguardo Contemporaneo | 0 | https://www.ckcufm.com/ | ||||||||||||
| 42876 | Marco | Dibeltulu | Sguardo contemporaneo | 2013 | fixed media, akusmatisch | 7:35:00 | 0 | ||||||||||||
| 39805 | Gary | DiBenedetto | Battle | 2016 | fixed media, akusmatisch | Gary DiBenedetto | 0 | ||||||||||||
| 39803 | Gary | DiBenedetto | “Exploitation” (A VIDEO SYNOPSIS) | 2017 | audiovisuell | Gary DiBenedetto | 0 | ||||||||||||
| 39806 | Gary | DiBenedetto | Improvisation on A Drop in the Bucket | 2015 | fixed media, akusmatisch | 5:00:00 | Gary DiBenedetto | 0 | |||||||||||
| 41811 | Gary | DiBenedetto | Knock and the Door Shall Be Opened | 2001 | fixed media, akusmatisch | 4:00:00 | codemist ICMC2001/ | 0 | |||||||||||
| 39804 | Gary | DiBenedetto | Pinball machine | 2017 | Klangkunst, Installation | Gary DiBenedetto | 0 | ||||||||||||
| 43062 | Gary | DiBenedetto | Spool Winder | 2013 | Klangkunst, Installation | Location: Onsite Spool Winder has a kinetic component, powered manually | 0 | ||||||||||||
| 36401 | Paul | Dibley | Thalis | 1999 | fixed media, akusmatisch | Kiasma 1999/ | 0 | ||||||||||||
| 24183 | Paul | Dibley | The Ciné Projector | 2002 | fixed media, akusmatisch | 4:44 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 38816 | Sebastian | Dicenaire | Pamela Episode 1 | 2015 | radiophon | 10:35 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | |||||||||||
| 38817 | Sebastian | Dicenaire | Pamela Episode 2 | 2015 | radiophon | 11:44 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | |||||||||||
| 21140 | Leo | Dick | Faites vos jeux…: … rien ne va plus! | 1999 | fixed media, akusmatisch | 5:30 | 5 tracks | TU Berlin | 21.7.1999 | Parochialkirche Berlin | 1 | ||||||||
| 4069 | Peter | Dickinson | Sonatas for piano & tape | 1987 | Zuspiel / Tonband, 1 perf | 20:00 | p [Piano] | 0 | |||||||||||
| 4070 | Stephen | Dickman | Variations on Impermanence | 1966 | fixed media, akusmatisch | Stereo | Uni Waltham | 0 | |||||||||||
| 40249 | Simon | Dickopf | Spheroid | 2017 | audiovisuell | Simon Dickopf | 0 | ||||||||||||
| 4071 | Yann | Diederichs | ASbr | 1976 | fixed media, akusmatisch | 22:30 | IPEM Gent | 0 | |||||||||||
| 4072 | Yann | Diederichs | Aux levres du nid, le silence | 1984 | fixed media, akusmatisch | 8:00 | Stereo | INA • GRM | 0 | ||||||||||
| 4073 | Yann | Diederichs | Ervuzyon | 1976 | fixed media, akusmatisch | 18:00 | IPEM Gent | 0 | |||||||||||
| 4074 | Yann | Diederichs | It should not be forgotten | 1981 | fixed media, akusmatisch | 6:14 | Stereo | IPEM Gent | 0 | ||||||||||
| 4075 | Yann | Diederichs | La memoire des Voutes | 1986 | fixed media, akusmatisch | 15:08 | Stereo | INA • GRM | 0 | ||||||||||
| 4076 | Yann | Diederichs | Servéné | 1984 | Zuspiel / Tonband, 1 perf | 4:48 | vn [Violine] | IPEM Gent | 0 | ||||||||||
| 4077 | Yann | Diederichs | Thought -sound-from Kashgar | 1976 | fixed media, akusmatisch | 19:00 | IPEM Gent | 0 | |||||||||||
| 4078 | Yann | Diederichs | Trois Interpolations | 1981 | fixed media, akusmatisch | 8:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 4079 | Yann | Diederichs | Uzyon | 1976 | fixed media, akusmatisch | 7:52 | IPEM Gent | 0 | |||||||||||
| 4080 | Yann | Diederichs | Vi 47 R | 1974 | fixed media, akusmatisch | 23:20 | Stereo + Stereo | IPEM Gent | 0 | ||||||||||
| 31770 | Gregor | Diekmann | GD_03_RE_08 | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31771 | Gregor | Diekmann | TorchonChiffonCarpette | 2009 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31772 | Gregor | Diekmann | Unterbrochen Abgelöst | 2009 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 42336 | Natacha | Diels | Das msuic for lonely people | 2019 | live-elec, 5 perf | fl, cl, hp, perc, elec [Flöte, Klarinette, Harfe, Schlagzeug, elektronik] | Deutschlandfunk Kultur | 19.1.2019 | Ultraschall Berlin 2019 Radialsystem V, Ensemble Adapter | 0 | |||||||||
| 4081 | Christian | Diendorfer | tell plurabell | 1987 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
10:30 | Stereo | p [Piano] | txtcompo. Synclavier | TU Berlin | Auszeichnung ars electronica 1987 | 1 | http://archive.aec.at/prix/showmode/20510/ | ||||||
| 4082 | Glen | Diener | Quatre images sur le nom de Bach | 1982 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 4083 | Jacques | Diennet | 211 Jours Après Le Printemps | 1991 | fixed media, akusmatisch | Film |
16:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 25876 | Jacques | Diennet | Arrêt sur image-moment 1 | 2004 | fixed media, akusmatisch | 18:43 | LDC 2781133 Compendium 2004/ | IMEB Bourges | 1 | ||||||||||
| 4084 | Jacques | Diennet | Aubrac-Les-Quatre-Canaux | 1984, 1985 | Zuspiel/Tonband, 1 perf | live-elec, 1 perf |
20:15 | Stereo | perc [Schlagzeug] | Synclavier | GMEM AL 03 LP/ | GMEM Marseille | 0 | |||||||
| 4085 | Jacques | Diennet | Aubrac-Sur-Maguelonne | 1982, 1985 | Zuspiel/Tonband, 2 perf | live-elec, 2 perf |
29:55 | Stereo | perc, Kbd [Keyboard, Schlagzeug] | Synclavier | GMEM AL 03 LP/ | GMEM Marseille | 0 | |||||||
| 4086 | Jacques | Diennet | Création Mondiale | 1978 | fixed media, akusmatisch | 10:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4087 | Jacques | Diennet | De La Musique Pour Le Feu | 1989 | intermedia | 20:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4088 | Jacques | Diennet | Drame Banal | 1981 | fixed media, akusmatisch | Tanz, live-elec, |
60:00 | Stereo | Synclavier | GMEM Marseille | 0 | |||||||||
| 4089 | Jacques | Diennet | Espace réel, espace virtual | 1976 | fixed media, akusmatisch | GMEM Marseille | 0 | ||||||||||||
| 4090 | Jacques | Diennet | Etoffe | 1979 | fixed media, akusmatisch | GMEM Marseille | 0 | ||||||||||||
| 4091 | Jacques | Diennet | Facile Pour Cécile | 1984 | Zuspiel/Tonband, 3 perf | live-elec, 3 perf |
16:00 | Stereo | Sp, p, mar, [Sprecher, Piano, Schlagzeug] | Synclavier | HA 2035/ ART 2035/ | GMEM Marseille | 0 | |||||||
| 4092 | Jacques | Diennet | La Paix Des Etoiles | 1982 | Zuspiel/Tonband, 1 perf | live-elec, 1 perf |
41:00 | Stereo | fl [Flöte] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4093 | Jacques | Diennet | Le Pré De Madame Carle | 1989 | fixed media, akusmatisch | Film |
14:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4094 | Jacques | Diennet | Mante | 1983 | Zuspiel/Tonband, 5 perf | live-elec, 5 perf |
38:00 | Stereo | ap, S, hn, b-cl, gui [Sopran, Klarinette, Horn, Gitarre] | Synclavier | HA 2035/ ART 2035/ | GMEM Marseille | 0 | |||||||
| 4095 | Jacques | Diennet | Métaphores Echouées | 1991 | fixed media, akusmatisch | Film |
16:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4096 | Jacques | Diennet | Noces De Sang | 1988 | fixed media, akusmatisch | Theatermusik |
43:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4097 | Jacques | Diennet | Nuit Presque Noire | 1991 | live-elec, 5 perf | 43:00 | Stereo | 2 db, p, disklavier, perc [Piano, Schlagzeug, Kontrabass] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4098 | Jacques | Diennet | Palmyre | 1980 | live-elec, 1 perf | 11:00 | Stereo | com [computer] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4099 | Jacques | Diennet | Panta Rei | 1984 | fixed media, akusmatisch | live-elec, 1 perf |
29:00 | Stereo | com [computer] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4100 | Jacques | Diennet | Penché Au Bord De La Côte Escarpée | 1987 | fixed media, akusmatisch | Tanz |
18:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4102 | Jacques | Diennet | Suite Concertante | 1980 | fixed media, akusmatisch | live-elec, 1 perf |
18:00 | Stereo | com [computer] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4103 | Jacques | Diennet | Ubris-Tropiques | 1987 | Zuspiel/Tonband, 2 perf | live-elec, 2 perf |
40:00 | Stereo | p, db [Piano, Kontrabass] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4104 | Jacques | Diennet | Un Avion Presque Au Milieu Du Lac | 1988 | fixed media, akusmatisch | Tanz |
21:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4101 | Jacques, Frank | Diennet, Royon Le Mée | Soap Opera / Opera Soupe | 1979 | Musiktheater | 45:00 | Stereo | GMEM Marseille, CIRM Nice | 0 | ||||||||||
| 36551 | Christof | Dienz | AMPLIFLY | 2007 | live-elec, 6 perf | 12:33 | a-sax, vn, db, p, perc, amp gui [Saxophon, Piano, Gitarre, Schlagzeug, Violine, Kontrabass] | WWE 1CD 20280 / | 0 | ||||||||||
| 4105 | Joel | Diermaier | SUBITO | 1993 | Zuspiel / Tonband, 1 perf | 10:00 | perc [Schlagzeug] | SEM Salzburg | 0 | http://joeldiermaier.com/src/web/composer/front/index.php?i_ca_id=294 | |||||||||
| 24119 | Joel | Diermaier | Waterside Trio, op. 31 | 1998/2004 | Zuspiel / Tonband, 3 perf | ≈ 15:00 | Octo | fl, vc, prep p [Flöte, Piano, Cello] | Tempo Reale Firenze | 0 | |||||||||
| 37591 | Bill | Dietz | L‘école de la claque | 2017 | Performance | SWR | 19.-22.10.2017 | Donaueschinger Musiktage 2017, Stadtbibliothek Donaueschingen | 0 | ||||||||||
| 25877 | Santiago | Diez Fischer | Krytalis | 2004 | fixed media, akusmatisch | 7:52 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 34400 | Santiago | Diez Fischer | No Clarinet Input | 2011 | live-elec, 1 perf | 6:02 | cl [Klarinette] | CMMAS/ | 0 | ||||||||||
| 35685 | Santiago | Díez Fischer | El cuarto en espiral | 2007 | fixed media, akusmatisch | 11:08 | 0 | ||||||||||||
| 35686 | Santiago | Díez Fischer | La caja Lucida | 2006 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 35687 | Santiago | Díez Fischer | Le bruit involuntaire | 2009 | Zuspiel / Tonband, 1 perf | 09:13 | vc [Cello] | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | |||||||||
| 35688 | Santiago | Díez Fischer | Memorias | 2006 | fixed media, akusmatisch | 6:29 | 0 | ||||||||||||
| 35689 | Santiago | Díez Fischer | Sombras Blancas | 2006 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 25466 | Santiago | Díez Fischer | Tynajas | 2004 - 2005 | fixed media, akusmatisch | 11:33 | miso records mcd 016.07/ | 2005 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | ||||||||||
| 19622 | Consuelo | Diez | El Azul está prohibido | 1990 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | LINCE-CAM Madrid | 0 | ||||||||||
| 19652 | Consuelo | Diez | IRO | 1994 | Zuspiel / Tonband, 4 perf | 8:12 | Stereo | cl, va, gui, p [Klarinette, Piano, Gitarre, Viola] | LIEM CDMC Madrid | 0 | |||||||||
| 19653 | Consuelo | Diez | Isla de Fuego | 1995 | Zuspiel / Tonband, 6 perf | 13:10 | Stereo | 4 sax, p, perc [Saxophon, Piano, Schlagzeug] | LIEM CDMC Madrid | 0 | |||||||||
| 22815 | Consuelo | Diez | Jungle city | 1986 | fixed media, akusmatisch | 9:10 | Synthesizers | HyCD-11/ | CCEM Hartford | 1 | |||||||||
| 22814 | Consuelo | Diez | Milenium | 1987 | fixed media, akusmatisch | 2:20 | Synclavier II | HyCD-11/ | CCEM Hartford | 1 | |||||||||
| 19306 | Consuelo | Diez | RIo IRo | 1995 | fixed media, akusmatisch | 2:22 | música electroacústica española 1/ | LIEM CDMC Madrid | 1 | ||||||||||
| 4106 | Consuelo | Diez | S.Q. | 1990 | fixed media, akusmatisch | 10:47 | Stereo | hyCD-11/ | LIEM CDMC Madrid | 1 | |||||||||
| 22817 | Consuelo | Diez | Sabor a Cristal, Mujeres Olvido interno Maternidad Finale |
1991/1992 | fixed media, akusmatisch | 38:00 | 4 parts: 1. Mujeres (14:27), 2. Olvido interno (7:55), 3. Maternidad (13:05), 4. Finale (2.20) | HyCD-11/ | LIEM CDMC Madrid | 1 | |||||||||
| 20092 | Consuelo | Diez | Saxo, mentiras y cinta de audio | 1995 | Zuspiel / Tonband, 1 perf | 4:18 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | LIEM CDMC Madrid | 0 | ||||||||
| 22816 | Consuelo | Diez | Script | 1987 | fixed media, akusmatisch | 6:20 | Synclavier II (Script!) | HyCD-11/ | CCEM Hartford | 1 | |||||||||
| 22813 | Consuelo | Diez | Tu y yo (from Sabor a cristal ) | 1987 | fixed media, akusmatisch | 3:17 | Synclavier II | HyM-1, Hyades Arts, New Intrumental Music from Spain Vol.1/ HYCD-11/ | CCEM Hartford | 0 | |||||||||
| 4107 | Consuelo | Diez | Vida (Homage à Luigi Nono) | 1990 | fixed media, akusmatisch | 5:32 | UM CD 7 Vol. I/ | LIEM CDMC Madrid | 0 | ||||||||||
| 4108 | James | Dillon | Introïtus | 1990 | Zuspiel, live-elec, 1 group | 27:00 | ens [Ensemble] | IRCAM | Peters | 0 | |||||||||
| 4109 | Apostolos | Dimitrakopoulos | Chordae in vitro | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 32744 | Jannis | Dimitrescu | Solara | Zuspiel / Tonband, 2 perf | b-tuba, db [Tuba, Kontrabass] | 0 | |||||||||||||
| 4110 | Georgi | Dimitriev | Adagio | 1990 | fixed media, akusmatisch | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||||
| 4111 | Bojidar | Dimov | Continuum III, …und Frieden und Krieg und Frieden und… | 1981 | fixed media, akusmatisch | 13:15 | Quadro | HfMT Köln CD6/ | HfMT Köln | 1 | |||||||||
| 27784 | Thomas | Dimuzio | 4 Poles | 1997 | fixed media, akusmatisch | 3:58 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 20093 | Thomas | Dimuzio | Baby-Push | 1997 | fixed media, akusmatisch | 4:17 | Stereo | MIDI, industrielle | OS CD 20/ | 0 | http://www.thomasdimuzio.com/ | ||||||||
| 27791 | Thomas | Dimuzio | Don’t shop my skulls | fixed media, akusmatisch | 0:20 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | ||||||||||
| 27788 | Thomas | Dimuzio | Hinge Map Ridge | 1994 | fixed media, akusmatisch | 7:12 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27786 | Thomas | Dimuzio | Lightswitch | 1990 | fixed media, akusmatisch | 12:40 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27792 | Thomas | Dimuzio | M375 | 2004 | fixed media, akusmatisch | 4:00 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27789 | Thomas | Dimuzio | Monaural | 1999 | fixed media, akusmatisch | 3:10 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27781 | Thomas | Dimuzio | Never Steven | 1993 | fixed media, akusmatisch | 5:42 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27782 | Thomas | Dimuzio | Radiotraces | 1999 | fixed media, akusmatisch | 5:18 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27790 | Thomas | Dimuzio | Turnkey (Onionhouse) | 2001 | fixed media, akusmatisch | 1:00 | Stereo | RER TD2 "SLEW" GENCH/ | 0 | http://www.thomasdimuzio.com/ | |||||||||
| 27783 | Thomas | Dimuzio | Usher Substart | 1994 | fixed media, akusmatisch | 4:20 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27787 | Thomas | Dimuzio | Yard | 1994 | fixed media, akusmatisch | 2:45 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 20094 | Thomas | Dimuzio | Zero Tolerance | 1997 | fixed media, akusmatisch | 6:02 | Stereo | MIDI, industrielle | RRRecords CD 21/ | 1 | http://www.thomasdimuzio.com/ | ||||||||
| 27785 | Thomas | Dimuzio | Zosz | 1991 | fixed media, akusmatisch | 7:10 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 4112 | Violeta | Dinescu | New Rochelle I, II, III, IV, V, VI, VII | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | GES Vierzon | 0 | ||||||||||
| 41806 | Violeta | Dinescu | Quasaar Paal 2 | 1985 | live-elec, 1 perf | vc, (com) [Cello] | 0 | ||||||||||||
| 41805 | Violeta | Dinescu | SELF REFLECTIONS I & II, Reflections I/II | 1996 - 1997 | Zuspiel / Tonband, 1 perf | 12:22 | p [Piano] | SCD 28040 Sargasso/ | 0 | ||||||||||
| 39357 | Chen | Ding-Lian | Tumble | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 29427 | Hendrik | Dingler | Cats lost in Space | 2012 | Film | Eva Münnich | 0 | ||||||||||||
| 29434 | Hendrik | Dingler | Crunchy Snow | 2010 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 29437 | Hendrik | Dingler | Luftangriff | 2006 | Klangkunst, Installation | Stereo | Darmstadt | 0 | |||||||||||
| 29428 | Hendrik | Dingler | nicht gerendert | 2010 | audiovisuell | Stereo | 0 | http://vimeo.com/24262948 | |||||||||||
| 29436 | Hendrik | Dingler | Planet C.A.M.E.L. | 2006 | Film | (Judith Shu Ritter, 2006, Gewinner der CAMEL.CREATIV.CHALLENGE) | 0 | ||||||||||||
| 29430 | Hendrik | Dingler | Rrumpff tillff toooo? | 2011 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 29429 | Hendrik | Dingler | Ruhrlautsonate | 2010 | Zuspiel, live-elec, 6 perf | Quadro | 6 Sp, (elec) [Sprecher] | Text und Inszenierung: Bruno Klimek | 0 | ||||||||||
| 29435 | Hendrik | Dingler | Suite No. 2 Op. 64c & ein Zwerg der linkisch auf missgestalteten Beinen herum hüpft, “Suite No. 2 Op. 64c & a dwarf, who jumps around bumbling on amorphic legs” | 2009 | Performance | Quadro | 3 perf (Schallplattenspieler, Turntablist) [Performer] | 0 | |||||||||||
| 29432 | Hendrik, Kerim | Dingler, Karaoglu | Quadrangle A/V | 2010 | Klangkunst, Installation | (Griduo, Sebastian Neitsch, Kerim Karaoglu und Hendrik Dingler, 2010) | ICEM Essen | SANAA Gebäude (Weltkulturerbe Zollverein/Essen). | 0 | ||||||||||
| 29431 | Hendrik, Kerim | Dingler, Karaoglu | Quadrangle-Ouvertüre | 2010 | fixed media, akusmatisch | Quadro | Kerim Karaoglu und Hendrik Dingler | 0 | |||||||||||
| 29433 | Hendrik, Jürgen H. | Dingler, Stutzinger | Hast Du Töne | 2010 | fixed media, akusmatisch | Quadro | (Jürgen H. Stutzinger und Hendrik Dingler, 2010) | 0 | |||||||||||
| 40055 | Marissa | DiPronio | Eukaryote | 2017 | fixed media, akusmatisch | Marissa DiPronio | 0 | ||||||||||||
| 4113 | Gerardo | Dirie | Tu casa o este oceano | fixed media, akusmatisch | 0 | ||||||||||||||
| 34424 | Tom | Dissevelt | Checkpoints, Fantasy in Orbit | 1964 | fixed media, akusmatisch | 42 | Mono | 14 parts. Working Title is Checkpoints. Published Title is Fantasy in Orbit. | PHI 633302/ | STEM Utrecht | Philips Phonographic Industries | 0 | |||||||
| 34442 | Tom | Dissevelt | El. Amusementsmuziek Nr. I El. Amusementsmuziek Nr. II El. Amusementsmuziek Nr. III El. Amusementsmuziek Nr. IV, Amusementsmuziek Electronische Amusementsmuziek |
1958/1959 | fixed media, akusmatisch | Mono | few versions with popular music! | Philips Laboratories Eindhoven | 0 | ||||||||||
| 4114 | Tom | Dissevelt | Electronic movements Nr. I - IV, Whirling Syncopation Drifting Vibration |
1958 - 1959 | fixed media, akusmatisch | 12:00 | Mono | partly popular Music, also dodecaphonic! Whirling was the first el. piece by Dissevelt. ≈ „El. Amusementsmuziek“ |
PHI 430736 PE/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Syncopation excerpt.mp3 | |||||||
| 36788 | Tom | Dissevelt | Electronische Muziek | fixed media, akusmatisch | Philips Laboratories Eindhoven | 0 | |||||||||||||
| 4115 | Tom | Dissevelt | Fantasy in Orbit, Ignition Atlantic Spearhead Zanzi Anchor Vhains Tropicolour Gamelan Woomerangs Waltzing Mathilda Pacific Dawn Gold and Lead Mexican Mirror Seconds to Eternity Re-Entry |
1963 | fixed media, akusmatisch | 42:48 | Mono | 14 parts. Release on Philips LP „… marked the end of Philips involvement in electronic music production in the Netherlands“ (Tazelaar „On the Threshold of Beauty“ page 229). |
PHI 840233/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 3/ PHS 600-189/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ Boomkat bundle_49/ PHI 633302/ | STEM Utrecht | Philips Phonographic Industries | 1 | http://thresholdofbeauty.com/music excerpts/Ignition excerpt.mp3 | ||||||
| 4117 | Tom | Dissevelt | Intersection, Twilight Ozone | 1961 | Zuspiel / Tonband, 1 group | 5:30 | Mono | ens (jazz orc) [Ensemble] | „fantasy for electronic sound and jazz orchestra“. Included in this piece is a 12-tone Composition for "The Skymasters Orchestra". There is also an early Version (6:45) Last appearance of Raaijmaker’s Kid Baltan |
Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ PHI 430791/ | Philips Laboratories Eindhoven, STEM Utrecht | AVRO radio | 1 | http://thresholdofbeauty.com/music excerpts/Intersection excerpt.mp3 | |||||
| 13419 | Tom | Dissevelt | Quiz Tune for VARA Television | 1958 | intermedia | 0:30 | Mono | Pausenzeichen | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | Philips Laboratories Eindhoven | 1 | ||||||||
| 34443 | Tom | Dissevelt | Skymasters Tape and Band, Stuk voor Electronische Klanken in Skymasters |
1958/1959 | fixed media, akusmatisch | 5:25 | Mono | popular music! | Philips Laboratories Eindhoven, STEM Utrecht | 0 | |||||||||
| 34425 | Tom | Dissevelt | Stuk I - VIII, Stuk I Stuk II Stuk III Stuk IV Stuk V Stuk VI Stuk VII Stuk VIII |
1963 | fixed media, akusmatisch | 24 | Philips Laboratories Eindhoven, STEM Utrecht | 0 | |||||||||||
| 40927 | Tom | Dissevelt | Whirling | 1958 | fixed media, akusmatisch | popular music | Philips Laboratories Eindhoven | 1 | |||||||||||
| 4118 | Paul-Heinz | Dittrich | Action - Reaction | 1975 - 1976 | Zuspiel, live-elec, 2 perf | 15:15 | Stereo | ob, synt [Oboe, synthesizer] | Synthi AKS | WER 62692/ | ExpSt Warsaw, PS Rödger, Radio DDR Leipzig | 10.10.1975 | Berlin Apollo-Saal, B. Glaetzner, E. Rödger | Breitkopf & Härtel | 1 | 1990 | http://www.scheinschlag.de/archiv/2003/04_2003/texte/20.html | ||
| 32703 | Paul-Heinz | Dittrich | Bruch-Stücke | 1987 | Zuspiel / Tonband, 1 perf | 10 | Stereo | trbn [Posaune] | TIP Berlin | 27.1.1987 | Halle; Schenker & Rödger | DVfM | 0 | ||||||
| 4119 | Paul-Heinz | Dittrich | Cantus II, unum necessarium | 1977 | Zuspiel, live-elec, 2 perf, 1 group | ≈ 25:00 | Quadro | S, vc, orc, (synt) [Sopran, Cello, Orchester] | nach Texten von Paul Eluard, Ralph Winkler. | WDR SEM | WDR 1977 | 30.9.1977 | WDR Köln, Roswitha Trexler, Otto Liesmann, RSO Köln, Ltg. Eötvös | UE | 0 | ||||
| 4120 | Paul-Heinz | Dittrich | Die anonyme Stimme | 1971 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | ob, trbn [Oboe, Posaune] | after texts by S. Beckett (wie es ist) | Akademie der Wissenschaften Berlin | 3.11.1972 | Stuttgart, Holliger, Globokar | UE | 0 | |||||
| 4121 | Paul-Heinz | Dittrich | Engführung, Kammermusik 4. Fassung | 1981 | Zuspiel, live-elec, 14 perf, 1 group | 60:00 | Stereo | S, 6 V, 6 ins, synt, orc [Sopran, Stimme, Instrument, synthesizer, Orchester] | nach Texten von Paul Celan, Paul-Heinz Dittrich. Ein Werk über den Holocaust | edel 0013052 BC Berlin Classics/ DMR Musik in Deutschland 1950 - 2000; Neue Musik in der DDR/ | Experimentalstudio für Akustische Kunst Freiburg | 16.10.1981 | Donaueschingen; S. v. Osten, SWF-Orc, schola cantorum | Peters | 0 | ||||
| 4122 | Paul-Heinz | Dittrich | Kammermusik I | 1970 | Zuspiel / Tonband, 5 perf | 15:00 | Stereo | fl, ob, cl, bn, p [Flöte, Klarinette, Oboe, Fagott, Piano] | HfM Hanns Eisler, Akademie der Wissenschaften Berlin | 18.2.1971 | Berlin, Apollo-Saal, 3. Bienale | UE | 0 | ||||||
| 22767 | Paul-Heinz | Dittrich | Kammermusik II | 1973 | Zuspiel / Tonband, 3 perf | 25:00 | ob, vc, p [Oboe, Piano, Cello] | Nova 885111/ | ExpSt Warsaw | 15.5.1974 | Berlin, Apollo-Saal, Glaetzner, Weber, Erber (aulos-trio) | UE | 1 | ||||||
| 4123 | Paul-Heinz | Dittrich | Kammermusik IV | 1977 | live-elec, 9 perf | 25:00 | Quadro | S, fl, cl, vc, vn, gui, p, perc, synt [Sopran, Flöte, Klarinette, Piano, Gitarre, Schlagzeug, Cello, Violine, synthesizer] | text after Paul Celan | TIP Berlin | 4.2.1978 | Berlin, DDR-Musiktage; R. Trexler, Tast, Schramm, Scheitzbach, Däunert, Rumstig, Altendorf, Rödger | Breitkopf & Härtel | 0 | |||||
| 4124 | Paul-Heinz | Dittrich | Kammermusik IX, … Und ihr gedenket meiner … | 1989 | Zuspiel / Tonband, 6 perf | 25:00 | Stereo | fl, cl, vc, hpd, perc, Sp [Sprecher, Flöte, Klarinette, Cembalo, Schlagzeug, Cello] | text from Hölderlin, J. Teboul | TIP Berlin, AdK Berlin | DVfM | 0 | |||||||
| 4126 | Paul-Heinz | Dittrich | Kammermusik V | 1976/1977 | live-elec, 6 perf | 20:00 | fl, ob, cl, hn, bn, synt [Flöte, Klarinette, Oboe, Fagott, Horn, synthesizer] | synt EMS | Nova 885151/ | TIP Berlin | 11.6.1977 | Berlin, Apollo-Saal; Bläservereinigung Berlin, Rödger | Peters | 1 | |||||
| 4127 | Paul-Heinz | Dittrich | Konzert Nr. 3 | 1978 | Zuspiel, live-elec, 2 perf | ins, synt [Instrument, synthesizer] | Radio DDR | 0 | |||||||||||
| 4128 | Paul-Heinz | Dittrich | Menetekel | 1993 | Zuspiel / Tonband, 17 perf | 40:00 | S, T, Sp, 2 tpt, 2 trbn, perc, org, 8 V [Sopran, Tenor, Sprecher, Stimme, Trompete, Posaune, Orgel, Schlagzeug] | AdK Berlin | 0 | ||||||||||
| 4129 | Paul-Heinz | Dittrich | Motette | 1980 | Zuspiel / Tonband, 2 perf | 17:00 | Quadro | 2 gui [Gitarre] | Nova 885262/ | TIP Berlin | 17.11.1980 | TIP Berlin; Richter, Rumstig, Rödger | Verlag Neue Musik Berlin | 1 | |||||
| 4130 | Paul-Heinz | Dittrich | Musik | 1972 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 4131 | Paul-Heinz | Dittrich | qua-sie | 1971 | Zuspiel / Tonband, 5 perf | 14:00 | 2 Sp, cl, vc, p [Sprecher, Klarinette, Piano, Cello] | 0 | |||||||||||
| 27509 | Paul-Heinz | Dittrich | SA-UM, Dialogue imaginary für Flöte und Live-Elektronik | 2000 | live-elec, 1 perf | 12:46 | fl [Flöte] | DMR Musik in Deutschland 1950 - 2000: Experimentalstaudio SWR/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 4132 | Paul-Heinz | Dittrich | Schlagzeilen | 1970/1971 | Zuspiel / Tonband, 4 perf | 20:00 | Stereo | 2 p, 2 perc [Piano, Schlagzeug] | PS Rödger | 27.4.1972 | Boswil (Schweiz); J. Wyttenbach, Wyttenbach | Breitkopf & Härtel | 0 | ||||||
| 4133 | Paul-Heinz | Dittrich | Spiel | 1986 | live-elec, 16 perf | Stereo | 3 Sp, 3 V, 9 ins, synt [Sprecher, Stimme, Instrument, synthesizer] | TIP Berlin | 17.11.1987 | Berliner Ensemble | 0 | ||||||||
| 4134 | Paul-Heinz | Dittrich | Streichquartett I | 1972 | Zuspiel / Tonband, 4 perf | 18:00 | Stereo | str-qt [Streicher] | AdK Berlin, Akademie der Wissenschaften Berlin | April 1972 | Witten; Gaudeamus-Quartett Hilversum | UE | 0 | ||||||
| 4135 | Paul-Heinz | Dittrich | the - m | 1982 | live-elec, 2 perf | 15:00 | Stereo | bn, synt [Fagott, synthesizer] | nach einem Epigramm von Cummings. Use of long tape-delays; Synthi AKS |
TIP Berlin | 17.12.1982 | TiP Berlin; D. Hähnchen, Rödger | DVfM | 0 | |||||
| 4136 | Paul-Heinz | Dittrich | Vokalblätter | 1973 | Zuspiel / Tonband, 15 perf | S, 12 V, fl, ob [Sopran, Stimme, Flöte, Oboe] | 0 | ||||||||||||
| 33793 | diverse | Composing with Sounds | 2011 - 2013 | Demo, Studie | Works made by students and composers from France, Germany, Greece, Norway, Portugal and the United Kingdom. Contens Container ≈ Program of the 2 CD’s |
Composing with Sounds/ | Uni De Montfort | 0 | http://www.ears2.dmu.ac.uk/ | ||||||||||
| 40924 | diverse | Fantasia | 1940, 1942, 1982 | Film | 124 | Mono or multichannel | with classical music (Bach, Tschaikowksi, Dukas, Strawinski, Beethoven, Ponchieööi, Mussorgsky, Schubert, …) | Walt Disney | 13.11.1940 | Broadway Theater New York, Philadelphia Orchestra, Leopold Stokowski | 0 | https://de.wikipedia.org/wiki/Fantasia | |||||||
| 33873 | diverse | Syrian People Know Their Way | 2012 | audiovisuell | Prix ars electronica 2012/ | Goldene Nica 2012 ars electronica | 0 | ||||||||||||
| 22787 | Group | diverse | Soundscape Brasilia (7 pieces by 12 young composers) | 1994 | fixed media, akusmatisch | 51:00 | im Rahmen eines Projektes des Goethe Instituts unter der Ltg. von H. Westerkamp; Technik von NOS (M. Fahres, van de Poel) | Goethe Institut Brasilia/ | NOS Hilversum | 0 | |||||||||
| 3208 | Group | diverse | Voices End Abruptly | 1985 | fixed media, akusmatisch | Stereo | Blind Hunters: Obscure Japanese Monster Movie / Coda 3 DR AMA: Heap / Convulsive Trance: Birds / Debasement: Starkweather / Fuoku: Kiddin' Carolyn / Human Remains: Life Pours In / Quite Ridiculous Nonsense: Very Loud Silence / Redshift Subunit: Face of the Country / The Haters: Rubber-Gag Poem / The Haters: Winnnak / Words of Anger: Central Station Bombing | CC 007, Chimik Productions/ | 0 | ||||||||||
| 42839 | Greg | Dixon | Cedar Forest | 2013 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 24303 | Jason | Dixon | Strong words, softly spoken | 2001 | fixed media, akusmatisch | 8:30 | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | ||||||||||
| 20095 | , Paul D. | DJ Spooky, Miller | In the Valley of the Shadow … | 1996 | Klangkunst, Installation | 2:23 | Stereo | ASP 0966 / | 0 | ||||||||||
| 38676 | , Paul D. | DJ Spooky, Miller | Terra Nullius | 2010 | radiophon | 51:41 | 0 | ||||||||||||
| 4360 | Vladimir | Djambazov | Dialogu, Dialog | 1981 | Zuspiel / Tonband, 1 perf | 12:00 | Quadro | hn [Horn] | ICEM Essen | 1 | |||||||||
| 4361 | Vladimir | Djambazov | Drum X-tett | 1995 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | PS C. | 0 | ||||||||||
| 4362 | Vladimir | Djambazov | Microsonica, Pizzicati Answer to the Question Barbaro |
1989 | fixed media, akusmatisch | 4:00 | aus dem Zyklus Microsonica | 0 | |||||||||||
| 21168 | Vladimir | Djambazov | MiniMicria for 4 | 1989 | live-elec, 4 perf | Stereo | 2 mar, 2 p [Piano, Schlagzeug] | 0 | |||||||||||
| 4363 | Vladimir | Djambazov | No Contact I | 1986 | fixed media, akusmatisch | 6:53 | Stereo | PS C. | 0 | ||||||||||
| 4364 | Vladimir | Djambazov | No Contact II | 1987 | fixed media, akusmatisch | 6:36 | Stereo | PS C. | 0 | ||||||||||
| 4365 | Vladimir | Djambazov | No Contact III | 1989 | fixed media, akusmatisch | 10:40 | Quadro | mit SynLab produziert | Cybele 960.105, ex machina 5/ | ICEM Essen | 1 | ||||||||
| 21169 | Vladimir | Djambazov | Piano Computrato | 1996 | live-elec, 1 perf | 13:15 | Stereo | p [Piano] | p player | 1 | |||||||||
| 21170 | Vladimir | Djambazov | Praying | 1998 | fixed media, akusmatisch | 13:05 | Stereo | 1998 | Musica Nova Sofia | 1 | |||||||||
| 21167 | Vladimir | Djambazov | …Stillstand der Zeit.. | 1989 | fixed media, akusmatisch | Stereo | speech composition | 0 | |||||||||||
| 27113 | Vladimir | Djambazov | The secret Life of a Can | 2002 | fixed media, akusmatisch | 11:15 | Stereo | LMJ 12 CD/ | PS C. | 0 | |||||||||
| 21171 | Vladimir | Djambazov | The secret Life of a French Horn | 1999 | fixed media, akusmatisch | 11:51 | Stereo | PS C. | 1999 | Musica Nova Sofia | 1 | ||||||||
| 24909 | Vladimir | Djambazov | The Secret Life of a Snare Drum | 2005 | fixed media, akusmatisch | 11:09 | 7 tracks | ed. rz 10016 Inventionen 2005&06/ | TU Berlin | Festival Inventionen DAAD/TU 2005 | 18.6.2005 | Völkerschlachtdenkmal Leipzig Inventionen Villa Elisabeth Berlin |
1 | 2005 | |||||
| 21556 | Vladimir | Djambazov | The secret Life of a Violin | 2000 | fixed media, akusmatisch | 9:52 | PS C. | 1 | |||||||||||
| 4137 | Bogdan | Dlugosz | Etiuda studencka | 1976 | fixed media, akusmatisch | 2:40 | Stereo | SME Krakow | 0 | ||||||||||
| 4138 | Bogdan | Dlugosz | INICJAÒ | 1977 | fixed media, akusmatisch | 5:05 | Quadro | SME Krakow | 0 | ||||||||||
| 4139 | Bogdan | Dlugosz | SHIFT I | 1977 | fixed media, akusmatisch | 7:35 | Stereo | SME Krakow | 1 | ||||||||||
| 4140 | Bogdan | Dlugosz | SHIFT II | 1977 | fixed media, akusmatisch | 10:30 | Quadro | SME Krakow | 0 | ||||||||||
| 33163 | Magdalena | Dlugosz | Abamus | 2003 - 2004 | Zuspiel / Tonband, 1 perf | 13:37 | vc [Cello] | for cello and electroacoustic layer | WJ 2006 polmic 026/ | 1 | |||||||||
| 22126 | Magdalena | Dlugosz | And So And No | fixed media, akusmatisch | 9:10 | Stereo | ExpSt Warsaw | 0 | |||||||||||
| 39051 | Magdalena | Dlugosz | At the source | 1990 - 1991 | fixed media, akusmatisch | 0 | |||||||||||||
| 39060 | Magdalena | Dlugosz | Beyond Silence | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 39050 | Magdalena | Dlugosz | Both Yes and No | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 39054 | Magdalena | Dlugosz | Burlata | 2001 | live-elec, 2 perf | mar, synt [Schlagzeug, synthesizer] | marimbaphon, synthesiser and electronics | 0 | |||||||||||
| 39061 | Magdalena | Dlugosz | DesAcordaR | 2008 | Zuspiel / Tonband, 6 perf | acc, 4 trbn, perc [Posaune, Akkordeon, Schlagzeug] | accordion, 4 trombones, percussion and electroacoustic layer | 0 | |||||||||||
| 4141 | Magdalena | Dlugosz | GEJ, Gay | 1978 | fixed media, akusmatisch | 13:05 | Quadro | 1st version | SME Krakow | 0 | |||||||||
| 4142 | Magdalena | Dlugosz | GEJ, Gay | 1979 | fixed media, akusmatisch | 11:58 | Stereo | 2nd version | SME Krakow | 0 | |||||||||
| 33167 | Magdalena | Dlugosz | Gemisatos | 2005 - 2006 | Zuspiel / Tonband, 1 perf, 1 group | 15:14 | orc, perc [Schlagzeug, Orchester] | for orchestra, percussion and electroacoustic layer | WJ 2007 polmic 037/ SME 2010/ | 1 | |||||||||
| 39058 | Magdalena | Dlugosz | How far...? | 2005 | radiophon | to the poetry of Father Jan Twardowski | 0 | ||||||||||||
| 39052 | Magdalena | Dlugosz | Lenyon | 1994 - 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 4143 | Magdalena | Dlugosz | Mictlan I | 1987 | fixed media, akusmatisch | 12:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 4144 | Magdalena | Dlugosz | Mictlan II | 1987 | Zuspiel, live-elec, 2 perf | 14:20 | Stereo | acc, synt [Akkordeon, synthesizer] | SX 2740/ | ExpSt Warsaw, SME Krakow | 1 | 1990 | |||||||
| 4145 | Magdalena | Dlugosz | Modus | 1979 | fixed media, akusmatisch | 10:23 | Stereo, Quadro | ExpSt Warsaw | 0 | ||||||||||
| 39057 | Magdalena | Dlugosz | Nemini molestus | 2004 - 2005 | radiophon | to the texts by Miko?aj Rej | 0 | ||||||||||||
| 41468 | Magdalena | Dlugosz | Obrarchetto | 2003 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 39055 | Magdalena | Dlugosz | Ombraggio | 2002 - 2003 | Zuspiel / Tonband, | violin and electroacoustic layer | 0 | ||||||||||||
| 39056 | Magdalena | Dlugosz | Ombrarchetto | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 19321 | Magdalena | Dlugosz | Patjan | 1997 | Zuspiel / Tonband, 1 perf | 15:29 | perc [Schlagzeug] | Pilch | Warschauer Herbst '97, Vol. 9/ | 1 | |||||||||
| 4146 | Magdalena | Dlugosz | Pulsations, Pulsacje | 1983 | fixed media, akusmatisch | 9:41 | Stereo | SX 2462/ | EMS Stockholm | 0 | |||||||||
| 4147 | Magdalena | Dlugosz | Quarens | 1977 | fixed media, akusmatisch | 9:10 | Quadro | SME Krakow | 0 | ||||||||||
| 33160 | Magdalena | Dlugosz | Silent Asphodels | 2006 | live-elec, 2 perf | 19:39 | fl, vc [Flöte, Cello] | for flutes, cello and electronics | WJ 2006 polmic 025/ | Polish Radio 2 | 26.9.2006 | Warsaw autumn | 1 | ||||||
| 39049 | Magdalena | Dlugosz | Spatial Arrangement | 1980 | live-elec, | small orc [Orchester] | small orchestra and electronic devices | 0 | |||||||||||
| 39053 | Magdalena | Dlugosz | Tabama | 1997 - 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 22127 | Magdalena | Dlugosz | TaBar | 1998 - 2000 | Zuspiel, live-elec, 1 perf | 14:07 | Stereo | db [Kontrabass] | for electronically transformed double-bass and computer sound layer | WJ 2002/ | ExpSt Warsaw | 1 | |||||||
| 39059 | Magdalena | Dlugosz | to Józef, as a Farewell - 26.X.2005 | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 4148 | Magdalena | Dlugosz | U Zrodla (at the roots) | 1991 | fixed media, akusmatisch | 12:09 | Stereo | EM CD 002/ | CECM Bratislava | 0 | |||||||||
| 4149 | Magdalena | Dlugosz | VISUS | 1977 | Zuspiel / Tonband, 5 perf | 16:30 | Stereo | 5 ins [Instrument] | SME Krakow | 0 | |||||||||
| 33141 | Magdalena | Dlugosz | Zakopane Liryki | 2000 | Zuspiel, live-elec, 1 perf | 12:16 | sax [Saxophon] | for saxophone and computer sound layer. 2 Versions |
WJ 2004/ polmic 008/ SME 1973-2003/ | 1 | |||||||||
| 4150 | Roberto | Doati | 70 viti da legno | 1990/1991 | fixed media, akusmatisch | 5:00 | Stereo | com | PS C. | Competition Musica Nova Prag 1994 | 0 | ||||||||
| 4151 | Roberto | Doati | Deve essere tenuto lontano da fronti di luce | 1985/1986 | fixed media, akusmatisch | 9:00 | Stereo | com | CSC Padova | 0 | |||||||||
| 4152 | Roberto | Doati | Donna che si copre le orecchie per proteggersi dal rumore del tuono | 1992 | Zuspiel/Tonband, 1 perf | computer generated score |
9:30 | Stereo | fl [Flöte] | com | Spaziomusica Cagliari | Auszeichnung ars electronica honorary mention 1993 | 0 | |||||||
| 23292 | Roberto | Doati | Felix Regula IV | 2000 | fixed media, akusmatisch | 13:33 | Stereo | auch andere Versionen mit Instrumenten. | Cybele 960.207 DegeM CD 07/ |
CRFMW Liège | 1 | ||||||||
| 4153 | Roberto | Doati | Gioco di Velocita | 1980/1981 | fixed media, akusmatisch | 6:55 | Stereo | PAN PRC S20-16/ | CSC Padova | RAI | 1 | ||||||||
| 4155 | Roberto | Doati | Una pulce da sabbia | 1981/1982 | fixed media, akusmatisch | 8:00 | Stereo | com | CSC Padova | 0 | |||||||||
| 4156 | Roberto | Doati | Una Storia chimica | 1987/1989 | fixed media, akusmatisch | 15:00 | Stereo | com | CSC Padova | 0 | |||||||||
| 4154 | Roberto, Gianantonio, Daniele | Doati, Patella, Torresan | La materia è sorda | 1983/1984 | radiophon | 14:14 | Stereo | com | CSC Padova | 0 | |||||||||
| 20096 | Tzvetan | Dobrev | Folk Sketches | fixed media, akusmatisch | 30:00 | Stereo | 99202/ | Radio Sofia | 0 | ||||||||||
| 4157 | Tzvetan | Dobrev | Il canto dei Ropodi | 1986 | fixed media, akusmatisch | 13:10 | Radio Sofia | 0 | |||||||||||
| 4158 | Tzvetan | Dobrev | Metamorfosi | 1983 | fixed media, akusmatisch | 20:18 | 99202/ Russolo Pratella EF.ER.P 99/ | Radio Sofia | Prize Russolo Varese 1999 | 0 | |||||||||
| 20097 | Christopher | Dobrian | Entropy | 1991 | fixed media, akusmatisch | 10:15 | Stereo | com con p [Piano] | MIDI | CCRMA/ | 0 | ||||||||
| 4159 | Andrzej | Dobrowolski | Music for Magnetic Tape and Oboe Solo | 1965 | Zuspiel / Tonband, 1 perf | 9:01 | Stereo | ob [Oboe] | Record Muza Z-SN- 567 contains only the tape part and a version oboe + tape. | Muza Z-SN- 567/ PHI 6526006/ IDEAMA CD 016/ Creel Pone 056/ | ExpSt Warsaw | April 1966 22.9.1966 |
Berlin Warsaw autumn |
PWM Edition Krakow 1966, copyright assigned to ZAIKS, Warszawa | 1 | ||||
| 4160 | Andrzej | Dobrowolski | Music for Magnetic Tape and Piano Solo | 1972 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | p [Piano] | Record Muza Z-SN- 568 contains only the tape part and a version piano together with tape. | Muza Z-SN- 568/ BR ES09 bolt Blanc et Rouge/ | ExpSt Warsaw | 21.2.1972 | Warsaw, Andrzej Dutkiewicz (p) | PWM Edition Krakow 1973 (Poland …) & Moeck Verlag Celle 1973 for FRG and rest of the western world | 1 | ||||
| 4161 | Andrzej | Dobrowolski | Music for Magnetic Tape No 1 | 1962 | fixed media, akusmatisch | 5:43 | Mono | Muza ZL. 428/ BR ES09 bolt Blanc et Rouge/ IDEAMA CD 012/ Creel Pone 056/ | ExpSt Warsaw | 1 | |||||||||
| 4162 | Andrzej | Dobrowolski | Music for Strings, 2 Groups of Wind Instruments and 2 LS | 1966 | Zuspiel / Tonband, 1 perf, 3 groups | 4:30 | Stereo | 2 ww-ens, strs [Bläser, Streicher] | ExpSt Warsaw | 0 | |||||||||
| 33165 | Andrzej | Dobrowolski | Music for Strings, Two Groups of Wind I nstruments and Two Loudspeakers | 1967 | Zuspiel / Tonband, 2 perf | 6:41 | Stereo | str, w-ins [Bläser, Streicher] | WJ 2006 polmic 026/ | PWM | 1 | ||||||||
| 4163 | Andrzej | Dobrowolski | Musik für Tonband und Bassklarinette solo | 1980 | Zuspiel / Tonband, 1 perf | 7:52 | Stereo | b-cl [Klarinette] | WP 9.3.1988 Wien | amadeo 427040 Oesterreichische Musik Der Gegenwart: Elektronische Musik 2/ | IEM Graz | 1 | |||||||
| 4164 | Andrzej | Dobrowolski | Musik für Tonband und Kontrabass solo | 1977 | Zuspiel / Tonband, 1 perf | 10:55 | Stereo | db [Kontrabass] | Aspekte 78 Salzburg | IEM Graz | 0 | ||||||||
| 22941 | Andrzej | Dobrowolski | Musik für Tonband und Tuba | 1973 | Zuspiel / Tonband, 1 perf | 12:05 | tuba [Tuba] | Muza SX 1806/ | 1 | ||||||||||
| 4166 | Andrzej | Dobrowolski | Passacaglia für TX 816 | 1988/1989 | fixed media, akusmatisch | 16:00 | Stereo | IEM Graz | 0 | ||||||||||
| 4165 | Andrzej | Dobrowolski | Passacaglia na 40 z 5 | 1959 | fixed media, akusmatisch | 3:30 | Mono | ExpSt Warsaw | 1 | ||||||||||
| 4167 | Andrzej | Dobrowolski | S for S, S za S | 1973 | fixed media, akusmatisch | 6:15 | Stereo | original title "Study for Synthi" | Radio Beograd CD 431333, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | ||||||||
| 4168 | Andrzej | Dobrowolski | Z Przeszlosci (Du bassé) | 1961 | fixed media, akusmatisch | PWM/ | 0 | ||||||||||||
| 4169 | Tod | Dockstader | 8 Electronic Pieces | 1959 - 1960 | fixed media, akusmatisch | 35:27 | Mono | FM 3434/ Locust Music L 36/ | Gotham NY | 0 | |||||||||
| 28039 | Tod | Dockstader | Aerial project, Aerial 1 Aerial 2 Aerial 3 |
2001 - 2003 | fixed media, akusmatisch | 240 | the whole project on 3 CDs SR 223, SR 228, SR 233 SR 200 sub rosa ≈ „Song“ (12:52) |
SR 223 sub rosa/ SR 228 sub rosa/ SR 233 sub rosa/ SR 200 sub rosa/ | Gotham NY | 0 | |||||||||
| 4170 | Tod | Dockstader | Apocalypse, Two Fragments From Apocalypse | 1961 | fixed media, akusmatisch | 19:10 | Stereo | "2 fragments of Apocalypse" (First and Second Fragment) on ST 202 | ST 202, Starkland/ Ellipsis Arts 3671 - OHM: 01/ ORLP 7/ ORLP 6/ | Gotham NY | 1 | http://www.starkland.com/st202/index.htm | |||||||
| 4171 | Tod | Dockstader | Drone | 1962 | fixed media, akusmatisch | 13:25 | Stereo | ST 202, Starkland/ ORLP 7/ | Gotham NY | 0 | |||||||||
| 20098 | Tod | Dockstader | Four Telemetry Tapes | 1965 | fixed media, akusmatisch | 13:14 | Stereo | ST 202, Starkland/ | Gotham NY | 0 | |||||||||
| 42307 | Tod | Dockstader | From the Archives | 2005 - 2008 | fixed media, akusmatisch | 65:50 | ST 226 Starkland/ | 0 | |||||||||||
| 34715 | Tod | Dockstader | Jigjag, and other EM | fixed media, akusmatisch | 1:11 | Stereo | 23 parts | Creel Pone 12/ | 0 | ||||||||||
| 4172 | Tod | Dockstader | Luna Park | 1961 | fixed media, akusmatisch | 11:27 | Stereo | ST 202, Starkland/ ST 203, Starkland/ ORLP 6/ | Gotham NY | 0 | |||||||||
| 4173 | Tod | Dockstader | Quatermass, Song and Lament Tango Parade Flight Second Song |
1964 | fixed media, akusmatisch | 45:55 | Stereo | ST 201, Starkland/ ORLP 8/ Boomkat bundle_158/ | Gotham NY | 0 | http://www.starkland.com/st201/index.htm | ||||||||
| 4174 | Tod | Dockstader | Traveling Music | 1960 | fixed media, akusmatisch | 9:12 | Stereo | ST 202, Starkland/ ORLP 6/ | Gotham NY | 0 | |||||||||
| 42308 | Tod | Dockstader | Two Moons of Quatermass, First Moon Second Moon |
1964 | fixed media, akusmatisch | 8:59 | ST 201, Starkland/ | 0 | |||||||||||
| 4175 | Tod | Dockstader | Water Music | 1963 | fixed media, akusmatisch | 18:05 | Stereo | 6 parts (2:26 + 2:56 + 3:32 + 2:21 + 3:08 + 3:11) | ST 201, Starkland/ ORLP 7/ | Gotham NY | 0 | ||||||||
| 42306 | Tod, David Lee | Dockstader, Myers | Pond | 2004 | fixed media, akusmatisch | ReR TDDM 1/ | 0 | ||||||||||||
| 42305 | Tod, James | Dockstader, Reichert | Omniphony 1 | 1966 | fixed media, akusmatisch | 45 | 5 movements (10:27, 9:40, 2:30, 6:30, 15:30) | ORLP 11/ ReR TODD 1/ | 0 | ||||||||||
| 36543 | Omar | Dodaro | Dialogue in Nature | 2005 | fixed media, akusmatisch | Accademia Musicale Pescarese/ | 0 | ||||||||||||
| 40162 | Omar | Dodaro | Verso | 2017 | fixed media, akusmatisch | Omar Dodaro | 0 | ||||||||||||
| 21086 | Rose | Dodd | Kinderspel | 1996 | fixed media, akusmatisch | 3:00 | SAN 08/99 Sonic arts network/ | 1 | |||||||||||
| 34688 | Rose | Dodd | Transient | 1995 | fixed media, akusmatisch | 7:15 | Stereo | Russolo Pratella EF.ER.P 96/ | Prize Russolo Varese 1996 Competition Musica Nova Prag 1995 |
0 | |||||||||
| 23125 | Carey | Dodge | Sound for "Emporter du Naufrage" | 2001 | Tanz | 5:15 | Quadro | JTTP 2002 | CEC Cache 2002/ | 1 | |||||||||
| 34426 | Charles | Dodge | A Postcard of SONOLOGY, A Postcard from the Volcano | 1986 | Zuspiel / Tonband, 1 perf | 2 | S [Sopran] | ICMC 1986 | Sonology Den Haag, NOS Hilversum | 0 | |||||||||
| 4176 | Charles | Dodge | Any resemblance is purely coincidental | 1980 | Zuspiel / Tonband, 1 perf | 8:01 | Stereo | p [Piano] | voice of Caruso | WER 20312; Computer Music Currents 11/ FTS 37475/ CMJ Vol 07, 1983/ FYLP 1025/ NA 043/ CMJ Vol 30-4, 2006/ | Brooklyn Coll | 1 | |||||||
| 4177 | Charles | Dodge | Changes | 1969 | fixed media, akusmatisch | 15:44 | Fortran-Version of Muisc IVB | nonesuch H 71245/ IDEAMA CD 061/ | Col.Princ EMC | 1 | |||||||||
| 4178 | Charles | Dodge | Earth's Magnetic Field | 1970 | fixed media, akusmatisch | nonesuch H 71250/ NWR 80521/ IDEAMA CD 061/ | Col.Princ EMC | 1 | |||||||||||
| 4179 | Charles | Dodge | Extensions | 1973 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | CRi SD 300/ | Col.Princ EMC | 0 | ||||||||||
| 21891 | Charles | Dodge | Fades, Dissolves, Fizzles | 1996 | fixed media, akusmatisch | 14:00 | LDC 2781115/16/17 opus 30/ | IMEB Bourges, EMS Stockholm, SFU, PS C. | 1 | ||||||||||
| 21550 | Charles | Dodge | He destroyed her Image | 1972 | fixed media, akusmatisch | 2:00 | Ellipsis Arts 3673 - OHM: 03/ | 1 | |||||||||||
| 4180 | Charles | Dodge | In Celebration | 1975 | fixed media, akusmatisch | 8:21 | Centaur CRC 2213, CDCM Vol. 18/ CRi SD 348/ | Columbia Uni Nevis Lab | 1 | ||||||||||
| 4181 | Charles | Dodge | Profile | 1984 | fixed media, akusmatisch | 6:57 | Fraktalen | Neuma 450-73/ | Brooklyn Coll | 1 | |||||||||
| 4182 | Charles | Dodge | Reciprocals | 1967 | Zuspiel / Tonband, 2 perf | 11:40 | Mono | 2 perc [Schlagzeug] | Fortran-Version of Muisc IVB | Col.Princ EMC | 0 | ||||||||
| 4183 | Charles | Dodge | Roundelay | 1985 | Zuspiel / Tonband, | 14:17 | WER 2024-50, Computer Music Currents 4/ | Brooklyn Coll | 1 | ||||||||||
| 4184 | Charles | Dodge | Speech Songs | 1973 | fixed media, akusmatisch | 6:59 | txtcompo | CRi SD 348/ NA 043/ | Col.Princ EMC | 0 | |||||||||
| 20099 | Charles | Dodge | The Waves | Zuspiel / Tonband, 1 perf | 12:42 | Stereo | S [Sopran] | NA 043/ | 0 | ||||||||||
| 20100 | Charles | Dodge | Viola Elegy | Zuspiel / Tonband, 1 perf | 16:18 | Stereo | vn [Violine] | NA 043/ | 0 | ||||||||||
| 4185 | John | Dodge | Cymbal Simon | 1989 | fixed media, akusmatisch | 7:45 | Stereo | Concordia Montréal | 0 | ||||||||||
| 4186 | John | Dodge | Piano, 2X5 | 1988 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 37765 | Luc | Döbereiner | Auflösung | 2017 | live-elec, 1 perf | vc [Cello] | bgnm | 28.10.2017 | Villa Elisabeth Berlin, Festival Sonification, Kairos-Quartett | 0 | |||||||||
| 28735 | Luc | Döbereiner | inexistent | 2012 | live-elec, 1 group | Octo | ens [Ensemble] | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte | 0 | |||||||||
| 32209 | Luc | Döbereiner | K2 | 2009 | live-elec, 1 perf | 9 | p (com) [Piano] | Sonology Den Haag | 0 | ||||||||||
| 42098 | Alfred | Döblin | Die Geschichte vom Franz Biberkopf | 1930 | radiophon | nach dem Roman „Berlin Alexanderplatz“ | Berliner Funk-Stunde (RRG) | 0 | |||||||||||
| 42099 | Alfred, Kai-Uwe | Döblin, Kohlschmidt | Die Geschichte vom Franz Biberkopf | 2007 | radiophon | 81:45 | Patmos Verlag 2007/ | SWR, BR, RBB | 24.6.2007 | SWR | Hörspiel des Monats Juni 2007 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1523081&vi=6&SID | ||||||
| 4187 | Friedhelm | Döhl | Anna K. (Mikrodrama) | 1973/1974 | Zuspiel / Tonband, 3 perf | 15:00 | Quadro | Sp, b-drum, vc [Sprecher, Schlagzeug, Cello] | 0 | ||||||||||
| 4188 | Friedhelm | Döhl | Klang-Szene I | 1970 | live-elec, 1 perf | intermedia |
30:00-120:00 | Stereo | Hammond-org, (lights) [Orgel] | 0 | ||||||||||
| 4189 | Friedhelm | Döhl | Klang-Szene II | 1971 | live-elec, 5 groups | intermedia |
150:00 | 5 ens, (lights) [Ensemble] | 0 | |||||||||||
| 4190 | Friedhelm | Döhl | Medea | 1989/1990 | Oper | EM ?? | 0 | ||||||||||||
| 4191 | Friedhelm | Döhl | Odradek | 1976 | live-elec, 2 perf | 2 p [Piano] | EM ?? | 0 | |||||||||||
| 4192 | Friedhelm | Döhl | Süll | 1972 | Zuspiel / Tonband, 2 perf | 10:00 | Sp, fl [Sprecher, Flöte] | EM ?? | 0 | ||||||||||
| 31773 | Federico | Dörries | Undichte Stellen stopfen | 2003 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31775 | Frederico | Dörries | Bichillos intergalácticos | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31774 | Frederico | Dörries | Der intratranssuborgasmischer U-boot | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31777 | Frederico | Dörries | Gabe – Dos | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31776 | Frederico | Dörries | Violencia Orgánica | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 25813 | Frederico | Dörries | Ya Casi | 2005 | audiovisuell | 8:48 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 0 | ||||||||||
| 31561 | Marco | Döttlinger | jeux-III-B: Ich habe gerade Dinge | 2012/2013 | Performance | ≈ 4-5 | next_generation 5.0 | SEM Salzburg | 26.6.2013 | ZKM | 0 | ||||||||
| 22919 | Douglas | Doherty | Heart of the City | 1997 | fixed media, akusmatisch | 21:38 | Privat Mjumbo CD 071/ MPSCD 022/ | PS | 1 | ||||||||||
| 4193 | Douglas | Doherty | Impact | 1984 | Zuspiel / Tonband, 2 perf | 14:00 | p, V [Stimme, Piano] | Uni Newcastle | 0 | ||||||||||
| 22916 | Douglas | Doherty | Light Fantastic | 1994 | fixed media, akusmatisch | 17:30 | Privat Mjumbo CD 071/ MPSCD 022/ | PS | 1 | ||||||||||
| 22915 | Douglas | Doherty | Neptune's Children (on the edge of chaos) | 1993 | fixed media, akusmatisch | 12:55 | Privat Mjumbo CD 071/ MPSCD 022/ | PS | 0 | ||||||||||
| 22918 | Douglas | Doherty | On the toon in the Toon on the Tyne | 1996 | fixed media, akusmatisch | 3:03 | Privat Mjumbo CD 071/ MPSCD 022/ | PS | 1 | ||||||||||
| 22917 | Douglas | Doherty | Pacific 462 | 1995 | fixed media, akusmatisch | 8:50 | Privat Mjumbo CD 071/ MPSCD 022/ Kiasma 1999/ | PS | 1 | ||||||||||
| 41857 | Françoise | Doherty | Windowsill | 2008 | radiophon | 1:37:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 33357 | Jan | Dolák | Vredy | 1965 | Film | 6:10 | Mono | Radio Bratislava | 0 | ||||||||||
| 27693 | Hugo | Dolden | Eschazoopsie | 1999 | fixed media, akusmatisch | Le Caine Award 1999 | 0 | ||||||||||||
| 4194 | Paul | Dolden | Asthenosphere | 1981 | fixed media, akusmatisch | 10:40 | Stereo | SFU | 0 | ||||||||||
| 37013 | Paul | Dolden | BeBop Baghdad | 2013 | Zuspiel, live-elec, 1 perf | 18:03:00 | Stereo | e-gui [Gitarre] | Maurizio Grandinetti, electric guitar | IMED 17143/ | 0 | ||||||||
| 4209 | Paul | Dolden | Below the walls of Jericho | 1989/2002 | fixed media, akusmatisch | 14:33 | Stereo | Walls Cycle #1 | TRD 0190, Tronia Toronto/ LDC 278051/52 Cultures Electroniques 5/ ACM 37 CD 1-4/ IMED 0369/ | PS C. | Trevor Tureski with the support of the Canada Council | 12.11.1989 | CEC Electroacoustic Days | 1st prize in the Electroacoustic category of the Bourges International Electroacoustic Music Competition (Bourges, France, 1990) | 1 | ||||
| 4211 | Paul | Dolden | Beyond the Walls of Jericho | 1991/1992 | fixed media, akusmatisch | 16:25 | Stereo | Walls Cycle #3 | IMED 9418/ IMED 0318/ | PS C. | 5.02.1992 | ACREQ - Clair de terre concert series at the Planétarium de Montréal | 1 | ||||||
| 4196 | Paul | Dolden | Caught in an octagon of unaccustomed light | 1988 | fixed media, akusmatisch | 16:01 | Stereo | TRD 0190, Tronia Toronto/ IMED 0369/ | PS C. | David Olds (for Toronto’s CKLN FM program Transfigured Night) | 15.05.1988 | Bathurst Street Theatre in Toronto | Luigi Russolo International Competition (Varese, Italy, 1988) | 1 | |||||
| 4210 | Paul | Dolden | Dancing on the Walls of Jericho | 1990/2002 | fixed media, akusmatisch | 16:14 | Stereo | "Revolution" | IMED 9417/ IMED 0317/ | PS C. | Montréal musiques actuelles/New Music America festival with assistance from the Canada Council | 1.11.1990 | Les Loges theatre during the Montréal musiques actuelles/New Music America festival | 1 | |||||
| 24612 | Paul | Dolden | Entropic Twilights, Twilight’s Nomadic Desire I & II Twilight’s Sleep Twilight’s Ritual Incantations |
1997/2004 | fixed media, akusmatisch | 49:00 | Stereo | 4 Parts: Twilight’s Nomadic Desire; Twilight’s Sleep; Twilight’s Ritual Incantations | IMED 0577/ | PS C. | ACREQ with support from the Canada Council / New Adventures in Sound Art / Réseaux | 15.09.2000 | Usine C in Montreal | 0 | |||||
| 4199 | Paul | Dolden | In the natural Doorway…I crouch | 1986/1987 | fixed media, akusmatisch | 15:00 | Stereo | metal strings, wind inss. redone 2001-02 |
TRD 0190, Tronia Toronto/ LDC 278046/47 Cultures Electroniques 3/ IMED 0369/ | IMEB Bourges, EMS Stockholm, SFU, PS C. | GMEB and Vancouver New Music Society | 31.01.1988 | international festival En Torno a Los Sonidos Electronicos in Mexico City | 1st prize in the Electroacoustic category of the Bourges International Electroacoustic Music Competition (Bourges, France, 1988) | 1 | ||||
| 4200 | Paul | Dolden | L'ivresse de la vitesse | 1992/1993 | fixed media, akusmatisch | 15:47 | Stereo | IMED 9417/ nor 03/ MW 64/ IMED 0317/ IMED 0050/ | PS C. | 28.05.1994 | 3rd Annual Festival of Experimental Music organized by the London Musicians’ Collective | 2nd prize Noroit 1994 1st Prize in the Musica Nova Competition (Prague, Czeck Republic, 1994); 1st Mention in the Stockholm Electronic Arts Award (Sweden, 1994); Jean A Chalmers Award for Musical Composition (Toronto, Canada, 1995). |
1 | ||||||
| 4201 | Paul | Dolden | Measured Opalescence | 1988 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | p, perc [Piano, Schlagzeug] | PS C. | 0 | |||||||||
| 37012 | Paul | Dolden | Music of Another Present Era, Marsyas’ Melodies Shango’s Funkiness Entr’acte Air of The Rainbow Robe and Feathered Skirt The Cosmic Circle Dance |
2013 - 2016 | fixed media, akusmatisch | 44:18:00 | Stereo | IMED 17143/ | 0 | ||||||||||
| 4202 | Paul | Dolden | Physics of Seduction. Invocation #1 | 1991/2002 | Zuspiel / Tonband, 1 perf | 15:46 | Stereo | e-gui [Gitarre] | JTR 8440/ IMED 9418/ IMED 0318/ | PS C. | Tim Brady with assistance from the Canada Council | 1.05.1991 | Music Gallery in Toronto, Tim Brady | 1 | |||||
| 4203 | Paul | Dolden | Physics of Seduction. Invocation #2 | 1991 | Zuspiel / Tonband, 1 perf | 13:18 | Stereo | hpd [Cembalo] | IMED 9417/ CEC DISContact_1/ J&W CD 931/ IMED 0317/ | PS C. | 1 | ||||||||
| 4204 | Paul | Dolden | Physics of Seduction. Invocation #3 | 1992/2002 | Zuspiel / Tonband, 1 perf | 18:28 | Stereo | vc [Cello] | IMED 9417/ IMED 0317/ | PS C. | Richard Armin with assistance from the Canada Council | 5.4.1992 | Montréal | 1 | |||||
| 4205 | Paul | Dolden | Resonance #1, In a Bed Where the Moon was Sweating | 1993/2002 | Zuspiel / Tonband, 1 perf | 9:02 | Stereo | cl [Klarinette] | "sex" | IMED 9418/ IMED 0318/ | PS C. | François Houle with assistance from the Canada Council | 7.11.1993 | Vancouver, François Houle | 1 | ||||
| 4206 | Paul | Dolden | Resonance #2, Revenge of the Repressed | 1993/2002 | Zuspiel / Tonband, 1 perf | 7:10 | Stereo | s-sax [Saxophon] | "violence" | IMED 9417/ IMED 0317/ | PS C. | François Houle with assistance from the Canada Council | 7.11.1993 | Vancouver, François Houle | 1 | ||||
| 24614 | Paul | Dolden | Resonance #3, The Heart Tears itself Apart with the Power of its own Muscle | 1995/1997 | Zuspiel / Tonband, 11 perf | 14:44 | Stereo | fl, 4 vn, 2 va, 2 vc, 2 db [Flöte, Viola, Cello, Violine, Kontrabass] | IMED 0577/ | PS C. | SMCQ (Société de musique contemporaine du Québec) with support form the Canada Council | 8.06.1995 | Salle Pierre-Mercure in Montréal | 0 | |||||
| 24611 | Paul | Dolden | Resonance #4, The Vertigo of Ritualized Frenzy | 1996 | Zuspiel / Tonband, 1 perf | 13:17 | Stereo | reed ins or p [Piano] | IMED 0369/ | PS C. | 0 | ||||||||
| 24613 | Paul | Dolden | Resonance #5, The Gravity of Silence | 1995 | Zuspiel / Tonband, 1 perf | 13:42 | Stereo | fl [Flöte] | IMED 0577/ | PS C. | Nancy Ruffer with the support of the Canada Council | 23.03.1996 | Conway Hall in London | 0 | |||||
| 24610 | Paul | Dolden | Resonance #6, Gravity’s Stillness | 1996 - 2002 | Zuspiel / Tonband, 1 perf | 14:36 | Stereo | vn or va [Viola, Violine] | IMED 0369/ | PS C. | Rivka Golani with the support of the Canada Council | 11.06.1999 | Julie-Anne Derome | 0 | |||||
| 37014 | Paul | Dolden | Show Tunes in Samarian Starlight | 2012 | Zuspiel / Tonband, 1 perf | 16:32:00 | Stereo | tpt [Trompete] | Lukasz Gothszalk, B-flat trumpet | IMED 17143/ | 0 | ||||||||
| 4207 | Paul | Dolden | The melting Voice through Mazes Running | 1984 | fixed media, akusmatisch | 20:40 | Stereo | TRD 0190, Tronia Toronto/ | SFU | 1st prize NEWCOMP 1985, 1st prize Bourges 1984, 2nd prize 6th Russolo Varese, prize 1984 CBC, Gold Award, 1984 CAPAC Le Caine Award; 1987 CAPAC Saint-Marcoux Comp |
1 | ||||||||
| 4208 | Paul | Dolden | Veils, Introduction Section A Section B |
1984/1985 | fixed media, akusmatisch | 28:32 | Stereo | cross-synthesis, 180 - 280 tracks; microtonal tuning | IMED 9418/ ASP 0966/ IMED 0318/ | PS C., SFU | 19.08.1985 | ICMC’85 in Vancouver | 1st prize Bourges 86; 1st Prize of the Luigi Russolo International Competition (Varese, Italy, 1986); ICMC 85 |
1 | |||||
| 42599 | Andy | Dolphin | ilinx | 2009 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 42713 | Andy | Dolphin | Mint Cascade | 2012 | fixed media, akusmatisch | 10:00:00 | Octo | 0 | |||||||||||
| 4212 | Hanus | Domansky | Chvala Zivota (Praise on Life) | 1988 | fixed media, akusmatisch | 11:22 | Stereo | CECM Bratislava | 0 | ||||||||||
| 4213 | Hanus | Domansky | Pre klavir (only for piano) | 1989 | fixed media, akusmatisch | Zuspiel/Tonband, |
10:20 | Stereo | CECM Bratislava | 0 | ||||||||||
| 32781 | Florian | Dombois | angeschlagene Moderne | 2008 | Klangkunst, Installation | Deutscher Klangkunst-Preis 2008 | 0 | ||||||||||||
| 37755 | Florian | Dombois | Circum Pacific 5.1 | 2003 | Klangkunst, Installation | ∞ | Surround 5.1 | Florian Dombois „Circum Pacific 5.1“ (2001), | 0 | http://floriandombois.net/works/circum-pacific.html | |||||||||
| 31514 | Daniel | Dominguez | Fünf kurze Videostudien | 2013 | audiovisuell | ∞ | next_generation 5.0 | HfM Hamburg | 27.-29.6.2013 | ZKM | 0 | ||||||||
| 31515 | Daniel | Dominguez | Study_V | 2013 | audiovisuell, live-elec, 1 perf | ∞ | disklavier [Piano] | next_generation 5.0 | HfM Hamburg | 28.6.2013 | ZKM | 0 | |||||||
| 4214 | François | Donato | Annam | 1993 | fixed media, akusmatisch | 20:06 | Stereo | INA e 5003/ | INA • GRM | 1 | 1996 | ||||||||
| 22927 | François | Donato | Corps de Compassion | 1999 - 2000 | fixed media, akusmatisch | 15:45 | ed. rz 10012 parallele 12 Inventionen 2000/ | INA • GRM, TU Berlin | Festival Inventionen DAAD/TU 2000 | 1.7.2000 | Inventionen Parochialkirche Berlin | 1 | 2000 | ||||||
| 4215 | François | Donato | Eros illumine | 1987 | fixed media, akusmatisch | 18:50 | Stereo | GMU Pau | 0 | ||||||||||
| 4216 | François | Donato | L'ange ebloui | 1991 | fixed media, akusmatisch | 20:10 | Stereo | INA • GRM | 0 | ||||||||||
| 19248 | François | Donato | Rhythmus, (aus "Annam Servam") | 1996 | fixed media, akusmatisch | 2:42 | Beilage NZ 5/97 zum Artikel von Frisius (konkrete Musik); "Klang Welten" | WER 3025/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 1 | |||||||||
| 20279 | François | Donato | Sept Jours | 1998 | fixed media, akusmatisch | 10:36 | Stereo | ed. rz 10009/10 Inventionen 98/ | INA • GRM | Festival Inventionen DAAD/TU 98 | 25.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | |||||
| 4217 | François | Donato | Stare - Libra - Onis | 1989 | fixed media, akusmatisch | 15:50 | nor 01/ INA ACM 1995/ | INA • GRM | 1 | ||||||||||
| 25878 | François | Donato | The Lights of B. | 2004 | fixed media, akusmatisch | 15:00 | INA • GRM | Ina-GRM | 1 | 2005 | |||||||||
| 4218 | Franco | Donatoni | Atem | 1985 | fixed media, akusmatisch | Theatermusik |
Stereo | CSC Padova | 0 | |||||||||||
| 36579 | Franco | Donatoni | L’Ultima Sera | 1989 | live-elec, | 22:11 | RIC 073052/ | Radio France | 0 | ||||||||||
| 4219 | Franco | Donatoni | Quartetto III | 1961 | fixed media, akusmatisch | 5:00 | Quadro | SugMus ESZ 3/ | Fonologia Milano | Edizioni Suvini Zerboni Milano SugarMusic: ESZ 5824, ESZ 6001 |
1 | 2008 | |||||||
| 18966 | Dyane | Donck | De 4 Daggetijden | 1995 | Klangkunst, Installation | 11:09 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | Breda | 1 | |||||||||
| 18354 | Kui | Dong | Cess, after Turandot | 1995 - 1996 | Oper, 18 perf | 8 V, 10 ins [Stimme, Instrument] | CCRMA | 0 | |||||||||||
| 18355 | Kui | Dong | Cycles | 1996 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | CCRMA | 0 | |||||||||||
| 18353 | Kui | Dong | Flying Apples | 1994 | fixed media, akusmatisch | 10:14 | DMIX | SEAMUS EAM Vol. 8/ CCRMA V 02/ Kiasma 1999/ | CCRMA | Auszeichnung ars electronica 1996 | 0 | ||||||||
| 18379 | Kui | Dong | YOULAN: Long Winding Valley | 1997 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 4220 | Kevin | Donlon | Emoscape | 1992 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 4221 | Kevin | Donlon | untitled | 1992 | audiovisuell, live-elec, 1 perf | com, (video, slides) [computer] | CCRMA | 0 | |||||||||||
| 4222 | Henrik Otto | Donner | Esther | 1963 | fixed media, akusmatisch | 5:30 | Mono | CEM Bilthoven | 0 | ||||||||||
| 43087 | Henrik Otto | Donner | For Emmy 2 | 1963 | fixed media, akusmatisch | Mono | CEM Bilthoven | 0 | |||||||||||
| 4223 | Henrik Otto | Donner | Ideogramme I | 1962 | Zuspiel / Tonband, 4 perf | 5:08 | Mono | fl, cl, trbn, perc [Flöte, Klarinette, Posaune, Schlagzeug] | Uni Helsinki | 0 | |||||||||
| 4224 | Henrik Otto | Donner | Ideogramme II | 1963 | Zuspiel / Tonband, 20 perf | 8:50 | Mono | 20 ins [Instrument] | Uni Helsinki | 0 | |||||||||
| 4225 | Henrik Otto | Donner | Kaksi kanaa | 1962 | Film | 5:00 | Mono | Uni Helsinki | 0 | ||||||||||
| 4226 | Liliane | Donskoy | 6 pieces | 1984 | Zuspiel / Tonband, 1 perf | 12:03 | vn [Violine] | pour violon et bande | IPEM Gent | 0 | |||||||||
| 4227 | Liliane | Donskoy | D ' après Lorca | 1982 | fixed media, akusmatisch | 7:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 4228 | Liliane | Donskoy | D 'après Rumi | 1984 | fixed media, akusmatisch | 8:13 | IPEM Gent | 0 | |||||||||||
| 4229 | Liliane | Donskoy | Gigognes de sang et d'aube du Monde | 1979 | fixed media, akusmatisch | 32:15 | Stereo | IPEM Gent, IMEB Bourges | 0 | ||||||||||
| 4230 | Liliane | Donskoy | La Légende des Merveilles | 1978 | fixed media, akusmatisch | 17:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 4231 | Liliane | Donskoy | Musique d'Autonome | 1984 | Zuspiel / Tonband, 1 perf | 3:15 | trbn [Posaune] | IPEM Gent | 0 | ||||||||||
| 4232 | Bernard | Donzel-Gargand | A l'orée d'une réponse | 1989 | Tanz | 12:50 | C&C Annecy | 0 | |||||||||||
| 4233 | Bernard | Donzel-Gargand | Alphonse DESBRUMES | 1990 | fixed media, akusmatisch | 16:45 | C&C Annecy | 0 | |||||||||||
| 4234 | Bernard | Donzel-Gargand | Ambivalence | 1984 | fixed media, akusmatisch | 10:30 | Stereo | C&C Annecy | 1 | ||||||||||
| 4235 | Bernard | Donzel-Gargand | Arcane 11 | 1990 | fixed media, akusmatisch | 10:10 | Collectif & Cie 12/ | C&C Annecy | 0 | ||||||||||
| 4236 | Bernard | Donzel-Gargand | Bal masqué | 1987 | Zuspiel / Tonband, 4 perf | 15:00 | Quadro | 4 acc [Akkordeon] | C&C Annecy | 0 | |||||||||
| 4237 | Bernard | Donzel-Gargand | Boîte en musique | 1984 | Zuspiel, live-elec, 3 perf | 24:00 | trio [Instrument] | trio de M. médiévale et traitements elec boîtes à M. | C&C Annecy | 0 | |||||||||
| 4239 | Bernard | Donzel-Gargand | Chroniques | 1988 | fixed media, akusmatisch | 12:00 | AMEG - CD 01/ | C&C Annecy | 1 | ||||||||||
| 20102 | Bernard | Donzel-Gargand | Coquillage | fixed media, akusmatisch | 12:33 | Stereo | Collectif & Cie, AMEG CD 02/ | C&C Annecy | 0 | ||||||||||
| 4240 | Bernard | Donzel-Gargand | Dialogue | 1985 | fixed media, akusmatisch | 12:30 | Collectif & Cie C 01/ | C&C Annecy | 1 | ||||||||||
| 4241 | Bernard | Donzel-Gargand | Dispersion | 1981 | fixed media, akusmatisch | 14:30 | C&C Annecy | 1 | |||||||||||
| 4242 | Bernard | Donzel-Gargand | Et noire | 1989 | intermedia, live-elec, 2 perf | 9:10 | synt, com, (lights) [computer, synthesizer] | C&C Annecy | 0 | ||||||||||
| 4243 | Bernard | Donzel-Gargand | Improvisation n°1 | 1988 | live-elec, 1 perf | 13:30 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 4244 | Bernard | Donzel-Gargand | Improvisation n°2 | 1989 | live-elec, 1 perf | 12:00 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 4245 | Bernard | Donzel-Gargand | Ingénuité | 1989 | Tanz | 5:30 | C&C Annecy | 0 | |||||||||||
| 4247 | Bernard | Donzel-Gargand | Irisation II | 1989 | audiovisuell, 2 perf | 14:20 | cl, synt [Klarinette, synthesizer] | C&C Annecy | 0 | ||||||||||
| 4248 | Bernard | Donzel-Gargand | Jeux dithyrambiques | 1983 | Zuspiel / Tonband, 5 perf | 18:00 | 4 perc, prep p [Piano, Schlagzeug] | C&C Annecy | 1 | ||||||||||
| 4249 | Bernard | Donzel-Gargand | Jeux dithyrambiques n° 2 | 1988 | Zuspiel / Tonband, 3 perf | 10:50 | 3 ins [Instrument] | C&C Annecy | 0 | ||||||||||
| 4250 | Bernard | Donzel-Gargand | Joy | 1990 | fixed media, akusmatisch | 1:07 | C&C Annecy | 0 | |||||||||||
| 37896 | Bernard | Donzel-Gargand | L’Olivier | 2000 | fixed media, akusmatisch | 6:17 | Acousmatica CD 1200/ | C&C Annecy | 0 | ||||||||||
| 4251 | Bernard | Donzel-Gargand | Le chant d'Hu/Ba/Re | 1979 | fixed media, akusmatisch | 7:00 | C&C Annecy, ESPACE Genève | 1 | |||||||||||
| 4252 | Bernard | Donzel-Gargand | Matière sonore | 1982 | Zuspiel, live-elec, 2 perf | 15:00 | 2 tim, (divers perc) [Schlagzeug] | C&C Annecy | 0 | ||||||||||
| 4253 | Bernard | Donzel-Gargand | Mémoires diaphanes | 1989 | Tanz | 9:50 | C&C Annecy | 0 | |||||||||||
| 27896 | Bernard | Donzel-Gargand | Mise en ciel d'un scarabée | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 4254 | Bernard | Donzel-Gargand | Points cardinaux | 1988 | fixed media, akusmatisch | 21:30 | C&C Annecy | 0 | |||||||||||
| 4255 | Bernard | Donzel-Gargand | Pour une fin | 1990 | fixed media, akusmatisch | 59:00 | C&C Annecy | 0 | |||||||||||
| 4256 | Bernard | Donzel-Gargand | Promenade rurale | 1987 | fixed media, akusmatisch | 30:00 | C&C Annecy | 0 | |||||||||||
| 4257 | Bernard | Donzel-Gargand | Rocking | 1989 | Tanz | 16:55 | C&C Annecy | 0 | |||||||||||
| 4258 | Bernard | Donzel-Gargand | Snow game | 1988 | live-elec, 1 perf | 7:50 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 4259 | Bernard | Donzel-Gargand | Spirale | 1988 | Zuspiel / Tonband, 1 perf | 6:30 | woodblocks [Schlagzeug] | C&C Annecy | 0 | ||||||||||
| 4260 | Bernard | Donzel-Gargand | Transparence | 1987 | Zuspiel/Tonband, 4 perf | intermedia |
17:10 | 4 perc [Schlagzeug] | MIDI, texte, slides (Kandinski) | Collectif & Cie C 02/ | C&C Annecy | 0 | ||||||||
| 4262 | Bernard | Donzel-Gargand | Volume III | 1987 | Zuspiel, live-elec, 1 perf | 22:00 | tim [Schlagzeug] | C&C Annecy | 0 | ||||||||||
| 11468 | Bernard, Philippe | Donzel-Gargand, Moënne-Loccoz | Cellules | 1989 | live-elec, 1 perf | 7:00 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 11496 | Bernard, Philippe | Donzel-Gargand, Moënne-Loccoz | Tutti | 1989 | live-elec, 1 perf | 16:20 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 4263 | Frans van | Doorn | Minnuet | 1968 | fixed media, akusmatisch | 9:10 | Stereo | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 4264 | Frans van | Doorn | Pastourelle | 1969 | fixed media, akusmatisch | 9:20 | Quadro | Music for the little horses of the sea | Con Den Haag | 0 | |||||||||
| 24900 | Paul | Doornbusch | act5 | live-elec, 1 perf | bn [Fagott] | EMF 143/ | 0 | ||||||||||||
| 24899 | Paul | Doornbusch | Continuity 2 | live-elec, 4 perf | 4 rec [Flöte] | EMF 143/ | 0 | ||||||||||||
| 24898 | Paul | Doornbusch | Continuity 3 | live-elec, 1 perf | perc [Schlagzeug] | EMF 143/ | 0 | ||||||||||||
| 24901 | Paul | Doornbusch | g4 | fixed media, akusmatisch | EMF 143/ | 0 | |||||||||||||
| 24902 | Paul | Doornbusch | strepidus somnus | 1996 | live-elec, 1 perf | V [Stimme] | EMF 143/ | Competition Musica Nova Prag 1996 | 0 | ||||||||||
| 27915 | Olivier | Doret | Rythmes | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 4265 | Joseph | Dorfman | Cantillorio | 1982 | Zuspiel / Tonband, 5 perf, 3 groups | S, Bar, 2 ch, 3 perc, orc [Sopran, Bariton, Schlagzeug, Chor, Orchester] | Uni Tel Aviv | 0 | |||||||||||
| 4266 | Joseph | Dorfman | Coloro | 1981 | Zuspiel / Tonband, 1 perf | hp [Harfe] | Uni Tel Aviv | 0 | |||||||||||
| 4267 | Joseph | Dorfman | De Profundis | 1977 | fixed media, akusmatisch | FTS 33878/ | Uni Tel Aviv | 0 | |||||||||||
| 4268 | Joseph | Dorfman | Games of Enchanted Masks | 1983 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 4269 | Joseph | Dorfman | The Dragon | 1984 | Zuspiel / Tonband, 1 perf, 3 groups | ch, orc, Vs [Stimme, Chor, Orchester] | Uni Tel Aviv | 0 | |||||||||||
| 4270 | Joseph | Dorfman | The Stones of Jerusalem | 1978 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 34616 | Gil | Dori | Desert Stroll | 2013 | live-elec, 1 perf | cl [Klarinette] | SMC2016 | 0 | |||||||||||
| 39814 | Gil | Dori | Linea/Punto | 2017 | fixed media, akusmatisch | Gil Dori | 0 | ||||||||||||
| 39815 | Gil | Dori | Phase One | 2015 | fixed media, akusmatisch | 4:40:00 | Gil Dori | 0 | |||||||||||
| 34655 | Gil | Dori | Proportarum | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 4271 | Jérôme | Dorival | Blason du corps | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 10:00 | children ch, ins [Instrument, Chor] | GRAME Lyon | 0 | ||||||||||
| 4272 | Jérôme | Dorival | Boréales | 1992 | Zuspiel / Tonband, 1 group | 6:00 | ens [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 4277 | Jérôme | Dorival | Le son des choses dans les ténèbres | 1993 | Zuspiel / Tonband, 4 perf | 10:00 | S, vc, cl, b [Sopran, Bass, Klarinette, Cello] | CD en cours/ | GRAME Lyon | 1 | |||||||||
| 4278 | Jérôme | Dorival | Respirations | 1986 | live-elec, 3 perf | 7:00 | fl, cl, bn [Flöte, Klarinette, Fagott] | GRAME Lyon | 0 | ||||||||||
| 4280 | Jérôme | Dorival | Spirations | 1987 | Zuspiel, live-elec, 3 perf | 7:00 | fl, cl, bn [Flöte, Klarinette, Fagott] | GRAME Lyon | 0 | ||||||||||
| 4275 | Jérôme, James | Dorival, Giroudon | Double 1 | 1985 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | cl [Klarinette] | GRAME Lyon | 0 | |||||||||
| 4276 | Jérôme, James | Dorival, Giroudon | Double 2 | 1986 | Zuspiel / Tonband, 4 perf | 8:00 | Stereo | br-qt [Bläser] | GRAME Lyon | 0 | |||||||||
| 4273 | Jérôme, Yann | Dorival, Orlarey | Divin chaos | 1990 | live-elec, 1 group | 22:00 | Stereo | orc [Orchester] | 2 versions | GRAME Lyon | comm | 0 | |||||||
| 4274 | Jérôme, Yann | Dorival, Orlarey | Divin chaos II | 1991 | live-elec, 5 perf | 12:00 | ww-qnt [Bläser] | GRAME Lyon | 0 | ||||||||||
| 4279 | Jérôme, Yann | Dorival, Orlarey | Rhétorique des doigts | 1991 | live-elec, 1 perf | 13:00 | p [Piano] | GRAME Lyon | 0 | ||||||||||
| 4281 | Jérôme, Yann | Dorival, Orlarey | Traits et lignes | 1993 | live-elec, 1 perf | 14:00 | ob [Oboe] | GRAME Lyon | 0 | ||||||||||
| 4282 | Finn | Dornby | Pibemusik I & II | 1972 | fixed media, akusmatisch | 0 | |||||||||||||
| 4283 | Antonio | Doro | di pacata dolcezza, di calma, di strappi laceranti | 1990 | live-elec, 1 perf | ≈ 14:00 | p [Piano] | CRM Roma | 0 | ||||||||||
| 4284 | Antonio | Doro | il lavoro…il maggio | 1990/1991 | live-elec, 2 perf | ≈ 13:00 | S, vn or va [Sopran, Viola, Violine] | CRM Roma | 0 | ||||||||||
| 4285 | Patrick | Dorobisz | Contrepoint | 1985 | fixed media, akusmatisch | 14:30 | IPEM Gent | 0 | |||||||||||
| 4286 | Patrick | Dorobisz | Les échos du silence | 1988 | fixed media, akusmatisch | audiovisuell |
14:26 | IMEB Bourges | 0 | |||||||||||
| 4287 | Patrick | Dorobisz | Souprematika | 1985 | fixed media, akusmatisch | 0 | |||||||||||||
| 31447 | Hartmut | Dorschner | Nahur | 1995 | audiovisuell | 6:06:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 31421 | Hartmut | Dorschner | Prießnitz | 1997 | live-elec, 1 perf | 13:30:00 | sax, (Cubase + MARS-Workstation) [Saxophon] | HfM Dresden | 0 | ||||||||||
| 4288 | Pierre | Dostie | 23/1/88 | 1988 | fixed media, akusmatisch | 16:00 | Stereo | 0 | |||||||||||
| 4289 | Pierre | Dostie | 6/2/88 | 1988 | fixed media, akusmatisch | 17:00 | Stereo | 0 | |||||||||||
| 4290 | Pierre | Dostie | Amazones | 1988 | intermedia | 10:00 | Stereo | installation | PS C. | 0 | |||||||||
| 4291 | Pierre | Dostie | Derrière le regard du désir | 1988 | intermedia | 21:00 | Stereo | installation | PS C. | 0 | |||||||||
| 4292 | Pierre | Dostie | Étoile exigue | 1983 | fixed media, akusmatisch | 11:00 | Stereo | Thirty Miles of Tape | 0 | ||||||||||
| 4293 | Pierre | Dostie | Photon IV | 1988 | Zuspiel / Tonband, 1 perf | 30:00 | Stereo | Kbd [Keyboard] | PS C. | 0 | |||||||||
| 4294 | Pierre | Dostie | Prismes nus | 1988 | intermedia | 23:00 | Stereo | installation | PS C. | 0 | |||||||||
| 4295 | Pierre | Dostie | Songe d'un chamane en exil | 1988 | fixed media, akusmatisch | 16:00 | Stereo | Concordia Montréal, PS Dostie | 0 | ||||||||||
| 4296 | Pierre | Dostie | Zénith sur la place de la mairie | 1988 | intermedia | 20:00 | Stereo | installation | PS C. | 0 | |||||||||
| 42481 | Matthew | Dotson | Left Unsaid | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 40321 | William | Dougherty | Nyuijd | 2015 | fixed media, akusmatisch | 7:04:00 | William Dougherty | 0 | |||||||||||
| 4297 | Robert | Douglas | La Sphère Frissonnante | 1988 | Zuspiel / Tonband, 1 perf | 9:28 | trbn [Posaune] | Sonology Den Haag | 0 | ||||||||||
| 22329 | Josef | Doukkali | Ferrochrome | fixed media, akusmatisch | 5:07 | Infogram 045/1/ | 1 | ||||||||||||
| 42600 | Robert | Dow | Uncertain Memory | 2009 | fixed media, akusmatisch | Curated by Robert Dow | EMS Stockholm, Uni Edinburgh | 0 | |||||||||||
| 25879 | Robert J. | Dow | Black Ice | 2003 | fixed media, akusmatisch | 14:08 | Stereo | TU Berlin, Uni Edinburgh | 27.6.2004 | Inventionen Sophiensäle Berlin | 1 | ||||||||
| 4298 | Robert J. | Dow | Flight from the Assembly | 1989 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 4299 | Robert J. | Dow | Glass, Water: Enthalpy of Solution | 1990 | fixed media, akusmatisch | 11:00 | Stereo | BEAST | 1 | ||||||||||
| 4300 | Robert J. | Dow | Klavier | 1990 | fixed media, akusmatisch | 11:00 | Stereo | BEAST | 1 | ||||||||||
| 4301 | Robert J. | Dow | L'esprit conforme | 1994 | fixed media, akusmatisch | 10:00 | SCD 28046 Sargasso/ | BEAST | 0 | ||||||||||
| 4302 | Robert J. | Dow | Le Léthé | 1992 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | BEAST | 0 | |||||||||
| 4303 | Robert J. | Dow | Les Stupra I | 1989 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 4304 | Robert J. | Dow | Les Stupra II | 1989 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 4305 | Robert J. | Dow | Les Stupra III | 1990 | fixed media, akusmatisch | 8:00 | Stereo | BEAST | 1 | ||||||||||
| 4306 | Robert J. | Dow | Prelude | 1989 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 42482 | Robert J. | Dow | Steel Blue | 2002 | fixed media, akusmatisch | 2003 | Lemon Tree Theatre, Aberdeen | 0 | |||||||||||
| 4307 | Robert J. | Dow | The Infinite Roots of Unity | 1988 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 40993 | Robert J. | Dow | When all is silent | fixed media, akusmatisch | 12:50 | SCD 28046 Sargasso/ | BEAST | 0 | |||||||||||
| 4308 | Andy | Dowden | Cheyenne | 1987 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4309 | Andy | Dowden | Dress Code | 1987 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4310 | Andy | Dowden | From Taqasim | 1987 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4311 | Andy | Dowden | He Man | 1985 | fixed media, akusmatisch | 2:48 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 4312 | Andy | Dowden | Peace | 1985 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4313 | Andy | Dowden | Prime Time Video Commercials on Hold | 1983 | fixed media, akusmatisch | Stereo | 1) What Floyd Said To Mr Plinkin; 2) Mr Arcade is Here / The Love Song (1981) / Lexicon Overkill (1983) / Bomb Dangerous (Brdar/Dowden, 1982) | 0 | |||||||||||
| 4314 | Andy | Dowden | Self-Hypnosis | 1985 | fixed media, akusmatisch | 3:48 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 4315 | Andy | Dowden | Seven of Hearts | 1983 | fixed media, akusmatisch | Stereo | Uni Halifax | 0 | |||||||||||
| 4316 | Andy | Dowden | What I Feel | 1984 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4317 | Andy | Dowden | You | 1986 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 20103 | David | Downes | A green Piece | 1989 | fixed media, akusmatisch | 8:20 | Stereo | MANU 1435/ | 0 | ||||||||||
| 32853 | David | Downes | Death Defying | fixed media, akusmatisch | 5:15 | David Downes „Death Defying“/ | 0 | ||||||||||||
| 32852 | David | Downes | Descending | 1997 | fixed media, akusmatisch | 14 | Stereo | David Downes „Death Defying“/ | 0 | ||||||||||
| 20104 | David | Downes | Disquiet | 1989 | fixed media, akusmatisch | 5:00 | Stereo | MANU 1435/ | 0 | ||||||||||
| 32855 | David | Downes | Generation | 2003 | audiovisuell | computer-generated ‘visual music’ | NZ Festival of the Arts 2004 | 2004 | NZ Festival of the Arts 2004 | Cinanima 2004 | 0 | ||||||||
| 20105 | David | Downes | Insolent River | 1988 | fixed media, akusmatisch | 15:00 | Stereo | MANU 1435/ | 0 | ||||||||||
| 32854 | David | Downes | Ironlung | 1997 | fixed media, akusmatisch | 4 | David Downes „Death Defying“/ | 0 | |||||||||||
| 20106 | David | Downes | Paperweight | 1989 | fixed media, akusmatisch | 5:00 | Stereo | MANU 1435/ | 0 | ||||||||||
| 20107 | David | Downes | Saltwater | 1989 | fixed media, akusmatisch | 10:00 | Stereo | MANU 1435/ | 0 | ||||||||||
| 20108 | David | Downes | Valley Mine | 1992 | fixed media, akusmatisch | 9:21 | Stereo | MANU 1435/ | 0 | ||||||||||
| 18824 | Roger | Doyle | An Hour of Light | 1982 - 1988 | radiophon | Speech; Miniatures from 1983 - 88 8 compositions |
1 | ||||||||||||
| 4319 | Roger | Doyle | Blue light and alpha waves | 1981 | fixed media, akusmatisch | 4:00 | Stereo | PS C. | 0 | ||||||||||
| 25100 | Roger | Doyle | Budawanny | 1986 | Film, 1 group | 70:00 | ens [Ensemble] | ATL 001/ | Bob Quinn | 3.2.1990 | Dublin | 0 | |||||||
| 18468 | Roger | Doyle | Charlotte Corday et les lamentations de Louis XVI | 1989 | fixed media, akusmatisch | 24:30 | suite la Révolution Française | DOM BW 04/ | IMEB Bourges | IMEB Bourges | 12.6.1989 | Bourges | 0 | ||||||
| 24827 | Roger | Doyle | Contents of the Pay-Jar | 1983 - 1988 | fixed media, akusmatisch | 70:00 | Fairlight | SIDO 009/ | PS C. | 0 | |||||||||
| 4321 | Roger | Doyle | Fin-estra, Estra | 1977 | fixed media, akusmatisch | 24:30 | Stereo | United Dairies UD 11/ United Dairies UD 011 CD/ SIDO 013/ | Sonology Utrecht, Yleisradio | 1978 | Stedelijk Museum Amsterdam | 0 | |||||||
| 4323 | Roger | Doyle | Light Years | 1983 - 1988 | fixed media, akusmatisch | OTT 462 Operating Theatre Tapes/ | PS C. | 0 | |||||||||||
| 4324 | Roger | Doyle | Miss Mauger | 1981 | Zuspiel / Tonband, 1 perf | 4:00 | p [Piano] | PS C. | 0 | ||||||||||
| 4325 | Roger | Doyle | Mist of Real, Rapid eye Movements | 1979 | fixed media, akusmatisch | 13:00 | Stereo | UD 011 CD/ LDC 278082-83 Cultures électroniques 20/ | Sonology Utrecht | Prix Trivium et Magisterium 2007, 34th International Electroacoustic Music and Sonic Art Competitions - Bourges - 2007 | 0 | ||||||||
| 21892 | Roger | Doyle | Mr. Foley's final Moment | 1998 | fixed media, akusmatisch | 10:03 | IMEB Bourges | 0 | |||||||||||
| 4326 | Roger | Doyle | Obstinato | 1971 | fixed media, akusmatisch | ∞ 2:00 | Stereo | PS C. | 0 | ||||||||||
| 4327 | Roger | Doyle | Oizzo No | 1974 | fixed media, akusmatisch | 10:00 | LP/ SIDO 012/ | PS C. | 0 | ||||||||||
| 4328 | Roger | Doyle | Ordained for Grave Dancing | 1986 | fixed media, akusmatisch | 4:00 | PS C. | 0 | |||||||||||
| 26158 | Roger | Doyle | Passades, 9 sets | 2002 - 2005 | fixed media, akusmatisch | 20:05 | the 9nth set of Passades is an own composition (duration 67'). BVHaast have 2 Volumes! |
CMC CD 07 Contemporary Music from Ireland Vol 7/ BVHAAST 0505/ BVHAAST 0304/ LDC 278082-83 Cultures électroniques 20/ | PS C. | 2007 | Magisterium Bourges | Magisterium Bourges 2007 | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#0505 | |||||
| 4329 | Roger | Doyle | Physical Missing | 1983/1985 | fixed media, akusmatisch | 4:00 | PS C. | 0 | |||||||||||
| 24831 | Roger | Doyle | Piano Suite | 1968 - 1969 | fixed media, akusmatisch | 9:00 | SIDO 013/ | 0 | |||||||||||
| 4330 | Roger | Doyle | Pilar | 1983/1985 | fixed media, akusmatisch | 4:00 | PS C. | 0 | |||||||||||
| 4331 | Roger | Doyle | Rampwalk | 1981 | Zuspiel / Tonband, 1 perf | 4:00 | V [Stimme] | PS C. | 0 | ||||||||||
| 24833 | Roger | Doyle | Rapid Eye Movements | 1978 - 1980 | fixed media, akusmatisch | 30:00 | SIDO 013/ United Dairies UD 11/ United Dairies UD 011 CD/ | Sonology Utrecht | 4.1.1980 | Dublin | mention Bourges 1981 | 0 | |||||||
| 4332 | Roger | Doyle | Say Yes to the Nice Lady | 1983/1985 | fixed media, akusmatisch | 6:00 | Stereo | PS C. | 0 | ||||||||||
| 4333 | Roger | Doyle | Solar Eyes | 1975 | fixed media, akusmatisch | 12:20 | Stereo | CBS LP 61813/ DOM BW 04/ | Sonology Utrecht | 9.1975 | Dublin | 0 | |||||||
| 24802 | Roger | Doyle | Spirit Levels I - IV | 1993 - 1997 | fixed media, akusmatisch | 14:00 | LDC 278063/64 Cultures Electroniques 10/ IMED 9837/ | 10.5.1997 | Malmö | Prize Bourges 1997 | 0 | ||||||||
| 4334 | Roger | Doyle | Steer the Cranes | 1985 | fixed media, akusmatisch | 3:00 | PS C. | 0 | |||||||||||
| 4336 | Roger | Doyle | Thalia | 1976 | Film | 27:15 | Stereo | new length due to small changes made on 11/10/1976: 27:15 Original length 31:45 |
DOM BW 04/ CBS 61813/ SIDO 012/ | Sonology Utrecht | 10.1976 | Utrecht | 0 | ||||||
| 28196 | Roger | Doyle | the Babel Project / Bitmap, KBBL - the morning show The stairwell Entry Level XI Temple Music - Cantilena Concert Music - Pagoda Charm Mansard The Stairwell Beautiful Day The Room of Rhetoric, KBBL - The Nightshow |
1990 - 1994 | fixed media, akusmatisch | 77:34 | the whole Babelproject: 371:51 | circa 1 Circa Art Magazine/ | PS | 1 | |||||||||
| 21100 | Roger | Doyle | The Babel Project 1, The Morning Show The Entertainment & Leisure Pursuits Show |
1988 - 1995 | radiophon | 75:00 | short version | SIDO 001/ | PS Doyle, Banff C., SFU, Sonology Den Haag | 1 | |||||||||
| 24821 | Roger | Doyle | The Babel Project 1, Concert Music - Pagoda Charm Mansard Temple Music - Cantilena |
1991 | fixed media, akusmatisch | 66:00 | the whole Babelproject: 371:51 | SIDO 003/ circa 1/ | PS Doyle, IMEB Bourges | 1 | |||||||||
| 21101 | Roger | Doyle | The Babel Project 2, Entry Level I Mr. Brady's Room Temple Music - Earth to Earth Yunnus Entry Level II The Dressing Room Concert Music - Pagoda Charm Mansard Squat |
1991 - 1995 | Radiokunst, 1 perf, 1 group | 77:00 | inss [Instrument] | short version | SIDO 002/ | PS Doyle | 1 | ||||||||
| 24822 | Roger | Doyle | The Babel Project 2, Chambers & Spirit Levels | fixed media, akusmatisch | 77:09 | SIDO 004/ | PS Doyle | 1 | |||||||||||
| 24823 | Roger | Doyle | The Babel Project 3, Delusional Architecture | fixed media, akusmatisch | 76:26 | SIDO 005/ | PS Doyle | 0 | |||||||||||
| 24824 | Roger | Doyle | The Babel Project 4, The Morning Show Surface du monde |
1992 - 1998 | live-elec, 4 perf | 69:00 | Kbd, 3 V [Stimme, Keyboard] | SIDO 006/ | PS Doyle | 06.1999 | Radio Dublin, A. Livia | 0 | |||||||
| 24825 | Roger | Doyle | The Babel Project 5, The Entertainment and Leisure Pursuits Show The Nightshow |
1992 - 1993 | fixed media, akusmatisch | 77:00 | SIDO 007/ | PS Doyle | 0 | ||||||||||
| 22302 | Roger | Doyle | The idea and its shadow | 2000 | fixed media, akusmatisch | 5:05 | Text and voice: Kevin O'connell | SIDO 010/ | PS C. | 1 | |||||||||
| 24826 | Roger | Doyle | The Love of Don Perlimplin and Belisa in the Garden | 1983 - 1988 | Oper, 4 perf | 67:00 | 4 actor [Schauspieler] | SIDO 008/ OTT 461 Operating Theatre Tapes/ | PS C. | 12.1984 | Dublin | 0 | |||||||
| 4339 | Roger | Doyle | These Unsolved Mysteries | 1987 | Radiokunst, 2 groups | 25:00 | actors, orc [Schauspieler, Orchester] | A Sonata for Radio | PS C. | RTE as entry for Prix Italia 1987 | 9.1987 | RTE | 0 | ||||||
| 4340 | Roger | Doyle | Trapeze in Full-Moon Nights | 1988 | fixed media, akusmatisch | 16:00 | OTT 462 Operating Theatre Tapes/ SIDO 007/ | PS C. | 25.5.1991 | Ystad Sweden | 0 | ||||||||
| 19195 | Roger | Doyle | Under the Green Time | 1995 | fixed media, akusmatisch | 6:28 | text sound comp. | CMC CD 02 Contemporary Music from Ireland Vol 2/ | PS | 1 | |||||||||
| 24832 | Roger | Doyle | Why is Kilkenny so Good? | 1971 - 1974 | fixed media, akusmatisch | 11:00 | SIDO 013/ | 0 | |||||||||||
| 26517 | Sascha | Dragicevic | Autogamie | 2006 | live-elec, 1 perf | bn [Fagott] | 7 versions! | 25-jährigen Jubiläum des Ensemble Modern | 0 | http://www.sascha-dragicevic.com/ | |||||||||
| 22460 | Sascha | Dragicevic | Dal Legno e metallo | 1997 | Zuspiel / Tonband, 2 perf | 7:18 | Stereo | 2 perc [Schlagzeug] | arcus Walder, Pr. Fiolek (perc) | HfMT Köln CD6/ | HfMT Köln | 0 | http://www.sascha-dragicevic.com/ | ||||||
| 26516 | Sascha | Dragicevic | Quarks, Aus: "Strom fliehender Zeiträume" Version 1 | 2001 | live-elec, 1 perf | 9:55:00 | Quadro | p [Piano] | HfMT Köln CD8/ | HfMT Köln | 6.11.2004 | Räume des Bundesverbandes Bildender Künstler, Köln | 0 | http://www.sascha-dragicevic.com/ | |||||
| 4342 | Ivan | Dragolov | Etude für bedingte Montage | 1992 | fixed media, akusmatisch | 8:10 | 0 | ||||||||||||
| 4343 | Willem | Dragstra | Cités | live-elec, 2 perf | V, vc [Stimme, Cello] | Sonology Den Haag | 0 | ||||||||||||
| 33134 | David | Dramm | Zero Roll | 2003 | Zuspiel, live-elec, 1 perf, 1 group | 22:02:00 | e-gui, amp ens, (elec) [Gitarre, Ensemble] | for solo electric guitar, amplified ensemble, live electronics and soundtrack | WJ 2003/ | 1 | |||||||||
| 31338 | David, Michèl, Yannis, Agostino | Dramm, Koenders, Kyriakides, Di Scipio | Blue Dog | 2011 | live-elec, 2 perf | 60:07 | tpt, synt [Trompete, synthesizer] | Marco Blaauw (tpt), Dominik Blum (org, synt) | WER 20632 Edition ZKM/ | ZKM Karlsruhe | 0 | ||||||||
| 4344 | Milimir, Miodrag | Draskovic, Lazarov | Tempo dinamico | 1982 | fixed media, akusmatisch | 10:00 | Stereo | with Miodrag Lazarov | Radio Beograd | 0 | |||||||||
| 21789 | Ingrid | Drese | Abime | 1999 | fixed media, akusmatisch | from Papillon, Abîme, Nuit | MR 2000 Métamorphoses 2000/ | Musiques et Recherches Ohain | 0 | ||||||||||
| 21787 | Ingrid | Drese | Amaryllis | 1996 | fixed media, akusmatisch | 13:34 | Stereo | Musidisc 247982/ NOR 05/ IMED 10103/ | Musiques et Recherches Ohain | July 1996 | Conservatoire royal de Mons (Belgium) | Prix Irène Fuerison de l'Académie Royale de Belgique, 1996 Second prix Noroit de Musique Acousmatique 1997 Parution sur CD Noroît vol 5 1998 |
1 | http://www.electrocd.com/en/oeuvres/select/?id=20378 | |||||
| 35364 | Ingrid | Drese | Bleu miroir | 1998 | Zuspiel / Tonband, 1 perf | 10:03 | Stereo | p [Piano] | LEM 002/ | July 13, 1998 | Concert, Conservatoire royal de Mons (Mons, Belgium); Thérèse Malengreau, piano | 0 | |||||||
| 35369 | Ingrid | Drese | Brisures | 2012 | fixed media, akusmatisch | 4:03 | Stereo | 0 | http://www.electrocd.com/en/bio/drese_in/oeuvres/ | ||||||||||
| 35370 | Ingrid | Drese | C’est tel | 2010 | fixed media, akusmatisch | 3:13 | Stereo | 0 | http://www.electrocd.com/en/bio/drese_in/oeuvres/ | ||||||||||
| 41624 | Ingrid | Drese | Cadrans solaires | 1998 | Zuspiel / Tonband, 1 perf | p [Piano] | Musiques et Recherches Ohain | 0 | |||||||||||
| 35371 | Ingrid | Drese | Cri de Merlin | 2013 | fixed media, akusmatisch | 17:30 | 0 | http://www.electrocd.com/en/bio/drese_in/oeuvres/ | |||||||||||
| 35372 | Ingrid | Drese | Horloge à feu | 1998 | fixed media, akusmatisch | 11:52 | Octo | 8 parts | IMED 10103/ | 0 | http://www.electrocd.com/en/bio/drese_in/oeuvres/ | ||||||||
| 4345 | Ingrid | Drese | Im Nebel | 1994 | fixed media, akusmatisch | 6 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 35368 | Ingrid | Drese | Io | 2011 | fixed media, akusmatisch | 12:14 | Stereo | 0 | |||||||||||
| 41623 | Ingrid | Drese | L'horloge à feu | 1998 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 22201 | Ingrid | Drese | Papillon, Abîme, Nuit | 1999 | fixed media, akusmatisch | 12:06 | Stereo | 1st biennial Acousmatic Composition Competition | MR 2000 Métamorphoses 2000/ IMED 10103/ | Musiques et Recherches Ohain | Sélection finaliste du prix métamorphoses 2000 Parution sur CD Métamorphoses 2000 |
1 | |||||||
| 27761 | Ingrid | Drese | Paysage avec miroir | 2006 | audiovisuell | 6:46 | Stereo | Wickmann (Video) | IMED 10103/ | Musiques et Recherches Ohain | 0 | ||||||||
| 35365 | Ingrid | Drese | Plis de la nuit | 2008 | fixed media, akusmatisch | 11:38 | Stereo | IMED 10103/ | 0 | ||||||||||
| 35366 | Ingrid | Drese | RER-B | 2013 | fixed media, akusmatisch | 5 | Stereo | 0 | |||||||||||
| 41622 | Ingrid | Drese | Rêve du dedans, choses du dehors | 1995 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 4346 | Ingrid | Drese | Scintilla | 1994 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 35367 | Ingrid | Drese | Sempre dolce | 2006 | fixed media, akusmatisch | 4:40 | Stereo | IMED 10103/ | 0 | ||||||||||
| 25880 | Ingrid | Drese | Sept Œils Sauvage | 2005 | fixed media, akusmatisch | 25:00 | IMED 10103/ | Musiques et Recherches Ohain | 1 | 2005 | |||||||||
| 27751 | Ingrid | Drese | Tout autant | 2000 | fixed media, akusmatisch | 9:42 | Stereo | Text by Etienne Leclercq | wbm 168 b Electro AC Wallonie - Bruxelles/ IMED 10103/ SR 161 sub rosa/ | Musiques et Recherches Ohain | 1 | 2002 | |||||||
| 27762 | Ingrid | Drese | Voix de l'aurore | 2006 - 2007 | fixed media, akusmatisch | 14 | Stereo | IMED 10103/ | Musiques et Recherches Ohain | 0 | |||||||||
| 20110 | Paul | Dresher | Mirrors | 1991 | Zuspiel / Tonband, 1 perf | 17:18 | Stereo | b-gui [Gitarre] | OO Discs 14/ | MINIMAX M. Berkeley | 0 | ||||||||
| 4347 | Paul | Dresher | Other fire | 1987 | Radiokunst, live-elec, 1 perf | 11:30 | synt [synthesizer] | Music&Arts CD 276/ | MINIMAX M. Berkeley | 1 | |||||||||
| 20111 | Paul | Dresher | Underground | 1982 | fixed media, akusmatisch | 7:36 | Stereo | ST 203, Starkland/ | MINIMAX M. Berkeley | 0 | |||||||||
| 20109 | Paul | Dresher | Water dreams | 1986 | radiophon | 13:13 | Stereo | Music&Arts CD 276/ | MINIMAX M. Berkeley | 1 | |||||||||
| 33403 | Michael | Dress | Theatre music, Exit the King Electra Iphigenie in Tauris The Trojan Women |
1963 - 1964 | Theatermusik | Mono | PS C. London | 0 | |||||||||||
| 19151 | Steven | Dressler | Woonsocker | 1994 | live-elec, 1 group | 4:19 | ens [Ensemble] | AER 1994 / 6/ | 1 | ||||||||||
| 4348 | James | Drew | Construction II | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Uni St. Louis | 0 | ||||||||||
| 4349 | James | Drew | Construction III | 1966 | fixed media, akusmatisch | 5:00 | Quadro | Uni St. Louis | 0 | ||||||||||
| 4350 | James | Drew | Glida | 1966 - 1967 | Oper | 60:00 | Quadro | Uni St. Louis | 0 | ||||||||||
| 32115 | Michael | Drews | Broken Symmetry | 2004 | Zuspiel / Tonband, 2 perf | 7:20:00 | ob, p [Oboe, Piano] | Marlen Vavrikova, oboe, David Psenicka, piano | SEAMUS EAM Vol. 14/ | 0 | |||||||||
| 42601 | Michael | Drews | Infrastructure | 2009 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 42842 | Michael | Drews | Resurrection | 2013 | fixed media, akusmatisch | 6:49:00 | 0 | ||||||||||||
| 34728 | Arnold | Dreyblatt | Turntable History | 2009 | Klangkunst, Installation | 10 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 22.5.-12.7.2009 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=668 | ||||||||
| 22942 | Arnold | Dreyblatt | Who's Who in Central and East Europe 1933 | 1990 | Performance, Zuspiel, live-elec, 11 perf | 60:00 | 10 perf, MIDI [Performer, synthesizer] | Hypertext Performance | Festival Inventionen DAAD/TU 90 | 13.2.1991 | Inventionen Kino Babylon Berlin | 1 | 1991 | ||||||
| 39433 | Mads Emil | Dreyer | Lys 3 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24274 | Roswitha von den, Jens-Uwe | Driesch, Dyffort | 33.3 | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 4351 | John | Driscoll | A Hall is all | 1986 | Klangkunst, Installation | 20:00 | roboter-soundinstallation | ed. RZ 4004 Daad / 20 Jahre Inventionen 2/ | 1 | 1986 | http://www.ubu.com/emr/interviews.html | ||||||||
| 33016 | John | Driscoll | Listening Out Loud | 1977 | live-elec, 3 perf | 12:51:00 | 3 perf [Performer] | Improvisation, Performer – Bill Viola, John Driscoll, Phil Edelstein* | OMM 0046, The Kitchen Archives No.4 / Composers Inside Electronics/ | 1 | |||||||||
| 34241 | John | Driscoll | Wafer Flats | 1986 | Klangkunst, Installation | 45 | Binaural and stereo version | Edition Giannozzo/ | DAAD Berliner Künstlerprogramm | 1986 | Galerie Giannozzo Berlin | 0 | |||||||
| 4352 | John, Richard | Driscoll, Lerman | Sputtering Energy (at 500 times the true size) | 1986 | live-elec, 1 perf | 44:00 | perf [Performer] | roboter-installation; 2 versions Inventionen 27.2. - 9.3.1986 Ackerstr. |
0 | ||||||||||
| 4353 | Philippe | Drogoz | Memoires d'un enfant prodige, L’accouchement Le bébé Casa I: l’école Casa II: La messe |
1982 | fixed media, akusmatisch | 26:15 | Stereo | INA • GRM | 14.6.1982 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||||
| 40782 | Philippe | Drogoz | Yo | 1980 | Film | INA • GRM, GMEM Marseille | 0 | ||||||||||||
| 38757 | Marcus, Michael | DROSS, WOLTERS | Kathryn und Peter durchqueren die Antarktis | 2003 | radiophon | 52:53:00 | 0 | ||||||||||||
| 4354 | Jacob | Druckman | Animus I | 1966 | Zuspiel / Tonband, 1 perf | 12:40 | Quadro | trbn [Posaune] | TV 34177/ Columbia OW 7613 VX/ IDEAMA CD 065/ | Col.Princ EMC | 1 | ||||||||
| 4355 | Jacob | Druckman | Animus II | 1968 | Zuspiel / Tonband, 2 perf | Mez, perc [Mezzo, Schlagzeug] | CRi SD 255/ IDEAMA CD 065/ | Col.Princ EMC | 0 | ||||||||||
| 4356 | Jacob | Druckman | Animus III | 1969 | Zuspiel / Tonband, 1 perf | 11:20 | Quadro, Stereo | cl [Klarinette] | nonesuch H 71253/ | INA • GRM | 23.10.1969 | Paris, Maison de la Radio, Studio 104; SMIP, avec M. Portal | 0 | ||||||
| 4357 | Jacob | Druckman | Animus IV | 1977 | Zuspiel / Tonband, 1 perf, 1 group | 22:00 | T, ens [Tenor, Ensemble] | IRCAM | Bo&Ha | 0 | |||||||||
| 4358 | Jacob | Druckman | Synapse - Valentine | 1970 | Zuspiel / Tonband, 1 perf | db [Kontrabass] | nonesuch H 71253/ | Col.Princ EMC | 0 | ||||||||||
| 4359 | Kostis | Drygianakis | opriki mousiki | 1990 | fixed media, akusmatisch | 7:25 | ano kato 020/ | Graffiti St Larissa | 1 | ||||||||||
| 38533 | Mathew | DRYHURST | Muster | 2015 | radiophon | 42:32:00 | 0 | ||||||||||||
| 28391 | Petra, Mario | Dubach, van Horrik | Live in Prague | 2003 | Klangkunst, Installation | 45 | Live registration of a concert + Installation on 9.10.2003 at Synagogue at Palmovka in Prague | 1 | |||||||||||
| 37865 | Petra, Mario | Dubach, van Horrik | Waves, Chinese Lanterns #7 Ultimate Sound #3 Derwish Bead #5 Clamps and Hooks #1 |
2013 | fixed media, akusmatisch | 55 | Live registration of a concert + Installation on 9.10.2003 at Synagogue at Palmovka in Prague | Edition Telemark 628.01/ | 0 | ||||||||||
| 4367 | Bertrand | Dubedout | Accords Anciens | 1986 | fixed media, akusmatisch | 33:45 | Stereo | INA • GRM | 17.11.1986 | Toulouse, Musée des Augustins | 0 | ||||||||
| 4368 | Bertrand | Dubedout | Aux Lampions, Bal convexe Le cocher Sous les planches |
1981 | fixed media, akusmatisch | 18:19 | Stereo | MK CD 012/ | INA • GRM | march 1981 | Clermont-Ferrand | 0 | |||||||
| 4369 | Bertrand | Dubedout | Etude de Composition, Piccolo Teatro | 1980 | fixed media, akusmatisch | 11:55 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 32947 | Bertrand | Dubedout | Fractions du silence | 1995 | fixed media, akusmatisch | 9:56 | Motus M 298004/ | 0 | |||||||||||
| 4370 | Bertrand | Dubedout | Territoires | 1989 | fixed media, akusmatisch | 16:12 | Stereo | INA • GRM | 0 | ||||||||||
| 4371 | Alain | Dubois | Aujour d’hui, demain | 1977 | fixed media, akusmatisch | Con Pantin | 0 | ||||||||||||
| 42602 | R. Luke | DuBois | Synaesthetic Object | 2009 | fixed media, akusmatisch | 15 | 0 | ||||||||||||
| 42483 | R. Luke, Lesley | Dubois, Flanigan | Bioluminescence | 2008 | live-elec, 1 perf | com. V [Stimme] | R. Luke Dubois, laptop; Lesley Flanigan, vocals | 0 | |||||||||||
| 28166 | Patrick | Dubost | L'archéologue du futur | fixed media, akusmatisch | Stereo | GMVL CD / | GMVL Lyon | 0 | |||||||||||
| 20112 | Patrick | Dubost | Le désordre | 1988 | fixed media, akusmatisch | 6:27 | Stereo | GMVL 003/ | GMVL Lyon | 0 | |||||||||
| 19218 | Laszlo | Dubrovay | Cry into the night | 1996 | fixed media, akusmatisch | 13:35 | EMS Stockholm | 1 | |||||||||||
| 19090 | Laszlo | Dubrovay | Ear-music | 1992 | live-elec, 4 perf | 8:50 | 4 synt [synthesizer] | stcd 087, Staalplaat/ | MR Budapest | 1 | |||||||||
| 4372 | László | Dubrovay | A2 | 1975 | Zuspiel / Tonband, 5 perf | 16:38 | vn, vc, perc, p, synt [Piano, Schlagzeug, Cello, Violine, synthesizer] | HUN SLPX 12030/ | MR Budapest | 1 | |||||||||
| 4373 | László | Dubrovay | Au bord des événements | 1988 | fixed media, akusmatisch | 10:20 | IMEB Bourges | 1 | |||||||||||
| 4374 | László | Dubrovay | Caput | 1977 | live-elec, 1 perf, 1 group | ch, e-org [Keyboard, Chor] | MR Budapest | 0 | |||||||||||
| 4375 | László | Dubrovay | Concertino No. 4 | 1990 | Zuspiel / Tonband, 1 perf | 12:40 | Stereo | p [Piano] | HUN SLPX 12415/ stcd 087, Staalplaat/ | MR Budapest | 1 | ||||||||
| 4376 | László | Dubrovay | Concerto No.4 | 1982 | live-elec, 2 perf, 1 group | 22:37 | Stereo | p, orc, synt [Piano, synthesizer, Orchester] | HUN SLPX 12415/ | MR Budapest | 1 | ||||||||
| 4377 | László | Dubrovay | Danse éternel | 1976 | fixed media, akusmatisch | 17:20 | Stereo | MR Budapest | 0 | ||||||||||
| 4378 | László | Dubrovay | Geometrum 1 | 1975 | fixed media, akusmatisch | MR Budapest | 0 | ||||||||||||
| 4379 | László | Dubrovay | Harmonics II | 1983 | fixed media, akusmatisch | 7:10 | Quadro | Synclavier, nach einer Obertonpartitur für Klavier | HUN SLPX 12809/ stcd 087, Staalplaat/ | TU Berlin | 18.2.1984 | Inventionen TU-Gebäude Ackerstraße | 1 | 1984 | |||||
| 4380 | László | Dubrovay | Kyrie | 1973/1974 | fixed media, akusmatisch | 11:55 | Quadro | HfMT Köln CD2/ | HfMT Köln | 1 | |||||||||
| 4381 | László | Dubrovay | Le désir des molécules | 1988 | fixed media, akusmatisch | 15:25 | IMEB Bourges | 1 | |||||||||||
| 4382 | László | Dubrovay | Matuziáda 5 | 1976 | Zuspiel / Tonband, 1 perf | 11:04 | Stereo | fl, (rm) [Flöte] | part 5 from Matuziáda 1-5 | HUN SLPX 12228/ | MR Budapest | 1 | |||||||
| 4383 | László | Dubrovay | Mouvement éternel | 1976 | fixed media, akusmatisch | 16:30 | Quadro | MR Budapest | 0 | ||||||||||
| 4384 | László | Dubrovay | Mutations | 1973 | fixed media, akusmatisch | 3:58 | Stereo | HfMT Köln | 0 | ||||||||||
| 4385 | László | Dubrovay | Oscillations No. 1 | 1976 | Zuspiel / Tonband, 2 perf | 18 | Stereo | e-org, synt [Keyboard, synthesizer] | to Karlheinz Stockhausen | HUN SLPX 12030/ | MR Budapest | 1 | |||||||
| 4386 | László | Dubrovay | Oscillations No. 2 | 1977 | Zuspiel / Tonband, 4 perf | 11:50 | Stereo | vc, cymbalom, e-org, synt [Keyboard, Cello, synthesizer, Streicher] | HUN SLPX 12030/ | MR Budapest | 1 | ||||||||
| 4387 | László | Dubrovay | Oscillations No. 3 | 1977 | live-elec, 2 perf | 9:00 | Stereo | p, synt [Piano, synthesizer] | HUN SLPX 12030/ | MR Budapest | 1 | ||||||||
| 4388 | László | Dubrovay | parte con moto | 1984 | fixed media, akusmatisch | 6:22 | Quadro | 2. part of "Symphonia"§ | HUN SLPX 12809/ | TU Berlin | 1 | 1985 | |||||||
| 4389 | László | Dubrovay | Psychographic | 1988 | fixed media, akusmatisch | 8:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 4390 | László | Dubrovay | S O S - var. electr. | 1979 | fixed media, akusmatisch | 12:00 | Stereo | MR Budapest | 0 | ||||||||||
| 4391 | László | Dubrovay | S O S - var. vocale | 1979 | fixed media, akusmatisch | 11:45 | Stereo | MR Budapest | 0 | ||||||||||
| 4392 | László | Dubrovay | Sequence | 1989 | fixed media, akusmatisch | 10:05 | Stereo | MR Budapest | 0 | ||||||||||
| 4393 | László | Dubrovay | Sóhaj, Seufzer | 1974 | fixed media, akusmatisch | 15:25 | WDR SEM | WDR 1975 | 12.12.1975 | WDR | 0 | ||||||||
| 4394 | László | Dubrovay | Sonata for Computer | 1984 | fixed media, akusmatisch | 12:48 | Stereo | dedicated to L. G. Bodin | HUN SLPX 12809/ | EMS Stockholm | 1 | ||||||||
| 4395 | László | Dubrovay | Strophes | 1981 | live-elec, 2 perf | 10:30 | Stereo | perc, synt [Schlagzeug, synthesizer] | MR Budapest | 0 | |||||||||
| 4396 | László | Dubrovay | Suite | 1981 | live-elec, 2 perf | 12:35 | Stereo | p, synt [Piano, synthesizer] | MR Budapest | 1 | |||||||||
| 4397 | László | Dubrovay | Symphonia | 1985 | fixed media, akusmatisch | 24:12 | Quadro | 3 parts, Synclavier | HUN HCD 31349 Hungaroton/ stcd 087, Staalplaat/ | TU Berlin | 28.2.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | Preis der Kritiker (Ungarischer Rundfunk) Auszeichnung ars electronica 1992 |
1 | 1986 | ||||
| 4398 | László | Dubrovay | Tranquilité éternel | 1976 | fixed media, akusmatisch | 17:20 | Stereo | MR Budapest | 0 | ||||||||||
| 4399 | Jean | Dubuffet | Aguichements | 1961 | fixed media, akusmatisch | 7:10 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4402 | Jean | Dubuffet | Coq à l’oeil | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4405 | Jean | Dubuffet | Dimanche | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4406 | Jean | Dubuffet | Humeur incertaine | 1961 | fixed media, akusmatisch | 7:43 | Mono | Edizione Del Cavallino/ | PS C. | 0 | |||||||||
| 4407 | Jean | Dubuffet | L’Eau | 1961 | fixed media, akusmatisch | 4:15 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4408 | Jean | Dubuffet | La fleur de barbe | 1960 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | http://www.discogs.com/label/Edizione%20Del%20Cavallino | |||||||||
| 4409 | Jean | Dubuffet | Le bateau coulé | 1961 | fixed media, akusmatisch | 9:03 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4410 | Jean | Dubuffet | Le gai savoir | 1961 | fixed media, akusmatisch | 3:30 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4413 | Jean | Dubuffet | Pleure et applaudit | 1961 | fixed media, akusmatisch | 11:20 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4414 | Jean | Dubuffet | Pousse l’herbe | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4416 | Jean | Dubuffet | Solennités | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4417 | Jean | Dubuffet | Temps radieux | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4418 | Jean | Dubuffet | Trotte matin | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4400 | Jean, Asger | Dubuffet, Jorn | Brusqueries | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4401 | Jean, Asger | Dubuffet, Jorn | Claque dent | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4403 | Jean, Asger | Dubuffet, Jorn | Crépite et flambe | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4404 | Jean, Asger | Dubuffet, Jorn | Débats et rumeurs | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4411 | Jean, Asger | Dubuffet, Jorn | Nez cassé | 1960 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4412 | Jean, Asger | Dubuffet, Jorn | Nouvel an | 1960 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4415 | Jean, Asger | Dubuffet, Jorn | Sang | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4419 | Jean, Asger | Dubuffet, Jorn | Vole vent | 1960 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 35008 | Curd | Duca | Waves digital-analoge Musik | 2016 | fixed media, akusmatisch | 15.10.2016 | Donaueschinger Musiktage, TWIST | 0 | |||||||||||
| 20113 | Marcel | Duchamp | La mariée mise à nu par ses célibataires même | live-elec, 2 perf | 10:05 | Stereo | 2 p [Piano] | Persson, Scholz | SUB CD 012-10/ | 0 | |||||||||
| 4420 | Lucien | Duchemin | Schizo 1 | 1983 | Zuspiel / Tonband, 1 group | ch [Chor] | CIRM Nice | 0 | |||||||||||
| 4421 | Jean-Marc | Duchenne | 1ère suite - quasi una sonata - | 1984 | live-elec, 2 perf | 2 synt [synthesizer] | CNR Lyon | 0 | |||||||||||
| 4422 | Jean-Marc | Duchenne | Acidalie | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4423 | Jean-Marc | Duchenne | Ainsi de suite | 1983 | intermedia | dance, M. and painting | CNR Lyon | 0 | |||||||||||
| 4424 | Jean-Marc | Duchenne | Cinq pieces brèves | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4425 | Jean-Marc | Duchenne | Coccinelle | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4426 | Jean-Marc | Duchenne | Comme une flambée d'aurore | 1983 | Zuspiel / Tonband, 2 perf | 2 cl [Klarinette] | CNR Lyon | 0 | |||||||||||
| 4427 | Jean-Marc | Duchenne | Deux paroles couleurs de braise | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4428 | Jean-Marc | Duchenne | Deux pieces pour trois | 1984 | Zuspiel / Tonband, 3 perf | fl, vc, synt [Flöte, Cello, synthesizer] | CNR Lyon | 0 | |||||||||||
| 20114 | Jean-Marc | Duchenne | Feuillets d'album | 1994 | fixed media, akusmatisch | 21:49 | Stereo | MK CD 016/ | 0 | ||||||||||
| 4429 | Jean-Marc | Duchenne | Mobilis in Mobile, Abyssa Les météores Globular star cluster |
1990 | fixed media, akusmatisch | 30:40 | Stereo | INA • GRM | 0 | ||||||||||
| 4430 | Jean-Marc | Duchenne | Quatre études d'espace | 1987/1988 | fixed media, akusmatisch | 14:34 | nor 01/ | Prix du jury beim Prix Noroit 1989 Arras | 1 | ||||||||||
| 4431 | Jean-Marc | Duchenne | Six petites pieces | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4432 | Jean-Marc | Duchenne | Sous les pierres | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4433 | Jean-Marc, Jean-François, Jean-Claude | Duchenne, Minjard, Vitau | Trois séquences pour 3 synthét. | 1983 | live-elec, 3 perf | 3 synt [synthesizer] | CNR Lyon | 0 | |||||||||||
| 39147 | Cezary | Duchnowski | Beard | 2005 | live-elec, 1 perf | vc (com) [Cello] | 0 | ||||||||||||
| 39134 | Cezary | Duchnowski | Beginning. Broadcast 1 | 2001 | live-elec, 1 perf | Sp (announcer) [Sprecher] | 0 | ||||||||||||
| 39137 | Cezary | Duchnowski | Dishevelled Grass | 2002 | live-elec, 1 perf | V, (com) [Stimme] | 0 | ||||||||||||
| 39131 | Cezary | Duchnowski | Games | 1998 | Performance | S, sax, p, mar, dancers, actor [Sopran, Saxophon, Piano, Schlagzeug, Schauspieler, Tanz] | audiovisual spectacle | 0 | |||||||||||
| 39129 | Cezary | Duchnowski | Hypér tes morphés | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 39148 | Cezary | Duchnowski | Martha's Garden | 2006 | Oper | fem V, actor, inss, (electronic media, instruments) [Stimme, Instrument, Schauspieler] | a chamber opera; libretto by Piotr Jasek | 0 | |||||||||||
| 39141 | Cezary | Duchnowski | Melody for Arvo Pärt | 2003 | Zuspiel / Tonband, 4 perf | 4 male V [Stimme] | 0 | ||||||||||||
| 39142 | Cezary | Duchnowski | monad 3, monada 3 | 2003 | live-elec, 2 perf | 7:38 | V, p, (com) [Stimme, Piano] | polmic 008/ | 0 | ||||||||||
| 39143 | Cezary | Duchnowski | monad 4, monada 4 | 2003 | live-elec, 2 perf | 2 ins (Baron, Wojtasik computer) [Instrument] | 0 | ||||||||||||
| 33131 | Cezary | Duchnowski | monada 2, monad 2 | 2003 | live-elec, 2 perf | 16:13:00 | S, tpt, (com) [Sopran, Trompete] | Monada 3, duration 7:38 | WJ 2003/ polmic 008/ | September 22nd, 2003 | Rozmaitosci' Theatre in Warsaw by Jaroslaw Regulski, Polish Television, Channel 2 | 1 | |||||||
| 39130 | Cezary | Duchnowski | Morphai | 1998 | Performance | audiovisuell |
S, sax, p, mar, dance [Sopran, Saxophon, Piano, Schlagzeug, Tanz] | multimedia spectacle | 0 | |||||||||||
| 39145 | Cezary | Duchnowski | Non-Highrisers | 2004 | live-elec, 1 perf, 1 group | str-orc, (com) [Streicher] | 0 | ||||||||||||
| 39133 | Cezary | Duchnowski | Ovinu Malkeinu | 2000 | fixed media, akusmatisch | 0 | |||||||||||||
| 39135 | Cezary | Duchnowski | Progress | 2001 | live-elec, 1 perf | S [Sopran] | 0 | ||||||||||||
| 39144 | Cezary | Duchnowski | Reality on stretched braces from the window | 2004 | live-elec, 4 perf | cl, trbn, p, vc [Klarinette, Posaune, Piano, Cello] | 0 | ||||||||||||
| 33173 | Cezary | Duchnowski | Rzeczywistosc na rozciagnietych szelkach z okna, Reality on Stretched Braces From a Window | 2008 | live-elec, 3 perf | 18:49 | 2 p, str, (com) [Piano, Streicher] | for two pianos, strings and computer | WJ 2008 polmic 042/ | NOVA | 1 | ||||||||
| 39139 | Cezary | Duchnowski | The Aim. Broadcast 2 | 2002 | live-elec, 1 perf | Sp (announcer) [Sprecher] | 0 | ||||||||||||
| 33158 | Cezary | Duchnowski | The Beard | 2005 | live-elec, 1 perf | 19:28 | vc, (com) [Cello] | for cello and computer | WJ 2006 polmic 025/ | 1 | |||||||||
| 39146 | Cezary | Duchnowski | The Gate | 2005 | live-elec, 1 group | orc (symphony orchestra, computer) [Orchester] | 0 | ||||||||||||
| 33126 | Cezary | Duchnowski | Triads | 2002 | live-elec, | 15:16:00 | str orc [Orchester] | for electronics and string orchestra | WJ 2002/ | 1 | |||||||||
| 39138 | Cezary | Duchnowski | Triads | 2002 | live-elec, 1 perf, 1 group | str-orc, (com) [Streicher] | 1 | ||||||||||||
| 39132 | Cezary | Duchnowski | Vernissage | 1999 | Zuspiel / Tonband, 1 perf | (for photos), p [Piano] | 0 | ||||||||||||
| 39136 | Cezary | Duchnowski | Wyczochraczone (wiry/bushy) | 2002 | fixed media, akusmatisch | computer | 0 | ||||||||||||
| 4434 | David | Duchow | The Light Grey Man Requiem | 1983 | intermedia, | Stereo | (slides) [] | tape, slides | 0 | ||||||||||
| 4435 | Friedrich-Wilhelm | Dudda | Oktaven und 3 Zirkel | fixed media, akusmatisch | 27:00 | 0 | |||||||||||||
| 24407 | Jacques | Dudon | Objects célestes 02 | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 4436 | Jean-Jacques | Dünki | Afterthoughts | 1980 | fixed media, akusmatisch | 3:00 | Quadro | 0 | |||||||||||
| 4437 | Jean-Jacques | Dünki | It’s a Bagatelle | 1980 | Zuspiel / Tonband, 1 perf | 4:00 | Quadro | p [Piano] | 0 | ||||||||||
| 4438 | Jean-Jacques | Dünki | Rückblick II | 1983 | Zuspiel / Tonband, 5 perf | 9:00 | S, a-sax, 2 vc, p [Sopran, Saxophon, Piano, Cello] | 0 | |||||||||||
| 42100 | Karlaugust | Düppengießer | Toter Mann | 1931 | radiophon | WERAG (RRG) | 0 | ||||||||||||
| 4439 | John | Duesenberry | Agitato (Ergo Sum) | 1990 | fixed media, akusmatisch | 6:10 | MIDI | Neuma 450-75/ | Millay Arts Colony | 0 | |||||||||
| 4440 | John | Duesenberry | Projectile | 1987 | fixed media, akusmatisch | 3:32 | Stereo | PS C. | 0 | ||||||||||
| 4441 | John | Duesenberry | Tracers | 1988 | fixed media, akusmatisch | 4:22 | Stereo | PS C. | 0 | ||||||||||
| 19150 | John | Duesenberry | Wave Break | 1994 | live-elec, | 4:39 | AER 1994 / 6/ | Competition Musica Nova Prag 1994 | 1 | ||||||||||
| 27694 | Louis | Dufort | Concept 2018957 | 1997 | fixed media, akusmatisch | Uni Montreal | first prize Le Caine Award 1997 | 0 | |||||||||||
| 24617 | Louis | Dufort | Décap | 2000 | fixed media, akusmatisch | 24:07 | IMED 0051/ | PS C. | Compagnie Marie Chouinard for Le cri du monde | 8.03.2000 | Réseaux at Ex-Centris in Montréal | Mention at Prix Ars Electronica (Linz, Austria, 2001). | 0 | ||||||
| 37137 | Louis | Dufort | Enfant d’obus | 2007 | fixed media, akusmatisch | 10:02 | Quadro | IMED 0893/ | PS C. | 0 | |||||||||
| 37139 | Louis | Dufort | Gen_3 | 2007 | fixed media, akusmatisch | 8:56 | Quadro | IMED 0893/ | PS C. | 1.12.2007 | “Binary Cities Event: Montréal, Canada – Avignon, France” presented by Nexmap at Recombinant Media Labs in San Francisco (USA) | 0 | |||||||
| 37135 | Louis | Dufort | Grain de sable, A Grain of Sand | 2004 - 2005 | fixed media, akusmatisch | 14:35 | Quadro | IMED 0893/ | PS C. | Réseaux des arts médiatiques with support from CCA | 2.12.2004 | Maison de la culture Côte-des-Neiges in Montréal | 0 | ||||||
| 32919 | Louis | Dufort | Hi_Res, trans_canada 1 | 2005 | fixed media, akusmatisch | radiophon |
13:37 | Surround 5.1 | Part of „trans_canada 1“ (Deutschlandradio Kultur 2005, 53 Minuten) | IMED 09100 trans_canada/ IMED 0893/ | ZKM Karlsruhe | ZKM Karlsruhe | 11.2.2005 | trans_canada festival at the ZKM’s ZKM_Medientheater | 0 | |||||
| 26519 | Louis | Dufort | Hyper Lucidity | 2005 | live-elec, 2 perf | disklavier, elec, (video) [Piano, elektronik] | 0 | ||||||||||||
| 37136 | Louis | Dufort | Matério_* | 2006 | fixed media, akusmatisch | 8:00 | Quadro | IMED 0893/ | PS C. | Francisco López | 24.2.2007 | “Spatio Lumino,” the opening concert of the Montréal/Nouvelles musiques Festival at Société des arts technologiques (SAT) in Montréal | 0 | ||||||
| 37138 | Louis | Dufort | Matério_** | 2006 | fixed media, akusmatisch | 9:00 | Quadro | IMED 0893/ | PS C. | 0 | |||||||||
| 28234 | Louis | Dufort | Matério_*** | 2007 | fixed media, akusmatisch | 9:47 | Surround 4.1 | CMJ Vol 33-4, 2009/ IMED 0893/ | PS C. | Francisco López | 19 May 2007 | “Victoriaville mati`ere sonore” during the Festival international de musique actuelle de Victoriaville (FIMAV) in Victoriaville, Qu´ebec | 1 | ||||||
| 26518 | Louis | Dufort | Particules | 2006 | audiovisuell, live-elec, 2 perf | disklavier, elec, (video) [Piano, elektronik] | 0 | ||||||||||||
| 22011 | Louis | Dufort | Pointe-aux-Trembles, Prologue Introspection Elle Lumière Prière |
1996 | fixed media, akusmatisch | 14:26 | Musidisc 247982/ IMED 0051/ NOR 05/ | Uni Montreal | 1997 | fifth Noiroit-Léonce Petitot Prize (Arras, France) | Prix international Noroit-Léonce Petitot in 1997 | 1 | |||||||
| 24615 | Louis | Dufort | Transit | 1998 | fixed media, akusmatisch | 12:20 | IMED 0051/ | HfM Montreal | 3.03.1998 | ACREQ at Usine C in Montréal | 0 | ||||||||
| 24616 | Louis | Dufort | Zénith | 1999 | fixed media, akusmatisch | 14:31 | IMED 0050/ IMED 0051/ | HfM Montreal | 6.11.1999 | Hautes tensions concert at the Elektra festival produced by ACREQ at Usine C in Montréal | 0 | ||||||||
| 22837 | Denis | Dufour | Alian Duband | 1984 | fixed media, akusmatisch | 3:28 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22843 | Denis | Dufour | Alian Gonnard | 1984 | fixed media, akusmatisch | 3:49 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22842 | Denis | Dufour | Andrè Yagan | 1984 | fixed media, akusmatisch | 4:13 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 24408 | Denis | Dufour | Berechit | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 4443 | Denis | Dufour | Bocalises, grande suite | 1977, 1978 | fixed media, akusmatisch | 37:00 | Stereo | Motus M 306011/ | INA • GRM | INA • GRM | 23.3.1981 | Paris, Maison de Radio France, Gd. Auditorium, "Cycle Acousmatique 1981". | 1er Prix du concours international L. Russolo. 1979 | 1 | |||||
| 4444 | Denis | Dufour | Bocalises, petite suite | 1977 | fixed media, akusmatisch | 18:32 | Stereo | INA C 1000/ Accord 202222/ Russolo Pratella EF.ER.P 97/ | INA • GRM | 2.12.1977 | Pau | Prize Russolo Varese 1997 | 1 | ||||||
| 37894 | Denis | Dufour | Bocalises, Opérations de Studio | 1978 | fixed media, akusmatisch | 15 | Revue&Corrigée Issue 80/ | 1 | |||||||||||
| 4445 | Denis | Dufour | Cannibale | 1990 | live-elec, 2 perf | MIDI-gui, sam [Gitarre, computer] | la grande fabrique | 0 | |||||||||||
| 19247 | Denis | Dufour | Chrysalide | 1993 | fixed media, akusmatisch | 29:00 | Trépidoptères, Mues du son, Bille bleue | INA e 5007/ WER 3025/ | INA • GRM | 1 | |||||||||
| 4446 | Denis | Dufour | Colloque | 1983 | radiophon | 15:07 | Stereo | La nuit des oiseaux | INA • GRM | 1.10.1983 | Radio France Musique | 0 | |||||||
| 22823 | Denis | Dufour | Courant dans i'air noir | 1988 | fixed media, akusmatisch | 2:47 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22832 | Denis | Dufour | Croquant dans une cerise | 1988 | fixed media, akusmatisch | 1:43 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22829 | Denis | Dufour | Des gifles de tilleul et des claques de pin | 1988 | fixed media, akusmatisch | 0:53 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22822 | Denis | Dufour | Des mains insomniaques conduiront le coupé rouge | 1988 | fixed media, akusmatisch | 3:36 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22826 | Denis | Dufour | Des sifflets malicieux tyranniques | 1988 | fixed media, akusmatisch | 1:40 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4447 | Denis | Dufour | Deuxième Suite | 1983 | fixed media, akusmatisch | 19:15 | Stereo | INA • GRM | 11.2.1984 | Inventionen 1984, AEG-Fabrik Ackerstraße | 1 | 1984 | |||||||
| 22841 | Denis | Dufour | Didier Peigne | 1984 | fixed media, akusmatisch | 3:35 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4448 | Denis | Dufour | Dix portraits, Allegro Adagio Scherzo Presto |
1984 | Zuspiel, live-elec, 3 perf | 35:20 | Stereo | 3 synt [synthesizer] | Motus M 197002/ | INA • GRM | Commande d’Etat, de la Direction de la Musique, du Ministère de la Culture et de INA.GRM | 30.4.1984 | Paris, Maison de Radio-France, Gd. Auditorium, avec le Trio TM+ | 1 | |||||
| 4442 | Denis | Dufour | Douze mélodies acousmatiques | 1988 | fixed media, akusmatisch | 25:38 | Stereo | Motus M 197002/ | INA • GRM | 1 | 1996 | ||||||||
| 32944 | Denis | Dufour | Ebene Sieben | 1997 | fixed media, akusmatisch | 25:44 | dedicated to Karlheinz Stockhausen | Motus M 199005/ | 0 | ||||||||||
| 4449 | Denis | Dufour | Entre dames | 1982 | fixed media, akusmatisch | 19:30 | Stereo | INA • GRM | 0 | ||||||||||
| 22831 | Denis | Dufour | Entre les troncs impassibles aux grans bras balancès de vent qui songent | 1988 | fixed media, akusmatisch | 2:40 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4450 | Denis | Dufour | Etude de composition No. 1 | 1976 | fixed media, akusmatisch | 4:46 | Stereo | Étude de stage | INA • GRM | 19.1.1977 | Paris, Arc | 0 | |||||||
| 32954 | Denis | Dufour | Exil | 1995 | fixed media, akusmatisch | 12:46 | Motus M 303006/ | 0 | |||||||||||
| 4451 | Denis | Dufour | Germinal, Le labyrinthe de l'amour | 1985 | fixed media, akusmatisch | 3:34 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 32955 | Denis | Dufour | Hélice | 1995 | fixed media, akusmatisch | 12:05 | Motus M 303006/ | 0 | |||||||||||
| 32988 | Denis | Dufour | Jardins De Sons | fixed media, akusmatisch | 22:39 | EAPR 01 PH 27-80/ | 0 | ||||||||||||
| 4452 | Denis | Dufour | Je voulais parler des Oiseaux | 1978 | Zuspiel / Tonband, 3 perf | 40:00 | Stereo | S, str, gui [Sopran, Gitarre, Streicher] | Textes de J. C. Thoams et D. Dufour | INA • GRM | 23.4.1979 | Paris, Maison de Radio France, Studio 105; avec L. Mazeron (S) et P. Laniau (gui) | 0 | ||||||
| 22840 | Denis | Dufour | Jean-Christophe Thomas | 1984 | fixed media, akusmatisch | 3:23 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22834 | Denis | Dufour | Jean-Luc Sulnier | 1984 | fixed media, akusmatisch | 3:11 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4453 | Denis | Dufour | La galerie, Ouverture Les yeux d'Anne L'île VoIcan Enfance 1, souvenir-rêverie Enfance 2, leçon de piano Le corps d'Anne L'île Mort Entracte Le parcours du rêve |
1980 | Zuspiel, live-elec, 6 perf | 46:30 | Stereo | 3 mus, 3 V [Stimme, Musiker] | INA • GRM | Commande de l'Etat et de l'INA.GRM | 22.11.1980 | Metz, 9. Rencontres Internationales, Palais des Sports, avec le TRIO. GRM.PLUS (L. Cuniot, D. Dufour, et Y. Geslin); corps sonores: Marie-Noëlle Moyal, Ph. Mion, R. Petiet | 0 | ||||||
| 22824 | Denis | Dufour | La lune agrippeè dans les platanes | 1988 | fixed media, akusmatisch | 2:22 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 32956 | Denis | Dufour | La Terre est Ronde | 2002 | fixed media, akusmatisch | 11:11 | Motus M 303006/ | 0 | |||||||||||
| 4454 | Denis | Dufour | Le cercle dans tous ses etats Rond de jambe, Le voyageur du cercle Cirquonvolution La rage du cercle L'homme au cœur du cercle Le parti pris du cercle Le cercle des métamorphoses. |
1979 | Tanz | 55:30 | Stereo | sur un texte de Ch. Baudelaire | INA • GRM | Ballets Modernes de Paris | 16.3.1979 20.3.1979 20.2.1981 |
Avignon, Les Pénitents blancs France Culture Lyon, Auditorium Maurice Ravel |
0 | ||||||
| 22833 | Denis | Dufour | Le frais refrain de ta bouche | 1988 | fixed media, akusmatisch | 1:51 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4455 | Denis | Dufour | Le lis vert, Nuage d'émeraude Parfum de nacre et d'opale Couleur des rêves et des ombres Celui qui vient |
1982 | fixed media, akusmatisch | 37:00 | Stereo | Motus M 306011/ | INA • GRM | 3.5.1982 16.3.1983 |
Paris, Maison de RadioFrance Version intégrale: Ircam Forum de la Création |
0 | |||||||
| 22827 | Denis | Dufour | Les gènies et les singes | 1988 | fixed media, akusmatisch | 1:00 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22828 | Denis | Dufour | Les lys voluptueux de la route | 1988 | fixed media, akusmatisch | 2:54 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 32945 | Denis | Dufour | Lux Tenebrae | 1997 | fixed media, akusmatisch | 22:13 | Motus M 199005/ | 0 | |||||||||||
| 32987 | Denis | Dufour | Machinerie Romantique | fixed media, akusmatisch | 24:00 | EAPR 01 PH 27-80/ | 0 | ||||||||||||
| 4456 | Denis | Dufour | Messe a l'usage des enfants | 1986 | fixed media, akusmatisch | 30:00 | Stereo | Textes: Thibault d’Orion | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 15.11.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||
| 4457 | Denis | Dufour | Messe a l'usage des vieillards | 1987 | Zuspiel / Tonband, 1 perf | 32:48 | Stereo | V [Stimme] | Accord 202222/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 1 | ||||||||
| 32989 | Denis | Dufour | Musiques Utopiques | fixed media, akusmatisch | 32:16 | EAPR 01 PH 27-80/ | 0 | ||||||||||||
| 4458 | Denis | Dufour | Noel toxique | 1988 | fixed media, akusmatisch | 3:10 | Stereo | INA • GRM | 0 | ||||||||||
| 4459 | Denis | Dufour | Notre besoin de consolation est impossible à rassasier, Je suis dépourvu de foi… Le fil du rasior est bien étroit Mais l’humanité n’a que faire… Mais que puis-je bien faire de cet argent. … On dirait que j‘ai besoin de la dépend… Puisque je suis au bord de la mer… Mais tout ce qui m’arrive… Il est absurde de prétendre… … … |
1989 | fixed media, akusmatisch | 67:22 | Stereo | ACM 1995 (extract, 1:27). in German: Unser Tröstungsbedürfnis ist unersättlich | INA C 1010/ INA ACM 1995/ | INA • GRM | L’Etat pour l'Ina GRM | 1 | |||||||
| 4460 | Denis | Dufour | Objet-danse, a) Couffin Le mur Cubes. b) Cubes Il Rocking chair Tabourets I et Il c) Tabouret III Tabouret IV |
1977 | Tanz | 93:00 | Stereo | INA • GRM | Ballets Modernes de Paris | 15.7.1977 | Macon | 0 | |||||||
| 18575 | Denis | Dufour | Où est maintenant la forêt | 1993 | live-elec, | 24:38 | Stereo | (9 mouvements) | Motus M 197001/ | 0 | |||||||||
| 22835 | Denis | Dufour | Patrice Motte | 1984 | fixed media, akusmatisch | 3:11 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22839 | Denis | Dufour | Philippe Mion | 1984 | fixed media, akusmatisch | 3:46 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22838 | Denis | Dufour | Phillippe Kapp | 1984 | fixed media, akusmatisch | 3:40 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4461 | Denis | Dufour | Pli de perversion 2, Pli de perversion | 1978 | live-elec, 3 perf | 9:12 | Stereo | vn, 2 synt (Syter) [Violine, synthesizer] | Trio TM+ (Geslin, Dufour + Cuniot {vn}). First Piece with Syter - Realtimeprocessing | INA C 1034 27654 archives grm CD 4/5/ | INA • GRM | 24.11.1978 | Paris, Maison de la Radio, Studio 105, avec le Trio GRM plus | 1 | |||||
| 4462 | Denis | Dufour | Psaume d'Adam | 1986 | fixed media, akusmatisch | 10:45 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 4463 | Denis | Dufour | Rêve Lisse | 1983 | Zuspiel, live-elec, 3 perf | 12:08 | Stereo | 2 synt, vn [Violine, synthesizer] | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 1 | ||||||||
| 22836 | Denis | Dufour | Silvère Beltrando | 1984 | fixed media, akusmatisch | 4:32 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 24409 | Denis | Dufour | Spirale | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18576 | Denis | Dufour | Suite blue | 1993 | live-elec, | 19:19 | Stereo | Accord 202222/ | 0 | ||||||||||
| 4464 | Denis | Dufour | Suite en trois mouvements, Musique Nouvelle No. 3 | 1981 | fixed media, akusmatisch | 21:15 | Stereo | 3 parts: 14:06 + 2:40 + 4:24 | Motus M 303006/ | INA • GRM | INA-GRM | 26.3.1982 | Lyon, Auditorium Maurice Ravel | 0 | |||||
| 22825 | Denis | Dufour | Sur un lit d'orchidèes sauvages | 1988 | fixed media, akusmatisch | 1:34 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 32948 | Denis | Dufour | Tandem oblique | 2004 | fixed media, akusmatisch | 11:39 | Motus M 298004/ | 0 | |||||||||||
| 32943 | Denis | Dufour | Terra incognita | 1998 | fixed media, akusmatisch | 25:42 | dedicated to Pierre Schaeffer | Motus M 199005/ | 0 | ||||||||||
| 22830 | Denis | Dufour | Ton corps est une surprise | 1988 | fixed media, akusmatisch | 1:57 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 40775 | Denis | Dufour | Trio | 1978 | Zuspiel, live-elec, 3 perf | 12:10 - 13:40 | vn, mdl (Mandoline), synt [Gitarre, Violine, synthesizer] | INA • GRM | 6.4.1978 | Paris, Maison de la Radio, Studio 105, avec le Trio GRM plus | 0 | ||||||||
| 4465 | Hugues | Dufourt | Cérémonie pour une victoire | 1966 | Film | 14:00 | Mono | SMC Genève | 0 | ||||||||||
| 4466 | Hugues | Dufourt | La Tempesta, La Tempesta d'après Giorgione | 1976/1977 | live-elec, 3 perf, 1 group | 14:57 | ens, oma, e-org, e-gui [Keyboard, Gitarre, synthesizer, Ensemble] | 2.4.1977 | Royan | Jobert | 1 | 1990 | http://brahms.ircam.fr/works/work/8194/ | ||||||
| 20115 | Hugues | Dufourt | Saturne | 1979 | Zuspiel / Tonband, 6 perf, 1 group | 43:16 | Stereo | ens, 6 perc [Schlagzeug, Ensemble] | Accord 202542/ | 0 | |||||||||
| 4467 | François | Dufrêne | 50 "Crirythmes" | 1955 - 1967 | fixed media, akusmatisch | Mono, Stereo | phonetic poesie with crirythme | Mar/ | PS C., Radio Canada Paris | 0 | |||||||||
| 4468 | François | Dufrêne | Anti - Etude crirythme du 1er Mai | 1960 | fixed media, akusmatisch | 25:00 | Stereo | crirythme | PS Apsome | 0 | |||||||||
| 4469 | François | Dufrêne | Batteries vocales, crirythme | 1958 | fixed media, akusmatisch | 2:28 | Mono | OU/ | PS C. | 0 | |||||||||
| 4470 | François | Dufrêne | Blaise-Charlie-Miles | 1964 | fixed media, akusmatisch | 24:00 | Mono | lecture collage, poem | CBC Paris, PS C. | 0 | |||||||||
| 4471 | François | Dufrêne | Comment lire Ghil | 1964 | fixed media, akusmatisch | 8:00 | Mono | phonetic poesie | CBC Paris | 0 | |||||||||
| 4473 | François | Dufrêne | La Brebis Galante de Benjamin Péret | 1959 | Demo, Studie | 3:00 | Mono | txtcompo | OU/ | Tadie Cinema Paris | 0 | ||||||||
| 4474 | François | Dufrêne | Paix en Algérie, crirythme | 1958 | fixed media, akusmatisch | 1:55 | Mono | OU/ | PS C. | 0 | |||||||||
| 24532 | François | Dufrêne | Paris - Stockholm | 1966 | fixed media, akusmatisch | 11:42 | Text-Sound Composition | FYCD 1024 CD 2 Text-Sound Compositions/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 4475 | François | Dufrêne | Ténu-tenu | 1964 | fixed media, akusmatisch | 1:05 | Mono | txtcompo | OU/ | PS C. | 0 | ||||||||
| 4476 | François | Dufrêne | Tripticrirythme | 1966 | fixed media, akusmatisch | 12:35 | Stereo | txtcompo | OU/ | PS C. | 0 | ||||||||
| 4477 | François | Dufrêne | Valéry-Duke | 1964 | fixed media, akusmatisch | 14:00 | Mono | lecture collage, poem | CBC Paris, PS C. | 0 | |||||||||
| 4472 | François, Pierre | Dufrêne, Henry | Granulométrie | 1967 | fixed media, akusmatisch | 11:00 | Stereo | phonetic poesie with crirythme | PS Apsome | 0 | |||||||||
| 4478 | Edwin | Dugger | Three Pieces | 1966 | Zuspiel / Tonband, 6 perf | 7:00 | Stereo | 6 ins [Instrument] | Col.Princ EMC | 0 | |||||||||
| 25561 | James | Duhamel | Le Radeau | 2005 | fixed media, akusmatisch | 7:59 | JTTP 2005 | CEC Cache 2005, PeP 010/ | winner JTTP 2005 1. prize | 1 | |||||||||
| 27367 | James | Duhamel | MIMIK | 2007 | fixed media, akusmatisch | 4:55 | JTTP 2007 composer | CEC Cache 2007, PeP 012/ | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 22283 | Peter, Roel, Frans de | Duimelinks, Meelkop, Waard | Lokatie Stockholm | live-elec, | 8:19 | Composed and Peformed by Peter Duimelinks, Roel Meelkop and Frans de Waard. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 0 | |||||||||||
| 40093 | Maxwell | Dulaney | Breathed | 2017 | live-elec, 1 perf | 6:43 | fl [Flöte] | Maxwell Dulaney | 0 | ||||||||||
| 38534 | Chantal | DUMAS | 40° Nord – 73° West | 2012 | radiophon | 51:23:00 | 0 | ||||||||||||
| 38535 | Chantal | DUMAS | Danse | 2005 | radiophon | 50:20:00 | Tanz nach einem Text von Chantal Neveu | 0 | |||||||||||
| 4479 | Chantal | Dumas | Le parfum des femmes, Der Duft der Frauen | 1996/1997 | radiophon | 52:49:00 | Stereo | with improvising fem mus (Hirsch, Léandre, Ocougne). | AVTR 011/ | TU Berlin, SFB | DeutschlandRadio | 19.9.1997 | DeutschlandRadio | 1st prize at the EAR International Competition (Hungary) Phonurgia Nova International Radio Competition (France) in 1997 |
0 | http://sonosphere.org/en/collection_en/artist_en/detail_en/items/39.html?file=tl_files/sono/content/sounds/_einzeln/DUMAS_Chantal/Le_parfum_des_femmes/01_Le_parfum_Migation_oceane_01.mp3 | |||
| 38536 | Chantal | DUMAS | Les petits riens | 2010 | radiophon | 35:31:00 | 0 | ||||||||||||
| 38924 | Chantal | Dumas | Oscillations Planétaires, Les oscillations planétaires | 2018 | radiophon | 54:30 | Klangkomposition über Plattentektonik. Also concert version available |
DeutschlandRadio Kultur | 13.7.2018 | DeutschlandRadio Kultur | 0 | http://www.deutschlandfunkkultur.de/klangkomposition-ueber-plattentektonik-oscillations.1022.de.html?dram:article_id=418041 | |||||||
| 4480 | Chantal | Dumas | Petit train va loin | 1995 | radiophon | 7:00 | Stereo | TU Berlin | 0 | ||||||||||
| 24184 | Chantal | Dumas | Send | 2002 | fixed media, akusmatisch | 4:48 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 4481 | Chantal | Dumas | The show of abilities / Le spectacle des habili(e)tés | 1994 | radiophon | 17:00 | Stereo | WN 0018/ | GMEM Marseille | 0 | |||||||||
| 25572 | Jean-Michel | Dumas | Gris (étude narrative #2) | 2005 | fixed media, akusmatisch | 7:06 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | 0 | |||||||||
| 26119 | François | Dumeaux | Élytres | 2005 | fixed media, akusmatisch | 11:11 | Stereo | 4 parts | MR 2008 Métamorphoses 2008/ | 1 | |||||||||
| 4482 | Iancu | Dumitrescu | Aulodie mioritica | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 15:16 | db, orc [Kontrabass, Orchester] | ed. rz 2001/ | 1 | ||||||||||
| 20116 | Iancu | Dumitrescu | FLUXUS | Zuspiel / Tonband, 1 group | 8:35 | Stereo | orc [Orchester] | EDMN 1008/ | 0 | ||||||||||
| 28181 | Iancu | Dumitrescu | Multum in Parvo | fixed media, akusmatisch | 4:06 | GU LP 1001 Generations Unlimited/ | 0 | ||||||||||||
| 4483 | Iancu | Dumitrescu | Nimbus | 1988 | Zuspiel / Tonband, 3 perf | 19:55 | 3 trbn [Posaune] | GU LP 1005 Generations Unlimited/ | 1 | ||||||||||
| 4484 | Iancu | Dumitrescu | Pierre sacrées | fixed media, akusmatisch | 14:10 | 0 | |||||||||||||
| 20117 | Iancu | Dumitrescu | Sirius Kronos Quartet | Zuspiel / Tonband, 4 perf | 9:11 | Stereo | str-qt [Streicher] | EDMN 1008/ | 0 | ||||||||||
| 4485 | Iancu | Dumitrescu | Spectres | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | Con Bucarest | 0 | |||||||||||
| 4486 | Iancu | Dumitrescu | Ursa mare | 1983 | Zuspiel / Tonband, 1 group | 16:40 | ens [Ensemble] | ed. rz 2001/ | 1 | ||||||||||
| 4487 | Arnaud | Dumond | Solo | 1992 | live-elec, 1 perf | 5:04 | Stereo | MIDI-gui [Gitarre] | GF 001/ | la grande fabrique | 0 | ||||||||
| 33891 | Aurélien | Dumont | Ohne-Weg-Stück Nr. 1 | 2005 | live-elec, 1 perf | 11:15:00 | Stereo | vc [Cello] | HfMT Köln | 0 | |||||||||
| 33892 | Aurélien | Dumont | Ohne-Weg-Stück Nr. 3 | 2006 | live-elec, 1 perf | 9:01:00 | Stereo | cl [Klarinette] | HfMT Köln | 0 | |||||||||
| 42101 | Cédric | Dumont | Radio Waltz | 1952 | radiophon | SRF | 0 | ||||||||||||
| 4488 | Alison | Duncan | Eccitato Nervoso | 1994 | fixed media, akusmatisch | 7:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 20118 | John | Duncan | Ceremony | 1993/1994 | fixed media, akusmatisch | 8:03 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 20119 | John | Duncan | Flare | 1993/1994 | fixed media, akusmatisch | 3:56 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 20120 | John | Duncan | Incoming | 1993/1994 | fixed media, akusmatisch | 11:45 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 20121 | John | Duncan | Pass | 1993/1994 | fixed media, akusmatisch | 2:33 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 43161 | John | Duncan | The Keening Towers | 2004 | Klangkunst, Installation | ∞ | Quadro | Auszeichnung ars electronica honorary mention 2004 | 0 | ||||||||||
| 40875 | John | Duncan | The Nazcy Transmissions #2 | 2005 | fixed media, akusmatisch | 8:10 | SR 290 sub rosa/ | 0 | |||||||||||
| 20122 | John | Duncan | Voice Field | 1993/1994 | fixed media, akusmatisch | 13:48 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 24619 | Stephan | Dunkelman | Aquaéra 1 | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 0263/ IMED 9837/ | Musiques et Recherches Ohain | empreintes DIGITALes | 02.1997 | “Une heure concrète” concert series (Brussels, Belgium) | 0 | |||||||
| 22197 | Stephan | Dunkelman | Dreamlike Shudder in an Airstream | 2000 | fixed media, akusmatisch | 13:50 | Part1: For a Crumbled Woman | MR 2000 Métamorphoses 2000/ IMED 0263/ | PS C. | 03.2000 | ARTem (Brussels, Belgium) | 1st biennial Acousmatic Composition Competition | 1 | ||||||
| 24618 | Stephan | Dunkelman | Hanna’ Duet | 1998 | fixed media, akusmatisch | 3:30 | IMED 0263/ | PS C. | 11.2000 | 7th ‘The Space of Sound’ International Acousmatic Festival (Brussels, Belgium) | 0 | ||||||||
| 25881 | Stephan | Dunkelman | Kajsa, 3 femmes et un promeneur | 2004 | audiovisuell | 3:14:00 | Akusmatische Musik mit abstrahierten künstlichen Oberflächen- und fliegenden Objekt- Animationen, Projektionen von Tänzerinnen | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2004 | 1 | |||||||||
| 41626 | Stephan | Dunkelman | Marins, ma reine | 1996 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 22322 | Stephan | Dunkelman | Metharcana | 1998 | fixed media, akusmatisch | 9:05 | Octo | M&R, Mars 2000/ CAP 22057/ IMED 0263/ wbm 168 b Electro AC Wallonie - Bruxelles/ | PS C. | 11.1998 | 5th ‘The Space of Sound’ International Acousmatic Festival (Brussels, Belgium) | First Prize at the Stockholm Electronic Arts Award 1998 Prix du public métamorphoses 2000 Parution sur CD Métamorphoses en 2000 |
1 | 2002 | |||||
| 4489 | Stephan | Dunkelman | Rituellipses | 1993 - 1996 | fixed media, akusmatisch | 10:59 | INA R 9501/ IMED 0263/ GMEM El 10, Project'Son/ | Musiques et Recherches Ohain | 03.1993 | Ars Musica Festival (Brussels, Belgium) | special mention at the Stockholm Electronic Arts Award (Sweden, 1993) honorable mention at the Prix Ars Electronica (Linz, Austria, 1995) |
1 | |||||||
| 4490 | Stephan | Dunkelman | Signallures | 1991 | fixed media, akusmatisch | 8:26 | Acousmatica CD 1296/ IMED 0263/ | Musiques et Recherches Ohain | April 1991 | Antwerp, Belgium | finalist in the Luigi Russolo International Competition (Varese, Italy, 1991) | 0 | |||||||
| 41625 | Stephan | Dunkelman | Signallures | 1991 | fixed media, akusmatisch | (paru sur CD acousmatica 1296) | acousmatica 1296/ | Musiques et Recherches Ohain | 0 | ||||||||||
| 41627 | Stephan | Dunkelman | Stèles d'offrande | 1997 | Klangkunst, Installation | 27:00:00 | pour une installation de Charlotte Marechal) | Musiques et Recherches Ohain | 0 | ||||||||||
| 24620 | Stephan | Dunkelman | Thru, Above and Between | 1998 | radiophon | 10:10 | IMED 0263/ M&R L’Espace du son 2000/ | Musiques et Recherches Ohain, PS C. | Musiques & Recherches | 11.1999 | 6th ‘The Space of Sound’ International Acousmatic Festival (Brussels, Belgium) | 0 | |||||||
| 41628 | Stephan | Dunkelman | Voiléoles | 1997 | fixed media, akusmatisch | 17:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 36863 | Jamie | Dunkle | Two Poems by H.D. | 2017 | fixed media, akusmatisch | 7:16:00 | 0 | ||||||||||||
| 22293 | Caoimhe | Dunn | The dark woods | 2000 | fixed media, akusmatisch | 3:35 | SIDO 010/ | 1 | |||||||||||
| 4491 | David | Dunn | Chaos and the Emergent Mind of the Pond | 1990 | fixed media, akusmatisch | 9:30 | AER 1990 / 2 / WN 0009/ | 1 | |||||||||||
| 20123 | David | Dunn | Entraiments 1 | 1984 | live-elec, 1 perf | 8:24 | Stereo | V [Stimme] | Innova 508/ | 0 | |||||||||
| 20124 | David | Dunn | Entraiments 2 | 1985 | live-elec, 3 perf | 45:53 | Stereo | 3 V, (3 gen) [Stimme] | Innova 508/ | 0 | |||||||||
| 20125 | David | Dunn | Mimus Polyglottos | 1976 | live-elec, 2 perf | 5:17 | Stereo | osc, birds [elektronik] | Innova 508/ | 0 | |||||||||
| 20126 | David | Dunn | Skydrift | 1977 | live-elec, 26 perf | 31:12 | Stereo | 10 V, 4 fl, 4 cl, 4 tpt, 4 trbn [Stimme, Flöte, Klarinette, Trompete, Posaune] | Innova 508/ | 0 | |||||||||
| 20127 | David | Dunn | Tabula Angelorum Bonorum 49 | fixed media, akusmatisch | 28:28 | Stereo | WN 0009/ | 0 | |||||||||||
| 4492 | Robert, Richard | Dunn, Maxfield | Poem for Chairs, Tables, Benches, etc. | 1960 | fixed media, akusmatisch | var | Stereo + Mono + Mono + Mono | to be played with a reading of "Lecture 1960" by La Monte Young | PS C. NY, PS Maxfield NY | 0 | |||||||||
| 42102 | Anthony, Fiona | Dunne, Raby | Tuneable cities | 1994 - 1997 | radiophon | PS C. / London | 0 | ||||||||||||
| 40293 | TM | Duplantis | Downstream | 2016 | fixed media, akusmatisch | TM Duplantis | 0 | ||||||||||||
| 39551 | Alexander | Dupuis | Apparition Coil | 2016 | fixed media, akusmatisch | Alexander Dupuis | 0 | ||||||||||||
| 42909 | Alexander | Dupuis | Omaggio a Berberian | 2013 | fixed media, akusmatisch | 4:58:00 | 0 | ||||||||||||
| 19654 | Juan Carlos | Duque | Salónica | 1995 | fixed media, akusmatisch | 6:15 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 4493 | Jacobo | Duran-Loriga | Contrafacta | 1984/1985 | fixed media, akusmatisch | 10:00 | Quadro | HfMT Köln CD5/ | HfMT Köln | 1 | |||||||||
| 4494 | Jacobo | Duran-Loriga | Disforia | 1983/1984 | fixed media, akusmatisch | 13:31 | Quadro | CBA 5 Musica electroacustica española 2/ | HfMT Köln | 1 | |||||||||
| 4495 | Jacobo | Duran-Loriga | Entropia | 1984 | fixed media, akusmatisch | 11:12 | IPEM Gent | 0 | |||||||||||
| 4496 | Jacobo | Duran-Loriga | Kammerkonzert | 1983/1984 | Zuspiel / Tonband, 1 group | 10:55 | Quadro | cham-ens [Ensemble] | HfMT Köln | 0 | |||||||||
| 4497 | Jacobo | Duran-Loriga | Les Djinns | 1987 | fixed media, akusmatisch | 45:50 | Quadro | txtcompo, 2 parts (22:47 + 00:09 + 23:05) | HfMT Köln | 0 | |||||||||
| 4498 | Jacobo | Duran-Loriga | Postscriptum | 1987 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 4499 | Jacobo | Duran-Loriga | Timón de Atenas | 1992 | Oper | 3:07 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 4500 | Joël-François | Durand | L'exil du feu | 1991 | live-elec, 1 group | 20:00 | ens [Ensemble] | Durand | IRCAM | 0 | |||||||||
| 42937 | David | Durant | FAJI | 2013 | live-elec, 1 perf | 8:04:00 | cl [Klarinette] | Esther Lamneck, clarinet | 0 | ||||||||||
| 39355 | David | Durant | Shadow of the Hawk | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39714 | David | Durant | Sighs of an Ancient Wall | 2015 | fixed media, akusmatisch | 6:05:00 | David Durant | 0 | |||||||||||
| 39713 | David | Durant | The Crystalline Radiant Sky | 2016 | fixed media, akusmatisch | David Durant | 0 | ||||||||||||
| 42603 | David Z. | Durant | An Owl Drives in the Rain | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 42769 | David Z. | Durant | Bay | 2005 | fixed media, akusmatisch | 7:40:00 | 0 | ||||||||||||
| 42484 | David Z. | Durant | Hazeur’s Curve | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 33894 | Yati | Durant | Filagree | 2005 | live-elec, 1 perf | 5:25:00 | Quadro | perc [Schlagzeug] | Komposition für Jazz-Schlagzeug und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 33893 | Yati | Durant | Transversal | 2005 | live-elec, 1 perf | 10:07:00 | Quadro | perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 4501 | Frédéric | Durieux | Devenir | 1993 | live-elec, 1 perf | 14:00 | cl [Klarinette] | ISPW | Adès/ | IRCAM | Lemoine | 0 | |||||||
| 4502 | Frédéric | Durieux | Parcours, pluriel | 1988 | live-elec, 1 group | 17:00 | ens [Ensemble] | Jobert | IRCAM | 0 | |||||||||
| 4503 | Frédéric | Durieux | So schnell, zu früh | 1993 | live-elec, 1 perf, 1 group | 20:00 | Mez, ens [Mezzo, Ensemble] | ISPW | Adès/ | IRCAM | Lemoine | 0 | |||||||
| 32216 | Juraj | Duris | 100 x V, Hundred Times Victory | 1993 | Klangkunst, Installation | výtvarná spolupráca Miloš Boďa | CECM Bratislava | 0 | |||||||||||
| 4504 | Juraj | Duris | Chronos I | 1983 | fixed media, akusmatisch | 4:45 | Stereo | CECM Bratislava | 0 | http://www.hudobnecentrum.sk/src/osobnost.php?lg=en&oid=312 | |||||||||
| 32215 | Juraj | Duris | Hammerschlag ’91 | 1991 | Klangkunst, Installation | výtvarná spolupráca Miloš Boďa | CECM Bratislava | 0 | |||||||||||
| 32213 | Juraj | Duris | Hommage to John Cage Composition in Retrospect | 2007 | fixed media, akusmatisch | 4:14 | CECM Bratislava | 0 | |||||||||||
| 32214 | Juraj | Duris | Panta Rhei | 2007 | Zuspiel / Tonband, 1 perf | 11:14 | vc [Cello] | CECM Bratislava | 0 | ||||||||||
| 4505 | Juraj | Duris | Portrét, Portrait | 1989 | fixed media, akusmatisch | audiovisuell |
8:06 | EM CD 003/ | CECM Bratislava | Competition Musica Nova Prag 1994 | 1 | |||||||||
| 4506 | Juraj | Duris | Sny | 1987 | fixed media, akusmatisch | Zuspiel/Tonband, |
8:34 | Stereo | (freams) | EM CD 002/ | CECM Bratislava | 1 | ||||||||
| 4507 | Juraj | Duris | Spomienky, Memories | 1985 | fixed media, akusmatisch | 10:02 | Stereo | CECM Bratislava | 0 | http://www.hudobnecentrum.sk/src/osobnost.php?lg=en&oid=312&show=diela | |||||||||
| 32212 | Juraj | Duris | The Dreams, music for cymbal and it’s flageolet | 1987 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
8:33 | cymbal [Schlagzeug] | CECM Bratislava | 0 | http://www.hudobnecentrum.sk/src/osobnost.php?lg=en&oid=312&show=diela | |||||||||
| 4508 | Juraj | Duris | Zrodenie svedomia, the birth of Consience | 1984 | fixed media, akusmatisch | 8:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 33758 | Juraj | Ďuriš | Homag to John Cage - Composition in Retrospect | 2009 | radiophon | 4:45 | Stereo | EBU Ars Acustica 2009/ | Slovensky rozhlas | EBU Ars Acustica 2009 | 1 | ||||||||
| 40765 | Bernard | Durr | Etude aux degrés lineaires | 1976 | Theater, live-elec, 3 perf | 14 | Stereo | 3 p [Piano] | INA • GRM | INA • GRM | 27.8.1976 | Paris, Th. Récamier. J. F. Allouis, D. Dufour, J. Koerner, piano |
0 | ||||||
| 4509 | Bernard | Durr | Sculptures | 1974 | fixed media, akusmatisch | 3:00 | Stereo | Étude de stage | INA • GRM | October 1974 | Paris, Biennale | 0 | |||||||
| 4510 | Bernard | Durr | Souvenir des mots | 1976 | live-elec, 1 perf | 14:52 | Stereo | ins [Instrument] | INA • GRM | INA • GRM | 23.2.1976 | Paris, Théâtre Récamier | 0 | ||||||
| 20129 | Phil | Durrant | Chew 1 - 3 | 1997 | live-elec, 1 perf | 17:00 | Stereo | vn [Violine] | Acta 10/ | 0 | |||||||||
| 20130 | Phil | Durrant | Lurker | 1997 | live-elec, 1 perf | 4:27 | Stereo | vn [Violine] | Acta 10/ | 0 | |||||||||
| 20131 | Phil | Durrant | Sowari | 1997 | live-elec, 1 perf | 10:37 | Stereo | vn [Violine] | Acta 10/ | 0 | |||||||||
| 4511 | Philippe | Durville | Miroir du double | 1986 | live-elec, 1 group | 15:00 | ens [Ensemble] | IRCAM | 0 | ||||||||||
| 4512 | Pascal | Dusapin | La Melancholia | 1991 | Zuspiel / Tonband, 6 perf, 2 groups | 29:30 | 6 V, ch, orc [Stimme, Chor, Orchester] | „Operatorio“ | ERA/ MO 782124/ | Salabert | 0 | ||||||||
| 20132 | Linda | Dusman | And a voice was heard in Rama | 1994 | fixed media, akusmatisch | 7:28 | Stereo | PANaroma 199.000.954/ Neuma 450-92/ | 1 | ||||||||||
| 28130 | Linda | Dusman | Becoming Becoming Gertrude | fixed media, akusmatisch | 12:29 | Stereo | 2 Readers | CPS 8693 Capstone/ | 0 | ||||||||||
| 21791 | Linda | Dusman | Dindirindin | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | Neuma CD 450-87/ | 0 | |||||||||||
| 4513 | Lionel | Dussauchoy | La pointe rouge | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4514 | Lionel | Dussauchoy | Oonah | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4515 | Lionel | Dussauchoy | Ramtzamsam ( La pointe rouge) | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4516 | Andrzej | Dutkiewicz | Six Meditations | 1978 | Zuspiel / Tonband, 1 perf | 19:50 | Stereo, Quadro | p [Piano] | ExpSt Warsaw | 0 | |||||||||
| 4517 | Andrzej | Dutkiewicz | Sophie`s Music for Four | 1986 | Zuspiel / Tonband, 3 perf | 17:20 | Stereo | 3 p [Piano] | ExpSt Warsaw | 0 | |||||||||
| 22128 | Andrzej | Dutkiewicz | Sophie's Music for Tape Solo | 1987 | fixed media, akusmatisch | 12:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 37465 | Paul | Dutton | Metalogos, Suite in two parts | 1993 | live-elec, 1 perf | 9:25 | V [Stimme] | ISAST LMJ 3/ | 0 | ||||||||||
| 39501 | Skye van | Duuren | Bridging Worlds | 2017 | live-elec, 1 perf | ins [Instrument] | Creating Fixed-Media Microtonal Music with Acoustic Instruments | 0 | |||||||||||
| 4518 | Stephen | Dydo | Stelling I | 1983 | fixed media, akusmatisch | 5:15 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 4519 | Stephen | Dydo | Stelling VI | 1983 | fixed media, akusmatisch | 8:45 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 43056 | Stephen, Susan | Dydo, Haire | As Above, So Below | 2014 | Klangkunst, Installation | Location: Underground Theater Balcony. | 0 | ||||||||||||
| 40259 | Stephen, Susan | Dydo, Haire | Tipping Point | 2016 | fixed media, akusmatisch | Stephen Dydo and Susan Haire | 0 | ||||||||||||
| 40258 | Stephen, Susan | Dydo, Haire | Voice of Silence | 2017 | fixed media, akusmatisch | Stephen Dydo and Susan Haire | 0 | ||||||||||||
| 20142 | Kim | Dyett | Flute Music | 1983 | Zuspiel / Tonband, 1 perf | 22:00 | Stereo | fl [Flöte] | MANU 1438/ | Uni Wellington | 0 | ||||||||
| 20143 | Kim | Dyett | Song Cycle Nocturne | 1982 | Zuspiel / Tonband, 1 perf | 12:10 | Stereo | V [Stimme] | text by Hone Tuwhare | MANU 1438/ | Uni Wellington | 0 | |||||||
| 4520 | Kim | Dyett | Wallpapermusic | 1986 | Zuspiel / Tonband, 6 perf | 26:45 | Stereo | sax, 5 V [Stimme, Saxophon] | MANU 1438/ | EMS Stockholm | 0 | ||||||||
| 4521 | Jens-Uwe | Dyffort | Bewegtes Stück für Altsaxophon | 1994 | live-elec, 1 perf | 8:00 | Quadro | a-sax, (delay) [Saxophon] | TU Berlin | 0 | |||||||||
| 4522 | Jens-Uwe | Dyffort | Falottata Sysiphos | 1993 | live-elec, 1 perf | 12:00 | Quadro | bn [Fagott] | TU Berlin | 20.6.1993 | Foyer HdK Berlin | 0 | |||||||
| 22804 | Jens-Uwe | Dyffort | Kaskaden | 1997 | fixed media, akusmatisch | 12:00 | 12 Tracks | Csound, CM & CLM | TU Berlin | 10.1.1998 | Künstlerbahnhof Berlin-Westend | 1 | |||||||
| 33497 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | An die Oberfläche - In die Luft: Abschnitt Mausegatt | 2015 | Klangkunst, Installation | Klanginstallation oberhalb des Flözverlaufs | Stadt Witten | 25.4.2015 | Klangwanderung Muttental im Rahmen der Wittener Tage für Neue Kammermusik | 0 | |||||||||
| 29439 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | ATS 1 | 2008 | radiophon | Klangkunst, Installation |
6 | HR2 | 2008 | Goldhalle des Hessischen Rundfunks, Frankfurt am Main | 0 | |||||||||
| 29447 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Auto langsam / ruhig + 4a | 1999 | Klangkunst, Installation | Quadro | September 1999, täglich von 8.00 - 22.00 Uhr | "Haus des Lehrers", Berlin-Alexanderplatz | 0 | ||||||||||
| 29441 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Goliath | 2006 | radiophon | audiovisuell |
20 | WDR Studio Akustische Kunst | 0 | |||||||||||
| 29443 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Hartmanns Sonntag | 2005 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29446 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Hofgeschehen | 2003/2004 | Klangkunst, Installation | 10 Tracks | 2003/2004 | Atrium des Heimatmuseums Neukölln; Ausstellung Familiendinge, Museum Berlin-Neukölln | 0 | ||||||||||
| 29442 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Missing Mars (corrispondenza su marte) | 2006 | radiophon | Klangkunst, Installation |
10 Tracks | Dezember 2004 | Zeiss Großplanetarium, Berlin Prenzlauerberg | 0 | ||||||||||
| 29452 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Missing Mars (Shuttle) | 2005 | audiovisuell | 30 | Quadro | 2005 | pyramidale 4, Festival für Neue Musik Berlin | 0 | |||||||||
| 29451 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | OSO I | 2005 - 2006 | audiovisuell | ∞ 15 | Quadro | 2005 | Künstlerhaus Schloss Balmoral, Bad Ems | 0 | |||||||||
| 29440 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | OSO II | 2007 | Klangkunst, Installation | Donaueschinger Musiktage - Festival zeitgenössischer Tonkunst | 0 | ||||||||||||
| 42422 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Punktierte Fragmente | 2018 | Klangkunst, Installation | 09.11. 2018 | Galerie Saarländisches Künstlerhaus Saarbrücken. | 0 | http://www.kuenstlerhaus-saar.de/index.php/Driesch.html | ||||||||||
| 29444 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Punktierte Umgebungen, Punktierte Allee- Donaueschinger Schlosspark 20 Uhren Punktierter Garten - Punktiertes Fragment Punktierter Garten - Cloître des Récollets Troisdorfer Uhrwerke In der Schwebe Punktierter Umweg Punktierte Umgebung Kupferdraht mit Lautsprechern |
1996 - 2009 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 28.10.2002-5.5.2003 | singuhr hoergalerie Berlin | Deutscher Klangkunst-Preis 2006 | 0 | |||||||||
| 29438 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | selbstLaut »Ortserkunder« | 2009 | radiophon | 59 | HR2, Redaktion: Stefan Fricke | 0 | |||||||||||
| 26285 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Stretta | 2004 | Klangkunst, Installation | ∞ | 12 Tracks | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2004 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 34254 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Summender Gräsergarten | 2014 - 2015 | Klangkunst, Installation | 25.9.2015 | Kontakte-Festival AdK Berlin, Garten vor der Akademie Hanseatenweg | 0 | http://www.adk.de/de/projekte/2015/Kontakte/teaser_17.htm | ||||||||||
| 29448 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Verdeckte Parallelen | 2004 | Klangkunst, Installation | Quadro | 0 | ||||||||||||
| 29445 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | zeitweiliger Wohnsitz Grünstrasse 18/19 | 2000 | Klangkunst, Installation | Quadro | Mai - Juli 2000, von 8 - 20 Uhr | Stadtkunstprojekte in Berlin Köpenick | 0 | ||||||||||
| 29453 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Zwischen Maßnahmen | 2012 | audiovisuell | 9. November 2012, | Kunstverein Ludwigshafen a.Rh. | 0 | www.kunstverein-ludwigshafen.de | ||||||||||
| 34774 | Jens-Uwe, Roswitha von den, Klaus | Dyffort, Driesch, Lebkücher | Lautsprecher mit Kupferdraht | 1996 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 5.-6.7.1996 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 29449 | Jens-Uwe, Roswitha von den, Klaus | Dyffort, Driesch, Lebkücher | Seestück /Hörstück II | 1998 | Klangkunst, Installation | Octo | 1998 | Windsor Lake, Ausstellung "EarMarks", MASS MoCA, Massachusetts, USA | 0 | ||||||||||
| 29450 | Jens-Uwe, Roswitha von den, Annette | Dyffort, Driesch, Schlez | Von Oben nach Unten, von Rechts nach Links | 1993 | Klangkunst, Installation | 1993 | ehemaliges Bundesgartenschaugelände Rheda-Wiedenbrück | 0 | |||||||||||
| 19161 | Frances | Dyson | Window Pain | 1993 | Performance | binaural | ISAST LMJ 6/ | Banff C. | 1 | ||||||||||
| 22129 | Dorota | Dywanska | Rise Of Dancing Sun | 2000 | Zuspiel / Tonband, 1 perf | 13:49 | Stereo | perf (vip) [Performer] | ExpSt Warsaw | 0 | |||||||||
| 4523 | Zoja | Dziadzio | Momento vivente | 1984 | fixed media, akusmatisch | 10:06 | 0 | ||||||||||||
| 37226 | Damian | Dziwis | m e t a – m i ph o s is (from ?? with love), chaju charip chawi |
2017 | audiovisuell | 12:00:00 | nach den drei Leitsätzen aus Kim Il-sungs Chuch??e-Ideologie. I. chaju II. charip III. chawi |
HfMT Köln | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 40103 | Michael | Dzjaparidze | Extase 4 (Version) | 2015 | fixed media, akusmatisch | 14:03:00 | Michael Dzjaparidze | 0 | |||||||||||
| 4524 | David | Eagle | Hsüan | 1992 | Zuspiel / Tonband, 1 perf | 3:03 | Guzheng [Streicher] | (chinesische Zither), Mac & CampleCell | CEC DISContact_1/ | Uni Calgary | 1 | ||||||||
| 20144 | David | Eagle | Music for Axiø, open this Door | 1993 | fixed media, akusmatisch | 9:22 | Stereo | CR 96001 Clef/ | CCRMA | 0 | |||||||||
| 41942 | David | Eagle | Paths | fixed media, akusmatisch | 0 | ||||||||||||||
| 4525 | David | Eagle | Polaris | 1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | p [Piano] | UC-CD 9601 Unical Records/ | CCRMA | 0 | ||||||||
| 20145 | David | Eagle | Solitude | 1992 | live-elec, 1 perf | 18:08 | Stereo | disklavier [Piano] | NCD 0294 New Concert Discs/ | CCRMA | 0 | ||||||||
| 20146 | David | Eagle | Traces | 1991 | live-elec, 1 perf | 9:52 | Stereo | fl [Flöte] | NCD 0294 New Concert Discs/ | CCRMA | 0 | ||||||||
| 33426 | Paul | Earls | Dithyrambs | 1962 | fixed media, akusmatisch | Uni Eugene | 0 | ||||||||||||
| 25023 | Max | Eastley | Aeolian Flutes in Spitzbergen | 2004 | Klangkunst, Installation | 5:58 | Im Rahmen von „Sound Out“ in der „National Sculpture Factory“ in Cork (Irland) - Kulturhauptstadt Europas 2005; CD-Beilage zum gleichnamigen Katalog | Farpoint Recordings Cork 2005/ | 1 | http://en.wikipedia.org/wiki/Max_Eastley | |||||||||
| 36291 | Max | Eastley | Wind Flutes Urban | 1978 | Klangkunst, Installation | 3:17 | EMF CD 036/ | 0 | |||||||||||
| 32696 | Max | Eastley | Windklänge | 2014 | Klangkunst, Installation | ∞ | str (aeolian harp) [Streicher] | 14.6.2014 | Botanischer Garten, Bonn | 0 | http://www.bonnhoeren.de/_2014/festival-bonn-hoeren-2014/installationen/windklange/ | ||||||||
| 4526 | John | Eaton | Blind Man's Cry | 1968 | live-elec, 2 perf | S, synt, (tape-delay) [Sopran, synthesizer] | Synkets, Moog | CRi SD 296/ IDEAMA CD 084/ | 0 | ||||||||||
| 4527 | John | Eaton | Concert Music | 1964 | Zuspiel / Tonband, 1 group | 5:00 | Stereo | jazz-ens [Ensemble] | Am.A. Roma | 0 | |||||||||
| 4528 | John | Eaton | Concert Piece for Synket and Symphony Orchestra | 1967 | live-elec, 1 perf, 1 group | synket, orc [synthesizer, Orchester] | TV 34428/ IDEAMA CD 084/ | 9.8.1967 | Tanglewood, John Eaton (Synket), Berkshire Music Center orc, cond. Gunther Schuller | 0 | |||||||||
| 4529 | John | Eaton | Duet for Synket and Moog | 1968 | live-elec, 2 perf | 2 synt [synthesizer] | Synket, Moog | DL 710165 DECCA/ | 0 | ||||||||||
| 4530 | John | Eaton | Mass | 1970 | live-elec, 1 perf | synt, (tape-delay) [synthesizer] | Synkets, Moog | CRi SD 296/ | 0 | ||||||||||
| 4531 | John | Eaton | Piece for Solo Synket No. 1 | 1965 | live-elec, 1 perf | 6:00 | Stereo | synket [synthesizer] | PS C. Roma | 0 | |||||||||
| 4532 | John | Eaton | Piece for Solo Synket No. 2 | 1966 | live-elec, 1 perf | 6:00 | Stereo | synket [synthesizer] | IDEAMA CD 084/ | PS C. Roma | 0 | ||||||||
| 4533 | John | Eaton | Piece for Solo Synket No. 3 | 1965 | live-elec, 1 perf | synket [synthesizer] | Synket | DL 710154, DECCA/ | 1 | ||||||||||
| 4534 | John | Eaton | Prelude to "Myshkin" | 1965/1966 | live-elec, 1 perf | 13:00 | Stereo | synket [synthesizer] | 2 versions | DL 710154, DECCA/ | PS C. Roma | 1 | |||||||
| 4535 | John | Eaton | Soliloqui | 1967 | live-elec, 1 perf | synt [synthesizer] | Synket | DL 710165 DECCA/ | 0 | ||||||||||
| 4536 | John | Eaton | Songs for R.P.B. | 1965 | live-elec, 4 perf | S, 2 p, synket [Sopran, Piano, synthesizer] | DL 710154, DECCA/ IDEAMA CD 084/ | Am.A. Roma | 1 | ||||||||||
| 4537 | John | Eaton | Thoughts on Rilke | 1967 | live-elec, 1 perf | synt [synthesizer] | Synket | DL 710165 DECCA/ IDEAMA CD 084/ | 0 | ||||||||||
| 4538 | John | Eaton | Wedding March | 1967 | Zuspiel, live-elec, 1 perf | 2:20 | Stereo | synket [synthesizer] | PS C. Roma | 0 | |||||||||
| 36789 | Morris L. | Eaton | Experimental composition 101667-1 | fixed media, akusmatisch | 3:00:00 | 0 | https://en.wikipedia.org/wiki/Eaton-s_inequality | ||||||||||||
| 36790 | Morris L. | Eaton | Sofra-Experimental Composition | fixed media, akusmatisch | 2:48:00 | 0 | |||||||||||||
| 4539 | Klaus | Ebbeke | Ein Raum für Edgard Varese | 1985 | intermedia | je 45:00 | Stereo + Stereo + Stereo | (Realisierung von Desert). Synclavier | Edition Giannozzo/ | TU Berlin | 2.9.1985 | Galerie Giannozzo Berlin | 1 | http://floraberlin.de/soundbag/index215d.htm | |||||
| 4540 | Alexander | Eberhard | 9 x Beethoven^10 | 1994 | fixed media, akusmatisch | 23:00 | Kollektivkomosition | ELAK Wien | 0 | ||||||||||
| 4542 | Denis | Eberhard | An Icon, Zeitkratzer plays PRES | 1975 | fixed media, akusmatisch | 10:45 | Stereo | improvisation by the group by Zeitkratzer Berlin (BR ES03 bolt) | BR ES03 bolt Blanc et Rouge/ DUX 0811/ | ExpSt Warsaw | 1 | ||||||||
| 4543 | Denis | Eberhard | Dialogues II | 1975 | Zuspiel/Tonband, 1 perf | intermedia |
19:13 | Stereo | perc [Schlagzeug] | light, slides | ExpSt Warsaw | 0 | ||||||||
| 39847 | Hiroshi | Ebina | untitled_work_November | 2016 | fixed media, akusmatisch | Hiroshi Ebina | 0 | ||||||||||||
| 36891 | Ehsan | Ebrahimi | 090214 | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 36892 | Ehsan | Ebrahimi | 310114 | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 37784 | Ehsan | Ebrahimi | An diesem fremden Fenster | 2015 | live-elec, 2 perf | Octo | V, santur, (elec) [Stimme, Streicher] | Incontri HMTM Hannover | 20.04.2015 | Kirche St. Ludwig Celle | 0 | ||||||||
| 37788 | Ehsan | Ebrahimi | Dar Astaneh | 2016 | Zuspiel / Tonband, 1 perf, 1 group | Quadro | ch, ins (iranische Instrumente) [Instrument, Chor] | Incontri HMTM Hannover | 20.12.2016 | Shiraz (Iran) | 0 | ||||||||
| 37173 | Ehsan | Ebrahimi | Ein Kinderspiel | 2017 | Klangkunst, Installation | ∞ | Quadro | interaktive Installation | Incontri HMTM Hannover | 31.5.2017 | Markuskirche Hannover | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||
| 37807 | Ehsan | Ebrahimi | Erdbeben | 2017 | live-elec, 1 perf | Octo | perc, (elec) [Schlagzeug] | Incontri HMTM Hannover | 31.05.2017 | Markuskirche Hannover | 0 | ||||||||
| 37806 | Ehsan | Ebrahimi | Musik für Elektroakustrenaissanceinstrumente | 2016 | live-elec, 4 perf | Octo | gui, cl, acc (bajan), elec [Klarinette, Akkordeon, Gitarre, elektronik] | Incontri HMTM Hannover | 31.05.2017 | Markuskirche Hannover | 0 | ||||||||
| 37792 | Ehsan | Ebrahimi | Perspektiv | 2016 | live-elec, 2 perf | Quadro | 2 santur, (elec) [Streicher] | Incontri HMTM Hannover | 05.11.2016 | Faust Warenannahme Hannover | 0 | ||||||||
| 36893 | Ehsan | Ebrahimi | Schab (Nacht) | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 06.11.2014 | Kestnergesellschaft | 0 | |||||||||
| 36890 | Ehsan | Ebrahimi | von nichts | 2014 | live-elec, 1 perf | Stereo | vn, (elec) [Violine] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 42350 | Ehsan | Ebrahimi | Zemestan | 2019 | live-elec, 1 perf | fl [Flöte] | 25.1.2019 | Konzertsaal Hochschule für Künste Bremen | 0 | ||||||||||
| 40901 | Ata | Ebtekar | 12 Niaaz 1:39 |
2006 | fixed media, akusmatisch | 1:39 | SR 277 sub rosa/ | 0 | |||||||||||
| 40895 | Ata | Ebtekar | Breadth Digit (Glass Lung) | 2006 | fixed media, akusmatisch | 1:55 | SR 277 sub rosa/ | 0 | |||||||||||
| 40899 | Ata | Ebtekar | Cry | 2006 | fixed media, akusmatisch | 2:49 | SR 277 sub rosa/ | 0 | |||||||||||
| 40900 | Ata | Ebtekar | Lovaz | 2006 | fixed media, akusmatisch | 3:23 | SR 277 sub rosa/ | 0 | |||||||||||
| 40894 | Ata | Ebtekar | Micro Tuning | 2006 | fixed media, akusmatisch | 7:10 | SR 277 sub rosa/ | 0 | |||||||||||
| 40890 | Ata | Ebtekar | Miniature Tone | 2006 | fixed media, akusmatisch | 5:51 | SR 277 sub rosa/ | 0 | |||||||||||
| 40891 | Ata | Ebtekar | Nashid | 2006 | fixed media, akusmatisch | 10:24 | SR 277 sub rosa/ | 0 | |||||||||||
| 40898 | Ata | Ebtekar | Picture Of A Whisper | 2006 | fixed media, akusmatisch | 2:19 | SR 277 sub rosa/ | 0 | |||||||||||
| 40902 | Ata | Ebtekar | Plainsong | 2006 | fixed media, akusmatisch | 1:40 | SR 277 sub rosa/ | 0 | |||||||||||
| 40896 | Ata | Ebtekar | Robot Radif | 2006 | fixed media, akusmatisch | 3:12 | SR 277 sub rosa/ | 0 | |||||||||||
| 40892 | Ata | Ebtekar | Saint Homayun | 2006 | fixed media, akusmatisch | 4:56 | SR 277 sub rosa/ | 0 | |||||||||||
| 40893 | Ata | Ebtekar | Synthetic Overture (Satan's Lullaby) | 2006 | fixed media, akusmatisch | 2:28 | SR 277 sub rosa/ | 0 | |||||||||||
| 40897 | Ata | Ebtekar | Tahrir, Love-Birds Drowned In Sorrow | 2006 | fixed media, akusmatisch | 8:43 | SR 277 sub rosa/ | 0 | |||||||||||
| 4544 | Pedro | Echarte | El Gran Bonetón | 1966 | Theatermusik | Mono | LME Uni Cordoba | 0 | |||||||||||
| 4545 | Pedro | Echarte | Estudiantina | 1965 | Film | Mono | LME Uni Cordoba | 0 | |||||||||||
| 4546 | Pedro | Echarte | Estudio II | 1964 | fixed media, akusmatisch | 3:15 | Mono | PS Vaggione | 0 | ||||||||||
| 4547 | Pedro | Echarte | Estudio para la voz humana | 1964 | fixed media, akusmatisch | 3:00 | Mono | PS Vaggione | 0 | ||||||||||
| 4548 | Pedro | Echarte | Musiques Dispersees (D), Bidule | 1969 | Performance | 4:00 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 4549 | Pedro | Echarte | Treno | 1965 | fixed media, akusmatisch | 3:30 | Stereo | JME-1/ | LME Uni Cordoba | 0 | |||||||||
| 31137 | Cathy van | Eck | Actions of Memory | 2003 | Performance, live-elec, 3 perf | gui, trbn, db, (elec) [Posaune, Gitarre, Kontrabass] | written in collaboration with Wouter Snoei (live-electronics), Juan Parra Cancino (guitar), Jelte van Andel (double bass) and Joost Geevers (trombone) | muziekwerkplaats de Trampoline | 0 | http://www.woutersnoei.nl/?c=projecten&s=Cathy_van_Eck | |||||||||
| 31124 | Cathy van | Eck | Blik na blik | 2006 | Performance | gui [Gitarre] | for a small guitar, live electronics and tin cans; written for Daniel Göritz | Festival Klangwerkstatt | 0 | ||||||||||
| 31122 | Cathy van | Eck | Büchsen für Pandora – Musik aus der Dose | 2006 | Performance | for loudspeakers, tin cans and live electronics | 0 | ||||||||||||
| 35025 | Cathy van | Eck | Cheering for others makes you a leader | 2016 | Performance, live-elec, 1 perf | fem p (sensoren, Live-Elektronik) [Piano] | NOW Festival | 5.11.2016 | ICEM festival NOW 2016 | 0 | |||||||||
| 31118 | Cathy van | Eck | dazwischen | 2007 | Performance | 3 perf [Performer] | for three loudspeakers, three performers with contact microphones and live electronics, written for the musictheatre Wanderland | Festival Klangwerkstatt | 0 | ||||||||||
| 31100 | Cathy van | Eck | Double Beat | 2013 | Performance | a performance for plastic bags, breath, two heart beats and electronics. | symposion Mind the Gap in Graz (Austria) | Graz | 0 | ||||||||||
| 31111 | Cathy van | Eck | Ein Oktett für das Quartett | 2009 | Performance | Octo | 4 perf [Performer] | a piece for 8 loudspeakers and 4 performers for the music theatre piece Das Quartett oder Schumann im Netz - Eine Unterhaltung mit Interferenzen und Turbulenzen | Bühne Fasson | 0 | |||||||||
| 31104 | Cathy van | Eck | Geluid gemeten: no 23 & no 32 | 2012 | Klangkunst, Installation | sound installation for several pieces of paper, two loudspeakers, a box and electronics. written for the Kolumba museum |
biennale cologne | 0 | |||||||||||
| 31119 | Cathy van | Eck | Groene Ruis | 2007 | Performance | for a small box tree, hairdryer and live electronics | Gaudeamus Music week | 0 | |||||||||||
| 28494 | Cathy van | Eck | Hearing Sirens, Amsterdam 2007 | 2007 | Klangkunst, Installation | Spazialisation: portable horn-loudspeakers | for portable horn-loudspeakers and electronics written for the „Mobile Music Workshop“ |
basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.cathyvaneck.net/SirenAmsterdam.html | |||||||||
| 31127 | Cathy van | Eck | Hearing Sirens | 2005 | Performance | A project for mp3-players with portable horn-loudspeakers | 0 | ||||||||||||
| 31107 | Cathy van | Eck | Herbst | 2011 | Performance | a text composition | Festival Rümlingen | 0 | |||||||||||
| 31120 | Cathy van | Eck | Het scheepje in de fles | 2007 | Klangkunst, Installation | for electronics; a soundscape by Erik Bindervoet and Robbert-Jan Henkes (text) and Cathy van Eck (sound) Landscape installation on the beach by Bruno Doedens |
Zomersprookjes | 0 | |||||||||||
| 31112 | Cathy van | Eck | hout en snaren | 2008 | live-elec, 1 perf | vn [Violine] | a piece of music for violin, loudspeaker-object and live-electronics; written for Susanne Zapf |
November Music | 0 | ||||||||||
| 31113 | Cathy van | Eck | Im freien | 2008 | live-elec, 1 perf | rec [Flöte] | for recorder, duduk, organpipe and electronics, written for Gerd Lünenburger and Raphaela Danksagmüller | 0 | |||||||||||
| 31115 | Cathy van | Eck | in blik | 2008 | Performance | for tin can towers and electronics | Lange Nacht des Musiktheaters in Berlin, Germany | 0 | |||||||||||
| 31101 | Cathy van | Eck | Klangverordnung – Die verbotene Klänge der Stadt Bern, Version II (outside in the city) | 2012 | Performance | perf [Performer] | performance for two big orange loudspeaker horns, the forbidden noises of the city of Berne and one performer | Bone festival for performance art | 0 | ||||||||||
| 31102 | Cathy van | Eck | Klangverordnung – Die verbotene Klänge der Stadt Bern, Version I (inside in the archive) | 2012 | Performance | performance for three boxes, three loudspeakers and noise regulation laws of the city of Bern since the 17th century. | archive of the city of Berne | 0 | |||||||||||
| 31117 | Cathy van | Eck | Luftschlösser im Bau | 2007 | Performance | 10 mus [Musiker] | for 10 musicians und 7 castles in the air structures, written for the musictheatre Wanderland | Festival Klangwerkstatt | 0 | ||||||||||
| 31125 | Cathy van | Eck | Mijn Dafne | 2006 | Performance | for a small box tree, hairdryer and live electronics | 0 | ||||||||||||
| 31114 | Cathy van | Eck | Mit Luft gebaut – Musik aus der Dose | 2008 | Performance | 3 perf [Performer] | for castles in the air, tin can towers, loudspeakers and three performers; performances in a soundinstallation for a guitarist and two singers. | 0 | |||||||||||
| 31108 | Cathy van | Eck | Music for the video Mandala Boogie Woogie | 2010 | fixed media, akusmatisch | 6 | for six channel electronics | Muziek als Licht | 0 | ||||||||||
| 31128 | Cathy van | Eck | Oefening in stilzwijgend zingen | 2005 | Performance | 3 dancer [Tanz] | for three dancers. portable horn-loudspeakers and electronics | Festival Rümlingen | 0 | ||||||||||
| 31136 | Cathy van | Eck | Ohne Titel [ma:] | 2003 | Klangkunst, Installation | for electronics, written for the exhibition [ma:] | 0 | ||||||||||||
| 31130 | Cathy van | Eck | Ohne Titel [Nach der Natur] | 2005 | Klangkunst, Installation | for electronics, written for the exhibition Nach der Natur | 0 | ||||||||||||
| 31106 | Cathy van | Eck | Pièce d'Ameublement | 2011 | Performance | p [Piano] | for grand piano, plants and live electronics. written for Frederik Croene |
fonds voor de podiumkunsten | 0 | ||||||||||
| 31123 | Cathy van | Eck | Raderwerk | 2006 | live-elec, 1 perf | hpd [Cembalo] | written for Anne Faulborn | fonds voor de scheppende toonkunst | 0 | ||||||||||
| 31110 | Cathy van | Eck | Song no 3 | 2010 | Performance | perf [Performer] | for one performer, loudspeaker, microphone and live electronics; written for KOFOMI |
0 | http://www.jar-online.org | ||||||||||
| 31103 | Cathy van | Eck | Ways and Means | 2012 | Performance | 5 V [Stimme] | for five singers, gestures, small microphones and loudspeakers and live electronics | Munich Biennale and the University of the Arts Berlin | 0 | ||||||||||
| 31126 | Cathy van | Eck | Wer gibt Dir ein Recht den Stummen zu spielen | 2005 | live-elec, 1 perf | db [Kontrabass] | written for Cristin Wildbolz | fonds voor de scheppende toonkunst | 0 | ||||||||||
| 31109 | Cathy van | Eck | When the sound of your voice slips through my fingers | 2010 | Performance | ≈ 14 | 5 V [Stimme] | for five singers, small microphones and loudspeakers, and live electronics; written for the Neue Vocalsolisten Stuttgart |
Musik der Jahrhunderte / Neue Vocalsolisten Stuttgart | 13. November 2010 | November Music (’s-Hertogenbosch) | 0 | |||||||
| 31116 | Cathy van | Eck | Wings | 2007 - 2008 | Performance | 3 perf [Performer] | for big white shields, three microphones, one loudspeaker and three performers. | Champ d'Action and ORCiM | 0 | ||||||||||
| 31129 | Cathy van | Eck | Zwischen Schlaf und Schlaf | 2005 | live-elec, 3 perf | vn, va, vc, (elec) [Viola, Cello, Violine] | written for the trio sonar | Festival Magdeburgisches Concert | 0 | ||||||||||
| 31105 | Cathy van, Susanne | Eck, Zapf | Stumme Diener | 2011 | Performance | performance for music stands, loudspeakers, microphones and live electronics, developed together with Susanne Zapf, also featuring pieces by Jakob Diehl and Wael Sami. | Klangwerkstatt Berlin | 0 | |||||||||||
| 34444 | Hans van | Eck | Aeterna | 1985 | fixed media, akusmatisch | 10 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 34427 | Hans van | Eck | Fantasia II | 1983/1984 | Zuspiel / Tonband, 1 perf | 10:40 | Stereo | vn [Violine] | Sonology Utrecht | 0 | |||||||||
| 27352 | Hans van | Eck | Nuctemeron | 2007 | live-elec, 3 perf | 24:00 | vn, V, db-cl [Stimme, Klarinette, Violine] | Schreck-Ensemble Amsterdam, live-recording 2007; 3 Tracks | SR 309/ | 1 | |||||||||
| 4550 | Hans van | Eck | Wire Movements | 1993 | live-elec, 3 perf | b-cl, synt, sam, [Klarinette, computer, synthesizer] | 0 | ||||||||||||
| 43194 | Anke | Eckardt | BETWEEN | YOU | AND | ME | 2011 | Klangkunst, Installation | 6 | (6 hypersonic loudspeakers, 4 projectors / 2 hazers; absorbers adjusted for the space) [] | Multisensory Installation: a wall of sound and light | Auszeichnung ars electronica honorary mention 2012 | 0 | http://ankeeckardt.com/?page=41&lang=1 | ||||||||
| 4551 | Gerhard | Eckel | Der Zufall geht | 1986 | fixed media, akusmatisch | 2:17 | Stereo | prod. with com system AKA 2000. | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ | ELAK Wien | 1 | http://iem.at/~eckel/ | |||||||
| 22207 | Gerhard | Eckel | Traverse | 1999 | live-elec, 1 perf | 11:00 | va, (com) [Viola] | Improvisation with Powerbook | ICMC 2000/ | PS | 1 | http://iem.at/~eckel/ | |||||||
| 43208 | Gerhard | Eckel | Zeitraum | 2013, 2015, 2018 | Klangkunst, Installation | Lehre & Forschung |
Auszeichnung ars electronica honorary mention 2015 | 0 | https://www.researchcatalogue.net/view/94547/94566 | |||||||||||
| 25793 | Gerhard, Daniel, Martin, Eckehard, Maximilian | Eckel, Teige, Rumori, Güther, Szcepanski | Grenzenlose Freiheit | 2002 - 2003 | Klangkunst, Installation | ∞ | 24 Tracks | Genf (Archipel) 2003 | archipel the third ear/ | TU Berlin | Inventionen 2002 | 27.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | http://www.grenzenlosefreiheit.de/ | |||
| 37626 | Gerald | Eckert | about water | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 37678 | Gerald | Eckert | about water II | 2017 | fixed media, akusmatisch | 8:01 | DegeM CD 15/ | 0 | |||||||||||
| 29458 | Gerald | Eckert | Aisthanómenon | 1989/1990 | Zuspiel / Tonband, 1 perf | 10:30:00 | vc [Cello] | 8.5.1990 | Nürnberg conservatory; Gerald Eckert | 0 | |||||||||
| 4552 | Gerald | Eckert | Aux mains de l'espace | 1993 | fixed media, akusmatisch | 15:30 | Stereo, Quadro, Octo | after a poem by Paul Éluard: Les tours du silence. Synlab, Lexicon 480L, ADT C24, Mischcomputer, M15:16, M15:4, Lexicon PCM 70 M20, EMS B-1 |
Cybele 960.101/ | ICEM Essen | 30.10.1993 | Folkwang-Hochschule Essen | Competition Musica Nova Prag 1994 | 1 | 1996 | ||||
| 37633 | Gerald | Eckert | Brandung | 2010 | audiovisuell, | 60 | 4 videos à 15m | 0 | |||||||||||
| 33785 | Gerald | Eckert | Cer | 2013 | fixed media, akusmatisch | 7:01 | Quadro + Quadro | DegeM CD 12 Seltene Erden/ | 1 | ||||||||||
| 37629 | Gerald | Eckert | chute de clarté | 2015 | Zuspiel / Tonband, 2 groups | ch, ens [Ensemble, Chor] | 7 parts | 0 | |||||||||||
| 29459 | Gerald | Eckert | Creth (Schaft 29.) | 2005 | Zuspiel / Tonband, 6 perf | ≈ 24 | db-cl, tuba, perc, p, va, db [Klarinette, Tuba, Piano, Schlagzeug, Viola, Kontrabass] | 10.12.2005 | Berlin, AdK, Kammerensemble Neue Musik Berlin | 0 | |||||||||
| 37628 | Gerald | Eckert | den angestoßenen Augen der Steine | 2014 | Zuspiel, live-elec, 2 perf | db-cl, vn [Klarinette, Violine] | 0 | ||||||||||||
| 29460 | Gerald | Eckert | … des Säglichen Zeit … | 2003 | Musiktheater, 5 perf | ≈ 15 | 1 actor and Sp, fl, vc, p, perc [Sprecher, Flöte, Piano, Schlagzeug, Cello, Schauspieler] | experimental music theatre | commission of the 17. Dresdner Tage der zeitgenössischen Musik | 05.10.2003 | Dresden, J. Kienberger, ensemble SurPlus | 0 | |||||||
| 19031 | Gerald | Eckert | Diaphane | 1995 | fixed media, akusmatisch | 10:58 | Stereo | Csound | Cybele 960.102/ DegeM CD 02/ | ICEM Essen | 3.12.1995 | AdK Berlin | Competition Musica Nova Prag 1995 | 1 | http://www.Cybele .de/shop/product_info.php?products_id=48 | ||||
| 29461 | Gerald | Eckert | étre disparu | 2012 | fixed media, akusmatisch | 1:00:00 | 21.06.2012 | Eckernförde | 0 | ||||||||||
| 37634 | Gerald | Eckert | être disparu | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 4554 | Gerald | Eckert | In Sich Ohne Ausweg | 1994 | fixed media, akusmatisch | 12:47 | Stereo | software: p p p | ICEM Essen | 31.10.1994 | Folkwanghochschule Essen | 0 | |||||||
| 37630 | Gerald | Eckert | Interception | 2016 | Zuspiel / Tonband, 1 perf | vc [Cello] | 0 | ||||||||||||
| 29462 | Gerald | Eckert | Interferenz I | 2004 | Zuspiel, live-elec, 3 perf | ≈ 21 | fl, vc, e-chin, (elec) [Flöte, Gitarre, Cello] | 03.09.2004 | Eckernförde; Beatrix Wagner, Gerald Eckert, Werner Cee | 0 | |||||||||
| 29463 | Gerald | Eckert | Interferenz II | 2004 | Zuspiel / Tonband, 3 perf | ≈ 6:30 | fl, vc, e-chin [Flöte, Gitarre, Cello] | 22.09.2004 | Hamburg; concert „Globusklänge", Beatrix Wagner, Gerald Eckert, Werner Cee | 0 | |||||||||
| 37627 | Gerald | Eckert | Interferenz III | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 4555 | Gerald | Eckert | Klangräume | 1991 | fixed media, akusmatisch | 5:30 | Stereo | with score | PS C. | 1.7.1993 | Folkwang-Hochschule Essen | 0 | |||||||
| 28618 | Gerald | Eckert | NEN IV | 2004/2011 | fixed media, akusmatisch | 5:12 | Stereo | PS C. | 15.4.2011 | Essen | 0 | ||||||||
| 29465 | Gerald | Eckert | Nen VII | 2007 | Zuspiel, live-elec, 2 perf | 10:29:00 | fl, vc, (elec) [Flöte, Cello] | NEOS 10811/ | 19.05.2007 | Berlin, Zentrale Randlage, ensemble reflexion K | 0 | ||||||||
| 29466 | Gerald | Eckert | Nen X | 2011 | Tanz, live-elec, 2 perf | ≈ 17 | dance, vc, (elec) [Cello, Tanz] | 06.10.2011 | Tosterglope 07.10.2011 Hannover, 09.10.2011 Göttingen, Mikael Honnesseau - dance, Gerald Eckert - vc |
0 | |||||||||
| 23569 | Gerald | Eckert | offen - fin des terres | 2002 | Zuspiel / Tonband, 8 perf | 16:22 | Stereo + Stereo | fl or a-fl or pic-fl, db-cl or cl, b-tpt, 2 perc, p, vn, db, (2 tapes) [Flöte, Klarinette, Trompete, Piano, Schlagzeug, Violine, Kontrabass] | Ensemble Aventure | LDC 278078 Cultures électroniques 17/ col legno WWE 1CD 20 231/ | Experimentalstudio für Akustische Kunst Freiburg | Prix 30. Concours Bourges 2003 | 1 | ||||||
| 26141 | Gerald | Eckert | Prisma - du fond d‘un naufage | 2007 | fixed media, akusmatisch | 2:10 | Stereo | Cybele 960.209/ DegeM CD 09/ | 25.11.2007 | Fockbeck | 1 | ||||||||
| 4557 | Gerald | Eckert | Raumklänge-Klangbilder, Les vestiges d'un clin d'oeuil disparu | 1994 | intermedia | 12:19 | Quadro | electroacoustic music for an installation of own paintings and drawings | ICEM Essen | 18.6.1994 | Dortmand/ Rathaus; festival "Spektakel NRW" | 0 | |||||||
| 29467 | Gerald | Eckert | Sequenzen | 2008 | Performance, live-elec, 2 perf, 2 groups | ≈ 75 | ch, ens, dance, (video), elec [elektronik, Tanz, Ensemble, Chor] | 30.08.2008 | Klein Leppin, Choir Klein Leppin, KNM Berlin Gerald Eckert concept / composition Kathinka Walter choreographie Katja Martin sculptures Ralf Weißleder video Birgit Bockler, Steffen Tast direction of the choir |
0 | |||||||||
| 4553 | Gerald, Thomas, Dirk | Eckert, Neuhaus, Reith | Gesprochenes, abgelöst | 1995 | fixed media, akusmatisch | 12:05 | Octo | from "Klangraum Interaktiv II" | ICEM Essen | 7.10.1995 | Tokyo | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||
| 4556 | Gerald, Thomas, Dirk | Eckert, Neuhaus, Reith | Klangraum Interaktiv II - Publikum | 1995 | Klanginstallation, live-elec, | 14:50 | Octo | text: Bläue, absolut, warst, unumwunden, unüberschaubar, stählern, etc. | ICEM Essen | 1.7.1995 | Gasometer Oberhausen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||
| 37490 | Gerald, Thomas, Dirk | Eckert, Neuhaus, Reith | Klangraum Interaktiv II - Schwebe, Ablösung | 1995 | Klanginstallation, live-elec, | 20:30 | Octo | text: Bläue, absolut, warst, unumwunden, unüberschaubar, stählern, etc. | ICEM Essen | 1.7.1995 | Gasometer Oberhausen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||
| 34598 | John, Katrin | Eckhardt, Bethge | VISUAL BASSIC | live-elec, 2 perf | audiovisuell |
b-gui, perf (light) [Gitarre, Performer] | SMC2016 | 0 | http://www.johneckhardt.de/visualbassic | |||||||||||
| 4558 | Fredrik | Ed | Dino | 1991 | fixed media, akusmatisch | 4:00 | Tomas Caroli | 0 | |||||||||||
| 33018 | Phil | Edelstein | Shrieks and Nuptials | 1977 | live-elec, 2 perf | 10:06:00 | 2 perf [Performer] | Improvisation, Performer – Marsha Harris, Phil Edelstein | OMM 0046, The Kitchen Archives No.4 / Composers Inside Electronics/ | 1 | |||||||||
| 40056 | Mark | Eden | Sound of the Baskervilles | 2017 | fixed media, akusmatisch | Mark Eden | 0 | ||||||||||||
| 4559 | Helmut | Eder | Die Irrfahrten des Odysseus | 1965 | Tanz | Mono | orc [Orchester] | Siemens | 0 | ||||||||||
| 4560 | Ray | Edgar | Flexonica | 1993 | live-elec, | STEIM | 0 | ||||||||||||
| 4561 | Ray | Edgar | Infantum | 1988 | Musiktheater | STEIM | 0 | ||||||||||||
| 22081 | Michael Edward | Edgerton | Wassermann | fixed media, akusmatisch | 10:57 | South western College | 1 | ||||||||||||
| 4562 | Hans | Edler | Drama | 1969 | fixed media, akusmatisch | 5:00 | Stereo | MALP 102 Marilla/ | EMS Stockholm | 0 | |||||||||
| 23718 | Hans | Edler | Far Away | 1971 | fixed media, akusmatisch | 5:09 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23717 | Hans | Edler | I'am looking for Love | 1971 | fixed media, akusmatisch | 2:27 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23727 | Hans | Edler | Lovedust | 1971 | fixed media, akusmatisch | 0:32 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23726 | Hans | Edler | Miscalculation | 1971 | fixed media, akusmatisch | 1:10 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23716 | Hans | Edler | My third Eye | 1971 | fixed media, akusmatisch | 3:03 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23724 | Hans | Edler | Never-ending, Oändlig | 1971 | fixed media, akusmatisch | 3:01 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23730 | Hans | Edler | Ongoing | 1971 | fixed media, akusmatisch | 1:20 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23729 | Hans | Edler | Original Basic | 1971 | fixed media, akusmatisch | 3:07 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23725 | Hans | Edler | Out of the Body | 1971 | fixed media, akusmatisch | 1:55 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23720 | Hans | Edler | Playing with Words | 1971 | fixed media, akusmatisch | 2:59 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23722 | Hans | Edler | Poor Man looking for Food, Fattig man söker efter mat | 1971 | fixed media, akusmatisch | 1:52 | Stereo | BoyWonder 001/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 23721 | Hans | Edler | Romanticism, Romantiken | 1971 | fixed media, akusmatisch | 2:39 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 4563 | Hans | Edler | Souvenir | 1969 | fixed media, akusmatisch | 4:32 | Stereo, Quadro | MALP 102 Marilla/ | EMS Stockholm | 0 | |||||||||
| 23723 | Hans | Edler | Tell me, what is that?, Säg vad är det? | 1971 | fixed media, akusmatisch | 2:34 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23719 | Hans | Edler | We hear a Scream, Vi hör ett skrik | 1971 | fixed media, akusmatisch | 2:46 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23728 | Hans | Edler | X-1111 | 1971 | fixed media, akusmatisch | 1:22 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 4564 | Mikael | Edlund | Elektronmusik Ombudsnationalen | 1975 | Hintergrundmusik | 5:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4566 | Mikael | Edlund | The lost jugglery | 1974/1977 | Zuspiel/Tonband, 5 perf | intermedia |
17:00 | Mez, 2 perc, p, vc [Mezzo, Piano, Schlagzeug, Cello] | 0 | |||||||||||
| 4565 | Mikael, Pär | Edlund, Lindgren | Terra Nova | 1979 | Theatermusik | EMS Stockholm | 0 | ||||||||||||
| 39414 | Joshua | Edward | Sublimity | 2017 | Zuspiel, live-elec, 3 perf | hn, gui, V [Stimme, Horn, Gitarre] | 0 | ||||||||||||
| 25549 | Michael | Edwards | 24 / 7: freedom friend | 2006 | live-elec, 1 perf | 14:28 | va d’amore [Viola] | Garth Knox (va) | WER 20625/ | ZKM Karlsruhe | 1 | http://www.sumtone.com/composer.php?id=1 | |||||||
| 28216 | Michael | Edwards | 24/7: freedom fried | 2006 | live-elec, 1 perf | 3:00 | va d’amore [Viola] | Organised Sound Vol 14/3/ | ZKM Karlsruhe | 1 | |||||||||
| 43197 | Michael | Edwards | altogether disproportionate | 2012 | live-elec, 1 perf | p [Piano] | Auszeichnung ars electronica honorary mention 2013 | 0 | |||||||||||
| 26523 | Michael | Edwards | anonymous obvious, aka several instrumental structures to annoy ludi | 2000 | fixed media, akusmatisch | 12:54 | Quadro | ZKM Karlsruhe | 2001 | Salzburg | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||
| 18356 | Michael | Edwards | Brownian Motion | 1994 | fixed media, akusmatisch | 12:00 | Stereo | CLM | CCRMA | 1994 | Stanford | 0 | http://www.sumtone.com/composer.php?id=1 | ||||||
| 34686 | Michael | Edwards | Flung me, foot trod | 1995 | Zuspiel / Tonband, 1 perf | 9 | Stereo | a-sax [Saxophon] | CCRMA V 02/ Russolo Pratella EF.ER.P 99/ | CCRMA | Prize Russolo Varese 1999 | 0 | |||||||
| 26526 | Michael | Edwards | for Madga Cordell, if she'll have it | 2007 | live-elec, 1 perf | 10:30-18 | p, (com) [Piano] | ZKM Karlsruhe | Sarah Nicolls | 19.11.2007 | Huddersfield | 0 | http://www.sumtone.com/composer.php?id=1 | ||||||
| 26525 | Michael | Edwards | I believe the highest human achievement can be accomplished with a raging heart | 2006 - 2007 | live-elec, 1 perf | 10:30 | p, (com) [Piano] | ZKM Karlsruhe | ZKM | 13.12.2007 | ZKM Karlsruhe | 0 | http://www.sumtone.com/composer.php?id=1 | ||||||
| 26527 | Michael | Edwards | I wake forced by routine, not curious like the dog | 2007 | live-elec, 1 perf | 15:00 | perc, (com) [Schlagzeug] | ZKM Karlsruhe | ZKM | 13.12.2007 | ZKM Karlsruhe | 0 | http://www.sumtone.com/composer.php?id=1 | ||||||
| 26521 | Michael | Edwards | Redislocations | 1993 | fixed media, akusmatisch | 18:00 | Stereo | CCRMA | 1994 | Stanford | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||
| 26524 | Michael | Edwards | scei I - XVIII, stereo music file for internet download | fixed media, akusmatisch | var | Stereo | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||||||
| 26520 | Michael | Edwards | Sheet Metal Study | 1992 | fixed media, akusmatisch | 7:00 | Stereo | CCRMA | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||||
| 26522 | Michael | Edwards | Thick | 1999 | fixed media, akusmatisch | 11:00 | Quadro | PS C. | 2000 | Havana | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||
| 41804 | Michael, Marco | Edwards, Trevisani | AYANO | live-elec, 2 perf | 7:28 | prep p, perc [Piano, Schlagzeug] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41800 | Michael, Marco | Edwards, Trevisani | BUS ERROR | live-elec, 3 perf | 7:46 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41803 | Michael, Marco | Edwards, Trevisani | DEAD MUTE AND DUMPLINGS | live-elec, 3 perf | 3:34 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41801 | Michael, Marco | Edwards, Trevisani | EINALEM | live-elec, 3 perf | 8:09 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41796 | Michael, Marco | Edwards, Trevisani | ENIRAK | live-elec, 3 perf | 2:28 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41797 | Michael, Marco | Edwards, Trevisani | MACONDO | live-elec, 3 perf | 6 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41799 | Michael, Marco | Edwards, Trevisani | MELU | live-elec, 2 perf | 4:03 | perc, com [Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41798 | Michael, Marco | Edwards, Trevisani | O CORE DUMPED | live-elec, 3 perf | 5:20 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 18380 | Michael, Marco | Edwards, Trevisani | Segmentation fault beta 1.1 | 1996 | live-elec, 3 perf | prep p, com, perc [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | CCRMA | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||||
| 41802 | Michael, Marco | Edwards, Trevisani | TAMU E MAMEY | live-elec, 3 perf | 4:56 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 4567 | Ross | Edwards | Music for flute & tape | 1965 | Zuspiel / Tonband, 1 perf | Mono | fl [Flöte] | PS C. | 0 | ||||||||||
| 23374 | Stef | Edwards | Davros | 2002 | Klangkunst, Installation | 5:12 | ARiADA 2003/ | UEA Norwich | 1 | ||||||||||
| 4568 | Michael van | Eekeren | Serial Composition Nr 1 | 1986 | fixed media, akusmatisch | 17:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 4569 | Sverre | Eftestøl | Elvene | 1990 | Zuspiel / Tonband, 2 perf | 4:00 | Narrator, p [Piano, Schauspieler] | NOTAM | 0 | ||||||||||
| 33806 | Jon | Egeskov, Pixel | set your center between your parts in order to, Drum Sinus Feeds Lion Matrix |
2006 | fixed media, akusmatisch | 41 | Stereo | 5 parts | r-n 74/ | 1 | |||||||||
| 21954 | Christian | Eggen | Orkesternatt | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 38943 | Oswald | Egger | Linz und Lunz | 2013 | radiophon | 56 | SWR | 7.3.2013 | SWR2 | Karl-Sczuka-Preis 2013 | 0 | https://de.wikipedia.org/wiki/Karl-Sczuka-Preis | |||||||
| 4570 | Peter A. | Egger | Gehweissnichtwohin-holweissnichtwas | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 4571 | Peter A. | Egger | Hommage a Wien | 1985 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 4572 | Peter A. | Egger | of flying and winning | 1983 | fixed media, akusmatisch | 0 | |||||||||||||
| 4573 | Peter A. | Egger | Of Waiting and Coming | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 4574 | Peter A. | Egger | Sonatra 611 | 1987 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 4575 | Peter A. | Egger | still no rain for anyone | 1981 - 1982 | fixed media, akusmatisch | 0 | |||||||||||||
| 4577 | Peter A. | Egger | Wärmespendende Verlustmöglichkeiten | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 4578 | Peter A. | Egger | Z.A.K.O. 6 | 1986 | fixed media, akusmatisch | 7:55 | Stereo | amadeo 427041 Oesterreichische Musik Der Gegenwart: Elektronische Musik 3/ | ELAK Wien | 1 | |||||||||
| 4579 | Peter A. | Egger | Zeitstimmungen- Teil 3 | 1986 | fixed media, akusmatisch | 3:42 | Stereo | ELAK Wien | 0 | ||||||||||
| 4576 | Peter A., Peter, Manfred | Egger, Mechtler, Schu | Theater der Töne | 1984 | Musiktheater | Turbulente Operette in elektroakustischer Manier | 0 | ||||||||||||
| 41845 | Moritz | Eggert | The One Minute Piece That Took Me Ages To Do And Which Is Really Impressive | 2004 | radiophon | 1:00:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 39781 | Fernando | Egido | Cognitive Dissonance | 2016 | fixed media, akusmatisch | Fernando Egido | 0 | ||||||||||||
| 39780 | Fernando | Egido | Homo Homini Lupus | 2017 | fixed media, akusmatisch | Fernando Egido | 0 | ||||||||||||
| 4580 | Robert C. | Ehle | Hypothetical Orbits | 1966 | fixed media, akusmatisch | 4:00 | Stereo | PS C. Dallas | 0 | ||||||||||
| 4581 | Robert C. | Ehle | Spiral of Archimedes | 1966 | fixed media, akusmatisch | 4:00 | Stereo | PS C. Dallas | 0 | ||||||||||
| 4582 | Abel | Ehrlich | arpmusic | 1971 | Zuspiel / Tonband, 10 perf | Bar, mime, 8 ins [Bariton, Instrument, Schauspieler] | 0 | ||||||||||||
| 4583 | Abel | Ehrlich | Music | 1974 | Zuspiel / Tonband, 3 perf | Stereo + Stereo | vn, vc, p [Piano, Cello, Violine] | EM ?? | 0 | ||||||||||
| 4584 | Peter | Ehrnrooth | Le rêve du corniste | 1988 | fixed media, akusmatisch | 11:00 | AMEG - CD 01/ | C&C Annecy | 1 | ||||||||||
| 21893 | Peter | Ehrnrooth | Les sept Chemins perdus | 1998 | fixed media, akusmatisch | 22:40 | IMEB Bourges | 0 | |||||||||||
| 4585 | Peter | Ehrnrooth | Sans titre apparent | 1987 | fixed media, akusmatisch | Stereo | CSMI Genève | 0 | |||||||||||
| 20147 | Peter | Ehrnrooth | Turbulences | fixed media, akusmatisch | 8:20 | Stereo | Collectif & Cie, AMEG CD 02/ | C&C Annecy | 0 | ||||||||||
| 42103 | Günter | Eich | Rebellion in der Goldstadt | 1940 | radiophon | Deutschlandsender (RRG) | 0 | ||||||||||||
| 42105 | Günter, Jo, Philipp, Thomas, Martina, Hans | Eich, Ambros, Schaufelberger, Leboeg, Eisenreich, Schüttler | Träume | 2007 | radiophon | 81:05 | Der Hörverlag 2007/ | NDR | 31.1.2007 | NDR | Hörspiel des Monats Januar 2007 Deutscher Hörbuchpreis 2008 Beste Fiktion (CD-Edition) |
0 | |||||||
| 42104 | Günter, Siegfried | Eich, Franz | Träume | 1951 | radiophon | NWDR | 19.4.1951 | NWDR | Zweiter Preis beim Hörspielpreis der Kriegsblinden 1952 | 0 | |||||||||
| 4586 | Jean | Eichelberger Ivey | 3 Songs of Night | 1963 | Zuspiel / Tonband, 6 perf | S, 5 ins [Sopran, Instrument] | FTS 3349/ | Peabody Con Baltimore | 0 | ||||||||||
| 21806 | Jean | Eichelberger Ivey | Aldebaran | 1963 | Zuspiel / Tonband, 1 perf | va [Viola] | FTS 3349/ | Peabody Con Baltimore | 0 | ||||||||||
| 4587 | Jean | Eichelberger Ivey | Enter three witches | 1964 | fixed media, akusmatisch | 5:35 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 21807 | Jean | Eichelberger Ivey | Hera, Hung from the Sky | 1974 | Zuspiel / Tonband, 1 perf, 1 group | Mez, ens [Mezzo, Ensemble] | text by Carol Kizer | CRI LP 325/ | Peabody Con Baltimore | 0 | |||||||||
| 4588 | Jean | Eichelberger Ivey | Pinball | 1965 | fixed media, akusmatisch | Film |
5:48 | Stereo | film version " Montage V : how to Play Pinball" | FMS 33436/ | Peabody Con Baltimore, Uni Waltham, Brandeis Uni | 1 | ||||||||
| 21808 | Jean | Eichelberger Ivey | Prospero | Zuspiel / Tonband, 3 perf | Quadro | B, hn, perc [Bass, Horn, Schlagzeug] | GSC 1066 Grenadilla/ | Peabody Con Baltimore | 0 | ||||||||||
| 4589 | Jean | Eichelberger Ivey | Terminus | 1963 | fixed media, akusmatisch | FTS 3349/ | Peabody Con Baltimore | 0 | |||||||||||
| 22461 | Daniel | Eideholm | Voice of Eye | 2000 | fixed media, akusmatisch | 7:45 | CD: "a new Generation" at EMS / Eight Times Falling | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 27696 | Arne | Eigenfeldt | In the light of the above | 1990 | fixed media, akusmatisch | Stereo | SFU | 2nd prize Le Caine Award 1990 | 0 | ||||||||||
| 27695 | Arne | Eigenfeldt | Sands of Sirocco | 1986 | fixed media, akusmatisch | Stereo | SFU | 1, prize Le Caine Award 1991 | 0 | ||||||||||
| 4590 | Arne | Eigenfeldt | Threads | 1987 | live-elec, | 15:00 | Stereo | 0 | |||||||||||
| 34609 | Arne | Eigenfeldt | Unnatural Selection, Mvt 2: Too Much Beauty is Before You | 2014 | live-elec, 1 group | ens [Ensemble] | SMC2016 | 0 | |||||||||||
| 24668 | Arne | Eigenfeldt | Waiting | 1986 | fixed media, akusmatisch | 9:12 | Stereo | CSR 0501/ | SFU | 0 | |||||||||
| 34664 | Arne, Ollie, Ben | Eigenfeldt, Bown, Carey | Musebot Chill-Out Session, A Continuously Running Installation | 2016 | Klangkunst, Installation | ens [Ensemble] | SMC2016, HAW | 0 | |||||||||||
| 33034 | Herbert | Eimert | Elektronische Musik, Einführung in die elektronische Musik. Akustische und theoretische Grundbegriffe. Zur Geschichte und zur Kompositionstechnik | 1963 | Demo, Studie | 39 | WER 60006/ | WDR SEM | 1 | ||||||||||
| 4592 | Herbert | Eimert | Epitaph für Aikichi Kuboyama | 1960 | fixed media, akusmatisch | 22:22 23:20 | Quadro | Komposition für Sprecher und Sprachklänge. Übersetzung der Grabinschrift: Günter Anders. Sprecher: Richard Münch |
WER 60014/ Koch 3-5037-3/ WER 67732/ WER 60006/ Creel Pone 04/ Sound Art - Salon Verlag Köln/ | WDR SEM | 9.7.1962 | Stadthalle Darmstadt, Gastabend WDR zu Ferienkursen für neue Musik | 1 | ||||||
| 4593 | Herbert | Eimert | Etüde über Tongemische | 1953 - 1954 | fixed media, akusmatisch | 4:02 | Mono | DGG 16132/ Museumsverein Düren chez muziek/ IDEAMA CD 001/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | |||||||
| 4594 | Herbert | Eimert | Fünf Stücke, 5 Stücke | 1955 - 1956 | fixed media, akusmatisch | 12:43 | Mono | 02:08 + 02:55 + 03:06 + 02:24 + 02:06 | DGG 16132/ Museumsverein Düren chez muziek/ IDEAMA CD 030/ WER 60006/ DMR 1007-09/ | WDR SEM | 30.5.1956 | "Musik der Zeit" Köln | 1 | ||||||
| 4595 | Herbert | Eimert | Glockenspiel | 1953 | fixed media, akusmatisch | 1:00 | Mono | dedicated to Igor Strawinski | BVHAAST 9106/ Museumsverein Düren chez muziek/ IDEAMA CD 097/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | ||||||
| 4596 | Herbert | Eimert | Hommage für Rudolf Petzold | 1968 | fixed media, akusmatisch | 1:50 | Mono | HfMT Köln | 0 | ||||||||||
| 4591 | Herbert | Eimert | Sechs Studien, 6 Studien | 1962 | fixed media, akusmatisch | 17:25 | Quadro | entstanden während der Realisation von Epitaph… | WER 60014/ WER 67732/ Creel Pone 04/ | WDR SEM | 4.9.1962 | WDR | 1 | ||||||
| 4597 | Herbert | Eimert | Selektion I | 1959 - 1960 | fixed media, akusmatisch | 10:00 | Quadro | „für vier Lautsprechergruppen“ | PHI 835 485/86/ Mercury SR2 9123/ IDEAMA CD 018/ WER 60006/ | WDR SEM | 18.6.1960 | Köln | 1 | ||||||
| 4598 | Herbert | Eimert | Struktur 8, 2 Versions | 1953 - 1954 | fixed media, akusmatisch | 3:45 | Mono | WER 60006/ IDEAMA CD 030/ | WDR SEM | WDR | ohne Nachweis | 0 | |||||||
| 4599 | Herbert | Eimert | Variante einer Variation von Anton Webern | 1957 | fixed media, akusmatisch | 0:56 | Mono | WER 60006/ IDEAMA CD 113/ | WDR SEM | 12.12.1975 | WDR | 0 | |||||||
| 4600 | Herbert | Eimert | Vier Studien aus 6 Studien | 1962 | fixed media, akusmatisch | 11:30 | Quadro | WDR SEM | 0 | ||||||||||
| 4601 | Herbert | Eimert | Zu Ehren von Igor Strawinsky | 1957 | fixed media, akusmatisch | 1:00 | Mono | ≈ Glockenspiel | IDEAMA CD 001/ | WDR SEM | 4.12.1975 | WDR | 0 | ||||||
| 31996 | Aaron | Einbond | Beside myself | 2008 | live-elec, 1 perf | 6:58:00 | Stereo + Octo, Spazialisation: WFS | va [Viola] | TU Berlin | 1 | 2008 | ||||||||
| 39532 | Aaron | Einbond | Xylography | 2016 | fixed media, akusmatisch | Aaron Einbond | 0 | ||||||||||||
| 4602 | Will | Eisma | Adela I | 1977 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | ob [Oboe] | PS Five Roses | Donemus | 0 | ||||||||
| 4603 | Will | Eisma | Als een zee binnen mijzelf | 1984 | Zuspiel / Tonband, 1 perf | 11:00 | perc [Schlagzeug] | 0 | |||||||||||
| 4604 | Will | Eisma | An old house in Mulberry Street | 1972 | fixed media, akusmatisch | 14:35 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4605 | Will | Eisma | BTH. 3457 | 1963 | fixed media, akusmatisch | 5:08 | Mono | based on Koenig's Bilthoven course | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | Gaudeamus Bilthoven | 1 | http://thresholdofbeauty.com/music excerpts/BTH 3457 excerpt.mp3 | |||||||
| 4606 | Will | Eisma | Caprichos | 1974 | Zuspiel / Tonband, 1 perf | 9:12 | Stereo | b-cl [Klarinette] | PS Five Roses | Donemus | 0 | ||||||||
| 4607 | Will | Eisma | Collected Papers I | 1972 | live-elec, 1 group | 10:00 | ens [Ensemble] | 0 | |||||||||||
| 4608 | Will | Eisma | Collected Papers II | 1973/1974 | live-elec, 3 perf | 10:00 | ins, perc, synt [Schlagzeug, Instrument, synthesizer] | 0 | |||||||||||
| 4609 | Will | Eisma | Concert à Vapeur | 1974 | Zuspiel, live-elec, 2 perf | 10:00 | Stereo | vn, synt [Violine, synthesizer] | PS Five Roses | 0 | |||||||||
| 4611 | Will | Eisma | De façon primitive ... peutêtre | 1977 | live-elec, 5 perf | 15:00 | 4 ins, synt [Instrument, synthesizer] | 0 | |||||||||||
| 4612 | Will | Eisma | Elaborated Relaxation | 1967 | fixed media, akusmatisch | 7:43 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4613 | Will | Eisma | Five Roses for Diana | 1971 | Zuspiel / Tonband, | 10:00 | Mono | w orc [Orchester] | Sonology Utrecht | 0 | |||||||||
| 4614 | Will | Eisma | Helena is Coming Later | 1975 | live-elec, 5 perf | 12:00 | str-qt, synt [synthesizer, Streicher] | ARP-synt | 0 | ||||||||||
| 4615 | Will | Eisma | Karangan | 1990 | fixed media, akusmatisch | 14:00 | Sweelinck | 0 | |||||||||||
| 4616 | Will | Eisma | Karangan Yang Lain | 1990 | fixed media, akusmatisch | 12:30 | Sweelinck | 0 | |||||||||||
| 4617 | Will | Eisma | Le cheval mort | 1976 | Zuspiel / Tonband, 6 perf | 18:00 | Mez, b-cl, p, perc, 2 synt [Mezzo, Klarinette, Piano, Schlagzeug, synthesizer] | 0 | |||||||||||
| 4618 | Will | Eisma | Le Gibet | 1969 | live-elec, 8 perf | 10:00 | Quadro | V, 7 ins [Stimme, Instrument] | CV 7475/ | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 4619 | Will | Eisma | Le Grand Silence d'un seul Oiseau | 1981 | fixed media, akusmatisch | 14:34 | Stereo | PS Five Roses | 0 | ||||||||||
| 4620 | Will | Eisma | Liwung | 1978 | Zuspiel / Tonband, 1 group | 13:30 | Stereo | gamelan-ens [Ensemble] | PS Five Roses | Donemus | 0 | ||||||||
| 4621 | Will | Eisma | Newsreel, Saturday | 1969 | fixed media, akusmatisch | 12:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4622 | Will | Eisma | Newsreel, Sunday | 1969 | fixed media, akusmatisch | 13:31 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4623 | Will | Eisma | Newsreel, Tuesday | 1969 | fixed media, akusmatisch | 9:32 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4624 | Will | Eisma | Prau las Caglias | 1977 | Zuspiel / Tonband, 1 perf | 8:24 | Stereo | fl [Flöte] | for Vermeulen-flute and el. sounds | PS Five Roses | Donemus | 0 | |||||||
| 4625 | Will | Eisma | Stripped of outer string quotes | 1969 | Zuspiel / Tonband, 1 perf | 13:08 | Quadro | vn [Violine] | Sonology Utrecht | 0 | |||||||||
| 4626 | Will | Eisma | Ten Flutes and Tape | 1973 | Zuspiel / Tonband, 10 perf | 9:22 | Stereo | 10 fl [Flöte] | PS Five Roses | Donemus | 0 | ||||||||
| 4627 | Will | Eisma | Wormeaten Apples | 1978 | fixed media, akusmatisch | 11:35 | Stereo | PS Five Roses | 0 | ||||||||||
| 4610 | Will, Rob | Eisma, du Bois | Cooperational Application | 1965 | Zuspiel / Tonband, 2 perf | 17:30 | Mono | vn, p [Piano, Violine] | CEM Bilthoven | 0 | |||||||||
| 34062 | Peter | Eisold | Borderline Syndrom | 2015 | fixed media, akusmatisch | 7:11:00 | degem CD 13/ | 0 | |||||||||||
| 4628 | Hans | Eklund | Symphony no.4 (Hjalmar Branting in memoriam) | 1973/1974 | Zuspiel / Tonband, 1 perf, 1 group | Sp, orc [Sprecher, Orchester] | 0 | ||||||||||||
| 28334 | Lars | Ekström | Fjättrad | 1991 | Zuspiel / Tonband, | 0 | |||||||||||||
| 22768 | Lars | Ekström | un coup dés … | fixed media, akusmatisch | 1 | ||||||||||||||
| 4629 | Group | El sueño de Hyparco | Cuando X se siente herido | fixed media, akusmatisch | 9:40 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 20056 | Doénado | El Ur | A sensu contrario | 1992 | Tanz | 50:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20054 | Doénado | El Ur | Estudio i para A.S.Co. | 1991 | Tanz | 18:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20057 | Doénado | El Ur | Katanka | 1994 | Tanz | 5:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20055 | Doénado | El Ur | Linea continua | 1991 | audiovisuell | 10:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 35799 | Doénado | El Ur | Obertura De "Fauna" | 1986 | fixed media, akusmatisch | EGK 006/ | PS C. Doénado | 0 | |||||||||||
| 20050 | Doénado | El Ur | Pedicoj en la Arena del Pamir | 1989 | fixed media, akusmatisch | 7:00 | Stereo | Audiovisuals de Sarria 29-1421/ | PS C. Doénado | 0 | |||||||||
| 20053 | Doénado | El Ur | Yné do Zalod | 1991 | fixed media, akusmatisch | 7:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20052 | Doénado | El Ur | Zalody | 1991 | fixed media, akusmatisch | 14:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20051 | Doénado, Aurelio | El Ur, Martinez | Xestobium rufovillosum | 1990 | fixed media, akusmatisch | 50:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 4632 | Halim | El-Dabh | Leiyla and the Poet | 1959 | fixed media, akusmatisch | 5:20 | Stereo | one of the first piece of RCA-synzhesizer Mark II | Mainstream MS 6566/ IDEAMA CD 066/ | Col.Princ EMC | 1 | ||||||||
| 40853 | Halim | El-Dabh | Wire Recorder Piece | fixed media, akusmatisch | 2:01 | SR 250 sub rosa/ | 0 | ||||||||||||
| 4630 | Halim, Otto | El-Dabh, Luening | Diffusion of Bells | 1961 | fixed media, akusmatisch | 10:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4631 | Halim, Otto | El-Dabh, Luening | Electronic Fanfare | 1960 | Zuspiel / Tonband, 2 perf | 6:30 | Stereo | perc, rec [Flöte, Schlagzeug] | Without Fear Recordings/ | Col.Princ EMC | 0 | ||||||||
| 4633 | Halim, Otto | El-Dabh, Luening | Percussive Mixtures | 1961 | fixed media, akusmatisch | 8:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 39500 | Sivan | Eldar | You’ll drown, dear | 2017 | live-elec, 1 perf | 8 | V [Stimme] | IRCAM | 20 June 2017 | France, Paris, Le Centquatre, Salle 400, dans le cadre du festival ManiFeste, par Juliette Raffin-Gay, voix ; Aurélie Lemaignen, mise en espace | 0 | http://brahms.ircam.fr/works/work/41243/#program | |||||||
| 19287 | Magnus | Eldénius | Norwegian Fragments | 1994 | Zuspiel / Tonband, 1 perf | 7:22 | vn (Hardanger fiddle) [Violine] | PSCD 91-2 Phono Suecia/ | PS Lindblad | 1 | |||||||||
| 38134 | Sewer | Election | December 3rd | 2011 | live-elec, | 19:32 | iDEAL 103/ | 3.12.2011 | Old American Can Factory, Brooklyn | 0 | |||||||||
| 37215 | Group | Electronic Ensemble of Strasbourg | HAL | 2017 | Performance | 5:00:00 | 2 perf [Performer] | A network-based gestural electronic music performance | HEAR Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 4634 | Szilvia | Elek | Ostinato | 1986 | fixed media, akusmatisch | 6:56 | MR Budapest | 0 | |||||||||||
| 35723 | Group, Antonio, Hertz | Elevador, Sánchez, Volta | Sesenta | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 25562 | Ivan | Elezovic | Almost there… | 2001 | fixed media, akusmatisch | 6:30 | JTTP 2005 | CEC Cache 2005, PeP 010/ | winner JTTP 2005 5. prize | 1 | |||||||||
| 25563 | Galen | Elfert | Nebulae | 2005 | fixed media, akusmatisch | 8:00 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 22287 | Leif | Elggren | A hole in the palisade | 1998 | live-elec, | 12:25 | Festival Documentation "Nature is Perverse" | FYCD 1017-1/ | 1 | ||||||||||
| 23572 | Leif | Elggren | M | 2003 | Klangkunst, Installation | 2:05 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | PS | 1 | |||||||||
| 4635 | Leif | Elggren | Överflugen av en gammal kung (Flown over by an old king) | 1988 | Zuspiel / Tonband, 1 perf | 27:50 | Stereo | V [Stimme] | Radium 226.05/ Radium RAFE 044-61/ | EMS Stockholm | Ufa Fabrik Berlin | 0 | |||||||
| 22037 | Leif | Elggren | Pluralis Majestatis | Performance | 56:31 | Sound source =metal bed along with contact microphones, a PA-system and 102 tin-can crowns. Performed in Fylkingen Stockholm. Part of a Trilogy together with "Flown over by an Old King", "Talking to a Dead Queen" |
FER 1010 Firework Edition Records/ | Firework Edition | 1 | ||||||||||
| 19020 | Leif | Elggren | Talking to a Dead Queen | 1994 | live-elec, 1 perf | 63:17 | amp w (Cu-pipe) [Bläser] | FYCD 1008/ | 1 | ||||||||||
| 33877 | Leif | Elggren | The Followers | 1988 | fixed media, akusmatisch | Radium RAFE 044-61/ | EMS Stockholm | 0 | |||||||||||
| 22331 | Leif, Kent | Elggren, Tankred | Sons of God refurnish | 1988 | fixed media, akusmatisch | 9:58 | Elggren & Tankred = Sons of God | Infogram 045/1/ FYDVD 1001/ | 1 | ||||||||||
| 4637 | Leif, Kent | Elggren, Tankred | Warszawa 1 | 1988 | fixed media, akusmatisch | 4:30 | ano kato 020/ | EMS Stockholm | 1 | ||||||||||
| 4636 | Leif, Kent, Carl Michael von | Elggren, Tankred, Hausswolff | Svisch, (och så går det en tid, Föreställning / Guds söner) | 1991 | Musiktheater, 3 perf | 120:00 | 3 actor, (text, sound) [Schauspieler] | 0 | |||||||||||
| 4638 | Lars | Elgstam | Fingerövning för Buchla | 1979 | fixed media, akusmatisch | 3:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 4639 | Lars, Ola | Elgstam, Hansson | Ode till Moder Jord, eller Avant Kindergarten naturelle | 1980 | fixed media, akusmatisch | 3:55 | Stereo | EMS Stockholm | 0 | ||||||||||
| 26531 | Marios Joannou | Elia | Dialogues Looking for Voices | 2004 | fixed media, akusmatisch | Stereo | SEM Salzburg | 0 | |||||||||||
| 26528 | Marios Joannou | Elia | Eco I - III | 2001 | live-elec, 3 perf | 1 - 3 p [Piano] | SEM Salzburg | 0 | |||||||||||
| 26529 | Marios Joannou | Elia | Fröhliche Weihnachten | 2002 | fixed media, akusmatisch | SEM Salzburg | 0 | ||||||||||||
| 26530 | Marios Joannou | Elia | Game of Chance | 2002 | fixed media, akusmatisch | together with N. J. Elia | SEM Salzburg | 0 | |||||||||||
| 4640 | Isidore | Elias | Faure's Elegy, Pachelbel's Kanon, Gluck's Alceste | fixed media, akusmatisch | CCRMA | 0 | |||||||||||||
| 27176 | Manuel de | Elias | Non Novo Sed Nova, Nothing new but in a new way | 1972 | fixed media, akusmatisch | 6:29 | IRD 002 Irradia/ | ESM Mexico | 0 | ||||||||||
| 19657 | Pedro | Elias | Altane | 1994 | Zuspiel / Tonband, 1 perf | 9:28 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 19797 | Pedro | Elias | Deriva 17 | 1995 | fixed media, akusmatisch | Stereo | PS Digimedia | 0 | |||||||||||
| 4692 | Pedro | Elias | Palermo | fixed media, akusmatisch | 30:00 | 0 | |||||||||||||
| 19656 | Pedro | Elias | Situación No. 4: Próxima Estación | 1994 | fixed media, akusmatisch | Stereo | LIEM CDMC Madrid | 0 | |||||||||||
| 19655 | Pedro | Elias | Tinte | 1993 | Zuspiel / Tonband, 1 group | 25:04 | Stereo | ens [Ensemble] | LIEM CDMC Madrid | 0 | |||||||||
| 4641 | Pedro | Elias | Veranda | 1992 | Zuspiel / Tonband, 1 perf | 8:14 | Stereo | V [Stimme] | LIEM CDMC Madrid | 0 | |||||||||
| 4642 | Anders | Eliasson | Anatema | 1972 | fixed media, akusmatisch | 40:06 | EMS Stockholm | 0 | |||||||||||
| 4643 | Anders | Eliasson | Bylåt | 1968 | fixed media, akusmatisch | Hintergrundmusik |
20:29 | Mono | PS Andromeda | 0 | ||||||||||
| 4644 | Anders | Eliasson | Croquis | fixed media, akusmatisch | 6:00 | Mono | PS C. | 0 | |||||||||||
| 4645 | Anders | Eliasson | En saga | 1969 | fixed media, akusmatisch | Hintergrundmusik |
7:50 | Mono | PS Andromeda | 0 | ||||||||||
| 4646 | Anders | Eliasson | I natten alltid resa | 1972 | fixed media, akusmatisch | 13:00 | txtcompo | PS C. | 0 | ||||||||||
| 4647 | Anders | Eliasson | Inför logos | 1973 | Zuspiel / Tonband, 4 perf | 14:00 | 4 V [Stimme] | PS C. | 0 | ||||||||||
| 4648 | Anders | Eliasson | Kvällsmusik | 1970 | fixed media, akusmatisch | 6:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 4649 | Anders | Eliasson | När Orpheus skrek till under jorden | 1968 | fixed media, akusmatisch | Hintergrundmusik |
14:30 | 3 tracks | PS C. | 0 | ||||||||||
| 4650 | Anders | Eliasson | OA | 1970 | fixed media, akusmatisch | 3:40 | Mono | PS C. | 0 | ||||||||||
| 4651 | Anders | Eliasson | Quo vadis | 1973 | Zuspiel / Tonband, 2 perf | 25:00 | S, e-org [Sopran, Keyboard] | PS C. | 0 | ||||||||||
| 34445 | Anton | Eliens | Improvisation | 1974 | fixed media, akusmatisch | Stereo | Study | Sonology Utrecht | 0 | ||||||||||
| 31726 | Sebastian | Elikowski-Winkler | bimbom | 2013 | Zuspiel / Tonband, 1 perf | perc (2 cowbells) [Schlagzeug] | 0 | ||||||||||||
| 31727 | Sebastian | Elikowski-Winkler | De mortuis nil nisi bene, Epitaph für Viola und Zuspiel-CD | 2004 | Zuspiel / Tonband, 1 perf | Stereo | va [Viola] | Edition Plante EPL 1203 | 0 | ||||||||||
| 31728 | Sebastian | Elikowski-Winkler | Epilogus da musica sorabica | 2004 | Zuspiel / Tonband, 3 perf | Stereo | Bar, ob, vn [Bariton, Oboe, Violine] | 0 | |||||||||||
| 31725 | Sebastian | Elikowski-Winkler | Sinfonia (Drei Menschenalter), Variationen ohne Thema klakol dozuk / nachklang |
2010 - 2013 | Zuspiel/Tonband, 1 perf | radiophon |
org [Orgel] | 0 | ||||||||||||
| 4652 | Björn | Elison | Vilande kötthjärta | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 39396 | Jacob | Elkin | Unrequited | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 27916 | Emile | Ellberger | Quatuor sous la pluie | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 4653 | Ulrich | Eller | 18 Horizonte | 1988 | Klangkunst, Installation | ∞ | in Berlin | 0 | |||||||||||
| 4654 | Ulrich | Eller | Alo-a-he double | 1991 | Klangkunst, Installation | ∞ | in Berlin, Hamburg | 0 | |||||||||||
| 4655 | Ulrich | Eller | Am Geräusch entlang | 1992 | Klangkunst, Installation | ∞ | in Bremen | 0 | |||||||||||
| 4656 | Ulrich | Eller | Bewegungen | 1991 | Klangkunst, Installation | ∞ | in Eckernförde | 0 | |||||||||||
| 4657 | Ulrich | Eller | Blüten | 1992 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 4658 | Ulrich | Eller | Dachstuhltrommelmusik | 1989 | Klangkunst, Installation | ∞ | Quadro | in Tønder | 0 | ||||||||||
| 4659 | Ulrich | Eller | Dachtonmusik | 1990 | Klangkunst, Installation | ∞ | Octo | in Quarnstedt | 0 | ||||||||||
| 4660 | Ulrich | Eller | Das Quadrat | 1987 | Klangkunst, Installation | ∞ | Octo | in Eckernförde, Montreal, Berlin, Dublin | 0 | ||||||||||
| 4661 | Ulrich | Eller | Der 12 m Klang | 1987 | Klangkunst, Installation | ∞ | Stereo | in Eckernförde | 0 | ||||||||||
| 4662 | Ulrich | Eller | Die Geräuschemacher (laut) | 1990 | Klangkunst, Installation | ∞ | Mono | in Berlin, Ludwigshaven | 0 | ||||||||||
| 4663 | Ulrich | Eller | Die Geräuschemacher (leise) | 1990 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 4664 | Ulrich | Eller | Die Konstruktion des Klangs, "Pendel" | 1988 | Klangkunst, Installation | ∞ | Octo | 16.6.-3.7.1988 | Lichthof TU Berlin | 0 | |||||||||
| 4665 | Ulrich | Eller | Die Kreise | 1988 | Klangkunst, Installation | ∞ | Octo | in Bremen | 0 | ||||||||||
| 4666 | Ulrich | Eller | EllerKlänge am Ort | 1987 | Klangkunst, Installation | ∞ | in Tønder | 0 | |||||||||||
| 4667 | Ulrich | Eller | En bloc | 1990 | Klangkunst, Installation | ∞ | 12 Tracks | in Fellbach, Hamburg | 0 | ||||||||||
| 4668 | Ulrich | Eller | Fensterstück | 1987 | Klangkunst, Installation | ∞ | 6 | documenta 8, Kassel | 0 | ||||||||||
| 4669 | Ulrich | Eller | Geräuschsäule | 1991 | Klangkunst, Installation | ∞ | 20 Tracks | in Hamburg | 0 | ||||||||||
| 19047 | Ulrich | Eller | Im Kreis der Trommeln | 1996 | Klangkunst, Installation | 1:30 | Sonambiente Ausstellung (1996) Katalog S.53 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 4670 | Ulrich | Eller | Kanonenorgelecke | 1987 | Klangkunst, Installation | ∞ | 7 tracks | in Berlin | 0 | ||||||||||
| 4671 | Ulrich | Eller | Konzert im Kreis | 1987 | Klangkunst, Installation | ∞ | Stereo | nemo-Galerie Eckernförde | 0 | ||||||||||
| 4673 | Ulrich | Eller | Linien | 1991 | Klangkunst, Installation | ∞ | in Hamburg | 0 | |||||||||||
| 4674 | Ulrich | Eller | Lochstein | 1991 | Klangkunst, Installation | ∞ | 6 | in Hamburg | 0 | ||||||||||
| 4675 | Ulrich | Eller | Mein kleiner Zengarten | 1989 | Klangkunst, Installation | ∞ | 12 Tracks | in Bremen | 0 | ||||||||||
| 4676 | Ulrich | Eller | Melo Melo | 1991 | Klangkunst, Installation | ∞ | in Mönchengladbach | 0 | |||||||||||
| 4677 | Ulrich | Eller | Membran | 1990 | Klangkunst, Installation | ∞ | 12 Tracks | in Budapest | 0 | ||||||||||
| 4678 | Ulrich | Eller | Mit dem Raum und dazwischen | 1987 | Klangkunst, Installation | ∞ | Künstlerhaus Bethanien Berlin | 0 | |||||||||||
| 4679 | Ulrich | Eller | Oberhalb | 1987 | Klangkunst, Installation | ∞ | Octo | in Mannheim | 0 | ||||||||||
| 34249 | Ulrich | Eller | Perkussion zweier Räume | 1983 | Klangkunst, Installation | 45 | Kassette: 8 Einzelaufnahmen | Gesamtaufnahme | Edition Giannozzo/ | 0 | ||||||||||
| 4680 | Ulrich | Eller | Rondo per terra | 1989 | Klangkunst, Installation | ∞ | 12 Tracks | in Berlin | 0 | ||||||||||
| 4681 | Ulrich | Eller | Schneckengesänge | 1989 | Klangkunst, Installation | ∞ | in Hamburg | 0 | |||||||||||
| 4682 | Ulrich | Eller | Sechs Zwischentöne | 1991 | Klangkunst, Installation | ∞ | in Hamburg | 0 | |||||||||||
| 4683 | Ulrich | Eller | Sehstück | 1989 | Klangkunst, Installation | ∞ | 3 tracks | in Mönchengladbach | 0 | ||||||||||
| 4684 | Ulrich | Eller | Spiralklang | 1988 | Klangkunst, Installation | ∞ | 11 Tracks | in Groningen | 0 | ||||||||||
| 4685 | Ulrich | Eller | Stehpunkt, Sehpunkt,Hörpunkt | 1988 | Klangkunst, Installation | ∞ | Mono | in Berlin, Wewelsfleth | 0 | ||||||||||
| 34725 | Ulrich | Eller | Talking Drums | 2008 | Klangkunst, Installation | 10:08 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 2.5.-13.6.2008 | singuhr hoergalerie Berlin | 0 | |||||||||
| 4686 | Ulrich | Eller | Türstück | 1989 | Klangkunst, Installation | ∞ | Stereo | in Berlin | 0 | ||||||||||
| 4687 | Ulrich | Eller | Über die Gleise | 1988 | Klangkunst, Installation | ∞ | in Berlin | 0 | |||||||||||
| 4688 | Ulrich | Eller | Wandstück | 1991 | Klangkunst, Installation | ∞ | 12 Tracks | in Berlin | 0 | ||||||||||
| 4689 | Ulrich | Eller | Wasserstück | 1991 | Klangkunst, Installation | ∞ | 20 Tracks | in Eckernförde | 0 | ||||||||||
| 4690 | Ulrich | Eller | Zweitonform | 1991 | Klangkunst, Installation | ∞ | Stereo | 0 | |||||||||||
| 4672 | Ulrich, Paul | Eller, Haubrich | Lapidar II | 1993 | intermedia | 56:53 | 2ndFLOOR 002/ | 1 | |||||||||||
| 4691 | Walter | Ellerbrock | Epigramme | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 4693 | Merrill | Ellis | Episode | 1967 | live-elec, 2 perf | 6:30 | Stereo | tpt, synt [Trompete, synthesizer] | CEMI Denton | 0 | |||||||||
| 4694 | Merrill | Ellis | Kaleidoscope | 1967 | live-elec, 1 perf, 1 group | 11:00-16:00 | Quadro | orc, synt [synthesizer, Orchester] | CEMI Denton | 0 | |||||||||
| 4695 | Merrill | Ellis | Old Man Ivory | 1967 | fixed media, akusmatisch | 5:15 | Stereo | CEMI Denton | 0 | ||||||||||
| 4696 | Merrill | Ellis | The Eternal Can Can | 1966 | fixed media, akusmatisch | 7:00 | Stereo | CEMI Denton | 0 | ||||||||||
| 4697 | Phil | Ellis | In Time | fixed media, akusmatisch | 0 | ||||||||||||||
| 4698 | Phil | Ellis | Prisoner's Progress | fixed media, akusmatisch | 0 | ||||||||||||||
| 34372 | Barbara | Ellison | Far from Equilibrium | 2009/2016 | fixed media, akusmatisch | 13:07 | Post Scriptum PS 001/ | Sonology Den Haag | 0 | ||||||||||
| 42749 | Travis | Ellrott | In Okinawa (7) | 2012 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 4699 | John | Elmsly | A Taste of Honey | 1978 | fixed media, akusmatisch | 5:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 4700 | John | Elmsly | Dances | 1978 | fixed media, akusmatisch | Tanz |
21:45 | Stereo | rev. version | IPEM Gent | 0 | |||||||||
| 4701 | John | Elmsly | Diamant | 1977 | fixed media, akusmatisch | 11:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 4702 | John | Elmsly | In Search of . . . | 1978 | fixed media, akusmatisch | 5:05 | Stereo | IPEM Gent | 0 | ||||||||||
| 4703 | John | Elmsly | May 's Mantle | 1977 | fixed media, akusmatisch | 11:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 23126 | John | Elmsly | The Voice of Experience | 1999 | Zuspiel / Tonband, 1 perf | 3:08 | p [Piano] | UWMD 1200 New Zealand Sonic Art 2000/ | 1 | ||||||||||
| 4704 | John | Elmsly | Two Meditations | 1977 | fixed media, akusmatisch | 14:55 | Stereo | IPEM Gent | 0 | ||||||||||
| 4705 | John | Elmsly | War Song | 1978 | fixed media, akusmatisch | 4:50 | Stereo | IPEM Gent | 0 | ||||||||||
| 4706 | Christian | Eloy | De vive voix | 1985 | fixed media, akusmatisch | 34:00 | Stereo | INA • GRM | 28.4.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 20148 | Christian | Eloy | Drip sound | 1994 | Zuspiel / Tonband, 1 perf | 17:01 | Stereo | fl [Flöte] | OC 951/ | 0 | |||||||||
| 4707 | Christian | Eloy | Dripping | 1989 | Zuspiel / Tonband, 1 perf | 19:00 | Stereo | fl [Flöte] | INA • GRM | 0 | |||||||||
| 4708 | Christian | Eloy | Elements mecaniques | 1983 | fixed media, akusmatisch | 30:10 | Stereo | INA • GRM | 30.4.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 25882 | Christian | Eloy | Ellipse | 2004 | fixed media, akusmatisch | 16:02 | LDC 2781134 Compendium 2004/ LDC 2781137 Compendium 2005/ | IMEB Bourges | 1 | ||||||||||
| 39331 | Christian | Eloy | Fold-in | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24717 | Christian | Eloy | L’estran | 1995 | fixed media, akusmatisch | 12:00 | Stereo | INA e 5010/ | INA • GRM | 0 | |||||||||
| 28087 | Christian | Eloy | Le Jeu Des Lantemes | 1990 | fixed media, akusmatisch | Collectif & Cie C 03/ | C&C Annecy | 0 | |||||||||||
| 24716 | Christian | Eloy | Musica mundana | 2000 | fixed media, akusmatisch | 30:00 | Stereo | INA e 5010/ | INA • GRM | 0 | |||||||||
| 39668 | Christian, Krunoslav | Eloy, Pticar | Soupir bleu | 2016 | fixed media, akusmatisch | Christian Eloy & Krunoslav Pticar | 0 | ||||||||||||
| 4709 | Jean-Claude | Eloy | Anâhata, Vibration primordiale | 1984 - 1986 | Zuspiel / Tonband, 5 perf | 220:00 | Stereo | 5 mus (2 Sho-Myo-V, Ryûteki, Hichiriki, Shô) [Musiker] | HT 11 - 12 - 13 hors territoired/ | Sweelinck, TU Berlin, ART Genève, INA • GRM | Commande l’Etat à l’initiative du Festival d’Automne | 14.11.1986 | Bordeaux Sigma | 1 | 1992 | http://www.eloyjeanclaude.com/FicheAnahata.html | |||
| 18825 | Jean-Claude | Eloy | Anâhata III | 1984 - 1986 | Zuspiel / Tonband, | 106:00 | Stereo + Stereo + Stereo | 2 mus (Shô / O-Shô, a-Sheng / Sheng-Hwang) [Musiker] | HT 13 hors territoired/ | Sweelinck, TU Berlin | 20.10.1990 | Donaueschingen | 1 | 1992 | http://www.eloyjeanclaude.com | ||||
| 4710 | Jean-Claude | Eloy | Après une lecture d'André Breton … | 1954 | live-elec, 7 perf | ≈ 12:00 | Mono | p, oma, hp, celesta, vib, xyl, perc [Piano, Harfe, Schlagzeug, synthesizer] | 0 | http://www.eloyjeanclaude.com | |||||||||
| 4711 | Jean-Claude | Eloy | Cantate de chambre | 1960 | live-elec, 9 perf | 19:00 | Stereo | S, p, hp, vib, mar, 3 perc, oma [Sopran, Piano, Harfe, Schlagzeug, synthesizer] | 0 | http://www.eloyjeanclaude.com | |||||||||
| 4712 | Jean-Claude | Eloy | Chants pour une ombre | 1961 | live-elec, 7 perf | 18:00 | Mono | S, p, hp, celesta, vib, perc, oma [Sopran, Piano, Harfe, Schlagzeug, synthesizer] | 0 | http://www.eloyjeanclaude.com | |||||||||
| 4713 | Jean-Claude | Eloy | … D'une etoile oubliée, … of a forgotten star | 1986 | fixed media, akusmatisch | 20:35 | Stereo | original this piece was part of Anâhata (part named „Indian-Plates“), later part of "Sappho Hiketis" (written for Fatima Miranda & Yumi Nara); all sounds prerecorded from percussion-ins (samples 1984 with M. Ranta). | HT 14 hors territoired/ | Sweelinck, ART Genève | 1 | http://www.eloyjeanclaude.com | |||||||
| 34818 | Jean-Claude | Eloy | Electro-Anâhata, Métamporphoses du métal l'Oiseau-miroir dans la forêt magique (hommage à Paul Klée) Le roseau, la mer, et les étoiles |
1986 - 1994, 2013 | fixed media, akusmatisch | 154 | Parties électroacoustiques seules de "Anâhata" avec quelques parties inédites | Sweelinck, TU Berlin, ART Genève, INA • GRM | 0 | http://www.eloyjeanclaude.com/FicheElectroAnahata.html | |||||||||
| 34816 | Jean-Claude | Eloy | "États-Limites" ou les cris de Petra, "Borderlines" or Petra's shouts | 2013 | fixed media, akusmatisch | 79:29 | à la mémoire de Petra Mainel-Winkelbach | 24.4.2015 | Cologne, Universität zu Köln Musikwissenschaftliches Institut Raum-Musik, Musiksaal |
0 | |||||||||
| 4714 | Jean-Claude | Eloy | Etude IV, Points Lignes Paysages |
1978/1980 | fixed media, akusmatisch | 21:00 | Mono | Upic. Dédié à lannis Xénakis | HT 14 hors territoired/ | CEMAMu/ Ateliers Upic/ CCMIX, CNET, PS C. | 4.11.1980 | Lille, Festival de musique contemporaineLille | SACEM | 1 | http://www.eloyjeanclaude.com | ||||
| 34819 | Jean-Claude | Eloy | Gaia-Songs, Eileithyia Two American Women |
2015 | Zuspiel / Tonband, 2 perf | 117 | S or Mez, Sp [Sopran, Mezzo, Sprecher] | 9.11.1992 | Paris, Sous le titre "Gaia, Ea..." (version d'origine, environ une heure). Festival d'Automne à Paris Théâtre du Rond Point des Champs Elysées Mezzo soprano : Anne-Lisa Nathan Voix de comédienne : Helena Rüegg projection électroacoustique : Jean-Claude Eloy |
0 | |||||||||
| 4715 | Jean-Claude | Eloy | Gaku-No-Michi, Pachinko Tokyo Fushiki-e Mokuso Bambutsu-no-Ryûdo Kaiso Han |
1977/1978 | fixed media, akusmatisch | ≈ 218:00 | Quadro + Stereo + Stereo | „film without images, for elec and concrete sounds“. digital copies 1994; rev. version1 2001; rev. version2 2006 Music used also for the films „Le Japon insolite“ (F. Reichenbach 1981) and „Enter the void“ (G. Noé 2010) |
Adès 21.005/ HT 01 - 02 - 03 - 04 hors territoired/ hors territoires 2011; ISBN 978-2-919133-01-7/ | NHK Tokyo | 11.1.1979 (complete P) | Salle Wagram together with Festival d’Automne à Paris | 1 | 1992 | http://www.hors-territoires.com/ | ||||
| 27793 | Jean-Claude | Eloy | Galaxies, Chants pour l’autre Moitiè du ciel IV | 1986 - 1994 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
38:00 | Stereo | V [Stimme] | Version Varsovie 38:00 Version Sigma ≈ 60 - 70 |
HT 17-18 hors territoired/ | Sweelinck, TU Berlin | Sigma Festival | 1 | http://www.eloyjeanclaude.com/FicheGalaxies.html | |||||
| 34817 | Jean-Claude | Eloy | l'Anneau des Sept Lumières | 1994 - 1995, 2013 | fixed media, akusmatisch | Tanz |
53:06 | 2 dancer (Butô) [Tanz] | hommage a Inayat et Vilayat Khan | 23.10.2015 | Paris / Issy-les-Moulineaux. Festival "En Chair et en Son", 1ères Rencontres Internationales danse Butô et musique Acousmatique "Le Cube" (Centre de création numérique) Issy-les-Moulineaux (Grand Paris Seine Ouest) Danse Butô : Juju Alishina, Gyohei Zaitsu Projection sonore (acousmonium Motu) : Jean-Claude Eloy 23 Octobre 2015 |
0 | ||||||||
| 29361 | Jean-Claude | Eloy | La grande Vague …, Hommage à Hokusai | 1991 | fixed media, akusmatisch | 10:30 | Stereo | electroacoustic part alone from „She“ (“Gaia-Songs“ - cycle). Original plant as part of Erkos. |
HT 14 hors territoired/ | WDR SEM | 1 | http://www.eloyjeanclaude.com | |||||||
| 4716 | Jean-Claude | Eloy | Libérations, Erkos Butsumyôe Sappho Hikétis |
1989/1991 | Zuspiel, live-elec, 5 perf | 137:00 | 10 Tracks | 2 S, str (satsuma-biwa), V, perc [Sopran, Stimme, Schlagzeug, Streicher] | HT 17-18 hors territoired/ HT 16 hors territoired/ | Sweelinck, WDR SEM | WDR 1991 (Erkos) | 10.5.1991 | Funkhaus WDR Großer Sendesaal, Köln (mit Yunko Ueda) | 1 | 1992 | http://www.eloyjeanclaude.com/FicheButsuSappho.html | |||
| 1992 | |||||||||||||||||||
| 1992 | |||||||||||||||||||
| 4717 | Jean-Claude | Eloy | Poème-Picasso | 1978 | radiophon | 13:00 | Stereo | 0 | http://www.eloyjeanclaude.com | ||||||||||
| 4718 | Jean-Claude | Eloy | Robaia No. 104, de Omar Khayyam | 1959 | live-elec, 2 perf | 6:00 | Mono | S, oma [Sopran, synthesizer] | 0 | http://www.eloyjeanclaude.com | |||||||||
| 4719 | Jean-Claude | Eloy | Shânti, musique de méditation, pour sons électroniques et concrets | 1972/1973 | fixed media, akusmatisch | 104:00 | Quadro + Stereo | Dédié à Karlheinz Stockhausen 2 versions; Revision 2001 (on CD HT 05-06) |
ERA STU 71205/6 LP/ HT 05-06 hors territoired/ Creel Pone 031/ | WDR SEM | WDR 1974 | 24.3.1974 | Royan | 1 | http://www.hors-territoires.com/ | ||||
| 34815 | Jean-Claude | Eloy | The Midnight of the Faith, Le Minuit de la Foi | 2014 | fixed media, akusmatisch | 120:26 | Octo | For electronic and concrete sounds projected octophonically. Around selected sentences by Edith Stein, recorded by German actress Gisela Claudius |
5.5.2015 | Bologne. - Introduction au concert : Leopoldo Siano Festival "Angelica", Centro di Ricerca Musicale, Teatro San Leonardo |
0 | http://www.aaa-angelica.com/aaa/angelica-eloy | |||||||
| 4720 | Jean-Claude | Eloy | YO-IN, musique pour un rituel imaginaire en 4 actes: Aube Midi Crépuscule Nuit |
1980 | Zuspiel / Tonband, 1 perf | ≈ 220:00 | Quadro + Stereo + Stereo + Stereo | perc [Schlagzeug] | Dédié à Frits Weiland | HT 07 - 08 - 09 - 10 hors territoired/ | Sonology Utrecht | 19.11.1980 | Bordeaux Sigma | 1 | 1985 | http://www.eloyjeanclaude.com/FicheYo-In.html | |||
| 27917 | Christoph | Elsaesser | atRANDom | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 42824 | Thomas | Elsen | A Cry Coated in Destruction | 2013 | fixed media, akusmatisch | 3:40:00 | 0 | ||||||||||||
| 36243 | Paul | Elwood | CUT | 2009 | live-elec, 1 perf | 8:53 | perc [Schlagzeug] | innova 967/ | 0 | ||||||||||
| 40268 | Sune Mattias | Emanuelsson | It took me a long time to learn not to be sad | 2015 | fixed media, akusmatisch | 7:30:00 | Sune Mattias Emanuelsson | 0 | |||||||||||
| 36724 | Samuel | Emde | Embrace I | 2016 | Klangkunst, Installation | audiovisuell |
var | Audio-visual installation, variable dimensions | 0 | |||||||||||
| 39793 | Francisco | Eme | Apparent Movement | 2016 | fixed media, akusmatisch | Francisco Eme | 0 | ||||||||||||
| 39794 | Francisco | Eme | Cuerno de Chivo, Goat’s Horn | 2015 | fixed media, akusmatisch | Francisco Eme | 10.1.2015 | San Francisco Tape Music Festival. Victoria Theater, San Francisco, California | 0 | ||||||||||
| 28484 | Huib | Emmer | Orbit 1 | fixed media, akusmatisch | 3:55 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://huibemmer.com/ | |||||||||||
| 4721 | Simon | Emmerson | Antiphonies | 1992 | Zuspiel / Tonband, 2 perf | Stereo | 2 p [Piano] | ZKM Karlsruhe | 0 | ||||||||||
| 27648 | Simon | Emmerson | Arenas | 2003 | live-elec, 6 perf | 27:24 | p, br-qnt [Piano, Bläser] | SCD 28055 Sargasso, 2007/ | City Uni London | Philip Mead | 6.11.2003 | Warehouse London | 1 | http://www.sargasso.com | |||||
| 4722 | Simon | Emmerson | Chimera | 1980 | Zuspiel, live-elec, 13 perf | 10:00 | Stereo, Quadro | b-trbn, 12 str [Posaune, Streicher] | City Uni London | 0 | http://www.mti.dmu.ac.uk/members-staff.htm | ||||||||
| 4723 | Simon | Emmerson | Come Up with Me | 1975 | Tanz | Uni Durham | 0 | ||||||||||||
| 4724 | Simon | Emmerson | Digswell Tapes I | 1973 | live-elec, 1 perf | 13:30 | perc [Schlagzeug] | City Uni London | 0 | ||||||||||
| 4725 | Simon | Emmerson | Digswell Tapes II | 1974 | live-elec, 1 perf | 12:30 | Kbd [Keyboard] | City Uni London | 0 | ||||||||||
| 27646 | Simon | Emmerson | Fields of Attraction | 1997 | live-elec, 4 perf | 16:41 | str-qt [Streicher] | SCD 28055 Sargasso, 2007/ | City Uni London | Smith Quartet | 1.4.1997 | London | 1 | http://www.sargasso.com | |||||
| 27647 | Simon | Emmerson | Five Spaces | 1999 | live-elec, 1 perf | 16:41 | e-vc [Cello] | 5-strring elec vc | SCD 28055 Sargasso, 2007/ | City Uni London | Philip Sheppard | 11.1999 | Huddersfield | 1 | http://www.sargasso.com | ||||
| 27667 | Simon | Emmerson | Frictions | 1999 - 2000 | fixed media, akusmatisch | 13:49 | MTI CD 001/2 Bouquet Of Sounds/ | INA • GRM | INA GRM | 1.4.1999 | Maison de Radio-France, Paris | 1 | http://www.mti.dmu.ac.uk/ | ||||||
| 27603 | Simon | Emmerson | Memory Machine | 2009/2010 | Klangkunst, Installation | 12:00 | Spazialisation: WFS | Concert installation, multi-channel electroacoustic sound | , TU Berlin | Inventionen 2010 | 27.7.2010 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 1 | 2010 | http://www.mti.dmu.ac.uk/membersdetail/emmerson/research.htm | ||||
| 4726 | Simon | Emmerson | Ophelia's Dream I | 1978 | Zuspiel, live-elec, 4 perf | 8:20 | 4 V [Stimme] | City Uni London | 0 | ||||||||||
| 4727 | Simon | Emmerson | Ophelia's Dream II | 1979 | Zuspiel, live-elec, 6 perf | 10:40 | 6 V [Stimme] | Hyperion A66060/ CCD 1056 Continuum Records / | City Uni London | 0 | |||||||||
| 4728 | Simon | Emmerson | Pathways | 1988/1989 | Zuspiel, live-elec, 5 perf | 21:00 | fl, vc, 2 str, (sitar, tabla,) Kbd [Flöte, Keyboard, Cello, Streicher] | SCD 28060 Sargasso, 2008/ | City Uni London | Shiva Nova | 1989 | Almeida Theatre Series | 1 | http://www.sargasso.com | |||||
| 4729 | Simon | Emmerson | Piano Piece I | 1971 | live-elec, 1 perf | 4:30 | p [Piano] | City Uni London | 0 | ||||||||||
| 4730 | Simon | Emmerson | Piano Piece II | 1971/1972 | live-elec, 1 perf | 6:00 | p [Piano] | City Uni London | 0 | ||||||||||
| 4731 | Simon | Emmerson | Piano Piece III | 1974/1975 | live-elec, 1 perf | 10:40 | p [Piano] | City Uni London | 0 | ||||||||||
| 4732 | Simon | Emmerson | Piano Piece IV | 1985 | Zuspiel / Tonband, 1 perf | 13:40 | Stereo | p [Piano] | CCD 1056 Continuum Records / | City Uni London | 0 | ||||||||
| 18470 | Simon | Emmerson | Points of continuation | 1997 | fixed media, akusmatisch | 10:40 | Stereo | SCD 28060 Sargasso, 2008/ | IMEB Bourges | GMEB Bourges | 1997 | Syntheses Festival Bourges | 1 | http://www.sargasso.com | |||||
| 27649 | Simon | Emmerson | Points of departure | 1993 | live-elec, 1 perf | 9:46 | Stereo | hpd [Cembalo] | SCD 28060 Sargasso, 2008/ | City Uni London | Jane Chapman | 27.8.1993 | Dartington | 1 | http://www.sargasso.com | ||||
| 27650 | Simon | Emmerson | Points of return | 1998 | live-elec, 1 perf | 11:48 | Stereo | str (kayagum) [Streicher] | SCD 28060 Sargasso, 2008/ | City Uni London | Inok Paek | 11.3.1998 | Northampton | 1 | http://www.sargasso.com | ||||
| 4733 | Simon | Emmerson | Recollections | 1985/1986 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | T [Tenor] | CCD 1056 Continuum Records / | City Uni London | 0 | ||||||||
| 4734 | Simon | Emmerson | Reflections | 1987/1988 | Zuspiel, live-elec, 5 perf | 16:00 | tpt, cl, s-sax, perc, p [Klarinette, Saxophon, Trompete, Piano, Schlagzeug] | City Uni London | 0 | ||||||||||
| 40250 | Simon | Emmerson | Resonances | 2016 | fixed media, akusmatisch | Simon Emmerson | Uni De Montfort | 0 | |||||||||||
| 4735 | Simon | Emmerson | Sentences | 1990/1991 | live-elec, 1 perf | 12:39 | S [Sopran] | 4 parts | SCD 28055 Sargasso, 2007/ | City Uni London | Nicola Walker | 1 | http://www.sargasso.com | ||||||
| 4736 | Simon | Emmerson | Shades (of night and day) | 1989 | Zuspiel, live-elec, 1 perf | 20:00 | p [Piano] | CCD 1056 Continuum Records / | City Uni London | 0 | |||||||||
| 4737 | Simon | Emmerson | Shakespeare Fragments | 1978 | live-elec, 4 perf | 14:30 | fl, tuba, p, S [Sopran, Flöte, Tuba, Piano] | City Uni London | 0 | ||||||||||
| 4738 | Simon | Emmerson | Songs from Time Regained | 1987/1988 | Zuspiel, live-elec, 1 perf, 1 group | 13:00 | S, ens [Sopran, Ensemble] | CCD 1056 Continuum Records / | City Uni London | 0 | |||||||||
| 4739 | Simon | Emmerson | Spirit of '76 | 1976 | Zuspiel, live-elec, 1 perf | 11:00 | fl [Flöte] | (Delay) | City Uni London | 0 | |||||||||
| 27651 | Simon | Emmerson | Time - Space | 2001 | live-elec, 2 perf | 7:53 | Stereo | fl, hpd [Flöte, Cembalo] | in memoriam Iannis Xenakis | SCD 28060 Sargasso, 2008/ | City Uni London | 05.2001 | Sonorities Festival Belfast | 1 | http://www.sargasso.com | ||||
| 4740 | Simon | Emmerson | Time Past I | 1981 | Zuspiel, live-elec, 1 perf | 14:30 | Stereo | db [Kontrabass] | City Uni London | 0 | |||||||||
| 4741 | Simon | Emmerson | Time Past II | 1982 | Zuspiel, live-elec, 3 perf | 8:00 | Stereo, Quadro | fl, vc, p [Flöte, Piano, Cello] | City Uni London | 0 | |||||||||
| 4742 | Simon | Emmerson | Time Past III | 1984 | fixed media, akusmatisch | 13:30 | Stereo | City Uni London | 0 | ||||||||||
| 4743 | Simon | Emmerson | Time Past IV | 1984 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | S [Sopran] | CCD 1056 Continuum Records / LDC 278074/75 Cultures Electroniques 15/ | City Uni London | 1st Prize Bourges 1985 | 0 | |||||||
| 4744 | Simon | Emmerson | Time-Dream / Dream-Time | 1986 | Tanz | 17:00 | Stereo, Quadro | City Uni London | 0 | ||||||||||
| 4745 | Simon | Emmerson | Windbreak | 1985 | Zuspiel / Tonband, 1 perf | 11:50 | Stereo | tpt [Trompete] | City Uni London | 0 | |||||||||
| 4746 | Group | EMS | Fireworks I | 1972 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 4747 | Group | EMS | Fireworks II | 1972 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 21000 | Miguel Angel | Encabo | Meditaciones entorno a Africa y Europa | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 4748 | Jose Ramón | Encinar | Tukuna | 1991 | Zuspiel / Tonband, 1 perf | 5:30 | Stereo | cl [Klarinette] | LIEM CDMC Madrid | 0 | |||||||||
| 4749 | Joachim | Ender | Junction | 1974 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 39440 | Mariko | Endo | Sparks fragments | 2017 | live-elec, 1 perf | vc, (com) [Cello] | 0 | ||||||||||||
| 21955 | Sidsel | Endresen | Music for "Lady from the Sea" | 1996 | Tanz | NOTAM | 0 | ||||||||||||
| 4750 | Tom | Endrich | Time Span | fixed media, akusmatisch | 0 | ||||||||||||||
| 4751 | Tom | Endrich | Visitation | 1971 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 42604 | Mark | Engebretson | SaxMax | 2009 | live-elec, 1 perf | 10 | sax [Saxophon] | 0 | |||||||||||
| 4752 | Hans Ulrich | Engelmann | Cadenza | 1961 | Zuspiel / Tonband, 1 perf | 9:15 | Stereo | p [Piano] | PS C. Darmstadt | 0 | |||||||||
| 4753 | Hans Ulrich | Engelmann | Capriccio elettronico | 1972 | fixed media, akusmatisch | HfM Frankfurt | 0 | ||||||||||||
| 4754 | Hans Ulrich | Engelmann | Coincidentials | 1971 | Tanz | für Stadttheater Heidelberg | HfM Frankfurt | 0 | |||||||||||
| 4755 | Hans Ulrich | Engelmann | Commedia humana op. 42 | 1971/1972 | Zuspiel, live-elec, 1 perf, 1 group | intermedia |
25:00 | ch, vc, slides [Cello, Chor] | HfM Frankfurt | 0 | ||||||||||
| 4756 | Hans Ulrich | Engelmann | Der Fall von Damm op. 30 | 1966 - 1967 | radiophon | 57:00 | Hörfunkoper, after M. Kutter | WDR SEM | WDR 1968 | 0 | |||||||||
| 4757 | Hans Ulrich | Engelmann | Durch die Wolken | 1965 | Theatermusik | 20:00 | Stereo | PS C. | 0 | ||||||||||
| 4758 | Hans Ulrich | Engelmann | Fragmente | 1971 | live-elec, 2 perf | p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 4759 | Hans Ulrich | Engelmann | Lamento di Tristano | 1973 | Zuspiel / Tonband, 1 group | ens [Ensemble] | HfM Frankfurt | 0 | |||||||||||
| 4760 | Hans Ulrich | Engelmann | Manifest vom Menschen | 1966 | Zuspiel / Tonband, 1 perf, 2 groups | 60:00 | Mono | V, ch, orc [Stimme, Chor, Orchester] | PS C. Darmstadt | 0 | |||||||||
| 4761 | Hans Ulrich | Engelmann | Modelle op. 29 | 1970 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 4762 | Hans Ulrich | Engelmann | Ophelia 69, op. 36 | 1969 | Zuspiel / Tonband, 1 perf, 3 groups | Vs, ch, ens [Stimme, Ensemble, Chor] | PS C. Darmstadt | 0 | |||||||||||
| 4764 | Hans Ulrich | Engelmann | Timbres op. 27 | 1963 | Zuspiel / Tonband, 4 perf | 9:00 | 4 ins [Instrument] | PS C. Darmstadt | 0 | ||||||||||
| 4765 | Hans Ulrich | Engelmann | Traumspiel | 1964 | Theatermusik | 20:00 | Stereo | PS C. Darmstadt | 0 | ||||||||||
| 4766 | Hans Ulrich | Engelmann | Trias | 1962 | Zuspiel / Tonband, 1 perf, 1 group | 22:00 | Stereo | p, orc [Piano, Orchester] | part is "Cadenza" | PS C. Darmstadt | 0 | ||||||||
| 4763 | Hans Ulrich, Martin, Clemens | Engelmann, Kürschner, Müller-Hornbach | Sprachgeburt (elektronisch) - Kategorischer Imperativ | 1978 | fixed media, akusmatisch | zum Kant-Jahr; txtcompo | HfM Frankfurt | 0 | |||||||||||
| 4767 | Giuseppe Giorgio | Englert | 'babel' | 1981 - 1982 | Zuspiel / Tonband, 1 group | orc [Orchester] | Synclavier | GAIV Paris | l'Association Musiciens Suisses | 0 | |||||||||
| 4768 | Giuseppe Giorgio | Englert | Basilico | 1988 | live-elec, | 18:00 | PS GERM Paris | 0 | |||||||||||
| 4769 | Giuseppe Giorgio | Englert | Des Pêches | 1978 | live-elec, 1 perf | synt [synthesizer] | Synclavier | CICM Paris | 0 | ||||||||||
| 4770 | Giuseppe Giorgio | Englert | Dodeca | 1989 | live-elec, | 14:00 | PS GERM Paris | 0 | |||||||||||
| 4771 | Giuseppe Giorgio | Englert | Ecorces | 1982 | Zuspiel / Tonband, 5 perf | cl, t-sax, hn, vn, vc [Klarinette, Saxophon, Horn, Cello, Violine] | Synclavier | GAIV Paris | 0 | ||||||||||
| 4772 | Giuseppe Giorgio | Englert | Fragola | 1975 | Zuspiel, live-elec, 2 perf | 20:00 | 2 synt [synthesizer] | CICM Paris | 0 | ||||||||||
| 4773 | Giuseppe Giorgio | Englert | Girolles et autres champignons | 1977/1978 | Zuspiel / Tonband, 1 perf, 1 group | synts, (com) [synthesizer] | CICM Paris | 0 | |||||||||||
| 4774 | Giuseppe Giorgio | Englert | Gz50 | 1979 | fixed media, akusmatisch | M. barbara pro Organo, Synclavier | GAIV Paris | 0 | |||||||||||
| 4775 | Giuseppe Giorgio | Englert | July 68 | 1968 | fixed media, akusmatisch | 38:38 | Quadro | CICM Paris | 0 | ||||||||||
| 4776 | Giuseppe Giorgio | Englert | Juralpyroc... | 1978 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 4777 | Giuseppe Giorgio | Englert | Juralpyroc... (rev. 81) | 1978/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier | Gallo 30- 380/ | CICM Paris | 0 | |||||||||
| 4778 | Giuseppe Giorgio | Englert | La vigie | 1981 | Zuspiel / Tonband, 1 perf | hn [Horn] | QUATUOR 'S' ; Synclavier | GAIV Paris | 0 | ||||||||||
| 4779 | Giuseppe Giorgio | Englert | Les dits d’Amenhotep XIX | 1980 | fixed media, akusmatisch | 19:00 | Synclavier | CICM Paris | 0 | ||||||||||
| 4780 | Giuseppe Giorgio | Englert | Maquillage | 1967/1971 | Musiktheater, 1 perf | 50:00 | V [Stimme] | CICM Paris | 0 | ||||||||||
| 4781 | Giuseppe Giorgio | Englert | "Miss Filena pal at her Keyboard - A Portait" | 1975 | live-elec, 10 perf | 30:00 | 10 ins [Instrument] | GAIV Paris, SUNY Albany | 0 | ||||||||||
| 4782 | Giuseppe Giorgio | Englert | Model 's' | 1980 - 1984 | fixed media, akusmatisch | a project, Synclavier | GAIV Paris | 0 | |||||||||||
| 4783 | Giuseppe Giorgio | Englert | Mot 76/1 | 1976 | fixed media, akusmatisch | 21:00 | (version de FRAGOLA) | GAIV Paris | 0 | ||||||||||
| 4784 | Giuseppe Giorgio | Englert | Mutations ocre-violet | 1980/1982 | live-elec, 1 perf | 30:00 | synt [synthesizer] | Synclavier | CICM Paris | 0 | |||||||||
| 4785 | Giuseppe Giorgio | Englert | Pour un archet | 1970 | live-elec, 1 perf | 5:30 | vn or va [Viola, Violine] | CICM Paris | 0 | ||||||||||
| 4786 | Giuseppe Giorgio | Englert | Quatuor 's' | 1978 - 1979 | fixed media, akusmatisch | 20:00 | Synclavier | GAIV Paris | 0 | ||||||||||
| 4787 | Giuseppe Giorgio | Englert | Récit et aria | 1967 | Tanz | 21:00 | 0 | ||||||||||||
| 4788 | Giuseppe Giorgio | Englert | Serenade Automatique I | 1975 | live-elec, 1 perf | (com), synt [synthesizer] | pour deux VCS3 et DEC-COMPUTERLAB | GAIV Paris | 0 | ||||||||||
| 4789 | Giuseppe Giorgio | Englert | Serenade Automatique II | 1975 | live-elec, 1 perf | (com), synt [synthesizer] | pour deux VCS3 et INTEL8 | GAIV Paris | 0 | ||||||||||
| 4790 | Giuseppe Giorgio | Englert | Soft Games | 1976 | fixed media, akusmatisch | GAIV Paris, SUNY Albany | 0 | ||||||||||||
| 4791 | Giuseppe Giorgio | Englert | Sopra la Girolmetta | 1991 | live-elec, 1 perf | 24:00 | Stereo | synt (pour Macintosh Plus et Synthésituers) [synthesizer] | CTS-P 49/ | PS GERM Paris | 0 | ||||||||
| 4792 | Giuseppe Giorgio | Englert | Suite Ocre | 1980 - 1987 | fixed media, akusmatisch | 4 excerpts of MODEL 'S'; Synclavier | GAIV Paris, SCCM | government | 0 | http://www.computermusic.ch/ | |||||||||
| 4793 | Giuseppe Giorgio | Englert | Sur fond ocre une silhouette noire | 1981 | live-elec, 1 perf | 25:00 | synt [synthesizer] | Synclavier | CICM Paris | 0 | |||||||||
| 4794 | Giuseppe Giorgio | Englert | Synthèse 70 | 1970 | live-elec, | 12:00-18:00 | CICM Paris | 0 | |||||||||||
| 4796 | Giuseppe Giorgio | Englert | "The Mohawk Eveningsong - Painting By Goya" | 1975 | fixed media, akusmatisch | 68:00 | GAIV Paris, SUNY Albany | 0 | |||||||||||
| 4797 | Giuseppe Giorgio | Englert | Three Pieces of Music | 1976 | fixed media, akusmatisch | 9:00 | Stereo | SUNY Albany | 0 | ||||||||||
| 4798 | Giuseppe Giorgio | Englert | Trinsin-funpol | 1980 | Zuspiel / Tonband, 5 perf | 5 ins [Instrument] | Synclavier | GAIV Paris | 0 | ||||||||||
| 4795 | Giuseppe Giorgio, Gilbert | Englert, Dalmasso | Synthèse 70/74 | 1974 | live-elec, 2 perf | 15:00 | 2 synt [synthesizer] | VCS-3 | CICM Paris | 0 | |||||||||
| 36483 | Lawrence | English | Before That Tower Lies | 2007 | radiophon | 3:44:00 | and 26/ | 0 | |||||||||||
| 19044 | Brian | Eno | Generative Roomscape 1 | 1996 | Klangkunst, Installation | 1:31 | Sonambiente Ausstellung (1996) Katalog S.55 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 4799 | Brian | Eno | Music for airports, Ambient 1 | 1978 | Klangkunst, Installation | Ambient 1 | EGED 17/ AMB 001/ | 1 | |||||||||||
| 21553 | Brian | Eno | Unfamiliar Wind (Leeks Hills) | 1978 - 1982 | fixed media, akusmatisch | 5:21 | Ellipsis Arts 3693 - OHM: 03/ | 0 | |||||||||||
| 19596 | José Tomás | Enriquez | Transmutaciones | 1987 | fixed media, akusmatisch | 10:16 | Stereo | GME Cuenca | 0 | ||||||||||
| 4800 | Manuel | Enriquez | Conjuro | 1977 | Zuspiel / Tonband, 1 perf | db [Kontrabass] | CIRM Paris | Turetzky | 0 | ||||||||||
| 4801 | Manuel | Enriquez | Contravox | 1976 | Zuspiel / Tonband, 2 perf, 1 group | mixed ch, 2 perc [Schlagzeug, Chor] | tape part as "Móvil" | CIRM Paris | 0 | ||||||||||
| 4802 | Manuel | Enriquez | DIPTICO I | 1979 | Zuspiel / Tonband, 2 perf | 6:10 | Stereo | fl, p [Flöte, Piano] | SME Krakow | 0 | |||||||||
| 4803 | Manuel | Enriquez | El canto de los volcanes | 1977 | Tanz | after a painting by R. Martinez | CIRM Paris | 0 | |||||||||||
| 4804 | Manuel | Enriquez | La reunion de los saurios | 1971 | fixed media, akusmatisch | Col.Princ EMC | 0 | 1984 | |||||||||||
| 4805 | Manuel | Enriquez | Laser I | 1972 | fixed media, akusmatisch | 0 | |||||||||||||
| 4806 | Manuel | Enriquez | Misa prehistorica | 1986 | fixed media, akusmatisch | Tanz, live-elec, 2 perf |
Stereo | dancer, Sp, (lights) [Sprecher, Tanz] | with a sculpture by F. Silva. Part 1 is for tape alone (5:00) |
IRD 002 Irradia/ | 0 | |||||||||
| 4807 | Manuel | Enriquez | Mixtura | 1974 | Musiktheater, live-elec, 5 perf | actor, 4 mus, (elec) [Musiker, Schauspieler] | 0 | ||||||||||||
| 4808 | Manuel | Enriquez | Mobil II | 1969 | Zuspiel / Tonband, 1 perf | 8:00 | db [Kontrabass] | Col.Princ EMC | 1 | ||||||||||
| 4809 | Manuel | Enriquez | Musica para Federico Silva | 1974 | fixed media, akusmatisch | for a sculpture by F. Silva | 0 | ||||||||||||
| 4810 | Manuel | Enriquez | Poliptico | 1977 | Tanz, live-elec, 1 perf | dancer, (visuell effects) [Tanz] | 0 | ||||||||||||
| 4811 | Manuel | Enriquez | Trauma | 1974 | Musiktheater, 2 perf | mus, dancer, (VTR) [Musiker, Tanz] | 0 | ||||||||||||
| 34093 | Manuel | Enriquez | Viols | 1972 | Zuspiel / Tonband, 1 perf | 7:51 | vn [Violine] | IRD 002 Irradia/ | Col.Princ EMC | 0 | |||||||||
| 27582 | Rolf | Enström | Asylen, Asylum | 1992 | fixed & Dias | 17:02 | Stereo | Bildspel; Images: Thomas Hellsing; 9 slide-projectors | PS C. | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 4812 | Rolf | Enström | Brottstycke | 1981 | fixed media, akusmatisch | 76:18 | Stereo | EMS Stockholm | 0 | http://web.telia.com/~u87403540/ | |||||||||
| 25883 | Rolf | Enström | Charm | 1996 | fixed media, akusmatisch | 7:20 | 5 tracks | CAP 21650/ | EMS Stockholm, PS C. | 1996 | Fylkingen Stockholm | 1 | http://web.telia.com/~u87403540/ | ||||||
| 27587 | Rolf | Enström | Cyphers | 2009 | audiovisuell | 8:40 | Surround 5.1 | Music & Film for HDTV | PS | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 4814 | Rolf | Enström | Dagbrott | 1983 | fixed media, akusmatisch | 8:10 | Stereo | PSCD 41 Phono Suecia/ | EMS Stockholm | 1 | 2010 | http://web.telia.com/~u87403540/ | |||||||
| 4815 | Rolf | Enström | Directions | 1979 | fixed media, akusmatisch | 7:20 | Stereo | http://www.enström.se/ | CAP 21374/ CAP 3019/ | EMS Stockholm | 1 | 1982 2008 | http://web.telia.com/~u87403540/ | ||||||
| 25884 | Rolf | Enström | down: | 2001 | fixed media, akusmatisch | 12:11 | 5 tracks | CAP 21650/ | PS | 1 | http://web.telia.com/~u87403540/ | ||||||||
| 25474 | Rolf | Enström | Ebb | 2002 | Zuspiel / Tonband, 1 perf | 3:46 | 5 tracks | a-sax [Saxophon] | Jörgen Pettersson (a-sax) Ebb is made of two seven-beat bars mixed together. |
PSSACD 153 Phono Suecia/ | PS | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4816 | Rolf | Enström | Faser-Skeenden | 1975 | fixed media, akusmatisch | 9:00 | Stereo | PS C. | 0 | http://web.telia.com/~u87403540/ | |||||||||
| 4818 | Rolf | Enström | Fractal | 1984 | fixed & Dias | 23:00 | Stereo | Bildspel; Photography: Thomas Hellsing; with 10 slide projector | ed. rz 3003 LP/ ed. RZ 3007 „Inventionen“/ ed. RZ 3/ ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | EMS Stockholm | Rikskonserter: National Bureau for Concerts in Sweden 1983 | 14.2.1984 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1984 | http://web.telia.com/~u87403540/ | |||
| 18906 | Rolf | Enström | I Is, Spegel, In Ice, Mirror | 1993 | fixed media, akusmatisch | 22:50 | spacial sound, prozessed voices | FYCD 1006/ | PS | SR | 1993 | "Cosmonova" / Stockholm Electronic Music festival | Auszeichnung ars electronica 1995 | 1 | http://web.telia.com/~u87403540/ | ||||
| 22340 | Rolf | Enström | Io | 1996 | fixed & Dias | 17:04 | Bildspel; Images: Thomas Hellsing | Infogram 045/2/ | Rikskonserter | 1996 | Elektronmusikfestival 1996 Stockholm | 1 | 2002 | http://web.telia.com/~u87403540/ | |||||
| 25471 | Rolf | Enström | Kairos | 1999 | radiophon | 16:30 | 5 tracks | electroacoustic Music / Drama | PSSACD 153 Phono Suecia/ | PS | Sveriges Radio P2 | 1 | http://web.telia.com/~u87403540/ | ||||||
| 25472 | Rolf | Enström | Kronos | 2000 | Zuspiel / Tonband, 5 perf | 12:33 | 5 tracks | 5 V [Stimme] | Fragments from William Shakespeare Sonnett No. 53 Texts by Vesaas, Shakespeare. Reader: Jonstoij, Salomonsson. |
PSSACD 153 Phono Suecia/ | PS | vokalensemblen "Purifive" & Svenska Rikskonserter | 1 | http://web.telia.com/~u87403540/ | |||||
| 4820 | Rolf | Enström | Luftskalle, Luftreflex (Vacuum Head - Reflex in Air) | 1987 | fixed & Dias | 13:15 | Bildspel; slides by Thomas Hellsing | EMS Stockholm | 1 | http://web.telia.com/~u87403540/ | |||||||||
| 4821 | Rolf | Enström | Makten | 1979 | Klangkunst, Installation | 31:00 | Quadro + Quadro | Sculpture M. | EMS Stockholm | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 27588 | Rolf | Enström | Membranduo | 2009 | fixed media, akusmatisch | 8:15 | Surround 5.1 | PS | 0 | http://web.telia.com/~u87403540/ | |||||||||
| 4823 | Rolf | Enström | Myr | 1978 | fixed & Dias | 22:30 | Stereo, 3 tracks, Quadro | Bildspel with 10 slide projectors | EMS Stockholm | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 27586 | Rolf | Enström | Noden, the Node | 2008 | fixed media, akusmatisch | 18:00 | Surround 5.1 | PS | 1 | http://web.telia.com/~u87403540/ | |||||||||
| 25476 | Rolf | Enström | Observatoriemusik | 2003 | fixed media, akusmatisch | 16:18 | 5 tracks | Conway's Game of Live (Algorithm used in Observatoriemusik) | PSSACD 153 Phono Suecia/ | PS | Stockholm Observatory and Concerts Sweden | 2003 | Observatoriemuseet, Stockholm | 1 | http://web.telia.com/~u87403540/ | ||||
| 25885 | Rolf | Enström | October the first …, Figurin Strata Chasma |
2007 | fixed media, akusmatisch | 28:40 | Surround 5.1 | Västernorrlands Landsting | 1 | http://web.telia.com/~u87403540/ | |||||||||
| 27583 | Rolf | Enström | Open Widew | 1997 | Zuspiel / Tonband, 2 perf, 1 group | 12:00 | p, drums [Piano, Schlagzeug] | PS C. | ensemble Cikada | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 27585 | Rolf | Enström | Plastfilm | 2008 | audiovisuell | 2:40 | Surround 5.1 | Music & Film for HDTV | PS | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 21082 | Rolf | Enström | Rama | 1998 | Zuspiel / Tonband, 1 group | 15:00 | ch [Chor] | Lyrics: Shakespeare Sonett No.123 | PSSACD 153 Phono Suecia/ | PS C. | Swedish Concert Institut & The Stockholm Motet Choir | 17.10.1998 | Stockholm Cathedral | 1 | http://web.telia.com/~u87403540/ | ||||
| 4825 | Rolf | Enström | Rhama - Uhlu | 1973 | fixed media, akusmatisch | 8:15 | Stereo | EMS Stockholm | 0 | http://web.telia.com/~u87403540/ | |||||||||
| 25473 | Rolf | Enström | Saxplock | 2001 | Zuspiel / Tonband, 1 perf | 6:00 | 5 tracks | b-sax [Saxophon] | Jörgen Pettersson (b-sax) | PSSACD 153 Phono Suecia/ | PS | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4826 | Rolf | Enström | Sekvens i Blått, sequence in blue | 1978 | fixed media, akusmatisch | 9:10 | Stereo | FYLP 1031/ CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | http://web.telia.com/~u87403540/ | ||||||||
| 27584 | Rolf | Enström | Signs | 2007 | audiovisuell | 6:00 | Surround 5.1 | Music & Film for HDTV | PS | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 4827 | Rolf | Enström | Skisser från Berlin, Skizzen aus Berlin | 1992 | fixed media, akusmatisch | 15:40 | Stereo | TU Berlin | 3.2.92 | Inventionen Akademie der Künste Berlin | 1 | 1992 | http://web.telia.com/~u87403540/ | ||||||
| 4828 | Rolf | Enström | Slutförbannelser, Final Curses | 1981 | fixed media, akusmatisch | 34:24 | Stereo | Text. Elsa Grave. Musicdramatic work | CAP 21374/ | EMS Stockholm | SR (Swedish Radio) | 1 | http://web.telia.com/~u87403540/ | ||||||
| 25886 | Rolf | Enström | Spin | 1995 | fixed media, akusmatisch | 7:20 | 5 tracks | CAP 21650/ | PS | 1995 | UEA Norwich | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4829 | Rolf | Enström | Sprickbildningar | 1979 | Klangkunst, Installation | 22:00 | Quadro + Quadro | Sculpture M. | PS C. | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 25887 | Rolf | Enström | Strange | 1997 | fixed media, akusmatisch | 7:20 | 5 tracks | CAP 21650/ | PS | 1998 | Skinnskatteberg | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4830 | Rolf | Enström | The Dulcimer Report | 1992 | Zuspiel, live-elec, 2 perf | 11:00 | p, synt, (com) [Piano, synthesizer] | MAX | PS C. | Inventionen / DAAD | 3.2.1992 | Inventionen Akademie der Künste Berlin, Kenneth Karlson, Hilde Torgersen | 1 | 1992 | http://web.telia.com/~u87403540/ | ||||
| 25475 | Rolf | Enström | Tide | 2002 | Zuspiel / Tonband, 1 perf | 2:22 | 5 tracks | s-sax [Saxophon] | Jörgen Pettersson (s-sax) | PSSACD 153 Phono Suecia/ | PS | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4831 | Rolf | Enström | Tjidtjag och Tjidtjagaise | 1987 | fixed media, akusmatisch | 21:11 | Stereo | using „joik“-technique. | CAP 21374/ INFOGRAM 009/ CAP 21385/ | EMS Stockholm | SR (Swedish Radio) | 1st price Prix Italia 1987 | 1 | http://web.telia.com/~u87403540/ | |||||
| 4832 | Rolf | Enström | TNT, Tonal Nagual Tsentzaks |
1986 | fixed media, akusmatisch | 21:00 | Octo | FYLP 1031/ | Ems Stockholm | 1 | http://web.telia.com/~u87403540/ | ||||||||
| 22363 | Rolf | Enström | Up! | 1999 | fixed media, akusmatisch | 15:30 | CSCD 00027 Media Artes + Chamber Sound/ CAP 21650/ | PS | Växjö elektronmusikfestival | 1 | http://web.telia.com/~u87403540/ | ||||||||
| 27581 | Rolf | Enström | Vigil | 1994 | Zuspiel, live-elec, 2 perf | 13:45 | sax, synt (synthophone) [Saxophon, synthesizer] | ISPW | Swedish National Concert Institute | 1994 | Stockholm Electronic Music Festival | 0 | http://web.telia.com/~u87403540/ | ||||||
| 40303 | Tyler | Entelisano | Brake | 2017 | fixed media, akusmatisch | Stereo | Tyler Entelisano | 0 | |||||||||||
| 33155 | Peter | Eötvös | Atlantis, Part I 12'24“ Part II 14'14“ Part III 13'32“ |
1995 | live-elec, 4 perf, 1 group | 40:00:00 | boy-S, Bar, cymbalom, synt, orc [Sopran, Bariton, synthesizer, Streicher, Orchester] | for boy soprano, baritone, cimbalom, virtual choir (synthesizer) and orchestra, with texts by Sandor Weöres | WJ 2006 polmic 020/ | Ricordi & Co., München | 1 | ||||||||
| 4833 | Peter | Eötvös | Az ember tragédiája | 1964 | Theatermusik | 4:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 4834 | Peter | Eötvös | Cricket music, Tücsökzeme | 1970 | fixed media, akusmatisch | 5:03 | natural sounds | HUN SLPX 12602/ Creel Pone 057/ | Hungaroton | 1 | |||||||||
| 4840 | Peter | Eötvös | Elektrochronik | 1974 | live-elec, 2 perf | 23:50 28:20 | Stereo, 6 | 2 e-org [Keyboard] | ist Band für "Intervalles–Interieurs" | WDR SEM | WDR 1974 | ohne Nachweis | 0 | ||||||
| 4835 | Peter | Eötvös | Endless Eight – Apeiron musikon | 1988/1989 | live-elec, 11 perf, 2 groups | 8 V, 2 ch, 2 perc, synt [Stimme, Schlagzeug, synthesizer, Chor] | MIDI | 0 | |||||||||||
| 4836 | Peter | Eötvös | Feuermusik | 1972 | fixed media, akusmatisch | 10:00 | Feedback 25 Jahre/ Feedback Studio Köln CD 2/ | Feedback St, St Öldorf | Feedback | 1 | |||||||||
| 4837 | Peter | Eötvös | Igézet, Bezauberung | 1963 | Film | 20:00 | Quadro | MAFILM Budapest | 0 | ||||||||||
| 4838 | Peter | Eötvös | Intervalles–Interieurs | 1981 | Zuspiel / Tonband, 5 perf | 28:27 | Stereo | cl, trbn, vn, vc, perc [Klarinette, Posaune, Schlagzeug, Cello, Violine] | Tonband = „Elektrochronik“ | ERA ECD 75554/ | WDR SEM | 21.3.1983 | La Rochelle | 0 | |||||
| 4839 | Peter | Eötvös | "Jetzt, Miss!", "Now, Miss!" | 1972 | Zuspiel, live-elec, 3 perf | ≈ 20:00 | vn, synt, (rm), org [Orgel, Violine, synthesizer] | Feedback | 0 | ||||||||||
| 4841 | Peter | Eötvös | Mese, Märchen / Tale | 1968 | radiophon | 12:34 21:00 | 3 tracks | 2. Version 12'34 (LP HUN SLPX 11851). Stimme: Piroska Molnar. Klangspiel aus ungarischen Märchentexten |
HUN SLPX 11851/ BMC 038/ IDEAMA CD 010/ Creel Pone 03/ | WDR SEM | WDR 1968 | 2.9.1968 | Darmstadt | Feedback | 1 | ||||
| 4842 | Peter | Eötvös | Serenade, eine Balkonszene | 1994 | Zuspiel, live-elec, 3 perf | vn, euphonium, db [Horn, Violine, Kontrabass] | MIDI | 0 | |||||||||||
| 4843 | Peter | Eötvös | The Silver Tassie | 1961 | Theatermusik | 11:00 | Mono | Theater Budapest | 0 | ||||||||||
| 35005 | Peter | Eötvös | The SIRENS CYCLE | 2016 | live-elec, 5 perf | str-qt, Koloratur-S [Sopran, Streicher] | IRCAM | Wigmore Hall, Tonhalle-Ges. Zürich, Alte Oper FRankfurt, CNDM Madrid, IRCAM, SWR | 15.10.2016 | Donaueschinger Musiktage, Donauhallen, Calderquartett, IRCAM, Audrey Luna (S) | 0 | ||||||||
| 40313 | Vincent J. | Eoppolo | Dr. Heidegger’s Experiment and Reflexivity | 2017 | fixed media, akusmatisch | Vincent J. Eoppolo | 0 | ||||||||||||
| 4844 | Bruno | Epstein | Essay I | 1956 | fixed media, akusmatisch | Mono | PS C. Göteborg | 0 | |||||||||||
| 4845 | Bruno | Epstein | Essay II | 1957 | fixed media, akusmatisch | Mono | PS C. Göteborg | 0 | |||||||||||
| 4846 | Bruno | Epstein | Essay III | 1957 | fixed media, akusmatisch | 3:50 | Mono | PAS, 57357-8/ | PS C. Göteborg | 0 | |||||||||
| 4847 | Bruno | Epstein | Essay IV | 1957 | fixed media, akusmatisch | 1:55 | Mono | PAS, 57357-8/ | PS C. Göteborg | 0 | |||||||||
| 4848 | Paul | Epstein | Tonegroups #1, 2 | 1965 | fixed media, akusmatisch | 10:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 22364 | Group | EQT | Ruine | 1996 - 1997 | Klangkunst, Installation | 11:12 | Stereo | Gruppe "EQT": David Sanchez, Andreas Lubich (Lupo), Caroline Ilgner, Claudia Franke, Bernd Wegener. Geplant für die Kindertagesstätte Kulturbrauerei Berlin Prenzlauer Berg (1996) |
TU Berlin | 1 | |||||||||
| 4849 | Donald | Erb | In no strange land | Zuspiel / Tonband, 2 perf, 1 group | trbn, db, ens [Posaune, Kontrabass, Ensemble] | nonesuch H 71223/ | 0 | ||||||||||||
| 4850 | Donald | Erb | Reconnaissance | 1967 | Zuspiel / Tonband, 2 perf, 1 group | 8:00 | Stereo | trbn, db, ens [Posaune, Kontrabass, Ensemble] | nonesuch H 71223/ | PS IEMC Trumanburg | 0 | ||||||||
| 4851 | Donald | Erb | Reticulation | 1965 | Zuspiel / Tonband, 1 group | 5:00 | Stereo | band [Ensemble] | CIT Cleveland | 0 | |||||||||
| 4852 | Donald | Erb | Stargazing | 1965 | Zuspiel / Tonband, 1 group | 3:00 | Stereo | band [Ensemble] | CIT Cleveland | 0 | |||||||||
| 4853 | Walther | Erbacher | Eidos op. 9, Wunschkonzert für Herrn K. (...) op. 9 | 1970 | live-elec, 1 group | ≈ 45 | ens [Ensemble] | Opus: 9 EIDOS (1967/70) für Ensemble, Zweiseitenbandmodulator, Regler und Filter - ehem. Musikverlag Gotthard F. Döring, jetzt Erbacher Musikverlag – Dauer unbestimmt (ca. 45’) - zurückgezogen dafür: Wunschkonzert für Herrn K. (...) - Erbacher Musikverlag |
Erbacher Musikverlag | 0 | |||||||||
| 4854 | Walther | Erbacher | Modul op. 12 | 1974 | live-elec, 4 perf | V, fl, vn, vc [Stimme, Flöte, Cello, Violine] | 0 | ||||||||||||
| 4855 | Tom | Erbe | After A Day | 1991 | fixed media, akusmatisch | 4:32 | Centaur CRC 2195, CDCM Vol. 17/ | CCM Mills | 1 | ||||||||||
| 42770 | Tom, John | Erbe, Cage | Williams Mix | 1952, 2012 | fixed media, akusmatisch | 4:15:00 | Octo | 1 | |||||||||||
| 34242 | Josef | Erben | Klang Auswägen | 1985 | Klangkunst, Installation | 45 | Edition Giannozzo/ | 0 | |||||||||||
| 37654 | Sabine | Ercklentz | Jardin d’ocre | Performance, live-elec, 1 perf | 10 | tpt [Trompete] | 0 | ||||||||||||
| 28569 | Sabine | Ercklentz | stündlich | 2006 | Klanginstallation, 4 perf | 14:44 | 2 Ins, V, acc [Stimme, Akkordeon, Instrument] | Für das Haus Witten | WD 2006, Wittener Tage Für Neue Kammermusik 2006/ | Kompositionsauftrag der Stadt Witten | 2006 | Wittener Tage für neue Kammermusik 2006 mit Les femmes savantes. | 1 | ||||||
| 28565 | Sabine, Andrea | Ercklentz, Neumann | Ortlaut, Kammermusik für vier Lautsprecher und zwei Instrumente | 2004 | live-elec, | 9:45 | Quadro | WD 2004, Wittener Tage Für Neue Kammermusik 2004/ | Auftrag der Stadt Witten | 2004 | Wittener Tage für neue Kammermusik 2004 mit S. Ercklentz (tpt & elec), A. Neuman (Innenklavier, elec) | 1 | |||||||
| 43176 | Sabine, Andrea | Ercklentz, Neumann | Videobrücke Berlin–Stockholm (5 punkt 1) | 2008 | Netzmusik | EMS Stockholm | EMS | 17.1.2008 | Stockholm | Auszeichnung ars electronica honorary mention 2008 | 0 | ||||||||
| 32814 | Anja | Erdmann | Impulse - Prepared Sound Room | 2013 | Klangkunst, Installation | SEAM Weimar | 0 | https://anjaerdmann.wordpress.com/portfolio/raumsucher/ | |||||||||||
| 32816 | Anja | Erdmann | Klang-Bild-Raum | 2009 | Klangkunst, Installation | ∞ | SEAM Weimar | 0 | https://anjaerdmann.wordpress.com/portfolio/raumsucher/ | ||||||||||
| 32813 | Anja | Erdmann | Raumsucher | 2014 | Klangkunst, Installation | ∞ | Stereo | soundinstallation after Moholy Nagy Licht-/ Klanginstrumentarium |
SEAM Weimar | 0 | https://anjaerdmann.wordpress.com/portfolio/raumsucher/ | ||||||||
| 32815 | Anja, Maxie | Erdmann, Götze | Luftikus | 2010/2012 | Klangkunst, Installation | ∞ | Installation with moving fans | SEAM Weimar | 0 | https://anjaerdmann.wordpress.com/portfolio/raumsucher/ | |||||||||
| 4856 | Helmut W. | Erdmann | Duo V | 1975 | live-elec, 2 perf | fl, synt [Flöte, synthesizer] | 0 | ||||||||||||
| 4857 | Helmut W. | Erdmann | Meditation | 1971 | Zuspiel / Tonband, 3 perf | Stereo | fl, vn, p [Flöte, Piano, Violine] | 0 | |||||||||||
| 4858 | Helmut W. | Erdmann | Sounding Pictures I und II | 1974 | Zuspiel / Tonband, 5 perf | Stereo | V, fl, sax, clvd, p [Stimme, Flöte, Saxophon, Piano, Cembalo] | 0 | |||||||||||
| 4859 | Helmut W. | Erdmann | Transfiguration III | 1983 | live-elec, 1 perf | fl [Flöte] | 1 | 1985 | |||||||||||
| 42223 | Cevdet | Erek | Radiophonic Spaces | 2018 | radiophon | 54:30 | DeutschlandRadio | 21.11.2018 | Deutschlandradio Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4955553&vi=105&SID | ||||||||
| 21956 | Sven | Erga | Armod og avmakt (music for museum installation | 1997 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21957 | Sven | Erga | Hvileskjær | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 9513 | Lin | Erh | Shomyo | 1964 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | vn, perc [Schlagzeug, Violine] | EMS UIUC | 0 | |||||||||
| 4860 | Zoran | Eric | Subito | 1985 | Zuspiel / Tonband, 2 perf, 1 group | Stereo | 2 B, fem ch [Bass, Chor] | Radio Beograd | 0 | ||||||||||
| 4861 | Kim | Erickson | Singles | 1981 | fixed media, akusmatisch | 9:30 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 4862 | Robert | Erickson | Piece for Bells and Toy Pianos | 1965 | fixed media, akusmatisch | 20:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 4863 | Robert | Erickson | Ricercar a 3 & a 5 | 1966 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo + Stereo | trbn [Posaune] | SanFran Tape M. C. | 0 | |||||||||
| 4864 | Robert | Erickson | Roddy | 1967 | fixed media, akusmatisch | 6:30 | Stereo | CCM Mills | 0 | ||||||||||
| 38537 | Stephen | ERICKSON | Dancing River – Crying Dragon | 2006 | radiophon | 49:40:00 | 0 | ||||||||||||
| 38538 | Stephen | ERICKSON | Rainforest – 24 hours | 1998 | radiophon | 49:17:00 | 0 | ||||||||||||
| 4865 | Hans-Ola | Ericsson | Inferno | 1978/1981 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | EMS Stockholm | 0 | ||||||||||
| 4866 | Hans-Ola | Ericsson | J' écris ton nom… | 1980 | live-elec, 3 perf | Tanz |
Quadro + Quadro | perc, 2 org [Orgel, Schlagzeug] | perc also dancing | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 4867 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend I | 1982/1983 | Zuspiel / Tonband, 1 perf | 9:54 | Stereo | amp gui [Gitarre] | PSCD 19 Phono Suecia/ | EMS Stockholm | 1 | ||||||||
| 4868 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend II | 1982/1983 | Zuspiel / Tonband, 1 perf | 28:36 | Stereo | amp vc [Cello] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4869 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend III | 1982/1983 | Zuspiel / Tonband, 1 perf | 7:58 | Stereo | amp ob [Oboe] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4870 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend IV | 1982/1983 | Zuspiel / Tonband, 1 perf | 19:53 | Stereo | amp p [Piano] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4871 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend V | 1983 | Zuspiel / Tonband, 1 perf | 7:27 | Stereo | amp fl [Flöte] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4872 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend VI | 1984 | Zuspiel / Tonband, 1 perf | 13:40 | Stereo | amp vn [Violine] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4873 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend VII | 1984 | Zuspiel / Tonband, 1 perf | 19:53 | Stereo | amp prep perc [Schlagzeug] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4874 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend X | 1982/1985 | Zuspiel / Tonband, 7 perf | 41:06 | Stereo | gui, vc, ob, p, fl, vn, perc [Flöte, Oboe, Piano, Gitarre, Schlagzeug, Cello, Violine] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4875 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend XII | 1985 | Zuspiel / Tonband, 1 perf | 10:08 | org [Orgel] | PSCD 31 Phono Suecia/ | 1 | ||||||||||
| 4876 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend XIII | 1995 | Zuspiel / Tonband, 1 perf | org [Orgel] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | 1 | 1996 | ||||||||||
| 4877 | Karolina | Eriksdottir | Adagio | 1994 | fixed media, akusmatisch | 9:54 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4878 | Åke | Erikson | Dialoger | 1971 | fixed media, akusmatisch | 10:20 | Stereo | 3 parts (2:30 + 2:30 + 5:20) | EMS Stockholm | 0 | |||||||||
| 4879 | Åke | Erikson | En jord, en ny himmel. En tidsbetraktelse | 1980 | Zuspiel, live-elec, 4 perf, 1 group | 23:00 | Stereo | ch, Sp, 2 org, perc [Sprecher, Orgel, Schlagzeug, Chor] | 0 | ||||||||||
| 4881 | Åke | Erikson | Music for fls and live- electronics | 1974 | live-elec, 1 perf | 15:00 | Stereo | fl [Flöte] | for Robert Aitken | 0 | |||||||||
| 4882 | Åke | Erikson | Spel | 1974 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | inss [Instrument] | 0 | |||||||||||
| 4880 | Åke, Göran | Erikson, Holm | Före och efter…(before and after) | 1969 | fixed media, akusmatisch | 12:45 | Stereo | 0 | |||||||||||
| 23581 | Anna | Eriksson | Shimmering Black. In Sonne Light Shimmering Violet | 2003 | Klangkunst, Installation | 4:50 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 35587 | Gabriel | Erkoreka | Eresi | 1997 | Zuspiel / Tonband, 1 perf | 5:30 | pic-fl [Flöte] | 25.2.1997 | Casa del Cordón (Vitoria); Pedro Basterra | 0 | |||||||||
| 35588 | Gabriel | Erkoreka | Estudio | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 35694 | Gabriel | Erkoreka | Mystik | 1993 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 35589 | Gabriel | Erkoreka | Rio Asubio | 1994 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 4883 | Thomas | Erlandson | En bit musik | 1993 | fixed media, akusmatisch | 5:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4884 | Thomas | Erlandson | Liten Etyd | 1993 | fixed media, akusmatisch | 1:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4885 | Thomas | Erlandson | Meine Kleine Mozart | 1992 | fixed media, akusmatisch | 3:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4886 | Thomas | Erlandson | Out of now-here | 1992 | fixed media, akusmatisch | 7:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 38539 | Veit | ERLMANN | Glücksmaschinen | 2011 | radiophon | 36:41:00 | 0 | ||||||||||||
| 4887 | Bengt | Ernryd | …as sounded by a tape recorder | 1967 | fixed media, akusmatisch | 12:40 | Mono | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 4888 | Bengt | Ernryd | Baltutlämningen | 1970 | Film | ≈ 45:00 | Mono | 0 | |||||||||||
| 4889 | Bengt | Ernryd | Lågtryck | 1968 | Tanz | 15:55 | Mono | choreoTyyneTalvo | 0 | ||||||||||
| 42252 | Lukas | Ernst | 29 | 1990 | live-elec, | Animal Art aa 010/ | 0 | ||||||||||||
| 42250 | Lukas | Ernst | Interaktion No1 | 1990 | audiovisuell | Animal Art aa 010/ | 0 | ||||||||||||
| 42251 | Lukas | Ernst | Pseudo | 1990 | live-elec, | Animal Art aa 010/ | 0 | ||||||||||||
| 39983 | Kevin | Ernste | Nisi, island | 2015 | live-elec, 1 perf | 13:00:00 | hn [Horn] | Kevin Ernste | 0 | ||||||||||
| 38540 | Christina | ERTL-SHIRLEY | Das Pflanzenorchester | 2013 | radiophon | 54:10:00 | 0 | ||||||||||||
| 4890 | Alejandro | Esbri | Fusiones | 1988 | Tanz | ESM Mexico | 0 | ||||||||||||
| 4891 | Alejandro | Esbri | Preludio al fin de los tiempos | 1988 | fixed media, akusmatisch | ESM Mexico | 0 | ||||||||||||
| 4892 | Alejandro | Esbri | Rayueliana | 1989 | fixed media, akusmatisch | ESM Mexico | 0 | ||||||||||||
| 20973 | Ricardo | Escallón | Concierto para Flauta Virtual | 1998 - 1999 | fixed media, akusmatisch | 20:00 | Stereo | Physical Modelling of the flute by Cynthia Lawson | PS | 1 | |||||||||
| 20974 | Ricardo | Escallón | Gracias! Dalia | 1996 | fixed media, akusmatisch | 7:50 | Stereo | Elak Wien | Absolute Musik Allensteig | 1 | |||||||||
| 20975 | Ricardo | Escallón | Kartenspiel | 1996 | fixed media, akusmatisch | 5:43 | Stereo | Elak Wien | 1 | ||||||||||
| 41661 | Mirtru | Escalona-Mijares | Ecoute s'il a plu | 2005 | fixed media, akusmatisch | 15:25:00 | MR 2016 Métamorphoses 2016/ | First Prize at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | ||||||||||
| 35399 | Mirtru | Escalona-Mijares | L'ermitage au toit de chaume | 2014 - 2015 | fixed media, akusmatisch | 15:25:00 | Stereo | MR 2016 Métamorphoses 2016/ | INA • GRM | Ina-GRM | First Prize at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||
| 41662 | Mirtru | Escalona-Mijares | Matière 3.1 | 2001 | fixed media, akusmatisch | 15:25:00 | MR 2016 Métamorphoses 2016/ | First Prize at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | ||||||||||
| 41663 | Mirtru | Escalona-Mijares | Sanawbar | 2015 | fixed media, akusmatisch | 15:25:00 | MR 2016 Métamorphoses 2016/ | First Prize at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | ||||||||||
| 36420 | Mirtru | Escalona-Mijares | Sur Le Chemin De La Brume | 2009 | fixed media, akusmatisch | 13:56 | CONV 60/ | 0 | |||||||||||
| 40932 | Rudolf | Escher | Summer Rites at Noon, Third Symphony | 1960 | Zuspiel / Tonband, 2 groups | Quadro | 2 orc [Orchester] | not finished! | STEM Utrecht | Amsterdam City council | 0 | ||||||||
| 4893 | Rudolf | Escher | The long Christmas Dinner | 1960 | Fernsehen, | 6:15 | play by Thornton Wilder. Serial technique |
CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | TH Delft | AVRO | 1 | http://thresholdofbeauty.com/music excerpts/The Long Christmas Dinner excerpt.mp3 | |||||||
| 4894 | Maria | Escribano | Solar | 1992 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | p [Piano] | LIEM CDMC Madrid | 0 | |||||||||
| 39956 | Juan | Escudero | Variations on the bird and the snow | 2015 | fixed media, akusmatisch | 9:30:00 | Juan Escudero | 0 | |||||||||||
| 21078 | Juan Garcia | Escudero | estudio del tiempo eluminado | 1997 | fixed media, akusmatisch | 7:14 | LIEM CDMC Madrid | 1 | |||||||||||
| 39418 | Juan Garcia | Escudero | Landschaften der Vergangenheit | 2017 | audiovisuell | 0 | |||||||||||||
| 42263 | Óscar | Escudero | POV, Point of View | 2018 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | Giga-Hertz-Produktions-Preis 2018 | 0 | |||||||||||
| 27177 | Alejandro | Escuer | Octum | 2001 | Zuspiel / Tonband, 1 perf | 6:34 | Octo | fl [Flöte] | 0 | ||||||||||
| 23937 | Marcelo | Espindola | Hoy es 16 | 2004 | fixed media, akusmatisch | 8:02 | Octubre 2004. IV Festival de música electroacústica Ai-Maako. Santiago, Chile. | Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 27386 | Diego, Henry, Juan | Espinosa, Vega, Parra | The Electronic Hammer | 2007 | live-elec, 3 perf | 4:34 | perc, 2 com [Schlagzeug, computer] | The Electronic Hammer (perc: Diego Espinosa, computer: Henry Vega, Juan Parra). | EMF CD 067 „The Electronic Hammer“ How to philosophize with a hammer/ | Sonology Den Haag | 1 | http://www.electronichammer.com/main/index.php | |||||||
| 4895 | Leandro | Espinosa | L i i | 1984 | fixed media, akusmatisch | 32:30 | IPEM Gent | 0 | |||||||||||
| 4896 | Leandro | Espinosa | Paisaje Interior | 1985 | Tanz | 13:30 | IPEM Gent | 0 | |||||||||||
| 21895 | Chantal | Esplau | Que de Vent! | 1987 | fixed media, akusmatisch | 16:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 41943 | Ezequiel | Esquenazi | Forclusion XI | fixed media, akusmatisch | 0 | ||||||||||||||
| 26556 | Karlheinz | Essl | action rituelle | 2004 | Performance | 15:00 | live-performance for computer, electronics and sound projection | festival Imago Dei | 3.04.2004 | Krems, Minoritenkirche (A) | 0 | http://www.essl.at/ | |||||||
| 26547 | Karlheinz | Essl | ALLgebrah. Eine Kopfwelt | 2001 | audiovisuell | 50:00 | sound & video performance for Adolf Wölfli with visuals by Michaela Grill | Wien Modern | 29.10.2001 | Narrenturm Vienna (A) | 0 | http://www.essl.at/ | |||||||
| 26535 | Karlheinz | Essl | Amazing Maze | 1993 - 2007 | live-elec, 1 perf | ad lib | perf, (com) [Performer] | 11.5.1996 | Chicago | 0 | http://khz96.org/app/AmazingMaze_2.0.zip | ||||||||
| 26560 | Karlheinz | Essl | and thank you I don't think we will meet again | 2005 | Performance | Stereo, Spazialisation: WFS | sound/space/performance in collaboration with Jack Hauser und Sabine Holzer. 2007 Version für den WFS-Saal TU Berlin |
4.03.2005 | Konzerthaus, Vienna (A) | 0 | http://www.essl.at/ | ||||||||
| 26561 | Karlheinz | Essl | Balkonszene | 2005 | Performance | - live-soundtrack for an art performance by Josef Trattner | 21.05.2005 | 0 | http://www.essl.at/ | ||||||||||
| 26557 | Karlheinz | Essl | blurB | 2004 | fixed media, akusmatisch | 7.11.2004 | New York, UNDER St. Marks (USA) | 0 | http://www.essl.at/ | ||||||||||
| 4897 | Karlheinz | Essl | Carambol | 1985 | fixed media, akusmatisch | 8:00 | Mono | ELAK Wien | 12.4.1986 | WUK Wien | 0 | http://www.essl.at/ | |||||||
| 26541 | Karlheinz | Essl | Champ d'Action | 1999 | live-elec, 1 group | ens [Ensemble] | ensemble Champ d'Action (Antwerp, Belgium) | 2 July 1998 | LOGOS Foundation Ghent (B) | 0 | http://www.essl.at/ | ||||||||
| 26543 | Karlheinz | Essl | conVex | 1999 | live-elec, 1 perf | com [computer] | realtime generated sound scape based on 12 chords of Eric Satie's "Vexations" | 8.10.1999 | Bruckner-Conservatory Linz (A) | 0 | http://www.essl.at/ | ||||||||
| 26545 | Karlheinz | Essl | da braccio | 1999 | live-elec, 1 perf | str-ins [Streicher] | interactive realtime composition for a solo string instrument, live electronic and computer | WIEN MODERN 2000 and the "Bludenzer Tage für zeitgemäße Musik" Dedicated to Garth Knox |
24.11.2000 | Bludenz, REM/SE (A) | 0 | http://www.essl.at/ | |||||||
| 26563 | Karlheinz | Essl | Deconstructing Mozart | 2006 | live-elec, 1 perf | org [Orgel] | - for church organ and computer | 23 Sep 2006 | St. Pölten, Dom (A) | 0 | http://www.essl.at/ | ||||||||
| 26533 | Karlheinz | Essl | Demo Crazy | 2009 | Performance | 12th GlobArt Academy | 20.8.2009 | Pernegg | 0 | http://www.essl.at/works/demo-crazy.html | |||||||||
| 26552 | Karlheinz | Essl | Doors / Vrata | 2003 | Klangkunst, Installation | - sound sculpture in collaboration with Nika Radic | Musikbiennale Zagreb 2003 | 5.04.2003 | Zagreb | 0 | http://www.essl.at/ | ||||||||
| 4899 | Karlheinz | Essl | Entsagung | 1991/1993 | live-elec, 4 perf | 15:52 | Quadro | fl, b-cl, p, perc, [Flöte, Klarinette, Piano, Schlagzeug] | ORF KHE- 1 / Tonos Darmstadt/ | IRCAM | IRCAM | 25.10.1993 | Paradiso Amsterdam | TONOS | 1 | http://www.essl.at/ | |||
| 26559 | Karlheinz | Essl | Father Earth | 2004 - 2005 | live-elec, 1 perf | 12:00 | com [computer] | computer music live performance | 29.11.2004 | 0 | http://www.essl.at/ | ||||||||
| 26542 | Karlheinz | Essl | fLOW | 1998/1999 | intermedia | performance and improvisation environment based on a realtime-generated sound scape | 0 | http://www.essl.at/ | |||||||||||
| 26558 | Karlheinz | Essl | FontanaMixer | 2004 | Klangkunst, Installation | - generative sound environment after John Cage | festival WIEN MODERN | 9.11.2004 | Schmetterlingshaus Burggarten, Vienna (A) | 0 | http://www.essl.at/ | ||||||||
| 26549 | Karlheinz | Essl | GRIDS | 2001 | audiovisuell | - sound track for an image | tu'm, Italy | 17.04.2002 | web | 0 | http://www.essl.at/ | ||||||||
| 26539 | Karlheinz | Essl | Interferences | 1996/1997 | intermedia | - computer installation for 21 com-con perc-inss | 28.08.1997 | Mieger/Klagenfurt | 0 | http://www.essl.at/works/interferences.html | |||||||||
| 4900 | Karlheinz | Essl | Klanglabyrinth | 1992/1995 | Klangkunst, Installation | ad lib | Quadro | Interactive 4-Channel Realtime-Composition for the IRCAM Musical Workstation (ISPW) or 2 CD Players | ELAK Wien | 2.3.1995 | Offenes Kulturhaus Linz | 0 | http://www.essl.at/ | ||||||
| 26553 | Karlheinz | Essl | Le mystère d'orgue | 2003 | Klangkunst, Installation | - generative sound installation for Hermann Nitsch | Essl Collection/ | 16 Oct 2003 | Sammlung Essl, Klosterneuburg | 0 | http://www.essl.at/ | ||||||||
| 26540 | Karlheinz | Essl | Lexicon-Lecture | 1998 | intermedia | interactive multimedia computer installation for realtime generated computer speech, live video processing and realtime composed piano music | 1 Jul 1998 | RadioKulturHaus Vienna | 0 | http://www.essl.at/ | |||||||||
| 4901 | Karlheinz | Essl | Lexikon-Sonate | 1992/1995 | live-elec, 1 perf | ad lib | com-con p [Piano] | ORF KHE- 1 / Tonos Darmstadt/ | 10.2.1994 | ORF-Sendesaal | 1 | http://www.essl.at/ | |||||||
| 26544 | Karlheinz | Essl | more or less | 1999 - 2007 | live-elec, 1 perf | 17 | mus [Musiker] | realtime composition for computer-controlled soloists Parts I. (7:33), II. (12:33) |
WWE 1CD 20280 / | 5.11.2002 | Leeuwarden (NL) | 0 | http://www.essl.at/ | ||||||
| 26538 | Karlheinz | Essl | On Fire | 2001 | Klangkunst, Installation | ∞ | sonic intervention to Fabrizio Plessi's room installation ONLY FIRE | 27.11.2001 | Sammlung Essl Klosterneuburg | 0 | http://www.essl.at/ | ||||||||
| 26536 | Karlheinz | Essl | Onwards | 1999 - 2000 | live-elec, 3 perf | 21:00 | 3 ins [Instrument] | Konzerthaus Wien | 28.3.2000 | Konzerthaus Wien | 0 | http://www.essl.at/ | |||||||
| 26534 | Karlheinz | Essl | orgue de cologne | 1985 | fixed media, akusmatisch | 2:00 | Mono | ELAK Wien | 26.4.1986 | Alte Schmiede Wien | 0 | http://www.essl.at/ | |||||||
| 26550 | Karlheinz | Essl | PENDENTE | 2002 | intermedia | - sound track for a light installation by Martin Kaar | BUWOG, Vienna | 8.08.2002 | Vienna, BUWOG building Saileräckergasse (A) | 0 | http://www.essl.at/ | ||||||||
| 26546 | Karlheinz | Essl | REplay PLAYer | 2000 - 2001 | Performance | computer music performance / interactive computer resp. web installation | ORF KUNSTRADIO | 25.02.2001 | ORF KUNSTRADIO (A) | 0 | http://www.essl.at/ | ||||||||
| 26562 | Karlheinz | Essl | Rouge de Rouge | 2005 | live-elec, | 7.12.2005 | 0 | http://www.essl.at/ | |||||||||||
| 26554 | Karlheinz | Essl | Seelewaschen | 2003 - 2004 | Klangkunst, Installation | - generative sound environment for a light installation by Rainer Gottemeier | Donaufestival Niederösterreich 2004 | 17.04.2004 | 0 | http://www.essl.at/ | |||||||||
| 26532 | Karlheinz | Essl | Sequitur I - XIV, Cycle for varios solo ins | 2008 - 2009 | live-elec, 1 perf | p [Piano] | 0 | http://www.essl.at/works/sequitur.html | |||||||||||
| 26551 | Karlheinz | Essl | Sonnez la cloche! | 2002 - 2003 | live-elec, 1 perf | 30:00 | Stereo, Spazialisation: WFS | com [computer] | sonic comment on the church bells of Schwaz, Tyrol 2007 Version for the WFS-Room TU Berlin |
31.08.2002 | AVANTGARDE Schwaz | 1 | http://www.essl.at/ | ||||||
| 26564 | Karlheinz | Essl | Stimmen.Hören | 2007 | audiovisuell, live-elec, | 12:00 | electronic live performance with generative visuals Dedicated to the Gugging Artists |
1.09.2007 | 0 | http://www.essl.at/ | |||||||||
| 26548 | Karlheinz | Essl | Temps fugitive | 2001 | audiovisuell | - realtime-generated sound and video installation | 9.10.2001 | Sammlung Essl, Klosterneuburg (A) | 0 | http://www.essl.at/ | |||||||||
| 26537 | Karlheinz | Essl | The Untempered Piano | 2000 | Klangkunst, Installation | ∞ | Stadt Wien zum Bach-Jahr 2000 | 9.4.2000 | Technikmuseum Wien | 0 | http://www.essl.at/ | ||||||||
| 26555 | Karlheinz | Essl | ULURU | 2001 - 2004 | Klangkunst, Installation | - generative sound environment for an exhibition on Aboriginal Art | Essl Collection/ | 1.04.2004 | 0 | http://www.essl.at/ | |||||||||
| 26565 | Karlheinz | Essl | WebernWeben | 2007 | live-elec, 1 perf | 8:00 | com [computer] | 7.10.2007 | IGNM-Musikfest Wien 2007 | 0 | http://www.essl.at/ | ||||||||
| 4898 | Karlheinz, Gerhard | Essl, Eckel | Con una certa espressione parlante | 1985 | Zuspiel, live-elec, 1 perf | 9:30 | Stereo | amp p [Piano] | ELAK Wien | 11.11.1986 | Rathaus Klosterneuburg | 0 | http://www.essl.at/ | ||||||
| 4902 | Karlheinz, Gerhard | Essl, Eckel | Zungenreden | 1990 | radiophon | 28:16 | produced at the dig RP4-St of the ORF Wien | RP 41/ | ORF Kunstradio | ORF Wien | 15.11.1990 | ORF | 0 | http://www.essl.at/ | |||||
| 4903 | John | Estacio | The Point of No Return | 1988 | fixed media, akusmatisch | 10:56 | Stereo | Uni Waterloo ON | 0 | ||||||||||
| 4904 | Jean François | Estager | A demeure | 1992 | Zuspiel / Tonband, 2 perf | 18:00 | p, mus [Piano, Musiker] | GRAME Lyon | 0 | ||||||||||
| 4906 | Jean François | Estager | Ava Pandora | 1990 | Theatermusik | 60:00 | audio visuel de C. Beaugrand | GRAME Lyon | 0 | ||||||||||
| 4909 | Jean François | Estager | Di-flux | 1992 | Zuspiel / Tonband, 3 perf | 15:00 | p, sax, S [Sopran, Saxophon, Piano] | en col. avec Michel Doneda | GRAME Lyon | 0 | |||||||||
| 4910 | Jean François | Estager | Dialogues, voix unes | 1984 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | GRAME Lyon | 0 | ||||||||||
| 4911 | Jean François | Estager | Etendu gris, bleu | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 5:00 | Stereo | ens, br [Bläser, Ensemble] | GRAME Lyon | 0 | |||||||||
| 4915 | Jean François | Estager | La lettre à l'Absent | 1995 | Zuspiel / Tonband, 4 perf, 1 group | 12:00 | S or children ch, p, fl, cl, a-sax [Sopran, Flöte, Klarinette, Saxophon, Piano, Chor] | 0 | |||||||||||
| 4916 | Jean François | Estager | La petite personne interieure | 1992 | Zuspiel / Tonband, 2 perf | 13:00 | p, S [Sopran, Piano] | GRAME Lyon | 0 | ||||||||||
| 4917 | Jean François | Estager | Le bitor | 1985 | Theatermusik | 35:00 | Textes de Tristan Corbière | GRAME Lyon | 0 | ||||||||||
| 4918 | Jean François | Estager | Le bruit des voix | 1992 | Zuspiel / Tonband, 2 perf | 18:00 | 2 p [Piano] | GRAME Lyon | 0 | ||||||||||
| 4919 | Jean François | Estager | Le feu dérobé | 1987 | fixed media, akusmatisch | 30:00 | Cie Maryse Delente | GRAME Lyon | 0 | ||||||||||
| 4923 | Jean François | Estager | Les trois voix | 1996 | Zuspiel / Tonband, 4 perf, 1 group | 15:00 | cl-ens, p, cl (sib), S [Sopran, Klarinette, Piano] | texte de J. Estager | 0 | ||||||||||
| 4924 | Jean François | Estager | Lilax | 1987 | fixed media, akusmatisch | 65:00 | Cie Pierre Deloche Danse | GRAME Lyon | 0 | ||||||||||
| 4926 | Jean François | Estager | Musique pour une Graphie | 1984 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | p [Piano] | GRAME Lyon | 0 | |||||||||
| 4929 | Jean François | Estager | Prière | 1985 | fixed media, akusmatisch | 11:30 | Stereo | GRAME Lyon | 0 | ||||||||||
| 4930 | Jean François | Estager | Rumeur | 1990 | Zuspiel / Tonband, 2 perf | 18:30 | 2 p [Piano] | GRAME Lyon | 0 | ||||||||||
| 4933 | Jean François | Estager | Trio | 1984 | Tanz | 40:00 | Cie P. Deloche | GRAME Lyon | 0 | ||||||||||
| 4925 | Jean François, Jérôme | Estager, Dorival | Manège | 1989 | Zuspiel, live-elec, 1 group | 12:00 | ens, (harm) [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 4907 | Jean François, James | Estager, Giroudon | D'ombre bleue | 1990 | Zuspiel / Tonband, 1 group | 18:00 | ens [Ensemble] | Pédagogic | GRAME Lyon | 0 | |||||||||
| 4908 | Jean François, James | Estager, Giroudon | Dans le vert de la nuit | 1988 | Tanz, 1 perf | 70:00 | p [Piano] | for Cie Pierre Deloche Dance | GRAME Lyon | 0 | |||||||||
| 23375 | Jean François, James | Estager, Giroudon | Noir, trois neiges d'un Paysage | 1999 | live-elec, 1 perf | 11:01 | sax [Saxophon] | Daniel Kientzy (sax's) | NMCD 5114/ | GRAME Lyon | 1 | ||||||||
| 4928 | Jean François, James | Estager, Giroudon | Pierre d'ombre | 1991 | Zuspiel / Tonband, 5 perf | 20:30 | S, cl, vc, p, clvd [Sopran, Klarinette, Piano, Cembalo, Cello] | GRAME 005/ | GRAME Lyon | 1 | |||||||||
| 4931 | Jean François, James | Estager, Giroudon | Sable | 1988 | Zuspiel / Tonband, 2 perf | 21:00 | p, perc [Piano, Schlagzeug] | 4 mouvements | GRAME Lyon | 0 | |||||||||
| 4932 | Jean François, James | Estager, Giroudon | Thèmes et variations | 1983 | Zuspiel / Tonband, 1 perf | p [Piano] | Cie Michel Hallet Egayhan | GRAME Lyon | 0 | ||||||||||
| 4912 | Jean François, James, Barre, Daunik | Estager, Giroudon, Phillips, Lazro | Histoire | 1992 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | db, sax [Saxophon, Kontrabass] | GRAME Lyon | 0 | |||||||||
| 4905 | Jean François, Françoise | Estager, Monneret | A Méphistophélès | 1990 | Theater, 2 perf | 25:00 | Stereo | p, V [Stimme, Piano] | GRAME Lyon | 0 | |||||||||
| 4913 | Jean François, Yann, Daunik | Estager, Orlarey, Lazro | Histoire 2 | 1993 | live-elec, 1 perf | 13:00 | a-sax [Saxophon] | GRAME Lyon | 0 | ||||||||||
| 4921 | Jean François, Denys | Estager, Vinzant | Les contemplations | 1985 | Theatermusik | 60:00 | de Victor Hugo. | GRAME Lyon | 0 | ||||||||||
| 4927 | Jean François, Denys | Estager, Vinzant | Opus 37 | 1988 | fixed media, akusmatisch | 33:00 | for Cie Maryse Delente | GRAME Lyon | 0 | ||||||||||
| 4914 | Jean François, Denys, Jean Luc | Estager, Vinzant, Rimey-Meille | l'Arbre | 1995 | Zuspiel / Tonband, 3 perf | 12:00 | perc, a-sax,a [Alt, Saxophon, Schlagzeug] | 0 | |||||||||||
| 4920 | Jean François, Denys, Jean Luc | Estager, Vinzant, Rimey-Meille | Le silence de l'arbre et repos, un instant | 1995 | Zuspiel, Performance, 1 perf | 11:00 | perc [Schlagzeug] | with B. Pereira | 0 | ||||||||||
| 4922 | Jean François, Denys, Jean Luc | Estager, Vinzant, Rimey-Meille | Les personnes | 1996 | Zuspiel, live-elec, 5 perf | 25:00 | perc-qnt [Schlagzeug] | 0 | |||||||||||
| 35579 | Fabián | Esteban Luna | Accesuss | fixed media, akusmatisch | 8:09 | Uni de la serena/ | 0 | ||||||||||||
| 35580 | Fabián | Esteban Luna | Dinamicas Expansivas | 2002 | fixed media, akusmatisch | 5:55 | 0 | ||||||||||||
| 19629 | Elena | Esteban Muñoz | De Indio a Indio | 1992 | live-elec, 11 perf | Stereo | synt, 10 perc [Schlagzeug, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 23658 | Jaime | Esteve | Fantasia sobre uns Sonoridad de G. F. Händel | 2002 | fixed media, akusmatisch | 9:12 | PR 0083-2 SGAE/ | 4. prize Premio Internacional SGAE 2003 | 1 | ||||||||||
| 37520 | Francisco | Estevez | Test | 1981, 1992 | Zuspiel / Tonband, 1 group | 13:00:00 | Stereo | chamber-ens [Ensemble] | ICEM Essen | 0 | |||||||||
| 4934 | Francisco | Estévez | Analisis la Musica Elektronica | 1982 | fixed media, akusmatisch | 17:10 | 0 | ||||||||||||
| 4935 | Francisco | Estévez | Chillida | 1982 | fixed media, akusmatisch | 6:42 | Quadro | ICEM Essen | 0 | ||||||||||
| 4936 | Francisco | Estévez | Contra - Contra | 1982 | Zuspiel / Tonband, 1 perf | 9:08 | db [Kontrabass] | 0 | |||||||||||
| 4937 | Francisco | Estévez | Ein Hundeleben | 1982 | Theater, 1 perf | 22:00 | mime [Schauspieler] | 0 | |||||||||||
| 4938 | Francisco | Estévez | Hipostasis | 1982 | Zuspiel / Tonband, 12 perf | 23:14 | Stereo | 4 p, 4 str, 4 perc [Piano, Schlagzeug, Streicher] | ICEM Essen | 0 | |||||||||
| 4939 | Francisco | Estévez | Kaspar ist tot | 1973/1974 | Zuspiel / Tonband, 2 perf, 2 groups | Vs, org, ens [Stimme, Orgel, Ensemble] | 0 | ||||||||||||
| 4940 | Francisco | Estévez | Miró | 1986 | fixed media, akusmatisch | 22:29 | GME Cuenca | 0 | |||||||||||
| 4941 | Francisco | Estévez | Phonson | 1977 | Zuspiel, live-elec, 4 perf | 4 ins [Instrument] | 0 | ||||||||||||
| 4942 | Francisco | Estévez | Preludio a la memoria del Angel Moroni | 1992 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | carillon [Keyboard] | LIEM CDMC Madrid | 0 | |||||||||
| 4943 | Francisco | Estévez | Spectrum Time | 1980/1981 | Zuspiel / Tonband, 1 group | 58:50 | orc [Orchester] | 0 | |||||||||||
| 4944 | Francisco | Estévez | Ursache - Wirkung | 1983 | live-elec, 1 perf | 20:00 | Stereo | perc [Schlagzeug] | ICEM Essen | 0 | |||||||||
| 35647 | Milton | Estévez | Apuntes con refran | 1987 | Zuspiel / Tonband, 4 perf | 11 | etc, hp, vc, perc [Harfe, Schlagzeug, Cello] | 0 | |||||||||||
| 28446 | Karda | Estra | Autumn Cannibalism | 1999 | fixed media, akusmatisch | 3:56 | Stereo | ELCD 013 Electroshock Records/ | 0 | ||||||||||
| 25888 | Julio | Estrada | Bisica | 2004 | Klangkunst, Installation | "Itinerarios del Sonido“ in Madrid 2004 | 1 | ||||||||||||
| 4945 | Julio | Estrada | Eua'on | 1980 | fixed media, akusmatisch | 7:04 | Stereo | For UPIC (E.16a) also version for orchestra (on same CD mode 98/99) |
mode 98/99/ IRD 002 Irradia/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | 1984 | http://www.moderecords.com/ | ||||||
| 35635 | Manuel | Estrada | Desidia y decadencia | 2009 | fixed media, akusmatisch | 12:45 | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 33895 | Maximiliano | Estudies | Beam | 2015 | live-elec, 1 perf | 15:04:00 | Quadro | ins (chinese pole) [Instrument] | Komposition für Chinese Pole und Elektronik | HfMT Köln | 0 | ||||||||
| 4946 | Szabolcs | Esztenyi | Concerto | 1971 | Zuspiel / Tonband, 1 perf | 28:12 | Stereo | p [Piano] | BR ES08 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | ||||||||
| 30754 | Szabolcs | Esztenyi | Created Music No. 3: in memoriam Tomasz Sikorski | 1989 | Zuspiel / Tonband, 1 perf | 10:40 | p [Piano] | BR ES08 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 36935 | Hrayr | Eulmessekian | Due diligence checklist | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 20891 | Group, Paul, Marco, Walter, Philipp | Evan Parker, Lytton, Vecchi, Prati, Wachsmann | Chain of Chance | 1996 | live-elec, 1 perf, 1 group | 4:19 | Stereo | MIDI-ens [synthesizer] | Group: Vecchi, Prati, Lytton | ECM 1612/ | 0 | ||||||||
| 20889 | Group, Paul, Marco, Walter, Philipp | Evan Parker, Lytton, Vecchi, Prati, Wachsmann | Epanados | 1997 | live-elec, 1 perf, 1 group | 4:27 | Stereo | MIDI-ens [synthesizer] | Group: Parker, Guy, Lytton, Wachsmann, Prati, Vecchi, Prati | ECM 1612/ | 0 | ||||||||
| 20890 | Group, Paul, Marco, Walter, Philipp | Evan Parker, Lytton, Vecchi, Prati, Wachsmann | Shadow without an Object | 1997 | live-elec, 1 perf, 1 group | 6:00 | Stereo | MIDI-ens [synthesizer] | Group: Parker, Guy, Wachsmann, Vecchi | ECM 1612/ | 0 | ||||||||
| 19173 | Group, Paul, Marco, Walter, Philipp | Evan Parker, Lytton, Vecchi, Prati, Wachsmann | Towards the Margins | 1997 | live-elec, 4 perf | s-sax, db, perc, str [Saxophon, Schlagzeug, Kontrabass, Streicher] | 12 pieces Group: Parker, Guy, Lytton, Wachsmann, Prati, Vecchi |
ECM 1612/ | 1 | ||||||||||
| 24834 | José | Evangelista | La porte | 1987 | fixed media, akusmatisch | 45:30 | IMSO 9605/ | 0 | |||||||||||
| 24837 | José | Evangelista | Plume, Plume à Casablanca | 1989 | fixed media, akusmatisch | 4:54 | IMSO 9605/ | 0 | |||||||||||
| 24836 | José | Evangelista | Plume, Plume au plafond | 1992 | fixed media, akusmatisch | 3:35 | IMSO 9605/ | 0 | |||||||||||
| 24835 | José | Evangelista | Plume, un homme paisible | 1974 | fixed media, akusmatisch | 6:07 | IMSO 9605/ | 0 | |||||||||||
| 4947 | Franco | Evangelisti | Campi Integrati | 1959 | fixed media, akusmatisch | 5:00 | Mono | tape not archieved, work not completed | ed. RZ 1011/12/ | ExpSt Warsaw | 0 | ||||||||
| 4948 | Franco | Evangelisti | Die Schachtel, Cinque strutture, Tre Strutture | 1963 | intermedia | Theater, 8 perf, 2 groups |
31:45 | 5 - 7 mime, Vs, chamber-orc [Stimme, Schauspieler, Orchester] | slides | DGG 2561106/ ed. RZ 1011/12/ WD 97, Wittener Tage Für Neue Kammermusik 1997/ | Oper München, UC Davis | 1 | ||||||||
| 4949 | Franco | Evangelisti | Incontri di fasce sonore | 1957 | fixed media, akusmatisch | 3:20 | Mono | BVHAAST 9106/ ed. RZ 1011/12/ CDCD 5067/ IDEAMA CD 097/ | WDR SEM | 25.3.1958 | "Musik der Zeit" Köln | 1 | |||||||
| 4950 | Franco | Evangelisti | Spazio a 5 | 1966 | live-elec, 5 perf, 2 groups | var | 4 perc-ens, Vs [Stimme, Schlagzeug] | improvisation | ed. RZ 1011/12/ | UC Davis | 1 | 1994 | |||||||
| 24676 | David | Evans | The Voice of Angels | 2003 | fixed media, akusmatisch | 8:00 | JTTP 2003 | CEC Cache 2003 CA/ | winner JTTP 2003 6. prize | 1 | |||||||||
| 39762 | Eric | Evans | Homoousios | 2016 | fixed media, akusmatisch | Eric Evans | 0 | ||||||||||||
| 4951 | François | Evans | Manche en Bois/Manche de Joie | 1989/1990 | Zuspiel, live-elec, 1 group | 12:00 | ens [Ensemble] | City Uni London | 0 | ||||||||||
| 4952 | François | Evans | Repeal | 1990 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | p [Piano] | City Uni London | 0 | |||||||||
| 42485 | Steve | Everett | Rendezvous IV for violin and live electronics, Rendezvous | 2008 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 42605 | Steve | Everett | Shiver | 2008 | audiovisuell | 6 | University of Illinois Experimental Music Studios | 0 | |||||||||||
| 39860 | Hunter | Ewen | Hunger Dreams in Flocks | 2015 | fixed media, akusmatisch | 11:01:00 | Hunter Ewen | 0 | |||||||||||
| 4961 | John | Exton | Breathing Space | Zuspiel / Tonband, 2 perf | Quadro | 2 V [Stimme] | Uni Cardiff | 0 | |||||||||||
| 4962 | John | Exton | Conversation Piece for Two Voices | Zuspiel / Tonband, 2 perf | 2 V [Stimme] | Uni Cardiff | 0 | ||||||||||||
| 35780 | Stefan Van | Eycken | White River Dream Song | 2003 | live-elec, 1 group | 10:08 | ens, (elec) [Ensemble] | Champ d'Action - Peter Swinnen, electronics | Musik Flamen/ | 1 | |||||||||
| 4963 | Eberhard | Eyser | Chanson populaire | 1971 | fixed media, akusmatisch | 10:00 | Quadro | EMS Stockholm, Fylkingen | 0 | ||||||||||
| 4964 | Eberhard | Eyser | Expulsi | 1971 | Film | 20:00 | Mono | SR Stockholm | 0 | ||||||||||
| 4965 | Eberhard | Eyser | La Valse | 1973 | fixed media, akusmatisch | 7:00 | Stereo, Quadro | CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm, SR Stockholm | 0 | |||||||||
| 33506 | Eberhard | Eyser | Mortudi te Salutant | 1975 | fixed media, akusmatisch | 20 | EMS Stockholm | 0 | |||||||||||
| 4966 | Eberhard | Eyser | Rhapsodie Espagnol (Carmen 36) | 1975 | Oper | 60:00 | Mono | 0 | |||||||||||
| 4967 | Eberhard | Eyser | Sensommardag | 1970 | Oper | 60:00 | Mono + Mono + Mono | State M.-Drama School, Stockholm | 0 | ||||||||||
| 4968 | Eberhard | Eyser | Sista resan | 1972/1973 | Oper, 3 perf | 2 V, cl [Stimme, Klarinette] | 0 | ||||||||||||
| 4969 | Eberhard | Eyser | "Sjörapport 7 april" | 1971 | fixed media, akusmatisch | 9:40 | Mono, Stereo | EMS Stockholm | 0 | ||||||||||
| 33503 | Eberhard | Eyser | Var Redo | 1971 | fixed media, akusmatisch | 10 | EMS Stockholm | 0 | |||||||||||
| 33504 | Eberhard | Eyser | Watermusic for Agneta | 1974 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 33505 | Eberhard | Eyser | Watermusic for Agneta IVK | 1975 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 4970 | Eberhard | Eyser | Watermusic-Submarin | 1974/1979 | Zuspiel / Tonband, 1 perf | 17:00 | Quadro | b-cl [Klarinette] | 0 | ||||||||||
| 4971 | Kenjiro | Ezaki | Electronic Composition #1 | 1966 | fixed media, akusmatisch | 6:00 | Mono | EMS UIUC | 0 | ||||||||||
| 4972 | Kenjiro | Ezaki | Electronic Music 225 | 1966 | fixed media, akusmatisch | 2:25 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4973 | Kenjiro | Ezaki | Electronic Music 313 | 1966 | fixed media, akusmatisch | 3:13 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4974 | Kenjiro | Ezaki | Electronic Music 402 | 1966 | fixed media, akusmatisch | 4:02 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4975 | Kenjiro | Ezaki | Fantasy | 1966 | fixed media, akusmatisch | 2:42 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4976 | Kenjiro | Ezaki | Gagaku | 1966 | fixed media, akusmatisch | 1:28 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4977 | Kenjiro | Ezaki | Meiso #1 (Meditation) | 1966 | fixed media, akusmatisch | 1:55 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4978 | Kenjiro | Ezaki | Meiso #2 (Meditation) | 1966 | fixed media, akusmatisch | 3:55 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4979 | Kenjiro | Ezaki | Metamorphism of One Short Attack | 1966 | fixed media, akusmatisch | 4:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4980 | Kenjiro | Ezaki | Study of Orchestra, Voices and Electronic Sound | 1966 | fixed media, akusmatisch | 8:48 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4981 | Kenjiro | Ezaki | Subway in New York | 1966 | fixed media, akusmatisch | 2:24 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 39370 | Fabio | Fabbri | Monodialogos | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 4982 | Francis | Faber | Brides D`Espaces | 1984 | Zuspiel / Tonband, 6 perf | Octo | 6 perc [Schlagzeug] | la grande fabrique | 0 | ||||||||||
| 4983 | Francis | Faber | Cantate | 1985 | intermedia, live-elec, 1 perf, 3 groups | ch, orc, inss [Instrument, Chor, Orchester] | J.L.Lhermitte, Ars Nova and Trio TM+ | la grande fabrique | 0 | ||||||||||
| 4984 | Francis | Faber | Cette Sombre Clarté | 1988 | live-elec, | Stereo | GF 001/ | la grande fabrique | 0 | ||||||||||
| 20149 | Francis | Faber | Ecce femina | 1992 | Zuspiel / Tonband, 2 perf | 20:00 | Stereo | V, vc [Stimme, Cello] | Text by J. P. Faye (Cuisses de Verrerie) | LGF 002/ GF 002/ | la grande fabrique | 0 | |||||||
| 4985 | Francis | Faber | Eléments Blancs | 1989 | live-elec, 2 perf | fl, perc [Flöte, Schlagzeug] | la grande fabrique | 0 | |||||||||||
| 4986 | Francis | Faber | Espèces d'Espaces | 1986 | Musiktheater | Stereo | exposition "Sculptures sonores " | la grande fabrique | 0 | ||||||||||
| 4987 | Francis | Faber | Intrusion | 1984 | live-elec, 12 perf | 12 V [Stimme] | la grande fabrique | 0 | |||||||||||
| 4988 | Francis | Faber | Labyrinthes | 1987 | intermedia | Expo, sound sculpture | la grande fabrique | 0 | |||||||||||
| 4989 | Francis | Faber | Litanie d'Eau | 1985 | Zuspiel / Tonband, 1 group | mx ch [Chor] | la grande fabrique | 0 | |||||||||||
| 4990 | Francis | Faber | Mythophonie | 1984 | live-elec, 3 perf | fl, perc, synt [Flöte, Schlagzeug, synthesizer] | la grande fabrique | 0 | |||||||||||
| 4991 | Francis | Faber | Petites Litanies Barbares | 1989 | live-elec, 5 perf | vn, vc, cl, perc, synt [Klarinette, Schlagzeug, Cello, Violine, synthesizer] | la grande fabrique | 0 | |||||||||||
| 4992 | Francis | Faber | Scénario Imaginaire | 1991 | Musiktheater | Stereo | Th musical | la grande fabrique | 0 | ||||||||||
| 4993 | Francis | Faber | Sémaphores | 1992 | Tanz, 6 perf | 4 perc, 2 dancer [Schlagzeug, Tanz] | la grande fabrique | 0 | |||||||||||
| 4994 | Francis | Faber | Soliloque 1 | 1984 | Zuspiel, live-elec, 2 perf | vn, synt [Violine, synthesizer] | la grande fabrique | 0 | |||||||||||
| 4995 | Francis | Faber | Soliloque 2 | 1985 | live-elec, 1 perf | S [Sopran] | la grande fabrique | 0 | |||||||||||
| 4996 | Francis | Faber | Tanière | 1984 | fixed media, akusmatisch | Stereo | la grande fabrique | 0 | |||||||||||
| 4997 | Francis | Faber | Totem | 1992 | live-elec, 1 perf | MIDI-gui [Gitarre] | GF 001/ | la grande fabrique | 0 | ||||||||||
| 4998 | Francis | Faber | Traces | 1987 | live-elec, | sound and light | la grande fabrique | 0 | |||||||||||
| 4999 | Francis | Faber | Urbanité | 1986 | intermedia, live-elec, 2 perf | actor, perc, (sound, light) [Schlagzeug, Schauspieler] | la grande fabrique | 0 | |||||||||||
| 33897 | Alan | Fabian | Akustische Lebensform | 2001 | Zuspiel, live-elec, 1 perf | 7:43:00 | Quadro | fl [Flöte] | Sara Hammarström, Flöte | HfMT Köln | 0 | ||||||||
| 33898 | Alan | Fabian | Deuxième Objet Rotatoire | 2002 | fixed media, akusmatisch | 12:45:00 | Quadro | HfMT Köln CD8/ | HfMT Köln | 0 | |||||||||
| 33896 | Alan | Fabian | Space of recollection | 2000 | live-elec, 1 perf | 8:30:00 | Quadro | p [Piano] | HfMT Köln | 0 | |||||||||
| 25889 | Anaud | Fabre | Dropper 01 | 2005 | Klangkunst, Installation | audiovisuell |
orchestral device for 8 percussions and water drops | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2005 | 1 | ||||||||||
| 18912 | Walter | Fähndrich | Improvisation | 1987 | intermedia, live-elec, 1 perf | 5:09 | va [Viola] | Apollo ACD 019209/ | PS | 1 | |||||||||
| 34246 | Walter | Fähndrich | Musik für Räume | 1985 | Klangkunst, Installation | 45 | Edition Giannozzo/ | 1985 | Galerie Giannozzo Berlin | 0 | |||||||||
| 27920 | Peter | Färber | Flucht aus der Zeit | 2001 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 31544 | Peter | Färber | Geuss | 2012 | fixed media, akusmatisch | ≈ 7 - 8 | next_generation 5.0 | HKB Bern | 0 | ||||||||||
| 22590 | Peter | Färber | Klaviationen | 1993 | fixed media, akusmatisch | 8:55 | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 27918 | Peter | Färber | Nachklänge aus dem Theater | 1996 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27919 | Peter | Färber | Spuren | 2000 | live-elec, 1 perf | p [Piano] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 27921 | Peter | Färber | Tegna | 2002 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27847 | Jean-Luc | Fafchamps | Lettre soufie Z3 | 2007 | live-elec, 1 perf | trbn [Posaune] | CRFMW Liège | 22.03.2007 | Bruxelles, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27828 | Jean-Luc | Fafchamps | Street Music | 2009 | live-elec, 1 perf | va [Viola] | CRFMW Liège | 27.10.2009 | Cologne, reiheM | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27875 | Jean-Luc | Fafchamps | Z | 2003 | live-elec, 2 perf | va, p [Piano, Viola] | CRFMW Liège | 16.03.2003 | Mons, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 37738 | Maddalena | Fagandini | Interval Signal | radiophon | 1:38 | SILCD 1503/ Infiné IF 4002/ | BBC | 0 | |||||||||||
| 37926 | Maddalena | Fagandini | The Chem Lab Mystery | 1962 | fixed media, akusmatisch | BBC | 0 | ||||||||||||
| 37925 | Maddalena | Fagandini | Time Beat | fixed media, akusmatisch | 0:30 | SILCD 1503/ | BBC | 0 | |||||||||||
| 5001 | Bruno | Fagarazzi | Birdwatching | 1987 | fixed media, akusmatisch | 11:15 | Stereo | CSC Padova, Con Venezia | 0 | ||||||||||
| 43178 | Lucas | Fagin | Physiological Mechanics Fantasy | 2009 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2009 | 0 | ||||||||||||
| 5003 | Öyvind | Fahlström | Birds in Sweden, Fåglar i Sverige | 1964 | radiophon | 29:30 | Mono | FYCD 1016/ | 0 | ||||||||||
| 5002 | Öyvind | Fahlström | Den långa resan | radiophon | 0 | ||||||||||||||
| 5004 | Öyvind | Fahlström | Radiopoems | 1961 | radiophon | 24:00 | Mono | From: "Bob", Bob livsföreståndare, stora och lilla rokokopalitativet | SR Stockholm | 0 | |||||||||
| 28102 | Öyvind | Fahlström | The Holy Torsten Nilsson, Den helige Torsten Nilsson | 1966 | radiophon | FYCD 1016/ | SR Stockholm | 0 | |||||||||||
| 42224 | Michael | Fahres | Cetacea | 2006 | radiophon | 43:27 | WDR Studio Akustische Kunst | 15.7.2006 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1517038&vi=108&SID | ||||||||
| 5005 | Michael | Fahres | Computermusik Schaakul | 1974 | live-elec, 1 perf | synt, (com) [synthesizer] | 0 | ||||||||||||
| 5006 | Michael | Fahres | Glasharfe | 1982 | live-elec, 2 perf | hp, perc [Harfe, Schlagzeug] | 8 magnetic fields | CEM Bilthoven, STEIM | 1 | ||||||||||
| 5007 | Michael | Fahres | Harfe | 1981 | live-elec, 1 perf | 29:25 | hp [Harfe] | ECM 1281/ | STEIM | 0 | |||||||||
| 5008 | Michael | Fahres | Imitation Version 211/ Struktur 3 | 1976 | live-elec, 8 perf | 8 ins [Instrument] | 0 | ||||||||||||
| 5009 | Michael | Fahres | Minimal | 1977 | live-elec, 1 perf | b-cl [Klarinette] | STEIM | 0 | |||||||||||
| 5010 | Michael | Fahres | Mobilodrom | 1978 | live-elec, | 60:00 | STEIM | 0 | |||||||||||
| 5011 | Michael | Fahres | Piano | 1980 | live-elec, 1 perf | Quadro | p [Piano] | ECM 1281/ | CEM Bilthoven | 1 | |||||||||
| 5012 | Michael | Fahres | Sonnenanbetung | 1980 | fixed media, akusmatisch | CEM Bilthoven | 0 | ||||||||||||
| 5013 | Michael | Fahres | Sonnenstrahlen | 1983 | fixed media, akusmatisch | CEM Bilthoven | 0 | ||||||||||||
| 5014 | Michael | Fahres | Sonnenstruktur | 1982 | fixed media, akusmatisch | CEM Bilthoven | 0 | ||||||||||||
| 5015 | Michael, Kurt, Michael | Fahres, Dahlke, Jollich | Sunwheel | fixed media, akusmatisch | CEM Bilthoven | 0 | |||||||||||||
| 5016 | Steve | Fai | Bells for Saint Monica | fixed media, akusmatisch | 10:07 | Stereo | PS Medecine Hat | 0 | |||||||||||
| 5017 | Steve | Fai | Horizontal Music (Pink) #11 | 1983 | fixed media, akusmatisch | 15:00 | Stereo | PS Medecine Hat | 0 | ||||||||||
| 5018 | Steve | Fai | In the Mountains, At the Equator | 1984 | fixed media, akusmatisch | 21:00 | Stereo | PS Medecine Hat | 0 | ||||||||||
| 5019 | Steve | Fai | Suddenly… we found ourselves Alone (One is split in two) | 1984 | fixed media, akusmatisch | 21:30 | Stereo | PS Medecine Hat | 0 | ||||||||||
| 39602 | Ashkan | Fakhrtabatabaie | Metamorphosis | 2016 | fixed media, akusmatisch | 5:35 | 5 tracks, Stereo | 0 | https://ashkanfakhr.com/music-composition/ | ||||||||||
| 5020 | Robert | Falck | Conceptual Motion | 1964 | fixed media, akusmatisch | 6:30 | Stereo | Uni Waltham | 0 | ||||||||||
| 5021 | Robert | Falck | Menagerie | 1964 | fixed media, akusmatisch | 2:30 | Stereo | Uni Waltham | 0 | ||||||||||
| 5022 | Robert | Falck | Shadows | 1963 | fixed media, akusmatisch | 10:15 | Stereo | Uni Waltham | 0 | ||||||||||
| 5023 | Robert | Falck | Sign Posts #1, 2 | 1963 | fixed media, akusmatisch | 13:33 | Mono | Uni Waltham | 0 | ||||||||||
| 5024 | Robert | Falck | The Color Wheel | 1963 | fixed media, akusmatisch | 12:00 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 5025 | Karl-Axel | Falk | De fyra elementens mässa | 1990 | Tanz | Musiktheater |
75:00 | 3 fem V, T, 2 Bar, B, fem ch, fem narrator, male narrator, dancers [Tenor, Bariton, Bass, Stimme, Schauspieler, Tanz, Chor] | NOTAM | 0 | ||||||||||
| 5026 | Karl-Axel | Falk | Franciskus bön | 1987 | Tanz, live-elec, 3 perf | 6:00 | 2 synt, narrator [Schauspieler, synthesizer] | NOTAM | 0 | ||||||||||
| 5027 | Karl-Axel | Falk | Spegeldansen | 1987 | Tanz, live-elec, 2 perf | 9:00 | 2 synt [synthesizer] | NOTAM | 0 | ||||||||||
| 20299 | Kris | Falk | Manifesto | 1998 | fixed media, akusmatisch | 6:32 | Stereo | MIDI (K2500RS + MAX) | CMJ Vol 22-4, 1998/ | 1 | |||||||||
| 42106 | Michaela | Falkner | Manifest 44 | 2014 | radiophon | ORF | 0 | ||||||||||||
| 41414 | Sina | Fallahzadeh | Abgineh | 2016 | Zuspiel / Tonband, 9 perf | 8 V, vn or kamancheh [Stimme, Violine] | 0 | ||||||||||||
| 41424 | Sina | Fallahzadeh | Au bord de désert | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41432 | Sina | Fallahzadeh | Boîte du néant | 2011 | fixed media, akusmatisch | 0 | |||||||||||||
| 41428 | Sina | Fallahzadeh | Contemplation | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41417 | Sina | Fallahzadeh | Désir inassouvi | 2015 | fixed media, akusmatisch | 0 | |||||||||||||
| 41431 | Sina | Fallahzadeh | Eos | 2012 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 41423 | Sina | Fallahzadeh | Étoile filante | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41430 | Sina | Fallahzadeh | Exile | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 41427 | Sina | Fallahzadeh | Hommage | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41421 | Sina | Fallahzadeh | Hymne aux eaux | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 41416 | Sina | Fallahzadeh | Incantation | 2016 | fixed media, akusmatisch | 0 | |||||||||||||
| 41425 | Sina | Fallahzadeh | Le bruissement de l'aile de Gabriel | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41420 | Sina | Fallahzadeh | Moderato cantabile (hommage a Maguerite Duras) | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 41415 | Sina | Fallahzadeh | Nafir | 2016 | live-elec, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 41426 | Sina | Fallahzadeh | Odeur de ses cheveux | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41422 | Sina | Fallahzadeh | Papillon d'hiver | 2013 | Zuspiel / Tonband, 3 perf | 3 fl [Flöte] | 0 | ||||||||||||
| 41429 | Sina | Fallahzadeh | Rosée du matin | 2012 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 41418 | Sina | Fallahzadeh | Spazio datemi | 2014 | Zuspiel / Tonband, 3 perf | Mez, 2 perc [Mezzo, Schlagzeug] | 0 | ||||||||||||
| 41419 | Sina | Fallahzadeh | Spazio divino | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 35836 | Sina | Fallahzadeh | Une voix perdue dans le désert | 2012 | fixed media, akusmatisch | 12:15 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 41413 | Sina | Fallahzadeh | Ziggurat | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 33361 | Michel | Fano | Le cinquième soleil | 1966 | Film | 18 | Mono | Aura Films Paris | 0 | ||||||||||
| 33363 | Michel | Fano | Le regard de Picasso | 1966 | Film | 4:30 | Mono | Aura Films Paris | 0 | ||||||||||
| 33362 | Michel | Fano | Trans-Europ-Express | 1966 | Film | 4 | Aura Films Paris | 0 | |||||||||||
| 5028 | Béla | Faragó | Report for the Academy | 1985 | fixed media, akusmatisch | 8:00 | MR Budapest | 0 | |||||||||||
| 5029 | Béla | Faragó | … sub galli cantum | 1991 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | tpt [Trompete] | MR Budapest | 0 | |||||||||
| 39580 | Angel | Faraldo | For Paul | 2012 | fixed media, akusmatisch | 2:16 | Angel Faraldo | 0 | https://faraldo.bandcamp.com/track/for-paul-2012 | ||||||||||
| 31997 | Alireza | Farhang | Imeros I | 2008 | live-elec, 3 perf | 11:21:00 | Stereo + Octo, Spazialisation: WFS | sax, hn, p [Saxophon, Horn, Piano] | TU Berlin | 1 | 2008 | ||||||||
| 31749 | Djalma | Farias | Idioleto | 2006 | fixed media, akusmatisch | 10:30 | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | ||||||||||
| 37798 | Jaime | Farias | Puntos en el Aire | 2016 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | |||||||||
| 37659 | Carlos | Fariñas | Impronta, Soy Cuba | 1984 | Zuspiel/Tonband, 2 perf | Film |
11 | p, perc [Piano, Schlagzeug] | Cuba-Netherlands Festival | 1985 | Cuba | 0 | ||||||||
| 36934 | Mary Beth | Farmer | Water | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 5030 | Stefano | Farneda | A little science a little magic | 1981 | fixed media, akusmatisch | CSC Padova | 0 | ||||||||||||
| 5031 | Stefano | Farneda | Liberta' a Brema | 1981 | fixed media, akusmatisch | Stereo | with L. Papadia and G. Patella; M. for Liberta´ a Brema by R. W. Fassbinder | CSC Padova | Th Stabile d'Aquila | 0 | |||||||||
| 5032 | Spiros | Faros | At night they call the dragons I | 1992 | Zuspiel / Tonband, | 11:00 | Stereo | PS C. | 0 | ||||||||||
| 5033 | Spiros | Faros | Breath | 1992 | fixed media, akusmatisch | 9:00 | Stereo, Quadro | PS C. | 0 | ||||||||||
| 5034 | Spiros | Faros | Ghosts 'n' Goblins | 1989 | fixed media, akusmatisch | 10:08 | Stereo | KSYME | 0 | ||||||||||
| 5035 | Spiros | Faros | Ich möchte | 1989 | fixed media, akusmatisch | 7:00 | Stereo | KSYME | 0 | ||||||||||
| 5036 | Spiros | Faros | Layers of lonliness | 1993 | Zuspiel / Tonband, | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 5037 | Spiros | Faros | Pano se trikorfo vouno | 1993 | Zuspiel / Tonband, | 9:00 | Stereo | PS C. | 0 | ||||||||||
| 5038 | Spiros | Faros | The last performance | 1989 | Theatermusik | 20:00 | Stereo | PS C. | 0 | ||||||||||
| 5039 | Spiros | Faros | To Elli | 1992 | Zuspiel / Tonband, | 4:00 | Stereo | PS C. | 0 | ||||||||||
| 5040 | Spiros | Faros | Trilogie (Lay low) | 1990 | fixed media, akusmatisch | 17:30 | Stereo | S.E.C. | 0 | ||||||||||
| 39743 | Eddie | Farr | Erium | 2016 | fixed media, akusmatisch | Eddie Farr | 0 | ||||||||||||
| 5041 | Neal | Farwell | There are no sermons in Stones | 1995 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 36350 | James | Fassett | A Revelation In Birdsong Patterns | 1984 | fixed media, akusmatisch | 16 | Mono | EM Records 1044/ | 0 | ||||||||||
| 5042 | James | Fassett | Hear the Animals | 1961 | fixed media, akusmatisch | Mono | CBS NY | 0 | |||||||||||
| 5043 | James | Fassett | Sound Adventure | 1961 | fixed media, akusmatisch | Mono | CBS NY | 0 | |||||||||||
| 5044 | James | Fassett | Symphony of the Birds | 1954 - 1955 | fixed media, akusmatisch | 20 | Mono | EM Records 1044/ | CBS NY | 0 | |||||||||
| 38758 | Xavier, Marcus | FASSION, GAMMEL | Wachsgesänge | 2007 | radiophon | 43:57:00 | 0 | ||||||||||||
| 34531 | Claude | Fatus | Le Petit Prince - Musique des Planetes | 1983 | fixed media, akusmatisch | 4:04 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 5045 | Claude | Fatus | Piece pour gitare et bande | 1981 | Zuspiel / Tonband, 1 perf | ≈ 17:40 | Stereo | gui [Gitarre] | Sonology Utrecht | 0 | |||||||||
| 5046 | Claude | Fatus | „Recht is, waar het midden de einden bedekt“ (Plato) | 1983 | Performance | 60:00 | Quadro | 2 perf [Performer] | MIDIM system. 2 parts | Sonology Utrecht | 0 | ||||||||
| 5047 | Claude | Fatus | Turbulences | 1983 | fixed media, akusmatisch | 11:20 | Quadro | MIDIM system | Sonology Utrecht | 0 | |||||||||
| 5048 | Claude | Fatus | Voyager | 1981 | fixed media, akusmatisch | 8:45 | Quadro | MIDIM 8 System | Sonology Utrecht | 0 | |||||||||
| 5049 | Claude | Fatus | Voyager 2, Voyager II | 1982 | Fernsehen, | 11:10 | Quadro | MIDIM system | Sonology Utrecht | 0 | |||||||||
| 37650 | Roberto | Fausti | Eine kleine Nacht | 2017 | fixed media, akusmatisch | 10 | Octo | UdK Berlin | 0 | ||||||||||
| 5050 | Stuart | Favilla | Improvisation No. 1 : Alapana | 1993 | live-elec, 1 perf | 9:12 | com (Lightharps) [computer] | ICMC 1994, DIEM 001/ | 1 | ||||||||||
| 28173 | Jean | Favory | Passage-Longitude 40, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 6:00 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 23776 | Gino | Favotti | Lady Gosse | 1994 | fixed media, akusmatisch | Stereo | CD F.T.M. 002 B 50 Jahre GRM | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 1 | |||||||||
| 5051 | Marc | Favre | Clepsydre | 1983 | fixed media, akusmatisch | 14:41 | GMVL 014/ | GMVL Lyon | 0 | ||||||||||
| 5052 | Marc | Favre | Folie romane | 1991 | fixed media, akusmatisch | 10:00 | Octo | GMVL Lyon | 0 | ||||||||||
| 19095 | Marc | Favre | L'Illusion acoustique, 1° Grimoire, L'Athanor Clepsydre La forge de Vulcain Le corps bleu de la nuit |
1980 - 1982 | fixed media, akusmatisch | 46:00 | Stereo | GMVL CD 014/ | GMVL Lyon | 1 | |||||||||
| 19096 | Marc | Favre | L'Illusion acoustique, 2° Grimoire, Les Natures contraires Rue de la femme sans Tête Le repère de la Salamandre Destillation et noirceur de la tête de corbeau |
1982 | fixed media, akusmatisch | 23:00 | Stereo | GMVL CD 014/ | GMVL Lyon | 1 | |||||||||
| 19097 | Marc | Favre | L'Illusion acoustique, 3° Grimoire, Le Creuset Le Matras L'Athanor II Le beau corps d'Ether |
1986/1988 | fixed media, akusmatisch | 49:00 | Stereo | GMVL CD 015/ GMVL CD 09/ | GMVL Lyon | 1 | |||||||||
| 19098 | Marc | Favre | L'Illusion acoustique, 4° Grimoire, La Langue Verte | 1991 | fixed media, akusmatisch | 18:53 | Stereo | GMVL CD 015/ | GMVL Lyon | 1 | 1996 | ||||||||
| 5054 | Marc | Favre | Le monstre heroique | 1978 | fixed media, akusmatisch | 8:00 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 5055 | Marc | Favre | Trois nocturnes, Fêtes dyonisiaques Le Domaine d'écho Les Incantations de Silène |
1984 | fixed media, akusmatisch | 19:35 | Stereo | GMVL D 03 LP/ | GMVL Lyon | 1 | |||||||||
| 5056 | Marc | Favre | Vernis sauvage | 1985 | Zuspiel, live-elec, 1 perf | 19:00 | Stereo | synt [synthesizer] | GMVL D 03 LP/ | GMVL Lyon | 1 | ||||||||
| 39345 | Daniel | Fawcett | Radiant Cry I, Radiant Cry II Radiant Cry III |
2017 | live-elec, 1 perf | 9 | S (Sound Interactive Light Composition Suit) [Sopran] | October 2017 | Cagliari | 0 | https://www.daniel-fawcett.com/copy-of-vaporous-air | ||||||||
| 5057 | Reinhard | Febel | Delta | Zuspiel / Tonband, 1 perf | b-fl [Flöte] | 0 | |||||||||||||
| 5058 | Reinhard | Febel | Formation | 1977 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 26569 | Ivan | Fedele | Canone infinito | 2002 | fixed media, akusmatisch | 44:00 | Suvini Zerboni | 0 | |||||||||||
| 5059 | Ivan | Fedele | Donax | 1992 | Zuspiel / Tonband, 1 perf | 11:00 | fl [Flöte] | MM&T Milano | 0 | ||||||||||
| 26567 | Ivan | Fedele | Due notturni con figura | 2007 | live-elec, 1 perf | 28:00 | p [Piano] | 0 | |||||||||||
| 5060 | Ivan | Fedele | Maya | 1999 | live-elec, 6 perf | 12:00 | S, p, fl, cl, vc, vib [Sopran, Flöte, Klarinette, Piano, Schlagzeug, Cello] | text by Giuliano Corti | 0 | ||||||||||
| 28149 | Ivan | Fedele | Richiamo | 1994 | live-elec, 1 perf | 16:00 | perc [Schlagzeug] | IRCAM Les Années 90/ | IRCAM | IRCAM | Suvini Zerboni | 0 | http://brahms.ircam.fr/works/work/8440/ | ||||||
| 26568 | Ivan | Fedele | Totem | 1980 | fixed media, akusmatisch | 15:00 | Vigo | 0 | |||||||||||
| 24120 | Annamaria | Federici | A che pensi? | 2003 - 2004 | fixed media, akusmatisch | 15:10 | Stereo | Tempo Reale Firenze | 0 | ||||||||||
| 24121 | Annamaria | Federici | Aut | 2000 | Zuspiel / Tonband, 1 perf | 13:17 | Stereo | a-sax [Saxophon] | Tempo Reale Firenze | 1 | |||||||||
| 24122 | Annamaria | Federici | Comete | 2001 | fixed media, akusmatisch | 6:35 | Stereo | Tempo Reale Firenze | 0 | ||||||||||
| 39372 | Fati | Fehmiju | Obscura Lacrimae | 2017 | live-elec, 1 perf | p (com) [Piano] | 0 | ||||||||||||
| 41087 | James | Fei | Klangumwandler Solo | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41092 | James | Fei | The Nerve Net Meter | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 5061 | Dieter | Feichtner | 6 Episoden | 1988 | fixed media, akusmatisch | 34:00 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5062 | Dieter | Feichtner | Amanita | 1982 | live-elec, 1 perf | 22:00 | synt [synthesizer] | 0 | |||||||||||
| 5063 | Dieter | Feichtner | Ball der steinernen Herzen | 1988 | fixed media, akusmatisch | 11:30 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5064 | Dieter | Feichtner | Der Heimkehrer I | 1982 | fixed media, akusmatisch | 10:10 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5065 | Dieter | Feichtner | Euphorismus I | 1988 | fixed media, akusmatisch | 24:30 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5066 | Dieter | Feichtner | Fliegenpilz I und II | 1982 | fixed media, akusmatisch | 35:00 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5067 | Dieter | Feichtner | Jenseits von Hollywood | 1988 | fixed media, akusmatisch | 12:10 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5068 | Dieter | Feichtner | Kronprinz Rudolfs Traum | 1978 | fixed media, akusmatisch | 23:00 | PS Rabl | 0 | |||||||||||
| 5069 | Dieter | Feichtner | MÜ der Wanderer | 1986 | live-elec, 1 perf | 4:00 | synt [synthesizer] | 0 | |||||||||||
| 5070 | Dieter | Feichtner | Orgelstück | 1982 | fixed media, akusmatisch | 3:00 | AMP 004/ | PS Rabl | 0 | ||||||||||
| 5071 | Dror | Feiler | Anzats, Hallel, Pig Iron, Sendero Luminoso, Even the blood must slepp, Hjärta, Sei Yabe, Umipnei Chatoenu | live-elec, 1 perf | sax [Saxophon] | Anckarström Ö10/ | 1 | ||||||||||||
| 28101 | Dror | Feiler | Dror Feiler and The Too Much Too Soon Orchestra - What is the point of Paris?, Alka OpFor DiaMat |
1996 | live-elec, 6 perf | 6 mus [Musiker] | FYCD 1007/ | 0 | |||||||||||
| 22341 | Dror | Feiler | Mass act II | live-elec, 1 perf | 10:01 | cl, (crackel-box, elec) [Klarinette] | Ess Clarinet, Crackel Box, live electronics. Festival Documentation "Nature is Perverse" |
Infogram 045/2/ | Partisan Studio | 1 | |||||||||
| 22277 | Dror | Feiler | Mass act III | live-elec, 1 perf | 9:52 | cl, (crackel-box, elec) [Klarinette] | Ess Clarinet, Crackel Box, live electronics. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | Partisan Studio | 1 | |||||||||
| 5072 | Dror | Feiler | Schlafbrand | 1990 | Zuspiel / Tonband, 1 perf | Stereo | org [Orgel] | 1 | 1996 | ||||||||||
| 5073 | Dror | Feiler | Sendero luminoso | 1990 | live-elec, 1 perf | ins [Instrument] | 0 | ||||||||||||
| 5074 | Dror | Feiler | The celestial fire | 1990 | fixed media, akusmatisch | 64:00 | Anckarström Ö10/ | PS C. | 0 | ||||||||||
| 27727 | Dror, Group | Feiler, Zeitkratzer | Improvisation | 1999 | live-elec, 1 group | 7:47 | ens [Ensemble] | zeitkratzer, Feiler | x-tract x-t 2006/ | 1 | |||||||||
| 5075 | Karl von | Feilitzsch | Jedermann | 1960 | Theatermusik | Mono | H. v. Hofmannstal | Siemens | Deutsches Theater München | 1960 | Dt. Theater München | 0 | |||||||
| 33451 | Karl von | Feilitzsch | Jenaer Glas | 1961 | Film | 30 | Mono | PS Sala | 0 | ||||||||||
| 33452 | Karl von | Feilitzsch | Käthchen von Heilbronn | 1961 | Theatermusik | 35 | Mono | PS Sala | 0 | ||||||||||
| 33455 | Karl von | Feilitzsch | Macbeth | 1964 | Theatermusik | 35 | Mono | PS Sala | 0 | ||||||||||
| 5076 | Karl von | Feilitzsch | Mittagswende | Theatermusik | Mono | P. Claudel | Siemens | Münchner Kammerspiele | Münchner Kammerspiele | 0 | |||||||||
| 33454 | Karl von | Feilitzsch | Nachts bei der Post | 1962 | Film | 10 | Mono | PS Sala | 0 | ||||||||||
| 33453 | Karl von | Feilitzsch | Stählerne Brücken | 1962 | Film | 15 | Mono | PS Sala | 0 | ||||||||||
| 23637 | António | Feirreira | Ambidecst | fixed media, akusmatisch | 8:10 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 23635 | António | Feirreira | Qualia | fixed media, akusmatisch | 10:55 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 23639 | António | Feirreira | Seis | fixed media, akusmatisch | 9:34 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 23636 | António | Feirreira | tErEsA | fixed media, akusmatisch | 8:26 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 23638 | António | Feirreira | Uqbar | fixed media, akusmatisch | 10:36 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 5077 | Daniel | Feist | A Dog's Tale | 1986 | Film | Stereo | 0 | ||||||||||||
| 5078 | Daniel | Feist | A Radio Play in Two Parts: Both of Which Are Me | 1978 | fixed media, akusmatisch | 11:45 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5080 | Daniel | Feist | Diptych, Auxferd Nightburr'd November 2 a.m. Our Child |
1985 | fixed media, akusmatisch | 2:50 | CEC DISContact_2/ | MetaM. Montréal | Rhino Prods | 1 | |||||||||
| 5081 | Daniel | Feist | Eight Step Minuet (The No More Blues Daniel Waltz) | 1983 | live-elec, 2 perf | 10:28 | Stereo, Quadro | gui, synt [Gitarre, synthesizer] | MetaM. Montréal, Sonic Tonic Montréal | Rhino Prods | 0 | ||||||||
| 5082 | Daniel | Feist | Hälfte des Lebens | 1978 | fixed media, akusmatisch | 4:10 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5083 | Daniel | Feist | I never had a chance: Dream sequence one through twenty-eight | 1982 | Zuspiel, live-elec, 2 perf | 8:59 | Stereo | V, synt, (elec) [Stimme, synthesizer] | Concordia Montréal | 0 | |||||||||
| 5084 | Daniel | Feist | Mexican Contours 1-2-3 Olé | 1985 | fixed media, akusmatisch | 20:30 | Stereo | MetaM. Montréal | Rhino Prods | 0 | |||||||||
| 5085 | Daniel | Feist | Scrambled Eggs | 1978 | fixed media, akusmatisch | 4:10 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5086 | Daniel | Feist | Snow Evolved | 1979 | fixed media, akusmatisch | 13:45 | Stereo, Quadro | Concordia Montréal, MetaM. Montréal | 0 | ||||||||||
| 5087 | Daniel | Feist | Snow, Snow Evolving | 1979 | Zuspiel, live-elec, 4 perf | 13:45 | Stereo | cl, p, V, synt, (elec) [Stimme, Klarinette, Piano, synthesizer] | Concordia Montréal | 0 | |||||||||
| 5088 | Daniel | Feist | Spring Fever I & II | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 5089 | Daniel | Feist | Suspicious | 1978 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | V [Stimme] | Concordia Montréal | 0 | |||||||||
| 5090 | Daniel | Feist | The Fox and the Tiger | 1986 | Film | Stereo | 0 | ||||||||||||
| 5091 | Guyla | Fekete | Omaggio a Maria Callas | 1984 | fixed media, akusmatisch | 5:20 | MR Budapest | 0 | |||||||||||
| 5092 | Richard | Felciano | Alleluia from the Mass for Pentecost | 1967 | Zuspiel / Tonband, 1 perf, 1 group | 4:00 | Mono | male ch, org [Orgel, Chor] | CCM Mills | 0 | |||||||||
| 5093 | Richard | Felciano | Chôd | 1986 | live-elec, 5 perf | vn, vc, db, 2 perc [Schlagzeug, Cello, Violine, Kontrabass] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 5094 | Richard | Felciano | Glossolalia - Ritual | 1967 | Zuspiel / Tonband, 3 perf | 12:00 | Mono | perc, T, org [Tenor, Orgel, Schlagzeug] | CCM Mills | 0 | |||||||||
| 5095 | Richard | Felciano | Mass | 1967 | Zuspiel / Tonband, 16 perf, 1 group | 15 ins, ch, org [Orgel, Instrument, Chor] | CCM Mills | 0 | |||||||||||
| 5096 | Bernardo | Feldman | Caudal de Poesia | 1992 | live-elec, 1 perf, 1 group | MIDI-ens [synthesizer] | Coll Santa Clarita | 0 | |||||||||||
| 5097 | Bernardo | Feldman | Onirica: a composer's day-dream | 1988 | Zuspiel, live-elec, 1 perf | 10:00 | MIDI [synthesizer] | Coll Santa Clarita | 0 | ||||||||||
| 5098 | Bernardo | Feldman | Still Life | 1987 | Klangkunst, Installation | SEAMUS EAM 9301 Vol. 1/ | Coll Santa Clarita | 0 | |||||||||||
| 26237 | Morton | Feldman | Intersection for magnetic tape | 1953 | fixed media, akusmatisch | 4:00 | Octo | mode 66/ | PS Barron NY | 1 | http://www.moderecords.com/ | ||||||||
| 5099 | Morton | Feldman | Marginal Intersection | 1951 | live-elec, 4 perf | 8:30 | Stereo | w-ins, br, (woods, glas, metals, gramophone record,) amp gui, elec [Gitarre, elektronik, Bläser] | sounds of machines, 2 oscillators (inaudible) | 0 | |||||||||
| 22365 | Joachim | Feldmann | Es blühn keine Blumen | 1972 | fixed media, akusmatisch | 4:03 | Stereo | Lied mit 5 Strophen (Gesang + Gitarre), Strophen mehr oder weniger verfremdet. | TU Berlin | 1 | |||||||||
| 5100 | Walter | Feldmann | fragmenté (epilogue) | 1992 | live-elec, 1 perf, 1 group | 18:30 | cl, ens [Klarinette, Ensemble] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 5101 | Francisco | Felipe | Desolación de la ciudad | 1993 | radiophon | 11:00 | EBU 1994/ | RNE | EBU Ars Acustica 1994 | 1 | |||||||||
| 25890 | Ellen | Fellmann | Aderngeäst | 2005 | fixed media, akusmatisch | 11:00 | 7 tracks | TU Berlin | 2005 | Ultraschall 2005 Sophiensäle | 1 | ||||||||
| 29471 | Ellen | Fellmann | blendung (Streuung) | 2001 | audiovisuell | 5:40 | Stereo | 2. part of the trilogy „Prägnanz-Streuung-Hitze“ (conciseness-scattering-heat) (2000-2002) |
May 2001 | Halluzinations phosphorescentes in Nancy / France | 0 | ||||||||
| 25892 | Ellen | Fellmann | Desert | 2005 - 2006 | Klangkunst, Installation | audiovisuell |
9:30 | 5 tracks, Stereo | Fassung 2005 für ZKM und verbesserte Fassung Sept. 2006. Ehemaliger Titel "Pixelinvasion" |
PS C., TU Berlin | 1 | |||||||||
| 25891 | Ellen | Fellmann | Frontiera | 2000 | audiovisuell, live-elec, 1 perf | 4:30 | Stereo | prep p [Piano] | PS | 1 | |||||||||
| 29468 | Ellen | Fellmann | Gras | 2006 | audiovisuell, 1 perf | 4:30 | Stereo | vc [Cello] | December 2006 | Maison de l’Architecture Paris, Cité européenne des Récollets | 0 | ||||||||
| 29469 | Ellen | Fellmann | Kraftbruch, Hitze / „heat“ | 2002 | audiovisuell | 4:45 | Stereo | 3. part of the trilogy „Prägnanz-Streuung-Hitze“ (conciseness-scattering-heat) (2000-2002) |
April 2003 | European Media Art Festival Osnabrück (EMAF) | 0 | ||||||||
| 29470 | Ellen | Fellmann | miniatur | 2002 | audiovisuell | 3:40 | Stereo | 1. part of the trilogy „Prägnanz-Streuung-Hitze“ (conciseness-scattering-heat) (2000-2002) |
September 2003 | Künstlerhaus Wien/ Austria in the exhibition „abstraction now“ | 0 | ||||||||
| 36721 | Ellen | Fellmann | Order of Things | 2011 | audiovisuell, live-elec, 1 perf | 8:30 | db [Kontrabass] | 0 | |||||||||||
| 27343 | Ellen | Fellmann | Rot | 2006 - 2007 | audiovisuell, 1 perf, 1 group | 7:51 | Stereo | str-ens [Streicher] | Ens Resonanz; Video Split-Screen | TU Berlin, PS C. | June 2007 | 34. International Competition of Electroacoustic Music Bourges, France, (2. Version) | 34. International Competition of Electroacoustic Music Bourges, France in June 2007 (2. Version) | 1 | https://vimeo.com/88280702 | ||||
| 27166 | Ellen | Fellmann | Schwarz | 2007 - 2008, 2016 | audiovisuell, 3 perf | 26:45 | 5 tracks | vn, va, vc [Viola, Cello, Violine] | Composition for Volcano sand, Violin, Viola and Cello | TU Berlin, PS C. | Oldenburg, Edith-Ruß-Haus | 24.05.2008 | Edith_Ruß-Haus Oldenburg, | 1 | |||||
| 27167 | Ellen | Fellmann | Trilogie: Prägnanz - Streuung - Hitze | 2000 - 2002 | audiovisuell | 13:00 | Stereo | die drei Sätze sind als einzelne Arbeiten unter den Titeln „Miniatur - Blendung - Kraftbruch“ aufführbar | PS C. | 1 | |||||||||
| 5102 | Clive | Fencott | The Geneva Summit | 1985 | fixed media, akusmatisch | 4:30 | Stereo | Voices: Bob Cobbing and Clive Fencott; Material treated on the BADA system | EMS Stockholm | 0 | |||||||||
| 43035 | Ling-Hsuan | Feng | No Ease | 2013 | fixed media, akusmatisch | 4:59:00 | 0 | ||||||||||||
| 40021 | Linghsuan | Feng | Set | 2015 | fixed media, akusmatisch | 6:06:00 | Linghsuan Feng | 0 | |||||||||||
| 35323 | Christian | Fennesz | Before I leave | 2001 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 43162 | Christian | Fennesz | Venice | 2004 | fixed media, akusmatisch | TO 53/ | Auszeichnung ars electronica honorary mention 2004 | 0 | https://www.discogs.com/Fennesz-Venice/release/252767 | ||||||||||
| 36455 | Christian | Fennesz | Verona | 2007 | radiophon | 4:43:00 | EDRM 417/ | 0 | |||||||||||
| 28533 | Maurits | Fennis | Nuages | 2010 | fixed media, akusmatisch | 5:01 | Octo, Spazialisation: Ambisonics | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||||
| 28715 | José Luis | Fereira | Le bruit d’une Porte qui … | 2004 | fixed media, akusmatisch | 11:20 | 0 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=238&lang=EN | |||||||||||
| 25008 | José Luis | Fereira | Le bruit d’une tête qui frappe contre les murs d’une très petite cellule | 2000 | fixed media, akusmatisch | 6:10 | miso records mcd 013/014/ | Musica Viva Competition Prize 2001 | 1 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=238&lang=EN | |||||||||
| 28716 | José Luis | Fereira | Trópicos | 2009 | fixed media, akusmatisch | 0 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=238&lang=EN | ||||||||||||
| 28717 | José Luis | Fereira | Why | 2003 | fixed media, akusmatisch | 5:30 | 0 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=238&lang=EN | |||||||||||
| 5103 | Philippe | Feret | Musiques Eclatees, Les sœurs latines | 1969 | Performance | 3:53 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 42830 | John Robert | Ferguson | Flingle Flangle | 2013 | live-elec, | 10:46:00 | JR Ferguson, Machine- assembled Dislocation | 0 | |||||||||||
| 23405 | Sean | Ferguson | Vox Machina | 1990 | Zuspiel / Tonband, 1 group | 17:04 | ens [Ensemble] | GEMS McGill | ISBN 7717-0537-9/ | McGill Montréal | 1 | ||||||||
| 5104 | Eric | Fergusson | Respiratorio | 1983 | fixed media, akusmatisch | 11:30 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 5105 | Eric | Fergusson | Snapospheres | 1983 | fixed media, akusmatisch | 9:00 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 43132 | Cedrik, Dimitri della | Fermont, Faille | Not Your World Music: Noise In South East Asia | 2017 | Auszeichnung ars electronica: Golden Nica 2017 | 0 | |||||||||||||
| 5110 | Gabriel | Fernández Álvez | Canto elegiaco | 1990 | Zuspiel / Tonband, 1 group | 5:50 | Stereo | orc [Orchester] | LIEM CDMC Madrid | 0 | |||||||||
| 5111 | Gabriel | Fernández Álvez | Pentagrama sin Pájaros | 1989 | fixed media, akusmatisch | Stereo | LIEM CDMC Madrid | 0 | |||||||||||
| 34108 | Ignacio | Fernández Chaves | A la mesa | 2013 | fixed media, akusmatisch | 6:35 | FONAM Urugay/ | 0 | |||||||||||
| 31593 | Andres | Fernandez Rodriguez | Cocktail | 2013 | live-elec, 1 perf | 4:00 | (5 Gläser,) V [Stimme] | next_generation 5.0 | HfM Freiburg | 29.6.2013 | ZKM | 0 | |||||||
| 34094 | Antonio | Fernández Ros | Con jicamo | 1993 | fixed media, akusmatisch | 4:32 | IRD 002 Irradia/ | 0 | |||||||||||
| 34135 | Antonio | Fernández Ros | Duelo | fixed media, akusmatisch | 6:29 | 0 | |||||||||||||
| 34136 | Antonio | Fernández Ros | Hablo, luego existo | fixed media, akusmatisch | 27:15 | 0 | |||||||||||||
| 27195 | Antonio | Fernández Ros | La aritmetica del sol | 1994 | Zuspiel / Tonband, 1 perf | 8:00 | perc (bongo) [Schlagzeug] | 0 | |||||||||||
| 34137 | Antonio | Fernández Ros | Terra Cotta | fixed media, akusmatisch | 3:53 | 0 | |||||||||||||
| 5106 | Agustin | Fernandez | Silent Tower | 1990 | fixed media, akusmatisch | 12:00 | Stereo | LNT113/ | SARC Belfast | 1 | |||||||||
| 5107 | Agustin | Fernandez | Teoponte | 1987/1988 | Zuspiel / Tonband, 4 perf | 35:00 | Stereo | V, gui, 2 w (rec pipes) [Stimme, Gitarre, Bläser] | City Uni London | 0 | |||||||||
| 5108 | Agustin | Fernandez | Wounded Angel | 1989 | Zuspiel / Tonband, 1 perf, 1 group | 9:10 | Stereo | charango [Gitarre] | NMC D036, sonic arts collection 2/ | City Uni London | 1 | ||||||||
| 28247 | Iván | Fernandez | FTP | 2002 | fixed media, akusmatisch | 8:02 | 3 | 1 | |||||||||||
| 23559 | Iván | Fernández | Fon | 2003 | fixed media, akusmatisch | 3:53 | 1 | ||||||||||||
| 23558 | Iván | Fernández | no title | 2003 | fixed media, akusmatisch | 8:02 | 1 | ||||||||||||
| 41629 | Jose Miguel | Fernandez | la curvatura del cristal encantado, | 2017 | fixed media, akusmatisch | 10:13:00 | 16 Tracks | Musiques et Recherches Ohain | 0 | ||||||||||
| 23942 | José Miguel | Fernandez | 67-591 | 2003 | fixed media, akusmatisch | 9:16 | 2003. Festival Sonoimágenes. Buenos Aires, Argentina. | 0 | |||||||||||
| 23943 | José Miguel | Fernandez | 9dn.13 (Viaje-Espacio_Contínuo) | 2002 | fixed media, akusmatisch | 8:12 | 2002. CNSM de Lyon, Francia. | 0 | |||||||||||
| 23945 | José Miguel | Fernandez | 9dn.21 | 2003 | live-elec, 1 group | 12:12 | ens [Ensemble] | 2003. CNSM de Lyon, Francia. | 0 | ||||||||||
| 23941 | José Miguel | Fernandez | Attract | 2001 | live-elec, 1 perf | 7:45 | cl [Klarinette] | Investigación, junto con Luis Barrie, de modelos matemáticos aplicados a la música e interacción en tiempo real | Uni de la serena 1/ | FONDART | 2001 | Sala SCD. Santiago, Chile | Pieza finalista en el XX concurso internacional de Música Electroacústica de Bourges, categoria Trivium. | 0 | |||||
| 23944 | José Miguel | Fernandez | Dual | 2002 | live-elec, 1 perf | 15:00 | perc [Schlagzeug] | 2002. CNSM de Lyon, Francia. | FONDART | 2002 | CNSM de Lyon | 0 | |||||||
| 23938 | José Miguel | Fernandez | El Cruce | fixed media, akusmatisch | 0 | ||||||||||||||
| 28743 | José Miguel | Fernandez | M-brana | 2009 | live-elec, 2 perf | perc, db [Schlagzeug, Kontrabass] | National Fund for Music of the Government of Chil | 1 | |||||||||||
| 23940 | José Miguel | Fernandez | Resonancias de Csound | 1998 | fixed media, akusmatisch | 6:45 | 1998. Sala Goethe. VIII Festival de Música Contemporánea de la U.C. Santiago, Chile. | 0 | |||||||||||
| 23946 | José Miguel | Fernandez | Sincro | 2004 | live-elec, 8 perf | 12:00 | 8 ins [Instrument] | 2004. CNSM de Lyon, Francia | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||
| 23939 | José Miguel | Fernandez | Travels thru three coordinates | fixed media, akusmatisch | Composicion para un video arte de Edgard Endress | 0 | |||||||||||||
| 19311 | Lola | Fernández | Querencia | 1995 | Zuspiel / Tonband, 1 perf | 5:29 | V [Stimme] | Ausschnitt | música electroacústica española 1/ | Real Con Madrid | 1 | ||||||||
| 5109 | Michael | Fernandez | You've got yours | 1985 | fixed media, akusmatisch | 7:02 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 5112 | Brian | Ferneyhough | Mnemosyne | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | b-fl [Flöte] | Experimentalstudio für Akustische Kunst Freiburg | 0 | 1990 | ||||||||
| 5113 | Brian | Ferneyhough | Time and Motion Study I | 1971/1977 | live-elec, 1 perf | 9:44 | Stereo | amp b-cl [Klarinette] | FYCD 1001/ | March 1977 | Royan Festival, Harry Sparnaay | 1 | |||||||
| 5114 | Brian | Ferneyhough | Time and Motion Study II, für vokalisierenden Cellisten | 1976/1977 | Zuspiel, live-elec, 1 perf | 24:52 | Octo | vc, (delay, rm, feedback) [Cello] | produced also in other studios (TU Berlin) | BM 30 SL 1715/ WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ DMR Musik in Deutschland 1950 - 2000: Experimentalstaudio SWR/ | Experimentalstudio für Akustische Kunst Freiburg | Edition Peters London) | 1 | ||||||
| 5115 | Brian | Ferneyhough | Time and Motion Study III | 1974 | Zuspiel, live-elec, 16 perf | 23:00 | Quadro | 16 amp V (with metal perc) [Stimme] | SWR für Donaueschingen | 1975 | Donaueschingen (Donaueschinger Musiktage) 1974, Schola Cantorum Stuttgart, Clytus Gottwald. | 0 | |||||||
| 5116 | Gunnar | Fernlund | Utflykt | 1989 | fixed media, akusmatisch | 30:34 | Stereo | EMS Stockholm | 0 | ||||||||||
| 33336 | Carlos | Ferpozzi | La Ciudad | 1962 | fixed media, akusmatisch | 4 | Mono | PS Vaggione Cordoba | 0 | ||||||||||
| 23949 | Andrés | Ferrari | Fuerzas de Roce | fixed media, akusmatisch | 8:49 | 0 | |||||||||||||
| 23947 | Andrés | Ferrari | Inflexiones | fixed media, akusmatisch | 10:27 | 0 | |||||||||||||
| 23948 | Andrés | Ferrari | Inflexiones dos | Zuspiel / Tonband, 1 perf | 11:00 | Mez [Mezzo] | 0 | ||||||||||||
| 5117 | Luc | Ferrari | 6 pour 4, concert collectif | 1962 | fixed media, akusmatisch | 4:00 | Quadro | 1st version of Concert Collectif | INA • GRM | 1 | |||||||||
| 5118 | Luc | Ferrari | A la recherche du rythme perdu | 1978 | Zuspiel / Tonband, 2 perf | 20:00 | p, perc [Piano, Schlagzeug] | ADDA 581156/ | La Muse | 0 | |||||||||
| 25118 | Luc | Ferrari | Algérie 76 no. 1 & 2 & 3 | 1976 - 1977 | intermedia, | (slides) [] | slides by Djamel Faès | 0 | |||||||||||
| 5119 | Luc | Ferrari | Allo, ici la terre Hallo, hier spricht die Erde, Terre. Erde Eau - air. Wasser - Luft Guerre. Krieg L´utopie |
1971 - 1972 1973 - 1974 |
Zuspiel, live-elec, 1 group | Performance || audiovisuell |
114:20 | amp ens, (2 taperecorder, slides, lights, spectacle) [Ensemble] | ein ökologisches Hörspektakel | WDR SEM | WDR 1974 | 7.10.1974 | "Musik der Zeit" Köln | 0 | ||||||
| 27958 | Luc | Ferrari | Après Presque rien | 2004 | live-elec, 16 perf | 14 ins, 2 sam [Instrument, computer] | mode 228/ | 0 | |||||||||||
| 25135 | Luc | Ferrari | Archives Génétiquement Modifiées | 2000 | fixed media, akusmatisch | 25:23 | 3rd part of "Exploitation des Concepts" | INA G 6024/ | Post Billig Studio | 1 | |||||||||
| 40506 | Luc | Ferrari | Autoportrait | 1964 | Film | sur le peintre Dubuffet | INA • GRM | 1966 | Royan Festival, France | 0 | |||||||||
| 20150 | Luc | Ferrari | Berceuse d'illusions | 1991 | fixed media, akusmatisch | 2:20 | Stereo | CIRM/ | CIRM Nice | 0 | |||||||||
| 33745 | Luc | Ferrari | Capricorne | 1958 | Film | 1:28 | INA G 6022/ | INA • GRM | 1 | ||||||||||
| 5120 | Luc | Ferrari | Ce qu'a vu le Cers, Réflexion sur l'écriture no 3 | 1977 | Zuspiel / Tonband, 1 group | 25:16 | ens [Ensemble] | ADDA 581088/ | La Muse | 1 | |||||||||
| 5121 | Luc | Ferrari | Cellule 75, Force du rythme ou cadence forcée | 1975 | Zuspiel / Tonband, 2 perf | 25:03 | p, perc [Piano, Schlagzeug] | ADDA 581010/ MEC 01/ Tzadik 7033/ | La Muse | 1 | |||||||||
| 25127 | Luc | Ferrari | Chansons pour le corps | 1988 - 1994 | live-elec, 2 perf | ins, synt [Instrument, synthesizer] | 0 | ||||||||||||
| 25108 | Luc | Ferrari | Chastel | 1962 | Film | 9:32 | Film sur l’oeuvre du peintre | INA • GRM | 0 | ||||||||||
| 40907 | Luc | Ferrari | Chronopolis | 1982 | Film | 73 | SR 435 sub rosa/ | 0 | |||||||||||
| 33746 | Luc | Ferrari | Chute libre | 1958 | Film | 18:34 | Soundtrack of Gérard Patris’s film | INA G 6022/ | 1 | ||||||||||
| 20152 | Luc | Ferrari | Collection 85 | 1985 | Zuspiel / Tonband, 2 perf | 24:02 | Stereo | p, perc [Piano, Schlagzeug] | ADDA 581010/ | La Muse | 0 | ||||||||
| 5122 | Luc | Ferrari | Collection de petites pièces | 1985 | Zuspiel / Tonband, 1 perf | 24:02 | p [Piano] | 36 enfilades | ADDA 581010/ MEC 01/ | La Muse | 1 | ||||||||
| 5123 | Luc | Ferrari | Compose-composite, Concert Collectif | 1963 | Zuspiel / Tonband, 20 perf | 8:26 | Stereo | 20 ins [Instrument] | PHI 836 894/ IDEAMA CD 050/ | INA • GRM, Con Venezia | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | EFM | 0 | |||||
| 25124 | Luc | Ferrari | Créamaille 88 | 1988 | fixed media, akusmatisch | La Muse | 0 | ||||||||||||
| 40905 | Luc | Ferrari | Cyclotron | 1978 | Film | 18:44 | SR 435 sub rosa/ | 0 | |||||||||||
| 25116 | Luc | Ferrari | Danses organiques | 1971 - 1973 | radiophon | 50:35 | Stereo | comic strip für das Ohr. 6 Parts: 6:07 + 7:59 + 11:19 + 7:38 + 7:20 + 10:07 |
INA G 6020/ | 28.5.1973 | Théâtre Récamier, Paris | 1 | |||||||
| 40507 | Luc | Ferrari | Dernier Matin | 1964 | Film | 26:58 | pour un court métrage de J. Barral sur un conte d E. A. Poe | SR 435 sub rosa/ | INA • GRM | 0 | |||||||||
| 5124 | Luc | Ferrari | Dialogue ordinaire avec la machine, ou trois fables pour bande doucement philosophiques | 1984 | fixed media, akusmatisch | 30:41 | Stereo | 3 fables pour bande doucement philosophiques | DGG 2720025/ INA G 6022/ | 1 | |||||||||
| 27710 | Luc | Ferrari | Didascalies | 2004 | live-elec, 2 perf | va, p [Piano, Viola] | CRFMW Liège | 16.05.2004 | Bruxelles, Centre d'Art Chapelle de Boendael, Festival La Bibliothèque de Babel, Section Musique, Tome VII | 0 | |||||||||
| 5125 | Luc | Ferrari | Echantillon pour mime | 1959 | Musiktheater | 3:40 | Stereo | Eléments repris dans "Visage V" et "Tête et queue du dragon" | IDEAMA CD 028/ INA G 6017/ | INA • GRM | 23.6.1959 | Paris, Musée Guimet | 1 | ||||||
| 25109 | Luc | Ferrari | Égypte ô Égypte II | 1960, 1962, 1963 | Film | 9:45 | SR 435 sub rosa/ | INA • GRM | Juni 1960 20.10.1963 |
Salle des Agriculteurs, Paris Paris, Biennale |
Prix Biennale de Paris 1963 Sélectionné pour le Festival de Cannes 1963 |
0 | |||||||
| 5126 | Luc | Ferrari | Ephémère | 1974 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
50:00 | ins ad lib [Instrument] | La Muse | 0 | ||||||||||
| 5127 | Luc | Ferrari | Et tournent les sons dans la garrigue, Réflexion Sur L'écriture No. 1 | 1977 | fixed media, akusmatisch | Zuspiel/Tonband, 1 group |
26 | ens ad lib [Ensemble] | Césaré 06/ | La Muse | 0 | |||||||||
| 25107 | Luc | Ferrari | Étude, Étude 1 | 1961 | Film | 5:20 | Short film „image par image“ | IDEAMA CD 013/ | INA • GRM | 12.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||
| 5128 | Luc | Ferrari | Etude aux accidents | 1958 | fixed media, akusmatisch | 2:15 | Stereo | Première étude sur un critère typomorphologique | BAM LD 070/ INA C 1032 27652 archives grm CD 2/5/ EMF 037/ BAM EX 241/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 5.10.1958 | Bruxelles, EXPO 1958 | 1 | ||||||
| 5129 | Luc | Ferrari | Etude aux sons tendus | 1958 | fixed media, akusmatisch | 2:44 | Stereo | étude sur un critère typo-morphologique | INA C 1032 27652 archives grm CD 2/5/ EMF 037/ BAM LD 070/ BAM EX 241/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 5.10.1958 | Expo Bruxelles 1958 | 1 | ||||||
| 5130 | Luc | Ferrari | Etude floue | 1958 | fixed media, akusmatisch | 2:18 | Stereo | INA C 1032 27652 archives grm CD 2/5/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 5.10.1958 | Bruxelles, EXPO 1958 | 1 | |||||||
| 25132 | Luc | Ferrari | Far West News, De Santa Fé à Monument Valley De Page à Grand Canyon De Prescott à Los Angeles |
1998 - 1999, 2002 | radiophon | 85 | 3 parts (Landschaftsklänge USA) new Version 2002 |
INA G 6023/ INA G 6024/ | Post Billig Studio, NPS Hilversum, HR, DLR | NPS Hilversum | 10.5.2000 | Radio | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1430737&vi=112&SID | |||||
| 25141 | Luc | Ferrari | Femme descendant l'escalier | 2004 | Klangkunst, Installation | Klanginstallation für einen Bushaltestellenunterstand im Rahmen von "Itinerarios del Sonido“ in Madrid 2004 | PS C. | 1 | |||||||||||
| 40489 | Luc | Ferrari | Flashes | 1963, 1978 | radiophon | 16 | 14 ins [Instrument] | INA • GRM | 15.1.1964 | Paris, Salle Gaveau | 0 | ||||||||
| 5131 | Luc | Ferrari | Forme bleue | 1961 | Film | 4:30 | Short film „image par image“ | INA • GRM | 0 | ||||||||||
| 5132 | Luc | Ferrari | Hétérozygote, Ouverture La flûte et le Maritont Interludium I les météores La plage Interludium II La grotte (ou mise en ordre) Arithmétique De l'tube á Midi sur le marché Interludium III La prison Interludium IV Géometrie du ciel |
1964 | fixed media, akusmatisch | Theatermusik |
26:20 | Stereo | 8 tableaux, 4 intermèdes, Ouverture | BVHAAST 9009/ PHI 836 885/ Klett Stuttgart 92422/ BVHAAST 0206/ INA G 6018/ IDEAMA CD 095/ | INA • GRM | 29.4.1964 | Lille, Opéra Gala de l’ISEN | 1 | 1998 | |||||
| 25129 | Luc | Ferrari | Hold still keep moving | 1995 | audiovisuell | loop-Installation with slides, videos, 6 CD | 0 | ||||||||||||
| 5133 | Luc | Ferrari | J'ai éte coupé | 1960 - 1969 | fixed media, akusmatisch | 13:45 | Stereo | PHI 836 855/ IDEAMA CD 140/ INA G 6018/ | INA • GRM | 28.5.1973 | Paris, Th. Récamier | 1 | |||||||
| 25123 | Luc | Ferrari | Je me suis perdu | 1987 - 1988 | radiophon | zweisprachiges Hörspiel | La Muse | 0 | |||||||||||
| 25121 | Luc | Ferrari | Jetzt, oder wahrscheinlich ist dies mein Alltag, in der Verwirrung der Orte und der Augenblicke | 1982 | radiophon | 130 | "Jetzt, oder wahrscheinlich ist dies mein Alltag, in der Verwirrung der Orte und der Augenblicke" | WER 20662/ ZKM milestones/ | Radio HR Frankfurt | 0 | |||||||||
| 25133 | Luc | Ferrari | Jeu du hasard et de la détermination | 1998 - 1999 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | PS C., INA • GRM | 0 | |||||||||||
| 5134 | Luc | Ferrari | Journal d'un journaliste amateur | 1972 | fixed media, akusmatisch | 35:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 25115 | Luc | Ferrari | Kennen sie Schönberg? | 1972 | radiophon | WDR SEM | 0 | ||||||||||||
| 5135 | Luc | Ferrari | L'Escalier des Aveugles | 1991 | fixed media, akusmatisch | 34:20 | Stereo | Collection of Novelles. 13 parts | ADDA 291302/ INA G 6026/ | LIEM CDMC Madrid, La Muse | 1 | ||||||||
| 5136 | Luc | Ferrari | Labyrinthe de violence | 1975 | intermedia, | (slides) [] | La Muse | 0 | |||||||||||
| 25126 | Luc | Ferrari | Le Freischütz (Die Wolfsschlucht) | 1989 | fixed media, akusmatisch | tape + 3 taperecorders | 0 | ||||||||||||
| 25138 | Luc | Ferrari | Les Anecdotiques, Exploitation des Concepts No. 6 | 2002 | radiophon | 54:28 | 6th part of "Exploitation des Concepts" | INA G 6025/ | DeutschlandRadio | 1 | |||||||||
| 25134 | Luc | Ferrari | Les Archives sauvées des Eaux, Exploitation des Concepts | 2000 | Zuspiel / Tonband, 1 group | 16:22 | orc, (2 CDs) [Orchester] | 1st part of "Exploitation des Concepts" | Césaré 06/ | PS C. | 0 | ||||||||
| 25142 | Luc | Ferrari | Les Arythmiques | 2003 | fixed media, akusmatisch | 40:25 | INA G 6026/ | PS C. | 1 | ||||||||||
| 25122 | Luc | Ferrari | Les émois d'Aphrodite | 1986 | Zuspiel / Tonband, 3 perf | p, cl, perc [Klarinette, Piano, Schlagzeug] | 0 | ||||||||||||
| 25112 | Luc | Ferrari | Les Grandes Répétitions | 1965 - 1966 | Film | 5 Films about Messiaen, Stockhausen, Varèse, Scherchen, Taylor | INA • GRM | 0 | |||||||||||
| 25110 | Luc | Ferrari | Les Pèlerins | 1962 | Film | about Bayreuther Festspiele | INA • GRM | 0 | |||||||||||
| 40904 | Luc | Ferrari | Les Yeux de Mathieu | 1984 | Film | 26:58 | SR 435 sub rosa/ | 0 | |||||||||||
| 40903 | Luc | Ferrari | Loin de l’équilibre | 1977 | Film | 21:27 | SR 435 sub rosa/ | 0 | |||||||||||
| 25130 | Luc | Ferrari | Madame de Shanghai | 1996 | Zuspiel / Tonband, 4 perf | 3 fl, sam [Flöte, computer] | mode 228/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 5137 | Luc | Ferrari | Music Promenade | 1964 - 1969 | fixed media, akusmatisch | 20:30 | Mono + Mono + Mono + Mono, Quadro | also version with 4 magnetix tape recorders | INA 245172/ Ellipsis Arts 3672 - OHM: 02/ INA C 2008/ WER 67752/ WER 60046/ WER 7570/ INA G 6017/ IDEAMA CD 031/ | INA • GRM | October 1969 23.10.1969 |
Stockholm, EMS Paris, Maison de la Radio (SMIP) |
1 | ||||||
| 5138 | Luc | Ferrari | Musique socialiste | 1973 | Zuspiel / Tonband, 1 perf | 17:23 | Stereo | hpd [Cembalo] | IMEB Bourges | 0 | |||||||||
| 40445 | Luc | Ferrari | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | 7:20 | INA • GRM | 0 | |||||||||||
| 33744 | Luc | Ferrari | Ouvert-Fermé | 1993 | fixed media, akusmatisch | 8:11 | part of a collective comp. La Muse en Circuit „Un Impossible Pari(s)“ / Metropolis | INA G 6021/ | WDR Studio Akustische Kunst | 1 | |||||||||
| 25106 | Luc | Ferrari | Passage pour mimes, Passage | 1959 | Theatermusik | pour le mime Lecoq | INA • GRM | 23.6.1959 | Paris, Musée Guimet | 0 | |||||||||
| 5140 | Luc | Ferrari | Petite Symphonie intuitive pour un paysage de printemps | 1973 - 1974 | fixed media, akusmatisch | 25:13 | Stereo | soundscape | BVHAAST 9009/ BVHAAST 0206/ INA G 6018/ | "Billig"-St | 1 | ||||||||
| 25125 | Luc | Ferrari | Photophonie | 1989 | intermedia | exhibition-loop Alain Willaume | La Muse | 0 | |||||||||||
| 25120 | Luc | Ferrari | Place des Abbesses | 1977 | Film | Tzadik 7033/ | INA • GRM | 0 | http://www.tzadik.com/index.php?catalog=7033 | ||||||||||
| 21177 | Luc | Ferrari | Porte ouverte sur ville, Tür, zur Stadt geöffnet | 1992 - 1994 | Zuspiel / Tonband, 5 perf | 31:34 | Stereo | ob, cl, b-cl, perc, va [Klarinette, Oboe, Schlagzeug, Viola] | WDR SEM | WDR 1994 | 16.6.1994 | Köln | 0 | ||||||
| 25111 | Luc | Ferrari | Portrait d'une autre | 1963 | Film | INA • GRM | 5.12.1966 | TV ORTF, 2. chaine | 0 | ||||||||||
| 25128 | Luc | Ferrari | Portrait de femmes | 1994 | Zuspiel, live-elec, 2 perf | ins, synt [Instrument, synthesizer] | with "L'Escalie des Aveugles" & "Chansons pour le corps" | 0 | |||||||||||
| 25114 | Luc | Ferrari | Portrait-Spiel | 1971 | radiophon | SWF Baden-Baden | 0 | ||||||||||||
| 5141 | Luc | Ferrari | Presque rien avec filles | 1989 | fixed media, akusmatisch | 13:58 | BVHAAST 9009/ INA 245172/ INA C 2008/ BVHAAST 0206/ Editions Mego (LP) Recollection GRM/ INA G 6019/ | INA • GRM, St Vanves | 1 | ||||||||||
| 25137 | Luc | Ferrari | Presque rien avec Instruments | 2001 | live-elec, 15 perf | 15 amp ins [Instrument] | 5th part of "Exploitation des Concepts" | PS C. | 0 | ||||||||||
| 5142 | Luc | Ferrari | Presque rien No. 1, le lever du jour au bord de la mer | 1970 | fixed media, akusmatisch | 21:11 | Stereo | Samples of noises | DGG 2720025/ INA 245172/ INA C 2008/ Editions Mego (LP) Recollection GRM/ INA G 6019/ | INA • GRM | 1 | ||||||||
| 5143 | Luc | Ferrari | Presque rien No. 2, ainsi continue la nuit dans ma tête multiple | 1977 | fixed media, akusmatisch | 21:25 | Stereo | Coll GRM 9104 FE/ INA 245172/ INA C 2008/ Editions Mego (LP) Recollection GRM/ INA G 6019/ | INA • GRM | 1 | |||||||||
| 25131 | Luc | Ferrari | Presque rien No. 4, la remontée du village | 1990 - 1998 | fixed media, akusmatisch | 16 | "la remontée du village" | Editions Mego (LP) Recollection GRM/ INA G 6019/ | Post Billig Studio, PS C. | 1 | |||||||||
| 25117 | Luc | Ferrari | Presque rien ou le désir de vivre | 1972 - 1973 | Film | 50:40 | 2 Episoden: Le Causse Méjean, Le Plateau du Larzac | SWF Baden-Baden, IMEB Bourges | 0 | ||||||||||
| 5144 | Luc | Ferrari | Programme Commun pour clavecin et bande | 1972 | live-elec, 1 perf | 17:15 | Stereo | amp hpd [Cembalo] | Chojnacka | ADDA 581233/ | 1 | ||||||||
| 5145 | Luc | Ferrari | Promenade symphonique a travers un paysage musical | 1976 - 1978 | fixed media, akusmatisch | 24:35 | Stereo | Coll GRM 9104 FE/ | 1 | ||||||||||
| 25140 | Luc | Ferrari | Recontres fortuites | 2003 | live-elec, 2 perf | va, p [Piano, Viola] | CRFMW Liège | 6.11.2003 | Bruxelles, Centre d'Art Chapelle de Boendael, et Dijon, Festival Why Note, 6 et 22 novembre 2003 | 0 | |||||||||
| 25139 | Luc | Ferrari | Saliceburry Cocktail | 2002 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 40451 | Luc | Ferrari | Six pour quatre, concert collectif | 1962 | fixed media, akusmatisch | 7:09 | Quadro | Version provisoire du CONCERT COLLECTIF. Voir 1962 no. 281 „compose composite“ | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||
| 25113 | Luc | Ferrari | So | 1967 | Film | Film "Elektronische Musik" | INA • GRM | 0 | |||||||||||
| 5146 | Luc | Ferrari | Société II | 1967 | live-elec, 7 perf, 1 group | 4 p, 3 perc, ens [Piano, Schlagzeug, Ensemble] | 0 | ||||||||||||
| 5147 | Luc | Ferrari | Solitude Transit | 1990 | fixed media, akusmatisch | 70:00 | La Muse | 0 | |||||||||||
| 40430 | Luc | Ferrari | Spontane 1 | 1962 | live-elec, 9 perf | 4 - 10 | 9 ins [Instrument] | Improvisation sur schéma pour 9 instr. Enreg. studio par lÄEIMCP, dir. K. Simonovic | INA • GRM | 0 | |||||||||
| 40431 | Luc | Ferrari | Spontane 2 | 1962 | live-elec, 8 perf | 4 - 6 | 8 ins [Instrument] | Improvisation sur schéma pour 8 instr. Enreg. studio par lÄEIMCP, dir. K. Simonovic | INA • GRM | 0 | |||||||||
| 40435 | Luc | Ferrari | Spontane 3 | 1962 | live-elec, 7 perf | 7 - 9 | 7 ins [Instrument] | Improvisation sur schéma pour 7 instr, filmée par G. Patris Enreg. studio par lÄEIMCP, dir. K. Simonovic |
INA • GRM | 0 | |||||||||
| 40449 | Luc | Ferrari | Spontane 4, Spontane IV | 1962 | Film | 11 ins [Instrument] | Improvisation sur schéma pour 11 instr., filmée par G. Patris, avec participation du public | INA • GRM | 24.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||
| 5148 | Luc | Ferrari | Strathoven | 1985 | fixed media, akusmatisch | 3:20 | how Beethoven meets Strawinsky … | BVHAAST 9009/ BVHAAST 0206/ INA G 6022/ | St Vanves | 1 | |||||||||
| 40424 | Luc | Ferrari | Suite gigôgne | 1961 | audiovisuell | Séquences pour illustration | INA • GRM | 0 | |||||||||||
| 25136 | Luc | Ferrari | Tautologies et Environs | 2001 | live-elec, 15 perf | 15 amp ins [Instrument] | 4th part of "Exploitation des Concepts" | PS C. | 0 | ||||||||||
| 5149 | Luc | Ferrari | Tautologos 1 | 1961 | fixed media, akusmatisch | 4:20 | Quadro, Stereo | dedicated to Hermann Scherchen | BAM LD 072/ Gravesaner Blätter 7 PAL 2870-ST EPML 48/ EMF 037/ BAM LD 5872/ INA G 6017/ Gravesaner Blätter 7 PAL 2869-ST EPML 48/ IDEAMA CD 028/ | INA • GRM, Scherchen Gravesano | Herrmann Scherchen | 18.7.1962 | Ranelagh Paris, Expérience 62 | 1 | |||||
| 5150 | Luc | Ferrari | Tautologos 2 | 1961 | fixed media, akusmatisch | 14:53 | Quadro, Stereo | 3 parts (2:12 + 5:11 + 7:30) | BAM LD 071/ EMF 037/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 18.7.1962 | Ranelagh Paris, Expérience 62 | 1 | ||||||
| 5151 | Luc | Ferrari | Tête et queue du dragon | 1960 | fixed media, akusmatisch | 9:08 | Stereo + Stereo, Mono, Quadro | 4 parts | PHI 835487/ EMF 037/ PHI A 00567 L/ Candide CE 31025/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 30.6.1960 | Salle Gaveau, Paris | 1 | ||||||
| 40906 | Luc | Ferrari | Tinguely | 1967 | Fernsehen, | 12:40 | SR 435 sub rosa/ | NDR Hamburg | 0 | ||||||||||
| 25119 | Luc | Ferrari | Tuchan, village no. 11350 | 1976 - 1977 | intermedia, | (slides) [] | spectral audiovisuell | 0 | |||||||||||
| 5152 | Luc | Ferrari | Und so weiter | 1966 | Zuspiel, live-elec, 1 perf | 14:05 | Quadro, Stereo | amp p [Piano] | WER 60046/ EMF 037/ WER 67752/ WER 7570/ IDEAMA CD 036/ | INA • GRM | 25.5.1966 | Paris, Maison de la Radio. studio 105; avec G. Frémy (p); instr. sonorisé par micros de contact | 1 | 2008 | |||||
| 20151 | Luc | Ferrari | Unheimlich schön | 1971 | radiophon | 15:40 | Stereo | MK CD 008/ INA G 6021/ | SWF Baden-Baden, La Muse | 1 | |||||||||
| 35206 | Luc | Ferrari | Verirrt. Ein Labyrinth | 1988 | radiophon | Karl-Sczuka-Preis 1988 | 0 | ||||||||||||
| 5153 | Luc | Ferrari | Visage 4, Profils | 1958 | Zuspiel / Tonband, 10 perf | 10:05 | 10 ins [Instrument] | INA • GRM | 1959 30.6.1960 |
WDR Köln „Musik der Zeit“ Paris, Salle Gaveau, Festival de la Recherche |
1 | ||||||||
| 5154 | Luc | Ferrari | Visage 5, Le personnage et ses créatures. jeu des créatures. le personnage dans un état de naturelle pureté |
1958 - 1959 | fixed media, akusmatisch | 10:32 | Mono + Mono, Stereo | PHI 835 485/86/ EMF 037/ SR 200 sub rosa/ PHI A 00565 GL/ LS 86047-8/ PHI 6526 003/ PHI 6740 001/ Klett Stuttgart 92442/ Mercury SR2 9123/ INA G 6017 | INA • GRM | 30.06.59 | Salle Gaveau, Paris | 1 | |||||||
| 40400 | Luc | Ferrari | Visage III, Visage 3 | 1958 | Zuspiel / Tonband, 1 perf, 1 group | ens, Sp [Sprecher, Ensemble] | Poème de B. Cendrars „Le transibérien“. Récitant: J. Topart | INA • GRM | 0 | ||||||||||
| 25143 | Luc, Brunhild | Ferrari, Meyer-Ferrari | Dérivatif | 2008 | fixed media, akusmatisch | 27:11 | by Brunhild Meyer-Ferrari from <July 15th to August 30th 2008 with 93 sound elements of Luc Ferrari’s archives | INA G 6021/ | PS C. | 1 | |||||||||
| 24123 | Nicola | Ferrari | Mottetto | 2001 | live-elec, 13 perf | 7:38 | V, hn, p {4 hands}, celesta, vib, mar, tim, str-qt, db [Stimme, Horn, Piano, Schlagzeug, Kontrabass, Streicher] | Tempo Reale Firenze | 0 | ||||||||||
| 41851 | Dominique | Ferraton | White Noise / Neige de fond | 2008 | radiophon | 3:52:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 40044 | Marco | Ferrazza | Omen | 2016 | fixed media, akusmatisch | Marco Ferrazza | 0 | ||||||||||||
| 28745 | Paulo | Ferreira-Lopes | de Profundis II, for violin and electronics | 2010 | live-elec, 1 perf | vn [Violine] | Kleiner Wasserspeicher - Concert 1, 2010 Friday 24. September, 19h, SC Sy,posium 2010; Aufnahme mit Kunstkopf. ensemble unitedberlin: Andreas Bräutigam violin |
1 | http://supercollider2010.de/concerts-installations.html | ||||||||||
| 25548 | Paulo | Ferreira-Lopes | Drei kurze Stücke aus dem Buch der Dunkelheit, Tres Pecas Do Livro Da Escuriado | 2007 | Zuspiel, live-elec, 1 perf | 7:59 | bar-sax, (elec) [Saxophon] | Pedro Bittencourt (sax) | ZKM / WER 20742/ | ZKM Karlsruhe | 1 | http://ima.zkm.de | |||||||
| 43004 | Paulo | Ferreira-Lopes | naT 2 | 2013 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 33635 | Antonio | Ferreira | Les barricades mystérieuses | 2009 | fixed media, akusmatisch | 8:44 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 28295 | António | Ferreira | A Romance of Rust | 2005 | fixed media, akusmatisch | 10:09 | Stereo | 1 | |||||||||||
| 24793 | António | Ferreira | Evidence of Things Unseen | 2003 | fixed media, akusmatisch | 10:42 | MR 2004 Métamorphoses 2004/ | PS Cascais 02/88 | Métamorphoses 2004 | 1 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=168&lang=EN | ||||||||
| 25000 | António | Ferreira | Gist | 2002 | fixed media, akusmatisch | 9:52 | miso records mcd 013/014/ | PS Cascais 02/88 | Preis Bourges 2003 | 1 | |||||||||
| 5156 | Rui | Ferreira | Um Sonho da Primavera | 1986 | fixed media, akusmatisch | 6:03 | Stereo | Concordia Montréal | 0 | ||||||||||
| 24984 | Tózé | Ferreira | a força silenciosa do possivel | 1988 | fixed media, akusmatisch | 5:09 | plancton CO 001/ | PS Cascais 02/88 | 1 | ||||||||||
| 24985 | Tózé | Ferreira | algumas pessoas olharam o sul e viram o deserto | 1988 | fixed media, akusmatisch | 6:14 | plancton CO 001/ | PS Cascais 02/88 | 1 | ||||||||||
| 24986 | Tózé | Ferreira | Europa, depois da chuva | 1988 | fixed media, akusmatisch | 5:40 | plancton CO 001/ | PS Cascais 02/88 | 1 | ||||||||||
| 24987 | Tózé | Ferreira | More adult Music | 1987 | fixed media, akusmatisch | 9:22 | voz e texto Rodney Washka II. DMX-1000 |
plancton CO 001/ | Sonology Den Haag | 1 | |||||||||
| 24988 | Tózé | Ferreira | o verão nasceu da paixão de 1921 | 1988 | fixed media, akusmatisch | 12:37 | plancton CO 001/ | PS Cascais 02/88 | 1 | ||||||||||
| 24989 | Tózé | Ferreira | This is Music, as it was expected | 1988/2003 | live-elec, 1 perf | 11:00 | synt [synthesizer] | voz e texto Rodney Washka II. 2 Versionen: eine für die alte LP 88 (7:14), und die originale Version (9:21) DMX-1000 |
plancton CO 001/ | Sonology Den Haag | 1 | ||||||||
| 24990 | Tózé | Ferreira | um som, seguido de uma cena negra e malva | 1988 | Zuspiel / Tonband, 2 perf | 6:26 | p, perc [Piano, Schlagzeug] | plancton CO 001/ | PS Cascais 02/88 | 1 | |||||||||
| 22819 | Esther | Ferrer | Ta Te Ti To Tu o / La Agricultura en la Edad Media | 1994 | fixed media, akusmatisch | 15:09 | Ta Te Ti To Tu o ( or Agriculture in the Middle Ages) | HyCD-24/ | RNE, LIEM CDMC Madrid | 1 | |||||||||
| 5157 | Lorenzo | Ferrero | 12 Etudes pour AKS | 1972/1973 | live-elec, 1 perf | synt [synthesizer] | SMET Torino | 0 | |||||||||||
| 5158 | Lorenzo | Ferrero | Adagio | 1974 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 5159 | Lorenzo | Ferrero | J. P. J. | 1971 | fixed media, akusmatisch | SMET Torino | 0 | ||||||||||||
| 5160 | Lorenzo | Ferrero | Marilyn | 1979 | Musiktheater, live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 5161 | Lorenzo | Ferrero | Ombres | 1984 | live-elec, 1 group | 18:00 | ens [Ensemble] | IRCAM | Ricordi | 0 | |||||||||
| 5162 | Lorenzo | Ferrero | Primavera che non vi rincresca | 1973 | fixed media, akusmatisch | 18:02 | Stereo | LDC 2781127 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 5163 | Lorenzo | Ferrero | Rimbaud | 1974/1978 | Musiktheater, live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 5164 | Lorenzo | Ferrero | Voyage dans la fenêtre | 1973 | live-elec, 2 perf, 1 group | V, ens, synt [Stimme, synthesizer, Ensemble] | 0 | ||||||||||||
| 5165 | Ercolino | Ferretti | Etude | 1966 | fixed media, akusmatisch | 1:00 | Stereo | com M. | MIT Media Lab | 0 | |||||||||
| 5166 | Ercolino | Ferretti | Pipe and drum | 1963 | fixed media, akusmatisch | 3:00 | "auf Com gerechnet und erzeugt", orchestrale Veränderung von Parametern | WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | MIT Media Lab | 1 | |||||||||
| 5167 | Ercolino | Ferretti | Trio | 1965 | fixed media, akusmatisch | 3:00 | Stereo | com M., U-Musik auf Computer mit Matthews synthese program | WER 2033-2; Computer Music Currents 13/ WER 3024/ IDEAMA CD 135/ | MIT Media Lab | 1 | ||||||||
| 22174 | Beatriz | Ferreyra | Antartide | 1971 | Film | Award of the French Cinema's National Centre 1972 | 0 | ||||||||||||
| 22180 | Beatriz | Ferreyra | Arabesques autour d'une corde raide | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 5168 | Beatriz | Ferreyra | Boucles, rosettes et serpentins | 1982 | fixed media, akusmatisch | 12:48 | Stereo | IMEB Bourges | 0 | ||||||||||
| 22179 | Beatriz | Ferreyra | Bruissements | 1983 | fixed media, akusmatisch | french Government and ACIC | 0 | ||||||||||||
| 5169 | Beatriz | Ferreyra | Canto del Loco | 1974 | fixed media, akusmatisch | 15:00 | Stereo | LDC 2781109/ | IMEB Bourges | 1 | |||||||||
| 32953 | Beatriz | Ferreyra | Cantos de Antes | 2002 | live-elec, 2 perf | 10 | V, narrator [Stimme, Schauspieler] | Motus M 302004/ | Association pour la recherche et l'expérimentation musicale | 0 | |||||||||
| 5170 | Beatriz | Ferreyra | Cercles des Rondes | 1982 | fixed media, akusmatisch | 18:37 | Stereo | IMEB Bourges | 0 | ||||||||||
| 32238 | Beatriz | Ferreyra | Dans un point infini | 2005 | fixed media, akusmatisch | 15:25 | INA G 6030/ | INA GRM | 0 | ||||||||||
| 5171 | Beatriz | Ferreyra | Demeures aquatiques | 1967 | fixed media, akusmatisch | 7:30 | Quadro, Stereo | Infiné IF 4002/ SR 250 sub rosa/ IDEAMA CD 032/ | INA • GRM | 12.8.1968 | Avignon, 22. Festival | 0 | |||||||
| 37824 | Beatriz | Ferreyra | Deux dents dehors | 2007 | fixed media, akusmatisch | 4:00:00 | 0 | ||||||||||||
| 22115 | Beatriz | Ferreyra | Echos | 1978 | fixed media, akusmatisch | 8:35 | LDC 278072/73 Cultures Electroniques 14/ | PS | 1 | ||||||||||
| 40571 | Beatriz | Ferreyra | Etude 1965 | 1965 | Film | 3:30 | INA • GRM | 0 | |||||||||||
| 5172 | Beatriz | Ferreyra | Etude aux sons flégmatiques | 1971 | fixed media, akusmatisch | 12:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 40608 | Beatriz | Ferreyra | Faux usage du vrai, Un témoin en question: la photographie | 1967 | Film | INA • GRM | 18.6.1967 | TV ORTF, 1. chaine | 0 | ||||||||||
| 22176 | Beatriz | Ferreyra | Homo Sapiens | 1974 - 1975 | Film | Prize Rissolli della Prima Opera 1978 | 0 | ||||||||||||
| 38905 | Beatriz | Ferreyra | IMAfiction, portrait 09 | 2017 | Film | 31 | IMA portrait 09/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/portrait-09-beatriz-ferreyra/ | |||||||||
| 40646 | Beatriz | Ferreyra | Impaciente | 1968 | Tanz | 21:30 | pour un ballet de P. Oca | INA • GRM | 0 | ||||||||||
| 23015 | Beatriz | Ferreyra | Jazz't for Miles | 2001 | fixed media, akusmatisch | 5:16 | CMJ Vol 25-4, 2001/ | 1 | |||||||||||
| 22177 | Beatriz | Ferreyra | Jeux des Rondes | 1980 - 1984 | fixed media, akusmatisch | Stereo | french Goverment | 0 | |||||||||||
| 37827 | Beatriz | Ferreyra | Jingle Bayle's | 2012 | fixed media, akusmatisch | 4:29:00 | 0 | ||||||||||||
| 40662 | Beatriz | Ferreyra | L’Aleph | 1969 | radiophon | INA • GRM | 0 | ||||||||||||
| 22182 | Beatriz | Ferreyra | L'Autre … ou le chant des marécages | 1987 | fixed media, akusmatisch | ACIC | 0 | ||||||||||||
| 27467 | Beatriz | Ferreyra | L'Autre Rive | 2007 | fixed media, akusmatisch | 17:20 | INA G 6030/ | PS | Commande de l'État pour l'IMEB | 1 | |||||||||
| 5174 | Beatriz | Ferreyra | L'Orvietan | 1970 | fixed media, akusmatisch | 13:00 | Quadro, Stereo | Editions Mego (LP) Recollection GRM/ Motus M 302004/ | INA • GRM | INA-GRM | 19.11.1970 | Bordeaux Alhambra, SIGMA 6 | 0 | ||||||
| 24411 | Beatriz | Ferreyra | La ba-balle du chien-chien à la mé-mère | 2001 | fixed media, akusmatisch | 11:10 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 22178 | Beatriz | Ferreyra | La Calesita | 1982 | fixed media, akusmatisch | french Goverment, pedagogy comm for the Blanc-Mesnil Conservatory | 0 | ||||||||||||
| 40661 | Beatriz | Ferreyra | La fenètre | 1969 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 37823 | Beatriz | Ferreyra | Le solfégiste solfégé | 2003 | fixed media, akusmatisch | 10:08:00 | using Baschet-ins | 0 | |||||||||||
| 24412 | Beatriz | Ferreyra | Les chemins du vent des glaces | 2002 | fixed media, akusmatisch | 10:35 | LDC 2781128 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 32239 | Beatriz | Ferreyra | Les larmes de l'inconnu | 2011 | fixed media, akusmatisch | 18:27 | INA G 6030/ | l'État pour l'Ina GRM | 0 | ||||||||||
| 37828 | Beatriz | Ferreyra | Les retrouvailles | 2011 | fixed media, akusmatisch | 3:02:00 | 0 | ||||||||||||
| 5175 | Beatriz | Ferreyra | Médisances | 1968 | fixed media, akusmatisch | Tanz |
7:00 | Quadro, Stereo | Motus M 302004/ | INA • GRM | INA-GRM | 30.1.1969 6.6.1970 |
Paris, Maison de la Radio Arras, Château d’olhain; avec une chorégraphie de P. Oca |
Prix "Loisir des Jeunes" 1971 | 0 | |||||
| 24327 | Beatriz | Ferreyra | Mer d'Azav, Mer d'Azov | 1965 | fixed media, akusmatisch | 3:36 | INA C 1032 27652 archives grm CD 2/5/ | INA • GRM | 1 | ||||||||||
| 18474 | Beatriz | Ferreyra | Mirage contemplatif ? | 1992 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 37825 | Beatriz | Ferreyra | Murmureln, tango | 2003 | fixed media, akusmatisch | 4:10:00 | 0 | https://soundcloud.com/beatriz-ferreyra/murmureln | |||||||||||
| 22175 | Beatriz | Ferreyra | Mutations | 1972 | Film | 0 | |||||||||||||
| 22181 | Beatriz | Ferreyra | Passacaille deboitée pour un raide | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 5176 | Beatriz | Ferreyra | Petit Poucet Magazine | 1985 | fixed media, akusmatisch | 18:55 | Stereo | LDC 2781109/ | IMEB Bourges | France Culture at the Competition "Phonurgia Nova" 1986 | Prix Phonurgia nova | 1 | |||||||
| 22184 | Beatriz | Ferreyra | Remolinos | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 22114 | Beatriz | Ferreyra | Rio de los pajaros, La rivière des oiseaux River of the birds |
1993 - 1998 | fixed media, akusmatisch | 12:07 | Magisterium GMEB 2000. Dedicated to Elsa Justel & Roger Cochini | LDC 278072/73 Cultures Electroniques 14/ Motus M 302004/ | PS | Jean-Paul Ruiz | 1 | ||||||||
| 22185 | Beatriz | Ferreyra | Rio de los pajaros azules, La rivière des oiseaux bleus River of the blue birds |
1998 - 1999 | fixed media, akusmatisch | 10:19:00 | Motus M 302004/ | Bregman Dartmouth | Bregman music studio (Dartmouth) | 0 | |||||||||
| 22186 | Beatriz | Ferreyra | Rio de los pajaros escondidos, La rivière des oiseaux cachés River of the hidden birds |
1999 - 2000 | fixed media, akusmatisch | 11:06:00 | dedicated to Gerald Bennett | Motus M 302004/ | INA • GRM | INA-GRM | 0 | ||||||||
| 37829 | Beatriz | Ferreyra | Senderos de luz y sombras Sentiers d'ombres et de lumière, Senderos disimulados (Sentiers dissimulés) Senderos entreverados (Sentiers enchevêtres) Senderos del olvido (Sentiers oubliés) |
2016/2017 | fixed media, akusmatisch | Stereo, 16 tracks | Ina-GRM and french state | 0 | |||||||||||
| 5177 | Beatriz | Ferreyra | Siesta blanca | 1972 | fixed media, akusmatisch | 14:20 | Stereo | Hiver des "Saisons" | FYLP 1012/ LDC 2781109/ LDC 2781126 "Les Saisons"/ | IMEB Bourges | 3. prize Fylkingen 1975 | 1 | |||||||
| 18473 | Beatriz | Ferreyra | Souffle d'un petit Dieu distrait (a little distaught God's breath) | 1988 - 1997 | fixed media, akusmatisch | 13:43 | Stereo | UPIC-competition | Innova 114/ LDC 2781109/ | IMEB Bourges | 0 | ||||||||
| 37826 | Beatriz | Ferreyra | Sourires d'automne | 2004 | fixed media, akusmatisch | 4:00:00 | 0 | ||||||||||||
| 5178 | Beatriz | Ferreyra | Symphonie concertante pour le chat et son astrologue | 1978 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 22183 | Beatriz | Ferreyra | Tata, tocame la toccata | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 18472 | Beatriz | Ferreyra | The U.F.O. forest | 1985 | fixed media, akusmatisch | 14:00 | Stereo | LDC 2781109/ | IMEB Bourges | mention Bourges | 1 | ||||||||
| 5179 | Beatriz | Ferreyra | Tierra quebrada | 1976/1977 | Zuspiel / Tonband, 1 perf | vn [Violine] | ACIS | 0 | |||||||||||
| 40560 | Beatriz | Ferreyra | Typologie des Arbres | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 32240 | Beatriz | Ferreyra | Un fil invisible | 2009 | fixed media, akusmatisch | 18 | INA G 6030/ | l'État pour l'Ina GRM | 0 | ||||||||||
| 32952 | Beatriz | Ferreyra | Vivencias | 2001 | fixed media, akusmatisch | 11:20 | Motus M 302004/ | Musiques et Recherches Ohain | Musiques et Recherches Ohain | 0 | |||||||||
| 5173 | Beatriz, François | Ferreyra, Bayle | Jeu | 1966 | Film | 5:00 | Mono, Quadro | INA • GRM | April 1966 | 3rd Festival Royan | 0 | http://www.magison.org/ | |||||||
| 38110 | Beatriz, Christine | Ferreyra, Groult | Nahash | live-elec, 1 perf | 63 | perf [Performer] | trAce 040/ | 0 | |||||||||||
| 5180 | Shawn | Ferris | And there was the sea | 1986 | fixed media, akusmatisch | 15:13 | Stereo | 0 | |||||||||||
| 5181 | Shawn | Ferris | Piano 4 | 1985 | fixed media, akusmatisch | 10:12 | Stereo | 0 | |||||||||||
| 5182 | Shawn | Ferris | Stranger than Fiction | 1985 | fixed media, akusmatisch | 13:00 | Stereo | 0 | |||||||||||
| 5183 | Shawn | Ferris | The Hidden Godhead | 1984 | fixed media, akusmatisch | 19:20 | Stereo | 0 | |||||||||||
| 5184 | Shawn | Ferris | The Suspended Triangle | fixed media, akusmatisch | 15:00 | Stereo | 0 | ||||||||||||
| 5185 | Shawn | Ferris | There is a solitude about such a shore | 1986 | fixed media, akusmatisch | 14:03 | Stereo | 0 | |||||||||||
| 38759 | Andreas, Peter | FERVERS, WATERHOUSE | E 71 – Etüde für große Trommel und drei Sprecher - | 2001 | radiophon | 45:05:00 | 0 | ||||||||||||
| 5186 | Robert | Fesler | Canada | 1976 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 5187 | Robert | Fesler | Correspondance | 1976 | fixed media, akusmatisch | 4:40 | PS C. | 0 | |||||||||||
| 5188 | Robert | Fesler | Escale | 1976 | fixed media, akusmatisch | 7:30 | PS C. | 0 | |||||||||||
| 5189 | Robert | Fesler | Et Il Créa | 1982 | fixed media, akusmatisch | 18:00 | PS C. | 0 | |||||||||||
| 5190 | Robert | Fesler | La lettre d'Hadrien à Marc Aurèle | 1979 | fixed media, akusmatisch | 25:00 | PS C. | 0 | |||||||||||
| 5191 | Robert | Fesler | La perte du Temps | 1986 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 5192 | Robert | Fesler | Le Jeu des Perles de Verre | 1979 | fixed media, akusmatisch | 12:30 | PS C. | 0 | |||||||||||
| 5193 | Robert | Fesler | Le retour d'Ulysse | 1976 | fixed media, akusmatisch | 15:00 | PS C. | 0 | |||||||||||
| 5194 | Robert | Fesler | Les Oiseaux Mécaniques | 1975 | fixed media, akusmatisch | 7:32 | PS C. | 0 | |||||||||||
| 5195 | Robert | Fesler | Mao | 1976 | fixed media, akusmatisch | 7:30 | PS C. | 0 | |||||||||||
| 5196 | Robert | Fesler | Missa Tenebrae | 1985 | fixed media, akusmatisch | 8:00 | PS C. | 0 | |||||||||||
| 5197 | Robert | Fesler | quadrilogie: Firmament V, Le Temps des Poissons touche à sa Fin, In Hora Conjunctionis, Aurora Resurgens | 1976 - 1983 | fixed media, akusmatisch | 56:45 | PS C. | 0 | |||||||||||
| 5198 | Robert | Fesler | Une Apocalypse de Jean | 1976 | fixed media, akusmatisch | 21:00 | PS C. | 0 | |||||||||||
| 5199 | Robert | Fesler | Yi-King | 1987 | fixed media, akusmatisch | 9:00 | PS C. | 0 | |||||||||||
| 5200 | Klaus | Fessmann | Isn't it strange in the cage | 1982 | fixed media, akusmatisch | 7:35 | Ornament CH 7.921/ | HfM Stuttgart | 1 | ||||||||||
| 41768 | Evelyn | Ficarra | 21 Grand | 2006 | Klangkunst, Installation | acc [Akkordeon] | gallery soundscape for Re-figured exhibition featuring photographs by Ian Winters. Electronic sound score. Featuring recordings of accordionist Marié Abe | Feb 2006 | 0 | ||||||||||
| 5201 | Evelyn | Ficarra | Brasserie | 1991 | Zuspiel / Tonband, 3 perf | 4 | tpt, hn, trbn [Horn, Trompete, Posaune] | 1992 | Dartington | 0 | |||||||||
| 5202 | Evelyn | Ficarra | Breaths II | 1990 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 41762 | Evelyn | Ficarra | Close | 1994 | Zuspiel / Tonband, 2 perf | 8:30:00 | 2 hpd [Cembalo] | Annelie de Mann | 1996 | Amsterdam | 0 | ||||||||
| 18919 | Evelyn | Ficarra | Crazy Horse, Krazy Horse | 1992 | fixed media, akusmatisch | 1:42 | Improvisation with a piano-sample | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | |||||||||
| 5203 | Evelyn | Ficarra | Deuce | 1993 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | fl (baroque fl), hpd [Flöte, Cembalo] | SCD 28026 Sargasso/ | EMS Stockholm | Eleanor Dawson with funds from the Arts Council of Great Britain |
1993 | Belfast | 0 | |||||
| 41761 | Evelyn | Ficarra | Ding | 1994 | fixed media, akusmatisch | 1:00:00 | Unknown Public 05 Voicebox | 0 | |||||||||||
| 41753 | Evelyn | Ficarra | Dissonant Futures | 2014 | audiovisuell, live-elec, 2 perf | prep amp p, laptop (improvisation) [Piano, computer] | collaboration with Myra Melford (pianist / composer) and Ian Winters (video artist). | 19th Feb 2014 | Performed University of Sussex | 0 | |||||||||
| 41764 | Evelyn | Ficarra | Endangered | 2012 | Klangkunst, Installation | collaboration with artist Karrie Hovey and poet Elise Ficarra. | 11 April 2012 – 26th May 2012 | Intersection for the Arts, San Francisco | 0 | ||||||||||
| 41751 | Evelyn | Ficarra | FRACTURED MARBLE | 2007 | fixed media, akusmatisch | 7:26 | SCD 28057 Sargasso/ | 23rd November 2016 | Conservatoire de Nice, MANCA Festival. | 0 | |||||||||
| 21792 | Evelyn | Ficarra | Frantic Mid-Atlantic | 1998 | radiophon | 13:53 | SCD 28026 Sargasso/ | Hearing is Believing, | 0 | ||||||||||
| 41763 | Evelyn | Ficarra | Ghost Cup | 2017 | Klangkunst, Installation | Objects and memory. | 7&8th April 2017 | Columbia University Computer Music Center | 0 | ||||||||||
| 41756 | Evelyn | Ficarra | Isle Remix | 2006 | fixed media, akusmatisch | 7:00:00 | Unknown Public/BMIC Critical Notice CD, 2006 | 27 Nov 2007 | Broadcast BBC Radio 3 ‘Late Junction’ | 0 | |||||||||
| 41758 | Evelyn | Ficarra | London Cries | 2002 | Zuspiel / Tonband, 2 perf, 1 group | 12:00:00 | Mez, T, strs [Mezzo, Tenor, Streicher] | Poems on the Underground | July 2002 | Apollo Chamber Orchestra, City of London Festival | 0 | ||||||||
| 5204 | Evelyn | Ficarra | Plus ça change | 1991, 1997 | Zuspiel / Tonband, 2 perf | 14:00 | Stereo | vn, mar [Schlagzeug, Violine] | SCD 28026 Sargasso/ | EMS Stockholm | 1991 | Purcell Room, London by ens Marimolin | 0 | ||||||
| 41759 | Evelyn | Ficarra | Search | 1997 | Zuspiel / Tonband, 7 perf | 5:00:00 | 7 str [Streicher] | SCD 28026 Sargasso/ | Gogmagogs with funds from the Arts Council of England | 1997 | City of London Festival | 0 | |||||||
| 5205 | Evelyn | Ficarra | Setting poems by Sylvia Platenl Sappho | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 41765 | Evelyn | Ficarra | short films about water / submarine | 2008 | Film | Klangkunst, Installation |
collaboration with video artist Ian Winters | 2008 2009 |
Oakland Noodle Factory (Sept); St Petersberg (Aug); Noisiel (Oct); Moscow Autumn (Nov.) In 2009 installation version: Illuminated Corridor; site specific in the Port of Oakland (May); Poto Festival, Grass Valley (July); Luggage Store Performance including live electronic improvisation (Sept.) |
0 | ||||||||||
| 5206 | Evelyn | Ficarra | Source of uncertainty | 1993 | fixed media, akusmatisch | 8:00 | nor 03/ SCD 28026 Sargasso/ | EMS Stockholm | 1994 | Aberdeen | Finalist Prix Noroit 94 Competition Musica Nova Prag 1994 |
1 | |||||||
| 41757 | Evelyn | Ficarra | Submarine - radio edit | 2002 | fixed media, akusmatisch | 15:00:00 | Ralph Vaughan Williams Trust. | October 2002 | Broadcast on Resonance 104.4fm, Featuring singer Shie Shoji | 0 | |||||||||
| 41755 | Evelyn | Ficarra | Submarine Revisited | 2007 | Performance | 15:09:00 | S, p [Sopran, Piano] | Unknown Public/BMIC Critical Notice web project | 2007 | Featuring Loré Lixemberg (soprano) Dominic Saunders (piano) and interviews from a number of ex-naval officers. <www.criticalnotice.com> | 0 | http://www.criticalnotice.com | |||||||
| 41766 | Evelyn | Ficarra | these are my arms holding you – tearing you apart | 2007 | Tanz | text soundscape for pre-show installation. | Feb 2007 | Dance Mission, San Francisco. Choreographer Paige Starling Sorvillo, video artist/set design Ian Winters | 0 | ||||||||||
| 41760 | Evelyn | Ficarra | Those Roads | 1994 | fixed media, akusmatisch | Film |
9:07:00 | SCD 28026 Sargasso/ | Sonic Arts Network with funds from the London Arts Board as part of a sound and image collaboration | 0 | ||||||||||
| 41754 | Evelyn | Ficarra | vagues / fenêtres | 2009 | live-elec, 3 perf | str-trio [Streicher] | Eco Ensemble, Berkeley, Feb 6 2011 | 2009 | MANCA Festival | 0 | |||||||||
| 41752 | Evelyn | Ficarra | War Poems; the dead returning lightly dance | 2016 | Zuspiel, live-elec, 1 perf, 1 group | 25:00:00 | orc, V [Stimme, Orchester] | Poems on the Underground | 2nd November 2016 | London Transport Museum, performed by Apollo Chamber Orchestra, Conductor David Chernaik, Reader Michael Rosen. Second performance 15th Nov, Europe House, London. Reader: Imtiaz Dharker. | 0 | ||||||||
| 5207 | Evelyn | Ficarra | You know the place | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 41767 | Evelyn, Heather, Jeremy, Brian, John | Ficarra, Frasch, Hunt, Kane, MacCallum | Sound Garden | 2006 | Klangkunst, Installation | outdoor sound installation, collaboration with artist Dawn Frasch | 22nd April 2006 | Hertz Hall, University of California, Berkeley | 0 | ||||||||||
| 39401 | Jason | Fick | Ceratonova Shasta | 2017 | fixed media, akusmatisch | 5:02 | 0 | ||||||||||||
| 34387 | Sergio | Fidemraizer | Arran de pell | fixed media, akusmatisch | 11:10 | AMEE/ | 0 | ||||||||||||
| 19856 | Sergio | Fidemraizer | Cantos del Alba | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19858 | Sergio | Fidemraizer | La Cara oculta | 1991 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19861 | Sergio | Fidemraizer | La otra Escena | 1993 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19859 | Sergio | Fidemraizer | Lo que vendrá | 1992 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19857 | Sergio | Fidemraizer | Los sueños liricos de Maite | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19860 | Sergio | Fidemraizer | Luz y Sombra | 1992 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 5208 | Sergio | Fidemraizer | Recorda-te'n | 1991 | fixed media, akusmatisch | 3:47 | FM | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | |||||||||
| 40239 | Sergio | Fidemraizer | VA I VE | 2017 | fixed media, akusmatisch | Sergio Fidemraizer | 0 | ||||||||||||
| 34060 | Gerald | Fiebig | Cross Talk | 2015 | fixed media, akusmatisch | 7:29:00 | degem CD 13/ | 0 | |||||||||||
| 33791 | Gerald | Fiebig | Forbidden Transition | 2013 | fixed media, akusmatisch | 3:33 | DegeM CD 12 Seltene Erden/ | 1 | |||||||||||
| 37677 | Gerald | Fiebig | Pulsar | 2011 | fixed media, akusmatisch | 3:43 | DegeM CD 15/ | 0 | |||||||||||
| 19145 | Frank | Fiedler | SEMAN | 1995 | Klangkunst, Installation | 60:00 | Mischung aus 3 installierten Raumklängen in der ständugen Ausstellung der Stiftung "Neue Synagoge Berlin - Centrum Judaicum": Tuet auf die Pforten | 1 | |||||||||||
| 41749 | Ambrose | Field | Being Dufay, Ma Belle Dame Souveraine Je Me Complains Being Dufay Je Vous Pri Presque Quelque Chose Sanctus La Dolce Vista |
2007 | live-elec, 1 perf | 49 | T (John Potter) [Tenor] | Music Based On Vocal Fragments By Guillaume Dufay (1397-1474) | ECM 2071/ | 0 | |||||||||
| 33865 | Ambrose | Field | Empty Spaces | 1997 | fixed media, akusmatisch | Stereo | Prix Ars Electronica 98/ | Prix Ars Electronica 1998 | 0 | ||||||||||
| 22120 | Ambrose | Field | Expanse Hotel (Durango Mix), Storm Horse Drama Orient Express Exotic Beach Lost Moments |
1999 | fixed media, akusmatisch | 11:00 | Centaur CRC 2552, CDCM Vol. 32/ LDC 278072/73 Cultures Electroniques 14/ | PS | Bourges 2000 ICMA Commission Awards 1997-99 |
0 | |||||||||
| 23568 | Ambrose | Field | One Hell of a place to lose a cow | 2003 | fixed media, akusmatisch | 18:32 | LDC 278078 Cultures électroniques 17/ | PS | Prix 30. Concours Bourges 2003 | 1 | |||||||||
| 20153 | Ambrose | Field | Pyrotechnic! | 1997 | fixed media, akusmatisch | 2:21 | Stereo | Prix ars electronica 97/ | Auszeichnung ars electronica honorary mention 1997 | 0 | |||||||||
| 41747 | Ambrose | Field | Quantaform, Quantaform I - XX | live-elec, 1 perf | fl [Flöte] | SCD 28071 Sargasso/ | 0 | ||||||||||||
| 41750 | Ambrose | Field | Storm, SILENT CITY THORS HAMMER CHINESE WHISPERS CATHEDRAL THE ALLIGATOR WHITE SANDS CALIFORNIA 911 WALL OF WINDOWS RECREATION TOMBSTONE CATALOGUE GUM HURRICANE RIDGE |
fixed media, akusmatisch | 43 | SCD 28054 Sargasso/ ARS 06/ | Auszeichnung ars electronica honorary mention 2006 | 0 | |||||||||||
| 41748 | Ambrose | Field | Technoform, Technoform 1 - 11 | live-elec, 1 perf | fl [Flöte] | SCD 28071 Sargasso/ | 0 | ||||||||||||
| 5209 | Ambrose | Field | Turbulent Sands | 1994 | fixed media, akusmatisch | 3:00 | UEA Norwich | 0 | |||||||||||
| 5210 | Ambrose | Field | Undercurrents | 1994 | fixed media, akusmatisch | 10:00 | UEA Norwich | Competition Musica Nova Prag 1994 | 0 | ||||||||||
| 41746 | Ambrose, Paul | Field, Fretwell | Northern Loop, Dark Water Labyrinth Plants and Pistons Tidal Life Expectation Renaissance Pulse Glass Machine |
2005 | fixed media, akusmatisch | 80 | SCD 28072 Sargasso/ | 0 | |||||||||||
| 19216 | Kenneth | Fields | Life in the Universe | fixed media, akusmatisch | CMJ Vol 21, 1997/ | 1 | |||||||||||||
| 5211 | Mathew | Fields | Walk | 1986 | fixed media, akusmatisch | 20:00 | Quadro | CCRMA | 0 | ||||||||||
| 39749 | Eli | Fieldsteel | Invisible Ink | 2017 | fixed media, akusmatisch | Eli Fieldsteel | 0 | ||||||||||||
| 27300 | Cristiano | Figueiró | Enquanto Eles Riem | 2006 | live-elec, 1 perf | 5:13 | cl [Klarinette] | In Itinere | EMAC UFGoias | 1 | |||||||||
| 27301 | Cristiano | Figueiró | Pequis Rolantes | 2005 | live-elec, 1 perf | 5:53 | e-gui [Gitarre] | In Itinere | EMAC UFGoias | 1 | |||||||||
| 5212 | Janusz | Filiciak | MUZYKA dO KUBUSIA PUCHATKA | 1986 | fixed media, akusmatisch | Stereo | SME Krakow | 0 | |||||||||||
| 5214 | Lionel | Filippi | Ceremonias | 1977 | fixed media, akusmatisch | 16:00 | Stereo | INA • GRM | 0 | ||||||||||
| 5215 | Lionel | Filippi | Jardins | 1974 | fixed media, akusmatisch | 17:25 | Stereo | Étude de stage | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | |||||||
| 5216 | Lionel | Filippi | Voyage I | 1973 | fixed media, akusmatisch | 10:56 | Stereo | IPEM Gent | 0 | ||||||||||
| 5217 | Lionel | Filippi | Voyage II | 1973 | Zuspiel / Tonband, 1 perf | ins [Instrument] | IPEM Gent | 0 | |||||||||||
| 5218 | Gilbert | Filleul | Etude No 1 | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5219 | Gilbert | Filleul | Interludes | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5220 | Gilbert | Filleul | Oralités cocertantes | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5221 | Gilbert | Filleul | Réalités provisoires | 1986 | intermedia | audiovisuell |
video and decoration | CNR Lyon | 0 | |||||||||||
| 34831 | Vincent | Fillion | omnicité(léth@rgie) | 2016 | fixed media, akusmatisch | 5:40:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 42312 | Vincent | Fillion | Québécoiseries | 2018 | fixed media, akusmatisch | 9:15 | Stereo | Winner JTTP 2018 | 0 | ||||||||||
| 35270 | Alexandra | Filonenko | Ariel | 2011 | Zuspiel / Tonband, 1 perf | 19:00:00 | b-fl, (Zuspiel) [Flöte] | 0 | |||||||||||
| 35256 | Alexandra | Filonenko | Chiaroscuro | 2016 | audiovisuell | 35-37 | db-rec, db-cl, perc, acc, (video, Lichtprojektionen und Elektronik) [Flöte, Klarinette, Akkordeon, Schlagzeug] | 0 | |||||||||||
| 35259 | Alexandra | Filonenko | Der Ungeheuer singt nicht mehr | 2009 | live-elec, 4 perf, 1 group | 13:00:00 | 4 V, ens, (Elektronik) [Stimme, Ensemble] | 0 | |||||||||||
| 35261 | Alexandra | Filonenko | Dont try | 2011 | Zuspiel, live-elec, 1 perf, 1 group | V, ens, (Zuspiel, Elektronik) [Stimme, Ensemble] | 0 | ||||||||||||
| 35267 | Alexandra | Filonenko | Dont Try | 2016 | Zuspiel / Tonband, 2 perf | ≈ 12 | high V, p, (Zuspiel) [Stimme, Piano] | 0 | |||||||||||
| 35276 | Alexandra | Filonenko | Dont Try | 2015 | audiovisuell, live-elec, 1 perf | 13:00:00 | high fem V, (hohe Frauenstimme, Video, Zuspiel) [Stimme] | 0 | |||||||||||
| 35278 | Alexandra | Filonenko | Einübungen im Schönen | 2016 | audiovisuell, live-elec, 1 perf | perf (ein Darsteller, Video, Elektronik) [Performer] | 0 | ||||||||||||
| 35263 | Alexandra | Filonenko | Fazit | 2013 | Zuspiel / Tonband, 4 perf | 20:45:00 | sax-qt, (Zuspiel) [Saxophon] | 0 | |||||||||||
| 38973 | Alexandra | Filonenko | Heroica | 2018 | live-elec, 1 perf | p [Piano] | 26.06.2018 | Unerhörte Musik, BKA-Theater, Berlin | 0 | ||||||||||
| 35262 | Alexandra | Filonenko | Hydra | 2014 | live-elec, 1 group | 18:01:00 | ens, (Elektronik) [Ensemble] | 0 | |||||||||||
| 35264 | Alexandra | Filonenko | Hydra-2 | 2014 | live-elec, 3 perf | 12:53:00 | perc, p, acc, (Elektronik) [Piano, Akkordeon, Schlagzeug] | 0 | |||||||||||
| 35269 | Alexandra | Filonenko | Im Schatten der Frau | 2010 | Zuspiel / Tonband, 1 perf | 12:15:00 | V, (Zuspiel) [Stimme] | 0 | |||||||||||
| 35275 | Alexandra | Filonenko | irreversibility of mechanisms | 2014 | audiovisuell, live-elec, 1 perf | 9:04:00 | vn, (Live Elektronik, Video) [Violine] | kurze Version | 0 | ||||||||||
| 35265 | Alexandra | Filonenko | Jackson(G) | 2014 | live-elec, 2 perf | 13:00:00 | V, db, (Elektronik) [Stimme, Kontrabass] | 0 | |||||||||||
| 35272 | Alexandra | Filonenko | L´impossible | 2012 | live-elec, 1 perf | 15:00:00 | ob, (Elektronik) [Oboe] | 0 | |||||||||||
| 35254 | Alexandra | Filonenko | Medusa.Liebeslied | 2016 | live-elec, 1 perf | Quadro | prep fl (Paetzold-Contrabassblockflöte) [Flöte] | 10.01.2017 | BKA Berlin, unerhörte musik | 0 | |||||||||
| 35258 | Alexandra | Filonenko | Mute | 2008 - 2009 | live-elec, 1 perf, 1 group | 18:12:00 | counter-T, ens, (Elektronik) [Tenor, Ensemble] | 0 | |||||||||||
| 35273 | Alexandra | Filonenko | Nackt | 2013 | live-elec, 1 perf | 13:00:00 | counter-T, (Elektronik) [Tenor] | 0 | |||||||||||
| 35266 | Alexandra | Filonenko | Nostalgia | 2015 | Film, live-elec, 2 perf | 35:00:00 | 2 vn (Video, Elektronik) [Violine] | Musik zum Film „Nostalghia“ von Andrej Tarkovski | 0 | ||||||||||
| 35277 | Alexandra | Filonenko | Obsession | 2015 | Zuspiel / Tonband, 1 perf | 9:10:00 | vc, (Zuspiel) [Cello] | 0 | |||||||||||
| 35274 | Alexandra | Filonenko | Pha | 2014 | live-elec, 1 perf | ≈ 25-30 | acc, (Live Elektronik) [Akkordeon] | 0 | |||||||||||
| 35255 | Alexandra | Filonenko | Rapunzelmonolog | 2008 | Performance, live-elec, 1 perf, 1 group | 70:00:00 | actrice, ens [Schauspieler, Ensemble] | 0 | |||||||||||
| 35260 | Alexandra | Filonenko | Retour an Andrej | 2009 | live-elec, 1 group | ens, (Elektronik) [Ensemble] | für Andrej Tarkovski | 0 | |||||||||||
| 35268 | Alexandra | Filonenko | Schaufensterpuppen | 2016 | Zuspiel / Tonband, 3 perf | ≈ 13 | 3 fem V, (Zuspiel) [Stimme] | 0 | |||||||||||
| 35257 | Alexandra | Filonenko | Solaris | 2014 | audiovisuell | 45:00:00 | elec (Elektronik, Video) [elektronik] | Musik zum Film „Solaris“ von Andrej Tarkovski | 0 | ||||||||||
| 35271 | Alexandra | Filonenko | Spiegel | 2011 | Film, live-elec, 1 perf | b-cl, (Live Elektronik und Zuspiel) [Klarinette] | Musik zum Film „Spiegel“ von Andrej Tarkovski | 0 | |||||||||||
| 42107 | Walter | Filz | Master-voice | 1999 | radiophon | DLR Berlin | 0 | ||||||||||||
| 5222 | Andrew | Finch | Untitled (1) | 1985 | fixed media, akusmatisch | 1:22 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 5223 | Andrew | Finch | Untitled (2) | 1985 | fixed media, akusmatisch | 5:07 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 5224 | Andrew | Finch | Untitled (3) | 1985 | fixed media, akusmatisch | 0:50 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 42805 | Daniel | Fine | Chuva Obliqua | 2012 | live-elec, 3 perf | 5:00:00 | vn, vc, Kbd [Keyboard, Cello, Violine] | Blanca Cecilia Gonzalez, violin; Andrew Borkowski, cello; Monika Haar, keyboard | 0 | ||||||||||
| 42606 | Joshua | Fineberg | The Texture of Time | 2009 | live-elec, 1 perf | 7 | fl [Flöte] | 0 | |||||||||||
| 23376 | Jem | Finer | Harpo Marx locked inside a piano | 2002 | live-elec, 3 perf | 10:03 | 3 mus [Musiker] | Improvisation with Matt Rogalsky and Anne Wellmer | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 5225 | Siegfried | Fink | Conversation | 1972 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 5226 | Siegfried | Fink | Motion-Pictures | 1969 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 31778 | Thomas David | Finke | Dichte Studie 1 | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31779 | Thomas David | Finke | Es kommt kein Schiff | 2006 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31780 | Thomas David | Finke | Was Es Nicht Ist 1 (Aura – Varianten) | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 34157 | Orm | Finnendahl | AST | 2015 | Zuspiel, live-elec, 1 group | ens, (und 32 selbstspielende Maschinen) [Ensemble] | SWR | 17.10.2015 | Donaueschingen, Donauhalle, Ensemble Mosaik, David Runge, Hans Hübner | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/donaueschinger-musiktage-2015-programm-06/-/id=2136962/did=15652820/nid=2136962/mkps9x/index.html | ||||||||
| 22462 | Orm | Finnendahl | Baila mi Ritmo | 2001 | audiovisuell | 16:30 | 5 tracks | db, vc, va [Viola, Cello, Kontrabass] | TU Berlin, PS C. | Klangwerkstatt | 9.11.2001 | Klangwerkstatt Berlin | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||
| 27580 | Orm | Finnendahl | Bewegte Beobachtung | 2008 | live-elec, 4 perf | 2 p, 2 perc, [Piano, Schlagzeug] | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/bewegte-beobachtung.html | |||||||||||
| 34280 | Orm | Finnendahl | Bewegte Beobachtung III | 2010/2013 | live-elec, 4 perf | 2 p, 2 perc [Piano, Schlagzeug] | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/bewegte-beobachtung.html | |||||||||||
| 27579 | Orm | Finnendahl | Erstes Madrigalbuch | 2007/2008 | Zuspiel, live-elec, 1 perf, 1 group | ch, b-fl [Flöte, Chor] | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/bewegte-beobachtung.html | |||||||||||
| 23127 | Orm | Finnendahl | Fälschung für Streichquartett, Laptop und Live-Elektronik | 2003 | Zuspiel, live-elec, 4 perf | 5 tracks | str-qt [Streicher] | TU Berlin, PS C. | MaerzMusik 2003 | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | ||||||||
| 42270 | Orm | Finnendahl | Flock / 18 | 2018 | live-elec, 4 perf | audiovisuell |
14 | Quadro | 4 w (EWI, elec) [Bläser] | EW-4 (Electronic Wind Quartet) | 29.11.2018 | Basel, Gare du Nord, Schwarzwaldallee 200 (im Badischen Bahnhof); Arte Quartett / EW-4 (Beat Hofstetter, Sascha Armbruster, Andrea Formenti, Beat Kappeler), Sebastian Schottke (Technik und Klangregie), Orm Finnendahl (Live-Elektronik) |
0 | https://www.youtube.com/watch?v=2rWha1HTfFE | ||||||
| 29472 | Orm | Finnendahl | furioso | 2010/2012 | Zuspiel, live-elec, 1 perf | Surround 5.0 | va [Viola] | 0 | |||||||||||
| 29476 | Orm | Finnendahl | Gegenüberstellung | 2010 | live-elec, 5 perf | b-fl, b-cl, trbn, va, perc, (roboter, com) [Flöte, Klarinette, Posaune, Schlagzeug, Viola] | Installation für 16 Klangsäulen im öffentlichen Raum | 23.6.2010 | Musica Viva; Jessica Rona - Viola Matthias Müller - Posaune Pascal Pons - Schlagzeug Andrea Nagy - Bassklarinette Bettina Junge - Bassflöte Alexander Grebtschenko - Robotersteuerung Orm Finnendahl - Klangregie |
0 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/gegenueberstellung.html | ||||||||
| 38927 | Orm | Finnendahl | Götter der Dämmerung | 2018 | Performance, live-elec, 30 perf | 30 perf [Performer] | Interaktives Spiel für 30 Personen | IEMA | 25.-27.5.2018 | Alte Oper Frankfurt, IENA Ensemble, im Rahmen von Playsonic | 0 | http://www.playsonic.de/ | |||||||
| 28615 | Orm | Finnendahl | grep | 2003 | live-elec, 3 perf | Octo | a-sax, perc, laptop, (elec) [Saxophon, Schlagzeug, computer] | ZKM | 0 | ||||||||||
| 29473 | Orm | Finnendahl | Hören und Sehen | 2011 | audiovisuell, live-elec, 2 perf | sax, bn [Saxophon, Fagott] | quadratprojektion | 0 | |||||||||||
| 22654 | Orm | Finnendahl | Immobilie | 1998 | Zuspiel / Tonband, 6 perf | ≈ 6:00 | Quadro | 6 mouth-org, (Kassettenrecorder) [Bläser] | TU Berlin | 06.1998 | Kulturbrauerei Berlin | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | ||||||
| 5227 | Orm | Finnendahl | In Anbetracht | 1985 | Zuspiel / Tonband, 1 perf | 12:00 | Quadro | vc [Cello] | TU Berlin | 8.3.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1986 | http://www.mh-freiburg.de/institut-fuer-neue-musik/studio-fuer-elektronische-musik-und-akustik/ | |||||
| 5228 | Orm | Finnendahl | Jericho, Jericho II | 1988 | Zuspiel, live-elec, 2 perf | 11:00 | Quadro | tuba, perc [Tuba, Schlagzeug] | 2 versions: tape alone (= Jericho) and tape plus Halaphon and tuba (= Jericho II) |
TU Berlin, Experimentalstudio für Akustische Kunst Freiburg | 5.6.1988 02.02.1989 |
HdK Berlin "Musik im Foyer", Inventionen Künstlerhaus Bethanien Berlin |
1 | 1989 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | ||||
| 22463 | Orm | Finnendahl | Kommen und Gehen | 2000 | Zuspiel/Tonband, 1 perf | Klangkunst, Installation |
≈ 22:48 | Octo | vn [Violine] | 2. Version für 2 vn und Zuspiel | EMF DVD 054/ | TU Berlin, PS C. | Kultur- und Veranstaltungsprogramms im Deutschen Pavillion auf der EXPO 2000 | 9.8.2000 | German Pavillon Hannover Expo | Auszeichnung ars electronica honorary mention 2001 | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | ||
| 42271 | Orm | Finnendahl | Letzte Worte | 2018 | live-elec, 3 perf | V, fl, elec [Stimme, Flöte, elektronik] | 18.9.2018 | Klingspor Museum Offenbach; Carola Schlüter, Alt Betty Nieswandt, Flöten, Dominik Kleinknecht, Klangregie |
0 | ||||||||||
| 42272 | Orm | Finnendahl | Madrigalbuch IV | 2018 | live-elec, 1 perf | b-fl and elec [Flöte, elektronik] | 13.10.2018 | Valencia | 0 | ||||||||||
| 22652 | Orm | Finnendahl | Mauerspechte | 1990 | fixed media, akusmatisch | Stereo | Mauer-Picker | TU Berlin | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||||||
| 22653 | Orm | Finnendahl | Rekurs | 1997/1998 | Zuspiel / Tonband, 3 perf | ≈ 12:00 | Quadro | sax, perc, p, (2 Aufnahmegeräte) [Saxophon, Piano, Schlagzeug] | WER 65932 DMR/ HdK Berlin 2000, "Komposition / Konstruktion", ISBN 3-89462-071-4/ WER 65622/ | TU Berlin | 06.1998 | Kulturbrauerei Berlin | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||
| 5229 | Orm | Finnendahl | Renaissourcen in modo francese | 1991 | Zuspiel, live-elec, 1 group | 14:00 | Stereo | ens, (2 taperecorder) [Ensemble] | TU Berlin | VDMK | 26.10.1991 | Schauspielhaus am Gendarmenmarkt Berlin, Studio Neue Musik | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||
| 29474 | Orm | Finnendahl | Sandgetriebe | 2010 | live-elec, 3 perf | 3 perc [Schlagzeug] | quadratprojektion | 0 | |||||||||||
| 26203 | Orm | Finnendahl | schnitt/stelle | 2007 | live-elec, 1 group | Octo | ens, [Ensemble] | versions with different ensembles. at LAC 2007 with the Ensemble Mosaik | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||||||
| 29475 | Orm | Finnendahl | Sixteen daily experiences | 2010 | Klangkunst, Installation | 16 Tracks | Installation für 16 Klangsäulen im öffentlichen Raum | 0 | |||||||||||
| 32821 | Orm | Finnendahl | Spalt | 2014 | Zuspiel, live-elec, 6 perf, 1 group | ≈ 35 | Octo | orc, fl, b-cl, 2 perc, trbn, db [Flöte, Klarinette, Posaune, Schlagzeug, Kontrabass, Orchester] | 6 soloists with live electronic. Am Schluss der Aufführung verlassen die Orchestermusiker den Raum und spielen im Foyer weiter. Aufführung korrespondiert mit „Tropes“ von Oliver Schneller | Philharmonie Essen | 16.11.2014 | Philharmonie Essen, Festival NOW, Philharmoniker Essen und 6 sol: Dietmar Wiesner (fl), Theo Nabicht (b-cl), Uwe Dierksen (trbn), Matthias Bauer (db), Pascal Pons & Michael Kiedaisch (perc), Jan Baumgarten (Klangregie); Ditigent: Jonathan Stockhammer | 0 | ||||||
| 5230 | Orm | Finnendahl | Unter fremden Flaggen | 1989 | Zuspiel / Tonband, 1 group | 12:00 | Stereo + Stereo | ens [Ensemble] | also performed at Kreuzberger Klangwerkstatt 8.3.1991 | TU Berlin, CalArts | Landesmusikrat Berlin | 19.5.1990 | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||
| 21141 | Orm | Finnendahl | Versatzstücke | 1999 - 2005 | Zuspiel / Tonband, 1 perf | 13:00 | 6 | p [Piano] | TU Berlin, HdK Berlin | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/versatzstuecke.html | ||||||||
| 5231 | Orm | Finnendahl | Wheel of Fortune, I - III | 1994 - 1995 | live-elec, 1 perf | Quadro | MIDI p [Piano] | revision 1995 | TU Berlin | Festival Inventionen DAAD/TU 94 | 5.02.94 | Inventionen Akademie der Künste Berlin, Sven Thomas Kiebler | 1 | 1994 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/wheel-of-fortune.html | ||||
| 37754 | Orm | Finnendahl | Woyzeck | 2017 | Theater, live-elec, 13 perf | audiovisuell |
90 | 11 actor, perc, p, (elec) [Piano, Schlagzeug, Schauspieler] | after „Woyzeck“ by Georg Büchner | Schauspiel Frankfurt | 30.09.2017 | Schauspielhaus Frankfurt | 0 | https://www.schauspielfrankfurt.de/spielplan/woyzeck | ||||||
| 5232 | Ross Lee | Finney | Still are new Worlds | 1963 | Zuspiel / Tonband, 1 perf, 2 groups | 8:00 | Mono | narrator, ch, orc [Schauspieler, Chor, Orchester] | Col.Princ EMC, Uni Ann Arbor | 0 | |||||||||
| 5233 | Ross Lee | Finney | Three Pieces | 1963 | Zuspiel / Tonband, 3 perf | 9:50 | Mono | str, w, perc [Schlagzeug, Bläser, Streicher] | Col.Princ EMC | 0 | |||||||||
| 41657 | Enrico | Fiocco | Methal | 2017 | fixed media, akusmatisch | 6:17 | Stereo | 0 | |||||||||||
| 35403 | Enrico | Fiocco | Odissea | 2015 | fixed media, akusmatisch | 8:06:00 | Quadro | MR 2016 Métamorphoses 2016/ | Honorary Mention at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||||
| 35700 | Enrico | Fiocco | Particules | 2016 | fixed media, akusmatisch | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 5234 | Hector | Fiore | A BYÒO TO TAK | 1989 | fixed media, akusmatisch | 10:00 | Stereo | SME Krakow | 0 | ||||||||||
| 28248 | Leonardo | Fiorelli | Argonular | 2006 | fixed media, akusmatisch | 3:38 | 4 CSound | eMe | 13.10.2006 | Museo Nacional de Artes Visuales, Compuestos Digitales 3 - Exp. Espacio y Frecuencia, Montevideo, Uruguay. | 1 | ||||||||
| 23561 | Leonardo | Fiorelli | Gris | 2003 | fixed media, akusmatisch | 4:05 | Stereo | eMe | 29.6.2004 | Sala del Área Artística UdelaR, Compuestos Digitales. Montevideo, Uruguay. | 1 | ||||||||
| 23560 | Leonardo | Fiorelli | Me lo contaron asi | 1999 | fixed media, akusmatisch | 3:44 | eMe | 1 | |||||||||||
| 28315 | David | First | Privacy Issues (droneworks 1996-2009), Zen Guilt/Zen Blame A Bet on Transcendence Favors the House My Veil … Tell Tale 2.1 The Softening Door aw! Belt Happy Beatday Pipeline Witness Apologies to Dennis |
1996 - 2009 | fixed media, akusmatisch | 175:00 | Tripel-CD | XI 134 experimental intermedia/ | 0 | www.myspace.com/davidfirst | |||||||||
| 20154 | David | First | Resolver, Distance… Matador Strange Over The Law of Gambling Gold |
live-elec, 1 perf | 55:00 | Stereo | (MIDI), synt [synthesizer] | OO Discs 5/ | 0 | ||||||||||
| 43110 | Matthias | Fischer-Dieskau | Blech | 1988 | fixed media, akusmatisch | 4:23 | 0 | ||||||||||||
| 43108 | Matthias | Fischer-Dieskau | Fiorenza | 1988 | fixed media, akusmatisch | 4:19 | Auszeichnung ars electronica 1988 | 0 | |||||||||||
| 43109 | Matthias | Fischer-Dieskau | How High the Luau | 1988 | fixed media, akusmatisch | 6:23 | 0 | ||||||||||||
| 5235 | Jan | Fischer | Ut stellae | 1966 | Zuspiel / Tonband, 6 perf | S, 5 ins [Sopran, Instrument] | 0 | ||||||||||||
| 5236 | Peter | Fischer | Der Hund des Generals | 1962 | Theatermusik | 170 | Heinar Kipphardt | Siemens | Werkraumtheater der Münchner Kammerspiele | 2.4.1962 | Werkraumtheater der Münchner Kammerspiele | 0 | |||||||
| 5237 | Oskar | Fischinger | Tönende Ornamente Motion Paintings Komposition in Blau |
1932 - 1947 | Film | Mono | auf Film gezeichnete Ornamente als synthetische Tonerzeugung | 0 | |||||||||||
| 24185 | Rajmil | Fischman | A short Tale, Mi Cuentro | 2002 | fixed media, akusmatisch | 4:15 | Discontact! III 2003 PeP 007/ | 1 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002277 | ||||||||||
| 22902 | Rajmil | Fischman | Alma Latina, Soul of a Latin | 1996/1997 | fixed media, akusmatisch | 13:06 | CDP | CMJ Vol 23-4, 1999/ Lontano Records/ | 1 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002237 | |||||||||
| 28060 | Rajmil | Fischman | And I Think to Myself …, | 2001 | fixed media, akusmatisch | 21:25 | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002276 | |||||||||||
| 28057 | Rajmil | Fischman | Barren Lands | 1997 | fixed media, akusmatisch | 10:10 | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002268 | |||||||||||
| 28055 | Rajmil | Fischman | Cold Fire | 1994 | Zuspiel / Tonband, 4 perf | 7:26 | str-qt [Streicher] | MV001 - 1998 - SIAE/ | Uni Keele | 2nd prize ex aequo in the instruments and tape category of the First International Competition of Computer Music "Pierre Schaeffer" | 0 | ||||||||
| 5239 | Rajmil | Fischman | Dreams of Being | 1991 | fixed media, akusmatisch | 7:40 | NMC D036, sonic arts collection 2/ | Uni Keele | 1 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002278 | |||||||||
| 28061 | Rajmil | Fischman | Erwin's Playground | 2001 | fixed media, akusmatisch | 9:11 | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002270 | |||||||||||
| 28056 | Rajmil | Fischman | If Stones Could Have a Brief Word… | 1996 | Klangkunst, Installation | 3:15 | 0 | ||||||||||||
| 28059 | Rajmil | Fischman | Kol HaTorr | 1998 | fixed media, akusmatisch | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002271 | ||||||||||||
| 5240 | Rajmil | Fischman | Los Dados eternos | 1991 | Zuspiel, live-elec, 1 perf | 23:35 | ob [Oboe] | Uni Keele | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002274 | |||||||||
| 27951 | Rajmil | Fischman | No me quedo … (plantado en este verso) | 2000 | Zuspiel / Tonband, 4 perf | sax, bn, perc, vc [Saxophon, Fagott, Schlagzeug, Cello] | Organised Sound Vol 13/3/ | Sonic Arts Network | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002275 | |||||||||
| 28058 | Rajmil | Fischman | Ramblings on a Volcano | 1997 | fixed media, akusmatisch | 4:45 | Uni Keele | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002280 | ||||||||||
| 5238 | Rajmil | Fischman | Sin los cuatro | 1994 | fixed media, akusmatisch | 7:35 | 09.1994 | Argentina | 0 | ||||||||||
| 20155 | Leonard | Fisher | Earth Police | radiophon | 7:59 | Stereo | BCA 2/ | Banff C. | 0 | ||||||||||
| 34638 | Simona, Constantin | Fitcal, Basica | Transhumant | 2013 | audiovisuell | optional ens [Ensemble] | fixed media. SMC2016 |
0 | |||||||||||
| 20156 | Kelly | Fitz | Our Chrysanthemums will float in Zürich | 1993 | Zuspiel / Tonband, 2 perf | 6:11 | Stereo | tpt, trbn [Trompete, Posaune] | EMS 9300/ | EMS UIUC | 0 | ||||||||
| 18939 | Gordon | Fitzell | Zipper Music | 1994 | fixed media, akusmatisch | 3:00 | CEC DISContact_2/ | Edmonton | 1 | ||||||||||
| 21600 | Gordon | Fitzell | Zipper Music 2 | 1998 | fixed media, akusmatisch | 7:21 | CEC Presence 2/ | Uni BC Vancouver | 2nd prize Le Caine Award 1998 | 1 | |||||||||
| 5241 | William, Hugh | Fitzwater, Davies | Metropolis | 1975 | Fernsehen, | 120:00 | Stereo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 5242 | William, Hugh | Fitzwater, Davies | untitled film | 1975 | Film | 3:20 | Mono | PS Davies | 0 | ||||||||||
| 20157 | Domenico | Fiumano | Esodo | Zuspiel / Tonband, 2 perf | 14:40 | Stereo | vc, Rec [Flöte, Cello] | Venezia Nuova Musica 001/ | 0 | ||||||||||
| 5243 | Anker | Fjeld Simonsen | Oktav | 1988 | Zuspiel / Tonband, | 40:00 | Quadro | str orc [Orchester] | DIEM Aarhus | 0 | |||||||||
| 31368 | Michael | Flade | Felder: die Ausdehnung wächst | 1997 | fixed media, akusmatisch | 7:12:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31357 | Michael | Flade | klingender Formel freies Spiel | 2001 | fixed media, akusmatisch | 10:50 | Stereo, Quadro | CD-Version 10:43 | HfM Dresden | 0 | |||||||||
| 32057 | Tom | Flaherty | Quartet for Viola, Cello, and Digital Processor | 1994 | live-elec, 2 perf | va, vc, (DSP) [Viola, Cello] | Cynthia Fogg, va, Tom Flaherty, vc | SEAMUS EAM Vol. 5/ | 0 | ||||||||||
| 20158 | Tom | Flaherty | Trio | 1991 | live-elec, 1 perf | 12:40 | Stereo | vc, (dig proc) [Cello] | Tom Flaherty | SEAMUS EAM 9501 Vol. 4/ | 0 | ||||||||
| 5244 | Helmuth | Flammer | Der Turmbau zu Babel | 1983 | live-elec, 1 perf, 1 group | 74:00 | orc, synt (synclavier II) [synthesizer, Orchester] | Synclavier | 1 | ||||||||||
| 5245 | Helmuth | Flammer | Interferenza mente sovraposizione | 1990 | live-elec, | Stereo | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 5246 | Helmuth | Flammer | Panoptikum | 1993 | Zuspiel / Tonband, | 23:40 | Stereo | SEM Salzburg | 0 | ||||||||||
| 40202 | Robert | Fleisher | Dans le piano | 2017 | fixed media, akusmatisch | Robert Fleisher | 0 | ||||||||||||
| 42486 | Robert | Fleisher | Loretto Alfresco | 1970 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 18826 | Raimund | Fleiter | Spurrillen | 1991 | intermedia | 5:38 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records/ | 1 | |||||||||
| 25894 | Rafal | Flejter | Bridge Vibrations | 2006 | Klangkunst, Installation | 5:17 | Contact Mic from a bridge in London | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 5247 | Kjell | Flem | Haiku Sounds | 1975 | Zuspiel / Tonband, 5 perf | 28:00 | 3 perc, p, narrator [Piano, Schlagzeug, Schauspieler] | NOTAM | 0 | ||||||||||
| 42108 | Hans | Flesch | Zauberei auf dem Sender | 1924 | radiophon | SÜWRAG (RRG) | 24.10.1924 | SÜWRAG | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3144172&vi=7&SID | |||||||||
| 5248 | Patrick | Fleury | Attracteurs etranges | 1989 | fixed media, akusmatisch | 17:45 | Stereo | INA • GRM | 0 | ||||||||||
| 5249 | Patrick | Fleury | Germinal, Stand by | 1985 | fixed media, akusmatisch | 5:10 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 5250 | Patrick | Fleury | La géométrie de Daniel | 1977 | fixed media, akusmatisch | 27:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 5251 | Patrick | Fleury | Muinkkaai 45 | 1977 | fixed media, akusmatisch | 10:45 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 5252 | Patrick | Fleury | Nevrose en plaques | 1986 | fixed media, akusmatisch | 17:05 | Stereo | INA • GRM | 26.5.1987 | Paris, Maison de Radio-France, Studio 105 | 0 | ||||||||
| 5253 | Patrick | Fleury | Philopappos | 1979 | fixed media, akusmatisch | intermedia |
50:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5254 | Patrick | Fleury | Reflux | 1981 | fixed media, akusmatisch | 24:00 | Quadro | IPEM Gent | 0 | ||||||||||
| 5255 | Patrick | Fleury | Stalker | 1982 | fixed media, akusmatisch | 11:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 21958 | Asbørn | Flø | Skutt i hagestolen | 2000 | Zuspiel / Tonband, 3 perf | b-cl, celesta, perc, (elec) [Klarinette, Piano, Schlagzeug] | NOTAM | 0 | |||||||||||
| 22366 | Asbørn | Flø | The Leap | 2001 | fixed media, akusmatisch | 1:55 | 1 | ||||||||||||
| 5256 | Group | Floating Concrete Octopus | Burial Song | 1989 | intermedia, live-elec, 3 perf | 3:19 | V, gui, sax [Stimme, Saxophon, Gitarre] | AER 1990 / 1/ | 1 | ||||||||||
| 5257 | Philip | Flood | One Fine Day | 1988 | Zuspiel, live-elec, 1 group | 22:00 | ens [Ensemble] | City Uni London | 0 | ||||||||||
| 32248 | Eduardo | Flores Abad | A Ras del Cuerro | 2001 | fixed media, akusmatisch | 16:08 | ALLA E001 LC 15390/ | ICEM Essen | 0 | ||||||||||
| 37488 | Eduardo | Flores Abad | La Tentación de Antonio, Ritmo en el ritmo Taleas |
1994 | fixed media, akusmatisch | 15 | Quadro | ALLA E001 LC 15390/ | ICEM Essen | 0 | |||||||||
| 37515 | Eduardo | Flores Abad | Las Consecuencias | fixed media, akusmatisch | ICEM Essen | 0 | |||||||||||||
| 32246 | Eduardo | Flores Abad | Los Amantes | 1993 | fixed media, akusmatisch | 10:15 | Stereo | ALLA E001 LC 15390/ | ICEM Essen | 0 | |||||||||
| 37516 | Eduardo | Flores Abad | Ojo mirando la fiesta por un hueco, Las Consecuencias-Ojo mirando la fiesta por un hueco | fixed media, akusmatisch | 8:00:00 | ICEM Essen | 0 | ||||||||||||
| 32811 | Eduardo | Flores Abad | Persistencias temporales | 2014 | audiovisuell | Quadro | ICEM Essen | 15.11.2014 | now-Festival, ICEM-Essen, Folkwang-Universität | 0 | |||||||||
| 5258 | Eduardo | Flores Abad | Ritmo en el ritmo, La Tentación de Antonio | 1994 | fixed media, akusmatisch | 16:27 | Quadro | ALLA E001 LC 15390/ | ICEM Essen | 0 | |||||||||
| 32247 | Eduardo | Flores Abad | Taleas | 1996 | fixed media, akusmatisch | 10:16 | Quadro | ALLA E001 LC 15390/ | ICEM Essen | 0 | |||||||||
| 22797 | Roxana, Samir, Vicente | Flores, Menaceri, Rojo | Inicio, Encuentro, Reposo, Marcha, Diálogo de Sordos, Rito | 1989 | live-elec, | Nuclear LEX 007/ | 1 | ||||||||||||
| 29478 | Heinz-Josef | Florian | Cloud Chamber | 2007 | fixed media, akusmatisch | ≈ 12:18:00 | 0 | ||||||||||||
| 29486 | Heinz-Josef | Florian | Das Gruselkabinett des Dr. Caligari | 1996 | Film, live-elec, 1 perf | ≈ 90:00:00 | gui [Gitarre] | Zuspielband zur Improvisation für akustische und elektrische Gitarre als Begleitung zum gleichnamigen Stummfilm | 0 | ||||||||||
| 29489 | Heinz-Josef | Florian | Der Feigenbaum | 1990/1995 | fixed media, akusmatisch | 4:55:00 | Roads to Chaos/ | 0 | |||||||||||
| 24261 | Heinz-Josef | Florian | Einwahl | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 26147 | Heinz-Josef | Florian | Eurydikes Schrei | 2007 | fixed media, akusmatisch | 3:19 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 29479 | Heinz-Josef | Florian | Exkurs mit Zwischenspiel | 2002 | Zuspiel / Tonband, 1 perf | ≈ 5:00:00 | Stereo | org [Orgel] | 0 | ||||||||||
| 29485 | Heinz-Josef | Florian | Feuer | 1996 | Zuspiel / Tonband, 1 perf | ca. 13:00:00 | gui [Gitarre] | 0 | |||||||||||
| 29481 | Heinz-Josef | Florian | Frames I-III | 1999/2001 | live-elec, 1 perf | ca. 20:00:00 | MIDI-gui, (com) [Gitarre] | 0 | |||||||||||
| 29483 | Heinz-Josef | Florian | Hannah's Tapesession I | 1991/1999 | fixed media, akusmatisch | 0 | |||||||||||||
| 20202 | Heinz-Josef | Florian | Hannah's Tapesession IIa | 1995 | fixed media, akusmatisch | 4:57 | Cybele 960.204/ DegeM CD 04/ | PS Banasik | 1 | ||||||||||
| 29488 | Heinz-Josef | Florian | Hannah's Tapesession III | 1995 | fixed media, akusmatisch | ca. 10:30:00 | 0 | ||||||||||||
| 29480 | Heinz-Josef | Florian | Hommage to John Cage | 2001 | live-elec, 1 perf | ≈ 8:10:00 | MIDI-gui, (com) [Gitarre] | 0 | |||||||||||
| 29482 | Heinz-Josef | Florian | Lachfalte | 1990/1999 | fixed media, akusmatisch | ca. 7:25:00 | 0 | ||||||||||||
| 29484 | Heinz-Josef | Florian | Tagträumer | 1997 - 1998 | Musiktheater | ca. 90:00:00 | Zuspielband zum gleichnamigen Theaterstück von William Mastrosimone in einer Inszenierung von Stefan Keim | 0 | |||||||||||
| 42487 | Neil | Flory | Wild Bloom | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 5259 | J. B. | Floyd | Tribute | 1991 | live-elec, 1 perf | 8:49 | p, (com) [Piano] | Centaur CRC 2213, CDCM Vol. 18/ | Uni Miami | 1 | |||||||||
| 42607 | Andrei | Foca-Rodi | La Mienne | 2009 | fixed media, akusmatisch | 4 | 0 | ||||||||||||
| 28725 | Golo | Föllmer | Drrr … | 1995 | Klangkunst, Installation | TU Berlin | 10.-24.11.1995 | TU Mathematikgebäude, im Rahmen von "Klangfenster '95" der INM Berlin | 0 | ||||||||||
| 28128 | Golo | Föllmer | Netzmusik / Net Music | 2004 | Demo, Studie | Beilage zu Heft 5/2004 der Neuen Zeitschrift für Musik (NZ); eine CD-ROM der degem |
WER NZ 5/2004 degEM/ NZ T 740, NZ 5/2004/ | degem | 1 | ||||||||||
| 24570 | Ferdinand | Försch | Music4Cage | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 5260 | Ferdinand | Försch | Zeitraum | 1991 | live-elec, 1 perf | 26:00 | b-drum [Schlagzeug] | Zeitkreis (1); Mai 1988 | 1 | ||||||||||
| 5261 | Herbert | Försch | Percussion road, Suite for drumbass, Tau, Ballade, Time | 1983 | live-elec, 1 perf | 52:00 | amp perc [Schlagzeug] | 1 | 1984 | ||||||||||
| 27798 | Jonas | Förster | Echoes of Urban Life | 2008 | fixed media, akusmatisch | 6:08 | Quadro | JTTP 2009 | CEC Cache 2009, PeP 014 DE/ | ICEM Essen | JTTP-Winner 2009 german 5. prize | 1 | http://cec.concordia.ca/jttp/2009/index.html#winners | ||||||
| 31784 | Jonas | Förster | Transmutation | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31785 | Jonas | Förster | Viereinhalb Minuten Caratillo | 2008 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 41824 | Alessandro | Fogar | The Missing Link | 2001 | fixed media, akusmatisch | 2:58:00 | codemist ICMC2001/ | 0 | |||||||||||
| 40663 | Mireille | Fognini | Le Message | 1969 | radiophon | Pour un poème de J. Prévert | INA • GRM | 0 | |||||||||||
| 40633 | Mireille | Fognini | Quand vous verrez les arbres | 1968 | Film | INA • GRM | 19.10.1968 | TV ORTF, 2. chaine | 0 | ||||||||||
| 39184 | Adrian | Foltyn | Continuendo | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 39183 | Adrian | Foltyn | Cosa di nastra | 2002 | Zuspiel / Tonband, 1 perf, 1 group | str-orc [Streicher] | 0 | ||||||||||||
| 39190 | Adrian | Foltyn | El Mareco | 2006 | Zuspiel / Tonband, 2 perf, 1 group | mar, recs [Flöte, Schlagzeug] | 0 | ||||||||||||
| 33152 | Adrian | Foltyn | Extra-cellestrial | 2005 | live-elec, 1 perf | 10:06 | vc, (com) [Cello] | WJ 2005 polmic 017/ | 1 | ||||||||||
| 39189 | Adrian | Foltyn | Flectrochordium | 2006 | live-elec, 2 perf, 1 group | recs, hpd (live electronics) [Flöte, Cembalo] | 0 | ||||||||||||
| 39188 | Adrian | Foltyn | Próba B.L.Y. 2 | 2005 | live-elec, 1 perf | elec [elektronik] | 0 | ||||||||||||
| 39186 | Adrian | Foltyn | Próba.B.L.Y. | 2004 | live-elec, 1 perf | elec [elektronik] | 0 | ||||||||||||
| 39187 | Adrian | Foltyn | Son'tasy 2.1 | 2005 | live-elec, 2 perf | 2 p [Piano] | 0 | ||||||||||||
| 39191 | Adrian | Foltyn | Triple Double Concerto | 2007 | live-elec, 2 perf, 1 group | p, str-orc, (live electronics) [Piano, Streicher] | 0 | ||||||||||||
| 39185 | Adrian | Foltyn | Unknown destination | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 27947 | Silvia | Fômina | Angehaltene Zeit, Este camino que llevo | 2010 | Zuspiel / Tonband, 5 perf | 13:00 | Octo | T, vc, acc, tpt, trbn [Tenor, Trompete, Posaune, Akkordeon, Cello] | der Flamenco-Sänger (José Parrondo) wird "gestisch" geführt 28.11.2010 Berlinische Galerie, Ltg. Müller Goldbohm |
LIEM CDMC Madrid | 16.11.2010 | Osnabrück | 0 | ||||||
| 35186 | Silvia | Fômina | Auguri Aquae – Sound movement for Voices and Orchestra | 1996/1997 | live-elec, 1 group | multichannel | orc, (spatialization) [Orchester] | Experimentalstudio für Akustische Kunst Freiburg | SWR | 1997 | Donaueschinger Musiktage. SWF Radio Symphony Orchestra and the Experimental Studio of the H. Strobel Stiftung in Freiburg, Germany | 0 | |||||||
| 28281 | Silvia | Fômina | Coda, Angehaltene Zeit | 2006 | Zuspiel / Tonband, 1 perf, 1 group | 11:40 | 24 Tracks | ens, V [Stimme, Ensemble] | part of the opera „The Book of Chess“. Coda – sin sombra ni huella – Springers Monolog |
LIEM CDMC Madrid | 2008 | Musik-XXI-Hannover | 1 | ||||||
| 5262 | Silvia | Fômina | Expulsion, Désagrégation, Dispersion, Cycle of Seven Vespers | 1992 | Zuspiel / Tonband, 1 perf | 13:00 | Mono | vc [Cello] | from the cycle of Seven Vespers | TU Berlin, PS Dirk Schmittke | 16.3.1993 | Kammermusiksaal der Philharmonie (Musik-Biennale) | UE 30 579 | 1 | |||||
| 5263 | Silvia | Fômina | Permanenza für mikropolyphonisches, im Raum verteiltes Orchester, Crononen Labile Gleichgewichte Über Wasser |
1992/1994 | Zuspiel / Tonband, 20 perf | 14:30 | 7 tracks | 5 vn, 3 va, 3 vc, 2 db, pic-fl, fl, es-cl, cl, b-cl, hn, t-trbn [Flöte, Klarinette, Horn, Posaune, Viola, Cello, Violine, Kontrabass] | MP95 ORF13/ | TU Berlin | Berliner Festspiele | 25.2.1995 | Reggio Emilia, Chamber orc of Europe, Ltg. Claudio Abbado. Folgeauff. Citè de la Musique Paris (2.3.1995), Kammermusiksaal der Philharmonie Berlin (4.3.1995) | 1 | |||||
| 25689 | Rodrigo | Fonesca | Dissolution | 2000 | fixed media, akusmatisch | 9:03 | Stereo | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | |||||||||
| 5264 | Bjørn | Fongaard | Aforismer op. 63 nr. 2-3 | 1968 | Zuspiel / Tonband, 1 perf | micro-tuned gui [Gitarre] | NOTAM | 0 | |||||||||||
| 5265 | Bjørn | Fongaard | Andromeda | 1971 | Tanz | 0 | |||||||||||||
| 5266 | Bjørn | Fongaard | Circum | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | p [Piano] | NOTAM | 0 | ||||||||||
| 5267 | Bjørn | Fongaard | Concerto #2 op. 105 | 1974 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | p, orc (microtonalis) [Piano, Orchester] | NOTAM | 0 | ||||||||||
| 5268 | Bjørn | Fongaard | Concerto #3, op. 113 | 1976 | Zuspiel / Tonband, 1 perf | 10:30 | p [Piano] | NOTAM | 0 | ||||||||||
| 5269 | Bjørn | Fongaard | Concerto op. 131 #1-3 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | fl [Flöte] | NOTAM | 0 | ||||||||||
| 5270 | Bjørn | Fongaard | Concerto op. 131 #10 | 1976 | Zuspiel / Tonband, 1 perf | 13:00 | bn [Fagott] | NOTAM | 0 | ||||||||||
| 5271 | Bjørn | Fongaard | Concerto op. 131 #11-12 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | hn [Horn] | NOTAM | 0 | ||||||||||
| 5272 | Bjørn | Fongaard | Concerto op. 131 #13 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | tpt [Trompete] | NOTAM | 0 | ||||||||||
| 5273 | Bjørn | Fongaard | Concerto op. 131 #14 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | trbn [Posaune] | NOTAM | 0 | ||||||||||
| 5274 | Bjørn | Fongaard | Concerto op. 131 #15-17 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | vn [Violine] | NOTAM | 0 | ||||||||||
| 5275 | Bjørn | Fongaard | Concerto op. 131 #18 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | va [Viola] | NOTAM | 0 | ||||||||||
| 5276 | Bjørn | Fongaard | Concerto op. 131 #19-20 | 1976 | Zuspiel / Tonband, 1 perf | 11:10 | vc [Cello] | NOTAM | 0 | ||||||||||
| 5277 | Bjørn | Fongaard | Concerto op. 131 #21 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | db [Kontrabass] | NOTAM | 0 | ||||||||||
| 5278 | Bjørn | Fongaard | Concerto op. 131 #22 | 1976 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | NOTAM | 0 | |||||||||||
| 5279 | Bjørn | Fongaard | Concerto op. 131 #23-25 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | perc [Schlagzeug] | NOTAM | 0 | ||||||||||
| 5280 | Bjørn | Fongaard | Concerto op. 131 #26 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | vib [Schlagzeug] | NOTAM | 0 | ||||||||||
| 5281 | Bjørn | Fongaard | Concerto op. 131 #27 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | acc [Akkordeon] | NOTAM | 0 | ||||||||||
| 5282 | Bjørn | Fongaard | Concerto op. 131 #28 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | hp [Harfe] | NOTAM | 0 | ||||||||||
| 5283 | Bjørn | Fongaard | Concerto op. 131 #29 | 1976 | Zuspiel / Tonband, 2 perf | 10:00 | ob, bn [Oboe, Fagott] | NOTAM | 0 | ||||||||||
| 5284 | Bjørn | Fongaard | Concerto op. 131 #30 | 1976 | Zuspiel / Tonband, 2 perf | 11:00 | baroque gui, perc [Gitarre, Schlagzeug] | NOTAM | 0 | ||||||||||
| 5285 | Bjørn | Fongaard | Concerto op. 131 #31 | 1976 | Zuspiel / Tonband, 3 perf | 10:00 | lute, fl, ob [Flöte, Oboe, Gitarre] | NOTAM | 0 | ||||||||||
| 5286 | Bjørn | Fongaard | Concerto op. 131 #32 | 1976 | Zuspiel / Tonband, 3 perf | 10:00 | fl, ob, bn [Flöte, Oboe, Fagott] | NOTAM | 0 | ||||||||||
| 5287 | Bjørn | Fongaard | Concerto op. 131 #33 | 1976 | Zuspiel / Tonband, 2 perf | 10:00 | fl, hp [Flöte, Harfe] | NOTAM | 0 | ||||||||||
| 5288 | Bjørn | Fongaard | Concerto op. 131 #34-36 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | org [Orgel] | NOTAM | 0 | ||||||||||
| 5289 | Bjørn | Fongaard | Concerto op. 131 #39 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | lute [Gitarre] | NOTAM | 0 | ||||||||||
| 5290 | Bjørn | Fongaard | Concerto op. 131 #4-5 | 1976 | Zuspiel / Tonband, 1 perf | 13:00 | ob [Oboe] | NOTAM | 0 | ||||||||||
| 5291 | Bjørn | Fongaard | Concerto op. 131 #40 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | va [Viola] | NOTAM | 0 | ||||||||||
| 5292 | Bjørn | Fongaard | Concerto op. 131 #41 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | plectrum-gui [Gitarre] | NOTAM | 0 | ||||||||||
| 5293 | Bjørn | Fongaard | Concerto op. 131 #6 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | ehn [Oboe] | NOTAM | 0 | ||||||||||
| 5294 | Bjørn | Fongaard | Concerto op. 131 #7 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | a-cl [Klarinette] | NOTAM | 0 | ||||||||||
| 5295 | Bjørn | Fongaard | Concerto op. 131 #8 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | b-cl [Klarinette] | NOTAM | 0 | ||||||||||
| 5296 | Bjørn | Fongaard | Concerto op. 131 #9 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | a-sax [Saxophon] | NOTAM | 0 | ||||||||||
| 5297 | Bjørn | Fongaard | Dimensions | 1972 | Tanz | 0 | |||||||||||||
| 5298 | Bjørn | Fongaard | Elektrofonia I-VII | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 5299 | Bjørn | Fongaard | Epos | 1966 | fixed media, akusmatisch | 10:15 | Mono | NRK Oslo | 0 | ||||||||||
| 5300 | Bjørn | Fongaard | Fantasia | 1975 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 5301 | Bjørn | Fongaard | Galaxy | 1966 | live-elec, 3 perf | 12:00 | Mono | 3 e-gui [Gitarre] | PHI 836 896/ IDEAMA CD 113/ | NRK Oslo | 0 | ||||||||
| 5302 | Bjørn | Fongaard | Homo sapiens | 1966 | fixed media, akusmatisch | 9:15 | Mono | EMI CSDS 1000/ | NRK Oslo | 0 | |||||||||
| 5303 | Bjørn | Fongaard | Improvisasjoner, op. 81 | Zuspiel / Tonband, 1 perf | 12:00 | microinterval gui [Gitarre] | NOTAM | 0 | |||||||||||
| 5304 | Bjørn | Fongaard | Invensjoner, op. 32 #1-8 | 1964 | Zuspiel / Tonband, 1 perf | microinterval gui [Gitarre] | 1/4-tone | NOTAM | 0 | ||||||||||
| 5305 | Bjørn | Fongaard | Invensjoner op. 39 #1-9 | 1948 | Zuspiel / Tonband, 1 perf | microinterval V [Stimme] | NOTAM | 0 | |||||||||||
| 5306 | Bjørn | Fongaard | Klaypene | 1966 | radiophon | 6:00 | Mono | NRK Oslo | 0 | ||||||||||
| 5307 | Bjørn | Fongaard | Legend | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 5308 | Bjørn | Fongaard | Livet | 1971 | Zuspiel / Tonband, 4 perf | 29:00 | str orc, tim, perc, e-org, str [Keyboard, Schlagzeug, Streicher, Orchester] | NOTAM | 0 | ||||||||||
| 5309 | Bjørn | Fongaard | Microtonal Structures, op. 135 | 1970 | Zuspiel / Tonband, 6 perf | 21:00 | e-org, (microinterval) gui, perc, vn, va, vc [Keyboard, Gitarre, Schlagzeug, Viola, Cello, Violine] | NOTAM | 0 | ||||||||||
| 5310 | Bjørn | Fongaard | Microtonal Syntèse | 1974 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 5311 | Bjørn | Fongaard | Mora Parva Infinitatis, op. 93 | 1974 | Zuspiel / Tonband, 6 perf | 18:45 | S, (microinterval) gui, str-qt [Sopran, Gitarre, Streicher] | NOTAM | 0 | ||||||||||
| 5312 | Bjørn | Fongaard | Naturen | 1971 | Zuspiel / Tonband, 3 perf | 25:00 | str orc, tim, perc, str [Schlagzeug, Streicher, Orchester] | NOTAM | 0 | ||||||||||
| 5313 | Bjørn | Fongaard | Orafoni II | 1965 | Zuspiel / Tonband, 1 group | Mono | male ch [Chor] | NRK Oslo | 0 | ||||||||||
| 5314 | Bjørn | Fongaard | Piano Concerto #1, (The Space Concerto) | 1971 | Zuspiel / Tonband, 1 perf | 14:30 | p [Piano] | PHI 6507034/ | 0 | ||||||||||
| 5315 | Bjørn | Fongaard | Refleksjoner | 1966 | Zuspiel / Tonband, | 18:00 | Mono | NRK Oslo | 0 | ||||||||||
| 5316 | Bjørn | Fongaard | Sinfonia Microtonalis I-V | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 5317 | Bjørn | Fongaard | Skapelse II | 1972 | Tanz, 4 perf, 1 group | 32:00 | Narrator, Sp-ch, dancer, fl, perc [Flöte, Schlagzeug, Schauspieler, Tanz, Chor] | NOTAM | 0 | ||||||||||
| 5318 | Bjørn | Fongaard | Skapelse II (Creation II) | 1972 | Oper, 1 group | dancers, (lights) [Tanz] | 0 | ||||||||||||
| 5322 | Bjørn | Fongaard | Sonata, op. 141 | 1977 | Zuspiel / Tonband, 2 perf | 21:00 | (historical plucked) ins, perc [Schlagzeug, Instrument] | NOTAM | 0 | ||||||||||
| 5319 | Bjørn | Fongaard | Sonata #1, op. 48 | 1971 | Zuspiel / Tonband, 1 perf | 7:00 | microinterval gui [Gitarre] | NOTAM | 0 | ||||||||||
| 5320 | Bjørn | Fongaard | Sonata #2, op. 53 | 1975 | Zuspiel / Tonband, 1 perf | 7:00 | microinterval gui [Gitarre] | NOTAM | 0 | ||||||||||
| 5321 | Bjørn | Fongaard | Sonata concertante, op. 110 #17 | 1975 | Zuspiel / Tonband, 1 perf, 1 group | 10:00 | gui, (microtonal) orc [Gitarre, Orchester] | NOTAM | 0 | ||||||||||
| 5323 | Bjørn | Fongaard | String Quartet | 1973 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 5324 | Bjørn | Fongaard | Suite | 1966 | fixed media, akusmatisch | 10:00 | Mono | NRK Oslo | 0 | ||||||||||
| 5325 | Bjørn | Fongaard | Tellus | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | NOTAM | 0 | ||||||||||
| 5326 | Bjørn | Fongaard | Variasjoner op. 59 | 1971 | Zuspiel / Tonband, 1 perf | microinterval gui [Gitarre] | NOTAM | 0 | |||||||||||
| 28174 | Fabien | Fons | Qu’est ce que tu dis, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 4:22 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | http://www.youstudio.fr | |||||||||
| 35641 | Mauricio | Fonseca | Casas Flotantes | 2006 | Zuspiel / Tonband, 1 perf, 1 group | 4 | gui, strs [Gitarre, Streicher] | 0 | |||||||||||
| 5327 | Olivier | Fontaine | Orsay-gare | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 25616 | Bill | Fontana | Acoustical Views, Sydney | 1988 | Klangkunst, Installation | radiophon |
37:21 | Stereo | Acoustical views was realized as a sound sculpture on the facade of the Art Gallery of NSW during the Sydney Biennale of 1988. A live radio performance was realized on ABC-FM's "Listening Room". |
Edition Block EB 203/ | PS C. | 1 | ||||||||
| 35861 | Bill | Fontana | Acoustical Visions fo the Golden Gate Bridge | 2012 | Klangkunst, Installation | ∞ | Documentary by the For Site Foundation | 0 | http://resoundings.org/Movies/Golden_Gate_Bridge_Documentary.mp4 | ||||||||||
| 35862 | Bill | Fontana | Acoustical Visions of Venice | 1999 | Klangkunst, Installation | radiophon |
∞ | Klanglandschaft von Bill Fontana | WDR Studio Akustische Kunst | 6.5.2000 | WDR | 0 | http://resoundings.org/Pages/AcousticalVisions1.html | |||||||
| 35863 | Bill | Fontana | Brooklyn Bridge Sound Sculpture, New York | 1983 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Oscillating.html | |||||||||||
| 35886 | Bill | Fontana | Cologne San Francisco Sound Bridge | 1987 | Klangkunst, Installation | 0 | http://echosounddesign.com/media/Cologne_San_Francisco_Soundbridge.mp3 | ||||||||||||
| 35888 | Bill | Fontana | Desert Soundings Abu Dhabi | 2014 | Klangkunst, Installation | audiovisuell |
0 | |||||||||||||
| 28366 | Bill | Fontana | Entfernte Züge Köln - Berlin, Distant Trains | 1984 | Klangkunst, Installation | Octo | auf dem Gelände des Anhalter Bahnhofs mit 8 in die Erde gegrabenen LS | WDR Studio Akustische Kunst | 0 | http://echosounddesign.com/media/Berlin.mov | |||||||||
| 35864 | Bill | Fontana | Falling Echoes, New York | 2002 | Klangkunst, Installation | ∞ | 0 | http://echosounddesign.com/media/Falling_Echoes.mov | |||||||||||
| 35865 | Bill | Fontana | HARMONIC BRIDGE, TATE MODERN, London | 2006 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Harmonic_Bridge1.htm | |||||||||||
| 18887 | Bill | Fontana | Ile sonore (Arc de Triomphe de l´Étoile), Hydrophone Pointe du Hoc Après-midi mix June 94 Soir mix Vendredi 1er juillet Bourse Point des Arts Deux Magots / La Coupole |
1994 | intermedia | 74:00 | Klanginstallation am Triumpfbogen Paris mit Klängen von 8 verschiedenen Orten Frankreichs (Normandie, Pointe du Hoc, 6 Orte Paris) | IS 001, 1994 Ile Sonore/ | 0 | ||||||||||
| 25617 | Bill | Fontana | Kirribilli Wharf, Sydney | 1976 | Klangkunst, Installation | radiophon |
18:01 | Octo | Was broadcasted on the ABC programm "360 Shift" and later installed in the sculpture court of the State Gallery of Victoria, Australia, during an exhibition. | Edition Block EB 203/ | PS C. | Australian Broadcasting Corporation (ABC) | 1 | http://echosounddesign.com/media/Kirribilli_Wharf.mp4 | ||||||
| 33458 | Bill | Fontana | Klangsituationen in Berlin, Klang Recycling Skulptur | 1983 | Klangkunst, Installation | 45 | Edition Giannozzo Band 28/ | Galerie Giannozzo | September 1983 | Galerie Giannozzo Berlin | 1 | ||||||||
| 35866 | Bill | Fontana | Landscape Sculpture with Fog Horns, San Francisco | 1981 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Movies/FogHorns1.mov | |||||||||||
| 35867 | Bill | Fontana | Landscape Soundings, Vienna | 1990 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Landscape Soundings.html | |||||||||||
| 35887 | Bill | Fontana | Linear Visions | Klangkunst, Installation | OK Center for Contemporary Art in Linz | 0 | http://resoundings.org/Pages/Linear_Visions.html | ||||||||||||
| 35868 | Bill | Fontana | Media Project for the new Eastern Span of the Bay Bridge | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Parrallel_Soundings_of_the_Eastern_Spans_of_the_Bay_Bridge.html | ||||||||||||
| 35869 | Bill | Fontana | Musical Network, Lyon | 2001 | Klangkunst, Installation | ∞ | 0 | http://echosounddesign.com/media/lyon.mov | |||||||||||
| 35870 | Bill | Fontana | Objective Sound, Seattle | 2007 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Objective Sound.html | |||||||||||
| 5328 | Bill | Fontana | Ohrbrücke Köln – San Francisco, Ohrbrücke / Soundbridge Köln – San Francisco | 1987 | radiophon | 59:57 | Spazialisation: Satelliten-KlangSkulptur | Satelliten Live-Sendung | WER 6302/ | WDR Studio Akustische Kunst | 31.5.1987 | Hörspielstudio, Acustica International | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1366343&vi=1&SID | |||||
| 35871 | Bill | Fontana | Panoramic Echoes, New York | 2007 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Panoramic.html | |||||||||||
| 35872 | Bill | Fontana | Pigeon Soundings, Kolumba Museum in Cologne | 2007 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Movies/pigeon_soundings.mov | |||||||||||
| 35873 | Bill | Fontana | RIVER SOUNDING – London | 2010 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/River_Sounding.html | |||||||||||
| 22099 | Bill | Fontana | Satellite Sound Bridge Köln -Kyoto, Klangreise Köln - Kyoto | 1993 | radiophon | 2:04 | WER 6307-2/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | 2.11.1993 | WDR | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1363556&vi=119&SID | |||||||
| 35874 | Bill | Fontana | SIilent Echoes Opening at Gallery of Modern Art, Glasgow | Klangkunst, Installation | ∞ | 0 | http://vimeo.com/64639508 | ||||||||||||
| 35875 | Bill | Fontana | Silent Echoes at the Haunch of Venison London | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Movies/VERTICAL_ECHOES.mp4 | ||||||||||||
| 35876 | Bill | Fontana | SOARING ECHOES - Pritzker Pavillion - Millennium Park – Chicagg | 2012 | Klangkunst, Installation | ∞ | 0 | http://echosounddesign.com/media/SOARING_ECHOES_DOCUMENTATION.mp4 | |||||||||||
| 35889 | Bill | Fontana | Sonic Mappings | 2014 | Klangkunst, Installation | a new permanent sound sculpture for the entrance hall of MAXXI in Rome | 0 | http://resoundings.org/Movies/Golden_Gate_Bridge_Documentary.mp4 | |||||||||||
| 35877 | Bill | Fontana | SONIC SHADOWS- SFMOMA | 2010 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/sonic_shadows.html | |||||||||||
| 35878 | Bill | Fontana | SOUND ISLAND, PARIS | 1994 | Klangkunst, Installation | ∞ | 0 | http://echosounddesign.com/media/Paris.mov | |||||||||||
| 35879 | Bill | Fontana | Sound Sculpture with a Sequence of Level Crossings, Oakland | 1982 | Klangkunst, Installation | ∞ | 0 | http://www.echosounddesign.com/media/trains.mov | |||||||||||
| 35880 | Bill | Fontana | Sound Sculptures through the Golden Gate | 1987 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Movies/SSTTGG2.mov | |||||||||||
| 28335 | Bill | Fontana | Sound Surroundings | 1984 | Klangkunst, Installation | ∞ | Quadro | Inventionen 1984 | 10.2. - 19.2.1984 | Inventionen TU-Gebäude Ackerstraße und St. Sebastianskirche Berlin | 0 | 1984 | |||||||
| 35882 | Bill | Fontana | Speeds of Time, London | 2004 | Klangkunst, Installation | ∞ | Auszeichnung ars electronica: Golden Nica 2009 | 0 | http://news.bbc.co.uk/1/hi/entertainment/arts/3542985.stm | ||||||||||
| 35881 | Bill | Fontana | Speeds of Time, Tate Britain and BBC / | 2008 | Klangkunst, Installation | ∞ | 0 | http://www.resoundings.org/Pages/Speeds_of_Time_new.html | |||||||||||
| 35883 | Bill | Fontana | Spiraling Echoes, for the Rotunda of San Francisco City Hall | 2009 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Spiraling_Echoes.html | |||||||||||
| 35884 | Bill | Fontana | Vertical Echoes at the Imperial War Museum Manchester -BBC documentary | Klangkunst, Installation | ∞ | 0 | |||||||||||||
| 25611 | Bill | Fontana | Virtual Nature | 1990 | Klangkunst, Installation | var | Live environmental transmission from the Hainburger Au to Maria Theresien Platz, Vienna (Austria). 16 Microphones were used for the transmission. |
ORF/ | Museum of Art History, Vienna | 1 | |||||||||
| 42225 | Bill | Fontana | Wave Trains | 1997 | radiophon | Klangkunst, Installation |
37:55 | Urbane Klangskulptur/Tunnelkonzert | WDR Studio Akustische Kunst | 10.6.1997 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1391264&vi=118&SID | |||||||
| 35885 | Bill | Fontana | White Sound - An Urban Seascape - Wellcome Collection, Londo | 2011 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/WHITE_SOUND2.html | |||||||||||
| 27302 | Ana Lúcia | Fontenele | Sementeiro | 2006 | Zuspiel / Tonband, 1 perf | 7:05 | V [Stimme] | In Itinere | EMAC UFGoias | 1 | |||||||||
| 27303 | Ana Lúcia | Fontenele | Sementes III | 2006 | fixed media, akusmatisch | 4:11 | In Itinere | EMAC UFGoias | 1 | ||||||||||
| 5329 | Elizabeth | Ford | Arizona Shuffle | 1987 - 1988 | fixed media, akusmatisch | 7:00 | Stereo | Coll Liverpool | 0 | ||||||||||
| 5331 | Silvio | Foretic | Der achte Tag oder Auf der Suche nach der weißen Zeit | 1973/1974 | Musiktheater | 48:50 | Stereo | 4 different versions, also stereo 3'35 | HfMT Köln | 0 | |||||||||
| 5332 | Silvio | Foretic | Ein historisches Melodram | 1973 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 5333 | Silvio | Foretic | Für Klavier? | 1970 - 1972 | Musiktheater | fixed media, akusmatisch |
20:35 | Stereo, Quadro | 2 versions: „Bühnenmusik“, 20:35, quadro Elektronische Musik, 4:36, stereo |
HfMT Köln | 0 | |||||||||
| 5334 | Silvio | Foretic | Inter-Ludium | 1971/1974 | fixed media, akusmatisch | 2:47 | Stereo | new version | Feedback 25 Jahre/ HfMT Köln CD3/ Feedback Studio Köln CD 2/ | HfMT Köln | 1972 | Köln | Feedback | 1 | |||||
| 5335 | Silvio | Foretic | Kölner Konzert | 1971 | fixed media, akusmatisch | 4:36 | Stereo | aus “Für KLavier?“ | HfMT Köln CD3/ | HfMT Köln | 1 | ||||||||
| 5336 | Silvio | Foretic | Semimonoopera | 1978/1979 | Musiktheater, 2 perf | 28:15 | Quadro | actor, p [Piano, Schauspieler] | HfMT Köln | 1979 | Zagreb | Feedback | 0 | ||||||
| 5337 | Silvio | Foretic | Sklaveninsel / Bildungsreise | 1981 | Musiktheater | 37:01 | Stereo | stereo version of Semimonoopera | HfMT Köln | 0 | |||||||||
| 5339 | Silvio | Foretic | Studie I a | 1969 | fixed media, akusmatisch | 5:48 | Stereo | new version of Studie I | Croatia Rec 6072965/ | HfMT Köln | 0 | ||||||||
| 33985 | Silvio | Foretić | Ich Liebe!!! | 1969 | fixed media, akusmatisch | 2:18 | Stereo | HfMT Köln | 0 | ||||||||||
| 5330 | Silvio, Janko | Foretic, Jezovsek | Balkanal | 1968/1974 | fixed media, akusmatisch | 31:57 | Stereo | 1974 new version 31:57 1968 old version 46'32 |
HfMT Köln | 0 | |||||||||
| 37026 | Georges | Forget | L’appel | 2008 | fixed media, akusmatisch | 16:32 | Stereo | IMED 15133/ | PS C. | 11.12.2008 | Akousma (5) festival at Studio Hydro-Québec, Monument-National, Montréa | 0 | |||||||
| 37028 | Georges | Forget | Métal en bouche | 2008 | fixed media, akusmatisch | 16:32 | Stereo | IMED 15133/ | PS C. | 11.12.2008 | Akousma (5) festival at Studio Hydro-Québec, Monument-National, Montréal | 2nd prize Phonos, 2010 Destellos Competition 1er prix ex æquo, Concours international de musique bruitiste Luigi Russolo-Rossana Maggia 2011 |
0 | ||||||
| 27368 | Georges | Forget | Orages d’acier, version courte | 2007 | fixed media, akusmatisch | 9:27 | Stereo | CEC Cache 2007, PeP 012/ IMED 15133/ | JTTP-Winner 2007 2nd prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | ||||||||
| 42488 | Georges | Forget | Requiem | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 37025 | Georges | Forget | Seul et septembre | 2008 - 2014 | fixed media, akusmatisch | 8:12 | Stereo | IMED 15133/ | PS C. | 15.5.2008 | Relais Mont-Royal in Montréal (Québec) | 0 | |||||||
| 37024 | Georges | Forget | Une île | 2009 | fixed media, akusmatisch | 8:50 | Stereo | IMED 15133/ | BEAST, PS C. | IMEB | 22.10.2009 | 16th international acousmatic festival L’Espace du son at Théâtre Marni, Brussels, Belgium | 0 | ||||||
| 35748 | Georges | Forget | Urban Adagio | 2010 | fixed media, akusmatisch | 13:47 | Stereo | IMED 15133/ | PS C. | Codes d’accès with support from the Canada Council for the Arts (CCA) | 23.4.2019 | Relais Mont-Royal in Montréal | 11th Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2010) | 0 | |||||
| 34927 | Carlo | Forlivesi | Japanese Window - Sesshu’s Landscape | 2000/2001 | Zuspiel/Tonband, 2 perf | Tanz |
10 | Stereo | koto, shakuhachi [Flöte, Streicher] | December 25, 2000 | The Room With A View Art Gallery, Shanghai - Washi-Zokei Art Exposition | Yamaha Music Foundation Support Program Award 2003 - Tokyo | 0 | |||||||
| 26571 | Carlo | Forlivesi | Kaya | 2001 | Tanz, live-elec, 6 perf | 27:00 | 2 dancer, sax, hn, 2 perc, (gestural controller) [Saxophon, Horn, Schlagzeug, Tanz] | DIEM Aarhus | 10 March 2001 | Akiyoshidai International Art Village Concert Hall (Japan) | 0 | ||||||||
| 26573 | Carlo | Forlivesi | Requiem | 1999 | fixed media, akusmatisch | 14:59 | Octo | DIEM Aarhus | 18.04.2000 | Basilica di Santa Maria in Regola, Bologna - International Music Festival "da Bach a Bartok" - XII Edizione |
0 | ||||||||
| 26570 | Carlo | Forlivesi | The fairy's book covered in dew | 1998 | Zuspiel / Tonband, 1 perf | 14:00 | p [Piano] | 22.11.1998 | Espace de Projection, IRCAM, Centre Georges Pompidou, Paris - IRCAM Concert Season - Jean-Marie Cottet, |
0 | |||||||||
| 26572 | Carlo | Forlivesi | The Tunnel of Light | 2000/2004 | audiovisuell | 59:00 | Stereo, Octo | video by Shimpei Takeda (2005) | VN-001. Vox Novu/ | 7.11.2004 | Under St. Marks, New York | 0 | |||||||
| 26574 | Carlo | Forlivesi | Through the Looking Glass | 2005 | fixed media, akusmatisch | 3:48 | Stereo | DVD Poznan/ | 7.11.2005 | The Room Full of Fairy Tales, The Children’s Art Centre, Poznan - XV Biennial of Arts for Children |
Honorable Mention at the International Competition in Poznan | 0 | |||||||
| 5340 | Marcel | Formosa | Estuaire | 1989 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | bn [Fagott] | MIM Marseille | 0 | |||||||||
| 5341 | Daniel | Forrò | Musica ex machina | 1989 | fixed media, akusmatisch | 10:08 | Radio Brno | 0 | |||||||||||
| 41894 | Daniel | Forrò | Syntfonie | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1993 | 0 | ||||||||||||
| 43012 | Jon | Forshee | Playing Possum | 2013 | fixed media, akusmatisch | 9:54:00 | 0 | ||||||||||||
| 18892 | Bernard | Fort | 12 Haïku pour la paix céleste | 1993 | fixed media, akusmatisch | 29:37 | LDC 278056/57 Cultures Electroniques 7/ GMVL 010/ | INA • GRM, GMVL Lyon | 2.Preis Musique Electroacoustique à Programme | 1 | |||||||||
| 5342 | Bernard | Fort | 3 Haiku - l'hiver | 1990 | fixed media, akusmatisch | Stereo | GMVL Lyon | 0 | |||||||||||
| 20159 | Bernard | Fort | 7 paysage canadiens | 1996 | radiophon | 71:53 | Stereo | SIT 30012/ | GMVL Lyon | 0 | |||||||||
| 5343 | Bernard | Fort | Alice ou la boite a images | 1989 | intermedia | Stereo | GMVL CD 08/ Fuzeau / | GMVL Lyon | 1 | ||||||||||
| 20160 | Bernard | Fort | Architecture du plan | 1987 | fixed media, akusmatisch | 17:10 | Stereo | SC 658 CD / Festival FAUST/ | GMVL Lyon | 0 | |||||||||
| 20161 | Bernard | Fort | Bec Poilu | radiophon | 20:58 | Stereo | 6 parts | GMVL 016/ | GMVL Lyon | 0 | |||||||||
| 20162 | Bernard | Fort | Danube sauvage | 1997 | radiophon | 74:00 | Stereo | SIT 30030/ | GMVL Lyon | 0 | |||||||||
| 5345 | Bernard | Fort | De l'autre cote du miroir | 1986 | fixed media, akusmatisch | 13:45 | Stereo | INA • GRM | 24.3.1987 | Paris, Maison de Radio-France, Studio 105 | 0 | ||||||||
| 20163 | Bernard | Fort | Etudes | fixed media, akusmatisch | Stereo | 38R 002/ | GMVL Lyon | 0 | |||||||||||
| 5346 | Bernard | Fort | Fractals 1-3-5 | 1979/1981 | fixed media, akusmatisch | 21:27 | MK CD 018/ | GMVL Lyon | 0 | ||||||||||
| 5347 | Bernard | Fort | Fractals XIII-XVII | 1983 | fixed media, akusmatisch | GMVL Lyon | 0 | ||||||||||||
| 5348 | Bernard | Fort | Jour de Lenteur | 1984 | fixed media, akusmatisch | Stereo | GMVL D 01 LP/ | GMVL Lyon | 1 | ||||||||||
| 18890 | Bernard | Fort | L’impatinence des limites | 1993 | fixed media, akusmatisch | 18:09 | Stereo | LDC 278056/57 Cultures Electroniques 7/ GMVL 010/ IMED 0371/ | INA • GRM | Ina-GRM | 25 January 1993 | Salle Olivier Messiaen, Maison de la Radio France | 2.Preis Musique Electroacoustique Mixte Bourges 93 | 1 | |||||
| 20164 | Bernard | Fort | La Jardin de la Reine | 1984 | fixed media, akusmatisch | 8:22 | Stereo | GMVL CD 09/ | GMVL Lyon | 0 | |||||||||
| 24621 | Bernard | Fort | La paix de l’entendre | 1998 | fixed media, akusmatisch | 15:45 | Octo | IMED 0371/ | GMVL Lyon | Ina-GRM | 23 February 1998 | Salle Olivier Messiaen, Maison de la Radio France | 0 | ||||||
| 20165 | Bernard | Fort | La Voyage d'Alice | 1991 | fixed media, akusmatisch | 33:00 | Stereo | Fuzeau/ | GMVL Lyon | 0 | |||||||||
| 28160 | Bernard | Fort | Le miroir des oiseaux La galerie de portraits d'oiseaux |
fixed media, akusmatisch | GMVL CDRom/ | GMVL Lyon | 0 | http://www.gmvl.org/miroir/ | |||||||||||
| 19203 | Bernard | Fort | Le Symbole des Apôtres | 1992 - 1995 | fixed media, akusmatisch | 8:26 | CRR 9610 Rivoalto/ | GMVL Lyon | 1 | ||||||||||
| 5349 | Bernard | Fort | Le Tombeau de William Byrd | 1982 | Zuspiel / Tonband, 1 perf | 25:31 | Stereo | hpd [Cembalo] | GMVL D 01 LP/ | GMVL Lyon | 1 | ||||||||
| 20166 | Bernard | Fort | Méditation sur la Tour de Babel | 1991 | fixed media, akusmatisch | 18:00 | Stereo | l’empreinte digitales 13027/ | GMVL Lyon | 0 | |||||||||
| 20167 | Bernard | Fort | Nocturne du Monde | 1997 | fixed media, akusmatisch | 74:00 | Stereo | SIT 30031/ | GMVL Lyon | 0 | |||||||||
| 20168 | Bernard | Fort | Paysage (lever du jour sur le Mont Saint Hilaire) | fixed media, akusmatisch | 36:19 | Stereo | 38R 002/ | GMVL Lyon | 0 | ||||||||||
| 32145 | Bernard | Fort | Portraits | fixed media, akusmatisch | 7 | 38R 002/ | GMVL Lyon | 0 | |||||||||||
| 24622 | Bernard | Fort | Silence radieux | 2000 - 2002 | fixed media, akusmatisch | 21:16 | Stereo | IMED 0371/ | GMVL Lyon | Ina-GRM | 15 June 2002 | Salle Olivier Messiaen, Maison de la Radio France | 0 | ||||||
| 5350 | Bernard | Fort | Symphonie pour l'amen, Domaine : Régis et Corine, Et sur la terre Domaine: Régis et Corine, … Paix … Domaine: Régis et Corine, Vers l'amen |
1983 | fixed media, akusmatisch | 53:25 | Stereo | INA • GRM, GMVL Lyon | 14.9.1983 | Lyon, Cycle GMVL, Palais St. Pierre | 0 | ||||||||
| 5344 | Bernard, Jacques | Fort, Mayoud | Alliages | 1989 | fixed media, akusmatisch | Stereo | 4 parts | GMVL CD 07/ | GMVL Lyon | 1 | |||||||||
| 20170 | Bernard | Fort, Saint Martin | Zoom su l'homme studio | 1996 | fixed media, akusmatisch | 74:00 | Stereo | Fuzeau 5328/ | GMVL Lyon | 0 | |||||||||
| 20169 | Bernard, Dominique, Jean Claude | Fort, Saint Martin, Roché | Zoom sur les chants d'oiseaux | 1996 | fixed media, akusmatisch | Stereo | Fuzeau 5111/ Fuzeau 5201/ | GMVL Lyon | 0 | ||||||||||
| 20171 | Bernard, Dominique, Jean Claude | Fort, Saint Martin, Roché | Zoom sur les sons de la nature | 1996 | fixed media, akusmatisch | 45:00 | Stereo | Fuzeau 5200/ | GMVL Lyon | 0 | |||||||||
| 28175 | Louis-Antoine | Fort | Skyscraper Waltz, 2010 Complement a l’Inventaire | 2006 | Tanz | 5:27 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | |||||||||
| 27891 | Philippe | Forte-Rytter | « Le chant de l'orage » s'évertue désormais en gargarismes acides, d'après Le chant de l'orage de Magritte | 1999 | Performance, live-elec, 1 perf, 1 group | mul mus (sculptures, enfants) [Musiker] | (musiciens ou non musiciens, handicapés et non handicapés) et live electronics | CRFMW Liège | 3.10.1999 | Liège, ancienne Eglise St-André | 0 | http://www.crfmw.be/index1.htm | |||||||
| 27753 | David | Fortez | Alizés | fixed media, akusmatisch | 8:39 | alias André Defossez | wbm 168 b Electro AC Wallonie - Bruxelles/ | Musiques et Recherches Ohain | 1 | ||||||||||
| 33413 | Jack | Fortner | The Flies | 1966 | Theatermusik | Uni Ann Arbor | 0 | ||||||||||||
| 5352 | Wolfgang | Fortner | Gladbacher TE DEUM | 1974 | live-elec, 1 perf, 2 groups | V, ch, orc [Stimme, Chor, Orchester] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 5353 | Wolfgang | Fortner | That Time | 1977 | live-elec, 5 perf, 1 group | actors, S, Bar, hpd, gui, p [Sopran, Bariton, Piano, Gitarre, Cembalo, Schauspieler] | after S. Beckett | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 5351 | Wolfgang, Hans Peter | Fortner, Haller | Elisabeth Tudor | Oper | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||||
| 22464 | Fast | Forward | Oji | 2001 | fixed media, akusmatisch | 7:25 | ed. rz 20002/ | 1 | |||||||||||
| 23128 | Fast | Forward | Signal to Noise | 2002 | live-elec, 2 perf, 1 group | 75:00 | amp inss, synt [Instrument, synthesizer] | Festival Inventionen DAAD/TU 2002 | 29.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 20172 | Fast, Takehisa | Forward, Kosugi | Parabola | 1992 | Performance, live-elec, 2 perf | 7:26 | Stereo | vn, perc, (elec) [Schlagzeug, Violine] | Nova Era CD 2002/ ed. rz 20002/ | 1 | 1992 | ||||||||
| 5354 | Mark | Foster | Contre Contrôle | 1988 | live-elec, 1 group | 15:00 | ens [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 5356 | Alain | Fourchotte | Post-scriptum | 1982 | fixed media, akusmatisch | CIRM Nice | 0 | ||||||||||||
| 20173 | Henry | Fourès | Athina | live-elec, | 56:16 | Stereo | La muse En Circuit Hörspiele/ | La Muse | 0 | ||||||||||
| 5357 | Henry | Fourès | Interview no 1 | Zuspiel / Tonband, 1 perf | 17:20 | t-sax [Saxophon] | ADDA 581088/ | IPEM Gent | 1 | ||||||||||
| 27892 | Michel | Fourgon | De proche en proche | 1999 | live-elec, 3 perf | trbn, vn, p [Posaune, Piano, Violine] | CRFMW Liège | 15.03.1999 | Bruxelles, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27838 | Michel | Fourgon | Le Chant du Luo | 2008 | live-elec, 11 perf | 4 S, 2 T, 2 Bar, 2 perc, MIDI p [Sopran, Tenor, Bariton, Piano, Schlagzeug] | version remaniée | CRFMW Liège | 20.11.2008 | Liège, festival Images sonores | 0 | http://www.crfmw.be/index1.htm | |||||||
| 5358 | Marie-Hélène | Fournier | 5 Muses | 1990 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 5359 | Marie-Hélène | Fournier | Canto Quarto | 1987 | fixed media, akusmatisch | 8:45 | Stereo | INA • GRM | 0 | ||||||||||
| 24413 | Thierry | Fournier | Core | 2003 | Klangkunst, Installation | IMEB Bourges | 0 | ||||||||||||
| 5360 | Christopher | Fox | Broadway Boogie | 1984 | Zuspiel / Tonband, 1 perf | 8:00 | ehn [Oboe] | 0 | |||||||||||
| 5361 | Christopher | Fox | Magnification | 1986 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | S [Sopran] | Realization also in TU Berlin, Synclavier | Uni York, TU Berlin | 1 | ||||||||
| 5362 | Christopher | Fox | More Light | 1986 | Zuspiel / Tonband, 1 perf | 20:00 | p [Piano] | 0 | |||||||||||
| 5363 | Christopher | Fox | Recirculation | 1982 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | trbn [Posaune] | Uni York | 0 | |||||||||
| 5364 | Christopher | Fox | The fish dreams of the worm | 1987 | fixed media, akusmatisch | 2:45 | Stereo | Synclavier | TU Berlin | 4.12.1987 | British Center Berlin | 0 | |||||||
| 5365 | Christopher | Fox | Threnos | 1983 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | male V [Stimme] | 0 | ||||||||||
| 5366 | Christopher | Fox | Waves of shine | 1987 | live-elec, 2 perf | 14:00 | ww-ins, MIDI [synthesizer, Bläser] | 0 | |||||||||||
| 5367 | Christopher | Fox | Winds of heaven | 1984 | live-elec, 1 perf | 15:00 | t-rec, (delay) [Flöte] | 2 parts | SRI 001/ | 0 | |||||||||
| 40111 | Michael | Fox | Lush | 2017 | fixed media, akusmatisch | Michael J. Fox | 0 | ||||||||||||
| 39968 | Michael, Jeremy | Fox, Stewart | Cx16:01 | 2017 | fixed media, akusmatisch | K. Michael Fox and Jeremy Stewart | EMPAC | 0 | |||||||||||
| 34727 | Terry | Fox | 34 TURNS | 2009 | Klangkunst, Installation | 9:39 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 22.5.-12.7.2009 | singuhr hoergalerie Berlin | 0 | |||||||||
| 34214 | Terry | Fox | Ataraxia, Suono Interno Rallentando Lunar Rambles Culvert Berlin Attic Wire, Beating Berlin Attic Wire, Bowing |
1998 | Klangkunst, Installation | Works with sound, CD, Edition S Press and Plate Lunch, 1998 ; "Terry Fox, works with sound, Arbeiten mit Klang" Ausstellungskatalog (incl. CD Ataraxia), Saarbrücken 1999 | Kehrer Verlag ISBN 3-933257-04-2/ Edition S Press – ISBN 3-922689-91-3/ | 0 | |||||||||||
| 34215 | Terry | Fox | Audio Eyes | Klangkunst, Installation | Cassette (Anthology) Pub. Art Spaces, S.W. Australia. | 0 | |||||||||||||
| 34216 | Terry | Fox | Audio Transart | Klangkunst, Installation | Cassette (Anthology) Pub. Audio Transart, New York New York. | 0 | |||||||||||||
| 34217 | Terry | Fox | Audio Works | Klangkunst, Installation | Cassette, Pub . Exit and Exampla, Florence. | 0 | |||||||||||||
| 28357 | Terry | Fox | Bad Installation | 2002 | Klangkunst, Installation | 1 | 2002 | ||||||||||||
| 34218 | Terry | Fox | Berlino, The Berlin Wall Scored for Sound | 1980/1988 | Klangkunst, Installation | Octo | sound Scapes from San Francisco, Liege, Berlin (1979-1988) with a topgraphic sound map of the Berlin Wall (Berlin Wall Scored for Sound). Look A House Full of Music, page 185, ISBN 978-3-7757-3318-2 also version for stringquartet realized by Arnold Dreyblatt (2017; UA 28.10.2017 in Sonification festival Berlin by bgnm) |
AR 088807/ ISBN 978-3-7757-3318-2/ De Appel 3/ | Apollohuis Eindhoven | 0 | |||||||||
| 22465 | Terry | Fox | Bottled Air | 2001 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory; Teil CD-ROM, Teil Audio-CD; Windows und Mac | MF 0002-2/ | Mattress Factory | 1 | ||||||||||
| 34220 | Terry | Fox | Highfidelity | 2008 | Klangkunst, Installation | Künstlerschallplatten in der Sammlung Marzona/Artists’ Records in the Marzona Collections, Edition RZ, Berlin, 2008 | ed. rz 9006/07/ | 0 | |||||||||||
| 34221 | Terry | Fox | Insalata Mista, Isolation Unit Suono Interno Timbre 552 Steps Through 11 Pairs Of Piano Wires Lunar Rambles Culvert |
1970 - 1980 | Klangkunst, Installation | cassette, Pub. S. Press, München. | Kehrer Verlag ISBN 3-933257-04-2/ Edition S Press SP 3002/ | 0 | |||||||||||
| 34222 | Terry | Fox | Isolation Unit, Insalata Mista | 1970 | Klangkunst, Installation | E.P. Disc. (with Joseph Beuys), excerpt from performance by Terry Fox and Joseph Beuys, published by the artists. 1970 | Kehrer Verlag ISBN 3-933257-04-2/ Edition S Press SP 3002/ | 0 | |||||||||||
| 18911 | Terry | Fox | Klanginstallation | 1987 | Klangkunst, Installation | 5:00 | long str [Streicher] | Apollo ACD 019209/ | PS | 1 | |||||||||
| 34224 | Terry | Fox | Linkage | 1982 | Klangkunst, Installation | L.P. disc with catalogue, Pub. Kunstmuseum, Luzern. 1982 | 0 | ||||||||||||
| 23129 | Terry | Fox | Litanies of Interference | 2002 | Klangkunst, Installation | DAAD 205-1 ISBN 3-89727-259-8/ | 1 | 2002 | |||||||||||
| 34225 | Terry | Fox | Quatro Stagione | Klangkunst, Installation | Box containing: cassette, drawing, sound sculpture, by Terry Fox, and 30 photographs by Enzo Pezzi (Ed. 4) Pub. Galleria Pellegrino, Bologna. | 0 | |||||||||||||
| 36534 | Terry | Fox | Rallentando | 1988 | Klangkunst, Installation | Octo | sound Scapes from San Francisco, Liege, Berlin (1979-1988) with a topgraphic sound map of the Berlin Wall (Berlin Wall Scored for Sound). Look A House Full of Music, page 185, ISBN 978-3-7757-3318-2 |
AR 088807/ ISBN 978-3-7757-3318-2/ | Apollohuis Eindhoven | 0 | |||||||||
| 34226 | Terry | Fox | Revolutions Per Minute | 1982 | Klangkunst, Installation | set of L.P. Discs, Pub. Ronald Feldman, New York, New York. 1982 | 0 | ||||||||||||
| 34227 | Terry | Fox | Sound | Klangkunst, Installation | L.P. Disc. (Anthology), Pub. L.A.I.C.A., Los Angeles, California. | 0 | |||||||||||||
| 34228 | Terry | Fox | Tell Us 21 Audio by Visual Artists | Klangkunst, Installation | Audio Cassette Magazine, New York, New York | 0 | |||||||||||||
| 34219 | Terry | Fox | The Berlin Wall Scored for Sound, Berlino | 1977/1988 | Klangkunst, Installation | 4:34 | Cassette (Anthology) Pub. De Appel, Amsterdam. 1977; Marga van Mechelen, "de Appel – performances, installations, video, projects 1975-1983", De Appel Amsterdam 2006 | De Appel 3/ AR 088807/ | 0 | ||||||||||
| 34223 | Terry | Fox | The Labyrinth Scored for the Purrs of 11 Cats | 1977/2003 | Klangkunst, Installation | 70 | Quadro | Audio Cassette Edition, Het Appollohuis, Eindhoven / 90 Min. cassette, Prod. Z.B.S., . New York, published by the Artist (cassette with orginal drawing). / LP Vinyl. Terry Fox, Choose Records, 2009. Set of L. P. Discs, (anthology), Pub. 110 Records, New York, New York. 1977 |
OT 001/2/ Het Apollohuis/ Choose Rec 11cats/ | Z.B.S. Media, Apollohuis Eindhoven | 0 | https://www.discogs.com/de/Terry-Fox-The-Labyrinth-Scored-For-11-Different-Cats/release/2219533 | |||||||
| 26284 | Terry | Fox | The Salt Herring | 2004 | Klangkunst, Installation | ∞ | Gesalzener Hering, Holzleiter, Baumwollkordel, großer Nagel, großer Hammer, Audio-CD (loop) auf Lautsprecher, Text (“der gesalzene Hering“ von Charles Cros) | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2004 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 19034 | Terry | Fox | The School of Velocity | 1996 | Klangkunst, Installation | 1:36 | Sonambiente Ausstellung (1996) Katalog S.57 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 5368 | Teresa | Fraczkiewicz | ETIUDA I and II | 1975 | fixed media, akusmatisch | 3:50 | Stereo | SME Krakow | 0 | ||||||||||
| 25449 | Massimo | Fragalà | Contaminazione | 2003 | fixed media, akusmatisch | 8:38 | Stereo | EMF 047/ Accademia Musicale Pescarese/ | HfM Vincenzo Bellini Catania | 5º/4º Concorso Internazionale di Composizione Elettronica “Pierre Schaeffer” | 1 | ||||||||
| 5369 | Ludmila | Frajt | Asteroidy | 1967 | fixed media, akusmatisch | 5:00 | Mono | Radio Plzen | 0 | ||||||||||
| 5370 | Ludmila | Frajt | Figures in Motion | 1979 | fixed media, akusmatisch | 9:48 | Stereo | Radio Plzen | 0 | ||||||||||
| 5371 | Ludmila | Frajt | Nocturno, Nokturno | 1975 | fixed media, akusmatisch | 9:00 | Stereo | RTB 3130037/ Radio Beograd CD 2, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | |||||||||
| 5372 | Ludmila | Frajt | The Bells | 1981 | Zuspiel / Tonband, 1 group | Stereo | mx ch [Chor] | Radio Plzen | 0 | ||||||||||
| 5373 | Colin | Frame | Fairytale | 1995 | fixed media, akusmatisch | 15:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 5374 | Colin | Frame | Sublimations | 1993 | fixed media, akusmatisch | 13:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 22279 | Group | Framers Manual | Stockholm Preludes and Fugues | live-elec, | 6:59 | FYCD 1017-1/ | 1 | ||||||||||||
| 19635 | L. Miguel | Francesch Diaz | Flutter | 1994 | fixed media, akusmatisch | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 33125 | Luca | Francesconi | Etymo | 1994 | Zuspiel / Tonband, 1 perf, 1 group | 23:36:00 | S, orc [Sopran, Orchester] | for soprano, chamber orchestra and tape | WJ 2002/ | IRCAM | Ricordi - BMG Ricordi, Milan | 1 | www.ricordi.com | ||||||
| 5375 | César | Franchisena | Numancia | 1960 | Tanz | Mono | LME Uni Cordoba | 0 | |||||||||||
| 5376 | Carlo | Franci | 3 invenzioni su nastro | 1956 | fixed media, akusmatisch | 7:00 | Mono | NIS Film Roma | 0 | ||||||||||
| 5377 | Carlo | Franci | Samba 8 ala rotante | 1959 | Film | 12:00 | Mono | NIS Film Roma | 0 | ||||||||||
| 34078 | Alejandro | Franco | Devorar al Saturno, Devour the Saturn | 2013 | fixed media, akusmatisch | 12:32:00 | Octo | 0 | |||||||||||
| 38760 | Sonia, Boris | FRANCO, GOBIN | De l'autre côté du monde | 2017 | radiophon | 38:00:00 | Prix Phonurgia nova 2017 Prix Pierre Schaeffer | 0 | |||||||||||
| 33260 | John | Frandsen | Besigtigelse af en Afgrund | 2010 | live-elec, 2 perf | T, gui [Tenor, Gitarre] | after a text by U. Andkjær Olsen | DIEM Aarhus | 0 | ||||||||||
| 33262 | John | Frandsen | Hymne til Aske-Fuglen, Hymn to the Ash Bird | 1992 | live-elec, | DIEM Aarhus | August 1996 | SUSÅ-Festival | 0 | ||||||||||
| 5378 | John | Frandsen | Interrail | 1988 | fixed media, akusmatisch | 3:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 33261 | John | Frandsen | Laterna Magica | 1996 | live-elec, 1 perf | vc [Cello] | DIEM Aarhus | Morten Zeuthen | August 1996 | SUSÅ-Festival | 0 | ||||||||
| 20175 | Colin | Franey | Risonare C | 1993 | fixed media, akusmatisch | 6:43 | Stereo | EMS 9300/ | EMS UIUC | 0 | |||||||||
| 42274 | Andreas Eduardo | Frank | A clap on common graund | 2018 | audiovisuell, live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 42275 | Andreas Eduardo | Frank | Restore Factory Defaults | 2017 | audiovisuell, live-elec, 1 perf | amp V, (elec, Video) [Stimme] | audiovisuelles Musiktheater | 0 | |||||||||||
| 34836 | Colin | Frank | Interior-Exterior Spaces Along Tram line 1 (Scheveningen-Delft) | 2015 | fixed media, akusmatisch | 6:10:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 36861 | Colin | Frank | Virtual Sphere Incarnate | 2016 | fixed media, akusmatisch | 9:30:00 | 0 | ||||||||||||
| 5379 | Priska | Frank | Cycle | 1980 | fixed media, akusmatisch | 6:20 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 40203 | Robert | Frank | Zymurgy | 2017 | fixed media, akusmatisch | 16 Tracks | Robert Frank | 0 | |||||||||||
| 24186 | Robert J. | Frank | Muse | 2001 | fixed media, akusmatisch | 1:36 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 28412 | Tina | Frank | Glambox | 2001 | audiovisuell | 0:30 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | http://www.filmvideo.at | |||||||||
| 28413 | Tina | Frank | III | 1996 | audiovisuell | 1:00 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 28414 | Tina | Frank | Pitbutp | 2001 | audiovisuell | 2:50 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 27730 | Tina, Ramon, Andi | Frank, Bauer, Pieper | Chronomops, Ramon Bauer and Andi Pieper | 2005 | audiovisuell | 2:10 | T. Frank (Video) General Magic = Ramon Bauer and Andi Pieper |
CMJ Vol 33-4, 2009/ | 1 | http://www.mp3.com/artist/general | |||||||||
| 22466 | Bernd | Franke | Solo 7Fach | 2000 | Zuspiel / Tonband, 1 perf | 19:48 | trbn [Posaune] | TU Berlin | 1 | ||||||||||
| 22467 | Bernd | Franke | Solo xfach, Simultanversion von Solo 2fach, Solo 4fach, Solo 7fach | 1996 - 1999 | Zuspiel / Tonband, 9 perf | 52:35 | fl, ob, trbn, e-gui, perc, p, vn, va, vc [Flöte, Oboe, Posaune, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine] | TU Berlin | Kultur- und Veranstaltungsprogramms im Deutschen Pavillion auf der EXPO 2000 | 15.10.2000 | EXPO 2000 Hannover, Deutscher Pavillon | 1 | |||||||
| 5380 | Marlis A. | Franke | Venezia exaudi | 1987 | radiophon | 28:20 | Stereo, 6 | WER 6307-2/ | TU Berlin | WDR III Studio Akustische Kunst | 7.4.1987 | WDR III, Redaktion Schöning; mit der Gesangsstimme von Madalena de Faria | 1 | ||||||
| 42608 | Patrick, Daniel, Dave, Ole, Chris | Franke, Neumann, Ruder, Schmidt, Weinheimer | Frühjahrszug, Spring Migration | 2009 | live-elec, 2 perf | 8 | Octo | cl, elec [Klarinette, elektronik] | 0 | ||||||||||
| 39598 | Ari | Frankel | enCaged | 2016 | fixed media, akusmatisch | Ari Frankel | 0 | ||||||||||||
| 39597 | Ari | Frankel | inErnest | 2016 | fixed media, akusmatisch | Ari Frankel | 0 | ||||||||||||
| 39596 | Ari | Frankel | Spot On – parts I-III | 2017 | fixed media, akusmatisch | Ari Frankel | 0 | ||||||||||||
| 39303 | Ari | Frankel | wombTango | 2017 | audiovisuell | com (synclavier) [computer] | [synclavier version] | 0 | |||||||||||
| 5381 | Wim | Franken | Heederik-cantate | 1968 | Zuspiel / Tonband, 2 groups | 12:00 | ch, orc [Chor, Orchester] | EM ?? | 0 | ||||||||||
| 5382 | Wim | Franken | Poèmes de voyage | 1969 | fixed media, akusmatisch | 29:02 | Quadro | 3 parts: 9:35 + 8:43 + 10:44 | Sonology Utrecht | 0 | |||||||||
| 37192 | Christopher von | Frankenberg | Assimilation | 2017 | live-elec, | 5:00:00 | aka There's No Net Neutrality | HfG Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 5383 | Jim | Franklin | Giving Shape | 1986 | fixed media, akusmatisch | 25:00 | Sweelinck | 0 | |||||||||||
| 5384 | L. E. | Franks | Fantasia | 1961 | fixed media, akusmatisch | 2:46 | Mono | after O. Gibbons | DECCA DL 9103 (Music for Mathematics)/ DECCA DL 79103/ | Bell Lab | 0 | ||||||||
| 5385 | Wayne | Franks | L’Orage | 1989 | fixed media, akusmatisch | 5:35 | Stereo | Concordia Montréal | 0 | ||||||||||
| 34597 | Martin von | Frantzius | Violin Sidetracks, sidetracks | 2013 - 2016 | live-elec, 1 perf | vn, (com) [Violine] | SMC2016 | 0 | |||||||||||
| 5386 | Olov | Franzén | Caleb, en molnens broder | Zuspiel / Tonband, 1 perf, 1 group | ≈ 40:00 | Stereo | inss [Instrument] | EMS Stockholm | 0 | ||||||||||
| 5387 | Olov | Franzén | Extension | 1977 | Zuspiel, live-elec, 2 perf | 10:00 | vc, synt [Cello, synthesizer] | EMS Stockholm | 0 | ||||||||||
| 5388 | Olov | Franzén | The Vancouver piece | 1975/1976 | Zuspiel / Tonband, 1 perf, 1 group | 26:00 | inss [Instrument] | EMS Stockholm | 0 | ||||||||||
| 5389 | Olov | Franzén | Tjuvolta | 1979 | Zuspiel / Tonband, 1 perf | 6:38 | Stereo | S [Sopran] | EMS Stockholm | 0 | |||||||||
| 42489 | Davíd Brynjar | Franzson | S-Be2 | 2009 | Klangkunst, Installation | 0 | |||||||||||||
| 42609 | Heather | Frasch | métal re-sculpté | 2009 | live-elec, 1 perf | 12 | sax [Saxophon] | 0 | |||||||||||
| 39843 | Heather | Frasch | sans histoire | 2005 | live-elec, 1 perf | 3:16:00 | vc [Cello] | Heather Frasch | 0 | ||||||||||
| 43063 | Heather | Frasch | sense boxes | 2014 | Klangkunst, Installation | Location: Playhouse Lobby | 0 | ||||||||||||
| 42610 | Paul | Fraser | 8-bit Cycles | 2008 | live-elec, 2 perf | 5 | Stereo | toy-Kbd and V and com, objects and melodica and com [Stimme, computer] | Uni Minnesota | 0 | |||||||||
| 5390 | Enrico | Frattaroli | Opera | 1992 | fixed media, akusmatisch | 15:15 | 0 | ||||||||||||
| 39467 | Nicola Fumo | Frattegiani | Banlieue cuivrée | 2017 | fixed media, akusmatisch | 8:03 | 0 | ||||||||||||
| 42490 | Yvonne | Freckmann | Remember From Womb You Came | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 23950 | Pablo | Fredes | ça fait faire ça | 2002 | fixed media, akusmatisch | 8:36 | Junio 2002. Auditorium del conservatorio de Pantin. Francia. | 0 | |||||||||||
| 23952 | Pablo | Fredes | Sonatisse | 2009 | fixed media, akusmatisch | 7:12 | CONV 60/ | 0 | |||||||||||
| 23951 | Pablo | Fredes | Sonattache | 2004 | fixed media, akusmatisch | 12:08 | Octubre 2004. Concierto de alumnos de la Asociación de enseñantes de música electroacústica. CNSM de Lyon, Francia. | 0 | |||||||||||
| 40168 | Pablo | Fredes | “TUM” | 2017 | fixed media, akusmatisch | Pablo Fredes | 0 | ||||||||||||
| 5391 | Howard | Fredrics | Bukowski Songs, The Raven's Kiss No Help for That The Tragedy of The Leaves Inevitable Conflicts As The Spirit Wanes The Mockingbird |
1993 | fixed media, akusmatisch | Zuspiel/Tonband, 5 perf, 1 group |
Kbd, Vs, vc, db, p [Stimme, Piano, Keyboard, Cello, Kontrabass] | Centaur CRC 2245, CDCM Vol. 20/ ICMC 1994, DIEM 001/ SEAMUS EAM 9501 Vol. 4/ Kiasma 1999/ | EMS Stockholm, Uni of Texas at Austin | Competition Musica Nova Prag 1995 | 1 | |||||||||
| 39848 | Howard | Fredrics | Northern Lights | 2015 | fixed media, akusmatisch | 8:00:00 | Howard Frederics | 0 | |||||||||||
| 22792 | Howard | Fredrics | The Tragedy of The Leaves | 1991 | fixed media, akusmatisch | 11:00 | Centaur CRC 2245, CDCM Vol. 20/ | Uni of Texas at Austin | 1 | ||||||||||
| 32061 | Howard Jonathan | Fredrics | Vagvisa För Mitt Ofödda Barn | 1995 | Zuspiel / Tonband, 1 perf | S [Sopran] | Lori Joachim Fredrics, soprano | SEAMUS EAM Vol. 5/ | 0 | ||||||||||
| 5392 | Magnus | Fredriksson | Fanfar konkret | 1987 | fixed media, akusmatisch | 4:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 5394 | John | Free | Conversation with John Cage—A Work Untitled In Advance | 1987 | fixed media, akusmatisch | 12:00 | Stereo | Axon M. Toronto | 0 | ||||||||||
| 5395 | John | Free | Generation-X | 1988 | live-elec, 1 perf | 12:00 | Stereo | gui, (com) [Gitarre] | 0 | ||||||||||
| 5396 | John | Free | Piano Study Number Two | 1986 | fixed media, akusmatisch | 18:00 | Stereo | Gr. Av. St Toronto | 0 | ||||||||||
| 5397 | John | Free | The Shape of Things to Come | 1987 | fixed media, akusmatisch | 12:00 | Stereo | Axon M. Toronto | 0 | ||||||||||
| 5398 | John | Free | This is not Iggy Pop | 1987 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 5393 | John, Bill | Free, Gilliam | A Flight Out of Time | 1988 | Zuspiel, live-elec, 1 perf | 8:30 | Stereo | gui [Gitarre] | Static Interference | 0 | |||||||||
| 5399 | Elliot E. | Freedman | Reflections in a Metal Sea | 1987 | fixed media, akusmatisch | 10:02 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 5400 | Elliot E. | Freedman | The Griffith Observer | 1988 | fixed media, akusmatisch | 8:34 | Stereo | Queens Uni Kingston | Le Caine Award 1988 Résidence Bourges |
0 | |||||||||
| 5401 | Elliot E. | Freedman | Through Windows of Vulnerability | 1989 | fixed media, akusmatisch | Stereo | Queens Uni Kingston | 0 | |||||||||||
| 34619 | Jason | Freeman | Shadows | 2015 | live-elec, 1 perf | p [Piano] | Ninon Gloger, piano SMC2016 |
0 | |||||||||||
| 42865 | Pauric | Freeman | Aphotic Depth | 2013 | fixed media, akusmatisch | 10:03:00 | 0 | ||||||||||||
| 35655 | Pablo | Freiberg | La muerte de Orfeo | 2008 | Zuspiel / Tonband, 1 perf | 13:46 | db [Kontrabass] | Musica Contemporanea Electroacustica - Convocatoria 07 - LIPM | LIPM B.Aires | 0 | |||||||||
| 20177 | Pablo | Freire | Zeluob 3 | 1990 | fixed media, akusmatisch | 12:04 | Stereo | ISAST LMJ 4/ | 0 | ||||||||||
| 31753 | Sérgio | Freire | A Semente e a Casca, The seed and the pod | 1999 | Zuspiel / Tonband, 2 perf | 7:42 | gui (cavaquinho), cl [Klarinette, Gitarre] | cavaquinho ≈ small gui with 4 cordes | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | 1 | |||||||||
| 40709 | Marcel | Frémiot | Cadastre | 1970 | radiophon | Pour une émission dramatique radiodiffusée. Texte de G. Boursau. |
INA • GRM | 0 | |||||||||||
| 5402 | Marcel | Frémiot | Cadastre Actuaire 2 | 1971 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 5403 | Marcel | Frémiot | Dieu dans l’oreille | 1984 | live-elec, 1 perf | Bar [Bariton] | 0 | ||||||||||||
| 40645 | Marcel | Frémiot | Drift | 1968 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 40628 | Marcel | Frémiot | Interlude pour Interannée | 1967 | Film | 5 | INA • GRM | 0 | |||||||||||
| 5404 | Marcel | Frémiot | La Chimère de Saozi | 1988 | Musiktheater, live-elec, 1 perf | synt [synthesizer] | Syter | MIM Marseille | 0 | ||||||||||
| 40636 | Marcel | Frémiot | La Noria | 1968 | Tanz | 15 | Mono | INA • GRM | 0 | ||||||||||
| 5405 | Marcel | Frémiot | Le coin des choses | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 5406 | Marcel | Frémiot | Messe d'Orgue | 1988 | Zuspiel / Tonband, 1 perf | org [Orgel] | MIM Marseille | 0 | |||||||||||
| 5407 | Marcel | Frémiot | Pariétaire | 1969 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 5408 | Marcel | Frémiot | Rails | 1986 | fixed media, akusmatisch | 7:00 | Stereo | MIM Marseille | 0 | ||||||||||
| 5409 | Marcel | Frémiot | Ricercare | 1972 | fixed media, akusmatisch | Tanz |
Stereo | GMEM Marseille | 0 | |||||||||||
| 5410 | Marcel | Frémiot | Ricercare II | 1973 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 5411 | Marcel | Frémiot | Sonate Pour Likenbe | 1971 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 5412 | Marcel | Frémiot | Tant et tant d’abres | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 40659 | Marcel | Frémiot | Telephone, l’orchestre anarchique | 1969 | radiophon | 9:55 | Séquences pour un texte de Délia Torre. | INA • GRM | 0 | ||||||||||
| 5413 | Marcel | Frémiot | Temporal | 1972 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 5414 | Marcel | Frémiot | Trio No. 2 | 1989 | live-elec, 2 perf | 18:00 | Stereo | 2 p [Piano] | SYTER | MIM Marseille | 0 | ||||||||
| 5415 | Marcel | Frémiot | Trio No. 3 | 1989 | live-elec, 3 perf | Stereo | 2 p, synt [Piano, synthesizer] | Syter | MIM Marseille | 0 | |||||||||
| 5416 | Gerard | Fremy | Easy Road | 1990 | live-elec, | 45:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 5417 | Claude | Frenette | Ce temps retors | 1986 | live-elec, 1 perf | 12:00 | Stereo | synt, (com) [synthesizer] | Personel Composer | PS C. | 0 | ||||||||
| 5418 | Claude | Frenette | Et lisser son visage comme au fil du temps (2e partie) | 1985 | fixed media, akusmatisch | 23:00 | Stereo | 0 | |||||||||||
| 5419 | Claude | Frenette | Ici, ailleurs, la lumière | 1983 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | amp fl [Flöte] | CBC Montréal | 0 | |||||||||
| 33191 | Michael | Frengel | And the, Romina … | 2000 | Zuspiel / Tonband, 1 perf | 11:40 | prep e-gui [Gitarre] | Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 tape + ins | 0 | |||||||||
| 22889 | Michael | Frengel | Long Slender Heels | 1999 | fixed media, akusmatisch | 3:21 | Stereo | innova 116/ | Bregman Dartmouth | 1 | |||||||||
| 20978 | Michael | Frengel | Three Short Stories | 1996 | fixed media, akusmatisch | Stereo | 3 parts | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | |||||||||
| 39458 | Mike | Frengel | Country Roads | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 35646 | Mike | Frengel | No Pestering | 1995 | fixed media, akusmatisch | 0:40 | ICMC | 0 | |||||||||||
| 39459 | Mike | Frengel | Sarteano l’estate | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 5420 | Magnus | Frenning | Grind | 1988 | fixed media, akusmatisch | 9:48 | Stereo | 0 | |||||||||||
| 5421 | Magnus | Frenning | Kopplingen | 1988 | fixed media, akusmatisch | 16:38 | Stereo | 0 | |||||||||||
| 40705 | Gilles | Fresnais | Coda d’ete | 1970 | Fernsehen, | Pour une émission TV | INA • GRM | 0 | |||||||||||
| 5422 | Gilles | Fresnais | Deux Etudes en couleur, En bleu En gris |
1974 | fixed media, akusmatisch | 8:00 | Stereo | Etudes de stage | INA • GRM | 22.7.1974 | Paris, Festival Estival, Eglise St. Séverin | 0 | |||||||
| 40736 | Gilles | Fresnais | Homomixa | 1973 | radiophon | Texte de Demelier | INA • GRM | ORTF pour Atelier de Création Radiophonique | 0 | ||||||||||
| 34847 | Gilles | Fresnais | Les chants de la mer | 2016 | fixed media, akusmatisch | 9:09:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 35443 | Gilles | Fresnais | Les chants de la terre | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 5423 | Gilles | Fresnais | Stigmergie | 1973 | fixed media, akusmatisch | 6:25 | Stereo | INA • GRM | 0 | ||||||||||
| 5424 | Gilles | Fresnais | Vague-divague | 1973 | fixed media, akusmatisch | 8:50 | Stereo | INA • GRM | 0 | ||||||||||
| 40741 | Gilles | Fresnais | Visions | 1974 | radiophon | Pour une émission de l'Atelier de Création Radiophonique. | INA • GRM | 0 | |||||||||||
| 40742 | Gilles, Jacques | Fresnais, Lejeune | Variations lumino dynamiques | 1974 | Fernsehen, | Pour un film TV de N. Schôffer | INA • GRM | 0 | |||||||||||
| 25895 | Ludovic | Fresse | Canal Inhabituel | 2004 | fixed media, akusmatisch | 22:00 | 6 parts. „Noise“ | PS C. | 1 | ||||||||||
| 25896 | Ludovic | Fresse | Le Cancer du Nombril | 2005 | fixed media, akusmatisch | 30:00 | 13 parts. „Noise“ | khokhol/ | PS C. | 1 | |||||||||
| 36538 | Paul | Fretwell | King's Cross | 2014 | fixed media, akusmatisch | 9:15:00 | Taukay 156/ | 0 | |||||||||||
| 22281 | Group | Freundschaft | Varför Tyska? | live-elec, | 7:54 | Festival Documentation "Nature is Perverse" | FYCD 1017-1/ | 0 | |||||||||||
| 22064 | Michael | Frey | BUG | fixed media, akusmatisch | 9:21 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 25686 | Régis | Frias | Siderugia | 2002 - 2003 | fixed media, akusmatisch | 8:04 | Stereo | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | |||||||||
| 5425 | Laurent | Frick | Clous rouillons | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5426 | Laurent | Frick | L'amer qu'on voit danser | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 33693 | Stefan | Fricke | LvB | 1999/2005/2012 | fixed media, akusmatisch | 22:30 | Stereo | MH-G7 012/ | SR Saarbrücken, PS C. | 23.11.1999 | Saarländischer Rundfunk, Saarbrücken, SR 2 Kulturradio | 1 | |||||||
| 40197 | Rikhardur H. | Fridriksson | Postcards from the North and South | 2017 | fixed media, akusmatisch | Rikhardur H. Fridriksson | 0 | ||||||||||||
| 5427 | Wolfgang | Friebe | Capriccio für Trautonium & Orchester | 1937 | live-elec, 1 perf, 1 group | 2:30 | Mono | mtr, orc [synthesizer, Orchester] | 0 | ||||||||||
| 38958 | Sabisha | Friedberg | Strange Cloak--Sub-Flight Infinity | 2014 | Performance, live-elec, 1 perf | perf [Performer] | EMPAC | 2014 EMPAC | 0 | http://empac.rpi.edu/events/2014/spring/sabisha-friedberg | |||||||||
| 5428 | Ernst | Friedl | Expedition 2011 | 1978 | fixed media, akusmatisch | 7:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 5429 | Ernst | Friedl | Wiener Gemütsmischung | 1978 | fixed media, akusmatisch | 8:00 | Mono | ELAK Wien | 0 | ||||||||||
| 36486 | Heribert | Friedl | W | 2007 | radiophon | 3:45:00 | and 26/ | 0 | |||||||||||
| 38541 | Reinhold | FRIEDL | Affentheurlich Naupengeheurliche Geschichtklitterung | 2016 | radiophon | 52:20:00 | 0 | ||||||||||||
| 5430 | Reinhold | Friedl | Fratrasies | 1992 | Zuspiel / Tonband, 1 perf | 17:00 | Stereo | p [Piano] | GMEM Marseille | 0 | |||||||||
| 34572 | Reinhold | Friedl | Golden Quinces, Earthed | 2014 | live-elec, 1 perf | 55:20 | Neo-Bechstein p [Piano] | Bocian Rec bcRF/ | TU Berlin | 0 | |||||||||
| 31342 | Reinhold | Friedl | Neo-Bechstein | 2003 | Performance, live-elec, 1 perf | 42 | Octo | Neo-Bechstein p [Piano] | Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe and MaerzMusik Berliner Festspiele | January 28, 2003 | ZKM Karlsruhe Kubus | 0 | http://sukandar.de/ | ||||||
| 31341 | Reinhold | Friedl | Xenakis [a]live! | 2004 | live-elec, 9 perf | 54 | b-cl, tpt, tuba, vn, vc, db, p, sam, perc [Klarinette, Trompete, Tuba, Piano, Schlagzeug, Cello, Violine, Kontrabass, computer] | ASP 3005/ | Wiener Festwochen, Vienna, Austria and Asphodel San Francisco | June 6, 2004 | Weiner Festwochen, zeitkratzer | 1 | |||||||
| 25494 | Reinhold, Bernhard, Michael | Friedl, Günter, Vorfeld | Message Urgent | 2003 | Zuspiel / Tonband, 3 perf | 59:20 | Stereo | 3 perf [Performer] | 4 parts | TOC 041 Trente oiseaux/ | 11.2003 | Podewil, Berlin | 1 | www.trenteoiseaux.de | |||||
| 5431 | Gary | Friedman | Concerto | 1967 | Zuspiel / Tonband, 1 perf | a-sax [Saxophon] | Col.Princ EMC | 0 | |||||||||||
| 5432 | Gary | Friedman | Dream | 1966 | Theatermusik | 4:30 | Mono | Col.Princ EMC | 0 | ||||||||||
| 5433 | Gary | Friedman | Music for Art | 1966 | Hintergrundmusik | 25:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 5434 | Gary | Friedman | Suite from Macbeth | 1966 | Theatermusik | 32:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 5435 | Michel | Frigon | Itinéraire au Crépuscule | 1994 | fixed media, akusmatisch | 2:40 | CEC DISContact_2/ | Concordia Montréal | 1 | ||||||||||
| 5436 | Roger | Frima | B 2541 | 1973 | fixed media, akusmatisch | 7:00 | Stereo | INA • GRM | 5.10.1973 | Paris, 8. Biennale, Musée d’art Moderne | 0 | ||||||||
| 33312 | Abraham H. | Frisch | Studies using magnetized dies | 1950 | Studie | PS C. NY | 0 | ||||||||||||
| 5437 | Hans Eugen | Frischknecht | 3 Duos | 1963 | fixed media, akusmatisch | 4:43 | PS C. Bern | 0 | |||||||||||
| 5438 | Hans Eugen | Frischknecht | Baschet-Suite | 1965 | fixed media, akusmatisch | 8:39 | PS C. Bern | 0 | |||||||||||
| 5439 | Hans Eugen | Frischknecht | Bewegungen | 1962 | fixed media, akusmatisch | 3:58 | PS C. Bern | 0 | |||||||||||
| 5440 | Hans Eugen | Frischknecht | Ebenen | 1965 | fixed media, akusmatisch | 2:47 | PS C. Bern | 0 | |||||||||||
| 5441 | Hans Eugen | Frischknecht | Farbklänge | 1963 | fixed media, akusmatisch | 5:55 | PS C. Bern | 0 | |||||||||||
| 5442 | Hans Eugen | Frischknecht | Flächen | 1965 | fixed media, akusmatisch | 3:32 | PS C. Bern | 0 | |||||||||||
| 5443 | Hans Eugen | Frischknecht | Fluktuationen | 1964 | fixed media, akusmatisch | 3:37 | PS C. Bern | 0 | |||||||||||
| 5444 | Hans Eugen | Frischknecht | Glissandetti | 1964 | fixed media, akusmatisch | 2:23 | PS C. Bern | 0 | |||||||||||
| 5445 | Hans Eugen | Frischknecht | Komposition | 1971 | Zuspiel / Tonband, 2 perf | 8:00 | fl, cl [Flöte, Klarinette] | PS C. Bern | 0 | ||||||||||
| 5446 | Hans Eugen | Frischknecht | Kristallklänge | 1964 | fixed media, akusmatisch | 3:00 | PS C. Bern | 0 | |||||||||||
| 5447 | Hans Eugen | Frischknecht | Pizzicati | 1964 | fixed media, akusmatisch | 2:38 | PS C. Bern | 0 | |||||||||||
| 5448 | Hans Eugen | Frischknecht | Raumklänge | 1966 | fixed media, akusmatisch | 3:10 | PS C. Bern | 0 | |||||||||||
| 5449 | Hans Eugen | Frischknecht | Tropfen | 1964 | fixed media, akusmatisch | 2:50 | PS C. Bern | 0 | |||||||||||
| 5450 | Hans Eugen | Frischknecht | Vibrationen | 1962 | fixed media, akusmatisch | 3:58 | PS C. Bern | 0 | |||||||||||
| 34670 | Henrik, Anders | Frisk, Elberling | Il Se Tourna | 2013 | Klangkunst, Installation | ∞ | SMC2016, HAW | 0 | |||||||||||
| 20178 | Fred | Frith | The Previous Evening | 1993 - 1996 | live-elec, 1 group | 32:51 | Stereo | ens [Ensemble] | ReR CCFF1/ | 0 | |||||||||
| 31752 | Eloy Fernando | Fritsch | Synthetic Horizon | 2005 | fixed media, akusmatisch | 9:21 | SBME 006 Coletânea de Música Eletroacústica Brasileira/ | 1 | |||||||||||
| 26362 | Johannes | Fritsch | Acht Spuren im Spiegel | 2006 | live-elec, 8 perf | fl, cl, hn, vn, va, vc, p, perc [Flöte, Klarinette, Horn, Piano, Schlagzeug, Viola, Cello, Violine] | Feedback St | 20.8.2006 | Köln mit MusikFabrik | Feedback FB 0605 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5451 | Johannes | Fritsch | Akroasis | 1966/1968 | live-elec, 4 perf, 1 group | 30:00 | orc (with jazz-band), 2 V, org (Drehorgel, Musicbox,), Sp (Nachrichtensprecher) [Sprecher, Stimme, Orgel, Orchester] | BMG 74321 73516/ | für Josef Müller-Brockmann | 1971 | WDR | Feedback FB 7101 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 5452 | Johannes | Fritsch | Augenblicke | 1972 | Film | Mono | Feedback St | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||||
| 5453 | Johannes | Fritsch | Concerto da camera | 1964 | live-elec, 13 perf | 12:00 | amp vn, 12 str, (filter, Regler) [Violine, Streicher] | Feedback St | 1964 | Edition Modern / Tre Media Musikverlage | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5454 | Johannes | Fritsch | Damals | 1992 | Zuspiel / Tonband, | ≈ 45:00 | after S. Beckett | Feedback St | 1992 | Köln | Feedback FB 9208/09 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 5455 | Johannes | Fritsch | Der große Gesang | 1979 - 1980 | Tanz, live-elec, 6 perf | 120:00 | amp Sp, Mez, Counter-T, gui, trbn, perc [Mezzo, Tenor, Sprecher, Posaune, Gitarre, Schlagzeug] | nach Pablo Neruda; Choreograph Jochen Ulrich Concert-Version 45' |
DMR Musik in Deutschland 1950 - 2000: Musiktheater / Tanztheater / Motive Weltliteratur/ Koch 3-5037-2/ | Feedback St | Bühnen der Stadt Köln | 1980 | Köln | Feedback FB 7901 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||
| 5456 | Johannes | Fritsch | Die Hugenotten | 1978 | Zuspiel / Tonband, 2 perf, 1 group | 20:00 | vn, cymbal, orc [Schlagzeug, Violine, Orchester] | Feedback FB 7813 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||||
| 5457 | Johannes | Fritsch | Die Regel war unabänderlich - ein Requiem | 1975/1976 | Tanz | ≈ 40:00 | Feedback St | Bühnen der Stadt Köln | Feedback FB 7601 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||||
| 5458 | Johannes | Fritsch | Duett für Bratsche | 1961 | Zuspiel / Tonband, 1 perf | 8:00 | va [Viola] | 1961 | Theater "Der Keller" Köln | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5459 | Johannes | Fritsch | Fabula rasa | 1964 | fixed media, akusmatisch | 17:45 | Quadro | IDEAMA CD 011/ | WDR SEM | WDR 1965 | 11.6.1965 | "Musik der Zeit" Köln | Feedback FB 7143 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5460 | Johannes | Fritsch | Flute Klang | 1981 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | a-fl, (delay) [Flöte] | Tonband oder Delay-System | Feedback Studio Köln CD 1/ | Feedback St | 1981 | Darmstadt mit Robert Dick | Feedback FB 8103 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||
| 26359 | Johannes | Fritsch | Große Litanei | 1999 | live-elec, 6 perf | actor (with large drum), fl (talking fluteplayer), perc, Celesta, 2 com p [Flöte, Piano, Schlagzeug, Schauspieler] | Feedback St | Feedback FB 9909 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||||
| 26358 | Johannes | Fritsch | Haikai | 1998 | Zuspiel / Tonband, 4 perf | Sp, 2 b-cl, perc [Sprecher, Klarinette, Schlagzeug] | Feedback St | 1998 | Köln | Feedback FB 9820 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5461 | Johannes | Fritsch | Hochtöner | 1974 | Zuspiel / Tonband, 4 perf | 18:19 | fl, va, perc, synt, (rm) [Flöte, Schlagzeug, Viola, synthesizer] | Liveelektronische Improvisation. performed MetaMusik 7.10.1974 Neue Nationalgalerie |
Cybele 960.307/ Feedback CD 7/ | Feedback St | Feedback FB 7402 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 26357 | Johannes | Fritsch | Infra, für tiefe Töne | 1998 | live-elec, 1 perf | 10:00 | MIDI [synthesizer] | SPX 900 ad lib. | Feedback St | 1998 | Köln | Feedback FB 9817 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 26360 | Johannes | Fritsch | Kernspin | 2000 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Feedback St | Feedback FB 0006 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||||
| 5462 | Johannes | Fritsch | Kyo Mu | 1982 | Zuspiel / Tonband, 1 perf | 31:00 | shakuhachi [Flöte] | Feedback Studio Köln CD 1/ | Feedback St | 1982 | Vlotho | Feedback FB 8212 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 5463 | Johannes | Fritsch | Lied | 1969/1970 | live-elec, 1 perf | V [Stimme] | für einen Sänger, der sich selbst am Klavier begleitet | Feedback St | 1970 | Amsterrdam (Schorlemer) | Feedback FB 7134 grafische Partitur | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 26356 | Johannes | Fritsch | Litanei | 1994 | Zuspiel / Tonband, 1 perf | 15:00 | actor (with large drum) [Schauspieler] | Feedback St | 1994 | Köln | Feedback FB 9411 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 5464 | Johannes | Fritsch | Madrigal triste | 1963 | Zuspiel / Tonband, 1 perf | 10:00 | ob [Oboe] | aus gefilterten, transponierten und überlagerten Oboenklängen; nach Baudelaire | IDEAMA CD 053/ IDEAMA CD 113/ | WDR SEM | WDR | ohne Nachweis | Feedback FB 7188 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5465 | Johannes | Fritsch | Mattina Romana | 1976 | radiophon | 15:00 | Tonstudie | Feedback St | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||||
| 5466 | Johannes | Fritsch | Modulation II | 1967 | Zuspiel, live-elec, 13 perf | ≈ 15 | 13 ins [Instrument] | for live-elec or tape | WDR SEM | 1967 | Frankfurt | Feedback FB 7132 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 26354 | Johannes | Fritsch | Modulation III / V | 1966 - 1968 | fixed media, akusmatisch | 240:00 | Musiken für Räume und Plätze auf Tonbändern | WDR SEM | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||||
| 5467 | Johannes | Fritsch | Modulation IV | 1968 | fixed media, akusmatisch | 34:35 | Quadro | IDEAMA CD 011/ | WDR SEM | WDR 1968 | 2.9.1968 | Feedback FB 7145 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 5468 | Johannes | Fritsch | Musica Mundana | 1973 | fixed media, akusmatisch | 49:58 | Stereo | für eine Kosmogonieausstellung im Naturkundemuseum Düsseldorf; Transposition der Planetenbahnen in den Hörbereich | HfMT Köln | Feedback FB 7303 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 23093 | Johannes | Fritsch | Nachthelle | 1997 | live-elec, 4 perf | 10:33 | va, vc, db, synt [Viola, Cello, Kontrabass, synthesizer] | VCS3 | Cybele 960.303/ DegeM CD 06/ Feedback CD3/ | Feedback St | Feedback FB 9701 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 27979 | Johannes | Fritsch | Noel für drei Flöten, Playbackversion | 1990 | Zuspiel / Tonband, 1 perf | 19:33 | fl [Flöte] | gr fl, a-fl, b-fl | Feedback Studio Köln CD 1/ | Feedback St | 1991 | Köln mit C. Hoitenga | Feedback FB 9006 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5469 | Johannes | Fritsch | Ode | 1980 | Zuspiel, live-elec, 1 perf | ≈ 40:00 | 5 tracks | perc [Schlagzeug] | withdrawn? | WDR SEM, Feedback St | 27.9.1980 | "Musik der Zeit" Köln mit Michael Ranta | Feedback FB 8004 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5470 | Johannes | Fritsch | Partita | 1965/1966 | Zuspiel, live-elec, 4 perf | 20:00 | va, 3 mus (Kontaktmikrofone, Magnetofone, Filter und Regler) [Viola, Musiker] | Kontaktmikrofone, Magnetofone, Filter und Regler, 4 Spieler | IDEAMA CD 046/ | WDR SEM | 28.4.1967 | "Musik der Zeit" Köln | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5471 | Johannes | Fritsch | Radiostück 1 | 1971 | fixed media, akusmatisch | 17:00 | Text aus "V wie Vietnam" von Armand Gatti | DMR Musik in Deutschland 1950 - 2000: Komponierte Zeitgeschichte/ | Feedback St | Feedback FB 7151 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5472 | Johannes | Fritsch | RM'96 | 1996 | live-elec, 3 perf | var 12:19 | a-fl, vc, p, (rm) [Flöte, Piano, Cello] | Cybele 960.307/ Feedback CD 7/ | Feedback St | 1996 | Köln | Feedback FB 9605 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 5473 | Johannes | Fritsch | run tits | 1975/1977 | fixed media, akusmatisch | 7:00 | aus Potenzreihen von Primzahlobertönen, Programm "Timbre tuning system" auf PDP-11 | CME La Jolla, Feedback St | 1977 | Athen | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 5474 | Johannes | Fritsch | Schnitte | 1971 | fixed media, akusmatisch | 8:00 | Stereo | DGG 4/0654967/ | Feedback St | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5475 | Johannes | Fritsch | Testament Vivier | 1983 | Zuspiel / Tonband, 6 perf | 20:00 | br-qnt, p [Piano, Bläser] | Feedback St | 1983 | Köln WDR | Feedback FB 8307 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 26355 | Johannes | Fritsch | Trio | 1993 | live-elec, 3 perf | sax, gui, db [Saxophon, Gitarre, Kontrabass] | ausgearbeitet von "ugly culture" | Feedback St | 1993 | Köln | Feedback FB 9311 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 5476 | Johannes | Fritsch | Trio 1977 | 1977 | live-elec, 3 perf | 15:00 | va, trbn, p, (rm) [Posaune, Piano, Viola] | Cybele 960.307/ Feedback CD 7/ | Feedback St | 1977 | Köln | Feedback FB 7706 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 28310 | Johannes | Fritsch | VIII ’94 | 1994 | live-elec, 1 perf | 10:00 | a-fl and Tempelglocke [Flöte] | N. Psenitsnikova (fl); dedicated to Natalja Psenitsnikova | Feedback Studio Köln CD 1/ | Feedback St | 1994 Berlin mit Natalja Psenitsnikova | 1991 | Köln mit C. Hoitenga | Feedback FB 9006 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||
| 5477 | Johannes | Fritsch | Violectra | 1971 - 1999 | live-elec, 2 perf | 28:00 | va d'amore, synt [Viola, synthesizer] | 7 verschiedene Improvisations-Versionen (Köln, NY, Stockholm, Stuttgart, Osaka) | Cybele 960.305/ Feedback CD 4-5/ | Feedback St | 1971 | SR | Feedback FB 7141 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5478 | Johannes | Fritsch | Wolfsklänge, Mauricio Kagel zum 60. Geburtstag | 1991 | Zuspiel / Tonband, 4 perf | 7:00 | vn, p, 2 vc [Piano, Cello, Violine] | Feedback St | 1992 | Köln | Feedback FB 9205 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 26361 | Johannes | Fritsch | Yokohama | 2001 | live-elec, 8 perf | 4 V, a-fl, trbn, 2 perc [Stimme, Flöte, Posaune, Schlagzeug] | Feedback St | 2001 | Frankfurt | Feedback FB 0101 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 19178 | Johannes, Volker | Fritsch, Staub | Trio 1993 | 1993 | live-elec, 3 perf | 3:30 | 3 perf (Stahlsaite, Baumstamm, Motorsirenen) [Performer] | Feedback 25 Jahre/ | Feedback St | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||||
| 42491 | Lawrence | Fritts | Mappaemundi | 2008 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 20179 | Lawrence | Fritts | Minute Variations | fixed media, akusmatisch | 5:00 | Stereo | Innova 114/ | Uni Iowa | 1 | ||||||||||
| 32116 | Lawrence | Fritts | Musicometry I | 2005 | live-elec, 1 perf | 6:37:00 | cl [Klarinette] | Esther Lamneck, clarinet | SEAMUS EAM Vol. 15/ | 0 | |||||||||
| 40010 | Lawrence | Fritts | Musicometry I | 2016 | fixed media, akusmatisch | Lawrence Fritts | 0 | ||||||||||||
| 42109 | Anna | Friz | Respire | 2009 | radiophon | PS C. für Nuit Blanche, Scotiabank Toronto | 0 | ||||||||||||
| 5479 | Nicolas | Frize | Deux Peintures de Peinte | 1977 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 5480 | Nicolas | Frize | Krisie | 1974 | fixed media, akusmatisch | 21:42 | Stereo | Étude de stage | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | |||||||
| 5481 | Nicolas | Frize | Quand est-ce Qu'? | 1979 | fixed media, akusmatisch | 12:22 | Stereo | INA • GRM | INA • GRM | 0 | |||||||||
| 39511 | Nathan | Froebe | Addiction’s Actuality | 2017 | Zuspiel / Tonband, 2 perf | trbn, p [Posaune, Piano] | 0 | ||||||||||||
| 23578 | Dan | Fröberg | Flute School | 2003 | Klangkunst, Installation | 2:18 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 37548 | Norbert | Fröhlich | Noch Gestern | 1985 | Zuspiel / Tonband, 1 group | 29:30 | Stereo | chamber-ens [Ensemble] | ICEM Essen | 0 | |||||||||
| 37549 | Norbert | Fröhlich | Suite für Blockflöte | 1979 | fixed media, akusmatisch | 28:00:00 | Stereo | rec (Anke Haun) [Flöte] | ICEM Essen | 0 | |||||||||
| 38542 | Stephan | FROLEYKS | Alter Klang | 2002 | radiophon | 38:35:00 | 0 | ||||||||||||
| 42227 | Stephan | FROLEYKS | Von den Wassern, Anthologie von Texten und Musik | 1998 | radiophon | 38:35:00 | RB | 7.2.1999 | Radio Bremen | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1411177&vi=128&SID | ||||||||
| 38543 | Stephan | FROLEYKS | zweizwilling | 2010 | radiophon | 39:52:00 | 0 | ||||||||||||
| 5482 | Ivar | Frounberg | A Pattern of timeless motion | 1989 | fixed media, akusmatisch | 20:15 | Quadro | Rostrum 90 Oslo | dacapo DCCD 9101/ | DIEM Aarhus | 1 | ||||||||
| 5483 | Ivar | Frounberg | EMBRYO | 1985 | Zuspiel / Tonband, 1 group | ens [Ensemble] | DIEM Aarhus | 1 | |||||||||||
| 5484 | Ivar | Frounberg | Stenalder | 1988 | fixed media, akusmatisch | 4:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 5485 | Ivar | Frounberg | Time and the Bell | 1990 | live-elec, 1 perf | perc [Schlagzeug] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 22468 | Ivar | Frounberg | Worlds Apart | 1993 | Zuspiel / Tonband, 1 perf | 19:15 | hp [Harfe] | "Harp & Computer" | DIEM Aarhus | 1 | |||||||||
| 5486 | Armand | Frydman | Lueurs | 1974 | fixed media, akusmatisch | 10:22 | Stereo | Étude de stage | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | |||||||
| 36563 | Susan | Frykberg | Astonishing Sense … | 1984 | fixed media, akusmatisch | 8:56 | Stereo | ES 98001 Earsay/ | SFU | 0 | |||||||||
| 36570 | Susan | Frykberg | Astonishing Sense Of Being Taken Over By Something Greater Than Me, The Audio Birth Project | 1997 | live-elec, 1 perf | 8:53:00 | vn [Violine] | ES 98003 Earsay/ | SFU | 0 | |||||||||
| 36568 | Susan | Frykberg | Birth / Rebirth Bearing Me | 1997 | fixed media, akusmatisch | 8:02:00 | ES 98003 Earsay/ | SFU | 0 | ||||||||||
| 36571 | Susan | Frykberg | I Didn't Think Much About It, The Audio Birth Project | 1997 | live-elec, 1 perf | 6:02:00 | p [Piano] | ES 98003 Earsay/ | SFU | 0 | |||||||||
| 36567 | Susan | Frykberg | Insect Life | 1997 | live-elec, 1 perf | 10:11:00 | V [Stimme] | ES 98003 Earsay/ | SFU | 0 | |||||||||
| 36569 | Susan | Frykberg | Margaret, The Audio Birth Project | 1997 | fixed media, akusmatisch | 3:21:00 | ES 98003 Earsay/ | SFU | 0 | ||||||||||
| 36566 | Susan | Frykberg | Mother Too | 1997 | live-elec, 1 perf | 15:01:00 | V [Stimme] | ES 98003 Earsay/ | Orca Pacific St | 0 | |||||||||
| 5488 | Susan | Frykberg | Piano Study No 1 | 1984 | fixed media, akusmatisch | Stereo | SFU | 0 | |||||||||||
| 5489 | Susan | Frykberg | Saxarba | 1982 | fixed media, akusmatisch | 15:00 | Stereo | SFU | 0 | ||||||||||
| 36572 | Susan, Kathy | Frykberg, Kennedy | Sue And Kathy Telecompose Across The Country | 1997 | live-elec, 2 perf | 8:57:00 | 2 V [Stimme] | ES 98003 Earsay/ | SFU | 0 | |||||||||
| 5487 | Susan, James | Frykberg, Montgomery | A Distant Singing | 1981 | fixed media, akusmatisch | Stereo | SFU | 0 | |||||||||||
| 40327 | Xiao | Fu | Amnesia | 2017 | fixed media, akusmatisch | Xiao Fu | Uni Williamsburg | 0 | |||||||||||
| 42907 | Xiao | Fu | Jiao Cuo for cello, live electronics, samples & video | 2013 | live-elec, 1 perf | 14:00:00 | vc [Cello] | Madeleine Shapiro, cello | 0 | ||||||||||
| 40328 | Xiao | Fu | Longing | 2016 | fixed media, akusmatisch | Xiao Fu | 0 | ||||||||||||
| 34588 | Xiao | Fu | Maelstrom, Blossom | 2016 | Klangkunst, Installation | SMC2016 | HCU Hamburg | 0 | |||||||||||
| 40027 | Lowell | Fuchs | Elaborations No. 1 | 2015 | fixed media, akusmatisch | 5:00:00 | Lowell Fuchs | 0 | |||||||||||
| 5490 | Mathias | Fuchs | Break | 1988 | intermedia | slides by Dinka Pignon | 0 | ||||||||||||
| 5492 | Mathias | Fuchs | Erste Hilfe | 1986 | Tanz | ELAK Wien | 0 | ||||||||||||
| 5493 | Mathias | Fuchs | Flaschenstücke | 1984 | fixed media, akusmatisch | 4:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 5494 | Mathias | Fuchs | Steppance | 1986 | fixed media, akusmatisch | Stereo | ELAK Wien | 0 | |||||||||||
| 5495 | Mathias | Fuchs | Ton-Bein | 1985 | Tanz | ELAK Wien | 0 | ||||||||||||
| 5496 | Mathias | Fuchs | U-Bahn | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 5497 | Mathias | Fuchs | Wien 1991 | 1991 | Klangkunst, Installation | with Sylvia Eckermann | 0 | ||||||||||||
| 32935 | Mathias, Sylvia | Fuchs, Eckermann | Bad Room | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 5491 | Mathias, Igor | Fuchs, Lintz-Maues | Entrée / Sortie | 1990 | radiophon | Radiokunstprojekt mit Sylvia Eckermann | 0 | ||||||||||||
| 19069 | Paul | Fuchs | Ballast-Saiten Ensemble | 1996 | Klangkunst, Installation | 1:33 | Sonambiente Ausstellung (1996) Katalog S.59 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 19040 | Paul | Fuchs | Der große Zeiger | 1996 | Klangkunst, Installation | Sonambiente Ausstellung (1996) Katalog S.59 |
ISBN 3-7913-1699 (Prestel)/ | 1 | |||||||||||
| 19087 | Paul, Zoro | Fuchs, Babel | Ringing Material | 1996 | Performance | 0:42 | Sonambiente Ausstellung (1996); Parochialkirche Katalog S.59 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 34168 | Paul, Hariolf | Fuchs, Schlichtig | Klangskulpturen für Bratsche | 2000 | Klangkunst, Installation | (bronze-slabs,) va [Viola] | CD: Recording from 2001, Denkmalschmiede Höfgen, Kaditzsch | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | 1 | ||||||||||
| 38544 | Florian | FÜGER | Schizophrenia – Status einer Stadt | 2011 | radiophon | 19:21:00 | 0 | ||||||||||||
| 34101 | Arturo | Fuentes | Fosil KV | 2007 | fixed media, akusmatisch | 9:13 | Stereo, Quadro | IRD 002 Irradia/ miso records mcd 023.10/ | musik+ and Studienzentrum für Neue Musik [Austria] | 2007 | Música Viva Lisboa | Musica Viva Competition Prize 2007 | 0 | ||||||
| 35350 | Arturo | Fuentes | Plexus | 2009 | live-elec, 1 perf | 9:30 | sax [Saxophon] | (Pedro Bittencourt, sax) | WER 20742/ | 0 | |||||||||
| 31516 | Anouk | Fürst | open ears shut eyes | 2013 | Klangkunst, Installation | ∞ | next_generation 5.0 | HKB Bern | 0 | ||||||||||
| 31525 | Lukas | Fuetterer | semaphonism (prototype) | 2013 | Performance | 13:00 | roboter [computer] | next_generation 5.0 | HfG Karlsruhe | 0 | |||||||||
| 39611 | Benjamin | Fuhrman | Exploring the Remains of a Giant | 2015 | fixed media, akusmatisch | Benjamin Fuhrman | 0 | ||||||||||||
| 39612 | Benjamin | Fuhrman | Reflections in a Gasoline Rainbow | 2014 | fixed media, akusmatisch | 8:40:00 | Benjamin Fuhrman | 0 | |||||||||||
| 18991 | Mamoru | Fujieda | Ecological Plantron | 1994 | fixed media, akusmatisch | 14:43 | ISAST LMJ 5/ | 1 | |||||||||||
| 36322 | Mamoru | Fujieda | Radiated Falling | 1980 | fixed media, akusmatisch | 14 | 2 versions | OPA 011/ | 0 | ||||||||||
| 36323 | Mamoru | Fujieda | The Art Of Fugue | 1981 | fixed media, akusmatisch | 2 High Speed Versions, 5 Versions | OPA 011/ | 0 | |||||||||||
| 36310 | Yukio | Fujimoto | Ears of the Rooftop | 1991 | Performance | 12:17 | OP 0002/ | 24.1.1991 | Kodoma Gallery | 0 | |||||||||
| 34628 | Takuto | Fukuda | Assimilation | 2016 | live-elec, 1 perf | 10:08 | db (Max/MSP) [Kontrabass] | tape, double bass and live electronics. SMC2016 |
IEM Graz | 0 | |||||||||
| 32819 | Takuto | Fukuda | Beyond the Eternal Chaos | 2013 | fixed media, akusmatisch | 10:02 | Octo | fl [Flöte] | IEM Graz | 0 | |||||||||
| 40277 | Takuto | Fukuda | Centrifugal Melodies | 2015 | fixed media, akusmatisch | 10:07:00 | Takuto Fukuda | 0 | |||||||||||
| 38438 | Takuto | Fukuda | Constellation | 2015 | live-elec, 6 perf | ≈ 6 | fl, cl, vn, vc, acc, p (all quatertone) [Flöte, Klarinette, Piano, Akkordeon, Cello, Violine] | Micro Ensemble (Finland), in which all instruments are designed to produce quarter-tones | IEM Graz | 0 | |||||||||
| 38437 | Takuto | Fukuda | Feedback study I | 2016 | live-elec, 1 perf | ≈ 4 | s-sax [Saxophon] | IEM Graz | 0 | ||||||||||
| 31608 | Takuto | Fukuda | Satellite | 2010 | fixed media, akusmatisch | 5:55 | Octo, Spazialisation: Binaural | next_generation 5.0 | Sonology Den Haag | FUTURA prize at "Contemporary Computer Music Concert 2011" "Seoul International Computer Music Festival 2011" |
0 | ||||||||
| 38436 | Takuto | Fukuda | Schnellzug | 2016 | live-elec, 1 perf | ≈ 5 | db-cl [Klarinette] | IEM Graz | 0 | ||||||||||
| 38435 | Takuto | Fukuda | Tongue-Twister Competition | 2016 | live-elec, 1 group | 7 | ens [Ensemble] | IEM Graz | 0 | ||||||||||
| 31610 | Takuto, Jonathan, Nick | Fukuda, Carter, Acorne | Perception | 2013 | audiovisuell, live-elec, 1 perf, 1 group | Performance |
laptop-ens [computer] | next_generation 5.0; 3 Laptops | IEM Graz | 0 | ||||||||||
| 5498 | Kazuo | Fukushima | A butterfly is not a spider | 1959 | Zuspiel / Tonband, 1 perf | Mono | Sp [Sprecher] | poetic drama | PS C. Tokyo | 0 | |||||||||
| 5499 | James | Fulkerson | chamber music VIII | 1976 | Zuspiel / Tonband, 1 perf | 6:00 | Stereo | gui [Gitarre] | 0 | ||||||||||
| 5500 | James | Fulkerson | Co-ordinative systems no.9 | 1975 | live-elec, 2 perf | 15:00 | trbn, synt [Posaune, synthesizer] | 0 | |||||||||||
| 5501 | James | Fulkerson | Elective Affinites IV | live-elec, 1 perf | trbn [Posaune] | 0 | |||||||||||||
| 5502 | James | Fulkerson | Elective Affinities I | 1980 | Zuspiel, live-elec, 2 perf | 25:00 | vc, trbn [Posaune, Cello] | West Square London | 10.2.85 | Inventionen Akademie der Künste Berlin | 0 | ||||||||
| 5503 | James | Fulkerson | Elective Affinities II | 1982 | Zuspiel, live-elec, 7 perf | 28:00 | 4 trbn, S, vc, perc [Sopran, Posaune, Schlagzeug, Cello] | 0 | |||||||||||
| 5504 | James | Fulkerson | Fields und Traces | 1979 | live-elec, 1 perf | 20:00 | trbn [Posaune] | Experimentalstudio für Akustische Kunst Freiburg | 0 | 1985 | |||||||||
| 5505 | James | Fulkerson | Force Fields and Spaces | 1981 | Zuspiel, live-elec, 1 perf | 80:00 | trbn [Posaune] | 0 | |||||||||||
| 5506 | James | Fulkerson | Force fields and spaces II | 1981 | Zuspiel / Tonband, 1 perf | 7:45 | trbn [Posaune] | Inventionen 10.2.85 Ackerstr. | 1 | 1985 | |||||||||
| 5507 | James | Fulkerson | From Eric Dolphy | 1979 | live-elec, 1 perf | 13:00 | b-cl, (delay) [Klarinette] | 0 | |||||||||||
| 5508 | James | Fulkerson | From the last few pages | live-elec, 1 perf | trbn [Posaune] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 5509 | James | Fulkerson | Music for brass instruments II | 1975 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | b-trbn [Posaune] | 0 | ||||||||||
| 5510 | James | Fulkerson | Stations, Regions, Clouds I | 1975 | Zuspiel / Tonband, 2 perf | 19:00 | trbn, p [Posaune, Piano] | 0 | |||||||||||
| 5511 | James | Fulkerson | Tangential Patterns I | 1974 | fixed media, akusmatisch | 28:26 | 0 | ||||||||||||
| 5512 | James | Fulkerson | Tangential Patterns II | 1974 | fixed media, akusmatisch | 22:10 | 0 | ||||||||||||
| 5513 | Ramon | Fuller | Composition for 2 percussionists and tape | 1964 | Zuspiel / Tonband, 2 perf | 7:00 | Stereo | 2 perc [Schlagzeug] | EMS UIUC | 0 | |||||||||
| 22935 | Wesley | Fuller | sherds of five | 1994 | fixed media, akusmatisch | 10:07 | Csound | Neuma 450-92/ | 1 | ||||||||||
| 28131 | Wesley | Fuller | vers | 1994 | live-elec, 1 perf | 12:42 | V [Stimme] | CPS 8693 Capstone/ | 0 | ||||||||||
| 41945 | Keith | Fullerton Whitman | Miami Sound Machine ‘Conga’ | fixed media, akusmatisch | 0 | ||||||||||||||
| 41944 | Keith | Fullerton Whitman | The Police ‘Every Little Thing She Does Is Magic’ | fixed media, akusmatisch | 0 | ||||||||||||||
| 20180 | Ellen | Fullman | Change of Direction | 1996 | fixed media, akusmatisch | 4:18 | Stereo | ASP 0966 / | 0 | ||||||||||
| 38316 | Ellen | Fullman | Dripping Music | 1984 | live-elec, 1 perf | 2:23 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 38313 | Ellen | Fullman | Langzaam | 1984 | live-elec, 1 perf | 6:13 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 38315 | Ellen | Fullman | Memory Of A Big Room (For Matthew) | 1984 | live-elec, 1 perf | 3:42 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 5514 | Ellen | Fullman | Staggered Stasis | 1989 | Tanz | 8:00 | the long-str-ins [Streicher] | AER 1991 / 3/ | Deborah Hay Dance Company | 1 | |||||||||
| 38314 | Ellen | Fullman | Swingen | 1984 | live-elec, 1 perf | 10:17 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 22469 | Ellen | Fullman | Transmission Particle 1 | 2001 | live-elec, 2 perf | 9:00 | ob, the long-str-ins [Oboe, Streicher] | Ensemble für das Long-String-Instrument, E. Slavet (ob) | ed. rz 20002/ | 1 | |||||||||
| 38312 | Ellen | Fullman | Woven Processional | 1984 | live-elec, 1 perf | 11:29 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 5515 | Douglas | Fulton | Bowling for Blood | 1985 | fixed media, akusmatisch | 6 | Stereo | WER 20312; Computer Music Currents 11/ WER 3024-2 NZ 5/1996 "Strom!"/ | CCRMA | 1 | |||||||||
| 18357 | Douglas | Fulton | Holding Betty under Water | 1995 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 5516 | Douglas | Fulton | Mr. Normal and the Details | 1984 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 5517 | Douglas | Fulton | Red Cup and Rat (What's Wrong With This Picture?) | 1984 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 5518 | Douglas | Fulton | Tip the Velvet | 1987 | fixed media, akusmatisch | 7:00 | Stereo | CCRMA | 0 | ||||||||||
| 5519 | Douglas | Fulton | You'll Never Walk Again | 1985 | fixed media, akusmatisch | 6:00 | Stereo | CCRMA | 0 | ||||||||||
| 21601 | Martin Alejandro | Fumarola | ARGOS | 1988 | fixed media, akusmatisch | 3:07 | CEC Presence 2/ | LME Uni Cordoba | 1 | ||||||||||
| 22860 | Martin Alejandro | Fumarola | Callejuelas | 1996 | fixed media, akusmatisch | 8:16 | Pogus Productions P21015-2/ | LIEM CDMC Madrid | 1 | ||||||||||
| 19270 | Martin Alejandro | Fumarola | El peregrinar de la araña | 1995 | fixed media, akusmatisch | 4:10 | CEC Presence 1/ | LME Uni Cordoba | 1 | ||||||||||
| 23130 | Martin Alejandro | Fumarola | Estatismo | 1989 | fixed media, akusmatisch | 8:20 | Cec Presence 3/ | LME Uni Cordoba | 1 | ||||||||||
| 23131 | Martin Alejandro | Fumarola | SC | 2000 | fixed media, akusmatisch | 8:20 | Supercollider | Cec Presence 3/ | LME Uni Cordoba | 1 | |||||||||
| 21602 | Martin Alejandro | Fumarola | SET IN | 1994 | fixed media, akusmatisch | 4:20 | CEC Presence 2/ | LME Uni Cordoba | 1 | ||||||||||
| 28441 | Martin Alejandro | Fumarola | Shaguir | 1998 | fixed media, akusmatisch | 8:20 | ELCD 010 Electroshock Records/ | 0 | |||||||||||
| 38440 | Ashley | Fure | Shiver Lung | 2016 | live-elec, 7 perf | 7 V and perc [Stimme, Schlagzeug] | 0 | ||||||||||||
| 38441 | Ashley | Fure | Shiver Lung 2 | 2017 | live-elec, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 38443 | Ashley | Fure | Wire & Wool | 2009 | live-elec, 1 perf | ≈ 7 | vc [Cello] | 0 | https://www.berlinerfestspiele.de/en/aktuell/festivals/maerzmusik/programm_mm/mm18_programm_thaemlitz/mm18_veranstaltungsdetail_thaemlitz_239573.php | ||||||||||
| 28579 | Tomas | Furey | tes régions | 2008 | fixed media, akusmatisch | 7:44 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | 1 | ||||||||||
| 5520 | William | Furlong | California | fixed media, akusmatisch | 4:40 | Audio Art London | 0 | ||||||||||||
| 5521 | William | Furlong | World Service | fixed media, akusmatisch | 3:20 | Audio Art London | 0 | ||||||||||||
| 36619 | Pablo | Furman | Concerto for Ensemble and Electronic Sounds | 1997 | Zuspiel / Tonband, 8 perf | 12:55 | fl, cl, hn, trbn, perc, p, va, vc [Flöte, Klarinette, Horn, Posaune, Piano, Schlagzeug, Viola, Cello] | Centaur CRC 2552, CDCM Vol. 32/ | 0 | ||||||||||
| 32117 | Pablo | Furman | Etude | 2002 | fixed media, akusmatisch | 10:06:00 | composition for computer processed voice | SEAMUS EAM Vol. 15/ | 0 | ||||||||||
| 32083 | Pablo | Furman | Matices Coincidentes | 1998 | fixed media, akusmatisch | SEAMUS EAM Vol. 9/ | 0 | ||||||||||||
| 5522 | Pablo | Furman | Music for Alto Saxophone and Tape | 1995 | Zuspiel / Tonband, 1 perf | 14:30 | a-sax [Saxophon] | CPS 8636 Capstone/ | CREAM | 0 | |||||||||
| 5523 | Pablo | Furman | Strata -- An Imaginary Landscape | 1990 | fixed media, akusmatisch | 11:00 | Stereo | CREAM | 0 | ||||||||||
| 5524 | Pablo | Furman | Surena | 1993 | Zuspiel / Tonband, 1 perf | 12:00 | vn [Violine] | CREAM | 0 | ||||||||||
| 5525 | Pablo | Furman | Synergy | 1989 | Zuspiel / Tonband, 1 perf | 10:05 | fl [Flöte] | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | |||||||||
| 5526 | Franz | Furrer-Münch | Galerie de sons II | 1974 | Zuspiel / Tonband, 1 perf | 12:00 | perf [Performer] | 0 | |||||||||||
| 5527 | Franz | Furrer-Münch | Parabel | 1981 | Zuspiel/Tonband, 1 perf, 1 group | Film |
40:00 | perc, ens [Schlagzeug, Ensemble] | film ad lib | 0 | ||||||||||
| 5528 | Franz | Furrer-Münch | Réglage II | 1972 | Zuspiel / Tonband, 2 perf | 5:00-12:00 | 2 vc [Cello] | 0 | |||||||||||
| 5529 | Franz | Furrer-Münch | Solenoid II | 1972 | Zuspiel / Tonband, 3 perf | 8:30 | fl, cl, perc [Flöte, Klarinette, Schlagzeug] | 0 | |||||||||||
| 20181 | Group, Richard, Paul | Furt, Barrett, Obermayer | Terminal v2.0 | 1994 | live-elec, 2 perf | 36:01 | Stereo | 2 perf [Performer] | Member of FURT: Paul Obermayer, Richard Barrett | X-OR FR 2/ | STEIM | 0 | |||||||
| 20182 | Group, Richard, Paul | Furt, Barrett, Obermayer | Unstern | 1994 | live-elec, 2 perf | 22:06 | Stereo | 2 perf [Performer] | Member of FURT: Paul Obermayer, Richard Barrett | X-OR FR 2/ | 0 | ||||||||
| 38545 | Tetsuo | FURUDATE | Goya | 2008 | radiophon | 52:15:00 | 0 | ||||||||||||
| 38546 | Tetsuo | FURUDATE | Motome Zuka – Der Grabhügel | 2005 | radiophon | 52:06:00 | 0 | ||||||||||||
| 38547 | Tetsuo | FURUDATE | The Auditoriy Sense of Mister Roderick Usher | 2003 | radiophon | 44:00:00 | 0 | ||||||||||||
| 22288 | Tetsuo | Furudate | Winter for papageno | live-elec, 3 perf | 12:08 | V, e-gui, sam [Stimme, Gitarre, computer] | Tetsuo Furudate: Sampler, E.Guitar and voice. Pneuma: Sampler and tape compositon. Daiske Oyama: Mastering. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 1 | ||||||||||
| 40874 | Tetsuo | Furudate | You are the Man who crucified Him | 2008 | fixed media, akusmatisch | 6:26 | SR 290 sub rosa/ | 0 | |||||||||||
| 38761 | Tetsuo, Georg | FURUDATE, KLEIN | Art’s Birthday – 06 Dadayama CD1/ CD2 | 2006 | radiophon | 51:51:00 | 0 | ||||||||||||
| 19117 | Kiyoshi | Furukawa | 6 Formen für Computer Flügel | live-elec, 1 perf | MIDI p [Piano] | Computer Flügel | 1 | ||||||||||||
| 31272 | Kiyoshi | Furukawa | Bubbles | 2000 | intermedia | Interaktive Installation mit Echtzeit Video-Tracking System Realisiert am ZKM Karlsruhe, 2000 | ZKM Karlsruhe | 0 | http://hosting.zkm.de/wmuench/bubbles | ||||||||||
| 31271 | Kiyoshi | Furukawa | Den ungeborenen Göttern | 1997 | audiovisuell | 40 | ZKM Karlsruhe | 31.10.1997 | Karlsruhe | 0 | http://www.iotacenter.org/program/publication/darroll/statements | ||||||||
| 19200 | Kiyoshi | Furukawa | Die Gabe des Lapislazuli | 1993 | fixed media, akusmatisch | 11:11 | Stereo | interaktive Musik Gesangsstimme (Sängerin) und Computer | DegeM CD 02/ | ZKM Karlsruhe, Multi Media Lab Hamburg, NDR Hamburg | 1 | ||||||||
| 5530 | Kiyoshi | Furukawa | Dressed in … | 1992 | live-elec, 1 perf | intermedia |
15:00 | Stereo | disklavier [Piano] | com-grafik | PS C. | 1 | ||||||||
| 33021 | Kiyoshi | Furukawa | Memb | 1990 - 1993 | audiovisuell | 9 | com-animation Robert Darroll. ISPW | iotaCenter DVD/ iotaCenter DVD/ | ZKM Karlsruhe | 0 | |||||||||
| 33022 | Kiyoshi | Furukawa | Moé’s Field | 1993 - 1996 | audiovisuell | 10 | ZKM Karlsruhe | 0 | |||||||||||
| 5532 | Kiyoshi | Furukawa | Mrs. M., her geometrization | 1985 | fixed media, akusmatisch | 10:12 | Quadro | Fibonacci-algorithm. Synclavier | TU Berlin | 28.2.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1986 | ||||||
| 31340 | Kiyoshi | Furukawa | Music by Numbers | 1996 | fixed media, akusmatisch | 60 | FOCD 9333/ | ZKM Karlsruhe | 0 | ||||||||||
| 5533 | Kiyoshi | Furukawa | QQQQQ | 1988 | fixed media, akusmatisch | Quadro | com M. | TU Berlin | 1 | ||||||||||
| 5534 | Kiyoshi | Furukawa | Situatio | 1983 | fixed media, akusmatisch | 4:52 | Stereo | Synclavier | TU Berlin | 1 | |||||||||
| 21625 | Kiyoshi | Furukawa | Small Fish, Kammermusik mit Bildern für Computer und Spieler | 1999 | intermedia | Spiel |
interactiv project on CD-ROM. Beilage zum gleichnamigen Buch; digital arts edition Nr. 3 des ZKM. Together with: Masaki Fujihata, Wolfgang Münch. CD-ROM |
zkm digital arts edition 3/ CMJ Vol 28, 2004/ | ZKM Karlsruhe | 1 | http://on1.zkm.de/zkm/stories/storyreader$549 | |||||||||
| 5535 | Kiyoshi | Furukawa | Splendent Meridian II | 1993 | live-elec, 1 perf | 90:00 | Stereo | disklavier, (com) [Piano] | PS C. | 1 | |||||||||
| 33023 | Kiyoshi | Furukawa | Stele | 1996 - 1999 | audiovisuell | 11 | ZKM Karlsruhe | Cynet art prize for computer animation, 2000 | 0 | ||||||||||
| 25794 | Kiyoshi | Furukawa | Stone Lion | 1990 | Film | 9:56 | 16mm Farbe. Also version with the music by Sukhi Kang (TU Berlin) |
Muse MSC - 003/ iotaCenter DVD/ | ZKM Karlsruhe | 1 | http://www.iotacenter.org/program/publication/darroll/statements | ||||||||
| 5536 | Kiyoshi | Furukawa | Swim, swan | 1993 | live-elec, 1 perf | intermedia |
25:00 | Stereo | cl [Klarinette] | ISPW, SGI, com-graphics | ZKM Karlsruhe | 0 | ||||||||
| 5537 | Kiyoshi | Furukawa | Walking I | 1984 | fixed media, akusmatisch | 10:03 | Quadro | Synclavier | TU Berlin | 1 | |||||||||
| 5538 | Kiyoshi | Furukawa | Walking II | 1985 | fixed media, akusmatisch | 13:06 | Quadro | Synclavier | TU Berlin | 8.2.85 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | |||||||
| 27344 | Kiyoshi | Furukawa | Walking III | 1985 | fixed media, akusmatisch | 10:12 | Quadro | Synclavier II | TU Berlin | 1 | |||||||||
| 5539 | , Jens Wilhelm | Fuzzy, Pedersen | Ave | 1963 | fixed media, akusmatisch | 3:15 | Mono | LJUD 006 CD1 n©b/ | Dansk Radio | 0 | http://www.fuzzy.dk | ||||||||
| 22470 | , Jens Wilhelm | Fuzzy, Pedersen | B-Movies | 1997 | live-elec, 1 perf | 13:20 | hp [Harfe] | "Harp & Computer" | DIEM Aarhus | 0 | http://www.fuzzy.dk | ||||||||
| 28646 | , Jens Wilhelm | Fuzzy, Pedersen | Blau | 1974 | fixed media, akusmatisch | 17:38 | Stereo | LJUD 006 CD2 n©b/ | 0 | ||||||||||
| 5540 | , Jens Wilhelm | Fuzzy, Pedersen | Electric Gardens and their surroundings | 1991 | fixed media, akusmatisch | 11:40 | Rostrum 90 Oslo | dacapo DCCD 9101/ | DIEM Aarhus | 0 | http://www.fuzzy.dk | ||||||||
| 28642 | , Jens Wilhelm | Fuzzy, Pedersen | Fireplay | 1996 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | DIEM Aarhus | 0 | http://www.fuzzy.dk | ||||||||||
| 39429 | Larry Matthew | Gaab | Living In The Open Ocean | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40003 | Larry Matthew | Gaab | Partial Vacuum | 2017 | fixed media, akusmatisch | Larry Matthew Gaab | 0 | ||||||||||||
| 40005 | Larry Matthew | Gaab | They Do Their Work in Darkness | 2015 | fixed media, akusmatisch | 4:40:00 | Larry Matthew Gaab | 0 | |||||||||||
| 40004 | Larry Matthew | Gaab | Weird Orbits Need Explaining | 2016 | fixed media, akusmatisch | Larry Matthew Gaab | 0 | ||||||||||||
| 5541 | Zoltan | Gaal | Sorgemusik för J M Hauer | 1991 | fixed media, akusmatisch | ≈ | 0 | ||||||||||||
| 5542 | Zoltan | Gaal | Sounding - version 2 | 1983 | fixed media, akusmatisch | 4:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 21959 | Helge | Gaarder | Multimedia | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 19601 | Juan Luis Huélamo | Gabaldón | Dos Pequeñas Piezas reaccionarias | 1994 | fixed media, akusmatisch | 5:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19600 | Juan Luis Huélamo | Gabaldón | El Mentiroso | 1991 | fixed media, akusmatisch | 10:50 | Stereo | GME Cuenca | 0 | ||||||||||
| 19599 | Juan Luis Huélamo | Gabaldón | Herreros | 1990 | fixed media, akusmatisch | 10:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 5543 | Claudio | Gabbiani | ACCARM W3 | 1992 | live-elec, | MM&T Milano | 0 | ||||||||||||
| 5544 | Claudio | Gabbiani | The endless flow | 1990 | live-elec, 5 perf | Stereo | S, cl, gui, vc, trbn [Sopran, Klarinette, Posaune, Gitarre, Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 36776 | Josh | Gabriel | Joystick Music | 1989 | live-elec, 1 perf | 7:40 | com (Real Time computer muziek voor Atari, sampler en joysticks) [computer] | Sonology Den Haag | 0 | ||||||||||
| 39289 | Alessio | Gabriele | Encara | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42727 | Alessio | Gabriele | Unanima | 2012 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 42947 | Claudio | Gabriele | Parole Impressioni Suoni Riflessi | 2013 | fixed media, akusmatisch | 10:14:00 | 0 | ||||||||||||
| 5545 | Georges | Gabriele | Cosmologie du verre | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 32942 | Georges | Gabriele | Elise | 1996 | fixed media, akusmatisch | 21:32 | 2 parts | Motus M 197003/ | 0 | ||||||||||
| 5546 | Georges | Gabriele | Esquises | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5547 | Georges | Gabriele | Ichsel - La lune - I - II - III | 1991 | fixed media, akusmatisch | 20:15 | Stereo | INA • GRM | 0 | ||||||||||
| 5548 | Georges | Gabriele | Le mobile des ombres | 1989 | fixed media, akusmatisch | 2 parts | CNR Lyon | 0 | |||||||||||
| 32941 | Georges | Gabriele | Persephonie | 1994 | fixed media, akusmatisch | 20:19 | 9 parts | Motus M 197003/ | 0 | ||||||||||
| 32940 | Georges | Gabriele | Polysson | 1995/1998 | fixed media, akusmatisch | 17:29 | 5 parts | Motus M 197003/ | 0 | ||||||||||
| 5549 | Georges | Gabriele | Primo divertimento | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5550 | Georges | Gabriele | Tuot ou rien - Tout autre chose | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 42995 | Maurizio | Gabrieli | Ballade Elastique | 2013 | fixed media, akusmatisch | 9:36:00 | 0 | ||||||||||||
| 5551 | Kenneth | Gaburo | Antiphony III (Pearl-white moments) | 1962 - 1964 | Zuspiel / Tonband, 1 group | 15:00 | ch [Chor] | poem by Cavafy | nonesuch H 71199/ IDEAMA CD 079/ | EMS UIUC, CSMT Yale | 0 | ||||||||
| 5552 | Kenneth | Gaburo | Antiphony IIIa | 1963 | Zuspiel / Tonband, 1 group | 14:00 | ch [Chor] | poem by Cavafy | EMS UIUC, CSMT Yale | 0 | |||||||||
| 5553 | Kenneth | Gaburo | Antiphony IV (Poised) | 1967 | Zuspiel / Tonband, 4 perf | V, pic-fl, b-trbn, db [Stimme, Flöte, Posaune, Kontrabass] | nonesuch H 71199/ IDEAMA CD 079/ | EMS UIUC | 0 | ||||||||||
| 20183 | Kenneth | Gaburo | Antiphony IX (… A Dot…) | 1983 - 1985 | Zuspiel / Tonband, 2 groups | 20:28 | Stereo | orc, children ch [Chor, Orchester] | MAPA CD 832/ | EMS UIUC | 0 | ||||||||
| 5554 | Kenneth | Gaburo | Exit Music I : The Wasting of Lucretzia | 1964 | fixed media, akusmatisch | nonesuch H 71199/ | EMS UIUC | 1 | |||||||||||
| 5555 | Kenneth | Gaburo | Exit Music II : Fat Millie's Lament | 1965 | fixed media, akusmatisch | nonesuch H 71199/ | EMS UIUC | 1 | |||||||||||
| 5556 | Kenneth | Gaburo | For Harry | 1966 | fixed media, akusmatisch | 4:47 | tribute to Harry Partch | CRi S 356/ HE HS 25047 LP/ IDEAMA CD 079/ | EMS UIUC | 1 | |||||||||
| 5557 | Kenneth | Gaburo | Hydrogen Jukebox | 1965 | Theatermusik | 40:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 5558 | Kenneth | Gaburo | Lemon Drops | 1965 | fixed media, akusmatisch | 2:51 | CRi S 356/ HE HS 25047 LP/ IDEAMA CD 079/ | EMS UIUC | 1 | ||||||||||
| 42946 | Kenneth | Gaburo | Maledetto (excerpts) | 2013 | live-elec, 7 perf | 15:00:00 | 7 V [Stimme] | played by Ben Kapp, Willy Smart, Ben Michaelis, Abby Ingram, Hannah Ziff, Heather Hall, and Arun Chandra | 0 | ||||||||||
| 5559 | Jacques | Gaffet | Brames et Réminiscence | 1989 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 5560 | Jacques | Gaffet | Etude No. 1 | 1987 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 5561 | Jacques | Gaffet | Etude No. 2 | 1988 | fixed media, akusmatisch | 7:00 | CNR Amiens | 0 | |||||||||||
| 5562 | Jacques | Gaffet | La Fête dans la Ville | 1987 | fixed media, akusmatisch | 8:00 | for the "fête estivale d´Amiens" | CNR Amiens | 1 | ||||||||||
| 5563 | Jacques | Gaffet | Ou s'en fait tout an monde | 1990 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 5564 | Orfeón | Gagarin | Why is Arizona so dry? | fixed media, akusmatisch | 4:38 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 5565 | Renaud | Gagneux | Il y a un oiseau en cage | 1977 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 5566 | Renaud | Gagneux | Malkuth II | 1977 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | 0 | ||||||||||||
| 5567 | Bernard | Gagnon | Dictée | 1981 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 5568 | Bernard | Gagnon | Gwendolyne descendue! | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | ||||||||||||
| 41460 | Peter | Gahn | De-escalating Skies I+III | 2018 | live-elec, 1 perf | Octo | a-sax [Saxophon] | 0 | |||||||||||
| 32320 | Peter | Gahn | Fremde Erinnerung | 2000 | audiovisuell | 16 | Stereo | 24.11.2002 | Contemporary Art Space Osaka | Edition Juliane Klein | 0 | ||||||||
| 37555 | Peter | Gahn | haikyo yori | 1994, 1995 | fixed media, akusmatisch | 15:28:00 | Quadro | Synlab, Lexicon Hall, Filterbank, Pro Tools | ICEM Essen | 0 | |||||||||
| 37556 | Peter | Gahn | Monochromie | 1993 | fixed media, akusmatisch | 17:15:00 | Stereo | Tonband, Mischpult | ICEM Essen | 0 | |||||||||
| 32321 | Peter | Gahn | Nachtsicht | 2011 | audiovisuell, live-elec, 1 perf | 13 | Stereo, Quadro, 6 | Sp, (live-elec; optional p, perc) [Sprecher] | für Sprecher oder Bilder und Live-Elektronik, optional Schlagzeug oder Klavier | 10.10.2011 | Dresdener Tage für zeitgenössische Musik; Ensemble Resonanz, Dirk Rotbrust (perc) | Edition Juliane Klein EJK0837 | 0 | http://www.petergahn.de/works/Nachtsicht.html | |||||
| 35859 | Peter | Gahn | Terminal | 2011 | live-elec, 1 perf | 11 | Sp [Sprecher] | Edition Juliane Klein EJK0837 | 0 | ||||||||||
| 5569 | Pascal | Gaigne | Boréal | 1987 | fixed media, akusmatisch | 14:00 | CD Pythagore/ | LIMCA Auch | 0 | ||||||||||
| 5570 | Pascal | Gaigne | Ecuador | 1993 | fixed media, akusmatisch | SYTER | GRM | 0 | |||||||||||
| 5571 | Pascal | Gaigne | Shen | 1993 | live-elec, 1 perf | 15:00 | Quadro | vc [Cello] | QUATRON / PACOM | LIMCA Auch | 0 | ||||||||
| 5572 | Pascal | Gaigne | Signes Ascendants | 1987 | Zuspiel / Tonband, 1 perf | 12:00 | cl [Klarinette] | LIMCA Auch | 0 | ||||||||||
| 5573 | Pascal | Gaigne | Traversées | 1989 | live-elec, 5 perf | 20:00 | Octo | ww-qnt [Bläser] | QUATRON / PACOM | SC 658 CD / Festival FAUST/ | LIMCA Auch | 0 | |||||||
| 5574 | Pascal | Gaigne | Traversées II | 1992 | live-elec, 5 perf | 21:00 | Octo | w-qnt [Bläser] | QUATRON / PACOM; extension of first version | LIMCA Auch | Competition Musica Nova Prag 1995 Auszeichnung ars electronica honorary mention 1993 |
0 | |||||||
| 33029 | Bernhard | Gal | Tong-Hua Yie-Shi | Performance | 5:29 | btc 04/ | 1 | ||||||||||||
| 25899 | Bernhard | Gál | belit | 2004 | Zuspiel, Performance, 8 perf | 16 | 8 ins [Instrument] | Projektion von Schatten und buntem Licht auf Leinwände, hinter denen die Musiker spielen | Inventionen 2004 | 1 | 2004 | ||||||||
| 23395 | Bernhard | Gál | Bestimmung New York | 1999 | radiophon | 63:08 | In 15 Teilen. Auch erschienen bei Durian 009-2 | PS Gal | 1 | ||||||||||
| 23396 | Bernhard | Gál | Defragmentation / blue | 1999 | Klangkunst, Installation | 56:52 | in 5 Teilen. "An audio-architectural exploration of time" | PS Gal | 1 | ||||||||||
| 34751 | Bernhard | Gál | Dreiband, RGBuSW | 2003 | Klangkunst, Installation | Octo | Kehrer Verlag ISBN 978-3-939583-23-3/ | 31.7.-7.9.2003 | singuhr hoergalerie Berlin | 0 | |||||||||
| 34752 | Bernhard | Gál | Hinaus:: In den, Wald, RGBuSW | 2003 | Klangkunst, Installation | Octo | Kehrer Verlag ISBN 978-3-939583-23-3/ | 31.7.-7.9.2003 | singuhr hoergalerie Berlin | 0 | |||||||||
| 25900 | Bernhard | Gál | Hinaus:: In den, Wald. | 2004 | fixed media, akusmatisch | 63:53 | 9 Teile | gg52 Klanggalerie/ | PS C. | 1 | |||||||||
| 23397 | Bernhard | Gál | Relisten | 2001 | Klangkunst, Installation | 59:30 | 6 Teile: It's like...; bee bee; 57A; lv, nv; Tong-hua yie-shi; 68th Street | PS Gal | 1 | ||||||||||
| 34753 | Bernhard | Gál | RGB, RGBuSW | 2003 | Klangkunst, Installation | Stereo | Kehrer Verlag ISBN 978-3-939583-23-3/ | 31.7.-7.9.2003 | singuhr hoergalerie Berlin | 0 | |||||||||
| 24266 | Bernhard | Gál | this is for real | 2004 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 25897 | Bernhard | Gál | z…z | 2004 | fixed media, akusmatisch | 15:00 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 25898 | Bernhard | Gál | zhu shui | 2004 | fixed media, akusmatisch | 6:01 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 25901 | Bernhard, Kai | Gál, Fagaschinski | going round in serpentines | 2004 | fixed media, akusmatisch | 40:00 | charhizma 034/ | PS Berlin | 1 | ||||||||||
| 5575 | Francesco | Galante | Astratto | 1986 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 18475 | Francesco | Galante | El mio paese e la notte | 1997 | fixed media, akusmatisch | 9:38 | Stereo | ELCD 020 Electroshock Records/ | IMEB Bourges | 0 | |||||||||
| 34606 | Francesco | Galante | Itineraires (pour Edgard Varèse) | 2012 - 2013 | fixed media, akusmatisch | 12:10 | SMC2016 | 0 | |||||||||||
| 39791 | Francesco | Galante | Let us free the earth from fixed immobility | 2016 | fixed media, akusmatisch | Francesco Galante | 0 | ||||||||||||
| 5576 | Francesco | Galante | Lontano | 1985 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 20184 | Francesco | Galante | Metafonie | fixed media, akusmatisch | 10:28 | Stereo | Nuova Fonit Cetra CDC 501/ | CRM Roma | 0 | ||||||||||
| 39792 | Francesco | Galante | Metafonie V (a. G. Scelsi) | 2015 | fixed media, akusmatisch | 8:54:00 | Francesco Galante | 0 | |||||||||||
| 5577 | Francesco | Galante | Studio per due sorgenti | 1978 | fixed media, akusmatisch | 7:20 | Stereo | CRM Roma | 0 | ||||||||||
| 5578 | Francesco | Galante | Tra i suoni estremi | 1987 | fixed media, akusmatisch | 13:02 | Stereo | Fonit Cetra CDC 43/ | CRM Roma | 0 | |||||||||
| 42110 | Christian | Galarreta | Raw field recordings II: electromagnetic detritus | 2017 | radiophon | 47:49 | SAVVY-Funk - Documenta 14, Dlf Kultur | 30.6.2017 | Deutschlandfunk Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4941345&vi=1&SID | ||||||||
| 5579 | Diamanda | Galas | Eyes without blood | 1984 | live-elec, 1 perf | 30:00 | V [Stimme] | 1 | 1986 | ||||||||||
| 5580 | Diamanda | Galas | Litanies of Satan | 1986 | live-elec, 1 perf | ≈ 44:00 | V [Stimme] | 8 parts | 1 | 1986 | |||||||||
| 5581 | Diamanda | Galas | saint of the pit | live-elec, | stumm 33/ | 1 | |||||||||||||
| 36680 | Josep Lluís | Galiana | Gavaliana 2007 | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 34095 | Guillermo | Galindo | Aura6 | 2006 | fixed media, akusmatisch | 6:43 | IRD 002 Irradia/ | 0 | http://www.galindog.com | ||||||||||
| 25481 | Guillermo | Galindo | Auras | 2007 | fixed media, akusmatisch | 6:41 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25479 | Guillermo | Galindo | Benux | 2007 | fixed media, akusmatisch | 11:50 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25489 | Guillermo | Galindo | Cisma | 2003 | Zuspiel / Tonband, 1 perf | 7:06 | Stereo | b-fl [Flöte] | revised in 2007 Alejandro Escuer (b-fl) Guillermo Galindo a.k.a. "gal*in_dog" |
Selbstverlag/ | 1 | http://www.galindog.com | |||||||
| 25491 | Guillermo | Galindo | Divox | 2006 | live-elec, 12 perf | var | 38 Tracks | 12 perf [Performer] | 3 dimensional sound piece Guillermo Galindo a.k.a. "gal*in_dog" Was performed 12 times for two hours. |
Selbstverlag/ | Sound Oasis project in Mexico City | 24.7.2006 | Bellas Artes Concert Hall Esplanade, Mexico City | 1 | http://www.galindog.com | ||||
| 25493 | Guillermo | Galindo | Dormia Cuando Entro a Mi Cuarto | 2006 | fixed media, akusmatisch | 6:04 | Stereo | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | ||||||||
| 25490 | Guillermo | Galindo | Haiku II | 2001 | Zuspiel / Tonband, 1 perf | 7:33 | Stereo | b-fl [Flöte] | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||
| 25482 | Guillermo | Galindo | Humitt | 2007 | fixed media, akusmatisch | 6:30 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 34138 | Guillermo | Galindo | Maiz | fixed media, akusmatisch | 3 | 0 | |||||||||||||
| 25480 | Guillermo | Galindo | Moongoat | 2007 | fixed media, akusmatisch | 15:14 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25492 | Guillermo | Galindo | Ravenous | 2006 | fixed media, akusmatisch | 6:55 | Stereo | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | ||||||||
| 27178 | Guillermo | Galindo | The Raven | 1996 | fixed media, akusmatisch | 6:42 | 0 | ||||||||||||
| 25478 | Guillermo | Galindo | Tsei | 2007 | fixed media, akusmatisch | 9:37 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25477 | Guillermo | Galindo | Xecatl | 2007 | fixed media, akusmatisch | 14:59 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25483 | Guillermo | Galindo | Ynerte | 2007 | fixed media, akusmatisch | 4:02 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25902 | Laura | Gallati | Fläche | 2002 | fixed media, akusmatisch | 19:57 | Moog-Synthesizerklänge in drei Schichten | TU Berlin | 1 | ||||||||||
| 31968 | Laura | Gallati | Puls | 2002 | fixed media, akusmatisch | 9:53:00 | Klavierklänge | TU Berlin | 1 | ||||||||||
| 39323 | Cesare | Gallo | FLAUVIOL | 2017 | fixed media, akusmatisch | 12:52 | 0 | ||||||||||||
| 5582 | Dimitris | Galon | Interferenzen II | 1991 | Zuspiel / Tonband, 1 perf | 17:14 | Stereo | vn [Violine] | HfMT Köln | 0 | |||||||||
| 35642 | Miguel | Galperin | 3 recorridos minimos para un espacio sin centro | 2008 | fixed media, akusmatisch | 7:48 | Musica Contemporanea Electroacustica - Convocatoria 07 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 40065 | Martim | Galvao | For Four | 2015 | live-elec, 1 perf | p [Piano] | Martim Galvao | 0 | |||||||||||
| 19660 | José Maria | Gálvez | Infinito, Version No. 1 | 1995 | fixed media, akusmatisch | 1:30 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 40312 | Victor | Gama | Impact on strings #2, #0, #14 | 2015 | Zuspiel / Tonband, 1 perf | 10:00:00 | p [Piano] | Victor Gama | 0 | ||||||||||
| 43050 | Victor | Gama | Impact on Strings #2, #0, #15 | 2014 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 5583 | Luigi | Gamberini | comb di 1, 2, 3…n Bt | 1966 | fixed media, akusmatisch | 3:00 | Mono | Fonologia Firenze | 0 | ||||||||||
| 36905 | Lee | Gamble | CDGA001.1 CDGA002.2 (iteration edit) CDGA003.1 CDGA004.1 CDGA005.1 |
2010 | fixed media, akusmatisch | Computer (de)generated audio | 1 | ||||||||||||
| 38548 | Marcus | GAMMEL | Art’s Birthday 2009 – Safe and Sound | 2009 | radiophon | 55:23:00 | 0 | ||||||||||||
| 38549 | Marcus | GAMMEL | Art’s Birthday. 1.000.042 Samples für die Kunst | 2005 | radiophon | 46:15:00 | DeutschlandRadio | 28.1.2005 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1479627&vi=132&SID | ||||||||
| 38550 | Marcus | GAMMEL | Sonic Arts Lounge 2004 – Nordische Nacht | 2004 | radiophon | 54:30:00 | 0 | ||||||||||||
| 38762 | Marcus, Philip | GAMMEL, GRÖNING | Die große Stille | 2007 | radiophon | 49:34:00 | 0 | ||||||||||||
| 34374 | Raviv | Ganchow | Radio plays itself | 2013 | radiophon | 38:18 | Post Scriptum PS 001/ | Sonology Den Haag | 0 | ||||||||||
| 27922 | Bernhard | Gander | mein Zimmer hat dünne Wände | 1997 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 41583 | Laryssa | Ganga | Elatus | 2018 | fixed media, akusmatisch | 15:57 | Musiques et Recherches Ohain | création mondiale | 0 | ||||||||||
| 20185 | Kyle | Gann | Ghost Town | fixed media, akusmatisch | 10:20 | Stereo | MIDI | nt 6730/ | 0 | ||||||||||
| 5584 | Elena | Gantchikova | Aven Armand | 1993 | live-elec, 1 perf | 8:00 | p [Piano] | IRCAM | 0 | ||||||||||
| 21897 | Elena | Gantchikova | Bozuée | 1997 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21118 | Elena | Gantchikova | Goya (le monde en noir) | 1997 | fixed media, akusmatisch | 5:20 | IMEB Bourges | 0 | |||||||||||
| 24414 | Elena | Gantchikova | Guanerius | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21119 | Elena | Gantchikova | Hommage à Léon Dodin | 1997 | fixed media, akusmatisch | 7:04 | IMEB Bourges | 1 | |||||||||||
| 21121 | Elena | Gantchikova | Judas Iscariotte | 1996 | fixed media, akusmatisch | 22:03 | IMEB Bourges | 1 | |||||||||||
| 21117 | Elena | Gantchikova | Le ciel de Schagall (Chagall) | 1997 | fixed media, akusmatisch | 11:20 | IMEB Bourges | 0 | |||||||||||
| 18477 | Elena | Gantchikova | Le monde d'Andrey Voznesensky | 1997 | fixed media, akusmatisch | 50:00 | IMEB Bourges | 0 | |||||||||||
| 22901 | Elena | Gantchikova | mir-ga-yas | 1999 | fixed media, akusmatisch | 11:30 | TU Berlin, IMEB Bourges | 6.1999 | Bourges, Festival Synthese | 1 | |||||||||
| 18476 | Elena | Gantchikova | Pleurs (Lamentations) | 1996 | fixed media, akusmatisch | 11:00 | IMEB Bourges | 0 | |||||||||||
| 21896 | Elena | Gantchikova | Sigulda | 1997 | fixed media, akusmatisch | 11:00 | IMEB Bourges | 0 | |||||||||||
| 40080 | Matthew D. | Gantt | All That Is Solid Melts into Air | 2017 | Klangkunst, Installation | Matthew D. Gantt | 0 | ||||||||||||
| 23132 | Jens | Gantzel | Sonophonie - Kakophonie | 2002 | radiophon | 11:00 | DeutschlandRadio | 1 | |||||||||||
| 29501 | Javier Alejandro | Garavaglia | Ableitungen des Konzepts der Wiederholung (for Ala) | 2004 | live-elec, 2 perf | 16:27 | va, com (Max/MSP) [Viola, computer] | 0 | |||||||||||
| 29493 | Javier Alejandro | Garavaglia | Am Steg, Räume Spaces |
1992 - 1996 | fixed media, akusmatisch | 8:07 | Stereo | original title of the piece in 1992 was "Räume". Neue Fassung von Räume (1992), das mit "Am Steg" abgelöst wird. C-Sound, Pro Tools, Sound Designer |
ICEM Essen | 0 | |||||||||
| 19032 | Javier Alejandro | Garavaglia | Arte poética, arte poética (I) | 1995, 1996 | fixed media, akusmatisch | 8:16 | Quadro | based on the poem "Arte poética" by Jorge Luis Borges. | Cybele 960.102/ EMF 031 „Florida EM Festival, Vol 1“/ | ICEM Essen | 0 | http://www.Cybele .de/shop/product_info.php?products_id=48 | |||||||
| 29491 | Javier Alejandro | Garavaglia | Arte Poética, (Stanza II) | 1996 | fixed media, akusmatisch | 11:00 | Quadro | based on the poem "Arte poética" by Jorge Luis Borgess | ICEM Essen | mention award from the „Tribuna Nacional de Música Electroacústica „ in Argentina in 1996 | 0 | ||||||||
| 29494 | Javier Alejandro | Garavaglia | Arte Poética, (stanzas III to VII) | 1998 | fixed media, akusmatisch | 13 | Quadro | based on the poem "Arte poética" by Jorge Luis Borges | 0 | ||||||||||
| 29495 | Javier Alejandro | Garavaglia | COLOR CODE, music for the concert-installation "Color Code" | 1998 | audiovisuell, live-elec, 2 perf | Quadro | va, com (Max/SMP), (com gen graphics on 2 screens) [Viola, computer] | with Group ANIMATO | ICEM Essen, Uni Bielefeld, Fachhochschule Bielefeld | 1998 | Bielefeld | 0 | |||||||
| 29508 | Javier Alejandro | Garavaglia | Confluences (Rainbows II) | 2012 | live-elec, 6 perf | 13 | Surround 5.1 | fl, cl, vn, vc, p, com (Max/SMP) [Flöte, Klarinette, Piano, Cello, Violine, computer] | 2012 | Slovenia | 0 | ||||||||
| 29492 | Javier Alejandro | Garavaglia | Contraries (resonances) | 1997 | Zuspiel, live-elec, 1 perf | ≈ 29 | Quadro | a-fl, (elec) [Flöte] | ICEM Essen | 21.2.1997 | Museum Bochum by the flautist Lesley Olson. | 0 | |||||||
| 29500 | Javier Alejandro | Garavaglia | DJ (1): about Riffs and Noises | 2003 | live-elec, 1 perf | var | com [computer] | (Max/SMP) | 0 | ||||||||||
| 39891 | Javier Alejandro | Garavaglia | Duo Spectralis | 2015 | fixed media, akusmatisch | 14:00:00 | Javier Garavaglia | 0 | |||||||||||
| 29506 | Javier Alejandro | Garavaglia | farb-laut E - VIOLET | 2008 | live-elec, 2 perf | Surround 5.1 | va, com (Max/SMP) [Viola, computer] | Internationales Klangkunstfest farb_laut | 5.11.2008 | 0 | |||||||||
| 29490 | Javier Alejandro | Garavaglia | Gegensätze (gegenseitig), CONTRARIES |
1994 | Zuspiel, live-elec, 1 perf | 33 | Quadro | a-fl [Flöte] | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~gara/Program_Notes/Gegensaetze_PN.htm | ||||||||
| 29498 | Javier Alejandro | Garavaglia | Granular Gong | 2000 | fixed media, akusmatisch | 13:50 | Octo | 0 | |||||||||||
| 29502 | Javier Alejandro | Garavaglia | Hoquetus | 2005 | live-elec, 2 perf | ≈ 15 | Tárogató or sax, com (Max/MSP) [Saxophon, computer] | 0 | |||||||||||
| 29504 | Javier Alejandro | Garavaglia | Intersections (memories) | 2007 | live-elec, 2 perf | Surround 5.1 | cl, com (Max/SMP) [Klarinette, computer] | 0 | |||||||||||
| 29503 | Javier Alejandro | Garavaglia | Interzones (A/E-B) | 2007 | live-elec, 2 perf | 6 | p, db, (elec) [Piano, Kontrabass] | duo "Interzone perceptible" in Germany | 0 | ||||||||||
| 43007 | Javier Alejandro | Garavaglia | Meditations (tiny gongs) | 2013 | fixed media, akusmatisch | 11:36:00 | 0 | ||||||||||||
| 28619 | Javier Alejandro | Garavaglia | Miniaturstück 1 | 2010 | fixed media, akusmatisch | 4:02 | Octo | 0 | |||||||||||
| 40938 | Javier Alejandro | Garavaglia | Momente | 2018 | live-elec, 1 perf | va [Viola] | 8.9.2018 | Klangkunstfest Berlin | 0 | ||||||||||
| 29499 | Javier Alejandro | Garavaglia | NINTH, music for viola and computer | 2002 | live-elec, 2 perf | 12 | va, com (Max/MSP) [Viola, computer] | 0 | |||||||||||
| 23039 | Javier Alejandro | Garavaglia | Overture (in memoriam t.a.t.) | 1997 | fixed media, akusmatisch | 10:37 | Quadro | Ex Machina 6 - die neunziger Jahre | Cybele 960.106, ex machina 6/ Cybele 960.207 DegeM CD 07/ |
ZKM Karlsruhe, ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~gara/ | |||||||
| 28221 | Javier Alejandro | Garavaglia | Pathetique | 2006/2007 | fixed media, akusmatisch | 15:31 | Surround 5.1, Octo, Spazialisation: var | MaxMSP | 1 | 2008 | |||||||||
| 5585 | Javier Alejandro | Garavaglia | Pizz. | 1993 | fixed media, akusmatisch | 19:45 | Quadro | ICEM Essen | 0 | ||||||||||
| 29497 | Javier Alejandro | Garavaglia | Poppekstive | 1999 | fixed media, akusmatisch | 11 | Octo | 0 | |||||||||||
| 39403 | Javier Alejandro | Garavaglia | SPACES: SUSPENDED – SCATTERED | 2017 | fixed media, akusmatisch | Surround 8.1 | (Vs. I) | 0 | |||||||||||
| 39890 | Javier Alejandro | Garavaglia | Spatial Grains – Soundscape No. 1 | 2016 | Performance | Javier Garavaglia | 0 | ||||||||||||
| 29509 | Javier Alejandro | Garavaglia | Spectral colours | 1997 | Zuspiel / Tonband, 14 perf | ≈ 11:30 | Stereo | 14 ins [Instrument] | 0 | ||||||||||
| 29496 | Javier Alejandro | Garavaglia | T.A.T. (a man's life) | 1999 | Zuspiel, live-elec, 2 perf | 24 | Quadro | va, b-cl, (elec) [Klarinette, Viola] | 0 | http://icem.folkwang-hochschule.de/~gara/Program_Notes/TAT_PN.htm | |||||||||
| 29505 | Javier Alejandro, Ralf, Thomas | Garavaglia, Haarmann, Gerwin | "+", improvisation | 2008 | live-elec, 4 perf | va, sam, div ins, com (Max/SMP) [Viola, computer] | 0 | ||||||||||||
| 29507 | Javier Alejandro, Claudia | Garavaglia, Robles | Wooden Worlds | 2010 | audiovisuell, live-elec, 2 perf | > 45 | Surround 4.1 | (sound, video, photography,) va, elec [Viola, elektronik] | 0 | ||||||||||
| 23133 | Brian | Garbet | Ritual | 2001 | fixed media, akusmatisch | 7:11 | JTTP 2002 | CEC Cache 2002/ | SFU | winner JTTP 2002 5. prize | 1 | ||||||||
| 19312 | Carlos | Garcia Cuéllar | Estudio I, al Borde del Sonido | fixed media, akusmatisch | 5:59 | música electroacústica española 1/ | GME Cuenca | 1 | |||||||||||
| 19548 | Carlos | Garcia Cuéllar | Homo faber danza | 1995 | fixed media, akusmatisch | 11:50 | Stereo | GME Cuenca | 0 | ||||||||||
| 19704 | Alfonso | Garcia de la Torre | Danba | 1994 | live-elec, 1 perf | Stereo | perc [Schlagzeug] | HfM Vitoria | 0 | ||||||||||
| 19702 | Alfonso | Garcia de la Torre | Gravitación | 1991 | fixed media, akusmatisch | Stereo | HfM Vitoria | 0 | |||||||||||
| 19703 | Alfonso | Garcia de la Torre | Milésima | 1992 | fixed media, akusmatisch | Stereo | HfM Vitoria | 0 | |||||||||||
| 22896 | Alfonso | Garcia de la Torre | Osmosis | 1995 | fixed media, akusmatisch | 5:22 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 29512 | Jorge | Garcia del Valle Méndez | Alle Feuer dem Feuer | 1998 | fixed media, akusmatisch | 10:21 | Quadro | HfM Dresden | 02.12.1998 | Kleiner Saal der Hochschule für Musik Dresden | 0 | ||||||||
| 29515 | Jorge | Garcia del Valle Méndez | An A. B. | 2001 | radiophon | 12:07 | after „An Anna Blume“ by K. Schwitters | HfM Dresden | Dresdner Zentrum für Zeitgenössische Musik, | Februar 2004 | MDR-Kultur | 0 | |||||||
| 29526 | Jorge | Garcia del Valle Méndez | Blue Water, Dark Sky | 2009 | Zuspiel / Tonband, 1 perf | ob, (elec) [Oboe] | 0 | ||||||||||||
| 29514 | Jorge | Garcia del Valle Méndez | Cronopio | 2000 | fixed media, akusmatisch | 10:43 | Stereo | HfM Dresden | 14.06.2000 | Kleiner Saal der Hochschule für Musik Dresden | 0 | ||||||||
| 29517 | Jorge | Garcia del Valle Méndez | ¿Dónde está el mar? | 2003 | Zuspiel / Tonband, 3 perf | Stereo | fl, vc, p [Flöte, Piano, Cello] | 0 | |||||||||||
| 29516 | Jorge | Garcia del Valle Méndez | Du, Deiner, Dich, Dir | 2003 | fixed media, akusmatisch | 12:24 | Quadro | HfM Dresden | 10.06.2005 | ZKM Karlsruhe bei „next generation“ | 0 | ||||||||
| 29518 | Jorge | Garcia del Valle Méndez | Esbozo de un sueño | 2003 | Zuspiel / Tonband, 4 perf | ob, cl, bn, p, (elec) [Klarinette, Oboe, Fagott, Piano] | 0 | ||||||||||||
| 29527 | Jorge | Garcia del Valle Méndez | Floating Voices | 2009 | Zuspiel / Tonband, 3 perf | ob, cl, bn, (elec) [Klarinette, Oboe, Fagott] | 0 | ||||||||||||
| 29513 | Jorge | Garcia del Valle Méndez | Innere Dämonen, Entre cisnes y diablos | 1999 | Zuspiel / Tonband, 1 perf | 14:16 | Stereo | bn, (Max/MSP-sam) [Fagott] | HfM Dresden | 15.11.1999 | Kleiner Saal der Hochschule für Musik Dresden | 0 | |||||||
| 29523 | Jorge | Garcia del Valle Méndez | Insane | 2007 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29529 | Jorge | Garcia del Valle Méndez | Kuroi ame | 2010 | Zuspiel / Tonband, 1 perf | rec, (elec) [Flöte] | 0 | ||||||||||||
| 29519 | Jorge | Garcia del Valle Méndez | Música - Máquina | 2004 | Zuspiel / Tonband, 1 group | ens, (elec) [Ensemble] | 0 | ||||||||||||
| 41471 | Jorge | Garcia del Valle Méndez | Paysage urbains | 2017 | Zuspiel / Tonband, 1 perf | 9 | Stereo | hn (Sangil Kim, horn) [Horn] | 5 short parts | 28.9.2018 | Jayu Theater, SICMF (Seoul International Computer Music Festival) 2018 | 0 | |||||||
| 29521 | Jorge | Garcia del Valle Méndez | pungkyeong 1 | 2004 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29524 | Jorge | Garcia del Valle Méndez | pungkyeong 2 | 2007 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29528 | Jorge | Garcia del Valle Méndez | Road, River and Rail | 2010 | Zuspiel / Tonband, 1 group | ens, (elec) [Ensemble] | 0 | ||||||||||||
| 29520 | Jorge | Garcia del Valle Méndez | seok yang jong | 2004 | Zuspiel / Tonband, 3 perf | vn, vc, p, (elec) [Piano, Cello, Violine] | Martirano Composition Award (UIUC) | 0 | |||||||||||
| 29525 | Jorge | Garcia del Valle Méndez | The other side | 2008 | fixed media, akusmatisch | 9:41 | Surround 7.1, 11 tracks | Hochschule für Musik Dresden | 1.11.2008 | Konzertsaal HfM Dresden | 0 | ||||||||
| 37639 | Jorge | Garcia del Valle Méndez | Visions of the Void II | 2016 - 2017 | Zuspiel / Tonband, 1 perf | 9 | Stereo | p [Piano] | 0 | ||||||||||
| 29522 | Jorge | Garcia del Valle Méndez | Waterdreams | 2006 | Zuspiel / Tonband, 4 perf | 2 tpt, 2 trbn, (elec) [Trompete, Posaune] | 0 | ||||||||||||
| 39936 | Jorge | García del Valle Méndez | no sun, no moon | 2015 | fixed media, akusmatisch | 9:20:00 | Jorge García del Valle Méndez | 0 | |||||||||||
| 11174 | Gustavo | Garcia Mendy | Cinema | fixed media, akusmatisch | 0 | ||||||||||||||
| 19862 | Roberto | Garcia Piedrahita | Lapizar | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 18478 | Roberto | Garcia Piedrahita | Martes 13 | 1995 | fixed media, akusmatisch | 13:27 | IMEB Bourges | 0 | |||||||||||
| 18479 | Roberto | Garcia Piedrahita | Tadjhias | 1995 | fixed media, akusmatisch | 11:41 | IMEB Bourges | 0 | |||||||||||
| 18480 | Roberto | Garcia Piedrahita | Tema oblongo | 1995 | fixed media, akusmatisch | 1:24 | IMEB Bourges | 0 | |||||||||||
| 21003 | Francisco J. | Garcia Ruiz | Desnaturalización | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 22897 | Gonzalo | Garcia Santos | En Tuba do (1. part) | 1997 | fixed media, akusmatisch | 3:26 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | GME Cuenca | 0 | ||||||||||
| 40169 | Pablo | Garcia Valenzuela | No-Rayados | 2017 | fixed media, akusmatisch | 16 Tracks | Pablo Garcia Valenzuela | 0 | |||||||||||
| 41404 | Pablo | García Valenzuela | NoRayados | fixed media, akusmatisch | file | 0 | https://www.ckcufm.com/ | ||||||||||||
| 23955 | Cecilia | García-Gracia | Algo sigue su curso | 2001 | fixed media, akusmatisch | 17:16 | Obra en 5 partes, compuesta por encargo para la coreografía homónima de Marcela Retamales. 2001, sala Fech (Federación de Estudiantes de la Universidad de Chile), Santiago, Chile. |
0 | |||||||||||
| 23954 | Cecilia | García-Gracia | La Violación de Lucrecia | 2000 | fixed media, akusmatisch | 18:04 | basada en el poema homónimo de William Shakespeare, encargada por el coreógrafo Nelson Avilés. Obra en 2 partes: la primera acusmática (8:00) y la segunda (10:00), para contralto-bailarina interpretada en vivo. 2000, Casa Central Universidad de Chile, Santiago, Chile. |
0 | |||||||||||
| 23960 | Cecilia | García-Gracia | Máxima Seguridad | 2004 | fixed media, akusmatisch | 42:22 | Obra en 10 partes compuesta por encargo para la coreografía homónima de Javier Muñoz. Julio 2004 sala Santa Elena, Santiago, Chile. |
0 | |||||||||||
| 23957 | Cecilia | García-Gracia | Ñanco | 2000 | Zuspiel / Tonband, 1 perf | 7:27 | vc [Cello] | Obra estrenada y dedicada a la cellista Mariana Chamorro. Octubre 2002, Sala SCD, II Ciclo Internacional de Música Electroacústica, Santiago, Chile. |
Pueblo Nuevo PN.CD.001/ | PS La vitrina | 0 | ||||||||
| 23956 | Cecilia | García-Gracia | Omaira | 2002 | fixed media, akusmatisch | 16:40 | Obra compuesta por encargo para la coreografía “3 días, 9 besos” de Daniela Marini. diciembre 2002, Universidad Arsis, Santiago, Chile. |
0 | |||||||||||
| 23959 | Cecilia | García-Gracia | Territorio Incierto | 2004 | fixed media, akusmatisch | 22:45 | Obra en tres partes (3:22; 9:23; 10:00;) compuesta por encargo para la coreografía homónima de Daniela Marini. 2004, Bar El Sofá, Santiago, Chile. |
0 | |||||||||||
| 23953 | Cecilia | García-Gracia | Venus y Adonis | 1999 | fixed media, akusmatisch | 10:17 | basada en el poema homónimo de William Shakespeare, encargada por el coreógrafo Nelson Avilés. 1999, sala América, Biblioteca Nacional, Santiago, Chile. |
0 | |||||||||||
| 23958 | Cecilia | García-Gracia | Wérika | 2003 | fixed media, akusmatisch | 8:13 | Octubre 2003, Sala SCD, III Ciclo Internacional de Música Electroacústica, Santiago, Chile. | 0 | |||||||||||
| 27445 | Antonio | Garcia | Danza de Rama | fixed media, akusmatisch | 4:14 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 27446 | Antonio | Garcia | La historia de Sofia y Pest | fixed media, akusmatisch | 6:32 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 31736 | Denise | Garcia | Sopro 2 | 2007 | Tanz | 45 | also concert version 11:52 (on CD SBME) | SBME 008 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 20186 | Denise | Garcia | Trem-pássaro | 1993 | fixed media, akusmatisch | 8:32 | Stereo | RD003 MEB Rioarte/ | 0 | ||||||||||
| 20187 | Denise | Garcia | Vozes da Cidade | 1993 | fixed media, akusmatisch | 10:30 | Stereo | SBME 001, Musica el. Brasileira Vol 1/ | 1 | ||||||||||
| 36155 | Orlando Jacinto | Garcia | 3 Pieces | 1990 | Zuspiel / Tonband, 1 perf | 35:00:00 | db [Kontrabass] | for Robert Black | innova 335/ | 0 | |||||||||
| 36134 | Orlando Jacinto | Garcia | After Humans, después de los humanos | 2008 | live-elec, 1 perf | audiovisuell |
16:00:00 | vc, (elec) [Cello] | for Madeleine Shapiro, video by Jacek Kolasinski | 0 | ||||||||||
| 36130 | Orlando Jacinto | Garcia | After Life | 2009 | live-elec, | 15:00:00 | Laptop-ens [Ensemble] | for Paula Matthusen | 0 | ||||||||||
| 36152 | Orlando Jacinto | Garcia | al borde del Avila | 1992 | live-elec, 6 perf | 15:00:00 | Mez, fl, ob, hp, p, db, (elec) [Mezzo, Flöte, Oboe, Piano, Harfe, Kontrabass] | for Alfredo Rugeles & Nova Musica | 0 | ||||||||||
| 36141 | Orlando Jacinto | Garcia | Ascending from the Abyss | 2004 | live-elec, 1 perf | 15:00:00 | Mez, (elec) [Mezzo] | for Joan La Barbara | 0 | ||||||||||
| 36154 | Orlando Jacinto | Garcia | Collage | 1990, 1997 | live-elec, 4 perf | 15:00:00 | 2 gui, vn, va, (elec) [Gitarre, Viola, Violine] | for an opening at the Opus Art Gallery | 0 | ||||||||||
| 36145 | Orlando Jacinto | Garcia | como los colores del viento nocturno, like the colors of the evening wind | 2002 | live-elec, 1 perf | 13:00:00 | va, (elec), (with wind chimes) [Viola] | for Robert Davidovici | 0 | ||||||||||
| 36149 | Orlando Jacinto | Garcia | como un coro de clarinetes celestiales, like a choir of celestial clarinets | 1999 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 39472 | Orlando Jacinto | Garcia | Conversations with Harry | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 36142 | Orlando Jacinto | Garcia | cuando el mar besa al malecón, when the sea kisses the malecón | 2004 | live-elec, 1 perf | 18:00:00 | fl (doubling picc, c-fl, a-fl, b-fl), (elec) [Flöte] | for Alejandro Escuer | 0 | ||||||||||
| 40165 | Orlando Jacinto | Garcia | Despues de los humanos (after humans) | 2017 | fixed media, akusmatisch | Orlando Garcia | 0 | ||||||||||||
| 36132 | Orlando Jacinto | Garcia | Dreaming Amazonia | 2009 | Tanz, live-elec, 1 perf | 46:00:00 | (elec), dancer, (images) [Tanz] | Choreography and concept by Augusto Soledade videos by Jacek Kolasinsksi | 0 | ||||||||||
| 36135 | Orlando Jacinto | Garcia | enlaces sonoros, sonic links | 2008 | live-elec, 2 perf, 2 groups | audiovisuell |
19:00:00 | chamber-orc, perc, p, strs, (elec) [Piano, Schlagzeug, Streicher, Orchester] | (chamber orchestra version of puentes) | 0 | ||||||||||
| 36124 | Orlando Jacinto | Garcia | entre michigan y jefferson, between Michigan and Jefferson | 2014 | live-elec, 3 perf | 13:00:00 | Mez, fl (doubling a-fl), perc, (elec), (for the Fonema Consort) [Mezzo, Flöte, Schlagzeug] | 0 | |||||||||||
| 36148 | Orlando Jacinto | Garcia | imagenes (sonidos) sonoros congelados | 1999 | live-elec, 1 perf | 14:00:00 | vn, (elec) [Violine] | for Robert Davidovici | 0 | ||||||||||
| 36156 | Orlando Jacinto | Garcia | Improvisation with Metallic Materials | 1990 | live-elec, 1 perf | 14:00:00 | synt, (wind-synthesizer, elec) [synthesizer] | for Joseph Celli | innova 334/ | 0 | |||||||||
| 36136 | Orlando Jacinto | Garcia | islas, islands | 2007 | live-elec, 1 perf | 20:00:00 | sol-fl, fl ens, (elec) [Flöte, Ensemble] | for Pierre-Yves Artaud and the OFF | 0 | ||||||||||
| 36129 | Orlando Jacinto | Garcia | la catedral de cristal, the glass cathedral | 2010 | fixed media, akusmatisch | 10:00:00 | innova 333/ | 0 | |||||||||||
| 36122 | Orlando Jacinto | Garcia | Marea cambiante, changing tide | 2015 | live-elec, 1 perf | 8:00:00 | solo amp vn [Violine] | for Mari Kimura | 0 | ||||||||||
| 36153 | Orlando Jacinto | Garcia | Metallic Images | 1991 | live-elec, 1 perf | 21:00:00 | perc, (elec) [Schlagzeug] | for Jan Williams | innova 334/ | 0 | |||||||||
| 35650 | Orlando Jacinto | Garcia | Mixtura, mixture | 2004 | Zuspiel / Tonband, 1 perf | 12:11 | vc [Cello] | for Carter Enyeart | 0 | ||||||||||
| 36125 | Orlando Jacinto | Garcia | muro de viento | 2013 | live-elec, 1 perf | audiovisuell |
5:00:00 | sol fl, (doubling pic, a-flute), (elec, video images by Jacek Kolasinski) [Flöte] | for Alejandro Escuer | 0 | ||||||||||
| 36158 | Orlando Jacinto | Garcia | Music for Nada vers. 3 | 1990 | live-elec, 1 perf | fixed media, akusmatisch |
18:00:00 | S, (elec) [Sopran] | (elec) or S and elec | 0 | ||||||||||
| 36143 | Orlando Jacinto | Garcia | nubes nocturnas, nocturnal clouds | 2004 | live-elec, 1 perf | 10:00:00 | trbn, (elec) [Posaune] | for James Fulkerson and Mark Hetzler | 0 | ||||||||||
| 36139 | Orlando Jacinto | Garcia | paisaje del sonido | 2006 | audiovisuell, live-elec, 1 perf | 18:00:00 | db, (elec) [Kontrabass] | in collaboration w/ video artist Jacek Kolasinski video version |
0 | ||||||||||
| 36151 | Orlando Jacinto | Garcia | paisaje del sonido, Soundscape | 1992, 2004 | live-elec, 1 perf | 16:00:00 | db, (elec) [Kontrabass] | for Luis Gomez Imbert | innova 333/ | 0 | |||||||||
| 36137 | Orlando Jacinto | Garcia | puentes sonoros, sonic bridges | 2007 | live-elec, 7 perf | audiovisuell |
19:00:00 | fl, ob, cl, p, va, vc, db (elec) [Flöte, Klarinette, Oboe, Piano, Viola, Cello, Kontrabass] | for Sequenza Sur and the Cervantino Festival, video images by Jacek Kolasinski and John Stuart | 0 | ||||||||||
| 36147 | Orlando Jacinto | Garcia | Re-encounter | 2000 | live-elec, 3 perf | 15:00:00 | e-gui, db, perc [Gitarre, Schlagzeug, Kontrabass] | for Luis Gomez Imbert, Keith Aleo | 0 | ||||||||||
| 36159 | Orlando Jacinto | Garcia | Reflejos de Modelos Repetivos, Reflections of Repetitive Models | 1989 | live-elec, 1 perf | 20:00:00 | gui, (elec) [Gitarre] | For Flores Chaviano | 0 | ||||||||||
| 36160 | Orlando Jacinto | Garcia | Retratos #1 | 1989 | live-elec, 1 perf | fixed media, akusmatisch |
18:00:00 | p, (live-elec) (or fixed media) [Piano] | innova 335/ | 0 | ||||||||||
| 36146 | Orlando Jacinto | Garcia | separacion, separation | 2001 | live-elec, 1 perf | 12:00:00 | s-sax, (elec) [Saxophon] | for Daniel Keintzy | 0 | ||||||||||
| 36157 | Orlando Jacinto | Garcia | Sitio Sin Nombre | 1990 | live-elec, 1 perf | 22:00:00 | S, (elec) [Sopran] | for Joan La Barbara | innova 334/ | 0 | |||||||||
| 36150 | Orlando Jacinto | Garcia | soy, I am | 1993 | live-elec, 2 perf | 16:00:00 | db, p, (elec) [Piano, Kontrabass] | for Luis Gomez Imbert | 0 | ||||||||||
| 36140 | Orlando Jacinto | Garcia | temporal | 2006 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 36138 | Orlando Jacinto | Garcia | temporal and ARA Belgrano | 2007 | audiovisuell, live-elec, | 8:00:00 | videos in collaboration w/ video artist Jacek Kolasinski Video and Electronics versions of temporal for Etronics |
0 | |||||||||||
| 36123 | Orlando Jacinto | Garcia | The City Air makes you free, Stadluft macht frei | 2014 | fixed media, akusmatisch | audiovisuell |
10:00:00 | Fixed Media with video (video images by Jacek Kolasinski) | 0 | |||||||||||
| 36133 | Orlando Jacinto | Garcia | Transcending Time | 2009 | live-elec, 20 perf | audiovisuell |
75:00:00 | 14 mus, Mez, V, 4 V (SATB Singers), (elec) [Mezzo, Stimme, Musiker] | concept by OJG videos by Jacek Kolasinski and John Stuart text by Campbell McGrath | 0 | ||||||||||
| 36131 | Orlando Jacinto | Garcia | universo paralelo #1 | 2009 | live-elec, 4 perf | audiovisuell |
14:00:00 | S, cl, va, p, (elec) [Sopran, Klarinette, Piano, Viola] | video images by Jacek Kolasinski | 0 | ||||||||||
| 36128 | Orlando Jacinto | Garcia | universo paralelo #2 | 2010 | live-elec, 1 perf | audiovisuell |
13:00:00 | cl, (elec) [Klarinette] | video images by Jacek Kolasinski and Daniel Viñoly | 0 | ||||||||||
| 36127 | Orlando Jacinto | Garcia | universo paralelo #3 | 2010 | live-elec, 4 perf | audiovisuell |
12:00:00 | S, cl, va, p, (elec) [Sopran, Klarinette, Piano, Viola] | video images by Eric Goldemberg and Veronica Lachberg | 0 | ||||||||||
| 36126 | Orlando Jacinto | Garcia | universo paralelo #4 | 2010 | live-elec, 4 perf | audiovisuell |
13:00:00 | S, cl, va, p, (elec) [Sopran, Klarinette, Piano, Viola] | video images by John Stuart | 0 | ||||||||||
| 36144 | Orlando Jacinto | Garcia | Why References? | 2002 | live-elec, 1 perf | 18:00:00 | p, (elec) [Piano] | for Kathy Supove | 0 | ||||||||||
| 27179 | Pablo | Garcia | Gutura | 2000 | fixed media, akusmatisch | 8:02 | 0 | ||||||||||||
| 34679 | Pablo | Garcia | Piano T | 2000 | live-elec, 1 perf | 11:42 | Stereo | p [Piano] | Russolo Pratella EF.ER.P 01/ | Prize Russolo Varese 2001 | 0 | ||||||||
| 5590 | Philippe | Garcia | Lava, ( Song ) | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5591 | Philippe | Garcia | Nono work | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5592 | Philippe | Garcia | Où les crocodiles prennent le train | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5593 | Philippe | Garcia | Soup ' Opera | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 33315 | Russ | Garcia | Fantastica | 1958 | Demo, Studie | 35 | Mono | pop music | PS C. | 0 | |||||||||
| 33316 | Russ | Garcia | The Time Machine | 1961 | Film | 50 | Mono | PS C. | 0 | ||||||||||
| 5594 | Xavier | Garcia | 6 Regards sur L. | 1991 | fixed media, akusmatisch | 15:10 | Stereo | 6 parts | GMVL CD 09/ | GMVL Lyon | 0 | ||||||||
| 20188 | Xavier | Garcia | Danza de Rama | 1992 | fixed media, akusmatisch | 4:14 | Stereo | GR 01 Geometric Rec/ | GMVL Lyon | 0 | |||||||||
| 5595 | Xavier | Garcia | Étroits sont les Vaisseaux | 1981 | Zuspiel / Tonband, 1 perf | 46:30 | Stereo | Sp [Sprecher] | GMVL D 02 LP/ | GMVL Lyon | 1 | ||||||||
| 20189 | Xavier | Garcia | Humeurs du Monde | 1993 | radiophon | 22:30 | Stereo | Revue noire – ISBN 2-909571-11-4 / | GMVL Lyon | 0 | |||||||||
| 5596 | Xavier | Garcia | Image - Mirage | 1987 | fixed media, akusmatisch | 24:25 | Stereo | GMVL CD 05/ | GMVL Lyon | 1 | |||||||||
| 5597 | Xavier | Garcia | L'Apocalypse | 1986 | Zuspiel / Tonband, 1 perf | 40:33 | Stereo | Sp [Sprecher] | GMVL CD 05/ | GMVL Lyon | 1 | ||||||||
| 20190 | Xavier | Garcia | La chapelle des eaux | 1982 | fixed media, akusmatisch | Stereo | GMVL 012/ | GMVL Lyon | 0 | ||||||||||
| 20191 | Xavier | Garcia | La Historia de Sofia Y Pest | 1992 | fixed media, akusmatisch | 6:32 | Stereo | GR 01 Geometric Rec/ | GMVL Lyon | 0 | |||||||||
| 20192 | Xavier | Garcia | Le petit tour du monde | 1993 | fixed media, akusmatisch | 19:25 | Stereo | Revue noire – ISBN 2-909571-11-4 / | GMVL Lyon | 0 | |||||||||
| 5598 | Xavier | Garcia | Les surfaces de la tete, Table des Icones II. | 1984 | fixed media, akusmatisch | 22:53 | Stereo | Coproduction GMVL / INA.GRM | INA • GRM, GMVL Lyon | 16.6.1984 | Angers, Th. Municipal, Musique du XX. siècle | 0 | |||||||
| 20195 | Xavier | Garcia | Metallic Images | 1991 | Zuspiel / Tonband, 1 perf | 21:11 | Stereo | perc [Schlagzeug] | OO Discs 6/ | GMVL Lyon | 0 | ||||||||
| 5599 | Xavier | Garcia | Mouvement fixe, (1 - 3) | 1980 | fixed media, akusmatisch | 16:54 | Stereo | Etude de stage | INA • GRM | 5.8.1980 | Perugia, Italy | 0 | |||||||
| 5600 | Xavier | Garcia | Mouvement fixe, (4 - 7) | 1981 | fixed media, akusmatisch | 16:20 | Stereo | INA • GRM | 25.5.1981 | France-Musique | 0 | ||||||||
| 5601 | Xavier | Garcia | Passy pazi mou woude | 1982 | fixed media, akusmatisch | 24:30 | Stereo | GMVL 012/ | INA • GRM | 14.5.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 20196 | Xavier | Garcia | Piece No. 1 | 1990 | Zuspiel / Tonband, 1 perf | 10:38 | Stereo | db [Kontrabass] | OO Discs 6/ | GMVL Lyon | 0 | ||||||||
| 5602 | Xavier | Garcia | Pourquoi t'as jete ta pantoufle | 1981 | fixed media, akusmatisch | 21:20 | Stereo | INA • GRM | 27.3.1981 | Clermont-Ferrand | 0 | ||||||||
| 20197 | Xavier | Garcia | Sitio sin Nombre | 1990 | Zuspiel / Tonband, 1 perf | 22:31 | Stereo | S [Sopran] | OO Discs 6/ | GMVL Lyon | 0 | ||||||||
| 20193 | Xavier | Garcia | Surface de la tête | 1983 | fixed media, akusmatisch | 15:38 | Stereo | GMVL 012/ | GMVL Lyon | 0 | |||||||||
| 20194 | Xavier | Garcia | Vers la lumière | 1984 | fixed media, akusmatisch | 13:20 | Stereo | GMVL 012/ | GMVL Lyon | 0 | |||||||||
| 27923 | Frédéric | Gardet | PlastikAssault | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 5603 | Mathilde | Gardet | D.C.D. pudeur | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5605 | Mathilde | Gardet | L'Homoncule de la lune | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5606 | Mathilde | Gardet | Les crayons électriques ou savage est la dent | 1983 | Zuspiel / Tonband, 2 perf | 2 fem V [Stimme] | CNR Lyon | 0 | |||||||||||
| 5607 | Mathilde | Gardet | Mais heureusement Papa était là | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5608 | Mathilde | Gardet | Manourha | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5604 | Mathilde, Philippe | Gardet, Madile | Faseize | 1984 | Tanz, live-elec, 2 perf | V, synt [Stimme, synthesizer] | CNR Lyon | 0 | |||||||||||
| 42493 | Richard | Garet | IP—Iota Expansion, Variation No. 1 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 5609 | Marta | Gargas | STUDIUM I | 1988 | fixed media, akusmatisch | 9:20 | Stereo | SME Krakow | 0 | ||||||||||
| 5610 | Luise | Gariepy | Einhundert vier | 1971 | fixed media, akusmatisch | 3:18 | Stereo | ELAK Wien | 0 | ||||||||||
| 5611 | Luise | Gariepy | Improvisationsstudie | 1971 | fixed media, akusmatisch | 1:45 | Stereo | ELAK Wien | 0 | ||||||||||
| 5612 | Luise | Gariepy | Wind und Meer | 1971 | Theatermusik | 28:18 | Stereo | Hörspiel: Peter Handke "Wind und Meer" | ELAK Wien | 0 | |||||||||
| 5613 | Ilse | Garnier | Mer | 1966 | fixed media, akusmatisch | 8:25 | Mono | text-compo franco-japonaise | PS C. Amiens | 0 | |||||||||
| 5614 | Ilse | Garnier | Sprechaktionen #1 – #5 | 1962 - 1966 | fixed media, akusmatisch | Mono | text-compo | PS C. Amiens | 0 | ||||||||||
| 5615 | Ilse | Garnier | Thalatta | 1965 | fixed media, akusmatisch | 8:19 | Mono | text-compo | PS C. Amiens | 0 | |||||||||
| 5616 | Pierre | Garnier | Hier | 1965 | fixed media, akusmatisch | 2:45 | Mono | text-compo, from "Mots vivants" | PS C. Amiens | 0 | |||||||||
| 5617 | Pierre | Garnier | Messe spatiale | 1966 | fixed media, akusmatisch | 10:09 | Mono | PS C. Amiens | 0 | ||||||||||
| 5618 | Pierre | Garnier | Siffle | 1965 | fixed media, akusmatisch | 1:23 | Mono | text-compo, from "Mots vivants" | PS C. Amiens | 0 | |||||||||
| 5619 | Pierre | Garnier | Sonies | 1962 - 1964 | fixed media, akusmatisch | Mono | 8 text-compo | PS C. Amiens | 0 | ||||||||||
| 31787 | Simon | Garreis | d’ ordung | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31786 | Simon | Garreis | Verzweig Dich | 2003 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 40195 | Richard | Garret | Penumbra | 2016 | fixed media, akusmatisch | Richard Garret | 0 | ||||||||||||
| 23962 | Roberto | Garreton | Instrumentos | 2003 | fixed media, akusmatisch | 5:08 | Sonology Den Haag | 0 | |||||||||||
| 23964 | Roberto | Garreton | Larvae | 2005 | audiovisuell | Tanz |
10:00 | gui, (selfmade ins,) dancers [Gitarre, Tanz] | Pieza compuesta por el dúo de música electroacústica N.e.w.S (Satoshi Shiraishi, Roberto Garretón) con la participación de Takuya Sato en danza. Febrero 2005. Sonology Den Haag |
Sonology Den Haag | 0 | |||||||||
| 23963 | Roberto | Garreton | Meeting Point | 2005 | live-elec, 2 perf | 10:00 | cl, perc [Klarinette, Schlagzeug] | Sonology Den Haag | 0 | ||||||||||
| 23961 | Roberto | Garreton | (Solo) Palabras | 2004 | fixed media, akusmatisch | 7:47 | Quadro | Una primera versión fue realizada para soporte estereofónico con una duración de 6 minutos. Enero 2004 Sonology Den Haag |
0 | ||||||||||
| 5620 | Marian de | Garriga | Transformations | 1970 | fixed media, akusmatisch | 4:55 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 40300 | Travis | Garrison | New Directions in Automobile Repair and Demolition | 2015 | fixed media, akusmatisch | Travis Garrison | 0 | ||||||||||||
| 42703 | Travis | Garrison | selectric.metal | 2012 | fixed media, akusmatisch | 7:33:00 | 0 | ||||||||||||
| 42611 | Travis | Garrison | Untitled 2003 | 2003 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 42984 | Diego | Garro | Dammtor | 2013 | fixed media, akusmatisch | 14:59:00 | 0 | ||||||||||||
| 25903 | Diego | Garro | O que a menina ouve | 2005 | fixed media, akusmatisch | 10:06 | LDC 278079 Cultures électroniques 18/ | Uni Keele | Prize „abstract music“ Bourges 2005 | 1 | |||||||||
| 42735 | Diego | Garro | patah2 | 2010 | fixed media, akusmatisch | 15:26:00 | 0 | ||||||||||||
| 36402 | Diego | Garro | Peacekeepers | 1999 | radiophon | Kiasma 1999/ | 0 | ||||||||||||
| 25904 | Diego | Garro | Points Precairés | 2003 | audiovisuell | 14:34 | LDC 278079 Cultures électroniques 18/ CMJ Vol 29-4, 2005/ | Uni Keele | Prize Bourges 2004 | 1 | |||||||||
| 36697 | Diego | Garro | Systemfehler | 2005 | fixed media, akusmatisch | 10:17 | elek 001/ | 0 | |||||||||||
| 39730 | Diego | Garro | TACTO | 2017 | audiovisuell | Diego Garro | 0 | ||||||||||||
| 39729 | Diego | Garro | Video Concrète to Audiovisual Poetry | 2017 | audiovisuell | Diego Garro | 0 | ||||||||||||
| 36388 | Diego | Garro | Voci dall' Aldiqua | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 5621 | Brad | Garton | Approximate Rhythms | 1989 | fixed media, akusmatisch | 9:01 | Stereo | Inner Voices, MIDI, sm | Centaur CRC 2076, CDCM Vol. 5/ | Winham | 1 | ||||||||
| 39748 | Eleazar | Garzon | Invisible Voices | 2016 | fixed media, akusmatisch | Eleazar Garzon | 0 | ||||||||||||
| 35548 | Eleazar | Garzón | Antàrtida | fixed media, akusmatisch | 15:13 | 0 | |||||||||||||
| 35549 | Eleazar | Garzón | De Luz y Vacio | fixed media, akusmatisch | 11:24 | 0 | |||||||||||||
| 35550 | Eleazar | Garzón | El Astrolabio de el-e-azar | fixed media, akusmatisch | 10:13 | 0 | |||||||||||||
| 27400 | Eleazar | Garzón | El otro lado, El Astrolabio | fixed media, akusmatisch | 16:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 35551 | Eleazar | Garzón | El rìo de Herac | fixed media, akusmatisch | 11:23 | 0 | |||||||||||||
| 35552 | Eleazar | Garzón | Eleas | fixed media, akusmatisch | 14:04 | Uni de la serena/ | 0 | ||||||||||||
| 35553 | Eleazar | Garzón | Gran ritual | fixed media, akusmatisch | 12:57 | 0 | |||||||||||||
| 35554 | Eleazar | Garzón | Green-Zen-Io | fixed media, akusmatisch | 8:32 | 0 | |||||||||||||
| 24415 | Eleazar | Garzón | Las Criaturas deOrlEGm | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 35556 | Eleazar | Garzón | Marfil y èbano | fixed media, akusmatisch | 10:26 | 0 | |||||||||||||
| 35557 | Eleazar | Garzón | Marilyn | fixed media, akusmatisch | 13:02 | 0 | |||||||||||||
| 35558 | Eleazar | Garzón | Moebius | 2003 | fixed media, akusmatisch | 03:12 | 0 | ||||||||||||
| 35559 | Eleazar | Garzón | Mundo Lata I | fixed media, akusmatisch | 5:03 | 0 | |||||||||||||
| 35560 | Eleazar | Garzón | Mundo Lata II | fixed media, akusmatisch | 5:36 | 0 | |||||||||||||
| 35561 | Eleazar | Garzón | Nocturno Esmeralda | fixed media, akusmatisch | 9:04 | 0 | |||||||||||||
| 35562 | Eleazar | Garzón | Orquesta imaginaria | fixed media, akusmatisch | 11:55 | 0 | |||||||||||||
| 35563 | Eleazar | Garzón | Pequeño ritual | fixed media, akusmatisch | 9:49 | 0 | |||||||||||||
| 35564 | Eleazar | Garzón | UqbaR | fixed media, akusmatisch | 10:07 | 0 | |||||||||||||
| 35565 | Eleazar | Garzón | Viento Sur | 2009 | fixed media, akusmatisch | 9:41 | 0 | ||||||||||||
| 35566 | Eleazar | Garzón | water.earth.com | fixed media, akusmatisch | 6:24 | 0 | |||||||||||||
| 5622 | Giorgio | Gaslini | Corri, nella miniera si odano voci | 1963 | Zuspiel / Tonband, 8 perf | Mono | 4 V, qt [Stimme, Instrument] | VdP/ | PS C. | 0 | |||||||||
| 5623 | Giorgio | Gaslini | Electronics Moods | 1968 | Zuspiel / Tonband, 4 perf | jazz-qt [Instrument] | 0 | ||||||||||||
| 38956 | Stavros | Gasparatos | Expanded Piano | 2014 | live-elec, 1 perf | prep p [Piano] | EMPAC | 2014 EMPAC | 0 | http://empac.rpi.edu/events/2014/fall/expanded-piano | |||||||||
| 40104 | Michael | Gaspari | Alone View | 2017 | fixed media, akusmatisch | 16 Tracks | Michael Gaspari | 0 | |||||||||||
| 5624 | Ulrich | Gasser | ds grääggi | 1982/1983 | Zuspiel / Tonband, 8 perf | 25:00 | 8 ins [Instrument] | 0 | |||||||||||
| 5625 | Ulrich | Gasser | Passion I - ein Versuch | 1976 | fixed media, akusmatisch | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 38425 | Remi | Gassmann | Electronics | Tanz | New York City Ballet, George Balanchine | XWN 18962/ Cacophonic 4CACK-B/ | PS Sala | 0 | |||||||||||
| 34691 | Antonio | Gatti | Requiem | 1995 | fixed media, akusmatisch | 12:40 | Russolo Pratella EF.ER.P 96/ | Prize Russolo Varese 1996 | 0 | ||||||||||
| 40171 | Paolo | Gatti | Poltergeist | 2016 | fixed media, akusmatisch | Paolo Gatti | 0 | ||||||||||||
| 34420 | Dwight D. | Gatwood | Carnatic Metamorphosis | 1978 | Zuspiel / Tonband, 1 perf | 4:45 | Stereo | gui (sitar) [Gitarre] | Bregman Dartmouth | 0 | |||||||||
| 34419 | Dwight D. | Gatwood | Encounters in Plastic | 1977 | Film | 6:08 | Stereo | for Super-8mm Film and Tape | Bregman Dartmouth | 0 | |||||||||
| 5626 | Eric | Gaudibert | Chacun son singe | 1978 | Oper, 10 perf | 65:00 | S, Bar, 8 ins [Sopran, Bariton, Instrument] | 0 | |||||||||||
| 5627 | Eric | Gaudibert | Diluvial | 1974 | Zuspiel / Tonband, 1 perf | 7:00 | fl [Flöte] | 0 | |||||||||||
| 5628 | Eric | Gaudibert | Epitase | 1971 | Zuspiel / Tonband, 4 perf | hpd, vn, va, vc [Cembalo, Viola, Cello, Violine] | CRS Genève | 0 | |||||||||||
| 5629 | Eric | Gaudibert | Le Moulin de Conté | 1974 | fixed media, akusmatisch | 12:00 | 0 | ||||||||||||
| 5630 | Eric | Gaudibert | Le Passeur de Loire | 1973 | Theatermusik | 30:00 | 0 | ||||||||||||
| 5631 | Eric | Gaudibert | Métamorphoses | 1972 | fixed media, akusmatisch | 30:00 | 0 | ||||||||||||
| 5632 | Eric | Gaudibert | Solstice | 1971 | Zuspiel / Tonband, 1 perf | 11:18 | p [Piano] | CTS 44/ | CRS Genève | 0 | |||||||||
| 5633 | Eric | Gaudibert | Tôt ou Tare | 1970 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 5634 | Eric | Gaudibert | Vernescence | 1973 | live-elec, 2 perf | cl, p [Klarinette, Piano] | 0 | ||||||||||||
| 5635 | Frank, Gerald, Valérie | Gauduchon, Glynn, Souderes | Musiques Dispersees (A), Musiques dispersées | 1969 | Performance | 6:38 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 5636 | Allain | Gaussin | Ariane | 1987 | Zuspiel / Tonband, | 5:00 | 0 | ||||||||||||
| 5638 | Allain | Gaussin | Ausstellungsmusik Ui Cha | 1985 | Hintergrundmusik | je 56:00 | Stereo | Für Ausstellung Ui Cha | TU Berlin | 11.10.1985 | Staatliche Kunsthalle Berlin | 1 | |||||||
| 5637 | Allain | Gaussin | Camaieux | 1983 | Zuspiel, live-elec, 1 group | e-ens [Ensemble] | 0 | ||||||||||||
| 23134 | Allain | Gaussin | Jardin Zen | 1998 | Zuspiel / Tonband, 1 perf | 10:25 | cl [Klarinette] | 1 | 2002 | ||||||||||
| 5639 | Allain | Gaussin | Vent solaire | 1976 | Zuspiel / Tonband, 4 perf, 1 group | 25 | Stereo | 2 S, Sp, ch, ins [Sopran, Sprecher, Instrument, Chor] | 2 versions with different duration & instrumentation | INA • GRM | 27.8.1976 | Paris, Th. Récamier; avec Ch. Defressine (S), et P. Rousseau (Récitant) | 0 | ||||||
| 5640 | Claude-Paul | Gauthier | Lux | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 24776 | Mario | Gauthier | Ponts de Montréal new | radiophon | IFSS 24/ | Inpetto Berlin | 0 | ||||||||||||
| 25573 | Philippe-Aubert | Gauthier | Au-delà des apparences | 2005 | fixed media, akusmatisch | 7:30 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | 1 | |||||||||
| 27369 | Thierry | Gauthier | Cycles | 2007 | fixed media, akusmatisch | 8:00 | CEC Cache 2007, PeP 012/ | JTTP-Winner 2007 3. prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 25564 | Thierry | Gauthier | Étude aux clavecin et oiseuax | 2005 | fixed media, akusmatisch | 6:06 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 27350 | Thierry | Gauthier | [pjanistik] | 2006 | fixed media, akusmatisch | 4:56 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 4. prize | 1 | http://www.thierrygauthier.com | ||||||||
| 5641 | Pierre | Gauvin | 1959-1984 | 1984 | fixed media, akusmatisch | 15:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5642 | Pierre | Gauvin | Dérive | 1983 | fixed media, akusmatisch | audiovisuell |
5:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5643 | Pierre | Gauvin | Réunions | 1985 | fixed media, akusmatisch | 15:00 | Stereo | Concordia Montréal | Rhino Prods | 0 | |||||||||
| 34098 | Pablo | Gav | Gutura | 1999 | fixed media, akusmatisch | 8:02 | IRD 002 Irradia/ | prix de la Region de Aquitaine 2000 at Bordeaux | 0 | ||||||||||
| 19305 | Giuseppe | Gavazza | Natura morta con specchio | 1994 | live-elec, 1 perf | 17:50 | p [Piano] | Kiebler, Richard | 2e2m Collection 1014/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 5644 | Matthias | Gawriloff | Vier Schritte zu 330 | 1977 | fixed media, akusmatisch | 8:14 | Quadro | HfM Hannover | 0 | ||||||||||
| 5645 | Evelyne | Gayou | A l'aube du jour des morts | 1986 | fixed media, akusmatisch | 16:10 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 5646 | Evelyne | Gayou | Arthur | 1983 | fixed media, akusmatisch | 5:07 | Stereo | La nuit des oiseaux | INA • GRM | 1.10.1983 | France Musique | 0 | |||||||
| 5647 | Evelyne | Gayou | Germinal, Goélands Argents | 1985 | fixed media, akusmatisch | 3:30 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 5648 | Evelyne | Gayou | J'entre, je sors | 1991 | fixed media, akusmatisch | 11:00 | Stereo | INA • GRM | 0 | ||||||||||
| 42448 | Evelyne | Gayou | Jeu de la perception attentive | 2014 | fixed media, akusmatisch | 13:36 | INA • GRM | 0 | |||||||||||
| 42447 | Evelyne | Gayou | La trace d’un pas humide | 2001 | fixed media, akusmatisch | 9:30 | INA • GRM | 0 | |||||||||||
| 42449 | Evelyne | Gayou | Rhumbs | 2008 | fixed media, akusmatisch | 14:00 | INA • GRM | 0 | |||||||||||
| 42446 | Evelyne | Gayou | Zaoum | 2000 | fixed media, akusmatisch | 10:30 | INA • GRM | 0 | |||||||||||
| 5649 | Didier | Gazelle | Stochas | 1964 | Zuspiel / Tonband, 3 perf | 7:06 | Mono | va, db, p [Piano, Viola, Kontrabass] | IPEM Gent | 0 | |||||||||
| 5650 | Didier | Gazelle | Studie I | 1963 | fixed media, akusmatisch | 4:20 | Mono | MEN/ ALPHA 5066-5/ | IPEM Gent | 0 | |||||||||
| 5651 | Didier | Gazelle | Tijdsverzwarting | 1966 | Zuspiel / Tonband, 2 perf | 5:00 | Mono | fl, vc [Flöte, Cello] | IPEM Gent | 0 | |||||||||
| 19338 | Raviv | Gazit | Ha-Ho-Ha | 1994 | fixed media, akusmatisch | 3:02 | Sam | ACUM/ | HfM Tel Aviv | 1 | |||||||||
| 18394 | Raviv | Gazit | Shades of a Digital Piano | 1997 | live-elec, 1 perf | Stereo | dig p [Piano] | Uni Tel Aviv | 1 | ||||||||||
| 19337 | Raviv | Gazit | What a sweet way to die | 1993 | fixed media, akusmatisch | 11:40 | Sam | ACUM/ | HfM Tel Aviv | 1 | |||||||||
| 18395 | Raviv | Gazit | ZEE | 1987 | fixed media, akusmatisch | 14:40 | Stereo | Synclavier; (13 pieces) | Hed-Arzi/ | Uni Tel Aviv | 1 | ||||||||
| 40317 | Weilu | Ge | Innerhearing | 2016 | audiovisuell | Performance |
5:47 | Surround 7.1 | Weilu Ge | 0 | https://www.geweilu.com/blank-ahbyx | |||||||||
| 39350 | Dave | Gedosh | Guitar Construction #3: Hg-Cr-As | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39715 | David | Gedosh | Guitar Construction #2: Progressive Fracture | 2016 | fixed media, akusmatisch | David Gedosh | 0 | ||||||||||||
| 42921 | David | Gedosh | Train Song | 2013 | fixed media, akusmatisch | 8:58:00 | 0 | ||||||||||||
| 41397 | Erin | Gee | Rainbow in the Night | fixed media, akusmatisch | sonus.ca | 0 | https://www.ckcufm.com/ | ||||||||||||
| 36690 | Hartmut | Geerken | hexenring | 1994 | radiophon | 70:15 | AECO Records 0018LE/ | BR München | 17.6.1994 | BR 2 | Karl-Sczuka-Preis 1994 | 0 | |||||||
| 36689 | Hartmut, Herbert | Geerken, Kapfer | südwärts, sürwärts | 1989 | radiophon | 47:41 | Hörspiel nach einer dokumentarischen Niederschrift von Anselm Ruest / Mit Peter Fricke / Realisation: Hartmut Geerken/Herbert Kapfer / BR 1989 | BR München | 19.5.1989 | BR 2 | Karl-Sczuka-Preis 1989 | 0 | https://www.br.de/radio/bayern2/inhalt/hoerspiel-und-medienkunst/hoerspielpool328.html | ||||||
| 42494 | Doug | Geers | Sweep | 2008 | live-elec, 2 perf | vn, perc, laptop-orc [Schlagzeug, Violine, Orchester] | Maja Cerar, violin; N. Cameron Britt, percussion | PLOrk | 2008 | 0 | |||||||||
| 36169 | Douglas | Geers | Atomic Tango | 2001 | fixed media, akusmatisch | 6:04 | innova 118/ | NOTAM | 0 | ||||||||||
| 39739 | Douglas | Geers | Father’s Dream Reliquary | 2014 | Klangkunst, Installation | Douglas Geers | 0 | ||||||||||||
| 42612 | Douglas | Geers | Inanna’s Descent, Inanna: Euphrates Survival Song | 2009 | live-elec, 1 perf | 9 | vn [Violine] | 0 | |||||||||||
| 39359 | Douglas | Geers | Oracle | 2017 | live-elec, 2 perf | 2 perf (improvising) [Performer] | 0 | ||||||||||||
| 39738 | Douglas | Geers | Ripples | 2016 | fixed media, akusmatisch | Douglas Geers | 0 | ||||||||||||
| 39740 | Douglas | Geers | Sapling | 2015 | live-elec, 1 perf | 10:00:00 | p [Piano] | Douglas Geers | 0 | ||||||||||
| 43003 | Douglas | Geers | Stolen Blues | 2013 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 39737 | Douglas | Geers | Teach Sum, Cheat Sum | 2017 | live-elec, 3 perf | 2 ins, synt (voice synt) [Instrument, synthesizer] | Douglas Geers | 0 | |||||||||||
| 32085 | Douglas | Geers | Turnstile | 1999 | Zuspiel / Tonband, 1 perf | vn [Violine] | for violin with computer-generated sounds | SEAMUS EAM Vol. 10/ | 0 | ||||||||||
| 41509 | Douglas | Geers | Unspoken | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 5653 | Ron | Geesin | Doctored excerpt from "Ingoldsby Legends" | 1965 | fixed media, akusmatisch | 6:49 | Mono | PS C. London | 0 | ||||||||||
| 5654 | Ron | Geesin | Invention | 1966 | Zuspiel / Tonband, 1 perf | 1:42 | Mono | (3 jugs,) V [Stimme] | PS C. London | 0 | |||||||||
| 5655 | Ron | Geesin | Invention | 1966 | Zuspiel / Tonband, 1 perf | 2:17 | Mono | gui (banjo) [Gitarre] | PS C. London | 0 | |||||||||
| 5656 | Ron | Geesin | Short note from "Minister's Speech" | 1965 | fixed media, akusmatisch | 0:20 | Mono | PS C. London | 0 | ||||||||||
| 5657 | Ron | Geesin | The eye that nearly saw | 1966 | fixed media, akusmatisch | 5:00 | Mono | PS C. London | 0 | ||||||||||
| 5658 | Hans | Gefors | Galionsfiguren | 1983 | Tanz, 2 perf | 17:43 | Stereo | S, e-gui [Sopran, Gitarre] | EMS Stockholm | 0 | |||||||||
| 5659 | Hans | Gefors | Minnas | 1982 | Zuspiel / Tonband, 1 perf, 1 group | inss [Instrument] | 0 | ||||||||||||
| 31789 | Christophe | Gehlen | Schwebungsebenen | 2003 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31788 | Christophe | Gehlen | TMAMAT | 2003 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 5660 | Rolf | Gehlhaar | Beckenstück | 1969 | live-elec, 6 perf | 19:00 | 6 amp Becken [Schlagzeug] | Cybele 960.303/ DegeM CD 06/ Feedback CD3/ | Feedback St | 1970 | Darmstadt | Feedback | 1 | ||||||
| 5661 | Rolf | Gehlhaar | Chronik 91 | 1991 | live-elec, 4 perf | 61:00 | 2 p, 2 perc [Piano, Schlagzeug] | 1991 | Donaueschingen | Feedback | 0 | ||||||||
| 5662 | Rolf | Gehlhaar | Clusps, swallowtails and butterflies | 1992 | Zuspiel, live-elec, 1 perf | 50:00 | amp Becken [Schlagzeug] | 1992 | Freiburg | Feedback | 0 | ||||||||
| 5664 | Rolf | Gehlhaar | Copernic Opera | 1987 | live-elec, 11 perf | intermedia || Tanz |
55:00 | Octo | 8 - 12 dancers [Tanz] | QUATRON / PACOM and SUSIE | LIMCA Auch | 0 | ||||||||
| 5663 | Rolf | Gehlhaar | Copernic Opéra | 1986 | Tanz, live-elec, | 70:00 | 1986 | Montpellier | Feedback | 0 | |||||||||
| 5665 | Rolf | Gehlhaar | Cybernet I | 1971 | intermedia | ∞ | interaktives musikalisches Enviroment | Feedback | 0 | ||||||||||
| 5666 | Rolf | Gehlhaar | Cybernet II | 1972 | intermedia | ∞ | interaktives musikalisches Enviroment | Feedback | 0 | ||||||||||
| 5667 | Rolf | Gehlhaar | Diagonal Flying | 1989 | live-elec, 2 perf | 34:00 | p, synt [Piano, synthesizer] | KTC 1127/ | Feedback | 0 | |||||||||
| 5668 | Rolf | Gehlhaar | Eichung | 1986 | live-elec, 3 perf | 45:00 | Quadro | 3 ins, (audience) [Instrument] | LIMCA Auch | 1986 | Bremen | Feedback | 0 | ||||||
| 5669 | Rolf | Gehlhaar | Free Fall | 1975 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 5670 | Rolf | Gehlhaar | Fünf deutsche Tänze | 1975 | Zuspiel / Tonband, 3 perf | 52:06 | Quadro, Octo | 2 str, p [Piano, Streicher] | WDR SEM | WDR 1976 | 20.2.1976 | WDR | Feedback | 0 | |||||
| 5671 | Rolf | Gehlhaar | Headpieces | 1988 | live-elec, 2 perf | 35:00 | 2 perf (Köpfe) [Performer] | e.Feedb | 0 | ||||||||||
| 23047 | Rolf | Gehlhaar | Hydraphonie | 1978 | Zuspiel, live-elec, 1 perf | ins [Instrument] | WDR SEM | WDR 1978 | 0 | ||||||||||
| 5672 | Rolf | Gehlhaar | Infra | 1985 | live-elec, 10 perf | ≈ 24:00 | 10 amp ins [Instrument] | Feedback | 0 | ||||||||||
| 5673 | Rolf | Gehlhaar | Klang=Raum | 1985 | intermedia, live-elec, | ∞ | Quadro | (audience) [] | LIMCA Auch | Feedback | 0 | ||||||||
| 5674 | Rolf | Gehlhaar | Klavierstück 1-2 | 1971 | live-elec, 1 perf | 25:00 | p [Piano] | 1971 | Saarbrücken | Feedback | 0 | ||||||||
| 5675 | Rolf | Gehlhaar | Le musicien maigré lui | 1985 | live-elec, | intermedia |
≈ | Quadro | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 5676 | Rolf | Gehlhaar | Man | 1975 | Zuspiel, live-elec, | Musiktheater |
0 | |||||||||||||
| 5677 | Rolf | Gehlhaar | Marèe | 1991 | live-elec, 6 perf | 16:00 | 6 perc [Schlagzeug] | 1991 | Metz | Feedback | 0 | ||||||||
| 35788 | Rolf | Gehlhaar | Multiverse | 2006 | live-elec, 1 perf | com [computer] | 4.11.2006 | HfMT Köln | 0 | ||||||||||
| 5678 | Rolf | Gehlhaar | Nairi | 1983 | live-elec, 1 perf | 17:00 | amp vn or va [Viola, Violine] | Feedback | 0 | ||||||||||
| 26364 | Rolf | Gehlhaar | OM-p | 2001 | Zuspiel / Tonband, 1 perf | 12:00 | V or ins [Stimme, Instrument] | more Versions: OM-d, -h, -m, -s, -n, -r, -c |
Feedback | 0 | |||||||||
| 5679 | Rolf | Gehlhaar | Origo | 1987 | live-elec, 5 perf | 23:00 | amp p, tpt, vc, perc, Kbd [Trompete, Piano, Keyboard, Schlagzeug, Cello] | 1987 | London | Feedback | 0 | ||||||||
| 5680 | Rolf | Gehlhaar | Particles | 1978 | live-elec, 1 perf, 1 group | 17:00 | S, ens [Sopran, Ensemble] | 1979 | Paris | Feedback | 0 | ||||||||
| 5681 | Rolf | Gehlhaar | Pas à pas - Musik für Ohren in Bewegung | 1981 | live-elec, 4 perf | ≈ 26:00 | 4 ins [Instrument] | IRCAM | 0 | ||||||||||
| 5682 | Rolf | Gehlhaar | Polymorph | 1978 | live-elec, 1 perf | 13:00 | b-cl, (delay) [Klarinette] | KTC 1127/ | 1978 | Brüssel | Feedback | 0 | |||||||
| 5684 | Rolf | Gehlhaar | Rondell | 1975 | live-elec, 1 perf | 12:00 | trbn, (delay) [Posaune] | KTC 1127/ | 1975 | Amsterdam | Feedback | 0 | |||||||
| 5685 | Rolf | Gehlhaar | Singularité | 1986 | Zuspiel / Tonband, 3 perf | 25:00 | Quadro | 2 cl, trbn [Klarinette, Posaune] | QUATRON / PACOM and SUSIE | LIMCA Auch | Feedback | 0 | |||||||
| 5686 | Rolf | Gehlhaar | Solipse | 1974 | live-elec, 1 perf | 14:00 | vc, (delay) [Cello] | Attacca Babel 9369/ KTC 1127/ | 1974 | Bremen | Feedback | 0 | |||||||
| 5687 | Rolf | Gehlhaar | Som=Espaço | 1987 | live-elec, | intermedia |
≈ | Quadro | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 5688 | Rolf | Gehlhaar | Son=Espace (Klang=Raum) | 1986 | live-elec, | ≈ | Quadro | (audience) [] | QUATRON / PACOM and SUSIE | LIMCA Auch | Feedback | 0 | |||||||
| 5689 | Rolf | Gehlhaar | Strange Attractor | 1991 | live-elec, 1 perf | 23:00 | 1 actor [Schauspieler] | Feedback | 0 | ||||||||||
| 5690 | Rolf | Gehlhaar | Sub Rosa | 1980 | fixed media, akusmatisch | 18:00 | Quadro | CERM Metz | 1980 | Lille | Feedback | 0 | |||||||
| 5691 | Rolf | Gehlhaar | Sudden Adventures | 1988 | Tanz, live-elec, 2 perf | 55:00 | 2 dancer [Tanz] | Feedback | 0 | ||||||||||
| 19174 | Rolf | Gehlhaar | Swallowtails | 1994 | live-elec, 1 perf | 6:00 | amp Becken [Schlagzeug] | Klang-Raum | Feedback 25 Jahre/ | Feedback St | 1 | ||||||||
| 5692 | Rolf | Gehlhaar | Wege | 1971 | live-elec, 3 perf | 13:00 | amp (verpacktes) p, 2 str [Piano, Streicher] | 1971 | Köln | Feedback | 0 | ||||||||
| 5695 | Rolf | Gehlhaar | Worldline | 1980 | live-elec, 4 perf | 27:00 | 4 V [Stimme] | 1980 | London (elec phoenix) | Feedback | 0 | ||||||||
| 42206 | Gunnar | Geisse | Rotor | 2011 | radiophon | 54 | BR | 13.5.2011 | BR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1538878&vi=15&SID | ||||||||
| 41999 | Gunnar | Geisse | Triptych | 2018 | live-elec, 1 perf | e-gui and com [Gitarre, computer] | 26.10.2018 | München | 0 | ||||||||||
| 31354 | Eva-Margarita | Geissler | Rufe ringsum | 1999 | fixed media, akusmatisch | 7:10:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31351 | Eva-Margarita | Geissler | Schritte | 1997 | fixed media, akusmatisch | 7:43:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 23781 | Jason Ernest | Geistweidt | A letter from the trenches of Adrianopolis… | 2004 | fixed media, akusmatisch | 9:06 | Stereo | CAP 22057/ | SARC Belfast | emsPrize 2004 | 1 | ||||||||
| 25905 | Jason Ernest | Geistweidt | Combine (after Rauschenberg) | 2006 | fixed media, akusmatisch | 11:33 | Octo | SARC Belfast | 2006 | Sonorities Festival Belfast | 0 | ||||||||
| 5696 | Han van | Gelder | Glas | 1958 | Film | 2:30 | Mono | TH Delft | 0 | ||||||||||
| 5697 | Martin | Gellhorn | … and now let's play through to the end … | 1972 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 5698 | Martin | Gellhorn | Compression ICES | 1972 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 5699 | Martin | Gellhorn | Feedback with Filter Modulation | 1973 | fixed media, akusmatisch | Quadro | Uni Cardiff | 0 | |||||||||||
| 5700 | Martin | Gellhorn | Mandala | 1974 | fixed media, akusmatisch | Quadro | Goldsmith London, UEA Norwich | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 5701 | Vittorio | Gelmetti | Deserto Rosso | 1964 | Film | 15:00 | Mono | Poste Roma | 0 | ||||||||||
| 5702 | Vittorio | Gelmetti | Due studi | 1961 | fixed media, akusmatisch | 7:00 | Mono | basato su "Varianze" e "Tensioni" | Poste Roma | 0 | |||||||||
| 5703 | Vittorio | Gelmetti | Eine kleine K Musik | 1979 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 5704 | Vittorio | Gelmetti | Intersezioni II, (in memoriam Edgard Varèse) | 1965 | fixed media, akusmatisch | 12:24 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 5705 | Vittorio | Gelmetti | Intersezioni III, (in memoriam Edgard Varèse) | 1965 | Zuspiel / Tonband, 1 perf | 8:20 | Stereo | V [Stimme] | Fonologia Firenze | 0 | |||||||||
| 22270 | Vittorio | Gelmetti | L’opera abbandonata tace e volge la sua cavità verso I'esterno | 1969 | fixed media, akusmatisch | 23:03 | Nepless CO 971 1003/ IDEAMA CD 044/ | Expst Warsaw | Polish Radio | 1 | |||||||||
| 32745 | Vittorio | Gelmetti | Marta, studio da concerto | 1980 - 1981 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 5707 | Vittorio | Gelmetti | Misure I | 1959 | fixed media, akusmatisch | 5:00 | Mono | Stato Roma | 0 | ||||||||||
| 5708 | Vittorio | Gelmetti | Modulazioni per Michelangelo I | 1964 | Hintergrundmusik | 15:00 | Mono | Poste Roma | 0 | ||||||||||
| 5709 | Vittorio | Gelmetti | Modulazioni per Michelangelo II | 1965 | fixed media, akusmatisch | 8:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 22269 | Vittorio | Gelmetti | Modulazioni per Michelangiolo | fixed media, akusmatisch | 15:20 | Nepless CO 971 1003/ | Lab Telecom Roma | 1 | |||||||||||
| 5710 | Vittorio | Gelmetti | musica per disco "Scrittori su nastro II" | 1965 | fixed media, akusmatisch | 9:34 | Mono | NuC/ | Fonologia Firenze | 0 | |||||||||
| 5711 | Vittorio | Gelmetti | Nous irons à Tahiti | 1965 | Film | 13:00 | Mono | Nepless CO 971 1003/ | Fonologia Firenze | 1 | |||||||||
| 5712 | Vittorio | Gelmetti | Organum quadruplum "questo è il gatto con gli stivali" | 1967 | Zuspiel / Tonband, 1 perf, 1 group | 14:52 | Stereo | org, ch [Orgel, Chor] | MEV Roma | 0 | |||||||||
| 5714 | Vittorio | Gelmetti | Short | 1968 | Zuspiel / Tonband, 1 perf, 1 group | S, ens, slides [Sopran, Ensemble] | 0 | ||||||||||||
| 5715 | Vittorio | Gelmetti | Studio II – Energia e tempo | 1960 | fixed media, akusmatisch | 3:55 | Poste Roma | 0 | |||||||||||
| 5716 | Vittorio | Gelmetti | Tensioni | 1961 | fixed media, akusmatisch | 5:00 | Poste Roma | 0 | |||||||||||
| 5717 | Vittorio | Gelmetti | Traumdeutung | 1967 | Zuspiel / Tonband, 4 perf | Stereo | 4 amp V [Stimme] | MEV Roma | Nepless CO 971 1003/ | 1 | |||||||||
| 5718 | Vittorio | Gelmetti | Treni d'onda a Modulazione di Intensità | 1963 | fixed media, akusmatisch | 10:45 | Nepless CO 971 1003/ IDEAMA CD 017/ | Poste Roma | 1 | ||||||||||
| 5719 | Vittorio | Gelmetti | Varianze | 1960 | fixed media, akusmatisch | 4:00 | Mono | Stato Roma | 0 | ||||||||||
| 5713 | Vittorio, Group | Gelmetti, Musica Elettronica Viva | Prossimamente | 1966 | Musiktheater | 21:10 | Stereo | MEV Roma | 0 | ||||||||||
| 5720 | Géza | Gémesi | Variations | 1982 | fixed media, akusmatisch | 5:25 | Stereo | MR Budapest | 0 | ||||||||||
| 36541 | Paolo | Geminiani | Assonanze | fixed media, akusmatisch | 9:10 | Accademia Musicale Pescarese/ | 0 | ||||||||||||
| 24124 | Paolo | Geminiani | Cantus | 2001 | Zuspiel, live-elec, 14 perf | 11:48 | Stereo | 2 fl, cl, b-cl, bn, 4 perc, str-qt, db [Flöte, Klarinette, Fagott, Schlagzeug, Kontrabass, Streicher] | Tempo Reale Firenze | 0 | |||||||||
| 40173 | Paolo | Geminiani | Gesture without motion | 2016 | fixed media, akusmatisch | Paolo Geminiani | 0 | ||||||||||||
| 40172 | Paolo | Geminiani | Risonanze erranti (Multivision by Giulia Zoli Carlo Conti) | 2016 | audiovisuell | Paolo Geminiani | 0 | ||||||||||||
| 40827 | Paolo | Geminiani | Risonanze Metalliche I | 2012 | fixed media, akusmatisch | 3:39 | CLS 170901/ | 0 | |||||||||||
| 40830 | Paolo | Geminiani | Risonanze Metalliche III | 2013 | fixed media, akusmatisch | 4:20 | CLS 170902/ | 0 | |||||||||||
| 34666 | Carla | Genchi | Paintings And A Tv Set | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW Copeco: Carla Genchi |
0 | |||||||||||
| 34644 | Carla | Genchi | Personal Atlas | 2016 | Zuspiel, live-elec, 3 perf | perc (crotales, video disk), e-gui, V [Stimme, Gitarre, Schlagzeug] | SMC2016 | 0 | |||||||||||
| 35638 | Martìn | Gendelman | Reflejos | 2012 | Zuspiel / Tonband, 1 perf | 5:36 | cl [Klarinette] | 0 | |||||||||||
| 5721 | Normand | Gendron | Centrifuge | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 5722 | Normand | Gendron | Maple Truffé | 1986 | fixed media, akusmatisch | 9:26 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5723 | Normand | Gendron | Neila | 1984 | fixed media, akusmatisch | 10:54 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5724 | Normand | Gendron | Rondooooo | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 25574 | Priscille | Gendron | Camille | 2005 - 2006 | fixed media, akusmatisch | 7:37 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | winner JTTP 2006 1. prize | 1 | ||||||||
| 5725 | Armando | Gentilucci | Che voi pensiate | 1975 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 34925 | Armando | Gentilucci | Come qualcosa palpita nel fondo | 1973 | Zuspiel / Tonband, 1 perf | vn [Violine] | Fonologia Milano | 0 | |||||||||||
| 5726 | Armando | Gentilucci | E sgomenti vediamo | 1974 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 32746 | Armando | Gentilucci | Molteplice | 1976 - 1977 | Zuspiel / Tonband, 3 perf | vn, vc, p [Piano, Cello, Violine] | 0 | ||||||||||||
| 42757 | Marta | Gentilucci | As Far as the Eye Can See | 2012 | live-elec, 1 perf | 10:00:00 | perc [Schlagzeug] | Sarah Mullins, percussion | 0 | ||||||||||
| 40064 | Marta | Gentilucci | Lob der Ferne | 2015 | fixed media, akusmatisch | 4:32:00 | Marta Gentilucci | 0 | |||||||||||
| 5727 | Group | Gentle Fire | Dart River Enviroment ("River Concert") | 1972 | Zuspiel / Tonband, 5 perf | ≈ 60:00 | Quadro | 5 or more perf [Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5728 | Group | Gentle Fire | Group Composition I | 1970 | live-elec, 6 perf | 21:00 | Stereo, Octo | 6 perc [Schlagzeug] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5729 | Group | Gentle Fire | Group Composition II | 1971 | live-elec, 5 perf | ≈ 25:00 | Quadro | 5 perf, (2 tape-loops) [Performer] | rev. 1972 as "Group Compo V" Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton |
PS Davies | 0 | ||||||||
| 5730 | Group | Gentle Fire | Group Composition III | 1971 | live-elec, 5 perf | ≈ 30:00 | Quadro | 5 perf, (invented ins) [Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5731 | Group | Gentle Fire | Group Composition IV, music for glastonbury fair | 1971 | live-elec, 5 perf | ≈ 60:00 | Quadro | 5 perf, (invented ins) [Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5732 | Group | Gentle Fire | Group Composition V | 1972 | live-elec, 5 perf | ≈ 25:00 | Quadro | 5 perf, (2 tape-loops) [Performer] | rev. from Group Compo II Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton |
PS Davies | 0 | ||||||||
| 5733 | Group | Gentle Fire | Group Composition VI, ("unfixed Parities") | 1972 | live-elec, 6 perf, 1 group | ≈ 40:00 | Quadro | 5 perf, Vs [Stimme, Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5734 | Group | Gentle Fire | Piano Concert | 1973 | live-elec, 5 perf | ≈ 70:00 | Quadro | 3 - 5 perf [Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 42437 | Harald | Genzmer | Basssolo für Trautonium | 1936 | live-elec, 1 perf | synt (Trautonium) [synthesizer] | Juli 1936 | HfM Berlin, Oskar Sala | 0 | ||||||||||
| 42436 | Harald | Genzmer | Capriccio trautonico | 1935 | live-elec, 1 perf | synt (Trautonium) [synthesizer] | 28.11.1935 | Berlin, Zoo Palast, Mit Oskar Sala | 0 | ||||||||||
| 5735 | Harald | Genzmer | Fantasie für Trautonium & Klavier | 1938 | Zuspiel, live-elec, 2 perf | 7:00 | Mono | p, mtr [Piano, synthesizer] | WER 60 113/ | 0 | |||||||||
| 5736 | Harald | Genzmer | Kantate | 1968/1972 | live-elec, 2 perf | 15:00 | Mono | S, mtr [Sopran, synthesizer] | ERA STU 70633 LP/ Creel Pone 08/ | PS Sala | 1 | ||||||||
| 5737 | Harald | Genzmer | Karneval von Venedig | 1938 | live-elec, 1 perf, 1 group | 12:00 | Mono | mtr, orc [synthesizer, Orchester] | after Paganini | WER 60 113/ | PS Sala | 0 | |||||||
| 5738 | Harald | Genzmer | Konzert für Mixturtrautonium und großes Orchester | 1952 | live-elec, 1 perf, 1 group | 25:00 | Mono | mtr, orc [synthesizer, Orchester] | RB; 5 Parts | WER 60 113/ WER 6266-2/ | PS Sala | 1 | |||||||
| 5739 | Harald | Genzmer | Konzert für Trautonium und Orchester | 1936, 1984 | live-elec, 1 perf, 1 group | 21:40 | Stereo | mtr, orc [synthesizer, Orchester] | 3 parts | WER 60 113/ WER 6266-2/ | PS Sala | 17.6.1936 | Weimar, 67. Tonkünstlerfest, Weimarische Staatskapelle, Dir. E. Nobbe | 1 | |||||
| 42438 | Harald | Genzmer | Musik für Trautonium und Blasorchester | 1941 | live-elec, 2 perf, 1 group | synt (Trautonium), w-orc [synthesizer, Bläser] | 28.11.1935 | Berlin, Reichstagung der Musikmeister des Heeres | 0 | ||||||||||
| 5740 | Harald | Genzmer | Tanzsuite, Courante Variante Sarabande Ostinato |
1959 | fixed media, akusmatisch | 12:00 | Mono | ERA STU 70633 LP/ Creel Pone 08/ | PS Sala | 1 | |||||||||
| 37635 | Karl Friedrich | Gerber | Antriebe | 2017 | Performance | (mechanical) ins („experimenteller Violinautomat“) [Instrument] | 30.9.2017 | Akademie der Künste Berlin, Kontakte17 | 0 | ||||||||||
| 24807 | Karl Friedrich | Gerber | Beautiful Numbers | 1993 | fixed media, akusmatisch | 10:44 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 29530 | Karl Friedrich | Gerber | Doomsday - Algorithmische Komposition | fixed media, akusmatisch | 3 | Stereo | #@$ - 11 Mal Elektronische Musik aus München/ | 0 | |||||||||||
| 42444 | Karl Friedrich | Gerber | Installation für Violinautomat | 2018 | Klangkunst, Installation | Weltmusiktage 2019 Tallinn | 0 | ||||||||||||
| 41998 | Karl Friedrich | Gerber | Jahr Sechs eines Work-In-Progress | 2018 | Performance | (mechanical) ins („experimenteller Violinautomat“) [Instrument] | 26.10.2018 | München | 0 | ||||||||||
| 23289 | Karl Friedrich | Gerber | Stream | 2000 | fixed media, akusmatisch | 6:47 | improvisierte Klänge | Cybele 960.207 DegeM CD 07/ |
1 | ||||||||||
| 40349 | Zuriñe | Gerenabarrena | FYR | 2017 | fixed media, akusmatisch | 16 Tracks, Quadro | Zuriñe Gerenabarrena | 0 | |||||||||||
| 41630 | Jean-Luc | Gergonne | Petit nouveau | 2006 | fixed media, akusmatisch | 30:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 5741 | Roberto | Gerhard | A Leak in the Universe | 1955 | Zuspiel / Tonband, 1 group | 10:00 | Mono | ens [Ensemble] | PS C. Cambridge | 0 | |||||||||
| 5742 | Roberto | Gerhard | All Aboard | 1958 | Film | 5:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5743 | Roberto | Gerhard | Asylum Diary | 1959 | radiophon | 75:00 | Mono | PS C. Cambridge, BBC | 0 | ||||||||||
| 5744 | Roberto | Gerhard | Audiomobile No. 2 DNA | 1963 | fixed media, akusmatisch | Film |
8:57 | Mono | film: DNA in a reflection | Laboratory of Molecular Biology, Cambridge Uni | 0 | |||||||||
| 31287 | Roberto | Gerhard | Audiomobiles I - IV, In the manner of Goya Sculpture DNA in reflection Sculpture |
1958 - 1967 | fixed media, akusmatisch | 21 | SR 378 sub rosa/ | PS C. Cambridge | 0 | ||||||||||
| 5745 | Roberto | Gerhard | Caligula | 1960/1961 | fixed media, akusmatisch | radiophon |
4:40 | Mono | 2 versions | SR 378 sub rosa/ | PS C. Cambridge | 0 | ||||||||
| 5746 | Roberto | Gerhard | Collages, Symphony No. 3 | 1960/1967 | Zuspiel / Tonband, 1 group | 19:00 | Mono | orc [Orchester] | rev. 67 as Symphony No. 3 | HMV ASD 2427/ Auvidis V4660/ Angel S 36558/ | BBC, PS C. | 0 | |||||||
| 5747 | Roberto | Gerhard | Coriolanus | 1959 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 34070 | Roberto | Gerhard | DNA in Reflection | 1963 | Film | 9 | Mono | Laboratory of Molecular Biology, Cambridge Uni | 0 | ||||||||||
| 5748 | Roberto | Gerhard | King Lear | 1955 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5749 | Roberto | Gerhard | Lament of the Dead of a Bullfighter | 1959 | Zuspiel / Tonband, 1 perf | 12:58 | Mono | Sp [Sprecher] | after the poem by Federico García Lorca „Llanto por Ignacio Sánchez Mejías“ (1934) | SR 378 sub rosa/ | BBC | BBC | 0 | ||||||
| 5751 | Roberto | Gerhard | Macbeth | 1962/1964 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5752 | Roberto | Gerhard | Pericles | 1958 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5753 | Roberto | Gerhard | Sculpture I | 1963 | Klangkunst, Installation | 4:18 | Mono | brass rods by J. Youngman | PS C. Cambridge | 0 | |||||||||
| 5754 | Roberto | Gerhard | Sculpture II – V | 1967 | Klangkunst, Installation | brass rods by J. Youngman | PS C. Cambridge | 0 | |||||||||||
| 5756 | Roberto | Gerhard | The Anger of Achilles | 1963 | radiophon | 110:00 | Mono | orc [Orchester] | BBC, PS Gerhard | Prix Italia 1965 | 0 | ||||||||
| 5758 | Roberto | Gerhard | The Cherry Orchard | 1961 | Zuspiel / Tonband, 1 group | 40:00 | Mono | ens [Ensemble] | PS C. Cambridge | 0 | |||||||||
| 5759 | Roberto | Gerhard | The Overcoat | 1961 | radiophon | 15:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5760 | Roberto | Gerhard | The Prisoner | 1954 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5761 | Roberto | Gerhard | The strange country | 1957 | radiophon | 28:30 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5762 | Roberto | Gerhard | Your Skin | 1958 | Film | 5:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 42111 | Ulrich | Gerhardt | Übergang über die Beresina | 1993 | radiophon | 90:10 | BR | 9.7.1993 | BR München | Karl-Sczuka-Preis 1993 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1378109&vi=2&SID | |||||||
| 5763 | Gunnar, Åse | Germeten, Hedstrøm | Val Hall | 1976 | fixed media, akusmatisch | 5:20 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 42112 | Gabriel, Pierre | Germinet, Cusy | Maremoto | 1924, 1949, 1962 | radiophon | Les Noces d’Argent du théâtre radiophonique, (RTF) 1949; Deutsche Fassung HR 1962 |
Radio Paris, Les Noces d’Argent du théâtre radiophonique, (RTF), HR | 18.6.1962 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4957486&vi=2&SID | ||||||||
| 5764 | Camille | Germser | Chronologie | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5765 | Camille | Germser | Home | 1990 | fixed media, akusmatisch | version définitive | CNR Lyon | 0 | |||||||||||
| 5767 | Camille | Germser | Tout va bien | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5766 | Camille, A. | Germser, Tournier | Satire anatomique | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 20219 | Graeme | Gerrard | Anistropy (Lumps in the Gavity) | 1991 | fixed media, akusmatisch | 3:00 | Stereo | ACMA/ | 0 | ||||||||||
| 18827 | Graeme | Gerrard | Birdbrain, excerpt from Think Out Loud | 1990 | fixed media, akusmatisch | 5:48 | Mac II, Sound Tools, M | ISAST LMJ 1/ | 1 | ||||||||||
| 5769 | Chaia | Gerstein | In a big field | 1970 | fixed media, akusmatisch | 8:30 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 38942 | Clara | Gervais | Tombeau de M. H. | 2018 | Zuspiel / Tonband, 4 perf | Sp, str-trio [Sprecher, Streicher] | mit Ausschnitten aus Michael Hirschs Hörstücke „Der Schlaf. Eine nächtliche Szene“ | 27.05.2018 | UdK Berlin, crescendo 2018 | 0 | |||||||||
| 25451 | Anna Maria | Gervasio | Calvario Metafisico | 2001 | Zuspiel / Tonband, 2 perf | 7:13 | Stereo | fl, p [Flöte, Piano] | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | ||||||||
| 5770 | Thomas | Gerwin | 1944-1952: Schau-Platz Südwest. "Hörstücke", Töne einer Ausstellung | 1992 | radiophon | 60:00 | Stereo | coproduction with Haus der Geschichte Baden-Württemberg | ZKM Karlsruhe | Haus der Wirtschaft Stuttgart | 1992 | Haus der Wirtschaft Stuttgart | 1 | ||||||
| 21603 | Thomas | Gerwin | 6 Aphorismen | 1998 | fixed media, akusmatisch | 2:14 | aus: Akustischer Weltatlas im ZKM | CEC Presence 2/ | iap | 1 | |||||||||
| 29540 | Thomas | Gerwin | 8 Portholes, 8 interaktive multisensoriale Installationen im "Tunnel of Reflections" | 2000 | Klangkunst, Installation | iap | EXPO 2000 Hannover | 1.Juni - 31.Oktober 2000 | EXPO 2000 Hannover | 0 | |||||||||
| 29637 | Thomas | Gerwin | Ad hoc | 2011 | live-elec, 2 perf | org, perc [Orgel, Schlagzeug] | Orgel, Holzschlitztrommel, Granitsplitter, Schüttelratsche, Suano-Gecko und Live-Elektronik | 28. September 2011 | „KlangWelten ad hoc spezial“ durch Antje Vowinckel, Thomas Gerwin (Schlagwerk, Live-Elektronik) | 0 | |||||||||
| 5774 | Thomas | Gerwin | Alice | 1988 | Tanz, 1 perf | 8:30 | dancer [Tanz] | HfM Stuttgart | 1987 | "Radio Syndikat international" documenta 8 in Kassel | 0 | ||||||||
| 29561 | Thomas | Gerwin | Alles ist gesagt | 2003 | radiophon | 30:02 | Hörspielmusik zum gleichnamigen Hörspiel von Strephan Krass und Ulrich Lampen Sprecher: Ellen Schulz, Thomas Herwig, Wolfram Kondrus Ton: Wolfgang Rein, Schnitt: Bibi Kottkamp, Regieassistenz: Constanze Renner, Musik: Thomas Gerwin |
SWR Baden-Baden, iap | SWR Baden-Baden | 25.9.2003 | "RadioArt Hörspiel" SWR | nominiert für den Hörspielpreis der Kriegsblinden 2004 | 0 | ||||||
| 29533 | Thomas | Gerwin | Alles, was ein Mensch braucht… | 1990 | fixed media, akusmatisch | 3:22 | Sylvia Alvarez de la Fuente, Thomas Gerwin | HfM Stuttgart | 0 | ||||||||||
| 29562 | Thomas | Gerwin | Amour fou | 2003 | Klangkunst, Installation | iap | 25.4.-6.6.2003 | Ausstellung "MAKING SENSE II" abbraccio-Galerie Berlin | 0 | ||||||||||
| 5771 | Thomas | Gerwin | Aphorismen | 1986/1989 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Tübingen | 1990 | Edition Modern / Tre Media Musikverlage | 0 | |||||||||
| 5772 | Thomas | Gerwin | Aphorismen, 5 Szenen für 3 Sprecher/innen, Tonband und Requisiten | 1988/1989 | Zuspiel, Performance, 3 perf | 3 Sp [Sprecher] | Requisiten | 1989 | "Atelierhaus Filderstraße" in Stuttgart | Edition Modern / Tre Media Musikverlage | 0 | ||||||||
| 5773 | Thomas | Gerwin | Aphorismen, 7 Szenen für Streichquartett, 4-Kanal-Tonband und Tanz | 1989/1991 | Zuspiel/Tonband, 5 perf | intermedia |
Quadro | str-qt, dancer [Streicher, Tanz] | 6. Satz "Ein Tropfen Mondgestein" 7:18 für 2 Tänzer und Tonband | HfM Stuttgart | 1990 | Welt-Typographie-Kongress, Theaterhaus Stuttgart | Edition Modern / Tre Media Musikverlage | 0 | ||||||
| 29587 | Thomas | Gerwin | apple p.m. | 2006 | Film | audiovisuell |
8:20 | PS Kallenberger, iap | 7.-14. September 2006 | "permanent moving" Berlin | 0 | |||||||||
| 29545 | Thomas | Gerwin | Apropos | 2001 | Film | 5:30 | Experimenteller Kurzfilm Koproduktion mit Adam Geczy, Sydney |
iap | 0 | ||||||||||
| 29588 | Thomas | Gerwin | area contra punctus 1 | 2006 | Film | 1:00 | Kurzfilm in Zusammenarbeit mit Adam Geczy, Sydney | iap | 0 | ||||||||||
| 29589 | Thomas | Gerwin | area contra punctus 2 | 2006 | Film | 12:50 | Kurzfilm, auch als Video-Klang-Installation in Kombination mit "acp3", in Zusammenarbeit mit Adam Geczy, Sydney | iap | 0 | ||||||||||
| 29590 | Thomas | Gerwin | area contra punctus 3 | 2006 | audiovisuell | loop 6:00 | Octo | str orc [Orchester] | 3-8 Video-Monitore und 8 Lautsprecher in Zusammenarbeit mit Adam Geczy, Sydney | iap | 0 | ||||||||
| 29618 | Thomas | Gerwin | Area Contra Punctus 4 | 2009 | audiovisuell, 11 perf | 30:50 | fl, ob, b-cl, 2 vn, vc, 2 p, vib, 2 mar [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Cello, Violine] | iap | 19.9.2009 | "Internationalen Minimal-Festival 2009" in Kassel mit "in process" unter der Leitung von Ulli Götte | 0 | ||||||||
| 29627 | Thomas | Gerwin | Area Contra Punctus 6 | 2009/2011 | audiovisuell | ≈ 10:30 | 14 perf [Performer] | Video von Adam Geczy zur Neubearbeitung des letzten Satzes von „Area contra Punctus (ACP) 3” | 1. Oktober 2011 | beim Internationalen Klangkunstfest Berlin gespielt von „in process" | 0 | ||||||||
| 37636 | Thomas | Gerwin | BIG BAN | 2015 - 2017 | live-elec, 1 perf | prep gui (banjo) [Gitarre] | 30.9.2017 | Akademie der Künste Berlin, Kontakte17 | 0 | ||||||||||
| 29609 | Thomas | Gerwin | Brise tiefblau | 2008 | Klangkunst, Installation | 21. Juni 2008 | "Kieler Woche" im Rahmen der Ostsee-Biennale 2008 | 0 | |||||||||||
| 23789 | Thomas | Gerwin | Computer Music | 2004 | radiophon | 14:50:00 | 5 tracks | Ton: Nikolaus Löwe, Komposition und Regie: Thomas Gerwin | inter art project/ | iap, Radio RBB | RBB Internationale Radiokunst: Andreas Hagelüken | 12.7.2004 um 21:05 Uhr | RBB KulturRadio | 1 | |||||
| 29591 | Thomas | Gerwin | corrente…b | 2006 | fixed media, akusmatisch | iap | 2006 | "L'eau" Festival "Synthése 06" GMEB Bourges | 0 | ||||||||||
| 29599 | Thomas | Gerwin | corrente…b | 2006/2010 | Tanz | fixed media, akusmatisch |
6:22 | Octo | optional with dancer | 5. Juni 2010 | Wang Theatre Stonybrook University bei der "International Computer Music Conference 2010" New York | 0 | ||||||||
| 29610 | Thomas | Gerwin | Das Land der Menschen | 2008 | radiophon | 46:00 | 3 gui, (elec) [Gitarre] | Musik für das gleichnamige Hörspiel von Julie Zeh Regie: Iris Drögekamp, Redaktion: Uta-Maria Heim, Produktion SWR 2008. Erscheint als Hörbuch. |
SWR Baden-Baden | SWR | 0 | ||||||||
| 29537 | Thomas | Gerwin | Das Nurk | 1999 | Klangkunst, Installation | iap | Galerie Espace Karlsruhe | 3.11.1999-21.1.2000 | "Thomas Gerwin - Welt klingt / world sounds" Galerie Espace Karlsruhe | 0 | |||||||||
| 29553 | Thomas | Gerwin | Dead Flow/Fluss | 2002 | Klangkunst, Installation | audiovisuell |
11:10 | Koproduktion mit Adam Geczy, Sydney - mit freundlicher Unterstützung des Goethe-Instituts Sydney? | iap | 4.-27.April 2002 | Artspace Sydney, Australien | 0 | ||||||||
| 29563 | Thomas | Gerwin | Der Ausbruch des Vesuvs und andere 'Unverständliche Geschichten' von Alfred Döblin | 2003 | radiophon | 52:20 | SWR Baden-Baden, iap | SWR | 14.8.2003 | "RadioArt Hörspiel" SWR | 0 | ||||||||
| 29628 | Thomas | Gerwin | Der Stein der Weisen | 2010 | radiophon | 21:16 | Tschechischer Rundfunk (Red. M. Rataj) | 18.12.2010. | Tschechischer Rundfunk | 0 | |||||||||
| 29619 | Thomas | Gerwin | Der Wechsel menschlicher Sachen | 2009 | radiophon | Kombinatorische Barocklyrik zum Klingen gebracht | SWR Baden-Baden | SWR | 0 | ||||||||||
| 29580 | Thomas | Gerwin | Die Alchemie der 4 Elemente | 2005 | live-elec, 5 perf | radiophon |
53:47 | fl, Flügelhorn, vc, vib, p [Flöte, Horn, Piano, Schlagzeug, Cello] | iap | Deutschlandradio Berlin, Redaktion: Götz Naleppa | 4. März 2005 | 0 | ||||||||
| 29541 | Thomas | Gerwin | Die Aneignung des Raumes durch die Zeit | 2000 | Klangkunst, Installation | 30:00 | Quadro + Stereo | iap | "Sound Art Buch" Sommer 2000 | 2000 | Berlin Buch | 0 | |||||||
| 29581 | Thomas | Gerwin | Die Gewalt des Gesangs in Nevada | 2005 | radiophon | 51:22 | Text after Ror Wolf | SWR Baden-Baden, iap | SWR | 30. Juni 2005) | "RadioArt Hörspiel" SWR | 0 | |||||||
| 24503 | Thomas | Gerwin | Die Glocken von Notre Dame | 1986 | fixed media, akusmatisch | 1986 | "Art Wave Ensemble 3" Stadthalle Esslingen | 0 | |||||||||||
| 29554 | Thomas | Gerwin | Die Quelle im geschlossenen Tal | 2002 | radiophon | 58:40 | Stereo | HR | HR, Redaktion Manfred Hess | 9.5.2003 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1441136&vi=137&SID | ||||||
| 21165 | Thomas | Gerwin | Die Schwelle ins 21. Jahrhundert, skulptural/interaktive Video-/Klanginstallation | 1999 | Klangkunst, Installation | intermedia |
∞ | Stereo | iap | Badisches Landesmuseum | 10.12.1999 -7. Mai 2000 | "Jahrhundertwenden 1000-2000 / Rückblicke in die Zukunft" im Karlsruher Schloß | 0 | |||||||
| 5777 | Thomas | Gerwin | Dingklang-Klangding, 3 Praeludia, Fuga und Epilog für Tonband | 1993 | fixed media, akusmatisch | 15:23 | ZKM Karlsruhe | 1994 | FUTURA '94 Crest-sur-Drome, Frankreich | 1 | |||||||||
| 29534 | Thomas | Gerwin | Doch die Freiheit, die kommt wieder | 1994 | Klangkunst, Installation | ZKM Karlsruhe | 30.Juni-13. November 1994 | gleichnamigen Ausstellung des Hauses der Geschichte Baden- Württemberg in Ulm | 0 | ||||||||||
| 29592 | Thomas | Gerwin | e-scape No. 3 | 2006 | Zuspiel / Tonband, 1 perf | 17:21 | Octo | perc [Schlagzeug] | 12. Oktober 2006 | "An Ear to the Earth" EMF-Festival at 3-Legged Dog, New York City | 0 | ||||||||
| 29611 | Thomas | Gerwin | e-scape No.5 | 2008 | live-elec, 1 perf | 11:00 | perc [Schlagzeug] | iap | 29. November 2008 | Pyramidale Berlin | 0 | ||||||||
| 29620 | Thomas | Gerwin | ebene_zeit.tropfen | 2009 | Klangkunst, Installation | audiovisuell |
iap | 0 | ||||||||||||
| 5778 | Thomas | Gerwin | Ein Liebes Film | 1983 | intermedia | 3 slide-proj. | 1983 | Rathauskonzert 1983 in Tübingen | 0 | ||||||||||
| 29621 | Thomas | Gerwin | Ein Stück Plastik-Musik | 2009 | Zuspiel, Performance, 2 perf | 10:03 | 2 perf [Performer] | iap | 12.9.2009 | "Internationalen Klangkunstfest _tiefKLANG 2009" Berlin mit Michael Baumeister und TG. | 0 | ||||||||
| 5779 | Thomas | Gerwin | Elegie | 1986/1988 | live-elec, 5 perf | S, synt, va, b-cl, perc [Sopran, Klarinette, Schlagzeug, Viola, synthesizer] | Modern | 0 | |||||||||||
| 5780 | Thomas | Gerwin | Epilogon | 1995 | fixed media, akusmatisch | 2:01 | Stereo | CEC DISContact_1/ | ZKM Karlsruhe | 1 | |||||||||
| 29538 | Thomas | Gerwin | Essential | 1999 | Klangkunst, Installation | iap | Galerie Espace Karlsruhe | 3.11.1999-21.1.2000 | "Thomas Gerwin - Welt klingt / world sounds" Galerie Espace Karlsruhe | 0 | |||||||||
| 29542 | Thomas | Gerwin | European Sound Atlas, Interaktive Klang-Licht-Installation | 2000 | Klangkunst, Installation | audiovisuell |
iap | EXPO 2000 Hannover | 1.Juni - 31.Oktober 2000 | Pavillon der Europäischen Union auf der EXPO 2000 Hannover | 0 | |||||||||
| 24504 | Thomas | Gerwin | Evolution II | 1986 | fixed media, akusmatisch | 1987 | Rathauskonzert Tübingen | 0 | |||||||||||
| 5781 | Thomas | Gerwin | EXPO 2000 - Klangbild '95 | 1995 | fixed media, akusmatisch | 26:04 | Quadro + Quadro, Stereo | ZKM Karlsruhe | EXPO2000 Hannover GmbH | 0 | |||||||||
| 29612 | Thomas | Gerwin | farb_laut H > Atem_los | 2008 | Zuspiel / Tonband, 1 perf | 10:03 | tuba [Tuba] | iap | 9. Oktober 2008 | "Tubes of Babel" im Rahmen des Jahresprogramms der bgnm "Freundliche Übernahme" / Berlin | 0 | ||||||||
| 29629 | Thomas | Gerwin | Fern-R-Ohr | 2010 | Zuspiel / Tonband, 2 perf | S, perc [Sopran, Schlagzeug] | 2010 | "Diagonale" 2010 in Bielefeld mit Katia Guedes und TG | 0 | ||||||||||
| 29639 | Thomas | Gerwin | Feuer laut_bewegt | 2011 | Performance, live-elec, 2 perf | ≈ 11:00 | perc, (elec), dance [Schlagzeug, Tanz] | 15. Oktober 2011 | Internationalen Klangkunstfest Berlin durch Iris Sputh und Thomas Gerwin | 0 | |||||||||
| 29564 | Thomas | Gerwin | Feuer-Werk | 2003 | radiophon | 48:14 | Surround 5.1 | Ton: Daniel Velasco-Schwarzenberger, Schnitt: Werner Jäger, Komposition und Regie: Thomas Gerwin | WDR Studio Akustische Kunst, iap | WDR Studio Akustische Kunst, Markus Heuger | 27.9.2003 um 23:05 Uhr | WDR2 "Akustische Kunst" | 0 | ||||||
| 23790 | Thomas | Gerwin | Feuer-Werk 17 | 2004 | radiophon | Klangkunst, Installation |
12:43 | 5 tracks | Elektroakustische Soundscape Komposition. Re-Mix der langen Fassung des WDR, stereo (eingeladen zur ICMC 2004 in Miami, USA | iap | WDR | 1 | ||||||||
| 29640 | Thomas | Gerwin | flautando 3.7 | 2011 | live-elec, 1 perf | rec [Flöte] | 23. September 2011 | Internationalen Klangkunstfest Berlin durch Ivo Berg (Blockflöten) | 0 | ||||||||||
| 21161 | Thomas | Gerwin | FLUSS DURCHS OHR, Eine UmweltKlangKomposition | 1998 | fixed media, akusmatisch | 46:00 | Stereo | Eine UmweltKlangKomposition | iap 110 integral art project/ | ZKM Karlsruhe | >>icon<< GmbH Wendlingen | 1998 | Landesgartenschau 1998 Plochingen | 0 | |||||
| 23135 | Thomas | Gerwin | Fontaine de Vaucluse | 2001 | fixed media, akusmatisch | 3:00 | Soundtrack zum gleichnamigen Film von Wolfgang Lehmann und Florian Krautkräme | Cec Presence 3/ | iap | Filmförderung Baden-Württemberg | 1 | ||||||||
| 29573 | Thomas | Gerwin | Fontaine-Miniatur | 2004 | Film | fixed media, akusmatisch |
4:06 | Elektroakustische Soundscape Komposition; ultrakurzer Re-Mix der langen Fassung der Filmmusik mit neuen Elementen, stereo | iap | 0 | ||||||||||
| 29546 | Thomas | Gerwin | Fortschritt | 2001 | radiophon | 22:22 | Schritte: Judith Kuckart, Rebekka Rein, Hans Burkhard Schlichting | SWR Baden-Baden, iap | SWR | 4.10.2001, 21 Uhr | "RadioArt Hörspiel-Studio" SWR 2 | 0 | |||||||
| 29574 | Thomas | Gerwin | Fünf Radio-Installationen | 2004 | radiophon | 29:10 | Surround 5.1 | Radiophone Kompositionen/temporäre Klang-Installationen für 1 Radiogerät. | SWR Baden-Baden | SWR | 5.5.2004 | „SWR2 KlangRaum“ | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1466031&vi=136&SID | |||||
| 5782 | Thomas | Gerwin | Glück ist so ein Ding | 1988 | Film, 1 perf | 5:20 | gui [Gitarre] | 0 | |||||||||||
| 29600 | Thomas | Gerwin | Guten Tag! | 2007 | Performance, live-elec, 1 group | ≈ 22:00 | ens [Ensemble] | 16.9.2007 | "Klangkunstfest Mitte 2007" Berlin mit Daniel Bäß, Michael Baumeister, Yela Fritsche, Deborah Gerwin, Johannes Gerwin, Christina Hähnel, Gökhan Hartge-Turhan, Ina Kallmeyer, Livia Kallmeyer, Heike Thomanek + Thomas Gerwin (Ltg.) | 0 | |||||||||
| 29555 | Thomas | Gerwin | Hausmusik | 2002 | radiophon | 52:10 | DeutschlandRadio, iap | DeutschlandRadio Kultur, Redaktion: Dr. Götz Naleppa | 5.4.2002 | "Hörspiel Werkstatt" DeutschlandRadio Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1437234&vi=139&SID | |||||||
| 29536 | Thomas | Gerwin | …Heidelberg, du feine… | 1996 | Klangkunst, Installation | 8:20 | Octo | ZKM Karlsruhe | SDR | 1996 | Klanginstallation zum 800-jährigen Jubiläum der Universitätsstadt Heidelberg an der Zugbrücke des Heidelberger Schlosses während des Festivals "Wild Planet" des Süddeutschen Rundfunks SDR 3 Club | 0 | |||||||
| 5783 | Thomas | Gerwin | Hexenwald | 1990 | intermedia | Tanz |
4:10 | 3 perc, dance [Schlagzeug, Tanz] | com version | 0 | ||||||||||
| 29556 | Thomas | Gerwin | HYMNUS | 2002 | live-elec, 4 perf | 14:30 | rec, trbn, vc, perc [Flöte, Posaune, Schlagzeug, Cello] | iap | "Haus der Geschichte Baden-Württemberg | 13. Dezember 2002 | Eröffnung des Neubaus des "Haus der Geschichte Baden-Württemberg", Ensemble Aventure, Freiburg | 0 | |||||||
| 29641 | Thomas | Gerwin | Im Fluss | 2011 | Performance, live-elec, | 12:00 | Quadro | (8 Smartphones und 4 LS) [] | 13. Oktober 2011 | beim Symposium des Internationalen Klangkunstfests Berlin mit dem „DigiEnsemble Berlin" (8 Spieler mit Smartphones und I-Pads, Ltg. Matthias Krebs) | 0 | ||||||||
| 23791 | Thomas | Gerwin | Im Zwielicht | 2004 | radiophon | Stereo | Part of "Die Musik der Worte" | iap | SWR | 1 | |||||||||
| 24291 | Thomas | Gerwin | In 90 Sekunden um die Welt | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 29575 | Thomas | Gerwin | innenKLANGaussen | 2004 | Klangkunst, Installation | Stereo | Klang-Installation für 2 Lautsprecher an Hauswänden | iap | unsicht-Bar Berlin | 0 | |||||||||
| 29531 | Thomas | Gerwin | Intro | 1982 | fixed media, akusmatisch | 2:40 | Vorspann zu "..die Insel im Kopf" | Tonstudio Rudolf Schäfer | "Reutlinger Kunstverein" | 1982 | "Reutlinger Kunstverein" | 0 | |||||||
| 5784 | Thomas | Gerwin | Karlsruhe - Klangbilder einer Stadt, Ein akustisches Porträt in 12 Sätzen | 1995 | Klangkunst, Installation | 59:59 | Stereo | Edition Modern TMM 1000/ | ZKM Karlsruhe | 4 Mai 1995 | ZKM-Multimediale | Edition Modern / Tre Media Musikverlage | 1 | ||||||
| 29622 | Thomas | Gerwin | klang_körper_tat_ort | 2009 | Performance, live-elec, 2 perf | ≈ 22:00 | dancer, perc, (elec) [Schlagzeug, Tanz] | 22.8.2009 | "Internationalen Klangkunstfest _tiefKLANG 2009" Berlin mit Iris Sputh und TG. | 0 | |||||||||
| 29642 | Thomas | Gerwin | Klangbild M | 2011 | live-elec, 9 perf | S, fl, sax, vn, va, db, p, e-gui, perc, (elec) [Sopran, Flöte, Saxophon, Piano, Gitarre, Schlagzeug, Viola, Violine, Kontrabass] | 15. Oktober 2011 | Internationalen Klangkunstfest Berlin durch “Kammerensemble ad hoc“, Iris Sputh (Stimme, Performance) | 0 | ||||||||||
| 5776 | Thomas | Gerwin | Klangkörper corpus delecti | 1994 | fixed media, akusmatisch | 7:31 | ZKM Karlsruhe | 1 | |||||||||||
| 29631 | Thomas | Gerwin | klanglandschaft (mit Bewegung) | 2010 | Tanz | audiovisuell, live-elec, 6 perf |
fl, s-sax, vn, p, db, perc, (elec) [Flöte, Saxophon, Piano, Schlagzeug, Violine, Kontrabass] | optional dancer | 20. Februar 2010 | "Pyramidale Plus" Berlin Marzahn-Hellersdorf | 0 | |||||||||
| 24505 | Thomas | Gerwin | Klangschatten | 1988 | Klangkunst, Installation | HfM Stuttgart | Tübingen | 1988 | 1. Tübinger RaumKunstTage | 0 | |||||||||
| 29601 | Thomas | Gerwin | Klangschattengewächse | 2007 | live-elec, 1 perf | ≈ 21:00 | p [Piano] | 2007 | Ulli Götte in den Sophiensaelen Berlin | 0 | |||||||||
| 21159 | Thomas | Gerwin | KlangWeltKarte | 1997 | Klangkunst, Installation | ∞ | 6 | interaktive Licht- und Klanginstallation mit drei Spielttischen und wechselnd beleuchtetem Wanddisplay (24 qm), 6 Kopfhörer, 3 Musicassettendeckes, Dolby-Surroundanlage. Seit 18. Oktober 1997 (Multimediale 5) im ZKM/Hallenbau fest installiert. | ZKM Karlsruhe | ZKM|Medienmuseum Karlsruhe | 18. Oktober 1997 | (Multimediale 5) im ZKM|Zentrum für Kunst und Medientechnologie Karlsruhe | 1 | ||||||
| 29602 | Thomas | Gerwin | Kleines Ereignis grün zu gelb | 2007 | Klangkunst, Installation | ≈ 11:00 | Quadro | 7.-16.9.07 | "Klangkunstfest Mitte 2007" Berlin | 0 | |||||||||
| 29576 | Thomas | Gerwin | Konglomerat N | 2004 | Klangkunst, Installation | multisensoriale Situation für Sinnbild No.22, blauen Klappstuhl, weißen Arzneischrank, roten Blitz, 2 Findlinge und Lorbeerduft | iap | "Spacing" Galerie Nord Berlin | 10. Dezember 04 - 29. Januar 2005 | "Spacing" Galerie Nord Berlin | 0 | ||||||||
| 29632 | Thomas | Gerwin | Kontrapunkt | 2010 | Zuspiel, live-elec, 1 perf | ≈ 12:00 | Octo | perc [Schlagzeug] | 21.8.2010 | Internationalen Klangkunstfest _tiefKLANG 2010 "Gefühlter Augenblick" durch Iris Sputh und TG. | 0 | ||||||||
| 29623 | Thomas | Gerwin | Kopf bis Fuss, Eine Art Seifenoper | 2009 | radiophon | Hörstück mit O-Tönen und Texten aus dem Internet | SWR | 15.1.2010 22:03h | SWR2 | 0 | |||||||||
| 29539 | Thomas | Gerwin | Kreisformel | 1999 | Klangkunst, Installation | iap | Galerie Espace Karlsruhe | 3.11.1999-21.1.2000 | "Thomas Gerwin - Welt klingt / world sounds" Galerie Espace Karlsruhe | 0 | |||||||||
| 5786 | Thomas | Gerwin | Kulturaustausch | 1995 | Klangkunst, Installation | ∞ | multichannel | (Tokyo - Karlsruhe) | ZKM Karlsruhe | Goethe-Institut Tokyo | oktober 1995 | "Sound.Electro Media" Tokyo | 0 | ||||||
| 21163 | Thomas | Gerwin | Kurzgeschichten | 1998 | radiophon | 8:02 | Stereo | KIASMA Museum of Contemporary Art Helsinki, Finnland |
soundbox2/ Kiasma 1999/ | iap | 1 | ||||||||
| 23787 | Thomas | Gerwin | Kurzgeschichten | 2000 | fixed media, akusmatisch | Stereo | iap | EXPO 2000 | 1 | ||||||||||
| 29565 | Thomas | Gerwin | Landschaft No.1 | 2003 | Klangkunst, Installation | multisensoriale Rauminstallation mit Objekten, Duft und Klang | iap | 29.3.-24.4.2003 | Ausstellung "MAKING SENSE I" KunstRaum Berlin | 0 | |||||||||
| 29603 | Thomas | Gerwin | lautbewegt_R | 2007 | Performance, live-elec, 2 perf | ≈ 20:00 | dancer, perc, (elec) [Schlagzeug, Tanz] | 15.9.2007 | "Klangkunstfest Mitte 2007" Berlin mit Iris Sputh und TG | 0 | |||||||||
| 29582 | Thomas | Gerwin | lautbewegt.luft | 2005 | Performance, live-elec, 2 perf | perc, dance [Schlagzeug, Tanz] | Live-Elektronik + Percussion in Interaktion mit Tanz | iap | 18.-20. November 2005 | "Im Klanglabor der Elemente" Galerie Nord Berlin mit Iris Sputh | 0 | ||||||||
| 29594 | Thomas | Gerwin | LautLesen | 2006 | radiophon | 56:45 | Textcollage mit Soundscapes | ARD-Hauptstadt-Studio, iap | SWR | 16. Mai 2006 21h | SWR2 | 0 | |||||||
| 29566 | Thomas | Gerwin | Metamorphosen | 2003 | radiophon | 51:40 | DeutschlandRadio, iap | DeutschlandRadio Kultur, Redaktion: Dr. Götz Naleppa | 5.6.2003 | "Radiokunst Werkstatt" DeutschlandRadio Kultur | 0 | ||||||||
| 29557 | Thomas | Gerwin | movement 3 | 2002 | Zuspiel, Performance, 2 perf | 71:00 | Octo | 2 dancer, (lights) [Tanz] | Förderband e.V. Kulturbüro | 12.-14.Juni 2002 | Kleiner Wasserspreicher Prenzlauer Berg Berlin | 0 | |||||||
| 29558 | Thomas | Gerwin | Münsterstimm' | 2002 | radiophon | 6:40 | für die Ausstellung "Still-Leben" von Telemach Wiesinger Sparkasse Freiburg i.Br. | iap | 9.-30.April 2002 | Sparkasse Freiburg i.Br. | 0 | ||||||||
| 29617 | Thomas | Gerwin | Nachtreise | 2008/2009 | radiophon | 53:00 | inter art project/ | 0 | |||||||||||
| 29633 | Thomas | Gerwin | Nachtweyh | 2010 | live-elec, 3 perf | ob, vc, vib, (elec) [Oboe, Schlagzeug, Cello] | wird verwendet im Experimentalfilm "Nachtweyhs Nacht" von Rolf Teigler nach einer Erzählung von Wolfgang Heyer | iap | 0 | ||||||||||
| 29613 | Thomas | Gerwin | Night-Track A+B | 2008 | radiophon | 124:00 | fl, sax, acc, mar, vc, hp, tuba, p, V, perc, e-ens [Stimme, Flöte, Saxophon, Tuba, Piano, Akkordeon, Harfe, Schlagzeug, Cello, Ensemble] | SWR Baden-Baden, iap | 21. Dezember 2008 | Studio 2 des SWR Baden-Baden und gleichzeitig live auf SWR 2 um 20:03-21:05h/21:58-23:00h in stereo und 5.1 surround | 0 | ||||||||
| 21160 | Thomas | Gerwin | Ohr am Fluss, skulptural/interaktive Klanginstallation | 1998 | Klangkunst, Installation | ∞ | Stereo | skulptural/interaktive Klanginstallation mit vier "Klangfeldern" und vier interaktiven "Klangereignissen" | ZKM Karlsruhe | >>icon<< GmbH Wendlingen | 1998 | Landesgartenschau 1998 in Plochingen | 0 | ||||||
| 26144 | Thomas | Gerwin | Orpheus 400 > e-scape No. 4, ORPHEUS 400 - e-scape No. 3 | 2007 | fixed media, akusmatisch | 6:40 | Stereo | Konzertversion (No.4) 8:02 min. | Cybele 960.209/ DegeM CD 09/ | 1 | |||||||||
| 29643 | Thomas | Gerwin | Panakustikon, Die Reise des Helden - ein klingendes Tagebuch | 2011 | fixed media, akusmatisch | 10:36 | Stereo | UdK Berlin | 24./25. März 2011 | "Heldenprinzip 2011" - Innovationsstrategien für Gegenwart und Zukunft - Interdisziplinäres Symposium in drei Akten, Universität der Künste Berlin, | 0 | ||||||||
| 29614 | Thomas | Gerwin | Pentiselea - 3 Night Tracks | 2008 | Film | 60:00 | ens, (elec) [Ensemble] | Musik zum Film "Pentiselea" von Rolf Teigler Produktion: inter art porject / der garten Filmproduktion 2008? |
iap | 0 | |||||||||
| 29604 | Thomas | Gerwin | Plastik-Musik | 2007 | radiophon | 52:21 | Stereo, Surround 5.1 | ens [Ensemble] | WDR | 17.3.2007 23:05 | WDR 3 | 0 | |||||||
| 29532 | Thomas | Gerwin | Polymerisation | 1989/1990 | live-elec, 14 perf | 14 ins [Instrument] | Ankauf 1993 von ZKM|Zentrum für Kunst und Medientechnologie Karlsruhe | HfM Stuttgart | SDR 2 | 1990 | Wilhelma-Theater Stuttgart, Leitung: David Kosviner | 0 | |||||||
| 29595 | Thomas | Gerwin | Ponderabilien | 2006 | radiophon | 54:48 | Hörspiel von Stephan Krass | SWR Baden-Baden, iap | SWR | 4. März 2006 | "RadioArt Hörspiel" SWR | 0 | |||||||
| 29547 | Thomas | Gerwin | Punktum | 2001 | radiophon | 17:20 | SWR Baden-Baden, iap | SWR | 4.10.2001, 21 Uhr | "RadioArt Hörspiel-Studio" SWR 2 | 0 | ||||||||
| 29548 | Thomas | Gerwin | Quader amorph, mit Geheimnis | 2001 | Klangkunst, Installation | Octo | iap | SFB-Klanggalerie | 24.1.-9.2.2001 | Ultraschall 2001, SFB-Klanggalerie | 0 | ||||||||
| 29549 | Thomas | Gerwin | Quader amorph, mit Geheimnis-MIX | 2001 | radiophon | 30:00 | Radio-Mix der Klanginstallation | iap | SFB für "Internationale Radiokunst" Redaktion: Manfred Mixner | 5.4.2002 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1437313&vi=138&SID | ||||||
| 29644 | Thomas | Gerwin | Quintessenz | 2011 | Tanz | Performance |
Musik für die Klangkunst-Ausstellung von Thomas Gerwin (Berlin). Optional dance | 5.+12. Juni 2011 | „ohrenhoch – der geräuschladen“ in Berlin-Neukölln | 0 | ||||||||||
| 29605 | Thomas | Gerwin | R_KlangTour | 2007 | live-elec, 2 perf | ≈ 40:00 | Mez, perc, (elec) [Mezzo, Schlagzeug] | 7.9.2007 | "Klangkunstfest Mitte 2007" Berlin mit Claudia Herr und TG | 0 | |||||||||
| 29606 | Thomas | Gerwin | Raoul Tranchirers Bemerkungen über die Stille | 2007 | radiophon | 54:28 | Stereo | SWR Baden-Baden | SWR | Hörspiel des Jahres" 2007 | 0 | ||||||||
| 23788 | Thomas | Gerwin | resurrexit | 2000 | radiophon | 11:05 | Stereo | iap | Badisches Landesmuseum Karlsruhe | 1 | |||||||||
| 21164 | Thomas | Gerwin | Rollenspiel π r2 | 1999 | radiophon | 17:02 | Stereo | "Schichtwechsel 99" Weltkulturerbe Völklinger Hütte | innova 116 / | iap | 7.11.2000 | RBB | Förderpreis des Karl-Sczuka-Preis 1999 | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1555309&vi=140&SID | ||||
| 29583 | Thomas | Gerwin | Route to Cape Town | 2005 | Film | Musik zum gleichnamigen Film von Wolfgang Lehmann | iap | 20. April 2005 | European Media Art Festival Osnabrück | 0 | |||||||||
| 29615 | Thomas | Gerwin | Saitenspiegel farb_laut Sommer 2008 | 2008 | live-elec, 2 perf | va, vn [Viola, Violine] | 3. Juni 2008 | Essen (Javier A. Garavaglia) | 0 | ||||||||||
| 29596 | Thomas | Gerwin | Schlag-Werk | 2006 | live-elec, 1 perf | 12:00 | perc [Schlagzeug] | 2. Dezember 2006 | "PYRAMIDALE" Berlin | 0 | |||||||||
| 29645 | Thomas | Gerwin | Sekt.Klang! | 2011 | Performance, live-elec, 1 perf | 35:00 | Quadro | perf [Performer] | klingende Objekte (Sektgläser; -korken + -flaschen) | 8.10.2011 | Pyramidale 10 durch Thomas Gerwin | 0 | |||||||
| 29535 | Thomas | Gerwin | Sensorial Dynamics | 1995 | audiovisuell | 7:30 | 2 perf (Zuschauer / Zuhörer) [Performer] | Soundkomposition zur Video-Installation von Ayumi Han (Tokyo) | ZKM Karlsruhe | Schloß Solitude Stuttgart | 30.11.1995 | Schloß Solitude Stuttgart | 0 | ||||||
| 29567 | Thomas | Gerwin | Sinnbild 22 | 2003 | Klangkunst, Installation | multisensoriale Plastik aus visuellen, akustischen und taktilen Komponenten | iap | 25.4.-6.6.2003 | Ausstellung "MAKING SENSE II" abbraccio-Galerie Berlin | 0 | |||||||||
| 29568 | Thomas | Gerwin | Sinnbild 3 | 2003 | Klangkunst, Installation | multisensoriale Plastik aus visuellen, akustischen und taktilen Komponenten | iap | 25.4.-6.6.2003 | Ausstellung "MAKING SENSE II" abbraccio-Galerie Berlin | 0 | |||||||||
| 29569 | Thomas | Gerwin | Sinnbild 5 | 2003 | Klangkunst, Installation | multisensoriale Plastik aus visuellen, akustischen und taktilen Komponenten | iap | 25.4.-6.6.2003 | Ausstellung "MAKING SENSE II" abbraccio-Galerie Berlin | 0 | |||||||||
| 29624 | Thomas | Gerwin | Slow Presto | 2009 | audiovisuell | 0 | |||||||||||||
| 29584 | Thomas | Gerwin | Soundscape No. 12 - Ecken und Kanten | 2005 | Klangkunst, Installation | situative Klanglandschaft für die Markthalle Moabit | iap | 24.-29. Oktober 2005 | Markthalle Moabit, bei "Raum-Hopping" | 0 | |||||||||
| 29570 | Thomas | Gerwin | Soundscape No. 4 oder 10 Arten, eine Wand zu durchdringen | 2003 | Klangkunst, Installation | 20 Tracks | RaumKlanginstallation für 10 Objekte und 20 Lautsprecher | iap | KRYPTONALE | 12.-21.12. 2003 | "KRYPTONALE" Großer Wasserspeicher, Prenzl. Berg Berlin | 0 | |||||||
| 29597 | Thomas | Gerwin | Soundscape No. 4/28 | 2006 | Klangkunst, Installation | situative Klanglandschaft für AREAL 28 | iap | 22.-31. Februar 2006 | "Inter-MIX" AREAL 28 Berlin | 0 | |||||||||
| 29550 | Thomas | Gerwin | Soundscape No.1, Situative RaumKlangInstallation für 22 Lautsprecher | 2001 | Klangkunst, Installation | 22 Tracks | multimediale Inszenierung für Lautsprecher, Objekte und Projektionen, bei "Entfaltung", multimediale Inszenierung für Lautsprecher, Objekte und Projektionen in Koproduktion mit Adam Geczy, Sydney (Projektionen) und Rainer Dunkel, Berlin (Objekte) | iap | Europäische Werkstatt für Kunst und Kultur Hellerau e.V. | 10.8.-2.9.2001 | 0 | ||||||||
| 29559 | Thomas | Gerwin | Soundscape No.3, situative Klanginstallation | 2002 | Klangkunst, Installation | iap | Förderband e.V. Kulturbüro | 14.Juni - 4.August 2002 | Ausstellung "Pyrotektura" bei RESERVOIR VI Großer Wasserspreicher Prenzlauer Berg Berlin | 0 | |||||||||
| 29577 | Thomas | Gerwin | Soundscape No.5 >Computer Music | 2004 | Klangkunst, Installation | RaumKlangKomposition/Klang-Installation aus 11 Objekten mit Lautsprechern + Silberband? | iap | RBB-Klanggalerie" | 7.-21. Juli 2004 | "RBB-Klanggalerie" Haus des Rundfunks Berlin | 0 | ||||||||
| 29578 | Thomas | Gerwin | Soundscape No.6 (Brandung) | 2004 | fixed media, akusmatisch | 11 Tracks | RaumKlangKomposition/Klang-Installation aus 11 Objekten mit Lautsprechern | iap | Wasser BRANDUNG Feuer | 13.-30. Mai 2004 | "Wasser BRANDUNG Feuer" Kunsthalle Faust Hannover | 0 | |||||||
| 29579 | Thomas | Gerwin | Soundscape No.9 (Steinklang) | 2004 | Klangkunst, Installation | Klang-Installation mit Lautsprechern + Steinensemble | iap | 8.9.-10.10. 2004 | "VI. Internationales Symposium der Bildhauer und Bildhauerinnen - Steine ohne Grenzen" Begleitausstellung bei REX-Granit in Brück/Brandenburg | 0 | |||||||||
| 29543 | Thomas | Gerwin | Space Experience | 2000 | Klangkunst, Installation | 26 Tracks | Ein großer begehbarer Akkord über die gesamte Ausstellungsfläche mit zwölf verschiedenen Klangklimata | iap | EXPO 2000 Hannover | 1.Juni - 31.Oktober 2000 | Pavillon der Europäischen Union auf der EXPO 2000 Hannover | 0 | |||||||
| 29585 | Thomas | Gerwin | Steilwand | 2005 | live-elec, 2 perf | (Stein-)ins, elec [Instrument, elektronik] | iap | 4. November 2005 | "steinmusik" im Glaskasten Berlin | 0 | |||||||||
| 29571 | Thomas | Gerwin | Still-Leben-Klang | 2003 | Klangkunst, Installation | 35:00 | Soundscape-Komposition in 6 Sätzen inszeniert mit 6 Hörstationen | iap | 5.5.-25.7.2003 | Ausstellung "Still-Leben" mit dem Fotographen Telemach Wiesinger in der Katholischen Akademie Freiburg, | 0 | ||||||||
| 29625 | Thomas | Gerwin | SubSonusSupra | 2009 | Zuspiel / Tonband, 1 perf | ≈ 12:00 | vn, (elec) [Violine] | 29.8.2009 | "Internationalen Klangkunstfest _tiefKLANG" mit Susanne Zapf | 0 | |||||||||
| 29544 | Thomas | Gerwin | Tab Dance | 2000 | radiophon | 6:20 | Stereo | iap | "Fanfares for the Future" bei Synthése 2000 Bourges | 0 | |||||||||
| 24187 | Thomas | Gerwin | The Liberation of Europe | 2001 | fixed media, akusmatisch | 3:45 | Radio-Mix aus zur Verfügung gestellten EBU-Materialien für Phonurgia Nova (2001) | Discontact! III 2003 PeP 007/ | 1 | ||||||||||
| 29551 | Thomas | Gerwin | …through sound | 2001 | radiophon | 5:57 | iap | Mai 2001 | "The Creation of the World" bei "Synthése 2001", Festival für elektronische Musik des Internationalen Musikinstituts Bourges, Frankreich | 0 | |||||||||
| 42228 | Thomas | Gerwin | transFORM oder Zugang für 2 (2002/9) | 2009 | radiophon | 41:23 | Stereo | HR | 12.6.2010 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1539869&vi=135&SID | |||||||
| 29560 | Thomas | Gerwin | transFORM oder Zugang für 4 | 2002 | radiophon | 41:23 | Quadro | Radio RBB, iap | SFB/ORB Redaktion Radiokunst, Andreas Hagelüken | 8.11.2002 um 22:00Uhr | SFB/ RadioKultur | 0 | |||||||
| 29626 | Thomas | Gerwin | unzeitgemäß, Kammermusik | 2009 | radiophon | erschienen im Radiofeature "Friederike Mayröcker - Ich bin immer unzeitgemäß gewesen" von Andrea Marggraf, | DeutschlandRadio | DeutschlandRadio Kultur | 0 | ||||||||||
| 5788 | Thomas | Gerwin | Verschränkte Strukturen | 1990 | Zuspiel / Tonband, 2 perf | rec, gui [Flöte, Gitarre] | tape-live-recording | Galerie "A&m" Stuttgart-Vaihingen | 1990 | Galerie "A&m" Stuttgart-Vaihingen | 0 | ||||||||
| 29586 | Thomas | Gerwin | Virtual bosco | 2005 | audiovisuell | Musik zur gleichnamigen Video-Installation von Ina Abuschenko-Matwejewa | iap | 0 | |||||||||||
| 29607 | Thomas | Gerwin | Visite | 2007 | radiophon | 5:05 | 10. Juni 2007 | Open Work Overture - Melancholy" Synthèse-Festival Bourges | 0 | ||||||||||
| 5789 | Thomas | Gerwin | Vom Klang der Dinge | 1993 | fixed media, akusmatisch | 14:32 | Stereo | ZKM Karlsruhe | 1 | ||||||||||
| 29616 | Thomas | Gerwin | vom rand nach innen - Gomringer klingt | 2008 | radiophon | SWR | 0 | ||||||||||||
| 19205 | Thomas | Gerwin | Wattenmeer-Suite, Eine UmweltKlangKomposition | 1996 | fixed media, akusmatisch | 31:06 | auf der MC: Generalprobe, Sendungen NDR und RB 2.12.96 2 versions: with ins and with dancer & ins |
iap 011; integral art project/ | iap, ZKM Karlsruhe | Nationalpark Niedersächsisches Wattenmeer | 1.12.1996 | Pumpwerk Wilhelmshaven, "Ensemble Aventure" Freiburg | Edition Modern / Tre Media Musikverlage | 1 | |||||
| 29598 | Thomas | Gerwin | weit und breit | 2006 | Zuspiel / Tonband, 3 perf | 16:21 | a-sax, acc, hp [Saxophon, Akkordeon, Harfe] | iap | 0 | ||||||||||
| 21162 | Thomas | Gerwin | Welt klingt, Telekonzert mit 10 Musikern in drei Städten | 1998 | Klangkunst, Installation | 50:00 | Stereo | Telekonzert mit 10 Musikern in drei Städten: Darmstadt ( Flöte, Posaune, Soundscape Musician), Stockholm (Schlagzeug, Live-Elektronik, Soundscape Musician), Karlsruhe (3 Spieler an der KlangWeltKarte) | iap 110/ | ZKM Karlsruhe, iap, EMS Stockholm | Internationalen Musikinstituts Darmstadt, des ZKM|Zentrum für Kunst und Medientechnologie Karlsruhe, des Goethe-Instituts Stockholm und von EMS Stockholm | 8. November 1998 20:17-21:07 Uhr | Karlsruhe, Darmstadt und Stockholm (dort als Abschlußkonzert des Stockholm Electronic Music Festival XX. in Fylkingen anläßlich "Stockholm-Kulturhauptstadt Europas 1998" mit Satelliten-Direkt-Übertragung. | 1 | |||||
| 29572 | Thomas | Gerwin | Wer den Wolf fürchtet | 2003 | radiophon | 8:00 | Hörspielmusik für das gleichnamige Kriminal-Hörspiel von Brigitte Fossum | DeutschlandRadio, iap | 15.9.2003 um 19:05 Uhr | 0 | |||||||||
| 29636 | Thomas | Gerwin | ZeitFarbe | 2010 | live-elec, 1 perf | ≈ 14:00 | hp, (elec) [Harfe] | 28.8.2010 | Internationalen Klangkunstfest _tiefKLANG 2010 "Gefühlter Augenblick" durch Katharina Hanstedt | 0 | |||||||||
| 21166 | Thomas | Gerwin | ZeitKlang | 1999 | fixed media, akusmatisch | Stereo | aumKlangKomposition | iap | Badisches Landesmuseum | 10.12.1999 -7. Mai 2000 | "Jahrhundertwenden 1000-2000 / Rückblicke in die Zukunft" im Karlsruher Schloß | 0 | |||||||
| 29608 | Thomas | Gerwin | Zwischen den Zeilen - Der Besuch der alten Dame | 2007 | radiophon | 53:20 | ARD-Hauptstadt-Studio, iap | SWR | 16. Mai 2006 21h | SWR2 | 0 | ||||||||
| 29630 | Thomas, Karl-Heinz | Gerwin, Blomann | Klär-Werk | 2010 | fixed media, akusmatisch | 21:08 | open systems e.V. Deutschland 2010 / | 0 | |||||||||||
| 29634 | Thomas, Karl-Heinz | Gerwin, Blomann | Pumpwerk | 2010 | fixed media, akusmatisch | 20:08 | open systems e.V. Deutschland 2010 / | 0 | |||||||||||
| 29638 | Thomas, Adam | Gerwin, Geczy | Area contra punctus 7 | 2011 | audiovisuell, live-elec, 1 group | ens [Ensemble] | Musik für die Medienkunst-Ausstellung von Adam Geczy (Sydney) und Thomas Gerwin (Berlin) | 1.-29. Juli 2011 | „galleriBOX“ in Akuryri auf Island | 0 | |||||||||
| 29593 | Thomas, Frank | Gerwin, Niehusmann | Genie-Form | 2006 | live-elec, 2 perf | 21:00 | com, perc, (elec) [Schlagzeug, computer] | PS Niehusmann, iap | 21.10.2006 | LOFT, Köln | 0 | ||||||||
| 29635 | Thomas, Wolfgang | Gerwin, Spahn | Spiel-Tisch | 2010 | Klangkunst, Installation | audiovisuell |
27.1.-7.2.2010 | "ubiquitous oscillations" im Rahmenprogramm der transmediale | 0 | |||||||||||
| 5790 | Yann | Geslin | Etude froide | 1978 | fixed media, akusmatisch | 5:12 | Quadro | Étude de stage | INA • GRM | 0 | |||||||||
| 5791 | Yann | Geslin | Germinal, Rebours | 1984 | fixed media, akusmatisch | 4:52 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 5792 | Yann | Geslin | Variations didactiques | 1982 | fixed media, akusmatisch | 10:05 | Stereo | 2 parts | INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | 11.1.1982 16.3.1982 |
Maison de la Radio, Mvt. 1 Paris, IRCAM, Mvt. 2 |
1 | ||||||
| 5793 | Yann | Geslin | Volumétriques | 1979 | Zuspiel / Tonband, 2 perf | 13:02 | Stereo | 2 synt [synthesizer] | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 5.6.1979 | Arras, Centre Noroit, avec le Trio GRM.PLUS (Cuniot, Dufour, Geslin) | 1 | ||||||
| 5795 | Frans | Geysen | Hoor eens 1 | 1980 | fixed media, akusmatisch | 20:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 5796 | Frans | Geysen | Hoor eens 2 | 1980 | fixed media, akusmatisch | 17:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 5797 | Frans | Geysen | In de knoop gerakende lijntjes | 1981 | fixed media, akusmatisch | 6:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5798 | Frans | Geysen | Leuk gevaarte | 1981 | fixed media, akusmatisch | 3:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5799 | Frans | Geysen | Plotse versnelling | 1981 | fixed media, akusmatisch | 4:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 5800 | Frans | Geysen | Toch temperamentvol | 1981 | fixed media, akusmatisch | 10:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5801 | Frans | Geysen | Vijfmaal verrast | 1981 | fixed media, akusmatisch | 4:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5802 | Frans | Geysen | Weerkatsingen | 1981 | fixed media, akusmatisch | 16:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 42309 | Ilyaa | Ghafouri | Valence | 2018 | fixed media, akusmatisch | 7:33 | Stereo | Winner JTTP 2018 | 0 | ||||||||||
| 33703 | Qubais | Ghazala | The Delphian Oracle | fixed media, akusmatisch | 3:41:00 | from the 60-min tape „Suite for Radio and Turntable“ | WN 00006/1991/ | 1 | |||||||||||
| 31288 | Emmanuel | Ghent | Battery Park | 1969 | fixed media, akusmatisch | 5:05 | IDEAMA CD 081/ | 0 | |||||||||||
| 31289 | Emmanuel | Ghent | Danger! High Voltage | 1969 | fixed media, akusmatisch | 3 | IDEAMA CD 081/ | 0 | |||||||||||
| 31290 | Emmanuel | Ghent | Helices | 1969 | fixed media, akusmatisch | 18 | IDEAMA CD 081/ | 0 | |||||||||||
| 5803 | Emmanuel | Ghent | Hex, an Ellipsis | 1966 | Zuspiel / Tonband, 2 perf | 16:00 | Quadro | tpt, ins [Trompete, Instrument] | cuing signals on 4th track | IDEAMA CD 080/ | Bell Lab, Col.Princ EMC | 0 | |||||||
| 5804 | Emmanuel | Ghent | Phosphones | 1971 | fixed media, akusmatisch | 13:01 | GROOVE | WER 2022-50, Computer Music Currents 2/ CMJ Vol 32-4, 2008/ | Bell Lab | 1 | |||||||||
| 24125 | Gianni | Giacomazzo | Ultima sera | 2001 | Zuspiel, live-elec, 22 perf | 8:40 | Octo | ottavino, 2 fl, ob, 2 cl, bn, hn, tpt, 2 sax, tim, vib, b-mar, perc, 2 p, str-qt, db [Flöte, Klarinette, Oboe, Saxophon, Fagott, Horn, Trompete, Piano, Schlagzeug, Kontrabass, Streicher] | Tempo Reale Firenze | 0 | |||||||||
| 39468 | Nicola | Giannini | Inner Out | 2017 | live-elec, | perf (ice and live electronics) [Performer] | 0 | ||||||||||||
| 38551 | Stefano | GIANNOTTI | Amore mio, love songs und anderer Kram | 2012 | radiophon | 53:22:00 | SWR | 2.10.2012 | SWR | Prix Phonurgia nova | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3925025&vi=142&SID | |||||||
| 22367 | Stefano | Giannotti | Battagilia Navale, Schiffe versenken | 2000 | radiophon | 47:43 | DeutschlandRadio | 1.9.2000 | DeutschlandRadio | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1427171&vi=147&SID | ||||||||
| 38553 | Stefano | GIANNOTTI | Bürotifulcrazy | 2014 | radiophon | 45:14:00 | DeutschlandRadio | 14.3.2014 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4205665&vi=3&SID | ||||||||
| 38554 | Stefano | GIANNOTTI | Calendario – Klänge für 12 Monate | 2002 | radiophon | 49:02:00 | DeutschlandRadio | 7.6.2002 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1437244&vi=146&SID | ||||||||
| 33756 | Stefano | Giannotti | Dialoghi | 2008 | radiophon | 14:59 | Stereo | Vs, ins, (natural and electronic sounds) [Stimme, Instrument] | (duration also: 14:59) | EBU Ars Acustica 2009/ | SWR | 26.9.2008 | SWR | EBU Ars Acustica 2009 | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1528494&vi=143&SID | |||
| 22869 | Stefano | Giannotti | Fiabe per sette Giorni | 1998 | Zuspiel, live-elec, 1 perf | 15:00 | perf (music-boxes, toys, harmonica, chimes) [Performer] | 7 parts | NOTA CD 2.97 - MØMüs 011/ | Radio SFB | 1 | ||||||||
| 38555 | Stefano | GIANNOTTI | Fine del messaggio | 1999 | radiophon | 46:32:00 | DeutschlandRadio | 7.5.1999 | DeutschlandRadio | 0 | |||||||||
| 35241 | Stefano | Giannotti | Geologica | 2007 | radiophon | 48:29:00 | DeutschlandRadio | 3.8.2007 | DeutschlandRadio | Karl-Sczuka-Preis 2007 | 0 | ||||||||
| 25803 | Stefano | Giannotti | Il Carnevale di Antonio | 2005 | audiovisuell | 7:35 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 1 | ||||||||||
| 35209 | Stefano | Giannotti | Il tempo cambia, Time changes | 2002 | radiophon | 56:34 | SWR | 24.10.2002 | SWR | Karl-Sczuka-Preis 2002 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1444324&vi=9&SID | |||||||
| 22098 | Stefano | Giannotti | L'Arte del Paesaggio | radiophon | 23:55 | ABC | 1 | ||||||||||||
| 22868 | Stefano | Giannotti | La Città dei Carillons | 1998 | Performance, Zuspiel, live-elec, 1 perf, 1 group | 33:00 | children V, (music-boxes) [Stimme] | Children from 29 diff. European countries | NOTA CD 2.97 - MØMüs 011/ | SFB, ORB | 23.2.1999 | RBB | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1424120&vi=11&SID | |||||
| 42230 | Stefano | Giannotti | La città sonora | 1998 | radiophon | 30 | PS C. | 4.7.2000 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1555311&vi=148&SID | ||||||||
| 38556 | Stefano | GIANNOTTI | Labirinti | 2005 | radiophon | 51:38:00 | DeutschlandRadio | DeutschlandRadio | 7.10.2005 | DeutschlandRadio | 0 | ||||||||
| 38557 | Stefano | GIANNOTTI | Organi | 2011 | radiophon | 51:34:00 | DeutschlandRadio | 6.5.2011 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1534428&vi=15&SID | ||||||||
| 23518 | Stefano | Giannotti | Paesaggio con Campane | 2003 | Zuspiel / Tonband, 1 perf | 13:35 | carillon [Keyboard] | 29.6.2003 | Carillon im Tiergarten Berlin, Jeff Bossin | 1 | |||||||||
| 42229 | Stefano | GIANNOTTI | Scaccomatto | 2005 | radiophon | 46:44 | WDR Studio Akustische Kunst | 11.6.2005 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1475116&vi=144&SID | ||||||||
| 38558 | Stefano | GIANNOTTI | Sonic pages | 2009 | radiophon | 49:21:00 | 0 | ||||||||||||
| 38559 | Stefano | GIANNOTTI | The Masterpiece | 2003 | radiophon | 50:26:00 | DeutschlandRadio | DeutschlandRadio | 3.10.2003 | DeutschlandRadio | 0 | ||||||||
| 24685 | Stelios | Giannoulakis | Lucidity | 2003 | fixed media, akusmatisch | 7:59 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 24188 | Stelios | Giannoulakis | Suvenires | 2002 | fixed media, akusmatisch | 4:11 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 41808 | Stelios | Giannoulakis | The Door Study | 2001 | fixed media, akusmatisch | 3:58:00 | codemist ICMC2001/ | 0 | |||||||||||
| 39990 | Kosmas | Giannoutakis | sonic current | 2016 | Klangkunst, Installation | Kosmas Giannoutakis | 0 | http://www.kosmasgiannoutakis.eu/sonic-current/ | |||||||||||
| 19003 | Lou | Giansante | New York: 24 Hours in Public Places | 1983 | Klangkunst, Installation | 4:10 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 20216 | Mark Edwards | Gibbons | scrub-reverse | 1992 | live-elec, 1 perf | 5:37 | Stereo | amp vn [Violine] | Todd Reynolds | SEAMUS EAM 9501 Vol. 4/ | 0 | ||||||||
| 35952 | John | Gibson | Blue Traces | 2009 | live-elec, 1 perf | 13:15 | Stereo, Quadro | p [Piano] | SEAMUS EAM Vol. 21/ innova 896/ | 11/15/2009 | Kati Gleiser, with string orchestra, dir. Marcello Cormio, Indiana University Jacobs School of Music | scores available from American Composers Alliance | 0 | ||||||
| 35954 | John | Gibson | Conveyor | 2007 | fixed media, akusmatisch | Stereo | 3/3/2007 | E-Expo, Speed School of Engineering, University of Louisville | 0 | ||||||||||
| 35964 | John | Gibson | Dancing on a Wire | 1994 | fixed media, akusmatisch | 3 sax, 2 synt, 2 e-gui, e-b-gui [Saxophon, Gitarre, synthesizer] | 10/8/1996 | Composers’ Ensemble at Princeton | 0 | ||||||||||
| 35960 | John | Gibson | Day Trip | 2000 | fixed media, akusmatisch | 8:51 | Stereo, Surround 5.1 | innova 896/ | 5/5/2001 | Electronic Music at Lewis — 2001 Festival, Lewis University, Chicago area | Finalist in the Pierre Schaeffer International Computer Music Competition, IV Edition, sponsored by Accademia Musicale Pescarese in Pescara, Italy, 2003 | 0 | |||||||
| 35959 | John | Gibson | Detour | 2003 | fixed media, akusmatisch | Stereo | 4/25/2004 | CECM Concert, Indiana University School of Music | 0 | http://pages.iu.edu/~johgibso/pieces/detour.htm | |||||||||
| 35950 | John | Gibson | Driptick | 2010 | fixed media, akusmatisch | 7:23 | Stereo, Surround 5.1 | innova 896/ | 10/2/2010 | Soundcrawl: Nashville, Nashville, Tennessee | 0 | ||||||||
| 39411 | John | Gibson | edgewater | 2017 | audiovisuell | 0 | |||||||||||||
| 35955 | John | Gibson | Elements | 2006 | fixed media, akusmatisch | Stereo, Quadro, Surround 5.1 | 3/3 - 4/22/2006 | Society for Contemporary Photography, Kansas City (exhibition) | Honorable Mention, Eastman Computer Music Center 25th Anniversary Electroacoustic Music Competition, 2006 | 0 | |||||||||
| 35962 | John | Gibson | Fits and Starts | 1996 | live-elec, 2 perf | trbn, e-gui [Posaune, Gitarre] | 10/18/1996 | Ekko!, University of Virginia, Charlottesville | 0 | ||||||||||
| 35945 | John | Gibson | In Flight | 2015 | live-elec, 1 group | ch [Chor] | IU New Frontiers in the Arts & Humanities Grant and the Camargo Foundation | 0 | |||||||||||
| 35953 | John | Gibson | Out of Hand | 2008 | live-elec, 2 perf | 11:35 | tpt, trbn, (com) [Trompete, Posaune] | innova 896/ | score available from American Composers Alliance | 0 | http://pages.iu.edu/~johgibso/pieces/outofhand.htm | ||||||||
| 35947 | John | Gibson | Red Plumes | 2011 | live-elec, 1 perf | 11:12 | vc [Cello] | innova 896/ | Craig Hultgren | 2/11/2012 | Craig Hultgren, SEAMUS National Conference, Lawrence University, Appleton, Wisconsin | score available from American Composers Alliance | 0 | ||||||
| 35956 | John | Gibson | sLowlife | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
Stereo + Stereo + Stereo + Stereo, Octo | 11/5/2005 10/26/2005 - 3/26/2006 |
Third Practice Festival, Uni of Richmond, Virginia United States Botanic Garden, Washington, DC |
0 | http://pages.iu.edu/~johgibso/pieces/slowlifeinst.htm | |||||||||
| 32118 | John | Gibson | Slumber | 2006 | fixed media, akusmatisch | 5:10:00 | Surround 5.1, Stereo | SEAMUS EAM Vol. 18/ EVerglade 06-01/ innova 896/ | Third Practice Festival at the University of Richmond, Virginia | 0 | |||||||||
| 35949 | John | Gibson | The Widening Gyre | 2011 | live-elec, 1 group | ens [Ensemble] | score available from American Composers Alliance | 0 | |||||||||||
| 22906 | John | Gibson | Thrum | 1998 | fixed media, akusmatisch | 8:55 | Centaur CRC 2454, CDCM Vol 29/ innova 896/ | VCCM | Finalist Prize, Bourges 26th International Electroacoustic Music Competition, 1999 | 1 | http://pages.iu.edu/~johgibso/pieces/thrum.htm | ||||||||
| 35946 | John | Gibson | Uncanny Valley | 2012 | fixed media, akusmatisch | p, Sp [Sprecher, Piano] | Oni Buchanan and Jon Woodward | 9/27/2012 | Zell Visiting Writers Series, Michigan Union, University of Michigan | 0 | http://pages.iu.edu/~johgibso/pieces/uncanny.htm | ||||||||
| 35958 | John | Gibson | Wakeup Call | 2005 | fixed media, akusmatisch | Stereo | 9/30/2005 | In 60x60 (2005 / Midwest Minutes), Music BYTES, Lewis University, Romeoville, Illinois | 0 | ||||||||||
| 35951 | John | Gibson | Wind Farm | 2009 | live-elec, 1 perf, 1 group | coms (laptop ens) [computer] | Electric Monster Laptop Ensemble, Montana State University, dir. Hsiao-Lan Wang | 12/4/2009 | Electric Monster Laptop Ensemble, Montana State University | 0 | http://pages.iu.edu/~johgibso/pieces/windfarm.htm | ||||||||
| 33556 | Jon | Gibson | Equal Distribution | 1977 | Tanz, live-elec, 1 perf | fl [Flöte] | Flute, Electronics [Live] – Jon Gibson Dance: Fractions 1 (1977) |
NWR 80712/ | 1 | ||||||||||
| 39517 | Victoria | Gibson | Coming Out | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39518 | Victoria | Gibson | Sound Seed: Tribute to Pauline Oliveros | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34730 | Rolf | Giegold | Manifest | 2009 | Klangkunst, Installation | 6:51 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 8.10.-8.11.2009 | singuhr hoergalerie Berlin at AdK Berlin | 0 | http://singuhr.de/page.php?ID=671 | ||||||||
| 5805 | Michael | Gielen | die glocken sind auf falscher spur | 1967/1969 | Zuspiel / Tonband, 5 perf | Sp, 4 ins [Sprecher, Instrument] | 0 | ||||||||||||
| 19059 | Gans | Gierschik | Monk's Matrix | 1996 | Klangkunst, Installation | 1:16 | Sonambiente Ausstellung (1996) Katalog S.61 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 5806 | Walter | Gieseler | Notturno en collage | 1967 | Zuspiel / Tonband, 1 perf, 2 groups | 2 ch, perc [Schlagzeug, Chor] | Notturno en collage für zwei Chöre, Schlagzeug und Tonband nach Text-Collagen Italienisch-Deutsch (1967) | 0 | |||||||||||
| 42332 | Malte | Giesen | Divertimento – Veränderungen an Oberflächen | 2014 | live-elec, 4 perf | ≈ 11 | str-qt [Streicher] | Bezug zur Divertimenti KV 136-138 von Mozart | 0 | ||||||||||
| 41957 | Malte | Giesen | Konzert für hyperreales Klavier, Concert for hyperreal piano & orchestra | 2016 | live-elec, 1 perf, 1 group | 25 | Spazialisation: multi | p (TransAcoustic-Flügel Yamaha), orc [Piano, Orchester] | 31.10.2018 20.01.2019 |
Konzerthaus Wien, Wien Modern. Sebastian Berweck und den Wiener Symphonikern/Sylvain Cambreling | 0 | ||||||||
| 35338 | Malte | Giesen | mit Verlaub | 2013 | live-elec, 2 perf | 11:38 | 2 sax [Saxophon] | Gruen 156/ | 0 | http://www.gruenrekorder.de/?page_id=14449 | |||||||||
| 37644 | Malte | Giesen | Tu m | 2014 | audiovisuell, live-elec, 1 group | 9 | ens [Ensemble] | zu einem Film von Lillevan | 0 | ||||||||||
| 22368 | Yves | Gigon | Crickpet | 2000 | fixed media, akusmatisch | 3:00 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 21604 | Yves | Gigon | Éphémère | 1997 | fixed media, akusmatisch | 2:33 | CEC Presence 2/ | Concordia Montreal | 1 | ||||||||||
| 36907 | Yves | Gigon | Éphémère II | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 5807 | Anthony | Gilbert | A Treatment of Silence | 1973 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 5808 | Anthony | Gilbert | Mother op. 15 | 1969 | Zuspiel / Tonband, 1 group | ens [Ensemble] | Coll Manchester | 0 | |||||||||||
| 5809 | Anthony | Gilbert | The Scene Machine | 1971 | Oper | Stereo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 35823 | Peter | Gilbert | allen den stillen Geschwistern im Winde der Wiesen | 2007 | live-elec, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 35826 | Peter | Gilbert | as it now becomes us | 2006 | live-elec, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 35818 | Peter | Gilbert | Baptizing the Loop Station | 2008 | live-elec, 1 perf | e-gui [Gitarre] | 0 | ||||||||||||
| 35831 | Peter | Gilbert | Blow, Bugle, Blow | 2003 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 35822 | Peter | Gilbert | Elegie | 2008 | live-elec, 1 perf | fl or rec [Flöte] | 1: Flute, Live Electronics | 2: Recorder, Live Electronics |
0 | |||||||||||
| 35819 | Peter | Gilbert | Flexible Passages | 2008 | live-elec, 1 perf, 1 group | var inss [Instrument] | for Flexible Music | 0 | |||||||||||
| 35821 | Peter | Gilbert | Hear as the night hollows | 2008 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 35830 | Peter | Gilbert | Hyperburn | 2004 | fixed media, akusmatisch | Stereo, Quadro | 0 | ||||||||||||
| 35833 | Peter | Gilbert | Interlude | 2002 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 35808 | Peter | Gilbert | last breaths of a disappearing horizon | 2013 - 2014 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 35829 | Peter | Gilbert | Prelude Fantasies | 2004 | fixed media, akusmatisch | Stereo, Quadro | 0 | ||||||||||||
| 35832 | Peter | Gilbert | Ricochet | 2002 | fixed media, akusmatisch | Stereo | gui [Gitarre] | 0 | |||||||||||
| 35813 | Peter | Gilbert | Ricochet Remix | 2011 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 34684 | Peter | Gilbert | Rituals | 2002 | fixed media, akusmatisch | 5 | Stereo | Russolo Pratella EF.ER.P 02/ | Prize Russolo Varese 2002 | 0 | |||||||||
| 35812 | Peter | Gilbert | Soon as the sun forsook the eastern main | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 35810 | Peter | Gilbert | Spirit Steps | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 35824 | Peter | Gilbert | the bold arch of undreamt bridges | 2006 | live-elec, 9 perf | fl, cl, sax, bn, tpt, vn, va, vc, perc [Flöte, Klarinette, Saxophon, Fagott, Trompete, Schlagzeug, Viola, Cello, Violine] | 0 | ||||||||||||
| 35809 | Peter | Gilbert | The Book of Resounding Harmonies | 2013 | live-elec, 5 perf | cl, vn, vc, p, perc [Klarinette, Piano, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 35827 | Peter | Gilbert | The Bourges Pods | 2004 | fixed media, akusmatisch | Stereo, Quadro | Stop the Presses, Northern Lights, Ohm | 0 | |||||||||||
| 35825 | Peter | Gilbert | the palm of your hand touches my body | 2006 | live-elec, 1 perf | rec [Flöte] | 0 | ||||||||||||
| 35815 | Peter | Gilbert | The Ringing of Golden Balconies | 2009 | live-elec, 1 perf, 1 group | w-ens [Bläser] | Large Wind Ensemble | 0 | |||||||||||
| 35807 | Peter | Gilbert | Waves | 2015 | fixed media, akusmatisch | 0 | |||||||||||||
| 35820 | Peter | Gilbert | We felt the spirits so near | 2008 | live-elec, 1 perf, 1 group | inss [Instrument] | 0 | ||||||||||||
| 35828 | Peter, Eleni | Gilbert, Andreadis | Music for Sweet Bird of Youth, by Tennessee Williams | 2004 | intermedia | Incidental Music, with Eleni Andreadis | 0 | ||||||||||||
| 35816 | Peter, Karola | Gilbert, Obermüller | An Overlapping of Spaces | 2009 | Klangkunst, Installation | Interactive Museum Installation – with Karola Obermüller | 0 | ||||||||||||
| 35814 | Peter, Karola | Gilbert, Obermüller | drei mal drei gleich unendlich | 2009 - 2010 | audiovisuell, live-elec, 10 perf | 4 V, 2 actor, 2 cl, acc, vc, (elec) [Stimme, Klarinette, Akkordeon, Cello, Schauspieler] | Multimedia Opera, with composer Karola Obermüller | 0 | |||||||||||
| 35811 | Peter, Karola | Gilbert, Obermüller | Listening to Mountains | 2012 - 2013 | Klangkunst, Installation | Interactive Installation – with Karola Obermüller | 0 | ||||||||||||
| 35817 | Peter, David | Gilbert, Russell | Songs from the Tundra | 2008 - 2009 | Zuspiel / Tonband, | with cellist David Russell | 0 | ||||||||||||
| 5810 | Jacob | Gilboa | 14 Epigrams for Oscar Wilde | 1973 | Zuspiel / Tonband, 2 perf | fem V, p [Stimme, Piano] | 0 | ||||||||||||
| 5811 | Jacob | Gilboa | 5 Red Sea Impressions | 1976 | Zuspiel / Tonband, 5 perf | 5 ins [Instrument] | 0 | ||||||||||||
| 5812 | Jacob | Gilboa | From the Dead Sea Scrolls | 1971 | Zuspiel / Tonband, 2 perf, 3 groups | 2 ch, 2 org, orc [Orgel, Chor, Orchester] | 0 | ||||||||||||
| 5813 | Jacob | Gilboa | The Beth Alpha Mosaic | 1975 | Zuspiel / Tonband, 1 perf, 1 group | fem V, ens [Stimme, Ensemble] | 0 | ||||||||||||
| 31393 | Jakob | Gille | Acquain Work | 2010 | fixed media, akusmatisch | 7:00:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31362 | Jakob | Gille | Akoi Vibe | 2010 | fixed media, akusmatisch | 14:57:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31363 | Jakob | Gille | Einiges, was ich niemand verrate | 2011 | fixed media, akusmatisch | 9:50:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31360 | Jakob | Gille | Klavierstück | 2009 | fixed media, akusmatisch | 10:03:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 40304 | Tyler | Gilmore | Solo Set Piece Three | 2016 | live-elec, 1 perf | elec (Microphone Feedback & Samples) [elektronik] | Tyler Gilmore | 0 | |||||||||||
| 42613 | Hannah R. | Gilmour | Chill Before Dawn | 2009 | fixed media, akusmatisch | 5 | 0 | ||||||||||||
| 24527 | Gust | Gils | Vocal exploration II | 1969 | fixed media, akusmatisch | 9:21 | Text-Sound Composition | FYCD 1024 CD 2 Text-Sound Compositions/ RELP 1074/ | SR Stockholm | 1 | |||||||||
| 5815 | Berend | Giltay | '65 korte versie | 1965 | fixed media, akusmatisch | 14:35 | Mono | STEM Utrecht | 0 | ||||||||||
| 5816 | Berend | Giltay | Kosmochromie I | 1972 | Zuspiel / Tonband, 1 group | 21:22 | Quadro | orc [Orchester] | Sonology Utrecht | 0 | |||||||||
| 5817 | Berend | Giltay | Kosmochromie II | 1973/1974 | Zuspiel / Tonband, 1 group | 5:31 | Stereo | chamber-orc [Orchester] | also 2nd version 11:10 | Sonology Utrecht | 0 | ||||||||
| 5818 | Berend | Giltay | Phonolieten | 1965 | fixed media, akusmatisch | 15:40 | Mono | CEM Bilthoven | 0 | ||||||||||
| 5819 | Berend | Giltay | Polychromie | 1966 | fixed media, akusmatisch | 6:47 | Quadro | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | STEM Utrecht, CEM Bilthoven | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 5820 | Berend | Giltay | Polychromie II | 1973 | Zuspiel / Tonband, 1 perf | 3:15 | Stereo | ins ad lib [Instrument] | Sonology Utrecht | 0 | |||||||||
| 5821 | Bruno | Giner | Con brio | 1991 | Zuspiel / Tonband, 3 perf | 22:00 | Stereo | vc, perc, sax [Saxophon, Schlagzeug, Cello] | INA • GRM | 0 | |||||||||
| 5822 | Bruno | Giner | "k" | 1987 | Zuspiel / Tonband, 1 perf | 14:44 | Stereo | rec [Flöte] | INA • GRM | 0 | |||||||||
| 5823 | Bruno | Giner | Moments | 1989 | fixed media, akusmatisch | 15:00 | Stereo | INA • GRM | 0 | ||||||||||
| 32951 | Bruno | Giner | Von den drei Verwandlungen | 2004 | fixed media, akusmatisch | 13:53 | 3 parts | Motus M 298004/ | 0 | ||||||||||
| 5824 | Gary | Gini | Welcome to Ellis Island | 1985 | fixed media, akusmatisch | 3:22 | Stereo | Uni Waterloo ON | 0 | ||||||||||
| 38763 | Tina Ilse Maria, Elena | GINTROWSKI, ZIESER | Blank | 2011 | radiophon | 8:27:00 | 0 | ||||||||||||
| 31981 | Francesco | Giomi | Agnaby | 1997 | fixed media, akusmatisch | 10:00:00 | after the Roman L'étranger by Albert Camus Konzert Inventionen 2000, Parochialkirche 30.6.2000, 20h |
Uni Sheffield | Dezember 1998 Spaziomusica Cagliari | 1 | 2000 | ||||||||
| 5826 | Francesco | Giomi | Boys and girls | 1988 | Zuspiel / Tonband, 1 perf | 6:00 | p [Piano] | software by the author | CNUCE Firenze | 0 | |||||||||
| 24126 | Francesco | Giomi | BR… (Taccuino sonoro su Johannes Brahms) | 2001 | fixed media, akusmatisch | 10:00 | Octo | Tempo Reale Firenze | 0 | ||||||||||
| 5827 | Francesco | Giomi | CHROMATISME: 12 studies for tape | 1992 | fixed media, akusmatisch | 12:00 | Stereo | CNUCE Firenze | 0 | ||||||||||
| 24127 | Francesco | Giomi | Con Brio | 2003 | fixed media, akusmatisch | 14:00 | Octo | Tempo Reale Firenze | 1 | ||||||||||
| 19026 | Francesco | Giomi | Flamenco | 1994 | fixed media, akusmatisch | 12:43 | Russolo Pratella EF.ER.P 95/ | 2nd prize Russolo 95 Competition Musica Nova Prag 1995 |
1 | ||||||||||
| 24128 | Francesco | Giomi | Millenote (nuova versione) | 1998 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | sax [Saxophon] | Tempo Reale Firenze | 0 | |||||||||
| 24129 | Francesco | Giomi | Mnemonia | 2000 | Zuspiel / Tonband, 1 perf | 19:00 | Octo | V [Stimme] | Tempo Reale Firenze | 0 | |||||||||
| 5829 | Francesco | Giomi | That's all folks ! | 1994 | fixed media, akusmatisch | Stereo | Kiasma 1998/ | CNUCE Firenze | Competition Musica Nova Prag 1994 | 0 | |||||||||
| 5825 | Francesco, Marco | Giomi, Ligabue | Box Vox | 1988 | fixed media, akusmatisch | 6:35 | Stereo | CNUCE Firenze | 0 | ||||||||||
| 5828 | Francesco, Marco | Giomi, Ligabue | City voices | 1992 | fixed media, akusmatisch | Stereo | CNUCE Firenze | 0 | |||||||||||
| 5830 | Eugenio | Giordani | E-Tape | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 5831 | Eugenio | Giordani | Ladies & Gentlemen | 1984 | fixed media, akusmatisch | 12:00 | Stereo | CRM Roma | 0 | ||||||||||
| 5832 | Eugenio | Giordani | Voicing | 1982 | fixed media, akusmatisch | 10:00 | Stereo | PAN PRC S20-15/ | CRM Roma | 1 | |||||||||
| 5833 | John | Giorno | Raspberry | 1967 | fixed media, akusmatisch | 20:00 | Mono | txtcompo | PS C. NY | 0 | |||||||||
| 33636 | Rudi | Giot | Flohimont | 2010 | fixed media, akusmatisch | 7:50 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 34635 | Artemi-Maria | Gioti | Magnetic fields | 2016 | live-elec, 1 perf | (electromagnetically augmented) p [Piano] | SMC2016 | 0 | |||||||||||
| 27389 | Ricardo | Giraldo | De'go | 2007 | live-elec, 3 perf | 10:59 | perc, 2 com [Schlagzeug, computer] | The Electronic Hammer (perc: Diego Espinosa, computer: Henry Vega, Juan Parra). | EMF CD 067 „The Electronic Hammer“ How to philosophize with a hammer/ | SARC Belfast | 1 | ||||||||
| 34645 | Émilie, Sylvain | Girard-Charest, Devaux | Trois chants harmoniques, Open Calls S’offrir Intonations lyriques |
2016 | Zuspiel / Tonband, 3 perf | ob, vc, assistent [Oboe, Cello, Performer] | SMC2016 | 0 | |||||||||||
| 41398 | Gabriel | Girard | Silent Walk Around the globe | fixed media, akusmatisch | sonus.ca | 0 | https://www.ckcufm.com/ | ||||||||||||
| 24418 | François | Giraudon | Esquisse maritime | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22853 | François | Giraudon | Etude 1994 | 1994 | Zuspiel / Tonband, 1 perf | 13:23 | bar-sax [Saxophon] | LDC 2781110/ | IMEB Bourges | 1 | |||||||||
| 22850 | François | Giraudon | Etude la corrida | 1990 | fixed media, akusmatisch | 9:15 | SYTER | LDC 2781110/ | CNR Marseille | 1 | |||||||||
| 22854 | François | Giraudon | Histoire d'un Rêve | 1996 | fixed media, akusmatisch | 12:24 | after "Le Rêve de l'escalier" by Dino Buzzati | LDC 2781110/ | IMEB Bourges | 1 | |||||||||
| 22852 | François | Giraudon | L'invisible | 1992 | Zuspiel, live-elec, 1 perf | 8:45 | vn [Violine] | LDC 2781110/ | Queens Uni Kingston | 1 | |||||||||
| 24416 | François | Giraudon | O (hommage à Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22851 | François | Giraudon | Passages | 1991 | live-elec, 2 perf | 11:11 | 2 synt [synthesizer] | LDC 2781110/ | 1 | ||||||||||
| 24420 | François | Giraudon | Shift | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24419 | François | Giraudon | Suite en forme de bulles | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24417 | François | Giraudon | Un peu après | 1997 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22855 | François | Giraudon | Vox i | 1997/1998 | fixed media, akusmatisch | 10:30 | LDC 2781110/ | IMEB Bourges | 1 | ||||||||||
| 5834 | Maurizio | Giri | Quaderni di conversazione | 1994 | Zuspiel / Tonband, | Stereo | Edison St Roma | 0 | |||||||||||
| 25906 | Paolo | Girol | Mi sentiro con Ale | 2003 | audiovisuell | 4:21:00 | Absurde Situationen mit essendem Künstler | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2005 | 1 | |||||||||
| 39984 | Kevin | Gironnay | Ce vide qui déborde | 2016 | fixed media, akusmatisch | Kevin Gironnay | 0 | ||||||||||||
| 36867 | Kevin | Gironnay | La Caverne | 2015 | fixed media, akusmatisch | 11:00:00 | UdeM | prize JTTP 2017 | 0 | ||||||||||
| 27370 | Olivier | Girouard | Le pont du souvenir | 2007 | fixed media, akusmatisch | 5:54 | CEC Cache 2007, PeP 012/ | JTTP-Winner 2007 4. prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 28026 | Olivier | Girouard | Suite_04, Prélude Allemande Courante Sarabande Gavotte 1&2 |
2009 | fixed media, akusmatisch | 18:47 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | JTTP-Winner 2009 canadian 1. prize | 1 | |||||||||
| 5838 | James | Giroudon | Bribes d'Hiver | 1984 | fixed media, akusmatisch | 13:30 | Forlane UCD 16571/ | GRAME Lyon | 0 | ||||||||||
| 5842 | James | Giroudon | Commencement | 1983 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | V [Stimme] | Texte d'Agnès Bressy | GRAME Lyon | 0 | ||||||||
| 5844 | James | Giroudon | D'espace ma bouche | 1982 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | V [Stimme] | GRAME Lyon | 0 | |||||||||
| 5847 | James | Giroudon | Etude seule | 1978 | fixed media, akusmatisch | 5:25 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 18481 | James | Giroudon | Eude - 1994 | 1994 | Zuspiel / Tonband, 1 perf | 12:22 | sax [Saxophon] | IMEB Bourges | 0 | ||||||||||
| 18482 | James | Giroudon | Histoire d'un rêve | 1996 | fixed media, akusmatisch | 12:30 | IMEB Bourges | 0 | |||||||||||
| 5848 | James | Giroudon | Instant attentif | 1981 | fixed media, akusmatisch | 13:00 | Stereo | GRAME Lyon | 0 | ||||||||||
| 5849 | James | Giroudon | Jamais l'aube ne fut si douce | 1989 | fixed media, akusmatisch | 14:00 | "two versions (14' et 21"")" | GRAME Lyon | 0 | ||||||||||
| 5851 | James | Giroudon | L'une et l'autre, proximité | 1982 | fixed media, akusmatisch | 14:20 | Stereo | GRAME Lyon | 0 | ||||||||||
| 18483 | James | Giroudon | Un peu après | 1997 | fixed media, akusmatisch | 16:00 | IMEB Bourges | 0 | |||||||||||
| 5846 | James, Jérôme | Giroudon, Dorival | Double 3 | 1989 | Zuspiel / Tonband, | 14:30 | str orc [Orchester] | Forlane UCD 16664/ | GRAME Lyon | 0 | |||||||||
| 28352 | James, Jean François | Giroudon, Estager | Contours avec miroirs | 2000 | fixed media, akusmatisch | GRAME Lyon | 0 | 2002 | |||||||||||
| 5845 | James, Jean François | Giroudon, Estager | De ciel et terre | 1993 | Zuspiel / Tonband, 3 perf, 1 group | 13:00 | V-ens, p, perc [Stimme, Piano, Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 5852 | James, Jean François | Giroudon, Estager | La fabrique du jeu | 1994 | Zuspiel / Tonband, 1 group | 18:00 | ens [Ensemble] | GRAME Lyon | town Lyon | 0 | |||||||||
| 5856 | James, Jean François | Giroudon, Estager | Mots à maux | 1986 | Theater, 2 perf | 70:00 | Stereo | vc, actor [Cello, Schauspieler] | GRAME Lyon | 0 | |||||||||
| 5859 | James, Jean François | Giroudon, Estager | Sérénité | 1986 | Zuspiel / Tonband, 3 perf | 10:00 | Stereo | cl, p, vc [Klarinette, Piano, Cello] | GRAME Lyon | 0 | |||||||||
| 5860 | James, Jean François | Giroudon, Estager | Silence, parole et mémoire | 1986 | Zuspiel / Tonband, 2 perf | 19:20 | Stereo | 2 p [Piano] | 4 parts | Forlane UCD 16571/ | GRAME Lyon | 0 | |||||||
| 5864 | James, Jean François | Giroudon, Estager | Unes, voix de basse | 1995 | Zuspiel / Tonband, 1 perf | 12:00 | db [Kontrabass] | GRAME Lyon | 0 | ||||||||||
| 5843 | James, Jean François, Barre | Giroudon, Estager, Phillips | Crossbow | 1990 | live-elec, 1 perf | 20:00 | db [Kontrabass] | GRAME Lyon | 0 | ||||||||||
| 5857 | James, Jean François, Barre | Giroudon, Estager, Phillips | No exclusion | 1989 | Zuspiel, live-elec, 1 perf | 11:00 | Stereo | db [Kontrabass] | Victo CD 08/ | GRAME Lyon | 0 | ||||||||
| 20217 | James, Jean François, Barre, Alain | Giroudon, Estager, Phillips, Joule | Aquarian Rain | 1991 | Zuspiel / Tonband, 2 perf | 53:11 | Stereo | db, perc [Schlagzeug, Kontrabass] | ECM 1451/ | GRAME Lyon | 0 | ||||||||
| 5839 | James, Jean François, Barre, Alain | Giroudon, Estager, Phillips, Joule | Brick on Brick | 1989 | Zuspiel, live-elec, 2 perf | 60:00 | Stereo | db, perc [Schlagzeug, Kontrabass] | GRAME Lyon | 0 | |||||||||
| 5835 | James, Pierre Alain | Giroudon, Jaffrennou | Artée | 1986 | fixed media, akusmatisch | 11:00 | Stereo | GRAME Lyon | 0 | ||||||||||
| 5855 | James, Pierre Alain | Giroudon, Jaffrennou | Mirror, mirror | 1987 | Film | 60:00 | FR3/RHI Production | GRAME Lyon | 0 | ||||||||||
| 5850 | James, Pierre Alain, Michel | Giroudon, Jaffrennou, Rostain | Jumelles | 1990 | Oper, 5 perf | 70:00 | Stereo | 2 V, sax, perc, actor [Stimme, Saxophon, Schlagzeug, Schauspieler] | Forlane UCD 16664/ | GRAME Lyon | 0 | ||||||||
| 5863 | James, Jacques | Giroudon, Mayoud | Tromperie | 1987 | Theater, 2 perf | 14:20 | tpt, perc [Trompete, Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 5854 | James, Jacques, Françoise | Giroudon, Mayoud, Monneret | Mélimélograme | 1987 | Theatermusik | 45:00 | GRAME Lyon | 0 | |||||||||||
| 5837 | James, Jacques, E. | Giroudon, Mayoud, St Blancat | Bizard Hazard | 1986 | Theatermusik | 65:00 | GRAME Lyon | 0 | |||||||||||
| 5840 | James, Françoise | Giroudon, Monneret | Chants-Sons | 1979 | Theater, 1 perf | 55:00 | Stereo | V [Stimme] | GRAME Lyon | 0 | |||||||||
| 5841 | James, Jean Luc | Giroudon, Rimey-Meille | Clac bois | 1990 | Zuspiel / Tonband, 1 perf | 13:30 | perc [Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 5853 | James, Frank | Giroudon, Royon Le Mée | Léa Léon | 1984 | Theatermusik | 65:00 | Stereo | GRAME Lyon | 0 | ||||||||||
| 5858 | James, Frank | Giroudon, Royon Le Mée | Pour le matin, pour le soir | 1985 | Zuspiel / Tonband, 1 group | 14:40 | ch [Chor] | pédagogic | GRAME Lyon | 0 | |||||||||
| 5861 | James, Annie | Giroudon, Tasset | Sons. Lignes. Mouvement | 1992 | Zuspiel / Tonband, 3 perf | 19:30 | S, V, rsp [Sopran, Stimme] | GRAME Lyon | 0 | ||||||||||
| 5862 | James, Annie | Giroudon, Tasset | Traces | 1988 | Zuspiel / Tonband, 1 perf | 19:30 | Stereo | S [Sopran] | Texte de Sophocle et Hölderlin, 3 parts | GRAME Lyon | 0 | ||||||||
| 5836 | James, Serge | Giroudon, Viallat | Balances | 1985 | Zuspiel / Tonband, 1 perf | 30:00 | p [Piano] | GRAME Lyon | 0 | ||||||||||
| 35639 | Matias | Giuliani | Helion | 2008 | live-elec, 1 perf | 7:54 | fl [Flöte] | Musica Contemporanea Electroacustica - Convocatoria 07 - LIPM | LIPM B.Aires | 0 | |||||||||
| 25907 | Matias | Giuliani | Proxima esperanza: Clandestina | 2004 | fixed media, akusmatisch | 4:04 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 35640 | Matias | Giuliani | Si(g)nes | 2007 | fixed media, akusmatisch | 6:30 | 0 | ||||||||||||
| 5865 | Giuseppe | Giuliano | Aleph infinito | 1992 | live-elec, 1 perf | 18:00 | tuba [Tuba] | PAN 3048/ | MM&T Milano | 0 | |||||||||
| 27160 | Giuseppe | Giuliano | Beslan Requiem | 2005 | fixed media, akusmatisch | Zuspiel, live-elec, 17 perf |
5:25 | Octo | 11 sax, 6 perc [Saxophon, Schlagzeug] | in memoria to the Beslan children. 3 Versions exist: Tape (orig. multichannel); 11 sax, tape + live-el; 6 perc + tape |
RUS 555169/ | Studio ES Milano | 1 | http://www.cdmc.asso.fr/biographies//d_g/giuliano.htm | ||||||
| 27161 | Giuseppe | Giuliano | Canticum Sacrum | 2008 | fixed media, akusmatisch | 5:25 | 6 | RUS 555169/ | Studio ES Milano | 1 | |||||||||
| 34934 | Giuseppe | Giuliano | Dialogo del sé | 1992 | fixed media, akusmatisch | live-elec, 2 perf |
Stereo | 2 va [Viola] | 2 versions | RUS 555131/ | Studio ES Milano | 0 | ||||||||
| 27162 | Giuseppe | Giuliano | Eyots - Eyries | 2007 | fixed media, akusmatisch | audiovisuell |
33:00 | Octo | 8 parts | RUS 555169/ | Studio ES Milano | 2007 | Firenze | 1 | ||||||
| 19351 | Giuseppe | Giuliano | Fragment Faust II | 1990 | Zuspiel, live-elec, 2 perf | 17:10 | Mez, fl [Mezzo, Flöte] | Galizia, Pierre-Yves Artaud | PAN 3035/ | Studio ES Milano | 1 | ||||||||
| 19350 | Giuseppe | Giuliano | Fragment UrFaust | 1990 | Zuspiel, live-elec, 2 perf | 17:15 | B, b-fl [Bass, Flöte] | Isherwood, Pierre-Yves Artaud | PAN 3035/ | Studio ES Milano | 1 | ||||||||
| 5866 | Giuseppe | Giuliano | Giardino metafisico | live-elec, | PAN 3048/ | MM&T Milano | 0 | ||||||||||||
| 18484 | Giuseppe | Giuliano | Immaginazione essenziale | 1986 | Zuspiel / Tonband, 1 perf | 9:40 | bn [Fagott] | IMEB Bourges | 0 | ||||||||||
| 34933 | Giuseppe | Giuliano | … infinitit … paralleli | 1995 | live-elec, 2 perf | 2 p [Piano] | RUS 555174/ | Studio ES Milano | 0 | ||||||||||
| 34937 | Giuseppe | Giuliano | J. J. l'adolescent électrique | 2015 - 2016 | fixed media, akusmatisch | also longer version with 20 sections | Studio ES Milano | 0 | |||||||||||
| 34936 | Giuseppe | Giuliano | Kientzy Route 99 | 2014 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
sax [Saxophon] | Studio ES Milano | 0 | |||||||||||
| 34935 | Giuseppe | Giuliano | …l'aurora… le dieci notti… il pari e il dispari | 1999 | fixed media, akusmatisch | Stereo | RUS 555131/ | Studio ES Milano | 0 | ||||||||||
| 19352 | Giuseppe | Giuliano | Random evocative memory | 1991 | Zuspiel, live-elec, 3 perf | 12:25 | 2 amp p {4 hands} [Piano] | Morelli, Simonacci | PAN 3035/ RUS 555174/ | Studio ES Milano | 1 | ||||||||
| 5867 | Giuseppe | Giuliano | Random S | 1993 | live-elec, 1 perf | sax [Saxophon] | PAN 3048/ | MM&T Milano | 0 | ||||||||||
| 34932 | Giuseppe | Giuliano | Tempo sospeso | 2005 | live-elec, 1 perf | p [Piano] | RUS 555174/ | Studio ES Milano | 0 | ||||||||||
| 5868 | Giuseppe | Giuliano | Wo bist du Licht | live-elec, 1 perf | fl [Flöte] | Rusty/ RUS 555019/ | MM&T Milano | 0 | |||||||||||
| 31576 | Vinicius | Giusti | Flâneur | 2011 | fixed media, akusmatisch | ≈ 10 | next_generation 5.0 | HfM Bremen | 0 | ||||||||||
| 22795 | Lutz, Malte | Gladien, Lüders | Projekt Holle | 1996 | Klangkunst, Installation | 2:23 | Sonambiente Ausstellung (1996) Katalog S.161 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 38560 | Marcus | GLAHN | Stimme des Volks | 2011 | radiophon | 12:33:00 | 0 | ||||||||||||
| 23695 | Lutz | Glandien | 1933 - Gehen oder Bleiben | 1998 | fixed media, akusmatisch | PS C. | 0 | http://www.lutzglandien.de | |||||||||||
| 23710 | Lutz | Glandien | 5 Blech.1 | 2003 | Klangkunst, Installation | Akademie der Künste Berlin, with Malte Lüders and Peter Blau | PS C. | 0 | |||||||||||
| 23712 | Lutz | Glandien | 5 Blech.4 | 2004 | live-elec, 4 perf | 2 tuba, 2 trbn, ( 5 Bleche) [Posaune, Tuba] | mit 5 elektronisch gesteuerten Blechen | PS C. | 2004 | Kultur Wirtschaft zu Triepkendorf | 0 | http://www.lutzglandien.de | |||||||
| 23693 | Lutz | Glandien | A - vorübergehend gestört | 1997 | Zuspiel / Tonband, 1 perf | turbo-Tuba [Tuba] | PS C. | 0 | http://www.lutzglandien.de | ||||||||||
| 23715 | Lutz | Glandien | Augen - Mund & Ohr | 2004 | audiovisuell, 1 perf | b-cl [Klarinette] | PS C. | 11.2004 | Klangwerkstatt Kreuzberg | 0 | http://www.lutzglandien.de | ||||||||
| 5869 | Lutz | Glandien | Aus Verstreutem ein Ganzes | 1992 | Zuspiel / Tonband, 1 perf | 12:00 | tuba [Tuba] | PS C. | 1992 | Bernau bei Berlin | 0 | http://www.lutzglandien.de | |||||||
| 23709 | Lutz | Glandien | Cumulus | 2003 | Klangkunst, Installation | Fest der Sinne Großenhain with Malte Lüders | PS C. | 0 | |||||||||||
| 5870 | Lutz | Glandien | CUT | 1988 | fixed media, akusmatisch | 11:40 | Stereo | also version with slide-projection | BFP 002292/ DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ ReR 0204/ WER 6529 DMR/ | AdK Berlin | 20.5.1988 | TIP Berlin, erste Tage für EM der DDR | Mention Rostrum 1992 Kompositionspreis beim Internationalen Forum junger Komponisten des WDR Köln |
1 | http://www.lutzglandien.de | ||||
| 23673 | Lutz | Glandien | Das Lied von der Eule Lua | 1988 | radiophon | Berliner Rundfunk | 0 | ||||||||||||
| 23684 | Lutz | Glandien | Die Nacht der Geburt | 1996 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | PS C. | 0 | |||||||||||
| 5871 | Lutz | Glandien | … die, die abgestürtzt sind | 1993 | Zuspiel / Tonband, 2 perf | 16:27 | Quadro | 2 perc [Schlagzeug] | ReRC LG1/ | AdK Berlin | Inventionen | 2.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 | http://www.lutzglandien.de | |||
| 23706 | Lutz | Glandien | Don Juan | 2001 | Musiktheater | text by Molière | PS C. | 0 | |||||||||||
| 26262 | Lutz | Glandien | E_U 15.x | 2003 | live-elec, 4 perf, 1 group | br-band, 2 V, perc [Stimme, Schlagzeug, Bläser] | Danceproject directed by Jutta Hell | PS C. | 0 | http://www.lutzglandien.de | |||||||||
| 43072 | Lutz | Glandien | Ende des Spiels | 1992 | radiophon | 43:47 | Text by Julio Cortázar | PS C. | Deutschlandsender Kultur | 0 | |||||||||
| 23701 | Lutz | Glandien | entspurt | 2000 | audiovisuell, 2 perf | 2 cl [Klarinette] | video by Veit Loop | PS C. | 2000 | Klangwerkstatt Kreuzberg | 0 | http://www.lutzglandien.de | |||||||
| 23690 | Lutz | Glandien | Entweder-Oder | 1996 | audiovisuell | video by Veit Loop | PS C. | 0 | |||||||||||
| 5873 | Lutz | Glandien | Es lebe | 1989 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | tuba [Tuba] | ReR CMCD/ WER 6529 DMR/ | AdK Berlin | 21.5.1989 | TiP Berlin bei 2. Werkstatttage; Michel Vogt (tuba) | Anerkennung beim 2nd International Rostrum Of Electroacoustic Music für die Komposition, 1990 | 1 | 1990 | http://www.lutzglandien.de | |||
| 23699 | Lutz | Glandien | Exil - Fremd unter Freunden | 1999 | fixed media, akusmatisch | Tonbandcollage | PS C. | 0 | |||||||||||
| 23713 | Lutz | Glandien | Farbtest.3 | 2004 | audiovisuell | Video by Gerd Conradt | PS C. | 0 | |||||||||||
| 23676 | Lutz | Glandien | Feuer zu Ton | 1994 | Zuspiel / Tonband, 2 perf | fl, p [Flöte, Piano] | PS C. | 1994 | Musik-Biennale Berlin | 0 | http://www.lutzglandien.de | ||||||||
| 23689 | Lutz | Glandien | Flugangst | 1996 | audiovisuell | video by Antal Lux | PS C. | 0 | |||||||||||
| 5874 | Lutz | Glandien | FOTO - Musik | 1986 | intermedia | 30:00 | Exhibition music "zeitgenössische Fotografie" im Berliner Marstall | AdK Berlin | 0 | ||||||||||
| 5875 | Lutz | Glandien | Freie Wahl | 1992 | Zuspiel / Tonband, 2 perf | 11:00 | tuba, fl [Flöte, Tuba] | PS C. | 1992 | Bernau bei Berlin | 0 | http://www.lutzglandien.de | |||||||
| 23711 | Lutz | Glandien | Girl Lilith | 2003 | audiovisuell | intermedia |
Videoinstallation by Blán Ryan, Bethanien Berlin | PS C. | 0 | |||||||||||
| 23687 | Lutz | Glandien | Hic et nunc | 1996 | audiovisuell | video by Veit Loop | PS C. | 0 | 2002 | ||||||||||
| 23681 | Lutz | Glandien | Hörspielmusiken: Das Haus Nützliche Erhebung Das Buch des Inares Sabines Baum |
1994 | radiophon | for BR, DR, HR | PS C. | 0 | |||||||||||
| 23694 | Lutz | Glandien | Hörspielmusiken: Das Restoratio-Projekt Gilgi Das Zeichen der Drei |
1997 | radiophon | for BR, NDR, ORB, SFB | PS C. | 0 | |||||||||||
| 23698 | Lutz | Glandien | Hörspielmusiken: Das Schiff Esmeralda Nach dem Regen Prinz Telemach und sein Lehrer Mentor |
1998 | radiophon | for HR, DR | PS C. | 0 | |||||||||||
| 23678 | Lutz | Glandien | Hörspielmusiken: Der König und seine Schwester Der goldene Regen |
1990 | radiophon | for SR, DR | PS C. | 0 | |||||||||||
| 23679 | Lutz | Glandien | Hörspielmusiken: Die Krone von Lydien Amadeus und Wolfgang Ada Der Waldbruder Der Fischer und seine Frau |
1992 | radiophon | for SR, DR, BR | PS C. | 0 | |||||||||||
| 23680 | Lutz | Glandien | Hörspielmusiken: Elche auf dem Müll Vera will die Wahrheit wissen Kleimann unter Männern |
1993 | radiophon | for ORB, SWR, ORB | PS C. | 0 | |||||||||||
| 23683 | Lutz | Glandien | Hörspielmusiken: Johanna von der U-Bahn Williwitt und Fischermann Die Nacht der Geburt Maßnahmen gegen den Hund |
1995 | radiophon | for OBR, DR, MDR | PS C. | 0 | |||||||||||
| 23705 | Lutz | Glandien | Hörspielmusiken: Kolja Unsterblich und reich |
2000 | radiophon | for DR, SFB | PS C. | 0 | |||||||||||
| 23692 | Lutz | Glandien | Hörspielmusiken: Nis Puk in der Luk Die fünfte Jahreszeit Rasmus der Landstreicher Wie der Löwe einen Chor gründete |
1996 | radiophon | for DR, ORB | PS C. | 0 | |||||||||||
| 23691 | Lutz | Glandien | Holle | 1996 | audiovisuell | video by Antal Lux | PS C. | 0 | |||||||||||
| 23704 | Lutz | Glandien | Körperwellen - Wellenkörper | 2000 | audiovisuell | Video by Veit Loop | PS C. | 0 | |||||||||||
| 23700 | Lutz | Glandien | L'Impero ritorna, Das Imperium kehrt zurück | 1999 | Zuspiel/Tonband, 1 perf | radiophon |
Octo | va [Viola] | PS C. | 1999 4.1.2000 |
Kryptonale Berlin RBB |
0 | http://www.lutzglandien.de | |||||||
| 23682 | Lutz | Glandien | Linie 7 | 1995 | Zuspiel / Tonband, 3 perf | V, cl, gui [Stimme, Klarinette, Gitarre] | text by Anja Tuckermann | PS C. | 0 | ||||||||||
| 23677 | Lutz | Glandien | Marie hat Geburtstag | 1994 | fixed media, akusmatisch | edel 0085132 ACA, academy/ | PS C. | 1995 | BKA Berlin | 1 | http://www.lutzglandien.de | ||||||||
| 23714 | Lutz | Glandien | Octagon | 2004 | Klangkunst, Installation | Videoinstallation in Potsdam, together with Malte Lüders and Peter Blau | PS C. | Festival Intersonanzen 2004 | 2004 | Festival Intersonanzen Potsdam | 0 | http://www.neue-musik-brandenburg.de/ | |||||||
| 5876 | Lutz | Glandien | Raum für T. | 1990 | live-elec, 1 perf | Stereo | tuba [Tuba] | Experimentalstudio für Akustische Kunst Freiburg | 1990 | Berlin | 0 | http://www.lutzglandien.de | |||||||
| 5877 | Lutz | Glandien | Schattenspiel | 1992 | Zuspiel / Tonband, 1 perf | 13:30 | p [Piano] | POOL 76033/ ReRC LG1/ | PS C., AdK Berlin, Radio SFB | 1994 | Berlin 1994 bei "The piano of Light" | 1 | http://www.lutzglandien.de | ||||||
| 23702 | Lutz | Glandien | Schneewittchen | 2000 | Musiktheater, 1 perf | hp [Harfe] | text by Robert Walser | PS C. | 0 | ||||||||||
| 23672 | Lutz | Glandien | Siegfried | 1988 | Musiktheater | Theaterpiece by Volker Braun | AdK Berlin | 0 | |||||||||||
| 23674 | Lutz | Glandien | Sonnenlotos | 1988 | radiophon | Berliner Rundfunk | 0 | ||||||||||||
| 23696 | Lutz | Glandien | Spring In September | 1998 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | PS C. | 1998 | Berlin | 0 | http://www.lutzglandien.de | ||||||||
| 37854 | Lutz | Glandien | Stadtlandschaften | 1988 | fixed media, akusmatisch | Performance |
mit Laser, Projektionen | AdK Berlin | 0 | |||||||||||
| 23707 | Lutz | Glandien | Stern 11 02 | 2003 | intermedia, live-elec, 1 perf, 1 group | ens, elec, (video) [elektronik, Ensemble] | Video by Markus Adrian | PS C. | 2003 | Potsdam | 0 | http://www.lutzglandien.de | |||||||
| 23670 | Lutz | Glandien | Stimmen für Klavier | 1984 | fixed media, akusmatisch | AdK Berlin | 1984 | Dresden | 0 | http://www.lutzglandien.de | |||||||||
| 5878 | Lutz | Glandien | Strange Drums | 1990 | Zuspiel / Tonband, 1 perf | 16:18 | perc [Schlagzeug] | ReRC LG1/ | AdK Berlin | 1990 | Berlin | 1 | http://www.lutzglandien.de | ||||||
| 19293 | Lutz | Glandien | Südlich von Alexandria | 1995 | Zuspiel / Tonband, 1 perf | 12:41 | cl [Klarinette] | Cybele 960.203/ DegeM CD 03/ | PS C., AdK Berlin | 1 | |||||||||
| 5879 | Lutz | Glandien | TromPose | 1992 | Zuspiel / Tonband, 2 perf | 17:00 | perc, trbn [Posaune, Schlagzeug] | AdK Berlin | 1992 | Berlin | 0 | http://www.lutzglandien.de | |||||||
| 5880 | Lutz | Glandien | Turbo mortale | 1992 | Zuspiel, live-elec, 1 perf | 20:00 | turbo-Tuba, (elec) [Tuba] | AdK Berlin | 1.1.92 | Akademie der Künste Berlin | 1 | 1992 | http://www.lutzglandien.de | ||||||
| 23686 | Lutz | Glandien | Verschollen | 1996 | fixed media, akusmatisch | für 2 Eisschollen | PS C. | 0 | http://www.lutzglandien.de | ||||||||||
| 23685 | Lutz | Glandien | Virtual Quartets | 1996 | fixed media, akusmatisch | for cl-qt on tape | PS C. | 0 | http://www.lutzglandien.de | ||||||||||
| 23688 | Lutz | Glandien | Vortex | 1996 | audiovisuell | videomusic for the installation at Sonambiente-Festival | PS C. | 0 | |||||||||||
| 5881 | Lutz | Glandien | Weiter so | 1989 | Zuspiel / Tonband, 5 perf | 13:53 | str-qnt [Streicher] | ReRC LG1/ WER 6529 DMR/ | AdK Berlin | 3.10.1983 | Dresden Hygiene-Museum; Streichquintett der Komischen Oper Berlin | 1 | http://www.lutzglandien.de | ||||||
| 5882 | Lutz | Glandien | Wir hören voneinander | 1990 | intermedia | 25:00 | Exhibition Music for Bogomil Helm | AdK Berlin | 0 | ||||||||||
| 23671 | Lutz | Glandien | Wyssozki-Musik | 1984 | Klangkunst, Installation | AdK Berlin | 1985 | Berlin | 0 | http://www.lutzglandien.de | |||||||||
| 23708 | Lutz | Glandien | Zukunft Erinnern (in memoriam Gerhard Bohner) | 2003 | Tanz | Danceproject directed by Jutta Hell | PS C. | 0 | |||||||||||
| 5872 | Lutz, Chris | Glandien, Cutler | Domestic Stories | 1992 | live-elec, 7 perf | 48:56 | perc, b-gui, Kbd, sam, V, sax, cl [Stimme, Klarinette, Saxophon, Keyboard, Gitarre, Schlagzeug, computer] | songcycle, Text by Chris Cutler | ReR LSMCD/ | AdK Berlin, PS C. | 1 | http://www.lutzglandien.de | |||||||
| 23697 | Lutz, Shelley, Chris | Glandien, Hirsch, Cutler | Radio by 3 | 1998 | intermedia | Multimediaconcert | PS C. | 0 | |||||||||||
| 23703 | Lutz, Malte | Glandien, Lüders | Körperwellen - Wellenkörper | 2000 | Klangkunst, Installation | for the Klanggalerie SFB | PS C. | 0 | |||||||||||
| 23675 | Lutz, Helmut | Glandien, Zapf | Europa | 1990 | Zuspiel / Tonband, 2 groups | ch, orc [Chor, Orchester] | 0 | ||||||||||||
| 5883 | Fredrik | Glans | Tobaksladans hemligheter | 1990/1991 | Zuspiel / Tonband, 2 perf | 45:00 | S, p [Sopran, Piano] | NOTAM | 0 | ||||||||||
| 5884 | Hugh | Glasgow | Chimes | 1964 | fixed media, akusmatisch | 2:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 28336 | Michael, Ursula | Glasmeier, Block | Broken Music | 1989 | Demo, Studie | Inventionen 1989, exhibition at daadgalerie 18.12.88 - 12.2.1989, famous catalogue. after, the Berlin exhibition went to Gemeentemuseum Den Haag and Magasin Grenoble |
0 | 1989 | |||||||||||
| 28255 | Philip | Glass | Music with Roots in the Aether, Landscape with Philip Glass (57:40) With the Fourth Grade Class, P.S. 41, New York City The Music of Philip Glass (50:57) Music in 12 Parts: Part 2 Act I Scene 1, Einstein on the Beach |
Fernsehen, 5 perf | Oper |
57:40 | org, 3 sax, V [Stimme, Saxophon, Orgel] | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. Produced and directed by Robert Ashley. Philip Makanna, Director and Camera; Maggi Payne, Audio Recordist; Jerry Pearsall, Video Recordist and Technical Director. Seven 2-hour NTSC |
DV 7702 Lovely Music/ LVHS 2/ Music with Roots in the Aether/ | 1 | http://www.lovely.com/titles/dvdroots.html | |||||||||
| 40183 | Philip | Glass | Strung Out | 2016 | fixed media, akusmatisch | Philip Glass | 0 | ||||||||||||
| 5886 | Stanley | Glasser | Serenade | 1974 | live-elec, 12 perf | Stereo | p, 10 ins, synt [Piano, Instrument, synthesizer] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 5885 | Stanley, Hugh | Glasser, Davies | Coromantee | 1970/1971 | Theatermusik | 5:00 | Stereo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 21898 | Bartek | Gliniak | Hyperis | 1996 | fixed media, akusmatisch | 9:50 | IMEB Bourges | 0 | http://www.bartekgliniak.pl/ | ||||||||||
| 22131 | Bartek | Gliniak | Muzik-A Capriccio? | 2000 | Zuspiel / Tonband, 1 group | 13:58 | Stereo | ch [Chor] | ExpSt Warsaw | 0 | http://www.bartekgliniak.pl/ | ||||||||
| 22130 | Bartek | Gliniak | Retro El-Sonobis | 1997 | fixed media, akusmatisch | 11:23 | Stereo | ExpSt Warsaw | 0 | http://www.bartekgliniak.pl/ | |||||||||
| 33064 | Bartlomiej | Gliniak | Retro el-sonobis | 1997 | fixed media, akusmatisch | 11:10:00 | WJ 2000/ WJ 2000/ | ExpSt Warsaw | 15.9.2000 | Warsaw | 1 | ||||||||
| 5887 | Aleksander | Glinkowski | Piesni Safony | 1967 | Zuspiel / Tonband, 1 perf, 1 group | Sp, ens [Sprecher, Ensemble] | 0 | ||||||||||||
| 5888 | Aleksander | Glinkowski | Space Music | 1974 | Zuspiel / Tonband, 4 groups | Quadro | 4 orc [Orchester] | 0 | |||||||||||
| 5889 | Aleksander | Glinkowski | Stasis | 1973 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 34983 | Vinko | Globokar | Airs de voyages vers l'intérieur | 1978 | live-elec, 10 perf | 23 | 8 V and perf, cl, trbn (all amp) [Stimme, Klarinette, Posaune, Performer] | pour huit voix, clarinette, trombone et électronique. Dedicated to Tatjana |
IRCAM | Edition Peters | 0 | ||||||||
| 34981 | Vinko | Globokar | Blinde Zeit | 1993 | Zuspiel / Tonband, 7 perf | 26 | fl, tpt, perc, p, vn, va, vc [Flöte, Trompete, Piano, Schlagzeug, Viola, Cello, Violine] | pour sept instrumentistes et bande magnétique | IRCAM | 10.5.1994 | France, Brest, par l'Ensemble Sillages, direction : Vinko Globokar | Ricordi Paris | 0 | ||||||
| 34984 | Vinko | Globokar | Carroussel | 1976 - 1977 | live-elec, 4 perf, 2 groups | 40 | 4 V, ens, actors [Stimme, Schauspieler, Ensemble] | pour quatre chanteurs, seize instruments et acteurs | IRCAM | 11.5.1977 | Zagreb Biennale; Musique Vivante | Edition Peters | 0 | ||||||
| 34974 | Vinko | Globokar | Contrepoint barbare | 1996 | Zuspiel / Tonband, 3 perf | 18 | vn, vc, acc [Akkordeon, Cello, Violine] | dedicated to Heike Hoffmann | IRCAM | GRAME | 16.5.1997 | Paris, Théâtre de la Ville, par le trio Allers et retours : Noëmi Schindler : violon, Christophe Roy : violoncelle, Pascal Contet : accordéon. | Ricordi Paris | 0 | |||||
| 34968 | Vinko | Globokar | Der Engel der Geschichte, Zerrfall Mars Hoffnung |
2000 - 2004 | Zuspiel, live-elec, 1 perf, 2 groups | 2 orc, (live-elec), sam [computer, Orchester] | 0 | ||||||||||||
| 34969 | Vinko | Globokar | Dialog über Wasser | 1994 | live-elec, 1 perf | 10 | e-gui [Gitarre] | 26.3.1994 | Köln (Michael Schröder) | Ricordi Paris | 0 | ||||||||
| 5890 | Vinko | Globokar | Discours 3 | 1969 | Zuspiel / Tonband, 5 perf | 17:00 | Stereo | 5 ob or ob (4 ob on tape) [Oboe] | 5 ob or 1 solo-ob + 4 ob on tape | INA • GRM | 7.11.1970 11.2.1971 |
Hamburgische Oper, Heinz Holliger (ob) Paris, Espace Cardin (Cinq journées rencontres 1971) |
0 | ||||||
| 35027 | Vinko | Globokar | Discours II | 1967/1968 | Zuspiel / Tonband, 1 perf | trbn (or 5 trbn) [Posaune] | 0 | ||||||||||||
| 5891 | Vinko | Globokar | Drama | 1971/1986 | live-elec, 2 perf | p, perc [Piano, Schlagzeug] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 37420 | Vinko | Globokar | Fluide | 1967 | Zuspiel / Tonband, 1 group | ens [Ensemble] | IRCAM | 0 | |||||||||||
| 34985 | Vinko | Globokar | Hallo! Do you hear me | 1986 | Zuspiel / Tonband, 3 groups | 32 | mix ch, jazz-ens, orc [Ensemble, Chor, Orchester] | pour chœur mixte, quintette de jazz, orchestre et bande playback | IRCAM | 9.3.1987 | transmission simultanée à la radio à Elsinki, Stockholm et Oslo. | Ricordi Paris | 0 | ||||||
| 32772 | Vinko | Globokar | Introspection d’un tubiste | 1983 | Performance, Zuspiel, live-elec, 1 perf | 25 | tuba [Tuba] | mt Bühnenaktionen und Beleuchtung | 25.7.1983 | Avignon, Festival | Ricordi Paris | 0 | |||||||
| 34975 | Vinko | Globokar | Kaktus unter Strom | 1999 | Zuspiel, live-elec, 3 perf | 38 | ob, hn, db [Oboe, Horn, Kontrabass] | IRCAM | 21.1.2000 | ZKM Karlsruhe | Ricordi Paris | 0 | |||||||
| 25908 | Vinko | Globokar | Kartomlin Croisé | 2001 | live-elec, 1 perf | 9:05 | Stereo | amp vn (elec) [Violine] | Lenka Zupkova (vn) | WER ARTS 8115/ | Ricordi Paris | 1 | |||||||
| 34976 | Vinko | Globokar | Koexistenz | 1976 | live-elec, 2 perf | 18 | 2 vc [Cello] | dedicated to Klaus Heitz | IRCAM | Edition Peters | 0 | ||||||||
| 23052 | Vinko | Globokar | Kolo | 1988 | live-elec, 1 perf, 1 group | 25 | trbn, ch (12 S, 12 A, 12 T, 12 B), (synt) [Posaune, Chor] | WDR 1988 | 27.11.1988 | WDR Köln „Musik der Zeit“ | 0 | ||||||||
| 5892 | Vinko | Globokar | Laboratorium 73 | 1973 - 1985 | live-elec, 10 perf | 51 | Stereo | 10 ins [Instrument] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 34967 | Vinko | Globokar | Les Émigrés, Miserere Réalités / Augenblicke Sternbild der Grenzen |
1982 - 1986 | Theater, 55 perf | 80 | 5 Sp, S, A, T, Bar, B, 3 fl, 2 ob, 2 cl, 2 bn, 3 sax, hn, 3 tpt, 2 trbn, tuba, perc, e-gui, MIDI-p, 14 vn, 5 va, 2 vc, 3 db, (Film- and Slideprojection) [Sopran, Alt, Tenor, Bariton, Bass, Sprecher, Flöte, Klarinette, Oboe, Saxophon, Fagott, Horn, Trompete, Posaune, Tuba, Gitarre, Schlagzeug] | Titres des parties 1. Miserere (1982) pour 5 narrateurs, trio Jazz et orchestre.Premiere 27.11.1982 WDR Köln; duration 45 min 2. Réalités / Augenblicke (1984), pour cinq chanteurs, bande magnétique, film et projection de diapositives. Duration 25 min 3. Sternbild der Grenze (1985), Premiere 21.11.1985 Metz; duration 35 min |
IRCAM | 4.5.1990 | France, Radio-France, Musiques en Perspective, par l'Ensemble Musique Vivante. | Ricordi Paris | 0 | http://unitedberlin.de/emigres/Globokar-Les-Emigres.pdf | |||||
| 34982 | Vinko | Globokar | Les otages | 2003 | live-elec, 1 perf, 1 group | 30 | orc, sam [computer, Orchester] | 0 | |||||||||||
| 34977 | Vinko | Globokar | Métamorphoses parallèles | 2004 - 2005 | live-elec, 2 perf | 18 | va, p [Piano, Viola] | pour alto, piano, instruments auxiliaires et électronique live | IRCAM | Ricordi München | 0 | ||||||||
| 34986 | Vinko | Globokar | Nous pensons que | 1998 | Zuspiel / Tonband, 6 perf | 25 | S, cl, vc, p, synt, perc [Sopran, Klarinette, Piano, Schlagzeug, Cello, synthesizer] | IRCAM | 16.12.1998 | Paris, Théâtre Danois | Ricordi München | 0 | |||||||
| 34970 | Vinko | Globokar | Ombre | 1989 | Zuspiel / Tonband, 1 perf | 10 | V and perc [Stimme, Schlagzeug] | pour percussionniste chanteur, Zuspielband et boîte à rythme | IRCAM | 27.5.1989 | „Music today“ festival Tokyo | Ricordi Paris | 0 | ||||||
| 34971 | Vinko | Globokar | Pre-occupation | 1980 | Zuspiel / Tonband, 1 perf | 17 | org [Orgel] | dedicated to / à Johannes Sebastian, Xavier et Zsygmond | IRCAM | 16.5.1980 | Musica Viva München | Ricordi Paris | 0 | ||||||
| 34972 | Vinko | Globokar | Prestop I | 1991 | live-elec, 1 perf | 16 | cl [Klarinette] | IRCAM | 27.7.1991 | Viitasaari Finland | Ricordi Paris | 0 | |||||||
| 34973 | Vinko | Globokar | Prestop II | 1991 | live-elec, 1 perf | 16 | trbn [Posaune] | IRCAM | 6.6.1991 | Ljubljana, Slovenia | Ricordi Paris | 0 | |||||||
| 34987 | Vinko | Globokar | Radiographie d’un Roman | 2010 | live-elec, 10 perf, 2 groups | 45 | B, S, Mez, A, T, Bar, Sp, acc, perc, ch, orc, MIDI p [Sopran, Alt, Mezzo, Tenor, Bariton, Bass, Sprecher, Piano, Akkordeon, Schlagzeug, Chor, Orchester] | pour sept voix solistes, accordéon, percussion, chœur et grand ensemble | Experimentalstudio für Akustische Kunst Freiburg | SWR Donaueschingen | 15.10.2010 | Allemagne, Donaueschingen, festival, par Jean-Pierre Drouet : percussion, Luka Juhart : accordéon, Jeremias Schwarzer : flûte à bec, ensemble vocal de la SWR Stuttgart, orchestre symphonique de la SWR Baden-Baden et Freiburg, direction : Rupert Huber | Ricordi München | 0 | |||||
| 34978 | Vinko | Globokar | Rêve énigmatique n° 135 | 2006 - 2007 | live-elec, 6 perf | 16 | 4 gui, 2 sam [Gitarre, computer] | pour quatuor de guitares, deux samplers et accessoires | IRCAM | 18.3.2007 | Berlin | Ricordi | 0 | ||||||
| 34979 | Vinko | Globokar | Skelet | 1995 | live-elec, 4 perf | 20 | 4 mus (fl, vn, trbn ; p, acc, var ; perc ; ins, V) [Musiker] | pour quatre musiciens et processeur de sons | IRCAM | 9.9.1995 | Ghent (Belgium) | Ricordi Paris | 0 | ||||||
| 34980 | Vinko | Globokar | Terres brûlées, ensuite… | 1998 | Zuspiel / Tonband, 3 perf | 30 | p, sax (s-sax, a-sax, bar-sax), perc [Saxophon, Piano, Schlagzeug] | trio pour piano, saxophone, percussion et bande son | IRCAM | 4.11.1999 | Bremen | Ricordi Paris | 0 | ||||||
| 5893 | Vinko, David, Andrew, René | Globokar, Wessel, Gerzso, Caussé | To whom it may concern | 1979 | Zuspiel / Tonband, 5 perf | 33:00 | fl, cl, trbn, tuba, va [Flöte, Klarinette, Posaune, Tuba, Viola] | IRCAM | Fondation Gulbenkian | 14.11.1979 | Metz; théatre municipal, festival de Metz, par l'Ensemble intercontemporain, direction : Vinko Globokar | 0 | |||||||
| 5894 | Liviu | Glodeanu | Melopea | 1971 | Zuspiel / Tonband, 3 perf | fl, cl, vn [Flöte, Klarinette, Violine] | EM ?? | 0 | |||||||||||
| 42335 | Sara | Glojnarić | Artefacts | 2018 | audiovisuell, live-elec, 7 perf | 6 V, elec (Video) [Stimme, elektronik] | 19.01.2019 | Ultraschall Berlin Radialsystem V, Neue Vocalsolisten | 0 | ||||||||||
| 5895 | Martin | Glover | Arabesque | 1986 | fixed media, akusmatisch | 3:00 | Stereo | Uni Southampton | 0 | ||||||||||
| 25909 | Katarzyna | Glowicka | Exospheres | 2006 | fixed media, akusmatisch | 7:20 | Octo | SARC Belfast | 1 | ||||||||||
| 30755 | Katarzyna | Glowicka | Presence | 2007 | fixed media, akusmatisch | 17:18 | BR ES08 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | ||||||||||
| 5896 | Peter | Glushanok | Balinese Babe | 1959 | fixed media, akusmatisch | 3:00 | Mono | PS C. NY | 0 | ||||||||||
| 5897 | Peter | Glushanok | Dirge for Flip | 1965 | fixed media, akusmatisch | 5:00 | Stereo | PS C. NY | 0 | ||||||||||
| 5898 | Peter | Glushanok | Hapless Astronaut | 1964 | fixed media, akusmatisch | 5:00 | Stereo | PS C. NY | 0 | ||||||||||
| 5899 | Peter | Glushanok | In the Cavern | 1963 | Theatermusik | Stereo | PS C. NY | 0 | |||||||||||
| 5900 | Peter | Glushanok | Study 2, 3 | 1962 | fixed media, akusmatisch | 7:00 | Stereo | PS C. NY | 0 | ||||||||||
| 5901 | Peter | Glushanok | The Ark | 1960 | fixed media, akusmatisch | 5:30 | Stereo | PS C. NY | 0 | ||||||||||
| 5902 | Peter | Glushanok | The Buay | 1959 | fixed media, akusmatisch | 4:00 | Mono | PS C. NY | 0 | ||||||||||
| 5903 | Peter | Glushanok | Traveler 3 | 1963 | fixed media, akusmatisch | 7:00 | Stereo | PS C. NY | 0 | ||||||||||
| 5904 | Peter | Glushanok | Winged Fugitive | 1965 | fixed media, akusmatisch | 6:30 | Stereo | PS C. NY | 0 | ||||||||||
| 5905 | Group | GMEM | Instabile | 1971 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | p [Piano] | Bertolina, Boeuf, Calon, Diennet, Fremiot, Redolfi, Royon Le Mee | GMEM Marseille | 0 | ||||||||
| 5906 | Group | GMEM | La Mer | 1979 | Musiktheater | 75:00 | Stereo | Bertolina, Boeuf, Calon, Diennet, Fremiot, Redolfi, Royon Le Mee | GMEM Marseille | 0 | |||||||||
| 5907 | Group, Lucien, Georges, Christian, Jacques, Marcel, Michel, Frank | GMEM, Bertolina, Boeuf, Calon, Diennet, Frémiot, Redolfi, Royon Le Mée | Marria-Conda | 1973 | Musiktheater | 20:00 | Stereo | Bertolina, Boeuf, Calon, Diennet, Fremiot, Redolfi, Royon Le Mee | GMEM Marseille | 0 | |||||||||
| 5908 | Anthony | Gnazzo | As I See It | 1966 | fixed media, akusmatisch | 30:08 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 5909 | Anthony | Gnazzo | … but don't step on my blue suede bandoneon | 1966 | live-elec, 1 perf | 35:00 | multichannel | e-ins [synthesizer] | PS C. NY | 0 | |||||||||
| 5910 | Anthony | Gnazzo | Collage | 1964 | fixed media, akusmatisch | 5:34 | Stereo | Uni Waltham | 0 | ||||||||||
| 5911 | Anthony | Gnazzo | Films of Hal Sheftel | 1966 | Film | 22:15 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 5912 | Anthony | Gnazzo | In the World | 1966 | live-elec, 1 perf | 18:00 | multichannel | e-ins [synthesizer] | PS C. NY | 0 | |||||||||
| 5913 | Anthony | Gnazzo | Long Distances | 1966 | live-elec, 1 perf | 6:27 | multichannel | e-ins [synthesizer] | PS C. NY | 0 | |||||||||
| 5914 | Anthony | Gnazzo | Mix #1, 2 | 1964 | fixed media, akusmatisch | 5:52 | Stereo | Uni Waltham | 0 | ||||||||||
| 5915 | Anthony | Gnazzo | Music for Brass with Electronic Sounds | 1965 | fixed media, akusmatisch | 6:09 | Stereo | Uni Waltham | 0 | ||||||||||
| 5916 | Anthony | Gnazzo | Music for one or more dancers | 1965 | Tanz | 7:09 | Stereo | Uni Toronto | 0 | ||||||||||
| 5917 | Anthony | Gnazzo | Music for Stanley Vanderbeek | 1966 | fixed media, akusmatisch | 18:233 | Mono | Uni Waltham | 0 | ||||||||||
| 5918 | Anthony | Gnazzo | Music for two pianos and electronic sounds | 1964 | Zuspiel / Tonband, 2 perf | 12:47 | Stereo | 2 p [Piano] | UTEMS Toronto | 0 | |||||||||
| 5919 | Anthony | Gnazzo | Smoothing off the edges … | 1965 | fixed media, akusmatisch | 10:09 | Stereo | Uni Waltham | 0 | ||||||||||
| 5920 | Anthony | Gnazzo | Space and motion study for dancer #1 | 1965 | Tanz | 4:17 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 5921 | Anthony | Gnazzo | Space and motion study for dancer #2 | 1965 | Tanz | 3:56 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 5922 | Anthony | Gnazzo | Space and motion study for dancer #3 | 1965 | Tanz | 4:28 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 5923 | Anthony | Gnazzo | The Jagged Edges of Abruption | 1964 | fixed media, akusmatisch | 4:05 | Stereo | Uni Waltham | 0 | ||||||||||
| 5924 | Anthony | Gnazzo | Video Not To Be | 1966 | Film | 8:13 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 5925 | Gilles | Gobeil | Associations libres | 1990 | Zuspiel / Tonband, 1 perf | 3:01 | Stereo | e-gui [Gitarre] | revised mix: La mécanique des ruptures | IMED 9421/ IMED 9004/ IMED 9604/ IMED 0050/ | Studio Ondes Montreal | René Lussier with the assistance of the Canada Council | 2.11.1990 | Les Loges theater | 1 | ||||
| 31896 | Gilles | Gobeil | Bol-Hydre | 2011 | fixed media, akusmatisch | 10:10 | Stereo | IMED 15134/ | PS C. | Productions Totem contemporaine (Jean-François Laporte) with the support of the Canada Council of the Arts. | June 5, 2011 | Les totems électriques III, Studio multimédia — Conservatoire (Montréal, Québec) | 2nd prize 2012 Phonos Foundation (Spain) Musiques & Recherches (Belgium) 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2012 |
1 | |||||
| 26233 | Gilles | Gobeil | castalie | 2008 | fixed media, akusmatisch | 10:35 | Octo + Octo + Octo + Octo, Surround 5.0, Spazialisation: WFS | Akusmonium + Klangdom + WFS | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ IMED 15134/ | PS C., TU Berlin | Inventionen 2008 | 31.7.2008 | Berlin, TU-Hauptgebäude WellenFeld | Mention Bourges 2009, catégorie œuvre d'esthétique à programme 1. prize at „Black & White“ Porto (Portigal) |
1 | 2008 | http://www.electrocd.com/bio.e/gobeil_gi.html | ||
| 20280 | Gilles | Gobeil | Derriére la porte la plus éloignée… | 1998 | fixed media, akusmatisch | 12:00 | Stereo | IMED 0155/ | PS C. | Arturo Parra | 15.05.1998 | finalist at the 1er Concurso Internacional de Creación Electroacústica Ciber@RT (Valencia, Spain, 1999) and was awarded a Mention at the 26th Bourges International Electroacoustic Music Competition (France, 1999) | 1 | ||||||
| 31897 | Gilles | Gobeil | Des temps oubliés, Of Times Forgotten | 2012 | fixed media, akusmatisch | 12:33 | Stereo, Spazialisation: Klangdom | acousmatic music | IMED 15134/ | INA • GRM | INA-GRM with the support of the Conseil des arts et lettres du Québec (CALQ). | January 26, 2013 | Akousma — GRM, Auditorium Saint-Germain — Maison des pratiques artistiques amateurs (Paris, France) | Honorary Mention at the Monaco International Electroacoustic Composition Competition (CICEM, 2014) | 1 | ||||
| 24783 | Gilles | Gobeil | Éclats de perle, Trilogie d'Ondes | 2002 | Zuspiel, live-elec, 1 perf | 12:40 | Stereo | oma [synthesizer] | shorter version of "La perle et l’oubli" | MR 2002 Métamorphoses 2002/ | PS C. | Métamorphoses 2002 | 1 | 2008 | |||||
| 2008 | |||||||||||||||||||
| 2008 | |||||||||||||||||||
| 34365 | Gilles | Gobeil | Effraction de l’oubli | 2010 | Tanz | ≈ 40 | dancer (Butoh) [Tanz] | mention in the Concurso Internacional de Composição Electroacústica Música Viva (Lisbon, Portugal 2015) | 0 | ||||||||||
| 25555 | Gilles | Gobeil | Entre les deux rives du printemps | 2006 | fixed media, akusmatisch | 18:07 | Stereo, Surround 5.1 | Part 04 of the DVD Arthaus 102174: Uli Aumüller „Im Wald“ | IMED 0892/ Arthaus 102174/ | ZKM Karlsruhe | ZKM | 8.12.2006 | ZKM Kubus | 1 | |||||
| 33815 | Gilles | Gobeil | Golem | 2013 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
10:35 | Stereo | perc [Schlagzeug] | 2 versions: with and without perc | IMED 15134/ | PS C., Miso Studio, EMS Stockholm | Rick Sacks, with support from the CCA and CALQ | March 22, 2014 | Rick Sacks, malletKAT • Rick Sacks Solo Electronic Show, The Array Space (Toronto, Ontario, Canada) | 1 | ||||
| 5927 | Gilles | Gobeil | Là où vont les nuages …, Trilogie d'Ondes | 1990 | Zuspiel, live-elec, 2 perf | 11:20 | Stereo | oma, MIDI [synthesizer] | to Suzanne Binet-Audet | IMED 9421/ ASP 0966/ IMED 0576/ | PS C. | June 5, 1991 | Perspectives CEC Electroacoustic Days at Concordia University in Montréal, played by Suzanne Binet-Audet | Finalist 1996 23rd Concours in Bourges | 1 | 2008 | |||
| 2008 | |||||||||||||||||||
| 2008 | |||||||||||||||||||
| 35590 | Gilles | Gobeil | La ou vont les nueages | 1991 | Zuspiel / Tonband, 1 perf | 11:20 | oma [synthesizer] | 0 | |||||||||||
| 24625 | Gilles | Gobeil | La perle et l’oubli, Trilogie d'Ondes | 1999 - 2002 | Zuspiel, live-elec, 2 perf | 21:17 | Stereo | oma, MIDI-ins [synthesizer] | shorter version is Éclats de perle | IMED 0576/ | PS C. | January 7, 2002 | Stadtgarten in Köln (Germany) | 1 | 2008 | http://www.electrocd.com/cat.e/imed_0576.not.html#imed_0576-0002 | |||
| 2008 | |||||||||||||||||||
| 2008 | |||||||||||||||||||
| 41980 | Gilles | Gobeil | La vie se repose | 2017 | fixed media, akusmatisch | 9:05 | dedicated to the memory of Oscar Wiggli | ZKM Karlsruhe | CALQ | 12.8.2017 | ZKM Karlsruhe Kubus | 0 | |||||||
| 5928 | Gilles | Gobeil | La ville machine | 1992 | fixed media, akusmatisch | 14:45 | with text and scenario by Lyette Limoges | CEC DISContact_1/ MW 55/ IMED 9421/ | PS C. | ACREQ | 1993 SOCAN | 1 | |||||||
| 25910 | Gilles | Gobeil | Le miroir triste | 2007 | fixed media, akusmatisch | 13:46 | Stereo, Surround 5.1 | DVD-Audio — Advanced Resolution: Surround 5.1 (MLP 9624 / 4824) + Stereo (4824) •• DVD-Video [NTSC, multi-region]: Surround 5.1 (DTS, Dolby Digital) + Stereo (4824) •• DVD-ROM: MP3 (320 kbps), AAC (320 kbps) |
IMED 0892/ | ZKM Karlsruhe | 29.11.2007 | Akousma (4), Studio Hydro - Québec | 1 | ||||||
| 5929 | Gilles | Gobeil | Le vertige inconnu | 1993 | fixed media, akusmatisch | 8:23 | Stereo | IMED 9421/ CEC DISContact_2/ FYCD 1014/ | IMEB Bourges | GMEB with the assistance of the Canada Council | 06.1993 | 23rd Bourges International Electroacoustic Music Festival (France) | prix 1 SEAA-94; 1st prize Stockholm 1994 2nd prize Prix Ars Electronica 1995 1994 World Music Days (Stockholm, Sweden) 1994 International Computer Music Conference (ICMC’94) in Danmark Competition Musica Nova Prag 1995 |
1 | |||||
| 26234 | Gilles | Gobeil | Les lointains noirs et rouges | 2008 - 2009, 2015 | fixed media, akusmatisch | 10:43 | Stereo, 5 tracks | Inventionen 2010, 31.7.2010 Elisabethkirche | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ IMED 15134/ | PS C., TU Berlin | Folkmar Hein | 25.1.2009 | Ultraschall, großer Sendesaal des rbb, 22:30h TU-Konzert | finalist at Bourges 2009 catégorie 1 mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2011 |
1 | 2010 | http://www.electrocd.com/bio.e/gobeil_gi.html | ||
| 41631 | Gilles | Gobeil | Nachtlicht | 2012 | audiovisuell | 12:30:00 | Video de Uli Aumüller | Musiques et Recherches Ohain | 0 | ||||||||||
| 5930 | Gilles | Gobeil | Nous sommes heureux de… | 1992 | fixed media, akusmatisch | 0:57 | IMED 9421/ | PS C. | 0 | ||||||||||
| 23786 | Gilles | Gobeil | Nuit Cendre | 1995 | fixed media, akusmatisch | 12:19 | Stereo | CAP 22057/ IMED 0155/ | PS C. | Codes d’accès (Montréal) and Recherches & Musiques (Ohain, Belgium) with the assistance of the Canada Council for the Arts | 27.02.1996 | Réseaux at Agora de la danse in Montréal. | Stockholm Electronics Arts Award (Stockholm, Sweden, 1997), the First Pirze and the Public Prize at the 2nd Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’97, Brazil). Presented at the World Music Days 1998 in Manchester and at the ICMC ’99 (International Computer Music Conference) in Beijing (China | 1 | 2006 | ||||
| 25911 | Gilles | Gobeil | Ombres, espaces, silences, Vol de rêve Descente au tombeau La nuit Vision |
2005 | fixed media, akusmatisch | 23:00 | Stereo, Surround 5.1 | Trois Songes DVD-Audio — Advanced Resolution: Surround 5.1 (MLP 9624 / 4824) + Stereo (4824) •• DVD-Video [NTSC, multi-region]: Surround 5.1 (DTS, Dolby Digital) + Stereo (4824) •• DVD-ROM: MP3 (320 kbps), AAC (320 kbps) |
IMED 0892/ IMED 09100 trans_canada/ | ZKM Karlsruhe | ZKM | 12.02.2005 | trans_canada, ZKM_Kubus | Honorary Mention at Ars Electronica (Linz, Austria, 2005) selection for the 32nd Bourges Competition (France) in 2005. |
1 | ||||
| 24624 | Gilles | Gobeil | Point de passage | 1997 | fixed media, akusmatisch | 11:46 | Stereo | IMED 0155/ Musica Maximalista vol. 6: III CIMESP 1999/ | PS C. | ACREQ | 1.05.1997 | Usine C in Montréal | Public Prize 3rd Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’99, Brazil); finalist at the 25th Bourges International Electroacosutic Music Competition (France, 1998) | 1 | 2000 | ||||
| 24623 | Gilles | Gobeil | Projet Proust | 1995/2001 | fixed media, akusmatisch | 13:17 | Stereo | IMED 0155/ | PS C. | Radio-Canada | 23.12.1995 | Radio-Canada | Mention at the 1st Biennial Acousmatic Composition Competition, Métamorphoses 2000 (Ohain, Belgium | 1 | |||||
| 37265 | Gilles | Gobeil | Promenade, Sous l’écorce des pierres - promenade | 2016 - 2017 | fixed media, akusmatisch | 14:21 | Stereo, Surround 5.1, Spazialisation: Klangdom | to Folkmar Hein | PS C., ZKM Karlsruhe | Folkmar Hein | 12.8.2017 | ZKM Karlsruhe Kubus | Honorable Mention at the CIME 2017 Honorable Mention MUSICA NOVA 2017 |
0 | |||||
| 5931 | Gilles | Gobeil | Rivage | 1986 | fixed media, akusmatisch | 8:44 | IMED 9421/ ACM 37 CD 1-4/ McGill MR 2001-01-2 Disc 2; McGill Studio 35th Anniversary/ | McGill Montréal | 2nd prize NEWCOMP 87, mention Russolo Varese 87, mention Bourges 88 |
1 | |||||||||
| 33816 | Gilles | Gobeil | Sibylle | 2010/2015 | fixed media, akusmatisch | 15:17 | Stereo | IMED 15134/ | PS C. | June 25, 2010, | Concert-portrait, Hochschule für Musik Franz Liszt Weimar (Weimar, Germany) | mention in the Concurso Internacional de Composição Electroacústica Música Viva (Lisbon, Portugal 2015) | 1 | ||||||
| 5932 | Gilles | Gobeil | Traces | 1985 | fixed media, akusmatisch | 6:31 | IMED 9421/ | Uni Montréal | mention Brock Uni. Tape M. Comp 85, 2nd prize Russolo Varese 88 |
1 | |||||||||
| 33818 | Gilles | Gobeil | Un cercle hors de l’arbre | 2014/2015 | fixed media, akusmatisch | 10:30 | Stereo | to Flo Menezes | PANaroma São Paulo, PS C. | Flo Menezes & Canada council for the arts | October 24, 2014 | Painel do Personagem, Instituto de Artes da Unesp (São Paulo, Brazil) | 2 prize 8. Concours de composition électroacoustique Destellos, Mar del Plata, Argentina | 1 | |||||
| 5933 | Gilles | Gobeil | Voix blanche, Trilogie d'Ondes | 1989 | Zuspiel / Tonband, 1 perf | 13:02 | Stereo | oma [synthesizer] | In memory of Serge Garant | LDC 278049/50 Cultures Electroniques 4/ IMED 9421/ IMED 0576/ | PS C. | Suzanne Binet-Audet, and produced with the assistance of the Canada Council | 18.11.1988 | Salle Claude-Champagne in Montréal | 2nd prize Bourges 89, 2nd prize Russolo Varese 89 |
1 | 2008 | ||
| 2008 | |||||||||||||||||||
| 2008 | |||||||||||||||||||
| 5926 | Gilles, Jean-François | Gobeil, Denis | Entre-vu | 1986 | intermedia | 24:00 | 3 tracks | PS C. | 0 | ||||||||||
| 24626 | Gilles, René | Gobeil, Lussier | Le contrat | 1996 - 2003 | fixed media, akusmatisch | 66:27 | Stereo | 17 parts | IMED 0372/ | PS C. | Jean-François Denis | 15. october 2003 | Montreal | 1 | |||||
| 24647 | Gilles, Arturo | Gobeil, Parra | Soledad | 1998 - 2000 | Zuspiel / Tonband, 1 perf | 12:16 | Stereo | gui [Gitarre] | with Arturo Parra (gui) | IMED 0264/ PANaroma 199013216/ | PS C. | 1 | |||||||
| 27839 | Gilles | Gobert | Chants 2 et 3 d'Avenisao | 2008 | live-elec, 6 perf | Sp, 2 S, fl, vc, p [Sopran, Sprecher, Flöte, Piano, Cello] | CRFMW Liège | 9.05.2008 | Bruxelles, Espace Senghor | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27830 | Gilles | Gobert | Pièce | 2009 | live-elec, 5 perf | 2 fem V, fl, vc, p [Stimme, Flöte, Piano, Cello] | CRFMW Liège | 19.11.2009 | Liège, festival Images sonores | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27840 | Gilles | Gobert | Pièce | 2008 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | CRFMW Liège | 15.01.2009 | Perpignan, Association Syntax | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27854 | Gilles | Gobert | Pièce | 2006 | Zuspiel / Tonband, 2 perf | vc, grand tam-tam [Schlagzeug, Cello] | CRFMW Liège | 24.11.2006 | Liège, Festival Images Sonores | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27861 | Gilles | Gobert | Pièce | 2005 | Zuspiel / Tonband, 2 perf | 2 perc [Schlagzeug] | CRFMW Liège | 25.08.2005 | Festival de Percussion de la Ville d'Arques | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27869 | Gilles | Gobert | Pièce pour arpeggione et électronique | 2004 | Zuspiel / Tonband, 1 perf | arpeggione [Cello] | CRFMW Liège | 25.03.2005 | Bruxelles, La Dolce Vita | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27747 | Gilles | Gobert | Pièce pour violon at électronique | 2004 | Zuspiel / Tonband, 1 perf | 11:07 | vn [Violine] | Izumi Okubo (vn) | wbm 168 a Electro AC Wallonie - Bruxelles/ | CRFMW Liège | 16.3.2004 | Bruxelles Festival Ars Musica | 1 | ||||||
| 27829 | Gilles | Gobert | Sept Chants d'Avenisao | 2009 | live-elec, 6 perf | Sp, 2 V, fl, vc, p [Sprecher, Stimme, Flöte, Piano, Cello] | CRFMW Liège | 27.03.2009 | Louvain-la-Neuve, Ferme du Biéreau | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 5934 | Pascal | Gobin | Choses simples | 1988 | fixed media, akusmatisch | 11:00 | Stereo | MIM Marseille | 0 | ||||||||||
| 5935 | Pascal | Gobin | Pièce | 1984 | live-elec, 3 perf | p, 2 synt [Piano, synthesizer] | 0 | ||||||||||||
| 5936 | Pascal | Gobin | Statistique De La Turbulence | 1986 | fixed media, akusmatisch | 15:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 22861 | Pascal | Gobin | What objects are the fountains of the happy strain? | 1998 | fixed media, akusmatisch | 8:52 | GMEM El 10, Project'Son/ | GMEM Marseille | 1 | ||||||||||
| 31790 | Jan Christoph | Godde | Sinusgraph Studie | 2010 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 5937 | Jerzy | Godek | UKÒAD OKRESOWY PIERWIASTKOW | 1981 | fixed media, akusmatisch | 3:02 | Quadro | SME Krakow | 0 | ||||||||||
| 5938 | Rob | Godman | Sound in space | 1992 | fixed media, akusmatisch | UPIC | 0 | ||||||||||||
| 5939 | Rob | Godman | The golden one | 1992 | Zuspiel, live-elec, 1 group | orc [Orchester] | 0 | ||||||||||||
| 5940 | Rolf Inge | Godøy | Fem for kammerensemble og lydbånd | 1991 | Zuspiel / Tonband, 4 perf | 19:00 | fl, ob, perc, p [Flöte, Oboe, Piano, Schlagzeug] | NOTAM | 0 | ||||||||||
| 5941 | Rolf Inge | Godøy | Margits Drøm | 1990 | fixed media, akusmatisch | 52:00 | NOTAM | 0 | |||||||||||
| 5942 | Rolf Inge | Godøy | Muld | 1988 | fixed media, akusmatisch | 7:16 | NOTAM | 0 | |||||||||||
| 31411 | Paul M. | Godwin | Reactions | 1999 | Zuspiel / Tonband, 1 perf | 8:00:00 | a-sax [Saxophon] | HfM Dresden | 0 | ||||||||||
| 5943 | Vitali | Godziatski | Vier Studien, Nuansi Emansipirovannii chemodan (der emanzipierte Koffer) Realisatsiya 29/1 Antifortepiano |
1964 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 42314 | Heiner | Goebbels | Apfelboeck oder die Lilie auf dem Felde | 1981 | fixed media, akusmatisch | 3:34 | text: Bertolt Brecht for synthesizer, cl, harmonium, voice, chorus |
0 | |||||||||||
| 42315 | Heiner | Goebbels | Aus drei alten Bändern | 2007 | fixed media, akusmatisch | Hörstück zum 400jährigen Jubiläum der Justus Liebig Universität Giessen | 2007 | Gießen | 0 | ||||||||||
| 42316 | Heiner | Goebbels | Autobahn | 1981 | fixed media, akusmatisch | 0:30 | 0 | ||||||||||||
| 5944 | Heiner | Goebbels | Befreiung | 1989 | live-elec, 1 perf, 1 group | 16:00 | ens, amp Sp [Sprecher, Ensemble] | konzertante Szene für sp und ens nach einem Text von Rainald Goetz ("Krieg") | ECM 1483/ | 1 | 1991 | ||||||||
| 42317 | Heiner | Goebbels | Berlin Q-damm 12.4.81 | 1981 | fixed media, akusmatisch | 5:05 | also version for ensemble | 0 | |||||||||||
| 5945 | Heiner | Goebbels | Der Mann im Fahrstuhl | 1989 | radiophon | 42:46 | Text by Heiner Müller „Der Auftrag. Erinnerung an eine Revolution“ (1979) | ECM 1369/ | HR Hessischer Rundfunk | HR Hessischer Rundfunk, Buggert | 1 | ||||||||
| 5946 | Heiner | Goebbels | Die Befreiung des Prometheus | 1985 | radiophon | 44:32 | Heiner Müller-Text | Riskant 4015/ | HR, SWR | 2. Oktober 1985 | HR, SWR | Hörspielpreis der Kriegsblinden 1986 | 1 | ||||||
| 42318 | Heiner | Goebbels | Die letzte Buche | 1982 | fixed media, akusmatisch | 2:27 | 0 | ||||||||||||
| 42319 | Heiner | Goebbels | Eraritjaritjaka, Eraritjaritjaka / Eraritjaritjaka - Museum der Sätze | 2004 | Musiktheater | sounds of a string quartet. words by Elias Canetti. |
0 | ||||||||||||
| 42320 | Heiner | Goebbels | Genko-An 12353 (Gropiusstadt 2008) | 2008 | fixed media, akusmatisch | Berlin, Germany (2008), im Rahmen von X-Wohnungen 2008 produced by H.A.U Hebbel am Ufer, Berlin | 0 | ||||||||||||
| 42321 | Heiner | Goebbels | Gruß vom Band | 2008 | fixed media, akusmatisch | Hörstück zum 20jährigen Jubiläum des Künstlerhaus Mousonturm | 0 | ||||||||||||
| 5947 | Heiner | Goebbels | Herakles 2 | 1992 | live-elec, 7 perf | 14:58 | 5 br, perc, sam [Schlagzeug, computer, Bläser] | nach H. Müller-Text "Zement" | ECM 1483/ | 1 | |||||||||
| 5948 | Heiner | Goebbels | La Jalousie | 1991 | radiophon | 18:10 | Stereo | ECM 1483/ | 1 | ||||||||||
| 42322 | Heiner | Goebbels | Mahlzeit | 1981 | fixed media, akusmatisch | 2:20 | text: Ernst Jandl | 0 | |||||||||||
| 42325 | Heiner | Goebbels | out of, a pearl river delta experience | 2009 | fixed media, akusmatisch | ensemble modern and the siemens arts program for the project "into" | 0 | ||||||||||||
| 5949 | Heiner | Goebbels | Red Run | 1988 | radiophon | 18:05 | Stereo | ECM 1483/ | 1 | ||||||||||
| 5950 | Heiner | Goebbels | Schliemanns Radio - Hörstück in 10 Protokollen | radiophon | Radio HR Frankfurt | Karl-Sczuka-Preis 1992 | 0 | ||||||||||||
| 42326 | Heiner | Goebbels | So wird der Schrecken ohne Ende langsam normales Leben | 1982 | fixed media, akusmatisch | 3:39 | 0 | ||||||||||||
| 42327 | Heiner | Goebbels | Unruhiges Requiem | 1983 | fixed media, akusmatisch | 20:18 | mit Walter Mossmann (voc, git, text) | 0 | |||||||||||
| 5951 | Heiner | Goebbels | Verkommenes Ufer | 1984 | radiophon | 17:23 | Heiner Müller-Text | Riskant 4015/ | 4. Oktober 1984 | Karl-Sczuka-Preis 1984 | 1 | ||||||||
| 42328 | Heiner | Goebbels | Wertkauf | 1981 | fixed media, akusmatisch | 2:18 | text: Johannes Beck | 0 | |||||||||||
| 42329 | Heiner | Goebbels | With a little help of wet electric | 2009 | fixed media, akusmatisch | 15 | textperformance and composition, Im Rahmen der Reihe "WOODSTOCK of political thinking" / SpielArt Festival München, UA Haus der Kunst 20.11.2009, 21.00, Dauer 15 min |
20.11.2009 | Haus der Kunst München | 0 | |||||||||
| 42324 | Heiner, Malte | Goebbels, Burba | Nachtstück II | 2002 | fixed media, akusmatisch | für Trompete & gesampelte sounds von Trompete, Alphorn, Euphonium | 2002 | Frankfurt | 0 | ||||||||||
| 5952 | Heiner, René | Goebbels, Lussier | Wolokolamsker Chaussee #1 - #5, Wolokolamsker Chaussee 1 - 5 | 1989 | radiophon | Stereo | Text by Heiner Müller | Karl-Sczuka-Preis 1990 | 0 | ||||||||||
| 42323 | Heiner, David | Goebbels, Moss | Nachtstück I | 1998 | fixed media, akusmatisch | 6:40 | mit David Moss | 1998 | Frankfurt | 0 | |||||||||
| 5953 | Johannes | Goebel | Aprés les Grands Tours | 1993 | fixed media, akusmatisch | 15:40 | Stereo | Hörstück | WER 2051 2/ zkm edition 1/ | ZKM Karlsruhe | 1 | ||||||||
| 5954 | Johannes | Goebel | Ein Traum, der den Traum auffrißt | 1976 | live-elec, 1 perf | ins [Instrument] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 5955 | Johannes | Goebel | Hallmusik | 1977 | live-elec, 1 group | Stereo | ens [Ensemble] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 5956 | Johannes | Goebel | Passage (nur ein einziger Akt) | 1982 - 1986 | Zuspiel / Tonband, 2 perf, 1 group | 50:00 | perc (mallets, microtonal), Sps [Sprecher, Schlagzeug] | CCRMA | 0 | ||||||||||
| 5957 | Johannes | Goebel | Riley Glasses Reich | 1982 | Klangkunst, Installation | accompany enviromental installation | CCRMA | 0 | |||||||||||
| 5958 | Johannes | Goebel | Rondo for Mother Goose and There is no Rose of such Virtue as is the Rose that Bears Jesu | 1982 | fixed media, akusmatisch | 7:00 | Quadro | CCRMA | 0 | ||||||||||
| 5959 | Johannes | Goebel | Tract | 1980 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 5960 | Johannes | Goebel | Vom Übersetzen über den Fluß, Of Crossing the River | 1988 | fixed media, akusmatisch | 17:45 | Stereo | WER 2023-50, Computer Music Currents 3/ | CCRMA | 1 | |||||||||
| 32155 | Group | Goem | Lokatie Stockholm | 1998 | fixed media, akusmatisch | 8:19:00 | FYCD 1017-2/ | 0 | |||||||||||
| 22369 | Daniel | Göritz | Brachinus crepitans | 2000 | audiovisuell, 1 perf | 10:30 | Octo | acc [Akkordeon] | TU Berlin, PS C. | 1 | |||||||||
| 5961 | Daniel | Göritz | Saal | 1990 | fixed media, akusmatisch | 10:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 5962 | Manfred | Göstl | Cello | 1983 | fixed media, akusmatisch | 4:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 5963 | Manfred | Göstl | Fibus | 1982 | fixed media, akusmatisch | 2:04 | Stereo | ELAK Wien | 0 | ||||||||||
| 5964 | Manfred | Göstl | Rudi | 1982 | fixed media, akusmatisch | 8:50 | Stereo | ELAK Wien | 0 | ||||||||||
| 5965 | Manfred | Göstl | Schnee von Gestern | 1983 | fixed media, akusmatisch | 3:08 | Stereo | ELAK Wien | 0 | ||||||||||
| 5966 | Lucien | Goethals | Al wie Omziet | 1968 | Fernsehen, | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 5967 | Lucien | Goethals | Babush | 1971 | Film | Mono | IPEM Gent | 0 | |||||||||||
| 31291 | Lucien | Goethals | Cadenza uit dialogos | 1963 | fixed media, akusmatisch | 5 | Quadro | IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 5969 | Lucien | Goethals | Canto General | 1985 | Zuspiel / Tonband, 1 perf | 9:00 | Sp [Sprecher] | (Pablo Neruda) | IPEM Gent | 0 | |||||||||
| 5970 | Lucien | Goethals | Cellotape | 1965 | Zuspiel / Tonband, 2 perf | 8:10 | Mono, Quadro | amp vc, amp p [Piano, Cello] | Cacophonic 5CACKLP/ ALPHA 5066-5/ IDEAMA CD 004/ | IPEM Gent | 0 | ||||||||
| 5971 | Lucien | Goethals | Contrapuntos | 1967/1972 | live-elec, | 9:45 | 3 tracks + 3 tracks + 3 tracks + 3 tracks | IDEAMA CD 003/ | IPEM Gent | 0 | |||||||||
| 5972 | Lucien | Goethals | De Tuin der Lusten | 1978 | Zuspiel / Tonband, 1 perf | 31:36 | Stereo | b-cl [Klarinette] | IPEM Gent | 0 | |||||||||
| 35633 | Lucien | Goethals | Dendrofonies | 1999 | fixed media, akusmatisch | 11:20 | 0 | ||||||||||||
| 5973 | Lucien | Goethals | Dialogos | 1963 | Zuspiel / Tonband, 13 perf | 16:00 | br-qt, str-qt, str-qt, str orc, perc [Schlagzeug, Bläser, Streicher, Orchester] | IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 5974 | Lucien | Goethals | Difonium | 1974 | Zuspiel / Tonband, 1 perf | 17:46 | Stereo | b-cl [Klarinette] | ALPHA SP 6028/ | IPEM Gent | 0 | ||||||||
| 36283 | Lucien | Goethals | Difonium | 1975 | Zuspiel / Tonband, 1 perf | 17:49 | b-cl [Klarinette] | Cacophonic 5CACKLP/ | IPEM Gent | 0 | |||||||||
| 5975 | Lucien | Goethals | Een andere Realiteit : Gilbert Swimberghe | 1972 | Film | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 5976 | Lucien | Goethals | Endomorfie I | 1963 - 1967 | Zuspiel / Tonband, 2 perf | 6:45 | Mono | va, p [Piano, Viola] | IDEAMA CD 002 / | IPEM Gent | 0 | ||||||||
| 5977 | Lucien | Goethals | Endomorfie II | 1966 | Zuspiel / Tonband, 8 perf | 6:55 | Mono + Mono | 8 w-ins [Bläser] | IDEAMA CD 002 / | IPEM Gent | 0 | ||||||||
| 5978 | Lucien | Goethals | Ensimismamientos | 1969 | Zuspiel / Tonband, 4 perf | 9:00 | Stereo | va, vc, p, bn [Fagott, Piano, Viola, Cello] | IDEAMA CD 006/ | IPEM Gent | 0 | ||||||||
| 5979 | Lucien | Goethals | Formosis | 1968 | fixed media, akusmatisch | 14:00 | Mono | IDEAMA CD 003/ | IPEM Gent | 0 | |||||||||
| 5980 | Lucien | Goethals | Fusion | 1975 | Zuspiel / Tonband, 2 perf | 13:17 | b-cl, p [Klarinette, Piano] | IPEM Gent | 0 | ||||||||||
| 5981 | Lucien | Goethals | GMEBO-Phonies | 1979 | Zuspiel / Tonband, 1 group | 20:05 | Stereo | ens [Ensemble] | IMEB Bourges | 0 | |||||||||
| 5983 | Lucien | Goethals | Het Glapion Efect | 1963 | Theatermusik | 4:00 | (J. Audiberti) | IPEM Gent | 0 | ||||||||||
| 5984 | Lucien | Goethals | Het Huilen Verleren ze niet | 1964 | Theatermusik | 5:00 | Mono | (F. Dnackaert) | IPEM Gent | 0 | |||||||||
| 5986 | Lucien | Goethals | Klankcompositie | 1970 | fixed media, akusmatisch | 14:00 | Mono | IPEM Gent | 0 | ||||||||||
| 5987 | Lucien | Goethals | Les Poissons | 1963 | Film | 27:00 | Mono | IPEM Gent | 0 | ||||||||||
| 5988 | Lucien | Goethals | Meliorbis | 1973 | live-elec, | 12:22 | 14 Tracks | ALPHA SP 6015/ | IPEM Gent | 0 | |||||||||
| 5989 | Lucien | Goethals | Met Stenen | 1968 | Film | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 5990 | Lucien | Goethals | Motet | 1969 | intermedia | Mono | (H. Claus) | IPEM Gent | 0 | ||||||||||
| 5991 | Lucien | Goethals | Muziek bij een beeld van Pol Spilliaert | 1974 | Film | 15:00 | Mono | IPEM Gent | 0 | ||||||||||
| 5992 | Lucien | Goethals | Muziek bij sculpturen van Paul van Gijseghem | 1969 | Hintergrundmusik | Mono | IPEM Gent | 0 | |||||||||||
| 5993 | Lucien | Goethals | Muziek voor Roger Ravel | 1974 | Hintergrundmusik | 18:00 | IPEM Gent | 0 | |||||||||||
| 5994 | Lucien | Goethals | Pegasus | 1973 | Film | Mono | IPEM Gent | 0 | |||||||||||
| 5995 | Lucien | Goethals | Pluriversum | 1977 | fixed media, akusmatisch | 19:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5996 | Lucien | Goethals | Polyfonium | 1975 | fixed media, akusmatisch | 10:00-12:00 | Stereo + Quadro | IPEM Gent | 0 | ||||||||||
| 5997 | Lucien | Goethals | Polyfonium II '80 | 1980 | fixed media, akusmatisch | 10:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5998 | Lucien | Goethals | Reinaert de Vos | 1963 | Film | 8:00 | Mono | Freilichtspiel | IPEM Gent | 0 | |||||||||
| 5999 | Lucien | Goethals | Rituel | 1980 | Zuspiel / Tonband, 2 perf | 22:55 | Stereo | tsjeng, perc [Schlagzeug] | IPEM Gent | 0 | |||||||||
| 6000 | Lucien | Goethals | Riviera | 1966 | fixed media, akusmatisch | 3:05 | Mono | (P. de Vree) | IPEM Gent | 0 | |||||||||
| 6001 | Lucien | Goethals | Seven Haikus, Zeven Haikoes | 1963/1974 | Zuspiel / Tonband, 1 perf | ≈ 12:00 | Stereo | V [Stimme] | (G. Gils) | IDEAMA CD 003/ | IPEM Gent | 0 | |||||||
| 6002 | Lucien | Goethals | Sinfonia en Gris Mayor | 1966 | Zuspiel / Tonband, 4 groups | 13:15 | Stereo + Stereo | 2 orc, 2 perc-group [Schlagzeug, Orchester] | IDEAMA CD 004/ | IPEM Gent | 0 | ||||||||
| 6003 | Lucien | Goethals | Sirene | 1967 | Film | Mono | IPEM Gent | 0 | |||||||||||
| 6004 | Lucien | Goethals | Sonata | 1979 | Zuspiel / Tonband, 1 perf | 18:26 | Stereo | db [Kontrabass] | IPEM Gent | 0 | |||||||||
| 6005 | Lucien | Goethals | Sonoor Portret van JeanBilquin | 1974 | fixed media, akusmatisch | 24:55 | Stereo | IPEM Gent | 0 | ||||||||||
| 6006 | Lucien | Goethals | Speelmeisje | 1968 | Fernsehen, | Mono | IPEM Gent | 0 | |||||||||||
| 6007 | Lucien | Goethals | Studie I, met drie ritmes | 1962 | fixed media, akusmatisch | 5:20 | Stereo, Quadro | ALPHA SP 6015/ IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 6008 | Lucien | Goethals | Studie II, met impulsen | 1962 | fixed media, akusmatisch | 4:20 | Stereo, Quadro | IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 6009 | Lucien | Goethals | Studie III, met ruis en sinustonen | 1962 | fixed media, akusmatisch | 5:20 | Mono, Quadro | IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 6010 | Lucien | Goethals | Studie IV | 1962 | fixed media, akusmatisch | 4:00 | IPEM Gent | 0 | |||||||||||
| 6011 | Lucien | Goethals | Studie V | 1963 | fixed media, akusmatisch | 6:07 | Stereo, Quadro | ALPHA SP 6028/ IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 6012 | Lucien | Goethals | Studie VI, met kwarttonen | 1969 | fixed media, akusmatisch | 11:10 | Stereo | IDEAMA CD 003/ | IPEM Gent | 0 | |||||||||
| 6013 | Lucien | Goethals | Studie VII b | 1973 | fixed media, akusmatisch | 7:18 | Stereo | ALPHA SP 6015/ Cacophonic 5CACKLP/ | IPEM Gent | 0 | |||||||||
| 18485 | Lucien | Goethals | Suite | 1979 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | db [Kontrabass] | IMEB Bourges | 0 | |||||||||
| 6014 | Lucien | Goethals | Suma | 1971 | Zuspiel / Tonband, 1 perf | ≈ 5:00 | Stereo | impro ins [Instrument] | IPEM Gent | 0 | |||||||||
| 6015 | Lucien | Goethals | The Emigrant | 1969 | Film | Mono | IPEM Gent | 0 | |||||||||||
| 6016 | Lucien | Goethals | To speak or not to speak | 1970 | Film | Mono | IPEM Gent | 0 | |||||||||||
| 6017 | Lucien | Goethals | Tres Momentos Musicales | 1979 | Zuspiel / Tonband, | 14:55 | Stereo | IPEM Gent | 0 | ||||||||||
| 6018 | Lucien | Goethals | Vensters, signalen diapositieven visie 1 en 2 | 1967 | intermedia | ≈ 19:00 | 3 tracks, Quadro | filmprojectors | IDEAMA CD 003/ | IPEM Gent | 0 | ||||||||
| 6019 | Lucien | Goethals | Vensters | 1967 | audiovisuell | ≈ 19:00 | Stereo | vc, p, perc, slides [Piano, Schlagzeug, Cello] | (J. van der Hoeven) | IDEAMA CD 003/ | IPEM Gent | 0 | |||||||
| 43085 | Lucien | Goethals | Vijf orkestgroepen en geluidsband | 1963 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | IPEM Gent | 0 | ||||||||||
| 6020 | Lucien | Goethals | Visie | 1969 | Hintergrundmusik | 20:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5968 | Lucien, Louis de | Goethals, Meester | Biedermann en de Brandstichters | 1965 | Theatermusik | 12:00 | Mono | (M. Frisch) | IPEM Gent | 0 | |||||||||
| 5985 | Lucien, Louis de | Goethals, Meester | Het Huwelijk van Mister Missisippi | 1966 | Theatermusik | 30:00 | (F. Dürrenmatt) | IPEM Gent | 0 | ||||||||||
| 5982 | Lucien, Hermann | Goethals, Sabbe | " HE . . . ! " | 1971 | intermedia, live-elec, 1 perf, 1 group | ≈ 75:00 | Mono + Stereo | ins, actors [Instrument, Schauspieler] | projectors | IPEM Gent | 0 | ||||||||
| 6021 | Helmut | Götzinger | Fragmente | 1980 | fixed media, akusmatisch | 28:00 | ICEM Essen | 0 | |||||||||||
| 37522 | Helmut | Götzinger | Szenenmusik zu 'Diskolog', Diskolog | 1980 | radiophon | Stereo | Saiteninstrumente, Musikzitate | ICEM Essen | 0 | ||||||||||
| 37491 | Helmut | Götzinger | und immer noch Atem zu kriegen warum nur | 1982 | fixed media, akusmatisch | ? 60 | Sprachstück | ICEM Essen | 0 | ||||||||||
| 37859 | Helmut | Götzinger | Vivian | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | ||||||||||||
| 6022 | Karel | Goeyvaerts | Al naar Gelang | 1970/1971 | Zuspiel / Tonband, 1 group | ≈ 18:00 | Stereo | chamber-orc [Orchester] | IPEM Gent | 0 | |||||||||
| 22769 | Karel | Goeyvaerts | Glissandi | 1953 | fixed media, akusmatisch | WDR SEM | 1 | ||||||||||||
| 6024 | Karel | Goeyvaerts | Komposition Nr. 4, mit toten Tönen | 1952 | fixed media, akusmatisch | 5:00 | Mono | BVHAAST 9106/ IDEAMA CD 004/ | WDR SEM | 1 | |||||||||
| 6025 | Karel | Goeyvaerts | Komposition Nr. 5 Compositie Nr. 5, Komposition Nr. 5 mit reinen Tönen Kompositie 5 met zuivere tonen |
1953 | fixed media, akusmatisch | 2:32 | Mono | first Sinus-composition | BVHAAST 9106/ IDEAMA CD 097/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | 2008 | |||||
| 6026 | Karel | Goeyvaerts | Komposition Nr. 6 met 180 Klangvoorwerpen, Kompositie 6 met 180 klankvoorwerpen Kompositie Nr. 6 met 180 Klangvoorwerpen |
1954 | fixed media, akusmatisch | Mono | BVHAAST 9106/ IDEAMA CD 004/ | IPEM Gent | 0 | ||||||||||
| 6027 | Karel | Goeyvaerts | Komposition Nr. 7 Compositie Nr.7 met convergerende en divergerende niveaus, mit konvergierenden und divergierenden Klangniveaus |
1955 | fixed media, akusmatisch | 1:29 | Mono | Glissandos | BVHAAST 9106/ CDCD 5067/ IDEAMA CD 097/ | WDR SEM | WDR | ohne Nachweis? | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln? | 1 | |||||
| 6028 | Karel | Goeyvaerts | Koninklijke Vuurwerkmuziek | 1975 | fixed media, akusmatisch | 34:50 | IPEM Gent | 0 | |||||||||||
| 6029 | Karel | Goeyvaerts | Litanie V, Litanie 5 | 1982 | Zuspiel / Tonband, 1 perf | 15-25 | hpd [Cembalo] | IPEM Gent | 0 | ||||||||||
| 6030 | Karel | Goeyvaerts | Nachklänge aus dem Theater I | 1972 | fixed media, akusmatisch | 5:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 6031 | Karel | Goeyvaerts | Nachklänge aus dem Theater II | 1972 | fixed media, akusmatisch | 8:50 | Stereo | IPEM Gent | 0 | ||||||||||
| 6032 | Karel | Goeyvaerts | Op achte paarden wedden | 1973 | live-elec, | 26:30 | Octo | ALPHA SP 6015/ | IPEM Gent | 0 | |||||||||
| 6034 | Karel | Goeyvaerts | Pianokwartet | 1972 | Zuspiel / Tonband, 4 perf | 10:00-30:00 10:30 | vn, va, vc, p [Piano, Viola, Cello, Violine] | 0 | |||||||||||
| 6035 | Karel | Goeyvaerts | Stuk voor piano | 1964 | Zuspiel / Tonband, 1 perf | 6:00 | Mono | p [Piano] | IDEAMA CD 004/ | IPEM Gent | 0 | ||||||||
| 6023 | Karel, Joris de | Goeyvaerts, Laet | Anthropornitosfeer | 1974 | fixed media, akusmatisch | intermedia |
27:00 | Stereo | open air concert | IPEM Gent, SEM Antwerpen | 0 | |||||||||
| 6033 | Karel, Joris de | Goeyvaerts, Laet | Partiduur 12345 | 1974 | Performance | 29:40 | Stereo + Stereo | also : score 1, 2, 4, 5 | IPEM Gent | 0 | |||||||||
| 40106 | Michael | Gogins | Black Mountain | 2017 | fixed media, akusmatisch | Michael Gogins | 0 | ||||||||||||
| 42702 | Michael | Gogins | Blue Leaves 5a | 2012 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 42964 | Michael | Gogins | csound-2005-03-06–03.38.18b.py | 2013 | fixed media, akusmatisch | 9:10:00 | 0 | ||||||||||||
| 39454 | Michael | Gogins | Parachronic | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40107 | Michael | Gogins | Scrims | 2016 | fixed media, akusmatisch | Michael Gogins | 0 | ||||||||||||
| 40108 | Michael | Gogins | Sevier | 2016 | fixed media, akusmatisch | Michael Gogins | 0 | ||||||||||||
| 40109 | Michael | Gogins | Telamon | 2015 | fixed media, akusmatisch | 8:20:00 | Michael Gogins | 0 | |||||||||||
| 40105 | Michael | Gogins | Unperformed experiments have no results | 2017 | audiovisuell | Michael Gogins | 0 | ||||||||||||
| 38561 | Annie | GOH | Archäoakustik | 2015 | radiophon | 49:14:00 | 0 | ||||||||||||
| 6038 | Roderich | Gold | Of the melody of thinking | radiophon | Radio HR Frankfurt | 0 | |||||||||||||
| 23136 | Group | golden tone | 17:14 | 2001 | Klangkunst, Installation | 26:00 | golden tone = Christian Fennesz & g.ess zeitblom (Klangwerkstatt Berlin) | Tick 02 tourette - Format 5/ | 1 | ||||||||||
| 6039 | Barbara | Golden | At the Corner of Alive and Jesus | 1987 | fixed media, akusmatisch | 30:00 | Stereo | Earwax St SanFran | 0 | ||||||||||
| 6040 | Barbara | Golden | Final Spin | 1981 | intermedia | 10:00 | Stereo | tape, slides | CCM Mills | 0 | |||||||||
| 18948 | Barbara | Golden | Flaming Toast | 1994 | fixed media, akusmatisch | 2:00 | nonsense | CEC DISContact_2/ | Oakland | 1 | |||||||||
| 6041 | Barbara | Golden | My Pleasure | 1985 | fixed media, akusmatisch | 8:30 | Stereo | Antenna | 0 | ||||||||||
| 6042 | Barbara | Golden | Nurse | 1981 | fixed media, akusmatisch | 26:30 | Stereo | CCM Mills | 0 | ||||||||||
| 6043 | Barbara | Golden | Tripping to Greece | 1980 | fixed media, akusmatisch | 9:45 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 21605 | Barbara | Golden | Whipping the Boys | 1999 | fixed media, akusmatisch | 8:00 | CEC Presence 2/ | CCM Mills | 1 | ||||||||||
| 42849 | Louis | Goldford | Grand Sepia Taksim | 2013 | Tanz, live-elec, 1 perf | 10:00:00 | dance [Tanz] | Eszter Édl, belly dancer | 0 | ||||||||||
| 40025 | Louis | Goldford | Travertine Hybrid #3 | 2014 | live-elec, 1 perf | 11:05:00 | vn [Violine] | Louis Goldford | 0 | https://louisgoldford.com/works/travertine-hybrid-3/ | |||||||||
| 36926 | Josh | Goldman | Hexagonal (Facet 1) | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 6044 | Peter Emanuel | Goldman | Pestilent City | 1965 | Film | 17:00 | Mono | PS C. NY | 0 | ||||||||||
| 25463 | Joshua | Goldmann | Language | 2004 | fixed media, akusmatisch | 6:27 | Stereo | Sound structure for seven vocalists. |
miso records mcd 016.07/ | 1 | |||||||||
| 37758 | Eliza, Jasmine, Holger | Goldox, Guffond, Heissmeyer | From Cloud to Fog, A Sonification of Digital Traces | 2016 | live-elec, | Publikumsanimation | 0 | ||||||||||||
| 28405 | Kenneth | Goldsmith | 18 Earrers | 2005 | Performance | 3:41 | recorded at WFMU Studios | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 22035 | Malcom | Goldstein | Ishi / Timechangingspaces | radiophon | 1:48 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 6045 | Malcom | Goldstein | It seemed to me … | 1963 | Tanz | 8:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 6046 | Malcom | Goldstein | Judson #6 | 1963 | fixed media, akusmatisch | 8:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 6047 | Malcom | Goldstein | Lamentations of Jeremiah | 1962 | Tanz | 15:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 6048 | Malcom | Goldstein | Ludlow Blues | 1963 | Zuspiel / Tonband, 3 perf | 10:00 | Mono | fl, a-sax, trbn [Flöte, Saxophon, Posaune] | Col.Princ EMC | 0 | |||||||||
| 6049 | Malcom | Goldstein | qernerâq; our breath as bones | 1986 | live-elec, 1 perf | 8:29 | V [Stimme] | AER 1990 / 1/ | 1 | ||||||||||
| 6050 | Malcom | Goldstein | The seasons: Vermont/Winter | 1982 | live-elec, 1 group | 25:00 | Stereo | ens [Ensemble] | 0 | ||||||||||
| 22056 | Malcom | Goldstein | Topography of a Sound Mind | radiophon | 3:55 | in memoriam John Cage | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||||
| 36720 | Babak | Golestani | Metal Music | 2013 | fixed media, akusmatisch | 7:34 | 0 | ||||||||||||
| 36727 | Babak | Golestani | Teheran | 2017 | fixed media, akusmatisch | multichannel | 0 | http://www.extended-compositions.de/?page_id=1089&lang=en_US | |||||||||||
| 42231 | Monika | Golla | Hessen Hören, 16. Folge: Schleichfahrt (Marburg) | 2014 | radiophon | 40 | 24.11.2012 | HR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4445838&vi=156&SID | |||||||||
| 33781 | Monika | Golla | In Case | 2013 | fixed media, akusmatisch | 5:41 | Stereo | DegeM CD 12 Seltene Erden/ | 1 | ||||||||||
| 6051 | Gerardo | Gombau | Alea 68 | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | ALEA Madrid | 0 | |||||||||||
| 6052 | Gerardo | Gombau | Experiencias electro-acústicas | 1968 | fixed media, akusmatisch | ALEA Madrid | 0 | ||||||||||||
| 42113 | Ramón, Miguel, Leopoldo | Gómez de la Serna, Molina-Alarcón, Amigo | Greguería ondulada/silencio radiado | 1932, 2005 | radiophon | UPV-Radio Universitat Politècnica de València 2005 | Unión Radio Madrid , UPV-Radio Universitat Politècnica de València | 0 | |||||||||||
| 22370 | Fernando | Gomez Evelson | Ex Antiqua | 1995 | fixed media, akusmatisch | 10:15 | CSCD 00027 Media Artes + Chamber Sound/ | HfM Göteborg | 1 | ||||||||||
| 41925 | Fernando | Gomez Evelson | Mountain Zero | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 19863 | Carlos | Gómez | Cavidad que parte y da Nombre | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 6053 | Italo | Gomez | 10' | 1966 | fixed media, akusmatisch | 6:00 | Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 6054 | Italo, Giuliana | Gomez, Zaccagnini | Grafico 3 | 1962 | Zuspiel / Tonband, 4 perf | 5:00 | Mono + Mono | str-qt, (mic) [Streicher] | Fonologia Firenze | 0 | |||||||||
| 6055 | Italo, Giuliana | Gomez, Zaccagnini | Mobile 570 | 1963 | Zuspiel / Tonband, 6 perf | 12:00 | Mono + Mono | 4 V, vc, perc [Stimme, Schlagzeug, Cello] | Fonologia Firenze | 0 | |||||||||
| 27738 | Pablo | Gomez | Manaos in Danger | 2006 | fixed media, akusmatisch | 6:21 | 5 CSound | eMe | 1 | ||||||||||
| 35724 | Vicent | Gómez | Redobles | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 36681 | Vicent | Gómez | Skää | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 36791 | Eugen | Gomringer | Konstellationen | 1951 - 1968 | fixed media, akusmatisch | 72:00:00 | 0 | ||||||||||||
| 6056 | Michel | Gonneville | Baustelle | 1977/1978 | fixed media, akusmatisch | 24:39 | Quadro | HfMT Köln | 0 | ||||||||||
| 34647 | Pedro | Gonzales Fernandez | 4 Mouths | 2016 | audiovisuell, live-elec, 3 perf | b-cl, p, perc, (video, elec) [Klarinette, Piano, Schlagzeug] | SMC2016 | 0 | |||||||||||
| 34646 | Pedro | Gonzales Fernandez | Hybrids | 2016 | live-elec, 2 perf | dance, vn (sensor, elec) [Violine, Tanz] | SMC2016 | 0 | |||||||||||
| 19623 | Carmen | Gonzalez Casado | Arco Iris | 1989 | live-elec, 2 perf | Stereo | synt, p [Piano, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 22471 | Ramon | González-Arroyo | Charybdis muse et scylla´s bloom | 1995 | Zuspiel / Tonband, 3 perf | 26:31 | sax, perc, p [Saxophon, Piano, Schlagzeug] | Trio Accanto (Weiss, Dierstein, Sugawara) | ZKM Karlsruhe | 1 | |||||||||
| 22472 | Ramon | González-Arroyo | Libro I | 2001 | fixed media, akusmatisch | 21:17 | LIEM CDMC Madrid, RNE | 1 | |||||||||||
| 6059 | Ramón | González-Arroyo | d MnStR | 1987/1988 | fixed media, akusmatisch | 20:20 | Quadro | Sonology Den Haag | 1 | ||||||||||
| 6057 | Ramón | González-Arroyo | De l'Infinito Universo et Mondi | 1996 | fixed media, akusmatisch | 10:40 | Octo | WER 2051 2/ zkm edition 1/ | PS C. Madrid, ZKM Karlsruhe | CDMC | 1 | ||||||||
| 6061 | Ramón | González-Arroyo | De la Distance | live-elec, 1 perf | 6:01:00 | db [Kontrabass] | Syter | INA C 1034 27654 archives grm CD 4/5/ | INA • GRM | 1 | |||||||||
| 22770 | Ramón | González-Arroyo | Dorian | 1985 | fixed media, akusmatisch | 10:09 | Quadro | MIDI M8X | CBA 5 Musica electroacustica española 1/ | Sonology Utrecht | 1 | ||||||||
| 6063 | Ramón | González-Arroyo | Interiors | 1986/1987 | Zuspiel / Tonband, 2 perf | 20:20 | Quadro | 2 S [Sopran] | Sonology Den Haag | 21.5.1986 | KC Den Haag | 0 | |||||||
| 6064 | Ramón | González-Arroyo | L'Ange Douche | 1984/1985 | fixed media, akusmatisch | 18:50 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 43171 | Ramón | González-Arroyo | L’isla des Neumas | 2008 | Klangkunst, Installation | Auszeichnung ars electronica honorary mention 2008 | 0 | ||||||||||||
| 6065 | Ramón | González-Arroyo | Triptico | 1991 | Zuspiel / Tonband, 1 perf | 11:23 | Stereo | cl [Klarinette] | LIEM CDMC Madrid | 0 | |||||||||
| 6066 | Ramón | González-Arroyo | Voor Aagje | 1986/1987 | fixed media, akusmatisch | 9:18 | Quadro | Sonology Den Haag | 0 | ||||||||||
| 31613 | Andrés | González | Trompe oder die unerhörte Zeit | 2012 | live-elec, 1 perf | 6:20 | mouth-org, (trompe) [Bläser] | next_generation 5.0 Text by Vicente Huidobro |
HfM Stuttgart | 0 | |||||||||
| 37263 | Pedro | González | Strings | 2017 | audiovisuell, live-elec, 3 perf | 6:00:00 | vn, va, vc, (video & elec) [Viola, Cello, Violine] | ZM4 Hamburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 40233 | Sandra E. | Gonzalez | Vértigo y transmutación | 2017 | fixed media, akusmatisch | Sandra E. Gonzalez | 0 | ||||||||||||
| 40234 | Sandra Elizabeth | Gonzalez | Alegorías para piano y sonidos electrónicos | 2013 | live-elec, 1 perf | p [Piano] | Sandra E. Gonzalez | 0 | |||||||||||
| 39490 | Sandra Elizabeth | González | Proyecciones sonoras | 2017 | Zuspiel, live-elec, 1 perf | Quadro | b-fl [Flöte] | 0 | |||||||||||
| 28407 | Daniel | Goode | Juicy Cantata, Mark Fuhrman | 1995 - 2000 | live-elec, 1 perf | 7:49 | p [Piano] | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ ISAST LMJ 7/ | 1 | ||||||||||
| 6067 | Paul | Goodman | Episodes | 1984 | fixed media, akusmatisch | 13:00 | Quadro | Sonology Den Haag | 0 | ||||||||||
| 6068 | Paul | Goodman | Icarus, (using Fontana Mix) | 1978 | fixed media, akusmatisch | 7:30 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 6069 | Paul | Goodman | Independence | 1985 | Zuspiel / Tonband, 1 perf | 5:40 | Quadro | com [computer] | MIDIM 8X | Sonology Den Haag | 0 | ||||||||
| 6071 | Paul | Goodman | Monologue | 1978 | fixed media, akusmatisch | 13:16 | Mono | Sonology Utrecht | 0 | ||||||||||
| 6072 | Paul | Goodman | Suggestions from Limbo | 1981 | fixed media, akusmatisch | 7:30 | Quadro | Pierre Courbois | Sonology Utrecht | 0 | |||||||||
| 6074 | Paul | Goodman | Two Movements | 1978 | fixed media, akusmatisch | 9:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 6070 | Paul, Jos | Goodman, Janssen | La belle et la bete | 1984 | fixed media, akusmatisch | 9:00 | Quadro | Sonology Den Haag | 0 | ||||||||||
| 6073 | Paul, Jos | Goodman, Janssen | The Tree were the wind lives | fixed media, akusmatisch | 50:00 | NOS Hilversum | 0 | ||||||||||||
| 6075 | Paul, Jos | Goodman, Janssen | Wounded | 1983/1984 | fixed media, akusmatisch | 8:55 | 5 tracks | Sonology Den Haag | 0 | ||||||||||
| 6076 | Jost van de | Goor | Cantus | 1985 | Zuspiel / Tonband, 1 perf | 12:00 | org [Orgel] | 0 | |||||||||||
| 6077 | Jost van de | Goor | De inwerking | 1984 | Zuspiel / Tonband, 1 perf | 12:00 | cl [Klarinette] | 0 | |||||||||||
| 6078 | Jost van de | Goor | Pendel | 1986 | live-elec, 1 perf | 11:00 | carillon, (MIDI) [Keyboard] | 0 | |||||||||||
| 39696 | Damian | Gorandi | Recreacion de las soledades | 2015 | fixed media, akusmatisch | 6:35:00 | Damian Gorandi | 0 | |||||||||||
| 39625 | Brett | Gordon | Écuelle | 2016 | fixed media, akusmatisch | Brett Gordon | 0 | ||||||||||||
| 38957 | Jacqueline Kiyomi | Gordon | Installation | 2014 | Klangkunst, Installation | EMPAC | 2014 EMPAC | 0 | http://empac.rpi.edu/events/2014/fall/intensive-november/jacqueline-kiyomi-gordon | ||||||||||
| 6079 | Michael | Gordon | Strange Quiet, Part 1 | 1978 | live-elec, 6 perf | 5:24 | vn, va, perc, b-cl, e-gui, Kbd [Klarinette, Keyboard, Gitarre, Schlagzeug, Viola, Violine] | CRi CD 670/ | 1 | ||||||||||
| 40244 | Shalom, Joel | Gorewitz, Gressel | Life is Left Handed (Meteor Showers) | 2017 | fixed media, akusmatisch | Shalom Gorewitz and Joel Gressel | 0 | ||||||||||||
| 41435 | Ipek | Gorgun | Ode To Joy | 2018 | Klangkunst, Installation | 10 | 21.9.2018 | Dystopie Festival September 2018 Berlin, Großer Wasserspeicher | 0 | ||||||||||
| 28271 | Ali, Luis Antunes, Matthias | Gorji, Pena, Ockert | Ich, dein Schatten Vermalung II - Donny G. Amore e timore, Project Donny G. / Documentation |
2006 | Performance, live-elec, 2 perf | 66:00 | Surround 5.1 | acc, S [Sopran, Akkordeon] | ZKM „Donny G.“, jeunesses musicales/ | 1 | http://de.wikipedia.org/wiki/Matthias_Ockert | ||||||||
| 34926 | Sandro | Gorli | Estrazioni | 1971 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 6080 | Sandro | Gorli | Le mal de lune | 1994 | live-elec, | MM&T Milano | 0 | ||||||||||||
| 6081 | Sandro | Gorli | Passacaglia | 1991 | live-elec, 1 perf | 13:00 | perc, (elec) [Schlagzeug] | MM&T Milano | 0 | ||||||||||
| 36875 | Christopher | Gorman | Cybology | 2017 | fixed media, akusmatisch | 19:33:00 | 0 | ||||||||||||
| 34844 | Christopher J. | Gorman | Hieros Gamos | 2016 | fixed media, akusmatisch | 12:00:00 | Stereo, Octo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 42700 | Gerard | Gormley | Bunker | 2012 | fixed media, akusmatisch | 9:36:00 | 0 | ||||||||||||
| 22473 | Fabio | Gorodski | Ficciones | 1998 | Zuspiel / Tonband, 1 perf | 12:45 | Quadro | vn [Violine] | HfMT Köln CD5/ | HfMT Köln | April 1998 | Aula der HfMT Köln, Clemens Merkel | 1 | ||||||
| 41465 | Fabio | Gorodski | La prosa dell’uomo | 1996 | fixed media, akusmatisch | 8:09 | Stereo | 0 | |||||||||||
| 33992 | Fábio | Gorodski | About Lines and Shadows | 2003 | Zuspiel / Tonband, 2 perf | 7:37:00 | Quadro | 2 p [Piano] | Quadroversion | HfMT Köln | 0 | ||||||||
| 33986 | Fábio | Gorodski | Gli Anni-luce | 1998 | Zuspiel / Tonband, 1 perf | 13:10 | Quadro | p [Piano] | version 2 of the piece with piano | HfMT Köln | 0 | ||||||||
| 33987 | Fábio | Gorodski | Gli Anni-luce | 1998 | fixed media, akusmatisch | 13:10 | Quadro | version 1 of the piece for tape solo | HfMT Köln | 0 | |||||||||
| 33991 | Fábio | Gorodski | Kadenz II | 2001 | fixed media, akusmatisch | 4:55:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 33989 | Fábio | Gorodski | Memorial | 2000 | fixed media, akusmatisch | 15:38:00 | Quadro | Version only for tape. (Sergio Carnevale, voice) | HfMT Köln | 0 | |||||||||
| 33990 | Fábio | Gorodski | Memorial | 2000 | Zuspiel / Tonband, 3 perf | 19:50:00 | Quadro | fem-V, fl, cl [Stimme, Flöte, Klarinette] | Version for Frauenstimme, Flöte, Klarinette und elektronische Klänge (Sergio Carnevale, Adriana Nunes, Ligia Liberatori, Stimme) |
HfMT Köln | 0 | ||||||||
| 33988 | Fábio | Gorodski | Presenza | 1999 | Zuspiel / Tonband, 1 perf | 11:50:00 | Quadro | fl [Flöte] | HfMT Köln | 0 | |||||||||
| 6082 | Klaus | Gorter | Aeolos | 1970 | fixed media, akusmatisch | 10:04 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 6083 | Klaus | Gorter | Genese '67 | 1967 | fixed media, akusmatisch | 10:45 | Quadro | private prod. | Sonology Utrecht | 0 | |||||||||
| 6084 | Klaus | Gorter | Hora est | 1972 | fixed media, akusmatisch | 10:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 6085 | Klaus | Gorter | K45 | 1965 | fixed media, akusmatisch | 5:40 | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | CEM Bilthoven, CEM Bilthoven | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 6086 | Klaus | Gorter | Variazioni con Tema | 1969 | fixed media, akusmatisch | 7:15 | Quadro | private prod. | PS C. | 0 | |||||||||
| 6087 | Klaus | Gorter | VG 56 | 1966 | fixed media, akusmatisch | 8:50 | Quadro | STEM Utrecht, CEM Bilthoven | 0 | ||||||||||
| 36187 | Annie | Gosfield | A Luminous Reflection of Metallic Direction | 2012 | Zuspiel / Tonband, 1 perf | 15 | vc [Cello] | MaerzMusik and the American Academy in Berlin | March 21, 2012 | Frances-Marie Uitti, MaerzMusik, Berghain, Berlin | 0 | ||||||||
| 36180 | Annie | Gosfield | A Sideways Glance From An Electric Eye | 2006 | fixed media, akusmatisch | 7:35 | a virtual version of Henry Cowell's "Rhythmicon" | innova 120/ | Sonic Circuits | 0 | |||||||||
| 36183 | Annie | Gosfield | Broken Nails and Metal Tails | 2009 | Zuspiel / Tonband, 1 perf | 7 | gui (kalimba) [Gitarre] | Hamburg Netzwerk Project "Klang!" | September 12, 2009 | Jennifer Hymer in the Klang!-Container, Hamburg, Germany | 0 | ||||||||
| 36184 | Annie | Gosfield | Burn Again With a Low Blue Flame | 2011 | Zuspiel / Tonband, 1 perf | 20 | vc [Cello] | A•Devantgarde Festival | June 4, 2011 | Mathis Mayr at the A•Devantgarde Festival, Munich, Germany | 0 | ||||||||
| 26960 | Annie | Gosfield | Burnt Ivory and Loose Wires | 1997 | live-elec, 8 perf | perc, sam, e-gui, vc, sax-qt [Saxophon, Gitarre, Schlagzeug, Cello, computer] | Tzadik 7040/ | 0 | http://www.tzadik.com/index.php?catalog=7040 | ||||||||||
| 36185 | Annie | Gosfield | Floating Messages and Fading Frequencies | 2011 | live-elec, 11 perf, 1 group | 30 | fl, ob, cl, perc, vn, va, vc, db, with sam, drums, e-gui [Flöte, Klarinette, Oboe, Gitarre, Schlagzeug, Viola, Cello, Violine, Kontrabass, computer] | [inspired by radio transmissions of Danish Resistance in WWII] | DaNY arts initiative to foster collaboration between Denmark and NYC, with support from the CAP Fund | November 23, 2011 | Athelas Sinfonietta and Annie Gosfield trio, conducted by Pierre-André Valade, Dartington Great Hall, United Kingdom | 0 | |||||||
| 36190 | Annie | Gosfield | Invisible Flashes and Obscure Transmissions | 2013 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 26575 | Annie | Gosfield | Lightning Slingers and Dead Ringers | 2008 | live-elec, 2 perf | 21:00 | p, sam [Piano, computer] | Meet the Composer's Commissioning USA and The Argosy Fund for New Music |
8.05.2008 | Lisa Moore in Canberra, Australia | 0 | ||||||||
| 36188 | Annie | Gosfield | Long Waves and Random Pulses | 2012 | Zuspiel / Tonband, 1 perf | 13 | (electronic version) vn [Violine] | 2 versions: elec, acoustic | Gaudeamus Muziekweek | September 6, 2012 | Monica Germino at the Night of the Unexpected Festival, Utrecht, Holland | 0 | |||||||
| 36181 | Annie | Gosfield | Lost Signals and Drifting Satellites | 2003 | Zuspiel / Tonband, 1 perf | 8 | vn [Violine] | Tzadik 7040/ | George Kentros | May 2003 | George Kentros, Stockholm | 0 | |||||||
| 36186 | Annie | Gosfield | Phantom Shakedown | 2012 | Zuspiel / Tonband, 1 perf | 8 | p [Piano] | September 14, 2012 | Annie Gosfield at the Moving Sounds Festival, New York City | 0 | |||||||||
| 36189 | Annie | Gosfield | Shattered Apparitions of the Western Wind | 2013 | Zuspiel / Tonband, 1 perf | 21 | p [Piano] | [Inspired by Debussy] | Commissioning Music USA | April 25-27, 2013 | Kathleen Supové in her "Digital Debussy" project, The Flea Theater, New York City | 0 | |||||||
| 36192 | Annie | Gosfield | Signal Jamming and Random Interference | 2014 | live-elec, 5 perf | 40 | str-qt, sam [computer, Streicher] | NYSCA | December 7, 2014 | JACK Quartet and Annie Gosfield, electronics Roulette, New York City |
0 | ||||||||
| 36191 | Annie | Gosfield | Static Strands and String Noise | 2014 | live-elec, 3 perf | 40 | 2 vn, sam [Violine, computer] | May 1, 2014 | String Noise (Pauline Kim Harris and Conrad Harris, violins) and Annie Gosfield, electronics The Stone, New York City |
0 | |||||||||
| 36182 | Annie | Gosfield | The Harmony of the Body–Machine | 2003 | Zuspiel / Tonband, 1 perf | 13 | vc [Cello] | Tzadik 7040/ | American Composers Forum and the Jerome Foundation | October, 2003 | Joan Jeanrenaud, Yerba Buena Center for the Arts, San Francisco |
0 | |||||||
| 20218 | Annie | Gosfield | The Manufacture of Tangled Ivory | 1995 | live-elec, 5 perf | 11:00 | Stereo | perc, gui, vc, db, sam [Gitarre, Schlagzeug, Cello, Kontrabass, computer] | MIDI | Prix ars electronica 97/ | 09.1994 | The Annie Gosfield Ensemble, Festival of Radical New Jewish Culture, New York | Auszeichnung ars electronica honorary mention 1997 | 0 | |||||
| 21606 | Martin | Gotfrit | A Palaver with Procrustes | 1998 | fixed media, akusmatisch | 3:02 | execrpt | CEC Presence 2/ | SFU | 1 | |||||||||
| 23137 | Martin | Gotfrit | Balloon | 1999 | fixed media, akusmatisch | 3:05 | Cec Presence 3/ | SFU | 1 | ||||||||||
| 24189 | Martin | Gotfrit | Flights | 2002 | fixed media, akusmatisch | 4:58 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 6088 | Martin | Gotfrit | Ground Water | 1988 | Theater, live-elec, | 75:00 | Stereo | live elec th | PS C. | 0 | |||||||||
| 18945 | Martin | Gotfrit | Guitar With Hut20 | 1994 | live-elec, 1 perf | 2:20 | MIDI-gui, (elec) [Gitarre] | software "Hut20" | CEC DISContact_2/ | SFU | 1 | ||||||||
| 24669 | Martin | Gotfrit | Hut20 | 1995 | fixed media, akusmatisch | 10:01 | CSR 0501/ | SFU | 0 | ||||||||||
| 19256 | Martin | Gotfrit | Magic is Chance | 1995 | fixed media, akusmatisch | 4:12 | CEC Presence 1/ | SFU | 1 | ||||||||||
| 6089 | Martin | Gotfrit | The Machine's Four Humours | 1990 | fixed media, akusmatisch | 3 | Stereo | IMED 9004/ IMED 9604/ | SFU | 1 | |||||||||
| 6090 | Martin | Gotfrit | Third-Out | 1982 | fixed media, akusmatisch | 12:00 | Stereo | SFU | 0 | ||||||||||
| 6091 | Nic, Ann-Marie | Gotham, MacDonald | Nigredo Hotel | 1991 | intermedia, live-elec, 3 perf | 29:51 | p, db, perc [Piano, Schlagzeug, Kontrabass] | Ann-Marie MacDonald ≈ Libretto | MW 58/ | 1 | |||||||||
| 42495 | Jacob | Gotlib | Sensed Presence | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 43199 | Suguru | Goto | Duali | 2012 | Performance | perf [Performer] | Auszeichnung ars electronica honorary mention 2013 | 0 | |||||||||||
| 6092 | Suguru | Goto | Nada (Medien-Oper) | 1995 | Oper, live-elec, 3 perf | 58:00 | Octo | Kbd, fl, gui [Flöte, Keyboard, Gitarre] | Senatsstipendium | TU Berlin | 0 | http://suguru.goto.free.fr/Contents2/Duali/Duali-e.html | |||||||
| 23138 | Suguru | Goto | Resonance II | 1999 | live-elec, 1 group | 12:48 | orc [Orchester] | 1 | |||||||||||
| 22474 | Suguru | Goto | Temps Tressé | 2000 | live-elec, 1 perf | 16:02 | vn [Violine] | 1 | |||||||||||
| 22475 | Suguru | Goto | Temps Tressé II | 2000 | live-elec, 1 perf | 11:13 | tpt [Trompete] | 1 | |||||||||||
| 22821 | Suguru | Goto | Transformation II, für Klavier mit Klanginstallation | 1992 | Zuspiel, live-elec, 1 perf | p [Piano] | p and sounding tam tam | 1992 | London | 1 | 1994 | ||||||||
| 6093 | Roberto | Gottipavero | Atrox | 1980 | fixed media, akusmatisch | Con Venezia | 0 | ||||||||||||
| 39601 | Arthur | Gottschalk | Arecibo | 2015 | fixed media, akusmatisch | 7:08:00 | Arthur Gottschalk | 0 | |||||||||||
| 39600 | Arthur | Gottschalk | Borborygmus | 2017 | fixed media, akusmatisch | 16 Tracks | Arthur Gottschalk | 0 | |||||||||||
| 42496 | Arthur | Gottschalk | Contrary Variants | 2007 | live-elec, 1 perf | fl [Flöte] | Jane Rigler, flute | 0 | |||||||||||
| 41512 | Arthur | Gottschalk | Phase 58 | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 25912 | David | Gottschalk | Mailer Daemon | 2003 | fixed media, akusmatisch | 9:30 | EX 656 Elak Wien/ | ELAK Wien | 1 | ||||||||||
| 6094 | Clytus | Gottwald | De Profundis | 1965 | Zuspiel / Tonband, 1 group | 10:30 | 3 tracks | ch [Chor] | Siemens | 0 | |||||||||
| 6095 | Helmuth | Gottwald | AKAPHON Schlager | 1964 | Hintergrundmusik | 6:00 | Mono | AKA demonstration | ELAK Wien | 0 | |||||||||
| 6096 | Helmuth | Gottwald | Hommage a Mailüfterl | 1971 | fixed media, akusmatisch | 3:54 | Stereo | ELAK Wien | 0 | ||||||||||
| 6097 | Helmuth | Gottwald | Musik für ein Ballet | 1971 | Tanz | Stereo | ELAK Wien | 0 | |||||||||||
| 6098 | Peter | Gottwald | Synthesizerstudie | 1973 | fixed media, akusmatisch | 5:40 | Stereo | HfM Hannover | 0 | ||||||||||
| 23139 | Camille | Goudeseune | Rarœ Aves | 1999 | fixed media, akusmatisch | 4:27 | Cec Presence 3/ | EMS UIUC | 1 | ||||||||||
| 27516 | Helena | Gough | Grau | 2009 | fixed media, akusmatisch | Stereo | BEAST | 0 | http://www.audiobulb.com/albums/AB023/AB023.htm | ||||||||||
| 27514 | Helena | Gough | Mikroklimata, Tephra Cloister Spores Protonema |
2010 | fixed media, akusmatisch | 36:41 | Stereo | PS C. | 1 | http://www.entracte.co.uk | |||||||||
| 28543 | Helena | Gough | Tephra | 2010 | fixed media, akusmatisch | 7:14 | Stereo | 1 | 2010 | www.helenagough.net | |||||||||
| 27515 | Helena | Gough | with what remains, sift condensed milk liq silt unsung afterimage yolk |
2007 | fixed media, akusmatisch | 52:00 | Stereo | PS C. | 1 | http://www.entracte.co.uk/project/helena-gough-e38/ | |||||||||
| 6099 | Philippe | Gouttenoire | Agni | 1993 | Zuspiel / Tonband, 2 groups | Stereo | ens, ch, [Ensemble, Chor] | GRAME Lyon | 0 | ||||||||||
| 6100 | Philippe | Gouttenoire | Aleule Noire…déesse au visage de masque | 1994 | Zuspiel / Tonband, 1 perf | V [Stimme] | GRAME Lyon | 0 | |||||||||||
| 34827 | Dylan | Gouze | Antiques of tomorrow | 2016 | fixed media, akusmatisch | 5:42:00 | Stereo, Surround 5.1 | JTTP 2016 8. prize | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 42786 | Stijn | Govaere | Entomon | 2012 | fixed media, akusmatisch | 9:50:00 | 0 | ||||||||||||
| 40265 | Stijn | Govaere | far bollire | 2017 | fixed media, akusmatisch | 8:00:00 | p [Piano] | Stijn Govaere | 0 | ||||||||||
| 35385 | Stijn | Govaere | Far Bollire Piano Per 8 Minuti | 2013 | fixed media, akusmatisch | 8:08:00 | Stereo | MR 2014 Métamorphoses 2014/ | March 19, 2014 | ÉlectroBelge et nouvelles productions de M&R, Espace Senghor (Brussels, Belgium) | Honorable Mention in the Musica Nova 2013 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | |||||||
| 6101 | Marie, Laetitia | Goyette, Sonami | The Mananan-Gaal / Women Soignées | 1993 | Musiktheater | Text by Sumner Carnahan | STEIM | 0 | |||||||||||
| 39756 | Elliott | Grabill | Darl | 2016 | live-elec, 1 perf | cl [Klarinette] | Elliott Grabill | 0 | http://elliottgrabill.com/category/electronic-music | ||||||||||
| 6102 | Ric | Graebner | Berenice | 1990 | intermedia | Tanz |
60:00 | Stereo | S, 3 dancer [Sopran, Tanz] | slides by Larry Wakefield. | Uni Southampton | 0 | ||||||||
| 6103 | Ric | Graebner | Cuts and Folds | 1986 | fixed media, akusmatisch | Stereo | Uni Southampton | 0 | |||||||||||
| 6104 | Ric | Graebner | Dollbreaker | 1988 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | cl [Klarinette] | Uni Southampton | 0 | |||||||||
| 6105 | Ric | Graebner | Dozens through the Window | 1990 | Zuspiel / Tonband, 4 perf | 8:00 | Stereo | tpt, perc, va, gui [Trompete, Gitarre, Schlagzeug, Viola] | Uni Southampton | 0 | |||||||||
| 6106 | Ric | Graebner | Fragmented City | 1989 | intermedia | 18:00 | Stereo | slides. Wakefield / Graebner | Uni Southampton | 0 | |||||||||
| 6107 | Ric | Graebner | Improvisation for tape and unspecified instruments | 1986 | Zuspiel / Tonband, | Stereo | Uni Southampton | 0 | |||||||||||
| 6108 | Ric | Graebner | La mer retrouvée | 1986 | Zuspiel / Tonband, 2 perf | 17:00 | Quadro | cl, ehn [Klarinette, Oboe] | Uni Southampton | 0 | |||||||||
| 6109 | Ric | Graebner | Music for Brecht's "Kreidekreis" | 1989 | fixed media, akusmatisch | Stereo | with Paula Hopton, Giles Holland, David Revill & Emma Papper | Uni Southampton | 0 | ||||||||||
| 6110 | Ric | Graebner | Music for Shakespeares "Tempest" | 1980 | Theatermusik | Stereo | Elec score | Uni Southampton | Nuffield Th | 0 | |||||||||
| 6111 | Ric | Graebner | Tapeworm | 1986 | fixed media, akusmatisch | Stereo | Uni Southampton | 0 | |||||||||||
| 6112 | Friedemann | Graef | Dialect II | 1982 | Zuspiel, Performance, 2 perf | 30:00 | Quadro | sax, actor, slides [Saxophon, Schauspieler] | Synclavier | TU Berlin | 13.02.1983 | Inventionen TU-Gebäude Ackerstraße Berlin, Friedemann Graef (Saxophon & slides); Michael Dinter (Dias); Norbert Richmann (Schauspieler) | 1 | 1983 | |||||
| 6113 | Gottfrid | Gräsbeck | Concerto for Orchestra and Tape | 1964 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 33508 | Gottfrid | Gräsbeck | Cyklotronmusik | 1975 | fixed media, akusmatisch | 16 | EMS Stockholm | 0 | |||||||||||
| 6114 | Gottfrid | Gräsbeck | Option I | 1974 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 33507 | Gottfrid | Gräsbeck | Option II | 1975 | fixed media, akusmatisch | 6 | EMS Stockholm | 0 | |||||||||||
| 33993 | Ferdinand | Grätz | 176 | 2014 | live-elec, 2 perf | 11:35:00 | Stereo | p, synt [Piano, synthesizer] | HfMT Köln | 0 | |||||||||
| 33994 | Ferdinand | Grätz | Étude 303 | 2012 | live-elec, 4 perf | 9:28:00 | Stereo | b-cl, bn, b-trbn, synt [Klarinette, Fagott, Posaune, synthesizer] | Komposition für Bassklarinette, Kontrafagott, Bassposaune, Jomox xBase 888 und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 33995 | Ferdinand | Grätz | Make It Last I | 2013 | live-elec, | 10:09:00 | Stereo | Komposition für Endloshall | HfMT Köln | 0 | |||||||||
| 34000 | Ferdinand | Grätz | Panterra | 2014 | live-elec, 1 perf | 9:20:00 | Stereo | perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 33996 | Ferdinand | Grätz | Planetarium | 2010 | fixed media, akusmatisch | 10:26:00 | Octo | HfMT Köln | 0 | ||||||||||
| 33997 | Ferdinand | Grätz | Ultra | 2011 | fixed media, akusmatisch | 5:45:00 | Octo | HfMT Köln | 0 | ||||||||||
| 34001 | Ferdinand | Grätz | unisono | 2015 | live-elec, 4 perf | 17:10:00 | Quadro | p, celesta, 2 perc [Piano, Schlagzeug] | Komposition für Floor Tom, Klavier, Celesta, Percussion und Elektronik | HfMT Köln | 0 | ||||||||
| 33998 | Ferdinand | Grätz | verstrahlt | 2011 | audiovisuell, live-elec, 1 perf | 9:33:00 | Quadro | synt [synthesizer] | Komposition für Synthesizer, Live-Elektronik und Video | HfMT Köln | 0 | ||||||||
| 31604 | Ferdinand | Graetz | make it last II | 2013 | live-elec, 1 perf | 12 | Stereo | snare-drum, (endlos-hall) [Schlagzeug] | next_generation 5.0 | HfMT Köln | 29.6.2013 | ZKM | 0 | ||||||
| 18828 | Georg | Gräwe | GussStahl Serenade | 1991 | intermedia | 7:49 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records/ | 1 | |||||||||
| 42114 | Guido, Peter | Graf, Dittmer, Mouse On Mars | Sowieso der Apparat erwürgt dem Zeit – katastrophale Gespräche mit der Amme | 2005 | radiophon | 38:47 | WDR | 28.11.2005 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1481419&vi=1&SID | ||||||||
| 6115 | Peter | Graham | Get out of whatever CAGE | 1992 | Zuspiel / Tonband, 7 perf | 7 ins [Instrument] | 0 | ||||||||||||
| 6116 | Peter | Graham | Tao I, variations on the theme by Morton Feldman | 1979 | live-elec, 7 perf | 17:00 | fl, cl, e-gui, e-b, p, synt, perc [Bass, Flöte, Klarinette, Piano, Gitarre, Schlagzeug, synthesizer] | 0 | |||||||||||
| 6117 | Peter | Graham | Ticha hudba | 1990 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 40196 | Richard | Graham | Quiet Arcs | 2015 | fixed media, akusmatisch | 7:45:00 | Richard Graham | 0 | |||||||||||
| 6118 | Ulf | Grahn | Calling… | 1970 | fixed media, akusmatisch | 15:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6119 | Ulf | Grahn | CoCo Sherry | 1970/1971 | fixed media, akusmatisch | 4:30 | Stereo, Quadro | 0 | |||||||||||
| 6120 | Ulf | Grahn | Creation | 1974 | Tanz | 20:00 | Stereo | 0 | |||||||||||
| 6121 | Ulf | Grahn | EmS A1 Etude III | 1980 | fixed media, akusmatisch | Hintergrundmusik |
3:00 | Stereo | 0 | |||||||||||
| 6122 | Ulf | Grahn | EmS A1 Etude VI | 1980 | fixed media, akusmatisch | Hintergrundmusik |
15:00 | Stereo | 0 | |||||||||||
| 6123 | Ulf | Grahn | Hommage to the Soap opera | 1975 | fixed media, akusmatisch | Tanz |
15:00 | Stereo | 0 | |||||||||||
| 6124 | Ulf | Grahn | Land of the Silver bird | 1971 | fixed media, akusmatisch | 13:10 | Stereo, Quadro | 0 | |||||||||||
| 6125 | Ulf | Grahn | Milky way on my mind | 1972 | fixed media, akusmatisch | 6:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6126 | Ulf | Grahn | Music for the Tempest | 1973 | Theatermusik | 60:00 | Stereo | 0 | |||||||||||
| 6127 | Ulf | Grahn | Music to one flew over the cuckoo's nest | 1974 | Theatermusik | 12:00 | Stereo | 0 | |||||||||||
| 6128 | Ulf | Grahn | Once upon a time | 1972 | fixed media, akusmatisch | Tanz |
13:15 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6129 | Ulf | Grahn | Pace | 1973 | Zuspiel / Tonband, 1 perf | 7:30 | Stereo | fl [Flöte] | 0 | ||||||||||
| 6130 | Ulf | Grahn | Per Gynts Farewell to Norway | 1972 | fixed media, akusmatisch | Tanz |
6:00 | Stereo | 0 | |||||||||||
| 6131 | Ulf | Grahn | Picnic in the jungle I | 1973 | Zuspiel / Tonband, | 4:00 | Stereo | 0 | |||||||||||
| 6132 | Ulf | Grahn | Picnic in the jungle II | 1973 | fixed media, akusmatisch | Tanz |
5:00 | Stereo | 0 | |||||||||||
| 6133 | Ulf | Grahn | Returning | 1976 | Zuspiel / Tonband, 1 perf, 1 group | inss [Instrument] | 0 | ||||||||||||
| 6134 | Ulf | Grahn | Sounding | 1971 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
6:24 | Stereo | p [Piano] | 0 | ||||||||||
| 6135 | Ulf | Grahn | The Vagabond | 1971 | fixed media, akusmatisch | 5:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6136 | Ulf | Grahn | The Visit | 1971 | fixed media, akusmatisch | 15:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6137 | Ulf | Grahn | The Wind of Dawn | 1973 | Zuspiel / Tonband, 1 group | 11:00 | Stereo | orc [Orchester] | 0 | ||||||||||
| 6138 | Ron | Grainer | Bubbles | 1970 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 6139 | Ron, Maddalena | Grainer, Fagandini | The Caretaker | 1963 | radiophon | 60:00 | Mono | PS C. London | 0 | ||||||||||
| 23344 | Percy | Grainger | Free Music #1 für 4 Thereminvox-Instrumente | 1936, 1970 | live-elec, 4 perf | 1:22 | 4 theremin [synthesizer] | Lydia Kavina (Theremin). Keine temperierte Stimmung, grafische Partitur | mode 76/ SR 200 sub rosa/ | 1 | http://www.moderecords.com/ | ||||||||
| 6140 | Michael | Grambo | Bleeding poem | fixed media, akusmatisch | 16:00 | txtcompo | SFU | 1 | 1986 | ||||||||||
| 39798 | Frederik | Gran | Vox Terminus | 2017 | fixed media, akusmatisch | Frederik Gran | 0 | ||||||||||||
| 23583 | Magnus, Henrik | Granberg, Olsson | I Say Hi | 2003 | Klangkunst, Installation | 5:11 | The hidden City - Sound Portraits from Göteborg; this duo is named Sheriff | SR 219 sub rosa/ | 1 | ||||||||||
| 6141 | Gilles | Grand | Dédicace | 1982 | Tanz | CNR Lyon | 0 | ||||||||||||
| 6142 | Gilles | Grand | France audition 4 | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6143 | Gilles | Grand | La fange se farde | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6144 | Gilles | Grand | Persifflage | 1982 | Zuspiel / Tonband, 2 perf | 2 a-sax [Saxophon] | CNR Lyon | 0 | |||||||||||
| 6145 | Giancarlo | Grandi | Studio | 1992 | live-elec, 2 perf | ≈ 11:00 | cl, tpt [Klarinette, Trompete] | CRM Roma, CERM Sassari | 0 | ||||||||||
| 37561 | Wolfgang | Grandjean | 5 Lieder nach Gedichten von Hölderlin, Goethe, Brentano, Mörike, Liederzyklus | 1982 | Zuspiel / Tonband, 2 perf | 15:06:00 | Quadro | S, p [Sopran, Piano] | Roland Synthesizer | ICEM Essen | 0 | ||||||||
| 6147 | Wolfgang | Grandjean | Cosa Rara | 1976 | fixed media, akusmatisch | 9:50 | Quadro | HfMT Köln | 0 | ||||||||||
| 6148 | Wolfgang | Grandjean | Dyaphonie | 1987 | Zuspiel / Tonband, | 17:00 | 0 | ||||||||||||
| 6149 | Wolfgang | Grandjean | Schichten - 15 Felder für 12 Strukturen | 1972/1974 | fixed media, akusmatisch | 12:12 | Stereo | new version; old version 14'05 | HfMT Köln | 0 | |||||||||
| 39716 | David | Granstrom | Prism | 2015 | fixed media, akusmatisch | 17:46:00 | David Granstrom | 0 | |||||||||||
| 40137 | Nat | Grant | With the Inside where the Outside Should Be | 2014 | live-elec, 1 perf | 8:10:00 | vib [Schlagzeug] | Nat Grant | 0 | ||||||||||
| 6150 | Laurent | Grappe | Creux | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 24779 | Laurent | Grappe | Le luxe de la réflexion! | 1996 | Performance | MKCD YYY/ | CNR Lyon | 0 | |||||||||||
| 6151 | Laurent | Grappe | Noir | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6152 | Laurent | Grappe | Nu devant luir | 1989 | live-elec, 2 perf | ob, synt [Oboe, synthesizer] | CNR Lyon | 0 | |||||||||||
| 6153 | Laurent | Grappe | Sens No. 1 | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6154 | Laurent | Grappe | Sens No. 2 | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6155 | Laurent | Grappe | Sur la plainte des mandragores et la pitié des passiflores | 1989 | intermedia | Tanz |
light and decoration | CNR Lyon | 0 | |||||||||||
| 6156 | Herbert | Grassl | Abgesang | 1991 | Zuspiel / Tonband, 5 perf | ww-qnt [Bläser] | 0 | ||||||||||||
| 6157 | Herbert | Grassl | Berührungen | 1993 | Tanz | audiovisuell, 3 perf |
58:00 | Quadro | b-fl, pic-fl, db [Flöte, Kontrabass] | 11 Klangbilder | SEM Salzburg | 0 | ||||||||
| 6158 | Herbert | Grassl | Klagelied | 1986 | Zuspiel / Tonband, 1 perf | ehn [Oboe] | die mühle A 850191/ | CMRS Salzburg | 1 | ||||||||||
| 6159 | Herbert | Grassl | Klavierstück I | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | |||||||||||||
| 6161 | Herbert | Grassl | Moving Bells | Klanginstallation, live-elec, 4 perf | 4 perf (Klangmobile) [Performer] | 0 | |||||||||||||
| 6162 | Herbert | Grassl | Reflexionen 3 | Zuspiel / Tonband, 5 perf | s-sax, 4 perf (Klangmobile) [Saxophon, Performer] | 0 | |||||||||||||
| 6163 | Herbert | Grassl | Reigen | Zuspiel / Tonband, 8 perf | 8 br [Bläser] | 0 | |||||||||||||
| 6164 | Herbert | Grassl | Rundspiel | 1993 | Zuspiel / Tonband, 5 perf | 14:00 | b-fl, 4 perf (Klangmobile) [Flöte, Performer] | SEM Salzburg | 0 | ||||||||||
| 6160 | Herbert, Werner | Grassl, Raditschnig | Montage - Demontage | 1995 | Zuspiel / Tonband, | 60:00 | SEM Salzburg | 0 | |||||||||||
| 32154 | Group | Grateful Dead | Feedback | 1969 | fixed media, akusmatisch | 8:00:00 | Nuova atlantide (Beilage Buch) 1 | 1 | |||||||||||
| 6165 | Jean-Loup | Graton | Perpetuel Contrarie | 1977 | fixed media, akusmatisch | 7:40 | Stereo | Etude de stage. Concert "Jeunes compositeurs" |
INA • GRM | 23.3.1978 | Paris, Maison de la Radio, Studio 105 | 0 | |||||||
| 6166 | Jean-Loup | Graton | Sisyphe | 1980 | fixed media, akusmatisch | 13:30 | Quadro | INA • GRM | INA • GRM | 0 | |||||||||
| 6167 | Jean-Loup | Graton | Voyage en piano et quelques notes | 1980 | fixed media, akusmatisch | 14:00 | Stereo | Conte musical pour enfants | INA • GRM | Radio France | 0 | ||||||||
| 6168 | Carlos | Gratzer | Failles fluorescentes | 1990 | Zuspiel / Tonband, 1 perf | 17:00 | Stereo | sax [Saxophon] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 18486 | Carlos | Gratzer | Rafagas de tiempo | 1994 | fixed media, akusmatisch | 9:49 | Stereo | IMEB Bourges | 0 | ||||||||||
| 37225 | Benjamin | Grau | Mycel | 2017 | Zuspiel / Tonband, 2 perf | 11:00:00 | b-fl, perc [Flöte, Schlagzeug] | HfMT Köln | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 42419 | Benjamin | Grau | parley | 2018 | live-elec, 2 perf | p, perc [Piano, Schlagzeug] | HfMT Köln | 25.01.2019 | Studio der Musikfabrik Köln | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 6169 | Charles | Grau | Toka | 1966 | fixed media, akusmatisch | 6:42 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 6170 | Michael | Graubart | Improvisation on a chord (versions 1 & 2) | 1971/1972 | fixed media, akusmatisch | Morley Coll | 0 | ||||||||||||
| 6171 | Michael | Graubart | Metabola | 1974 | Zuspiel / Tonband, 4 perf | fl, b-cl, va, perc [Flöte, Klarinette, Schlagzeug, Viola] | Morley Coll | 0 | |||||||||||
| 19125 | Victor A. | Grauer | Inferno | 1965 | fixed media, akusmatisch | 6:30 | FMS 33436/ | Uni Toronto | 1 | ||||||||||
| 6172 | Lars | Graugaard | Cosina | 1990 | live-elec, 1 perf | 12:00 | Stereo | fl [Flöte] | DIEM Aarhus | 0 | |||||||||
| 22476 | Lars | Graugaard | Inaustations | 1994 | Zuspiel / Tonband, 1 perf | 12:07 | hp [Harfe] | "Harp & Computer" | DIEM Aarhus | 1 | |||||||||
| 42939 | Lars | Graugaard | Quiet Voice | 2013 | live-elec, 1 perf | 15:00:00 | cl [Klarinette] | Esther Lamneck, clarinet | 0 | ||||||||||
| 6173 | Lars | Graugaard | Reflections | 1991 | live-elec, 1 perf | Stereo | gui [Gitarre] | DIEM Aarhus | 0 | ||||||||||
| 38863 | Christian | Graupner | MindBox - Humatic | 2013 | Performance | audiovisuell |
4:11 | 4 perf [Performer] | CMJ Vol 37, 2013/ | 0 | ||||||||||
| 19866 | Oriol | Graus | Arasi Arano | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19874 | Oriol | Graus | El Desig | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19873 | Oriol | Graus | El secret de L'Alba | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 34391 | Oriol | Graus | Encontre | fixed media, akusmatisch | 12:15 | AMEE/ | 0 | ||||||||||||
| 19870 | Oriol | Graus | Entre la Realitat i el Somni | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 6174 | Oriol | Graus | I Despres … | 1992 | fixed media, akusmatisch | 17:30 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 40164 | Oriol | Graus | INTANGIBLE XVI | 2017 | fixed media, akusmatisch | Oriol Graus Ribas | 0 | ||||||||||||
| 19875 | Oriol | Graus | L'Ultim Laberint | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 6175 | Oriol | Graus | La conseqüència | 1992 | fixed media, akusmatisch | 8:43 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 6176 | Oriol | Graus | La intuició | fixed media, akusmatisch | 4:55 | UM CD 7 Vol. I/ | 1 | ||||||||||||
| 6177 | Oriol | Graus | La Solitud de L'Origien | 1992 | fixed media, akusmatisch | 21:30 | Stereo | HyM-1, Hyades Arts, New Intrumental Music from Spain Vol.1/ | LIEM CDMC Madrid | 1 | |||||||||
| 19876 | Oriol | Graus | La Toleráncia | 1993 - 1994 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19867 | Oriol | Graus | Laberintmutant 1 - 5 | 1984 - 1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19868 | Oriol | Graus | Laberintmutant II | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 34383 | Oriol | Graus | Lux Nova II | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 19865 | Oriol | Graus | Metanoia | 1983 - 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19864 | Oriol | Graus | Miradaclosa III | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19872 | Oriol | Graus | Miradaclosa V 1 - 2 | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19871 | Oriol | Graus | Música per una Coreografia imaginaria | 1985 - 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 6178 | Oriol | Graus | Oketus | 1992 | fixed media, akusmatisch | 10:30 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19869 | Oriol | Graus | Sisinosi nonosino | 1984 - 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 6179 | John | Gray | John Gray's Cassette of Music and Other Sounds | 1981 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 39413 | Jonathan | Graybill | Tsigili’i: Black-Capped Chickadee, The Ancient Language of Birds | 2016 | Zuspiel / Tonband, 1 perf | 4:15 | p [Piano] | 0 | |||||||||||
| 25453 | Richard | Grayson | Mr. 528 | 1996 | live-elec, 1 perf | 6:50 | player p, (elec) [Piano] | EMF 020/ | 1 | ||||||||||
| 24914 | Richard | Grayson | Shoot the Piano Player | 1995 | live-elec, 1 perf | player p, (elec) [Piano] | EMF 120/ EMF 020/ | 1 | |||||||||||
| 6182 | Mauro | Graziani | Landing | 1982 | fixed media, akusmatisch | 8:40 | Stereo | CSC Padova | Mention Bourges 1983 | 0 | |||||||||
| 6183 | Mauro | Graziani | Mappe di luce e suono n. 3 | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 6184 | Mauro | Graziani | The silent God | 1980 | fixed media, akusmatisch | 9:50 | Stereo | CSC Padova | Biennale Venezia | Mention Bourges 1983 | 0 | ||||||||
| 6185 | Mauro | Graziani | Trasparenza | 1983 | fixed media, akusmatisch | 22:40 | Stereo | CSC Padova | RAI | 0 | |||||||||
| 6186 | Mauro | Graziani | Untitled N. 1 (4i Studio) | 1984 | live-elec, 1 perf | 10:00 | Quadro | com [computer] | 4i real-time system | CSC Padova | 0 | ||||||||
| 6187 | Mauro | Graziani | Winter Leaves | 1980 | fixed media, akusmatisch | 8:35 | Stereo | PAN PRC S20-16/ | CSC Padova | Mention Bourges 1981 | 1 | ||||||||
| 6188 | Mauro | Graziani | Wires | 1984 | fixed media, akusmatisch | 10:30 | Stereo | PAN PRC S20-18/ | CSC Padova | 1 | |||||||||
| 6180 | Mauro, Walter | Graziani, Prati | Aquam Flare in Media Labia Tua | 1987 | Zuspiel, live-elec, 1 perf | 12:00 | Quadro | trbn [Posaune] | 4i real-time system | CSC Padova | 0 | ||||||||
| 6181 | Mauro, Walter | Graziani, Prati | Combinazioni Approssimate di Tempo Indefinito | 1988 | Zuspiel, live-elec, 2 perf | 17:00 | Quadro | trbn, sax [Saxophon, Posaune] | Midi, 4i real-time system | CSC Padova | 0 | ||||||||
| 6190 | Paul | Gredinger | Formanten I | 1954 | fixed media, akusmatisch | 4:32 | Mono | BVHAAST 9106/ IDEAMA CD 097/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | |||||||
| 32153 | Paul | Gredinger | Formanten II | 1954 | fixed media, akusmatisch | Duration Formanten I + II = 4:35 | BVHAAST 9106/ IDEAMA CD 097/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | ||||||||
| 23377 | Adam | Green | Flit | 2002 | live-elec, 1 perf | 7:04 | tpt [Trompete] | Improvisation, MAX/MSP | ARiADA 2003/ | 1 | |||||||||
| 39314 | Bradley S. | Green | Pale Blare I & II | 2017 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 39317 | Brittany J. | Green | Feel Like This | 2017 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 6191 | James | Green | Race | 1986 | fixed media, akusmatisch | 5:31 | Stereo | McGill Montréal | 0 | ||||||||||
| 41902 | Matthew | Greenbaum | Fourth Book of Motions | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 6192 | Matthew | Greenbaum | Mayakowsky Requiem | 1993 | fixed media, akusmatisch | Temple Uni | 1 | ||||||||||||
| 42932 | Ethan | Greene | Lissajous | 2013 | live-elec, 1 perf | 14:00:00 | perc [Schlagzeug] | Derek Kwan, percussion | 0 | ||||||||||
| 6193 | Lily | Greenham | Relativity | 1974 | fixed media, akusmatisch | 8:32 | BBC | 0 | |||||||||||
| 38017 | Lily | Greenham | Tillid | 1973 | fixed media, akusmatisch | Infiné IF 4002/ | BBC | 0 | |||||||||||
| 6194 | Lily | Greenham | Traffic | 1975 | fixed media, akusmatisch | Quadro | lingual M. | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 42614 | Andrew | Greenwald | Block.flt | 2009 | live-elec, 1 perf | 10 | fl [Flöte] | for flute and supercollider | 0 | ||||||||||
| 1614 | Bernard, Micheline | Grégoire, Coulombe Saint-Marcoux | Musiques Eclatees, Chut | 1969 | Performance | 8:45 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 6195 | Laure | Grégoire | Anacoluthe 141 | 1986 | fixed media, akusmatisch | 8:00 | CNR Amiens | prix SACEM | 1 | ||||||||||
| 6196 | Laure | Grégoire | Spike Jazz | 1986 | fixed media, akusmatisch | 4:00 | CNR Amiens | prix Radio F. de prise de son amateur | 1 | ||||||||||
| 37649 | Elie | Gregory | Onliest Overlap | 2017 | live-elec, 1 perf | 10 | synt (Korg) [synthesizer] | UdK Berlin | 0 | ||||||||||
| 37224 | Elie | Gregory | Tone Odities II | 2017 | fixed media, akusmatisch | 8:00:00 | Spazialisation: Klangdom | UdK Berlin | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 24882 | Ken, Steven, Shawn | Gregory, Heimbecker, Pinchbeck | Compression Capsule Sonic Walking Dream Time Trance Ambient Sleep |
1998 | Klangkunst, Installation | 51 | Send + Receive: A Festival of Sound | GPH 001/ | 0 | ||||||||||
| 43201 | Antye | Greie-Ripatti | Gedichterbe | 2012 | radiophon | AGF PRO 015/ | Auszeichnung ars electronica honorary mention 2013 | 0 | http://gedichterbe.poemproducer.com/ | ||||||||||
| 42115 | Antye | Greie-Ripatti | Listen to the other - disembodied voices - hybridized techno | 2017 | radiophon | SAVVY-Funk - Documenta 14, Dlf Kultur | 0 | ||||||||||||
| 20220 | Jeff | Greinke | Out from Under | 1990 | fixed media, akusmatisch | 4:04 | Stereo | ASP 0966 / | 0 | ||||||||||
| 6197 | Jeff | Greinke | Road to Solo | 1989 | live-elec, 2 perf, 1 group | 4:08 | (javanese )inss, sam [Instrument, computer] | MIDI | AER 1990 / 2 / | 1 | |||||||||
| 19207 | Dante | Grela | Composición | 1991 | fixed media, akusmatisch | 7:48 | LIPM B.Aires | 1 | |||||||||||
| 19209 | Dante | Grela | De los Mundos Paralelos, From the paralell worlds | 1989 | Zuspiel / Tonband, 1 perf | 12:09 | p [Piano] | LIPM B.Aires | 1 | ||||||||||
| 19206 | Dante | Grela | Glaciación | 1979 | fixed media, akusmatisch | 12:33 | LIPM B.Aires | 1 | |||||||||||
| 34399 | Dante | Grela | Imaginarios 2012 | 2012 | live-elec, 1 perf | 11:09 | cl [Klarinette] | CMMAS/ | 0 | ||||||||||
| 19208 | Dante | Grela | Sonoridades, Sonorities | 1993/1994 | Zuspiel / Tonband, 1 perf | 13:50 | gui [Gitarre] | LIPM B.Aires | 1 | ||||||||||
| 34446 | Peter | Grenader | Eclipse | 1976 | fixed media, akusmatisch | 7:55 | Quadro | Buchla 200 | CalArts | 0 | |||||||||
| 38562 | Heiner | GRENZLAND | Chat Lines | 2002 | radiophon | 52:51:00 | 0 | ||||||||||||
| 38563 | Heiner | GRENZLAND | New York, 48th floor | 2000 | radiophon | 32:26:00 | 0 | ||||||||||||
| 38564 | Heiner | GRENZLAND | RadioEtüden | 2004 | radiophon | 53:29:00 | 0 | ||||||||||||
| 20221 | Scot | Gresham-Lancaster | Vex | 1993 | live-elec, | 7:19 | Stereo | ART 1008/ | CCM Mills | 0 | |||||||||
| 6198 | Scot | Gresham-Lancaster | Whackers | 1988 | live-elec, | 3:06 | ART 1002/ | CCM Mills | 1 | ||||||||||
| 39918 | Joel | Gressel | Deconstructing Maria | 2016 | fixed media, akusmatisch | Joel Gressel | 0 | ||||||||||||
| 42906 | Joel | Gressel | Genetic Drift | 2013 | fixed media, akusmatisch | 9:59:00 | 0 | ||||||||||||
| 39407 | Joel | Gressel | Inclusions | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 6199 | Joel | Gressel | Points in Time | 1974 | fixed media, akusmatisch | 7:07 | Stereo | Odyssey AL 34139/ | Col.Princ EMC | 1 | |||||||||
| 39917 | Joel | Gressel | Triples | 2017 | fixed media, akusmatisch | Joel Gressel | 0 | ||||||||||||
| 6200 | Patrick | Greussay | Bleus | 1971 | computer generated score, 2 perf | ww, perc [Schlagzeug, Bläser] | programme MLCO | GAIV Paris | 0 | ||||||||||
| 6201 | Patrick | Greussay | Eclipse | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 6202 | Patrick | Greussay | Fragments Associés | 1970 | computer generated score, 1 perf | p [Piano] | programme PAO 2 | GAIV Paris | 0 | ||||||||||
| 33366 | Patrick | Greussay | Intervention | 1963 | Zuspiel / Tonband, 2 perf | 40 | Stereo | p, perc [Piano, Schlagzeug] | Jazz | PS C. Paris | 0 | ||||||||
| 33367 | Patrick | Greussay | L’itinéraire | 1963 | Zuspiel / Tonband, 1 perf | 35 | t-sax [Saxophon] | Jazz | PS C. Paris | 0 | |||||||||
| 6203 | Patrick | Greussay | Les nuages de Magellan | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 6204 | Patrick | Greussay | QXQX | 1977 | fixed media, akusmatisch | GAIV Paris | 0 | ||||||||||||
| 6205 | Patrick | Greussay | Sérénade automatique II | 1975 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 33368 | Patrick, Stéphane | Greussay, Vilar | Opéra de proche - Les idoles | 1966 | Theatermusik | 20 | 3 tracks | amp inss, perc [Schlagzeug, Instrument] | PS C. Paris | 0 | |||||||||
| 6206 | Christer | Grewin | Atmosphere | 1969 | Hintergrundmusik | 60:00 | Stereo | 0 | |||||||||||
| 6207 | Christer | Grewin | Dialogues | 1971 | fixed media, akusmatisch | 7:10 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 6208 | John, Robert | Grey, Erickson | Loops | 1974 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 6209 | Mark | Griffiths | Bass Piece | 1975 | fixed media, akusmatisch | Uni Cardiff | 0 | ||||||||||||
| 6210 | Mark | Griffiths | Environmental Studies | 1975 | Zuspiel / Tonband, 2 perf | vn, p [Piano, Violine] | Uni Cardiff | 0 | |||||||||||
| 6211 | Mark | Griffiths | James Stephens Verses | 1975 | Zuspiel / Tonband, 1 perf, 2 groups | ens, Vs [Stimme, Ensemble] | Uni Cardiff | 0 | |||||||||||
| 6212 | Beverly | Grigsby | The Awakening … | 1963 | fixed media, akusmatisch | 9:45 | Mono | Northridge Coll | 0 | ||||||||||
| 6213 | Beverly | Grigsby | Thus spake Ayamonn | 1964 | fixed media, akusmatisch | 10:00 | Mono | Northridge Coll | 0 | ||||||||||
| 19104 | Fernando | Grillo | Arcana | 1988 | Zuspiel / Tonband, 1 perf | 21:40 | db [Kontrabass] | 1 | 1996 | ||||||||||
| 6214 | Mark | Grimes | What I wanted to say, was… | 1995 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 6215 | Jim | Grimm | Die Bewegung der Zeit II | 1980 | Zuspiel / Tonband, 1 perf | 14:00 | p [Piano] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 6216 | Jim | Grimm | Die Erschütterung Rimbauds | 1980 | Zuspiel / Tonband, 4 perf | 23:00 | S, fl, vn,vc [Sopran, Flöte, Cello, Violine] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 6217 | Jim | Grimm | Dimension I | 1971 | fixed media, akusmatisch | 9:40 | 0 | ||||||||||||
| 6218 | Jim | Grimm | Eva/Aktion I + O | 1972 | Zuspiel / Tonband, 5 perf | 15:00 | Sp, vn, va, vc, e-org [Sprecher, Keyboard, Viola, Cello, Violine] | 0 | |||||||||||
| 6219 | Jim | Grimm | Your mind is my universe | 1978 | Zuspiel / Tonband, 1 perf, 1 group | 25:00 | S, orc [Sopran, Orchester] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 36792 | Gunnar | Grimsson | Solo for the End of Time | 1989 | live-elec, 1 perf | 8:05:00 | com (atari computer en Emax sampler) [computer] | computermuziek voor atari computer en Emax sampler. | Sonology Den Haag | 0 | |||||||||
| 20222 | Lárus Halldor | Grimsson | Amalgam | 1986 | fixed media, akusmatisch | 13:48 | Stereo | ITM 703/ | 0 | ||||||||||
| 6220 | Lárus Halldor | Grimsson | Back to the Beginning Again? | 1984 | Zuspiel / Tonband, 1 perf | 10:00 | bn [Fagott] | 0 | |||||||||||
| 20223 | Lárus Halldor | Grimsson | By the Skin of my Teeth | 1987 | fixed media, akusmatisch | 14:21 | Stereo | ITM 703/ | 0 | ||||||||||
| 6221 | Lárus Halldor | Grimsson | Eitt sinn poppari ávallt poppari | 1983 | Zuspiel / Tonband, 4 perf | 12:10 | Quadro | 4 ins [Instrument] | Sonology Utrecht | 0 | |||||||||
| 37430 | Lárus Halldor | Grimsson | For Horn and Tape | 1983? | Zuspiel / Tonband, 1 perf | hn [Horn] | Sonology Den Haag | 0 | |||||||||||
| 34428 | Lárus Halldor | Grimsson | I nuinu reikar hugur minn i minningum og vaentingum | 1982 | fixed media, akusmatisch | 13:37 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 20224 | Lárus Halldor | Grimsson | Kiss of the Spiderwoman | 1988 | fixed media, akusmatisch | 4:13 | Stereo | ITM 703/ | 0 | ||||||||||
| 20225 | Lárus Halldor | Grimsson | Le vœu | 1987 | fixed media, akusmatisch | 9:25 | Stereo | ITM 703/ | 0 | ||||||||||
| 6222 | Lárus Halldor | Grimsson | .........."......og thá' ridu hetjur um hérud." | 1981 | fixed media, akusmatisch | 15:54 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 6223 | Lárus Halldor | Grimsson | Sambúdar Sundurpykkja | 1981 | Zuspiel / Tonband, 2 perf | 9:50 | Quadro | hpd, hn [Horn, Cembalo] | Sonology Utrecht | 0 | |||||||||
| 6224 | Lárus Halldor | Grimsson | Síddegisblundur, Afternoon nap | 1980 | fixed media, akusmatisch | 12:25 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 6225 | Lárus Halldor | Grimsson | Sunnudagsbíltúr, Sunday ride | 1980 | fixed media, akusmatisch | 7:05 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 20226 | Lárus Halldor | Grimsson | The Tempest | 1989 | fixed media, akusmatisch | 7:39 | Stereo | ITM 703/ | 0 | ||||||||||
| 6226 | Lárus Halldor | Grimsson | Thráfylgni (Insistence) | 1980 | fixed media, akusmatisch | 6:30 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 6227 | Lárus Halldor | Grimsson | Vetrarromantic, Winter-Romantik | 1981/1982 | fixed media, akusmatisch | 19:20 | Quadro, Stereo | ITM 703/ | Sonology Utrecht | 0 | |||||||||
| 6228 | Ragnar | Grippe | "2" | 1974 | fixed media, akusmatisch | 5:39 | Stereo | EMS Stockholm | 0 | ||||||||||
| 42615 | Ragnar | Grippe | 8th Abstraction | 2009 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 6229 | Ragnar | Grippe | Anagram | 1974 | fixed media, akusmatisch | 23:35 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6230 | Ragnar | Grippe | Birth | 1974 | fixed media, akusmatisch | 5:35 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6231 | Ragnar | Grippe | Capitol | 1987 | Tanz | 10:25 | Stereo | EMS Stockholm | Kgl Operan | 0 | |||||||||
| 6232 | Ragnar | Grippe | Capriccio | 1973 | fixed media, akusmatisch | 2:50 | Stereo | BIS 32/ | EMS Stockholm | 0 | |||||||||
| 6233 | Ragnar | Grippe | Car Crash | 1984 | Theatermusik | 25:45 | Stereo | EMS Stockholm | Teater Scharazade | 0 | |||||||||
| 6234 | Ragnar | Grippe | Chamber Music | 1975 | fixed media, akusmatisch | 7:50 | BIS 32/ | PS C. | 0 | ||||||||||
| 6235 | Ragnar | Grippe | Concerto | 1978 | fixed media, akusmatisch | Tanz |
20:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6236 | Ragnar | Grippe | Conversation | 1985 | Zuspiel / Tonband, 1 perf | 29:10 | Stereo | vc [Cello] | Synclavier | EMS Stockholm | 0 | ||||||||
| 6237 | Ragnar | Grippe | Corpi Identici Divisi | 1974 | fixed media, akusmatisch | 30:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 42827 | Ragnar | Grippe | Crushing Silence | 2013 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 6238 | Ragnar | Grippe | Des Sites | 1983 | Tanz | Susan Buivque Dance Th | 0 | ||||||||||||
| 6239 | Ragnar | Grippe | Electra Glide | 1975 | Zuspiel / Tonband, | 22:00 | PS C. ALM St | 0 | |||||||||||
| 6240 | Ragnar | Grippe | En flicka på halsen | 1982 | Film | 0 | |||||||||||||
| 6241 | Ragnar | Grippe | Experimenta | 1972 | fixed media, akusmatisch | 2:53 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6242 | Ragnar | Grippe | Experimenta II | 1972 | fixed media, akusmatisch | 3:43 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6243 | Ragnar | Grippe | I skuggan av Henry | 1984 | Fernsehen, | Marcus M. London | 0 | ||||||||||||
| 6244 | Ragnar | Grippe | It's the way fo speaking | 1974 | fixed media, akusmatisch | 24:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6245 | Ragnar | Grippe | Jönssonligan får guldfeber | 1984 | Film | Marcus M. London | 0 | ||||||||||||
| 6246 | Ragnar | Grippe | Jönssonligan och Dynamit Harry | 1982 | Film | 0 | |||||||||||||
| 6247 | Ragnar | Grippe | Kejsaren | 1978 | Film | 38:10 | Stereo | 5 parts | EMS Stockholm | 0 | |||||||||
| 18487 | Ragnar | Grippe | La chambre d'un Rêve | 1995 | fixed media, akusmatisch | 17:52 | IMEB Bourges | 0 | |||||||||||
| 6248 | Ragnar | Grippe | Labyrinth | 1981 | audiovisuell | 18:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6249 | Ragnar | Grippe | Lost Secrets | 1980/1981 | fixed media, akusmatisch | EMI St Stockholm | 0 | ||||||||||||
| 6250 | Ragnar | Grippe | Marathon | 1974 | fixed media, akusmatisch | 9:00 | PS C. ALM St | 0 | |||||||||||
| 6252 | Ragnar | Grippe | Musique Douze | 1976 | fixed media, akusmatisch | 13:51 | IMPAC | CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | SR (Swedish Radio) | 1 | ||||||||
| 42497 | Ragnar | Grippe | Napoli Down | fixed media, akusmatisch | 6 parts | 0 | |||||||||||||
| 6253 | Ragnar | Grippe | Orchestra | 1980 | fixed media, akusmatisch | 13:20 | Stereo | Zirkus-Musik; Buchla | EMS Stockholm | 1 | 1982 | ||||||||
| 6254 | Ragnar | Grippe | Paperland I-V | 1978 | fixed media, akusmatisch | 13:45 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6255 | Ragnar | Grippe | Parallax of Eternity | 1982 | fixed media, akusmatisch | 21:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6256 | Ragnar | Grippe | Parisexpressen | 1978 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 39484 | Ragnar | Grippe | RAGNAROK | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 6257 | Ragnar | Grippe | Remdriven | 1979 | Film | 0 | |||||||||||||
| 6258 | Ragnar | Grippe | Reminiscence | 1977 | fixed media, akusmatisch | 21:05 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6259 | Ragnar | Grippe | Restes balett | 1977 | Tanz | 21:00 | Also "Black Morning" | PS C. | 0 | ||||||||||
| 6260 | Ragnar | Grippe | Romeo & Juliette | 1978/1979 | Tanz | 67:32 | Stereo | Prolog is "Concerto" (20:30) from 1978 | EMS Stockholm | 0 | |||||||||
| 6261 | Ragnar | Grippe | Salome | 1981 | Tanz | 42:25 | Stereo | EMS Stockholm | Cullberg Ballet | 0 | |||||||||
| 6262 | Ragnar | Grippe | Sand | 1977 | fixed media, akusmatisch | 50:00 | Streamline 1011/ | PS C. ALM St | 0 | ||||||||||
| 40191 | Ragnar | Grippe | Sans Trace | 2017 | fixed media, akusmatisch | Ragnar Grippe | 0 | ||||||||||||
| 6263 | Ragnar | Grippe | Savanah Bay | 1983 | fixed media, akusmatisch | 11:40 | Stereo | EMS Stockholm | OIOC Paris. | 0 | |||||||||
| 6264 | Ragnar | Grippe | Sine Qua Non I | 1973/1974 | fixed media, akusmatisch | 25:00 | Stereo | Also called ANAGRAM | EMS Stockholm | 0 | |||||||||
| 6265 | Ragnar | Grippe | Sine Qua Non II | 1974 | fixed media, akusmatisch | 25:00 | PS C. ALM St | 0 | |||||||||||
| 6266 | Ragnar | Grippe | Sista leken | 1983 | Film | PS Björn Isfälts | 0 | ||||||||||||
| 6267 | Ragnar | Grippe | Situation I | 1976 | Zuspiel / Tonband, 1 perf | 17:00 | B [Bass] | PS C. ALM St | 0 | ||||||||||
| 6268 | Ragnar | Grippe | Situation III | 1976 | Zuspiel / Tonband, | INA • GRM | GRM | 0 | |||||||||||
| 6269 | Ragnar | Grippe | Situation IV | 1976 | fixed media, akusmatisch | 18:35 | Stereo | INA • GRM | INA • GRM | 5.2.1977 | Paris, Th. Récamier | 0 | |||||||
| 6270 | Ragnar | Grippe | Sleep of Death | 1979 | Film | 0 | |||||||||||||
| 6271 | Ragnar | Grippe | So Long | 1973 | fixed media, akusmatisch | 12:22 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6272 | Ragnar | Grippe | Songs of life | 1982 | Tanz | 35:19 | Stereo | choreo Lervik | EMS Stockholm | 0 | |||||||||
| 40192 | Ragnar | Grippe | Spider’s Web | 2016 | fixed media, akusmatisch | Ragnar Grippe | 0 | ||||||||||||
| 6273 | Ragnar | Grippe | Symphonic Songs I - III | 1981 | Tanz | 82:00 | Stereo | Susan Burge Dance Th Paris | EMS Stockholm | 0 | |||||||||
| 6274 | Ragnar | Grippe | Tamis, Part I & II | 1980 | Tanz | 49:20 | Stereo | EMS Stockholm | Susan Buirge Dance Th | 0 | |||||||||
| 6275 | Ragnar | Grippe | Ten Tempraments | 1981 | fixed media, akusmatisch | Tanz |
40:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 40193 | Ragnar | Grippe | The Cellist | 2015 | fixed media, akusmatisch | 12:54:00 | Ragnar Grippe | 0 | |||||||||||
| 6276 | Ragnar | Grippe | The room | 1985 | Zuspiel / Tonband, 1 perf | 14:02 | Stereo | S [Sopran] | EMS Stockholm | American Cultural Center | 0 | ||||||||
| 6277 | Ragnar | Grippe | Three Movements | 1974 | fixed media, akusmatisch | PS C. ALM St | 0 | ||||||||||||
| 6278 | Ragnar | Grippe | Through Black and White | 1980 | Tanz | 27:25 | Stereo | Cullberg Ballet | EMS Stockholm | 0 | |||||||||
| 6279 | Ragnar | Grippe | Through the Nights of the Ages | 1978 | fixed media, akusmatisch | 20:35 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6280 | Ragnar | Grippe | Ur undrens Tid | 1975 | fixed media, akusmatisch | Tanz |
17:50 | Also as ballet | BIS 241/ | PS C. ALM St | 0 | |||||||||
| 6281 | Ragnar | Grippe | Variations de Voix | 1973 | fixed media, akusmatisch | 11:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6282 | Ragnar | Grippe | Varning för Jönssonligan | 1981 | Film | 38:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6283 | Ragnar | Grippe | Voices from the Past | 1977 | Tanz | 13:40 | Stereo | EMS Stockholm | La Scala 200-years jub. | 0 | |||||||||
| 6284 | Ragnar | Grippe | What | 1977 | fixed media, akusmatisch | 9:58 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6285 | Ragnar | Grippe | Where Are They | 1977 | Tanz | 10:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 6286 | Gérard | Grisey | Jour, Contre-jour | 1979 | Zuspiel / Tonband, 14 perf | 20:00 | Quadro | 13 ins, e-org [Keyboard, Instrument] | old version not used | IMEB Bourges | 9.3.1979 | Paris Radio France with l'itineraire | Ricordi | 1 | 1992 | ||||
| 6287 | Gérard | Grisey | Jour, Contre-jour | 1981 | Zuspiel / Tonband, 14 perf | 21:20 | Quadro | 13 ins, e-org [Keyboard, Instrument] | Accord 201952/ | TU Berlin | 29.4.1982 | Centre Georges Pompidou, Ensemble de L'Itinéraire, dir. Yves Prin | Ricordi | 1 | 1992 | http://brahms.ircam.fr/works/work/8958/#info | |||
| 6288 | Gérard | Grisey | Le noir de l'etoile | 1990 | Zuspiel, live-elec, 6 perf | 60:00 | Quadro | 6 perc [Schlagzeug] | radio-waves from stars | Accord 4761052 SACD/ | 1 | 2002 | |||||||
| 6289 | Gérard | Grisey | Le temps et l'écume | 1989 | live-elec, 6 perf, 1 group | 20:27 | 4 perc, 2 synt, orc [Schlagzeug, synthesizer, Orchester] | Kairos SACD 0012752KAI/ | Radio France | 0 | |||||||||
| 6290 | Gérard | Grisey | Les chants de l'amour | 1984 | Zuspiel / Tonband, 12 perf | 35:23 | Quadro | 12 V [Stimme] | Kairos SACD 0012752KAI/ | IRCAM | Ricordi | 1 | |||||||
| 6291 | Gérard | Grisey | Prologue | 1976/2001 | live-elec, 1 perf | 16:11 | va, (résonateurs) [Viola] | Accord 201952/ Accord 206532/ WER 20625/ | 16.7.1978 | Darmstadt | Ricordi | 1 | 1990 | http://brahms.ircam.fr/works/work/8969/ | |||||
| 6292 | Sophie | Griver | Beauty | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6293 | Sophie | Griver | Comme un oursin gris perle | 1990 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6294 | Michael | Grobe | Balletmusik | 1975 | Tanz | 10:15 | Stereo | compo using greek M. | HfM Hannover | 0 | |||||||||
| 39945 | Joshua | Groffman | An arrow pointed down | 2015 | audiovisuell | Joshua Groffman | 0 | ||||||||||||
| 39946 | Joshua | Groffman | Landscapes | 2016 | fixed media, akusmatisch | Joshua Groffman | 0 | ||||||||||||
| 6295 | Peter | Grogono | Myth of Creation (film by Stan Vanderbeek) | 1971 | Film | 10:00 | Mono | EMS_London | 0 | ||||||||||
| 21899 | Sergeij | Gromenko | But green is life's glad golden tree? | 1998 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 42116 | Walter | Gronostay | Mord | 1929, 2010 | radiophon | Staatsoper Dresden 2010 | Berliner Funk-Stunde (RGG), Staatsoper Dresden | 0 | |||||||||||
| 6296 | H. de | Groot | Transformation of a Broken Part | 1992 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 22865 | Geurt | Grosfeld | Greeting the Supersonic | 1998 | Zuspiel / Tonband, 1 perf | 14:30 | carillon [Keyboard] | 1 | |||||||||||
| 6298 | Rodolphe | Grosléziat | Quand les Dodosdes Mascaigned | 1993 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 6299 | Pietro | Grossi | Algoritmi | fixed media, akusmatisch | Consiglio Nazionale delle Ricerche CM 0001/ | CNUCE Pisa | 0 | http://www.sinewaves.it/grossi.htm | |||||||||||
| 32029 | Pietro | Grossi | Battimenti, a 2, 3, 4, 5 Frequence | 1965 | fixed media, akusmatisch | 55 | Ants AG03/ | CNUCE Pisa | 0 | ||||||||||
| 6300 | Pietro | Grossi | Combinatoria | fixed media, akusmatisch | 3:40 | DCMP on System /360 IBM Model 67 | TNC 30001/2/ | CNUCE Pisa | 1 | http://www.sinewaves.it/grossi.htm | |||||||||
| 25592 | Pietro | Grossi | Dimostrazione al terminale | 1972 | fixed media, akusmatisch | 12:34 | Stereo | The computer has been instructed to make a number of changes permissible via the DCMP and PLAY 1800 in a stored text and in one that has been automatically processed. | TNC 30001/2/ | CNUCE Pisa | 1 | http://www.sinewaves.it/grossi.htm | |||||||
| 6301 | Pietro | Grossi | F 2 G | 1965 | fixed media, akusmatisch | 25:00 | Stereo | Fonologia Firenze | 0 | http://www.sinewaves.it/grossi.htm | |||||||||
| 6302 | Pietro | Grossi | Improvisazione 1 | 1975 | fixed media, akusmatisch | CNUCE-IEI/ | CNUCE Pisa | 0 | http://www.sinewaves.it/grossi.htm | ||||||||||
| 6303 | Pietro | Grossi | Mixed Unicum 1 | 1988 | fixed media, akusmatisch | 7:03 | Stereo | PAN PRC S 20-54/ | CNUCE Firenze | 1 | http://www.sinewaves.it/grossi.htm | ||||||||
| 6304 | Pietro | Grossi | Mixed Unicum 2 | 1988 | fixed media, akusmatisch | 5:02 | Stereo | PAN PRC S 20-54/ | CNUCE Firenze | 1 | http://www.sinewaves.it/grossi.htm | ||||||||
| 6305 | Pietro | Grossi | Mixed Unicum 3 | 1988 | fixed media, akusmatisch | 2:10 | Stereo | PAN PRC S 20-54/ | CNUCE Firenze | 1 | http://www.sinewaves.it/grossi.htm | ||||||||
| 6306 | Pietro | Grossi | Moiré | 1965 | Film | 3:00 | Mono | Fonologia Firenze | 0 | http://www.sinewaves.it/grossi.htm | |||||||||
| 6307 | Pietro | Grossi | Monodia | fixed media, akusmatisch | 10:00 | DCMP on System /360 IBM Model 67 | TWO, TNC 30001/2/ | CNUCE Pisa | 1 | http://www.sinewaves.it/grossi.htm | |||||||||
| 6308 | Pietro | Grossi | P4 M3 | 1963 | fixed media, akusmatisch | 13:00 | Stereo | Fonologia Firenze | 0 | http://www.sinewaves.it/grossi.htm | |||||||||
| 21207 | Pietro | Grossi | Polifonia | fixed media, akusmatisch | 5:20 | Stereo | DCMP on System /360 IBM Model 67 | TWO, TNC 30001/2/ | CNUCE Pisa | 1 | http://www.sinewaves.it/grossi.htm | ||||||||
| 25593 | Pietro | Grossi | Preludio II | 1972 | live-elec, 1 perf | 1:10 | Stereo | com [computer] | Transcription: P. Grossi (J.S. Bach „Das Wohltemperierte Klavier“) |
TNC 30001/2/ | CNUCE Pisa | 0 | http://www.sinewaves.it/grossi.htm | ||||||
| 6309 | Pietro | Grossi | Progetto 2 e 3 | 1962 | fixed media, akusmatisch | 30:00 | Stereo | Fonologia Milano | 0 | http://www.sinewaves.it/grossi.htm | |||||||||
| 33381 | Pietro | Grossi | Progetto 4 | 1964 | fixed media, akusmatisch | Stereo | Fonologia Firenze | 0 | |||||||||||
| 6310 | Pietro | Grossi | RF 1 A | 1965 | Hintergrundmusik | 30:00 | Stereo | Fonologia Firenze | 0 | http://www.sinewaves.it/grossi.htm | |||||||||
| 25594 | Pietro | Grossi | Sei Canoni, 6 Canoni | 1972 | live-elec, 1 perf | 5:20 | Stereo | com [computer] | (J.S. Bach „Das Musikalische Opfer BWV 1079“) Transcription: P. Grossi A free arrangement of the notes of the theme has been superimposed onto the original text of the canons, which are linked one to the other rather than divided by the traditional closing cadences. |
TNC 30001/2/ | CNUCE Pisa | 0 | http://www.sinewaves.it/grossi.htm | ||||||
| 6311 | Pietro | Grossi | Sound Life | 1984 | fixed media, akusmatisch | PAN 20-25/ STJ 014 Secret thirteen mix/ | CNUCE Pisa | 0 | |||||||||||
| 6312 | Pietro | Grossi | Tetrafono | 1965 | fixed media, akusmatisch | 18:00 | Stereo + Stereo | Fonologia Firenze | 0 | http://www.sinewaves.it/grossi.htm | |||||||||
| 25596 | Pietro | Grossi | Unending music | 1972 | live-elec, 1 perf | 19:30 | Stereo | com [computer] | Play 1800 IBM System 1800 | TNC 30001/2/ | CNUCE Pisa | 1 | http://www.sinewaves.it/grossi.htm | ||||||
| 25595 | Pietro | Grossi | Virtuosità | 1972 | live-elec, 1 perf | 19:46 | Stereo | com [computer] | Suite in five movements by N. Paganini (Caprices No. 1, 5, 6, 9, 13, 16, 17, and Moto Perpetuo). DCMP on System /360 IBM Model 67 |
TNC 30001/2/ | CNUCE Pisa | 1 | http://www.sinewaves.it/grossi.htm | ||||||
| 6315 | Erhard | Grosskopf | Balance MERG | 1972 | Zuspiel / Tonband, 1 perf | 18:00 | Quadro | perc [Schlagzeug] | Sonology Utrecht | 0 | |||||||||
| 6316 | Erhard | Grosskopf | Dialectics, für Tonband und 3 Instrumentalisten op. 9 | 1969 | Zuspiel / Tonband, 3 perf | 10:30 | Quadro, 7 tracks | 3 ins [Instrument] | 6 different versions. (fl oder vn; cl oder va; trbn oder db) |
Sonology Utrecht | Expo Osaka (Wirtschaftministerium) | 1970 | Kugelpavillon Expo Osaka | Ricordi (first Edition Moeck Nr. 5107) | 1 | ||||
| 18829 | Erhard | Grosskopf | Drei Blätter - Luft-Wasser-Erde | 1979 | Zuspiel / Tonband, 1 perf | 9:20 | fl [Flöte] | (B. G. Schmitt); KuKo, Ackerstr. A, 13.2.83 | PS C. | 1 | 1983 | ||||||||
| 6318 | Erhard | Grosskopf | Ent-Art : Flüstermusik / Musiktropfen / Transit | 1987 | intermedia | Hintergrundmusik |
45:35 | 6 | PS C. | 0 | ||||||||||
| 6319 | Erhard | Grosskopf | Erinnerungen, Lichtknall Teil 3 - konzertante Version | 1988 | Zuspiel / Tonband, 4 perf | 45:00 | Stereo | cl, p, 2 perc [Klarinette, Piano, Schlagzeug] | PS C. | 0 | |||||||||
| 19230 | Erhard | Grosskopf | Erinnerungen an das Leben, Lichtknall Teil 3 | 1997 | fixed media, akusmatisch | 45:00 | Octo | Für Ausstellung "Kulturbrauerei" Jan. 1998 Kammermusikalische Fassung von Lichtknall III |
TU Berlin, PS Grosskopf, AdK Berlin | 1 | |||||||||
| 6320 | Erhard | Grosskopf | Flüstermusik I | 1986 | fixed media, akusmatisch | 30:00 | Quadro | tape collage | PS C. | 0 | |||||||||
| 6321 | Erhard | Grosskopf | Hell | 1993/1994 | Zuspiel / Tonband, 3 perf | 15:00 | Stereo | a-sax, perc, p [Saxophon, Piano, Schlagzeug] | ZKM Karlsruhe | 0 | |||||||||
| 6322 | Erhard | Grosskopf | Hörmusik | 1971 | live-elec, 1 group | 35:00 | Stereo | (5 group) orc, vc [Cello, Orchester] | spatialization device by Zander | SIM Berlin | 0 | ||||||||
| 6323 | Erhard | Grosskopf | Kalypso (coupe/transformation) | 1986 | live-elec, 1 perf | 20:15 | Stereo | perc [Schlagzeug] | PS C. | 0 | |||||||||
| 6324 | Erhard | Grosskopf | Konzert: Flecktreue Raritätenkunst P | 1969 | live-elec, 1 perf, 1 group | 21:30 | cl, ens [Klarinette, Ensemble] | 0 | |||||||||||
| 6325 | Erhard | Grosskopf | Lichtknall - eine apokalyptische Odyssee, Harmonien - Lichtknall - Erinnerungen | 1986/1987 | Zuspiel/Tonband, 5 perf | Tanz |
90:00 | Octo | cl, 2 p, 2 perc [Klarinette, Piano, Schlagzeug] | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Tanztheater / Spuren Antike/ | PS C. | 0 | ||||||||
| 6326 | Erhard | Grosskopf | Looping I | 1973 | Zuspiel / Tonband, 5 perf | 24:00 | Stereo | 5 ins [Instrument] | PS C. | 0 | |||||||||
| 6327 | Erhard | Grosskopf | Looping III | 1973 | Zuspiel / Tonband, 7 perf | 30:00 | Stereo | 5 - 7 ins [Instrument] | PS C. | E.Grosskopf | 0 | ||||||||
| 6328 | Erhard | Grosskopf | Looping IV | 1974 | Zuspiel / Tonband, 1 group | 30:00 | Stereo | rock-ens [Ensemble] | Rock-Group (Agitation free) Barclay Records | PS C. | 0 | ||||||||
| 6329 | Erhard | Grosskopf | Luft - Wasser - Erde (Drei Blätter II) | 1991 | Zuspiel / Tonband, 4 perf | 10:00 | Stereo | 4 fl [Flöte] | PS C. | 0 | |||||||||
| 6330 | Erhard | Grosskopf | Nexus | 1968 | Zuspiel / Tonband, 3 perf | 17 | Stereo | fl, 2 perc [Flöte, Schlagzeug] | PS C. | 0 | |||||||||
| 6331 | Erhard | Grosskopf | Night Tracks, op. 14 | 1972 | fixed media, akusmatisch | 19:21 | Stereo, Quadro | EMF CD 041 Berlin to Buffalo/ | Sonology Utrecht | 1 | |||||||||
| 23018 | Erhard | Grosskopf | Proportion 1 | 1969 | Zuspiel / Tonband, 1 perf | 9:43 | fl [Flöte] | E. Blum (fl) | EMF CD 041 Berlin to Buffalo/ | Sonology Utrecht | 1 | ||||||||
| 6332 | Erhard | Grosskopf | Prozess der Veränderung, op. 12 | 1971 | fixed media, akusmatisch | 18:00 | Stereo, Quadro | Sonology Utrecht | 1 | ||||||||||
| 6333 | Erhard | Grosskopf | Schattensprung, Musikalisch lyrische Umgebung | 1978 | Zuspiel/Tonband, 9 perf | intermedia |
60:00 | Stereo | p, S, vn, fl, b-cl, str-qt [Sopran, Flöte, Klarinette, Piano, Violine, Streicher] | slides | PS C. | 0 | ||||||||
| 23019 | Erhard | Grosskopf | Sieben Gesänge und Zwischenspiele, sieben elektroakustische Schichten zu „Sieben Gesänge“ op. 46a |
1994 | Zuspiel / Tonband, 4 perf | 11:00 | S, acc, vn, vc [Sopran, Akkordeon, Cello, Violine] | Zwischenspiele sind alektroakustisch. Aufnahme BR / SFB / AdK 20.1.1998. Deubner (S), Scherer (Akkordion), Rundel (vn), Schlömann (vc). Dauer der 7 Schichten zwischen 20 und 50 Sekunden, Gesänge ≈ 1 Minute |
0085182 ACA/ | Sonology Utrecht, TU Berlin | 1 | ||||||||
| 6334 | Erhard | Grosskopf | Sun, für drei Gruppen | 1972 | Zuspiel / Tonband, 3 groups | 27:00 | Stereo | 3 group ins [Instrument] | PS C. | G. Ricordi | 0 | ||||||||
| 6335 | Erhard | Grosskopf | Violinstück mit Obertönen | 1980 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | vn [Violine] | PS C. | 0 | |||||||||
| 32264 | Erhard | Grosskopf | Z-Faltung | 1996 | Zuspiel / Tonband, 6 perf | 5:30 | e-gui, 4 trbn, p [Posaune, Piano, Gitarre] | PS C. | 0 | ||||||||||
| 6336 | Erhard | Grosskopf | Zwischen Himmel und Erde | 1981 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | trbn [Posaune] | PS C. | 0 | |||||||||
| 6337 | Gary | Grossman | First Sound Piece | 1966 | fixed media, akusmatisch | 6:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 6338 | Gary | Grossman | Four Studies for Illiac II | 1966 | fixed media, akusmatisch | 11:00 | Stereo | com M. | EMS UIUC | 0 | |||||||||
| 34105 | Paolo | Grosso | Una tajada de tiempo | 2013 | fixed media, akusmatisch | 5:34 | FONAM Urugay/ | 0 | |||||||||||
| 37185 | Tobias, Marnin, Elke | Grothmann, Jahnke, Schächtele | Taper | 2017 | fixed media, akusmatisch | 14:00:00 | Spazialisation: Ambisonics | HfM Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 31669 | Tobias, Tobias | Grothmann, Walter | Ballett für 16 Motorfader | 2013 | audiovisuell | 5 | Surround 5.1 | next_generation 5.0 | HfM Karlsruhe | 0 | |||||||||
| 32967 | Christine | Groult | Canal Instantane | 2004 | fixed media, akusmatisch | 7:57 | Motus M 306012/ | 0 | |||||||||||
| 35167 | Christine | Groult | De Sade, Juliette | 1989 | Theatermusik | 0 | |||||||||||||
| 38011 | Christine | Groult | Dévoilement | 1997 | fixed media, akusmatisch | 9:22 | trAce 023/ | 0 | |||||||||||
| 32966 | Christine | Groult | Etincelles | 2005 | fixed media, akusmatisch | 15:03 | Motus M 306012/ | 0 | |||||||||||
| 35168 | Christine | Groult | Féline | 1989 | Tanz | 15 | BS CD 00393/ | ENM | march 1989 | Opéra de Paris - Groupe de Recherche Chorégraphique de l'Opéra de Paris | 0 | ||||||||
| 35169 | Christine | Groult | Giacometti | 1992 | audiovisuell | 0 | |||||||||||||
| 20227 | Christine | Groult | L'heure alors s'incline | 1991 | fixed media, akusmatisch | 18:30 | Stereo | MK CD 006/ Motus M 306012/ | 0 | ||||||||||
| 35166 | Christine | Groult | La condition captive | 2003 | fixed media, akusmatisch | 12:38 | trAce 023/ | INA • GRM | Caen soirs Festival 2003 | 0 | http://www.heroines-of-sound.com/ | ||||||||
| 35171 | Christine | Groult | La recherche instrumentale | 1985 | fixed media, akusmatisch | IRCAM | 0 | ||||||||||||
| 35172 | Christine | Groult | Lame de fond, Ronde Eveil Amble Dialogue De Sourd Sursaut Incertitude Dernière Panique |
1992 | Tanz | 46:49 | BS CD 00393/ | 0 | |||||||||||
| 35173 | Christine | Groult | Le labyrinthe | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 35174 | Christine | Groult | Le pressentiment des alligators devant l’escalier | 1994 | Tanz | 0 | |||||||||||||
| 32968 | Christine | Groult | Le Temps Du Ciel : Entropie | 2000 | fixed media, akusmatisch | 13:55 | Motus M 306012/ | 0 | |||||||||||
| 32965 | Christine | Groult | Les Frontieres De L'Autre | 2001 | fixed media, akusmatisch | 12:47 | Motus M 306012/ | 0 | |||||||||||
| 41584 | Christine | Groult | Mi ritrovai per una selva oscura | 2018 | fixed media, akusmatisch | création belge | 0 | ||||||||||||
| 35175 | Christine | Groult | Opus 67–97 | 1997 | Tanz | 0 | |||||||||||||
| 23014 | Christine | Groult | Passagers imminents | 1993 | fixed media, akusmatisch | 5:36 | CMJ Vol 25-4, 2001/ Motus M 306012/ | IRCAM | 1 | ||||||||||
| 38007 | Christine | Groult | Pierres cantabiles | 2004 | fixed media, akusmatisch | 9:54 | trAce 023/ | 0 | |||||||||||
| 35165 | Christine | Groult | Promenade d’enfance | 1990 | fixed media, akusmatisch | 11:37 | trAce 023/ | INA • GRM | 0 | http://www.heroines-of-sound.com/ | |||||||||
| 35176 | Christine | Groult | Rodin-fragments | 1990 | Film | 0 | |||||||||||||
| 35177 | Christine | Groult | Si l’oiseau par hasard | 1989 | fixed media, akusmatisch | 15:05 | trAce 023/ | INA • GRM | 0 | ||||||||||
| 35178 | Christine | Groult | Sistemazione comoda | 1996 | audiovisuell | video installation | 0 | ||||||||||||
| 38008 | Christine | Groult | Sourire De L’Ange | 2006 | fixed media, akusmatisch | 5:44 | trAce 023/ | 0 | |||||||||||
| 35179 | Christine | Groult | Suite en mouvements | 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 38010 | Christine | Groult | Thème D'Ubu | 1992 | fixed media, akusmatisch | 5:57 | Stereo | stereo version from the stage music Ubu enchaîné from Alfred Jarry | trAce 023/ | 0 | |||||||||
| 35180 | Christine | Groult | Ubu en-chaıˆne´ | 1992 | Theatermusik | 0 | |||||||||||||
| 35181 | Christine | Groult | Un reˆve excellent | 1987 | Theatermusik | 0 | |||||||||||||
| 35182 | Christine | Groult | Ve´ lasquez | 1992 | Film | 0 | |||||||||||||
| 38009 | Christine | Groult | Vertiges | 2005 | fixed media, akusmatisch | 6:19 | trAce 023/ | 0 | |||||||||||
| 35183 | Christine | Groult | Voyage d’hiver | 1993 | Film | 0 | |||||||||||||
| 35170 | Christine, Mirtha | Groult, Pozzi | Images de nature et mobilité, De´ voilement | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 36445 | David | Grubbs | The Chimney Swifts | 2007 | radiophon | 6:15:00 | EDRM 417/ | 0 | |||||||||||
| 6339 | Heinz Karl | Gruber | Drei Lieder | 1961 | Zuspiel / Tonband, 1 perf, 1 group | Bar, ens [Bariton, Ensemble] | 0 | ||||||||||||
| 6340 | Heinz Karl | Gruber | Konjugationen, op. 10 | 1963 | Tanz | 8:50 | Mono | ELAK Wien | 0 | ||||||||||
| 33122 | Jacek | Grudzien | Ad Naan | 2002 | Zuspiel, live-elec, 1 perf | 1:22:00 | vc [Cello] | for cello and computer sound-processing | WJ 2002/ | PS C. | 1 | ||||||||
| 6341 | Jacek | Grudzien | Somnus | 1988 | fixed media, akusmatisch | 9:35 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22133 | Jacek | Grudzien | The Hyacinth Girl | Zuspiel / Tonband, 1 perf | 6:55 | Stereo | S [Sopran] | ExpSt Warsaw | 0 | ||||||||||
| 22132 | Jacek | Grudzien | Tritonos | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | hpd [Cembalo] | ExpSt Warsaw | 0 | ||||||||||
| 20228 | Jacek | Grudzien | Turdus musicus | 1986 | Zuspiel / Tonband, 1 perf | 2:58 | Stereo | hpd [Cembalo] | J&W CD 931/ | 0 | |||||||||
| 6342 | Vincent | Grüger | Neun Synlieder | 1992 | fixed media, akusmatisch | 5:00 | Synclavier | HfM Frankfurt | 0 | ||||||||||
| 6343 | Sven | Grünberg | Eufonia | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 31586 | Paul | Gruendorfer | … on a wire | 2013 | live-elec, 1 perf | 7:00 | str (e-zither, transducer) [Streicher] | next_generation 5.0 | ELAK Wien | 0 | |||||||||
| 6344 | Christoph | Grund | Sing-Sang | 1992 | live-elec, 1 perf | audiovisuell |
16:00 | Stereo | fem V [Stimme] | ZKM Karlsruhe | 0 | |||||||||
| 34256 | Lukas | Grundmann | Grün | 2015 | Klangkunst, Installation | Installation | 25.9.2015 | Kontakte-Festival AdK Berlin, Garten vor der Akademie Hanseatenweg | 0 | http://www.adk.de/de/projekte/2015/Kontakte/teaser_17.htm | |||||||||
| 6345 | Georg | Gruntz | Trio | 1968 | live-elec, 2 perf | 2 ins [Instrument] | 0 | ||||||||||||
| 39115 | Aleksandra | Gryka | ambeoidal MTOCSs | 2005 | audiovisuell | cl, mar, p, vn [Klarinette, Piano, Schlagzeug, Violine] | 0 | ||||||||||||
| 39114 | Aleksandra | Gryka | eSU | 2004 | audiovisuell | tape and video elements | 0 | ||||||||||||
| 39113 | Aleksandra | Gryka | Interioryzacion | 2000 | fixed media, akusmatisch | a computer piece | 0 | ||||||||||||
| 39117 | Aleksandra | Gryka | NEI | 2008 | audiovisuell | vn [Violine] | 0 | ||||||||||||
| 39119 | Aleksandra | Gryka | observerobserver | 2012 | audiovisuell, live-elec, 2 perf | rec, db-rec (Paetzold) [Flöte] | recorder, Paetzold flute, double-bass flute, electronics and video | 0 | |||||||||||
| 33117 | Aleksandra | Gryka | Oxygen No. 369,1 | 2001 | Zuspiel / Tonband, 1 perf | 7:30:00 | p [Piano] | for tape and piano | WJ 2001/ | HfM Krakow | 1 | ||||||||
| 39118 | Aleksandra | Gryka | t.Aamiper | 2009 | live-elec, 1 perf, 1 group | sol tpt, orc [Trompete, Orchester] | orchestra, solo trumpet and electronics | 0 | |||||||||||
| 39120 | Aleksandra | Gryka | W.ALTER’s(Z) | 2014 | live-elec, 5 perf | Mez, 2 p, 2 perc [Mezzo, Piano, Schlagzeug] | 0 | ||||||||||||
| 39116 | Aleksandra | Gryka | Youmec | 2006 | fixed media, akusmatisch | hpd [Cembalo] | 0 | ||||||||||||
| 6346 | Domenico | Guaccero | Esercizi | live-elec, 3 perf | 10:00 | p, sax, mime [Saxophon, Piano, Schauspieler] | CRM Roma | 0 | |||||||||||
| 6347 | Domenico | Guaccero | Improvisazione 1962 | 1962 | live-elec, 1 perf | 7:30 | Mono | amp hpd [Cembalo] | DS 5 Die Schachtel/ | PS C. | 0 | ||||||||
| 32747 | Domenico | Guaccero | Interno - Esterno | Zuspiel / Tonband, 2 perf, 1 group | wws, Kbd [Keyboard, Bläser] | 0 | |||||||||||||
| 6348 | Domenico | Guaccero | Klaviatura | 1965 | Zuspiel / Tonband, 8 perf | 9:00 | Mono | 8 Kbd-ins [Keyboard] | PS C. | 0 | |||||||||
| 6349 | Domenico | Guaccero | Prove di iniziazione | 1966 | Theatermusik | ≈ 40:00 | Mono | Rete Roma | 0 | ||||||||||
| 6350 | Domenico | Guaccero | Scena del Potere, Scene del Potere | 1966 | Oper | ≈ 45:00 | Mono | 2 versions; 3 parts | DS 5 Die Schachtel/ | Rete Roma | 0 | ||||||||
| 6351 | Pedro | Guajardo | For Nono - Verso la luce | 1991 | fixed media, akusmatisch | 5:00 | UM CD 7 Vol. I/ | PS C. | 1 | ||||||||||
| 35660 | Pedro | Guajardo | II Futurismo | fixed media, akusmatisch | 10:03 | 0 | |||||||||||||
| 34385 | Pedro | Guajardo | Inue-Monster Parade #2 | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 19661 | Antonio | Gualda | Flujos Blastodérmicos | 1993 | fixed media, akusmatisch | 23:13 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19662 | Antonio | Gualda | Luz Memor | 1993 | fixed media, akusmatisch | 11:52 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19663 | Antonio | Gualda | Rebotantes | 1993 | fixed media, akusmatisch | 6:48 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19664 | Maria Olivia | Gualda | Aires viles | 1993 | fixed media, akusmatisch | 11:52 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 23965 | Alejandro | Guarello | A cuatro manos | fixed media, akusmatisch | 5:00 | colaboración de Isabel Bravo y la participación de Rodrigo Torres. | Uni Santiago | 0 | |||||||||||
| 23966 | Alejandro | Guarello | La bella datoki | 2002 | live-elec, 4 perf | 14:00 | prep p, gui, vn, cl [Klarinette, Piano, Gitarre, Violine] | Julio 2002. Carácas, Venezuela. Festival A TEMPO. Ensamble Black Jackets Company. | 0 | ||||||||||
| 6352 | Adriano | Guarnieri | Infinite risonanze… | 1992 | Zuspiel, live-elec, 1 perf | 17:00 | gui [Gitarre] | 0 | |||||||||||
| 24130 | Adriano | Guarnieri | Medea | 2002 | live-elec, 4 perf, 2 groups | ≈ 90:00 | orc, ch, A, S, Counter-T, jazz-V [Sopran, Alt, Tenor, Stimme, Chor, Orchester] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 24131 | Adriano | Guarnieri | Orfeo cantando…tolse (dieci azioni liriche) | 1994 | live-elec, 5 perf, 1 group | 40:00 | 2 V, e-gui, fl, amp ch, (small organico) ins [Stimme, Flöte, Gitarre, Instrument, Chor] | BMG Ricordi 74321 526802/ | Tempo Reale Firenze | Ricordi | 0 | ||||||||
| 24132 | Adriano | Guarnieri | Preludio alla notte | 2001 | live-elec, 1 perf | fl [Flöte] | PS Vidolin | 0 | |||||||||||
| 24133 | Adriano | Guarnieri | Quare Tristis | 1995 | live-elec, 3 perf, 5 groups | ≈ 45:00 | V, fem ch, 2 ens, 2 ch, 2 tuba [Stimme, Tuba, Ensemble, Chor] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 43095 | Sofia | Gubaidulina | Konzert für Jazzband und Sinfonieorchester | 1976 | Zuspiel / Tonband, 1 group | 10 | jazzband, orc [Ensemble, Orchester] | 0 | |||||||||||
| 6353 | Sofia | Gubaidulina | Noch’ v Memfis, (Night in Memphis cantata) |
1968 | Zuspiel / Tonband, 1 perf, 2 groups | Mez, male ch, orc [Mezzo, Chor, Orchester] | WWE 1CD 31840 col legno/ | 0 | |||||||||||
| 43094 | Sofia | Gubaidulina | Perception | 1983 | Zuspiel / Tonband, 9 perf | 46 | Mez, Bar, 7 str [Mezzo, Bariton, Streicher] | nach Versen von F. Tanzer und Psalmen | 0 | ||||||||||
| 6354 | Sofia | Gubaidulina | Vivente - non Vivente, Alive and Dead | 1970 | fixed media, akusmatisch | 10:44 | ANS - synt | CTEPEO C60 30721/ ELCD 011 Electroshock Records/ IDEAMA CD 012/ Infiné IF 4002/ | Muzei Skryabina Moskva | 1 | |||||||||
| 37249 | Ken | Gubler | Concrete | 2016 | fixed media, akusmatisch | 7:22:00 | ICST Zürich | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 37174 | Ken | Gubler | Ephemer | 2016 | Klangkunst, Installation | ∞ | ICST Zürich | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 27924 | Rico | Gubler | …wenigstens absolut missverstanden… | 1995 | Performance | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 6355 | Pelle | Gudmundsen-Holmgreen | Spejl I (Mirror I) | 1971/1973 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 6356 | Pelle | Gudmundsen-Holmgreen | Vacuum | 1960 | Zuspiel / Tonband, 5 perf | 3:30 | Stereo | fl, cl, bn, vn, p [Flöte, Klarinette, Fagott, Piano, Violine] | 0 | ||||||||||
| 6357 | Martin | Gümbel | Musica poetica | 1974 | Zuspiel / Tonband, 1 perf, 2 groups | Vs, ens [Stimme, Ensemble] | 0 | ||||||||||||
| 6358 | Martin | Gümbel | Notturno | Zuspiel / Tonband, 1 perf | b-rec [Flöte] | 0 | |||||||||||||
| 19084 | Mehmet | Gün | un Hommage á Heiner Müller | 1996 | Klangkunst, Installation | 0:36 | Sonambiente Ausstellung (1996); SFB Klanggalerie Katalog S.63 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 33899 | Betin | Günesch | Adatontrum | 1988 | live-elec, 8 perf | 16:44 | Quadro | 4 trbn, 4 perc [Posaune, Schlagzeug] | HfMT Köln | 0 | |||||||||
| 6360 | Betin | Günesch | Bilimde Hersey Vardir | 1986 | fixed media, akusmatisch | 8:20 | Quadro | HfMT Köln CD5/ | HfMT Köln | Bourges 1986 | 1 | ||||||||
| 35356 | Betin | Günesch | Divid (E 3) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35355 | Betin | Günesch | Djungal (E 2) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35359 | Betin | Günesch | Drops (E 6) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35354 | Betin | Günesch | eElektron (E 1) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35358 | Betin | Günesch | Harap (E 5) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35360 | Betin | Günesch | Kaos I (E 7) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35361 | Betin | Günesch | Kaos II (E 8) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35362 | Betin | Günesch | Mysterium (E 9) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35357 | Betin | Günesch | Rps (E 4) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35352 | Betin | Günesch | Spinnen | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 35363 | Betin | Günesch | Uzay (E 12) | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35353 | Betin | Günesch | Yunus Emre | 1989 | Zuspiel / Tonband, 2 perf | p, actrice [Piano, Schauspieler] | 0 | ||||||||||||
| 35059 | Cem | Güney | Procession A. D. | 2012 | fixed media, akusmatisch | 3:19 | SR 390 sub rosa/ | 0 | |||||||||||
| 19058 | Josefine | Günschel | o.T. | 1996 | Klangkunst, Installation | 0:12 | Sonambiente Ausstellung (1996) Katalog S.65 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 36474 | Bernhard | Günter | Iki No Kaiga | 2007 | radiophon | 5:18:00 | and 26/ | 0 | |||||||||||
| 24707 | Bernhard | Günter | impossible grey | 1997 | fixed media, akusmatisch | 18:34 | MK CD 023/ | 0 | |||||||||||
| 25913 | Bernhard | Günter | Insects | 2001 | live-elec, 1 group | 18:49 | ens [Ensemble] | zeitkratzer | x-tract x-t 2006/ | 1 | |||||||||
| 20232 | Kemal | Günüç | Touch the Headache of the Outside of my Inside (for Dilara) | fixed media, akusmatisch | 7:44 | Stereo | Acousmatica CD 1296/ | Musiques et Recherches Ohain | 0 | ||||||||||
| 6361 | François | Guérin | Nuits | 1984 | fixed media, akusmatisch | 9:30 | Stereo | Uni Montréal | 0 | ||||||||||
| 37658 | Marie | Guérin | Même morts nous chantons, Recorded Songs don’t ever die | 2017 | radiophon | 58 | Stereo | Césaré St, L’Abbaye de Noirlac, AdK Berlin | France Culture und Deutschlandfunk Kultur | 1.10.2017 | Kontakte-Festival 2017 Akademie der Künste Berlin | Phonurgia Nova International Radio Competition (France) in 2018, Kategorie „Archives de la parole“ | 0 | ||||||
| 6362 | Lucien | Guerinel | 24 Préludes Pour Nolde | 1991 | Zuspiel / Tonband, 3 perf | Stereo | Sp, V, p [Sprecher, Stimme, Piano] | GMEM Marseille | 0 | ||||||||||
| 32561 | Anselmo | Guerra | O Acorrentamento de Prometu | 1997 | live-elec, 2 perf | S, actor, (com) [Sopran, Schauspieler] | 0 | ||||||||||||
| 32562 | Anselmo | Guerra | Ololyksate | 1995 | Oper | 50 | V, ins [Stimme, Instrument] | 0 | |||||||||||
| 27297 | Anselmo | Guerra | Organ Wren | 2006 | Zuspiel / Tonband, 1 perf | 8:59 | cl [Klarinette] | In Itinere | SBME 008 Coletânea de Música Eletroacústica Brasileira/ | EMAC UFGoias, Uni Aveiro | 1 | http://www.cibercultura.org.br/tikiwiki/tiki-index.php?page=Anselmo+Guerra+de+Almeida | |||||||
| 32563 | Anselmo | Guerra | Proporções | 1985 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 6363 | Francisco | Guerrero | RIGEL | 1992 | fixed media, akusmatisch | 25:26 | Stereo | hyCDx 1/ | LIEM CDMC Madrid | 0 | |||||||||
| 37498 | Andreas | Gürsching | Zeit-Punkte | 1987 | Zuspiel / Tonband, 1 perf | 10:00:00 | Stereo | db [Kontrabass] | ICEM Essen | 0 | |||||||||
| 37819 | Jasmine | Guffond | Listening Back | 2017 | live-elec, 1 perf | perc, (projektion) [Schlagzeug] | 0 | ||||||||||||
| 6364 | Andy, Norbert, Group | Guhl, Möslang, Voice Crack | Voice Crack | 1988 | live-elec, | 4:32 | Kitchen 88, live | Nonesuch 9 79235-2, Imaginary Landscapes/ | 1 | ||||||||||
| 27739 | Vladimir | Guicheff | todos te fajan, todos, che | 2008 | fixed media, akusmatisch | 4:26 | 6 | 1 | |||||||||||
| 27298 | Paulo | Guicheney | A Voz De Um Corpo Despedaçado | 2005 | fixed media, akusmatisch | 7:54 | In Itinere | EMAC UFGoias | 1 | ||||||||||
| 27299 | Paulo | Guicheney | Anjos São Mulheres Que Escolheram A Noite | 2006 | fixed media, akusmatisch | 7:14 | In Itinere | EMAC UFGoias | 1 | ||||||||||
| 37478 | Didier | Guigue | Aquele Que Ficou Sozinho | fixed media, akusmatisch | 5:27 | ISAST LMJ 10/ | 0 | ||||||||||||
| 31747 | Didier | Guigue | Reason & Motion, Reason Study II a | 2007 | fixed media, akusmatisch | 8:27 | with software Reason | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 6365 | Denis | Guilbert | Instrumentarium, Huits moments | 1977 | Zuspiel / Tonband, 3 perf | 45:00 | Stereo + Stereo | fl, vc, e-gui [Flöte, Gitarre, Cello] | INA • GRM | 0 | |||||||||
| 6366 | Denis | Guilbert | Instrumentarium | 1977 | fixed media, akusmatisch | 26:00 | Stereo | tape version | INA • GRM | 0 | |||||||||
| 6367 | Denis | Guilbert | Mauvais Rêve | 1974 | fixed media, akusmatisch | 4:50 | Stereo | INA • GRM | 31.5.1976 | Clermont Hôp. Psychiatr. | 0 | ||||||||
| 6368 | Denis | Guilbert | Miroirs ephemeres | 1974 | fixed media, akusmatisch | 3:41 | Stereo | INA • GRM | 31.5.1976 | Clermont Hôp. Psychiatr. | 0 | ||||||||
| 6369 | Denis | Guilbert | Nocturne | 1978 | fixed media, akusmatisch | 22:56 | Stereo | INA • GRM | 0 | ||||||||||
| 6370 | Denis | Guilbert | Peripeties | 1974 | fixed media, akusmatisch | 11:50 | Stereo | Étude de stage | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | |||||||
| 6371 | Denis | Guilbert | Tentations de l'ailleurs | 1974 | fixed media, akusmatisch | 14:15 | Stereo | Étude de stage | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | |||||||
| 28544 | Julien | Guillamat | De part et d'autre | 2010 | fixed media, akusmatisch | 8:57 | Stereo | MR 2010 Métamorphoses 2010/ | BEAST | 1 | 2010 | http://www.julienguillamat.com | |||||||
| 35765 | Marie | Guilleray | Calais Jungle | 2009 | live-elec, 1 perf | 7:56 | V [Stimme] | 0 | |||||||||||
| 35761 | Marie | Guilleray | Du tunnel à l'esplanade | 2011 | fixed media, akusmatisch | 9:50 | 0 | ||||||||||||
| 35758 | Marie | Guilleray | Entre chien et loup | 2012 | Zuspiel, live-elec, 1 perf | 9:08 | V, (elec) [Stimme] | 0 | |||||||||||
| 35764 | Marie | Guilleray | Exercices in style | 2010 | fixed media, akusmatisch | 6:54 | 0 | ||||||||||||
| 35760 | Marie | Guilleray | Soufflerie de verre | 2011 | fixed media, akusmatisch | 8:30 | 0 | ||||||||||||
| 35762 | Marie, Bjarni | Guilleray, Gunnarsson | Duality | 2011 | live-elec, 1 perf | 7:42 | V, (elec) [Stimme] | 0 | |||||||||||
| 35759 | Marie, Bjarni | Guilleray, Gunnarsson | Goshawk, Korabie | 2011 | fixed media, akusmatisch | 6:05 | INA • GRM | 0 | |||||||||||
| 35763 | Marie, Bjarni | Guilleray, Gunnarsson | In between | 2010 | live-elec, 1 perf | 16 | V [Stimme] | 0 | |||||||||||
| 21012 | Ray | Guillette | Homage à Pollock No. 2 | 1990 | fixed media, akusmatisch | 6:35 | Stereo | FYCD 1014/ | Hfm Stockholm | prize 1991 sound & spaces | 1 | ||||||||
| 6372 | Dominique | Guiot | L'oiseau de paradis | 1974 | fixed media, akusmatisch | 13:20 | Stereo | Étude de stage | Editions Mego (LP) Recollection GRM/ | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | ||||||
| 19877 | Josep | Guix | Arc | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19878 | Josep | Guix | Estudi No. 1 | 1990 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 6373 | Josep | Guix | Homenatge a Nono | 1991 | fixed media, akusmatisch | 3:46 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | ||||||||||
| 40081 | Matthew | Gunby | Portals | 2014 | Zuspiel / Tonband, 1 perf | 6:05:00 | fl [Flöte] | Matthew Gunby | 0 | ||||||||||
| 25914 | Peter, Ingo, Young-Sup, Andreas, Imre, Jan, Ursula | Gundal, Bracke, Kim, Föhl, Ostmann, Tretschok, Peer | 13 Lautsprecher und ein Raum, Sieben audiovisuelle Installationen: Die Referenz Zwischenzeitlich(t) Schwebende Klänge Druckraum Raum der Bewegung Feuer in Babylon Mädchen Nr. 83 |
2003 | audiovisuell | Konzept und Leitung: Prof. Christina Kubisch; Technik: Stefan Zintel | HBK Saar/ | HBK Saar | 1 | ||||||||||
| 31348 | Karsten | Gundermann | Maschine-Musik-Mensch | 1995 | fixed media, akusmatisch | 6:49:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31420 | Karsten | Gundermann | Posaunatine | 1996 | live-elec, 1 perf | 6:52:00 | trbn, (Cubase + MARS-Workstation) [Posaune] | HfM Dresden | 0 | ||||||||||
| 6374 | Atle Pakusch | Gundersen | Basic Brain Waves | fixed media, akusmatisch | 6:30 | NOTAM | 0 | ||||||||||||
| 6375 | Atle Pakusch | Gundersen | Cage | fixed media, akusmatisch | 4:40 | NOTAM | 0 | ||||||||||||
| 6376 | Atle Pakusch | Gundersen | Genetic decode | fixed media, akusmatisch | 5:05 | NOTAM | 0 | ||||||||||||
| 6377 | Atle Pakusch | Gundersen | Musikk fra de dype stoler | fixed media, akusmatisch | 9:10 | NOTAM | 0 | ||||||||||||
| 6378 | Atle Pakusch | Gundersen | Our intention | fixed media, akusmatisch | 3:45 | NOTAM | 0 | ||||||||||||
| 6379 | Atle Pakusch | Gundersen | That was then, but this is now! | 1985 | fixed media, akusmatisch | 15:00 | NOTAM | 0 | |||||||||||
| 27733 | Alexis | Guneratne | L’homme | 2007 | fixed media, akusmatisch | 8:06 | Stereo | Uni Manchester | 1 | ||||||||||
| 34371 | Bjarni, Marie | Gunnarsson, Guilleray | L'imaginaire du parleur | 2011 | fixed media, akusmatisch | 12:35 | Post Scriptum PS 001/ | INA • GRM | 0 | ||||||||||
| 31975 | Bjarni, Miguel | Gunnarsson, Negrão | Fallacies | 2010 | fixed media, akusmatisch | 25:25:00 | Spazialisation: WFS | Wave Field Synthesis hall H104, TU-Berlin 2010 Thursday 23. September, 19h Kunstkopfaufnahme |
1 | ||||||||||
| 37232 | Junyu | Guo | April Lake | 2017 | fixed media, akusmatisch | 7:00:00 | Quadro | Live-Raumklangsteuerung | HfM Leipzig | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 6380 | Rolf | Gupta | Cross relations | 1987 | live-elec, 3 perf | hpd, acc, synt [Akkordeon, Cembalo, synthesizer] | NOTAM | 0 | |||||||||||
| 6381 | Tom | Guralnick | Over Time | 1990 | live-elec, 1 perf | 8:10 | sax [Saxophon] | AER 1991 / 3/ | 1 | ||||||||||
| 22371 | Michael | Gurevich | Soft White | 2000 | fixed media, akusmatisch | 6:06 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 37210 | Natalia, Marco | Gurevich, Bidin | Studio Sincretico II | 2016-2017 | audiovisuell, live-elec, | 14:00:00 | (UA) | HfM Stuttgart | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 38133 | Mats | Gustafsson | December 3rd | 2011 | live-elec, | 19:32 | iDEAL 103/ | 3.12.2011 | Old American Can Factory, Brooklyn | 0 | |||||||||
| 6382 | Magnus | Gustavsson | Thunder dome | 1992/1993 | fixed media, akusmatisch | 2:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6383 | Armand | Gutheim | Attitudes | 1976 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 6385 | Armand | Gutheim | En dag ur livet: Alarm / Telefonen / Jeremiad / Kaninen / Vaddå borta | 1983 | radiophon | Stereo | Text: Björn Weir | EMS Stockholm | 0 | ||||||||||
| 6386 | Armand | Gutheim | Fåglarna | 1983 | Oper | Stereo | EMS Stockholm | 0 | |||||||||||
| 6388 | Armand | Gutheim | Skapelsen I | 1976/1983 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 6389 | Armand | Gutheim | Skapelsen II : Ljuset,Vattnet, Jorden, Tiden, Djuren i havet och i luften | 1983 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 6387 | Armand, Allan | Gutheim, Gutheim | Gryningen | 1978 | fixed media, akusmatisch | 13:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6384 | Armand, B., Erik | Gutheim, Modin, Videgård | Attitudes II | 1983 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | EMS Stockholm | 0 | ||||||||||
| 6390 | James | Guthro | Opus 3 | 1965 | fixed media, akusmatisch | 6:05 | Stereo + Stereo | UTEMS Toronto | 0 | ||||||||||
| 31609 | Andrés | Gutiérrez Martínez | Choreographic Study I | 2013 | Tanz, live-elec, | 10:00 | Octo | next_generation 5.0 | IEM Graz | 0 | |||||||||
| 6394 | Ben | Guttman Gome | Composition | 1985 | fixed media, akusmatisch | 10:00 | Quadro | Sonology Den Haag | 0 | ||||||||||
| 6395 | Ben | Guttman Gome | Different Attitudes | 1985 | fixed media, akusmatisch | 11:35 | Quadro | MIDIM8X | LDC 278044/45 Cultures Electroniques 2/ | Sonology Den Haag | 1 | ||||||||
| 6396 | Ben | Guttman Gome | The Birth of a smile | 1986 | fixed media, akusmatisch | Sonology Den Haag | 0 | ||||||||||||
| 6391 | Newman | Guttman | In the Silver Scale | 1957 | fixed media, akusmatisch | 0:15 | Mono | MUSIC I | WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | Bell Lab | 1 | ||||||||
| 6393 | Newman | Guttman | Pitch Variations | 1958 | fixed media, akusmatisch | 1:00 | Mono | MUSIC II | BTL Microgroove 122227/ DECCA DL 9103 (Music for Mathematics)/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | Bell Lab | 1 | ||||||||
| 6392 | Newman, Max | Guttman, Mathews | Long Periods | 1960 | fixed media, akusmatisch | 3:40 | Mono | BTL/ | Bell Lab | 0 | |||||||||
| 6397 | Barry | Guy | Eos X | 1977 | Zuspiel, live-elec, 1 perf | 23:00 | Quadro | amp db, (delay) [Kontrabass] | West Square London | 0 | |||||||||
| 6398 | Barry | Guy | Melody for a Pretty Girl | 1980 | live-elec, 1 perf | fl [Flöte] | West Square London | 0 | |||||||||||
| 6399 | Noa | Guy | Who knows the secret | 1986 | Zuspiel / Tonband, 1 perf | 29:00 | T [Tenor] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 6400 | Jacques | Guyonnet | Aventures de Svergsiboomsahh | 1971 | Tanz | 38:00 | ART Genève | 0 | |||||||||||
| 6401 | Jacques | Guyonnet | Chorus | 1968 | Zuspiel / Tonband, 4 perf | V, fl, vc, p [Stimme, Flöte, Piano, Cello] | ART Genève | 0 | |||||||||||
| 6402 | Jacques | Guyonnet | D’est en Ouest | 1981 | Zuspiel / Tonband, 10 perf | 50:00 | V, 9 ins, (sarod, tabla) [Stimme, Instrument] | ART Genève | 0 | ||||||||||
| 6403 | Jacques | Guyonnet | Facettes/Continuo | 1972 | fixed media, akusmatisch | 9:00 | ART Genève | 0 | |||||||||||
| 6404 | Jacques | Guyonnet | Good Grief, Jerry! | 1970/1971 | Zuspiel / Tonband, 18 perf | 28:00 | S, 17 ins [Sopran, Instrument] | ART Genève | 0 | ||||||||||
| 6405 | Jacques | Guyonnet | Images 60/70 | 1970/1971 | Tanz | 30:00 | ART Genève | 0 | |||||||||||
| 6406 | Jacques | Guyonnet | Immémoriales | 1976 | Zuspiel / Tonband, 1 perf | 35:00 | p [Piano] | ART Genève | 0 | ||||||||||
| 6407 | Jacques | Guyonnet | L’Entre-monde | 1967 | Tanz, 6 perf | fl, p, 4 perc [Flöte, Piano, Schlagzeug] | ART Genève | 0 | |||||||||||
| 6408 | Jacques | Guyonnet | Livre III | 1971 | Zuspiel / Tonband, 2 perf | 22:00 | Stereo | 2 ins [Instrument] | ART Genève | 0 | |||||||||
| 6409 | Jacques | Guyonnet | Musique pour le Secteur IV | 1964 | Hintergrundmusik | 40:00 | Stereo | exhibition Lausanne | SMC Genève | 0 | |||||||||
| 6410 | Jacques | Guyonnet | Network | 1980 | Oper, 6 perf, 2 groups | 4 V, synts, (rock) perc, orc [Stimme, Schlagzeug, synthesizer, Orchester] | ART Genève | 0 | |||||||||||
| 6411 | Jacques | Guyonnet | Stèle in memoriam John Kennedy | 1963 | Zuspiel / Tonband, 1 group | 33:00 | Stereo + Stereo | orc [Orchester] | SMC Genève | 0 | |||||||||
| 6412 | Jacques | Guyonnet | Textes III | 1972 | Zuspiel / Tonband, 9 perf | 41:00 | 4 V, 5 ins [Stimme, Instrument] | ART Genève | 0 | ||||||||||
| 6413 | Jacques | Guyonnet | The Approach to the Hidden Man I, II | 1967 | Zuspiel / Tonband, 1 perf, 1 group | Mez, ens [Mezzo, Ensemble] | II: 13’ | ART Genève | 0 | ||||||||||
| 6414 | Jacques | Guyonnet | Un chant de pierre | 1972 | fixed media, akusmatisch | 11:00 | ART Genève | 0 | |||||||||||
| 37256 | Alexandr | Guza | Maschine | 2017 | fixed media, akusmatisch | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 40053 | Mariam | Gviniashvili | Hurria | 2017 | fixed media, akusmatisch | Octo | Mariam Gviniashvili | 0 | |||||||||||
| 20233 | Henry | Gwiazda | afterglo W | 1990 | live-elec, 2 perf | 8:00 | Stereo | V, gui, [Stimme, Gitarre] | Innova 505/ | 0 | |||||||||
| 20234 | Henry | Gwiazda | buzzingreynold'sdreamland | 1994 | fixed media, akusmatisch | 9:18 | Stereo | Innova 505/ | 0 | ||||||||||
| 20235 | Henry | Gwiazda | Maneatingchipslistningtoaviolin | 1990 | live-elec, 2 perf | 12:01 | Stereo | vn, e-gui, [Gitarre, Violine] | Innova 505/ | 0 | |||||||||
| 20236 | Henry | Gwiazda | thefluteintheworldthefluteistheworld | 1995 | live-elec, 3 perf | 4:22 | Stereo | V, e-gui, fl, [Stimme, Flöte, Gitarre] | Innova 505/ | 0 | |||||||||
| 20237 | Henry | Gwiazda | themythofacceptance | 1991 | live-elec, 3 perf | 10:06 | Stereo | V, e-gui, vc, [Stimme, Gitarre, Cello] | Innova 505/ | 0 | |||||||||
| 20238 | Henry | Gwiazda | whereyoulive | 1989 | live-elec, 2 perf | 7:06 | Stereo | V, gui, [Stimme, Gitarre] | Innova 505/ | 0 | |||||||||
| 20239 | Henry | Gwiazda | wM | 1992 | live-elec, 2 perf | 10:29 | Stereo | V, gui, [Stimme, Gitarre] | Innova 505/ | 0 | |||||||||
| 33033 | AlexanderRodney, Annika, Kristin, Dave, Johannes, Ross, Christine, Irene | Györfi, Slave Pianos, Graham, Eriksson, Oppenheim, Allen, Wohnseifer, Sinclair, Hohenbüchler, Hohenbüchler | Los Freunde Winter Song Station De Gas Louise Bourgeois: Otte Katharina Fritsch: Unken Bruce Nauman: Violin Problem No.2 Love Buzz Feelin' Alright? Stockholm Postman's Orchestra Copenhagen Postman's Orchestra Connecticut Firefighters Pipes And Drums Hey Joe Atmo. Royal Concert Hall, Glasgow 3-5 P.M. 28.07.1998 Phase 1 Amazing Grace Oktoberfest Five Seconds |
Performance | btc 03/ | 1 | |||||||||||||
| 31645 | Beat | Gysin | Wasserreservoir | 1999 | live-elec, 2 perf, 1 group | Vs, elec, (space) [Stimme, elektronik] | HSM Basel | 0 | |||||||||||
| 6417 | Brion | Gysin | Breath | 1967 | fixed media, akusmatisch | 4:20 | Mono | txtcompo | modisti/ | 0 | |||||||||
| 6419 | Brion | Gysin | I've come to free the Words | 1962 | fixed media, akusmatisch | 2:20 | txtcompo | modisti/ | ORTF Paris | 0 | |||||||||
| 6418 | Brion | Gysin | Recalling all active Agents | 1962 | fixed media, akusmatisch | 1:30 | txtcompo | modisti/ | ORTF Paris | 0 | |||||||||
| 36529 | Brion | Gysin | The Brion Gysin Show - "Where Is That Word?" | 1960 | radiophon | 32:15 | Mono | txtcompo | S Press 32/ | BBC | 0 | https://www.discogs.com/de/Brion-Gysin-The-Brion-Gysin-Show-Where-Is-That-Word/release/2651512 | |||||||
| 6415 | Brion, John | Gysin, Giorno | American Eagle | 1965 | fixed media, akusmatisch | 4:10 | Mono | txtcompo | PS Burrough NY | 0 | |||||||||
| 6416 | Brion, John | Gysin, Giorno | Birdsong | 1965 | fixed media, akusmatisch | 3:40 | Mono | txtcompo | PS Burrough NY | 0 | |||||||||
| 6420 | Brion, John | Gysin, Giorno | Subway Sound | 1965 | fixed media, akusmatisch | 3:40 | Mono | txtcompo | PS Burrough NY | 0 | |||||||||
| 42498 | Moon Young | Ha | Amorphisms | fixed media, akusmatisch | 0 | ||||||||||||||
| 42232 | Ulrike | Haage | ding fest machen | 2003 | radiophon | 42:43 | Nach Aufzeichnungen von Louise Bourgeois | Sans Soleil 2003/ | BR, Tritonus Tonstudio Berlin | 4.5.2003 | BR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1440910&vi=160&SID | ||||||
| 37212 | Etienne | Haan | About frogs | 2017 | fixed media, akusmatisch | 4:00:00 | multichannel | HEAR Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 29657 | Ralf | Haarmann | Bevor alles weg ist | radiophon | 0 | ||||||||||||||
| 29654 | Ralf | Haarmann | Der kleine im Glaspott | 2009 | radiophon | WDR Studio Akustische Kunst | WDR | 0 | |||||||||||
| 29664 | Ralf | Haarmann | Der Liebhaber | Musiktheater | Orphtheater, Berlin | 0 | |||||||||||||
| 29651 | Ralf | Haarmann | Der Polarforscher | 2009 | radiophon | Radio RBB | RBB | 0 | |||||||||||
| 29652 | Ralf | Haarmann | Der verbotene Ort | radiophon | 0 | ||||||||||||||
| 29659 | Ralf | Haarmann | Der Wanderer und seine Regenhaube | 2006 | radiophon | WDR Studio Akustische Kunst | WDR | 0 | |||||||||||
| 29658 | Ralf | Haarmann | Die dritte Jungfrau | 2007 | radiophon | WDR Studio Akustische Kunst | WDR | 0 | |||||||||||
| 29656 | Ralf | Haarmann | Die Sirenen von Bagdad | 2008 | radiophon | WDR Studio Akustische Kunst | WDR | 0 | |||||||||||
| 29648 | Ralf | Haarmann | Erzählungen aus Kolyma | 2010 | radiophon | Radio RBB | RBB | 0 | |||||||||||
| 29647 | Ralf | Haarmann | Full of Life | radiophon | 0 | ||||||||||||||
| 29662 | Ralf | Haarmann | Genua 01 | 2004 | radiophon | Surround 5.1 | ‘Genua 01′ is the first radioplay broadcasted in 5.1 surround ever in germany | WDR Studio Akustische Kunst | WDR | ARD Online-Award | 0 | ||||||||
| 29668 | Ralf | Haarmann | grainDADAgrain | live-elec, | 0 | ||||||||||||||
| 26136 | Ralf | Haarmann | Herbert Stencil als Orpheus verkleidet in der Unterwelt (für V) | 2007 | fixed media, akusmatisch | 5:51 | Stereo | V [Stimme] | Cybele 960.209/ DegeM CD 09/ | 0 | |||||||||
| 29660 | Ralf | Haarmann | Hidden See | 2005 | radiophon | WDR Studio Akustische Kunst | WDR | 0 | |||||||||||
| 29666 | Ralf | Haarmann | In meiner Wohnung schauen mich eigentlich nur Hasen an | 2006 | live-elec, 1 perf | mdl, (Max/MSP) [Gitarre] | NI005 NIkO/ | 0 | |||||||||||
| 31791 | Ralf | Haarmann | Interaktion #1 | 2002 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31792 | Ralf | Haarmann | James Dean | 2003 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 29667 | Ralf | Haarmann | Milkbomb | live-elec, | 10:05 | 0 | |||||||||||||
| 29661 | Ralf | Haarmann | Nordost | 2005 | radiophon | WDR Studio Akustische Kunst | WDR | 0 | |||||||||||
| 29650 | Ralf | Haarmann | Prima la Donna | 2010 | radiophon | WDR Studio Akustische Kunst | WDR | Hörspiel des Monats April 2010 | 0 | ||||||||||
| 29646 | Ralf | Haarmann | r_evolution | radiophon | WDR Studio Akustische Kunst | Studio Akustische Kunst, WDR | 2003 | 0 | http://www.klangkunstlabor.de/wordpress/works/radio-works/r_evolution | ||||||||||
| 29663 | Ralf | Haarmann | Rost , Erinnerungen für die Zukunft von Anne Hirth | 2011 | Musiktheater | Wuppertaler Bühnen | Spielzeit 2011/12 | Wuppertaler Bühnen mit Ralf Haarmann, An Kuohn, Silvia Munzón López und Juliane Pempelfort | 0 | ||||||||||
| 29653 | Ralf | Haarmann | Terrorspiele | 2009 | radiophon | WDR Studio Akustische Kunst | WDR | 0 | |||||||||||
| 24283 | Ralf | Haarmann | Trilogie #1 (Teil a, b, c) | 2002 | fixed media, akusmatisch | 4:30 | Cybele 960.208/ DegeM CD 08/ | 0 | |||||||||||
| 33788 | Ralf | Haarmann | V. als Gadolinium verkleidet in den Adern von Herbert Stencil, unerkannt | 2013 | fixed media, akusmatisch | 6 | Stereo | DegeM CD 12 Seltene Erden/ | 0 | ||||||||||
| 29649 | Ralf | Haarmann | Vor Sonnenaufgang | 2010 | radiophon | WDR Studio Akustische Kunst | WDR | 0 | |||||||||||
| 26577 | Georg Friedrich | Haas | Ein Schattenspiel | 2004 | live-elec, 1 perf | 10:00 | p [Piano] | Experimentalstudio für Akustische Kunst Freiburg | 25.4.2004 | WDR mit S. Mauser | Universal Edition UE 32945 | 0 | http://issuu.com/universaledition/docs/ue32945 | ||||||
| 31763 | Georg Friedrich | Haas | Streichquartett Nr. 4, Fukushima | 2003 | live-elec, 4 perf | Quadro | str-qt [Streicher] | Experimentalstudio für Akustische Kunst Freiburg | Universal Edition, Wien | 0 | |||||||||
| 6421 | Milos | Haase | Atlantis | 1969 | fixed media, akusmatisch | 7:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 6422 | Milos | Haase | Gilgames | 1973 | fixed media, akusmatisch | 21:45 | Stereo | Radio Plzen | 0 | ||||||||||
| 41888 | Milos | Haase | P16. I. 1969 | 1969 | fixed media, akusmatisch | 9:12 | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | ||||||||||
| 6423 | Milos | Haase | Per aspera ad asta | 1969 | fixed media, akusmatisch | 9:12 | Quadro | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | |||||||||
| 41887 | Milos | Haase | Projekt 1. | 1969 | fixed media, akusmatisch | 9:12 | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | ||||||||||
| 6424 | Miloš | Haase | Sfumato | 1971 | fixed media, akusmatisch | 12:55 | Stereo | Radio Plzen | 0 | ||||||||||
| 36548 | Hans | Haass | Fuge in C Intermezzo |
1927 | computer generated score, 1 perf | 8:00:00 | player p [Piano] | Donaueschinger Musiktage 1994 | WWE 3CD 31882/ | 1 | |||||||||
| 25915 | Charbel | Haber | Abandoned Machinery | 2005 | audiovisuell | 7:00 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 1 | ||||||||||
| 24134 | Yotam | Haber | Shema | 2001 | live-elec, 13 perf | 11:22 | V, 3 fl, hn, trbn, perc, p, str-qt, db [Stimme, Flöte, Horn, Posaune, Piano, Schlagzeug, Kontrabass, Streicher] | Tempo Reale Firenze | 0 | ||||||||||
| 37757 | Martin | Hachmann | Angst, Sonifikation für 3 Stühle und Boden | 2017 | Klangkunst, Installation | kinetische Klanginstallation | bgnm | 0 | |||||||||||
| 32119 | Ben | Hackbarth | hub | 2005 | Zuspiel / Tonband, 3 perf | 10:48:00 | fl, p, perc [Flöte, Piano, Schlagzeug] | Kathleen Gallagher, flute; Katalin Lukács, piano; Greg Stuart, percussion | SEAMUS EAM Vol. 16/ | 0 | |||||||||
| 28282 | Ben | Hackbarth | open end | 2007 | Zuspiel / Tonband, 1 perf | 7:35 | vib [Schlagzeug] | vorgestellt am 18.12.2008 (Neue Werke aus dem UCSD-Studios) von Katharina Rosenberger | UCSD | 1 | http://crca.ucsd.edu/~ben/open_end/ | ||||||||
| 32071 | Ben | Hackbarth | Passage | 1991 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | Vicki Ray, piano, David Johnson, percussion | SEAMUS EAM Vol. 7/ | 0 | ||||||||||
| 40227 | Saad | Haddad | Shifting Sands | 2016 | live-elec, 1 perf | tpt [Trompete] | Saad Haddad | 0 | |||||||||||
| 6425 | Eero | Hämeenniemi | … na fagot i tasme | 1979 | Zuspiel / Tonband, 1 perf | 3:00 | Stereo | bn [Fagott] | SME Krakow | 0 | |||||||||
| 6426 | Bernd | Hänschke | Katalog | 1976/1977 | Zuspiel / Tonband, 1 perf | 5:41 | Stereo | vc [Cello] | HfMT Köln | 0 | |||||||||
| 40143 | Nathaniel | Haering | Cimmerian Isolation | 2016 | live-elec, 1 perf | fl [Flöte] | Nathaniel Haering | 0 | |||||||||||
| 39465 | Nathaniel | Haering | Medical Text p.57 | 2017 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 40144 | Nathaniel | Haering | Resplendent Shards | 2015 | live-elec, 1 perf | vib [Schlagzeug] | Nathaniel Haering | 0 | |||||||||||
| 35797 | Bernd | Härpfer | Hustle and bustle | 2006 | live-elec, | 5.11.2006 | HfMT Köln | 0 | |||||||||||
| 31618 | Jürgen | Härtenstein | Breath Like A Guitar Hero | 2013 | live-elec, 1 perf | 5:00 | fl (und Verzerrung) [Flöte] | next_generation 5.0 | HfM Trossingen | 0 | |||||||||
| 38871 | Kerry L. | Hagan | Morphons and Bions | 2016 | fixed media, akusmatisch | Spazialisation: binaural | PD composition | CMJ Vol 41, 2017/ | Virginia Center | 0 | |||||||||
| 39982 | Kerry L. | Hagan | resolution | 2017 | fixed media, akusmatisch | 16 Tracks | Kerry L. Hagan | 0 | |||||||||||
| 34002 | Tobias | Hagedorn | 0/1 | 2012 | live-elec, | 9:03:00 | Octo | HfMT Köln | 0 | ||||||||||
| 34003 | Tobias | Hagedorn | 11 Bit | 2013 | Musikinstrument, keine EM, 3 perf | 6:03:00 | p, 2 perc [Piano, Schlagzeug] | Komposition für Klavier und zwei Schlagzeuger | HfMT Köln | 0 | |||||||||
| 37197 | Tobias | Hagedorn | Differenz | 2017 | fixed media, akusmatisch | 8:00:00 | 16 Tracks | Live-generiert (Fixed-Media) | HfM Frankfurt | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 34004 | Tobias | Hagedorn | Speaking Speakers | 2013 | fixed media, akusmatisch | 6:03:00 | Quadro | Komposition für 4 mobile akkubetriebene Lautsprecher | HfMT Köln | 0 | |||||||||
| 34005 | Tobias | Hagedorn | Studie über gekoppelte Energieverläufe | 2013 | live-elec, 1 perf | 8:37:00 | Quadro | com [computer] | Live-Elektronische Improvisation | HfMT Köln | 0 | ||||||||
| 31605 | Tobias | Hagedorn | Verlaufskopplungen | 2013 | fixed media, akusmatisch | < 7:11 | Quadro | next_generation 5.0 | HfMT Köln | 0 | |||||||||
| 32253 | Lars Petter | Hagen | Batterie sonique | 2011 | Klangkunst, Installation | underwater-Soundinstallation | Forsvarsbygg 2011 | 2011 | Karjohansvern, Horte | 0 | |||||||||
| 32254 | Lars Petter | Hagen | Elements of Light, Pantha du Prince and The Bell Laboratory | 2011 | live-elec, 2 perf, 1 group | Carillon, perc-ens, (elec) [Keyboard, Schlagzeug] | Rough Trade Records/ | 2011 | Øya Festival, Oslo | 0 | |||||||||
| 32249 | Lars Petter | Hagen | Nudes 2.0 | 1997 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 32250 | Lars Petter | Hagen | Secrets / Knowledge | 2001 | Klangkunst, Installation | 0 | |||||||||||||
| 32252 | Lars Petter | Hagen | Seven Studies in self-imposed tristesse | 2005 | fixed media, akusmatisch | VICC Visby | 2005 | Dark Music Days, Reykjavik, Iceland | 0 | http://lphagen.no/index.php?/chamber/seven-studies/ | |||||||||
| 32251 | Lars Petter | Hagen | Sharing Silence | 2004 | Klangkunst, Installation | Surround 5.1 | 2004 | UKS Biennale Oslo | 0 | http://lphagen.no/index.php?/installation/test/ | |||||||||
| 22077 | Esther | Hagenmaier | 63*9=567 | fixed media, akusmatisch | 4:34 | Von CD " Gezeiten/Acht Stücke über die Zeit" | HBK Saar/ | HBK Saar | 1 | ||||||||||
| 37848 | Dietrich | Hahne | La fin du devoir | 2017 | audiovisuell | 11-kanaliges Video | 27.10.2017 | Folkwang Hochschule Aula | 0 | ||||||||||
| 6427 | Dietrich | Hahne | La nuict froide et sembre | 1989 | Theatermusik | 19:00 | Stereo | MIDI | ICEM Essen | 0 | |||||||||
| 6428 | Dietrich | Hahne | Seemönche | 1989 | Film, 2 perf | 40:00 | cl, perc [Klarinette, Schlagzeug] | 3 Versionen: 1. Deutsche Version mit sp. 2. iT-Version ohne sp. 3. It- Version ordinario. | 0 | ||||||||||
| 28620 | Dietrich | Hahne | Serenade, ein kurzer Versuch über Liebe und Oxidation | 2006 | audiovisuell | 14:08 | Stereo | a-fl, b-fl, va, (elec) [Flöte, Viola] | Video auf 3 Flächen | ICEM Essen | 0 | ||||||||
| 37514 | Dietrich | Hahne | Vertigo | 1989 | fixed media, akusmatisch | 10:00:00 | Stereo | Korg M1, Mac SE, Performer(Software) | ICEM Essen | 0 | |||||||||
| 6429 | Dietrich | Hahne | Vertigo (Version 1) | 1989 | fixed media, akusmatisch | 10:00 | Stereo | 2 versions | ICEM Essen | 0 | |||||||||
| 33724 | Dorothée | Hahne | RestZeit | 2005 | live-elec, 1 perf | 6:54 | e-vn [Violine] | 5-saitige E-Violine und Live-Elektronik | WER ARTS 8115/ | CRFMW Liège | 1 | ||||||||
| 38458 | Keiji | Haino | Aria I Aria II Sinfonia Bonus: Drum Duo |
2005 | live-elec, 1 perf | 57 | perf [Performer] | zkr 0003/ | 0 | ||||||||||
| 41916 | David | Hainsworth | Other words | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 22017 | David | Hainsworth | Shady Origins | 1997 | fixed media, akusmatisch | 9:23 | Musidisc 247982/ NOR 05/ | Uni Texas Austin | 1 | ||||||||||
| 33641 | Daniel Perez | Hajdu | Forme, image, musique | 2009 | fixed media, akusmatisch | 7:39 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 35838 | Daniel Perez | Hajdu | Prologue pour une image | 2012 | fixed media, akusmatisch | MR 2012 Métamorphoses 2012/ | 0 | ||||||||||||
| 29675 | Georg | Hajdu | Beyond the Horizon | 2008 | live-elec, 4 perf | 7 | 2 (Bohlen-Pierce) cl, synt, Sp [Sprecher, Klarinette, synthesizer] | June 13, 2008 | Hamburg by Nora-Louise Müller, Anna Bardeli, Bohlen-Pierce clarinets; Andrej Koroliov, synthesizer; Georg Hajdu, electronics |
0 | |||||||||
| 29673 | Georg | Hajdu | Blueprint | 2009 | audiovisuell, live-elec, 6 perf | s-sax, e-gui, db, p, perc, elec, (video) [Saxophon, Piano, Gitarre, Schlagzeug, Kontrabass, elektronik] | 0 | ||||||||||||
| 29680 | Georg | Hajdu | Carillon Cologne | 2004 | live-elec, 1 perf | 1:30 | (MIDI-fied) carillon [Keyboard] | Peter Kiefer | July 14, 2004 | Köln, raumklang – klangraum | 0 | ||||||||
| 29689 | Georg | Hajdu | Die Stimmen der Sirenen | 1986/1989 | Zuspiel / Tonband, 4 perf | 14 | sax-qt [Saxophon] | May 28, 1992 | Insel Hombroich/ Neuss by Berliner Saxophon Quartett | peermusic | 0 | ||||||||
| 29690 | Georg | Hajdu | Drei Allegorien von C.D. Friedrich | 2006 | Klangkunst, Installation | 4:30 | October 7, 2006. | exhibition “Caspar David Friedrich. Inventing Romanticism.” Hamburg Kunsthalle, October 7, 2006 – January, 28 2007 | 0 | ||||||||||
| 29683 | Georg | Hajdu | Exit | 2001 | live-elec, 1 perf | 10:30 | vn, (elec) [Violine] | Peter Stein | April 1, 2001 | Burbach-Holzhausen by Peter Stein | peermusic | 0 | |||||||
| 29691 | Georg | Hajdu | Flying Cities. Installation | 2003 | Klangkunst, Installation | November 11, 2003 | Seloncourt (festival d’art) | 0 | |||||||||||
| 29687 | Georg | Hajdu | Heptadecatonic Drops | 1989/1990 | live-elec, 1 perf | 8 | MIDI-ins, (com) [synthesizer] | com in 17-tone equal temperament | February 2, 1992 | Berkeley | Thürmchen Verlag | 0 | |||||||
| 29669 | Georg | Hajdu | In ein anderes Blau | 2012 | Zuspiel / Tonband, 1 perf, 1 group | S, ens [Sopran, Ensemble] | 0 | ||||||||||||
| 29676 | Georg | Hajdu | Ivresse ’84 | 2007 | live-elec, 2 perf, 1 group | vn, laptop-ens, (elec conductor) [Violine, computer] | September 6, 2007 | János Négyesy and the European Bridges Ensemble at the Music in the Global Village Conference (Budapest) | 0 | ||||||||||
| 29671 | Georg | Hajdu | Just Her – Jester – Gesture | 2010 | live-elec, 1 perf | ins (Hugh Tracy a-kalimba), (elec) [Instrument] | 0 | ||||||||||||
| 29684 | Georg | Hajdu | Liebeserklärungen, Herzstück Blauer Engel |
1999 | live-elec, 2 perf | 1:25 | 1 - 2 disklavier [Piano] | May 31, 2000 | Cologne Triennale 2000 | 0 | |||||||||
| 29681 | Georg | Hajdu | Mind Trip | 2000 | live-elec, 5 perf | 30 | 5 perf [Performer] | 5 perf (network-ens) | October 28, 2000 | Mystik und Maschine festival in Münster | 0 | ||||||||
| 29674 | Georg | Hajdu | Radio Music, adaptation of John Cage’s Radio Music | 2008 | live-elec, 5 perf | 6 | 5 perf [Performer] | 5 perf (network-ens) | November 26, 2008 | European Bridges Ensemble at the Hamburg Klangwerktage festival | 0 | ||||||||
| 29685 | Georg | Hajdu | Riots | 1993 | live-elec, 3 perf | 11:30 | sax, e-gui, db [Saxophon, Gitarre, Kontrabass] | Missionare Neuer Musik, KMZ/ | April 12,1992 | peermusic | 0 | ||||||||
| 29672 | Georg | Hajdu | Schwer…unheimlich schwer | 2009 | live-elec, 4 perf | b-cl, va, p, perc, (elec) [Klarinette, Piano, Schlagzeug, Viola] | 0 | ||||||||||||
| 29688 | Georg | Hajdu | SLEEPLESSNESS | 1988/1997 | live-elec, 2 perf | 10 | var fl, narrator ad lib, (elec) [Flöte, Schauspieler] | June 9, 1988 | Köln, Carin Levine | peermusic | 0 | ||||||||
| 6432 | Georg | Hajdu | Spuren in der Kälte | 1991/1995 | live-elec, 3 perf | 7 | acc, (plucked) ins, elec [Akkordeon, Instrument, elektronik] | April 16, 1995 | Amsterdam by Nieuw Ensemble | peermusic | 0 | ||||||||
| 29670 | Georg | Hajdu | Swan Song | 2011 | audiovisuell, 2 perf | vc, perc, (multimedia) [Schlagzeug, Cello] | 0 | ||||||||||||
| 39809 | Georg | Hajdu | Trumpen | 2017 | fixed media, akusmatisch | Georg Hajdu | Uni Williamsburg | 0 | |||||||||||
| 29677 | Georg | Hajdu | Tsunami, Version 1 | 2006 - 2007 | live-elec, 1 perf | rec, (elec) [Flöte] | 10. Januar 2008 | Hamburg, HfMT Lucia Mense | 1st prize, 1st UnCaged toy piano competition by Phillis Chen (2007) | peermusic | 0 | ||||||||
| 29678 | Georg | Hajdu | Tsunami, Version 2 | 2006 - 2008 | live-elec, 1 perf | 4 | toy p, (elec) [Piano] | 30. Oktober 2006 | Hamburg, HfMT, Lucia Mense | peermusic | 0 | ||||||||
| 29686 | Georg | Hajdu | Two Cartoons | 1989/2006 | live-elec, 1 perf | 5 | disklavier [Piano] | Berkeley | 0 | ||||||||||
| 29682 | Georg, Stephan | Hajdu, Froleyks | StoryTeller | 2001 - 2004 | Performance, live-elec, 1 perf | perc, (interactive media) [Schlagzeug] | 0 | ||||||||||||
| 6433 | Tom | Hajdu | Picture Me in These (Ceremony of Innocence) | 1987 | fixed media, akusmatisch | 7:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 36774 | Jan-Kees | Haks | Chaos | 1989 | live-elec, 1 perf | 6 | com p (Marantz Piano, Atari-Computer) [Piano] | Sonology Den Haag | 0 | ||||||||||
| 42499 | Jose | Halac | BLOWN | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 22890 | Jose | Halac | The Breaking of the Scream | 1998 | fixed media, akusmatisch | 10:49 | Stereo | innova 116/ LDC 278072/73 Cultures Electroniques 14/ | 1 | ||||||||||
| 38764 | José, John, Nathalie, Barry | HALAC, MALLIA, SINGER, TRUAX | Synthèse | 2002 | radiophon | 54:30:00 | 0 | ||||||||||||
| 6434 | Rudolf | Halaczinsky | Varodie | 1972 | Zuspiel / Tonband, 1 group | 15:00 | ens [Ensemble] | EM ?? | 0 | ||||||||||
| 22591 | David | Haladjian | Fuggita, Sparita, Scomparsa | 1992 | fixed media, akusmatisch | 6:06 | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 29707 | Frank | Halbig | antarktika | 2006 | audiovisuell, live-elec, 5 perf | str-qt, elec, (video) [elektronik, Streicher] | 10.12. 2006 | ZKM Karlsruhe | 0 | ||||||||||
| 29704 | Frank | Halbig | bacosa | Performance, live-elec, 2 perf | sax, e-gui, (elec) [Saxophon, Gitarre] | 0 | |||||||||||||
| 29708 | Frank | Halbig | boxes | 2008 | audiovisuell | 1 | 0 | ||||||||||||
| 29694 | Frank | Halbig | cutnews | Klangkunst, Installation | 0 | ||||||||||||||
| 29696 | Frank | Halbig | das letzte band | Klangkunst, Installation | 0 | ||||||||||||||
| 29702 | Frank | Halbig | die arabische nacht | Klangkunst, Installation | 0 | ||||||||||||||
| 29703 | Frank | Halbig | die gerechten | 2003 | Musiktheater | Spielzeit 2003/04 und 2004/05 | Badisches Staatstheater Karlsruhe | 0 | |||||||||||
| 29693 | Frank | Halbig | fliege | Klangkunst, Installation | 35 | 1998 | Jahresausstellung Akademie der Bildenden Künste Nürnberg | 0 | |||||||||||
| 29692 | Frank | Halbig | klangskulptur | 1991 | Klangkunst, Installation | Klangskulptur mit Mallets oder Bogen zu spielen. Entstanden in einem Workshop mit Francois Baschet. | 1991 | Foyer Kulturzentrum Gasteig München | 0 | ||||||||||
| 29705 | Frank | Halbig | out of focus | 2004 | Film | Kurzfilm von Carsten Kraus und Philipp Rosenbeck | 2004 | 0 | |||||||||||
| 29695 | Frank | Halbig | silberschleifen | Klangkunst, Installation | 0 | ||||||||||||||
| 29699 | Frank | Halbig | therealunreal | 2003 | Performance | Juli 2003 | Medientheater der HfG im ZKM Karlsruhe | 0 | http://www.szenographisches.de | ||||||||||
| 29697 | Frank, Jakob, Samuel, Philipp, Nico, Kai | Halbig, Birken, Roecker, Rosenbeck, Vahrenkamp, Welke | viscosys.net | Performance | Medienprojekt | 2003 | HfG Karlsruhe Rundgang | 0 | |||||||||||
| 29701 | Frank, Sonja, Sabine, Markus | Halbig, Füsti, Karb, Vögele | ichich | Performance | seit 2004 | Medientheater der HfG im ZKM Karlsruhe | 0 | ||||||||||||
| 29698 | Frank, Sonja, Markus, Jürgen, Didi, Cécile-Ann, Achim, Maxi | Halbig, Füsti, Vögele, Betker, Müller, Noel, Römer, Schröder | spielstand | radiophon | 56 | SWR | 24. Juli 2003 | Südwestrundfunk | 0 | ||||||||||
| 29706 | Frank, Florian, Jesper Munk, Thorbjørn | Halbig, Grond, Jensen, Lausten | sol | 2004 | Klangkunst, Installation | seit 2004 | Steirisc[:her:]bst (Musikprotokoll), ZKM, Esbjerg Kunstmuseum, Festival della Scienza, Future University Hakodate, Tokyo Design Center | 0 | |||||||||||
| 22477 | Bo | Halén | Pulse / Breathing | 1989 | fixed media, akusmatisch | 5:08 | CD: "a new Generation" at EMS / Eight Times Falling | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 6435 | Cristóbal | Halffter | A las cinco de la tarde | 1960 | Film, 1 perf | 90:00 | Mono | ins [Instrument] | Madrid | 0 | |||||||||
| 6436 | Cristóbal | Halffter | Diferencias sobre lineas y puntos Diferencias, Lineas y Puntos |
1966 | Zuspiel / Tonband, 16 perf | 14:25 | Stereo | 3 ob, 3 cl, 3 hn, 3 tpt, 3 trbn, 1 tuba [Klarinette, Oboe, Horn, Trompete, Posaune, Tuba] | IDEAMA CD 018/ | STEM Utrecht | 0 | ||||||||
| 6437 | Cristóbal | Halffter | Gaudium et spes | 1972/1973 | Zuspiel / Tonband, 1 group | ch [Chor] | WDR SEM | WDR 1973 | 0 | ||||||||||
| 6438 | Cristóbal | Halffter | La cornada | 1960 | Theatermusik | 40:00 | Mono | Madrid | 0 | ||||||||||
| 32729 | Cristóbal | Halffter | Lineas y Puntos | 1967 | Zuspiel / Tonband, 16 perf | 14:25 | 3 ob, 3 cl, 3 hn, 3 tpt, 3 trbn, 1 tuba [Klarinette, Oboe, Horn, Trompete, Posaune, Tuba] | STR 33399/ | Sonology Den Haag, EXperimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 6440 | Cristóbal | Halffter | MIZAR II | 1980 | Zuspiel, live-elec, 2 perf | 2 fl [Flöte] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 6441 | Cristóbal | Halffter | Noche pasiva del sentido | 1971 | live-elec, 3 perf | V, 2 perc [Stimme, Schlagzeug] | SCK 70356/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||||
| 6442 | Cristóbal | Halffter | Planto por las victimas de la violencia | 1971 | live-elec, 18 perf | 20:53 | 3 fl, 3 ob, 3 cl, 4 perc, p, str-qt [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Streicher] | first piece using the Halaphon (?) | DMR Musik in Deutschland 1950 - 2000: Experimentalstaudio SWR/ STR 33399/ | Experimentalstudio für Akustische Kunst Freiburg | prix RAI 1976 | 0 | |||||||
| 6443 | Cristóbal | Halffter | Variaciones sobre la resonancia de un grito | 1977 | Zuspiel, live-elec, 11 perf | 3 cl, 3 trbn, 3 vc, p, hpd [Klarinette, Posaune, Piano, Cembalo, Cello] | Inventionen 1.2.1985 AdK | WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ STR 33399/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | 1985 | ||||||||
| 6439 | Cristóbal, Hubertus | Halffter, Kirchgäßner | La soledad sonora… La musica callada | 1983 | intermedia | acoustical & optical environment | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 39892 | Jeff | Hall | Temple of Oblivion | 2017 | fixed media, akusmatisch | Jeff Hall | 0 | ||||||||||||
| 39935 | Jordan | Hall | How to Listen to Machines: Refrigeration Fan in E-flat Major | 2017 | fixed media, akusmatisch | Jordan Hall | 0 | ||||||||||||
| 6444 | Marleen van | Hall | De kale zangeres, The bald Prima Donna | 1957 | Theatermusik | Klangkunst, Installation |
30:00 | Mono | Ionesco (1949). First elec work realised at TH Delft. |
TH Delft | Toneelwerkgroep Test | 0 | ||||||||
| 40930 | Marleen van | Hall | Jacques of de onderwerping, Jack, or the Submission | 1958 | Theatermusik | Klangkunst, Installation |
30:00 | Mono | Ionesco (1950) | TH Delft | Toneelwerkgroep Test | 0 | ||||||||
| 6445 | Per | Hall | Slagen | 1988 | fixed media, akusmatisch | 3:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 24190 | Simon | Hall | Klink…! | 2002 | fixed media, akusmatisch | 1:06 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 6446 | Simon | Hall | Taking the gliss | 1994 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | b-trbn [Posaune] | BEAST | 0 | |||||||||
| 6447 | Simon | Hall | Transcending the Body and Soul | 1994 | fixed media, akusmatisch | 10:00 | Stereo | BEAST | 0 | ||||||||||
| 28749 | Tom, Katy | Hall, Price | under the yoke | 2010 | live-elec, 6 perf | fl, trbn, gui, perc, narrator, laptop [Flöte, Posaune, Gitarre, Schlagzeug, Schauspieler, computer] | 1 | http://supercollider2010.de/concerts-installations.html | |||||||||||
| 39628 | Brian | Haller | Tangential | 2016 | fixed media, akusmatisch | Brian Haller | 0 | ||||||||||||
| 6448 | Hans Peter | Haller | Donaueschinger Klangspiele - ein Schulversuch II | 1980 | fixed media, akusmatisch | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 6449 | Hans Peter | Haller | Gruppenimprovisation nach einem Modell von Hans Peter Haller | live-elec, 5 perf | perc, sax, p, synt, actor [Saxophon, Piano, Schlagzeug, Schauspieler, synthesizer] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 6451 | Hans Peter | Haller | Spectral | 1976 | live-elec, 6 perf | ww-qnt, cymbal [Schlagzeug, Bläser] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 6452 | Hans Peter | Haller | Variationen | live-elec, 1 perf | org [Orgel] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 6450 | Hans Peter, Heinz | Haller, Hostnig | Kassettenkonzert - ein Schulversuch I | 1979 | fixed media, akusmatisch | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 6455 | Lars David | Hallnäs | Den lyckliga vetskapen | 1973 | fixed media, akusmatisch | 12:00 | Quadro | SR Stockholm, EMS Stockholm | 0 | ||||||||||
| 6456 | Lars David | Hallnäs | Refutations | 1974 | fixed media, akusmatisch | 11:00 | Stereo | SR Stockholm | 0 | ||||||||||
| 6457 | Jonathan | Hallström | Telos | 1987 | Zuspiel / Tonband, 1 perf | p [Piano] | CCRMA | 0 | |||||||||||
| 6458 | Tor | Halmrast | Aqueduct | 1992 | fixed media, akusmatisch | 12:46 | for Expo 92 Sevilla | HCD 2901/ | NOTAM | 0 | |||||||||
| 6459 | Tor | Halmrast | Icille | fixed media, akusmatisch | 21:29 | for Expo 92 Sevilla | HCD 2901/ | NOTAM | 0 | ||||||||||
| 6460 | Tor | Halmrast | Motgift | fixed media, akusmatisch | 0:52 | HCD 2901/ | NOTAM | 0 | |||||||||||
| 6461 | Tor | Halmrast | Oppbrudd | 1990 | fixed media, akusmatisch | 8:30 | Rostrum 90 Oslo | HCD 2901/ | PS IACS, NRK Oslo | 1 | |||||||||
| 6462 | Tor | Halmrast | Varang | fixed media, akusmatisch | 9:48 | HCD 2901/ | NOTAM | 0 | |||||||||||
| 36894 | Bnaya | Halperin-Kaddari | Kinky Kings | 2014 | Zuspiel / Tonband, 5 perf | Stereo | fl, cl, p, vn, vc [Flöte, Klarinette, Piano, Cello, Violine] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 18488 | Kamal | Hamadache | Bouraq | 1992 | fixed media, akusmatisch | 22:40 | IMEB Bourges | 0 | |||||||||||
| 24862 | Bengt | Hambraeus | Capriccio I | 1980 | Zuspiel / Tonband, 1 perf | 6:58 | hpd [Cembalo] | Spiteri | SNE 542/ | 0 | |||||||||
| 6463 | Bengt | Hambraeus | Constellations II, Konstellationer II | 1959 | fixed media, akusmatisch | 16:10 | Stereo | för orgelklanger | PSCD 91-1 Phono Suecia/ LS 86052/ IDEAMA CD 136/ | Fonologia Milano, SR Stockholm | 1 | ||||||||
| 6464 | Bengt | Hambraeus | Doppelrohr II | 1956 | fixed media, akusmatisch | 3:55 | Mono | PSCD 41 Phono Suecia/ BVHAAST 9106/ FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ CDCD 5067/ IDEAMA CD 097/ | WDR SEM | 30.5.1956 | Funkhaus WDR Köln "Musik der Zeit" | 1 | |||||||
| 6465 | Bengt | Hambraeus | Experiment X | 1970 | Musiktheater | 15:00 | Stereo | SR Stockholm | 0 | ||||||||||
| 6466 | Bengt | Hambraeus | Fresque sonore | 1965/1967 | fixed media, akusmatisch | 28:05 | Stereo | SR Stockholm | 0 | ||||||||||
| 20240 | Bengt | Hambraeus | Intrada: "Calls" | 1975 | fixed media, akusmatisch | 7:10 | Stereo | ACM 37 CD 1-4/ | 0 | ||||||||||
| 6467 | Bengt | Hambraeus | Klassiskt spel | 1965 | Tanz | 27:00 | Stereo | SR Stockholm | 0 | ||||||||||
| 6469 | Bengt | Hambraeus | Lycko-Pers resa | 1957 | radiophon | 0 | |||||||||||||
| 6470 | Bengt | Hambraeus | Mirrors | Zuspiel / Tonband, 1 perf | Stereo | ob [Oboe] | 0 | ||||||||||||
| 6471 | Bengt | Hambraeus | Rota II | 1963 | fixed media, akusmatisch | 12:12 | Stereo | sounds from org and bells | CAP 7/ IDEAMA CD 010/ | Siemens | 1963 | 0 | |||||||
| 6472 | Bengt | Hambraeus | Sounds for scenes | 1973 | fixed media, akusmatisch | 22:00 | Stereo | EMS Stockholm, McGill Montréal | 0 | ||||||||||
| 6473 | Bengt | Hambraeus | Tetragon | 1965 | fixed media, akusmatisch | 17:00 | Quadro | CAP 7/ | SR Stockholm | 0 | |||||||||
| 6474 | Bengt | Hambraeus | Tornado | 1976 | fixed media, akusmatisch | 10:18 | Stereo | McGill MR 2001-01-2 Disc 1/ | McGill Montréal | 1 | |||||||||
| 6475 | Bengt | Hambraeus | Transit I | 1964 | fixed media, akusmatisch | 9:00 | Stereo | bell sounds | Siemens | 0 | |||||||||
| 6476 | Bengt | Hambraeus | TV intermisson signal | 1957 | Hintergrundmusik | 0:08 | Mono | SR Stockholm | 0 | ||||||||||
| 6477 | Bengt | Hambraeus | Vignettes to a radio program | 1957 | Hintergrundmusik | 00:08-00:19 | Mono | SR Stockholm | 0 | ||||||||||
| 6478 | Bengt | Hambraeus | Visioner över en svensk | 1959 | fixed media, akusmatisch | 2:50 | Stereo | non-existent | Fonologia Milano | 0 | |||||||||
| 6479 | Keith | Hamel | Lands of Shades | 1982 | Zuspiel / Tonband, 6 perf | 10:00 | Stereo | 6 V [Stimme] | MIT Media Lab | Procan Award 1982 | 0 | ||||||||
| 6480 | Keith | Hamel | Obsessions III | 1986 | Zuspiel / Tonband, 4 perf, 1 group | 12:00 | Stereo | cl, Kbds, perc, b [Bass, Klarinette, Keyboard, Schlagzeug] | Queens Uni Kingston | 0 | |||||||||
| 6481 | Keith | Hamel | Symposium | 1985 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | perc [Schlagzeug] | MIT Media Lab | 0 | |||||||||
| 42616 | Keith | Hamel | Traces II | 1995, 2007 | live-elec, 1 perf | 10 | cl [Klarinette] | 0 | |||||||||||
| 6482 | Peter Michael | Hamel | Acid-Organ | 1972 | Zuspiel / Tonband, 2 perf | V, p [Stimme, Piano] | 0 | ||||||||||||
| 6483 | Peter Michael | Hamel | Dharana (rev. 1973) | 1972 | Zuspiel / Tonband, 1 perf, 1 group | p, orc [Piano, Orchester] | WER SM 1011/ | 0 | |||||||||||
| 6484 | Peter Michael | Hamel | Sophrosyne | 1971 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 6485 | Peter Michael | Hamel | syn-musik | 1971 | Zuspiel / Tonband, 3 perf | Quadro | V, e-org, str (Lotos-Gambe) [Stimme, Keyboard, Streicher] | 0 | |||||||||||
| 6486 | Peter Michael | Hamel | tat tvam asi (Meditationsmusik) | 1973 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 25575 | Myriam | Hamer-Lavoie | Et pluie souffle… | 2005 | fixed media, akusmatisch | 6:24 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | winner JTTP 2006 5. prize | 1 | ||||||||
| 6487 | Richard David | Hames | A Bell Ringing in the Empty Sky | 1976 | Zuspiel / Tonband, 3 perf | 18:00 | 3 ins [Instrument] | 0 | |||||||||||
| 42988 | Bruce | Hamilton | Attractors | 2013 | live-elec, 2 perf | 8:47:00 | p, vib [Piano, Schlagzeug] | Denise Fillion, piano; Christopher Graham, vibraphone | 0 | ||||||||||
| 32069 | Bruce | Hamilton | Interzones | 1996 | Zuspiel / Tonband, 1 perf | vib [Schlagzeug] | Bruce Hamilton, vibraphone | SEAMUS EAM Vol. 7/ | 0 | ||||||||||
| 32074 | Bruce | Hamilton | Moto | 1998 | fixed media, akusmatisch | SEAMUS EAM Vol. 8/ | ASCAP/SEAMUS | 0 | |||||||||||
| 40199 | Robert | Hamilton | Carillon | 2016 | fixed media, akusmatisch | Robert Hamilton | 0 | ||||||||||||
| 40200 | Robert | Hamilton | Carrilon | 2016 | fixed media, akusmatisch | Robert Hamilton | 0 | ||||||||||||
| 40198 | Robert | Hamilton | One Who Lives Near the Olive Tree | 2017 | fixed media, akusmatisch | Robert Hamilton | EMPAC | 0 | |||||||||||
| 34543 | Peter, Claude | Hamlin, Vivier | Hall-Music Stair-Music, Random Music |
1972 | fixed media, akusmatisch | 35:40 | Stereo | Peter Hamlin - Hall-music - right track (in C-dur) Claude Vivier - Stair-music - left track |
Sonology Utrecht | 0 | |||||||||
| 17354 | Peter, Claude | Hamlin, Vivier | Random Music Studium General TOEVAL, Random Music, Hall-Music Stair-Music |
1972 | Hintergrundmusik | intermedia |
35:40 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 6488 | Charles | Hamm | Canto 1963 | 1963 | Zuspiel / Tonband, 7 perf | 6:23 | Mono | S, Sp, fl, cl, sax, prep p, perc [Sopran, Sprecher, Flöte, Klarinette, Saxophon, Piano, Schlagzeug] | HE HS 25047 LP/ | EMS UIUC | 0 | ||||||||
| 6489 | Charles | Hamm | Concerto for piano and tape | 1962 | Zuspiel / Tonband, 1 perf | 6:00 | Mono | p [Piano] | PS C. New Orleans | 0 | |||||||||
| 6490 | Charles | Hamm | Mobile | 1966 | Zuspiel / Tonband, 1 perf | 6:00 | Mono | p [Piano] | PS C. Urbana | 0 | |||||||||
| 6491 | Charles | Hamm | Portrait of John Cage | 1963 | Zuspiel / Tonband, 1 perf | 8:00 | Mono + Mono + Mono + Mono | p [Piano] | PS C. New Orleans | 0 | |||||||||
| 6492 | Charles | Hamm | Round | 1964 | fixed media, akusmatisch | several realizations | PS C. Urbana | 0 | |||||||||||
| 6493 | Wolfgang | Hamm | Flugblätter | 1969 | Zuspiel / Tonband, 2 perf, 1 group | Vs, ins [Stimme, Instrument] | 0 | ||||||||||||
| 38565 | Wolfgang | HAMM | Magische Momente | 2008 | radiophon | 49:52:00 | 0 | ||||||||||||
| 28129 | Michael | Hamman | discourse/current | 1994 | fixed media, akusmatisch | 8:58 | Stereo | Chris Mann (Reader) | CPS 8693 Capstone/ | 0 | |||||||||
| 38411 | Michael | Hamman | Replatrage | fixed media, akusmatisch | 7:33 | Neuma 450-99/ | 0 | ||||||||||||
| 22932 | Michael | Hamman | topologies / surfaces / oblique angles / installed parameters | 1994 | fixed media, akusmatisch | 6:11 | Neuma 450-92/ | 1 | |||||||||||
| 6494 | Thomas | Hammar | Att | 1984 | Zuspiel / Tonband, | 10:57 | Stereo | 0 | |||||||||||
| 6495 | Thomas | Hammar | Attribut | Zuspiel, live-elec, 3 perf | 30:00-45:00 | V, gui, e-gui [Stimme, Gitarre] | 0 | ||||||||||||
| 6496 | Thomas | Hammar | Blomsterunge A & B | 1976/1978 | fixed media, akusmatisch | 36:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6497 | Thomas | Hammar | c/o | 1984 | Tanz | 35:00 | Stereo | 0 | |||||||||||
| 6498 | Thomas | Hammar | Dolomoimniet | 1981 | fixed media, akusmatisch | 33:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6499 | Thomas | Hammar | Fältskär : mf | 1978 | fixed media, akusmatisch | 30:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6500 | Thomas | Hammar | HLA (Hjärna Löper Amok) | 1976/1978 | fixed media, akusmatisch | 14:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6501 | Thomas | Hammar | Paddans första förvanding | 1981 | fixed media, akusmatisch | 30:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 6502 | Thomas | Hammar | Press | 1978 | fixed media, akusmatisch | 32:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6503 | Thomas | Hammar | Självfel | 1978 | Oper | 72:00 | Stereo | version together with "Flyktförsvar" and "HLA" | EMS Stockholm | 0 | |||||||||
| 6504 | Simon | Hampshire | Armageddon and the Mad Prophet | 1986 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | Sp [Sprecher] | Uni Southampton | 0 | |||||||||
| 27742 | Robert, David | Hampson, Shea | untitled 2 | 1996 | live-elec, 2 perf | 21:03 | 2 perf [Performer] | recorded live at upstairs at the garage.london.may 12.1996 quantum051 |
sub rosa Ltd CD 46/ | 12.05.1996 | garage.london | 1 | http://www.scannerdot.com/scanner.shtml | ||||||
| 36438 | Sun-Mi | Han | Who Am I | 2010 | Klangkunst, Installation | 4:15:00 | Besenkammer bb 03/ | 0 | |||||||||||
| 37177 | Dirk | Handreke | Waagemut | Klangkunst, Installation | ∞ | HfM Trossingen | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | |||||||||||
| 6505 | Eduard | Hanisch | Das neue Paradies | 1959 | Zuspiel / Tonband, 2 perf, 3 groups | 23:00 | Mono | V, ch, Sps, orc [Sprecher, Stimme, Chor, Orchester] | elec mod. speech | Siemens | NDR Funkhaus Hannover | 12.4.1960 | BR | 0 | |||||
| 6506 | Eduard | Hanisch | Objekt | 1962 | Zuspiel / Tonband, 2 perf, 2 groups | 9:00 | Stereo | inss, Sps [Sprecher, Instrument] | elektr. Klanggestaltung | Siemens | 1962 | Tage der Neuen Musik Hannover 1962 | 0 | ||||||
| 37979 | Kevin | Hanlon | Variations for saxophone and tape delay | 1973 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | CRI SD 431/ | Uni of Texas at Austin | 0 | ||||||||||
| 36448 | Camilla | Hannan | Double Glazed | 2007 | radiophon | 4:54:00 | EDRM 417/ | 0 | |||||||||||
| 20241 | Peter | Hannan | Breakdown | 1986 | live-elec, 2 perf | 8:22 | Stereo | a-rec, synt [Flöte, synthesizer] | SRI 001/ | 0 | |||||||||
| 6507 | Peter | Hannan | Pandemic | fixed media, akusmatisch | 14:31 | Stereo | 0 | ||||||||||||
| 6508 | Peter | Hannan | RSRCH 2/84 | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 6509 | Peter | Hannan | RSRCH 4/83 | 1983 | live-elec, 1 perf | 10:00 | Stereo | t-rec, (delay) [Flöte] | SRI 001/ | 0 | |||||||||
| 23044 | Johannes | Hannemann | Klavierkonzert für Neo-Bechstein-Flügel und Orchester | 1932 | live-elec, 1 perf, 1 group | Neo-Bechstein p, orc [Piano, Orchester] | 4.12.1932 | Danzig, Orchester des Danziger Stadttheaters, Dirigent: Erich Orthmann, Klavier: Johannes Hannemann | 0 | ||||||||||
| 38765 | Tom, Ward | HANNES, WEIS | Chauncecleer – A Medieval Circus on the Canterbury Tales | 2001 | radiophon | 52:06:00 | 0 | ||||||||||||
| 38766 | Tom, Ward | HANNES, WEIS | Liffey | 2003 | radiophon | 60:05:00 | 0 | ||||||||||||
| 22372 | Mark | Hannesson | Burdizzo | 2000 | fixed media, akusmatisch | 6:07 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | JTTP 2000 winner 5. prize | 1 | ||||||||
| 35442 | Mark | Hannesson | Hidden_intensions | 2009 | fixed media, akusmatisch | Modisti 07/ | 0 | ||||||||||||
| 36955 | Mark | Hannesson | mer | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 24191 | Mark | Hannesson | Reverberance | 2002 | fixed media, akusmatisch | 4:04 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 34086 | Devon | Hansen | Habitation | 2015 | fixed media, akusmatisch | 5:30:00 | Stereo, 5 tracks | JTTP 2015 | JTTP-Winner 2015 5. prize | 0 | |||||||||
| 23576 | Peter | Hansen | Winter Air | 2003 | Klangkunst, Installation | 4:21 | The hidden City - Sound Portraits from Göteborg; performed by Göteborgsmusiken | SR 219 sub rosa/ | 1 | ||||||||||
| 32996 | Sten | Hanson | 8 Variations sur une polska de hammerdal | fixed media, akusmatisch | 6:11 | LDC 2781124/ | EMS Stockholm | 0 | |||||||||||
| 22336 | Sten | Hanson | 96 | fixed media, akusmatisch | 3:45 | Infogram 045/2/ | 1 | ||||||||||||
| 6510 | Sten | Hanson | A Living Man | 1972 | fixed media, akusmatisch | 20:00 | Quadro | 0 | |||||||||||
| 6512 | Sten | Hanson | A spacy Place | 1975/1978 | Zuspiel/Tonband, | Tanz |
11:00 | Stereo | choreo H.von Essen | 0 | ||||||||||
| 6514 | Sten | Hanson | Adagio | 1980 | fixed media, akusmatisch | 10:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 6515 | Sten | Hanson | Apelsinträdet | 1975 | Tanz | 11:00 | Stereo | choreo H.von Essen | 0 | ||||||||||
| 6516 | Sten | Hanson | Au 197,0 | 1976 | fixed media, akusmatisch | Tanz |
5:40 | Stereo | choreo S.Valentino; Text-Sound-Composition | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 2 Text-Sound Compositions/ | Fylkingen | 1 | ||||||||
| 6519 | Sten | Hanson | Bonne nuit | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 6520 | Sten | Hanson | Che | 1968 | fixed media, akusmatisch | 1:25 | Quadro | txtcompo | PSCD 41 Phono Suecia/ FYCD 1024 CD 2 Text-Sound Compositions/ IDEAMA CD 045/ | EMS Stockholm | 1 | ||||||||
| 6521 | Sten | Hanson | Che Che Che | 1971 | Film | 50:00 | Stereo | 0 | |||||||||||
| 18490 | Sten | Hanson | Cinq roches dans la rivière | 1992 | Zuspiel / Tonband, 1 perf | 11:57 | fl [Flöte] | IMEB Bourges | 0 | ||||||||||
| 18495 | Sten | Hanson | Cors | 1996 | fixed media, akusmatisch | 13:27 | IMEB Bourges | 0 | |||||||||||
| 6526 | Sten | Hanson | Coucher et souffler | 1968 | fixed media, akusmatisch | 3:30 | Stereo | txtcompo | RELP 1054/ FYCD 1024 CD 2 Text-Sound Compositions/ | EMS Stockholm | 1 | ||||||||
| 24310 | Sten | Hanson | Cuica | 1988 | fixed media, akusmatisch | 5:42 | FER 1048 Firework Edition Records/ | EMS Stockholm | 1 | ||||||||||
| 6527 | Sten | Hanson | Dance Figure, for Ep | 1969 / 1973 | Fernsehen, | Performance |
7:30 | FYLP 1022/ Sound Art - Salon Verlag Köln/ | 0 | |||||||||||
| 6528 | Sten | Hanson | Dance figure (for E.P.) | 1970 | fixed media, akusmatisch | 1:55 | Stereo | FYLP 1022/ | 0 | ||||||||||
| 24314 | Sten | Hanson | Das große Kuckucksuhr- Pingpong Rondo | 1998 | fixed media, akusmatisch | 4:35 | FER 1048 Firework Edition Records/ | EMS Stockholm | 1 | ||||||||||
| 6529 | Sten | Hanson | Don't hesitate do it, do it | 1969 | fixed media, akusmatisch | 3:40 | Stereo | IDEAMA CD 099/ | 0 | ||||||||||
| 6531 | Sten | Hanson | Extrasensory Conception IV | 1972 | live-elec, | 5:00 | 0 | ||||||||||||
| 6532 | Sten | Hanson | Extrasensory Conception VI | 1973 | Zuspiel / Tonband, | 11:00 | Stereo | 0 | |||||||||||
| 24308 | Sten | Hanson | Extrasensory Conceptions II | 1973 | live-elec, 1 perf | 4:34 | home made ins [Instrument] | FER 1048 Firework Edition Records/ | 1 | ||||||||||
| 19285 | Sten | Hanson | Five stones in the river | 1992 | Zuspiel / Tonband, 1 perf | 12:19 | fl [Flöte] | PSCD 91-1 Phono Suecia/ | IMEB Bourges | 1 | |||||||||
| 6534 | Sten | Hanson | Fnarp(e) | 1970 | radiophon | 9:41 | txtcompo | PSCD 63 Phono Suecia/ FYLP 1022/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 0 | |||||||||
| 6535 | Sten | Hanson | For Fylax with Love | 1986 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 24307 | Sten | Hanson | Från koltrast till kaos | 2002 | fixed media, akusmatisch | 4:07 | FER 1048 Firework Edition Records/ | swedish king | 1 | ||||||||||
| 28108 | Sten | Hanson | Fruits de mer | 1962 | fixed media, akusmatisch | 3:48 | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | 0 | |||||||||||
| 6537 | Sten | Hanson | Hallo piano, hallo room | 1973 | fixed media, akusmatisch | 10:00 | 0 | ||||||||||||
| 6538 | Sten | Hanson | Hermetic Back piece | 1975 | Zuspiel / Tonband, | 4:00 | Stereo | Infogram 045/2/ | 1 | ||||||||||
| 24312 | Sten | Hanson | Hiver des loups (Winter of the Wolves) | 2002 | fixed media, akusmatisch | 6:25 | FER 1048 Firework Edition Records/ | IMEB Bourges | 0 | ||||||||||
| 6540 | Sten | Hanson | How are you AN-197.0 New York, New York |
fixed media, akusmatisch | radiophon |
13:00 | txtcompo | EMS Stockholm | 0 | |||||||||||
| 6539 | Sten | Hanson | How are you? | 1969 | fixed media, akusmatisch | 2:20 | Stereo | PSCD 41 Phono Suecia/ IDEAMA CD 047/ | EMS Stockholm | 1 | 2002 | ||||||||
| 24421 | Sten | Hanson | Hymne à la beauté | 1995 | fixed media, akusmatisch | 2:48 | LDC 2781124/ | IMEB Bourges | 0 | ||||||||||
| 37903 | Sten | Hanson | Inscription Mise Sur La Porte De Thélème | 1994 | fixed media, akusmatisch | 4:09 | LDC 2781105/ | IMEB Bourges | 0 | ||||||||||
| 6541 | Sten | Hanson | Inspiration | 1976 | Tanz | 32:00 | Stereo | choreo H.von Essen | 0 | ||||||||||
| 6542 | Sten | Hanson | L'Inferno de Strindberg | 1970 | fixed media, akusmatisch | 9:59 | Quadro | CAP 1035 LP/ FER 1048 Firework Edition Records/ | 1 | ||||||||||
| 6543 | Sten | Hanson | La destruction de votre code génétique par drogues, toxines et irradiation | 1969 | fixed media, akusmatisch | 2:00 | Stereo | RELP 1072/ FYCD 1024 CD 2 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 24311 | Sten | Hanson | La lutte du siècle | 1999 | fixed media, akusmatisch | 5:16 | FER 1048 Firework Edition Records/ | IMEB Bourges | 1 | ||||||||||
| 24422 | Sten | Hanson | La mer d'Ulysse | 1999 | fixed media, akusmatisch | 15:02 | LDC 2781124/ | IMEB Bourges | 0 | ||||||||||
| 6544 | Sten | Hanson | La sera, a letto, ella rileggeva la lettera del suo artigliere al fronte | 1979 | intermedia | 4:30 | trilogy dedicated to the pioneers of experimental art. "a propos Marcel" (1980); "Take the Cage Train" (1978); "La sera …" (1979, dedicated to F. T. Marinetti) |
EMS Stockholm | 0 | ||||||||||
| 18493 | Sten | Hanson | La ultima palabra de amor | 1994 | fixed media, akusmatisch | 7:40 | LDC 2781124/ | IMEB Bourges | 0 | ||||||||||
| 6545 | Sten | Hanson | Lamentation | 1973 | Zuspiel / Tonband, | 8:00 | Stereo | 0 | |||||||||||
| 6546 | Sten | Hanson | Landskapsmusik 1971 | 1971 | fixed media, akusmatisch | 25:00 | Octo | Collective compo | Fylkingen | 0 | |||||||||
| 6547 | Sten | Hanson | Landskapsmusik 1972 | 1972 | fixed media, akusmatisch | 28:00 | Octo | Collective compo | Fylkingen | 0 | |||||||||
| 6548 | Sten | Hanson | Le Rire | 1974 | Tanz | 6:00 | Stereo | Mime by DominiqueLannes | 0 | ||||||||||
| 18492 | Sten | Hanson | Le torche cul | 1994 | fixed media, akusmatisch | 14:40 | LDC 2781105/ | IMEB Bourges | 0 | ||||||||||
| 6549 | Sten | Hanson | Le Vol d'Icare | 1983 | fixed media, akusmatisch | 20:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 6550 | Sten | Hanson | Le Vol du Bourdon | 1982 | fixed media, akusmatisch | 14:30 | Stereo | GMEB 84004/ | IMEB Bourges | 1 | |||||||||
| 6551 | Sten | Hanson | Les noms des 7 nuits | 1975 | fixed media, akusmatisch | 20:14 | Stereo | LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||||
| 18496 | Sten | Hanson | Les sabots du Bouc | 1997 | fixed media, akusmatisch | 11:20 | The Hooves of the Buck | Elektron EM 1001/ | IMEB Bourges | 1 | |||||||||
| 6552 | Sten | Hanson | Lettre d’un étranger | 1988 | fixed media, akusmatisch | 9:37 | FER 1048 Firework Edition Records/ | EMS Stockholm, IMEB Bourges | 1 | ||||||||||
| 6555 | Sten | Hanson | Nightwoods II | 1979 | Zuspiel / Tonband, 3 perf | 8:43 | 3 cl [Klarinette] | FER 1048 Firework Edition Records/ | 1 | ||||||||||
| 24306 | Sten | Hanson | Nightwoods IV | 1990 | Zuspiel / Tonband, 2 perf | 7:31 | p {4 hands} [Piano] | FER 1048 Firework Edition Records/ | 1 | ||||||||||
| 6557 | Sten | Hanson | Oips! | 1971 | radiophon | 9:39 | txtcompo | PSCD 63 Phono Suecia/ FYLP 1022/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 6558 | Sten | Hanson | Ouhm! | 1973 | fixed media, akusmatisch | 16:00 | Quadro | txtcompo | PSCD 63 Phono Suecia/ FYLP 1022/ CAP 60008 Beilage Buch Sanne Krogh Groth/ Sound Art - Salon Verlag Köln/ |
EMS Stockholm | 1 | ||||||||
| 6559 | Sten | Hanson | Paris - Stockholm II. Conversation with François | 1983 | fixed media, akusmatisch | 0 | |||||||||||||
| 18494 | Sten | Hanson | Peckos | 1995 | fixed media, akusmatisch | 14:07 | LDC 2781124/ | IMEB Bourges | 0 | ||||||||||
| 24305 | Sten | Hanson | Pierre Chemin de fer | 1996 | fixed media, akusmatisch | 3:28 | hommage à Schaeffer | FER 1048 Firework Edition Records/ | IMEB Bourges | 1 | |||||||||
| 6561 | Sten | Hanson | Play Power 2 | 1976 | Zuspiel / Tonband, 1 perf | 13:25 | Stereo | bn [Fagott] | FYLP 1011/ | 1 | |||||||||
| 6562 | Sten | Hanson | Play power 3 | 1985 | Zuspiel / Tonband, 1 perf | org [Orgel] | 0 | ||||||||||||
| 6563 | Sten | Hanson | Play Power 6 | 1982 | Zuspiel / Tonband, | 34:00 | Quadro | 0 | |||||||||||
| 6564 | Sten | Hanson | Play Power 8 | 1983 | Zuspiel / Tonband, | 15:00 | 0 | ||||||||||||
| 6565 | Sten | Hanson | Play Power 9 | 1982 | Zuspiel / Tonband, | 10:00 | 0 | ||||||||||||
| 6566 | Sten | Hanson | Portrait of the composer as an unrestrainable genius | 1990 | intermedia, live-elec, 1 perf | ins (lergök) [Instrument] | slides | 0 | |||||||||||
| 24313 | Sten | Hanson | Printemps septentrional (Arctic Spring) | 2002 | fixed media, akusmatisch | 7:05 | FER 1048 Firework Edition Records/ | IMEB Bourges | 0 | ||||||||||
| 6567 | Sten | Hanson | Quick Lunch | 1981 | Film | 5:00 | 0 | ||||||||||||
| 6568 | Sten | Hanson | Railroad poem or Kaffe i Hackås | 1970 | fixed media, akusmatisch | 2:20 | Stereo | 0 | |||||||||||
| 6569 | Sten | Hanson | Requiem | 1987 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 6570 | Sten | Hanson | Revolution | 1970 | fixed media, akusmatisch | 3:40 | Stereo | 0 | |||||||||||
| 6571 | Sten | Hanson | Rise and Shine | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 6572 | Sten | Hanson | Robbespierres sista natt | 1975 | Oper | 70:00 | Stereo | 0 | |||||||||||
| 6573 | Sten | Hanson | Skärp dig för fan | 1990 | fixed media, akusmatisch | 2:00 | txtcompo | 0 | |||||||||||
| 6574 | Sten | Hanson | Skolan | 1976 | Tanz | 6:30 | Stereo | choreo H.von Essen | 0 | ||||||||||
| 6575 | Sten | Hanson | Stockholm Firework & Watermusic | 1978 | fixed media, akusmatisch | 32:00 | Stereo | Collective compo | Fylkingen | 0 | |||||||||
| 6576 | Sten | Hanson | Subface | 1970 | fixed media, akusmatisch | 4:10 | Stereo | 0 | |||||||||||
| 6578 | Sten | Hanson | Suite Brasiliera | 1993 | fixed media, akusmatisch | 14:00 | 6 parts | INFOGRAM 018/ LDC 2781124/ | IMEB Bourges | 1 | |||||||||
| 6579 | Sten | Hanson | Take a Cagetrain | 1978 | intermedia | 54:00 | trilogy dedicated to the pioneers of experimental art. "a propos Marcel" (1980); "Take the Cage Train" (1978); "La sera …" (1979). The latter is dedicated to F. T. Marinetti. |
0 | |||||||||||
| 6583 | Sten | Hanson | The Flight of the Bumble Bee | 1977 | fixed media, akusmatisch | 14:36 | FYLP 1029/ FER 1048 Firework Edition Records/ | IMEB Bourges | 1 | ||||||||||
| 6584 | Sten | Hanson | The Glorious Desertion | 1969 | fixed media, akusmatisch | 3:10 | Stereo | EMS Stockholm | 1 | 1986 | |||||||||
| 6585 | Sten | Hanson | The John Carter Song Book | 1982/1985 | fixed media, akusmatisch | intermedia |
30:00 | Stereo, Quadro | parts: Morning on Barsoom; Battle Song of Tars Tarkas and the Green Warriors; Bestiary; The Chessmen of Mars; The Love Song of the Red Princess; The Birthplace of Matter | PSCD 30 Phono Suecia/ | EMS Stockholm, Fylkingen, Brooklyn Coll, IMEB Bourges | 1 | ||||||||
| 6587 | Sten | Hanson | The New York Lament | 1981 | Zuspiel/Tonband, | audiovisuell |
4:00 | Stereo | 0 | |||||||||||
| 6588 | Sten | Hanson | Und so weiter | 1990 | Musiktheater, 1 perf | 6:00 | actor [Schauspieler] | 1990-03-14 Stockholm, Kulturhuset | 0 | ||||||||||
| 6589 | Sten | Hanson | Växtlighet | 1975 | Tanz | 7:00 | Stereo | choreo H.von Essen | 0 | ||||||||||
| 6590 | Sten | Hanson | Western Europe 1969 | 1969 | fixed media, akusmatisch | 2:30 | Quadro | RELP 1072/ FYCD 1024 CD 2 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 6591 | Sten | Hanson | Wheelchair | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 6592 | Sten | Hanson | Wienerlieder | 1986 | Zuspiel / Tonband, 2 perf | 9:20 | S, perc [Sopran, Schlagzeug] | txtcompo. 5 Texte after Rühm & Jandl | EMS Stockholm, IMEB Bourges | 1 | |||||||||
| 6560 | Sten, R. | Hanson, Börjlind | Persona non grata | 1977 | fixed media, akusmatisch | 39:00 | Stereo | 0 | |||||||||||
| 6530 | Sten, Henri | Hanson, Chopin | Double extension | 1972 | fixed media, akusmatisch | 7:17 | Stereo | FER 1048 Firework Edition Records/ | 1 | ||||||||||
| 6580 | Sten, Henri | Hanson, Chopin | Tête à tête | 1972 | fixed media, akusmatisch | 7:30 | Stereo | Henri Chopin Voice | SR 270 sub rosa/ | Fylkingen | 0 | ||||||||
| 6554 | Sten, Irena | Hanson, Flies | Nature Morte avec le portrait d'une jeune fille inconnue | 1980 | intermedia | 25:00 | 0 | ||||||||||||
| 6511 | Sten, Nino | Hanson, Monastra | A Propos Marcel | 1980 | intermedia | 21:00 | EMS Stockholm | 0 | 1983 | ||||||||||
| 6553 | Sten, Charlie | Hanson, Morrow | Musique Mongolfier | 1988 | Klangkunst, Installation | 28:55 | outdoor event with balloons | FER 1048 Firework Edition Records/ | 1 | ||||||||||
| 28582 | Sten, Charlie | Hanson, Morrow | The Heavyweight Sound Fight | 1981 | Oper | 0 | |||||||||||||
| 6513 | Sten, Michael | Hanson, Smith | Aconcideration of Death | 1977 | Zuspiel / Tonband, | 10:00 | Stereo | 0 | |||||||||||
| 6522 | Sten, Michael | Hanson, Smith | Conversation no 1 | 1978 | fixed media, akusmatisch | 6:47 | FER 1048 Firework Edition Records/ | 1 | |||||||||||
| 6523 | Sten, Michael | Hanson, Smith | Conversation no 2 | 1978 | fixed media, akusmatisch | 8:19 | FER 1048 Firework Edition Records/ | 1 | |||||||||||
| 6524 | Sten, Michael | Hanson, Smith | Conversation no 3 | 1978 | fixed media, akusmatisch | 3:17 | FER 1048 Firework Edition Records/ | 1 | |||||||||||
| 6525 | Sten, Michael | Hanson, Smith | Conversation with Ourselves | 1978 | fixed media, akusmatisch | 34:00 | Stereo | 0 | |||||||||||
| 6536 | Sten, Michael | Hanson, Smith | Geo music 3.705 | 1979 | Zuspiel / Tonband, | 12:00 | Stereo | 0 | |||||||||||
| 6593 | Jan | Hanus | Concertino | 1973 | Zuspiel / Tonband, 2 perf | 18:05 | 2 perc [Schlagzeug] | Radio Plzen | 0 | ||||||||||
| 6595 | Jan | Hanus | Fragmenty z Prométhéie | 1977 | fixed media, akusmatisch | 19:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 6596 | Jan | Hanus | Pochodén Prométheova | 1965 | Oper | Praha VÚRT | 0 | ||||||||||||
| 6597 | Jan | Hanus | Poselstvi (The Message) | 1969 | Zuspiel / Tonband, 5 perf, 1 group | Bar, ch, 4 ins [Bariton, Instrument, Chor] | Praha VÚRT | 0 | |||||||||||
| 38767 | Janko, Eva | HANUSHEVSKY, PÖPPLEIN | Good Morning, Rickshaw | 2008 | radiophon | 48:24:00 | 0 | ||||||||||||
| 38823 | Janko, Eva | Hanushevsky, Pöpplein | In darkness let me dwell | 2017 | radiophon | 60 | EBU Ars Acustica 2017 | 0 | |||||||||||
| 38768 | Janko, Eva | HANUSHEVSKY, PÖPPLEIN | Mekong Morning Glory | 2009 | radiophon | 49:00:00 | 0 | ||||||||||||
| 38769 | Janko, Eva | HANUSHEVSKY, PÖPPLEIN | Rootless | 2012 | radiophon | 51:32:00 | 0 | ||||||||||||
| 20242 | Takashi | Harada | Untitled 1 | radiophon | 2:00 | Stereo | 4 oma [synthesizer] | OMa | Innova 113/ | 1 | |||||||||
| 40082 | Matthew | Harder | In Metal | 2015 | fixed media, akusmatisch | 5:00:00 | Matthew Harder | 0 | |||||||||||
| 36730 | Michael | Harenberg | Dilatation 3Eck | 2017 | Performance | Kbd, db-cl, perc [Klarinette, Keyboard, Schlagzeug] | 0 | ||||||||||||
| 42063 | Michael | Harenberg | M-Medusa | 2001 | fixed media, akusmatisch | 9 | degem CD 16/ | 1 | |||||||||||
| 33789 | Michael | Harenberg | Meta-Promethium 21/39/57-71 | 2013 | fixed media, akusmatisch | 7 | Stereo | DegeM CD 12 Seltene Erden/ | 1 | ||||||||||
| 29997 | Michael | Harenberg | Virtual Caissac 11 | fixed media, akusmatisch | 5:00:00 | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 6598 | Jean-Louis | Hargous | Distira | 1987 | fixed media, akusmatisch | Stereo | GMU Pau | 0 | |||||||||||
| 23651 | Jean-Louis | Hargous | Porquoi N'Y A-IL-PAS rien | 2002 | fixed media, akusmatisch | 14:20 | 3. price Premio Internacional SGAE 2002 | PR 0083-1 SGAE/ | 1 | ||||||||||
| 42117 | Ludwig | Harig | Staatsbegräbnis 1 | 1969 | radiophon | 63:20 | SR, WDR | 5.11.1969 | SR Saarbrücken WDR |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1416469&vi=48&SID | ||||||||
| 42693 | Alex | Harker | Fluence | 2012 | live-elec, 1 perf | 13:00:00 | cl [Klarinette] | Heather Roche, clarinet | 0 | ||||||||||
| 23406 | James | Harley | Night Flowering .. not even sand (II) | 1990 | fixed media, akusmatisch | audiovisuell |
8:15 | multimedia Fotos by Maria Anna Harley ist auf dem Datenteil der CD zu sehen. GEMS McGill | ISBN 7717-0537-9/ | McGill Montréal | 0 | |||||||||
| 6600 | James | Harley | Per Forumen acus Transire | 1987 | Zuspiel / Tonband, 1 perf | 15:20 | Stereo | fl [Flöte] | Upic | CMJ Vol 26, 2002/ | CEMAMu/ Ateliers Upic/ CCMIX, ExpSt Warsaw | 0 | |||||||
| 6601 | James | Harley | Voyage | 1986 | fixed media, akusmatisch | 15:16 | Stereo, Quadro | CEC Presence 1/ | ExpSt Warsaw, CEMAMu/ Ateliers Upic/ CCMIX | Auszeichnung ars electronica honorary mention 1987 | 1 | http://archive.aec.at/prix/showmode/20611/ | |||||||
| 36870 | Gabrielle | Harnois-Blouin | Observation no1 | 2017 | fixed media, akusmatisch | 8:15:00 | 0 | ||||||||||||
| 35617 | Jorge | Haro | cotos_05 | 2006 | fixed media, akusmatisch | 8:14 | 0 | ||||||||||||
| 35618 | Jorge | Haro | under buenos aires | 2008 | fixed media, akusmatisch | 11:11 | 0 | ||||||||||||
| 35619 | Jorge | Haro | verdens ender - fra ushuaia i syd til skagen i nord | 2007 | fixed media, akusmatisch | 23:34 | 0 | ||||||||||||
| 27863 | Stephen | Harrap | Das erste Gebot | 2005 | Zuspiel / Tonband, 2 perf | fl, perc [Flöte, Schlagzeug] | Die 10 Gebote, | CRFMW Liège | 17.06.2005 | Münster, Cathédrale municipale | 0 | http://www.crfmw.be/index1.htm | |||||||
| 27855 | Stephen | Harrap | Reflexion zu den Bilden von Thomas Jessen | 2006 | live-elec, 1 perf | A [Alt] | CRFMW Liège | 2.09.2006 | Paderborn (RFA), Hôtel Aspethera, Pur Pur Rot | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 6602 | Craig | Harris | Room Views | 1990 | fixed media, akusmatisch | 4:02 | excerpt from inDelicate Balance. PC-based HD-recording, CSound | ISAST LMJ 1/ | 1 | ||||||||||
| 6603 | Craig | Harris | Somewhere between | 1990 | fixed media, akusmatisch | 3:01 | Stereo | p-Material | IMED 9004/ IMED 9604/ | 1 | |||||||||
| 39947 | Joshua, Wayla | Harris, Chambo | Aubade | 2017 | fixed media, akusmatisch | Joshua Harris and Wayla Chambo | 0 | ||||||||||||
| 38867 | Louise | Harris | intervention:coaction | 2012 | audiovisuell | 10:39 | PureData | CMJ Vol 37, 2013/ | 0 | ||||||||||
| 20243 | Ross | Harris | Flüchtig | 1987 | Zuspiel / Tonband, 1 perf | 6:56 | Stereo | fl [Flöte] | MANU 1434/ | Uni Wellington | 0 | ||||||||
| 32842 | Ross | Harris | Games affair | 1974 | fixed media, akusmatisch | 8:03 | Kiwi SLD-45/ SLD 44-45-46/ | Uni Wellington | 0 | ||||||||||
| 20244 | Ross | Harris | Haiku | 1988 | fixed media, akusmatisch | 4:53 | Stereo | MANU 1434/ | Uni Wellington | 0 | |||||||||
| 20245 | Ross | Harris | Harmonicity | 1990 | fixed media, akusmatisch | 7:24 | Stereo | MANU 1434/ | Uni Wellington | 0 | |||||||||
| 20246 | Ross | Harris | Koan | 1989 | fixed media, akusmatisch | 8:35 | Stereo | MANU 1434/ | Uni Wellington | 0 | |||||||||
| 20247 | Ross | Harris | Mosaic (Water) | 1990 | fixed media, akusmatisch | 6:50 | Stereo | MANU 1434/ | Uni Wellington | 0 | |||||||||
| 32841 | Ross | Harris | Poem | 1970 | fixed media, akusmatisch | 6:50 | Stereo | Kiwi SLD-45/ SLD 44-45-46/ | Uni Wellington | 0 | |||||||||
| 6604 | Ross | Harris | Skymning | 1979 | fixed media, akusmatisch | 7:00 | Stereo | XVMEMS (FM -gen with filters) | MANU 1434/ | EMS Stockholm | 0 | ||||||||
| 6605 | Ross | Harris | Spirals | 1981 | fixed media, akusmatisch | 11:30 | Stereo | MANU 1434/ | EMS Stockholm | 0 | |||||||||
| 20249 | Ross | Harris | Syndrum | 1978 | fixed media, akusmatisch | 6:39 | Stereo | MANU 1434/ | Uni Wellington | 0 | |||||||||
| 32843 | Ross | Harris | To a child | 1973 | fixed media, akusmatisch | 11:59 | Kiwi SLD-46/ SLD 44-45-46/ | Uni Wellington | 0 | ||||||||||
| 20250 | Ross | Harris | Vocalise | 1986 | fixed media, akusmatisch | 6:40 | Stereo | MANU 1434/ | Uni Wellington | 1 | |||||||||
| 6606 | Jonty | Harrison | A cordes | 1985 | Zuspiel / Tonband, 8 perf | 20:00 | 8 str [Streicher] | IRCAM | Ensemble InterContemporain/IRCAM. | 1985 | Ensemble InterContemporain/Ronald Zollman; IRCAM, Paris | Faber Music | 0 | ||||||
| 6607 | Jonty | Harrison | A Vent | 1979 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | ob [Oboe] | Uni York | Robin Canter/Arts Council of Great Britain. | 1979 | Robin Canter; St John's, Smith Square, | Mention, Bourges International Electroacoustic Awards 1979. | 0 | |||||
| 31457 | Jonty | Harrison | Abstracts | 1998 | Zuspiel / Tonband, 1 group | Octo | orc [Orchester] | LDC 278074/75 Cultures Electroniques 15/ | BEAST | University of Birmingham Symphony Orchestra | 1998 | Great Hall, The University of Birmingham (University of Birmingham Symphony Orchestra, conducted by Vic Hoyland) |
0 | ||||||
| 28284 | Jonty | Harrison | Afterthaughts | 2007 | fixed media, akusmatisch | 15:59 | Octo | IMED 0788/ | 1 | ||||||||||
| 6608 | Jonty | Harrison | Aria | 1987/1988 | fixed media, akusmatisch | 10:54 | Stereo | EMS Vocoder | IMED 9627/ | BEAST, IMEB Bourges | GMEB | 1988 | Uni Birmingham | 1 | |||||
| 35743 | Jonty | Harrison | Beastiary | 2012 | fixed media, akusmatisch | BEAST | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 | 0 | |||||||||||
| 28531 | Jonty | Harrison | BEASTory | 2010 | fixed media, akusmatisch | 8:07 | 16 Tracks | dedicated to Scott Wilson | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | http://artsweb.bham.ac.uk/harrison/ | ||||
| 6609 | Jonty | Harrison | Beaten Track | 1987 | Musiktheater, 4 perf, 1 group | 26:00 | Stereo | 5 V and actors [Stimme, Schauspieler] | BEAST | Vocem/Arts Council of Great Britain. | 1988 | Vocem; De IJsbreker, Amsterdam | 0 | ||||||
| 6610 | Jonty | Harrison | Concertino | 1988 | live-elec, 1 perf | 4:00 | fl or any ww-ins (within written range) [Flöte, Bläser] | VPRO broadcast | BEAST | 1989 | Jos Zwaanenburg; Rijksmuseum, Amsterdam | 0 | |||||||
| 6611 | Jonty | Harrison | Concerto Caldo | 1991 | live-elec, 1 perf, 1 group | 15:00 | amp str-ens [Streicher] | BEAST | Beverley Davison and Hot Strings. | 1991 | Beverley Davison and Hot Strings/Jonty Harrison; Barber Festival of Contemporary Music, The University of Birmingham | 0 | |||||||
| 6612 | Jonty | Harrison | CQ | 1990 | live-elec, 5 perf, 1 group | 15:00 | s-sax or bar-sax, e-gui, e-b-gui, synts, drum (rock band) [Saxophon, Gitarre, Schlagzeug, synthesizer] | BEAST | Barocko/Arts Council of Great Britain. | 1 | 1990 | ||||||||
| 6613 | Jonty | Harrison | Duel | 1983 | Musiktheater, 6 perf | 15:00 | Stereo | fl, cl, vn, vc, perc, conductor (notated actions) [Flöte, Klarinette, Schlagzeug, Cello, Violine, Performer] | BEAST | Gemini/Arts Council of Great Britain. | 1983 | Gemini/Peter Wiegold; St John's, Smith Square, London, | 0 | ||||||
| 6614 | Jonty | Harrison | EQ | 1980 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | s-sax [Saxophon] | Electrecord 0201/ NMC D035/ | City Uni London, Uni York | John Harle/Arts Council of Great Britain | 1981 | John Harle; St John's, Smith Square, London | First Prize, Bourges International Electroacoustic Awards 1981 | 0 | ||||
| 35374 | Jonty | Harrison | Espaces cachés | 2014 | fixed media, akusmatisch | 13:54 | 30 Tracks | IMED 16139/ | PS C. | Maison des arts sonores | June 7, 2014 | Klang! électroacoustique 2014: Concert 3, La Chapelle Gely (Montpellier, Hérault, France) | 0 | ||||||
| 6616 | Jonty | Harrison | ...et ainsi de suite... | 1990/1992 | fixed media, akusmatisch | 19:15 | Stereo | Birmingham Version, Version Bourges, Karlsruher Version 12 sections |
ICMC 1992, PRDC 1300/ Prix ars electronica 93/ IMED 9627/ EMF 053/ IMED 0050/ | BEAST | 27.02.1992 | ‘live’ broadcast of a BEAST-concert BBC Pebble Mill | Distinction in the Prix Ars Electronica (Linz, Austria, 1993) First Prize in the Musica Nova competition (Prague, Czech Republic, 1994) |
1 | |||||
| 6619 | Jonty | Harrison | Farben | 1987 | live-elec, 8 perf | 20:00 | amp cl, amp bn, amp hn, 2 amp vn, amp va, amp vc, amp db [Klarinette, Fagott, Horn, Viola, Cello, Violine, Kontrabass] | BBC Broadcasts | BEAST | Festival of English Music/Finzi Trust and an nonymous donor | 1987 | Nash Ensemble/ Lionel Friend; Summer Festival of English Music, Abingdon | 0 | ||||||
| 28285 | Jonty | Harrison | Force Fields | fixed media, akusmatisch | 25:05 | Stereo | BEAST | 1 | |||||||||||
| 35375 | Jonty | Harrison | Going / Places | 2015 | fixed media, akusmatisch | 59:55 | 32 Tracks, Stereo, Spazialisation: Ambisonics | IMED 16139/ | PS C. | Huddersfield Contemporary Music Festival | November 25, 2015 | Phipps Concert Hall — Creative Arts Building — University of Huddersfield (Huddersfield, England, UK) | 0 | ||||||
| 20251 | Jonty | Harrison | Hot Air | 1995 | fixed media, akusmatisch | 22:12 | Stereo | SYTER, GRM Tools | IMED 9627/ ASP 0966/ | BEAST, PS C. | Ina-GRM | May 22, 1995 | Salle Olivier Messiaen, Maison de la Radio France Son Mu concert | Mention, Prix Ars Electronica, Linz, Austria, 1996. | 1 | ||||
| 6620 | Jonty | Harrison | In Two | 1975 | fixed media, akusmatisch | 12:00 | Stereo | Uni York | 0 | ||||||||||
| 6621 | Jonty | Harrison | Kebjar | 1979 | fixed media, akusmatisch | 16:00 | Stereo | UEA Norwich | 0 | ||||||||||
| 6622 | Jonty | Harrison | Klang | 1982 | fixed media, akusmatisch | 9:00 | Stereo | UEA 84099/ NMC D035/ IMED 0052/ LDC 278082-83 Cultures électroniques 20/ | MR Budapest | MaFilm | 1983 | University of Birmingham | 2nd prize Bourges 83 Euphonie d'Or 92 |
1 | 1985 2002 | ||||
| 6624 | Jonty | Harrison | Logorhythm | 1975 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 6625 | Jonty | Harrison | Luftflut | 1984 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | BEAST | Simon Desorgher/Arts Council of Great Britain. | 1984 | Simon Desorgher; Institute of Contemporary Arts, London, | 0 | ||||||
| 6626 | Jonty | Harrison | Monodies | 1981 | live-elec, 1 perf | 20:00 | b-cl, (mul track tape-delay) [Klarinette] | BEAST | West Square Electronic Music Ensemble/Arts Council of Great Britain. |
1981 | Harry Sparnaay/West Square Electronic Music Ensemble; St John's, Smith Square, London, |
0 | |||||||
| 6627 | Jonty | Harrison | Ottone | 1992 | Zuspiel / Tonband, 5 perf | 19:00 | Stereo | br-qnt [Bläser] | BBC broadcast | BEAST | Fine Arts Brass Ensemble/West Midlands Arts. | 1992 | Fine Arts Brass Ensemble; Adrian Boult Hall, Birmingham |
0 | |||||
| 6628 | Jonty | Harrison | Pair / Impair | 1978 | fixed media, akusmatisch | 11:48 | Stereo | IMED 9627/ | UEA Norwich | 1978 | University of East Anglia, 1978. | Mention Bourges 80 | 1 | ||||||
| 28286 | Jonty | Harrison | Phantom Power | fixed media, akusmatisch | 15:00 | Octo | BEAST | 1 | |||||||||||
| 6629 | Jonty | Harrison | Pulse Notes | 1991 | fixed media, akusmatisch | BEAST | 0 | ||||||||||||
| 28283 | Jonty | Harrison | ReCycle, Rock’n Roll Internal Combustion Free Fall Streams |
1999 - 2006 | fixed media, akusmatisch | 47:39 | Octo, Surround 5.1 | IMED 0788/ | , Musiques et Recherches Ohain | 25.5.2007 | Klangfest festival produced by BEAST at the CBSO Centre in Birmingham (UK) | 1 | 2000 2006 | http://artsweb.bham.ac.uk/harrison/ | |||||
| 6630 | Jonty | Harrison | Ripieno | 1988 | live-elec, 5 perf | 16:00 | s-sax, tpt, vc, synt, MIDI-mar [Saxophon, Trompete, Schlagzeug, Cello, synthesizer] | BEAST | Metanoia/Arts Council of Great Britain. | 1988 | Metanoia; Purcell Room, London | 0 | |||||||
| 6631 | Jonty | Harrison | Rosaces 4 | 1982 | Zuspiel / Tonband, 4 perf | 14:00 | Stereo + Quadro | 4 amp V [Stimme] | BBC and VPRO broadcasts | BEAST | Elms Concerts and Singcircle/Arts Council of Great Britain. |
1982 | Singcircle/Gregory Rose; Huddersfield International Festival | 0 | |||||
| 6632 | Jonty | Harrison | Rozaus 4 | Zuspiel / Tonband, | Stereo | BEAST | 1 | ||||||||||||
| 19191 | Jonty | Harrison | Sorties | 1995 | fixed media, akusmatisch | 15:18 | part of a Web installation with members of BEAST | LDC 278060/61 Cultures Electroniques 9/ IMED 0052/ | BEAST | BBC and Birmingham City Council | 26.05.1995 | Bond Gallery in Birmingham (UK) | Programme Music Category of the 1996 Bourges International Electroacoustic Music Awards (France). | 1 | |||||
| 22008 | Jonty | Harrison | Splintering | 1997 | fixed media, akusmatisch | 19:51 | IMED 0052/ | BEAST | ‘d’État,’ commissioned by Ina-GRM | June 1st, 1998 | Salle Olivier Messiaen, Maison de la Radio France | 1 | |||||||
| 6633 | Jonty | Harrison | (SQ)WHEEZE | 1982 | Musiktheater, 1 perf | 10:00 | Stereo | acc [Akkordeon] | BEAST | Nottingham University/Radcliffe Trust. | 1982 | John Chilton; University of Nottingham, | 0 | ||||||
| 22009 | Jonty | Harrison | Streams | 1999 | fixed media, akusmatisch | 16:12 | Octo | IMED 0052/ | BEAST | Sonorities Festival with funds from the National Lottery and Sonorities | 4.05.1999 | Queen’s University’s Harty Room during the Sonorities Festival (Belfast) | 1 | 2000 2006 | |||||
| 18497 | Jonty | Harrison | Surface Tension | 1997 | fixed media, akusmatisch | 13:01 | Stereo | IMED 0052/ | BEAST, IMEB Bourges | IMEB | 30.05.1997 | Palais Jacques-Cœur during the Synthèse Festival (Bourges, France) | 1 | ||||||
| 28251 | Jonty | Harrison | Undertow | 2007 | fixed media, akusmatisch | 12:19 | Octo | IMED 0788/ | PS C. | Compagnie Pierre Deloche | 2.06.2007 | Place des Terreaux (Lyon, Rhône, France) | 1 | ||||||
| 20252 | Jonty | Harrison | Unsound Objects | 1995/1996 | fixed media, akusmatisch | 13:01 | Stereo | Prix ars electronica 97/ IMED 9627/ Centaur CRC 2347/ | BEAST, PS C. | ICMA-Commission-Award 95 for ICMC at Banff | 1995 | 1995 International Computer Music Conference, Banff, Canada | ICMA-Commission-Award 95 for ICMC at Banff Auszeichnung ars electronica honorary mention 1997 |
1 | |||||
| 6623 | Jonty, Douglas | Harrison, Doherty | Lament | 1985 | fixed media, akusmatisch | 14:00 | Stereo | IBA broadcasts | BEAST | BRMB Radio. | 1985 | BRMB transmission | Mention Bourges 86 | 0 | |||||
| 1059 | Jonty, Andrew, Daniel, Robert J., Alistair | Harrison, Lewis, Rodger, Dow, MacDonald | PulseRates | 1991 | fixed media, akusmatisch | 12:00 | Group BEAST: Harrison, Lewis, Rodger, Dow, MacDonald | BEAST | Birmingham City Council. | 1991 | Centenary Square and the International Convention Centre, Birmingham | 0 | |||||||
| 6634 | P. | Harrow | Wovon man nicht sprechen kann | 1988 | fixed media, akusmatisch | 5:00 | Stereo | IEM Graz | 0 | ||||||||||
| 6635 | Johann | Hartel | Murmure eternel | 1989 | fixed media, akusmatisch | 8:42 | Stereo | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | |||||||||
| 6636 | Johann | Hartel | Syntagma | 1985 | fixed media, akusmatisch | Stereo | ELAK Wien | 0 | |||||||||||
| 6637 | Johann, Rainer Maria | Hartel, Kalchhauser | Unsichtbare Gegner | 1985 | fixed media, akusmatisch | Stereo | ELAK Wien | 0 | |||||||||||
| 6638 | Heinz Friedrich | Hartig | Escorial | 1961 | Oper | 6:00 | Mono | TU Berlin | 1 | ||||||||||
| 6639 | Heinz Friedrich | Hartig | Komposition in 5 Phasen | 1967 | Zuspiel / Tonband, 1 perf, 2 groups | Mono | vc, ch, orc [Cello, Chor, Orchester] | RIAS Berlin | 0 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | |||||||||
| 6640 | Heinz Friedrich | Hartig | Wohin, Oratorium für Soli, zwei Chöre und Orchester op. 41 | 1965 | Oper | 2:17 | Quadro | TU Berlin | RIAS Berlin | 9.5.1965 | Philharmonie Berlin, mit Annabelle Bernard (S), Dietrich Fischer-Dieskau (Bar), Peter Lagger (B), RIAS-Kammerchor und ch der HfM (Senff), RSO, Ltg. Peter Ronnefeld | 1 | |||||||
| 6641 | James | Hartley | Night-lowering … not even sand-II | 1990 | fixed media, akusmatisch | 2:55 | CSOUND, CHAOTICS, granular texture, 31-tone scale | CEC DISContact_1/ | McGill Montréal | 1 | |||||||||
| 34123 | Florian | Hartlieb | Am I an Image | 2009 | Film | Stop-Trick movie | 01/2010 | Pina Bausch Theater, Essen | 0 | ||||||||||
| 31782 | Florian | Hartlieb | An einem Sonntag | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 05/2009 | Unruh Festival, Essen | 0 | |||||||||
| 34119 | Florian | Hartlieb | Brothers in Arms | 2014 | Theatermusik | music and sounddesign for a theatre-play by Ana Zirner | 02/2014 | Schwere Reiter, Munich | 0 | ||||||||||
| 34121 | Florian | Hartlieb | Caladan | 2011 | fixed media, akusmatisch | Quadro | 11/2011 | Schlosstheater Schönbrunn, Wien | 0 | ||||||||||
| 27794 | Florian | Hartlieb | Im vorderen Zimmer des hinteren Raums | 2009 | fixed media, akusmatisch | 12:16 | Quadro | JTTP 2009 | CEC Cache 2009, PeP 014 DE/ | ICEM Essen | April 2009 | Pact Zollverein, Essen | JTTP-Winner 2009 german 1. prize | 1 | http://cec.concordia.ca/jttp/2009/index.html#winners | ||||
| 34117 | Florian | Hartlieb | Im_Puls | 2014 | fixed media, akusmatisch | Tanz |
music for a ballet-installation, collaboration with David N.Russo | 05/2014 | St. Ursula, Munich | 0 | ||||||||||
| 34122 | Florian | Hartlieb | Ist Niemals Jetzt | 2011 | audiovisuell | 2 V, laptop [Stimme, computer] | two voices, laptop, video, live-electronics | 06/2011 | Brick-5, Wien | 0 | |||||||||
| 31783 | Florian | Hartlieb | Out of the fridge | 2011 | Tanz | Stereo | ICEM Essen | january 2011 | Schlosstheater Schönbrunn, Wien | 0 | |||||||||
| 31781 | Florian | Hartlieb | Sinusstudie | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31794 | Florian | Hartlieb | Träum ich, dass ich wach bin oder schlaf ich nur im Stehen? | 2008 | fixed media, akusmatisch | Quadro | ICEM Essen | april 2008 | Neue Aula/Folkwang University of the Arts, Essen | 0 | |||||||||
| 34116 | Florian | Hartlieb | U_Turn | 2015 | fixed media, akusmatisch | Tanz |
music for a ballet-installation, collaboration with David N.Russo | 05/2015 | Dome, Munich | 0 | ||||||||||
| 34115 | Florian | Hartlieb | Untertage | 2015 | Klangkunst, Installation | 6 | 05/2015 | LWL Industriemuseum Henrichshütte, Hattingen | 0 | ||||||||||
| 31793 | Florian | Hartlieb | Verzweigung | 2013 | fixed media, akusmatisch | Klangkunst, Installation |
12 Tracks | ICEM Essen | 15.11.2014 may 2013 |
now-Festival, ICEM-Essen, Folkwang-Uni C60 Collaboratorium, Bochum |
0 | |||||||||
| 34118 | Florian | Hartlieb | Working with Sounds | 2014 | Klanginstallation, live-elec, | interactive realtime soundinstallation | 05/2014 | LWL Industriemuseum Zeche Zollern, Dortmund | 0 | ||||||||||
| 34120 | Florian | Hartlieb | Zersplittert | 2012 | fixed media, akusmatisch | Stereo | 07/2012 | Hilltown New Music Festival, Castlepollard/Ireland | 0 | ||||||||||
| 31795 | Florian | Hartlieb | Zu Spielen bei offenem Fenster | 2010 | live-elec, 1 perf | Quadro | p, [Piano] | piano, generative soundscapes, live-electronics | ICEM Essen | june 2010 | Brick-5, Wien | 0 | |||||||
| 34124 | Florian, Madjid | Hartlieb, Tahriri | Be here now | 2009 | audiovisuell, live-elec, 4 perf | p, tpt, cl, trbn, [Klarinette, Trompete, Posaune, Piano] | piano, trumpet, clarinette, trombone, live-electronics, video – collaboration with Madjid Tahriri; performed by the TimeArt Ensemble | 09/2009 | Düsseldorfer Altstadtherbst, Düsseldorf | 0 | |||||||||
| 36389 | Hanna | Hartman | Are you going up these hills? | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 25916 | Hanna | Hartman | Att Fälla Grova Träd Är Förknippat Med Risker, Das Fällen hoher Bäume ist mit Risiken verbunden | 2000 | fixed media, akusmatisch | 8:35 | KOMPLOTT ESCUDRE09 Ailanthus/ | PS | Rikskonserter | Karl-Sczuka-Preis 2005 | 1 | ||||||||
| 38566 | Hanna | HARTMAN | Auf’s Glatteis – Sonic Arts Lounge 04 | 2004 | radiophon | 0 | |||||||||||||
| 34994 | Hanna | Hartman | Black bat | 2014 | live-elec, 1 perf | 7:55 | Stereo | db-cl [Klarinette] | Komplott elupre 10/ | DeutschlandRadio Kultur | 2014 | Ultraschall 2014, Theo Nabicht (db-cl) | Auszeichnung ars electronica honorary mention 2015 | 0 | |||||
| 31336 | Hanna | Hartman | Borderlines | 2009 | live-elec, 1 perf | 9:35 | vn, (amp objects) [Violine] | KOMPLOTT ESCUDRE16/ | Studio P4 | Curious chamber players | 1 | ||||||||
| 23264 | Hanna | Hartman | Cikora, Eine Reise | 2000 | fixed media, akusmatisch | 35:42 | Elektron EM 1005/ | DeutschlandRadio Berlin | 7.1.2000 | DeutschlandRadio | Förderpreis des Karl-Sczuka-Preis 2000 | 1 | |||||||
| 31335 | Hanna | Hartman | Circling blue | 2010 | live-elec, 1 perf | 8:06 | S [Sopran] | KOMPLOTT ESCUDRE16/ | SR Sveriges Radio | 1 | |||||||||
| 32206 | Hanna | Hartman | Cratere | 2003 | live-elec, 1 perf | radiophon |
27:03 | Neo-Bechstein p [Piano] | KOMPLOTT ESCUDRE06/ | PS | DRadio Kultur Berlin | 1 | ||||||||
| 38567 | Hanna | HARTMAN | Die Mysterien finden im Hauptbahnhof statt | 2000 | radiophon | 45:16:00 | 0 | ||||||||||||
| 23140 | Hanna | Hartman | Die Schrauben, die die Welt zusammen halten, Skruvarna som Håuer varuden samma | 2001 | fixed media, akusmatisch | 16:34 | Elektron EM 1005/ CAP 22057/ | Sender Freies Berlin 2001 | emsPrize honorable mention 2001 | 1 | 2002 | ||||||||
| 23263 | Hanna | Hartman | Färjesånger, Ferrysongs | 2002 | fixed media, akusmatisch | 20:55 | Elektron EM 1005/ | SR (Swedish Radio) | 1 | ||||||||||
| 37638 | Hanna | Hartman | Fracture | 2016 | radiophon | 23:41:00 | Stereo | Deutschlandradio Kultur | 7.10.2016 | DRadio Kultur | 0 | ||||||||
| 43184 | Hanna | Hartman | Glücklich auf dem Weg nach unten, Happy Going South | 2010 | fixed media, akusmatisch | 7:10 | 2009 | Raum für Kultur, Dresdener Bank, Frankfurt am Main | Auszeichnung ars electronica honorary mention 2010 | 0 | |||||||||
| 32231 | Hanna | Hartman | Longitude, Longitude 0130 26’ | 2004 | fixed media, akusmatisch | radiophon |
18 | KOMPLOTT ESCUDRE06/ | SR (Swedish Radio) | Prix Phonurgia nova | 1 | |||||||||
| 27395 | Hanna | Hartman | Measures of Control | 2008 | fixed media, akusmatisch | 8:00 | Stereo | akusmatisches Werk | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | PS C. | Inventionen 2008 | 25.7.2008 | Inventionen Berlin Elisabethkirche | 1 | 2008 | http://www.hannahartman.de | |||
| 31333 | Hanna | Hartman | Message from the Lighthouse | 2009 | live-elec, 1 perf | 15:43 | Stereo | perc [Schlagzeug] | dedicated to Jonny Axelsson (perc) | KOMPLOTT ESCUDRE16/ | SR Sveriges Radio | 1 | |||||||
| 28395 | Hanna | Hartman | Musik För Dansstycket Jag Glömmer Bort | 2006 | Tanz | Dance Piece by Gunilla Heilborn | KOMPLOTT ESCUDRE09 Ailanthus/ | PS | Rikskonserter | 1 | |||||||||
| 31334 | Hanna | Hartman | Nightlock | 2007 | live-elec, 1 perf | 8:23 | vn [Violine] | KOMPLOTT ESCUDRE16/ EBU Ars Acustica 2009/ | SR Stockholm | SR Sveriges Radio | EBU Ars Acustica 2009 | 1 | |||||||
| 25917 | Hanna | Hartman | Plåtmås | 2003 | radiophon | KOMPLOTT ESCUDRE09 Ailanthus/ | PS | SR | 1 | ||||||||||
| 42233 | Hanna | Hartman | Schrauben | 2001 | radiophon | 18:32 | PS C. | RBB | 6.4.2001 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436633&vi=167&SID | |||||||
| 31337 | Hanna | Hartman | Shanghai Fireflies | 2010 | live-elec, 2 perf | 13:26 | perc, tpt [Trompete, Schlagzeug] | KOMPLOTT ESCUDRE16/ | SR Sveriges Radio | 1 | |||||||||
| 32228 | Hanna | Hartman | Submarine Dreams | 2014 | fixed media, akusmatisch | 9:25 | 6 | dedicated to Folkmar Hein | EMS Stockholm | Folkmar Hein | 11.2.2014 | Unerhörte Musik, BKA-Theater, Berlin | 0 | ||||||
| 38568 | Hanna | HARTMAN | TÖRST | 2011 | radiophon | 29:47:00 | 0 | ||||||||||||
| 25918 | Hanna | Hartman | Wespen Vesper | 2005 | radiophon | 9:15:00 | Voices: Müller-Brühl, Dutschke | KOMPLOTT ESCUDRE09 Ailanthus/ | DeutschlandRadio | DRadio Kultur Berlin | 1 | ||||||||
| 38813 | Hanna, Sabine | HARTMAN, Ercklentz | Törstig! | live-elec, | 0 | ||||||||||||||
| 6642 | Friedhelm | Hartmann | Bel Christmas | 1995 | fixed media, akusmatisch | 5:29:00 | Stereo | Musical Gallery 3/ | 0 | ||||||||||
| 29712 | Friedhelm | Hartmann | Black birds garden | fixed media, akusmatisch | 17 | 17 parts | Musical Gallery 3/ | 0 | |||||||||||
| 29711 | Friedhelm | Hartmann | Clung Symphony | fixed media, akusmatisch | 19 | 4 parts | Musical Gallery 5/ | 0 | |||||||||||
| 6643 | Friedhelm | Hartmann | Da capo al fine | 1990 | fixed media, akusmatisch | 11:40 | Stereo | Synlab | ICEM Essen | 0 | |||||||||
| 23291 | Friedhelm | Hartmann | Electric Symphony, Sonata Canzone Variazioni Fuga |
2000 | fixed media, akusmatisch | 27 | Stereo | mit selbstgemachter Software | Cybele 960.207 DegeM CD 07/ Musical Gallery 4/ |
1 | http://www.cm-gallery.com/gcn01r01.htm | ||||||||
| 6644 | Friedhelm | Hartmann | ex samples mechanique, exSamples mechanique | 1992 | fixed media, akusmatisch | 12:30 | Stereo | Ex Machina 6 - die neunziger Jahre | Cybele 960.106, ex machina 6/ | ICEM Essen | 1 | ||||||||
| 28617 | Friedhelm | Hartmann | halbWERTzeit, remote Sound cast | 2011 | fixed media, akusmatisch | 4 | Stereo | von 4 Werke des ICEM entstanden (Reith, Bornhöft, Florian, Ollertz) | 0 | ||||||||||
| 6645 | Friedhelm | Hartmann | Klavierspiele | 1991 | fixed media, akusmatisch | 29:22 | Stereo | short version 12:30; com, sam | ICEM Essen | 0 | |||||||||
| 6646 | Friedhelm | Hartmann | Klavierspiele | 1991 | fixed media, akusmatisch | 29:22 | Stereo | com, sam | ICEM Essen | 0 | |||||||||
| 36293 | Friedhelm | Hartmann | Letters | 2004 | fixed media, akusmatisch | 0 | http://www.cm-gallery.com/Exhibit/Hartmann/LET/LET01.mp3 | ||||||||||||
| 6647 | Friedhelm | Hartmann | Music Minus One | 1993 | Zuspiel / Tonband, 1 perf | 15:30 | Stereo | b-cl [Klarinette] | Mozart meets new media. Info: Piece for bass clarinet and virtual orchestra. In this studio track, the bass clarinet becomes virtual as well. µ "Music Minus One" is a label presenting orchestral accompaniment without a solo voice, see www.musicminusone.com. Credits: Bass clarinet: Matthias Hoefer |
Musical Gallery 2/ | ICEM Essen | 0 | |||||||
| 29709 | Friedhelm | Hartmann | Noise Symphony | fixed media, akusmatisch | 20 | 4 parts | Musical Gallery 4/ | 0 | |||||||||||
| 6648 | Friedhelm | Hartmann | Passage | 1992 | Theater, live-elec, 1 perf | 33:00 | Quadro | sam [computer] | Partitur = Drehbuch. Sound-track of a multi-media theatre (pantomime) project. |
Musical Gallery 2/ | ICEM Essen | 0 | |||||||
| 29710 | Friedhelm | Hartmann | Pitch Symphony | fixed media, akusmatisch | 24 | 4 parts | Musical Gallery 5/ | 0 | |||||||||||
| 6650 | Friedhelm | Hartmann | Portraits of a Woman, Cybersex Sirenes Throes of death Xanth Variations Inside April |
1994 | fixed media, akusmatisch | 25:00 | Stereo | 7 parts; on Cybele-CD Part 2 and 3 (9 minutes) | Cybele 960.102/ Musical Gallery 3/ | ICEM Essen | 1 | http://www.Cybele .de/shop/product_info.php?products_id=48 | |||||||
| 19289 | Friedhelm | Hartmann | Sirenes | 1995 | fixed media, akusmatisch | 5:39 | Cybele 960.203/ DegeM CD 03/ | PS | 1 | ||||||||||
| 6651 | Friedhelm | Hartmann | Take Five Takes | 1990 | live-elec, 1 perf | 15:18 | Quadro | perf (loop, filter, vocoder) [Performer] | 5 parts to be played indipendet 5 Stücke, auch getrennt aufführbar, Leerbandpausen Take1 4Min03sec, Take2 2Min36sec, Take3 3Min06sec, Take4 2Min20sec, Take 5 2Min31sec. Tonbandschleife+Filter, Vocoder, Audios, Rev7 |
ICEM Essen | 0 | ||||||||
| 29713 | Friedhelm | Hartmann | The Bell Drama | fixed media, akusmatisch | 15 | 2 parts | Musical Gallery 2/ | 0 | |||||||||||
| 34429 | Per Johannes | Hartmann | Oscillazione | 1972 | fixed media, akusmatisch | HY0182 Hi-Yin Music 1982/ | NOTAM | 0 | |||||||||||
| 6652 | Per Johannes | Hartmann | Thirteen Inches Above the Earth | 1975 | live-elec, 1 perf | 10:00 | synt [synthesizer] | NOTAM | 0 | ||||||||||
| 33900 | Tobias | Hartmann | Innenleben | 2011 | Zuspiel / Tonband, 1 perf | 11:10:00 | Stereo | prep p [Piano] | HfMT Köln | 0 | |||||||||
| 33901 | Tobias | Hartmann | punktum | 2012 | Zuspiel / Tonband, 3 perf | 7:20:00 | Quadro | 3 fl [Flöte] | Komposition für 3 Paezold-Bässe und 4-kanaliges Zuspiel | HfMT Köln | 0 | ||||||||
| 33902 | Tobias | Hartmann | streunen | 2011 | live-elec, 1 perf | 8:20:00 | Stereo | perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 42952 | Patrick | Hartono | Kecapi II | 2013 | fixed media, akusmatisch | 7:39:00 | 0 | ||||||||||||
| 6653 | Robin | Hartwell | The Discourse of the Soothsayer Jean-Jaques | 1989 | Musiktheater, 8 perf, 2 groups | 30:00 | Stereo | singers, p, hpd, strs, 4 cl, br [Stimme, Klarinette, Piano, Cembalo, Bläser, Streicher] | Coll Liverpool | 0 | |||||||||
| 24275 | Bodo | Hartwig | Golden Goal | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 28150 | Jonathan | Harvey | Advaya | 1994 | live-elec, 4 perf | 22:00 | vc, Kbd, 2 or 3 technician [Keyboard, Cello, Performer] | IRCAM Les Années 90/ hap vol 18 - 3/ | IRCAM | IRCAM | 27.06.1994 | Ircam, Espace de projection, par Antoine Ladrette : violoncelle, Fuminori Tanada : clavier | 0 | ||||||
| 35022 | Jonathan | Harvey | Ashes Dance Back | 1997 | live-elec, 1 group | Quadro | ch, (elec) [Chor] | New London Chamber Choir in memory of Judie Campbell, by her husband Philip | 27.9.1997 | Strasbourg Festival, France: New London Chamber Choir/ James Wood | 0 | ||||||||
| 35021 | Jonathan | Harvey | At a Cloud Gathering | 2005 | live-elec, 1 perf | perc, (elec) [Schlagzeug] | CIRM Nice | Ministère du Culture (France) and Fondation Royaumont | 9.3.2006 | 'Musique en Scene', Toboggan de Decines, Lyon, France: Jean-Paul Bernard/ch. Susan Buirge | 0 | ||||||||
| 6654 | Jonathan | Harvey | Bhakti | 1982/1989 | Zuspiel / Tonband, 15 perf | 53:57 | Quadro | fl, ob, cl, b-cl, hn, tpt, trbn, tam-tam, vib, perc, hp, p, vn, va, vc [Flöte, Klarinette, Oboe, Horn, Trompete, Posaune, Piano, Harfe, Schlagzeug, Viola, Cello, Violine] | 12 parts | NMCD 001/ CMJ Vol 08, 1984/ MO 782086/ CMJ Vol 30-4, 2006/ | IRCAM | IRCAM | 3.12.1982 | IRCAM - Espace de Projection, Ensemble InterContemporaine, Denis Cohen | Faber Music | 1 | |||
| 35018 | Jonathan | Harvey | Bird Concerto with Pianosong | 2001 | live-elec, 1 perf, 1 group | 5 tracks | p, chamber-orc, (elec) [Piano, Orchester] | Sinfonia 21 and GRAME/ Ensemble Orchestral Contemporain (Lyon) | 11.7.2001 | Cheltenham Festival: Joanna MacGregor/Sinfonia 21/ Martyn Brabbins | 0 | ||||||||
| 41770 | Jonathan | Harvey | Four Images after Yeats | fixed media, akusmatisch | 21 | SDVD 001/ | 0 | ||||||||||||
| 6655 | Jonathan | Harvey | From Silence | 1988 | Zuspiel / Tonband, 7 perf | 30:00 | vn, va, perc, 3 Kbd, S [Sopran, Keyboard, Schlagzeug, Viola, Violine] | MIDI sm, kbd, TX816 | BCD 9031/ hap vol 18 - 3/ | MIT Media Lab | Music and Cognition Group of MIT | 2.2.1989 | Massachussetts Institute of Technology, USA: MIT Ensemble/ Barry Vercoe/ Karol Bennett | 0 | |||||
| 31762 | Jonathan | Harvey | Glasgow Trilogy | 2005 - 2008 | live-elec, 1 group | orc [Orchester] | 0 | ||||||||||||
| 6656 | Jonathan | Harvey | Gong Ring | 1984 | live-elec, 20 perf | 22:00 | 4 perc, celesta, p, hp, 8 vn, va, 3 vc, db, (rm) [Piano, Harfe, Schlagzeug, Viola, Cello, Violine, Kontrabass] | Edinburgh Festival | 1.9.1984 | Edinburgh: Koenig Ensemble/ Jan Latham-Koenig | 0 | ||||||||
| 42264 | Jonathan | Harvey | Homage to Cage, à Chopin (und Ligeti ist auch dabei) | 1998 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 41772 | Jonathan | Harvey | Imaginings | fixed media, akusmatisch | 54 | SCD 28032 Sargasso/ | 0 | ||||||||||||
| 6657 | Jonathan | Harvey | Inner Light I | 1972 | Zuspiel / Tonband, 7 perf | 7 ins [Instrument] | Uni Cardiff | 0 | |||||||||||
| 6658 | Jonathan | Harvey | Inner Light II | 1975 | Zuspiel / Tonband, 10 perf | 27:00 | 2 tuba, 4 perc, celesta, p, hp, str [Tuba, Piano, Harfe, Schlagzeug, Streicher] | Uni Cardiff | 0 | ||||||||||
| 6659 | Jonathan | Harvey | Inner Light III | 1975/1976 | Zuspiel, live-elec, 14 perf | 35:00 | Quadro | e-org, synt, S, S, A, T, B, str-qt, perc, hp, p [Sopran, Alt, Tenor, Bass, Piano, Keyboard, Harfe, Schlagzeug, synthesizer, Streicher] | synt VCS3 | Uni Cardiff | 0 | ||||||||
| 6660 | Jonathan | Harvey | Inquest of Love | 1992/1993 | Oper | City Uni London | 0 | ||||||||||||
| 6661 | Jonathan | Harvey | Madonna of Winter and Spring | 1986 | live-elec, 2 perf, 1 group | 40:00 | 2 synt, orc [synthesizer, Orchester] | BBC for the 1986 Henry Wood Promenade Concerts in the Albert Hall | 27.9.1986 | BBC Proms, Royal Albert Hall, London: BBC Symphony Orchestra/ Peter Eotvos | 0 | ||||||||
| 6662 | Jonathan | Harvey | Mortuos plango, vivos voco | 1980/1999 | fixed media, akusmatisch | 9:10 | Octo | WER 2025; Computer Music Currents 5/ CMJ Vol 05, 1981/ ERA 2292 45409/ WER 3024-2 NZ 5/1996 "Strom!"/ SCD 28029 Sargasso/ CMJ Vol 30-4, 2006/ SDVD 001/ | IRCAM | IRCAM | 30.11.1980 | Lille | 1 | ||||||
| 35015 | Jonathan | Harvey | Mythic Figures | 2001 | fixed media, akusmatisch | 8:33 | SDVD 001/ | 0 | |||||||||||
| 6663 | Jonathan | Harvey | Nachtlied | 1984 | Zuspiel / Tonband, 2 perf | 27:00 | Stereo | S, p [Sopran, Piano] | Texts by Goethe, Steiner | SDVD 001/ | City Uni London | Harrogate Festival | 11.8.84 | Harrogate Festival: Jane Manning/David Mason | 0 | http://www.fabermusic.com/Repertoire-Details.aspx?ID=1155 | |||
| 21181 | Jonathan | Harvey | One Evening | 1994 | live-elec, 11 perf | 30:05 | Stereo | S, Mez, 2 elec, fl, ob, hn, perc, hp, vc, synt [Sopran, Mezzo, Flöte, Oboe, Horn, Harfe, Schlagzeug, Cello, elektronik, synthesizer] | WDR SEM | WDR 1994 | 14.6.1994 | Stollwerk, Cologne, Germany: Musikfabrik NRW/ Ingrid Schmidthusen/ Susanne Otto/Johannes Kalitzke | 0 | ||||||
| 27543 | Jonathan | Harvey | Other presences | 2006 | live-elec, 1 perf | 11:07 | tpt, (elec) [Trompete] | SCD 28057 Sargasso/ | Cheltenham Festival | 6.7.2006 | Cheltenham International Festival, Pittville Pump Room, Cheltenham: Markus Stockhausen | 0 | |||||||
| 41773 | Jonathan | Harvey | Passion & Resurrection | live-elec, | SCD 28052 sargasso/ | 0 | |||||||||||||
| 6664 | Jonathan | Harvey | Philia's Dream | 1992 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 6665 | Jonathan | Harvey | Ricercare Una Melodia | 1984 | live-elec, 1 perf | 7:00 | Quadro | tpt, (tape delay, also with pre-recorded tape; also with other instruments like va…) [Trompete] | different versions with different inss: - Trumpet + stereo tape - Flute + stereo tape - Oboe + stereo tape - Cello + stereo tape - Viola + stereo tape - Trombone + stereo tape |
KTC 1148/ | Park Lane Group | 10.1.1985 | Purcell Room, London | 0 | |||||
| 6666 | Jonathan | Harvey | Ritual Melodies | 1990/1999 | fixed media, akusmatisch | 13:30 | Quadro | FORMES | BCD 9031/ Prix ars electronica 90/ IRCAM 0002 F, Creations IRCAM/ SCD 28029 Sargasso/ SDVD 001/ | IRCAM | South East Arts | 11.7.1990 | Saintes Festival, France | Auszeichnung ars electronica honorary mention 1990 | 1 | ||||
| 6667 | Jonathan | Harvey | Smiling Immortal | 1977 | Zuspiel / Tonband, 10 perf | 17:00 | fl, ob, hn, tpt, perc, p, str-qt [Flöte, Oboe, Horn, Trompete, Piano, Schlagzeug, Streicher] | 0 | |||||||||||
| 35019 | Jonathan | Harvey | Soleil Noir / Chitra | 1994/1995 | live-elec, 11 perf | Stereo | 9 mus (chamber-ens), synt, elec [Musiker, elektronik, synthesizer] | Ars Musica, Brussels with funds in part provided by the Arts Council of England | 3.3.1995 | Ars Musica 95, Luna Theatre, Brussels, Belgium: Champs d'Action/ Celso Antunes | 0 | ||||||||
| 35017 | Jonathan | Harvey | Speakings | 2008 | live-elec, 1 perf, 1 group | 6 | orc, Kbd, (elec) [Keyboard, Orchester] | IRCAM | BBC, IRCAM | 19.8.2008 | BBC Proms, Royal Albert Hall, London: BBC SSO/Ilan Volkov | 0 | |||||||
| 35014 | Jonathan | Harvey | Still | 1997 | live-elec, 1 perf | Stereo | tuba [Tuba] | 0 | |||||||||||
| 35013 | Jonathan | Harvey | String Quartet No. 4 | 2003 | live-elec, 4 perf | 36 | str-qt [Streicher] | AECD 0975 æon/ | IRCAM | Ars Musica, IRCAM and the Ultima Festival | 11.3.2003 | Ars Musica Festival, Flagey, Brussels: Arditti Quartet/ technicians from IRCAM | 0 | ||||||
| 41771 | Jonathan | Harvey | THE Riot | live-elec, | 7:46 | 0 | |||||||||||||
| 35023 | Jonathan | Harvey | The Summer Cloud's Awakening | 2001 | live-elec, 2 perf, 1 group | 32 | ch, fl, vc, (elec) [Flöte, Cello, Chor] | CIRM Nice | New London Chamber Choir and Oxford Contempory Music | 12.4.2002 | Sheldonian Theatre, Oxford: members of the Critical Band/ New London Chamber Choir/ James Wood | 0 | |||||||
| 31292 | Jonathan | Harvey | Time Points | 1970 | fixed media, akusmatisch | 7:42 | Stereo | IDEAMA CD 085/ | Princeton University | 1970 | Princeton University | 0 | |||||||
| 6668 | Jonathan | Harvey | Toccata | 1980 | Zuspiel / Tonband, 1 perf | 6:00 | org [Orgel] | 1980 | Winchester cathedral, Martin Neary | 0 | |||||||||
| 24927 | Jonathan | Harvey | Tombeau de Messiaen | 1994 | Zuspiel / Tonband, 1 perf | 8:35 | Stereo | p [Piano] | SCD 28029 Sargasso/ SDVD 001/ | Philipp Mead | 2.11.1994 | West Road Concert Hall, Cambridge: Philip Mead | 1 | ||||||
| 6669 | Jonathan | Harvey | Traces | 1993 | live-elec, 2 perf, 1 group | S, Mez, ens [Sopran, Mezzo, Ensemble] | 0 | ||||||||||||
| 35020 | Jonathan | Harvey | Two Interludes for an Opera | 2004 | Oper | 15 | 6 | 22 mus, Kbd, (elec) [Keyboard, Musiker] | Sinfonia 21 with funds provided by the Gulbenkian Foundation, subsequently by the London Sinfonietta with funds provided by Arts Council England | 17.3.2004 | Queen Elizabeth Hall, London: London Sinfonietta/Martyn Brabbins | 0 | |||||||
| 6670 | Jonathan | Harvey | Valley of Aosta | 1988 | live-elec, 13 perf | 16:00 | fl, ins (ca), sax, tpt, str-qt, 2 hp, p, perc, synt [Flöte, Saxophon, Trompete, Piano, Harfe, Schlagzeug, Instrument, synthesizer, Streicher] | RIC 073052/ SDVD 001/ | Radio France for L'Itineraire | 7.3.1989 | Radio France: L'Itineraire/ Denis Cohen | Edition Faber | 0 | ||||||
| 6671 | Jonathan | Harvey | Veils and Melodies | 1977 | fixed media, akusmatisch | 31:40 | Stereo + Stereo + Stereo | withdrawn | EMS_London, Uni Cardiff | 0 | |||||||||
| 35016 | Jonathan | Harvey | Wagner Dream | 2006 | Oper | Vs, actors, ch, ens (22 players), 3 elec, Kbd [Stimme, Keyboard, Schauspieler, elektronik, Ensemble, Chor] | 9 scenes | De Nederlandse Opera and Holland Festival, Amsterdam, Grand Théâtre de la Ville de Luxembourg and IRCAM | 28.4.2007 | Grand Théâtre de Luxembourg, Luxembourg; soloists of The Netherlands Opera/Ictus Ensemble/IRCAM | 0 | ||||||||
| 6672 | Robert | Harvey | untitled | 1978 | Zuspiel / Tonband, 1 perf | p [Piano] | CCRMA | 0 | |||||||||||
| 6673 | Josef | Haselbach | Moving-Theatre I | 1973 | Zuspiel / Tonband, 8 perf | 21:00 | 3 ins, 5 dancer [Instrument, Tanz] | 0 | |||||||||||
| 6674 | Josef | Haselbach | Tönungen | 1976 | live-elec, 5 perf | 15:00 | 5 w [Bläser] | 0 | |||||||||||
| 6675 | Klaus | Hashagen | ab und zu | 1967 | fixed media, akusmatisch | 5:00 | Stereo | BR Nürnberg | 0 | ||||||||||
| 6676 | Klaus | Hashagen | alla Scarlatti | 1985 | fixed media, akusmatisch | radiophon |
13:00 | Stereo | PS C. | 0 | ||||||||||
| 6677 | Klaus | Hashagen | Augen- und Ohrenzeit | 1993 | fixed media, akusmatisch | audiovisuell |
38:00 | Stereo | audio-video-elektronisches Environment | PS C. | 0 | |||||||||
| 6678 | Klaus | Hashagen | Cymbalon | 1963 | Zuspiel / Tonband, 1 perf | 8:00 | Mono | hpd [Cembalo] | NDR Hannover | 0 | |||||||||
| 6679 | Klaus | Hashagen | Davids Danksagung | 1962 | Zuspiel / Tonband, 1 group | 14:30 | Stereo | ch [Chor] | NDR Hannover | 0 | |||||||||
| 6680 | Klaus | Hashagen | Der Bau des Tempels | 1960 | Zuspiel / Tonband, 3 perf | 9:00 | Mono | Sp, p, perc [Sprecher, Piano, Schlagzeug] | Siemens | NDR Funkhaus Hannover | 1961 | Tage der Neuen Musik Hannover 1961 | 0 | ||||||
| 6681 | Klaus | Hashagen | Die 4 Apostel (Impressionen nach Dürer) | 1970 | Zuspiel / Tonband, 1 perf, 1 group | S, orc [Sopran, Orchester] | 0 | ||||||||||||
| 6682 | Klaus | Hashagen | Elektronische Musik | 1974 | fixed media, akusmatisch | 21:26 | Stereo | HfM Hannover | 0 | ||||||||||
| 6683 | Klaus | Hashagen | Elektronisches Glockenspiel | 1961 | Hintergrundmusik | 0:28 | Mono | für Rathaus Salzgitter | Siemens | 0 | |||||||||
| 6684 | Klaus | Hashagen | Flauton | 1992 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 6685 | Klaus | Hashagen | Gesten | 1966 | Zuspiel / Tonband, 1 perf | Stereo | rec [Flöte] | Corona SM 30020/ | 0 | ||||||||||
| 6686 | Klaus | Hashagen | Giorno per giorno | 1965 | Zuspiel / Tonband, 2 perf | 9:00 | Stereo | S, ins [Sopran, Instrument] | NDR Hannover | 0 | |||||||||
| 6687 | Klaus | Hashagen | Kaiser Jones | 1961 | radiophon | Mono | Eu. O'Neill | Siemens | 0 | ||||||||||
| 6688 | Klaus | Hashagen | Manasses Gebet | 1961 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | Mono | Bar, ch [Bariton, Chor] | NDR Hannover | 0 | |||||||||
| 6689 | Klaus | Hashagen | Peer Gynt | 1964 | Theatermusik | 25:00 | Mono | NDR Hannover | 0 | ||||||||||
| 6690 | Klaus | Hashagen | Percussion I | 1960 | Zuspiel / Tonband, 2 perf | 8:30 | Mono | V, perc [Stimme, Schlagzeug] | NDR Hannover | 0 | |||||||||
| 6691 | Klaus | Hashagen | Percussion I - XI | 1959, 1991 | fixed media, akusmatisch | radiophon |
6:00-15:00 | Stereo | 11 verschiedene Versionen | PS C. | 0 | |||||||||
| 6692 | Klaus | Hashagen | Percussion II | 1960 | fixed media, akusmatisch | 4:50 | Mono | NDR Hannover | 0 | ||||||||||
| 6693 | Klaus | Hashagen | Pergiton II | 1963 | Zuspiel / Tonband, 1 perf | 9:00 | Mono | gui [Gitarre] | NDR Hannover | 0 | |||||||||
| 6694 | Klaus | Hashagen | Prozeß einer elektronischen Komposition | 1975 | fixed media, akusmatisch | 17:39 | Stereo | with type-writer-sounds ,language and synts ; result of seminary | HfM Hannover | 0 | |||||||||
| 6695 | Klaus | Hashagen | Rotation I / II | 1985 | fixed media, akusmatisch | 14:00 | Stereo | PS C. | 0 | ||||||||||
| 6696 | Klaus | Hashagen | Tergon | 1983 | Zuspiel/Tonband, | radiophon |
15:00 | Stereo | HfM Würzburg | 0 | ||||||||||
| 33826 | Klaus | Hashagen | Tergon II | 1984 | radiophon | 10 | Stereo | HfM Würzburg | 8.9.1984 | Brüssel | 0 | ||||||||
| 6697 | Klaus | Hashagen | Tournée I - IV | 1970/1972 | Zuspiel, live-elec, 3 perf, 1 group | p, org, inss [Piano, Orgel, Instrument] | 0 | ||||||||||||
| 6698 | Klaus | Hashagen | Tragedia | 1963 | Tanz | 20:00 | Mono | NDR Hannover | 0 | ||||||||||
| 6699 | Klaus | Hashagen | Transpositionen | 1961 | fixed media, akusmatisch | 4:00 | Mono | used also in "Transpositionen-Improvisationen" 1965 | NDR Hannover | 0 | |||||||||
| 6700 | Klaus | Hashagen | Traumgesicht | 1971 | live-elec, 1 perf | org [Orgel] | 0 | ||||||||||||
| 6701 | Klaus | Hashagen | trip in the air | 1961, 1985 | Zuspiel, live-elec, 2 perf | radiophon |
6:00-25:00 | Stereo | fl, perc, [Flöte, Schlagzeug] | verschiedene Versionen | PS C. | 0 | ||||||||
| 6702 | Klaus | Hashagen | Womans…cussion | 1991 | Zuspiel/Tonband, | radiophon |
12:00 | Stereo | PS C. | 0 | ||||||||||
| 39405 | Jeffrey | Hass | Capsule | 2017 | audiovisuell | 0 | |||||||||||||
| 32066 | Jeffrey | Hass | Keyed Up | 1995 | Zuspiel, live-elec, 2 perf | 2 amp p [Piano] | Paul Barnes and Ann Chang-Barnes, pianos | SEAMUS EAM Vol. 6/ | 0 | ||||||||||
| 39896 | Jeffrey | Hass | Labyrinths | 2017 | fixed media, akusmatisch | Jeffrey Hass | 0 | ||||||||||||
| 20253 | Jeffrey | Hass | Liaisons | 1991 | fixed media, akusmatisch | 5:00 | Stereo | SEAMUS EAM 9401 Vol. 2/ | 0 | ||||||||||
| 39897 | Jeffrey | Hass | Three Easy Recipes | 2016 | fixed media, akusmatisch | Jeffrey Hass | 0 | ||||||||||||
| 42882 | Jeffrey | Hass | Three Etudes for Piano & Electronics | 2013 | live-elec, 1 perf | 9:00:00 | p [Piano] | Kati Gleiser, piano | 0 | ||||||||||
| 39700 | Dan van | Hassel | Camouflage | 2015 | fixed media, akusmatisch | 11:04:00 | Dan Van Hassel | 0 | |||||||||||
| 21552 | Jon | Hassell | Before and after Charm (La Notte) | 1980 | fixed media, akusmatisch | Ellipsis Arts 3673 - OHM: 03/ | 0 | ||||||||||||
| 6703 | Jon | Hassell | Music for vibraphons and tape | 1964 | Zuspiel / Tonband, 1 perf | 8:45 | Stereo | vib [Schlagzeug] | Fonologia Milano | 0 | |||||||||
| 6704 | Jon | Hassell | Poem | 1962 | Tanz | 3:00 | Stereo | PS C. Washington | 0 | ||||||||||
| 6705 | Jon | Hassell | Ritual | 1961 | Tanz | 5:00 | Stereo | PS C. Washington | 0 | ||||||||||
| 6706 | Jon | Hassell | Scan | 1966 | live-elec, 10 perf | 20:00 | Stereo | 10 str, (contact mic) [Streicher] | 0 | ||||||||||
| 6707 | Jon | Hassell | Sequence arrangement #1 | 1964 | fixed media, akusmatisch | 2:26 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 39285 | Akiko | Hatakeyama | ち, chi | 2017 | live-elec, | V (for candles, live voice, and sounds) [Stimme] | 0 | ||||||||||||
| 20254 | Peter | Hatch | Festina Lente | 1990 | Zuspiel / Tonband, 1 perf | 9:55 | Stereo | ob [Oboe] | CMC CD 4793/ | 0 | |||||||||
| 6708 | Peter | Hatch | Pneuma | 1987 | live-elec, 2 perf | 7:30 | Stereo | free-b, acc [Bass, Akkordeon] | Conaccord 490491-3/ | 0 | |||||||||
| 33851 | Peter | Hatch | The dice are loaded | 1990 | fixed media, akusmatisch | 9:06 | EAR Magazine 1/ | 0 | |||||||||||
| 6709 | Juraj | Hatrik | Vox memoriae | 1983 | fixed media, akusmatisch | 11:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 6710 | Martin | Hattwig | Pausenzeichen | 1966 | Hintergrundmusik | Mono | RFZ Berlin | 0 | |||||||||||
| 20255 | Christos | Hatzis | Byzantium | Zuspiel / Tonband, 1 perf, 1 group | 23:43 | Stereo | ob, ch [Oboe, Chor] | CMC CD 4693/ | 0 | ||||||||||
| 20256 | Christos | Hatzis | Crucifix | Zuspiel / Tonband, 1 perf, 1 group | 16:04 | Stereo | V, ch [Stimme, Chor] | CMC CD 4693/ | 0 | ||||||||||
| 20259 | Christos | Hatzis | Equivoque | 1985 | Zuspiel / Tonband, 1 perf | Stereo | acc [Akkordeon] | Conaccord 490491-3/ | 0 | ||||||||||
| 20257 | Christos | Hatzis | The Mega4 Meta4 | fixed media, akusmatisch | 15:01 | Stereo | CMC CD 4693/ | 0 | |||||||||||
| 20258 | Christos | Hatzis | The Temptations of St. Anthony | 1987 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | vn [Violine] | CMC CD 4693/ | 0 | |||||||||
| 6711 | Roman | Haubenstock-Ramati | Adagio I, II | 1991 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
sax [Saxophon] | 0 | ||||||||||||
| 6713 | Roman | Haubenstock-Ramati | Alone [I; 1969] | 1971 | Zuspiel / Tonband, 3 perf | trbn, prep p, perc [Posaune, Piano, Schlagzeug] | 0 | ||||||||||||
| 6712 | Roman | Haubenstock-Ramati | Alone 2 | 1976 | Zuspiel/Tonband, 1 perf | intermedia |
12:00 | Stereo | Sp, (objects) [Sprecher] | slides | SME Krakow, PS K_K | 0 | ||||||||
| 6714 | Roman | Haubenstock-Ramati | Amerika | 1966 | Oper | 25:47 | Mono | Bläsermontage | TU Berlin | 1 | |||||||||
| 6715 | Roman | Haubenstock-Ramati | Catch I | 1968 | live-elec, 2 perf | 8:03 | hpd, synt [Cembalo, synthesizer] | Thorofon MTH 224/ | 1 | ||||||||||
| 6716 | Roman | Haubenstock-Ramati | Cathedrale | 1989 | Zuspiel / Tonband, 1 perf | 24:00 | Stereo | hp [Harfe] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 6717 | Roman | Haubenstock-Ramati | Chanson populaire | 1957 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 6718 | Roman | Haubenstock-Ramati | Comédie / Spiel / Play | 1967 | Oper, 6 perf | 3 perf (2 women, 1 man), 3 mus [Musiker, Performer] | 0 | ||||||||||||
| 6719 | Roman | Haubenstock-Ramati | Exergue pour une Symphonie | 1957 | fixed media, akusmatisch | 6:35 | Stereo | Manipulations électroacoustiques de sons orchestraux | IDEAMA CD 037/ | INA • GRM | 0 | ||||||||
| 22777 | Roman | Haubenstock-Ramati | Für K., "Bläsermontage für 18" (Oper "Amerika") | 1964 | Oper | TU Berlin | 1 | ||||||||||||
| 6720 | Roman | Haubenstock-Ramati | L'amen de verre | 1957 | fixed media, akusmatisch | 4:46 | Stereo | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 037/ | INA • GRM | 1957 | Rome | 1 | |||||||
| 6721 | Roman | Haubenstock-Ramati | Liaison | 1961 | Zuspiel / Tonband, 5 perf | 8:00 | Mono | 2 - 3 vib, mar, xyl [Schlagzeug] | ELAK Wien | 0 | |||||||||
| 6722 | Roman | Haubenstock-Ramati | Miroirs | 1984 | Zuspiel / Tonband, 1 perf | p [Piano] | or 16 live p | 0 | |||||||||||
| 6723 | Roman | Haubenstock-Ramati | Miroirs II | 1984 | Zuspiel / Tonband, 1 perf | p [Piano] | or 8 live p | 0 | |||||||||||
| 6724 | Roman | Haubenstock-Ramati | Miroirs III | 1984 | Zuspiel / Tonband, 1 perf | p [Piano] | or 6 live p | 0 | |||||||||||
| 28564 | Roman | Haubenstock-Ramati | morendo - double/echo | 1991/2002 | live-elec, 1 perf | 9:44 | b-fl [Flöte] | e. Furrer (b-fl), Peter Böhm (elec) rev. von Bernhard Lang |
WD 2003, Wittener Tage Für Neue Kammermusik 2003/ | DE | 1 | ||||||||
| 6725 | Roman | Haubenstock-Ramati | Morendo I, II | 1991 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
9:00 | fl [Flöte] | PS Liberda | 0 | ||||||||||
| 6726 | Roman | Haubenstock-Ramati | Passacaille | 1956 | fixed media, akusmatisch | 9:10 | Stereo | IDEAMA CD 037/ | INA • GRM | 0 | |||||||||
| 6727 | Roman | Haubenstock-Ramati | Tenebrae I, II | 1991 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
12:00 | p [Piano] | in memoriam Luigi Nono | PS Liberda | 0 | |||||||||
| 6728 | Roman | Haubenstock-Ramati | Twice | 1961 | Zuspiel, live-elec, 1 perf | Mono | V [Stimme] | ELAK Wien | 0 | ||||||||||
| 6729 | Roman | Haubenstock-Ramati | ULYSSES, Szenen Einer Wanderung | 1977 | Tanz | 57:00 | Stereo | Ulysse - Szenen Einer Wanderung / Poème Choréographique (Musik für Tonband 1977) Gesamtdauer: 57:15 |
Ariadne D 989001/ | ELAK Wien | 7.1.1979 | Wiener Staatsoper | 0 | https://www.discogs.com/de/Roman-Haubenstock-Ramati-Ulysses-Szenen-Einer-Wanderung-Po%C3%A8me-Chor%C3%A9ographique/release/10268829 | |||||
| 6730 | Roman | Haubenstock-Ramati | Unruhiges Wohnen | 1991 - 1992 | Tanz | radiophon |
text: Elfriede Jelinek | PS Liberda, PS Böhm | 0 | |||||||||||
| 22778 | Roman | Haubenstock-Ramati | Vermutungen über ein dunkles Haus (Oper "Amerika") | 1962/1964 | Oper | projektiert | 0 | ||||||||||||
| 6731 | Glenn Erik | Haugland | Brev | 1989 | Zuspiel, live-elec, 1 perf | V [Stimme] | NOTAM | 0 | |||||||||||
| 6732 | Glenn Erik | Haugland | Hulderkall | 1988 | Musiktheater, 10 perf, 1 group | ch, S, A, T, B, 6 Narrator [Sopran, Alt, Tenor, Bass, Schauspieler, Chor] | NOTAM | 0 | |||||||||||
| 6733 | Glenn Erik | Haugland | I det vi nærmer oss | 1988 | live-elec, 8 perf | str-qt, p and synt, p, 2 perc [Piano, Schlagzeug, synthesizer, Streicher] | NOTAM | 0 | |||||||||||
| 6734 | Thorsteinn | Hauksson | Are we ? | 1981 | Zuspiel / Tonband, 2 perf | 12:00 | br, perc [Schlagzeug, Bläser] | IRCAM | 0 | ||||||||||
| 6735 | Thorsteinn | Hauksson | Bells of Earth | 1994 | Zuspiel / Tonband, 1 group | perc or orc [Schlagzeug, Orchester] | Tokyo | 0 | |||||||||||
| 6736 | Thorsteinn | Hauksson | Chantoria | 1988 | fixed media, akusmatisch | UPIC | 0 | ||||||||||||
| 6737 | Thorsteinn | Hauksson | Cho | 1992 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Uni Glasgow | 0 | |||||||||||
| 6738 | Thorsteinn | Hauksson | Sonata | 1980 | fixed media, akusmatisch | 22:05 | Stereo | 0 | |||||||||||
| 38770 | Ludger, Maximilian | HAUMANN, NETTER | Aufkröppen in Gelsenkirchen | 2012 | radiophon | 4:41:00 | 0 | ||||||||||||
| 6739 | Walter | Haupt | Laser | 1971 | audiovisuell | lasers, lights | 0 | ||||||||||||
| 6740 | Walter | Haupt | Musik von 14 solitären Tonbandschleifen | 1968 | live-elec, 1 perf | perf (14 tape-loops) [Performer] | 0 | ||||||||||||
| 33827 | Walter | Haupt | Sensus | 1983 | fixed media, akusmatisch | 50 | Stereo | aus einem Kuppelprojektionsraum | 0 | ||||||||||
| 6741 | Walter | Haupt | Volume | 1964 | Zuspiel / Tonband, 4 perf | 21:15 | 4 perc [Schlagzeug] | EM ?? | 0 | ||||||||||
| 34630 | Paul | Hauptmeier | sines, crickets and a few | 2016 | live-elec, 1 perf | 8:31 | Octo | tape [elektronik] | SMC2016 | 0 | |||||||||
| 37236 | Paul | Hauptmeier | untitled | 2016 | live-elec, 1 perf | 10:00:00 | Stereo | acc (Live-Elektronik) [Akkordeon] | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 34693 | Paul, Martin | Hauptmeier, Recker | Another Shore, short version | 2015 - 2016 | fixed media, akusmatisch | 6:05:00 | DegeM CD 14 escape/ | 0 | http://www.soundcloud.com/paul-hauptmeier | ||||||||||
| 6742 | Goffredo | Haus | Modulando un po' | 1989 | live-elec, 2 perf | 7:00 | V, gui, [Stimme, Gitarre] | LIM Milano | 0 | ||||||||||
| 6743 | Goffredo | Haus | Musiche per poche parti, Dictomonia Incremento Serie in 9/8 Cielo Reminiscenze cupe Momenti della mente Fusione Moto spontaneo Anaritmo Angoscia Equilibrio |
1987/1989 | live-elec, 6 perf | 43:00 | fl, mar, perc, cl, b-cl, p [Flöte, Klarinette, Piano, Schlagzeug] | SLCD 1012/ SLLP 012/ | LIM Milano | 0 | |||||||||
| 6744 | Goffredo | Haus | Octaphonic Patterns | 1989 | live-elec, | 8:30 | Octo | LIM Milano | 0 | ||||||||||
| 22059 | Philippe | Hausmann | Quebec 24 Sep. 2003 | fixed media, akusmatisch | 1:59 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 43149 | Carl Michael von | Hausswolff | A Lecture on Disturbances in Architecture | 2002 | Klangkunst, Installation | 7 parts | Auszeichnung ars electronica honorary mention 2002 | 0 | |||||||||||
| 32799 | Carl Michael von | Hausswolff | Breeze Experience | Performance | 8:35 | btc 04/ | 1 | ||||||||||||
| 33842 | Carl Michael von | Hausswolff | Circulating over Square Waters (ZKM_Kubus) | 2013 | radiophon | multichannel | SWR, ZKM Karlsruhe | 10.5.2013 4.2.2014 |
ZKM Karlsruhe SWR |
Karl-Sczuka-Preis 2014 | 0 | http://www.swr.de/swr2/sczuka | |||||||
| 6747 | Carl Michael von | Hausswolff | Conductor | 1983 | fixed media, akusmatisch | 22:30 | Radium RAPH 002/ | PS C. Göteborg | 0 | ||||||||||
| 38132 | Carl Michael von | Hausswolff | December 3rd | 2011 | live-elec, | 19:32 | iDEAL 103/ | 3.12.2011 | Old American Can Factory, Brooklyn | 0 | |||||||||
| 6753 | Carl Michael von | Hausswolff | Imaginary Landscape #5 version of the piece by John Cage) | 1992 | fixed media, akusmatisch | 3:00 | EMS Stockholm | 0 | |||||||||||
| 6755 | Carl Michael von | Hausswolff | Is | 1979 | fixed media, akusmatisch | 18:00 | SB 301/ | PS C. Göteborg | 0 | ||||||||||
| 6756 | Carl Michael von | Hausswolff | K.R.E.V. 1 (composed with Leif Elggren) | 1994 | fixed media, akusmatisch | 62:00 | EMS Stockholm | 0 | |||||||||||
| 6757 | Carl Michael von | Hausswolff | Life & Death of Pboc | 1985 | fixed media, akusmatisch | 23:00 | RAPH 013-4/ | PS C. Göteborg | 0 | ||||||||||
| 42118 | Carl Michael von | Hausswolff | Operations of spirit communication | 2000 | radiophon | HR | 0 | ||||||||||||
| 22343 | Carl Michael von | Hausswolff | Possible detection of… | fixed media, akusmatisch | 7:22 | Infogram 045/2/ | 1 | ||||||||||||
| 6761 | Carl Michael von | Hausswolff | Royal Music #1 | 1987 | fixed media, akusmatisch | 3:00 | PS C. Göteborg | 0 | |||||||||||
| 6762 | Carl Michael von | Hausswolff | Royal Music #2 | 1987 | computer generated score | 3:00 | Pist Protta, Pakana | 0 | |||||||||||
| 6763 | Carl Michael von | Hausswolff | Royal Music #3 (Composed together with Zbigniew Karkowski) | 1987 | fixed media, akusmatisch | 3:00 | PLA 026/ | HfM Göteborg | 0 | ||||||||||
| 6766 | Carl Michael von | Hausswolff | The Will of Tupi-Tupi the Rooster & G.K. the Dove | 1984 | fixed media, akusmatisch | 7:00 | Radium RA 005/ | PS C. Göteborg | 0 | ||||||||||
| 6768 | Carl Michael von | Hausswolff | Vehicle | 1994 | fixed media, akusmatisch | 8:00 | EMS Stockholm | 0 | |||||||||||
| 6745 | Carl Michael von, Erik | Hausswolff, Pauser | Audiodrome (Alger - Lagos 1983) | 1983 | fixed media, akusmatisch | 17:00 | Radium RA 029/ | PS C. Göteborg | 0 | ||||||||||
| 6746 | Carl Michael von, Erik | Hausswolff, Pauser | Audiodrome (Zurich - Zurich 1986) | 1986 | fixed media, akusmatisch | 24:00 | Radium RA 029/ | HfM Göteborg | 0 | ||||||||||
| 6748 | Carl Michael von, Erik | Hausswolff, Pauser | Eternal Love #2, #3 | 1993 | fixed media, akusmatisch | 13:07 | SR 220 sub rosa (#3) | Limur LCD 005/ SR 220 sub rosa/ | EMS Stockholm | 0 | |||||||||
| 6749 | Carl Michael von, Erik | Hausswolff, Pauser | Final folklore | 1990 | audiovisuell | Film |
24:16 | liveelektronik, video, film | Silent Records SR 9217/ | HfM Göteborg | 0 | |||||||||
| 6750 | Carl Michael von, Erik | Hausswolff, Pauser | Folkwar | 1990 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 6751 | Carl Michael von, Erik | Hausswolff, Pauser | Godtphauss | 1993 | fixed media, akusmatisch | 53:00 | Silent Records SR 9459/ | EMS Stockholm | 1 | ||||||||||
| 6752 | Carl Michael von, Erik | Hausswolff, Pauser | Hafiz Phauss | 1988 | fixed media, akusmatisch | 7:02 | STCD 055/ | HfM Göteborg | 0 | ||||||||||
| 6754 | Carl Michael von, Erik | Hausswolff, Pauser | In Search For The Gold | 1984 - 1987 | fixed media, akusmatisch | 4:00 | Hell Rain in Paradise ; Conversation with Norwegian Horse Whores | RRRecords LP 064/ | PS C. Göteborg | 0 | |||||||||
| 6758 | Carl Michael von, Erik | Hausswolff, Pauser | Moving towards the sun strong strain and beautiful results | 1990 | fixed media, akusmatisch | 3:00 | Strong Strain & Beautiful Results | AK 020/ | HfM Göteborg | 1 | |||||||||
| 6759 | Carl Michael von, Erik | Hausswolff, Pauser | Nothing But The Truth | 1991 | fixed media, akusmatisch | 53:50 | A5/ | PS C. Göteborg | 0 | ||||||||||
| 6760 | Carl Michael von, Erik | Hausswolff, Pauser | Radiator | 1993 | fixed media, akusmatisch | 4:05 | Silent Records SR 9333/ | EMS Stockholm | 0 | ||||||||||
| 6764 | Carl Michael von, Erik | Hausswolff, Pauser | Supreme Bliss (She Killed Them All And They Liked It) | 1989 | fixed media, akusmatisch | 8:00 | TOPY 005/ | HfM Göteborg | 0 | ||||||||||
| 6765 | Carl Michael von, Erik | Hausswolff, Pauser | The Gallery / Tower of Water | 1982 | fixed media, akusmatisch | 7:00+7:00 | Radium 226.05/ | PS C. Göteborg | 0 | ||||||||||
| 6767 | Carl Michael von, Erik | Hausswolff, Pauser | There's Nothing Like Being ... | 1988 | fixed media, akusmatisch | 4:00 | AIIP, Wiesbaden/ | HfM Göteborg | 0 | ||||||||||
| 6770 | Teemu | Hauta-Aho | Nocturnal | 1973 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 6769 | Teemu, Eikko, Jukka | Hauta-Aho, Huhtamäki, Lappi, Topos | Concerto for Doors | 1993 | radiophon | 13:40 | YLE CDY 134/ | Yleisradio | 1 | ||||||||||
| 6771 | Marion | Hautenne | Benvenuto | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6772 | Marion | Hautenne | Les Ephémérides | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 6773 | Marion | Hautenne | Rumeurs de Rag | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 19665 | Christophe | Havel | o.T. | 1995 | live-elec, 1 perf | Stereo | p [Piano] | LIEM CDMC Madrid | 0 | ||||||||||
| 20260 | Christophe | Havel | S | 1993 - 1994 | live-elec, 2 perf | 15:38 | Stereo | sax, MIDI [Saxophon, synthesizer] | OC 951/ | 0 | |||||||||
| 39800 | Gabriel | Hawes | pouring under storm waves rushing | 2017 | fixed media, akusmatisch | 16 Tracks | Gabriel Hawes | 0 | |||||||||||
| 39801 | Gabriel | Hawes | processes | 2015 | fixed media, akusmatisch | 6:13:00 | Gabriel Hawes | 0 | |||||||||||
| 42690 | Christopher | Haworth | Vertizontal Hearing (Up & Down, I then II) | 2012 | fixed media, akusmatisch | 14:00:00 | 0 | ||||||||||||
| 41850 | Karen, Helen | Hay, Newall | There Must Be Silence | 2008 | radiophon | 11:57:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 41901 | Elizabeth Faw | Hayden Pizer | Aquasphere | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 13089 | Elizabeth Faw | Hayden Pizer | Embryonic Climactus | 1989 | fixed media, akusmatisch | 6:55 | Stereo | Pizer St | 0 | ||||||||||
| 34447 | Elizabeth Faw | Hayden Pizer | Sunken Flutes | 1979 | fixed media, akusmatisch | 12:52 | Stereo | with SRP Pro Soloist | Pizer St | 0 | |||||||||
| 43013 | Ethan | Hayden | Bats with Baby Faces in the Violet Light | 2013 | fixed media, akusmatisch | 7:12:00 | 0 | ||||||||||||
| 39771 | Ethan | Hayden | “…ce dangereux supplément…” | 2017 | fixed media, akusmatisch | Ethan Hayden | 0 | ||||||||||||
| 42500 | Myles | Hayden | The Psychosis of a Whale in Central London | 2006 | fixed media, akusmatisch | 0 | |||||||||||||
| 6774 | Nick | Hayes | Moving House | 1989 | fixed media, akusmatisch | 0 | |||||||||||||
| 6775 | Paul | Hayes | 6 woman in search of a dance | 1990 | fixed media, akusmatisch | 23:00 | PS C. | 0 | |||||||||||
| 6776 | Paul | Hayes | Colours | 1990 | fixed media, akusmatisch | 10:00 | PS C. | 0 | |||||||||||
| 6777 | Paul | Hayes | Extemporaneous | 1985 | fixed media, akusmatisch | 10:00 | PS C. | 0 | |||||||||||
| 6778 | Paul | Hayes | Interference I | 1991 | fixed media, akusmatisch | 10:00 | PS C. | 0 | |||||||||||
| 6779 | Paul | Hayes | Music for a Noh Drama | 1991 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 6780 | Paul | Hayes | Still Space | 1992 | fixed media, akusmatisch | 10:00 | PS C. | 0 | |||||||||||
| 6781 | R. I. P. | Hayman | On The Way | 1991 | fixed media, akusmatisch | 52:23 | Music for the Near-Death Experience | MW 56/ Deep Listening DL 2 1995 CD/ | 1 | ||||||||||
| 6782 | Stanley | Haynes | Prisms | 1977 | Zuspiel / Tonband, 1 perf | 7:47 | p [Piano] | WER 2028; Computer Music Currents 8/ FTS 37475/ FYLP 1027/ CMJ Vol 30-4, 2006/ CMJ Vol 04, 1980/ | IRCAM | 1 | |||||||||
| 6784 | Stanley | Haynes | Variants I | 1970 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 26578 | Sorrel | Hays | 90s, A Calendar Bracelet | 1990 | live-elec, 1 perf | 15:28 | Stereo | MIDI p, (tone-gen) [Piano] | Opus One CD 152/ | 0 | |||||||||
| 21794 | Sorrel | Hays | Celebration of No | 1983 | Zuspiel / Tonband, 3 perf | Stereo | prep p, vn, S [Sopran, Piano, Violine] | FTS 37476/ WER 6307-2/ | 1 | ||||||||||
| 42234 | Sorrel | Hays | Echo: Whatchasay/Wie bitte | 1988 | radiophon | 39:10 | WDR Studio Akustische Kunst | 28.6.1988 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1370971&vi=170&SID | ||||||||
| 21793 | Sorrel | Hays | Exploitation | 1983 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | FTS 37476/ | 0 | ||||||||||
| 21795 | Sorrel | Hays | On Voicings | 1983 | fixed media, akusmatisch | Stereo | FTS 37476/ | 0 | |||||||||||
| 38104 | Sorrel | Hays | Past Present | 1978 | live-elec, 1 perf | 7:03 | Stereo | p [Piano] | Opus One CD 152/ | 0 | |||||||||
| 22055 | Sorrel | Hays | Sound Shadows | radiophon | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||||||
| 34430 | Sorrel | Hays | Southern Voices | 1982 | fixed media, akusmatisch | 16 | Stereo | NWR 80520/ | 0 | ||||||||||
| 20261 | Sorrel | Hays | Structure 123 | 1995 | live-elec, 1 perf | 4:40 | Stereo | MIDI-sam [computer] | MIDI sam | NWR 80520/ | 0 | ||||||||
| 20262 | Sorrel | Hays | Take a Back Country Road | 1988 | live-elec, 3 perf | 16:13 | Stereo | e-sax, e-ob, Kbd [Oboe, Saxophon, Keyboard] | MIDI | NWR 80520/ | 0 | ||||||||
| 42235 | Sorrel | Hays | Traum in ihrem Kopf | 1995 | radiophon | 58:50 | WDR Studio Akustische Kunst | 4.4.1995 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1384578&vi=171&SID | ||||||||
| 6785 | Group, Franz Martin, Gerhard, Jens-Uwe, Wassily, Dimitrios, Kirsten, Folkmar | HdK, Olbrisch, Behles, Dyffort, Kokkas, Talarougas, Reese, Hein | Renga I - VII, interaktive Gruppenkomposition mit "Kabelsalat" | 1994 | Klangkunst, Installation | 80:00 | 21 Tracks | Group: Behles, Dyffort, Hein, Kokkas, Olbrisch, Reese, Talarouga | TU Berlin | 3.7.1994 | Foyer Konzertsaal der UdK | 1 | http://www.avantart.com/fmo/index.htm | ||||||
| 6786 | Group, Franz Martin, Gerhard, Wassily, Kirsten, Antonie, Jens-Uwe, Aitana, Nils, Folkmar | HdK, Olbrisch, Behles, Kokkas, Reese, Budde, Dyffort, Kasulin, Frederking, Hein | Senza fine | 1995 | fixed media, akusmatisch | 64:00 | 16 Tracks | Collectiv: Henke / Behles / Kokkas / Reese / Dyffort / Budde / Kasulin / Frederking / Schnader / Olbrisch / Hein. 4 Vesrions: Senza fine; senza fine SFB; senza fine Hofer; senza fine Dresden; senza fine Freiburg |
TU Berlin | 10.11.1995 | Kreuzberger Klangwerkstatt im Ballhaus Naunynstr. | 0 | http://www.avantart.com/fmo/texte/senza_fine.htm | ||||||
| 27319 | Group, Franz Martin, Gerhard, Wassily, Kirsten, Antonie, Jens-Uwe, Aitana, Nils, Folkmar | HdK, Olbrisch, Behles, Kokkas, Reese, Budde, Dyffort, Kasulin, Frederking, Hein | Senza fine Freiburg | 1995 | fixed media, akusmatisch | 64:00 | 16 Tracks | für 7 Lautsprechergruppen. auch Version für Freiburg. Henke / Behles / Kokkas / Reese / Dyffort / Budde / Kasulin / Frederking / Schnader / Olbrisch / Hein. |
TU Berlin | 1 | |||||||||
| 28192 | Group, Franz Martin, Antonie, Folkmar, Gerhard, Wassily, Jens-Uwe, Aitana, Nils, | HdK, Olbrisch, Budde, Hein, Behles, Kokkas, Dyffort, Kasulin, Frederking, | Senza fine SFB | 1997 | fixed media, akusmatisch | 53:30 | 15 Tracks | Mitwirkende: Henke / Behles / Kokkas / Reese / Dyffort / Budde / Kasulin / Frederking / Schnader / Olbrisch / Hein |
TU Berlin | 12.-28.5.1997 | SFB-Foyer in sfb-hörgalerie, Redaktion Mixner | 1 | |||||||
| 28191 | Group, Franz Martin, Antonie, Folkmar, Hendrik | HdK, Olbrisch, Budde, Hein, Purwins | Senza fine Dresden | 1996 | fixed media, akusmatisch | 55:00 | 16 Tracks | für 7 Lautsprechergruppen. Version für Dresden mit Bearbeitungen von Hendrik Purwins, Folkmar Hein, Antonie Budde, Franz Martin Olbrisch. Bisherige Teilnehmer: Henke / Behles / Kokkas / Reese / Dyffort / Budde / Kasulin / Frederking / Schnader / Olbrisch / Hein. |
TU Berlin | 1 | |||||||||
| 28194 | Group, Franz Martin, Folkmar, Jens-Uwe, Wassily, Kirsten | HdK, Olbrisch, Hein, Dyffort, Kokkas, Reese | Senza fine Hofer | 1997 | fixed media, akusmatisch | 58:00 | 7 tracks | TU Berlin | 11.1997 | Berlin Oberschöneweide, Einweihung der neuen Ateliers der Karl-Hofer-Gesellschaft | 1 | ||||||||
| 40340 | Yuanyuan | He | On the Threshold of a Drizzly Reality | 2015 | fixed media, akusmatisch | 9:22:00 | Yuanyuan (Kay) HE | 0 | |||||||||||
| 22799 | Group | Headbutt | Stay Put | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | ||||||||||||
| 29367 | Jason | Heath | ElectroSculpt | 2007 | audiovisuell, live-elec, | 2:22 | ears UCR | 0 | |||||||||||
| 29368 | Jason | Heath | Tikal | 2008 | live-elec, 2 perf | 3:35 | gui, va [Gitarre, Viola] | ears UCR | 0 | ||||||||||
| 36947 | Andrew | Heathwaite | Gaiuranos | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 6787 | Herbert | Hechtel | Stück | 1973 | live-elec, 2 perf | va, synt [Viola, synthesizer] | 0 | ||||||||||||
| 6788 | Herbert | Hechtel | Transit | 1973 | live-elec, 3 perf | 2 V, va [Stimme, Viola] | 0 | ||||||||||||
| 32589 | Florian | Hecker | Chimerization | 2012 | Klangkunst, Installation | 33:23 | Libretto „The Snake, the Goat and the Ladder“ (A board game for playing chimera)“ by Reza Negarestani | Editions Mego (LP)/ | MIT RLE | dOCUMENTA 13 & Sadie Coles HQ, London; Galerie Neu, Berlin; MIT | Summer 2012 | Kassel Documenta 13, Kulturbahnhof | 1 | ||||||
| 27644 | Florian | Hecker | EVENT, STREAM, OBJECT | 2010 | Klangkunst, Installation | 30:48 | Octo | Museum für Moderne Kunst Frankfurt am Main | 2010 | MMK Frankfurt | 0 | http://www.galerieneu.net/artists/show/id/22 | |||||||
| 33649 | Florian | Hecker | IT ISO161975, I T Iso161975 +1 I T Iso161975 +2 I T Iso161975 +3 (IEC mix) I T Iso161975 +4 |
1998 | live-elec, | 35 | MEGO 014/ | 1 | |||||||||||
| 43153 | Florian | Hecker | Sun Pandämonium, bsf°tyk 5 Stocha Acid Zlook Jxean-z Character Generator lulliski sim con Protog-Eepp-Forma-Quack Δ chant / Δ p.groy Quantum Spark Reality (Recherche - Création - Diffusion Mix) Vi Retrospect |
2003 | fixed media, akusmatisch | MEGO 044/ ARS 03/ | Auszeichnung ars electronica AWard of Distinction 2003 | 0 | |||||||||||
| 42331 | Florian | Hecker | Synopsis as Texture | 2018 | live-elec, 1 perf | com, (Frei Systemtechnik Filterbank) [computer] | Experimentalstudio für Akustische Kunst Freiburg | 20.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, Exp. St. des SWR | 0 | |||||||||
| 27643 | Florian | Hecker | Wq Acid VII Yin Oitch Detection Synthesis Kissing Neu Ext ≤ ∑ |
2004 | Klangkunst, Installation | 34:00 | Galerie Neu 007 CD/ | Musée d’Art moderne de la Ville de Paris | 26.5.2004 | Paris | 1 | http://www.galerieneu.net/artists/show/id/22 | |||||||
| 31378 | Martin | Hecker | Clouds | 2002 | fixed media, akusmatisch | 7:02:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 36453 | Tim | Hecker | Blue Ember Breeze | 2007 | radiophon | 6:03:00 | EDRM 417/ | 0 | |||||||||||
| 38954 | Tim | Hecker | Tim Hecker | 2015 | audiovisuell | 4 fem V [Stimme] | EMPAC | 2015 EMPAC | 0 | http://empac.rpi.edu/events/2015/fall/tim-hecker | |||||||||
| 19048 | Matt | Heckert | Metal Spine | 1996 | Klangkunst, Installation | 1:14 | Sonambiente Ausstellung (1996) Katalog S.67 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 20263 | Matt | Heckert | Munich Samba | 1997 | Klangkunst, Installation | 4:55 | Stereo | Prix ars electronica 97/ | Prix ars electronica: Golden Nica 1997 | 0 | |||||||||
| 6789 | Kim | Hedås | Good Morning Love, - it's springtime in my heart | fixed media, akusmatisch | 6:06 | NUMU 001, Nutida Musik/ | HfM Stockholm | 1 | |||||||||||
| 32920 | Kim | Hedås | Princess Bat With the Underground Stars | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 0050/ IMED 9837/ | HfM Stockholm | 0 | ||||||||||
| 21796 | Kim | Heddes | Princess Bat with underground Stars | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 35586 | Fredrik | Hedelin | Action! | 1996 | fixed media, akusmatisch | 7:51 | ICMC | 0 | |||||||||||
| 26579 | Fredrik | Hedelin | Den envetna lyssnaren | 1997 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 27953 | Fredrik | Hedelin | Djungle | fixed media, akusmatisch | Organised Sound Vol 13/3/ | 0 | |||||||||||||
| 6790 | Fredrik | Hedelin | Ritual | 1989 | fixed media, akusmatisch | 0 | |||||||||||||
| 6791 | Andreas | Hedman | Antibuddhism | 1992 | fixed media, akusmatisch | 10:00 | EMS Stockholm | 1 | |||||||||||
| 22535 | Andreas | Hedman | Intersektionen | 2002 | fixed media, akusmatisch | 10:34 | EMS Stockholm | Inventionen 2002 | 1.7.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 6792 | Andreas | Hedman | Quote | 1993 | fixed media, akusmatisch | 3:00 | EMS Stockholm | 0 | |||||||||||
| 6793 | Jens | Hedman | Apmut | 1983 | fixed media, akusmatisch | 13:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6794 | Jens | Hedman | Första Luffen | 1988 | Film | ≈ 32:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6795 | Jens | Hedman | Growing | 1984 | fixed media, akusmatisch | 6:32 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22119 | Jens | Hedman | In Relief | fixed media, akusmatisch | 11:25 | LDC 278072/73 Cultures Electroniques 14/ | EMS Stockholm | Bourges 2000 | 1 | ||||||||||
| 22373 | Jens | Hedman | Mix-up | 2000 | fixed media, akusmatisch | 8:20 | 500 sounds in 500 seconds, fragments of Hedmans favorite music | Elektron EM 1002/ | PS C. | 1 | |||||||||
| 6796 | Jens | Hedman | Plats för | 1984/1988 | fixed media, akusmatisch | 44:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 24423 | Jens | Hedman | Recoil | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19349 | Jens | Hedman | Relief | 1996 | fixed media, akusmatisch | 11:25 | Elektron EM 1002/ | EMS Stockholm | first prize at the Bourges 2000 | 1 | |||||||||
| 6797 | Jens | Hedman | Respirit | 1992/1993 | Zuspiel / Tonband, 6 perf | 9:00 | Stereo | 6 perc [Schlagzeug] | TU Berlin, EMS Stockholm, SR Stockholm | Festival Inventionen DAAD/TU 94 | 3.2.1994 | Inventionen Straßenbahndepot Wiebestraße Berlin-Moabit, Kroumata | 1 | 1994 | |||||
| 6798 | Åse | Hedstrøm | Krets | 1983 | fixed media, akusmatisch | 12:05 | Stereo | EMS Stockholm | BIT-ensemblet, Det Norske Komponistfond | 0 | |||||||||
| 6799 | Åse | Hedstrøm | Through | 1983 | Zuspiel / Tonband, 3 perf | 8:00 | Mez, trbn, perc [Mezzo, Posaune, Schlagzeug] | NOTAM | 0 | ||||||||||
| 36793 | Vincent, Nicoline | Heetvelt, Baartman | Nachtmerrie | 1984 | fixed media, akusmatisch | Sonology Utrecht | 0 | ||||||||||||
| 25919 | James | Hegarty | Aerial | 2002/2004 | audiovisuell | 4:45 | voice by Kathryn Stieler | CMJ Vol 29-4, 2005/ | Uni Pacific | 09.2003 | Music Beyond Performance at the University of the Pacific | 1 | |||||||
| 41517 | James | Hegarty | Reset: 59.5 | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 33459 | Boris | Hegenbart | [1/TAU], hikuioto / TAU, a-musik [2/TAU], smip [3/TAU], INSTRUMENTARIUM, [#/TAU] Projekt |
1996, 2003, 2012 | fixed media, akusmatisch | 1 | http://www.soundblocks.de/tau-3/ | ||||||||||||
| 33644 | Boris | Hegenbart | 2/TAU, Snooze Makrobe Ink Hermetik Anode Rosin Ginger Crockl FRH Smip Halm Feld Gespog |
2003 | fixed media, akusmatisch | 57 | Stereo | second part of the TAU-Project | quecksilber 3/ | 1 | |||||||||
| 38917 | Boris | Hegenbart | Disturbstone | 1999 | Performance, live-elec, | 6:22 | x-tract x-t 2002/ | 1999 | Podewil Berlin | 0 | |||||||||
| 27607 | Boris | Hegenbart | ebenen-2000 | 2010 | fixed media, akusmatisch | Spazialisation: WFS | TU Berlin | Elektronisches Studio TU Berlin | 27.7.2010 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 0 | http://www.soundblocks.de/ | |||||||
| 26214 | Boris | Hegenbart | hermetische_garage | 2003 | fixed media, akusmatisch | 4:59 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | http://www.soundblocks.de/ | |||||||
| 33019 | Boris | Hegenbart | Instrumentarium, [3/TAU], INSTRUMENTARIUM | 2012 | live-elec, 19 perf | 19 perf [Performer] | Boris Hegenbart and 19 Artists - Instrumentarium | mono 055 Monocord Records/ | 1 | ||||||||||
| 6800 | Hannes, Reinhard | Heher, Köberl | Ent-Wicklungen | 1982 | fixed media, akusmatisch | Stereo | tog. with Reinhard Köberl | ELAK Wien | 0 | ||||||||||
| 6801 | Wolfram | Heicking | Besuch gegen zehn, Lied vom Henker | 1963 | Fernsehen, | 2:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 6802 | Wolfram | Heicking | Hallo, hier Ph. Reis | 1963 | Fernsehen, | 5:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 28237 | Edwin van de | Heide | Daylight | 2003 | Klangkunst, Installation | 29:24 | ISBN 978-94-90335-02-1 Edwin van der Heide/ | Cafe Sonore of the VPRO radio | 1 | http://www.evdh.net | |||||||||
| 6803 | Edwin van de | Heide | Sine Nomine | 1991 | fixed media, akusmatisch | 7:00 | Stereo | Sonology Den Haag | 0 | http://www.evdh.net | |||||||||
| 28238 | Edwin van de | Heide | The Speed of Sound | 2007 | Klangkunst, Installation | 7:52 | ISBN 978-94-90335-02-1 Edwin van der Heide/ Kehrer Verlag ISBN 978-3-86828-493-5/ | 3.8.-23.9.2007 | singuhr hoergalerie Berlin | 1 | http://www.evdh.net | ||||||||
| 25499 | Edwin van de | Heide | Untitled | 2003 | fixed media, akusmatisch | 11:06 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | www.evdh.net | ||||||||
| 28236 | Edwin van de | Heide | Wavescape | 2001 | Klangkunst, Installation | 20:28 | underwater sounds of the river Maas (Rotterdam) | ISBN 978-94-90335-02-1 Edwin van der Heide / basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 1 | http://www.evdh.net | |||||||||
| 6804 | Edwin van de | Heide | Zonder titel | 1989 | fixed media, akusmatisch | 8:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 34748 | Edwin van de, Marnix de | Heide, Nijs | Spatial Sounds | 2005 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 2.2.-13.2.2005 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 21961 | Ida | Heidel | Seed | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 6805 | Werner | Heider | Jazz Combo und Tonband | 1971 | Zuspiel / Tonband, 1 group | jazz-combo [Ensemble] | 0 | ||||||||||||
| 6806 | Werner | Heider | Kontinuum | 1968 | Zuspiel / Tonband, 1 group | jazz-combo [Ensemble] | 0 | ||||||||||||
| 6807 | Werner | Heider | Kunst-Stoff | 1971 | Zuspiel / Tonband, 2 perf | cl, prep p [Klarinette, Piano] | 0 | ||||||||||||
| 32748 | Werner | Heider | Passatempo, 1: Esposizioni 2: 6 minuti per Haydn |
1967 | Zuspiel / Tonband, 2 perf | 2 ww [Bläser] | 0 | ||||||||||||
| 6808 | Werner | Heider | Programm I | 1969 | Zuspiel / Tonband, 1 perf | hpd [Cembalo] | EM ?? | 0 | |||||||||||
| 6809 | Bernard | Heidsieck | Biopsie #1 — #7, La Mer est grosse L'exercice Prophéties Mais oui, mais oui Quel àge avez-vous? Stratimélo Bilan ou Mâcher ses mots … |
1966 | fixed media, akusmatisch | <2:00 | Mono | short txtcompo | OU 26-27/ Mar/ | PS C. Paris | 0 | ||||||||
| 6810 | Bernard | Heidsieck | Biopsie 12. Terre à terre | 1970 | fixed media, akusmatisch | short txtcompo | RELP 1073/ FYCD 1024 CD 3 Text-Sound Compositions/ | PS C. Paris | 1 | ||||||||||
| 24533 | Bernard | Heidsieck | Biopsie 9. Ne restez pas debout | 1968 | fixed media, akusmatisch | 4:15 | Text-Sound Composition. Voice of Åke Karlung | FYCD 1024 CD 2 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 36527 | Bernard | Heidsieck | Carrefour De La Chausse D'Antin, Passe-Partout 10, 13, 15, 16, 20, 21 | 1972 | radiophon | 110 | S Press 23/ Edition S Press Tonband 18/ | 0 | |||||||||||
| 6811 | Bernard | Heidsieck | Encoconnage | fixed media, akusmatisch | audio-poem | Staalplaat RCS 246/ | PS C. Paris | 0 | |||||||||||
| 6812 | Bernard | Heidsieck | La convention collective | 1965 | fixed media, akusmatisch | 0:38 | Mono | poem-partition | OU 26-27/ IDEAMA CD 010/ | PS C. Paris | 0 | ||||||||
| 6813 | Bernard | Heidsieck | La Pénétration (à Nathalie et Emmanuelle) La Cage |
1965 | fixed media, akusmatisch | 0:45 | sound poesie: mécano-Poème #1 & #2 | OU 26-27/ | PS C. Paris | 0 | |||||||||
| 6815 | Bernard | Heidsieck | Passe-partout 25: Sisyphe | 1977 | fixed media, akusmatisch | 4:05 | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 3 Text-Sound Compositions/ | Fylkingen | 1 | ||||||||||
| 24534 | Bernard | Heidsieck | Passe-partout 3: Poème-Interview | 1970 | fixed media, akusmatisch | 3:02 | Text-Sound Composition | FYCD 1024 CD 3 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 36528 | Bernard | Heidsieck | Poème - partition J | 1961 | fixed media, akusmatisch | 54 | Edition S Press Tonband 18/ | 0 | |||||||||||
| 6814 | Bernard | Heidsieck | Poème-partiton N, R, S, Q, V, I, F, B, M, D, A, D2, O–E, T, X, D3Z, J, K ou le quotidien, B2B3 ou Exorcisme, D4P ou Art Poètique, H1, H2 | 1955 - 1966 | fixed media, akusmatisch | Mono | txtcompo | OU 26-27/ Mar/ OU 23-24/ | PS C. Paris | 0 | |||||||||
| 6816 | Bernard | Heidsieck | Vaduz | 1974 | fixed media, akusmatisch | 12:00 | Stereo | RELP 1073/ | 0 | ||||||||||
| 6817 | Robin Julian | Heifetz | A Clear and Present Danger | fixed media, akusmatisch | FTS 33878/ | Uni Jerusalem | 0 | ||||||||||||
| 28443 | Robin Julian | Heifetz | Anatomy of Chase | 1980 | fixed media, akusmatisch | 10:44 | Stereo | ELCD 013 Electroshock Records/ | 0 | ||||||||||
| 28439 | Robin Julian | Heifetz | Beyond Words In Hunger Dark | 1980 | fixed media, akusmatisch | 8:25 | Stereo | ELCD 006 Electroshock Records/ Cassette/ | 0 | ||||||||||
| 28453 | Robin Julian | Heifetz | Flashpoint | 1996 | fixed media, akusmatisch | 8:28 | Stereo | ELCD 026 Electroshock Records/ | 0 | ||||||||||
| 34707 | Robin Julian | Heifetz | Flykt | 1979 | Zuspiel / Tonband, 1 perf | 6:52 | Stereo | p, (com) [Piano] | Orion ORS 80366/ | 0 | |||||||||
| 6818 | Robin Julian | Heifetz | För Anders Lünberg: Mardröm 293010 | 1979 | fixed media, akusmatisch | 11:54 | Stereo | Orion ORS 80366/ | EMS Stockholm | Prize Bourges 79 | 1 | ||||||||
| 6819 | Robin Julian | Heifetz | In the last, frightened moment | 1980 | fixed media, akusmatisch | 10:02 | Stereo | IPEM Gent | 0 | ||||||||||
| 41899 | Robin Julian | Heifetz | Shadow traps | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 28460 | Robin Julian | Heifetz | Slings and Arrows II | 2000 | fixed media, akusmatisch | 10:02 | Stereo | ELCD 036 Electroshock Records/ | 0 | ||||||||||
| 40832 | Robin Julian | Heifetz | Slings and Arrows III | 2016 | fixed media, akusmatisch | 2:39 | CLS 170902/ | PS C. | 0 | ||||||||||
| 34706 | Robin Julian | Heifetz | Susurrus | 1979 | fixed media, akusmatisch | 4:38 | Stereo | Orion ORS 80366/ | 0 | ||||||||||
| 6820 | Robin Julian | Heifetz | The Breach | 1980 | fixed media, akusmatisch | 10:48 | Stereo | IPEM Gent | 0 | ||||||||||
| 6821 | Robin Julian | Heifetz | The Vengeance | 1980 | fixed media, akusmatisch | 10:50 | Stereo | IPEM Gent | 0 | ||||||||||
| 6822 | Robin Julian | Heifetz | Wanderer | 1980 | fixed media, akusmatisch | 15:35 | Stereo | IPEM Gent | 0 | ||||||||||
| 34708 | Robin Julian | Heifetz | Wasterland | 1979 | fixed media, akusmatisch | 6 | Stereo | com | Orion ORS 80366/ | 0 | |||||||||
| 6824 | Corneel | Heij | Earth Biography | 1990 | fixed media, akusmatisch | 24:30 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 6823 | Corneel, Oskar | Heij, Postma | A compositional Exercise for concrete and abstract sound | 1989 | fixed media, akusmatisch | 7:25 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 18942 | Steven | Heimbecker | I Beat John Sobol at Pool Last Night | 1994 | fixed media, akusmatisch | 2:58 | Übersetzung von Text in Klang ("The Text is the Music") | CEC DISContact_2/ | Uni Calgary | 1 | |||||||||
| 24883 | Steven | Heimbecker | Songs of Place Halifax, Île de Montréal, Springwater, Vancouver |
2001 - 2004 | audiovisuell | 172:03 | DVD Video | OBQA 0102/ | 0 | ||||||||||
| 6825 | Folkmar | Hein | Antigonae | 1975 | Theatermusik | 12:00 | Stereo + Stereo | Konzertversion auch aufgeführt am 9.3.1976 im Theater- und Probensaal der HdK Berlin | TU Berlin | Schauspielhaus Kiel | 1 | ||||||||
| 22779 | Folkmar | Hein | Dreierlei | 1978 | fixed media, akusmatisch | 3:00 | Stereo | "3-Minutenstücke" with Herbert Brün | TU Berlin | 1 | |||||||||
| 6827 | Folkmar | Hein | Jeu interdit, Die Macht der Simulation | 1984/1988, 2017 | audiovisuell | 24:30 | Stereo, Quadro | 2 x U-Matic LB synchron, Farbe, je 24' 2 Videoinstallations and 2 screens |
SSWP bildo/ | TU Berlin | 11.-13.5.1984 | Künstlerhaus Bethanien | 1 | https://vimeo.com/channels/medienkunst/200988194 | |||||
| 6828 | Folkmar | Hein | Lissajous 2 - Großstadt (Saturn an Jupiter) | 1977 - 1978 | Film | 14:00 | Mono + Mono + Mono | 16 mm; 3 film projectors. Teil der Musik ist von R. Rüfer (aus Dialog) |
TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | Prädikat besonders wertvoll | 0 | ||||||
| 6829 | Folkmar | Hein | Übungen in Lissajous | 1975 | Film | 9:00 | Mono | 16 mm | TU Berlin | 0 | |||||||||
| 28048 | Folkmar, Michael | Hein, Hoeldke | Subversion im Äther - die Elektroakustische Musik der DDR | 2010 | Rundfunk | 57:00:00 | Stereo | Interviews mit: Steinke, Katzer, Machlitt, Schenker, Rödger EM von: Matthus, Wefelmeyer, Schenker, Dittrich, Hoyer, Glandien Die Elektroakustische Musik in der DDR war ein Genre jenseits von gut und böse. Die politischen Kontrollorgane zeigten wenig Interesse dafür: Zum Glück! So wurde sie nie wirklich verboten und in den letzten Jahren vor dem Mauerfall sogar gefördert. Es lohnt sich, sie zu erkunden, nachdem sie lange weitgehend ignoriert worden ist. Folkmar Hein und Michael Hoeldke haben einige ihrer wichtigsten Protagonisten besucht, Musik gesammelt und Bücher gewälzt. Herausgekommen ist eine spannende, nicht endende Geschichte, und die erzählen ihre Betreiber. (Pressetext) |
PS C. | HR2, Redaktion Stefan Fricke | 11.5.2010 | HR2 | 1 | ||||||
| 18831 | Heinz-Albert | Heindrichs | Salut für Kuzorra | 1991 | intermedia | 11:28 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records/ | 1 | |||||||||
| 38460 | Anna | Heine | Ha Zaw | 2003, 2017 | audiovisuell | 5:45 | Stereo | Audiovisual interpretation of the poem of Gertrud Kolmar | TU Berlin | 0 | https://vimeo.com/channels/medienkunst/249547395 | ||||||||
| 6830 | Wolfgang | Heiniger | Another Winter of our Discontent | 1990 | live-elec, 1 perf | 13:00 | Stereo | mar, (com) [Schlagzeug] | HSM Basel | 4.2.1991 | Inventionen Akademie der Künste Berlin | 1 | 1991 | http://www.esbasel.ch/ | |||||
| 31631 | Wolfgang | Heiniger | Birth, Revisited | 1993 | live-elec, 1 perf | 8:00:00 | V, (elec) [Stimme] | HSM Basel | 0 | ||||||||||
| 6831 | Wolfgang | Heiniger | Der Schaum der Tage | 1991 | live-elec, 2 perf | 12:00 | Stereo | vn, (harm), sam [Violine, computer] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 37669 | Wolfgang | Heiniger | Ich habe einen Fisch im Ohr | 2016/2017 | live-elec, 6 perf | ≈ 14 | 6 V, (5 drums, LS) [Stimme] | AdK Berlin, Kontakte17, Ernst von Siemensstiftung | 0 | ||||||||||
| 6832 | Wolfgang | Heiniger | In Aqua Scribis | 1989 | live-elec, 1 perf | 12:00 | Stereo | db [Kontrabass] | MIDI | HSM Basel | Auszeichnung ars electronica 1989 | 0 | http://www.esbasel.ch/ | ||||||
| 6833 | Wolfgang | Heiniger | Inferno | 1992/1993 | live-elec, 2 perf | 9:00 | vn, perc [Schlagzeug, Violine] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 31632 | Wolfgang | Heiniger | Wassermusik | 1996 | live-elec, 1 perf | perf, (elec) [Performer] | HSM Basel | 0 | |||||||||||
| 6834 | Paavo | Heininen | Gymel | 1979 | 14:36:00 | Stereo | Yleisradio | 0 | |||||||||||
| 6835 | Paavo | Heininen | Maiandros 1 | 1978 | fixed media, akusmatisch | 13:15 | FENO 5/ | Yleisradio | 1 | ||||||||||
| 33000 | Keiji | Heino | electronics | 2008 | live-elec, | 56:56 | zkr 0006/ | 0 | |||||||||||
| 6836 | Frank | Heintz | Fanfare und Raga | 1970 | Zuspiel / Tonband, 1 perf | 6:24 | bn [Fagott] | WGS-8129/ | Catholic Uni | 1 | |||||||||
| 29727 | Joachim | Heintz | Ambi-Schlagfluss | 2005 | fixed media, akusmatisch | 3 | Spazialisation: Ambisonics | Für Ambisonic-Raumklang (Tonband) | PS C. | 0 | |||||||||
| 29728 | Joachim | Heintz | Anti II | 2005 | Zuspiel / Tonband, 3 perf | 13 | 3 tracks | fl, ob, bn [Flöte, Oboe, Fagott] | PS C. | 0 | |||||||||
| 29719 | Joachim | Heintz | Att… | 2011 | live-elec, 1 perf | com [computer] | Younghi Pagh-Paan zum 28. Januar 2011 | PS C. | 28. Januar 2011 | 0 | http://joachimheintz.de/globales/popglobal_ypp_lehrerin.html | ||||||||
| 29732 | Joachim | Heintz | Beschwörung | 2002/2003 | Performance, live-elec, 3 perf | Tanz |
15 | 3 rec, (3 CD, choreography) [Flöte] | Für 3 Blockflöten, 3 CD's (Ghettoblaster) und Choreographie | PS C. | 0 | |||||||||
| 29731 | Joachim | Heintz | Beschwörung allein | 2003 | Performance, live-elec, 1 perf | Tanz |
15 | rec, (CD, choreography) [Flöte] | Für Blockflöte, CD (Ghettoblaster) und Choreographie | PS C. | 0 | |||||||||
| 29716 | Joachim | Heintz | C Copy A, verschlüsselt | 2011 | Musiktheater | perf, (elec) [Performer] | Live-Elektronik und Aktion / Performance. (work in progress) |
PS C. | Theater der Versammlung Bremen | 0 | |||||||||
| 29733 | Joachim | Heintz | Dreieck | 2001 | fixed media, akusmatisch | audiovisuell |
13 | 7 tracks | mit einem Video von Bettina Suhr | PS C. | 0 | |||||||||
| 29737 | Joachim | Heintz | Ein Ort für Zufälle | 1997/1998 | live-elec, 1 perf | 10 | prep MIDI p [Piano] | Proposition 1999 des Atelier Neue Musik/ | PS C. | 0 | |||||||||
| 29734 | Joachim | Heintz | Erzählung | 1999/2000 | Zuspiel / Tonband, 1 perf | 20 | Octo | org [Orgel] | PS C. | 0 | |||||||||
| 29714 | Joachim | Heintz | Gläserne Unterbrechung | 2012 | Klangkunst, Installation | Klanginstallation im Rahmen der Ausstellung KURATO.kollektiv | PS C. | 18. Mai - 2. Juni 2012 21. - 26. August 2012 |
Galerie oqbo, Berlin, Kunstverein Göttingen |
0 | |||||||||
| 29723 | Joachim | Heintz | Heine-Kommentare | 2007/2008 | fixed media, akusmatisch | Zwischenmusiken zu Texten von Heinrich Heine (Elektronik) | PS C. | 0 | |||||||||||
| 29736 | Joachim | Heintz | Iwein-Block | 1998 | fixed media, akusmatisch | 13 | Mono | Experiment über eine Sprechweise | PS C. | 0 | |||||||||
| 29730 | Joachim | Heintz | Koax | 2004 | fixed media, akusmatisch | audiovisuell |
3 | Stereo | Dazu 3 Videos von Charlotte Boesen | PS C. | 0 | |||||||||
| 29722 | Joachim | Heintz | Krieg dem Krieg | 2009 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | PS C. | 0 | |||||||||||
| 29729 | Joachim | Heintz | Neue Halle des Plato | 2004 | audiovisuell | 30 | Klangmontage zum Bremer Theaterberg Mit einem Video von Roland Kerstein |
PS C. | 0 | ||||||||||
| 29720 | Joachim | Heintz | Potentiale | 2010 | Klangkunst, Installation | 16 Tracks | Installation für 16 Klangstelen auf dem Platz der Weltausstellung Hannover | PS C. | Platz der Weltausstellung Hannover | 0 | |||||||||
| 29725 | Joachim | Heintz | Quo Tendis | 2006 | live-elec, 1 perf | vc, (elec) [Cello] | PS C. | 0 | |||||||||||
| 29735 | Joachim | Heintz | Reduktion | 1998/1999 | fixed media, akusmatisch | audiovisuell |
21 | Octo | Achtkanalige Tonbandmusik, mit einem Video von Mark Wiedemann | PS C. | 0 | |||||||||
| 29715 | Joachim | Heintz | S'io non Miro non Moro | 2012 | live-elec, 1 perf | S, (elec) [Sopran] | Nach einem Madrigal von Carlo Gesualdo | PS C. | 0 | ||||||||||
| 29724 | Joachim | Heintz | Schlagschatten | 2006 | live-elec, 1 perf | acc, (elec) [Akkordeon] | Schlagschatten entstand auf Initiative der Akkordeonistin Margit Kern anlässlich des 100. Geburtstags von Hannah Arendt als Auftrag des Deutschlandfunk.) | PS C. | Deutschlandfunk | 0 | |||||||||
| 29721 | Joachim | Heintz | Schritte | 2009 | Klangkunst, Installation | Stereo | 2 kleine Lautsprecher an einer Sitzbank | PS C. | 0 | ||||||||||
| 26145 | Joachim | Heintz | Stimmen | 2007 | fixed media, akusmatisch | 2:50 | Stereo | Cybele 960.209/ DegeM CD 09/ | PS C. | 1 | http://joachimheintz.de/globales/popglobal_arbeit.html | ||||||||
| 29726 | Joachim | Heintz | Symbolon | 2005 | live-elec, 1 perf | 4 | perc [Schlagzeug] | Younghi Pagh-Paan zum 60. Geburtstag | PS C. | 0 | http://joachimheintz.de/globales/popglobal_rede.html | ||||||||
| 29718 | Joachim, Charlotte | Heintz, Boesen | Unberechenbar | 2011 | Klangkunst, Installation | 6 | Klanginstallation (6 Kanäle); mit Charlotte Boesen (Objekte / Grafik) | PS C. | Atelier Grammophon Hannover | 0 | |||||||||
| 29717 | Joachim, Clemens von | Heintz, Reusner | Hommage à Gottfried Michael Koenig | 2011 | fixed media, akusmatisch | 12:35 | Quadro | PS C. | Kulturamt Braunschweig und Vereine Freunde der Neuen Musik, Braunschweig | 8.10.2011 | Kunstverein Braunschweig „Salve Hospes“ | 0 | |||||||
| 6837 | Günter | Heinz | auch Drachen … im Mai | 1993 | live-elec, 3 perf | 3:35 | Stereo | trbn, V, sam [Stimme, Posaune, computer] | Text: Elisabeth Wandeler-Deck | For 4 Ears CD 616/ | HSM Basel | 1 | http://www.esbasel.ch/ | ||||||
| 22808 | Günter | Heinz | Changes | 1996 | Zuspiel / Tonband, 1 perf | 2:38 | trbn [Posaune] | Cybele 960.203/ DegeM CD 03/ | PS CUE Berlin | 1 | |||||||||
| 6838 | Günter | Heinz | Improvisation 1 | 1991 | live-elec, 2 perf | 11:04 | Stereo | trbn, perc [Posaune, Schlagzeug] | For 4 Ears CD 616/ | 1 | |||||||||
| 6839 | Günter | Heinz | Improvisation 2 | 1991 | live-elec, 2 perf | 7:34 | Stereo | fl, perc [Flöte, Schlagzeug] | For 4 Ears CD 616/ | 1 | |||||||||
| 6840 | Günter | Heinz | Improvisation 3 | 1991 | live-elec, 2 perf | 8:27 | Stereo | trbn, perc [Posaune, Schlagzeug] | For 4 Ears CD 616/ | 1 | |||||||||
| 6841 | Günter | Heinz | Keep on the move | 1993 | live-elec, 1 perf | 6:19 | Stereo | trbn [Posaune] | For 4 Ears CD 616/ | HSM Basel, AdK Berlin, TU Berlin | 1 | ||||||||
| 22374 | Günter | Heinz | Keep on the move II | 1999 - 2000 | Zuspiel / Tonband, 1 perf | 15:00 | Octo | trbn [Posaune] | Cybele 960.205/ For 4 Ears records CD 616/ DegeM CD 05/ | HSM Basel, AdK Berlin, TU Berlin | 1 | ||||||||
| 6842 | Günter | Heinz | Sunday afternoon | 1993 | live-elec, 1 perf | 2:18 | Stereo | trbn [Posaune] | Text: Elisabeth Wandeler-Deck | For 4 Ears CD 616/ | HSM Basel | 1 | http://www.esbasel.ch/ | ||||||
| 6843 | Günter | Heinz | Trombtape | 1995 | Zuspiel / Tonband, 1 perf | 5:12 | Stereo | trbn [Posaune] | 0 | ||||||||||
| 6844 | Günter | Heinz | Windharp | 1992/1993 | live-elec, 1 perf | 6:49 | Stereo | trbn [Posaune] | For 4 Ears CD 616/ | HSM Basel | 1 | http://www.esbasel.ch/ | |||||||
| 27325 | Günter, Jochen, Wolfgang | Heinz, Bohnes, Heiniger | trombone on M.A.R.S. | 1998 | live-elec, 1 perf | 49:00 | fl [Flöte] | Klänge in Echtzeit erzeugt vom "European Powerbook Ensemble" | For 4 Ears 1138/ | HSM Basel | 1 | http://www.esbasel.ch/ | |||||||
| 27927 | Michael | Heisch | Edison | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27925 | Michael | Heisch | Eisenfresser | 1996 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27926 | Michael | Heisch | Theuth I | 1997 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 36549 | Wolfgang | Heisig | Ringparabel | 1990 | computer generated score, 1 perf | 2:18:00 | player p [Piano] | Donaueschinger Musiktage 1994 | WWE 3CD 31882/ | 1991 | Klangaktionen München | 1 | |||||||
| 6845 | Hermann | Heiß | Aniara | 1963 | Oper | 12:30 | Stereo | Oper von Karl Birger Blomdahl | PS C. | 0 | |||||||||
| 6846 | Hermann | Heiß | As 60 | 1960 | fixed media, akusmatisch | 43:13 | Mono | 4 versions | PS C. | 0 | |||||||||
| 6847 | Hermann | Heiß | Ballett - Komposition | 1955 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 6848 | Hermann | Heiß | Battements | 1960 | Fernsehen, | 2:00 | Mono | PS C. | 0 | ||||||||||
| 6849 | Hermann | Heiß | Clownerie | 1965 | fixed media, akusmatisch | 0:45 | Mono | PS C. | 0 | ||||||||||
| 6850 | Hermann | Heiß | Der Feind des Präsidenten | 1957 | radiophon | 15:00 | Mono | PS C. | 0 | ||||||||||
| 6851 | Hermann | Heiß | Diabolerien | 1962 | Fernsehen, | 1:35 | Stereo | NDR Hamburg | 0 | ||||||||||
| 6852 | Hermann | Heiß | Die Fliegen | 1961 | Theatermusik | 7:00 | Mono | PS C. | 0 | ||||||||||
| 6853 | Hermann | Heiß | Die glorreiche Unterlassung des Fliegerhauptmanns K | 1956 | radiophon | Mono | Funkballade für Sänger, sp, ch, sp-ch, ens, und radiogene Mittel | Radio HR Frankfurt | 0 | ||||||||||
| 6854 | Hermann | Heiß | Die Tat | 1958 | fixed media, akusmatisch | 16:00 | Stereo | PS C. | 0 | ||||||||||
| 6855 | Hermann | Heiß | Die Tat | 1961 | Tanz | 56:00 | Stereo | PS C. | 0 | ||||||||||
| 6856 | Hermann | Heiß | Die Troerinnen | 1960 | Theatermusik | 3:00 | Mono | PS C. | 0 | ||||||||||
| 6857 | Hermann | Heiß | diverse Zuspielbänder für Theater, Hörspiele und Filme | 1966 | Fernsehen, | Stereo | PS C. | 0 | |||||||||||
| 6858 | Hermann | Heiß | Eisenhütte (Stahlwerk) | 1963 | Fernsehen, | 12:20 | Stereo | PS C. | 0 | ||||||||||
| 6859 | Hermann | Heiß | Elektronische Komposition I | 1954 | fixed media, akusmatisch | 5:12 | Mono | DMR 1007-09/ IDEAMA CD 001/ | WDR SEM | 30.5.1956 | Funkhaus WDR Köln "Musik der Zeit" | 0 | |||||||
| 6860 | Hermann | Heiß | Elektronische Komposition II, AS 60 | 1960 | fixed media, akusmatisch | intermedia |
21:30 | Stereo | perf with M. Prachensky (paints) | PS C. | 0 | |||||||||
| 6861 | Hermann | Heiß | Elektronische Komposition II, Laut und Stille | 1959 | fixed media, akusmatisch | 8:10 | Stereo | PS C. | 0 | ||||||||||
| 6862 | Hermann | Heiß | Elektronische Komposition IV | 1961 | fixed media, akusmatisch | 13:10 | Stereo | PS C. | 0 | ||||||||||
| 6863 | Hermann | Heiß | Elektronische Studie | 1953 | fixed media, akusmatisch | 0:40 | Mono | IDEAMA CD 053/ | WDR SEM | 0 | |||||||||
| 6864 | Hermann | Heiß | Elektronisches Diskontinuum | 1954 | fixed media, akusmatisch | 3:40 | Mono | IDEAMA CD 042/ | WDR SEM | 0 | |||||||||
| 6865 | Hermann | Heiß | Elektronisches Diskontinuum mit Schlagzeug | 1954 | Zuspiel / Tonband, 1 perf | 2:37 | perc [Schlagzeug] | IDEAMA CD 042/ | WDR SEM | 0 | |||||||||
| 6866 | Hermann | Heiß | Essay I | 1957 | fixed media, akusmatisch | 5:30 | Stereo | PS C. | 0 | ||||||||||
| 6867 | Hermann | Heiß | Essay II | 1958 | fixed media, akusmatisch | 5:40 | Stereo | PS C. | 0 | ||||||||||
| 6868 | Hermann | Heiß | Ferne Trommeln - ferne Glocken | 1960 | Fernsehen, | 9:10 | Stereo | PS C. | 0 | ||||||||||
| 6869 | Hermann | Heiß | Filmmusik Industriefilm | 1966 | Film | 12:00 | Mono | PS C. | 0 | ||||||||||
| 6870 | Hermann | Heiß | Gespenstische Visionen | 1962 | Fernsehen, | 1:47 | Mono | PS C. | 0 | ||||||||||
| 6871 | Hermann | Heiß | Große Paukenmaschine | 1963 | Fernsehen, | 10:20 | Stereo | PS C. | 0 | ||||||||||
| 6872 | Hermann | Heiß | Lemuren | 1960 | Fernsehen, | 5:15 | Stereo | PS C. | 0 | ||||||||||
| 6873 | Hermann | Heiß | Logatome | 1961 | Zuspiel / Tonband, 2 perf | 7:20 | Stereo | Sp, ins [Sprecher, Instrument] | PS C. | 0 | |||||||||
| 6874 | Hermann | Heiß | LTM 62, Diffusion für Licht, Tanz, Musik | 1962 | intermedia | 7:15 | Stereo | PS C. | 0 | ||||||||||
| 6875 | Hermann | Heiß | Meteore | 1960 | Fernsehen, | 1:57 | Mono | PS C. | 0 | ||||||||||
| 6876 | Hermann | Heiß | Missa | 1964 | Zuspiel / Tonband, 2 perf, 1 group | 54:46 | Stereo | A, T, mx ch [Alt, Tenor, Chor] | PS C. | 0 | |||||||||
| 6877 | Hermann | Heiß | Monophon | 1960 | Fernsehen, | 3:10 | Stereo | PS C. | 0 | ||||||||||
| 6878 | Hermann | Heiß | Pausenzeichen des Hessischen Rundfunks | 1954 | fixed media, akusmatisch | 0:06 | Mono | für HR | col legno WWE 1CD 31894, 50 Jahre Neue Musik in Darmstadt, Vol. 1/ | NDR Hamburg | 1 | ||||||||
| 6879 | Hermann | Heiß | Peitschenmusik | 1961 | Fernsehen, | 2:00 | Mono | PS C. | 0 | ||||||||||
| 6880 | Hermann | Heiß | Präludium "Ananke" | 1964 | fixed media, akusmatisch | 8:20 | Stereo | PS C. | 0 | ||||||||||
| 6881 | Hermann | Heiß | Proportionen | 1961 | fixed media, akusmatisch | 7:30 | Stereo | PS C. | 0 | ||||||||||
| 6882 | Hermann | Heiß | Resonanzen | 1962 | Fernsehen, | 2:40 | Mono | PS C. | 0 | ||||||||||
| 6883 | Hermann | Heiß | Reue und Bußgang des Raskolnikow | fixed media, akusmatisch | 6:45 | PS C. | 1 | ||||||||||||
| 6884 | Hermann | Heiß | Salutatio | 1966 | Zuspiel / Tonband, 2 perf | 8:15 | Stereo | V, Sp [Sprecher, Stimme] | unfinished; Worte aus „Hyperion“ von Hölderlin | PS C. | 0 | ||||||||
| 6885 | Hermann | Heiß | Studie 59, zu AS 60 | 1959 | fixed media, akusmatisch | 3:05 | Stereo | PS C. | 0 | ||||||||||
| 6886 | Hermann | Heiß | Undine | 1957 | Theatermusik | 10:50 | Mono | PS C. | 0 | ||||||||||
| 6887 | Hermann | Heiß | Variable Musik für vier Magnetophone | 1966 | fixed media, akusmatisch | 8:45 | Mono + Mono + Mono + Mono | 3 versions | PS C. | 0 | |||||||||
| 6888 | Hermann | Heiß | Variante AS 60 | 1960 | fixed media, akusmatisch | 19:00 | Stereo | PS C. | 0 | ||||||||||
| 6889 | Hermann | Heiß | Vignette | 1956 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 6890 | Hermann | Heiß | Zikaden | 1960 | Fernsehen, | 3:59 | Stereo | PS C. | 0 | ||||||||||
| 6891 | Hermann | Heiß | Zuordnung drei : "LTM 61" (Licht. Tanz. Musik) | 1961 | intermedia | 14:30 | Mono | PS C. | 0 | ||||||||||
| 6892 | Hermann | Heiß | Zuordnung Vier (variabel für 4 Magnetophone) | 1963 | fixed media, akusmatisch | 12-20 7:53 | Mono + Mono + Mono + Mono | PS C. | 0 | ||||||||||
| 6893 | Hermann | Heiß | Zuordnung zwei, Musik Tanz |
1961 | intermedia | 14:30 | Stereo | PS C. | 0 | ||||||||||
| 42119 | Helmut | Heißenbüttel | Was sollen wir überhaupt senden? | 1970 | radiophon | 33:45 | Eine Radiocollage | SDR, SFB | 1.1.1971 | SDR, SFB | 0 | ||||||||
| 31566 | Tim | Helbig | Holzscheit an Amboss | 2012 | live-elec, 2 perf | 7:00 | (exp) ins, elec [Instrument, elektronik] | next_generation 5.0 (gekürzte Fassung) |
SEAM Weimar | 0 | |||||||||
| 6894 | Barbara | Held | Artur Cravan | 1992 | Zuspiel / Tonband, 1 perf | 8:15 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 20264 | Barbara | Held | Broken Landscape "Ceci n'est pas une flûte" | 1993 | Zuspiel / Tonband, 1 perf | 4:39 | Stereo | fl [Flöte] | Nova Era CD 2002/ | 0 | |||||||||
| 21797 | Barbara | Held | Upper Air Observations | 1991 | live-elec, 2 perf | 9:41 | Stereo | fl, p [Flöte, Piano] | ≈ name of the CD LCD 3031 | LCD 3031 Lovely Music/ | 0 | ||||||||
| 23577 | Johannes | Heldén | Bäckegatan 36 | 2003 | Klangkunst, Installation | 4:50 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 33400 | Paavo | Helistö | Pianonvirittäjän vapaapäivä | 1966 | fixed media, akusmatisch | 21:15 | Mono | Yleisradio | 0 | ||||||||||
| 21962 | Arne | Hellan | Raindance | 1996 | audiovisuell | Computer Music Animation | NOTAM | 1 | |||||||||||
| 6895 | Berndt | Heller | Chime | 1975 | fixed media, akusmatisch | 9:20 | CSMT Yale | 9.3.1976 | Theater- und Probensaal der HdK Berlin | 1 | |||||||||
| 6896 | Berndt | Heller | Glas-Holz-Metall | 1977 | fixed media, akusmatisch | 14:17 | Stereo + Stereo | TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | 1 | ||||||||
| 6897 | Berndt | Heller | Squeeze | 1978 | fixed media, akusmatisch | 3:00 | Stereo | TU Berlin | 1 | ||||||||||
| 36284 | Kenneth | Heller | Labyrinth | 1970 | Zuspiel / Tonband, 1 perf | vc [Cello] | Orion ORS 7021/ | EMS_London | 0 | ||||||||||
| 6898 | William | Hellermann | Ariel | 1967 | fixed media, akusmatisch | TV 34301/ Turnabout 34301/ | Col.Princ EMC | Mention Dartmouth Arts Council Prize 1967 | 0 | ||||||||||
| 6899 | William | Hellermann | Circle Musics 1, 2, 3 | 1971 | live-elec, | Col.Princ EMC | 0 | ||||||||||||
| 6900 | William | Hellermann | Columbus Circle | 1971 | live-elec, | Col.Princ EMC | 0 | ||||||||||||
| 6901 | William | Hellermann | Ek-Stasis I | 1968 | Zuspiel / Tonband, 2 perf | perc, amp p [Piano, Schlagzeug] | Col.Princ EMC | 0 | |||||||||||
| 6902 | William | Hellermann | Passages 13 - The Fire | 1970 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | text by Robert Duncan | Col.Princ EMC | 0 | ||||||||||
| 6903 | William | Hellermann | Round and About | 1970 | live-elec, | Col.Princ EMC | 0 | ||||||||||||
| 6904 | Jacob | Hellner | Trombolad tentakel | 1987 | fixed media, akusmatisch | 15:40 | Stereo | EMS Stockholm | Musik i Kronoberg | 0 | |||||||||
| 6905 | Henrik | Hellstenius | Bennett talks | 1988 | fixed media, akusmatisch | 12:33 | NOTAM | 0 | |||||||||||
| 6906 | Henrik | Hellstenius | Dansemusikk '92 | 1992 | Zuspiel / Tonband, 1 perf | b-cl [Klarinette] | NOTAM | 0 | |||||||||||
| 6907 | Henrik | Hellstenius | Søkk | 1990 | Zuspiel / Tonband, 1 perf | acc [Akkordeon] | NOTAM | 0 | |||||||||||
| 6909 | Sten Olof | Hellström | 4BH | 1990 | Musiktheater, 2 perf | perf, db [Kontrabass, Performer] | UEA Norwich | 0 | |||||||||||
| 28112 | Sten Olof | Hellström | Ambient Edge | fixed media, akusmatisch | 6:25 | Stereo | FYCD 1030/ | EMS Stockholm | 0 | ||||||||||
| 22218 | Sten Olof | Hellström | Equal | 1997 | fixed media, akusmatisch | 8:26 | physical modelling | FYCD 1012/ | 1 | ||||||||||
| 6910 | Sten Olof | Hellström | flugan | fixed media, akusmatisch | 8:05 | EMS Stockholm | 1 | ||||||||||||
| 6911 | Sten Olof | Hellström | Flugan II | 1988 | fixed media, akusmatisch | 8:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 6908 | Sten Olof | Hellström | In Memory | 1991 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 6913 | Sten Olof | Hellström | J'adaub | 1983 | fixed media, akusmatisch | 7:40 | Stereo | FYCD 1030/ | EMS Stockholm | 0 | |||||||||
| 6915 | Sten Olof | Hellström | Off the lip | 1987 | fixed media, akusmatisch | 11:12 | CAP 21471 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | ||||||||||
| 6916 | Sten Olof | Hellström | ON | 1990 | fixed media, akusmatisch | 8:12 | EMS Stockholm, UEA Norwich | 1 | |||||||||||
| 6917 | Sten Olof | Hellström | otl | fixed media, akusmatisch | 11:04 | EMS Stockholm | 1 | ||||||||||||
| 22943 | Sten Olof | Hellström | Prequel | 1997 | fixed media, akusmatisch | 5:39 | Elektron EM 1001/ FYCD 1012/ | 1 | |||||||||||
| 22219 | Sten Olof | Hellström | Sequel | 1995 | fixed media, akusmatisch | 7:39 | FYCD 1012/ | 1 | |||||||||||
| 6919 | Sten Olof | Hellström | Steps (avsnitt) | fixed media, akusmatisch | 1 | ||||||||||||||
| 6920 | Sten Olof | Hellström | Wake | 1992 | fixed media, akusmatisch | 11:00 | Stereo | PS C. | 1 | ||||||||||
| 6921 | Sten Olof | Hellström | Wet | 1985 | fixed media, akusmatisch | 10:55 | Stereo | EMS Stockholm | 1986 | Berlin | 0 | ||||||||
| 6918 | Sten Olof, Bennett | Hellström, Hogg | Steps | 1990 | Tanz, live-elec, 2 perf | 11:13 | va, vc [Viola, Cello] | PSCD 91-2 Phono Suecia/ | UEA Norwich | 1 | |||||||||
| 28111 | Sten Olof, Ann | Hellström, Rosén | Lagrad | 2008 | fixed media, akusmatisch | 18:19 | FYCD 1030/ | 0 | |||||||||||
| 28113 | Sten Olof, Ann | Hellström, Rosén | Skivad | 2008 | fixed media, akusmatisch | 14:44 | FYCD 1030/ | 0 | |||||||||||
| 31542 | Adrian | Helm | Airball 5 0 | 2013 | fixed media, akusmatisch | 5:00:00 | Spazialisation: ZKM Klangdom | next_generation 5.0 | HfM Hamburg | 26.6.2013 | ZKM | 0 | |||||||
| 31563 | Christian | Helm | Aporie | 2011 | fixed media, akusmatisch | 8:01 | Stereo | next_generation 5.0 mit gekürzter Fassung 5:37 | CMMAS CD 020/ | SEAM Weimar | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2012 | 0 | |||||||
| 42994 | Liz | Helman | Cloudwalker | 2013 | fixed media, akusmatisch | 16:46:00 | 0 | ||||||||||||
| 22023 | Hans G. | Helms | Fa:m' Ahniesgwow | 1959 | radiophon | 1:46 | Sprachkomposition nach Chlebnikov | WER 6307-2/ DuMont/ WER 63142 (2 CDs)/ | WDR SEM | 1 | |||||||||
| 42236 | Hans G. | Helms | Konstruktionen | 2011 | radiophon | 56:44 | Hörstück für 16 Chorstimmen nach Sätzen aus dem Manifest der Kommunistischen Partei (1848) von Karl Marx und Friedrich Engels zum 5. Mai 1968 | WERGO Edition ZKM milestone/ | SWR, ZKM | 6.12.2011 | SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1538837&vi=173&SID | ||||||
| 20977 | Mickey | Helms | Whispering Modulations | 1996 | fixed media, akusmatisch | 4:06 | Stereo | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | |||||||||
| 36600 | Mara | Helmuth | Abandoned Lake In Maine | 1997 | fixed media, akusmatisch | 12:05 | Loon sound environments | Centaur CRC 2903, CDCM Vol. 36/ | 0 | ||||||||||
| 38342 | Mara | Helmuth | Ah! | 1995 | fixed media, akusmatisch | 1:00:00 | fixed format with V and perc sounds | 0 | |||||||||||
| 38341 | Mara | Helmuth | bugs and ice: a Question of Focus. | 2002 | fixed media, akusmatisch | 6:00:00 | sounds of nature | 0 | |||||||||||
| 39435 | Mara | Helmuth | Butterfly Mirrors | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 38331 | Mara | Helmuth | Butterfly Within | 2006 | Zuspiel / Tonband, 1 perf | 6:00:00 | fl, (com) [Flöte] | 0 | |||||||||||
| 38343 | Mara | Helmuth | Chimeplay | 1994 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 38345 | Mara | Helmuth | Dragon of the Nebula | 1991 | fixed media, akusmatisch | 9:00:00 | granular synthesis composition | 0 | |||||||||||
| 38337 | Mara | Helmuth | Evolutions | 1994 | Zuspiel / Tonband, 8 perf | 25:00:00 | 8 ins and com (NeXT-ISPW) [Instrument, computer] | 0 | |||||||||||
| 38328 | Mara | Helmuth | Expanding Space | 2011 | live-elec, 1 perf | 15:00:00 | tuba, (com) [Tuba] | 0 | |||||||||||
| 40039 | Mara | Helmuth | From Uganda | 2015 | fixed media, akusmatisch | 7:56:00 | Mara Helmuth | 0 | |||||||||||
| 38338 | Mara | Helmuth | Hidden Mountain | 2007 | Klanginstallation, live-elec, | Interactive installation at the SinoNordic Arts Space in Beijing | 0 | ||||||||||||
| 38326 | Mara | Helmuth | Improvisation with Qin | 2005 | live-elec, 2 perf | 10:00:00 | ins (qin), com [Instrument, computer] | 0 | |||||||||||
| 38327 | Mara | Helmuth | Inchoate Energies | 2004 | live-elec, 1 perf | 7:00:00 | p [Piano] | 0 | |||||||||||
| 38330 | Mara | Helmuth | Light Descends Into Your Heart | 2008 | Zuspiel / Tonband, 1 perf | p, (com) [Piano] | 0 | ||||||||||||
| 38334 | Mara | Helmuth | Loonspace | 2000 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 38344 | Mara | Helmuth | Meeting the Free Dreamer | 1992, 2008 | fixed media, akusmatisch | 10:00:00 | algorithmic piano sounds | 0 | |||||||||||
| 38346 | Mara | Helmuth | Mellipse | 1989, 1995 | fixed media, akusmatisch | 8:00:00 | moving elliptical filters and gentle sound masses | 0 | |||||||||||
| 24933 | Mara | Helmuth | Mellipse 2 | 1999 | Zuspiel / Tonband, 1 perf | 13 | perc [Schlagzeug] | EMF 123/ | 0 | ||||||||||
| 36604 | Mara | Helmuth | Mountain Wind | 2003 | live-elec, 7 perf | 7:25 | pipa, fl, a-flute, bn, vn, 2 vc, (com) [Flöte, Fagott, Gitarre, Cello, Violine] | for pipa virtuoso Ming Ke | Centaur CRC 2903, CDCM Vol. 36/ | 0 | |||||||||
| 38333 | Mara | Helmuth | Origins of a Fantastic Dream | 2002 | Zuspiel / Tonband, 1 group | 10:00:00 | orc, (com ) [Orchester] | 0 | |||||||||||
| 38332 | Mara | Helmuth | Primary Materials | 2006 | Zuspiel / Tonband, 3 perf | 10:00:00 | 3 perc, (com) [Schlagzeug] | 0 | |||||||||||
| 38339 | Mara | Helmuth | Staircase of Light. | 2003 | Klanginstallation, live-elec, | Light sensitive installation in the Sino-Nordic Arts Space, Beijing. Sound Colors. 1995, 1997. Audience Interactive Installation for NeXTstation 040 and SGI. | 0 | ||||||||||||
| 38329 | Mara | Helmuth | The Birds | 2010 | Zuspiel / Tonband, 7 perf | 2:00:00 | picc, perc, 2 vn, va, vc, db [Schlagzeug, Viola, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 36603 | Mara | Helmuth | The Edge Of Noise | 2004 | live-elec, 7 perf | 7:45 | S, fl, perc, e-gu, p, vn, vc, (NeXT-com) [Sopran, Flöte, Piano, Schlagzeug, Cello, Violine] | Centaur CRC 2903, CDCM Vol. 36/ | 0 | ||||||||||
| 38340 | Mara | Helmuth | Where is my Voice? | 2008 | fixed media, akusmatisch | 6:00:00 | text by Steve Sunderland | 0 | |||||||||||
| 36601 | Mara, Alan | Helmuth, Bern | The Man And The Moon | 2004 - 2006 | live-elec, 2 perf | 10:30 | acc, com [Akkordeon, computer] | Centaur CRC 2903, CDCM Vol. 36/ | 0 | ||||||||||
| 38325 | Mara, Rebecca | Helmuth, Danard | Water Birds | 2010 | live-elec, 2 perf | 10:00:00 | cl, b-cl, (com & wireless sensor network) [Klarinette] | 0 | |||||||||||
| 40040 | Mara, Esther | Helmuth, Lamneck | Breath of Water | 2017 | fixed media, akusmatisch | Mara Helmuth and Esther Lamneck | 0 | ||||||||||||
| 42972 | Mara, Esther | Helmuth, Lamneck | Irresistable Flux | 2013 | live-elec, 1 perf | 13:52:00 | cl (tárogató) [Klarinette] | Esther Lamneck, tárogató | 0 | ||||||||||
| 38347 | Mara, Allen | Helmuth, Otte | Clotho | 2000 | Theatermusik | S, perc, (com) [Sopran, Schlagzeug] | music for monodrama based on the life of Camille Claudel | 0 | |||||||||||
| 38335 | Mara, Allen | Helmuth, Otte | Implements of Actuation | 1998 | Zuspiel / Tonband, 2 perf | 21:00:00 | ins (e-mbira), perf (bicycle wheel) [Instrument, Performer] | 0 | |||||||||||
| 38336 | Mara, Allen | Helmuth, Otte | Move! | 1996, 1998 | Zuspiel / Tonband, 1 perf | 4 | snare-drum [Schlagzeug] | 1998 version collaboratively composed by Mara Helmuth and Allen Otte, 7 min | 0 | ||||||||||
| 36599 | Mara, Allen | Helmuth, Otte | No. 7 | 2004 | Zuspiel / Tonband, 1 perf | 8:31 | ins (gyil) [Instrument] | Centaur CRC 2903, CDCM Vol. 36/ | 0 | ||||||||||
| 36602 | Mara, Rick | Helmuth, VanMatre | Smoke | 2004 - 2006 | live-elec, 2 perf | 12:40 | t-sax, s-sax [Saxophon] | Centaur CRC 2903, CDCM Vol. 36/ | 0 | ||||||||||
| 37786 | Johannes David | Helsberg | 4.48 Psychosis | 2015 | Theater, live-elec, 1 perf | Stereo | actor, (elec) [Schauspieler] | Incontri HMTM Hannover | 10.02.2015 | Sprengel Museum Hannover | 0 | ||||||||
| 37787 | Johannes David | Helsberg | Bewegung des Stillstands | 2015 | audiovisuell | Stereo | Video von Torsten Strer | Incontri HMTM Hannover | 10.02.2015 | Sprengel Museum Hannover | 0 | ||||||||
| 32490 | Johannes David | Helsberg | Blind | 2012 | live-elec, 5 perf | 20 | 5 tracks | 5 perf (Megaphone) [Performer] | Incontri HMTM Hannover | 23.9.2012 | Staatsoper, Hannover | 0 | |||||||
| 36895 | Johannes David | Helsberg | Dimensionen | 2014 | live-elec, 1 perf | Quadro | V, (elec) [Stimme] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 31589 | Johannes David | Helsberg | Kastel 3 | 2012/2013 | fixed media, akusmatisch | 4:00 | next_generation 5.0 | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||||
| 32533 | Johannes David | Helsberg | Progression | 2011 | Zuspiel / Tonband, 1 perf | 3:57 | 6 | synt [synthesizer] | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | |||||||
| 36896 | Johannes David | Helsberg | Studie | 2014 | fixed media, akusmatisch | Quadro | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 32532 | Johannes David, Thorsten | Helsberg, Strer | Platz der Weltausstellung | 2013 | fixed media, akusmatisch | 8:00 | 16 Tracks | Incontri HMTM Hannover | 16.8.2013 | Platz der Weltausstellung, Hannover | 0 | ||||||||
| 35569 | Erdem | Helvacioglu | Below the cold ocean | fixed media, akusmatisch | 11:47 | Uni de la serena/ | 0 | ||||||||||||
| 34682 | Erdem | Helvacioglu | Blank Mirror | 2002 | fixed media, akusmatisch | 9:36 | Stereo | Russolo Pratella EF.ER.P 02/ | Prize Russolo Varese 2002 | 0 | |||||||||
| 40886 | Erdem | Helvacioglu | Resonating Universes | 2010 | live-elec, 1 perf | 7:27 | hp [Harfe] | 8 parts | SR 390 sub rosa/ SCD 28064 Sargasso/ | 0 | |||||||||
| 41410 | Erdem, Bill | Helvacioglu, Walker | Bonneville Mirage | fixed media, akusmatisch | Fields and Fences | 0 | https://www.ckcufm.com/ | ||||||||||||
| 40178 | Paul | Hembree | Apocryphal Chrysopoeia | 2016 | fixed media, akusmatisch | Paul Hembree | 0 | ||||||||||||
| 38771 | Ernest, Wendelin | HEMINGWAY, WEISSBACH | Alter Mann an der Brücke | 2013 | radiophon | 10:00:00 | 0 | ||||||||||||
| 20265 | Gerry | Hemingway | Aivilik Rays | 1990 | Zuspiel / Tonband, 1 perf | 24:50 | Stereo | perc [Schlagzeug] | 4 parts | RA 017/ | 0 | ||||||||
| 20266 | Gerry | Hemingway | Chatterlings | 1995 | Zuspiel / Tonband, 1 perf | 5:48 | Stereo | perc [Schlagzeug] | RA 017/ | 0 | |||||||||
| 20267 | Gerry | Hemingway | Polar | 1990 | fixed media, akusmatisch | 21:46 | Stereo | RA 017/ | 0 | ||||||||||
| 20268 | Gerry | Hemingway | Totem | 1985 | fixed media, akusmatisch | 7:15 | Stereo | RA 017/ | 0 | ||||||||||
| 20269 | Gerry | Hemingway | Waterways | 1984 | Zuspiel / Tonband, 1 perf | 10:25 | Stereo | perc [Schlagzeug] | RA 017/ | 0 | |||||||||
| 29747 | Tanja | Hemm | art•sounds - city walk, City Walks Osnabrück, Nürnberg und Berlin | 2012 | Klangkunst, Installation | Osnabrück, Nürnberg und Berlin. | 0 | http://www.tanjahemm.de/city-walk.html | |||||||||||
| 29749 | Tanja | Hemm | art•sounds - quiet spot | 2012 | Klangkunst, Installation | Osnabrück, Nürnberg und Berlin | 0 | http://www.tanjahemm.de/quiet-spot.html | |||||||||||
| 29748 | Tanja | Hemm | art•sounds - single spot, Park Bench Coffee Break Happy Rain Celebrate 2012 Southern Retreat |
2012 | Klangkunst, Installation | 0 | http://www.tanjahemm.de/single-spot.html | ||||||||||||
| 29742 | Tanja | Hemm | Aufzug fahren | 2007 | Klangkunst, Installation | 2007 | Aufzug im Messeaufgang, ART.FAIR 21, Köln | 0 | |||||||||||
| 29745 | Tanja | Hemm | Finale | 2009 | Klangkunst, Installation | 2009 | 7. Station des siebenteiligen akustischen Leitsystems 'Der Brunnenweg' in der Innenstadt von Schweinfurt vor der Kunsthalle Schweinfurt, | 0 | http://www.tanjahemm.de/der-brunnenweg.html | ||||||||||
| 29739 | Tanja | Hemm | Itchy | 2007 | Klangkunst, Installation | 2009 | Naturhistorischen Museum des Museum Stift Admont, Admont, Österreich im Rahmen der Jahresausstellung 'Die Schöpfung ist nicht vollendet' | 0 | |||||||||||
| 29743 | Tanja | Hemm | Moos | 2008 | Klangkunst, Installation | 2008 | zweite Station des siebenteiligen akustischen Leitsystems 'Der Brunnenweg' in der Innenstadt von Schweinfurt, am Marktbrünnle, Marktplatz, Schweinfurt, | 0 | http://www.tanjahemm.de/der-brunnenweg.html | ||||||||||
| 29738 | Tanja | Hemm | Mouthsounds | 2006 | Klangkunst, Installation | 2006 | internationalen Kunstmesse art.fair06, in Köln; Parkhaus gegenüber des Exxpogeländes | 0 | |||||||||||
| 29744 | Tanja | Hemm | Stairway to heaven | 2007 | Klangkunst, Installation | 2007 | Aufgang zur Fabrikggalerie holzhauerhamburg, Hamburg | 0 | |||||||||||
| 29741 | Tanja | Hemm | Texture | 2009 | Klangkunst, Installation | auch als „Objekt“ (-> Notes) | 2009 | Ausstellung 'artmeetsfashion' im Zollgewölbe der Praterinsel, München | 0 | ||||||||||
| 29746 | Tanja | Hemm | Toilet Paper Rolls | 2008 | Klangkunst, Installation | „Objekt“ | 0 | ||||||||||||
| 29740 | Tanja | Hemm | WC 2006 - Klangnetz öffentliche Toilette | 2006 - 2009 | Klangkunst, Installation | 2007 | öffentliche Toiletten des Museum der Moderne auf dem Mönchsberg in Salzburg, Österreich, in dessen Sammlung es angekauft ist. | 0 | |||||||||||
| 27663 | Richard | Hemmings | Hair Spider Stuck To Sock | 2002 | fixed media, akusmatisch | 7:23 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | |||||||||
| 6922 | Günther | Hempel | Antiphonien I | 1975 | fixed media, akusmatisch | 11:24 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 6923 | Günther | Hempel | Polyphonie | 1969/1970 | Zuspiel / Tonband, 3 perf | 25:08 | Stereo | 3 V (Sinusgeneratoren, Ringmodulatoren, Kurzwellenempfaenger und Tonband) [Stimme] | Sinusgeneratoren, Ringmodulatoren, Kurzwellenempfaenger | Sonology Utrecht | 0 | ||||||||
| 6924 | Günther | Hempel | Polyphonie II | 1970 | fixed media, akusmatisch | 10:41 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 6925 | Günther | Hempel | Recitativo accompagnato | 1968 | fixed media, akusmatisch | ≈ 30:00 | 3 tracks | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||
| 6926 | Günther | Hempel | Réponses | 1972 | fixed media, akusmatisch | 11:17 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 6927 | Horst | Hempel | Akkord (en bloc) | 1972 | fixed media, akusmatisch | 7:55 | Mono | Sonology Utrecht | 0 | ||||||||||
| 6928 | Horst | Hempel | Détails transformés | 1972 | fixed media, akusmatisch | 5:50 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 39048 | Susann Maria | Hempel | Krrrchhhck! | 2018 | radiophon | 20 | „Hörspiel-Performance“ | AdK Berlin | 11.7.2018 | Akademie der Künste Berlin EM4 (13) | 0 | ||||||||
| 18997 | Gordon | Hempton | The Soundtracker (Abendstimmung) | 1986 | Klangkunst, Installation | 3:30 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 0 | |||||||||||
| 29754 | Douglas | Henderson | a dream like she loves you | 2005 | Klangkunst, Installation | vertexList Gallery, Brooklyn NY | 0 | ||||||||||||
| 29773 | Douglas | Henderson | Babel III: Language Angel | 2010 | Klangkunst, Installation | 15 | 6 | Sammlung Oberrauch | 0 | ||||||||||
| 29776 | Douglas | Henderson | Babel V: Dream Man | 2012 | Klangkunst, Installation | 16 | 7 tracks | 2012 | Galerie Mazzoli Berlin | 0 | |||||||||
| 29762 | Douglas | Henderson | Disobey This Command | 2008 | audiovisuell | a video project by painter David Brody, with soundtrack by Douglas Henderson | 0 | ||||||||||||
| 29770 | Douglas | Henderson | Dukatenscheißer | 2009 | Klangkunst, Installation | 35 | 12 Tracks | Sammlung Goergens | 0 | ||||||||||
| 29769 | Douglas | Henderson | Fadensonnen | 2009 | Klangkunst, Installation | 26 | Octo | 0 | |||||||||||
| 29768 | Douglas | Henderson | Flash Gordon | 2009 | Klangkunst, Installation | 15 | Stereo | 0 | |||||||||||
| 29753 | Douglas | Henderson | Footfalls | 2005 | Klangkunst, Installation | 2005 2007 |
vertexList Gallery, Brooklyn NY Galerie Rachel Haferkamp, Köln Germany |
0 | |||||||||||
| 27810 | Douglas | Henderson | Giving Up the Ghost | 2005 | Klangkunst, Installation | 7:04 | Octo | 2005 2007 |
vertexList Gallery, Brooklyn NY Galerie Rachel Haferkamp Köln |
1 | http://www.douglashenderson.org/ghost.html | ||||||||
| 25033 | Douglas | Henderson | Icebreaker | 2004 | Klangkunst, Installation | 55 | 5 tracks | Soundinstallation Long Island Uni | 2004 2006 |
Long Island University Downtown Brooklyn Hudson Opera House 2006 |
1 | http://www.douglashenderson.org/Ice1.html | |||||||
| 29778 | Douglas | Henderson | In Order | 2012 | Klangkunst, Installation | march / april 2012 | Galerie Mazzoli Berlin | 0 | |||||||||||
| 29757 | Douglas | Henderson | Instruments, Electric harp for Zeena Parkins | 2003 | Klangkunst, Installation | 0 | http://www.douglashenderson.org/104_1.html | ||||||||||||
| 29779 | Douglas | Henderson | Kosmonaut Gagarin | 2012 | Klangkunst, Installation | 7 | Stereo | march / april 2012 | Galerie Mazzoli Berlin | 0 | http://vimeo.com/album/1910720/video/40739691 | ||||||||
| 29771 | Douglas | Henderson | Music for 100 Carpenters | 2009 | audiovisuell | Klangkunst, Installation |
Peirogi Gallery's BOILER space, Williamsburgh, Brooklyn NY | 0 | ||||||||||||
| 29752 | Douglas | Henderson | Music for 50 Carpenters | 2004 | Klangkunst, Installation | 0 | http://www.douglashenderson.org/Ice1.html | ||||||||||||
| 25034 | Douglas | Henderson | Music from Empty Holes | 2003 | fixed media, akusmatisch | 18:58 | 5 tracks | 3 Parts (5:41 + 6 + 7:15) | 1 | ||||||||||
| 26225 | Douglas | Henderson | On the Road Home | 2007 | fixed media, akusmatisch | 15:30 | 5 tracks, 18 tracks | PS C., TU Berlin | DAAD Berliner Künstlerprogramm | 21.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | |||||||
| 25035 | Douglas | Henderson | (pages of Illustrations) | 2005 | fixed media, akusmatisch | 13:57 | 5 tracks | 0 | |||||||||||
| 29760 | Douglas | Henderson | playback. no rewind button | 2007 | Klangkunst, Installation | 2007 | daadgalerie, Berlin DE | 0 | http://www.douglashenderson.org/ghost.html | ||||||||||
| 29774 | Douglas | Henderson | Royal Flush | 2011 | Klangkunst, Installation | 23 | 6 | 0 | |||||||||||
| 29763 | Douglas | Henderson | See, we rise | 2008 | Klangkunst, Installation | 50:15 | 16 Tracks | Sammlung Finstral | 0 | ||||||||||
| 29772 | Douglas | Henderson | Silver Surfer | 2010 | Klangkunst, Installation | 8 | Stereo | Finstral Collection | 0 | ||||||||||
| 29777 | Douglas | Henderson | Silver Surfer #2: Exile | 2012 | Klangkunst, Installation | loop 8:40 | Quadro | march / april 2012 | Galerie Mazzoli Berlin | 0 | |||||||||
| 27811 | Douglas | Henderson | Sodapop | 2002 | fixed media, akusmatisch | 3:03 | 5 tracks | 1 | http://douglashenderson.org | ||||||||||
| 29761 | Douglas | Henderson | stop. | 2007 | Klangkunst, Installation | 2007 | daadgalerie, Berlin DE | 0 | http://www.douglashenderson.org/ghost.html | ||||||||||
| 25036 | Douglas | Henderson | The 103rd Thing (of 10,000) | 2003 | Klangkunst, Installation | 5:32 | Quadro | 0 | |||||||||||
| 27812 | Douglas | Henderson | The 104th Thing (of 10,000) | 2006 | fixed media, akusmatisch | 5:40 | Surround 5.1 | 0 | http://www.douglashenderson.org/104_1.html | ||||||||||
| 25037 | Douglas | Henderson | The Fact That It Goes Up | 2003 | Tanz | 24:18 | 5 tracks | Choreogr. Jeremy Nelson. 3 Parts | Phoenix Dance Th. Leeds | 1 | |||||||||
| 29750 | Douglas | Henderson | The Nature of the 102nd Thing (of 10,000) | 2001 | fixed media, akusmatisch | 11:51 | Quadro | 0 | |||||||||||
| 27813 | Douglas | Henderson | The Nature of the 105th Thing (of 10,000) | 2007 | fixed media, akusmatisch | 10:03 | Quadro | 0 | http://www.douglashenderson.org | ||||||||||
| 38462 | Douglas | Henderson | The Sea Is A Big Lens | 2014 | fixed media, akusmatisch | Klangkunst, Installation |
21 | nach dem Gedicht „Weissgeräusche“ von Paul Celan | 0 | |||||||||||
| 29767 | Douglas | Henderson | …therefore I am | 2009 | Klangkunst, Installation | var 30 | 15 Tracks | 0 | |||||||||||
| 29755 | Douglas | Henderson | Tickertape | 2005 | Klangkunst, Installation | 55 | Art in General at Bloomberg LP | 0 | |||||||||||
| 32774 | Douglas | Henderson | Under way, Werkstadt Körnerkiez art walk | 2013 | Klangkunst, Installation | loop 20 | 5 tracks | Deutscher Klangkunst-Preis 2013 Auszeichnung ars electronica Award of Distinction 2015 |
0 | https://vimeo.com/88984132 | |||||||||
| 29751 | Douglas | Henderson | Untitled 2004 | 2004 | Klangkunst, Installation | 79 | 2004 | 330U Gallery, Hudson NY | 0 | http://www.douglashenderson.org/Ice1.html | |||||||||
| 29756 | Douglas | Henderson | Untitled 2006 | 2006 | Klangkunst, Installation | 55 | 2006 | Bushwick Art Project's "LAB" show, Brooklyn, NY | 0 | http://www.douglashenderson.org/104_1.html | |||||||||
| 29759 | Douglas | Henderson | Untitled 2007 | 2007 | Klangkunst, Installation | 45:30 | Galerie Rachel Haferkamp Köln | 0 | http://www.douglashenderson.org | ||||||||||
| 25038 | Douglas | Henderson | What Could Replace Opus? | 2001 | Klangkunst, Installation | 4:06 | 5 tracks | multi-stringed ins like a giant mechanical harp | 1 | ||||||||||
| 29775 | Douglas | Henderson | Wonder Woman | 2011 | Klangkunst, Installation | 9 | Stereo | also Galerie Mazzoli Berlin 2012 | 0 | ||||||||||
| 29764 | Douglas, Stefan | Henderson, Bohnenberger | Panorama I | 2009 | Klangkunst, Installation | 2:15 | Mono | 0 | |||||||||||
| 29766 | Douglas, Stefan | Henderson, Bohnenberger | Romeo y Julieta | 2009 | Klangkunst, Installation | 0:20 | 0 | ||||||||||||
| 29765 | Douglas, Stefan | Henderson, Bohnenberger | Romeo y Julieta, Act II, Scene II | 2009 | Klangkunst, Installation | 0:20 | Sammlung Parduhn | 0 | |||||||||||
| 6929 | Moya | Henderson | Marxisms | 1974/1975 | Zuspiel / Tonband, 1 perf | vc [Cello] | 0 | ||||||||||||
| 6930 | Moya | Henderson | Vivat academia | 1974 | Zuspiel / Tonband, 2 perf | 2 ins [Instrument] | 0 | ||||||||||||
| 39243 | Pawel | Hendrich | Accant | 2014 | live-elec, 1 perf | acc (com) [Akkordeon] | 0 | ||||||||||||
| 39242 | Pawel | Hendrich | Alopopulo | 2014 | live-elec, 2 groups | chamber orc, strs (com) [Streicher, Orchester] | 0 | ||||||||||||
| 39247 | Pawel | Hendrich | Cyclostratus | 2008 | live-elec, 3 perf, 1 group | strs, b-fl, mar, p (beatbox) [Flöte, Piano, Schlagzeug, Streicher] | 1 | ||||||||||||
| 39245 | Pawel | Hendrich | Emergon αβ | 2011 | live-elec, 1 group | chamber ens (com) [Ensemble] | 0 | ||||||||||||
| 39246 | Pawel | Hendrich | Hyloflex αβ | 2007 - 2009 | live-elec, 1 perf, 1 group | str-orc (com) [Streicher] | 0 | ||||||||||||
| 39244 | Pawel | Hendrich | Metasolidus II, Crypto skrypty | 2011 - 2012 | live-elec, | symphonic orc (com) [Orchester] | 0 | ||||||||||||
| 39248 | Pawel | Hendrich | Phonarium II | 2006 | Klangkunst, Installation | sound installation | 0 | ||||||||||||
| 34276 | Robert | Henke | Atlantic Waves | 2002 | fixed media, akusmatisch | Audiovisual network performance for two players in different countries (with Scott Monteith (Deadbeat) or T++) | 0 | ||||||||||||
| 34275 | Robert | Henke | Atom | 2007 | fixed media, akusmatisch | Floating gas balloons, lights, and sound (with Christopher Bauder) | 0 | ||||||||||||
| 34263 | Robert | Henke | D.O.F. Performance | 2014 | fixed media, akusmatisch | 45 | Destructive laser performance | 0 | http://www.roberthenke.com/concerts/destructive.html | ||||||||||
| 34260 | Robert | Henke | Deep Web | 2015 | fixed media, akusmatisch | Kinetic Audiovisual Laser Performance | 0 | http://www.roberthenke.com/concerts/deepweb.html | |||||||||||
| 34081 | Robert | Henke | Dust | 2011 - 2015 | fixed media, akusmatisch | 45-60 | 6-32 Tracks | Granularsynthese | 0 | ||||||||||
| 34738 | Robert | Henke | Eternal Darkness | 2012 | Klangkunst, Installation | 10:06 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 5.7.-2.9.2012 | singuhr hoergalerie Berlin | 0 | |||||||||
| 34265 | Robert | Henke | Grid | 2013 | fixed media, akusmatisch | Multichannel audiovisual performance with kinetic light objects by Christopher Bauder | 0 | http://www.roberthenke.com/concerts/grid.html | |||||||||||
| 34272 | Robert | Henke | Intersection | 2010 | fixed media, akusmatisch | Multichannel processed filed recordings | 0 | ||||||||||||
| 34271 | Robert | Henke | Iron Age | 2010 | fixed media, akusmatisch | Non realtime wave field synthesis work, created for the Game of Live WFS system in Leyden/Holland [performed as part of their repertoire] | 0 | ||||||||||||
| 25920 | Robert | Henke | Layering Buddha | 2007 | fixed media, akusmatisch | 60:00 | 10 „Layers“, Dauer zwischen 3 und 7 Minuten. Nutzung der „FM3 Buddha Machine“ | ICM 06 Imbalance Computer Music/ | PS | Auszeichnung ars electronica honorary mention 2007 | 1 | ||||||||
| 34264 | Robert | Henke | Lumière | 2013 | fixed media, akusmatisch | Audiovisual performance with white lasers, [not performed anymore, replaced by Lumière II ] | 18.10.2013 | Unsound Festival Krakow | 0 | ||||||||||
| 34261 | Robert | Henke | Lumière II | 2015 | fixed media, akusmatisch | Audiovisual Laser Performance | 19.2.2013 | Centre Pompidou | 0 | http://www.roberthenke.com/concerts/lumiere.html | |||||||||
| 34269 | Robert | Henke | Microsphere | 2011 | fixed media, akusmatisch | 12 hour improvised multichannel granular synthesis & feedback | 0 | ||||||||||||
| 28340 | Robert | Henke | Mille Tableaux | 1998 | live-elec, | 30:00 | Octo | PS | 26.9.1998 | Inventionen Parochialkirche Berlin | 0 | ||||||||
| 34268 | Robert | Henke | Monolake Ghosts in Surround | 2012 | fixed media, akusmatisch | Multichannel audiovisual performance based on material of the Monolake Ghosts album with visuals by Tarik Barri | 0 | http://www.roberthenke.com/concerts/ghosts-surround.html | |||||||||||
| 34262 | Robert | Henke | Monolake Live 2015 / 2016 | 2015 | fixed media, akusmatisch | Stereo, Quadro | Contemporary techno | 0 | http://www.roberthenke.com/concerts/ML2015.html | ||||||||||
| 34273 | Robert | Henke | Monolake Live Surround 2009 - 2011 | 2009 - 2011 | fixed media, akusmatisch | Multichannel audiovisual performance based on material of the Monolake Silence album with visuals by Tarik Barri | 0 | ||||||||||||
| 34274 | Robert | Henke | Monolake Wave Field Synthesis | 2009 | fixed media, akusmatisch | Wave field synthesis adaption of the Monolake Silence album [not performed anymore] | 0 | ||||||||||||
| 32707 | Robert | Henke | Nebenläufiger Prozess | 2013 | fixed media, akusmatisch | 7:15 | Stereo | DegeM CD 11 wandlungen unplump/ | 1 | ||||||||||
| 19135 | Robert | Henke | Piercing Music | 1995 | fixed media, akusmatisch | 60:50 | imbalance 02/ Imbalance 01/ EFA 10950-2/ | PS | 1 | ||||||||||
| 34267 | Robert | Henke | Rennes Airport | 2012 | fixed media, akusmatisch | Octo | Multichannel processed field recordings, captured and performed at the airport in Rennes, France | Electroni(k) Festival | 0 | http://www.roberthenke.com/concerts/rennes_airport.html | |||||||||
| 24980 | Robert | Henke | Signal to Noise I and II | 2004 | fixed media, akusmatisch | 32:30 | Yamaha SY77 | ICM 05/ | PS | 1 | |||||||||
| 34266 | Robert | Henke | Stanford Dust | 2013 | fixed media, akusmatisch | 45 ≈ 60 | 6, 32 tracks | Multichannel granular synthesis piece created during a residency at the Stanford University Center for Computer Research in Music and Acoustic (CCRMA ) | 0 | http://www.roberthenke.com/concerts/dust.html | |||||||||
| 24981 | Robert | Henke | Studies for Thunder | 2004 | fixed media, akusmatisch | 21:26 | feedback & granular delay. Multichannel artificial thunderstorm study [not performed anymore] |
ICM 05/ | PS | 1 | |||||||||
| 34270 | Robert | Henke | Tau | 2011 | fixed media, akusmatisch | Multichannel / Acousmonium / wave field synthesis piece, partly based on material of Studies for Thunder | 0 | ||||||||||||
| 34277 | Robert, Gerhard | Henke, Behles | Symmetrisches Konzert | 1996 | fixed media, akusmatisch | Improvised performance for two players (Robert Henke and Gerhard Behles) and two Yamaha SY-77 synthesizers | 0 | ||||||||||||
| 37796 | Philipp | Henkel | Meta.Zeichen | 2016 | live-elec, 1 perf | Octo | fl, (elec) [Flöte] | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | ||||||||
| 37245 | Philipp | Henkel | Oedipus.Orakelspruch | 2017 | live-elec, 2 perf | trbn, com (mit eingebautem Lautsprecher, Elisabet Cada Posaune, Philipp Henkel Elektronik) [Posaune, computer] | UA | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 39149 | Guido | Henneböhl | X__X Transformer | 2018 | Performance, live-elec, 1 perf | va or va and ob or b-cl or ob and cl (mit Selbstspielautomat) [Klarinette, Oboe, Viola] | 5.7.2018 | Kulturbrauerei Berlin, Autonome Musik 4 „Schaltungen“, Ensemble Mosaik | 0 | ||||||||||
| 28274 | Volker | Hennes | The Maelstrom Method | 2007/2008 | fixed media, akusmatisch | 7:07 | 8..02.2008 | "EuCuE Concert" – Serie in Montreal | Musica Viva Lisboa 2008 Mention SMC08 Berlin winner |
1 | 2008 | http://www.misomusic.com/port/cria/concomp/2008_main.htm | |||||||
| 29780 | Ludger | Hennig | about the problem of the interior | 2010 | Klangkunst, Installation | 0 | |||||||||||||
| 23141 | Ludger | Hennig | eisen fern | 2002 | Klangkunst, Installation | 6 | DAAD 205-1 ISBN 3-89727-259-8/ | Inventionen 2002 | 28.6. - 7.7.2002 | Inventionen 2002, staatsbankberlin | 1 | 2002 | http://www.klangkunstprojekte.org | ||||||
| 29788 | Ludger | Hennig | empty room | 2006 | Klangkunst, Installation | 15. june - 15. september 2006 | former stasi remand centre Andreasstraße 7 in Erfurt / Thüringen | 0 | |||||||||||
| 29783 | Ludger | Hennig | InSitu | 2008 | Klangkunst, Installation | 5 tracks | remand centre patarei in tallin / estonia | 0 | |||||||||||
| 29792 | Ludger | Hennig | klangbild | 2003 | Klangkunst, Installation | 0 | |||||||||||||
| 29791 | Ludger | Hennig | konturiert | 2005 | Klangkunst, Installation | Stereo | 0 | ||||||||||||
| 29789 | Ludger | Hennig | schatten | 2005 | Klangkunst, Installation | 0 | |||||||||||||
| 37830 | Ludger | Hennig | Stein #8 | 2017 | Klangkunst, Installation | ∞ | 26.10.2017 | Sinus-Ton Festival Magdeburg, Gruson-Gewächshaus | 0 | ||||||||||
| 29781 | Ludger | Hennig | titled soundscapes | 2010 | Klangkunst, Installation | 0 | |||||||||||||
| 29782 | Ludger | Hennig | transient space / infinite reverberation | 2009 | Klangkunst, Installation | 2009 | pelerinages, kunstfest weimar | 0 | |||||||||||
| 29785 | Ludger | Hennig | two columns | 2007 | Klangkunst, Installation | Stereo | kulturstiftung des freistaates thueringen/germany | 2007 | Wiepersdorf / Germany | 0 | |||||||||
| 29784 | Ludger | Hennig | urban spaces | 2008 | Klangkunst, Installation | Octo | 2008 | RIXC media space / riga | 0 | ||||||||||
| 29790 | Ludger | Hennig | woodenworks | 2005 | Klangkunst, Installation | 0 | |||||||||||||
| 26230 | Ludger, Markus, Hanns-Holger, Johannes, Group | Hennig, Markowski, Rutz, Sienknecht, HMSS | Quintessenz | 2007 | live-elec, 4 perf | 24:00 | 4 (elec) perf, (laptop-orc) [Performer] | Festival 5+1 | 22.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | http://www.sciss.de/texts/intro.html | |||||||
| 27268 | Ludger, Markus, Hanns-Holger, Johannes, Group | Hennig, Markowski, Rutz, Sienknecht, HMSS | Unterwelt | 2008 | Klangkunst, Installation | 0 | http://www.sciss.de/texts/intro.html | ||||||||||||
| 27267 | Ludger, Markus, Hanns-Holger, Johannes, Group | Hennig, Markowski, Rutz, Sienknecht, HMSS | Urban Spaces | 2008 | Klangkunst, Installation | 0 | http://www.sciss.de/texts/intro.html | ||||||||||||
| 29786 | Ludger, Robin, Constantin | Hennig, Minard, Popp | dlr-project | 2007 | Klangkunst, Installation | permanent | deutschlandradio | ab 2007 | Gebäude deutschlandradio in berlin | 0 | |||||||||
| 29787 | Ludger, Hanns-Holger, Robin | Hennig, Rutz, Minard | rigid string geometry | 2006 | Klangkunst, Installation | SEAM Weimar | 06.07.2006 - 16.07.2006 | 0 | http://www.sciss.de/rigidstringgeometry/ | ||||||||||
| 24535 | Catherine Christer | Hennix | Still life, Q | 1969 | fixed media, akusmatisch | 6:16 | Text-Sound Composition | FYCD 1024 CD 3 Text-Sound Compositions/ | EMS Stockholm | 1 | http://en.wikipedia.org/wiki/Catherine_Christer_Hennix | ||||||||
| 38018 | Catherine Christer | Hennix | The electric Harpsichord | 1976 | fixed media, akusmatisch | 25:24 | kbd [Keyboard] | Infiné IF 4002/ DSART 10/ | 0 | ||||||||||
| 36432 | Daniel | Henrich | Hear Drum, Eardrum | 2010 | Klangkunst, Installation | 6:25:00 | Spazialisation: binaural | Besenkammer bb 03/ | 0 | ||||||||||
| 22100 | Örjan | Henriksson | As the side-scene of really melted… | fixed media, akusmatisch | 56:57 | 9 parts. "As the side-scene of really melted, we slowly realized that surrounding chaos of molecules and atoms no longer made sense to us". | FER 1019 Firework Edition Records/ | PS C. | 1 | http://www.algonet.se/~tankred/fer.html | |||||||||
| 25001 | Tomas | Henriques | Time Warp | 2002 | fixed media, akusmatisch | 8:34 | miso records mcd 013/014/ | PS C. | 1 | ||||||||||
| 39731 | Dillon | Henry | Cog | 2016 | fixed media, akusmatisch | Dillon Henry | 0 | ||||||||||||
| 6931 | Otto | Henry | Midnight Special | 1966 | fixed media, akusmatisch | 8:00 | Stereo | Uni New Orleans | 0 | ||||||||||
| 6932 | Otto | Henry | Passages | 1966 | fixed media, akusmatisch | 5:00 | Stereo | Uni New Orleans | 0 | ||||||||||
| 6933 | Otto | Henry | Suite for Magnetic Tape #1 - #3 | 1964 | fixed media, akusmatisch | 72:00 | Mono | PS C. Washington | 0 | ||||||||||
| 6934 | Otto | Henry | Symphony in 1 Movement #1 | 1964 | fixed media, akusmatisch | 21:00 | Stereo | rev. 1966 | PS C. New Orleans, PS C. Washington | 0 | |||||||||
| 6935 | Otto | Henry | Symphony in 1 Movement #2 | 1964 | fixed media, akusmatisch | 20:00 | Stereo | rev. 1966 | PS C. New Orleans, PS C. Washington | 0 | |||||||||
| 6936 | Otto | Henry | Symphony in 1 Movement #3 | 1964 | fixed media, akusmatisch | 18:00 | Stereo | rev. 1966 | PS C. New Orleans, PS C. Washington | 0 | |||||||||
| 6937 | Otto | Henry | Symphony in 1 Movement #5 | 1966 | fixed media, akusmatisch | 19:00 | Stereo | Uni New Orleans | 0 | ||||||||||
| 6938 | Otto | Henry | Symphony in 3 Movements #4 | 1965 | fixed media, akusmatisch | 20:00 | Stereo | PS C. New Orleans, PS C. Washington | 0 | ||||||||||
| 6939 | Otto | Henry | Symphony in 4 Movements #6 | 1966 | fixed media, akusmatisch | 20:00 | Stereo | Uni New Orleans | 0 | ||||||||||
| 6940 | Otto | Henry | The Essencew of Two or Three | 1962 | Zuspiel / Tonband, 1 perf | 40:00 | Mono | V [Stimme] | PS C. Washington | 0 | |||||||||
| 6941 | Otto | Henry | Three humors | 1964 | fixed media, akusmatisch | 11:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 6942 | Otto | Henry | Triptych from the Bible | 1964 | Zuspiel / Tonband, 1 perf, 1 group | 16:00 | Stereo | Vs [Stimme] | UTEMS Toronto | 0 | |||||||||
| 6943 | Otto | Henry | Variations | 1964 | fixed media, akusmatisch | 5:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 6944 | Otto | Henry | Vision II | 1961 | fixed media, akusmatisch | 6:30 | Mono | PS C. Washington | 0 | ||||||||||
| 6945 | Pierre | Henry | 16 dessins animés de Siné | 1962 | Fernsehen, | 32:00 | Mono | PS Apsome | 0 | ||||||||||
| 6946 | Pierre | Henry | 2e symphonie | 1972 | fixed media, akusmatisch | PS Apsome | 0 | ||||||||||||
| 6947 | Pierre | Henry | Adhérences pour Daphné | 1964 | Tanz | 40:00 | Stereo | material by François Dufrêne | PS Apsome | 0 | |||||||||
| 28121 | Pierre | Henry | Antagonism | 1996 | radiophon | 6:23 | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst, SON-RÉ | 10.12.1996 9.12.1997 |
WDR | Karl-Sczuka-Preis 1997 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1391277&vi=176&SID | ||||||
| 6948 | Pierre | Henry | Antiphonie, Le Microphone Bien Tempéré | 1951, 1978 | fixed media, akusmatisch | 3:00 | Mono, Stereo | 4 Versionen: 3 versionen von 1951 mono, 3:00, 8:43 und 7:08 Révision 1978 (Henry) stereo, 3:00, für die Schallplatte |
Mantra 032/ Thomson 320 C 102/ DUC 9/ DTL 93121/ INA AM 00608/ ACMEM 196CD/ CND 15-16/ | INA • GRM | 23.5.1952 | Paris, Salle de l'Ancien Conservatoire | 1 | ||||||
| 6949 | Pierre | Henry | Apocalypse de Jean, Dans l’adoration, le livre aux sept sceaux est reçu Les premières détresses, le 7. sceau et les 7 trompettes les sept signes les six coupes le jugement |
1968 | fixed media, akusmatisch | Mono | Texte: Traduction et adaption de Georges Levitte, Lectuer: Jean Negroni. Collaboration technique: Guy Laporte, Jean Heuzé. 20 parts: 08:32 + 01:54 + 06:24 + 03:19 + 05:36 + 06:14 + 08:38 + 03:50 + 02:31 + 00:53 + 07:33 + 02:47 + 02:22 + 04:18 + 02:31 + 04:37 + 13:52 + 03:28 + 06:51 + 04:39 |
PHI 837.923-25 LY/ PHI 420633/ Mantra 080/ IDEAMA CD 104-105/ | PS Apsome | Kulturministerium Frankreich | 1968 | Théatre de la Musique, Paris | 1 | ||||||
| 6950 | Pierre | Henry | Arcane | 1955 | Tanz | Mono | Ballet Choreg. M. Bejart. Première musique concrète conque des l'origine pour le ballet (first original music concrete for ballet) |
INA • GRM | .10.1955 | Paris, Fontaine des Quatre Saisins | 0 | ||||||||
| 6951 | Pierre | Henry | Arrangement pour Georges Mathieu | 1959 | Hintergrundmusik | 50:00 | Mono | PS Apsome | 0 | ||||||||||
| 6952 | Pierre | Henry | Astrologie | 1953 | Film | 11:02 | Court métrage de J. Grémillon. Partie instrumentale de M. Constant | Mantra 032/ Thomson 320 C 102/ DUC 9/ DTL 93121/ IDEAMA CD 107/ | INA • GRM | Avril 1954 | Cannes, Festival Avril 54; Conférence: les nouvelles techniques sonores | 1 | |||||||
| 6953 | Pierre | Henry | Au Seuil de la Nuit | 1956 | radiophon | 28:20 | Musique accompagnant un texte. Emission dramatique radio diffusée | IDEAMA CD 013/ | INA • GRM | 0 | |||||||||
| 20842 | Pierre | Henry | Autoportraits | 1988 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 6954 | Pierre | Henry | Babel | 1963 | Musiktheater | 75:00 | Stereo | PS Apsome | 0 | ||||||||||
| 18832 | Pierre | Henry | Bidule en mi, Le Microphone Bien Tempéré | 1950 | fixed media, akusmatisch | 1:38 | Mono | Mantra 032/ Boomkat bundle_158/ | INA • GRM | 13.5.1951 | Radio, Paris IV | 1 | |||||||
| 6956 | Pierre | Henry | Bronze | 1958 | Film | 25:00 | Mono | PS Apsome | 0 | ||||||||||
| 6958 | Pierre | Henry | Coagraze | 1964 | Film | 13:00 | Mono | material by François Dufrêne | PS Apsome | 0 | |||||||||
| 6959 | Pierre | Henry | Coexistence, Allegretto Andante Scherzo Rondo Final |
1958 | fixed media, akusmatisch | 22:30 | Stereo | 2 tape rec | Mantra 032/ | PS Apsome | 1 | ||||||||
| 6960 | Pierre | Henry | Composition I ovalisée | 1959 | fixed media, akusmatisch | 18:00 | Stereo | PS Apsome | 0 | ||||||||||
| 6962 | Pierre | Henry | Concerto des ambiguites, Tendu Epars Diffus Concis Intermède Cadence Etendu Rassemblé |
1951 | fixed media, akusmatisch | 22:16 | Mono | PHI 6510012/ Mantra 032/ Thomson 320 C 100/ DUC 8/ DTL 93090/ PHI 6510 012/ IDEAMA CD 106/ ACMEM 196CD/ CND 15-16/ | INA • GRM | 7.8.1950 | Radio-Paris, chaine Nationale | 1 | |||||||
| 34721 | Pierre | Henry | Cortical Art III | 1973 | live-elec, 1 perf | 50 | elec (Corticalart device) [elektronik] | 9 parts | Creel Pone 002/ | PS Apsome | 5.9.1973 | Marseille | 0 | ||||||
| 20841 | Pierre | Henry | Cristal / Memoire | 1988 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 42238 | Pierre | Henry | Die kleinen Arbeiten, Les petits métiers | 1995 | radiophon | 49:39 | WDR Studio Akustische Kunst | 21.11.1995 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1392525&vi=178&SID | ||||||||
| 6964 | Pierre | Henry | Dieu | 1977 | live-elec, 1 perf | Sp [Sprecher] | PHI 6510019/ | PS Apsome | 0 | ||||||||||
| 18842 | Pierre | Henry | Echo d'Orphée | 1988 | fixed media, akusmatisch | 39:58 | pour Pierre Schaeffer | INA C 1007/ EMF 010/ IDEAMA CD 119/ | INA • GRM | 1 | 1996 | ||||||||
| 6965 | Pierre | Henry | Enivrez-vous | 1974 | fixed media, akusmatisch | PS Apsome | 0 | ||||||||||||
| 6966 | Pierre | Henry | Entité, Investigations | 1960 | fixed media, akusmatisch | 5:45 | Stereo | séquence tirée d´"Investigations" | PHI 835 485/86/ Mantra 032/ Mercury SR2 9123/ | PS Apsome | 1 | ||||||||
| 42237 | Pierre | Henry | Equivalences | 2003 | radiophon | 51:54 | WDR Studio Akustische Kunst | 18.1.2003 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1446784&vi=174&SID | ||||||||
| 6967 | Pierre | Henry | Faciès | 1960 | Film | 15:00 | Mono | PS Apsome | 0 | ||||||||||
| 6968 | Pierre | Henry | Fluide et Mobilité d'un Larsen | 1962 | intermedia | 9:44 | Stereo | slides; 2nd part of "Le voyage" | PS Apsome | 0 | |||||||||
| 6969 | Pierre | Henry | Fragments pour Artaud | 1970 | Zuspiel / Tonband, 2 perf | 46:38 | V, vc [Stimme, Cello] | 13 parts | Mantra 107 9610/ | SON-RÉ | 0 | ||||||||
| 6970 | Pierre | Henry | Futuristie | 1975 | Musiktheater | 53:23 | PHI 6510020/ | PS Apsome | 0 | ||||||||||
| 6971 | Pierre | Henry | Gymkhana | 1970 | fixed media, akusmatisch | 16:29 | Mantra 093 662036/ | PS Apsome | 0 | ||||||||||
| 6973 | Pierre | Henry | Hommage à Artaud | 1965 | fixed media, akusmatisch | PS Apsome | 0 | ||||||||||||
| 7039 | Pierre | Henry | Hugosymphonie - les quatre elements | 1984 | fixed media, akusmatisch | 240:00 | INA • GRM | 0 | |||||||||||
| 40383 | Pierre | Henry | Imagerie Saint Michel | 1955 | Tanz | INA • GRM | 0 | ||||||||||||
| 20833 | Pierre | Henry | Instantane-simultane | 1977 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 20846 | Pierre | Henry | Interieur / Exterieur | 1996 | fixed media, akusmatisch | 64:30 | Stereo | hommage à Maurice Fleuret | PHI 462132-2/ | SON-RÉ, PS Apsome | 0 | ||||||||
| 6974 | Pierre | Henry | Investigations | 1959 | fixed media, akusmatisch | 75:00 | Mono, Stereo | 16 formes de vide sonore por accompagner | PS Apsome | 0 | |||||||||
| 18835 | Pierre | Henry | Kesquidi | 1954 | fixed media, akusmatisch | 7:58 | Stereo | Mantra 032/ | INA • GRM | 1 | |||||||||
| 6975 | Pierre | Henry | Kyldex | 1973 | Tanz | PS Apsome | 0 | ||||||||||||
| 6976 | Pierre | Henry | L'Agression | 1967 | Theatermusik | 35:00 | Stereo | PS Apsome | 0 | ||||||||||
| 26168 | Pierre | Henry | L'An 56, L'An Cinquante-Six | 1957 | fixed media, akusmatisch | Werk für Text | Discolivre 33 LD 111 LP/ | INA • GRM | 0 | ||||||||||
| 6977 | Pierre | Henry | L'évangile selon St. Jean | 1964/1965 | fixed media, akusmatisch | 33:00 | Mono | UNI, PM 30 MT/ | PS Apsome | 0 | |||||||||
| 6978 | Pierre | Henry | L'évangile selon St. Luc | 1964/1965 | fixed media, akusmatisch | 33:00 | Mono | UNI, PM 30 MT/ | PS Apsome | 0 | |||||||||
| 6979 | Pierre | Henry | L'évangile selon St. Marc | 1964/1965 | fixed media, akusmatisch | 33:00 | Mono | UNI, PM 30 MT/ | PS Apsome | 0 | |||||||||
| 6980 | Pierre | Henry | L'évangile selon St. Matthieu | 1964/1965 | fixed media, akusmatisch | 33:00 | Mono | UNI, PM 30 MT/ | PS Apsome | 0 | |||||||||
| 20271 | Pierre | Henry | L'homme à la caméra | 1929, 1993 | Film | 80:00 | Stereo | Mantra 092 642350/ | SON-RÉ | 0 | 1998 | ||||||||
| 6981 | Pierre | Henry | L'Homme du XXIe siècle | 1959 | fixed media, akusmatisch | 12:00 | Mono | PS Apsome | 0 | ||||||||||
| 6982 | Pierre | Henry | L'occident est bleu | 1957 | fixed media, akusmatisch | Werk für Text: poèmes de C. Pascal, dits par S. Montfort et M. Vitold | Discolivre 33 LD 111 LP/ | INA • GRM | 1957 | Bordeaux | 0 | ||||||||
| 6983 | Pierre | Henry | L'Ondomane | 1961 | Film | 14:00 | Mono | PS Apsome | 0 | ||||||||||
| 20849 | Pierre | Henry | La 10eme Remix, Remixe Sa Dixième Symphonie | 1998 | fixed media, akusmatisch | 56:40 | Stereo | PHI 462 821-2/ | SON-RÉ | French Ministry for Culture and the town of Paris | 4th of July 1998 | Jazz-Festival in Montreux | 0 | ||||||
| 6984 | Pierre | Henry | La dixième Symphonie de Beethoven | 1979 | fixed media, akusmatisch | 53:07 | 9 parts | PHI 420636/ | SON-RÉ | 1 | |||||||||
| 6986 | Pierre | Henry | La Noire à Soixante | 1961 | fixed media, akusmatisch | 23:53 | Stereo | PHI 836.892 DSY/ | PS Apsome | 0 | |||||||||
| 6985 | Pierre | Henry | La noire à soixante+ Granulometrie | 1968 | fixed media, akusmatisch | 24:55 | Stereo | PHI 836.892 DSY/ | PS Apsome | 1 | |||||||||
| 6987 | Pierre | Henry | La petite étoile trop coquette | 1959 | fixed media, akusmatisch | 10:00 | Mono | UNI, EX 33 103/ | PS Apsome | 0 | |||||||||
| 6988 | Pierre | Henry | La Promenade de Dimanche | 1966 | Theatermusik | 30:00 | Mono | PS Apsome | 0 | ||||||||||
| 6989 | Pierre | Henry | La reine verte | 1963 | Musiktheater | Film |
120:00 | Stereo | also film-version | PHI 836893/ | PS Apsome | 0 | ||||||||
| 6990 | Pierre | Henry | La saison en enfer | 1966 | Zuspiel / Tonband, 1 perf | 33:00 | Mono | Sp [Sprecher] | PS Apsome | 0 | |||||||||
| 6992 | Pierre | Henry | La tentation de St Antoine | 1960 | fixed media, akusmatisch | PS Apsome | 0 | ||||||||||||
| 6993 | Pierre | Henry | La Ville. Die Stadt, Metropolis Paris in 20 Teilen | 1984 | fixed media, akusmatisch | 65:48 | musique tirée du Hörspiel 'La Ville' pour le film de Walter Ruttmann (1929) Part of the „Metropolis-Serie“ by the WDR-Akustische-Kunst |
WER 6301/ WER 286301-2/ | WDR Studio Akustische Kunst, SON-RÉ | WDR Studio akustische Kunst | 10.04.1984 | 1 | http://brahms.ircam.fr/works/work/22214/ | ||||||
| 23775 | Pierre | Henry | Labyrinthe!, enfoncement gouffre circulaire noyau secret apesanteur entrailles four solaire fissures mer intérieure éruption remontée |
2003 | fixed media, akusmatisch | 56:41 | Stereo | Expédition sonore en 10 séquences. Sounds from GRM-Composers Dao, Donato, Gayou, Geslin, Losa, Teruggi, Zanési | INA C 2022/ | SON-RÉ | Radio France | 29.3.2003 | Maison de Radio-France, Paris | 1 | 2008 | ||||
| 6994 | Pierre | Henry | Le ballet du verre | 1967 | Film | 8:00 | Mono | PS Apsome | 0 | ||||||||||
| 6995 | Pierre | Henry | Le Candidat | 1966 | Film | 20:00 | Mono | PS Apsome | 0 | ||||||||||
| 40390 | Pierre | Henry | Le cercle | 1956 | Tanz | INA • GRM | 0 | ||||||||||||
| 6996 | Pierre | Henry | Le chant du monde de Jean Lurçat | 1965 | Film | 14:25 | Mono | PS Apsome | 0 | ||||||||||
| 20837 | Pierre | Henry | Le journal de mes sons | 1982 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 6997 | Pierre | Henry | Le livre des morts égyptien | 1990 | Film | 67:00 | Mantra 043/ | IRCAM, SON-RÉ | 1 | ||||||||||
| 6998 | Pierre | Henry | Le livre des Mutations | 1960 | fixed media, akusmatisch | 115:00 | Stereo | PS Apsome | 0 | ||||||||||
| 6999 | Pierre | Henry | Le Mariage de la Feuille et du Cliché, pour D. Milhaud: Cantata | 1957 | intermedia | 3:30 | Mono | Décor sonore sur bande pour la "Cantata" pour orchestre de D. Milhaud | VEGA DR 30 S1/ | INA • GRM | 0 | ||||||||
| 7000 | Pierre | Henry | Le Martyre de Polycarpe et Ignace d'Antioche | 1960 | fixed media, akusmatisch | 25:00 | Mono | PS Apsome | 0 | ||||||||||
| 7001 | Pierre | Henry | Le microphone bien tempéré, Tam Tam IV Dimanche noir I Batterie fugace Dimanche noir II Bidule en mi Micro rouge I Tabou clairon Fantasia Sonatine Tam Tam III Tam Tam II Tam Tam I |
1951, 1978 | fixed media, akusmatisch | 33:40 | Mono, Stereo | version mono mit 12 Titeln; Revision 16 Titel | Coll GRM AM 006.08 / ACMEM 196CD/ CND 15-16/ INA AM 00608/ | INA • GRM | 29.4.1951 | Radio Paris IV (Le microphone bien temperé) | 1 | ||||||
| 18836 | Pierre | Henry | Le microphone bien tempéré, Micro rouge I Mouvement perpétuel (pas de bande) Micro rouge II Dimanche noir I Dimanche noir II Sonatine Etude noire Etude à Chopin (pas de bande) |
1951 | fixed media, akusmatisch | Stereo | L'ensemble de ces œvres a été réuni sous le titre "Le microphone bien tempéré" en avril 1951 | Mantra 032/ | INA • GRM | 1 | |||||||||
| 18839 | Pierre | Henry | Le microphone bien tempéré, Tabou clairon | 1951 | fixed media, akusmatisch | 1:27 | Mono | L'ensemble de ces œvres a été réuni sous le titre "Le microphone bien tempéré" en avril 1951 | Mantra 032/ | INA • GRM | 25.1.1951 | Radio-Paris, Chaine parisienne | 1 | ||||||
| 20270 | Pierre | Henry | Le microphone bien tempéré, Batterie fugace | 1950 | fixed media, akusmatisch | 2:11 | Mono | L'ensemble de ces œvres a été réuni sous le titre "Le microphone bien tempéré" en avril 1951 | Mantra 032/ Thomson 320 C 102/ DUC 8/ DTL 90090/ INA AM 00608/ ACMEM 196CD/ CND 15-16/ | INA • GRM | 29.4.1951 | Radio, Paris IV | 1 | ||||||
| 20274 | Pierre | Henry | Le microphone bien tempéré, Tam Tam I - III | 1950 | fixed media, akusmatisch | 13:25 | Mono | L'ensemble de ces œvres a été réuni sous le titre "Le microphone bien tempéré" en avril 1951 | Mantra 032/ Thomson 320 C 100/ DUC 8/ DTL 93090/ Coll INA AM 00608/ IDEAMA CD 106/ ACMEM 196CD/ CND 15-16/ | INA • GRM | 6.5.1951 | Radio, Paris IV | 1 | ||||||
| 28632 | Pierre | Henry | Le microphone bien tempéré, Tam Tam IV | 1950 | fixed media, akusmatisch | 3:38 | Mono | L'ensemble de ces œvres a été réuni sous le titre "Le microphone bien tempéré" en avril 1951 | Mantra 032/ Thomson 320 C 100/ DUC 8/ DTL 93090/ Coll INA AM 00608/ | INA • GRM | 3.6.1951 | Radio, Paris IV | 1 | ||||||
| 28633 | Pierre | Henry | Le microphone bien tempéré, Batterie fugace Bidule en ut Fantasia Dimanche noir I Tam Tam II Tam Tam concret Tam Tam III Micro rouge I Tabou clairon Tam Tam IV Vocalises Sonatine Antiphonie Micro rouge II Tam Tam I Dimanche noir II |
1951, 1978 | fixed media, akusmatisch | 49:17 | Stereo | Revision stereo 1978 mit 16 Titeln | Coll GRM AM 006.08 / HM AM 006.08/ IDEAMA CD 033/ ACMEM 196CD/ CND 15-16/ CND 15-16/ | INA • GRM | 15.4.1951 | Radio Paris IV | 1 | ||||||
| 40384 | Pierre | Henry | Le Musée d’or de Bogota | 1955 | Film | INA • GRM | 0 | ||||||||||||
| 7002 | Pierre | Henry | Le petit train | 1966 | fixed media, akusmatisch | 12:00 | Mono | PS Apsome | 0 | ||||||||||
| 7003 | Pierre | Henry | Le Voile d´Orphée | 1953, 1966 | fixed media, akusmatisch | 14:06 | Mono, Stereo | first version rev. version (15:34) |
Mantra 032/ HMC 905200/ SUA 10951/ Thomson 320 C 100/ DUC 8/ SUA DV 6221/ PHI 836 887 DSY/ IDEAMA CD 112/ Creel Pone 39/ ACMEM 159CD | INA • GRM | 10.10.1953 | Donaueschingen | 1 | ||||||
| 7004 | Pierre | Henry | Le Voile d´Orphée, Le Voile d´Orphée I Le Voile d´Orphée II |
1953, 1966 | fixed media, akusmatisch | 26:57 | Stereo | 2nd rev "Le Voile d´Orphée II" | HMC 905200/ Mantra 032/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ SUA 10951/ PHI 836 887 DSY/ IDEAMA CD 107/ | INA • GRM | 15.6.1967 | Arras, 1Eglise N.-D. des Ardents | 1 | ||||||
| 7005 | Pierre | Henry | Le voyage, D'Aprés le livre des morts tibetain | 1962/1966 | Tanz | 48:35 | Mono | rev (52:55); 7 parts using Baschet-ins |
PHI 836899/ Marconi 2C061 11632/ Mercury SR 90482/ LS 86049/ | PS Apsome | 0 | ||||||||
| 40381 | Pierre | Henry | Leonard de Vinci | 1953 | fixed media, akusmatisch | 1. decade internationale de Musique expérimentale, organisée par le GRM de la R.T.F. | INA • GRM | 13.6.1953 | 0 | ||||||||||
| 7006 | Pierre | Henry | Les Ailes de Clemenceau | 1962 | Film | 15:00 | Mono | PS Apsome | 0 | ||||||||||
| 7007 | Pierre | Henry | Les Amours de la Pieuvre | 1964/1967 | Film | 13:40 | Mono | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | PS Apsome | 0 | |||||||||
| 40382 | Pierre | Henry | Les fils de l’eau | 1953 | Tanz | radiophon || Film |
mime (Pantomime) [Schauspieler] | INA • GRM | 0 | |||||||||||
| 7008 | Pierre | Henry | Les jouets | 1964 | Theatermusik | 35:00 | Mono | PS Apsome | 0 | ||||||||||
| 7009 | Pierre | Henry | Les Mobiles de Calder | 1966 | Film | 13:00 | Mono | PS Apsome | 0 | ||||||||||
| 7010 | Pierre | Henry | Les noces chymiques | 1980 | Musiktheater | PS Apsome | 0 | ||||||||||||
| 20850 | Pierre | Henry | Les sept peches capitaux | 1998 | fixed media, akusmatisch | 116:00 | Stereo | à Pierre Schaeffer | SON-RÉ | 0 | |||||||||
| 7011 | Pierre | Henry | Ma faim et vous | 1959 | fixed media, akusmatisch | 12:00 | Mono | UNI, EX 33 195/ | PS Apsome | 0 | |||||||||
| 20844 | Pierre | Henry | Maldoror Feuilleton | 1993 | fixed media, akusmatisch | 68:55 | Stereo | PS Apsome | 0 | ||||||||||
| 7012 | Pierre | Henry | Malefices | 1961 | Film | 32:45 | Mono | PHI 432762/ | PS Apsome | 0 | |||||||||
| 7013 | Pierre | Henry | Messe de Liverpool, Kyrié Gloria Sanctus Agnus Dei Communion |
1967 | fixed media, akusmatisch | 32:44 | Stereo | Messe électronique, Credo | PHI 6510001/ Mantra 023/ IDEAMA CD 110/ | PS Apsome | Christ-King Cathedral in Liverpool, England | 1 | |||||||
| 20832 | Pierre | Henry | Metamorphoses | 1977 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 20829 | Pierre | Henry | Mise en musique du corticalart | 1971 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 34712 | Pierre | Henry | Mise En Musique Du Corticalart De Roger | 1971 | live-elec, 1 perf | 50 | elec (Corticalart device) [elektronik] | 9 parts | Creel Pone 002/ | PS Apsome | 15-21 February 1971 | Musée d’art moderne de la ville de Paris (France) by Pierre Henry from Roger Lafosse's Corticalart device | 0 | ||||||
| 7015 | Pierre | Henry | Mouvement . Rythme . Etude, Mouvement - Rythme - Étude | 1970 | Tanz | fixed media, akusmatisch |
65:00 | 2 parts with 10 titels each Musique de "Nijinsky, Clown De Dieu" création Maurice Béjart |
PHI 5604052/ Mantra 024/ IDEAMA CD 111/ | PS Apsome | 1 | https://www.discogs.com/de/Pierre-Henry-Mouvement-Rythme-%C3%89tude/release/335787 | ||||||||
| 7016 | Pierre | Henry | Musique pour les Evangiles | 1965 | fixed media, akusmatisch | 43:00 | Stereo | PS Apsome | 0 | ||||||||||
| 7017 | Pierre | Henry | Musiques sans titre, Les étoiles Les vacances Fête foraine Andante sacré Cinquième mouvement La guerre |
1951, 1955 | fixed media, akusmatisch | Tanz || Film |
27:18 | Stereo | 6 parts, durations: 05:17 + 04:11 + 04:26 + 06:31 + 03:05 + 03:33 (27:18!) | Mantra 032/ Thomson 320 C 100/ DUC 8/ DTL 93090/ IDEAMA CD 106/ | INA • GRM | 10.6.1951 | Radio Paris IV (intégrale) | 1 | ||||||
| 7018 | Pierre | Henry | Nijinsky, clown de Dieu | Tanz | PS Apsome | 0 | |||||||||||||
| 20835 | Pierre | Henry | Noces chymiques | 1980 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 20272 | Pierre | Henry | Noire à soixante | 1961 | fixed media, akusmatisch | 23:54 | Stereo | Mantra 093 662036/ | PS Apsome | 0 | |||||||||
| 20845 | Pierre | Henry | Notations sur la fontaine ou L'Abeille et le musicien | 1995 | radiophon | 29:00 | Stereo | SON-RÉ | 0 | ||||||||||
| 7019 | Pierre | Henry | Opus 007 | 1965 | Film | 12:00 | Mono | PS Apsome | 0 | ||||||||||
| 7020 | Pierre | Henry | Orphée | 1958 | Tanz | 120:00 | Stereo | includes "Le voile d´Orphée" | PHI L 00564 L/ PHI 835 484 LY/ | PS Apsome | 0 | ||||||||
| 20838 | Pierre | Henry | Ouverture de la bouche | 1984 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 20836 | Pierre | Henry | Paradis perdu | 1982 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 20831 | Pierre | Henry | Parcours-cosmogonie | 1976 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 20834 | Pierre | Henry | Perpetuum | 1979 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 7027 | Pierre | Henry | Pierre Henry des annees 50 | 1976 | radiophon | 205:00 | Stereo | Mantra 032/ | INA • GRM | 26.8.1976 | Paris, Th. Récamier | 0 | |||||||
| 7028 | Pierre | Henry | Pierres réflêchies, Jardins Possibles Diaspre Rêverie Des Roches Perforées Adoratrice Du Soleil Cristal Noir Sel Gemme Pierres Blessées Exorde |
1982 | fixed media, akusmatisch | 35:04 | Mantra 023/ | PS Apsome | 1 | ||||||||||
| 20840 | Pierre | Henry | Portrait - souvenir | 1986 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 20273 | Pierre | Henry | Prismes | 1973 | fixed media, akusmatisch | 15:15 | Stereo | 13 parts | Mantra 107 9610/ | PS Apsome | 0 | ||||||||
| 7029 | Pierre | Henry | Profondeur 9500 mètres | 1963 | Film | 20:00 | Mono | PS Apsome | 0 | ||||||||||
| 7030 | Pierre | Henry | Rock électronique | 1963 | fixed media, akusmatisch | 3:30 | Stereo | extrait de "La Reine Verte" | PS Apsome | 0 | |||||||||
| 7031 | Pierre | Henry | Saint-Exupéry | 1960 | fixed media, akusmatisch | 30:00 | Mono | PS Apsome | 0 | ||||||||||
| 20848 | Pierre | Henry | Schubert 97 | 1997 | fixed media, akusmatisch | 15:00 | Stereo | SON-RÉ | 0 | ||||||||||
| 7032 | Pierre | Henry | Ségeste | 1965 | fixed media, akusmatisch | 14:25 | Mono | filmversion 11' | PS Apsome | 0 | |||||||||
| 7033 | Pierre | Henry | Signes | 1959 | Tanz | 25:00 | Mono, Stereo | PS Apsome | 0 | ||||||||||
| 7034 | Pierre | Henry | Spatiodynamisme | 1955 | Performance | 15:00 | 12 Tracks | Première œvre aléatoire et multibande (12 bandes) 35 mm perf part I and II |
Mantra 032/ Editions du Griffon/ | INA • GRM | 25.6.1955 | Parc de St. Cloud 25.6. bis 10.7.1955 | 1 | ||||||
| 7035 | Pierre | Henry | Spirale (from “ “ ), Spirales | 1955 | fixed media, akusmatisch | 4:22 | PHI 836887/ Mantra 032/ | PS Apsome | 0 | ||||||||||
| 7036 | Pierre | Henry | Symbiose | 1967 | fixed media, akusmatisch | PS Apsome | 0 | ||||||||||||
| 20828 | Pierre | Henry | Symphonie monoton | 1960 | fixed media, akusmatisch | PS Apsome | 0 | ||||||||||||
| 37748 | Pierre | Henry | Symphony Collector | 2009 | radiophon | Remix-Project | INA • GRM | 0 | |||||||||||
| 27510 | Pierre | Henry | Tagebuch meiner Töne, Sequenz 1 - 6 | 1982 | radiophon | 10:00 | DMR Musik in Deutschland 1950 - 2000: Studioproduktionen/ | WDR Studio Akustische Kunst | 0 | ||||||||||
| 20851 | Pierre | Henry | Tokyo 2002 | 1998 | fixed media, akusmatisch | 5:38 | Stereo | SON-RÉ | 0 | ||||||||||
| 20847 | Pierre | Henry | Une histoire naturelle ou les roues de la terre, Eine Naturgeschichte oder Die Räder der Erde | 1997 | radiophon | 55:07 | Stereo | 10 parts | SON-RÉ, WDR Studio Akustische Kunst | 7.3.1998 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1415898&vi=175&SID | ||||||
| 20843 | Pierre | Henry | Une Maison de sons | 1989 | fixed media, akusmatisch | 30:00 | Stereo | PS Apsome | 0 | ||||||||||
| 20827 | Pierre | Henry | Variations pour une les Cordes du Piano | 1953 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 7038 | Pierre | Henry | Variations pour une porte et un soupir | 1963 | Tanz | 54:20 | Stereo | 25 parts | PHI 836893/ HMC 905200/ Mantra 093 662036/ IDEAMA CD 112/ HMA 1905200/ | PS Apsome | 1 | ||||||||
| 18840 | Pierre | Henry | Vocalises, Le Microphone Bien Tempéré | 1952, 1978 | fixed media, akusmatisch | 2:41 | Mono, Stereo | Étude sérielle genutzt auch in der Revisionsfassung 1978 von "Le microphone bien tempéré" |
Mantra 032/ WER 30252/ Thomson 320 C 102/ DUC 9/ DTL 93121/ Coll INA AM 00608/ | INA • GRM | 21.5.1952 | Paris, Salle de l'Ancien Conservatoire | 1 | ||||||
| 40385 | Pierre | Henry | Voyage au coeur d’un enfant | 1955 | Tanz | from „Suite tirée du concrto des ambiguites“ | INA • GRM | 6.9.1955 | Paris, Th. de l’Etoile | 0 | |||||||||
| 7014 | Pierre, Michel | Henry, Colombier | Messe pour le temps présent | 1967 | Tanz | 17:30 | à Maurice Bejart | PHI 836893/ PHI 456293-2 PY900/ | PS Apsome | 0 | |||||||||
| 6972 | Pierre, Marius | Henry, Constant | Haut Voltage | 1956 | Tanz | 15:10 | Stereo | Mantra 032/ PHI 472 201-2/ PHI 472 204-2/ IDEAMA CD 108/ | INA • GRM | 26.3.1956 | Metz | 1 | |||||||
| 6963 | Pierre, Roger | Henry, Lafosse | Corticalart | 1971/1972 | Musiktheater | PHI 6521022/ | PS Apsome | 0 | |||||||||||
| 6991 | Pierre, Claude | Henry, Pascal | La Stupeur | 1962 | fixed media, akusmatisch | Stereo | PS Apsome | 0 | |||||||||||
| 6955 | Pierre, Pierre | Henry, Schaeffer | Bidule en ut, Le microphone bien tempéré 1. | 1950, 1978 | fixed media, akusmatisch | 1:51 | Mono, Stereo | INA C 1007/ PHI 6526003/ INA ACM 1995/ EMF 010/ INA G 6027/6029/ RTF 1942-1952/ Thomson 321 C 100/ DUC 8/ DTL 93090/ PHI 6740 001 | INA • GRM | 16.3.1950 | Paris, Sorbonne Amphi. Richelieu | 1 | |||||||
| 6957 | Pierre, Gary | Henry, Wright | Cérémony, Confession Have mercy Credo Offering Hosanna Prayer |
1969/1970 | Zuspiel / Tonband, 1 group | 45:20 | ens [Ensemble] | Dedicated to Béatrice with: Spooky Tooth. 6 parts: 07:02 + 07:51 + 08:25 + 03:26 + 07:33 + 10:50 (45:33!) |
PHI 849512/ Mantra 017/ IDEAMA CD 109/ | PS Apsome | 2.9.1970 | Olympic Games Paris | 0 | ||||||
| 7040 | Donald | Henshilwood | Oedipus Rex | 1963 | Theatermusik | 5:00 | Mono | PS C. Kirby | 0 | ||||||||||
| 7041 | Donald | Henshilwood | Sonata #1 — #5 | 1963 - 1966 | fixed media, akusmatisch | je≈ 8:00 | Stereo | PS C. Kirby | 0 | ||||||||||
| 39876 | Jaimie | Hensley | Permeation | 2016 | fixed media, akusmatisch | Jaimie Hensley | 0 | ||||||||||||
| 39877 | Jaimie | Hensley | Sources of Water | 2015 | fixed media, akusmatisch | 3:30:00 | Jaimie Hensley | 0 | |||||||||||
| 38963 | Kurt | Hentschläger | CLUSTER | 2012 | Klangkunst, Installation | EMPAC | 2012 EMPAC | 0 | http://empac.rpi.edu/events/2012/fall/cluster | ||||||||||
| 7042 | Hans Werner | Henze | Das Ende einer Welt | 1953 | radiophon | 50:00 | Mono | Originalfassung vom BR after texts by W. Hildesheimer |
BR München | 0 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | ||||||||
| 23088 | Hans Werner | Henze | Das Ende einer Welt | 1952, 1993 | radiophon | revidierte Fassung vom WDR | WDR SEM | 30.9.1996 | "Musik der Zeit" Köln | 0 | |||||||||
| 7043 | Hans Werner | Henze | Der langwierige Weg in die Wohnung der Natascha Ungeheuer | 1971 | Oper | 14:50 | Stereo | TU Berlin | 28.9.1971 | Deutsche Oper Berlin, DE | 1 | ||||||||
| 23087 | Hans Werner | Henze | Ein Landarzt | 1951, 1994 | radiophon | Funkoper | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | WDR SEM | 10.11.1951 30.9.1996 |
NDR "Musik der Zeit" Köln (UA der Neufassung) |
1 | ||||||||
| 7044 | Hans Werner | Henze | Gefängnislied, Prison Song; nach einem Gedicht von Ho-Chi-Minh | 1971 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | DSLO 1/ | EMS_London | 0 | |||||||||
| 7045 | Hans Werner | Henze | Glass Music | 1970 | fixed media, akusmatisch | Hintergrundmusik |
Stereo | MUSYS | EMS_London | 0 | ||||||||||
| 7046 | Hans Werner | Henze | Tristan, Préludes für Klavier, Orchester und elektronische Klänge (3. Klavierkonzert) | 1973 | Zuspiel / Tonband, 1 perf, 1 group | Stereo | p, orc [Piano, Orchester] | also new version | DGG 2530834/ DGG 449866-2/ | EMS_London | 1 | ||||||||
| 7047 | Hans Werner | Henze | Violinkonzert Nr. 2 | 1971 | Zuspiel / Tonband, 35 perf | Stereo | vn, Bar, 33 ins [Bariton, Violine, Instrument] | after "Hommage à Gödel" by H. M. Enzensberger | DEC HEAD 5/ | EMS_London | 0 | ||||||||
| 42204 | Hans Werner, Helmut | Henze, Heißenbüttel | Die Revolte von San Nazzaro | 1957 | radiophon | Eine Suite nach dem Muster sizilianischer Marionettenspiele | SR | 24.5.1957 | SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1406149&vi=1&SID | ||||||||
| 7048 | Henri | Henzé | Ad deum | 1991 | fixed media, akusmatisch | 8:00 | CNR Amiens | 0 | |||||||||||
| 7049 | Henri | Henzé | Et zous Taban | 1990 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 38569 | Matthew | HERBERT | The Unknown | 2015 | radiophon | 30:07:00 | 0 | ||||||||||||
| 7050 | Franz Jochen | Herfert | Reztiyou pour voix transformée | 1991 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | V [Stimme] | SYTER | INA • GRM | 0 | ||||||||
| 7051 | M. | Herman | canti muti | 1990 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 34096 | Alexandra | Hermández | Sublingual | 2006 | fixed media, akusmatisch | 3:53 | poem by Rocio Cerón | IRD 002 Irradia/ | 0 | ||||||||||
| 28070 | Ambrosius | Hermann | Rhapsodie | 1941 | live-elec, 1 perf, 1 group | mtr, orc [synthesizer, Orchester] | 0 | ||||||||||||
| 31545 | Carlos G. | Hernández Canales | GOUSTS | 2013 | fixed media, akusmatisch | 7:00 | next_generation 5.0 | HfM Dresden | 26.6.2013 | ZKM | 0 | ||||||||
| 34103 | Miguel | Hernández Montero | Pout | 2007 | live-elec, 1 perf | 2:08 | gui [Gitarre] | Pout is the first oiece of the live elctr. project „Pahntom Power“ (Miguel Hernandez & Pablo Gómez) | IRD 002 Irradia/ | 0 | |||||||||
| 42787 | Alejandra | Hernandez | Rompe calanda | 2012 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 39629 | Brian | Hernandez | F.A.K. Video Triptych 2 | 2016 | fixed media, akusmatisch | Brian Hernandez | 0 | ||||||||||||
| 25921 | Miguel | Hernandez | El Santo Cuantico | 2000 | audiovisuell | 5:16:00 | Chaos und Traum | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2001 | 1 | |||||||||
| 27180 | Miguel | Hernandez | Plaza Bolivar | 2002 | fixed media, akusmatisch | 4:58 | 0 | ||||||||||||
| 19626 | Teresa | Hernando Navas | Cierzo | 1992 | fixed media, akusmatisch | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 7052 | Christoph | Herndler | austernbuch und filibuster | 1987 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 32692 | Christoph | Herndler | Autumn leaves | 1989 | fixed media, akusmatisch | 0 | |||||||||||||
| 7053 | Christoph | Herndler | I Couldn't Ctand The Smell Of Roses | 1992 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 7054 | Christoph | Herndler | It's not Bach | 1988 | fixed media, akusmatisch | 0 | |||||||||||||
| 7055 | Christoph | Herndler | My Insect Funeral | 1992 | fixed media, akusmatisch | 10:00 | Stereo | IGNM OO CD 003/ | ELAK Wien | 0 | |||||||||
| 7056 | Christoph | Herndler | See – Saw | 1993 | audiovisuell | 0 | |||||||||||||
| 7057 | Christoph | Herndler | Standarts | 1988 | live-elec, 4 perf | 4 rec [Flöte] | 0 | ||||||||||||
| 7058 | Christoph | Herndler | Stratus | 1993 | audiovisuell | 0 | |||||||||||||
| 18964 | Roger | Herpers | Luisterrijk Amsterdam | 1995 | Klangkunst, Installation | 9:45 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | 1 | ||||||||||
| 27181 | Juan Cuahutemoc | Herrejon | 5 Estudios Electronicos | 1973 | fixed media, akusmatisch | 5:06 | 1 | ||||||||||||
| 27657 | Ron | Herrema | Changing Weights | 2005 | fixed media, akusmatisch | 6:23 | AC Toolbox | uh-label 020011006 sonic voyages/ MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | |||||||||
| 36910 | Ron | Herrema | Skitter | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 22478 | Jonathan | Herring | to sing the love of danger | 2001 | fixed media, akusmatisch | 7:56 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | winner JTTP 2001 1. prize | 1 | ||||||||
| 42617 | Jeff | Herriott | dissipation of a thought | 2009 | live-elec, 2 perf | 11 | fl, perc [Flöte, Schlagzeug] | 0 | |||||||||||
| 22810 | Arnulf | Herrmann | Orchestrion | 1997 | fixed media, akusmatisch | 8:00 | Octo | TU Berlin | 10.1.1998 | Künstlerbahnhof Berlin-Westend | 1 | ||||||||
| 7059 | Michel | Herrmann | Exils | 1983 | Theatermusik | CIRM Nice | 0 | ||||||||||||
| 7060 | Michel | Herrmann | Gaspard de la nuit | 1968 | Zuspiel / Tonband, 2 perf | V, ins [Stimme, Instrument] | 0 | ||||||||||||
| 7061 | Michel | Herrmann | Sounds, Sounds, Sounds ... | 1982 | fixed media, akusmatisch | CIRM Nice | 0 | ||||||||||||
| 42922 | Mitchell | Herrmann | Kettledrum Organ | 2013 | fixed media, akusmatisch | 3:23:00 | 0 | ||||||||||||
| 7062 | Thomas | Hertel | Cernunnos | 1993 | live-elec, 1 perf | perf (Rohrspieler, Stiere) [Performer] | Experimentalstudio für Akustische Kunst Freiburg | Oper Stuttgart / Donaueschinger Musiktage | 0 | ||||||||||
| 7063 | Renate | Herter | Depots der Erinnerung- Stimmen und Körper | 1993 | Klangkunst, Installation | ∞ | Octo | TU Berlin | 6.6.1993 | Offenes Kulturhaus Linz | 0 | ||||||||
| 7064 | Benjamin | Hertz | Exit | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 25028 | Jean-Luc | Hervé | En découverte | 2003 | Zuspiel, live-elec, 2 perf | 8:58 | 2 vn [Violine] | Ensemble Sillages, N. Baldeyrou | 1 | ||||||||||
| 26580 | Jean-Luc | Hervé | Encore | 1998/1999 | live-elec, 1 group | ens [Ensemble] | IRCAM | IRCAM | 9.04.2000 | Centre George Pompidou. Ensemble Intercontemporain, dir. P. Davin | 0 | ||||||||
| 7065 | Hans-Joachim | Hespos | Diod | 1977 | Tanz | 0 | |||||||||||||
| 33180 | Hans-Joachim | Hespos | j e t s | 1966 | fixed media, akusmatisch | 0 | |||||||||||||
| 7066 | Hans-Joachim | Hespos | Monod (eine Verzehrung, … verschwebst) | 1974 | fixed media, akusmatisch | 60:00 | 0 | ||||||||||||
| 33181 | Hans-Joachim | Hespos | q i | 1967 | fixed media, akusmatisch | Digitale Electronic | 0 | ||||||||||||
| 33182 | Hans-Joachim | Hespos | tanEK | 2011 | Zuspiel / Tonband, 1 perf | db [Kontrabass] | elektroakustische spur und improvisierender kontrabaß | 0 | |||||||||||
| 34771 | Felix | Hess | Air | 1998 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 12.6.-5.7.1998 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 20290 | Felix | Hess | Australian Frogs | 1984 | radiophon | 3:34 | Stereo | MW 59/ | 0 | ||||||||||
| 34244 | Felix | Hess | Frogs 2 | 1984 | fixed media, akusmatisch | 90 | Edition Giannozzo/ | 0 | |||||||||||
| 19067 | Felix | Hess | How Lights is Changed into Sound | 1996 | Klangkunst, Installation | 1:04 | Sonambiente Ausstellung (1996) Katalog S.69 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 28084 | Felix | Hess | Luftdruckschwankungen | 2000 | Klangkunst, Installation | 20:38 | Stadtgalerie Saarbrücken | ed. rz 10014 parallele 14/ | Stadtgalerie Saarbrücken | 0 | |||||||||
| 36309 | Felix | Hess | Sasayaki, Palenque Shigaraki Water Frog Night This Time No. 4 & 5 |
1983 - 1998 | radiophon | OP 0001/ | 0 | ||||||||||||
| 7067 | Peter | Hesseldahl | Video Dance Band | 1988 | Fernsehen, | 10:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 37540 | Matthias | Hettmer | Hall of Mirrors | 1999 | fixed media, akusmatisch | 7:31:00 | Stereo | SGI O2 | ICEM Essen | 0 | |||||||||
| 37541 | Matthias | Hettmer | Vergeblich Warten | 1998 | fixed media, akusmatisch | 4:46:00 | Stereo | SGI, Erstellung der Klänge mit eigenem Scoregenerator, Endabmischung in Mix | ICEM Essen | 0 | |||||||||
| 29796 | Detlef | Heusinger | Abraum | 1995 | live-elec, 3 perf | ≈ 23 | p, vn, vc [Piano, Cello, Violine] | Edition Gravis | 0 | http://www.editiongravis.de/verlag/product_info.php?info=p871_Abraum.html | |||||||||
| 29795 | Detlef | Heusinger | Babylon | 1995/1996 | Zuspiel / Tonband, 1 perf, 1 group | ≈ 100 | V, orc [Stimme, Orchester] | Edition Gravis | 0 | http://www.editiongravis.de/verlag/product_info.php?info=p894_Babylon.html | |||||||||
| 7068 | Detlef | Heusinger | Der Turm | 1986/1988 | Musiktheater, live-elec, 32 perf | ≈ 90 | Stereo | 6 V, 2 dancer, 24 ins, (elec) [Stimme, Instrument, Tanz] | 1989 | Theater Bremen | Edition Gravis | 0 | http://www.swr.de/orchester-und-ensembles/exp/ueberuns/mitglieder/-/id=788742/nid=788742/did=4232474/13h807j/index.html | ||||||
| 29794 | Detlef | Heusinger | Sintflut | 2000/2001 | audiovisuell, live-elec, 3 groups | ≈ 45 | 5 tracks | 3 orc-group [Orchester] | Videotriptychon | September 2002 | Ars Electronica Linz | Edition Gravis | 0 | http://www.arte.tv/de/detlef-heusinger-sintflut/397686,CmC=397726.html | |||||
| 29793 | Detlef | Heusinger | Turm-Stücke | 1988/1991 | live-elec, 1 group | 23:25 | orc [Orchester] | WER 6531 2 / | Edition Gravis | 0 | |||||||||
| 7069 | Ira | Heussenstamm | RETICULUM QUARTET | fixed media, akusmatisch | 5:45 | Stereo | SME Krakow | 0 | |||||||||||
| 7070 | Group | Hextremities | raw&cooked | 1984 | fixed media, akusmatisch | Stereo | Alligator Momentum / Miniatures (4, count'em 4) / Music against Films / Night on Moot Point / Road to Knossos / Scratch 'n Sniff / Shards / Spats / Spelunking / The Large Noise | LTO St Vancouver | 0 | ||||||||||
| 42120 | Richard | Hey | Rosie | 1969 | radiophon | Ein Radio-Spektakel zum Mitmachen | RB, SWF | 5.9.1969 | RB, SWF | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1445343&vi=39&SID | ||||||||
| 29803 | Nikolaus | Heyduck | Bifurkation | 2000 | Zuspiel, live-elec, 1 perf | 15:00 | alphorn (Doppelalphorn), (elec) [Horn] | Mitschnitt des hr | Lutz Mandler | 0 | |||||||||
| 29807 | Nikolaus | Heyduck | Durch Nacht | 1993 | Zuspiel / Tonband, 1 perf | 13:00 | rec [Flöte] | Mitschnitt des hr | Ulrike Zürn | 0 | |||||||||
| 29800 | Nikolaus | Heyduck | Eislicht | 2008 | audiovisuell | Video mit elektroakustischem Ton und Live-Klangregie | Tage für Neue Musik, Darmstadt | 0 | |||||||||||
| 29802 | Nikolaus | Heyduck | FAQ | 2005 | Zuspiel, live-elec, 1 perf | tpt, (elec) [Trompete] | mit Lutz Mandler | 0 | |||||||||||
| 29804 | Nikolaus | Heyduck | Fünf mal Zwölf | 1999 | Zuspiel, live-elec, 1 perf | 17:00 | S [Sopran] | Mitschnitt des hr | Helga Askani (S) | 0 | |||||||||
| 29808 | Nikolaus | Heyduck | Neumond | 1991 | Zuspiel, live-elec, 1 perf | 12:20 | p [Piano] | Mitschnitt des hr für Klavier, Tonband, Elektromotoren und Live-Elektronik |
Barbara Heller | 0 | |||||||||
| 29991 | Nikolaus | Heyduck | Schwarm | fixed media, akusmatisch | 4:53:00 | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 29805 | Nikolaus | Heyduck | Schwellenspannung | 1997 | Zuspiel, live-elec, 1 perf | 12:04 | tpt, (elec) [Trompete] | Mitschnitt des hr | Peter Knodt (tpt) | 0 | |||||||||
| 34705 | Nikolaus | Heyduck | Sine Wave Peaks | 2016 | fixed media, akusmatisch | 5:18:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 27356 | Nikolaus | Heyduck | Slow Motion - Repeats Of Breaking Glas | 1992 | Zuspiel / Tonband, 4 perf | 4:30 | 4 Spieler [Performer] | Ensemble Glasotronic | WER NZ 5/2009 „Fragile Klänge - Glasotronik“/ | GLASOTRONIK-Ensembles | 1 | ||||||||
| 29809 | Nikolaus | Heyduck | Solo Für Alphorn | 1985 | live-elec, 1 perf | 9:00 | alphorn [Horn] | HR | Produktionen des hr mit Malte Burba | 0 | |||||||||
| 29799 | Nikolaus | Heyduck | Zum Licht | 2009 | Zuspiel / Tonband, 1 perf, 1 group | 13:00 | recs [Flöte] | Johannes Fischer bei den Tagen für Neue Musik, Akademie für Tonkunst Darmstadt | 0 | ||||||||||
| 29797 | Nikolaus, Monika | Heyduck, Golla | HRINGVEGUR Nr. 1 | 2012 | fixed media, akusmatisch | 20:33 | Tage für Neue Musik, Akademie für Tonkunst Darmstadt | 0 | |||||||||||
| 29798 | Nikolaus, Monika | Heyduck, Golla | Iceland Crust | 2011 | radiophon | 45:02 | Stereo, Surround 5.1 | Ursendung WDR3 Studio Akustische Kunst Erstsendung HR2 The Artists Corner / Redaktion Stefan Fricke und Markus Heuger / 5.1 Sourround und Stereo |
WDR Studio Akustische Kunst | WDR3 Studio Akustische Kunst | 0 | ||||||||
| 34057 | Nikolaus, Monika | Heyduck, Golla | Luftraumgrenzenlos | 2015 | fixed media, akusmatisch | 8 | degem CD 13/ | 0 | |||||||||||
| 29801 | Nikolaus, Michael | Heyduck, Harenberg | Reality Reaktor | 2006 | live-elec, | Interludium I und II für Live-Elektronik | Walcheturm, IGNM Zürich | 0 | |||||||||||
| 29806 | Nikolaus, Barbara | Heyduck, Heller | Stein auf Stein | 1995 | fixed media, akusmatisch | 8 | Sound-Electro-Media-Festival, Tokyo | 0 | |||||||||||
| 42239 | Nikolaus, Andreas H.H. | Heyduck, Suberg | Mesomorph | 2016 | radiophon | 66:25 | Ein glasotronisches Hörstück | HR | 15.10.2016 | hr2 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4929305&vi=180&SID | |||||||
| 7071 | Thomas | Heyn | Marsyas Material | 1989 | Zuspiel / Tonband, | 20:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 36717 | Volker | Heyn | Blah 2 | 1985 | Zuspiel / Tonband, 1 perf | 16 | vn, (7 vn on tape) [Violine] | für violine und 7 violinen auf Tonband | ed. RZ 1025 Sirènes/ | Breitkopf & Härtel | 0 | ||||||||
| 36982 | Volker | Heyn | Burrough’s Bellows | 2000 | live-elec, 2 perf | e-acc (elektrifiziertes Akkordeon), e-bass [Akkordeon, Gitarre] | 0 | ||||||||||||
| 7072 | Volker | Heyn | Did yer hear that | 1986 | Zuspiel / Tonband, 2 perf | 18:00 | prep p, actor [Piano, Schauspieler] | hängendes piano, akteur, tonband | Breitkopf & Härtel | 0 | |||||||||
| 7073 | Volker | Heyn | Dükurrahsch Mongkhöhr | 1984/1985 | Zuspiel / Tonband, 1 group | 19:00 | orc [Orchester] | Breitkopf & Härtel | 0 | ||||||||||
| 36718 | Volker | Heyn | electric cat | 2006 | Zuspiel, live-elec, 1 perf | ≈ 15 | e-gui [Gitarre] | Ricordi | 0 | ||||||||||
| 28382 | Volker | Heyn | Ferro Canto 1, 2, 3, Préludes / Fragment | 1989 | Zuspiel / Tonband, 1 group | 30 | orc [Orchester] | ed. rz 1025 Sirènes/ | Breitkopf & Härtel | 0 | |||||||||
| 36711 | Volker | Heyn | Geisterbahn | 1989 | Theater, 17 perf | ≈ 50 | 17 Akteure [Schauspieler] | Breitkopf & Härtel | 0 | ||||||||||
| 36713 | Volker | Heyn | Kaffeefahrt zum Kühlturm | 1986 | Zuspiel, Performance, 1 perf | 20 | perf [Performer] | Performance für gestimmte öltonne, metall- platten, spielzeugorgel, stimme, tonband | 0 | ||||||||||
| 36712 | Volker | Heyn | Kowalski's Katz oder the Rest of the fuckin' Story | 2003 | Theater, live-elec, 5 perf | 60 | perc, Kbd, e-gui, e-vc, e-bass [Keyboard, Gitarre, Schlagzeug, Cello] | instrumental theater; percussion, keyboard, e-gitarre, e-cello, e-bass, tonband, live electronics | Ricordi | 0 | |||||||||
| 36980 | Volker | Heyn | Notizen einer blassen Sängerin | 1993 | Performance | fem V, 7 perc, 5 p, 7 or 12 tapes (Kassettenrecorder) [Stimme, Piano, Schlagzeug] | 0 | ||||||||||||
| 28383 | Volker | Heyn | Resurrection #1 | 2000 | Zuspiel / Tonband, 2 perf | 4:40 | p, db [Piano, Kontrabass] | ed. rz 1025 Sirènes/ | Breitkopf & Härtel | 0 | http://www.edition-rz.de | ||||||||
| 36983 | Volker | Heyn | scaena (re-struct) | 2013 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 36714 | Volker | Heyn | SYZ | 1997 | Zuspiel, live-elec, 5 perf | ≈ 30 | sol-perc, 2 e-gui, 2 p [Piano, Gitarre, Schlagzeug] | solo percussion, 2 e-gitarren, 2 pianos, live electronics, tonband | Ricordi | 0 | |||||||||
| 36715 | Volker | Heyn | The Raven | 1997 - 2000 | Performance, live-elec, | ∞ | happening mit offenem ende, materialien: schrott, greifbagger, live electronics | Ricordi | 0 | ||||||||||
| 36981 | Volker | Heyn | Vermutungen über ein rotes Haus | 1995 | live-elec, 2 perf | e-gi, e-vn [Violine] | Red House Editions | 0 | |||||||||||
| 39319 | Carlos | Hidalgo | Entfaltung | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 31532 | Carlos | Hidalgo | Loch | 2012 | fixed media, akusmatisch | 7:08 | Stereo | next_generation 5.0 | ICST Zürich | 26.6.2013 DEA | ZKM | 0 | |||||||
| 7074 | Juan | Hidalgo | Etude de Stage, Etude | 1961 | fixed media, akusmatisch | 10:15 | Stereo | sur la typologie | CBA 5 Musica electroacustica española 1/ Creel Pone 057/ | INA • GRM | 1 | ||||||||
| 7075 | Manuel | Hidalgo | Syntax | 1992 | live-elec, 4 perf | acc, p, sax, cl [Klarinette, Saxophon, Piano, Akkordeon] | Experimentalstudio für Akustische Kunst Freiburg | WDR 1991 | 0 | ||||||||||
| 31442 | Michael | Hiemke | Invenio! | 2011 | live-elec, 2 perf | MIDI p, Sp, (Max/MSP) [Sprecher, Piano] | HfM Dresden | 0 | |||||||||||
| 42334 | Martin | Hiendl | Double Diaries | 2018 | audiovisuell, live-elec, 1 perf, 1 group | ≈ 20 | ens, elec (Video) [elektronik, Ensemble] | Zafraan-Ensemble | 19.1.2019 | Ultraschall Berlin 2019, Heimathafen, Zafraan-Ensemble | 0 | ||||||||
| 40834 | Timo, Juhani | Hietala, Liimatainen | Kidstone Doing | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 7076 | Claire Patricia | Higgins | The End of Time | 1985 | fixed media, akusmatisch | 10:00 | Stereo | Uni Southampton | 0 | ||||||||||
| 7077 | Dick | Higgins | 5 2/3 Minutes for Dick Maxfield | 1960 | fixed media, akusmatisch | 5:40 | Stereo | PS C. NY | 0 | ||||||||||
| 7078 | Dick | Higgins | 5 Electronic Constellations | 1959 | fixed media, akusmatisch | 5:00 | Stereo | PS C. NY | 0 | ||||||||||
| 7079 | Dick | Higgins | A Loud Symphony | 1958 | fixed media, akusmatisch | ∞ 20:00 | Stereo | PS C. NY | 0 | ||||||||||
| 7080 | Dick | Higgins | Big Constellation | 1960 | fixed media, akusmatisch | 6:00 | Stereo | PS C. NY | 0 | ||||||||||
| 7081 | Dick | Higgins | Final Situation (for Con Ed) | 1961 | live-elec, 1 perf | var | multichannel | perf [Performer] | randomizing collage | PS C. NY | 0 | ||||||||
| 7082 | Dick | Higgins | For the Dead | 1965 | Film | ∞ | Stereo | PS C. NY | 0 | ||||||||||
| 7083 | Dick | Higgins | Gift Nos. 1 - 7 | 1961 | fixed media, akusmatisch | ∞ | multichannel | PS C. NY | 0 | ||||||||||
| 7084 | Dick | Higgins | Graphis 24 | 1958 | live-elec, | ∞ | multichannel | PS C. NY | 0 | ||||||||||
| 7085 | Dick | Higgins | Mechanical Music #1 | 1959 | live-elec, 1 perf | var | multichannel | perf [Performer] | elec random of household machinery | PS C. NY | 0 | ||||||||
| 7086 | Dick | Higgins | Mechanical Music #2 - #5 | 1960 | live-elec, 1 perf | var | multichannel | perf [Performer] | diff. materials | PS C. NY | 0 | ||||||||
| 7087 | Dick | Higgins | Requiem for Wagner the Criminal Mayor | 1961 | fixed media, akusmatisch | 20:00-540:00 | Mono, Quadro, Octo | PS C. NY | 0 | ||||||||||
| 7088 | Dick | Higgins | Symphony #3 1/2 | 1959 | fixed media, akusmatisch | 0:50 | Stereo | PS C. NY | 0 | ||||||||||
| 7089 | Dick | Higgins | Tape Piece #1 | 1957 | fixed media, akusmatisch | 3:00 | Mono | PS C. NY | 0 | ||||||||||
| 7090 | Dick | Higgins | The Moon is Rising (In Memoriam) | 1960 | fixed media, akusmatisch | 24:00 | Stereo | PS C. NY | 0 | ||||||||||
| 33435 | Houston | Higgins | Music for Joseph Byrd | 1966 | live-elec, 1 group | band (var rock and roll bands, elec) [Ensemble] | Pop | PS C. Dallas | 0 | ||||||||||
| 33433 | Houston | Higgins | Raaquin | 1965 | fixed media, akusmatisch | PS C. Dallas | 0 | ||||||||||||
| 7091 | Houston | Higgins | Samaym | 1965 | live-elec, 1 perf, 1 group | var | multichannel | V, ens, (elec modification) [Stimme, Ensemble] | PS C. Dallas | 0 | |||||||||
| 33434 | Houston | Higgins | Tachyagara | 1966 | live-elec, 1 perf | multichannel | p, (elec) [Piano] | for piano solo, elec modifiers and filter network (theatrical) | PS C. Dallas | 0 | |||||||||
| 20293 | Paul | Higham | Duck spindle trilogy (from Hoben Aragoto) | radiophon | 3:48 | Stereo | Innova 113/ | 0 | |||||||||||
| 7092 | Petri | Hiidenkari | kräftig und bewegt | 1985 | fixed media, akusmatisch | 5:22 | ed. rz 3004 LP/ | Yleisradio | 1 | ||||||||||
| 7093 | Petri | Hiidenkari | Kreuzwege | 1987 | fixed media, akusmatisch | 5:03 | ed. rz 3004 LP/ | Yleisradio | 1 | ||||||||||
| 22313 | Olivier | Hijmans | Lacus Somniorum | fixed media, akusmatisch | 14:26 | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#acousmatrix | ||||||||||
| 7094 | Wolfgang | Hildemann | Litanei von der Heiligen Angst | 1971 | Zuspiel / Tonband, 3 perf | Sp, A, org [Alt, Sprecher, Orgel] | 0 | ||||||||||||
| 39283 | Adam | Hill | I Will Stay Here | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 19036 | Gary | Hill | Cut Pipe | 1996 | Klangkunst, Installation | 1:01 | Sonambiente Ausstellung (1996) Katalog S.71 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 39902 | Jennifer | Hill | z-77 | 2016 | fixed media, akusmatisch | Jennifer Hill | 0 | ||||||||||||
| 7095 | Shawn | Hill | Lament for the Lost | 1986 | live-elec, 1 perf | Stereo | e-bass [Gitarre] | 0 | |||||||||||
| 1164 | Shawn | Hill | Moments I | 1984 | Zuspiel / Tonband, 2 perf | Stereo, Octo | gui, db [Gitarre, Kontrabass] | MetaM. Montréal | 0 | ||||||||||
| 1165 | Shawn | Hill | Three Portraits | 1985 | Zuspiel / Tonband, 1 perf | 16:25 | Stereo | Kbd [Keyboard] | MIDI | MetaM. Montréal | 0 | ||||||||
| 31528 | Virginia | Hill | Moving Faces | 2012 | Performance | ≈ 3 - 4 | next_generation 5.0 | HKB Bern | 0 | ||||||||||
| 7096 | Anders | Hillborg | Bandmusik I | 1982 | fixed media, akusmatisch | 12:30 | Stereo | 0 | |||||||||||
| 7097 | Anders | Hillborg | Kamaloka | 1982 | fixed media, akusmatisch | 7:50 | Stereo | Ouverture zu Gespenstersonate von Strindberg | 1 | 1984 | |||||||||
| 7098 | Anders | Hillborg | Living-room | 1983 | fixed media, akusmatisch | 0 | |||||||||||||
| 7099 | Anders | Hillborg | Rite of Passage | 1982 | fixed media, akusmatisch | 12:30 | Stereo | FYLP 1027/ | EMS Stockholm | 1 | |||||||||
| 7100 | Anders | Hillborg | Spöksonaten | 1982 | Theatermusik | 0 | |||||||||||||
| 7101 | Anders | Hillborg | The give-away | 1990 | Film | 5:00 | 2 versions (long, short) | 0 | |||||||||||
| 7102 | Lejaren | Hiller | 7 electronic studies, vocalise just proportions Homage to Helmholtz Two-part invention ordered disorder even-tempered Scherzo peroration |
1961 - 1963 | fixed media, akusmatisch | 24:00 | Stereo | together with R. A. Baker (ILLIAC) | SUA DV 6221/ SUA 10951/ IDEAMA CD 080/ Creel Pone 39/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||
| 7103 | Lejaren | Hiller | a Portfolio | 1974 | Zuspiel / Tonband, 1 perf | 21:30 | Stereo | dig perf [Performer] | ExpSt Warsaw | 0 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 23142 | Lejaren | Hiller | A portfolio for diverse performers and tape | 1974 | Zuspiel, Performance, | 21:50 | CRI SD 438/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||||
| 7104 | Lejaren | Hiller | A Triptych for Hieronymus | 1966 | Tanz | intermedia |
25:20 | dancers, actors, group of ins [Instrument, Schauspieler, Tanz] | projection of film and slides; (3 parts) | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 7105 | Lejaren | Hiller | Algorithms I and II | 1967 | fixed media, akusmatisch | 18:00 | Stereo | com M. | DGG 2543005/ | EMS UIUC | 0 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||
| 7106 | Lejaren | Hiller | Amplification | 1962 | Zuspiel / Tonband, 1 group | 10:00 | Mono | ens [Ensemble] | EMS UIUC | 0 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 7107 | Lejaren | Hiller | An Avalanche, Getting Ready for it The Avalanche Cleaning up the Mess |
1968 | Zuspiel / Tonband, 4 perf | 9:00 | perc, player p, 2 actor (prima donna, pitchman) [Piano, Schlagzeug, Schauspieler] | For Pitchman, Prima-Donna, Player Piano, Percussionist, and Pre-Recorder Playback | WER 60128 - 50/ HE 2549006/ IDEAMA CD 139/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||
| 7108 | Lejaren | Hiller | Blue is the Antecedent of It | 1959 | Theatermusik | 20:11 | Mono | EMS UIUC | 0 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||||
| 7109 | Lejaren | Hiller | Computer Cantata | 1963 | fixed media, akusmatisch | 6:21 | CRi SD 310/ HE H 25053/ HE H 25053 LP/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||||
| 7111 | Lejaren | Hiller | Computer Music for percussion and tape, decisively Briskly Lyrically |
1968 | Zuspiel / Tonband, 1 perf | 6:30 | perc [Schlagzeug] | WER 60128 - 50/ HE 2549006/ IDEAMA CD 139/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 37415 | Lejaren | Hiller | Cosahedron | 1967 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 7112 | Lejaren | Hiller | Cuthbert Bound | 1960 | Theatermusik | 18:38 | Mono | EMS UIUC | 0 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||||
| 7113 | Lejaren | Hiller | experiments in sounds | 1962 | fixed media, akusmatisch | Mono | Siemens | 0 | |||||||||||
| 7114 | Lejaren | Hiller | EXPO '85 for multiple Synthesizers, Circus Piece Transitions toy harmonium Mix or Match |
1985 | live-elec, 1 perf, 2 groups | 12:00 | mul synts [synthesizer] | WER 60128 - 50/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 7116 | Lejaren | Hiller | Illiac Suite (2nd version), Illiac Suite | 1957 | fixed media, akusmatisch | 18:00 | with the "Iliac" - com | CMJ Vol 20, 1996/ | EMS UIUC | 0 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 7117 | Lejaren | Hiller | Machine Music | 1964 | Zuspiel / Tonband, 2 perf | 13:09 | Stereo | p, perc [Piano, Schlagzeug] | HE HS 25047 LP/ TV-S 34536/ IDEAMA CD 079/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||
| 7118 | Lejaren | Hiller | Nightmare Music, Time of the Heathen | 1957 | Film | 10:54 | Mono | HE 2549006/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 7119 | Lejaren | Hiller | Persiflage | 1977 | computer generated score, 3 perf | 10:40 | fl, ob, perc [Flöte, Oboe, Schlagzeug] | software COMPOSE | WER 60128 - 50/ | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 7120 | Lejaren | Hiller | Primarily Act Three | 1966 | Zuspiel / Tonband, 11 perf | 12:00 | Stereo | 11 ins [Instrument] | part of "A Triptych for Hieronymus" | EMS UIUC | 0 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||
| 7121 | Lejaren | Hiller | Quadrilateral | 1981 | Zuspiel / Tonband, 1 perf | p [Piano] | Source Records, 190/ 2e2m Collection 1014/ | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||||
| 23143 | Lejaren | Hiller | Sonata No. 3 | 1964 | computer generated score, 2 perf | p, vn [Piano, Violine] | TV-S 34536/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||||||
| 7122 | Lejaren | Hiller | Suite, Suite For Two Pianos And Tape | 1966 | Zuspiel / Tonband, 2 perf | 18:00 | Stereo | 2 p [Piano] | part of "A Triptych for Hieronymus" | HE 2549006/ | EMS UIUC | 0 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||
| 23144 | Lejaren | Hiller | Twelve-Tone Variations for piano | 1954 | computer generated score, 1 perf | 30:49 | p [Piano] | TV-S 34536/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 7110 | Lejaren, Robert | Hiller, Baker | Computer Cantata | 1968 | Zuspiel / Tonband, 1 perf, 1 group | 6:30 | S, ens [Sopran, Ensemble] | WER 60128/ | EMS UIUC | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | ||||||||
| 7115 | Lejaren, Leonard | Hiller, Isaacson | Quartet No. 4 for strings "Illiac suite", String Quartet No. 4 | 1956 | computer generated score, 4 perf | 18:00 | str-qt [Streicher] | with the "Iliac" - com. 4 parts (4 „experiments“). Different years are noticed (between 1955 and 1958). |
WER 60128 - 50/ BTL Microgroove 122227/ HE H 25053 LP/ MG 848/849/ IDEAMA CD 139/ | EMS UIUC | August 9, 1956 | Uni of Illinois, Illini composers series, Wedgwood Lounge. 8:00 PM; Peggy Andrix, Sanford Reuning (vn), George Andrix (va), Robert Swenson (vc) | 1 | http://www.music.buffalo.edu/hiller/Lejaren_Hiller.html | |||||
| 18360 | Nicky | Hind | Awakening | 1995 | Klangkunst, Installation | ≈ 65:00 | CCRMA | 0 | |||||||||||
| 18381 | Nicky | Hind | Cosmos | 1997 | live-elec, 1 perf | synt, (radio baton, com) [synthesizer] | CCRMA | 0 | |||||||||||
| 18358 | Nicky | Hind | The Gentle | 1995 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 18359 | Nicky | Hind | The Well | 1992 | fixed media, akusmatisch | Uni Glasgow | 0 | ||||||||||||
| 7125 | Paul | Hindemith | 7 Triostücke für 3 Trautonien, des kleinen Elektromusikers Lieblinge | 1930 | live-elec, 3 perf | 10:50 | 3 mtr [synthesizer] | (Premiere: Hindemith, Sala, Schmidt). Inventionen 27.1.1990 AdK |
TEL 6.42529 AW/ | PS Sala | 1 | 1990 | |||||||
| 7127 | Paul | Hindemith | Konzertstück für Trautonium und Streichorchester | 1931 | live-elec, 1 perf | 8:55 | mtr, str orc [synthesizer, Orchester] | 642529/ | PS Sala | 1 | |||||||||
| 7129 | Paul | Hindemith | Langsames Stück und Rondo | 1935 | live-elec, 1 perf, 1 group | 5:20 | mtr, orc [synthesizer, Orchester] | Ton auf: Film Inst. f. Film und Bild 1985; MTR | Erdenklang 70962/ | PS Sala | 1 | 1990 | |||||||
| 23486 | Paul | Hindemith | Originalwerke für Schallplatten | 1930 | fixed media, akusmatisch | information in Melos 9 1930 Heft 5/6 and Hindemithjahrbuch 1996 Mainz 1996 | Rundfunkversuchsstelle Berlin | 0 | |||||||||||
| 40926 | Paul | Hindemith | Sabinchen | 1930 | radiophon | „musikalisches Hörspiel“, text by Robert Seitz | Juni 1930 | Berliner Funkstunde | 0 | https://de.wikipedia.org/wiki/Funkoper | |||||||||
| 7126 | Paul, Kurt | Hindemith, Weill | Der Lindberghflug, radiophone Kantate mit Brecht | 1929, 1969 | radiophon | 18:55 | parts to be played from radio, after a text by Bertolt Brecht. Version Rundfunk der DDR 1969 |
Thorofon MTH 118/ | WERAG Köln | 28. Juli 1929 | Kammermusikfest Baden-Baden | 1 | |||||||
| 42618 | David, Evan | Hindman, Drummond | Modal Kombat | 2009 | live-elec, 2 perf | 15 | 2 gui [Gitarre] | 0 | |||||||||||
| 35752 | David | Hindmarch | Altered materials | 2009 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2009 | 0 | ||||||||||||
| 35696 | David | Hindmarch | clear | 2016 | fixed media, akusmatisch | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 35532 | David | Hindmarch | Golden Bowls | 2011 | fixed media, akusmatisch | 11 | CMMAS CD 020/ | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2011 | 0 | ||||||||||
| 28548 | David | Hindmarch | Nature Room | 2008 - 2009 | fixed media, akusmatisch | 11:00 | Octo | BEAST | 1 | 2010 | |||||||||
| 37833 | Elizabeth | Hinkle-Turner | Affirmation | fixed media, akusmatisch | 0 | ||||||||||||||
| 7130 | Elizabeth | Hinkle-Turner | American Made | 1989 | fixed media, akusmatisch | 4:48 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 21798 | Elizabeth | Hinkle-Turner | Full Circle | Demo, Studie | CD-ROM | ICMC 1999/ EMF 1999/ | 0 | ||||||||||||
| 21799 | Elizabeth | Hinkle-Turner | Insurrections I | 1990 | fixed media, akusmatisch | UI/ | EMS UIUC, WDR SEM | 0 | http://people.unt.edu/aeh0018/ | ||||||||||
| 38570 | Tim | HINMAN | Hänsel and Gretel | 1999 | radiophon | 39:11:00 | 0 | ||||||||||||
| 25922 | Ruben | Hinojosa Chapel | Aprés la Vie et la Mort… (in memoriam Carlos Fariñas) | 2004 | fixed media, akusmatisch | 10:09 | LDC 2781133 Compendium 2004/ | IMEB Bourges | 0 | ||||||||||
| 19159 | Joyce | Hinterding | The Oscillators | 1995 | Klangkunst, Installation | 3:45 | ISAST LMJ 6/ | 1 | |||||||||||
| 7131 | Michael | Hinton | Beyond Ladymead | 1984 | fixed media, akusmatisch | 10:40 | Stereo | 8.9.1984 | Brüssel | 0 | |||||||||
| 33509 | Michael | Hinton | Groan | 1973 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 7134 | Michael | Hinton | Her quiet witchery | 1978 | fixed media, akusmatisch | 8:15 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7135 | Michael | Hinton | Interaction I | 1977 | fixed media, akusmatisch | 4:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 7136 | Michael | Hinton | Interaction II | 1971 | fixed media, akusmatisch | Stereo | SR Stockholm | 0 | |||||||||||
| 7137 | Michael | Hinton | Joker | 1973 | fixed media, akusmatisch | 21:00 | Quadro | CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 0 | |||||||||
| 33510 | Michael | Hinton | Melicante | 1975 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 7138 | Michael | Hinton | Orrydian Beguiled | 1978 | fixed media, akusmatisch | 11:50 | Quadro | EMS Stockholm | 0 | ||||||||||
| 7139 | Michael | Hinton | Stam | 1979 | fixed media, akusmatisch | 11:50 | Stereo | PDP-15 with INT8 (Version 1b) | EMS Stockholm | 0 | |||||||||
| 7140 | Michael | Hinton | The pool at Momnoc | 1979 | fixed media, akusmatisch | 19:00 | Stereo | PDP-15 with INT8 (Version 1a) | EMS Stockholm | 0 | |||||||||
| 7141 | Michael | Hinton | The space between | 1979 | fixed media, akusmatisch | 9:42 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7132 | Michael, Peter | Hinton, Lyne | Bröderna Lejonhjärta | 1977 | fixed media, akusmatisch | 21:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 7133 | Michael, Peter | Hinton, Lyne | De lyssnande | 1973 | fixed media, akusmatisch | 6:00 | EMS Stockholm | 0 | |||||||||||
| 42844 | Haruka | Hirayama | Myth II.a | 2013 | fixed media, akusmatisch | 9:05:00 | 0 | ||||||||||||
| 39842 | Haruka | Hirayama | Translucency | 2015 | fixed media, akusmatisch | 8:33:00 | Haruka Hirayama | 0 | |||||||||||
| 37460 | Ryohei | Hirose | Flora 1971 | 1971 | fixed media, akusmatisch | 19:40 | Stereo | OUOADM 0702/ | NHK Tokyo | 0 | |||||||||
| 28475 | Rozalie | Hirs | Pulsars | 2006 | fixed media, akusmatisch | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | Armeno Alberts, Café Sonore, VPRO Radio | 23.05.2006 | broadcast Café Sonore, VPRO Radio, 747 AM, Netherlands | 11th International Rostrum of Electroacoustic Music (IREM/ UNESCO), Lisbon, Portugal, 20 december 2007 | 0 | http://www.rozalie.com/2A.htm | |||||||
| 18960 | Rozalie | Hirs | Schizophonia | 1995 | Klangkunst, Installation | 6:45 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | 1 | ||||||||||
| 38948 | Hans-Ludwig | Hirsch | Noch 10 Minuten bis Buffalo | 1960 | Theatermusik | Siemens | 0 | ||||||||||||
| 37129 | Michael | Hirsch | 2. Streichquartett | 2012 | Zuspiel / Tonband, 4 perf | ≈ 13 | Stereo | str-qt [Streicher] | 0 | ||||||||||
| 29817 | Michael | Hirsch | 50 Gestalten Episoden Figuren, 50 Gestalten Episoden Splitter | 2003 | Zuspiel / Tonband, 55 perf | ≈ 8 | 5 - 50 ins, 2 - 5 Sp, (CD-Zuspielung) [Sprecher, Instrument] | 2005 | Berlin | 0 | |||||||||
| 29813 | Michael | Hirsch | anlaufen aufschwingen abstürzen, Monolog für 5 E-Gitarren | 2000 | live-elec, 5 perf | 5 e-gui [Gitarre] | 29.10.2001 | München, Gasteig (komponiert für das Ensemble Go Guitars) | 0 | ||||||||||
| 7142 | Michael | Hirsch | Beschreibung eines Kampfes, Raum für ungezähmte Träume | 1986 - 1992 | Zuspiel / Tonband, 2 perf | var 17:00 | Stereo | Sp, var ins [Sprecher, Instrument] | Musikdramatisches Projekt nach Franz Kafka Tape-Version and Version for Tape and Recitor |
TU Berlin | 29.10.1988 | München Gasteig, Michael Hirsch, Sprecher | 1 | http://www.editionjulianeklein.de | |||||
| 29823 | Michael | Hirsch | Buñuel | 2006/2009 | Zuspiel / Tonband, 3 perf | 11 | str-trio [Streicher] | 18.3.2009, | Bremen, Mitglieder der Deutschen Kammerphilharmonie Bremen | 0 | |||||||||
| 29819 | Michael | Hirsch | Casino | 2005 | Performance | 3 group perf [Performer] | 17.11.2005 | München, Arbeitsgemeinschaft Klangexperimente Gymnasium Brandis, Ltg.: Erwin Stache, Benjamin Stache | 0 | ||||||||||
| 29810 | Michael | Hirsch | Das Fünfte Kapitel, Szenisches Hörspiel | 1984 | radiophon | zurückgezogen | 1984 | München | 0 | ||||||||||
| 27067 | Michael | Hirsch | Das graue Buch | 1997 | radiophon | Stereo | Radio SR Saarbrücken | 0 | |||||||||||
| 29814 | Michael | Hirsch | Das Konvolut, Vol. 1 | 2001 | Zuspiel / Tonband, 8 perf | fem V, pic-fl, cl, tuba, str-trio, perc (große Trommel), (Zuspielungen) [Stimme, Flöte, Klarinette, Tuba, Schlagzeug, Streicher] | für Sängerin, Piccolo-Flöte, Klarinette, Tuba, Streich-Trio und CD-Zuspielungen | Berliner Festspiele für das Festival MaerzMusik | 9.3.2002 | Berlin, Kammerensemble Neue Musik und Anna Clementi, StimmeBerlin, | 0 | ||||||||
| 29815 | Michael | Hirsch | Das Konvolut, Vol. 2 | 2002 | Zuspiel / Tonband, 10 perf | fem V, male V, fem Sp, 2 male Sp, fl, vn, p, 2 perc, (2 CD-player) [Sprecher, Stimme, Flöte, Piano, Schlagzeug, Violine] | 7 Darsteller/Sprecher, Flöte, Violine, Klavier, 2 Schlagzeuger und 2 CD-Player | 15.6.2002 | Berlin ("Ensemble Zwischentöne") |
Edition Juliane Klein EJK0566 | 0 | ||||||||
| 29828 | Michael | Hirsch | Das Konvolut, Vol. 2, 1. - 5. Studie | 2002/2011 | Zuspiel/Tonband, 10 perf | fixed media, akusmatisch |
16 | Stereo | fem V, male V, fem Sp, 2 male Sp, fl, vn, p, 2 perc, (2 CD-player) [Sprecher, Stimme, Flöte, Piano, Schlagzeug, Violine] | 5 parts: Study 1 – 5 (Study 2 complete new) Study 1 also available as electronic version (8 Minutes, stereo) Study 1 & Study 5 also available as a simultanous Stereo-Version Study 5 also available as a electronic Stereo-Version |
WER 67522/ | 15.6.2002 | Berlin ("Ensemble Zwischentöne") | Edition Juliane Klein EJK0566 | 0 | |||||
| 29829 | Michael | Hirsch | Das Konvolut, Vol. 3, La Didone abbandonata | 2003 - 2011 | Zuspiel/Tonband, 5 perf, 1 group | fixed media, akusmatisch |
20 | Mez, Bar, 3 Sp, chamber-ens (Piccolo-Flöte, Klarinette {auch Bass-Kl.}, Posaune, Akkordeon, 2 Schlagzeuger, 2 Violinen, Viola, Violoncello und Dirigent ) [Mezzo, Bariton, Sprecher, Ensemble] | Dramma per musica | WER 67522/ | Edition Juliane Klein | 0 | ||||||||
| 29824 | Michael | Hirsch | Das Konvolut, Vol. 4, Holzstücke I-IV | 1990/1997/1999/2009 | Zuspiel / Tonband, 2 perf | 10 | (var ins) perc, perf (Geräuschemacher) [Schlagzeug, Performer] | 10.7. 2009 | Randspiele Zepernick (percusemble berlin) vollständigen Fassung | 0 | |||||||||
| 27065 | Michael | Hirsch | Der Schlaf, eine nächtliche Szene | 1993 | radiophon | 28:15 | Stereo | after Kafkas "Beschreibung eines Kampfes" | WDR Studio Akustische Kunst | 7.12.1993 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1363550&vi=182&SID | ||||||
| 35348 | Michael | Hirsch | Dido, La Didone abbandonata Dido und Aeneas |
2003 - 2017 | Musiktheater, 16 perf | Octo | 6 V, fl (also picc), cl (also b-cl), trbn, acc, 2 vn, va, vc, 2 perc [Stimme, Flöte, Klarinette, Posaune, Akkordeon, Schlagzeug, Viola, Cello, Violine] | Musiktheater in 2 Teilen für 6 Gesangssolisten, Kammerensemble und Zuspielungen. | WER 67522/ | Deutsche Oper Berlin | 28.1.2017 | Deutsche Oper Berlin | 0 | ||||||
| 29820 | Michael | Hirsch | Die Klage des Pleberio | 2005 | Oper | 30 | Bar, fl, cl, tpt, acc, hp, e-gui, p, vib, 2 vn, 2 vc, (CD-player) [Bariton, Flöte, Klarinette, Trompete, Piano, Akkordeon, Gitarre, Harfe, Schlagzeug, Cello, Violine] | Oper nach einem Text von Fernando de Rojas auch konzertant aufführbar. |
11.11.2005 | Berlin (Klangwerkstatt), Pleberio: Simon Berg, Bariton; Ensemble Experimente, Ltg.: Gerhard Scherer; Regie: Antje Kaiser | 0 | ||||||||
| 27060 | Michael | Hirsch | Die Worte, die Mauern | 1998 | fixed media, akusmatisch | 12:00 | 11 Tracks | after Ernst Herbeck. Teil der Oper „Das stille Zimmer“ im Bild 2 „Das stille Zimmer - die Worte, die Mauern“ (Sprecher 1, Sprecher 2, Tonband) |
TU Berlin | 10.9.1998 | Kleiner Wasserspeicher Berlin, Kryptonale IV | 1 | http://www.hirschmichael.de/#Werkverzeichnis | ||||||
| 24269 | Michael | Hirsch | Drei Episoden aus „Das Konvolut, Vol. 3“ | 2003 | fixed media, akusmatisch | 4:30 | Cybele 960.208/ DegeM CD 08/ | Edition Juliane Klein EJK0630 | 0 | ||||||||||
| 35858 | Michael | Hirsch | Duo (musique concrète) | 2000 | fixed media, akusmatisch | 6 | Stereo | Edition Juliane Klein EJK0566 | 0 | ||||||||||
| 38824 | Michael | Hirsch | Einige Versuche mit der Wirklichkeit | 2013 | Zuspiel, Performance, 4 perf | 55 | 2 acc, 2 actor, (1 Straßenbahn) [Akkordeon, Schauspieler] | für musique concrète-Zuspielung, 2 Akkordeons, 2 Darsteller und 1 Straßenbahn | 23.11.2013 | Pyramidale 12 | 0 | ||||||||
| 27059 | Michael | Hirsch | Holzstück 2, Das Konvolut Volumen 4 |
1997 | fixed media, akusmatisch | 10:00 | 5 tracks + 5 tracks | musique concrète | TU Berlin | 1997 | Berlin | 1 | |||||||
| 21197 | Michael | Hirsch | Holzstück IV | 1999 | Klangkunst, Installation | Stereo, 3 tracks | musique concrète, with Getthoblaster | 11.7.19999 | Bad Wildbad ("Ars nova"- Konzert des Südwestrundfunks im Rahmen des Festivals "Rossini in Wildbad", mit Robert Podlesny und Michael Hirsch); UA Holzstück III und IV | 0 | |||||||||
| 32820 | Michael | Hirsch | Hypnos | 2013 | fixed media, akusmatisch | 12:01 | Stereo | Das 2-kanalige „Hypnos“ entstand im Vorfeld des geplanten Musiktheater-Projektes „Sysyphos (Der Schlaf II - ein Passionsspiel“, in das es in einer 8-Kanal-Version integriert werden soll. | 0 | ||||||||||
| 27064 | Michael | Hirsch | In den Städten gibt es keine Dunkelheit | 1988 | Klangkunst, Installation | Stereo | project for the Telefunkenhaus Berlin; zurückgezogen | 1988 | Telefunkenhaus Berlin | 0 | |||||||||
| 21142 | Michael | Hirsch | … Kleinigkeit etwas mehr Meer … | 1998/1999 | Zuspiel / Tonband, 7 perf | ≈ 14:00 | Octo | 2 Sp, 2 perc, trbn, tuba, acc [Sprecher, Posaune, Tuba, Akkordeon, Schlagzeug] | Material von "Worte Mauern" | TU Berlin | Südwestrundfunk SWR | 15.10.1999 | Donaueschinger Musiktage (Anna Clementi, RobertPodlesny, Teodoro Anzellotti, Christian Dierstein, Werner Hofmeister, Stefan Froleyks, Werner Puntigam) | 1 | |||||
| 21196 | Michael | Hirsch | Kopfecke, Wunderhöhle | 1996 | Zuspiel / Tonband, 6 perf | Stereo | 3 Sp, (3 Kassettenrecorder) 1 perf (Geräuschemacher), p, wood-drum [Sprecher, Piano, Performer] | 5.4.2002 | Berlin | 0 | |||||||||
| 27062 | Michael | Hirsch | Libro de las preguntas | 1979 | live-elec, 1 perf | var ins [Instrument] | Neruda-Studie für variable Besetzung | 1979 | Bayreuth (Solo-Version mit Live-Elektronik: Michael Hirsch, Stimme und Live-Elektronik) | 0 | |||||||||
| 29822 | Michael | Hirsch | "mit einem gewissen Pathos" | 2007 | live-elec, 4 perf | 17 | acc, p, 2 theremin [Piano, Akkordeon, synthesizer] | 4.11.2007 | Berlin "Klangwerkstatt" (Ballhaus Naunynstr.), Nancy Laufer, Heather O' Donell, Lydia Kavina, Barbara Buchholz | 0 | |||||||||
| 27061 | Michael | Hirsch | Play Back | 1976 | Zuspiel / Tonband, 2 perf | Stereo | 2 p [Piano] | 1977 | München (Amerikahaus.Karl Iblacker und Paul Wagner, Klavier) | 0 | |||||||||
| 29825 | Michael | Hirsch | Porträt Splitter | 2009 | Zuspiel / Tonband, 1 perf | 5 | Sp [Sprecher] | für 1 Sprecher und Zuspielung | 15.6.2009 | München (Sonderkonzert der "Musica Viva") | 0 | ||||||||
| 27063 | Michael | Hirsch | Prometheus 21 | 1985/1986 | Klanginstallation, live-elec, 1 group | actors [Schauspieler] | Soundinstallation with actors. Zurückgezogen |
1986 | Köln (Studiobühne) | 0 | |||||||||
| 29816 | Michael | Hirsch | Skizzen Monolog Begleitung | 2003 | Zuspiel / Tonband, 2 perf | Sp, perc, (CD) [Sprecher, Schlagzeug] | Aus „Das Konvolut, Vol. 4-6“ | 2003 | München (Michael Hirsch, Stefan Blum) | 0 | |||||||||
| 29821 | Michael | Hirsch | Spiel | 2006 | Zuspiel / Tonband, 4 perf | 5 | 4 perf, (CD-player) [Performer] | 1.5. 2006 | München "Fussball Globus", Die Maulwerker | 0 | |||||||||
| 29818 | Michael | Hirsch | Symposion | 2004/2005 | Zuspiel / Tonband, 7 perf | b-cl, acc, vn, vc, p, trbn, tuba, (CD-player) [Klarinette, Posaune, Tuba, Piano, Akkordeon, Cello, Violine] | (auch Version für b-cl, acc, vn, vc, p und CD) | 7.6.2005 | Berlin (Akademie der Künste), Modern Art Sextett | 0 | |||||||||
| 21195 | Michael | Hirsch | Tagesreste, Ein Stummes Spiel | 1994 | Theatermusik | Stereo | WDR Studio Akustische Kunst | 1994 | München (Gasteig), Simultan mit Live-Zuspielung des Hörspiels "Der Schlaf" (Michael Hirsch,Performance) | 0 | |||||||||
| 29827 | Michael | Hirsch | Umbau 2, Das Konvolut Vol. 3 |
2010 | fixed media, akusmatisch | 6:10 | musique concrète | WER 67522/ | 28.11..2010 | Berlin, Festkonzert der Berliner Gesellschaft für Neue Musik | 0 | ||||||||
| 29811 | Michael | Hirsch | Winterkampagne | 1999 | Zuspiel / Tonband, 2 perf | T, p, (3 Kassettenrecorder) [Tenor, Piano] | nach einem Text von Ursula Krechel | Auftragskomposition für Deutschlandradio | 1999 | Ludwigslust ("Stimmen im Winter") (Seongju Oh,Tenor und Moritz Eggert, Klavier ) | 0 | ||||||||
| 29812 | Michael | Hirsch | Zwei Stücke für Dieter Schnebel, Duo | Zuspiel / Tonband, 2 perf | 2 perf [Performer] | 11.3.2000 | Berlin, Podewil, Robert Podlesny und Michael Hirsch | 0 | |||||||||||
| 7144 | Shelly, David | Hirsch, Weinstein | On the Swing, aus Pomp and Circumstances | 1988 | live-elec, 1 perf | 3:42 | V [Stimme] | Kitchen 88, live | Nonesuch 9 79235-2, Imaginary Landscapes/ | 1 | |||||||||
| 34806 | David | Hirst | And So | 1989 | Zuspiel / Tonband, 2 perf | 20:00:00 | V, drum [Stimme, Schlagzeug] | For computer generated tape, voice, and drum, with P. Treloar |
0 | ||||||||||
| 34807 | David | Hirst | Antipathy – Empathy | 1987 | Zuspiel / Tonband, 1 perf | 9:00:00 | vc [Cello] | For cello and computer generated tape – performed by Andre Duthoit and John Addison | 0 | ||||||||||
| 34797 | David | Hirst | Artificier artificiel | 2005 | live-elec, | 4:00:00 | Live, interactive computer music | 0 | |||||||||||
| 34794 | David | Hirst | Betameta | 1983 | fixed media, akusmatisch | For computer-generated tape | 0 | ||||||||||||
| 34808 | David | Hirst | Brahmin’s Son | 1982 | Zuspiel / Tonband, 1 perf | 3:00:00 | T [Tenor] | For tenor voice and computer-generated tape. Available on NMA Tapes 1 from Shame File Music | 0 | ||||||||||
| 34790 | David | Hirst | Colonies I | 1992 | fixed media, akusmatisch | CD | 0 | ||||||||||||
| 34789 | David | Hirst | Colonies II | 1993 | fixed media, akusmatisch | CD | 0 | ||||||||||||
| 34788 | David | Hirst | Colonies III | 1993 | fixed media, akusmatisch | CD | 0 | ||||||||||||
| 34792 | David | Hirst | Dualistic Duet | 1985 | fixed media, akusmatisch | 10:00:00 | Computer-generated tape | 0 | |||||||||||
| 34805 | David | Hirst | Georgiana in the Land of the Kulin | 1990 | live-elec, 1 perf | narrator [Schauspieler] | Narrator (Anthony Briggs) and live computer-generated electronic accompaniment | 0 | |||||||||||
| 34791 | David | Hirst | Ice Palais | 1989 | fixed media, akusmatisch | Computer music | Terrapin Puppet Company, Tasmania | 0 | |||||||||||
| 34783 | David | Hirst | La vie naturelle | 2003 | fixed media, akusmatisch | CD | 0 | ||||||||||||
| 20294 | David | Hirst | Linden Nights | 1991 | fixed media, akusmatisch | 9:28 | Stereo | Recorded live for Machine Messages CD | ACMA/ | 0 | |||||||||
| 34785 | David | Hirst | Maison | 2002 | fixed media, akusmatisch | CD | 0 | ||||||||||||
| 34786 | David | Hirst | Mann Project | 1997 | fixed media, akusmatisch | CD | 0 | ||||||||||||
| 34787 | David | Hirst | Mann Rave IV | 1997 | fixed media, akusmatisch | CD | 0 | ||||||||||||
| 23145 | David | Hirst | Mon Dieu | 1998/2002 | fixed media, akusmatisch | 8:36 | Cecilia FOF | Cec Presence 3/ | La Trobe | 1 | |||||||||
| 34809 | David | Hirst | Namelessness | Klangkunst, Installation | Electronic music for the “play that becomes an installation” – with sculptor Peter Cripps. Available on NMA Tapes 6 from Shame File Music | 0 | |||||||||||||
| 34779 | David | Hirst | OMG 2013 Remix | 2013 | fixed media, akusmatisch | 8:00:00 | CD – Full version | 0 | |||||||||||
| 34804 | David | Hirst | Sextet | 1991 | live-elec, 2 perf | perc, ob [Oboe, Schlagzeug] | Gongs, Oboe, Computer Processing Instruments and Mixer With Gerrard, Sosnin, Hewes, McLachlan, and Barden |
0 | |||||||||||
| 32028 | David | Hirst | Sound fields | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 34780 | David | Hirst | Study 101: Thunderbowl | 2010 | fixed media, akusmatisch | 4:00:00 | CD – Full version | 0 | |||||||||||
| 34781 | David | Hirst | Study 102: Scrabbling | 2011 | fixed media, akusmatisch | 4:00:00 | CD – Full version | 0 | |||||||||||
| 34782 | David | Hirst | Study 103: Reson | 2011 | fixed media, akusmatisch | 4:00:00 | CD – Full version | 0 | |||||||||||
| 34793 | David | Hirst | The Making of Dolphin Play | 1984 | Film | Mill Theatre Company | 0 | ||||||||||||
| 34796 | David | Hirst | The Shape of Water | 2014 | audiovisuell | 9:00:00 | Video Art with electronic music soundtrack. Available on Vimeo | 0 | |||||||||||
| 34795 | David | Hirst | The Storm Studies | 1982 | fixed media, akusmatisch | For computer generated tape | 0 | ||||||||||||
| 34784 | David | Hirst | Travail | 2003 | fixed media, akusmatisch | CD | 0 | ||||||||||||
| 32026 | David, Steve, Michael | Hirst, Bell, Spicer | Caravan | 1981 | fixed media, akusmatisch | 7 | La Trobe Uni Vol. 2/ | La Trobe | 0 | ||||||||||
| 34799 | David, I. | Hirst, Fredericks | Improvisation | 1990 | live-elec, 1 perf, 1 group | inss [Instrument] | Interactive computer composition instruments. Group electro-acoustic improvisation (Bell and Whistle Co & Ballyhoo) |
0 | |||||||||||
| 34803 | David, Graeme | Hirst, Gerraed | Resonance | 1992 | live-elec, 1 perf | w [Bläser] | Microphone feedback with resonators, MIDI wind controller, and signal processing | 0 | |||||||||||
| 34802 | David, Graeme | Hirst, Leak | Interactions | 1992 | live-elec, 2 perf | perc, MIDI-gui [Gitarre, Schlagzeug] | Percussion, MIDI guitar, and signal processing | 0 | |||||||||||
| 32027 | David, Graeme | Hirst, Leak | Playing fields | 1992 | fixed media, akusmatisch | La Trobe Uni Vol. 4/ | La Trobe | 0 | |||||||||||
| 34801 | David, T. | Hirst, Stainsby | Improvisation for Linden | 1990 | live-elec, | For interactive computer composition instruments using the SPRAY program written by Hirst | 0 | ||||||||||||
| 39388 | Hannah | Hitchen | Transchem | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 7145 | Miroslav | Hlavác | Angelion | 1969 | fixed media, akusmatisch | 8:06 | Stereo | Radio Plzen | 0 | ||||||||||
| 7146 | Miroslav | Hlavác | Astroepos | 1969 | fixed media, akusmatisch | 8:18 | Stereo | Radio Plzen | 0 | ||||||||||
| 7147 | Miroslav | Hlavác | Biochronos | 1969 | fixed media, akusmatisch | 8:00 | Stereo | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | |||||||||
| 7148 | Miroslav | Hlavác | Chimérion | 1970 | fixed media, akusmatisch | 10:15 | Stereo | Radio Plzen | 0 | ||||||||||
| 7149 | Miroslav | Hlavác | Concerto da camera | 1972 | fixed media, akusmatisch | 22:55 | Stereo | Radio Plzen | 0 | ||||||||||
| 7150 | Miroslav | Hlavác | Fontana cantans | 1971 | fixed media, akusmatisch | 12:00 | Stereo, Quadro | Radio Plzen | 0 | ||||||||||
| 7151 | Miroslav | Hlavác | Logogenesis | 1968 | fixed media, akusmatisch | 7:42 | Radio Plzen | 0 | |||||||||||
| 7152 | Miroslav | Hlavác | Metafonie | 1970 | fixed media, akusmatisch | 13:30 | Stereo, Quadro | Radio Plzen | 0 | ||||||||||
| 7153 | Miroslav | Hlavác | Musica diafonica | 1975 | fixed media, akusmatisch | 24:06 | Stereo | Radio Plzen | 0 | ||||||||||
| 7154 | Eddy | Ho | Dimensions I | 1982 | fixed media, akusmatisch | 6:20 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 7155 | Eddy | Ho | Dimensions II | 1983 | fixed media, akusmatisch | 4:10 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 36958 | Guang-Jie | Ho | Ping-Pong | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 39915 | Jocelyn | Ho | Sheng, featuring Bio Lux (luminescent attire) by Nobuho Nagasawa with HUL ARNOLD | 2016 | Performance | p [Piano] | 0 | ||||||||||||
| 40189 | Pinda | Ho | How Would You Dress Her | 2017 | fixed media, akusmatisch | 16 Tracks | Pinda Ho | 0 | |||||||||||
| 34637 | Richard | Hoadley | Calder’s flute | 2016 | live-elec, 1 perf | fl [Flöte] | SMC2016 | 0 | |||||||||||
| 7156 | Barbara | Hobbs | no title | 1966 | Zuspiel / Tonband, 1 perf | ≈ 3:00 | Stereo | actor [Schauspieler] | Uni BC Vancouver | 0 | |||||||||
| 27664 | Christopher | Hobbs | Sudoku 49 | 2007 | fixed media, akusmatisch | 9:38 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | |||||||||
| 18940 | Garth | Hobden | Inukshut | 1994 | fixed media, akusmatisch | 2:54 | CEC DISContact_2/ | Edmonton | 1 | ||||||||||
| 20316 | Garth | Hobden | Musica coelestis | 1995 | fixed media, akusmatisch | 9:41 | Stereo | CR 96001 Clef/ | 0 | ||||||||||
| 26278 | Geert-Jan, Carsten | Hobijn, Stabenow | Yokomono | 2003 | Klangkunst, Installation | ∞ | 100 Radios, 4 Vinylkiller, 4 Groove Records, 2 Modelleisenbahnen | Voxxx 2003-2005 mit Katalog/ ARS 06/ | Voxxx Chemnitz | 2003 | Voxxx Chemnitz | Auszeichnung ars electronica honorary mention 2006 | 1 | http://www.voxxx.de/projekte/soundart.htm | |||||
| 28748 | Olaf | Hochherz | Hoffnungsträger | 2009 | fixed media, akusmatisch | Kleiner Wasserspeicher - Concert 1, 2010 Friday 24. September, 19h, SC Symposium 2010; Aufnahme mit Kunstkopf | 2010 Friday 24. September, 19h | Kleiner Wasserspeicher | 1 | http://supercollider2010.de/concerts-installations.html | |||||||||
| 25802 | Olaf | Hochherz | Nachher Halt | 2006 | fixed media, akusmatisch | 4:24 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 1 | ||||||||||
| 7157 | André | Hodeir | Jazz et Jazz | 1951 | Zuspiel / Tonband, 1 perf | 3:02 | Stereo | p [Piano] | pour bande et piano en direct | INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 001/ | INA • GRM | 21.5.1952 | Conservatoire, Piano: B. Peiffer | 1 | |||||
| 7158 | Åke | Hodell | 220 Volt Buddha, Electronic Purgatory 1 | 1971 | intermedia | 21:23 | Mono, Quadro | FYCD 1018-2/ | SR Stockholm, EMS Stockholm, Fylkingen | 1 | |||||||||
| 7159 | Åke | Hodell | Djurgårdsfärjan över Styx (The Djurgården Ferry across the Styx) | 1972 | radiophon | 21:00 | Mono | txtcompo | PSCD 63 Phono Suecia/ | SR Stockholm, Fylkingen | 0 | ||||||||
| 22215 | Åke | Hodell | General Bonhomme (French Version of General Bussing) | fixed media, akusmatisch | 7:19 | FYCD 1018/ | SR Stockholm, EMS Stockholm | 0 | |||||||||||
| 7161 | Åke | Hodell | General Bussig, Igevär | 1965 | radiophon | 14:00 | Mono | KER/ PSCD 63 Phono Suecia/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 7160 | Åke | Hodell | General Bussig (General Buddy-Buddy) | 1965 | radiophon | 6:34 | txtcompo | PSCD 63 Phono Suecia/ | PS C. Stockholm | 0 | |||||||||
| 7162 | Åke | Hodell | Hej. Lenin.- (Du Lenin) | 1970 | radiophon | 23:00 | Mono | SR Stockholm | 0 | ||||||||||
| 22211 | Åke | Hodell | Igevär, Presentarms | fixed media, akusmatisch | 7:50 | Part1 01:55 Track 5 Part2 05:56 Track15 |
FYCD 1018/ | Europafilm AB | 1 | ||||||||||
| 22375 | Åke | Hodell | Kerberos, helveteshunden (Cerberus, the Hellhound) Electric Purgatory IV | 1972 | radiophon | 15:52 | Text Sound Composition | FYCD 1018/ | SR Stockholm, Fylkingen | 0 | |||||||||
| 7163 | Åke | Hodell | Kerebos, the hellhound | 1972 | radiophon | 16:00 | Mono, Stereo, Quadro | SR Stockholm | 0 | ||||||||||
| 7164 | Åke | Hodell | Lågsniff | 1966 | fixed media, akusmatisch | radiophon || Fernsehen |
15:00 | Mono | 0 | |||||||||||
| 22213 | Åke | Hodell | Law and Order Inc. | 1970 | fixed media, akusmatisch | 3:50 | FYCD 1018/ | SR Stockholm, EMS Stockholm | 1 | ||||||||||
| 7166 | Åke | Hodell | Mr. Smith in Rhodesia | 1970 | radiophon | 16:15 | Stereo | Introduction… ist ein Kommentar des Autors nach 15-jährigem Verbot des Stückes! | PSCD 41 Phono Suecia/ FYCD 1018-3/ CAP 60008 Beilage Buch Sanne Krogh Groth/ IDEAMA CD 047/ |
SR Stockholm, EMS Stockholm | 0 | ||||||||
| 22214 | Åke | Hodell | Numro Ba Besch, (General Buddy-Buddy, tape version) | fixed media, akusmatisch | 4:20 | for Henri Chopin | FYCD 1018/ | SR Stockholm, EMS Stockholm | 1 | ||||||||||
| 7167 | Åke | Hodell | Numro Ba Besch Ba Ba | 1972 | radiophon | 8:32 | Mono | OU 42-43-44/ | SR Stockholm | 0 | |||||||||
| 7168 | Åke | Hodell | Orfic Revelations | 1973 | intermedia | 13:00 | Mono, Stereo, Quadro | SR Stockholm, Fylkingen | 0 | ||||||||||
| 22376 | Åke | Hodell | Orfiska uppenbarelser (Orpheic Revelations), Electronic Purgatory 5 | 1973 | Musiktheater | 8:06 | FYCD 1018/ | SR Stockholm, Fylkingen | 0 | ||||||||||
| 22377 | Åke | Hodell | Présentezarmes (french version of Presentarms) | 1972 | radiophon | 5:01 | FYCD 1018/ | SR Stockholm | 0 | ||||||||||
| 7169 | Åke | Hodell | Spirit of Ecstasy, Racing car opera | 1977 | radiophon | 25:00 | Mono, Stereo, Quadro | FYCD 1018-3/ | SR Stockholm | 1 | |||||||||
| 7170 | Åke | Hodell | Structures III | 1967 | radiophon | 32:00 | Mono, Stereo, Quadro | SR Stockholm | 0 | ||||||||||
| 22212 | Åke | Hodell | Strukturer III | fixed media, akusmatisch | 30:00 | FYCD 1018/ | SR Stockholm, EMS Stockholm | 1 | |||||||||||
| 22378 | Åke | Hodell | The road to Nepal, Electronic Purgatory 2 | 1971 | radiophon | 21:32 | Text Sound Composition | FYCD 1018/ | SR Stockholm, EMS Stockholm | 1 | |||||||||
| 7171 | Åke | Hodell | The Voyage to Labrador | 1976 | radiophon | 4:30 | Mono, Stereo | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1018/ FYCD 1024 CD 3 Text-Sound Compositions/ | SR Stockholm, Fylkingen | 1 | |||||||||
| 7172 | Åke | Hodell | The Way to Nepal | 1971 | radiophon | 21:25 | Mono, Stereo, Quadro | SR Stockholm | 0 | ||||||||||
| 22379 | Åke | Hodell | USS Pacific Ocean | 1968 | radiophon | 21:26 | RELP 1049/ FYCD 1024 CD 3 Text-Sound Compositions/ FYCD 1018/ | SR Stockholm, EMS Stockholm | 1 | ||||||||||
| 7174 | Åke | Hodell | Where is Eldridge Cleaver? | 1969 | radiophon | 21:20 | Stereo | RELP 1072/ FYCD 1024 CD 3 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 7175 | Brian | Hodgson | Fragment | 1966 | fixed media, akusmatisch | 5:00 | Stereo | EMS_London | 0 | ||||||||||
| 38940 | Juliana | Hodkinson | Lightness | 2015 | Performance, live-elec, 4 perf | 4 perf (Fluorophone, Speak Percussion) [Performer] | 0 | ||||||||||||
| 42278 | Juliana | Hodkinson | Prompt, Immediate, Now / Very Restraint and Cautions | 2013 | live-elec, 4 perf | cl, perc, va, vc [Klarinette, Schlagzeug, Viola, Cello] | 0 | ||||||||||||
| 38939 | Juliana | Hodkinson | Thresh | 2017/2018 | Performance, live-elec, 4 perf | 4 perf (Fluorophone, Speak Percussion) [Performer] | Darmstädter Ferienkurse | 16.7.2018 | Darmstadt, Ferienkurse, Lichtenbergschule, große Sporthalle | 0 | |||||||||
| 21143 | Ulrike | Hoecker | REM_Phase | 1999 | audiovisuell | 7:30 | Stereo | Traum-Animation | TU Berlin | 1 | |||||||||
| 7177 | Robert | Hölderich | Sonar | 1990 | Zuspiel / Tonband, 1 perf | 5:58 | Stereo | p [Piano] | IEM Graz | 0 | |||||||||
| 7176 | Robert, W. | Hölderich, Hattinger | Ready made | 1988 | Theatermusik | 90:00 | Quadro | IEM Graz | 0 | ||||||||||
| 23538 | Michael | Hoeldke | Beatmung | 2002 | fixed media, akusmatisch | 5:12:00 | Stereo | mit B. G. Schmitt (fl). | ISPV 191 CD ProViva Flöte und Computer 2/ | PS | 1 | ||||||||
| 22380 | Michael | Hoeldke | Etüde für S-Bahn | 1992 | fixed media, akusmatisch | 1:45:00 | MIDI-Stück | TU Berlin | 1 | ||||||||||
| 28772 | Michael | Hoeldke | KlangZeitRaum, Das San Francisco Tape Music Center | 2012 | Rundfunk | 60:00:00 | Stereo | HR 2, SanFran Tape M. C. | 02.10.2012 | HR2, Cluster, Redaktion Stefan Fricke | 0 | ||||||||
| 24273 | Michael | Hoeldke | Musik für Musik | 2002 | fixed media, akusmatisch | 1:30:00 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 7178 | Michael | Hoeldke | Stilleben mit S-Bahn | 1990 | Klangkunst, Installation | n* 32:00 | Octo | Das Stück wurde für den damals neu erworbenen MIDI-Sampler Yamaha S1000 entwickelt und versteht sich als Loop für eine achtkanalige Klanginstallation für das Café-Foyer des TU-Hauptgebäudes vor dem alten TU-Studio. | TU Berlin | 1 | |||||||||
| 7179 | Michael | Hoeldke | Tetemm Tetemm | 1992 | fixed media, akusmatisch | 6:00:00 | Stereo | s-Bahn Stück; MIDI | AdK Berlin | 1 | |||||||||
| 32704 | Michael | Hoeldke | wandlungen unplump - intro | 2013 | fixed media, akusmatisch | 2:11 | Stereo | Michael Hoeldke ist Kurator für diese CD | DegeM CD 11 wandlungen unplump/ | PS C. | 1 | ||||||||
| 7180 | York | Höller | Antiphon, 1. Streichquaertett | 1977/1984 | Zuspiel / Tonband, 4 perf | ≈ 17 | Quadro | (elektronisch transformiertes) str-qt [Streicher] | WER 6515 DMR/ MO 782036/ | HfMT Köln | 1977 | Paris | Br&Hä | 1 | |||||
| 7181 | York | Höller | Arcus | 1978 | Zuspiel / Tonband, 17 perf | 19:28 | Quadro | 17 ins, (elektronisch transformierte Instrumente ≈ 4-Kanaltonband) [Instrument] | ERA 2292 45409/ IRCAM Les Années 90/ | IRCAM | 1978 | Paris | Br&Hä | 1 | |||||
| 34338 | York | Höller | Aura | 1992/1996 | live-elec, 1 perf, 1 group | 21 | large orc, synt (Yamaha SY77 oder SY99) [synthesizer, Orchester] | 1995 | Chicago | Bo&Ha | 0 | ||||||||
| 34336 | York | Höller | Chroma | 1972 - 1974 | live-elec, 1 perf, 1 group | 18 | large orc, (analoge Live-) elec [elektronik, Orchester] | 1978 | Berlin | Br&Hä | 0 | ||||||||
| 7182 | York | Höller | Décollage | 1972 | Zuspiel / Tonband, 4 perf, 1 group | 19:30 | 2 Sp-ch, e-gui, e-vc, e-org [Keyboard, Gitarre, Cello, Chor] | zurückgezogen | 1972 | Donaueschingen Festival | 0 | ||||||||
| 23080 | York | Höller | Der ewige Tag | 2000 | live-elec, 2 groups | 23 | mixed ch, large orc, (sam) [Chor, Orchester] | text by Ibn Scharaf, Georg Heym, Pavlo Neruda | AV 0019 Avie/ NEOS 11039/ | WDR SEM | WDR 2001 | 14.9.2001 | Köln | 2010 Grawemeyer Award for Music Composition | Bo&Ha | 0 | |||
| 40375 | York | Höller | Eine kleine Nachtmusik | 197# | fixed media, akusmatisch | unklare Produktionsdaten | WDR SEM | 0 | |||||||||||
| 34337 | York | Höller | Fanal, Signal | 1989/1997 | live-elec, 2 perf | 17 | tpt, smal orc, synt (Yamaha SY77) [Trompete, synthesizer, Orchester] | Largo Rec 5140/ | 1991 | Paris | Bo&Ha | 0 | |||||||
| 7183 | York | Höller | Horizont, Elektronische Musik in Form eines Essays über logarithmische Gefühle | 1972 | fixed media, akusmatisch | 10:40 | Quadro | Realisations- und Hörpartitur | WDR SEM | WDR 1972 | 6.6.1972 | "Musik der Zeit" Köln | Br&Hä (Realisations- und Hörpartitur) | 1 | |||||
| 7184 | York | Höller | Klanggitter | 1975/1976 | Zuspiel / Tonband, 3 perf | 25:52 | Stereo, Quadro | amp vc, synt (KBD EMS Synthi AKS) or vc, p and (analog) synt [Piano, Cello, synthesizer] | DMR Musik in Deutschland 1950 - 2000: Live-Elektronik/ BMG 74321 73563/ | HfMT Köln | 1977 | Witten | Br&Hä | 0 | |||||
| 7185 | York | Höller | Le Maitre et Marguerite, Der Meister und Margarita | 1984 - 1989 | Oper, live-elec, 25 perf, 2 groups | 160:00 | Quadro | orc, (large orc, 6-7 perc, small Jazz-combo bzw. amp vn, e-gui, e-b-gui, e-p), 2 synt (EMS Synthi AKS, Yamaha DX7, 4-channel-tape with sync-track), S, 4 Mez, 5 T, 3 Bar, b-Bar, 8 B, Sp, actors [Sopran, Mezzo, Tenor, Bariton, Bass, Sprecher, Schauspieler, synthesizer, Orchester] | Oper in 2 Akten nach dem gleichnamigen Roman von Michail Bulgakow Auch konzertante Szenenfolge siehe „Margaritas Traum“ |
IRCAM 0002 F, Creations IRCAM/ WWE 3CD 20059/ | IRCAM | 1989 | Paris | Bo&Ha | 1 | ||||
| 22944 | York | Höller | Magische Klanggestalt | 1984 | live-elec, 2 perf, 1 group | large orc with e-org, synt [Keyboard, synthesizer, Orchester] | 1986 | Hamburg | Br&Hä | 0 | |||||||||
| 34334 | York | Höller | Margaritas Traum, Vorspiel In der Wohnung Margaritas / Margaritas Flug Der große Satansball Schlussmonolog der Margarita |
1991 | Zuspiel / Tonband, 7 perf, 1 group | 23 | Quadro | S, large orc, 2 synt (Yamaha DX7, EMS Synthi AKS), e-vn, e-gui, e-b-gui, e-p [Sopran, Piano, Gitarre, Violine, synthesizer, Orchester] | after the Opera „Der Meister und Margarita“ after Michail Bulgakow. Sinfonische Suite |
IRCAM | 1991 | Graz | Bo&Ha | 0 | |||||
| 7186 | York | Höller | Mythos, Klanggedicht | 1979/1989/1995/2003 | Zuspiel / Tonband, 14 perf | 22:47 24:25 | Quadro | 13 ins, perc [Schlagzeug, Instrument] | Klanggedicht | WER 6515 DMR/ | WDR SEM | WDR 1981 | 22.3.1981 | "Musik der Zeit" Köln | Br&Hä | 1 | 1992 | ||
| 7187 | York | Höller | Penseés, Requiem für Klavier, gr. Orchester und Live-Elektronik (2. Klavierkonzert) |
1990/1993 | Zuspiel, live-elec, 8 perf, 1 group | ≈ 29:28 | Quadro, Octo | MIDI p, large orc, 5-6 perc, synt (Yamaha SY77 oder SY99 mit Expander und Software Synthworks, Macintosh-com mit Software Max) [Piano, Schlagzeug, synthesizer, Orchester] | Largo Rec 5140/ | WDR SEM | WDR 1993 | 1993 | Köln | Bo&Ha | 0 | ||||
| 34335 | York | Höller | Penseés II | 1992 - 1993 | Zuspiel, live-elec, 1 perf, 1 group | 29:20 | Quadro | p, large orc, (elec) [Piano, Orchester] | Zweites Konzert für Klavier, großes Orchester, digitale Live-Elektronik und Tonband | WDR SEM | WDR | 11.6.1993 | "Musik der Zeit" Köln | Bo&Ha | 0 | ||||
| 7188 | York | Höller | Résonance | 1981 | Zuspiel / Tonband, 1 group | 16:55 | Quadro | (small) orc [Orchester] | Computerklänge (quadrofones Tonband) | MP90 ORF 08/ HM 772 D/ | IRCAM | 1982 | Paris | Br&Hä | 1 | ||||
| 7189 | York | Höller | Schwarze Halbinseln | 1982 | Zuspiel / Tonband, 1 group | 21:55 | Quadro, Stereo | (large) orc [Orchester] | für Orchester, vokale und elektronische Klänge (Tonband) | DMR 1028-30/ | WDR SEM | WDR 1982 | 27.111982 | "Musik der Zeit" Köln | Br&Hä | 0 | |||
| 32171 | York | Höller | Spähren, 6 Klangbilder für großes Orchester | 2001 - 2006 | live-elec, 1 perf, 1 group | 39:22 | orc, elec (sam) [elektronik, Orchester] | Neos 11039/ | 2010 | Philharmonie Köln, WDR-Symphonieorc, Ltg. Bychcoff | Grawemayerpreis 2010 | 0 | |||||||
| 7190 | York | Höller | Tangens | 1974 | live-elec, 5 perf | 21 | vc, e-gui, e-org and p, 2 synt (EMS Synthi AKS) [Piano, Keyboard, Gitarre, Cello, synthesizer] | 1974 | Bonn | 0 | |||||||||
| 7191 | York | Höller | Traumspiel, Klanggedicht in 5 Teilen | 1983 | Zuspiel, live-elec, 2 perf, 1 group | 25:00 | Octo | S, (large) orc, synt (EMS Synthi AKS) [Sopran, synthesizer, Orchester] | after Strindberg | WER 6515 DMR/ | CERM Metz | Bo&Ha | 1 | ||||||
| 7192 | York | Höller | Umbra | 1980 | Zuspiel / Tonband, 1 group | 15:19 | Quadro | (large) orc [Orchester] | Koch 3-5037-3/ | HfMT Köln | 1980 | Saarbrücken | 0 | ||||||
| 34339 | York | Höller | Widerspiel, Più Mosso Largamente Energico |
1999 | live-elec, 4 perf, 1 group | 27 | 2 p, orc, 2 synt (synt Yamaha SY99) [Piano, synthesizer, Orchester] | Konzert für 2 Klaviere und Orchester (inkl. 2 Synthesizer) | 1995 | Chicago | Bo&Ha | 0 | |||||||
| 21963 | Bjørn Korsan | Hoemsnes | Chili Celesta (electr. part) | 2000 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 7193 | Margriet | Hoenderdos | Ballade op en ballustrade | 1984 | audiovisuell | Video by Frederike Jochems | Sweelinck | 0 | 1986 | ||||||||||
| 7194 | Margriet | Hoenderdos | Bande Amorce | 1983 | fixed media, akusmatisch | Sweelinck | 1 | 1985 | |||||||||||
| 7195 | Margriet | Hoenderdos | Bouw | 1981 | fixed media, akusmatisch | 11:00 | Stereo | Sweelinck | 0 | ||||||||||
| 37186 | Daniel | Höpfner | ret>>Chtip | 2017 | fixed media, akusmatisch | 5:00:00 | Spazialisation: (VBAP) | HfM Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 7196 | Herwart | Höpfner | Der Mann aus dem anderen Jahrtausend | 1965 | radiophon | Mono | RFZ Berlin | 0 | |||||||||||
| 7197 | Herwart | Höpfner | Skandal in Gody | 1964 | radiophon | 8:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 7198 | Herwart | Höpfner | Südöstlich des Mondes | 1963 | radiophon | 22:00 | Mono | Subharchord; Kinderhörspiel | Eterna 720205/ | RFZ Berlin | 0 | ||||||||
| 7199 | Herwart | Höpfner | Unser Drache Kasimir | 1966 | radiophon | Mono | RFZ Berlin | 0 | |||||||||||
| 26189 | Siegfried | Höpfner | Südlich des Mondes | 1963 | radiophon | 35:15 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 38571 | James | HOFF | Operation Olympic Games | 2014 | radiophon | 40:02:00 | 0 | ||||||||||||
| 39961 | Jullian | Hoff | Cameos of Light | 2015 | fixed media, akusmatisch | 5:54:00 | Julian Hoff | 0 | |||||||||||
| 34355 | Jullian | Hoff | Chants migratoires | 2012 | fixed media, akusmatisch | 10:10:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 5. prize | 0 | |||||||||
| 32002 | Jullian | Hoff | Scratch | 2011 | fixed media, akusmatisch | 12:06 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 3. prize | 1 | |||||||||
| 39421 | Jullian | Hoff | Verklärter Rohr – the transfigurated tube | 2017 | audiovisuell | b-cl [Klarinette] | 0 | ||||||||||||
| 37074 | Elizabeth | Hoffman | Allamuchy | 2001 - 2002, 2011 | fixed media, akusmatisch | 9:37:00 | Stereo | IMED 12115/ Neuma 450-105/ | PS C. | 1.11.2003 | Third Practice Electroacoustic Music Festival (3P03) at the University of Richmond (VA, USA) | 0 | |||||||
| 37073 | Elizabeth | Hoffman | d-ness | 2011 | fixed media, akusmatisch | 10:17:00 | Stereo | IMED 12115/ | PS C. | 0 | |||||||||
| 39755 | Elizabeth | Hoffman | Fastenings | 2016 | fixed media, akusmatisch | Elizabeth Hoffman | 0 | ||||||||||||
| 42501 | Elizabeth | Hoffman | Langanaich | 2008 | live-elec, 2 perf | w (Uilleann pipes), com [computer, Bläser] | Ivan Goff, Uilleann pipes | 0 | |||||||||||
| 37070 | Elizabeth | Hoffman | Resonants | 2010 - 2011 | fixed media, akusmatisch | 13:40:00 | Surround 7.1 | IMED 12115/ | PS C. | 15.4.2011 | Inner Soundscapes Festival at Pitman Recital Hall of the University of Oklahoma (Norman, OK, USA). | 0 | |||||||
| 37072 | Elizabeth | Hoffman | Songstressed | 2010 | fixed media, akusmatisch | 11:07:00 | Stereo | IMED 12115/ | PS C. | 16.1.2011 | New Ideas Music Series at Pianos (on Ludlow Street) in New York City (NY, USA) | 0 | |||||||
| 37075 | Elizabeth | Hoffman | Soundendipities | 2008 - 2011 | fixed media, akusmatisch | 9:28:00 | Stereo | IMED 12115/ | PS C. | 0 | |||||||||
| 43115 | Elizabeth | Hoffman | Tesserae | 1993 | fixed media, akusmatisch | Auszeichnung ars electronica 1995 | 0 | ||||||||||||
| 42619 | Elizabeth | Hoffman | through ripple glass | 2009 | live-elec, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 39754 | Elizabeth | Hoffman | Vanishing Points | 2017 | fixed media, akusmatisch | Elizabeth Hoffman | 0 | ||||||||||||
| 36623 | Elizabeth | Hoffman | Vim | 1995 | fixed media, akusmatisch | 12:06 | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | 0 | ||||||||||
| 37071 | Elizabeth | Hoffman | Water Spirits | 2007 - 2011 | fixed media, akusmatisch | 10:41:00 | Stereo | IMED 12115/ | PS C. | 0 | |||||||||
| 21800 | Elizabeth | Hoffmann | Alchemy | 1996 | fixed media, akusmatisch | excerpt 3 | Stereo | IMED 9837/ | 0 | ||||||||||
| 20298 | Elizabeth | Hoffmann | Numbers | 1998 | Zuspiel / Tonband, 1 perf | 11:50 | Stereo | Mez [Mezzo] | poem by James Labe | CMJ Vol 22-4, 1998/ | 1 | ||||||||
| 33407 | James, Robert | Hoffmann, Shallenberg | Three electronic studies | 1959 | fixed media, akusmatisch | 8 | Mono | EMS UIUC | 0 | ||||||||||
| 7200 | Niels Frédéric | Hoffmann | Das Corps de Ballett heute numeriert | 1968 | Tanz | 0 | |||||||||||||
| 37751 | Robin | Hoffmann | Maschinensingen, Dreimal Fulda Mit Ohne | 2009/2010 | radiophon | 6:08 | HR 2 | 0 | |||||||||||
| 37750 | Robin | Hoffmann | Schlundharfe | 2013/2014 | fixed media, akusmatisch | 30 | HR 2 | 08.03.2014 | hr2 kultur | 0 | |||||||||
| 37752 | Robin, Annesley | Hoffmann, Black | Dreimal Fulda Mit Ohne | 2009 | radiophon | 32 | HR 2 | hr2-kultur | 23.01.2010 | hr2-kultur | 0 | ||||||||
| 37753 | Robin, Mark Lorenz, Group | Hoffmann, Kysela, STROM | Strom - Ensemble der Autoren, Terminal H Terminal G Terminal F Terminal E Terminal D Terminal C Terminal B Terminal A |
2001 - 2005 | Performance, live-elec, | 140 | 0 | ||||||||||||
| 33706 | Carola von, David | Hoffmannstahl, Solomonoff | Banzai Noir | fixed media, akusmatisch | 2:25:00 | WN 00006/1991/ | 0 | ||||||||||||
| 7201 | Srdan | Hofman | Déja vu, Vec Videno | 1984/1985 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | cl [Klarinette] | 3 versions: tape alone; cl + tape; cl + st-orc + tape | Radio Beograd CD 431333, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | |||||||
| 37776 | Alex | Hofmann | Atmungsaktiv | 2007 | live-elec, 1 perf | Octo | a-sax, (elec) [Saxophon] | Incontri HMTM Hannover | 20.11.2007 | HMTMH Hannover | 0 | ||||||||
| 32491 | Alex | Hofmann | Burn Out | 2006 | live-elec, 1 perf | 10 | Stereo | sax, (elec) [Saxophon] | Incontri HMTM Hannover | 24.1.2007 23.6.2007 |
Kestnergesellschaft Hannover ZKM, Karlsruhe |
0 | |||||||
| 32498 | Alex | Hofmann | DEGEM Webradio-Portrait des elektronischen Studios | 2007 | radiophon | Incontri HMTM Hannover | 0 | ||||||||||||
| 37777 | Alex | Hofmann | Glocker | 2007 | live-elec, 1 perf | Stereo | s-sax, (elec) [Saxophon] | Incontri HMTM Hannover | 20.11.2007 | HMTMH Hannover | 0 | ||||||||
| 37778 | Alex | Hofmann | Isolation im Kollektiv | 2007 | Klangkunst, Installation | Octo | Incontri HMTM Hannover | 5.-7.10.2007 | zeit.punkt festival (hgnm), Hannover | 0 | |||||||||
| 37775 | Alex | Hofmann | Studie zur Verteilung vergangener Improvisationen im Raum | 2007 | live-elec, 1 perf | Octo | a-sax, (elec) [Saxophon] | 3 parts | Incontri HMTM Hannover | 20.11.2007 | HMTMH Hannover | 0 | |||||||
| 42059 | Alex | Hofmann | tight-interlocked oscillators | 2018 | fixed media, akusmatisch | 7:36 | degem CD 16/ | 1 | |||||||||||
| 32553 | Alex | Hofmann | Vebraufte Kusik | 2010 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 26.11.2010 | Altes Forsthaus Habichtshorst, Winsen | 0 | |||||||||
| 32486 | Alex, Kostia | Hofmann, Rapoport | 15:30 oder: Wer möchte für Studiengebühren schon seine Tennisclubmitgliedschaft kündigen müssen? | 2005 | live-elec, 2 perf | 16 | Stereo | 2 perf, (elec) [Performer] | Tennis und Live-Elektronik | Incontri HMTM Hannover | 11.6.2005 | ZKM, Karlsruhe | 0 | ||||||
| 37774 | Alex, Kostia | Hofmann, Rapoport | Zeitverschwendung | 2006 | fixed media, akusmatisch | Klangkunst, Installation |
Stereo | Tennis und Live-Elektronik | Incontri HMTM Hannover | 3.-5.11.2006 | Radialsystem V, Berlin | 0 | ||||||||
| 25738 | Jan Jacob | Hofmann | Building & Something | 2001 | fixed media, akusmatisch | Klangkunst, Installation |
10:02 | 16 Tracks, Spazialisation: Ambisonics | Aufführungen bis 2011 in 2.Ordnung, ab 2012 in 3. Ordnung Ambisonic. | PS C. | 23.06.2001 | 0 | http://www.sonicarchitecture.de | |||||||
| 33817 | Jan Jacob | Hofmann | Coloured Dots And The Voids In Between | 2014 | fixed media, akusmatisch | 8:05 | 16 Tracks, Spazialisation: Ambisonics | DegeM CD 15/ | PS C. | 07.08.2014 | DEGEM Konzert im Rahmen der 47. Darmstädter Internationalen Ferienkurse für Neue Musik | 0 | |||||||
| 25811 | Jan Jacob | Hofmann | Condensations | 2001 | fixed media, akusmatisch | Klangkunst, Installation |
8:45 | 16 Tracks, Spazialisation: Ambisonics | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart. Aufführungen bis 2011 in 2.Ordnung, ab 2011 in 3. Ordnung Ambisonic. | PS C. | 23.06.2001 | 1 | http://www.sonicarchitecture.de | |||||||
| 25747 | Jan Jacob | Hofmann | Dig | 2006 | audiovisuell | 6:55 | 9 tracks, Spazialisation: Ambisonics | »Dig« ist eine Vertonung des gleichnamigen Filmes des australischen Videokünstlers Dominic Redfern mit räumlicher elektronischer Musik. | PS C. | Elke Moltrecht / Interface-Festival 2006, Berlin | 22.09.2006 | 0 | http://www.sonicarchitecture.de | ||||||
| 25745 | Jan Jacob | Hofmann | Horizontal and Vertical Lines | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
7:55 | 16 Tracks, Spazialisation: Ambisonics | Aufführungen bis 2011 in 2.Ordnung, ab 2011 in 3. Ordnung Ambisonic. | PS C. | Das Stück wurde als Beitrag zu „Musica e Scienza“ 2005 im Auftrag des CRM, Rom, komponiert. | 23.05.2005 | 0 | http://www.sonicarchitecture.de | ||||||
| 25750 | Jan Jacob | Hofmann | Hrafntinnusker | 2011 | audiovisuell | 5:20 | 16 Tracks, Spazialisation: Ambisonics | DegeM CD 10 Replace/ | PS C. | 16.10.2011 | 1 | http://www.sonicarchitecture.de | |||||||
| 25737 | Jan Jacob | Hofmann | Inside Inbetween Itself | 2001 | fixed media, akusmatisch | Klangkunst, Installation |
13:10 | 16 Tracks, Spazialisation: Ambisonics | PS C. | 23.06.2001 | 0 | http://www.sonicarchitecture.de | ||||||||
| 25743 | Jan Jacob | Hofmann | Metal Clouds | 2001 | fixed media, akusmatisch | Klangkunst, Installation |
15:40 | 16 Tracks, Spazialisation: Ambisonics | Aufführungen bis 2011 in 2.Ordnung, ab 2012 in 3. Ordnung Ambisonic. | PS C. | 0 | http://www.sonicarchitecture.de | ||||||||
| 25744 | Jan Jacob | Hofmann | Oscillating Fields | 2002 | fixed media, akusmatisch | Klangkunst, Installation |
11:20 | 9 tracks, Spazialisation: Ambisonics | PS C. | 14.04.2002 | 0 | http://www.sonicarchitecture.de | ||||||||
| 25746 | Jan Jacob | Hofmann | Response | 2006 | fixed media, akusmatisch | Klangkunst, Installation |
7:47 | 9 tracks, Spazialisation: Ambisonics | PS C. | Elke Moltrecht / Interface-Festival 2006, Berlin | 22.09.2006 | 0 | http://www.sonicarchitecture.de | |||||||
| 25748 | Jan Jacob | Hofmann | Tendenzen | 2007 | audiovisuell | 5:13 | 9 tracks, Spazialisation: Ambisonics | PS C. | 16.05.2007 | 0 | http://www.sonicarchitecture.de | ||||||||
| 25736 | Jan Jacob | Hofmann | Tensile Elements | 2000 | fixed media, akusmatisch | Klangkunst, Installation |
9:30 | 16 Tracks, Spazialisation: Ambisonics | Aufführungen bis 2011 in 2.Ordnung, ab 2011 in 3. Ordnung Ambisonic. | PS C. | 23.06.2001 | 0 | http://www.sonicarchitecture.de | |||||||
| 25749 | Jan Jacob | Hofmann | Zeitformation | 2011 | audiovisuell | 6:32 | 16 Tracks, Spazialisation: Ambisonics | PS C. | 13.04.2011 | 0 | http://www.sonicarchitecture.de | ||||||||
| 33783 | Jan Jacob, Roman | Hofmann, Rofalski | Nd2Fe14B | 2013 | fixed media, akusmatisch | 4:08 | Stereo | DegeM CD 12 Seltene Erden/ | PS C. | 1 | |||||||||
| 31526 | Leo | Hofmann | A. wie Albertine | 2012 | Performance, live-elec, 1 perf | 8:00 | V [Stimme] | musikalische Choreografie für Live-Elektronik, Stimme und Gesten, Text by Marcel Proust. next_generation 5.0 |
HKB Bern | 0 | |||||||||
| 36723 | Leo | Hofmann | Muschelrauschen | 2011 | Klangkunst, Installation | loop 7 | Spazialisation: headphone | 0 | |||||||||||
| 36729 | Leo | Hofmann | The Reply | 2016 | audiovisuell, live-elec, 1 perf | perf [Performer] | 0 | ||||||||||||
| 31530 | Yannick | Hofmann | Radio Active | 2013 | radiophon | 5:00 | Quadro | (4 radios) [] | next_generation 5.0 | H Darmstadt | 26.6.2013 | ZKM | 0 | ||||||
| 7204 | Bennett | Hogg | Give me your hand | 1991 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | b-cl [Klarinette] | UEA Norwich | 0 | |||||||||
| 7202 | Bennett | Hogg | The Savage Curtain | 1993 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | str (kayagum) [Streicher] | UEA Norwich | 0 | |||||||||
| 7203 | Bennett | Hogg | Trees Dancing | 1993 | Zuspiel / Tonband, 3 perf | 10:00 | Stereo | 3 vn [Violine] | UEA Norwich | 0 | |||||||||
| 7205 | Bennett | Hogg | You are asleep | 1990 | fixed media, akusmatisch | 8:00 | Stereo | UEA Norwich | 0 | ||||||||||
| 7206 | Wolfgang | Hohensee | Arabische Nächte | 1966 | Fernsehen, | 12:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 7207 | Wolfgang | Hohensee | Concertino | 1965 | Zuspiel, live-elec, 1 perf, 1 group | 10:20 | Mono | Subharchord, strs [synthesizer, Streicher] | Subharchord | RFZ Berlin | 0 | ||||||||
| 7208 | Wolfgang | Hohensee | Die Spur führt in den 7. Himmel | 1963 | Fernsehen, | 28:00 | Mono | Krimi | Eterna 720205/ | RFZ Berlin | 0 | ||||||||
| 7209 | Wolfgang | Hohensee | Drei elektronische Musiktitel | 1964 | fixed media, akusmatisch | 12:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 7210 | Wolfgang | Hohensee | Eisschale | 1965 | Film | 20:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 7211 | Wolfgang | Hohensee | Heilung und Patentlösung | 1965 | Film | 7:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 7212 | Wolfgang | Hohensee | Klangstrukturen | 1965 | Hintergrundmusik | 10:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 7213 | Wolfgang | Hohensee | Variationen | 1965 | fixed media, akusmatisch | 6:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 7214 | Ton | Hokken | Bevrijding '70 | 1970 | Theatermusik | 13:25 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 42502 | Geof | Holbrook | Wooden Stars | 2006 | live-elec, 1 perf | perc [Schlagzeug] | Frederick Trumpy, percussion | 0 | |||||||||||
| 39516 | Ulf A. S. | Holbrook | Droplets | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 38572 | Lars | HOLDHUS | 3d54c6a8f036adeb8bc7108f3d54c6a8f036adeb, Übersetzung und Erforschung vokaler Fähigkeiten | 2015 | radiophon | 49:14:00 | 0 | ||||||||||||
| 7215 | Anthony | Holland | Die Heiligenstadt - Testament | 1989 | live-elec, 1 perf | Bar [Bariton] | CCRMA | 0 | |||||||||||
| 7216 | Anthony | Holland | Suite | 1986 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 7217 | Brent | Holland | Contact! | 1989 | fixed media, akusmatisch | 9:23 | Stereo | Concordia Montréal | 0 | ||||||||||
| 7218 | Brent | Holland | L'homme de la nuit | 1988 | fixed media, akusmatisch | 3:48 | Stereo | Concordia Montréal | 0 | ||||||||||
| 7219 | Brent | Holland | Soldier of Fortune | 1987 | fixed media, akusmatisch | 5:50 | Stereo | Concordia Montréal | 0 | ||||||||||
| 7220 | Brent | Holland | The End of the Wharf | 1987 | fixed media, akusmatisch | 14:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 7221 | Brent | Holland | Things That Go Bump in the Night | 1989 | fixed media, akusmatisch | 3:20 | Stereo | Concordia Montréal | 0 | ||||||||||
| 7222 | Brent | Holland | Water Cycles | 1987 | fixed media, akusmatisch | 9:57 | Stereo | Concordia Montréal | 0 | ||||||||||
| 7223 | Giles | Holland | > no title < | 1990 | fixed media, akusmatisch | 8:00 | Stereo | Uni Southampton | 0 | ||||||||||
| 7224 | Jean | Holleville | 9600 Bauds | 1982 | Film | GAIV Paris | 0 | ||||||||||||
| 7225 | Jean | Holleville | Corolles | 1979 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 7226 | Jean | Holleville | Diffluence | 1979 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 7227 | Jean | Holleville | SRFREQ | 1979 | live-elec, | GAIV Paris | 0 | ||||||||||||
| 7228 | Heinz | Holliger | Cardiophonie | 1971 | live-elec, 1 perf | 11:40 | ob and trbn [Oboe, Posaune] | HSM Basel | 1 | 1991 | http://www.esbasel.ch/ | ||||||||
| 7229 | Heinz | Holliger | Der ferne Klang | 1983/1984 | Zuspiel / Tonband, 1 group | 7:00 | orc [Orchester] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 7230 | Heinz | Holliger | Fünf Stücke für Orgel und Tonband, Janus Perpetuum Mobile I Spiegel - Kreuz Perpetuum Mobile II Choral - Nachspiel |
1980 | Zuspiel / Tonband, 1 perf | 22 | Stereo | org [Orgel] | MGB CTS-M 105/ | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||
| 7231 | Heinz | Holliger | Gesänge der Frühe | 1987 | Zuspiel / Tonband, 2 groups | 28:00 | ch, orc [Chor, Orchester] | HSM Basel | WDR 1988 | 0 | http://www.esbasel.ch/ | ||||||||
| 7232 | Heinz | Holliger | Introitus | 1986 | fixed media, akusmatisch | 8:29 | Stereo | Jecklin 617/ | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 7233 | Heinz | Holliger | Not I | 1978/1980 | Zuspiel / Tonband, 1 perf | 40:00 | S [Sopran] | IRCAM, HSM Basel | 0 | ||||||||||
| 7234 | Heinz | Holliger | Scardanelli Zyklus : Zuspielband zu " ad marginem " | 1978/1985 | Zuspiel / Tonband, | Stereo | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 7235 | Heinz | Holliger | Turmmusik | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 25:00 | fl, orc [Flöte, Orchester] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 32349 | Klaus | Hollinetz | Abschied | 2001 | live-elec, 2 perf | 5:00:00 | V, db [Stimme, Kontrabass] | für Elektronik, Singstimme und improvisierenden Kontrabass | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32355 | Klaus | Hollinetz | Area | 1999 | fixed media, akusmatisch | 30:20 | aus dem Projekt "Territories" | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 7236 | Klaus | Hollinetz | Awake | 1986 | fixed media, akusmatisch | 16:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 32347 | Klaus | Hollinetz | Carillion | 2001 | fixed media, akusmatisch | 23:30:00 | 12 Tracks | für zwölf Lautsprecherkanäle | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32363 | Klaus | Hollinetz | Claim | 1995 | audiovisuell | 17:00:00 | Musik für das gleichnamige Video von Betty Spackman und Anja Westerfroelke | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 7237 | Klaus | Hollinetz | Diffraktion | 1991 | fixed media, akusmatisch | 10:20 | Stereo | IGNM OO CD 003/ | ELAK Wien | 0 | |||||||||
| 32357 | Klaus | Hollinetz | Distant Horns | 1997 | fixed media, akusmatisch | 13:30:00 | aus dem Tonga Projekt | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32333 | Klaus | Hollinetz | echoe.S | 2004 | fixed media, akusmatisch | Klangkunst, Installation |
Stereo + Stereo | Klanginstallation für zwei Stereosysteme | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 7238 | Klaus | Hollinetz | Ekloge 1 u. 2 | 1993 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 32337 | Klaus | Hollinetz | Elea | 2003 | fixed media, akusmatisch | 14:30:00 | 10 Tracks | für zehn Lautsprecher | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32361 | Klaus | Hollinetz | Flammenzungen | 1996 | fixed media, akusmatisch | 86:00:00 | 16 Tracks | Mehrteilige Komposition für 16 Kanäle | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32351 | Klaus | Hollinetz | Free Saggittarius | 1999 | fixed media, akusmatisch | 7:00:00 | Zwei Paraphrasen auf den "Freischütz" von C.M. v. Weber | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32342 | Klaus | Hollinetz | Fundstücke | 2002 | live-elec, 1 perf | 15:00:00 | 12 Tracks | fl [Flöte] | für Flöte und zwölf Lautsprecher | 0 | http://db.musicaustria.at/node/56212 | ||||||||
| 32339 | Klaus | Hollinetz | Gegenseiten | 2003 | Musiktheater | fixed media, akusmatisch |
1:10:00 | 10 Tracks | Theatermusik für zehn Lautsprecher | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32334 | Klaus | Hollinetz | Helix | 2004 | fixed media, akusmatisch | Quadro | für vier Lautsprecher | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32332 | Klaus | Hollinetz | Hickup | 2004 | fixed media, akusmatisch | Klangkunst, Installation |
6 | Klanginstallation für sechs Lautsprecher nach einem Text von und mit Christian Loidl | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32348 | Klaus | Hollinetz | Iconoclast | 2001 | Klangkunst, Installation | 6 | Installation für sechs Lautsprecher | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32335 | Klaus | Hollinetz | Iniji | 2004 | fixed media, akusmatisch | 21:00:00 | 24 Tracks | für 24 Lautsprecher nach einem Text von Henri Michaux | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32329 | Klaus | Hollinetz | Innere Hebriden I | 2005 | fixed media, akusmatisch | 86:00:00 | Quadro | Teil I für vier Lautsprecher aus dem Projekt "Territories" | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32364 | Klaus | Hollinetz | Kontinuum | 1995 | fixed media, akusmatisch | 13:30:00 | Quadro | Komposition für vier Kanäle | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 7240 | Klaus | Hollinetz | La Cuccagna nuova | 1992 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 32358 | Klaus | Hollinetz | Little Stories | 1997 | Klangkunst, Installation | 72:00:00 | Klanginstallation für die Installation "Reading Room" von Betty Spackman und Anja Westerfrölke | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32359 | Klaus | Hollinetz | Little Stories | 1997 | Klangkunst, Installation | 36:00:00 | Klanginstallation für die Installation "reading Room" Zusatzversion (deutsch) | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32331 | Klaus | Hollinetz | Lost world found | 2005 | fixed media, akusmatisch | 0 | http://db.musicaustria.at/node/56212 | ||||||||||||
| 32343 | Klaus | Hollinetz | Lowlands 1 | 2002 | live-elec, 1 perf | 17:00:00 | 12 Tracks | amp b-fl [Flöte] | für verstärkte Bassflöte und zwölf Lautsprecher aus dem Projekt "Territories" | 0 | http://db.musicaustria.at/node/56212 | ||||||||
| 32344 | Klaus | Hollinetz | Lowlands 2 | 2002 | fixed media, akusmatisch | 26:30:00 | 12 Tracks | für zwölf Lautsprecher aus dem Projekt "Territories" | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32336 | Klaus | Hollinetz | Mbirations | 2004 | live-elec, | 0 | http://www.servus.at/pntgm/mbirations.htm | ||||||||||||
| 32340 | Klaus | Hollinetz | Memorial | 2003 | fixed media, akusmatisch | 34:00:00 | Remix/Komposition mit Klangmaterial von Dieter Feichtner | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 7239 | Klaus | Hollinetz | Moravagine | 1987 | fixed media, akusmatisch | 13:24 | Stereo | IGNM OO CD 003/ | ELAK Wien | 0 | |||||||||
| 32338 | Klaus | Hollinetz | Muse 1, Muse 2 | 2003 | fixed media, akusmatisch | 11:40:00 | Octo | für acht Lautsprecher | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32352 | Klaus | Hollinetz | Northern Territories | 1999 | live-elec, | var | 12 Tracks | Komposition für zwölf Kanäle und variabler Zeitgestaltung aus dem Projekt "Territories" | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 7241 | Klaus | Hollinetz | Purgatorium | 1990 | fixed media, akusmatisch | 7:30 | Stereo | 0 | |||||||||||
| 32345 | Klaus | Hollinetz | Secret gestures - | 2002 | fixed media, akusmatisch | Klangkunst, Installation |
≈ 40 | Quadro, 6 | Klanginstallation für vier (sechs) Lautsprecher | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 7242 | Klaus | Hollinetz | Seskara | 1994 | fixed media, akusmatisch | 22:35 | Ariadne GE 07/ | Offenes Kulturhaus Linz | 1 | ||||||||||
| 32330 | Klaus | Hollinetz | Sound Fishing I | 2005 | live-elec, 1 perf | multichannel | p [Piano] | für erweitertes Klavier und Elektronik - für eine variable Anzahl von Lautsprechern | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32353 | Klaus | Hollinetz | Southern Territories | 1999 | live-elec, | var | 12 Tracks | Komposition für zwölf Kanäle und variabler Zeitgestaltung aus dem Projekt "Territories" | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 7243 | Klaus | Hollinetz | Tenebrae | 1993 | fixed media, akusmatisch | 13 | 0 | ||||||||||||
| 32356 | Klaus | Hollinetz | The Monolith | 1997 | fixed media, akusmatisch | 9:00:00 | 0 | http://db.musicaustria.at/node/56212 | |||||||||||
| 7244 | Klaus | Hollinetz | To and Fro | 1989 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 32354 | Klaus | Hollinetz | Vier Miniaturen zu "Gödel geht" | 1999 | fixed media, akusmatisch | 14:00:00 | Kompositionen/Klangminiaturen zur gleichnamigen Erzählung von Andreas Findig | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32346 | Klaus | Hollinetz | visitors | 2002 | Klangkunst, Installation | Stereo + Stereo + Stereo | Klanginstallation für drei kleine Stereosysteme | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32362 | Klaus | Hollinetz | Wiegenlied | 1995 | fixed media, akusmatisch | 11:00:00 | aus dem "Schlafradio-Projekt" | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32341 | Klaus, Cordula | Hollinetz, Bösze | Vissage / Vissage continue | 2003 - 2004 | live-elec, 1 perf | Spazialisation: var 6 - 28 | fl [Flöte] | in Zusammenarbeit mit Cordula Bösze für Flöte und Elektronik, 6-28 Lautsprecher (Versionen) | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 32360 | Klaus, Keith | Hollinetz, Goddard | Wounded Earth | 1997 - 1998 | Klangkunst, Installation | 12 Tracks | Zwölfkanälige Klanginstallation ( Mit Keith Goddard) aus dem Projekt "Wounded Earth - And they greet us with guns" | 0 | http://db.musicaustria.at/node/56212 | ||||||||||
| 32350 | Klaus, Wolfgang | Hollinetz, Tschapeller | Walking mind | 2000 | fixed media, akusmatisch | Klangkunst, Installation |
134:29 | 10 Tracks | zehnkanalige Klanginstallation zur Lautsprecherskulptur "Das Gehirn liegt an der Fussunterseite", zusammen mit Wolfgang Tschapeller | 0 | http://db.musicaustria.at/node/56212 | |||||||||
| 7245 | Kristin | Holm | Nattergalen og rosen, op. 9 | 1990 | Zuspiel/Tonband, 3 perf | intermedia |
20:30 | V, vc, p, slides [Stimme, Piano, Cello] | NOTAM | 0 | ||||||||||
| 7246 | Kristin | Holm | Zeitgeist | 1989 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 23967 | Ernesto | Holman | OIREB-A | fixed media, akusmatisch | 5:51 | 0 | |||||||||||||
| 23968 | Ernesto | Holman | Suite 4 caminos (Poema muerto, Alicia, Cánon, Madagascar [burlesca]) | 1997 | fixed media, akusmatisch | 1997. VI Festival de Música Contemporánea Chilena. Santiago, Chile. | 0 | ||||||||||||
| 7247 | Gunnar, Risto | Holmberg, Holopainen | Sinus optimal : Humoreque electronique | 1992 | fixed media, akusmatisch | 5:00 | Rune Lindblad | 0 | |||||||||||
| 24670 | Anne | Holmes | Woos on Wood on Water | 1978 | fixed media, akusmatisch | 8:50 | CSR 0501/ | SFU | 0 | ||||||||||
| 39701 | Daniel | Holmes | a quiet walk in a siren park | 2016 | fixed media, akusmatisch | Daniel Holmes | 0 | ||||||||||||
| 39975 | Katherine | Holmes | Heaven and Earth | 2016 | fixed media, akusmatisch | Katherine Holmes | 0 | ||||||||||||
| 7248 | Zaid | Holmin | Computer Lotus, Datorlotus | 1971 | fixed media, akusmatisch | 4:19 | Stereo, Quadro | CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 0 | |||||||||
| 7249 | Zaid | Holmin | Genesis etc. | 1965 | fixed media, akusmatisch | 11:27 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7250 | Zaid | Holmin | Golden Section, Gyllene snittet | 1975 | fixed media, akusmatisch | 6:36 | Quadro | EMS Stockholm | 0 | ||||||||||
| 7251 | Zaid | Holmin | Progress | 1974 | fixed media, akusmatisch | 7:02 | Quadro | EMS Stockholm | 0 | ||||||||||
| 7252 | Per-Axel | Holmström | Anna-Lisa musik | 1984 | fixed media, akusmatisch | 9:11 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7253 | Per-Axel | Holmström | Blinka Audiochild | 1984 | fixed media, akusmatisch | 10:00 | 0 | ||||||||||||
| 7254 | Per-Axel | Holmström | En gyllene tidig morgon, a golden early morning | 1993 | Musiktheater | 26:00 | Stereo | Text: M. Andersson | EMS Stockholm | 1 | |||||||||
| 7256 | Per-Axel | Holmström | Eufoni, Höstnatt | 1980 | Musiktheater | 15:00 | Stereo | Text: Gunnar Ekelöf | EMS Stockholm | 0 | |||||||||
| 7257 | Per-Axel | Holmström | Grumlad klarhet | 1988 | fixed media, akusmatisch | 15:25 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7258 | Per-Axel | Holmström | Haleluja la Donna | 1984 | fixed media, akusmatisch | 10:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7259 | Per-Axel | Holmström | IMPAC - study | 1987 | fixed media, akusmatisch | 15:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7260 | Per-Axel | Holmström | Jag skriver till dig… | 1983 | fixed media, akusmatisch | 8:50 | Text: Gunnar Ekelöf. | 0 | |||||||||||
| 7261 | Per-Axel | Holmström | Kor | 1992 | fixed media, akusmatisch | 17:20 | Stereo | CHANT- software | EMS Stockholm | 0 | |||||||||
| 7262 | Per-Axel | Holmström | Levande vatten | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 7263 | Per-Axel | Holmström | Livets skepp (the ship of life) | 1983 | Musiktheater | 8:00 | Stereo | Text: Pär Lagerkvist.; Transl.: Frederic Fleischer | EMS Stockholm | 0 | |||||||||
| 7264 | Per-Axel | Holmström | Om kriget kommer | 1977 | fixed media, akusmatisch | Text: Reidar Ekner | 0 | ||||||||||||
| 7265 | Per-Axel | Holmström | Perpetuum mobile, Fagerölunken | 1980 | Musiktheater | 13:30 | Stereo | Text: Gunnar Ekelöf | EMS Stockholm | 0 | |||||||||
| 7266 | Per-Axel | Holmström | Psaltaren | 1989 | fixed media, akusmatisch | 13:00 | Stereo | text : Allan Åkerlund | EMS Stockholm | 0 | |||||||||
| 7267 | Per-Axel | Holmström | Röster från gångna tider | 1984 | fixed media, akusmatisch | 11:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7268 | Per-Axel | Holmström | Sine nomine | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 7269 | Per-Axel | Holmström | Summering | 1984 | fixed media, akusmatisch | 18:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7270 | Per-Axel | Holmström | Trefält trevande gryning | 1988 | fixed media, akusmatisch | 38:40 | Stereo | IMPAC | EMS Stockholm | 0 | |||||||||
| 7271 | Per-Axel | Holmström | Trefaldig förflackning | 1988 | fixed media, akusmatisch | 16:30 | Stereo | PDP-15 - Impac software | EMS Stockholm | 0 | |||||||||
| 7272 | Per-Axel | Holmström | Twinkle frere | 1983 | fixed media, akusmatisch | 10:00 | 0 | ||||||||||||
| 7273 | Per-Axel | Holmström | Ur höga visan | 1984 | fixed media, akusmatisch | 16:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7274 | Risto | Holopainen | Fläkt | 1991 | fixed media, akusmatisch | 13:00 | 0 | ||||||||||||
| 23096 | Risto | Holopainen | Highlights from Prosit | fixed media, akusmatisch | 4:49 | Klang eines Korkens | ACD 5018 Aurora/ | NOTAM | 1 | ||||||||||
| 21964 | Risto | Holopainen | Variasjonar over ei stille | 1997 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 24976 | Rachel | Holstead | Enchant | 2003 | fixed media, akusmatisch | 5:28 | CMC CD 04 Contemporary Music from Ireland Vol 4/ | SARC Belfast | 1 | ||||||||||
| 24300 | Rachel | Holstead | Rain between the showers | 2001 | fixed media, akusmatisch | 6:58 | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | ||||||||||
| 7275 | Simeon ten | Holt | 6 Aforismen, B6 (Random) B7 (Privacy) A1 (Jungle) C1 (Decay) C2 (Pan) B5 (Obsession) |
1972 | fixed media, akusmatisch | 38:30 | Quadro | VCS 3 | Sonology Utrecht | 0 | |||||||||
| 7276 | Simeon ten | Holt | Composition 42 / 75 | 1975 | fixed media, akusmatisch | 15:50 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 7277 | Simeon ten | Holt | I am Sylvia "but somebody else" | 1973 | fixed media, akusmatisch | 15:30 | Quadro | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Sonology Utrecht | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 7278 | Simeon ten | Holt | Inferno I | 1970 | fixed media, akusmatisch | 18:45 | Quadro | text: "Labyrint" uit cyclus "Kockyn" van H.C. ten Berge | Sonology Utrecht | 0 | |||||||||
| 34517 | Simeon ten | Holt | Inferno II | 1971 | fixed media, akusmatisch | 20:30 | Quadro | Text: DE LOF DER ONAANGEPASTHEID (the eulogy of non-adjustment) op teksten uit het gelijknamige boek Dr. H.Ph. Milikowski | Sonology Utrecht | 0 | |||||||||
| 7279 | Simeon ten | Holt | Koorprojekt 75 | 1975 | live-elec, 1 group | 15:00 | ch [Chor] | 0 | |||||||||||
| 7280 | Simeon ten | Holt | Module I | 1971 | fixed media, akusmatisch | 9:23 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 7281 | Simeon ten | Holt | Module II | 1971 | fixed media, akusmatisch | 11:50 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 7282 | Simeon ten | Holt | Module III | 1971 | fixed media, akusmatisch | 10:05 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 7283 | Simeon ten | Holt | Module IV | 1971 | fixed media, akusmatisch | 9:15 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 7284 | Simeon ten | Holt | Sevenplay | 1970 | Hintergrundmusik | 7:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 39341 | Colin | Holter | Suburb | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 22479 | Andrea | Holtslander | Steam, Billow | 2000 | fixed media, akusmatisch | 7:45 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | 1 | |||||||||
| 36794 | Steven R. | Holtzman | 4:29 ; 1:58 | 1976 | fixed media, akusmatisch | 6:30:00 | Sonology Den Haag | 0 | |||||||||||
| 7285 | Steven R. | Holtzman | After Artaud | 1978 | fixed media, akusmatisch | 11:07 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 36795 | Steven R. | Holtzman | Mobile | 1975 | fixed media, akusmatisch | 3:00:00 | PS | 0 | |||||||||||
| 31353 | Alfred | Holzhausen | Über der Höhe von Rochwitz | 1998 | fixed media, akusmatisch | 6:16:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 26208 | Georg | Holzmann | das elektronische einhorn | 2006 | Performance, live-elec, | 0 | http://grh.mur.at | ||||||||||||
| 7286 | Jacob Draminsky | Hømark | Dream Jingle | 1990 | fixed media, akusmatisch | 45:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 7287 | Anna, Steve | Homler, Moshier | Sirens | 1989 | Performance, live-elec, 2 perf | 7:00 | V, synt [Stimme, synthesizer] | AER 1991 / 4/ | 1 | ||||||||||
| 41402 | Ezekiel | Honig | Past Tense Kitchen Movement | fixed media, akusmatisch | Soundcloud | 0 | https://www.ckcufm.com/ | ||||||||||||
| 7288 | Henkjan | Honing | Parti di Camera | 1984 | Performance | 5:00 | Quadro | CCRMA | 0 | ||||||||||
| 7289 | Antero | Honkanen | A Japanese Cherry Tree | 1970 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 7290 | Antero | Honkanen | Aniara | 1975 | radiophon | Yleisradio | 0 | ||||||||||||
| 7292 | Antero | Honkanen | Born Free | 1974 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 7293 | Antero | Honkanen | Herääminen, Awaking | 1973 | fixed media, akusmatisch | 5:45 | (Awakening) | FENO 5/ | Yleisradio | 1 | |||||||||
| 7294 | Antero | Honkanen | LSD | 1971 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 7295 | Antero | Honkanen | Midnight | 1973 | fixed media, akusmatisch | SCAN, SLP 608/ | Yleisradio | 0 | |||||||||||
| 7296 | Antero | Honkanen | Monastery in a Snowfall | 1979 | Yleisradio | 0 | |||||||||||||
| 7297 | Antero | Honkanen | Mutatio | 1969 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 7298 | Antero | Honkanen | Nightmares | 1973 | fixed media, akusmatisch | SCAN, SLP 608/ | Yleisradio | 0 | |||||||||||
| 7299 | Antero | Honkanen | Romeo and Juliet | 1971 | Fernsehen, | Yleisradio | 0 | ||||||||||||
| 7300 | Antero | Honkanen | Tapporaha | 1978 | Yleisradio | 0 | |||||||||||||
| 7301 | Antero | Honkanen | The Milky Way | 1969 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 39763 | Eric | Honour | Handcrafted Ale | 2015 | fixed media, akusmatisch | 7:04:00 | Eric Honour | 0 | |||||||||||
| 42503 | Robert | Honstein | Fantasy Triptych | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 40110 | Michael | Hood | Drones, Wood & Steel | 2017 | audiovisuell | Michael Hood | 0 | ||||||||||||
| 39455 | Michael R. | Hood | Meeces in the Wires | 2017 | live-elec, | 0 | |||||||||||||
| 36796 | Wikke ’t | Hooft | Twee komposities voor elektro-akoestiesche snareninstallatie, a. 1 en 1 b. 2 en 2 |
1989 | fixed media, akusmatisch | 16:00:00 | Sonology Den Haag | 0 | |||||||||||
| 28020 | Jack | Hooker | Field Murmer | 2010 | fixed media, akusmatisch | 5:44 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 winner 2. prize australasian | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 34615 | Cat | Hope | Pure | 2014 | live-elec, 1 group | ens [Ensemble] | SMC2016 | ViCC Visby | 1.9.2016 | HAW Uni Hamburg, RADAR ensemble | 0 | ||||||||
| 42620 | Christopher | Hopkins | The Animus Winds | 2009 | live-elec, 1 perf | 8 | fl [Flöte] | 0 | |||||||||||
| 32120 | Christopher | Hopkins | The Mirror of Enigma (Mirror Antiphonies II), Videmus nunc per Speculum in Aenigmate Images Fugitives Transfiguration and Ecstasy |
2004 | Zuspiel, live-elec, 4 perf | 11:00:00 | fl, b-cl, mar, hp [Flöte, Klarinette, Harfe, Schlagzeug] | Sonja Giles, flute/alto flute, Patrick O’Keefe, bass clarinet, Barry Larkin, marimba, Julia Jamieson, harp, Tyler Brown, electroacoustic sound, Christopher Hopkins, conductor | SEAMUS EAM Vol. 17/ | 0 | |||||||||
| 7302 | Nicholas | Hopkins | upon a plane, … (upon a plane (?) su face)… | 1988 | fixed media, akusmatisch | 17:00 | Quadro | Sonology Den Haag | 0 | ||||||||||
| 20317 | Sarah | Hopkins | Cello Chi | 1986 | Zuspiel / Tonband, 1 perf | 13:02 | Stereo | vc [Cello] | NA 028/ | 0 | |||||||||
| 22053 | Sarah | Hopkins | From our Dreams and Visions | radiophon | 2:05 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 20318 | Sarah | Hopkins | Songs of the wind | live-elec, 1 group | 1:43 | Stereo | ens [Ensemble] | NA 028/ | 0 | ||||||||||
| 7303 | Sarah | Hopkins | The Temple Within | 1990 | fixed media, akusmatisch | 6:11 | overton singing; spatial proc LX-5 | ISAST LMJ 1/ | 1 | ||||||||||
| 22074 | Stefanie | Hoppe | Klangschatten | fixed media, akusmatisch | 7:04 | Von CD " Gezeiten/Acht Stücke über die Zeit" | HBK Saar/ | HBK Saar | 1 | ||||||||||
| 25923 | Kanta | Horio | Particle+susPapView | 2003 | live-elec, | 9:37 | CMJ Vol 28, 2004/ | 1 | |||||||||||
| 7304 | Andrew | Horka | Eceon Elektro | 1988 | Zuspiel / Tonband, 1 perf | Stereo | fl [Flöte] | St 605 Montréal | 0 | ||||||||||
| 7305 | Andrew | Horka | Mr Marble’s Dream | fixed media, akusmatisch | Stereo | St 605 Montréal | 0 | ||||||||||||
| 7306 | Andrew | Horka | Space Theme for La League de Securité | fixed media, akusmatisch | Stereo | St 605 Montréal | 0 | ||||||||||||
| 7307 | Andrew | Horka | War and Peace | 1988 | fixed media, akusmatisch | Stereo | St 605 Montréal | 0 | |||||||||||
| 42121 | Ernst | Horn | Sympathien für Schulze remix (weekend remix) | 1998 | radiophon | BR | 0 | ||||||||||||
| 31539 | Maria | Horn | Graphite | 2012 | fixed media, akusmatisch | 7:00 | next_generation 5.0 | UdK Berlin | 0 | ||||||||||
| 18388 | David | Horne | Aureole | 1996 | Zuspiel / Tonband, 1 perf | bn [Fagott] | HCMC Harvard | 17.12.1996 | Paine Hall, Harvard University, Janet Underhill | 0 | http://huseac.fas.harvard.edu/-history/HCMC/records.htm | ||||||||
| 18387 | David | Horne | Resound | 1995 | Zuspiel / Tonband, 1 perf | p [Piano] | HCMC Harvard | 0 | |||||||||||
| 7308 | Rainer | Hornig | Energie | 1963 | Fernsehen, | 8:30 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 7309 | Rainer | Hornig | Ingenieure | 1964 | Fernsehen, | 18:00 | Mono | Subharchord | Eterna 720205/ | RFZ Berlin | 0 | ||||||||
| 7310 | Rainer | Hornig | Schreckgespenst Automation | 1964 | Fernsehen, | 17:00 | Mono | Eterna 720205/ | RFZ Berlin | 0 | |||||||||
| 7311 | Rainer | Hornig | Zu viele Kreuze | 1965 | Fernsehen, | 5:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 7312 | Rainer | Hornig | Zwischen Landung und Start | 1964 | Film | 6:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 27715 | Michael | Horowitz | Blessed Chaos | 1995 | fixed media, akusmatisch | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 7313 | Michael | Horowitz | Study | 1976 | fixed media, akusmatisch | Stereo | ESPACE Genève | 0 | |||||||||||
| 34855 | Matthew | Horrigan | In the Minimal Senses | 2015 | fixed media, akusmatisch | 7:56:00 | Stereo, Quadro | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 24686 | Mark | Horrocks | Tanzhaus | 2003 | fixed media, akusmatisch | 7:00 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 35620 | Jorge | Horst | Sciara du fuocu | 2007 | Zuspiel / Tonband, 6 perf | cl, bn, t-sax, trbn, vc, db [Klarinette, Saxophon, Fagott, Posaune, Cello, Kontrabass] | 0 | ||||||||||||
| 20319 | Jim | Horton | I heard a Thousand Blended Notes | 1992 | fixed media, akusmatisch | 8:44 | Stereo | ART 1013/ | CCM Mills | 0 | |||||||||
| 20320 | Jim | Horton | Rave Patterns | 1992 | Zuspiel / Tonband, 1 group | 9:39 | Stereo | ens [Ensemble] | ART 1013/ | CCM Mills | 0 | ||||||||
| 20321 | Jim | Horton | Rebirth | 1990 | fixed media, akusmatisch | 13:59 | Stereo | ART 1013/ | CCM Mills | 0 | |||||||||
| 20322 | Jim | Horton | Simulated Winds and Cries | 1992 | live-elec, | 18:59 | Stereo | ART 1013/ | CCM Mills | 0 | |||||||||
| 20323 | Jim | Horton | Some Pointillism | 1990 | fixed media, akusmatisch | 11:59 | Stereo | ART 1013/ | CCM Mills | 0 | |||||||||
| 7314 | Stanko | Horvat | Inschrift von der Zeit - Time notes | 1978 | Zuspiel / Tonband, 1 perf | 18:30 | Quadro | B [Bass] | TU Berlin | 12.5.1979 | Zagreb, 10. Musik Biennale (Konzert "Jugoslawische Avantgarde und Folklore" | 1 | |||||||
| 7315 | Barnabás | Horváth | Lex vitraux | 1988 | fixed media, akusmatisch | 5:05 | MR Budapest | 0 | |||||||||||
| 7316 | Josef Maria | Horváth | Music-11- simulation of Silbermann-organs through additive synthesis : Vom Himmel hoch … (J.S.Bach) | fixed media, akusmatisch | SEM Salzburg | 0 | |||||||||||||
| 7317 | Josef Maria | Horváth | Ostinato | 1961 | fixed media, akusmatisch | 4:00 | Mono | SEM Salzburg | 0 | ||||||||||
| 7318 | Josef Maria | Horváth | Verschiebungen | 1973 | Zuspiel / Tonband, 4 perf | 4 ins (ins-qt) [Instrument] | SEM Salzburg | 0 | |||||||||||
| 34247 | Toine | Horvers | Oktet, Welle für Kassel | 1987 | Klangkunst, Installation | TU Berlin | 1987 | Documenta 8 Kassel | 0 | ||||||||||
| 7319 | Toine | Horvers | Rolling 5 | 1987 | intermedia | 45 | Sound & Image | Edition Giannozzo/ | April 1987 | Galerie Giannozzo Berlin | 1 | ||||||||
| 7320 | Michael | Horwood | Motility (1986 version) | 1986 | fixed media, akusmatisch | 43:34 | Stereo | M. Gal Toronto | 0 | ||||||||||
| 7321 | Michael | Horwood | Postcard Carnival | 1990 | Zuspiel / Tonband, 3 perf | 25:28 | Stereo | Narrator, p, vn [Piano, Violine, Schauspieler] | M. Gal Toronto | 0 | |||||||||
| 42621 | Dan | Hosken | Dancemad | 2009 | live-elec, 1 perf | 8 | vc [Cello] | 0 | |||||||||||
| 7322 | Abul Jamal | Hosn | The complaining home voice | 1985 | fixed media, akusmatisch | 8:30 | Stereo | 2nd title: "Erinnerungen an die Heimat" | ELAK Wien | 0 | |||||||||
| 7323 | Toshio | Hosokawa | SEN V | 1994 | Zuspiel / Tonband, 1 perf | 10:00 | Mono | acc [Akkordeon] | 0 | ||||||||||
| 36964 | Daniel | Houglum | The End? | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 42726 | Travis | Houldcroft | System/Disperse | 2012 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 39967 | Justin | Houser | I.T.L.O.T.H. | 2017 | Tanz, live-elec, 2 perf | fl, dance [Flöte, Tanz] | Justin Houser | 0 | |||||||||||
| 7324 | Luc | Houtkamp | De Nacht van Gaston De Smet | 1974 | intermedia | Stereo | IPEM Gent | 0 | |||||||||||
| 7325 | Luc | Houtkamp | The Art of Erasure | 1984 | live-elec, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 7326 | Luc | Houtkamp | The Songlines | 1988 | live-elec, 1 perf | sax [Saxophon] | starling X-OR/ | 0 | |||||||||||
| 7327 | Luc | Houtkamp | Towards a Definition of Flow | 1992 | live-elec, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 28481 | Luc | Houtkamp | Uiterste Staat | 2010 | fixed media, akusmatisch | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ X-OR CD 020 / | PS C. | 0 | http://www.luchoutkamp.nl/Discography.html | ||||||||||
| 7328 | Egil | Hovland | Missa vigilate, op. 59 | 1967 | Tanz, 3 perf, 2 groups | 20:00 | S, Bar, ch, dancers, org [Sopran, Bariton, Orgel, Tanz, Chor] | NOTAM | 0 | ||||||||||
| 33408 | Dean C. | Howard | Three electronic pieces, Mutations Montage Two Part Invention |
1965 | fixed media, akusmatisch | 7 | Mono | Uni Bradley | 0 | ||||||||||
| 7329 | John | Howard | Close Enough for Jazz | 1976 | Zuspiel / Tonband, 1 perf | db [Kontrabass] | Uni Durham | 0 | |||||||||||
| 7330 | Elgar | Howarth | Pagliacci | 1971 | Zuspiel / Tonband, 1 group | ens [Ensemble] | Uni Durham | 0 | |||||||||||
| 36949 | Stephen | Howden | Twinkle Mensurate Experiment | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 7331 | Hubert | Howe | Astrazioni | 1980 | fixed media, akusmatisch | 11:00 | Stereo | CSC Padova | Biennale Venezia | 0 | |||||||||
| 28134 | Hubert | Howe | Cacophony | 1999 | fixed media, akusmatisch | 11:21 | "Overtone Music" | CPS 8678 Capstone/ | 0 | ||||||||||
| 42622 | Hubert | Howe | Clusters | 2010 | fixed media, akusmatisch | 8:50 | 26.3.2010 | NY Elebash Hall NYCEMF | 0 | ||||||||||
| 7332 | Hubert | Howe | Composition for Two Speakers | 1966 | fixed media, akusmatisch | 9:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 7333 | Hubert | Howe | Computer Variations | 1967 | fixed media, akusmatisch | 9:30 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 42692 | Hubert | Howe | Emergence | 2012 | fixed media, akusmatisch | 9:41:00 | 0 | ||||||||||||
| 39854 | Hubert | Howe | Expansions | 2016 | fixed media, akusmatisch | Hubert Howe | 0 | ||||||||||||
| 39855 | Hubert | Howe | Harmonic Fantasy | 2003 | Zuspiel / Tonband, 1 perf | p [Piano] | Hubert Howe | Winthrop University in Rock Hill, South Carolina | 0 | ||||||||||
| 24891 | Hubert | Howe | Improvisation, No. 2 - 4 | 1994 - 1998 | fixed media, akusmatisch | 40:00 | "Overtone Music" | CPS 8678 Capstone/ EMF 031 „Florida EM Festival, Vol 1“/ | 1 | ||||||||||
| 42949 | Hubert | Howe | Inharmonic Fantasy No. 3 | 2014 | fixed media, akusmatisch | 9:44:00 | Nancy Bogen | 0 | |||||||||||
| 39856 | Hubert | Howe | Inharmonic Fantasy No. 4 | 2015 | fixed media, akusmatisch | 9:00:00 | Hubert Howe | 0 | |||||||||||
| 39394 | Hubert | Howe | Inharmonic Fantasy No. 6 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 28133 | Hubert | Howe | Timbre Study 5 | 1995 | fixed media, akusmatisch | "Overtone Music" | CPS 8678 Capstone/ | 0 | |||||||||||
| 42504 | Hubert | Howe | Timbre Study No. 7 | 2008 | Tanz, live-elec, 1 perf | dance [Tanz] | Linda Past, dance | 0 | |||||||||||
| 39853 | Hubert | Howe | Unbalanced | 2017 | fixed media, akusmatisch | Hubert Howe | 0 | ||||||||||||
| 7334 | Diana | Howell | Change Rhythms | 1975 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 7335 | Peter | Howell | Fragment from childhood | radiophon | BBC | 0 | |||||||||||||
| 7336 | David Lloyd | Howells | Celtic Fires | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 7337 | David Lloyd | Howells | Dawn Cameo | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 7338 | David Lloyd | Howells | Nightcity Pulses | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 7339 | David Lloyd | Howells | The Symphony of Noise | 1993 | fixed media, akusmatisch | 840:00 | 43 parts | 0 | |||||||||||
| 25924 | Tim | Howle | Open Circuits | 2003 | audiovisuell | 6:32 | Video: Nick Cope | CMJ Vol 29-4, 2005/ | 1 | ||||||||||
| 39514 | Tim, Nick | Howle, Cope | Sarva Mangalam | 2017 | audiovisuell | 0 | |||||||||||||
| 22480 | Jeff | Hoyer | Demon Train | 1993 | live-elec, 2 perf | 8:06 | trbn, synt [Posaune, synthesizer] | 1 | |||||||||||
| 22481 | Jeff | Hoyer | On the Transition of a Spirit | 1993 | live-elec, 2 perf | 23:48 | trbn, synt [Posaune, synthesizer] | 1 | |||||||||||
| 22482 | Jeff | Hoyer | Synergy Within, Part 1 | 1992 | live-elec, 2 perf | 6:15 | trbn, synt [Posaune, synthesizer] | 1 | |||||||||||
| 22483 | Jeff | Hoyer | When You Are So Late the Coffee Drinking | 1994 | live-elec, 2 perf | 5:24 | trbn, synt [Posaune, synthesizer] | 1 | |||||||||||
| 29843 | Ralf | Hoyer | 2nd Jam Power | 1996 | live-elec, 6 perf | 4 trbn, e-gui, p, (elec) [Posaune, Piano, Gitarre] | 04.05.1996 | im Rahmen des Konzertprojektes fixed points - flurry of lines | 0 | ||||||||||
| 29833 | Ralf | Hoyer | 4worte09 | 2010 | fixed media, akusmatisch | ≈ 13 | 6 | 2011 | Randspielen Zepernick | 0 | |||||||||
| 23485 | Ralf | Hoyer | Allgemeine Erwartung | 1980 | Film, 4 perf | 2 p, 2 actor [Piano, Schauspieler] | szenische Aktion. Text: Volker Braun. Filmische Umsetzung 1984 mit Jörg Gudzuhn e.a. | AdK Berlin | 0 | ||||||||||
| 25810 | Ralf | Hoyer | Aufschlag | 2002 | audiovisuell | 11:31 | 3 tracks | Im Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 2002 | Bern | 1 | ||||||||
| 29832 | Ralf | Hoyer | down & under & below | 2009 | fixed media, akusmatisch | audiovisuell |
6 | 22.08.2009 | Festivals Unterwelten Berlin | 0 | ||||||||||
| 29830 | Ralf | Hoyer | Frage der Zeit | 1982 | radiophon | 16 | Text: Ariel Dorfman | Radio DDR | Rundfunk der DDR | 1982 | Rundfunk der DDR | 0 | |||||||
| 7343 | Ralf | Hoyer | …ich war's, ich bin's…, Erkundungen zum Thema Prometheus, Erkundungen zum Thema Prometheus | 1982 | Zuspiel, live-elec, 1 perf | 20:00 | Stereo | p [Piano] | optional Video (Dietrich Brüning, BRD) | Nova 885260/ RCA Red Seal 74321 73604 2/ | AdK Berlin PS Lakomy, PS Lakomy |
Kulturbund der DDR | Mai 1983 | Dresden | 1 | ||||
| 29839 | Ralf | Hoyer | In die Tiefe | 2003 | live-elec, 3 perf | ≈ 13 | tuba, perc, p [Tuba, Piano, Schlagzeug] | 2003 | Pyramidale 2 Berlin | 0 | |||||||||
| 29831 | Ralf | Hoyer | in fahrt 1 + 2 + 3 | 2008 | fixed media, akusmatisch | 6 - 9 | 29.11.2008 | pyramidale 7 in Berlin-Hellersdorf | 0 | ||||||||||
| 7344 | Ralf | Hoyer | Inside of Inside | 1995 | live-elec, 3 perf | 15:00 | trbn, e-gui, p [Posaune, Piano, Gitarre] | PS C. | 1995 | Berlin | 0 | ||||||||
| 29842 | Ralf | Hoyer | Interferenz und Kontur | 1996 | Zuspiel / Tonband, 2 perf | x 10 | acc, Bajab [Akkordeon] | 1996 | Gudrun und Eduard Wall | 0 | |||||||||
| 7353 | Ralf | Hoyer | Jam-Power, Studie 5 | 1995 | live-elec, 1 perf | 12:00 | Stereo | p [Piano] | PS C. | 1995 | Kunsthaus Flora Berlin | 0 | |||||||
| 7346 | Ralf | Hoyer | Moment musicaux | 1984 | Zuspiel, live-elec, 1 perf, 1 group | 12:00 | Quadro | Vs [Stimme] | optional mit Tanz oder Pantomime, oder Dia-Projektion. | AdK Berlin | Juni 1984 | Berlin (Ausstellungsräume im Marstall); Susanne Stelzenbach (Stimme, synt), R. Hoyer | 0 | ||||||
| 7348 | Ralf | Hoyer | Nocturne | 1985 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | p [Piano] | In dem Studiobooklet von 1988 taucht dieses Werk auf mit: Jahr 1988, Dauer 10 Minuten. | Nova 885260/ | MR Budapest, AdK Berlin | Mai 1985 | Berlin; Susanne Stelzenbach (p) | 1 | 1989 | ||||
| 24278 | Ralf | Hoyer | ort.rand. 1 - 3 | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 28240 | Ralf | Hoyer | Paralipomena zu I. | 1990 | Zuspiel / Tonband, 16 perf | 12:15 | 15 str, p [Piano, Streicher] | HT5333 Hastedt/ | Kompositionsstipendium des Senats von Berlin 1990 | 1991 | Berlin | 1 | |||||||
| 29836 | Ralf | Hoyer | residual risk | 2011 | fixed media, akusmatisch | audiovisuell |
Stereo, 6 | optional Video | DegeM CD 11 wandlungen unplump/ | PS C. | 23.09.2011 | internationales Klangkunstfestival Berlin | 1 | |||||||
| 29835 | Ralf | Hoyer | SelbstLAUT | 2011 | radiophon | 60 | Stereo | hr2 | 22.03.2011 | hr2 | 0 | ||||||||
| 7351 | Ralf | Hoyer | Sonata | 1983/1985 | Zuspiel, live-elec, 1 perf | 15:00 | Stereo | p [Piano] | Nova 885260/ | VEB Schallplatten Berlin | 4.2.1985 | Inventionen Künstlerhaus Bethanien Berlin | 1 | 1989 | |||||
| 7352 | Ralf | Hoyer | Studie 4 | 1980 | Zuspiel / Tonband, 1 perf | 16:33 | Stereo | db [Kontrabass] | HT5333 Hastedt/ | AdK Berlin | Juni 1981 | Akademie der Künste Berlin; Horst Würzebesser | Peters Leipzig | 1 | http://www.hoyerstelzenbach.de | ||||
| 7355 | Ralf | Hoyer | Valse | 1995 | live-elec, 1 perf | 3:44 | MIDI p, (6 earphones) [Piano] | DMR Musik in Deutschland 1950 - 2000: Live-Elektronik/ | PS C. | 1 | |||||||||
| 29834 | Ralf | Hoyer | ZEITgezeichnet | 2010 | fixed media, akusmatisch | 6 | 2010 | Festival _tiefKLANG in einem U-Bahnhof in Berlin-Kreuzberg | 0 | ||||||||||
| 29837 | Ralf, Matthias, Susanne | Hoyer, Bauer, Stelzenbach | drei farben | 2007 | audiovisuell, live-elec, 3 perf | p, db, (video), elec [Piano, Kontrabass, elektronik] | 2007 | i n t e r s o n a n z e n brandenburgisches fest für neue musik | 0 | ||||||||||
| 7340 | Ralf, Susanne | Hoyer, Stelzenbach | 5 Interludien zu "11 Liederf für Federico" | 1987 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | S, p [Sopran, Piano] | Radio DDR | 0 | |||||||||
| 28260 | Ralf, Susanne | Hoyer, Stelzenbach | a taste of 2001 - Odyssee | 2001 | Klanginstallation, live-elec, 11 perf | 72:12 | 5 tracks | 3 S, 8 ins, (video, soundprojection) [Sopran, Instrument] | unter Verwendung von Auszügen aus der Kurzgeschichte „The Sentinel“ von Sir Arthur C. Clarke. Bezieht sich auf den Kubrik-Film Odyssee im Weltall 2001. Nutzt 5 Transducer |
CDbriX 021/ | 11.2001 | Kesselhaus Kulturbrauerei Berlin | 1 | ||||||
| 7341 | Ralf, Susanne | Hoyer, Stelzenbach | Abgang Fernando | 1995 | Musiktheater, live-elec, 5 perf | 20:00 | actor, vn, t-sax, perc, p [Saxophon, Piano, Schlagzeug, Violine, Schauspieler] | text by Fernando Pessoa | PS C. | 1995 | Berlin | 0 | |||||||
| 29853 | Ralf, Susanne | Hoyer, Stelzenbach | Annäherung / Entfernung | 1998/1999 | live-elec, | ≈ 55 | Musikbiennale Berlin | 0 | |||||||||||
| 7342 | Ralf, Susanne | Hoyer, Stelzenbach | ¡ Ay, Don Perlimplin !, Opera grotesque für Schauspieler, Instrumente und Tonband | 1986/1987 | Oper, 1 perf, 2 groups | ≈ 80:00 | Stereo | ens, Vs [Stimme, Ensemble] | Synclavier | TU Berlin | Gorki Th Berlin | 12.3.1987 | Gorki-Theater; musik. Leitung Susanne Stelzenbach; Regie Rolf Winkelgrund | Kritikerpreis der BERLINER ZEITUNG 1987 | Bärenreiter | 1 | |||
| 29848 | Ralf, Susanne | Hoyer, Stelzenbach | CHIMÄRE | 2006 | Zuspiel / Tonband, 4 perf | ≈ 22 | 3 V, perc, (3 CD-player) [Stimme, Schlagzeug] | 02.12.2006 | Pyramidale 5 in Berlin-Hellersdorf | 0 | |||||||||
| 29849 | Ralf, Susanne | Hoyer, Stelzenbach | druck / modul 1 - ich bin europa | 2004 | Musiktheater, live-elec, 3 perf | ≈ 55 | 2 V, sax, (elec) [Stimme, Saxophon] | 05.12.2004 | GRENZREGIONEN, Festival für zeitgenössische Musik Leipzig im Theaterhaus LOFFT | 0 | |||||||||
| 29847 | Ralf, Susanne | Hoyer, Stelzenbach | druck # 2.1 / KLIMA_vorher.sagen | 2007 | Musiktheater | S, A, Sp, V (Rapper), ens [Sopran, Alt, Sprecher, Stimme, Ensemble] | sound- and video-installation | 28.02.2008 | Konzerthaus Berlin, Werner-Otto-Saal | 0 | |||||||||
| 29846 | Ralf, Susanne | Hoyer, Stelzenbach | druck # 2.2 / KLIMA_gefilde.vermessen | 2007/2008 | Performance, live-elec, 4 perf, 1 group | ≈ 75 | S, A, Sp, V (Rapper), ens [Sopran, Alt, Sprecher, Stimme, Ensemble] | sound- and video-installation | Musikakademie Rheinsberg, gefördert durch die Kulturstiftung des Bundes | 9.05.2008 | Musikakademie Rheinsberg / Pfingstwerkstatt Neue Musik | 0 | |||||||
| 28239 | Ralf, Susanne | Hoyer, Stelzenbach | Eine Messe für Federico | 1987 | fixed media, akusmatisch | 29:32 | 11 Lieder nach Gedichten von Garcia-Lorca in der Übersetzung von Uwe Kolbe und 5 Interludien auf Texte von Uwe Kolbe, elektroakustische Realisation Ralf Hoyer & Susanne Stelzenbach | HT5333 Hastedt/ | 1 | ||||||||||
| 29844 | Ralf, Susanne | Hoyer, Stelzenbach | ich schlafe was ich denke | 1995/1996 | Musiktheater, live-elec, 10 perf | 80 | 2 V, 3 actor, perf, vn, vc, sax, prep p, (elec) [Stimme, Saxophon, Piano, Cello, Violine, Performer, Schauspieler] | Co-Produktion: Hebbel-Theater Berlin - Acarte Festival Lissabon | Hebbel-Theater Berlin | 21.04.1996 | Hebbel-Theater Berlin | 0 | |||||||
| 7345 | Ralf, Susanne | Hoyer, Stelzenbach | Iphigenie - dramma per musica | 1992/1993 | Musiktheater, live-elec, 5 perf, 1 group | ≈ 80:00 | Stereo | Mez, Bar, 2 actor, ch, ins [Mezzo, Bariton, Instrument, Schauspieler, Chor] | texts by J. W. Goethe & Volker Braun | PS C. | 1993 | Berlin | 0 | ||||||
| 29851 | Ralf, Susanne | Hoyer, Stelzenbach | Juliane, sich erinnernd | 2001 | audiovisuell | ≈ 50 | Mez, Sp, b-cl, p, (video) [Mezzo, Sprecher, Klarinette, Piano] | Musikscheune Melpitz 2001 | 2001 | Musikscheune Melpitz | 0 | ||||||||
| 29840 | Ralf, Susanne | Hoyer, Stelzenbach | multisonics I | 2003 | live-elec, 5 perf | tuba, 2 vn, perc, sam, (3 glass-objects) [Tuba, Schlagzeug, Violine, computer] | 2003 | Denkmalschmiede Hoefgen/Kaditzsch | 0 | ||||||||||
| 7347 | Ralf, Susanne | Hoyer, Stelzenbach | Nightflight: Skulptur-Klang-Text-Licht-Performance | 1995 | Zuspiel, Performance, 2 perf | 45:00 | p, perc, [Piano, Schlagzeug] | after Francesco Mariotti, Klaus Geldmacher, Lit Fischer | PS C. | 0 | |||||||||
| 29852 | Ralf, Susanne | Hoyer, Stelzenbach | open windows 2.0 | 1998 | Musiktheater | ≈ 70 | 4 actor, 1 V, sax, (Klanginstallation) [Stimme, Saxophon, Schauspieler] | MusikTheaterInstallation | 02.07.1998 | Staatsschauspiel Dresden | 0 | ||||||||
| 29841 | Ralf, Susanne | Hoyer, Stelzenbach | Palindrom I/II | 2001 | live-elec, 1 perf | ≈ 12 | p [Piano] | 2001 | Berlin Akademie der Künste | 0 | |||||||||
| 7349 | Ralf, Susanne | Hoyer, Stelzenbach | Raumklangprojekt I | 1985 | Hintergrundmusik | 90:00 | Stereo + Stereo | exhibition "Musik und bildende Kunst" | AdK Berlin | Zentrum für Kunstausstellungen der DDR / Musik-Biennale Berlin | 1985 / 1989 | Berlin | 0 | ||||||
| 7350 | Ralf, Susanne | Hoyer, Stelzenbach | Raumklangprojekt II | 1987/1989 | fixed media, akusmatisch | 30:00 | Stereo + Stereo | Material von "Ay, Don Perlimplin"? | TU Berlin, PS C. | Musik-Biennale Berlin | 1989 | 0 | |||||||
| 7356 | Ralf, Susanne | Hoyer, Stelzenbach | verzeihung, der kopf | 1993/1994 | Musiktheater, live-elec, 8 perf | ≈ 55:00 | Stereo | S, A, T, 2 actor, b-cl, db, p [Sopran, Alt, Tenor, Klarinette, Piano, Kontrabass, Schauspieler] | Kammerszene | DMR Musik in Deutschland 1950 - 2000 74321 73533 2/ | Musikbiennale 1995 | 18.03.1995 | Musik-Biennale, Podewil, Berlin | 1 | |||||
| 7357 | Ralf, Susanne | Hoyer, Stelzenbach | Weitere Erkundungen, Recital | 1982 - 1985 | Musiktheater, live-elec, 1 perf | p [Piano] | 1981 | Akademie der Künste der DDR | 0 | ||||||||||
| 29845 | Ralf, Susanne | Hoyer, Stelzenbach | Zauberflöte 2.2. | 1998/1999 | Musiktheater, live-elec, 7 perf, 1 group | ≈ 75 | 7 V, ens [Stimme, Ensemble] | melodramatische Fragmente und opernhafte Zustände nach Texten von J. W. Goethe Co-Produktion: Hebbel-Theater Berlin und Theater Krefeld/Mönchengladbach |
PS C. | 27.08.1999 | Krefeld / Fabrik Heeder / | 0 | |||||||
| 7358 | Ralf, Susanne | Hoyer, Stelzenbach | Zauberflöte II - Euphorion | 1990/1991 | radiophon | ≈ 75:00 | Stereo | 7 V, ch, 7 ins [Stimme, Instrument, Chor] | melodramatische Fragmente und opernhafte Zustände nach Texten von J. W. Goethe | EMS Stockholm, PS C. | DS Kultur | 0 | |||||||
| 29838 | Ralf, Susanne | Hoyer, Stelzenbach | ZeitZeichen | 2004 | Zuspiel / Tonband, 21 perf | ≈ 30 | 21 ins, (7 CD-player) [Instrument] | 23.10.2004 | Pyramidale 3 im Ausstellungszentrum Pyramide Berlin-Hellersdorf | 0 | |||||||||
| 36738 | Sigurdur | Hreller | I Helinum (In the Cave) | 1985 | fixed media, akusmatisch | 6 | Sonology Utrecht | 0 | |||||||||||
| 7359 | Alexandru | Hrisanide | Cinquième musique pour RA | 1973 | Zuspiel / Tonband, 3 perf | p, celesta, hpd [Piano, Cembalo] | Radio Plzen | 0 | |||||||||||
| 7360 | Alexandru | Hrisanide | Cori | 1972 | fixed media, akusmatisch | 0:08 | Stereo | Radio Plzen | 0 | ||||||||||
| 7361 | Alexandru | Hrisanide | Première musique pour RA | 1969 | Zuspiel / Tonband, 1 perf | p [Piano] | Radio Plzen | 0 | |||||||||||
| 7362 | Alexandru | Hrisanide | Quatrième musique pour RA | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | Radio Plzen | 0 | |||||||||||
| 7363 | Alexandru | Hrisanide | Seconde musique pour RA | 1969 | Zuspiel / Tonband, 1 perf | p [Piano] | Radio Plzen | 0 | |||||||||||
| 7364 | Alexandru | Hrisanide | Sixième musique pour RA | 1970 | Zuspiel / Tonband, 2 perf | p, ins [Piano, Instrument] | Radio Plzen | 0 | |||||||||||
| 7365 | Alexandru | Hrisanide | Troisième musique pour RA | 1970 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | Radio Plzen | 0 | |||||||||||
| 7366 | Ivan | Hrusovsky | Idee fixe | 1975 | fixed media, akusmatisch | 7:45 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 7367 | Ivan | Hrusovsky | Invokacia | 1973 | fixed media, akusmatisch | 8:45 | Stereo | CECM Bratislava | 0 | ||||||||||
| 7368 | Ivan | Hrusovsky | Obrázky z privody | 1980 | Zuspiel / Tonband, 1 group | ch [Chor] | 0 | ||||||||||||
| 7369 | Ivan | Hrusovsky | Omilienci chodia | 1981 | Zuspiel / Tonband, 1 group | ch [Chor] | 0 | ||||||||||||
| 39393 | Huang Tzu | Hsia | Chufun | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 32512 | Tsung-jen | Hsieh | Gang | 2009 | live-elec, 1 perf | 4:33 | Stereo | va [Viola] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | |||||||
| 32513 | Tsung-jen | Hsieh | Gekippter Garten | 2009 | Klangkunst, Installation | Quadro | Incontri HMTM Hannover | 15.8.2009 | Herrenhäuser Gärten, Hannover, Musik21 Festival | 0 | |||||||||
| 23146 | Terence | Huang | Birth of Eternity | 2001 | fixed media, akusmatisch | 6:18 | JTTP 2002 | CEC Cache 2002/ | SFU | 1 | |||||||||
| 7370 | Gerald | Huber | Meta-Ödipus | 1985 | fixed media, akusmatisch | 5:46 | Stereo | ELAK Wien | 0 | ||||||||||
| 7371 | Gerald | Huber | Wien Sommer 1986 | 1986 | fixed media, akusmatisch | 10:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 7372 | Klaus | Huber | Askese | 1966 | Zuspiel / Tonband, 2 perf | 15:00 | Mono | fl, Sp [Sprecher, Flöte] | Radio Zürich | 0 | |||||||||
| 7373 | Klaus | Huber | ... ausgespannt ... | 1972 | Zuspiel / Tonband, 2 perf, 1 group | 20:00 | Bar, org, ens [Bariton, Orgel, Ensemble] | 0 | |||||||||||
| 23062 | Klaus | Huber | Die Erde bewegt sich auf Hörnern eines Ochsen. Assemblage für Sufi-Sänger, Qanun, Riqq, va, gui | 1994 | Zuspiel / Tonband, 5 perf | V, 2 ins, (Sufi-Sänger, Qanun, Riqq,) va, gui [Stimme, Gitarre, Viola, Instrument] | Experimentalstudio für Akustische Kunst Freiburg | WDR 1994 | 0 | ||||||||||
| 7374 | Klaus | Huber | Erniedrigt - geknechtet - verlassen - verachtet… | 1979/1983 | Zuspiel, live-elec, 20 perf, 2 groups | Mez, T and actor, Bar, boys S, 16 V, orc, ch [Sopran, Mezzo, Tenor, Bariton, Stimme, Schauspieler, Chor, Orchester] | Experimentalstudio für Akustische Kunst Freiburg, HSM Basel | 0 | |||||||||||
| 7375 | Klaus | Huber | Ich singe ein Land, das bald geboren wird ... | 1978/1979 | Zuspiel / Tonband, 17 perf | 12:00 | 17 ins [Instrument] | 0 | |||||||||||
| 7376 | Klaus | Huber | ... inwendig voller Figur | 1970/1971 | Zuspiel / Tonband, 2 groups | 24:00 | Quadro | ch, orc [Chor, Orchester] | WER 60069/ | 0 | |||||||||
| 7377 | Klaus | Huber | Jot | 1973 | Oper, 3 perf, 1 group | Bar, perc, orc, org [Bariton, Orgel, Schlagzeug, Orchester] | 0 | ||||||||||||
| 7378 | Klaus | Huber | o.T. | 1988 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 7379 | Klaus | Huber | Turnus | live-elec, | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||||
| 7380 | Nicolaus A. | Huber | 6 Bagatellen | 1982 | Zuspiel / Tonband, 1 group | 22:46 | ens [Ensemble] | HM 713 D/ | 1 | ||||||||||
| 7381 | Nicolaus A. | Huber | Aion | 1972 | Zuspiel / Tonband, | 37:08 | Quadro | (Gerüche) [] | für vierkanaliges Tonband und Gerüche | WDR SEM | WDR 1972 | 7.6.1972 | "Musik der Zeit" Köln | WDR | 0 | ||||
| 7382 | Nicolaus A. | Huber | Anerkennung und Aufhebung | 1971 - 1972 | fixed media, akusmatisch | Film |
50:51 | Stereo + Stereo + Stereo | 4 Filme, 3 zweikanalige Tonbänder und verschiedene Spiegel ad lib. | WDR SEM | 29.8.1972 | München | Bärenreiter | 0 | ||||||
| 7383 | Nicolaus A. | Huber | Askese | 1966 | fixed media, akusmatisch | 0 | |||||||||||||
| 7384 | Nicolaus A. | Huber | Beds and Brackets | 1991 | Zuspiel / Tonband, 1 perf | 7:37 | p [Piano] | Konkretes Material (Türen & Fenster) | 0 | ||||||||||
| 7385 | Nicolaus A. | Huber | Epigenesis II | 1968 | Zuspiel / Tonband, 1 perf | rec [Flöte] | Bärenreiter | 0 | |||||||||||
| 23061 | Nicolaus A. | Huber | Eröffnung und Zertrümmerung | 1992 | audiovisuell, 1 group | ens, (video) [Ensemble] | WD 04, Wittener Tage Für Neue Kammermusik 1993/ | WDR SEM | WDR 1993 | 04.1993 | Wittener Tage für neue Kammermusik mit Musikfabrik NRW | 1 | |||||||
| 25151 | Nicolaus A. | Huber | Music on Canvas | 2003 | Zuspiel / Tonband, 6 perf, 1 group | ens, 5 mics, perf (Jogger) [Performer, elektronik, Ensemble] | 0 | ||||||||||||
| 7386 | Nicolaus A. | Huber | Parusie. Annäherung und Entfernung | 1967 | Zuspiel / Tonband, 1 group | 11:32 | Stereo | large orc [Orchester] | DMR 1016-18 Zeitgenössische Musik in der BRD (6) 1960-1970/ | Siemens | Bärenreiter | 0 | |||||||
| 25150 | Nicolaus A. | Huber | Solo mit Koonstück | 2000 | Zuspiel / Tonband, 1 perf | tuba, (Plüschtier) [Tuba] | 0 | ||||||||||||
| 7387 | Nicolaus A. | Huber | Versuch über Sprache | 1969/1970 | Zuspiel, live-elec, 18 perf | 18:00 | Stereo, Quadro | 16 V, Hammond-org, db [Stimme, Orgel, Kontrabass] | texts by Sappho, Goethe, Hölderlin, Marx etc. | DGG 2720003/ DGG 2561110/ IDEAMA CD 017/ | Sonology Utrecht | 1 | |||||||
| 7388 | Nicolaus A. | Huber | Versuch zu “Versuch über Sprache” | 1972 | Zuspiel / Tonband, 1 perf | Quadro | impro mus [Musiker] | 0 | |||||||||||
| 28566 | Nicolaus A. | Huber | Werden Fische je das Wasser leid?, Musik mit Neglect-Syndrom für Sopran und Ensemble mit CD-Zuspielung | 2003 | Zuspiel / Tonband, 1 perf, 1 group | 18:06 | S, ens [Sopran, Ensemble] | WD 2004, Wittener Tage Für Neue Kammermusik 2004/ | Kompositionsauftrag des WDR | 2004 | Wittener Tage für neue Kammermusik 2004 mit ensemble Modern, Ltg. H. Holliger, A. Luz (S), N. Ommer (Klangregie) |
1 | |||||||
| 38573 | Rupert | HUBER | Censoratorium | 2000 | radiophon | 42:29:00 | 0 | ||||||||||||
| 38574 | Rupert | HUBER | Wir müssen siegen | 2006 | radiophon | 50:00:00 | 0 | ||||||||||||
| 19093 | Rupert, Robert | Huber, Adrian | Applaus | 1996 | fixed media, akusmatisch | 30:30 | Material: Applaus | ORF Kunstradio 10007280/ | ORF Kunstradio | 1 | |||||||||
| 7389 | Andries | Hubers | Oikos (school opera) | 1980 | Oper | Zuspiel/Tonband, |
90:00 | 0 | ||||||||||||
| 43144 | John | Hudak | Highway | 2001 | radiophon | Auszeichnung ars electronica honorary mention 2001 | 0 | ||||||||||||
| 36475 | John | Hudak | My Windsock | 2007 | radiophon | 3:51:00 | and 26/ | 0 | |||||||||||
| 39916 | Joe | Hudson | Short Wave Radio Music | 2017 | fixed media, akusmatisch | Joe Hudson | 0 | ||||||||||||
| 39940 | Joseph | Hudson | Sub-Marine | 2015 | fixed media, akusmatisch | 6:04:00 | Joseph Hudson | 0 | |||||||||||
| 31412 | Matthias | Hübner | Nocturne | 2002 | Zuspiel / Tonband, 1 perf | 10:00:00 | vc [Cello] | HfM Dresden | 0 | ||||||||||
| 33903 | Ole | Hübner | century piece | 2014 | live-elec, 2 perf | 9:50:00 | Stereo | p, perc [Piano, Schlagzeug] | HfMT Köln | 0 | |||||||||
| 33905 | Ole | Hübner | der offizielle | 2014 | Performance | audiovisuell |
18:43:00 | Stereo | perf [Performer] | Composition for one performer with percussion, live audio and live video | HfMT Köln | 0 | ||||||||
| 33904 | Ole | Hübner | random video study | 2014 | audiovisuell | 10:22:00 | Stereo | Komposition für zufallbasiertes Video und zufallsbasierten Stereosound | HfMT Köln | 0 | |||||||||
| 31673 | Peter | Hübner | Energie I | 1968 | fixed media, akusmatisch | 10.10.1968 | H110 TU Berlin bei "Internationale Woche für experimentelle Musik" | 0 | |||||||||||
| 7390 | Peter | Hübner | Kausalität | 1966 | Oper | 10:10 | Quadro | Diogenes-Szene aus der Oper "Fluch oder Segen" | HfMT Köln | 0 | |||||||||
| 36198 | Neele | Hülcker | Bauvorhaben | audiovisuell | fl [Flöte] | 11.7.2015 | Kunstverein Hannover, Musik21 Festival; Flöte: Atsrid Schmeling | 0 | |||||||||||
| 36211 | Neele | Hülcker | beta vulgaris | 2009 | audiovisuell | Videoinstallation, Zusammenarbeit mit Lisa Haucke | 0 | ||||||||||||
| 36202 | Neele | Hülcker | copy myself | 2012 | Performance | Performance für Neele Hülcker | 27.7.2012 | open space, Darmstädter Ferienkurse 2012. | 0 | ||||||||||
| 36194 | Neele | Hülcker | copy! | Performance | 4 perf [Performer] | ASMR-cyborg-performance | 19.2.2016 | ausland, Berlin | 0 | ||||||||||
| 36193 | Neele | Hülcker | crackles | Performance | 3 perf, (performed by Tim Cape, Edward Henderson, Josh Spear) [Performer] | for bodies on stage, version for 3 or 4 perf | 4.11.2016 | Block 336 Brixton, London | 0 | ||||||||||
| 36201 | Neele | Hülcker | Eva und Neele | 2013 | audiovisuell | acc [Akkordeon] | 23.11.2013 | Klangrauschen, Essigfabrik Lübeck, Eva Zöllner, Neele Hülcker | 0 | ||||||||||
| 36197 | Neele | Hülcker | happy accidents | 2015 | radiophon | fixed media, akusmatisch |
10.10.2015, 23:05 | broadcasted on HR2 Kultur | 0 | |||||||||||
| 36210 | Neele | Hülcker | I'm filling in a room | 2009 | Klangkunst, Installation | Klanginstallation | 0 | ||||||||||||
| 36207 | Neele | Hülcker | Jugendstudie | 2008 | Performance, Zuspiel, live-elec, 1 perf, 1 group | mul perf [Performer] | für Schulklasse im Publikum, Zuspielung und Live-Elektronik (2008) | Mai 2008 | Musikhochschule Lübeck | 0 | |||||||||
| 36204 | Neele | Hülcker | Kleinigkeiten | 2011 | Zuspiel / Tonband, 3 perf | S, perc, tape [Sopran, Schlagzeug, elektronik] | 27.10.2011 | Musikhochschule Lübeck, Sopran (Frauke Aulbert), Schlagzeug (David Cariano Timme), Zuspielung (Constantin Basica) | 0 | ||||||||||
| 36220 | Neele | Hülcker | Konzentrate | 2014 | fixed media, akusmatisch | wachsende Sammlung kurzer Stücke elektronischer Musik | 0 | ||||||||||||
| 36212 | Neele | Hülcker | Küm | 2009 | fixed media, akusmatisch | elektronische Musik | 0 | ||||||||||||
| 36196 | Neele | Hülcker | Little Things | 2015 | live-elec, 2 perf | acc, Kbd (Lautsprecher, Elektronik) [Keyboard, Akkordeon] | 0 | ||||||||||||
| 31395 | Neele | Hülcker | Luci und Neele, l+n | 2012 | fixed media, akusmatisch | 9:40:00 | Quadro | "l+n", elektronische Musik ≈ Variation von "Luci und Neele" | HfM Dresden | 0 | https://www.neelehuelcker.de/app/download/5796495964/l%2Bn+.mp3?t=1481131105 | ||||||||
| 36217 | Neele | Hülcker | Mitarbeit | 2013 | Zuspiel, live-elec, 5 perf | tpt, cl, vc, Kbd, (Blackdeath-) synt, [Klarinette, Trompete, Keyboard, Cello, synthesizer] | für Trompete, Klarinette, Violoncello, Keyboard, Blackdeath-Synthesizer, Monotron, Radioplatine und Zuspiel | 0 | |||||||||||
| 36203 | Neele | Hülcker | mon petit jetzt | 2011 | radiophon | Hörspiel mit Material aus Luc Ferraris "jetzt" | 0 | ||||||||||||
| 36218 | Neele | Hülcker | neorumps | 2013 | Zuspiel, Performance, 5 perf | 5 perf [Performer] | für fünf Performer/innen und Zuspiel | 0 | |||||||||||
| 36208 | Neele | Hülcker | Ränder | 2008 | Klangkunst, Installation | Klanginstallation | 0 | ||||||||||||
| 36213 | Neele | Hülcker | räumen | 2011 | Klangkunst, Installation | Klanginstallation | 0 | ||||||||||||
| 36214 | Neele | Hülcker | rumps | 2012 | Zuspiel, Performance, 5 perf | 5 perf [Performer] | für fünf Performer und Zuspiel | 0 | |||||||||||
| 36200 | Neele | Hülcker | Sammlungen -Konzentrate, Leerstellen, Reste | 2014 | Performance | cl, sax, trbn, va, Kbd, 4 (hidden) perf [Klarinette, Saxophon, Posaune, Keyboard, Viola, Performer] | 24.5.2014 | Ensemble Garage, Kolumba Museum Köln | 0 | ||||||||||
| 36209 | Neele | Hülcker | shortstories | 2008 | Klangkunst, Installation | audiovisuell |
Klang/Video-Installation | 0 | ||||||||||||
| 28386 | Neele | Hülcker | "Sie sind ja ein richtiges kleines junges Fräulein" | 2011 | radiophon | 11:00 | Quadro | other duration 10:39? | HfM Dresden | April 2011 | HfM Dresden | 1 | http://www.hfmdd.de/hochschule/institute/institut-fuer-neue-musik/studio-fuer-elektronische-musik/ | ||||||
| 36195 | Neele | Hülcker | Tape for Terry | 2015 | Performance | perf (“Tape for children“. Tape for Terry, Performance) [Performer] | in memory of Terry Fox | 29.11.2015 | Akademie der Künste Berlin | 0 | |||||||||
| 36206 | Neele | Hülcker | Tiu | Zuspiel / Tonband, 1 perf | vc [Cello] | März 2009 | Cardiff School of Music | 0 | |||||||||||
| 34777 | Neele | Hülcker | Und dass man auf dieser Welt eigentlich die ganzen anderen Menschen auch mit auffrisst | 2013 | radiophon | 9:40:00 | Quadro | ortsbezogene elektronische Musik für Smartphone | Musik in der Wolke, Projekte am Kottbusser Tor | 0 | |||||||||
| 36205 | Neele | Hülcker | warten | 2009 | radiophon | 19 | Dezember 2009 | Musikhochschule Lübeck | 0 | ||||||||||
| 36215 | Neele | Hülcker | wischweg | 2012 | Klangkunst, Installation | Klanginstallation | 0 | ||||||||||||
| 36219 | Neele | Hülcker | Zu spät für das Privatleben | 2014 | Zuspiel / Tonband, 6 perf | tpt, trbn, 2 perc, gui, vc [Trompete, Posaune, Gitarre, Schlagzeug, Cello] | für Trompete, Posaune, zwei Schlagzeuger, Gitarre, Violoncello und Zuspiel | 0 | |||||||||||
| 36216 | Neele | Hülcker | Zugabe | 2013 | Performance | cl, 2 (hidden) perf, (Lautsprecher) [Klarinette, Performer] | für Klarinette, Lautsprecher und zwei versteckte Performer /innen | 0 | |||||||||||
| 36199 | Neele, Tomomi | Hülcker, Adachi | CAMERABOXING | 2015 | Performance | 2 perf [Performer] | Aktion im Internet | 0 | http://cameraboxing.tumblr.com/ | ||||||||||
| 36221 | Neele, Tomomi | Hülcker, Adachi | live electronic music | 2016 | Performance, live-elec, 2 perf | 2 perf [Performer] | Version für zwei Performer /innen und so viele technische Geräte und Kabel wie möglich, Zusammenarbeit mit Tomomi Adachi | 0 | |||||||||||
| 19033 | Stephan von | Huene | Der Mann von Jüterbog / Grüße aus Jüterbog | 1996 | Klangkunst, Installation | 2:01 | Sonambiente Ausstellung (1996) Katalog S.73 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 7391 | Stephan von | Huene | Die Zauberflöte - akustische Installation | 1986 | Klangkunst, Installation | 7:00 | 1 | 1986 | |||||||||||
| 28374 | Stephan von | Huene | Drum, mit Kompositionen von James Tenney | 1975 - 1993 | Klangkunst, Installation | drum [Schlagzeug] | 1 | 1994 | |||||||||||
| 23148 | Stephan von | Huene | Erweiterter Schwitters | 1989 | radiophon | 1:04 | WER 6307-2 / | WDR Studio Akustische Kunst | 1 | ||||||||||
| 7392 | Ellen | Hünigen | Der Klang des Ahorns | 1991 | Zuspiel/Tonband, 4 perf | intermedia |
20:00 | Stereo | b-cl, trbn, A, V [Alt, Stimme, Klarinette, Posaune] | AdK Berlin | 0 | |||||||||
| 7393 | Ellen | Hünigen | Spurenelemente | 1992 | Hintergrundmusik | 13:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 7394 | Ellen | Hünigen | VERSunkenE Landschaft | 1989 | radiophon | 12:00 | Stereo | " Live Tape mit Spiesser " | AdK Berlin | 0 | |||||||||
| 27112 | Ellen | Hünigen | Von des Cortez Leuten - Versunkene Landschaft VI | 2006 | Zuspiel / Tonband, 1 perf | S [Sopran] | Text: Bertolt Brecht | 0 | |||||||||||
| 7395 | Uwe | Hüter | Iwodat | 1973 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 37562 | Wolfgang | Hufschmidt | Aktivitäten | 1973 | audiovisuell, live-elec, 6 perf, 1 group | 40:00:00 | Stereo | ch, Sp, S, org, 3 elec [Sopran, Sprecher, Orgel, elektronik, Chor] | Choere, Live-Elektr.Trio, Sprecher, Sopran, Orgel, Dias, Tape | ICEM Essen | 0 | ||||||||
| 33651 | Wolfgang | Hufschmidt | Engel der Geschichte | 1994 | Zuspiel / Tonband, 6 perf | 13:31 | Stereo | 6 mus [Musiker] | ICEM NovemberMusic 2009/ Cybele 660101/ | 1 | https://www.cybele.de/portrait-wolfgang-hufschmidt | ||||||||
| 37563 | Wolfgang | Hufschmidt | Fritz | 1974 | Tanz | 20:00:00 | Stereo | dance [Tanz] | ICEM Essen | 0 | |||||||||
| 7396 | Wolfgang | Hufschmidt | Lieder ohne Worte, 24 Klavierstücke für Tonband Langfassung |
1989 | Zuspiel / Tonband, 2 perf | 37:22 | Stereo | p, ins [Piano, Instrument] | Klavier und Zusatzinstrumente,Tonbänder,Mischpult. Interpreten: Susanne Achilles, Thomas Neuhaus |
ICEM NovemberMusic 2009/ Cybele 660101/ | ICEM Essen | 0 | https://www.cybele.de/portrait-wolfgang-hufschmidt | ||||||
| 7397 | Wolfgang | Hufschmidt | Meissener Tedeum | 1968 | Zuspiel / Tonband, 5 perf, 2 groups | 25:09 | Mono | S, ch, orc, Bar, brass, p, perc [Sopran, Bariton, Piano, Schlagzeug, Bläser, Chor, Orchester] | nach „Tedeum Laudamus“, deutsch von Martin Luther. Zum 1000-jährigen Bestehen des Meissener Doms | cybele SACD 860.201/ | WDR SEM | 25.5.1968 | Meissen | 1 | |||||
| 37565 | Wolfgang | Hufschmidt | Prinzip Hoffnung | 1973, 1974 | Zuspiel / Tonband, | 7:00:00 | Stereo | ( verschiedene Musikzitate ) | ICEM Essen | 0 | |||||||||
| 7398 | Wolfgang | Hufschmidt | Spiele für Flöten | Zuspiel / Tonband, 1 perf | 7:46 | Stereo | fl [Flöte] | ICEM Essen | 0 | ||||||||||
| 37566 | Wolfgang | Hufschmidt | Stephanus | 1973 | audiovisuell, live-elec, 6 perf, 1 group | 40:00:00 | Stereo | ch, Sp, S, org, 3 elec [Sopran, Sprecher, Orgel, elektronik, Chor] | Choere, Live-Elektr.Trio, Sprecher, Sopran, Orgel, Dias, Tape | ICEM Essen | 0 | ||||||||
| 37567 | Wolfgang | Hufschmidt | Trio 2, Sieben Inventionen über Farben und Bilder | 1982 | Zuspiel / Tonband, 2 perf | 15:00:00 | Stereo | V, perc (kleine Trommel) [Stimme, Schlagzeug] | kl.Trommel, Gesang | Cybele 660101/ | ICEM Essen | 0 | https://www.cybele.de/portrait-wolfgang-hufschmidt | ||||||
| 22484 | Jochen | Hug | Der Klang der fließenden Seele - eine Höllenfahrt | 1997 | fixed media, akusmatisch | 21:00 | 6 | Von CD3 der Reihe Elektronische Musik der HfMT Köln Sprachkomposition nach dem Gedicht "Abendstimmung" |
HfMT Köln CD3/ | HfMT Köln | 1 | ||||||||
| 7399 | Lars | Hug | Musicians Guide to the Universe | 1987 | fixed media, akusmatisch | 25:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 7400 | Phil | Hughes | Accompaniment Music | 1964 | fixed media, akusmatisch | 3:21 | Stereo | Uni Waltham | 0 | ||||||||||
| 7401 | Phil | Hughes | Assemblage: 12 Determinate Events | 1964 | fixed media, akusmatisch | 12:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 7402 | Phil | Hughes | Complex Sound Situation | 1965 | fixed media, akusmatisch | 5:15 | Stereo | Uni Waltham | 0 | ||||||||||
| 7403 | Phil | Hughes | Etude 1 - 3 | 1962 | fixed media, akusmatisch | 14:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 7404 | Phil | Hughes | Furniture Music | 1964 | fixed media, akusmatisch | 17:00 | Stereo | "title respectfully stolen from Satie" | Uni Waltham | 0 | |||||||||
| 7405 | Phil | Hughes | Pseudo - Falck #1 - 3 | 1963 | fixed media, akusmatisch | 15:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 42122 | Richard | Hughes | A comedy of danger Danger, Gefahr |
1924, 1961 | radiophon | 24:20 | Deutsche Fassung von "Danger", dem ersten englischen Hörspiel, Ursendung 15.1.1924 | BBC, HR, RB | 16.1.1961 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1439153&vi=13&SID | |||||||
| 27658 | Andrew | Hugill | Clinamen | 1994 | fixed media, akusmatisch | 4:55 | uh-label 020011006 sonic voyages/ | Uni De Montfort | 0 | http://www.mti.dmu.ac.uk/~ahugill/ | |||||||||
| 27672 | Andrew | Hugill | Island Symphony | 1995 | fixed media, akusmatisch | 10:40 | Stereo | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/~ahugill/ | ||||||||
| 39478 | Peter | Hulen | Homage and Refuge | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40182 | Peter | Hulen | Organum on St. Denio | 2015 | fixed media, akusmatisch | 3:42:00 | Peter Hulen | 0 | |||||||||||
| 40181 | Peter | Hulen | Organum on Westminster Abbey | 2017 | fixed media, akusmatisch | 16 Tracks | Peter Hulen | 0 | |||||||||||
| 7406 | Lance | Hulme | Flame Dances | 1990 | Tanz | 17:30 | Stereo | ZKM Karlsruhe | 0 | ||||||||||
| 7407 | Lance | Hulme | Visitation | 1991 | intermedia | 7:00 | Stereo | Lautsprechermusik | ZKM Karlsruhe | 0 | |||||||||
| 18389 | Brian | Hulse | Beyond the Veil | 1996 | Zuspiel / Tonband, 1 perf | p [Piano] | HCMC Harvard | 17.12.1996 | Paine Hall, Harvard University | 0 | http://huseac.fas.harvard.edu/-history/HCMC/records.htm | ||||||||
| 7408 | Cortland | Hultberg | Improvisation and Electronic Variation | 1965 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | impro ins [Instrument] | Uni BC Vancouver | 0 | |||||||||
| 7409 | Cortland | Hultberg | Music for Happening | 1965 | Musiktheater | 24:00 | Stereo + Stereo | Uni BC Vancouver | 0 | ||||||||||
| 7410 | Anders | Hultqvist | Urban Rituals and the Strange Attractor | 1992 | live-elec, 7 perf | str-qt, hn, 2 perc, [Horn, Schlagzeug, Streicher] | 0 | ||||||||||||
| 7411 | Thomas | Hummel | John Cage Variations I | 1989 | Klanginstallation, live-elec, 1 perf | ∞ | MIDI [synthesizer] | HfM Freiburg | 0 | ||||||||||
| 7412 | Thomas | Hummel | Ringpuffer II | 1991 | Zuspiel, live-elec, 1 perf | 15:00-20:00 | perc [Schlagzeug] | 2 Atari, 2 TX802, sm | HfM Freiburg | 0 | |||||||||
| 20324 | Naut | Humon | Twings of Lunge | 1996 | fixed media, akusmatisch | 6:08 | Stereo | ASP 0966 / | 0 | ||||||||||
| 7413 | David | Humpage | Study for violin and tape | 1973 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | vn [Violine] | Sonology Utrecht | 0 | |||||||||
| 34020 | Hans Ulrich | Humpert | …als ob meine Natur facettiert sei… | 2006, 2009 | radiophon | 43:07:00 | Stereo | Hörstück "Vom Leben der Bettina von Arnim, geb. Brentano (1785 - 1859)". Leslie Malton, Traugott Buhre, Bernt Hahn |
HfMT Köln, WDR Studio Akustische Kunst | 0 | |||||||||
| 7414 | Hans Ulrich | Humpert | Andromache - Hörspiel mit Motiven des Euripides | 1990 | radiophon | 48:00 | Quadro | 3 actors | WER 6307-2/ | HfMT Köln, WDR Studio Akustische Kunst | Förderpreis des Karl-Sczuka-Preis 1991 | 1 | |||||||
| 7415 | Hans Ulrich | Humpert | Annäherung an Francesco Petrarca | 1986 | radiophon | 34:50 | Quadro | HfMT Köln | 0 | ||||||||||
| 7416 | Hans Ulrich | Humpert | Approcci a Petrarca, per strumenti e nastro magnetico | 1985 | Zuspiel / Tonband, 1 group | 14:46 | Quadro | ens [Ensemble] | HfMT Köln CD3/ | HfMT Köln | WDR 1985 | 9.1985 | Großer Sendesaal des WDR Köln, Ensemble Modern, Ltg. Ernest Bour | 1 | |||||
| 7417 | Hans Ulrich | Humpert | "Arbeitsgemeinschaft Großforschung" | 1982 | audiovisuell | 13:25 | Stereo | HfMT Köln | 0 | ||||||||||
| 7418 | Hans Ulrich | Humpert | Assonanze nuove | 1995 | Zuspiel / Tonband, 1 group | 20:00 | Quadro | orc [Orchester] | HfMT Köln | 0 | |||||||||
| 7419 | Hans Ulrich | Humpert | Assonanzen | 1977 | Zuspiel / Tonband, 1 group | 20:38 | Quadro | ens [Ensemble] | HfMT Köln | 0 | |||||||||
| 34012 | Hans Ulrich | Humpert | Brückenmusik | 1999 | Klangkunst, Installation | 22:29:00 | Stereo | HfMT Köln | 0 | ||||||||||
| 34007 | Hans Ulrich | Humpert | Candide: unterwegs - en chemin - en el camino - away | 1995 | radiophon | 34:14 | Stereo | Ein pikareskes Hörkaleidoskop mit Texten von Voltaire und Johann Karl Wezel. Isabel Navarro, Sprecherin, Bernard Murer, Reinhart von Stolzmann, Sprecher. |
HfMT Köln | 0 | |||||||||
| 34010 | Hans Ulrich | Humpert | Candide: unterwegs in America Latina | 1997 | radiophon | 15:50 | Stereo | Ein südamerikanisch-pikareskes Hörstück. Isabel Navarro, Sprecherin, Bernard Murer, Reinhart von Stolzmann, Sprecher |
HfMT Köln | 0 | |||||||||
| 23063 | Hans Ulrich | Humpert | Construction in MicroPolyGons | 1994 | Zuspiel / Tonband, 4 perf | 26:45 | Quadro | 4 perc [Schlagzeug] | HfMT Köln | WDR 1994 | 0 | ||||||||
| 7420 | Hans Ulrich | Humpert | Der Frieden, Lied für Sopran und elektronische Klänge | 1968 | Zuspiel / Tonband, 1 perf | 9:53 | Stereo | Mez [Mezzo] | rev | HfMT Köln | 0 | ||||||||
| 7421 | Hans Ulrich | Humpert | Die Chöre der Andromache | 1992 | Zuspiel, live-elec, 2 perf | 13:12 | Quadro | 2 Sp [Sprecher] | txtcompo. texts by Euripides & Satre | DegeM CD 01/ | HfMT Köln, WDR SEM | WDR-production | 1 | ||||||
| 7422 | Hans Ulrich | Humpert | Die Ehe der Andromache | 1991 | Zuspiel / Tonband, 2 perf | 23:15 | Quadro | 2 Sp [Sprecher] | HfMT Köln, WDR SEM | 0 | |||||||||
| 34018 | Hans Ulrich | Humpert | Dieser kalt leuchtende Nachsommer, Adalbert Stifters Erstarrung | 2005 | radiophon | 48:37:00 | Stereo, Quadro | Hörstück mit Motiven von Johann Sebastian Bach und John McGuire | HfMT Köln, WDR Studio Akustische Kunst | 22.10.2005 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1475122&vi=188&SID | ||||||
| 7423 | Hans Ulrich | Humpert | Einmal sein statt gelten, Aus dem Leben der Annette v. Droste-Hülshoff | 1992 | radiophon | 35:00 | Quadro | 1 recitor | HfMT Köln, SWF Baden-Baden | 0 | |||||||||
| 7424 | Hans Ulrich | Humpert | Electronic maniac | 1973 | Zuspiel, live-elec, 2 perf | 27:14 | Stereo | synt, e-org [Keyboard, synthesizer] | HfMT Köln | 0 | |||||||||
| 7425 | Hans Ulrich | Humpert | Electronic maniac spezial | 1980 | Zuspiel / Tonband, 1 group | 23:36 | Stereo | ens [Ensemble] | HfMT Köln | 0 | |||||||||
| 34017 | Hans Ulrich | Humpert | Erinnerungen an Nordstern | 2002 | Musikinstrument, keine EM, 1 perf, 1 group | 3:12:00 | Stereo | fl, ens [Flöte, Ensemble] | Komposition für Flöte und Obligati | HfMT Köln | 0 | ||||||||
| 7426 | Hans Ulrich | Humpert | Etüde über Tongemische | 1983 | Demo, Studie | 47:13 | Stereo | only a demonstration to the publication "Elektronische Musik" | HfMT Köln | Schott | 1 | ||||||||
| 18843 | Hans Ulrich | Humpert | Fragment | fixed media, akusmatisch | 4:00 | Buch Elektr.Musik (Humpert) | 1 | ||||||||||||
| 34008 | Hans Ulrich | Humpert | Für Christoph Caskel | 1997 | fixed media, akusmatisch | 3:41 | Stereo | HfMT Köln | 0 | ||||||||||
| 7427 | Hans Ulrich | Humpert | Für Franz Müller-Heuser zum 60. Geburtstag | 1992 | fixed media, akusmatisch | 8:50 | Stereo | Klang-Collage | HfMT Köln | 0 | |||||||||
| 7428 | Hans Ulrich | Humpert | Für Siegfried Palm, Elektronische Hommage | 1976 | fixed media, akusmatisch | 4:57 | Stereo | HfMT Köln | 0 | ||||||||||
| 7429 | Hans Ulrich | Humpert | Für Walter Gieseler | 1989 | fixed media, akusmatisch | 6:46 | Stereo | hommage | HfMT Köln | 0 | |||||||||
| 7430 | Hans Ulrich | Humpert | Hommage à Heinz Schröter | 1972 | fixed media, akusmatisch | 5:08 | Mono | HfMT Köln | 0 | ||||||||||
| 34006 | Hans Ulrich | Humpert | Klangbeispiele zum Buch 'Elektronische Musik' | 1983 | Demo, Studie | 47:13 | Stereo | HfMT Köln | 0 | ||||||||||
| 7431 | Hans Ulrich | Humpert | Klavierstück III | 1965/1966 | Zuspiel / Tonband, 1 perf | 5:26 | Mono | p [Piano] | HfMT Köln | 0 | |||||||||
| 7432 | Hans Ulrich | Humpert | Klavierstück IV mit Obligati | 1977 | Zuspiel / Tonband, 1 perf | 12:33 | Stereo | p [Piano] | HfMT Köln | 0 | |||||||||
| 7433 | Hans Ulrich | Humpert | Konzert für Klarinette und elektronische Klänge | 1969/1980 | Zuspiel / Tonband, 1 perf | 11:32 | 3 tracks | cl [Klarinette] | new version | HfMT Köln | 0 | ||||||||
| 7434 | Hans Ulrich | Humpert | 'Kunst für alle' | 1981 | intermedia | 13:25 | Stereo | slides | HfMT Köln | 0 | |||||||||
| 34011 | Hans Ulrich | Humpert | Meiderich-Musik | 1999 | Zuspiel / Tonband, 1 perf | Stereo | trbn [Posaune] | HfMT Köln | 0 | ||||||||||
| 34014 | Hans Ulrich | Humpert | Mnemosyne (F. Hölderlin) | 1999 | Zuspiel / Tonband, 5 perf | 6:42:00 | Stereo | 5 V [Stimme] | Komposition für fünf Vokalsolisten und Zuspielband | HfMT Köln | 0 | ||||||||
| 19106 | Hans Ulrich | Humpert | Petrarca meets Babel | 1995 | fixed media, akusmatisch | 11:13 | Quadro | Sprachkomposition | HfMT Köln | 1 | |||||||||
| 7435 | Hans Ulrich | Humpert | Polemique musicale - Action for two | 1964 | Performance, live-elec, 2 perf | 12:19 | Mono | 2 Akteure [Schauspieler] | HfMT Köln | 0 | |||||||||
| 7436 | Hans Ulrich | Humpert | Puls | 1968/1969 | fixed media, akusmatisch | 18:39 | Quadro | HfMT Köln | 0 | ||||||||||
| 7437 | Hans Ulrich | Humpert | Quattro notturni | 1968 | fixed media, akusmatisch | 11:06 | Quadro | HfMT Köln | 0 | ||||||||||
| 7438 | Hans Ulrich | Humpert | Sinfonie in zwei Sätzen | 1967 | Zuspiel / Tonband, 1 group | 12:43 | Quadro | orc [Orchester] | HfMT Köln | 0 | |||||||||
| 34013 | Hans Ulrich | Humpert | Strophen | 1998 | Zuspiel / Tonband, 2 perf | Stereo | Flügelhorn, perc [Horn, Schlagzeug] | Komposition für Flügelhorn, Schlagzeug und elektronische Klänge | HfMT Köln | 0 | |||||||||
| 7439 | Hans Ulrich | Humpert | Studie | 1965 | fixed media, akusmatisch | 4:43 | Mono | DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ | HfMT Köln | 1 | |||||||||
| 18844 | Hans Ulrich | Humpert | Studie über Vorgefundenes | 1983 | Demo, Studie | 4:47 | only a demonstration to the publication "Elektronische Musik" | HfMT Köln | 1 | ||||||||||
| 34019 | Hans Ulrich | Humpert | Symphonie sur une Vie de Héros | 2005 | radiophon | 41:50:00 | Stereo, Quadro | Christian Brückner, Renzo Brizzi, Jürg Low, Tom Zahner, Sprecher, historische Persönlichkeiten und jugendliche Frauenstimmen | HfMT Köln CD7/ | HfMT Köln, WDR Studio Akustische Kunst | 25.1.2003 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1446785&vi=189&SID | |||||
| 7440 | Hans Ulrich | Humpert | Synesis | 1971 | Zuspiel / Tonband, 3 perf, 1 group | 17:09 | Stereo | ens, synt, e-org, perf (Zeitgeber) [Keyboard, Performer, synthesizer, Ensemble] | verschiedene Abmischungen | HfMT Köln | 0 | ||||||||
| 7441 | Hans Ulrich | Humpert | Trio III | 1965 | fixed media, akusmatisch | 6:33 | Mono | HfMT Köln | 0 | ||||||||||
| 7442 | Hans Ulrich | Humpert | Vom Enden einer Liebe, einer Frau, Aus dem Leben der Susette Gontard | 1987 | radiophon | 31:20 | Quadro | "Romantisches Hörspiel" | HfMT Köln | 0 | |||||||||
| 21105 | Hans Ulrich | Humpert | Von den Steinen, die brennen | 1996 | Klangkunst, Installation | fixed media, akusmatisch |
72:00 | Stereo | Musik in 5 Teilen zum KunstKlangRaum der BuGa 1997 in Zeche Nordstern, Gelsenkirchen. Beilage zum gleichnamigen Katalog. Not in the archive of the HfMT Köln. |
ISBN 3-89322-328-2/ | HfMT Köln | 1 | ||||||||
| 34016 | Hans Ulrich | Humpert | Wanderungen durch den Park Emscher-Nord mit Theodor Fontane | 2000 | radiophon | 34:05:00 | Stereo | Christian Brückner, Stimme | HfMT Köln, WDR Studio Akustische Kunst | 7.10.2000 | WDR | 0 | |||||||
| 7443 | Hans Ulrich | Humpert | Waves and Forms | 1969 | fixed media, akusmatisch | 12:07 | Stereo | für EXPO Osaka 1970 | HfMT Köln | 0 | |||||||||
| 7444 | Svein | Hundsnes | Borobudur | 1988 | fixed media, akusmatisch | 15:00 | NOTAM | 0 | |||||||||||
| 7445 | Svein | Hundsnes | Mjølk og Honning | 1989 | Zuspiel / Tonband, 2 groups | 60:00 | ch, actors [Schauspieler, Chor] | NOTAM | 0 | ||||||||||
| 7446 | Geneviève | Huneau | Contrecoup d'apages égarées | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 7447 | Geneviève | Huneau | Vox Nubilis | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 33422 | Arthur | Hunkins | Monaural improvisation No. 1 on Echo | 1965 | fixed media, akusmatisch | 3 | Mono | PS IEMC Trumanburg | 0 | ||||||||||
| 33423 | Arthur | Hunkins | Variations on a Concrete Theme | 1965 | fixed media, akusmatisch | 10:39 | Mono | withdrawn? | PS IEMC Trumanburg | 0 | |||||||||
| 7448 | Susan | Hunstiger | Eva | 1979 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 7449 | Susan | Hunstiger | Yummi | 1981 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 18884 | Jerry | Hunt | Babalon(string) | 1989 | intermedia, live-elec, 2 perf | 5:14 | V, ins [Stimme, Instrument] | AER 1990 / 1/ | 0 | ||||||||||
| 20325 | Jerry | Hunt | Bitom (Stream) : Link | 1991 | live-elec, 2 perf | 13:58 | Stereo | hn, p [Horn, Piano] | OO Discs 9/ | PS C. Dallas | 0 | ||||||||
| 20326 | Jerry | Hunt | Chimanzzi (Olun) : Core | 1991 | live-elec, 1 perf | 13:26 | Stereo | vn [Violine] | OO Discs 9/ | PS C. Dallas | 0 | ||||||||
| 7451 | Jerry | Hunt | Fluud | 1988 | fixed media, akusmatisch | 17:10 | Stereo | 2 com | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | 1 | ||||||||
| 7452 | Jerry | Hunt | Haramand Plane: parallel / regenerative | 1973 | Klangkunst, Installation | ∞ | multichannel | PS C. Dallas | 0 | ||||||||||
| 7453 | Jerry | Hunt | Helix 3 | 1963 | fixed media, akusmatisch | PS C. Dallas | 0 | ||||||||||||
| 20327 | Jerry | Hunt | Lattice (Stream) : Ordinal | 1991 | live-elec, 1 perf | 20:37 | Stereo | p [Piano] | OO Discs 9/ | PS C. Dallas | 0 | ||||||||
| 7454 | Jerry | Hunt | Preparallel | 1964 | live-elec, 10 groups | multichannel | 1-10 group of ins [Instrument] | PS C. Dallas | 0 | ||||||||||
| 7455 | Jerry | Hunt | Quaquaversal Transmission | 1972 | Klangkunst, Installation | ∞ | multichannel | PS C. Dallas | 0 | ||||||||||
| 19100 | Jerry | Hunt | Song Drape | 1992 | live-elec, | 17:00 | MW 65/ TZ 7045/ | 1 | |||||||||||
| 20328 | Jerry | Hunt | Talk (Slice) : Double | 1992 | live-elec, 1 perf | 8:41 | Stereo | V [Stimme] | OO Discs 9/ | PS C. Dallas | 0 | ||||||||
| 20329 | Jerry | Hunt | Transform (Stream) : Monopole | 1991 | live-elec, 1 perf | 10:43 | Stereo | V [Stimme] | OO Discs 9/ | PS C. Dallas | 0 | ||||||||
| 7457 | Jerry | Hunt | Unit 1 | 1965 | live-elec, 1 perf | multichannel | ins (sol situation) [Instrument] | PS C. Dallas | 0 | ||||||||||
| 7456 | Jerry, Haramand | Hunt, Plane | Three Translation Links : Chimanzzi … | 1993 | live-elec, | 60:14 | WN 0015, What Next/ | 1 | |||||||||||
| 39919 | Joel V. | Hunt | Knock | 2017 | live-elec, 1 perf | p (& resonace) [Piano] | Joel V. Hunt | 0 | |||||||||||
| 39408 | Joel V. | Hunt | Material | 2017 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 39920 | Joel V. | Hunt | Two Movements | 2015 | live-elec, 1 perf | 8:00:00 | synt (modular synt) [synthesizer] | Joel V. Hunt | 0 | ||||||||||
| 7458 | John | Hunt | Sleeptalking | radiophon | BBC | 0 | |||||||||||||
| 7459 | Richard | Hunt | Acoustic Viola | 1971 | fixed media, akusmatisch | 6:30 | Quadro | McGill Montréal | 0 | ||||||||||
| 7460 | Tim | Hunt | Jeté | 1989 | fixed media, akusmatisch | 13:00 | UEA Norwich | 0 | |||||||||||
| 7461 | Tim | Hunt | Seas Incarnadine | 1988 | fixed media, akusmatisch | 15:00 | UEA Norwich | 0 | |||||||||||
| 7462 | Adrian | Hunter | Gallic Logic | 1988 | fixed media, akusmatisch | 14:00 | Stereo | BEAST | 0 | ||||||||||
| 7463 | Adrian | Hunter | Phase Five | 1985 | fixed media, akusmatisch | 11:35 | UEA Norwich | 0 | |||||||||||
| 7464 | Adrian | Hunter | The Stone Circle | 1988 | fixed media, akusmatisch | 8:30 | Stereo | BEAST | 1 | ||||||||||
| 7465 | Adrian | Hunter | Vistas | 1994 | fixed media, akusmatisch | 15:00 | Stereo | BEAST | 0 | ||||||||||
| 33427 | Donald | Hunter | Patterns | 1962 | fixed media, akusmatisch | Uni Eugene | 0 | ||||||||||||
| 7466 | Philippe | Hurel | Fragment de lune | 1986 | live-elec, 1 perf, 1 group | 15:00 | MIDI p, ens [Piano, Ensemble] | Billaudot | Accord 201272/ | IRCAM | 1 | 1992 | |||||||
| 7468 | Philippe | Hurel | Leçon de choses | 1993 | live-elec, 1 group | 12:00 | ens [Ensemble] | IRCAM Collection/ Adès/ IRCAM Les Années 90/ | IRCAM | Lemoine | 0 | ||||||||
| 7469 | Joachim van den | Hurk | Couloir en-fer | 1987 | live-elec, | intermedia |
≈ | Octo | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 7470 | Donal | Hurley | Ice to Water, Water to Words | 1993 | fixed media, akusmatisch | 29:00 | PS C. | 0 | |||||||||||
| 7471 | Donal | Hurley | Lifescapes | 1992 | fixed media, akusmatisch | 9:00 | PS C. | 0 | |||||||||||
| 22291 | Donal | Hurley | Suspended sentence | fixed media, akusmatisch | 6:40 | from Ice to Water, Water to Words | CMC CD 03/ | 1 | |||||||||||
| 7472 | Donal | Hurley | Wave-on 7 | 1992 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 36253 | Derek | Hurst | An Wem: Notes from Underground | 2007 | live-elec, 1 perf | 5:48:00 | toy p [Piano] | innova 874/ | 0 | ||||||||||
| 32322 | Leopold | Hurt | 3 Schriftstücke | 2006 | fixed media, akusmatisch | 10 | Stereo | Edition Juliane Klein EJK0622 | 0 | ||||||||||
| 32323 | Leopold | Hurt | über Dörfer | 2004 | fixed media, akusmatisch | 11 | Edition Juliane Klein | 0 | |||||||||||
| 32324 | Leopold | Hurt | vor Geiger | 2004 | fixed media, akusmatisch | 9 | Edition Juliane Klein | 0 | |||||||||||
| 7473 | Ludger | Hurts | Image Sonore | 1989 | fixed media, akusmatisch | 7:00 | Stereo | Sweelinck | 0 | ||||||||||
| 23149 | Adis | Husejnagic | Sand | 2002 | fixed media, akusmatisch | 7:58 | JTTP 2002 | CEC Cache 2002/ | SFU | 1 | |||||||||
| 25576 | Adis | Husejnagic | Transfigured | 2006 | fixed media, akusmatisch | 7:58 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | 1 | |||||||||
| 7474 | Brenda | Hutchinson | EEEYAH! | 1989 | intermedia, 3 perf | 11:30 | vc, b-drum, bell [Schlagzeug, Cello] | AER 1991 / 4/ | 1 | ||||||||||
| 21801 | Brenda | Hutchinson | Interlude from Voices of Reason | 1985 | fixed media, akusmatisch | Tellus Audio Magazine 9/ | 0 | ||||||||||||
| 21802 | Brenda | Hutchinson | Long Tube Trio | 1993 | fixed media, akusmatisch | 12:07 | Tellus Audio Magazine 27/ ISAST LMJ 3/ | 0 | |||||||||||
| 21804 | Brenda | Hutchinson | Voices of Reason (Vanishing Act) | 1991 | fixed media, akusmatisch | Tellus Audio Magazine 25/ | 0 | ||||||||||||
| 21803 | Brenda, Gerald | Hutchinson, Lindahl | Slow Death on a Thorny Rose | 1987 | fixed media, akusmatisch | Tellus Audio Magazine 16/ | 0 | ||||||||||||
| 33586 | Brenda, Ikue, Robyn, Christian | Hutchinson, Mori, Schulkowsky, Wolff | Event — June 22, 2009, Beacon, New York | 2009 | Performance | 5:17:00 | 4 perf [Performer] | Computer [Laptop] – Ikue Mori Electric Guitar, Melodica – Christian Wolff Percussion – Robyn Schulkowsky Performer [Long Tube], Voice, Electronics [Live] – Brenda Hutchinson |
NWR 80712/ | 1 | |||||||||
| 39903 | Jennifer | Hutt | He War | 2016 | fixed media, akusmatisch | Jennifer Hutt | 0 | ||||||||||||
| 7475 | Ketil | Hvoslef | Erkejubel | 1982 | live-elec, 6 perf | 6:00 | 2 tpt, 2 trbn, synt, perc [Trompete, Posaune, Schlagzeug, synthesizer] | NOTAM | 0 | ||||||||||
| 7476 | Ketil | Hvoslef | Rikstrio | 1984 | live-elec, 3 perf | 6:50 | fl, vn, synt [Flöte, Violine, synthesizer] | NOTAM | 0 | ||||||||||
| 37242 | John | Hwang | Elektronisches Requiem | 2017 | fixed media, akusmatisch | 7:00:00 | Quadro | SEM Salzburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 40150 | Nick | Hwang | Dracones Nursery | 2017 | fixed media, akusmatisch | Nick Hwang | 0 | ||||||||||||
| 24965 | Sung Ho | Hwang | TV Scherzo | 1995 | fixed media, akusmatisch | 6:52 | KEAMS 10th Anniversary/ Kiasma 1998/ | 1 | |||||||||||
| 40332 | Yian | Hwang | The Strike | 2015 | fixed media, akusmatisch | 6:19:00 | Yian Hwang | 0 | |||||||||||
| 31796 | Yong Taek | Hwang | Air | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31799 | Yong Taek | Hwang | Biorhythmus | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31798 | Yong Taek | Hwang | Ozeanwetter Kontroll-Center | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31797 | Yong Taek | Hwang | the Art of War | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 7477 | Joseph | Hyde | Erogenous Zone | 1991 | Film | 25:00 | Stereo | 0 | |||||||||||
| 18498 | Joseph | Hyde | Goldglow | 1995 | fixed media, akusmatisch | 20:00 | Prix ars electronica 97/ SCD 28046 Sargasso/ | IMEB Bourges, BEAST | Auszeichnung ars electronica honorary mention 1997 | 0 | |||||||||
| 40994 | Joseph | Hyde | Goldglow | 1995 | fixed media, akusmatisch | 20:00 | Prix ars electronica 97/ SCD 28046 Sargasso/ | IMEB Bourges, BEAST | Auszeichnung ars electronica honorary mention 1997 | 0 | |||||||||
| 7478 | Joseph | Hyde | in sunlight II, September Song | 1992 | Zuspiel / Tonband, 1 perf | 9:10 | V [Stimme] | ICMC 1993, LMCD 1375/ | BEAST | Residence Bourges 93 | 1 | ||||||||
| 22592 | Joseph | Hyde | Into the Blue | 1995 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 7479 | Joseph | Hyde | Perpetual Motion II: Rainy Season | 1989 | Tanz | 11:00 | Stereo | Uni Nottingham | prize EMAS | 0 | |||||||||
| 7480 | Joseph | Hyde | Perpetual Motion III: WHALEHAILSTONES | 1991 | Tanz | 9:00 | Stereo | Puy, Bourges 93 | BEAST | 0 | |||||||||
| 7481 | Joseph | Hyde | Recitative | 1994 | fixed media, akusmatisch | 3:00 | Stereo | BEAST | 0 | ||||||||||
| 24806 | Joseph | Hyde | Rhiannon | 1993 | fixed media, akusmatisch | 18:48 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 7482 | Joseph | Hyde | SEVen.waVES | 1992 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | fl [Flöte] | BEAST | 0 | |||||||||
| 7483 | Joseph | Hyde | Songlines | 1994 | fixed media, akusmatisch | 14:07 | Stereo | LDC 278058/59 Cultures Electroniques 8/ Russolo Pratella EF.ER.P 95/ | BEAST | prize Bourges 95; Russolo-Pratella 95 Competition Musica Nova Prag 1994 |
1 | ||||||||
| 7484 | Joseph | Hyde | three songs of love and darkness | 1990 | live-elec, 1 perf | 22:00 | Stereo | p [Piano] | 0 | ||||||||||
| 7485 | Joseph | Hyde | to the last syllable (one) | 1993 | Zuspiel / Tonband, 4 perf | 16:00 | Stereo | amp S, A, T, Bar [Sopran, Alt, Tenor, Bariton] | BEAST | 0 | |||||||||
| 7486 | Joseph | Hyde | undercurrents / Overload | 1990 | Zuspiel / Tonband, 1 perf | 16:00 | Stereo | trbn [Posaune] | Uni Nottingham | 0 | |||||||||
| 36403 | Joseph | Hyde | Vox Mecanix | 1999 | radiophon | 10:07 | Kiasma 1999/ SCD 28046 Sargasso/ | BEAST | 0 | ||||||||||
| 33866 | Joseph | Hyde | Zoetrope | 1997 | audiovisuell | fixed media, akusmatisch |
14:20 | Stereo | Prix Ars Electronica 98/ | Auszeichnung ars electronica honorary mention 1998 | 0 | |||||||||
| 40037 | Maija | Hynninen | …sicut aurora procedit | 2017 | fixed media, akusmatisch | Maija Hynninen | 0 | ||||||||||||
| 7487 | Henrik | Hytteballe | Ballet, Stromboli | 1988 | fixed media, akusmatisch | 15:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 7488 | Henrik | Hytteballe | Filmnovelle | 1987 | Film | 33:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 37667 | Clara | Iannotta | smudged – a carbon copy | 2016/2017 | live-elec, 6 perf | ≈ 12 | 5 perf, (transducer), elec [Performer, elektronik] | Musik der Jahrhunderte | 2.2.2017 | ECLAT Festival Stuttgart; Neue Vocalsolisten Stuttgart | 0 | ||||||||
| 7489 | Dimitrios | Iatropoulos | Affectiv-Bestial | 1978 | Tanz | 9:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 7490 | Dimitrios | Iatropoulos | Andy Wonder und der Genosse Unvogel, Version 2 | 1979 | fixed media, akusmatisch | 13:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 7491 | Dimitrios | Iatropoulos | Andy Wounder und der Genosse Unvogel | 1978 | Zuspiel / Tonband, 4 perf | 12:16 | Stereo | fl, mouth-org, V, gui, (singing) [Stimme, Flöte, Gitarre, Bläser] | Version 1. | ELAK Wien | 0 | ||||||||
| 7492 | Dimitrios | Iatropoulos | Die Stadt | 1978 | Zuspiel / Tonband, 1 perf | 14:06 | Stereo | mouth-org [Bläser] | ELAK Wien | 0 | |||||||||
| 31730 | Fernando | Iazzetta | Corda e Cabaça | 1999 | fixed media, akusmatisch | 7:25 | 6 | LAMI 009, música eletroacústica brasileira/ SBME 007 Coletânea de Música Eletroacústica Brasileira/ | LAMI São Paulo | August 1999 | São Paulo | 1 | |||||||
| 31729 | Fernando | Iazzetta | Dru | 1998 | fixed media, akusmatisch | 8:39 | original version for multimedia performance with dancers (1997) | LAMI 009, música eletroacústica brasileira/ | LAMI São Paulo | 1 | |||||||||
| 31734 | Fernando | Iazzetta | Five places to remember, Praga Berlin Bogota Paraty Bruxelas |
2008 | fixed media, akusmatisch | 17 | LAMI 009, música eletroacústica brasileira/ | VICC Visby | 1 | ||||||||||
| 23274 | Fernando | Iazzetta | PerCurso | 1997 | fixed media, akusmatisch | 7:24 | SBME 002, Musica el. Brasileira Vol 2/ | PUC-SP | 1 | ||||||||||
| 31731 | Fernando | Iazzetta | Promenade | 1997 | Zuspiel / Tonband, 2 perf | 8:57 | 2 perc [Schlagzeug] | LAMI 009, música eletroacústica brasileira/ | LAMI São Paulo | 1 | |||||||||
| 31733 | Fernando | Iazzetta | Tangerina | 2002 | live-elec, 1 perf | 8:16 | cl [Klarinette] | LAMI 009, música eletroacústica brasileira/ | LAMI São Paulo | 1 | |||||||||
| 31732 | Fernando | Iazzetta | Tormenta em Campos Férteis | 2006 | fixed media, akusmatisch | 11:06 | 6 | LAMI 009, música eletroacústica brasileira/ | LAMI São Paulo | Motus-prize Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2009 | 1 | ||||||||
| 7493 | Miguel | Ibáñez | Människovakuum | 1979 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 7494 | Miguel | Ibáñez | Oh Rocks | 1978 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 7495 | Miguel | Ibáñez | Tredje alternativet, fragment II | 1979 | live-elec, 2 perf | Stereo | p, fl [Flöte, Piano] | EMS Stockholm | 1979 | Fylkingen, Stockholm | 0 | ||||||||
| 39717 | David | Ibbett | Branches | 2016 | fixed media, akusmatisch | David Ibbett | 0 | ||||||||||||
| 7496 | Feim | Ibraimi | De Profundis | 1994 | fixed media, akusmatisch | 10:00 | SEM Salzburg | 0 | |||||||||||
| 33551 | Toshi | Ichiyanagi | Activities For Orchestra | 1962 | Tanz, live-elec, 6 perf | 24:09 | V, perc, va, vn, hn, p [Stimme, Horn, Piano, Schlagzeug, Viola, Violine] | Dance: Scramble (1967) Piano, Voice, Percussion – John Cage Viola – David Behrman Violin – Malcolm Goldstein Horns, Electronics [Live] – Gordon Mumma Percussion – Max Neuhaus Piano, Electronics [Live] – David Tudor |
NWR 80712/ | 1 | |||||||||
| 7497 | Toshi | Ichiyanagi | Aido | 1966 | Theatermusik | 50:00 | Stereo | PS C. | 0 | ||||||||||
| 7498 | Toshi | Ichiyanagi | Appearance | 1967 | live-elec, 3 perf | var 20 | Stereo | 3 ins, (2 oscillators, 2 rm) [Instrument] | (with players Lucier, Bartlett, Maginnis, Shapiro) | OPA 005/ | PS C. NY | 0 | |||||||
| 34523 | Toshi | Ichiyanagi | Drip Music, Synthesized Piano Space | 1974 | Klangkunst, Installation | 24:18 | Artwork by Kentaro Matsui, Shin Akiyama. Original title: Synthesized Piano Space |
OPA 009/ | 0 | ||||||||||
| 38452 | Toshi | Ichiyanagi | Duet | 1960 | Zuspiel / Tonband, | 12:33 | Mono | 25CM 552-3/ | NHK Tokyo | 0 | |||||||||
| 36320 | Toshi | Ichiyanagi | Electronic Field | 1962 | Performance, live-elec, 1 perf | 45:40 | prep p [Piano] | OPA 008/ | 0 | ||||||||||
| 7499 | Toshi | Ichiyanagi | Enviromental Music | 1964 | Klanginstallation, live-elec, | ∞ | 12 Tracks | (elec oscillator) [] | for Takamatsu City | PS Sogetsu Tokyo | 0 | ||||||||
| 7500 | Toshi | Ichiyanagi | exhibition music | 1964 - 1966 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 36346 | Toshi | Ichiyanagi | Extended Voices | 1967, 2014 | Zuspiel / Tonband, 1 perf | 11 | V [Stimme] | on OPX-013 ≈ 2 versions | OPX 013/ | 0 | |||||||||
| 38449 | Toshi | Ichiyanagi | Flowers blooming in summer | fixed media, akusmatisch | 6:51 | CMT 4016/ | 0 | ||||||||||||
| 38453 | Toshi | Ichiyanagi | For strings Music for piano No. 4 Music for piano No. 6 |
1960 - 1962 | Zuspiel / Tonband, 1 perf | 7:53 | p [Piano] | the 4 pieces are performed simultanuasly | 25CM 552-3/ | NHK Tokyo | 0 | ||||||||
| 7501 | Toshi | Ichiyanagi | Funakakushi | 1963 | Klangkunst, Installation | 12:00 | Stereo or multichannel | OPA 017/ | PS Sogetsu Tokyo | 0 | |||||||||
| 7502 | Toshi | Ichiyanagi | Intoxicant Moon | 1991 | live-elec, 1 perf | oma [synthesizer] | 0 | ||||||||||||
| 7503 | Toshi | Ichiyanagi | Invitation to the dark | 1964 | Zuspiel / Tonband, 2 perf | 20:00 | Mono | Narrator, ins [Instrument, Schauspieler] | NHK Tokyo | 0 | |||||||||
| 7504 | Toshi | Ichiyanagi | Kuu, (Contemplation) | 1965 | fixed media, akusmatisch | 61:30 | Mono | NHK Tokyo | 0 | ||||||||||
| 7505 | Toshi | Ichiyanagi | Life Music | 1964 | Zuspiel / Tonband, 1 group | 25:00 | Mono | orc [Orchester] | also elec Version | NiV/ OPA 017/ | NHK Tokyo, PS Sogetsu Tokyo | 0 | |||||||
| 7506 | Toshi | Ichiyanagi | Luminous Space | 1991 | live-elec, 2 perf, 1 group | w (Shô), oma, orc [synthesizer, Bläser, Orchester] | 0 | ||||||||||||
| 7507 | Toshi | Ichiyanagi | Mon | 1966 | Theatermusik | 45:00 | Mono | PS Sogetsu Tokyo | 0 | ||||||||||
| 7508 | Toshi | Ichiyanagi | Music for Electric Metronome I | 1960 | Zuspiel / Tonband, 7 perf | 15:40 | Mono | 3 - 7 mus [Musiker] | 25CM 552-3/ | NHK Tokyo | 0 | ||||||||
| 7509 | Toshi | Ichiyanagi | Music for living space | 1969 | fixed media, akusmatisch | ≈ 9 | ed. rz 1008/ OPA 005/ | 0 | |||||||||||
| 7510 | Toshi | Ichiyanagi | Music for Strings #2 | 1966 | live-elec, 1 perf | 10:00 | Mono | amp vn [Violine] | Toshiba Records 3ER-188/ | PS Sogetsu Tokyo | 0 | ||||||||
| 7511 | Toshi | Ichiyanagi | Music for Tinguely | 1963 | Klangkunst, Installation | ∞ 10 | for Tinguely-sculpture | OPA 005/ OPA gq/ | 0 | ||||||||||
| 38448 | Toshi | Ichiyanagi | Paganini Personal | fixed media, akusmatisch | 9:13 | CMT 4016/ | 0 | ||||||||||||
| 7512 | Toshi | Ichiyanagi | Parallel Music | 1962 | fixed media, akusmatisch | 9:12 | Mono | OUOADM 0901/ 25CM 552-3/ IDEAMA CD 085/ | NHK Tokyo | 0 | |||||||||
| 7513 | Toshi | Ichiyanagi | Présage | 1986 | live-elec, 6 perf | 6 oma [synthesizer] | 0 | ||||||||||||
| 38451 | Toshi | Ichiyanagi | Scenes II | fixed media, akusmatisch | 12:05 | CMT 4016/ | 0 | ||||||||||||
| 7514 | Toshi | Ichiyanagi | Shiki soku ze Ku. Ku soku ze Shiki, Lust is emptiness and emtiness is Lust | 1965 | Film | 33:00 | OPA 020/ | NHK Tokyo | 0 | ||||||||||
| 7515 | Toshi | Ichiyanagi | Situation | 1966 | live-elec, 5 perf | 9:00 | Stereo | vn, db, 2 str (biwa, koto), p [Piano, Violine, Kontrabass, Streicher] | RCA SJV 1515 Victor/ | PS C. | 1 | ||||||||
| 7516 | Toshi | Ichiyanagi | Space | 1966 | live-elec, 2 perf | ∞ | Stereo | 2 p [Piano] | PS C. | 0 | |||||||||
| 7517 | Toshi | Ichiyanagi | Tenryuji | 1992 | live-elec, 6 perf | 4 mus (Ryuteki, shakuhachi, Shô, Koto), oma, perc [Schlagzeug, Musiker, synthesizer] | 0 | ||||||||||||
| 7518 | Toshi | Ichiyanagi | The World | 1975 | fixed media, akusmatisch | 0 | |||||||||||||
| 7519 | Toshi | Ichiyanagi | Tinguely Mixture No. 2 | 1965 | Hintergrundmusik | 16:00 | Mono | MiG/ | 0 | ||||||||||
| 7520 | Toshi | Ichiyanagi | Tokyo 1969 | 1969 | fixed media, akusmatisch | 15:29 | CMJ Vol 21, 1997/ OUOADM 0502/ OUOADM 0601/ | NHK Tokyo | 1 | ||||||||||
| 7521 | Toshi | Ichiyanagi | Troposphere | 1990 | live-elec, 2 perf | mar, oma [Schlagzeug, synthesizer] | 0 | ||||||||||||
| 38450 | Toshi | Ichiyanagi | Two Existence | fixed media, akusmatisch | 7:25 | CMT 4016/ | 0 | ||||||||||||
| 36223 | Toshi, Michal Kleofas | Ichiyanagi, Oginski | Polonaise in A minor, ojczyzny | live-elec, 2 perf | 4:42 | 2 p, (elec) [Piano] | omega OPX 001, exp. music of Japan vol. 1/ | 0 | |||||||||||
| 34300 | Martin | Iddon | Ampelos | 2015 | live-elec, 1 perf | ≈ 13 | V [Stimme] | Jeffrey Gavett | 0 | ||||||||||
| 34298 | Martin | Iddon | Balanos | 2013 | Zuspiel / Tonband, 1 perf | ≈ 7 | org [Orgel] | Lauren Redhead, Colchester New Music, and the Sonic Art Forum | 0 | ||||||||||
| 34296 | Martin | Iddon | Karya | 2011 | Zuspiel / Tonband, 1 perf | ≈ 12 | disklavier [Piano] | Rei Nakamura | 0 | ||||||||||
| 34295 | Martin, Antti | Iddon, Saario | 5 closed vessels | 2008 - 2011 | fixed media, akusmatisch | 27 | 0 | ||||||||||||
| 34297 | Martin, Antti | Iddon, Saario | A Game of You with The Doll’s House | 2012 | audiovisuell, | ≈ 20 | imp ens (video) [Ensemble] | notes inégales | 0 | ||||||||||
| 34292 | Martin, Antti | Iddon, Saario | closed vessel: Ausstrahlung | 2007 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 34294 | Martin, Antti | Iddon, Saario | dead white male | 2006 - 2008 | fixed media, akusmatisch | 49:00:00 | 0 | ||||||||||||
| 34291 | Martin, Antti | Iddon, Saario | dead white male (edit) | 2006 - 2007 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 34293 | Martin, Antti | Iddon, Saario | proposition 6a: ceci n'est pas une machine de guerre (Refrain) | 2008 | fixed media, akusmatisch | 10:00:00 | amp p, (live electronics) [Piano] | 0 | |||||||||||
| 34299 | Martin, Antti | Iddon, Saario | The Doll’s House (version) | 2012 - 2014 | fixed media, akusmatisch | ≈ 15 | 0 | ||||||||||||
| 34290 | Martin, Antti, Group | Iddon, Saario, zygote | complicity simplex | 2010 - 2011 | audiovisuell, 1 perf | 8 | var ins (any number of ins, stimulated score) [Instrument] | 0 | |||||||||||
| 40275 | Takafumi | Ide | debacle 2015 | 2016 | Klangkunst, Installation | Takafumi Ide | 0 | ||||||||||||
| 7522 | José | Iges | Autoritratto | fixed media, akusmatisch | 5:00 | txtcompo | UM CD 7 Vol. I/ | 1 | |||||||||||
| 19668 | José | Iges | Exercisi sulla Fragilita | 1994 | Zuspiel / Tonband, 1 perf | 8:10 | Stereo | perc [Schlagzeug] | LIEM CDMC Madrid | 0 | |||||||||
| 7523 | José | Iges | Force In | 1992 | Performance | 55:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 28739 | José | Iges | La Ciudad Resonante, für Sprecher, Live-Elektronik und Video | 1999 | Performance | 46:19 | Quadro | V, (com) [Stimme] | 1 | 2008 | |||||||||
| 7524 | José | Iges | Lito-grafia | 1990 | fixed media, akusmatisch | 4:50 | CBA 11/ | PS C., RNE | 0 | ||||||||||
| 7525 | José | Iges | Modos de contar | 1989 | fixed media, akusmatisch | 27:35 | UM CD 9 Vol. II/ | GME Cuenca | 1 | ||||||||||
| 19667 | José | Iges | Secretos bien Guardados | 1994 | fixed media, akusmatisch | 6:47 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 7526 | José | Iges | sin titulo - Performance I & II | 1990 | Performance | Stereo | LIEM CDMC Madrid | 0 | |||||||||||
| 19602 | José, Ricardo | Iges, Bada | Loreley Express | 1988 | fixed media, akusmatisch | 20:09 | Stereo | UM CD 9 Vol. II/ | GME Cuenca | 0 | |||||||||
| 19666 | José, Concha | Iges, Jerez | La Ciudad del Agua | 1994 | Performance | 29:00 | Stereo | hyCD-24 / | LIEM CDMC Madrid | 1 | |||||||||
| 33754 | José, Concha | Iges, Jerez | Radio No-Man’s Land | 2009 | radiophon | Performance |
12:33 | Stereo, Surround 5.1 | EBU Ars Acustica 2009/ | ORF Kunstradio | 27. Mai 2009, 20 Uhr | Studio 3, ORF Funkhaus, Argentinierstraße 30a, 1040 Wien | EBU Ars Acustica 2009 | 1 | http://kunstradio.at/2009A/31_05_09en.html | |||||
| 22903 | Alejandro | Iglesias-Rossi | Angelus | 1996 | fixed media, akusmatisch | 16:24 | CMJ Vol 23-4, 1999/ ELCD 010 Electroshock Records/ | CEAMC B.Aires | 1 | ||||||||||
| 22859 | Alejandro | Iglesias-Rossi | Ascención | 1998 | fixed media, akusmatisch | 10:36 | Pogus Productions P21015-2/ | 1 | |||||||||||
| 22134 | Anna | Ignatowicz | That's only Time | Zuspiel / Tonband, 2 perf | 10:20 | Stereo | perc, tpt [Trompete, Schlagzeug] | ExpSt Warsaw | 0 | ||||||||||
| 19144 | Anton | Ignorant | Routine Rumble | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears"; electro-rock | ncb Skraep/ | 1 | ||||||||||||
| 43140 | Ryoji | Ikeda | 0o C | 2000 | fixed media, akusmatisch | ARS 00/ | Auszeichnung ars electronica honorary mention 2000 | 0 | |||||||||||
| 32901 | Ryoji | Ikeda | db | 2012 | Klangkunst, Installation | ∞ | 28.1.2012 - 9.4.2012 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | http://www.musikwerke-bildender-kuenstler.de/de/k13.html | |||||||||
| 43123 | Ryoji | Ikeda | Matrix | 2001 | audiovisuell | 57:33 | Auszeichnung ars electronica: Golden Nica 2001 | 0 | http://archive.aec.at/prix/showmode/36090/ | ||||||||||
| 40857 | Ryoji | Ikeda | One Minute | Klangkunst, Installation | 1 | SR 190 sub rosa/ | 0 | ||||||||||||
| 40226 | Ryo | Ikeshiro | Construction in Zuangzhi | 2016 | fixed media, akusmatisch | Ryo Ikeshiro | 0 | ||||||||||||
| 31800 | Anna | Ikramova | Beaute paree… | 2000 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 37499 | Anna | Ikramova | Das Buch Hiob | Theatermusik | 110:00:00 | Stereo | org, fl, actors [Flöte, Orgel, Schauspieler] | Tonband (s. Zuspielband, Master), Orgel, Flöte | ICEM Essen | 29.4.1995 | Melanchthon-Kirche Bochum | 0 | |||||||
| 31801 | Anna | Ikramova | Der schlafende Reiter (Band I), Windgesänge | 2001 | audiovisuell | ICEM Essen | 0 | ||||||||||||
| 7527 | Anna | Ikramova | Die große Utopie | 1992 | audiovisuell | 42:20 | Konkretmat., Synlab | ICEM Essen | Guggenheim Museum NY | 0 | |||||||||
| 37500 | Anna | Ikramova | Die Kreuzungen. Nächtliche Stadtklänge. | 1996 | Klangkunst, Installation | 12:10:00 | Stereo | CSound, CLM, ProTools | ICEM Essen | 21.4.1996 | Galerie Ricarda Fox, Essen-Werden | 0 | |||||||
| 37501 | Anna | Ikramova | Die Schule der Dummen | 1999 | Theater, live-elec, 1 perf | 10:00:00 | Stereo | Sp (Jochen Klüßendorf) [Sprecher] | Sprecher; MAX, SampleCell | ICEM Essen | 0 | ||||||||
| 37502 | Anna | Ikramova | Ein Lied mit Folgen | 1997 | Zuspiel / Tonband, 5 perf | 31:00:00 | Quadro | str-qt, Sp [Sprecher, Streicher] | Streichquartett, Sprecher, Pro Tools, Ceres, Granular, Csound, Modalis | ICEM Essen, WDR | 8.7.1997 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1391268&vi=192&SID | |||||
| 42240 | Anna | Ikramova | Eine Sommerreise | 1995 | radiophon | fixed media, akusmatisch |
32:47 | WDR Studio Akustische Kunst | 18.4.1995 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1392485&vi=193&SID | ||||||||
| 22222 | Anna | Ikramova | einstimmig… | 1997 | fixed media, akusmatisch | 7:23 | mit SynLab produziert | Cybele 960.103/ | ICEM Essen | 1 | http://www.Cybele .de/shop/product_info.php?products_id=49 | ||||||||
| 7528 | Anna | Ikramova | Ej Nu-Ka Oj | 1995 | fixed media, akusmatisch | 11:19 | Quadro | Csound, Audiosculpt, clm, MAX, PatchWork | ICEM Essen | 0 | |||||||||
| 37503 | Anna | Ikramova | "Hiob" | 1996 | radiophon | 17:40:00 | Quadro | 2 Sp, org, V, vn [Sprecher, Stimme, Orgel, Violine] | TX18W, Common Lisp, Digital Performer, Sound Designer, CSound, Synlab | ICEM Essen | 0 | ||||||||
| 37504 | Anna | Ikramova | "Hören und Schweigen" | 1996 | Theatermusik | 48:00:00 | Quadro | vn, org, V, 2 Sp [Sprecher, Stimme, Orgel, Violine] | CSound, CLM, SynLab, Pro Tools 4 Teile. |
ICEM Essen | 0 | ||||||||
| 37505 | Anna | Ikramova | Ich erhebe meine Stimme | 1997 | fixed media, akusmatisch | 6:00:00 | Stereo | Pro Tools, Cecilia, CSound | ICEM Essen | 0 | |||||||||
| 37506 | Anna | Ikramova | IROHA | 1996 | Tanz | 22:00:00 | Quadro | p [Piano] | Synlab, CSound, GRANULAR (SGI), Pro Tools, Klavier | ICEM Essen | 6.7.1996 | MZ Uni-Bochum | 0 | ||||||
| 24277 | Anna | Ikramova | Klangkulissen | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 37507 | Anna | Ikramova | KlareFerne | 1996 | fixed media, akusmatisch | 9:19:00 | Stereo | CSound, SoundHack, ProTools | ICEM Essen | 0 | |||||||||
| 37508 | Anna | Ikramova | Lederfresse | Theatermusik | 30:00:00 | Quadro | actors [Schauspieler] | ProTools. Ceres | ICEM Essen | 0 | |||||||||
| 37509 | Anna | Ikramova | Sommerreise | 1993 | fixed media, akusmatisch | 35:40:00 | Quadro | Synlab, TX16W. Pschenitschnikova, Natalia (Stimme) | ICEM Essen | 0 | |||||||||
| 7529 | Anna | Ikramova | Sommerreise (Lebensgeschichte als Folklore) | 1993 | fixed media, akusmatisch | 35:40 | Quadro | ICEM Essen | 0 | ||||||||||
| 7530 | Anna | Ikramova | Tatlin | 1993 | Film | 28:00 | Stereo | ICEM Essen | 0 | ||||||||||
| 37510 | Anna | Ikramova | Um die Ecke | 1994 | Theatermusik | 16:00:00 | Quadro | actors [Schauspieler] | ProTools, Sounddesinger, C-sound, SYNLAB, TX 16W | ICEM Essen | 0 | ||||||||
| 37511 | Anna | Ikramova | Windgesänge, Der Schlafende Reiter | 1999 | live-elec, 1 group | 11:00:00 | Quadro | ch [Chor] | Chor, ProTools, CLM, Csound, Mix, rt | ICEM Essen | 0 | ||||||||
| 37790 | Farhad | Ilaghi Hosseini | Anarchy | 2016 | live-elec, 2 perf | Octo | perc (daf), elec [Schlagzeug, elektronik] | Incontri HMTM Hannover | 24.11.2016 | Hochschule für Künste Bremen | 0 | ||||||||
| 37804 | Farhad | Ilaghi Hosseini | Aquarell | 2017 | live-elec, 1 perf | Octo | p, (Video, elec) [Piano] | Incontri HMTM Hannover | 17.07.2017 | HMTM Hannover | 0 | ||||||||
| 37800 | Farhad | Ilaghi Hosseini | C4H8Cl2S Nr. 1 | 2016 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | |||||||||
| 37799 | Farhad | Ilaghi Hosseini | C4H8Cl2S Nr. 2 | 2016 | Klanginstallation, live-elec, | 7 tracks | (Interaktive Klanginstallation) [] | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | ||||||||
| 37783 | Farhad | Ilaghi Hosseini | Immersion | 2015 | audiovisuell | Stereo | Incontri HMTM Hannover | 26.06.2015 | ZKM Karlsruhe | 0 | |||||||||
| 36879 | Farhad | Ilaghi Hosseini | U3 | 2015 | fixed media, akusmatisch | Incontri HMTM Hannover | 21.04.2015 | Kunstverein Hannover | 0 | ||||||||||
| 37244 | Farhad | Ilaghi Hosseini | Woge | 2017 | live-elec, 1 perf | 7:00:00 | acc, (com) [Akkordeon] | Incontri HMTM Hannover | 9.2.2017 | Kunstverein Hannover, Jan Skorupski Akkordeon, Farhad Ilaghi Hosseini (Elektronik) | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||
| 37850 | Farhad, Matthias | Ilaghi Hosseini, Mainz | Der süße Schellack-Staub der Zeit | 2017 | Klangkunst, Installation | ∞ | 4.11.-5.11.2017 | Philharmonie Essen Wandelhalle, Festival NOW 2017 | 0 | ||||||||||
| 23582 | Anders | Ilar | Shorthand | 2003 | Klangkunst, Installation | 4:16 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 7531 | Svetozar | Ilavsky | Hudba k vernisazi | 1989 | fixed media, akusmatisch | Zuspiel/Tonband, |
15:38 | Stereo | CECM Bratislava | 0 | ||||||||||
| 7532 | Stephan | Iliev | Minuit | 1991 | fixed media, akusmatisch | Radio Sofia | 0 | ||||||||||||
| 31536 | Jaroslaw | Ilski | ama | 2013 | fixed media, akusmatisch | 7:00 | next_generation 5.0 | HfM Hanns Eisler, UDK Berlin | 0 | ||||||||||
| 37463 | Shiro | Ima | Music for 12 Players and electronic sounds | 1965 | Zuspiel / Tonband, 12 perf | 18:38 | 12 mus [Musiker] | OUOADM 0901/ | NHK Tokyo | 0 | |||||||||
| 23437 | Shintaro | Imai | Accumulation | 2003 | live-elec, 1 perf | 12:00 | Stereo | hp [Harfe] | ZKM Karlsruhe | 1 | |||||||||
| 33849 | Shintaro | Imai | Ah | 2014 | live-elec, 1 perf | 11:05 | sho [Bläser] | for sho and electronics (CD: with Mayumi Miyata) | HPCD-0001/ | 0 | |||||||||
| 40363 | Shintaro | Imai | Der Geist des Atems | 2016 | live-elec, 4 perf | 14:00:00 | sho, vc, db, perc (grancassa) [Schlagzeug, Cello, Kontrabass, Bläser] | 0 | |||||||||||
| 23438 | Shintaro | Imai | Die Zwitschermaschine | 2003 | live-elec, 1 perf | 5:00 | Quadro | fl [Flöte] | after a Painting by Paul Klee | ZKM Karlsruhe | 1 | ||||||||
| 28536 | Shintaro | Imai | Figure in Aperture | 2010 | audiovisuell, live-elec, | 7:00:00 | Octo | Kunitachi Tokyo | Inventionen 2010 / DAAD | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | http://homepage.mac.com/shintaro_imai/ | |||||
| 33848 | Shintaro | Imai | Figure in Movement | 2005 | fixed media, akusmatisch | 3:59 | HPCD-0001/ CMJ Vol 45, 2018/ | TU Berlin | 0 | ||||||||||
| 26581 | Shintaro | Imai | Figure in Movement 2, for piano and real-time-audio/visual processing technique | 2006 | audiovisuell, live-elec, 1 perf | 13:00 | p [Piano] | Heather O’Donnell /supported by DAAD | 1 | ||||||||||
| 26227 | Shintaro | Imai | Figure in Movement 3 | 2007 | live-elec, 1 perf | 15:00 | 5 tracks | db [Kontrabass] | TU Berlin | DAAD Berliner Künstlerprogramm | 21.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 (with John Eckard) | 1 | ||||||
| 40362 | Shintaro | Imai | Figure in Movement 5 | 2011 | audiovisuell | 15:00:00 | 2011 | Maerzmusik Festival | 0 | ||||||||||
| 25047 | Shintaro | Imai | Filtering | 2002 | live-elec, 1 perf | 13:00 | p [Piano] | Yoshiko Shibuya | 1 | ||||||||||
| 28220 | Shintaro | Imai | Immersive Motion Study | 2007 | fixed media, akusmatisch | 11:00 | Spazialisation: WFS | TU Berlin, Kunitachi Tokyo | DAAD | 9.6.2007 | TU-Hauptgebäude WellenFeld Berlin, Lange Nacht der Wissenschaft | 1 | http://www.shintaroimai.com/ims.html | ||||||
| 23435 | Shintaro | Imai | La Lutte bleue | 2000 | live-elec, 1 perf | 10:33 | Stereo, 6 | vc [Cello] | CMJ Vol 28, 2004/ HPCD-0001/ | IRCAM | 1 | ||||||||
| 25048 | Shintaro | Imai | Materials for a Cellist | 2002 | live-elec, 1 perf | 9:00 | vc [Cello] | Jean-Guihen Queyras | 1 | ||||||||||
| 23434 | Shintaro | Imai | Motion and Glitch Study | 2004 | Tanz, live-elec, 1 perf | 15:00 | 5 tracks | dancer [Tanz] | with realtime video processing and projection | HPCD-0001/ | TU Berlin | Festival Inventionen DAAD/TU 2004 | 1 | 2004 | |||||
| 33850 | Shintaro | Imai | Nagare - to - Yodomi | 2012 | live-elec, 1 perf | 13:25 | str (nijugo-gen-so) [Streicher] | for 25-string koto (CD: Maya Kimura) | HPCD-0001/ | 0 | |||||||||
| 23436 | Shintaro | Imai | resonant quarks | 1998 | fixed media, akusmatisch | audiovisuell |
12:00 | Quadro | HPCD-0001/ CMJ Vol 45, 2018/ | Kunitachi Tokyo | December 4, 1998 | The 5th Computer Music Festival in Seoul, Towol Theatre, Seoul Art Center, Korea | 1 | https://www.youtube.com/watch?v=EgsNn1T8hoI | ||||||
| 40360 | Shintaro | Imai | Subtile Oscillation | 2016 | live-elec, 2 perf | 14:56:00 | counter-T, rec [Tenor, Flöte] | 0 | |||||||||||
| 24334 | Shintaro | Imai | Ubiquitous | 2004 | Zuspiel, live-elec, 1 perf | 10:00 | Octo | fl [Flöte] | TU Berlin | 1 | |||||||||
| 40361 | Shintaro | Imai | Voice in Motion | 2013 | fixed media, akusmatisch | 10:23:00 | 0 | ||||||||||||
| 7533 | Jonathan | Impett | …A Lake-Surrounded Flute | 1988 | Zuspiel / Tonband, 2 perf | 8:00 | Stereo | fl, p [Flöte, Piano] | CSC Padova | 0 | |||||||||
| 7534 | Jonathan | Impett | Gandharva | 1988 | Zuspiel / Tonband, 7 perf | 12:00 | Stereo | tpt, cl, db, vc, Kbd, perc, e-ww [Klarinette, Trompete, Keyboard, Schlagzeug, Cello, Kontrabass, Bläser] | MIDI | CSC Padova | 0 | ||||||||
| 18894 | Jonathan | Impett | Mirror-Rite | 1993 | Zuspiel / Tonband, 1 perf | 24:38 | tpt [Trompete] | Prix ars electronica 94/ | CSC Padova | Auszeichnung ars electronica 1994 | 1 | ||||||||
| 7535 | Jonathan | Impett | Shells | 1988 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | tpt [Trompete] | CSC Padova | 0 | |||||||||
| 33906 | Yasutaki | Inamori | Another Case of Miscommunication | 2013 | live-elec, 2 perf | 12:55:00 | Stereo | vn, bn [Fagott, Violine] | HfMT Köln | 0 | |||||||||
| 33907 | Yasutaki | Inamori | Hypomnema de moto musico | 2011 | Zuspiel / Tonband, 4 perf | 12:08:00 | Quadro | 2 p, 2 perc [Piano, Schlagzeug] | HfMT Köln | 0 | |||||||||
| 33908 | Yasutaki | Inamori | Il tempo tutto toglie e tutto dà | 2013 | audiovisuell, live-elec, | 7:06:00 | Stereo | Komposition für Live-Elektronik mit Textprojektion | HfMT Köln | 0 | |||||||||
| 33909 | Yasutaki | Inamori | Klaviersonate | 2011 | live-elec, 2 perf | 8:10:00 | Quadro | sam, (optinal) p [Piano, computer] | Komposition für Sampler mit optionalem Klavier | HfMT Köln | 0 | ||||||||
| 33910 | Yasutaki | Inamori | Toccata oder Choral | 2012 | fixed media, akusmatisch | 5:30:00 | Octo | HfMT Köln | 0 | ||||||||||
| 7537 | Carlo de | Incontrera | Collage 1 | 1966 | fixed media, akusmatisch | 5:18 | Mono + Mono | PS C. Trieste | 0 | ||||||||||
| 7538 | Carlo de | Incontrera | Collage 2 | 1966 | Zuspiel / Tonband, 2 perf | 5:40 | Mono | p, perc [Piano, Schlagzeug] | PS C. Trieste | 0 | |||||||||
| 7539 | Carlo de | Incontrera | Collage 3 | 1966 | Zuspiel / Tonband, 3 perf | 8:00 | Mono | fl, p, perc [Flöte, Piano, Schlagzeug] | PS C. Trieste | 0 | |||||||||
| 7540 | Carlo de | Incontrera | Collage 4, a Lullaby for Andreas | 1966 | Zuspiel / Tonband, 2 perf | 5:10 | Mono | celesta, perc [Piano, Schlagzeug] | PS C. Trieste | 0 | |||||||||
| 7541 | Carlo de | Incontrera | Far Out | 1970 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | PS C. Trieste | 0 | |||||||||||
| 7542 | Carlo de | Incontrera | Il Rumore | 1962 | Theatermusik | 12:00 | Mono | PS C. Trieste | 0 | ||||||||||
| 7536 | Carlo de, Doriano | Incontrera, Saracino | Azioni Sonore | 1963 | fixed media, akusmatisch | 2:00 | Mono | PS C. Trieste | 0 | ||||||||||
| 42505 | Marie | Incontrera | Sappho’s Last Stand | 2008 | live-elec, 1 perf | S [Sopran] | Evan Crawford, soprano | 0 | |||||||||||
| 7543 | Ivar | Indebetou | Peace in our time, Born in the past / You - an apostrophe in eternity / Bells for dying mother earth - ett annorlunda requiem / Reminicenses from the light of future | 1981/1982 | fixed media, akusmatisch | 100:00 | Stereo | PDP15 | EMS Stockholm | 0 | |||||||||
| 7544 | Zbigniew | Indyk | AKT | 1982 | fixed media, akusmatisch | 10:05 | Quadro | SME Krakow | 0 | ||||||||||
| 7545 | Zbigniew | Indyk | AKTII | 1983 | fixed media, akusmatisch | 9:15 | Quadro | SME Krakow | 0 | ||||||||||
| 32063 | Matt | Ingalls | CrusT | 1996 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | Matt Ingalls, clarinet | SEAMUS EAM Vol. 6/ | 0 | ||||||||||
| 32070 | Matt | Ingalls | f(Ear | 1997 | fixed media, akusmatisch | SEAMUS EAM Vol. 7/ | ASCAP/SEAMUS | 0 | |||||||||||
| 24810 | Matt | Ingalls | Silent cacophony | 1993 | fixed media, akusmatisch | 7:08 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 7546 | Steve | Ingham | Van horn boogie | 1977 | Zuspiel / Tonband, 1 perf | 9:34 | p [Piano] | ReCDec 04/ | Uni Durham | 1 | |||||||||
| 7547 | Injado | Injado | Hauptstadt | 1973 | Zuspiel / Tonband, 2 perf | 14:00 | V, lute (sitar) [Stimme, Gitarre] | EM ?? | 0 | ||||||||||
| 7549 | Allen | Inkpen | Melody on Mars | 1985 | fixed media, akusmatisch | 5:00 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 7548 | Allen, Chris | Inkpen, Lamb | 1995 (Death of an Actor) | 1985 | fixed media, akusmatisch | 3:40 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 41068 | Tetsu | Inoue | Object and organic Code, Healthy Pink Hoon Remix (Binaural Line) Init Eternal Symbol Land Scope Single Square Retrospective |
2000 | live-elec, 1 perf | 25 | elec [elektronik] | IEA 02/ | IEA Alfred Uni | 0 | https://www.discogs.com/de/Tetsu-Inoue-Object-And-Organic-Code/release/576177 | ||||||||
| 41073 | Tetsu, Andrew | Inoue, Deutsch | Installation Sound | 2004 | Klangkunst, Installation | 60 | IEA 05/ | IEA Alfred Uni | 0 | ||||||||||
| 38446 | Càlin | Ioachimescu | Descîntec | 1973 | Zuspiel / Tonband, 9 perf, 1 group | 10:30 | Stereo | 8 mus (solo), strs, perc [Schlagzeug, Musiker, Streicher] | ST-ECE 02108/ | Compositori di Bucarest | 0 | ||||||||
| 20330 | Càlin | Ioachimescu | Les éclats de l'Abîme | 1995 | Zuspiel / Tonband, 1 perf | 9:35 | Stereo | db-sax [Saxophon] | Kientzy | ICD 1001, Radio Romania/ | Compositori di Bucarest | 0 | |||||||
| 7550 | Càlin | Ioachimescu | Musique Spectrale | fixed media, akusmatisch | 14:10 | Compositori di Bucarest | 0 | ||||||||||||
| 20331 | Càlin | Ioachimescu | Oratio II | 1981 | Zuspiel / Tonband, 2 perf | 12:59 | Stereo | w-ins, perc [Schlagzeug, Bläser] | ICD 1001, Radio Romania/ ST-ECE 02108/ | Compositori di Bucarest | 0 | ||||||||
| 7551 | Càlin | Ioachimescu | Palindrom | fixed media, akusmatisch | 13:30 | IRCAM, CERM Metz | 0 | ||||||||||||
| 19001 | Detlev | Ipsen | Mythilini | 1991 | Klangkunst, Installation | 2:35 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 7552 | Yoshiro | Irino | Nami to Fue, Wellen und Flöte | 1960 | radiophon | 45:00 | Mono | NHK Tokyo | 0 | ||||||||||
| 42745 | Jana | Irmert | T like a cross | 2012 | fixed media, akusmatisch | 11:56:00 | 0 | ||||||||||||
| 7553 | Guy | Isabelle | Esplamouche | 1986 | fixed media, akusmatisch | 7:00 | Stereo | 0 | |||||||||||
| 7554 | Guy | Isabelle | Viscères symphoniques | 1985 | fixed media, akusmatisch | 13:00 | Stereo | Uni Montréal | 0 | ||||||||||
| 28486 | Alison | Isadora | Ancient Voices | fixed media, akusmatisch | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.composers21.com/compdocs/isadoraa.htm | ||||||||||||
| 28744 | Daisuke | Ishida | Erratic Flow | 2010 | fixed media, akusmatisch | 2010 Friday 24. September, 19h, | Kleiner Wasserspeicher | 1 | http://supercollider2010.de/concerts-installations.html | ||||||||||
| 38772 | Daisuke, Allen S. | ISHIDA, WEISS | Radio Giday? | 2014 | radiophon | 44:54:00 | 0 | ||||||||||||
| 38575 | Kazuya | ISHIGAMI | 2nd 49 | 2006 | radiophon | 49:48:00 | DeutschlandRadio, PS C. | 2.6.2006 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1503088&vi=194&SID | ||||||||
| 26133 | Kazuya | Ishigami | For Kerberos | 2007 | fixed media, akusmatisch | 3:05 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 36344 | Kazuya | Ishigami | Hosshin No Kizashi, Bon'noh: Ton-Jin-Chi-Man-Gi-Akken Isyohteiyohshin No Genwaku Gudohjisaishin Eno Kikyu Hohga |
2009 | live-elec, 1 perf | 33 | V [Stimme] | OPX 005/ | 0 | ||||||||||
| 36345 | Kazuya | Ishigami | Otokamui No Sasayaki | 2008 | live-elec, 1 perf | 8:51 | V [Stimme] | OPX 005/ | 0 | ||||||||||
| 38576 | Kazuya | ISHIGAMI | Whisper of Sound God – New Works for Radio | 2008 | radiophon | 51:57:00 | 0 | ||||||||||||
| 32817 | Hiromi | Ishii | A Tale of wind | 2010 | audiovisuell | 8:22 | Stereo | 0 | |||||||||||
| 39846 | Hiromi | Ishii | Aquatic | 2015 | audiovisuell | 14 Tracks, Quadro | Hiromi Ishii | 2015 | ZKM | 0 | |||||||||
| 22913 | Hiromi | Ishii | Dreaming Stones | 1999 | fixed media, akusmatisch | 8:43 | Stereo, Quadro, Octo | Cybele 960.205/ DegeM CD 05/ | HfM Dresden | 1999 | Dresden | 1 | |||||||
| 29856 | Hiromi | Ishii | Ginn-Gesang | 2007 | fixed media, akusmatisch | 6:58 | Quadro | 2007 | Dresden | 0 | |||||||||
| 29855 | Hiromi | Ishii | Ginn-Klang | 2008 | fixed media, akusmatisch | 7:29 | Quadro | ZKM Karlsruhe | 2008 | MusicAcoustica Beijing | 0 | ||||||||
| 35890 | Hiromi | Ishii | Ginn-Tokio 2006 | 2006, 2013 | fixed media, akusmatisch | 8:18 | Stereo, Surround 43.4, Spazialisation: binaural | Zirkonium | WER ARTS 81212/ | 0 | |||||||||
| 29857 | Hiromi | Ishii | Higashi-e!, Nach Osten! | 2005 | live-elec, 1 perf | rec, (Max/MSP) [Flöte] | Prof. Ulrike Volkhardt | 2005 | International Symposium for Japanese Contemporary Flute Music, Folkwang Univ. Essen | 0 | |||||||||
| 27503 | Hiromi | Ishii | Himorogi I | 2003 | live-elec, 1 perf | 15:58 | Octo | str (satsuma-biwastr) [Streicher] | WER ARTS 8112/ | HfM Dresden | 2003 | London | 0 | ||||||
| 29859 | Hiromi | Ishii | Himorogi II | 2003 | live-elec, 1 perf | 6 | shakuhachi [Flöte] | London | 0 | ||||||||||
| 27504 | Hiromi | Ishii | Kaze no Michi, Wind Way | 2005 | live-elec, 1 perf | 15:30 | shakuhachi, (elec) [Flöte] | WER ARTS 8112/ | HfM Dresden | 2005 | London | 0 | |||||||
| 41412 | Hiromi | Ishii | Kiryu-sho | 2018 | audiovisuell | 0 | http://www.videoartes.org/kiryiu-sho/ | ||||||||||||
| 39391 | Hiromi | Ishii | Mo’s Song | 2017 | audiovisuell | 0 | |||||||||||||
| 29858 | Hiromi | Ishii | Mudai | 2004 | Performance, live-elec, 1 perf | Quadro | dancer, (videosensor, elec) [Tanz] | 2004 | CYNETart Festival Dresden | 0 | |||||||||
| 27502 | Hiromi | Ishii | Polymorphia | 2000 | live-elec, 1 perf | 9:36 | A, (MaxMSP) [Alt] | WER ARTS 8112/ | HfM Dresden | 2000 | Dresden | 0 | |||||||
| 32807 | Hiromi | Ishii | Refraction | 2010 | fixed media, akusmatisch | audiovisuell |
7:04 | electronic music with Video | 0 | |||||||||||
| 34626 | Hiromi | Ishii | Ryojin-fu, Ryojinfu | 2013 | fixed media, akusmatisch | 10:09 | Octo, 20 tracks, Surround 43.4, Spazialisation: binaural | SMC2016; Zirkonium | WER ARTS 81212/ | 0 | |||||||||
| 29854 | Hiromi | Ishii | Shinra | 2011 | fixed media, akusmatisch | 8:05 | Octo, Surround 43.4, Spazialisation: binaural | Zirkonium | DegeM CD 14 escape/ WER ARTS 81212/ | 0 | |||||||||
| 27506 | Hiromi | Ishii | Steine, Stimme und Sterne | live-elec, 1 group | 7:46 | vocal-ens [Chor] | WER ARTS 8112/ | HfM Dresden | Freistatt Sachsen | 2002 | Semper-Oper Dresden | 0 | |||||||
| 31451 | Hiromi | Ishii | study of …(points) | 2000 | audiovisuell | 6:45:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 27505 | Hiromi | Ishii | Summer Grasses | 2004 | fixed media, akusmatisch | 11:12 | 6 | WER ARTS 8112/ | City Uni London | 2004 | London | 0 | |||||||
| 7555 | Maki | Ishii | Cho - Etsu | 1973 | Zuspiel / Tonband, 4 perf | 17:15 | shakuhachi, w (shell), hp, perc [Flöte, Harfe, Schlagzeug, Bläser] | ed. rz 1008/ | 1 | ||||||||||
| 7556 | Maki | Ishii | Hamon - Ripples | 1965 | Zuspiel / Tonband, 14 perf | 9:50 | Stereo | 14 ins [Instrument] | RCA SJV 1515/ IDEAMA CD 085/ | NHK Tokyo | 1 | ||||||||
| 7557 | Maki | Ishii | Kyoo | 1968 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | PHI 6526005/ | NHK Tokyo | 1 | |||||||||
| 34540 | Maki | Ishii | La-Sen, spiral | 1969 | fixed media, akusmatisch | 15 | Stereo | NHK Tokyo | 0 | ||||||||||
| 7558 | Maki | Ishii | Lost Sounds II | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | acc [Akkordeon] | 0 | |||||||||||
| 7559 | Maki | Ishii | Omote - Nô- Masks | 1978 | Zuspiel / Tonband, 2 perf | 27:26 | Quadro | actor (Nô-player), perc [Schlagzeug, Schauspieler] | WDR SEM | WDR 1978 | 5.10.1978 | "Musik der Zeit" Köln | 0 | ||||||
| 7560 | Akemi | Ishijima | Ab Ovo | 1993 | fixed media, akusmatisch | 13:48 | Stereo | FYCD 1003 / Russolo Pratella EF.ER.P 94/ | UEA Norwich | Mention Prix Ars Electronica 1994; prize Russolo Varese 94 |
1 | ||||||||
| 21805 | Akemi | Ishijima | Catalysis | 1996 | fixed media, akusmatisch | Stereo | PD 05 Paradigm/ | UEA Norwich | 0 | ||||||||||
| 7561 | Akemi | Ishijima | ix! | 1993 | Zuspiel / Tonband, 2 perf | Stereo | 2 vn [Violine] | UEA Norwich | 0 | ||||||||||
| 7562 | Akemi | Ishijima | Solark | 1992 | Tanz | 6:42 | LDC 278068/69 Cultures Electroniques 12/ | HfM Stockholm | 2nd prize Bourges 1993 | 0 | |||||||||
| 7563 | Akemi | Ishijima | Urskogen, Urwald | 1991 | fixed media, akusmatisch | 5:00 | Koto-material | INFOGRAM 018/ CEC Presence 1/ div 02/ | EMS Stockholm, HfM Stockholm | 3.2.92 | Inventionen Akademie der Künste Berlin | 1 | 1992 | ||||||
| 7564 | Akemi | Ishijima | Usagi | 1987 | fixed media, akusmatisch | 10:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 33702 | Naofumi, Group | Ishimaru, Yximalloo | China-Pong | fixed media, akusmatisch | 1:41:00 | from sakura wrecords, Japan | WN 00006/1991/ | 1 | |||||||||||
| 7565 | Miloslav | Istvan | Avete morituri | 1970 | fixed media, akusmatisch | 7:30 | Radio Brno | 0 | |||||||||||
| 7566 | Miloslav | Istvan | Canto II | 1966 | fixed media, akusmatisch | 5:30 | Radio Brno | 0 | |||||||||||
| 7567 | Miloslav | Istvan | Já Jákob | 1968 | Zuspiel / Tonband, 9 perf | 24:30 | S, T, 6 ins, Sp [Sopran, Tenor, Sprecher, Instrument] | (Ich, Jakob) | Radio Brno | 0 | |||||||||
| 7568 | Miloslav | Istvan | Lamentations | 1970 | Zuspiel / Tonband, 2 perf | A, p [Alt, Piano] | (5 Songs) | Radio Brno | 0 | ||||||||||
| 7569 | Miloslav | Istvan | Modravá zeme | 1967 | fixed media, akusmatisch | 9:24 | (Blaue Erde) | Radio Brno | 0 | ||||||||||
| 7570 | Miloslav | Istvan | Ostrov hracek, Island of Toys | fixed media, akusmatisch | 9:20 | Stereo | (Insel der Spielzeuge) | Supraphon 1 11 1423/ | Radio Brno | 1 | |||||||||
| 7572 | Miloslav | Istvan | Smutenka | fixed media, akusmatisch | 11:40 | (Trauerlied) | Radio Brno | 0 | |||||||||||
| 25925 | Aki | Ito | [./me_slowness] | 2005 | fixed media, akusmatisch | 9:51 | Stereo | MR 2006 Métamorphoses 2006/ | Métamorphoses 2006 | 1 | |||||||||
| 36311 | Atsuhiro | Ito | R.G.B., Flicker -1 Fluorescent Flicker -2 Turn On & Out Voltage Altervision |
1998 | Performance | 32 | This CD is made from the irregular pulse of 3 kinds of fluorescent lamps (Red, Green and Blue) | OP 0003/ OPX 006/ | 0 | ||||||||||
| 34278 | Miyuki | Ito | La transparencia del espacio III | 2015 | live-elec, 4 perf | 2 p, 2 perc [Piano, Schlagzeug] | 0 | ||||||||||||
| 31537 | Seiko, Antoine | Itoh, Daurat | Melancholia – Duo | 2013 | live-elec, 2 perf | 10:00 | trbn, sax [Saxophon, Posaune] | next_generation 5.0 | HfM Hanns Eisler, UDK Berlin | 26.6.2013 | ZKM | 0 | |||||||
| 7573 | Trudi | Ittmann | Music for Nathan de Wijze | 1963 | Theatermusik | 3:00 | Mono | PS C. Utrecht, STEM Utrecht | 0 | ||||||||||
| 7574 | Trudi | Ittmann | Pantomime | 1963 | Theatermusik | 8:00 | Mono | PS C. Utrecht, STEM Utrecht | 0 | ||||||||||
| 7575 | Trudi | Ittmann | Schaduwen, Raakvlakken | 1963 | Theatermusik | 9:00 | Mono | PS C. Utrecht, STEM Utrecht | 0 | ||||||||||
| 7576 | Trudi | Ittmann | Zon op Hiroshima | 1964 | Theatermusik | 30:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 36741 | Trudy | Ittmann | Raakvlakken | fixed media, akusmatisch | 9:10 | Sonology Den Haag | 0 | ||||||||||||
| 19021 | Adrian | Ivakhiv | Resurrected Fields | 1993 | live-elec, 1 perf | 11:23 | MIDI [synthesizer] | MW 64/ | 1 | ||||||||||
| 7577 | Roland | Ivanez | Sables | 1985 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | hpd [Cembalo] | GMEM Marseille | 0 | |||||||||
| 42506 | Vera | Ivanova | Escape | 2002 | live-elec, 1 perf | p [Piano] | Juraj Kojs (SofIA Ensemble), piano | 0 | |||||||||||
| 22847 | Vera | Ivanova | Music #1 | fixed media, akusmatisch | 10:00 | Theremin C. Moscou | 1 | ||||||||||||
| 24796 | Vera | Ivanova | Panic, Melancholy | 2002 | fixed media, akusmatisch | 11:12 | MR 2004 Métamorphoses 2004/ | Métamorphoses 2004 | 1 | ||||||||||
| 38577 | Luka | IVANOVIC | Walk that Sound | 2014 | radiophon | 34:20:00 | 0 | ||||||||||||
| 35466 | Adina | Izarra | De Visée, Allemanda Preludio |
2004 | Zuspiel / Tonband, 1 perf | 2:36 | lute (Tiorba) [Gitarre] | 2 Movimientos de la Suite De Visée | 0 | ||||||||||
| 20332 | Adina | Izarra | Vojm | 1988 | Zuspiel / Tonband, 1 perf | 11:45 | Stereo | V [Stimme] | ISAST LMJ 4/ | 0 | |||||||||
| 39194 | Maciej | Jablonski | 277,13 K | 2009 | live-elec, 3 perf | 2 ob, a-sax (elec) [Oboe, Saxophon] | 0 | ||||||||||||
| 39210 | Maciej | Jablonski | 277,13K | 2013 | live-elec, 3 perf | 2 ob, ehn (electroacoustic layer) [Oboe] | [version II] | 0 | |||||||||||
| 39203 | Maciej | Jablonski | Awakening [version II] | 2012 | live-elec, 4 perf | str-qt (electroacoustic layer ad libitum) [Streicher] | [version II] | 0 | |||||||||||
| 39195 | Maciej | Jablonski | Before | 2010 | live-elec, 1 perf | trbn (elec) [Posaune] | 0 | ||||||||||||
| 39206 | Maciej | Jablonski | Concerto grosso No. 1 | 2013 | live-elec, 2 perf | trbn, synt, small orc [Posaune, synthesizer, Orchester] | [version II] | 0 | |||||||||||
| 39200 | Maciej | Jablonski | Deadline | 2012 | live-elec, 1 perf | acc (electroacoustic layer) [Akkordeon] | 0 | ||||||||||||
| 39207 | Maciej | Jablonski | Elburs | 2013 | live-elec, 2 perf | 2 p (electroacoustic layer) [Piano] | 0 | ||||||||||||
| 39198 | Maciej | Jablonski | Fuori | 2011 | live-elec, 2 perf, 1 group | 2 p, orc (elec) [Piano, Orchester] | concerto for two pianos, orchestra, elec | 0 | |||||||||||
| 39192 | Maciej | Jablonski | ...here...there;...therefore... | 2005 | live-elec, 4 perf | str-qt, (com) [Streicher] | 0 | ||||||||||||
| 39199 | Maciej | Jablonski | I will remember | 2012 | live-elec, 3 perf | 3 fl (electroacoustic layer) [Flöte] | [version III] | 0 | |||||||||||
| 39196 | Maciej | Jablonski | I will remember, ver. 1, | 2010 | live-elec, 2 perf | fl, tuba (elec) [Flöte, Tuba] | ver. 1 | 0 | |||||||||||
| 39197 | Maciej | Jablonski | I will remember, ver. 2, | 2010 | live-elec, 1 perf | fl and fl (one performer) (elec) [Flöte] | ver. 2 | 0 | |||||||||||
| 39193 | Maciej | Jablonski | Log-orrhoea | 2008 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 39201 | Maciej | Jablonski | Moon Pierrot | 2012 | audiovisuell, live-elec, 7 perf | Quadro | actor, b-fl, b-cl, amp vn, amp vc, perc, p (4-channel electroacoustic layer, 8-channel text layer, video installation) [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine, Schauspieler] | 0 | |||||||||||
| 39211 | Maciej | Jablonski | Moon Pierrot | 2013 | audiovisuell, live-elec, 1 perf | Octo | actor, (8-channel electroacoustic layer, video) [Schauspieler] | [version II] | 0 | ||||||||||
| 39212 | Maciej | Jablonski | Symphony No. 6 'Oneirophrenia' | 2014 | audiovisuell, live-elec, | symphony-orc (electroacoustic layer) [Orchester] | 0 | ||||||||||||
| 39209 | Maciej | Jablonski | The Broken Cage | 2013 | live-elec, 5 perf | fl, trbn, vn, vc, p (electroacoustic layer) [Flöte, Posaune, Piano, Cello, Violine] | (V2.1) | 0 | |||||||||||
| 39205 | Maciej | Jablonski | The Moebius Strip | 2013 | live-elec, 4 perf | 2 vib, 2 p (electroacoustic layer) [Piano, Schlagzeug] | 0 | ||||||||||||
| 39208 | Maciej | Jablonski | Theta | 2013 | live-elec, 1 perf | hn (French horn) (electroacoustic layer) [Horn] | 0 | ||||||||||||
| 39204 | Maciej | Jablonski | UI | 2012 / 2013 | audiovisuell, live-elec, | a-sax (electroacoustic layer and video) [Saxophon] | 0 | ||||||||||||
| 39202 | Maciej | Jablonski | Urku | 2012 | live-elec, 1 perf | org (electroacoustic layer) [Orgel] | 0 | ||||||||||||
| 33142 | Zaid | Jabri | Computer Music No. 1 | 2003 | fixed media, akusmatisch | 6:31 | WJ 2004/ | 1 | |||||||||||
| 31387 | Dagmara | Jack | Cys-Amorph | 2007 | fixed media, akusmatisch | 8:30:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 23027 | Dagmara | Jack | Raasz II | 2001 | Zuspiel / Tonband, | CDR Musica Nova 2001/ | prize Musica Nova 2001 Category B | 1 | |||||||||||
| 7578 | John | Jackson | Methatesis | fixed media, akusmatisch | 0 | ||||||||||||||
| 7579 | John | Jackson | Watching Tides Dance | fixed media, akusmatisch | 0 | ||||||||||||||
| 7580 | Werner | Jacob | 8'30" | 1970 | Zuspiel / Tonband, 1 perf | 8:30 | va da gamba [Cello] | EM ?? | DGG 0654964/ | 0 | |||||||||
| 7581 | Werner | Jacob | A sound returns | 1978 | Zuspiel / Tonband, 1 perf | 10:10 | fl [Flöte] | EM ?? | 0 | ||||||||||
| 7582 | Werner | Jacob | Musik der Trauer | 1972/1974 | Zuspiel / Tonband, 2 perf | 22:00 | Sp, fl [Sprecher, Flöte] | EM ?? | 0 | ||||||||||
| 7583 | Werner | Jacob | Peripeteias | fixed media, akusmatisch | 0 | ||||||||||||||
| 34724 | Aernoudt | Jacobs | Echolocation | 2008 | Klangkunst, Installation | 9:27 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 24.5.-13.7.2008 | singuhr hoergalerie Berlin | 0 | |||||||||
| 42623 | Bryan | Jacobs | A Gentle Ruin | 2009 | live-elec, 1 perf | 7 | ob [Oboe] | 0 | |||||||||||
| 43066 | Bryan | Jacobs | Subwhistle | 2014 | Klangkunst, Installation | Location: Dressing Room #2 | 0 | ||||||||||||
| 7584 | Henry | Jacobs | Chan | 1956 | fixed media, akusmatisch | 2:13 | Mono | FTS / | PS C. SanFran | 0 | |||||||||
| 7585 | Henry | Jacobs | Electronic Kabuki Mambo | 1955 | fixed media, akusmatisch | 4:40 | Mono | FTS / | PS C. SanFran | 0 | |||||||||
| 33655 | Henry | Jacobs | For the big horn | 1959 | fixed media, akusmatisch | 2:40 | CDCD 5067/ | PS C. SanFran | 1 | ||||||||||
| 7586 | Henry | Jacobs | Logos | 1956 | fixed media, akusmatisch | 2:08 | Mono | FTS / | PS C. SanFran | 0 | |||||||||
| 7587 | Henry | Jacobs | Rhythm Study #8 | 1957 | fixed media, akusmatisch | 2:37 | Mono | FTS / CDCD 5067/ | PS C. SanFran | 1 | |||||||||
| 7588 | Henry | Jacobs | Rhythmology | 1958 | fixed media, akusmatisch | Mono | PS C. SanFran | 0 | |||||||||||
| 40876 | Henry | Jacobs | Sonata for Loudspeakers | 1954 | fixed media, akusmatisch | 9:22 | SR 300 sub rosa/ | 0 | |||||||||||
| 7589 | Henry | Jacobs | Time | 1959 | fixed media, akusmatisch | 2:05 | Mono | PS C. SanFran | 0 | ||||||||||
| 32778 | Robert | Jacobsen | in + out | 2006 | Klangkunst, Installation | Deutscher Klangkunst-Preis 2006 | 0 | ||||||||||||
| 34757 | Robert | Jacobsen | Meetings - Skulpturelles Theater Nr. 1 | 2002 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 1.8.-1.9.2002 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 19070 | Robert | Jacobsen | Robots | 1996 | Klangkunst, Installation | 1:16 | Sonambiente Ausstellung (1996) Katalog S.75 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 40152 | Nicolas | Jacquot | Sur la Nuit | 2015 | live-elec, | Nicolas Jacquot | 0 | ||||||||||||
| 20333 | David | Jaeger | Fancye | 1975 | Zuspiel / Tonband, 1 perf | 8:35 | Stereo | org [Orgel] | ACM 37 CD 1-4/ | 0 | |||||||||
| 20334 | David | Jaeger | Favour | 1980 | Zuspiel / Tonband, 1 perf | 5:42 | Stereo | A [Alt] | CMC CD 0883/ | 0 | |||||||||
| 26582 | David | Jaeger | Quivi sospiri | 1979 | live-elec, 2 perf | p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 20335 | David | Jaeger | Shadow Box | 1986 | Zuspiel / Tonband, 1 perf | 8:39 | Stereo | acc [Akkordeon] | CMC CD 0883/ | 0 | |||||||||
| 19603 | Alberto | Jaén | Pasión | 1991 | fixed media, akusmatisch | 15:30 | Stereo | GME Cuenca | 0 | ||||||||||
| 7590 | Anne | Jaenzon | A Bees On The Bass | 1992 | fixed media, akusmatisch | 1:38 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7591 | Anne | Jaenzon | Acoustic draught | 1989 | fixed media, akusmatisch | 3:37 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7592 | Anne | Jaenzon | AHA! | 1990 | fixed media, akusmatisch | 4:42 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7593 | Anne | Jaenzon | Astronaut | 1991/1992 | fixed media, akusmatisch | 5:22 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7594 | Anne | Jaenzon | Commotion/Orolighet | 1993 | fixed media, akusmatisch | 1:51 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7595 | Anne | Jaenzon | Det är svart (Black is Black) | 1992/1993 | fixed media, akusmatisch | 3:46 | Stereo | text by S Wadey, T Hayes and M gränger. | EMS Stockholm | 0 | |||||||||
| 7596 | Anne | Jaenzon | Electro preamble | 1989 | fixed media, akusmatisch | 4:37 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7597 | Anne | Jaenzon | Electronics Echo | 1988 | fixed media, akusmatisch | 9:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7598 | Anne | Jaenzon | PROUD MARY PRYDA MARY | 1991 | fixed media, akusmatisch | 2:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7599 | Anne | Jaenzon | The Fine Arts Séance ( De Sköna Konsternas Seans ) | 1992 | fixed media, akusmatisch | 3:59 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7600 | Anne | Jaenzon | The Singing Snake | 1989 | fixed media, akusmatisch | 9:23 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7601 | Anne | Jaenzon | Tillbaka ! | 1991 | fixed media, akusmatisch | 4:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7602 | Anne | Jaenzon | Twistar och sjunger | 1989 | fixed media, akusmatisch | 2:18 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7603 | Olaf | Järmann | Spiralkreuz | 1991 | live-elec, 4 perf | ≈ 35:00 | db, e-gui, perc, synt [Gitarre, Schlagzeug, Kontrabass, synthesizer] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 7604 | David | Jaffe | A Sleeping Circus Animal's Perspective | 1980 | fixed media, akusmatisch | 10:00 | Quadro | CCRMA | 0 | ||||||||||
| 7605 | David | Jaffe | American Miniatures, Roads West After the Battle of Bull Run The Dust Bowl Gold Neighborhoods |
1992 | live-elec, 2 perf, 3 groups | Film |
14:03 | Vs, strs, drums [Stimme, Schlagzeug, Streicher] | 5 movements: 1. "Roads West", 2. "After the Battle of Bull Run", 3. "The Dust Bowl", 4. "Gold", 5. "Neighborhoods" | CCRMA/ | CCRMA | Lynn Kirby | 0 | |||||||
| 7606 | David | Jaffe | Bristlecone Concerto #2 | 1984 | Zuspiel / Tonband, 2 perf, 1 group | 18:00 | Stereo | vn, mdl, chamber-orc [Gitarre, Violine, Orchester] | CCRMA | 0 | |||||||||
| 7607 | David | Jaffe | Bristlecone Concerto #3, Bristlecone Concerto #2 | 1984 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | mdl, perc [Gitarre, Schlagzeug] | CCRMA | 0 | |||||||||
| 7608 | David | Jaffe | Grass | 1987 | Zuspiel / Tonband, 1 group | 7:05 | Stereo | fem ch [Chor] | based on the poem by Carl Sandburg | CCRMA | The Skidmore College Choir | 0 | |||||||
| 7609 | David | Jaffe | Impossible Animals | 1986 | Zuspiel / Tonband, 1 group | 10:00 | Stereo, Quadro | ch [Chor] | 1. version; CHANT, PLA | CCRMA | Hamilton College Choir | 0 | |||||||
| 7610 | David | Jaffe | Impossible Animals | 1989 | Zuspiel / Tonband, 4 perf | 8:00 | Quadro | S, A, T, B [Sopran, Alt, Tenor, Bass] | 2. version | CCRMA | 0 | ||||||||
| 7611 | David | Jaffe | Impossible Animals | 1989 | Zuspiel / Tonband, 1 perf | 8:00 | Quadro | vn [Violine] | 3. version | CCRMA | 0 | ||||||||
| 7612 | David | Jaffe | Impossible Animals | 1990 | Zuspiel / Tonband, 1 perf | 8:00 | Quadro | ob [Oboe] | 4. version | CCRMA | 0 | ||||||||
| 7613 | David | Jaffe | Impossible Animals | 1994 | Zuspiel / Tonband, 5 perf | 8:00 | 5 ww [Bläser] | 5. version | CCRMA | 0 | |||||||||
| 7614 | David | Jaffe | May All Your Children Be Acrobats | 1981 | Zuspiel / Tonband, 9 perf | ≈ 16:00 | Stereo, Quadro | Mez, 8 gui [Mezzo, Gitarre] | based on The People, words by Carl Sandburg | CCRMA | 0 | ||||||||
| 7616 | David | Jaffe | Silicon valley breakdown | 1982 | fixed media, akusmatisch | 19:53 | Stereo, Quadro | Karplus Strong Algorithmus | WER 2016-50/ | CCRMA | 2nd prize NewComp 1983 | 1 | 1983 | ||||||
| 7617 | David | Jaffe | Telegram to the President | 1985 | Zuspiel / Tonband, 4 perf | 5:44 | Stereo | str-qt [Streicher] | SCDS-System | Centaur CRC 2091, CDCM Vol. 8/ | CCRMA | Kronos-qt | 1 | ||||||
| 7618 | David | Jaffe | Terra Non Firma | 1992 | live-elec, 4 perf | 14:30 | 4 vc (radio drum conducted sam) [Cello] | Performance/Composition: Mathews Conductor program, Emax II sampler (also made version of Mathews program, that runs on NeXT) | Centaur CRC 2190, CDCM Vol. 15/ | CCRMA | University of Victoria | 1 | |||||||
| 7619 | David | Jaffe | The Fishing Trip | 1986 | Zuspiel / Tonband, 12 perf | 8:00 | Stereo | 12 V (male ch) [Stimme] | CCRMA | 0 | |||||||||
| 7620 | David | Jaffe | The Seven Wonders of the Ancient World | 1995 | live-elec, 8 perf | 70:00 | (radio-drum,) disklavier, hpd, mdl, gui, b, harmonium, 2 perc [Bass, Piano, Orgel, Gitarre, Cembalo, Schlagzeug] | WTP 5181/ | CCRMA | 0 | |||||||||
| 7621 | David | Jaffe | Wildlife | 1991 | live-elec, 2 perf | 25:40 | Octo | com, Zeta-vn, (radio drum) [Violine, computer] | Radio Drum, Zeta MIDI vn; 5 movements | Centaur CRC 2190, CDCM Vol. 15/ | CCRMA | 1 | |||||||
| 7615 | David, Christopher | Jaffe, Penrose | Schumann Variations | 1992 | Film | 5:00 | film "Three Domestic Interiors" | CCRMA | Lynn Kirby | 0 | |||||||||
| 40124 | Michelle | Jaffé | Soul Junk | 2016 | Klangkunst, Installation | Michelle Jaffé | 0 | ||||||||||||
| 7623 | Pierre Alain | Jaffrennou | A voix basse | 1996 | audiovisuell, 6 perf, 1 group | 75:00 | qnt, ch, S, (video) [Sopran, Instrument, Chor] | GRAME Lyon | 0 | ||||||||||
| 7624 | Pierre Alain | Jaffrennou | Air du Grand large | 1992 | Zuspiel / Tonband, 1 group | 10:00 | ens, (harm) [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 7625 | Pierre Alain | Jaffrennou | Animations et ordinateurs | 1984 | fixed media, akusmatisch | 15:00 | FR3 /Image Sogitec/Lyon | GRAME Lyon | 0 | ||||||||||
| 7626 | Pierre Alain | Jaffrennou | Aria | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 10:00 | br-ens [Bläser] | Pedagogic | GRAME Lyon | 0 | |||||||||
| 7627 | Pierre Alain | Jaffrennou | Avis de grand frais | 1992 | Zuspiel / Tonband, 1 group | 10:00 | ens, (harm) [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 7629 | Pierre Alain | Jaffrennou | Cinq chants allemands | 1989 | Zuspiel / Tonband, 3 perf | 20:00 | S, vc, cl [Sopran, Klarinette, Cello] | GRAME Lyon | 0 | ||||||||||
| 7630 | Pierre Alain | Jaffrennou | Cinq fables de la dictature | 1995 | Zuspiel / Tonband, 5 perf | 12:00 | ww-qnt [Bläser] | GRAME Lyon | 0 | ||||||||||
| 7631 | Pierre Alain | Jaffrennou | De temps en temps | 1970 | fixed media, akusmatisch | 12:05 | Stereo | INA • GRM | 5.10.1973 | Paris, 8. Biennale, Musée d’art Moderne | 0 | ||||||||
| 20338 | Pierre Alain | Jaffrennou | Desert | Zuspiel / Tonband, 1 perf | 6:26 | Stereo | vc [Cello] | SC 658 CD / Festival FAUST/ | GRAME Lyon | 0 | |||||||||
| 7632 | Pierre Alain | Jaffrennou | Deuxième passage de la baleine | 1984 | Tanz | 13:30 | Stereo | GRAME Lyon | 0 | ||||||||||
| 7633 | Pierre Alain | Jaffrennou | Elle et il | 1986 | Zuspiel / Tonband, 3 perf, 4 groups | 10:00 | 4 children ch, perc, ins, ww [Schlagzeug, Instrument, Bläser, Chor] | pédagogic | GRAME Lyon | 0 | |||||||||
| 7634 | Pierre Alain | Jaffrennou | Enuma Elish ... Babylone | 1987 | fixed media, akusmatisch | 45:00 | Festival de Babylone | GRAME Lyon | 0 | ||||||||||
| 7636 | Pierre Alain | Jaffrennou | Graphes aux phones | 1966 | fixed media, akusmatisch | 15:00 | Stereo | exposition P. Brassard | GRAME Lyon | 0 | |||||||||
| 7637 | Pierre Alain | Jaffrennou | Il pleut | 1995 | Zuspiel / Tonband, 5 perf, 1 group | 8:00 | str-qt, fl, children ch [Flöte, Streicher, Chor] | GRAME Lyon | 0 | ||||||||||
| 7638 | Pierre Alain | Jaffrennou | In a low voice | 1991/1994 | Zuspiel / Tonband, 5 perf, 1 group | 30:00 | S, cl, vc, p, clvd, children ch [Sopran, Klarinette, Piano, Cembalo, Cello, Chor] | 94: Partition rev. | CD en cours/ | GRAME Lyon | 1 | ||||||||
| 23378 | Pierre Alain | Jaffrennou | Juste avant le temps | 1999 | Zuspiel, live-elec, 1 perf | 15:10 | sax [Saxophon] | Daniel Kientzy (sax's) | NMCD 5114/ | GRAME Lyon | 1 | ||||||||
| 7639 | Pierre Alain | Jaffrennou | L'Homme qui vole | 1989 | Zuspiel / Tonband, 1 perf, 1 group | 70:00 | Stereo | S, strs [Sopran, Streicher] | + pyrotechnic, light and pictures | GRAME Lyon | 0 | ||||||||
| 7640 | Pierre Alain | Jaffrennou | L'île de la Raison | 1967 | Theater, 1 perf, 1 group | Stereo | org, ch [Orgel, Chor] | GRAME Lyon | 0 | ||||||||||
| 7641 | Pierre Alain | Jaffrennou | La minus de vélo | 1985 | Theatermusik | 13:00 | also version with synt on tape | GRAME Lyon | 0 | ||||||||||
| 7642 | Pierre Alain | Jaffrennou | Le Cavalier Suèdois | 1989 | Zuspiel / Tonband, 1 perf | 30:00 | Stereo | mar [Schlagzeug] | GRAME Lyon, MR Budapest | 0 | |||||||||
| 7643 | Pierre Alain | Jaffrennou | Le solitaire bulgare | 1993 | Zuspiel, live-elec, 5 perf | 14:00 | 2 V-qt [Stimme] | GRAME Lyon | 0 | ||||||||||
| 7644 | Pierre Alain | Jaffrennou | Lectures | 1982 | Theater, 1 perf | 50:00 | Stereo | actor [Schauspieler] | d'après A. et V. Van Gogh | GRAME Lyon | 0 | ||||||||
| 7645 | Pierre Alain | Jaffrennou | Les desseins de l'architecte | 1988 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | sax [Saxophon] | GRAME Lyon | 0 | |||||||||
| 7646 | Pierre Alain | Jaffrennou | Les tentation de l'Anachorête | 1995 | Zuspiel / Tonband, 1 perf | 8:00 | db [Kontrabass] | GRAME Lyon | 0 | ||||||||||
| 7647 | Pierre Alain | Jaffrennou | Les Troyennes | 1965 | Theatermusik | 40:00 | Stereo | GRAME Lyon | 0 | ||||||||||
| 7649 | Pierre Alain | Jaffrennou | Nuit blanche | 1971 | fixed media, akusmatisch | 10:00 | Stereo | GRAME Lyon | 0 | ||||||||||
| 7650 | Pierre Alain | Jaffrennou | Océane ou 3ème passage de la Baleine | 1984 | fixed media, akusmatisch | 32:00 | Forlane UCD 16571/ | GRAME Lyon | 0 | ||||||||||
| 7651 | Pierre Alain | Jaffrennou | Paysages de lunes | 1989 | live-elec, 2 perf, 1 group | 14:00 | Stereo | strs, perc (timbales), synt [Schlagzeug, synthesizer, Streicher] | Forlane UCD 16664/ | GRAME Lyon | 0 | ||||||||
| 7653 | Pierre Alain | Jaffrennou | Quatre petits paysages de lunes | 1988 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | ens, vc [Cello, Ensemble] | pedagogic | GRAME Lyon | 0 | |||||||||
| 7654 | Pierre Alain | Jaffrennou | Saxacatre | 1994 | Zuspiel, live-elec, 4 perf | 10:00 | sax-qt [Saxophon] | GRAME Lyon | 0 | ||||||||||
| 7655 | Pierre Alain | Jaffrennou | Sonnerie | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 2:00 | br-ens [Bläser] | Pedagogic | GRAME Lyon | 0 | |||||||||
| 7656 | Pierre Alain | Jaffrennou | Suite pour violoncelle et bande | 1986 | Zuspiel / Tonband, 1 perf | 24:30 | vc [Cello] | 3 parts | Forlane UCD 16664/ | GRAME Lyon | 0 | ||||||||
| 7622 | Pierre Alain, Jean François | Jaffrennou, Estager | 1789 en Franche-Comté | 1989 | Theatermusik | 50:00 | GRAME Lyon | 0 | |||||||||||
| 7648 | Pierre Alain, James | Jaffrennou, Giroudon | Love machine | 1983 | Film | 4:30 | IRPEACS/CNRS | GRAME Lyon | 0 | ||||||||||
| 7652 | Pierre Alain, James | Jaffrennou, Giroudon | Préfigure | 1983 | Zuspiel / Tonband, 1 perf | 12:20 | fl [Flöte] | GRAME Lyon | 0 | ||||||||||
| 7628 | Pierre Alain, James, Jean François, Jérôme | Jaffrennou, Giroudon, Estager, Dorival | Battre les vents, courir les mers | 1993 | intermedia, live-elec, 1 group | 60:00 | Stereo | ens, (pyrotechnie, pictures, lights) [Ensemble] | GRAME Lyon | 0 | |||||||||
| 7635 | Pierre Alain, James, Eric | Jaffrennou, Giroudon, Sprogis | Epilogue d'Ariane et Thésée | 1984 | Zuspiel, live-elec, 2 perf, 1 group | 45:00 | (Oratorio-) ens, ins, S [Sopran, Instrument, Ensemble] | Livret R. Dextre | GRAME Lyon | 0 | |||||||||
| 34431 | David | Jaggard | Mary & Ann | 1982 | fixed media, akusmatisch | 14:35:00 | Quadro | innova 117/ | Sonology Utrecht | 0 | |||||||||
| 7657 | David | Jaggard | Series E and F (Little Minutes) | 1983 | fixed media, akusmatisch | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||||
| 7658 | Martin Davorin | Jagodic | Environment | 1969 | Film | Mono | IPEM Gent | 0 | |||||||||||
| 7659 | Martin Davorin | Jagodic | untitled | 1974 | fixed media, akusmatisch | 45:00 | Quadro | unfinished | Radio Beograd | 0 | |||||||||
| 7660 | Thomas | Jahn | Accordarbeit | 1974 | Zuspiel / Tonband, 3 perf | fl, vc, perc [Flöte, Schlagzeug, Cello] | 0 | ||||||||||||
| 43121 | Richard D., Chris | James, Cunningham | Come to Daddy | 1998 | audiovisuell | 6:32 | Warp Records | Auszeichnung ars electronica: Golden Nica 1999 | 0 | ||||||||||
| 42123 | Ernst | Jandl | Das Röcheln der Mona Lisa | 1970 | radiophon | 25 | Ein akustisches Geschehen für eine Stimme und Apparaturen | TR-Verl. Union 1990/ | BR, HR, NDR | 13.11.1970 | BR München | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1479914&vi=11&SID | ||||||
| 33330 | Ernst, Group | Jandl, BBC Radiophonic workshop | Laut und Luise | 1966 | radiophon | 30 | Mono | text sound composition | BBC | 0 | |||||||||
| 34432 | Ernst, George | Jandl, MacBeth | 13 radiophone Texte, Introduction In The Country Longing Pain Through Friction Niagara Falls In The Realm Of The Dead Rich Man, Poor Man, Beggar Man Prayer Loneliness The Trenches Ode To N Talk Rope Ladder Office With Swallows |
1966 | radiophon | 29:00:00 | Mono | S Press 50/ | BBC | 13.12.1966 | BBC | 0 | |||||||
| 25671 | Ernst, Friederike | Jandl, Mayröcker | Fünf Mann Menschen | 1968 | radiophon | 14:45 | Stereo | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | SWR Baden-Baden | 14.2.1968 | Hörspielpreis der Kriegsblinden 1969 | 1 | |||||||
| 22025 | Ernst, Friederike | Jandl, Mayröcker | Spaltungen | radiophon | 2:19 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 39692 | Daehoon | Jang | Lucid Dreams | 2017 | fixed media, akusmatisch | Daehoon Jang | 0 | ||||||||||||
| 39817 | GiO | Janiashvili | :Non-Conformist Object | 2015 | fixed media, akusmatisch | 6:32:00 | GiO Janiashvili | 0 | |||||||||||
| 43047 | Giorgi | Janiashvili | Nonconformist Object | 2014 | fixed media, akusmatisch | 6:32:00 | 0 | ||||||||||||
| 37217 | Benjamin | Janisch | Tides | 2017 | fixed media, akusmatisch | HfM Lübeck | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 22579 | Matthias | Jann | Der Tod der Zukunft heißt Vergessen | 1991/1996 | Zuspiel / Tonband, 1 perf | 18:00 | 6 | vn [Violine] | STEAM Berlin | 0 | |||||||||
| 22580 | Matthias | Jann | Prisma | 1996 | Zuspiel / Tonband, 1 perf | 8:00 | Quadro | trbn [Posaune] | STEAM Berlin | 0 | |||||||||
| 39410 | John C.L. | Jansen | Sequenza I | 2017 | fixed media, akusmatisch | gui (Harmonics Guitar) [Gitarre] | 0 | ||||||||||||
| 7661 | Alfred | Janson | Balkongen | 1965 | Theatermusik | Mono | PS C. Sandefjord | 0 | |||||||||||
| 7662 | Alfred | Janson | Biedermann og brannstifterne | 1966 | Theatermusik | 10:00 | Mono | 0 | |||||||||||
| 7663 | Alfred | Janson | Canon | Zuspiel / Tonband, 1 group | chamber-orc [Orchester] | PHI 836 896/ | 0 | ||||||||||||
| 7664 | Alfred | Janson | Identitetskortet | 1966 | radiophon | Mono | PS C. Sandefjord | 0 | |||||||||||
| 7665 | Alfred | Janson | Valse Triste | 1970 | Zuspiel / Tonband, 5 perf | 25:10 | V, jazz-qt [Stimme, Instrument] | NOTAM | 0 | ||||||||||
| 7666 | Guus | Janssen | Decisions | 1987 | live-elec, 1 perf | e-p [Piano] | Vorsetzer | Sweelinck | 0 | ||||||||||
| 7667 | Guus | Janssen | Een beetje inspraak | 1972 | Zuspiel / Tonband, 3 perf | Sp, fl, perc [Sprecher, Flöte, Schlagzeug] | 0 | ||||||||||||
| 7668 | Guus | Janssen | Muziek voor geëlectrifi- ceerde hobo | 1975 | live-elec, 1 perf | ob [Oboe] | 0 | ||||||||||||
| 38966 | Japanther | The Cake of the 3 Towers | 2011 | Performance | EMPAC | 2011 EMPAC | 0 | ||||||||||||
| 21006 | Jesus Maria | Jara Torres | Ortofono | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 42124 | Jens | Jarisch | Die K – Szenen eines Drogenstrichs | 2005 | radiophon | RBB, DLF | 0 | ||||||||||||
| 42126 | Jens, Peter Leonhard, Dörte | Jarisch, Braun, Fiedler | Erdöl (computer cut) | 2008 | radiophon | PS C. | 0 | ||||||||||||
| 42125 | Jens, Dörte | Jarisch, Fiedler | Erdöl | 2008 | radiophon | WDR, SWR, MDR, RBB | 0 | ||||||||||||
| 19604 | Ángel | Jarne Robles | Cratoce | 1984 | fixed media, akusmatisch | 8:06 | Stereo | GME Cuenca | 0 | ||||||||||
| 7669 | Joanna | Jaroslawska | ETIUDA | 1979 | fixed media, akusmatisch | 5:23 | Quadro | SME Krakow | 0 | ||||||||||
| 7670 | Jean-Michel | Jarre | Happiness is a sad song | 1971 | fixed media, akusmatisch | 6:00 | Stereo | INA • GRM | 02.04.71 | Maison de la Culture André Malraux, Reims | 0 | ||||||||
| 7672 | Maurice | Jarre | Najda Etoilée | 1957 | radiophon | 70:35 | Mono | adaption radioph. de Almuro | Club d'Essai Paris | 0 | |||||||||
| 7673 | Maurice | Jarre | Ruisselle | 1956 | radiophon | 57:25 | Mono | Club d'Essai Paris | Prix Italia 1956 | 0 | |||||||||
| 7671 | Maurice, André | Jarre, Almuro | Hérédité | 1951 | radiophon | 30:00 | Mono | Club d'Essai Paris | 0 | ||||||||||
| 28148 | Michael | Jarrell | Cassandre | 1993 - 1994 | Musiktheater, live-elec, 1 perf, 1 group | 60:00 | actor, ens [Schauspieler, Ensemble] | monodrame pour comédienne, ensemble instrumental et électronique | IRCAM Les Années 90/ | IRCAM | Fondation Pro Helvetia et Théâtre du Châtelet | 4.02.1994 | Paris, Théâtre du Châtelet, par Marthe Keller : récitante, Ensemble intercontemporain, direction : David Robertson, Peter Konwitschny : mise en scène, Helmut Brade : décors | Lemoine | 0 | ||||
| 7674 | Michael | Jarrell | Congruences | 1989 | live-elec, 2 perf, 1 group | 16:00 | MIDI-fl, ob, ens [Flöte, Oboe, Ensemble] | Adès/ | IRCAM | Lemoine | 0 | ||||||||
| 7675 | Michael | Jarrell | Rhizomes (Assonance VII b) | 1993 | live-elec, 4 perf | 15:00 | 2 p, 2 perc [Piano, Schlagzeug] | Adès/ | IRCAM | Lemoine | 0 | ||||||||
| 7676 | Bentley | Jarvis | Aether | 1984 | fixed media, akusmatisch | 14:00 | Stereo | PS C. | 0 | ||||||||||
| 7677 | Bentley | Jarvis | Ice | 1981 | fixed media, akusmatisch | 23:00 | Stereo | PS C. | 0 | ||||||||||
| 7678 | Bentley | Jarvis | Last Night | 1992 | fixed media, akusmatisch | 2:47 | MIDI; Cakewalk software | CEC DISContact_1/ | City Uni London | 1 | |||||||||
| 7679 | Bentley | Jarvis | Stone Steps 2 | fixed media, akusmatisch | Stereo | PS C. | 0 | ||||||||||||
| 7680 | Bentley | Jarvis | Timescapes | fixed media, akusmatisch | 10:00 | Stereo | PS C. | 0 | |||||||||||
| 18934 | Bentley | Jarvis | What Are You Talking About ? | 1994 | fixed media, akusmatisch | 2:50 | CEC DISContact_2/ | London ON | 1 | ||||||||||
| 20339 | Bentley | Jarvis | Where was I …? | 1995 | fixed media, akusmatisch | 10:30 | Stereo | CEC Presence 1/ | London ON | 1 | |||||||||
| 7681 | Peter | Jarvis | Energizer | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 7682 | Peter | Jarvis | Orient | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 7683 | Peter | Jarvis | Skin | 1988 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | actor [Schauspieler] | 0 | ||||||||||
| 7684 | Peter | Jarvis | The Cube | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 7685 | Peter | Jarvis | Transition | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 7686 | Jan | Jarvlepp | Buoyancy | 1977 | fixed media, akusmatisch | 14:30 | Stereo | CEC DISContact_1/ | McGill Montréal | 1 | |||||||||
| 39173 | Dobromila | Jaskot | anAphrase | 2003 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 39177 | Dobromila | Jaskot | Gardens | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 39178 | Dobromila | Jaskot | hannah | 2007 | Zuspiel / Tonband, 1 perf | vc [Cello] | 0 | ||||||||||||
| 39175 | Dobromila | Jaskot | how-who | 2003 | live-elec, 1 perf | fem V [Stimme] | 0 | ||||||||||||
| 39180 | Dobromila | Jaskot | izzcok | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 39179 | Dobromila | Jaskot | Kocie psoty / Cat's tricks | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 39176 | Dobromila | Jaskot | Liija | 2003 | fixed media, akusmatisch | 1 | |||||||||||||
| 33153 | Dobromila | Jaskot | Liija | 2003 | fixed media, akusmatisch | 10:58 | WJ 2005 polmic 017/ | 1 | |||||||||||
| 39182 | Dobromila | Jaskot | Loogshmaar | 2015 | fixed media, akusmatisch | 26 Tracks | 26 loudspeakers | 0 | |||||||||||
| 39174 | Dobromila | Jaskot | phrasAmador | 2003 | Zuspiel / Tonband, 1 perf | vc [Cello] | 0 | ||||||||||||
| 39181 | Dobromila | Jaskot | Slejpnir | 2014 | live-elec, 2 perf | V, p, (percussion objects) (amplification) [Stimme, Piano] | 0 | ||||||||||||
| 39358 | Dominic | Jasmin | Live | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34833 | Dominic | Jasmin | Mécaniques adaptatives | 2016 | fixed media, akusmatisch | 8:19:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 36862 | Dominic | Jasmin | Tag a Friend and don’t say Anything | 2017 | fixed media, akusmatisch | 10:20:00 | 0 | ||||||||||||
| 42127 | Malte | Jaspersen | Slowly we bleed | 2003 | radiophon | WDR | 0 | ||||||||||||
| 7687 | Werner | Jauk | Chronik | 1990 | Klangkunst, Installation | GM Graz | 0 | ||||||||||||
| 7688 | Werner | Jauk | Gruppe 01 | 1994 | Klangkunst, Installation | GM Graz | 0 | ||||||||||||
| 7690 | Werner | Jauk | Minimal Splitting Movements | 1982 | fixed media, akusmatisch | 7:76 | Stereo | IEM Graz | 0 | ||||||||||
| 7691 | Werner | Jauk | Not-Ton-Tone 170761 | 1983 | fixed media, akusmatisch | GM Graz | 0 | ||||||||||||
| 7693 | Werner | Jauk | Russian Mind | 1989 | live-elec, 1 perf | e-gui [Gitarre] | GM Graz | 0 | |||||||||||
| 7694 | Werner | Jauk | Virtueller städtischer Klangraum | 1993 | Klangkunst, Installation | GM Graz | 0 | ||||||||||||
| 7692 | Werner, Ernst, Christian | Jauk, Binder, Pölz | Rituality | 1991 | audiovisuell | GM Graz | 0 | ||||||||||||
| 7689 | Werner, Heimo | Jauk, Ranzenbacher | Klangfigur | 1991 | audiovisuell | GM Graz | 0 | ||||||||||||
| 27716 | Simon | Jaunin | Piece pour D.C. | 1997 | fixed media, akusmatisch | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 27897 | Simon | Jaunin | Six Pièces avec voix | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 24628 | Monique | Jean | Danse de l’enfant esseulée | 1999 | fixed media, akusmatisch | 10:08 | Stereo | IMED 0366/ | PS C. | 17.02.1999 | Réseaux in Montreal | 0 | |||||||
| 7695 | Monique | Jean | Embrace | 1994 | fixed media, akusmatisch | 2:44 | CEC DISContact_2/ | 1 | |||||||||||
| 24629 | Monique | Jean | Figures du temps | 1998 - 1999 | fixed media, akusmatisch | 23:15 | Stereo | IMED 0366/ | PS C. | 17.02.1999 | Réseaux in Montreal | 0 | |||||||
| 37084 | Monique | Jean | Givre | 2011 | fixed media, akusmatisch | 17:24:00 | Stereo | IMED 12119/ | PS C. | France Jobin (i8u) | 17.11.2011 | Immerson 2 concert at Laboratoire des nouveaux médias of Oboro in Montréal (Québec) | 0 | ||||||
| 19257 | Monique | Jean | IF | 1995 | fixed media, akusmatisch | 2:06 | CEC Presence 1/ | 1 | |||||||||||
| 21809 | Monique | Jean | Lacrimous | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 37088 | Monique | Jean | low memory #1 | 2000 | fixed media, akusmatisch | 9:49:00 | Octo | IMED 12119/ | Musiques et Recherches Ohain, PS C. | ACREQ | 2.9.2000 | Hautes tensions concert of the festival Elektra at Usine C in Montréal (Québec) | 0 | ||||||
| 24630 | Monique | Jean | low memory #2 | 2001 | Zuspiel / Tonband, 2 perf | 10:23 | Quadro | b-fl, pic-fl [Flöte] | IMED 0366/ MR 2002 Métamorphoses 2002/ | PS C. | Claire Marchand, with the assistance of the Conseil des arts et des lettres du Québec | April 8, 2001 | Claire Marchand at Studio 12 of the Maison de Radio-Canada in Montreal for the program Résonances | finalist in the 29th Bourges Competition (France, 2002) special mention at the Métamorphoses 2002 (Brussels, Belgium) |
1 | ||||
| 37087 | Monique | Jean | low memory #3 | 2005 | Zuspiel, live-elec, 1 perf | 11:46:00 | Stereo | b-cl or cl (processing; Lori Freedman, clarinets) [Klarinette] | IMED 12119/ | PS C. | Lori Freedman | 9.4.2005 | Chapelle historique du Bon-Pasteur in Montréal (Québec) | 0 | |||||
| 37086 | Monique | Jean | Misfit | 2007 | fixed media, akusmatisch | 11:38:00 | Stereo | e-gui (processing, Tim Brady, electric guitar) [Gitarre] | IMED 12119/ | PS C. | Tim Brady | 21.3.2007 | Maison de la culture Ahuntsic-Cartierville in Montréal (Québec) | 0 | |||||
| 24627 | Monique | Jean | pour voix défigurées | 1997 | audiovisuell | 13:13 | Stereo | with 3-channel Video is the original version | IMED 0366/ | PRIM Montréal | 25.09.1997 | Montreal | 0 | ||||||
| 37085 | Monique | Jean | Ricochets | 2006 | Zuspiel, live-elec, 1 perf | 10:33:00 | Quadro | t-sax (processing; André Leroux, tenor saxophone) [Saxophon] | IMED 12119/ | PRIM Montréal, PS C. | Quasar | 1.11.2006 | Akousma (3) festival presented by Réseaux at the Studio Hydro-Québec of the Monument-National in Montréal (Québec) | 0 | |||||
| 43029 | Monique | Jean | T.A.G. | 2013 | fixed media, akusmatisch | 25:00:00 | 0 | ||||||||||||
| 18923 | Philip | Jeck | Anatomy | 1993 | intermedia | Tanz |
8:03 | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | ||||||||||
| 43185 | Philip | Jeck | Suite, Press Intro Roll Live With Errors All That’s Allowed Chime, Chime |
2007 | fixed media, akusmatisch | FACT 11/ Touch Tone 29/ | Auszeichnung ars electronica Award of Distinction 2011 | 0 | http://archive.aec.at/prix/showmode/41997/ | ||||||||||
| 42065 | Philip | Jeck | Vinyl Coda I-III | 1999 | radiophon | 22:17 | BR, HR, DeutschlandRadio, Radio Bremen | 17.2.1999 19.2.1999 19.11.1999 |
BR | Hörspiel des Monats Februar 1999 | 0 | ||||||||
| 35208 | Philip | Jeck | Vinyl Coda II | 1999 | radiophon | Förderpreis des Karl-Sczuka-Preis 1999 | 0 | ||||||||||||
| 36586 | Philip | Jeck | Vinyl Coda IV | 2001 | radiophon | 10:58 | intermedium rec 006/ | 0 | |||||||||||
| 36587 | Philip | Jeck | Vinyl Coda V | 2001 | radiophon | 5:22 | intermedium rec 006/ | 0 | |||||||||||
| 19017 | Philip | Jeck | Wildescreen | 1995 | intermedia, live-elec, 4 perf | 10:00 | 2 perf (record-players), 2 Kbd [Keyboard, Performer] | Plattenscratching | MP95 ORF13/ | musikprotokoll | 1 | ||||||||
| 42242 | Jan | Jelinek | Beweisstücke für das Bombardement | 2015 | radiophon | 31:05 | SWR | 7.7.2015 | SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4806292&vi=196&SID | ||||||||
| 27449 | Nicolas | Jemming | Angélique, mais sans dieu | 1986 | fixed media, akusmatisch | 12:34 | Quadro | Ex Machina 5 - die achtziger Jahre Synlab, Audios-Harmonizer |
Cybele 960.105, ex machina 5/ | ICEM Essen | 0 | ||||||||
| 37546 | Nicolas | Jemming | Der monströse Papst und die Einmach-Prinzessin | 1987 | live-elec, 1 perf | 15:40:00 | Stereo | V [Stimme] | Stimme, Synlab, Audios, Rev7 | ICEM Essen | 0 | ||||||||
| 7697 | Nicolas | Jemming | En Premiere Page | 1984 | fixed media, akusmatisch | 5:04 | Konkretes und synthetisches Material | 0 | |||||||||||
| 7698 | Nicolas | Jemming | Smoke in the Snow | 1985 | fixed media, akusmatisch | 14:10 | Quadro | Synlab:Audios-Harmonizer | ICEM Essen | 0 | |||||||||
| 37547 | Nicolas | Jemming | Soleie cou Coupe | 1984 | fixed media, akusmatisch | 7:00:00 | Stereo | ICEM Essen | 0 | ||||||||||
| 7699 | Nicolas | Jemming | Tu es seul, le matin va venir | 1986 | radiophon | 35:29 | Quadro | ICEM Essen | 0 | ||||||||||
| 33056 | Zoltan | Jeney | A hundred Years Average, Százéves átlag | 1977 | live-elec, 4 perf | 17:54 | va, 3 perf (2 sine-gen, rm) [Viola, Performer] | HUN SLPX 12059/ | 1 | ||||||||||
| 7700 | Zoltan | Jeney | For Glass and Metal | 1979 | fixed media, akusmatisch | 13:45 | Stereo | HUN SLPX 12366/ | PS C. | 1 | |||||||||
| 7701 | Zoltan | Jeney | Interlude | 1988 | live-elec, | PS C. | 0 | ||||||||||||
| 7702 | Zoltan | Jeney | Kalah | 1988 | Film, live-elec, 1 perf | MIDI [synthesizer] | 16mm - Farbfilm | PS C. | 5.2.1989 | Inventionen1989, Künstlerhaus Bethanien Berlin Studio 1 | 1 | 1989 | |||||||
| 7703 | Zoltan | Jeney | Ricercare 8+8 | 1989 | live-elec, 2 perf | Film |
10:00 | Octo | sam, synt [computer, synthesizer] | TU Berlin | 1.2.90 | Inventionen Akademie der Künste Berlin | 1 | 1990 | ||||||
| 34551 | David | Jenkins | Aural Study - Autumn voices and a door | fixed media, akusmatisch | RCM London | 0 | |||||||||||||
| 7704 | Thomas | Jennefelt | Villa | 1981 | fixed media, akusmatisch | 11:00 | EMS Stockholm | 0 | |||||||||||
| 7705 | Frank | Jensen | Bach Interpretationer | 1991 | fixed media, akusmatisch | Stereo | DIEM Aarhus | 0 | |||||||||||
| 7706 | Rich | Jensen | Folly | 1986 | intermedia | 3:31 | AER 1990 / 1/ | 1 | |||||||||||
| 22912 | Hartmut | Jentzsch | Bleistift Music | 1999 | fixed media, akusmatisch | 8:18 | Cybele 960.205/ DegeM CD 05/ | HfM Frankfurt | 1 | ||||||||||
| 7707 | Wilfried | Jentzsch | Alte Klänge | 1976 | Zuspiel / Tonband, 12 perf | 13:18 | Stereo | 12 V [Stimme] | HfMT Köln | 0 | |||||||||
| 25926 | Wilfried | Jentzsch | Apokalyptische Vision 2000 | 2000 | Zuspiel / Tonband, 1 perf, 1 group | 26:41 | Stereo | ch, Sp [Sprecher, Chor] | Dresdner Kreuzchor, W. Dehler (Sprecher) | WER ARTS 81052/ | HfM Dresden | DZfzM | 1 | ||||||
| 37681 | Wilfried | Jentzsch | Bells Ecolution | 2015 - 2017 | fixed media, akusmatisch | 8:40 | DegeM CD 15/ | 0 | |||||||||||
| 7708 | Wilfried | Jentzsch | Cantus à 4 | 1984 | Zuspiel / Tonband, 1 perf | 8:08 | t-rec [Flöte] | WER ARTS 81062/ | PS C. | 0 | |||||||||
| 7709 | Wilfried | Jentzsch | Cellomusik | 1974 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | vc [Cello] | WDR SEM | 28.4.1974 | Wittener Tage für Neue Kammermusik | 0 | |||||||
| 7710 | Wilfried | Jentzsch | Chants d 'Oiseaux | 1988 | fixed media, akusmatisch | 16:00 | PS C. | 0 | |||||||||||
| 7711 | Wilfried | Jentzsch | Der Mythos der Maschine | 1976/1979 | Zuspiel / Tonband, 1 perf | 12:45 | Quadro | p [Piano] | HfMT Köln | Moeck | 0 | ||||||||
| 31994 | Wilfried | Jentzsch | Dream of B | 2007 | fixed media, akusmatisch | 15:00:00 | Octo, Surround 43.4, Spazialisation: binaural | Abschlusskonzert Inventionen 2008 unter dem Titel „GRM & friends“ Zirkonium |
WER ARTS 81212/ | INA • GRM | INA-GRM Paris | 1 | 2008 | ||||||
| 41632 | Wilfried | Jentzsch | Entre ciel et terre | 2016 | fixed media, akusmatisch | 24 Tracks | Musiques et Recherches Ohain | 0 | |||||||||||
| 40319 | Wilfried | Jentzsch | Evolution of Points and Lines | 2017 | audiovisuell | Wilfried Jentzsch | 0 | ||||||||||||
| 31448 | Wilfried | Jentzsch | Farbakkord | 1996 | audiovisuell | 7:40:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 40320 | Wilfried | Jentzsch | Fractal Evolution | 2015 | fixed media, akusmatisch | 8:52:00 | Wilfried Jentzsch | 0 | |||||||||||
| 7712 | Wilfried | Jentzsch | Harpmusic 1 | 1985 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | hp [Harfe] | PS C. | 0 | |||||||||
| 7713 | Wilfried | Jentzsch | Harpmusic 2 | 1990 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | hp [Harfe] | PS C. | 0 | |||||||||
| 31444 | Wilfried | Jentzsch | Hieroglyphen | 1994 | audiovisuell | 9:35:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 35891 | Wilfried | Jentzsch | Huai bieh | 2012/2013 | fixed media, akusmatisch | 12 | Stereo, Surround 43.4, 16 tracks, Spazialisation: binaural | Zirkonium | WER ARTS 81212/ | Musiques et Recherches Ohain | 0 | ||||||||
| 22381 | Wilfried | Jentzsch | ImoriH | 1999 | fixed media, akusmatisch | 6:51 | Chant, AudioSculpt | HfM Dresden | 1 | ||||||||||
| 7715 | Wilfried | Jentzsch | Improvisation T 12/57 | 1986 | Zuspiel / Tonband, 1 perf | 15:02 | hpd [Cembalo] | Thorofon CTH 2086/ | PS C. | 1 | |||||||||
| 20200 | Wilfried | Jentzsch | Kyoto Bells | 1994 | fixed media, akusmatisch | 10:46 | Stereo, Octo | Cybele 960.204/ DegeM CD 04/ DMR Musik in Deutschland 1950 - 2000: Studioproduktionen/ WER ARTS 81052/ | HfM Dresden | 1 | 1996 | ||||||||
| 7717 | Wilfried | Jentzsch | Le cris indeterminé dans la nuit | 1988 | fixed media, akusmatisch | 11:00 | PS C. | 0 | |||||||||||
| 7718 | Wilfried | Jentzsch | Les cloches glissant dans La nuit | 1992 | fixed media, akusmatisch | 9:30 | Octo | ASBL Liege | 0 | ||||||||||
| 7719 | Wilfried | Jentzsch | Lithophonie | 1985 | fixed media, akusmatisch | 10:40 | WER SM 1049/50/ | PS C. | 1 | ||||||||||
| 24424 | Wilfried | Jentzsch | Lumière cendrée | 2002 | fixed media, akusmatisch | 14:23 | Quadro | WER ARTS 81052/ | IMEB Bourges, HfM Dresden | 1 | |||||||||
| 31386 | Wilfried | Jentzsch | Ma_chant | 2006 | fixed media, akusmatisch | 9:15:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 32818 | Wilfried | Jentzsch | Particle world | 2013 | audiovisuell | 7:55 | Quadro | 14.11.2014 | now-Festival, ICEM-Essen, Folkwang-Universität | 0 | |||||||||
| 22382 | Wilfried | Jentzsch | Paysage granulaire | 2000 | fixed media, akusmatisch | 13:13 | RTGS-software; original für 8 Spuren | HfM Dresden | 1 | ||||||||||
| 22856 | Wilfried | Jentzsch | Paysage Vocaux | 1995/1996 | fixed media, akusmatisch | 16:00 | Octo | 2 parts: große Energie - statische Meditation. Resynthetisierte Sprache | HfM Dresden | 1 | |||||||||
| 7720 | Wilfried | Jentzsch | Paysages | 1990 | fixed media, akusmatisch | Stereo | Upic. 2 versions | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 7721 | Wilfried | Jentzsch | Paysages A938, Version II mit Vokalpart | 1981 | fixed media, akusmatisch | 15:40 | Stereo | 2 versions; version II with vocals; Buch Elektr.Musik (Humpert) | HfMT Köln | 1 | |||||||||
| 7722 | Wilfried | Jentzsch | Paysages COR | 1985 | Zuspiel / Tonband, 1 perf | 15:00 | hn [Horn] | PS C. | 0 | ||||||||||
| 7723 | Wilfried | Jentzsch | Paysages FLb V | 1987 | Zuspiel / Tonband, 1 perf | 17:16 | Stereo | b-fl [Flöte] | Thorofon CTH 2086/ | IMEB Bourges | 1 | ||||||||
| 7724 | Wilfried | Jentzsch | Paysages FLG | 1984 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | Thorofon CTH 2086/ | PS C. | 0 | ||||||||
| 7725 | Wilfried | Jentzsch | Paysages G | 1981 | fixed media, akusmatisch | 18:40 | Quadro | HfMT Köln CD4/ | HfMT Köln, CEMAMu/ Ateliers Upic/ CCMIX | 1 | |||||||||
| 22383 | Wilfried | Jentzsch | Paysages GO 818 | 1998 | Zuspiel / Tonband, 1 group | 13:36 | Octo | gamelan-ens [Ensemble] | original version with 8 tracks; Gamelan instruments | HfM Dresden | 1 | ||||||||
| 31403 | Wilfried | Jentzsch | Paysages granulaire | 2000 | fixed media, akusmatisch | 13:13:00 | Octo | HfM Dresden | 0 | ||||||||||
| 7726 | Wilfried | Jentzsch | Paysages illusoires | 1994 | fixed media, akusmatisch | 10:42 | Stereo, Quadro | other duration: 9:30 | DegeM CD 01/ | HfM Dresden | 1 | ||||||||
| 31373 | Wilfried | Jentzsch | Paysages lointains | 2001 | fixed media, akusmatisch | 12:20:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 7727 | Wilfried | Jentzsch | Paysages PC | 1985 | Zuspiel / Tonband, 1 perf | 15:04 | perc [Schlagzeug] | Thorofon CTH 2086/ | PS C. | 1 | |||||||||
| 7728 | Wilfried | Jentzsch | Paysages S M | 1986 | Zuspiel / Tonband, 1 perf | 15:49 | tuba [Tuba] | King Record NKCD 562/ Thorofon CTH 2235/ | PS C. | 1 | |||||||||
| 7729 | Wilfried | Jentzsch | Paysages tb | 1986 | Zuspiel / Tonband, 1 perf | 15:00 | trbn [Posaune] | PS C. | 0 | ||||||||||
| 7730 | Wilfried | Jentzsch | Paysages V | 1988/1989 | Zuspiel / Tonband, 1 perf | 12:00 | vn [Violine] | PS C. | 1991 | Nürnberg, Günter Marx (vn) | 0 | ||||||||
| 35892 | Wilfried | Jentzsch | Paysages Y757 | 2013/2014, 2018 | fixed media, akusmatisch | 12:41 | Stereo, Surround 43.4, 24 tracks, Spazialisation: binaural, Klangdom | Zirkonium | WER ARTS 81212/ | ZKM Karlsruhe | 29.9.2018 | ZKM Kubus | 0 | https://zkm.de/de/veranstaltung/2018/09/upic-graphic-interfaces-for-notation-conference | |||||
| 7731 | Wilfried | Jentzsch | PImiAdiNO 1 | 1990 | live-elec, 1 perf | 11:00 | MIDI p, (com) [Piano] | PS C. | 1 | ||||||||||
| 7732 | Wilfried | Jentzsch | PImiAdiNO 2 | 1991 | live-elec, 2 perf | 10:30 | 2 MIDI p [Piano] | PS C. | 0 | ||||||||||
| 7733 | Wilfried | Jentzsch | Poème électronique I | 1984 | radiophon | 17:00 | PS C. | 0 | |||||||||||
| 7734 | Wilfried | Jentzsch | Poème électronique II | 1986 | radiophon | 21:38 | PS C. | 1 | |||||||||||
| 31424 | Wilfried | Jentzsch | RplayS | 2001 | live-elec, 1 perf | 20:00:00 | perc, (Max/MSP) [Schlagzeug] | HfM Dresden | 0 | ||||||||||
| 7735 | Wilfried | Jentzsch | Soundgraf 1, Punkte Linien Kreise |
1990 | intermedia | 10:00 | audio-visual | PS C. | 0 | ||||||||||
| 7736 | Wilfried | Jentzsch | Soundgraf 2 | 1990 - 1991 | intermedia | 10:00 | Stereo | audio-visual | PS C. | 0 | |||||||||
| 7737 | Wilfried | Jentzsch | Soundgraf 3, Wellen | 1990 - 1991 | intermedia | 10:00 | Stereo | audio-visual | PS C. | 0 | |||||||||
| 7738 | Wilfried | Jentzsch | Soundgraf 4, Stimmen | 1990 - 1991 | intermedia | 10:00 | Stereo | audio-visual | PS C. | 0 | |||||||||
| 7739 | Wilfried | Jentzsch | Soundgraf 5, Hieroglyphen | 1990 - 1991 | intermedia | 10:00 | Stereo | audio-visual | PS C. | 0 | |||||||||
| 7740 | Wilfried | Jentzsch | Soundgraf 6, Kalligraphie | 1990 - 1991 | intermedia | 10:00 | Stereo | audio-visual | PS C. | 0 | |||||||||
| 31445 | Wilfried | Jentzsch | Steinklänge | 1995 | audiovisuell | 9:20:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 25927 | Wilfried | Jentzsch | Trance oder Lamento di Bali | 2003 | fixed media, akusmatisch | 13:34 | Stereo, Quadro | WER ARTS 81052/ | HfM Dresden | 1 | |||||||||
| 7741 | Wilfried | Jentzsch | … und ihr Schatten | 1985 | Zuspiel / Tonband, 1 perf | 12:15 | b-cl [Klarinette] | Thorofon CTH 2086/ | PS C. | 1 | |||||||||
| 42776 | Wilfried | Jentzsch | Widerschein des Lichtes, Ashen Light | 2012 | fixed media, akusmatisch | 9:32:00 | 0 | ||||||||||||
| 33825 | Wilfried | Jentzsch | Windshauch | 2004 | Zuspiel / Tonband, 1 perf | 8:50 | fl [Flöte] | WER ARTS 81062/ | PS C. | 0 | |||||||||
| 7742 | Warner | Jepson | 12 Day Raga | 1966 | fixed media, akusmatisch | 19:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 7743 | Warner | Jepson | Banger | 1966 | fixed media, akusmatisch | 12:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 7744 | Warner | Jepson | Joy Journey | 1966 | fixed media, akusmatisch | 11:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 7745 | Warner | Jepson | Terraine | 1966 | Tanz | 9:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 7746 | Warner | Jepson | The Branch | 1960 | Tanz | 12:00 | Mono | PS C. SanFran | 0 | ||||||||||
| 7747 | Warner | Jepson | The Fly | 1966 | fixed media, akusmatisch | 10:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 7748 | Warner | Jepson | The Hill | 1960 | Tanz | Mono | PS C. SanFran | 0 | |||||||||||
| 19994 | Concha, Vicens | Jerez, Altaió | Santa inocencia | 1991 | fixed media, akusmatisch | 5:00 | Stereo | PS C. Jordá | 0 | ||||||||||
| 7749 | Concha, José | Jerez, Iges | Spoken Madrid | fixed media, akusmatisch | 18:00 | 0 | |||||||||||||
| 39675 | Christopher | Jette | utuquq | 2015 | fixed media, akusmatisch | 6:39:00 | Christopher Jette | 0 | |||||||||||
| 37789 | Danbi | Jeung | iOS Sonatina | 2016 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 24.11.2016 | Hochschule für Künste Bremen | 0 | |||||||||
| 37810 | Danbi | Jeung | Luftskizze | 2017 | live-elec, 2 perf | Octo | rec (Lotusflöte), elec [Flöte, elektronik] | Incontri HMTM Hannover | 27.05.2017 | HMTM Hannover | 0 | ||||||||
| 7750 | Johan | Jeverud | Svensk själavård för stora | 1990 | radiophon | 11:00 | 0 | ||||||||||||
| 23738 | Brina | Jez | Earth | 2001 | fixed media, akusmatisch | material from drum-sounds | 0 | ||||||||||||
| 23736 | Brina | Jez | Five Moods | 1994 | Zuspiel/Tonband, 1 perf | radiophon |
p, (pianist's gestures) [Piano] | also radiophonic Version (1995) | 0 | |||||||||||
| 7751 | Brina | Jez | Orfej | 1989 | Zuspiel / Tonband, 1 perf | 14:29 | Stereo | b-cl [Klarinette] | Ed. DSS 200443/ | Radio Beograd | 1 | ||||||||
| 23734 | Brina | Jez | Silence | 1992 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 23735 | Brina | Jez | Three sisters | 1992 | Musiktheater | 0 | |||||||||||||
| 23737 | Brina | Jez | Two Parisian vocal studies | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 7752 | Jakob | Jez | The Look of Stars II | 1976 | fixed media, akusmatisch | 9:40 | Stereo | Ed. DSS 200443/ | Radio Beograd | 1 | |||||||||
| 7753 | Janko | Jezovsek | Ante Portas | 1969/1970 | Zuspiel / Tonband, 1 group | 5:46 | Stereo | ens [Ensemble] | HfMT Köln | 0 | |||||||||
| 7754 | Janko | Jezovsek | Carmilhan | 1974 | Theatermusik | 15:22 | Quadro | HfMT Köln | 0 | ||||||||||
| 7755 | Janko | Jezovsek | Spevi | 1977 | fixed media, akusmatisch | 15:22 | Stereo | HfMT Köln | 0 | ||||||||||
| 42961 | Shu-Ya | Jiang | The Texture of Memories | 2013 | fixed media, akusmatisch | 4:20:00 | 0 | ||||||||||||
| 39434 | Man | Jie | Another Door III | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 27204 | Carlos | Jiménez Mabarak | El Paraiso de los ahogdos, Paradise of the Drowned | 1960 | fixed media, akusmatisch | 16:29 | first electroac- piece realized in Mexico | IRD 002 Irradia/ | 1 | ||||||||||
| 10204 | Carlos | Jiménez Mabarak | La portentosa vida de la muerte | 1964 | radiophon | after a text by T. Cuellar | PS C. | 0 | |||||||||||
| 10205 | Carlos | Jiménez Mabarak | Le Paradis | 1960 | Tanz | Mono | PS C. | 0 | |||||||||||
| 35725 | Gregorio | Jiménez Paya | Après Pedro | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 22898 | Gregorio | Jiménez Payá | El Sueño de Isis | 1997 | fixed media, akusmatisch | 8:10 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | GME Cuenca | 1 | ||||||||||
| 34390 | Gregorio | Jiménez Payá | Etude de sons | fixed media, akusmatisch | 11:02 | AMEE/ | 0 | ||||||||||||
| 19313 | Gregorio | Jiménez Payá | Los Puentes Olvidados | fixed media, akusmatisch | 4:03 | música electroacústica española 1/ | LEA Valencia | 0 | |||||||||||
| 19549 | Gregorio | Jiménez Payá | Sederum Principes | 1991 | fixed media, akusmatisch | 6:40 | Stereo | GME Cuenca | 0 | ||||||||||
| 27182 | Carlos | Jimenez | Mabarak Tlalocan | 1957 | fixed media, akusmatisch | 18:31 | 0 | ||||||||||||
| 36682 | Gregorio | Jiménez | Pedales | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 42269 | Marisol | Jimenez | Islas Migrantes | 2013 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 41893 | Marta | Jirácková | Baletní diptych I., II. | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1993 | 0 | ||||||||||||
| 7756 | Marta | Jirácková | Holubice | 1978 | fixed media, akusmatisch | 8:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 41908 | Marta | Jirácková | Pětkrát žena a Loď bláznů | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 7757 | Marta | Jirácková | Ukolébavka | 1978 | fixed media, akusmatisch | 8:06 | Stereo | Radio Plzen | 0 | ||||||||||
| 7758 | Ivo | Jirásek | Sedma pecet | 1971 | fixed media, akusmatisch | 5:30 | Stereo | Radio Plzen | 0 | ||||||||||
| 7759 | Jan | Jirásek | Labyrinth | 1989 | fixed media, akusmatisch | 15:00 | Praha VÚRT | 0 | |||||||||||
| 7760 | Jan | Jirásek | Vatiace na rockové téma | 1989 | fixed media, akusmatisch | 11:54 | Stereo | Radio Plzen | 0 | ||||||||||
| 32276 | David | Jisse | Drôle de trame | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 19204 | David | Jisse | La Muse? j'écoute! | 1997 | fixed media, akusmatisch | Demo, Studie |
Demo-CD mit Komposition und Erklärung Studio Sandro Botticelli, Phonotheque Maurice Fleuret, Studio John Cage, Studio Georges Perec. David Jisse ist Nachfolger von Luc Ferrari im Studio La Muse en Circuit |
La muse en circuit/ | La Muse | 1 | ||||||||||
| 28095 | David | Jisse | Mille Vingt-Quatre, 1024m | 2004 | radiophon | 17:00 | duration 1024 sec | Collectif & Cie mts 05/ | La Muse | 0 | |||||||||
| 7761 | Otto | Joachim | 36 elektroakustische Momente, electronic Sketches | 1984 | fixed media, akusmatisch | 110:00 | Stereo | MLD/ OJ 2000/ CEC Presence 2/ | PS C. Montréal | 1 | |||||||||
| 34716 | Otto | Joachim | 5.9 | 1971 | fixed media, akusmatisch | 6 | Stereo | Creel Pone 14/ RCI 373/ | 0 | ||||||||||
| 38953 | France | Jobin | 4.35 - RO - 413 | 2015 | Klangkunst, Installation | sound-sculpture | EMPAC | 2015 EMPAC | 0 | http://empac.rpi.edu/events/2015/fall/france-jobin | |||||||||
| 38350 | France | Jobin | D Orbital | 2011 | fixed media, akusmatisch | 18:21 | LINE 054/ | 0 | |||||||||||
| 38352 | France | Jobin | l | 2015 | fixed media, akusmatisch | 6:29 | LINE 075/ | 0 | |||||||||||
| 38353 | France | Jobin | m | 2015 | fixed media, akusmatisch | 8:55 | LINE 075/ | 0 | |||||||||||
| 38351 | France | Jobin | n | 2015 | fixed media, akusmatisch | 16:57 | LINE 075/ | 0 | |||||||||||
| 38349 | France | Jobin | P Orbital | 2011 | fixed media, akusmatisch | 22:12 | LINE 054/ | 0 | |||||||||||
| 38354 | France | Jobin | s | 2015 | fixed media, akusmatisch | 13:34 | LINE 075/ | 0 | |||||||||||
| 38348 | France | Jobin | S Orbital | 2011 | fixed media, akusmatisch | 27:41 | LINE 054/ | 0 | |||||||||||
| 38355 | France | Jobin | Scène 1 | 2016 | fixed media, akusmatisch | 15:42 | LINE 093/ | 0 | |||||||||||
| 38356 | France | Jobin | Scène 2 | 2016 | fixed media, akusmatisch | 7:33 | LINE 093/ | 0 | |||||||||||
| 38357 | France | Jobin | Scène 3 | 2016 | fixed media, akusmatisch | 8:17 | LINE 093/ | 0 | |||||||||||
| 38358 | France | Jobin | Scène 4 | 2016 | fixed media, akusmatisch | 10:14 | LINE 093/ | 0 | |||||||||||
| 35583 | Fernando | Jobke | Bocinodromo en documento articulado | 2000 | fixed media, akusmatisch | 0 | |||||||||||||
| 35584 | Fernando | Jobke | Domino | 1998 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 27686 | Pierre | Jodlowski | À John | 1998 | fixed media, akusmatisch | 15:12 | JODLOWSKI Vol. 2/ | PS Toulouse | 28.11.1998 | Toulouse festival Novelum | 0 | http://pierrejodlowski.fr/ | |||||||
| 27689 | Pierre | Jodlowski | ACR 2002 - MIX | 2002 | radiophon | JODLOWSKI Vol. 3/ | PS Toulouse | 0 | http://pierrejodlowski.fr/ | ||||||||||
| 22118 | Pierre | Jodlowski | De front (quatuor) | 1999 | Zuspiel, live-elec, 7 perf | 23:00 | cl, tpt, perc, str-qt [Klarinette, Trompete, Schlagzeug, Streicher] | played by the"CONTEMPORARY ORCHESTRAL ENSEMBLE" Bourges 2000 | LDC 278072/73 Cultures Electroniques 14/ | PS Toulouse | 0 | http://pierrejodlowski.fr/ | |||||||
| 27684 | Pierre | Jodlowski | L’envers du décor | 1995 | fixed media, akusmatisch | 17:37 | JODLOWSKI Vol. 2/ | PS Toulouse | 11 avril 1996 | Albi dans le cadre de la saison du G.M.E.A. | 0 | http://pierrejodlowski.fr/ | |||||||
| 27688 | Pierre | Jodlowski | Mental Vortex | 2001 | fixed media, akusmatisch | 14:20 | JODLOWSKI Vol. 3/ | PS Toulouse | compagnie de danse Myriam Naisy - l’Hélice | 03.2002 | spectacle “Vienne Transfigurée” de Myriam Naisy, Odyssud-Blagnac | 0 | http://pierrejodlowski.fr/ | ||||||
| 27685 | Pierre | Jodlowski | Mise en bouche acousmatique | 1996 | fixed media, akusmatisch | 6:54 | JODLOWSKI Vol. 2/ | PS Toulouse | 28.10.1996 | Ensemble “Vibrations composées” en collaboration avec le G.R.A.M.E | 0 | http://pierrejodlowski.fr/ | |||||||
| 27691 | Pierre | Jodlowski | Music, Violence & Other Stories | 2008 | live-elec, 1 perf | 20:00 | dancer [Tanz] | PS Toulouse | 0 | http://pierrejodlowski.fr/ | |||||||||
| 27683 | Pierre | Jodlowski | Phonographie Inde | 1995 | fixed media, akusmatisch | phonographie electroacoustique; carnet de voyage | PS Toulouse | 0 | http://pierrejodlowski.fr/ | ||||||||||
| 40187 | Pierre | Jodlowski | Série Noire | 2015 | live-elec, | Pierre Jodlowski | 0 | ||||||||||||
| 37687 | Pierre | Jodlowski | Série Rose | 2012 | live-elec, 1 perf | 13:52 | p [Piano] | LUX:NM/ | 0 | http://www.luxnewmusic.de/index.php?area=site&cnt=disco&lang=de | |||||||||
| 27690 | Pierre | Jodlowski | The Wind, Offrande à Saint-Exupéry | 2007 | fixed media, akusmatisch | 8:00 | JODLOWSKI Vol. 3/ | PS Toulouse | la compagnie Myriam Naisy l'Hélice | 9.03.2008 | Odyssud - Blagnac | 0 | http://pierrejodlowski.fr/ | ||||||
| 27687 | Pierre | Jodlowski | Tryptique à la nuit | 2000 | fixed media, akusmatisch | 3:20 | JODLOWSKI Vol. 2/ | PS Toulouse | 0 | http://pierrejodlowski.fr/ | |||||||||
| 7762 | Reine | Jönsson | Fire in the sky | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 7763 | Reine | Jönsson | Och aldrig glömma | 1984 | fixed media, akusmatisch | 9:00 | 0 | ||||||||||||
| 7764 | Reine | Jönsson | Öppna dörrar | 1983 | fixed media, akusmatisch | 7:00 | 0 | ||||||||||||
| 7765 | Helge | Jörns | 4 Phrasen op. 5/2 | 1971 | Zuspiel / Tonband, 1 perf | hpd [Cembalo] | 0 | ||||||||||||
| 7766 | Helge | Jörns | Dresden, am 13.2.1945 | 1964 | fixed media, akusmatisch | 10:10 | Mono | Yleisradio | 0 | ||||||||||
| 7767 | Helge | Jörns | Eli, Eli, Lama asaphtani | 1964 | Zuspiel / Tonband, 3 perf | 4:45 | Mono | hn, vc, p [Horn, Piano, Cello] | Yleisradio | 0 | |||||||||
| 7768 | Helge | Jörns | Illness and Death | 1964 | fixed media, akusmatisch | 2:45 | Mono | Yleisradio | 0 | ||||||||||
| 7769 | Magnús Bløndal | Jóhannsson | [3rd film on Surtsey] | Film | Mono | Radio Reykjavík | 0 | ||||||||||||
| 7770 | Magnús Bløndal | Jóhannsson | Einkennilegur madur | 1962 | radiophon | 10:00 | Mono | Radio Reykjavík | 0 | ||||||||||
| 7771 | Magnús Bløndal | Jóhannsson | Eldar í öskju (Askja on Fire) | 1961 | Film | 15:00 | Mono | Radio Reykjavík | 0 | ||||||||||
| 7772 | Magnús Bløndal | Jóhannsson | Electronic Study | 1960 | Zuspiel / Tonband, 6 perf | 9:30 | Mono | ww-qnt, p [Piano, Bläser] | Radio Reykjavík | 0 | |||||||||
| 7773 | Magnús Bløndal | Jóhannsson | Frostrósir (Frost Crystals) | 1968 | Tanz, 1 group | orc [Orchester] | Radio Reykjavík | 0 | |||||||||||
| 7774 | Magnús Bløndal | Jóhannsson | Med svigalaevi (Sequel to Surtsey) | 1965 | Film | Mono | Radio Reykjavík | 0 | |||||||||||
| 7775 | Magnús Bløndal | Jóhannsson | Punktar | 1961/1962 | Zuspiel / Tonband, 1 group | 12:00 | Mono | orc [Orchester] | Radio Reykjavík | 0 | |||||||||
| 7776 | Magnús Bløndal | Jóhannsson | Samstirni, Constellations | 1961 | fixed media, akusmatisch | 11:20 | Mono | Radio Reykjavík | 0 | ||||||||||
| 7777 | Magnús Bløndal | Jóhannsson | Sonorities III | 1974 | Zuspiel / Tonband, 1 perf | p [Piano] | Radio Reykjavík | 0 | |||||||||||
| 7778 | Magnús Bløndal | Jóhannsson | Surtur fer sunnan (Birth of an Island) | 1964 | Film | Mono | Radio Reykjavík | 0 | |||||||||||
| 7779 | Bertil Palmar | Johansen | Bilder av Medea | 1988 | Zuspiel / Tonband, 1 perf, 1 group | 18:30 | rec, orc [Flöte, Orchester] | NOTAM | 0 | ||||||||||
| 7780 | Bertil Palmar | Johansen | Clariphone | 1991 | Zuspiel / Tonband, 1 perf | 20:00 | cl [Klarinette] | NOTAM | 0 | ||||||||||
| 7781 | Bertil Palmar | Johansen | Credo | 1983 | Zuspiel, live-elec, 2 perf | 15:50 | e-gui, org [Orgel, Gitarre] | NOTAM | 0 | ||||||||||
| 7794 | Sven-Eric | Johanson | Ave Crax, Ave Crux | 1967 | Zuspiel / Tonband, 2 perf, 1 group | Bar, ch, org [Bariton, Orgel, Chor] | 0 | ||||||||||||
| 7795 | Sven-Eric | Johanson | Du människa | 1980 | Oper, live-elec, 1 perf | 60:00 | ins [Instrument] | EMS Stockholm | 0 | ||||||||||
| 7796 | Sven-Eric | Johanson | Lux eterna | 1982 | live-elec, | 15:00 | EMS Stockholm | 0 | |||||||||||
| 7797 | Sven-Eric | Johanson | Omaggio a Boccaccio | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 7798 | Sven-Eric | Johanson | Rotas I | 1985 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7799 | Sven-Eric | Johanson | Rotas II | 1985 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7800 | Sven-Eric | Johanson | Rotas III | 1985 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7801 | Sven-Eric | Johanson | Rotas IV | 1985 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7802 | Sven-Eric | Johanson | Slag i slag | 1979 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | EMS Stockholm | 0 | |||||||||||
| 7803 | Sven-Eric | Johanson | Tenet I | 1985 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7804 | Sven-Eric | Johanson | Tenet II | 1985 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7805 | Sven-Eric | Johanson | Tenet III | 1985 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7806 | Sven-Eric | Johanson | Tenet IV | 1985 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7807 | Sven-Eric | Johanson | Terra | 1968 | fixed media, akusmatisch | 3:30 | EMS Stockholm | 0 | |||||||||||
| 7809 | Sven-Eric | Johanson | The Haze-Tree | 1962 | Zuspiel / Tonband, 5 perf | Mono | Mez, vn, va, cl, p [Mezzo, Klarinette, Piano, Viola, Violine] | PS C. Västra Frölunda | 0 | ||||||||||
| 33401 | Bengt | Johansson | Kolme elektronista harjoitelmaa, 3 electronic studies | 1960 | fixed media, akusmatisch | 6:08 | Mono | Yleisradio | 0 | ||||||||||
| 7783 | Johannes | Johansson | Anteckninger från Hesiodos hemkonst | 1992 | Zuspiel / Tonband, 1 group | ens [Ensemble] | HfM Malmö | 0 | |||||||||||
| 7784 | Johannes | Johansson | Bricolage | 1992 | fixed media, akusmatisch | HfM Malmö | 0 | ||||||||||||
| 7785 | Johannes | Johansson | Burnt Sky | 1988 | Zuspiel / Tonband, 1 perf | fl [Flöte] | HfM Malmö | 0 | |||||||||||
| 7786 | Johannes | Johansson | Flytande öars kalender (Calendar of Floating Islands) | 1989 | Zuspiel / Tonband, 9 perf | 12:30 | 9 ins [Instrument] | MAP 9133/ | HfM Malmö | 0 | |||||||||
| 7787 | Johannes | Johansson | Kontur - Skugga (Contour-Shadow) | 1991 | Zuspiel / Tonband, 1 perf | 10:52 | va [Viola] | MAP 9133/ | HfM Malmö | 0 | |||||||||
| 7788 | Johannes | Johansson | "… någon annanstans … åter…" | 1988 | Zuspiel / Tonband, 3 perf | 11:13 | fl, vc, p [Flöte, Piano, Cello] | PSCD 91-2 Phono Suecia/ | HfM Malmö | 1 | |||||||||
| 7789 | Johannes | Johansson | Sea songs | 1993 | fixed media, akusmatisch | together with Carina Reich and Lone Larsen | HfM Malmö | 0 | |||||||||||
| 7790 | Johannes | Johansson | Sound Diffraction | 1987 | Zuspiel / Tonband, 1 group | ens [Ensemble] | HfM Malmö | 0 | |||||||||||
| 7791 | Johannes | Johansson | Tissu de greffes | 1993 | Zuspiel / Tonband, 3 perf | fl, cl, vc [Flöte, Klarinette, Cello] | HfM Malmö | 0 | |||||||||||
| 7792 | Johannes | Johansson | Tracking | 1991 | live-elec, 1 perf | perc [Schlagzeug] | HfM Malmö | 0 | |||||||||||
| 7793 | Johannes | Johansson | Turning Sounds | 1988 | Zuspiel / Tonband, 3 perf | vn, vc, p [Piano, Cello, Violine] | HfM Malmö | 0 | |||||||||||
| 25928 | Pär | Johansson | Notes on Chinese Warfare | 1998 | fixed media, akusmatisch | 3:58 | Elektron EM 1011/ | EMS Stockholm | 1 | ||||||||||
| 25929 | Pär | Johansson | Showdown | 2003 | fixed media, akusmatisch | 3:58 | Elektron EM 1011/ | EMS Stockholm | 1 | ||||||||||
| 25930 | Pär | Johansson | The Colour out of space | 2006 | fixed media, akusmatisch | 10:00 | Octo | EMS Stockholm | 1 | ||||||||||
| 22485 | Pär | Johansson | The empty Palace, (Det tomma palatset) | 1999 | fixed media, akusmatisch | 24:04 | Octo | EMS Stockholm | 1 | 2002 | |||||||||
| 25931 | Pär | Johansson | The outsider | 2006 | fixed media, akusmatisch | 7:20 | Octo | EMS Stockholm | 1 | ||||||||||
| 25932 | Pär | Johansson | Tombeau de Lovecraft | 2002 - 2003 | fixed media, akusmatisch | 25:22 | 3 parts: The outsider, At the Mountaines of Madness, The Colour out of Space (können seperat gespielt werden!) | Elektron EM 1011/ | EMS Stockholm | 1 | |||||||||
| 25933 | Pär, Daniel | Johansson, Eideholm | Nyarlathotep | 2001/2006 | fixed media, akusmatisch | 24:04 | Elektron EM 1011/ | EMS Stockholm | 1 | ||||||||||
| 28426 | Sven-Åke | Johansson | SF SF SF SF Svenska Fläkt | 2001 | Klangkunst, Installation | 50 | 50 minutes of a vetilation propeller. Recorded at club B-flat Berlin 2001 by W. Blazejczak | SÅJ-CD 16/ | 1 | http://www.sven-akejohansson.com/de/discographie/2008-sf-sf-sf-sf-svenska-flaekt/ | |||||||||
| 25654 | Sven-Åke | Johansson | Telefonbuchstück für 2 Gelbe Seiten | 1989 | Performance | ≈ 8:19 | Stereo | perc, (2 phone books) [Schlagzeug] | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | PS Berlin | 1 | ||||||||
| 38578 | Sven-Åke | JOHANSSON | Trilogie für Windgeneratoren, Seewetter 69 | 2000 | radiophon | 51:06:00 | Konzert für Harley Davidson und gemischten Chor | DeutschlandRadio | 4.5.2001 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436309&vi=198&SID | |||||||
| 42243 | Sven-Åke, Sten | JOHANSSON, Sandell | The Listening Room II, Bahn und Boot | 1997 | radiophon | 19:35 | RBB | 10.2.1998 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1395193&vi=197&SID | ||||||||
| 7810 | Cindy | John | Blowout | 1988 | live-elec, 6 perf | 7:30 | Stereo | 6 trbn [Posaune] | 0 | ||||||||||
| 7811 | Cindy | John | Death of an Insect | 1988 | live-elec, 1 perf | 4:55 | Stereo | V, (com) [Stimme] | 0 | ||||||||||
| 20340 | Cindy | John | Let Go, Go On | 1991 | fixed media, akusmatisch | 7:50 | Stereo | ACMA/ | 0 | ||||||||||
| 39641 | Carlos | Johns-Davila | Nosotros, Criaturas Pintadas | 2016 | fixed media, akusmatisch | Carlos Johns-Davila | 0 | ||||||||||||
| 7813 | Bengt Emil | Johnson | 1 / 1967, (Nya släpkoppel med vida världen; besök, äventyr, lindringar etc) | 1967 | fixed media, akusmatisch | radiophon |
19:05 | Stereo | RELP 1054/ LPD 2, SR - Dokumentation 2/ | SR Stockholm, EMS Stockholm | 1 | |||||||||
| 7817 | Bengt Emil | Johnson | 1 / 1971, under publikens jubel | 1971 | fixed media, akusmatisch | 7:00 | Quadro | SR Stockholm | 0 | ||||||||||
| 7815 | Bengt Emil | Johnson | 1/ 1969; Genom Törstspegeln (första passeringen) | 1969 | fixed media, akusmatisch | 9:20 | Stereo, Quadro | txtcompo | RELP 1074/ FYCD 1024 CD 4 Text-Sound Compositions/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
SR Stockholm, EMS Stockholm | 0 | ||||||||
| 7816 | Bengt Emil | Johnson | 1/ 1970; (bland) I | 1970 | fixed media, akusmatisch | 15:05 | Quadro | txtcompo | PSCD 63 Phono Suecia/ IDEAMA CD 047/ | SR Stockholm | 0 | ||||||||
| 7818 | Bengt Emil | Johnson | 1/ 1972 | 1972 | fixed media, akusmatisch | 5:00 | SR Stockholm | 0 | |||||||||||
| 7819 | Bengt Emil | Johnson | 2/ 1967 (medan) | 1968 | fixed media, akusmatisch | 12:00 | Stereo, Quadro | FYCD 1024 CD 3 Text-Sound Compositions/ | SR Stockholm, EMS Stockholm | 0 | |||||||||
| 7820 | Bengt Emil | Johnson | 2/ 1969 | 1969 | fixed media, akusmatisch | 9:00 | Stereo, Quadro | txtcompo, for Abraham Jakobsson på vägen | SR Stockholm | 0 | |||||||||
| 7821 | Bengt Emil | Johnson | 2/ 1970; (bland) II | 1970 | fixed media, akusmatisch | 5:00 | Mono | SR Stockholm | 0 | ||||||||||
| 7822 | Bengt Emil | Johnson | 2/ 1973 | 1973 | fixed media, akusmatisch | SR Stockholm | 0 | ||||||||||||
| 7824 | Bengt Emil | Johnson | 3 / 1970, (bland) III | 1970 | fixed media, akusmatisch | 8:00 | Mono | SR Stockholm | 0 | ||||||||||
| 7825 | Bengt Emil | Johnson | 4 / 1970; (jakter), ur C.F. Hills "Dikter och författarskap på några språk" | 1970 | fixed media, akusmatisch | 14:00 | Mono | after C.F. Hills "Dikter och författarskap på några språk" | PSCD 63 Phono Suecia/ | SR Stockholm | 0 | ||||||||
| 7826 | Bengt Emil | Johnson | 5/ 1970; (Lecture on…) | 1970 | fixed media, akusmatisch | 4:00 | Stereo | SR Stockholm | 0 | ||||||||||
| 7827 | Bengt Emil | Johnson | 6/ 1970 | 1970 | fixed media, akusmatisch | 7:15 | Stereo | Hyllning till Mr. Miller | SR Stockholm, EMS Stockholm | 0 | |||||||||
| 7828 | Bengt Emil | Johnson | Behind Alpha | 1977 | fixed media, akusmatisch | 5:00 | after the piece „Alpha“ for mixed voices | FYLP 1010, 10 Years Text-Sound Festival/ | Fylkingen | 1 | |||||||||
| 7829 | Bengt Emil | Johnson | Delbevis | 1975 | fixed media, akusmatisch | 9:50 | txtcompo | SR Stockholm | 0 | ||||||||||
| 20341 | Bengt Emil | Johnson | Disappearances | 1974 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | p [Piano] | PSCD 91-1 Phono Suecia/ | SR Stockholm | 1 | ||||||||
| 7830 | Bengt Emil | Johnson | Enmans gubbdrunkning i radio, generalens första besök med litet släpkoppel | 1964 | radiophon | 7:22 | Mono | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | SR Stockholm | 0 | |||||||||
| 7831 | Bengt Emil | Johnson | Escaping | 1977 | Zuspiel / Tonband, 3 perf | 24:50 | S, 2 p [Sopran, Piano] | CAP 1174 LP/ | SR Stockholm | 1 | |||||||||
| 7832 | Bengt Emil | Johnson | In time | 1978 | fixed media, akusmatisch | 12:00 | CAP 1174 LP/ | SR Stockholm | 1 | ||||||||||
| 7833 | Bengt Emil | Johnson | Night Chants I | 1981 | fixed media, akusmatisch | 18:00 | SR Stockholm | 1 | |||||||||||
| 7834 | Bengt Emil | Johnson | Night Chants II | 1984 | Zuspiel / Tonband, 1 perf | V [Stimme] | SR Stockholm | 1 | |||||||||||
| 7835 | Bengt Emil | Johnson | Ruts bok | 1975 | fixed media, akusmatisch | 21:00 | txtcompo | SR Stockholm | 0 | ||||||||||
| 7836 | Bengt Emil | Johnson | Scents | 1978 | fixed media, akusmatisch | 7:15 | Stereo | ExpSt Warsaw | 1 | ||||||||||
| 7837 | Bengt Emil | Johnson | Semikolon / Äventyr på vägen 1/1966 / Släpkoppel direkt läsnings versionen | 1966 | fixed media, akusmatisch | 6:00 | Quadro | RELP 5016/ | SR Stockholm | 0 | |||||||||
| 7839 | Bengt Emil | Johnson | Soliloquium | 1986 | Zuspiel/Tonband, 1 perf | radiophon |
21:00 | S [Sopran] | SR Stockholm | 1 | ||||||||||
| 7840 | Bengt Emil | Johnson | Subsong II | 1973 | fixed media, akusmatisch | 10:50 | SR Stockholm | 0 | |||||||||||
| 7782 | Bengt Emil | Johnson | Three Electronic Etudes | 1960 | fixed media, akusmatisch | 6:08 | Yleisradio | 0 | |||||||||||
| 7823 | Bengt Emil | Johnson | Through the mirror of thirst #2, 3/ 1969 | 1969 | fixed media, akusmatisch | 6:13 | Stereo | txtcompo. Inventionen 2.3.1986 Ackerstr. |
CAP 1035 LP/ IDEAMA CD 016/ IDEAMA CD 017/ | SR Stockholm, EMS Stockholm | 1 | ||||||||
| 7841 | Bengt Emil | Johnson | Vittringar, eller "As in time' goes by" | 1978 | Zuspiel / Tonband, | 7:50 | PSCD 41 Phono Suecia/ | SR Stockholm | 1 | ||||||||||
| 7814 | Bengt Emil, Lars-Gunnar | Johnson, Bodin | 1/ 1968; … from one point to any other point | 1968 | fixed media, akusmatisch | Tanz |
19:40 | Quadro | SR Stockholm | 0 | ||||||||||
| 7838 | Bengt Emil, Lars-Gunnar | Johnson, Bodin | Semikolon: Vietnam | 1965 | fixed media, akusmatisch | 8:00 | Mono | RELP 5016/ | SR Stockholm | 0 | |||||||||
| 38579 | Bernadette | JOHNSON | Drehungen und Windungen, und andere akustische Gedichte | 2007 | radiophon | 53:10:00 | 0 | ||||||||||||
| 38580 | Bernadette | JOHNSON | La chambre du malade | 2007 | radiophon | 8:54:00 | Prix Phonurgia nova | 0 | |||||||||||
| 38581 | Bernadette | JOHNSON | Sailing with Schubert | 2006 | radiophon | 4:24:00 | Prix Phonurgia nova | 0 | |||||||||||
| 38582 | Bernadette | JOHNSON | Some funny stuff | 2006 | radiophon | 4:32:00 | Prix Phonurgia nova | 0 | |||||||||||
| 38583 | Bernadette | JOHNSON | Summer Fragments | 2008 | radiophon | 5:00:00 | Prix Phonurgia nova | 0 | |||||||||||
| 7842 | David C. | Johnson | Ars subtilior electrica | 1977 | fixed media, akusmatisch | 23:00 | HSM Basel | 1977 | Basel | Feedback | 1 | http://www.esbasel.ch/ | |||||||
| 7843 | David C. | Johnson | Audiolive | 1976 | live-elec, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 7844 | David C. | Johnson | Fallobst | 1984 | fixed media, akusmatisch | 30:00 | Stereo | HSM Basel | 1 | http://www.esbasel.ch/ | |||||||||
| 7845 | David C. | Johnson | Gefangene Früchte II | 1990 | intermedia | Klangraum Essen | 1 | ||||||||||||
| 7846 | David C. | Johnson | Of burning a candle | 1985 | Performance | 10:00 | with slide projection | HSM Basel | 1 | 1986 | http://www.esbasel.ch/ | ||||||||
| 7847 | David C. | Johnson | Tele Fun, TeleFun | 1968 | fixed media, akusmatisch | 29:22 | Quadro | IDEAMA CD 018/ | WDR SEM | WDR 1968 | 2.9.1968 | Darmstadt | Feedback | 0 | |||||
| 7848 | David C. | Johnson | Ton - Antiton | 1968 | fixed media, akusmatisch | 14:04 | Mono | Feedback 25 Jahre/ Feedback Studio Köln CD 2/ | HfMT Köln | Feedback | 1 | ||||||||
| 7849 | David C. | Johnson | Triangles | 1975 | live-elec, 3 perf | 10:00 | fl, cl, vc, (3 rm) [Flöte, Klarinette, Cello] | 1975 | Öldorf | Feedback | 0 | ||||||||
| 21965 | Geir | Johnson | Cleftomania (electr. part) | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 7850 | Geir | Johnson | Radar | 1989 | fixed media, akusmatisch | 18:00 | NOTAM, CCRMA | 0 | |||||||||||
| 7851 | Geoff | Johnson | Visions of Japan | 1985 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 39994 | Kyle | Johnson | I’m not really much of a talker | 2016 | fixed media, akusmatisch | Kyle Johnson | 0 | ||||||||||||
| 24889 | Marvin | Johnson | Compendium II | 1995 | fixed media, akusmatisch | 3:19 | Synclavier II | EMF 031 „Florida EM Festival, Vol 1“/ | Uni Alabama | 1993 | Florida EM Festival | 1 | |||||||
| 7852 | Robert Sherlaw | Johnson | Praises of Heaven and Earth | 1969 | Zuspiel / Tonband, 2 perf | S, p [Sopran, Piano] | 0 | ||||||||||||
| 22384 | Tom | Johnson | Galileo | 2000 | Zuspiel, Performance, 1 perf | 11:00 | Stereo | bells [Schlagzeug] | 22.6.2000 | Inventionen Sophiensäle Berlin | 1 | 2000 | |||||||
| 27328 | Tom | Johnson | Musique à Compter | 2003 | Zuspiel, Performance, 1 perf | narrator [Schauspieler] | DVD-Video (PAL, 4/3) von Festival „Archipel“ vom 30.3.-6.4.2003 (Genf) 2004 DVD-Titel: The Third Ear |
archipel the third ear/ | 1 | ||||||||||
| 42245 | Tom | Johnson | Narayanas Kühe | 1999 | radiophon | 13:20 | SWR | 27.12.1999 | SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1429526&vi=200&SID | ||||||||
| 32030 | Tom | Johnson | Organ and Silence | 2001 | live-elec, 1 perf | 60 | org [Orgel] | Ants AG05/ | 1 | ||||||||||
| 36546 | Tom | Johnson | Study | 1994 | computer generated score, 1 perf | 3:40:00 | player p [Piano] | Donaueschinger Musiktage 1994 | WWE 3CD 31882/ | 1 | |||||||||
| 25541 | Tom | Johnson | The chord catalogue | 1985 | fixed media, akusmatisch | 70:00 | Stereo | All the 8178 chords possible in one octave. 12 parts |
XI 123 experimental intermedia/ | 1 | |||||||||
| 42244 | Tom | Johnson | Zeit zu hören | 2006 | radiophon | 25:24 | SWR | 4.7.2006 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1516886&vi=199&SID | |||||||||
| 33485 | Ben | Johnston | Auto Mobile | 1968 - 1969 | Klangkunst, Installation | Klangenvironment für die Automobil-Ausstellung der Smithsonian Institution in Zusammenarbeit mit Jaap Spek | 0 | ||||||||||||
| 33487 | Ben | Johnston | Clickety Clack | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 33486 | Ben | Johnston | Four Do-it-Yourself Pieces, Casta (1968) Recipe for a dancer (1969) Conference - A Telephone Happening (1969) Knocking Piece II (1969) |
1968 - 1969 | Performance | inss [Instrument] | Number One. Casta (1968), Number Two. Recipe for a dancer (1969) Number Three: Conference - A Telephone Happening (1969) Number Four: Knocking Piece II (1969) Verbalpartitur für beliebige Ausführende |
0 | |||||||||||
| 33490 | Ben | Johnston | In Memory | 1975 | audiovisuell, 9 perf | str, 8 perc, slides [Schlagzeug, Streicher] | in memoriam Margaret Erlanger und Harry Partch | 0 | |||||||||||
| 33488 | Ben | Johnston | Kindergartenlieder | 1969 | fixed media, akusmatisch | Stereo | in Zusammenarbeit mit Jaap Spek | 0 | |||||||||||
| 33489 | Ben | Johnston | Knocking Piece Collage | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 33484 | Ben | Johnston | Museum Piece | 1967 - 1968 | fixed media, akusmatisch | Film |
Tonspur für einen Einführungsfilm der Smithsonian Institution in Zusammenarbeit mit Jaap Spek | 0 | ||||||||||||
| 7853 | Ben | Johnston | Strata | 1978 | fixed media, akusmatisch | 8:25 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 28022 | Blake | Johnston | Submerge | 2010 | fixed media, akusmatisch | 6:45 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 winner 4. prize australasian | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 33700 | Daniel | Johnston | Grievances | 1980 | fixed media, akusmatisch | 2:45:00 | from Cassette „Songs of Pain“, 1980 | WN 00006/1991/ | 1 | ||||||||||
| 7854 | André | Jolivet | 3 Poems, Sérimpie Ondes Chant d'Oppression |
1935 | live-elec, 2 perf | 16:00 | oma, p [Piano, synthesizer] | Jeanne & Yvonne Loriod (ondiste & pianiste) | Adès 14.036J/ Adès 21.007/08/ | 1 | |||||||||
| 7855 | André | Jolivet | Concerto for Ondes Martenot & orchestra, Concert voor Ondes Martenot en Orkest | 1947 | live-elec, 1 perf, 1 group | oma, orc [synthesizer, Orchester] | MHS 1079/ | 0 | |||||||||||
| 34511 | André | Jolivet | Danse Incantatoire | live-elec, 1 perf, 1 group | oma, orc [synthesizer, Orchester] | 0 | |||||||||||||
| 28368 | André | Jolivet | Incantation | live-elec, 1 perf | oma [synthesizer] | Jeanne Loriod (OMa); Inventionen 27.1.1990 AdK | 1 | 1990 | |||||||||||
| 34512 | André | Jolivet | Suite Delphique, Prélude Les Chiens de l'Érèbe Orage Repos de la Nature Procession Joie Dionysiaque Invocation Cortège |
1943 | live-elec, 1 perf, 1 group | 20:30 | oma, orc [synthesizer, Orchester] | 8 movements: Prélude (Aurore magique) / Les Chiens de l'Érèbe / Orage / Repos de la Nature / Procession / Joie Dionysiaque / Invocation / Cortège. | ADDA 581171/ | 0 | |||||||||
| 32121 | Group | Jomenico | Iteration 31 | 2004 | live-elec, 3 perf | 4:00:00 | 3 com [computer] | Jomenico is Margaret Schedel, John P. Young, Nick Collins | SEAMUS EAM Vol. 14/ | 0 | |||||||||
| 7856 | David Evan | Jones | Scritto | 1986 | fixed media, akusmatisch | 7:46 | Stereo | Synclavier | WER 2024-50, Computer Music Currents 4/ | Bregman Dartmouth, EMS Stockholm | 1 | ||||||||
| 7857 | David Evan | Jones | Still Life Dancing | 1989 | Zuspiel / Tonband, 5 perf | 9:53 | Stereo | 5 perc [Schlagzeug] | CHANT, Synclavier | Centaur CRC 2052, CDCM Vol. 6/ | Bregman Dartmouth, IRCAM | Auszeichnung ars electronica | 1 | ||||||
| 7858 | David Evan | Jones | Still Life in Wood and Metal | Zuspiel / Tonband, 2 perf | 9:17 | Stereo | 2 perc [Schlagzeug] | CHANT, Synclavier | Centaur CRC 2052, CDCM Vol. 6/ | Bregman Dartmouth, IRCAM | 1 | ||||||||
| 41518 | David Evan | Jones | Writing Out Loud | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 39904 | Jeremie | Jones | Silver Fix & Complex Systems | 2016 | fixed media, akusmatisch | Jeremie Jones | 0 | ||||||||||||
| 37866 | Joe | Jones | A Garden Party | 1983 | Klangkunst, Installation | Recorded in Erik Andersch's garden in Düsseldorf, Germany, 26 June 1983 | Edition Telemark 628.04/ | 0 | |||||||||||
| 7859 | Joe | Jones | Confrontations, Night music for Solar Orchetsra Music for Dolphins Confrontation |
1989 | live-elec, 1 group | intermedia |
26:30 | ens [Ensemble] | ed. RZ 4004 Daad / 20 Jahre Inventionen 2/ | 9.2.1990 | Inventionen Akademie der Künste Berlin | 1 | 1990 | |||||||
| 7860 | Joe | Jones | many sound art works and machines / music machines | 1962 - 1995 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 28367 | Joe | Jones | Music Machines from the sixties until now | 1962 - 1990 | Klangkunst, Installation | ∞ | Inventionen 11.2. - 25.3.1990 daadgalerie, Ausstellung with catalogue. Also in A House Full of Music, exhibition Mathildenhöhe Darmstadt 2012 |
0 | 1990 | ||||||||||
| 18910 | Joe | Jones | small orchestra | 1987 | intermedia, live-elec, 1 perf | 5:12 | perf (with several soundsources) [Performer] | Apollo ACD 019209/ | PS | 1 | |||||||||
| 37864 | Joe | Jones | Solar Music at Sierksdorf | 1984 | Klangkunst, Installation | 29 | Performed and recorded early morning April 1, 1984, on the Baltic Sea beach of Sierksdorf in Schleswig-Holstein, Germany | Edition Telemark 314.08/ | 0 | ||||||||||
| 28337 | Joe | Jones | The Music Store | 1969 - 1971, 1989 | Klangkunst, Installation | ∞ | 0 | 1990 | |||||||||||
| 7861 | John Paul | Jones | Macondo | 1992 | Zuspiel / Tonband, 1 perf | steel-drum [Schlagzeug] | 0 | ||||||||||||
| 7862 | John Paul | Jones | Show-down | 1984 | Zuspiel, live-elec, 1 perf | 10:00 | trbn [Posaune] | 1984 | Huddersfield | 1 | 1985 | ||||||||
| 7863 | Kevin | Jones | Ice Breaker | 1980 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 7864 | Kevin | Jones | Macricisium | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 7865 | Kevin | Jones | Organisation | 1973 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 7866 | Lynne | Jones | Exit | 1995 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 42796 | Marshall | Jones | Campanology | 2012 | fixed media, akusmatisch | 5:14:00 | 0 | ||||||||||||
| 40228 | Sam | Jones | Gigantic | 2017 | audiovisuell | Sam Jones | 0 | ||||||||||||
| 19879 | Miquel | Jorda | Estudio en Velos | 1990 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19314 | Miquel | Jorda | Maresmer | fixed media, akusmatisch | 2:28 | música electroacústica española 1/ | 1 | ||||||||||||
| 19988 | Sergi | Jordá | 80 Kilos y 100 Gramos | 1989 | fixed media, akusmatisch | 6:00 | Stereo | PS C. Jordá | 0 | ||||||||||
| 19989 | Sergi | Jordá | Dibujos sonores | 1989 | live-elec, | 11:00 | Stereo | PS C. Jordá | 0 | ||||||||||
| 19990 | Sergi | Jordá | Epizoo I - II | 1994/1995 | Klangkunst, Installation | Stereo | PS C. Jordá | 0 | |||||||||||
| 7867 | Sergi | Jordá | For Eric | 1992 | fixed media, akusmatisch | 7:20 | Stereo | LIEM CDMC Madrid, PS C. Jordá | 0 | ||||||||||
| 19992 | Sergi | Jordá | Hadrotón | 1995 | Zuspiel / Tonband, | 8:00 | Stereo | PS C. Jordá | 0 | ||||||||||
| 19991 | Sergi | Jordá | Médicos internacionales | 1995 | audiovisuell | 2:00 | Stereo | PS C. Jordá | 0 | ||||||||||
| 19993 | Sergi | Jordá | Minimal #3, #7 | 1995 | live-elec, 1 perf | 5:00 | Stereo | MIDI p [Piano] | PS C. Jordá | 0 | |||||||||
| 27898 | Claude | Jordan | Cithare | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 20342 | Claude | Jordan | Un coupe de dés | fixed media, akusmatisch | 2:50 | Stereo | Collectif & Cie, AMEG CD 02/ | C&C Annecy | 0 | ||||||||||
| 31430 | Michael | Jordan | Nichtigkeit der Steine | 2007 | live-elec, 2 perf | ≈ 18:00 | S, Bar, (Max/MSP) [Sopran, Bariton] | HfM Dresden | 0 | ||||||||||
| 31428 | Michael | Jordan | Ranken | 2006 | live-elec, 1 perf | 5:00:00 | MIDI p, (Max/MSP) [Piano] | HfM Dresden | 0 | ||||||||||
| 38123 | Victoria | Jordanova | Birds | 1995 | live-elec, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 38120 | Victoria | Jordanova | Dance to Sleep | 1994 | live-elec, 1 perf | MIDI-perc [Schlagzeug] | 0 | ||||||||||||
| 38122 | Victoria | Jordanova | Dance to Sleep | 1995 | live-elec, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 38125 | Victoria | Jordanova | In-Between | 1995 | live-elec, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 38119 | Victoria | Jordanova | Le Campane | 2004 | fixed media, akusmatisch | 0 | |||||||||||||
| 38118 | Victoria | Jordanova | Outer Circles | 2003 | fixed media, akusmatisch | vocal electro acoustic sound composition.Text: lists of names of the 9/11 victims as published on the Internet. | 0 | ||||||||||||
| 38124 | Victoria | Jordanova | Paddle-boat | 1995 | live-elec, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 38121 | Victoria | Jordanova | Piano Sonatina | 1996 | live-elec, 1 perf | amp p, (interactive elec) [Piano] | 0 | ||||||||||||
| 38127 | Victoria | Jordanova | Static (or JamMan) | 1995 | live-elec, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 38126 | Victoria | Jordanova | The Saw | 1995 | live-elec, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 19139 | P. O. | Jørgens | 3RD Stone from Platform Seven | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | ||||||||||||
| 35468 | Alejandro | Jose | Cacona | 1982 | fixed media, akusmatisch | 8:30 | synt (ARP 26000) [synthesizer] | 0 | |||||||||||
| 28054 | Alejandro | Jose | Con el Pulso de una Estrella | 2002 - 2003 | fixed media, akusmatisch | 7:09 | LIEM CDMC Madrid | 0 | http://www.fondation-langlois.org/html/e/page.php?NumPage=556 | ||||||||||
| 28049 | Alejandro | Jose | Cuatro Estudios para Wind Controller | 1989 | live-elec, 1 perf | 10:30 | MIDI [synthesizer] | 4 parts | 0 | http://www.fondation-langlois.org/html/e/page.php?NumPage=556 | |||||||||
| 28051 | Alejandro | Jose | Ecofonia | 1992 | fixed media, akusmatisch | 12:09 | 0 | http://www.fondation-langlois.org/html/e/page.php?NumPage=556 | |||||||||||
| 28050 | Alejandro | Jose | Pulsar: El Caribe | 1991 | fixed media, akusmatisch | 6:43 | 0 | http://www.fondation-langlois.org/html/e/page.php?NumPage=556 | |||||||||||
| 7868 | Alejandro | Jose | Tangentes | 1988 | fixed media, akusmatisch | 4:40 | 0 | http://www.fondation-langlois.org/html/e/page.php?NumPage=556 | |||||||||||
| 28053 | Alejandro | Jose | Toccatta de mente | 1999 | fixed media, akusmatisch | 6:10 | 0 | http://www.fondation-langlois.org/html/e/page.php?NumPage=556 | |||||||||||
| 28052 | Alejandro | Jose | Todo es Uno | 1995 | fixed media, akusmatisch | 8:50 | 0 | http://www.fondation-langlois.org/html/e/page.php?NumPage=556 | |||||||||||
| 7869 | Günter | Joseck | Champion und Fachmann | 1965 | Film | 8:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 40074 | Mathias | Josefson | La Séparation, L’Alignement Et La Cohésion | 2017 | fixed media, akusmatisch | 16 Tracks | Mathias Josefson | 0 | |||||||||||
| 7870 | Alain | Joule | Aï Neige | 1991 | live-elec, 2 perf | perc, (e)com [Schlagzeug, computer] | GRAME Lyon | 0 | |||||||||||
| 7871 | Alain | Joule | Promenade de mémoire | 1989 | Zuspiel / Tonband, 1 perf | 15:00 | perc [Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 7872 | Alain | Joule | Sens, contre sens | 1987 | Zuspiel / Tonband, 4 perf | 40:00 | 2 gui, V, perc [Stimme, Gitarre, Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 33750 | Arsenije | Jovanovic | Approaching - Variation 09 | radiophon | 9 | Stereo | EBU Ars Acustica 2009/ | Radio Beograd | EBU Ars Acustica 2009 | 1 | |||||||||
| 38584 | Arsenije | JOVANOVIC | Archipelago Prospero | 2006 | radiophon | 42:01:00 | 0 | ||||||||||||
| 19085 | Arsenije | Jovanovic | Balkan Gezwitscher | 1996 | Klangkunst, Installation | 1:06 | Sonambiente Ausstellung (1996); SFB Klanggalerie Katalog S.77 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 38585 | Arsenije | JOVANOVIC | Birds in Rifle Barrels | 2005 | radiophon | 47:05:00 | 0 | ||||||||||||
| 7873 | Arsenije | Jovanovic | Concerto Grosso Balcanico | 1993 | radiophon | Stereo | Lacrimosa/ | ORF Kunstradio | 0 | http://www.kunstradio.at/TAKE/CD/lacrimosa.html#english | |||||||||
| 38586 | Arsenije | JOVANOVIC | Four Winds | 2004 | radiophon | 0:00:00 | 0 | ||||||||||||
| 20343 | Arsenije | Jovanovic | Invasions | 1978 | radiophon | 13:45 | Stereo | LDV 008/ | 0 | ||||||||||
| 20344 | Arsenije | Jovanovic | Ma Maison | 1993 | radiophon | 19:40 | Stereo | LDV 008/ | 0 | ||||||||||
| 22052 | Arsenije | Jovanovic | Metropolis Arles | radiophon | 3:22 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 20345 | Arsenije | Jovanovic | Reseda Cave | 1977 | radiophon | 12:35 | Stereo | LDV 008/ | 0 | ||||||||||
| 38587 | Arsenije | JOVANOVIC | Soundbook of a Traveller | 2001 | radiophon | 51:30:00 | 0 | ||||||||||||
| 20346 | Arsenije | Jovanovic | The Island of the Dying Donkeys | 1988 | radiophon | 20:10 | Stereo | LDV 008/ | Radio Beograd | 0 | |||||||||
| 38135 | Arsenije | Jovanovic | Zhuangzi’s cup of tea | 2017 | radiophon | 37:03 | sounds from the kitchen | DLF | 2.3.2018 | DLF Kultur | 0 | ||||||||
| 7874 | Vladimir | Jovanovic | Spring Song | 1988 | fixed media, akusmatisch | 8:30 | Stereo | Radio Beograd | 0 | ||||||||||
| 26128 | Vladimir | Jovanovic | Traces of a dream about the distant heaven | 2004 | fixed media, akusmatisch | 13:26 | Stereo | Radio Beograd CD 2, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | |||||||||
| 38588 | Rafael | JOVÉ | Das Radio ist nicht Sibirien | 2011 | radiophon | 47:35:00 | 0 | ||||||||||||
| 19669 | Jerôme | Joy | Formations XXII | 1994 | live-elec, 1 perf | Stereo | sax [Saxophon] | LIEM CDMC Madrid | 0 | ||||||||||
| 36390 | Jerôme | Joy | Megaphonies | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 37640 | Max | Joy | Connected Sounds | 2017 | Performance | Mono + Mono + Mono + Mono | 4 perf (4 Spieler/Spielerinnen) [Performer] | v4/v8 DEGEM-Version | 30.9.2017 | Akademie der Künste Berlin, Kontakte17 | 0 | ||||||||
| 42845 | Molly | Joyce | Lean Back and Release | 2013 | live-elec, 1 perf | 7:07:00 | vn [Violine] | Adriana Mateo, violin | 0 | ||||||||||
| 25934 | Saul | Juarez Mena | Arketipos | 2003 | audiovisuell | 10:00 | DVD-R/ | 1 | |||||||||||
| 23519 | Saul | Juarez Mena | Neus | 2003 | fixed media, akusmatisch | 6:02 | 5 tracks, Octo, 12 tracks | mehrkanalige Produktion mit FM-Klängen | TU Berlin | 1 | |||||||||
| 7875 | Philippe | Jubard | Cristal | 1981 | fixed media, akusmatisch | 4:41 | Stereo | INA • GRM, CEMAMu/ Ateliers Upic/ CCMIX | Commande du Centre National d'Art Contemporain de l'Abbaye de Beaulieu | 22.8.1981 | Abbaye de Beaulieu | 0 | |||||||
| 7876 | Philippe | Jubard | Die weghe ter hoegher minnen lant | 1985 | fixed media, akusmatisch | 12:20 | IPEM Gent | 0 | |||||||||||
| 7877 | Philippe | Jubard | Documentaire | 1986 | fixed media, akusmatisch | 14:35 | Stereo | GES Vierzon, INA • GRM | 0 | ||||||||||
| 7878 | Philippe | Jubard | Fleches | 1981 | fixed media, akusmatisch | 7:15 | Stereo | INA • GRM | Centre Culturel Canadien | 0 | |||||||||
| 7880 | Philippe | Jubard | Les chemins vers le plus haut amour | 1985 | fixed media, akusmatisch | 18:45 | Stereo | IPEM Gent, GES Vierzon, INA • GRM | 0 | ||||||||||
| 7881 | Philippe | Jubard | Libre developpement I : Epure | 1984 | fixed media, akusmatisch | 20:47 | Stereo | INA • GRM | 25.2.1985 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 7882 | Philippe | Jubard | Vrije Ontwikkeling | 1984 | fixed media, akusmatisch | 12:50 | IPEM Gent | 0 | |||||||||||
| 35776 | Frederick C. | Judd | Electronic Themes, Delta F Study in Sinetones |
1961 | fixed media, akusmatisch | 5:34 | Creel Pone 056/ | 0 | |||||||||||
| 36285 | Frederick C. | Judd | Musique concrète, Sound Object Montage |
1961 | fixed media, akusmatisch | 5:34 | Creel Pone 056/ | 0 | |||||||||||
| 7883 | Frederick C. | Judd | The Butterfly | 1960 | fixed media, akusmatisch | Mono | PS C. London | 0 | |||||||||||
| 7884 | Frederick C. | Judd | Voix angélique | 1961 | fixed media, akusmatisch | 7:15 | Mono | PS C. London | 0 | ||||||||||
| 35533 | David | Judkovsky | El Exilio Infinito | 2013 | fixed media, akusmatisch | 10 | CMMAS CD 020/ | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 | 0 | ||||||||||
| 7885 | Raimund | Jülich | Werkstück I | 1977 | live-elec, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 7886 | Patricia | Jünger | A wild patience has taken me this far | 1996 | fixed media, akusmatisch | 20:00 | Stereo | mit Texten von Adrienne Rich | ANIGMA/ | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7887 | Patricia | Jünger | Alban Berg hört Wimbledon | 1984 | Zuspiel/Tonband, 3 perf | audiovisuell |
13:41 | Stereo | 2 vn, 1 va [Viola, Violine] | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7888 | Patricia | Jünger | Als könnten wir uns einrichten | 1987 | fixed media, akusmatisch | radiophon |
9:53 | Stereo, Quadro | Portrait Guido W. | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7889 | Patricia | Jünger | B-Ton-Transit | 1986 | fixed media, akusmatisch | 16:39 | Stereo, Quadro, Octo | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||||
| 7890 | Patricia | Jünger | Balances | 1981 | fixed media, akusmatisch | 10:00 | Stereo | Portrait of Karl Gerstner | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7891 | Patricia | Jünger | Between Constant & Instant | 1986 | fixed media, akusmatisch | 19:05 | Stereo, Quadro | Portrait Gaudenz S. | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7892 | Patricia | Jünger | Die Klavierspielerin | 1988 | Zuspiel / Tonband, 4 perf | 60:00 | Stereo, Quadro, Octo | V, Sp V, 2 perc [Sprecher, Stimme, Schlagzeug] | After Elfriede Jelinek. Textbearbeitung: Patricia Juenger | Experimentalstudio für Akustische Kunst Freiburg | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7893 | Patricia | Jünger | Erziehung eines Vampirs | 1986 | radiophon | 25:00 | Stereo | radioplay by Elfriede Jelinek | Radio SDR Stuttgart, anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7894 | Patricia | Jünger | Etude on getting crazy | 1983 | fixed media, akusmatisch | 12:00 | Stereo, Quadro | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||||
| 7895 | Patricia | Jünger | Gesang des Poseidon | 1979 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
20:00 | Stereo | org [Orgel] | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7896 | Patricia | Jünger | Images des Beaux Temps | 1980 | fixed media, akusmatisch | Film |
43:52 | Stereo, Quadro | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||||
| 7897 | Patricia | Jünger | Ionian White | 1993 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo, Quadro | perc [Schlagzeug] | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7898 | Patricia | Jünger | Island / Departure / Island/ | 1995 | Zuspiel / Tonband, 1 perf | 41:02 | Stereo, Quadro | p [Piano] | ANIGMA/ | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7899 | Patricia | Jünger | Messa dei Padroni | 1990 | fixed media, akusmatisch | 32:00 | Octo, 16 tracks, 32 tracks | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||||
| 7900 | Patricia | Jünger | Muttertagsfeier oder Die Zerstückelung des weiblichen Körpers | 1984 | fixed media, akusmatisch | radiophon |
33:12 | Stereo, Quadro, Octo | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||||
| 7901 | Patricia | Jünger | Oceanographics | 1995 | fixed media, akusmatisch | 34:40 | Stereo, Quadro, Octo | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||||
| 7902 | Patricia | Jünger | Pick - Up - Opus, (in progress) | fixed media, akusmatisch | Zuspiel/Tonband, 2 perf |
≈ 25:00 | Stereo, Quadro, Octo | V, Kbd [Stimme, Keyboard] | text by Katharina Faber | ANIGMA/ | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7903 | Patricia | Jünger | "Poem & MetaPoem" (in progress) | Zuspiel, live-elec, 2 perf, 1 group | ≈ 30:00 | Stereo, Quadro | V, Kbds, (DSPs) [Stimme, Keyboard] | text by Arthur Rimbaud | ANIGMA/ | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7904 | Patricia | Jünger | Raskolnikow, (in progress) | Zuspiel, live-elec, 2 perf, 1 group | ≈ 25:00 | Stereo, Quadro | V, Kbds, (DSPs) [Stimme, Keyboard] | text by Gottfried Benn, Guido Bachmann, speaking voice | ANIGMA/ | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7905 | Patricia | Jünger | Rimbaud dead, (in progress) | Zuspiel, live-elec, 2 perf, 1 group | ≈ 25:00 | Stereo, Quadro | V, Kbds, (DSPs) [Stimme, Keyboard] | text by Patti Smith | ANIGMA/ | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7906 | Patricia | Jünger | Sehr geehrter Herr - ein Requiem | 1986 | radiophon | 37:09 | Stereo, Quadro | Über die Vernichtung der ersten schweizerischen Juristin Emilie Kempin-Spyri. | Experimentalstudio für Akustische Kunst Freiburg | Karl-Sczuka-Preis 1986 | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7907 | Patricia | Jünger | Symphonie vom Tod | 1978 | fixed media, akusmatisch | Theatermusik |
43:00 | Stereo, Quadro | after Jean Genet "Der Balkon" | anigma | Schauspielhaus Wien 1978, to the opening | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||
| 7908 | Patricia | Jünger | The Pattern is only Resemblance | 1988 | fixed media, akusmatisch | audiovisuell |
33:49 | Stereo, Quadro, Octo | Multimedia-Performance | anigma | 1988 | Ars Electronica | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||
| 7909 | Patricia | Jünger | Till the end of the bow and again | 1993 | Zuspiel / Tonband, 1 perf | 29:33 | Stereo | p [Piano] | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7910 | Patricia | Jünger | Transmitter - First to Second Nature - Vom Flussbett zur Flutung | 1996 | Zuspiel, live-elec, 7 perf | Klangkunst, Installation |
≈ 60:00 | 40 Tracks | fem Sp, (DSP), 6 perf (2 Flößer, 1 Floß, 4 Taucher, mic, LS - Installations) (Hör-Promenade, Ü-Wagen) [Sprecher, Performer] | text by Katharina Faber | ANIGMA/ | anigma | 1 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||
| 7911 | Patricia | Jünger | Über allen Wipfeln ist Ruh' | 1984 | fixed media, akusmatisch | 10:03 | Stereo, Quadro, Octo | amadeo 427041 Oesterreichische Musik Der Gegenwart: Elektronische Musik 3/ | anigma, HSM Basel | 1 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7912 | Patricia | Jünger | Va banque | 1985 | Zuspiel / Tonband, 3 perf | 21:00 | Stereo, Quadro | S, perc, perc p [Sopran, Piano, Schlagzeug] | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7913 | Patricia | Jünger | Valse eternelle - ein Brief | 1989 | fixed media, akusmatisch | radiophon |
37:00 | Stereo, Quadro | Die fiktiven Antworten der Milena Jesenska auf die Briefe Franz Kafkas | Radio SDR Stuttgart, anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7914 | Patricia | Jünger | Valse rituelle | 1994 | fixed media, akusmatisch | 8:02 | Stereo, Quadro, Octo | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||||
| 7915 | Patricia | Jünger | Warten auf ein Wunder | 1988 | radiophon | fixed media, akusmatisch |
22:25 | Stereo, Quadro | Text von Ingeborg Bachmann & einem Anonymus. Textbearbeitung & Montage: Patricia Juenger | SWF, anigma, Radio SR Saarbrücken | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | ||||||||
| 7916 | Patricia | Jünger | Water Walk | 1983 | fixed media, akusmatisch | radiophon |
11:20 | Stereo, Quadro, Octo | anigma | 0 | http://www.musinfo.ch/index.php?content=maske_personen&pers_id=1110 | |||||||||
| 7917 | Joseph | Julian | Moiré | 1975 | fixed media, akusmatisch | Quadro | EMS Stockholm | 0 | |||||||||||
| 7918 | Rolf | Julius | Afrikanisches Klavierkonzert No.2 | 1980 | Klangkunst, Installation | 90:00 | Stereo | outdoor-installation | Edition Giannozzo/ | PS C. | 0 | ||||||||
| 7919 | Rolf | Julius | Altes Klavierkonzert (für die Weser) | 1982/1984 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 25935 | Rolf | Julius | Cello-Stück II | 2004 | Zuspiel, live-elec, 1 perf | amp vc [Cello] | Grafik als Partiturvorlage steht auf durchsichtigem Ständer; Publikum kann diese durch gezielte Beleuchtung erkennen. | 26.6.2004 | Inventionen Sophiensäle Berlin, Michael Moser | 1 | 2004 | ||||||||
| 23150 | Rolf | Julius | corner piece (bat) - why pink, why yellow | 2001 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory | MF 0002-2/ | Mattress Factory | 0 | ||||||||||
| 28327 | Rolf | Julius | Dirty Piano Piece | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 28326 | Rolf | Julius | diverse, Positionen 87 entnommen (H.P. Kuhn) | 1980 - 2010 | Klangkunst, Installation | 0 | http://de.wikipedia.org/wiki/Rolf_Julius | ||||||||||||
| 19061 | Rolf | Julius | Eisenfeld | 1996 | Klangkunst, Installation | 1:01 | Sonambiente Ausstellung (1996) Katalog S.79 |
ISBN 3-7913-1699 (Prestel)/ | PS C. | 1 | |||||||||
| 7920 | Rolf | Julius | Elefantenmusik | 1981 | live-elec, 1 perf | bandoneon [Akkordeon] | outdoor-installation | Edition Giannozzo/ Resco 66.11 407-01/ | PS C. | 0 | |||||||||
| 28078 | Rolf | Julius | Fast schwarz | fixed media, akusmatisch | ed. rz 4001/ | 0 | |||||||||||||
| 28077 | Rolf | Julius | Für die Erde | 1998 | fixed media, akusmatisch | ed. rz 4001/ | 0 | ||||||||||||
| 23528 | Rolf | Julius | Green | 2001 | fixed media, akusmatisch | 57:39 | Stereo | PS | 1 | ||||||||||
| 7921 | Rolf | Julius | Kammermusik No.1 (mit Blick aus dem Fenster) | 1987 | Klangkunst, Installation | ∞ | Stereo | Installation+ Solarcells, one chair | PS C. | 1987 | Bremen | 0 | |||||||
| 22793 | Rolf | Julius | Klangbogen: der Bach, Gamelan 1 und 2, der Klangzaun | 1995 | Klangkunst, Installation | 52:50 | LV-36 2570/ | PS small music (Julius) | Senator für Bildung … Bremen | 1995 | Klangbogen Bremen Bürgerweide | 1 | |||||||
| 7922 | Rolf | Julius | kleine Musik (ca. 15 cm hoch) | 1984 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 7923 | Rolf | Julius | Konzert für eine große Wiese | 1981 | Klangkunst, Installation | outdoor-installation Berlin Riemeisterfenn | Edition Giannozzo/ Resco 66.11 407-01/ | PS C. | 0 | ||||||||||
| 7924 | Rolf | Julius | Konzert für eine längere Zeit / Lichtmusik No.3 | 1987 | Klangkunst, Installation | ≈ 300:00 | PS C. | 0 | |||||||||||
| 28376 | Rolf | Julius | Konzert für vier leere Flächen | 1994 | Klangkunst, Installation | Inventionen | 23.1.1994 | Inventionen Akademie der Künste Berlin | 0 | ||||||||||
| 7925 | Rolf | Julius | Lichtmusik | 1986 | Klangkunst, Installation | Buzzers | PS C. | 0 | |||||||||||
| 7926 | Rolf | Julius | Lied für den Morgen | 1982 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 7927 | Rolf | Julius | Lullaby for the fishes | 1984 | Klangkunst, Installation | Buzzer | PS C. | 0 | |||||||||||
| 7928 | Rolf | Julius | Minutenblues endlos | 1984 | Klangkunst, Installation | 14:46 | PS C. | 0 | |||||||||||
| 23527 | Rolf | Julius | Monochrom bewegt | 2002 | fixed media, akusmatisch | 11:56 | Stereo | PS | Inventionen 2002 | 7.7.2002 | Inventionen Parochialkirche Berlin | 1 | 2002 | ||||||
| 7929 | Rolf | Julius | Music For A Big Tower | 1987 | Klangkunst, Installation | 4 weeks | PS C. | 0 | |||||||||||
| 42266 | Rolf | Julius | Music On Two High Poles Morning Song Music For The Earth Music For The Eyes Music For A Pane Of Glass Music For A Yellow Room Chamber Concert For Three Loudspeakers Concert For A Frozen Lake |
1979 - 1982 | Klangkunst, Installation | Fringes Archive 04/ | PS C. | 0 | |||||||||||
| 7930 | Rolf | Julius | Musik an einem Gebäude vorbei: ganz oben / über den Platz, geduckt, reibend / kreisend / flach | 1987 | Klangkunst, Installation | 45:00 | PS C. | 1987 | Kassel | 0 | |||||||||
| 28325 | Rolf | Julius | Musik für den Blick nach draußen | 1995 | Klangkunst, Installation | 1995 | Heidelberg | 0 | |||||||||||
| 26281 | Rolf | Julius | Musik für den Blick nach innen | 2003 | Klangkunst, Installation | ∞ | Glas, Pigmente, Sand, Schmutz, kleine Lautsprecher an Fensterscheiben, Schalen, Audio | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2003 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 28076 | Rolf | Julius | Musik für den Blick nach oben | 1994 | fixed media, akusmatisch | ed. rz 4001/ | 1994 | Berlin | 0 | ||||||||||
| 34763 | Rolf | Julius | Musik für den Blick nach unten | 1999 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 16.9.-17.10.1999 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 23067 | Rolf | Julius | Musik für die Augen | 1997 | Klangkunst, Installation | WDR 1997 | 0 | ||||||||||||
| 34243 | Rolf | Julius | Musik für die Ohren | 1983 | Klangkunst, Installation | 45 | Stereo | Kassette | Edition Giannozzo/ | PS C. | 0 | ||||||||
| 7932 | Rolf | Julius | Musik für die Vögel | 1985 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 7933 | Rolf | Julius | Musik für dieses Gebäude und den Platz davor | 1985 | Klangkunst, Installation | 5 weeks | PS C. | 0 | |||||||||||
| 7931 | Rolf | Julius | Musik, die vom Fluß kommt | 1987 | Klangkunst, Installation | 1 week | PS C. | 0 | |||||||||||
| 34764 | Rolf | Julius | Musik, weiter entfernt | 1999 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 16.9.-17.10.1999 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 34875 | Rolf | Julius | Musik, weiter entfernt II | 2009/2010 | Performance, live-elec, 1 perf | fixed media, akusmatisch |
com [computer] | Elektronisches Studio TU Berlin | 2010 | Ultraschall 2010, Radialsystem V, Berlin | 0 | |||||||||
| 7934 | Rolf | Julius | Musiklinie - Konzert für einen Strand Konzert für einen gefrorenen See Musik für einen gelben Raum - presto Musik für die Erde Einsames Klavierkonzert Musik von einer alten Mauer |
1981 - 1982 | Klangkunst, Installation | PS C. | Berlin | 0 | |||||||||||
| 28080 | Rolf | Julius | Seestück | fixed media, akusmatisch | ed. rz 4001/ | 0 | |||||||||||||
| 7935 | Rolf | Julius | Sieben weiße Musiknester | 1988 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 20347 | Rolf | Julius | small music No. 1: Black, White Summerpiece, Yellow | Klangkunst, Installation | Stereo | SM 1001/ | PS C. | 0 | |||||||||||
| 18989 | Rolf | Julius | small music No. 2 Klangbogen: der Bach, Gamelan 1 & 2, der Klangzaun | 1995 | Klangkunst, Installation | 52:50 | Klangbogen Bremen Bürgerweide 1995; hrsg, Senator für Bildung … Bremen | LV-36 2570/ | PS C. | 0 | |||||||||
| 20348 | Rolf | Julius | small music No. 3 : Drum Piece, Music for the Air, Song | 1996 | Klangkunst, Installation | Stereo | MF 0001-2/ | PS C. | 0 | ||||||||||
| 19133 | Rolf | Julius | small music No. 4: Tanz für zwei blaue Rechtecke | 1996 | Klangkunst, Installation | radiophon |
58:00 | aus Anlaß der Ausstellung small music grau in der Stadtgalerie Saarbrücken (27.1. - 3.3.96), mit SR (Sendung Radiotop: HörKunst) | ed. rz 10004/ | PS C. | 0 | |||||||||
| 7936 | Rolf | Julius | small music No. 5 | 1997 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 28081 | Rolf | Julius | Tanz auf Takashima Island 1 | fixed media, akusmatisch | ed. rz 4001/ | 0 | |||||||||||||
| 22798 | Rolf | Julius | Tanz für zwei blaue Rechtecke (small music vol. 4) | 1996 | Klangkunst, Installation | 58:00 | Exhibition small music grau in der Stadtgalerie Saarbrücken | ed. rz 10004/ | PS small music (Julius) | 0 | |||||||||
| 7937 | Rolf | Julius | Verlorenes Klavierstück | 1988 | Klangkunst, Installation | 30:00 | PS C. | 0 | |||||||||||
| 28079 | Rolf | Julius | Vier schwarze Rechtecke | fixed media, akusmatisch | ed. rz 4001/ | 0 | |||||||||||||
| 7938 | Rolf | Julius | Walzer für ein Dreieck | 1981 | Klangkunst, Installation | 6:20 | Edition Giannozzo/ | PS C. | 0 | ||||||||||
| 7939 | Rolf | Julius | Wanderung durch eine weite Ebene - Musik für eine Landschaft | 1985 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 28338 | Rolf | Julius | Wanderung durch eine weite Ebene, Musik für eine Landschaft | 1985 | Klangkunst, Installation | ∞ | Stereo | 2.2. - 10.2.1985 | PS C. | Inventionen 85 | 2.2.1985 | Inventionen TU-Gebäude Ackerstraße Berlin Halle F | 0 | ||||||
| 7940 | Rolf | Julius | Zwergenmusik | 1984 | Klangkunst, Installation | Kopfhörer | PS C. | 0 | |||||||||||
| 37794 | Jieun | Jun | Dirigierstück Nr. 1 | 2016 | live-elec, 1 perf | Quadro | perf, (sensoren, elec) [Performer] | Incontri HMTM Hannover | 05.11.2016 | Faust Warenannahme Hannover | 0 | ||||||||
| 37797 | Jieun | Jun | Ich lerne meinen Namen | 2016 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | |||||||||
| 7941 | Sang-Jick | Jun | Gum | 1994 | Zuspiel / Tonband, | 8:00 | SEM Salzburg | 0 | |||||||||||
| 43190 | Yan | Jun | Music For Listening On The Earth | 2011 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2011 | 0 | ||||||||||||
| 33912 | Eunshin | Jung | Das Mädchen mit dem Glöckchen | 2006 | fixed media, akusmatisch | 10:32:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 33913 | Eunshin | Jung | Farewell II | 2006 | fixed media, akusmatisch | 13:20:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 33911 | Eunshin | Jung | Wassertanz | 2005 | fixed media, akusmatisch | 7:40:00 | Quadro | 2 parts | HfMT Köln | 0 | |||||||||
| 42262 | Jinhee, Taebok, aka, aka | Jung, Cho, Graycode, Jiiiiin | +3x10^8m/s, beyond the light velocity | 2018 | audiovisuell | Giga-Hertz-Produktions-Preis 2018 | 0 | ||||||||||||
| 28176 | Fabrice | Junger | Zone F5, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 6:01 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | http://www.fabricejunger.info | |||||||||
| 28072 | Klaus | Jungk | Musik für Mixturtrautonium und Streichquartett | 1951 | live-elec, 5 perf | mtr, str-qt [synthesizer, Streicher] | 0 | ||||||||||||
| 37191 | Luis Åke | Junker | A Simple Life | 2017 | live-elec, | 6:00:00 | HfG Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 42851 | Liburn | Jupolli | Ghosts of Saint Malo Vvals | 2013 | fixed media, akusmatisch | 6:06:00 | 0 | ||||||||||||
| 19670 | Pilar | Jurado | Avec moi | 1993 | Zuspiel / Tonband, 4 perf | 5:20 | Stereo | 4 ins [Instrument] | LIEM CDMC Madrid, LICEO Madrid | 0 | |||||||||
| 19238 | Luis | Jure | Eyeless in Gaza | 1992 | fixed media, akusmatisch | 8:25 | Stereo | tacuabé T/E 28 CD/ | PS C. | 1 | |||||||||
| 28250 | Luis | Jure | maldita luna | 2002 | Zuspiel / Tonband, 1 perf | 6:23 | Stereo | perc [Schlagzeug] | 10 | PS C. | 1 | ||||||||
| 23546 | Luis | Jure | mar de fondo | 1999 - 2001 | fixed media, akusmatisch | 10:50 | Stereo | PS C. | 1 | ||||||||||
| 18926 | Luis | Jure | Takanimba, una noche en Soweto A night in Soweto |
1988 | fixed media, akusmatisch | 6:00 | Stereo | Compositores del Uruguay, Vol. 4/ tacuabé T/E 28 CD/ | PS C. | 1 | |||||||||
| 21900 | Elsa | Justel | 7 petits Morceaux de quelque chose … | 1989 | fixed media, akusmatisch | 9:35 | Stereo | IMEB Bourges | 1991 | CIUP-Paris-France | 0 | ||||||||
| 21902 | Elsa | Justel | Alba sud | 1997 | fixed media, akusmatisch | 9:48 | Stereo | CMJ Vol 25-4, 2001/ IMED 0785/ | IMEB Bourges | IMEB | 7.06.1998 | Festival Synthèse- Bourges | 1 | ||||||
| 7942 | Elsa | Justel | All+ | 1993 | Zuspiel, live-elec, 1 perf | 8:30 | Stereo | db [Kontrabass] | PS C. | 1993 | CEDE-Renault-Rueil Malmaison-France | 0 | |||||||
| 26340 | Elsa | Justel | Au Loin … Bleu | 1997 | fixed media, akusmatisch | 11:35 | Stereo | IMED 0785/ Kiasma 1998/ | PS C., Fondation Royaumont | Centre Culturel de Hannovre- Allemagne, pour l’exposition Multi-Média «Multilinear» | 9.11.1997 | Centre Culturel de Hannovre- Allemagne | 0 | ||||||
| 26351 | Elsa | Justel | Bastet | 2004 | fixed media, akusmatisch | 10:40 | Stereo | IMED 0785/ | APREM-Nevers | 20 mars 2004 | Téâtre Municipal de Nevers | Prix Ton Bruynèl | 0 | ||||||
| 21810 | Elsa | Justel | Chi-Pa-Boo | 1996 | fixed media, akusmatisch | excerpt 3 | Stereo | IMED 9837/ | PS C. | 1997 | Encuentros de música electroacústica- Brasilia-Brasil | 0 | |||||||
| 24426 | Elsa | Justel | Débris | 2003 | fixed media, akusmatisch | 9:45 | LDC 2781132 Compendium 2003/ | IMEB Bourges | IMEB | 2003 | Festival Synthèse Bourges | 1 | |||||||
| 39758 | Elsa | Justel | dots, lines and roughness | 2017 | audiovisuell | Elsa Justel | 0 | ||||||||||||
| 26339 | Elsa | Justel | Du libe tU ?, Homage à P. Schaeffer | 1996 | fixed media, akusmatisch | 2:14 | Stereo | IMED 0785/ | PS C. | 1996 | Festival Synthèse-Bourges | 0 | |||||||
| 41848 | Elsa | Justel | Du libe tu? | 1996 | radiophon | 2:12:00 | NAISA Deep Wireless 5/ | IMEB Bourges | 1996, Paris | 1 | |||||||||
| 26342 | Elsa | Justel | El Tercer Fuego | 2001 | Zuspiel, live-elec, 2 perf | 13:30 | Stereo | perc, b-cl [Klarinette, Schlagzeug] | INA • GRM | Radio France | 13.10.2001 | Radio France-Salle Trenet | 0 | ||||||
| 26333 | Elsa | Justel | Feuillage de Silence | 1995 | Zuspiel / Tonband, 1 perf | 16:00 | ob [Oboe] | INA - GRM | 1995 | Salle Olivier Messiaen, Maison de la Radio France | 0 | ||||||||
| 7943 | Elsa | Justel | Fy–Mor | 1992 | fixed media, akusmatisch | 11:00 | Stereo | PS C. | 1992 | Elektronische Frühling-Vienne | Auszeichnung ars electronica 1992 | 1 | |||||||
| 26346 | Elsa | Justel | Gwerz | 2002 | fixed media, akusmatisch | 12:00 | Stereo | IMED 0785/ | PS C. | Französische Staat | 3.06.2002 | Festival Synthèse-Bourges | 0 | ||||||
| 26337 | Elsa | Justel | Haricots et petits Bâtons | 1996 | fixed media, akusmatisch | 7:35 | ICMC 1996/ | PS C. | 1996 | ICMC Hong-Kong | 0 | ||||||||
| 7944 | Elsa | Justel | Ichihualasto ou la Vallée de la Lune | 1988 - 1989 | fixed media, akusmatisch | 9:35 | Stereo | IMEB Bourges | 1989 | McGill University-Montréal Canada-Santiago de Chili |
1989-Prix Residences du Concours International de Musique Electroacoustique de Bourges-France. 1990-Stipendienpreis du Ferienkurse für Neue Musik à Darmstadt-Allemagne |
1 | |||||||
| 26350 | Elsa | Justel | L | 2003 | radiophon | 13:50 | La Muse | La Muse en Circuit –France | 12.2003 | WDR3-Cologne | 0 | ||||||||
| 26347 | Elsa | Justel | La Couleur des Mots | 2002 | radiophon | 25:00 | PS C. | France Culture | 0 | ||||||||||
| 26344 | Elsa | Justel | La Radio, ça detend | 2001 | radiophon | 3:40 | PS C. | 07.2001 | "Resonances" France Culture | Prix Radiomix 2001 | 0 | ||||||||
| 7945 | Elsa | Justel | La valée de la lune | 1989 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 7946 | Elsa | Justel | La ventana deshabitada | 1992 | Zuspiel / Tonband, 1 perf | 5:20 | Stereo | hpd, (com) [Cembalo] | J&W CD 931/ | IMEB Bourges, IPEM Gent | 1992 | Pavillon LeCorbusier-Paris | 1 | ||||||
| 18499 | Elsa | Justel | La ventana deshabitada - La fenêtre dépeuplée | 1990 | Zuspiel / Tonband, 1 perf | 5:28 | Stereo | hpd [Cembalo] | IMEB Bourges | 0 | |||||||||
| 7947 | Elsa | Justel | Latido Estival | 1992 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | V [Stimme] | LIEM CDMC Madrid | 1992 | Elektroakustischer Frühling-Vienne-Autriche | 1 | |||||||
| 21901 | Elsa | Justel | Le Jardin de Nuages | 1990 | Musiktheater | 4:35 | Stereo | Music Theatre for children | IMEB Bourges | Ecole Normale de Bourges et GMEB. | 1990 | Palais de Congres-Bourges-France | 0 | ||||||
| 26352 | Elsa | Justel | Le ver fou | 2005 | fixed media, akusmatisch | 12:40 | INA • GRM | Ina-GRM | 14 mai 2005 | Salle Olivier Messiaen, Maison de la Radio France | Prix Ton Bruynèl | 0 | |||||||
| 39757 | Elsa | Justel | Marelle, the moments of life | 2017 | fixed media, akusmatisch | 16 Tracks, Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 22996 | Elsa | Justel | Mâts | 1999 | fixed media, akusmatisch | 11:01 | Stereo | IMED 0785/ Acousmatica CD 1200/ | INA • GRM | 02.1999 | Maison de Radio-France, Paris | 1 | |||||||
| 26336 | Elsa | Justel | Megots | 1995 | fixed media, akusmatisch | 3:00 | PS C. | 0 | |||||||||||
| 26343 | Elsa | Justel | Midi de Sable | 2000 | Zuspiel / Tonband, 1 perf | 9:47 | Stereo | rec (a-, t-, b-, db-) [Flöte] | IMED 0785/ | Phonos Barcelona | 15.3.2001 | Phonos-Barcelone | 0 | ||||||
| 26341 | Elsa | Justel | Pieza en forma de Te | 1999 | fixed media, akusmatisch | 10:50 | Musiques et Recherches Ohain | 21.11.1999 | Bruxelles -Festival L'espace du son | 0 | 2002 | ||||||||
| 24193 | Elsa | Justel | Primpilinpanza, primpilapansa | 2002 | fixed media, akusmatisch | 4:27 | Discontact! III 2003 PeP 007/ HAG CD 02/ | PS C. | 7.06.2002 | Synthèse-Bourges | 1 | ||||||||
| 26348 | Elsa | Justel | Puntos, comas y refritos | 2002 | fixed media, akusmatisch | 11:41 | Octo | IMED 0785/ | AdK Berlin | AdK Berlin | 2003 | Akademie der Künste Berlin | 0 | ||||||
| 26349 | Elsa | Justel | Purzelbäume, Dando tumbos | 2003 | fixed media, akusmatisch | 4:00 | DeutschlandRadio | DeutschlandRadio | 2003 | DeutschlandRadio, Berlin | 0 | ||||||||
| 26335 | Elsa | Justel | Sakhra | 1995 | fixed media, akusmatisch | 9:00 | PS C. | 0 | |||||||||||
| 7948 | Elsa | Justel | Sikxo | 1989 | Zuspiel / Tonband, 1 perf | 10:35 | Stereo | sax [Saxophon] | ELAK Wien | 0 | |||||||||
| 26338 | Elsa | Justel | Talla | 1996 | fixed media, akusmatisch | 8:00 | PS C. | 0 | |||||||||||
| 26345 | Elsa | Justel | Te saludo muchacho | 2001 | fixed media, akusmatisch | 1:00 | Hommage à Lucien Goethals 70 | PS C. | 1/set/2001 | Gent-Belgique | 0 | ||||||||
| 26332 | Elsa | Justel | Tecla | 1994 | fixed media, akusmatisch | 12:00 | Pour le spectacle multi-média « Les villes invisibles » | PS C. | 1994 | DeIjsbreker-Amsterdam- Pays Bas | 0 | ||||||||
| 26334 | Elsa | Justel | Thun | 1995 | fixed media, akusmatisch | 3:15 | PS C. | 1995 | Festival Synthèse-Bourges* | 0 | |||||||||
| 7949 | Elsa | Justel | Tiempo de Antorchas | 1989 | Zuspiel / Tonband, 1 perf | 10:30 | ob [Oboe] | IMEB Bourges | 1990 | Bogotá-Colombie | 0 | ||||||||
| 26130 | Elsa | Justel | Veras llorar la biblia … | 1991 | fixed media, akusmatisch | 9:35 | Stereo | GES Vierzon | 1991 | CIUP-Paris | 0 | ||||||||
| 26353 | Elsa | Justel | Yegl | 2007 | fixed media, akusmatisch | 12:38 | EMS Stockholm | Fondation Ton Bruynel | 2006 | Gaudeamus Musik week, Amsterdam | 0 | ||||||||
| 39307 | Ben | Justis | Clay Study, The Death of Cassini | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 7951 | Reijo | Jyrkiäinen | Idiopostic 1 | 1963 | fixed media, akusmatisch | 9:15 | Mono | Yleisradio | 0 | ||||||||||
| 7952 | Reijo | Jyrkiäinen | Idiopostic 2 | 1966 | fixed media, akusmatisch | 9:30 | Stereo | Yleisradio | 0 | ||||||||||
| 7953 | Reijo | Jyrkiäinen | Sounds 1 | 1963 | fixed media, akusmatisch | 4:00 | Mono | Yleisradio | 0 | ||||||||||
| 7954 | Reijo | Jyrkiäinen | Sounds 2 | 1963 | fixed media, akusmatisch | 7:20 | Mono | Yleisradio | 0 | ||||||||||
| 7955 | Reijo | Jyrkiäinen | Sounds 3 | 1966 | fixed media, akusmatisch | 14:50 | Stereo | Yleisradio | 0 | ||||||||||
| 7950 | Reijo, Ilkka | Jyrkiäinen, Kuusisto | Effata | 1963 | Tanz | Yleisradio | 0 | ||||||||||||
| 7956 | Chan | Ka, Nin | The Everlasting Voices | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | hn [Horn] | 0 | |||||||||||
| 7957 | Chan | Ka, Nin | Yeh - Pan Yueh, (Nocturne) | fixed media, akusmatisch | 9:00 | Stereo | 0 | ||||||||||||
| 7958 | Julie | Kabat | Child and the Moon-Tree | 1989 | live-elec, 2 perf | 16:57 | Stereo | V, sam [Stimme, computer] | Centaur CRC 2047, CDCM Vol. 7/ | iEAR Rensselaer | 1 | ||||||||
| 7959 | Miloslav | Kabelác | Chrám svatého Víta | 1972 | fixed media, akusmatisch | 3:55 | Stereo | Radio Plzen | 0 | http://www.musica.cz/comp/kabelac.htm | |||||||||
| 7960 | Miloslav | Kabelác | Cloche de la Cathédrale de St. Guy de Prague | 1966 | fixed media, akusmatisch | Praha VÚRT | 0 | http://www.musica.cz/comp/kabelac.htm | |||||||||||
| 7961 | Miloslav | Kabelác | E fontibus Bohemicus, (radiophonic oratorio) | 1970/1972 | radiophon | 31:00 | Stereo | Radio Plzen | 0 | http://www.musica.cz/comp/kabelac.htm | |||||||||
| 7962 | Miloslav | Kabelác | E fontibus bohemicus, Visiones Sex | 1972 | fixed media, akusmatisch | 30:40 | Stereo | Czech version, Duration latin version: 31:26 | Radio Plzen | 0 | http://www.musica.cz/comp/kabelac.htm | ||||||||
| 7963 | Miloslav | Kabelác | Hospodine, pomiluj ny | 1971 | fixed media, akusmatisch | 4:50 | Stereo | Radio Plzen | 0 | http://www.musica.cz/comp/kabelac.htm | |||||||||
| 7964 | Miloslav | Kabelác | Husitská Praha | 1972 | fixed media, akusmatisch | 3:36 | Stereo | Radio Plzen | 0 | http://www.musica.cz/comp/kabelac.htm | |||||||||
| 7965 | Miloslav | Kabelác | Husova chvála Prahy | 1972 | fixed media, akusmatisch | 3:10 | Stereo | Radio Plzen | 0 | http://www.musica.cz/comp/kabelac.htm | |||||||||
| 7966 | Miloslav | Kabelác | Kosmova kronika | 1972 | fixed media, akusmatisch | 5:00 | Stereo | Czech version, Duration latin version: 5:45 | Radio Plzen | 0 | http://www.musica.cz/comp/kabelac.htm | ||||||||
| 7967 | Miloslav | Kabelác | Pohreb Karla IV | 1972 | fixed media, akusmatisch | 7:28 | Stereo | Radio Plzen | 0 | http://www.musica.cz/comp/kabelac.htm | |||||||||
| 7968 | Max | Käck | Ditt ansikte | 1982 | intermedia | 26:00 | Quadro | 0 | |||||||||||
| 7969 | Max | Käck | En fläkt av tystnad | 1978 | fixed media, akusmatisch | 17:45 | Stereo | 0 | |||||||||||
| 7970 | Max | Käck | En sårad flyktings sång | 1980 | fixed media, akusmatisch | 14:55 | Stereo | 0 | |||||||||||
| 7971 | Max | Käck | Livets träd : Inleding, Invigningen, Uppståndelsen | 1979 | fixed media, akusmatisch | 30:50 | Stereo | txtcompo | EMS Stockholm | 0 | |||||||||
| 7972 | Max | Käck | Monument | 1981 | fixed media, akusmatisch | 8:25 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7973 | Max | Käck | Nästan… | 1981 | intermedia | 55:00 | Quadro | 0 | |||||||||||
| 7974 | Max | Käck | Övervintring | 1979 | fixed media, akusmatisch | 10:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 7975 | Max | Käck | Ombroj | 1984 | intermedia | 31:25 | Quadro | 0 | |||||||||||
| 7976 | Max | Käck | Phonofoni | 1982 | fixed media, akusmatisch | 14:30 | Stereo | 0 | |||||||||||
| 7977 | Max | Käck | Qvinta essential | 1984 | fixed media, akusmatisch | 15:00 | Stereo | 0 | |||||||||||
| 7978 | Max | Käck | Svit 82 : Ouverture, Pastoral, Makaber, Vision | 1982 | fixed media, akusmatisch | 20:25 | Stereo | EMS Stockholm | 0 | ||||||||||
| 42128 | Stefan | Kaegi | Glühkäferkomplott | 2002 | radiophon | 30:05 | Hörspielpark/ | DRS / Intermedium 2, DLF | 22.3.2002 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1443956&vi=1&SID | ||||||||
| 34433 | Werner | Kaegi | Anima ou les reves de Damien | 1966/1967 | fixed media, akusmatisch | 7:03 | Stereo | CRS Genève | 0 | ||||||||||
| 7979 | Werner | Kaegi | Chants Magnétiques Ritornelles, Chants Magnétiques | 1985 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
6:30 | Quadro | com [computer] | MIDIM8X | Sonology Den Haag | 0 | ||||||||
| 7980 | Werner | Kaegi | Consolations, In Memoriam Automne ers d'autres jeux |
1984 | fixed media, akusmatisch | 45:00 | Quadro | 3 parts | Sonology Den Haag | 0 | |||||||||
| 7981 | Werner | Kaegi | Dialogue | 1984/1985 | Zuspiel / Tonband, 1 perf, 1 group | 12:30 | Quadro | (gamelan-) ens, drum (Kendang) [Schlagzeug, Ensemble] | Sonology Den Haag | 0 | |||||||||
| 7983 | Werner | Kaegi | Dialogue III | 1984 | Zuspiel / Tonband, | 12:00 | Quadro | Sonology Den Haag | 0 | ||||||||||
| 7984 | Werner | Kaegi | Eclipses, musique électrinique pour quatre colonnes sonores | 1964 | fixed media, akusmatisch | 8:36 | Mono + Mono + Mono + Mono | CRS Genève | Radio Genf | 0 | |||||||||
| 7985 | Werner | Kaegi | Entretiens solitaires | 1968 | Zuspiel / Tonband, 11 perf | ≈ 19 | Mono | Sp, 9 ins, dancer [Sprecher, Instrument, Tanz] | after a poem by B. Falciola | CRS Genève | 0 | ||||||||
| 7987 | Werner | Kaegi | Flüsterbogen | 1964 | Hintergrundmusik | CRS Genève | 0 | ||||||||||||
| 7988 | Werner | Kaegi | Hydrophonie 1 | 1969 | fixed media, akusmatisch | 16:30 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 7989 | Werner | Kaegi | Illumination f. 3 - Structure | 1969 | Hintergrundmusik | intermedia |
1:30 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 7990 | Werner | Kaegi | Kyoto | 1970 | Zuspiel / Tonband, 7 perf | 8:36 | Stereo | p, fl, cl, b-cl, vn, vy, vc [Flöte, Klarinette, Piano, Cello, Violine] | CTS 44/ | CRS Genève | Festival d’Avignon 1970 | 0 | |||||||
| 7991 | Werner | Kaegi | L’Art de la table | 1964 | fixed media, akusmatisch | CRS Genève | 0 | ||||||||||||
| 7992 | Werner | Kaegi | La porte noire | 1964 | radiophon | 51:40 | Mono | CRS Genève | 0 | ||||||||||
| 34434 | Werner | Kaegi | Mystic Puzzle I | 1964 | live-elec, 2 perf | Stereo | hpd, p [Piano, Cembalo] | CRS Genève | 0 | ||||||||||
| 7993 | Werner | Kaegi | Mystic Puzzle II | 1965 | Zuspiel / Tonband, 13 perf | 9:12 | Quadro + Stereo | 13 ins (jazz-orc) [Instrument] | CRS Genève | 0 | |||||||||
| 7994 | Werner | Kaegi | Mystic Puzzle III | 1966 - 1967 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | CRS Genève | 0 | |||||||||||
| 7995 | Werner | Kaegi | Ritournelles | 1987 | Zuspiel / Tonband, 1 perf | 15:48 | S [Sopran] | VOSIM | LDC 278044/45 Cultures Electroniques 2/ | Sonology Den Haag | ICMC 1986 | 1 | |||||||
| 7996 | Werner | Kaegi | Thai Clarinet | 1970 | Zuspiel / Tonband, 1 perf | 8:37 | Stereo | cl [Klarinette] | CRS Genève | 0 | |||||||||
| 7997 | Werner | Kaegi | Zéa | 1965 | radiophon | 25:18 | Mono | CRS Genève | 0 | ||||||||||
| 42129 | Helmut | Käutner | Der Hauptmann von Köpenick | 1945 | radiophon | 77:50 | NWDR | 3.9.1945 | Radio Hamburg | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1348757&vi=1&SID | ||||||||
| 37811 | Krööt-Kärt | Kaev | Zoom in / Zoom out | 2017 | audiovisuell | Stereo | Video (Katrin Helena Jónsdóttir und Farhad Ilaghi Hosseini) | Incontri HMTM Hannover | 09.02.2017 | Kunstverein Hannover | 0 | ||||||||
| 37805 | Krööt-Kärt, Örnólfur Eldon | Kaev, Thórsson | [untitled] | 2017 | live-elec, 8 groups | Octo | 8 groups of ch, (elec) [Chor] | Incontri HMTM Hannover | 25.06.2017 | Christuskirche Hannover | 0 | ||||||||
| 41461 | Sergio | Kafejian | Canvas of winds | 2017 | live-elec, 2 perf | fl, cl [Flöte, Klarinette] | 0 | ||||||||||||
| 25685 | Sergio | Kafejian | Descanto | 1998 - 1999 | Zuspiel / Tonband, 1 perf | 13:13 | Quadro | fre hn [Horn] | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | ||||||||
| 24428 | Sergio | Kafejian | Interioracao | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 39493 | Sergio, Esther | Kafejian, Lamneck | Construção | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 7998 | Mauricio | Kagel | 8 estudios | 1950 - 1953 | fixed media, akusmatisch | 4:00-17:00 | Mono + Mono + Mono | Ion B.Aires | 0 | ||||||||||
| 7999 | Mauricio | Kagel | Acustica, Acustica I-IIIc | 1969 | radiophon | Zuspiel, Performance, 5 perf |
39:52 | Quadro | 5 perf [Performer] | für experimentelle Klangerzeuger und Lautsprecher | DGG 2707059/ ZZT 080403/ BMG 74321 73502/ | WDR SEM | WDR 1970 | 26.2.1970 | "Musik der Zeit" Köln | 0 | ||||
| 8001 | Mauricio | Kagel | Antithese, Komposition für elektronische und öffentliche Klänge | 1962 | Zuspiel/Tonband, 1 perf | Film |
9:39 | Stereo | actor [Schauspieler] | DSV JJ 015/ DMR Musik in Deutschland 1950 - 2000: Studioproduktionen/ IDEAMA CD 012/ Siemens AG/ Earlabs LC 007/ SR 270 sub rosa/ | Siemens, WDR SEM | 1. April 1966 | NDR, 3. Fernsehprogramm | Peters | 1 | 1990 | ||||
| 8000 | Mauricio | Kagel | Antithese II, Spiel für einen Darsteller mit elektronischen und öffentlichen Klängen | 1962/1965 | Musiktheater | 18:30 | Mono | Teil 2: Antithese 1962 | Siemens | NDR | 0 | ||||||||
| 8002 | Mauricio | Kagel | Atem | 1969 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | sax or trbn [Saxophon, Posaune] | 1 | ||||||||||
| 23086 | Mauricio | Kagel | Bestiarium, Klangfabeln auf zwei Bühnen | 1974 - 1975 | radiophon | Mono | 3 perf (Pfeifenspieler) [Performer] | Radio- und Funkfassung | WDR SEM | 6.3.1976 | "Musik der Zeit" Köln | 0 | |||||||
| 8003 | Mauricio | Kagel | Cäcilia: Ausgeplündert | 1985 | radiophon | 41:10 | Ein Besuch bei der Heiligen | WDR Studio Akustische Kunst | 17.12.1985 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1372213&vi=10&SID | |||||||
| 8004 | Mauricio | Kagel | Camera Oscura | 1965 | intermedia | 14:00 | Mono + Mono + Mono | tapes have to be realized by the mus | 0 | ||||||||||
| 8005 | Mauricio | Kagel | Der mündliche Verrat | 1987 | radiophon | Ein Musikepos über den Teufel | WDR Studio Akustische Kunst | 02.10.1993 | WDR | 0 | |||||||||
| 8006 | Mauricio | Kagel | Der Tribun, für einen politischen Redner, Marschklänge und LS | 1979 | radiophon | Performance |
50:24 | Sp, ens [Sprecher, Ensemble] | Für einen politischen Redner, Marschklänge und Lautsprecher | WDR Studio Akustische Kunst | 25.02.1986 | WDR (28:12) | Hörspielpreis der Kriegsblinden 1980 | Mauricio Kagel Der Tribun Für einen politischen Redner, Marschklänge und Lautsprecher Hörspiel-Performance, aufgenommen auf dem Roncalliplatz vor dem Kölner Dom Komposition: Mauricio Kagel Redaktion: Klaus Schöning Realisation: Mauricio Kagel "Vom Balkon seiner Residenz übt der erste Mann im Staat eine jener endlos dahinfließenden Reden, die er häufig der versammelten Bevölkerung vorzutragen pflegt. Zur optimalen Ermunterung des Politikers werden die Reaktionen der nicht vorhandenen, jedoch weich dressierten Zuhörer vom Tonband über Lautsprecher eingespielt. In einer Ecke des Platzes steht die beste Militärkapelle des Landes parat." So beschreibt Mauricio Kagel das "fast filmische Szenario" seines Werks. Die Jury des Hörspiel-Preises der Kriegsblinden würdigte neben der Exzellenten Darstellung des Demagogen durch den Komponisten selbst die "genau treffende und doch absurde Suada, die mit all ihrem Widersinn die Erlösungspose eines Volksverführers decouvriert." Anläßlich der "1. Acustica International" spielte Mauricio Kagel seinen "Tribun" auf einer Tribüne vor dem Kölner Dom in einer Live-Performance als Theaterhörspiel. |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4952493&vi=9&SID | ||||
| 8007 | Mauricio | Kagel | Diaphonie I | 1965 | Zuspiel/Tonband, 2 groups | intermedia |
≈ 15:00 | Mono + Mono | ch, orc [Chor, Orchester] | 2 slide- projectors | PS C. Köln | 0 | ||||||||
| 8008 | Mauricio | Kagel | Diaphonie II | 1965 | Zuspiel/Tonband, 1 group | intermedia |
≈ 15:00 | Stereo | ch [Chor] | 2 slide- projectors | PS C. Köln | 0 | ||||||||
| 8009 | Mauricio | Kagel | Diaphonie III | 1965 | Zuspiel/Tonband, 1 group | intermedia |
≈ 20:00 | Stereo | orc [Orchester] | 2 slide- projectors | PS C. Köln | 0 | ||||||||
| 8010 | Mauricio | Kagel | Die Umkehrung Amerikas | 1976 | radiophon | Episches Hörspiel | WDR Studio Akustische Kunst, KRO Hilversum | Prix Italia 77 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1445551&vi=15&SID | |||||||||
| 8011 | Mauricio | Kagel | Ein Aufnahmezustand, (Hörspiel) Ein Aufnahmezustand | 1969 | radiophon | 50:05 | Stereo | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | WDR Studio Akustische Kunst | 4.12.1969 | WDR Köln | Karl-Sczuka-Preis 1970 | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1448465&vi=22&SID | |||||
| 42198 | Mauricio | Kagel | Ein Aufnahmezustand: Zweite Dosis | 1970 | radiophon | 50:05 | Stereo | WDR Studio Akustische Kunst | 4.6.1970 | WDR Köln | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1457916&vi=21&SID | |||||||
| 42199 | Mauricio | Kagel | Ein Aufnahmezustand: Zweite Dosis | 1970 | radiophon | 50:05 | Stereo | WDR Studio Akustische Kunst | 26.11.1970 | WDR Köln | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1447090&vi=20&SID | |||||||
| 8024 | Mauricio | Kagel | Er, Rrrrrr… | 1982 | radiophon | Film |
40 | Hörspiel über eine Radiophantasie. also used in the Film "ER" 1984 |
WER 73452/ | WDR Studio Akustische Kunst | 19.10.1982 | WDR | 0 | 1990 | http://hoerspiele.dra.de/vollinfo.php?dukey=1356953&vi=12&SID | |||||
| 8012 | Mauricio | Kagel | Guten Morgen! | 1971 | radiophon | 32:38 | WDR Studio Akustische Kunst, SR | 11.11.1971 | WDR, SR | 0 | |||||||||
| 8014 | Mauricio | Kagel | Mare nostrum, Entdeckung, Befriedung und Konversion des Mittelmeerraumes durch einen Stamm aus Amazonien | 1992 | radiophon | 86:50 | nach dem gleichnamigen Bühnenwerk von 1975 | WDR Studio Akustische Kunst, NDR | 7.11.1992 | NDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1377612&vi=6&SID | |||||||
| 8015 | Mauricio | Kagel | Match, für 3 Spieler | 1966 | Zuspiel/Tonband, 3 perf | Film |
1:00-17:00 21 | multichannel | 2 vc, perc [Schlagzeug, Cello] | 26.4.1967 | WDR/WDF Köln | 0 | 1990 | |||||||
| 8016 | Mauricio | Kagel | Música para la torre | 1954 | Klangkunst, Installation | ≈ 108:00 | 10 Tracks | konkrete & instrumentale Musik, to be played from a tower by LS | Ion B.Aires | 0 | |||||||||
| 8017 | Mauricio | Kagel | … nach einer Lektüre von Orwell | 1984 | radiophon | Hörspiel in germanischer Muttersprache | WER 6307-2/ | WDR Studio Akustische Kunst, Radio Bremen | 1.5.1984 | WDR | Hörspiel des Monats Mai 1984 | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1371608&vi=11&SID | ||||||
| 8018 | Mauricio | Kagel | Nah und Fern, Radiostück für Glocken und Trompeten mit Hintergrund | 1993/1994 | radiophon | 41:15 | Octo | MO 782062/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | 4.10.1994 | WDR | Karl-Sczuka-Preis 1995 | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1369869&vi=4&SID | |||||
| 8019 | Mauricio | Kagel | Phantasie für Orgel | live-elec, 1 perf | org [Orgel] | Zacher, Blin, Stiebler | DGG 104988/93/ | 0 | |||||||||||
| 8020 | Mauricio | Kagel | Phonophonie | 1964 | Zuspiel/Tonband, 2 perf | Film |
25:17 | Stereo | V, Bar [Bariton, Stimme] | 4 Melodramen für zwei Stimmen und andere Schallquellen | DMR Musik in Deutschland 1950 - 2000 74321 73533 2/ mode 127/ | Radio Bremen | 31.12.1964 | Radio Bremen | Schott Musik International, Mainz | 1 | 1990 | http://www.moderecords.com/ | ||
| 42213 | Mauricio | Kagel | Playback Play | 1997 | radiophon | 41:10 | Neues von der Musikmesse | WDR Studio Akustische Kunst | 17.6.1997 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1391269&vi=7&SID | |||||||
| 8021 | Mauricio | Kagel | Prima Vista | 1964 | Zuspiel, live-elec, 6 perf | 11:00 | 6 mus [Musiker] | slides, unbestimmte Anzahl von Schallquellen und Tonbänder | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / visible music/ | 1 | 1986 | ||||||||
| 8022 | Mauricio | Kagel | Probe | 1972 | radiophon | 29:50 | Versuche für ein improvisiertes Kollektiv | WDR Studio Akustische Kunst | 30.11.1992 | WDR | 0 | ||||||||
| 8023 | Mauricio | Kagel | Quodlibet | 1988 | radiophon | 23:12 | Stereo | 0 | |||||||||||
| 8025 | Mauricio | Kagel | Soundtrack | 1975 | radiophon | Film |
38:15 | WDR Studio Akustische Kunst | 13.6.1975 | WDR | 0 | |||||||||
| 8026 | Mauricio | Kagel | Staatstheater | Zuspiel / Tonband, | Staatsoper Hamburg | DGG 2707060/ | Oper Hamburg | 0 | |||||||||||
| 28370 | Mauricio | Kagel | Szenario, Un Chien Andalou (Ein andalusischer Hund) | 1928, 1982 | Zuspiel/Tonband, | Film |
str orc [Orchester] | music also for the film Szenarion / Un Chien Andalou (1928) | Schweizer Fernsehen | 4.8.1983 | DRS | 0 | 1990 | |||||||
| 8027 | Mauricio | Kagel | Transicion I | 1958 | fixed media, akusmatisch | 12:50 13:08 | Quadro | PHI 835 485/86/ PHI 836.897/ DMR Musik in Deutschland 1950 - 2000: Studio des WDR Köln/ Mercury SR2 9123/ IDEAMA CD 006/ DMR 1007-09/ | WDR SEM | 22.6.1960 | Berlin, Akademie der Künste | 1 | |||||||
| 8028 | Mauricio | Kagel | Transicion II | 1958/1959 | Zuspiel / Tonband, 2 perf | ≈ 21:31 | Mono + Mono | p, perc, (2 tape loops) [Piano, Schlagzeug] | Score: A House Full of Music, page 194, ISBN 978-3-7757-3318-2 | LML LS 86048/ WDR Musik der Zeit CD 1/ mode 127/ WER 6928/ MdZ CD1/ | 1 | 1994 | http://www.moderecords.com/catalog/127kagel.html | ||||||
| 8029 | Mauricio | Kagel | Tremens - szenische Montage eines Textes | 1966 | Musiktheater, live-elec, 4 perf | 29:00 | Mono | 2 actor, e-ins, perc [Schlagzeug, Schauspieler, synthesizer] | + 4 Gen, Micros | STEM Utrecht | 6.5.1966 | Radio Bremen | 0 | ||||||
| 42214 | Mauricio | Kagel | Vorzeitiger Schlussverkauf. Unvollendete Memoiren eines Toningenieurs | 2004 | radiophon | 51:47 | WDR Studio Akustische Kunst | 15.5.2004 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1449514&vi=8&SID | ||||||||
| 28598 | Mauricio | Kagel | Zwei-Mann-Orchester | 1973 | Film | 71 | Elektroakustik Silvio Forétic | WDR Studio Akustische Kunst | 6.04.1974 | SWF | Universal Edition, Wien | 0 | 1990 | ||||||
| 8013 | Mauricio, Klaus | Kagel, Schöning | Kleines Ohrganon des Hörspielmachens, Geräusch; Mikrofon; Manuskript und Dramaturgie; Schnitt; Pause | 1978 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 22309 | Laurens | Kagenaar | Asper | fixed media, akusmatisch | 15:02 | MAX / MSP | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#acousmatrix | |||||||||
| 24194 | Frédéric | Kahn | … de la matière première des saisons | 2002 | fixed media, akusmatisch | 5:00 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 27235 | Frédéric | Kahn | L'infini turbulent | 2006 | fixed media, akusmatisch | 18:28 | LDC 2781139 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 32959 | Frédéric | Kahn | Le Purgatoire Des Sens | 1992 - 2005 | fixed media, akusmatisch | 75:33 | Motus M 306008/ | 0 | |||||||||||
| 24427 | Frédéric | Kahn | Le vide est partout et toujours porteur de toutes naissances | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22922 | Frédéric | Kahn | Les Fleurs, ces bouquets d’agonie, Flowers, those Bunches of Agony | 1998 | fixed media, akusmatisch | 14:00 | LDC 278070/71 Cultures Electroniques 13/ | INA • GRM | prize Bourges 1999 "non thematic" | 1 | |||||||||
| 36703 | Frédéric | Kahn | Pensées d’automne et Les pensées de la terre | fixed media, akusmatisch | elek 003/ | 0 | |||||||||||||
| 20349 | Frédéric | Kahn | The Trompebone of Chris Schiff | 1989 | fixed media, akusmatisch | 5:36 | Stereo | MW 53/ | McGill Montréal | 0 | |||||||||
| 19271 | Frédéric | Kahn | Tous Azimuts | 1996 | fixed media, akusmatisch | 2:52 | CEC Presence 1/ | McGill Montréal | 1 | ||||||||||
| 36468 | Jason | Kahn | Pillow Shot 10, Ukigusa | 2007 | radiophon | 2:03:00 | and 26/ | 0 | |||||||||||
| 36457 | Jason | Kahn | Transit | 2007 | radiophon | 3:31:00 | EDRM 417/ | 0 | |||||||||||
| 8030 | Günter | Kahowez | MEGALYSE | 1963 | fixed media, akusmatisch | 4:10 | Mono | ELAK Wien | 0 | ||||||||||
| 21966 | Sven Lyder | Kahrs | Musikk til "(un)blind" | 2000 | Klangkunst, Installation | intermedia |
NOTAM | 0 | ||||||||||||
| 37457 | Sesshu | Kai | Music for tape | 1978 | fixed media, akusmatisch | 7:43 | OUOADM 0701/ | NHK Tokyo | 0 | ||||||||||
| 31607 | Harald Günter | Kainer | repaint! | 2013 | fixed media, akusmatisch | 24 Tracks | next_generation 5.0 | IEM Graz | 0 | ||||||||||
| 8031 | Jouni | Kaipainen | Altaforte, op. 18 | 1982 | live-elec, 1 perf | 11:26 | tpt [Trompete] | Jase CD 0015/ | 1 | ||||||||||
| 42130 | Peter | Kaizar | Nur kurze Zeit noch | 2017 | radiophon | ORF | Peter Kaizar 2017 (Auftragsproduktion) | 25.6.2017 | ORF | 0 | |||||||||
| 8032 | Ivan | Kaladji | Espaces fluides, Nebuleuses | 1981 | fixed media, akusmatisch | 26:20 | Stereo | INA • GRM | 0 | ||||||||||
| 33144 | Wojciech | Kalamarz | Fonos | 2003 | fixed media, akusmatisch | 8:43 | WJ 2004/ | 1 | |||||||||||
| 24195 | Ioannis | Kalantzis | Ades | 2002 | fixed media, akusmatisch | 2:37 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 36932 | Ioannis | Kalantzis | Let's talk about it | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 31991 | Ioannis | Kalantzis | Parastaseis A B C D | 2003 - 2006 | fixed media, akusmatisch | 7:00:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | ||||||||||
| 8033 | Josip | Kalcic | Duboki Do, Deep Valley | 1974 | fixed media, akusmatisch | 9:43 | Stereo | RTB 2513/ Radio Beograd CD 431333, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | |||||||||
| 8034 | Josip | Kalcic | Improvisation with organ | 1961 | fixed media, akusmatisch | Radio Plzen | 0 | ||||||||||||
| 8035 | Josip | Kalcic | Improvizácia pro klavír, cembalo, varhany a bicí nástroje | 1967 | fixed media, akusmatisch | Zuspiel/Tonband, |
9:18 | Mono | Radio Plzen | 0 | ||||||||||
| 8036 | Josip | Kalcic | Pastorala | 1974 | fixed media, akusmatisch | Radio Beograd | 0 | ||||||||||||
| 8037 | Josip | Kalcic | Zacarani igrac | 1966 | Tanz | Radio Plzen | 0 | ||||||||||||
| 38589 | Richard | KALISZ | Une dernière mise en ondes: la mort probablement | 2012 | radiophon | 5:20:00 | Prix Phonurgia nova | 0 | |||||||||||
| 8038 | Johannes | Kalitzke | Berceuse integrale pour Hironymus Bosch | 1984 | Zuspiel / Tonband, 1 group | 11:40 | Stereo | orc [Orchester] | HfMT Köln | 1984 | SWF-Radiosinfonieorchester Biberach | 0 | |||||||
| 8039 | Johannes | Kalitzke | Bericht über den Tod des Musikers Jack Tiergarten | 1992 | Oper | szenische Moritat | HfM Frankfurt | 0 | |||||||||||
| 35332 | Johannes | Kalitzke | Bis zum äußersten Tor, Labyrinth (Kafka-Komplex I) Nachricht von Charon (Kafka-Komplex III) Intermezzo und Schlussmarsch (Kafka-Komplex IV) |
1989/2006 | Zuspiel, live-elec, 6 perf | 45 | Stereo | 4 V, va, p [Stimme, Piano, Viola] | Text: Franz Kafka | 2000 2007 |
Hannover Berlin |
0 | |||||||
| 8040 | Johannes | Kalitzke | Das Labyrinth der Lieder | 1987/1988 | Zuspiel / Tonband, 5 perf, 1 group | 18:47 | Quadro | S, Mez, Counter-T, T, Bar, orc [Sopran, Mezzo, Tenor, Bariton, Orchester] | Texte: Gustave Flaubert, Rainer Maria Rilke, Gottfried Benn, Pablo Neruda und Italo Calvino | WER 6512 DMR/ | HfMT Köln | 1987 | Saarbrücken | 1 | |||||
| 27512 | Johannes | Kalitzke | Die Rückseite der Tage, 4 Orchester-Stücke mit Sopran und Tonband | 1994 | Zuspiel / Tonband, 1 perf, 1 group | 6:47 | Stereo | S, orc [Sopran, Orchester] | HfMT Köln | Musik Biennale Berlin | 1994 | Berlin | Gravis 438 | 0 | |||||
| 8041 | Johannes | Kalitzke | Hände im Spiegel | 1993 | live-elec, 3 perf, 1 group | 22 | p, orc, (flankierende) 2 ins [Piano, Instrument, Orchester] | Experimentalstudio für Akustische Kunst Freiburg | 1993 | Württ. Staatsoper Stuttgart und Donaueschinger Musiktage | 0 | ||||||||
| 8042 | Johannes | Kalitzke | Jardins paradoxeaux | 1986 | Zuspiel / Tonband, 2 perf, 5 groups | 11:11 | Stereo | 5 group ins, T, A [Alt, Tenor, Instrument] | Texte: Hohelied Salomos, Paul Éluard, Charles Baudelaire, Else Lasker-Schüler, E. E. Cummings, Cesare Pavese, Friedrich Hölderlin und T. S. Eliot | HfMT Köln | 1986 | Donaueschingen | 0 | ||||||
| 8043 | Johannes | Kalitzke | Macchina d‘autunno, Fantasiestück für Klavierklänge: Il giorno La notte |
1982 | Zuspiel / Tonband, 1 perf | 18:48 | Stereo | p [Piano] | nach "Hälfte des Lebens" von F. Hölderlin Version HfMT Köln duration 13:55 |
WER 6512 DMR/ POOL 76033/ HfMT Köln CD4/ | HfMT Köln | 1982 | Hölderlin-Gymnasium Köln | 1 | |||||
| 35333 | Johannes | Kalitzke | memoria | 2003 | live-elec, 9 perf | 2 tpt, 2 trbn, perc, amp acc, amp lute, e-gui, Kbd (Glasharmonika, Sampler) [Trompete, Posaune, Keyboard, Akkordeon, Gitarre, Schlagzeug] | 0 | ||||||||||||
| 34022 | Johannes | Kalitzke | Molière oder Die Henker der Komödianten | 1998 | Oper | Stereo | Elektronische Komposition als Zuspielband zur gleichnamigen Oper | HfMT Köln | 0 | ||||||||||
| 8044 | Johannes | Kalitzke | Rotations-Etude, …scenderemo nel gorgo muti… | 1986 | Zuspiel / Tonband, 3 perf | 10:31 | 3 tracks | 3 perc [Schlagzeug] | HfMT Köln | 1986 | Lüdenscheid | 0 | |||||||
| 34021 | Johannes | Kalitzke | …scenderemo nel gorgo muti. | 1987 | Zuspiel / Tonband, 3 perf | 12:50 | 5 tracks | 3 perc [Schlagzeug] | Rotationsetüde für 3 Schlagzeuger und elektronische Sprachklänge mit Ferntrio | HfMT Köln | 0 | ||||||||
| 35334 | Johannes | Kalitzke | story teller | 2016 | live-elec, 1 perf, 1 group | 20 | solo-vc, orc (Kbd, sam) [Cello, Orchester] | RBB Ultraschall | 18.1.2017 | Berlin, Großer Sendesaal des RBB, Johannes Moser (vc), DSO Berlin, Ltg. J. Kalitzke | 0 | https://ultraschallberlin.de/konzert/udo-samel-johannes-moser-dso-berlin-johannes-kalitzke/ | |||||||
| 23091 | Johannes | Kalitzke | Wind Stille Zeit | 2000 - 2001 | Zuspiel / Tonband, 7 perf, 1 group | 26 | ch (8-stimmig), hn, 2 tpt, trbn, tuba, tim, perc [Horn, Trompete, Posaune, Tuba, Schlagzeug, Chor] | Texte: Buch Kohelet, Francesco Petrarca, Paul Celan. | WDR SEM | 2.12.2001 | "Musik der Zeit" Köln | 0 | |||||||
| 28483 | Bas | Kalle | Drieluik | fixed media, akusmatisch | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.baskalle.nl/music.html | ||||||||||||
| 8045 | Sándor | Kallosh | Northern Legend, Northern Tale | fixed media, akusmatisch | 5:38 | Mono | "Schandor Kallosh" ANS - synt |
Melodiya D-25631-32/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 0 | |||||||||
| 33015 | Martin | Kalve | Earthing | 1978 | live-elec, 4 perf | 15:41:00 | 4 perf [Performer] | Improvisation, Performer – David Tudor, John Driscoll, Martin Kalve, Takehisa Kosugi | OMM 0046, The Kitchen Archives No.4 / Composers Inside Electronics/ | 1 | |||||||||
| 21626 | Dimitri | Kamarotos | NOW | 1988 | fixed media, akusmatisch | 1 | |||||||||||||
| 23345 | Vladimir | Kamarov | Voice of Theremin | 1996 | Zuspiel, live-elec, 1 perf | 8:12 | theremin [synthesizer] | Lydia Kavina (Theremin). Werk zum 100sten Geburtstag von Leon Theremin (im Tonbandteil taucht Theremins Stimme auf) | mode 76/ | 1 | http://www.moderecords.com/ | ||||||||
| 33753 | Sofia | Kamayianni | Words Without Words | 2009 | radiophon | 4:35 | Stereo | 3 perf [Performer] | EBU Ars Acustica 2009/ | Radio GRERT | EBU Ars Acustica 2009 | 1 | http://www.spiza.gr | ||||||
| 42131 | Schorsch | Kamerun | Ein Menschenbild, das in seiner Summe null ergibt | 2006 | radiophon | 53:23 | WDR | 25.9.2006 | WDR | Hörspielpreis der Kriegsblinden 2007 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1516898&vi=4&SID | |||||||
| 8046 | John | Kamevaar | Negatio | 1992 | fixed media, akusmatisch | 2:03 | MIDI | CEC DISContact_1/ | Con Toronto | 1 | |||||||||
| 20138 | John, Paul, Al | Kamevaar, Dutton, Mattes | A Minor Electrical Problem | 1992 | live-elec, 1 group | 10:52 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 20133 | John, Paul, Al, Michael, Jack | Kamevaar, Dutton, Mattes, Snow, Vorvis | Better than Beethoven is better than Better | 1993 | live-elec, 1 group | 5:35 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 20134 | John, Paul, Al, Michael, Jack | Kamevaar, Dutton, Mattes, Snow, Vorvis | How it seemed at the Time | 1992 | live-elec, 1 group | 3:13 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 20135 | John, Paul, Al, Michael, Jack | Kamevaar, Dutton, Mattes, Snow, Vorvis | Last Night I barked | 1993 | live-elec, 1 group | 14:18 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 20136 | John, Paul, Al, Michael, Jack | Kamevaar, Dutton, Mattes, Snow, Vorvis | What's the Head for this One | 1992 | live-elec, 1 group | 10:38 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 20140 | John, Paul, Al, Michael, Jack, John | Kamevaar, Dutton, Mattes, Snow, Vorvis, Oswald | Sliced Cat | 1993 | live-elec, 1 group | 5:09 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 20141 | John, Paul, Al, Michael, Jack, John | Kamevaar, Dutton, Mattes, Snow, Vorvis, Oswald | Walls | 1993 | live-elec, 1 group | 6:05 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 20137 | John, Paul, Jack, Michael | Kamevaar, Dutton, Vorvis, Snow | Suddenly | 1993 | live-elec, 1 group | 9:36 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 31811 | David | Kamp | Almaz | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31808 | David | Kamp | Backdraft | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31810 | David | Kamp | Einhorn | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31809 | David | Kamp | Savewets | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31807 | David | Kamp | Snow | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31806 | David | Kamp | Wasser | 2006 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31804 | David | Kamp | ZAP | 2005 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31805 | David | Kamp | Zappedzap | 2005 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 37710 | Gordon | Kampe | Aldrin-Music | 2004 | Zuspiel / Tonband, 2 perf | 14 | vc, p [Piano, Cello] | 0 | |||||||||||
| 37695 | Gordon | Kampe | ANOIA | 2011/2012 | Zuspiel, Performance, 9 perf, 1 group | 80 | fem dance, actor, 7 V, ens [Stimme, Schauspieler, Tanz, Ensemble] | 0 | |||||||||||
| 37692 | Gordon | Kampe | Chamäleontheorie I | 2012 | Zuspiel / Tonband, 4 perf | 11 | vn, sax, acc, p, (Wutbox) [Saxophon, Piano, Akkordeon, Violine] | 0 | |||||||||||
| 37693 | Gordon | Kampe | Chamäleontheorie II | 2012 | Zuspiel / Tonband, 5 perf | 8 | sax, trbn, p, vn, va [Saxophon, Posaune, Piano, Viola, Violine] | 0 | |||||||||||
| 37694 | Gordon | Kampe | Chamäleontheorie III | 2012 | Zuspiel / Tonband, 3 perf | 11 | V, cl, p [Stimme, Klarinette, Piano] | 0 | |||||||||||
| 38877 | Gordon | Kampe | Dark Lux | 2018 | live-elec, 6 perf | sax, trbn, akk, p, vc, elec [Saxophon, Posaune, Piano, Cello, elektronik] | Ein Hörstück. Text von Sarah Trilsch, bildeneder Künstler Florian Japp, Sounddesigner Jan Brauer | Ensemble LUX:NM, Ernst von Siemens Musikstiftung | 20.5.2018 | Ballhaus Ost, Berlin | 0 | ||||||||
| 37706 | Gordon | Kampe | Das Picard Manöver | 2006 | Zuspiel / Tonband, 10 perf | 19 | p, cl, sax, tuba, perc, 2 vn, va, vc, db [Klarinette, Saxophon, Tuba, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 37708 | Gordon | Kampe | Das Zanthi-Fieber | 2005 | live-elec, 1 group | 17 | ens (Zubehör und Live-elec) [Ensemble] | 0 | |||||||||||
| 37707 | Gordon | Kampe | Die Blaue Hand | 2006 | live-elec, 1 perf | 9 | e-gui (Zubehör) [Gitarre] | 0 | |||||||||||
| 37697 | Gordon | Kampe | Die Sonne wandert schnell - Gasthauskempermannvariationen | 2010 | Zuspiel, live-elec, 4 perf | 11 | fl, tpt, perc, synt (Casio VL-1) [Flöte, Trompete, Schlagzeug, synthesizer] | 0 | |||||||||||
| 37699 | Gordon | Kampe | Gassenhauermaschinensuite | 2009 | Zuspiel / Tonband, 5 perf | 14 | cl, vc, acc, perc, p [Klarinette, Piano, Akkordeon, Schlagzeug, Cello] | 0 | |||||||||||
| 37686 | Gordon | Kampe | HAL | 2011 | live-elec, 5 perf | 11:01 | sax, akk, vc, perc, p [Saxophon, Piano, Schlagzeug, Cello] | LUX:NM/ | 0 | http://www.luxnewmusic.de/index.php?area=site&cnt=disco&lang=de | |||||||||
| 37688 | Gordon | Kampe | Kap Horn | 2016 | live-elec, 6 perf | 60 | sax, trbn, acc, vc, p, (elec), perf [Saxophon, Posaune, Piano, Akkordeon, Cello, Performer] | 0 | |||||||||||
| 37700 | Gordon | Kampe | kawupp | 2009 | Zuspiel / Tonband, 12 perf | 40 | fl, ob, cl, contra-bn, hn, tpt, trbn, 2 perc, hp, str, perf (Schülergruppen) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Harfe, Schlagzeug, Performer, Streicher] | 0 | |||||||||||
| 37689 | Gordon | Kampe | Liederbuch | 2015 | Zuspiel / Tonband, 5 perf | ≈ 10 | fl, perc, hp, vn, vc [Flöte, Harfe, Schlagzeug, Cello, Violine] | 04.12.2015 | Winsen an der Luhe; Altes Forsthaus Habichtshorst; ensemble l'art pour l'art | 0 | |||||||||
| 37712 | Gordon | Kampe | Mondstrahl | 2001/2004 | Oper, 14 perf | 60 | 5 V, 9 actor [Stimme, Schauspieler] | Kammeroper in neun Stadien | 0 | ||||||||||
| 37691 | Gordon | Kampe | Nischenmusik mit Klopfgeistern | 2013 | Zuspiel / Tonband, 5 perf | 10 | V, b-cl, perc, e-hp (E-Zither), synt [Stimme, Klarinette, Harfe, Schlagzeug, synthesizer] | 0 | |||||||||||
| 37705 | Gordon | Kampe | Ohne Spock | 2007 | Zuspiel / Tonband, 3 perf | 12 | 2 synt (theremine), p [Piano, synthesizer] | 0 | |||||||||||
| 37701 | Gordon | Kampe | Petrarca Liederbuch | 2009 | Zuspiel / Tonband, 2 perf | 8 | V, acc [Stimme, Akkordeon] | 0 | |||||||||||
| 37702 | Gordon | Kampe | PHINGERS | 2009 | Zuspiel / Tonband, 2 perf, 3 groups | 30 | Vs, ch, perc-ens, (Zubehör) [Stimme, Schlagzeug, Chor] | 0 | |||||||||||
| 37690 | Gordon | Kampe | Plätze. Dächer. Leute. Wege. | 2015 | Musiktheater, live-elec, 3 perf, 1 group | ≈ 70 | 2 V, actor, chamber-ens, (elec) [Stimme, Schauspieler, Ensemble] | 0 | |||||||||||
| 37711 | Gordon | Kampe | Q [kju:] I-V Informationen aus dem Gamma-Quadranten | 2004 | Zuspiel / Tonband, 11 perf | 40 | ob or ehn, cl or b-cl, sax, tuba, perc, p, 2 vn, va, vc, db [Klarinette, Oboe, Saxophon, Tuba, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 37703 | Gordon | Kampe | Ripley-Musik III | 2009 | Zuspiel / Tonband, 4 perf | 12 | b-cl, perc, vc, hp [Klarinette, Harfe, Schlagzeug, Cello] | 0 | |||||||||||
| 37709 | Gordon | Kampe | Ripley-Musik IV | 2005 | live-elec, 3 perf | 12 | e-vn, a-cl, sam [Klarinette, Violine, computer] | 0 | |||||||||||
| 37698 | Gordon | Kampe | sweet home | 2010 | Zuspiel / Tonband, 4 perf | 12 | vc, perc, p (Celesta), p [Piano, Schlagzeug, Cello] | 0 | |||||||||||
| 37704 | Gordon | Kampe | Zivilcourage. Musik für einen Platz | 2008/2009 | Zuspiel / Tonband, 3 groups | 45 | childrens ch, fem ch, mixed ch [Chor] | 0 | |||||||||||
| 37696 | Gordon | Kampe | Zwerge | 2011 | live-elec, 11 perf | 21 | fl, cl, tpt (in C), perc, e-gui, e-b-gui, p, synt, vn, va, vc [Flöte, Klarinette, Trompete, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine, synthesizer] | 0 | |||||||||||
| 20350 | Arthur | Kampela | Textórias | 1994 | Zuspiel / Tonband, 1 perf | 6:04 | Stereo | gui [Gitarre] | RD003 MEB Rioarte/ ICMC 1995, ICMA PRCD 1600/ | ESt da Glória Rio | 0 | ||||||||
| 23151 | Chatschatur | Kanajan | Die Flut | 2002 | Zuspiel, Performance, 1 group | 30:00 | ens, slides [Ensemble] | Performance zur gleichnamigen Oper/Radiostück von B. Blacher | TU Berlin | 22.8.2002 | Ensemble Moasik, im Stadtbad Oderberger Str. | 1 | |||||||
| 23524 | Chatschatur | Kanajan | Edles Tropfen in Kernspaltung | 2004 | Zuspiel, live-elec, 1 perf | 18:00 | Octo | vn [Violine] | TU Berlin | Ultraschall 2004 | 20.1.2004 | Sophiensäle mit Ch. Kanajan (vn) | 1 | ||||||
| 22487 | Ejnar | Kanding | Entbergen | 1977 | Zuspiel / Tonband, 1 perf | 11:38 | hp [Harfe] | "Harp & Computer" | DIEM Aarhus | 1 | |||||||||
| 8047 | Alexander | Kandov | Crystals of the Zodiac | 1989 | Zuspiel / Tonband, 3 perf | 47:46 | p, synt, perc [Piano, Schlagzeug, synthesizer] | KTC 1113/ | Radio Sofia | 0 | |||||||||
| 8048 | Alexander | Kandov | Hemeromenpia | 1979 | fixed media, akusmatisch | Radio Sofia | 0 | ||||||||||||
| 8049 | Alexander | Kandov | Long Way of the Glimpse | 1990 | fixed media, akusmatisch | Radio Sofia | 0 | ||||||||||||
| 8050 | Sukhi | Kang | Aniri II | 1983 | Zuspiel / Tonband, 1 perf | 24:06 | Quadro | V (S) [Stimme] | dedicated to Michiko Hirayama | TU Berlin | 13.02.1983 | Inventionen TU-Gebäude Ackerstraße Berlin | Abraham Edition No. 18 | 1 | 1983 | ||||
| 8051 | Sukhi | Kang | Bronzezeit | 1979/1980 | Zuspiel / Tonband, 1 perf | 31:32 | Quadro | perc [Schlagzeug] | dedicated to Michael Ranta | WDR SEM | WDR 1980 | 27.9.1980 | "Musik der Zeit" Köln, with M. Ranta (perc) | Breitkopf & Härtel; Abraham Edition No. 12 | 1 | ||||
| 8052 | Sukhi | Kang | Feng huang, (Feuervogel) The Korean Trilogy | 1988 | Film | 10:00 | Mono, Stereo | 35mm Farbe. Synclavier. ; new version 2013 by iotaCenter Los Angeles | Muse MSC - 003/ iotaCenter DVD/ | TU Berlin | 20.8.1988 | Kongresshalle Berlin, "Audiowerkstatt Berlin" | 1 | ||||||
| 8053 | Sukhi | Kang | INVENTIO musicae clavichordii et sonorum artificiosorum | 1984 | Zuspiel / Tonband, 1 perf | 23:30 | Quadro | p [Piano] | ed. rz 3002 LP/ ed. RZ 2/ ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | TU Berlin | 18.2.1984 | Inventionen 1984, TU-Gebäude Ackerstraße mit Alan Marks (p) | 1 | 1984 | http://www.alexander-verlag.com/autoren/autor/209-Alan_Marks.html | ||||
| 38918 | Sukhi | Kang | INVENTIO musicae clavichordii et sonorum artificiosorum | 1984 | Zuspiel / Tonband, 1 perf | 23:30 | Quadro | p [Piano] | ed. rz 3002 LP/ ed. RZ 2/ ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | TU Berlin | 18.2.1984 | Inventionen 1984, TU-Gebäude Ackerstraße mit Alan Marks (p) | 1 | 1984 | http://www.alexander-verlag.com/autoren/autor/209-Alan_Marks.html | ||||
| 8054 | Sukhi | Kang | Klangspuren | 1981 | fixed media, akusmatisch | Film |
12:00 | Octo | Filmmusik zu "Maske", 16 mm Farbe | ISPV 117/ | TU Berlin | 30.03.1982 | Inventionen TU-Hauptgebäude Lichthof Berlin | 1 | 1982 | |||||
| 8055 | Sukhi | Kang | Lung, The Korean Trilogy | 1986 | Film | 11:00 | Mono, Stereo | 35mm Farbe; new version 2013 by iotaCenter Los Angeles | Muse MSC - 003/ iotaCenter DVD/ | TU Berlin | 14.10.1986 22.8.1986 |
Pan-Musik-Festival Seoul Voraufführung daadgallerie Berlin |
1 | ||||||
| 22780 | Sukhi | Kang | Man Pa | 1982 | Zuspiel / Tonband, 15 perf | 13:16 | Stereo, Quadro | solo-fl, 14 fl or solo-fl (with 14 fl on tape) [Flöte] | ISPV 117/ | TU Berlin | Flute Academy Tokyo | 1.4.1982 | Inventionen-82 Akademie der Künste Berlin, with Beate-Gabriela Schmitt (solo-fl) | Edition Pro Nova, Sonoton Musikverlag, Gerhard Narholz, München | 1 | 1982 | |||
| 8056 | Sukhi | Kang | Mosaico | 1981 | fixed media, akusmatisch | 9:51 | Quadro | ProViva ISPV 117/ | TU Berlin | 7.4.1981 | Lichthof der Technischen Universität Berlin, „stimmen 4“ | 1 | |||||||
| 8057 | Sukhi | Kang | Mutatio perpetua, für 24 Spieler und elektronische Klänge | 1981 - 1982 | Zuspiel / Tonband, 24 perf | ≈ 13:00 | Quadro | 2 fl, 2 ob, 2 cl, 2 bn, hn, tpt, trbn, tuba, 4 perc, cel or hpd, hp, p, 2 vn, va, vc, db (24 Spieler) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Tuba, Piano, Harfe, Cembalo, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 1st Synclavier-production TU Berlin. | Muse MSC 003/ Musika Records CD 180299/ | TU Berlin | 5.11.1982 | Wiener Konzerthaus, Ltg. Keuschnig, Weltmusiktage 1982 der IGNM | 1982 Musikverlag Hans Gerig Köln, EG 1422; 1984 assigned to Edition Gravis Bad Schwalbach | 1 | ||||
| 22807 | Sukhi | Kang | Penthesilea, 5 Zwischenspiele für Flöte | 1986 | Zuspiel, live-elec, 1 perf | 10:27 | Stereo | fl [Flöte] | 5 Zwischenspiele für Flöte & Zuspielband aus der gleichnamigen Performance | ISPV 181/ | TU Berlin | 1 | |||||||
| 22489 | Sukhi | Kang | Penthesilea Aubade III | 1986/1994 | fixed media, akusmatisch | 67:15 | Stereo | Tonbandversion mit Flöte | TU Berlin | 1 | |||||||||
| 8061 | Sukhi | Kang | Prometheus kommt, Feuerlegende Harmonie |
1988 | Performance | 9:39 | Mono, Stereo | Muse MSC - 003/ | TU Berlin | Olympiade Seoul | 09.1988 | Seoul Olympic Games | 1 | http://www.sukhikang.wo.to/ | |||||
| 8062 | Sukhi | Kang | Stone Lion, The Korean Trilogy | 1990 | Film | 10:37 | Mono, Stereo | 35mm Farbe. Synclavier ; new version 2013 by iotaCenter Los Angeles. The only-flute-version is published by Sonoton SCDV 2. Other version to this film with the music by Kiyoshi Furukawa (ZKM) |
Muse MSC - 003/ EMF DVD 054/ ISPV 181/ iotaCenter DVD/ SCDV 2/ | TU Berlin | 6.10.1990 | 18. Panmusic-Festival Seoul | 1 | http://iotacenter.webfactional.com/static/historydb.php?id=DarrollRobert | |||||
| 22781 | Sukhi | Kang | Vision (Klangspuren) | 1981 | Zuspiel / Tonband, 2 perf | 13:10 | A, gui [Alt, Gitarre] | TU Berlin | 0 | ||||||||||
| 8058 | Sukhi, Folkmar | Kang, Hein | Odyssee | 1984 | fixed media, akusmatisch | 9:52 | Quadro | piece for motorbikes | Muse MSC - 003/ | TU Berlin | 2.9.1984 | Ernst Reuter Platz Berlin, open-air-Festival "unerhört" | 1 | 1985 | |||||
| 8059 | Sukhi, Folkmar | Kang, Hein | Penthesilea Aubade | 1985 | radiophon | 111:33 | Stereo | WER 6307-2/ | TU Berlin | WDR | 14.1.1986 | WDR III, Redaktion Schöning | 1 | 1986 | |||||
| 8060 | Sukhi, Folkmar | Kang, Hein | Penthesilea Aubade 86 | 1986 | Performance, Zuspiel, live-elec, 3 perf | 125:00 | Quadro | 2 actor, db-fl [Flöte, Schauspieler] | (szenische Version) | Muse MSC - 003/ | TU Berlin | WDR | 1 | ||||||
| 22945 | Sukhi, Folkmar | Kang, Hein | Penthesilea Aubade 98 | 1986 - 2000 | fixed media, akusmatisch | 60:12 | Octo | Version für Kryptonale 1998 | TU Berlin | 1 | |||||||||
| 6826 | Sukhi, Folkmar, Gábor | Kang, Hein, Body | Der Dämon in Berlin | 1982 - 1983 | audiovisuell | 28 | Stereo | Gábor Bódy - Video Works Veröffentlicht für die Ausstellung: Der Stand der Bilder, Akademie der Künste, Berlin, 2011, ZKM | Zentrum für Kunst und Medientechnlologie Karlsruhe, 28. Jan.–06. Mai 2012 |
DVD ZKM/ | TU Berlin | 1 | http://www.nbk.org/video-forum/Gabor_Body.html | |||||||
| 8063 | Shinji | Kanki | Brice II - IV | 1978/1981 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 8064 | Shinji | Kanki | My July - poem of the deaf | 1979 | fixed media, akusmatisch | 9:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 25936 | Yoshihiro | Kanno | A Tower on the Sand | 2004 | live-elec, 1 perf | 11:55 | db [Kontrabass] | Keizo Mizoiri (db) | CMJ Vol 28, 2004/ | 2004 | SIGMUS Computer Music Symposium 2004 in Yokohama | 1 | |||||||
| 23972 | Adolfo | Kaplan | Hors Champs | 2004 | audiovisuell, 3 perf | 6:00 | 3 artist [Performer] | Notas : Coproducción entre los artistas visuales Franck y Vincent Dudouet y Adolfo Kaplán. Obra premiada en el festival de la República Checa de videos jóvenes, y en el concurso de video tecnología de Seoúl, Corea. | 12.2004 | Seoúl, Corea | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2011 | 0 | |||||||
| 25937 | Adolfo | Kaplan | L’ombre du son | 2004 | fixed media, akusmatisch | 8:08 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 23970 | Adolfo | Kaplan | La Sombra del sonido | 2002 | fixed media, akusmatisch | 8:13 | Obra finalista del concurso Scrime de Bordeaux. 2003. 2003. Auditorium Scrime. Bordeaux, Francia. |
Pueblo Nuevo PN.CD.001/ CONV 60/ | 2003 | Auditorium Scrime. Bordeaux, Francia | finalista del concurso Scrime de Bordeaux. 2003 | 0 | |||||||
| 23971 | Adolfo | Kaplan | Les trayectoires du rëve | 2004 | fixed media, akusmatisch | 12:00 | Marzo 2004. Festival Archipel. Ginebra, Suiza. | 0 | |||||||||||
| 23969 | Adolfo | Kaplan | Tras la puerta | 2001 | fixed media, akusmatisch | 7:20 | 2001. Auditorio de la ENM de Pantin, Paris, Francia. | 0 | |||||||||||
| 22278 | Group | Kapotte Muziek | Stockholm | live-elec, 3 perf | 12:02 | 3 perf [Performer] | Composed and performed by Peter Duimelinks, Roel Meelkop and Frans de Waard. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 1 | ||||||||||
| 8065 | Jan | Kapr | Cifre I | 1966 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | SUA 0099881/ | Praha VÚRT | 0 | ||||||||||
| 8066 | Jan | Kapr | Cifre II | 1966 | fixed media, akusmatisch | Praha VÚRT | 0 | ||||||||||||
| 25938 | Ajay | Kapur | Digital Sankirna | 2005 | audiovisuell | 6:37 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 1 | http://www.karmetik.com/ | |||||||||
| 22135 | Jaroslaw | Kapuscinski | Chagalliana I | 1990 | Zuspiel, live-elec, 2 perf | 8:46 | Stereo | vn, synt [Violine, synthesizer] | ExpSt Warsaw | 0 | |||||||||
| 33149 | Jaroslaw | Kapuscinski | Enso | 2005 | live-elec, 1 perf, 1 group | 20:07 | perc, orc, (com) [Schlagzeug, Orchester] | concerto for percussion, computer projection and orchestra | WJ 2005 polmic 012/ | Warsaw Autumn | 20.9.2005 | Warsaw Autumn | 1 | ||||||
| 8067 | Jaroslaw | Kapuscinski | Impromptu | 1986 | fixed media, akusmatisch | 9:40 | ExpSt Warsaw | 0 | |||||||||||
| 8068 | Jaroslaw | Kapuscinski | Jatayu | 1986 | Zuspiel / Tonband, 1 perf | 11:40 | p [Piano] | ExpSt Warsaw | 0 | ||||||||||
| 22136 | Jaroslaw | Kapuscinski | Mudry | 1996 | audiovisuell | 13:03 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 39884 | Jaroslaw | Kapuscinski | Oli’s Dream | 2016 | fixed media, akusmatisch | Jaroslaw Kapuscinski | 0 | ||||||||||||
| 31523 | Michael | Kapuste | Mondtourismus und schwarze Löcher | 2013 | fixed media, akusmatisch | ≈ 5 | Quadro | next_generation 5.0 | HfM Karlsruhe | 0 | |||||||||
| 39865 | Igor | Karaca | Dark Passageway | 2015 | fixed media, akusmatisch | 5:11:00 | Igor Karaca | 0 | |||||||||||
| 8069 | Farradsch | Karajew | Journey to love | 1991 | Zuspiel / Tonband, 1 perf, 1 group | 19:90 | orc, Sp [Sprecher, Orchester] | MIDI | 0 | ||||||||||
| 35841 | Orestis | Karamanlis | Toys | 2011 | fixed media, akusmatisch | 8:47 | 24 Tracks | MR 2012 Métamorphoses 2012/ | 0 | ||||||||||
| 31813 | Kerim | Karaoglu | Grin! | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31812 | Kerim | Karaoglu | Sense Data | 2007 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31814 | Kerim | Karaoglu | wie es wirklich war | 2010 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 32105 | Konstantinos | Karathanasis | De Ligno Chalybeque | 2003 | fixed media, akusmatisch | SEAMUS EAM Vol. 13/ | Residence Prize of the 30th International Competition Bourges Special Prize for Young Composer of the Musica Nova International Electroacoustic Music Competition, Prague |
0 | |||||||||||
| 42624 | Konstantinos | Karathanasis | Dionysus | 2009 | live-elec, 1 perf | 11 | perc [Schlagzeug] | University of Oklahoma Research Council | 0 | ||||||||||
| 35449 | Konstantinos | Karathanasis | Hekate | fixed media, akusmatisch | 12:25 | innova 967/ | 0 | ||||||||||||
| 39425 | Konstantinos | Karathanasis | Ode to Kitchen | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 27391 | Ernst | Karel | Fern Room | 2001 | Klangkunst, Installation | 54:00 | original 4-ch Installation in the Fern Room of the Lincoln Park Conservatory, Chicago, 8.11.2001 - 6.1.2002 | outer ear festival of sound & Experimental Sund Studio Chicago | 1 | http://ek.klingt.org/ | |||||||||
| 25012 | Ernst, Kyle | Karel, Bruckmann | no sign | 2002 - 2004 | live-elec, 2 perf | 48:00 | ob, tpt, (analog elec) [Oboe, Trompete] | Interpreten „ekg“: Kyle Bruckmann & Ernst Karel. 7 parts (Years, Months, Weeks, Days, Hours, Minutes, Seconds) | sed cd 041 Sedimental/ | 1 | |||||||||
| 25939 | Ernst, Kyle | Karel, Bruckmann | Object2 | 2005 | live-elec, 2 perf | 55:50 | ob, tpt, (analog elec) [Oboe, Trompete] | EKG = Ernst Karel / Kyle Bruckmann. 6 parts | Locust Music Chicago/ | 1 | |||||||||
| 27392 | Ernst, Group, Giuseppe | Karel, EKG, Ielasi | Performance, Detach Umweg Untitled |
2005 | Performance, live-elec, 3 perf | 43:00 | 3 mus [Musiker] | Ernst Karel: tpt, modular analog synt Kyle Bruckmann: ob, modular analog synt Giuseppe Ielasi: gui, perc, p, elec |
Formed Rec 105/ | 1 | http://ek.klingt.org/ | ||||||||
| 8070 | Reinhard | Karger | Emomatsch | 1975 | Film | 6:37 | Mono | Sonology Utrecht | 0 | ||||||||||
| 34448 | Reinhard | Karger | Lied Alma | 1975 | fixed media, akusmatisch | Mono | Sonology Utrecht | 0 | |||||||||||
| 42761 | Theodoros | Karkatselas | Sting | 2012 | fixed media, akusmatisch | 11:00:00 | 0 | ||||||||||||
| 8071 | Ingvar | Karkoff | Elektronisk Musik | 1984/1985 | fixed media, akusmatisch | 17:00 | 0 | ||||||||||||
| 8072 | Ingvar | Karkoff | Hundarna (the dogs) | 1983 | fixed media, akusmatisch | 9:15 | Stereo, Quadro | FYLP 1027/ | 0 | ||||||||||
| 8073 | Ingvar | Karkoff | Kill him | 1980 | fixed media, akusmatisch | 2:30 | Stereo | Concrete | 0 | ||||||||||
| 8074 | Ingvar | Karkoff | Nirvana I | 1983 | fixed media, akusmatisch | 5:05 | 0 | ||||||||||||
| 8075 | Ingvar | Karkoff | Repriser | 1984 | Zuspiel / Tonband, 5 perf | 11:00 | ww-qnt [Bläser] | 0 | |||||||||||
| 8076 | Ingvar | Karkoff | Rytmer | 1982/1983 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo, 3 tracks, 7 tracks | perc [Schlagzeug] | 0 | ||||||||||
| 8077 | Ingvar | Karkoff | Sarangi | 1983 | fixed media, akusmatisch | 16:50 | Stereo | 0 | |||||||||||
| 8078 | Ingvar | Karkoff | The Bells | 1981 | fixed media, akusmatisch | 6:00 | Stereo | 0 | |||||||||||
| 8079 | Ingvar | Karkoff | The dogs | 1981 | fixed media, akusmatisch | 9:30 | FYLP 1027/ | HfM Stockholm | 1 | 1983 | |||||||||
| 8080 | Ingvar | Karkoff | Tomorrow no one knows | 1979 | Zuspiel / Tonband, 1 perf, 1 group | 7:00 | inss [Instrument] | 0 | |||||||||||
| 33076 | Erhard | Karkoschka | Aus einer Figur | 1982 | fixed media, akusmatisch | ≈ 12 | Stereo | fl [Flöte] | für 3 Flötenbläser - oder für einen Flötisten und Zweispur-Tonband | 0 | |||||||||
| 8081 | Erhard | Karkoschka | Aus Wörtern I | 1973 | fixed media, akusmatisch | 5:35 | Mono | Sonology Utrecht | 0 | ||||||||||
| 8082 | Erhard | Karkoschka | Aus Wörtern II | 1973 | fixed media, akusmatisch | 5:00 | Mono | Tempophon-Etüde | Sonology Utrecht | 0 | |||||||||
| 8083 | Erhard | Karkoschka | Bewegungen quadrophon | 1976 | fixed media, akusmatisch | Quadro | IPEM Gent | 0 | |||||||||||
| 33082 | Erhard | Karkoschka | CHRONOS I: collage contra bach stereo | 1975 | fixed media, akusmatisch | 12:00:00 | Studio der Musikhochschule Stuttgart | HfM Stuttgart | 0 | ||||||||||
| 33081 | Erhard | Karkoschka | CHRONOS V: bewegungen quadrophon | 1976 | fixed media, akusmatisch | 10:00:00 | Quadro | IPEM Gent | 0 | ||||||||||
| 8084 | Erhard | Karkoschka | Dialog | 1982 | Zuspiel / Tonband, 1 perf | 12:34 | bn [Fagott] | Ornament CH 7.921/ | HfM Stuttgart | 1 | |||||||||
| 8085 | Erhard | Karkoschka | Drei Bilder aus der Offenbarung des Johannes | 1960 | fixed media, akusmatisch | 12:00 | Mono | Siemens | 1961 | HfM Karlsruhe | 0 | ||||||||
| 33077 | Erhard | Karkoschka | Gag-Montagen | 1977 | fixed media, akusmatisch | 10:00:00 | Studio der Musikhochschule Stuttgart | HfM Stuttgart | 0 | ||||||||||
| 33072 | Erhard | Karkoschka | Geburztaxtextlein | 1989 | fixed media, akusmatisch | 11:00:00 | elektronisch verarbeitete Sprachklänge /electronicly treated word-music | 0 | |||||||||||
| 33074 | Erhard | Karkoschka | Hommage an das Notenpapier | 1985 | fixed media, akusmatisch | 9:00:00 | Stereo | zweikanalige elektronische Musik nach 5 Graphiken von Th. Lenk | 0 | ||||||||||
| 8086 | Erhard | Karkoschka | Improvisation | 1974 | fixed media, akusmatisch | 11 | MR Budapest | 0 | |||||||||||
| 8087 | Erhard | Karkoschka | Kammerkitsch 1974 | 1974 | Zuspiel / Tonband, 6 perf | 3 V, fl, cl, vc [Stimme, Flöte, Klarinette, Cello] | 0 | ||||||||||||
| 8088 | Erhard | Karkoschka | Klangzeitspektakel | 1989 | live-elec, 4 perf | intermedia |
str-qt [Streicher] | Skriptogramm von Kurt Leonhard, Visualisierung von Thomas Arms | HfM Stuttgart | 0 | ||||||||||
| 8089 | Erhard | Karkoschka | LSD | 1973 | fixed media, akusmatisch | 14:45 | Mono | Sonology Utrecht | 0 | ||||||||||
| 8090 | Erhard | Karkoschka | Meditationsmühle I & II | 1982 | fixed media, akusmatisch | 12 | Stereo | version I with Buchla (“analog“); version II with software "ILI" (PDP-com) (“digital“). Duration Version I ≈ 12:00, Version II ≈ 14 Minutes |
EMS Stockholm | 0 | |||||||||
| 33079 | Erhard | Karkoschka | Milan Grygar "Partitura E. Karkoschky" | 1976 | fixed media, akusmatisch | 6:00:00 | Komposition ist Interpretation von Graphiken der angegebenen Autoren | EMU Santa Clara | 0 | ||||||||||
| 8091 | Erhard | Karkoschka | MIT / GEGEN SICH SELBST | 1978 | Zuspiel / Tonband, 1 perf | 6:00 | Stereo | fl [Flöte] | wersja na flety proste | SME Krakow | 0 | ||||||||
| 8092 | Erhard | Karkoschka | ORPHEUS? ODER HADESHÖHE | 1992 | Oper | HfM Stuttgart | 0 | ||||||||||||
| 8093 | Erhard | Karkoschka | psylex | 1968 | Zuspiel / Tonband, 2 perf | Mez, fl [Mezzo, Flöte] | 0 | ||||||||||||
| 33080 | Erhard | Karkoschka | Roman Hauberstock-Ramati "Graphik" | 1976 | fixed media, akusmatisch | 7:00:00 | Komposition ist Interpretation von Graphiken der angegebenen Autoren | UCSJ | 0 | ||||||||||
| 33073 | Erhard | Karkoschka | Skulpturmusik | 1985 | fixed media, akusmatisch | 6:00:00 | Stereo | zweikanalige elektronische Musik | 0 | ||||||||||
| 8094 | Erhard | Karkoschka | Soundplastic Drawing | 1981 | fixed media, akusmatisch | Stereo | PDP-15 with ILI | EMS Stockholm | 0 | ||||||||||
| 33078 | Erhard | Karkoschka | Steve Whealton "Colors" | 1976 | fixed media, akusmatisch | 5:00:00 | Buchla-Studio von A. Strange in Los Gatos (USA | 0 | |||||||||||
| 33075 | Erhard | Karkoschka | Vom Sterben. Von der neuen Geburt | 1983 | Zuspiel / Tonband, 11 perf | 20:00:00 | Stereo | 5 fem V, 5 ins, org [Stimme, Orgel, Instrument] | nach Texten von Martin Luther. Für 5 Frauenstimmen, 5 Instrumente, elektronische Musik (Zweispurtonband) und Orgel | 0 | |||||||||
| 8095 | Erhard | Karkoschka | Zeitmosaik | 1985 | fixed media, akusmatisch | 17 | Stereo | HfM Stuttgart | 0 | ||||||||||
| 22337 | Zbigniew | Karkowski | Audiophysical test-tones… 7.9-11.1-12.0 | fixed media, akusmatisch | 9:07 | Infogram 045/2/ | 1 | ||||||||||||
| 24708 | Zbigniew | Karkowski | Consciously Unconscious. Unconsciously Conscious | 2001 | fixed media, akusmatisch | 19:45 | MK CD 033/ | studio Bunker 301 | 0 | ||||||||||
| 40863 | Zbigniew | Karkowski | Execution of Intelligence | fixed media, akusmatisch | 8:20 | SR 220 sub rosa/ | 0 | ||||||||||||
| 8097 | Zbigniew | Karkowski | He Van He | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 33863 | Zbigniew | Karkowski | Mushin | 2001 | fixed media, akusmatisch | 5:58 | CMJ Vol 26, 2002/ | 0 | |||||||||||
| 22285 | Zbigniew | Karkowski | Sofar | 1998 | live-elec, | 10:12 | Composed in Tokyo, Autumn 98 by Zbigniew Karkowski. Thanks to Ulf Bilting. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 1 | ||||||||||
| 8098 | Zbigniew | Karkowski | This infernal love of life | 1989 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 8096 | Zbigniew, Andrew | Karkowski, McKenzie | Gladness becomes weeping | 1990 | fixed media, akusmatisch | 3:57 | ano kato 020/ | STEIM | 1 | ||||||||||
| 36554 | Maurice | Karloff | Landschaft aus Schreien | 1967 | fixed media, akusmatisch | 8:35 | PSLP 002/ | 0 | |||||||||||
| 40367 | Erik Mikael | Karlsson | 2600 Virginia Avenue | fixed media, akusmatisch | 13:30 | KOMPLOTT ESCUDRE12/ | 0 | ||||||||||||
| 24878 | Erik Mikael | Karlsson | Accents / Accidents | fixed media, akusmatisch | 16:23:00 | CAP 21666/ | 0 | ||||||||||||
| 8099 | Erik Mikael | Karlsson | Advena No. 1 | 1989 | fixed media, akusmatisch | 8:37 | Stereo | PDP-15 with IMPAC | Infogram/ | EMS Stockholm | 0 | ||||||||
| 40366 | Erik Mikael | Karlsson | All The Nights At HoJos | fixed media, akusmatisch | 5:23 | KOMPLOTT ESCUDRE12/ | 0 | ||||||||||||
| 8106 | Erik Mikael | Karlsson | Apostasy, Först måste avfallet ske | 1990 | fixed media, akusmatisch | 8:23 | Stereo | INFOGRAM 009/ | EMS Stockholm | 1 | 1992 | ||||||||
| 8101 | Erik Mikael | Karlsson | Besinningen | 1989 | fixed media, akusmatisch | Film |
13:35 | Stereo | PDP-15 with IMPAC | Infogram/ | EMS Stockholm | 0 | ||||||||
| 8102 | Erik Mikael | Karlsson | Bluff | 1989 | Tanz | 23:52 | Stereo | EMS Stockholm | 0 | ||||||||||
| 40372 | Erik Mikael | Karlsson | City View, As Simple As That The Night Of The Seven Dragons |
fixed media, akusmatisch | 10:30 | KOMPLOTT ESCUDRE12/ | 0 | ||||||||||||
| 8103 | Erik Mikael | Karlsson | Concordes and Consequences | 1996 | fixed media, akusmatisch | 15:00 | Stereo | FYCD 1009/ Musidisc 247982/ NOR 05/ | 1 | ||||||||||
| 25940 | Erik Mikael | Karlsson | Deux et Deux | 2003 | fixed media, akusmatisch | 15:45 | LDC 2781132 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 8104 | Erik Mikael | Karlsson | en svärm skrattande humlor | 1988 | fixed media, akusmatisch | 16:15 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8105 | Erik Mikael | Karlsson | Epitaphe pour Iqbal Masih | 1995 | fixed media, akusmatisch | 10:20 | Stereo | FYCD 1009/ | IMEB Bourges | 1 | |||||||||
| 40369 | Erik Mikael | Karlsson | Hong Kong Confidential | fixed media, akusmatisch | 6:31 | KOMPLOTT ESCUDRE12/ | 0 | ||||||||||||
| 8107 | Erik Mikael | Karlsson | Hôtel d'un Collectioneur | 1996 | fixed media, akusmatisch | 8:30 | Stereo | FYCD 1009/ | 1 | ||||||||||
| 20278 | Erik Mikael | Karlsson | Intensities and Interludes | 1998 | fixed media, akusmatisch | 12:00 | Stereo | ed. rz 10009/10 Inventionen 98/ | Dansk Radio | Festival Inventionen DAAD/TU 98 | 25.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | |||||
| 8108 | Erik Mikael | Karlsson | Interiors and Interplays | 1994 | fixed media, akusmatisch | 14:56 | Stereo | 30-Jahre-Jubiläum | CAP 21467/ LDC 278060/61 Cultures Electroniques 9/ CMJ Vol 45, 2018/ | EMS Stockholm, SR Stockholm | SR (Swedish Radio) & EMS | 24.9.1994 | Stockholm Electronic Music Festival at Berwaldhallen „jubileumskonsert, EMS 30 år!“ | Auszeichnung ars electronica 1995 23rd International Electroacoustic Music Competition in Bourges, France in 1996 |
1 | ||||
| 8109 | Erik Mikael | Karlsson | Known | 1990 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | Mez [Mezzo] | 0 | ||||||||||
| 8110 | Erik Mikael | Karlsson | La Disparation de l'Azur | 1993 | fixed media, akusmatisch | 12:12 | Stereo | LDC 278056/57 Cultures Electroniques 7/ INFOGRAM 018/ | IMEB Bourges | 1st prize Bourges 1993 | 1 | ||||||||
| 8111 | Erik Mikael | Karlsson | La lune commence où avec le citron finit la cerise | 1995 | fixed media, akusmatisch | 3:05 | Stereo | FYCD 1009/ | IMEB Bourges | 1 | |||||||||
| 24429 | Erik Mikael | Karlsson | Lignage / Liaison | 2001 | fixed media, akusmatisch | 11:43:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 40373 | Erik Mikael | Karlsson | Mémbranes et Memoires | 2006 | fixed media, akusmatisch | INA • GRM | INA - GRM | 0 | |||||||||||
| 24430 | Erik Mikael | Karlsson | Mouvement de Symphonie n°1 | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 40364 | Erik Mikael | Karlsson | Nacht | 2005 | fixed media, akusmatisch | 11:33:00 | EMS Stockholm | Concerts Sweden | 0 | http://www.dismarc.org/index.php?form=display&oaiid=EMS%2F000000012426&db=0 | |||||||||
| 24879 | Erik Mikael | Karlsson | Night of enchartment | fixed media, akusmatisch | CAP 21666/ | 0 | |||||||||||||
| 40371 | Erik Mikael | Karlsson | Oriental Doll Hous | fixed media, akusmatisch | 7:49 | KOMPLOTT ESCUDRE12/ | 0 | ||||||||||||
| 21903 | Erik Mikael | Karlsson | Reponse / Reposante | 1999 | fixed media, akusmatisch | 12:20 | Stereo | CAP 21666/ | IMEB Bourges | 0 | |||||||||
| 8115 | Erik Mikael | Karlsson | …styggelse som kommer åstad förödelse | 1989 | fixed media, akusmatisch | intermedia |
10:03 | Stereo | slides (Mats Eriksson); IMPAC | EMS Stockholm | 0 | |||||||||
| 40368 | Erik Mikael | Karlsson | Suite 600 | fixed media, akusmatisch | 7:23 | KOMPLOTT ESCUDRE12/ | 0 | ||||||||||||
| 40370 | Erik Mikael | Karlsson | The Friends Of Mr Ching Ling Foo | fixed media, akusmatisch | 11:26 | KOMPLOTT ESCUDRE12/ | 0 | ||||||||||||
| 8112 | Erik Mikael, Fredrik | Karlsson, Ekman | Le temps est un songe masqué | 1995 | radiophon | 12:12 | Stereo | La muse En Circuit Hörspiele 2: Jeux Pour L'Oreille/ | La Muse, SR Stockholm | 0 | |||||||||
| 8100 | Erik Mikael, Jens | Karlsson, Hedman | Anchorings / Arrows | 1992 | fixed media, akusmatisch | 13:18 | Stereo | INFOGRAM 018/ CAP 21470 "Bits and Pieces / EMS 30 Years"/ LDC 278056/57 Cultures Electroniques 7/ | EMS Stockholm, DIEM Aarhus | 1st prize Bourges 1993 Auszeichnung ars electronica honorary mention |
1 | ||||||||
| 8113 | Erik Mikael, Jens | Karlsson, Hedman | Scar | 1991 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | hpd [Cembalo] | J&W CD 931/ | DIEM Aarhus, EMS Stockholm | 1 | ||||||||
| 8116 | Erik Mikael, Jens | Karlsson, Hedman | Threads and Cords | 1990/1991 | fixed media, akusmatisch | 21:00 | Stereo | FYCD 1002/ | SR Stockholm, EMS Stockholm | 1st prize Rostrum 1992 | 1 | ||||||||
| 8114 | Erik Mikael, T. | Karlsson, Hultberg | Sökandet efter Roi Vara - ett mysteriespel | 1993 | fixed media, akusmatisch | 25:00 | Stereo | EMS Stockholm | Fylkingen 60-års jubileum | 0 | |||||||||
| 8117 | Åke | Karlung | Al-Halladjs skratt | 1969 | intermedia, | 17:00 | Mono | light | 0 | ||||||||||
| 8118 | Åke | Karlung | Antihappening | 1962 | fixed media, akusmatisch | 3:48 | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | 0 | |||||||||||
| 24431 | Richard | Karpen | Camera Cantorum | 2000 | fixed media, akusmatisch | 12:40 | LDC 2781119/ CPS 8769 Capstone/ | IMEB Bourges | IMEB Bourges | 1 | |||||||||
| 8119 | Richard | Karpen | Denouement | 1992 | fixed media, akusmatisch | 7:00 | NeXT with CSound, Lisp | Centaur CRC 2144, CDCM Vol. 12/ | SMCC Seattle | 1 | |||||||||
| 8120 | Richard | Karpen | Eclipse | 1986 | fixed media, akusmatisch | 19:42 | Stereo, Quadro | WER 2023-50, Computer Music Currents 3/ | CCRMA | 1st prize NewComp 1986 Mention at the Bourges Electroacoustic Music Contest 1987 |
1 | ||||||||
| 8121 | Richard | Karpen | Exchange | 1987 | Zuspiel / Tonband, 1 perf | 13:06 | fl [Flöte] | LDC 278044/45 Cultures Electroniques 2/ | CCRMA | Bregman digitalmusic award at Bourges 1987, Mention NewComp 1987, Mention Russolo Varese 1987 First Prize in the National Flute Association's Newly Published Music Contest, 1988 |
1 | ||||||||
| 8122 | Richard | Karpen | Il nome, Idioma | 1987 | Zuspiel/Tonband, 1 perf | fixed media, akusmatisch |
14:28 | S [Sopran] | (tape-version "Idioma") | LDC 278049/50 Cultures Electroniques 4/ WER 2027; Computer Music Currents 7/ | CCRMA | Judith Bettina | 1st prize Bourges 1989 | 1 | ||||||
| 18501 | Richard | Karpen | Life study #5 | 1996 | fixed media, akusmatisch | 12:20 | IMEB Bourges | 0 | |||||||||||
| 32934 | Richard | Karpen | Mass | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 8123 | Richard | Karpen | Nexus | 1986 | computer generated score, 4 perf | 15:00 | str-qt [Streicher] | CCRMA | 0 | ||||||||||
| 8124 | Richard | Karpen | Saxonomy | 1991 | Zuspiel / Tonband, 1 perf | 23:00 | sax [Saxophon] | NeXT with CSound, MusicKit | Centaur CRC 2144, CDCM Vol. 12/ | SMCC Seattle | 1 | ||||||||
| 18500 | Richard | Karpen | Sinfonietta | 1989 | fixed media, akusmatisch | 25:00 | IMEB Bourges | 0 | |||||||||||
| 25941 | Richard | Karpen | Sotto Sopra | 1999 | live-elec, 1 perf | 14:30 | Stereo | amp vn, (SC3) [Violine] | Supercollider3 (liveelectronic) | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington | 1 | |||||||
| 25942 | Richard | Karpen | The other | 1992 | fixed media, akusmatisch | 26:50 | Quadro | CPS 8769 Capstone/ | Uni Glasgow | Glasgow Uni | 1 | ||||||||
| 8125 | Richard | Karpen | The Vision | 1985 | fixed media, akusmatisch | 18:40 | Quadro | CSC Padova | 0 | ||||||||||
| 8126 | Richard | Karpen | Time Frames | 1988 | live-elec, 4 perf | 21:30 | 4 synt, (four DX7 II's, two TX 802's) [synthesizer] | Neuma CD 450-87/ | CCRMA | Julliard School NY | 1988 | Lincoln Center | 0 | ||||||
| 31575 | Donny | Karsadi | IntroX | 2013 | fixed media, akusmatisch | ≈ 6 | next_generation 5.0 | HfM Bremen | 0 | ||||||||||
| 39810 | George | Karst | Poem IV | 2016 | fixed media, akusmatisch | George Karst | 0 | ||||||||||||
| 8127 | Sukandar, Nic | Kartadinata, Nagel | "Hast du's ihr gesagt?" | 1990 | Film | 5:00 | Stereo | ZKM Karlsruhe | 0 | ||||||||||
| 42132 | Hermann | Kasack | Eine Stimme von Tausend | 1932 | radiophon | Berliner Funk-Stunde (RRG) | 0 | ||||||||||||
| 42823 | Maria Cristina | Kasem | Las Aguas Abismales | 2013 | fixed media, akusmatisch | 14:00:00 | 0 | ||||||||||||
| 35754 | Maria Cristina | Kasem | Lo inefable | 2008 | fixed media, akusmatisch | Motus Prize Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2008 | 0 | ||||||||||||
| 35508 | Maria Cristina | Kasem | Mundus Imaginalis | 2009 | fixed media, akusmatisch | 11:24 | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 20351 | Udo | Kasemets | Calendar Round: Megalcides | 1989 | Zuspiel / Tonband, 3 perf | 13:39 | Stereo | V, Sp, p [Sprecher, Stimme, Piano] | eSp 9601 Shelan/ | McGill Montréal | 1 | ||||||||
| 18968 | Udo | Kasemets | Timetrip to Big Bang and back: Astronomics, Big Bang…, Chaosmosis | 1993 | live-elec, 3 perf | e-vn, V, perc [Stimme, Schlagzeug, Violine] | RAAD-vn, Zeta-vn | ART 010/ | 1 | ||||||||||
| 20352 | Joseph | Kasinskas | The Rider | 1991 | Zuspiel / Tonband, 1 perf | 7:57 | Stereo | perc [Schlagzeug] | ST 203, Starkland/ | Gotham NY | 0 | ||||||||
| 8128 | Stephan | Kaske | Transition Nr. 2 | 1982 | Zuspiel / Tonband, 1 perf | 8:24 | p [Piano] | WER 2010-50/ | MIT Media Lab | 1 | |||||||||
| 22137 | Lucjan | Kaszycki | Atlantis | 1991 | fixed media, akusmatisch | 7:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 43198 | Simon | Katan | Cube with Magic Ribbons | 2013 | Klangkunst, Installation | 0 | |||||||||||||
| 8129 | Vitali | Katayev | Choral Variations in Memory of Gesualdo da Venosa | 1989 | 0 | ||||||||||||||
| 8130 | Vitali | Katayev | Early Bird Singing | 1990 | fixed media, akusmatisch | Film |
0 | |||||||||||||
| 8131 | Vitali | Katayev | Free Parrot | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 34356 | Line | Katcho | Aiguillage [Switches & Crossings] | 2013 | fixed media, akusmatisch | 11:06:00 | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 1. prize | 0 | |||||||||
| 20292 | Hideki | Kato | Before Being, Becoming | 1995 | live-elec, 1 perf | 2:06 | Stereo | MIDI [synthesizer] | MIDI | Tellus 27/ | 0 | ||||||||
| 36472 | Sawako | Kato | Tooi Soba | 2007 | radiophon | 4:52:00 | and 26/ | 0 | |||||||||||
| 8132 | Elena | Kats-Chernin | Clocks | 1993 | Zuspiel / Tonband, 1 group | 25:00 | Stereo | ens [Ensemble] | ZKM Karlsruhe | 0 | |||||||||
| 25620 | Elena | Kats-Chernin | Unceremonious Processions, Stigma Golden Edge Moo Left-over Why not Left-over Digging Let the dust settle Fake sins Not quite in the centre Hot air Broken mirrors Clocks V |
1999 | live-elec, 6 perf | 45:25 | Stereo | cl, trbn, perc, vc, acc, p [Klarinette, Posaune, Piano, Akkordeon, Schlagzeug, Cello] | WER 2057 2/ zkm edition 7/ | ZKM Karlsruhe | 1 | ||||||||
| 8133 | Vangelis | Katsoulis | Agamemnon | 1978 | Theatermusik | Stereo | ERG.HM | 0 | |||||||||||
| 8134 | Vangelis | Katsoulis | Apolyon | 1976 | fixed media, akusmatisch | 8:05 | Stereo | ERG.HM | 0 | ||||||||||
| 8135 | Vangelis | Katsoulis | Arden from Feversam (Anonymous) | Theatermusik | Stereo | PS C. | 0 | ||||||||||||
| 8136 | Vangelis | Katsoulis | Corpus | 1979 | Film | Stereo | ERG.HM | 0 | |||||||||||
| 8137 | Vangelis | Katsoulis | Electra | Theatermusik | Stereo | after Sophocles | PS C. | 0 | |||||||||||
| 8138 | Vangelis | Katsoulis | Electric routes | 1985 | fixed media, akusmatisch | 9:40 | Stereo | Spectrum | 0 | ||||||||||
| 8139 | Vangelis | Katsoulis | Momentum | 1977 | Zuspiel / Tonband, 6 perf | 2 p, 4 perc [Piano, Schlagzeug] | 0 | ||||||||||||
| 8140 | Vangelis | Katsoulis | Music for exhibitions, Version A | 1989 | fixed media, akusmatisch | 31:04 | Stereo | Spectrum | 0 | ||||||||||
| 8141 | Vangelis | Katsoulis | Music for exhibitions, Version B | 1989 | fixed media, akusmatisch | 12:26 | Stereo | Spectrum | 0 | ||||||||||
| 8142 | Vangelis | Katsoulis | ". . . . . . ." op. 20 | 1977 | Zuspiel, live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 8143 | Vangelis | Katsoulis | Paranoia | 1986 | fixed media, akusmatisch | 8:20 | Stereo | Spectrum | 0 | ||||||||||
| 8144 | Vangelis | Katsoulis | Perdendosi | 1977 | fixed media, akusmatisch | 8:00 | Stereo | ERG.HM | 0 | ||||||||||
| 8145 | Vangelis | Katsoulis | Rebirth | 1991 | fixed media, akusmatisch | 15:28 | Stereo | Spectrum | 0 | ||||||||||
| 8146 | Vangelis | Katsoulis | Siena | 1991 | fixed media, akusmatisch | 21:08 | Stereo | Spectrum | 0 | ||||||||||
| 8147 | Vangelis | Katsoulis | Terrortorium | 1975 | fixed media, akusmatisch | 9:25 | Stereo | PS C. | 0 | ||||||||||
| 8148 | Vangelis | Katsoulis | The cherry garden (Tchechoff) | Theatermusik | Stereo | PS C. | 0 | ||||||||||||
| 8149 | Vangelis | Katsoulis | The night | 1983 | fixed media, akusmatisch | 10:14 | Stereo | PS C. | 0 | ||||||||||
| 8150 | Vangelis | Katsoulis | Transformatios I | 1976 | fixed media, akusmatisch | 10:00 | Stereo | ERG.HM | 0 | ||||||||||
| 8151 | Vangelis | Katsoulis | Transformatios II | 1976 | fixed media, akusmatisch | 8:00 | Stereo | ERG.HM | 0 | ||||||||||
| 8153 | Georg | Katzer | Aide-mémoire, sieben Alpträume aus der 1000-jährigen Nacht | 1983 | radiophon | Performance |
14:30 | Stereo | 5 actor [Schauspieler] | szenische Aktion von Alexander Stillmark | ReR CMCD/ RR 22/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | Radio DDR, PS C. | Radio DDR2 Amzoll | 1983 | Radio DDR | 1 | 1986 | |||
| 18503 | Georg | Katzer | Atmung (Respiration) | 1990 | Zuspiel / Tonband, 1 perf | 11:11 | Stereo | b-cl [Klarinette] | IMEB Bourges | 0 | http://www.georgkatzer.de | ||||||||
| 8154 | Georg | Katzer | Ballade vom zerbrochenen Klavier | 1984 | Zuspiel, live-elec, 1 perf | 16:00 | Stereo | p [Piano] | singing and speaking p-player | TIP Berlin | 1984 | TIP Berlin, Dessautage; Gerhard Erber (p) | Edition Peters | 0 | http://www.georgkatzer.de | ||||
| 29860 | Georg | Katzer | bei Kleinem | 2010 | fixed media, akusmatisch | 0 | |||||||||||||
| 23152 | Georg | Katzer | Blühende Landschaft - Laudate | fixed media, akusmatisch | 12:52 | PS | 1 | http://www.georgkatzer.de | |||||||||||
| 26249 | Georg | Katzer | de natura hominis | 1997 | radiophon | AdK Berlin | 0 | http://www.georgkatzer.de | |||||||||||
| 8155 | Georg | Katzer | Der Mann an der Rampe | 1988 | Film | 20:00 | Stereo | DEFA / Heynowski & Scheumann | AdK Berlin | 0 | http://www.georgkatzer.de | ||||||||
| 8156 | Georg | Katzer | Der Schlaf / In der Schleife | 1986 | Zuspiel / Tonband, 1 perf | 16:00 | actor [Schauspieler] | different versions with actors. New Version has the title "Im Kreise" |
PS C. | 0 | http://www.georgkatzer.de | ||||||||
| 18502 | Georg | Katzer | Dialog imaginär 1, La flûte fait le jeu | 1982 | Zuspiel / Tonband, 1 perf | 11:12 | Stereo | fl [Flöte] | LDC 2781112/13/14 opus 30/ NCA Membran 60153/ | IMEB Bourges, AdK Berlin | 1982 | Bourges (Frankreich) | Deutscher Verlag für Musik | 1 | http://www.georgkatzer.de | ||||
| 8158 | Georg | Katzer | Dialog imaginär 2, Ad parnassum | 1987 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | p [Piano] | unter Benutzung des Subharchords | Nova 885287/ POOL 76033/ NCA Membran 60153/ | AdK Berlin | 1988 | TIP Berlin, Dessautage | 1 | http://www.georgkatzer.de | ||||
| 8159 | Georg | Katzer | Dialog imaginär 3, Stilleben mit Gitarre und Hegel | 1990 | Zuspiel, live-elec, 1 perf | 13:00 | Stereo | gui [Gitarre] | com M. | edel 0085102 ACA/ NCA Membran 60153/ | TU Berlin | 10.2.1991 | Inventionen Akademie der Künste Berlin (Thomas Bruns, gui) | 1 | 1991 | http://www.georgkatzer.de | |||
| 26246 | Georg | Katzer | Dialog imaginär 4, Atmung | 1991 | Zuspiel / Tonband, 1 perf | b-cl [Klarinette] | NCA Membran 60153/ WER 6274/ WER 286274/ | AdK Berlin | 0 | http://www.georgkatzer.de | |||||||||
| 26247 | Georg | Katzer | Dialog imaginär 5, Versuch über die wahre Art das Akkordeon zu spielen | 1993 | Zuspiel / Tonband, 1 perf | 11:00 | acc [Akkordeon] | NCA Membran 60153/ | IMEB Bourges | 1 | http://www.georgkatzer.de | ||||||||
| 26248 | Georg | Katzer | Dialog imaginär 6, Stockendes Lied | 1993 | Zuspiel / Tonband, 1 perf | t-sax [Saxophon] | NCA Membran 60153/ | AdK Berlin | 0 | 2002 | http://www.georgkatzer.de | ||||||||
| 26251 | Georg | Katzer | Dialog imaginär 7, Falsche Spiegel | 2004 | Zuspiel / Tonband, 1 perf | 16 | vc [Cello] | NCA Membran 60153/ | 0 | http://www.georgkatzer.de | |||||||||
| 33846 | Georg | Katzer | Dialog imaginär 9 für Tuba mit Hegel, für Tuba mit Hegel | 2008 | live-elec, 1 perf | 13:26 | tuba [Tuba] | WER 20642/ | 0 | ||||||||||
| 22914 | Georg | Katzer | Die Landschaft von Vineta | 1998 | fixed media, akusmatisch | 11:06 | Cybele 960.205/ DegeM CD 05/ | IMEB Bourges | 1 | http://www.georgkatzer.de | |||||||||
| 29861 | Georg | Katzer | Für Tuba mit Hegel | 2009 | live-elec, 1 perf | tuba, (elec) [Tuba] | 0 | ||||||||||||
| 23153 | Georg | Katzer | Fukuyamas Kiste, La boîte de Fukuyama | 2002 | fixed media, akusmatisch | 16:00 | LDC 2781125/ | IMEB Bourges, PS C. | 2002 | Bourges Synthese Festival | 1 | http://www.georgkatzer.de | |||||||
| 8160 | Georg | Katzer | Heiter, ma non troppo | 1986 | live-elec, 2 perf | 16:00 | 2 gui [Gitarre] | Experimentalstudio für Akustische Kunst Freiburg | 1987 | TIP Berlin, Barbara Richter & Dieter Rumstig (gui); Exp.-Studio des SWF | 0 | http://www.georgkatzer.de | |||||||
| 26245 | Georg | Katzer | Ich, das ist ein anderer, Ich ist ein anderer | 1990 | radiophon | Text by A. Rimbaud | AdK Berlin | 7.11.1991 | TU H 107 bei „EMhören“ | 0 | http://www.georgkatzer.de | ||||||||
| 8161 | Georg | Katzer | Im Kreise | fixed media, akusmatisch | 0 | http://www.georgkatzer.de | |||||||||||||
| 8162 | Georg | Katzer | In der Schleife (autogenes Training) | 1986/1988 | fixed media, akusmatisch | Performance |
15:00 | Stereo | optional with “szenische Aktion“ by A. Stillmark (1987) Text by Lewis Carroll, J. W. Goethe |
TIP Berlin, PS C. | 1986 | Dessau | 0 | http://www.georgkatzer.de | ||||||
| 33861 | Georg | Katzer | Incontro | 2013 | live-elec, 1 group | orc [Orchester] | kleines Orchester mit Zuspiel, Manuskript (für das Jugendorc Berlin-Marzahn) | 0 | |||||||||||
| 34071 | Georg | Katzer | L’homme machine, Der Maschinenmensch | 1998 | audiovisuell, live-elec, 1 perf | 22 | db [Kontrabass] | 0 | |||||||||||
| 27304 | Georg | Katzer | L'oracle de la dive bouteille | 1994 | Zuspiel / Tonband, 1 perf | 7:43 | actor [Schauspieler] | LDC 2781106/ | IMEB Bourges | 0 | http://www.georgkatzer.de | ||||||||
| 23060 | Georg | Katzer | Landschaft mit steigender Flut | 1992 | Zuspiel / Tonband, 1 group | orc [Orchester] | WDR 1993 | 0 | http://www.georgkatzer.de | ||||||||||
| 24258 | Georg | Katzer | Landschaft, blühend | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | http://www.georgkatzer.de | ||||||||||
| 8163 | Georg | Katzer | Le mécanique et les agents de l'érosion, Die Mechanik und die Kräfte der Abnutzung | 1985 | fixed media, akusmatisch | audiovisuell |
11:11 | Stereo | 4 actor [Schauspieler] | also version with actors, slides: szenische Aktion von Alexander Stillmark, Diaprojektion von Rose Schulze (4 Darsteller). | LDC 278044/45 Cultures Electroniques 2/ WER 73382/ | IMEB Bourges | 1985 | Bourges Synthèse Festival, | Preis CIME 1986 Mention Bourges 1986 |
1 | http://www.georgkatzer.de | |||
| 26250 | Georg | Katzer | Les paysages fleurissants, Die blühenden Landschaften | 2000 | fixed media, akusmatisch | 8:41 | WER 73382/ | IMEB Bourges | 0 | http://www.georgkatzer.de | |||||||||
| 29863 | Georg | Katzer | Lieder und Kommentare zu Ovid | 1985 | Zuspiel / Tonband, 2 perf | 2 ob [Oboe] | 0 | http://www.georgkatzer.de | |||||||||||
| 8164 | Georg | Katzer | Mein 1989 | 1989/1990 | radiophon | 11:10 | DMR Musik in Deutschland 1950 - 2000: Komponierte Zeitgeschichte/ WER 73382/ | AdK Berlin | 1 | http://www.georgkatzer.de | |||||||||
| 25943 | Georg | Katzer | Mémoires d’un violoncelle | 2004 | Zuspiel / Tonband, 1 perf | 16:02 | vc [Cello] | Matias de Oliveira Pinto (vc) | LDC 2781133 Compendium 2004/ | IMEB Bourges | franz. Staat | 1 | http://www.georgkatzer.de | ||||||
| 29862 | Georg | Katzer | Mon 1789 | 1989 | radiophon | auf der CD DMR wird AdK-Studio genannt, was aber nicht stimmt! | Musik in Deutschland 1950-2000 / Komponierte Zeitgeschichte/ | PS C. | GMEB Bourges | 0 | http://www.georgkatzer.de | ||||||||
| 8165 | Georg | Katzer | Musikmaschine Nr. 2 | 1982 | fixed media, akusmatisch | 14:10 | Stereo | Radio Beograd | 0 | http://www.georgkatzer.de | |||||||||
| 33819 | Georg | Katzer | Preußisch Blau. Tagtraum. Erinnerung | 1979/2008 | fixed media, akusmatisch | 12:26 | WER 73382/ | IMEB Bourges, PS C. | 0 | ||||||||||
| 37855 | Georg | Katzer | Projekt für improvisierenden Musiker, Live-Elektronik und Computer | 1988 | live-elec, 1 perf | mus, (com) [Musiker] | 0 | ||||||||||||
| 8166 | Georg | Katzer | Radioscopie | 1978 | fixed media, akusmatisch | 12:00 | Stereo | synthy 100 | Radio Beograd | 1978 | Radio Belgrad | 0 | http://www.georgkatzer.de | ||||||
| 8167 | Georg | Katzer | Räume, Adagio | 1987 | intermedia | fixed media, akusmatisch |
15:00 | Stereo | (slides) [] | Slides by Rose Schulze; title „Räume“ ≈ with Slides; title „Adagio“ without Slides |
PS C. | 1.11.1987 | Potsdam, Kulturhaus H. Marchwitza | 0 | http://www.georgkatzer.de | |||||
| 8168 | Georg | Katzer | Rondo (bevor Ariadne kommt), Bevor Ariadne kommt (Rondo) | 1976 | fixed media, akusmatisch | 9:46 | Stereo | ARP-synt | LDC 278053/54 Cultures Electroniques 6/ DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ WER 73382/ | CECM Bratislava | 1978 | Bourges (Frankreich) | 2nd prize Bourges | 0 | http://www.georgkatzer.de | ||||
| 19219 | Georg | Katzer | Sound-House | 1979 | Zuspiel / Tonband, 2 groups | 24:30 | orc, orc-group, org [Orgel, Orchester] | Robert-Schumann-Philharmonie Chemnitz | Nova 885258/ | AdK Berlin | Edition Peters | 1 | http://www.georgkatzer.de | ||||||
| 8169 | Georg | Katzer | Steine-Lied | 1984/1988 | fixed media, akusmatisch | 11:03 | Stereo | Computer-Musik | BFP 002292/ WER 73382/ | EMS Stockholm | 1985 | Stockholm,Festival elektronische Musik | Mention Bourges 1986 | 1 | http://www.georgkatzer.de | ||||
| 33820 | Georg | Katzer | Steine-Lied 2 | 2010 | fixed media, akusmatisch | 6:09 | WER 73382/ | PS C. | 0 | ||||||||||
| 8170 | Georg | Katzer | Stille, doch manchmal spürest du noch einen Hauch | 1977 | radiophon | 11:00 | Stereo | after a poem by Goethe | IMEB Bourges | 1978 | Bourges (Frankreich) | 0 | http://www.georgkatzer.de | ||||||
| 8171 | Georg | Katzer | Stimmen der toten Dichter | 1977 | Zuspiel / Tonband, 2 perf | 18:00 | Stereo, Quadro | S, p [Sopran, Piano] | text by F. Hernandez, F. Garcia Lorca, P. Neruda. Mix: stereo, Kunstkopf, Quadro |
Radio DDR | Radio DDR, Roswitha Trexler | 0 | http://www.georgkatzer.de | ||||||
| 28578 | Georg, Johannes, Wolfgang | Katzer, Bauer, Fuchs | Improvisation | 1992 | live-elec, 2 perf | 11:15 | cl, trbn, (elec) [Klarinette, Posaune] | WD 03, Wittener Tage Für Neue Kammermusik 1992/ | 1992 | Wittener Tage für Neue Kammermusik 1992 mit Katzer / Fuchs / Bauer und Strobelstiftung | 1 | ||||||||
| 8152 | Georg, Johannes, Hanno | Katzer, Bauer, Rempel | ad hoc | 1990 | live-elec, 2 perf | 20:00 | trbn, p, [Posaune, Piano] | AdK Berlin | 1 | 1990 | http://www.georgkatzer.de | ||||||||
| 32668 | Dieter | Kaufmann | 37 Klangzeichen | 2008 | Klangkunst, Installation | 37:10 | Klanginstallation II | 0 | |||||||||||
| 32667 | Dieter | Kaufmann | 55 Klangzeichen | 2008 | Klangkunst, Installation | 63:20 | Klanginstallation I | 0 | |||||||||||
| 24433 | Dieter | Kaufmann | Adagio - Automne | 2002 | fixed media, akusmatisch | 17:44 | LDC 2781128 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 32675 | Dieter | Kaufmann | Adagio 2003 | 2003 | Zuspiel / Tonband, | 18:00:00 | Extraplatte EX 566-2/ | 0 | |||||||||||
| 32676 | Dieter | Kaufmann | Adagio Herbst 01 | 2002 | Zuspiel / Tonband, | 17:45:00 | 0 | ||||||||||||
| 32672 | Dieter | Kaufmann | Adieu Amadé | 2006 | fixed media, akusmatisch | 20:00:00 | 0 | ||||||||||||
| 8173 | Dieter | Kaufmann | Ah, la nature | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 32678 | Dieter | Kaufmann | Air | 2002 | Zuspiel / Tonband, | 11:30:00 | 0 | ||||||||||||
| 32661 | Dieter | Kaufmann | Aufzeichnungen aus einem Irrenhaus III, op 131C | 2012 | live-elec, 1 perf | 18:35:00 | Sp [Sprecher] | nach Fragmenten aus Christine Lavants gleichnamigem Bericht | 0 | ||||||||||
| 8174 | Dieter | Kaufmann | Automne pathétique, Herbstpathetique | 1972 | fixed media, akusmatisch | 17:30 | Stereo | AUS 0120076/ LDC 2781126 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 8175 | Dieter | Kaufmann | Ave Marina | 1986 | Musiktheater, 2 perf | 12:00 | Stereo | Sp, ins [Sprecher, Instrument] | objects | PS K_K | 0 | ||||||||
| 27243 | Dieter | Kaufmann | Berceuse pour piccoletto | 2006 | radiophon | 14:23 | LDC 2781137 Compendium 2005/ | ELAK Wien | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | ||||||||
| 8176 | Dieter | Kaufmann | Bildnis einer Frau im Spiegel (Portrait d'une femme en miroir) | 1973 | fixed media, akusmatisch | 20:00 | AUS 0120076/ | IMEB Bourges | 0 | ||||||||||
| 8177 | Dieter | Kaufmann | Blech und Kehle – eine Alpensymphonie op. 68 | 1991 | Klangkunst, Installation | 59:01 | amadeo 437039/ | CECM Bratislava, ELAK Wien, INA • GRM, PS Jakub BratislavaEMS Stockholm | 0 | ||||||||||
| 32749 | Dieter | Kaufmann | Boleromaniaque | Zuspiel, Performance, 2 perf | V, p [Stimme, Piano] | 0 | |||||||||||||
| 32683 | Dieter | Kaufmann | Brandschaden | 1999 | Zuspiel / Tonband, | 5:30:00 | 0 | ||||||||||||
| 8178 | Dieter | Kaufmann | Bruder Boleslav | 1989 | Musiktheater | 5:00 | Stereo | PS K_K | 0 | ||||||||||
| 32680 | Dieter | Kaufmann | Camilla | 1999 | Zuspiel / Tonband, 1 perf | 8:00:00 | rec [Flöte] | 0 | |||||||||||
| 8179 | Dieter | Kaufmann | Chanson | 1971 | fixed media, akusmatisch | 8:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 8180 | Dieter | Kaufmann | Concertomobil op. 18 | 1972 | Zuspiel / Tonband, 1 perf, 1 group | 18:10 | vn, orc [Violine, Orchester] | amadeo 419557/ | ELAK Wien | ARS VIVA / Schott | 1 | ||||||||
| 32665 | Dieter | Kaufmann | Dans les bras du sommeil | 2009 | Zuspiel / Tonband, 5 perf | 14:30:00 | 5 ins [Instrument] | 0 | |||||||||||
| 8181 | Dieter | Kaufmann | Der Himmel hängt voller Gitarren | 1985 | Musiktheater | 20:00 | Stereo | EX 40/ | PS K_K | 0 | |||||||||
| 32681 | Dieter | Kaufmann | Dialog mit Wittgenstein | 1999 | radiophon | 10:30:00 | Hörspielkomposition | 0 | |||||||||||
| 32682 | Dieter | Kaufmann | Dialogue avec Wittgenstein | 1999 | radiophon | 11:30:00 | 0 | ||||||||||||
| 8183 | Dieter | Kaufmann | Die Reise nach Algerien, ein Klangreisetagebuch | 1986 | radiophon | 30:00 | Stereo | PS K_K | 0 | ||||||||||
| 8184 | Dieter | Kaufmann | Energies incluses | 1969 | fixed media, akusmatisch | 9:29 | INA • GRM | 0 | |||||||||||
| 8185 | Dieter | Kaufmann | Evocation – Oratorium gegen die Gewalt | 1974 | Zuspiel / Tonband, 10 perf, 1 group | 79 | S, Sp, vn, p, str-qnt, ch, str [Sopran, Sprecher, Piano, Violine, Streicher, Chor] | rev version | LP JM (Musikalische Jugend Österreichs)/ TXA 14039/ | PS K_K | 0 | ||||||||
| 8186 | Dieter | Kaufmann | Flötenzauber | 1973 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | rec [Flöte] | PS K_K | 0 | |||||||||
| 32662 | Dieter | Kaufmann | Für François Bayle | 2012 | fixed media, akusmatisch | 4:00:00 | 0 | ||||||||||||
| 8187 | Dieter | Kaufmann | Gefängnisse | 1985 | Musiktheater | PS K_K | 0 | ||||||||||||
| 8188 | Dieter | Kaufmann | Gefängnisse op. 13 | 1968 - 1971 | Zuspiel / Tonband, 1 perf | org [Orgel] | INA • GRM | 0 | |||||||||||
| 8189 | Dieter | Kaufmann | Grand Jeu | 1993 | Zuspiel / Tonband, 1 perf | 19:00 | Stereo | acc [Akkordeon] | GMEM Marseille | 0 | |||||||||
| 33037 | Dieter | Kaufmann | Herbstpathetique | 1972 | fixed media, akusmatisch | 17:11 | Extraplatte EX 566-2/ | IMEB Bourges | 0 | ||||||||||
| 33038 | Dieter | Kaufmann | Himmel und Erde | fixed media, akusmatisch | 0 | ||||||||||||||
| 8192 | Dieter | Kaufmann | Ich, Seherin! | 1990 | Musiktheater | 15:00 | Stereo | PS K_K | 0 | ||||||||||
| 32663 | Dieter | Kaufmann | Island - Wasserfall / Wasservögel | 2012 | radiophon | 9:00:00 | 0 | ||||||||||||
| 18505 | Dieter | Kaufmann | Jour - Nuit - Aube trois mouvements de "Paysage sonore d'Autriche", Paysage sonore d'Autriche |
1991 | fixed media, akusmatisch | 15:00 | IMEB Bourges | 0 | |||||||||||
| 8193 | Dieter | Kaufmann | Kakophonie-Euphonie | 1979 | Musiktheater | intermedia |
14:00 | Stereo | actors, (Moviophon) [Schauspieler] | PS K_K | 0 | |||||||||
| 32664 | Dieter | Kaufmann | Körausbach - Sonate | 2009 | Klangkunst, Installation | 22:15:00 | Klangkunst-Komposition | 0 | |||||||||||
| 8194 | Dieter | Kaufmann | Konkrezia | 1975 | fixed media, akusmatisch | 15:00 | Stereo | PS K_K | 0 | ||||||||||
| 8195 | Dieter | Kaufmann | La légende des Saints | 1981 | Zuspiel / Tonband, 1 perf | 22:00 | Stereo | Sp [Sprecher] | IMEB Bourges | 0 | |||||||||
| 32686 | Dieter | Kaufmann | La mer dans la bouche | 1998 | Zuspiel / Tonband, 1 perf | 26:00:00 | V [Stimme] | Fassung für orale Live-Elemente | 0 | ||||||||||
| 8196 | Dieter | Kaufmann | Landschaft mit Stimmen | 1991/1992 | Zuspiel / Tonband, 5 perf | 15:00 | 3 V, 2 V [Stimme] | Zuspielband: Tag, Nacht, Morgen aus 'Blech und Kehle' | 0 | ||||||||||
| 8191 | Dieter | Kaufmann | Le Ciel et la Terre | 1985 | fixed media, akusmatisch | 11:49 | Himmel und Erde, op. 53 | LDC 278048 Cultures Electroniques 3/ LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | |||||||||
| 8182 | Dieter | Kaufmann | Le Voyage au Paradis | 1987 | Musiktheater | intermedia |
20:30 | Die Reise ins Paradies, op. 56 | LDC 278048 Cultures Electroniques 3/ INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | 1 | |||||||||
| 32660 | Dieter | Kaufmann | Liebe, Tod und Menschenrechte - Ein Hörspiel gegen die Gewalt | 2014 | radiophon | 49:00:00 | 0 | ||||||||||||
| 32666 | Dieter | Kaufmann | Lui comme elle | 2009 | fixed media, akusmatisch | 18:30:00 | Monodrame acousmatique. 3 parts | Motus M 310014/ | 0 | ||||||||||
| 32937 | Dieter | Kaufmann | Meine-Welt-Musik - 2. Symphonie acousmatique, Meine Welt - Ich sehe keine andere op. 148 |
2013 | fixed media, akusmatisch | 35 | Versuch nach Walter Buchebner | 22.08.2014 | Crest / Frankreich, Futura | 0 | |||||||||
| 32679 | Dieter | Kaufmann | Mondieu Mondal | 2000 | fixed media, akusmatisch | 14:00:00 | 4 Artikel aus der "Allgemeinen Erklärung der Menschenrechte" op. 85 | IMEB Bourges | 0 | ||||||||||
| 8199 | Dieter | Kaufmann | Music minus one, Szenen zum Beethovenjahr | 1977 | fixed media, akusmatisch | 25:00 | Stereo | PS K_K | 0 | ||||||||||
| 32684 | Dieter | Kaufmann | Musik zwischen Himmel und Erde | 1998 | Klangkunst, Installation | 0 | |||||||||||||
| 8200 | Dieter | Kaufmann | Musiques Dispersees (D), Energies incluses | 1969 | Performance | 9:29 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 8201 | Dieter | Kaufmann | O Santa Acousmatica: La mer, La mer | 1994 | fixed media, akusmatisch | 25 | Extraplatte EX 566-2/ | GMEM Marseille, INA • GRM | Competition Musica Nova Prag 1994 | 0 | |||||||||
| 32673 | Dieter | Kaufmann | Obsession | 2004 | fixed media, akusmatisch | 5:50:00 | 0 | ||||||||||||
| 32674 | Dieter | Kaufmann | Obsession | 2004 | Zuspiel / Tonband, 1 perf | 9:40:00 | Octo | Sp [Sprecher] | für Sprecherin und 8 Kanal - Tonband | 0 | |||||||||
| 32938 | Dieter | Kaufmann | Organisch-anorganisch | 2013 | live-elec, 2 perf | 9 | S, Mez [Sopran, Mezzo] | Text by the C. and Augustinus | 0 | ||||||||||
| 32685 | Dieter | Kaufmann | Paganihilismo | 1998 | audiovisuell | 10:30:00 | vn [Violine] | Version für Solovioline und Klanginstallation | 0 | ||||||||||
| 32688 | Dieter | Kaufmann | Paganihilismo | 1997 | Zuspiel / Tonband, 1 perf | 10:30:00 | vn [Violine] | 0 | |||||||||||
| 32687 | Dieter | Kaufmann | Paganini in Cairo | 1998 | Zuspiel / Tonband, | 17:00:00 | 0 | ||||||||||||
| 32659 | Dieter | Kaufmann | Pierrot zieht in den Krieg, op. 149 | 2014 | live-elec, 5 perf | ≈ 7 - 8 | fl, cl, vn, vc, p [Flöte, Klarinette, Piano, Cello, Violine] | Fassung nach Fragmenten aus op. 9a | 0 | ||||||||||
| 8203 | Dieter | Kaufmann | Pupofon II – Mensch und Kunstfigur | 1979 | Zuspiel/Tonband, 1 perf | Musiktheater |
actor [Schauspieler] | PS K_K | 0 | |||||||||||
| 8204 | Dieter | Kaufmann | Pupofon op. 19 | 1971 | Musiktheater | PS K_K | 0 | ||||||||||||
| 32669 | Dieter | Kaufmann | Requiem für Piccoletto | 2006 | Oper | 150:00:00 | Wort/spiel/tanz/bild-oper in 6 Teilen | 0 | |||||||||||
| 8205 | Dieter | Kaufmann | Schreie, Schüsse, Stille | 1986 | Musiktheater | aus: Der Schrei des Gehuldigten (K&K Produktion) | PS K_K | 0 | |||||||||||
| 8206 | Dieter | Kaufmann | Schrott und Korn – eine Abfallsymphonie op. 69, Signal Und Stille Barbarenorgel Neun Symphonien Hochzeitsreise Passage Camilla Heile Welt Letzte Schritte Abfall Finale |
1987 | Klangkunst, Installation | 59:57 | amadeo 437040/ | ELAK Wien, PS K_K, INA • GRM | 0 | ||||||||||
| 8207 | Dieter | Kaufmann | Spiegelstimme | 1972 | fixed media, akusmatisch | 30:00 | Stereo | PS K_K | 0 | ||||||||||
| 32939 | Dieter | Kaufmann | Symphonie Acousmatique | 1969 - 2007 | fixed media, akusmatisch | 57:49 | 6 parts: | Motus M 310014/ | 0 | ||||||||||
| 8208 | Dieter | Kaufmann | TRY - try to make your own music | 1981 | Zuspiel, live-elec, 1 perf, 1 group | Mono | ch, V [Stimme, Chor] | EMS Stockholm | 0 | ||||||||||
| 8209 | Dieter | Kaufmann | Tutubaba | 1983 | Musiktheater | intermedia |
6:00 | tape for the program "Musik und Erotik" | PS K_K | 0 | ||||||||||
| 33036 | Dieter | Kaufmann | Über dieEinigkeit | live-elec, 1 perf | org [Orgel] | 0 | |||||||||||||
| 8210 | Dieter | Kaufmann | Volksoper | 1978 | Musiktheater | 20:00 | Stereo | PS K_K | 0 | ||||||||||
| 32677 | Dieter | Kaufmann | Wasser und Blut (Adagio Herbst 02) | 2002 | Zuspiel / Tonband, | 13:00:00 | 0 | ||||||||||||
| 8211 | Dieter | Kaufmann | Wer hat mein Lied so zerstört | 1989 | fixed media, akusmatisch | 11:37 | Stereo | 2nd title: (La Guillotine Permanente) | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | ||||||||
| 8212 | Dieter | Kaufmann | Widerständchen (für G. v. Einem) | 1988 | radiophon | 5:00 | Stereo | PS K_K | 0 | ||||||||||
| 8213 | Dieter | Kaufmann | Wiener Werkel | 1971 | fixed media, akusmatisch | 5:00 | Stereo | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ | ELAK Wien | 1 | |||||||||
| 32671 | Dieter | Kaufmann | Zensur - Deutschland. Ein Wintermärchen | 2006 | audiovisuell | 35:00:00 | 0 | ||||||||||||
| 22946 | Lydia | Kavina | Field Music | live-elec, 1 perf | 6:00 | theremin [synthesizer] | Theremin C. Moscou | 1 | |||||||||||
| 27324 | Lydia | Kavina | In Whims of the Wind | 1994 | live-elec, 3 perf | 11:27 | theremin, p, S [Sopran, Piano, synthesizer] | Lydia Kavina (Theremin), Joshua Pierce (p), Elizabeth Parcells (S) | mode 76/ | 1 | http://www.moderecords.com/ | ||||||||
| 19340 | Lydia | Kavina | Song for 3 Theremins | 1997 | live-elec, 1 perf | 4:00 | theremin [synthesizer] | Theremin C. Moscou | 1 | ||||||||||
| 19102 | Lydia | Kavina | Suite | live-elec, 2 perf | theremin, p [Piano, synthesizer] | 0 | |||||||||||||
| 23347 | Lydia | Kavina | Suite für Therminvox und Klavier, Andante Moderato Lento |
1989 | live-elec, 2 perf | 8:45 | theremin, p [Piano, synthesizer] | Lydia Kavina (Theremin), Joshua Pierce (p) | mode 76/ | Posen | 1 | http://www.moderecords.com/ | |||||||
| 22947 | Hideko | Kawamoto | Night Ascends from the Ear like a Butterfly | 1999 | fixed media, akusmatisch | 8:15 | innova 116/ | 1 | |||||||||||
| 24196 | Hideko | Kawamoto | Stroke of a Wing | 2001 | fixed media, akusmatisch | 3:14 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 32095 | Hideko | Kawamoto | Summer Rain (Dawn) | 2000 | fixed media, akusmatisch | 9:14 | SEAMUS EAM Vol. 11/ Russolo Pratella EF.ER.P 01/ | Prize Russolo Varese 2001 | 0 | ||||||||||
| 43125 | Utah, Amy, Sachiko | Kawasaki, Yoshida, M | astro twin / cosmos | 2003 | Performance | Auszeichnung ars electronica: Golden Nica 2003 | 0 | ||||||||||||
| 8215 | Bernard, Eugeniusz | Kawka, Rudnik | Vocals | 1973 | fixed media, akusmatisch | 4:50 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 39985 | Kevin | Kay | Warmth | 2017 | fixed media, akusmatisch | Kevin Kay | 0 | ||||||||||||
| 27114 | Roland | Kayn | A cyclic Cyborg Music, Naran Sraganta Sutar Zanterals Retamar Elaro |
2008 | fixed media, akusmatisch | 266:37 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27136 | Roland | Kayn | A little electronic Milky Way of Sound, Czerail Xattax Somitoh Ykties Naaps Rosonic Ilay Aseral Ractil Zearid Radox Qyrials I - II Tachys Prahoxx Hatho Ecerit I - III Ritaces Icursim Arasa |
2009 | fixed media, akusmatisch | 829:54 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 26989 | Roland | Kayn | A little soundgallery | 2006 | fixed media, akusmatisch | 30:15 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23424 | Roland | Kayn | A Pan-Airmusic | 2003 | fixed media, akusmatisch | 87:21 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23496 | Roland | Kayn | Abstracta | 2004 | fixed media, akusmatisch | 51:00 | Stereo | Elektronisch. 2 parts (24:30 + 26:30) | PS C. (Reiger Recording St) | 0 | |||||||||
| 23244 | Roland | Kayn | Accumulation | 2002 | fixed media, akusmatisch | 63:25 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23741 | Roland | Kayn | Actual basic elements | 2005 | fixed media, akusmatisch | 32:47 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27030 | Roland | Kayn | Agals | 2008 | fixed media, akusmatisch | 27:06 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23429 | Roland | Kayn | Agila | 2004 | fixed media, akusmatisch | 59:24 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23431 | Roland | Kayn | Air-Motions I | 2004 | fixed media, akusmatisch | 25:04 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23432 | Roland | Kayn | Air-Motions II | 2004 | fixed media, akusmatisch | 43:19 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27019 | Roland | Kayn | Akatis | 2008 | fixed media, akusmatisch | 73:40 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27133 | Roland | Kayn | AKITH | 2008 | fixed media, akusmatisch | 18:20 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23430 | Roland | Kayn | An Algorithm MA71 | 2004 | fixed media, akusmatisch | 25:12 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 8216 | Roland | Kayn | An artificial acoustic Environment | 1989 | fixed media, akusmatisch | 29:55 | Stereo | Elektroakustisches Projekt | RRR 9602-3/ | Sonology Den Haag | LRKA | 1 | http://kayn.nl/text/ | ||||||
| 27616 | Roland | Kayn | Aosill | 2009 | fixed media, akusmatisch | 33:00 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27037 | Roland | Kayn | Applications | 2008 | fixed media, akusmatisch | 64:25 | Stereo | Elektronisch. part 1: 29'15, part 2: 35'10 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25706 | Roland | Kayn | Aquarius I | 2010 | fixed media, akusmatisch | 30:00 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 25707 | Roland | Kayn | Aquarius II | 2010 | fixed media, akusmatisch | 31:20 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 24564 | Roland | Kayn | Areals | 2005 | fixed media, akusmatisch | 49:05 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27033 | Roland | Kayn | Artules | 2008 | fixed media, akusmatisch | 75:00 | Stereo | Elektronisch, part 1: 38'50, part 2: 36'10 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27045 | Roland | Kayn | Aruna | 2008 | fixed media, akusmatisch | 64:49 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8217 | Roland | Kayn | Assemblage | 1984 - 1985 | fixed media, akusmatisch | 54:29 | Stereo | Kybernetische Musik II / Elektroakustisches Projekt | RRR 9501/ RRR KY CD 9601/ | Sonology Utrecht | Zerboni | 0 | |||||||
| 27004 | Roland | Kayn | Ata-Disparity | 2007 | fixed media, akusmatisch | 54:48 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27034 | Roland | Kayn | Atarac | 2008 | fixed media, akusmatisch | 29:11 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27012 | Roland | Kayn | Aterales | 2007 | fixed media, akusmatisch | 46:40 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27023 | Roland | Kayn | Atesar | 2008 | fixed media, akusmatisch | 79:40 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27035 | Roland | Kayn | Atesaryth | 2008 | fixed media, akusmatisch | 37:20 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 24559 | Roland | Kayn | Athary NLX | 2005 | fixed media, akusmatisch | 121:29 | Stereo | Elektronisch. Part 1 30:32, Part 2 31:25, Part 3 60:12 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27129 | Roland | Kayn | ATIRS | 2008 | fixed media, akusmatisch | 27:43 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23493 | Roland | Kayn | Atix | 2004 | fixed media, akusmatisch | 31:55 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27117 | Roland | Kayn | ATRENY | 2008 | fixed media, akusmatisch | 64:55 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23500 | Roland | Kayn | Audiogenetic Events | 2004 | fixed media, akusmatisch | 53:00 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25716 | Roland | Kayn | Axals | 2010 | fixed media, akusmatisch | 40:37 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 27119 | Roland | Kayn | AXISZ | 2008 | fixed media, akusmatisch | 41:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25701 | Roland | Kayn | Azoryth | 2009 | fixed media, akusmatisch | 42:17 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25704 | Roland | Kayn | Bathan | 2009 | fixed media, akusmatisch | 28:54 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27011 | Roland | Kayn | Bhatary | 2007 | fixed media, akusmatisch | 35:01 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25511 | Roland | Kayn | Break Rotations | 2006 | fixed media, akusmatisch | 45:18 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25726 | Roland | Kayn | Broxods | 2009 | fixed media, akusmatisch | 23:43 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25516 | Roland | Kayn | Canthara | 2006 | fixed media, akusmatisch | 49:28 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27615 | Roland | Kayn | Carheel | 2009 | fixed media, akusmatisch | 37:20 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25715 | Roland | Kayn | Carun | 2010 | fixed media, akusmatisch | 32:58 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 25532 | Roland | Kayn | Cascades | 2006 | fixed media, akusmatisch | 56:55 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27621 | Roland | Kayn | Catury | 2009 | fixed media, akusmatisch | 39:37 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25719 | Roland | Kayn | Ceccet-Fytare, -Part 1 27'15 -Part 2 24'00 |
2010 | fixed media, akusmatisch | 51:15 | Stereo | 2 parts | PS C. (Reiger Recording St) | 0 | |||||||||
| 27116 | Roland | Kayn | CEERTIR | 2008 | fixed media, akusmatisch | 34:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27009 | Roland | Kayn | Celary | 2007 | fixed media, akusmatisch | 88:56 | Stereo | Elektronisch, part 1: 36'40, part 2: 52'16 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27029 | Roland | Kayn | Ceryth | 2008 | fixed media, akusmatisch | 36:28 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27120 | Roland | Kayn | CHRA | 2008 | fixed media, akusmatisch | 39:20 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27013 | Roland | Kayn | Cifara | 2007 | fixed media, akusmatisch | 34:43 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27053 | Roland | Kayn | Ciralsta | 2008 | fixed media, akusmatisch | 28:22 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8218 | Roland | Kayn | Circuits intégrés | 1972 | Zuspiel / Tonband, 10 perf | ≈ 25:00 | Quadro | 1 - 4 p, 1 - 6 perc [Piano, Schlagzeug] | Elektronisch | RRR 9402/ | PS SRSEA, Experimentalstudio für Akustische Kunst Freiburg | 1973 | Muziek van nu, Stedelijk Museum (Fassung für 2 Spieler) | Edizioni Suvini Zerboni Milano | 1 | ||||
| 8219 | Roland | Kayn | Collage, Collage - Decollage | 1984 | fixed media, akusmatisch | 28 | Stereo | Elektronisch | RRR 9503-4/ | Sonology Utrecht | Zerboni | 1 | |||||||
| 27622 | Roland | Kayn | Comb-Convections, Sobbrax Qilthy Semanta Cyftaro Deryls La Raris |
2010 | fixed media, akusmatisch | 211:56 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27003 | Roland | Kayn | Comparisons | 2007 | fixed media, akusmatisch | 44:00 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23248 | Roland | Kayn | Composizione A-D | 2002 | fixed media, akusmatisch | 60:45 | Stereo | Elektronisch. 4 parts: Abschnitt A (12), Abschnitt B (20:08), Abschnitt C (12:52), Abschnitt D (15:45) |
RRR 004-1/2/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 25515 | Roland | Kayn | Configurations | 2006 | fixed media, akusmatisch | 50:28 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23743 | Roland | Kayn | Constellations | 2005 | fixed media, akusmatisch | 64:04 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23491 | Roland | Kayn | Contra - Compositie | 2004 | fixed media, akusmatisch | 36:42 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27624 | Roland | Kayn | Coppoc | 2010 | fixed media, akusmatisch | 44:46 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 27134 | Roland | Kayn | Cosmogonic Spaces, Le Carts Miraseth Aya Ekka Phira |
2009 | fixed media, akusmatisch | 211:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23498 | Roland | Kayn | Cyber panoramical Music | 2004 | fixed media, akusmatisch | 66:47 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23426 | Roland | Kayn | Cybernet AS | 2003 | fixed media, akusmatisch | 16:40 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23427 | Roland | Kayn | Cybernet TLS | 2003 | fixed media, akusmatisch | 22:48 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 8220 | Roland | Kayn | Cybernetic Serendipity | 1987 | fixed media, akusmatisch | 34:56 | Stereo | Elektroakustisches Projekt | RRR 9602-3/ | Sonology Den Haag | 1 | ||||||||
| 8221 | Roland | Kayn | Cybernetics I | 1966 - 1968 | fixed media, akusmatisch | 24:21 | Quadro | Elektroakustisches Projekt | Colosseum SM 1474/ | Fonologia Milano, NDR Hamburg | 1969 | das neue werk, NDR Hamburg | Zerboni | 0 | |||||
| 8222 | Roland | Kayn | Cybernetics II | 1969 | Zuspiel, live-elec, 1 perf, 7 groups | 35:00 | Quadro | 7 ch, ins (Klangerzeuger, Schallquellen, Live-Elektronic) [Instrument, Chor] | für 7 Chorgruppen, Klangerzeuger, Schallquellen, Live-Elektronic und Tonband | RRR 2001-2/ | Fonologia Milano, RAI Milano | Edizioni Suvini Zerboni Milano | 1 | ||||||
| 8223 | Roland | Kayn | Cybernetics III | 1969 | fixed media, akusmatisch | 23:32 | Quadro | Elektroakustisches Projekt | DGG 2720025/ Colosseum SM 1474/ DGG 2561044/ | Fonologia Milano | 1969 | Biennale di Venezia, | Zerboni | 0 | |||||
| 27028 | Roland | Kayn | Cyral | 2008 | fixed media, akusmatisch | 37:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25525 | Roland | Kayn | Cyrales | 2006 | fixed media, akusmatisch | 44:45 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27128 | Roland | Kayn | CZETHARA | 2008 | fixed media, akusmatisch | 54:23 | Stereo | Elektronisch. part 1 27'35; part 2 26'48 | PS C. (Reiger Recording St) | 0 | |||||||||
| 26987 | Roland | Kayn | Darano | 2006 | fixed media, akusmatisch | 30:06 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27048 | Roland | Kayn | Daruga I | 2008 | fixed media, akusmatisch | 19:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27049 | Roland | Kayn | Daruga II | 2008 | fixed media, akusmatisch | 21:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27619 | Roland | Kayn | Dathcera | 2009 | fixed media, akusmatisch | 57:40 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25698 | Roland | Kayn | De Raris | 2009 | fixed media, akusmatisch | 32:57 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23739 | Roland | Kayn | Dé-Compositie | 2004 | fixed media, akusmatisch | 58:21 | Stereo | Elektronisch. Part 1 (33:28), part 2 (24:53) | PS C. (Reiger Recording St) | 0 | |||||||||
| 24567 | Roland | Kayn | Decares | 2005 | fixed media, akusmatisch | 48:10 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 18318 | Roland | Kayn | Décollage, Collage - Decollage | 1984 - 1985 | fixed media, akusmatisch | 25:40 | Stereo | Elektronisch | RRR 9503-4/ | Sonology Utrecht | Zerboni | 1 | |||||||
| 27614 | Roland | Kayn | Delcara | 2009 | fixed media, akusmatisch | 29:42 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 24561 | Roland | Kayn | Demodulations | 2005 | fixed media, akusmatisch | 29:51 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 26988 | Roland | Kayn | Derivations | 2006 | fixed media, akusmatisch | 47:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25721 | Roland | Kayn | Detarits | 2010 | fixed media, akusmatisch | 40:00 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 25713 | Roland | Kayn | Detrales | 2010 | fixed media, akusmatisch | 44:00 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 24558 | Roland | Kayn | Deviazioni separti | 2005 | fixed media, akusmatisch | 38:57 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8224 | Roland | Kayn | Diffusions | 1965 | Zuspiel, live-elec, 4 perf | var | Stereo | 1 - 4 e-org [Keyboard] | für 1 - 4 elektronische Orgeln. | RRR 9402/ | Experimentalstudio für Akustische Kunst Freiburg, Fonologia Milano | 1968 | Sveriges Radio, Stockholm; Torsten Nilsson, Gunnar-Valkare, Roland Kayn, Karl-Eric Welin | Zerboni | 1 | ||||
| 25517 | Roland | Kayn | Dispersions | 2006 | fixed media, akusmatisch | 47:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25528 | Roland | Kayn | Easy Music | 2006 | fixed media, akusmatisch | 46:44 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 24562 | Roland | Kayn | Electronic stabile | 2005 | fixed media, akusmatisch | 30:48 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 18323 | Roland | Kayn | Electronic Symphony I | 1966 - 1996 | fixed media, akusmatisch | 29:55 | Stereo | Elektronisch | RRR 9701-2/ | PS C. | 1 | ||||||||
| 18324 | Roland | Kayn | Electronic Symphony II | 1970 - 1996 | fixed media, akusmatisch | 27:42 | Stereo | Elektronisch | RRR 9701-2/ | PS C. | 1 | ||||||||
| 18325 | Roland | Kayn | Electronic Symphony III | 1971 - 1997 | fixed media, akusmatisch | 53:42 | Stereo | Elektronisch | RRR 9701-2/ | PS C. | 1 | ||||||||
| 18326 | Roland | Kayn | Electronic Symphony IV | 1988 - 1996 | fixed media, akusmatisch | 91:59 | Stereo | 4 large parts: Abschnitt 1 (20:01), Abschnitt 2 (22:43), Abschnitt 3 (15:15), Abschnitt 4 (33:20) | RRR 9703-4/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 20996 | Roland | Kayn | Electronic Symphony IX | 1999 | fixed media, akusmatisch | 32:58 | Stereo | Elektronisch | RRR 9901-2/ | PS C. | 1 | ||||||||
| 18327 | Roland | Kayn | Electronic Symphony V | 1977 - 1997 | fixed media, akusmatisch | 84:09 | Stereo | 2 large parts: part 1 (42:03), part 2 (42:06) | RRR 9801-2/ | PS C. | 1 | ||||||||
| 18328 | Roland | Kayn | Electronic Symphony VI | 1982 - 1997 | fixed media, akusmatisch | 66:23 | Stereo | 2 large parts: part 1 (49:09), part 2 (17:14) | RRR 9804-5/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 18332 | Roland | Kayn | Electronic Symphony VII | 1984 - 1998 | fixed media, akusmatisch | 44:55 | Stereo | 2 large parts: part 1 (29:47), part 2 (15:08) | RRR 9804-5/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 20995 | Roland | Kayn | Electronic Symphony VIII | 1978 - 1998 | fixed media, akusmatisch | 31:35 | Stereo | Elektronisch | RRR 9901-2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 21632 | Roland | Kayn | Electronic Symphony X | 1999 | fixed media, akusmatisch | 73:12 | Stereo | part 1 (41:26), part 2 (31:46) | RRR 9901-2/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 27031 | Roland | Kayn | Elyr, Ytari Larna Ejori Risar Ylemms |
2008 | fixed media, akusmatisch | 149:51 | Stereo | Elektronisch, 5 parts | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8225 | Roland | Kayn | Emissioni trasformati I | 1996 | fixed media, akusmatisch | 28:20 | Stereo | Elektroakustisches Projekt | RRR 9801-2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 18322 | Roland | Kayn | Emissioni trasformati II | 1996 | fixed media, akusmatisch | 30:05 | Stereo | Elektroakustisches Projekt | RRR 9801-2/ | PS C. | 1 | ||||||||
| 25637 | Roland | Kayn | Engramme | 1971 - 1974 | Zuspiel / Tonband, 59 perf | 26:21 | Stereo | 15-60 (freely selectable) ins (wood, br, strs) [Instrument] | für 15-60 disponible Instrumente | RRR KY CD - ADD 9501-2/ | Radio SDR Stuttgart | SDR | 1980 | Musik unserer Zeit, SDR, Stuttgart, Ensemble Peter Eötvös; Dirigent: Peter Eötvös (Version für 15 Spieler) | Edizioni Suvini Zerboni Milano | 1 | |||
| 27131 | Roland | Kayn | ENRAL | 2008 | fixed media, akusmatisch | 66:18 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 8226 | Roland | Kayn | Entropy PE 31 | 1967 - 1970 | fixed media, akusmatisch | 52:25 | Quadro | Elektroakustisches Projekt. 2 Parts (25:25 + 26:25) | Colosseum SM 1474/ | Sonology Utrecht | 1970 | Staatsoper Hamburg (Simultan-Konzert) | Zerboni | 0 | |||||
| 8227 | Roland | Kayn | Eon | 1975 | fixed media, akusmatisch | 28:20 | Quadro | Elektroakustisches Projekt | Colosseum SM 1474/ | Sonology Utrecht | Zerboni | 0 | |||||||
| 26991 | Roland | Kayn | Equalizations | 2006 | fixed media, akusmatisch | 51:41 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8228 | Roland | Kayn | Equivalence sonore I | 1995 | fixed media, akusmatisch | 13:41 | Stereo | Elektroakustisches Projekt | RRR 9601/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 18319 | Roland | Kayn | Equivalence sonore II | 1995 | fixed media, akusmatisch | 11:08 | Stereo | Elektroakustisches Projekt | RRR 9701-2/ RRR 9602-3/ | PS C. | 1 | ||||||||
| 18320 | Roland | Kayn | Equivalence sonore III | 1995 | fixed media, akusmatisch | 18:01 | Stereo | Elektroakustisches Projekt | RRR 9701/ RRR 9602-3/ | PS C. | 1 | ||||||||
| 27054 | Roland | Kayn | Eray | 2008 | fixed media, akusmatisch | 39:31 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25720 | Roland | Kayn | Ereny | 2010 | fixed media, akusmatisch | 41:47 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 27044 | Roland | Kayn | Esarres | 2008 | fixed media, akusmatisch | 38:11 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23492 | Roland | Kayn | Etoile du Nord | 2004 | fixed media, akusmatisch | 59:05 | Stereo | Elektronisch. Part 1 (24:54), part 2 (34:15) | RRR 005-1/2/ | PS C. (Reiger Recording St) | 1 | http://www.paristransatlantic.com | |||||||
| 27620 | Roland | Kayn | Etorasis | 2009 | fixed media, akusmatisch | 40:54 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25722 | Roland | Kayn | Etturi | 2010 | fixed media, akusmatisch | 33:02 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 25526 | Roland | Kayn | Extary I | 2006 | fixed media, akusmatisch | 22:42 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25527 | Roland | Kayn | Extary II | 2006 | fixed media, akusmatisch | 45:11 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 22447 | Roland | Kayn | Extensity | 2001 | fixed media, akusmatisch | 129:20 | Stereo | Elektronisch. 5 parts: Abschnitt 1 (34:30), Abschnitt 2 (29:24), Abschnitt 3 (17:12), Abschnitt 4 (15:48), Abschnitt 5 (32:26) |
PS C. | 0 | |||||||||
| 27125 | Roland | Kayn | FAGAR | 2008 | fixed media, akusmatisch | 60:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27001 | Roland | Kayn | Farit | 2007 | fixed media, akusmatisch | 60:46 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 26990 | Roland | Kayn | Fragmentations | 2006 | fixed media, akusmatisch | 47:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8229 | Roland | Kayn | Frottage I | 1996 | fixed media, akusmatisch | 21:47 | Stereo | Elektroakustisches Projekt | RRR 9703-4/ RRR 9901-2/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 18321 | Roland | Kayn | Frottage II | 1996 | fixed media, akusmatisch | 18:01 | Stereo | Elektroakustisches Projekt | RRR 9804-5/ RRR 9901-2/ | PS C. | 1 | ||||||||
| 21633 | Roland | Kayn | Gärten der Lüste | 1999 - 2000 | fixed media, akusmatisch | 53:33 | Stereo | Elektronisch. Abschnitt 1 (13:55), Abschnitt 2 (39:38) | RRR 2001-2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 27021 | Roland | Kayn | Garaans | 2008 | fixed media, akusmatisch | 177:55 | Stereo | Elektronisch, 4 parts: part 1 (47'01), part 2 ( 24'19), part 3 (49'09), part 4 (57'26) | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23740 | Roland | Kayn | Ghyress für Ilse Emily Kayn, Ghyress | 2005 | fixed media, akusmatisch | 54:39 | Stereo | Elektronisch | RRR 005-1/2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 25711 | Roland | Kayn | Guadelti | 2010 | fixed media, akusmatisch | 22:29 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 27002 | Roland | Kayn | Hithary | 2007 | fixed media, akusmatisch | 43:03 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23421 | Roland | Kayn | Hommage à Sonderborg | 2003 | fixed media, akusmatisch | 26:21 | Stereo | Elektronisch | RRR KY-CD 006-1/2/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 24557 | Roland | Kayn | Hybriditys TRL, Hybriditys | 2005 | fixed media, akusmatisch | 38:31 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27051 | Roland | Kayn | Hytharis | 2008 | fixed media, akusmatisch | 45:43 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25703 | Roland | Kayn | Il Rotaral | 2009 | fixed media, akusmatisch | 28:38 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23433 | Roland | Kayn | Impactions | 2004 | fixed media, akusmatisch | 44:22 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 8230 | Roland | Kayn | Impulse | 1959 - 1962 | fixed media, akusmatisch | 8:00 | 6 | not finished; score Elektronische Komposition für 7 Raumklangstrahler (6-kanalig) |
Expst Warsaw, WDR SEM | 0 | |||||||||
| 8231 | Roland | Kayn | Infra, Isotope Nastie Formantes I Formantes II Randoms I Randoms II Apeiron |
1979 - 1980 | fixed media, akusmatisch | 178:22 | Quadro | Isotope (36), Nastie (23), Formantes I & II (44), Randoms I & II (45), Apeiron (25). gewidmet Michael Marschall von Bieberstein |
Colosseum SM 1478/ | Sonology Utrecht | 1979 | Nicolaikerk Utrecht in Verbindung mit dem Instituut voor Sonologie (Teilaufführung) | Zerboni | 1 | |||||
| 27047 | Roland | Kayn | Intensity Sounds | 2008 | fixed media, akusmatisch | 41:59 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23252 | Roland | Kayn | Invisible Music | 2003 | fixed media, akusmatisch | 121:09 | Stereo | Elektronisch. 3 Parts | RRR KY-CD 006-1/2/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 27015 | Roland | Kayn | Iperith | 2007 | fixed media, akusmatisch | 66:55 | Stereo | Elektronisch, part 1: 20'46, part 2: 46'09 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27007 | Roland | Kayn | Irattari | 2007 | fixed media, akusmatisch | 46:03 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23253 | Roland | Kayn | Iterations | 2003 | fixed media, akusmatisch | 22:47 | Stereo | Elektronisch | RRR 004-1/2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 25524 | Roland | Kayn | Kalhamarho | 2006 | fixed media, akusmatisch | 54:10 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 26995 | Roland | Kayn | Kinetics | 2007 | fixed media, akusmatisch | 31:53 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8232 | Roland | Kayn | Kristallnacht | 1995 | fixed media, akusmatisch | 68:30 | Stereo | Elektroakustisches Projekt | PS C. | 2002 | Earational Festival, Den Bosch | 0 | |||||||
| 21634 | Roland | Kayn | L'Innominata | 2000 | fixed media, akusmatisch | 71:54 | Stereo | Elektronisch. Abschnitt 1 (31:17), Abschnitt 2 (40:14) | RRR 2001-2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 27121 | Roland | Kayn | L'OCCLE | 2008 | fixed media, akusmatisch | 31:15 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25727 | Roland | Kayn | La hagatt I | 2009 | fixed media, akusmatisch | 32:49 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25728 | Roland | Kayn | La hagatt II | 2009 | fixed media, akusmatisch | 32:40 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25520 | Roland | Kayn | La Manerale | 2006 | fixed media, akusmatisch | 29:42 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 24556 | Roland | Kayn | La Ranar | 2005 | fixed media, akusmatisch | 47:12 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27055 | Roland | Kayn | Ladirare | 2008 | fixed media, akusmatisch | 64:25 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25729 | Roland | Kayn | Larix | 2009 | fixed media, akusmatisch | 27:28 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27027 | Roland | Kayn | Ledarix | 2008 | fixed media, akusmatisch | 33:46 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 24566 | Roland | Kayn | Les characées | 2005/2006 | fixed media, akusmatisch | 108:21 | Stereo | Elektronisch, part 1 52:32; part 2 55:49 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25705 | Roland | Kayn | Les Noriles | 2010 | fixed media, akusmatisch | 61:18 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 27010 | Roland | Kayn | Les Rees | 2007 | fixed media, akusmatisch | 41:32 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25530 | Roland | Kayn | Les Spirales | 2006 | fixed media, akusmatisch | 24:22 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25529 | Roland | Kayn | Les Variales | 2006 | fixed media, akusmatisch | 48:44 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25717 | Roland | Kayn | Letarox | 2010 | fixed media, akusmatisch | 32:28 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 26999 | Roland | Kayn | Letary LT23 | 2007 | fixed media, akusmatisch | 47:22 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25712 | Roland | Kayn | Lohony | 2010 | fixed media, akusmatisch | 33:39 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 27022 | Roland | Kayn | Made in NL after the sixties and beyond |
2008 | fixed media, akusmatisch | 58:50 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8233 | Roland | Kayn | Makro I, Makro | 1977 | fixed media, akusmatisch | 90:40 | Quadro | Dokumentarfilm anlässlich der Ausstellung "Für Augen und Ohren" AdK Berlin 1980, Ausschnitt ca. 8 Minuten | Colosseum SM 1477/ | Sonology Utrecht | 1977 | HOT-Theater Den Haag | Zerboni | 1 | |||||
| 18315 | Roland | Kayn | Makro II, Makro | 1977 | fixed media, akusmatisch | 17:23 | Quadro | Elektronisch | Colosseum SM 1477/ | Sonology Utrecht | Zerboni | 0 | |||||||
| 18316 | Roland | Kayn | Makro III, Makro | 1977 | fixed media, akusmatisch | 28:15 | Quadro | Elektronisch | Colosseum SM 1477/ | Sonology Utrecht | Zerboni | 0 | |||||||
| 23420 | Roland | Kayn | Mantaru | 2003 | fixed media, akusmatisch | 67:06 | Stereo | Elektronisch. Part 1 (35:31), part 2 (31:35) | PS C. (Reiger Recording St) | 0 | |||||||||
| 25724 | Roland | Kayn | Matego I | 2010 | fixed media, akusmatisch | 23:33 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 25725 | Roland | Kayn | Matego II | 2010 | fixed media, akusmatisch | 28:35 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 22444 | Roland | Kayn | Megaphonie, Megafonie | 2001 | fixed media, akusmatisch | 68:49 | Stereo | Elektronisch | RRR 003-1/2/ | PS C. | 1 | ||||||||
| 27613 | Roland | Kayn | Meluega | 2009 | fixed media, akusmatisch | 36:15 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23243 | Roland | Kayn | Metacycles | 2002 | fixed media, akusmatisch | 47:50 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25514 | Roland | Kayn | Metaphysis | 2006 | fixed media, akusmatisch | 139:28 | Stereo | Elektronisch; part 1 43:07; part 2 26:58; part 3 25:48; part 4 43:45 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8234 | Roland | Kayn | Minimax | 1996 | fixed media, akusmatisch | 15:20 | Stereo | Elektroakustisches Projekt | RRR 9703-4/ | PS C. (Reiger Recording St) | LRKA | 1 | |||||||
| 27014 | Roland | Kayn | Mirats | 2007 | fixed media, akusmatisch | 65:54 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8235 | Roland | Kayn | Monades | 1971 | fixed media, akusmatisch | 31:33 | Quadro | Elektroakustisches Projekt | Colosseum SM 1474/ | Sonology Utrecht | Januar 1973 | NDR Hamburg | Zerboni | 0 | |||||
| 23419 | Roland | Kayn | Music for the Isle of Man | 2003 | fixed media, akusmatisch | 61:44 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23497 | Roland | Kayn | Mutenaces | 2004 | fixed media, akusmatisch | 57:31 | Stereo | Elektronisch. 2 parts (37:22 + 20:09) | PS C. (Reiger Recording St) | 0 | |||||||||
| 26983 | Roland | Kayn | Nexus U+T | 2006 | fixed media, akusmatisch | 34:52 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23423 | Roland | Kayn | November-Music | 2003 | fixed media, akusmatisch | 21:19 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23742 | Roland | Kayn | Oktrol | 2005 | fixed media, akusmatisch | 72:55 | Stereo | Elektronisch. Part 1: 32:43, Part 2: 40:12 | PS C. (Reiger Recording St) | 0 | |||||||||
| 27039 | Roland | Kayn | Onrites | 2008 | fixed media, akusmatisch | 27:56 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25521 | Roland | Kayn | Osmotic Sounds | 2006 | fixed media, akusmatisch | 56:32 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25702 | Roland | Kayn | Othera | 2009 | fixed media, akusmatisch | 34:22 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25708 | Roland | Kayn | Othyra | 2010 | fixed media, akusmatisch | 30:30 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 25519 | Roland | Kayn | Othyrsis | 2006 | fixed media, akusmatisch | 28:28 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23501 | Roland | Kayn | Otron | 2004 | fixed media, akusmatisch | 57:57 | Stereo | Elektronisch. 2 parts (25:36 + 32:21) | PS C. (Reiger Recording St) | 0 | |||||||||
| 25723 | Roland | Kayn | Ozora | 2010 | fixed media, akusmatisch | 36:11 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 25681 | Roland | Kayn | Padaya I | 2009 | fixed media, akusmatisch | 34:10 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25696 | Roland | Kayn | Padaya II | 2009 | fixed media, akusmatisch | 24:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27115 | Roland | Kayn | Parhya | 2008 | fixed media, akusmatisch | 33:25 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 26998 | Roland | Kayn | Periodicitys | 2007 | fixed media, akusmatisch | 49:31 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25636 | Roland | Kayn | Phasen, Obelisk für Auschwitz | 1961 | Zuspiel / Tonband, 17 perf | 9:10 | Stereo | V, 16 perc (or 8 perc) [Stimme, Schlagzeug] | für Sprachklänge und vier Schlagzeuggruppen - 8 bzw 16 Spieler | RRR KY CD - ADD 9501-2/ | NOS Hilversum | 1962 | Biennale di Venezia, Teatro La Fenice, Marie-Thérèse Cahn (Alt), I solisti dell’ Orchestra La Fenice, Dirigent: Daniele Paris | Edizioni Suvini Zerboni Milano | 1 | ||||
| 27122 | Roland | Kayn | PHURC | 2008 | fixed media, akusmatisch | 42:14 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27016 | Roland | Kayn | Pretalis TX | 2007 | fixed media, akusmatisch | 76:35 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23250 | Roland | Kayn | Prismes reflectes | 2002 | fixed media, akusmatisch | 7:13 | Stereo | Elektronisch | RRR 004-1/2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 25513 | Roland | Kayn | Protuberances | 2006 | fixed media, akusmatisch | 47:08 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 21631 | Roland | Kayn | Quanten | 1957 | live-elec, 1 perf | var | Stereo, Quadro | p [Piano] | Elektronisch | RRR 9402/ | Experimentalstudio für Akustische Kunst Freiburg | 1958 | Darmstadt, Internationale Ferienkurse für Neue Musik; Alois Kontarski | 1 | |||||
| 25531 | Roland | Kayn | Raccan | 2006 | fixed media, akusmatisch | 68:10 | Stereo | Elektronisch. part 1 (38:45), part 2 (29:25) | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 24563 | Roland | Kayn | Random distributions | 2005 | fixed media, akusmatisch | 46:37 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23503 | Roland | Kayn | Rathan | 2004 | fixed media, akusmatisch | 47:24 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27038 | Roland | Kayn | Rayara | 2008 | fixed media, akusmatisch | 24:44 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8236 | Roland | Kayn | Ready-made I, Ready - Made I for Jaap Vink | 1982 | fixed media, akusmatisch | 26:15 | Quadro | Elektronisch | RRR 9503-4/ | Sonology Utrecht | 1984 | Ars Electronica Linz | Zerboni | 1 | |||||
| 18317 | Roland | Kayn | Ready-made II, Ready - Made II for Jaap Vink | 1982 | fixed media, akusmatisch | 31:20 | Quadro, Stereo | Elektronisch | RRR 9503-4/ | Sonology Utrecht | 1984 | Ars Electronica Linz | Zerboni | 1 | |||||
| 26984 | Roland | Kayn | Reafferances | 2006 | fixed media, akusmatisch | 43:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27623 | Roland | Kayn | Recycled Times | 2010 | fixed media, akusmatisch | 424:11 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 23484 | Roland | Kayn | Redundancy TR | 2003 | fixed media, akusmatisch | 21:33 | Stereo | Elektronisch | RRR 003-1/2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 23255 | Roland | Kayn | Reflets du Spectral | 2003 | fixed media, akusmatisch | 26:13 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 8237 | Roland | Kayn | Refractions | 1995 | fixed media, akusmatisch | 11:31 | Stereo | Kybernetische Musik II / Elektroakustisches Projekt | RRR 9601/ RRR KY CD 9601/ | PS C. | 0 | ||||||||
| 27118 | Roland | Kayn | REGAXS'RS17 | 2008 | fixed media, akusmatisch | 41:10 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23245 | Roland | Kayn | Remake A | 2002 | fixed media, akusmatisch | 67:11 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23246 | Roland | Kayn | Remake B | 2002 | fixed media, akusmatisch | 52:08 | Stereo | Part 1: 23:32 Part 2: 38:36 |
PS C. (Reiger Recording St) | 0 | |||||||||
| 26996 | Roland | Kayn | Remix For Ida | 2007 | fixed media, akusmatisch | 58:20 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23247 | Roland | Kayn | Requiem pour Patrice Lumumba | 2002 | fixed media, akusmatisch | 50:00 | Stereo | Elektronisch | RRR 004-1/2/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 26994 | Roland | Kayn | Requisite variety, |
2006 | fixed media, akusmatisch | 60:24 | Stereo | Elektronisch; part 1: 30:51, part 2: 29:33 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27042 | Roland | Kayn | Resal I | 2008 | fixed media, akusmatisch | 36:45 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27043 | Roland | Kayn | Resal II | 2008 | fixed media, akusmatisch | 32:06 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 24555 | Roland | Kayn | Residual sounds | 2005 | fixed media, akusmatisch | 60:58 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23495 | Roland | Kayn | Reversioni comprimati | 2004 | fixed media, akusmatisch | 36:37 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27036 | Roland | Kayn | Rhetaka | 2008 | fixed media, akusmatisch | 41:22 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27005 | Roland | Kayn | Rhytals | 2007 | fixed media, akusmatisch | 47:04 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 35347 | Roland | Kayn | ROT, Random Organized Time | 1972/1975 | fixed media, akusmatisch | var | Simultane Aufführung von Ektropie, Eon, Engramme, Circuits intégrés | 0 | |||||||||||
| 27127 | Roland | Kayn | RYNOR | 2008 | fixed media, akusmatisch | 33:58 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27135 | Roland | Kayn | Rythesit | 2009 | fixed media, akusmatisch | 65:43 | Stereo | Elektronisch. part 1 37'43, part 2 28'00 | PS C. (Reiger Recording St) | 0 | |||||||||
| 27020 | Roland | Kayn | Sarantho | 2008 | fixed media, akusmatisch | 115:55 | Stereo | Elektronisch, part 1: 46'41, part 2: 42'56, part 3: 27'46 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25700 | Roland | Kayn | Sarrith | 2009 | fixed media, akusmatisch | 38:15 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27040 | Roland | Kayn | Satar | 2008 | fixed media, akusmatisch | 72:20 | Stereo | Elektronisch. part 1: 39'00, part 2: 33'20 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27617 | Roland | Kayn | Sbarax | 2009 | fixed media, akusmatisch | 36:50 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 8238 | Roland | Kayn | Scanning, Sonagram Nomogram Polygram Cycloids I - II Anisotropic modulations I - VI Networks I - V Radi Intermodulation Allotropic Radi Inverted spaces Counter Radi Array Scanned modulation |
1982 - 1983 | fixed media, akusmatisch | 617:00 | Stereo | Elektroakustisches Projekt | Sonology Utrecht | 02.2005 | Festival "de Lange Adem" Eindhoven | Zerboni | 0 | ||||||
| 25730 | Roland | Kayn | Seccares | 2009 | fixed media, akusmatisch | 55:38 | Stereo | Elektronisch. part 1 34'08, part 2 21'30 | PS C. (Reiger Recording St) | 0 | |||||||||
| 27056 | Roland | Kayn | Senoryx | 2008 | fixed media, akusmatisch | 45:08 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27052 | Roland | Kayn | Serax | 2008 | fixed media, akusmatisch | 36:00 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25518 | Roland | Kayn | Sezarytes | 2006 | fixed media, akusmatisch | 50:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27050 | Roland | Kayn | Sgagged | 2008 | fixed media, akusmatisch | 46:16 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8239 | Roland | Kayn | Signals | 1964 - 1966 | Zuspiel / Tonband, 7 groups | ≈ 16:00 | Stereo | 7 ins-group (2 e-org) [Instrument] | für 7 Instrumental-Gruppen und Tonband | RRR KY CD - ADD 9501-2/ | NDR Hamburg | 1966 | das neue werk, NDR, Sinfonie-orc des NDR, Piere Boulez | Zerboni | 1 | ||||
| 8240 | Roland | Kayn | Simultan, Monostabile Sources ergodiques Logatome Matrix Invarianten |
1970 - 1972 | fixed media, akusmatisch | 133:00 | Quadro, 12 tracks | kybernetisches Projekt für 1-5 Räume | Colosseum SM 1473/ | Sonology Utrecht, PS SRSEA | 1874 RB Kunsthalle | 1974 | Pro Musica Nova, Radio Bremen | GEMA prize 1975 for performance at Bourges-Festival | Zerboni | 1 | |||
| 26986 | Roland | Kayn | Sinotron | 2006 | fixed media, akusmatisch | 31:48 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23242 | Roland | Kayn | Sintaria | 2002 | fixed media, akusmatisch | 32:05 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25680 | Roland | Kayn | Sira | 2009 | fixed media, akusmatisch | 23:42 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23499 | Roland | Kayn | Sonority Ert | 2004 | fixed media, akusmatisch | 38:46 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27123 | Roland | Kayn | SOPORY | 2008 | fixed media, akusmatisch | 37:45 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23744 | Roland | Kayn | Sorales I | 2005 | fixed media, akusmatisch | 32:53 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 24553 | Roland | Kayn | Sorales II | 2005 | fixed media, akusmatisch | 33:48 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 26993 | Roland | Kayn | Sound spaces | 2006 | fixed media, akusmatisch | 122:11 | Stereo | Elektronisch. part 1: 36:48, part 2: 37:50, part 3: 47:33 | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 22446 | Roland | Kayn | Sound-Hydra | 2001 | fixed media, akusmatisch | 131:47 | Stereo | Elektronisch. 4 parts: Abschnitt 1 (22), Abschnitt 2 (44:27), Abschnitt 3 (41:17), Abschnitt 4 (24:03) |
PS C. | 0 | |||||||||
| 23254 | Roland | Kayn | Spectral | 2003 | fixed media, akusmatisch | 119:48 | Stereo | Elektronisch. part 1 (39:01), part 2 (25:37), part 3 (55:10) | PS C. (Reiger Recording St) | 0 | |||||||||
| 25709 | Roland | Kayn | Stetaro | 2010 | fixed media, akusmatisch | 33:20 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 24554 | Roland | Kayn | Superficies | 2005 | fixed media, akusmatisch | 47:50 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27024 | Roland | Kayn | Syntori | 2008 | fixed media, akusmatisch | 36:34 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8241 | Roland | Kayn | Syntropie | 1995 | fixed media, akusmatisch | 12:47 | Stereo | Elektroakustisches Projekt | RRR 9602-3/ | PS C. (Reiger Recording St) | 1 | ||||||||
| 27130 | Roland | Kayn | SYRA | 2008 | fixed media, akusmatisch | 30:21 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 26985 | Roland | Kayn | Syrites | 2006 | fixed media, akusmatisch | 42:00 | Stereo | Elektronisch | RRR/ | PS C. (Reiger Recording St) | 0 | ||||||||
| 8242 | Roland | Kayn | Syzygy dynamical units | 1991 | fixed media, akusmatisch | 29:50 | Stereo | Elektronisch | RRR 9602-3/ | Sonology Den Haag | 1 | http://kayn.nl/text/ | |||||||
| 23249 | Roland | Kayn | TA | 2002 | fixed media, akusmatisch | 55:00 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27612 | Roland | Kayn | Taccara I | 2009 | fixed media, akusmatisch | 31:36 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25699 | Roland | Kayn | Taccara II | 2009 | fixed media, akusmatisch | 24:54 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23256 | Roland | Kayn | Tamara | 2003 | fixed media, akusmatisch | 73:15 | Stereo | Elektronisch. part 1 (42:49), part 2 (30:26) | PS C. (Reiger Recording St) | 0 | |||||||||
| 27017 | Roland | Kayn | Tarisary | 2007 | fixed media, akusmatisch | 40:23 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25714 | Roland | Kayn | Tarlith | 2010 | fixed media, akusmatisch | 28:50 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 25697 | Roland | Kayn | Tarozath | 2009 | fixed media, akusmatisch | 53:31 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27025 | Roland | Kayn | Tarres | 2008 | fixed media, akusmatisch | 47:39 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27057 | Roland | Kayn | Taryon | 2008 | fixed media, akusmatisch | 41:36 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8243 | Roland | Kayn | Tektra, Tanar Etoral Khyra I - III Tarego I - III Rhenit Amarun I - II |
1980 - 1982 | fixed media, akusmatisch | 286:31 | Quadro | Elektroakustisches Projekt für 4 Kanäle. Tanar (42:55); Etoral (24:54); Khyra I - III (69:16); Tarego I - III (51); Rhenit (29:20); Amarun I - II (75:40). Gewidmet für: Jozef Patkowski, Kazimierz Serocki, Ilse Grumm, Fritz Winckel, Lydia Kayn, Uwe Martin |
BAR 016 Barooni/ Colosseum SM 1479/ | Sonology Utrecht | 1981 | Muziekcentrum Vredenburg Utrecht | Zerboni | 1 | |||||
| 24565 | Roland | Kayn | Textures | 2005 | fixed media, akusmatisch | 55:31 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 26997 | Roland | Kayn | Tharris | 2007 | fixed media, akusmatisch | 36:45 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23489 | Roland | Kayn | The Art of Sound, Genesis Transition Soundways |
2004 | fixed media, akusmatisch | 140:12 | Stereo | part 1: Genesis (49:01); part 2: Transition (24:35); part 3: Soundways (66:46) |
PS C. (Reiger Recording St) | 0 | |||||||||
| 27006 | Roland | Kayn | The assurgenty progressions | 2007 | fixed media, akusmatisch | 1065:12 | Stereo | Elektronisch. 29 Parts | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27124 | Roland | Kayn | THE DIRAX | 2008 | fixed media, akusmatisch | 58:26 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23422 | Roland | Kayn | The Man and the Biosphere | 2003 | fixed media, akusmatisch | 48:15 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27000 | Roland | Kayn | The Ortho-Project, |
2007 | fixed media, akusmatisch | 842:09 | Stereo | Elektronisch. 20 parts | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25523 | Roland | Kayn | The Segmentary Fields | 2006 | fixed media, akusmatisch | 50:49 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27618 | Roland | Kayn | The Tenerals | 2009 | fixed media, akusmatisch | 54:50 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27041 | Roland | Kayn | Time-Rotations | 2008 | fixed media, akusmatisch | 58:47 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25710 | Roland | Kayn | Tirydes | 2010 | fixed media, akusmatisch | 40:02 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 24560 | Roland | Kayn | TLS | 2005 | fixed media, akusmatisch | 44:12 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 25522 | Roland | Kayn | TLX | 2006 | fixed media, akusmatisch | 62:22 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 8244 | Roland | Kayn | Transfluxion | 1990 | fixed media, akusmatisch | 22:20 | Stereo | Elektroakustisches Projekt | RRR 9602-3/ | Sonology Den Haag | 1 | http://kayn.nl/text/ | |||||||
| 23425 | Roland | Kayn | Transit | 2003 | fixed media, akusmatisch | 29:29 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 23490 | Roland | Kayn | Triades | 2004 | fixed media, akusmatisch | 43:20 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27026 | Roland | Kayn | Tynaro | 2008 | fixed media, akusmatisch | 50:39 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27018 | Roland | Kayn | Tynos | 2008 | fixed media, akusmatisch | 46:41 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27132 | Roland | Kayn | TYRALIS | 2008 | fixed media, akusmatisch | 61:40 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 22445 | Roland | Kayn | Ultra | 2001 | fixed media, akusmatisch | 50:17 | Stereo | Elektronisch | RRR 003-1/2/ | PS C. | 1 | ||||||||
| 23428 | Roland | Kayn | Winter-Music | 2004 | fixed media, akusmatisch | 62:57 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 26992 | Roland | Kayn | Xantaras | 2006 | fixed media, akusmatisch | 44:01 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 27008 | Roland | Kayn | Xatta | 2007 | fixed media, akusmatisch | 39:54 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23251 | Roland | Kayn | Xutus | 2002 | fixed media, akusmatisch | 68:11 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 27046 | Roland | Kayn | Xylar | 2008 | fixed media, akusmatisch | 50:03 | Stereo | Elektronisch | PS C. (Reiger Recording St) | LRKA | 0 | ||||||||
| 23502 | Roland | Kayn | Yellowings conglomerations | 2004 | fixed media, akusmatisch | 85:47 | Stereo | Elektronisch. 2 parts (40:29 + 45:18) | PS C. (Reiger Recording St) | 0 | |||||||||
| 27126 | Roland | Kayn | YXTRON | 2008 | fixed media, akusmatisch | 54:09 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 25718 | Roland | Kayn | Zanory - TL5 | 2010 | fixed media, akusmatisch | 26:40 | Stereo | PS C. (Reiger Recording St) | 0 | ||||||||||
| 23494 | Roland | Kayn | Zone senza Silenzio | 2004 | fixed media, akusmatisch | 55:30 | Stereo | Elektronisch | PS C. (Reiger Recording St) | 0 | |||||||||
| 8245 | Waldemar | Kazanecki | Asteroidea | 1971 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | hp [Harfe] | ExpSt Warsaw | 0 | |||||||||
| 8246 | Waldemar | Kazanecki | Tre Contra Tre | 1969 | fixed media, akusmatisch | 2:43 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 42508 | Sandra | Kazlauskaite | Little Red Riding Hood | 2008 | radiophon | 0 | |||||||||||||
| 20354 | David | Keane | Dwelling | 1990 | Zuspiel / Tonband, 1 perf | 11:08 | Stereo | bar-sax [Saxophon] | Q-Uni 9301/ | PS C. | 0 | ||||||||
| 8247 | David | Keane | Elegy | 1978 | Zuspiel / Tonband, 1 perf | 8:47 | db [Kontrabass] | MGE 29/ | Queens Uni Kingston | 1 | |||||||||
| 8248 | David | Keane | Elektronikus Mozaik | 1984 | fixed media, akusmatisch | 10:43 | CSR 8502/ | Queens Uni Kingston | MA Film | may 1984 | HfM Budapest | 1 | |||||||
| 20355 | David | Keane | Epiphanies | 1990 | Zuspiel, live-elec, 1 perf | 14:23 | Stereo | ehn, (Pitchrider) [Oboe] | Q-Uni 9301/ | PS C. | 0 | ||||||||
| 8249 | David | Keane | Evening song | 1978 | Zuspiel / Tonband, 1 perf | 6:30 | S [Sopran] | MGE 29/ | Queens Uni Kingston | 1 | |||||||||
| 8250 | David | Keane | Improvisation #1, #2 | 1963 | Zuspiel / Tonband, | 50:00 | Mono | Uni Columbus | 0 | ||||||||||
| 8251 | David | Keane | In Memoriam: Hugh LeCaine | 1978 | fixed media, akusmatisch | 16:30 | MGE 29/ | Queens Uni Kingston | 1 | ||||||||||
| 8252 | David | Keane | La Aurora estrellada | 1985 | fixed media, akusmatisch | 10:15 | CSR 8502/ | Queens Uni Kingston | 15.5.1985 | Veradero Beach Cuba | 1 | ||||||||
| 8253 | David | Keane | La cascade enchantée | 1982 | fixed media, akusmatisch | 24:04 | Stereo | CSR 8502/ | IMEB Bourges | IMEB Borges | August 1982 | CBC Radio „the new hours“ | 1 | ||||||
| 8254 | David | Keane | Labyrinth | 1985 | fixed media, akusmatisch | Queens Uni Kingston | 1 | ||||||||||||
| 8255 | David | Keane | Lumina | 1988 | Zuspiel/Tonband, 1 perf | intermedia |
11:30 | Stereo | T [Tenor] | multi-image | 0 | |||||||||
| 8256 | David | Keane | Lyra | 1978 | Zuspiel / Tonband, 1 perf | 11:32 | p [Piano] | MGE 29/ | Queens Uni Kingston | 1 | |||||||||
| 8257 | David | Keane | Matter of Consequence | 1966 | Film | 19:07 | Mono | Uni Columbus | 0 | ||||||||||
| 8258 | David | Keane | Nautilus | 1988 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | cl [Klarinette] | Q-Uni 9301/ | PS C. | 0 | ||||||||
| 8259 | David | Keane | Pianocentrix | 1988 | fixed media, akusmatisch | 18:20 | Stereo | Queens Uni Kingston | 1 | ||||||||||
| 20353 | David | Keane | Pulsar | 1992 | Zuspiel / Tonband, 1 perf | 12:26 | Stereo | b-cl [Klarinette] | Q-Uni 9301/ | PS C. | 0 | ||||||||
| 20356 | David | Keane | Tango | 1990 | Zuspiel / Tonband, 1 perf | 10:18 | Stereo | ob [Oboe] | CMC CD 4793/ | PS C. | 0 | ||||||||
| 20357 | David | Keane | Turbo toccata | 1989 | Zuspiel / Tonband, 1 perf | 11:25 | Stereo | hpd [Cembalo] | J&W CD 931/ | PS C. | 0 | ||||||||
| 8260 | David | Keane | Wervelwind | 1991 | Zuspiel / Tonband, 1 perf | 15:17 | trbn [Posaune] | Focal Point 3-D process | CEC DISContact_1/ Q-Uni 9301/ | PS C. | 1 | ||||||||
| 20358 | Ivo | Keane | Lumina | 1988 | Zuspiel / Tonband, 1 perf | 11:45 | Stereo | T [Tenor] | ACM 37 CD 1-4/ | 0 | |||||||||
| 43061 | Mitchell | Keaney | Music for Found Objects | 2014 | Klangkunst, Installation | Location: Stairwell | 0 | ||||||||||||
| 8261 | Balázs | Kecskés | Mixi '86 | 1986 | fixed media, akusmatisch | 6:56 | MR Budapest | 0 | |||||||||||
| 8262 | Robert | Keefe | The Ephemerides | 1990 | Zuspiel / Tonband, 2 perf | 6:55 | Stereo | hp, perc [Harfe, Schlagzeug] | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | ||||||||
| 31427 | Joshua | Keeling | Refraction | 2005 | live-elec, 1 perf | 9:00:00 | sax, (Max/MSP) [Saxophon] | HfM Dresden | 0 | ||||||||||
| 33441 | Ronald | Keezer | Electronic Composition Number One | 1966 | fixed media, akusmatisch | 2 | Stereo | Uni Madison | 0 | ||||||||||
| 19369 | John | Kefala-Kerr | Mortal | 1992 | Zuspiel / Tonband, 1 perf | 15:42 | b-acc [Akkordeon] | James Crabb | NMC D036, sonic arts collection 2/ | 1 | |||||||||
| 8264 | Milko | Kelemen | Apocalyptica | 1979 | Oper | 120:00 | 0 | ||||||||||||
| 8265 | Milko | Kelemen | Die Pest | 1968 | Oper | Zuspiel/Tonband, 1 perf |
3:33 | Stereo | b-cl [Klarinette] | TU Berlin | 09.10.1968 | TU Berlin bei "Internationale Woche für experimentelle Musik" | 1 | |||||||
| 8266 | Milko | Kelemen | For You | 1972 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 8267 | Milko | Kelemen | Judith, 2 Stücke aus der Musik zu "Judith" | 1966 | Fernsehen, 1 group | Theatermusik |
90:00 | Mono | orc [Orchester] | after Fr. Hebbel Siemens-CD ≈ 2 Stücke aus der Musik zu "Judith" (3:06) |
Siemens AG/ Earlabs LC 007/ | Siemens | 3.11.1966 | BR | 1 | |||||
| 8268 | Milko | Kelemen | Mirabilia | 1975 | live-elec, 1 perf, 1 group | p, orc [Piano, Orchester] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 8269 | Milko | Kelemen | Sonabile | 1972 | live-elec, 1 perf, 1 group | p, orc [Piano, Orchester] | 0 | ||||||||||||
| 8270 | Manfred | Kelkel | Saturnalia op. 30 (Mandala sonore) | 1981/1982 | live-elec, 2 perf, 1 group | va, synts [Viola, synthesizer] | CERM Metz | 0 | |||||||||||
| 8271 | Manfred | Kelkel | V.I.T.R.I.O.L. | 1982 | Zuspiel / Tonband, 1 perf, 1 group | Sp, ens [Sprecher, Ensemble] | 0 | ||||||||||||
| 8273 | Damián | Keller | Brasil(espaço)ia, Brasil | 1994 | fixed media, akusmatisch | 9:00 | Stereo | Uni Brasília sala 24 | Competition Musica Nova Prag 1994 | 0 | |||||||||
| 8274 | Damián | Keller | Brasília II | 1995 | fixed media, akusmatisch | 7:00 | Stereo | Uni Brasília sala 24 | Competition Musica Nova Prag 1995 | 0 | |||||||||
| 37475 | Damián | Keller | El Escrache | 2000 | Performance | 3:22 | ISAST LMJ 10/ | 0 | |||||||||||
| 21691 | Damián | Keller | IQ2 | 2000 | fixed media, akusmatisch | Uni Brasília sala 24 | 0 | ||||||||||||
| 21689 | Damián | Keller | La Conquista | 2000 | fixed media, akusmatisch | Uni Brasília sala 24 | 0 | ||||||||||||
| 21695 | Damián | Keller | Lost Lake | 1999 | fixed media, akusmatisch | Uni Brasília sala 24 | 0 | ||||||||||||
| 21692 | Damián | Keller | Metrophonie | 2000 | fixed media, akusmatisch | Uni Brasília sala 24 | 0 | ||||||||||||
| 37474 | Damián | Keller | Palabras 1 | 2000 | Performance | 1:52 | ISAST LMJ 10/ | 0 | |||||||||||
| 8272 | Damián | Keller | Persecución | 1987 | fixed media, akusmatisch | 4:10 | SBME 001, Musica el. Brasileira Vol 1/ | Uni Brasília sala 24 | 1 | ||||||||||
| 21697 | Damián | Keller | … soretes de punta | 1998 | fixed media, akusmatisch | ES 98005 Earsay/ | Uni Brasília sala 24 | 1 | |||||||||||
| 21693 | Damián | Keller | The Trade / Oro por Baratijas | 2000 | fixed media, akusmatisch | Uni Brasília sala 24 | 0 | ||||||||||||
| 21698 | Damián | Keller | To Lions Gate | 1997 | fixed media, akusmatisch | 10:26 | ES 98001 Earsay/ | Uni Brasília sala 24 | 0 | ||||||||||
| 21696 | Damián | Keller | touch'n'go / toco y me voy | 1999 | fixed media, akusmatisch | Uni Brasília sala 24 | 0 | ||||||||||||
| 21690 | Damián | Keller | Urban Corridor | 2000 | fixed media, akusmatisch | Uni Brasília sala 24 | 0 | ||||||||||||
| 21694 | Damián | Keller | Waltz No. 6 | 1999 | fixed media, akusmatisch | Uni Brasília sala 24 | 0 | ||||||||||||
| 8275 | Damián | Keller | Yira, ariy | 1994 | fixed media, akusmatisch | 4:00 | Stereo | Uni Brasília sala 24 | 0 | ||||||||||
| 8276 | Hermann | Keller | Ex tempore 1 | 1987 | Zuspiel, live-elec, 2 perf, 1 group | 13:00 | Stereo | Kbds, p [Piano, Keyboard] | ed. rz 10001 LP/ | AdK Berlin | 0 | ||||||||
| 8277 | Hermann | Keller | Ex tempore 6, Ex tempore VI und Anrufung | 1987 | Zuspiel, live-elec, 3 perf, 1 group | 24:00 | Quadro | Kbds, p, perc [Piano, Keyboard, Schlagzeug] | ed. rz 10001 LP/ | AdK Berlin | 0 | ||||||||
| 8278 | Hermann | Keller | Ex tempore 8 | 1987 | Zuspiel, live-elec, 1 perf | 16:00 | Stereo | p [Piano] | AdK Berlin | 0 | |||||||||
| 8280 | Hermann | Keller | ? Weltende ? | 1987 | Zuspiel, live-elec, 2 perf | 13:35 | Stereo | V, p [Stimme, Piano] | In dem Studiobooklet von 1988 taucht dieses Werk auf mit der Dauer 22 Minuten und „Zuspielband f. Tasteninstr.) | BFP 002292/ | AdK Berlin | 1 | |||||||
| 8279 | Hermann, Jürgen | Keller, Kupke | Ex tempore XI | 1990 | Zuspiel / Tonband, 2 perf | 13:32 | prep p, cl [Klarinette, Piano] | AdK Berlin | 1 | 1990 | |||||||||
| 8290 | Max E. | Keller | Sie | 1978 | Zuspiel / Tonband, 1 perf | 14:41 | Stereo | Sp [Sprecher] | Cybele 960.104, ex machina 4/ TA 134/ | PS C. | 1979 | Gent-Belgique | 0 | http://www.Cybele .de/shop/product_info.php?products_id=50 | |||||
| 34198 | Max Eugen | Keller | agieren und reagieren | 1999 | live-elec, 1 perf | 14:27 | p, (com, Boss SE-70) [Piano] | MGB CTS-M 84/ | PS C. | 2001 | Berlin | 0 | |||||||
| 34199 | Max Eugen | Keller | changements | 2003 | live-elec, 3 perf | 11 | tuba, perc, p [Tuba, Piano, Schlagzeug] | PS C. | 11.2003 | Berlin | 0 | ||||||||
| 34201 | Max Eugen | Keller | Dialoge | 2008 | live-elec, 2 perf | 8 | gui, com (Boss SE-70) [Gitarre, computer] | PS C. | 2008 | Randspiele Zepernick | 0 | ||||||||
| 8281 | Max Eugen | Keller | Egonia | 1983 | Zuspiel / Tonband, 1 perf | 6:20 | Stereo | vc [Cello] | PS C. | 1 | |||||||||
| 8282 | Max Eugen | Keller | Erinnerungen I | 1980 | fixed media, akusmatisch | 8:00 | Stereo | PS C. | 1980 | Zürich | 0 | ||||||||
| 8283 | Max Eugen | Keller | Grundgesetze III | 1977 | Zuspiel / Tonband, 1 perf | 13:32 | 1 or 2 Sp [Sprecher] | TA 134/ | PS C. | 1977 | Wien | 0 | |||||||
| 34202 | Max Eugen | Keller | hasten und warten | 2008 | live-elec, 2 perf | 7 | vn, com (Boss SE-70) [Violine, computer] | PS C. | 2008 | Berlin | 0 | ||||||||
| 8284 | Max Eugen | Keller | Hymnen | 1978 | Zuspiel / Tonband, 1 perf | 14:15 | Stereo | 1 or 2 Sp [Sprecher] | TA 134/ | HSM Basel | 1979 | Aarau | 1 | http://www.esbasel.ch/ | |||||
| 8285 | Max Eugen | Keller | Improvisation | 1984 | live-elec, | 5:40 | Stereo | PS C. | 1 | ||||||||||
| 34197 | Max Eugen | Keller | les pompiers (souvenir de Berlin) | 1996 | live-elec, 6 perf | 6 | 4 trbn, p, e-gui [Posaune, Piano, Gitarre] | PS C. | 1996 | Deutschlandradio Berlin | 0 | ||||||||
| 8286 | Max Eugen | Keller | Musik über Musik | 1971 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo + Stereo | p [Piano] | Improvisatoren | PS C. | 0 | ||||||||
| 8287 | Max Eugen | Keller | Puls und Trigger | 1984 | fixed media, akusmatisch | 8:00 | Stereo | PS C. | 1985 | SR Saarbrücken | 0 | ||||||||
| 8288 | Max Eugen | Keller | Sehr veehrter Herr Direktor | 1981/1982 | Zuspiel / Tonband, 2 perf | 4:00 | vn, p [Piano, Violine] | PS C. | 0 | ||||||||||
| 34200 | Max Eugen | Keller | Selbstgespräche | 2006 | live-elec, 2 perf | 11:28 | p, com (Boss SE-70) [Piano, computer] | Neos 11121/ | PS C. | Konzertreihe Rezita | 22.2.2007 | Basel | 0 | ||||||
| 31655 | Max Eugen | Keller | Sicher sein … Bankverein |
1977 | Zuspiel / Tonband, 1 perf | 23:24 | Stereo | Sp [Sprecher] | 1978 ≈ LP (Sozialistische Musiker Initiative SMI) | SMI 001/ creel pone 59/ TA 134/ | WDR Studio Akustische Kunst | 1 | |||||||
| 8289 | Max Eugen | Keller | Sicher sein, Bankverein | 1976 | Zuspiel / Tonband, 1 perf | 23:24 | Stereo | Sp [Sprecher] | HSM Basel | 1977 | Gent-Belgique | 0 | http://www.esbasel.ch/ | ||||||
| 8291 | Max Eugen | Keller | Swissfiction | 1990 | Musiktheater, 4 perf | 30:00 | Stereo | 4 Akteure [Schauspieler] | PS C. | 0 | |||||||||
| 8292 | Max Eugen | Keller | trotz-dem | 1988 | fixed media, akusmatisch | 8:50 | Stereo | PS C. | 1995 | Montevideo | 1 | ||||||||
| 8293 | Max Eugen | Keller | Veränderungen | 1978 | live-elec, 2 perf | 13:00 | rec, synt [Flöte, synthesizer] | PS C. | 1978 | Basel | 0 | ||||||||
| 37641 | Stefan | Keller | Phoenix | 2016 - 2017 | live-elec, 1 perf | 15 | perc (tabla) [Schlagzeug] | scorefollower | 0 | ||||||||||
| 25606 | Robert | Kellner | Die Fleckviehschlachtungsresolution von 1756 und ihre Auslegung im nanotechnischen Zeitalter | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 39630 | Brian | Kelly | Winter Meditation | 2016 | fixed media, akusmatisch | Brian Kelly | 0 | ||||||||||||
| 23379 | Edward | Kelly | Inside-Out | 2002 | Performance | 10:21 | ARiADA 2003/ | UEA Norwich | 1 | ||||||||||
| 20359 | Fergus | Kelly | Foreign Bodies | 1991 | fixed media, akusmatisch | 3:35 | Stereo | MW 67/ | 0 | ||||||||||
| 20674 | Fergus, Martygn, Rob | Kelly, Ploy, Sweere | Batphones | 1993 | fixed media, akusmatisch | 2:49 | Stereo | electro rock | MW 67/ | 0 | |||||||||
| 20675 | Fergus, Martygn, Rob | Kelly, Ploy, Sweere | Pyrophones and PVC Pipes | 1993 | live-elec, 1 perf | 3:03 | Stereo | w (PVC-tubes) [Bläser] | electro rock | MW 67/ | 0 | ||||||||
| 41859 | Mary | Kelly | Nightmare | 2008 | radiophon | 2:42:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 8294 | Rudolf | Kelterborn | Der Kirschgarten | 1981 | Oper | 110:00 | 0 | ||||||||||||
| 31648 | Rudolf | Kelterborn | Erinnerungen an Shakespeare | 1999 | live-elec, 3 perf | S, 2 perc, (elec) [Sopran, Schlagzeug] | HSM Basel | 0 | |||||||||||
| 8295 | Rudolf | Kelterborn | Espansioni (Sinfonie Nr.3) | 1974/1975 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | Bar, orc [Bariton, Orchester] | Bär 30 SL 1716/ | 0 | ||||||||||
| 31635 | Rudolf | Kelterborn | Namenlos | 1997 | Zuspiel, live-elec, 1 group | 22:00:00 | orc, (elec) [Orchester] | HSM Basel | 0 | ||||||||||
| 8296 | Rudolf | Kelterborn | Ophelia | 1982/1983 | Oper | 100:00 | 0 | ||||||||||||
| 40264 | Steven | Kemper | Lament | 2016 | live-elec, 1 perf | fl, (com) [Flöte] | Steven Kemper | 0 | |||||||||||
| 42936 | Steven | Kemper | Mythical Spaces | 2013 | live-elec, 1 perf | 11:45:00 | perc [Schlagzeug] | Ari Hajek, percussion | 0 | ||||||||||
| 19275 | Davorin | Kempf | Farbenkreis | 1997 | fixed media, akusmatisch | 12:54 | Octo | TU Berlin | 1 | ||||||||||
| 8297 | Davorin | Kempf | Fiat Lux | 1994 | fixed media, akusmatisch | 10:17 | Stereo | TU Berlin | 1 | ||||||||||
| 8298 | Davorin | Kempf | Interference | 1977 | Zuspiel / Tonband, 1 perf | 18:02 | Stereo | org [Orgel] | Croatia Rec 6072965/ | Radio Beograd | 0 | ||||||||
| 8299 | Davorin | Kempf | Musik für Klavier und Elektronik | 1977/1978 | Zuspiel / Tonband, 1 perf | 9:46 | Stereo | p [Piano] | HfMT Köln | 0 | |||||||||
| 8300 | Davorin | Kempf | Pyramids | 1984 | fixed media, akusmatisch | Uni Iowa | 1 | ||||||||||||
| 8301 | Davorin | Kempf | Spectrum | 1984/1985 | Zuspiel / Tonband, 1 group | orc [Orchester] | Uni Iowa | 0 | |||||||||||
| 8302 | Davorin | Kempf | Synthesis | 1979 | Zuspiel / Tonband, 1 perf | Stereo | ins [Instrument] | Radio Beograd | 0 | ||||||||||
| 37190 | Marco | Kempf | r2 | 2017 | fixed media, akusmatisch | 8:00:00 | Octo, Spazialisation: DIY-WFS | HfG Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 38590 | Anatol | KEMPKER | Icke Homo | 2009 | radiophon | 71:51:00 | 0 | ||||||||||||
| 38591 | Anatol | KEMPKER | Tours Détour Réattu | 2010 | radiophon | 22:50:00 | 0 | ||||||||||||
| 8303 | Gary | Kendall | Five-Leaf Rose | fixed media, akusmatisch | CMJ Vol 05, 1981/ CMJ Vol 30-4, 2006/ | 1 | |||||||||||||
| 8304 | Kathy | Kennedy | Music Box II | 1994 | fixed media, akusmatisch | 1:00 | CEC DISContact_2/ | 1 | |||||||||||
| 8305 | Kathy | Kennedy | Never / Always Soundwalk 1 |
1994 | live-elec, 5 perf | 20:00 | 5 ins [Instrument] | MW 59/ | 0 | ||||||||||
| 20360 | Kathy | Kennedy | Taking Steps | 1993 | radiophon | 8:32 | Stereo | WN 0018/ | 0 | ||||||||||
| 8306 | Christian | Kennett | You, the Audience | 1986 | fixed media, akusmatisch | 7:20 | Stereo | Uni Southampton | 0 | ||||||||||
| 8307 | John | Kenny | The Gathering | 1994 | Zuspiel / Tonband, 2 perf | 17:00 | Stereo | trbn, perc [Posaune, Schlagzeug] | Norcol Aberdeen | 0 | |||||||||
| 39773 | Evan Phoenix | Kent | Anthrophony I | 2016 | fixed media, akusmatisch | Evan Phoenix Kent | 0 | ||||||||||||
| 42625 | Howie | Kenty | Any Lucky Ten | 2009 | live-elec, 2 perf | 10 | cl, va [Klarinette, Viola] | 0 | |||||||||||
| 42886 | Howie | Kenty | Beset by Ailments of the Spirit (under the Sign of the Dog Star) | 2013 | live-elec, 3 perf | 8:00:00 | p, vn, sax [Saxophon, Piano, Violine] | Danica Borisavljevic, piano; Mark Chung, violin Zach Herchen, sax | 0 | ||||||||||
| 39851 | Howie | Kenty | Coruscation and Dissolution | 2015 | fixed media, akusmatisch | 13:52 | Stereo, Octo | Howie Kenty | 0 | ||||||||||
| 39392 | Howie | Kenty | Everybody Loves Me | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39850 | Howie | Kenty | The Halls Within the Mirror | 2016 | live-elec, 1 perf | S [Sopran] | Howie Kenty | 0 | |||||||||||
| 39849 | Howie | Kenty | The New Dark Age (v2.5) | 2017 | fixed media, akusmatisch | Howie Kenty | Uni Williamsburg | 0 | |||||||||||
| 42808 | Howie | Kenty | We Have Less Time Than You Think | 2012 | live-elec, 1 perf | 5:00:00 | vn [Violine] | Adrianna Mateo, violin | 0 | ||||||||||
| 34332 | Mazen | Kerbaj | Before the war, it was the war. After the war, it is still the war | 2016 | Klangkunst, Installation | Stereo + Stereo + Stereo | Maerzmusik 2016, DAAD | 13.03.2016 | Private Wohnung Bundesallee Berlin | 0 | |||||||||
| 8308 | Henri | Kergomard | Antefixe | 1985 | Zuspiel / Tonband, 3 perf | 16:00 | Stereo | db, vc, perc [Schlagzeug, Cello, Kontrabass] | INA • GRM | 17.6.1985 | Paris, Maison de Radio-France, Studio 106; Concert lecture | 0 | |||||||
| 8309 | Henri | Kergomard | Hapsis | 1986 | Zuspiel / Tonband, 1 perf | 7:18 | Stereo | vc [Cello] | LDC 278044/45 Cultures Electroniques 2/ | INA • GRM | 1 | ||||||||
| 18506 | Henri | Kergomard | Hylia | 1989 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | b-mar [Schlagzeug] | IMEB Bourges | 0 | |||||||||
| 8310 | Henri | Kergomard | Plume de roches | 1983 | fixed media, akusmatisch | 15:00 | Stereo | INA • GRM | 15.4.1985 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 8311 | Henri | Kergomard | Sangues | 1984 | Zuspiel / Tonband, 2 perf | 19:14 | Stereo | 2 perc [Schlagzeug] | INA • GRM | Radio France | 23.1.1983 | Paris, Maison de Radio-France, Gd. Auditorium; (Mahammad Gleri Helm et O. Dubois de Lhermont) | 0 | ||||||
| 8312 | Frans | Kerkhofs | Heen en Weer | 1989 | live-elec, 1 perf | e-p [Piano] | Vorsetzer | Sweelinck | 0 | ||||||||||
| 8313 | Elise | Kermani | Spiral | 1989 | Zuspiel, Performance, 1 perf | 4:00 | V [Stimme] | AER 1991 / 4/ ReR EK1/ | 1 | ||||||||||
| 36797 | William Bliem | Kern | Transmeditations - meditationsmeditationsmeditations | 1973 | fixed media, akusmatisch | 38:43:00 | 0 | ||||||||||||
| 8314 | John Kefala | Kerr | Comics | 1989 | live-elec, 1 perf | 5:00 | MIDI [synthesizer] | MIDI (WX7, SPX90) | 0 | ||||||||||
| 8315 | John Kefala | Kerr | Juke Box for the End of Time | 1989 | fixed media, akusmatisch | 12:30 | 0 | ||||||||||||
| 8316 | John Kefala | Kerr | Mortal | 1992 | Zuspiel / Tonband, 1 perf | acc [Akkordeon] | 0 | ||||||||||||
| 8317 | John Kefala | Kerr | Mystery & Revelation | 1986/1987 | Zuspiel / Tonband, 1 group | 10:00 | chamb-ens [Ensemble] | 0 | |||||||||||
| 8318 | John Kefala | Kerr | Palomar's Dream | 1989 | Zuspiel, live-elec, 2 perf | 8:00 | t-sax, MIDI [Saxophon, synthesizer] | 0 | |||||||||||
| 8319 | David | Kershaw | Opus 1 | 1982 | Film | Ff/ | Uni York | 0 | |||||||||||
| 41842 | Solange | Kershaw | Dididahdit | 2008 | radiophon | 0:59:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 37179 | Emma | Kerssenbrock | Optical Waves | 2016 | Klangkunst, Installation | ∞ | HEAR Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 8320 | I. | Kertovic | "- EL" | 1990 | fixed media, akusmatisch | 7:00 | Stereo | IEM Graz | 0 | ||||||||||
| 8321 | Kari | Keskinen | Reverse Osmosis | 1982 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 8322 | Thomas | Kessler | Aufbruch | 1990 | live-elec, 5 perf, 1 group | 23:00 | orc, 5 sam [computer, Orchester] | HSM Basel | 4.5.1990 | Basel, Basler Sinfonieorchester, J. Wyttenbach | Boosey&Hawkes | 0 | http://www.esbasel.ch/ | ||||||
| 8323 | Thomas | Kessler | Beat for Orpheus | 1967 | Zuspiel / Tonband, 1 perf | vc [Cello] | rev. 1970: a-fl | 0 | |||||||||||
| 8324 | Thomas | Kessler | Countdown for Orpheus | 1966 | Tanz | 6:40 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 8325 | Thomas | Kessler | Dialoge, für zwei europäische und zwei außereuropäische Instrumente | 1977 | Zuspiel, live-elec, 4 perf | 24:55 | Quadro | 2 ins (außereurop.), 2 ins (europ.), (Vocoder) [Instrument] | WDR SEM | WDR 1977 | 9.12.1977 | "Musik der Zeit" Bonn | 0 | ||||||
| 29865 | Thomas | Kessler | Dichterlesung | 2001/2002 | live-elec, 3 perf | 21 | 3 ins, (elec) [Instrument] | 0 | |||||||||||
| 8326 | Thomas | Kessler | Drum Control | 1983 | live-elec, 1 perf | 22:00 | perc, (com) [Schlagzeug] | MGB CTS-M 98 Musiques Suisses/ | HSM Basel | 1 | 1986 | http://www.esbasel.ch/ | |||||||
| 28584 | Thomas | Kessler | Drumphony | 1981 | live-elec, 1 perf, 1 group | 18 | perc, orc, (com) [Schlagzeug, Orchester] | 19.9.1081 | WDR Musik der Zeit, Drouet (perc), Kölner Sinfonieorchester, H. Wakasugi | Boosey&Hawkes | 0 | http://www.boosey.com/pages/cr/catalogue/cat_detail?musicid=26903 | |||||||
| 8327 | Thomas | Kessler | Flute control | 1989 | live-elec, 1 perf | 14:20 | fl [Flöte] | WER 2026; Computer Music Currents 6/ | HSM Basel | IRCAM | 1 | http://www.esbasel.ch/ | |||||||
| 29867 | Thomas | Kessler | Guitar Control | 1999 | live-elec, 1 perf | 11 | gui, (elec) [Gitarre] | 0 | |||||||||||
| 8328 | Thomas | Kessler | Harpsichord Control | 1990/1994 | live-elec, 1 perf | hpd, (com) [Cembalo] | HSM Basel | WDR 1991 | 0 | http://www.esbasel.ch/ | |||||||||
| 29871 | Thomas | Kessler | Irasshaimase | 1999 | fixed media, akusmatisch | 0 | |||||||||||||
| 8329 | Thomas | Kessler | Komposition | 1966 | Zuspiel / Tonband, 2 perf | 9:00 | Quadro | p, db [Piano, Kontrabass] | PS C. Berlin | 0 | |||||||||
| 8330 | Thomas | Kessler | Kontrabaß-Control | 1990 - 1991 | live-elec, 1 perf | 8:00 | db [Kontrabass] | HSM Basel | 4.2.1991 | Inventionen Akademie der Künste Berlin, Stefano Scodanibbio (Kontrabaß, Computer) | 1 | 1991 | http://www.esbasel.ch/ | ||||||
| 8335 | Thomas | Kessler | La Montagne Ardente | 1985 | live-elec, 3 perf | 3 synt [synthesizer] | 0 | ||||||||||||
| 8331 | Thomas | Kessler | Loop | 1973 | Zuspiel / Tonband, 4 perf | 4 ins, (tape-loop) [Instrument] | 0 | ||||||||||||
| 8332 | Thomas | Kessler | Lost Paradise | 1975 | live-elec, 7 perf | 12:55 | hp, cl, fl, ehn, va, 2 synt [Flöte, Klarinette, Oboe, Harfe, Viola, synthesizer] | Coll GRM AM 821.10/ HM AM 821.10/ | 1 | ||||||||||
| 29875 | Thomas | Kessler | Maimusik (Revolutionsmusik) | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 29870 | Thomas | Kessler | Message | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 8333 | Thomas | Kessler | Musik für Flöte, Klavier und Tonband | 1966 | Zuspiel / Tonband, 2 perf | 13:00 | Quadro | fl, p [Flöte, Piano] | PS C. Berlin | 0 | |||||||||
| 29874 | Thomas | Kessler | Musik für Kontrabass, Klavier und Tonband | 1966 | Zuspiel / Tonband, 2 perf | db, p [Piano, Kontrabass] | 0 | ||||||||||||
| 29866 | Thomas | Kessler | Oboe Control | 2005 | live-elec, 1 perf | 16 | ob [Oboe] | 27.11.2005 | Zürich | 0 | |||||||||
| 31636 | Thomas | Kessler | Parabel | 1998 | live-elec, 5 perf | 4 (gamelan-)perf, elec [Performer, elektronik] | HSM Basel | 0 | |||||||||||
| 8334 | Thomas | Kessler | Piano Control | 1974 | live-elec, 2 perf | 15:07 | p, synt [Piano, synthesizer] | BM 30 SL 1715/ ReCDec 04/ | Bo&Ha | 1 | |||||||||
| 29877 | Thomas | Kessler | Pièce de Concours | 1990 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 29876 | Thomas | Kessler | Pujaparwata | 1980 | Zuspiel / Tonband, 1 group | gamelan-ens [Ensemble] | 0 | ||||||||||||
| 8336 | Thomas | Kessler | Revolutionsmusik | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 29872 | Thomas | Kessler | , said the shotgun to the head | 2003 | Musikinstrument, keine EM, 5 perf, 2 groups | computer generated score |
26:53 | Sp (poetry speaker), Sp-ch (Rap choir), str-qt, orc [Sprecher, Streicher, Chor, Orchester] | auf ein Gedicht von Saul Williams | MGB CTS-M 98 Musiques Suisses/ NEOS 11511/ | 4.3.2005 | Basel, Sinfonieorchester Basel, Ltg. Marko Letonja, Saul Williams | Bo&Ha | 0 | https://vimeo.com/7437004 | |||||
| 8337 | Thomas | Kessler | Schallarchiv | 1979 | radiophon | 50:00 | Stereo | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 32788 | Thomas | Kessler | Streichquartett mit Live-Elektronik | 2013 | live-elec, 4 perf | 30 | str-qt [Streicher] | 0 | |||||||||||
| 29868 | Thomas | Kessler | String Control | 1987 | live-elec, 1 perf | str-ins [Streicher] | 0 | ||||||||||||
| 28583 | Thomas | Kessler | Traumklang | 1981 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 29869 | Thomas | Kessler | Trombone Control | 1994 | live-elec, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 29873 | Thomas | Kessler | Utopia | 2004 - 2009 | Zuspiel, live-elec, 72 perf, 1 group | ≈ 30 | orc with 72 com [computer, Orchester] | 72 ins. | 23.8.2009 | Utopia 1: Weimar, Staatskapelle Weimar unter der Leitung von Heinz Holliger, im Rahmen des Eröffnungswochenendes von „pèlerinages“ Kunstfest Weimar | Boosey&Hawkes | 1 | http://mspcafe.g2312.de/projects/utopia/ | ||||||
| 38902 | Thomas | Kessler | Utopia 2 | 2010 - 2011 | live-elec, 46 perf | 22 | multichannel | 5 V, 41 ins [Stimme, Instrument] | NEOS 11511/ | WDR | 1.7.2011 | Köln, Philharmonie, WDR-Sinfonieorchester, J. Stockhammer | Boosey&Hawkes | 0 | http://www.boosey.com/cr/music/56988 | ||||
| 38903 | Thomas | Kessler | Utopia 3 | 2016 | live-elec, 1 group | 25 | multichannel | orc (5 groups) [Orchester] | 18.11.2016 | Zürich, Tonhalle gr. Saal; Tonhalle-Orchester, P.-A. Valade | Boosey&Hawkes | 0 | http://www.boosey.com/cr/music/Thomas-Kessler-Utopia-III/103125 | ||||||
| 8338 | Thomas | Kessler | Violin Control | 1978 | live-elec, 2 perf | 11:26 | Stereo | vn, synt [Violine, synthesizer] | Coll GRM AM 821.10/ HM AM 821.10/ | INA • GRM, HSM Basel | INA • GRM | 1 | 1983 | ||||||
| 8339 | Thomas | Kessler | Voice Control | 1993 | live-elec, 3 perf | 3 perc [Schlagzeug] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 8340 | Thomas | Kessler | Voices | 1983 | live-elec, 3 perf | 15 | 3 perf, (com) [Performer] | HSM Basel | 10.2.1983 | Inventionen Berlin | 0 | 1983 | http://www.esbasel.ch/ | ||||||
| 29864 | Thomas | Kessler | Windharfe | 1996 | live-elec, 2 perf | vn, fl, (elec) [Flöte, Violine] | 0 | ||||||||||||
| 24279 | Klaus | Kessner | 10 x 90’’ | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 41436 | Sair Sinan | Kestelli | Inhabited Neighborhoods | 2018 | Klangkunst, Installation | 10 | 21.9.2018 | Dystopie Festival September 2018 Berlin, Großer Wasserspeicher | 0 | http://www.dystopie-festival.net/wp/?lang=en | |||||||||
| 31366 | Alexander | Keuk | Bläue | 1997 | fixed media, akusmatisch | 6:00:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 30751 | Group | KEW | The Second Secret Poem In the Tatra Mountains The Zones of Adherence |
1974 | Performance | 44 | Group KEW = Krzysztof, Elżbieta and Wojciech, founded in 1973 when they were all students at the Fryderyk Chopin Higher State School of Music in Warsaw | BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 24537 | Sandro | Key-Åberg | Tro - Hopp - Kärlek | 1970 | fixed media, akusmatisch | 6:40 | Text-Sound Composition | FYCD 1024 CD 4 Text-Sound Compositions/ | SR Stockholm | 1 | |||||||||
| 26594 | Christopher | Keyes | CompuIntroMusic | 1995 | fixed media, akusmatisch | 1:00 | for computer generated tape with LISP programming. | 28.03.1996 | Singapore | 0 | |||||||||
| 26591 | Christopher | Keyes | Descant of a Sonic Pendulum | 1997 | live-elec, 1 perf | 4 - 7 | p [Piano] | for Piano and real-time digital signal processing. | 15.08.1997 | Hong Kong | 0 | ||||||||
| 26587 | Christopher | Keyes | In Recent Memory | 2003 | live-elec, 1 perf | 8:00 | p [Piano] | for Piano and Real-time Interactive Computing. | CPS 8739 Capstone/ | 2003 | Christopher Keyes | 0 | |||||||
| 21092 | Christopher | Keyes | Li Jiang Etude No. 1 | 1998 | fixed media, akusmatisch | 11:20 | Material = chinesische Instrumente | ICMC 1999/ CPS 8739 Capstone/ | 1 | http://www.hkbu.edu.hk/~ckeyes/ | |||||||||
| 26588 | Christopher | Keyes | Li Jiang Etude No. 2 | 2003 | Zuspiel, live-elec, 2 perf | 10:00 | p, Guzheng (zheng) [Piano, Streicher] | for Piano, Guzheng and Real-time Interactive Computing. | CPS 8739 Capstone/ | 2003 | Christopher Keyes and Leung Oi Ying | 0 | |||||||
| 26586 | Christopher | Keyes | Li Jiang Etude No. 3 | 2003 | Zuspiel, live-elec, 1 perf | 8:27 | fl (Xiao) [Flöte] | for Xiao and Real-time Interactive Computing. | CPS 8739 Capstone/ | Chu Siu Wai | 8.5.2003 | Chu Siu Wai | 0 | ||||||
| 26589 | Christopher | Keyes | Meditation on the Sea | 2001 | live-elec, 3 perf | 17:00 | p, perc, perf (radio Baton) [Piano, Schlagzeug, Performer] | for Piano, Percussion, Radio Baton and Real-time Interactive Computing. | CPS 8739 Capstone/ | 2001 | Christopher Keyes and the Contemporary Music Workshop | 0 | |||||||
| 26583 | Christopher | Keyes | Mudra Music | 2006 | audiovisuell, live-elec, | variable 6-8 minutes | for webcam and interactive graphics. | 2006 | Richmond Virginia | 0 | |||||||||
| 26584 | Christopher | Keyes | NGC4594 | 2006 | audiovisuell, live-elec, 1 perf | 7:00 | p [Piano] | for Piano and Interactive Graphics. | 2006 | ACMC Adelaide Australia | 0 | ||||||||
| 26585 | Christopher | Keyes | Of Time and Space | 2004 | live-elec, 1 perf | 10:00 | perc [Schlagzeug] | for Percussion and Real-time Interactive Computing. | 2004 | James Boznos | 0 | ||||||||
| 41524 | Christopher | Keyes | Of Wood, Spring and Bamboo | 2002 | live-elec, 1 perf | 7:05 | p [Piano] | an improvisation for piano and electronics | CPS 8739 Capstone/ | 0 | |||||||||
| 26592 | Christopher | Keyes | Sinfonia Computant | 1996 | Zuspiel / Tonband, 1 perf | 10:00 | p [Piano] | for Piano and Computer generated Tape. | 15.08.1997 | Hong Kong | 0 | ||||||||
| 26590 | Christopher | Keyes | Steel3x Chrome | 1999 | Zuspiel, live-elec, 1 perf | 9:16 | p [Piano] | for Piano and real-time Digital Signal processing. | CPS 8739 Capstone/ | Hong Kong Composers' Guild, | 15.10.1999 | Hong Kong | 0 | ||||||
| 26593 | Christopher | Keyes | The Ghost Within | 1995 | live-elec, 1 perf | p [Piano] | for piano and computer generated tape. | 28.03.1996 | Singapore | 0 | |||||||||
| 39335 | Christopher J. | Keyes | A Distance Up Close | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 19152 | Yat | Kha | Tundra's Ghosts / Wanderer's Charm | 1993 | live-elec, 1 group | 5:55 | ens [Ensemble] | AER 1994 / 6/ | 1 | ||||||||||
| 22849 | Sergey | Khanukaev | Schritte in die Stille | 1997/1998 | fixed media, akusmatisch | 8:45 | Stereo | TU Berlin | 10.1.1998 | Künstlerbahnhof Berlin-Westend | 1 | ||||||||
| 42133 | Velimir, Miguel, Leopoldo | Khlebnikov, Molina Alarcón, Amigo | The radio of the future | 1921, 2006 | radiophon | UPV-Radio Universitat Politècnica de València 2006 | Radio budušcego, UPV-Radio Universitat Politècnica de València | 0 | |||||||||||
| 39644 | Cedric | Kiefer | unnamed soundsculpture | 2016 | fixed media, akusmatisch | Cedric Kiefer | 0 | ||||||||||||
| 29936 | Peter | Kiefer | > 6 x 60' / - simultaneity< | 2005 | Klangkunst, Installation | 12 Tracks | Soundscapes Mainz, 12kpanalige Raum-Klanginstallation, interdisziplinäre Arbeit mit Studierenden der Akademie der Künste | 0 | |||||||||||
| 29924 | Peter | Kiefer | 7 ways to destroy a 100_EURO bill, 7 Arten einen 100-EURO Schein zu zerstören | 2012 | Klangkunst, Installation | mehrkanalige Klanginstallation | 8. Juni 2012 – 31. März 2013 | Musée d'Histoire de la Ville de Luxembourg | 0 | http://vimeo.com/43857530 | |||||||||
| 29952 | Peter | Kiefer | Akustisches Logo, für die Kunst- und Ausstellungshalle der Bundesrepublik Deutschland | intermedia | Bonn | 0 | |||||||||||||
| 29960 | Peter | Kiefer | Apokalypse | 1988 | Zuspiel / Tonband, 3 perf | db, Sp, p [Sprecher, Piano, Kontrabass] | Kompositionspreis Euregio/ NRW im Rahmen des Festivals "Saitenklänge") | Festival "Saitenklänge" | Euregio/ NRW im Rahmen des Festivals "Saitenklänge" | 0 | |||||||||
| 29942 | Peter | Kiefer | Après le Déluge | 2001 | Klangkunst, Installation | Klangwand mit mehrkanaliger Sprachkomposition nach Arthur Rimbaud | 2001 | Luxembourg | 0 | ||||||||||
| 29955 | Peter | Kiefer | Bombay-Bombay | 1993 | audiovisuell | 6 | 6-kanalige Klangkomposition für die gleichnamige Videoskulptur Fabrizio Plessi, Ausstellungen im Museum Ludwig Köln; Fondació Joan Miró, Barcelona u.a.) | Museum Ludwig Köln | 0 | ||||||||||
| 29938 | Peter | Kiefer | Das Fünfte Element | 2003 | Klangkunst, Installation | Video-Klanginstallation, Ankauf durch die Bundesanstalt für Arbeitsschutz, Ausstellung in der DASA Dortmund, Ankauf durch das Musée Histoire in Luxembourg, Ausstelung dort. | 0 | ||||||||||||
| 29949 | Peter | Kiefer | Das fünfte Element | 1995 | Klangkunst, Installation | Klanginstallation | Festival "KlangumWelten" | 1995 | Akademie der Künste Berlin | 0 | |||||||||
| 29947 | Peter | Kiefer | DATA Flow | 1996 | Klangkunst, Installation | audiovisuell |
LiveInternet/ISDN Klang-Video-Installation | 1996 | RegioCom, Bonn | 0 | ||||||||||
| 29944 | Peter | Kiefer | Der SINN bewirkt die Dinge | 1999 | Radiokunst, live-elec, 2 perf | V, tim, (elec) [Stimme, Schlagzeug] | WDR Studio Akustische Kunst | Produktion und Sendung: Studio Akustische Kunst WDR 3 | 1999 | Festival per->SON, Köln | 0 | ||||||||
| 29941 | Peter | Kiefer | Dix questions á la Deuxième Guerre mondiale à Luxembourg | 2002 | Klangkunst, Installation | Sechs Klanginstallationen | für die Ausstellung gleichnamige Ausstellung des Musée d'Histoire de la Ville de Luxembourg | 2002 | Musée d'Histoire de la Ville de Luxembourg | 0 | |||||||||
| 29954 | Peter | Kiefer | Ex Machina | 1994 | Performance | Octo | 8-kanalige Klangkompositon und Raumklanggestaltung für das gleichnamige multimediale Tanztheater von Frédéric Flamand und Fabrizio Plessi, Charleroi, Belgien. Europatournee bis 1996 | 0 | |||||||||||
| 29945 | Peter | Kiefer | FABBRICA EUROPA | 1998 | Klangkunst, Installation | 100m Klanginstallation und Workshop | 1998 | alten Bahnhof von Florenz, der Statione Leopolda, Florenz | 0 | ||||||||||
| 29926 | Peter | Kiefer | Farb-Klang-Lounge | 2011 | Klangkunst, Installation | Octo | mehrkanalige Klanginstallation für die Ausstellung SPEKTRALE 2011 im Südfoyer und an der Fassade der Rheingoldhalle Mainz | 14. Juli – 15. August 2011 | Ausstellung Stadt der Wissenschaft, Rheingoldhalle Mainz | 0 | |||||||||
| 29946 | Peter | Kiefer | Genesis | 1997 | Film | elektronische Komposition zum gleichnamigen Video von Paolo Atzori | 0 | ||||||||||||
| 29930 | Peter | Kiefer | Grasland-Schneeland | 2008 | Klangkunst, Installation | mobile Installation | für das Projekt Temporäre Gärten, Juni, Aachen | 2008 | Aachen | 0 | |||||||||
| 29953 | Peter | Kiefer | Holografic Prism Changer | 1994 | audiovisuell | elektronische Komposition für das Kunstvideo des Lichtkünstlers Dieter Jung, Berlin, mit Simon Stockhausen | 0 | ||||||||||||
| 29959 | Peter | Kiefer | Huit Clos | 1989 | Musiktheater | elektronische Schauspielmusik zu Sartes "Huit Clos" | Aachen | 0 | |||||||||||
| 29939 | Peter | Kiefer | ImaginAirports | 2003 | Klanginstallation, live-elec, 1 group | ens [Ensemble] | Klangkomposition für die Fassade der Kölner Messe, Art Cologne, live bespielt von Musikern aus Österreich, Schweiz, China, Deutschland | 2003 | Fassade der Kölner Messe zu Art Cologne | 0 | |||||||||
| 29927 | Peter | Kiefer | Klanginstallation im Rhododendronhain | 2011 | Klangkunst, Installation | 21 Tracks | mehrkanalige Klanginstallation auf der Bundesgartenschau Koblenz 2011 | 15. April – 16. Oktober 2011 | Bundesgartenschau Koblenz 2011 | 0 | http://www.buga2011.de/ | ||||||||
| 29950 | Peter | Kiefer | Klangpendel | 1995 | Klangkunst, Installation | Klanginstallation | 1995 | in den Herrenhäuser Gärten, 'Sound Art 95', Hannover | 0 | ||||||||||
| 29935 | Peter | Kiefer | Klangwelten | 2006 | Klangkunst, Installation | Portrait-Ausstellung und Konzert | 2006 | Festival Mainz Musik | 0 | ||||||||||
| 29943 | Peter | Kiefer | La Passion de Jeanne d'Arc | 2000 | Film, 2 groups | ≈ 120 | ens, boys ch [Ensemble, Chor] | Filmmusik zu dem gleichnamigen Film von C. Th. Dreyer aus dem Jahr 1928, für Ensemble, Mehrkanalband und Knabenchor | 2000 | Cathedrale Notre Dame, Luxembourg | 0 | ||||||||
| 29958 | Peter | Kiefer | Les Artistes et la Lumiere | 1991/1992 | audiovisuell | Musik für das Lichtkunst-Video über die gleichnamige Ausstellung in Reims, Frankreich, mit Uwe Anstatt | 0 | ||||||||||||
| 29957 | Peter | Kiefer | Mind in Man in Univers | 1992 | audiovisuell | Musik für das Kunstvideo des Künstlers Jürgen Claus, Centre Overoth, Belgien, mit Simon Stockhausen | 0 | ||||||||||||
| 29956 | Peter | Kiefer | Paulinen Ruhe | 1992 | Klangkunst, Installation | Klanginstallation Klangpendel etc. für die BAUHÜTTE KLANGZEIT, Wuppertal | für die BAUHÜTTE KLANGZEIT, Wuppertal | BAUHÜTTE KLANGZEIT, Wuppertal | 0 | ||||||||||
| 29963 | Peter | Kiefer | resonate | 2013 | Klangkunst, Installation | interaktive Licht-Klanginstallation | 0 | http://luminale2012.fh-mainz.de/ | |||||||||||
| 29933 | Peter | Kiefer | room 4a camp fire | 2007 | Klangkunst, Installation | Klang-Video-Installation | Ausstellung SCOUTLAND des Musée d'Histoire de la Ville de Luxembourg | 2007 | Musée d'Histoire de la Ville de Luxembourg | 0 | |||||||||
| 29929 | Peter | Kiefer | rush-hour | 2009 - 2010 | Klangkunst, Installation | 24 Tracks | 24kanaliger Klagraum in der Ausstellung Nonstop | März 2009 - verlängert bis 27. Juni 2010, | Stapferhaus Lenzburg, CH | 0 | |||||||||
| 29928 | Peter | Kiefer | selbstLAUT: Peter Kiefer, Klangpendler | 2010 | radiophon | Radiosendung Hessischer Rundfunk im Rahmen hr2 Cluster | HR | 4. Mai 2010 | HR2 Cluster | 0 | |||||||||
| 29940 | Peter | Kiefer | Soundspace >genesis of mind< | 2003 | Klangkunst, Installation | 7 tracks | 7kanalige Klanginstallation für den World Congress of Middel Eastern Studies | 2003 | Landesmuseum Mainz | 0 | |||||||||
| 29925 | Peter | Kiefer | Thou shalt not kill – Du sollst nicht töten – Tu ne tueras point | 2011/2012 | Klangkunst, Installation | 12 | 5. Oktober 2011 – 1. Juni 2012 | Historisches Museum Bern, CH | 0 | http://vimeo.com/38921860 | |||||||||
| 29961 | Peter | Kiefer | Ubu Roi | 1986/1987 | Musiktheater | Rheinischen Landestheater Neuss, Engagement als Schauspielmusik-Komponist: unter anderem "Hamlet", "UBU-Roi", "Bremer Stadtmusikanten" | 1986/87 | Landestheater Neuss, | 0 | ||||||||||
| 29951 | Peter | Kiefer | "Ulysses /~Köln" | 1995 | Klangkunst, Installation | audiovisuell |
Raum-Klanginstallation auf der "ART Cologne" (Videoinstallation: Ruth Prangen, in Zusammenarbeit mit Prof. Plessi, KHM | 1995 | Köln ART Cologne | 0 | ||||||||||
| 29931 | Peter | Kiefer | Visionen – Gesänge zu Dantes Göttlicher Komödie | 2008 | live-elec, | Komposition und Klangräume | Kammeroper Schloss Rheinsberg, Juli, Rheinsberg und Mainz | Juli 2008 | Kammeroper Schloss Rheinsberg | 0 | |||||||||
| 29962 | Peter | Kiefer | Voices of Spirituality | 2012 | radiophon | 55 | WDR Studio Akustische Kunst | WDR | 13. Januar 2007 6. April 2012 |
WDR3 WDR3 – 23:05 Uhr |
0 | ||||||||
| 29932 | Peter | Kiefer | voices of spirituality - in munich | 2008 | Performance | Perfomance – | 2008 | Klanggalerie t-u-b-e, Juli, München | 0 | ||||||||||
| 29948 | Peter | Kiefer | Weltende | 1996 | audiovisuell | Filmmusik für das experimentelle Video von Christin Bolewski, Präsentation Videonale '96, Berlin | Videonale '96, Berlin | „Die 50 Besten“ internationaler Medienkunstpreis desZKM/SWR | 0 | ||||||||||
| 29937 | Peter, Peter | Kiefer, Simon | Traverse Frequenz | 2004 | Klangkunst, Installation | Brückenmusik, Klanginstallation | in den drei Hohlräumen der Deutzer Brücke, Köln | 0 | |||||||||||
| 8341 | Detlef | Kieffer | L’architecte | 1979 | Oper, 5 perf, 2 groups | 90:00 | 4 V, Sp, ch, ens [Sprecher, Stimme, Ensemble, Chor] | 0 | |||||||||||
| 8342 | Detlef | Kieffer | So Still and Lovely | 1981 | Oper, live-elec, 3 perf | 15:00 | S, oma, cymbalom [Sopran, synthesizer, Streicher] | 0 | |||||||||||
| 22899 | Daniel, Reina | Kientzy, Portuondo | Miniature Nr. 2 | 1999 | live-elec, 1 perf | 1:02 | sax [Saxophon] | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | GME Cuenca | 1 | |||||||||
| 8343 | Peter | Kiesewetter | Schwanenröschen | 1971 | Zuspiel / Tonband, 1 perf, 1 group | orc, org [Orgel, Orchester] | 0 | ||||||||||||
| 8344 | Peter | Kiesewetter | Unter Tage | 1968 | Zuspiel / Tonband, 1 perf | ob [Oboe] | 0 | ||||||||||||
| 8345 | Michael | Kieslinger | marsch-mann | 1993 | fixed media, akusmatisch | 6:00 | 0 | ||||||||||||
| 8347 | Michael, Robert, Michele, Daniel | Kieslinger, Winkler, Kolnicker, Geroldinger | sinBild | 1993 | audiovisuell | 10:00 | 0 | ||||||||||||
| 8348 | Wilhelm | Killmayer | Die Nashörner | 1963 | Film | 10:00 | Mono | Zeichentrick, E. Ionesco & J. Lenica | Siemens | 1964 | Oberhausen Kurzfilmtage | 0 | |||||||
| 8349 | Wilhelm | Killmayer | Medea | 1960 | radiophon | 106:00 | Mono | Euripides | Siemens | BR | 6.3.1960 | BR | 0 | ||||||
| 8350 | Wilhelm | Killmayer | Willhelm Tell | 1960 | Theatermusik | 150:00 | Mono | text nach F. v. Schiller | Siemens | Bayerische Staatsschauspiel | 0 | ||||||||
| 24687 | Simon | Kilshaw | La Pecora Perduta | 2003 | fixed media, akusmatisch | 5:50 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 26600 | David | Kim-Boyle | Canon | 2005 | audiovisuell, live-elec, 1 perf | p [Piano] | 0 | http://www.davidkimboyle.net/Main/Home.html | |||||||||||
| 26597 | David | Kim-Boyle | Cuttings and Fragments | 2007 | audiovisuell, live-elec, 1 perf | perf (typist) [Performer] | for typist and computer + video | 0 | http://www.davidkimboyle.net/Main/Home.html | ||||||||||
| 34611 | David | Kim-Boyle | Point Studies No. 6 | 2016 | live-elec, 4 perf | str-qt [Streicher] | TonArt String quartet SMC2016 |
0 | |||||||||||
| 26595 | David | Kim-Boyle | Shimmer | 2004 | audiovisuell, 1 perf | p [Piano] | for piano with resonant glasses and computer + video | 11.2004 | Chien-Ming Cheng and the composer at the University of Miami, Miami, FL | 0 | http://www.davidkimboyle.net/Main/Home.html | ||||||||
| 26599 | David | Kim-Boyle | tunings | 2006 | live-elec, 1 perf | vc [Cello] | for typist and computer + video | 0 | http://www.davidkimboyle.net/Main/Home.html | ||||||||||
| 26596 | David | Kim-Boyle | Two Interludes | 2008 | audiovisuell, live-elec, 1 perf | p [Piano] | 0 | http://www.davidkimboyle.net/Main/Home.html | |||||||||||
| 26598 | David | Kim-Boyle | whisps | 2006 | live-elec, 1 perf | b-cl [Klarinette] | for typist and computer + video | ZKM Karlsruhe | 0 | http://www.davidkimboyle.net/Main/Home.html | |||||||||
| 8351 | Chang Suk | Kim | Etüde über Tongemische | 1993 | fixed media, akusmatisch | 10:33 | TX16W, Atari (Cube Base) | 0 | |||||||||||
| 37512 | Chang Suk | Kim | MAN-NAN | 1994 | fixed media, akusmatisch | 15:33:00 | Quadro | Synlab | ICEM Essen | 0 | |||||||||
| 43136 | Chung Eun | Kim | $1's Worth | P | Auszeichnung ars electronica honorary mention 2017 | 0 | |||||||||||||
| 39679 | Chung Eun | Kim | Piano Forte | 2017 | fixed media, akusmatisch | Chung Eun Kim | 0 | ||||||||||||
| 31385 | Dong-Hak | Kim | Un | 2004 | fixed media, akusmatisch | 6:55:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31817 | Han Shin | Kim | Aufgabe 1 | 2002 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31816 | Han Shin | Kim | “Puhaha” | 2002 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31818 | Han Shin | Kim | Stück 2 | 2002 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31815 | Han Shin | Kim | Tanose | 2002 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 39839 | Hanna | Kim | Yellow Forest | 2016 | fixed media, akusmatisch | Hanna Kim | 0 | ||||||||||||
| 33915 | Heera | Kim | Fluctuare | 2004 | Zuspiel / Tonband, 2 perf | 15:12:00 | Stereo, Quadro | ob, vc [Oboe, Cello] | HfMT Köln | 0 | |||||||||
| 33916 | Heera | Kim | Nam Nam ("Fremde") | 2005 | fixed media, akusmatisch | 11:06:00 | Quadro | Elektronische Sprachkomposition | HfMT Köln | 0 | |||||||||
| 33914 | Heera | Kim | Sechs Klangskizzen für Violine und elektronische Klänge | 2004 | Zuspiel / Tonband, 1 perf | 13:05:00 | Quadro | vn [Violine] | HfMT Köln | 0 | |||||||||
| 33917 | Heera | Kim | Spur | 2006 | Zuspiel / Tonband, 7 perf | 14:15:00 | Quadro | 7 ins [Instrument] | HfMT Köln | 0 | |||||||||
| 33918 | Heera | Kim | The Art of Shading | 2007 | Zuspiel / Tonband, 1 perf | 15:25:00 | Quadro | sax [Saxophon] | HfMT Köln | 0 | |||||||||
| 31376 | Jeayoun | Kim | Light Trembling Volcano / Still | 2002 | fixed media, akusmatisch | 8:59:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 39910 | Jihyun | Kim | From the Bottom of the Sea | 2017 | fixed media, akusmatisch | Jihyun Kim | 0 | ||||||||||||
| 20291 | Jin Hi | Kim | Electric Changgo Permutations | 1993 | live-elec, 1 perf | 9:04 | Stereo | MIDI [synthesizer] | MIDI, MAX | Tellus 27/ | St Pass | 0 | |||||||
| 21811 | Jin Hi | Kim | Kommunguitar | live-elec, 2 perf | (trad) ins, gui [Gitarre, Instrument] | MIDI | WN 12/ | St Pass | 0 | ||||||||||
| 8352 | Jin Hi | Kim | Komungo Permutations | 1988 | live-elec, 1 perf | 4:15 | MIDI [synthesizer] | MIDI | AER 1990 / 2 / | St Pass | 1 | ||||||||
| 31819 | Jinyun, Jihyun | Kim, Kim | Osmosis | 2005 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 39933 | Jonghyun | Kim | Live Performance for Leapmotion | 2017 | fixed media, akusmatisch | Jonghyun Kim | 0 | ||||||||||||
| 31595 | Jonghyun | Kim | test1 | 2013 | live-elec, 1 perf | ≈ 5-7 | com (Wii Remote) [computer] | next_generation 5.0 | HfM Freiburg | 29.6.2013 | ZKM | 0 | |||||||
| 24966 | Jun | Kim | Aquarelles | 2002 | live-elec, 1 perf | 6:20 | vc [Cello] | Jung-Min Park (vc) | KEAMS 10th Anniversary/ | 1 | |||||||||
| 41882 | Kwangrae | Kim | A TRACE OF DIRECTIONALITY | 2018 | fixed media, akusmatisch | Octo, Spazialisation: Ambisonics | Kwangrae Kim | SERG Aberdeen | 0 | ||||||||||
| 39993 | Kwangrae | Kim | S Quartet | 2017 | audiovisuell | Kwangrae Kim | SERG Aberdeen | 0 | |||||||||||
| 42935 | Kwangrae | Kim | Sound Drawing | 2013 | live-elec, 3 perf | 7:06:00 | 3 perc [Schlagzeug] | June Han, Jeremy Smith, Sam Buddish, percussion | 0 | ||||||||||
| 36437 | Seo-Ryang | Kim | Wasser | 2010 | Klangkunst, Installation | 5:28:00 | Besenkammer bb 03/ | 0 | |||||||||||
| 32122 | Seung-Hye | Kim | Fluctuation | 2004 | live-elec, 1 perf | 7:20:00 | fl, (com) [Flöte] | Kyungmi Lee, flute | SEAMUS EAM Vol. 16/ | 0 | |||||||||
| 42626 | Seung-Hye | Kim | The Tightrope Dancer | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 8353 | Shindouk | Kim | Aus der Biographie einer Frau H. | 1990 | fixed media, akusmatisch | 4:00 | Quadro, Octo | HfM Freiburg | 0 | ||||||||||
| 37219 | Songyee | Kim | An der Obertrave | 2017 | fixed media, akusmatisch | HfM Lübeck | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 23565 | Sue Hye | Kim | J.S. | 2001 | Zuspiel / Tonband, 1 perf | 8:14 | ins [Instrument] | Journées internationales de la Composition Vol. 3; Conservatoire de Paris | CREC-audio 02/020-3/ | 1 | |||||||||
| 27641 | Suk Jun | Kim | Chant/ce | 2001 | fixed media, akusmatisch | Octo | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||||||
| 27138 | Suk Jun | Kim | Corresponding | 2007 | fixed media, akusmatisch | 9:25 | Stereo | Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | SpACE-Net, UK | 01.2007 | SpACE-Net's first workshop at the University of York, UK | first prize at the 2007 CIMESP competition, Brazil | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||
| 27639 | Suk Jun | Kim | Fly with me | 2002 | fixed media, akusmatisch | Octo | 05.2002 | Art and Technology Symposium on Spirituality, NWU Evanston | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||||
| 27638 | Suk Jun | Kim | Gaesim, Open Your Hart | 2002 | fixed media, akusmatisch | Stereo | SEAMUS EAM Vol. 12/ | ASCAP & SEAMUS | 2002 | SEAMUS Conference April 2002 University of Iowa | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||
| 41883 | Suk Jun | Kim | Humming Pots, Humming Project | 2018 | fixed media, akusmatisch | Stereo | (Sonada Version) | 0 | |||||||||||
| 27635 | Suk Jun | Kim | Igeori, Jeogeori, Gakgeori | 2006 | fixed media, akusmatisch | Quadro | PS C. | Scorecologne | 2006 | Museum für angewandte Kunst, Köln | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||
| 27627 | Suk Jun | Kim | In Tune, out of Tune Berlin Humming, Humming Project |
2009 | Klangkunst, Installation | loop 17:34 | Octo | Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | TONSPUR IN BERLIN / TONSPUR für einen öffentlichen Raum / 31 – Klangarbeiten auf dem Schlossplatz zu Berlin. Ein Projekt von Georg Weckwerth und Peter Szely. | 11.10.2009 | Scholssplatz in Berlin-Mitte | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||
| 25944 | Suk Jun | Kim | Kotmun (A Gate of Flowers) | 2005 | fixed media, akusmatisch | 8:56 | Stereo | LDC 2781134 Compendium 2004/ MR 2006 Métamorphoses 2006/ Kehrer-Verlag ISBN 978-3-86828-162-0/ | IMEB Bourges | IMEB Bourges | 2005 | IMEB Bourges | Métamorphoses 2006 | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||
| 27628 | Suk Jun | Kim | Memory Tub | 2009 | Klangkunst, Installation | 14:23 | 5 tracks | in collaboration with Sung-Eun Kim | Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | 12.2009 | daad Galerie Berlin | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||
| 22198 | Suk Jun | Kim | Midong | 1999 | fixed media, akusmatisch | 9:58 | MR 2000 Métamorphoses 2000/ LDC 278074/75 Cultures Electroniques 15/ Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | 04.2000, | Fourth Annual Santa Fe International Festival of Electroacoustic Music | Public Prize at Metamorphoses Competition, Belgium, in 2000 second prize in the ASCAP/SEAMUS Student Commission Competition in 2001 first prize at the Bourges Competition in 2001 |
1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||||
| 27629 | Suk Jun | Kim | Mnemon | 2009 | audiovisuell | 11:13 | Stereo | Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | daad | 12.2009 | daad Galerie Berlin | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||
| 27626 | Suk Jun | Kim | Moment | 1999 | fixed media, akusmatisch | 2:02 | Stereo | Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | 08. 2007 | Atlantic Center for the Arts, Florida | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||||
| 27139 | Suk Jun | Kim | On the Way to Fwarrheu | 2009 | fixed media, akusmatisch | 12:46 | Stereo | Kehrer-Verlag ISBN 978-3-86828-162-0/ | TU Berlin | 06.2009 | SYNTHESE 2009, Bourges | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||||
| 27630 | Suk Jun | Kim | Painting Nahhamu | 2010 | fixed media, akusmatisch | 11:11 | Stereo | Kehrer-Verlag ISBN 978-3-86828-162-0/ | TU Berlin, Musiques et Recherches Ohain | IMEB Bourges | April 2010 | Concert de créations, Espace Senghor, Brüssel, | 1 | 2010 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||
| 27631 | Suk Jun | Kim | Samul: Jing | 2003 | fixed media, akusmatisch | 7:30 | Stereo | Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | 2003 | Internal Conference of SEAMUS in Arizona, USA, in March 2003. | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||||
| 27636 | Suk Jun | Kim | Samul: Shoi | 2005 | fixed media, akusmatisch | Stereo | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||||||
| 27642 | Suk Jun | Kim | Silver Sounds Project | 2005 | Klangkunst, Installation | Naughton Gallery Belfast | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||||||
| 27632 | Suk Jun | Kim | Sound Screen: Hejning | 2009 | Klangkunst, Installation | 50:00 | 12 Tracks | in collaboration with Sung-Eun Kim | Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | daad | 12.2009 | daad Galerie Berlin | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||
| 27633 | Suk Jun | Kim | Souvenirs for Your Itineraries | 2009 | Klangkunst, Installation | ∞ | 60 Tracks | Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | 12.2009 | daad Galerie Berlin | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||||
| 21607 | Suk Jun | Kim | sudden cry | 1998 | fixed media, akusmatisch | 11:00 | Stereo | 1. piece by the C. | CEC Presence 2/ | PS C. | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||
| 27417 | Suk Jun | Kim | Talk to us | 2009 | fixed media, akusmatisch | 10:30 | 5 tracks | Kehrer-Verlag ISBN 978-3-86828-162-0/ | TU Berlin | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||||||
| 27640 | Suk Jun | Kim | Tea Time | 2002 | fixed media, akusmatisch | Octo | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||||||
| 27634 | Suk Jun | Kim | Thinking Tree | 2002 | Klangkunst, Installation | ∞ | 10 Tracks | in collaboration with Sung-Eun Kim | Kehrer-Verlag ISBN 978-3-86828-162-0/ | NCM Evanston | 2002 | Northwestern University, Evanston, IL, USA | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||
| 25945 | Suk Jun | Kim | Welcome to Hasla | 2007 | fixed media, akusmatisch | 11:10 | Surround 5.1 | MR 2008 Métamorphoses 2008/ Kehrer-Verlag ISBN 978-3-86828-162-0/ | IMEB Bourges, VICC Visby | IMEB Bourges, VICC Sweden | 1. prix ex aequo Métamorphoses 2008 | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | ||||||
| 24997 | Suk Jun | Kim | What the bird saw | 2004 | fixed media, akusmatisch | 7:58 | Stereo | ICMC 2005 Barcelona | ICMC 2005, ars harmonica/ SEAMUS EAM Vol. 15/ Kehrer-Verlag ISBN 978-3-86828-162-0/ | PS C. | 11.2004 | Unbalanced Connection Concert Series 30, University of Florida | 1 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||
| 27637 | Suk Jun | Kim | Yeon | 2004 | fixed media, akusmatisch | Stereo | 0 | http://www.reddoorsound.com/Red_Door_Sound/Compositions/Compositions.html | |||||||||||
| 24967 | Sun Ha | Kim | In the Midst of Ancient Crying | 2001 | fixed media, akusmatisch | 11:55 | KEAMS 10th Anniversary/ | 1 | |||||||||||
| 22385 | Tae-Jin | Kim | Stoßende Zeit | 2000 | fixed media, akusmatisch | 7:50 | Von CD " Gezeiten/Acht Stücke über die Zeit" | HBK Saar/ | HBK Saar | 1 | |||||||||
| 24972 | Young Kil | Kim | Trialogue | 1994 | live-elec, 1 perf | 11:03 | S, (com) [Sopran] | Mi Lan Lim (S) | KEAMS 10th Anniversary/ | 1 | |||||||||
| 31597 | Youngjung | Kim | Funeral | 2013 | fixed media, akusmatisch | 5:00 | next_generation 5.0 | HfM Freiburg | 29.6.2013 | ZKM | 0 | ||||||||
| 42509 | Mari | Kimura | Phantom | 2008 | audiovisuell | IRCAM | 0 | ||||||||||||
| 8354 | Mari | Kimura | "U" (the cormorant) | 1991 | Zuspiel, live-elec, 1 perf | 6:44 | Quadro | vn, (com) [Violine] | TG77; ICMC 1992 | ICMC 1992, PRDC 1300/ CMJ Vol 19, 1995/ | CCRMA | 0 | |||||||
| 40281 | Theodore | King-Smith | Soundtrack of an Open Road | 2016 | fixed media, akusmatisch | Theodore King-Smith | 0 | ||||||||||||
| 40282 | Theodore | King-Smith | Winter’s Summer | 2015 | fixed media, akusmatisch | 5:17:00 | Theodore King-Smith | 0 | |||||||||||
| 39533 | Abe | King | Public Catharsis Study #1 & Aurus | 2017 | fixed media, akusmatisch | Abe King | 0 | ||||||||||||
| 33567 | John | King | Blues '99 | 1993 | Tanz, live-elec, 2 perf | 2 perf [Performer] | Electronics [Live] – David Tudor Resonator Guitar [Pre-recorded Dobro Guitar], Electronics [Live] – John King Dance: CRWDSPCR (1993) |
NWR 80712/ | 1 | ||||||||||
| 33561 | John | King | Gliss In Sighs | 1985 | Tanz, live-elec, 1 perf | 16:19:00 | vn [Violine] | Violin [Pre-recorded And Live Electric Prepared] – John King Dance: Native Green (1985) |
NWR 80712/ | 1 | |||||||||
| 33571 | John | King | Longtermparking | 2002 | Tanz, live-elec, 1 perf | com [computer] | Computer [Laptop] – John King Dance: Fluid Canvas (2002) |
NWR 80712/ | 1 | ||||||||||
| 33584 | John, John Paul, Stephen | King, Jones, Montague | Event — June 17, 2005, London | 2005 | Performance | 8:44:00 | 3 perf [Performer] | Electric Guitar, Electronics [Live] – John King Mandolin [Electric Triple-necked], Electronics [Live] – John Paul Jones Piano [Prepared], Percussion – Stephen Montague |
NWR 80712/ | 1 | |||||||||
| 33582 | John, George | King, Lewis | Event — December 18, 2004, New York City | 2004 | Performance | 6:35:00 | 2 perf [Performer] | Electric Guitar, Electronics [Live] – John King Trombone, Computer [Laptop] – George Lewis |
NWR 80712/ | 1 | |||||||||
| 8355 | Kevin | Kingston | Thoroughly Through Composed | 1987 | fixed media, akusmatisch | 2:30 | Stereo | Brock Uni ON | 0 | ||||||||||
| 8356 | Agnete | Kinman | Om jag än vandrar | 1990 | fixed media, akusmatisch | 13:05 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8357 | Agnete | Kinman | Through | 1991 | fixed media, akusmatisch | 4:25 | Stereo | EMS Stockholm | 0 | ||||||||||
| 20361 | Michelle | Kinney | Coordinated Universal Time | radiophon | 12:25 | Stereo | Tellus 26/ | EMS UIUC | 0 | ||||||||||
| 36172 | Michelle | Kinney | I don’t like American | 2002 | fixed media, akusmatisch | 0:59 | Stereo | innova 119/ | EMS UIUC | 0 | |||||||||
| 8358 | Wolfgang | Kinscher | Phoneia | 1974 | fixed media, akusmatisch | 6:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 8363 | Ernö | Király | Nebo | 1962 | Zuspiel / Tonband, 1 perf | 2:25 | Mono | S [Sopran] | Radio Novi Sad | 0 | |||||||||
| 8365 | Ernö | Király | Poema o zori | 1960 | fixed media, akusmatisch | 2:25 | Mono | Radio Novi Sad | 0 | ||||||||||
| 8367 | Ernö | Király | Signal | 1961 | fixed media, akusmatisch | 0:20 | Mono | Pausenzeichen Radio | Radio Novi Sad | 0 | |||||||||
| 8359 | László | Király | Echo | 1978 | fixed media, akusmatisch | 6:25 | Stereo | MR Budapest | 0 | ||||||||||
| 8360 | László | Király | Etudes repetitives | 1982 | fixed media, akusmatisch | 13:40 | Stereo | MR Budapest | 0 | ||||||||||
| 8361 | László | Király | Le chant de la Foret | 1980 | fixed media, akusmatisch | 7:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 8362 | László | Király | Musica naturae | 1979 - 1981 | fixed media, akusmatisch | 15:50 | Stereo | MR Budapest | 0 | ||||||||||
| 8364 | László | Király | Piano Pieces | 1980 | fixed media, akusmatisch | 11:35 | Stereo | HUN SLPX 12371/ | IPEM Gent, MR Budapest | 1 | |||||||||
| 8366 | László | Király | Réve matinelle sur Thérèse | 1978 | fixed media, akusmatisch | 12:10 | Stereo | MR Budapest | 0 | ||||||||||
| 8368 | László | Király | Souvenirs de Boswil | 1989 | fixed media, akusmatisch | 10:15 | Stereo | MR Budapest, PS SRSEA | 0 | ||||||||||
| 8369 | Zsolt | Király | October 2054 | 1987 | fixed media, akusmatisch | 6:15 | MR Budapest | 0 | |||||||||||
| 20362 | Zsolt | Király | The Sky | Zuspiel / Tonband, 1 perf | 2:25 | Stereo | V [Stimme] | ReR EK1/ | MR Budapest | 0 | |||||||||
| 38906 | Susanne | Kirchmayr | IMAfiction, portrait 08 | 2017 | Film | 31 | IMA portrait 08/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/portrait-08-electric-indigo/ | |||||||||
| 28322 | Leon | Kirchner | Third String Quartet | 1969 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | HEMS Harvard | Pulitzer Prize | 0 | ||||||||||
| 32123 | Keith | Kirchoff | The Adventures of Norby | 2007 | live-elec, 1 perf | 13:48:00 | p [Piano] | Keith Kirchoff, piano; [The distortion heard in this recording is intended by the composer] | SEAMUS EAM Vol. 18/ | 0 | |||||||||
| 42996 | Keith | Kirchoff | White Canvas | 2013 | live-elec, 1 perf | 10:00:00 | p [Piano] | Keith Kirchoff, piano | 0 | ||||||||||
| 8370 | Nicolaj, Herwig | Kirisitz, Baumgartner | aus dem Gleichgewicht | 1994 | fixed media, akusmatisch | 4:35 | ELAK Wien | 0 | |||||||||||
| 25946 | Jacob | Kirkegaard | Concert Room | 2005 | Klangkunst, Installation | 7:50 | Recording of a concert room inside Chernobyl exclusion zone | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 41434 | Jacob | Kirkegaard | Melt | 2015 | Klangkunst, Installation | 10 | 21.9.2018 | Dystopie Festival September 2018 Berlin, Großer Wasserspeicher | 0 | http://www.dystopie-festival.net/wp/?lang=en | |||||||||
| 38592 | Jacob | KIRKEGAARD | Speculum speculi | 2009 | radiophon | 44:44:00 | 0 | ||||||||||||
| 8372 | Michail | Kirkoff | JUTRZNIA | 1979 | Zuspiel / Tonband, 2 perf, 1 group | 24:10 | Stereo | ch, ins, mus [Musiker, Instrument, Chor] | SME Krakow | 0 | |||||||||
| 8373 | Matthew | Kiroff | Buzzard Song | 1994 | fixed media, akusmatisch | 12:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 30071 | Matthias | Kirschke | Arc | 2008 | fixed media, akusmatisch | 5:03 | noomusic Arc DEAR40928523 / | PS Kirschke (sem) | 0 | ||||||||||
| 30081 | Matthias | Kirschke | arc noir | 2008 | fixed media, akusmatisch | 4:58 | noomusic Arc DEAR40928533 / | PS Kirschke (sem) | 0 | ||||||||||
| 30072 | Matthias | Kirschke | Argon 1 | 2008 | fixed media, akusmatisch | 2:23 | noomusic Arc DEAR40928524 / | PS Kirschke (sem) | 0 | ||||||||||
| 30073 | Matthias | Kirschke | Argon 2 | 2008 | fixed media, akusmatisch | 2:27 | noomusic Arc DEAR40928525 / | PS Kirschke (sem) | 0 | ||||||||||
| 30082 | Matthias | Kirschke | argon drums | 2008 | fixed media, akusmatisch | 3:17 | noomusic Arc DEAR40928535 / | PS Kirschke (sem) | 0 | ||||||||||
| 30085 | Matthias | Kirschke | argon final | 2008 | fixed media, akusmatisch | 1:27 | noomusic Arc DEAR40928538 / | PS Kirschke (sem) | 0 | ||||||||||
| 30100 | Matthias | Kirschke | Barcode | 1986 | audiovisuell | PS Kirschke (sem) | 0 | ||||||||||||
| 30080 | Matthias | Kirschke | christal rain - the air | 2008 | fixed media, akusmatisch | 9:15 | noomusic Arc DEAR40928532 / | PS Kirschke (sem) | 0 | ||||||||||
| 30078 | Matthias | Kirschke | christal rain - the sky | 2008 | fixed media, akusmatisch | 4:00 | noomusic Arc DEAR40928530 / | PS Kirschke (sem) | 0 | ||||||||||
| 30084 | Matthias | Kirschke | christal rain-the spirit | 2008 | fixed media, akusmatisch | 4:12 | noomusic Arc DEAR40928537 / | PS Kirschke (sem) | 0 | ||||||||||
| 30074 | Matthias | Kirschke | chrom | 2008 | fixed media, akusmatisch | 6:26 | noomusic Arc DEAR40928526 / | PS Kirschke (sem) | 0 | ||||||||||
| 19131 | Matthias | Kirschke | Dune (deep sea…, screaming rocks, crabs like waves) | 1993 | fixed media, akusmatisch | PS Kirschke (sem) | 1994 | Beijing Art Palace in Beijing/China | 0 | ||||||||||
| 30102 | Matthias | Kirschke | Elemente | 1984 | fixed media, akusmatisch | PS Kirschke (sem) | 1984 | 1. Berlin Astrologie Congress | 0 | ||||||||||
| 30075 | Matthias | Kirschke | elips | 2008 | fixed media, akusmatisch | 6:19 | noomusic Arc DEAR40928527 / | PS Kirschke (sem) | 0 | ||||||||||
| 30103 | Matthias | Kirschke | Es lebe Deutschland | 1989 | Film | director: Konstantin Schmidt | PS Kirschke (sem) | 0 | |||||||||||
| 18845 | Matthias | Kirschke | Klangmaterie | 1983 | Klangkunst, Installation | PS Kirschke (sem) | 1 | ||||||||||||
| 20198 | Matthias | Kirschke | Masaï | 1995 | fixed media, akusmatisch | 12:57 | Cybele 960.204/ DegeM CD 04/ | PS Kirschke (sem) | 1996 | Mons (Belgium) | 1 | ||||||||
| 30076 | Matthias | Kirschke | metaphore - ant dreams | 2008 | fixed media, akusmatisch | 2:50 | noomusic Arc DEAR40928528 / | PS Kirschke (sem) | 0 | ||||||||||
| 30077 | Matthias | Kirschke | metaphore - echo dream | 2008 | fixed media, akusmatisch | 11:57 | noomusic Arc DEAR40928529 / | PS Kirschke (sem) | 0 | ||||||||||
| 30083 | Matthias | Kirschke | noir | 2008 | fixed media, akusmatisch | 4:13 | noomusic Arc DEAR40928536 / | PS Kirschke (sem) | 0 | ||||||||||
| 30101 | Matthias | Kirschke | Sandbänke | 1989 | audiovisuell | PS Kirschke (sem) | 0 | ||||||||||||
| 30056 | Matthias | Kirschke | sil a | 2008 | fixed media, akusmatisch | 3:00 | noomusic Sil DEAR40928347 / | PS Kirschke (sem) | 0 | ||||||||||
| 30057 | Matthias | Kirschke | sil b | 2008 | fixed media, akusmatisch | 00:57 | noomusic Sil DEAR40928349 / | PS Kirschke (sem) | 0 | ||||||||||
| 30058 | Matthias | Kirschke | sil c | 2008 | fixed media, akusmatisch | 1:58 | noomusic Sil DEAR40928351 / | PS Kirschke (sem) | 0 | ||||||||||
| 30059 | Matthias | Kirschke | sil d | 2008 | fixed media, akusmatisch | 3:55 | noomusic Sil DEAR40928353 / | PS Kirschke (sem) | 0 | ||||||||||
| 30060 | Matthias | Kirschke | sil e | 2008 | fixed media, akusmatisch | 1:20 | noomusic Sil DEAR40928356 / | PS Kirschke (sem) | 0 | ||||||||||
| 30061 | Matthias | Kirschke | sil f | 2008 | fixed media, akusmatisch | 6:37 | noomusic Sil DEAR40928359 / | PS Kirschke (sem) | 0 | ||||||||||
| 30062 | Matthias | Kirschke | sil g | 2008 | fixed media, akusmatisch | 2:25 | noomusic Sil DEAR40928361 / | PS Kirschke (sem) | 0 | ||||||||||
| 30063 | Matthias | Kirschke | silent storm | 2008 | fixed media, akusmatisch | 4:17 | noomusic Sil DEAR40928362 / | PS Kirschke (sem) | 0 | ||||||||||
| 30064 | Matthias | Kirschke | sona 1 | 2008 | fixed media, akusmatisch | 2:42 | noomusic Sil DEAR40928363 / | PS Kirschke (sem) | 0 | ||||||||||
| 30065 | Matthias | Kirschke | sona 2 | 2008 | fixed media, akusmatisch | 3:16 | noomusic Sil DEAR40928364 / | PS Kirschke (sem) | 0 | ||||||||||
| 30066 | Matthias | Kirschke | sona 3 | 2008 | fixed media, akusmatisch | 7:44 | noomusic Sil DEAR40928365 / | PS Kirschke (sem) | 0 | ||||||||||
| 30087 | Matthias | Kirschke | Sphere 1 | 2008 | fixed media, akusmatisch | 23:37 | noomusic Spheres DEAR40928604 / | PS Kirschke (sem) | 0 | ||||||||||
| 30092 | Matthias | Kirschke | Sphere 10 | 2008 | fixed media, akusmatisch | 5:27 | noomusic Spheres DEAR40928611 / | PS Kirschke (sem) | 0 | ||||||||||
| 30093 | Matthias | Kirschke | Sphere 13 | 2008 | fixed media, akusmatisch | 4:52 | noomusic Spheres DEAR40928612 / | PS Kirschke (sem) | 0 | ||||||||||
| 30094 | Matthias | Kirschke | Sphere 16 | 2008 | fixed media, akusmatisch | 5:16 | noomusic Spheres DEAR40928613 / | PS Kirschke (sem) | 0 | ||||||||||
| 30095 | Matthias | Kirschke | Sphere 19 | 2008 | fixed media, akusmatisch | 8:15 | noomusic Spheres DEAR40928615 / | PS Kirschke (sem) | 0 | ||||||||||
| 30088 | Matthias | Kirschke | Sphere 2 | 2008 | fixed media, akusmatisch | 20:29 | noomusic Spheres DEAR40928606 / | PS Kirschke (sem) | 0 | ||||||||||
| 30096 | Matthias | Kirschke | Sphere 21 | 2008 | fixed media, akusmatisch | 9:45 | noomusic Spheres DEAR40928616 / | PS Kirschke (sem) | 0 | ||||||||||
| 30097 | Matthias | Kirschke | Sphere 23 | 2008 | fixed media, akusmatisch | 6:07 | noomusic Spheres DEAR40928617 / | PS Kirschke (sem) | 0 | ||||||||||
| 30098 | Matthias | Kirschke | Sphere 24 | 2008 | fixed media, akusmatisch | 3:05 | noomusic Spheres DEAR40928618 / | PS Kirschke (sem) | 0 | ||||||||||
| 30089 | Matthias | Kirschke | Sphere 3 | 2008 | fixed media, akusmatisch | 23:17 | noomusic Spheres DEAR40928607 / | PS Kirschke (sem) | 0 | ||||||||||
| 30090 | Matthias | Kirschke | Sphere 5 | 2008 | fixed media, akusmatisch | 20:29 | noomusic Spheres DEAR40928608 / | PS Kirschke (sem) | 0 | ||||||||||
| 30091 | Matthias | Kirschke | Sphere 9 | 2008 | fixed media, akusmatisch | 5:02 | noomusic Spheres DEAR40928610 / | PS Kirschke (sem) | 0 | ||||||||||
| 30067 | Matthias | Kirschke | stalactit | 2008 | fixed media, akusmatisch | 3:57 | noomusic Sil DEAR40928366 / | PS Kirschke (sem) | 0 | ||||||||||
| 30099 | Matthias | Kirschke | Steinwasser | 1984 | Klangkunst, Installation | PS Kirschke (sem) | 0 | ||||||||||||
| 19132 | Matthias | Kirschke | Train | 1996 | fixed media, akusmatisch | PS Kirschke (sem) | 1996 | Barcelona | 1 | ||||||||||
| 30068 | Matthias | Kirschke | Wild glas 1 | 2008 | fixed media, akusmatisch | 10:36 | noomusic Sil DEAR40928367 / | PS Kirschke (sem) | 0 | ||||||||||
| 30069 | Matthias | Kirschke | Wild glas 2 | 2008 | fixed media, akusmatisch | 13:30 | noomusic Sil DEAR40928368 / | PS Kirschke (sem) | 0 | ||||||||||
| 8374 | Harry | Kirschner | Ancient Music | 1982 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 8375 | Harry | Kirschner | Moebius Strip | 1981 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 8376 | Harry | Kirschner | Surfaces II | 1982 | fixed media, akusmatisch | 13:14 | Stereo | McGill Montréal | 0 | ||||||||||
| 31667 | Kazuyuki | Kishino | Cryptozoon redux | 2008 - 2011 | fixed media, akusmatisch | 173:11 | Stereo | 5 parts | nux organization/ | INA • GRM | 0 | ||||||||
| 28590 | Malika | Kishino | Abstentia | 2007 | Tanz, live-elec, 1 perf | 40 | dancer [Tanz] | Théâtre de Viviers | 23.11.2007 | Viviers en basse Ardéche | 0 | http://www.malika-kishino.com/Works/Electronic-Music | |||||||
| 28593 | Malika | Kishino | Aqua Vitae | 2008 | live-elec, 4 perf | 9:43 | Octo | 2 p, 2 perc [Piano, Schlagzeug] | 11.12.2008, Piano Plus Festival in ZKM | ZKM Karlsruhe | ZKM | 07.11.2008 | Klangwerkstatt in Berlin | 0 | http://www.malika-kishino.com/Works/Electronic-Music | ||||
| 25947 | Malika | Kishino | Éclosion | 2005 | Zuspiel / Tonband, 1 perf | 12:15 | 9 tracks | hp [Harfe] | Chr. Saunier (harp) | IRCAM | 14.10.2005 | IRCAM | 1 | http://www.malika-kishino.com/Works/Electronic-Music | |||||
| 25948 | Malika | Kishino | Irisation aquatique | 2002 | Zuspiel / Tonband, 3 perf | 10 | b-cl, p, vc [Klarinette, Piano, Cello] | Atelier Xxeme | 3.7.2002 | CNSM Lyon | 1 | http://www.malika-kishino.com/Works/Electronic-Music | |||||||
| 28591 | Malika | Kishino | Lebensfunke | 2007 | live-elec, 1 perf | 12 | b-drum [Schlagzeug] | revision 2010! | Experimentalstudio für Akustische Kunst Freiburg | Experimentalstudio for akustische Kunst e.V., Freiburg | 07.12.2007 | München Gasteig, (Production in Experimentalstudio des SWR in Freiburg) | Edizioni Suvini Zerboni Milano | 0 | http://www.malika-kishino.com/Works/Electronic-Music | ||||
| 28595 | Malika | Kishino | Lebensfunke II | 2009 | live-elec, 1 perf | 16:10 | Octo | b-drum [Schlagzeug] | Experimentalstudio für Akustische Kunst Freiburg | Experimentalstudio for akustische Kunst e.V., Freiburg, | 26.01.2010 | Ultraschall Festival 2010, Radialsystem Berlin | Edizioni Suvini Zerboni Milano | 0 | http://www.malika-kishino.com/Works/Electronic-Music | ||||
| 25949 | Malika | Kishino | Lo mes d’abrieu s’es en anat.. | 2005 | Zuspiel / Tonband, 12 perf, 1 group | 7 | 12 fem V, children ch [Stimme, Chor] | after a folk-song from Ardéche | IRCAM, TU Berlin | Choeur Britten | 11.11.2006 | Davézieux France | 1 | http://www.malika-kishino.com/Works/Electronic-Music | |||||
| 28594 | Malika | Kishino | Qualia | 2009 | live-elec, 1 perf | 14:30 | 10 Tracks | b-koto [Streicher] | INA • GRM | INA • GRM | 23.05.2009 | Maison de Radio-France, Paris, Multipnonie Festival | 0 | http://www.malika-kishino.com/Works/Electronic-Music | |||||
| 28592 | Malika | Kishino | Rayons Crépusculaires | 2007/2008 | live-elec, 1 perf, 1 group | 17:15 | Octo | b-drum, ens [Schlagzeug, Ensemble] | GRAME Lyon | GRAME and l´état francaise. | 15.03.2008 | Biennale musique en scène in Lyon | Edizioni Suvini Zerboni Milano | 0 | http://www.malika-kishino.com/Works/Electronic-Music | ||||
| 8377 | Anatoli | Kisilev | Humour | 1991 | Zuspiel / Tonband, 2 perf, 1 group | Vs, synt [Stimme, synthesizer] | 0 | ||||||||||||
| 29968 | Ludger | Kisters | Alchimie du Verbe | 2002 | fixed media, akusmatisch | Octo | Text: Arthur Rimbaud | 0 | |||||||||||
| 29966 | Ludger | Kisters | Amygdala | 2001 | Zuspiel / Tonband, 1 group | orc [Orchester] | Thüringer Symphoniker Saalfeld-Rudolstadt, | Thüringer Symphoniker Saalfeld-Rudolstadt, Ltg. Oliver Weder | 0 | ||||||||||
| 29987 | Ludger | Kisters | an den Randen der Teiche | 2012 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 29967 | Ludger | Kisters | April-Musik | 2001 | Zuspiel / Tonband, 1 perf | fl [Flöte] | via nova e.V. | 0 | |||||||||||
| 29969 | Ludger | Kisters | Colours | 2003 | Zuspiel / Tonband, 1 perf, 1 group | (trad indonesien) ins, orc [Instrument, Orchester] | 0 | ||||||||||||
| 29981 | Ludger | Kisters | Der Atem des Waldes - Klangspuren vom Amazonas, The Breath of the Forest | 2009 | fixed media, akusmatisch | Surround 5.1 | Part 01 & 02 of the DVD Arthaus 102174: Uli Aumüller „Im Wald“ | Arthaus 102174/ | BR 4 Klassik | 19.9.2009 | BR-Klassik | 0 | |||||||
| 29983 | Ludger | Kisters | Der Garten | 2011 | fixed media, akusmatisch | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 29980 | Ludger | Kisters | Der Gestalter | 2009 | Tanz | Bar [Bariton] | Zusammenarbeit Karo Kollwitz (Kostüm, Choreographie), Text nach Richard Huelsenbeck u.a. | 0 | |||||||||||
| 25950 | Ludger | Kisters | Der Taumel | 2007 | fixed media, akusmatisch | 7:00 | Octo | SeaM Weimar, ICST Zürich | 1 | ||||||||||
| 29964 | Ludger | Kisters | Es ist Zeit | 1999 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 29986 | Ludger | Kisters | Ex thuringia | 2012 | audiovisuell, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 29978 | Ludger | Kisters | Fantazia | 2008 | live-elec, 1 perf | va [Viola] | 0 | ||||||||||||
| 29977 | Ludger | Kisters | fluchten | 2007 | Tanz, live-elec, 6 perf | 6 dancer [Tanz] | Zusammenarbeit mit Chris Ziegler (Installation), Steffen Fuchs (Choreographie,) Martin Bellardi (Lichtprogrammierung) | Kunstfest Weimar | 0 | ||||||||||
| 29971 | Ludger | Kisters | … im Sturze | 2006 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29965 | Ludger | Kisters | Im Traum wird geschlafen | 1999 | Zuspiel / Tonband, 2 perf | Octo | vc, perc [Schlagzeug, Cello] | via nova e.V. | 0 | ||||||||||
| 29974 | Ludger | Kisters | Im Zwielicht | 2006 | live-elec, 4 perf | str-qt [Streicher] | 2006 | Rencontres Syntono in Nantes 2006 durch das Xenia Streichquartett | 0 | ||||||||||
| 29973 | Ludger | Kisters | in between, and further | 2006 | live-elec, 2 perf | fl, vn, (elec) [Flöte, Violine] | "Neue Horizonte", querstand 2007/ | via nova e.V. | 2006 | Carin Levine/David Alberman in Weimar Ensemble Modern Weltmusiktage Stuttgart 2006 |
0 | ||||||||
| 29976 | Ludger | Kisters | Mäander | 2007 | live-elec, 5 perf | str-qt, MaxMSP [computer, Streicher] | IRCAM | 18.07.2007 | Metz, Arditti quartet und IRCAM | 0 | |||||||||
| 29975 | Ludger | Kisters | Nocturne | 2007 | live-elec, 2 perf | fl, perc, (elec) [Flöte, Schlagzeug] | 12.4.2007 | Weimarer Frühjahrstage, Carin Levine und Marta Klimasara | 0 | ||||||||||
| 41387 | Ludger | Kisters | Now the Night | 2018 | live-elec, 2 perf | 2 acc [Akkordeon] | Klangnetz Thüringen | 11.11.2018 | Weimar; Akkordeon-Duo (Claudia Buder / Maria Löschner) | 0 | |||||||||
| 29982 | Ludger | Kisters | Stimmen | 2011 | live-elec, 1 group | ens [Ensemble] | Ensemble "reflexion K" | 0 | |||||||||||
| 29970 | Ludger | Kisters | Takutaku- a story line | 2004/2005 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 29984 | Ludger | Kisters | Toccata | 2011 | live-elec, 1 perf | acc [Akkordeon] | 0 | ||||||||||||
| 29979 | Ludger | Kisters | translucency | 2009 | fixed media, akusmatisch | Surround 5.1 | 0 | ||||||||||||
| 28734 | Ludger | Kisters | Zungen | 2012 | live-elec, 3 perf | Octo | cymbalom, acc, db [Akkordeon, Kontrabass, Streicher] | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte | 0 | |||||||||
| 29972 | Ludger, Markus | Kisters, Schlaffke | Fliegt! Gedanken! | 2006 | Klangkunst, Installation | Freistaat Thüringen) | 2006 | ehemaliges Stasi-Gefängnis Erfurt | 0 | ||||||||||
| 31546 | Aoi | Kita | teku-teku | 2013 | fixed media, akusmatisch | 7:00 | next_generation 5.0 | HfM Dresden | 26.6.2013 | ZKM | 0 | ||||||||
| 36484 | Takayoshi | Kitajima | Rendered | 2007 | radiophon | 3:37:00 | and 26/ | 0 | |||||||||||
| 8378 | Michio | Kitazume | Re-Incarnation, Reincarnation | 1982 | fixed media, akusmatisch | 18:30 | OUOADM 0801/ | NHK Tokyo | 1 | ||||||||||
| 39409 | Johanna | Kivimägi | Reflection | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 8379 | Group | KIXX | Weißer Voodoo | 1991 | live-elec, 1 group | 45:00 | Stereo | ens [Ensemble] | Galrev/ | AdK Berlin | 0 | ||||||||
| 31571 | Marinus | Klaassen | Kapottiger | 2013 | fixed media, akusmatisch | 8:00 | Quadro | next_generation 5.0 | Sonology Den Haag | 0 | |||||||||
| 43204 | Josef | Klammer | Drumming Is an Elastic Concept, Trommeln ist ein Dehnbarer Begriff | 2008 | Performance | perf and perc [Schlagzeug, Performer] | Auszeichnung ars electronica Award of Distinction 2015 | 0 | |||||||||||
| 42134 | Josef, Heimo, Albert | Klammer, Puschnigg, Pall | „... der radio-oper“ | 2010 | radiophon | ORF | 0 | ||||||||||||
| 28724 | Group, Nicolai, Golo, Roland, Beate, Sabine, Dirk | Klangfach 6, Beuermann, Föllmer, Frank, Lotz, Schneider, Schwibbert | Bogen 51°23’ / 7°40’ | 1994 | Klangkunst, Installation | ∞ | TU Berlin | 26.8.-2.10.1994 | Iserlohn beim Festival "Klangvisionen" | 0 | |||||||||
| 8380 | Group, Nicolai, Golo, Roland, Beate, Sabine, Dirk | Klangfach 6, Beuermann, Föllmer, Frank, Lotz, Schneider, Schwibbert | Regenzeit | 1992 | Klangkunst, Installation | ∞ | 10 Tracks | Klanginstallation Regenzeit der Gruppe "Klangfach 6" im Ruinengarten der Hochschule der Künste Berlin; diese Arbeit wurde in Iserlohn vom 4.-9.11. wiederholt (DuKunst Festival) | TU Berlin | HdK Berlin | 4.-18.7.1992 | HdK Berlin, Hardenbergstraße, Ruinengarten | 0 | ||||||
| 8381 | Group, Nicolai, Golo, Roland, Beate, Sabine, Dirk, Jutta, Jens-Uwe, Roswitha von den | Klangfach 6, Beuermann, Föllmer, Frank, Lotz, Schneider, Schwibbert, Ravenna, Dyffort, Driesch | Seestück - Hörstück '94 (8 buoys with LS) | 1994 | Klangkunst, Installation | ∞ | Stereo + Stereo + Stereo + Stereo | Unter der Leitung von Robin Minard verwirklichen die Teilnehmern seiner Lehrveranstaltung die Installation Seestück - Hörstück auf dem Rangsdorfer See mit Arbeiten von Nicolai Beuermann, Jens-Uwe Dyffort, Roswitha von den Driesch, Jutta Ravenna, Golo Föllmer, Klaus Lebkücher, Beate Lotz, Hannes Metz, Penko Stoitschev, Dirk Schwibbert, "Klangfach 6" | TU Berlin | 3.7.1994 | Rangsdorfer See | 0 | |||||||
| 8382 | Group, Nicolai, Golo, Roland, Beate, Sabine, Dirk | Klangfach 6, Beuermann, Föllmer, Frank, Lotz, Schneider, Schwibbert | unterm Himmel weht der Wind | 1993 | Klangkunst, Installation | ∞ | Octo | TU Berlin | Quarnstedt, Wendland | 24.7.1993 | Quarnstedt, Westwendischer Kunstverein | 0 | |||||||
| 8383 | Group, Frank Michael, Peter, Berndt, Erwin, Gerhard | Klangwerkstatt, Beyer, Castine, Heller, Koch-Raphael, Klemke | Klangwerk | 1976 | fixed media, akusmatisch | 20:00 | Stereo + Stereo | TU Berlin | 9.3.1976 | Theater- und Probensaal der HdK Berlin | 1 | ||||||||
| 22138 | Magdalena | Klapper | Instrument - Area I | 1997 | fixed media, akusmatisch | 9:53 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 19322 | Magdalena | Klapper | Tiergarten. 3rd Level of Gaiety | 1996 | Zuspiel / Tonband, 1 perf | 10:10 | perc [Schlagzeug] | Pilch | Warschauer Herbst '97, Vol. 9/ | TU Berlin | 1 | ||||||||
| 27876 | Giorgio | Klauer | Dix morceaux | 2003 | live-elec, 1 perf | va [Viola] | CRFMW Liège | 5.06.2003 | Bruxelles, Festival Trois Visages de la musique électroacoustique | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 8384 | Giselher | Klebe | Die Ermordung Cäsars | 1959 | Oper | Mono | 0 | ||||||||||||
| 8385 | Giselher | Klebe | Interferenzen | 1955 | fixed media, akusmatisch | 4:38 | Mono | BVHAAST 9106/ CDCD 5067/ IDEAMA CD 097/ | WDR SEM | 30.5.1956 | "Musik der Zeit" Köln | 1 | |||||||
| 8386 | Giselher | Klebe | Konzert op. 64 | 1974 | live-elec, 1 perf, 1 group | hpd, orc [Cembalo, Orchester] | 0 | ||||||||||||
| 8387 | Giselher | Klebe | Menagerie | 1958 | Tanz, 1 group | Mono | orc [Orchester] | 0 | |||||||||||
| 30011 | Georg | Klein | a3 - Miniatur | 2001 | fixed media, akusmatisch | 6:00 | 6 | Electronic piece with a single a'''-tone in an array of 6 speakers | 0 | ||||||||||
| 24255 | Georg | Klein | Ankündigung der Wirklichkeit | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 30012 | Georg | Klein | asphalt | 2000 | fixed media, akusmatisch | 12:35 | electronic piece with transformed street noise and computer generated sounds | 0 | |||||||||||
| 30013 | Georg | Klein | Cellini | 1999 | Performance | 14:00 | 4 vc [Cello] | 4 views on Cellini's Perseus | 0 | ||||||||||
| 41437 | Georg | Klein | Fog Zone | 2018 | Klangkunst, Installation | 10 | 21.9.2018 | Dystopie Festival September 2018 Berlin, Großer Wasserspeicher | 0 | http://www.dystopie-festival.net/wp/?lang=en | |||||||||
| 30021 | Georg | Klein | Godwin | 2011 | Klangkunst, Installation | 6 | Voice of a Nigerian, illegal immigrant. Installation Make me wild - Godwin | 0 | |||||||||||
| 30017 | Georg | Klein | haiku - hommage | 1998 | Performance | var 7 - 17 | any ins [Instrument] | for any instruments | 0 | ||||||||||
| 30010 | Georg | Klein | Imperial News: fern-sehen-hören | 2003 | radiophon | 35:00 | Radio version of the installation "Imperial News", with voices and melodies of television news during the Iraq War 2003 | 0 | |||||||||||
| 30001 | Georg | Klein | Lautsprecher und Leisesprecher | 2010 | Performance, live-elec, 4 perf | 10:30 | Quadro | 4 vocal perf, (4 personal LS) [Performer] | concert piece for 4 vocal performers and 4 personal loudspeakers 4 loudspeakers in head-size, 4 micros and 4-channel-tape | 23.Sept. 2010 | Villa Elisabeth Berlin, die maulwerker | 0 | |||||||
| 30015 | Georg | Klein | Li … und die Erde I+II | 1999 | live-elec, 1 group | 18:30 | ens, (elec) [Ensemble] | for ensemble and live-electronic (phrase sampler) | Int. Gustav-Mahler-Composition Prize 1999 | 0 | |||||||||
| 27378 | Georg | Klein | Ortsklang Marl Mitte meta.stasen turmlaute / Wachturm |
2007 | Klangkunst, Installation | Performance |
11:00 | meta.stasen: in einer Tram Dresden-Hellerau Wachturm: alter Wachturm an der Berliner Mauer. siehe Organised Sound Vol 14/1 |
Organised Sound Vol 14/3/ | 1 | http://www.georgklein.de | |||||||||
| 30009 | Georg | Klein | Peer Gynt | 2004 | Theatermusik | 220 | Theater music for "Peer Gynt" by Henrik Ibsen. With Uwe Bohm, Angela Winkler etc. (Berliner Ensemble 2004-2008) | 2004-2008 | Berliner Ensemble | 0 | |||||||||
| 30003 | Georg | Klein | Peregrinatio Paradiso | 2008 | radiophon | 36:00 | Radio version of the sound walk in gardens of Hannover with texts by Ovid, Kurt Schwitters and interviews with blind and blind-deaf people, voice: Angela Winkler, vocal performance: Steffi Weismann | 0 | |||||||||||
| 30022 | Georg | Klein | Ramallah Tours | 2009 | Klangkunst, Installation | 12 | 0 | ||||||||||||
| 30006 | Georg | Klein | sixis | 2006 | live-elec, 6 perf | 12 | 6 | p, vn, va, vc, cl, fl [Flöte, Klarinette, Piano, Viola, Cello, Violine] | for sextett with virtual mirror sextett (piano, violin, viola, cello, clarinet, flute and 6 hidden loudspeakers / 6-channel audio) | 28th of feb. 2006 | Konzerthaus Berlin, modern art sextett: Klaus Schöpp - fl, Theodor Flindell - vl, Yoriko Ikeya - p,, Matias de Olivera Pinto - vcl, Jean-Claude Velin - vla, Unolf Wäntig - cl |
0 | |||||||
| 30016 | Georg | Klein | Spiegelgespräch I | 1999 | live-elec, 1 perf | 12:30 | vn [Violine] | Solo-duet for violin and live-electronic (phrase sampler) | 0 | ||||||||||
| 30014 | Georg | Klein | Spiegelgespräch II | 1999 | live-elec, 1 perf | 10:00 | fl, (elec) [Flöte] | Solo-duet for flute and live-electronic (phrase-sampler) | 0 | ||||||||||
| 30002 | Georg | Klein | Sprich mit mir | Talk to me | 2009 | radiophon | 29:00 | Radio version of the installation on a red light district with interviews of costumers of prostitutes | 0 | |||||||||||
| 30020 | Georg | Klein | Suite amor fati | 1996 | Film | 56 | music for the documentary film "amor fati" by Sophie Kotanyi on an hungarian family in exile for prepared piano, flute and prepared cello | CD amor fati/ | 47th. Berlin International Film Festival | 1 | |||||||||
| 34676 | Georg | Klein | The Interactive Piano | 2016 | Klangkunst, Installation | ∞ | (p) [] | SMC2016, HAW | 0 | ||||||||||
| 22490 | Georg | Klein | TRANSIT/ION | 2000 | Zuspiel, live-elec, 1 perf | 16:43 | sax [Saxophon] | Für Saxofon, Lichtsensorik und Raumklangregie | GEMA 182/o15/ | PS C., TU Berlin | 24.1.2002 | kleiner Sendesaal des SFB bei UltraSchall Festival 2002 | 1 | ||||||
| 22386 | Georg | Klein | Transition, Transition for saxophone | 2001 | Klangkunst, Installation | 66:00 | sax, elec, (light sensors) [Saxophon, elektronik] | PS C., TU Berlin | Januar 2001 | Ultraschallkonzert 2001 | 1 | http://www.klangkunstpreis.de/ | |||||||
| 30004 | Georg | Klein | Ugolinos song | 2006 | Performance | 10:30 | fem V [Stimme] | text by Dante Alighieri, composed for the installation turmlaute.1 : starvation tower | 0 | ||||||||||
| 22387 | Georg | Klein | Wel-come | 2000/2001 | Klangkunst, Installation | 22 | Stereo | TU Berlin | August 2002 | Schlosspark Wiepersdorf | 1 | ||||||||
| 30005 | Georg, Tetsuo | Klein, Furudate | DADAyama | 2006 | Performance | 90:00 | Quadro | 4 Sp, (4 LS, elec, video), dance [Sprecher, Tanz] | With texts by Takahashi Shinkichi, Walter Mehring, Murayama Tomoyoshi, Raoul Hausmann, Hagiwara Kyojiro. Live broadcasted by Deutschlandradio 20:05 - 22:30 Livestream European Broadcasting Union, Satellite 20:30 - 21:00 Producers: Marcus Gammel / Götz Naleppa (DRadio Berlin) |
17th Jan. 2006 | TESLA Kubus; maulwerker: Ariane Jessulat, Michael Hirsch, Christian Kesten, Steffi Weismann conduct performance: Steffi Weismann dance performance: Miho Iwata |
0 | |||||||
| 30008 | Georg, Steffi | Klein, Weismann | auf jeden Fall | 2005 | Performance | 20:00 | Quadro | 2 perf [Performer] | audio-visual performance for two players in a double-container, 2 container-screens, 4 speakers | 0 | |||||||||
| 30007 | Georg, Steffi | Klein, Weismann | pickup | 2005 | Performance | 2 perf (with wireless microphones, lounge music and orange lights) [Performer] | performance around an empty kiosk with pickup sentences | 31rd March 2005 | Installative Interaction: 31rd March - 4th April 2005 | marks blond project - raum für zeitgenÖssische kunst bern | 0 | |||||||||
| 35965 | Joseph | Klein | Cornell Set | 2010 - 2011 | live-elec, 1 perf | 8 | Quadro | Sp (poetry reading), (com) [Sprecher] | innova 873/ | CEMI Denton | Cornell University Department of English | 15 April 2011 | first performed by poets Tacey M. Atsitty, Clayton Pityk, Benjamin Garcia, and Elizabeth Rogers | 0 | |||||
| 39941 | Joseph | Klein | Cornell Set | 2015 | fixed media, akusmatisch | 8:07:00 | Joseph Klein | 0 | |||||||||||
| 20986 | Joseph | Klein | Dog (after W.S. Merwin) | 1997 | live-elec, 2 perf | 10:17 | Stereo, Octo | fem V, bn, (intermedia) [Stimme, Fagott] | 6 episodes | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 0 | |||||||
| 35966 | Joseph | Klein | Leviathan | 1998 | live-elec, 2 perf | intermedia |
11 | Octo | male V, b-trbn, (intermedia) [Stimme, Posaune] | innova 873/ | CEMI Denton | Faculty Research Grant from the University of North Texas | 0 | |||||||
| 35967 | Joseph | Klein | Three Poems from Felt | 2005 | live-elec, 1 perf | 8 | Octo | Sp (poetry reading), (com) [Sprecher] | innova 873/ | CEMI Denton | 4 April 2005 | University of North Texas | 0 | ||||||
| 35968 | Joseph | Klein | Zwei Parabeln nach Franz Kafka | 2006 | Zuspiel / Tonband, 25 perf | 12 | Stereo | narrator, 24 V (mixed ch SATB), (com) [Stimme, Schauspieler] | Centaur CRC 3219 Vol. 39/ |
CEMI Denton | 20 November 2006 | University of North Texas | 0 | ||||||
| 21812 | Judy | Klein | 88" for Nick | 1993 | fixed media, akusmatisch | Cuneiform 55011/ | Brooklyn Coll | 0 | |||||||||||
| 8388 | Judy | Klein | Elements 1.1 : sulphur, phosphorus, diamond | 1993 | fixed media, akusmatisch | 12:30 | SEAMUS EAM 9501 Vol. 4/ | Brooklyn Coll | 1 | ||||||||||
| 8389 | Judy | Klein | From the journals of Felix Bosonnet | 1987 | fixed media, akusmatisch | 9:00 | PDP11 | ICMC 1989/ | SUNY Albany | 1 | |||||||||
| 42627 | Judy | Klein | railcar | 2008 | fixed media, akusmatisch | 9:08 | IMEB Bourges | IMEB Borges | June 2008 | IMEB Bourges, Festival | 0 | ||||||||
| 42689 | Judy | Klein | The Wolves of Bays Mountain | 2012 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 23648 | Julian | Klein | Brain study, a rose is | 2001/2002/2004 | Radiokunst, live-elec, 2 perf | 48:25 | perf (Gehirne,) V, elec [Stimme, elektronik] | Installation für vernetzte Gehirnspieler von Julian Klein. Installation with interconnected brain players. Radioversion 2001 prod: Matthias Neukirch (V), Bangert (Neurotechnik), Schwellenbach (Audio-Elektronik), Solle (Ton) |
Radio HR Frankfurt | 2004 | Live Version Berliner Festspiele / MaerzMusik | Danzer Prize for contemporary music 2002 CYNETart Award recommendation 2004 |
1 | http://mspcafe.g2312.de/projects/brainstudy/ | |||||
| 28389 | Julian | Klein | Innen, ich denke ich bin, Ein Theaterabend über das Denken | Theatermusik | 15 | Ausschnitte aus Inszenierung und Hörspielfassung. Insz+Musik Julian Klein; Zehnder (Bühne), Hamann (Kostüme), Großbach & Bangert (Gehirn-Elektronik) | 1 | ||||||||||||
| 32325 | Juliane | Klein | Aus der Wand die Rinne 10 | 2006 | live-elec, | 11 | WER 65592/ | Edition Juliane Klein EJK0162 | 0 | ||||||||||
| 42135 | Peter, Michael | Klein, Köhlmeier | March movie | 1983 | radiophon | ORF | 0 | ||||||||||||
| 8390 | Richard, Mark | Klein, Hosler | Wildman | 1991 | intermedia, live-elec, 2 perf | 3:39 | V, e-perc [Stimme, Schlagzeug] | AER 1992 / 5/ | 1 | ||||||||||
| 36652 | William | Kleinsasser | Available Instruments | 2002 | live-elec, 1 perf | 14:41 | p [Piano] | c74 - 006/ c74-001-c74-008/ c74-004-c74-007/ | 0 | ||||||||||
| 36665 | William | Kleinsasser | Double Concerto | 2002 | live-elec, 1 group | 29:46 | ens [Ensemble] | c74 - 006/ | 0 | ||||||||||
| 24995 | William | Kleinsasser | (HO)2 C6H3 - CHOH - CH2NHCH3 (Adrenaline) | 2003 | live-elec, 4 perf | 3:32 | 4 trbn [Posaune] | ICMC 2005 Barcelona | ICMC 2005, ars harmonica/ | 0 | |||||||||
| 28235 | William | Kleinsasser | Smooth Wood, Flash Metal | audiovisuell | 14:52 | CMJ Vol 33-4, 2009/ | 1 | http://wkleinsasser.net/ | |||||||||||
| 25420 | Meri von | Kleinsmid | Des Vetters Eckfenster | 2005 | fixed media, akusmatisch | 3:41 | Stereo | MIMEO 004/ | 0 | ||||||||||
| 25419 | Meri von | Kleinsmid | Ethereal Tether | 2005 | fixed media, akusmatisch | 4:53 | Stereo | MIMEO 004/ | 0 | ||||||||||
| 25418 | Meri von | Kleinsmid | Five-Word Farrago | 2005 | fixed media, akusmatisch | 4:25 | Stereo | MIMEO 004/ | 0 | ||||||||||
| 25422 | Meri von | Kleinsmid | Groenligrotta | 2005 | fixed media, akusmatisch | 1:00 | Stereo | MIMEO 004/ | 0 | ||||||||||
| 25421 | Meri von | Kleinsmid | Idle Chatter | 2005 | fixed media, akusmatisch | 4:00 | Stereo | MIMEO 004/ | 0 | ||||||||||
| 25417 | Meri von | Kleinsmid | Sphere of Interest | 2005 | fixed media, akusmatisch | 5:01 | Stereo | MIMEO 004/ | 0 | ||||||||||
| 24213 | Meri von | Kleinsmid | The Observation of Curio No. 19 | 2002 | fixed media, akusmatisch | 1:58 | Discontact! III 2003 PeP 007/ elek 001/ | 1 | |||||||||||
| 25423 | Meri von | Kleinsmid | The Rats in the Walls | 2005 | fixed media, akusmatisch | 13:17 | Stereo | MIMEO 004/ | 0 | ||||||||||
| 25424 | Meri von | Kleinsmid | What Happens to the Deep-Sea Divers | 2005 | fixed media, akusmatisch | 8:45 | Stereo | MIMEO 004/ | 0 | ||||||||||
| 42248 | Heinrich von, Giovanna, Henning, Robert | Kleist, Marini, Christiansen, Ashley | Canzone Penthesilea | 1986 | radiophon | Performance |
59:16 | WDR Studio Akustische Kunst | 1.3.1986 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1375792&vi=168&SID | ||||||||
| 8391 | Katharina | Klement | 13 Miniaturen | 1993/1994 | Zuspiel / Tonband, 1 perf | 55:00 | Mono, Quadro, Octo | p [Piano] | KALK CD 01/ | ELAK Wien, PS Rabl, PS Lichtenfels | 1 | 1996 | http://www.katharinaklement.com/ | ||||||
| 26602 | Katharina | Klement | 800 ° 56 min | 2004 | audiovisuell, live-elec, 1 perf | 56:00 | p [Piano] | for piano, electronics, video & live-drawings in collaboration with Josef Novotny and Nikolaus Gansterer |
14.12.04 | Institut für Elektronische Musik, Graz Austria | 0 | http://www.katharinaklement.com/ | |||||||
| 23358 | Katharina | Klement | absences | 2000 | live-elec, 1 perf | 13:00 | prep amp clvd [Cembalo] | Manon Liu Winter (clavichord) | KALK CD 07/ | 1 | http://www.katharinaklement.com/ | ||||||||
| 26606 | Katharina | Klement | accordance | 2008 | live-elec, 1 perf | 17:00 | Neo-Bechstein-p, (elec) [Piano] | 13.03.2009 | Kulturfabrik Hainburg/Donau on the occasion of the exhibition "Zauberhafte Klangmaschinen" |
0 | http://www.katharinaklement.com/ | ||||||||
| 26603 | Katharina | Klement | Areale | 2004 | Zuspiel / Tonband, 2 perf | 53:00 | Quadro | 2 p [Piano] | 30.04.2004 | Minoritenkirche Krems/Stein Austria | 0 | http://www.katharinaklement.com/ | |||||||
| 8392 | Katharina | Klement | Bardo I - VI | 1991 | fixed media, akusmatisch | 25:00 | Quadro | GEM 9701/ | ELAK Wien | 1 | http://www.katharinaklement.com/ | ||||||||
| 28613 | Katharina | Klement | Beben am Horizont | Zuspiel / Tonband, 1 perf | ob [Oboe] | 0 | |||||||||||||
| 23348 | Katharina | Klement | Beton | 2001 | Klangkunst, Installation | 62:00 | Klanginstallation im O.K. Centrum für Gegenwartskunst; für 10 Lautsprecher | O.K Centrum für Gegenwartskunst/ | 1 | http://www.katharinaklement.com/ | |||||||||
| 8393 | Katharina | Klement | Brandung | 1992 | fixed media, akusmatisch | 7:00 | ELAK Wien | 0 | http://www.katharinaklement.com/ | ||||||||||
| 41567 | Katharina | Klement | Brandung III | 2011 | fixed media, akusmatisch | 18:25 | Stereo | az 10 another timbre/ | 0 | ||||||||||
| 8394 | Katharina | Klement | Cis – Zis | 1987 | live-elec, 5 perf | vn, vc, db, synt, V [Stimme, Cello, Violine, Kontrabass, synthesizer] | ELAK Wien | 0 | http://www.katharinaklement.com/ | ||||||||||
| 22216 | Katharina | Klement | Concert trouve | 2000 | Zuspiel, live-elec, 1 perf | 61:51 | prep p, (objects) [Piano] | for prepared piano, tapes, live-electronic, sounding objects, further instruments ad lib. | KALK CD 04/ | ELAK Wien | echoraum Vienna | 18.5. 2000 | echoraum Vienna | 1 | http://www.katharinaklement.com/ | ||||
| 8395 | Katharina | Klement | Durchgänge | 1991 | fixed media, akusmatisch | 18:00 | Stereo + Stereo | ELAK Wien | 0 | http://www.katharinaklement.com/ | |||||||||
| 8396 | Katharina | Klement | Gestentanz | 1992 | Tanz | 10:00 | Stereo | "Und Jetzt" von W. Dorner | ELAK Wien | 0 | http://www.katharinaklement.com/ | ||||||||
| 8397 | Katharina | Klement | Grace | 1988 | live-elec, 5 perf | 7:00 | 3 e-gui, p, perc [Piano, Gitarre, Schlagzeug] | ELAK Wien | 0 | http://www.katharinaklement.com/ | |||||||||
| 41568 | Katharina | Klement | Hope | 2011 | live-elec, 1 perf | 18:25 | Stereo | p (2 transducers) [Piano] | az 11 another timbre/ | 0 | |||||||||
| 23359 | Katharina | Klement | lauter Laute | 1998 - 2001 | live-elec, 5 perf | 13:20 | amp V, a-fl, vc, prep p, e-gui [Stimme, Flöte, Piano, Gitarre, Cello] | Jungen, Boesze, Frodl, Klement, Stangl | KALK CD 07/ | 1 | http://www.katharinaklement.com/ | ||||||||
| 23360 | Katharina | Klement | Monde "nein, keinerlei Gezeiten, aber Geraume" | 1997/1998 | Zuspiel, live-elec, 10 perf | 20:13 | 4 vn, va, vc, db, cl, b-cl, perc, (mixer) [Klarinette, Schlagzeug, Viola, Cello, Violine, Kontrabass] | Ensemble die reihe; Aufnahme ORF | KALK CD 07/ | 1 | http://www.katharinaklement.com/ | ||||||||
| 8399 | Katharina | Klement | Neun Nonnen | 1991 | fixed media, akusmatisch | 3:00 | Stereo | ELAK Wien | 0 | http://www.katharinaklement.com/ | |||||||||
| 8400 | Katharina | Klement | ohne Handschuhe | 1990 | Zuspiel / Tonband, 1 perf | 7:00 | p [Piano] | ELAK Wien | 0 | http://www.katharinaklement.com/ | |||||||||
| 26604 | Katharina | Klement | roze | 2007 | Zuspiel, live-elec, 1 perf | 11:00 | Quadro | prep p, (delay) [Piano] | 6.10.2007 | IGNM Musikfest, Konzerthaus Vienna | 0 | http://www.katharinaklement.com/ | |||||||
| 26601 | Katharina | Klement | Schale, Bewegung, six compositions for öoudsüeakers | 2002 | fixed media, akusmatisch | 31:00 | KalK CD 06/ | 0 | http://www.katharinaklement.com/ | ||||||||||
| 23391 | Katharina | Klement | solo 1 | 2002 | live-elec, 1 perf | 14:22 | p (with 4 pickups) [Piano] | Katharina Klement (P, V) | KALK CD 07/ | PS | 8.10.2002 | Stadtinitiative Vienna | 1 | http://www.katharinaklement.com/ | |||||
| 26605 | Katharina | Klement | Summer | 2008 | Klangkunst, Installation | ∞ | Octo | Institut fuer Kunst im oeffentlichen Raum Steiermark | 30.08.2008 until January 31st 2009 | Institut fuer Kunst im oeffentlichen Raum Steiermark | 0 | http://www.katharinaklement.com/ | |||||||
| 28612 | Katharina, Marko, Peter, Wolfgang, Group | Klement, Ciciliani, Mechtler, Musil, Uni Wien | inferno ma non troppo, Klanginstallation in 5 Kreisen | 2011 | Klangkunst, Installation | ≈ | multichannel | Studenten der Universität für Musik und darstellende Kunst Wien im großen Wasserspeicher Prenzlauerberg, vom 4.6. - 19.6.2011; ein Ohrenstrand-Projekt | 0 | http://www.singuhr.de/page.php?ID=700 | |||||||||
| 8398 | Katharina, Michael | Klement, Kieslinger | im-laut-sprecher | 1993 | Klangkunst, Installation | ELAK Wien | 0 | ||||||||||||
| 8402 | Michael | Kleniec | Northern Star | 1976 | fixed media, akusmatisch | Stereo | arr by R. Hyslop Berandol M. Ltd | CBC St 4 | 0 | ||||||||||
| 8403 | Michael | Kleniec | Solea | 1976 | fixed media, akusmatisch | Stereo | arr by R. Hyslop Berandol M. Ltd | CBC St 4 | 0 | ||||||||||
| 28415 | Karl | Kliem | Trioon I | 2003 | audiovisuell | 3:28 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 20363 | Volkmar | Klien | Ahasver und Ottoman | 1995 | fixed media, akusmatisch | 12:26 | Stereo | EX 256/ | ELAK Wien | 0 | |||||||||
| 38968 | Volkmar | Klien | Kristallgatsch / Strahlung | 2009 | fixed media, akusmatisch | 24 Tracks, Spazialisation: Klangdom | EMPAC | 2009 EMPAC | 1.10.2010 | Festival Filament, EMPAC (Troy, NY) | 0 | http://empac.rpi.edu/events/2010/fall/filament/multi-channel-double-feature | |||||||
| 43179 | Volkmar, Thomas | Klien, Grill | Relative Realities. An Enhancement of Reality | 2009 | audiovisuell | Auszeichnung ars electronica honorary mention 2009 | 0 | ||||||||||||
| 33442 | Ronald | Klimko | Two Poems of Gerard Manley Hopkins | 1967 | Zuspiel / Tonband, 1 perf | 30 | Mono | V [Stimme] | Uni Madison | 0 | |||||||||
| 40305 | Tyler | Kline | Two Songs after Dylan Thomas | 2016 | fixed media, akusmatisch | Tyler Kline | 0 | ||||||||||||
| 8404 | Erik | Kling | A musical ghost story | 1989 | fixed media, akusmatisch | 14:24 | Stereo | Buchla | EMS Stockholm | 0 | |||||||||
| 8406 | Erik | Kling | Bandinterlud | 1989 | fixed media, akusmatisch | 11:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8407 | Erik | Kling | Djungèlle | 1989 | fixed & Dias | 21:31 | Stereo | Bildspel - slides | EMS Stockholm | 0 | |||||||||
| 8408 | Erik | Kling | Flowers | 1989 | fixed media, akusmatisch | 7:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8409 | Erik | Kling | Nightworkers | 1987 | fixed media, akusmatisch | 6:25 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8410 | Erik | Kling | Små partiklar på golvet under "Buchlan" till höger i studio 4 | 1987 | fixed media, akusmatisch | 10:06 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8411 | Erik | Kling | Sommaräng | 1988 | fixed media, akusmatisch | 5:20 | Stereo | Buchla | EMS Stockholm | 0 | |||||||||
| 8412 | Erik | Kling | Stormy Midi | 1989 | fixed media, akusmatisch | 20:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8413 | Erik | Kling | T.K. | 1989 | fixed media, akusmatisch | 8:20 | Stereo | Buchla, PDP 15 ( IMPAC), MIDI-KB | EMS Stockholm | 0 | |||||||||
| 8405 | Erik, Akemi, Bo, Erik Mikael | Kling, Ishijima, Halén, Karlsson | Acceptera | 1989 | fixed media, akusmatisch | 5:25 | Stereo | EMS Stockholm | 0 | ||||||||||
| 38773 | Thomas, Jörg | KLING, RITZENHOFF | Tiroltyrol | 1991 | radiophon | 41:54:00 | 0 | ||||||||||||
| 8414 | Bengt af | Klintberg | Årets fester | 1966 | radiophon | 9:00 | Mono, Stereo | SR Stockholm | 0 | ||||||||||
| 8415 | Bengt af | Klintberg | Hälsning till broderfolket | 1965 | radiophon | 1:30 | Interpretation: Staffan Olzon | 0 | |||||||||||
| 8416 | Bengt af | Klintberg | I kanot genom midsommernatten | 1970 | radiophon | 3:40 | Mono | 0 | |||||||||||
| 8417 | Bengt af | Klintberg | Jag mår som göken | 1970 | radiophon | 10:15 | Mono, Quadro | 0 | |||||||||||
| 8418 | Bengt af | Klintberg | Lidner, scen 3 | 1965 | Theatermusik | 3:00 | Mono | Interpretation: Staffan Olzon | 0 | ||||||||||
| 8419 | Bengt af | Klintberg | Rop | 1968 | radiophon | 8:00 | Stereo, Quadro | RELP 1054/ FYCD 1024 CD 4 Text-Sound Compositions/ | SR Stockholm, EMS Stockholm | 1 | |||||||||
| 8420 | Ryszard | Klisowski | ALKOR | 1977 | fixed media, akusmatisch | 6:22 | Stereo | ELAK Wien | 0 | ||||||||||
| 8421 | Ryszard | Klisowski | Cadenza | 1975 | live-elec, 3 perf | 11:30 | Stereo | p, synt, vn [Piano, Violine, synthesizer] | ELAK Wien | 0 | |||||||||
| 8422 | Ryszard | Klisowski | Impression solaire | 1986 | fixed media, akusmatisch | 8:11 | GEMEL Wroclaw | 0 | |||||||||||
| 8423 | Ryszard | Klisowski | La Nature morte | 1976 | fixed media, akusmatisch | 7:41 | Stereo | ELAK Wien | 0 | ||||||||||
| 8424 | Ryszard | Klisowski | Les sons de couleurs synthétiques | 1989 | live-elec, 2 perf | 7:00 | p, synt [Piano, synthesizer] | GEMEL Wroclaw | 0 | ||||||||||
| 8425 | Ryszard | Klisowski | Luzk- Holocaust | 1989 | fixed media, akusmatisch | 11:00 | 0 | ||||||||||||
| 8426 | Ryszard | Klisowski | Memento | 1975 | fixed media, akusmatisch | 8:34 | Stereo | ELAK Wien | 0 | ||||||||||
| 8427 | Ryszard | Klisowski | Sculpture Dance | 1982 | fixed media, akusmatisch | 3:11 | GEMEL Wroclaw | 0 | |||||||||||
| 8428 | Ryszard | Klisowski | Sound Meadows from Child's Memory | 1987 | fixed media, akusmatisch | 8:30 | GEMEL Wroclaw | 0 | |||||||||||
| 8429 | Ryszard | Klisowski | Symphonia Humana | 1985 | fixed media, akusmatisch | 38:00 | GEMEL Wroclaw | 0 | |||||||||||
| 8430 | Ryszard | Klisowski | Versetti II per violino a nastra magnetica | 1989 | fixed media, akusmatisch | 9:00 | GEMEL Wroclaw | 0 | |||||||||||
| 8431 | Ryszard | Klisowski | Vision | 1989 | fixed media, akusmatisch | 10:00 | Bruno Liberda gewidmet / Jazz Sonata | GEMEL Wroclaw | 0 | ||||||||||
| 8433 | Ernst August | Klötzke | step and stones | 1993 | fixed media, akusmatisch | 9:48 | Stereo | ICEM Essen | 0 | ||||||||||
| 8432 | Ernst-August | Klötzke | Quasimono | 1991 | fixed media, akusmatisch | 9:22 | Quadro | ICEM Essen | 0 | ||||||||||
| 8434 | Ernst-August | Klötzke | Verweile doch/still stehend | 1992 | fixed media, akusmatisch | 10:00 | 0 | ||||||||||||
| 37517 | Ernst-August, Achim Christian, Jochen | Klötzke, Bornhöft, Weber | Machaut | 1990 | fixed media, akusmatisch | 10:00:00 | Stereo | Synlab | ICEM Essen | 0 | |||||||||
| 8435 | Werner | Klüppelholz | Etude auf 2, 3, 5, 8, 13, 21 | 1970/1971 | fixed media, akusmatisch | 5:41 | Stereo | HfMT Köln | 0 | ||||||||||
| 8436 | Werner | Klüppelholz | Musik für Quartett und Tonband | 1969 | Zuspiel / Tonband, 4 perf | 2:09 | Stereo | str-qt [Streicher] | HfMT Köln | 0 | |||||||||
| 8437 | Werner | Klüppelholz | Nature morte | 1972 | fixed media, akusmatisch | 8:40 | Stereo | fragment with text-sounds | HfMT Köln CD3/ | HfMT Köln | 1 | ||||||||
| 8438 | Werner | Klüppelholz | Weder-Noch | 1971/1972 | fixed media, akusmatisch | 11:03 | Quadro | HfMT Köln | 0 | ||||||||||
| 8439 | Jan | Klusák | O sacrum convivium! | 1968 | fixed media, akusmatisch | 0 | |||||||||||||
| 8440 | Jerzy | Kluzowicz | SEANS | 1978 | fixed media, akusmatisch | 22:32 | Quadro | SME Krakow | 0 | ||||||||||
| 8441 | Aleksandr | Knaifel | Ainana | 1978 | Zuspiel / Tonband, 1 perf, 1 group | ch, perc [Schlagzeug, Chor] | 0 | ||||||||||||
| 8442 | Hans | Knall | Chanson infernale | 1977 | fixed media, akusmatisch | 9:00 | Quadro | PDP 15/4O | EMS Stockholm | 0 | |||||||||
| 8443 | Hans | Knall | Cherchant I'espoir | 1976 | Tanz | 8:00 | Stereo | produced on PDP15/40 | EMS Stockholm | 0 | |||||||||
| 8444 | Hans | Knall | For myself | 1983 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 33512 | Hans | Knall | Kosmos / Picasso | 1974 | fixed media, akusmatisch | 4 | EMS Stockholm | 0 | |||||||||||
| 8445 | Hans | Knall | Merde | 1976 | fixed media, akusmatisch | 22:00 | Stereo | 0 | |||||||||||
| 8446 | Hans | Knall | Music for film I | 1977 | Fernsehen, | 6:00 | Mono | Experimental documentary | 0 | ||||||||||
| 8447 | Hans | Knall | Music for film II | 1979 | Fernsehen, | 6:30 | Mono | For the film "Hjulia, a world sensation" | 0 | ||||||||||
| 8448 | Hans | Knall | Music for theater I | 1973 | Theatermusik | 9:00 | Mono | "The Message" by Paul Claudell | 0 | ||||||||||
| 8449 | Hans | Knall | Nothing happens after five o'clock | 1975 | Film | 15:00 | Mono | 0 | |||||||||||
| 8450 | Hans | Knall | Paramnesia | 1978 | fixed media, akusmatisch | 9:30 | Stereo | PDP 15/40 | EMS Stockholm | 0 | |||||||||
| 8451 | Hans | Knall | Past C | 1978 | fixed media, akusmatisch | 15:00 | Stereo, Quadro | PDP 15/40 | EMS Stockholm | 0 | |||||||||
| 8452 | Hans | Knall | Samoa music | 1982 | fixed media, akusmatisch | 10:00 | Stereo | txtcompo | 0 | ||||||||||
| 8453 | Rolf | Knap | Dilemmaniana voor Marrie | 1972 | live-elec, 2 perf | 3:00 | Sp, vc [Sprecher, Cello] | 0 | |||||||||||
| 8454 | Rolf | Knap | Le couple(t) | 1971 | live-elec, 2 perf | V, p [Stimme, Piano] | 0 | ||||||||||||
| 8455 | Eugeniusz | Knapik | Comme au bord de la mer | 1977 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 31372 | Tino | Knappe | Kellerlaboratorium Erwin Schroedinger oder was macht wohl Seilers Katze | 2000 | fixed media, akusmatisch | 12:59:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 8456 | Morris | Knight | J. B. | 1962 | Theatermusik | 20:00 | Mono | Radio Athens | 0 | ||||||||||
| 8457 | Morris | Knight | Refractions | 1963 | Zuspiel / Tonband, 1 perf | 15:00 | Mono | cl [Klarinette] | Radio Athens | 0 | |||||||||
| 8458 | Morris | Knight | St. Joan | 1963 | Theatermusik | 20:00 | Mono | Radio Athens | 0 | ||||||||||
| 8459 | Morris | Knight | The "Prophets" | 1964 | fixed media, akusmatisch | 30:00 | Stereo | KSFR-AM Radio SanFran | 0 | ||||||||||
| 8460 | Richard | Knight | Shuffle off to Buffalo | 1988 | Zuspiel, live-elec, 1 group | 12:00 | ens [Ensemble] | City Uni London | 0 | ||||||||||
| 8461 | Krzysztof | Knittel | 29 PI‰CIOLINII | 1984 | fixed media, akusmatisch | Stereo | SME Krakow | 0 | http://www.wizya.net/artist/knittel.htm | ||||||||||
| 8462 | Krzysztof | Knittel | Crossing the Bridge | 1985 | fixed media, akusmatisch | 32:00 | Stereo | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | |||||||||
| 8463 | Krzysztof | Knittel | CZÒOWIEK-ORKIESTRA | 1982 | fixed media, akusmatisch | SME Krakow | 0 | http://www.wizya.net/artist/knittel.htm | |||||||||||
| 8465 | Krzysztof | Knittel | Dorikos; Seven Miniatures | 1976 | Zuspiel / Tonband, 5 perf | 26:21 | str-qt, Sp [Sprecher, Streicher] | CD: Wilanow string quartet; Z. Wardejn (Sp) | BR ES07 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | http://www.wizya.net/artist/knittel.htm | |||||||
| 8466 | Krzysztof | Knittel | Electronic Studies 1, 2, 3, 3 studies for tape | 1979 | fixed media, akusmatisch | 4:35 | Stereo | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | |||||||||
| 8468 | Krzysztof | Knittel | Glückspavillon for Kate, Glückspavillon dla Kasi | 1978 | Zuspiel / Tonband, 3 perf | 36:20 | Stereo, Quadro | tuba, p, V [Stimme, Tuba, Piano] | Text by J. Kleyff, K. Knittel; Z. Piernik (tuba), W. Klosiewicz (p); E. Kaminski, K. Knittel, A. Malec (V) | BR ES07 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | http://www.wizya.net/artist/knittel.htm | ||||||
| 27819 | Krzysztof | Knittel | Histoire I | 1988 | fixed media, akusmatisch | Stereo | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | ||||||||||
| 8469 | Krzysztof | Knittel | Histoire III | 1989 | Zuspiel / Tonband, 1 perf | 5:15 | Stereo | hpd [Cembalo] | ADDA 581233/ | ExpSt Warsaw | 1 | http://www.wizya.net/artist/knittel.htm | |||||||
| 22782 | Krzysztof | Knittel | Hot cat Jazz Juniors Crossing Mapa Lapis | fixed media, akusmatisch | 1 | http://www.wizya.net/artist/knittel.htm | |||||||||||||
| 8470 | Krzysztof | Knittel | instant reactions | 1992 | live-elec, 1 perf | 12:00 | live com [computer] | 0 | http://www.wizya.net/artist/knittel.htm | ||||||||||
| 8471 | Krzysztof | Knittel | Lapis | 1985 | fixed media, akusmatisch | 23:30 | Stereo | Wire Issue 406/ | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | ||||||||
| 27818 | Krzysztof | Knittel | LOW SOUNDS (Version I), Zeitkratzer plays PRES | 1980 | Zuspiel, Performance, 1 perf | 4:53 | Stereo | tam-tam [Schlagzeug] | improvisation by the group by Zeitkratzer Berlin (BR ES03 bolt) | BR ES03 bolt Blanc et Rouge/ DUX 0811/ | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | ||||||
| 22139 | Krzysztof | Knittel | LOW SOUNDS (Version IV) | 1990 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | gui [Gitarre] | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | ||||||||
| 27820 | Krzysztof | Knittel | Man-Nature | 1991 | fixed media, akusmatisch | collection of 16 com compositions controlled by the grafical images | 0 | http://www.wizya.net/artist/knittel.htm | |||||||||||
| 8473 | Krzysztof | Knittel | Man-Orchestra | 1982 | Zuspiel / Tonband, 1 perf | any ins [Instrument] | 0 | 1983 | http://www.wizya.net/artist/knittel.htm | ||||||||||
| 8474 | Krzysztof | Knittel | Norcet I, Zeitkratzer plays PRES | 1980 | fixed media, akusmatisch | 17:10 | Stereo, Quadro | improvisation by the group by Zeitkratzer Berlin (BR ES03 bolt) | BR ES03 bolt Blanc et Rouge/ DUX 0811/ | SUNY Albany, ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | |||||||
| 8475 | Krzysztof | Knittel | Norcet lI | 1980 | fixed media, akusmatisch | 16:10 | Stereo, Quadro | BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | ||||||||
| 8476 | Krzysztof | Knittel | Odds and Ends, Yesztki | 1978 | fixed media, akusmatisch | 10:55 | Stereo, Quadro | BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | http://www.wizya.net/artist/knittel.htm | ||||||||
| 8477 | Krzysztof | Knittel | Old Style Piece | 1985 | fixed media, akusmatisch | 8:20 | Stereo | BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | ||||||||
| 33112 | Krzysztof | Knittel | Out of the depths have I cried unto thee, o Lord…, Part I 5:20 Part II 2:54 Part III 8:39 Part IV 5:48 |
2000 | live-elec, 1 group | 22:42:00 | ch, (elec) [Chor] | for choir and electronics, Part I 5:20 - Part II 2:54 - Part III 8:39 - Part IV 5:48. CD Accord | WJ 2000/ | 1 | |||||||||
| 8478 | Krzysztof | Knittel | Points / Lines | 1973 | Zuspiel/Tonband, 1 perf | intermedia |
11:45 | Stereo | cl [Klarinette] | slides | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | |||||||
| 8479 | Krzysztof | Knittel | Poko | 1986 | fixed media, akusmatisch | 17:00 | Stereo | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | |||||||||
| 33156 | Krzysztof | Knittel | St. Matthew Passion | 2004 | live-elec, 3 perf, 1 group | sol-V, ch, 2 perc, str orc, (elec) [Stimme, Schlagzeug, Chor, Orchester] | for solo voices, mixed choir, two percussionists, string orchestra and electronics | WJ 2006 polmic 021/ | 1 | ||||||||||
| 8480 | Krzysztof | Knittel | still life | 1992 | audiovisuell | fixed media, akusmatisch |
8:10 | filmfragments | MAVO Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | |||||||||
| 8481 | Krzysztof | Knittel | Studies I, lI and III | 1979 | fixed media, akusmatisch | 17:00 | Stereo | 4:36 + 4:54 + 5:47 | BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | |||||||
| 8484 | Krzysztof | Knittel | The conqueror worm, Robak zdobywca | 1976 | fixed media, akusmatisch | 12:00 | Stereo | after a poem by E. A. Poe | polmic 008/ Wire Issue 406/ | ExpSt Warsaw | 1 | http://www.wizya.net/artist/knittel.htm | |||||||
| 8483 | Krzysztof | Knittel | Who? | 1985 | fixed media, akusmatisch | 6:40 | Stereo | ExpSt Warsaw | 0 | http://www.wizya.net/artist/knittel.htm | |||||||||
| 1784 | Krzysztof, Andrzej | Knittel, Biezan | Poligamia, Polygamy | 1979 | fixed media, akusmatisch | 14:20 | Stereo | BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | http://www.wizya.net/artist/knittel.htm | ||||||||
| 8482 | Krzysztof, Piotr | Knittel, Bikont | Variations on 14 Variations by Edwin Morgan on 14 Words by John Cage | 1986 - 1992 | audiovisuell, live-elec, | 18:00 | 0 | http://www.wizya.net/artist/knittel.htm | |||||||||||
| 8472 | Krzysztof, Mieczyslaw | Knittel, Litwinski | Low sounds & Ommandalla | 1990 | Zuspiel / Tonband, 2 perf, 2 groups | inss, Vs [Stimme, Instrument] | No. 1-5 | 0 | 1983 | http://www.wizya.net/artist/knittel.htm | |||||||||
| 8485 | Milan | Knizak | Bossa Nova Suite | 1990 | radiophon | 17:50 | 4 movements | EBU 1991/ | ORF Kunstradio | EBU Ars Acustica 1991 | 1 | ||||||||
| 32207 | Milan | Knizak | Broken Music, Composition N. 1 - 5 | 1979 | live-elec, | ampere12/ KSCD 815 Kissing Spell/ ISBN 3-89357-013-6/ SR 250 sub rosa/ | 0 | ||||||||||||
| 8486 | Yves | Knockaert | Inside | 1984 | fixed media, akusmatisch | 3:51 | IPEM Gent | 0 | |||||||||||
| 8487 | Yves | Knockaert | Next piece No. 1 | 1985 | fixed media, akusmatisch | 8:15 | IPEM Gent | 0 | |||||||||||
| 8488 | Yves | Knockaert | Saxteen | 1984 | Zuspiel / Tonband, 1 perf | 15:58 | sax [Saxophon] | IPEM Gent | 0 | ||||||||||
| 8489 | Yves | Knockaert | Surfacade | 1985 | Tanz | 27:00 | IPEM Gent | 0 | |||||||||||
| 42439 | Ernst-Lothar von | Knorr | Musik für elektrische Instrumente, Thema und 7 Variationen | 1933 | live-elec, 5 perf | 4 synt (Hellertion, Trautonium, Thereminvox, Neo-Bechstein), vib [Schlagzeug, synthesizer] | 25.1.1933 | Funkstunde Berlin | 0 | ||||||||||
| 37484 | Shelly | Knotts | Chordophonia | 2007 | Performance | 4:35 | LMJ 18 CD/ | 0 | |||||||||||
| 28537 | Shelly | Knotts | For Piano | 2010 | fixed media, akusmatisch | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | http://soundcloud.com/shelly-knotts | ||||||||
| 34601 | Shelly, Holger, Jonas | Knotts, Ballweg, Hummel | Flock | 2015 | live-elec, 3 perf | 3 com [computer] | 3 Live Coding Laptopists SMC2016 |
0 | |||||||||||
| 22033 | Alison | Knowles | Bean Sequences, Bohnen Sequenzen | 1982 | radiophon | 3:24 | WER 6307-2/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | Karl-Sczuka-Preis 1982 | 1 | http://www.ubu.com/historical/knowles/index.html | ||||||||
| 20364 | Chris | Knowles | California Sandals | Klangkunst, Installation | 4:59 | Stereo | WN 0007/ | 0 | |||||||||||
| 20365 | Chris | Knowles | Frijoles Canyon : Descending Clogs Events, Glide Hall Banisters, Mechanical Saw, On Orchard Street, Paper Pulper with Vacuum Table, Rocky Mountain Train | Klangkunst, Installation | Stereo | WN 0007/ | 0 | ||||||||||||
| 28747 | Pyoung Ryang | Ko | Fantaisie-Impromptu électroacoustique | 2009/2010 | live-elec, 2 perf | fl, perc [Flöte, Schlagzeug] | 1 | http://supercollider2010.de/concerts-installations.html | |||||||||||
| 28027 | Yota | Kobayashi | Kakusei, Awakening | 2009 | fixed media, akusmatisch | 12:05 | 6 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | JTTP-Winner 2009 canadian 2. prize | 1 | ||||||||
| 25578 | Yota | Kobayashi | Reminiscence | 2006 | fixed media, akusmatisch | 5:15 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | winner JTTP 2006 3. prize | 1 | ||||||||
| 42744 | Yota | Kobayashi | Shikisou | 2012 | fixed media, akusmatisch | 11:11:00 | 0 | ||||||||||||
| 27362 | Yota | Kobayashi | Tensho | 2008 | fixed media, akusmatisch | 11:21 | JTTP 2008 | CEC Cache 2008, PeP 013/ | 1 | http://cec.concordia.ca/jttp | |||||||||
| 23154 | Matthew | Kober | X-Ray Spex | 2001 | fixed media, akusmatisch | 2:59 | Cec Presence 3/ | 1 | |||||||||||
| 8491 | Erwin | Koch-Raphael | Aristoteles schläft | 1975 | fixed media, akusmatisch | 7:00 | Quadro | TU Berlin | 9.3.1976 | Theater- und Probensaal der HdK Berlin | 1 | http://www.zum.de/Faecher/Mu/koch-raphael/pe/index.php?page=244 | |||||||
| 8492 | Erwin | Koch-Raphael | Das Antlitz des Wales | 1977 | Film | 7:56 | Mono | 8 mm Farbe | TU Berlin | 1977 | HdK Berlin Klangwerkstatt | 1 | http://www.zum.de/Faecher/Mu/koch-raphael/pe/index.php?page=245 | ||||||
| 8493 | Erwin | Koch-Raphael | Philoktet | 1978 | Theatermusik | Stereo | Theatermusik zu Heiner Müllers "Philoktet"; Regie: Moritz Milar Projekt der HdK Berlin |
TU Berlin | 1978 | HdK Berlin, Theatersaal | 0 | http://www.zum.de/Faecher/Mu/koch-raphael/pe/index.php?page=337 | |||||||
| 8494 | Erwin | Koch-Raphael | to open ears | 1992 | live-elec, 1 perf | 13:00 | Mono + Mono + Mono + Mono | vc or b-cl [Klarinette, Cello] | in offener Form. 2 Versions: for vc and for b-cl |
ZKM Karlsruhe | 1992 1994 |
UA (Violoncello-Fass.) "Medienkunstpreis 1992" ZKM Karlsruhe UA (Basskl.-Fass.) Bremen 1994 |
0 | http://www.zum.de/Faecher/Mu/koch-raphael/pe/index.php?page=246 | |||||
| 8490 | Dagfinn | Koch | Sand | 1987 | Zuspiel / Tonband, 2 perf | 14:20 | bn, Narrator [Fagott, Schauspieler] | NOTAM | 0 | ||||||||||
| 25951 | Hans W. | Koch | bandoneonbook | 2003 | live-elec, 1 perf | 5:13 | Surround 5.1 | com [computer] | part of „computer as musical instruments“ (part I) | CMJ Vol 31-4, 2007/ | 1 | ||||||||
| 35903 | Hans W. | Koch | Computers & Sponges | 2005 | Performance | 12:44 | WER ARTS 8102 5/ | 0 | |||||||||||
| 26132 | Hans W. | Koch | orfeus@home | 2007 | fixed media, akusmatisch | 1:46 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 35778 | Hans W. | Koch | presumption & failure | 2004 | Performance, live-elec, 3 perf | ≈ 11 | Stereo | 2 perf (Federballspieler), com (max/msp) [Performer, computer] | 1 | ||||||||||
| 43170 | Hans W. | Koch | the benchmark consort, more&more | 2007 | Performance | mul laptop [computer] | Auszeichnung ars electronica Award of Distinction 2008 | 0 | |||||||||||
| 33695 | Hans W. | Koch | unheiliger undankgesang | 2012 | fixed media, akusmatisch | 5:41 | Stereo | MH-G7 012/ | PS C. | MH-G7 012 | 1 | ||||||||
| 37560 | Sven-Ingo | Koch | gleanings | 1998 | fixed media, akusmatisch | 3:10:00 | Quadro | SYNLAB, SoundHack, ProTools | ICEM Essen | 0 | |||||||||
| 23041 | Sven-Ingo | Koch | Saxl | 1999 | fixed media, akusmatisch | 8:58 | Ex Machina 6 - die neunziger Jahre | Cybele 960.106, ex machina 6/ Cybele 960.207 DegeM CD 07/ |
ICEM Essen | 1 | |||||||||
| 27930 | Philippe | Kocher | Flucht aus der Zeit | 2001 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27929 | Philippe | Kocher | GLAS | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27928 | Philippe | Kocher | Sprachgebrauch | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27931 | Philippe | Kocher | Tegna | 2002 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 8495 | Akil Mark | Koci | Filigran 4 | 1977 | fixed media, akusmatisch | 6:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 8496 | Ferdinand | Köck | Diffraktionen | 1994 | live-elec, 2 perf | 2 com [computer] | 0 | ||||||||||||
| 34584 | Siegfried | Köhler | Dritte Sinfonie, op. 57 | 1974/1975 | live-elec, 1 perf, 3 groups | orc, 2 ens, synt [synthesizer, Ensemble, Orchester] | 0 | ||||||||||||
| 32775 | Katja | Kölle | Marl - Mergel | 2004 | Klangkunst, Installation | Deutscher Klangkunstpreis 2004 in Marl | 0 | http://www.klangkunstpreis.de/ | |||||||||||
| 43126 | Thomas | KÖNER | Banlieue du Vide | 2004 | audiovisuell | 12:13 | Auszeichnung ars electronica: Golden Nica 2004 | 0 | |||||||||||
| 38880 | Thomas | KÖNER | Der Fährmann | 2012 | radiophon | WDR Studio Akustische Kunst | WDR 3 | 0 | |||||||||||
| 38593 | Thomas | KÖNER | Die Stille Wüste - Meister Eckhart | 2014 | radiophon | 51:31:00 | 0 | ||||||||||||
| 35000 | Thomas | Köner | Evakuation | 2016 | Klangkunst, Installation | 13.10.2016 | Donaueschinger Musiktage 2016, Realschule, kleine Sporthalle | 0 | http://www.swr.de/swr-classic/donaueschinger-musiktage/programme/koener-thomas-t/-/id=2136962/did=17773836/nid=2136962/134mirs/index.html | ||||||||||
| 38594 | Thomas | KÖNER | Lithosphères | 2009 | radiophon | 51:42:00 | Studiofassung | 0 | |||||||||||
| 38595 | Thomas | KÖNER | Lithosphères live | 2009 | radiophon | 46:58:00 | 0 | ||||||||||||
| 38596 | Thomas | KÖNER | Niemandsbucht | 2005 | radiophon | 51:22:00 | DeutschlandRadio Kultur | DeutschlandRadio Kultur | 0 | ||||||||||
| 38879 | Thomas | KÖNER | Station Eismitte | 2006 | radiophon | 52 | WDR Studio Akustische Kunst | WDR 3 | 0 | ||||||||||
| 38597 | Thomas | KÖNER | Terrain vague | 2007 | radiophon | 51:52:00 | DeutschlandRadio Kultur | DeutschlandRadio Kultur | 0 | ||||||||||
| 28339 | Thomas, Jürgen | Köner, Reble | Alchemie | 1998 | Performance, live-elec, 2 perf | 2 perf [Performer] | 0 | 1998 | |||||||||||
| 42294 | Gero | Koenig | Chordeograph Augmented Reality | 2018 | audiovisuell, live-elec, 1 perf | elec (chordeograph) [elektronik] | ZKM Karlsruhe | Dezember 2018 | ZKM Karlsruhe | 0 | https://zkm.de/en/chordeograph-augmented-reality | ||||||||
| 34608 | Gero | Koenig | Chordeograph. ResonanceGrid I | 2016 | live-elec, 1 perf | elec (chordeograph) [elektronik] | SMC2016 | 0 | |||||||||||
| 34613 | Gero | Koenig | Chordeograph. ResonanceGrid II | 2016 | live-elec, 5 perf | 4 ins, elec (chordeograph) [Instrument, elektronik] | SMC2016 | 0 | |||||||||||
| 8498 | Gottfried Michael | Koenig | Essay | 1957/1958, 1999 | fixed media, akusmatisch | 8:05 | Mono, Stereo | digitale Neufassung 1999 | BVHAAST 9001/ BVHAAST 0206/ IDEAMA CD 093/ | WDR SEM | 25.3.1958 | "Musik der Zeit" Köln | 1 | ||||||
| 30023 | Gottfried Michael | Koenig | Essay | 1999 | fixed media, akusmatisch | 8:05:00 | Mono | digitale Neufassung | PS C. | 1 | |||||||||
| 30024 | Gottfried Michael | Koenig | Essay | 1999 | fixed media, akusmatisch | 8:05:00 | digitale Rekonstruktion | PS Tazelaar Rijswijk | 1 | ||||||||||
| 33461 | Gottfried Michael | Koenig | Essay | 2011 | fixed media, akusmatisch | 8:07 | Quadro | digitale Neufassung mit Csound by Marco Gasperini | PS C. | 8.10.2011 | Braunschweig, Haus Salve Hospes, G. M. Koenig zum 85. Geburtstag | 1 | |||||||
| 8499 | Gottfried Michael | Koenig | Funktion Blau | 1969 | fixed media, akusmatisch | 6:00 | Quadro | BVHAAST 9002/ PHI 6526004/ BVHAAST 0206/ IDEAMA CD 094/ | Sonology Utrecht | 1 | |||||||||
| 8500 | Gottfried Michael | Koenig | Funktion Gelb | 1968 | fixed media, akusmatisch | 12:38 | Quadro | WER 324/ ed. RZ 2003-4/ IDEAMA CD 007/ | Sonology Utrecht | 11.10.1968 | AudiMax TU Berlin im Rahmen der „Internationalen Woche für Experimentelle Musik“ | 1 | |||||||
| 8501 | Gottfried Michael | Koenig | Funktion Grau | 1969 | fixed media, akusmatisch | 10:15 | Quadro | BVHAAST 9002/ BVHAAST 0206/ SR 250 sub rosa/ IDEAMA CD 094/ | Sonology Utrecht | 1 | |||||||||
| 8502 | Gottfried Michael | Koenig | Funktion Grün | 1967 | fixed media, akusmatisch | 8:20 | Quadro | auch Terminus X | DGG 137011/ DegeM CD 02/ DGG 643545/ ed. RZ 2003-4/ IDEAMA CD 046/ | Sonology Utrecht | 1 | ||||||||
| 8503 | Gottfried Michael | Koenig | Funktion Indigo | 1969 | fixed media, akusmatisch | 12:38 | Quadro | BVHAAST 9002/ BVHAAST 0206/ IDEAMA CD 094/ | Sonology Utrecht | 1 | |||||||||
| 8504 | Gottfried Michael | Koenig | Funktion Orange | 1968 | fixed media, akusmatisch | 17:15 | Quadro | SR 164 sub rosa/ IDEAMA CD 008/ | Sonology Utrecht | 1 | |||||||||
| 8505 | Gottfried Michael | Koenig | Funktion Rot | 1968 | fixed media, akusmatisch | 21:04 | Quadro | BVHAAST 9002/ BVHAAST 0206/ IDEAMA CD 094/ | Sonology Utrecht | 1 | |||||||||
| 8506 | Gottfried Michael | Koenig | Funktion Violett | 1969 | fixed media, akusmatisch | 19:55 | Quadro | BVHAAST 9002/ BVHAAST 0206/ IDEAMA CD 094/ | Sonology Utrecht | 1 | |||||||||
| 36747 | Gottfried Michael | Koenig | Funktionen, Funktion 1 Funktion 2 Funktion 3 Funktion 4 |
fixed media, akusmatisch | Sonology Utrecht | 0 | |||||||||||||
| 8507 | Gottfried Michael | Koenig | Klangfiguren I, Klangfiguren | 1955 | fixed media, akusmatisch | 5:00 4:04 | Mono | BVHAAST 9106/ PANaroma Musica Eletroacústica/ SONOPRESS 199.001.115/ CDCD 5067/ IDEAMA CD 097/ | WDR SEM | WDR | ohne Nachweis | 1 | |||||||
| 8508 | Gottfried Michael | Koenig | Klangfiguren II | 1955 - 1956, 2000 | fixed media, akusmatisch | 10:15 | Quadro, Mono | digitale Neufassung im Studio Tazelaar 2000. BVHAAST CD 06/0701 ≈ original version |
BVHAAST 9001/ DMR 1007-09/ Koch 3-5037-3/ BVHAAST CD 06/0701/ IDEAMA CD 093/ DMR 1008/ | WDR SEM | 30.5.1956 | Funkhaus WDR Köln "Musik der Zeit" | 1 | ||||||
| 25029 | Gottfried Michael | Koenig | Materialien zu einem Ballett | 1961 | fixed media, akusmatisch | 30:00 | Mono | BVHAAST 9001/ | WDR SEM | 0 | |||||||||
| 8509 | Gottfried Michael | Koenig | Output | 1979 | fixed media, akusmatisch | 12:42 | Stereo | BVHAAST 9001/ BVHAAST 0206/ | Sonology Utrecht | 1 | |||||||||
| 22994 | Gottfried Michael | Koenig | Polychromie | 2001 | fixed media, akusmatisch | 12:00 | Octo | ELCD 044 Electroshock Records/ | PS Tazelaar Rijswijk | 1 | |||||||||
| 36798 | Gottfried Michael | Koenig | Processus Electronique no. 1 | 1988 | fixed media, akusmatisch | 28:50:00 | INA • GRM | 0 | |||||||||||
| 36799 | Gottfried Michael | Koenig | Processus Electronique no. 2 | 1988 | fixed media, akusmatisch | 28:20:00 | INA • GRM | 0 | |||||||||||
| 36800 | Gottfried Michael | Koenig | Processus Electronique no. 3 | 1988 | fixed media, akusmatisch | 0:28:15 | Stereo | INA • GRM | 0 | ||||||||||
| 8510 | Gottfried Michael | Koenig | Projekt 1, PR1 | 1964 - 1966 | computer generated score | ins [Instrument] | Modellkomposition. Projekt 1mit 2 Versionen für kleines Orchester. | BVHAAST 9001/2/ | 0 | http://www.koenigproject.nl/pr1a.htm | |||||||||
| 34252 | Gottfried Michael | Koenig | Projekt 2, PR2 | 1966 | computer generated score | BVHAAST 9001/2/ | 0 | http://www.koenigproject.nl/pr2a.htm | |||||||||||
| 34253 | Gottfried Michael | Koenig | SSP | 1971 | computer generated score | 0 | http://www.koenigproject.nl/ssp1e.htm | ||||||||||||
| 8511 | Gottfried Michael | Koenig | Suite, aus „Materialen zu einem Ballett“ | 1961 | fixed media, akusmatisch | Tanz |
20:35:00 | Mono | BVHAAST 9001/ ed. RZ 2003-4/ IDEAMA CD 006/ | WDR SEM | WDR | 12.1.1963 | Köln | 1 | ||||||
| 36748 | Gottfried Michael | Koenig | Terminus | 1962 | fixed media, akusmatisch | 14:35 | Quadro | WDR SEM, STEM Utrecht | 0 | ||||||||||
| 8512 | Gottfried Michael | Koenig | Terminus 1, Terminus I | 1962, 1998 | fixed media, akusmatisch | 14:35 17:40 | Quadro | digitale Rekonstruktion im Studio Tazellar 1998 | BVHAAST 9001/ DMR Musik in Deutschland 1950 - 2000: Studioproduktionen/ BVHAAST 0206/ IDEAMA CD 093/ | WDR SEM, STEM Utrecht | 12.1.1963 | "Musik der Zeit" Köln | 1 | ||||||
| 8513 | Gottfried Michael | Koenig | Terminus 2, Terminus II | 1966 - 1967, 1998 | fixed media, akusmatisch | 19:20 | Quadro | digitale Rekonstruktion im Studio Tazellar 1998 | BVHAAST 9001/ DGG 137011/ DGG 643545/ BVHAAST 0206/ IDEAMA CD 093/ | Sonology Utrecht | 1 | ||||||||
| 23155 | Gottfried Michael | Koenig | Terminus X | 1967 | fixed media, akusmatisch | 11:44 | Stereo | DegeM CD 02/ ed. RZ 2003-4/ IDEAMA CD 099/ | Sonology Utrecht | 1 | |||||||||
| 8515 | Christopher K. | Koenigsberg | All the Same to Me | 1993 | fixed media, akusmatisch | 4:33 | PWOA 011/ | CCM Mills | 1 | ||||||||||
| 8516 | Christopher K. | Koenigsberg | Artifact No. 2, "ArtMix" | 1993 | fixed media, akusmatisch | 2:43 | PWOA 011/ | CCM Mills | 1 | ||||||||||
| 8517 | Christopher K. | Koenigsberg | Back to Nothing | 1993 | fixed media, akusmatisch | 9:08 | Granular Synthesis | PWOA 011/ | CCM Mills | 1 | |||||||||
| 8518 | Christopher K. | Koenigsberg | Basement Artifact No. 1 | 1992 | fixed media, akusmatisch | 6:00 | Buchla | PWOA 011/ | CCM Mills | 1 | |||||||||
| 8519 | Christopher K. | Koenigsberg | Brains | 1993 | fixed media, akusmatisch | 6:44 | PWOA 011/ | CCM Mills | 1 | ||||||||||
| 8520 | Christopher K. | Koenigsberg | LCM for 12 Piano Sample | 1993 | fixed media, akusmatisch | 10:05 | allgorithmic compo | PWOA 011/ | CCM Mills | 1 | |||||||||
| 19258 | Christopher K. | Koenigsberg | Squeaky Chair | 1993 | audiovisuell | Tanz |
11:25 | CEC Presence 1/ | CCM Mills | 1 | ||||||||||
| 8521 | Christopher K. | Koenigsberg | The Free Spirit | 1993 | fixed media, akusmatisch | 18:24 | phase vocoder | PWOA 011/ | CCM Mills | 1 | |||||||||
| 8522 | Christopher K. | Koenigsberg | The October Surprise | 1992 | fixed media, akusmatisch | 4:26 | PWOA 011/ | CCM Mills | 1 | ||||||||||
| 8523 | Christopher K. | Koenigsberg | The Rat's Nest | 1993 | fixed media, akusmatisch | 5:41 | PWOA 011/ | CCM Mills | 1 | ||||||||||
| 8524 | Christopher K. | Koenigsberg | Yellow Teeth Dub | 1991 | fixed media, akusmatisch | 4:37 | PWOA 011/ | CCM Mills | 1 | ||||||||||
| 31517 | Maurice | Könz | Machafuko/Fomu | 2012 | Klangkunst, Installation | audiovisuell |
∞ | next_generation 5.0 | HKB Bern | 0 | ||||||||||
| 19317 | Siegfried | Koepf | 160 Tastenkombinationen | live-elec, 1 perf | fl [Flöte] | Feedback | 1 | ||||||||||||
| 23092 | Siegfried | Koepf | Bassmaschine | Klangkunst, Installation | Performance |
13:23 | (Fender-Jazz-bass -) gui, (Tonbandgerät) [Gitarre] | Cybele 960.303/ DegeM CD 06/ Feedback CD3/ | Feedback St | 1994 | Ausstellung Köln | Feedback | 1 | |||||||
| 26369 | Siegfried | Koepf | Beuys goes Pythagoras | 2000 | fixed media, akusmatisch | 52:00 | Koepf's Edition/ | Feedback St | Museum Schloss Moyland | 2000 | Bedburg-Hau | Feedback | 0 | ||||||
| 26372 | Siegfried | Koepf | Creating Reality | 2003 | fixed media, akusmatisch | 52:00 | Auftrag des Marronnier Art Center Seoul | 2003 | Seoul | Feedback | 0 | ||||||||
| 26374 | Siegfried | Koepf | exhausted | 1996 - 2004 | live-elec, 1 perf | 180:00 | player p [Piano] | Feedback St | 2004 | Köln | Feedback | 0 | |||||||
| 26377 | Siegfried | Koepf | for alto-flute and live-computer | 2007 - 2008 | live-elec, 1 perf | 16:00 | a-fl [Flöte] | Feedback St | 2008 | Friedrichshafen | Feedback | 0 | |||||||
| 26370 | Siegfried | Koepf | For Nataschas Bass Flute and Live-Computer | 1994 - 2001 | live-elec, 1 perf | 20:00 | fl [Flöte] | Feedback St | 2001 | Köln | Feedback | 0 | |||||||
| 26368 | Siegfried | Koepf | Hi John! Version 1 | 1999 | live-elec, 1 perf | com con org [Orgel] | Feedback St | 1999 | Den Haag | Feedback | 0 | ||||||||
| 26375 | Siegfried | Koepf | Inflector I | 2005 | live-elec, 1 perf | 20:00 | com [computer] | Feedback St | 2005 | Köln | Feedback | 0 | |||||||
| 26367 | Siegfried | Koepf | Interfering Bass Machines | 1999 | Klangkunst, Installation | ∞ | Feedback St | 1999 | Köln | Feedback | 0 | ||||||||
| 26376 | Siegfried | Koepf | Klarenz Barlow? War Kanzler, Lob! | 2006 | live-elec, 1 perf | 2:00 | com [computer] | Feedback St | 2006 | Köln | Feedback | 0 | |||||||
| 26365 | Siegfried | Koepf | Klaviermaschine | 1994 | Klanginstallation, 1 perf | ∞ | p [Piano] | Feedback St | Feedback | 0 | |||||||||
| 26366 | Siegfried | Koepf | Konzentriert musizieren (Freizeit) | 1998 | live-elec, 1 perf | 25:00 | tpt, (delay) [Trompete] | Feedback St | Feedback | 0 | |||||||||
| 26371 | Siegfried | Koepf | Science Fiction 5 | 1994 - 2003 | audiovisuell | 9:00 | Feedback St | 2003 | Köln | Feedback | 0 | ||||||||
| 26373 | Siegfried | Koepf | Square | 2003 - 2005 | fixed media, akusmatisch | 4:00 | Stereo, Quadro | Feedback St | 2003 | Köln | Feedback | 0 | |||||||
| 8525 | René | Koering | La lune vague | 1983 | Oper | Zuspiel, live-elec, 13 perf |
90:00 | Stereo | p, fl, cl, hn, vc, perc, 2 e-p, 3 V, 2 narrator [Stimme, Flöte, Klarinette, Horn, Piano, Schlagzeug, Cello, Schauspieler] | version concert (90), version spectacle (48) | INA • GRM | Ministère de la Culture | 20.11.1982 8.3.1983 |
Metz, 12e Rencontres Internationales de Musique Contemporaine. Ensemble l'Itinéraire Dir. Hubert Soudant Rennes, Maison de la Culture. Ensemble l'Iti néraire, dir. Michel Decoust |
0 | |||||
| 8526 | René | Koering | La marche de Radetzky | 1988 | Oper | 24:30 | Stereo | INA • GRM | 0 | ||||||||||
| 8527 | René | Koering | Naissance d'une Nation | 1989 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 33722 | Peter | Köszeghy | Libertinage | 2004 | live-elec, 1 perf | 8:37 | e-vn [Violine] | 5-saitige E-Violine und Verzerrer | WER ARTS 8115/ | 1 | |||||||||
| 8528 | Petr | Kofron | Enhexe | 1992 | live-elec, 9 perf | 8 ins, synt [Instrument, synthesizer] | 0 | ||||||||||||
| 8529 | Petr | Kofron | Once in a Lifetime | 1985 | live-elec, 2 perf | 7:00 | vc, synt [Cello, synthesizer] | 0 | |||||||||||
| 8530 | Petr | Kofron | Seven Scenes from the opera Francek | 1980/1987 | Zuspiel / Tonband, 5 perf | 17:00 | Sp, 4 ins [Sprecher, Instrument] | Praha VÚRT | 0 | ||||||||||
| 8531 | Petr | Kofron | The fire is mine | 1993 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 8532 | Petr | Kofron | The Highest Bells | 1986 | Zuspiel / Tonband, 6 perf | 16:00 | synt, 5 ins [Instrument, synthesizer] | Praha VÚRT | 0 | ||||||||||
| 42136 | Tetsuo | Kogawa | Mini fm | 1980 - 1990, 1982 | radiophon | Tokyo 1982 | PS C., Tokyo | 0 | |||||||||||
| 31615 | Ferdinand | Kohl | Schtzngrm | 2012 | fixed media, akusmatisch | 4:00 | Quadro | next_generation 5.0 | HfM Trossingen | 0 | |||||||||
| 8533 | Ctirad | Kohoutek | Panychida letni noci, (Panychide of the Summer Night) | 1968 | Zuspiel / Tonband, 5 perf | 2 va, 2 p, perc [Piano, Schlagzeug, Viola] | Radio Brno | 0 | |||||||||||
| 8534 | Janusz | Kohut | Etudia | 1958 | fixed media, akusmatisch | Quadro | SME Krakow | 0 | |||||||||||
| 8535 | Janusz | Kohut | Situation | 1980 | Zuspiel / Tonband, 1 perf | Quadro | bn [Fagott] | 0 | |||||||||||
| 40343 | Yuriko | Kojima | Undulations | 2016 | fixed media, akusmatisch | vn, (Max) [Violine] | Yuriko Kojima | 0 | |||||||||||
| 36463 | Hitoshi | Kojo | Ka Ra Mo | 2007 | radiophon | 7:01:00 | and 26/ | 0 | |||||||||||
| 26609 | Juraj | Kojs | Aiael's Gold | 2009 | live-elec, 1 perf | 11:00 | t-sax [Saxophon] | 0 | http://www.kojs.net | ||||||||||
| 25952 | Juraj | Kojs | Air | 2006 | live-elec, 1 perf | 7:46 | Surround 5.1 | fl (fujara) [Flöte] | Blasinstrument | CMJ Vol 31-4, 2007/ | 1 | ||||||||
| 26619 | Juraj | Kojs | All Forgotten | 2006 | live-elec, 1 perf | 8:40 | p [Piano] | 0 | http://www.kojs.net | ||||||||||
| 26645 | Juraj | Kojs | At and Across | 2007 | fixed media, akusmatisch | 12:10 | for Slovak sheep bells and cyberbells | CMJ Vol 33-4, 2009/ | 1 | http://www.kojs.net | |||||||||
| 26644 | Juraj | Kojs | Autumn | 1999 | fixed media, akusmatisch | 8:20 | Stereo | 0 | http://www.kojs.net | ||||||||||
| 26641 | Juraj | Kojs | Aviary | 2000 | fixed media, akusmatisch | 7:50 | Stereo | 0 | http://www.kojs.net | ||||||||||
| 26625 | Juraj | Kojs | Birth of the Dragon | 2003 | Klangkunst, Installation | 12:00 | an installation for amplified cellophane, corrugated tubes, live sculpture, computer and video (in collaboration with sculptor Joel Artz) | 0 | http://www.kojs.net | ||||||||||
| 26640 | Juraj | Kojs | Catch Me | 2000 | fixed media, akusmatisch | 4:40 | Stereo | 0 | http://www.kojs.net | ||||||||||
| 26616 | Juraj | Kojs | Concealed | 2006 | live-elec, 1 perf | 7:10 | fl [Flöte] | SCI Journal of Music Scores/ | 0 | http://www.kojs.net | |||||||||
| 26610 | Juraj | Kojs | E-clip-sing | 2008 | live-elec, 3 perf | 11:00 | cl, gui, db [Klarinette, Gitarre, Kontrabass] | 0 | http://www.kojs.net | ||||||||||
| 26614 | Juraj | Kojs | En Una Noche Oscura | 2006 | live-elec, 4 perf | 8:00 | fl, vn, vc, p [Flöte, Piano, Cello, Violine] | 0 | http://www.kojs.net | ||||||||||
| 26626 | Juraj | Kojs | Garden of the Dragon | 2003 - 2008 | Performance | 9:00 | amplified cellophane, corrugated tubes, and electronics | 0 | http://www.kojs.net | ||||||||||
| 26636 | Juraj | Kojs | Good Night, Molly | 2001 | fixed media, akusmatisch | 8:50 | Stereo | 0 | http://www.kojs.net | ||||||||||
| 26613 | Juraj | Kojs | Guiding Night | 2007 | live-elec, 1 perf | 6:00 | vn [Violine] | 0 | http://www.kojs.net | ||||||||||
| 26615 | Juraj | Kojs | In Secret | 2006 | live-elec, 1 perf | 6:30 | ob and V [Stimme, Oboe] | 0 | http://www.kojs.net | ||||||||||
| 26637 | Juraj | Kojs | Intersection | 2001 | fixed media, akusmatisch | 5:40 | Stereo | 0 | http://www.kojs.net | ||||||||||
| 26622 | Juraj | Kojs | Leporelo | 2004 | live-elec, 4 perf | 8:50 | amp str-qt [Streicher] | 0 | http://www.kojs.net | ||||||||||
| 26627 | Juraj | Kojs | Letters to Wakantanka | 2002 | audiovisuell, live-elec, 7 perf | 36:00 | Mez, 3 dancer, fl, cl, va [Mezzo, Flöte, Klarinette, Viola, Tanz] | a seven movement multimedia composition for mezzo-soprano, 3 dancers/voices (female or male), flute, clarinet in B-flat, viola, tape, projected images, live electronics, lights, and incense | 0 | http://www.kojs.net | |||||||||
| 26639 | Juraj | Kojs | Look | 2000 | fixed media, akusmatisch | 5:57 | Stereo | 0 | http://www.kojs.net | ||||||||||
| 26611 | Juraj | Kojs | Neither Stirred, Nor Shaken | 2007 | Performance | 8:00 | cocktail glasses, shakers, blenders, and electronics | 0 | http://www.kojs.net | ||||||||||
| 26620 | Juraj | Kojs | Revelations | 2005 | Zuspiel, Performance, 1 perf | 9:00 | ins (circular toys, resonant plates, elec) [Instrument] | 0 | http://www.kojs.net | ||||||||||
| 26621 | Juraj | Kojs | The Snow Queen Song | 2005 | audiovisuell | 7:40 | computer sound and video | 0 | http://www.kojs.net | ||||||||||
| 26623 | Juraj | Kojs | Three Movements | 2004 | live-elec, 1 perf | 22:00 | p [Piano] | 0 | http://www.kojs.net | ||||||||||
| 26617 | Juraj | Kojs | To Where He Waited | 2006 | live-elec, 1 perf | 7:20 | vc [Cello] | 0 | http://www.kojs.net | ||||||||||
| 26608 | Juraj | Kojs | Train60 | 2009 | fixed media, akusmatisch | 60:00 | FEASt Appetizers CD/ | 0 | http://www.kojs.net | ||||||||||
| 26624 | Juraj | Kojs | When No Wind Stirs | 2004 | audiovisuell | 6:00 | computer sound and video | 0 | http://www.kojs.net | ||||||||||
| 26635 | Juraj | Kojs | YMA | 2001 | Zuspiel / Tonband, 4 perf | 10:00 | str-qt [Streicher] | FEMS Florida | 0 | http://www.kojs.net | |||||||||
| 26612 | Juraj | Kojs | Zvonenie | 2007 | fixed media, akusmatisch | 13:26 | Quadro | cyberbells on 4-channel tape | 0 | http://www.kojs.net | |||||||||
| 25464 | Panayiotis | Kokoras | Anechoic Pulse | 2004 | fixed media, akusmatisch | 9:40 | Stereo | miso records mcd 016.07/ | PS C., MTA (Creta, GR) | 2005 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | www.panayiotiskokoras.com | |||||||
| 24688 | Panayiotis | Kokoras | Breakwater | 2000 | fixed media, akusmatisch | 7:56 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 33634 | Panayiotis | Kokoras | Construct Synthesis | 2010 | fixed media, akusmatisch | 10:09 | MR 2010 Métamorphoses 2010/ | IMEB Bourges, PS C. | IMEB Bourges | 1 | |||||||||
| 35741 | Panayiotis | Kokoras | Jet | 2012 | Zuspiel / Tonband, | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 | 0 | ||||||||||||
| 35657 | Panayiotis | Kokoras | Magic | 2010 | fixed media, akusmatisch | 9:43 | 32 Tracks | CMMAS CD 020/ | ZKM Karlsruhe | ZKM | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2011 Auszeichnung ars electronica honorary mention 2011 |
0 | |||||||
| 37820 | Panayiotis | Kokoras | Qualia | 2017 | fixed media, akusmatisch | 9:40 | 0 | ||||||||||||
| 25009 | Panayiotis | Kokoras | Response | 2001 | fixed media, akusmatisch | 9:03 | Octo | miso records mcd 013/014/ M&R L’Espace du son 2000/ | Musiques et Recherches Ohain | Musica Viva Competition Prize 2002 second prize Noroit 2002 |
1 | ||||||||
| 41469 | Panayiotis | Kokoras | Rhino | 2017 | live-elec, 1 perf | 9 | bar-sax [Saxophon] | 0 | |||||||||||
| 35387 | Panayiotis | Kokoras | Sense | 2013 | fixed media, akusmatisch | 8:20:00 | MR 2014 Métamorphoses 2014/ | CEMI Denton | 0 | ||||||||||
| 25953 | Panayiotis | Kokoras | Shatter Cone | 2005 | fixed media, akusmatisch | 10:05 | Surround 5.1 | CMJ Vol 31-4, 2007/ | Crete Inst | 2004 MATA Festival | 1 | ||||||||
| 41498 | Panayiotis | Kokoras | slida | 2002 | fixed media, akusmatisch | 3:51 | HAG CD 02/ | 0 | |||||||||||
| 43049 | Panayiotis | Kokoras | West Pole | 2009 | fixed media, akusmatisch | 8:40:00 | 0 | ||||||||||||
| 40170 | Panayotis | Kokoras | West Pole | 2015 | Zuspiel / Tonband, 1 perf | 9:00:00 | p [Piano] | Panayotis Kokoras | 0 | ||||||||||
| 33301 | Jiří | Kolář | poèmes pour bande | 1962 | radiophon | PS Prag | 0 | ||||||||||||
| 25954 | Margo | Kolar | Obscurus | fixed media, akusmatisch | 8:49 | E-Stuudio/ | HfM Estonia | 1 | |||||||||||
| 21813 | Barbara | Kolb | Looking for Claudio | Zuspiel / Tonband, 1 perf | Stereo | gui [Gitarre] | CRI CD 576/ | 0 | |||||||||||
| 8536 | Barbara | Kolb | Millefoglie | 1985 | Zuspiel / Tonband, 1 group | 20:00 | ens [Ensemble] | IRCAM | Bo&Ha | 0 | |||||||||
| 20366 | Barbara | Kolb | Spring River Flowers Moon Night | 1975 | Zuspiel / Tonband, 6 perf, 1 group | 19:14 | Stereo | chimes, vib, mar, 2 p, perc, (man ?) [Piano, Schlagzeug] | CRI CD 576/ | 0 | |||||||||
| 38598 | David | KOLBER | Wheel. Chair | 1999 | radiophon | 41:25:00 | 0 | ||||||||||||
| 8537 | Kåre | Kolberg | Agathe | 1970 | fixed media, akusmatisch | 9:15 | Mono | EMS Stockholm | 0 | ||||||||||
| 8538 | Kåre | Kolberg | Anonymus 1972 | 1972 | fixed media, akusmatisch | 8:56 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 8539 | Kåre | Kolberg | Cercare | 1989 | fixed media, akusmatisch | 9:50 | NOTAM | 0 | |||||||||||
| 8540 | Kåre | Kolberg | Keiserens nye slips | 1973 | fixed media, akusmatisch | 10:05 | Quadro | Programm EMS1 | PHI 6578113/ | EMS Stockholm | Nordisk Kulturråd | 0 | |||||||
| 33513 | Kåre | Kolberg | MOM | 1971 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 8541 | Kåre | Kolberg | Portamento | 1987 | Zuspiel / Tonband, 1 perf | 22:10 | perc [Schlagzeug] | NOTAM | 0 | ||||||||||
| 8542 | Kåre | Kolberg | Sombre | 1990 | fixed media, akusmatisch | 9:40 | NOTAM | 0 | |||||||||||
| 20367 | Kåre | Kolberg | The Emperor's New Tie | 1988 | fixed media, akusmatisch | 9:38 | Stereo | NCD B 4934 New Concert Discs/ | 0 | ||||||||||
| 8543 | Kåre | Kolberg | Varia | 1980 | Zuspiel, live-elec, 5 perf | 10:00 | fl, tpt, perc, Kbd, db [Flöte, Trompete, Keyboard, Schlagzeug, Kontrabass] | NOTAM | 0 | ||||||||||
| 8544 | Kåre | Kolberg | Vitrage | 1992 | fixed media, akusmatisch | 14:00 | NOTAM | 0 | |||||||||||
| 38774 | Károly, Helga | KOLLER, POGATSCHAR | Nachtkarst | 2001 | radiophon | 52:26:00 | 0 | ||||||||||||
| 8545 | Fred | Kolman | Kolman’s Kube | 1987 | Musiktheater | STEIM | 0 | ||||||||||||
| 8546 | Peter | Kolman | 9 1/2 | 1976 | fixed media, akusmatisch | 9:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8547 | Peter | Kolman | D 68 | 1968 | fixed media, akusmatisch | 26:10 | Quadro | IDEAMA CD 009/ | CECM Bratislava | 0 | |||||||||
| 8548 | Peter | Kolman | Die Fluglinie | 1966 | radiophon | 4:30 | Mono | (Butor) | CECM Bratislava | 0 | |||||||||
| 8549 | Peter | Kolman | Die Ohrfeige | 1966 | radiophon | 4:00 | Mono | (von Cramer) | CECM Bratislava | 0 | |||||||||
| 8550 | Peter | Kolman | E 15 | 1974 | fixed media, akusmatisch | 11:50 | Stereo | EM CD 001/ | CECM Bratislava | 2nd prize Bourges | 1 | ||||||||
| 8551 | Peter | Kolman | General Frederik | 1969 | radiophon | (Constant) | CECM Bratislava | 0 | |||||||||||
| 32689 | Peter | Kolman | Lentement mais pas trop | 1972 | radiophon | 11 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8552 | Peter | Kolman | Mala nocna hudba, eine kleine Nachtmusik | 1971 | fixed media, akusmatisch | 4:45 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8553 | Peter | Kolman | Omaggio a Gesualdo | 1970 | fixed media, akusmatisch | 14:25 | Stereo | IDEAMA CD 009/ | CECM Bratislava | 0 | |||||||||
| 8554 | Peter | Kolman | Poliritmica | 1974 | fixed media, akusmatisch | 7:04:00 | Quadro, Quadro | CECM Bratislava | 0 | ||||||||||
| 8555 | Peter | Kolman | Pomaly ale nie prilis | 1972 | fixed media, akusmatisch | 10:35 | Stereo | CECM Bratislava | Mention Bourges | 0 | |||||||||
| 8556 | Peter | Kolman | Zykaden | 1965 | radiophon | 1:30 | Mono | (Bachmann) | CECM Bratislava | 0 | |||||||||
| 22065 | Lorenza | Kolosimo | Movie (excerpt) | fixed media, akusmatisch | 3:00 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 0 | |||||||||||
| 38324 | Pierre | Kolp | Passerelle | 1999 | live-elec, 4 perf | 8:26 | narrator, vn, vc, db [Cello, Violine, Kontrabass, Schauspieler] | SR 161 sub rosa/ | 0 | ||||||||||
| 34449 | Johan | Kolsteeg | opas | 1985 | fixed media, akusmatisch | 8:40 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 8557 | Ron | Kolton | Meditation and Prayer | 1982 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 8558 | Ron | Kolton | Prayer for the End of Time | 1976 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 8559 | Ron | Kolton | Variations for the Sword Man | 1982 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 8561 | Vojin | Komadina | Smrt majke Jugovica, (The Death of Jugovic Mother) | 1973 | Zuspiel / Tonband, 3 perf, 1 group | 11:26 | Sp, S, Bar, ens [Sopran, Bariton, Sprecher, Ensemble] | EM ?? | 0 | ||||||||||
| 8560 | Vojin, Vladan | Komadina, Radovanovic | Refrain for Synthi | 1972 | fixed media, akusmatisch | 9:23 | Stereo | Radio Beograd | 0 | ||||||||||
| 8562 | Vladimir | Komarov | Mgnovenya odnoy zhizni (Instants of One Life) | 1990 | Zuspiel / Tonband, 1 perf | p [Piano] | CEM Bilthoven | 0 | |||||||||||
| 8563 | Vladimir | Komarov | Mirages | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 8564 | Vladimir | Komarov | Posvyashcheniye Artyuru Rembo, (Hommage to Arthur Rimbaud) | 1989 | Zuspiel / Tonband, 4 perf | Bar, fl, b-drum, gui [Bariton, Flöte, Gitarre, Schlagzeug] | 0 | ||||||||||||
| 8565 | Vladimir | Komarov | Razmishleniya (Reflection) | fixed media, akusmatisch | 0 | ||||||||||||||
| 8566 | Vladimir | Komarov | Sochrani nadezhdu, Cherish Hopes | 1990 | fixed media, akusmatisch | 11:31 | ELCD 004 Electroshock Records/ | 0 | |||||||||||
| 8567 | Vladimir | Komarov | Tryasina (Quagmire) | 1990 | Zuspiel / Tonband, 2 perf | S, rec [Sopran, Flöte] | 0 | ||||||||||||
| 8568 | Rudolf | Komorous | 4 Klanginterludien | 1966 | fixed media, akusmatisch | 4:00 | Mono | after poems by J. Kubena | 0 | ||||||||||
| 8569 | Rudolf | Komorous | Anatomie melancholie | 1966 | Zuspiel / Tonband, 1 perf | 30:00 | Stereo | prep p [Piano] | 0 | ||||||||||
| 8570 | Rudolf | Komorous | Gone | 1969 | Zuspiel / Tonband, 2 perf | 2 bn [Fagott] | 0 | ||||||||||||
| 8571 | Rudolf | Komorous | Náhrobek Malevicuv, The Tomb of Malevitch | 1967 | fixed media, akusmatisch | 3:38 | SUA 10951/ Creel Pone 39/ SUA DV 6221/ | Praha VÚRT, Supraphon Praha | 1 | ||||||||||
| 39123 | Marzena | Komsta | Desire | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 39122 | Marzena | Komsta | Les espaces de mes rêves | 2003 | live-elec, 2 perf | p, V (whispered), (unusual sound objects, Max/MSP real-time electroacoustic system) [Stimme, Piano] | 0 | ||||||||||||
| 33116 | Marzena | Komsta | Oqivian | 1993 | fixed media, akusmatisch | 2:24:00 | WJ 2001/ | PS C., HfM Warsaw | 1 | ||||||||||
| 39124 | Marzena | Komsta | Songe XXV | 2003 | fixed media, akusmatisch | p, V, (sound objects, Max/MSP real-time electroacoustic system) [Stimme, Piano] | 0 | ||||||||||||
| 39121 | Marzena | Komsta | ...tu sais? | 1995 | Zuspiel, live-elec, 4 perf | amp fl, amp perc, amp hpd, small orc, com [Flöte, Cembalo, Schlagzeug, computer, Orchester] | 0 | ||||||||||||
| 8572 | Shiro | Kon | Composition for tape '65 | 1965 | fixed media, akusmatisch | Mono + Mono + Mono + Mono, Mono, Mono | NHK Fukuoka | 0 | |||||||||||
| 8573 | Shiro | Kon | Musik für 12 Spieler und elektronische Klänge Music for 12 players and electronic sound, Djunin no Ensosha to Denshi Ongaku no tameno Ongaku |
1965 | Zuspiel / Tonband, 12 perf | 10 | Mono | 12 mus [Musiker] | IDEAMA CD 085/ | NHK Fukuoka | 0 | ||||||||
| 38454 | Jo | Kondo | In the woods | 1990 | Zuspiel / Tonband, | 12:48 | 32CM 190/ | NHK Tokyo | 0 | ||||||||||
| 37456 | Jo | Kondo | Never return | 1971 | fixed media, akusmatisch | 12:15 | OUOADM 0701/ | NHK Tokyo | 0 | ||||||||||
| 8574 | Ádám | Kondor | Waves | 1987 | fixed media, akusmatisch | 5:15 | MR Budapest | 0 | |||||||||||
| 24197 | Michael | Konkin | And Times stands still … | 2002 | fixed media, akusmatisch | 1:50 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 22491 | Michael | Konkin | From Inside and Out | 2000 | fixed media, akusmatisch | 6:53 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | winner JTTP 2001 3. prize | 1 | ||||||||
| 24677 | Michael | Konkin | New Uluru Rain | 2003 | fixed media, akusmatisch | 7:59 | JTTP 2003 | CEC Cache 2003 CA/ | 1 | ||||||||||
| 8575 | Takis | Konstantin | Sirenen | 1988 | Klangkunst, Installation | ∞ | documenta Kassel, Berlin | 0 | |||||||||||
| 28540 | Constantino | Kontos | The Passage | 2010 | fixed media, akusmatisch | 10:48 | Stereo | BEAST | 31.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||||
| 39690 | Costis | Kontos | Unfelt, Unseen – Streams | 2015 | fixed media, akusmatisch | 9:09:00 | Costis Kontos | 0 | |||||||||||
| 22492 | Mikael | Konttinen | Untiteld | 2000 | fixed media, akusmatisch | 6:20 | CD: "a new Generation" at EMS / Eight Times Falling. | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 36618 | Paul | Koonce | Breath and the Machine | 1999 | fixed media, akusmatisch | 13:22 | Stereo | Centaur CRC 2552, CDCM Vol. 32/ | ICMA Commission Awards 1997-99 | 0 | |||||||||
| 42510 | Paul | Koonce | Clockwork | 2007 | fixed media, akusmatisch | 0 | |||||||||||||
| 20368 | Paul | Koonce | Hothouse | 1992 | fixed media, akusmatisch | 8:17 | Stereo | PANaroma 199.000.954/ SEAMUS EAM Vol. 5/ mode 90/ | Auszeichnung ars electronica 1994 | 0 | http://www.music.princeton.edu/~koonce/ | ||||||||
| 27814 | Paul | Koonce | Out of Breath | 2000 | fixed media, akusmatisch | 7:40 | Octo | Princeton University | 1 | http://www.music.princeton.edu/~koonce/ | |||||||||
| 42982 | Paul | Koonce | Parallax | 2013 | fixed media, akusmatisch | 9:12:00 | 0 | ||||||||||||
| 35463 | Paul | Koonce | Pins | 1996 | fixed media, akusmatisch | 13:29 | Stereo | mode 90/ | 0 | http://www.music.princeton.edu/~koonce/ | |||||||||
| 8576 | Paul | Koonce | Rule III | 1976 | fixed media, akusmatisch | 3:43 | 25th An.St. Urb/Illi. | UIUC LC 84-743210/ | EMS UIUC | 1 | http://www.music.princeton.edu/~koonce/ | ||||||||
| 39476 | Paul | Koonce | Sisyphus in Situ | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 35464 | Paul | Koonce | The Flywheel Dream | 1994 | fixed media, akusmatisch | 9:23 | Stereo | mode 90/ | 0 | http://www.music.princeton.edu/~koonce/ | |||||||||
| 20991 | Paul | Koonce | Walkabout | 1998 | fixed media, akusmatisch | 16:30 | Stereo | innova 115/ LDC 278065/66 Cultures Electroniques 11/ mode 90/ | prize Bourges 1998 | 1 | http://www.music.princeton.edu/~koonce/ | ||||||||
| 20369 | Paul | Koonce | Whitewash | 1992 | fixed media, akusmatisch | 9:04 | Stereo | SEAMUS EAM 9402 Vol. 3/ | 0 | http://www.music.princeton.edu/~koonce/ | |||||||||
| 8577 | Tymen van der | Kooy | Judy | fixed media, akusmatisch | AH-Label VR 503 VRP/ | TH Delft | 0 | ||||||||||||
| 8578 | Tymen van der | Kooy | Klankstudie | 1958 | Theatermusik | fixed media, akusmatisch |
15:00 | Mono | test III performance | TH Delft | Toneelwerkgroep Test | 0 | ||||||||
| 40931 | Tymen van der, Marleen van | Kooy, Hall | Le Ping Pong, Ping-Pong | 1959 | Theatermusik | Theater play by Arthur Adamov (1955) | TH Delft | 0 | |||||||||||
| 8579 | Pavel | Kopecky | Jasná svetla | 1987 | fixed media, akusmatisch | 8:35 | Stereo | Radio Plzen | 0 | ||||||||||
| 41890 | Pavel | Kopecky | Ludi e Conti | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1993 | 0 | ||||||||||||
| 8580 | Pavel | Kopecky | Netrpelivy Orfeus | 1991 | fixed media, akusmatisch | 7:54 | Stereo | Radio Plzen | 0 | ||||||||||
| 8581 | Pavel | Kopecky | Reminiscence | 1985 | fixed media, akusmatisch | 12:54 | Stereo | Radio Plzen | 0 | ||||||||||
| 8582 | Pavel | Kopecky | Reverberace | 1984 | fixed media, akusmatisch | 9:36 | Stereo | Radio Plzen | 0 | ||||||||||
| 8583 | Pavel | Kopecky | Ritorni | 1989 | fixed media, akusmatisch | 10:55 | Stereo | Radio Plzen | 0 | ||||||||||
| 41905 | Pavel | Kopecky | Zátiší s Pierotem | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 8584 | Marek | Kopelent | Bludny hlas (Irrende Stimme) | 1969/1970 | intermedia, live-elec, 2 groups | 16:00 | actors, ens [Schauspieler, Ensemble] | film | 0 | ||||||||||
| 8585 | Marek | Kopelent | Intimissimo | 1971 | Zuspiel / Tonband, 1 group | ens [Ensemble] | film | 0 | |||||||||||
| 8586 | Marek | Kopelent | Mon Amour, ein Gedicht von Marc Chagall | 1988 | Zuspiel / Tonband, 7 perf | 12:00 | S, T, fl, p, vc, 2 perc [Sopran, Tenor, Flöte, Piano, Schlagzeug, Cello] | 0 | |||||||||||
| 8587 | Klaus Martin | Kopitz | An den anderen Tagen | 1989 | fixed media, akusmatisch | 4:40 | Stereo | AdK Berlin | 0 | ||||||||||
| 8588 | Klaus Martin | Kopitz | Das Geheimnis des verlassenen Raumes | 1990 | fixed media, akusmatisch | 10:00 | Stereo | AdK Berlin | prize Hanns Eisler 1991; prize Forum young composers WDR 1992 |
1 | |||||||||
| 8589 | Klaus Martin | Kopitz | Herbst - Musik, Herbstmusik | 1988 | fixed media, akusmatisch | live-elec, 2 perf |
4:45 | Stereo | 2 gui [Gitarre] | version for 2 gui (1985/86) tape-version 1988 version for 2 gui and elec |
AdK Berlin, WDR SEM | 0 | ||||||||
| 8590 | Klaus Martin | Kopitz | Mein Leben in der Wüste | 1989 | Zuspiel, live-elec, 2 perf | 8:08 | Stereo | p, synt [Piano, synthesizer] | Inventionen 22.1.1990 AdK | AdK Berlin | 22.1.1990 | AdK Berlin (West), Inventionen 1990; Solist K. M. Kopitz | 1 | 1990 | |||||
| 8592 | Klaus Martin | Kopitz | Netzwerk | 1989 | Zuspiel / Tonband, 2 perf | 14:00 | Stereo | p, Kbd [Piano, Keyboard] | AdK Berlin | 0 | |||||||||
| 8593 | Klaus Martin | Kopitz | Pink Thrill | 1988 | Theatermusik | 3:12 | Stereo | AdK Berlin | 3.7.1988 | Neustrelitz, Friedrich-Wolf-Theater | 0 | ||||||||
| 8594 | Klaus Martin | Kopitz | Teilstrategien | 1989 | fixed media, akusmatisch | 10:09 | Stereo, Quadro | AdK Berlin | 0 | ||||||||||
| 8595 | Ralf | Koppel | Die Multiplikation der Bögen, Die Multiplikation von Bögen | 1979 | fixed media, akusmatisch | 10:15 | Quadro | ICEM Essen | 1 | ||||||||||
| 8596 | Ralf | Koppel | Untern Linden | 1982 | live-elec, 1 group | 8:05 | Stereo | ens [Ensemble] | ICEM Essen | 0 | |||||||||
| 38599 | Christoph | KORN | Consolamini | 2006 | radiophon | 51:14:00 | 0 | ||||||||||||
| 42137 | Christoph | Korn | Ich spreche diesen Text | 2008 | radiophon | 15:10 | Hörstück zum Online-Projekt "Waldstueck" | HR, DLF | 18.2.2009 | HR Radio, Deutschlandradio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1528791&vi=18&SID | |||||||
| 38600 | Christoph | KORN | Volkslied | 2003 | radiophon | 52:39:00 | 0 | ||||||||||||
| 43180 | Christoph | KORN | Waldstück | 2007 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2009 | 0 | http://www.waldstueck.net | |||||||||||
| 33157 | Jerzy | Kornowicz | Scenes from Boundless Realms | 2006 | live-elec, 2 groups | 36:06 | ch, ens [Ensemble, Chor] | for instrumental ensemble, vocal ensemble and live electronics | WJ 2006 polmic 024/ | 27.9.2006 | Warsaw Autumn | 1 | |||||||
| 22140 | Jerzy | Kornowicz | Shapes of Elements | 1997 | Zuspiel / Tonband, 1 perf | 16:57 | Stereo | hpd [Cembalo] | ExpSt Warsaw | 0 | |||||||||
| 33065 | Jerzy | Kornowicz | The Shapes of the Elements | 2000 | Zuspiel / Tonband, 1 perf | 21:12:00 | hpd [Cembalo] | WJ 2000/ WJ 2000/ | ExpSt Warsaw | 1 | |||||||||
| 8597 | Jerzy | Kornowicz | Tibet I | 1985 | fixed media, akusmatisch | 0 | |||||||||||||
| 8598 | Jerzy | Kornowicz | Written in Poland | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 8599 | A. | Korolev | Baikalskie miradzi (Baikal Mirage) | 1987 | live-elec, 1 perf | synt, slides [synthesizer] | 0 | ||||||||||||
| 34622 | Andrej | Koroliov | irritate me (Herbst) | 2016 | audiovisuell, live-elec, 1 perf | cl (distortion pedal) [Klarinette] | SMC2016 | 0 | http://decoder-ensemble.de/en/andrej-koroliov-2 | ||||||||||
| 8600 | Karl | Korte | Colloquy | 1988 | Zuspiel / Tonband, 1 perf | 11:33 | fl [Flöte] | Karl Kraber (b-fl, fl, piccolo) | Centaur CRC 2245, CDCM Vol. 20/ | Uni of Texas at Austin | 1 | ||||||||
| 32060 | Karl | Korte | Extensions | 1994 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | George A. Frock, percussion | SEAMUS EAM Vol. 5/ | 0 | ||||||||||
| 33057 | Karl | Korte | Remembrances | 1971 | Zuspiel / Tonband, 1 perf | 19:06 | fl [Flöte] | for flute & synthesized processed sound | Nonesuch H 71289/ | 0 | |||||||||
| 37978 | Karl | Korte | Symmetrics | 1973 | Zuspiel / Tonband, 2 perf, 1 group | 11:40 | sax, perc-ens [Saxophon, Schlagzeug] | CRI SD 431/ | Uni of Texas at Austin | 0 | |||||||||
| 37982 | Karl | Korte | The Whistling Wind | 1981 | Performance | 8:45 | Narration (2:20) and Performance (8:45) | FSS 37465/ | Uni of Texas at Austin | 0 | |||||||||
| 8601 | Olli | Kortekangas | Grand Hotel | 1989 | Oper, 3 perf, 1 group | 37:00 | Mez, B, Sp, chamber-orc [Mezzo, Bass, Sprecher, Orchester] | ODE 749/ | 1 | ||||||||||
| 8602 | Olli | Kortekangas | Memoria | 1989 | Radiokunst, 1 perf, 1 group | 14:21 | ch, perc [Schlagzeug, Chor] | ODE 749/ | Yleisradio | 1 | |||||||||
| 38775 | Michail, Velimir, Alexander | KORZIN, KHLEBNIKOV, PONOMAREV | Zangezi (russische Fassung ) | 1992 | radiophon | 24:55:00 | 0 | ||||||||||||
| 8603 | Gábor | Kósa | Sons sinusoidaux | 1976 | fixed media, akusmatisch | 3:00 | Mono | MR Budapest | 0 | ||||||||||
| 33920 | Boris | Kosak | #include | 1999 | fixed media, akusmatisch | 9:15:00 | Stereo | HfMT Köln | 0 | ||||||||||
| 33921 | Boris | Kosak | Layla | 1999 | fixed media, akusmatisch | 7:12:00 | Stereo | HfMT Köln | 0 | ||||||||||
| 8604 | Chr. | Kosc | Aurore | 1987 | fixed media, akusmatisch | 4:03 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 8605 | Chr. | Kosc | Sidéral | 1988 | fixed media, akusmatisch | 7:05 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX, C. Primus | SACEM | 0 | ||||||||
| 8606 | Chr. | Kosc | Synevox | 1987 | fixed media, akusmatisch | 6:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 36168 | Michael | Kosch | Colatudes | fixed media, akusmatisch | 3:50 | innova 117/ | EMS UIUC | 0 | |||||||||||
| 8607 | Michael | Kosch | Glimses | 1982 | Tanz | 4:16 | UIUC LC 84-743210/ | EMS UIUC | 1 | ||||||||||
| 39970 | Kamil | Kosecki | Artificial Intelligence | 2016 | fixed media, akusmatisch | Kamil Kosecki | 0 | ||||||||||||
| 25955 | Patrick | Kosk | Anklung & Ice | 2004/2005 | fixed media, akusmatisch | 12:31 | 5 tracks | ed. rz 3005/ | VICC Visby | NOMUS | 2005 | Myrkir Musikdagar Island | 1 | ||||||
| 8608 | Patrick | Kosk | Återkomsten | 1991 | Film | 12:08 | Stereo | short film | Yleisradio | 0 | |||||||||
| 24912 | Patrick | Kosk | Das Kästchen & Tripitaka | 2005 | fixed media, akusmatisch | 9:50 | Stereo | ed. rz 3005/ | TU Berlin | Festival Inventionen DAAD/TU 2005 | 8.7.2005 | Inventionen Villa Elisabeth Berlin | 1 | 2005 | |||||
| 8609 | Patrick | Kosk | Der Raum Traum (der Najade) | 1992/1993 | fixed media, akusmatisch | 7:36 | Stereo | com M. dedicated to Folkmar Hein |
Jase CD 0022/ CAP 21471 "Bits and Pieces / EMS 30 Years"/ | TU Berlin, EMS Stockholm | 2.2.1994 | Inventionen Akademie der Künste Berlin | 0 | ||||||
| 8610 | Patrick | Kosk | Distractions pour l'eternite | 1985 | fixed media, akusmatisch | 26:08 | Quadro | INA • GRM, Yleisradio | 1 | ||||||||||
| 18847 | Patrick | Kosk | Distrak - Sillalla | 1992 | fixed media, akusmatisch | 11:32 | Stereo | Jase CD 0022/ ed. rz 3005/ | Yleisradio, INA • GRM | YLE | 12.2.1992 | Inventionen Akademie der Künste Berlin | 1 | 1992 | |||||
| 8611 | Patrick | Kosk | Dronten Drommer Framtid (a Dodo dreams) | 1978 | fixed media, akusmatisch | 8:00 | Stereo | Uni Helsinki | 0 | ||||||||||
| 19127 | Patrick | Kosk | Etude P.S. pour P.S. | 1996 | fixed media, akusmatisch | 4:27 | EMS Stockholm | 1 | |||||||||||
| 8612 | Patrick | Kosk | Eve & Dave | 1990 | Tanz | 23:00 | Stereo | Yleisradio | 0 | ||||||||||
| 20285 | Patrick | Kosk | Ice Bice | 1998 | fixed media, akusmatisch | 12:00 | Stereo | LDC 278070/71 Cultures Electroniques 13/ ed. rz 10009/10 Inventionen 98/ | TU Berlin, PS C. | Festival Inventionen DAAD/TU 98 | 26.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | |||||
| 25046 | Patrick | Kosk | La Boîte | 2005 | fixed media, akusmatisch | 8:55 | ed. rz 3005/ | IMEB Bourges | IMEB | 2005 | Synthese 2005 Bourges | 1 | |||||||
| 8613 | Patrick | Kosk | La Fleur permanete | 1989 | fixed media, akusmatisch | radiophon |
19:58 | Stereo | Yleisradio | 1 | ||||||||||
| 8614 | Patrick | Kosk | La Water Car - Le Crash Car | 1985 | intermedia | 120:00 | Stereo | installation | Yleisradio | 0 | |||||||||
| 26329 | Patrick | Kosk | Mondweiß | 2007 - 2008 | fixed media, akusmatisch | 13:24 | Stereo | ed. rz 3005/ | PS C. | 1 | 2008 | ||||||||
| 8615 | Patrick | Kosk | Muutos - prosessi illuusiona | 1990 | intermedia | audiovisuell |
65:00 | Stereo | videoinstallation, lights | Yleisradio | 0 | |||||||||
| 8616 | Patrick | Kosk | Nebula Prospekt | 1984 | fixed media, akusmatisch | 8:58 | Stereo | LDC 278065/66 Cultures Electroniques 11/ | Yleisradio, IMEB Bourges | 1 | |||||||||
| 19126 | Patrick | Kosk | No solution … | 1996 | fixed media, akusmatisch | 17:44 | text and reading by Agneta Enckell | EMS Stockholm | 1 | ||||||||||
| 8617 | Patrick | Kosk | Ord har hål (Words has holes) | 1990 | fixed media, akusmatisch | Radiokunst, 1 perf |
12:00 | Stereo | Sp [Sprecher] | poetry by A. Enckell; 2 versions | Yleisradio | 0 | ||||||||
| 8618 | Patrick | Kosk | Panopticon | 1984 | radiophon | 36:06 | Stereo | Yleisradio | 0 | ||||||||||
| 8619 | Patrick | Kosk | Plastique sans titre | 1994 | fixed media, akusmatisch | 10:16 | Stereo | Jase CD 0022/ LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | |||||||||
| 40836 | Patrick | Kosk | Radial Nerve Pressure | 1999 | live-elec, 1 perf | sax [Saxophon] | Charm of Sound CSR 0199/ | 1 | |||||||||||
| 8620 | Patrick | Kosk | Ruttopuisto Hydra | 1991 | intermedia, live-elec, 1 perf | 57:00 | Stereo | Sp [Sprecher] | text after Heiner Müller | Yleisradio | 0 | ||||||||
| 8621 | Patrick | Kosk | Totem - Leche Verde | 1983 | Zuspiel, live-elec, 3 perf | 38:00 | Stereo | Sp, sax, synt [Sprecher, Saxophon, synthesizer] | Yleisradio | 0 | |||||||||
| 8622 | Patrick | Kosk | Trance Dance | 1981 | fixed media, akusmatisch | 18:14 | Stereo | Uni Helsinki, Yleisradio | 1 | ||||||||||
| 8623 | Patrick | Kosk | Transmissions in a … (System of Coordinates) | 1981 | fixed media, akusmatisch | 18:25 | Stereo | ed. rz 3004 LP/ ed. rz 3005/ | Yleisradio | DAAD BKP | 25.7.08 | Inventionen Elisabeth-Kirche Berlin | 0 | ||||||
| 8624 | Patrick | Kosk | Zarathustra I | 1982 | Musiktheater | 120:00 | Stereo | Yleisradio | 0 | ||||||||||
| 8625 | Patrick | Kosk | Zarathustra II | 1982 | radiophon | 61:00 | Stereo | Yleisradio | 0 | ||||||||||
| 8626 | Olli | Koskelin | Tutte le corde | 1989 | Zuspiel / Tonband, 1 perf | 15:28 | gui [Gitarre] | ODE 730/ | 1 | ||||||||||
| 8627 | Sergey | Kossenko | Men's Job | 1994 | fixed media, akusmatisch | 4:07 | SLR 0044, Theremin Center/ | Theremin C. Moscou | 1 | ||||||||||
| 8628 | Sergey | Kossenko | Voicy | 1993 | fixed media, akusmatisch | 5:06 | SLR 0044, Theremin Center/ | Theremin C. Moscou | 1 | ||||||||||
| 8629 | Richard | Kostelanetz | America's Game | 1986/1988 | fixed media, akusmatisch | ≈ 60:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8630 | Richard | Kostelanetz | Grounds | 1986/1988 | fixed media, akusmatisch | 5:13 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8631 | Richard | Kostelanetz | Invocations I & II (Swedish version) | 1981 | audiovisuell | 61:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22044 | Richard | Kostelanetz | Metropolis New York | radiophon | 2:03 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 8632 | Richard | Kostelanetz | Murdoch and the Sufi (from Invocation) | 1984 | intermedia | 5:16 | AER 1990 / 1/ | Radio SFB | 0 | ||||||||||
| 8633 | Richard | Kostelanetz | New York City ( American Version.) | 1984 | audiovisuell | Stereo | EMS Stockholm | 0 | |||||||||||
| 8634 | Richard | Kostelanetz | New York City I, II, III. | 1983 | audiovisuell | Stereo | EMS Stockholm | 0 | |||||||||||
| 8635 | Richard | Kostelanetz | Seductions | 1981 | audiovisuell | 24:46 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8636 | Richard | Kostelanetz | Turfs | 1986/1988 | fixed media, akusmatisch | 12:59 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8637 | Krzysztof | Kostrzewa | PUNKTY | 1985 | fixed media, akusmatisch | 5:15 | Stereo | SME Krakow | 0 | ||||||||||
| 8638 | Takehisa | Kosugi | 0-S-3 | 1961 | fixed media, akusmatisch | Improvisation. Tape lost | 0 | ||||||||||||
| 8639 | Takehisa | Kosugi | Anthology 8 | 1964 | fixed media, akusmatisch | 15:00 | Mono | Tape lost | PS C. | 0 | |||||||||
| 34542 | Takehisa | Kosugi | Catch Wave 71, Catch Wave | 1971 | fixed media, akusmatisch | 28 | Stereo | OUOADM 0502/ | NHK Tokyo | 0 | |||||||||
| 34231 | Takehisa | Kosugi | Cycles for seven sounds, an enviromental music | 1981 | Performance | perf [Performer] | DAAD Berliner Künstlerprogramm | 13.12.1981 | Künstlerhaus Bethanien Berlin | 0 | |||||||||
| 23156 | Takehisa | Kosugi | Dual Quartet Interaction |
2000 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory | MF 0002-2/ | Mattress Factory | 0 | ||||||||||
| 22493 | Takehisa | Kosugi | Dual Quartet and Interaction | 2000 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory; Teil CD-ROM, Teil Audio-CD; Windows und Mac | MF 0002-2/ | Mattress Factory | 1 | ||||||||||
| 8640 | Takehisa | Kosugi | Eclipse #1 - #3 | 1967 | live-elec, 1 perf | ≈ 60:00 | Mono | (RF oscillators, receivers,) perf [Performer] | PS C. NY | 0 | |||||||||
| 8641 | Takehisa | Kosugi | Fly | 1981 | fixed media, akusmatisch | 13:00 | Stereo | TU Berlin | 12.2.1981 | British Centre Berlin, „Transformation“ | 1 | 1986 | |||||||
| 34232 | Takehisa | Kosugi | Interspersion | 1981 | Klangkunst, Installation | 19.+20.12.1981 | Galerie Giannozzo Berlin | 0 | |||||||||||
| 34230 | Takehisa | Kosugi | Interspersion for 54 sounds | 1980 | Klangkunst, Installation | 54 elec puls sound gen are arranged in a space for emitting intersoersing sounds. The space will be coverred with 3 different materials, for example, with sugar, sand and salt. | Januar - März 1980 | Akademie der Künste Berlin, „Für Augen und Ohren“ | 0 | ||||||||||
| 31670 | Takehisa | Kosugi | Interspersions | 1992 | Klangkunst, Installation | 17.1.-16.2.1992 | daadgalerie Berlin | 0 | 1992 | ||||||||||
| 28371 | Takehisa | Kosugi | Klanginstallationen | Klangkunst, Installation | Inventionen 18.1. - 16.2.1992 daadgalerie, mit Katalog | 0 | |||||||||||||
| 8642 | Takehisa | Kosugi | Mano dharma '67 #2 - #4 | 1967 | live-elec, 1 perf | ≈ 300:00 | Mono | (RF oscillators, receivers,) perf [Performer] | PS C. NY | 0 | |||||||||
| 8643 | Takehisa | Kosugi | Mano dharma concert A, B, C, D | 1962 | fixed media, akusmatisch | je 30:00 | Mono | PS C. Tokyo | 0 | ||||||||||
| 8644 | Takehisa | Kosugi | Mano dharma I | 1961 | Zuspiel, live-elec, 4 perf | 14:00 | Mono + Mono | vn, p, a-sax, cl [Klarinette, Saxophon, Piano, Violine] | improvisations | Uni Tokyo | 0 | ||||||||
| 8645 | Takehisa | Kosugi | Mano dharma with Takeda | 1961 | Zuspiel, live-elec, 1 perf | je 15:00 | Mono + Mono | ins [Instrument] | improvisations, 2 versions | PS Sogetsu Tokyo | 0 | ||||||||
| 34234 | Takehisa | Kosugi | Melodien, For 2 Soundings For 5 Soundings |
1984 | Klangkunst, Installation | 37 | Audiokassette (Thieß Dettmer), Edition Giannozzo Berlin, 100 Exemplare | Edition Giannozzo/ | Mai 1984 | Galerie Giannozzo | 0 | ||||||||
| 8646 | Takehisa | Kosugi | Micro I | 1962 | live-elec, 1 perf | mics [elektronik] | Ongaku - group | PS C. | 0 | ||||||||||
| 34236 | Takehisa | Kosugi | Multimusik | 1987 | Performance | Edition Giannozzo/ | 27.10.1987 | Villa Oppenheim Berlin, Veranst. Galerie Giannozzo | 0 | ||||||||||
| 34229 | Takehisa | Kosugi | Music Expanded | 1967 | Performance | 4 perf [Performer] | 17.11.1967 | Forum Theater Berlin, Veranstalter: Galerie René Block | 0 | ||||||||||
| 8647 | Takehisa | Kosugi | Music G #2 | 1966 | live-elec, 1 perf | 15:00 | Mono | (af oscillators, fans,) ins [Instrument] | PS C. NY | 0 | |||||||||
| 34233 | Takehisa | Kosugi | opto-elektronische Musik | 1984 | Performance | 13.5.1984 | Künstlerhaus Bethanien Berlin, Veranst. Galerie Giannozzo | 0 | |||||||||||
| 20370 | Takehisa | Kosugi | Paraphrases | 1993 | Zuspiel, Performance, 1 perf | 16:34 | Stereo | vn [Violine] | Tellus 27/ | 0 | |||||||||
| 33555 | Takehisa | Kosugi | S.E. Wave / E.W. Song | 1976 | Tanz, live-elec, 1 perf | perf [Performer] | Violin, Voice, Electronics [Live] – Takehisa Kosugi Dance: Squaregame (1976) |
NWR 80712/ | 1 | ||||||||||
| 33560 | Takehisa | Kosugi | Spacings | 1984 | Tanz, live-elec, 1 perf | 23:52:00 | perf [Performer] | Electronics [Live] – Takehisa Kosugi Dance: Doubles (1984) |
NWR 80712/ | 1 | |||||||||
| 33563 | Takehisa | Kosugi | Spectra | 1989 | Tanz, live-elec, 3 perf | 20:29 | 3 perf [Performer] | Electronics [Live], Percussion [With Contact Mics] – David Tudor, Michael Pugliese Electronics [Live], Percussion [With Contact Mics], Voice – Takehisa Kosugi Dance: Cargo X (1989) |
NWR 80712/ | 1 | |||||||||
| 8648 | Takehisa | Kosugi | Violin - plus - minus | Performance | 16:50 | e-vn [Violine] | 17.1.1989 | Inventionen 1989, Akademie der Künste Berlin, „The Relative Violin“ | 1 | 1989 | |||||||||
| 34235 | Takehisa | Kosugi | Violin Music, May 10’1986 | 1986 | Performance | Audiokassette (Hans Peter Kuhn), Edition Giannozzo Berlin, 100 Exemplare | Edition Giannozzo/ | Mai 1986 | Die Audionauten | 0 | |||||||||
| 33569 | Takehisa | Kosugi | Wave Code A-Z | 1997 | Tanz, live-elec, 1 perf | vn [Violine] | Violin [Electric], Electronics [Live] – Takehisa Kosugi Dance: Scenarion (1997) |
NWR 80712/ | 1 | ||||||||||
| 8649 | Michal | Kosut | Katedrala v Coventry | 1984 | fixed media, akusmatisch | 8:36 | Stereo | CECM Bratislava | 0 | ||||||||||
| 41906 | Michal | Kosut | Kometa | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 41910 | Michal | Kosut | Mimikry | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 41914 | Michal | Kosut | Vzdálené vrcholky hor | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 8650 | Michal | Kosut | Zatisie | 1983 | fixed media, akusmatisch | 5:20 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8651 | Theodore | Kotepanos | Radiography | 1977 | fixed media, akusmatisch | 9:50 | Quadro | Ergim | 0 | ||||||||||
| 8652 | Keith | Kothman | Interupted Danses | 1988/1989 | fixed media, akusmatisch | 8:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8653 | Petr | Kotík | Contraband, Contrabandt | 1967 | Zuspiel, live-elec, 6 perf | ≈ 20-60 42:38 | Quadro | (objects), 2 - 6 mus [Musiker] | IDEAMA CD 030/ | WDR SEM | WDR 1967 | 28.4.1967 | "Musik der Zeit" Köln | 0 | |||||
| 8654 | Petr | Kotík | Elektronische Musik | 1966 | fixed media, akusmatisch | 7:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 8655 | Petr | Kotík | How Empty is My Wilderness | 1971 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 8656 | Petr | Kotík | Refraction | 1961 | fixed media, akusmatisch | 8:00 | Mono | PS C. | 0 | ||||||||||
| 8657 | Wlodzimierz | Kotonski | Aela | 1970 | fixed media, akusmatisch | 10:22 | Stereo | Muza Z-SN- 0578/ Muza SX 1149/ LDC 278067 Cultures Electroniques 11 Magisterium/ BR ES09 bolt Blanc et Rouge/ IDEAMA CD 044/ polmic 008/ | ExpSt Warsaw | 1 | |||||||||
| 8660 | Wlodzimierz | Kotonski | Albo Rybka, Dom | 1958 | Film | 7:35 | Mono | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | Film St Warsaw | 0 | |||||||||
| 8658 | Wlodzimierz | Kotonski | Antiphonae | 1989 | fixed media, akusmatisch | 12:07 | Stereo | CAP 21469 "Bits and Pieces / EMS 30 Years"/ | ExpSt Warsaw, EMS Stockholm | polish broadcast | 1 | 1990 | |||||||
| 8659 | Wlodzimierz | Kotonski | Barwy radosci i smutku | 1957 | Film | Mono | Film St Warsaw | 0 | |||||||||||
| 8661 | Wlodzimierz | Kotonski | Etiuda na Jedno Uderzenie w Talerz, Study On One Cymbal Stroke | 1959 | fixed media, akusmatisch | 2:40 | Mono | 1st piece in ExpSt Warsaw | Muza Z-N- 0569/ BR ES09 bolt Blanc et Rouge/ IDEAMA CD 011/ | ExpSt Warsaw | 1 | ||||||||
| 8662 | Wlodzimierz | Kotonski | Eurydice | 1970 | fixed media, akusmatisch | 15:55 | Quadro, Stereo | IDEAMA CD 052/ | INA • GRM | 4.2.1971 | Paris, Halles Baltard (version integrale) | 0 | |||||||
| 8663 | Wlodzimierz | Kotonski | experiments in sound & composition | ≈ 1962 | fixed media, akusmatisch | Mono | Siemens | 0 | |||||||||||
| 8664 | Wlodzimierz | Kotonski | Fotel | 1963 | Film | 6:00 | ExpSt Warsaw | 0 | |||||||||||
| 8665 | Wlodzimierz | Kotonski | Herbstlied | 1980/1981 | Zuspiel / Tonband, 1 perf | hpd [Cembalo] | WDR SEM, PS C. | WDR 1981 | 0 | ||||||||||
| 8666 | Wlodzimierz | Kotonski | Klangspiele, Jeux sonores | 1967 | Zuspiel / Tonband, 4 perf | 9:11 | Quadro + Quadro | 4 mus [Musiker] | "für 2 Vierspurtonbänder & Regler" | Muza 3XW 896/ IDEAMA CD 018/ | WDR SEM | WDR 1967 | 28.4.1967 | "Musik der Zeit" Köln | 0 | ||||
| 8667 | Wlodzimierz | Kotonski | Labirynt | 1962 | Film | 18:00 | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | ExpSt Warsaw | 0 | ||||||||||
| 8668 | Wlodzimierz | Kotonski | Les Ailes, Skrzydla the Wings |
1973 | fixed media, akusmatisch | 8:11 | Quadro | Muza SX 1149/ LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||||
| 8669 | Wlodzimierz | Kotonski | Litera | 1962 | Film | 5:00 | ExpSt Warsaw | 0 | |||||||||||
| 8670 | Wlodzimierz | Kotonski | Microstructures | 1963 | fixed media, akusmatisch | 5:20 | Stereo | first stereophonic piece in the studio | Muza SXL 1137/ PHI 6526006/ IDEAMA CD 053/ Wire Issue 406/ | ExpSt Warsaw, STEM Utrecht | 1 | ||||||||
| 8671 | Wlodzimierz | Kotonski | Midsummer | 1979 | Zuspiel, live-elec, 3 perf | cl, vc, p [Klarinette, Piano, Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 8672 | Wlodzimierz | Kotonski | Muzyka wiosenna, (Spring Music) | 1978 | Zuspiel, live-elec, 4 perf | fl, ob, vn, synt [Flöte, Oboe, Violine, synthesizer] | (Spring Music) | Muza SX 1683/ | SUNY Buffalo | 0 | |||||||||
| 25158 | Wlodzimierz | Kotonski | Northern Lights | 1997 | Zuspiel / Tonband, 1 perf | hpd [Cembalo] | WJ 2002/ | PS C. | 1 | ||||||||||
| 8673 | Wlodzimierz | Kotonski | Nosorozec | 1960 | Theatermusik | ExpSt Warsaw | 0 | ||||||||||||
| 8674 | Wlodzimierz | Kotonski | Nowy Janko Muzykant | 1960 | Film | 13:00 | ExpSt Warsaw | 0 | |||||||||||
| 8675 | Wlodzimierz | Kotonski | Oboe Concerto | 1971/1972 | live-elec, 1 perf, 1 group | ob, orc [Oboe, Orchester] | 0 | ||||||||||||
| 25157 | Wlodzimierz | Kotonski | Speculum vitae | 1996 | Zuspiel / Tonband, 1 group | 18:50 | Stereo | orc [Orchester] | ExpSt Warsaw | 0 | |||||||||
| 8676 | Wlodzimierz | Kotonski | Tableaux vivants dans un jardin a l'anglaise | 1986 | Zuspiel, live-elec, 1 perf | 15:34 | synt [synthesizer] | Muza SX 2463/ | IMEB Bourges | 1 | |||||||||
| 8678 | Wlodzimierz | Kotonski | Textures | 1984 | fixed media, akusmatisch | 8:21 | Stereo | EMS Stockholm | 0 | ||||||||||
| 8677 | Wlodzimierz | Kotonski | Tierra Caliente | 1992 - 1997 | fixed media, akusmatisch | 12:50 | LDC 278067 Cultures Electroniques 11 Magisterium/ | ExpSt Warsaw | 1 | ||||||||||
| 25156 | Wlodzimierz | Kotonski | Winterreise | 1995 | Zuspiel / Tonband, 3 perf | fl, ob, cl [Flöte, Klarinette, Oboe] | PS C. | 0 | |||||||||||
| 25155 | Wlodzimierz | Kotonski | Zatarty slad, epitafium | 1982 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 30025 | Johannes | Kotschy | Finisterre | 1986 | Zuspiel / Tonband, 7 perf | 65 | fl, bn, mar, vib, db, 2 Sp [Sprecher, Flöte, Fagott, Schlagzeug, Kontrabass] | PS C. | 0 | ||||||||||
| 36963 | Ioannis | Kourtis | Tanja | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 8679 | Frank | Koustrup | Animal-Derived Music | 1987 | fixed media, akusmatisch | Stereo | PS C. | 0 | |||||||||||
| 8680 | Frank | Koustrup | Frostie | 1992 | fixed media, akusmatisch | 2:55 | CEC DISContact_1/ | Uni Montréal | 1 | ||||||||||
| 8681 | Frank | Koustrup | Landscape #1 | Film | Stereo | PS C. | 0 | ||||||||||||
| 41904 | Frank | Koustrup | Two Subway Studies | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 18927 | Frank | Koustrup | Woodstock to Detroit | 1994 | Film | 2:53 | CEC DISContact_2/ | 1 | |||||||||||
| 8683 | Jan | Kovarik | invention x fin | 1992 | Zuspiel, live-elec, 3 perf | Stereo | fl, Mez, vc [Mezzo, Flöte, Cello] | Senatsstipendium | TU Berlin | 13.3.1992 | Kreuzberger Klangwerkstatt (Bethanien) | 0 | |||||||
| 39155 | Bartosz | Kowalski-Banasewicz | Atmospheres, Atmosfery | 2001 | fixed media, akusmatisch | 0 | |||||||||||||
| 39158 | Bartosz | Kowalski-Banasewicz | Constellations | 2005 | live-elec, 2 perf | 2 mar [Schlagzeug] | 0 | ||||||||||||
| 39159 | Bartosz | Kowalski-Banasewicz | Cornetizations, Kornetyzacje | 2007 | live-elec, 1 perf | tpt (cornet) [Trompete] | 0 | ||||||||||||
| 39154 | Bartosz | Kowalski-Banasewicz | Dreams about Transformations of Matter, Sny o przeobrażeniach materii | 2001 | fixed media, akusmatisch | 2001 - 1st Prize (ex aequo) at the 43rd Tadeusz Baird Young Composers’ Competition | 0 | ||||||||||||
| 39156 | Bartosz | Kowalski-Banasewicz | Soul of the Old Machines | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 39153 | Bartosz | Kowalski-Banasewicz | The Cosmos’ Breath, Oddech Kosmosu | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 39157 | Bartosz | Kowalski-Banasewicz | Transformations, Przeistoczenia | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 8684 | Hans | Kox | 3 pieces for electronic organ | 1954 | live-elec, 1 perf | 5:00 | Mono | e-org [Keyboard] | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | NRU Hilversum | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 8685 | Hans | Kox | Cyclofonie III | 1964 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | p [Piano] | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | STEM Utrecht | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 8686 | Hans | Kox | Herakles, Toneelmuziek bij HERAKLES | 1961 | Theatermusik | 30:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 8687 | Hans | Kox | Music for "Julius Caesar", Toneelmuziek bij "Julius Caesar" van Shakespeare | 1963 | Theatermusik | 15:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 8688 | Hans | Kox | Zeilen | 1962 | Film | 13:00 | Mono | STEM Utrecht | technical grand prize 1963 Cannes | 0 | |||||||||
| 20371 | Joseph | Koykkar | Triple Play | 1992 | live-elec, 1 perf | 5:42 | Stereo | p, (disklavier, com) [Piano] | Todd Welbourne, p | SEAMUS EAM 9402 Vol. 3/ | 0 | ||||||||
| 8689 | Alexei | Kozlov | Strange Dream | 1990 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 8690 | Alexei | Kozlov | The Last Look | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 25579 | Stefan | Kozminchuk | The mind is the voice | 2006 | fixed media, akusmatisch | 7:27 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | winner JTTP 2006 4. prize | 1 | ||||||||
| 8691 | Zbigniew | Kozub | METAFORA | 1986 | fixed media, akusmatisch | 13:00 | Stereo | SME Krakow | 0 | ||||||||||
| 34596 | Group | Krach | kisten | Orchestra | Krachkisten | 2016 | live-elec, 30 perf | var 30 perf [Performer] | SMC 2016 | 0 | http://krachkistenorchester.bandcamp.com | ||||||||||
| 40229 | Sam | Krahn | Flux Mirror | 2015 | fixed media, akusmatisch | 11:07:00 | Sam Krahn | 0 | |||||||||||
| 36914 | David | Krajic | Europa | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 42445 | Katarzyna | Krakowiak | dust | 2018 | Klangkunst, Installation | USB-card singuhr projects/ | Singuhr hoergalerie | 18.5. - 3.6.2018 | Halle am Berghain, Berlin | 0 | http://singuhr.de/projekte-2014/2018-2/dust/ | ||||||||
| 34673 | Guido | Kramann | Kanonspiel | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW | 0 | |||||||||||
| 33188 | Matthias | Kranebitter | derelicted atmospheres | 2005 | Klangkunst, Installation | audiovisuell |
Octo | Theodor-Körner Fonds der Arbeiterkammer Wien 2005 | 0 | |||||||||||
| 33186 | Matthias | Kranebitter | Galanti x360.remixed | 2006 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 33184 | Matthias | Kranebitter | Lisztplayer | 2013 | Klangkunst, Installation | software | 28.4.2013 | im gläsernen Saal des Wiener Musikvereins | 0 | ||||||||||
| 25602 | Matthias | Kranebitter | Nagapini_Rekonstruktion, Hommage à Dieter Kaufmann | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 33185 | Matthias | Kranebitter | Orchesterfalle 3000 | 2010 | Klangkunst, Installation | Spazialisation: Ikosaeder | IEM Graz | 0 | |||||||||||
| 33187 | Matthias | Kranebitter | Regenmacher | 2006 | Klangkunst, Installation | 2006 | Budapester Festival Making New Waves | 0 | |||||||||||
| 33183 | Matthias | Kranebitter | survival of the fittest (balzgesänge im spätkapitalismus) | 2014 | fixed media, akusmatisch | 30 | Stereo | 30.11.2014 | ohrenhoch – der Geräuschladen, Berlin | 0 | |||||||||
| 8692 | Jesper | Krantz | Synthesizermusik | 1979/1980 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 33150 | Yuri | Krasavin | Sangó | 2003 | Zuspiel / Tonband, 5 perf | 8:35 | sol-perc, fl, cl, vn, vc [Flöte, Klarinette, Schlagzeug, Cello, Violine] | for percussion, solo, flute, clarinet, violin, cello and tape | WJ 2005 polmic 015/ | 1 | |||||||||
| 39502 | Snow | Krash | Bla squared | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42138 | Stephan, Ulrike | Krass, Haage | The moon tapes | 2014 | radiophon | Zuspiel/Tonband, 28 perf |
55:15 | 24 V, 2 Sp, actor, p [Sprecher, Stimme, Piano, Schauspieler] | Hörstück für 24-stimmigen Chor, zwei Sprecher, einen spoken-word Künstler, Flügel und Zuspielband | SWR | 12.6.2014 | SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4185803&vi=1&SID | ||||||
| 33844 | Dagmara, Marc | Kraus, Matter | Entstehung dunkel. Ein lyrischer Geräuschtext | 2014 | radiophon | multichannel | WDR | 14.11.2014 | WDR 3 open | Förderpreis des Karl-Sczucka-Preis 2015 | 0 | http://www.swr.de/swr2/sczuka | |||||||
| 22066 | Rudolf | Kraus | Detail from a memory never experienced | fixed media, akusmatisch | 3:54 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 8695 | Wolfgang, Erwin | Krause Zwieback, Stache | TAFÜ-LAFÜ | 1992 | Zuspiel/Tonband, 3 perf | radiophon |
28:00 | Stereo | V, Kbd, p [Stimme, Piano, Keyboard] | AdK Berlin | 0 | |||||||||
| 18998 | Bernie | Krause | Amazonas Soundscape | Klangkunst, Installation | 3:14 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | ||||||||||||
| 35250 | Bernie | Krause | The new Nonesuch Guide to Electronic Music | 1981 | Demo, Studie | 30 | synt [synthesizer] | Nonesuch NB 78007/ | 0 | ||||||||||
| 8693 | Drew | Krause | Cartoon Sleep | 1989 | fixed media, akusmatisch | 6:36 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 22820 | Manfred | Krause | Farbauflösung im Prisma | 1972 | audiovisuell | 2:56 | TU Berlin | 1 | |||||||||||
| 22784 | Manfred | Krause | Polyrhythmika 2-3-5-7-9, Rhythmusstochastik | 1964 | fixed media, akusmatisch | 14:00 | Siemens | 1 | |||||||||||
| 8694 | Manfred, Rüdiger | Krause, Rüfer | Morsezeichen | 1964 | fixed media, akusmatisch | 4:31 | zum 60sten Geburtstag von Ulrich Tuchel | TU Berlin | 1 | ||||||||||
| 42760 | Briggan | Krauss | Singularity | 2012 | fixed media, akusmatisch | 15:00:00 | 0 | ||||||||||||
| 21175 | Zygmunt | Krauze | Fête galante et pastorale | 1974 | Zuspiel / Tonband, 6 groups | 26 Tracks | 6 ens [Ensemble] | 0 | |||||||||||
| 8696 | Zygmunt | Krauze | Folk music | 1972 | fixed media, akusmatisch | 11:10 | RR 22/ | 1 | |||||||||||
| 8697 | Zygmunt | Krauze | Idyll | 1974 | Zuspiel / Tonband, 4 perf | 18:00 | 4 perf (Leiern, bagpipe ≈ Dudelsack, Schafsglocken) [Performer] | WDR Köln | 1974 | Köln mit der Gruppe "Warsaw Music Workshop" | 1 | 1984 | |||||||
| 21173 | Zygmunt | Krauze | Raummusikkomposition Nr. 1 | 1968 | live-elec, 1 perf | Stereo + Stereo + Stereo | perf (6 taperecoder) [Performer] | 6 taperecorder | 0 | ||||||||||
| 21174 | Zygmunt | Krauze | Raummusikkomposition Nr. 2 | 1970 | fixed media, akusmatisch | Stereo + Stereo | 2 taperecorder | 0 | |||||||||||
| 32270 | Zygmunt | Krauze | Rzeka podziemna 2 | 2013 | live-elec, 1 perf, 1 group | ≈ 15 | p, orc [Piano, Orchester] | Festival Musica Electronica Nova | 2014 | Wroclaw | 0 | http://en.musicaelectronicanova.pl/events/12-piano-multiplied | |||||||
| 8698 | Zygmunt | Krauze | Sound scape | 1975 | Zuspiel / Tonband, 4 perf | 16:00 | 4 mus (with Zithern, Melodicas, mouth-org, Schafsglocken, Glas) [Musiker] | 1 | 1984 | ||||||||||
| 21176 | Zygmunt | Krauze | The Last Recital | 1975 | Zuspiel, live-elec, 1 perf | Stereo | amp p [Piano] | p-Recital with theatralic elements (arr of music from 19. & 20th century) | 0 | ||||||||||
| 8699 | Franck | Krawcyk | Sonate pour violoncelle | 1989 | Zuspiel, live-elec, 1 perf | vc [Cello] | SONVS Lyon | 0 | |||||||||||
| 8700 | Jaroslav | Krcek | Koncert | 1978 | Zuspiel / Tonband, 4 perf | 14:30 | Stereo | fl, ob, cl, bn, ? [Flöte, Klarinette, Oboe, Fagott] | Radio Plzen | 0 | |||||||||
| 8701 | Jaroslav | Krcek | Nevesta Raab | 1970 | Oper | radiophon |
53:00 | Quadro | ReR RR23/ | Praha VÚRT | 0 | |||||||||
| 8702 | Jaroslav | Krcek | Rozmluvy s casem | 1978 | Zuspiel / Tonband, | Stereo | Radio Plzen | 0 | |||||||||||
| 8703 | Jaroslav | Krcek | Sonata Slavickovy | 1970 | fixed media, akusmatisch | 6:09 | konkrete Musik | ReR CMCD/ RR 22/ | Praha VÚRT, Supraphon Praha | 1 | |||||||||
| 33143 | Bartlomiej | Krcha | The Garden of Birds | 2002 | fixed media, akusmatisch | 9:54 | WJ 2004/ | 1 | |||||||||||
| 35185 | Annette | Krebs | Konstruktion #2: Karkk | 2016 | Performance | P (Solo für 3 Bleche, eine Saite, Stimmen und Live-elec) [Piano] | 0 | http://www.heroines-of-sound.com/ | |||||||||||
| 37652 | Annette | Krebs | Konstruktion#3, Konstruktion III | 2016 - 2017 | Performance, live-elec, 1 perf | 15 | Octo | V, (gui, amp objects, elec) [Stimme] | 30.9.2017 | AdK Berlin, Kontakte 17 Festival Heroines of Sound | 0 | ||||||||
| 33457 | Annette | Krebs | Konzert für 6 Lautsprecher, Wo Untitled VI |
2014 | fixed media, akusmatisch | Klanginstallation, live-elec, 1 perf, 2 groups |
30:40 | 6 | strs, Vs, (objects) [Stimme, Streicher] | TU Berlin | 1 | |||||||||
| 38601 | Joachim | KREBS | Artificial Soundscape No. 4 | 1999 | radiophon | 52:10:00 | 0 | ||||||||||||
| 8705 | Martin | Kregel | Eins + Eins = Eins | 1985 | live-elec, 1 perf | 15:00 | Stereo | p [Piano] | HfM Düsseldorf | 0 | |||||||||
| 8706 | Martin | Kregel | "OM." | 1989 | live-elec, 1 perf | 12:57 | Stereo | ww-ins [Bläser] | HfM Düsseldorf | 0 | |||||||||
| 8707 | Martin | Kregel | Paradigma | 1987 | live-elec, 1 perf | 5:10 | Stereo | perc [Schlagzeug] | HfM Düsseldorf | 0 | |||||||||
| 30051 | Johannes | Kreidler | 5 Programmierungen eines MIDI-Keyboards | 2006 | audiovisuell, live-elec, 2 perf | ≈ 16 | Kbd, com, (video) [Keyboard, computer] | Das Keyboard steht auf der Bühne auf einem Ständer oder Tisch, Kabel und Computer sind versteckt, die Beschallung kommt von der Bühne. Per Video sollen die Tasten auf eine Leinwand auf der Bühne projiziert werden, so dass man als Hörer auch gut sehen kann, was gerade gespielt wird. | Dekonstruktivistisches Hauptwerk [mehr] | 0 | |||||||||
| 30036 | Johannes | Kreidler | Arbeitsmarktplatz Esslingen. Musik für alle, Vermittlung vermittelt. Tragödie des Hörens, erste Roboterdemonstration | 2010 | Performance, live-elec, 6 perf, 1 group | 50:00:00 | 5 V, perfs (children, teenager, roboter) [Stimme, Performer] | Happening mit Kindern, Jugendlichen, 5 Sängern und Robotern | 2010 | Marktplatz Esslingen im Rahmen des Festivals "Zukunftsmusik" | 0 | ||||||||
| 30053 | Johannes | Kreidler | Bordeux | 2003 | audiovisuell | 3:40:00 | Film | Filmisches Frühwerk | 0 | ||||||||||
| 30047 | Johannes | Kreidler | cache surrealism | 2008 | Zuspiel / Tonband, 3 perf | 6:55 | bar-sax, acc, vc [Saxophon, Akkordeon, Cello] | LUX:NM/ | 28.10.2008 | Unerhörte Musik Berlin, Z-Kontinuum | 0 | ||||||||
| 30044 | Johannes | Kreidler | Call Wolfgang | 2008 | Klangkunst, Installation | permanent | Zwei Computer telefonieren via VoIP miteinander unter Verwendung von automatisch generierten Terrorabsprachen. | 0 | http://www.kreidler-net.de/call.html | ||||||||||
| 30042 | Johannes | Kreidler | Charts Music | 2009 | audiovisuell, live-elec, | 3:00:00 | Musikstück mit Visualisierung. Melodien aus Aktienkursen, arrangiert mit Microsofts Komponiersoftware "Songsmith". | 0 | |||||||||||
| 26655 | Johannes | Kreidler | Compression Sound Art | 2009 | fixed media, akusmatisch | 3:30 | Musikalische Zip-Files. Kommentierte Klänge - Hören zum Mitlesen. | studio_himbeergeist | 0 | http://www.kreidler-net.de/ | |||||||||
| 30048 | Johannes | Kreidler | Dekonfabulation | 2007/2008 | Zuspiel / Tonband, 3 perf | 29:00:00 | acc, perc, Sp [Sprecher, Akkordeon, Schlagzeug] | 26.2.2008 | Unerhörte Musik Berlin; Annette Rießner, Akk., Hjölli Johnsson, Schlgzg.; Cathrin Romeis, Sprecherin. | 0 | |||||||||
| 30029 | Johannes | Kreidler | Der "Weg der Verzweiflung" (Hegel) ist der chromatische | 2011/2012 | audiovisuell, 9 perf | 16:00:00 | 9 ins [Instrument] | Audio- und Videozuspielung | 20.10.2012 | Donaueschinger Musiktage, Nadar Ensemble / Daan Janssens, Ltg. | 0 | ||||||||
| 30031 | Johannes | Kreidler | Die "sich sammelnde Erfahrung" (Benn): der Ton | 2012 | audiovisuell, live-elec, 6 perf | 14:00:00 | fl or pic-fl, b-trbn, perc, drumpad-sam, e-gui, p [Flöte, Posaune, Piano, Gitarre, Schlagzeug, computer] | 18.7.2012 | Darmstadt, Nadar Ensemble / Daan Janssens, Ltg. | 0 | |||||||||
| 30046 | Johannes | Kreidler | Farben: Untersagt | 2008 | Zuspiel / Tonband, 1 perf | 5:00:00 | tuba [Tuba] | 18.10.2008 | Robin Hayward, Tuba; Internationales Klangkunstfest Berlin | 0 | |||||||||
| 42056 | Johannes | Kreidler | Ferneyhough’s 2nd String Quartet, rendered with Band-in-a-Box | 2010 | fixed media, akusmatisch | 2:57 | degem CD 16/ | 1 | |||||||||||
| 30040 | Johannes | Kreidler | Fremdarbeit | 2009 | Performance, live-elec, 2 perf, 1 group | 23:00:00 | ens, sam, Sp (Moderator) [Sprecher, computer, Ensemble] | Johannes Kreidler lässt einen Chinesen und einen Inder für sich komponieren. | 7.11.2009 | Berlin, Klangwerkstatt, Ensemble Mosaik / Künstlerhaus Bethanien, Mariannenplatz 2, | 0 | ||||||||
| 30027 | Johannes | Kreidler | Fünf konzeptuelle Stücke, White and Black Das Ereignis I Das Ereignis II Sheet Music Zahlensymbolik heute |
2012 | live-elec, | ([mehr]) [] | 0 | http://www.kreidler-net.de/werke/fuenf-konzeptuelle-stuecke.htm | |||||||||||
| 26653 | Johannes | Kreidler | I am sitting in Kreuzberg / Test | 2007 | Performance, live-elec, 2 perf | ≈ 16:00 | Kbd, com, (film) [Keyboard, computer] | Performance für MIDI-Keyboard / Computer und Film. Performance mit Klängen zu US-amerikanischen Atombombentests, erstmalig in Berlin-Kreuzberg |
studio_himbeergeist | 0 | http://www.kreidler-net.de/ | ||||||||
| 30045 | Johannes | Kreidler | in hyper intervals | 2008 | Zuspiel / Tonband, 4 perf | 21:00:00 | vn, cl or b-cl, perc, p [Klarinette, Piano, Schlagzeug, Violine] | 24.10.2008 | Danzig, Ensemble Kwartludium | 0 | |||||||||
| 30043 | Johannes | Kreidler | Kantate. No future now, Hard / Lichtenstein / gekürzt / Ehe und Arie / selbst / ganzer Film / Kreidler (ePlayer) / Club / Dr. Meissner / Barock, Choral / Singspiel |
2008 | live-elec, 1 perf, 1 group | 13:30:00 | large ens, sam [computer, Ensemble] | 10.5.2009 | Frankfurt, Ensemble Modern/ Johannes Kalitzke, Ltg. | 0 | |||||||||
| 30033 | Johannes | Kreidler | kinect studies | 2011 | audiovisuell | Videos von Konzeptstücken mit dem Microsoft Kinect 3D Sensor | 0 | ||||||||||||
| 26646 | Johannes | Kreidler | Klavierstück 3 | 2004 | live-elec, 1 perf | 9:20 | Stereo | p [Piano] | 21.12.2004 | Den Haag, Conservatorium. Red Wierenga, Klv | 0 | http://www.kreidler-net.de/ | |||||||
| 26647 | Johannes | Kreidler | Klavierstück 4 | 2004 | live-elec, 1 perf | 2:13 | Stereo | MIDI player p [Piano] | 21.4.2005 | Freiburg, Portofino | 0 | http://www.kreidler-net.de/ | |||||||
| 26648 | Johannes | Kreidler | Klavierstück 5 | 2005 | Zuspiel / Tonband, 1 perf | 11:50 | Quadro | p [Piano] | 12.1.2006 | Freiburg, Musikhochschule; Sebastian Berweck (p) | 0 | http://www.kreidler-net.de/ | |||||||
| 26654 | Johannes | Kreidler | Kontinuum mit Melodie | 2007 | fixed media, akusmatisch | 3:10 | Stereo | CD "Orpheus 400" der degem Mein Beitrag zur DEGEM-CD "Orpheus 400". Die gleiche Idee wie im Film "Browser" nun auf Audio angewandt. Über 100 verschiedene Algorithmen reihen sich zu einer "zweiten" Melodie über der Vorlage, Monteverdis |
Cybele 960.209/ DegeM CD 09/ | studio_himbeergeist | 1 | http://www.kreidler-net.de/ | |||||||
| 30038 | Johannes | Kreidler | Living in a Box | 2010 | audiovisuell, live-elec, 1 perf, 1 group | 29:30:00 | large ens, sam, (video) [computer, Ensemble] | 29.1.2011 | Frankfurt, Ensemble Modern/ Hartmut Keil, Ltg. | 0 | |||||||||
| 30050 | Johannes | Kreidler | London | 2007 | audiovisuell, live-elec, 1 perf | 10:00:00 | com [computer] | 19.11.2007 | _himbeergeist: #00 BEGIERDE, vorWien Berlin, Johannes Kreidler | 0 | |||||||||
| 30032 | Johannes | Kreidler | Money | 2011 | live-elec, 5 perf | ≈ 8:30 | cl, vn, gui, p, sam [Klarinette, Piano, Gitarre, Violine, computer] | 16.3.2012 | Borealis Bergen / Norwegen, Ensemble Plus Minus, Mark Knoop, Ltg. | 0 | |||||||||
| 30039 | Johannes | Kreidler | Music for a solo Western Man | 2010 | audiovisuell, live-elec, 7 perf | 22:00:00 | perf, elec, (video), p, a-sax, b-cl, db, perc [Klarinette, Saxophon, Piano, Schlagzeug, Kontrabass, Performer, elektronik] | Erweiterung von Alvin Luciers Klassiker - der Performer soll sich trotz verschiedener Ablenkungen entspannen | 4.4.2010 | Radialsystem V, Winfried Rager, Johannes Kreidler und das Kammerensemble Neue Musik Berlin | 0 | ||||||||
| 26656 | Johannes | Kreidler | product placements | 2008 | Performance | 0:33 | 70,200 samples in 33 seconds: nightmare for GERMAN RIAA | studio_himbeergeist | 0 | http://www.kreidler-net.de/ | |||||||||
| 25814 | Johannes | Kreidler | Ram Microsystmes | 2005 | Performance | 12:00 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 22.3.2005 | Galerie Andersen, Arhus / Dänemark, Johannes Kreidler | 0 | http://www.kreidler-net.de/ | |||||||
| 30028 | Johannes | Kreidler | Scanner Studies | 2011 | audiovisuell | Videos mit Image-Sound-Programmierung | 0 | ||||||||||||
| 41984 | Johannes | Kreidler | Shutter Piece | 2012/2013 | Performance | audiovisuell |
8 perf [Performer] | 0 | ||||||||||||
| 30041 | Johannes | Kreidler | Slot machines | 2009 | Zuspiel / Tonband, 1 perf | 7:10:00 | p, (Mp3-player) [Piano] | 0 | |||||||||||
| 30030 | Johannes | Kreidler | Split Screen Studies | 2011 | live-elec, | 9:00:00 | SWR für die Donaueschinger Musiktage 2012 | 19.10.2012 | Donaueschinger Musiktage | 0 | |||||||||
| 30037 | Johannes | Kreidler | Stil 1 | 2010 | Zuspiel / Tonband, 1 perf | ≈ ∞ 10 | var ins [Instrument] | 3 Versions: Stil 1a für Zither, Cello und Zuspielung, Stil 1b für Flöte, Bassklarinette, Akkordeon und Zuspielung Stil 1c für Vibraphon, Baritonsaxofon, Piccoloflöte und Zuspielung Stil 1d für Zither, Bassklarinette und Zuspielung |
3.12.2010 2.9.2010 7.10.2011 |
Basel Helsinki Berlin |
0 | ||||||||
| 30034 | Johannes | Kreidler | Studie für Klavier, Audio- und Videozuspielung | 2011 | audiovisuell, live-elec, 1 perf | 6:00:00 | p [Piano] | 24.11.2011 | ZKM Karlsruhe, Rei Nakamura | 0 | |||||||||
| 30049 | Johannes | Kreidler | Theatermusik zu "_himbeergeist: #01 BEGIERDE" | 2008 | live-elec, 2 perf | 4:30 | Sp, S, (com) [Sopran, Sprecher] | 22.2.2008 | 100°-Festival, Theaterdiscounter Berlin, Peh, Franziska Rummel, Johannes Kreidler | 0 | |||||||||
| 30052 | Johannes | Kreidler | Tonspur zur Mondlandung | 2005 | audiovisuell | 8:00:00 | Film | 7.2.2006 | Kommunales Kino Freiburg | 0 | |||||||||
| 34621 | Johannes | Kreidler | Two pieces | 2016 | audiovisuell, live-elec, 1 perf | cl [Klarinette] | clarinet and video. SMC2016 |
Senatsverwaltung für Kultur und Wissenschaft Berlin | 0 | ||||||||||
| 26652 | Johannes | Kreidler | untitled performance #1 | 2006 | live-elec, 1 perf | ≈ 9:00 | com [computer] | Performance für Tastatur / Computer | 15.6.2007 | Boxhagener Straße Berlin, Johannes Kreidler | 0 | http://www.kreidler-net.de/ | |||||||
| 30035 | Johannes | Kreidler | untitled performance #3 | 2010 | live-elec, 4 perf | ≈ 12 | 4 perf [Performer] | Klangwerkstatt Berlin | 6.11.2010 | Klangwerkstatt Berlin / Ensemble Mosaik | 0 | ||||||||
| 30054 | Johannes | Kreidler | vier vielleicht | 2003 | audiovisuell | Video-Installation; Arbeit mit einem Gedicht von Eugen Gomringer | März 2003 | Freiburg, Alban-Stolz-Haus | 0 | ||||||||||
| 26649 | Johannes | Kreidler | Windowed 1 | 2006 | Zuspiel / Tonband, 1 perf | 10:10 | Quadro | perc [Schlagzeug] | Erstes Stück in der Reihe, die nur fragmentierte Soundfiles nutzt. Das Stück existiert in zwei Versionen. | 10.7.2006 | Freiburg, Musikhochschule; Max Riefer, Mariko Nishioka (perc) | 0 | http://www.kreidler-net.de/ | ||||||
| 26650 | Johannes | Kreidler | Windowed 2 | 2006 | Zuspiel / Tonband, 7 perf | 9:30 | 7 ins [Instrument] | 10.7.2006 | Freiburg, Musikhochschule; Ensemble des Instituts für Neue Musik, A. Zaldua, Ltg. | 0 | http://www.kreidler-net.de/ | ||||||||
| 26651 | Johannes | Kreidler | Windowed 3 | 2006 | live-elec, 1 perf | 9:30 | vc [Cello] | 18.8.2006 | Darmstadt, Internationale Ferienkurse für Neue Musik; Philipp Schiemenz, Vc., Johannes Kreidler, Computer | 0 | http://www.kreidler-net.de/ | ||||||||
| 32124 | Arthur | Kreiger | Joining Hands | 2001 | live-elec, 1 perf | 9:04:00 | perc [Schlagzeug] | composition for hand percussion and electronic sounds, Michael Lipsey, percussion | SEAMUS EAM Vol. 17/ | 0 | |||||||||
| 20372 | Arthur | Kreiger | Joint Session | 1992 | fixed media, akusmatisch | 11:53 | Stereo | NWR 80468/ | 0 | ||||||||||
| 8714 | Arthur | Kreiger | Short Piece | 1974 | fixed media, akusmatisch | 2:37 | Stereo | Odyssey AL 34139/ | Col.Princ EMC | 1 | |||||||||
| 22317 | Johan van | Kreij | Voices of the Boat | fixed media, akusmatisch | 7:54 | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | |||||||||||
| 34370 | Johan van, Marie | Kreij, Guilleray | Après la mer | 2014 | live-elec, 2 perf | 12:46 | V (and elec), elec [Stimme, elektronik] | Post Scriptum PS 001/ | Sonology Den Haag | 24.10.2014 | The Hague, Zuiderstrandtheater, Marie Guilleray (voice and electronics), Johan van Kreij (electronics) | 0 | |||||||
| 28473 | Stanislav | Kreitchi | Ellipsiada | fixed media, akusmatisch | 18:43 | 2 parts; ANS - synt | ELCD 016 Electroshock Records/ | 0 | |||||||||||
| 8708 | Stanislav | Kreitchi | Intermezzo | fixed media, akusmatisch | 2:20 | Mono | ANS - synt | Melodiya D-25631-32/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 0 | |||||||||
| 28436 | Stanislav | Kreitchi | Music for Wood and Metal | fixed media, akusmatisch | 6:29 | ELCD 005 Electroshock Records/ ELCD 016 Electroshock Records/ | 0 | ||||||||||||
| 8709 | Stanislav | Kreitchi | Na otdykhe, Taking A Rest | 1961 | fixed media, akusmatisch | Mono | ANS - synt | ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 0 | |||||||||
| 8710 | Stanislav | Kreitchi | Otgolosok vostoka, Eastern Voices | 1961 | fixed media, akusmatisch | 2:00 | Mono | Melodiya D-25631-32/ | Muzei Skryabina Moskva | 0 | |||||||||
| 8711 | Stanislav | Kreitchi | Prelyudiya | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 8712 | Stanislav | Kreitchi | Severnaya pesnya, Northern Song | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 28437 | Stanislav | Kreitchi | Triptych "Ocean" | fixed media, akusmatisch | 9:57 | 3 parts; ANS - synt | ELCD 005 Electroshock Records/ ELCD 016 Electroshock Records/ | 0 | |||||||||||
| 8713 | Stanislav | Kreitchi | Variatsii | 1987 | live-elec, 3 perf | w, perc, synt [Schlagzeug, synthesizer, Bläser] | Muzei Skryabina Moskva | 0 | |||||||||||
| 28431 | Stanislav | Kreitchi | Voices of the West | fixed media, akusmatisch | 2:00 | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 32812 | Stefan | Kreitmayer | dominus versus doplus | 2014 | audiovisuell | ∞ | Video-Installation | 15.11.2014 | now-Festival, ICEM-Essen, Folkwang-Universität | 0 | |||||||||
| 32810 | Stefan | Kreitmayer | Interludium 1-3 | 2013 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 8715 | Kurt | Kren | Versuch mit synthetischem Ton | 1957 | Film | Mono | drawn soundtrack, synthetic sound | 0 | |||||||||||
| 8716 | Ernst | Krenek | Ausgerechnet und verspielt | 1961 | Oper | 80:00 | Mono | Northridge Coll | 0 | ||||||||||
| 8717 | Ernst | Krenek | Der goldene Bock | 1963 | Oper | 150:00 | Mono | Northridge Coll | 0 | ||||||||||
| 8718 | Ernst | Krenek | Der Zauberspiegel | 1967 | Fernsehen, | 10:00 | Mono | Fernsehoper in 14 Bildern op. 192 | Siemens | BR | 6.9.1967 | BR München | 0 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | |||||
| 8719 | Ernst | Krenek | Quintina | 1966 | Zuspiel, live-elec, 6 perf | 10:00 | Mono | S, fl, e-gui, 3 perc [Sopran, Flöte, Gitarre, Schlagzeug] | JME-1/ | Uni Waltham | 0 | ||||||||
| 8721 | Ernst | Krenek | San Fernando Sequence | 1963 | fixed media, akusmatisch | 12:00 | Mono | Northridge Coll | 0 | ||||||||||
| 8722 | Ernst | Krenek | Serielle Studie | 1962 | fixed media, akusmatisch | 3:38 | Stereo, Quadro | von Rüfer bearbeitet; Original-Partitur 3:11; second Version "Raumfassung" | TU Berlin | 1 | |||||||||
| 8723 | Ernst | Krenek | Spiritus Intelligentiae Sanctus, Pfingstoratorium op. 152 | 1955 - 1956 | Zuspiel / Tonband, 3 perf | 17:08 | Mono | 2 V, Spr [Stimme] | Text: Genesis 1, 1–2; 2, 16–17 | DGG 16134/ DMR Musik in Deutschland 1950 - 2000: Studio des WDR Köln/ IDEAMA CD 043/ DGG 17244/ | WDR SEM | WDR | 30.5.1956 | Funkhaus WDR Köln "Musik der Zeit" | UE | 1 | |||
| 26679 | Johannes | Kretz | ausser sich | 2006 | live-elec, 10 perf, 1 group | ob, cl, hn, trbn, orc, p, str-qnt [Klarinette, Oboe, Horn, Posaune, Piano, Streicher, Orchester] | Klangforum Wien | 0 | http://www.johanneskretz.com/ | ||||||||||
| 26683 | Johannes | Kretz | Cyper drift thaughts | 2001 | Zuspiel / Tonband, 1 group | ch [Chor] | 16.5.2001 | Graz Stephaniensaal | 0 | http://www.johanneskretz.com/ | |||||||||
| 26658 | Johannes | Kretz | DIE ENTDECKUNG DER LANGSAMKEIT 1 | 1993 | Zuspiel / Tonband, 3 perf | rec, vc, perc [Flöte, Schlagzeug, Cello] | IRCAM | 11.11.1993 | Alte Schmiede Wien | 0 | http://www.johanneskretz.com/ | ||||||||
| 26660 | Johannes | Kretz | DIE ENTDECKUNG DER LANGSAMKEIT 2 | 1993/1994 | live-elec, 4 perf | 4 trbn [Posaune] | BIS 694/ | 5.06.1996 | Bad Oeynhausen (D) | 0 | http://www.johanneskretz.com/ | ||||||||
| 26661 | Johannes | Kretz | DIE ENTDECKUNG DER LANGSAMKEIT 3 | 1994 | live-elec, 8 perf | 8 trbn [Posaune] | 18.3.1995 | (Konzerthaus Wien, "Lange Nacht der Neuen Klänge") | 0 | http://www.johanneskretz.com/ | |||||||||
| 26666 | Johannes | Kretz | DYNAMISCHE GEWÄCHSE | 1999 | live-elec, 5 perf | fl, cl, vn, vc, Kbd [Flöte, Klarinette, Keyboard, Cello, Violine] | "Von Affen und Engeln" CD/ | 23.10.1999 | NewTonEnsemble, Schönberghaus Mödling | 0 | http://www.johanneskretz.com/ | ||||||||
| 26680 | Johannes | Kretz | Dynamische Gewächse (Version 2007) | 2007 | Tanz, live-elec, 6 perf | dancer, fl, cl, vn, vc, vib [Flöte, Klarinette, Schlagzeug, Cello, Violine, Tanz] | 19.6.2007 | Ensemble XX. Jahrhundert | 0 | http://www.johanneskretz.com/ | |||||||||
| 26659 | Johannes | Kretz | ETUDE | 1993 - 2000 | live-elec, 1 perf | p [Piano] | "Von Affen und Engeln" CD/ | IRCAM | 4.6.1993 | IRCAM Atelier de l'Academie d'été (Urfassung), UA: 22.11.1994 Musikhochschule Wien | 0 | http://www.johanneskretz.com/ | |||||||
| 26677 | Johannes | Kretz | four sound islands | 2006 | live-elec, 1 perf | vn [Violine] | 7.11.2006 | Brick5 - www.ikultur.com | 0 | http://www.johanneskretz.com/ | |||||||||
| 26672 | Johannes | Kretz | FULL SCOPE FANCY | 2004 | live-elec, 4 perf | 2 cl, 2 sax [Klarinette, Saxophon] | quartett22 | 25.4.2004 | generator, Konzerthaus Wien | 0 | http://www.johanneskretz.com/ | ||||||||
| 26668 | Johannes | Kretz | INNERLICH STARK BEWEGT | 2000 | live-elec, 1 perf | vc [Cello] | 7 Miniaturen für Violoncello und Elektronik zu Bildern von Christian Macketanz | 26.1.2001 | polycollege Wien, New Ton Ensemble | 0 | http://www.johanneskretz.com/ | ||||||||
| 26662 | Johannes | Kretz | INTERMEZZO | 1995 | fixed media, akusmatisch | after L. Andriessen "Sweet" für Blockflöte | 0 | http://www.johanneskretz.com/ | |||||||||||
| 32158 | Johannes | Kretz | Introduktion und Etude | Zuspiel / Tonband, 1 perf | vn [Violine] | Florian Hoelscher (vn) | 1 | ||||||||||||
| 26676 | Johannes | Kretz | KlangLogBuch für Klavier und Elektronik | 2007 | live-elec, 1 perf | 90:00 | p [Piano] | Florian Hölscher | 8.02.2009 | Festival "eclat" Stuttgart | 0 | http://www.johanneskretz.com/ | |||||||
| 26675 | Johannes | Kretz | Kopfjägergesänge | 2005 | live-elec, 1 perf | p [Piano] | für Klavier und Elektronik-Ensemble | Katalog und CD zum Event "Ich sehe Land" vom 12. August 2006 am Mayerhof in Niederwaltenreith/ Ostblock-Rekords/ | 19.11.2005 | IGNM Musikfest Salzburg, NewTonEnsemble | 0 | http://www.johanneskretz.com/ | |||||||
| 26673 | Johannes | Kretz | manuscript | 2003 | live-elec, 1 perf | Zheng [Streicher] | 15.1.2004 | Alte Schmiede Wien | 0 | http://www.johanneskretz.com/ | |||||||||
| 26671 | Johannes | Kretz | MATERIE | 2003/2004 | live-elec, 1 perf | 16:00 | va [Viola] | 23.3.2004 | Alte Schmiede Wien | 0 | http://www.johanneskretz.com/ | ||||||||
| 26682 | Johannes | Kretz | Menschenbauwerkwege | 1996 | Zuspiel / Tonband, 9 perf, 1 group | S, ch, 2 ob, tpt, org, str-qt [Sopran, Oboe, Trompete, Orgel, Streicher, Chor] | Haller Bachtage | 15.11.1999 | Halle/Westf | 0 | http://www.johanneskretz.com/ | ||||||||
| 8724 | Johannes | Kretz | Niemandslandverschmelzung | 1990 | Zuspiel / Tonband, 1 perf | 16:00 | tpt [Trompete] | ELAK Wien | 31.3.1991 | (Konzerthaus Wien,"Lange Nacht der Neuen Klänge") | 0 | ||||||||
| 26663 | Johannes | Kretz | NOCTURNE | 1995 | live-elec, 1 perf | rec [Flöte] | "Von Affen und Engeln" CD/ | 17.10.1995 | Odeon Wien | 0 | http://www.johanneskretz.com/ | ||||||||
| 26670 | Johannes | Kretz | PEACE AND LOVE SONGS | 2002 | live-elec, 2 perf | S, b-rec [Sopran, Flöte] | 17.5.2002 | polycollege Wien - IGNM | 0 | http://www.johanneskretz.com/ | |||||||||
| 26664 | Johannes | Kretz | ROOTS OF EMOTIONS | 1997 - 1999 | fixed media, akusmatisch | 0 | http://www.johanneskretz.com/ | ||||||||||||
| 26665 | Johannes | Kretz | SYMBIOSE | 1997/1998 | live-elec, 1 perf | acc [Akkordeon] | "Von Affen und Engeln" CD/ | 23.3.1998 | Konzerthaus Wien, "Hörgänge" | 0 | http://www.johanneskretz.com/ | ||||||||
| 26667 | Johannes | Kretz | Time-Colour-Convolution | 1999 | live-elec, 8 perf | 2 - 8 Mus and V [Stimme, Musiker] | Interaktives sound environement für zwei bis acht improvisierende Instrumentalisten/Sänger und realtime signal processing computer (1999) | 12.12.1999 | elektrokomplex '99, Rhiz Wien, NewTonEnsemble | 0 | http://www.johanneskretz.com/ | ||||||||
| 26674 | Johannes | Kretz | urban gypsies | 2005 | audiovisuell, 1 perf | ob [Oboe] | (Stummfilm: Laszlo Moholy-Nagy) | 26.6.2005 | Klangforum Wien | 0 | http://www.johanneskretz.com/ | ||||||||
| 26681 | Johannes | Kretz | Wo hat sich dein Gott hingewandt? | 1994 | Musiktheater, 4 perf, 1 group | Mez, ch, tpt, p, perc [Mezzo, Trompete, Piano, Schlagzeug, Chor] | Haller Bachtage | 5.2.1995 | Halle/Westf | 0 | http://www.johanneskretz.com/ | ||||||||
| 26657 | Johannes | Kretz | ZWEI FRAGMENTE ZUM MOZARTJAHR | 1991 | fixed media, akusmatisch | 11.3.1997 | Kulturspektakel in der Stadtinitiative Wien | 0 | http://www.johanneskretz.com/ | ||||||||||
| 26678 | Johannes, Wei-Ya | Kretz, Lin | minotaurus | 2008 | live-elec, 5 perf | sax, e-gui, db, 2 ins (Theng, Erhu) [Saxophon, Gitarre, Kontrabass, Instrument] | 11.11.2008 | Wien modern Festival, www.ikultur.com | 0 | http://www.johanneskretz.com/ | |||||||||
| 31556 | Nicolas | Kretz | Sozialist! Wasar bei tschafft! | 2012 | fixed media, akusmatisch | 5:20 | Quadro | next_generation 5.0 | ICEM Essen | 0 | |||||||||
| 40940 | Hermann | Kretzschmar | Das Bad im Knall | 2018 | radiophon | 49 | SWR | SWR | 11.9.2018 | Deutschlandfunk, mit Wolf-Dietrich Sprenger, Caroline Junghanns, Mareike Beykirch, Markus Meyer | 0 | https://www.deutschlandfunk.de/hoerspiel-das-bad-im-knall.688.de.html?dram:article_id=425409 | |||||||
| 42219 | Hermann, Cathy, Dietmar, Group | Kretzschmar, Milliken, Wiesner, HCD | Six Memos for the Next Millenium | 1999 | radiophon | 51:59 | text by Italo Calvino: Lezioni americane. Sei proposte per il prossimo millennio | HR, BR | 19.11.1999 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1429654&vi=54&SID | ||||||||
| 8725 | Armando | Krieger | Contrastes | 1963 | Zuspiel / Tonband, 2 perf | 9:00 | Mono | 2 p [Piano] | Tella B.Aires | 0 | |||||||||
| 8726 | Ulrich | Krieger | Midnight siblings | 1995 | Zuspiel / Tonband, 1 perf | 9:56 | Quadro | sax [Saxophon] | TU Berlin | 1 | |||||||||
| 36458 | Ulrich | Krieger | Noise-Pollination | 2007 | radiophon | 8:20:00 | EDRM 417/ | 0 | |||||||||||
| 8727 | Ulrich | Krieger | Up - Tight | 1989 | live-elec, 2 perf | 14:04 | vn, vc [Cello, Violine] | HdK CD 008/ | 1 | ||||||||||
| 33044 | Katrina | Krimsky | Apparitions | 1984 | fixed media, akusmatisch | 9:15 | Buchla-synt | MC 001 Mills College/ | CCM Mills | 1 | http://www.ubu.com/sound/mills.html | ||||||||
| 8728 | Søren Gorm | Kristensen | Højfrekvent Lydsyntese | 1988 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | DIEM Aarhus | 0 | ||||||||||
| 26180 | Ferdinand | Kriwet | again and again | 1972 | fixed media, akusmatisch | 0:42 | Mono | Tonbandschleife. Auf LP ed. RZ 9008 „Rundscheibe III“ von 1961 |
ed. rz 9008-9, 2 LP Picture Discs/ | PS C. Düsseldorf | 0 | ||||||||
| 8729 | Ferdinand | Kriwet | Apollo Amerika, Hörtext VI | 1969 | radiophon | 23 | Stereo | „Rundscheibe Nr. VI“ auf LP ed. rz 9003. Auf LP gekürzte Fassung von F. Kriwet 2006 mit 15:26 |
ed. rz 9003-05/ Suhrkamp Verlag/ | SWF, WDR SEM, BR München | 20.11.1969 | 1 | http://www.ubu.com/sound/kriwet.html | ||||||
| 25614 | Ferdinand | Kriwet | Ball, Hörtext X | 1973/1974 | radiophon | 19:28 | Stereo | Abb. „Rundscheibe Nr. X“ auf LP ed. rz 9003 | ed. rz 9003-05/ | WDR SEM, NDR Hamburg | 31.01.1975 | WDR | 1 | http://www.ubu.com/sound/kriwet.html | |||||
| 25612 | Ferdinand | Kriwet | Campaign, Hörtext IX | 1973, 2006 | radiophon | 22:14 | Stereo | Abb. „Rundscheibe Nr. IV“ auf LP ed. rz 9003. Gekürzte Fassung von F. Kriwet 2006 |
ed. rz 9003-05/ Droste Verlag DV 1 DV 2, DV 3; ISBN 3-7700-0364-0/ |
RBB, WDR SEM, ORTF Paris | 25.01.1973 | WDR 3 | 1 | http://www.ubu.com/sound/kriwet.html | |||||
| 26176 | Ferdinand | Kriwet | Dschubi dubi, Hörtext XIV | 1977 | radiophon | Ein akustisches Spiel über die Lautsprache des Schlager | Radio HR Frankfurt, WDR Studio Akustische Kunst | 29.9.1977 | HR Radio | 0 | |||||||||
| 8730 | Ferdinand | Kriwet | Hörtext I, Rundscheibe Nr. III (1961) | 1963 | radiophon | 15:57 | Mono | für 3 Sprecher (Mann, Frau, Kind). Auf LP ed. RZ 9008 „Rundscheibe III“ von 1961 |
ed. rz 9008-9, 2 LP Picture Discs/ | Radio SFB | SFB | 0 | http://www.ubu.com/historical/kriwet/index.html | ||||||
| 32908 | Ferdinand | Kriwet | into your life there will come friends | 1972 | fixed media, akusmatisch | 1:59 | Tonbandschleife. Auf LP ed. RZ 9008 „Rundscheibe III“ von 1961 |
ed. rz 9008-9, 2 LP Picture Discs/ | PS C. Düsseldorf | 0 | |||||||||
| 8731 | Ferdinand | Kriwet | JAJA, Hörtext II Hörtext 2 |
1965 | radiophon | 14:50 | Mono | Siemens AG/ Earlabs LC 007/ IDEAMA CD 012/ | Siemens | 1 | |||||||||
| 26174 | Ferdinand | Kriwet | Modell Fortuna, Hörtext VIII | 1971 | radiophon | 33:55 | Hörtext mit Arbeitsbericht und Hörspot | Art Press Verlag Düsseldorf/ | WDR SEM | 13.1.1972 | WDR | 0 | |||||||
| 32587 | Ferdinand | Kriwet | Offen, Rundscheibe Nr. XII (1963) | 1961/1962 | radiophon | 11:20 | Mono | Sprechtext für 5 Solisten. Einrichtung der Partitur und Dirigent: Konrad Boehmer. Auf LP ed. RZ 9008 „Rundscheibe XII“ von 1963 |
ed. rz 9008-9, 2 LP Picture Discs/ | SWF | Ulmer Theate | 14.10.1962 | Ulmer Theater (Monika Hansen, S; Renate Steiger, A; Rainer von Dietz, T; Kai Braak, Bar; Karl Worzel, B), Aufnahme SWF, Regie K. Schilling, Dirigent Konrad Boehmer | 0 | |||||
| 26173 | Ferdinand | Kriwet | ONE TWO TWO, Hörtext V | 1968 | radiophon | 22:55 | Kurzfassung von 1971 auf der CD des DMR | DMR Musik in Deutschland 1950 - 2000: Komponierte Zeitgeschichte/ Suhrkamp Verlag/ | Radio SFB, WDR Studio Akustische Kunst | 6.3.1969 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1445727&vi=8&SID | ||||||
| 26172 | Ferdinand | Kriwet | Oos ist Oos, Hörtext IV | 1969 | radiophon | SWF | 30.1.1969 | SWF | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1445168&vi=9&SID | |||||||||
| 26177 | Ferdinand | Kriwet | Pause, Hörtext XIII | 1978/1979 | radiophon | 29:28 | WDR Studio Akustische Kunst | 13.6.1977 | WDR | Hörspiel des Monats Juni 1977 | 0 | ||||||||
| 42205 | Ferdinand | Kriwet | Querschnitt II, 3. Folge: Offen | 1962 | radiophon | 16:10 | SWF | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1412355&vi=11&SID | ||||||||||
| 22029 | Ferdinand | Kriwet | Radio, Hörtext XVI | 1983 | radiophon | 20:29 | Stereo | Abb. „Rundscheibe Nr. VII“ auf LP ed. rz 9003 | WER 6307-2/ ed. rz 9003-05/ | WDR Studio Akustische Kunst, Radio France, SR Stockholm | 31.05.1983 | WDR | Premio Ondas 1983 | 1 | http://www.ubu.com/sound/kriwet.html | ||||
| 25613 | Ferdinand | Kriwet | Radioball, Hörtext XI | 1974/1975 | radiophon | 15:57 | Stereo | Abb. „Rundscheibe Nr. XIII“ auf LP ed. rz 9003 | ed. rz 9003-05/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | 31.01.1975 | WDR | Karl-Sczuka-Preis 1975 | 1 | http://www.ubu.com/sound/kriwet.html | ||||
| 26178 | Ferdinand | Kriwet | Radioselbst, Hörtext XV | 1979 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 8732 | Ferdinand | Kriwet | Reaktion, Hörtext III | 1966/1967 | radiophon | 14:07 | Stereo | Radio SFB, Sonology Utrecht, Siemens | 0 | ||||||||||
| 32588 | Ferdinand | Kriwet | Rotoradio, Rundscheibe Nr. XIV (1963) Rundscheibe „JO ACH IM ICH AEL“ (1963-64) |
2012 | radiophon | 38:02 | Stereo | Für 5 kugendliche Sprecher Auf LP ed. RZ 9008 „Rundscheibe XIV“ von 1963 und „Rundscheibe JO ACH IM ICH AEL“ von 1963-64 |
ed. rz 9008-9, 2 LP Picture Discs/ | WDR, DeutschlandRadio | DeutschlandRadio Kultur | 28.7.2012 | DRadio Kultur | Hörspiel des Monats Juli 2012 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3124421&vi=16&SID | |||
| 25615 | Ferdinand | Kriwet | Voice Of America Manifestation I & II, Hörtext VII |
1970 | radiophon | 18:54 | Stereo | Abb. „Rundscheibe Nr. I“ auf LP ed. rz 9003 | ed. rz 9003-05/ | WDR SEM | 15.10.1970 | WDR | 1 | http://www.ubu.com/sound/kriwet.html | |||||
| 26175 | Ferdinand | Kriwet | Zahl, Hörtext XII | 1976 | radiophon | 28:10 | BR München | 2.7.1976 | BR | 0 | |||||||||
| 26179 | Ferdinand | Kriwet | Zeitzeichen, Hörtext XVII | 1983 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 8734 | Georg | Kröll | Konzessionen | 1973 | fixed media, akusmatisch | 11:15 | Stereo | HfMT Köln | 0 | ||||||||||
| 36422 | Francisco | Kröpfl | Al Sur, Mapuche-Trilogy | 1997 | fixed media, akusmatisch | 14:32:00 | LDC 2781118/ | 0 | |||||||||||
| 8735 | Francisco | Kröpfl | Ambientación sonora para Siam | 1966 | Hintergrundmusik | 5:00 | Mono | Agens B.Aires | 0 | ||||||||||
| 19550 | Francisco | Kröpfl | Cuenca, Presagio de Pájaros | 1968 | fixed media, akusmatisch | 14:15 | Stereo | GME Cuenca | 0 | ||||||||||
| 8736 | Francisco | Kröpfl | Diálogos I | 1964 - 1966 | fixed media, akusmatisch | 5:50 | Stereo | IDEAMA CD 057/ | Uni B.Aires | 0 | |||||||||
| 8737 | Francisco | Kröpfl | Diálogos II | 1965 | fixed media, akusmatisch | 6:15 | Stereo | IDEAMA CD 057/ | Uni B.Aires | 0 | |||||||||
| 8738 | Francisco | Kröpfl | Ejercicio con Impulsos | 1961 | fixed media, akusmatisch | 2:00 | Mono | IDEAMA CD 057/ | Uni B.Aires | 0 | |||||||||
| 8739 | Francisco | Kröpfl | Ejercicio con Ruido Coloreado | 1963 | fixed media, akusmatisch | 4:30 | Mono | Uni B.Aires | 0 | ||||||||||
| 8740 | Francisco | Kröpfl | Ejercicio de Movimientos | 1962 | fixed media, akusmatisch | 1:15 | Mono | Uni B.Aires | 0 | ||||||||||
| 8741 | Francisco | Kröpfl | Ejercicio de Texturas | 1960 | fixed media, akusmatisch | 1:40 | Mono | IDEAMA CD 057/ | Uni B.Aires | 0 | |||||||||
| 22109 | Francisco | Kröpfl | El pajaro | 1995 | fixed media, akusmatisch | 10:15 | LDC 2781118/ | LIEM CDMC Madrid | 1 | ||||||||||
| 24434 | Francisco | Kröpfl | El regreso | 2000 | fixed media, akusmatisch | 13:20:00 | LDC 2781118/ | IMEB Bourges | 0 | ||||||||||
| 36423 | Francisco | Kröpfl | El Vuelo, Mapuche-Trilogy | 2000 | fixed media, akusmatisch | 12:55:00 | LDC 2781118/ | 0 | |||||||||||
| 27242 | Francisco | Kröpfl | Lento come l'alghe | 2005 | fixed media, akusmatisch | 10:00 | after a poem by Aldo Maranca | LDC 2781137 Compendium 2005/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | ||||||||
| 22110 | Francisco | Kröpfl | Mapuche-Trilogy 1: Vientos, Vientos | 1996 | fixed media, akusmatisch | 10:54 | after an Indian ritual song | LDC 2781118/ | 1 | ||||||||||
| 22111 | Francisco | Kröpfl | Mapuche-Trilogy 2: Al sur, Al sur | 1997 | fixed media, akusmatisch | 14:32 | after an Indian ritual song | LDC 2781118/ | 1 | ||||||||||
| 22113 | Francisco | Kröpfl | Mapuche-Trilogy 3: El vuelo, El vuelo | 2000 | fixed media, akusmatisch | 12:55 | after an Indian ritual song | LDC 2781118/ | 1 | ||||||||||
| 8743 | Francisco | Kröpfl | Metropolis Buenos Aires | 1989 | radiophon | 59:09 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||||
| 8744 | Francisco | Kröpfl | Música para el Audiovisual Siam | 1964 | Hintergrundmusik | 5:00 | Stereo | Uni B.Aires | 0 | ||||||||||
| 31293 | Francisco | Kröpfl | Musica para Sintetizador | 1970 | live-elec, 1 perf | 10:56 | synt [synthesizer] | IDEAMA CD 057/ | 0 | ||||||||||
| 8745 | Francisco | Kröpfl | Mutacion II | 1985 | radiophon | 6:20 | Stereo | LIPM B.Aires | 0 | ||||||||||
| 8746 | Francisco | Kröpfl | Orillas | 1988 | fixed media, akusmatisch | 10:14 | LDC 278049/50 Cultures Electroniques 4/ LDC 2781118/ | IMEB Bourges | 1 | ||||||||||
| 24435 | Francisco | Kröpfl | Siciliana | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18507 | Francisco | Kröpfl | The bird | 1994 | fixed media, akusmatisch | 10:00 | IMEB Bourges | 0 | |||||||||||
| 36421 | Francisco | Kröpfl | Vientos, Mapuche-Trilogy | 1996 | fixed media, akusmatisch | 10:54:00 | LDC 2781118/ | 0 | |||||||||||
| 18508 | Francisco | Kröpfl | Winds | 1996 | fixed media, akusmatisch | 10:56 | LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | ||||||||||
| 8742 | Francisco, Lucia | Kröpfl, Maranca | El Agua | 1965 | Hintergrundmusik | 8:00 | Stereo | Agens B.Aires | 0 | ||||||||||
| 33784 | Rolf W. | Krooß, Der 2te Freund | Numquid Scitis | 2013 | fixed media, akusmatisch | 6:30 | Stereo | DegeM CD 12 Seltene Erden/ | 0 | ||||||||||
| 27932 | Beatrice | Kropf | Gesang | 1996 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 38602 | Floy | KROUCHI | Couvre-Feux 56 | 2013 | radiophon | 57:42:00 | Prix Phonurgia nova | 0 | |||||||||||
| 33923 | Matthias | Krüger | Festingers Færce | 2013 | live-elec, 1 perf | 12:50:00 | Quadro | bar-sax [Saxophon] | HfMT Köln | 0 | |||||||||
| 33922 | Matthias | Krüger | RéCITAL pour une femme seule | 2011 | Performance | 10:48:00 | Quadro | perf [Performer] | Komposition für Zuspiel, Talkbox und Frau | HfMT Köln, WDR SEM | 0 | ||||||||
| 31580 | Matthias S. | Krüger | Trace Lumineuse I | 2006, 2011 - 2013 | live-elec, 1 perf | 12:00 | bn [Fagott] | next_generation 5.0 | HSM Basel | 0 | |||||||||
| 8747 | R. | Kruit | Unknown roads | 1982 | fixed media, akusmatisch | 14:10 | Stereo | 0 | |||||||||||
| 8748 | Philip | Krumm | Axis | 1963 | fixed media, akusmatisch | 10:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 8749 | Philip | Krumm | Concert Music | 1959 | Zuspiel / Tonband, 1 group | 8:53 | Mono | orc [Orchester] | PS C. San Antonio | 0 | |||||||||
| 8750 | Philip | Krumm | Excursions | 1960 | Zuspiel / Tonband, 1 group | 9:00 | Mono | ens [Ensemble] | PS C. San Antonio | 0 | |||||||||
| 8751 | Philip | Krumm | May 1962 | 1962 | Musiktheater | 20:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 8752 | Philip | Krumm | Mumma's Mix | 1962 | fixed media, akusmatisch | 12:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 8753 | Philip | Krumm | Music for Everybody | 1962 | fixed media, akusmatisch | 120:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 8754 | Philip | Krumm | New Year's Song | 1962 | fixed media, akusmatisch | 13:00 | Stereo | CSEM Ann Arbor, PS C. San Antonio | 0 | ||||||||||
| 8755 | Philip | Krumm | Sax/piano/tape | 1964 | Zuspiel / Tonband, 2 perf | 5:00 | Stereo | sax, p [Saxophon, Piano] | PS C. San Antonio | 0 | |||||||||
| 8756 | Philip | Krumm | Star Chamber | 1967 | fixed media, akusmatisch | 45:00 | Quadro | UC Davis, PS C. San Antonio | 0 | ||||||||||
| 33127 | Stanislaw | Krupowicz | A Lighter Shade of Grey | 1992 | Zuspiel / Tonband, 1 perf | 13:13:00 | vn [Violine] | for violin and computer generated tape | WJ 2002/ | Uni Glasgow | 1 | ||||||||
| 8757 | Stanislaw | Krupowicz | Alcoforado | 1989 | fixed media, akusmatisch | 13:00 | MIDI | CCRMA/ | CCRMA | National Museum, Warsaw, 1989 | December 1989 | Witkacy exhibition, National Museum, Warsaw | 0 | ||||||
| 8758 | Stanislaw | Krupowicz | Concerto for Saxophone and Sources | 1987 | live-elec, 1 perf | 45:00 | t-sax, (com) [Saxophon] | Muza SX 2732/ | Uni Glasgow, CCRMA | July 1988 | Computer Music Festival, Frost Amphitheater, Stanford; Bruce Pennycook (sax), Stanislaw Krupowicz - computers | 0 | |||||||
| 8759 | Stanislaw | Krupowicz | Easter disloyalty of CD | fixed media, akusmatisch | 0 | 1983 | |||||||||||||
| 8760 | Stanislaw | Krupowicz | Farewell Variations on a Theme by Mozart | 1986 | Zuspiel/Tonband, 4 perf | fixed media, akusmatisch |
24:25 | Stereo | amp str-qt [Streicher] | 2 versions (with amp str-qt, tape solo) | WER 20312; Computer Music Currents 11/ Muza SX 2584/ | CCRMA | September 1987 December 1986 |
Warsaw Autumn Festival 1987, Academy of Music in Warsaw. Wilanow String Quartet Kresge Auditorium, Stanford |
Honorable Mention, 8th Irino Prize Competition for Chamber Music, Tokyo, 1987 | 1 | ||||
| 8761 | Stanislaw | Krupowicz | Music for S | 1984 | fixed media, akusmatisch | 9:00 | Quadro | Muza SX 2415/ | CCRMA | March 1984 | Dinkelspiel Auditorium, Stanford | 1 | |||||||
| 8763 | Stanislaw | Krupowicz | Only Beatrice | 1988 | Zuspiel / Tonband, 4 perf | 17:00 | amp str-qt [Streicher] | Muza SX 2854/ | Uni Glasgow | Third Eye Centre, Glasgow (Scotland), 1988 | November 1988 | Polish Realities Festival, Henry Wood Hall, Glasgow, Paragon Ensemble | Aleksander Borodin Foundation Award, Warsaw, 1989 | 0 | |||||
| 8764 | Stanislaw | Krupowicz | Thus Spake Bosch | 1985 | fixed media, akusmatisch | 14:00 | Quadro | CCRMA | April 198 | ISCM concerts, Academy of Music in Warsaw | 2nd prize NewComp 1985 Aleksander Borodin Foundation Award, Warsaw, 1990 |
0 | |||||||
| 8762 | Stanislaw, Tony, Ira | Krupowicz, Milosz, Mowitz | Nightfall | 1987 | fixed media, akusmatisch | 40:00 | Quadro | MIDI | CCRMA | IX International Composers' Seminar, Boswil (Switzerland), 1987 | September 1987 | Alte Kirche, Boswil (Switzarland) | 0 | ||||||
| 32905 | Käthe | Kruse | Le Sexe Rouge | 1997/2002 | Performance | 14.3.2002 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | http://www.musikwerke-bildender-kuenstler.de/de/k03.html | ||||||||||
| 38941 | Anda | Kryeziu | HH, History of humanity in short episodes | 2018 | Performance, live-elec, 3 perf | 3 actor [Schauspieler] | 27.05.2018 | UdK Berlin, crescendo 2018, Jules Gisler, Maria Franz, Astarte Posch | 0 | ||||||||||
| 33067 | Andrzej | Krzanowski | 1st Programme | 1973 | Zuspiel / Tonband, 4 perf | 11:31:00 | Mono + Mono | actor, fl, perc, (siren), Sp [Sprecher, Flöte, Schlagzeug, Schauspieler] | after poetry by Jacek Bieriezin | WJ 2000/ WJ 2000/ | 1 | ||||||||
| 33114 | Andrzej | Krzanowski | 2nd Programme | 1973 | Zuspiel / Tonband, 4 perf | 4:19 | Stereo + Stereo | actor, fl, (siren,) Sp, perc [Sprecher, Flöte, Schlagzeug, Schauspieler] | after poetry by Jacek Bieriezin, for actor, flute, siren, whistle, tam-tam and two tapes | WJ 2000/ | PWM Edition | 1 | |||||||
| 33115 | Andrzej | Krzanowski | 3rd Programme | 1974 | Zuspiel/Tonband, 18 perf | intermedia |
17:10:00 | actor, S, tpt, bar-sax, 2 acc, e-gui, 11 perc, (5 projectors) [Sopran, Saxophon, Trompete, Akkordeon, Gitarre, Schlagzeug, Schauspieler] | after poetry by Jacek Bieriezin | WJ 2000/ | 1 | |||||||||
| 33070 | Andrzej | Krzanowski | 4th Programme | 1975 | Zuspiel / Tonband, 3 perf | 15:52:00 | Sp, (siren,) cymbal, acc [Sprecher, Akkordeon, Schlagzeug] | after poetry by Zbigniew Dolecki | WJ 2000/ WJ 2000/ | 1 | |||||||||
| 22142 | Andrzej | Krzanowski | String Quartet no. 1 (Kwartet smyczkowy) | 1977 | Zuspiel / Tonband, 4 perf | 6:40 | Stereo | str-qt [Streicher] | ExpSt Warsaw | 0 | |||||||||
| 1831 | Marcin | Krzyzanowski | from the Bottom | 1986 | fixed media, akusmatisch | 34:48 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 8765 | Rafael | Kubelik | Elektronische Glockentöne | 1961 | Hintergrundmusik | Siemens | 17.11.1961 | München Musica viva | 0 | ||||||||||
| 8766 | Peter | Kubelka | Arnulf Rainer | 1958 - 1960 | Film | Mono | noise sound on soundtrack | 0 | |||||||||||
| 8767 | Vitazoslav | Kubicka | ... a plakal by aj kamen (and even a stone would cry) | 1982 | fixed media, akusmatisch | 7:55 | Stereo | EM CD 002/ | CECM Bratislava | 0 | |||||||||
| 8768 | Vitazoslav | Kubicka | Cesta | 1991 | fixed media, akusmatisch | 5:32 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8769 | Vitazoslav | Kubicka | Dotyky (Touches) | 1992 | fixed media, akusmatisch | 8:31 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8770 | Vitazoslav | Kubicka | Je ticho uz (it is already silence) | 1984 | fixed media, akusmatisch | Zuspiel/Tonband, |
7:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8771 | Vitazoslav | Kubicka | Kolotoc (Caroussel) | 1987 | fixed media, akusmatisch | 8:11 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8772 | Vitazoslav | Kubicka | Planeta Zem (planet earth) | 1989 | fixed media, akusmatisch | 8:14 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8773 | Vitazoslav | Kubicka | Satyr a Nymfa | 1985 | fixed media, akusmatisch | Zuspiel/Tonband, |
7:33 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8774 | Vitazoslav | Kubicka | The Way | 1991 | fixed media, akusmatisch | 5:22 | EM CD 003/ | CECM Bratislava | 1 | ||||||||||
| 8775 | Vitazoslav | Kubicka | V krajine severneho vetra | 1990 | fixed media, akusmatisch | 8:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8776 | Vitazoslav | Kubicka | Venovane Musorgskemu | 1981 | fixed media, akusmatisch | 9:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8777 | Walter | Kubiczeck | Amarillo luna | 1963 | fixed media, akusmatisch | 3:36 | Mono | RFZ Berlin | 0 | ||||||||||
| 34587 | Walter | Kubiczeck | Ein Stadtbummel | 1963 | Fernsehen, | 3:36 | Mono | Subharchord, Tanzorchester | Eterna 720205/ | 0 | |||||||||
| 26185 | Walter | Kubiczeck | Patrouille | 1967 | fixed media, akusmatisch | 2:30 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 42139 | Felix | Kubin | Orphée mécanique | 2012 | radiophon | 50:54 | intermedium records 2012/ | BR | 30.3.2012 | BR München | Hörspiel des Jahres 2012 Hörspiel des Monats März 2012 Deutscher Hörbuchpreis 2014 Bestes Hörspiel Internationaler Radiopreis Premios Ondas 2013 |
0 | |||||||
| 42140 | Felix | Kubin | Paralektronoia | 2004 | radiophon | 53:30 | WDR | 9.11.2004 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1480659&vi=8&SID | ||||||||
| 38603 | Felix | KUBIN | Säugling, Duschkopf, Damenschritte - eine polymorphe Klangbibliothek | 2011 | radiophon | 46:58:00 | 0 | ||||||||||||
| 38604 | Felix | KUBIN | Syndikat für Gegenlärm | 2001 | radiophon | 50:55:00 | 0 | ||||||||||||
| 38776 | Felix, Wojtek | KUBIN, KUCHARCZYK | Territerrortorium | 2004 | radiophon | 49:54:00 | 0 | ||||||||||||
| 21563 | Christina | Kubisch | Altgeräuscharchiv | 1999 | fixed media, akusmatisch | 21:20 | Stereo | Alarmglocken, Shiffsglocken, Türglocken, Totenglocken, Kirchenglocken, Fahrradklingeln, Schlittenglöckchen, Bahnschrankensignale, Bergweksglocken, Schulglocken, Kuhglocken, etc.; Materialien aus dem SFB-Archiv | ed. rz 10011 Parallele 11/ | White House Studio Berlin | 1 | http://www.edition-rz.de/ | |||||||
| 25956 | Christina | Kubisch | Armonica | 2004 | fixed media, akusmatisch | Klangkunst, Installation |
56:41 | Stereo, 5 tracks | Klangquellen sind 12 aufgenommene Klänge direkt von der Glasharmonika (mit Drehgeräuschen!), die in eine 11-tönige Skala transponiert wurden. Klang wurde auch in der Installation "2 Räume" in Schloss Ettersburg genutzt. | semi 006/ | TU Berlin | 1 | http://www.christinakubisch.de | |||||||
| 25500 | Christina | Kubisch | Bird Tree | 2005 | Klangkunst, Installation | 5:28 | Stereo | B!AS – International Sound Art Exhibition, Taipei Fine Arts Museum & Etat, Taipeh, Taiwan | ETAT Taiwan/ | 1 | http://www.christinakubisch.de | ||||||||
| 25957 | Christina | Kubisch | Bostonglassymphony | 1997/1998 | Klangkunst, Installation | (permanente Installation im "MASSMoCA") | TU Berlin | 1 | http://www.christinakubisch.de | ||||||||||
| 28575 | Christina | Kubisch | Brunnenlieder | 2009 | Klangkunst, Installation | 3:11 | Quadro | Für den Dönhoff-Brunnen in Witten konzipiert | WD 2009, Wittener Tage Für Neue Kammermusik 2009/ | Kompositionsauftrag der Stadt Witten und Kunststiftung NRW | 2009 | Wittener Tage für neue Kammermusik 2009 mit E. Güther (Assistenz | 1 | ||||||
| 35203 | Christina | Kubisch | Desert Bloom | 2016 | radiophon | WDR Studio Akustische Kunst | WDR - Studio Akustische Kunst. | 13.11.2015 | WDR3 - Studio akustische Kunst | Karl-Sczuka-Preis 2016 | 0 | http://www.swr.de/swr2/hoerspiel-feature/karl-sczuka-preis/-/id=661194/did=13776964/nid=661194/1pnne8/index.html | |||||||
| 23157 | Christina | Kubisch | Diapason | 2002 | Klangkunst, Installation | ∞ 15:54 | Komposition mit Stimmgabeln für den Glockenraum Parochialkirche | semi 002/ Kehrer Verlag ISBN 978-3-939583-23-3/ | TU Berlin | 9.5.-12.6.2002 | singuhr hoergalerie Berlin | 1 | http://www.christinakubisch.de | ||||||
| 28083 | Christina | Kubisch | Dreaming of a Major Third | 1998 | Klangkunst, Installation | 44:36 | ed. rz 10006 Parallèle 6/ | TU Berlin | MASS MoCa | 5.1998 | North Adams (Mass) | 0 | http://www.edition-rz.de/ | ||||||
| 37888 | Christina | Kubisch | E-legend | 2006 | fixed media, akusmatisch | 18:48 | Ikon Gallery/ | TU Berlin | 0 | ||||||||||
| 25958 | Christina | Kubisch | East of oasis | 2003 | Klangkunst, Installation | ∞ | Octo | East of oasis, Klanginstallation bei "sounding spaces" Tokio 2003 | TU Berlin | 1 | http://www.christinakubisch.de | ||||||||
| 25959 | Christina | Kubisch | Electrical Walk (Madrid) | 2004 | Klangkunst, Installation | "Itinerarios del Sonido“ in Madrid 2004 | 0 | http://www.christinakubisch.de | |||||||||||
| 34164 | Christina | Kubisch | Emergency solos, It’s so touchy Weekend Erotica |
1973 | Performance | fl, (objects) [Flöte] | 3 Parts: 1. It’s so touchy; 2. Weekend; 3. Erotica |
DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | Radio Bremen | 1 | |||||||||
| 25543 | Christina | Kubisch | Five electrical walks, Hommage With Minimal Disinformation | 2006 | fixed media, akusmatisch | 4:39 | Stereo | IMPREC 168/ | TU Berlin, PS C. | 1 | http://www.christinakubisch.de | ||||||||
| 25544 | Christina | Kubisch | Five electrical walks, e-legend II | 2006 | fixed media, akusmatisch | 17:50 | Stereo | IMPREC 168/ | TU Berlin, PS C. | 1 | http://www.christinakubisch.de | ||||||||
| 25545 | Christina | Kubisch | Five electrical walks, Security | 2005 | fixed media, akusmatisch | 4:00 | Stereo | IMPREC 168/ | TU Berlin, PS C. | 1 | http://www.christinakubisch.de | ||||||||
| 25546 | Christina | Kubisch | Five electrical walks, Atocha | 2005 - 2007 | fixed media, akusmatisch | 6:52 | Stereo | IMPREC 168/ | TU Berlin, PS C. | 1 | http://www.christinakubisch.de | ||||||||
| 25547 | Christina | Kubisch | Five electrical walks, Night Shift | 2006 | fixed media, akusmatisch | 5:05 | Stereo | IMPREC 168/ | TU Berlin, PS C. | 1 | http://www.christinakubisch.de | ||||||||
| 25960 | Christina | Kubisch | flying magnetic, An Aerial Radioscape | 2008 | radiophon | 17:51 | Stereo | TU Berlin | WDR Studio akustische Kunst | 1 | http://www.christinakubisch.de | ||||||||
| 34251 | Christina | Kubisch | Iter magneticum | 1986 | Klangkunst, Installation | 45 | Edition Giannozzo/ | 0 | |||||||||||
| 37889 | Christina | Kubisch | La Ville Magnétique, The Magnetic City | 2008 | fixed media, akusmatisch | 41:29 | 24 Electromagnetic Walks in Poitiers | Ville de Poitiers/ | TU Berlin, PS C. | 1 | |||||||||
| 37670 | Christina | Kubisch | LABOR Remix | 2017 | radiophon | Klangkunst, Installation |
loop 48 | Octo + Quadro + Stereo + Stereo | AdK Berlin, PS C. | 28.9.2017 - 1.10.2017 | Kontakte-Festival 17, AdK Berlin, Besprechungsraum | 0 | ||||||||
| 25081 | Christina | Kubisch | Lichthimmel, Licht Himmel | 2006 | Klangkunst, Installation | ∞ | 16 Tracks | Permanent Sound- and Lightinstallation at Gasometer Oberhausen. | Gasometer Oberhausen CD/ | TU Berlin | 10.3.2006 | Gasometer Oberhausen | 1 | http://www.christinakubisch.de | |||||
| 28307 | Christina | Kubisch | Listen through the walls | fixed media, akusmatisch | 9:01 | 1 | |||||||||||||
| 43172 | Christina | Kubisch | Magnetic Flights | 2008 | fixed media, akusmatisch | TU Berlin | Auszeichnung ars electronica honorary mention 2008 | 0 | |||||||||||
| 25961 | Christina | Kubisch | Magnetic Nets | 2004 | Klangkunst, Installation | 5:08 | electromagnetic recordings of security gates | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | http://www.christinakubisch.de | |||||||||
| 23529 | Christina | Kubisch | Marine Remix | 2004 | Klangkunst, Installation | Stereo, Spazialisation: Headphone | für Club Transmediale 2004 in der Versuchsanstalt für Wasserbau und Schiffbau der TU für 12 Induktionsschleifen |
TU Berlin | 1 | http://www.christinakubisch.de | |||||||||
| 21129 | Christina | Kubisch | MausWare, Mausoleum | 1998 | Klangkunst, Installation | fixed media, akusmatisch |
∞ | 10 Tracks | Klanginstallation für 10 Computermäuse, 10 Mäuse in Formalin, Konferenztisch, 10-kanalige Komposition mit Geräuschen von Computermäusen. Ausgestellt im Rahmen der Ausstellung "post naturam" in der Hawerkamphalle Münster, Hessisches Landesmuseum Darmstadt sowie in der AdK Berlin als Einzelausstellung der Reihe "Sehen und Denken" |
ed. rz 10011 Parallele 11/ | TU Berlin | 5.1998 | Ausstellung "post naturam" in der Hawerkamphalle Münster, Hessisches Landesmuseum Darmstadt | 1 | http://www.edition-rz.de/ | |||||
| 8778 | Christina | Kubisch | Nachtzeit | 1991 | Klangkunst, Installation | ∞ | 10 Tracks | TU Berlin | 22.-30.6.1991 | Kino Babylon Berlin-Mitte (Reihe Klangportraits - Klangfrauen) | 1 | http://www.christinakubisch.de | |||||||
| 8779 | Christina | Kubisch | Night flights | 1983 - 1986 | fixed media, akusmatisch | 8:54 | auf dem Nil 004/ IMPREC 168/ DMM 04/ | 1 | http://www.christinakubisch.de | ||||||||||
| 21145 | Christina | Kubisch | Nostalgico | 1999 | Zuspiel / Tonband, 1 perf | ≈ 15:00 | Stereo | acc [Akkordeon] | ed. rz 10011 Parallele 11/ | TU Berlin | Festival Gegenwelten in Heidelberg | 9.10.1999 | 1 | 2000 | http://www.edition-rz.de/ | ||||
| 21146 | Christina | Kubisch | Oase 2000 | 1999 | Klangkunst, Installation | TU Berlin | 10.1999 | Heidelberg, Festival Gegenwelten | 1 | http://www.christinakubisch.de | |||||||||
| 25020 | Christina | Kubisch | Olja på duk, Oil on Canfas | 2005 | Klangkunst, Installation | 13:20 | recordings from Ystad Art Museum at the exhibition „24 Pictures at an exhibition“ | OBCD 13 Olof Bright/ | 1 | http://www.christinakubisch.de | |||||||||
| 25962 | Christina | Kubisch | On Air, (Installationen in den 80ern) / Induktionsschleifen 7 Audio-Beispiele, ein 15'-Film, interaktive Info (aktuell 2003) |
1984 | Klangkunst, Installation | Audiotracks: Djungle Walk (7:20), Travel (9:50), Circles (5:25), Speak & Spell (8:15), Circles II (5:11), Listen through the Walls (8:55), Djungle Walk alt mix (7:18) Film über Klanginstallationen mit Induktionsschleifen in Gargonza (Toskana) |
DS 3 Die Schachtel Mailand/ | 1 | http://www.christinakubisch.de | ||||||||||
| 25963 | Christina | Kubisch | On Air - six themes on open space | 1984 | Klangkunst, Installation | 0:53 | extract; mit Induktionsschleifen; Übernahme von CD "on air - 6 themes on open space" | Apollo ACD 019209/ | 1 | http://www.christinakubisch.de | |||||||||
| 38938 | Christina | Kubisch | Orchestra on a wire | 2018 | Klangkunst, Installation | 60 | interaktive Live-Installation | Darmstädter Ferienkurse | 14.7.2018 | Darmstadt, Ferienkurse, Lichtenbergschule, kleine Sporthalle | 0 | http://internationales-musikinstitut.de/de/ferienkurse/festival/programm/orchestra-in-a-wire-a/ | |||||||
| 25964 | Christina | Kubisch | postnaturam (Mouseware) | 1997/1998 | Klangkunst, Installation | TU Berlin | 0 | http://www.christinakubisch.de | |||||||||||
| 32698 | Christina | Kubisch | Rheinklänge | 2013 | Klangkunst, Installation | ∞ | 26.10.2013 | Bonn, Rheinufer | 0 | ||||||||||
| 25021 | Christina | Kubisch | Rundvandring / Tour | 2005 | Klangkunst, Installation | 8:20 | Tour through Ystad Art Museum at the exhibition „24 Pictures at an exhibition“ | OBCD 13 Olof Bright/ | 1 | http://www.christinakubisch.de | |||||||||
| 25022 | Christina | Kubisch | Samlingen / The collection | 2005 | Klangkunst, Installation | 4:33 | a compact history of the art at the exhibition „24 Pictures at an exhibition“ in Ystad | OBCD 13 Olof Bright/ | 1 | http://www.christinakubisch.de | |||||||||
| 41973 | Christina | Kubisch | Schall und Klang | 2017 | radiophon | loop 48 | Stereo | AdK Berlin, PS C. | DLF Kultur 2017 | 0 | |||||||||
| 19129 | Christina | Kubisch | sechs Spiegel (innig, nicht rasch) | 1994 | Klangkunst, Installation | Raum-Klang-Installation in der Ludwigskirche Saarbrücken (18.12.94 - 29.1.95) | ed. rz 10003/ HBK Saar/ | TU Berlin | 0 | http://www.edition-rz.de/ | |||||||||
| 25024 | Christina | Kubisch | Shared Worlds | 2005 | Klangkunst, Installation | 8:42 | Im Rahmen von „Soundout“ in der „National Sculpture Factory“ in Cork (Irland) - Kulturhauptstadt Europas 2005; CD-Beilage zum gleichnamigen Katalog | Farpoint Recordings Cork 2005/ | 1 | http://www.christinakubisch.de | |||||||||
| 28306 | Christina | Kubisch | Speak and spell | fixed media, akusmatisch | 8:27 | 1 | |||||||||||||
| 23158 | Christina | Kubisch | Statthalter | 2002 | Klangkunst, Installation | ∞ 17:21 | 26 Tracks | Sprachwerk für die Gemälde der Winterkirche (Parochialkirche) | Kehrer Verlag ISBN 978-3-939583-23-3/ | TU Berlin | 9.5.-12.6.2002 | singuhr hoergalerie Berlin | 1 | http://www.christinakubisch.de | |||||
| 22388 | Christina | Kubisch | Tafelmusik 2000 | 1998 | Klangkunst, Installation | ∞ | ed. rz 10013 parallele 13 Inventionen 2000/ | TU Berlin | Inventionen 2000 | 22.6.2000 Sophiensæle | Inventionen Sophiensäle Hochzeitssaal Berlin | 1 | 2000 | http://www.christinakubisch.de | |||||
| 35346 | Christina | Kubisch | Tea Time, Autumn Leaves Mix | 2003/2007 | fixed media, akusmatisch | 5 | GrDI 088/ | TU Berlin | 0 | http://www.gruenrekorder.de/?page_id=170 | |||||||||
| 8780 | Christina | Kubisch | The Cat's Dream | 1986 | fixed media, akusmatisch | 18:50 | auf dem Nil 004/ DMM 04/ | 1 | http://www.christinakubisch.de | ||||||||||
| 18922 | Christina | Kubisch | The True and the False | 1994 | Klangkunst, Installation | 7:02 | Installation TU München; licht-gesteuert | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | http://www.christinakubisch.de | ||||||||
| 28732 | Christina | Kubisch | Three Tree | 2005 | Klangkunst, Installation | Stereo | TU Berlin | 2.1999 | Barcelona | 0 | http://www.christinakubisch.de | ||||||||
| 19056 | Christina | Kubisch | Über die Stille | 1996 | Klangkunst, Installation | 0:59 | Donaueschinger Musiktage 1997, Orangerie Schloßpark. Licht-Klang-Raum. Auch Sonambiente Ausstellung (1996), siehe Katalog S.83 |
ISBN 3-7913-1699/ | TU Berlin | 17.-19.10.1997 | Orangerie Donaueschingen | 1 | http://www.christinakubisch.de | ||||||
| 26283 | Christina | Kubisch | Versprochene Paradiese | 2004 | Klangkunst, Installation | ∞ | 12 Tracks | Elektromagnetische Klanginstallation / Induktionsschleifen / Kopfhörer. Der Hörer kann durch verschiedene Klanggemische aus Sprache gehen; Texte verschiedener Manifeste und Aufrufe 1918 - 1971 | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2004 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | |||||
| 23159 | Christina | Kubisch | Vier Tafeln | 2002 | Klangkunst, Installation | ∞ 16:46 | Computersprache mit Rezitation der Inschriften, Parochialkirche | Kehrer Verlag ISBN 978-3-939583-23-3/ | TU Berlin | 9.5.-12.6.2002 | singuhr hoergalerie Berlin | 1 | http://www.christinakubisch.de | ||||||
| 8781 | Christina | Kubisch | vocrolls | 1988 | fixed media, akusmatisch | 14:42 | Stereo | com M. | ed. rz 10011 Parallele 11/ | TU Berlin | 1 | http://www.edition-rz.de/ | |||||||
| 22494 | Christina | Kubisch | Wall Blue / Wall Red | 2001 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory | MF 0002-2/ | TU Berlin | 1 | http://www.christinakubisch.de | |||||||||
| 28259 | Christina | Kubisch | Wave Catcher, Wellenfang | 2010 | audiovisuell | Klangkunst, Installation |
37:45 | Stereo | gedreht 2009/10 im Ruhrgebiet (Marl, Essen, Bottrop, Oberhausen, Bochum, Dortmund, Gelsenkirchen, Recklinghausen und Umgebung). Beilage zum Katalog „Wellenfang / Mapping the Region“ |
Skulpturenmuseum Glaskasten Marl / ISBN 978-3-924790-85-1/ | TU Berlin | Skulpturenmuseum Glaskasten Marl bei „Mapping the Region / das Ausstellungsprojekt der RuhrKunstMuseen“ zur RUHR.2010 | 11.4.2010 | Marl Glaskasten (Ausstellung bis 6.6.2010) | 1 | http://www.christinakubisch.de | ||||
| 21130 | Christina | Kubisch | Zehn Signale | 1998 | Klangkunst, Installation | ∞ | 10 Tracks | zehnkanalige Komposition für den ehemaligen Bergwerksstollen "Rischbachstollen" in St. Ingbert (Saarland) im Rahmen der Ausstellung "Kunst unter Tage" | TU Berlin | 10.1998 | Rischbachstollen St. Ingbert (Saarland) | 0 | http://www.christinakubisch.de | ||||||
| 23579 | Christina | Kubisch | Zeitlupe | 2003 | fixed media, akusmatisch | 5:35 | The hidden City - Sound Portraits from Göteborg. Carillon-Klänge aus der Kristina-Kirche Göteborg | SR 219 sub rosa/ | PS C. | 1 | http://www.christinakubisch.de | ||||||||
| 21147 | Christina | Kubisch | Zwei Räume (consecutio temporum) | 1999 | Klangkunst, Installation | ∞ | TU Berlin | 1.1999 | Quellkeller der Kaiserpfalz & Bartholomäuskapelle Parderborn | 0 | http://www.christinakubisch.de | ||||||||
| 21144 | Christina | Kubisch | Zwölf Signale, Der Glocken Schlag | 1999 | Klangkunst, Installation | fixed media, akusmatisch |
∞ | Stereo + Stereo + Stereo + Stereo | Klang-Licht-Installation, mit Signalglockenklängen aus dem Bergbau | semi 004/ | TU Berlin | 31.12.1999-1.1.2000 | Matthäikirche am Kulturforum Berlin; Silvesterkunstfest zur Jahrtausendwende | 1 | http://www.christinakubisch.de | |||||
| 32579 | Christina, Eckehard | Kubisch, Güther | Mosaïque Mosaic | 2010 | Klangkunst, Installation | 58:30 | Stereo | Aufnahmen / Fieldrecordings aus Kamerun | Gruen 131/ | 0 | http://www.gruenrekorder.de | ||||||||
| 35344 | Christina, Eckehard | Kubisch, Güther | Unter Grund | 2014 | Klangkunst, Installation | 23:47 | Stereo, 26 tracks | Gruen 160/ | VICC Visby, PS C. | Stiftung Zollverein | 2016 | Zeche Zollverein Essen | 0 | http://www.gruenrekorder.de/?page_id=14340 | |||||
| 35345 | Christina, Eckehard | Kubisch, Güther | Vision, Unter Grund | 2014 | Klangkunst, Installation | 8:28 | part of „Unter Grund“ | Gruen 160/ | 0 | http://www.gruenrekorder.de/?page_id=14340 | |||||||||
| 38962 | Thom | Kubli | Black Hole Horizon | 2012 | Klangkunst, Installation | EMPAC | 2012 EMPAC | 0 | http://empac.rpi.edu/events/2012/fall/thom-kubli | ||||||||||
| 38967 | Thom | Kubli | FLOAT!: Think Tank 21, Dancing on the Ceiling: Art & Zero Gravity | 2010 | Performance | audiovisuell |
EMPAC | 2010 EMPAC | 0 | http://empac.rpi.edu/events/2010/spring/dancing-ceiling | ||||||||||
| 39699 | Dan | Kubo | Dissolve | 2017 | fixed media, akusmatisch | Dan Kubo | 0 | ||||||||||||
| 8782 | Mayako | Kubo | Am Fenster | 1991 | live-elec, 3 perf | 9:00 | Stereo | 2 fl, sam [Flöte, computer] | MIDI | TU Berlin | 10.2.1991 | Inventionen Akademie der Künste Berlin, mit Eberhard Blum, Christiane Hellmann (fl) | Ariadne | 1 | 1991 | ||||
| 8783 | Mayako | Kubo | Bach-Variationen I | 1980 | fixed media, akusmatisch | 18:15 | Stereo + Stereo + Stereo + Stereo, Quadro, Octo | 19.3.1981 | Salzburg, ORF Publikumsstudio | Ariadne | 0 | ||||||||
| 8788 | Mayako | Kubo | Bach-Variationen II | 1982 | Zuspiel / Tonband, 1 perf | 15 | mus [Musiker] | Improvisation | 3.11.1982 | Graz IGNM Weltmusiktage | 0 | ||||||||
| 31660 | Mayako | Kubo | Bach-Variationen III | 2010 | Zuspiel, live-elec, 3 perf | 13 | vn, gui, p (Zuspiel-CD) [Piano, Gitarre, Violine] | Improvisation | Jecklin-Disco 617-2/ | 20.8.2010 | Hiroshima, Ensemble KU | 0 | |||||||
| 8786 | Mayako | Kubo | Ich bin 99 Jahre alt, Mothers, children, lovers, people | 1988 | radiophon | 24:57 | Stereo | txtcompo, Synclavier. „Mothers, children…“ after 1988 renamed to „Ich bin 99 Jahre alt“ |
TU Berlin | 1 | |||||||||
| 8784 | Mayako | Kubo | Iterum Meditemur for Hiroshima | 1978 | Zuspiel / Tonband, 1 perf | 14:20 | Stereo | trbn [Posaune] | ELAK Wien | 26.3.1979 | Wien, M. Tezak | Mention Bourges | Ariadne 80010 | 1 | |||||
| 8785 | Mayako | Kubo | Klavierstück für zwei Hände | 1980 | Zuspiel / Tonband, 1 perf | 11:00 | perc (Piano) [Schlagzeug] | Castigo 02419/ | ELAK Wien | 5.5.1984 | Bremen, Martin Schulz | B & H | 0 | ||||||
| 40376 | Mayako | Kubo | Mothers, children, lovers, people | 1981 - 1982 | Tanz | 40 | txtcompo, Synclavier | Incontri HMTM Hannover | Wiener Festwochen | 2.3.1982 | Wien, Tanz Forum Wien | Ariadne | 1 | ||||||
| 8787 | Mayako | Kubo | Musikalische Landschaft II - Stadtmusik | 1989 | Theatermusik | ≈ 25 | Stereo | TU Berlin | 11.-15.10.1989 | Werktheater Berlin Wedding Osloer Straße | Ariadne | 1 | |||||||
| 40377 | Mayako | Kubo | Tanz der zwölf Kimonos | 1991 | Tanz, live-elec, 6 perf | ≈ 65 | 4 dancer, sax, perc [Saxophon, Schlagzeug, Tanz] | Klangart Osnabrück | 23. Mai 1991 | Osnabrück, Klangart, Tatoeba Theatre Danse Grotesque, Saxophon: U. Krieger, Schlagzeug: M. Kubo. Regie: D. Ra‘I, Technik: A. Vent | 0 | ||||||||
| 8789 | Mayako | Kubo | Vater ! - Gesang einer verlorenen Figur | 1992 | radiophon | 37:00 | Stereo | HSM Basel | SFB (Sender Freies Berlin), SR | September 1992 | SFB | 1 | |||||||
| 19101 | Nobuo | Kubota | Synthetically Yours | 1996 | live-elec, 2 perf | 20:00 | MIDI, w (didgeridoo) [synthesizer, Bläser] | MW 65/ | 1 | ||||||||||
| 20374 | Václav | Kucera | Bod Varu | Zuspiel / Tonband, | 5:38 | Stereo | Jase CD 0017/ | 0 | |||||||||||
| 8790 | Václav | Kucera | Invariant | 1969 | Zuspiel / Tonband, 2 perf | b-cl, p [Klarinette, Piano] | 0 | ||||||||||||
| 8791 | Václav | Kucera | Kinechromie | 1969 | Zuspiel / Tonband, | 10:06 | Stereo, Quadro | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | |||||||||
| 8793 | Václav | Kucera | Lidice | 1972 | Zuspiel / Tonband, 5 perf, 2 groups | 38:50 | Stereo | 4 Sp, S, ch, ens [Sopran, Sprecher, Ensemble, Chor] | Radio Plzen | 0 | |||||||||
| 8795 | Václav | Kucera | Spartacus | 1976 | Zuspiel / Tonband, 1 group | 20:06 | Quadro | ch [Chor] | Radio Plzen | 0 | |||||||||
| 8797 | Václav | Kucera | Studie pro konkretni klavir | 1966 | fixed media, akusmatisch | 5:00 | Stereo | PS C. | 0 | ||||||||||
| 8792 | Václav | Kucera | The kinetic Ballet, Pastorale Labyrint Spirála |
1968 | fixed media, akusmatisch | 25:50 | Stereo | Supraphon 1 11 1423/ | Radio Plzen | 12.1968 | Theater of Music, Prag | 1 | |||||||
| 8798 | Larry | Kucharz | 1986 | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 8799 | Henry | Kucharzyk | Art of Mix | 1985 | fixed media, akusmatisch | 8:00 | Octo | 0 | |||||||||||
| 8800 | Henry | Kucharzyk | Beating | 1986 | live-elec, 1 perf | 11:00 | Stereo | perc [Schlagzeug] | 0 | ||||||||||
| 8801 | Henry | Kucharzyk | Targeting | 1981 | fixed media, akusmatisch | 13:00 | Stereo | CSMT Yale | 0 | ||||||||||
| 19214 | JoAnn | Kuchera-Morin | Dreampaths | fixed media, akusmatisch | CMJ Vol 21, 1997/ | CREATE | 1 | ||||||||||||
| 8802 | Ole | Kühl | Inside / Outside | 1990 | fixed media, akusmatisch | Stereo | DIEM Aarhus | 0 | |||||||||||
| 8803 | Ole | Kühl | Stormen | 1990 | fixed media, akusmatisch | 60:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 28402 | Axel | Kühn | Sprechakte - Vielleicht | 2003 | Performance | 7:53 | recorded at Literaturhaus München | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 39460 | Mikel | Kuehn | Colored Shadows | 2012 | live-elec, 1 perf | va [Viola] | 0 | ||||||||||||
| 40127 | Mikel | Kuehn | Rite of Passage | 2017 | fixed media, akusmatisch | Mikel Kuehn | 0 | ||||||||||||
| 40128 | Mikel | Kuehn | The Secret World of Bookends | 2015 | fixed media, akusmatisch | 12:16:00 | Mikel Kuehn | 0 | |||||||||||
| 27260 | Martin, Hanns-Holger, Axel | Kuentz, Rutz, Volmar | ChromaticField | 2006 | live-elec, 3 perf | var | 3 perf (3 elec mus) [Performer] | 0 | http://www.sciss.de/texts/intro.html | ||||||||||
| 30223 | Tilman | Küntzel | 400 Lights for Olbers's Paradox | 2000 | Klangkunst, Installation | 2000 | Brandenburgischer Kunstverein, Potsdam | 0 | |||||||||||
| 30186 | Tilman | Küntzel | 9 aus 4 | 1983/1984 | Zuspiel / Tonband, 4 perf | 9:30:00 | p, fl, vn, va [Flöte, Piano, Viola, Violine] | 0 | |||||||||||
| 30132 | Tilman | Küntzel | Air - time to breathe | 2008 | Klangkunst, Installation | 10:27:00 | Octo | MuseumsQuartier Wien | 1 | ||||||||||
| 30133 | Tilman | Küntzel | Auskultationen, Auscultare | 2008 | Klangkunst, Installation | 18:02:00 | Octo | Modisti 07/ | MuseumsQuartier Wien | 1 | |||||||||
| 30211 | Tilman | Küntzel | Balloons | 2005 | Klangkunst, Installation | Festival g-garage | 22.07. - 13.08.2005 | Stralsund | 0 | ||||||||||
| 30193 | Tilman | Küntzel | Bewegtes Band | 2009 | Klangkunst, Installation | Kunst am Bau-Wettbewerb für den BND | 2009 | Berlin | 0 | ||||||||||
| 30191 | Tilman | Küntzel | Blindfolded | 2010 | Klangkunst, Installation | 2010 | Magdeburger Dom | 0 | |||||||||||
| 30220 | Tilman | Küntzel | Breaking the Waves | 2001 | Klangkunst, Installation | 13. Dezember 2001 | Wewerka Pavillon Münster | 0 | |||||||||||
| 30129 | Tilman | Küntzel | Cave music | 2012 | Klangkunst, Installation | 28:00:00 | permanent Installation | march 2012 | Deutsches Buch- und Schriftmuseums der Deutschen Nationalbibliothek Leipzig | 0 | |||||||||
| 30237 | Tilman | Küntzel | Cinetic Objects on Engadin House Inscriptions | 1989 | Klangkunst, Installation | Stiftung BINZ, Zürich | 1989 | Scuol (CH) | 0 | ||||||||||
| 30178 | Tilman | Küntzel | Composition for Water | 1988 | Klangkunst, Installation | 1:18:00 | 1 | ||||||||||||
| 30232 | Tilman | Küntzel | Counting Music | 1995 | Klangkunst, Installation | Site specific Project | 1995 | Lüneburg | 0 | ||||||||||
| 30144 | Tilman | Küntzel | Crystal Bussing | 2005 | Klangkunst, Installation | 3:12:00 | Cybele 960.208/ DegeM CD 08/ | 2005 | Schloss Groß-Leuthen | 1 | |||||||||
| 30149 | Tilman | Küntzel | Danube Waterlevel | 2001 | Klangkunst, Installation | 11:28:00 | March 26. til April 2 2001 | Gallery in the Danube Water Level - Measurement Station, Budapest (Hungary) | 0 | ||||||||||
| 30160 | Tilman | Küntzel | Das Pfeifen im Walde | 1998 | Klangkunst, Installation | 6:07:00 | 0 | ||||||||||||
| 30179 | Tilman | Küntzel | Dé jà vu | 1987 | Klangkunst, Installation | 3:40:00 | 0 | ||||||||||||
| 30213 | Tilman | Küntzel | Dead man working | 2005 | Klangkunst, Installation | Audiovisuelle Inszenierung; Mißtraue der Idylle, | 2005 | Hannover | 0 | ||||||||||
| 30190 | Tilman | Küntzel | Dem Rieseln der Sole Dynamik verleihen | 2010 | Klangkunst, Installation | Projekttions-Biennale | 2010 | Bad Rothenfelde | 0 | ||||||||||
| 30170 | Tilman | Küntzel | Destruction in Process | 1993 | radiophon | 9:44:00 | Radio Lodz | 0 | |||||||||||
| 30177 | Tilman | Küntzel | Die Nachrichten | 1988 | Klangkunst, Installation | 6:32:00 | 0 | ||||||||||||
| 30221 | Tilman | Küntzel | Drei Räume – Drei Farben | 2001 | Klangkunst, Installation | 2001 | Kulturforum Gut Wienebüttel, Lüneburg | 0 | |||||||||||
| 30148 | Tilman | Küntzel | Dripping Music | 2002 | Klangkunst, Installation | 6:34 | Fluxus Freunde Wiesbaden e.V. | 2002 | "Pariser Hof" Wiesbaden | 0 | |||||||||
| 30233 | Tilman | Küntzel | Dripping Music on Welsh Folk Head | 1994 | Klangkunst, Installation | Site - Ations | 1994 | Cardiff (Wales) | 0 | ||||||||||
| 30202 | Tilman | Küntzel | Ein kleiner Rosengarten | 1989 - 2010 | Klangkunst, Installation | 1989 - 2010 | various places | 0 | |||||||||||
| 30159 | Tilman | Küntzel | Ein kleiner Rosengarten I | 1998 | Klangkunst, Installation | 9:06:00 | 1998 | Klangraum-Festival Stuttgart | 0 | ||||||||||
| 30155 | Tilman | Küntzel | Ein kleiner Rosengarten II | 1999 | Klangkunst, Installation | 2:09:00 | 1998 | Klangraum-Festival Stuttgart | 0 | ||||||||||
| 30162 | Tilman | Küntzel | Filigran Transformation | 1998 | Klangkunst, Installation | 3:38:00 | 0 | ||||||||||||
| 30224 | Tilman | Küntzel | Five (no)bells for Karlskoga | 2000 | Klangkunst, Installation | 2000 | Karlskoga Konsthall, Karlstad-Karlskoga | 0 | |||||||||||
| 30163 | Tilman | Küntzel | Für Kinder | 1998 | radiophon | 11:01:00 | 0 | ||||||||||||
| 30152 | Tilman | Küntzel | Gingle Bells | 1999 | Klangkunst, Installation | 2:42:00 | 1999 | Kunstverein Springhornhof e.V. | 0 | ||||||||||
| 30161 | Tilman | Küntzel | Glitchis | 1998 | Klangkunst, Installation | 10:56:00 | 0 | ||||||||||||
| 30140 | Tilman | Küntzel | Hinter Liebfrauen | 2007 | Klangkunst, Installation | 4:47:00 | 5.–28.5. 2007 | Braunschweig, Allgemeiner Konsumverein e.V. | 0 | ||||||||||
| 30214 | Tilman | Küntzel | Hula Hoop | 2003 | Klangkunst, Installation | Rohkunstbau X | 2003 | Wasserschloss Groß Leuthen | 0 | ||||||||||
| 30206 | Tilman | Küntzel | Im Dialog mit den Vögeln | 2003 - 2008 | Klangkunst, Installation | 2003 - 2008 | various places | 0 | |||||||||||
| 30197 | Tilman | Küntzel | Intercom System | 2008 | Klangkunst, Installation | Culture Mile of Enschede | 2008 | City of Enschede | 0 | ||||||||||
| 30184 | Tilman | Küntzel | Komplementär verschobenes Familien Quintett | 1984 | Performance | 3:23:00 | 4 perf [Performer] | 0 | |||||||||||
| 30138 | Tilman | Küntzel | Kurfürstenstrasse | 2007 | Klangkunst, Installation | 38 | 2007 | U-Bahn Eingänge KLANGRAUM-Kurfürstenstrasse | 1 | ||||||||||
| 30216 | Tilman | Küntzel | Lautstärke-Display-Skulptur | 2002 | Klangkunst, Installation | 2002 | Bergkamen | 0 | |||||||||||
| 30230 | Tilman | Küntzel | Light Holes | 1995 | Klangkunst, Installation | 1995 | Christian Riloff's COMP I BOX Gallery, Stockholm | 0 | |||||||||||
| 30209 | Tilman | Küntzel | Lightning Blue(s) | 2005 | Klangkunst, Installation | permanent | Lichtakustische Brunneninszenierung | 30. Juli 22005 | Fröndenberg a.d. Ruhr | 0 | |||||||||
| 30153 | Tilman | Küntzel | Lights & Sounds by Tilman Küntzel | 1999 | Klangkunst, Installation | 2:51:00 | May 26 - July 3 1999 | Gallery K & S Berlin | 0 | ||||||||||
| 30200 | Tilman | Küntzel | Lights & Sounds by Tilman Küntzel | 1998 - 2004 | Klangkunst, Installation | 1998 - 2004 | various places | 0 | |||||||||||
| 30175 | Tilman | Küntzel | Lodz-Manhattan | 1990 | Klangkunst, Installation | 3:46:00 | 0 | ||||||||||||
| 30180 | Tilman | Küntzel | Lomotors Rede | 1986/1987 | audiovisuell, live-elec, | 11:30:00 | 0 | ||||||||||||
| 30151 | Tilman | Küntzel | Lonesome Gambler | 1999 | Klangkunst, Installation | 2:31:00 | 0 | ||||||||||||
| 30165 | Tilman | Küntzel | Loomer Chairs Remix | 1996 | Klangkunst, Installation | 2:47:00 | 1996 | Galerie Grenzraum, Frankfurt /O | 0 | ||||||||||
| 30199 | Tilman | Küntzel | Lüster | 2003 - 2010 | Klangkunst, Installation | 21 Tracks | Kehrer Verlag ISBN 978-3-939583-23-3/ | 2003 - 2010 | various places | 1 | |||||||||
| 30181 | Tilman | Küntzel | Lumiy Requiem Come until you go | 1986 | fixed media, akusmatisch | 43:00:00 | GMEM Marseille | 0 | |||||||||||
| 30187 | Tilman | Küntzel | Maßnahmen zur Instandhaltung des Klangkörpers Fan | 2006 | Klangkunst, Installation | WM '06-Projekt | 2006 | Sonambiente Berlin | 0 | ||||||||||
| 30222 | Tilman | Küntzel | Musique Béton | 2001 | Klangkunst, Installation | 8 au 30 septembre 2001 | Centre Plastique Contemporaire de Albert Chanot, Paris-Clamart | 0 | |||||||||||
| 30198 | Tilman | Küntzel | Neophonie, Lights and Sounds | 2001 - 2010 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 2001 - 2010 | various places | 0 | ||||||||||
| 30208 | Tilman | Küntzel | Neuronale Netzstruktur | 2007 | Klangkunst, Installation | 2007 | Zentrum für Biochemie und Molekulare Zellforschung, Universität Freiburg | 0 | |||||||||||
| 30154 | Tilman | Küntzel | No jumping up and down on the beds | 1999 | Performance | 32:20 | 2 perf [Performer] | 0 | |||||||||||
| 30137 | Tilman | Küntzel | Nummer Neun | 2007 | radiophon | 2:00:00 | SWR | Donaueschinger Musiktage 2007 - Audioguide | 0 | ||||||||||
| 30168 | Tilman | Küntzel | Paul Panhuysen - Tilman Küntzel Improvisation | 1993 | radiophon | 22:21:00 | 1993 | Radio Lodz, Lodz | 0 | ||||||||||
| 30172 | Tilman | Küntzel | Penguin in Wonderland | 1992 | Klangkunst, Installation | 8:04:00 | FORUM JUNGER KUNST, 1991 | 0 | |||||||||||
| 30231 | Tilman | Küntzel | Penis Dimension | 1995 | Klangkunst, Installation | The 10th Cracowian meetings | 1995 | Galeria Bunker, Cracow (Pl) | 0 | ||||||||||
| 30171 | Tilman | Küntzel | Phoneme - Morpheme - Prosodie | 1993 | Klangkunst, Installation | 2:33:00 | July 1993 | Het Apollohuis, Eindhoven | 0 | ||||||||||
| 30205 | Tilman | Küntzel | Phoneme – Morpheme – Prosodie | 1993 - 1994 | Klangkunst, Installation | 1993 - 1994 | various places | 0 | |||||||||||
| 30227 | Tilman | Küntzel | Polyrhythmic Soundscapes | 1997 | Klangkunst, Installation | Max Mueller Bahawan New Dehli | 1997 | (Goethe- Institute), New Delhi, India | 0 | ||||||||||
| 30196 | Tilman | Küntzel | Punktierte Lärmkompensation für Hot Spots | 2007 | Klangkunst, Installation | 2007 | Künstlergut Prösitz, Mutzschen | 0 | |||||||||||
| 30166 | Tilman | Küntzel | Quintett for Piezos | 1995 | Klangkunst, Installation | 2:45:00 | 0 | ||||||||||||
| 30176 | Tilman | Küntzel | Reise durch das hohe Innere | 1990 | Klangkunst, Installation | 45:00:00 | 0 | ||||||||||||
| 30192 | Tilman | Küntzel | Risk your Skin | 2009 | Klangkunst, Installation | Luleo Art Biennale | 2009 | Luleo, Sweden | 0 | ||||||||||
| 30150 | Tilman | Küntzel | Roseboard | 2001 | Klangkunst, Installation | 5:29:00 | 2001 | Cracow | 0 | ||||||||||
| 30207 | Tilman | Küntzel | Ruhepunkte durch Lärmkompensation | 2007 | Klangkunst, Installation | 2007 | Stadt Duisburg | 0 | |||||||||||
| 23160 | Tilman | Küntzel | Seismofonie | 2002 | Klangkunst, Installation | 33:32 | akusmatische Klanginstallation | Deutscher Klangkunstpreis 2002 in Marl | 1 | http://www.tkuentzel.de/ | |||||||||
| 30146 | Tilman | Küntzel | Seismophonie | 2002 | Klangkunst, Installation | 33:46:00 | 2002 | Rathaus Marl | Preisträgerprojekt Deutscher Klangkunst-Preis 2002, Skulpturenmuseum Glaskasten Marl | 0 | |||||||||
| 30147 | Tilman | Küntzel | Simple Harmonic Motion | 2002 | Klangkunst, Installation | 4:33:00 | Homage an "4,33" von John Cage | 0 | |||||||||||
| 30142 | Tilman | Küntzel | Singing Balloons | 2005 | Klangkunst, Installation | 3:27:00 | 2005 | Festival g-Garage Stralsund im Speicher 9 am alten Hafen. | 0 | ||||||||||
| 30145 | Tilman | Küntzel | Solar Knocker | 2003 | Klangkunst, Installation | 2:30:00 | 2003 | Festival Denkmalschmiede Kaditzsch | 0 | ||||||||||
| 30215 | Tilman | Küntzel | Solar Knockers | 2003 | Klangkunst, Installation | (( Echo )) Festival Denkmalschmiede | 2003 | Kaditzsch /Grimma | 0 | ||||||||||
| 30235 | Tilman | Küntzel | Sometimes it must be red Lips, sometimes it must be red Apples | 1992 | Klangkunst, Installation | 1992 | Galeria AT Posnan (Pl) | 0 | |||||||||||
| 34255 | Tilman | Küntzel | Sonic Eye | 2010 | Klangkunst, Installation | Stereo | audiovisuelle Installation, Beamer, Endlosschleife | 0 | http://www.adk.de/de/projekte/2015/Kontakte/teaser_17.htm | ||||||||||
| 30210 | Tilman | Küntzel | Stacja Paliw | 2007 | Klangkunst, Installation | Octo | 7th Baltic Biennale of Contemporary Art | 4.08. - 9.09.2007 | Nationalmuseum Sztettin (Pl) | 0 | |||||||||
| 28388 | Tilman | Küntzel | Stare über Berlin, Stare am Dom Remix |
2003 - 2004 | Klangkunst, Installation | 36 | zum gleichnamigen Symposium 3.-5.9.2004 | 1 | http://www.tkuentzel.de/ | ||||||||||
| 30139 | Tilman | Küntzel | Stratja Paliw | 2007 | Klangkunst, Installation | 23 | Octo | 2007 | National Museum in Szczecin, Akusmatische Inszenierung und Lichtinstallation an der Tankstation "Stacja Paliw" | 0 | |||||||||
| 30183 | Tilman | Küntzel | Studie für Geräuscherzeuger | 1984 | Klangkunst, Installation | 5:45:00 | 0 | ||||||||||||
| 30182 | Tilman | Küntzel | Studie in drei Teilen | 1985 | Performance | 12:00:00 | fl, vc, p, 2 perc, Sp [Sprecher, Flöte, Piano, Schlagzeug, Cello] | 0 | |||||||||||
| 30136 | Tilman | Küntzel | Synchronous Recordings (Breat Briten Games) | 2008 | Klangkunst, Installation | 8:36:00 | Octo | 4.7. - 6.7. 2008 | Expo Brighton | 0 | |||||||||
| 30134 | Tilman | Küntzel | Synchronous Recordings (International Collection) | 2008 | Klangkunst, Installation | 48:00:00 | Octo | MuseumsQuartier Wien für TONSPUR 24 | 0 | ||||||||||
| 30135 | Tilman | Küntzel | Synchronous Recordings (Spain Games) | 2008 | Klangkunst, Installation | 10:20:00 | Octo | 13./14./15. März 2008 | für Festival Zeppelin "El So Dins la Cova" Barcelona | 0 | |||||||||
| 30158 | Tilman | Küntzel | Talking Birds | 1998 | fixed media, akusmatisch | 7:30:00 | 0 | ||||||||||||
| 30217 | Tilman | Küntzel | The Globe | 2002 | Klangkunst, Installation | Projects on the crossboard between Science and Art, | Brandenburgischer Kunstverein, Potsdam | 1. November 2002 | Haus der Brandenburgisch-Preussischen Geschichte, Kutschstall, Am Neuen Markt, Potsdam | 0 | |||||||||
| 30156 | Tilman | Küntzel | The Harbour Symphony | 1998 | Klangkunst, Installation | 6:08:00 | Hafen von St. John's | 0 | |||||||||||
| 30194 | Tilman | Küntzel | The missing Link | 2009 | Klangkunst, Installation | Psychologisches Seminar | 2009 | Zürich | 0 | ||||||||||
| 30201 | Tilman | Küntzel | The shouting Christmas Stars | 1995 - 2000 | Klangkunst, Installation | 1995 - 2000 | various places | 0 | |||||||||||
| 30157 | Tilman | Küntzel | The singing Windsocks | 1998 | Klangkunst, Installation | 2:56:00 | 1998 | Signal Hill Monument St. John's, Newfoundland, | 0 | ||||||||||
| 30228 | Tilman | Küntzel | The Sound of Horror Vacui | 1996 | Klangkunst, Installation | 1996 | Produzentengalerie, Kassel | 0 | |||||||||||
| 30203 | Tilman | Küntzel | The Sound of Hyperreal Fetishes | 1995 - 1999 | Klangkunst, Installation | 1995 - 1999 | various places | 0 | |||||||||||
| 37489 | Tilman | Küntzel | The sound of light | 2017 | Klangkunst, Installation | ∞ | 24 Tracks | August-September 2017 | Zentrum für internationale Lichtkunst Unna | Internationalen Light Art Award Unna 2017 | 0 | http://www.lichtkunst-unna.de/ | |||||||
| 30169 | Tilman | Küntzel | The Sound of Loomer Chairs | 1993 | Klangkunst, Installation | 3:26:00 | Lodz | 0 | |||||||||||
| 30229 | Tilman | Küntzel | The Sound of Meredian Crossings | 1995 | Klangkunst, Installation | The Hermes Foundation | 1995 | Klaster Plasy, Plasy (Cz) | 0 | ||||||||||
| 30204 | Tilman | Küntzel | The Sounding Gardengnome | 1993 - 1995 | Klangkunst, Installation | 1993 - 1995 | various places | 0 | |||||||||||
| 30236 | Tilman | Küntzel | The Sounding Mobilé | 1989 | Klangkunst, Installation | 1989 | Hochschule für Bildende Künste, Hamburg | 0 | |||||||||||
| 30226 | Tilman | Küntzel | The sounding Windsocks | 1998 | Klangkunst, Installation | Sound Symposium 9 | 1998 | Signal Hill Monument, St. John's, Newfoundland, Canada | 0 | ||||||||||
| 30234 | Tilman | Küntzel | To find The Way | 1992 | Klangkunst, Installation | Mystic Perseveration and the Rose | 1992 | Sopot (Pl) | 0 | ||||||||||
| 30143 | Tilman | Küntzel | Tunes for Starlings | 2005 | Klangkunst, Installation | 1:20:00 | März - Juni 2005 | Botanischer Garten, Berlin-Dahlem | 0 | http://www.bgbm.org/bgbm | |||||||||
| 30225 | Tilman | Küntzel | Turbulenzen im Luftraum | 1998 | Klangkunst, Installation | 1998 | Jesteburg | 0 | |||||||||||
| 30189 | Tilman | Küntzel | Units für Stare - zum Lehren von Tonfolgen | 2003 - 2009 | Klangkunst, Installation | 2003 - 2009 | various places | 0 | |||||||||||
| 30131 | Tilman | Küntzel | Unusual tembre | 2009 | Klangkunst, Installation | 3:00:00 | 0 | ||||||||||||
| 30185 | Tilman | Küntzel | Viel Her (much ago) | 1984 | Performance | 6:10:00 | 0 | ||||||||||||
| 30164 | Tilman | Küntzel | Wenn ich ein Vöglein wär' | 1997 | radiophon | 5:17:00 | 0 | ||||||||||||
| 30173 | Tilman | Küntzel | Wir fangen das Mögliche | 1992 | Klangkunst, Installation | 34:20:00 | ZKM Karlsruhe | 0 | |||||||||||
| 30195 | Tilman | Küntzel | Wir sind Reichskristallnacht | 2008 | Klangkunst, Installation | Collegium Hungarium Berlin, der „Reichskristallnacht“ 1938 zum Gedenken | 2008 | Berlin | 0 | ||||||||||
| 30188 | Tilman | Küntzel | World Cup 06 - Synchronous Recordings | 2006 - 2010 | Klangkunst, Installation | 2006 - 2010 | various places | 0 | |||||||||||
| 30130 | Tilman | Küntzel | Zu den Sternen (terrestische Invasion) | 2011 | Klangkunst, Installation | 14:59:00 | 0 | ||||||||||||
| 8805 | Leo | Küpper | Aérosons | 1982 | fixed media, akusmatisch | 14:30 | Stereo, Quadro | PS SRSEA | 0 | ||||||||||
| 8806 | Leo | Küpper | After follows before | 1971 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | DGG 2561111/ | PS SRSEA | 0 | |||||||||
| 8807 | Leo | Küpper | Amkéa | 1984 | fixed media, akusmatisch | 28 | Quadro | Igloo 032/ Pogus 018/ | PS SRSEA | 0 | |||||||||
| 20376 | Leo | Küpper | Arbre-jeux de Rabelais | 1993 | fixed media, akusmatisch | 8:45 | Stereo | LDC 2781105/ | PS SRSEA | 0 | |||||||||
| 8808 | Leo | Küpper | Automatismes sonores | 1971 | live-elec, 1 perf | 25:42 | Stereo | com [computer] | txtcompo, Com - proc, Kupper, Virasoro | DGG 2561111/ SR 184 sub rosa/ | PS SRSEA | 1 | http://subrosa.itcmedia.net/en/catalogue/early-electronic-music/leo-kupper.html | ||||||
| 21904 | Leo | Küpper | Avichants | 1992 | Zuspiel / Tonband, 1 perf | 16:40 | S [Sopran] | chants d'oiseaux travaillés à l'ordinateur | IMEB Bourges | 0 | |||||||||
| 8809 | Leo | Küpper | Chimigramme de Cordier | 1962 | Film | 3:00 | Mono | PS Apelac | 0 | ||||||||||
| 8810 | Leo | Küpper | De I.S.R. Metode (Information, Selection, Reaction) | 1964 | Film | 15:00 | Mono | PS Apelac | 0 | ||||||||||
| 8811 | Leo | Küpper | De Zuilen van het Kwaliteitsbeleid | 1965 | Film | 25:00 | Mono | PS Apelac | 0 | ||||||||||
| 8812 | Leo | Küpper | Dodécagone | 1977 | Zuspiel / Tonband, 20 perf | Stereo | S, 19 V [Sopran, Stimme] | micro-sons phonétiques | DGG 2561111/ | PS SRSEA | 0 | ||||||||
| 20377 | Leo | Küpper | Electro-Acoustic Santur | 1989 | Zuspiel / Tonband, 2 perf | 12:59 | Stereo | 2 santur, (4 DSP) [Streicher] | Pogus 21009-2/ Pogus 009/ | PS SRSEA | 1 | ||||||||
| 8813 | Leo | Küpper | Electro-Poème | 1967 | live-elec, 1 perf, 1 group | 6:00 | Vs [Stimme] | txtcompo | DGG 2561111/ SR 184 sub rosa/ SR 270 sub rosa/ | PS SRSEA | 1 | http://subrosa.itcmedia.net/en/catalogue/early-electronic-music/leo-kupper.html | |||||||
| 8814 | Leo | Küpper | Electropoème I, sur un poème d'André Desramaux | 1965 | Zuspiel / Tonband, 6 perf | 10:00 | Stereo + Stereo + Stereo | 6 Sp [Sprecher] | txtcompo; 6 recitants on tape | PS Apelac | 0 | ||||||||
| 8815 | Leo | Küpper | Electrosons | 1963 | fixed media, akusmatisch | 4:00 | Mono | PS Apelac | 0 | ||||||||||
| 8816 | Leo | Küpper | Guitarra Cubana | 1988 | Zuspiel / Tonband, 1 perf | 11:35 | Stereo | gui [Gitarre] | DGG 2561111/ Pogus 21009-2/ Pogus 009/ | PS SRSEA | 1 | ||||||||
| 20378 | Leo | Küpper | Inflexions Vocales | 1982 | Zuspiel / Tonband, 1 perf | 21:35 | Stereo, Quadro | V [Stimme] | Pogus 21009-2/ Pogus 009/ | PS SRSEA | 1 | ||||||||
| 22117 | Leo | Küpper | Innomine | 1974 | fixed media, akusmatisch | 20:06 | Stereo | LDC 278072/73 Cultures Electroniques 14/ SR 184 sub rosa/ | PS SRSEA | Bourges 2000 4th prize at the Bourges Comp. 1974 |
1 | http://subrosa.itcmedia.net/en/catalogue/early-electronic-music/leo-kupper.html | |||||||
| 8818 | Leo | Küpper | Interlude pour la télevision | 1962 | Fernsehen, | 3:00 | Mono | PS Apelac | 0 | ||||||||||
| 8819 | Leo | Küpper | Kouros et Korè | 1979 | Zuspiel / Tonband, 1 perf | 23:30 | Stereo, Quadro | V [Stimme] | DGG 2561111/ | PS SRSEA | 0 | ||||||||
| 8822 | Leo | Küpper | L’Enfeu | 1982 | live-elec, 1 perf | V, (com) [Stimme] | PS SRSEA | 0 | |||||||||||
| 8823 | Leo | Küpper | Le Rêveur au sourire passager | 1977 | Zuspiel / Tonband, 1 perf | 24:12 | Stereo | Sp [Sprecher] | Pogus 21009-2/ Pogus 009/ | PS SRSEA, IMEB Bourges | IMEB Bourges | 1 | |||||||
| 8824 | Leo | Küpper | Litanea | 1986 | fixed media, akusmatisch | 18:00 | Stereo | LDC 278049/50 Cultures Electroniques 4/ | PS SRSEA | 1 | |||||||||
| 8825 | Leo | Küpper | Louanges d'Orient et d'Occident | 1980 | fixed media, akusmatisch | Stereo | DGG 2561111/ | PS SRSEA | Ministerium für Kultur | 0 | |||||||||
| 22848 | Leo | Küpper | Lumière sans Ombre | 1997 | fixed media, akusmatisch | Pogus 060/ | Competition Musica Nova Prag 1995 | 1 | |||||||||||
| 8826 | Leo | Küpper | Pulsion I | 1966 | live-elec, 1 perf, 1 group | 120:00 | 3 tracks | Sps [Sprecher] | PS SRSEA | 0 | |||||||||
| 8827 | Leo | Küpper | Puzzle sonore | 1960 | fixed media, akusmatisch | 9:20 | Mono | work in progress | PS Apelac | 0 | |||||||||
| 8828 | Leo | Küpper | Saint François d'Assise parlant aux oiseaux | 1975 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | DGG 2561111/ | 0 | ||||||||||
| 8829 | Leo | Küpper | Santur électroacoustique | 1988 | live-elec, 1 perf | santur [Streicher] | PS SRSEA | 0 | |||||||||||
| 8830 | Leo | Küpper | Sons électroniques | 1961 | fixed media, akusmatisch | 3:00 | Mono | PS Apelac | 0 | ||||||||||
| 8821 | Leo, Exequiel, Jean-Claude | Küpper, Virasoro, Frison | L'Enclume des Forces | 1971 | live-elec, 1 perf | 12:45 | com [computer] | txtcompo | DGG 2561111/ SR 184 sub rosa/ | PS SRSEA | 1 | http://subrosa.itcmedia.net/en/catalogue/early-electronic-music/leo-kupper.html | |||||||
| 8831 | Martin | Kürschner | 6 1/2 | 1978 | fixed media, akusmatisch | synt | HfM Frankfurt | 0 | |||||||||||
| 8832 | Martin | Kürschner | Das Trockendock | 1974 | Zuspiel / Tonband, 1 perf | p [Piano] | HfM Frankfurt | 0 | |||||||||||
| 8833 | Eugénie | Kuffler | Eléments II | 1972 | Zuspiel / Tonband, 1 perf | fl [Flöte] | SMECA Paris | 0 | |||||||||||
| 8834 | Eugénie | Kuffler | Le rêve de Simeon | 1976 | fixed media, akusmatisch | 7:45 | Stereo | Étude de stage | INA • GRM | 27.8.1976 | Paris, Th. Récamier | 0 | |||||||
| 40771 | Eugénie, Philippe | Kuffler, Drogoz | cinq Journees | 1977 | radiophon | 54:36 | INA • GRM | 20.-24.6.1977 | ORTF France-Musique | 0 | |||||||||
| 40764 | Eugénie, Philippe | Kuffler, Drogoz | Lady Piccolo et le Violon fantôme | 1976 | Theatermusik | 24:17 | INA • GRM | août 1976 | Avignon, Festival | 0 | |||||||||
| 40770 | Eugénie, Philippe | Kuffler, Drogoz | Mais ou est passee Lady Piccolo? | 1977 | radiophon | 28:30 | INA • GRM | INA • GRM | juin 1977 | ORTF France-Culture | 0 | ||||||||
| 26192 | Rolf | Kuhl | Melodie auf Abwegen | 1965 | Fernsehen, | Mono | Subharchord | RFZ Berlin | 0 | ||||||||||
| 8835 | Rolf | Kuhl | Sorgenkinder | 1964 | Fernsehen, | 5:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 8836 | Hans Peter | Kuhn | 1000-Fache Zustimmung | 1991 | Klangkunst, Installation | 15:00 | 14 Tracks | PS C. | 0 | ||||||||||
| 8837 | Hans Peter | Kuhn | 25 RAUSCHEN | 1988 | radiophon | 18:43 | Stereo | PS C. | 1 | ||||||||||
| 8838 | Hans Peter | Kuhn | ACHTUNDACHT (für Irene) | 1988 | Klangkunst, Installation | 20:00 | Octo | 8 slide projections | PS C. | 0 | |||||||||
| 8839 | Hans Peter | Kuhn | America | 1992 | Performance | 2:00 | 10 Tracks | PS C. | 0 | ||||||||||
| 8840 | Hans Peter | Kuhn | Americium 225'89 | 1988 | Tanz | 54:00 | Stereo | Dance-music for Suzushi Hanayagi | PS C. | 0 | |||||||||
| 8841 | Hans Peter | Kuhn | AMERICUM 1931-90 | 1990 | Tanz | 56:00 | Stereo | PS C. | 0 | ||||||||||
| 8842 | Hans Peter | Kuhn | AUTOMUSIK | 1984 | Performance | 45:00 | Stereo | soundperformance | PS C. | 0 | |||||||||
| 19075 | Hans Peter | Kuhn | Ballett | 1996 | Klangkunst, Installation | 0:31 | Sonambiente Ausstellung (1996) Katalog S.85 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 8843 | Hans Peter | Kuhn | Bewegte Töne sind leichter zu orten | 1993 | Klangkunst, Installation | 15:00 | Octo | with Robert Wilson | PS C. | 0 | |||||||||
| 8845 | Hans Peter | Kuhn | CASA GRANDE | 1987 | Klangkunst, Installation | 30:00 | Stereo, Quadro | Casa grande in 2 parts | PS C. | 0 | |||||||||
| 23161 | Hans Peter | Kuhn | Chidori II - a so? | 1999 | Tanz | 4:33 | 6 | Kehrer Verlag ISBN 3-933257-33-8/ | PS | 1 | |||||||||
| 8846 | Hans Peter | Kuhn | Close To The Ground | 1991 | audiovisuell | 16:00 | Stereo | Dancevideo | PS C. | 0 | |||||||||
| 8847 | Hans Peter | Kuhn | Completely Birdland | 1991 | Tanz | 26:37 | Stereo | PS C. | 0 | ||||||||||
| 8849 | Hans Peter | Kuhn | Deep Field Line | 1993 | Tanz, 2 perf | 21:00 | Octo | db, tpt [Trompete, Kontrabass] | PS C. | 0 | |||||||||
| 8850 | Hans Peter | Kuhn | Diagonale | 1991 | Klangkunst, Installation | 6:00 | Octo | PS C. | 0 | ||||||||||
| 23162 | Hans Peter | Kuhn | Die Argonauten | 1998 | Theatermusik | 2:02 | Für "Der Ozeanflug" u.a. mit dem Text "Landschaft mit Argonauten" von Heiner Müller | Kehrer Verlag ISBN 3-933257-33-8/ | PS | 1 | |||||||||
| 8853 | Hans Peter | Kuhn | Dr. Faustus Light The Light | 1992 | Musiktheater | 80:00 | Stereo | PS C. | 0 | ||||||||||
| 35194 | Hans Peter | Kuhn | Dr. Faustus Lights the Lights | 1992 | Theatermusik | Text by Gertrude Stein | April 1992 | Hebbeltheater Berlin | 0 | ||||||||||
| 35157 | Hans Peter | Kuhn | drehung | 2016 | Klangkunst, Installation | audiovisuell |
∞ | Octo | 26.11.2016 -15.01.2017 | Kunstraum Kreuzberg/Bethanien Room 11, Berlin |
0 | |||||||||
| 8854 | Hans Peter | Kuhn | end of transmission | 1984 | fixed media, akusmatisch | 30:00 | Stereo | PS C. | 0 | ||||||||||
| 35187 | Hans Peter | Kuhn | Endspiel, Endgame | 1967/2016 | Theatermusik | ≈ 90 | multichannel | Übersetzung von Elmar Tophoven | 3.12.2016 | Berliner Ensemble, Robert Wilson; mit Martin Schneider, Georgios Tsivanoglou, Traute Hoess, Jürgen Holtz | 0 | https://de.wikipedia.org/wiki/Endspiel_(Beckett) | |||||||
| 8855 | Hans Peter | Kuhn | Essen & Hören | 1988 | Klangkunst, Installation | 30:00 | 10 Tracks | PS C. | 0 | ||||||||||
| 8856 | Hans Peter | Kuhn | Fassungslos | 1988 | Klangkunst, Installation | 30:00 | 6 | PS C. | 0 | ||||||||||
| 8857 | Hans Peter | Kuhn | FIVE FLOORS | 1992 | Klangkunst, Installation | 30:00 | 28 Tracks | HPK 01/ | PS C. | 0 | |||||||||
| 23163 | Hans Peter | Kuhn | Gelbe Musik | 1998 | Klangkunst, Installation | 3:55 | Für Ladengalerie Ursula Block "Gelbe Musik", Berlin, Schaperstr. | Kehrer Verlag ISBN 3-933257-33-8/ | PS | 1 | |||||||||
| 8858 | Hans Peter | Kuhn | Glashafen | 1987 | Klangkunst, Installation | 30:00 | 13 Tracks | PS C. | 0 | ||||||||||
| 8859 | Hans Peter | Kuhn | Gute Worte | 1992 | Klangkunst, Installation | 15:00 | Quadro | PS C. | 25.9.1992 | Berlin, Festival SprachTonArt der BGNM im Podewil Klosterstraße 68 | 0 | ||||||||
| 35195 | Hans Peter | Kuhn | Hamlet | 1995 | Theatermusik | perf [Performer] | Based on the play by William Shakespeare. Adaptation by Robert Wilson and Wolfgang Wiens | 24.5.1995 | Alley Theatre Houston, TX; performed by Robert Wilson | 0 | http://www.robertwilson.com/hamlet-a-monologue | ||||||||
| 18902 | Hans Peter | Kuhn | HP´s Estacionamento | 1994 | fixed media, akusmatisch | 10:35 | im Rahmen eines Projektes des Goethe Instituts unter der Ltg. von H. Westerkamp; Technik von NOS (M. Fahres, van de Poel) | Goethe Institut Brasilia/ | NOS Hilversum | 1 | |||||||||
| 8860 | Hans Peter | Kuhn | Im Fluß | 1989 | Klangkunst, Installation | 30:00 | Octo | PS C. | 0 | ||||||||||
| 8861 | Hans Peter | Kuhn | La femme a la Cafetiere | 1989 | audiovisuell | 7:18 | Stereo | PS C. | 0 | ||||||||||
| 34759 | Hans Peter | Kuhn | Landschaft | 2001 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 28.9.-28.10.2001 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 23164 | Hans Peter | Kuhn | Memory / Loss | 1993 | Klangkunst, Installation | 12:02 | Octo | Zusammenarbeit mit Robert Wilson | Kehrer Verlag ISBN 3-933257-33-8/ | PS | Goldener Löwe der Biennale Venedig 1993 | 1 | |||||||
| 8863 | Hans Peter | Kuhn | Mr. Bojangles Memory | 1991 | Klangkunst, Installation | 30:00 | 12 Tracks | with Robert Wilson | REF 1991/ | PS C., IRCAM | 0 | ||||||||
| 23165 | Hans Peter | Kuhn | Nussbaumgang | 1998 | Klangkunst, Installation | 5:21 | Klanginstallation für die Einweihung des Felix-Nussbaum-Museums in Osnabrück, Architekt Liebeskind; mit politischem Bezug zur Ermordung von Nussbaum in Auschwitz. | Kehrer Verlag ISBN 3-933257-33-8/ | PS | 1 | |||||||||
| 35193 | Hans Peter | Kuhn | Orlando | 1989 | Theatermusik | Based on the novel by Virginia Woolf | 1989 | Schaubühne am Lehniner Platz Berlin, Jutta Lampe | 0 | ||||||||||
| 34758 | Hans Peter | Kuhn | Raster | 2001 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 28.9.-28.10.2001 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 23166 | Hans Peter | Kuhn | Rauschen | 1988 | radiophon | 18:17 | "ein Museum des Rauschens" | Kehrer Verlag ISBN 3-933257-33-8/ | PS | 0 | |||||||||
| 8864 | Hans Peter | Kuhn | REQUIAIR, (Version A + Version B) | 1992 | Tanz | 58:48 | Stereo, Octo | PS C. | 0 | ||||||||||
| 37675 | Hans Peter | Kuhn | Richtungsweisend | 2017 | audiovisuell | ∞ | Octo | 4-Kanal-Video- und 8-Kanal-Klanginstallation | 28.9.2017 - 1.10.2017 | Kontakte17 Festival, AdK Berlin, Ausstellungsfoyer | 0 | ||||||||
| 8865 | Hans Peter | Kuhn | Riverrun, (Version A + Version B) | 1993 | Tanz | 57:10 | Stereo, Octo | PS C. | 0 | ||||||||||
| 23068 | Hans Peter | Kuhn | rot gelb blau | 1997 | Klangkunst, Installation | WDR 1997 | 1997 | Witten | 0 | ||||||||||
| 35196 | Hans Peter | Kuhn | Saints And Singing - An Operetta | 1997 | Theatermusik | after Gertrude Stein (text) | 4.11.1997 | Hebbel-Theater Berlin | 0 | ||||||||||
| 22495 | Hans Peter | Kuhn | Scanner | 2001 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory; Teil CD-ROM, Teil Audio-CD; Windows und Mac | MF 0002-2/ | Mattress Factory | 1 | ||||||||||
| 8867 | Hans Peter | Kuhn | Spatial Decay, (Version A + Version B) | 1990 | Tanz | 72:00 | Stereo, Octo | PS C. | 0 | ||||||||||
| 8868 | Hans Peter | Kuhn | Sprünge | 1992 | Klangkunst, Installation | 30:00 | 12 Tracks | PS C. | 0 | ||||||||||
| 8870 | Hans Peter | Kuhn | STILLE, NACHT | 1991 | Performance | 20:00 | Octo | PS C. | 0 | ||||||||||
| 23167 | Hans Peter | Kuhn | Stormgarden | 1996 | Tanz | 27:16 | für den Tänzer und Choreografen Laurie Booth | Kehrer Verlag ISBN 3-933257-33-8/ | PS | 1 | |||||||||
| 8871 | Hans Peter | Kuhn | STRAIGHT LINE | 1992 | Klangkunst, Installation | 7:00 | Octo | PS C. | 0 | ||||||||||
| 35190 | Hans Peter | Kuhn | the CIVIL warS, a tree is best measured when it is down | 1982 - 1985 | Theatermusik | 1982-85 | Rotterdam, Köln, Tokyo, Marseille, Rom, Cambridge MA | 0 | |||||||||||
| 8874 | Hans Peter | Kuhn | The Night Before The Day | 1991 | Klangkunst, Installation | 30:00 | 27 Tracks | with Robert Wilson | M 02 Museum of Fine Arts Boston/ | PS C. | 1 | ||||||||
| 8875 | Hans Peter | Kuhn | TIER UND INDUSTRIE | 1990 | Performance | 25:00 | 6 | PS C. | 0 | ||||||||||
| 37632 | Hans Peter | Kuhn | Übergang [Transition] | 2017 | Klangkunst, Installation | 16 Tracks | Berliner Festspiel GmbH | 12.4.2017 - 5.11.2017 | Martin Gropius Bau Berlin in der Ausstellung „Der Luthereffekt“ | 0 | http://hanspeterkuhn.com/installations/ubergang-transition/ | ||||||||
| 8876 | Hans Peter | Kuhn | UNTILED | 1992 | Klangkunst, Installation | 15:00 | 10 Tracks | PS C. | 0 | ||||||||||
| 8877 | Hans Peter | Kuhn | VOICES | 1993 | audiovisuell | 7:00 | Stereo | PS C. | 0 | ||||||||||
| 8878 | Hans Peter | Kuhn | Vor Tagesanbruch | 1989 | Klangkunst, Installation | 15:00 | Quadro | PS C. | 0 | ||||||||||
| 8873 | Hans Peter, Simon | Kuhn, Biggs | THE GOLEM | 1988 | Klangkunst, Installation | 12:00 | 12 Tracks | Video-Klang-Installation | PS C. | 0 | |||||||||
| 35189 | Hans Peter, Gavin | Kuhn, Bryars | Die Goldenen Fenster, The Golden Windows | 1982 | Theatermusik | 1982 | Kammerspiele München | 0 | |||||||||||
| 35191 | Hans Peter, Gavin | Kuhn, Bryars | The Golden Windows, Die Goldenen Fenster | 1985 | Theatermusik | 1985 | Brooklyn Academy of Music, New York | 0 | |||||||||||
| 8866 | Hans Peter, Martin | Kuhn, Burckhardt | RUSH / HOUR - da wo die menschen sind | 1984 | radiophon | 59:20 | Stereo | PS C. | 0 | ||||||||||
| 8872 | Hans Peter, Martin | Kuhn, Burckhardt | TASSO.EIN TORSO. | 1986 | radiophon | 52:20 | Stereo | PS C. | 0 | ||||||||||
| 35188 | Hans Peter, Alan | Kuhn, Lloyd | Death, Destruction & Detroit, Death, Destruction & Detroit II | 1979/1987 | Theatermusik | 1979 1987 |
Schaubühne am Halleschen Ufer Berlin Schaubühne Am Lehniner Platz Berlin |
0 | |||||||||||
| 8848 | Hans Peter, Benoit | Kuhn, Maubrey | Das Audio-Cafe | 1984 | Klangkunst, Installation | 12:00 | 6 | PS C. | 0 | ||||||||||
| 8851 | Hans Peter, Benoit | Kuhn, Maubrey | Die Audio Uniform | 1985 | intermedia | 30:00 | 10 Tracks | PS C. | 0 | ||||||||||
| 8852 | Hans Peter, Benoit | Kuhn, Maubrey | Die Audio-Badewanne | 1984 | Klangkunst, Installation | 30:00 | Stereo | PS C. | 0 | ||||||||||
| 8869 | Hans Peter, S. | Kuhn, Pochhammer | STILLE | 1991 | radiophon | 35:48 | Stereo | PS C. | 0 | ||||||||||
| 8879 | Rochus | Kuhn | 6.42 | 1970 | Zuspiel / Tonband, 1 perf | 6:42 | Quadro | perc [Schlagzeug] | Sonology Utrecht | 0 | |||||||||
| 40096 | Melissa | Kuik | Björn | 2017 | audiovisuell | Melissa Kuik | 0 | ||||||||||||
| 22791 | Jan, Jos | Kuipers, Witsenburg | Anagram | 1995 | Klangkunst, Installation | 12:29 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | Sonology Den Haag | 1 | |||||||||
| 22389 | Ron | Kuivila | Engel in Erdton | 2000 | Klangkunst, Installation | ∞ | ed. rz 10013 parallele 13 Inventionen 2000/ | Inventionen 2000 | 1 | 2000 | |||||||||
| 34761 | Ron | Kuivila | Getting to Know You | 2000 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 10.5.-12.6.2000 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 19039 | Ron | Kuivila | Hothouse | 1996 | Klangkunst, Installation | 0:58 | Sonambiente Ausstellung (1996) Katalog S.58 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 24135 | Ron | Kuivila | Il Giardino di Babele | 1990 | Klangkunst, Installation | ∞ | Soundinstallation Torre S. Niccolo | Tempo Reale Firenze | 0 | ||||||||||
| 22390 | Ron | Kuivila | Impulsive Arcs | 1998 | Performance | 15:00 | Stereo | Konzert Sophiensaele 22.6.2000 | ed. rz 10013 parallele 13 Inventionen 2000/ | 1 | 2000 | ||||||||
| 8880 | Ron | Kuivila | Loose Canons | 1988 | live-elec, | 2:58 | Kitchen 88, live | Nonesuch 9 79235-2, Imaginary Landscapes/ WER 20692/ | Apollohuis Eindhoven | 1 | |||||||||
| 23168 | Ron | Kuivila | Outgoing Message / The Beatification of the Facsimile Tone | 2002 | live-elec, 1 perf | 30:00 | perf, (Telefonklingel) [Performer] | 1 | |||||||||||
| 23169 | Ron | Kuivila | Spark Vault | 2002 | Klangkunst, Installation | 12 Tracks | DAAD 205-1 ISBN 3-89727-259-8/ | Festival Inventionen DAAD/TU 2002 | 28.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 28535 | Ron | Kuivila | Study (in gray) | 2010 | fixed media, akusmatisch | 12:02 | 24 Tracks, Spazialisation: Ambisonics | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 0 | |||||||||
| 8881 | Emanuel | Kuksa | Huprolog Nr.1 | 1964 | fixed media, akusmatisch | 1:00 | Mono | first piece done in this studio | Radio Brno | 0 | |||||||||
| 8882 | Emanuel | Kuksa | Signature tune for the WorldCongress of Geneticians | 1964 | fixed media, akusmatisch | 1:00 | Mono | Radio Brno | 0 | ||||||||||
| 39128 | Hanna | Kulenty | Asjaawaa | 2001 | live-elec, 5 perf | Mez, fl, hp, p, perc [Mezzo, Flöte, Piano, Harfe, Schlagzeug] | 0 | ||||||||||||
| 39127 | Hanna | Kulenty | Lysanxia | 1994 | Zuspiel / Tonband, | gamelan ens [Ensemble] | 0 | ||||||||||||
| 39125 | Hanna | Kulenty | Prośba o słońce, Request for the Sun | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 39126 | Hanna | Kulenty | Przypowieść o ziarnie, Parable of the grain | 1985 | Zuspiel / Tonband, 5 perf | V (contralto), fl, vn, db, perc [Stimme, Flöte, Schlagzeug, Violine, Kontrabass] | monodrama, texts from Three Women by Sylvia Plath (Polish translation) | 0 | |||||||||||
| 19156 | Gary | Kulesha | Angels | 1983 | Zuspiel / Tonband, 1 perf | 11:18 | mar [Schlagzeug] | Centrediscs CMC 2786 Canadian Music Center/ | SFU | 1 | |||||||||
| 20375 | Gary | Kulesha | Toccata | 1989 | Zuspiel / Tonband, 1 perf | 12:04 | Stereo | perc [Schlagzeug] | CMC CD 4592/ | 0 | |||||||||
| 34534 | Igor | Kuljeric | Folk-Art | 1976 | fixed media, akusmatisch | 5 | Croatia Rec 6072965/ | 0 | |||||||||||
| 8883 | Igor | Kuljeric | Impulsi I | 1969 | Zuspiel / Tonband, 4 perf | 9:51 | str-qt [Streicher] | Croatia Rec 6072965/ | 0 | ||||||||||
| 8884 | Igor | Kuljeric | Incontri | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 8885 | Petri | Kuljuntausta | Between Life and Death | 1995 | fixed media, akusmatisch | Stereo | Yleisradio | 0 | |||||||||||
| 40840 | Petri | Kuljuntausta | Idea of Proof | 1999 | live-elec, 1 perf | V [Stimme] | Charm of Sound CSR 0199/ | 1 | |||||||||||
| 8886 | Petri | Kuljuntausta | Lux in tenebris | 1995 | fixed media, akusmatisch | Stereo | PKP-CD 103/ | Yleisradio | 0 | ||||||||||
| 8887 | Petri | Kuljuntausta | The Good and the Evil | 1995 | fixed media, akusmatisch | 10:40 | nordic ars acustica 95/ | Yleisradio | prize Sounding Isles 1995 | 1 | |||||||||
| 41409 | Petri | Kuljuntausta | Violin Tone Orchestra | fixed media, akusmatisch | Momentum | 0 | https://www.ckcufm.com/ | ||||||||||||
| 40842 | Petri, John | Kuljuntausta, Richardson | The Waiting Room | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 8888 | Jos | Kunst | Expulsion | 1968 | fixed media, akusmatisch | 9:00 | Stereo | PHI 6526004/ | Sonology Utrecht | 1 | |||||||||
| 8889 | Jos | Kunst | Exterieur | 1967 | fixed media, akusmatisch | 9:39 | Stereo | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Sonology Utrecht | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 42141 | Albrecht | Kunze | Ich auf der Tretmine | 2002 | radiophon | WDR | 0 | ||||||||||||
| 8890 | Tobias | Kunze | Melodies | 1996 | fixed media, akusmatisch | 20:00 | Octo | for 20 speakers | CCRMA | Folkmar Hein | 15.06.1996 | Inventionen Ballhaus Naunynstraße Berlin | 1 | 1996 | |||||
| 8891 | Tobias | Kunze | The Richard Tarleton collected piano books | 1991 | Zuspiel / Tonband, 2 perf, 1 group | 12:00 | Quadro | 2 p, ens [Piano, Ensemble] | TU Berlin | 8.-10.3.1991 | Kreuzberger Klangwerkstatt, Künstlerhaus Bethanien | 1 | |||||||
| 39230 | Slawomir | Kupczak | 4 tańce z przygrywką | 2014 | live-elec, 1 perf | acc, (elec) [Akkordeon] | 0 | ||||||||||||
| 39215 | Slawomir | Kupczak | Akwaforta | 2002 | Zuspiel, live-elec, 3 perf, 1 group | fem Vs, fls (ocarinas), rec [Stimme, Flöte] | 0 | ||||||||||||
| 39217 | Slawomir | Kupczak | Anafora IV | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 33159 | Slawomir | Kupczak | Anafora V | 2004 | live-elec, 1 perf | 12:02 | vc, (com) [Cello] | for cello and computer | WJ 2006 polmic 025/ | 1 | |||||||||
| 39226 | Slawomir | Kupczak | Analogya 1 | 2012 | live-elec, 2 perf, 2 groups | theremin, (analog) synts, chamber ens [synthesizer, Ensemble] | 0 | ||||||||||||
| 39229 | Slawomir | Kupczak | Analogya 2 | 2013 / 2014 | live-elec, 3 perf | 2 fl, p, (objects) (com) [Flöte, Piano] | 0 | ||||||||||||
| 39219 | Slawomir | Kupczak | Cetirizini dihydrochloridum | 2004 | fixed media, akusmatisch | 0 | |||||||||||||
| 39213 | Slawomir | Kupczak | Concertino | 2001 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 39220 | Slawomir | Kupczak | et cetera | 2005 | live-elec, 6 perf, 1 group | Vs, w-ins, str-qt (com) [Stimme, Bläser, Streicher] | 0 | ||||||||||||
| 39218 | Slawomir | Kupczak | Fluxus, stage piece | 2003 | live-elec, 5 perf, 1 group | fem Vs, vn, p, dancer, actor [Stimme, Piano, Violine, Schauspieler, Tanz] | 0 | ||||||||||||
| 39225 | Slawomir | Kupczak | Fryderyk Chopin. Ciennik osobisty | 2010 | Klangkunst, Installation | (live elec) [] | sound installation based on Chopin's letters | 0 | |||||||||||
| 39231 | Slawomir | Kupczak | II Symfonia | 2014 | live-elec, 2 perf | e-gui, perc, (elec, 100 motorcycles) [Gitarre, Schlagzeug] | 0 | ||||||||||||
| 39227 | Slawomir | Kupczak | KAPELUSZ | 2012 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 39228 | Slawomir | Kupczak | Krawędzie | 2013 | live-elec, 2 perf, 1 group | str-orc, perc, (elec) [Schlagzeug, Streicher] | 0 | ||||||||||||
| 39221 | Slawomir | Kupczak | Kreacja I (thinking of Tomasz Sikorski) | 2005 - 2006 | live-elec, 2 perf | rec, hpd, (elec) [Flöte, Cembalo] | 0 | ||||||||||||
| 39223 | Slawomir | Kupczak | Kreacja II | 2007 | live-elec, 3 perf | va da gamba, hpd, rec, (elec) [Flöte, Cembalo, Cello] | poem | 0 | |||||||||||
| 39222 | Slawomir | Kupczak | Lament | 2006 - 2007 | Zuspiel / Tonband, 3 perf, 1 group | fem Vs, vc, p [Stimme, Piano, Cello] | 0 | ||||||||||||
| 39224 | Slawomir | Kupczak | Novella | 2007 - 2009 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 39216 | Slawomir | Kupczak | Palimpsest | 2002 | Zuspiel / Tonband, 1 perf, 1 group | str-orc [Streicher] | 0 | ||||||||||||
| 39232 | Slawomir | Kupczak | Rysa | 2015 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 39214 | Slawomir | Kupczak | Silly Nilly | 2001 - 2002 | Zuspiel / Tonband, 2 perf, 1 group | str-orc, a-sax [Saxophon, Streicher] | 0 | ||||||||||||
| 33058 | Meyer | Kupferman | Superflute | 1971 | Zuspiel / Tonband, 1 perf | 12:55 | fl [Flöte] | Nonesuch H 71289/ | 0 | ||||||||||
| 8892 | Ladislav | Kupkovic | Alle die fallen | 1965 | radiophon | 2:50 | Mono | (Beckett) | CECM Bratislava | 0 | |||||||||
| 8893 | Ladislav | Kupkovic | B-Erinnerungen | 1970 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 40374 | Ladislav | Kupkovic | Bahnhofsangriff | fixed media, akusmatisch | undefiniertes Werk (aus den 60er Jahren) | WDR SEM | 0 | ||||||||||||
| 8894 | Ladislav | Kupkovic | Confessio | 1968/1969 | live-elec, | Stereo | CECM Bratislava | 0 | |||||||||||
| 8895 | Ladislav | Kupkovic | Das kleine Auto Kling-kling-kling | 1966 | Fernsehen, | 3:20 | CECM Bratislava | 0 | |||||||||||
| 8896 | Ladislav | Kupkovic | E-Musik | 1971 - 1972 | fixed media, akusmatisch | 23:40 | Quadro | WDR SEM | WDR 1972 | 5.6.1972 | "Musik der Zeit" Köln | 0 | |||||||
| 8897 | Ladislav | Kupkovic | Es ist nicht eine Schule wie andere | 1965 | Film | CECM Bratislava | 0 | ||||||||||||
| 8898 | Ladislav | Kupkovic | Etuda | 1968/1969 | live-elec, | Stereo | CECM Bratislava | 0 | |||||||||||
| 33350 | Ladislav | Kupkovic | Infarkty | 1964 | Film | 4:20 | Radio Bratislava | 0 | |||||||||||
| 8899 | Ladislav | Kupkovic | Intermezzo | 1968/1969 | live-elec, | 10:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8900 | Ladislav | Kupkovic | Intrada | 1973 | Zuspiel / Tonband, 1 perf, 1 group | br-ens [Bläser] | 0 | ||||||||||||
| 8901 | Ladislav | Kupkovic | Kolage | 1968/1969 | live-elec, | 9:42 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8902 | Ladislav | Kupkovic | Magazin | 1962 | Film | 2:45 | Radio Bratislava | 0 | |||||||||||
| 8903 | Ladislav | Kupkovic | Morceau de Genre | 1968/1969 | live-elec, | Stereo | CECM Bratislava | 0 | |||||||||||
| 33349 | Ladislav | Kupkovic | Nezmar hnrdy | 1961 | Film | 7:30 | Mono | Radio Bratislava | 0 | ||||||||||
| 8904 | Ladislav | Kupkovic | Otec turbin | 1964 | Film | 3:50 | Radio Bratislava | 0 | |||||||||||
| 8905 | Ladislav | Kupkovic | Preparovany text 1 (PT 1) | 1968/1969 | live-elec, 3 perf | 8:40 | Stereo | vn, 2 perc [Schlagzeug, Violine] | CECM Bratislava | 0 | |||||||||
| 8906 | Ladislav | Kupkovic | Preparovany text 1 (PT 2) | 1968/1969 | live-elec, | 7:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8908 | Ladislav | Kupkovic | Preparovany text 1 (PT 3 1/2) | 1968/1969 | live-elec, | 9:36 | Stereo | CECM Bratislava | 0 | ||||||||||
| 8907 | Ladislav | Kupkovic | Preparovany text 1 (PT 3) | 1968/1969 | live-elec, | Stereo | CECM Bratislava | 0 | |||||||||||
| 8909 | Ladislav | Kupkovic | Preparovany text 1 (PT 4) | 1968/1969 | live-elec, | Stereo | CECM Bratislava | 0 | |||||||||||
| 8910 | Ladislav | Kupkovic | R-Musik | 1971 | 0 | ||||||||||||||
| 8911 | Ladislav | Kupkovic | Reumaticka horucka | 1965 | Film | 3:10 | Radio Bratislava | 0 | |||||||||||
| 8912 | Ladislav | Kupkovic | Trenie | 1965 | Film | 2:30 | Radio Bratislava | 0 | |||||||||||
| 8913 | Ladislav | Kupkovic | Vianoce | 1968/1969 | live-elec, | Stereo | CECM Bratislava | 0 | |||||||||||
| 8914 | Ladislav | Kupkovic | Vyskum materiálov | 1964 | Film | 3:00 | Radio Bratislava | 0 | |||||||||||
| 8915 | Gedrius-Antanas | Kuprevicius | Svet zodiaka (Zodiacal Light) | 1986 | live-elec, 2 perf | p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 8916 | Erkki | Kurenniemi | Antropoidien Tanssi | 1968 | fixed media, akusmatisch | LRLP 4/ | 0 | ||||||||||||
| 36418 | Erkki | Kurenniemi | Carnaby Street, Sounds of An Electronic Instrument #4 | 1971 | live-elec, 1 perf | 4:07 | ins [Instrument] | Kiasma/ | Yleisradio | 0 | |||||||||
| 8917 | Erkki | Kurenniemi | Deal | 1972 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 36414 | Erkki | Kurenniemi | DEAL | 1971 | audiovisuell | 6:09 | Extracts on an intermedia composition DEAL, conceived by Erkki Kurenniemi in 1971. Reconstructed for Avanto - Helsinki Media Art Festival at Kiasma Theathre, Helsinki October 21, 2002 | Kiasma/ | Yleisradio | 0 | |||||||||
| 34545 | Erkki | Kurenniemi | Death | 1972 | fixed media, akusmatisch | 5:59 | Kiasma/ | Uni Helsinki | 0 | ||||||||||
| 36413 | Erkki | Kurenniemi | DIMI Ballet | 1971 | Performance | 10:27 | An improvised performance shot at Finnish Broadcasting Company YLE Pasila Studio 4, Helsinki, September 22, 1971. Used by courtesy of YLE TV-archive. | Kiasma/ | Yleisradio | 0 | |||||||||
| 36416 | Erkki | Kurenniemi | Florence, Firenze | 1969 | fixed media, akusmatisch | 9:15 | Prelude and The Tap recorded in 1969 and 1970 |
Kiasma/ | Yleisradio | 0 | |||||||||
| 36411 | Erkki | Kurenniemi | Future Is Not What It Used To Be, Tulevaisuus ei ole enään entisensä | 2002 | audiovisuell | 52:32 | Kiasma/ | Yleisradio | 0 | ||||||||||
| 8919 | Erkki | Kurenniemi | On-Off | 1963 | fixed media, akusmatisch | 13:00 | Mono | Kiasma/ | Uni Helsinki | 0 | |||||||||
| 36412 | Erkki | Kurenniemi | Pan Sonic Plays Kurenniemi | 2002 | audiovisuell | 52:32 | Kiasma/ | Yleisradio | 0 | ||||||||||
| 40865 | Erkki | Kurenniemi | Sähkösoittimen Ääniä #4 + #1 | fixed media, akusmatisch | 5:26 | SR 220 sub rosa/ | 0 | ||||||||||||
| 36417 | Erkki, Otto, Osmo, Markku, Hasse | Kurenniemi, Donner, Lineman, Mäkelä, Walli | The Punched Tape Of Life, Elämäni reikänauha | 1969 | live-elec, 1 group | 8:03 | ens [Ensemble] | Improvisation | Kiasma/ | Yleisradio | 0 | ||||||||
| 36415 | Erkki, Kari | Kurenniemi, Hakala | The Dreams of Sahara | fixed media, akusmatisch | 6:29 | Kiasma/ | Yleisradio | 0 | |||||||||||
| 8918 | Erkki, Jukka | Kurenniemi, Ruohomäki | Inventio-Outventio (after J. S. Bach) | 1970 | fixed media, akusmatisch | 3:00 | Musica DSS-1/ | 0 | |||||||||||
| 34548 | Erkki, Jukka | Kurenniemi, Ruohomäki | Mix Master Universe | fixed media, akusmatisch | 13:50 | Stereo | 2nd version | Uni Helsinki | 0 | ||||||||||
| 28417 | Ryoichi | Kurokawa | A Few Walks | 2005 | audiovisuell | 6:36 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 43128 | Ryoichi | Kurokawa | Rheo: 5 horizons | 2010 | audiovisuell | loop 8 | Auszeichnung ars electronica: Golden Nica 2010 | 0 | http://www.cimatics.com | ||||||||||
| 8921 | György | Kurtág Jr. | Interrogation | 1983 | Zuspiel / Tonband, 1 perf | 12:00 | sax [Saxophon] | IRCAM | 0 | ||||||||||
| 8922 | György | Kurtág Jr. | SCH No. 2 | 1977 | fixed media, akusmatisch | 7:10 | Stereo | MR Budapest | 0 | ||||||||||
| 8923 | György | Kurtág Jr. | Sonatine | 1978 | fixed media, akusmatisch | 11:40 | Stereo | MR Budapest | 0 | ||||||||||
| 8920 | György, György | Kurtág, Kurtág Jr. | Laika | 1991 | fixed media, akusmatisch | 3:50 | Stereo | MR Budapest | 0 | ||||||||||
| 31650 | György, György | Kurtág, Kurtág | Zwiegespräch | 1999 | live-elec, 4 perf | str-qt, (elec) [Streicher] | HSM Basel | 0 | |||||||||||
| 8924 | Addy | Kurth | Blues in ostinato | 1962 | fixed media, akusmatisch | 2:40 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 8925 | Addy | Kurth | Der faule Zauberer | 1963 | Film | 3:00 | Mono | Eterna 720205/ | RFZ Berlin | 0 | |||||||||
| 8926 | Addy | Kurth | Der Wettlauf | 1962 | Film | 6:00 | Mono | Subharchord | RFZ Berlin | „UNIATEC“, Moskau, 1962 als einziger deutscher Film mit Diplom | 0 | ||||||||
| 8933 | Addy | Kurth | Die Zenzi im Petticoat | 1964 | fixed media, akusmatisch | 0:50 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 8927 | Addy | Kurth | Ent- oder Weder | 1965 | Film | 8:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 8928 | Addy | Kurth | Gratulation und Harmonie | 1965 | Film | 8:35 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 8929 | Addy | Kurth | Intermezzo improvisamento | 1962 | fixed media, akusmatisch | 3:40 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 8930 | Addy | Kurth | Maß für Maß | 1963 | Film | 14:30 | Mono | Trickfilm; Subharchord | Eterna 720205/ | RFZ Berlin | 0 | ||||||||
| 8931 | Addy | Kurth | Melodie auf Abwegen | 1965 | Fernsehen, | 11:30 | Mono | RFZ Berlin | 0 | ||||||||||
| 8932 | Addy | Kurth | Zensurenschlacht | 1964 | Film | 3:30 | Mono | RFZ Berlin | 0 | ||||||||||
| 31518 | Daniel | Kurth | Souvenir der Eitelkeit | 2012 | Klangkunst, Installation | ∞ | next_generation 5.0 | HKB Bern | 0 | ||||||||||
| 33085 | Ivan | Kurz | Elektroakustická suita | 1976 | fixed media, akusmatisch | Radio Plzen | 0 | ||||||||||||
| 33083 | Ivan | Kurz | Pět elektronických etud | 1975 | fixed media, akusmatisch | Radio Plzen | 0 | ||||||||||||
| 33084 | Ivan | Kurz | Pět konkrétních etud | 1975 | fixed media, akusmatisch | Radio Plzen | 0 | ||||||||||||
| 8934 | Ivan | Kurz | Reverie | 1982 | fixed media, akusmatisch | 7:42 | Stereo | Radio Plzen | 0 | ||||||||||
| 8935 | Eduardo | Kusnir | Brindis XI | 1973 | fixed media, akusmatisch | 6:00 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 21905 | Eduardo | Kusnir | Chemin de Fer vers la Mer des Caraibes (hommage à Schaeffer) | 1996 | fixed media, akusmatisch | 3:25 | IMEB Bourges | 0 | |||||||||||
| 8936 | Eduardo | Kusnir | Como es Lily?, Lily I | 1985 | fixed media, akusmatisch | 10:28 | the same as "Lily I" | LDC 2781107/ | LIPM B.Aires | 1 | |||||||||
| 24801 | Eduardo | Kusnir | Juegos I | 1996 | Zuspiel / Tonband, 1 perf | 10:55:00 | p [Piano] | LDC 278063/64 Cultures Electroniques 10/ | IMEB Bourges | 0 | |||||||||
| 8937 | Eduardo | Kusnir | La Panaderia | 1970 | fixed media, akusmatisch | 9:30 | LDC 278051/52 Cultures Electroniques 5/ LDC 2781107/ IDEAMA CD 057/ Tacuabé T/E 3/ | LIPM B.Aires | 1 | ||||||||||
| 18510 | Eduardo | Kusnir | La retour, El retorno | 1993 | fixed media, akusmatisch | 12:30 | LDC 2781107/ | IMEB Bourges | 0 | ||||||||||
| 8938 | Eduardo | Kusnir | Lily dans le feu, Lily en el fuego | 1987 | fixed media, akusmatisch | 12:40 | LDC 2781107/ | IMEB Bourges | 0 | ||||||||||
| 8939 | Eduardo | Kusnir | Ofrenda, Ofrenda I - VII | 1972 | fixed media, akusmatisch | 70:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 28361 | Eduardo | Kusnir | Orquideas primaverales | 1975 | fixed media, akusmatisch | 9:35 | Stereo | 0 | 1984 | ||||||||||
| 35546 | Eduardo | Kusnir | Preludio | 1995 | Zuspiel / Tonband, 1 perf | 6:21 | p [Piano] | 0 | |||||||||||
| 18509 | Eduardo | Kusnir | Simple | 1990 | Zuspiel / Tonband, 1 perf | 13:20 | db [Kontrabass] | IMEB Bourges | 0 | ||||||||||
| 8940 | Eduardo | Kusnir | Tap-tap-tap | 1995 | fixed media, akusmatisch | Stereo | CEDIAM Caracas | 0 | |||||||||||
| 18511 | Eduardo | Kusnir | Una Carta, Blancanieves | 1998 | fixed media, akusmatisch | 8:50 | LDC 2781107/ | IMEB Bourges | 0 | ||||||||||
| 8941 | Bronius | Kutavicius | Debate with an Unknown Person | 1982 | Zuspiel / Tonband, 2 perf | 15:00 | 2 p [Piano] | EM ?? | 0 | ||||||||||
| 8942 | Bronius | Kutavicius | Two Birds in the Thick of Woods | 1978 | Zuspiel / Tonband, 3 perf | 15:00 | S, ob, prep p [Sopran, Oboe, Piano] | Melodiya S10 18773-4/ | 0 | ||||||||||
| 8943 | Ilkka | Kuusisto | Ritmo acustico II | 1963 | fixed media, akusmatisch | 3:40 | Mono | Yleisradio | 0 | ||||||||||
| 8944 | Ilkka | Kuusisto | Tarvo 1754 | 1964 | Film | Mono | PS C. Helsinki | 0 | |||||||||||
| 8945 | Norbert M. | Kuznik | Ilion | 1989 | Zuspiel / Tonband, 1 perf | 22:00 | Stereo | perc [Schlagzeug] | ExpSt Warsaw | 0 | |||||||||
| 8946 | Norbert M. | Kuznik | Song without words | 1975 | fixed media, akusmatisch | 6:40 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 8947 | Norbert M. | Kuznik | Straturae | 1975 | fixed media, akusmatisch | 5:40 | Stereo | M. concrete | ExpSt Warsaw | 0 | |||||||||
| 8948 | Norbert M. | Kuznik | Von Q | 1986 | fixed media, akusmatisch | 15:13 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22143 | Norbert M. | Kuznik | VON Q (Version II) | fixed media, akusmatisch | 8:30 | Stereo | ExpSt Warsaw | 0 | |||||||||||
| 36740 | Norbert Mateusz | Kuźnik | Lied Ohne Wort - Song Without Word | 1975 | fixed media, akusmatisch | 6:40 | Sonology Utrecht | 0 | |||||||||||
| 21967 | Bjarne | Kvinnsland | Dillipett | 1999 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21968 | Bjarne | Kvinnsland | Døve Tanker | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21969 | Bjarne | Kvinnsland | Fish to be danced by | 1998 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21970 | Bjarne | Kvinnsland | Hvileskjær | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21971 | Bjarne | Kvinnsland | Sound construction for medieval museum in Oslo | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 31397 | Sunhye | Kwag | Kein Besitz | 2009 | fixed media, akusmatisch | 4:56:00 | 5 tracks | HfM Dresden | 0 | ||||||||||
| 20379 | David | Kwan | +/-TV | 1996 | fixed media, akusmatisch | 5:37 | Stereo | ASP 0966 / | 0 | ||||||||||
| 39726 | Derek | Kwan | airportmusic | 2016 | fixed media, akusmatisch | Derek Kwan | 0 | ||||||||||||
| 39727 | Derek | Kwan | Shoebox Memories for Kalimba and Supercollider | 2015 | live-elec, 1 perf | 6:04:00 | ins (kalimba) [Instrument] | Derek Kwan | 0 | ||||||||||
| 20380 | Slavek | Kwi | Asymfon | 1997 | fixed media, akusmatisch | 8:05 | Stereo | RRRecords CD 21/ | 0 | ||||||||||
| 28094 | Slavek | Kwi | Belios 1 & II | 2001 | fixed media, akusmatisch | 20:00 | Collectif & Cie mts 04/ | C&C Annecy | 0 | ||||||||||
| 20381 | Slavek | Kwi | Fosilpa | 1997 | radiophon | 47:54 | Stereo | Planktone 002/ | 0 | ||||||||||
| 41921 | Slavek | Kwi | Metamorphosea I. | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 20382 | Slavek | Kwi | Michron | 1996 | radiophon | 1:36 | Stereo | Planktone 002/ | 0 | ||||||||||
| 20383 | Slavek | Kwi | Morfas | 1996 | radiophon | 24:03 | Stereo | Planktone 002/ | 0 | ||||||||||
| 27699 | Slavek | Kwi | Zoomspectives | 1998 | fixed media, akusmatisch | CRFMW Liège | 29.05.1998 | Liège Soundstation | 0 | ||||||||||
| 40877 | Slavek, Siobhan | Kwi, McDonald | Lava Samples | 2012 | fixed media, akusmatisch | 2:04 | SR 300 sub rosa/ | 0 | |||||||||||
| 36435 | Hye-Kyoung | Kwon | Wg | 2010 | Klangkunst, Installation | 4:14:00 | Besenkammer bb 03/ | 0 | |||||||||||
| 8949 | Hanspeter | Kyburz | Absolutions errantes au mois de mai | 1989 | Zuspiel, live-elec, 5 perf | 12:00 | Stereo | fl, vn, vc, cl, V [Stimme, Flöte, Klarinette, Cello, Violine] | TU Berlin, Experimentalstudio für Akustische Kunst Freiburg | 02.02.1989 | Inventionen Künstlerhaus Bethanien Berlin | 1 | 1989 | ||||||
| 27381 | Yannis | Kyriakides | Dog Song, Cerberus serenades Orpheus | 2007 | live-elec, 1 perf | 2:30 | tpt (double-Bell-tpt) [Trompete] | siehe Organised Sound Vol 14/3 / Ludger Brümmer: The ZKM; Excerpt; from DVD WERGO „spectral strands“ |
Organised Sound Vol 14/3/ | ZKM Karlsruhe | 1 | ||||||||
| 33169 | Yannis | Kyriakides | Dog Song (Cerberus serenades Orpheus) | 2006 | live-elec, 1 perf | 14:19 | tpt [Trompete] | for trumpet and electronics | WJ 2007 polmic 037/ | Marco Blaauw | 26.9.2007 | Warsaw autumn | 1 | ||||||
| 26685 | Yannis | Kyriakides | Music in a foreign Language | 2006 | fixed media, akusmatisch | 20:00 | Spazialisation: WFS | 0 | http://www.kyriakides.com | ||||||||||
| 39151 | Yannis | Kyriakides | Telegraphic | 2007, 2018 | Performance, live-elec, 6 perf, 1 group | ens, 6 assitenetn (Bedienung der Morsetasten) [Ensemble] | 2018 Version Ensemble Mosaik (Morsetasten) | 5.7.2018 | Kulturbrauerei Berlin, Autonome Musik 4 „Schaltungen“, Ensemble Mosaik | 0 | |||||||||
| 26684 | Yannis | Kyriakides | the queen is the supreme power in the realm | 2007 | audiovisuell, live-elec, 1 perf, 1 group | 40:00 | ens, (video,) elec [elektronik, Ensemble] | MusikFabrik | May 2007 | MusikTriennale Köln | 0 | http://www.kyriakides.com | |||||||
| 26686 | Yannis | Kyriakides | wordless | 2004 | fixed media, akusmatisch | 45 | Quadro + Stereo | 6 channel sound piece. stereo headphones and 4 speakers | UNSOUNDS 03.06. Cat 13U/ basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ ARS 06/ | ARGOS Festival 2004 | 2004 | Honorary Mention ARS ELECTRONICA 2006 | 0 | http://www.kyriakides.com | |||||
| 30244 | Mark Lorenz, Robin, Group | Kysela, Hoffmann, STROM | Terminal A: Strom | 2000/2001 | live-elec, | 25 | 29.09.2001 | Düsseldorfer Altstadtherbst, Düsseldorf | 0 | http://www.stock11.de/home.html | |||||||||
| 30245 | Mark Lorenz, Robin, Group | Kysela, Hoffmann, STROM | Terminal B: Eine kleine musikalische Weltreise | 2000/2001 | live-elec, | 15 | 29.09.2001 | Düsseldorfer Altstadtherbst, Düsseldorf | 0 | ||||||||||
| 30246 | Mark Lorenz, Robin, Group | Kysela, Hoffmann, STROM | Terminal C: Hacken | live-elec, | 0 | ||||||||||||||
| 30247 | Mark Lorenz, Robin, Group | Kysela, Hoffmann, STROM | Terminal D: Surolin-Soccer | live-elec, | 0 | ||||||||||||||
| 30248 | Mark Lorenz, Robin, Group | Kysela, Hoffmann, STROM | Terminal E: Die Reza-Ausdeutungen | 2002/2003 | live-elec, | SWR | 0 | ||||||||||||
| 30249 | Mark Lorenz, Robin, Group | Kysela, Hoffmann, STROM | Terminal F: STROM unplugged | 2003 | live-elec, | 15 | DVD HfM Stuttgart/ | 0 | |||||||||||
| 30250 | Mark Lorenz, Robin, Group | Kysela, Hoffmann, STROM | Terminal G: Superman Lesen II | 2003 | live-elec, | 35 | WDR | 2003 | Wittener Tage für Neue Kammermusik | 0 | |||||||||
| 30251 | Mark Lorenz, Robin, Group | Kysela, Hoffmann, STROM | Terminal H: STROM replugged / Stilleben mit Anprangern | 2005 | live-elec, | 15 | 0 | ||||||||||||
| 8950 | Denis | l'Espérance | CPR | 1980 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 8951 | Denis | l'Espérance | Cycle plus haut | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 8952 | Denis | l'Espérance | Der Blaue Kreis | 1976 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 8953 | Denis | l'Espérance | Mékingne morprofitte | 1979 | fixed media, akusmatisch | 8:00 | Stereo | PS C. | 0 | ||||||||||
| 28163 | Group | L'Inventaire Rhône-Alpes | Le Catalogue Sonore | fixed media, akusmatisch | Zuspiel/Tonband, || live-elec, |
GMVL CD 22/ GMVL CD 23/ GMVL CD 24/ GMVL CD 25/ | GMVL Lyon, GRAME | 0 | http://inventaire.r.alpes.free.fr/catalogue.htm | |||||||||||
| 32736 | Joan | La Barbara | Dance Farm | 1978 | Film | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | 0 | ||||||||||||
| 8954 | Joan | La Barbara | L'albero dalle foglie azzure (Tree of Blue Leaves) | 1989 | Zuspiel / Tonband, 1 perf | 10:15 | ob [Oboe] | (Barbara Herr Orland) | Centaur CRC 2166, CDCM Vol. 13/ | Dallas Sound Lab | 0 | ||||||||
| 22040 | Joan | La Barbara | Sound Painting Cologne | radiophon | 2:17 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 37492 | Joan | La Barbara | Twelvesong | 1977 | Zuspiel / Tonband, 1 perf | 12:17 | V [Stimme] | 0 | |||||||||||
| 20384 | Joan | La Barbara | Urban Tropics | 1988 | Zuspiel / Tonband, 2 perf | 14:03 | Stereo | V, perc [Stimme, Schlagzeug] | (Barbara Herr Orland) | LM- LCD 3001/ | CCM Mills | 0 | |||||||
| 21814 | Joan, Kenneth | La Barbara, Goldsmith | 73 Poems | 1994 | Zuspiel / Tonband, 1 perf, 1 group | vocals [Stimme] | multitracked vocals | LM- CD 3002/ | 0 | ||||||||||
| 38154 | Anne | La Berge | 4° | live-elec, 2 perf | 19:27 | db and V, fl and V [Stimme, Flöte, Kontrabass] | unsounds 40 ULP/ | 0 | http://www.annelaberge.com/ | ||||||||||
| 38152 | Anne | La Berge | 800 Speakers | live-elec, 1 perf | 3:49 | fl [Flöte] | NWR 80717/ | 0 | http://www.annelaberge.com/ | ||||||||||
| 38151 | Anne | La Berge | Away | live-elec, 1 perf | 11:35 | fl [Flöte] | NWR 80717/ | 0 | http://www.annelaberge.com/ | ||||||||||
| 38149 | Anne | La Berge | Brokenheart | live-elec, 1 perf | 10:48 | fl [Flöte] | NWR 80717/ | 0 | http://www.annelaberge.com/ | ||||||||||
| 38159 | Anne | La Berge | Daldals | 2008 | live-elec, 10 perf | p, or, 2 trbn, 2 fl, elec, 3 perc (3 players needed) [Flöte, Posaune, Piano, Schlagzeug, elektronik] | Roulette Intermedium | 0 | |||||||||||
| 28490 | Anne | La Berge | Drive | 2009 | live-elec, 1 perf | perf, (game controller) [Performer] | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ NWR 80717/ | 0 | http://www.annelaberge.com/ | ||||||||||
| 38907 | Anne | La Berge | IMAfiction, portrait 07 | 2012 | Film | 19:27 | IMA portrait 07/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/portrait-08-electric-indigo/ | |||||||||
| 38165 | Anne | La Berge | Isabelle | 1993 | live-elec, 6 perf | p, vc, vn, sam, e-hp, snare drum [Piano, Harfe, Cello, Violine, computer] | 0 | ||||||||||||
| 38164 | Anne | La Berge | La Mer | 1994 | live-elec, 5 perf | 2 acoustic hp, e-hp, kbd, b-trbn, (elec) (turntables) [Posaune, Keyboard, Harfe] | Whitney Museum | 0 | |||||||||||
| 38163 | Anne | La Berge | Mouth=Maul=Betrayer | 1996 | live-elec, 11 perf | e-hp, p, sam, vn, 2 vc, e-gui, mdl, drum, ins (vibes), V [Stimme, Piano, Gitarre, Harfe, Schlagzeug, Cello, Violine, Instrument, computer] | 0 | ||||||||||||
| 38161 | Anne | La Berge | Persuasion | 2005 | live-elec, 4 perf | str-qt [Streicher] | Compaigne Sui Generis as Croisees | 0 | |||||||||||
| 38155 | Anne | La Berge | Raw | live-elec, 5 perf | 30 | b-cl, (com), db, e-gui, p and kbd, fl and elec [Flöte, Klarinette, Piano, Keyboard, Gitarre, Kontrabass, elektronik] | unsounds 59 ULP/ | 0 | http://www.annelaberge.com/ | ||||||||||
| 38157 | Anne | La Berge | Spellbeamed, Fixeploded, Fixabolished | 2011-2012 | live-elec, 11 perf | 3 acoustic hp, trbn, str-qt, p, V, vib, (objects, glass instruments) [Stimme, Posaune, Piano, Schlagzeug, Streicher] | by Ne(x)tworks Ensemble | 0 | |||||||||||
| 38156 | Anne | La Berge | The Ardor | 2013 | live-elec, 4 perf | str-qt [Streicher] | The Eclipse Quartet | 0 | |||||||||||
| 38153 | Anne | La Berge | The Hum | live-elec, 2 perf | 19:21 | db and V, fl and V [Stimme, Flöte, Kontrabass] | unsounds 40 ULP/ | 0 | http://www.annelaberge.com/ | ||||||||||
| 38158 | Anne | La Berge | Thingworld | 2008 | live-elec, 7 perf | teel pan, mar, vib, perc (glockenspiel), hp, kbd (celeste), oma [Keyboard, Harfe, Schlagzeug, synthesizer] | Roulette Intermedium | 0 | |||||||||||
| 38160 | Anne | La Berge | Three Harps | 2007 | live-elec, 5 perf | 3 acoustic hp, ins (tuning forks, objects), sam [Instrument, computer] | Dance by Neil Greenberg | 0 | |||||||||||
| 38150 | Anne | La Berge | ur_DU | live-elec, 1 perf | 14:15 | fl [Flöte] | NWR 80717/ | 0 | http://www.annelaberge.com/ | ||||||||||
| 38162 | Anne | La Berge | V.O.U. Valley of Unrest | 1998 | live-elec, 1 perf, 1 group | sol e-gui, cham-orc [Gitarre, Orchester] | Bang on a Can | 0 | |||||||||||
| 36441 | Eric | La Casa | Dundee Law | 2008 | radiophon | 4:53 | EDRM 416/ | 0 | |||||||||||
| 28093 | Eric | La Casa | Incandescence | 2001 | fixed media, akusmatisch | 24:00 | 3 parts | Collectif & Cie mts 04/ | C&C Annecy | 0 | |||||||||
| 25018 | Eric | La Casa | Ue Rugosité, À La Périphérie Du Gris | 2003 | fixed media, akusmatisch | 7:21 | real ambient vol. 4/ | C&C Annecy | 1 | ||||||||||
| 32992 | Eric | La Casa | Vibratility-Mozaik | fixed media, akusmatisch | LDC 278076/77 Cultures Electroniques 16/ | 0 | |||||||||||||
| 22870 | Ilmar | Laaban | Att leva fritt eller dö | 1944 | radiophon | 4:00 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 8955 | Ilmar | Laaban | Chien d'absolu | 1982 | radiophon | 4:17 | txtcompo | PSCD 63 Phono Suecia/ FYLP 1027/ FYCD 1011/ | 1 | ||||||||||
| 8956 | Ilmar | Laaban | Ciel Inamputable | 1969 | fixed media, akusmatisch | 3:45 | 3 tracks | txtcompo | RELP 1103/ PSCD 63 Phono Suecia/ FYCD 1011/ FYCD 1024 CD 4 Text-Sound Compositions/ | EMS Stockholm | 1 | http://de.wikipedia.org/wiki/Ilmar_Laaban | |||||||
| 22877 | Ilmar | Laaban | Cyklopinnangick ut klockan fem | 1986 | radiophon | 5:00 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 22783 | Ilmar | Laaban | Der Rododendrongeist | 1986 | fixed media, akusmatisch | radiophon |
9:50 | Text-sound-compositions (Sprache: Laaban) | SR Stockholm | 1 | ||||||||||
| 8957 | Ilmar | Laaban | Des dalles et des dés | 1976 | fixed media, akusmatisch | 2:35 | Quadro | txtcompo | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 4 Text-Sound Compositions/ | Fylkingen | 1 | ||||||||
| 22873 | Ilmar | Laaban | Dès que les dès | 1976 | radiophon | 2:36 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 8958 | Ilmar | Laaban | Eaux | 1975/1992 | fixed media, akusmatisch | radiophon |
4:37 | txtcompo | PSCD 63 Phono Suecia/ FYCD 1011/ | 1 | ||||||||||
| 22872 | Ilmar | Laaban | Hur jag kom fram till ljuddikten… | 1988 | radiophon | 4:25 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 8959 | Ilmar | Laaban | I revolutionens snö | 1969 | fixed media, akusmatisch | 5:00 | Quadro | txtcompo | RELP 1103/ PSCD 63 Phono Suecia/ FYCD 1011/ FYCD 1024 CD 4 Text-Sound Compositions/ | EMS Stockholm | 1 | ||||||||
| 22876 | Ilmar | Laaban | Job och objektet | 1982 | radiophon | 4:30 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 22871 | Ilmar | Laaban | Lågtjutarens kärleksdiskurs | 1950 | radiophon | 3:15 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 22879 | Ilmar | Laaban | Monotaurus och stararna | 1993 | radiophon | 6:06 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 22878 | Ilmar | Laaban | Partenza | 1991 | radiophon | 5:20 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 8960 | Ilmar | Laaban | Rot seul élu est or | 1977 | fixed media, akusmatisch | 3:49 | txtcompo | PSCD 63 Phono Suecia/ | 1 | ||||||||||
| 8961 | Ilmar | Laaban | Stentorsstön | 1967 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
4:50 | Stereo | V [Stimme] | txtcompo | RELP 1054/ FYCD 1011/ FYCD 1024 CD 4 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||
| 8963 | Ilmar | Laaban | Tre brev från den döve | 1969 | fixed media, akusmatisch | radiophon |
4:00 | Quadro | txtcompo, (3 Letters from the Deep-Mouthed One) | RELP 1074/ PSCD 63 Phono Suecia/ FYCD 1024 CD 4 Text-Sound Compositions/ | SR Stockholm | 0 | ||||||||
| 22875 | Ilmar | Laaban | Vattnet navet | 1987 | radiophon | 6:38 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 22874 | Ilmar | Laaban | Vesi ise | 1993 | radiophon | 3:38 | Text-Sound-Composition | FYCD 1011/ | 1 | ||||||||||
| 8964 | Mikko | Laakso | My Whale is still alive | 1995 | fixed media, akusmatisch | 9:35 | Yleisradio | 1 | |||||||||||
| 8965 | Adolph | Labbé | Chance Piece | 1966 | Zuspiel / Tonband, 1 perf | 4:18 | Stereo | cl [Klarinette] | CEMI Denton | 0 | |||||||||
| 8966 | Adolph | Labbé | Oscillation | 1967 | Zuspiel / Tonband, 1 group | 8:00 | Stereo | orc [Orchester] | CEMI Denton | 0 | |||||||||
| 8967 | Adolph | Labbé | Why ? | 1966 | Zuspiel / Tonband, 1 group | 4:00 | Stereo | ch [Chor] | CEMI Denton | 0 | |||||||||
| 25965 | Brandon | LaBelle | automatic building transportation recycling event and its double learning from seedbed |
2002 - 2004 | Klangkunst, Installation | 59:00 | Klanginstallationen in: vor Florenz, Curitiba (Brasilien), Roskilde, Chicago | SIRR 0017/ | 1 | ||||||||||
| 34750 | Brandon | LaBelle | eavesdrop | 2004 | Klangkunst, Installation | audiovisuell |
Kehrer Verlag ISBN 978-3-939583-23-3/ | 23.9.-31.10.2004 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 38916 | Brandon | LaBelle | Peregrination & Surplus, Squibs On The Face Of Reality | 1999 | Performance, live-elec, | 10:43 | x-tract x-t 2002/ | 1999 | Podewil Berlin | 0 | |||||||||
| 37934 | Brandon | LaBelle | Text Equals, Book Of Vowels (Still Wet) Alchemy-Word (Stripping Bare) Water-Music-Saliva-Word Piano-Writing Roseisaroseisarose (Phonic-Signification) Writing Aloud (A Seismic Rewriting) Phantom Conversation (Body-Sounding-Space) Elemental Body This-Is-This Topophony Of The Text (Private Dialog-Public Speech) |
2000 | radiophon | Errant Bodies Press EB 01/ | 0 | ||||||||||||
| 38777 | Brandon, Benny | LABELLE, NILSEN | Configurations | 2009 | radiophon | 47:20:00 | 0 | ||||||||||||
| 35693 | Tim | Labor | Bronze | fixed media, akusmatisch | 6:32 | CCRMA/ | CCRMA | 0 | |||||||||||
| 20385 | Diane | Labrosse | Face Cachée des Choses (15 pieces) | 1995 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | electro-rock | AM 031 CD/ | 0 | |||||||||
| 36481 | Brian | Labycz | Dakara | 2007 | radiophon | 0:31:00 | and 26/ | 0 | |||||||||||
| 36464 | Brian | Labycz | Tadaima | 2007 | radiophon | 1:32:00 | and 26/ | 0 | |||||||||||
| 27387 | Juan Sebastian | Lach Lau | Pantaleon | 2007 | Performance, live-elec, 2 perf | 9:38 | 2 perf [Performer] | The Electronic Hammer (perc: Diego Espinosa, computer: Henry Vega, Juan Parra). | EMF CD 067 „The Electronic Hammer“ How to philosophize with a hammer/ | SARC Belfast | 1 | ||||||||
| 34097 | Juan Sebastian | Lach Lau | rzw | 2002 | Zuspiel / Tonband, 1 perf | 4:02 | Stereo, Quadro | perc [Schlagzeug] | IRD 002 Irradia/ | 0 | |||||||||
| 24678 | Félix | Lachance | Échidna | 2003 | fixed media, akusmatisch | 7:49 | JTTP 2003 | CEC Cache 2003 CA/ | 1 | ||||||||||
| 28030 | Félix | Lachance | Manège I | 2009 | fixed media, akusmatisch | 5:49 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | JTTP-Winner 2009 canadian 5. prize | 1 | |||||||||
| 8968 | Nicole | Lachartre | Déroute | 1970 | fixed media, akusmatisch | 5:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 8969 | Nicole | Lachartre | Hommage à Amiel | 1974 | Zuspiel / Tonband, | 13:16 | Stereo | IPEM Gent | 0 | ||||||||||
| 8970 | Nicole | Lachartre | Hommage à Ruysbroeck | 1979 | fixed media, akusmatisch | 31:50 | Stereo | IPEM Gent | 0 | ||||||||||
| 18512 | Nicole | Lachartre | L'oiseau poutou-poutou | 1988 | fixed media, akusmatisch | 23:45 | Stereo | IMEB Bourges | 0 | ||||||||||
| 8971 | Nicole | Lachartre | La Peche à la Ligne | 1978 | fixed media, akusmatisch | 4:17 | Stereo | IPEM Gent | 0 | ||||||||||
| 8972 | Nicole | Lachartre | Le Cri de Cigogne peut meme atteindre le Ciel | 1978 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | p [Piano] | IPEM Gent | 0 | |||||||||
| 8973 | Nicole | Lachartre | Le Jardin du village des sables blancs | 1980 | fixed media, akusmatisch | 16:05 | Stereo | IPEM Gent | 0 | ||||||||||
| 8974 | Nicole | Lachartre | Les champs de Cinabre | 1977 | fixed media, akusmatisch | 11:15 | Stereo | IMEB Bourges | 0 | ||||||||||
| 8975 | Nicole | Lachartre | Les coqs sont égorgés | 1984 | fixed media, akusmatisch | 14:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 8977 | Nicole | Lachartre | Mundus Imaginabilis | 1970 | fixed media, akusmatisch | 6:55 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 8978 | Nicole | Lachartre | Mundus Intellectualis | 1973 | fixed media, akusmatisch | 10:30 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 8979 | Nicole | Lachartre | Mundus Sensibilis | 1972 | fixed media, akusmatisch | 19:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 8980 | Nicole | Lachartre | Sommeil | 1970 | fixed media, akusmatisch | 7:50 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 8981 | Nicole | Lachartre | Temps intemporel | 1972 | fixed media, akusmatisch | 10:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 8982 | Nicole | Lachartre | Texte imaginaire | 1974 | Zuspiel / Tonband, | 9:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 8983 | Nicole | Lachartre | Ultimes | 1970 | Zuspiel / Tonband, 1 perf | ≈ 19:00 | Stereo | oma [synthesizer] | IPEM Gent | 0 | |||||||||
| 8976 | Nicole, Paul | Lachartre, Pignon | Mordre la terre vivante | 1973 | fixed media, akusmatisch | 14:20 | Stereo | Radio Beograd | 0 | ||||||||||
| 8984 | Helmut | Lachenmann | Scenario | 1965 | fixed media, akusmatisch | 12:30 | Mono | SR 270 sub rosa/ IDEAMA CD 004/ | IPEM Gent | 0 | |||||||||
| 34849 | Mathieu | Lacroix | Studie II - Nyctalope | 2015 | fixed media, akusmatisch | 8:12:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 36854 | Mathieu | Lacroix | Suspended Mirrors | 2015 | fixed media, akusmatisch | 20:59:00 | 0 | ||||||||||||
| 8985 | Joris de | Laet | 1 1 3 | 1983 | Zuspiel / Tonband, 1 perf | p [Piano] | SEM Antwerpen | 0 | |||||||||||
| 8986 | Joris de | Laet | Aural Silver I & II | 1993/1994 | Klangkunst, Installation | Stereo | SEM Antwerpen | 0 | |||||||||||
| 8987 | Joris de | Laet | Blasphemina fatale | 1976 | Zuspiel / Tonband, 1 perf | clvd [Cembalo] | SEM Antwerpen | 0 | |||||||||||
| 8988 | Joris de | Laet | Bricks | 1980 | live-elec, 1 perf | trbn [Posaune] | SEM Antwerpen | 0 | |||||||||||
| 8989 | Joris de | Laet | De Verschuiving | 1994 | audiovisuell, live-elec, 1 perf | Quadro | trbn [Posaune] | video-processing | SEM Antwerpen | 0 | |||||||||
| 8990 | Joris de | Laet | Dialoog I & II | 1991 | audiovisuell, live-elec, | Stereo | videoinstallation | SEM Antwerpen | 0 | ||||||||||
| 8991 | Joris de | Laet | Eklips | 1978 | Zuspiel / Tonband, 1 perf | ins ad lib [Instrument] | SEM Antwerpen | 0 | |||||||||||
| 8992 | Joris de | Laet | Engagement | 1974 | live-elec, | IPEM Gent | 0 | ||||||||||||
| 8993 | Joris de | Laet | Irreversible | 1985/1992 | Zuspiel / Tonband, 4 perf | Quadro | 4 trbn [Posaune] | SEM Antwerpen | 0 | ||||||||||
| 8994 | Joris de | Laet | Khene-dimensioned | 1983 | Zuspiel / Tonband, 2 perf | Quadro | khene, synt [synthesizer] | SEM Antwerpen | 0 | ||||||||||
| 8995 | Joris de | Laet | Khene-dimensioned I I | fixed media, akusmatisch | Quadro | SEM Antwerpen | 0 | ||||||||||||
| 8996 | Joris de | Laet | Konstruktie van een Metalen Cylinder | 1972 | Tanz | Stereo | IPEM Gent | 0 | |||||||||||
| 24402 | Joris de | Laet | L'ar maniaque | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24403 | Joris de | Laet | Madmatics | 2002 | fixed media, akusmatisch | 12:54 | LDC 2781125/ | IMEB Bourges | 0 | ||||||||||
| 8997 | Joris de | Laet | Masses d'algorithmes vers 12 zones chromatiques | 1987 | fixed media, akusmatisch | 11:15 | Stereo | SEM Antwerpen | 0 | ||||||||||
| 8998 | Joris de | Laet | Oplichtend Zwart | 1990 | fixed media, akusmatisch | Quadro | SEM Antwerpen | 0 | |||||||||||
| 8999 | Joris de | Laet | Parametrisch 1 | 1981 | Zuspiel, live-elec, 1 perf | synt [synthesizer] | SEM Antwerpen | 0 | |||||||||||
| 9000 | Joris de | Laet | Parametrisch 2 | 1981 | Zuspiel, live-elec, 1 perf | synt [synthesizer] | SEM Antwerpen | 0 | |||||||||||
| 9001 | Joris de | Laet | Parametrisch 3 | 1982 | live-elec, 1 perf | db [Kontrabass] | SEM Antwerpen | 0 | |||||||||||
| 9002 | Joris de | Laet | Parametrisch 3B | 1982 | live-elec, 2 perf | trbn, synt [Posaune, synthesizer] | SEM Antwerpen | 0 | |||||||||||
| 9003 | Joris de | Laet | Parametrisch 4 | 1982 | live-elec, 1 perf | p [Piano] | SEM Antwerpen | 0 | |||||||||||
| 9004 | Joris de | Laet | Parametrisch 5 | 1982 | live-elec, 1 perf, 1 group | chimes [Schlagzeug] | radio-micro | SEM Antwerpen | 0 | ||||||||||
| 9005 | Joris de | Laet | Parametrisch 6 | 1983 | live-elec, 1 perf | w (khene) [Bläser] | radio-micro | SEM Antwerpen | 0 | ||||||||||
| 9006 | Joris de | Laet | Parametrische scenes | live-elec, 1 perf | synt [synthesizer] | SEM Antwerpen | 0 | ||||||||||||
| 9007 | Joris de | Laet | Première | 1973 | live-elec, | Stereo | IPEM Gent | 0 | |||||||||||
| 9008 | Joris de | Laet | Relief | 1973 | fixed media, akusmatisch | 12:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 9009 | Joris de | Laet | Scheldedichters mez natte voete | 1973 | fixed media, akusmatisch | 21:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 9010 | Joris de | Laet | Sine Signs | 1978 | intermedia, live-elec, 2 perf | ≈ 20:00 | Stereo | 2 fl [Flöte] | fluteplayers on a boat | IPEM Gent | 0 | ||||||||
| 9011 | Joris de | Laet | Sneeuw begint onderaan de berg te smelten | 1979 | fixed media, akusmatisch | SEM Antwerpen | 0 | ||||||||||||
| 9012 | Joris de | Laet | Stuk | Zuspiel / Tonband, 2 perf | 2 fl [Flöte] | SEM Antwerpen | 0 | ||||||||||||
| 9013 | Joris de | Laet | Swjiooba | 1973 | fixed media, akusmatisch | 16:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 9014 | Joris de | Laet | Tape and Trio | 1977 | Zuspiel / Tonband, 3 perf | synt, 2 ins [Instrument, synthesizer] | SEM Antwerpen | 0 | |||||||||||
| 9015 | Joris de | Laet | Tot barstens toe | 1974 | live-elec, 1 perf | synt [synthesizer] | SEM Antwerpen | 0 | |||||||||||
| 9016 | Joris de | Laet | Ut en andere | 1978 | Zuspiel, live-elec, 4 perf, 1 group | fl, ins (triton), synt, chapman stick [Flöte, Gitarre, Instrument, synthesizer] | SEM Antwerpen | 0 | |||||||||||
| 9018 | Joris de | Laet | Verborgen intenties | 1977 | Zuspiel / Tonband, 1 perf, 1 group | Quadro | chapman stick [Gitarre] | SEM Antwerpen | 0 | ||||||||||
| 9019 | Joris de | Laet | We eindigen met Puntkomma | 1973 | fixed media, akusmatisch | 21:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 9020 | Joris de | Laet | Wigwam | 1991 | fixed media, akusmatisch | Stereo | SEM Antwerpen | 0 | |||||||||||
| 9017 | Joris de, Luc | Laet, Steels | Veranderlijk tot mooi | 1975 | live-elec, 1 perf | ins [Instrument] | SEM Antwerpen | 0 | |||||||||||
| 9021 | Fernando | Lafferiére | A la flamme des fonets | 1979 | Zuspiel / Tonband, 1 perf | 8:38 | Stereo | S [Sopran] | HdK Berlin | 1 | |||||||||
| 18848 | Fernando | Lafferière | 3-Minutenstück | 1978 | fixed media, akusmatisch | 3:00 | Stereo | "3-Minutenstücke" with Herbert Brün | HdK Berlin | 1 | |||||||||
| 18849 | Fernando | Lafferière | Rückkopplung | 1977 | fixed media, akusmatisch | 8:50 | HdK Berlin, TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | 1 | |||||||||
| 9022 | Roger | Lafosse | Akatan NC 22 | 1965 | radiophon | Mono | PS C. Bordeaux | 0 | |||||||||||
| 9023 | Roger | Lafosse | Crux et Via | 1959 | fixed media, akusmatisch | Mono | after a poem by C. Rivière | PS C. Bordeaux | 0 | ||||||||||
| 9024 | Roger | Lafosse | Devant la Porte | 1963 | Theatermusik | Mono | PS C. Bordeaux | 0 | |||||||||||
| 9025 | Roger | Lafosse | Hystérésis | 1959 | fixed media, akusmatisch | 17:30 | Mono | PS C. Bordeaux | 0 | ||||||||||
| 9026 | Roger | Lafosse | Le Biniou et le Labo | 1956/1957 | Zuspiel / Tonband, 1 perf | Mono | w-ins [Bläser] | PS C. Bordeaux | 0 | ||||||||||
| 9027 | Roger | Lafosse | Thevtronic | 1959 | fixed media, akusmatisch | Mono | PS C. Bordeaux | 0 | |||||||||||
| 31977 | Group | LAG Laptop Orchestra | LAGMonster | 2010 | live-elec, 1 perf, 1 group | laptop-ens [computer] | SC-Symposium 2010, Sunday 26. September 18h, .HBC - Laptop Ensembles | 1 | http://www.lagensemble.com | ||||||||||
| 27402 | Merran | Laginestra | Palindromo | fixed media, akusmatisch | 12:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 40850 | Vesa | Lahti | Hermosolu | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 0 | ||||||||||||
| 9028 | Heikki | Laitinen | Jabmeaibmu | 1972 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 9029 | Louis-Gilles | Lajoie | Pastiche | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 9030 | Larry | Lake | Psalm | 1985 | Zuspiel / Tonband, 1 perf | Stereo | ob [Oboe] | 0 | |||||||||||
| 20336 | Larry, David, James | Lake, Jaeger, Montgomery | Catbird Seat | 1988 | live-elec, 1 group | 10:30 | Stereo | ens [Ensemble] | Trappist 9003/ | 0 | |||||||||
| 20337 | Larry, David, James | Lake, Jaeger, Montgomery | Davies | 1974 | live-elec, 1 group | 13:28 | Stereo | ens [Ensemble] | Trappist 9003/ | 0 | |||||||||
| 9031 | Yehoshua | Lakner | Chalomoh shel Muhamet (Muhammeds Traum) | 1968 | Zuspiel / Tonband, 1 group | ch [Chor] | 0 | ||||||||||||
| 9032 | Yehoshua | Lakner | Computüde 2, 3, 4 | 1987 | fixed media, akusmatisch | 9:07 | 0 | ||||||||||||
| 9033 | Yehoshua | Lakner | Computüde 4B | 1987 | fixed media, akusmatisch | 10:35 | 0 | ||||||||||||
| 9034 | Yehoshua | Lakner | Der Architekt und der Kaiser von Assyrien | 1968 | Theatermusik | 0 | |||||||||||||
| 9035 | Yehoshua | Lakner | Die Nacht der Mörder | 1969 | Theatermusik | 0 | |||||||||||||
| 9036 | Yehoshua | Lakner | Die Stühle | 1966 | Theatermusik | 0 | |||||||||||||
| 9037 | Yehoshua | Lakner | Jona | 1970 | Theatermusik | 0 | |||||||||||||
| 9038 | Yehoshua | Lakner | Kaninchen | 1973 | Zuspiel / Tonband, 2 perf | Sp, perc [Sprecher, Schlagzeug] | 0 | ||||||||||||
| 9039 | Yehoshua | Lakner | Nestroy Quodlibet | 1967 | Theatermusik | 0 | |||||||||||||
| 9040 | Yehoshua | Lakner | Snem 14 | 1987 | fixed media, akusmatisch | 7:43 | 0 | ||||||||||||
| 9041 | Yehoshua | Lakner | Turandot | 1969 | Theatermusik | 0 | |||||||||||||
| 9042 | Yehoshua | Lakner | Umläufe | 1976 | Zuspiel / Tonband, 3 perf | Stereo + Stereo | fl, b-cl, p [Flöte, Klarinette, Piano] | 0 | |||||||||||
| 9043 | Yehoshua | Lakner | Victor | 1965 | Theatermusik | 0 | |||||||||||||
| 9044 | Reinhard | Lakomy | Begierde und Hoffnung | fixed media, akusmatisch | 5:40 | AMIGA 8 55 893/ | PS C. | 1 | |||||||||||
| 9045 | Reinhard | Lakomy | Das geheime Leben | fixed media, akusmatisch | 21:15 | AMIGA 8 55 893/ | PS C. | 1 | |||||||||||
| 9046 | Reinhard | Lakomy | Das unendliche Rätsel | fixed media, akusmatisch | 3:30 | AMIGA 8 55 893/ | PS C. | 1 | |||||||||||
| 9047 | Reinhard | Lakomy | Die Himmelfahrt des Salvador Dali | 1989 | fixed media, akusmatisch | 11:30 | Stereo | PS C. | 15.9.1989 | TIP Berlin | 0 | ||||||||
| 9048 | Reinhard | Lakomy | Es wächst das Gras nicht .. | fixed media, akusmatisch | 11:24 | AMIGA 8 55 893/ | PS C. | 1 | |||||||||||
| 37853 | Reinhard | Lakomy | Komödchen | 1988 | Performance | Stereo | PS C. | 17.5.1988 | TIP Berlin | 0 | |||||||||
| 9049 | Reinhard | Lakomy | Morgen kommt der Weihnachtsmann | 1986 | Tanz | 10:00 | Stereo | PS C. | 1986 | TIP Berlin, Tanztheater Komische Oper | 0 | ||||||||
| 9050 | Reinhard | Lakomy | Studie nach Bildern von Salvador Dali | 1984 | Zuspiel / Tonband, 2 perf | S, p [Sopran, Piano] | Radio DDR | 0 | |||||||||||
| 9051 | Martin | Laliberté | Le sommeil de Protée | 1991/1992 | Zuspiel, live-elec, 2 perf | 14:00 | Stereo | gui, db, [Gitarre, Kontrabass] | CICM Paris | 0 | |||||||||
| 9052 | Martin | Laliberté | Les clés de la mer | 1993 | Zuspiel, live-elec, 5 perf | 21:00 | Stereo | db, str-qt [Kontrabass, Streicher] | CICM Paris | 0 | |||||||||
| 9053 | Martin | Laliberté | Quelques pages de sable | 1990 | fixed media, akusmatisch | 8:00 | Stereo | Upic | CICM Paris, CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 9054 | Martin | Laliberté | Un songe | 1992 | Zuspiel, live-elec, 2 perf | 18:00 | Stereo | hpd, db, [Cembalo, Kontrabass] | CICM Paris | 0 | |||||||||
| 27363 | Steve | Lalonde | Quand La Nuit Se Referme | 2008 | fixed media, akusmatisch | 4:55 | JTTP 2008 | CEC Cache 2008, PeP 013/ | 1 | http://cec.concordia.ca/jttp | |||||||||
| 20386 | Bun Ching | Lam | EO-9066 | Zuspiel / Tonband, 1 perf | 15:21 | Stereo | V [Stimme] | Tellus 26/ | 0 | ||||||||||
| 9055 | Wim | Laman | Contravolution | 1976/1977 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 34450 | Wim | Laman | Fleur du Mal | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 9056 | Wim | Laman | Het gevecht | 1978 | Zuspiel / Tonband, 1 perf, 1 group | 28:00 | Bar, ens [Bariton, Ensemble] | EM ?? | 0 | ||||||||||
| 9057 | Calogero | Lamarca | Rêve réel | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 9058 | Calogero | Lamarca | Six pièces brèves | 1985 | fixed media, akusmatisch | with G. Laval, O. Fontaine, A. Chignier, Madame Miniature, J. CH. Desert | CNR Lyon | 0 | |||||||||||
| 9059 | Alain | Lamarche | Ptéranodon | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 20388 | Alan | Lamb | Beauty | 1988 | fixed media, akusmatisch | 29:33 | Stereo | Dorobo 008/ | 0 | ||||||||||
| 20387 | Alan | Lamb | Journeys on the Winf of Times 1 | 1988 | live-elec, 1 group | 12:14 | Stereo | ens [Ensemble] | NA 028/ | 0 | |||||||||
| 20389 | Alan | Lamb | Last Anzac | 1986 | live-elec, 1 perf | 13:04 | Stereo | synt [synthesizer] | anomalous Records/ | 0 | |||||||||
| 20390 | Alan | Lamb | Primal Image | 1981 - 1988 | fixed media, akusmatisch | 16:52 | Stereo | Dorobo 008/ ASP 0966/ | 0 | ||||||||||
| 42628 | Dimitris | Lambrianos | Tetraktys | 2009 | fixed media, akusmatisch | 4 | 0 | ||||||||||||
| 25966 | Rene, Robert | Lamp, Schalinski | Dead Air, Part 8 Autonomie der Signale | 2000 | live-elec, 1 group | 12:55 | ens [Ensemble] | zeitkratzer. „column one“ | x-tract x-t 2006/ | 1 | |||||||||
| 9060 | Zbigniew | Lampart | 4 fragmenty na obøj | Zuspiel / Tonband, 1 perf | 4:00 | ob [Oboe] | SME Krakow | 0 | |||||||||||
| 9061 | Zbigniew | Lampart | Azioni elettronice | 1976 | fixed media, akusmatisch | 5:10 | Stereo | SME Krakow | 0 | ||||||||||
| 9062 | Zbigniew | Lampart | Taßma do live electronic | live-elec, | 6:50 | SME Krakow | 0 | ||||||||||||
| 9063 | Zbigniew | Lampart | ZWIERCIADÒO CHWILI | 1976 | Tanz | 15:30 | Stereo, Quadro | Ballet elektroniczny | SME Krakow | 0 | |||||||||
| 28423 | Wei Wei | Lan | Aus Liebe zu meiner Heimat | 2005 | Tanz | 12:03 | 5 tracks | ICEM Essen | 1 | ||||||||||
| 26207 | Wei Wei | Lan | gebrochene Klanggestalten | 2004 | fixed media, akusmatisch | 4:20 | Quadro | ICEM Essen | 1 | ||||||||||
| 19551 | Santiago | Lanchares | Quórum | 1984 | fixed media, akusmatisch | 11:23 | Stereo | GME Cuenca | 0 | ||||||||||
| 9064 | Santiago | Lanchares | Recordando a Ma Yuan | 1991 | Zuspiel / Tonband, 1 perf | 10:05 | Stereo | cl [Klarinette] | LIEM CDMC Madrid | 0 | |||||||||
| 22268 | Thierry | Lancino | Aloni, Io sento Oh se dormire Laudata lamento sur L(i)mb(s) Ed ora io vedo |
live-elec, 6 perf, 1 group | 35:40 | V, fl, va, vc, p, perc, ch, (4X-com) [Stimme, Flöte, Piano, Schlagzeug, Viola, Cello, Chor] | WER 2032-2; Computer Music Currents 12/ | IRCAM | 1 | ||||||||||
| 9066 | Thierry | Lancino | Etude de stage | 1979 | fixed media, akusmatisch | Stereo | Étude de stage | INA • GRM | 0 | ||||||||||
| 9067 | Thierry | Lancino | Le Banquet des Morts | 1980 | fixed media, akusmatisch | Stereo | MUSIC 10, PDP10 | CCRMA | 0 | ||||||||||
| 9068 | Thierry | Lancino | Profondeurs de champ | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 17:00 | b-cl, ens [Klarinette, Ensemble] | Adès 201972/ | IRCAM | Amphion | 0 | ||||||||
| 9069 | Thierry | Lancino | Static Arches | 1981 | fixed media, akusmatisch | 13:50 | Quadro | F2 | CCRMA | 2nd prize Bourges 1982 | 0 | ||||||||
| 38778 | Ulrich, Bojidar | LAND, SPASSOV | Velimir oder Chlebnikovs Karneval der Worte | 2008 | radiophon | 54:06:00 | 0 | ||||||||||||
| 9070 | Peer | Landa | Downcast | 1993 - 1995 | fixed media, akusmatisch | 8:27 | Dyaxis, NeXT | CCRMA V 02/ | CCRMA | 0 | |||||||||
| 18382 | Peer | Landa | Gag Order | 1997 | fixed media, akusmatisch | for GRM-Acousmonium | CCRMA | Notam | 0 | ||||||||||
| 9071 | Peer | Landa | Low Motion | 1989 - 1992 | Tanz | 12 | Stereo | fl, db, synt, dance [Flöte, Kontrabass, synthesizer, Tanz] | EMS Stockholm, CCRMA | 0 | |||||||||
| 9072 | Peer | Landa | Övningsstycke | 1987 | Zuspiel / Tonband, 1 perf | 2:10 | Stereo | cl [Klarinette] | EMS Stockholm | 0 | |||||||||
| 9073 | Peer | Landa | Slagträ för Blåsare | 1987 | fixed media, akusmatisch | 9:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9074 | Peer | Landa | Stroll all over | 1991 | intermedia, live-elec, 1 perf | 7:00 | com (8 strobelights) [computer] | CCRMA | 0 | ||||||||||
| 20391 | Dan | Lander | City Zoo / Zoo City | 1992 | fixed media, akusmatisch | 12:23 | Stereo | source recordings were made at the Metro Toronto Zoo | IMED 9526/ | Banff C. | Sons d’esprit (CKUT FM, Montréal) and Canada Council | 06.1992 | CKUT FM during the 7e Printemps électroacoustique festival Canada | 0 | |||||
| 20392 | Dan | Lander | Destroy: Information only | 1991 | fixed media, akusmatisch | 33:36 | Stereo | IMED 9526/ | PS C. | 1991 | Radio Contortions festival in Montréal | 0 | |||||||
| 20393 | Dan | Lander | Failed Suicide | 1991 | fixed media, akusmatisch | 5:10 | Stereo | IMED 9526/ | PS C. | 14.03.1991 | Radio Possibilities at the Forest City Gallery and simultaneously broadcast on CHRW FM Radio Western in London (Ontario) | 0 | |||||||
| 9075 | Dan | Lander | I'm Looking at My Hand | 1990 | fixed media, akusmatisch | 3:00 | Stereo | IMED 9004/ IMED 9604/ | PS C. | 1 | |||||||||
| 20395 | Dan | Lander | Room | 1993 | fixed media, akusmatisch | 21:24 | Stereo | WN 0018/ | PS C. | 0 | |||||||||
| 20396 | Dan | Lander | Ruminations on the Darkness - Ana Bing-ga | 1991 | radiophon | 6:26 | Stereo | MW 53/ | PS C. | 0 | |||||||||
| 20397 | Dan | Lander | Ruminations on the Darkness - Closing Words | 1991 | radiophon | 1:13 | Stereo | MW 53/ | PS C. | 0 | |||||||||
| 20398 | Dan | Lander | Ruminations on the Darkness - Their Wings | 1991 | radiophon | 5:38 | Stereo | MW 53/ | PS C. | 0 | |||||||||
| 9076 | Dan | Lander | Virtual Reality: The First Swim | 1992 | fixed media, akusmatisch | 2:59 | CEC DISContact_1/ | Banff C. | 1 | ||||||||||
| 20394 | Dan, Gregory | Lander, Whitehead | Talking to a Loudspeaker | 1988 - 1990 | fixed media, akusmatisch | 24:29 | Stereo | IMED 9526/ | PS C. | New American Radio and Performing Arts Inc (New York, USA, 1988, 90) | 1989 part I 1991 part II |
National Public Radio (NPR) Network | 0 | ||||||
| 9077 | Herwig | Landkammer | Finale für zwei | 1973 | fixed media, akusmatisch | 5:45 | Stereo | ELAK Wien | 0 | ||||||||||
| 9078 | Herwig | Landkammer | Kybernetische Festwochen | 1973 | fixed media, akusmatisch | 3:20 | Stereo | ELAK Wien | 0 | ||||||||||
| 9079 | Herwig | Landkammer | Regen | 1973 | fixed media, akusmatisch | 6:10 | Mono | ELAK Wien | 0 | ||||||||||
| 9080 | Marcel | Landowski | Concerto for Ondes Martenot, Allegro Moderato Allegro Vivace Largo Cantabile |
live-elec, 1 perf | ≈ 22 | oma [synthesizer] | MHS 988/ Vega C30A3/ ERA STU 70430/ | 0 | |||||||||||
| 9081 | Marcel | Landowski | Trompette | 1976 | Zuspiel / Tonband, 1 perf, 1 group | 10:26 | Stereo | tpt, orc [Trompete, Orchester] | partie bande 10:26 | INA • GRM | 0 | ||||||||
| 36801 | Leigh | Landy | Ambiguïté | 1973 | fixed media, akusmatisch | musique concrète | Col.Princ EMC, Sonology Utrecht | 0 | |||||||||||
| 9082 | Leigh | Landy | B | 1986 | Zuspiel / Tonband, 1 perf | 3 tracks | fem V [Stimme] | reduction of "Bildbeschreibung" by Heiner Müller | Uni Amsterdam | 0 | |||||||||
| 9083 | Leigh | Landy | Ceci n'est pas une flute | 1990 | Zuspiel, live-elec, 1 perf | Stereo | fl [Flöte] | Uni Amsterdam | 0 | ||||||||||
| 36802 | Leigh | Landy | Computer Study No. 1, Test Four | 1972 | fixed media, akusmatisch | computer music | Sonology Utrecht | 0 | |||||||||||
| 9084 | Leigh | Landy | Do it Yourselves | 1990 | Zuspiel/Tonband, 2 perf | intermedia |
7:00 | V, var ins, slides [Stimme, Instrument] | 0 | |||||||||||
| 9085 | Leigh | Landy | Electronique video circus | 1983 | audiovisuell | intermedia |
6 | 3 actor [Schauspieler] | 28 Monitors | Uni Amsterdam | 0 | |||||||||
| 9086 | Leigh | Landy | Mon coeur se recommande a vous | 1982 | Zuspiel / Tonband, 1 perf | Quadro | V [Stimme] | oscilloscope; text by B. Heidsieck | Uni Amsterdam | 0 | |||||||||
| 36803 | Leigh | Landy | Nixon. Phase (OUT).1, La Phase | 1973 | fixed media, akusmatisch | computer music | Sonology Utrecht | 0 | |||||||||||
| 9087 | Leigh | Landy | No water music | 1983 | radiophon | Stereo | Uni Amsterdam | 0 | |||||||||||
| 27662 | Leigh | Landy | Oh la la radio | 2006 | fixed media, akusmatisch | 8:48 | Octo | Binaural version on CD! | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | INA GRM | 1 | http://www.mti.dmu.ac.uk/ | ||||||
| 9088 | Leigh | Landy | Only the Ephemeral is of Lasting Value | 1992 - 1993 | Zuspiel / Tonband, 1 perf | 8:00 | fl [Flöte] | "elec M. without electricity" | 0 | ||||||||||
| 9089 | Leigh | Landy | Rock's Music | 1988 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | text by Gertrude Stein | Uni Amsterdam | 0 | |||||||||
| 27653 | Leigh | Landy | Soap Opera 1 - 5 | 2002 | fixed media, akusmatisch | 9:00 | uh-label 020011006 sonic voyages/ | Uni De Montfort | 0 | ||||||||||
| 9090 | Leigh | Landy | Video circus | 1984 | Fernsehen, | Stereo | TV-Production of elec video circus | Uni Amsterdam | 0 | ||||||||||
| 9091 | Leigh | Landy | What's left | 1980 | fixed media, akusmatisch | Tanz |
Stereo | solely pin-ball machines | Uni Amsterdam | 0 | ||||||||||
| 9092 | Leigh | Landy | Zuilen | 1977 | STEIM | 0 | |||||||||||||
| 24436 | Cathy | Lane | Hidden lives | 1999 | fixed media, akusmatisch | Organised Sound Vol 11/3/ | IMEB Bourges | 0 | |||||||||||
| 9093 | Roberto | Laneri | Anadyomene | 1986 | live-elec, | I.S. 25002/ | 1 | ||||||||||||
| 32750 | Roberto | Laneri | Memories of the rain-forest 1 | Zuspiel / Tonband, 4 perf, 1 group | 3 V, Kbds [Stimme, Keyboard] | 0 | |||||||||||||
| 32751 | Roberto | Laneri | Old men's tales | Zuspiel / Tonband, 1 perf | sol V [Stimme] | 0 | |||||||||||||
| 32752 | Roberto | Laneri | Two views of the Amazon | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | |||||||||||||
| 42970 | Ryan | Laney | Caves | 2013 | live-elec, 1 perf | 6:30:00 | p [Piano] | Francesco Prode, piano | 0 | ||||||||||
| 28563 | Bernhard | Lang | DW9 - Puppe/Tulpe | 2003 | live-elec, 1 perf, 1 group | 27:58 | V, ens [Stimme, Ensemble] | Klangforum Wien, Ltg. Emilio Pomarico, Salome Kammer (V), Peter Böhm (elec) | WD 2003, Wittener Tage Für Neue Kammermusik 2003/ | Kompositionsuaftrag des WDR | 2003 | Wittener Tage für neue Kammermusik 2003 mit Klangforum Wien, Ltg. Emilio Pomarico, Salome Kammer (V), Peter Böhm (elec) | 1 | ||||||
| 34331 | Bernhard | Lang | Monadologie XXXII, The Cold Trip | 2016 | live-elec, 6 perf | Surround 5.1 | S, 4 gui, p (Laptop) [Sopran, Piano, Gitarre] | part 1 with S (Voice), gui-qt, part 2 with S (Voice), p (Laptop) After „Die Winterreise“ by Franz Schubert |
Österreichisches Kulturforum Berlin, Arts Council England, The Hinrichsen Foundation, Huddersfield Contemporary Mzsuc Festivl | 15.03.2016 | Maerzmusik Festival Berlin, Haus der Berliner Festspiele, Sarah Maria Sun (S), Aleph Gitarrenquartett; Juliet Fraser (S), Mark Knoop (p, Laptop) | 0 | http://members.chello.at/bernhard.lang/ | ||||||
| 9095 | Bernhard | Lang | "V" | 1985/1986 | fixed media, akusmatisch | 8:35 | Stereo | IEM Graz | 0 | ||||||||||
| 19347 | Bernhard | Lang | Versuch über das Vergessen 2 | 1995 | live-elec, 2 perf | 34:15 | vn, e-gui [Gitarre, Violine] | Polisoidis, Lepenik, Winfried Ritsch (Elektronik und Konzeption der Partiturmaschine) | GE 20, Klangschnitte 5, ORF/ | IEM Graz | 1 | ||||||||
| 9094 | Bernhard, Winfried | Lang, Ritsch | Hexagrammatikon | 1987/1988 | fixed media, akusmatisch | 63:00 | Octo | work with systems of artificial intelligence | IEM Graz | 0 | |||||||||
| 9096 | István | Láng | Movimento | 1976 | fixed media, akusmatisch | 5:10 | Stereo | MR Budapest | 0 | ||||||||||
| 9097 | Max | Lang | Dorian Gray | 1966 | Tanz, 1 group | Mono | orc [Orchester] | PS C. St Gallen | 0 | ||||||||||
| 31678 | Rolf | Langebartels | Falling | 1997 | Klangkunst, Installation | five kinetic sound sculptures | 0 | http://www.floraberlin.de/rlangebartels/skulpt4.htm | |||||||||||
| 34237 | Rolf | Langebartels | Klangbeutel, Soundbag | 1999 - 2016 | Netzmusik | SOUNDBAG is an internet project by Rolf Langebartels. A collection of items relating to Sound Art and Audio Art. Contributions are welcome. End of 2015 the Soundbag contains 215 items. |
Galerie Giannozzo | 0 | http://floraberlin.de/soundbag/ | ||||||||||
| 31679 | Rolf | Langebartels | Nautilus | 1986 | Klangkunst, Installation | work for a threshold | 0 | http://www.floraberlin.de/rlangebartels/skulpt4.htm | |||||||||||
| 31680 | Rolf | Langebartels | Out of the Blue | 1991 | Klangkunst, Installation | kinetic sound installation, | 0 | http://www.floraberlin.de/rlangebartels/skulpt4.htm | |||||||||||
| 9098 | Rolf | Langebartels | Seilbahnmusik, Cable Car Music | 1987 | Klangkunst, Installation | sound installation | 0 | ||||||||||||
| 31677 | Rolf | Langebartels | Sound Balances | 1995 | Klangkunst, Installation | five kinetic sound sculptures | 0 | http://www.floraberlin.de/rlangebartels/skulpt1.htm | |||||||||||
| 35401 | Alexis | Langevin-Tétrault | Apax | 2015 | fixed media, akusmatisch | 8:02:00 | Surround 8.1 | MR 2016 Métamorphoses 2016/ | first prize ex aequo (student category) at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||||
| 36869 | Alexis | Langevin-Tétrault | Apax | 2016 | fixed media, akusmatisch | 8:02:00 | UdeM | prize JTTP 2017 | 0 | ||||||||||
| 39555 | Alexis | Langevin-Tétrault | Apax | 2017 | fixed media, akusmatisch | 16 Tracks | Alexis Langevin-Tétrault | 0 | |||||||||||
| 34829 | Alexis | Langevin-Tétrault | Dévorer l'espace | 2015 | fixed media, akusmatisch | 7:46:00 | Stereo, Surround 8.1 | JTTP 2016 10. prize | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 34363 | Alexis | Langevin-Tétrault | Shapeshifter | 2014 | fixed media, akusmatisch | 7:01 | JTTP 2014 | CEC Cache 2014/ | 0 | ||||||||||
| 38779 | Svann, Dirk | LANGGUTH, SPECHT | Paranoise | 2009 | radiophon | 42:50:00 | 0 | ||||||||||||
| 9099 | Ulf | Langheinrich | The Grand Tour | fixed media, akusmatisch | TRANSIT for ROMAEUROPA 1993 | 0 | |||||||||||||
| 19052 | Christopher | Langmead | Sources | fixed media, akusmatisch | CMJ Vol 20, 1996/ | 1 | |||||||||||||
| 19053 | Christopher | Langmead | Transformations | fixed media, akusmatisch | CMJ Vol 20, 1996/ | 1 | |||||||||||||
| 39622 | Brady K. | Lanier | Gamba Galelan: 7 (6 – 5 – 6) | 2017 | fixed media, akusmatisch | Brady K. Lanier | 0 | ||||||||||||
| 20399 | Tapani | Lansio | Traum (A) | Zuspiel / Tonband, 1 group | 9:15 | Stereo | ch [Chor] | ODE 743/ | Yleisradio | 0 | |||||||||
| 9100 | Paul | Lansky | As If | 1982 | Zuspiel / Tonband, 3 perf | 20:40 | Stereo | str-trio [Streicher] | IBM 3081 | Centaur CRC 2110, CDCM Vol. 10/ | Col.Princ EMC | 1 | |||||||
| 9101 | Paul | Lansky | as it grew dark | 1983 | fixed media, akusmatisch | 18:18 | Stereo | txtcompo | WER 20312; Computer Music Currents 11/ | 1 | |||||||||
| 9102 | Paul | Lansky | Guy's Harp | Zuspiel / Tonband, 1 perf | 12:47 | hp [Harfe] | IBM3081 | NA 030/ | 1 | ||||||||||
| 9103 | Paul | Lansky | Idle Chatter | 1985 | fixed media, akusmatisch | 9:22 | Stereo | IBM | WER 2010-50/ | Col.Princ EMC | 1 | ||||||||
| 24843 | Paul | Lansky | Idle Chatter Junior | fixed media, akusmatisch | 10:37 | Stereo | BRIDGE 9117/ | 0 | |||||||||||
| 9104 | Paul | Lansky | just - more - idle - chatter | 1987 | fixed media, akusmatisch | 8:43 | Stereo | Inner Voices, speech-proc | Centaur CRC 2076, CDCM Vol. 5/ | Winham | 1 | ||||||||
| 9105 | Paul | Lansky | Late August | fixed media, akusmatisch | 13:45 | NeXT | NA 030/ | 1 | |||||||||||
| 9106 | Paul | Lansky | mild und leise | 1973/1974 | fixed media, akusmatisch | 18:20 | Stereo | IBM 360/91 with Music 360 | Odyssey AL 34139/ | Col.Princ EMC | 1 | ||||||||
| 20400 | Paul | Lansky | Night Traffic | fixed media, akusmatisch | 10:14 | Stereo | BCD 9035/ BRIDGE 9117/ | 0 | |||||||||||
| 9107 | Paul | Lansky | Not so heavy metal | Zuspiel / Tonband, 1 perf | 19:13 | com [computer] | NeXT | NA 030/ | 1 | ||||||||||
| 9108 | Paul | Lansky | Notjustmoreidlechatter | 1988 | fixed media, akusmatisch | 7:55 | Neuma 450-73/ | Col.Princ EMC | 1 | ||||||||||
| 20401 | Paul | Lansky | Now and Then | fixed media, akusmatisch | 12:22 | Stereo | BCD 9035/ | 0 | |||||||||||
| 20402 | Paul | Lansky | Quakerbridge | fixed media, akusmatisch | 13:16 | Stereo | BCD 9035/ | 0 | |||||||||||
| 9112 | Paul | Lansky | Six Fantasies on a Poem by Thomas Campion | 1978 | fixed media, akusmatisch | 22:24 | Lyrics by Thomas Campion (Narrator Hannah MacKay) | CMJ Vol 04, 1980/ CRI CD 683/ Ellipsis Arts 3673 - OHM: 03/ NWCR 683/ CMJ Vol 30-4, 2006/ | 1 | ||||||||||
| 9109 | Paul | Lansky | Smalltalk | fixed media, akusmatisch | 12:44 | com M. | NA 030/ | 1 | |||||||||||
| 22931 | Paul | Lansky | Still Time | 1993 - 1994 | fixed media, akusmatisch | 25:16 | NeXT; Physical Model of a slide flute (Perry Cook) | CRI CD 683/ NWCR 683/ | Col.Princ EMC | 1 | |||||||||
| 9110 | Paul | Lansky | Stroll | 1988 | Zuspiel / Tonband, 4 perf | 14:27 | fl, mar, vc, p [Flöte, Piano, Schlagzeug, Cello] | Centaur CRC 2213, CDCM Vol. 18/ | SME Krakow, CEMI Denton | 1 | |||||||||
| 20403 | Paul | Lansky | Table's Clear | fixed media, akusmatisch | 18:02 | Stereo | BRIDGE 9117/ | 0 | |||||||||||
| 25967 | Paul | Lansky | The Dust Bunny | audiovisuell | 17:08 | animation von Grady Klein | Ellipsis Arts 3694 - OHM DVD/ | 1 | |||||||||||
| 20404 | Paul | Lansky | The Sound of Two Hands | fixed media, akusmatisch | 10:29 | Stereo | BCD 9035/ CMJ Vol 16, 1992/ CMJ Vol 19, 1995/ | 1 | |||||||||||
| 20405 | Paul | Lansky | Things she carried | 1996 | fixed media, akusmatisch | 61:47 | Stereo | BCD 9076/ | 0 | ||||||||||
| 9114 | Paul | Lansky | Word Color | fixed media, akusmatisch | 12:52 | CMJ Vol 20, 1996/ | Col.Princ EMC | 1 | |||||||||||
| 9113 | Paul, Andrew, Brad | Lansky, Milburn, Garton | Wasting | 1987 | fixed media, akusmatisch | 7:55 | Stereo | Inner Voices, poem by R. Kostelanetz | Centaur CRC 2076, CDCM Vol. 5/ | Winham | 1 | ||||||||
| 9115 | Louis, Etienne | Lantoine, Saur | Le fils de la terre | 1989 | Zuspiel / Tonband, 1 perf, 1 group | 20:00 | gui, ens [Gitarre, Ensemble] | CNR Amiens | 0 | ||||||||||
| 9116 | Alcides | Lanza | arghanum IV (1987-III) | 1987 | fixed media, akusmatisch | 17:00 | Stereo | Shelan Montréal | Shelan | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||||
| 9117 | Alcides | Lanza | arghanum V | 1991 | Zuspiel / Tonband, 1 perf | 14:05 | p [Piano] | eSP 9301 Shelan/ | McGill Montréal | 1 | http://www.music.mcgill.ca/~alcides/ | ||||||||
| 9118 | Alcides | Lanza | ekphonesis IV (1971-III) | 1971 | fixed media, akusmatisch | intermedia, 1 perf |
14:41 | Stereo | ins ad lib [Instrument] | Slides from Picasso's “Guernica” | McGill Montréal, PS Lanza | Shelan | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||
| 9119 | Alcides | Lanza | ekphonesis V (1979-I) | 1979 | Zuspiel / Tonband, 1 perf | 15:31 | Stereo | V [Stimme] | Part of "Trilogy". Meg Sheppard (V) | eSP 9201 Shelan/ | Shelan Montréal | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||
| 9120 | Alcides | Lanza | ekphonesis VI (1988-I) | 1988 | Zuspiel / Tonband, 1 perf | 25:23 | Stereo | V [Stimme] | Part of "Trilogy". Meg Sheppard (V) | eSP 9201 Shelan/ | Shelan Montréal | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||
| 9121 | Alcides | Lanza | exercise I (1965-V) | 1965 | fixed media, akusmatisch | 8:45 | Stereo | Col.Princ EMC | Shelan | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||||
| 9122 | Alcides | Lanza | hip'nos I | 1973 | Zuspiel / Tonband, 1 perf | 17:00 | Stereo | trbn [Posaune] | PS C. | Shelan | 0 | http://www.music.mcgill.ca/~alcides/ | |||||||
| 9123 | Alcides | Lanza | interferences I | 1966 | Zuspiel / Tonband, 1 perf, 1 group | 4:38 | Stereo | 2 group w-ins [Bläser] | McGill MR 2001-01-2 Disc 1/ | Col.Princ EMC | 0 | http://www.music.mcgill.ca/~alcides/ | |||||||
| 9124 | Alcides | Lanza | interferences II | 1967 | Zuspiel / Tonband, 1 perf, 1 group | perc-ens [Schlagzeug] | McGill MR 2001-01-2 Disc 1/ | Col.Princ EMC | 0 | http://www.music.mcgill.ca/~alcides/ | |||||||||
| 23407 | Alcides | Lanza | Interferences III (1983 - IV) | 1983 | Zuspiel / Tonband, 2 perf | 11:54 | V, ins [Stimme, Instrument] | Synclavier II | McGill MR 2001-01-2 Disc 1/ | McGill Montréal | 0 | http://www.music.mcgill.ca/~alcides/ | |||||||
| 9125 | Alcides | Lanza | interferences III (1983-III) | 1983 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | Stereo | V, chamber-orc [Stimme, Orchester] | McGill MR 2001-01-2 Disc 1/ | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||||
| 9126 | Alcides | Lanza | modulos II (1982-I) | 1982 | Zuspiel / Tonband, 2 perf | Stereo | gui, V [Stimme, Gitarre] | Shelan Montréal | Shelan | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||||
| 9127 | Alcides | Lanza | penetrations I (1968-IV) | 1968 | fixed media, akusmatisch | 21:00 | Stereo | Col.Princ EMC | Shelan | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||||
| 9128 | Alcides | Lanza | penetrations VII (1972- III) | 1972 | Zuspiel / Tonband, 1 perf | 15:42 | Stereo | V [Stimme] | Part of "Trilogy". Dedicated to Meg Sheppard (V) | eSP 9201 Shelan/ | McGill Montréal, PS Lanza | Donaueschingen | 0 | http://www.music.mcgill.ca/~alcides/ | |||||
| 9129 | Alcides | Lanza | plectros II | 1966 | Zuspiel / Tonband, 2 perf | 4:34 | Stereo | p, perf [Piano, Performer] | Creel Pone 057/ | Col.Princ EMC | 0 | http://www.music.mcgill.ca/~alcides/ | |||||||
| 9130 | Alcides | Lanza | plectros III (1971-I) | 1971 | live-elec, 1 perf | Stereo | p [Piano] | synthesized sounds | 0 | http://www.music.mcgill.ca/~alcides/ | |||||||||
| 20406 | Alcides | Lanza | Vôo (1992-I) | 1992 | Zuspiel / Tonband, 1 perf | 12:41 | Stereo | V, (DSP) [Stimme] | synthesized sounds | eSp 9601 Shelan/ | Shelan Montréal | 0 | http://www.music.mcgill.ca/~alcides/ | ||||||
| 28226 | Silvia | Lanzalone | Il suono incausato | 2005 | Demo mit live-elec, 1 perf | 6:50 | amp cl [Klarinette] | Massimo Munasi (cl); die präp Klarinette wird von einem Druckkammer-LS angeregt. Liegt als mp3-Video vor! |
1 | ||||||||||
| 42955 | Sylvia | Lanzalone | eRose | 2013 | fixed media, akusmatisch | 9:54:00 | 0 | ||||||||||||
| 9131 | B. | Laout | Univers d'enfant | 1990 | fixed media, akusmatisch | 12:00 | CNR Amiens | 0 | |||||||||||
| 22538 | Chantale | Laplante | Éclat | 2001 | Zuspiel / Tonband, 1 perf | 8:00 | vn [Violine] | Julie-Anne Derome (vn) | 1 | ||||||||||
| 22537 | Chantale | Laplante | For Piano, Tape and Conversation | 2002 | Zuspiel / Tonband, 1 perf | 10:00 | p [Piano] | only the tape part!!! | 1 | ||||||||||
| 22536 | Chantale | Laplante | Le ciel doit être proche | 1999 | Zuspiel / Tonband, 1 perf | 7:30 | vn [Violine] | Olga Kotova (vn) | Banff C. | 1 | |||||||||
| 41633 | Chantale | Laplante | Surface-Étang | 2010 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 24710 | Jean-François | Laporte | Mantra | 1997 | fixed media, akusmatisch | 21:58 | MK CD 028/ | 0 | |||||||||||
| 34678 | Jean-François | Laporte | Prana | 1998 | Zuspiel / Tonband, 1 group | 10:41 | Stereo | amp ens [Ensemble] | Russolo Pratella EF.ER.P 01/ | Prize Luigi Russolo 2001 | 0 | ||||||||
| 27183 | Daniel | Lara | Amplitud Modulada | 2002 | fixed media, akusmatisch | 4:48 | 0 | ||||||||||||
| 9132 | Hacène | Larbi | Cantate opus 10 "Les Cyclades" | 1993 | live-elec, 7 perf | 8:00 | S, vc, 2 perc, hp, p, fl [Sopran, Flöte, Piano, Harfe, Schlagzeug, Cello] | IRCAM | 0 | ||||||||||
| 9133 | Werner Eugen | Lardy | Ein Weltbild | 1971 | fixed media, akusmatisch | 7:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 20407 | Claire | Laronde | Frissons du son | 1992 | fixed media, akusmatisch | 16:31 | Stereo | EMEI EM 961/ | 0 | ||||||||||
| 20408 | Claire | Laronde | Le Sept | 1993 | fixed media, akusmatisch | 24:26 | Stereo | 7 parts | EMEI EM 961/ | 0 | |||||||||
| 28450 | Claire | Laronde | Les Particules de la Perception | 2001 | fixed media, akusmatisch | 13:03 | Stereo | 3 parts | ELCD 026 Electroshock Records/ | 0 | |||||||||
| 28457 | Claire | Laronde | Matiers de Piano I | 2001 | fixed media, akusmatisch | 4:53 | Stereo | ELCD 036 Electroshock Records/ | 0 | ||||||||||
| 20409 | Claire | Laronde | Même les pierres parleront | 1993 | fixed media, akusmatisch | 26:48 | Stereo | 6 parts | EMEI EM 961/ Kiasma 1998/ | 0 | |||||||||
| 28438 | Claire | Laronde | Nouvele, Nouvelle | 1997 | fixed media, akusmatisch | 18:45 | On CD Acousmatica duration 11:20 | ELCD 006 Electroshock Records/ Kiasma 1999/ Acousmatica CD 1200/ | 0 | ||||||||||
| 20410 | Claire | Laronde | Séquence première | 1991 | fixed media, akusmatisch | 3:43 | Stereo | EMEI EM 961/ | 0 | ||||||||||
| 28442 | Claire | Laronde | Vibration de la Matière | 1999 | fixed media, akusmatisch | 14:42 | Stereo | ELCD 013 Electroshock Records/ | 0 | ||||||||||
| 21972 | Bjørn | Larsen | Formation of Unvoiced Sound | 1997 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21973 | Bjørn | Larsen | Trio | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 9134 | Erik | Larson | Earthspheres | 1987 | fixed media, akusmatisch | 14:45 | Stereo | Uni Kansas | 0 | ||||||||||
| 9135 | Lars | Larsson | Opening a can of worms | 1992 | fixed media, akusmatisch | 11:00 | Stereo | FYCD 1006/ | EMS Stockholm | 1 | |||||||||
| 20411 | Francis | Larvor | C'est cassé à l'intérieur | fixed media, akusmatisch | 8:05 | Stereo | Acousmatica CD 1296/ | Musiques et Recherches Ohain | 0 | ||||||||||
| 9136 | Marco | Lasagna | Il nastro delle tredici lune | 1992 | live-elec, | 16:00 | 0 | ||||||||||||
| 9137 | Marco | Lasagna | Respiro | 1990 | live-elec, 1 perf | Stereo | cl [Klarinette] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 23973 | Nicolás | Láscar | Del levante a la (a)puesta | 2005 | live-elec, 3 perf | 8:00 | t-sax, gui, db [Saxophon, Gitarre, Kontrabass] | flamenca-gui | 15.3.2005 | Goethe Institut Santiago, Chile | 0 | ||||||||
| 36804 | Otto | Laske | A Study | fixed media, akusmatisch | 0 | ||||||||||||||
| 33086 | Otto | Laske | Being and Nothingness | 2009 | fixed media, akusmatisch | 53:20 | 4 movements | PS C. Medford | 0 | ||||||||||
| 33088 | Otto | Laske | Beyond | 2003 | fixed media, akusmatisch | 47:20 | 3 movements | PS C. Medford | 0 | ||||||||||
| 9138 | Otto | Laske | Brainstorms (IX), Structure IX | 1975/2009 | fixed media, akusmatisch | 11:30 | Stereo, Quadro | first version 16:45 | Sonology Utrecht | 0 | |||||||||
| 9139 | Otto | Laske | De Profundis (VII), Structure VII | 1974 | fixed media, akusmatisch | 17:00 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9140 | Otto | Laske | Distances&Proximinities, Structure IV | 1973 | fixed media, akusmatisch | 16:30 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9141 | Otto | Laske | Eruptions VI, Structure VI | 1974 | fixed media, akusmatisch | 19:45 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9142 | Otto | Laske | Exorcism (II.1), Structure II | 1971 | fixed media, akusmatisch | 6:00 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 33090 | Otto | Laske | Farewell to Los Angeles | 2011 | fixed media, akusmatisch | 11:50 | 3 movements | PS C. Gloucester | 0 | ||||||||||
| 9143 | Otto | Laske | FromHereto Infinity (II.2), Structure II | 1971 | fixed media, akusmatisch | 11:25 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9144 | Otto | Laske | Furies and Voices | 1989/1990 | fixed media, akusmatisch | 10:30 | Stereo | Neuma 450-99/ | Arts C. Vancouver, PS C. Needham | 0 | |||||||||
| 9145 | Otto | Laske | Hallucination | 1991 | fixed media, akusmatisch | 8:20 | Stereo | total rev. of the earlier work "Meditations" | PS C. | 0 | |||||||||
| 9147 | Otto | Laske | In Memory | 1987/1988 | fixed media, akusmatisch | 8:25 | Stereo | SCCM, PS C. Needham | 0 | http://www.computermusic.ch/ | |||||||||
| 9148 | Otto | Laske | Inner Spaces, Structure I | 1970 | fixed media, akusmatisch | 7:10 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9150 | Otto | Laske | La Forêt enchantée | 1986/1987 | fixed media, akusmatisch | 8:05 | Stereo | IMEB Bourges, SCCM, PS C. Needham | 0 | ||||||||||
| 36805 | Otto | Laske | Mediations, Meditations | 1981 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 9151 | Otto | Laske | Message to the Messiah | 1978 | fixed media, akusmatisch | 16:30 | Stereo | EMS UIUC, PS C. Needham | 0 | ||||||||||
| 9152 | Otto | Laske | Nature's Dream (III.1), Structure III.1 | 1972 | fixed media, akusmatisch | 8:30 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9153 | Otto | Laske | Nature's Self (III.2), Structure III.2 | 1972 | fixed media, akusmatisch | 5:20 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9154 | Otto | Laske | Objects&Spaces (VIII.1-3), Structure VIII | 1975/2009 | fixed media, akusmatisch | 12:00 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9155 | Otto | Laske | Perpetuum Mobile | 1970 | fixed media, akusmatisch | 5:00 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 33087 | Otto | Laske | Songs of Abundance | 2004 | fixed media, akusmatisch | 46:20 | 2 movements | PS C. Medford | 0 | ||||||||||
| 9156 | Otto | Laske | Strata | 1987/1988 | fixed media, akusmatisch | SCCM, PS C. | 0 | ||||||||||||
| 9146 | Otto | Laske | Structure I - II - III, Structure I Structure II Structure III |
1971 | fixed media, akusmatisch | 42 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 9149 | Otto | Laske | Structure IV | 1973 | fixed media, akusmatisch | 17:45:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 9160 | Otto | Laske | Structure V | 1973 | fixed media, akusmatisch | 17:35:00 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 36749 | Otto | Laske | Structure VI | 1973 | fixed media, akusmatisch | 19:45 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 36750 | Otto | Laske | Structure VII - VIII - IX, Structure VII Structure VIII Structure IX |
1974 - 1975 | fixed media, akusmatisch | 53 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 9157 | Otto | Laske | Terpsichore, Neuma VIII | 1980 | fixed media, akusmatisch | 14:00 | Stereo | SSSP Toronto, PS C. Needham | 0 | ||||||||||
| 25055 | Otto | Laske | The Death of Virgil | 2004 | fixed media, akusmatisch | 30:17 | 4 Movements (6:12 + 8:56 + 9:36 + 5:48); electronic Symphony Number 2 komponiert mit „Project one“ von Koenig, realisiert mit dem Kyma-System |
PS C. Medford | 1 | ||||||||||
| 9158 | Otto | Laske | Treelink, Neuma VI | 1992 | Zuspiel / Tonband, 1 perf | 14:15 | Stereo | Sp [Sprecher] | poetry by Otto Laske | Neuma 450-92/ | PS C. Needham | 1 | |||||||
| 33089 | Otto | Laske | Trilogy, Erwachen Echo des Himmels Ganymed |
2001 | fixed media, akusmatisch | 24 | PS C. Medford | 0 | |||||||||||
| 9159 | Otto | Laske | Twin Sister | 1985/1993 | fixed media, akusmatisch | 16:00 | Stereo | poetry by Otto Laske | PS C. | 1 | |||||||||
| 25056 | Otto | Laske | Two songs: Lorelei 1 & 2 | 2003 | fixed media, akusmatisch | 29:52 | 1 | ||||||||||||
| 9161 | Otto | Laske | Voie Lactee | 1983/1984 | fixed media, akusmatisch | 11:15 | Stereo | DMX St Boston, PS C. Needham | 1 | ||||||||||
| 9162 | Aleksander | Lason | Concerto | 1976 | Zuspiel / Tonband, 1 perf | Stereo + Stereo + Stereo | p [Piano] | 0 | |||||||||||
| 9163 | Aleksander | Lason | Music in Shakespeare | 1975 | Zuspiel / Tonband, 1 perf | Bar [Bariton] | 0 | ||||||||||||
| 9164 | Alexander | Laszlo | This world-tomorrow | Musiktheater | GLD-LP 6256/ | 0 | |||||||||||||
| 9165 | Faustas | Latenas | Concertino | 1988 | fixed media, akusmatisch | 0 | |||||||||||||
| 9166 | Mark | Latham | Auf dem Wasser zu spielen | 1993 | Zuspiel, live-elec, 1 perf | tpt [Trompete] | Name of the composer is also Peter Burt | 0 | |||||||||||
| 35585 | Fernando | Laub | Bestiario | 2009 | fixed media, akusmatisch | 05:49 | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 39783 | Fernando | Laub | Consumation | 2016 | fixed media, akusmatisch | Fernando Laub | 0 | ||||||||||||
| 39377 | Fernando | Laub | Lightning Graveyard | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40825 | Fernando | Laub | The Dam | 2003 | Zuspiel / Tonband, 3 perf | 3:33 | p, fl, vc [Flöte, Piano, Cello] | CLS 170901/ | 0 | ||||||||||
| 39782 | Fernando | Laub | Universes | 2017 | fixed media, akusmatisch | Fernando Laub | 0 | ||||||||||||
| 32974 | Vincent | Laubeuf | A travers un monde dénaturé | fixed media, akusmatisch | 10:58 | Motus M 310016/ | 0 | ||||||||||||
| 32979 | Vincent | Laubeuf | Seuil, Territoires | fixed media, akusmatisch | 22:46 | Motus M 310016/ | 0 | ||||||||||||
| 32978 | Vincent | Laubeuf | Sous terre/Exploration | fixed media, akusmatisch | 6:16 | Motus M 310016/ | 0 | ||||||||||||
| 36702 | Vincent | Laubeuf | Trajectoires/Répétitions | fixed media, akusmatisch | elek 002/ | 0 | |||||||||||||
| 24437 | Vincent | Laubeuf | Une Ballade (un Jour) | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 32976 | Vincent | Laubeuf | Une histoire de désordre | fixed media, akusmatisch | 15:33 | Motus M 310016/ | 0 | ||||||||||||
| 32977 | Vincent | Laubeuf | Une passacaille (ou presque) | fixed media, akusmatisch | 11:00 | Motus M 310016/ | 0 | ||||||||||||
| 32975 | Vincent, Hervé | Laubeuf, Bauer | Raréfaction | fixed media, akusmatisch | Motus M 310016/ | 0 | |||||||||||||
| 9167 | Serge de | Laubier | Création | 1993 | live-elec, 2 perf | MIDI-gui, sam [Gitarre, computer] | MAX | la grande fabrique | 0 | ||||||||||
| 9168 | Serge de | Laubier | Saxo Sonneries | 1992 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | Upic | LGF 004/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 34573 | Serge de, Rémi | Laubier, Dury | Live Computer Music | 1997 | Performance, live-elec, 3 perf | 3 perf [Performer] | LGF 004/ | la grande fabrique | 0 | ||||||||||
| 9169 | Thomas | Lauck | Metallgitter | 1989 | live-elec, 1 perf | Stereo | perc [Schlagzeug] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 9170 | Thomas | Lauck | Metamorphosen II | 1976 | live-elec, 6 perf | p, 2 perc, 3 perf [Piano, Schlagzeug, Performer] | Experimentalstudio für Akustische Kunst Freiburg | Gaudeamus prize 1977 | 0 | ||||||||||
| 9171 | Thomas | Lauck | Plumbum | 1972/1973 | Zuspiel / Tonband, 6 perf | 5:22 | 2 Sp, 4 ins [Sprecher, Instrument] | 0 | |||||||||||
| 42629 | Karen | Lauke | Copper Vibrations | 2009 | audiovisuell | 9 | 0 | ||||||||||||
| 38605 | Fabienne | LAUMONIER | Bienvenue | 2017 | radiophon | 37:00:00 | Prix Phonurgia nova 2017 special mention | 0 | |||||||||||
| 9172 | Marc | Lauras | Cinq pivoines blanches dans un vase | 1985 | fixed media, akusmatisch | 25:43 | Stereo | GMVL D 04 LP/ | GMVL Lyon | 1 | |||||||||
| 9173 | Marc | Lauras | Electre avant la nuit | 1987 | fixed media, akusmatisch | Stereo | GMVL D 04 LP/ | GMVL Lyon | 1 | ||||||||||
| 28161 | Marc | Lauras | En Attendant La Fanfare | 1989 | fixed media, akusmatisch | 5:08 | Stereo | GMVL CD 11/ | GMVL Lyon | 0 | |||||||||
| 28162 | Marc | Lauras | J'Avais Perdu Mon Stylo | 1989 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | GMVL CD 11/ | GMVL Lyon | 0 | |||||||||
| 20412 | Marc | Lauras | La cabane su'l chien | 1991 | fixed media, akusmatisch | 14:48 | Stereo | GMVL Lyon | 0 | ||||||||||
| 20413 | Marc | Lauras | Quel carnage! | 1989 | fixed media, akusmatisch | 4:40 | Stereo | GMVL CD 09/ GMVL CD 11/ | GMVL Lyon | 0 | |||||||||
| 31527 | Rolf | Laureijs | Glaskapelle | 2012 | Performance | 8:00 | 2 perf [Performer] | next_generation 5.0 | HKB Bern | 0 | |||||||||
| 36728 | Rolf | Laureijs | Physiology | 2017 | live-elec, 1 perf | multichannel | elec [elektronik] | 0 | |||||||||||
| 9174 | Elodie | Lauten | Music for the Trine, Part IV | 1988 | Performance | 6:00 | trine | AER 1991 / 4/ | 1 | ||||||||||
| 21815 | Elodie | Lauten | Tronik Involutions | Zuspiel, live-elec, 1 perf | synt [synthesizer] | OO Discs 27/ | 0 | ||||||||||||
| 9175 | Martin | Lauterer | Chinese Dentists - Minimals for Alice | 1987 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | ELAK Wien | 0 | |||||||||||
| 9176 | Gilles | Laval | Il faut partir à point | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 34107 | Antonio | Laviano | Kosmos XI | 2011 | fixed media, akusmatisch | 3:03 | FONAM Urugay/ | 0 | |||||||||||
| 9177 | Claude | Lavigne | Assemblée générale | 1983 | fixed media, akusmatisch | 11:28 | Stereo | Concordia Montréal, PS Lavigne | 0 | ||||||||||
| 9178 | Diana | Lavigne | … and eight thirty in Newfoundland | 1986 | fixed media, akusmatisch | Stereo | PS C. | 0 | |||||||||||
| 36856 | Nick | Lavigne | No Safe Passage | 2017 | fixed media, akusmatisch | 5:31:00 | 0 | ||||||||||||
| 9179 | Mario | Lavista | Alme | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 9180 | Mario | Lavista | Continuo | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 9181 | Mario | Lavista | Contrapunto, Contra punto | 1972 | fixed media, akusmatisch | 16:11 | Stereo | IRD 002 Irradia/ | NHK Tokyo | 0 | |||||||||
| 27205 | Mario | Lavista | Game | Zuspiel / Tonband, 1 perf | fl [Flöte] | for 1, 2, 3, 4 flutes | 1 | ||||||||||||
| 9182 | André | Lavoie | Somewhere in the Alps | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 34838 | Joël | Lavoie | Bleu01 | 2015 | live-elec, 1 perf | 14:09:00 | Stereo | sax [Saxophon] | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | ||||||||
| 27371 | Myriam | Lavoie | chercher | 2006 | fixed media, akusmatisch | 7:21 | JTTP 2007 composer | CEC Cache 2007, PeP 012/ | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 34360 | Sébastien | Lavoie | The Four Seasons, Summer | 2012 | fixed media, akusmatisch | 6:10:00 | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 5. prize | 0 | |||||||||
| 9183 | Tim | Lawrence | Dialogue | 1987 | fixed media, akusmatisch | 9:00 | Stereo | Delta M. Calgary | 0 | ||||||||||
| 9184 | Tim | Lawrence | Fantasia Chromatica | 1988 | fixed media, akusmatisch | 13:00 | Stereo | after Bach | Delta M. Calgary | 0 | |||||||||
| 9185 | Tim | Lawrence | Illuminations | 1985 | fixed media, akusmatisch | Stereo | Delta M. Calgary | 0 | |||||||||||
| 9186 | Tim | Lawrence | International | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 9187 | Tim | Lawrence | Lubicon | 1987 | fixed media, akusmatisch | 7:30 | Stereo | Delta M. Calgary | 0 | ||||||||||
| 9188 | Tim | Lawrence | Nexus | fixed media, akusmatisch | Stereo | Liberty / Nexus I / Nexus II / Wachet Auf (JS Bach) / Nexus III | Delta M. Calgary | 0 | |||||||||||
| 9189 | Tim | Lawrence | Northern Circle | fixed media, akusmatisch | Stereo | 4 movements & finale | Delta M. Calgary | 0 | |||||||||||
| 9190 | Tim | Lawrence | Photon | fixed media, akusmatisch | Stereo | Fugue in d minor (JS Bach) / Jesu, Joy of Man's Desiring (JS Bach) / Photon One / Photon Two | Delta M. Calgary | 0 | |||||||||||
| 9191 | Tim | Lawrence | Revelation | 1985 | fixed media, akusmatisch | Stereo | Delta M. Calgary | 0 | |||||||||||
| 9192 | Tim | Lawrence | Third World Intercepter | fixed media, akusmatisch | Stereo | 4 movements & finale | Delta M. Calgary | 0 | |||||||||||
| 9193 | Zenoby | Lawryshyn | Electronic poem | 1966 | fixed media, akusmatisch | 5:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 9194 | Zenoby | Lawryshyn | Fugue for Harpsicord, cats and clarinet | 1965 | fixed media, akusmatisch | 3:45 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 9195 | Zenoby | Lawryshyn | Gestures | 1966 | fixed media, akusmatisch | 5:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 39369 | Erik T. | Lawson | Handshake Nineteen Seventy-Five | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39770 | Erik T. | Lawson | The Mercury Survey | 2017 | fixed media, akusmatisch | Erik T. Lawson | 0 | ||||||||||||
| 40246 | Shawn, Ryan | Lawson, Ross Smuth | EV9D9 | 2017 | fixed media, akusmatisch | Shawn Lawson and Ryan Ross Smuth | EMPAC | 0 | |||||||||||
| 9196 | Stephen Peter | Lawson | Radio Music II | 1972 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 20414 | Henri | Lazarof | Cadence II | 1969 | Zuspiel / Tonband, 1 perf | 7:54 | Stereo | vn [Violine] | CRi CD 631/ | Col.Princ EMC | 0 | ||||||||
| 20415 | Henri | Lazarof | Cadence V | 1972 | Zuspiel / Tonband, 1 perf | 11:04 | Quadro | fl [Flöte] | CRi CD 631/ | Col.Princ EMC | 0 | ||||||||
| 20416 | Henri | Lazarof | Spectrum | 1972 - 1973 | Zuspiel / Tonband, 1 perf, 1 group | 13:50 | Quadro | tpt, orc [Trompete, Orchester] | CRi CD 631/ | Col.Princ EMC | 0 | ||||||||
| 9197 | Miodrag | Lazarov | In Medium | 1979 | fixed media, akusmatisch | 90:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 9198 | Simo | Lazarov | Between Man and the Stars 89 | fixed media, akusmatisch | 0 | ||||||||||||||
| 9199 | Simo | Lazarov | Cardiofonia | 1991 | fixed media, akusmatisch | Radio Sofia | 0 | ||||||||||||
| 9200 | Simo | Lazarov | Corre voce | 1983 | fixed media, akusmatisch | 9:03 | Radio Sofia | 0 | |||||||||||
| 9201 | Simo | Lazarov | Games | 1982 | fixed media, akusmatisch | Radio Sofia | 0 | ||||||||||||
| 9202 | Simo | Lazarov | Layer 7s | 1981 | fixed media, akusmatisch | 15:17 | Radio Sofia | 0 | |||||||||||
| 9203 | Simo | Lazarov | Mixed Pieces | 1985 - 1990 | Film | 0 | |||||||||||||
| 9204 | Simo | Lazarov | Nature Nature | 1988 | Film | 0 | |||||||||||||
| 24440 | Simo | Lazarov | See imaginations | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 9205 | Simo | Lazarov | Sfumature spaziali | 1991 | fixed media, akusmatisch | Radio Sofia | 0 | ||||||||||||
| 9206 | Simo | Lazarov | The City | 1974 | Film | 0 | |||||||||||||
| 24439 | Simo | Lazarov | The sea man | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24438 | Simo | Lazarov | The sea spirit | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 9207 | Simo | Lazarov | The Things of Life | 1985 | Film | 0 | |||||||||||||
| 9208 | Simo | Lazarov | The White Wind | 1990 | fixed media, akusmatisch | 7:03 | Radio Sofia | 0 | |||||||||||
| 21906 | Valentin | Lazarov | A Point of View | 1998 | fixed media, akusmatisch | 8:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 21907 | Valentin | Lazarov | In the Heart of Bouges | 1998 | fixed media, akusmatisch | 12:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 39241 | Ramon | Lazkano | Chant II | 1989 | Zuspiel / Tonband, 1 perf | 11 | va (or solo va & 4 va) [Viola] | March 1990 | Radio France in Paris, Sabine Toutain | Le Chant du Monde | 0 | ||||||||
| 23976 | Félix | Lazo | Abbyth | fixed media, akusmatisch | 6:01 | 0 | |||||||||||||
| 23977 | Félix | Lazo | Earth | 2004 | fixed media, akusmatisch | 7:49 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 23975 | Félix | Lazo | Ex-zummo | 2004 | audiovisuell | 3:05 | Octubre 2004. Festival Ai-Maako. Santiago, Chile. | 0 | |||||||||||
| 23974 | Félix | Lazo | Las Hijas de Mara | 2003 | audiovisuell | 22:10 | Octubre 2003. Tercer Festival de música electroacústica. Santiago, Chile. | 0 | |||||||||||
| 23978 | Paola | Lazo | A-Polo 23 | 2000 | fixed media, akusmatisch | 5:02 | Julio 2000. Sala de la SCD, Santiago, Chile. | 0 | |||||||||||
| 23981 | Paola | Lazo | Medusa | 2003 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Octubre 2003. III Ciclo internacional de conciertos de música electroacústica. Santiago, Chile. | 0 | |||||||||||
| 23982 | Paola | Lazo | Medusa II | 2004 | Zuspiel / Tonband, 1 perf | 10:00 | perc [Schlagzeug] | Octubre 2004. IV Festival de música electroacústica Ai-Maako. Santiago, Chile. | 0 | ||||||||||
| 23980 | Paola | Lazo | Ok | audiovisuell | 5:21 | Imágenes realizadas por Félix Lazo | 0 | ||||||||||||
| 23979 | Paola | Lazo | Totto | audiovisuell | 5:03 | Imágenes realizadas por Félix Lazo. | 0 | ||||||||||||
| 9209 | Victor | Lazzarini | Noite | 1995 | fixed media, akusmatisch | 4:20 | II SBC&M/ | 1 | |||||||||||
| 26200 | Victor | Lazzarini | Streams | 2007 | fixed media, akusmatisch | Spazialisation: WFS | performed at Linux-Audio-Conference TU-Berlin 2007 | TU Berlin, NUI Maynooth | 0 | ||||||||||
| 9210 | Hugh | Le Caine | 99 Generators | 1956 | fixed media, akusmatisch | 1:41 | Mono, Stereo | elec: the 99 keys of the touch sensitive org, pitch changer | WRCI 4299/ JWD 03/ JWD 02/ | PS C., NRC Ottawa | 1 | ||||||||
| 22230 | Hugh | Le Caine | A Noisome Pestilence | fixed media, akusmatisch | 2:05 | Compositions | JWD 03/ WRCI 4299/ JWD 02/ | PS | 1 | ||||||||||
| 22231 | Hugh | Le Caine | Accents | fixed media, akusmatisch | 0:49 | The Touch Sensitive Organ Demonstration Tapes (1955) | JWD 03/ | PS | 1 | ||||||||||
| 22232 | Hugh | Le Caine | Arcane Presents Lulu, Dripsody | fixed media, akusmatisch | 1:50 | Humorous Sketches | JWD 03/ JWD 02/ IDEAMA CD 092/ | PS | 1 | ||||||||||
| 33051 | Hugh | Le Caine | Arcane presents Lulu | 1955 | fixed media, akusmatisch | 2:20 | special purpose tape recorder, collage of other pieces, also „Lulu“ by Berg | WRCI 4299/ | PS C. | 1 | |||||||||
| 22233 | Hugh | Le Caine | Artificial Larynx | fixed media, akusmatisch | 0:30 | Touch Sensitive Organ | JWD 03/ | PS | 1 | ||||||||||
| 22234 | Hugh | Le Caine | Artificial Larynx, driven by Sackbut | fixed media, akusmatisch | 0:30 | Demonstration | JWD 03/ | PS | 1 | ||||||||||
| 22235 | Hugh | Le Caine | Attack and volume | fixed media, akusmatisch | 2:05 | The Touch Sensitive Organ Demonstration Tapes (1955) | JWD 03/ | PS | 1 | ||||||||||
| 22236 | Hugh | Le Caine | Attacks | fixed media, akusmatisch | 1:29 | The Touch Sensitive Organ Demonstration Tapes (1955) | JWD 03/ | PS | 1 | ||||||||||
| 22237 | Hugh | Le Caine | Bill Farrow Plays the Sackbut | fixed media, akusmatisch | 0:35 | Demonstrations | JWD 03/ | PS | 1 | ||||||||||
| 22238 | Hugh | Le Caine | Bird Spectrogram | fixed media, akusmatisch | 0:59 | Compositions | JWD 03/ | PS | 1 | ||||||||||
| 22239 | Hugh | Le Caine | Coded Music Apparatus: Patterns on the Pitch Graph | fixed media, akusmatisch | 0:52 | Demonstration | JWD 03/ | PS | 1 | ||||||||||
| 9211 | Hugh | Le Caine | Dripsody, This thing called Key Arcane presents Lulu Invocation A noisome Pestilence |
1955 - 1967 | fixed media, akusmatisch | 9:30 | Mono, Stereo | special purpose tape recorder | FMS 33436/ EAR Magazine 1/ ACM 37 CD 1-4/ Ellipsis Arts 3671 - OHM: 01/ JWD 02/ | PS C., NRC Ottawa | 1 | ||||||||
| 22240 | Hugh | Le Caine | Dripsody, An Etude for Variable Speedrecorder | 1955/1967 | fixed media, akusmatisch | 1:28 | Mono, Stereo | Special Purpose Tape Recoder (Multi-track) | JWD 03/ WRCI 4299/ CDCD 5067/ IDEAMA CD 092/ | PS | 1 | ||||||||
| 22241 | Hugh | Le Caine | Improved Timbre Controls | fixed media, akusmatisch | 1:18 | Demonstration | JWD 03/ | PS | 1 | ||||||||||
| 22242 | Hugh | Le Caine | Independent Voicing | fixed media, akusmatisch | 0:57 | The Touch Sensitive Organ Demonstration Tapes (1955) | JWD 03/ | PS | 1 | ||||||||||
| 22243 | Hugh | Le Caine | Invocation | 1957 | fixed media, akusmatisch | 2:20 | Compositions, special purpose tape recorder | WRCI 4299/ JWD 02/ IDEAMA CD 092/ | PS | 1 | |||||||||
| 22244 | Hugh | Le Caine | Mal Clark Plays the Sackbut | fixed media, akusmatisch | 2:21 | Demonstrations | JWD 03/ | PS | 1 | ||||||||||
| 9212 | Hugh | Le Caine | Mobile, the computer laughed | 1970 | live-elec, 1 perf | 1:54 | Stereo | com [computer] | NRC com M. System. ≈ Mobile by Calder | WRCI 4299/ ACM 37 CD 1-4/ JWD 03/ JWD 02/ Creel Pone 14/ RCI 373/ | PS C. | 1 | |||||||
| 22245 | Hugh | Le Caine | Mouth Cavity Oscillator with MKI Touch Sensitive Organ | fixed media, akusmatisch | 1:42 | Touch Sensitive Organ | JWD 03/ | PS | 1 | ||||||||||
| 9213 | Hugh | Le Caine | Music for Expo | 1967 | Film | 2:34 | Stereo | Expo 67 Montreal; serial sound structure gen | WRCI 4299/ JWD 02/ IDEAMA CD 092/ | PS C. | 1 | ||||||||
| 9214 | Hugh | Le Caine | Nocturne | 1962 | Zuspiel, live-elec, 1 perf | 3:09 | Stereo | elec, (tape-delay) [elektronik] | conductive keyboard | WRCI 4299/ JWD 03/ JWD 02/ IDEAMA CD 092/ | PS C. | 1 | |||||||
| 22246 | Hugh | Le Caine | Organ Experiment with Pitch Control | fixed media, akusmatisch | 2:15 | Touch Sensitive Organ | JWD 03/ | PS | 1 | ||||||||||
| 9215 | Hugh | Le Caine | Paulution, Charnel #5 | 1972 | live-elec, 1 perf | 4:07 | Stereo | synt [synthesizer] | Polyphonic synt | WRCI 4299/ JWD 03/ McGill MR 2001-01-2 Disc 1/ JWD 02/ | PS C. | 1 | |||||||
| 22247 | Hugh | Le Caine | Repeated Notes | fixed media, akusmatisch | 0:53 | The Touch Sensitive Organ Demonstration Tapes (1955) | JWD 03/ | PS | 1 | ||||||||||
| 22248 | Hugh | Le Caine | Safari: Eine Kleine Klangfarbenmelodie | fixed media, akusmatisch | 3:08 | Compositions | JWD 03/ | PS | 1 | ||||||||||
| 22249 | Hugh | Le Caine | Sounds to Forget | fixed media, akusmatisch | 2:39 | Humorous Sketches | JWD 03/ | PS | 1 | ||||||||||
| 22250 | Hugh | Le Caine | Study 1 for player piano and tape | live-elec, 1 perf | 6:20 | Stereo | player p, (elec) [Piano] | player- p, elec: special purpose tape recorder | JWD 03/ WRCI 4299/ JWD 02/ IDEAMA CD 092/ | PS | 1 | ||||||||
| 9217 | Hugh | Le Caine | Textures | 1959 | fixed media, akusmatisch | 1:26 | Stereo | elec: special purpose tape recorder, sounds from a trombone | WRCI 4299/ JWD 03/ JWD 02/ | PS C. | 1 | ||||||||
| 22251 | Hugh | Le Caine | The 1948 Sackbut, Gershwin: Rhapsody in Blue McCoy: Sugar Blues Gluck: Sackbut String Quartet The Suckbut Blues |
1953 | live-elec, 1 perf | 8:00 | synt [synthesizer] | Demo des elektronischen Dudelsack (1945 -48); elec- sackbut, touch sensitive org | JWD 03/ WRCI 4299/ JWD 02/ IDEAMA CD 092/ SR 220 sub rosa/ | PS | 1 | ||||||||
| 22252 | Hugh | Le Caine | The Burning Deck | Zuspiel / Tonband, 1 perf | 4:35 | player p [Piano] | Humorous Sketches. Text by D. F. Hemens (Casabianca) First use of reverb |
JWD 03/ WRCI 4299/ JWD 02/ IDEAMA CD 092/ | PS | 1 | |||||||||
| 22253 | Hugh | Le Caine | The Burning Deck (without words) | fixed media, akusmatisch | 4:16 | JWD 03/ | PS | 1 | |||||||||||
| 9219 | Hugh | Le Caine | The Touch sensitive organ | 1955 | fixed media, akusmatisch | 4:00 | (3 pop songs) | WRCI 4299/ JWD 02/ | PS C. | 1 | |||||||||
| 33050 | Hugh | Le Caine | This Thing Called Key | 1956 | fixed media, akusmatisch | special purpose tape recorder; could played also live. | WRCI 4299/ JWD 02/ IDEAMA CD 092/ | PS C. | 1 | ||||||||||
| 22254 | Hugh | Le Caine | Volume Changes | fixed media, akusmatisch | 1:04 | The Touch Sensitive Organ Demonstration Tapes (1955) | JWD 03/ | PS | 1 | ||||||||||
| 22255 | Hugh | Le Caine | Xmas Music: Organ Control for Automatic Light Display | fixed media, akusmatisch | 0:36 | Touch Sensitive Organ | JWD 03/ | PS | 1 | ||||||||||
| 9220 | Philippe | Le Goff | Ama | 1985 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | sax [Saxophon] | INA • GRM | 27.1.1986 | Paris, Maison de Radio-France, Gd. Auditorium, avec Gilles Grand (sax) | 0 | |||||||
| 6036 | Philippe | Le Goff | Epiphonie | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 20419 | Philippe | Le Goff | La guerre | 1995 | radiophon | 21:05 | Stereo | weapon is vocal sound | IMED 9524/ IMED 0050/ | PS C. | 1 | ||||||||
| 20420 | Philippe | Le Goff | Meta incognita | 1991 | fixed media, akusmatisch | 10:02 | Stereo | IMED 9524/ NOR 02/ | Studio Canope | 29.11.1991 | Arras (France) | Prix Noroit 1991 | 1 | ||||||
| 20421 | Philippe | Le Goff | Nipinggit - la parole | 1994 | fixed media, akusmatisch | 15:37 | Stereo | speech-piece | IMED 9524/ | PS C. | 1 | ||||||||
| 20422 | Philippe | Le Goff | Plan séquence | 1995 | radiophon | 5:58 | Stereo | IMED 9524/ | PS C. | 1 | |||||||||
| 20423 | Philippe | Le Goff | Tulugaup nipinga | 1994 | radiophon | 12:00 | Stereo | MEC 02/ | 0 | ||||||||||
| 6037 | Philippe | Le Goff | Viscose | 1982 | Zuspiel / Tonband, 3 perf | 2 V, sax [Stimme, Saxophon] | CNR Lyon | 0 | |||||||||||
| 9221 | Serge | Le Mouton | N 105 | 1990 | Zuspiel, live-elec, 1 perf | 7:45 | hpd [Cembalo] | SONVS Lyon | 0 | ||||||||||
| 19091 | Cécile | Le Prado | Le Triangle d'incertitude, suite pour paysages maritimes | 1995 | Klangkunst, Installation | 29:42 | IRCAM 005/ césaré 07/ | IRCAM | 1 | ||||||||||
| 9222 | Cécile | Le Prado | Ys | 1990 | fixed media, akusmatisch | 18:08 | Stereo | INA • GRM | 0 | ||||||||||
| 25010 | Nuno | Leal | Cântico | 2000 | fixed media, akusmatisch | 7:04 | miso records mcd 013/014/ | Musica Viva Competition Prize 2001 | 1 | ||||||||||
| 9223 | Lexy | Lean | Brain Waves | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 18851 | Joëlle | Léandre | Au bord de l'eau, Histoir d'Igor, La grande brune, Ouverture | 1993 | Musiktheater, 2 perf | 20:00 | db, vn [Violine, Kontrabass] | Léandre, Carlos Zingaro | MW 58/ | 1 | |||||||||
| 33855 | Joëlle | Léandre | Séraphine | live-elec, | EAR Magazine 3/ | 0 | |||||||||||||
| 40179 | Paul | Leary | Perfume | 2015 | fixed media, akusmatisch | 8:09:00 | Paul Leary | 0 | |||||||||||
| 20424 | Anne | LeBaron | Blue Harp Study #1 | 1991 | live-elec, 1 perf | 4:39 | Stereo | hp [Harfe] | Tellus 26/ | 0 | |||||||||
| 20425 | Anne | LeBaron | Blue Harp Study #2 | 1991 | live-elec, 1 perf | 6:31 | Stereo | hp [Harfe] | Tellus 26/ | 0 | |||||||||
| 20417 | Anne | LeBaron | Concerto for Active Frogs | 1975 | Zuspiel / Tonband, 1 group | 8:10 | Stereo | ens [Ensemble] | mode 30/ | 0 | http://www.moderecords.com/ | ||||||||
| 36250 | Anne | LeBaron | Crescent City | Oper, live-elec, 9 perf, 1 group | 9 V or actor, orc, (elec) [Stimme, Schauspieler, Orchester] | a hyperopera |
innova 878/ | CalArts | 0 | ||||||||||
| 21816 | Anne | LeBaron | Dish | 1993 | live-elec, 2 perf, 1 group | Stereo | S, ens, e-db [Sopran, Kontrabass, Ensemble] | CRI CD 654/ | 0 | ||||||||||
| 21817 | Anne | LeBaron | Dog-Gone Cat Act, Doggone Catact | 1982 | live-elec, 1 perf | Stereo | prep hp [Harfe] | mode 42 "The Musical Realism of Anne Le Baron"/ | 0 | http://www.moderecords.com/catalog/042lebaron.html | |||||||||
| 26827 | Anne | LeBaron | I am an American … My Goverment will reward you | 1988 - 1994 | live-elec, 1 perf | Stereo | e-hp, (elec) [Harfe] | mode 42 "The Musical Realism of Anne Le Baron"/ | Middlebury Coll | 0 | http://www.moderecords.com/catalog/042lebaron.html | ||||||||
| 21818 | Anne | LeBaron | Phantom Orchestra, 6 parts | 1991 | live-elec, 1 group | Stereo | ens [Ensemble] | ECD 1035 Ear-Rational Records/ | 0 | ||||||||||
| 9225 | Anne | LeBaron | Planxty Bowerbird | 1985 | Zuspiel / Tonband, 1 perf | 8:15 | Stereo | hp [Harfe] | mode 30/ | SUNY Stony Brook | 0 | http://www.moderecords.com/ | |||||||
| 42511 | Anne | LeBaron | The Left Side of Time | live-elec, 1 perf | trbn [Posaune] | Monique Buzzarté, trombone | 0 | ||||||||||||
| 9226 | Lug | Lebel | De Dédale à Phebus | 1987 | Hintergrundmusik | intermedia |
15:00 | M. on pictures, created at Logis du Roi | CNR Amiens | 0 | ||||||||||
| 9227 | Lojze | Lebic | Atelier 2 | 1975 | fixed media, akusmatisch | 10:30 | Stereo | RTB 3130037/ Ed. DSS 200443/ | Radio Beograd | 1 | |||||||||
| 9228 | Klaus | Lebkücher | Helm Pedas | 1993 | intermedia | 31:00 | Quadro | Musik für eine Modenschau (Dias) | TU Berlin | 0 | |||||||||
| 9229 | Vladimir | Lébl | Ale | 1966 | fixed media, akusmatisch | 2:00 | Stereo | Praha VÚRT | 0 | ||||||||||
| 9230 | Vladimir | Lébl | Sen | 1966 | fixed media, akusmatisch | 4:00 | Stereo | Praha VÚRT | 0 | ||||||||||
| 37727 | Vladimir | Lébl | Zvukové Příklady | 1966 | fixed media, akusmatisch | 7:42 | Stereo | SUA DV 6221/ SUA 10951/ | Praha VÚRT | 0 | |||||||||
| 37243 | Matthias | Leboucher | Green Noise | 2016-2017 | fixed media, akusmatisch | 7:00:00 | Quadro | SEM Salzburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 9231 | Auro | Lecci | T (10 / 0,5) | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 9232 | Konrad | Lechner | Strada senza ritorno | Zuspiel / Tonband, 2 perf | vc, perc [Schlagzeug, Cello] | 0 | |||||||||||||
| 31549 | Patrik | Lechner | tundhiemna | 2013 | live-elec, 1 perf | ≈ 10:00 | perf [Performer] | next_generation 5.0 | ICMT St. Pölten | 0 | |||||||||
| 37154 | Martin | Leclerc | À l’horizon du silence, Une journée comme les autres Solo de trompette 1 Femme hystérique dans la ville Solo de trompette 2 Écroulement Solo de trompette 3 Désert |
2001 - 2002 | Zuspiel / Tonband, 1 perf | 17:16 | Stereo, Surround 5.1 | amp tpt (B-flat tpt) [Trompete] | IMED 0786/ | Con Montreal | 4.2002 | Maison de la culture du Plateau-Mont-Royal in Montréal; Pascal Leprohon (tpt) | First Prize at the 2003 Hugh Le Caine Award | 0 | |||||
| 37153 | Martin | Leclerc | … et le ça | 2000 - 2001 | fixed media, akusmatisch | 12:58 | Stereo, Surround 5.1 | IMED 0786/ | Con Montreal | 5.2001 | Conservatoire de musique de Montréal | First Prize at the 2002 Hugh Le Caine Award | 0 | ||||||
| 37158 | Martin | Leclerc | Il y a… il y avait des fleurs, There Are… There Were Flowers | 2000 | fixed media, akusmatisch | 12:00 | Stereo, Surround 5.1 | IMED 0786/ | Con Montreal | 6.2000 | Conservatoire de musique de Montréal | Second Prize at the 2002 Hugh Le Caine Electroacoustic Music Award | 0 | ||||||
| 37155 | Martin | Leclerc | L’Odyssée, Souvenirs Respiration 1 Sommeil — Réveil Respiration 2 Affrontement, folie |
2002 - 2003 | fixed media, akusmatisch | 12:13 | Stereo, Surround 5.1 | IMED 0786/ | Con Montreal | 6.2003 | Conservatoire de musique de Montréal | Second Prize at the 2005 Hugh Le Caine Award | 0 | ||||||
| 37157 | Martin | Leclerc | Pièce pour petites oreilles, Berceuse Balbutiements «Koa le fermier» Pulsations Colère - Réconfort |
2003 - 2004 | fixed media, akusmatisch | 14:30 | Stereo, Surround 5.1 | IMED 0786/ | Con Montreal, PS C. | 19.4.2004 | Maison de la culture du Plateau-Mont-Royal in Montréal | Third Prize at the 2006 Hugh Le Caine Award | 0 | ||||||
| 37156 | Martin | Leclerc | Sauf dans la brume | 2005 | fixed media, akusmatisch | 12:33 | Stereo, Surround 5.1 | IMED 0786/ | PS C. | Réseaux des arts médiatiques with support from CCA | 10.12.2005 | Akousma (2) festival produced by Réseaux at Espace GO in Montréal | First Prize (ex æquo) at the 2006 Hugh-Le Cain Award | 0 | |||||
| 36872 | Pierre-Luc | Lecours | Éclats | Blanc | 2015 | fixed media, akusmatisch | 10:19:00 | UdeM | second prize JTTP 2017 | 0 | ||||||||||
| 41585 | Pierre-Luc | Lecours | Éclats | Noir | 2018 | fixed media, akusmatisch | création mondiale | 0 | ||||||||||||
| 34357 | Pierre-Luc | Lecours | Impacts discrets | 2014 | fixed media, akusmatisch | 9:14:00 | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 2. prize | 0 | |||||||||
| 34828 | Pierre-Luc | Lecours | Pulse | Iteration II | 2016 | fixed media, akusmatisch | 10:00:00 | Stereo, Surround 8.2 | JTTP 2016 9. prize | 0 | https://vimeo.com/163721022 | |||||||||
| 9233 | Tommaso | Leddi | Algorithmo ballabile | 1989 | live-elec, | LIM Milano | 0 | ||||||||||||
| 27893 | Claude | Ledoux | Chat experiment | 1999 | live-elec, 1 group | ens [Ensemble] | CRFMW Liège | 26.09.1998 | Strasbourg, Festival Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27882 | Claude | Ledoux | Dolphin Tribute | 2002 | Zuspiel / Tonband, 1 perf | b-cl [Klarinette] | CRFMW Liège | 17.11.2002 | Liège, Festival Images Sonores | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27841 | Claude | Ledoux | Passio secundum Lucam | 2008 | live-elec, 2 perf, 1 group | S, ch, org [Sopran, Orgel, Chor] | CRFMW Liège | 13.03.2008 | Bruxelles, Cathédrale des Saints Michel et Gudule | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 42310 | David | Ledoux | Cathédrales, I. Ville aux cent clochers | 2018 | fixed media, akusmatisch | 11:30 | Stereo, Surround 8.2 | Winner JTTP 2018 | 0 | ||||||||||
| 22391 | Christien | Ledroit | Miamata | 2000 | fixed media, akusmatisch | 5:21 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 20426 | Daniel | Leduc | Broadcast | 1993 | fixed media, akusmatisch | 6:16 | Stereo | MW 67/ | Uni Montréal | Competition Musica Nova Prag 1994 | 0 | ||||||||
| 20427 | Daniel | Leduc | Bruits mouvants | 1995 | fixed media, akusmatisch | 1:54 | Stereo | MW 67/ | Uni Montréal | 0 | |||||||||
| 9234 | Daniel | Leduc | Contact! | 1992 | radiophon | 0:48 | CEC DISContact_1/ | Uni Montréal | 1 | ||||||||||
| 20428 | Daniel | Leduc | Die Winterreise | 1997 | fixed media, akusmatisch | 42:15 | Stereo | Text by Wilhelm Müller ("Die Winterreise"), last part by the C. ("Coda"). On CD MW 67 extract "Die Post" | IMED 9945/ MW 67/ | Uni Montréal, PS C. | 0 | ||||||||
| 24847 | Daniel | Leduc | Épissures | fixed media, akusmatisch | 5:34 | AVTR 004/ | 0 | ||||||||||||
| 9235 | Daniel | Leduc | L'orage du 14 juillet | 1987 | fixed media, akusmatisch | 16:00 | Stereo | Uni Montréal | 0 | ||||||||||
| 9236 | Daniel | Leduc | La désillusion | 1987 | fixed media, akusmatisch | 8:16 | Stereo | Uni Montréal | 0 | ||||||||||
| 9237 | Daniel | Leduc | Résponse impressionniste … | 1994 | fixed media, akusmatisch | 2:58 | SYTER | CEC DISContact_2/ | Uni Montréal | Prize ACREQ 1994 | 1 | ||||||||
| 20429 | Daniel | Leduc | Traverser les grandes eaux | 1994 | fixed media, akusmatisch | 3:02 | Stereo | IMED 9945/ MW 67/ | PS C. | February 8th, 1995 | Inter-Faces concert produced by Codes d’accès at the Maison de la culture Frontenac in Montréal | 0 | |||||||
| 24631 | Daniel | Leduc | Troposphère | 1997 | fixed media, akusmatisch | 15:35 | Stereo | 4 parts: Stratus; Cumulonimbus; Altocumulus; Cirrus | IMED 9945/ | PS C. | ACREQ & Canada Council | 1.05.1997 | Usine C in Montréal | 0 | |||||
| 9238 | Daniel | Leduc | What | 1987 | fixed media, akusmatisch | 3:40 | Stereo | Uni Montréal | 0 | ||||||||||
| 36594 | Gary | Lee Nelson | Jabber | 2006 | fixed media, akusmatisch | Centaur CRC 2938, CDCM Vol. 37/ | Oberlin Col | 0 | |||||||||||
| 20430 | Brent | Lee | Anteriorities | 1989 | Zuspiel / Tonband, 1 perf | 8:04 | Stereo | p [Piano] | eSP 9401 Shelan/ UC-CD 9601 Unical/ | 1 | |||||||||
| 9239 | Brent | Lee | Clocks of the World | 1988 | Zuspiel / Tonband, 3 perf | Stereo | hpd, e-gui, bn [Fagott, Gitarre, Cembalo] | McGill 750038/ | 1 | ||||||||||
| 9240 | Brent | Lee | Deliberate Disguises | 1986 | fixed media, akusmatisch | 15:00 | Stereo | McGill MR 2001-01-2 Disc 2; McGill Studio 35th Anniversary/ | McGill Montréal | Le Caine Award 1986 | 1 | ||||||||
| 18513 | Brent | Lee | La verita fora | 1989 | fixed media, akusmatisch | 11:00 | Stereo | CR 96001 Clef/ | IMEB Bourges | 0 | |||||||||
| 25065 | Byung Moo | Lee | Sigma Point | 2004 | fixed media, akusmatisch | 13:08 | Stereo, Quadro | ICEM Essen | 1 | ||||||||||
| 25066 | Byung Moo | Lee | Sootoo | 2002 | fixed media, akusmatisch | 8:38 | Stereo, Quadro | Vordiplomarbeit | ICEM Essen | 1 | |||||||||
| 39698 | Damon | Lee | Stumm | 2016 | fixed media, akusmatisch | Damon Lee | 0 | ||||||||||||
| 9241 | Donoung | Lee | Landschaft | 1987 | fixed media, akusmatisch | Stereo | Synclavier | HfM Freiburg | 0 | ||||||||||
| 9242 | Donoung | Lee | Phantom | 1989 | live-elec, 1 perf | synt [synthesizer] | Atari | HfM Freiburg | 0 | ||||||||||
| 24973 | Donoung | Lee | Piri | 1999 | live-elec, 1 perf | 12:41 | w (piri) [Bläser] | KEAMS 10th Anniversary/ | 0 | ||||||||||
| 9243 | Donoung | Lee | Sori | 1989 | Zuspiel / Tonband, 1 perf | vc [Cello] | HfM Freiburg | 0 | |||||||||||
| 9244 | Donoung | Lee | Sori (Version 92) | 1992 | live-elec, 1 perf | vc [Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 34282 | Donoung | Lee | Sound Trail II | 2015 | live-elec, 3 perf | str-trio [Streicher] | KEAMS 10th Anniversary/ | 0 | |||||||||||
| 9245 | Donoung | Lee | Urbild aus der Ferne | 1987 | live-elec, 1 perf | 13:00 | fl [Flöte] | HfM Freiburg | 0 | ||||||||||
| 37518 | Eun Hwa | Lee | FoPan | 1998 | fixed media, akusmatisch | 10:00:00 | Stereo | Csound, Sounddesigner, ProTools | ICEM Essen | 0 | |||||||||
| 37519 | Eun Hwa | Lee | nach …t | fixed media, akusmatisch | 5:55:00 | Stereo | Csound, Mix (SGI), Cecilia (J.Piché) | ICEM Essen | 0 | ||||||||||
| 24974 | Eun Hwa | Lee | Polychromatic… | 2000 | fixed media, akusmatisch | 7:58 | KEAMS 10th Anniversary/ | 1 | |||||||||||
| 40350 | Eun Young | Lee | Baby Guido | 2017 | Spiel | work and patent in progress | 0 | ||||||||||||
| 40351 | Eun Young | Lee | in the beginning- in S | 2007 | fixed media, akusmatisch | 1 | 2007 | Nox Vonus, Romeoville, IL | 0 | ||||||||||
| 40352 | Eun Young | Lee | Roamless | 2006 | Film | documentary film | 2006 | Chicago IL | 0 | ||||||||||
| 40355 | Eun Young | Lee | Theme and 5 variations | 2004 | fixed media, akusmatisch | 6 | 2004 | Chicago IL | 0 | ||||||||||
| 40354 | Eun Young | Lee | Untitled | 2005 | audiovisuell | 3 | 2005 | Chicago IL | 0 | ||||||||||
| 40353 | Eun Young | Lee | Voice of Dream II | 2005 | audiovisuell | 4 | 2005 | Chicago IL | 0 | ||||||||||
| 20431 | Hope | Lee | Entends, entends le passé qui marche… | 1992 | Zuspiel / Tonband, 1 perf | 10:54 | Stereo | p [Piano] | NCD 0294 New Concert Discs/ UC-CD 9601 University of Calgary/ | CCRMA | 0 | ||||||||
| 24864 | Hope | Lee | Melboac | 1983 | Zuspiel / Tonband, 1 perf | 14:00 | hpd [Cembalo] | Spiteri | SNE 542/ | 0 | |||||||||
| 39852 | Hoyong | Lee | Mirage | 2015 | fixed media, akusmatisch | 5:43:00 | Hoyong Lee | 0 | |||||||||||
| 31820 | Hwan | Lee | groups | 2002 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 32073 | HyeKyung | Lee | Opposed Directions | 1998 | live-elec, 1 perf | disklavier, (elec) [Piano] | HyeKyung Lee, Disklavier | SEAMUS EAM Vol. 8/ | 0 | ||||||||||
| 24968 | In Sik | Lee | Duo aber allein | 1994 | live-elec, 1 perf | 5:41 | cl [Klarinette] | Jun-Mo Dong (cl) | KEAMS 10th Anniversary/ | 1 | |||||||||
| 31446 | Jin-Mi | Lee | Begegnung | 1995 | audiovisuell | 11:00:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 31409 | Jin-Mi | Lee | Fantasy | 1995 | Zuspiel / Tonband, 1 perf | 11:00:00 | fl [Flöte] | HfM Dresden | 0 | ||||||||||
| 39955 | Joungmin | Lee | Heterogeneous | 2017 | fixed media, akusmatisch | 16 Tracks | Joungmin Lee | 0 | |||||||||||
| 33102 | Junghae | Lee | allegro senza respirare | 2004 | live-elec, 1 perf | 9:00:00 | db-rec [Flöte] | 0 | |||||||||||
| 33094 | Junghae | Lee | animation | 1998 | fixed media, akusmatisch | 5:10:00 | 0 | ||||||||||||
| 33092 | Junghae | Lee | circulation | 2000 | fixed media, akusmatisch | 8:50:00 | 0 | ||||||||||||
| 33096 | Junghae | Lee | corona | 2003 | Zuspiel / Tonband, 1 perf | 9:00:00 | Stereo | vn [Violine] | 0 | ||||||||||
| 16701 | Junghae | Lee | Form 5 | 1993 | fixed media, akusmatisch | 5:56 | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 33097 | Junghae | Lee | IYON | 2007 | Zuspiel / Tonband, 1 perf | 12:00:00 | db [Kontrabass] | DUX 0800/ | 0 | ||||||||||
| 33093 | Junghae | Lee | Kyrie-Umkehr | 1999 | fixed media, akusmatisch | 5:30:00 | STV ASM 011/ | 0 | |||||||||||
| 33101 | Junghae | Lee | mora mori | 2009 | live-elec, 1 perf | ≈ 25 | V [Stimme] | 0 | |||||||||||
| 33103 | Junghae | Lee | On the Beat | 2003 | live-elec, 2 perf | 11 | t-sax, gui [Saxophon, Gitarre] | 4.7.2003 | Porto, Portugal, 2003 | 0 | |||||||||
| 33098 | Junghae | Lee | sonorletten | 2006 | Zuspiel / Tonband, 4 perf | 16:00:00 | p, toy p, vn, vc [Piano, Cello, Violine] | piano trio (with toypiano opt.) | Solo Musica 180/ | 0 | |||||||||
| 33095 | Junghae | Lee | SuNu | 1997 | fixed media, akusmatisch | 9:04:00 | 0 | ||||||||||||
| 33091 | Junghae | Lee | Thala II | 2012 | fixed media, akusmatisch | 0:50 | STV ASM 033 schweizer tonkünstler verein/ |
1 | |||||||||||
| 33100 | Junghae | Lee | viv | 2005 | Zuspiel / Tonband, 1 perf | 14:00:00 | bar-sax [Saxophon] | EZ 07-8165432/ | 0 | ||||||||||
| 33099 | Junghae | Lee | x-passage | 2006 | Zuspiel / Tonband, 3 perf | 10:30:00 | rec, hpd, perc [Flöte, Cembalo, Schlagzeug] | 0 | |||||||||||
| 9246 | Junghae | Lee | Yun Mu 2, Round dance | 1992 | live-elec, 1 perf | 7:00 | gui [Gitarre] | Ricercar/ | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 31657 | Junghae | Lee | Yun Mu 3, Round Dance | 1993 | fixed media, akusmatisch | 8:33:00 | HSM Basel | 0 | |||||||||||
| 9247 | Keith | Lee | Séquences | 1993 | live-elec, 5 perf | 16:00 | cl, vc, perc, hp, p [Klarinette, Piano, Harfe, Schlagzeug, Cello] | IRCAM | 0 | ||||||||||
| 37252 | Nahyun | Lee | Punkt Punkt Komma Strich | 2017 | fixed media, akusmatisch | 5:00:00 | HfK Bremen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 39491 | Sang Won | Lee | Live Coding YouTube | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 35697 | Sangwon | Lee | Rollyphony | 2016 | fixed media, akusmatisch | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 40235 | Sangwon | Lee | Rollyphony | 2017 | fixed media, akusmatisch | Sangwon Lee | 0 | ||||||||||||
| 40323 | Won | Lee | Crossing | 2017 | fixed media, akusmatisch | Won Lee | 0 | ||||||||||||
| 42889 | Won | Lee | Taping Impulses | 2013 | fixed media, akusmatisch | 5:57:00 | 0 | ||||||||||||
| 25506 | Yehlin | Lee | Countless Count | 2005 | fixed media, akusmatisch | 5:00 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) Yehlin Lee a.k.a. "Rio" |
ETAT Taiwan/ | 1 | http://xinober.de | ||||||||
| 40337 | Yoon-Ji | Lee | Liquid Noise | 2016 | fixed media, akusmatisch | Yoon-Ji Lee | 0 | ||||||||||||
| 9248 | Yun Kyung | Lee | A.T. | 1993 | live-elec, 1 perf | 13:00 | Stereo | vc [Cello] | TU Berlin | 20.6.1993 | Foyer HdK Berlin | 0 | |||||||
| 9249 | Yun Kyung | Lee | Samsara | 1993 | live-elec, 1 perf | ≈ 25:00 | Quadro | perf [Performer] | TU Berlin | 0 | |||||||||
| 9250 | Yun Kyung | Lee | TAE | 1994 | Zuspiel, live-elec, 1 perf | 12:00 | Quadro | perc, slides [Schlagzeug] | TU Berlin | Festival Inventionen DAAD/TU 94 | 2.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 | |||||
| 9251 | Reinbert de | Leeuw | Hymns and Chorals | 1971 | live-elec, 18 perf | 15 ww-ins, 2 e-gui, e-org [Keyboard, Gitarre, Bläser] | CV 7604/ | STEIM | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 9252 | Ton de | Leeuw | Antiphonie, Antifonie | 1960 | Zuspiel / Tonband, 5 perf | 15:00 | Quadro | ww-qnt [Bläser] | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | Philips Laboratories Eindhoven | Danzi Qunitet | June 18, 1960 | Concertgebouw Amsterdam, Holland Festival | 1 | http://thresholdofbeauty.com/music excerpts/Antiphonie excerpt.mp3 | ||||
| 9253 | Ton de | Leeuw | Chronos | fixed media, akusmatisch | 13:10 | Stereo | Sweelinck | 0 | |||||||||||
| 9254 | Ton de | Leeuw | Clair obscur | 1982 | fixed media, akusmatisch | 16:55 | Stereo | INA • GRM, Sweelinck | Ina GRM Paris | 29.6.1983 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | 1985 | ||||||
| 34423 | Ton de | Leeuw | Elektronische Studie | 1958 | fixed media, akusmatisch | 15 | Quadro | serielle Studie (not in the official list) | Philips Laboratories Eindhoven | 0 | |||||||||
| 9255 | Ton de | Leeuw | J. B. | 1959 | Theatermusik | 10:00 | Mono | Brandon Hilversum | 0 | ||||||||||
| 9256 | Ton de | Leeuw | Job | 1956 | Radiokunst, 1 perf, 2 groups | 35:00 | Mono | V, ch, orc, (elec) [Stimme, Chor, Orchester] | oratorio for broadcasting | NRU Hilversum, Philips Laboratories Eindhoven, STEM Utrecht | Prix Italia 1956 | 0 | http://thresholdofbeauty.com/music excerpts/Job excerpt.mp3 | ||||||
| 9257 | Ton de | Leeuw | Litany of Our Time | 1969/1970 | Zuspiel, live-elec, 1 perf, 2 groups | 35:44 | Vs, ens [Stimme, Ensemble] | CV 8606/ | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 9258 | Ton de | Leeuw | Magic of Music | 1984 | fixed media, akusmatisch | Sweelinck | 0 | ||||||||||||
| 20076 | Ton de | Leeuw | Mo-Do | 1974 | Zuspiel / Tonband, 1 perf | 9:12 | Stereo | hpd [Cembalo] | Spiteri | SNE 542/ | Sweelinck | 0 | |||||||
| 9259 | Ton de | Leeuw | Mountains | 1977 | Zuspiel / Tonband, 1 perf | 18:00 | b-cl [Klarinette] | IPEM Gent, Sweelinck | 1 | 1985 | |||||||||
| 9261 | Ton de | Leeuw | Studie, Elektronische Studie | 1957 | fixed media, akusmatisch | 6:30 | Stereo | first piece in the Netherlands with serial techniques | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | NRU Hilversum, STEM Utrecht | 1 | http://thresholdofbeauty.com/music excerpts/Elektronische studie excerpt.mp3 | |||||||
| 9262 | Ton de | Leeuw | Syntaxis | 1966 | radiophon | 18:00 | PS Luctor Ponse | VARA broadcast | 1 | 1985 | |||||||||
| 9263 | Ton de | Leeuw | Syntaxis I | 1966 | fixed media, akusmatisch | 18:00 | Stereo | Sweelinck, NRU Hilversum | 0 | ||||||||||
| 9264 | Ton de | Leeuw | The magic of Music | 1977 | Zuspiel / Tonband, 1 perf | 6:00 | S [Sopran] | Sweelinck | 1 | 1985 | |||||||||
| 9265 | Ton de | Leeuw | Wozzeck | 1959 | Theatermusik | 0 | |||||||||||||
| 9266 | Nicola | LeFanu | The Last Laugh | 1973 | Tanz, 1 group | ens [Ensemble] | Uni Durham | 0 | |||||||||||
| 31675 | Claude | Lefebvre | Et le monde se mit à rêver | 1997 | fixed media, akusmatisch | 10 | 13.6.1997 | Köln, PFM | 0 | ||||||||||
| 31676 | Claude | Lefebvre | La Chute | 1985 | Zuspiel / Tonband, 2 perf | B, p [Bass, Piano] | 8.10.1987 | Angers | 0 | ||||||||||
| 9267 | Claude | Lefebvre | Lorraine | 1983 | Zuspiel / Tonband, 1 perf | 18:30 | Stereo | hn [Horn] | INA • GRM | 13.6.1983 | Paris, Maison de Radio-France, Gd. Auditorium; André Cazalet (hn) | 0 | |||||||
| 20432 | Claude | Lefebvre | Mémoires souterraines | 1980 | live-elec, 3 perf | 16:55 | amp fl, b-cl, vc [Flöte, Klarinette, Cello] | Ensemble l'itinéraire | Salabert SCD 8801/ | Januar 1980 | IRCAM Oaris | 1 | |||||||
| 20433 | Claude | Lefebvre | Mosella | 1984 | Zuspiel / Tonband, 3 perf | 16:50 | Stereo | org, 2 tpt [Trompete, Orgel] | Salabert SCD 8903/ | Nov 1984 | Trier, Gerd Zacher (org), P. Gillet & D. Derasse (tpt) | 0 | |||||||
| 20434 | Claude | Lefebvre | Océan de terre | 1981 | Zuspiel / Tonband, 1 group | 14:47 | Stereo | ens [Ensemble] | Salabert SCD 8903/ | Nov 1981 | Metz Recontres Int de Mus Cont; Sigune von Osten (S), ens 2e2m, dir P. Méfano | 0 | |||||||
| 34846 | Cédric | Lefrançois-Drolet | Reliefs | 2016 | fixed media, akusmatisch | 5:30:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 9268 | Dénes | Legány | Concertino - for piano | 1988 | fixed media, akusmatisch | 12:45 | MR Budapest | 0 | |||||||||||
| 9269 | Dénes | Legány | Grafics | 1988 | fixed media, akusmatisch | 10:25 | MR Budapest | 0 | |||||||||||
| 9270 | Dénes | Legány | Krimi | 1987 | fixed media, akusmatisch | 7:40 | MR Budapest | 0 | |||||||||||
| 25580 | Etienne | Legast | Colonies | 2006 | fixed media, akusmatisch | 6:45 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | 1 | |||||||||
| 42885 | Orlando | Legname | Graviton | 2013 | live-elec, 1 perf | 7:00:00 | vc [Cello] | Andrew Borkowski, cello | 0 | ||||||||||
| 35510 | Daniel | Leguizamon | Espejismos | 2002 | fixed media, akusmatisch | 08:37 | 0 | ||||||||||||
| 31999 | Thomas | Lehn | o. t. dec 2011 | 2011 | fixed media, akusmatisch | 10:11 | Stereo | after Bogulslaw Schaeffer’s Work Symphony: electronic music | BR ES06 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | ||||||||
| 25968 | Thomas | Lehn | two to six | 2003 | live-elec, 1 perf | 13:22 | 6 | synt AKS [synthesizer] | t-u-b-e 18.9.2003 | WER ARTS 81015 t-u-b-e reloaded 2004/ | 1 | ||||||||
| 31584 | Tobias | Leibetseder | Räume Mono | 2013 | fixed media, akusmatisch | 4:32 | next_generation 5.0 | ELAK Wien | 0 | ||||||||||
| 21908 | Javier | Leichman | Piedra, Papel, Tijera | 1996 | fixed media, akusmatisch | 11:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 38606 | Hanno | LEICHTMANN | Nouvelles Aventures | 2016 | radiophon | 52:06:00 | 0 | ||||||||||||
| 42630 | Colby | Leider | Twin Prime Conjecture | 2009 | live-elec, 1 perf | cl [Klarinette] | National Science Foundation | 0 | |||||||||||
| 32092 | Colby N. | Leider | Taedet animam meam | 1999 | fixed media, akusmatisch | SEAMUS EAM Vol. 11/ | 0 | ||||||||||||
| 20435 | Colby N. | Leider | Veni Creator Spiritus | radiophon | 4:00 | Stereo | Innova 113/ | 1 | |||||||||||
| 42788 | Eric | Lein | Midnight Musings | 2012 | fixed media, akusmatisch | 2:39:00 | 0 | ||||||||||||
| 9271 | David | Leip | Bad Breath Under Pressure | 1986 | fixed media, akusmatisch | 2:06 | Stereo | Brock Uni ON | 0 | ||||||||||
| 9272 | David | Leip | The Modulation Suite | 1988 | fixed media, akusmatisch | 10:10 | Stereo | Brock Uni ON | 0 | ||||||||||
| 9273 | David | Leip | Tour of the Mind I | 1986 | fixed media, akusmatisch | 2:11 | Stereo | Brock Uni ON | 0 | ||||||||||
| 9274 | David | Leip | Variations on a Sister | 1987 | Zuspiel / Tonband, | 8:00 | Stereo | Brock Uni ON | 0 | ||||||||||
| 39784 | Filipe | Leitão | Grounded | 2017 | audiovisuell | Filipe Leitão | 0 | ||||||||||||
| 9275 | Hans | Leitgeb | Vernilla 1 | 1987 | fixed media, akusmatisch | 5:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 27604 | Bernhard | Leitner | HörSaal, Eine Wellenfeld-Installation | 2010 | Klangkunst, Installation | 27:00 | 12 Tracks, Spazialisation: WFS | TU Berlin | Maerzmusik 2010 | März 2010 | Maerzmusik TU-Hauptgebäude WellenFeld Berlin | 1 | 2010 | http://www.bernhardleitner.com | |||||
| 27577 | Bernhard | Leitner | Kaskade | 2006 | Klangkunst, Installation | 2006 | sonambiente Berlin | 0 | http://www.bernhardleitner.com/videos?CAKEPHP=e33710c310e6efec5c95657046031c54 | ||||||||||
| 23545 | Bernhard | Leitner | Kopfräume - Headscapes | 1986 - 2002 - 2017 | Klangkunst, Installation | Stereo, Spazialisation: binaural | Hatje Cantz ISBN 3-7757-1298-4/ | ZKM Karlsruhe | 1 | ||||||||||
| 27571 | Bernhard | Leitner | Moving Heads 07 | 2007/2008 | Klangkunst, Installation | 2007 | Neue Galerie Graz | 0 | http://www.bernhardleitner.com/videos?CAKEPHP=e33710c310e6efec5c95657046031c54 | ||||||||||
| 27572 | Bernhard | Leitner | Moving Heads 09 | 2009 | Klangkunst, Installation | Klangraum Krems, Minoritenkloster | 0 | http://www.bernhardleitner.com/videos?CAKEPHP=e33710c310e6efec5c95657046031c54 | |||||||||||
| 27576 | Bernhard | Leitner | Schalen, Strahlen | 2002 | Klangkunst, Installation | 0 | |||||||||||||
| 27570 | Bernhard | Leitner | Serpentinata | 2006 | Klangkunst, Installation | 48 Tracks | 2006 | Akademie der Künste Berlin | 0 | http://www.bernhardleitner.com/videos?CAKEPHP=e33710c310e6efec5c95657046031c54 | |||||||||
| 27573 | Bernhard | Leitner | Ton-Feld IV | 1995 | Klangkunst, Installation | 0 | http://www.bernhardleitner.com/videos?CAKEPHP=e33710c310e6efec5c95657046031c54 | ||||||||||||
| 9276 | Bernhard | Leitner | Ton-Raum TU Berlin | 1984 | Klangkunst, Installation | ∞ | 32 Tracks | permanent installation TU Berlin Mainbuilding | TU Berlin, Bauabteilung | 23. - 25.2.1984 | Inventionen Berlin | 1 | 2002 2008 2010 | http://www.bernhardleitner.com/works?CAKEPHP=849737465cd84e748e4af385ad094b19 | |||||
| 28190 | Bernhard | Leitner | Ton-Raum-Variationen | 1996 | Klangkunst, Installation | 1:21 | Sonambiente Ausstellung (1996) Katalog S.89 |
ISBN 3-7913-1699 (Prestel)/ | 1 | 1984 | |||||||||
| 27574 | Bernhard | Leitner | Ton-Schirm | 1990 | Klangkunst, Installation | Octo | 0 | http://www.bernhardleitner.com/videos?CAKEPHP=e33710c310e6efec5c95657046031c54 | |||||||||||
| 41977 | Bernhard | Leitner | Ton-Würfel 18 | 2018 | Klangkunst, Installation | 24 Tracks | Ton-Raum-Installation | KLANGSPUREN SCHWAZ | 8.9.2018 | Musikpavillon Hofgarten Innsbruck (Klangspuren Schwaz) | 0 | ||||||||
| 34747 | Bernhard | Leitner | Tonkuppel Tonstrahlen |
2005 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 7.4.-16.5.2005 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 27575 | Bernhard | Leitner | Tuba-Architektur | 1999 | Klangkunst, Installation | 0 | http://www.bernhardleitner.com/videos?CAKEPHP=e33710c310e6efec5c95657046031c54 | ||||||||||||
| 19298 | Bernhard | Leitner | Wasserspiegel Ton Stufen Firmament |
1997 | Klangkunst, Installation | ∞ | Bericht von Armin Köhler im S2 am 25.11.97, Interview mit Leitner und Vorstellung der drei Installationen | Donaueschinger Musiktage 1997 | 1 | ||||||||||
| 9277 | Bernhard | Leitner | Zeiträume Ton-Tor Ton-Schleuse Gleit-Räume Raum-Wiege I |
1971 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 36897 | Petros | Leivadas | Blessed Persistence | 2014 | live-elec, 5 perf | Mono | cl, perc, synt, vn, vc [Klarinette, Schlagzeug, Cello, Violine, synthesizer] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 37246 | Petros | Leivadas | Machine of Loving Grace | 2017 | live-elec, 2 perf | 4:00:00 | Quadro | synt (monotron), elec [elektronik, synthesizer] | UA | Incontri HMTM Hannover | 09.02.2017 | Kunstverein Hannover (Petros Leivadas Monotron, Krööt-Kärt Kaev Elektronik) | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||
| 37808 | Petros | Leivadas | Machines of Loving Grace | 2017 | live-elec, 2 perf | Octo | synt (Monotron), elec [elektronik, synthesizer] | Incontri HMTM Hannover | 27.05.2017 | HMTM Hannover | 0 | ||||||||
| 40706 | Jacques | Lejeune | Alice dans les jardins du Luxembourg | 1970 | Theatermusik | Pièce de R. Weingarten | INA • GRM | Paris, Theâtre de Mathurins | 0 | ||||||||||
| 40745 | Jacques | Lejeune | Anne-Marie, Quelque chose d’autre | 1974 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 9278 | Jacques | Lejeune | Ave Maria | 1987 | fixed media, akusmatisch | 15:05 | Stereo | INA C 2016/ | INA • GRM | 0 | |||||||||
| 40747 | Jacques | Lejeune | Begin | 1974 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 18514 | Jacques | Lejeune | Bidule en Fa | 1972 | fixed media, akusmatisch | 7:48 | Stereo | IMEB Bourges | 0 | ||||||||||
| 9279 | Jacques | Lejeune | Cantus tenebrarum | 1984 | fixed media, akusmatisch | 58:00 | Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ Motus M 303007/ | INA • GRM | INA-GRM | 28.1.1985 | Salle Olivier Messiaen, Maison de la Radio France | 1 | ||||||
| 9280 | Jacques | Lejeune | Cri, chronique d'une rêverie | 1971 | fixed media, akusmatisch | 29:05 | Stereo | IPEM Gent | 0 | ||||||||||
| 9281 | Jacques | Lejeune | D'une Multitude en fête | 1969 | Tanz | 18:00 | Stereo | Marconi C/071 - 11 632/ IDEAMA CD 041/ | INA • GRM | 27.9.1971 | Paris Biennale, avec M. Devay et C. Gros (danseur) | 0 | |||||||
| 20436 | Jacques | Lejeune | Deux apercus du jardin qui s'eveille, L´Invitation au départ | 1983 | fixed media, akusmatisch | 6:40 | Stereo | INA C 1000/ | INA • GRM | 1 | |||||||||
| 24719 | Jacques | Lejeune | Éloge de la bêtise ou les péripéties des Ubu | 2001 | Theatermusik | 62:55 | 14 parts | INA C 2021/ | INA • GRM | 0 | |||||||||
| 9282 | Jacques | Lejeune | Entre terre et ciel | 1979 | fixed media, akusmatisch | 25:02 | Stereo | INA • GRM | INA • GRM | 17.3.1980 | Paris, Maison de Radio France, Gd. Auditorium | 0 | |||||||
| 40767 | Jacques | Lejeune | Entretien avec Vieira da Silva | 1976 | Film | INA • GRM | 0 | ||||||||||||
| 24442 | Jacques | Lejeune | Estampes / Esquisses | 1993 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 9283 | Jacques | Lejeune | Etude, Paraphrase sur le motif du personnage | 1987 | fixed media, akusmatisch | 9:38 | Stereo | INA • GRM | 0 | ||||||||||
| 24441 | Jacques | Lejeune | Eventails / Emergences | 1989 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 40756 | Jacques | Lejeune | Fantasmes, chronique d’un conte | 1975 | radiophon | 58 | INA • GRM | 14.8.1975 | ORTF France-Culture | 0 | |||||||||
| 23777 | Jacques | Lejeune | Fragments gourmands | 1997 | Zuspiel / Tonband, 2 perf | Stereo | sax, V [Stimme, Saxophon] | CD F.T.M. 002 B 50 Jahre GRM | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA e 5201/ | INA • GRM | 1 | ||||||||
| 40746 | Jacques | Lejeune | Genérique | 1974 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 9284 | Jacques | Lejeune | Géodes | 1970 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
11:40 | Stereo | perc [Schlagzeug] | IMEB Bourges | 0 | |||||||||
| 9285 | Jacques | Lejeune | Germinal, Impromptu nuage | 1985 | fixed media, akusmatisch | 5:10 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 20438 | Jacques | Lejeune | Grand galop à Pandemonium | 1983 | fixed media, akusmatisch | 15:00 | Stereo | CEC Presence 1/ div 02/ | INA • GRM | 1 | |||||||||
| 9286 | Jacques | Lejeune | Intermede | 1983 | fixed media, akusmatisch | 4:03 | Stereo | INA • GRM | 0 | ||||||||||
| 40738 | Jacques | Lejeune | L’Araignée au plafond | 1974 | radiophon | INA • GRM | 0 | ||||||||||||
| 24718 | Jacques | Lejeune | L'eau primesautière | 1993 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | INA e 5201/ | INA • GRM | 0 | ||||||||||
| 20437 | Jacques | Lejeune | L'Eglise oubliée | 1997 | fixed media, akusmatisch | 8:55 | Stereo | INA e 5004/ | INA • GRM | 0 | |||||||||
| 9287 | Jacques | Lejeune | L'enfant et l'oiseau | 1986 | fixed media, akusmatisch | 22:12 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 2.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 9289 | Jacques | Lejeune | L'invitation au départ, Déchirure de l'ombre Surface de l'aube agitée par le passage d'Icare Rêverie du départ Trois aperçus du jardin qui s'éveille Harmonica de brume Ramages Silhouettes de kiosque Fantasmagories matinales dans la maison En bas quelque part Dans la chambre, dans la tête, le dernier rêve Entre les deux |
1984 | fixed media, akusmatisch | 45:14 | Stereo | 5 parts | INA C 1000/ Motus M 302005/ | INA • GRM | 5.3.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||
| 40744 | Jacques | Lejeune | L’Oeil | 1974 | Film | INA • GRM | 0 | ||||||||||||
| 31331 | Jacques | Lejeune | Le cantique de la résonance, Météorophonies ou mirage-magie image Le bronze et le cristal ou calligraphisme-alliage-germination Le vol nuptial ou appel-désir-agonie |
1986 | fixed media, akusmatisch | 30:10 | Motus M 303007/ | INA • GRM | INA-GRM | 28.4.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 9290 | Jacques | Lejeune | Le cantique des cantiques | 1989 | fixed media, akusmatisch | 65:18 | Stereo | Lieder und Liebesgedichte aus Ägypten, Israel, Libanon, Jordanien, Syrien; 6 Dichtungen, 11 Lieder (chant) | INA C 1011/ INA ACM 1995/ | INA • GRM | 1 | ||||||||
| 40658 | Jacques | Lejeune | Les contes de la Lanterne I, générique et post-générique Le collier L'enfant et le savant le tailleur de pierres |
1969 | Film | 13:47 | INA • GRM | 21.9.1970 | TV ORTF, 2. chaine | 0 | |||||||||
| 40660 | Jacques | Lejeune | Les contes de la Lanterne II, Le bossu La patience Homme et ministre |
Film | INA • GRM | 26.-29.9.1970 | TV ORTF, 2. chaine | 0 | |||||||||||
| 40703 | Jacques | Lejeune | Les contes de la Lanterne III | 1970 | Film | 13 | INA • GRM | 0 | |||||||||||
| 9291 | Jacques | Lejeune | Les palpitations de la forêt | 1985 | fixed media, akusmatisch | 26:40 | Stereo | (3 parts) | IMEB Bourges | 0 | |||||||||
| 9292 | Jacques | Lejeune | Marseillaise avec choeurs et personnages | 1988 | fixed media, akusmatisch | 30:25 | Stereo | INA • GRM | 0 | ||||||||||
| 40743 | Jacques | Lejeune | Memoire pour demain | 1974 | Theatermusik | INA • GRM | Cie. J. Russillo | juillet 1974 | Paris, Theâtre du Châtelet, Chorégraphie de J. Russillo | 0 | |||||||||
| 9293 | Jacques | Lejeune | Messe aux Oiseaux, Kyrie Gloria-Credo Sanctus - Agnus Dei |
1987 | Zuspiel / Tonband, 1 group | 66:55 | Stereo | ch ad lib [Chor] | GMVL CD 06/ INA C 2016/ | GMVL Lyon, CFMI Lyon | 1 | ||||||||
| 9294 | Jacques | Lejeune | Œdipe underground, Oedipe underground | 1972 | fixed media, akusmatisch | 35:50 | Stereo | INA • GRM | 25.8.1972 12.2.1973 |
München, Haus der Kunst (G. Leprince) Paris, Th. Récamier |
0 | ||||||||
| 9295 | Jacques | Lejeune | Opera d'eau | 1991 | fixed media, akusmatisch | 22:48 | Stereo | INA • GRM | 0 | ||||||||||
| 40727 | Jacques | Lejeune | Oú boivent les Vaches? | 1972 | Theatermusik | Pour le spectacle de R. Dubillard | INA • GRM | 0 | |||||||||||
| 9296 | Jacques | Lejeune | Parages, Parages I & II Etude de matière d’espace et de rythma Le cycle d’Icare |
1974 | fixed media, akusmatisch | 25:20 | Stereo, Quadro | 2 parts 13:50 + 11:13 film sans image (≈ acousmatic) |
Coll GRM AM 709.06/ Klett Stuttgart 92422/ Klett Stuttgart 08762/ HM AM 709.06/ | INA • GRM | 16.1.1974 | Paris, Eglise St. Séverin | 1 | ||||||
| 31321 | Jacques | Lejeune | Parages, Parages III Traces et réminiscences |
1974 | fixed media, akusmatisch | 20:52 | INA • GRM | 29.4.1975 | Paris, Salle Wagram | 1 | |||||||||
| 9298 | Jacques | Lejeune | Paysaginaire No. 1 | 1976 | Zuspiel / Tonband, 1 perf | 13:10 | Stereo | fl [Flöte] | INA • GRM | INA • GRM | 28.2.1977 | Paris, Palais des arts; F. Renaud (fl) | 0 | ||||||
| 9299 | Jacques | Lejeune | Petite Suite, Prélude Arioso Danse Sérénade Toccata |
1969 | Tanz | 8:04 | Stereo | part 2 & 4 wothout dancer | Marconi C/071 - 11 632/ Creel Pone 073/ IDEAMA CD 041/ | INA • GRM | 27.9.1969 | Paris Biennale (Mvts. 1, 3 et 5 dansés par M. Devay et C. Gros) | 0 | ||||||
| 32957 | Jacques | Lejeune | Portrait De Jeune Fille au Miroir ou Étude aux Silences | 1998 | fixed media, akusmatisch | 11:56 | Motus M 303007/ | INA • GRM | 0 | ||||||||||
| 9300 | Jacques | Lejeune | Pour entrer et sortir d'un conte | 1990 | fixed media, akusmatisch | 25:05 | Stereo | INA e 5004/ | INA • GRM | Competition Musica Nova Prag 1993 Auszeichnung ars electronica honorary mention 1993 |
0 | ||||||||
| 9301 | Jacques | Lejeune | Quatre impromptus | 1983 | Zuspiel / Tonband, 1 perf | 15:23 | Stereo | fl [Flöte] | La nuit des oiseaux | INA • GRM | 1.10.1983 | France Musique; Flûte: P. Y. Artaud | 0 | ||||||
| 40717 | Jacques | Lejeune | Ruptures aberrantes | 1971 | Theatermusik | INA • GRM | 27.9.1971 | Paris, Biennale (extrait) | 0 | ||||||||||
| 9302 | Jacques | Lejeune | Sept paroles en croix | 1973 | fixed media, akusmatisch | 80:00 | Stereo | Oratorio électroacoustique. Texte de G. Durand adapté par Agnés Tanguy. Avec la voix de Y. Régnier. |
INA • GRM | Commande d’Etat | 19.4.1974 | Paris, Eglise St. Leu- St. Gilles | 0 | ||||||
| 9303 | Jacques | Lejeune | Symphonie au bord d'un paysage, Large Marche Animé 1 Animé 2 Perpétuel |
1981 | Zuspiel, live-elec, 3 perf | 46:20 | Stereo | 3 synt [synthesizer] | Coll GRM 9111 LE/ | INA • GRM | 25.5.1981 | Paris, Maison de Radio France, Gd. Auditorium; avec le Trio TM+ | 1 | ||||||
| 9304 | Jacques | Lejeune | Symphonie romantique, Impressions chromatiques d'un soir d'été Romance à claire-voie Grand galop à pandemonium |
1983 | fixed media, akusmatisch | 40:42 | Stereo | (3 Parts) | Motus M 302005/ | INA • GRM | 31.1.1983 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | 1984 | |||||
| 9305 | Jacques | Lejeune | Teratologos | 1970 | fixed media, akusmatisch | 6:45 | Stereo | INA • GRM | 27.8.1971 | Menton, Fstival Navals | 0 | ||||||||
| 9306 | Jacques | Lejeune | Trois etudes pour l'espace de diffusion | 1989 | fixed media, akusmatisch | 23:12 | Stereo | INA • GRM | 0 | ||||||||||
| 9307 | Jacques | Lejeune | Une danse macabre | 1986 | fixed media, akusmatisch | 25:21 | Stereo | INA • GRM | 0 | ||||||||||
| 40733 | Jacques, Bernard | Lejeune, Durr | Temps libre | 1973 | Hintergrundmusik | 1:08 | INA • GRM | 0 | |||||||||||
| 40735 | Jacques, Gilles | Lejeune, Fresnais | A Haute Voix | 1973 | Film | 0:30 | INA • GRM | 0 | |||||||||||
| 32763 | Jacques, Denis, Bénédict, Yann, Daniel, Arnaud, Alain, Patrick, Philippe, Denis | Lejeune, Levaillant, Mailliard, Geslin, Teruggi, Petit, Savouret, Fleury, Mion, Dufour | Germinal, une expérience | 1984 - 1985 | fixed media, akusmatisch | 75 | Stereo | collectif project with computer / Syther | INA • GRM | 26.11.1985 | Radio France Auditorium 105 | 1 | |||||||
| 9308 | Markos | Lekkas | Chronographica Delta | 1995 | fixed media, akusmatisch | 2:43 | CEC DISContact_2/ | 1 | |||||||||||
| 19066 | Götz | Lemberg | HörRäume | 1996 | Klangkunst, Installation | 1:27 | Sonambiente Ausstellung (1996) Katalog S.91 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 9309 | René | Lemire | In Three Parts / 3 parties | 1986 | fixed media, akusmatisch | 2:26 | Stereo | 0 | |||||||||||
| 34614 | Sascha Lino | Lemke | aKKORDeONoff | 2014 | live-elec, 1 perf | p, (harmonica, cylinder, light & a/v electronics) [Piano] | SMC2016 | 0 | |||||||||||
| 20439 | Gregory | Lenczycki | Temporal Filter Coefficient | 1996 | fixed media, akusmatisch | 5:35 | Stereo | ambient | ASP 0966 / | 0 | |||||||||
| 9310 | Patrick | Lenfant | Alternances | 1982 | Zuspiel / Tonband, 2 perf | 13:00 | Stereo | fl, synt [Flöte, synthesizer] | CRFMW Liège | 0 | |||||||||
| 9311 | Patrick | Lenfant | De ma mémoire ... l'ombre | 1987 | Zuspiel / Tonband, 1 perf | Stereo | vc [Cello] | CRFMW Liège | 0 | ||||||||||
| 9312 | Patrick | Lenfant | Duocto | 1981 | Zuspiel / Tonband, 1 perf | 24:15 | Octo | cl [Klarinette] | CRFMW Liège | 0 | |||||||||
| 18516 | Patrick | Lenfant | Estampes / Esquisses | 1993 | fixed media, akusmatisch | 14:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 27702 | Patrick | Lenfant | Etude violette aux madeleines acoustiques | 2001 | live-elec, 1 perf | perf [Performer] | CRFMW Liège | 2001 | Festival de Bourges | 0 | |||||||||
| 18515 | Patrick | Lenfant | Eventails / Emergences | 1989 | fixed media, akusmatisch | 15:45 | Stereo | IMEB Bourges | 0 | ||||||||||
| 27701 | Patrick | Lenfant | Jusqu'à la transparence | 1999 | live-elec, 2 perf | S, p [Sopran, Piano] | sur trois poèmes de Guy Lavigerie | CRFMW Liège | 16.10.1999 | Liège, Biennale internationale de la Photographie, Musée d'Art Moderne et d'Art Contemporain | 0 | ||||||||
| 27233 | Patrick | Lenfant | Khem | 2006 | fixed media, akusmatisch | 12:26 | LDC 2781139 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 9313 | Patrick | Lenfant | Lithophanie | 1990 | Zuspiel, live-elec, 1 perf | Stereo | ww-ins [Bläser] | CRFMW Liège | 0 | ||||||||||
| 27703 | Patrick | Lenfant | Miroitements/échos | 2005 | live-elec, 1 perf | b-cl [Klarinette] | CRFMW Liège | 23.11.2005 | Liège, Festival Images sonores | 0 | |||||||||
| 9314 | Patrick | Lenfant | Trajectoires / Dérives | 1989 | Zuspiel / Tonband, 4 perf | Octo | perc, fl, vc, cl [Flöte, Klarinette, Schlagzeug, Cello] | CRFMW Liège | 0 | ||||||||||
| 9315 | William | Lennox | Electronic Music No. 1, Composition I Composition II Composition III Composition IV |
1970 | fixed media, akusmatisch | 44:00 | Stereo, Quadro | 4 parts: Composition I …3:24, 18:40, 12,27, 9:40 | Sonology Utrecht | 0 | |||||||||
| 9316 | William | Lennox | Electronic Music No. 17, (R.A.S.L. ) | 1983/1984 | fixed media, akusmatisch | ≈ 36:40 | Stereo | For study only, not for concert | EMS Stockholm | 0 | |||||||||
| 9317 | William | Lennox | Electronic Music No. 2 | 1970 | fixed media, akusmatisch | 12:00 | Quadro | 5; part 1 and 2 | Sonology Utrecht | 0 | |||||||||
| 9318 | William | Lennox | Electronic Music No. 3 | 1971 | fixed media, akusmatisch | 21:50 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 9319 | William | Lennox | Electronic Music No. 4 | 1970 | fixed media, akusmatisch | 30:00 | Quadro | part 1: 12:02; part 2: 18:42 | Sonology Utrecht | 0 | |||||||||
| 9320 | William | Lennox | Electronic Music No. 5 | 1971 | fixed media, akusmatisch | 64:00 | Quadro | 6 parts: 8:03; 8:45; 8:46; 18:20; 11:31; 9:34 | Sonology Utrecht | 0 | |||||||||
| 9321 | William | Lennox | Electronic Music No. 6, Mass | 1971 | fixed media, akusmatisch | 18:18 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 33713 | Bat | Lenny | Delphi | 1988 | fixed media, akusmatisch | 1:28:00 | from „the march of the small ones“-Cassette | WN 00006/1991/ | 1 | ||||||||||
| 9322 | Jörg | Lensing | Armstrong-Studien | 1985 | fixed media, akusmatisch | 4:40 | Quadro | ICEM Essen | 0 | ||||||||||
| 9323 | Jörg | Lensing | Des Königs neues Kleid | 1986 | fixed media, akusmatisch | 3:07 | Synlab | 0 | |||||||||||
| 9324 | Jörg | Lensing | Ich will zu dir - ach komm doch | 1985 | fixed media, akusmatisch | 7:00 | 0 | ||||||||||||
| 9325 | Jörg | Lensing | Ich will zu dir - ach komm doch | 1984 | Theater, 2 perf | 4:00 | 2 dancer [Tanz] | for Invention 'DOCH' ( Musikzitate) | 0 | ||||||||||
| 9326 | Jörg | Lensing | Im Pulse, Trans Form | 1984 | fixed media, akusmatisch | 7:00 | elec Version of "Trans Form" | 0 | |||||||||||
| 9327 | Jörg | Lensing | Mit Füßen getreten | 1986 | Film | 7:20 | Super-8; concret sounds, speech | 0 | |||||||||||
| 9328 | Jörg | Lensing | Sinfonia | 1987 | live-elec, 1 perf | 21:30 | Stereo | p [Piano] | ICEM Essen | 0 | |||||||||
| 9329 | Daniel | Lentz | Ecumenical Council | 1966 | Musiktheater | ∞ | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 9330 | Daniel | Lentz | Gospel Meeting | 1966 | Musiktheater | 20:00 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 9331 | Daniel | Lentz | Medeighnia's | 1965 | fixed media, akusmatisch | Stereo + Stereo | Uni Waltham | 0 | |||||||||||
| 9332 | Daniel | Lentz | Paul and Judy Meet ……… | 1967 | Musiktheater | ∞ | Uni Waltham | 0 | |||||||||||
| 9333 | Daniel | Lentz | Piano Piece | 1966 | Musiktheater | ∞ | Stereo | Uni Waltham | 0 | ||||||||||
| 9334 | Daniel | Lentz | Sermon | 1967 | live-elec, 1 perf | ∞ | amp ins [Instrument] | Uni Waltham | 0 | ||||||||||
| 42142 | Michael | Lentz | Hotel zur ewigen Lampe | 2014 | radiophon | SWR | 0 | ||||||||||||
| 38780 | Michael, Gunnar, Michael | LENTZ, GEISSE, WERTMÜLLER | Art’s Birthday 2016 - dadadadawar,istdadaweg - Konzertmitschnitt vom 17. Januar aus der Schaubühne Lindenfels, Leipzig | 2016 | radiophon | 55:27:00 | Dlf, Euroradio Ars Acustica | 17.1.2016 29.1.2016 |
Schaubühne Lindenfels Leipzig Deutschland Radio Kultur |
0 | |||||||||
| 39534 | Adam | Lenz | A Collapsing Field of Long-Dead Stars | 2016 | fixed media, akusmatisch | Adam Lenz | 0 | ||||||||||||
| 42829 | Adam | Lenz | I Looked at the Pieces and Still I Wonder Why | 2013 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 33177 | Tania | León | Axon | 2002 | live-elec, 1 perf | 12:05 | vn [Violine] | for violin and interactive computer | WJ 2008 polmic 046/ | Iroko Music, TLF Productions, LLC | 1 | ||||||||
| 40279 | Tania | León | Axon | 2016 | fixed media, akusmatisch | Tania León | 1 | ||||||||||||
| 28314 | Fernando Yves Juan Pablo Svetlana Ron Kotoka Thomas Samuel David John Barry Hildegard Lou Alex Jeffrey Graeme Guillaume Ricardo Daryn Steven Julian Josh Fabian Kala Bonnie Diana Douglas Ioannis Jorge Mary Beth Hrayr Victor Rosemary Roxanne David John Steel Michael Kwesi Pasquale Grant Mitch Andrew Penko Stephen Kevin Stephen Gilberto Assis Michael Alexandre Arnold Mark Michael David Guang-Jie David Roberto Ambrose Mark Ioannis Daniel Fernando |
Leppe
Gigon Medina Maras Herrema Suzuki Dempster Pellman Krajic Maters Truax Westerkamp Bunk Olsen Mettlewsky Truslove Loizillon Dal Farra Bond Naylor Stein Goldman Racca Pierson Miksch McIntosh DaSilva Kalantzis Sosa Farmer Eulmessekian Valentim Mountain Turcotte Power Oliver Stylianou Olson Awotwi Mainolfi Pittman Curtis Heathwaite Stoitschev Howden Austin Schedra Rosa Pionsonneault Matheson Brooks Hannesson Weinstein Reiman Ogborn Ho Litke Terelle Pottie Corwin Kourtis Houglum Leppe Alvarez |
60x60 VermilionMix / 360 degrees of 60x60, Displaced Éphémère II Like empty space I change, destroy, rebuild, replace, destroy and delete Skitter Little Mechanical Box basking in the copper look Adrift Europa the shopping brain relieved container piece BENEATH THE TOR (excerpt) KlangTraumMusik or Dumky Dream (2009) Em see Pea Rust Trump Study concretisations Soft minute Words through the Worlds Harmonic Hypercube [6-8-9-12] Revisit 1-10: pianoply Tettigoniid (60x60) Hexagonal (Facet 1) Screen murmurs Chilling Effects Fanfare for the Common Cold Kiss Dancing camp de feuilles Let's talk about it In Transit Water Due diligence checklist Transgression of Being Fragments of memory Les yeux crevés du soleil invisible sample Abstract Wind 1 starcloud Against Silhouettes Trip Hop Double'O'Zero Prelude on IV String untitled Spare Time Gaiuranos Life is analog - play loud! [ICMC-Version] Twinkle Mensurate Experiment Doggy Trot (4KK) Bi Yu Banter The Arrow Path to Inspiration Increate 51 mer At the Beach Footsteps with Context Ping-Pong Fenestration Il Pianoceano Bellwoods Spelunkextract Tanja The End? Displaced |
2010 | fixed media, akusmatisch | 60:00 | ICMA | 1 | http://www.voxnovus.com/60x60/2010_Vermilion_Mix.htm | ||||||||||
| 36965 | Fernando | Leppe Alvarez | Displaced | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 36906 | Fernando | Leppe | Displaced | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 37527 | Markus | Lepper | Abzählreim | 1986 | fixed media, akusmatisch | 4:45:00 | Stereo | Sprechstimme (Anna Coenen, geb. Titgen), Synlab, Orchesteraufnahmen | ICEM Essen | 0 | |||||||||
| 37528 | Markus | Lepper | Brandenburger Krebskanon auf Salat von Arpeggien | 1984 | fixed media, akusmatisch | 1:51:00 | Quadro | Synlab und (altes) Digitalinterface | ICEM Essen | 0 | |||||||||
| 37529 | Markus | Lepper | Der Kopf im Baum im Kopf. | 1986 | Klangkunst, Installation | 19:40:00 | Octo | V [Stimme] | Stimme | ICEM Essen | 0 | ||||||||
| 9345 | Markus | Lepper | 'Die Füchsin', 'Der Pirol', Zwei Lieder aus 'desgleichen' | 1985 | Zuspiel / Tonband, 2 perf | 6:00 | S, p [Sopran, Piano] | ICEM Essen | 0 | ||||||||||
| 37530 | Markus | Lepper | Erste Picasso-Suite, wie man Wünsche beim Schwanz packt | 1999 | fixed media, akusmatisch | 29:40:00 | Quadro | Synlab und Konkretmaterial und Stimme | ICEM Essen | 0 | |||||||||
| 23035 | Markus | Lepper | FM Suite | 1987 | fixed media, akusmatisch | 10:31 | Ex Machina 5 - die achtziger Jahre | Cybele 960.105, ex machina 5/ | ICEM Essen | 1 | |||||||||
| 9336 | Markus | Lepper | Greatest Hits '86 | 1986 | Zuspiel / Tonband, 1 group | 22:40 | ens [Ensemble] | ICEM Essen | 0 | ||||||||||
| 37531 | Markus | Lepper | Gulliver-Suite, Studie für live-Elektronik | 1982 | Zuspiel, live-elec, 2 perf, 1 group | 3:02:00 | Octo | synt, Vs [Stimme, synthesizer] | live-elektronik, synlab und Bandmaschinen, Stimmen und Geräusche | ICEM Essen | 0 | ||||||||
| 9337 | Markus | Lepper | IMTAKT | 1986 | Zuspiel, live-elec, 1 perf | 20:31 | Stereo | hpd [Cembalo] | ICEM Essen | 0 | |||||||||
| 9338 | Markus | Lepper | Kongo Suite | 1983 | fixed media, akusmatisch | 5:05 | Stereo | ICEM Essen | 0 | ||||||||||
| 31821 | Markus | Lepper | Künftiger Mai, elf Lieder auf Texte von Heinrich Heine, künftiger Mai op 18 Lieder für Klavier und Gesang nach Heinrich Heine |
2000 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 9339 | Markus | Lepper | Macbeth Suite, Studie für… | 1986 | fixed media, akusmatisch | 24:03 | Synlab | ICEM Essen | 0 | ||||||||||
| 9340 | Markus | Lepper | Manhattan Suite | 1982 | fixed media, akusmatisch | 14:00 | Stereo | p, synt, traffic-sounds | ICEM Essen | 0 | |||||||||
| 9341 | Markus | Lepper | Nocturnal: Suite über je einen Satz | 1984 | fixed media, akusmatisch | 12:00 | Trommel, Gesang, Sprache | ICEM Essen | 0 | ||||||||||
| 9342 | Markus | Lepper | Requiem für unzählige Komponisten | 1980 | fixed media, akusmatisch | 35:30 | Material: p, Synlab | ICEM Essen | 0 | ||||||||||
| 37532 | Markus | Lepper | Waidmanns Lust, Studie für live-Elektronik | 1982 | Zuspiel, live-elec, 2 perf, 1 group | 6:03:00 | Stereo | synt, Vs [Stimme, synthesizer] | live-elektronik, synlab und Bandmaschinen, Stimmen und Geräusche (Stephan Förster) | ICEM Essen | 0 | ||||||||
| 9343 | Markus | Lepper | Weiss | 1987 | Zuspiel / Tonband, 2 perf | 11:23 | p, V [Stimme, Piano] | ICEM Essen | 0 | ||||||||||
| 37533 | Markus | Lepper | Weiß-Suite | 1986 | fixed media, akusmatisch | 15:00:00 | Stereo | Klavier und Sprechstimme | ICEM Essen | 0 | |||||||||
| 9344 | Markus | Lepper | Wie man Wünsche am Schwanz packt | 1983 | Theatermusik | 31:11 | Synlab, concrete sounds, speech | ICEM Essen | 0 | ||||||||||
| 37534 | Markus | Lepper | Zweite Picasso-Suite, wie man Wünsche beim Schwanz packt | 1999 | fixed media, akusmatisch | 28:50:00 | Octo | Synlab und Konkretmaterial und Stimme | ICEM Essen | 0 | |||||||||
| 39365 | Einike | Leppik | Something Is Wrong | 2017 | fixed media, akusmatisch | Chapter I | 0 | ||||||||||||
| 9346 | Richard | Lerman | 3:30 for Thursday Afternoon | 1965 | fixed media, akusmatisch | 3:30 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 9347 | Richard | Lerman | 5:50 in the morning | 1965 | fixed media, akusmatisch | 5:50 | Stereo | Uni Waltham | 0 | ||||||||||
| 9348 | Richard | Lerman | Acid | 1966 | fixed media, akusmatisch | 12:15 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 9349 | Richard | Lerman | For Benno or Some Moments of My Time | 1966 | Hintergrundmusik | 120:00 | Mono | Uni Waltham | 0 | ||||||||||
| 9350 | Richard | Lerman | For Two of Them | 1965 | fixed media, akusmatisch | 7:15 | Stereo | Uni Waltham | 0 | ||||||||||
| 9351 | Richard | Lerman | Ithacas | 1964 | fixed media, akusmatisch | 4:33 | Stereo | after a poem by Cavafy | Uni Waltham | 0 | |||||||||
| 9352 | Richard | Lerman | Music for Bicycles | 1972 | Klanginstallation, live-elec, 1 perf, 1 group | ∞ | perfs (amp Bicycles) [Performer] | 0 | |||||||||||
| 9353 | Richard | Lerman | The Chairs | 1966 | Theatermusik | 20:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 9354 | Richard | Lerman | The Great Debate | 1967 | Musiktheater | var | multichannel | Uni Waltham | 0 | ||||||||||
| 9355 | Richard | Lerman | The last Moments of Raimundo | 1965 | fixed media, akusmatisch | 1:20 | Stereo | after a story by Ray Bradbury | Uni Waltham | 0 | |||||||||
| 9356 | Richard | Lerman | The Maids | 1964 | Theatermusik | 33:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 9357 | Richard | Lerman | The Reef & Beyond or Darrow's Scope | 1967 | Film | 9:00 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 9358 | Richard | Lerman | Third book of exercises | 1966 | Musiktheater | var | Stereo | Uni Waltham | 0 | ||||||||||
| 18909 | Richard | Lerman | Travelon Gamelon. A Footnote from Chernobyl | 1987 | intermedia, live-elec, 1 perf | 9:30 | perf (bicycles, Kinderwagen) [Performer] | Apollo ACD 019209/ | PS | 1 | |||||||||
| 20440 | Richard | Lerman | Within Earreach: Sonic Journeys | 1994 | Klangkunst, Installation | 67:47 | Stereo | 17 parts | ART 1009/ | CCM Mills | 0 | ||||||||
| 34845 | Charles-André | Leroux | Le Vertige | 2016 | fixed media, akusmatisch | 9:24:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 9359 | Philippe | Leroux | Hommage à Andrei Roublev | 1983 | fixed media, akusmatisch | 22:20 | Stereo | INA • GRM | Radio France et INA.GRM | 16.3.1983 | Paris, IRCAM Espace de projection | 0 | |||||||
| 9360 | Philippe | Leroux | Intercessions | 1981 | fixed media, akusmatisch | 16:25 | Stereo | INA • GRM | 22.3.1982 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||||
| 38851 | Philippe | Leroux | La Guerre du Faire | fixed media, akusmatisch | 18:07 | INA GRM G6050/59/ | 0 | ||||||||||||
| 9361 | Philippe | Leroux | Le passán | 1989 | fixed media, akusmatisch | 5:11 | Stereo | INA • GRM | 0 | ||||||||||
| 9362 | Philippe | Leroux | Le vide et le vague | 1986 | fixed media, akusmatisch | 19:10 | Stereo | CD F.T.M. 002 B 50 Jahre GRM | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 12.5.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | ||||||
| 28145 | Philippe | Leroux | M | 1997 | live-elec, 4 perf | 15:00 | 2 p, 2 perc [Piano, Schlagzeug] | IRCAM Les Années 90/ | IRCAM | Radio Südwestfunk Baden-Baden pour le festival de Donaueschingen, et Ircam-Centre Pompidou | 18 October 1997 | Donaueschingen, festival, par Quatuor Ictus : Jean-Luc Fafchamps, Jean-Luc Plouvier : pianos, Miguel-Angel Bernat, Gerrit Nulens : percussions, direction : Georges-Elie Octors. | 0 | ||||||
| 38850 | Philippe | Leroux | M.E | fixed media, akusmatisch | 12:43 | INA GRM G6050/59/ | 0 | ||||||||||||
| 38852 | Philippe | Leroux | Objets trouves...poses | fixed media, akusmatisch | 14:25 | INA GRM G6050/59/ | 0 | ||||||||||||
| 32949 | Philippe | Leroux | PPP | 2004 | fixed media, akusmatisch | 10:58 | Motus M 298004/ | 0 | |||||||||||
| 9363 | Philippe | Leroux | Tournoi | 1989 | fixed media, akusmatisch | 15:30 | Stereo | INA • GRM | 0 | ||||||||||
| 28144 | Philippe | Leroux | Voi(REX) | live-elec, 7 perf | V, 6 ins [Stimme, Instrument] | sur un texte de Lin Delpierre | IRCAM | 0 | |||||||||||
| 9364 | Terje Bjørn | Lerstad | Confiture des myrtilles, op. 67 | 1981 | Zuspiel / Tonband, 3 perf | 6:00 | fl, cl, p, (audience) [Flöte, Klarinette, Piano] | NOTAM | 0 | ||||||||||
| 9365 | Terje Bjørn | Lerstad | De Profundis, op. 139 | 1980 | Zuspiel / Tonband, 2 perf | 12:00 | V, cl, str orc [Stimme, Klarinette, Orchester] | Voice ≈ Cal | NOTAM | 0 | |||||||||
| 9366 | Terje Bjørn | Lerstad | De Profundis, op. 139 B | 1981 | Zuspiel / Tonband, 6 perf | 12:00 | A, cl, str-qt [Alt, Klarinette, Streicher] | NOTAM | 0 | ||||||||||
| 9367 | Terje Bjørn | Lerstad | Quo ante bellum, op. 186 | 1987 | fixed media, akusmatisch | 20:00 | NOTAM | 0 | |||||||||||
| 9368 | Terje Bjørn | Lerstad | Rendez-vous I | 1987 | Zuspiel / Tonband, 1 perf | 9:00 | cl [Klarinette] | NOTAM | 0 | ||||||||||
| 9369 | Terje Bjørn | Lerstad | Rendez-vous III | 1992 | Zuspiel, live-elec, 5 perf | 21:00 | cl, vn, vc, db, p and synt [Klarinette, Piano, Cello, Violine, Kontrabass, synthesizer] | NOTAM | 0 | ||||||||||
| 37657 | Group | Les Femmes Savantes | 2017 | Performance, live-elec, 4 perf | 7 | Octo | 4 perf (2 V, Innenklavier, tpt) [Performer] | 0 | |||||||||||
| 37655 | Group | Les Femmes Savantes | Maischen | 2017 | Performance, live-elec, 2 perf | 12 | Octo | 2 perf (V, Innenklavier) [Performer] | 30.9.2017 | AdK Berlin, Kontakte 17 Festival Heroines of Sound | 0 | ||||||||
| 37656 | Group | Les Femmes Savantes | Ripped Flax | 2017 | Performance, live-elec, 3 perf | 8 | 3 perf (V, tpt, Innenklavier) [Performer] | 0 | |||||||||||
| 37653 | Group | Les Femmes Savantes | Scramble | 2015 - 2017 | Performance, live-elec, 4 perf | var | Octo | tpt, p, kbd, V [Stimme, Trompete, Piano, Keyboard] | improvisation | 0 | |||||||||
| 9370 | Vincent | Lesbros | Arbonaissance | 1987 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 9371 | Vincent | Lesbros | Next | 1989 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 9372 | Vincent | Lesbros | Next without for ... | 1985 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 9373 | Vincent | Lesbros | Tictus | 1983 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 9374 | Desmond | Leslie | Death of Satan | 1957 | fixed media, akusmatisch | 3:00 | Mono | PS C. London | 0 | ||||||||||
| 9375 | Desmond | Leslie | Julius Caesar | 1960 | Theatermusik | Stereo | FCM/ DEOB 9 AS/ | PS C. London | 0 | ||||||||||
| 9376 | Desmond | Leslie | Kali Yuga | 1962 | fixed media, akusmatisch | 7:15 | Stereo | PS C. London | 0 | ||||||||||
| 9377 | Desmond | Leslie | King Henry V., King Lear, King Richard III. | 1962 | Theatermusik | Stereo | FCM/ DEOB 5 AM/ | PS C. London | 0 | ||||||||||
| 9378 | Desmond | Leslie | Othello | 1962 | Theatermusik | Stereo | FCM/ DEOB 3 AM/ | PS C. London | 0 | ||||||||||
| 38607 | Bruno | LETORT | Semelles de vent | 2011 | radiophon | 50:04:00 | 0 | ||||||||||||
| 30255 | Bernd | Leukert | Auf der Rückfahrt von Donaueschingen | 2007 | fixed media, akusmatisch | 13:15:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 30254 | Bernd | Leukert | Bowl | 2009 | fixed media, akusmatisch | 5:00:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 30253 | Bernd | Leukert | Jabeau | 2009 | fixed media, akusmatisch | 9:56:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 29993 | Bernd | Leukert | Le Rêve | fixed media, akusmatisch | 4:16:00 | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 30256 | Bernd | Leukert | Recht & Seele. Ein Divertimento | 2008 | fixed media, akusmatisch | 7:07:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 30252 | Bernd | Leukert | Tree’s Tale | 2009 | fixed media, akusmatisch | 11:07:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 30257 | Bernd | Leukert | Variations pour une porte soupirante | 2008 | fixed media, akusmatisch | 12:05:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 30258 | Bernd | Leukert | Wildwechsel, Das Pferd frisst keinen Gurkensalat | 2009 | fixed media, akusmatisch | 18:40:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 30259 | Bernd | Leukert | Wildwechsel, Auf dem Granatbaum | 2009 | fixed media, akusmatisch | 29:52:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 30260 | Bernd | Leukert | Wildwechsel, Herrenetage | 2009 | fixed media, akusmatisch | 19:30:00 | Stereo | Maria de Alvear World Edition 0013/ | 1 | ||||||||||
| 23170 | Tony K. T. | Leung | When light first shone | 2001 | fixed media, akusmatisch | 5:14 | Cec Presence 3/ | 1 | |||||||||||
| 34704 | Felix | Leuschner | iScape | 2016 | fixed media, akusmatisch | 5:00:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 9379 | Denis | Levaillant | Eloge de l'eau | 1986 | fixed media, akusmatisch | 23:40 | Stereo | INA • GRM | 20.1.1987 | Paris, Maison de Radio-France, Studio 105 | 0 | ||||||||
| 9380 | Denis | Levaillant | Germinal, Eloge Du Zarb | 1985 | fixed media, akusmatisch | 5:29 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 20441 | Denis | Levaillant | Le baigneur | 1976 | Zuspiel / Tonband, 1 perf | 21:38 | Stereo | V [Stimme] | THC 82054/ | 0 | |||||||||
| 20442 | Denis | Levaillant | Les pierres noires | 1984 | Zuspiel / Tonband, 1 group | 11:11 | Stereo | ch [Chor] | THC 82054/ | INA • GRM | 0 | ||||||||
| 9381 | Denis | Levaillant | Piano Transit | 1983 | Zuspiel / Tonband, 1 perf | 30:00 | Stereo | p [Piano] | INA • GRM | Festival de la Rochelle | 0 | ||||||||
| 9382 | Denis | Levaillant | Speakers | 1988 | Zuspiel / Tonband, 1 group | 28:32 | Stereo | ch [Chor] | THC 82054/ | INA • GRM | 0 | ||||||||
| 38837 | Chelsea | Leventhal | An immense world still heard it | 2015 | Klangkunst, Installation | 17 Tracks | Kontraklang | 2015 | Heimathafen Neukölln for MaerzMusik 2015 | 0 | http://www.chelsealeventhal.net/#Immenseworld_ | ||||||||
| 31998 | Chelsea | Leventhal | Breach | 2007 | live-elec, 1 perf | 5:23:00 | Spazialisation: WFS | b-fl [Flöte] | IRCAM, TU Berlin | 1 | 2008 | ||||||||
| 38843 | Chelsea | Leventhal | Depths | 2010 | Klangkunst, Installation | 3 tracks | (three speakers and three motorized spools) [] | 2010 | group exhibition "Son a tous les Etages" organized by the department for Experimental Radio, Bauhaus Universität Weimar. Musée Réattu in Arles, France | 0 | http://www.chelsealeventhal.net/#Depths_ | ||||||||
| 38835 | Chelsea | Leventhal | Diction | 2015 | fixed media, akusmatisch | Mono | 2015 | project "Performing the Black Mountain Archive" at Hamburger Bahnhof, Berlin | 0 | http://www.chelsealeventhal.net/#Diction_ | |||||||||
| 38836 | Chelsea | Leventhal | Disquietude | 2015 | Klangkunst, Installation | Quadro | (light) [] | sound and light installation | 2015 | offices of Hi-Res! Agency Berlin for the exhibition Resonanz: Klang.Kunst.Gesellschaft. | 0 | http://www.chelsealeventhal.net/#Disquietude_ | |||||||
| 38844 | Chelsea | Leventhal | Electric Forest II | 2009 | Klangkunst, Installation | 21 Tracks | 2009 | group exhibition “Ohrwald” organized by the Studio for Electroacoustic Music (SeaM), Hochschule fur Musik Franz Liszt Weimar. Presented at Hainich National Park, Thuringia | 0 | http://www.chelsealeventhal.net/#Electricforest_ | |||||||||
| 38829 | Chelsea | Leventhal | Harbinger | 2018 | Klangkunst, Installation | Octo | 2018 | Galerie im Körnerpark, Berlin | 0 | http://www.chelsealeventhal.net/#Harbinger_ | |||||||||
| 38842 | Chelsea | Leventhal | Home | 2012 | Klangkunst, Installation | (Tesla T-65 telephones, each with an arduino, waveshield, and 1-channel audio) [] | 0 | https://vimeo.com/52648075 | |||||||||||
| 38840 | Chelsea | Leventhal | II. Lucid | 2013 | fixed media, akusmatisch | 3:01 | Octo | 0 | http://www.chelsealeventhal.net/#IILucid_ | ||||||||||
| 38833 | Chelsea | Leventhal | Inside | 2016 | Klangkunst, Installation | audiovisuell |
Octo | Sound installation with video projection | 2016 | 0 | http://www.chelsealeventhal.net/#Inside_ | |||||||||
| 38832 | Chelsea | Leventhal | Jungle Receivers | 2017 | Klangkunst, Installation | 5 tracks | 2017 | Neues Kreuzberger Zentrum, Berlin | 0 | ||||||||||
| 38831 | Chelsea | Leventhal | Liminal Extensions | 2017 | Klangkunst, Installation | Octo | 0 | http://www.chelsealeventhal.net/#LiminalExtensions_ | |||||||||||
| 38839 | Chelsea | Leventhal | Omega Adrift | 2013 | fixed media, akusmatisch | 10:35 | 42 Tracks | ZKM Karlsruhe | 0 | http://www.chelsealeventhal.net/#Omegaadrift_ | |||||||||
| 38846 | Chelsea | Leventhal | Preservation | 2008 | Klangkunst, Installation | Octo | „Le Empire des Signes“ Akademie der Künste Berlin | 0 | http://www.chelsealeventhal.net/#Preservation_ | ||||||||||
| 38828 | Chelsea | Leventhal | Psychoanalysis of Fire | 2018 | Klangkunst, Installation | loop | 6 | the Loudspeakers include Infared Heating lamp. | WDR, Stadt Witten | 27.4.2018 | Garten Märkisches Museum Witten | 0 | |||||||
| 38841 | Chelsea | Leventhal | Resound | 2012 | Klangkunst, Installation | Octo | Delft, Netherlands; permanently installed at Delft's Kabelfabriek | 0 | http://www.chelsealeventhal.net/#Resound_ | ||||||||||
| 38845 | Chelsea | Leventhal | Siege | 2009 | Klangkunst, Installation | 27 Tracks, 12 tracks | 2009 | group exhibition “Ringen” curated by Susanne Husse and Charlotte Esser. Galerie Andrae Kaufmann in Berlin, Germany | 0 | https://vimeo.com/5324117 | |||||||||
| 38838 | Chelsea | Leventhal | Still/bewegt | 2014 | Tanz | 6 | Pépinières Européennes pour Jeunes Artistes | 2014 | 0 | https://vimeo.com/125182800 | |||||||||
| 38834 | Chelsea | Leventhal | Undertones | 2015 | Klangkunst, Installation | 5 tracks | -> https://vimeo.com/141081324 | 2015 | Galerie Weißer Elefant, Berlin | 0 | http://www.chelsealeventhal.net/#Undertones_ | ||||||||
| 38830 | Chelsea | Leventhal | Wind and Other Ephemera | 2017 | Klangkunst, Installation | Stereo | 2017 | Schlosskapelle Weimar | 0 | http://www.chelsealeventhal.net/#WindandotherEphemera_ | |||||||||
| 18918 | Jon | Lever | Speed Mix / Edit | 1994 | intermedia | Tanz |
6:26 | Performance | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | |||||||||
| 20443 | Gregory | Levin | Crossroad | 1974 - 1980 | Zuspiel / Tonband, 1 perf | 11:41 | Stereo | cl [Klarinette] | CMC CD 4392/ | 0 | |||||||||
| 22039 | Robert | Levin | Basewater | fixed media, akusmatisch | 8:02 | Von CD ALL Ears | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 9383 | Michaël | Lévinas | Appels | 1974 | live-elec, 1 group | 9:00 | amp ens [Ensemble] | Coll GRM AM 821.10/ HM AM 821.10/ | 1.1.1974 | La Rochelle | Lemoine | 1 | 1990 | http://brahms.ircam.fr/works/work/9995/#program | |||||
| 22949 | Michaël | Lévinas | Arsis et Thésis ou la chanso | Zuspiel / Tonband, 1 perf | 6:50 | fl [Flöte] | Coll GRM AM 821.10/ HM AM 821.10/ | INA • GRM | 1 | ||||||||||
| 9384 | Michaël | Lévinas | Clov et Ham | 1973 | Zuspiel / Tonband, 3 perf | 8:00 | Stereo + Stereo | trbn, tuba, perc [Posaune, Tuba, Schlagzeug] | Adès 14.072/ | Salabert | 0 | ||||||||
| 9385 | Michaël | Lévinas | Concerto Pour Un Piano Espace | 1976 | Zuspiel / Tonband, 9 perf | 12:00 | p, 8 ins [Piano, Instrument] | Salabert | 0 | ||||||||||
| 9386 | Michaël | Lévinas | Concerto pour un piano espace No. 2 | 1984 | Zuspiel, live-elec, 6 perf | 12:00 | Stereo | p, 5 ins [Piano, Instrument] | Adès 14.072/ | INA • GRM | March 1984 | Lyon. Perspectives du XX. siècle, Gd. Auditorium; dir. Michel Decoust | 0 | ||||||
| 9387 | Michaël | Lévinas | Contrepoints irréels III – Rencontres | 1980 | Zuspiel / Tonband, 1 perf, 1 group | 7:00 | orc, e-org [Keyboard, Orchester] | Adès 14.072/ | Salabert | 0 | |||||||||
| 22950 | Michaël | Lévinas | Froissements d´ailes | Zuspiel / Tonband, 1 perf | 2:49 | fl [Flöte] | Coll GRM AM 821.10/ HM AM 821.10/ | INA • GRM | 1 | ||||||||||
| 28151 | Michaël | Lévinas | Go-Gol | 1996 | Oper, live-elec, 3 perf, 2 groups | 90:00 | 3 V, ch, ens [Stimme, Ensemble, Chor] | IRCAM Les Années 90/ | IRCAM | Ville de Massy, fondation Beaumarchais, avec le soutien Pro Lyrica et du Fonds de création Lyrique | 21 September 1996 | Strasbourg, festival Musica, par l'orchestre de Montpellier, direction : Pascal Rophé, mise en scène : Daniel Mesgich | Lemoine, Paris, nº 27217, 1996 | 0 | http://brahms.ircam.fr/works/work/10010/ | ||||
| 9388 | Michaël | Lévinas | L’Orateur muet | 1970 | Zuspiel / Tonband, | 10:00 | str orc [Orchester] | Salabert | 0 | ||||||||||
| 9389 | Michaël | Lévinas | La Clôche fêlée | 1988 | live-elec, 2 perf, 1 group | orc, 2 e-p [Piano, Orchester] | Salabert | 0 | |||||||||||
| 9390 | Michaël | Lévinas | La Voix des Voix | 1984 | live-elec, 1 group | 20:00 | ens [Ensemble] | PAR 5301/ | Salabert | 0 | |||||||||
| 9391 | Michaël | Lévinas | Le Tambour | 1981 | Zuspiel / Tonband, 1 perf | 4:00 | lute [Gitarre] | Salabert | 0 | ||||||||||
| 9392 | Michaël | Lévinas | Les Rires du Gilles | 1981 | Zuspiel / Tonband, 5 perf | 8:00 | pan fl, cl, hn, tpt, perc [Flöte, Klarinette, Horn, Trompete, Schlagzeug] | PAR 5301/ Adès 14.072/ | Salabert | 0 | |||||||||
| 9393 | Michaël | Lévinas | Ouverture pour une fête étrange | 1979 | Zuspiel / Tonband, 2 groups | 14:45 | Stereo | 2 orc [Orchester] | Adès 14.072/ | INA • GRM | L’Etat pour l'Ina GRM | 17.11.1979 | Metz, 8. Rencontres Internationals, Orc. Symph. de Radio Bâle, dir. M. Bamert, Orch. Phil. de Lorraine, dir. F. Quattrocchi | Salabert | 0 | ||||
| 9394 | Michaël | Lévinas | Préfixes | 1991 | live-elec, 2 perf, 1 group | 12:00 | ens, 2 Kbd [Keyboard, Ensemble] | IRCAM | Salabert | 0 | |||||||||
| 9395 | Michaël | Lévinas | Quatrième arcade | 1984 | Zuspiel / Tonband, 12 perf | 8:41 | 4 va, 4 vc, 2 db, perc, perc p [Piano, Schlagzeug, Viola, Cello, Kontrabass] | Transcription de l'Arcade III | Salabert SCD 8801/ HM 83/ | 0 | |||||||||
| 9396 | Michaël | Lévinas | Résonances polyphoniques | 1985 | live-elec, 1 perf | 6:00 | db [Kontrabass] | Salabert | 0 | ||||||||||
| 9397 | Michaël | Lévinas | Spirale d'oiseaux | 1984 | Zuspiel / Tonband, 2 perf | 14:00 | hn, snare [Horn] | Salabert | 0 | ||||||||||
| 9398 | Michaël | Lévinas | Troisième arcade - "Le chœr des arches" | 1984 | Zuspiel / Tonband, 3 perf | 10:00 | p, perc, str [Piano, Schlagzeug, Streicher] | Salabert SCD 8801/ | 1 | ||||||||||
| 9399 | Michaël | Lévinas | Variation sur un Ut clair | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | p and snare [Piano] | Salabert | 0 | ||||||||||
| 9400 | Michaël | Lévinas | Voix dans un vaisseau d'Airain «Chant en escalier» | 1977 | Zuspiel / Tonband, 4 perf | 15:00 | V, fl, hn, p [Stimme, Flöte, Horn, Piano] | Coll GRM AM 821.10/ HM AM 821.10/ | Salabert | 1 | |||||||||
| 9401 | Josh | Levine | Downstream | 1992 | Zuspiel / Tonband, 1 perf | 55:59 | gui [Gitarre] | HSM Basel, IMEB Bourges | 0 | ||||||||||
| 9402 | Josh | Levine | Tel | 1987 | fixed media, akusmatisch | 27:39 | LDC 278044/45 Cultures Electroniques 2/ | HSM Basel | 1 | http://www.esbasel.ch/ | |||||||||
| 9403 | Josh | Levine | Zwischenwelt | 1989/1991 | live-elec, 6 perf | 13:50 | Stereo | perc, fl, cl, p, vn, vc [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 9404 | Burt | Levy | Gnomes | 1964 | fixed media, akusmatisch | 5:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 22929 | Fabien | Lévy | L'air d'ailleurs - bicinium | 1997 | Zuspiel / Tonband, 1 perf | 8:43 | sax [Saxophon] | CNRS Paris | Lyon Conservatoire | 10.6.1997 | Competition Piece for the Conservatoire National de Région de Lyon | 1 | http://www.fabienlevy.net/compositions-2/electronic/l-air-dailleurs-bicinium-for-saxophone-and-tape/ | ||||||
| 23022 | Fabien | Lévy | Soliloque sur Anton, Claude, Charles, Orlando, Ludwig et Igor chantonuant | 2002 | live-elec, 1 perf | 14:56 | Stereo | Supercollider [computer] | aus Teilen von Gounod, di Lasso, Debussy, Strawinski, Beethoven, Webern. | PS Seelig, TU Berlin | Festival Inventionen | 1 | http://mspcafe.g2312.de/projects/soliloque/ | ||||||
| 22995 | Fabien | Lévy | Soliloque sur Inventionen 7.7.02, Soliloque sur Ludger, Jean François, James, Tonino, Daniel, Laura, Rolf et Allain | 2002 | live-elec, 1 perf | 15:45 | Stereo | Supercollider [computer] | Selbstgespräch eines Computers über ein von ihm missverstandenes Konzert | PS Seelig, TU Berlin | 7.7.2002 | Inventionen Parochialkirche Berlin | 1 | 2002 | http://mspcafe.g2312.de/projects/soliloque/ | ||||
| 22496 | Fabien | Lévy | Soliloque sur Ludger, Jean François, James, Tonino, Daniel, Laura, Rolf et Allain, Selbstgespräch eines Computers über ein von ihm missverstandenes Konzert | 2002 | live-elec, 1 perf | 15:56 | Stereo | Supercollider [computer] | PS Seelig, TU Berlin | 6.7.2002 | Inventionen Parochialkirche Berlin | 0 | http://mspcafe.g2312.de/projects/soliloque/ | ||||||
| 23021 | Fabien | Lévy | Soliloque sur moi | 2002 | live-elec, 1 perf | 16:00 | Stereo | Supercollider [computer] | Réalisé à partir de courts extraits de Durch, Hérédo-Ribotes, Coincidences, l'air d'ailleurs-bicinium, et Les deux ampoules d'un sablier peu à peu se comprennent | PS Seelig, TU Berlin | 1 | http://mspcafe.g2312.de/projects/soliloque/ | |||||||
| 23020 | Fabien | Lévy | Soliloque sur une harpe Nzakara, un barber shop, un accord de piano, Allain, un multiphonique de hautbois, et des tutorials | 2002 | live-elec, 1 perf | 15:48 | Stereo | Supercollider [computer] | Réalisé à partir de courts tutorials et autres objets trouvés | PS Seelig, TU Berlin | 1 | http://mspcafe.g2312.de/projects/soliloque/ | |||||||
| 31384 | Stephan | Lewandowski | Clouds | 2004 | fixed media, akusmatisch | 7:41:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31415 | Stephan | Lewandowski | … scheint gewandert zu sein … | 2005 | Zuspiel / Tonband, 1 perf | 9:30:00 | p [Piano] | HfM Dresden | 0 | ||||||||||
| 19000 | Christoph | Lewark | Eine Hörreise | 1990 | Klangkunst, Installation | 1:50 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 39573 | Andres | Lewin-Richter | Signals | 2017 | fixed media, akusmatisch | Andres Lewin-Richter | 0 | ||||||||||||
| 35454 | Andres | Lewin-Richter | Space Electronics Space Electronics - Ligatures Electronic Mystery |
1977 | Demo, Studie | Mono | CAM CML 142/ CAM CML 143/ CAM CML 144/ | 0 | |||||||||||
| 9407 | Andrés | Lewin-Richter | Acción Cero | Tanz | Phonos Barcelona | 0 | |||||||||||||
| 19882 | Andrés | Lewin-Richter | Acción II | 1977 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19889 | Andrés | Lewin-Richter | Actualidad Discográfica | 1982 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 9408 | Andrés | Lewin-Richter | Baschetiada | 1980 | fixed media, akusmatisch | 12:06 | HEM H-1118/ | Phonos Barcelona | 0 | ||||||||||
| 19905 | Andrés | Lewin-Richter | Batlantic | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19914 | Andrés | Lewin-Richter | Ben Avra questa Donna Cor di Ghiaccio (Dante) | 1988 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | Phonos Barcelona | 0 | ||||||||||
| 19916 | Andrés | Lewin-Richter | Brossiana: Interludio | 1990 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19911 | Andrés | Lewin-Richter | Calaf in Matteria | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19899 | Andrés | Lewin-Richter | Cogida | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 9409 | Andrés | Lewin-Richter | Collage | fixed media, akusmatisch | Phonos Barcelona | 0 | |||||||||||||
| 35478 | Andrés | Lewin-Richter | Constelaciones | 2000 | fixed media, akusmatisch | 3:02 | Phonos Barcelona | 0 | |||||||||||
| 9410 | Andrés | Lewin-Richter | Densidades | 1963 | fixed media, akusmatisch | 2:23 | HEM H-1118/ | Col.Princ EMC | 0 | ||||||||||
| 19906 | Andrés | Lewin-Richter | Desfigurat | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19908 | Andrés | Lewin-Richter | Dialogos | 1987 | Zuspiel / Tonband, 2 perf | Stereo | 2 perc [Schlagzeug] | Phonos Barcelona | 0 | ||||||||||
| 19884 | Andrés | Lewin-Richter | El Paraiso | 1979 | fixed media, akusmatisch | Stereo | Text by Moravia | Phonos Barcelona | 0 | ||||||||||
| 19886 | Andrés | Lewin-Richter | El Viento I, (Homenaje a Lorca) | 1979 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 9411 | Andrés | Lewin-Richter | El Viento II, (Homenaje a Garcia Lorca) | 1979 | Zuspiel / Tonband, 2 perf | 9:17 | S, gui [Sopran, Gitarre] | HEM H-1117/ | Phonos Barcelona | 0 | |||||||||
| 9412 | Andrés | Lewin-Richter | El Viento III | 1980 | Zuspiel / Tonband, 1 perf | 7:09 | S [Sopran] | HEM H-1117/ | Phonos Barcelona | 0 | |||||||||
| 9413 | Andrés | Lewin-Richter | El Viento IV | 1980 | Zuspiel / Tonband, 1 perf | 6:14 | S [Sopran] | HEM H-1117/ | Phonos Barcelona | 0 | |||||||||
| 19881 | Andrés | Lewin-Richter | Esta Trist el Most | 1976 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 9414 | Andrés | Lewin-Richter | Estudio I, Study No. 1 | 1964 | fixed media, akusmatisch | 3:36 | HEM H-1118/ TV 4004/ | Col.Princ EMC | 0 | ||||||||||
| 9415 | Andrés | Lewin-Richter | Estudio II | 1965 | fixed media, akusmatisch | 3:16 | HEM H-1118/ | Col.Princ EMC | 0 | ||||||||||
| 19890 | Andrés | Lewin-Richter | Factica (el Bailarin y su Estructura) | 1982 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 35479 | Andrés | Lewin-Richter | Fantasia | 2003 | fixed media, akusmatisch | 10:07 | 0 | ||||||||||||
| 35480 | Andrés | Lewin-Richter | Figuras | 2000 | fixed media, akusmatisch | 6:54 | Phonos Barcelona | 0 | |||||||||||
| 35481 | Andrés | Lewin-Richter | Figures | 2003 | fixed media, akusmatisch | 6:51 | 0 | ||||||||||||
| 35482 | Andrés | Lewin-Richter | Flauta-Metall | 2000 | fixed media, akusmatisch | 7:41 | 0 | ||||||||||||
| 9416 | Andrés | Lewin-Richter | Fontecilla Mix I | 1977 | Hintergrundmusik | Phonos Barcelona | 0 | ||||||||||||
| 9417 | Andrés | Lewin-Richter | Fontecilla Mix II | 1978 | fixed media, akusmatisch | 22:09 | HEM H-1118/ | Phonos Barcelona | 0 | ||||||||||
| 35483 | Andrés | Lewin-Richter | For Harry | 2007 | fixed media, akusmatisch | 9:41 | 0 | ||||||||||||
| 9418 | Andrés | Lewin-Richter | Fragmento (a Nono) | fixed media, akusmatisch | 3:09 | UM CD 7 Vol. I/ | Phonos Barcelona | 0 | |||||||||||
| 19918 | Andrés | Lewin-Richter | Frullato | 1990 | Zuspiel / Tonband, 4 perf | 15:00 | Stereo | 4 fl [Flöte] | ars harmonica / serie phonos/ | Phonos Barcelona | 1 | ||||||||
| 19885 | Andrés | Lewin-Richter | Guernica | 1979 | fixed media, akusmatisch | Stereo | Text by Arrabal | Phonos Barcelona | 0 | ||||||||||
| 35726 | Andrés | Lewin-Richter | Homenaje a Pierre Schaeffer | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 19552 | Andrés | Lewin-Richter | Homenaje a Zinovieff | 1988 | fixed media, akusmatisch | 8:30 | Stereo | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | GME Cuenca | 1 | |||||||||
| 19900 | Andrés | Lewin-Richter | In Memoriam Manuel Valls | 1984 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | SGAE 25.1490/ | Phonos Barcelona | 1 | |||||||||
| 19901 | Andrés | Lewin-Richter | Isaac el Cec | 1984 | Zuspiel / Tonband, 3 perf | Stereo | V, fl, gui [Stimme, Flöte, Gitarre] | SGAE 25.1490/ | Phonos Barcelona | 1 | |||||||||
| 19880 | Andrés | Lewin-Richter | JOC (Espacio sonoro IV) | 1976 | Zuspiel / Tonband, 2 perf | Stereo | gui, perc [Gitarre, Schlagzeug] | Phonos Barcelona | 0 | ||||||||||
| 19902 | Andrés | Lewin-Richter | Juegos | 1985 | Zuspiel / Tonband, 2 perf | Stereo | 2 gui [Gitarre] | Phonos Barcelona | 0 | ||||||||||
| 19892 | Andrés | Lewin-Richter | Knosos | 1982 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19907 | Andrés | Lewin-Richter | La Tempestad (La Cubana) | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 9419 | Andrés | Lewin-Richter | Ludus Basiliensis | 1991 | fixed media, akusmatisch | 10:30 | HSM Basel, Phonos Barcelona | 0 | |||||||||||
| 35484 | Andrés | Lewin-Richter | Melodies | 2003 | fixed media, akusmatisch | 7:57 | 0 | ||||||||||||
| 9420 | Andrés | Lewin-Richter | Movimientos | 1965 | Tanz | Col.Princ EMC | 0 | ||||||||||||
| 19903 | Andrés | Lewin-Richter | Música electroacústica | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19915 | Andrés | Lewin-Richter | Noventa y Nueve Golpes | 1989 | Zuspiel / Tonband, | Stereo | Phonos Barcelona | 0 | |||||||||||
| 9421 | Andrés | Lewin-Richter | OM | 1975 | Zuspiel / Tonband, 1 perf | 5:53 | S [Sopran] | HEM H-1117/ | Phonos Barcelona | 0 | |||||||||
| 35485 | Andrés | Lewin-Richter | On Freesound water | 2006 | fixed media, akusmatisch | 5:19 | 0 | ||||||||||||
| 19893 | Andrés | Lewin-Richter | Quorum | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 9422 | Andrés | Lewin-Richter | Reacciones I | 1979 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | Phonos Barcelona | 0 | |||||||||||
| 19920 | Andrés | Lewin-Richter | Reacciones I | 1991 | Zuspiel / Tonband, 1 perf | Stereo | bn [Fagott] | Phonos Barcelona | 0 | ||||||||||
| 9423 | Andrés | Lewin-Richter | Reacciones II | 1979 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | Phonos Barcelona | 0 | |||||||||||
| 9424 | Andrés | Lewin-Richter | Reacciones III | 1982 | Zuspiel / Tonband, 5 perf | 10:10 | Quadro | 5 cl (pic-cl, b-cl, db-cl) [Klarinette] | GECS 52.6011 The Golden Eye Classical Series/ |
Phonos Barcelona | 0 | ||||||||
| 34395 | Andrés | Lewin-Richter | Reacciones IV | 1991 | fixed media, akusmatisch | 11:37 | AH ars harmonica/ | Phonos Barcelona | 0 | ||||||||||
| 35486 | Andrés | Lewin-Richter | Ressonàncies | 2000 | fixed media, akusmatisch | 7:11 | 0 | ||||||||||||
| 34379 | Andrés | Lewin-Richter | Retales | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 19898 | Andrés | Lewin-Richter | Sancta Maria | 1984 | fixed media, akusmatisch | 11:00 | Stereo | AMEE/ | Phonos Barcelona | 1 | |||||||||
| 9425 | Andrés | Lewin-Richter | Secuencia I | 1972 | Zuspiel / Tonband, 1 perf | 20:20 | perc [Schlagzeug] | HEM H-1145/ Pegasus PLG 009/ Creel Pone 058/ | Phonos Barcelona | 0 | |||||||||
| 9426 | Andrés | Lewin-Richter | Secuencia II para Anna | 1976 | fixed media, akusmatisch | 9:22 | Creel Pone 057/ | Phonos Barcelona | 0 | ||||||||||
| 9427 | Andrés | Lewin-Richter | Secuencia III para Anna | 1976 | Zuspiel / Tonband, 1 perf | 8:36 | S [Sopran] | HEM H-1117/ | Phonos Barcelona | 0 | |||||||||
| 9428 | Andrés | Lewin-Richter | Secuencia IV | 1979 | Zuspiel / Tonband, 1 perf | p [Piano] | Phonos Barcelona | 0 | |||||||||||
| 9429 | Andrés | Lewin-Richter | Secuencia IX | 1989 | Zuspiel / Tonband, 1 perf | 11:00 | va [Viola] | AH ars harmonica/ | Phonos Barcelona | 1 | |||||||||
| 9430 | Andrés | Lewin-Richter | Secuencia V | 1983 | Zuspiel / Tonband, 1 perf | 8:00 | gui [Gitarre] | Phonos Barcelona | 1 | ||||||||||
| 19896 | Andrés | Lewin-Richter | Secuencia VI | 1983 | Zuspiel / Tonband, 1 perf | Stereo | tpt [Trompete] | Phonos Barcelona | 0 | ||||||||||
| 19909 | Andrés | Lewin-Richter | Secuencia VII | 1987 | Zuspiel / Tonband, 1 perf | Stereo | db [Kontrabass] | Phonos Barcelona | 0 | ||||||||||
| 19912 | Andrés | Lewin-Richter | Secuencia VIII | 1988 | Zuspiel / Tonband, 1 perf | Stereo | fl [Flöte] | Phonos Barcelona | 0 | ||||||||||
| 9431 | Andrés | Lewin-Richter | Secuencia X | 1991 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
10:45 | Stereo | vc [Cello] | versions with / without vc | AH ars harmonica/ | LIEM CDMC Madrid | 1 | |||||||
| 34396 | Andrés | Lewin-Richter | Secuencia XI | 2001 | fixed media, akusmatisch | 9:32 | Stereo | AH ars harmonica/ | 0 | ||||||||||
| 34397 | Andrés | Lewin-Richter | Secuencia XVI | 2006 | fixed media, akusmatisch | 9:06 | Stereo | AH ars harmonica/ | 0 | ||||||||||
| 19913 | Andrés | Lewin-Richter | Semblanca (Feliu Formosa) | 1988 | Zuspiel / Tonband, 3 perf | Stereo | V, fl, gui [Stimme, Flöte, Gitarre] | Phonos Barcelona | 0 | ||||||||||
| 19897 | Andrés | Lewin-Richter | Six Songs by Cummings | 1983 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | Phonos Barcelona | 0 | ||||||||||
| 19904 | Andrés | Lewin-Richter | Solars Vortices | 1985 | Zuspiel / Tonband, 4 perf | Stereo | fl, cl, perc, vn [Flöte, Klarinette, Schlagzeug, Violine] | Phonos Barcelona | 0 | ||||||||||
| 19891 | Andrés | Lewin-Richter | Sones | 1982 | Zuspiel / Tonband, | Stereo | Phonos Barcelona | 0 | |||||||||||
| 21554 | Andrés | Lewin-Richter | Strings | 1989 | fixed media, akusmatisch | 9:26 | Stereo | AH ars harmonica/ | Phonos Barcelona | 1 | |||||||||
| 35453 | Andrés | Lewin-Richter | Study No. 1, Estudio I | 1966 | fixed media, akusmatisch | 3:35 | TV 34004S/ HEM H-1118/ | 0 | |||||||||||
| 9432 | Andrés | Lewin-Richter | Sublimated Birth | 1963 | Film | 4:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 9433 | Andrés | Lewin-Richter | The Gondola Eye | 1963 | Theatermusik | 30:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 19894 | Andrés | Lewin-Richter | Tinell | 1983 | Zuspiel / Tonband, 5 perf | 24 | Stereo | 5 perc [Schlagzeug] | AudioVisuals De Sarriá 20.1343/ | Phonos Barcelona | 0 | ||||||||
| 19895 | Andrés | Lewin-Richter | Tragische Schatten | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 9434 | Andrés | Lewin-Richter | Tres estudios en forma canónica | 1963 | fixed media, akusmatisch | 7:53 | CBA 5 Musica electroacustica española 1/ Creel Pone 057/ | Col.Princ EMC | 1 | ||||||||||
| 19883 | Andrés | Lewin-Richter | Verd, Estiu, Altupne, Hivern | 1978 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19910 | Andrés | Lewin-Richter | Verra la Morte (C. Pavese) | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 35455 | Andrés | Lewin-Richter | Wagler Walricci | 1981 | Zuspiel / Tonband, 1 perf | 5:22 | Stereo | S [Sopran] | HEM H-1117/ | Phonos Barcelona | 0 | ||||||||
| 9405 | David | Lewin | Study No. 1 | 1961 | fixed media, akusmatisch | 1:36 | Mono | BTL Microgroove 122227/ DECCA DL 9103 (Music for Mathematics)/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 054/ | Bell Lab | 0 | |||||||||
| 9406 | David | Lewin | Study No. 2 | 1961 | fixed media, akusmatisch | 3:10 | Mono | DECCA DL 9103 (Music for Mathematics)/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 054/ | Bell Lab | 0 | |||||||||
| 9435 | Andrew | Lewis | ...a cord of three strands... | 1988 | live-elec, 5 perf | ≈ 6:00 | fl or pic-fl, cl or b-cl, p, synt, vc [Flöte, Klarinette, Piano, Cello, synthesizer] | BEAST | 0 | ||||||||||
| 9436 | Andrew | Lewis | Adagio | 1985 | fixed media, akusmatisch | 15:00 | Stereo | PRS/ | BEAST | 0 | |||||||||
| 22392 | Andrew | Lewis | Arrivals | 1987 | fixed media, akusmatisch | 11:44 | LDC 278049/50 Cultures Electroniques 4/ | BEAST | Second Prize in the 17e Concours de Musique Electroacoustique, Bourges | 1 | |||||||||
| 9438 | Andrew | Lewis | Ascent | 1994/1997 | fixed media, akusmatisch | 13:50 | Stereo | ICMC 1995, ICMA PRCD 1600/ LDC 278063/64 Cultures Electroniques 10/ IMED 13125/ | Uni Bangor | BEAST | Studio Music category of the 24e Concours de Musique Electroacoustique, Bourges | 0 | 2000 | ||||||
| 26690 | Andrew | Lewis | Benllech Shells | 2003 | fixed media, akusmatisch | 8:00 | Stereo | IMED 0789/ | Uni Bangor | 0 | |||||||||
| 26689 | Andrew | Lewis | 'Budo' Variations | 2006 | live-elec, 2 perf | 9:00 | tpt, perc, [Trompete, Schlagzeug] | BEAST | 0 | ||||||||||
| 24443 | Andrew | Lewis | Cable Bay | 1999/2008 | fixed media, akusmatisch | 10:00 | Stereo | IMED 0789/ | IMEB Bourges | IMEB Bourges | 2001 in Valencia den Ersten Preis der ARTS XXI competition | 1 | 2010 | http://www.andrewlewis.org | |||||
| 22014 | Andrew | Lewis | Cân | 1997 | fixed media, akusmatisch | 11:52 | Stereo | Musidisc 247982/ NOR 05/ IMED 13125/ | Uni Bangor | Sonic Arts Network (SAN | 9.1.1998 | Sonic Arts Network Conference, in Birmingham | finalist at the 5th Prix international Noroit-Léonce Petitot (Arras, France, 1997) | 1 | |||||
| 26688 | Andrew | Lewis | Danses acousmatiques | 2007 | fixed media, akusmatisch | 35:45 | Octo | IMED 0789/ | BEAST | 0 | |||||||||
| 37069 | Andrew | Lewis | Dark Glass | 2009 - 2011, 2013 | fixed media, akusmatisch | 13:50 | Octo | IMED 13125/ | Uni Bangor | 28.10.2011 | MANTIS Fall 2012 concert series at Cosmo Rodewald Concert Hall of The University of Manchester (UK) | 0 | |||||||
| 26693 | Andrew | Lewis | Dawns | 2000 | Zuspiel / Tonband, 1 perf | 8:00 | hp [Harfe] | BEAST | 0 | ||||||||||
| 9439 | Andrew | Lewis | INT / ext | 1991 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | hpd [Cembalo] | BEAST | Vivienne Spiteri | 1991 | Vivienne Spiteri in Warsaw | 0 | ||||||
| 37068 | Andrew | Lewis | Lexicon | 2012 | audiovisuell | 16:35 | Octo | IMED 13125/ | Uni Bangor, CMMAS Morelia, PS C. | Wellcome Trust’s “Engaging Science” programme | 28.10.2012 | MANTIS Fall 2012 concert series at Cosmo Rodewald Concert Hall of The University of Manchester (UK) | 0 | ||||||
| 26691 | Andrew | Lewis | Llanddwyn Skies | 2003 | fixed media, akusmatisch | 15:00 | Stereo | IMED 0789/ | Uni Bangor | 0 | |||||||||
| 9440 | Andrew | Lewis | Logos | 1983 | fixed media, akusmatisch | 30:00 | Stereo | BEAST | 0 | ||||||||||
| 9441 | Andrew | Lewis | MARanaTHA | 1987 | live-elec, 4 perf | 9:00 | 4 amp V [Stimme] | BEAST | 0 | ||||||||||
| 9442 | Andrew | Lewis | Mille Volte | 1989 | fixed media, akusmatisch | 6:00 | Stereo | BEAST | 0 | ||||||||||
| 26694 | Andrew | Lewis | môr(G)wyn | 1996 | fixed media, akusmatisch | 11:00 | Copenhagen / Lydl@boratoriet, Uni Bangor | Ketil Teisen (Lydl@boratoriet) and Michael Madsen (SOUND/GALLERY), as part of Copenhagen’s year as European City of Culture | second prize in the 1997 EAR competition, Budapest. | 0 | |||||||||
| 26692 | Andrew | Lewis | Penmon Point | 2003 | fixed media, akusmatisch | 16:00 | Stereo | IMED 0789/ Música Maximalista/Maximal Music Vol 10 (V CIMESP 2003)/ | Uni Bangor | first prize in the Fifth Concurso Internacional de Música Eletroacústica de São Paulo (V CIMESP) 2003 | 1 | ||||||||
| 9443 | Andrew | Lewis | Principles of Flight | 1986 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | shakuhachi [Flöte] | BEAST | 0 | |||||||||
| 9444 | Andrew | Lewis | Rond`eau | 1985 | fixed media, akusmatisch | 13:00 | Stereo | BEAST | 0 | ||||||||||
| 26687 | Andrew | Lewis | Schattenklavier | 2009 | live-elec, 1 perf | 22:00 | Stereo | p, (com) [Piano] | duration innova ≈ 15:36 | innova 874/ | BEAST | 0 | |||||||
| 9445 | Andrew | Lewis | Scherzo | 1992, 1993 | fixed media, akusmatisch | 8:20 | Stereo | SCD 28046 Sargasso/ IMED 13125/ | BEAST | 29.6.1992 | Concert Room of the University of East Anglia in Norwich (UK) | Auszeichnung ars electronica honorary mention 1993 First Mention in the 1994 Stockholm Electronic Music Awards. |
1 | ||||||
| 9446 | Andrew | Lewis | Sonnerie Aux Morts | 1984 | fixed media, akusmatisch | 10:00 | Stereo | PKLP010/ | BEAST | 0 | |||||||||
| 9447 | Andrew | Lewis | Storm-song | 1987 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | p [Piano] | BEAST | Philip Mead | Mention in the 15e Concours de Musique Electroacoustique de Bourges, 1988, and in the same year was selected for the Gaudeamus International Music Days, Amsterdam. | 0 | |||||||
| 9448 | Andrew | Lewis | The Song of Five Angers | 1982 | fixed media, akusmatisch | 5:30 | Stereo | BEAST | 0 | ||||||||||
| 9449 | Andrew | Lewis | Time and Fire | 1987 - 1990 | fixed media, akusmatisch | 14:25 | Stereo | LDC 278053/54 Cultures Electroniques 6/ IMED 13125/ | BEAST | second prize in the Bourges Electroacoustic Music Competition in 1991 | 1 | ||||||||
| 9450 | George | Lewis | Rainbow Family | 1984 | live-elec, 1 group | 33:00 | ens [Ensemble] | IRCAM | 0 | ||||||||||
| 36772 | George | Lewis | The empty chair | fixed media, akusmatisch | 30 | ICMC 1986 Den Haag | 0 | ||||||||||||
| 36299 | George | Lewis | Voyager Duo 8 | live-elec, 1 perf | tpt [Trompete] | hap vol 18 - 3/ | 0 | ||||||||||||
| 34530 | Peter Scott | Lewis | Hashish III | fixed media, akusmatisch | 5 | Stereo | UI Carbondale | 0 | |||||||||||
| 9451 | Peter Tod | Lewis | Au-dessus de nous, autour de nous | 1976 | fixed media, akusmatisch | 11:05 | Stereo | IMEB Bourges | 0 | ||||||||||
| 20446 | Peter Tod | Lewis | Bricolage | 1979 | fixed media, akusmatisch | 14:49 | Stereo | CRI CD 619/ | 0 | ||||||||||
| 9452 | Peter Tod | Lewis | Farben | 1975 | fixed media, akusmatisch | 4:03 | Stereo | IMEB Bourges | 0 | ||||||||||
| 9453 | Peter Tod | Lewis | Farben with text | 1975 | fixed media, akusmatisch | 5:34 | Stereo | IMEB Bourges | 0 | ||||||||||
| 20447 | Peter Tod | Lewis | Geste I Geste II |
1969 | fixed media, akusmatisch | 9:39 | Stereo | CRI CD 619/ | Uni Iowa | 0 | |||||||||
| 36806 | Peter Tod | Lewis | Geste II | 1974 | fixed media, akusmatisch | 15:23:00 | Uni Iowa Electronic Music Studios | 0 | |||||||||||
| 9454 | Peter Tod | Lewis | Le vent siffle | 1976 | fixed media, akusmatisch | 9:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 20448 | Peter Tod | Lewis | Manestar | 1970 | Zuspiel / Tonband, 1 group | 23:47 | Stereo | ens [Ensemble] | CRI CD 619/ | 0 | |||||||||
| 9455 | Peter Tod | Lewis | Objets | 1976 | fixed media, akusmatisch | 7:59 | Stereo | IMEB Bourges | 0 | ||||||||||
| 9456 | Peter Tod | Lewis | Perpertusa | 1975 | fixed media, akusmatisch | 24:53 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 34435 | Peter Tod | Lewis | Scorpio Bird | 1971 | fixed media, akusmatisch | Stereo | Uni Iowa | 0 | |||||||||||
| 34436 | Peter Tod | Lewis | Signal Messe | 1972 | fixed media, akusmatisch | 9:12 | Quadro | Uni Iowa | 0 | ||||||||||
| 9457 | Peter Tod | Lewis | The Call | 1976 | fixed media, akusmatisch | 18:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 34437 | Peter Tod | Lewis | The Turtle Dove | 1973 | fixed media, akusmatisch | 12:03 | Stereo | Uni Iowa | 0 | ||||||||||
| 20450 | Wyndham | Lewis | End of Ennemy Interlude | 1940 | fixed media, akusmatisch | 1:20 | Stereo | Futurism / DADA | SUB CD 012-19/ | 0 | |||||||||
| 42631 | Sebastian | Lexer | Dazwischen - An improvisation between the electro-acoustic | 2009 | live-elec, 1 perf | 15 | p and com [Piano, computer] | 0 | |||||||||||
| 9458 | Jean L. | Lhoste | Chiffon | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 9459 | Jean L. | Lhoste | Iteralis | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 9460 | Jean L. | Lhoste | Le mal joli | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 39312 | Bin | Li | Voices | 2017 | live-elec, 1 perf | ins (Hinrichiki) [Instrument] | 0 | ||||||||||||
| 39772 | Eva | Li | Weather the Storm | 2015 | fixed media, akusmatisch | 10:00:00 | Eva Li | 0 | |||||||||||
| 39909 | Jia | Li | Water Imagination | 2016 | fixed media, akusmatisch | Jia Li | 0 | ||||||||||||
| 40190 | Quixiao | Li | Speak Softly Water | 2016 | fixed media, akusmatisch | Quixiao Li | 0 | ||||||||||||
| 40324 | Wuan-chin | Li | Ban Shan | 2017 | fixed media, akusmatisch | Wuan-chin Li | 0 | ||||||||||||
| 34662 | Wuan-Chin, Yi-An, Cheng-Yen | Li, Huang, Yang | River | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 37207 | Yanwen | Li | Don't touch my Sax.! | 2017 | live-elec, 2 perf | 7:00:00 | sax, perc [Saxophon, Schlagzeug] | UA | HfM Stuttgart | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 40019 | Lin | Liang-Yu | Remains | 2015 | fixed media, akusmatisch | 3:00:00 | Lin Liang-Yu | 0 | |||||||||||
| 37782 | Nan | Liang | Qin Opera in the Mountains | 2015 | live-elec, 1 perf | Octo | va, (elec) [Viola] | Incontri HMTM Hannover | 26.06.2015 | ZKM Karlsruhe | 0 | ||||||||
| 40315 | Wang-Ting | Liao | Neurosis | 2015 | fixed media, akusmatisch | 4:23:00 | Wan-Ting Liao | 0 | |||||||||||
| 42913 | John | Liberatore | The Vines in the Carpet | 2013 | live-elec, 2 perf | 9:15:00 | S, p [Sopran, Piano] | Jamie Jordan, soprano; John Liberatore, piano | 0 | ||||||||||
| 9461 | Bruno | Liberda | Albumblätter für die Toten | 1975 | Zuspiel / Tonband, 1 perf | 8:20 | Stereo | p [Piano] | ELAK Wien | 0 | |||||||||
| 9462 | Bruno | Liberda | De Profundis | 1976 | Zuspiel / Tonband, 1 perf | 15:25 | Stereo | org [Orgel] | ExpSt Warsaw | 0 | |||||||||
| 9463 | Bruno | Liberda | L'après-midi d'enfant | 1977 | fixed media, akusmatisch | 12:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 9464 | Bruno | Liberda | Songs for Mizzi Traktor | 1981 | Musiktheater, 3 perf, 1 group | ≈ 30:00 | Stereo | Sp, Vs, sax [Sprecher, Stimme, Saxophon] | PS K_K | 0 | |||||||||
| 9465 | Bruno | Liberda | Sundown | 1975 | fixed media, akusmatisch | 6:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 9466 | Bruno | Liberda | Tragödie der Irrungen | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | p [Piano] | ELAK Wien | 0 | |||||||||
| 9467 | Bruno | Liberda | Valse triste | 1977 | fixed media, akusmatisch | 10:00 | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ | Onstad Kunstz. Oslo | 1 | ||||||||||
| 9468 | Sergio | Liberovici | Un fucile, un bidone, la vita | 1965 | fixed media, akusmatisch | 11:05 | Stereo | non-existent | Fonologia Milano | 0 | |||||||||
| 39976 | Katherine, Phill | Liberovskaya, Niblock | Timepiece/Maize | 2016 | fixed media, akusmatisch | Katherine Liberovskaya and Phill Niblock | 0 | ||||||||||||
| 27889 | Philippe | Libois | Etudes sur les Effets | 2000 | live-elec, 1 group | ens [Ensemble] | CRFMW Liège | 06.2000 | Bruxelles | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 39544 | Alan | Licht | Today I am a Fountain Pen | 2016 | fixed media, akusmatisch | Alan Licht | Diapason | 0 | |||||||||||
| 9469 | Andreas | Lichtenfels | 6 Tänze | 1991/1992 | fixed media, akusmatisch | 6:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 9471 | Andreas | Lichtenfels | Stück Nr.6 | 1992 | fixed media, akusmatisch | 7:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 40936 | Lou | Lichtveld | Philips Radio | 1930 | Film | industrial film | Philips | 0 | http://thresholdofbeauty.com/music excerpts/Philips Radio excerpt.mp3 | ||||||||||
| 9472 | Tomasz | Lida | ACT-IF | 1978 | fixed media, akusmatisch | 17:35 | Quadro | Haubenstock'a-Ramati'ego | SME Krakow | 0 | |||||||||
| 9473 | Tomasz | Lida | QUADROFOBIE | 1978 | fixed media, akusmatisch | 7:35 | Quadro | SME Krakow | 0 | ||||||||||
| 38147 | Tomasz | Lida | Spiewna | 1999 | fixed media, akusmatisch | SME 1973-2003/ | SME Krakow | 0 | |||||||||||
| 9474 | Ingvar | Lidholm | Concrete and electronic passages from the TV opera"The Dutchman" | 1967 | Fernsehen, | 17:10 | Mono | EMS Stockholm | 0 | ||||||||||
| 9475 | Ingvar | Lidholm | Electronic signatures for TV 1 | 1969 | Fernsehen, | 0:40 | Mono | EMS Stockholm | 0 | ||||||||||
| 9476 | Ingvar | Lidholm | Holländarn | 1967 | Oper | 0 | |||||||||||||
| 9477 | Ingvar | Lidholm | Intermezzo from the ballet “Rites“ | 1960 | fixed media, akusmatisch | Tanz |
5:10 | Stereo | SR Stockholm | UE | 0 | |||||||||
| 20451 | Eirik | Lie | 112 Par Sko (112 Paris of Shoes) | 1997 | fixed media, akusmatisch | 6:31 | Stereo | Innova 114/ | 0 | ||||||||||
| 9478 | Rolf | Liebermann | Ein Sommernachtstraum | 1965 | Theatermusik | ∞ | Quadro | NDR Hamburg | 0 | ||||||||||
| 43092 | Rolf | Liebermann | Sinfonie Les Echange | 1964 | Zuspiel / Tonband, | Expo 1964 Lausanne. Komposition für mittels Lochstreifen angesteuerte Büromaschinen, Autohupen, Eisenbahnglocken usw. |
0 | ||||||||||||
| 33694 | Wolfgang | Liebhart | Bazaar Viennoise | 2012 | fixed media, akusmatisch | 7:55 | Stereo | MH-G7 012/ | PS C. | MH-G7 012 | 1 | ||||||||
| 26138 | Wolfgang | Liebhart | Oh O.. | 2007 | fixed media, akusmatisch | 0:37 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 42143 | Aurélie | Lierman | Anosmia | 2013 | radiophon | Saout Radio | 0 | ||||||||||||
| 9479 | Eugeen | Lievens | Het Beregende Masker | 1978 | Zuspiel / Tonband, 1 perf, 1 group | 51:26 | Stereo | Sp, (metronome,) ens [Sprecher, Ensemble] | IPEM Gent | 0 | |||||||||
| 9480 | Eugeen | Lievens | Kollao III | 1978 | Film | Stereo | IPEM Gent | 0 | |||||||||||
| 9481 | Eugeen | Lievens | Kollao IV | 1978 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | |||||||||||
| 9482 | David | Liffen | Animal Fantasies | 1992 | fixed media, akusmatisch | 5:41 | 0 | ||||||||||||
| 9483 | David | Liffen | Bell-tones | fixed media, akusmatisch | 5:00 | 0 | |||||||||||||
| 9484 | David | Liffen | D-Tour | 1983 | fixed media, akusmatisch | 11:03 | 0 | ||||||||||||
| 9485 | David | Liffen | Frustration | 1992 | fixed media, akusmatisch | 8:26 | 0 | ||||||||||||
| 9486 | David | Liffen | Images from a Dream | fixed media, akusmatisch | 0 | ||||||||||||||
| 9487 | David | Liffen | ...it's not important... | 1994 | fixed media, akusmatisch | 14:40 | Stereo | BEAST | 0 | ||||||||||
| 9488 | David | Liffen | Lattice | fixed media, akusmatisch | 7:14 | 0 | |||||||||||||
| 9489 | David | Liffen | Omega-One | 1990 | fixed media, akusmatisch | 4:05 | 0 | ||||||||||||
| 9490 | David | Liffen | Rainforest Rape | 1991 | fixed media, akusmatisch | 5:35 | 0 | ||||||||||||
| 9491 | David | Liffen | Spinning in time | 1994 | fixed media, akusmatisch | 13:40 | Stereo | BEAST | 0 | ||||||||||
| 9492 | David | Liffen | Splinters | fixed media, akusmatisch | 4:12 | 0 | |||||||||||||
| 9493 | David | Liffen | Sweeping Statement | 1993 | fixed media, akusmatisch | Stereo | BEAST | Mention Bourges 93 | 0 | ||||||||||
| 9494 | David | Liffen | The Day The Wind Blew | 1983 | fixed media, akusmatisch | 7:00 | 0 | ||||||||||||
| 9495 | David | Liffen | Whalesongs | 1992 | fixed media, akusmatisch | 9:00 | Stereo | BEAST | 0 | ||||||||||
| 41923 | Marco | Ligabue | Triangles | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 9500 | Marco | Ligabue | Valdrada | 1987 | fixed media, akusmatisch | CNUCE Firenze | 0 | ||||||||||||
| 9496 | Marco, Francesco | Ligabue, Giomi | An imaginary Life | 1989 | live-elec, 4 perf, 1 group | 14:00 | Stereo | 2 V, 2 synts, [Stimme, synthesizer] | CNUCE Firenze | 0 | |||||||||
| 9497 | Marco, Francesco | Ligabue, Giomi | Jazz 1 - 2 - 3 - 4 | 1988 | fixed media, akusmatisch | 5:25 | 4 pieces for com | PAN PRC S20-54/ | CNUCE Firenze | 1 | |||||||||
| 9498 | Marco, Francesco | Ligabue, Giomi | Limbo | 1987 | fixed media, akusmatisch | 10:00 | Octo | also installation version | CNUCE Firenze | 0 | |||||||||
| 9499 | Marco, Francesco | Ligabue, Giomi | Ombre | 1988 | fixed media, akusmatisch | 45:00 | Stereo | for open air installation | CNUCE Firenze | 0 | |||||||||
| 9501 | György | Ligeti | Artikulation | 1958 | fixed media, akusmatisch | 3:45 | Stereo, Quadro | siehe auch: „Ligeti Artikulation“, Elektronische Musik. Eine Hörpartitur von Rainer Wehinger; B. Schott’s Söhne Mainz 1970, Edition Schott 6378, BSS 42816. Mit Schallplatte (single) WER 331, Sonderpressung für diese Publikation. | BVHAAST 9106/ WER 60059/ WER 60161-50/ INA R 9501/ amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ Mercury SR2 9123/ PHI 835 485/86/ IDEAMA CD 097/ WER 331/ ACMEM 254CD | WDR SEM | 25.3.1958 | Köln, in „Musik der Zeit“ | 1 | ||||||
| 36550 | György | Ligeti | Étude pour Piano No. 14a "Colona fara sfaesit" | 1993 | computer generated score, 1 perf | 0:55:00 | player p [Piano] | Donaueschinger Musiktage 1994 | WWE 3CD 31882/ | 1 | |||||||||
| 9502 | György | Ligeti | Glissandi | 1957 | fixed media, akusmatisch | 7:34 | Mono | BVHAAST 9106/ WER 60076/ WER 60161-50/ IDEAMA CD 097/ | WDR SEM | WDR | ohne Nachweis | 1 | |||||||
| 22308 | György | Ligeti | Pièce Électronique Nr. 3 | 1958, 1996 | fixed media, akusmatisch | 2:05 | Werk hatte zunächst in WDR entstehen sollen, aber entfiel aus technischen Gründen ; hatte zunächst den Titel "Atmosphére". Hat ursprünglich 4 Spuren; Dauer verschieden angegeben (9:00) | BVHAAST CD 06/0701/ SR 250 sub rosa/ | Sonology Den Haag | 2.2.1996 | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#acousmatrix | |||||||
| 33836 | Lukas | Ligeti | Balarama | fixed media, akusmatisch | 4:23 | ISAST LMJ 10/ | 0 | ||||||||||||
| 26695 | Lukas | Ligeti | Delta Space | 2002 | live-elec, 1 perf | disklavier, (com) [Piano] | 0 | http://lukasligeti.com | |||||||||||
| 18361 | Lukas | Ligeti | New Music for Electronic Percussion | 1996 | live-elec, 1 perf | e-perc [Schlagzeug] | CCRMA | 0 | http://lukasligeti.com | ||||||||||
| 40090 | Max | Light | Learning How Small You Are | 2017 | fixed media, akusmatisch | Max Light | 0 | ||||||||||||
| 40839 | Juhani | Liimatainen | …aikana | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 22393 | Douglas | Lilburn | 3 Inscapes | 1972 | fixed media, akusmatisch | 12:04 | Stereo | Movement 2 | atoll - ACD 404/ Kiwi SLD-44/ SLD 44-45-46/ | Uni Wellington | 1 | ||||||||
| 32836 | Douglas | Lilburn | 3 studies for Gistav Ciamaga | 1969 | fixed media, akusmatisch | 9 | Mono | atoll - ACD 404/ | UTEMS Toronto | 0 | |||||||||
| 9504 | Douglas | Lilburn | 4 studies | 1963 | fixed media, akusmatisch | 13:47 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 32832 | Douglas | Lilburn | 5 Toronto pieces, Prelude 2 part scrabble white noise study sings Harry Spectrum study |
1963 | fixed media, akusmatisch | 18 | Stereo, Spazialisation: binaural | atoll - ACD 404/ | UTEMS Toronto | 0 | |||||||||
| 36294 | Douglas | Lilburn | 5 Toronto pieces | 1969 | fixed media, akusmatisch | 18:17 | Stereo, Spazialisation: binaural | 5 parts | atoll - ACD 404/ | 0 | |||||||||
| 32827 | Douglas | Lilburn | Carousel | 1976 | fixed media, akusmatisch | 9:49 | Stereo | atoll - ACD 404/ | Uni Wellington | 0 | |||||||||
| 32828 | Douglas | Lilburn | Cicadas, Oscillators and Treefogs | fixed media, akusmatisch | 2:33 | Mono | atoll - ACD 404/ | Uni Wellington | 0 | ||||||||||
| 32830 | Douglas | Lilburn | Dance sequences-Expo 70 | 1970 | fixed media, akusmatisch | 10:52 | Mono | atoll - ACD 404/ Kiwi SLD-44/ SLD 44-45-46/ | Uni Wellington | 0 | |||||||||
| 9505 | Douglas | Lilburn | Fragments of a poem | 1966 | fixed media, akusmatisch | 7:30 | Mono | atoll - ACD 404/ | Uni Wellington | 0 | |||||||||
| 32835 | Douglas | Lilburn | God save | 1972 | fixed media, akusmatisch | 1:09 | Mono | atoll - ACD 404/ | Uni Wellington | 0 | |||||||||
| 32837 | Douglas | Lilburn | Lines and distances | 1975 | fixed media, akusmatisch | 16:08 | Quadro | atoll - ACD 404/ | Uni Wellington | 0 | |||||||||
| 32823 | Douglas | Lilburn | Of Time And Nostalgia | 1977 | fixed media, akusmatisch | 10:50 | Stereo | Kiwi SLD-59/ atoll - ACD 404/ | Uni Wellington | 0 | |||||||||
| 36629 | Douglas | Lilburn | Of Time And Nostalgia | 1977 | fixed media, akusmatisch | 10:50 | Stereo | SLD 59/ | Uni Wellington | 0 | |||||||||
| 32829 | Douglas | Lilburn | Poem in time of war | 1967 | fixed media, akusmatisch | 15:01 | Mono | atoll - ACD 404/ Kiwi SLD-44/ SLD 44-45-46/ | Uni Wellington | 0 | |||||||||
| 32826 | Douglas | Lilburn | Sounds and Distances | 1975 | fixed media, akusmatisch | 9:55 | Stereo, Quadro | atoll - ACD 404/ | Uni Wellington | 0 | |||||||||
| 22394 | Douglas | Lilburn | Soundscape with Lake and River | 1979 | fixed media, akusmatisch | 11 | Stereo | Kiwi SLD-59/ atoll - ACD 404/ SLD 59/ | Uni Wellington | 1 | |||||||||
| 32834 | Douglas | Lilburn | Study from one note | 1967 | fixed media, akusmatisch | 4:03 | Stereo, Spazialisation: binaural | atoll - ACD 404/ | 0 | ||||||||||
| 32831 | Douglas | Lilburn | Summer voices | 1969 | fixed media, akusmatisch | 6:32 | Mono | atoll - ACD 404/ Kiwi SLD-44/ SLD 44-45-46/ | 0 | ||||||||||
| 9506 | Douglas | Lilburn | The Pitcher and the Well | 1964 | radiophon | 30:00 | Mono | Radio Wellington | 0 | ||||||||||
| 9507 | Douglas | Lilburn | The Return | 1965 | Zuspiel / Tonband, 2 perf | 17:04 | Mono | Sp, narrator [Sprecher, Schauspieler] | sound image of a poem by Campbell | atoll - ACD 404/ | Radio Wellington | 0 | |||||||
| 9508 | Douglas | Lilburn | The Spiral Tattoo | 1966 | radiophon | 40:00 | Mono | Uni Wellington | 0 | ||||||||||
| 32833 | Douglas | Lilburn | Toronto tailfeather | 1969 | fixed media, akusmatisch | 1:08 | Stereo, Spazialisation: binaural | atoll - ACD 404/ | UTEMS Toronto | 0 | |||||||||
| 32825 | Douglas | Lilburn | Triptych | 1977 | fixed media, akusmatisch | 10:35 | Stereo | Kiwi SLD-59/ atoll - ACD 404/ | Uni Wellington | 0 | |||||||||
| 36631 | Douglas | Lilburn | Triptych | 1977 | fixed media, akusmatisch | 10:35 | Stereo | SLD 59/ | Uni Wellington | 0 | |||||||||
| 32824 | Douglas | Lilburn | Winterset | 1976 | fixed media, akusmatisch | 9:45 | Stereo | Kiwi SLD-59/ atoll - ACD 404/ | Uni Wellington | 0 | |||||||||
| 36630 | Douglas | Lilburn | Winterset | 1976 | fixed media, akusmatisch | 9:45 | Stereo | SLD 59/ | Uni Wellington | 0 | |||||||||
| 9509 | Ignace | Lilien | Nr. 1508, Individualist | 1958 | Tanz | 45:00 | Mono | TH Delft | 0 | ||||||||||
| 25030 | Jan | Liljekvist | Five easy Pieces | 2002 | fixed media, akusmatisch | FYCD 1022/ | EMS Stockholm, VICC Visby | 1 | |||||||||||
| 25031 | Jan | Liljekvist | Flesh converters - is meat murder? | 2000 | fixed media, akusmatisch | 1:35 | FYCD 1022/ | EMS Stockholm | 1 | ||||||||||
| 28105 | Jan | Liljekvist | Flesh converters II, the revengel | 2001 | fixed media, akusmatisch | FYCD 1022/ | EMS Stockholm | 0 | |||||||||||
| 28104 | Jan | Liljekvist | FÖRKLÄDD GUD, GOD IN DISGUISE | 2001 | live-elec, 1 perf | perc [Schlagzeug] | FYCD 1022/ | 0 | |||||||||||
| 22534 | Jan | Liljekvist | Global Bliss | 2002 | fixed media, akusmatisch | 5:47 | FYCD 1022/ | EMS Stockholm | Rikskonserter zu Inventionen 2002 | 30.6.2002 | Inventionen kleiner Sendesaal Sender Freies Berlin | 1 | 2002 | ||||||
| 22497 | Jan | Liljekvist | The Arkham Quartet | 1997 | fixed media, akusmatisch | 10:27 | CD: "a new Generation" at EMS / Eight Times Falling | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 18978 | Christer Hennix | Lille | Still life, Q* | 1969 | fixed media, akusmatisch | Text-Sound composition | RELP 1074/ | SR Stockholm | 1 | ||||||||||
| 35750 | Elainie | Lillios | 2BTextures | 2007 | audiovisuell | 3:09 | mention video Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2010 | 0 | |||||||||||
| 32088 | Elainie | Lillios | arturo | 1998 | fixed media, akusmatisch | 13:35 | Stereo | SEAMUS EAM Vol. 10/ Kiasma 1999/ IMED 11110/ | 0 | 2000 | |||||||||
| 21820 | Elainie | Lillios | Au Deuxieme étage | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 37097 | Elainie | Lillios | Backroads, Shoe Factory Tree Tunnel Elevator |
2002 | fixed media, akusmatisch | 10:52:00 | Stereo | IMED 11110/ | PS C. | Réseaux des arts médiatiques | 13.9.2002 | Rien à voir (12) concert series presented by Réseaux at Espace GO in Montréal (Québec) | 0 | ||||||
| 21819 | Elainie | Lillios | CELLAR | 1994/1995 | fixed media, akusmatisch | SEAMUS EAM Vol. 6/ | 0 | ||||||||||||
| 35406 | Elainie | Lillios | Contemplating Larry | 2015 | fixed media, akusmatisch | 12:12:00 | multichannel | MR 2016 Métamorphoses 2016/ | Larry Austin | September 29, 2015 | ICMC 2015: Concert 20, Lyric Theater — Murchison Performing Arts Center — University of North Texas (Denton, Texas, USA) | mention at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | ||||||
| 28547 | Elainie | Lillios | Dreams in the Desert | 2001 | fixed media, akusmatisch | 10:48 | Stereo | SEAMUS EAM Vol. 13/ IMED 11110/ | Bowling Green State University | 1 | 2010 | www.elillios.com | |||||||
| 32091 | Elainie | Lillios | Earth Asending | 2000 | Zuspiel / Tonband, 1 perf | V [Stimme] | Deborah Norin-Kuehn, voice. | SEAMUS EAM Vol. 11/ | ASCAP/SEAMUS | 0 | |||||||||
| 37096 | Elainie | Lillios | Hastening Toward the Half Moon | 2004 | fixed media, akusmatisch | 9:23:00 | Octo | IMED 11110/ | New Adventures in Sound Art, PS C. | New Adventures in Sound Art | 8.8.2004 | Octophonic Concert of the Sound Travels Festival of Sound Art at St Andrew-by-the-Lake Church on Toronto Island (Canada) | Selection at the Pierre Schaeffer Competition of Electronic Music (Pescara, Italy, 2005). | 0 | |||||
| 37100 | Elainie | Lillios | Listening Beyond… | 2007 | fixed media, akusmatisch | 8:19:00 | Spazialisation: Ambisonics | IMED 11110/ | Uni Baton Rouge | Louisiana State University’s Center for Computation & Technology | 3.12.2007 | High Voltage concert in the Recital Hall at Louisiana State University | 0 | ||||||
| 37099 | Elainie | Lillios | Stumbling Dance | 1998 - 1999 | fixed media, akusmatisch | 14:45:00 | Stereo | IMED 11110/ | BEAST | 29.10.1999 | III Concurso International de Música Electroacustica de São Paulo at Teatro Laura Abrahão in Brazil | Honorable Mention in the III Concurso Internacional de Música Electroacústica de São Paulo (São Paulo, Brazil, 1999) finalist in the Luigi Russolo International Competition (Varese, Italy, 1999) |
0 | ||||||
| 37098 | Elainie | Lillios | Threads | 1998 | fixed media, akusmatisch | 4:50:00 | Stereo | IMED 11110/ | BEAST | 13.11.1998 | 19th EuCuE concert series at Oscar Peterson Concert Hall, Concordia University in Montréal (Québec) | 0 | |||||||
| 32125 | Elainie | Lillios | Veiled Resonance, i. The Beauty of Inflections ii. The Blackbird Whistling, (or just after…) iii. The Beauty of Innuendos |
2008 | live-elec, 1 perf | 14:10:00 | s-sax (com) [Saxophon] | Steve Duke, soprano saxophone | SEAMUS EAM Vol. 18/ Centaur CRC, CDMC Vol. 38/ | 0 | |||||||||
| 34281 | Seung-Hyuk | Lim | Gagi | 2015 | live-elec, 5 perf | p, perc, str-trio [Piano, Schlagzeug, Streicher] | 0 | ||||||||||||
| 33924 | Seung-Hyuk | Lim | Gubb | 2010 | fixed media, akusmatisch | 10:58:00 | Octo | HfMT Köln | 0 | ||||||||||
| 33926 | Seung-Hyuk | Lim | mobbing | 2011 | audiovisuell, live-elec, 1 perf | Quadro | vn [Violine] | Komposition für Violine, Live-Video und Live-Elektronik | HfMT Köln | 0 | |||||||||
| 33929 | Seung-Hyuk | Lim | Quest III | 2010 | live-elec, 1 perf | 8:35:00 | Octo | p [Piano] | HfMT Köln | 0 | |||||||||
| 33927 | Seung-Hyuk | Lim | Schwindel | 2010 | live-elec, 1 perf | 7:40:00 | Quadro | perc [Schlagzeug] | Komposition für Große Trommel und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 33928 | Seung-Hyuk | Lim | verkürzt | 2011 | audiovisuell, live-elec, 3 perf | Quadro | vn, fl, b-cl [Flöte, Klarinette, Violine] | Komposition für Violine, Flöte, Bassklarinette, Live-Video und Live-Elektronik | HfMT Köln | 0 | |||||||||
| 33925 | Seung-Hyuk | Lim | zerhackt | 2011 | audiovisuell, live-elec, | 10:43:00 | Quadro | Komposition für Live-Video und Live-Elektronik | HfMT Köln | 0 | |||||||||
| 9510 | Cândida | Lima | A-mèr-es / Mare-a-mare | 1978 | Zuspiel / Tonband, 1 perf, 2 groups | 14:00 | Stereo | orc, Vs [Stimme, Orchester] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 9511 | Cândida | Lima | Oceanos | 1978 | fixed media, akusmatisch | 18:00 | Stereo | Upic | Plancton CO 003/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 9512 | Cândida | Lima | Toiles III | 1981 | fixed media, akusmatisch | 10:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 39657 | Chia-I | Lin | Gravity | 2015 | fixed media, akusmatisch | 4:41:00 | Chia-I Lin | 0 | |||||||||||
| 39656 | Chia-I | Lin | Sound in the glass jar | 2016 | fixed media, akusmatisch | Chia-I Lin | 0 | ||||||||||||
| 25507 | Hsin | Lin | No. 2 | 2005 | fixed media, akusmatisch | 4:35 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | ||||||||
| 42751 | Kuei-Fan | Lin | Id, Super-ego, and Ego | 2012 | fixed media, akusmatisch | 6:20:00 | 0 | ||||||||||||
| 36539 | Kuei-Fan | Lin | Invisible Jungle | 2014 | fixed media, akusmatisch | 9:06:00 | Taukay 156/ | 0 | |||||||||||
| 40095 | Mei-Fang | Lin | Entre le son et la lumière | 2016 | fixed media, akusmatisch | Mei-Fang Lin | 0 | ||||||||||||
| 40824 | Mei-Fang | Lin | Entre le Son et la Lumière | 2015 | fixed media, akusmatisch | 7:50 | CLS 160501/ | 0 | |||||||||||
| 42780 | Mei-Fang | Lin | Flux | 2012 | live-elec, 1 perf | 7:30:00 | mar [Schlagzeug] | Derek Kwan, marimba | Yi-Chia Chen | 0 | |||||||||
| 32100 | Mei-Fang | Lin | Interaction | 2000 | fixed media, akusmatisch | SEAMUS EAM Vol. 12/ | 0 | ||||||||||||
| 34023 | Meng-Chia | Lin | As long as you play everything is gonna be Okay | 2010 | live-elec, 1 perf | 5:10:00 | Stereo | toy p [Piano] | Komposition für Spielzeugklavier und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 32511 | Meng-Chia | Lin | Fury and the mouse | 2007 | live-elec, 1 perf | 10 | b-fl, (elec) [Flöte] | Incontri HMTM Hannover | 23.6.2007 | ZKM, Karlsruhe | 0 | ||||||||
| 32516 | Meng-Chia | Lin | Hong-Kong-Western-Tomaten Lied mit Zwei-Gelbe-Allee Akzent | 2008 | live-elec, 1 perf | Octo | tuba, (elec) [Tuba] | Incontri HMTM Hannover | 2.7.2008 | Sprengel Museum, Hannover | 0 | ||||||||
| 34024 | Meng-Chia | Lin | Nocturne | 2011 | Zuspiel / Tonband, 1 perf | 14:10:00 | Stereo | p [Piano] | HfMT Köln | 0 | |||||||||
| 34025 | Meng-Chia | Lin | Schwarzes Schaf | 2011 | Zuspiel, Performance, 1 perf, 1 group | 35:25:00 | Stereo | perfs [Performer] | Komposition für Szenische Aktionen und Zuspiel | HfMT Köln | 0 | ||||||||
| 34026 | Meng-Chia | Lin | Wasser ringsum | 2011 | audiovisuell | 5:48:00 | Stereo | Video- und Audio-Komposition | HfMT Köln | 0 | |||||||||
| 32555 | Meng-Chia | Lin | What newspaper whispered to me this morning | 2006 | live-elec, 1 perf | Stereo | fl, (elec) [Flöte] | Incontri HMTM Hannover | 24.1.2007 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 23171 | Tung Lung | Lin | Mirror of Time | 1999 | fixed media, akusmatisch | 4:05 | Cec Presence 3/ | 1 | |||||||||||
| 40336 | Ying-Ting | Lin | When the Wind Rises | 2016 | fixed media, akusmatisch | Ying-Ting Lin | 0 | ||||||||||||
| 19671 | Rafael | Liñan | Al Aire | 1994 | fixed media, akusmatisch | 15:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 34386 | Rafael | Liñan | Danza del veinte | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 34394 | Rafael | Liñan | Politeia III | fixed media, akusmatisch | 8:34 | AMEE/ | 0 | ||||||||||||
| 20452 | Rafael | Liñan | Primaveras ametrallada | 1991 | Zuspiel / Tonband, 1 perf | 8:32 | Stereo | db [Kontrabass] | CCRMA/ | 0 | |||||||||
| 39570 | Anders | Lind | Put Your Hands Together | 2017 | fixed media, akusmatisch | Anders Lind | 0 | ||||||||||||
| 9514 | Jörgen | Lind | Kraterfägnad | 1982 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 9515 | Jörgen | Lind | Passad | 1985/1987 | fixed media, akusmatisch | 13:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9516 | Jörgen | Lind | Vindpinad | 1984 | fixed media, akusmatisch | 8:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9517 | Pi | Lind | Åke Hodells död | 1969 | radiophon | 8:00 | Mono | SR Stockholm | 0 | ||||||||||
| 9518 | Håkan | Lindberg | Epitafios | 1982 | Film | 32:00 | Mono | EMS Stockholm | 0 | ||||||||||
| 9519 | Håkan | Lindberg | Etwas zarter | 1977 | fixed media, akusmatisch | 7:00 | 0 | ||||||||||||
| 9521 | Håkan | Lindberg | Ohne Ausdruck | 1978 | fixed media, akusmatisch | 8:00 | Stereo | 0 | |||||||||||
| 20454 | Magnus | Lindberg | Action-Situation-Signification | 1982 | Zuspiel / Tonband, 4 perf | 8:32 | Stereo | hn, vc, perc, p [Horn, Piano, Schlagzeug, Cello] | FACD 372/ | IRCAM | 0 | ||||||||
| 9520 | Magnus | Lindberg | Faust | 1985/1986 | radiophon | 26:00 | Stereo | V [Stimme] | YLE CDY 134/ | Yleisradio | 1 | http://www.huuto.net/kohteet/ars-acustica-diagonal-magnus-lindberg-faust-ym-yle-cd--93/172885468 | |||||||
| 9522 | Magnus | Lindberg | Joy | 1990 | live-elec, 1 group | 26:37 | ens [Ensemble] | ODE 784/ Adés 203582/ | IRCAM | Wilhelm Hansen | 1 | 1992 | |||||||
| 28146 | Magnus | Lindberg | Related Rocks | 1997 | live-elec, 4 perf | Stereo | 2 p, 2 perc [Piano, Schlagzeug] | FACD 372/ IRCAM Les Années 90/ | IRCAM | 0 | |||||||||
| 9523 | Magnus | Lindberg | UR | 1986 | live-elec, 5 perf | 15:00 | cl, p and synt, vn, vc, db [Klarinette, Piano, Cello, Violine, Kontrabass, synthesizer] | ALB CD 005/ CAP 21382/ RIC 073052/ IRCAM 0002 F, Creations IRCAM/ Adés 203582/ | IRCAM | Wilhelm Hansen | 1 | ||||||||
| 9525 | Rune | Lindblad | 16:35 | 1960 | fixed media, akusmatisch | 16:35 | Mono | PS C. | 0 | ||||||||||
| 9526 | Rune | Lindblad | 21 man | 1971 | fixed media, akusmatisch | 8:24 | Stereo | PS C. MV | 0 | ||||||||||
| 9527 | Rune | Lindblad | 4 Epigram | 1972 | fixed media, akusmatisch | 11:14 | Stereo | PS C. MV | 0 | ||||||||||
| 9528 | Rune | Lindblad | AC-122 | 1970 | fixed media, akusmatisch | 1:56 | Mono | PS C. CTH | 0 | ||||||||||
| 9529 | Rune | Lindblad | Antipoder (del 1) | 1972 | fixed media, akusmatisch | 7:05 | Stereo | Ex. G | 0 | ||||||||||
| 9530 | Rune | Lindblad | Antipoder (del 2) | 1972 | fixed media, akusmatisch | 8:00 | Stereo | PS C. MV | 0 | ||||||||||
| 9531 | Rune | Lindblad | Apell | 1971 | fixed media, akusmatisch | 2:36 | Stereo | txtcompo | PS C. CTH | 0 | |||||||||
| 9532 | Rune | Lindblad | Associationer | 1973 | fixed media, akusmatisch | 12:30 | Stereo | Elektron EM 1006/7/ | PS C. MV | 1 | |||||||||
| 9533 | Rune | Lindblad | Attacker | 1973 | fixed media, akusmatisch | 13:09 | Stereo | 3 studies | PSCD 41 Phono Suecia/ | PS C. MV | 1 | ||||||||
| 9534 | Rune | Lindblad | Berglandskap | 1969 | fixed media, akusmatisch | 16:45 | Mono | 0 | |||||||||||
| 9535 | Rune | Lindblad | Bergspredikan | 1964 | fixed media, akusmatisch | 16:12 | Mono | PS C. CTH | 0 | ||||||||||
| 9536 | Rune | Lindblad | Collage | 1961 | fixed media, akusmatisch | 14:45 | Mono | PS C. | 0 | ||||||||||
| 9537 | Rune | Lindblad | Dans 1 | 1972 | fixed media, akusmatisch | 8:56 | Stereo | PS C. MV | 0 | ||||||||||
| 9538 | Rune | Lindblad | Dans 2 | 1972 | fixed media, akusmatisch | 7:28 | Stereo | PS C. MV | 0 | ||||||||||
| 9539 | Rune | Lindblad | Data 1 | 1971 | fixed media, akusmatisch | 4:58 | Stereo | ano kato 020/ | EMS Stockholm | 1 | |||||||||
| 9540 | Rune | Lindblad | Dersertör | 1964 | fixed media, akusmatisch | 16:36 | PS C. | 0 | |||||||||||
| 9541 | Rune | Lindblad | Det tomma rummet | 1970 | fixed media, akusmatisch | 7:25 | Mono | PS C. CTH | 0 | ||||||||||
| 9542 | Rune | Lindblad | Die stille Liebe | 1972 | fixed media, akusmatisch | 9:38 | Stereo | Elektron EM 1006/7/ | PS C. MV | 1 | |||||||||
| 9543 | Rune | Lindblad | Dimstråk | 1988 | fixed media, akusmatisch | 3:17 | RADIUM 040/ Pogus 014/ | 1 | |||||||||||
| 9544 | Rune | Lindblad | Dödskamp | 1970 | fixed media, akusmatisch | 5:23 | Stereo | txtcompo | 0 | ||||||||||
| 9545 | Rune | Lindblad | Efemerider (sju styck) | 1973 | fixed media, akusmatisch | 18:53 | Stereo | PS C. MV | 0 | ||||||||||
| 9546 | Rune | Lindblad | Erlkönig | 1960 | fixed media, akusmatisch | 8:00 | Stereo | PS C. | 0 | ||||||||||
| 9547 | Rune | Lindblad | Evening | 1956 | fixed media, akusmatisch | 8:15 | Mono | RADIUM 040/ Pogus 011/ | PS C. | 1 | |||||||||
| 9548 | Rune | Lindblad | Fallande | 1972 | fixed media, akusmatisch | 7:77 | Stereo | Ex. G | 0 | ||||||||||
| 9549 | Rune | Lindblad | Fasvändning 1 | 1970 | fixed media, akusmatisch | 3:07 | Stereo | PS C. CTH | 0 | ||||||||||
| 9550 | Rune | Lindblad | Fasvändning 2 | 1970 | fixed media, akusmatisch | 9:02 | Stereo | PS C. CTH | 0 | ||||||||||
| 9551 | Rune | Lindblad | Flöjten (klagan) | 1963 | fixed media, akusmatisch | 6:07 | Mono | PS C. | 0 | ||||||||||
| 9552 | Rune | Lindblad | Förort | 1974 | fixed media, akusmatisch | 9:33 | Stereo | (Suburb) | Elektron EM 1006/7/ | PS C. MV | 1 | ||||||||
| 9553 | Rune | Lindblad | Formation | 1958/1959 | fixed media, akusmatisch | 6:06 | Mono | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | PS C. | 0 | |||||||||
| 9554 | Rune | Lindblad | Frage | 1972 | fixed media, akusmatisch | 6:35 | Stereo | RADIUM 040/ | PS C. MV | 1 | |||||||||
| 9555 | Rune | Lindblad | Fragment 0 | 1955 | fixed media, akusmatisch | 8:05 | Mono | Pogus 201-3/ Pogus 011/ | PS C. Göteborg | 1 | |||||||||
| 9556 | Rune | Lindblad | Fragment 1 | 1956 | fixed media, akusmatisch | 12:09 | Mono | Pogus 201-3/ Pogus 011/ | PS C. Göteborg | 1 | |||||||||
| 9557 | Rune | Lindblad | Fragment 2 | 1956 | fixed media, akusmatisch | 11:15 | Mono | Pogus 201-3/ Pogus 011/ | PS C. Göteborg | 1 | |||||||||
| 9558 | Rune | Lindblad | Gimmik | 1972 | fixed media, akusmatisch | 4:50 | Stereo | PS C. MV | 0 | ||||||||||
| 9559 | Rune | Lindblad | Glaciär | 1971 | fixed media, akusmatisch | 8:27 | Stereo | Elektron EM 1006/7/ | PS C. CTH | 1 | |||||||||
| 9560 | Rune | Lindblad | Glas (del 1) | 1969 | fixed media, akusmatisch | 6:00 | Mono | PS C. CTH | 0 | ||||||||||
| 9561 | Rune | Lindblad | Glas (del 2) | 1969 | fixed media, akusmatisch | 6:29 | Mono | PS C. CTH | 0 | ||||||||||
| 9562 | Rune | Lindblad | Glissando | 1974 | fixed media, akusmatisch | 11:40 | Stereo | 0 | |||||||||||
| 9563 | Rune | Lindblad | Gnistregn | 1973 | fixed media, akusmatisch | 7:15 | Stereo | PS C. MV | 0 | ||||||||||
| 9564 | Rune | Lindblad | Gryning | 1973 | fixed media, akusmatisch | 12:09 | Stereo | Dawn | Elektron EM 1006/7/ | PS C. MV | 1 | ||||||||
| 9565 | Rune | Lindblad | H2O (del 1) | 1971 | fixed media, akusmatisch | 6:25 | Stereo | PS C. CTH | 0 | ||||||||||
| 9566 | Rune | Lindblad | H2O (del 2) | 1971 | fixed media, akusmatisch | 10:23 | Stereo | PS C. CTH | 0 | ||||||||||
| 9567 | Rune | Lindblad | Hälften av någonting | 1970 | fixed media, akusmatisch | 6:39 | Mono | RADIUM 040/ | PS C. CTH | 1 | |||||||||
| 9568 | Rune | Lindblad | Hej, 5:an | 1970 | fixed media, akusmatisch | 9:53 | Mono | EMS Stockholm | 0 | ||||||||||
| 9569 | Rune | Lindblad | Hoppande grodan | 1972 | fixed media, akusmatisch | 5:22 | Stereo | Ex. G | 0 | ||||||||||
| 9570 | Rune | Lindblad | Information och granskning av en svältande människa | 1973 | fixed media, akusmatisch | 11:25 | Stereo | PS C. MV | 0 | ||||||||||
| 9571 | Rune | Lindblad | Innan konsert | 1985 | fixed media, akusmatisch | 11:44 | Stereo | RADIUM 040/ Pogus 014/ | 1 | ||||||||||
| 9572 | Rune | Lindblad | Jag vill hem | 1974 | fixed media, akusmatisch | 8:17 | Stereo | Fylkingen | 0 | ||||||||||
| 9573 | Rune | Lindblad | Kärran (en kvinnas död) | 1963 | fixed media, akusmatisch | 16:10 | Mono | PS C. | 0 | ||||||||||
| 9574 | Rune | Lindblad | Klockrondo | 1973 | fixed media, akusmatisch | 6:25 | Stereo | PS C. MV | 0 | ||||||||||
| 9575 | Rune | Lindblad | Kör 1 (själamässa) | 1963 | fixed media, akusmatisch | 15:17 | Mono | PS C. | 0 | ||||||||||
| 9576 | Rune | Lindblad | Konsert nr 1 (Woodo) | 1972 | fixed media, akusmatisch | 17:00 | Stereo | PS C. MV | 0 | ||||||||||
| 9577 | Rune | Lindblad | Konsert nr 4 (Tora) | 1972 | fixed media, akusmatisch | 14:06 | Stereo | PS C. MV | 0 | ||||||||||
| 9578 | Rune | Lindblad | Kontorslandskap Del 1 | 1974 | fixed media, akusmatisch | 10:17 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9579 | Rune | Lindblad | Kontorslandskap Del 2 | 1974 | fixed media, akusmatisch | 3:25 | Stereo | PS C. MV | 0 | ||||||||||
| 9580 | Rune | Lindblad | Kontorslandskap Del 3 | 1974 | fixed media, akusmatisch | 9:35 | Stereo | 0 | |||||||||||
| 9581 | Rune | Lindblad | Kontroversiell | 1971 | fixed media, akusmatisch | 7:16 | Stereo | PS C. MV | 0 | ||||||||||
| 9582 | Rune | Lindblad | Lagun i uppror | 1987 | fixed media, akusmatisch | 9:00 | RADIUM 040/ Pogus 014/ | 1 | |||||||||||
| 9583 | Rune | Lindblad | Linjespel | 1973 | fixed media, akusmatisch | 14:50 | Stereo | PS C. MV | 0 | ||||||||||
| 9584 | Rune | Lindblad | Månens död, Death of the Moon | 1954/1955 | fixed media, akusmatisch | 8:05 | Mono | Pogus 011/ | PS C. Göteborg | 1 | |||||||||
| 18852 | Rune | Lindblad | Maskinlandskap | 1975 | fixed media, akusmatisch | 7:26 | RADIUM 040/ Pogus 014/ | 1 | |||||||||||
| 9585 | Rune | Lindblad | Medeltida offerdans | 1972 | fixed media, akusmatisch | 8:50 | Stereo | PS C. MV | 0 | ||||||||||
| 9586 | Rune | Lindblad | Meditation (del 1, 2, 3) | 1973 | fixed media, akusmatisch | 20:16 | Stereo | PS C. MV | 0 | ||||||||||
| 9587 | Rune | Lindblad | Meteorer | 1974 | fixed media, akusmatisch | 5:55 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9588 | Rune | Lindblad | Metro | 1973 | fixed media, akusmatisch | 11:25 | Stereo | PS C. MV | 0 | ||||||||||
| 9589 | Rune | Lindblad | Midvinterblot | 1972 | fixed media, akusmatisch | 18:40 | Stereo | PS C. MV | 0 | ||||||||||
| 9590 | Rune | Lindblad | Mikro | 1973 | fixed media, akusmatisch | 8:00 | Stereo | PS C. MV | 0 | ||||||||||
| 9591 | Rune | Lindblad | Musikundervisning | 1972 | fixed media, akusmatisch | 14:29 | Stereo | Musical Tuition | Elektron EM 1006/7/ | PS C. MV | 1 | ||||||||
| 9592 | Rune | Lindblad | Nocturne | 1958 | fixed media, akusmatisch | 6:13 | Mono | RADIUM 040/ Pogus 011/ | PS C. | 1 | |||||||||
| 9593 | Rune | Lindblad | Nocturne 72-1 | 1972 | fixed media, akusmatisch | 7:22 | Stereo | PS C. MV | 0 | ||||||||||
| 9594 | Rune | Lindblad | Nocturne 72-2 | 1972 | fixed media, akusmatisch | 5:43 | Stereo | Elektron EM 1006/7/ | PS C. MV | 1 | |||||||||
| 9595 | Rune | Lindblad | Nocturne 72-3 | 1972 | fixed media, akusmatisch | 8:25 | Stereo | PS C. MV | 0 | ||||||||||
| 9596 | Rune | Lindblad | Nocturne 72-4 (del 1, 2) | 1972 | fixed media, akusmatisch | 10:03 | Stereo | PS C. MV | 0 | ||||||||||
| 9597 | Rune | Lindblad | Objekt 1 | 1962 | fixed media, akusmatisch | 11:57 | Mono | PS C. | 0 | ||||||||||
| 9598 | Rune | Lindblad | Objekt 2 | 1962 | fixed media, akusmatisch | 9:17 | Mono | RADIUM 040/ Pogus 014/ | PS C. | 1 | |||||||||
| 9599 | Rune | Lindblad | Om några minuter | 1969 | fixed media, akusmatisch | 7:15 | Mono | PS C. CTH | 0 | ||||||||||
| 9600 | Rune | Lindblad | Optica 1 | 1960 | fixed media, akusmatisch | 10:55 | Mono | RADIUM 040/ Pogus 011/ | PS C. | 1 | |||||||||
| 9601 | Rune | Lindblad | Optica 10 | 1963 | fixed media, akusmatisch | 5:11 | Mono | PS C. | 0 | ||||||||||
| 9602 | Rune | Lindblad | Optica 2 | 1960 | fixed media, akusmatisch | 8:20 | Mono | Elektron EM 1001/ FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | PS C. | 1 | |||||||||
| 9603 | Rune | Lindblad | Opus 105 | 1974 | fixed media, akusmatisch | 4:45 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9604 | Rune | Lindblad | Opus 106 | 1974 | fixed media, akusmatisch | 7:37 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9605 | Rune | Lindblad | Opus 107 | 1974 | fixed media, akusmatisch | 11:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9606 | Rune | Lindblad | Opus 108 | 1974 | fixed media, akusmatisch | 12:50 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9607 | Rune | Lindblad | Opus 109 a | 1974 | fixed media, akusmatisch | 8:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9608 | Rune | Lindblad | Opus 109 b | 1974 | fixed media, akusmatisch | 15:10 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9609 | Rune | Lindblad | Opus 110 | 1974 | fixed media, akusmatisch | 17:35 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9610 | Rune | Lindblad | Opus 111 | 1974 | fixed media, akusmatisch | 9:43 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9611 | Rune | Lindblad | Opus 112 | 1974 | fixed media, akusmatisch | 9:25 | Stereo | PS C. CTH | 0 | ||||||||||
| 9612 | Rune | Lindblad | Opus 113 | 1974 | fixed media, akusmatisch | 9:28 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9613 | Rune | Lindblad | Opus 114 | 1974 | fixed media, akusmatisch | 10:43 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9614 | Rune | Lindblad | Opus 115 | 1974 | fixed media, akusmatisch | 7:06 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9615 | Rune | Lindblad | Opus 116 | 1974 | fixed media, akusmatisch | 7:35 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9616 | Rune | Lindblad | Opus 117 | 1974 | fixed media, akusmatisch | 5:45 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9617 | Rune | Lindblad | Opus 118 | 1974 | fixed media, akusmatisch | 6:35 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9618 | Rune | Lindblad | Opus 119 | 1975 | fixed media, akusmatisch | 7:30 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9619 | Rune | Lindblad | Opus 120 | 1975 | fixed media, akusmatisch | 8:08 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9620 | Rune | Lindblad | Opus 121 | 1975 | fixed media, akusmatisch | 8:39 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9621 | Rune | Lindblad | Opus 122, del 1 | 1975 | fixed media, akusmatisch | 7:26 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9622 | Rune | Lindblad | Opus 122, del 2 | 1975 | fixed media, akusmatisch | 8:12 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9623 | Rune | Lindblad | Opus 123, del 1 | 1975 | fixed media, akusmatisch | 13:06 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9624 | Rune | Lindblad | Opus 123, del 2 | 1975 | fixed media, akusmatisch | 12:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9625 | Rune | Lindblad | Opus 124, del 1 | 1975 | fixed media, akusmatisch | 12:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9626 | Rune | Lindblad | Opus 124, del 2 | 1975 | fixed media, akusmatisch | 6:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9627 | Rune | Lindblad | Opus 124, del 3 | 1975 | fixed media, akusmatisch | 8:25 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9628 | Rune | Lindblad | Opus 124, del 4 | 1975 | fixed media, akusmatisch | 8:05 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9629 | Rune | Lindblad | Opus 125, del 1 | 1976 | fixed media, akusmatisch | 8:42 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9630 | Rune | Lindblad | Opus 125, del 2 | 1976 | fixed media, akusmatisch | 3:11 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9631 | Rune | Lindblad | Opus 125, del 3 | 1976 | fixed media, akusmatisch | 6:04 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9632 | Rune | Lindblad | Opus 126 | 1976 | fixed media, akusmatisch | 7:15 | Stereo | PS C. CTH | 0 | ||||||||||
| 9633 | Rune | Lindblad | Opus 127 | 1976 | fixed media, akusmatisch | 2:37 | Stereo | PS C. CTH | 0 | ||||||||||
| 9634 | Rune | Lindblad | Opus 128 | 1976 | fixed media, akusmatisch | 5:30 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9635 | Rune | Lindblad | Opus 129 | 1976 | fixed media, akusmatisch | Stereo | HfM Stockholm | 0 | |||||||||||
| 9636 | Rune | Lindblad | Opus 130 | 1976 | fixed media, akusmatisch | 4:45 | Stereo | PS C. CTH | 0 | ||||||||||
| 9637 | Rune | Lindblad | Opus 131 | 1976 | fixed media, akusmatisch | 10:49 | Stereo | Elektron EM 1006/7/ | HfM Stockholm | 1 | |||||||||
| 9638 | Rune | Lindblad | Opus 132 | 1976 | fixed media, akusmatisch | 17:06 | Stereo | HfM Stockholm | 0 | ||||||||||
| 24315 | Rune | Lindblad | Opus 133 | 1976 | fixed media, akusmatisch | 9:19 | Stereo | Elektron EM 1006/7/ | HfM Stockholm | 1 | |||||||||
| 9639 | Rune | Lindblad | Opus 134 | 1976 | fixed media, akusmatisch | 7:04 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9640 | Rune | Lindblad | Opus 135 | 1976 | fixed media, akusmatisch | 15:09 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9641 | Rune | Lindblad | Opus 136 | 1976 | fixed media, akusmatisch | 10:25 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9642 | Rune | Lindblad | Opus 137 | 1976 | fixed media, akusmatisch | 8:04 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9643 | Rune | Lindblad | Opus 138 | 1976 | fixed media, akusmatisch | 5:03 | Stereo | 0 | |||||||||||
| 9644 | Rune | Lindblad | Opus 139 | 1976 | fixed media, akusmatisch | 6:29 | Stereo | 0 | |||||||||||
| 9645 | Rune | Lindblad | Opus 140 | 1976 | fixed media, akusmatisch | 8:42 | Stereo | 0 | |||||||||||
| 9646 | Rune | Lindblad | Opus 141 | 1976 | fixed media, akusmatisch | 13:10 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9647 | Rune | Lindblad | Opus 143 | 1977 | intermedia | 13:43 | Stereo | Fylkingen | 0 | ||||||||||
| 9648 | Rune | Lindblad | Opus 144-149 | 1977 | fixed media, akusmatisch | Stereo | Fylkingen | 0 | |||||||||||
| 9649 | Rune | Lindblad | Opus 150 (Isolering) | 1977 | fixed media, akusmatisch | 13:45 | Stereo | 0 | |||||||||||
| 9650 | Rune | Lindblad | Opus 151-154 | 1977 | fixed media, akusmatisch | Stereo | Fylkingen | 0 | |||||||||||
| 9651 | Rune | Lindblad | Opus 155 (Sommaren) | 1977 | fixed media, akusmatisch | 9:34 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9652 | Rune | Lindblad | Opus 156 (Hösten) | 1977 | fixed media, akusmatisch | 15:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9653 | Rune | Lindblad | Opus 157 | 1977 | fixed media, akusmatisch | 7:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9654 | Rune | Lindblad | Opus 158 (uppfinn.) | 1978 | fixed media, akusmatisch | 14:50 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9655 | Rune | Lindblad | Opus 159 | 1978 | fixed media, akusmatisch | 6:00 | Stereo | 0 | |||||||||||
| 9656 | Rune | Lindblad | Opus 160 (Ritual) | 1978 | fixed media, akusmatisch | 6:00 | Stereo | 0 | |||||||||||
| 9657 | Rune | Lindblad | Opus 161 | 1976 | fixed media, akusmatisch | 6:09 | Stereo | (Höstsonat) | Elektron EM 1006/7/ | 1 | |||||||||
| 9658 | Rune | Lindblad | Opus 162 | 1978 | fixed media, akusmatisch | 7:30 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9659 | Rune | Lindblad | Opus 163 (för musiken i) | 1978 | fixed media, akusmatisch | 20:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9660 | Rune | Lindblad | Opus 164 (grodek) | 1979 | fixed media, akusmatisch | 8:50 | Stereo | 0 | |||||||||||
| 9661 | Rune | Lindblad | Opus 168 | 1979 | fixed media, akusmatisch | 0 | |||||||||||||
| 9662 | Rune | Lindblad | Opus 169 | 1979 | fixed media, akusmatisch | 0 | |||||||||||||
| 9663 | Rune | Lindblad | Opus 172 | 1980 | fixed media, akusmatisch | 16:02 | Stereo | (Decree) | Elektron EM 1006/7/ | EMS Stockholm | 1 | ||||||||
| 9664 | Rune | Lindblad | Opus 173-175 | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 9665 | Rune | Lindblad | Opus 178 | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 9666 | Rune | Lindblad | Opus 179 (Alla luna) | 1982 | intermedia | audiovisuell |
26:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9667 | Rune | Lindblad | Opus 180 (Org-83) | 1983 | fixed media, akusmatisch | 7:12 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9668 | Rune | Lindblad | Opus 181 | 1983 | fixed media, akusmatisch | 3:04 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9669 | Rune | Lindblad | Opus 182 | 1983 | fixed media, akusmatisch | 4:40 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9670 | Rune | Lindblad | Opus 183 (Främmande språk) | 1983 | fixed media, akusmatisch | 11:15 | Stereo | HfM Stockholm | 0 | ||||||||||
| 9671 | Rune | Lindblad | Orgel 1 | 1962 | fixed media, akusmatisch | 5:30 | Mono | PS C. | 0 | ||||||||||
| 9672 | Rune | Lindblad | Orgel 2 | 1962 | fixed media, akusmatisch | 8:50 | Mono | PS C. | 0 | ||||||||||
| 9673 | Rune | Lindblad | Orgel 3 (Medeltida borg) | 1964 | fixed media, akusmatisch | 11:12 | Mono | (Organ 3 (Medieval Castle) | Elektron EM 1006/7/ | PS C. CTH | 0 | ||||||||
| 9674 | Rune | Lindblad | Orgel 7 | 1971 | fixed media, akusmatisch | 8:50 | Stereo | PS C. MV | 0 | ||||||||||
| 9675 | Rune | Lindblad | Orgel 72-1, 72-2 | 1972 | fixed media, akusmatisch | 10:43 | Stereo | PS C. MV | 0 | ||||||||||
| 9676 | Rune | Lindblad | Orgel 73-1 | 1973 | fixed media, akusmatisch | 10:25 | Stereo | PS C. MV | 0 | ||||||||||
| 9677 | Rune | Lindblad | Orgel 73-2 | 1973 | fixed media, akusmatisch | 10:35 | Stereo | PS C. MV | 0 | ||||||||||
| 9678 | Rune | Lindblad | Orient | 1972 | fixed media, akusmatisch | 17:43 | Mono | PS C. MV | 0 | ||||||||||
| 9679 | Rune | Lindblad | Partikel-mosaik | 1974 | fixed media, akusmatisch | 9:07 | Stereo | Fylkingen | 0 | ||||||||||
| 9680 | Rune | Lindblad | Party | 1953/1954 | fixed media, akusmatisch | 10:20 | Mono | RADIUM 040/ Pogus 011/ | PS C. | 1 | |||||||||
| 9681 | Rune | Lindblad | Passage | 1969 | fixed media, akusmatisch | 12:11 | Mono | PS C. CTH | 0 | ||||||||||
| 9682 | Rune | Lindblad | Pedagogik | 1972 | fixed media, akusmatisch | 6:01 | Stereo | Elektron EM 1006/7/ | PS C. MV | 1 | |||||||||
| 9683 | Rune | Lindblad | Pendeln | 1973 | fixed media, akusmatisch | 8:35 | Stereo | PS C. MV | 0 | ||||||||||
| 9684 | Rune | Lindblad | Plasibenpius 1 | 1969 | fixed media, akusmatisch | 9:29 | Mono | Version 1; (op. 30) | RADIUM 040/ Pogus 014/ | EMS Stockholm | 1 | ||||||||
| 9685 | Rune | Lindblad | Plasibenpius 2 | 1969 | fixed media, akusmatisch | 6:27 | Stereo | Version 2; (op. 30) | EMS Stockholm | 0 | |||||||||
| 9686 | Rune | Lindblad | Potenser | 1971 | fixed media, akusmatisch | 5:43 | Stereo | PS C. MV | 0 | ||||||||||
| 9687 | Rune | Lindblad | Potentiellt förlopp | 1972 | fixed media, akusmatisch | 6:36 | Stereo | Ex. G | 0 | ||||||||||
| 9688 | Rune | Lindblad | Projekt 1 | 1957 | fixed media, akusmatisch | 17:15 | Mono | PS C. | 0 | ||||||||||
| 9689 | Rune | Lindblad | Projekt 2 | 1957 | fixed media, akusmatisch | 9:00 | Mono | PS C. | 0 | ||||||||||
| 9690 | Rune | Lindblad | Projekt 3 (staden) | 1970 | fixed media, akusmatisch | 7:22 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9691 | Rune | Lindblad | Pulserande | 1973 | fixed media, akusmatisch | 11:25 | Stereo | PS C. MV | 0 | ||||||||||
| 9692 | Rune | Lindblad | Punkter | 1972 | fixed media, akusmatisch | 7:32 | Stereo | Ex. G | 0 | ||||||||||
| 9693 | Rune | Lindblad | Punkter, linjer och ytor #1-#3 | 1973 | fixed media, akusmatisch | 26:00 | Stereo | PS C. MV | 0 | ||||||||||
| 9694 | Rune | Lindblad | Reflexioner | 1972 | fixed media, akusmatisch | 13:20 | Stereo | PS C. MV | 0 | ||||||||||
| 9695 | Rune | Lindblad | Resan till Cellinus | 1960 | fixed media, akusmatisch | 12:00 | Mono | PS C. | 0 | ||||||||||
| 9696 | Rune | Lindblad | Röster | 1971 | fixed media, akusmatisch | 5:30 | Stereo | PS C. CTH | 0 | ||||||||||
| 9697 | Rune | Lindblad | Samtal | 1960 - 1961 | fixed media, akusmatisch | 15:14 | Mono | Elektron EM 1006/7/ | PS C. | 1 | |||||||||
| 9698 | Rune | Lindblad | Satellit 60 | 1956/1957 | fixed media, akusmatisch | 7:35 | Mono | PAS, 57357-8/ | PS C. Göteborg | 0 | |||||||||
| 9699 | Rune | Lindblad | Söndag kl 12.00 | 1959 | fixed media, akusmatisch | 8:09 | Mono | PS C. | 0 | ||||||||||
| 9700 | Rune | Lindblad | Steve | 1970 | fixed media, akusmatisch | 4:40 | Stereo | PS C. CTH | 0 | ||||||||||
| 9701 | Rune | Lindblad | Swedish party | 1970 | fixed media, akusmatisch | 10:00 | Stereo | PS C. CTH | 0 | ||||||||||
| 9702 | Rune | Lindblad | Termonukleäration | 1970 | fixed media, akusmatisch | intermedia |
8:53 | Mono | PS C. CTH | 0 | ||||||||||
| 40868 | Rune | Lindblad | Till Zakynthos, opus 205 | fixed media, akusmatisch | 13:39 | SR 220 sub rosa/ | 0 | ||||||||||||
| 9703 | Rune | Lindblad | Tora | 1973 | fixed media, akusmatisch | 5:40 | RADIUM 040/ Pogus 014/ | 1 | |||||||||||
| 9704 | Rune | Lindblad | Trappa och korridor | 1969 | fixed media, akusmatisch | 14:50 | Stereo | PS C. CTH | 0 | ||||||||||
| 9705 | Rune | Lindblad | Up and down Del 1 | 1974 | fixed media, akusmatisch | 5:38 | Stereo | 0 | |||||||||||
| 9706 | Rune | Lindblad | Up and down Del 2 | 1974 | fixed media, akusmatisch | 6:35 | Stereo | 0 | |||||||||||
| 9707 | Rune | Lindblad | Up and down Del 3 | 1974 | fixed media, akusmatisch | 7:50 | Stereo | 0 | |||||||||||
| 9708 | Rune | Lindblad | Växande | 1973 | fixed media, akusmatisch | 8:56 | Stereo | PS C. MV | 0 | ||||||||||
| 9709 | Rune | Lindblad | Vandring | 1969 | fixed media, akusmatisch | 15:04 | Stereo | PS C. CTH | 0 | ||||||||||
| 9710 | Rune | Lindblad | Variationsrondo | 1974 | fixed media, akusmatisch | 5:20 | Stereo | PS C. MV | 0 | ||||||||||
| 9711 | Rune | Lindblad | Varv 72 | 1972 | fixed media, akusmatisch | 7:30 | Stereo | PS C. MV | 0 | ||||||||||
| 9712 | Rune | Lindblad | Violectra | 1958/1959 | fixed media, akusmatisch | 6:00 | Mono | PS C. | 0 | ||||||||||
| 9713 | Rune | Lindblad | Worship | fixed media, akusmatisch | INFOGRAM 018/ | 1 | |||||||||||||
| 9714 | Osmo | Lindeman | Kinetic Forms | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 9715 | Osmo | Lindeman | Mechanical Music | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 9716 | Osmo | Lindeman | Midas | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 9717 | Osmo | Lindeman | Ritual | 1972 | fixed media, akusmatisch | 6:19 | FENO 5/ | PS C., Yleisradio | 1 | ||||||||||
| 9718 | Osmo | Lindeman | Spectacle | 1974 | fixed media, akusmatisch | 9:10 | Sibelius Akademie 1882 - 1982/ | PS C., Yleisradio | 1 | ||||||||||
| 9719 | Osmo | Lindeman | Tropicana | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 37187 | Daniel | Lindenkreuz | Tactility #2 | 2017 | Performance | 7:00:00 | com (Bluetooth-Trackpad) [computer] | HfM Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 30263 | Jörg | Lindenmaier | 10 Piktogramme | 1996 | fixed media, akusmatisch | 23:17 | Stereo | PS C. | 0 | ||||||||||
| 30285 | Jörg | Lindenmaier | 12/18/98 | 1998 | fixed media, akusmatisch | 22:20 | Stereo | PS C. | 0 | ||||||||||
| 30324 | Jörg | Lindenmaier | Abhandlung | 2005 | fixed media, akusmatisch | 8:46 | Mono | Budapest/Berlin | PS C. | 0 | |||||||||
| 30339 | Jörg | Lindenmaier | Abrasion | 2008 | fixed media, akusmatisch | 13:42 | Quadro | PS C. | 0 | ||||||||||
| 30353 | Jörg | Lindenmaier | Aktis | 2011 | fixed media, akusmatisch | 8:26 | 12 Tracks | PS C. | 1 | ||||||||||
| 30350 | Jörg | Lindenmaier | Ameisen | 2010 | fixed media, akusmatisch | 3:55 | 6 | Berlin | PS C. | 0 | |||||||||
| 30307 | Jörg | Lindenmaier | Amok | 2001 | fixed media, akusmatisch | 7:15 | Mono | PS C. | 0 | ||||||||||
| 30314 | Jörg | Lindenmaier | And The Gods Made Love | 2002 | fixed media, akusmatisch | 6:00 | Mono | WDR | PS C. | WDR - Studio Akustische Kunst. | 0 | ||||||||
| 30337 | Jörg | Lindenmaier | Aporie I, II, III | 2007 | fixed media, akusmatisch | 11:58 | Octo | PS C. | 0 | ||||||||||
| 30338 | Jörg | Lindenmaier | As We Go | 2008 | fixed media, akusmatisch | 10:07 | Quadro | PS C. | 1 | ||||||||||
| 30340 | Jörg | Lindenmaier | Blei | 2009 | fixed media, akusmatisch | 3:27 | Quadro | PS C. | 0 | ||||||||||
| 30311 | Jörg | Lindenmaier | Brave New World | 2002 | fixed media, akusmatisch | 15:21 | Stereo | PS C. | 0 | ||||||||||
| 30298 | Jörg | Lindenmaier | Bridge | 2000 | fixed media, akusmatisch | 15:29 | Stereo | 18 parts à 45 sec (+ 7 sec intermissions) | PS C. | 0 | |||||||||
| 30305 | Jörg | Lindenmaier | Celluar Mashine | 2000 | fixed media, akusmatisch | 62:58 | Mono | 5 parts à 4:10 | PS C. | 0 | |||||||||
| 30293 | Jörg | Lindenmaier | Converse | 1999 | fixed media, akusmatisch | 7:43 | Mono | PS C. | 0 | ||||||||||
| 30336 | Jörg | Lindenmaier | Crush | 2007 | fixed media, akusmatisch | 6:54 | n | PS C. | 0 | ||||||||||
| 30262 | Jörg | Lindenmaier | Cultural Noise | 1996 | fixed media, akusmatisch | 22:46 | Stereo | PS C. | 0 | ||||||||||
| 30325 | Jörg | Lindenmaier | CWP | 2005 | fixed media, akusmatisch | 12:01 | Stereo | Berlin | PS C. | 0 | |||||||||
| 30261 | Jörg | Lindenmaier | D-E-A-D | 1996/2002 | fixed media, akusmatisch | 11:48 | Quadro | Karlsruhe | PS C. | 0 | |||||||||
| 30299 | Jörg | Lindenmaier | Dial | 2000 | fixed media, akusmatisch | 11:33 | Octo | PS C. | 0 | ||||||||||
| 30321 | Jörg | Lindenmaier | Die Flucht Aus Der Zeit | 2003 | fixed media, akusmatisch | 5:37 | Stereo | PS C. | 0 | ||||||||||
| 30312 | Jörg | Lindenmaier | Drifting | 2002 | fixed media, akusmatisch | 12:43 | Mono | PS C. | 0 | ||||||||||
| 30348 | Jörg | Lindenmaier | Electric Fence | 2010 | fixed media, akusmatisch | 11:05 | Quadro | Unterheinriet | PS C. | 0 | |||||||||
| 42064 | Jörg | Lindenmaier | Entropia | 2018 | fixed media, akusmatisch | 3 | degem CD 16/ | 1 | |||||||||||
| 30265 | Jörg | Lindenmaier | Ephemer | 1996 | fixed media, akusmatisch | 15:43 | Stereo | PS C. | 0 | ||||||||||
| 30335 | Jörg | Lindenmaier | Escape | 2007 | fixed media, akusmatisch | 4:26 | n | rev. Cologne 2011 | PS C. | 0 | |||||||||
| 30342 | Jörg | Lindenmaier | Exospection I-VII | 2009 | fixed media, akusmatisch | 35:57 | Stereo | PS C. | 0 | ||||||||||
| 30309 | Jörg | Lindenmaier | Face | 2001 | fixed media, akusmatisch | 4:07 | Stereo | PS C. | 0 | ||||||||||
| 30287 | Jörg | Lindenmaier | Falling Down | 1999 | fixed media, akusmatisch | 94:24 | Stereo | 2 parts (45:49 + 48:35) | PS C. | 0 | |||||||||
| 30362 | Jörg | Lindenmaier | Falling Stars | 2012 | fixed media, akusmatisch | 6:45 | Quadro | PS C. | 0 | ||||||||||
| 30267 | Jörg | Lindenmaier | Financial Times | 1996 | fixed media, akusmatisch | 22:05 | Stereo | PS C. | 0 | ||||||||||
| 30270 | Jörg | Lindenmaier | Floor | 1997 | Zuspiel, live-elec, 1 perf | 20:14 | MIDI p [Piano] | for digital grand piano 4 parts |
PS C. | 0 | |||||||||
| 30347 | Jörg | Lindenmaier | Foris | 2010 | fixed media, akusmatisch | 16:45 | Quadro | PS C. | 0 | ||||||||||
| 30359 | Jörg | Lindenmaier | Gedankenflucht | 2012 | fixed media, akusmatisch | 21:32 | Quadro | PS C. | 0 | ||||||||||
| 30329 | Jörg | Lindenmaier | Gruen44 | 2006 | fixed media, akusmatisch | 15:23 | Quadro | PS C. | 0 | ||||||||||
| 30351 | Jörg | Lindenmaier | Gruppe 47 | 2011 | fixed media, akusmatisch | 8:30 | Stereo | PS C. | 1 | ||||||||||
| 30332 | Jörg | Lindenmaier | Hindmarsh-Rose | 2007 | fixed media, akusmatisch | 14:32 | Quadro | PS C. | 0 | ||||||||||
| 30316 | Jörg | Lindenmaier | HN | 2002 | fixed media, akusmatisch | 3:05 | Mono | PS C. | 0 | ||||||||||
| 30352 | Jörg | Lindenmaier | Holzwege | 2011 | fixed media, akusmatisch | 13:35 | Quadro | PS C. | 1 | ||||||||||
| 30328 | Jörg | Lindenmaier | Icefloes | 2006 | fixed media, akusmatisch | 2:11 | Stereo | PS C. | 0 | ||||||||||
| 30322 | Jörg | Lindenmaier | In Heaven | 2004 | fixed media, akusmatisch | 14:59 | Stereo | PS C. | 0 | ||||||||||
| 30296 | Jörg | Lindenmaier | Inner Race | 1999 | fixed media, akusmatisch | 40:00 | Mono | PS C. | 0 | ||||||||||
| 30292 | Jörg | Lindenmaier | Insomnia | 1999 | fixed media, akusmatisch | 6:00 | Mono | PS C. | 0 | ||||||||||
| 30327 | Jörg | Lindenmaier | Introspection I-VII | 2005 | fixed media, akusmatisch | 353:35 | Stereo | PS C. | 0 | ||||||||||
| 30319 | Jörg | Lindenmaier | Istanbul | 2003 | fixed media, akusmatisch | 45:58 | Stereo | PS C. | 0 | ||||||||||
| 30363 | Jörg | Lindenmaier | Ivory | 2012 | fixed media, akusmatisch | 4:28 | 6 | /Unterheinriet | PS C. | 0 | |||||||||
| 30333 | Jörg | Lindenmaier | Julia | 2007 | fixed media, akusmatisch | 3:00 | Octo | PS C. | 0 | ||||||||||
| 30303 | Jörg | Lindenmaier | L | 2000 | fixed media, akusmatisch | 62:07 | Stereo | PS C. | 0 | ||||||||||
| 30277 | Jörg | Lindenmaier | L'inertie Polaire | 1998/2005 | fixed media, akusmatisch | 20:28 | 32 Tracks | rev. Berlin 2005 | PS C. | 0 | |||||||||
| 30279 | Jörg | Lindenmaier | Lichtblau/Orange | 1998 | fixed media, akusmatisch | 9:43 | Mono | PS C. | 0 | ||||||||||
| 30343 | Jörg | Lindenmaier | London Sep 2009 | 2009 | fixed media, akusmatisch | 20:01 | Stereo | PS C. | 0 | ||||||||||
| 30317 | Jörg | Lindenmaier | M. Dora | 2002 | fixed media, akusmatisch | 7:42 | Mono | PS C. | 0 | ||||||||||
| 30354 | Jörg | Lindenmaier | Märkische Landschaft | 2011 | fixed media, akusmatisch | 7:06 | Octo | PS C. | 0 | ||||||||||
| 30271 | Jörg | Lindenmaier | März 20 1997 | 1997/1998 | fixed media, akusmatisch | 59:57 | Stereo | PS C. | 0 | ||||||||||
| 30304 | Jörg | Lindenmaier | Mental Suffocation | 2000 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 30281 | Jörg | Lindenmaier | Mock | 1998 | fixed media, akusmatisch | 61:42 | Stereo | PS C. | 0 | ||||||||||
| 30276 | Jörg | Lindenmaier | Modell | 1998 | fixed media, akusmatisch | 5:57 | Quadro | 2 versions: stereo (11:57), quadro (5:57) | PS C. | 0 | |||||||||
| 30326 | Jörg | Lindenmaier | MPulse | 2005 | fixed media, akusmatisch | 6:59 | n | PS C. | 0 | ||||||||||
| 30268 | Jörg | Lindenmaier | No Comment | 1996 | fixed media, akusmatisch | 8:22 | Stereo | PS C. | 0 | ||||||||||
| 30349 | Jörg | Lindenmaier | No. 89/I-IV | 2010 | fixed media, akusmatisch | 5:44 | Quadro | PS C. | 0 | ||||||||||
| 30341 | Jörg | Lindenmaier | Null | 2009 | fixed media, akusmatisch | 13:01 | Quadro | PS C. | 0 | ||||||||||
| 30302 | Jörg | Lindenmaier | Oh_No | 2000 | fixed media, akusmatisch | 7:10 | Stereo | PS C. | 0 | ||||||||||
| 30266 | Jörg | Lindenmaier | Ozean | 1996 | fixed media, akusmatisch | 20:59 | Stereo | PS C. | 0 | ||||||||||
| 30315 | Jörg | Lindenmaier | P_50 | 2002 | fixed media, akusmatisch | 15:33 | Stereo | PS C. | 0 | ||||||||||
| 30355 | Jörg | Lindenmaier | Pica Pica | 2011 | fixed media, akusmatisch | 15:01 | Octo | /Unterheinriet | PS C. | 0 | |||||||||
| 30301 | Jörg | Lindenmaier | Port | 2000 | fixed media, akusmatisch | 19:21 | Stereo | PS C. | 0 | ||||||||||
| 30310 | Jörg | Lindenmaier | Radio Longing | 2002 | fixed media, akusmatisch | 4:59 | Stereo | PS C. | 0 | ||||||||||
| 30313 | Jörg | Lindenmaier | Rhine Music | 2002 | fixed media, akusmatisch | 26:00 | Stereo | PS C. | 0 | ||||||||||
| 30308 | Jörg | Lindenmaier | Rolandseck | 2001 | fixed media, akusmatisch | 16:53 | Quadro | PS C. | 0 | ||||||||||
| 30364 | Jörg | Lindenmaier | Scapeland | 2012 | fixed media, akusmatisch | 20:00 | Quadro | PS C. | 0 | ||||||||||
| 30275 | Jörg | Lindenmaier | Science Fiction | 1998 | audiovisuell | 3:14 | Stereo | In Zusammenarbeit mit Tuna Arkun (Video) | PS C. | 0 | |||||||||
| 30346 | Jörg | Lindenmaier | Simultan | 2010 | fixed media, akusmatisch | 16:40 | 5 tracks | / | PS C. | 1 | |||||||||
| 30274 | Jörg | Lindenmaier | Sinework III | 1997 | fixed media, akusmatisch | 168:32 | Stereo | PS C. | 0 | ||||||||||
| 30300 | Jörg | Lindenmaier | Sonar | 2000 | fixed media, akusmatisch | 14:00 | Octo | PS C. | 0 | ||||||||||
| 30291 | Jörg | Lindenmaier | Sorting | 1999 | fixed media, akusmatisch | 14:30 | Mono | 5 parts | PS C. | 0 | |||||||||
| 30295 | Jörg | Lindenmaier | Stack Overflow | 1999 | fixed media, akusmatisch | 6:45 | Stereo | Cologne | PS C. | 0 | |||||||||
| 30294 | Jörg | Lindenmaier | State | 1999 | fixed media, akusmatisch | 11:00 | Octo | PS C. | 0 | ||||||||||
| 30361 | Jörg | Lindenmaier | Stillstehend | 2012 | fixed media, akusmatisch | 5:24 | Quadro | PS C. | 0 | ||||||||||
| 30280 | Jörg | Lindenmaier | Storyteller | 1998 | fixed media, akusmatisch | 26:07 | Mono | PS C. | 0 | ||||||||||
| 30283 | Jörg | Lindenmaier | Television | 1998 | fixed media, akusmatisch | 12:09 | Stereo | PS C. | 0 | ||||||||||
| 30345 | Jörg | Lindenmaier | Texts For Nothing VIII | 2010 | fixed media, akusmatisch | 12:46 | Quadro | /Unterheinriet | PS C. | 0 | |||||||||
| 30272 | Jörg | Lindenmaier | TG | 1997 | fixed media, akusmatisch | 10:02 | Stereo | PS C. | 0 | ||||||||||
| 30357 | Jörg | Lindenmaier | The Long Reply | 2012 | fixed media, akusmatisch | 7:31 | Octo | PS C. | 0 | ||||||||||
| 30306 | Jörg | Lindenmaier | Thoughts | 2001 | fixed media, akusmatisch | 63:53 | Mono | PS C. | 0 | ||||||||||
| 30334 | Jörg | Lindenmaier | Thymos | 2007 | fixed media, akusmatisch | 19:49 | Quadro | PS C. | 0 | ||||||||||
| 30278 | Jörg | Lindenmaier | Title Defender | 1998 | fixed media, akusmatisch | 8:03 | Stereo | PS C. | 0 | ||||||||||
| 30273 | Jörg | Lindenmaier | Tonowhere | 1997/2002 | fixed media, akusmatisch | 38:45 | Stereo | PS C. | 0 | ||||||||||
| 30330 | Jörg | Lindenmaier | Touch | 2006 | fixed media, akusmatisch | 6:00 | Stereo | PS C. | 0 | ||||||||||
| 30358 | Jörg | Lindenmaier | Trace | 2012 | fixed media, akusmatisch | 13:52 | Mono | PS C. | 0 | ||||||||||
| 30290 | Jörg | Lindenmaier | Two Red Graveyard Candles … | 1999 | fixed media, akusmatisch | 15:00 | Quadro | PS C. | 0 | ||||||||||
| 30269 | Jörg | Lindenmaier | Untitled #1 | 1997 | fixed media, akusmatisch | 65:38 | Quadro | PS C. | 0 | ||||||||||
| 30289 | Jörg | Lindenmaier | Valaisanne | 1999 | fixed media, akusmatisch | 8:17 | Stereo | PS C. | 0 | ||||||||||
| 30288 | Jörg | Lindenmaier | Vanishing Point | 1999 | fixed media, akusmatisch | 19:51 | Stereo | PS C. | 0 | ||||||||||
| 30331 | Jörg | Lindenmaier | Vivax | 2007 | fixed media, akusmatisch | 3:00 | n | PS C. | 0 | ||||||||||
| 30344 | Jörg | Lindenmaier | Von Den Bergen | 2009 | fixed media, akusmatisch | 11:42 | Stereo | PS C. | 1 | ||||||||||
| 30264 | Jörg | Lindenmaier | VZG | 1996 | fixed media, akusmatisch | 9:49 | Stereo | PS C. | 0 | ||||||||||
| 30284 | Jörg | Lindenmaier | Waiting | 1998 | fixed media, akusmatisch | 1:07 | Stereo | PS C. | 0 | ||||||||||
| 30356 | Jörg | Lindenmaier | Waldbach | 2011 | fixed media, akusmatisch | 4:30 | 7 tracks | /Hallstatt | PS C. | 0 | |||||||||
| 30318 | Jörg | Lindenmaier | Whiteout | 2002 | fixed media, akusmatisch | 20:15 | Mono | PS C. | 0 | ||||||||||
| 30297 | Jörg | Lindenmaier | X | 1999 | fixed media, akusmatisch | 9:13 | Stereo | PS C. | 0 | ||||||||||
| 30360 | Jörg | Lindenmaier | XOR | 2012 | fixed media, akusmatisch | 53:28 | Mono | PS C. | 0 | ||||||||||
| 30286 | Jörg, Yunchul | Lindenmaier, Kim | Buffer~ | 1999 | audiovisuell | 4:00 | Stereo | with Yunchul Kim | PS C. | 0 | |||||||||
| 30282 | Jörg, Yunchul | Lindenmaier, Kim | RGB | 1998 | fixed media, akusmatisch | 17:56 | Stereo | with Yunchul Kim | PS C. | 0 | |||||||||
| 30320 | Jörg, Anthony, Peter | Lindenmaier, Moore, Simon | Continuity Illusions | 2003 | fixed media, akusmatisch | 14:48 | Quadro | WDR, with Anthony Moore and Peter Simon (LMS) | PS C. | WDR - Studio Akustische Kunst, Wittener Tage für Neue Kammermusik | 0 | ||||||||
| 30323 | Jörg, Anthony, Peter | Lindenmaier, Moore, Simon | Das Turing Projekt | 2004/2011 | fixed media, akusmatisch | 51:03 | Stereo, Surround 5.1 | WDR, with Anthony Moore and Peter Simon (LMS), 5.1 Mix 2011 | PS C. | WDR, Studio Akustische Kunst | 0 | ||||||||
| 9720 | Esten S | Lindgren | Avi-Repetitive Mode | 1988 | fixed media, akusmatisch | 6:50 | Stereo | 0 | |||||||||||
| 9721 | Esten S | Lindgren | Russian Robotiods | 1988 | fixed media, akusmatisch | 6:45 | Stereo | Axagoras Berkeley | 0 | ||||||||||
| 9722 | Esten S | Lindgren | Russian Robotiods (Version 2) | 1988 | fixed media, akusmatisch | 12:10 | Stereo | Garuda CA | 0 | ||||||||||
| 9723 | Kurt | Lindgren | Dans till blomsterfolket | 1967 | Tanz | Film |
≈ 6:00 | Mono | choreo Livavati. | SR Stockholm | 0 | |||||||||
| 9724 | Kurt | Lindgren | Electronic signatures for TV 2, TV2’s kanal-vinjetter | 1969 | Hintergrundmusik | 0:18 | Mono | EMS Stockholm | 0 | ||||||||||
| 9725 | Kurt | Lindgren | I tiden någonstans | 1969 | Tanz | Film |
≈ 25:00 | Mono | SR Stockholm | 0 | ||||||||||
| 9726 | Kurt | Lindgren | Tonkörfoni, Körbakrund | 1967 | fixed media, akusmatisch | 2:30 | EMS Stockholm | 0 | |||||||||||
| 9727 | Kurt | Lindgren | Tonkörfoni, Partiledarcollage | 1967 | fixed media, akusmatisch | 2:45 | EMS Stockholm | 0 | |||||||||||
| 9728 | Pär | Lindgren | Brutet A var 1 | 1981 | fixed media, akusmatisch | 10:00 | HfM Stockholm | 0 | |||||||||||
| 9729 | Pär | Lindgren | Brutet ackord var 3 | 1981 | fixed media, akusmatisch | 18:00 | HfM Stockholm | 0 | |||||||||||
| 9730 | Pär | Lindgren | Den Förstenade | 1982 | Zuspiel / Tonband, 1 perf | 19:25 | S [Sopran] | FYLP 1032/ | HfM Stockholm | 1 | |||||||||
| 9731 | Pär | Lindgren | Det andra rummet | 1980 | fixed media, akusmatisch | 15:10 | Quadro | FYLP 1026/ | HfM Stockholm | 1 | |||||||||
| 9732 | Pär | Lindgren | Elektrisk musik | 1978 | fixed media, akusmatisch | 10:00 | Quadro | CAP 3019/ | HfM Stockholm | 1 | |||||||||
| 9733 | Pär | Lindgren | Fas 1 | 1981 | fixed media, akusmatisch | 11:00 | HfM Stockholm | 0 | |||||||||||
| 35336 | Pär | Lindgren | Guggi-Guggi | 1993 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | PSCD 41 Phono Suecia/ | HfM Stockholm | 0 | ||||||||||
| 9734 | Pär | Lindgren | Högspänning | 1979/1980 | fixed media, akusmatisch | 18:00 | HfM Stockholm | 0 | |||||||||||
| 9735 | Pär | Lindgren | Hoppla vi lever | 1980 | Theatermusik | HfM Stockholm | 0 | ||||||||||||
| 9736 | Pär | Lindgren | Houdinism | 1984 | fixed media, akusmatisch | 12:20 | Stereo | FYLP 1032/ | HfM Stockholm | 1 | |||||||||
| 9737 | Pär | Lindgren | Ikaros var 1 | 1983 | fixed media, akusmatisch | 14:00 | HfM Stockholm | 0 | |||||||||||
| 9738 | Pär | Lindgren | Mimesis | 1986/1987 | Zuspiel / Tonband, 2 perf | 2 p [Piano] | HfM Stockholm | 0 | |||||||||||
| 9739 | Pär | Lindgren | Nattkorridor | 1980 | fixed media, akusmatisch | 4:00 | HfM Stockholm | 0 | |||||||||||
| 9740 | Pär | Lindgren | Öppningar | 1982 | intermedia | 26:00 | Slide Show ; Photography: Jörgen Lindgren | HfM Stockholm | 0 | ||||||||||
| 9741 | Pär | Lindgren | Rummet | 1980 | fixed media, akusmatisch | 9:00 | PSCD 41 Phono Suecia/ | HfM Stockholm | 1 | ||||||||||
| 9742 | Pär | Lindgren | Sound direction | 1983 | fixed media, akusmatisch | HfM Stockholm | 0 | ||||||||||||
| 9743 | Pär | Lindgren | Supermenageriet | 1977 | live-elec, | 20:00 | HfM Stockholm | 0 | |||||||||||
| 9744 | Pär | Lindgren | Trait blanc | 1977 | fixed media, akusmatisch | 13:00 | HfM Stockholm | 0 | |||||||||||
| 9745 | Peter | Lindroth | Och - eller [Varför säger folk saker?] | 1990 | fixed media, akusmatisch | 16:00 | 0 | ||||||||||||
| 9746 | Scott | Lindroth | Syntax | 1985 | fixed media, akusmatisch | 9:12 | Stereo | Synclavier | Centaur CRC 2039, CDCM Vol. 2/ | iEAR Rensselaer | 1 | ||||||||
| 38608 | Arto | LINDSAY | Art´s Birthday 2011 - Arto Lindsay Solo | 2011 | radiophon | 42:35:00 | 0 | ||||||||||||
| 9747 | Dave | Lindsay | ± 2" (Plus or Minus Two Seconds) | 1983 | Zuspiel, live-elec, | 13:10 | Quadro | MetaM. Montréal, Kaya M. Montréal | 0 | ||||||||||
| 19259 | Dave | Lindsay | Cetacean Progress | 1996 | fixed media, akusmatisch | 3:09 | CEC Presence 1/ | Con Toronto | 1 | ||||||||||
| 9748 | Dave | Lindsay | Crusade | 1988 | fixed media, akusmatisch | 13:00 | Stereo | 0 | |||||||||||
| 9749 | Dave | Lindsay | Everyone's Talking at Once | 1981 | fixed media, akusmatisch | 11:35 | Stereo | Concordia Montréal, Kaya M. Montréal | 0 | ||||||||||
| 9750 | Dave | Lindsay | L'architecture de l'UQAM | 1982 | fixed media, akusmatisch | 15:00 | Stereo | Concordia Montréal, Kaya M. Montréal | 0 | ||||||||||
| 9751 | Dave | Lindsay | OBEAH… a sonic ritual | 1984 | fixed media, akusmatisch | Stereo | MetaM. Montréal, Kaya M. Montréal | 0 | |||||||||||
| 9753 | Dave | Lindsay | The Sneeze | fixed media, akusmatisch | 8:22 | Stereo | Concordia Montréal | 0 | |||||||||||
| 9754 | Dave | Lindsay | Trilogy | fixed media, akusmatisch | 18:40 | Stereo | Progression (8' 30") / Rhythym (6' 35") / Words (3' 35") | Concordia Montréal | 0 | ||||||||||
| 9755 | Dave | Lindsay | Two Minute Warning | 1992 | fixed media, akusmatisch | 1:52 | CEC DISContact_1/ | Con Toronto | 1 | ||||||||||
| 9756 | Dave | Lindsay | Waving at the Brave Ones | 1985 | fixed media, akusmatisch | 11:00 | Stereo | MetaM. Montréal, Kaya M. Montréal | 0 | ||||||||||
| 9757 | Dave | Lindsay | Whale Song #1 | 1982 | fixed media, akusmatisch | 14:30 | Stereo | Concordia Montréal, Kaya M. Montréal | 0 | ||||||||||
| 9758 | Dave | Lindsay | Whale Song #2 | 1985 | live-elec, 1 perf | Quadro | proc e-gui [Gitarre] | Kaya M. Montréal | 0 | ||||||||||
| 9752 | Dave, John | Lindsay, Wells | The Beautiful Assistant | 1983 | fixed media, akusmatisch | 7:15 | Stereo | Kaya M. Montréal | 0 | ||||||||||
| 9759 | Dave, John | Lindsay, Wells | Whirls Apart | 1985 | live-elec, 2 perf | 22:13 | Stereo | synt, gui, (delay) [Gitarre, synthesizer] | 0 | ||||||||||
| 9760 | Göran | Lindsjö | SAM 19 SAM 32 RY 19 ENK 12 Mass Ankia |
1992 | fixed media, akusmatisch | 75:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 39830 | Gustav | Lindsten | Train Cuts | 2017 | fixed media, akusmatisch | Gustav Lindsten | 0 | ||||||||||||
| 39390 | Hilda, Maria | Lindström, Lindström | Synalpheus pinkfloydi | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 39438 | Maria | Lindström | The Outlander Doop | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 28356 | Mats | Lindström | Für die Jugend der Welt | 2002 | live-elec, 1 perf | vn [Violine] | 2.7.2002 | Inventionen staatsbank Berlin | 0 | 2002 | |||||||||
| 22276 | Mats | Lindström | Girl Power | live-elec, 6 perf | 8:20 | 6 perf [Performer] | Lydia Dahrmark, Matilda Lindström, Alva Melin, Vera Rückert, Wilma Sjöberg, Tove Ström - Live-Electronics Conducted by Mats Lindström. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 1 | ||||||||||
| 22339 | Mats | Lindström | Grindslanten | 1998 | fixed media, akusmatisch | Infogram 045/2/ | 1 | 2002 | |||||||||||
| 25805 | Mats | Lindström | Music for Hugh Davies II | 2006 | live-elec, | 9:26 | Quadro | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 1 | ||||||||||
| 22344 | Mats | Lindström | Rapport (med anledning av …) | fixed media, akusmatisch | 2:24 | med anledning av... | Infogram 045/2/ | 0 | |||||||||||
| 9761 | Mats | Lindström | Rekonstruktion | 1990 | fixed & Dias | slides | 0 | ||||||||||||
| 22498 | Mats | Lindström | Requiem by a Swedish Citizen with Reference to the Assassination of Olof Palme | 2001 | Zuspiel, live-elec, 2 perf | 29:53 | Stereo | Sp, p [Sprecher, Piano] | A text-sound composition for recitors, tape, piano and electronics by Mats Lindström. | SR P1/ | SR Stockholm | 1 | |||||||
| 18905 | Mats, Sören | Lindström, Runolf | A wonder of beauty and efficiency | 1994 | fixed media, akusmatisch | 70:00 | FYCD 1005/ | Fylkingen, EMS Stockholm | 1 | ||||||||||
| 19284 | Mats, Sören | Lindström, Runolf | From each according to his abilities, to each according to his needs | 1993 | live-elec, 2 perf | 11:05 | synt, str (e-zither), (face-grinding machine, black box) [synthesizer, Streicher] | PSCD 91-1 Phono Suecia/ | 1 | ||||||||||
| 22345 | Mats, Sören | Lindström, Runolf | Smorgasbord | fixed media, akusmatisch | 4:08 | Infogram 045/2/ | 1 | ||||||||||||
| 9762 | Christer | Lindwall | Chains | 1983/1984 | Tanz | 11:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9763 | Christer | Lindwall | Figures | 1982 | fixed media, akusmatisch | 11:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9764 | Christer | Lindwall | Kinesisk ask | 1982 | fixed media, akusmatisch | 13:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 9765 | Christer | Lindwall | Points | 1984 | fixed media, akusmatisch | 16:00 | Stereo | WER 2021-50, Computer Music Currents 1/ | EMS Stockholm | 1 | |||||||||
| 26215 | Marc | Lingk | Pingpong Ballet | 2003 | fixed media, akusmatisch | 15:03 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | http://marclingk.de | |||||||
| 31578 | Marc, Kaspar | Lingk, König | sounding objects | 2010 - 2013 | audiovisuell, live-elec, 2 perf | 10:00 | 2 perf [Performer] | next_generation 5.0 | HfM Mainz | 0 | |||||||||
| 31577 | Marc, Kaspar | Lingk, König | synestizer | 2013 | audiovisuell, live-elec, 2 perf | 10:00 | 2 perf [Performer] | next_generation 5.0 | HfM Mainz | 0 | |||||||||
| 9766 | Norbert | Linke | Zeitplan | 1972 | Zuspiel, live-elec, 1 group | Stereo | ens [Ensemble] | 0 | |||||||||||
| 9767 | Robert | Linke | DOLOROSA ÜBERHAUPT | 1991 | Radiokunst, 1 perf, 1 group | 44:00 | Stereo | va, ens [Viola, Ensemble] | Galrev 00002 Druckhaus Galrev/ | AdK Berlin | 0 | ||||||||
| 9768 | Robert | Linke | Theater-Musik | 1988 | Theatermusik | 35:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 9769 | Robert | Linke | Video-Musik | 1988 | audiovisuell | 24:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 9770 | Igor | Lintz-Maués | Berimbau | 1992 | live-elec, | 4:00 | aus "Sigharting-Projekt" | ELAK Wien | 0 | ||||||||||
| 9771 | Igor | Lintz-Maués | Bom dia, voce foi selecionado | 1976 | intermedia | 4:00 | Stereo | ECA São Paulo | 0 | ||||||||||
| 9772 | Igor | Lintz-Maués | Compositores que nos cercam | 1980 | intermedia | 60:00 | PS C. | 0 | |||||||||||
| 9773 | Igor | Lintz-Maués | Contos. 8 miniaturas a partir de material achado | 1987 | fixed media, akusmatisch | 3:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 31754 | Igor | Lintz-Maués | Dá-me ouvidos, Listen to me | 2006 | fixed media, akusmatisch | 14:44 | Octo | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | INA • GRM | INA-GRM | 21.5.2006 | Maison de Radio-France, Paris | mention Austria | 1 | |||||
| 9774 | Igor | Lintz-Maués | Der Indianer mit Cassettenrecorder | 1989 - 1992 | fixed media, akusmatisch | 15:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 9776 | Igor | Lintz-Maués | Der Schädliche Raum - Studie | 1989 | fixed media, akusmatisch | 7:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 9777 | Igor | Lintz-Maués | Du! | 1990 | fixed media, akusmatisch | 30:00 | ELAK Wien | 0 | |||||||||||
| 9778 | Igor | Lintz-Maués | Durch unsere Stadt zum Tor hinaus | 1990 | Zuspiel/Tonband, | intermedia |
8:24 | Octo | also short version 3'51 | ELAK Wien | 0 | |||||||||
| 9779 | Igor | Lintz-Maués | een vijf nul een vijf | 1981 | fixed media, akusmatisch | 3:00 | Sonology Utrecht | 0 | |||||||||||
| 9781 | Igor | Lintz-Maués | Epifania - Skizze II über Schrei und Ausrottung | 1988 | fixed media, akusmatisch | 10:00 | Octo | ELAK Wien | 0 | ||||||||||
| 9782 | Igor | Lintz-Maués | Estranhamente familiar | 1977 | Film | 30:00 | ECA São Paulo | 0 | |||||||||||
| 9783 | Igor | Lintz-Maués | Estudo sobre la lettra P | 1982 | fixed media, akusmatisch | live-elec, |
2:00 | Sonology Den Haag | 0 | |||||||||||
| 9784 | Igor | Lintz-Maués | Estudos | 1981 - 1985 | fixed media, akusmatisch | live-elec, |
Sonology Den Haag, LME-UNESP São Paulo | 0 | ||||||||||||
| 9785 | Igor | Lintz-Maués | Früher gab es keine Welt | 1989 | intermedia | 20:00 | Quadro | version for Planetarium | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | ||||||||
| 9786 | Igor | Lintz-Maués | Früher gab es keine Welt, Antes o mundo nao existia | 1989 | fixed media, akusmatisch | 4:54 | Stereo | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | |||||||||
| 9787 | Igor | Lintz-Maués | Jede Frau trägt einen Schrei | 1991 | Zuspiel, live-elec, 2 perf | 10:00 | Quadro | trbn, actor [Posaune, Schauspieler] | ELAK Wien | 0 | |||||||||
| 9788 | Igor | Lintz-Maués | Muirte claus - Elegie für die AIDS-Opfer | 1983 - 1991 | Zuspiel / Tonband, 1 perf | Quadro | V [Stimme] | ELAK Wien, LME-UNESP São Paulo | 0 | ||||||||||
| 9789 | Igor | Lintz-Maués | Nirvana | 1974 | live-elec, 3 perf | 4:00 | synt, e-gui, e-b [Bass, Gitarre, synthesizer] | 0 | |||||||||||
| 9790 | Igor | Lintz-Maués | O som selvagem | 1981 | live-elec, 1 perf | Tanz |
2:00 | perc [Schlagzeug] | 0 | |||||||||||
| 9791 | Igor | Lintz-Maués | P.R.E.M.E. | 1986 | fixed media, akusmatisch | 1:30 | LME-UNESP São Paulo | 0 | |||||||||||
| 9795 | Igor | Lintz-Maués | Triflauto Soliloquy | 1993 | Zuspiel / Tonband, 1 perf | 10:00 | fl, (UPIC) [Flöte] | RD003 MEB Rioarte/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 9796 | Igor | Lintz-Maués | Tropical birds in the pet shop | 1991 | fixed media, akusmatisch | 6:00 | ELAK Wien | 0 | |||||||||||
| 9797 | Igor | Lintz-Maués | Trugklang | 1993 | Zuspiel / Tonband, 1 perf | 10:00 | va [Viola] | ELAK Wien | 0 | ||||||||||
| 9798 | Igor | Lintz-Maués | Umformung | 1994 | Zuspiel/Tonband, 4 perf | fixed media, akusmatisch |
8:00 | 4 perf (Klangmobile) [Performer] | ELAK Wien | Competition Musica Nova Prag 1995 | 0 | |||||||||
| 9792 | Igor, Catalina | Lintz-Maués, Peralta | Senderos | 1989 | Film | 34:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 9794 | Igor, Catalina | Lintz-Maués, Peralta | Tati, Schichten | 1989 | Zuspiel / Tonband, 2 perf | 7:00 | Stereo | db, synt [Kontrabass, synthesizer] | ELAK Wien | 0 | |||||||||
| 9780 | Igor, Helmut | Lintz-Maués, Reiter | Ein / Aus | 1992 | intermedia | PS C. | 0 | ||||||||||||
| 9775 | Igor, Andrea, Martin | Lintz-Maués, Sodomka, Breindl | Der Schädliche Raum | 1989 | intermedia | 20:00 | Stereo + Stereo + Stereo | ELAK Wien | 0 | ||||||||||
| 19157 | Rainer | Linz | Images have no organs | 1994 | Performance | for Stelarc | ISAST LMJ 6/ | 1 | |||||||||||
| 9799 | Daniel | Liotard | Ame de Rosay | 1982 | fixed media, akusmatisch | 8:00 | Stereo | GMU Pau | 0 | ||||||||||
| 9800 | Daniel | Liotard | Nicht hinauslehnen | 1983 | fixed media, akusmatisch | 15:17 | Stereo | GMU Pau | 0 | ||||||||||
| 9801 | Daniel | Liotard | Rebonds | 1981 | fixed media, akusmatisch | 7:48 | Stereo | GMU Pau | 0 | ||||||||||
| 9802 | Daniel | Liotard | Remugles | 1980 | fixed media, akusmatisch | 4:30 | Stereo | GMU Pau | 0 | ||||||||||
| 9803 | Daniel | Liotard | Trajectoires | 1985 | fixed media, akusmatisch | Stereo | GMU Pau | 0 | |||||||||||
| 9804 | Daniel | Liotard | Trois etudes de formes | 1981 | fixed media, akusmatisch | 16:10 | Stereo | GMU Pau | 0 | ||||||||||
| 9805 | Daniel | Liotard | Voyage a cinq | 1979 | Tanz | 9:54 | Stereo | GMU Pau | 0 | ||||||||||
| 9806 | Charles | Lipp | Expectations / Refutations | 1979 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | bn [Fagott] | ExpSt Warsaw | 0 | |||||||||
| 9807 | Charles | Lipp | THE GLASS KEY | 1978/1979 | fixed media, akusmatisch | 8:15 | Stereo | SME Krakow | 0 | ||||||||||
| 36236 | Cort | Lippe | Duo for Cajon and Computer | 2011 | live-elec, 1 perf | 9:31 | perc [Schlagzeug] | dedicated to Max Matthews | innova 967/ | SUNY Buffalo | Patti Cudd | 0 | |||||||
| 36239 | Cort | Lippe | Duo for Vibraphone and Computer | 2015 | live-elec, 1 perf | 11:29 | perc [Schlagzeug] | innova 967/ | SUNY Buffalo | February, 2015 | NYU’s Interactive Arts Performance Series | 0 | |||||||
| 9808 | Cort | Lippe | Duo Piano Music | 1983/1984 | Zuspiel / Tonband, 2 perf | 12:00 14:00 | Stereo | 2 p [Piano] | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | ||||||||
| 9809 | Cort | Lippe | Eighten | 1981 | fixed media, akusmatisch | 10:10 | Stereo | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | |||||||||
| 9810 | Cort | Lippe | Fortran Study | 1981 | fixed media, akusmatisch | 6:00 | Stereo | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | |||||||||
| 39688 | Cort | Lippe | In the Shadow of Vulcan | 2016 | fixed media, akusmatisch | Cort Lippe | 0 | ||||||||||||
| 9811 | Cort | Lippe | Music for bass clarinet and tape | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | b-cl [Klarinette] | Upic | CMJ Vol 26, 2002/ | CEMAMu/ Ateliers Upic/ CCMIX | BMI | 0 | http://www.music.buffalo.edu/lippe/ | |||||
| 42766 | Cort | Lippe | Music for Cajon and Computer | 2012 | live-elec, 1 perf | 9:00:00 | perc [Schlagzeug] | Levy Lorenzo, percussion | Uni Buffalo | Patti Cudd | 0 | ||||||||
| 26699 | Cort | Lippe | Music for Cello and Computer | 2003 | live-elec, 1 perf | vc [Cello] | ICMC 2003/ | SUNY Buffalo | 0 | http://www.music.buffalo.edu/faculty/lippe/ | |||||||||
| 20455 | Cort | Lippe | Music for Clarinet and ISPW | 1992 | live-elec, 1 perf | 18:00 | Stereo | cl [Klarinette] | ISPW & MAX | Centaur CRC 2310, CDCM Vol. 24/ | IRCAM, Kunitachi Tokyo | 1 | http://www.music.buffalo.edu/lippe/ | ||||||
| 26697 | Cort | Lippe | Music for Contrabass and Computer | 1995 | live-elec, 1 perf | 13 | db [Kontrabass] | IKG Edition / Ref. IKG 1/ 2004/ | SUNY Buffalo | Festival El Callejon del Ruido Competition of Guanajuato, Mexico |
1996 | Festival El Callejon del Ruido, Mexico | 0 | http://www.music.buffalo.edu/faculty/lippe/ | |||||
| 24932 | Cort | Lippe | Music for Flute and Computer | 1994 | live-elec, 1 perf | fl [Flöte] | EMF 125/ Classico Records/ | SUNY Buffalo | 0 | http://www.music.buffalo.edu/faculty/lippe/ | |||||||||
| 20456 | Cort | Lippe | Music for Guitar and Tape | 1990 | live-elec, 1 perf | 13:25 | Stereo | gui [Gitarre] | ISPW | Centaur CRC 2193, CDCM Vol. 16/ | 1 | http://www.music.buffalo.edu/lippe/ | |||||||
| 9812 | Cort | Lippe | Music for Harp and Tape | 1990 | Zuspiel / Tonband, 1 perf | 16:00 | Stereo | hp [Harfe] | mit MLY-Programm | LDC 278053/54 Cultures Electroniques 6/ Centaur CRC/ | IRCAM | 1st prize Bourges mixte Auszeichnung ars electronica honorary mention 1993 |
0 | http://www.music.buffalo.edu/lippe/ | |||||
| 22204 | Cort | Lippe | Music for Hi-Hat and Computer | 1998 | live-elec, 1 perf | 12:33 | perc [Schlagzeug] | ICMC 2000/ innova 967/ | SUNY Buffalo | 1 | http://www.music.buffalo.edu/faculty/lippe/ | ||||||||
| 26696 | Cort | Lippe | Music for Piano and Computer | 1996 | live-elec, 1 perf | p, (com) [Piano] | Yoshiko Shibuya, p | SEAMUS EAM Vol. 8/ ALM Records "de la nuit"/ | SUNY Buffalo | 0 | http://www.music.buffalo.edu/faculty/lippe/ | ||||||||
| 9813 | Cort | Lippe | Music for Sextet and ISPW | 1993 | live-elec, 7 perf | 12:26 | Stereo | fl, b-cl, trbn, vn, vc, p, ISPW [Flöte, Klarinette, Posaune, Piano, Cello, Violine, computer] | ISPW | Centaur CRC 2255, CDCM Vol. 21/ Mambo - Academy of Music Odense/ | Kunitachi Tokyo | ICMA 1993 | Auszeichnung ars electronica 1995 | 1 | http://www.music.buffalo.edu/lippe/ | ||||
| 36244 | Cort | Lippe | Music for Snare Drum and Computer | 2007 | live-elec, 1 perf | 11:04 | perc [Schlagzeug] | dedicated to Convolution Brother #0 and Convolution Brother #2 (aka Miller Puckette and Zack Settel) | innova 967/ | SUNY Buffalo | Pedro Carneiro | Music Viva Festival in Porto, Portugal | 0 | ||||||
| 27382 | Cort | Lippe | Music for Tuba and Computer | 2008 | live-elec, 1 perf | 2:21 | tuba [Tuba] | siehe Organised Sound Vol 14/3 | Organised Sound Vol 14/3/ WER 20642/ | ZKM Karlsruhe | 1 | ||||||||
| 39689 | Cort | Lippe | Music for Vibraphone and Computer | 2015 | live-elec, 1 perf | 11:33:00 | vib, (com) [Schlagzeug] | Cort Lippe | 0 | ||||||||||
| 9814 | Cort | Lippe | Music for viola, vc and tape | 1985 | Zuspiel / Tonband, 2 perf | 6:30 | Stereo | va, vc [Viola, Cello] | Sonology Den Haag | 0 | http://www.music.buffalo.edu/lippe/ | ||||||||
| 20457 | Cort | Lippe | Paraptra | 1991 | fixed media, akusmatisch | 14:00 | Stereo | SEAMUS EAM 9401 Vol. 2/ | 0 | http://www.music.buffalo.edu/lippe/ | |||||||||
| 9815 | Cort | Lippe | Saamba | 1981/1982 | fixed media, akusmatisch | 14:45 | Stereo | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | |||||||||
| 9816 | Cort | Lippe | T'Which | 1982 | fixed media, akusmatisch | 15:00 | Stereo | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | |||||||||
| 9817 | Cort | Lippe | Tapewalk I | 1981 | fixed media, akusmatisch | 6:55 | Stereo | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | |||||||||
| 9818 | Cort | Lippe | Tapewalk II | 1981/1982 | fixed media, akusmatisch | 6:40 | Stereo | Out of Nowhere/ | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | ||||||||
| 26698 | Cort | Lippe | Trio for Clarinet and Two Computers | 2005 | live-elec, 3 perf | 12:29 | cl, 2 com [Klarinette, computer] | Innova 673/ | SUNY Buffalo | 0 | http://www.music.buffalo.edu/faculty/lippe/ | ||||||||
| 9819 | Cort | Lippe | Vosive I | 1983 | fixed media, akusmatisch | 8:46 | Stereo | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | |||||||||
| 9820 | Cort | Lippe | Vosive II | 1983 | fixed media, akusmatisch | 11:53 | Stereo | Sonology Utrecht | 0 | http://www.music.buffalo.edu/lippe/ | |||||||||
| 26212 | Robert | Lippok | Hands and Fingers | 2003 | fixed media, akusmatisch | 6:16 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | ||||||||
| 36439 | Robert | Lippok | open close open, open close open |
2000 | fixed media, akusmatisch | 20 | CDR 037/ FRAUM 05/ | Calyx | 0 | ||||||||||
| 37631 | Robert | Lippok | Waht is Dance? | 2017 | Klangkunst, Installation | ∞ | Quadro | (elec, perc-ins) [] | singuhr-projekte | 13.5.2017 | Meinblau Projektraum | 0 | http://singuhr.de/projekte-2014/2017-2/what-is-dance/ | ||||||
| 20077 | Eugene de | Lisa | S' I' Fosse Foco | 1992 | fixed media, akusmatisch | 14:52 | Stereo | Centaur CRC 2193, CDCM Vol. 16/ | 1 | ||||||||||
| 31746 | Jorge | Lisbõa Antunes | Itinera | 2004 | fixed media, akusmatisch | 4:54 | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 1 | |||||||||||
| 38781 | Marie, Daniel | LISEL, MARTIN Borret | Agogies | 2017 | radiophon | 17:00:00 | Prix Phonurgia nova 2017 special mention | 0 | |||||||||||
| 9821 | Garrett | List | Cantate des enfants affamés des grands buildings | 1981 | Zuspiel / Tonband, 1 perf | Stereo | trbn [Posaune] | CRFMW Liège | 0 | ||||||||||
| 9822 | A. | Lithaud | Onde 63 | 1984 | fixed media, akusmatisch | 9:50 | Stereo | Upic. e, SACEM | CEMAMu/ Ateliers Upic/ CCMIX, A.R.M. | 0 | |||||||||
| 9823 | A. | Lithaud | Renonde | 1985 | Zuspiel / Tonband, 5 perf | 17:00 | Stereo | Mez, 4 ins [Mezzo, Instrument] | Upic. e, SACEM | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 36959 | David | Litke | Fenestration | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 9824 | David | Little | "April 84" | 1984 | fixed media, akusmatisch | 8:30 | Sweelinck | 0 | |||||||||||
| 9825 | David | Little | Bells | 1986 | fixed media, akusmatisch | 7:00 | Sweelinck | 0 | |||||||||||
| 9826 | David | Little | Cicadas | 1985 | fixed media, akusmatisch | 10:00 | Sweelinck | 0 | |||||||||||
| 9827 | David | Little | Culture Clash | 1985 | fixed media, akusmatisch | 10:00 | Sweelinck | 0 | |||||||||||
| 9828 | David | Little | Energy Conversion | 1984 | fixed media, akusmatisch | 10:00 | Sweelinck | 0 | |||||||||||
| 9829 | David | Little | Fractal Harmonies | 1988 | fixed media, akusmatisch | 9:00 | Stereo | Sweelinck | 0 | ||||||||||
| 9830 | David | Little | Fractal Piano 6 | 1988 | live-elec, 1 perf | 4:00 | e-p [Piano] | Vorsetzer | Sweelinck | 0 | |||||||||
| 9831 | David | Little | Harpsi-Kord | 1988 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | hpd [Cembalo] | Sweelinck | 0 | |||||||||
| 41903 | David | Little | Hyperion’s Tumble | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 9832 | David | Little | Modi-Fications | 1990 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | mar [Schlagzeug] | Sweelinck | 0 | |||||||||
| 9833 | David | Little | Mozart Mix | 1990 | fixed media, akusmatisch | Stereo | Sweelinck | 0 | |||||||||||
| 9834 | David | Little | Shuffle | 1988 | live-elec, 1 perf | 4:00 | e-p [Piano] | Vorsetzer | Sweelinck | 0 | |||||||||
| 9835 | David | Little | The Five Seasons | 1989 | Zuspiel / Tonband, 6 perf | 19:00 | Stereo | 6 perc [Schlagzeug] | Sweelinck | 0 | |||||||||
| 9836 | David | Little | Water | 1987 | fixed media, akusmatisch | 12:00 | Sweelinck | 0 | |||||||||||
| 41590 | Nahuel | Litwin | Grito Enceguecido | 2018 | fixed media, akusmatisch | 2. prize; 10th Métamorphoses Acousmatic Composition Competition, and held in occasion of the 25th International Acousmatic Festival Espace du Son | 0 | ||||||||||||
| 9837 | Mieczyslaw | Litwinski | Bios, winter season | fixed media, akusmatisch | 0 | 1983 | |||||||||||||
| 21148 | Ching-Chiang | Liu | Zu-rück-bleiben, bitte! | 1999 | fixed media, akusmatisch | 8:30 | 5 tracks | Russolo Pratella EF.ER.P 00/ | TU Berlin | 21.7.1999 | Parochialkirche Berlin | 1 Preis Russolo-Pratella 2000 | 1 | ||||||
| 33930 | Duoni | Liu | Tastatur und Maschine | 2013 | audiovisuell | 9:11:00 | Quadro | Video- und Audio-Komposition | HfMT Köln | 0 | |||||||||
| 33931 | Duoni | Liu | Top Kick | 2013 | live-elec, | 9:38:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 33932 | Duoni | Liu | Waage 2.0 | 2014 | Zuspiel, live-elec, 1 perf | 9:12:00 | Quadro | synt [synthesizer] | HfMT Köln | 0 | |||||||||
| 37209 | Jialin | Liu | get moister… almost rolling down… | 2017 | live-elec, 1 perf | 9:00:00 | bn [Fagott] | UA | HfM Stuttgart | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 37188 | Jialin, Michele | Liu, Samarotto | la fleur | 2017 | live-elec, 1 perf | 7:00:00 | multichannel | gui (pipa) [Gitarre] | neue Version | HfM Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||
| 25504 | Pei-Wen | Liu | Pin | 2005 | fixed media, akusmatisch | 3:10 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | http://www.akademie-solitude.de | ||||||||
| 43168 | Pei-Wen | Liu | Un Canny | 2007 | radiophon | Auszeichnung ars electronica honorary mention 2007 | 0 | http://www.little-object.com | |||||||||||
| 21007 | David | Lizcano Martin | Opus 16 | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 9838 | Patrik | Ljungberg | Lxir | 1987 | fixed media, akusmatisch | 7:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 39776 | Federico | Llach | Begin | 2017 | fixed media, akusmatisch | Federico Llach | 0 | ||||||||||||
| 20005 | Juan Antonio | Lleó | Bifase / Paquete | 1985 | Performance | Stereo | PS C. Lleo, PS C. Lleo | 0 | |||||||||||
| 21002 | Juan Antonio | Lleó | Duo d Clarinetes | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca, PS C. Lleo | 1 | |||||||||||
| 19598 | Juan Antonio | Lleó | Em@ilgraciones | 1995 | fixed media, akusmatisch | radiophon |
8:02 | Stereo | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | GME Cuenca, PS C. Lleo | 1 | |||||||||
| 20000 | Juan Antonio | Lleó | Estableciclico o el Cimiento inestable | 1993 | intermedia | Stereo | PS C. Lleo, PS C. Lleo | 0 | |||||||||||
| 19999 | Juan Antonio | Lleó | MIDIverso | 1995 | intermedia | Stereo | PS C. Lleo, PS C. Lleo | 0 | |||||||||||
| 20004 | Juan Antonio | Lleó | Outspaint | 1987 | intermedia | Stereo | Documenta 8 Kassel | PS C. Lleo, PS C. Lleo | 0 | ||||||||||
| 20003 | Juan Antonio | Lleó | Presos | 1988 | audiovisuell | Stereo | PS C. Lleo, PS C. Lleo | 0 | |||||||||||
| 20006 | Juan Antonio | Lleó | Programa 2 | 1982 | fixed media, akusmatisch | Stereo | PS C. Lleo, PS C. Lleo | 0 | |||||||||||
| 20001 | Juan Antonio | Lleó | Via | 1990 | audiovisuell | Stereo | video by Javier Vadillo | PS C. Lleo, PS C. Lleo | 0 | ||||||||||
| 20002 | Juan Antonio | Lleó | Yin Yang | 1992 | audiovisuell | Stereo | video by Joanna Speidel | PS C. Lleo, PS C. Lleo | 0 | ||||||||||
| 39785 | Francesc | Llompart | “Three strangers melting outside of time” | 2017 | fixed media, akusmatisch | Francesc Llompart | 0 | ||||||||||||
| 9841 | David | Lloyd-Howells | Clarinet Symphonies | 1992 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | PS C. | 0 | |||||||||||
| 9842 | David | Lloyd-Howells | Concertino for Viola and Tapes | 1984 | Zuspiel / Tonband, 1 perf | va [Viola] | PS C. | 0 | |||||||||||
| 9843 | David | Lloyd-Howells | Cyclomonos | 1980 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 9844 | David | Lloyd-Howells | Nightcity Pulses | 1985 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 9845 | David | Lloyd-Howells | Violin Concerto | 1992 | Zuspiel / Tonband, 1 perf | vn [Violine] | PS C. | 0 | |||||||||||
| 36451 | Dale | Lloyd | Airs For Beacons / Signals For Ports | 2007 | radiophon | 5:22:00 | EDRM 417/ | 0 | |||||||||||
| 36473 | Dale | Lloyd | One And The Same, Beginnings And Endings | 2007 | radiophon | 3:03:00 | and 26/ | 0 | |||||||||||
| 36488 | Dale | Lloyd | Return To Me Who Sleeps | 2007 | radiophon | 3:56:00 | and 26/ | 0 | |||||||||||
| 9839 | Richard | Lloyd | Monstret I | 1979 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 9840 | Richard | Lloyd | Monstret II | 1983 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 35506 | Claudio | Lluan | Mùsica Nocturna | 2010 | Zuspiel / Tonband, 1 perf | 8:30 | cl [Klarinette] | 0 | |||||||||||
| 31573 | Andreas | Lo-A-Njoe | Sonic Animation | 2013 | fixed media, akusmatisch | next_generation 5.0 | Sonology Den Haag | 0 | |||||||||||
| 40247 | Shih-Wei | Lo | Things Hoped For, Things Unseen | 2015 | fixed media, akusmatisch | 8:13:00 | Shih-Wei Lo | 0 | |||||||||||
| 21091 | Yee On | Lo | Dreams_Sequence | 1998 | fixed media, akusmatisch | 13:31 | NeXT | ICMC 1999/ | McGill Montréal | 1 | |||||||||
| 9846 | Yee On | Lo | Portrait of Timbres as a wild woodove | 1994 | fixed media, akusmatisch | 10:00 | LDC 278063/64 Cultures Electroniques 10/ | CCRMA | 1 | ||||||||||
| 36378 | Julio | Lobos | NT/NH | 1989 | fixed media, akusmatisch | 5:20 | Audiovisuals de Sarria 29-1421/ | 0 | |||||||||||
| 39336 | Christopher | Lock | Moel Y Gaer, Bodfari | 2017 | audiovisuell | 0 | |||||||||||||
| 34656 | Hans-Gunter | Lock | Echo of Cassandra (2010) | fixed media, akusmatisch | Hintergrundmusik |
SMC2016, Listening Room HAW | 0 | |||||||||||||
| 37959 | Annea | Lockwood | A Sound Map of the Danube | 2005 | Klangkunst, Installation | 167 | Surround 5.1 | LCD 2083/ | 0 | ||||||||||
| 37956 | Annea | Lockwood | A Sound Map of the Housatonic River | 2010 | Klangkunst, Installation | 72:50 | Quadro | 3LEAVES 3L018/ | 0 | ||||||||||
| 21823 | Annea | Lockwood | A Sound Map of the Hudson River | 1982 | Klangkunst, Installation | 120 | LM CD 2081/ | Hudson River Museum | 1 | ||||||||||
| 37954 | Annea | Lockwood | Buoyant | 2013 | fixed media, akusmatisch | 6:18:00 | Stereo | Recital R 7/ | 0 | ||||||||||
| 37960 | Annea | Lockwood | Ceci n’est pas un piano | 2002 | audiovisuell, live-elec, 1 perf | 9:30:00 | p (video, electronics) [Piano] | Recorded on Ceci n’est pas un piano (Ambitus) | Commissioned by Jennifer Hymer | 0 | |||||||||
| 21825 | Annea | Lockwood | Cloud Music | 1978 | fixed media, akusmatisch | NWA 8804 B/ | 0 | ||||||||||||
| 37963 | Annea | Lockwood | Duende | 1998 | Zuspiel / Tonband, 1 perf | 25:00:00 | Stereo | Bar [Bariton] | LCD 2082/ | Commissioned by Thomas Buckner | 0 | ||||||||
| 37955 | Annea | Lockwood | Dusk | 2012 | fixed media, akusmatisch | 7:00:00 | Stereo | Recital R 7/ | 0 | ||||||||||
| 37962 | Annea | Lockwood | floating world | 1999 | fixed media, akusmatisch | 36:00:00 | Octo , Stereo | 3 parts | Pogus P 21045/ | 0 | |||||||||
| 37961 | Annea | Lockwood | Ground of Being | 2000 | fixed media, akusmatisch | 26:00:00 | Octo | Recital R 7/ | Commissioned by Electronic Music Foundation and Engine 27 | 0 | |||||||||
| 37957 | Annea | Lockwood | In Our Name | 2009 | Zuspiel / Tonband, 2 perf | 11:48 | Quadro, Stereo | Bar, vc [Bariton, Cello] | Theodore Mook, cello | NWR 80729/ | 0 | ||||||||
| 33573 | Annea | Lockwood | Jitterbug | 2007 | Tanz, live-elec, 3 perf | 40 | 6 | 3 perf [Performer] | Computer [Laptop], Zither – David Behrman Electric Guitar, Viola, Electronics [Live] – John King Electronics [Live] – Stephan Moore Dance: eyeSpace (2007) |
NWR 80712/ NWR 80729/ | Merce Cunningham Dance Company | 1 | |||||||
| 21821 | Annea | Lockwood | Malaman | 1977 | fixed media, akusmatisch | Text Sound Composition | 0 | ||||||||||||
| 9847 | Annea | Lockwood | Nautilus | 1989 | intermedia, live-elec, 3 perf | 10:45 | perc, V, w (didgeridoo, shell) [Stimme, Schlagzeug, Bläser] | AER 1990 / 2 / | 1 | ||||||||||
| 21822 | Annea | Lockwood | Night and Frog | 1987 | Zuspiel / Tonband, 3 perf | 20 | Stereo | Bar, bar-sax, amp p and perc (3 players) [Bariton, Saxophon, Piano, Schlagzeug] | LM- CD 3022/ | Thomas Buckner | 0 | ||||||||
| 41514 | Annea | Lockwood | The Danube at Batina, Croatia, underwater, 2003 | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 37964 | Annea | Lockwood | The Glass Concert | 1967-1970 | Performance | live audio/visual performance with amp glass | EM Records 1064/ | published in The Source Book: Music of the Avant Garde, 1966-1973 eds. Larry Austin and Douglas Kahn, University of California Press 2009 |
0 | ||||||||||
| 37958 | Annea | Lockwood | Thirst | 2008 | fixed media, akusmatisch | 10:18 | Quadro | NWR 80729/ | Commissioned by Issue Project Room, Brooklyn | 0 | |||||||||
| 9848 | Annea | Lockwood | Tiger Balm | 1970 | fixed media, akusmatisch | Musiktheater |
20 | Stereo | Opus One LP 70/ Source Records, SR 17/ Pogus 21050-2/ EM Records 1064/ | EMS_London, Goldsmith London | London Contemporary Dance Theatre | 1 | http://www.gold.ac.uk/ems/davies/ | |||||||
| 21824 | Annea | Lockwood | Woman Rhythms | 1978 | fixed media, akusmatisch | NWA 8804 B/ | 0 | ||||||||||||
| 9849 | Annea | Lockwood | World Rhythms | 1965/1975 | fixed media, akusmatisch | 60 | Stereo, 10 tracks | perc (large tam tam) [Schlagzeug] | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ | Hunter Coll | 1 | ||||||||
| 37953 | Annea, Bob | Lockwood, Bielecki | Wild Energy | 2014 | Klangkunst, Installation | 46:00:00 | multichannel | Outdoor-installation. Sound from the infra and ultra sound worlds: geophysical, biophysical, magnetosphere, etc. | 0 | https://www.caramoor.org/garden-sonic-delights-exhibition-2014/wild-energy/ | |||||||||
| 24536 | Annea, Harvey | Lockwood, Matusow | End | 1970 | fixed media, akusmatisch | 15:09 | Text-Sound Composition | FYCD 1024 CD 4 Text-Sound Compositions/ | SR Stockholm | 1 | |||||||||
| 31932 | Anestis | Logothetis | 6 Synthemata | 1968 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 9850 | Anestis | Logothetis | Daidalia oder Das Leben einer Theorie, Oper in 7 Bildern | 1980 | Oper, 2 perf | ≈ 40:00 | Stereo | Sp, V [Sprecher, Stimme] | objects | PS K_K | Bundesministerium für Unterricht und Kultur | 0 | |||||||
| 31933 | Anestis | Logothetis | EMANATION ODER EIN OHR KAM PER BRIEF ODER STUFENWEISES HERVORGEHEN AUS EINEM URGRUND ODER VOLKSLIEDER AUS ZEITUNGSCHRONIKEN UND EIGENEM (1 ) |
1973 | Zuspiel / Tonband, 2 perf | 7 | cl, e-ins [Klarinette, synthesizer] | 0 | |||||||||||
| 9851 | Anestis | Logothetis | Fantasmata | 1959/1960 | fixed media, akusmatisch | 20:00 | Mono | damals: elektronisches Studio an der Wiener Musikakademie | AuMe 120086 Jeunesse musicales Austria/ amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ Creel Pone 37/ | ELAK Wien | 1 | ||||||||
| 9852 | Anestis | Logothetis | "Hör!-spiel!" (Kybernetikon) | 1971 | radiophon | 8:00 | König | AuMe 120086 Jeunesse musicales Austria/ Creel Pone 37/ | 0 | ||||||||||
| 9853 | Anestis | Logothetis | Monolog einer Laus | 1976 | Musiktheater, 1 perf | 12:00 | Stereo | Sp [Sprecher] | objects, slides | PS K_K | 0 | ||||||||
| 9854 | Anestis | Logothetis | Nekrologlog. Version I | 1961 | fixed media, akusmatisch | 9:00 | AuMe 120086 Jeunesse musicales Austria/ Creel Pone 37/ | ELAK Wien | 1 | ||||||||||
| 9855 | Anestis | Logothetis | Nekrologlog. Version II | 1973 | fixed media, akusmatisch | 9:25 | Stereo | AuMe 120086 Jeunesse musicales Austria/ | ELAK Wien | 0 | |||||||||
| 9856 | Anestis | Logothetis | Nekrologlog. Version III | 1976 | fixed media, akusmatisch | 8:15 | Stereo | AuMe 120086 Jeunesse musicales Austria/ | ELAK Wien | 0 | |||||||||
| 9857 | Anestis | Logothetis | Schmetterlinge und Insekten | 1973 | radiophon | 29:00 | Mono | speaker : A.L. | PS K_K | 0 | |||||||||
| 9858 | Anestis | Logothetis | Sirenen | 1980 | fixed media, akusmatisch | 4:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 9859 | Anestis | Logothetis | Sisyphos ("Schwerter", "Szene 2-3")) | 1993 | Oper | CSC_Wien | 0 | ||||||||||||
| 9860 | Anestis | Logothetis | Wellenformen | 1981 | fixed media, akusmatisch | 13:30 | amadeo 419074/ | EMS Stockholm | 0 | ||||||||||
| 9861 | Henning | Lohner | Cross words | 1989 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 9862 | Evelyn | Lohoefer | Parsley all over the world | 1966 | Tanz, 1 perf | Stereo | ins [Instrument] | Dean Records Washington | 0 | ||||||||||
| 9863 | Evelyn | Lohoefer | Post Meridian | 1964 | Tanz | 17:00 | Mono | Dean Records Washington | 0 | ||||||||||
| 9864 | Evelyn | Lohoefer | Protests | 1966 | Tanz, 1 perf | Stereo | ins [Instrument] | Dean Records Washington | 0 | ||||||||||
| 9865 | Evelyn | Lohoefer | Vintage Riffs #1 - 2 | 1967 | Tanz | Stereo | Dean Records Washington | 0 | |||||||||||
| 33119 | Martin | Lohse | Entity | 2002 | live-elec, 1 perf | 8:09:00 | vn, (4 delays) [Violine] | for violin and four delays | WJ 2002/ | 1 | |||||||||
| 42144 | Bernhard, Bernhard, Tom | Loibner, Gal, Sherman | Re-play update | 2000 | radiophon | ORF | 0 | ||||||||||||
| 9866 | Guillaume | Loizillon | Microclima | 1992 | live-elec, 1 perf | 8:20 | Stereo | gui, (com) [Gitarre] | CICM Paris | 0 | |||||||||
| 9867 | Guillaume | Loizillon | Repliements du temps | 1992 | fixed media, akusmatisch | 6:00 | Stereo | CICM Paris | 0 | ||||||||||
| 9868 | Guillaume | Loizillon | Rituel de la fronde | 1992 | Hintergrundmusik | 9:10 | Stereo | CICM Paris | 0 | ||||||||||
| 36922 | Guillaume | Loizillon | Soft minute | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 9869 | Guillaume | Loizillon | Tribu | 1992 | fixed media, akusmatisch | 9:00 | Stereo | CICM Paris | 0 | ||||||||||
| 20458 | Julia | Loktev | dadababies | 1991 | radiophon | 10:00 | Stereo | MW 53/ | 0 | ||||||||||
| 42145 | Christian | Lollike | Underværket | 2006 | radiophon | Danmarks Radio | 0 | ||||||||||||
| 32059 | Bobby | Lombardi | do you love me? | 1994 | fixed media, akusmatisch | Stereo | SEAMUS EAM Vol. 5/ | 0 | |||||||||||
| 20459 | Daniele | Lombardi | Amor d'Un Ombra e Gelosia d'un Aura | 1988 | Zuspiel / Tonband, 2 perf | 21:52 | Stereo | 2 p [Piano] | PAN 3025/ | 0 | |||||||||
| 24136 | Daniele | Lombardi | Atalanta Fugiens | 1991 | Klangkunst, Installation | ∞ | Loop 14:40 | Tempo Reale Firenze | 0 | ||||||||||
| 24137 | Daniele | Lombardi | L'Ora Alata, Wandererphantasie | 1992 | Tanz, live-elec, 7 perf | ≈ 60:00 | V, p, str-qt, fl [Stimme, Flöte, Piano, Streicher] | Tempo Reale Firenze | 0 | ||||||||||
| 24138 | Daniele | Lombardi | LABIRINTI | 1998 | live-elec, 5 perf | ≈ 40:00 | fl, ott, b-fl, perc, V [Stimme, Flöte, Schlagzeug] | 3 Parts | Tempo Reale Firenze | 0 | |||||||||
| 32757 | Daniele | Lombardi | Magia Anamorphica | live-elec, 1 perf | p [Piano] | 0 | |||||||||||||
| 24139 | Daniele | Lombardi | Miroirs 3 | Zuspiel / Tonband, 1 perf | 11:11 | perc [Schlagzeug] | Tempo Reale Firenze | 0 | |||||||||||
| 22275 | Daniele | Lombardi | Mirorir 1 "Crepuscolo a Foce Verde" | Zuspiel / Tonband, 2 perf | 9:16 | b-fl, perc [Flöte, Schlagzeug] | AG 275.1 AGORA/ | 1 | |||||||||||
| 24140 | Daniele | Lombardi | Miz Maze | 1994 | live-elec, 1 perf | 12:40 | fl (fl, picc, b-fl) [Flöte] | Neos 10911/ | Tempo Reale Firenze | 0 | |||||||||
| 32761 | Daniele | Lombardi | Per Agata Smeralda come Alice through the looking glass | Zuspiel, live-elec, 2 perf | S, p, slides [Sopran, Piano] | taped computer voice, diapositive | 0 | ||||||||||||
| 9870 | Luca | Lombardi | Faust. Un travestimento | 1991 | Oper | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||||
| 24141 | Luca | Lombardi | Lucrezio, Un'Oratorio materialistico. Parte prima | 1998 | live-elec, 3 perf, 1 group | 38:00 | Stereo | Sp, fl, S, orc [Sopran, Sprecher, Flöte, Orchester] | Radio Version | Tempo Reale Firenze | Ricordi | 0 | |||||||
| 9871 | Luca | Lombardi | Stufen Etüde für Tongemische | 1969 | fixed media, akusmatisch | 7:44 | Stereo | HfMT Köln | 0 | ||||||||||
| 33704 | Frederic | Lonberg-Holm | The Second Minuet | live-elec, 1 perf | 1:52:00 | vc [Cello] | from Cassette „Collision Cassettes“ | WN 00006/1991/ | 1 | ||||||||||
| 39861 | Hunter | Long | the universe is no narrow thing | 2016 | fixed media, akusmatisch | Hunter Long | 0 | ||||||||||||
| 32915 | Jason | Long | Glass-Back | 2006 | fixed media, akusmatisch | 5:07 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 | 1 | |||||||||
| 9872 | Louise | Long | Six and a Half Weeks | 1994 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 22724 | Michael B. | Long | there is a gray thing | 1996 | fixed media, akusmatisch | 2:30 | Centaur CRC 2454, CDCM Vol 29/ | VCCM | 1 | ||||||||||
| 40177 | Patrick | Long | Glyph Tropes | 2016 | fixed media, akusmatisch | Patrick Long | 0 | ||||||||||||
| 9873 | Gordon | Longfellow | 350-2 | 1959 | fixed media, akusmatisch | 3:20 | Stereo | PS C. SanFran | 0 | ||||||||||
| 9874 | Gordon | Longfellow | Notes on the History of the World | 1959 | fixed media, akusmatisch | Stereo | PS C. SanFran | 0 | |||||||||||
| 34718 | Michel | Longtin | La Mort du Pierrot | 1972 | radiophon | 5:32 | Creel Pone 14/ RCI 373/ | 0 | |||||||||||
| 9875 | Michel | Longtin | Pour conjurer la montagne | 1977 | fixed media, akusmatisch | 21:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 22951 | Michael | Longton | Piece with happy ending | 1993 | live-elec, 1 group | 6:45 | ens [Ensemble] | Musicworks MW 63/ | Music Gallery Toronto | 1 | |||||||||
| 9876 | Michael | Longton | Proportional Durations | 1967 | fixed media, akusmatisch | 5:00 | Stereo | Uni BC Vancouver | 0 | ||||||||||
| 9877 | Peter | Lonn | De Boom - vier fragmenten | 1977/1980 | Fernsehen, | 30:45 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 9878 | Heinz Martin | Lonquich | Emanation | 1971 | Zuspiel / Tonband, 2 perf | 13:21 | Stereo | gui, p [Piano, Gitarre] | HfMT Köln | 0 | |||||||||
| 9879 | Heinz Martin | Lonquich | Intermezzo | 1971 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 34027 | Heinz Martin | Lonquich | Resurrexit | 1969 | fixed media, akusmatisch | 21:20 | Stereo | HfMT Köln | 0 | ||||||||||
| 9880 | Heinz Martin | Lonquich | Torso I | 1968 | fixed media, akusmatisch | 6:36 | Quadro | HfMT Köln | 0 | ||||||||||
| 9881 | Heinz Martin | Lonquich | Torso II | 1970 | fixed media, akusmatisch | 6:00 | Stereo | HfMT Köln | 0 | ||||||||||
| 9882 | Heinz Martin | Lonquich | Torso IV | 1970/1971 | fixed media, akusmatisch | 4:45 | Quadro | HfMT Köln | 0 | ||||||||||
| 9883 | Heinz Martin | Lonquich | Vokalisation | 1967 | fixed media, akusmatisch | 5:48 | Mono | HfMT Köln | 0 | ||||||||||
| 9884 | Mia | Loose | Studie | 1965 | fixed media, akusmatisch | 2:00 | Mono | IPEM Gent | 0 | ||||||||||
| 19605 | Eva | Lootz | Música para Mesas Chladni 1 - 3 | 1995 | fixed media, akusmatisch | Stereo | GME Cuenca | 0 | |||||||||||
| 9885 | José-Antonio | Lopes e Silva | Hommage à Luis Milan | 1981 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 19673 | Javier | López de Guareña | Calima | 1993 | fixed media, akusmatisch | 11:30 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 28290 | Fernando | López Lezcano | 65 seconds bicycle | 2009 | fixed media, akusmatisch | 1:05 | Octo | 1 | https://ccrma.stanford.edu/~nando/music/65_second_bycicle/ | ||||||||||
| 28289 | Fernando | López Lezcano | A Very Fractal Cat, Somewhat T[h]rilled | 2008 - 2010 | fixed media, akusmatisch | 12:39 | Spazialisation: Ambisonics | 3 virtual Pianos | 1 | https://ccrma.stanford.edu/~nando/ | |||||||||
| 9903 | Fernando | López Lezcano | Búsqueda | 1987 | fixed media, akusmatisch | 7:51 | Synthesizer CZ101, Commodore | Tarka CD 701/ | PS C., LIPM B.Aires | 1 | https://ccrma.stanford.edu/~nando/music/index.shtml | ||||||||
| 28288 | Fernando | López Lezcano | Cat-Walk | 2008 | fixed media, akusmatisch | 12:47 | Stereo | 3 virtual Pianos | 1 | https://ccrma.stanford.edu/~nando/ | |||||||||
| 18363 | Fernando | López Lezcano | Espresso Machine II | 1995 | fixed media, akusmatisch | 6:41 | PadMaster, MIDI | ICMC 1995, ICMA PRCD 1600/ | CCRMA | 0 | https://ccrma.stanford.edu/~nando/music/index.shtml | ||||||||
| 20463 | Fernando | López Lezcano | Hot'n cold | 1991 | fixed media, akusmatisch | 11:33 | Stereo | CCRMA/ | CCRMA | 0 | https://ccrma.stanford.edu/~nando/music/index.shtml | ||||||||
| 18383 | Fernando | López Lezcano | House of Mirrors | 1996 | fixed media, akusmatisch | CCRMA | 0 | https://ccrma.stanford.edu/~nando/music/index.shtml | |||||||||||
| 25739 | Fernando | López Lezcano | iICEsCcRrEeAaMm | 2004 | fixed media, akusmatisch | Octo | CCRMA | 0 | https://ccrma.stanford.edu/~nando/music/index.shtml | ||||||||||
| 25639 | Fernando | López Lezcano | Kitchen <-> Miniature(s) | 2005 - 2007 | fixed media, akusmatisch | 9:35 | 24 Tracks | CCRMA | 0 | https://ccrma.stanford.edu/~nando/music/index.shtml | |||||||||
| 18364 | Fernando | López Lezcano | Knock Knock… anybody here? | 1994 | fixed media, akusmatisch | CLM | CCRMA | 0 | https://ccrma.stanford.edu/~nando/music/index.shtml | ||||||||||
| 38868 | Fernando | López Lezcano | Space, S[acred | ecular] | 2016 | fixed media, akusmatisch | Spazialisation: binaural | CMJ Vol 41, 2017/ | 0 | |||||||||||
| 18362 | Fernando | López Lezcano | Three Dreams: Paper Castles, Invisible Clouds, Electric Eyes | 1995 | fixed media, akusmatisch | CLM | CCRMA | 0 | https://ccrma.stanford.edu/~nando/music/index.shtml | ||||||||||
| 18365 | Fernando | López Lezcano | With Room to Grow | 1994 | fixed media, akusmatisch | PadMaster | CCRMA | 0 | https://ccrma.stanford.edu/~nando/music/index.shtml | ||||||||||
| 9895 | José Manuel | López López | Con cadencia de eternidad | 1988 | Zuspiel / Tonband, 1 perf | 8:45 | bar-sax [Saxophon] | rev. 2000 | CICM Paris | CIRM | 14.12.1989 | Paris, Cité Universitaire Collège d'Espagne, Daniel Kientzy | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | |||||
| 9897 | José Manuel | López López | De Temps en Temps | 1988 | fixed media, akusmatisch | 10:58 | IMEB Bourges | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | ||||||||||
| 26700 | José Manuel | López López | El arte de la siesta | 2005 | live-elec, 6 perf | 17:00 | acc, fl, cl, perc, p, vn, (elec) [Flöte, Klarinette, Piano, Akkordeon, Schlagzeug, Violine] | NEOS 10814/ | CIRM Nice | CIRM | 11.11.2005 | Festival MANCA Nice - Ensemble Icarus, Soliste Esteban Algora, dir. Giorggio Bernasconi. Eléctronique CIRM, assistant musical Robin Meier |
0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | |||||
| 19554 | José Manuel | López López | (Forte Piano) (2N-1) | 1986 | fixed media, akusmatisch | 17:27 | Stereo | GME Cuenca | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | |||||||||
| 9896 | José Manuel | López López | Jenseits … Diesseits | 1993 | Zuspiel / Tonband, 7 perf | 11:00 | Stereo | tpt, fl, cl, vn, vc, 2 perc [Flöte, Klarinette, Trompete, Schlagzeug, Cello, Violine] | Ricordi/ | CICM Paris | studio AGON | 19.12.93 | Festival Nuove Sincronie, Palazzina Liberty, (Milán), Ensemble Nuove Sincronie, dir. Renato Rivolta | Ricordi | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | |||
| 26701 | José Manuel | López López | La Celeste | 2004 | audiovisuell, live-elec, 1 perf | perc [Schlagzeug] | video by Pascal Auger | 9.03.2004 | Paris, Forum des images festival NEMO | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | ||||||||
| 9898 | José Manuel | López López | Les temps multiples | 1987 | fixed media, akusmatisch | 10:48 | Stereo | CBA 5 Musica electroacustica española 2/ | IMEB Bourges | 19.11.1987 | "Ciclo de música Electroacústica Hispana" Centro de Arte Reina Sofía, Madrid | 1 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | ||||||
| 9899 | José Manuel | López López | Lituus | 1991 | live-elec, 4 perf | 12:00 | br-qt [Bläser] | Ricordi/ | IRCAM | 13.1.1992 | IRCAM - Espace de Projection Cuivres de l'Ensemble InterContemporain | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | ||||||
| 26703 | José Manuel | López López | Lo fijo y lo Volátil | 1994 | live-elec, 1 perf | 8:30 | p, (com) [Piano] | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | ||||||||||
| 26702 | José Manuel | López López | Tweed | 1991 | fixed media, akusmatisch | 11:00 | 26.3.1991 | Unesco Paris | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | |||||||||
| 19553 | José Manuel | López López | Watt | 1984 | fixed media, akusmatisch | 14:55 | Stereo | GME Cuenca | 0 | http://www.cdmc.asso.fr/biographies/h_l/lopezlopez.htm | |||||||||
| 9904 | Juan de Dios | Lopez Maya | Cueva del Guacharo | 1987 | fixed media, akusmatisch | 6:42 | aus: Dos Cuadros Mitologicos | INCIBA Caracas | 0 | ||||||||||
| 9905 | Juan de Dios | Lopez Maya | Laguna Negra | 1987 | fixed media, akusmatisch | 5:30 | aus: Dos Cuadros Mitologicos | INCIBA Caracas | 0 | ||||||||||
| 34381 | José | López Montes | Im prompt | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 23653 | José | López Montes | Lu Shu | 2002 | fixed media, akusmatisch | 9:46 | PR 0083-1 SGAE/ | Mention Premio Internacional SGAE 2002 | 1 | ||||||||||
| 23987 | Cristian | Lopez | España por los cuernos | 2002 | audiovisuell | ≈ 24:00 | Octubre 2002. Museo de Arte Contemporáneo. Valdivia, Chile. | 0 | |||||||||||
| 23985 | Cristian | Lopez | Fausto Novus | 1998 | Musiktheater, 2 perf | ≈ 50:00 | p, perc [Piano, Schlagzeug] | Obra de teatro musical encargada por el director teatral Nestor Bravo. Julio 1998. Teatro Municipal de Temuco. Chile. |
0 | ||||||||||
| 23983 | Cristian | Lopez | Gente llorando | 1997 | live-elec, 1 perf | 11:00 | db [Kontrabass] | Octubre 1997. I Festival de Música Contemporánea de Valdivia. Chile. | 0 | ||||||||||
| 23988 | Cristian | Lopez | Leftraru viajero ensoñado | Oper | ≈ 70:00 | 0 | |||||||||||||
| 23984 | Cristian | Lopez | Paisaje Electrónico (Nubes, La Fiesta de Chile, Fugitivo) | 1998 | fixed media, akusmatisch | 9:30 | Octubre 1998. II Festival de Música Contemporánea de Valdivia. Chile. | 0 | |||||||||||
| 23990 | Cristian | Lopez | Pasajeros del cuerpo | 2002 | audiovisuell | 62:00 | Encargada por la coreógrafa Luz Croxatto Diciembre 2002. Teatro Antonio Varas. Santiago, Chle |
0 | |||||||||||
| 23989 | Cristian | Lopez | Pasión | Zuspiel / Tonband, 1 perf | 7:00 | fem V [Stimme] | 0 | ||||||||||||
| 23986 | Cristian | Lopez | Trapananda | 2000 | Zuspiel / Tonband, 1 perf, 1 group | ≈ 70:00 | T, ens [Tenor, Ensemble] | Mayo 2000 | 0 | ||||||||||
| 20460 | Francisco | López | Addy en el pais de las frutas y los chunches | 1996 | fixed media, akusmatisch | 13:24 | Stereo | ND CD 10/ aliencd 35/ | 0 | ||||||||||
| 9886 | Francisco | López | Azoic Zone (a soundscape journey to the life and environment of abyssal organisms | 1993 | Hintergrundmusik | GR 003 Geometric Rec./ asellus 002/ | 0 | ||||||||||||
| 19116 | Francisco | López | belle confusion 966 | 1996 | fixed media, akusmatisch | 55:00 | TOC 963 Trente oiseaux/ | Messor St Madrid | 1 | ||||||||||
| 22699 | Francisco | López | Belle Confusion 969 | 1998 | radiophon | 51:34 | Original environmental recordings done between 1990 and 1996 in tropical and sub-tropical forests of Brazil, Argentina, Venezuela, Costa Rica, Senegal, Gambia and China. | Sonoris SON - 05/ | RNE | 1 | |||||||||
| 43150 | Francisco | López | Buildings [New York] | 2001 | radiophon | Creative Time for Massless Medium | Auszeichnung ars electronica honorary mention 2002 | 0 | |||||||||||
| 9887 | Francisco | López | El mundo depués de la invasion de los zorápteros | 1994 | fixed media, akusmatisch | 2:40 | insects | CEC DISContact_2/ | Messor St Madrid | 1 | |||||||||
| 38965 | Francisco | López | Hyper-Rainforest | 2011 | fixed media, akusmatisch | EMPAC | 2011 EMPAC | 28.04.2011 | EMPAC Troy | 0 | http://empac.rpi.edu/events/2011/spring/hyper-rainforest | ||||||||
| 9888 | Francisco | López | Lluvia de asquelmintos | 1999 | fixed media, akusmatisch | 0 | |||||||||||||
| 20461 | Francisco | López | Nuevas aventuras del gusano medidor Gimniginniggimnig en las montañas de… | 1996 | fixed media, akusmatisch | 18:03 | Stereo | ND CD 10/ aliencd 35/ | 0 | ||||||||||
| 9889 | Francisco | López | O parladoiro desamortuxado | 1995 | fixed media, akusmatisch | 30:00 | asellus 004/ | 1 | |||||||||||
| 9890 | Francisco | López | Pieire I | 1991 | fixed media, akusmatisch | 7:40 | GR 01 Geometric Rec/ | 1 | |||||||||||
| 21208 | Francisco | López | Pieire II | 1991 | fixed media, akusmatisch | Stereo | GR 01 Geometric Rec/ | 1 | |||||||||||
| 20462 | Francisco | López | Pilocónsor, tres mitocondrias y la lucha por el liquido emporante | 1996 | fixed media, akusmatisch | 25:03 | Stereo | ND CD 10/ aliencd 35/ | 0 | ||||||||||
| 9891 | Francisco | López | Qal'at Abd'Al-Salam | 1993 | fixed media, akusmatisch | 39:00 | asellus 004/ | 1 | |||||||||||
| 38609 | Francisco | LÓPEZ | Sonopolis | 2012 | radiophon | 46:56:00 | 0 | ||||||||||||
| 9892 | Francisco | López | Tonhaus | 1995 | fixed media, akusmatisch | 60:00 | HyCD 0017/ asellus 003/ | 1 | |||||||||||
| 9893 | Francisco | López | Un recorrido bajo el enggranaje de la máquina de viento y arena | 1995 | fixed media, akusmatisch | 12:00 | sound journey through wind and sand | ZP 9501 ZwergProductions/ real ambient/ | RNE | 1 | |||||||||
| 37480 | Francisco | López | Untitled #115 | 2003 | radiophon | 6:22 | LMJ 13 CD/ | 0 | |||||||||||
| 40862 | Francisco | López | Untitled #148 | fixed media, akusmatisch | 10:03 | SR 220 sub rosa/ | 0 | ||||||||||||
| 36444 | Francisco | López | Untitled #200 | 2008 | radiophon | 7:18 | EDRM 416/ | 0 | |||||||||||
| 36447 | Francisco | López | Untitled #203 | 2007 | radiophon | 12:51:00 | EDRM 417/ | 0 | |||||||||||
| 41502 | Francisco | López | Untitled #222 | 2008 | fixed media, akusmatisch | 3:17 | HAG CD 16/ | 0 | |||||||||||
| 37869 | Francisco | López | Untitled #274 | 2011 | fixed media, akusmatisch | 48 | ImpREC 415/ | INA • GRM, Sleaze Art st | 0 | ||||||||||
| 43169 | Francisco | López | Untitled sonic metaorganisms / untitled sonic microorganisms | 1992 - 2005 | radiophon | 60 | Auszeichnung ars electronica honorary mention 2007 | 0 | |||||||||||
| 9894 | Francisco | López | Warszawa Restaurant | 1994 | fixed media, akusmatisch | 40:00 | TOC 951 Trente oiseaux/ | 1 | |||||||||||
| 34075 | Iván | López | Neuma | 2014 | fixed media, akusmatisch | 9:12:00 | Octo, Stereo | 0 | |||||||||||
| 28075 | Jorge E. | López | Gebirgskriegsprojekt - Mountain War Project, Wachtraum für Videogestaltung mit konkretem und instrumentalem Raumklang | 2007 | audiovisuell, live-elec, 1 group | 56:50 | Quadro + Mono | ens [Ensemble] | WER 20615/ zkm edition 11/ | ZKM Karlsruhe | 0 | ||||||||
| 27740 | Juan Martin | Lopez | Engendro misógino | 2009 | fixed media, akusmatisch | 7:11 | 7 | 1 | |||||||||||
| 33749 | Juan-Gil, Chiu | López, Longina | Sonic Weapons | 2009 | radiophon | 14:50 | EBU Ars Acustica 2009/ | RNE | EBU Ars Acustica 2009 | 1 | http://www.artesonoro.org | ||||||||
| 9902 | Pedro | López | Pajaros | 1992 | live-elec, | 0 | |||||||||||||
| 9900 | Pedro, Wade | López, Matthews | Escena I | 1992 | live-elec, 3 perf | b-cl, perc, e-perc [Klarinette, Schlagzeug] | 0 | ||||||||||||
| 9901 | Pedro, Wade | López, Matthews | For Jackson P. | 1992 | 0 | ||||||||||||||
| 32097 | Tom | Lopez | Curvature’ | 2001 | fixed media, akusmatisch | SEAMUS EAM Vol. 12/ | 0 | ||||||||||||
| 32126 | Tom | Lopez | Dirge for Déjà Vu | 2007 | fixed media, akusmatisch | 4:40:00 | SEAMUS EAM Vol. 17/ | 0 | |||||||||||
| 32067 | Tom | Lopez | Hollow Ground II | 1996 | Zuspiel / Tonband, 1 perf | S [Sopran] | Larisa Montanaro, soprano | SEAMUS EAM Vol. 7/ | 0 | ||||||||||
| 42512 | Tom | Lopez | Immaculata Erotica | 2008 | fixed media, akusmatisch | Oberlin Col | 0 | ||||||||||||
| 41510 | Tom | Lopez | Moth | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 36596 | Tom | Lopez | The Death of the Moth | 2003 | Zuspiel / Tonband, 1 group | chamber ens [Ensemble] | Oberlin Contemporary Chamber Ensemble, conducted by Tim Weiss | Centaur CRC 2938, CDCM Vol. 37/ | Oberlin Col | 0 | |||||||||
| 42750 | Paola | Lopreiato | Altre voci, altre stanze | 2012 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 42632 | Paola | Lopreiato | con forze che si svolgono sferiche | 2009 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 42942 | Paola | Loprieato | A Soul Admitted to Itself | 2013 | live-elec, 1 perf | 7:30:00 | cl [Klarinette] | Esther Lamneck, clarinet | 0 | ||||||||||
| 9906 | Arrigo | Lora Totino | Chiacchere | 1976 | fixed media, akusmatisch | 4:55 | FYLP 1010, 10 Years Text-Sound Festival/ | PS C. | 1 | http://www.ubu.com/sound/lora-totino.html | |||||||||
| 27725 | Arrigo | Lora Totino | English Phonemes | 1970 | audiovisuell, live-elec, | 14:50 | images & sound produced simultaneously & interdependently | Pogus 21050-2/ Source Records, SR 17/ | SR Stockholm | 1 | |||||||||
| 9907 | Arrigo | Lora Totino | Fonemi #1 - #8 | 1966 | fixed media, akusmatisch | je ≈ 4:00 32 | Stereo | text sound composition | SMET Torino | 0 | |||||||||
| 9908 | Arrigo | Lora Totino | Messaggio | 1967 | fixed media, akusmatisch | 4:10 | Stereo | text sound composition | SMET Torino | 0 | |||||||||
| 9909 | Arrigo | Lora Totino | Trio Prosodico II | 1980 | radiophon | 21:45 | Stereo | 0 | |||||||||||
| 24698 | Martin | Lord | Un peuple | 2004 | fixed media, akusmatisch | 4:26 | JTTP 2004 | CEC Cache 2004, PeP 009/ | 1 | http://www.parallelDreams.ca | |||||||||
| 9910 | Bent | Lorentzen | Afgrundens Brønd, The Bottomless Pit | 1972 | Tanz | 24:00 | Point PLP 5072/ Creel Pone 07/ | Aarhus | 0 | ||||||||||
| 9911 | Bent | Lorentzen | Carnaval | 1976 | Zuspiel / Tonband, 1 perf | 19:00 | V [Stimme] | 0 | |||||||||||
| 9912 | Bent | Lorentzen | Die Musik kommt mir äußerst bekannt vor | 1973/1974 | Oper, 4 perf | 40:00 | Quadro | 4 V [Stimme] | 0 | ||||||||||
| 9913 | Bent | Lorentzen | Die Schlange | 1969 | Oper, 3 perf | 20:00 | 3 V [Stimme] | 0 | |||||||||||
| 9914 | Bent | Lorentzen | Dissonanser | 1964 | fixed media, akusmatisch | 14:30 | withdrawn | PS C. Aarhus | 0 | ||||||||||
| 9915 | Bent | Lorentzen | Interferences | 1967 | fixed media, akusmatisch | 5:56 | Mono | LJUD 006 CD1 n©b/ | EMS Stockholm | 1 | |||||||||
| 9916 | Bent | Lorentzen | Jomfru i fugleham, Young Maiden as a Bird | 1967 | Tanz, 1 group | 27:00 | orc [Orchester] | 0 | |||||||||||
| 9917 | Bent | Lorentzen | Menneskens gøgler, The Mountebank of Man | 1968 | fixed media, akusmatisch | 11:00 | 0 | ||||||||||||
| 9918 | Bent | Lorentzen | My Bride is a Enclosed Garden | 1972 | Zuspiel / Tonband, 1 perf, 1 group | V, orc [Stimme, Orchester] | 0 | ||||||||||||
| 9919 | Bent | Lorentzen | Nattergal | 1988 | live-elec, 1 perf | 10:00 | Quadro | p [Piano] | DIEM Aarhus | 0 | |||||||||
| 9920 | Bent | Lorentzen | Nordlys | 1988 | fixed media, akusmatisch | 3:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 9921 | Bent | Lorentzen | Nubes | 1973 | fixed media, akusmatisch | 8:00 | Stereo | Point PLP 5072/ Creel Pone 07/ | 0 | ||||||||||
| 9922 | Bent | Lorentzen | På opdagelsesfærd i pianoets sælsomme indre og ydre verden, On an expedition through the piano's strange inner and outer worlds | 1968 | fixed media, akusmatisch | 8:13 | LJUD 006 CD2 n©b/ CAP 60008/ | EMS Stockholm | 1 | ||||||||||
| 9923 | Bent | Lorentzen | Random Ringing | 1968 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 9924 | Bent | Lorentzen | Tristan Variations | 1969 | Zuspiel / Tonband, 3 perf | 3 V [Stimme] | 0 | ||||||||||||
| 9925 | Bent | Lorentzen | Visions | 1978 | fixed media, akusmatisch | 8:00 | Point PLP 5072/ Creel Pone 07/ | 0 | |||||||||||
| 9926 | Bent | Lorentzen | Water (electronic music for children | 1970 | Demo, Studie | 6:00 | Stereo | Hansen 45-WH 1718/ | 0 | ||||||||||
| 33933 | Jakob | Lorenz | recognize it, baby | 2015 | fixed media, akusmatisch | 7:26:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 42039 | Martin | Lorenz | Continuum 01 | 2006 | live-elec, 3 perf | va, sax (Eb), perc [Saxophon, Schlagzeug, Viola] | 0 | ||||||||||||
| 42040 | Martin | Lorenz | Derivated Impulses | 2011 | live-elec, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 42041 | Martin | Lorenz | For Ensemble I | 2010 | live-elec, 1 group | ens (Turntables) [Ensemble] | 0 | ||||||||||||
| 42042 | Martin | Lorenz | For Ensemble II | 2010 | live-elec, 1 group | ens (Turntables) [Ensemble] | 0 | http://www.martinlorenz.ch/images/downloads/ML_FOR_ENSEMBLE_II_score.pdf | |||||||||||
| 42043 | Martin | Lorenz | For Violin and generated Frequencies | 2011 | live-elec, 1 perf | vn (Turntables ) [Violine] | 0 | ||||||||||||
| 42053 | Martin | Lorenz | Idealisten | 2014 | Theatermusik | acc, perc [Akkordeon, Schlagzeug] | THEATERMUSIK zu "Idealisten" von Schauplatz International (2014) Musik nach Andrera Gabrieli für Akkordeon, Schlagzeug und Elektronik |
0 | |||||||||||
| 42044 | Martin | Lorenz | Lacework | 2006 | live-elec, 3 perf | sax, va, perc [Saxophon, Schlagzeug, Viola] | 0 | ||||||||||||
| 42045 | Martin | Lorenz | Landscape | 2001 | Zuspiel, live-elec, | (turntables) [] | Realisation von John Cages Imaginary Landscape No. 5 für Turntables und Tonband | 0 | |||||||||||
| 42046 | Martin | Lorenz | Oscilations, Oscilations I for Low Pitched Instrument and Electronics |
2012 | live-elec, 1 perf | 17 | (tief gestimmtes) ins [Instrument] | OSCILLATIONS (2012) for Low Pitched Instrument (for example an analog synt) and Electronics | 0 | ||||||||||
| 42047 | Martin | Lorenz | Oscilations II | 2013 | live-elec, 2 perf | e-vc, tim [Schlagzeug, Cello] | OSCILLATIONS II (2013) for Electric Cello, Timpano and Electronics | 0 | http://www.martinlorenz.ch/images/downloads/ML_OSCILLATIONS_II_score.pdf | ||||||||||
| 42048 | Martin | Lorenz | Oscilations III | 2014 | live-elec, 2 perf | 18 | db-cl, perc (crotales, perc) [Klarinette, Schlagzeug] | OSCILLATIONS III (2014) for Contrabass Clarinet, Crotales, Percussion and Electronics | 0 | ||||||||||
| 42049 | Martin | Lorenz | Oscilations IV | 2014 | live-elec, 3 perf | sax, p, perc [Saxophon, Piano, Schlagzeug] | 0 | ||||||||||||
| 42050 | Martin | Lorenz | Patterns - Resonances - Echoes - Feedbacks | 2009 | live-elec, | (elec) [] | elektronische Musik | 0 | |||||||||||
| 42051 | Martin | Lorenz | Picture-Runs | 2003 | acc, perc [Akkordeon, Schlagzeug] | Zusammenarbeit mit Lara Stanic und Mario Porreca | 0 | ||||||||||||
| 42052 | Martin | Lorenz | Structure-Borne Noise | 2014 | live-elec, 2 perf | synt, perc [Schlagzeug, synthesizer] | 0 | ||||||||||||
| 30366 | Rainer | Lorenz | Absicht | 1996 | audiovisuell, live-elec, 1 perf | 15 | MIDI p [Piano] | 0 | |||||||||||
| 30367 | Rainer | Lorenz | GLEICH | 1993 | computer generated score, 1 perf | p [Piano] | 0 | ||||||||||||
| 9927 | Rainer | Lorenz | Objekt 0.1 | 1993 | Klangkunst, Installation | ∞ | Stereo | Ein durch den Geräuschpegel im Publikum gesteuertes Klangobjekt | ZKM Karlsruhe | 0 | |||||||||
| 30368 | Rainer | Lorenz | VOLUMINUM | 1995 | audiovisuell | 14:30 | Surround 5.1 | 0 | |||||||||||
| 35727 | Guillermo | Lorenzo | Lullaby fer | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 36683 | Guillermo | Lorenzo | PAISaje | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 42811 | Levy | Lorenzo | Modified Attack | 2012 | live-elec, 1 perf | 8:30:00 | perc [Schlagzeug] | Levy Lorenzo, percussion | 0 | ||||||||||
| 42941 | Levy | Lorenzo | Teacups and Light Sensor | 2013 | live-elec, 1 perf | 8:00:00 | perc [Schlagzeug] | Levy Lorenzo, percussion | 0 | ||||||||||
| 34687 | Mario | Lorenzo | Se bifurca en otro | 1999 | fixed media, akusmatisch | 12:44 | Russolo Pratella EF.ER.P 99/ | Prize Russolo Varese 1999 | 0 | ||||||||||
| 9928 | Denis | Lorrain | ...black it stood as night | 1985 | fixed media, akusmatisch | 15:00 | WER 2022-50, Computer Music Currents 2/ | IRCAM | 1 | ||||||||||
| 9931 | Denis | Lorrain | Droite, hommage à LeCorbusier | 1974/1976 | radiophon | 18:00 | Stereo | pièce radiophonique pour instruments (Texte : LeCorbusier) | EMS Stockholm | 0 | |||||||||
| 9932 | Denis | Lorrain | Générique (I) Générique (Sigma) Générique (R), Générique (E) |
1974 | fixed media, akusmatisch | 24:00 | Stereo | the 3 pieces can be played separately, or sequentially in any order. | Sonology Utrecht | 1974 | Bourges | 0 | |||||||
| 9933 | Denis | Lorrain | L'angelus | 1987 | fixed media, akusmatisch | 1 | |||||||||||||
| 9934 | Denis | Lorrain | Les portes du sombre dis | 1979 | fixed media, akusmatisch | 25:00 | Quadro | IRCAM | 0 | ||||||||||
| 9935 | Denis | Lorrain | P-A | 1976 | fixed media, akusmatisch | 8:00 | Stereo | 2 versions (Luminy 11:30) | CNRS Marseille | 0 | |||||||||
| 9937 | Denis | Lorrain | The other shape | 1985 | Zuspiel / Tonband, 1 perf | 24:00 | perc [Schlagzeug] | CMC CD 3288/ | IRCAM | 0 | |||||||||
| 9938 | Harald | Lorscheider | Frei werden - Thomas-Müntzer-Memorial | 1989 | radiophon | 8:30 | Stereo | PS Voigtländer | 0 | ||||||||||
| 9939 | Harald | Lorscheider | Geigenspiele | 1987 | fixed media, akusmatisch | 8:00 | Stereo | also version with Pantomime | PS Voigtländer | Ministerium für Kultur der DDR | 24.2.1988 | TiP Berlin bei DDR-Musiktage; Pantomime Carola Seelig, Tonregie E. Rödger | 1 | ||||||
| 9940 | Harald | Lorscheider | Mahnung | 1986 | fixed media, akusmatisch | Tanz |
8:00 | Stereo | also version as „Kammertanz“ | PS Voigtländer | march 1986 | Berlin, Club der Kulturschaffenden | 0 | |||||||
| 9941 | Harald | Lorscheider | Schlagstück 1 | 1988 | Zuspiel, live-elec, 2 perf | 9:00 | Stereo | perc, synt [Schlagzeug, synthesizer] | Synthy AKS | AdK Berlin | 20.5.1988 | TiP Berlin bei 1. Werkstatttage; Gerd Schenker (perc), E. Rödger (synt) | 0 | ||||||
| 25969 | Diego | Losa | Crónicas del tiempo | 2004 | fixed media, akusmatisch | 14:55 | 5 tracks | INA GRM G6050/59/ | 1 | 2005 2008 | |||||||||
| 38853 | Diego | Losa | Historios de Dos Mundos | fixed media, akusmatisch | 13:32 | INA GRM G6050/59/ | 0 | ||||||||||||
| 38854 | Diego | Losa | Horizons ou le recrit d'un voyageur | fixed media, akusmatisch | 15:13 | INA GRM G6050/59/ | 0 | ||||||||||||
| 32273 | Diego | Losa | Sorti d’un rêve…, Sorti d’un rêve dans une nuit étrange, très loin d’ici | 2012 | fixed media, akusmatisch | 15:15 | INA GRM G6050/59/ | INA • GRM | 0 | ||||||||||
| 9942 | Andor | Losonczy | Alliage | 1961 | fixed media, akusmatisch | 5:50 | Mono | SEM Salzburg | 0 | ||||||||||
| 38610 | Nicolas | LOSSON | Un homme à la mer | 2010 | radiophon | 15:23:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 33447 | Mark | Lothar | Die Nashörner | 1960 | Theatermusik | 25 | Mono | PS Sala | 0 | ||||||||||
| 33448 | Mark | Lothar | König Lear | 1962 | Theatermusik | 20 | Mono | PS Sala | 0 | ||||||||||
| 33449 | Mark | Lothar | Liliom | 1964 | Theatermusik | 20 | Mono | PS Sala | 0 | ||||||||||
| 33450 | Mark | Lothar | Sturm | 1965 | Theatermusik | 30 | Mono | PS Sala | 0 | ||||||||||
| 35451 | Theodoros | Lotis | A South Wind Will Bring the Sand | 2002 | fixed media, akusmatisch | 10:11 | Stereo | IMED 0894/ | City Uni London, PS C. | April 28, 2004 | Sonorities 2004: Denis Smalley, Sonic Arts Research Centre — Queen’s University (Belfast, Northern Ireland, UK) | mention at the 24th Luigi Russolo International Competition (Varese, Italy, 2002). | 0 | ||||||
| 24689 | Theodoros | Lotis | Arioso dolente / Beethoven Op. 110 | 2002 | fixed media, akusmatisch | 7:05 | Stereo | JTTP 2003 | CEC Cache 2003 UK/ IMED 0894/ | City Uni London, PS C. | Amici della Musica di Cagliari | June 1, 2002 | Monumenti Pianistici — Intorno a Beethoven, Chiesa di Santa Chiara (Cagliari, Sardinia, Italy) | 1st Prize (UK Section) at the Jeu de temps / Times Play (JTTP) competition of the CEC, Canada, 2003 | 0 | ||||
| 41664 | Theodoros | Lotis | Instant of a Crystal Glass | 2007 | fixed media, akusmatisch | 9:15 | 0 | ||||||||||||
| 22321 | Theodoros | Lotis | La mer, La mer bleue La mer profonde |
1996 | fixed media, akusmatisch | 15:44 | Stereo | To Martha La mer bleue (5:32) La mer profonde (10:08) |
M&R, Mars 2000/ M&R L’Espace du son 2000/ IMED 0894/ | Musiques et Recherches Ohain | June 1997 | Concert (Mons, Belgium) | mention at the 1st Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2000) finalist at 27th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2000). |
1 | |||||
| 41665 | Theodoros | Lotis | La mer profonde | fixed media, akusmatisch | 5:00 | 0 | |||||||||||||
| 41634 | Theodoros | Lotis | Le grain de Bruxelles | 1997 | fixed media, akusmatisch | 8:00:00 | Musiques et Recherches Ohain | M&R | 0 | ||||||||||
| 35398 | Theodoros | Lotis | Portrait d'une manifestante | 2014 | fixed media, akusmatisch | 11:04:00 | Octo | MR 2016 Métamorphoses 2016/ | Musiques et Recherches Ohain | Musiques & Recherches | finalist at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016) | 0 | |||||||
| 41666 | Theodoros | Lotis | Rhapsody on a Windy Night | 2000 | fixed media, akusmatisch | 10:10 | 0 | ||||||||||||
| 35452 | Theodoros | Lotis | Shadows | 2000 | fixed media, akusmatisch | 12:05 | Stereo | IMED 0894/ | City Uni London | 2000 | Concert, City University London (London, England, UK) | mentions at the 4th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’01, Brazil) 22th Luigi Russolo International Competition (Varese, Italy, 2000) finalist at the Concurso Internacional ART’S XXI in 2001 in Valencia (Spain) 28th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2001) |
0 | ||||||
| 24780 | Theodoros | Lotis | Sibylla's Voice | 2001 | fixed media, akusmatisch | 14:50 | Octo | to Annette Vande Gorne | MR 2002 Métamorphoses 2002/ IMED 0894/ | Musiques et Recherches Ohain, City Uni London | M&R | October 2, 2002 | L’Espace du son 2002: Finale du concours Métamorphoses, Théâtre Marni (Brussels, Belgium) | Métamorphoses 2002 | 1 | 2002 | |||
| 24792 | Theodoros | Lotis | Underwater Theories | 2002 | fixed media, akusmatisch | 15:34 | Stereo | MR 2004 Métamorphoses 2004/ IMED 0894/ | PS C. | 20.10.2004 | L’Espace du son (Brussels, Belgium) | Métamorphoses 2004 | 1 | ||||||
| 19041 | Beate, Dirk | Lotz, Schwibbert | Schleife / Loop! | 1996 | Klangkunst, Installation | 0:32 | Sonambiente Ausstellung (1996) Katalog S.93 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 9943 | Emmanuelle | Loubet | Metropolis Tokyo. Tokyo im Rennschritt | 1990 | radiophon | 62:27 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||||
| 24782 | Apostolos | Loufopoulos | Aura | 2002 | fixed media, akusmatisch | 12:37 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 | 1 | |||||||||
| 42763 | Apostolos | Loufopoulos | Bee | 2010 | fixed media, akusmatisch | 13:13:00 | Auszeichnung ars electronica Award of Distinction 2011 | 0 | |||||||||||
| 24795 | Apostolos | Loufopoulos | Erevos | 2002 | fixed media, akusmatisch | 11:08 | MR 2004 Métamorphoses 2004/ | City Uni London, PS C. | Métamorphoses 2004 | 1 | |||||||||
| 26123 | Apostolos | Loufopoulos | Icarus | 2006 | fixed media, akusmatisch | 13:00 | Stereo | MR 2008 Métamorphoses 2008/ | prix du public Métamorphoses 2008 | 1 | |||||||||
| 25970 | Apostolos | Loufopoulos | Night Pulses | 2004 | fixed media, akusmatisch | 11:28 | Proyecto Itinerante 2004 | City Uni London | 1 | ||||||||||
| 22548 | Apostolos | Loufopoulos | Rous | 2001 | fixed media, akusmatisch | 12:54 | City Uni London | Einreichung Prix Noroit 2002 | 1 | ||||||||||
| 35839 | Apostolos | Loufopoulos | Spirit | 2012 | fixed media, akusmatisch | MR 2012 Métamorphoses 2012/ | 0 | ||||||||||||
| 9944 | William | Loughborough | Boom | 1958 | fixed media, akusmatisch | 2:00 | Stereo | PS C. Sausalito | 0 | ||||||||||
| 9945 | William | Loughborough | For the Big Horn | 1957 | fixed media, akusmatisch | 2:40 | Mono | PS C. Sausalito | 0 | ||||||||||
| 9946 | John | Loughrey | Caravan of Lights (Tabla-ture) | 1987 | fixed media, akusmatisch | Stereo | Queens Uni Kingston | 0 | |||||||||||
| 9947 | John | Loughrey | Glass Harp Innuendo | 1989 | fixed media, akusmatisch | Stereo | Queens Uni Kingston | 0 | |||||||||||
| 9948 | John | Loughrey | Threason's Pipe | 1987 | fixed media, akusmatisch | 11:17 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 9949 | John | Loughrey | Triptych, Filfare Tentempiano P, Si, B |
1987 | fixed media, akusmatisch | Stereo | in combination with other oxides | Queens Uni Kingston | 0 | ||||||||||
| 9950 | Alain | Louvier | Casta diva | 1980 | Tanz | Musiktheater |
47:00 | ens [Ensemble] | dance Leduc | IRCAM | 0 | |||||||||
| 9951 | Alain | Louvier | Raga | Zuspiel / Tonband, 1 perf | vc [Cello] | 1 | 1990 | ||||||||||||
| 34507 | Alain | Louvier | Raga | live-elec, 1 perf | oma [synthesizer] | Jeanne Loriod (OMa) | 1 | 1990 | |||||||||||
| 34618 | Pedro | Louzeiro | Comprovisação nº 4 | 2016 | live-elec, 1 group | ens [Ensemble] | RADAR ensemble. SMC2016 |
0 | |||||||||||
| 9952 | Andrew | Lovett | Erinyes | 1992 | Zuspiel / Tonband, 1 perf, 1 group | charango [Gitarre] | City Uni London | 0 | |||||||||||
| 9953 | Andrew | Lovett | Jakob Dreaming, Jacob Dreaming | 1993 | live-elec, 1 perf | vn, (harm) [Violine] | HSM Basel | Competition Musica Nova Prag 1994 | 0 | http://www.esbasel.ch/ | |||||||||
| 9954 | Andrew | Lovett | Sonata | Zuspiel / Tonband, 3 perf | fl, vc, p [Flöte, Piano, Cello] | City Uni London | 0 | ||||||||||||
| 9955 | Andrew | Lovett | The Lyre of the West Wind | 1990 | fixed media, akusmatisch | City Uni London | 0 | ||||||||||||
| 9956 | Andrew | Lovett | Wildfire | 1991 | Zuspiel / Tonband, 2 perf | vn, mar [Schlagzeug, Violine] | City Uni London | 0 | |||||||||||
| 18937 | Gregory Jay | Lowe | Song of the Turtle | 1994 | fixed media, akusmatisch | 2:10 | CEC DISContact_2/ | Winnipeg | 1 | ||||||||||
| 20465 | Michael | Lowenstern | But Would She Remember You ? | 1996 | Zuspiel / Tonband, 1 perf | 9:13 | Stereo | b-cl [Klarinette] | NWR 80468/ | 0 | |||||||||
| 20466 | Michael | Lowenstern | Spasm | 1993 | Zuspiel / Tonband, 1 perf | 5:04 | Stereo | b-cl [Klarinette] | NWR 80468/ | 0 | |||||||||
| 9957 | Gareth | Loy | Blood from a Stone | 1992 | live-elec, 1 perf | 10:27 | e-vn, (com) [Violine] | Centaur CRC 2133, CDCM Vol. 11/ CMJ Vol 18, 1994/ | 1 | ||||||||||
| 9958 | Gareth | Loy | Nekyia | 1979 | fixed media, akusmatisch | 9:52 | Quadro | MUSIC V, SAMBOX, PDP 10 | WER 2025; Computer Music Currents 5/ | CCRMA | 2nd prize Bourges 1981 | 1 | |||||||
| 21623 | José | Loyola | Cancion del soy todo II | 1999 | Zuspiel, live-elec, 2 perf | 9:31 | sax, V [Stimme, Saxophon] | "Meta Duo" (Kientzy & Portuondo; after a poem by Eloy Machado | NMCD 5107 C/ | 1 | |||||||||
| 33124 | Jaroslaw | Lublin | Rum-Cum | 2000 | fixed media, akusmatisch | 3:53:00 | WJ 2002/ | PS C. | 1 | ||||||||||
| 23650 | Maria Eugenia | Luc | DAO | 2002 | fixed media, akusmatisch | 9:56 | 2. price Premio Internacional SGAE 2002 | PR 0083-1 SGAE/ | 1 | ||||||||||
| 24544 | Ghérasim | Luca | Autres Secrets du Vide et de Plein | 1971 | fixed media, akusmatisch | 17:12 | Text-Sound Composition | FYCD 1024 CD 5 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 9959 | Ted | Lucas | Stand up Double | 1995 | Zuspiel / Tonband, | 4:30 | CREAM | 0 | |||||||||||
| 31760 | Vanderlei | Lucentini | Se na sexta-feira tivesse feito sol, If it had been sunny on Friday | 2005 | fixed media, akusmatisch | 10:09 | Csound | SBME 008 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | |||||||||
| 9960 | Carlos | Lucero | Sirenas | fixed media, akusmatisch | 0 | ||||||||||||||
| 38979 | Alvin | Lucier | 13 Degrees of Darkness | 2013 | Musikinstrument, keine EM, 2 perf | Zuspiel/Tonband, 2 perf |
2 fl or fl (pre-recorded flute) [Flöte] | for two flutes or flute and pre-recorded flute | 0 | |||||||||||
| 38980 | Alvin | Lucier | 40 Rooms | 1996 | live-elec, 5 perf | qnt [Instrument] | for quintet and LARES System | 0 | |||||||||||
| 38981 | Alvin | Lucier | 947 | 2001 | live-elec, 1 perf | fl [Flöte] | for flute with pure wave oscillators | 0 | |||||||||||
| 26232 | Alvin | Lucier | A Tribute to James Tenney | 1986 | live-elec, 1 perf | 16:00 | Stereo | db [Kontrabass] | for solo double bass and pure wave oscillators | NWR 80628/ | 1 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 25971 | Alvin | Lucier | Almost New York | 2002 | live-elec, 1 perf | fl and fl and fl and fl and fl, (with slow sweep pure wave oscillators) [Flöte] | archipel the third ear/ Pogus 057/ | 1 | http://alucier.web.wesleyan.edu/index.html | ||||||||||
| 9961 | Alvin | Lucier | Amplifier and Reflector I | 1991 | live-elec, 1 perf | 13:00 | perf [Performer] | for open umbrella, roasting pan, and amplified clock Amplifier and Reflector first version performed 1990 at Jack Tilton Gallery NY |
3.02.1991 | Inventionen Centre Cultural Français Berlin | 1 | 1991 | http://alucier.web.wesleyan.edu/index.html | ||||||
| 38982 | Alvin | Lucier | Attaché Case | 1988 | fixed media, akusmatisch | audio tape, Metro North, New Haven to and from New York | 0 | ||||||||||||
| 38983 | Alvin | Lucier | Berlin is a Resonant City | 1991 | Klangkunst, Installation | sound installation | 0 | ||||||||||||
| 20469 | Alvin | Lucier | Bird and Person Dyning | 1975 | live-elec, 1 perf | 24:00 | Stereo | perf (microphones, amplifiers, loudspeakers, electronic birdcall) [Performer] | CRSCD 111/ | 0 | http://alucier.web.wesleyan.edu/index.html | ||||||||
| 38984 | Alvin | Lucier | Carbon Copies | 1989 | Zuspiel / Tonband, 3 perf | sax, p, perc [Saxophon, Piano, Schlagzeug] | for saxophone, piano, percussion and environmental recordings | 0 | |||||||||||
| 25486 | Alvin | Lucier | Chambers | 1968 | live-elec, 1 perf | 15:54 | perf [Performer] | moving large and small resonant environments | NWR 80604-2/ | 1968 | Museum of Modern Art NY | 1 | http://alucier.web.wesleyan.edu/index.html | ||||||
| 38985 | Alvin | Lucier | Charles Curtis | 2002 | live-elec, 1 perf | vc [Cello] | for cello with slow sweep pure wave oscillators | 0 | |||||||||||
| 20467 | Alvin | Lucier | Clocker | 1978 | live-elec, 1 perf | 44:11 | Stereo | perf (amp clocks) [Performer] | for performer with galvanic skin response sensor, audio digital delay system, amplified clock and small loudspeakers | LM- LCD 1019/ | 0 | http://www.lovely.com/albumnotes/notes1019.html | |||||||
| 38986 | Alvin | Lucier | Criss-Cross | 2013 | live-elec, 2 perf | 2 e-gui [Gitarre] | for two electric guitars | 0 | |||||||||||
| 9962 | Alvin | Lucier | Crossings | 1982 - 1984 | live-elec, 1 group | 16:00 | ens [Ensemble] | for small orc with slow-sweep pure wave oscillator | LM LCD 1018/ | 5.07.1982 | Chicago Symphony Orchestra, Orchestra Hall, Chicago | 1 | http://www.lovely.com/albumnotes/notes1018.html | ||||||
| 38987 | Alvin | Lucier | December 12th | 2013 | live-elec, 4 perf | fl, vn, vc, p [Flöte, Piano, Cello, Violine] | for flute, violin, cello, and piano with slow sweep pure wave oscillators | 0 | |||||||||||
| 38988 | Alvin | Lucier | Directions of Sounds from the Bridge | 1978 | Klangkunst, Installation | Performance |
strs [Streicher] | sound installation and performance for stringed instrument, audio oscillator and sound-sensitive lights | 0 | |||||||||||
| 38989 | Alvin | Lucier | Distant Drums | 1994 | live-elec, | for amplified percussionamp perc | 0 | ||||||||||||
| 38990 | Alvin | Lucier | Double Himalaya | 2012 | Zuspiel / Tonband, 1 perf | (gliss-) fl [Flöte] | for glissando flute and pre-recorded glissando flute | 0 | |||||||||||
| 9963 | Alvin | Lucier | Elegy for Albert Anastasia | 1962 - 1965 | fixed media, akusmatisch | 11:14 | Stereo | very low sounds | NWR 80604-2/ | Uni Waltham | 1 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 19299 | Alvin | Lucier | Empty Vessels | 1997 | Klangkunst, Installation | ∞ | Bericht von Armin Köhler im S2 am 25.11.97 13.5.-13.6.1999 singuhr hoergalerie |
archipel the third ear/ Kehrer Verlag ISBN 978-3-939583-23-3/ | Donaueschinger Musiktage 1997 | 1997 | Donaueschinger Musiktage | 1 | http://alucier.web.wesleyan.edu/index.html | ||||||
| 38991 | Alvin | Lucier | Ever Present | 2002 | live-elec, 3 perf | fl, sax, p [Flöte, Saxophon, Piano] | for flute, saxophone, and piano with slow sweep pure wave oscillators | 0 | |||||||||||
| 9964 | Alvin | Lucier | From My First Book of Dreams | 1965 | live-elec, 1 perf | var | multichannel | perf [Performer] | Uni Waltham | 0 | http://alucier.web.wesleyan.edu/index.html | ||||||||
| 38992 | Alvin | Lucier | Gentle Fire | 1971 | live-elec, 1 perf, 1 group | synts [synthesizer] | for any number of synthesizers | 0 | |||||||||||
| 38993 | Alvin | Lucier | Ghosts | 1978 | live-elec, 1 perf | perf [Performer] | for audio oscillator, loudspeakers, and performer with sound-sensitive light | 0 | |||||||||||
| 38978 | Alvin | Lucier | (Hartford) Memory Space | 1970 | Zuspiel / Tonband, 1 perf, 1 group | inss [Instrument] | for any number of instrumental players with recordings of environmental sounds | 0 | |||||||||||
| 38994 | Alvin | Lucier | Hymn | 1970 | live-elec, 1 perf | perf [Performer] | amplification of live sculptural activities | 0 | |||||||||||
| 9966 | Alvin | Lucier | I am sitting in a Room, Ich sitze in einem Raum | 1986 | fixed media, akusmatisch | 37:15 | Mono | version INVENTIONEN 86 | PS CUE Berlin | 1 | 1986 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 9965 | Alvin | Lucier | I am sitting in a Room | 1970 | Zuspiel, live-elec, 1 perf | ≈ 40:00 | V (tape-loops) [Stimme] | filtercharacteristic = resonance of the room. original recording in Luciers Livingroom in Middletown, Connecticut. Inventionen 1.3.1986 Ackerstr.: Originalversion & Berliner Version |
LM- LCD 1013/ WER 2058 5/ Source Records, SR 3/ Pogus 21050-2/ zkm edition 8/ IDEAMA CD 074/ | PS C. | 1970 | Guggenheim Museum in New York City | 1 | 1986 | http://alucier.web.wesleyan.edu/index.html | ||||
| 38995 | Alvin | Lucier | I Remember | 1997 | live-elec, 1 group | ch [Chor] | for chorus with resonant objects | 0 | |||||||||||
| 9967 | Alvin | Lucier | In Memoriam Jon Higgins | 1984 | live-elec, 1 perf | 19:00 | cl (+ pure wave osc) [Klarinette] | slow-sweep pure wave oscillator | LM LCD 1018/ NWR 80628/ Gruen 120/ | 1.12.1984 | Connecticut Composers Festival at Real Art Ways, Hartford, Connecticut, Thomas Ridenour | 1 | http://alucier.web.wesleyan.edu/index.html | ||||||
| 38996 | Alvin | Lucier | In Memoriam Stuart Marshall | 1993 | live-elec, 1 perf | b-cl [Klarinette] | for bass clarinet and pure wave oscillator | 0 | |||||||||||
| 38997 | Alvin | Lucier | Indian Summer | 1993 | live-elec, 1 perf | e-vc [Cello] | for electronic cello | 0 | |||||||||||
| 38998 | Alvin | Lucier | Job's Coffin | 1980 | live-elec, 1 perf | perf [Performer] | for amplified chest of drawers | 0 | |||||||||||
| 38999 | Alvin | Lucier | Just Before Dark | 2010 | live-elec, 1 group | orc [Orchester] | for small orchestra (1/1/2/1-2/1/0/0/-4/4/3/2/1(opt)) with slow sweep pure wave oscillator | 0 | |||||||||||
| 39000 | Alvin | Lucier | Kettles | 1987 | live-elec, 5 perf | 5 tim [Schlagzeug] | for five timpani and two pure wave oscillators | 0 | |||||||||||
| 19072 | Alvin | Lucier | Locales | 1996 | Klangkunst, Installation | 1:57 | Sonambiente Ausstellung (1996) Katalog S.95 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://alucier.web.wesleyan.edu/index.html | |||||||||
| 39001 | Alvin | Lucier | Lullaby (for Amanda) | 1980 | live-elec, 1 perf | V [Stimme] | for solo voice, unamplified or amplified | 0 | |||||||||||
| 25972 | Alvin | Lucier | (Middletown) Memory Space | 1970 | live-elec, 5 perf | 16:32 | Stereo | shakuhachi, Koto, e-gui, acc, p [Flöte, Piano, Akkordeon, Gitarre] | Rees Archibald (Shakuhachi), Ryuku Mizutani (Koto), CHarlie Locker (e-gui), Matt Welch (acc), Shawn Onsgard (p) |
NWR 80604-2/ | Uni Waltham | 0 | http://alucier.web.wesleyan.edu/index.html | ||||||
| 9968 | Alvin | Lucier | Music 16 | 1965 | fixed media, akusmatisch | 30:00 | 16 Tracks | 8 stereo tapes | Uni Waltham | 0 | http://alucier.web.wesleyan.edu/index.html | ||||||||
| 39002 | Alvin | Lucier | Music for Accordion with Slow Sweep Pure Wave Oscillators | 1993 | live-elec, 1 perf | acc [Akkordeon] | 0 | ||||||||||||
| 9969 | Alvin | Lucier | Music for Alphawaves, assorted percussion | 1982 | live-elec, 1 perf | 3:58 | perf [Performer] | Music for Alpha Waves, Assorted Percussion, and Automated Coded Relays | Nonesuch 9 79235-2, Imaginary Landscapes/ | Stang & Nickel | 1 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 9970 | Alvin | Lucier | Music for Amplified Lip | 1965 | live-elec, 1 perf | var | multichannel | perf [Performer] | Uni Waltham | 0 | http://alucier.web.wesleyan.edu/index.html | ||||||||
| 39003 | Alvin | Lucier | Music for Baritone with Slow Sweep Pure Wave Oscillators | 1993 | live-elec, 1 perf | Bar [Bariton] | 0 | ||||||||||||
| 39004 | Alvin | Lucier | Music for Cello with One or More Amplified Vases | 1992 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 26874 | Alvin | Lucier | Music for Gamelan Instruments, Microphones, Amplifiers and Loudspeakers | 1994 | live-elec, 1 group | 15:09 | gamelan-ens [Ensemble] | LM- 5011/ | 18.10.1994 | World Music Hall, Wesleyan University by the Wesleyan University Gamelan Ensemble. | 0 | http://www.lovely.com/titles/cd1012.html | |||||||
| 9971 | Alvin | Lucier | Music for piano with amplivied sonorous Vessels | 1991 | live-elec, 1 perf | 14:47 | p [Piano] | Lovely Music, Ltd. LCD 1012/ | February 3, 1991 | Inventionen Centre Cultural Français Berlin, Margaret Leng Tang | 1 | 1991 | http://www.lovely.com/titles/cd1012.html | ||||||
| 39005 | Alvin | Lucier | Music for Piano with Half-closed Lid | 1993 | Klangkunst, Installation | Tanz |
p [Piano] | sound installation or performance with dancers | 0 | |||||||||||
| 26872 | Alvin | Lucier | Music for Piano with Magnetic Strings | 1990 | live-elec, 1 perf | 22:58 | p [Piano] | LM- 5011/ zkr 0011/ | 11.05.1995 | Lois Svard on the Interpretations Series, Merkin Hall, New York | 1 | http://www.lovely.com/titles/cd1012.html | |||||||
| 26833 | Alvin | Lucier | Music for Piano with One or More Snare Drums | 1990 | live-elec, 1 perf | p [Piano] | Lovely Music, Ltd. LCD 1012/ | 21.03.1992 | Hildegard Kleeb March 21, 1992, at the Galerie Sous-Sol, Geneva, Switzerland | 0 | http://www.lovely.com/titles/cd1012.html | ||||||||
| 26704 | Alvin | Lucier | Music for piano with slow sweep pure Wave Oscillazors | 1992 | live-elec, 1 perf | 16:31 | p [Piano] | work for pure waves and instrument | LM- 5012/ Pogus 057/ | 10.1992 | Aki Takahashi, Yokohama, Japan | 0 | http://alucier.web.wesleyan.edu/index.html | ||||||
| 26708 | Alvin | Lucier | Music for Pure Waves, Bass Drums and Acoustic Pendulums | 1980 | Klanginstallation, live-elec, 1 perf | (elec), perc [Schlagzeug] | sound installation and performance for slow sweep oscillator, loudspeakers, bass drums and suspended ping pong balls | VR 1017/ | 1980 | Paula Cooper Gallery NY | 0 | ||||||||
| 39006 | Alvin | Lucier | Music for Snare Drum, Pure Wave Oscillator, and One or More Reflective Surfaces | 1990 | live-elec, 1 perf | snare-drum [Schlagzeug] | 0 | ||||||||||||
| 9972 | Alvin | Lucier | Music for Solo Performer, for enormously amplified brain waves and percussion | 1965 | live-elec, 2 perf | ≈7:00 | multichannel | perf, perc [Schlagzeug, Performer] | Brainwaves con speakers | Lovely Music, Ltd. VR 1014/ LCD 5013/ Ellipsis Arts 3694 - OHM DVD/ WER 20692/ | Uni Waltham | 1965 | Rose Art Museum, Brandis Uni Waltham | 1 | 1991 | http://alucier.web.wesleyan.edu/index.html | |||
| 32798 | Alvin | Lucier | Music for Soprano with slow sweep pure Wave Oscillazors, Rectangle Triangle Parallel Lines Arcs |
1993 | Performance, live-elec, 1 perf | 15:38 | S [Sopran] | btc 04/ | 1 | ||||||||||
| 20468 | Alvin | Lucier | Music on a long thin wire | 1977 - 1979 | live-elec, 1 perf | Klangkunst, Installation |
74:47 | Stereo | perf [Performer] | Parts: wire I, wire II, wire III, wire IV sound installation for audio oscillator and electronic monochord |
LM- LCD 1011/ Ellipsis Arts 3673 - OHM: 03/ | 1 | http://www.lovely.com/albumnotes/notes1011.html | |||||||
| 28256 | Alvin | Lucier | Music with Roots in the Aether, Landscape with Alvin Lucier Outlines of Persons and Things The Music of Alvin Lucier Bird and Person Dyning Music for Solo Performer |
1965 - 1975 | Fernsehen, | Klangkunst, Installation |
57:40 | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. Produced and directed by Robert Ashley. Philip Makanna, Director and Camera; Maggi Payne, Audio Recordist; Jerry Pearsall, Video Recordist and Technical Director. Seven 2-hour NTSC |
DV 7703 Lovely Music/ LVHS 3/ Music with Roots in the Aether/ | 1 | 1991 | http://www.lovely.com/titles/dvdroots.html | ||||||||
| 9973 | Alvin | Lucier | North American Time Capsule | 1967 | live-elec, 1 perf, 1 group | var | multichannel | Vs (8 vocoder) [Stimme] | for voices and vocoder | Odyssey Records, 32 16 0155/ NWR 80604-2/ Odyssey 32160156/ | Uni Waltham | 1 | |||||||
| 9974 | Alvin | Lucier | Nothing is Real (Strawberry Fields Forever) | 1990 | Zuspiel, live-elec, 1 perf | 22:00 | p [Piano] | piano, amp teapot and miniature speaker | EMF CD 012 ISAST 8/ TOCE 6655/ ISAST LMJ 8/ |
0 | 1991 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 39007 | Alvin | Lucier | On a carpet of leaves illuminated by the moon | 2000 | live-elec, 1 perf | koto [Streicher] | for koto with pure wave oscillator | 0 | |||||||||||
| 22395 | Alvin | Lucier | On the Carpet of Leaves illuminated by the Moon | 2000 | live-elec, 1 perf | 14:00 | koto or p or vc or gui (osc) [Piano, Gitarre, Cello, Streicher] | for solo koto, cello or acoustic guitar, and pure wave oscillator Inventionen 25.6.2000 Sophiensæle |
ed. rz 10012 parallele 12 Inventionen 2000/ LM- 5012/ Pogus 057/ | April 26, 2000 | Wesleyan University | 1 | 2000 | http://alucier.web.wesleyan.edu/index.html | |||||
| 39008 | Alvin | Lucier | Opera with Objects | 1997 | live-elec, 1 perf, 1 group | perfs [Performer] | for performer(s) with resonant objects, composed for Sam Ashley | 1 | |||||||||||
| 9975 | Alvin | Lucier | Organ Music for David Tudor | 1967 | live-elec, 1 perf | var | multichannel | org [Orgel] | Uni Waltham | Feedback | 0 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 39009 | Alvin | Lucier | Ovals | 2001 | live-elec, 1 group | cham-orc [Orchester] | for chamber orchestra (2/2/2/2-2/2/0/0-0-2 solo Cb, strings (Cb opt.)) with slow sweep pure wave oscillators | 0 | |||||||||||
| 26834 | Alvin | Lucier | Panorama | 1993 | live-elec, 2 perf | p, trbn [Posaune, Piano] | Lovely Music, Ltd. LCD 1012/ | 6.11.1993 | Wesleyan University | 0 | http://www.lovely.com/titles/cd1012.html | ||||||||
| 39561 | Alvin | Lucier | Places | 2016 | fixed media, akusmatisch | Alvin Lucier | Diapason | 0 | |||||||||||
| 39010 | Alvin | Lucier | Possible Time and Motion Reversals | 1991 | live-elec, 5 perf | 5 player [Performer] | work-in-progress for five players, two pure wave oscillators | 0 | |||||||||||
| 39011 | Alvin | Lucier | Precious Metals | 1985 | live-elec, 1 perf | br [Bläser] | for brass and pure wave oscillators | 0 | |||||||||||
| 39012 | Alvin | Lucier | Q | 1996 | live-elec, 5 perf | qnt [Instrument] | for quintet and pure wave oscillators. | 0 | |||||||||||
| 39013 | Alvin | Lucier | Quasimodo the Great Lover | 1970 | Performance | for relays of amplification systems | 0 | ||||||||||||
| 39014 | Alvin | Lucier | Reflections of Sound from the Wall | 1981 | Performance | for audio oscillator and moving wall | 0 | ||||||||||||
| 39015 | Alvin | Lucier | RMSIM 1, The Bird of Bremen Flies Through the Houses of the Burghers | 1972 | Klangkunst, Installation | computer-controlled sound environment | 0 | ||||||||||||
| 28638 | Alvin | Lucier | Seesaw | 1983 | Klangkunst, Installation | sound installation for one fixed and one slow sweep pure wave oscillator | 1983 | Whitney Museum of American Art NY | 0 | ||||||||||
| 9976 | Alvin | Lucier | Septet for Three Winds, Four Strings and Pure Wave Oscillator | 1985 | live-elec, 7 perf | 19:28 | 3 w, 4 str, (osc) [Bläser, Streicher] | for three winds, four strings and pure wave oscillators | LM LCD 1018/ | 10.09.1985 | Crowell Hall, Wesleyan University, Middletown, Connecticut | 1 | http://alucier.web.wesleyan.edu/index.html | ||||||
| 39017 | Alvin | Lucier | Serenade for 13 Winds and Pure Wave Oscillators | 1985, 2012 | live-elec, 13 perf | 2 ob, 2 eh, 2 cl, 2 b-cl, 2 bn, 3 hn [Klarinette, Oboe, Fagott, Horn] | 2 oboes, 2eh, 2cl, 2bcl, 2bn, 3hn | 0 | |||||||||||
| 28637 | Alvin | Lucier | Sferics | 1981 | Klangkunst, Installation | 8:12 | sound installation and recordings of ionospheric disturbances, for large-loop antennas, tape recorder and playback system | VR 1017/ LCD 5013/ | 1982 | Wall-to-Wall, John Cage Concert, Symphony Space London | 1 | ||||||||
| 9977 | Alvin | Lucier | Shelter 9999 | 1967 | live-elec, 1 perf | Film |
∞ | multichannel | perf [Performer] | using high-gain sensing of exterior enviromental sounds | Uni Waltham | 0 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 39018 | Alvin | Lucier | Silver Streetcar for the Orchestra | 1988 | live-elec, 1 perf | amp perc (triangel) [Schlagzeug] | for amplified triangle | 1 | |||||||||||
| 39019 | Alvin | Lucier | Six Geometries | 1992 | live-elec, 1 group | ch [Chor] | for chorus with slow sweep pure wave oscillators | 0 | |||||||||||
| 25973 | Alvin | Lucier | Small Waves | 1997 | live-elec, 1 group | ens [Ensemble] | + Schwebungston + teilweise gefüllte Wassercontainer | archipel the third ear/ | 1 | http://alucier.web.wesleyan.edu/index.html | |||||||||
| 39020 | Alvin | Lucier | Solar Sounder I | 1979 | Klangkunst, Installation | sound installation powered and controlled by sunlight. In collaboration with electronic designer John Fullemann | 0 | ||||||||||||
| 23069 | Alvin | Lucier | Sound on Glass | 1997 | Klangkunst, Installation | WDR 1997 | 1997 | Witten | 0 | http://alucier.web.wesleyan.edu/index.html | |||||||||
| 28640 | Alvin | Lucier | Sound on Paper | 1985 | Klangkunst, Installation | Performance |
sound installation or performance for framed paper, loudspeakers and audio oscillator | VR 1017/ | 1985 | Islip Art Museum NY | 0 | |||||||||
| 28639 | Alvin | Lucier | Spinner | 1984 | Klangkunst, Installation | sound installation for six closely tuned pure wave oscillators | 1984 | Real Arts Ways, Hartford | 0 | ||||||||||
| 39021 | Alvin | Lucier | Still and Moving Lines of Silence in Families of Hyperbolas | 1973, 1984 | live-elec, 9 perf | fem V, cl, fl, hn, perc, str-qt [Stimme, Flöte, Klarinette, Horn, Schlagzeug, Streicher] | for singers, players, dancers and unattended percussion; new version for female voice, clarinet, flute, horn, mallet instruments, string quartet and pure wave oscillators |
SR 250 sub rosa/ | 0 | ||||||||||
| 26875 | Alvin | Lucier | Still Lives | 1995 | live-elec, 1 perf | 25:10 | p [Piano] | work for pure waves and instrument | LM- 5012/ Pogus 057/ | 18.03.1999 | Merkin Hall, New York, Kubera | 0 | http://alucier.web.wesleyan.edu/index.html | ||||||
| 20470 | Alvin | Lucier | The Duke of York | 1971 | live-elec, 1 perf, 2 groups | 20:33 | Stereo | Vs and synts [Stimme, synthesizer] | for voices and synthesizers | CRSCD 111/ | 0 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 39022 | Alvin | Lucier | The Exploration of the House | 2005 | Zuspiel / Tonband, 1 group | orc [Orchester] | for orchestra (2/2/2/2-4/2/3-timp-str) with live sound recording and playback | 0 | |||||||||||
| 39023 | Alvin | Lucier | The Fires in the Minds of the Dancers | 1974 | fixed media, akusmatisch | Quadro | movement of eight sound effects in a quadrophonic playback environment | 0 | |||||||||||
| 26706 | Alvin | Lucier | The Only Talking Machine of Its Kind in the World | 1969 | live-elec, 1 perf | Sp, (delay) [Sprecher] | for speaker and tape delay system | 0 | |||||||||||
| 25974 | Alvin | Lucier | The Queen of the South | 1972 | live-elec, 4 perf | audiovisuell |
4 ins [Instrument] | for players, responsive surfaces, strewn material and closed-circuit television system | 1972 | Rhode Island School of Design, Providence | 1 | 2004 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 26873 | Alvin | Lucier | Theme | 1994 | live-elec, 1 perf, 1 group | 18:45 | Vs [Stimme] | for voices and sonorous vessels, on poems of John Ashbery | LM- 5011/ | 20.10.1994 | Russell House, Wesleyan University, Middletown, Connecticut | 0 | http://www.lovely.com/titles/cd1012.html | ||||||
| 38945 | Alvin | Lucier | Tilted Arc | 2018 | live-elec, 1 group | ens [Ensemble] | 0 | https://www.udk-berlin.de/en/courses/sound-studies-and-sonic-arts-master-of-arts/news-events/die-reihe-beitraege-zu-auditiver-kunst-und-kultur/alvin-lucier-and-the-ever-present-orchestra-concert-and-conversation-may-31-2018/ | |||||||||||
| 34767 | Alvin | Lucier | Twins, music on a long thin wire | 1977 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 1 | ||||||||||||
| 38944 | Alvin | Lucier | Two Circles | 2012 | live-elec, 1 group | ens [Ensemble] | 0 | https://www.udk-berlin.de/en/courses/sound-studies-and-sonic-arts-master-of-arts/news-events/die-reihe-beitraege-zu-auditiver-kunst-und-kultur/alvin-lucier-and-the-ever-present-orchestra-concert-and-conversation-may-31-2018/ | |||||||||||
| 39024 | Alvin | Lucier | Tyndall Orchestrations | 1976 | live-elec, 2 perf, 1 group | fem V, perfs [Stimme, Performer] | for female voice, sensitive flame, players with bunsen burners and glass tubes, and recorded birdcalls | 0 | |||||||||||
| 9978 | Alvin | Lucier | Vespers | 1968 | live-elec, 1 perf | perf [Performer] | Recorded with Sondols (Sonar-dolphin echolocation devices) and Environ Ears System. acoustic orientation by means of echolocation, for players with hand-held echolocation devices |
NWR 80604-2/ Mainstream MS 5010 Earle Brown Contemporary Sound Series Vol 13/ WER 6940/ | 1967 | ONCE Festival Ann Arbor | 1 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 39025 | Alvin | Lucier | Violynn | 2001 | live-elec, 1 perf | vn [Violine] | for solo violin with pure wave oscillators | 1 | |||||||||||
| 38946 | Alvin | Lucier | What Day IS Today? | 1999 | fixed media, akusmatisch | eight short works on tape, based on natural radio waves and other date from the Sun, Moon, Mars, Mercury, Jupiter, Venus, and Saturn | 0 | https://www.udk-berlin.de/en/courses/sound-studies-and-sonic-arts-master-of-arts/news-events/die-reihe-beitraege-zu-auditiver-kunst-und-kultur/alvin-lucier-and-the-ever-present-orchestra-concert-and-conversation-may-31-2018/ | |||||||||||
| 9979 | Alvin | Lucier | Whistlers | 1967 | live-elec, 1 perf | var | multichannel | perf [Performer] | using remote sensing of electromagnetic siturbances in the Ionosphere. for recordings of ionospheric disturbances and electronics Withdrawn |
Uni Waltham | 0 | http://alucier.web.wesleyan.edu/index.html | |||||||
| 26832 | Alvin | Lucier | Wind Shadows | 1994 | live-elec, 1 perf | trbn (pure wave osc) [Posaune] | for solo trombone with closely tuned pure wave oscillators | Lovely Music, Ltd. LCD 1012/ NWR 80628/ | 22.10.1994 | “Alvin Lucier: Collaborations” festival at Wesleyan University, Middletown, Connecticut. | 0 | http://www.lovely.com/titles/cd1012.html | |||||||
| 26707 | Alvin | Lucier | Words on Windy Corners | 1980 | live-elec, 1 perf | V, (delay) [Stimme] | for voices, tape delay system and moving loudspeakers | 0 | |||||||||||
| 22396 | Andreas | Luckner | Blaubarts Tonband | 1986 | fixed media, akusmatisch | 11:50 | Stereo | TU Berlin | 1 | ||||||||||
| 22076 | Jörg | Ludwig | Zeitspuren | fixed media, akusmatisch | 5:30 | Von CD " Gezeiten/Acht Stücke über die Zeit" | HBK Saar/ | HBK Saar | 1 | ||||||||||
| 9980 | Martina | Luef | Am Anfang war die Langeweile | 1991 | fixed media, akusmatisch | 9:00 | ELAK Wien | 0 | |||||||||||
| 9981 | Martina | Luef | Dukovany – von der Biedermeierkrankheit | 1990 | fixed media, akusmatisch | 12:00 | ELAK Wien | 0 | |||||||||||
| 9982 | Martina | Luef | Input-Output | 1991 | fixed media, akusmatisch | 12:00 | ELAK Wien | 0 | |||||||||||
| 9983 | Martina | Luef | Nostradamus | 1989 | fixed media, akusmatisch | 11:00 | ELAK Wien | 0 | |||||||||||
| 35636 | Maria Teresa | Luengo | Saltos transparentes II | 2004 | Zuspiel / Tonband, 1 perf | 15:45 | p [Piano] | 0 | |||||||||||
| 9984 | Otto | Luening | A Day in the Country | 1961 | Zuspiel / Tonband, 1 perf | 7:30 | Mono | vn [Violine] | Col.Princ EMC | 0 | |||||||||
| 9985 | Otto | Luening | Dynamophonic Suite | 1958 | fixed media, akusmatisch | 12:00 | Mono | IDEAMA CD 062/ | Col.Princ EMC, Am.A. Roma | 0 | http://music.columbia.edu/cmc/history/ | ||||||||
| 9986 | Otto | Luening | experiments in sound and composition | ? 1961 | fixed media, akusmatisch | Mono | Siemens | 0 | |||||||||||
| 9987 | Otto | Luening | Fantasy in Space | 1952 | fixed media, akusmatisch | 2:51 | Mono | 4 overdubbed fl | CRi CD 611/ CRi CD 670/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | ||||||||
| 9988 | Otto | Luening | Gargoyles | 1961 | Zuspiel / Tonband, 1 perf | 9:21 | Stereo | vn [Violine] | Mainstream MS 6566/ IDEAMA CD 062/ | Col.Princ EMC | 1 | ||||||||
| 38016 | Otto | Luening | In the beginning | 1957 | fixed media, akusmatisch | CRi SD 268/ | Col.Princ EMC | 0 | |||||||||||
| 9989 | Otto | Luening | Invention in twelve Tones | 1952 | fixed media, akusmatisch | 3:42 | Mono | with fl-sounds. Feedback | CRi CD 611/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 0 | ||||||||
| 9990 | Otto | Luening | Low Speed | 1952 | fixed media, akusmatisch | 3:41 | Mono | with fl-sounds. Feedback | CRi CD 611/ Ellipsis Arts 3671 - OHM: 01/ NWCR 611/ CDCD 5067/ IDEAMA CD 063/ | Col.Princ EMC | 1 | ||||||||
| 9991 | Otto | Luening | Moonflight | 1968 | fixed media, akusmatisch | 2:55 | with fl-sounds | CRi CD 611/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | |||||||||
| 9992 | Otto | Luening | Synthesis | 1962 | Zuspiel / Tonband, 1 group | 9:00 | Stereo | orc [Orchester] | CRi 219/ NWCRL 219/ IDEAMA CD 062/ | Col.Princ EMC | 0 | ||||||||
| 9993 | Otto | Luening | Theatre Piece #2 | 1956 | Tanz | 35:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 9994 | Ole | Lützow-Holm | L'ieu d'ad Orgue | 1985 | Zuspiel / Tonband, 1 perf | 18:06 | org [Orgel] | PSCD 31 Phono Suecia/ | 1 | ||||||||||
| 39826 | Grant | Luhmann | Arborea | 2016 | fixed media, akusmatisch | Grant Luhmann | 0 | ||||||||||||
| 23408 | Raymond | Luk | Semiotic Rifle | 1990 | fixed media, akusmatisch | 9:53 | GEMS McGill | ISBN 7717-0537-9/ | McGill Montréal | 1 | |||||||||
| 9996 | Zdenek | Lukás | Arcecona | 1968 | fixed media, akusmatisch | 4:30 | Mono | Radio Plzen | 0 | ||||||||||
| 9997 | Zdenek | Lukás | Concerto grosso II | 1972 | fixed media, akusmatisch | 22:20 | Stereo | Radio Plzen | 0 | ||||||||||
| 9998 | Zdenek | Lukás | Ecce quomodo moritur justus | 1969 | fixed media, akusmatisch | 8:12 | Stereo | Radio Plzen | 0 | ||||||||||
| 9999 | Zdenek | Lukás | Nezabijes | 1971 | fixed media, akusmatisch | 30:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 10000 | Zdenek | Lukás | Vivat iuventus | 1972 | fixed media, akusmatisch | 12:10 | Stereo | Radio Plzen | 0 | ||||||||||
| 20471 | Joseph | Lukasik | Utamaro's Dreams | 1986 | fixed media, akusmatisch | 10:00 | Stereo | ST 203, Starkland/ | Gotham NY | 0 | |||||||||
| 40113 | Michael | Lukaszuk | All the moon long… | 2016 | fixed media, akusmatisch | Michael Lukaszuk | 0 | ||||||||||||
| 40114 | Michael | Lukaszuk | Aretha Variations | 2015 | fixed media, akusmatisch | 7:21:00 | Michael Lukaszuk | 0 | |||||||||||
| 40112 | Michael | Lukaszuk | My Metal Bird Can Sing | 2017 | fixed media, akusmatisch | Michael Lukaszuk | 0 | ||||||||||||
| 34832 | Michael | Lukaszuk | Przypadek | 2016 | fixed media, akusmatisch | 8:37:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 10001 | David | Lumsdaine | Aria con Eduard John Ayre | fixed media, akusmatisch | NMC D/ | 0 | |||||||||||||
| 10002 | David | Lumsdaine | Aria for Edward John Eyre | 1972 | Zuspiel / Tonband, 2 perf, 1 group | S, db, ens [Sopran, Kontrabass, Ensemble] | Uni Durham | 0 | |||||||||||
| 10003 | David | Lumsdaine | Babel | 1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 10004 | David | Lumsdaine | Big Meeting | Uni Durham | 0 | ||||||||||||||
| 10005 | David | Lumsdaine | Bourdon | 1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 10006 | David | Lumsdaine | Caliban Impromptu | 1972 | Zuspiel / Tonband, 3 perf | 3 p [Piano] | Uni Durham | 0 | |||||||||||
| 10007 | David | Lumsdaine | Looking Glass Music | 1970 | Zuspiel / Tonband, 1 perf, 1 group | br-ens [Bläser] | Uni Durham | 0 | |||||||||||
| 10008 | David | Lumsdaine | Meridian | 1974 | Tanz | Uni Durham | 0 | ||||||||||||
| 10009 | David | Lumsdaine | Nursery Rhymes | 1970 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 10010 | David | Lumsdaine | Three Bell Pieces | 1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 39337 | Christopher | Luna-Mega | La torre de Chitor | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 10011 | Corinne de | Luna | Famybes | 1978 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 43025 | Ylva | Lund Bergner | Myosotis | 2013 | fixed media, akusmatisch | 4:51:00 | 0 | ||||||||||||
| 10012 | Svend Åke | Lundbæk | Breakfast in the Dark | 1989 | fixed media, akusmatisch | 20:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 10013 | Ivar | Lunde Jr. | Nocturne, op. 46 | 1973 | Zuspiel/Tonband, 5 perf, 1 group | Musiktheater |
10:00 | ch, male Narrator, ob, cl, 2 perc [Klarinette, Oboe, Schlagzeug, Schauspieler, Chor] | NOTAM | 0 | ||||||||||
| 10014 | Peter | Lundén | Big Bang on Wispering Water | 1995 | fixed media, akusmatisch | 13:13 | Quadro | FYCD 1012/ | TU Berlin | 1 | 1996 | ||||||||
| 10016 | Peter | Lundén | Living Structures | 1988 | fixed media, akusmatisch | intermedia |
12:00 | Stereo | slides. (Agneta Ålstad) | FYCD 1002/ | EMS Stockholm | 1 | ||||||||
| 10017 | Peter | Lundén | Meson-µ | 1984 | fixed media, akusmatisch | 6:50 | Stereo | INFOGRAM 009/ | EMS Stockholm | 1 | |||||||||
| 10018 | Peter | Lundén | Movements I | 1990 | fixed media, akusmatisch | 9:10 | CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | ||||||||||
| 22221 | Peter | Lundén | Noises | 1994 | fixed media, akusmatisch | 14:22 | FYCD 1012/ | KACOR | 1 | ||||||||||
| 10020 | Peter | Lundén | Status limbus II | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 10021 | Peter | Lundén | tn = ∑ m (1+√ 5)/2 | 1983 | fixed media, akusmatisch | 11:00 | Stereo | 0 | |||||||||||
| 10015 | Peter, Bo | Lundén, Rydberg | Instant Modules | 1985 | fixed media, akusmatisch | 8:00 | Stereo | EMS Stockholm | 1 | ||||||||||
| 10019 | Peter, Bo | Lundén, Rydberg | Shapes | 1984 | fixed media, akusmatisch | 9:00 | Stereo | 8.9.1984 | Brüssel | 0 | |||||||||
| 20994 | Rasmus B. | Lunding | Det Nødvendige | 1998 | Klangkunst, Installation | 14:25 | 25 Tracks | soundinstallation on the main square Copenhagen | innova 115/ | DIEM Aarhus | 1 | ||||||||
| 10022 | Ralph | Lundsten | Älvalek | 1984 | Tanz | 16:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10024 | Ralph | Lundsten | Alpha Ralpha Boulevard | 1979 | fixed media, akusmatisch | 6:16 | Stereo | PS Andromeda | 0 | ||||||||||
| 10025 | Ralph | Lundsten | Andromatic | 1968 | Zuspiel / Tonband, | ∞ | Mono, Stereo | PS Andromeda | 0 | ||||||||||
| 10026 | Ralph | Lundsten | Andromedian Night | 1978 | fixed media, akusmatisch | 2:46 | Stereo | PS Andromeda | 0 | ||||||||||
| 10027 | Ralph | Lundsten | Arbetsrörelser | 1977 | Tanz | 40:00 | Stereo | Fenix Ballet | PS Andromeda | 0 | |||||||||
| 10028 | Ralph | Lundsten | Årstidssymfoni | 1984 | intermedia | 30:00 | Stereo | Slide Show | PS Andromeda | 0 | |||||||||
| 10029 | Ralph | Lundsten | Atomskymning | 1964 | fixed media, akusmatisch | 4:00 | Stereo | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | PS Andromeda | 0 | |||||||||
| 10030 | Ralph | Lundsten | Bärningen | 1980 | Theatermusik | 35:00 | Stereo | Riksteatern | PS Andromeda | 0 | |||||||||
| 10031 | Ralph | Lundsten | Burmusik | 1968 | Hintergrundmusik | 7:30 | Mono | PS Andromeda | 0 | ||||||||||
| 10032 | Ralph | Lundsten | Cat Nymphony | 1978 | fixed media, akusmatisch | 3:56 | Stereo | PS Andromeda | 0 | ||||||||||
| 10033 | Ralph | Lundsten | City of Illusion | 1981 | Tanz | 43:00 | Stereo | The Zaronki Ballet | PS Andromeda | 0 | |||||||||
| 10034 | Ralph | Lundsten | Computer love | 1979 | fixed media, akusmatisch | 4:07 | Stereo | PS Andromeda | 0 | ||||||||||
| 10035 | Ralph | Lundsten | Cosmic love | 1970 | fixed media, akusmatisch | 7:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10037 | Ralph | Lundsten | Dancing in a Dream | 1979 | fixed media, akusmatisch | 3:42 | Stereo | PS Andromeda | 0 | ||||||||||
| 10038 | Ralph | Lundsten | Den blå knappen | 1983 | Theatermusik | 3:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10039 | Ralph | Lundsten | Den osynliga trädgården | 1980 | Theatermusik | 16:00 | Stereo | Aurora Th | PS Andromeda | 0 | |||||||||
| 10040 | Ralph | Lundsten | Den overkliga verkligheten | 1974 | Oper | 22:40 | Stereo | Opera of pictures | PS Andromeda | 0 | |||||||||
| 10041 | Ralph | Lundsten | Den svarta lappen | 1983 | Theatermusik | 15:00 | Stereo | Riksteatern | PS Andromeda | 0 | |||||||||
| 10042 | Ralph | Lundsten | Discophrenia | 1978 | fixed media, akusmatisch | 7:10 | Stereo | PS Andromeda | 0 | ||||||||||
| 10043 | Ralph | Lundsten | Dreamscape | 1984 | fixed media, akusmatisch | 20:48 | Stereo | PS Andromeda | 0 | ||||||||||
| 10044 | Ralph | Lundsten | Dröm | 1962 | fixed media, akusmatisch | 1:42 | Stereo | PS Andromeda | 0 | ||||||||||
| 10045 | Ralph | Lundsten | Ego love song | 1979 | fixed media, akusmatisch | 4:03 | Stereo | PS Andromeda | 0 | ||||||||||
| 10046 | Ralph | Lundsten | EMS #1 | 1966 | fixed media, akusmatisch | Film |
14:00 | Mono | PS Andromeda | 0 | ||||||||||
| 10047 | Ralph | Lundsten | En hares äventyr | 1984 | Tanz | 30:00 | Stereo | Liseberg, Gothenburg | PS Andromeda | 0 | |||||||||
| 10048 | Ralph | Lundsten | En helt vanlig dag | 1982 | fixed media, akusmatisch | 11:00 | Stereo | SR Stockholm | 0 | ||||||||||
| 10049 | Ralph | Lundsten | Engergy for biological computer | 1969 | fixed media, akusmatisch | 8:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10050 | Ralph | Lundsten | Erik XIV | 1969 | fixed media, akusmatisch | Tanz |
35:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10051 | Ralph | Lundsten | Expressen | 1970 | Film | 1:40 | Mono | PS Andromeda | 0 | ||||||||||
| 10052 | Ralph | Lundsten | Fader vår | 1971 | Tanz | 41:20 | Stereo | PS Andromeda | 0 | ||||||||||
| 10055 | Ralph | Lundsten | Flora | 1971 | Film | 3:00 | Mono | PS Andromeda | 0 | ||||||||||
| 10056 | Ralph | Lundsten | Främmande planet | 1959/1960 | fixed media, akusmatisch | Film |
4:35 | Stereo | PS Andromeda | 0 | ||||||||||
| 10057 | Ralph | Lundsten | Gabesfokken | 1982 | Theatermusik | 90:00 | Stereo | Riddersalen, Copenhagen | PS Andromeda | 0 | |||||||||
| 10058 | Ralph | Lundsten | Gryning | 1964 | fixed media, akusmatisch | 2:45 | Stereo | PS Andromeda | 0 | ||||||||||
| 10059 | Ralph | Lundsten | Gunnar på Lidaränge | 1973 | Tanz | 23:05 | Stereo | PS Andromeda | 0 | ||||||||||
| 10060 | Ralph | Lundsten | Gustav III | 1971 | Tanz | 31:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10061 | Ralph | Lundsten | Hans nåds testamente | 1983 | Theatermusik | 30:00 | Stereo | Royal Dramatic Th | PS Andromeda | 0 | |||||||||
| 10062 | Ralph | Lundsten | Happy earthday | 1979 | fixed media, akusmatisch | 4:07 | Stereo | PS Andromeda | 0 | ||||||||||
| 10063 | Ralph | Lundsten | Haren och vråken | 1978 | Theatermusik | 10:00 | Stereo | Stockholms Stadsteater | PS Andromeda | 0 | |||||||||
| 10064 | Ralph | Lundsten | Heaven by night | 1975 | fixed media, akusmatisch | 11:35 | Stereo | PS Andromeda | 0 | ||||||||||
| 10065 | Ralph | Lundsten | Hej Natur | 1966 | fixed media, akusmatisch | 8:00 | Mono | PS Andromeda | 0 | ||||||||||
| 10066 | Ralph | Lundsten | Hej plast | 1970 | Hintergrundmusik | 21:05 | Stereo | PS Andromeda | 0 | ||||||||||
| 10067 | Ralph | Lundsten | Hjärtat brinner | 1966 | Film | 20:00 | Mono | PS Andromeda | 0 | ||||||||||
| 10069 | Ralph | Lundsten | Horroscope | 1979 | fixed media, akusmatisch | 5:37 | Stereo | PS Andromeda | 0 | ||||||||||
| 10070 | Ralph | Lundsten | IMF | 1983 | Film | 5:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10072 | Ralph | Lundsten | Intermezzo | 1977 | Theatermusik | 18:00 | Stereo | Den Norske Opera | PS Andromeda | 0 | |||||||||
| 10073 | Ralph | Lundsten | Isjakt | 1983 | audiovisuell | 10:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10074 | Ralph | Lundsten | Isländska dansbilder | 1974 | Tanz | 24:30 | Stereo | PS Andromeda | 0 | ||||||||||
| 10077 | Ralph | Lundsten | Komposition i tre satser | 1964 | Film | 10:00 | Mono | PS Andromeda | 0 | ||||||||||
| 10078 | Ralph | Lundsten | Kosmisk meditation | 1961 | fixed media, akusmatisch | Film |
4:03 | Stereo | PS Andromeda | 0 | ||||||||||
| 10079 | Ralph | Lundsten | Levande livet | 1983 | Fernsehen, | 7:00 | Stereo | PS Andromeda, SR Stockholm | 0 | ||||||||||
| 10080 | Ralph | Lundsten | Life tide | 1979 | fixed media, akusmatisch | 5:20 | Stereo | PS Andromeda | 0 | ||||||||||
| 10082 | Ralph | Lundsten | Love is war | 1970 | Film | 60:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10083 | Ralph | Lundsten | Love. Love. Love | 1973 | Oper | PS Andromeda | 0 | ||||||||||||
| 10084 | Ralph | Lundsten | Luna Lolita | 1978 | fixed media, akusmatisch | 3:20 | Stereo | PS Andromeda | 0 | ||||||||||
| 10086 | Ralph | Lundsten | Maskeraden | 1983 | Film | 5:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10087 | Ralph | Lundsten | Midnattsminnen | 1972 | Tanz | 20:30 | Stereo | PS Andromeda | 0 | ||||||||||
| 10089 | Ralph | Lundsten | Mötet | 1983 | Theatermusik | 20:30 | Stereo | ABF | PS Andromeda | 0 | |||||||||
| 10090 | Ralph | Lundsten | Musik till dikter af Helene Aperia | 1970 | fixed media, akusmatisch | 18:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10091 | Ralph | Lundsten | Nattmara | 1970 | fixed media, akusmatisch | Tanz |
22:15 | Stereo | PS Andromeda | 0 | ||||||||||
| 10092 | Ralph | Lundsten | Nirvana | 1963 | fixed media, akusmatisch | 3:50 | Stereo | PS Andromeda | 0 | ||||||||||
| 10093 | Ralph | Lundsten | Nordisk natursymfoni #1 “Strömkarlen“ | 1972 | Tanz | 47:30 | Stereo | PS Andromeda | 0 | ||||||||||
| 10094 | Ralph | Lundsten | Nordisk Natursymfoni #2, "Johannes och Huldran" | 1975 | Tanz | 39:30 | Stereo | PS Andromeda | 0 | ||||||||||
| 10095 | Ralph | Lundsten | Nordisk natursymfoni #3, "En midvintersaga" | 1981 | fixed media, akusmatisch | 41:00 | Stereo | SR Stockholm | 0 | ||||||||||
| 10096 | Ralph | Lundsten | Nordisk Natursymfoni #4, "En sommarsaga" | 1983 | fixed media, akusmatisch | 21:05 | Stereo | PS Andromeda | 0 | ||||||||||
| 10097 | Ralph | Lundsten | Nordisk Natursymfoni #5, "Trolltagen" | 1984 | fixed media, akusmatisch | 22:52 | Stereo | PS Andromeda | 0 | ||||||||||
| 10098 | Ralph | Lundsten | Ode för en vilsen själ | 1971 | fixed media, akusmatisch | 7:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10099 | Ralph | Lundsten | På vingliga tår | 1973 | Tanz | 10:50 | Stereo | PS Andromeda | 0 | ||||||||||
| 10100 | Ralph | Lundsten | Paradissymfoni | 1979 | Tanz | 36:40 | Stereo | PS Andromeda | 0 | ||||||||||
| 10101 | Ralph | Lundsten | Pengar är inte allt | 1983 | Film | 2:10 | Stereo | PS Andromeda | 0 | ||||||||||
| 10102 | Ralph | Lundsten | Per Gynt 2 | 1975 | Theatermusik | 4:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10103 | Ralph | Lundsten | Pop age | 1983 | fixed media, akusmatisch | 21:15 | Stereo | PS Andromeda | 0 | ||||||||||
| 10104 | Ralph | Lundsten | Psychedelica-Blues | 1969 | Film | 37:30 | Mono | PS Andromeda | 0 | ||||||||||
| 10105 | Ralph | Lundsten | Rendezvous with a Washingmachine | 1979 | fixed media, akusmatisch | 2:31 | Stereo | PS Andromeda | 0 | ||||||||||
| 10106 | Ralph | Lundsten | Resminne | 1968 | Film | 5:00 | Mono | PS Andromeda | 0 | ||||||||||
| 10107 | Ralph | Lundsten | Ringbunden | 1971 | Tanz | 11:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10108 | Ralph | Lundsten | Ristningar | 1969 | fixed media, akusmatisch | Tanz |
20:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10109 | Ralph | Lundsten | Robot Amoroso | 1978 | fixed media, akusmatisch | 5:50 | Stereo | PS Andromeda | 0 | ||||||||||
| 10110 | Ralph | Lundsten | Rymdsagan | 1977 | Tanz | 40:00 | Stereo | Modern Dance | PS Andromeda | 0 | |||||||||
| 10111 | Ralph | Lundsten | Sagan om tåget | 1978 | Fernsehen, | 25:00 | Stereo | SR Stockholm | 0 | ||||||||||
| 10112 | Ralph | Lundsten | Samhällets Barn | 1977 | Tanz | 22:38 | Stereo | Freelance-Dance & CO | PS Andromeda | 0 | |||||||||
| 10113 | Ralph | Lundsten | Shangri-La | 1973 | fixed media, akusmatisch | 7:50 | Stereo | PS Andromeda | 0 | ||||||||||
| 10114 | Ralph | Lundsten | Som hon bäddar får han ligga | 1970 | Film | 7:16 | Mono | PS Andromeda | 0 | ||||||||||
| 10115 | Ralph | Lundsten | Space flower dance | 1979 | fixed media, akusmatisch | 3:11 | Stereo | PS Andromeda | 0 | ||||||||||
| 10116 | Ralph | Lundsten | Spring Fever | 1978 | fixed media, akusmatisch | 6:10 | Stereo | PS Andromeda | 0 | ||||||||||
| 10117 | Ralph | Lundsten | Storstadens puls | 1961 | Film | 2:55 | Stereo | PS Andromeda | 0 | ||||||||||
| 10118 | Ralph | Lundsten | Strech | 1972 | Tanz | 12:30 | Stereo | PS Andromeda | 0 | ||||||||||
| 10119 | Ralph | Lundsten | Svit för elektroniskt dragspel | 1968 | fixed media, akusmatisch | 24:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10121 | Ralph | Lundsten | Terje möter monstret och Mobben | 1973 | Tanz | 23:35 | Stereo | PS Andromeda | 0 | ||||||||||
| 10122 | Ralph | Lundsten | The Celestial Sphinx | 1978 | fixed media, akusmatisch | 4:07 | Stereo | PS Andromeda | 0 | ||||||||||
| 10123 | Ralph | Lundsten | The New Age | 1982 | fixed media, akusmatisch | 48:12 | Stereo | PS Andromeda | 0 | ||||||||||
| 10124 | Ralph | Lundsten | Through a landscape of mirrors | 1970 | fixed media, akusmatisch | Hintergrundmusik |
16:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10125 | Ralph | Lundsten | Törst | 1970 | Film | 7:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10126 | Ralph | Lundsten | Transcendent | 1963 | fixed media, akusmatisch | Film |
3:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10127 | Ralph | Lundsten | Troilos och Kressida | 1981 | Theatermusik | 40:00 | Stereo | Göteborgs Stadsteater | PS Andromeda | 0 | |||||||||
| 10128 | Ralph | Lundsten | Tube Theatre | 1983 | Film | 2:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10129 | Ralph | Lundsten | Universe | 1976 | fixed media, akusmatisch | 50:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10130 | Ralph | Lundsten | Universe Calling | 1978 | Tanz | 40:00 | Stereo | Malmö Stadsteater | PS Andromeda | 0 | |||||||||
| 10131 | Ralph | Lundsten | Urtid | 1962 | fixed media, akusmatisch | 3:20 | Stereo | PS Andromeda | 0 | ||||||||||
| 10132 | Ralph | Lundsten | Vattensymfoni | 1975 | intermedia | 11:00 | Stereo | Slide show | PS Andromeda | 0 | |||||||||
| 10135 | Ralph | Lundsten | Yggdrasil | 1977 | Tanz | 10:00 | Stereo | Dansteatern | PS Andromeda | 0 | |||||||||
| 10036 | Ralph, Yngve | Lundsten, Gamlin | Cosmic love-trial and discussion | 1970 | fixed media, akusmatisch | 16:00 | Stereo | EMI E 061-34216/ | PS Andromeda | 0 | |||||||||
| 10023 | Ralph, Leo | Lundsten, Nilsson | Aloha Arita | 1965 | fixed media, akusmatisch | 14:25 | Stereo, Quadro | LPD 1, SR - Dokumentation 1/ | SR Stockholm | 1 | |||||||||
| 10053 | Ralph, Leo | Lundsten, Nilsson | Fågel blå | 1969 | fixed media, akusmatisch | 14:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10054 | Ralph, Leo | Lundsten, Nilsson | Feel | 1968 | Hintergrundmusik | 4:15 | Stereo | PS Andromeda | 0 | ||||||||||
| 10068 | Ralph, Leo | Lundsten, Nilsson | Holmia | 1969 | Hintergrundmusik | 15:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10075 | Ralph, Leo | Lundsten, Nilsson | Kalejdoskop | 1965 | fixed media, akusmatisch | 19:00 | Stereo, Quadro | LPD 1, SR - Dokumentation 1/ | PS Andromeda, SR Stockholm | 1 | |||||||||
| 10076 | Ralph, Leo | Lundsten, Nilsson | Klot-il maestro sounding globe | 1968 | Hintergrundmusik | 15:00 | Stereo + Stereo | PS Andromeda | 0 | ||||||||||
| 10081 | Ralph, Leo | Lundsten, Nilsson | Ljudd | 1968 | Zuspiel / Tonband, | 10:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10085 | Ralph, Leo | Lundsten, Nilsson | Lyckomusik | 1968 | fixed media, akusmatisch | 5:30 | Stereo | PS Andromeda | 0 | ||||||||||
| 10088 | Ralph, Leo | Lundsten, Nilsson | Mizar | 1968 | fixed media, akusmatisch | 6:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10120 | Ralph, Leo | Lundsten, Nilsson | Tellus | 1968 | Hintergrundmusik | 21:30 | Stereo | PS Andromeda | 0 | ||||||||||
| 10133 | Ralph, Leo | Lundsten, Nilsson | Vintermusik | 1968 | fixed media, akusmatisch | 13:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 10134 | Ralph, Leo | Lundsten, Nilsson | Visioner av flygande tefat | 1966 | fixed media, akusmatisch | 8:00 | Mono | PS Andromeda | 0 | ||||||||||
| 10071 | Ralph, Percy | Lundsten, Ståhl | Impression | 1968 | fixed media, akusmatisch | 3:30 | Stereo | PS Andromeda | 0 | ||||||||||
| 10136 | Peter | Lundström | Moving Pictures | 1975 | Film | ≈ 18:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 27721 | Stanley | Lunetta | moosack machine | 1970 | live-elec, 1 perf | 15:10 | com [computer] | performed by the C. | Source Records, SR 3/ Pogus 21050-2/ | PS C. | 1 | ||||||||
| 10137 | Stanley | Lunetta | Zupfgeige Rinne | 1966 | fixed media, akusmatisch | 10:00 | Stereo | UC Davis | 0 | ||||||||||
| 37262 | Hue Trinh | Luong | Behind The Mirror | 2016 | audiovisuell, live-elec, 1 perf | 7:00:00 | e-gui (fretless electric guitar, tapes & video) [Gitarre] | ZM4 Hamburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 10138 | Mauro | Lupone | Ci saranno altri giorni | 1994 | live-elec, 2 perf | V, fl, [Stimme, Flöte] | MARS | CNUCE Pisa | 0 | http://www.maurolupone.com | |||||||||
| 26709 | Mauro | Lupone | Das schallende Klavier | Zuspiel / Tonband, 1 perf | p [Piano] | CSound | 0 | http://www.maurolupone.com | |||||||||||
| 26710 | Mauro | Lupone | Himmel Feuer | Zuspiel / Tonband, 1 perf | prep p [Piano] | CSound | 0 | http://www.maurolupone.com | |||||||||||
| 26711 | Mauro | Lupone | Numen | Zuspiel / Tonband, 1 perf | fl [Flöte] | CSound | 0 | http://www.maurolupone.com | |||||||||||
| 10140 | Mauro | Lupone | Ricercare III | 1994 | live-elec, 1 perf | b-tuba, (com) [Tuba] | MARS | CNUCE Pisa | 0 | http://www.maurolupone.com | |||||||||
| 10141 | Mauro | Lupone | Ur | 1994 | live-elec, 1 perf | b-tuba, (com) [Tuba] | MARS | CNUCE Pisa | 0 | http://www.maurolupone.com | |||||||||
| 10139 | Mauro, Massimo | Lupone, Magrini | Pogetto Nono: realizations of Nono-pieces | 1994 | fixed media, akusmatisch | MARS | CNUCE Pisa | 0 | http://www.maurolupone.com | ||||||||||
| 10142 | Michelangelo | Lupone | CarilloIl convitato | 1991 | fixed media, akusmatisch | PAN CD 3058/ | CRM Roma | 0 | |||||||||||
| 10143 | Michelangelo | Lupone | Carillon | 1990 | fixed media, akusmatisch | PAN CD 3058/ | CRM Roma | 0 | |||||||||||
| 10144 | Michelangelo | Lupone | Ciclo astrale, Mira Altair Mizar Vega |
1985/1991 | Musiktheater, 8 perf | 60:00 | Stereo | vn, 4 dancer, 3 perc, (com) [Schlagzeug, Violine, Tanz] | Fly10, Fly30 | CRM Roma | 1 | 1990 | |||||||
| 10145 | Michelangelo | Lupone | Contrazione | 1990 | Zuspiel, live-elec, 2 perf | 14:00 | Stereo | 2 fl [Flöte] | The perf needs an open space or a special staging. | CRM Roma | 0 | ||||||||
| 10146 | Michelangelo | Lupone | Corpus III | 1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | gui [Gitarre] | CRM Roma | 0 | |||||||||
| 10147 | Michelangelo | Lupone | Corpus III | 1993 | live-elec, 1 perf | 10:00 | ww [Bläser] | CRM Roma | 0 | ||||||||||
| 24444 | Michelangelo | Lupone | Fit | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 10148 | Michelangelo | Lupone | Forma del respiro | 1993 | fixed media, akusmatisch | 8:50 | Stereo | fly30 | PAN CD 3058/ | CRM Roma | 1 | ||||||||
| 10150 | Michelangelo | Lupone | I diversi Majakowskij | 1994 | live-elec, | PAN CD 3058/ | CRM Roma | 0 | |||||||||||
| 10151 | Michelangelo | Lupone | Il convitato | 1991 | fixed media, akusmatisch | 6:00 | Stereo | CRM Roma | 0 | ||||||||||
| 10152 | Michelangelo | Lupone | Il Margine Sottile | 1993 - 1994 | live-elec, 1 group | orc [Orchester] | CRM Roma | 0 | |||||||||||
| 10153 | Michelangelo | Lupone | In un grattacielo | 1994 | Theatermusik | 31:40 | text by Enrico Palandri; fly30 | PAN CD 3058/ | CRM Roma, Edison St Roma | 1 | |||||||||
| 10154 | Michelangelo | Lupone | Incanto | 1988 | live-elec, 1 perf | Tanz |
16:30 | S [Sopran] | Fly com | PAN CD 3058/ | CRM Roma | 4.2.1990 (DE) | Inventionen Akademie der Künste Berlin | 1 | 1990 | |||||
| 10158 | Michelangelo | Lupone | Iter su figure | 1978/1979 | Tanz | 11:00 | Stereo | 6 fem dancer [Tanz] | CRM Roma | 0 | |||||||||
| 10159 | Michelangelo | Lupone | Macchina del Tempo | 1993 | Oper | live-elec, 2 perf, 1 group |
ens, actor, V [Stimme, Schauspieler, Ensemble] | in preparation (autumn 93) | CRM Roma | 0 | ||||||||||
| 10160 | Michelangelo | Lupone | Mira | 1985 | live-elec, 1 perf | 11:42 | com [computer] | FLY-Computer | CRM Roma | 1 | 1990 | ||||||||
| 10162 | Michelangelo | Lupone | Mobile / Locale | 1991 | Zuspiel, live-elec, 1 perf | 8:54 | perc, (com) [Schlagzeug] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | ||||||||
| 10163 | Michelangelo | Lupone | Mutamenti | 1992 | fixed media, akusmatisch | 30:00 | Stereo | CRM Roma | 0 | ||||||||||
| 10164 | Michelangelo | Lupone | Oltre il doppio | 1989 | Tanz, 4 perf | 16:00 | fl, perc, 2 dancer [Flöte, Schlagzeug, Tanz] | CRM Roma | 0 | ||||||||||
| 10165 | Michelangelo | Lupone | Strati | 1990 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | 2 fl [Flöte] | CRM Roma | 0 | |||||||||
| 10166 | Michelangelo | Lupone | Strati | 1993 | live-elec, 3 perf | 12:00 | p, Kbd, perc [Piano, Keyboard, Schlagzeug] | CRM Roma | 0 | ||||||||||
| 10167 | Michelangelo | Lupone | Studi sul ciclo astrale | 1986 | fixed media, akusmatisch | 10:00 | Stereo | CRM Roma | 0 | ||||||||||
| 10168 | Michelangelo | Lupone | Swap | 1990 | Zuspiel, live-elec, 2 perf | 10:30 | Stereo | fl, perc [Flöte, Schlagzeug] | CRM Roma | 0 | |||||||||
| 10169 | Michelangelo | Lupone | Swapping | 1990 | fixed media, akusmatisch | 3:15 | Stereo | PAN CD 3058/ | CRM Roma | 1 | |||||||||
| 10170 | Michelangelo | Lupone | Transformazione | 1989 | live-elec, 1 perf | 6:30 | S, (com) [Sopran] | Fly com | CRM Roma | 0 | |||||||||
| 10171 | Michelangelo | Lupone | Varianti di un grano | 1993 | fixed media, akusmatisch | 4:50 | CRM Roma | 0 | |||||||||||
| 10157 | Michelangelo, S. | Lupone, Momo | Interazione | 1978 | intermedia | Film |
18:00 | Stereo | V [Stimme] | CRM Roma | 0 | |||||||||
| 22712 | Carlos | Lupprian del Portillo | Naturaleza muerta | 1997 | fixed media, akusmatisch | 5:12 | Csound | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | GME Cuenca | 1 | |||||||||
| 19674 | Juan José | Luque Vela | Antiphona criptae | 1993 | fixed media, akusmatisch | 8:15 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19697 | Juan José | Luque Vela | Libérame | 1995 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | p [Piano] | LICEO Madrid | 0 | |||||||||
| 19675 | Juan José | Luque Vela | Réquiem | 1993 | fixed media, akusmatisch | 7:07 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 10172 | Francisco | Luque | Guitarfonia 3 | 1992 | fixed media, akusmatisch | 6:35 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 10173 | Francisco | Luque | In progress | 1993 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | fl [Flöte] | CICM Paris | 0 | |||||||||
| 10174 | Francisco | Luque | L’Air de Rien | 1987 | fixed media, akusmatisch | 10:00 | IMEB Bourges | 0 | |||||||||||
| 10175 | Francisco | Luque | Le deuxieme rêve | 1991 | fixed media, akusmatisch | Stereo | GMVL Lyon | 0 | |||||||||||
| 10176 | Francisco | Luque | Quitarphonie | 1990 | Zuspiel / Tonband, 1 perf | 10:00 | gui [Gitarre] | CICM Paris | 0 | ||||||||||
| 10177 | Francisco | Luque | Saxofonia | 1989 | Zuspiel / Tonband, 1 perf | 7:47 | Stereo | sax [Saxophon] | LIEM CDMC Madrid | 0 | |||||||||
| 10178 | Francisco | Luque | Saxophonie | 1989 | Zuspiel / Tonband, 1 perf | 15:00 | amp sax [Saxophon] | CICM Paris | 0 | ||||||||||
| 25975 | Sergio | Luque | De la incertidumbre | 2005 | fixed media, akusmatisch | 27:00 | 3 Teile (siehe Notes) | BEAST | 1 | http://www.sergioluque.com/ | |||||||||
| 34100 | Sergio | Luque | Frio | 2001 | fixed media, akusmatisch | 12:05 | Frio ≈ from latin „frigidus“ | IRD 002 Irradia/ TN 006 TecnoNucleo/ | 0 | https://www.discogs.com/de/Sergio-Luque-Sex-Drugs-And-Rock-n-Roll-Was-Never-Meant-To-Be-Like-This/release/1742387 | |||||||||
| 28740 | Sergio | Luque | Sex, Drugs and Rock ‘n Roll was never meant to be like this | 2008 | fixed media, akusmatisch | 9:40 | TN 006 TecnoNucleo/ | 1 | |||||||||||
| 37861 | Sergio | Luque | Ssst | fixed media, akusmatisch | 10:04 | TN 006 TecnoNucleo/ | 0 | https://www.discogs.com/de/Sergio-Luque-Sex-Drugs-And-Rock-n-Roll-Was-Never-Meant-To-Be-Like-This/release/1742387 | |||||||||||
| 23409 | René | Lussier | Chronicle of a Genocide foretold | 1996 | Film | 42:33 | Stereo | Dokumentarfilm, Patry; Musik realisiert im Studio 2 des National Filmboard of Canada | AM 057 CD/ | Filmstudio Montreal | 1 | ||||||||
| 18853 | René | Lussier | Hommage à Adolf Dax | 1994 | Musiktheater, 4 perf | 10:50 | ins (daxophones), e-gui, str, perc [Gitarre, Schlagzeug, Instrument, Streicher] | mit René Lussier e.a. L'encerclement de MOZOTE, Le crime de L'ATLACATL Chercher l'erreur |
MW 58/ | 1 | |||||||||
| 20472 | René | Lussier | Le trésor de la langue | 1989 | fixed media, akusmatisch | 65:45 | Stereo | AM 015 CD/ | 1 | ||||||||||
| 10179 | René | Lussier | Roche noire (chronique irlandaise) | 1992 | Zuspiel, live-elec, 1 perf | 10:34 | e-gui [Gitarre] | JTR 8440/ | 0 | ||||||||||
| 34376 | Roeland | Luyten | Decyclage | 2015 | fixed media, akusmatisch | Accademia Musicale Pescarese/ | 5º/4º Concorso Internazionale di Composizione Elettronica “Pierre Schaeffer” | 0 | |||||||||||
| 35392 | Roeland | Luyten | Helena | 2014 | fixed media, akusmatisch | 8:47:00 | Stereo | MR 2014 Métamorphoses 2014/ Taukay 156/ | March 19, 2014 | ÉlectroBelge et nouvelles productions de M&R, Espace Senghor (Brussels, Belgium) | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 | 0 | |||||||
| 33643 | Roeland | Luyten | Hooks | 2010 | fixed media, akusmatisch | 8:40 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 41478 | Roeland | Luyten | Knars | 2018 | fixed media, akusmatisch | 13:46 | Octo | Musiques et Recherches Ohain | 1. prize; 10th Métamorphoses Acousmatic Composition Competition, and held in occasion of the 25th International Acousmatic Festival Espace du Son | 0 | |||||||||
| 35682 | Roeland | Luyten | Roest | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35683 | Roeland | Luyten | Rozenblad | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 21004 | Mario de la | Luz Núñez Plaza | Modo Lidio | 1997 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 19618 | Mario de la | Luz Núñez Plaza | Triptico | 1995 | fixed media, akusmatisch | 4:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 23554 | Fernando | Luzardo | Prismática | 2003 | fixed media, akusmatisch | 4:00 | 1 | ||||||||||||
| 10180 | Diego | Luzarga | Los ojos de mis suenos | 1984 | fixed media, akusmatisch | 5:05 | IPEM Gent | 0 | |||||||||||
| 18854 | Christophe | Lyard | Verrappel | 1986 | fixed media, akusmatisch | Collectif & Cie C 01/ | C&C Annecy | 1 | |||||||||||
| 42831 | Eric | Lyday | Cycle | 2013 | fixed media, akusmatisch | 5:07:00 | 0 | ||||||||||||
| 10181 | Len | Lye | Swinging the Lambeth Walk Color Cry |
1939 - 1953 | Film | Mono | drawn soundtrack, synthetic sound | 0 | |||||||||||
| 24969 | Young Mee | Lymn | Gaya | 2000 | Zuspiel, live-elec, 1 perf | 8:30 | vn [Violine] | KEAMS 10th Anniversary/ | 1 | ||||||||||
| 39857 | Hugh | Lynch | Another September | 2016 | Performance | Hugh Lynch | 0 | ||||||||||||
| 43008 | Hugh | Lynch | Mirror in February | 2013 | fixed media, akusmatisch | 5:30:00 | 0 | ||||||||||||
| 10182 | Peter | Lyne | Digitalis | 1974 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 10183 | Peter | Lyne | Missa pro Infinitione | 1972 | Zuspiel / Tonband, 2 groups | 30:00 | orc, ch [Chor, Orchester] | EMS Stockholm | 0 | ||||||||||
| 35574 | Eric | Lyon | 1979 | 1995 | fixed media, akusmatisch | 7:41 | SNR-CD 001/ | 0 | |||||||||||
| 26728 | Eric | Lyon | A Gauzy Red Miasma | 2000 | live-elec, | live computer music | 0 | ||||||||||||
| 26729 | Eric | Lyon | Blip | 2000 | fixed media, akusmatisch | computer generated music | 0 | ||||||||||||
| 35575 | Eric | Lyon | Butter | 1994 | fixed media, akusmatisch | 21:38 | SNR-CD 001/ | 0 | |||||||||||
| 42943 | Eric | Lyon | Confessions of a Virtue Addict | 2013 | live-elec, 1 perf | 16:00:00 | trbn [Posaune] | Jay Crone, trombone | 0 | ||||||||||
| 26723 | Eric | Lyon | Conspiracies R Us | 2001 | live-elec, | live computer music | 0 | ||||||||||||
| 35576 | Eric | Lyon | De re architectura | 1994 | fixed media, akusmatisch | 9:33 | SNR-CD 001/ | 0 | |||||||||||
| 26719 | Eric | Lyon | Ex Cathedra | 2002 | fixed media, akusmatisch | computer generated music | 0 | ||||||||||||
| 26720 | Eric | Lyon | FrM | 2002 | fixed media, akusmatisch | computer generated music | 0 | ||||||||||||
| 26718 | Eric | Lyon | Global Eyes | 2003 | fixed media, akusmatisch | computer generated music | 0 | ||||||||||||
| 26722 | Eric | Lyon | Grand Duo | 2002 | live-elec, 2 perf | tpt, trbn [Trompete, Posaune] | 0 | ||||||||||||
| 18977 | Eric | Lyon | Greaseball | 1992 | Zuspiel / Tonband, 1 perf | 6:52 | e-gui [Gitarre] | Seth Josel (gui) | CRI CD 697/ | FEMS Florida | 1 | ||||||||
| 26726 | Eric | Lyon | Happy Millennium to You! | 2000 | live-elec, | live computer music | 0 | ||||||||||||
| 26717 | Eric | Lyon | Liberation #1 | 2003 | fixed media, akusmatisch | computer generated music | 0 | ||||||||||||
| 39765 | Eric | Lyon | Little History of Photography | 2016 | fixed media, akusmatisch | Eric Lyon | 0 | ||||||||||||
| 20473 | Eric | Lyon | Low Flying Unicorns | 1991 | fixed media, akusmatisch | 9:33 | Stereo | "Intercambio: Computer Music from Buenos Aires and California." CCRMA/LIPM/CRCA/ CCRMA/ | 0 | ||||||||||
| 26714 | Eric | Lyon | Molten Statues | 2003 | fixed media, akusmatisch | 1 | computer generated music | CPS 8744 Capstone/ | 0 | ||||||||||
| 42686 | Eric | Lyon | NJ Honcho Wing (for John Chowning) | 2012 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 26727 | Eric | Lyon | None of Us Will Ever Be the Same | 2000 | fixed media, akusmatisch | computer generated music | 0 | ||||||||||||
| 35577 | Eric | Lyon | Psychedelic relapse | 1994 | fixed media, akusmatisch | 4 | SNR-CD 001/ | 0 | |||||||||||
| 26730 | Eric | Lyon | Psychic Driving | 1999 | live-elec, 1 perf | p [Piano] | for piano and live computer processing | Organised Sound Vol 13/3/ | 0 | ||||||||||
| 35578 | Eric | Lyon | Red Velvet | 1996 | fixed media, akusmatisch | 24:53 | SNR-CD 001/ | 0 | |||||||||||
| 26724 | Eric | Lyon | Rock and Roll Goddess | 2001 | live-elec, | computer-processed electric guitar music | 0 | ||||||||||||
| 26725 | Eric | Lyon | Sacred Amnesia | 2001 | fixed media, akusmatisch | computer generated music | 0 | ||||||||||||
| 26721 | Eric | Lyon | Second Skin, on a Text by Erik Belgum | 2002 | live-elec, | live computer music | 0 | ||||||||||||
| 42691 | Eric | Lyon | Spaced Images with Noise and Lines | 2011 | fixed media, akusmatisch | 10:00:00 | Joinery in Dublin | 0 | |||||||||||
| 26713 | Eric | Lyon | Stem Cells | 2004 | live-elec, | live computer music | Organised Sound Vol 13/3/ | 0 | http://www.sarc.qub.ac.uk/~elyon/Lyon_resume.html | ||||||||||
| 36242 | Eric | Lyon | Still Life with Vibraphone and Computer | 2011 | live-elec, 1 perf | 15:54 | vib (com) [Schlagzeug] | 3 movements | innova 967/ | Virginia Center | Patti Cudd | 0 | |||||||
| 39764 | Eric | Lyon | Still Life with Vibraphone and Computer | 2017 | fixed media, akusmatisch | Eric Lyon | 0 | ||||||||||||
| 10184 | Eric | Lyon | The Afterbirth of Apollo | 1993 | Zuspiel / Tonband, 1 perf | Stereo | fl [Flöte] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 10185 | Eric | Lyon | The blistering price of power | 1993 | fixed media, akusmatisch | Stereo | Upic | EMF 125/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 26716 | Eric | Lyon | The New Improved Truth (Book II) | 2003 | live-elec, 1 perf | vc [Cello] | for cello and computer generated music | 0 | |||||||||||
| 26715 | Eric | Lyon | The New Improved Truth (Book III) | 2003 | live-elec, 1 perf | fl [Flöte] | for flute and computer generated music | 0 | |||||||||||
| 26712 | Eric | Lyon | Trajectories | 2004 | fixed media, akusmatisch | 7:35 | Octo | SEAMUS EAM Vol. 16/ | 0 | ||||||||||
| 42633 | Eric | Lyon | Trio | 2009 | live-elec, 3 perf | fl, cl, com [Flöte, Klarinette, computer] | The Tornado Project | 0 | |||||||||||
| 35692 | Eric, Erik | Lyon, Belgum | Retirement Fund | live-elec, | a chamber opera | SNR no number 1/ | IAMAS | 0 | |||||||||||
| 35691 | Eric, Erik | Lyon, Belgum | Retirement Fund No. 2, The Audit | 1995 | fixed media, akusmatisch | SNR no number 2/ | IAMAS | Jerome Foundation | 0 | https://www.discogs.com/de/Eric-Lyon--Erik-Belgum-Retirement-Fund-a-Chamber-Opera/release/316347 | |||||||||
| 10186 | Grégoire | Lyon | Prolongements | 1983 | fixed media, akusmatisch | 3:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 27404 | Frank | Lyons | Rush | 2004 | live-elec, 1 perf | 6:11 | vn [Violine] | CMC CD 08 Contemporary Music from Ireland Vol 8/ | 1 | ||||||||||
| 10187 | Donna | Lytle | ∆ 0 ◊ | fixed media, akusmatisch | 2:00 | Stereo | Concordia Montréal | 0 | |||||||||||
| 10188 | Donna | Lytle | At the Brain Drain | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 10189 | A. van | Maarn | De rijke man en de arme Lazarus | 1959 | Zuspiel / Tonband, 1 perf | 10:00 | Mono | Sp [Sprecher] | TH Delft | 0 | |||||||||
| 22655 | Georg, Folkmar | Maas, Hein | Atemnot | 1991 | Film | 72:00 | Produktion: Reny-Film. | TU Berlin | ZDF (Kleines Fernsehspiel) | 20.8.1991 22:50h | ZDF; Voraufführung im Filmpalast Berlin am 18.8.1991 | 1 | |||||||
| 22656 | Georg, Folkmar | Maas, Hein | Die Sonne kommt | 1988 | Film | 24:00 | 16 mm Farbe | TU Berlin, dffb Berlin | 20.8.1988 | Kongresshalle Berlin, "Audiowerkstatt Berlin" | 1 | ||||||||
| 10190 | Günter | Maas | Etude X / a | 1964 | Hintergrundmusik | 1:15 | Mono | Siemens | 0 | ||||||||||
| 10191 | Günter | Maas | Etude XII / a | 1964 | Hintergrundmusik | 0:46 | Mono | Siemens | 0 | ||||||||||
| 10192 | Günter | Maas | Etude XIII / a | 1964 | Hintergrundmusik | 0:45 | Mono | Siemens | 0 | ||||||||||
| 10193 | Günter | Maas | Grundgestalten und Varianten | 1965 | Hintergrundmusik | 2:26 | Mono | Siemens | 0 | ||||||||||
| 10194 | Günter | Maas | Komposition III | 1963 | Hintergrundmusik | 4:23 | Mono | Siemens | 0 | ||||||||||
| 10195 | Günter | Maas | Komposition VI | 1963 | Hintergrundmusik | 5:26 | Mono | Siemens | 0 | ||||||||||
| 10196 | Günter | Maas | Komposition XI | 1964 | Hintergrundmusik | 5:00 | Mono | Siemens | 0 | ||||||||||
| 10197 | Günter | Maas | Komposition XII | 1964 | Hintergrundmusik | 2:53 | Mono | Siemens | 0 | ||||||||||
| 10198 | Günter | Maas | Komposition XVI | 1965 | Hintergrundmusik | 4:52 | Mono | Siemens | 0 | ||||||||||
| 10199 | Günter | Maas | Komposition XVII | 1965 | Hintergrundmusik | 5:50 | Mono | Siemens | 0 | ||||||||||
| 10200 | Günter | Maas | Komposition XVIII | 1966 | Hintergrundmusik | 5:08 | Mono | Siemens | 0 | ||||||||||
| 10201 | Günter | Maas | Komposition XXIII | 1966 | Hintergrundmusik | 4:20 | Mono | Methamorphose zweier Bilder und Klangbilder | Siemens | 0 | |||||||||
| 10202 | Günter | Maas | Studie XVIII / 3 | 1965 | Hintergrundmusik | 1:18 | Mono | Siemens | 0 | ||||||||||
| 10203 | Ami | Maayani | The Frame | 1966 | Film | 20:00 | Stereo | PS C. | 0 | ||||||||||
| 36898 | Feliz | Macahis | Alitit | 2014 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 06.11.2014 | Kestnergesellschaft | 0 | |||||||||
| 37793 | Feliz | Macahis | Dimensioning | 2016 | Klanginstallation, live-elec, | 5 tracks | (Interaktive Klanginstallation) [] | Incontri HMTM Hannover | 05.11.2016 | Faust Warenannahme Hannover | 0 | ||||||||
| 37791 | Feliz | Macahis | Paracousia | 2016 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 24.11.2016 | Hochschule für Künste Bremen | 0 | |||||||||
| 36880 | Feliz | Macahis | Sungka | 2015 | live-elec, 2 perf | Klangkunst, Installation |
Quadro | 2 perf, (elec, Lichtsensoren) [Performer] | Incontri HMTM Hannover | 21.04.2015 | Kunstverein Hannover | 0 | ||||||||
| 37803 | Feliz | Macahis | tula-y | 2017 | audiovisuell, live-elec, 1 perf | Octo | p, (Video, elec) [Piano] | Incontri HMTM Hannover | 17.07.2017 | HMTM Hannover | 0 | ||||||||
| 37175 | Feliz Anna | Macahis | Dimensioning | 2017 | Klangkunst, Installation | ∞ | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | |||||||||||
| 10206 | Egisto | Macchi | Morte dell'orecchio di van Gogh | 1964 | Zuspiel / Tonband, 2 perf, 1 group | 18:00 | Mono | hpd, Sp, orc [Sprecher, Cembalo, Orchester] | PS C. | 0 | |||||||||
| 10207 | Egisto | Macchi | Parabola | 1963 | Oper | Mono + Mono + Mono | PS C. | 0 | |||||||||||
| 23172 | Sylvi | MacCormac | penny: a process | 1998 | fixed media, akusmatisch | 3:14 | Cec Presence 3/ | SFU | 1 | ||||||||||
| 21608 | Sylvi | MacCormac | Spirit Wheels: Journey | 1997 | Oper | 3:07 | part 1 of a puppet opera | CEC Presence 2/ | SFU | 1 | |||||||||
| 10208 | Jack | MacDermot | Coil | 1984/1985 | fixed media, akusmatisch | 10:10 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 10209 | Alistair | MacDonald | A trace of infinity | 1991 | Zuspiel / Tonband, 1 group | 16:30 | Stereo | amp ens [Ensemble] | fl, cl, ob, perc, mdl, gui, hp, vn, va, vc, db | 1M 1 CD1018/ | BEAST | 0 | |||||||
| 21025 | Alistair | MacDonald | Arachne | 1995 | Klangkunst, Installation | 16:00 | Stereo | for WEB with BEAST | BEAST | 0 | |||||||||
| 10210 | Alistair | MacDonald | Brittle | 1992 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | vc, p [Piano, Cello] | BEAST | 0 | |||||||||
| 10212 | Alistair | MacDonald | Cirrus | 1989 | Zuspiel / Tonband, 2 perf | 11:10 | Stereo | MIDI (w-con), sam [computer, synthesizer] | BEAST | 0 | |||||||||
| 10213 | Alistair | MacDonald | ... close of a dark day ... | 1987 | live-elec, 4 perf | 10:00 | Stereo | 4 amp V [Stimme] | BEAST | 0 | |||||||||
| 10214 | Alistair | MacDonald | Dance, monster, to my soft song | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | p [Piano] | BEAST | 0 | |||||||||
| 21029 | Alistair | MacDonald | Dreel | 1996 | fixed media, akusmatisch | 10:47 | Stereo | SCD 28046 Sargasso/ | BEAST | BEAST / West Midlands Arts. | 1996 | „rumours“ in Birmingham | 1 | 2010 | http://www.alistairmacdonald.co.uk | ||||
| 42634 | Alistair | MacDonald | Equivalence | 2009 | fixed media, akusmatisch | 13 | Curated by Robert Dow | 0 | |||||||||||
| 10215 | Alistair | MacDonald | (inter)play | 1988 | fixed media, akusmatisch | 11:03 | Stereo | AVTR 001/ | BEAST, EMS Stockholm, UEA Norwich | 0 | |||||||||
| 10216 | Alistair | MacDonald | Kilim | 1993 | fixed media, akusmatisch | 10:10 | Stereo | nor 03/ Musidisc 244992/ NMC D035/ | BEAST | 1 | |||||||||
| 10217 | Alistair | MacDonald | Listen | 1990 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | amp girls Vs [Stimme] | BEAST | 0 | |||||||||
| 10219 | Alistair | MacDonald | Meeting point | 1990 | fixed media, akusmatisch | Tanz |
8:15 | Stereo | originally composed for dance | UKP001/ upcd 01/ | BEAST | 1 | ||||||||
| 21027 | Alistair | MacDonald | One island | 1996 | fixed media, akusmatisch | 10:50 | Stereo | BEAST | 0 | ||||||||||
| 21024 | Alistair | MacDonald | One thousand and one lights | 1994 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | Sp [Sprecher] | BEAST | 0 | |||||||||
| 21023 | Alistair | MacDonald | Quite Still | 1995 | live-elec, 1 perf | 10:00 | e-gui [Gitarre] | BEAST | 0 | ||||||||||
| 21028 | Alistair | MacDonald | Ripple | 1996 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | vc [Cello] | BEAST | 0 | |||||||||
| 10221 | Alistair | MacDonald | Scuttle | 1992 | Zuspiel / Tonband, 1 perf | 14:35 | Stereo | a-fl [Flöte] | BEAST, IMEB Bourges | 0 | |||||||||
| 21026 | Alistair | MacDonald | So many islands | 1996 | Zuspiel/Tonband, 1 perf | Tanz |
15:00 | Stereo | Mez [Mezzo] | BEAST | 0 | |||||||||
| 10222 | Alistair | MacDonald | Stiriae | 1984 | fixed media, akusmatisch | 12:00 | Stereo | BEAST, UEA Norwich | 0 | ||||||||||
| 10223 | Alistair | MacDonald | Strepho | 1989 | live-elec, 5 perf | 6:00 | Stereo | amp s-sax, amp tpt, MIDI-perc, amp p, amp vc [Saxophon, Trompete, Piano, Schlagzeug, Cello] | BEAST | 0 | |||||||||
| 10218 | Alistair, R.A. | MacDonald, Ramamani | Making of Maps | 1992 | Tanz | 31:00 | Stereo | BEAST | 0 | ||||||||||
| 10211 | Alistair, Nicholas | MacDonald, Virgo | Busk | 1988 | fixed media, akusmatisch | radiophon |
14:51 | Stereo | LDC 278049/50 Cultures Electroniques 4/ NMC D035/ | BEAST | Mention Prix Italia; Bourges 89 |
1 | ||||||||
| 37202 | Celso | Machado | Cornerstone | 2017 | fixed media, akusmatisch | 6:12:00 | ICEM Essen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 10224 | Peter | Machajdik | ... a zem sa bude desi | 1989 | fixed media, akusmatisch | 11:35 | Stereo | CECM Bratislava | 0 | ||||||||||
| 10225 | Peter | Machajdik | De levende Toetsenbordwereld | live-elec, | 0 | ||||||||||||||
| 10226 | Peter | Machajdik | Double concerto | live-elec, | 0 | ||||||||||||||
| 10227 | Peter | Machajdik | in memoRIam (Czechoslovakia ?), In memoriam CS | 1992 | fixed media, akusmatisch | 12:00 | Stereo | MIDI | TU Berlin | Competition Musica Nova Prag 1993 | 0 | ||||||||
| 10228 | Peter | Machajdik | Intime Musik | 1994 | Performance, Zuspiel, live-elec, 4 perf | 90:00 | V, sax, fl, dance, (elec) [Stimme, Flöte, Saxophon, Tanz] | 6.2.1994 | Inventionen Akademie der Künste Berlin, Machajdik, Moss, Diesner, Pschenitschnikowa, Rust | 1 | 1994 | ||||||||
| 10229 | Peter | Machajdik | …is IT for YOU, is IT from ME | live-elec, | 0 | ||||||||||||||
| 41896 | Peter | Machajdik | Salubernimae Pistinienses T. | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 10230 | Peter | Machajdik | Seven Colours of Life, Light, Line | 1990 | Zuspiel / Tonband, 2 perf | 2 V [Stimme] | 0 | ||||||||||||
| 37933 | Peter | Machajdik | The Healing Heating | 2008 | radiophon | 20:05 | radiocustica selected 2008/ | Czech Radio Prague | 0 | ||||||||||
| 10231 | François-Bernard | Mâche | Aliunde | 1988 | Zuspiel / Tonband, 3 perf | 20:00 | fem V, cl, perc [Stimme, Klarinette, Schlagzeug] | ERA 2292 45826/ | 0 | ||||||||||
| 10232 | François-Bernard | Mâche | Amorgos | 1979 | Zuspiel / Tonband, 12 perf | 12:39 | 12 ins [Instrument] | Coll GRM 9107 MA/ INA C 1018/ INA-GRM 9107 MA/ | INA • GRM | 1 | |||||||||
| 10233 | François-Bernard | Mâche | Aulodie | 1983 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | ob [Oboe] | Upic; ins can also be sax or cl | ERA 2292 45826/ ADDA 581047/ PHI 923521-3/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||
| 31294 | François-Bernard | Mâche | Canzone I | 1960 | Film | 6:15 | Film „Conte“ by Kamler | INA • GRM | juim 1960 | Paris, Salle des Agricultures | 0 | ||||||||
| 10234 | François-Bernard | Mâche | Canzone II | 1963 | fixed media, akusmatisch | 5:25 | IDEAMA CD 026/ | INA • GRM | 15.2.1962 | Paris, Salle des Conservatoires | 0 | ||||||||
| 10235 | François-Bernard | Mâche | Hypérion | 1980 | fixed media, akusmatisch | 8:22 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 10236 | François-Bernard | Mâche | Kassandra | 1977 | Zuspiel / Tonband, 14 perf | 23:08 | 14 ins [Instrument] | Coll GRM 9107 MA/ INA C 1018/ INA-GRM 9107 MA/ | INA • GRM | 1 | |||||||||
| 10237 | François-Bernard | Mâche | Khnoum | 1990 | live-elec, 6 perf | 16:50 | 5 perc, sam [Schlagzeug, computer] | 1 | 1991 | ||||||||||
| 10238 | François-Bernard | Mâche | Korwar | 1972 | Zuspiel / Tonband, 1 perf | 15:33 | Stereo | hpd [Cembalo] | ADDA 581233/ FACD 367/ | IMEB Bourges | 1 | ||||||||
| 10239 | François-Bernard | Mâche | Lanterne magique | 1959 | fixed media, akusmatisch | Film |
4:15 | Mono, Stereo | Version Concert and version film (4:25) | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ IDEAMA CD 039/ | INA • GRM | 17.9.1959 | Warsaw autumn | 1 | ||||||
| 24720 | François-Bernard | Mâche | Manuel de résurrection | 1998 | Zuspiel / Tonband, | INA C 1018/ | INA • GRM | 0 | |||||||||||
| 10240 | François-Bernard | Mâche | Marae | 1974 | live-elec, 6 perf | 6 amp perc [Schlagzeug] | 1 | 1984 | |||||||||||
| 24721 | François-Bernard | Mâche | Moires | 1994 | Zuspiel / Tonband, | INA C 1018/ | INA • GRM | 0 | |||||||||||
| 10241 | François-Bernard | Mâche | Naluan | 1974 | Zuspiel / Tonband, 18 perf | 18 ins [Instrument] | 0 | ||||||||||||
| 10242 | François-Bernard | Mâche | Nocturne | 1981 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | p [Piano] | Upic | Naxos 8.557988/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||
| 10243 | François-Bernard | Mâche | Nuit blanche | 1967 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | Sp [Sprecher] | IDEAMA CD 036/ | INA • GRM, ExpSt Warsaw | Radio Warsaw | 11.9.1967 | Besançon | 0 | |||||
| 40490 | François-Bernard | Mâche | Oxyde 63 | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 10244 | François-Bernard | Mâche | Phonographies de l’eau, (Regmin / Ianassa / Proteus / Speio) | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 10245 | François-Bernard | Mâche | Prélude | 1959 | fixed media, akusmatisch | Film |
5:31 | Mono + Mono + Mono, Stereo | INA C 1032 27652 archives grm CD 2/5/ PHI A 00567 L/ PHI 835 407 AY/ IDEAMA CD 039/ Boomkat bundle_158/ SR 270 sub rosa/ | INA • GRM | 01.06.59 | Salle Gaveau, Paris | 0 | |||||||
| 10246 | François-Bernard | Mâche | Rambaramb | 1971 | Zuspiel / Tonband, | EM ?? | 0 | ||||||||||||
| 10247 | François-Bernard | Mâche | Rituel d'oubli | 1969 | Zuspiel / Tonband, 2 perf, 1 group | 30:40 | Stereo | br-ens, perc [Schlagzeug, Bläser] | IDEAMA CD 040/ | INA • GRM | Commende d’Etat | 11.6.1970 | Strabourg, Palais des Fêtes; Dir. M. Constant | Salabert | 0 | ||||
| 10248 | François-Bernard | Mâche | Soleil rugueux | 1965 | fixed media, akusmatisch | 6:40 | Stereo + Stereo, Quadro | Gravesaner Blätter 7 PAL 2869-ST EPML 48/ | Scherchen Gravesano | 29 July 1967 | Finlande, festival de Viitasaari | 0 | http://brahms.ircam.fr/works/work/27849/ | ||||||
| 10249 | François-Bernard | Mâche | Solstice | Zuspiel / Tonband, 1 perf | hpd [Cembalo] | 0 | |||||||||||||
| 10250 | François-Bernard | Mâche | Sopiana | 1980 | Zuspiel / Tonband, 2 perf | 11:46 | fl, p [Flöte, Piano] | Coll GRM 9107 MA/ INA C 1018/ INA-GRM 9107 MA/ | INA • GRM | 1 | |||||||||
| 10251 | François-Bernard | Mâche | Synergies, Concert Collectif | 1963 | Zuspiel / Tonband, 1 perf | 7:44 | Stereo | ins [Instrument] | PHI 836 894 DSY/ IDEAMA CD 050/ | INA • GRM | 16.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 0 | ||||||
| 10252 | François-Bernard | Mâche | Temes Nevinbür | 1973 | Zuspiel / Tonband, 4 perf | 16:00 | 2 p, 2 perc [Piano, Schlagzeug] | ERA STU 70860 LP/ | 0 | ||||||||||
| 10253 | François-Bernard | Mâche | Tempora | 1988 | live-elec, | 0 | |||||||||||||
| 10254 | François-Bernard | Mâche | Terre de feu | 1963 | Tanz | 7:06 | Stereo | BAM LD 072/ BAM 5072/ Candide CE 31025/ IDEAMA CD 039/ | INA • GRM | 6.2.1965 17.9.1966 |
Grenoble, Maison de la Culture Buenos Aires |
0 | |||||||
| 10255 | François-Bernard | Mâche | Tithon | 1989 | fixed media, akusmatisch | 10:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 10256 | François-Bernard | Mâche | Uncas | 1986 | Zuspiel / Tonband, 8 perf | 8 ins [Instrument] | 0 | ||||||||||||
| 10257 | François-Bernard | Mâche | Volumes, Horizons Impacts et camaieux Sphère |
1960 | Zuspiel / Tonband, 1 group | 12:28 | Stereo + Stereo, Quadro, 12 tracks | ens [Ensemble] | 12 Mono-Tape-Recorders! | BAM LD 071/ BAM LD 5872/ IDEAMA CD 039/ | INA • GRM | 39.6.1960 | Salle Gaveau, Paris, Festival de la Recherche; Orch. de Chambre de la RTF, dir. A. Girard | 1 | |||||
| 36466 | Yoshio | Machida | Kaze | 2007 | radiophon | 4:00:00 | and 26/ | 0 | |||||||||||
| 20474 | Tod | Machover | Bug-Mudra | 1990 | live-elec, 2 perf | 15:14 | Stereo | gui, perc [Gitarre, Schlagzeug] | BCD 9020/ BCD 9022/ | 0 | |||||||||
| 10258 | Tod | Machover | Déplacements | 1979 | Zuspiel / Tonband, 1 perf | 30:00 | gui [Gitarre] | IRCAM | Ricordi | 0 | |||||||||
| 10259 | Tod | Machover | Electric Etudes | 1983 | live-elec, 1 perf | 25:00 | vc [Cello] | IRCAM | Ricordi | 0 | |||||||||
| 20475 | Tod | Machover | Famine | 1986 | live-elec, 4 perf | 13:35 | Stereo | 4 V [Stimme] | BCD 9020/ | 0 | |||||||||
| 20476 | Tod | Machover | Flora | 1989 | live-elec, | 4:14 | Stereo | BCD 9020/ | 0 | ||||||||||
| 10260 | Tod | Machover | Fusione fugace | 1982 | live-elec, | 17:00 | IRCAM | Ricordi | 0 | ||||||||||
| 10261 | Tod | Machover | Light | 1979 | Zuspiel / Tonband, 1 group | 23:00 | Stereo + Stereo | ens [Ensemble] | IRCAM | Ricordi | 0 | ||||||||
| 10262 | Tod | Machover | Soft morning, city! | 1980 | Zuspiel / Tonband, 2 perf | 23:00 | S, db [Sopran, Kontrabass] | IRCAM 0002 F, Creations IRCAM/ | IRCAM | Ricordi | 1 | ||||||||
| 10264 | Tod | Machover | Spectres parisiens | 1984 | Zuspiel/Tonband, 1 perf, 1 group | intermedia |
24:00 | V, ens [Stimme, Ensemble] | multi-media | BCD 9002/ | IRCAM | 0 | ||||||||
| 20477 | Tod | Machover | Towards the Center | 1988 | live-elec, 6 perf | 19:49 | Stereo | 6 ins [Instrument] | BCD 9020/ | 0 | |||||||||
| 10265 | Tod | Machover | Valis | 1987 | Oper, live-elec, 2 perf | 78:00 | p, perc [Piano, Schlagzeug] | BCD 9007/ | IRCAM | Ricordi | 0 | ||||||||
| 32753 | Enrique X. | Macias | Adieux / Commentaire | Zuspiel / Tonband, 8 perf | 8 ins [Instrument] | 0 | |||||||||||||
| 10266 | Enrique X. | Macias | El itinerario de las palmeras I | 1985 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | p, clvd [Piano, Cembalo] | Sonology Den Haag | 0 | |||||||||
| 10267 | Enrique X. | Macias | El itinerario de las palmeras II | 1985 | Zuspiel / Tonband, 2 perf | 10:17 | Stereo | p, clvd [Piano, Cembalo] | Sonology Den Haag | 0 | |||||||||
| 10268 | Enrique X. | Macias | Foglio II | Zuspiel / Tonband, 1 perf | db [Kontrabass] | exc. Tránsito pre -1982 | 0 | ||||||||||||
| 10269 | Enrique X. | Macias | Foglio IV | Zuspiel, live-elec, 1 perf, 1 group | intermedia |
Stereo + Stereo | Sp, ens, slides [Sprecher, Ensemble] | exc. Tránsito pre -1982 | 0 | |||||||||||
| 10270 | Enrique X. | Macias | La lyre du desert | 1988 | fixed media, akusmatisch | 18:06 | Stereo | INA • GRM | 0 | ||||||||||
| 10271 | Enrique X. | Macias | LIED FUR MARIA | fixed media, akusmatisch | 12:20 | SME Krakow | 0 | ||||||||||||
| 10272 | Enrique X. | Macias | Morgengesang II | 1986 | Zuspiel / Tonband, 1 group | 38:30 | Stereo | orc [Orchester] | INA • GRM | 0 | |||||||||
| 10273 | Enrique X. | Macias | Nachtmusik I | fixed media, akusmatisch | intermedia |
(slides) [] | exc. Tránsito pre -1982 | 0 | ||||||||||||
| 10274 | Enrique X. | Macias | Nachtmusik II | Zuspiel / Tonband, 5 perf | 5 ins [Instrument] | exc. Tránsito pre -1982 | 0 | ||||||||||||
| 10275 | Enrique X. | Macias | Nobilissima visione | 1988 | Zuspiel / Tonband, 1 group | 20:00 | Stereo | ens [Ensemble] | INA • GRM | 0 | |||||||||
| 10276 | Enrique X. | Macias | Polifonias I | Zuspiel, live-elec, 1 perf | ob [Oboe] | exc. Tránsito pre -1982 | 0 | ||||||||||||
| 10277 | Enrique X. | Macias | Portrait du Matin | 1986 | fixed media, akusmatisch | 16:48 | Stereo | CBA 5 Musica electroacustica española 2/ | INA • GRM | 1 | |||||||||
| 10278 | Enrique X. | Macias | Tránsito | live-elec, 1 perf, 1 group | hp, ens [Harfe, Ensemble] | exc. Tránsito pre -1982 | 0 | ||||||||||||
| 10279 | Enrique X. | Macias | Viaje de invierno | 1981 | fixed media, akusmatisch | 46:18:00 | Stereo | exc. Tránsito pre -1982 | 0 | ||||||||||
| 27209 | Gonzalo | Macias | Color | live-elec, 3 perf | cl, acc, p [Klarinette, Piano, Akkordeon] | 1 | |||||||||||||
| 35707 | Gonzalo | Macias | De calle | 2015 | audiovisuell | 0 | |||||||||||||
| 27208 | Gonzalo | Macias | Improvisation II | Zuspiel / Tonband, 1 perf | gui [Gitarre] | 1 | |||||||||||||
| 27184 | Gonzalo | Macias | La Mise A Mort | 1994 | fixed media, akusmatisch | 11:59 | 1 | ||||||||||||
| 27207 | Gonzalo | Macias | Uno de los caminos | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 1 | |||||||||||||
| 33120 | Anna | Maciejasz-Kaminska | Altitude 1 | 2001 | fixed media, akusmatisch | 9:13:00 | WJ 2002/ SME 1973-2003/ | PS C., HfM Krakow | 1 | ||||||||||
| 10280 | Anna | Maciejasz-Kaminska | Polonez-Lirvki | 1977 | Zuspiel / Tonband, 1 perf | 6:25 | Stereo | ob [Oboe] | SME Krakow | 0 | |||||||||
| 10281 | Anna | Maciejasz-Kaminska | sequence 1 | 1980 | fixed media, akusmatisch | 44:35 | Stereo | SME Krakow | 0 | ||||||||||
| 10282 | Anna | Maciejasz-Kaminska | sequence 3 | 1980 | fixed media, akusmatisch | 21:40 | Stereo | SME Krakow | 0 | ||||||||||
| 10283 | Anna | Maciejasz-Kaminska | sequence 3 | 1980 | live-elec, 1 perf | 9:43 | Quadro | e-ins [synthesizer] | SME Krakow | 0 | |||||||||
| 10284 | Donald | MacInnis | Intersections | 1963 | Zuspiel / Tonband, 1 group | 8:00 | Stereo | orc [Orchester] | Col.Princ EMC | 0 | |||||||||
| 33419 | George | Maciunas | Music for mouth and microphone | 1961 | Performance, live-elec, 1 perf | 3 | Mono | perf [Performer] | for microphone and amplification sstem | PS C. NY | 0 | ||||||||
| 31722 | Dieter | Mack | Orgelzyklus, Mau Pusat M 3 B |
1984 - 1987 | Zuspiel / Tonband, 1 perf | ≈ 55 | org [Orgel] | Teil 2 (Pusat) mit Zuspielband | Neue Musik in der Kirche (Kassel) | 0 | |||||||||
| 10285 | Dieter | Mack | Paraphrase II | 1978 | live-elec, 1 perf | e-p [Piano] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 31724 | Dieter | Mack | Quar-Quintett, Pusat | 2004 | Zuspiel / Tonband, 5 perf | ≈ 12 | ob, p {4 hands}, perc, db [Oboe, Piano, Schlagzeug, Kontrabass] | Teil 2 (Pusat) mit Zuspielband | Ensemble „suono mobile“ | 0 | |||||||||
| 10286 | Dieter | Mack | SABA | 1979 | Zuspiel, live-elec, 6 perf | 18:30 | S, T, B, 3 e-ins [Sopran, Tenor, Bass, synthesizer] | Experimentalstudio für Akustische Kunst Freiburg | Pro Musica Nova Bremen | 0 | |||||||||
| 31723 | Dieter | Mack | Temu | 2001 | Zuspiel, live-elec, 2 perf | ≈ 15 | MIDI-con rec, perc [Flöte, Schlagzeug] | Teil 2 (Pusat) mit Zuspielband | 0 | ||||||||||
| 40204 | Robert | Mackay | Equanimity | 2015 | fixed media, akusmatisch | 6:46:00 | Robert Mackay | 0 | |||||||||||
| 24198 | Robert | Mackay | Need without Reason | 2001 | fixed media, akusmatisch | 4:26 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 43058 | Robert | Mackay | Resounding Mulgrave | 2014 | Klangkunst, Installation | Location: Underground Theater | 0 | ||||||||||||
| 40201 | Robert A., Jessica A. | Mackay, Rodriguez | Flight of the Monarchs | 2017 | Klangkunst, Installation | Robert A. Mackay & Jessica A. Rodriguez | 0 | ||||||||||||
| 40230 | Sam | Mackie | Entropy | 2017 | audiovisuell | Sam Mackie | 0 | ||||||||||||
| 21609 | Kevin | MacLeod | pacific | 1998 | fixed media, akusmatisch | 2:16 | CEC Presence 2/ | Concordia Montreal | 1 | ||||||||||
| 40887 | Angus | MacLise | Expanded Cinema | 1965 | Performance | 27:49 | Electronic Mix | SRV 355 sub rosa/ | 0 | ||||||||||
| 40889 | Angus | MacLise | Trance Speed Trance |
1965 | Performance | 27:49 | Tunnel Music #1, #2, #3 | SRV 355 sub rosa/ | 0 | ||||||||||
| 40888 | Angus | MacLise | Tunnel Music | 1965 | Performance | 27:49 | Tunnel Music #1, #2, #3 | SRV 355 sub rosa/ | 0 | ||||||||||
| 36755 | Jackson | Maclow | The 8 - voice Stereo - Canon Realization The Black Tarantula Crossword Gathas |
1973 | fixed media, akusmatisch | 32:53 | Sonology Utrecht | 0 | |||||||||||
| 33311 | Jackson | MacLow | The Symmetries | 1966 | fixed media, akusmatisch | Mono | Sound-Poetry | PS C. NY | 0 | ||||||||||
| 10287 | James | MacMillan | Litanies of Iron & Stone | 1987 | Zuspiel / Tonband, 3 perf | 20:00 | cl, s-sax, trbn [Klarinette, Saxophon, Posaune] | 0 | |||||||||||
| 10288 | Robert | MacMorine | YRANIBINARY | 1987 | fixed media, akusmatisch | 7:33 | Stereo | Brock Uni ON | 0 | ||||||||||
| 10289 | Robert | MacNevin | Elasticity | 1986 | fixed media, akusmatisch | 8:45 | Stereo | SFU | 0 | ||||||||||
| 10290 | Robert | MacNevin | Glass Chant | 1986 | fixed media, akusmatisch | 18:29 | Stereo | SFU | 0 | ||||||||||
| 10291 | Robin John | Maconie | Forbush and the Penguins | 1966 | radiophon | 59:00 | Mono | Radio Wellington | 0 | ||||||||||
| 10292 | Robin John | Maconie | Fragment | 1965 | fixed media, akusmatisch | 5:08 | Mono | HfMT Köln | 0 | ||||||||||
| 10293 | Madame Miniature | Et ben justement parlons-en | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | |||||||||||||
| 42146 | Emmanuel | Madan | Freedom highway | 2001 - 2004 | radiophon | PS C., Roadtrip USA | 0 | ||||||||||||
| 10294 | Arthur | Maddox | Hi-Lo Joy Honk | 1966 | fixed media, akusmatisch | 5:13 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10295 | Heinrich | Mader | evolution 4 section 4 | 1993 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10296 | Heinrich | Mader | Glockart | 1994 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10297 | Heinrich | Mader | Rauschen | 1992 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10298 | Heinrich | Mader | Rhythmus | 1992 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10299 | Heinrich | Mader | sHau | 1994 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10301 | Heinrich | Mader | Sound of Impuls | 1993 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10302 | Heinrich | Mader | Wanderung | 1992 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10303 | Heinrich | Mader | Wörthersee | 1992 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10304 | Bruno | Maderna | Ages | 1972 | radiophon | 31:14 | Stereo | invenzione radiofonica per voci, coro, orchestra e elaborazione elettronica da W. Shakespeare | DS 22 Die Schachtel/ | Fonologia Milano | Prix Italia 1972 | Ricordi | 1 | ||||||
| 10305 | Bruno | Maderna | Ausstrahlung | 1971 | Zuspiel / Tonband, 3 perf, 1 group | V, fl, ob, orc [Stimme, Flöte, Oboe, Orchester] | su testi di poeti persiani e indiani | Celia CL 31819/ | 0 | ||||||||||
| 10306 | Bruno | Maderna | Concerto für Oboe und Kammerensemble (Solo) | 1962/1970 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | Stereo | ob, chamber-orc [Oboe, Orchester] | RAI, CIRM Paris | 0 | |||||||||
| 10307 | Bruno | Maderna | Continuo | 1958 | fixed media, akusmatisch | 8:20 | Mono | PHI 835 485/86/ PHI 836.897/ IDEAMA CD 010/ Mercury SR2 9123/ STR 33349 stradivarius/ | Fonologia Milano | 1 | |||||||||
| 10308 | Bruno | Maderna | Dimensioni, Dimensioni II Dimensioni III |
1963 | Zuspiel / Tonband, 1 perf | 11:30 | Stereo | fl [Flöte] | Fonologia Milano | 0 | |||||||||
| 24142 | Bruno | Maderna | Don Perlimplin, Versione Tempo Reale | 2002 | Musiktheater, live-elec, 29 perf | ≈ 50:00 | 3 actor, str-qt, db, fl, 2 cl, 5 sax, hn, 3 tpt, 3 trbn, mar, vib, p, e-gui, mand, hp [Flöte, Klarinette, Saxophon, Horn, Trompete, Posaune, Piano, Gitarre, Harfe, Schlagzeug, Kontrabass, Schauspieler, Streicher] | after Garcia Lorca | Tempo Reale Firenze | Suvini Zerboni | 1 | ||||||||
| 33811 | Bruno | Maderna | Don Perlimplin, ovvero il trionfo dell’amore e dell’immaginazione | 1961 | radiophon | 46:05:00 | Text (Ballata amorosa) by Federico Garcia Lorca | DS 22 Die Schachtel/ | Fonologia Milano | 12.8.1962 | RAI Radio 3 | Prix Italia 1961 (sezione „opere musicali“) | Edizioni Suvini Zerboni Milano | 1 | |||||
| 10309 | Bruno | Maderna | Giulio Cesare | 1959 - 1960 | Fernsehen, | musiques de scène pour la pièce de William Shakespeare, collaboration avec Mario Magliardi | Fonologia Milano | 1959 | Italie, Vérone, Théâtre romain, par Sandro Bolchi : mise en scène | 0 | |||||||||
| 10310 | Bruno | Maderna | Hyperion IV, "su testo di Hölderlin e fonemi di Hans Helms" | 1960 - 1969 | Oper | fixed media, akusmatisch |
28:20 | Stereo | after Hölderlin. 13 parts. Total duration 82:43 |
Disques Montaigne 2 CD 782014/ IDEAMA CD 114/ | Fonologia Milano | 0 | ||||||||
| 10311 | Bruno | Maderna | Il cavallo di Troja, Il cavallo di Troia | 1959 | radiophon | (Morley) | Fonologia Milano | 0 | |||||||||||
| 35204 | Bruno | Maderna | Il mio cuore è nel sud, Stadt im Süden | 1957 | radiophon | Ballata radioifonica. Text by Giuseppe Patroni Griffi | Karl-Sczuka-Preis 1957 | 0 | |||||||||||
| 10312 | Bruno | Maderna | Invenzione su una voce, Dimensioni II | 1960 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | V [Stimme] | C. Berberian | BVHAAST 9109/ STR 33349 stradivarius/ IDEAMA CD 098/ | Fonologia Milano | 1 | |||||||
| 10313 | Bruno | Maderna | L'augellin Belverde | 1958 | radiophon | (Gozzi) | Fonologia Milano | 0 | |||||||||||
| 10314 | Bruno | Maderna | Le rire | 1962 | fixed media, akusmatisch | 15:55 | Stereo | BVHAAST 9109/ IDEAMA CD 098/ | Fonologia Milano | 1 | |||||||||
| 10315 | Bruno | Maderna | Le rire, 2. version | 1973 | fixed media, akusmatisch | 15:55 | 2. version | STR 33349 stradivarius/ | Fonologia Milano | 1 | |||||||||
| 10316 | Bruno | Maderna | Macbeth | 1962 | radiophon | (Shakespeare) | Fonologia Milano | 0 | |||||||||||
| 10317 | Bruno | Maderna | Medea | radiophon | (Anouilh) | Fonologia Milano | 0 | ||||||||||||
| 10318 | Bruno | Maderna | Musica su due dimensioni | 1952/1958 | Zuspiel / Tonband, 2 perf | 11:40 | Stereo | fl, perc [Flöte, Schlagzeug] | (perc-part only 1 stroke) tape-part produced in the institut Uni Bonn (MeyerEppler). Version 1952 with percussion, 1958 without perc! |
SugMus ESZ 3/ STR 33349 stradivarius/ mode 260/ IDEAMA CD 017/ IDEAMA CD 053/ | Uni Bonn (Meyer Eppler), Fonologia Milano | 1952 | Darmstadt | 1 | 1990 | ||||
| 10319 | Bruno | Maderna | Notturno | 1956 | fixed media, akusmatisch | 3:25 | Mono | STR 33349 stradivarius/ RAI/ IDEAMA CD 010/ | Fonologia Milano | 1 | http://thresholdofbeauty.com/music excerpts/Notturno excerpt.mp3 | ||||||||
| 10320 | Bruno | Maderna | Oedipe-Roi | 1970 | Tanz | 0 | |||||||||||||
| 33812 | Bruno | Maderna | Ritratto di Erasmo | 1969 | radiophon | 61:08:00 | Stereo | Radiodramma. | DS 22 Die Schachtel/ | Fonologia Milano | 31.3.1982 | RAI Radio 3 | Prix Italia 1969 (sezione „opere musicali con testo“) | 1 | |||||
| 10321 | Bruno | Maderna | Sequenze e strutture | 1954 | fixed media, akusmatisch | 3:12 | Mono | Fonologia Milano | 0 | ||||||||||
| 10322 | Bruno | Maderna | Serenata 3 | 1961 | fixed media, akusmatisch | 11:30 | Stereo, Quadro | sounds from mar and fl | STR 33349 stradivarius/ IDEAMA CD 010/ | Fonologia Milano | 1 | ||||||||
| 10323 | Bruno | Maderna | Serenata 4 | 1961 | Zuspiel / Tonband, 20 perf | 13:40 | Stereo | fl, 19 ins [Flöte, Instrument] | non-existent, withdrawn? | Fonologia Milano | 0 | ||||||||
| 10324 | Bruno | Maderna | Serenata per un satellite | 1974 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 10325 | Bruno | Maderna | Syntaxis | 1957 | fixed media, akusmatisch | 10:55 | Stereo | STR 33349 stradivarius/ IDEAMA CD 010/ | Fonologia Milano | 1 | |||||||||
| 10326 | Bruno | Maderna | Tempo libero | 1970 | fixed media, akusmatisch | 23:35 | first version | Fonologia Milano | 0 | ||||||||||
| 10327 | Bruno | Maderna | Tempo libero (2. version) | 1970/1973 | fixed media, akusmatisch | 24:10 | Juilliard Serenade; 3. version 1973 | Fonologia Milano | 0 | ||||||||||
| 10328 | Bruno | Maderna | Venitian journal | 1972 | Zuspiel / Tonband, 1 perf, 1 group | T, orc [Tenor, Orchester] | Text after J. Boswell | Fonologia Milano | 0 | ||||||||||
| 35253 | Bruno, Luciano | Maderna, Berio | Miramar | 1959 | radiophon | Spettacolo di luci e suoni a Trieste | 0 | ||||||||||||
| 10329 | Geoffrey Douglas | Madge | Study I | 1964 | fixed media, akusmatisch | 2:15 | Mono | STEM Utrecht | 0 | ||||||||||
| 10330 | Geoffrey Douglas | Madge | Study II | 1964 | fixed media, akusmatisch | 4:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 10331 | Philippe | Madile | Jeux de paume | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 10332 | Philippe | Madile | Transit | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 36859 | Xavier | Madore | Les loges de la suite | 2017 | fixed media, akusmatisch | 11:11:00 | Con Montreal | first prize JTTP 2017 | 0 | ||||||||||
| 34826 | Xavier | Madore | Ready about… Tacking | 2015 | fixed media, akusmatisch | 11:01:00 | Stereo | JTTP 2016 7. prize | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 34083 | Xavier | Madore | Récit d’un presqu’aller-retour | 2014 | fixed media, akusmatisch | 8:45:00 | Stereo | JTTP 2015 | JTTP-Winner 2015 1. prize | 0 | |||||||||
| 36247 | Pamela | Madsen | Red Shoes | 1996 | live-elec, 1 perf | 11:47 | perc [Schlagzeug] | innova 967/ | UC Fullerton | Patti Cudd | 0 | ||||||||
| 40851 | Teemu | Mäki | Granny Cobham | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 24445 | Michelle Agnes | Magalhaes | Prologue seul | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 10333 | Josip | Magdic | Analogue - digital variations | 1986 | live-elec, 2 perf | 9:00 | Stereo | cl, perc [Klarinette, Schlagzeug] | EAR Sarajevo | 0 | |||||||||
| 10334 | Josip | Magdic | Apeiron E, Apeiron | 1976 | fixed media, akusmatisch | 12:00 | Stereo | RTB 3130037/ Radio Beograd CD 2, 30 years Radio Beograde electronic studio/ Croatia Rec 6072965/ | Radio Beograd | 1 | |||||||||
| 10335 | Josip | Magdic | Crossing | 1982 | intermedia | audiovisuell |
90:00 | Stereo | video - audio - installation | EAR Sarajevo | 0 | |||||||||
| 10336 | Josip | Magdic | Drops | 1985 | intermedia | 60:00 | Stereo | installation | EAR Sarajevo | 0 | |||||||||
| 10337 | Josip | Magdic | Forma | 1981 | live-elec, 1 perf | 11:00 | Quadro | cl [Klarinette] | EAR Sarajevo | 0 | |||||||||
| 10338 | Josip | Magdic | Mantra | 1977 | live-elec, 3 perf | 14:00 | Stereo | cl, p, synt [Klarinette, Piano, synthesizer] | EAR Sarajevo | 0 | |||||||||
| 10339 | Josip | Magdic | Meditation | 1987 | live-elec, 3 perf | 10:00 | Stereo | cl, perc, p [Klarinette, Piano, Schlagzeug] | EAR Sarajevo | 0 | |||||||||
| 10340 | Josip | Magdic | Meditation about freedom | 1985 | fixed media, akusmatisch | 9:16 | Stereo | EAR Sarajevo | 0 | ||||||||||
| 10341 | Josip | Magdic | Music | 1980 | Zuspiel / Tonband, 2 perf | 12:32 | Stereo | cl, sax [Klarinette, Saxophon] | EAR Sarajevo | 0 | |||||||||
| 10342 | Josip | Magdic | Nis inultum with Mladen Milicevic | 1989 | live-elec, 1 perf | 11:00 | Stereo, Quadro | S [Sopran] | EAR Sarajevo | 0 | |||||||||
| 10343 | Josip | Magdic | Ode to peace | 1978 | Zuspiel / Tonband, 1 perf, 1 group | 19:00 | Stereo | B, orc [Bass, Orchester] | EAR Sarajevo | 0 | |||||||||
| 10344 | Josip | Magdic | Percutere humanum est | 1983/1984 | live-elec, 2 perf | 6:10 | Stereo | cl, p [Klarinette, Piano] | EAR Sarajevo | 0 | |||||||||
| 10345 | Josip | Magdic | Popule meis - jam hiems | 1988 | live-elec, 1 group | 8:00 | Stereo | fem ch [Chor] | EAR Sarajevo | 0 | |||||||||
| 10346 | Josip | Magdic | Rings | 1979 | Zuspiel, live-elec, 4 perf | 14:00 | Stereo | fl, cl, p, synt [Flöte, Klarinette, Piano, synthesizer] | EAR Sarajevo | 0 | |||||||||
| 10347 | Josip | Magdic | Sharghesaz | 1981 | live-elec, 2 perf | 10:30 | Stereo | sax, sargija [Saxophon] | EAR Sarajevo | 0 | |||||||||
| 10348 | Josip | Magdic | Survival | 1982 | live-elec, 3 perf | 12:14 | Stereo | cl, p, (folk) ins [Klarinette, Piano, Instrument] | EAR Sarajevo | 0 | |||||||||
| 19353 | Dario | Maggi | Fire cells | 1990 | Zuspiel / Tonband, 1 perf | 12:12 | perc [Schlagzeug] | Ben Omar | PAN 3035/ | Studio ES Milano | 1 | ||||||||
| 10349 | Dario | Maggi | Im Finsteren Wald | 1993 | live-elec, 4 perf | 14:00 | S, p, cl, mar [Sopran, Klarinette, Piano, Schlagzeug] | Fonit Cetra/ | MM&T Milano | 0 | |||||||||
| 23398 | Daniel | Maggiolo | a pesar de todos los naufragios | 1999 | Zuspiel / Tonband, 4 perf | 8:05 | 4 perc [Schlagzeug] | Ensamble de Percusión de Montevideo | 2318-2 eumus (HfM) / | eMe | 1 | ||||||||
| 19236 | Daniel | Maggiolo | adormecido por el aire del atlántico | 1989 - 1995 | fixed media, akusmatisch | 8:12 | tacuabé T/E 28 CD/ | PS C. | 1 | ||||||||||
| 23399 | Daniel | Maggiolo | Afuera el aire es tan solo otra ilusion | 1991 - 1998 | fixed media, akusmatisch | 8:13 | SODRE Montevideo | 1 | |||||||||||
| 23400 | Daniel | Maggiolo | de los vientres de las mas | 1996 | fixed media, akusmatisch | 13:22 | SODRE Montevideo | 1 | |||||||||||
| 18924 | Daniel | Maggiolo | en el hecho mismo de la pasión | 1991 | fixed media, akusmatisch | 3:44 | Compositores del Uruguay, Vol. 3/ | PS C. | 1 | ||||||||||
| 19234 | Daniel | Maggiolo | esos laberintos, tan nuestros | 1980 | fixed media, akusmatisch | 3:00 | tacuabé T/E 28 CD/ | PS C. | 1 | ||||||||||
| 19235 | Daniel | Maggiolo | y en eso te vi, tan perdida | 1989 | fixed media, akusmatisch | 3:39 | tacuabé T/E 28 CD/ | PS C. | 1 | ||||||||||
| 10350 | William | Maginnis | Flight | 1965 | fixed media, akusmatisch | 10:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 10351 | Giorgio | Magnanensi | Aureolus | 1994 | live-elec, | MM&T Milano | 0 | ||||||||||||
| 10352 | Giorgio | Magnanensi | Dragma | 1993 | live-elec, 8 perf | 12:00 | fl, 7 ins [Flöte, Instrument] | MM&T Milano | 0 | ||||||||||
| 10353 | Giorgio | Magnanensi | Extensio Modi | 1993 | Zuspiel, live-elec, 1 perf | 6:00 | prep p [Piano] | Nuova Fonit Cetra CDC 501/ | MM&T Milano | Ricordi | 0 | ||||||||
| 26731 | Giorgio | Magnanensi | Il piacere dell'incertezza | 1999 | fixed media, akusmatisch | 0 | |||||||||||||
| 10354 | Giorgio | Magnanensi | Integer Valor | 1993 | Zuspiel, live-elec, 1 perf | 7:00 | fl [Flöte] | MM&T Milano | 0 | ||||||||||
| 10355 | Giorgio | Magnanensi | Le Temps comme Temps | 1992 | live-elec, 3 perf | 11:00 | 3 ob [Oboe] | MM&T Milano | 0 | http://composers21.com/compdocs/magnaneg.htm/ | |||||||||
| 36564 | Giorgio | Magnanensi | Sere | 1992 | fixed media, akusmatisch | 5:37 | ES 98001 Earsay/ | 0 | |||||||||||
| 36556 | Giorgio, Andrew | Magnanensi, Czink | MU | 1997 | fixed media, akusmatisch | 12:28 | ES 98005 Earsay/ | 0 | |||||||||||
| 10356 | Michael C. | Maguire | Septet | fixed media, akusmatisch | 40:00 | Stereo | 0 | ||||||||||||
| 10357 | William | Mahder | Carrefours | 1983 | fixed media, akusmatisch | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||||
| 38782 | Alain, Kaye | MAHÉ, MORTLEY | Paso Doble | 2009 | radiophon | 51:41:00 | 0 | ||||||||||||
| 20483 | David | Mahler | The Voice of the Poet | 1977 - 1982 | fixed media, akusmatisch | Stereo | 6 pieces | ART 1019/ | CCM Mills | 0 | |||||||||
| 10358 | Robert | Mahler | A meditation on a Theme by Martin Luther King, Jr. | 1989 | fixed media, akusmatisch | 5:00 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 10359 | Andreas | Mahling | Schrei, wenn du brennst | Zuspiel / Tonband, 2 perf | 2 e-gui [Gitarre] | HfM Stuttgart | 0 | ||||||||||||
| 10360 | Hossam | Mahmoud | Ornament | 1995 | Zuspiel / Tonband, | 8:00 | SEM Salzburg | 0 | |||||||||||
| 32961 | Jean | Mahtab | Études Aux Anamorphoses | 1998 | fixed media, akusmatisch | 16:21 | Motus M 306009/ | 0 | |||||||||||
| 32962 | Jean | Mahtab | Stance et in-stances ontophoniques, I. Suite 1 "La Nausée" | 2003 | fixed media, akusmatisch | 17:58 | Motus M 306009/ | 0 | |||||||||||
| 32960 | Jean | Mahtab | Un Mauvais Champignon | 1997 | fixed media, akusmatisch | 3 | Motus M 306009/ | 0 | |||||||||||
| 28549 | Annie | Mahtani | Cricrió | 2010 | fixed media, akusmatisch | 9:59 | Stereo | BEAST | BEAST Birmingham / Circles of influence der University of Birmingham | 31.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | ||||||
| 28229 | Clara | Maida | Doppelklänger | 2008 | live-elec, 1 perf | 13:39 | prep amp p [Piano] | ed. rz 10017/ | Inventionen 2008 | 25.7.2008 | Inventionen Berlin Elisabethkirche, Heather O’Donnell (p) | 1 | 2008 | ||||||
| 28231 | Clara | Maida | fluctuatio (in)animi, Psyché - Cité / Transversales | 2005/2006 | live-elec, 5 perf | 13:42 | fl, vn, va, vc, db [Flöte, Viola, Cello, Violine, Kontrabass] | Kammerensemble Neue Musik Berlin | ed. rz 10017/ | AdK Berlin | AdK | 25.11.2006 | Akademie der Künste Berlin | prix ars electronica honorary mention 2007 | 0 | ||||
| 25976 | Clara | Maida | ipso facto | 2007 | fixed media, akusmatisch | 9:35 | 7 tracks + Mono | ed. rz 10017/ Modisti 07/ | TU Berlin | DAAD Berliner Künstlerprogramm | 21.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | ||||||
| 37773 | Clara | Maida | ipso Lotto | 2016 | fixed media, akusmatisch | Klangkunst, Installation |
1st part of LOSTERY 2 (a sound and visual installation + a piece for contrabass clarinet) | TU Berlin | Berliner Kultur-Senat 2015 | 3.2.2017 | Eclat festival, Stuttgart, Theo Nabicht | Honorable Mention MUSICA NOVA 2017 | 0 | |||||||
| 28241 | Clara | Maida | Kinê - Diffr(a)ct | 2008 | live-elec, 7 perf | 13:19 | amp fl, sax, gui, prep p, perc, vn, va [Flöte, Saxophon, Piano, Gitarre, Schlagzeug, Viola, Violine] | Proxima Centauri ens | french Ministery of Culture & Proxima Centauri ens | 10.4.2008 | Bordeaux | 0 | |||||||
| 35766 | Clara | Maida | Later jester | 2012 | live-elec, 1 perf | db-cl [Klarinette] | 5.5.2012 | Maison de Radio-France, Paris; Multiphonies. Armand Angster (b-cl) from ens Accroche note | 1 | ||||||||||
| 35252 | Clara | Maida | Lostery 2, ipso Lotto | 2016 | audiovisuell, live-elec, 1 perf | db-cl [Klarinette] | A sound and visual installation + a piece for contrabass clarinet and electronics (Music and image: Clara MAÏDA). Ipso Lotto ≈ 1st part of LOSTERY 2 |
February 3, 2017 | Eclat festival, Stuttgart, Theo Nabicht | 0 | |||||||||
| 28230 | Clara | Maida | Mutatis mutandis | 2008 | live-elec, 12 perf | 12:50 | 12 amp str [Streicher] | ens resonanz, Dirigent St. Geiger; recording DeutschlandRadio | ed. rz 10017/ | SACEM & Klang Festival | 28.9.2008 | Klang Festival Hamburg | 1 | ||||||
| 27443 | Clara | Maida | Shel(t)er, Shel(l)ter – später… ( ) …Winter Shel(l)ter – unter… ( ) …Gitter Shel(l)ter – seither… ( ) …Splitter Shel(l)ter – hinter… ( ) …Eiter |
2005 - 2009 | Zuspiel, live-elec, 1 group | 7 tracks | amp ens [Ensemble] | fixed electronic part of 1. (später…()…Winter) realised at TU Studio | TU Berlin, GMEM Marseille | GMEM Marseille & french state | 16.05.2009 | GMEM festival Les Musiques, Marseille | 0 | ||||||
| 28232 | Clara | Maida | via rupta, Psyché - Cité / Transversales | 2005/2007 | live-elec, 7 perf | 8:55 | fl, cl, trbn, vn, va, vc, db [Flöte, Klarinette, Posaune, Viola, Cello, Violine, Kontrabass] | Ens orchestral contemporain | ed. rz 10017/ | GMEM Marseille | state of France & GMEM | 21.5.2005 | Marseille | 1 | |||||
| 35251 | Clara | Maida | Web Studies | 2017 | audiovisuell, live-elec, 4 perf | vn, va, hp, prep p (elec, 3D Video by J. E. Sabin) [Piano, Harfe, Viola, Violine] | January 24, 2017 | Auditorium Marcel Landowski, Paris; 2E2M | 0 | ||||||||||
| 35343 | Michael | Maierhof | splitting 13 | 2010 | Zuspiel, live-elec, 1 perf | 13:03 | a-sax [Saxophon] | Gruen 120/ | 0 | ||||||||||
| 32144 | Michael | Maierhof | splitting 2 | 1999 | audiovisuell, 1 perf | vc [Cello] | nasu 005/ | 26.6.2004 | Inventionen Sophiensäle Berlin, Michael Moser | 0 | |||||||||
| 25988 | Michael | Maierhof | splitting 22 | 2003/2004 | audiovisuell, 1 perf | Quadro | vc [Cello] | 2 Projektoren und 2 Leinwänden (waagerechte Bewegungen), dazwischen sitzt der Cellist | 26.6.2004 | Inventionen Sophiensäle Berlin, Michael Moser | 1 | 2004 | |||||||
| 30389 | Mesias | Maiguashca | 11*11 | 2003 | live-elec, 4 perf | ≈ 10 | vn, va, vc, p, (elec) [Piano, Viola, Cello, Violine] | Die Komposition soll in einem sehr halligen Raum gespielt werden. | 0 | ||||||||||
| 10361 | Mesias | Maiguashca | 2. Streichquartett | 1967 | live-elec, 4 perf | 15:42 | Quadro | str-qt [Streicher] | HfMT Köln | 0 | |||||||||
| 10362 | Mesias | Maiguashca | A Mandelbox | 1988 | intermedia | ∞ | com installation | PS C. | 0 | ||||||||||
| 10363 | Mesias | Maiguashca | A mouth-piece | 1970 | live-elec, 6 perf | 20:00 | 6 amp V [Stimme] | WDR SEM | Feedback | 0 | |||||||||
| 10364 | Mesias | Maiguashca | Agualarga | 1978 | Zuspiel, live-elec, 3 perf | 15:00 | Stereo | 2 p, vib [Piano, Schlagzeug] | PS C. | 0 | |||||||||
| 30384 | Mesias | Maiguashca | …Auberginen… | 2007 | Film | Film von Manuel Cholango | 24 Mai 2007 | Die Schönheit der Hässlichkeit (La belleza de la fealdad) de Manuel Cholango | 0 | ||||||||||
| 30396 | Mesias | Maiguashca | aus 'Deutsches Requiem' | 1997 - 1998 | live-elec, 5 perf | ≈ 20 | sax, p, perc, 2 sam, (elec) [Saxophon, Piano, Schlagzeug, computer] | 8.2.1998 | Stuttgart | 0 | |||||||||
| 10366 | Mesias | Maiguashca | AYAYAYAYA | 1972 | fixed media, akusmatisch | 16:16 | Stereo | Producciones Mañana PM 001/ | WDR SEM | 5.10.1973 | "Musik der Zeit" Düsseldorf | 1 | |||||||
| 30373 | Mesias | Maiguashca | Bagatelas | 2012 | live-elec, 2 perf | b-trbn, vc, (soundobjects) [Posaune, Cello] | 0 | ||||||||||||
| 10367 | Mesias | Maiguashca | Barcarola bitistica | 1985 | intermedia | audiovisuell |
17:00 | 2 com [computer] | PS C. | 0 | ||||||||||
| 27520 | Mesias | Maiguashca | Boletin y Elegia de la Mitas | 2006 | intermedia, live-elec, 2 perf, 4 groups | perc (wooden objects), (folk-)inss, (projection), 3 ch [Schlagzeug, Instrument, Chor] | 0 | ||||||||||||
| 10368 | Mesias | Maiguashca | Como ? | 1988 | fixed media, akusmatisch | 4:00 | Octo | HfM Freiburg | 0 | ||||||||||
| 30387 | Mesias | Maiguashca | DarVar | 2004 | fixed media, akusmatisch | 12 | MIDI p or Kbd, (4 Tastaturen) [Piano, Keyboard] | K.O. Studio Freiburg | 12.11.2004 | E-Werk Freiburg | 0 | ||||||||
| 26268 | Mesias | Maiguashca | Die Feinde | 1995 - 1997 | Oper, live-elec, 7 perf | 30:00 | 2 T, 3 str, 2 b-cl, (elec) [Tenor, Klarinette, Streicher] | Eine Minioper | ZKM Karlsruhe | ZKM | 31.10.1997 | Karlsruhe | 0 | ||||||
| 10369 | Mesias | Maiguashca | Die Zauberflöte | 1992 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo, Quadro | fl [Flöte] | PS C. | 0 | |||||||||
| 10370 | Mesias | Maiguashca | Dort wo wir leben, The world we live in | 1967 | fixed media, akusmatisch | Film |
7:00 | Stereo | also soundtrack for a polish ducumentary film | 0 | ||||||||||
| 10371 | Mesias | Maiguashca | Ecos | 1981/1982 | live-elec, 36 perf | 40:00 | Quadro | 36 ins, (32 soundobjects) [Instrument] | CERM Metz | 0 | |||||||||
| 30381 | Mesias | Maiguashca | El Negro Bembón | 2008 | live-elec, 5 perf | ≈ 20 | p, 4 perc (wood-objects, elec) [Piano, Schlagzeug] | 0 | |||||||||||
| 10372 | Mesias | Maiguashca | El Oro | 1992 | Zuspiel / Tonband, 3 perf | 13:00 | Stereo | fl, vc, Sp [Sprecher, Flöte, Cello] | PS C. | 0 | |||||||||
| 30394 | Mesias | Maiguashca | El Tiempo | 1999 - 2000 | live-elec, 8 perf | ≈ 60 | 2 fl, 2 cl, 2 vc, 2 perc, (elec) [Flöte, Klarinette, Schlagzeug, Cello] | 15.12.1999 | Freiburg | 0 | |||||||||
| 10373 | Mesias | Maiguashca | FMélodies I | 1980 | Zuspiel / Tonband, 1 group | 23:00 | Stereo, Quadro | ens [Ensemble] | IRCAM | 0 | |||||||||
| 10374 | Mesias | Maiguashca | FMelodies II | 1983/1984 | Zuspiel / Tonband, 2 perf | 26:45 | Stereo, Quadro | vc, perc and com [Schlagzeug, Cello, computer] | WER 2025; Computer Music Currents 5/ | IRCAM | 1 | ||||||||
| 10375 | Mesias | Maiguashca | Hör zu, konkrete und elektronische Musik, Hör zu | 1969 | fixed media, akusmatisch | 20:20 | Stereo, Quadro | WDR SEM | WDR 1970 | 26.2.1970 | "Musik der Zeit" Köln | Feedback | 0 | ||||||
| 30385 | Mesias | Maiguashca | Holz arbeitet II | 2005 | Performance, live-elec, 3 perf | 2 perf, elec, (wood-objects) [Performer, elektronik] | 26.11.2005 | Gimmick, Köln | 0 | ||||||||||
| 10376 | Mesias | Maiguashca | Intensidad y altura | 1979 | Zuspiel / Tonband, 6 perf | 17:00 | Stereo, Quadro | 6 perc [Schlagzeug] | Producciones Mañana PM 001/ | CERM Metz | Selbstverlag | 1 | |||||||
| 30388 | Mesias | Maiguashca | K.O. Tagebücher | 2003 | live-elec, 4 perf | ≈ 32 | 2 vc, 2 perc, (elec) [Schlagzeug, Cello] | 0 | |||||||||||
| 30374 | Mesias | Maiguashca | La canción de la tierra | 2011 - 2012 | live-elec, 3 groups | 2 ens, ch, (soundobjects) [Ensemble, Chor] | (G. Mahler: Das Lied von der Erde“) | 0 | |||||||||||
| 30390 | Mesias | Maiguashca | La Celda | 2002 | audiovisuell, live-elec, 2 perf | actor, elec, (video) [Schauspieler, elektronik] | eine Mini-Oper | 0 | |||||||||||
| 30393 | Mesias | Maiguashca | La noche cíclica | 2001 | live-elec, 5 perf | ≈ 11 | vn, vc, p, mar, synt (synt-modules) [Piano, Schlagzeug, Cello, Violine, synthesizer] | 4 synt-modules (4 Powerbooks) | 21.5.2001 | Freiburg | 0 | ||||||||
| 30383 | Mesias | Maiguashca | La Noche Cíclica II | 2007 | fixed media, akusmatisch | ≈ 11 | vn, vc, p, mar, synt (4 synt-moduls) [Piano, Schlagzeug, Cello, Violine, synthesizer] | 20.12.2007 | E-Werk-Freiburg, Ensemble SurPlus | 0 | |||||||||
| 30380 | Mesias | Maiguashca | lamento por el sapo de stanley hook | 2010 | audiovisuell, live-elec, 1 group | rock-ens, (objects, elec, video) [Ensemble] | 0 | ||||||||||||
| 10377 | Mesias | Maiguashca | Lindgren | 1976 | Zuspiel / Tonband, 3 perf | 13:00 | Stereo | vc, trbn, sax [Saxophon, Posaune, Cello] | WDR SEM, CERM Metz | 0 | |||||||||
| 10378 | Mesias | Maiguashca | moments musicaux, The wings of perception | 1989 | Zuspiel / Tonband, 4 perf | 12:40 | Stereo | str-qt [Streicher] | Producciones Mañana PM 001/ | PS C. | 1 | ||||||||
| 10379 | Mesias | Maiguashca | Nemos Orgel | 1990 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo, Quadro | org [Orgel] | PS C. | 0 | |||||||||
| 10380 | Mesias | Maiguashca | Oeldorf 8 | 1974 | Zuspiel, live-elec, 4 perf | 45:00 | Quadro | vn, cl, vc, org, (synt) [Klarinette, Orgel, Cello, Violine] | WDR SEM | WDR 1974 | 26.8.1974 | Darmstadt | 0 | ||||||
| 30377 | Mesias | Maiguashca | …para siempremente… | 2010 | fixed media, akusmatisch | 0 | |||||||||||||
| 10381 | Mesias | Maiguashca | Reading Castañeda, The Spirit Catcher The Tonal Sacateca's Dance The Wings of Perception II El Oro The Nagual |
1993 | live-elec, 7 perf | 60:00 | Stereo | fl, vc, str-qt, com, (objects) [Flöte, Cello, computer, Streicher] | NeXT, ISPW, Radio Baton | WER 2053 2/ zkm edition 3/ | ZKM Karlsruhe | ZKM | 8.11.1993 | Karlsruhe, Multimediale III | Auszeichnung ars electronica 1994 (The Spirit Catcher) | 1 | |||
| 10382 | Mesias | Maiguashca | Solitarum | 1976 | live-elec, 6 perf | 35:00 | 6 V [Stimme] | Text by R. Jodorowski | PS C. | 0 | |||||||||
| 30386 | Mesias | Maiguashca | Sound Geography I | 2005 | Klangkunst, Installation | eine Klanginstallation | Architektenkammer Freiburg | 08. bis 15. Juni 2005 | Freiburg | 0 | |||||||||
| 30379 | Mesias | Maiguashca | The cathedral and the Sea | 2010 | Zuspiel / Tonband, 1 perf | org [Orgel] | 20.4.2010 | Dom zu Trier, Josef Still, Organ | 0 | ||||||||||
| 30391 | Mesias | Maiguashca | The prison | 2002 | radiophon | radiophonische Komposition | K.O. Studio | 0 | |||||||||||
| 30395 | Mesias | Maiguashca | Tiefen | 1999 | fixed media, akusmatisch | 21 | Octo | ZKM Karlsruhe | 0 | ||||||||||
| 30382 | Mesias | Maiguashca | Ton-Geographie IV | 2007 | live-elec, 4 perf | vn, vc, fl, trbn, (soundobjects) [Flöte, Posaune, Cello, Violine] | 19 Januar 2007, | E-Werk Freiburg | 0 | ||||||||||
| 10383 | Mesias | Maiguashca | Übungen | 1972 | live-elec, 1 perf | 15:00 | Stereo | synt [synthesizer] | Producciones Mañana PM 001/ | St Öldorf | Feedback | 1 | |||||||
| 10387 | Mesias | Maiguashca | Übungen für 3 x 2 | 1973 | live-elec, 6 perf | 30:00 | Stereo | vc, vn, cl, 3 synt [Klarinette, Cello, Violine, synthesizer] | St Öldorf | Feedback | 0 | ||||||||
| 10386 | Mesias | Maiguashca | Übungen für Cello und Synthesizer, Exercises | 1973 | live-elec, 2 perf | 13:50 | Stereo | vc, synt [Cello, synthesizer] | performed MetaMusik 7.10.1974 Neue Nationalgalerie | Producciones Mañana PM 001/ | St Öldorf | 7.10.1974 | Neue Nationalgalerie Berlin | Feedback | 0 | ||||
| 10385 | Mesias | Maiguashca | Übungen für Violine und Synthesizer | 1972/1973 | live-elec, 2 perf | ≈ 12:00 | Stereo | synt, vn [Violine, synthesizer] | Feedback Studio Köln CD 2/ | K.O. St Freiburg, HSM Basel | Feedback | 0 | |||||||
| 30375 | Mesias | Maiguashca | …vibrating…" | 2011 | Klangkunst, Installation | 0 | |||||||||||||
| 30371 | Mesias | Maiguashca | Video-Memoiren | 1988 | intermedia | 0 | |||||||||||||
| 10388 | Mesias | Maiguashca | Vorwort zu Solaris | 1989 | Zuspiel, live-elec, 4 perf | 19:47 | Stereo, Quadro | tpt, sax, vc, perc [Saxophon, Trompete, Schlagzeug, Cello] | there are two versions of „Vorwort zu Solaris“: 1. with tpt, sax, vc, perc (26.1.1989) 2. with Ensemble (26.2.1989) |
CRFMW Liège | Kientzy, arts council of gb | 1 | 1990 | ||||||
| 10389 | Mesias | Maiguashca | … Y ahora vamos por aqui ... | 1977 | Zuspiel / Tonband, 8 perf | 15:00 | Stereo | 8 ins [Instrument] | WDR SEM | 0 | |||||||||
| 10390 | Bénédict | Mailliard | Alouette des jours de pluie | 1983 | fixed media, akusmatisch | 5:50 | Stereo | La nuit des oiseaux | INA • GRM | 1.10.1983 | France Musique | 0 | |||||||
| 10391 | Bénédict | Mailliard | D'un pays l'autre | 1983 | fixed media, akusmatisch | 26:28 | Stereo | (Paris Impressions 6'25) | INA • GRM | 28.12.1983 | France-Culture | 0 | |||||||
| 10392 | Bénédict | Mailliard | Germinal, Affleurements | 1985 | fixed media, akusmatisch | 4:25 | Stereo | Part of Project "Germinal", computer-pieces | INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 1 | ||||||
| 39950 | Joshua | Mailman | Fluxations Full Body Comprovisation No. 1 | 2016 | fixed media, akusmatisch | Joshua Mailman | 0 | ||||||||||||
| 39951 | Joshua | Mailman | Improvising FluxNOISations | 2015 | fixed media, akusmatisch | 10:00:00 | Joshua Mailman | 0 | |||||||||||
| 39949 | Joshua | Mailman | Material Soundscapes Collide | 2016 | fixed media, akusmatisch | Joshua Mailman | 0 | ||||||||||||
| 39948 | Joshua | Mailman | Material Soundscapes Collide Again | 2017 | fixed media, akusmatisch | Joshua Mailman | 0 | ||||||||||||
| 40695 | Sergej | Maingardt | „“ – | 2018 | Klangkunst, Installation | audio/video installation with Anna Konjetzky | 0 | ||||||||||||
| 34028 | Sergej | Maingardt | 80 97 99 105 102 105 99 32 50 51 49 | 2011 | audiovisuell | 4:05:00 | Quadro | Komposition für Video- und Audiozuspielung | HfMT Köln | 0 | |||||||||
| 34029 | Sergej | Maingardt | Amnesia | 2011 | live-elec, 1 perf | 6:05:00 | Quadro | bar-sax [Saxophon] | Komposition Saxophon, Zuspielung und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 34030 | Sergej | Maingardt | Artefakt | 2011 | fixed media, akusmatisch | 13:22:00 | Octo | HfMT Köln | 0 | ||||||||||
| 40683 | Sergej | Maingardt | Bathyscaph | 2017 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 40675 | Sergej | Maingardt | Black | 2015 | live-elec, | big ens [Ensemble] | 0 | ||||||||||||
| 40691 | Sergej | Maingardt | BLUR – Smart Factory ™5.6] | 2018 | audiovisuell, live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 40692 | Sergej | Maingardt | BLUR – Souveräne Unschärfe ™6.6] | 2018 | audiovisuell, live-elec, 1 group | ch [Chor] | 0 | ||||||||||||
| 40684 | Sergej | Maingardt | BLUR – ™1.6]DELTAx | 2017 | audiovisuell | Jens Standke, video Rosi Ulrich, dramaturgy |
0 | ||||||||||||
| 40685 | Sergej | Maingardt | BLUR – ™2.6]Paralyzed | 2017 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 40686 | Sergej | Maingardt | BLUR – ™3.6]HypeReal | 2017 | live-elec, 4 perf | 4 sax [Saxophon] | 0 | ||||||||||||
| 40687 | Sergej | Maingardt | BLUR – ™4.6]UND:ODER:NICHT | 2017 | live-elec, 4 perf | 4 Sp [Sprecher] | 0 | ||||||||||||
| 40690 | Sergej | Maingardt | construct-deconstruct | 2018 | audiovisuell, live-elec, 4 perf | 4 sax [Saxophon] | 0 | ||||||||||||
| 40677 | Sergej | Maingardt | DATE ME | 2015 | Klangkunst, Installation | audiovisuell |
audio/video installation | 0 | ||||||||||||
| 34039 | Sergej | Maingardt | declare independence | 2014 | live-elec, 4 perf | 10:20:00 | Stereo | perc, e-gui, b-gui, synt [Gitarre, Schlagzeug, synthesizer] | Composition for drum set, e-guitar, bass and synthesizer | HfMT Köln | 0 | ||||||||
| 34037 | Sergej | Maingardt | Fashion Gang Bang | 2014 | audiovisuell | 10:17:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 34031 | Sergej | Maingardt | Flashback | 2012 | audiovisuell, live-elec, 1 perf | 12:35:00 | Stereo | perf [Performer] | Komposition für Schreibmaschine, Video und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 34032 | Sergej | Maingardt | Flower’s silence in empty guns | 2012 | live-elec, 1 perf | 13:20:00 | Stereo | p [Piano] | HfMT Köln | 0 | |||||||||
| 40679 | Sergej | Maingardt | format:blackbox | 2016 | ens, (electronics, video) [Ensemble] | Rosi Ulrich, dramaturgy/text, Jens Standke, video | 0 | ||||||||||||
| 40689 | Sergej | Maingardt | HeroIn | 2017 | audiovisuell, live-elec, 4 perf | 4 e-gui [Gitarre] | 0 | ||||||||||||
| 34038 | Sergej | Maingardt | It’s Britney, bitch | 2014 | audiovisuell, live-elec, 1 perf | 8:51:00 | Quadro | sam [computer] | Komposition für Sampler und Video | HfMT Köln | 0 | ||||||||
| 40680 | Sergej | Maingardt | Kronos&Kairos | 2016 | Musiktheater | 32 Tracks + Quadro | 4 water loudspeakers, 32 loudspeakers, 16 neon lamps | Lorey, direction | 0 | ||||||||||
| 40674 | Sergej | Maingardt | Kurzschluss | 2015 | audiovisuell, live-elec, 1 group | ens, (sensors, electro-magnetic coils, glas plates) [Ensemble] | 0 | ||||||||||||
| 34033 | Sergej | Maingardt | Negativhorizont | 2013 | audiovisuell | 11:43:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 40693 | Sergej | Maingardt | Neue Musik is dope | 2018 | fixed media, akusmatisch | 0 | |||||||||||||
| 40676 | Sergej | Maingardt | Out | 2015 | Tanz | Anna Konjetzky, choreography | 0 | ||||||||||||
| 40673 | Sergej | Maingardt | Paranoid Android | 2015 | audiovisuell, live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 31606 | Sergej | Maingardt | Popcorn | 2013 | fixed media, akusmatisch | 8 | Quadro | next_generation 5.0 | HfMT Köln | 29.6.2013 | ZKM | 0 | |||||||
| 40696 | Sergej | Maingardt | protest me/protect me | 2018 | audiovisuell, live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 40688 | Sergej | Maingardt | Running | 2017 | Tanz | dance performance, Anna Konjetzky, choreography | 0 | ||||||||||||
| 40678 | Sergej | Maingardt | #sex_drugs_rocknroll | 2016 | audiovisuell, live-elec, 1 perf | e-gui (mirror walls) [Gitarre] | 0 | ||||||||||||
| 34034 | Sergej | Maingardt | Smog | 2012 | live-elec, 4 perf | 8:50:00 | Quadro | 4 perf [Performer] | Komposition für 4 Spieler und elektromagnetische Spulen | HfMT Köln | 0 | ||||||||
| 34035 | Sergej | Maingardt | To be framed | 2010 | fixed media, akusmatisch | 8:23:00 | Quadro | Elektroakustische Sprachkomposition | HfMT Köln | 0 | |||||||||
| 40681 | Sergej | Maingardt | Under the skin | 2016 | Performance, live-elec, 1 perf | sam (Sensoren) [computer] | planed improvisation | 0 | |||||||||||
| 40682 | Sergej | Maingardt | Under the skin II | 2016 | audiovisuell, live-elec, 2 perf | p, sax, (video) [Saxophon, Piano] | planed improvisation | 0 | |||||||||||
| 34036 | Sergej | Maingardt | Unknown identity | 2013 | live-elec, 2 perf | 8:05:00 | Quadro | p, sax [Saxophon, Piano] | Komposition für Klavier, Saxophon, Game Calls und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 40694 | Sergej | Maingardt | Vendetta | 2018 | live-elec, 4 perf | fl, sax, p, perc [Flöte, Saxophon, Piano, Schlagzeug] | 0 | ||||||||||||
| 28042 | Jörg | Mainka | "La condition humaine", aus dem Blickwinkel eines rotierenden Tonkopfes | 1990 | Zuspiel / Tonband, 1 group | 9:22 | ens [Ensemble] | Videoinstallation ad libitum | WER 65572/ | 0 | http://www.musikrat.de/index.php?id=5920#c19902 | ||||||||
| 28044 | Jörg | Mainka | Mitschnitt | 1994 | Zuspiel / Tonband, 6 perf | 7:50 | 4 vc, 2 perc, (tape-loop) [Schlagzeug, Cello] | WER 65572/ | 0 | http://www.musikrat.de/index.php?id=5920#c19902 | |||||||||
| 10393 | Jörg | Mainka | Skalenwirbel | 1993 | live-elec, 4 perf | 20:00 | Stereo | sax, p, vc, perc [Saxophon, Piano, Schlagzeug, Cello] | ZKM Karlsruhe | 0 | |||||||||
| 28043 | Jörg | Mainka | Truck | 1992 | Zuspiel / Tonband, 1 group | (mobiles-)ens, (Modellauto) [Ensemble] | 0 | ||||||||||||
| 28046 | Jörg | Mainka | Viertel = 100 | 1988 | Zuspiel / Tonband, 4 perf | 4:00 | fl, V, perc, (Karnevalströte, Drum-) com [Stimme, Flöte, Schlagzeug, computer] | WER 65572/ | 0 | http://www.musikrat.de/index.php?id=5920#c19902 | |||||||||
| 28045 | Jörg | Mainka | Voyeur | 2004 | Musiktheater, live-elec, 16 perf | 3 Sp, 3 V, 10 ins [Sprecher, Stimme, Instrument] | nach Texten von Ludwig Wittgenstein und Alain Robbe-Grillet | 0 | |||||||||||
| 30369 | Jörg, Rainer | Mainka, Lorenz | Show Down, Zirkuläre Paraphrase Linearer Progression | audiovisuell, live-elec, 2 perf | vc, elec, (video) [Cello, elektronik] | Musik in Deutschland 1950-2000/ | Staatsoper Stuttgart, Cello: Markus Tillier | 0 | |||||||||||
| 36944 | Pasquale | Mainolfi | Prelude on IV String | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 26733 | Philipp | Maintz | Gelände / Zeichnung, Klavierstück Nr. 2 | 2005/2006 | live-elec, 1 perf | 12:00 | p [Piano] | CRFMW Liège | münchener biennale und des CRFMW, liège | 6.12.2006 | münchen, jan philip schulze • klavier | Bärenreiter | 0 | http://www.philippmaintz.de | |||||
| 26732 | Philipp | Maintz | Lied (geborsten) | 2005 | live-elec, 1 group | 13:00 | ens [Ensemble] | sammlung essl, klosterneuburg für das festival wien modern | 11.2005 | klosterneuburg, festival wien modern 2005 | Bärenreiter | 0 | http://www.philippmaintz.de | ||||||
| 26734 | Philipp | Maintz | Océan | 2007 | live-elec, 1 perf, 1 group | 20:00 | S, ens, (elec) [Sopran, Ensemble] | text aus: lautréamont: les chants de maldoro | IRCAM | IRCAM/centre pompidou, paris | 12.01.2008 | centre pompidou, paris, Intercontemporaine | Bärenreiter | 0 | http://www.philippmaintz.de | ||||
| 10394 | Karen-Ann | Maitland | Spin | 1994 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 10395 | Angelika, Manfred | Maiworm, Mixner | Echo | 1990 | radiophon | 32:00 | Stereo | Koproduktion mit SFB | ZKM Karlsruhe | 0 | |||||||||
| 25502 | Hoi Shan | Mak | Mapping Trainscape | 2005 | fixed media, akusmatisch | 4:29 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | www.vconline.org | ||||||||
| 10396 | Katori | Makino | Correlations | live-elec, 1 perf, 1 group | 20:00 | strs, cl [Klarinette, Streicher] | GRAME Lyon | 0 | |||||||||||
| 10397 | Katori | Makino | Kei-shoh I, Kei-shoh II | 1973 | fixed media, akusmatisch | 27 | Stereo | INA • GRM | 5.10.1973 | Paris, 8. Biennale, Musée d’art Moderne | 0 | ||||||||
| 10398 | Katori | Makino | Trois poèmes de James Joyce | 1973/1974 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | V, ins [Stimme, Instrument] | IMEB Bourges | 0 | |||||||||
| 10399 | Katori | Makino | Trois Visions | 1976 | fixed media, akusmatisch | 26:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 33764 | Yutaka | Makino | Atmosphere | 2012 | Performance | Performance. Dodecahedron speaker, amplifiers, audio interface, computer | 2012 | Fabra i Coats, Barcelona | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||||
| 33766 | Yutaka | Makino | Conflux | 2011 | Performance | Performance. Fog machine, heavy fog machines, HMI lights, PAR light, computer, audio interface, DMX interface | 2011 | Berghain Berlin | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||||
| 28291 | Yutaka | Makino | Cryosphere | 2008 | fixed media, akusmatisch | 8:00 | Octo | Einsendung zur SMC08 | 1 | ||||||||||
| 31988 | Yutaka | Makino | Ephemera | 2008 | fixed media, akusmatisch | 10:10:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | ||||||||||
| 25977 | Yutaka | Makino | Iota | 2005 | fixed media, akusmatisch | 3:50 | collaboration with P. Suffczynski (Warsaw) | 1 | |||||||||||
| 33769 | Yutaka | Makino | Pulsar | 2010 | Klangkunst, Installation | Spazialisation: Dodekaeder-Lautsprecher | Installation. Lasers, hazer, Dodekaeder-Lautsprecher | Inventionen 2010 | 2010 | Villa Elisabeth Berlin bei Inventionen 2010 ZKM Karlsruhe |
0 | 2010 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | ||||||
| 33760 | Yutaka | Makino | Radiant | 2014 | Klangkunst, Installation | ∞ | Installation 2014. Glas, dichroic filter, steel, aluminium, transducers, function generators, amplifiers | 2014 | Haus der Kulturen der Welt Berlin | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | ||||||||
| 33762 | Yutaka | Makino | RGB | 2013 | Performance | Performance. Moving heads, color filters, hazer, directional speakers, DMX-Interface, audio interface, computer | 2013 | Haus der Kulturen der Welt Berlin | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||||
| 25978 | Yutaka | Makino | Shapes of Points | 2004 | fixed media, akusmatisch | 6:40 | prize 32. Concours Bourges | 1 | |||||||||||
| 27606 | Yutaka | Makino | Systema | 2010 | fixed media, akusmatisch | Spazialisation: WFS | TU Berlin | 27.7.2010 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 0 | 2010 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||
| 33767 | Yutaka | Makino | Temporal Object #1 | 2011 | Klangkunst, Installation | Installation. Directional speakers, speakers, anechoic chamber | 2011 | TU Berlin, Technische Akustik | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||||
| 33768 | Yutaka | Makino | Temporal Object #2 | 2011 | Klangkunst, Installation | Installation. Directional speakers, speakers, reverberation chamber | 2011 | TU Berlin, Technische Akustik | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||||
| 33765 | Yutaka | Makino | The conditions of the Process | 2011 | Klangkunst, Installation | Installation. Acoustic panels, MDF, mineral wool, carpet, fluorescent lights, speakers, audio interface, computer | 2011 | daad Galerie Berlin | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||||
| 35001 | Yutaka | Makino | The Program | 2016 | Klangkunst, Installation | 1 perf [Performer] | 13.10.2016 | Donaueschinger Musiktage, alte Hofbibliothek | 0 | ||||||||||
| 25979 | Yutaka | Makino | Vijf Canons | 2006 | fixed media, akusmatisch | 5:00 | Remix of Dick Raaijmakers „Vijf Canons“ from 1964. STRP1 - Reactions to the music of Dick Raaijmakers (Basta Music, 2006) | 1 | |||||||||||
| 33761 | Yutaka | Makino | Void | 2013 | Performance | Performance. HMI lights, blinder lights, diffusion glasses, multichannel sound system, audio interface, computer | 2013 | Akademie der Künste Berlin | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||||
| 33763 | Yutaka | Makino | Waveguide | 2013 | Klangkunst, Installation | Installation. Directional speakers, moving arms, steel, aluminium, DMX-Interface, audio interface, computer | 2013 | Kunstverein Harburger Bahnhof | 0 | http://www.artbooksheidelberg.com/html/detail/de/yutaka-makino-978-3-86828-607-6.html | |||||||||
| 10400 | Rajko | Maksimovic | Two Basho's Haiku | 1966 | Zuspiel / Tonband, 4 perf | 8:00 | Stereo | fem V, fl, vn, p [Stimme, Flöte, Piano, Violine] | Col.Princ EMC | 0 | |||||||||
| 10401 | Pierre | Malbosc | Faisceau parallèle | 1986 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | sax [Saxophon] | MIM Marseille | 0 | |||||||||
| 23173 | Sophia | Male | Alarm Calls | 1998 | fixed media, akusmatisch | 1:31 | Cec Presence 3/ | 1 | |||||||||||
| 10402 | Ivo | Malec | Artemisia | 1991 | fixed media, akusmatisch | 20:00 | Stereo | INA 2292-45521-2/ INA C 2006/07/ | INA • GRM | INA GRM | 1 | ||||||||
| 10403 | Ivo | Malec | Attacca | 1986 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
28:18 | Stereo | perc [Schlagzeug] | Salabert SCD 8901/ | INA • GRM | Commande INA.GRM et l’Etat | 20.11.1986 | Metz, 15. Rencontres Internationales, avec Jean Geoffroy (perc) | Salabert | 1 | ||||
| 10404 | Ivo | Malec | Bizarra | 1972 | fixed media, akusmatisch | 7:30 | Stereo | Coll GRM AM 830.11/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 17.5.1972 | Paris, Musée Guimet | Salabert | 1 | ||||||
| 10405 | Ivo | Malec | Cantate pour elle | 1966 | Zuspiel / Tonband, 2 perf | 14:35 | Stereo | V, hp [Stimme, Harfe] | "Exposition des Musiques Expérimentales 1966" | INA 2292-45521-2/ INA C 2006/07/ PHI 836 891 DSY/ IDEAMA CD 035/ | INA • GRM | INA GRM | 25.5.1966 | Paris, Maison de la Radio, Studio 105; C. Herzog )S), F. Pierre (hp) | Salabert | 1 | |||
| 10406 | Ivo | Malec | Carillon Choral | 1981 | fixed media, akusmatisch | 10:45 | Stereo | Coll GRM 9105 MA/ | INA • GRM | 1982 | Lyon, Aud. Maurice Ravel; Festival Musique Nouvelle 3 | 1 | |||||||
| 40429 | Ivo | Malec | Cembalo spectral | 1961 | radiophon | 5 | Montage à partir d’improvisations au clavecin par l’auteur Montage pour bande magnetique |
INA • GRM | 1962 | Radio Zagreb | 0 | ||||||||
| 10407 | Ivo | Malec | Dahovi 1 | 1961 | fixed media, akusmatisch | Film |
6:43 | Mono, Stereo | (rev. 1968) | INA 2292-45521-2/ PHI 836 891 DSY/ IDEAMA CD 026/ Croatia Rec 6072965/ | INA • GRM | 1962 | Paris | 1 | ||||||
| 10408 | Ivo | Malec | Dahovi 2 | 1970 | fixed media, akusmatisch | 7:17 | Stereo | PHI 6526003/ Candide CE 31025/ | INA • GRM | 11.5.1970 | Gulbenkian, Lisboa | Salabert | 1 | ||||||
| 24722 | Ivo | Malec | Doppio Coro | 1993 | fixed media, akusmatisch | 18:08 | INA C 2006/07/ | INA • GRM | 1 | ||||||||||
| 40580 | Ivo | Malec | Echos | 1966 | Film | 9 | INA • GRM | 0 | |||||||||||
| 40516 | Ivo | Malec | Kikou monagatari | 1964 | Film | INA • GRM | 23.3.1965 | TV ORTF, 2. chaine | 0 | ||||||||||
| 40510 | Ivo | Malec | Le Jabrebock | 1964 | Film | texte de L. Caroll | INA • GRM | 0 | |||||||||||
| 40505 | Ivo | Malec | Le Traite du bonheur | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 10409 | Ivo | Malec | Lumina | 1968 | Zuspiel / Tonband, 12 perf | 14:03 | Stereo | 12 str [Streicher] | Salabert SCD 8901/ PHI 6521017/ Coll GRM 9105 MA/ INA 2292-45521-2/ INA C 2006/07/ Coll GRM 4105 MA/ Yugoton/ IDEAMA CD 045/ Croatia Rec 6072965/ INA GRM 4105 MA | INA • GRM | The Lucerne Festival | 09.1968 | Kunsthaus Luzern, Festival String, Dir. R. Baumgartner | Salabert | 1 | ||||
| 10410 | Ivo | Malec | Luminetudes | 1968 | fixed media, akusmatisch | 12:15 | Stereo | INA 2292-45521-2/ INA ACM 1995/ INA C 2006/07/ PHI 6521 017/ Klett Stuttgart 92422/ IDEAMA CD 021/ | INA • GRM | INA GRM | 19.11.1970 | Bordeaux, Alhambra; Festival Sigma 6 | 1 | ||||||
| 10411 | Ivo | Malec | Mavena | 1956 | Theatermusik | 10:43 | Stereo | Cantate parlée, texte de R. Ivsic, avec la voix de Anne Pérez | IDEAMA CD 051/ Croatia Rec 6072965/ | INA • GRM | .04.1957 | Zagreb, Th. dramatique | 0 | ||||||
| 40511 | Ivo | Malec | Miniatures pour Lewis Caroll | 1964 | Film | 7 | Stereo | texte de L. Caroll | INA • GRM | 1964 | Opatiga (Yugoslavia) | Breitkopf & Härtel | 0 | ||||||
| 40446 | Ivo | Malec | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | 6:40 | INA • GRM | 0 | |||||||||||
| 40474 | Ivo | Malec | Noyaux-Minute | 1962 | Zuspiel / Tonband, | 4 | INA • GRM | 19.12.1962 | Paris, Salle des Conservatoires, dir. K. Simonovic | 0 | |||||||||
| 28116 | Ivo | Malec | Nuda | 1978 | fixed media, akusmatisch | 12:20 | Coll GRM 4105 MA/ INA GRM 4105 MA/ | INA • GRM | 0 | ||||||||||
| 40533 | Ivo | Malec | Oxyde | 1964 | Film | INA • GRM | 19.1.1965 | Frankfurt, Musica viva | 0 | ||||||||||
| 40572 | Ivo | Malec | Planete verte | 1965 | Film | 9:06 | Texte de J .Steinberg | INA • GRM | 1965 | Royan Festival, France | 0 | ||||||||
| 40579 | Ivo | Malec | Planetes | 1966 | Film | 7 | INA • GRM | 0 | |||||||||||
| 10412 | Ivo | Malec | Recitativo | 1980 | fixed media, akusmatisch | 12:50 | Quadro, Stereo | Coll GRM 9105 MA/ | INA • GRM | INA • GRM | 21.4.1980 | Paris, Maison de Radio France, Gd. Auditorium | Ed. Salabert | 1 | |||||
| 10413 | Ivo | Malec | Reflets | 1961 | fixed media, akusmatisch | Film |
2:34 | Stereo | Etude de stage | INA C 1000/ INA 2292-45521-2/ INA C 1032 27652 archives grm CD 2/5/ INA C 2006/07/ BAM LD 072/ BAM LD 5072/ Klett Stuttgart 94422/ IDEAMA CD 140/ | INA • GRM | 24.7.1962 1962 |
Ranelagh, Paris Rimini Film Festival |
1 | ||||||
| 10414 | Ivo | Malec | Spot, Reflets | 1970 | fixed media, akusmatisch | 1:35 | Stereo | PHI 6526003/ | INA • GRM | 18.7.1974 | Paris, Cloitre St. Séverin, Festival EStival | 1 | |||||||
| 10415 | Ivo | Malec | Triola Triola ou Symphonie pour moi-même, Turpituda Ombra Nuda |
1978 | fixed media, akusmatisch | 34:00 | Stereo | (Turpituda, Ombra,Nuda) | INA 2292-45521-2/ INA C 2006/07/ Coll GRM AM 830.11/ Editions Mego (LP) Recollection GRM/ | INA • GRM | INA GRM | 18.11.1978 | Metz, 8. Rencontres Int. | Salabert | 1 | 1984 | |||
| 10416 | Ivo | Malec | Tutti, Concert Collectif | 1963 | Zuspiel / Tonband, 1 perf | 7:16 | Stereo | ins [Instrument] | PHI 836 894 DSY/ IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | Breitkopf & Härtel | 0 | |||||
| 10417 | Ivo | Malec | Victor Hugo, un contre tous | 1971 | Zuspiel / Tonband, 2 perf, 2 groups | 90:00 | Stereo | 2 actor, ch, orc [Schauspieler, Chor, Orchester] | Alfiche musicall | INA • GRM | ORTF (France Culture) | 1.8.1972 | Avignon, 25e Festival, orc. lyrique et chœurs de L'ORTF, dir. D. Chabrun; chef des chœurs, J.-P. Kreder, acteurs G. Monnet et P. Rousseau. | Salabert | 0 | ||||
| 28115 | Ivo | Malec | Vox / Vocis / F | 1979 | Zuspiel / Tonband, 9 perf | 26:26 | vc, db, hp, Mez, perc, S, tpt, vn, va [Sopran, Mezzo, Trompete, Harfe, Schlagzeug, Viola, Cello, Violine, Kontrabass] | Coll GRM 4105 MA/ Motus M 299006/ INA GRM 4105 MA/ | INA • GRM | 0 | |||||||||
| 10418 | Ivo | Malec | Week-End | 1982 | Zuspiel / Tonband, 3 perf | 22:24 | Stereo | 3 synt [synthesizer] | 4 parts: Mvts. 1 & 2 pour bande et trio, mvts. 3 & 4 pour bande seule | Salabert SCD 8901/ INA 2292-45521-2/ INA C 1033 27653 archives grm CD 3/5/ INA C 2006/07/ | INA • GRM | INA GRM | 3.5.1982 | Paris, Maison de RadioFrance, Gd Auditorium, avec le Trio GRM PLUS (L. Cuniot, D. Dufour, Y. Geslin) | Salabert | 1 | 1984 2008 | ||
| 10419 | Magdalena | Malecka | Etiuda studencka | 1979 | fixed media, akusmatisch | 3:50 | Quadro | SME Krakow | 0 | ||||||||||
| 10420 | Magdalena | Malecka | Przyklady dowi'kowe do "KRAM 81" | 1981 | fixed media, akusmatisch | 7:30 | Mono | SME Krakow | 0 | ||||||||||
| 10421 | Magdalena | Malecka | WYCINEK | 1979 | fixed media, akusmatisch | 2:35 | Quadro | SME Krakow | 0 | ||||||||||
| 10426 | Nayyuru | Malek-Azarian | Musiques Dispersees (C), Objets | 1969 | Performance | 2:00 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 34452 | Ahmed | Malek | Encounter | 1987 | fixed media, akusmatisch | 13 | Stereo | 0 | |||||||||||
| 34451 | Ahmed | Malek | Nightmare | 1985 | fixed media, akusmatisch | 7 | Stereo | 0 | |||||||||||
| 10422 | Jan | Málek | Invence c. 1, Invence I. | 1969 | fixed media, akusmatisch | 8:24 | Stereo, Quadro | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | |||||||||
| 10423 | Jan | Málek | Invence c. 3 Dudácká | 1974 | fixed media, akusmatisch | 4:12 | Stereo | Radio Plzen | 0 | ||||||||||
| 10424 | Jan | Málek | Nocturno | 1968 | fixed media, akusmatisch | 2:06 | Mono | Radio Plzen | 0 | ||||||||||
| 41930 | Jan | Málek | Pastorale interrotta | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 10425 | Jan | Málek | Tri statdia | 1972 | fixed media, akusmatisch | 14:50 | Stereo, Quadro | Radio Plzen | 0 | ||||||||||
| 10427 | Claude | Malherbe | Color | 1986 | Zuspiel / Tonband, 1 group | 14:00 | ens [Ensemble] | IRCAM | Crime | 0 | |||||||||
| 10428 | Claude | Malherbe | Nonsun | 1984 | Zuspiel / Tonband, 1 group | 12:00 | ens [Ensemble] | IRCAM | 0 | ||||||||||
| 22499 | Wittwulf | Malik | Singing with whales, op. 60 | 1996 | Zuspiel / Tonband, 1 perf | vc [Cello] | 3 Sequenzen originaler Walstimmen | 1 | |||||||||||
| 10429 | Riccardo | Malipiero | Battono alla porta | 1961 | fixed media, akusmatisch | ≈ 50:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 42979 | Jason Matthew | Malli | consubstantial | 2013 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 39887 | Jason Matthew | Malli | Per aspera ad astra | 2017 | fixed media, akusmatisch | Jason Matthew Malli | 0 | ||||||||||||
| 39402 | Jason Matthew | Malli | Tempus fugit | 2017 | live-elec, | 0 | |||||||||||||
| 42513 | John | Mallia | Anastasis | 2002 | fixed media, akusmatisch | 5 tracks | IMEB Bourges | 0 | |||||||||||
| 42635 | John | Mallia | Vestibules | 2009 | live-elec, 1 perf | 5 | p [Piano] | 0 | |||||||||||
| 24446 | John Philip | Mallia | Anastasis | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 41506 | John Philip | Mallia | Last Monday | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 18517 | John Philip | Mallia | Rue de la Cage Verte | 1993 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | cl [Klarinette] | IMEB Bourges | 0 | |||||||||
| 40828 | Chris | Malloy | Against the Odds | 2012 | live-elec, 1 perf | 3:59 | cl [Klarinette] | CLS 170901/ | 0 | ||||||||||
| 34672 | Chris | Malloy | Operation Deep Pockets | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW | 0 | |||||||||||
| 25980 | Lou | Mallozzi | Borderline Porn-Shop | 2003 | Klanginstallation, live-elec, 1 perf | 11:10 | perc [Schlagzeug] | mit Michael Vorfeld (perc). t-u-b-e 30.10.2003 | WER ARTS 81015 t-u-b-e reloaded 2004/ | 1 | |||||||||
| 25981 | Lou | Mallozzi | Usi scrutari - Pavlov’s Dog | 2003 | Klangkunst, Installation | 4:46 | t-u-b-e 30.10.2003 | WER ARTS 81015 t-u-b-e reloaded 2004/ | 1 | ||||||||||
| 43196 | Mark | Malmberg | Albireo, Albireo2.1 | 2012 | Klangkunst, Installation | (Stainless steel, aluminum, acrylic, electronics, motors, sounds) [] | Auszeichnung ars electronica honorary mention 2013 | 0 | http://www.markmalmberg.com/mobiles3.0/index.html | ||||||||||
| 10430 | Carin | Malmlöf-Forssling | Eccede jubile | 1974 | Zuspiel / Tonband, 1 group | 8:15 | Stereo | male ch [Chor] | EMS Stockholm | 0 | |||||||||
| 10431 | Carin | Malmlöf-Forssling | En värld i världen | 1977/1978 | intermedia | Sound-light compo | 0 | ||||||||||||
| 10432 | Carin | Malmlöf-Forssling | Nattliga Ackord | 1979 | fixed media, akusmatisch | 12:15 | Stereo | EMS Stockholm | 0 | ||||||||||
| 40073 | Mateu | Malondra | Sound Block Module II | 2017 | audiovisuell | Mateu Malondra | 0 | ||||||||||||
| 10433 | Fred | Malouf | Chromatonal | 1985 | fixed media, akusmatisch | 13:00 | Quadro | Pla (Foonly, Sambox) | CCRMA | 0 | |||||||||
| 10434 | Fred | Malouf | Sacrifice | 1988 | Zuspiel / Tonband, 1 perf | 13:30 | celletto [Cello] | Pla (Foonly, Sambox) | CCRMA | 0 | |||||||||
| 10435 | Fred | Malouf | Variations on GoodByePork Pie Hat | 1989 | live-elec, 2 perf | ≈ 18:00 | celletto, synt (Prophet 3000, Korg M3r, Yamaha TX802, Alesis Quadraverb) [Cello, synthesizer] | CCRMA | 0 | ||||||||||
| 10436 | Jozef | Malovec | B-A-C-H | 1979 | fixed media, akusmatisch | 10:28 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 10437 | Jozef | Malovec | Edison | 1965 | radiophon | 14:00 | Mono | (Nezval) | CECM Bratislava | 0 | |||||||||
| 10438 | Jozef | Malovec | Elegicky koncert | 1988 | Zuspiel, live-elec, 1 perf | 14:47 | Stereo | cl, (DSP) [Klarinette] | CECM Bratislava | 0 | |||||||||
| 10439 | Jozef | Malovec | Es war auf ihre Rechnung | 1965 | radiophon | (Askenazy) | CECM Bratislava | 0 | |||||||||||
| 10440 | Jozef | Malovec | Halbdunkles Band | 1965 | radiophon | (Vecsi) | CECM Bratislava | 0 | |||||||||||
| 10441 | Jozef | Malovec | Kit | 1968 | Zuspiel / Tonband, 3 perf | 12:00 | 3 ins [Instrument] | CECM Bratislava | 0 | ||||||||||
| 10442 | Jozef | Malovec | Orthogenesis | 1967 | fixed media, akusmatisch | 8:30 | Stereo, Quadro | EM CD 001/ Turnabout 34301/ IDEAMA CD 045/ | CECM Bratislava | 1st production of ExS Bratislava; Mention Dartmouth Arts Council Prize 1967 |
1 | ||||||||
| 33353 | Jozef | Malovec | Posledny na izbu | 1964 | Film | 5 | Radio Bratislava | 0 | |||||||||||
| 10443 | Jozef | Malovec | Prosnica | 1979 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | ch, perc [Schlagzeug, Chor] | CECM Bratislava | 0 | ||||||||||
| 10444 | Jozef | Malovec | Punctum ALFA | 1968 | fixed media, akusmatisch | 23:40 | Stereo, Quadro | IDEAMA CD 009/ | CECM Bratislava | 1 | |||||||||
| 10445 | Jozef | Malovec | Tabu | 1970 | fixed media, akusmatisch | 7:30 | Stereo | IDEAMA CD 009/ | CECM Bratislava | 0 | |||||||||
| 10446 | Jozef | Malovec | Theorema | 1971 | fixed media, akusmatisch | 5:15 | Stereo | EM CD 002/ | CECM Bratislava | 1 | |||||||||
| 10447 | Jozef | Malovec | Tmel | 1968 | fixed media, akusmatisch | Zuspiel/Tonband, |
11:56 | Stereo | CECM Bratislava | 0 | ||||||||||
| 10448 | Jozef | Malovec | Verschmelzung | 1968 | radiophon | (Jaros) | CECM Bratislava | 0 | |||||||||||
| 10449 | Jozef | Malovec | Vyhybka (Die Weichen) | 1967 | Film | 4:15 | SUA 10951/ Creel Pone 39/ SUA DV 6221/ | CECM Bratislava | 0 | ||||||||||
| 10450 | Jozef | Malovec | Zahrada radosti | 1982 | fixed media, akusmatisch | 12:52 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 10451 | Pavol | Malovec | Modus | 1981 | fixed media, akusmatisch | 8:16 | Stereo | CECM Bratislava | 0 | ||||||||||
| 42636 | Matt | Malsky | Thirteen Ways of Listening to a Loudspeaker | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 10452 | Mikhail | Malt | Actrinou | 1993 | computer generated score, 1 perf | 11:00 | p [Piano] | PS C. | 0 | ||||||||||
| 10453 | Mikhail | Malt | Chainho Caótico | 1993 | computer generated score, 1 perf | 1:30 | Stereo | fl [Flöte] | PS C. | 0 | |||||||||
| 10454 | Mikhail | Malt | IMAGES+C | 1995 | fixed media, akusmatisch | 5:30 | Stereo | IRCAM | 0 | ||||||||||
| 10455 | Mikhail | Malt | Lambda 3,99 | 1994 | Zuspiel, live-elec, 2 perf | 10:00 | Stereo | gui, synt [Gitarre, synthesizer] | IRCAM | 0 | |||||||||
| 10456 | Mikhail | Malt | Paradis | 1994 | fixed media, akusmatisch | 3:30 | Stereo | PS C. | 0 | ||||||||||
| 10457 | Mikhail | Malt | Vers une esthétique de la complexité ? | 1995 | audiovisuell, live-elec, | 6:00 | Stereo | infographie (video) | IRCAM | 0 | |||||||||
| 10458 | Nikos | Mamangakis | Kykeon (Psychomusik) | 1971 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 10459 | Nikos | Mamangakis | Monologue II | 1971 | Zuspiel / Tonband, 1 perf | vn [Violine] | EM ?? | 0 | |||||||||||
| 10460 | Nikos | Mamangakis | Olophyrmos | 1973 | fixed media, akusmatisch | 9:03 | Creel Pone 34/ | 0 | |||||||||||
| 10461 | Nikos | Mamangakis | Parastasis | 1970 | Performance, Zuspiel, live-elec, 2 perf | 26:49 | Stereo | V, fl [Stimme, Flöte] | TU Berlin | 21.9.1970 | AdK Berlin | Breitkopf & Härtel | 1 | ||||||
| 31681 | Nikos | Mamangakis | Parastasis | 1980 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Breitkopf & Härtel | 1 | http://d-nb.info/350507880 | ||||||||||
| 10462 | Nikos | Mamangakis | Scenario for Two Improvised Art Critics | 1968 | Zuspiel / Tonband, 1 perf, 1 group | V, ens [Stimme, Ensemble] | 0 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | |||||||||||
| 10463 | Nikos | Mamangakis | The Bacchants | 1969 | Tanz | 0 | |||||||||||||
| 19012 | Pedro Elias | Mamou | Iguales para hoy | 1995 | Klangkunst, Installation | 13:59 | Ihr Lotterielos für heute | ZP 9501 ZwergProductions/ real ambient/ | LIEM CDMC Madrid | 1 | |||||||||
| 28452 | Roderik de | Man | Air to Air | 1998 | Zuspiel/Tonband, 4 perf | fixed media, akusmatisch |
8:15 | fl and pic-fl, ob (basset horn), tpt and picc-tpt, Mez [Mezzo, Flöte, Oboe, Trompete] | also version for tape alone (2000) | ELCD 026 Electroshock Records/ ELCD 040 Electroshock Records/ Emergo EC 3905-2/ | PS C. | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||
| 28520 | Roderik de | Man | Antara benua dan benua | 2006 | Zuspiel / Tonband, 1 group | gamelan-ens [Ensemble] | Deutschlandfunk | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 35675 | Roderik de | Man | Auxo Chromes | 2001 | Zuspiel / Tonband, 1 perf | 9:24 | p [Piano] | Emergo EC 3905-2/ | 0 | ||||||||||
| 10464 | Roderik de | Man | Chordis Canam | 1989 | Zuspiel / Tonband, 1 perf | 10:24 | Stereo | hpd [Cembalo] | LDC 278053/54 Cultures Electroniques 6/ WVH 141, Erasmus/ ELCD 040 Electroshock Records/ Musicaphon M 55723/ | PS C. | 2nd prize Bourges mixte | 1 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||
| 28524 | Roderik de | Man | Chromophores | 2007 | Zuspiel / Tonband, 14 perf | 15:00 | fl,ob, cl, bn, tpt, mand, hpd, p, perc, str-qt, db [Flöte, Klarinette, Oboe, Fagott, Trompete, Piano, Cembalo, Schlagzeug, Kontrabass, Streicher] | Fund for the Creation of Music | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 25867 | Roderik de | Man | Cordes invisibles | 2004 | Zuspiel / Tonband, 2 perf | 13:47 | vc, p [Piano, Cello] | LDC 278079 Cultures électroniques 18/ | first prize Bourges 2005 | 1 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||
| 28465 | Roderik de | Man | Czar Peter's Creation | 2003 | Zuspiel / Tonband, 1 perf | 10:11 | Stereo | T [Tenor] | ELCD 040 Electroshock Records/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||
| 28463 | Roderik de | Man | Dark Intervals | 2002 | Tanz | 14:04 | Stereo | ELCD 040 Electroshock Records/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28499 | Roderik de | Man | Dhawa Cendak | 1994 | Zuspiel / Tonband, 1 group | 15 | gamelan-ens [Ensemble] | Attacca Babel 9989/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28503 | Roderik de | Man | Dirge | 1997 | Zuspiel / Tonband, 1 perf | 6:20 | tuba [Tuba] | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 28502 | Roderik de | Man | Distant Mirror | 1996 | live-elec, 1 perf | 12:40 | hpd, slides [Cembalo] | Attacca Babel 9989/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28511 | Roderik de | Man | Ecoute, écoute! | 1999 | Zuspiel / Tonband, 1 perf | 8:30 | b-cl [Klarinette] | Emergo EC 3905-2/ | Harry Sparnaay | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||
| 10465 | Roderik de | Man | Entanglements | 1987 | Zuspiel / Tonband, 1 perf | 10:30 | rec [Flöte] | rev 1992 | WVH 141, Erasmus/ ELCD 040 Electroshock Records/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||
| 28464 | Roderik de | Man | Flash (Wait a Minute), Wait a Minute | 1999 | fixed media, akusmatisch | 1:15 | Stereo | ELCD 040 Electroshock Records/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28500 | Roderik de | Man | Gramvousa | 1995 | Zuspiel / Tonband, 3 perf | 12:20 | fl, b-cl, p [Flöte, Klarinette, Piano] | Attacca Babel 9989/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28526 | Roderik de | Man | Hear hear! | 2008 | fixed media, akusmatisch | 18:00 | PS C. | NPS (Dutch Radio) | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28513 | Roderik de | Man | Kage | 2000 | Zuspiel / Tonband, 1 perf | 8:00-10:00 8:05:00 | a-rec [Flöte] | Emergo EC 3905-2/ | Marjolijn van Roon | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||
| 28508 | Roderik de | Man | Leonardo's Flying Machine | 1999 | live-elec, 4 perf | 5 | 4 rec [Flöte] | Attacca Babel 9989/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28509 | Roderik de | Man | Lirica | 1999 | Zuspiel / Tonband, 1 perf | 7:30 | S, slides [Sopran] | Maura Biava | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28515 | Roderik de | Man | Machina ex Deo | 2000 | Zuspiel / Tonband, 1 perf | harmonium [Orgel] | Fund for the Creation of Music | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 28510 | Roderik de | Man | Magnetic Fields | 1999 | Zuspiel / Tonband, 1 group | 12:30 | Quadro | orc [Orchester] | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28476 | Roderik de | Man | Marionette | 2007 | live-elec, 1 perf | 8:30 | rec, (multimedia) [Flöte] | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | Electroshock Mosow | Visisonor Foundation | Auszeichnung ars electronica honorary mention 2007 | 0 | http://www.roderikdeman.com/foreword.htm | ||||||
| 28518 | Roderik de | Man | Mensa Secunda | 2004 | Zuspiel / Tonband, 1 perf | 40:00 | rec [Flöte] | Version 1: for recorder & tape Version 2: with additional video, shorter (23:00) |
0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 20078 | Roderik de | Man | Momentum | 1991 | Zuspiel / Tonband, 2 perf | 8:05 | Stereo | b-cl, hpd [Klarinette, Cembalo] | WVH 141, Erasmus/ ELCD 040 Electroshock Records/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||
| 24404 | Roderik de | Man | Music, when soft voices die | 2002 | fixed media, akusmatisch | 10 | Octo | IMEB Bourges | IMEB | First Prize Musica Nova 2004 Prague. | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||
| 28507 | Roderik de | Man | Nuit de L'Enfer | 1998 | live-elec, 1 perf, 1 group | 18:45 | T, ens [Tenor, Ensemble] | Attacca Babel 9989/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28501 | Roderik de | Man | On Sensations of Tone | 1995 | Zuspiel / Tonband, 1 group | 20 | ch [Chor] | PS C. | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28504 | Roderik de | Man | Orkes Bercahaya | 1997 | Zuspiel / Tonband, 1 group | 10 | gamelan-ens [Ensemble] | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 28525 | Roderik de | Man | PANOPTICON | 2007 | audiovisuell | 60:00 | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||||
| 28506 | Roderik de | Man | Passages for Une Saison en Enfer | 1998 | fixed media, akusmatisch | 15:18 | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||||
| 28521 | Roderik de | Man | Roentgen Connected | 2006 | Zuspiel / Tonband, 3 perf | 11:00 | rec, va da gamba, hpd [Flöte, Cembalo, Cello] | Foundation for the Creation of Music | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 28522 | Roderik de | Man | Salomon's Soundhouses | 2006 | live-elec, 4 perf | 20:00 | 4 sax [Saxophon] | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 28519 | Roderik de | Man | Scenes from a marriage | 2005 | Zuspiel / Tonband, 1 group | 60:00 | ch [Chor] | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 28523 | Roderik de | Man | Sensorial Box | 2006 | fixed media, akusmatisch | 6:00 | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||||
| 35676 | Roderik de | Man | Silhouette | 1998 | Zuspiel / Tonband, 1 perf | 15:33 | perc [Schlagzeug] | Emergo EC 3905-2/ | 0 | ||||||||||
| 28462 | Roderik de | Man | Sin descanso | 2002 | Zuspiel / Tonband, 1 perf | 11:55 | Stereo | rec [Flöte] | ELCD 040 Electroshock Records/ | Amsterdam Fund for the Arts | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||
| 28505 | Roderik de | Man | Slagschaduw/Silhouette | 1998 | Klanginstallation, 1 perf | 15:30 | perc [Schlagzeug] | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 28527 | Roderik de | Man | Strange echoes for trunks and pipes | 2009 | live-elec, 1 perf | 8:00 | org [Orgel] | PS C. | Orgelpark in Amsterdam | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||
| 28517 | Roderik de | Man | Vaarwel | 2003 | fixed media, akusmatisch | 10 | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||||
| 28514 | Roderik de | Man | Vanishing Points | 2000 | Zuspiel / Tonband, 1 perf | 10:00 | org [Orgel] | Emergo EC 3905-2/ | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||
| 20079 | Roderik de | Man | Vision | 1994 | fixed media, akusmatisch | 11:10 | Stereo | WVH 141, Erasmus/ | Competition Musica Nova Prag 1994 | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||
| 28512 | Roderik de | Man | Volatile Voices | 2000 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | |||||||||||
| 36431 | Roderik de | Man | Wait a minute | 2000 | fixed media, akusmatisch | 1:18 | 5 parts | Emergo EC 3905-2/ | 0 | ||||||||||
| 28516 | Roderik de | Man | Wajang | 2002 | Zuspiel / Tonband, 1 perf | 1:30 | p [Piano] | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 28528 | Roderik de | Man | Yuxtaposiciones | 2009 | live-elec, 1 perf | b-cl [Klarinette] | PS C. | 0 | http://www.roderikdeman.com/works_electroacoustic.htm | ||||||||||
| 10469 | Alex | Manassen | Air conditioned #2 | 1988 | live-elec, 1 perf | e-p [Piano] | Vorsetzer | Sweelinck | 0 | ||||||||||
| 10470 | Alex | Manassen | Bel Air | fixed media, akusmatisch | 11:00 | Sweelinck | 0 | ||||||||||||
| 10471 | Alex | Manassen | Lamento voor een landschap | 1988 | fixed media, akusmatisch | 70:00 | Stereo | Sweelinck | 0 | ||||||||||
| 10472 | Gabriele | Manca | Les confidences d'un ticqueur | 1989 | live-elec, 1 perf | disklavier [Piano] | Tecnomusica | 0 | |||||||||||
| 10473 | Marisa | Manchado-Torres | Collage | 1991 | fixed media, akusmatisch | 3:10 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 10474 | Marisa | Manchado-Torres | En favor de la Economia de libre mercado que tan felices a todos nos hace | 1990 | fixed media, akusmatisch | 4:04 | Stereo | EMS Stockholm | 0 | ||||||||||
| 10475 | Marisa | Manchado-Torres | Eros y Tánatos | 1991/1994 | live-elec, 1 perf | 7:00 | Stereo | fl [Flöte] | música electroacústica española 1/ | LIEM CDMC Madrid | 1 | ||||||||
| 10476 | Marisa | Manchado-Torres | Espacio Deconstruido | 1991 | fixed media, akusmatisch | 10:33 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 10477 | Marisa | Manchado-Torres | F por F | 1992 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
9:00 | Stereo | V [Stimme] | LIEM CDMC Madrid | 0 | |||||||||
| 10478 | Marisa | Manchado-Torres | In memoriam | fixed media, akusmatisch | 3:47 | UM CD 7 Vol. I/ | LIEM CDMC Madrid | 1 | |||||||||||
| 10479 | Marisa | Manchado-Torres | Obertura | 1990 | fixed media, akusmatisch | 10:02 | Stereo | RNE M3/ | LIEM CDMC Madrid | 0 | |||||||||
| 19995 | Marisa | Manchado-Torres | por qué los Conejos tienen las Orejas tan Grandes? | 1992 | fixed media, akusmatisch | 12:00 | Stereo | PS C. Jordá | 0 | ||||||||||
| 19676 | Marisa | Manchado-Torres | Silencio 3 | 1995 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | LIEM CDMC Madrid | 0 | ||||||||||
| 19998 | Marisa, Sergi | Manchado-Torres, Jordá | En el Rio | 1992 | Musiktheater | 40:00 | Stereo | PS C. Jordá | 0 | ||||||||||
| 19996 | Marisa, Sergi | Manchado-Torres, Jordá | Espejos | 1992 | audiovisuell | 8:00 | Stereo | PS C. Jordá | 0 | ||||||||||
| 10480 | Robert | Mandel | Electrotary Works I. | 1986 | fixed media, akusmatisch | 6:05 | MR Budapest | 0 | |||||||||||
| 10481 | Robert | Mandel | L.A. Mix | 1986 | fixed media, akusmatisch | 9:40 | MR Budapest | 0 | |||||||||||
| 10482 | Robert | Mandel | New York Promenade | 1986 | fixed media, akusmatisch | 11:25 | MR Budapest | 0 | |||||||||||
| 10483 | Ricardo | Mandolini | Andromeda | 1983 | Zuspiel / Tonband, 1 perf | 11:33 | Quadro | perc [Schlagzeug] | Synclavier dedicated to Martin Schulz |
ProViva ISPV 117/ | TU Berlin | 18.02.1984 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1984 | ||||
| 10484 | Ricardo | Mandolini | Canción de Madera y Agua | 1981 | fixed media, akusmatisch | 8:24 | Stereo | LDC 278072/73 Cultures Electroniques 14/ ed. RZ 3008 „Ricardo Mandolini“/ ed. RZ 3001 LP/ ed. RZ 1/ | IPEM Gent | zweiten Preis in der Kategorie "analoge elektroakustische Musik" beim 10. Internationalen Wettbewerb von Bourges, Frankreich, 1982 | 1 | 1983 | http://www.ricardomandolini.com | ||||||
| 10485 | Ricardo | Mandolini | Ceremonia secreta | 1986 - 1987 | Zuspiel, live-elec, 1 perf | 12:00 | Quadro | amp gui [Gitarre] | com M., Synclavier. Delay, Filter | TU Berlin | 23.9.1987 | Warschauer Herbst, Musikhochschule | 1 | ||||||
| 10486 | Ricardo | Mandolini | Charly | 1984 | fixed media, akusmatisch | 8:28 | Quadro | edel 0085102 ACA/ | TU Berlin, IPEM Gent | 1 | 1985 | ||||||||
| 10487 | Ricardo | Mandolini | Circulos fosforescentes en fondo negro | 1982 | fixed media, akusmatisch | 8:36 | Quadro | CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 10. Oktober 1982 | Varese (Italien) | 1982 mention beim 4. Internationalen Wettbewerb elektroakustischer Musik "Luigi Russolo" in Varese, Italien | 1 | 1983 | |||||
| 10488 | Ricardo | Mandolini | De mi huian los pajaros | 1983 | fixed media, akusmatisch | 8:52 | Stereo | Inventionen 8.2.85 Ackerstr. | LDC 278043 Cultures Electroniques 1/ | EMS Stockholm, IMEB Bourges | 1 | 1985 | |||||||
| 42210 | Ricardo | Mandolini | Draußen vor der Tür | 1985 | radiophon | 58:40 | Deutsche Welle | 11.1985 | Deutsche Welle | 0 | |||||||||
| 42890 | Ricardo | Mandolini | El angel del tiempo | 2013 | fixed media, akusmatisch | 11:50:00 | 0 | ||||||||||||
| 10489 | Ricardo | Mandolini | El cuaderno del Alquimista | 1979/1980 | fixed media, akusmatisch | 9:24 | Stereo | ed. RZ 3008 „Ricardo Mandolini“/ LDC 278076/77 Cultures Electroniques 16/ ed. RZ 3001 LP/ ed. RZ 1/ | HfMT Köln | 6.12.1979 | Musikhochschule Köln | 1 | 1983 | http://www.ricardomandolini.com | |||||
| 28636 | Ricardo | Mandolini | El Silencio de un trueno | 2010 | fixed media, akusmatisch | 27:38 | Octo | ed. RZ 3008 „Ricardo Mandolini“/ | Uni Lille III | 2011 | Festival Tsonami Buenos Aires | 1 | http://www.ricardomandolini.com | ||||||
| 25982 | Ricardo | Mandolini | Elogio de lo efimero | 2004 | fixed media, akusmatisch | 12:09 | Quadro | nach den 4 kurzen Stücken für Violine & Klavier op. 7 von Webern George Skip Brunner ≈ alias Ricardo Mandolini |
LDC 2781133 Compendium 2004/ ed. RZ 3008 „Ricardo Mandolini“/ | IMEB Bourges | 2004 | Bourges | 1 | http://www.ricardomandolini.com | |||||
| 10491 | Ricardo | Mandolini | En mi la noche entraba su invasion poderosa | 1986 | Zuspiel / Tonband, 1 group | 6:40 | Stereo | large orc [Orchester] | HfMT Köln | 0 | |||||||||
| 10492 | Ricardo | Mandolini | Estallido Breve | 1980 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
8:35 | Stereo | b-cl [Klarinette] | (version II with b-cl) | ed. RZ 3008 „Ricardo Mandolini“/ ed. RZ 1/ ed. RZ 3001 LP/ | IPEM Gent, EMS Stockholm, HfMT Köln | 08.1981 | Montevideo | 1 | http://www.ricardomandolini.com | ||||
| 10493 | Ricardo | Mandolini | Estallido breve II | 1980 | Zuspiel / Tonband, 1 perf | 8:35 | b-cl [Klarinette] | IPEM Gent | 1 | ||||||||||
| 10494 | Ricardo | Mandolini | Fabulas | 1979 | fixed media, akusmatisch | Tanz |
9:35 | Stereo | also version with dance | IPEM Gent | Mention Bpurges 1979 | 1 | 1983 | |||||||
| 10495 | Ricardo | Mandolini | Fabulas, 2. Teil, Fabulas 2. Teil | 1980 | fixed media, akusmatisch | 10:22 | Quadro | ed. rz 3002 LP/ ed. RZ 3007 „Inventionen“/ ed. RZ 2/ | TU Berlin | 26.4.1980 | stimmen 3, Lichthof der Technischen Universität Berlin | Mention 1981 Bourges | 1 | 1983 | http://www.ricardomandolini.com | ||||
| 10490 | Ricardo | Mandolini | Juego de Marionetas, Marionettenspiel | 1979 - 1980 | fixed media, akusmatisch | 9:45 | Quadro | HfMT Köln CD2/ ed. RZ 3008 „Ricardo Mandolini“/ ed. RZ 3001 LP/ ed. RZ 1/ | HfMT Köln | 22. Oktober 1980 | Aula der HfMT Köln | 1 | 1983 | http://www.ricardomandolini.com | |||||
| 24568 | Ricardo | Mandolini | La Légende des Clones | 1995 | fixed media, akusmatisch | 11:45 | Quadro | HfMT Köln CD8/ | HfMT Köln | HfMT Köln | 1995 | Rheinisches Musikfest Köln | 1 | ||||||
| 24447 | Ricardo | Mandolini | La noche en que los peces flotaron | 2001 | fixed media, akusmatisch | 13:10:00 | LDC 278076/77 Cultures Electroniques 16/ | IMEB Bourges | 0 | ||||||||||
| 10496 | Ricardo | Mandolini | Les pentacles | 1991 | fixed media, akusmatisch | 21:06 | Quadro | Syter | INA • GRM | 1 | |||||||||
| 24569 | Ricardo | Mandolini | Los Enemigos del Hombre de Conocimiento | 1996 | fixed media, akusmatisch | 13:46 | AdK Berlin | 0 | |||||||||||
| 10497 | Ricardo | Mandolini | Luz | 1985 | fixed media, akusmatisch | 19:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 10498 | Ricardo | Mandolini | Microreflexiones | 1987 | Zuspiel / Tonband, 2 perf | 18:10 | Stereo | S, synt [Sopran, synthesizer] | SYTER | LDC 278046/47 Cultures Electroniques 3/ | INA • GRM | 1 | |||||||
| 10499 | Ricardo | Mandolini | Movimientos | 1978/1979 | fixed media, akusmatisch | 8:20 | Quadro | HfMT Köln | 1 | ||||||||||
| 10500 | Ricardo | Mandolini | Poema reiterado | 1983 | fixed media, akusmatisch | 11:11 | Quadro | ed. RZ 3008 „Ricardo Mandolini“/ | HfMT Köln | 1 | 1984 1986 | http://www.ricardomandolini.com | |||||||
| 10501 | Ricardo | Mandolini | Presentimiento | 1982 | fixed media, akusmatisch | 9:25 | Quadro | EMS Stockholm | 7.02.1983 | Inventionen TU-Gebäude Ackerstraße | 1 | 1983 | |||||||
| 10502 | Ricardo | Mandolini | Vox veterrima | 1988/1990 | Zuspiel, live-elec, 6 perf | 16:21 | 3 tracks, 5 tracks | carillon, MIDI-Kbd, 4 perc [Keyboard, Schlagzeug] | 2nd version for 2 perc & lights | EMF DVD 054/ | TU Berlin | TU Berlin und BKP des DAAD | 19.8.1988 | Carillon im Tiergarten Berlin bei E88 ("Audiowerkstatt Berlin"), mit Jeffrey Bossin (Carillon), Jeffrey Burns (KB) und 4 weiteren Schlagzeugern | 1 | 1991 | |||
| 2005 | |||||||||||||||||||
| 24376 | Ricardo | Mandolini | Within / Without | 2003 | fixed media, akusmatisch | 13:21 | George Skip Brunner ≈ alias Ricardo Mandolini | LDC 2781131 Compendium 2003/ | IMEB Bourges | 1 | |||||||||
| 10503 | Ricardo | Mandolini | Y en mi la noche enteaba su invasion poderosa | 1986 | Zuspiel / Tonband, 1 group | orc [Orchester] | INA • GRM | 1 | |||||||||||
| 10504 | Nelson | Mandrell | she doesn't know he thinks he's god | 1983 | Zuspiel / Tonband, 3 perf | 9:13 | 3 S [Sopran] | UIUC LC 84-743210/ | EMS UIUC | 1 | |||||||||
| 10505 | Floris van | Manen | Claire de lune artificiel | 1981 | fixed media, akusmatisch | 5:50 | Stereo | Sweelinck, Sonology Utrecht | 0 | ||||||||||
| 10506 | Floris van | Manen | Claire de lune artificiel II | 1982 | fixed media, akusmatisch | 8:01 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 10507 | Floris van | Manen | Fond sonore pour une partie de jeu d'échec | 1979 | fixed media, akusmatisch | 8:22 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 10508 | Floris van | Manen | Waves | 1981 | Fernsehen, | 4:24 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 36807 | Floris van, Hans | Manen, Ponse | het badner leerstuk van overeenstemming | 1976 | fixed media, akusmatisch | 10:23:00 | Sonology Utrecht | 0 | |||||||||||
| 22692 | Love | Mangs | We, we the waves - an acoustic poem | 1997 | fixed media, akusmatisch | 19:48 | LDC 278065/66 Cultures Electroniques 11/ | EMS Stockholm | 1 | ||||||||||
| 33292 | Runar | Mangs | Essais | 1961 | Studie | Mono | 3 perc, vn, va, [Schlagzeug, Viola, Violine] | PS Apelac | 0 | ||||||||||
| 37258 | Antonia | Manhartsberger | Mo.ve. (Modus vertiginis) | 2017 | fixed media, akusmatisch | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 26378 | Michael | Manion | Constellations | 1974 | live-elec, 1 perf | 6:00 | Stereo | fl [Flöte] | Oberlin Col | 1974 | Oberlin Uni | Feedback | 0 | ||||||
| 21021 | Michael | Manion | Islands | 1981 | Zuspiel / Tonband, 1 perf | 18:00 | 3 tracks | fl [Flöte] | Manion/ | Feedback St, EMS UIUC | 1982 | Darmstadt | Feedback/Hermit | 0 | |||||
| 35796 | Michael | Manion | Long Roll | 2006 | live-elec, | 5.11.2006 | HfMT Köln | 0 | |||||||||||
| 19176 | Michael | Manion | Music for Cello and Electronic Sounds | 1991 | live-elec, 1 perf | 15:00 | vc [Cello] | Feedback 25 Jahre/ | Feedback St | 1991 | San Francisco | Feedback/Hermit | 1 | ||||||
| 26382 | Michael | Manion | Music for electronic Percussion II | 2002 | live-elec, 2 perf | 13:00 | perc (malletKAT), synt [Schlagzeug, synthesizer] | Feedback St | 2003 | Den Haag | Feedback/Hermit | 0 | |||||||
| 26379 | Michael | Manion | Orbis Musica | 1975 | Zuspiel, live-elec, 16 perf | 80:00 | 16 mus [Musiker] | Oberlin Col | 1976 | Oberlin | 0 | ||||||||
| 26383 | Michael | Manion | Part I | 2005 | fixed media, akusmatisch | 4:00 | Feedback St | 2005 | Köln | Feedback/Hermit | 0 | ||||||||
| 10509 | Michael | Manion | Pulse | 1984/1985 | Zuspiel / Tonband, | 20:00 | Sonology Den Haag | 0 | |||||||||||
| 26380 | Michael | Manion | Regions | 1976 | Zuspiel / Tonband, 1 perf | 45-120 | vc [Cello] | Oberlin Col, Feedback St | 1977 | Oberlin | 0 | ||||||||
| 36808 | Patrick | Manley | Transformations | fixed media, akusmatisch | 12:10:00 | 0 | |||||||||||||
| 42514 | Anthony | Mann | The Convoluted Cycle of Energy | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 33648 | Chris, Carolyn, Jeannie, Rik | Mann, Connors, Marsh, Rue | Chris Mann & The Impediments | 1995 | live-elec, 4 perf | 36:39 | 4 perf [Performer] | free Improvisation. On CD 80 Tracks for shuffle play (CD without booklet) | OO Discs 21/ | 1 | |||||||||
| 10510 | Peter David | Manning | The Ghost of Eriboll | fixed media, akusmatisch | 23:00 | Uni Durham | 1 | ||||||||||||
| 10512 | Peter David | Manning | Vortices | 1973 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 10511 | Peter David, Peter | Manning, Wiegold | The Night Visitors | 1975 | Tanz | Uni Durham | 0 | ||||||||||||
| 10513 | José Augusto | Mannis | 3 Fragmentos | 1991 | live-elec, 1 perf | 7:44 | MIDI-gui [Gitarre] | GF 001/ | PS C. Campinas, la grande fabrique | 0 | |||||||||
| 10515 | José Augusto | Mannis | Chants Oubliés | 1987 | live-elec, 7 perf | cl, hn, vn, vc, perc, 2 synt [Klarinette, Horn, Schlagzeug, Cello, Violine, synthesizer] | PS C. Paris | 0 | |||||||||||
| 10516 | José Augusto | Mannis | Círculo segundo | 1992 | audiovisuell | 1:00 | Mono | PS C. Campinas | 0 | ||||||||||
| 10517 | José Augusto | Mannis | Cumbica | 1992 | audiovisuell | 1:00 | Mono | PS C. Campinas | 0 | ||||||||||
| 10518 | José Augusto | Mannis | Cyclone | 1983 | fixed media, akusmatisch | 9:04 | Stereo | RD003 MEB Rioarte/ ISAST LMJ 4/ | la grande fabrique, INA • GRM | 20.12.1983 | Sao Paulo, Brasil | 0 | |||||||
| 10520 | José Augusto | Mannis | Duorganum I | 1989 | live-elec, 2 perf | 15:00 | Octo | va, db [Viola, Kontrabass] | Espace M. Paris, PS JAM Paris | 0 | |||||||||
| 10521 | José Augusto | Mannis | Duorganum II | 1998 | live-elec, | Tanz |
15:00 | Stereo | 5 parts. 2 versions: concert and dance on the CD SBME is only the 4th mvt 3:27 |
SBME 008 Coletânea de Música Eletroacústica Brasileira/ | Espace M. Paris | 1 | ||||||||
| 10522 | José Augusto | Mannis | O assassino está entre nós | 1992 | audiovisuell | 14:00 | Mono | PS C. Campinas | 0 | ||||||||||
| 10523 | José Augusto | Mannis | O demiurgo | 1992 | audiovisuell | 15:00 | Mono | PS C. Campinas | 0 | ||||||||||
| 10524 | José Augusto | Mannis | Os seres de aurora | 1992 | intermedia, live-elec, 1 perf | Stereo | robot, (interactive system) [computer] | Group "*.*" | PS C. Campinas | 0 | |||||||||
| 10525 | José Augusto | Mannis | Reflexos | 1992 | Zuspiel / Tonband, 2 perf | 6:00 | Stereo | mar, vib [Schlagzeug] | PS C. Campinas | 0 | |||||||||
| 10526 | José Augusto | Mannis | Rêve d'Eau | 1985 | live-elec, 3 perf | 12:00 | fl, cl, vc [Flöte, Klarinette, Cello] | L'Itinéraire Paris | 0 | ||||||||||
| 10527 | José Augusto | Mannis | Sequências para Gilgamesh | 1995 | Theatermusik | Stereo | PS C. Campinas | 0 | |||||||||||
| 10528 | José Augusto | Mannis | Sequências para Mel Nacional | 1992 | Hintergrundmusik | fixed media, akusmatisch |
Stereo | PS C. Campinas | 0 | |||||||||||
| 10529 | José Augusto | Mannis | Sequências para Vozes da América | 1992 | Hintergrundmusik | radiophon |
Stereo | M. for radio pieces | PS C. Campinas | 0 | ||||||||||
| 10530 | José Augusto | Mannis | Suite Troyes | 1988 | Zuspiel / Tonband, 1 perf | Octo | p [Piano] | difili de mode | la grande fabrique, Espace M. Paris | 0 | |||||||||
| 10531 | José Augusto | Mannis | Synapses | 1987 | live-elec, 1 perf | 25:00 | hn [Horn] | L'Itinéraire Paris | 0 | ||||||||||
| 10532 | José Augusto | Mannis | Synergie | 1988 | fixed media, akusmatisch | 9 | Octo | L'Itinéraire Paris, Espace M. Paris | 0 | ||||||||||
| 10533 | José Augusto | Mannis | Variações previstas | 1991 | intermedia, live-elec, 2 perf | ≈ 30:00 | Stereo | robot, (video), dancer [computer, Tanz] | Group "*.*" | PS C. Campinas | 0 | ||||||||
| 10514 | José Augusto, Marcos | Mannis, Mesquita | A passante | 1994 | audiovisuell | Mono | PS C. Campinas | 0 | |||||||||||
| 10519 | José Augusto, Marcos | Mannis, Mesquita | De onde vem esse garoto | 1993 | audiovisuell | 15:00 | Mono | PS C. Campinas | 0 | ||||||||||
| 26736 | Philippe | Manoury | Dickinson Studies | 2002 | Zuspiel, live-elec, | 5 petites études pour musique élecroniques sur des poèmes d’Emily Dickinson | IRCAM | 0 | http://musicweb.ucsd.edu/people/people.php?cmd=fm_music_directory_detail&query_Full_Name=+Philippe+Manoury | ||||||||||
| 28141 | Philippe | Manoury | En écho | 1993 | live-elec, 1 perf | 32:00 | S [Sopran] | d’après des poèmes de Emmanuel Hocquart | IRCAM Les Années 90/ | IRCAM | Durand D. & F. 15125 | 0 | http://www.philippemanoury.com/ | ||||||
| 10534 | Philippe | Manoury | Jupiter | 1986 | live-elec, 1 perf | 27:00 | fl [Flöte] | ISPW | EMF 125/ IRCAM Collection/ Adès 206062/ | IRCAM | 0 | http://www.philippemanoury.com/ | |||||||
| 25983 | Philippe | Manoury | K…, A multimedia Exploration | 2001 | Demo, Studie | IRCAM 0002 F, Creations IRCAM/ | IRCAM | 1 | http://www.philippemanoury.com/ | ||||||||||
| 10535 | Philippe | Manoury | La partition du ciel et de l'enfer | 1989 | live-elec, 2 perf, 1 group | 42:00 | ens, fl, MIDI p [Flöte, Piano, Ensemble] | ISPW | IRCAM Collection/ Adès 206062/ | IRCAM | Amphion | 0 | http://www.philippemanoury.com/ | ||||||
| 33546 | Philippe | Manoury | Le temps, mode d'emploi | 2014 | live-elec, 2 perf | 52:24:00 | 2 p, (elec) [Piano] | Duo Grau Schumacher | WD 2014, Wittener Tage Für Neue Kammermusik 2014/ | Experimentalstudio für Akustische Kunst Freiburg | UA, Auftrag Experimentalstudio des SWR, des WDR, Wigmore Hall London, Wiener Konzerthaus | 10.5.2014, Saalbau Witten | 1 | ||||||
| 10536 | Philippe | Manoury | Neptune | 1991 | live-elec, 3 perf | 35:00 | 3 perc [Schlagzeug] | ISPW | Accord 206762/ | IRCAM | Durand | 0 | http://www.philippemanoury.com/ | ||||||
| 28139 | Philippe | Manoury | Partita I | 2006 | live-elec, 1 perf | 40:57 | va [Viola] | Kairos 0012922KAI/ | IRCAM | 0 | http://www.philippemanoury.com/ | ||||||||
| 10537 | Philippe | Manoury | Pluton | 1988 | live-elec, 1 perf | 55:00 | MIDI p [Piano] | ISPW | IRCAM 0002 F, Creations IRCAM/ | IRCAM | 1 | http://www.philippemanoury.com/ | |||||||
| 26735 | Philippe | Manoury | Prélude de K… | Zuspiel, live-elec, | Cette composition électronique peut se jouer indépendamment comme musique électronique suelle sans orchestre | IRCAM | 0 | http://www.philippemanoury.com/ | |||||||||||
| 28142 | Philippe | Manoury | Tensio | 2010 | live-elec, 4 perf | 38:00 | str-qt [Streicher] | IRCAM | 0 | http://www.philippemanoury.com/ | |||||||||
| 10538 | Philippe | Manoury | Zeitlauf | 1983 | Zuspiel, live-elec, 2 groups | 57:00 | Stereo | ens, ch [Ensemble, Chor] | sur un texte de Georg Webern | ERA ECD 75552/ ERA 2292 45363-2/ | IRCAM | Amphion | 0 | http://www.philippemanoury.com/ | |||||
| 36540 | Stelios | Manousakis | Involuntary Cognition Faction | 2014 | fixed media, akusmatisch | 6:32:00 | Taukay 156/ | Sonology Den Haag | special mention composition competition Città di Udine 2014 | 0 | |||||||||
| 24448 | José | Manrique | Historias | 2001 | fixed media, akusmatisch | 12:19:00 | Musica Maximalista Vol. 12/ | IMEB Bourges | 0 | ||||||||||
| 36684 | José | Manrique | Rock&roll Interrompue | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 24804 | José | Manrique | Voz Oculta | 1997 | fixed media, akusmatisch | 6:58 | LDC 278065/66 Cultures Electroniques 11/ | IMEB Bourges | 0 | ||||||||||
| 27396 | José | Manriques | Ad nilo | fixed media, akusmatisch | 14:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 34382 | José | Manriques | Rock&Roll interrompue | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 10539 | Struan | Manson | Drum Solo | 1993 | fixed media, akusmatisch | 9:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 42867 | David | Mantecon | Voces del Siglo XX | 2013 | fixed media, akusmatisch | 6:10:00 | 0 | ||||||||||||
| 41825 | Phil | Mantione | Dorr | 2001 | fixed media, akusmatisch | 4:00:00 | codemist ICMC2001/ | 0 | |||||||||||
| 40184 | Philip | Mantione | Memory Hole | 2017 | fixed media, akusmatisch | 16 Tracks | Philip Mantione | 0 | |||||||||||
| 33314 | George | Manupelli | December 1962, a Film for Hooded Projector | 1963 | Film | 1 | Mono | Manupelli-Film | CSEM Ann Arbor | 0 | |||||||||
| 23273 | Jônatas | Manzolli | Acqua Viva | 1997/1998 | fixed media, akusmatisch | 3:54 | SBME 002, Musica el. Brasileira Vol 2/ | UNICAMP | 1 | ||||||||||
| 20485 | Jônatas | Manzolli | Berocan | 1996 | fixed media, akusmatisch | 4:30 | Stereo | Phase Vocoder | SBME 001, Musica el. Brasileira Vol 1/ | Uni Nottingham | 1 | ||||||||
| 31759 | Jônatas | Manzolli | Ventania, Squall | 2007 | fixed media, akusmatisch | 12:32 | SBME 008 Coletânea de Música Eletroacústica Brasileira/ | UNICAMP | 1 | ||||||||||
| 28292 | Giacomo | Manzoni | 6 canti dal Kokin Shū | 2007 | live-elec, 1 perf | 8:00 | S [Sopran] | su antichi testi giapponesi, per voce femminile, processori elettronici e tastiera midi | 1 | ||||||||||
| 10540 | Giacomo | Manzoni | Massimiliano Robespierre | 1975 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 10541 | Giacomo | Manzoni | Parole de Beckett | 1971 | Zuspiel / Tonband, 5 groups | 2 ch, 3 ens [Ensemble, Chor] | Fonologia Milano | 0 | |||||||||||
| 10542 | Giacomo | Manzoni | Percorso GG | 1979 | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | Fonologia Milano | 0 | ||||||||||
| 24143 | Giacomo | Manzoni | Quanto oscura selva trovai | 1996 | Zuspiel, live-elec, 1 perf | trbn, (DSP) [Posaune] | Agon | 0 | |||||||||||
| 10543 | Giacomo | Manzoni | studio 3, ("Atomtod") | 1964 | Oper | intermedia |
4:30 | Mono | 1st version | Fonologia Milano | 0 | |||||||||
| 10544 | Giacomo | Manzoni | studio 3, ("Atomtod") | 1964 | Oper | intermedia |
6:45 | Mono | 2nd version | Fonologia Milano | 0 | |||||||||
| 33692 | Alper | Maral | 1-32 | 2012 | fixed media, akusmatisch | 2:22 | Stereo | MH-G7 012/ | PS C., | MH-G7 012 | 1 | ||||||||
| 35058 | Alper | Maral | Sho | 2001 | fixed media, akusmatisch | 2:04 | Stereo | SR 390 sub rosa/ | 0 | ||||||||||
| 10545 | Lucia | Maranca | El Jardin de Angelo | 1966 | Hintergrundmusik | 13:00 | Stereo | LIPM B.Aires | 0 | ||||||||||
| 36909 | Svetlana | Maras | I change, destroy, rebuild, replace, destroy and delete | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 39591 | Anthony | Marasco | Weld | 2015 | fixed media, akusmatisch | 5:40:00 | Anthony Marasco | 0 | |||||||||||
| 10546 | Alain | Marchal | LOS | 1982 | fixed media, akusmatisch | 8:40 | Stereo | 0 | |||||||||||
| 10547 | Jean Christopher | Marchand | Voz oscura | 1990 | Zuspiel / Tonband, 1 perf | 7:20 | Stereo | va da gamba [Cello] | LIEM CDMC Madrid | 0 | |||||||||
| 37870 | Lionel | Marchetti | Adèle Et Hadrien (Le Livre Des Vacances) | 1999 | live-elec, 7 perf, 1 group | 122 | vc, cl, fl, perc, p, vn, Vs [Stimme, Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | Optical Sound OS 033/ | INA • GRM | INA - GRM | 0 | ||||||||
| 20486 | Lionel | Marchetti | Dans la montagne | 1996 | radiophon | 12:06 | Stereo | La muse En Circuit Hörspiele 2: Jeux Pour L'Oreille/ | La Muse | 0 | |||||||||
| 24778 | Lionel | Marchetti | Kitnabudja Town | 2004 | Klangkunst, Installation | 70:00 | Roger de la Frayssenet ≈ Lionel Marchetti | MKCD XXX/ | 0 | ||||||||||
| 19180 | Lionel | Marchetti | L'incandescence de l'étoile | 1991 | fixed media, akusmatisch | 13:05 | CEC Presence 1/ div 02/ | CFMI Lyon | 1 | ||||||||||
| 24711 | Lionel | Marchetti | La grande vallée | 1993 - 1996 | fixed media, akusmatisch | 20:40 | Stereo | MK CD 025/ | 0 | ||||||||||
| 20487 | Lionel | Marchetti | Mue (la demeure brillante) | 1993 | fixed media, akusmatisch | 21:00 | Stereo | sobre um poema de 1991 de William Pellier | MK CD 007/ | 0 | |||||||||
| 34571 | Lionel | Marchetti | Noord Five Atlantica | 2003 - 2005 | Performance, live-elec, 6 perf | 33:29 | 6 perf (2 foghorns, 2 Kbd, 2 V) [Performer] | Césaré 05/ | Césaré St | 0 | |||||||||
| 37868 | Lionel | Marchetti | Portrait d’un Glacier (Alpes, 2173m) | 2000 | fixed media, akusmatisch | 28:42 | Ground Fault Rec 017/ | INA • GRM, CFMI Lyon | GRM | 0 | https://www.discogs.com/de/Lionel-Marchetti-Portrait-DUn-Glacier-Alpes-2173m/release/92343 | ||||||||
| 24712 | Lionel | Marchetti | Train de nuit (Noord 3-683) | 1998 - 1999 | fixed media, akusmatisch | 21:50 | Stereo | MK CD 029/ | CFMI Lyon | 0 | |||||||||
| 36427 | Lionel, Olivier | Marchetti, Capparos | Kitty Hawk | 2008 | Performance | 3 tracks | 2 V, str-qt, (3 Loudspeaker) [Stimme, Streicher] | An oratorio of musique concrète and instrumental music for string quartet, two voices, and three loudspeakers | Césaré 09/ | 0 | |||||||||
| 10548 | Walter | Marchetti | Mandala | 1966 | fixed media, akusmatisch | Mono | 0 | ||||||||||||
| 25618 | Walter | Marchetti | Utopia andata e ritorno, L’Andata | 2005 | fixed media, akusmatisch | 70:00 | Stereo | L’Andata (The Going Away) Two recordings have been put together: Heavy storm and piano recital. |
Alga Marghen plana-M 26MNM.059/2/ | Studio RDS, Milano | 1 | ||||||||
| 25619 | Walter | Marchetti | Utopia andata e ritorno, Il ritorno | 2005 | fixed media, akusmatisch | 70:19 | Stereo | Il Ritorno (The return) |
Alga Marghen plana-M 26MNM.059/2/ | Studio RDS, Milano | 1 | ||||||||
| 36499 | Patrick | Marcland | Alto-Solo 2 | 2007 | live-elec, 1 perf | 4:56 | va [Viola] | sismal Records SR 006/ | CERM Metz | 0 | http://www.musiquefrancaise.net/fiche.php?id=605 | ||||||||
| 36502 | Patrick | Marcland | Chant du Jour d’Après | 2000 | fixed media, akusmatisch | 16 | Octo | 0 | |||||||||||
| 36503 | Patrick | Marcland | Le Roc aux Sorciers | 2007 | audiovisuell | 35 | 16 Tracks | Musée de la frise sculptée magdalénienne d’Angles sur l’Anglin | 0 | ||||||||||
| 36504 | Patrick | Marcland | Name of action | 2000/2002 | fixed media, akusmatisch | 26 | Octo | 2005 | Futurs composés Paris | 0 | |||||||||
| 36500 | Patrick | Marcland | Saxo-Solo | 2009 | live-elec, 1 perf | 13:06 | t-sax [Saxophon] | sismal Records SR 006/ | CERM Metz | 0 | http://www.musiquefrancaise.net/fiche.php?id=605 | ||||||||
| 36505 | Patrick | Marcland | Thrène pour Laure | 2005 | fixed media, akusmatisch | 10 | Stereo | 0 | |||||||||||
| 36501 | Patrick, Gualtiero | Marcland, Dazzi | Chant de l’Olympe | 2003 | fixed media, akusmatisch | 45 | Stereo | en collaboration avec Gualtiero Dazzi | 0 | ||||||||||
| 10549 | Christian | Marclay | Berlin Mix | 1993 | intermedia | 50:00 | 1 | ||||||||||||
| 10550 | Christian | Marclay | Black Stucco | 1986 | live-elec, | 3:05 | Nonesuch 9 79235-2, Imaginary Landscapes/ ALPHA 62 CD/ | 1 | |||||||||||
| 28372 | Christian | Marclay | Exhibition Soundart | 1994 | Klangkunst, Installation | 0 | 1994 | ||||||||||||
| 32906 | Christian | Marclay | Graffiti Composition | 1996/2002 | Performance | 11.3.2002 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | http://www.musikwerke-bildender-kuenstler.de/de/k04.html | ||||||||||
| 20488 | Christian | Marclay | Maria Callas | 1988 | fixed media, akusmatisch | 3:02 | Stereo | MW 60/ SAN 12/ | 1 | ||||||||||
| 10551 | Christian | Marclay | More encores | 1988 | fixed media, akusmatisch | No Man´s Land 8816/ ReR CM1/ | 1 | ||||||||||||
| 35030 | Christian | Marclay | Screen play | 2005 | audiovisuell, live-elec, | 29 | video-show als Partitur für ensemble | AR LP 006 aussenraum records/ | 0 | http://www.smb.museum/museen-und-einrichtungen/hamburger-bahnhof/ausstellungen/detail/musikwerke-bildender-kuenstler.html | |||||||||
| 35031 | Christian | Marclay | to be continued | 2016 | audiovisuell, live-elec, | comic als Partitur für Ensemble | 0 | http://www.smb.museum/museen-und-einrichtungen/hamburger-bahnhof/ausstellungen/detail/musikwerke-bildender-kuenstler.html | |||||||||||
| 35029 | Christian | Marclay | zoom zoom | 2007 - 2016 | audiovisuell, live-elec, 1 perf | V [Stimme] | dia-show als Partitur für Vokalperformance, with Shelley Hirsch | 0 | http://www.smb.museum/museen-und-einrichtungen/hamburger-bahnhof/ausstellungen/detail/musikwerke-bildender-kuenstler.html | ||||||||||
| 10552 | Tomás | Marco | Akelarre | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | b-cl [Klarinette] | EM ?? | 0 | ||||||||||
| 10553 | Tomás | Marco | Anna Blume | 1967 | Zuspiel / Tonband, 5 perf | 2 Sp, w, 2 perc [Sprecher, Schlagzeug, Bläser] | ALEA Madrid | 0 | |||||||||||
| 10554 | Tomás | Marco | Concerto | 1972 | Zuspiel / Tonband, 2 perf | S, vn [Sopran, Violine] | ALEA Madrid | 0 | |||||||||||
| 32731 | Tomás | Marco | El Viaje Circular | 2004 | Oper | CTM 2117/ | 0 | ||||||||||||
| 10555 | Tomás | Marco | Jabberwocky | 1967 | Zuspiel/Tonband, 2 perf | intermedia |
20:00 | Mono | V, ins, slides [Stimme, Instrument] | ALEA Madrid | 0 | |||||||||
| 32730 | Tomás | Marco | Teatro de la Memoria | 2005 | live-elec, 3 perf, 1 group | 61 | S, sax-ens, Kbd [Sopran, Saxophon, Keyboard] | CTM 2116/ | 0 | ||||||||||
| 33626 | Maximilian | Marcoll | Adhan - Tripartite Appropriation | 2015 | Zuspiel / Tonband, 1 perf | 8:35 | 3 tracks | carillon [Keyboard] | Folkmar Hein mit Unterstützung von ca. 40 Spendern (anlässlich 70. Geburtstag von F.H. Februar 2014) | 24.05.2015 | Carillon im Tiergarten Berlin, mit Jeffrey Bossin (Carillon) | 0 | http://www.carillon-berlin.de/aktuelles.html | ||||||
| 34285 | Maximilian | Marcoll | Amproprification #1: S9cLB | 2016 | live-elec, 1 perf | 14 | b-cl (automated amp) [Klarinette] | 0 | |||||||||||
| 34286 | Maximilian | Marcoll | Amproprification #2: OFD | 2016 | live-elec, 1 perf | 13 | db-cl [Klarinette] | 0 | |||||||||||
| 34287 | Maximilian | Marcoll | Amproprification #4: S8.1MM | 2016 | live-elec, 1 perf | 15:30 | sax [Saxophon] | 0 | |||||||||||
| 34288 | Maximilian | Marcoll | Amproprification #5: EMPTY | 2016 | live-elec, | 3:05 - 20 | var ins (any number of any ins and elec) [Instrument] | 0 | |||||||||||
| 38952 | Maximilian | Marcoll | Amproprification #8: EROICA, Amproprification #8: Allegro con brio, Eroica, C. F. Ebers, L. v. Beethoven | 2018 | live-elec, 1 group | ens [Ensemble] | 24.6.2018 | Konzerthaus Berlin, Werner-Otto-Saal, Ensemble UnitedBerlin | 0 | ||||||||||
| 26750 | Maximilian | Marcoll | Coarsecrackles | 2006 | live-elec, 4 perf | 6:00 | sax-qt [Saxophon] | ICEM Essen | 09.10.2004 | Philharmonie Essen, Koh-I-Noor Saxophone Quartet (NL) | 0 | http://www.maximilianmarcoll.de | |||||||
| 26738 | Maximilian | Marcoll | Compound No. 1, CAR SEX VOICE HONKER | 2008 | live-elec, 2 perf | ≈ 17:00 | 2 acc [Akkordeon] | 09.11.2008 | Berlin, Saalbau Neukölln, Klangwerkstatt Festival, Susanne Stock, Nancy Laufer, Hannes Seidl | 0 | http://www.maximilianmarcoll.de | ||||||||
| 30404 | Maximilian | Marcoll | Compound No. 1a, CAR SEX VOICE HONKER | 2009 | Zuspiel, live-elec, 2 perf | ≈ 17 | 2 acc (or 1 acc), (elec) [Akkordeon] | 15.12.09 | Köln, Alte Feuerwache, Eva Zöllner, Florian Zwissler | 1 | |||||||||
| 26737 | Maximilian | Marcoll | Compound No. 2, AIR PRESSURE TRAIN TV | 2008/2009 | live-elec, 6 perf | ≈ 17:00 | 6 perc [Schlagzeug] | 07.05.2009 | Essen, Philharmonie, Norbert Kraemer, Igor Krasovskyy, Carsten Langer, Christoph Nuenchert, Michael Pattmann, Yuko Suzuki, Roman Pfeifer | 1 | http://www.maximilianmarcoll.de | ||||||||
| 30401 | Maximilian | Marcoll | Compound No. 2a, AIR PRESSURE TRAIN TV | 2008/2011 | live-elec, 2 perf | ≈ 18 | 2 perc, (elec) [Schlagzeug] | 24.11.2011 | Bludenz (a), Bludenzer Tage zeitgemässer Musik, Norbert Krämer, Michael Pattmann | 0 | |||||||||
| 30400 | Maximilian | Marcoll | Compound No. 3, MACHINE CONSTRUCTION AFTERMATH | 2009/2011 | live-elec, 3 perf | ≈ 12 | microtonal hn, trbn, microtonal tuba, (elec) [Horn, Posaune, Tuba] | 05.11.2011 | Berlin, Bethanien, Studio 1, Klangwerkstatt Festival, Zinc & Copper Works | 0 | |||||||||
| 28736 | Maximilian | Marcoll | Compound No. 4, FRICTION MACHINE ALARM SIGNAL CONSTRUCTION | 2010 | live-elec, 5 perf | ≈ 14:57 | Octo | vn, va, perc, 2 perf (2 ad hoc player, elec, black box) [Schlagzeug, Viola, Violine, Performer] | stock11 003/ | 27.01.2011 | Berlin, Sophiensaele, Ultraschall Festival, Ensemble Mosaik | 1 | |||||||
| 30402 | Maximilian | Marcoll | Compound No. 5, CONSTRUCTION ADJUSTMENT | 2010/2011 | live-elec, 1 perf | ≈ 14 | 3 tracks | ins (black box), (elec) [Instrument] | 27.01.2011 | Berlin, Sophiensaele, Ultraschall Festival, Maximilian Marcoll | 0 | ||||||||
| 30399 | Maximilian | Marcoll | Compound No. 6, VOICE ALARM AIR MACHINE | 2011/2012 | live-elec, 1 perf | gliss-fl (with bellows, mic box, elec) [Flöte] | 02.11.2012 | Berlin, Bethanien, Studio 2, Klangwerkstatt Festival, Erik Drescher | 0 | ||||||||||
| 30398 | Maximilian | Marcoll | Compound No. 7 | 2012/2013 | live-elec, 1 group | ens, (elec) [Ensemble] | tba | 0 | |||||||||||
| 30397 | Maximilian | Marcoll | Compound No. 8 | 2013 | live-elec, 1 perf | perc, (elec) [Schlagzeug] | tba | 0 | |||||||||||
| 31825 | Maximilian | Marcoll | dis.playce | 2006 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 26742 | Maximilian | Marcoll | FastForward | 2006 | fixed media, akusmatisch | 1:00 | 0 | http://www.maximilianmarcoll.de | |||||||||||
| 26752 | Maximilian | Marcoll | Folgesätze | 2002 - 2003 | fixed media, akusmatisch | ≈ 26:00 | ICEM Essen | 15.05.2003 | KKC, Essen | 0 | http://www.maximilianmarcoll.de | ||||||||
| 31822 | Maximilian | Marcoll | Frickulin | 2006 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 26746 | Maximilian | Marcoll | hell und dunkel und alles dazwischen - weisse ratte | 2005 | Tanz | music for a dance project by Ben J. Riepe | ICEM Essen | 29.6.2005 | Tanzhaus NRW, Düsseldorf | 0 | http://www.maximilianmarcoll.de | ||||||||
| 25800 | Maximilian | Marcoll | Hundert Rahmen, hochkant | 2005 | live-elec, 1 perf | 10:00 | Quadro | p [Piano] | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | ICEM Essen | 18.06.2005 | Folkwang Hochschule Essen, Sebastian Berweck | 0 | http://www.maximilianmarcoll.de | |||||
| 31823 | Maximilian | Marcoll | I will….. | 2006 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 26745 | Maximilian | Marcoll | Impulskörper I | 2005 | fixed media, akusmatisch | 5:00 | Split EP maximilian marcoll + dis.playce/ | ICEM Essen | 04.11.2005 | Künstlerhaus Bethanien, Berlin | 0 | http://www.maximilianmarcoll.de | |||||||
| 30405 | Maximilian | Marcoll | Keimreim | 2004/2005 | live-elec, 1 group | ≈ 12 | ens [Ensemble] | 31.04.2005 | Weimarer Frühjahrstage für Neue Musik, Oh Ton Ensemble, M.Marcoll (cond.) | 0 | |||||||||
| 26740 | Maximilian | Marcoll | Momentaufnahme in fünf Stationen. Studie. Kathartisch. Mit Quadrat. | 2008 | live-elec, 4 perf | ≈ 12:00 | sax, hp, db, perc [Saxophon, Harfe, Schlagzeug, Kontrabass] | 04.05.2008 | Oldenburg, oh ton ensemble (Barbara & Mark Lorenz Kysela, John Eckhardt, Michael Pattmann) | 0 | http://www.maximilianmarcoll.de | ||||||||
| 26739 | Maximilian | Marcoll | Notturno. Kanon mit Schalentieren. | 2008 | fixed media, akusmatisch | 2:00 | ICEM Essen | 30.05.2008 | Essen | 0 | http://www.maximilianmarcoll.de | ||||||||
| 26751 | Maximilian | Marcoll | Ohne Titel | 2003/2004 | fixed media, akusmatisch | 3 | fragment of a work, elec composition (sine study) | ICEM Essen | 22.05.2002 | Folkwang Hochschule, Essen | 0 | http://www.maximilianmarcoll.de | |||||||
| 26753 | Maximilian | Marcoll | Ohne Titel | 2002 | fixed media, akusmatisch | 3:00 | sine study | ICEM Essen | 22.05.2002 | Folkwang Hochschule, Essen | 0 | http://www.maximilianmarcoll.de | |||||||
| 26744 | Maximilian | Marcoll | Ohne Titel - a miniature | 2006 | live-elec, 7 perf | 3:00 | fl, cl, p, str-qt [Flöte, Klarinette, Piano, Streicher] | ICEM Essen | 20.01.2006 | Folkwang Hochschule Essen, a student ensemble | 0 | http://www.maximilianmarcoll.de | |||||||
| 31824 | Maximilian | Marcoll | P60704 | 2006 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 26741 | Maximilian | Marcoll | Samstag Morgen - Berlin Neukölln. Studie. Und Selbstportrait. Mit Hirsch. | 2007 | live-elec, 1 perf | ≈ 12:00 | p [Piano] | stock11 015/ nasu 015/ | 09.07.2007 | Hochschule für Musik FRANZ LISZT Weimar, Sebastian Berweck | 0 | http://www.maximilianmarcoll.de | |||||||
| 26749 | Maximilian | Marcoll | SMC | 2004 | Klangkunst, Installation | ∞ | interactive installation | ICEM Essen | 09.10.2004 | Philharmonie Essen | 0 | http://www.maximilianmarcoll.de | |||||||
| 26743 | Maximilian | Marcoll | Studie über akustische Realität: Montag Mittag - Essen Huttrop | 2006 | Zuspiel / Tonband, 4 perf | ≈ 6:00 | rec, a-fl, perc, db [Flöte, Schlagzeug, Kontrabass] | 03.10.2006 | bka berlin, One Two One (Dörte Nienstedt, Anne Horstmann, John Eckhardt, Michael Pattmann) | 0 | http://www.maximilianmarcoll.de | ||||||||
| 30403 | Maximilian | Marcoll | Umverteilung | 2010 | live-elec, 1 perf | ins ((site specific) [] | 07./08.10.2010 | Ditzingen | 0 | ||||||||||
| 26747 | Maximilian, Florian | Marcoll, Zwissler | die konsequenzen, ramifications | 2005 | Tanz | music for a dance project by Leandro Kees | ICEM Essen | 4.11.2005 | Café ADA, Wuppertal | 0 | http://www.maximilianmarcoll.de | ||||||||
| 22397 | Mathieu | Marcoux | Corporation | 2000 | fixed media, akusmatisch | 6:23 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 2nd prize Le Caine Award 1999 JTTP 2000 winner 3. prize |
1 | ||||||||
| 24699 | Mathieu | Marcoux | Information | 2004 | fixed media, akusmatisch | 7:08 | JTTP 2004 | CEC Cache 2004, PeP 009/ | PS C. | winner JTTP 2004 3. prize | 1 | ||||||||
| 24679 | Mathieu | Marcoux | Une théorie sur le sommeil paradoxal | 2003 | fixed media, akusmatisch | 7:36 | JTTP 2003 | CEC Cache 2003 CA/ | 1 | ||||||||||
| 10556 | Suzanne | Marcus | Shapes of the voice | 1978 | radiophon | 19:25 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 10557 | Kjell | Marcussen | Concerto for Guitar, Chamber Ensemble and tape | Zuspiel / Tonband, 7 perf | 20:00 | fl and a-fl, cl and b-cl, vn, vc, gui, p, perc [Flöte, Klarinette, Piano, Gitarre, Schlagzeug, Cello, Violine] | NOTAM | 0 | |||||||||||
| 10558 | Krzysztof | Marczak | ETIUDA | 1989 | fixed media, akusmatisch | 5:55 | Stereo | SME Krakow | 0 | ||||||||||
| 10559 | Haig | Mardirosian | Fantasia | 1969 | Zuspiel / Tonband, 1 perf | 6:25 | org [Orgel] | WGS-8129/ | Catholic Uni | nat Gal of Art, Washington | 1 | ||||||||
| 22144 | Serenella | Marega | Strutture | fixed media, akusmatisch | 1:10 | Mono | ExpSt Warsaw | 0 | |||||||||||
| 33140 | Martin | Marek | Cosciette di roncole alia Luigi Galvani | 1999 | Zuspiel, live-elec, 7 perf | 9:35 | fl, cl, vn, va, vc, p, synt [Flöte, Klarinette, Piano, Viola, Cello, Violine, synthesizer] | for flute, clarinet, violin, viola, cello, piano, synthesizer and soundtrack | WJ 2004/ | Ritornel, Ostrava | 1 | ||||||||
| 10560 | Tera de | Marez Oyens | Ambiversion | 1983 | Zuspiel / Tonband, 1 perf | 15:08 | Stereo | b-cl [Klarinette] | BVHAAST 9211/ | Sonology Utrecht | 0 | http://www.terademarezoyens.nl/ | |||||||
| 10561 | Tera de | Marez Oyens | Bist du Bist | 1973 | 0 | http://www.terademarezoyens.nl/ | |||||||||||||
| 10562 | Tera de | Marez Oyens | Cello Concerto | 1986 | Zuspiel / Tonband, 1 perf | 27:00 | vc [Cello] | 0 | http://www.terademarezoyens.nl/ | ||||||||||
| 10563 | Tera de | Marez Oyens | Charon's gift | 1982 | Zuspiel / Tonband, 1 perf | 13:50 | Stereo | p [Piano] | CV 8702/ WVH 200/ | Sonology Utrecht | 0 | http://www.terademarezoyens.nl/ | |||||||
| 10564 | Tera de | Marez Oyens | Combattimento ritmico | 1968 | fixed media, akusmatisch | 9:45 | Quadro | private production | Sonology Utrecht | 0 | http://www.terademarezoyens.nl/ | ||||||||
| 10565 | Tera de | Marez Oyens | Concerto for horn and tape | 1980 | Zuspiel / Tonband, 1 perf | 15:38 | Stereo | hn [Horn] | SAL 7001/ | Sonology Utrecht | 0 | http://www.terademarezoyens.nl/ | |||||||
| 10566 | Tera de | Marez Oyens | Delta Ballet | 1973 | fixed media, akusmatisch | 16:00 | 0 | http://www.terademarezoyens.nl/ | |||||||||||
| 20080 | Tera de | Marez Oyens | Dreams of Madness | 1991 | Zuspiel / Tonband, 1 group | 10:05 | Stereo | ch [Chor] | BVHAAST 9211/ | 0 | http://www.terademarezoyens.nl/ | ||||||||
| 10567 | Tera de | Marez Oyens | Etude II | 1965 | fixed media, akusmatisch | 4:00 | Quadro | STEM Utrecht, CEM Bilthoven | 0 | http://www.terademarezoyens.nl/ | |||||||||
| 10568 | Tera de | Marez Oyens | From death to birth version 2 |
1976 | Zuspiel / Tonband, 1 group | 11:30 | Quadro | ch [Chor] | Sonology Utrecht | 0 | http://www.terademarezoyens.nl/ | ||||||||
| 10569 | Tera de | Marez Oyens | Human | 1975 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | http://www.terademarezoyens.nl/ | |||||||||||
| 10570 | Tera de | Marez Oyens | Mixed Feelings | 1973 | Zuspiel / Tonband, 1 perf | 12:00 | Quadro | perc [Schlagzeug] | 0 | http://www.terademarezoyens.nl/ | |||||||||
| 10571 | Tera de | Marez Oyens | Odyssey of Mr. Goodevil | 1978 | fixed media, akusmatisch | [tape lost] | 0 | http://www.terademarezoyens.nl/ | |||||||||||
| 10572 | Tera de | Marez Oyens | Photophonie, Photophonie I | 1969 | fixed media, akusmatisch | intermedia |
14:00 | Quadro + Mono, Quadro | 8 lights | Sonology Utrecht | 0 | http://www.terademarezoyens.nl/ | ||||||||
| 10573 | Tera de | Marez Oyens | Safed | 1967 | fixed media, akusmatisch | 7:43:00 | Quadro | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ Infiné IF 4002/ | Sonology Utrecht | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 20081 | Tera de | Marez Oyens | Sinfonia Testimonial | 1987 | Zuspiel / Tonband, 2 groups | 14:04 | Stereo | ch, orc [Chor, Orchester] | CV 8702/ WVH 200/ | 0 | http://www.terademarezoyens.nl/ | ||||||||
| 10574 | Tera de | Marez Oyens | Sound and Silence | 1971 | 0 | http://www.terademarezoyens.nl/ | |||||||||||||
| 10575 | Tera de | Marez Oyens | Trio, (Combattimento ritmico II) | 1974 | Zuspiel / Tonband, 2 perf | 10:00 | b-cl, perc [Klarinette, Schlagzeug] | BVHAAST 9211/ | BBC | 0 | http://www.terademarezoyens.nl/ | ||||||||
| 10576 | Tera de | Marez Oyens | Vagaries | 1983 | Zuspiel / Tonband, 1 perf | 17:00 | Stereo | p [Piano] | Sonology Utrecht | 0 | http://www.terademarezoyens.nl/ | ||||||||
| 10577 | Tera de | Marez Oyens | Vocaphony | 1972 | 0 | http://www.terademarezoyens.nl/ | |||||||||||||
| 10578 | Franco | Margani | random game | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 34639 | Jones | Margarucci | Inhabited Places_part II, Behind Two Holes | 2015 | fixed media, akusmatisch | SMC2016 | EMS Stockholm | 0 | |||||||||||
| 39367 | Emma | Margetson | Dreaming Waves | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 20489 | Al | Margolis | Barump Poc | Zuspiel / Tonband, 2 perf | 19:38 | Stereo | V, ins [Stimme, Instrument] | Pogus 21010-2/ | 0 | ||||||||||
| 20490 | Al | Margolis | Breathing | Zuspiel / Tonband, 2 perf | 22:15 | Stereo | w (didgeridoo), ob [Oboe, Bläser] | Pogus 21010-2/ | 0 | ||||||||||
| 20491 | Al | Margolis | R.Ism V.2PF | Zuspiel, live-elec, 2 perf | 28:20 | Stereo | p, fl [Flöte, Piano] | Pogus 21010-2/ | 0 | ||||||||||
| 39543 | Al | Margolis | What Makes a Sound (argument)? | 2016 | fixed media, akusmatisch | Al Margolis III | Diapason | 0 | |||||||||||
| 28719 | Al, Dan, Detta, Danielle, Paul | Margolis, Andreana, Andreana, Reddick, Richards | In deepest, darkest … | 1990 | Performance, live-elec, 1 perf | perf [Performer] | performer playing bn; s-sax; cl; ob alias IF, BWANA - XTSW Al Margolis If Bwana is the project of Al Margolis, who began producing tapes of dadaistic noise in 1984. XTSW Danielle Reddick, Paul Richards, Al Margolis, Dan Andreana, Detta Andreana, Big City Orchestra |
Anckarström T8/ | 1 | ||||||||||
| 18027 | Al, Dan, Detta, Danielle, Paul | Margolis, Andreana, Andreana, Reddick, Richards | R.ISMV.1 | 1990 | fixed media, akusmatisch | alias IF, BWANA - XTSW Al Margolis If Bwana is the project of Al Margolis, who began producing tapes of dadaistic noise in 1984. XTSW Danielle Reddick, Paul Richards, Al Margolis, Dan Andreana, Detta Andreana, Big City Orchestra |
Anckarström T8/ | 1 | |||||||||||
| 32496 | Sasha | Margolis | Confluence | 2011 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 30.6.2011 | Kestnergesellschaft, Hannover | 0 | |||||||||
| 28410 | Lasse | Marhaug | May Rap Bonk Bonk - MAJAAP Pudding Mix | 2004 | Performance | 4:22 | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | |||||||||||
| 32499 | Damian | Marhulets | Displaced Meanings: 8 1/2 Bits | 2009 | live-elec, 1 perf | Quadro | (Turntables), elec [elektronik] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 32543 | Damian | Marhulets | Strange Beauty of Second Use | 2008 | live-elec, 4 perf | 9:17 | Quadro | V, synt, Kbd, (turntable), elec [Stimme, Keyboard, elektronik, synthesizer] | Stimme, Synthesizer, Keys, Turntable und Live Elektronik | Incontri HMTM Hannover | 11.6.2009 | ZKM, Karlsruhe | 0 | ||||||
| 32545 | Damian | Marhulets | The Strange Beauty of Secound Use | 2008 | live-elec, 4 perf | Quadro | V, synt, kbd, (turntable), elec [Stimme, Keyboard, elektronik, synthesizer] | Incontri HMTM Hannover | 11.06.2009 26.11.2010 |
ZKM Karlsruhe Altes Forsthaus Habichtshorst, Winsen |
0 | ||||||||
| 32489 | Damian, Oleg | Marhulets, Dziewanowski | Blaues Heft Nr.10 | 2006 | Musiktheater | 10 | Stereo | 2 actor, (elec) [Schauspieler] | Musiktheater für 2 Darsteller und Live-Elektronik | Incontri HMTM Hannover | 24.1.2007 | Kestnergesellschaft, Hannover | 0 | ||||||
| 32522 | Damian, Oleg | Marhulets, Dziewanowski | Klanginstallation | 2007 | Klangkunst, Installation | Incontri HMTM Hannover | 23.6.2007 | ZKM, Karlsruhe | 0 | ||||||||||
| 10579 | Jean-Etienne | Marie | Action | 1977 | fixed media, akusmatisch | CIRM Paris | 0 | ||||||||||||
| 10580 | Jean-Etienne | Marie | Appel au tiers monde | 1967 | Tanz, 1 perf | 16:00 | Sp [Sprecher] | CIRM Paris | 0 | ||||||||||
| 10581 | Jean-Etienne | Marie | Armures aux duites enchaînées | 1987 | Zuspiel / Tonband, 1 perf | carillon [Keyboard] | CIRM Nice | 0 | |||||||||||
| 10582 | Jean-Etienne | Marie | BSN 240 | 1969 | Hintergrundmusik | ≈ | CIRM Paris | 0 | |||||||||||
| 10583 | Jean-Etienne | Marie | Chréode | 1978 | Zuspiel / Tonband, 1 perf | Kbd [Keyboard] | CIRM Nice | 0 | |||||||||||
| 10584 | Jean-Etienne | Marie | Concerto Milieu divin | 1969 | Zuspiel, live-elec, 2 groups | 28:30 | Quadro + Stereo + Stereo + Stereo | 2 orc [Orchester] | CIRM Paris | 0 | |||||||||
| 10585 | Jean-Etienne | Marie | Ecca Ancilla Domini | 1972 | Zuspiel / Tonband, | 15:00 | str orc [Orchester] | CIRM Paris | 0 | ||||||||||
| 10586 | Jean-Etienne | Marie | Fractal-Figural | 1978 | live-elec, 1 perf | p [Piano] | CIRM Nice | 0 | |||||||||||
| 10587 | Jean-Etienne | Marie | Images thanaïques | 1960 | Zuspiel / Tonband, 1 group | 8:30 | orc [Orchester] | INA • GRM | 0 | ||||||||||
| 10588 | Jean-Etienne | Marie | Irrationnelle homothétie | 1979 | fixed media, akusmatisch | 27:00 | CIRM Nice | 0 | |||||||||||
| 10589 | Jean-Etienne | Marie | L'experience ambigue, Concert Collectif | 1963 | fixed media, akusmatisch | 6:20 | Stereo | IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 0 | |||||||
| 10590 | Jean-Etienne | Marie | La Parole de Dieu est comme une épée | 1972 | fixed media, akusmatisch | 52:00 | CIRM Paris | 0 | |||||||||||
| 10591 | Jean-Etienne | Marie | Le Cuirasse Potemkine | 1984 | Film | CIRM Nice | 0 | ||||||||||||
| 10592 | Jean-Etienne | Marie | Les Bijoux de Cornélia | 1981 | fixed media, akusmatisch | 12:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 10593 | Jean-Etienne | Marie | Lis abiho Fasien viouloun de sis aleto | 1983 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | CIRM Nice | 0 | |||||||||||
| 10594 | Jean-Etienne | Marie | Muerte del toro | 1961 | Film | Mono | EM ?? | 0 | |||||||||||
| 10595 | Jean-Etienne | Marie | Observer | 1978 | Zuspiel / Tonband, 1 perf | Kbd [Keyboard] | CIRM Nice | 0 | |||||||||||
| 10596 | Jean-Etienne | Marie | Polygraphie Polyphonique | 1962 | Zuspiel / Tonband, 1 group | 6:23 | Stereo | ens [Ensemble] | INA • GRM | 15.2.1963 | Paris, Salle des Conservatoires | 0 | |||||||
| 10597 | Jean-Etienne | Marie | Polygraphie Polyphonique #1 | 1957 | Zuspiel / Tonband, 1 perf | 4:30 | Mono | vn, (projection) [Violine] | Club d'Essai Paris | 0 | |||||||||
| 10598 | Jean-Etienne | Marie | Quand Elie l’entendit ... | 1978 | Zuspiel / Tonband, 1 perf | 30:00 | org [Orgel] | CIRM Nice | 0 | ||||||||||
| 10599 | Jean-Etienne | Marie | S 68 | 1969 | fixed media, akusmatisch | 70:00 | CIRM Paris | 0 | |||||||||||
| 10600 | Jean-Etienne | Marie | Savonarole | 1970 | Zuspiel / Tonband, 1 group | 35:00 | ch [Chor] | CIRM Paris | 0 | ||||||||||
| 10601 | Jean-Etienne | Marie | Symphonies | 1972 | fixed media, akusmatisch | 26:00 | CIRM Paris | 0 | |||||||||||
| 10602 | Jean-Etienne | Marie | Tlaloc I | 1967 | Zuspiel / Tonband, 1 group | 13:30 | Stereo + Stereo + Stereo | orc [Orchester] | CIRM Paris | 0 | |||||||||
| 10603 | Jean-Etienne | Marie | Tombeau de Jean-Pierre Guezec | 1971 | fixed media, akusmatisch | 35:00 | CIRM Paris | 0 | |||||||||||
| 10604 | Jean-Etienne | Marie | Tombeau de Julián Carrillo | 1966 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | 2 p [Piano] | Radio Uni México/ | CIRM Paris, Radio Uni Mexico | 0 | ||||||||
| 10605 | Jean-Etienne | Marie | Trois affiches d’Holger Matthies | 1981 | fixed media, akusmatisch | 28:00 | CIRM Nice | 0 | |||||||||||
| 10606 | Jean-Etienne | Marie | Un fanal pour mes canaux | 1972 | fixed media, akusmatisch | 25:00 | CIRM Paris | 0 | |||||||||||
| 10607 | Jean-Etienne | Marie | Vos leurres de messe | 1972 | fixed media, akusmatisch | 14:30 | CIRM Paris | 0 | |||||||||||
| 42778 | Kallie | Marie | Nothing’s ever Finished | 2012 | Tanz, live-elec, 1 perf | 2:44:00 | dance [Tanz] | Lavinia Vago, dancer; Choreography by Loni Landon | 0 | ||||||||||
| 22500 | Martin | Marier | Avec ou sans Parapluie | 2000 | fixed media, akusmatisch | 6:14 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | finaliste au concours des jeunes compositeurs de Radio-Canada 2000-2001 | 1 | ||||||||
| 42515 | Martin | Marier | Piano | 2007 | fixed media, akusmatisch | 0 | |||||||||||||
| 10608 | Pierre | Mariétan | 14 Microdances | 1980/1981 | fixed media, akusmatisch | 14:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 10609 | Pierre | Mariétan | Change | 1971 | fixed media, akusmatisch | Stereo + Stereo + Stereo + Stereo | PS GERM Paris | 0 | |||||||||||
| 10610 | Pierre | Mariétan | Change plus initiative II | 1972 | Zuspiel / Tonband, 1 group | ens [Ensemble] | CIRM Paris | 0 | |||||||||||
| 10611 | Pierre | Mariétan | Concert 1 | 1990 | live-elec, | PS GERM Paris | 0 | ||||||||||||
| 10612 | Pierre | Mariétan | Concert d'étoile | 1989/1990 | live-elec, 2 perf | 40:00 | V, sax [Stimme, Saxophon] | PS GERM Paris | 0 | ||||||||||
| 10614 | Pierre | Mariétan | HF | Zuspiel / Tonband, 1 perf | hn [Horn] | PS GERM Paris | 0 | ||||||||||||
| 23174 | Pierre | Mariétan | Jardins suspendus 1 - 4 | 1996 | Klangkunst, Installation | 39:00 | mit menschlichen Stimmklängen, konkrete Klänge von Fontänen, kleinen Tieren, etc | TI 35-98 Terra Ignota / | 1 | ||||||||||
| 22501 | Pierre | Mariétan | L'eau sourd, bruit, chant… | 1984 | fixed media, akusmatisch | 16:31 | konkrete und synthetische Klänge | TI 35-98 Terra Ignota/ | PS GERM Paris | 1 | |||||||||
| 42147 | Pierre | Mariétan | Le son de hanoï | 1995 | radiophon | PS C. | France Culture (Radio France) | 0 | |||||||||||
| 10615 | Pierre | Mariétan | Luederalmusik | Zuspiel / Tonband, 1 perf | alphorn, slides [Horn] | PS GERM Paris | 0 | ||||||||||||
| 10616 | Pierre | Mariétan | MF MP | Zuspiel / Tonband, 3 perf | 3 ins [Instrument] | PS GERM Paris | 0 | ||||||||||||
| 10617 | Pierre | Mariétan | Paysage 1 | fixed media, akusmatisch | PS GERM Paris | 0 | |||||||||||||
| 10618 | Pierre | Mariétan | Paysmusique | 1991 | Zuspiel / Tonband, 1 group | ≈ 60:00 | ens [Ensemble] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 23175 | Pierre | Mariétan | Quarternio I - IV | 1970 - 1982 | Klanginstallation, live-elec, 1 perf | 23:00 | carillon [Keyboard] | Renaud Gagneux an dem Carrillon von St. Germain l'Auxerrois in Paris | TI 35-98 Terra Ignota/ | 1 | |||||||||
| 20492 | Pierre | Mariétan | Quiet and Strong | 1985 | Zuspiel / Tonband, 1 perf | 21:01 | Stereo | ins [Instrument] | CTS P 31/ | PS GERM Paris | 0 | ||||||||
| 10619 | Pierre | Mariétan | Remémoration d’un ami commun | 1969 | Zuspiel / Tonband, 2 perf | vn, p [Piano, Violine] | PS GERM Paris | 0 | |||||||||||
| 10620 | Pierre | Mariétan | Transmusique 3, Le faite ou l'entre-deux | 1987 | live-elec, 1 perf | 4:30 | p or synt [Piano, synthesizer] | PS GERM Paris | 0 | ||||||||||
| 10621 | Pierre | Mariétan | Transmusique 4 | 1987 | live-elec, 2 perf | 8:20 | 2 com [computer] | psymétrique de Transmusique 2. Par de la le temps l´espace | PS GERM Paris | 0 | |||||||||
| 10613 | Pierre, Jeff | Mariétan, Morgan | Forte - Piano | 1966 | live-elec, 2 perf | ≈ 180:00 | Mono | ww, p [Piano, Bläser] | mic, filters, potentiometers | PS Jaap Spek Köln | 0 | ||||||||
| 20009 | Alfred | Marin Vila | Nebulae | 1992 | radiophon | Stereo | PS C. Estudi de So | 0 | |||||||||||
| 20008 | Alfred | Marin Vila | Sonange U | 1990 | intermedia | 6:17 | Stereo | PS C. Estudi de So | 0 | ||||||||||
| 20010 | Alfred | Marin Vila | The Demo CD, Vol. 1 - 4 | 1992 - 1995 | fixed media, akusmatisch | Stereo | CD 1 and CD 2 with 12 Titles, CD 3 with 8 Titles, CD 4 with 4 Titles | PS C. Estudi de So | 0 | ||||||||||
| 20007 | Alfred | Marin Vila | Ztasicio | 1989 | fixed media, akusmatisch | Stereo | PS C. Estudi de So | 0 | |||||||||||
| 39471 | Olivier | Marin | Undō | 2017 | audiovisuell, live-elec, 1 perf | va [Viola] | 0 | ||||||||||||
| 10622 | Sergio Tulio | Marin | Dialogos | 1984 | fixed media, akusmatisch | 10:00 | Quadro | CCRMA | 0 | ||||||||||
| 10623 | Sergio Tulio | Marin | Fantasmas de dos mundos | 1987 | Tanz | Performance |
dancer, actors, (sculpture) [Schauspieler, Tanz] | CCRMA | 0 | |||||||||||
| 10624 | Sergio Tulio | Marin | Impresiones fugitivas | 1976 | fixed media, akusmatisch | 8:41 | Stereo | Editions Mego (LP) Recollection GRM/ | INA • GRM | 11.2.1977 | Paris, Th. Récamier | 0 | |||||||
| 10625 | Sergio Tulio | Marin | My View of "El Pajarillo" | 1992 | fixed media, akusmatisch | 7:00 | CCRMA | 0 | |||||||||||
| 10626 | Sergio Tulio | Marin | Poeme | 1976 | Zuspiel / Tonband, 4 perf | 11:35 | Stereo | p, vn, trbn, S [Sopran, Posaune, Piano, Violine] | D'après le poème d'H. Michaux «Paix dans les brisements» | INA • GRM | 0 | ||||||||
| 10627 | Sergio Tulio | Marin | Retour au Silence | 1985 | fixed media, akusmatisch | 9:00 | Quadro | CCRMA | 0 | ||||||||||
| 10628 | Sergio Tulio | Marin | Visonual Reverie | 1985 | Zuspiel / Tonband, 3 perf | 10:00 | S, trbn, p [Sopran, Posaune, Piano] | CCRMA | 0 | ||||||||||
| 18907 | Cristian | Marina | Fatidique | 1993 | fixed media, akusmatisch | 6:46 | FYCD 1006/ | HfM Stockholm | 1 | ||||||||||
| 10629 | Filippo Tommaso | Marinetti | Cinque sintesi radiofoniche | 1933 | radiophon | 13:00 | M. futurista | FDM 0007/ Tellus 21/ | 0 | http://www.ubu.com/sound/marinetti.html | |||||||||
| 20493 | Filippo Tommaso | Marinetti | La Battaglia di Adrianopoli, La Battaglia di Adrianopolis | 1924 | radiophon | 3:00 | Stereo | Futurism / DADA | SUB CD 012-19/ Earlabs LC 002/ | 0 | |||||||||
| 42201 | Filippo Tommaso, Klaus | Marinetti, Buhlert | Mafarka der Futurist | 2002 | radiophon | 79:50 | Hörspiel des Monats Juni 2002 | 0 | |||||||||||
| 42287 | Jessie | Marino | Better than Clarence | 2009 | fixed media, akusmatisch | 3 | 0 | ||||||||||||
| 42281 | Jessie | Marino | Breathe Deeply | 2016 | audiovisuell | 3 | 0 | ||||||||||||
| 42284 | Jessie | Marino | Butter Mania | 2012 | audiovisuell | 4 | 0 | ||||||||||||
| 42282 | Jessie | Marino | For Yasunao Tone | 2015 | audiovisuell | unspecified | for damaged Laser Disc | 0 | |||||||||||
| 42285 | Jessie | Marino | IGLOO! | 2010 | Klangkunst, Installation | sound installation for inhabitable structure | 0 | ||||||||||||
| 42280 | Jessie | Marino | Instant Success | 2017 | fixed media, akusmatisch | 5 | 0 | ||||||||||||
| 42283 | Jessie | Marino | Public Access Series, Demons Crying Man Sexy Breakfast |
2014 | audiovisuell | loop 3 | 3 videos: Demons, Crying Man, Sexy Breakfast | 0 | |||||||||||
| 42279 | Jessie | Marino | The Whale is a Capital Fish | 2016 | audiovisuell, live-elec, 4 perf, 1 group | 20 | kbd, drums, cl, vc (elec, video) [Klarinette, Keyboard, Schlagzeug, Cello] | 0 | |||||||||||
| 42286 | Jessie | Marino | Why You Shouldn’t... | 2010 | fixed media, akusmatisch | 3 | 0 | ||||||||||||
| 33138 | Marco | Marinoni | To Walk the Night | 2002 | Zuspiel / Tonband, 6 perf | 7:24 | fl, perc, p, synt, vn, vc [Flöte, Piano, Schlagzeug, Cello, Violine, synthesizer] | for flute, percussion, piano, violin, cello and tape | WJ 2004/ LDC 278076/77 Cultures Electroniques 16/ | 1 | |||||||||
| 10630 | Gino | Marinuzzi | Aimez vous Bach | 1975 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 10631 | Gino | Marinuzzi | Antigone | 1958 | Theatermusik | Mono | A.Filarm Roma | 0 | |||||||||||
| 10632 | Gino | Marinuzzi | Colloquio notturno con un visitatore disprezzato | 1960 | Theatermusik | Mono | PS C. Roma | 0 | |||||||||||
| 10634 | Gino | Marinuzzi | Fatiche d’Ercole | 1957 | Film | 0 | |||||||||||||
| 10635 | Gino | Marinuzzi | Il formicaio affogato | 1960 | Theatermusik | Mono | PS C. Roma | 0 | |||||||||||
| 10636 | Gino | Marinuzzi | La signora Paulatim | 1966 | Oper | Stereo | PS C. Roma | 0 | |||||||||||
| 10637 | Gino | Marinuzzi | Terrore nello spazio | 1965 | Film | Mono | NIS Film Roma | 0 | |||||||||||
| 10638 | Gino | Marinuzzi | Traiettorie | 1961 | fixed media, akusmatisch | 4:00 | Stereo, Quadro | Fonologia Milano | 1 | ||||||||||
| 10633 | Gino, Vittorio | Marinuzzi, Fellegara | Dialoghi nell'infinito | 1959 | Theatermusik | Mono | A.Filarm Roma | 0 | |||||||||||
| 10639 | Xavier | Maristany | East Coker | 1979 | fixed media, akusmatisch | Phonos Barcelona | 0 | ||||||||||||
| 10640 | Andrzej | Markowski | Byl sobie raz (Es war einmal) | 1957 | Film | Mono | Film St Warsaw | 0 | |||||||||||
| 10641 | Andrzej | Markowski | Diably | 1963 | Film | 6:00 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 10642 | Andrzej | Markowski | experiments in sound & composition | fixed media, akusmatisch | Mono | Siemens | 0 | ||||||||||||
| 10643 | Andrzej | Markowski | Guliwer | 1961 | Film | 4:50 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 10644 | Andrzej | Markowski | Historia jednego mysliwca, (Histoire d’un avion à chasse) | 1958 | Film, 1 group | Mono | orc [Orchester] | PS C. Warsaw | 0 | ||||||||||
| 10645 | Andrzej | Markowski | Igraszki | 1962 | Film | 7:00 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 10646 | Andrzej | Markowski | Materia | 1962 | Film | 9:30 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 10648 | Andrzej | Markowski | Milczaca Gwiazda, Der schweigende Stern | 1960 | Film | 40:00 | Mono | science fiction film des NDR Hamburg | ExpSt Warsaw | NDR | 0 | http://pl.wikipedia.org/wiki/Milcz%C4%85ca_Gwiazda | |||||||
| 10647 | Andrzej | Markowski | Moto-gaz | 1963 | Film | 10:00 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 10649 | Andrzej | Markowski | Sluga dwóch panów (Servitore di due padroni) | 1956 | Theatermusik | Mono | Film St Warsaw | 0 | |||||||||||
| 10650 | Andrzej | Markowski | Sonata Belzebuba | 1967 | Film | Mono | ExpSt Warsaw | 0 | |||||||||||
| 10651 | Andrzej | Markowski | Spacerek Staromieski | 1959 | Film | 8:00 | Mono | Film St Warsaw | 0 | ||||||||||
| 10652 | Andrzej | Markowski | Zycie jest piekne (Life is Grand) | 1958 | Film | Mono | (ens) | Film St Warsaw | 0 | ||||||||||
| 22398 | Graham | Marks | Incidence + Elasticity | 1999 | fixed media, akusmatisch | Stereo | 1 | ||||||||||||
| 10653 | Graham | Marks | Nightmare | 1966 | fixed media, akusmatisch | 8:00 | Mono | Barlow Sch Amenia | 0 | ||||||||||
| 10654 | Graham, Ron | Marks, Nierenberg | Steel | 1967 | fixed media, akusmatisch | 3:30 | Mono | Barlow Sch Amenia | 0 | ||||||||||
| 40651 | Gilbert | Marly | Achille et la tortue | 1968 | Film | INA • GRM | CNAV | 0 | |||||||||||
| 40644 | Gilbert | Marly | Batisseurs d’empire | 1968 | Theatermusik | Pièce de B. Vian | INA • GRM | 0 | |||||||||||
| 10655 | Gilbert | Marly | Essai 67 | 1968 | fixed media, akusmatisch | 5:00 | Quadro | etude de stage | INA • GRM | 0 | |||||||||
| 10656 | Miklós | Maros | Bewegungen II | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 10657 | Miklós | Maros | Complementation | 1993 | Zuspiel / Tonband, 1 perf | 11:35 | Mono | org [Orgel] | EMS Stockholm | 0 | |||||||||
| 10658 | Miklós | Maros | In H | 1970 | fixed media, akusmatisch | 8:30 | Mono | Not to be played in public | EMS Stockholm | 0 | |||||||||
| 10659 | Miklós | Maros | Irànyok (riktningar) | 1975 | fixed media, akusmatisch | 9:00 | Mono, Stereo, Quadro | 0 | |||||||||||
| 10660 | Miklós | Maros | Izè | 1970 | Zuspiel / Tonband, 2 perf | fl, perc [Flöte, Schlagzeug] | 0 | ||||||||||||
| 10661 | Miklós | Maros | Kockàk (Kuber) | 1978 | Theatermusik | 8:00 | 0 | ||||||||||||
| 10662 | Miklós | Maros | Manipulation I | 1976 | live-elec, 1 perf | 7:00 | bn [Fagott] | FYLP 1011/ FYCD 1025/ | EMS Stockholm | 1 | |||||||||
| 10663 | Miklós | Maros | Manipulation II | 1977 | live-elec, 1 perf | 9:00 | S [Sopran] | FYCD 1025/ | EMS Stockholm | 0 | |||||||||
| 10664 | Miklós | Maros | Manipulation III | 1978 | live-elec, 2 perf | 8:00 | bn, vc [Fagott, Cello] | FYCD 1025/ | EMS Stockholm | 0 | |||||||||
| 10665 | Miklós | Maros | Manipulation IV | 1979 | live-elec, 2 perf | 6:00 | S, str (zither) [Sopran, Streicher] | FYCD 1025/ | EMS Stockholm | 0 | |||||||||
| 10666 | Miklós | Maros | Manipulation V | 1984 | live-elec, 1 perf | 6:30 | tpt [Trompete] | Jase CD 0017/ | 0 | ||||||||||
| 10667 | Miklós | Maros | Mozgåsok, Rörelser | 1973 | fixed media, akusmatisch | 6:00 | Mono, Stereo, Quadro | CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 0 | |||||||||
| 10668 | Miklós | Maros | Oratio | 1973 | Zuspiel / Tonband, 1 group | 9:00 | Quadro | male ch [Chor] | 0 | ||||||||||
| 10669 | Miklós | Maros | Ostinato | 1975 | fixed media, akusmatisch | 10:00 | Mono, Stereo, Quadro | FYCD 1025/ | EMS Stockholm | 0 | |||||||||
| 10670 | Miklós | Maros | Pantomim | 1970 | Zuspiel / Tonband, 4 perf | 4 ins [Instrument] | 0 | ||||||||||||
| 10671 | Miklós | Maros | Psalm 98 | 1978 | Zuspiel, live-elec, 8 perf | 12:00 | 8 ins, (rm) [Instrument] | 0 | |||||||||||
| 10672 | Miklós | Maros | Rege | 1970 | fixed media, akusmatisch | 10:40 | Stereo | FYCD 1025/ | EMS Stockholm | 0 | |||||||||
| 10673 | Miklós | Maros | Vibrato | 1970 | fixed media, akusmatisch | 14:40 | Stereo | Not to be played in public | EMS Stockholm | 0 | |||||||||
| 10674 | Miklós | Maros | Violasonata | 1970 | Zuspiel, live-elec, 1 perf | 12:00 | Mono | va [Viola] | Not to be played in public | FYCD 1025/ | EMS Stockholm | 0 | |||||||
| 10675 | Luis | Marques | Cuahutemoc, El ultimo Rey Azteca | 1984 | fixed media, akusmatisch | 12:15 | IPEM Gent | 0 | |||||||||||
| 10676 | Arturo | Marquez | Poesia de voz | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 35024 | Arturo | Marquez | Solo para piano | Zuspiel / Tonband, 1 perf | p [Piano] | EMI LME 515/ | 0 | ||||||||||||
| 27185 | Arturo | Marquez | Son a Tamayo | 1992 | Zuspiel / Tonband, 1 perf | 6:55 | hp [Harfe] | 0 | |||||||||||
| 34835 | Daniel | Marquez | Higuerote | 2016 | fixed media, akusmatisch | 5:12:00 | Stereo, 5 tracks | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 42858 | Joshua | Marquez | Putrefaction | 2013 | fixed media, akusmatisch | 5:24:00 | 0 | ||||||||||||
| 10677 | Pierluigi | Marrama | Clonazioni | 1986 | fixed media, akusmatisch | 9:00 | Stereo | STREAM Roma | 0 | ||||||||||
| 10678 | Pierluigi | Marrama | Savasana | 1985 | fixed media, akusmatisch | 8:00 | Stereo | STREAM Roma | 0 | ||||||||||
| 23649 | Juan Manuel | Marrero | Caprices épisodiques | 2002 | fixed media, akusmatisch | 9:10 | 1. price Premio Internacional SGAE 2002 | PR 0083-1 SGAE/ | 1 | ||||||||||
| 35629 | Juan Manuel | Marrero | Del Espejismo y la parte invisible II | fixed media, akusmatisch | 9:29 | 0 | |||||||||||||
| 24787 | Juan Manuel | Marrero | Lascivia Pristina II | 2002 | fixed media, akusmatisch | 9:34 | Quadro | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 mention | 1 | |||||||||
| 33432 | Dennis | Marshall | Fragile | 1966 | Film | 12 | Mono | Uni Philadelphia | 0 | ||||||||||
| 22748 | Ingram | Marshall | Cortez | 1973 | fixed media, akusmatisch | 8:30 | NWR 80521/ | Col.Princ EMC | 1 | ||||||||||
| 20494 | Ingram | Marshall | Fog Tropes | 1982 | Zuspiel / Tonband, 6 perf | 9:50 | Stereo | 6 ins [Instrument] | NA 002/ | 0 | |||||||||
| 20495 | Ingram | Marshall | Gambuh I | 1971 | Zuspiel, live-elec, 2 perf | 17:15 | Stereo | fl, synt [Flöte, synthesizer] | NA 002/ | 0 | |||||||||
| 20496 | Ingram | Marshall | Gradual Requiem | live-elec, 4 perf | 33:59 | Stereo | V, man, p, synt [Stimme, Piano, synthesizer] | NA 002/ | 0 | ||||||||||
| 10679 | Ingram | Marshall | Transmogrification | 1966 | fixed media, akusmatisch | 14:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 10680 | István | Mártha | Erotic | 1984 | fixed media, akusmatisch | 3:40 | MR Budapest | 0 | |||||||||||
| 10681 | István | Mártha | The Museum's Voices | 1982 | fixed media, akusmatisch | 21:30 | Stereo | MR Budapest | 0 | ||||||||||
| 10683 | István | Mártha | Trouvére | 1984 | fixed media, akusmatisch | 3:00 | MR Budapest | 0 | |||||||||||
| 10684 | István | Mártha | Two Dreams of J.M. Wyx | 1983 | fixed media, akusmatisch | 7:20 | Stereo | MR Budapest | 0 | ||||||||||
| 10685 | István | Mártha | Two memories of J.M. Wyx | 1983 | fixed media, akusmatisch | 13:55 | Stereo | MR Budapest | 0 | ||||||||||
| 10686 | István | Mártha | Variations on a XIV. century theme | 1984 | fixed media, akusmatisch | 3:05 | MR Budapest | 0 | |||||||||||
| 10687 | Peter Jan, Peter | Marthe, Dackelmaier | How do you do monsieur marchand | 1981 | Zuspiel / Tonband, 1 perf | 14 | Stereo | org [Orgel] | ELAK Wien | 0 | |||||||||
| 39786 | Francesc | Marti | Speech 2 | 2016 | fixed media, akusmatisch | Francesc Marti | 0 | ||||||||||||
| 10688 | Heinz | Marti | Dialogue | 1989 | Zuspiel / Tonband, 1 perf | Stereo + Stereo + Stereo + Stereo | org [Orgel] | 0 | |||||||||||
| 10689 | Heinz | Marti | Traum-Bezirke | 1973 | Zuspiel / Tonband, 4 perf | 30:00 | Stereo + Stereo + Stereo + Stereo | fl, 3 perc [Flöte, Schlagzeug] | 0 | ||||||||||
| 38814 | Daniel | Martin Borret | Total Vrac | 2016 | radiophon | 26 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | |||||||||||
| 27877 | Anne | Martin | Le Souffle de l'Ange | 2003 | Zuspiel / Tonband, 2 perf | trbn, tpt [Trompete, Posaune] | CRFMW Liège | 7.12.2003 | Liège, Festival Images sonores, | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 10690 | Anthony | Martin | The Room | 1965 | fixed media, akusmatisch | 15:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 42708 | Brona | Martin | All Along the Bell Tower | 2012 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 10691 | Carolyn | Martin | Sweet Rose of May | 1976 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 38611 | Christoph | MARTIN | Tunnelvision | 1998 | radiophon | 51:43:00 | 0 | ||||||||||||
| 32127 | Ed | Martin | Flurry | 2006 | Zuspiel / Tonband, 1 perf | 8:37:00 | s-sax [Saxophon] | Michael Holmes, s-saxophone | SEAMUS EAM Vol. 16/ | 0 | |||||||||
| 42516 | Ed | Martin | Time Passed | 2008 | fixed media, akusmatisch | EMS UIUC | University of Illinois Experimental Music Studios, | 0 | |||||||||||
| 10692 | Frédéric | Martin | N° 1 | 1986 | fixed media, akusmatisch | 9:37 | Stereo | INA • GRM | 0 | ||||||||||
| 10693 | Frédéric | Martin | Radio-radio | 1987 | fixed media, akusmatisch | 7:13 | Stereo | INA • GRM | 0 | ||||||||||
| 40539 | Geneviève | Martin | Fregolito | 1964 | Film | texte de Cami. adapté par J. Ferry et M. Laclos. Realisation: A. Michel | INA • GRM | 0 | |||||||||||
| 40504 | Geneviève | Martin | La mare aux garçons | 1963 | Film | Mono | INA • GRM | 5.4.1965 | TV ORTF, 2. chaine | 0 | |||||||||
| 33370 | Geneviève | Martin | Mais où sont les nègres d’antan? | 1962 | Film | 5 | Mono | INA • GRM | 0 | ||||||||||
| 10694 | Gottfried | Martin | A Classic Austrian Soundscape / Landscape | 1992 | fixed media, akusmatisch | com M. for world fare Sevilla | amadeo 437037/ | Multi-Media Wien | 0 | ||||||||||
| 10695 | Gottfried | Martin | Appassionata elektronica | 1984 | fixed media, akusmatisch | 16:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 10696 | Gottfried | Martin | Compute V - VIII | 1987 | fixed media, akusmatisch | Multi-Media Wien | 0 | ||||||||||||
| 20497 | Gottfried | Martin | Compute XI - XII | 1988 | fixed media, akusmatisch | 38:00 | Stereo | MM&T Records/ | Multi-Media Wien | 0 | |||||||||
| 10697 | Gottfried | Martin | Die Wassertropfen | 1985 | fixed media, akusmatisch | 18:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 10698 | Gottfried | Martin | Elegia | 1988 | fixed media, akusmatisch | MM&T Records/ | Multi-Media Wien | 0 | |||||||||||
| 10699 | Gottfried | Martin | Extreme unvorhersehbare Unregelmäßigkeiten | 1989 | fixed media, akusmatisch | Multi-Media Wien | 0 | ||||||||||||
| 10700 | Gottfried | Martin | Frac 16 | 1991 | fixed media, akusmatisch | 19:00 | Stereo | Multi-Media Wien | 0 | ||||||||||
| 20498 | Gottfried | Martin | Fract I | 1987 | fixed media, akusmatisch | 31:50 | Stereo | MM&T Records/ | Multi-Media Wien | 0 | |||||||||
| 10701 | Gottfried | Martin | Fract II | 1988 | fixed media, akusmatisch | 18:26 | MMS 002/ | Multi-Media Wien | 0 | ||||||||||
| 10702 | Gottfried | Martin | Fract III | 1988 | fixed media, akusmatisch | 11:46 | MMS/ | Multi-Media Wien | 0 | ||||||||||
| 10703 | Gottfried | Martin | Gesang der Sterne | 1987 | fixed media, akusmatisch | 10:00 | Multi-Media Wien | 0 | |||||||||||
| 10704 | Gottfried | Martin | Go when the saints | 1984 | fixed media, akusmatisch | 15:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 10705 | Gottfried | Martin | Grand Partitta | 1993 | fixed media, akusmatisch | Multi-Media Wien | 0 | ||||||||||||
| 10706 | Gottfried | Martin | Hammer | 1984 | fixed media, akusmatisch | 22:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 20499 | Gottfried | Martin | Hexagon | 1987 | fixed media, akusmatisch | 11:29 | Stereo | MMS/ | Multi-Media Wien | 0 | |||||||||
| 10707 | Gottfried | Martin | Music X | 1993 | fixed media, akusmatisch | Multi-Media Wien | 0 | ||||||||||||
| 10708 | Gottfried | Martin | Nur einige Wassertropfen | 1985 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10709 | Gottfried | Martin | Pax | 1983 | fixed media, akusmatisch | 18:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 10710 | Gottfried | Martin | Sept morceaux | 1984 | fixed media, akusmatisch | 21:55 | Stereo | ELAK Wien | 0 | ||||||||||
| 10711 | Gottfried | Martin | Skulpturen | 1983 | fixed media, akusmatisch | 9:09 | Stereo | ELAK Wien | 0 | ||||||||||
| 10712 | Gottfried | Martin | Sphären der Sphinx / Komposition in 8 Rätseln | 1987 | fixed media, akusmatisch | 67:00 | Multi-Media Wien | 0 | |||||||||||
| 10713 | Gottfried | Martin | Sternengesänge I | 1987 | fixed media, akusmatisch | 10:00 | amadeo 427041 Oesterreichische Musik Der Gegenwart: Elektronische Musik 3/ | Multi-Media Wien | 1 | ||||||||||
| 10714 | Gottfried | Martin | Synfonia Concret Fract I | 1987 | fixed media, akusmatisch | Multi-Media Wien | 0 | ||||||||||||
| 10715 | Gottfried | Martin | Trio | 1987 | Zuspiel, live-elec, 1 perf | db [Kontrabass] | Multi-Media Wien | 0 | |||||||||||
| 10716 | Gottfried | Martin | Triptychon | 1987 | fixed media, akusmatisch | Multi-Media Wien | 0 | ||||||||||||
| 10717 | Gottfried | Martin | Via Amerika | 1983 | fixed media, akusmatisch | 8:20 | Stereo | ELAK Wien | 0 | ||||||||||
| 10718 | Gottfried | Martin | Walpurgis | 1987 | fixed media, akusmatisch | 54:00 | Multi-Media Wien | 0 | |||||||||||
| 10719 | Gottfried | Martin | Wandlungen | 1983 | fixed media, akusmatisch | 12:47 | Stereo | ELAK Wien | 0 | ||||||||||
| 10720 | Gottfried | Martin | Zeitgemäß | 1982 | fixed media, akusmatisch | 5:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 34839 | Hans | Martin | Poïèse | 2016 | fixed media, akusmatisch | 7:01:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 10721 | Jean | Martin | Bruit dans la cave | 1986 | fixed media, akusmatisch | Stereo | PS CUE Berlin | 0 | |||||||||||
| 10722 | Jean | Martin | Das schwarze Quadrat | 1988 | fixed media, akusmatisch | Stereo | PS CUE Berlin | 0 | |||||||||||
| 10724 | Jean | Martin | Im Dickicht der Städte | 1987 | Theatermusik | Stereo | (B. Brecht) | PS CUE Berlin | Freie Volksbühne Berlin | 0 | |||||||||
| 10725 | Jean | Martin | Innen / Aussen | 1986 | fixed media, akusmatisch | Stereo | PS CUE Berlin | 0 | |||||||||||
| 10726 | Jean | Martin | Liebe und Magie in Mammas Küche | 1987 | Theatermusik | Stereo | (L. Wertmüller) | PS CUE Berlin | Freie Volksbühne Berlin | 0 | |||||||||
| 10727 | Jean | Martin | Nonsense oder der letzte Akt | 1983 | Film | Stereo | PS CUE Berlin | 0 | |||||||||||
| 10728 | Jean | Martin | RIVALEN | 1985 | Tanz | Stereo | PS CUE Berlin | Hebbel Th Berlin | 0 | ||||||||||
| 10729 | Jean | Martin | SO36 | 1987 | fixed media, akusmatisch | Stereo | PS CUE Berlin | 0 | |||||||||||
| 10730 | Jean | Martin | TOTALE | 1987 | Tanz | Stereo | PS CUE Berlin | Th-manufaktur | 0 | ||||||||||
| 10723 | Jean, Martin, Ziggi | Martin, Supper, Schöning | Gelbe Spirale | 1984 | Musiktheater | 62:00 | Stereo | PS CUE Berlin | TaT Frankfurt | Theater am Turm, Frankfurt a.M. | 0 | http://de.wikipedia.org/wiki/Martin_Supper | |||||||
| 34856 | Jon | Martin | Black Sea Bombers | 2016 | fixed media, akusmatisch | 11:14:00 | Stereo, Surround 8.1 | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 42313 | Jon | Martin | Open Doors and Parallel Windows, III. Seven Vignettes | 2017 | fixed media, akusmatisch | 14:31 | Stereo, Quadro | Winner JTTP 2018 | 0 | ||||||||||
| 43093 | Simon | Martin | Musique d’art pour violon, alto, violoncelle, contrebasse et électronique | 2018 | live-elec, 4 perf | vn, va, vc, db [Viola, Cello, Violine, Kontrabass] | 24.2.2019 | Montréal/Nouvelles Musiques, 9e édition (2019); Ensemble Musikfabrik | 0 | https://simonmartin.ca/en/oeuvre/46429.php | |||||||||
| 26160 | Tony | Martin | Silent Light I & II | 1967/2004 | audiovisuell, live-elec, | 20:00 | T. Martin (visual composition), Margot Farrington (Flashlight Performance) | wow & flutter 1961 - now, DVD/ | SanFran Tape M. C. | 1 | |||||||||
| 33436 | Vernon | Martin | Dance and Secret | 1967 | fixed media, akusmatisch | 4 | Stereo | CEMI Denton | 0 | ||||||||||
| 10731 | Peter | Martincek | Natura I | 1982 | fixed media, akusmatisch | 9:40 | Stereo | CECM Bratislava | 0 | ||||||||||
| 31452 | Pablo | Martinez de Salazar | Der Zug | 2007 | Film | 5:00:00 | Kurzfilm | HfM Dresden | 0 | ||||||||||
| 20500 | Alejandro | Martinez Figuerola | Bassin Tactile | 1991 | fixed media, akusmatisch | 3:30 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 18518 | Alejandro | Martinez Figuerola | Cancion I, de otono | 1989 | fixed media, akusmatisch | 11:15 | IMEB Bourges | 0 | |||||||||||
| 19927 | Alejandro | Martinez Figuerola | Crisálda I | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19928 | Alejandro | Martinez Figuerola | Crisálda II | 1986 - 1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 20501 | Alejandro | Martinez Figuerola | Escalier du plancton | 1991 | fixed media, akusmatisch | 7:00 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 19921 | Alejandro | Martinez Figuerola | Figuerola | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19922 | Alejandro | Martinez Figuerola | Helesponto | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 10732 | Alejandro | Martinez Figuerola | Homenaje L. Nono | 1990 | fixed media, akusmatisch | 3:00 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | ||||||||||
| 18520 | Alejandro | Martinez Figuerola | L'autre territoire | 1993 | fixed media, akusmatisch | 10:05 | IMEB Bourges | 0 | |||||||||||
| 24450 | Alejandro | Martinez Figuerola | Les Oiseaux | 1999 | fixed media, akusmatisch | 8:25 | 2e partie de la trilogie des oiseaux | IMEB Bourges | 0 | ||||||||||
| 10733 | Alejandro | Martinez Figuerola | Limites | 1988 | fixed media, akusmatisch | 12:00 | IMEB Bourges | 0 | |||||||||||
| 20502 | Alejandro | Martinez Figuerola | Lullaby | 1991 | fixed media, akusmatisch | 2:33 | Stereo | CIRM/ | CIRM Nice | 0 | |||||||||
| 21909 | Alejandro | Martinez Figuerola | Machina animata | 1987 | fixed media, akusmatisch | 16:15 | IMEB Bourges | 0 | |||||||||||
| 18519 | Alejandro | Martinez Figuerola | Musica palimpsesto | 1991 | fixed media, akusmatisch | 10:44 | IMEB Bourges | 0 | |||||||||||
| 24449 | Alejandro | Martinez Figuerola | Qânûn pour le palais des oiseaux | 1999 | fixed media, akusmatisch | 1ère partie de la trilogie des oiseaux | IMEB Bourges | 0 | |||||||||||
| 19923 | Alejandro | Martinez Figuerola | Salida exterior | 1982 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 18521 | Alejandro | Martinez Figuerola | Sobre las orillas | 1997 | fixed media, akusmatisch | 10:00 | IMEB Bourges | 0 | |||||||||||
| 19924 | Alejandro | Martinez Figuerola | Tazir | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19925 | Alejandro | Martinez Figuerola | The End | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19926 | Alejandro | Martinez Figuerola | Transformadors | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19929 | Alejandro | Martinez Figuerola | Vaciando el Hueco | 1995 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 39549 | Álex | Martinez | El bosque de las luces | 2017 | fixed media, akusmatisch | Álex Martinez | 0 | ||||||||||||
| 19930 | Antonio | Martinez | Diáleg | 1980 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 27734 | Ariel | Martinez | Cabotaje IIIc - en medio | 1971 | fixed media, akusmatisch | 12:22 | 1 | Tella B.Aires | 1 | ||||||||||
| 27735 | Ariel | Martinez | El Glotón de Pepperland | 1970 | fixed media, akusmatisch | 9:26 | 2 | IDEAMA CD 059/ | Tella B.Aires | 1 | |||||||||
| 27736 | Ariel | Martinez | Tromboffolón | 1970 | fixed media, akusmatisch | 11:35 | 3 | Tella B.Aires | 1 | ||||||||||
| 19931 | Aurelio | Martinez | Olgetan - Benetan | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 34102 | Israel | Martinez | Exorcizo I | 2006 | fixed media, akusmatisch | 5:29 | IRD 002 Irradia/ | 0 | |||||||||||
| 40871 | Israel | Martinez | Mi Vida | 2007 | fixed media, akusmatisch | 5:29 | SR 290 sub rosa/ | Auszeichnung ars electronica Award of Distinction 2007 | 0 | ||||||||||
| 23999 | Jorge | Martínez | 77 Haiku | 1984 | fixed media, akusmatisch | 15:00 | Noviembre 1984. Festival Musica Verticale. Roma, Italia. | 0 | |||||||||||
| 23992 | Jorge | Martínez | A.M. | 1982 | Zuspiel, live-elec, 1 perf | 4:00 | perf (radio) [Performer] | Julio 1982. Festival Il Pennello Impropio-Interventi Sonori. Florencia, Italia. | 0 | ||||||||||
| 24007 | Jorge | Martínez | Anamorphosis | Zuspiel / Tonband, 1 group | 60:00 | ens [Ensemble] | Septiembre 198?. Festival Musica Contemporanea. Florencia, Italia. | 0 | |||||||||||
| 24015 | Jorge | Martínez | Arpa Armónica | 1998 | Zuspiel, live-elec, 2 perf | 5:00 | hp, e-ins [Harfe, synthesizer] | Octubre 1998. Restaurante Muñeca Brava. Santiago, Chile. | 0 | ||||||||||
| 24013 | Jorge | Martínez | Astillas de Bambu | 1994 | fixed media, akusmatisch | 4:00 | Noviembre 1994. Festival Anacrusa. Santiago, Chile. | 0 | |||||||||||
| 24003 | Jorge | Martínez | Cadenas | fixed media, akusmatisch | 5:00 | 0 | |||||||||||||
| 24011 | Jorge | Martínez | Come una fontana | 1988 | audiovisuell | var | Abril 1988. Pistoia, Italia. | 0 | |||||||||||
| 23997 | Jorge | Martínez | Distribuitore di suono | 1983 | fixed media, akusmatisch | 60:00 | Julio 1983. Festival Umsgangmusik. Florencia, Italia.. | 0 | |||||||||||
| 23994 | Jorge | Martínez | Eppur si muove | 1982 | fixed media, akusmatisch | 15:00 | Septiembre 1982. Festival Internacional de teatro. San Arcangelo di Romagna, Italia. | 0 | |||||||||||
| 24001 | Jorge | Martínez | Erotica | 1984 | audiovisuell | var | Junio 1984. Exposicion Erótica, Palagio di Parte. Florencia, Italia. | 0 | |||||||||||
| 24016 | Jorge | Martínez | Forma | 1998 | Zuspiel / Tonband, 1 perf | 7:00 | a-sax [Saxophon] | Octubre 1998. Restaurante Muñeca Brava. Santiago, Chile. | 0 | ||||||||||
| 24004 | Jorge | Martínez | Grappoli | 1985 | fixed media, akusmatisch | var | Diciembre 1985. Sala Marginalia. Turin, Italia. | 0 | |||||||||||
| 23995 | Jorge | Martínez | Harmonicus | 1985 | fixed media, akusmatisch | 15:00 | Febrero 1985. Sala Marginalia. Turin, Italia. | 0 | |||||||||||
| 24018 | Jorge | Martínez | Leitmotiv N° 6 | 2003 | Zuspiel / Tonband, 1 perf | 9:00 | vc [Cello] | 0 | |||||||||||
| 24019 | Jorge | Martínez | Leitmotiv N° 7 | Zuspiel / Tonband, 1 perf | 6:00 | trbn [Posaune] | 0 | ||||||||||||
| 23998 | Jorge | Martínez | Macchine sonore mix | 1985 | fixed media, akusmatisch | 15:00 | Febrero 1985. Florencia, Italia. | 0 | |||||||||||
| 23991 | Jorge | Martínez | Mallku | 1981 | live-elec, 1 perf | 6:00 | e-ins [synthesizer] | Septiembre 1981. Festival Musica Incontri. Florencia, Italia. | 0 | ||||||||||
| 23993 | Jorge | Martínez | Ojorojo | 1982 | fixed media, akusmatisch | 6:00 | Febrero 1982. Salon Philarmonique, Bruselas, Belgica. | 0 | |||||||||||
| 24008 | Jorge | Martínez | Omeostati | 1986 | live-elec, 1 perf | 30:00 | synt [synthesizer] | synt EMS, vocoder Noviembre 1986. Festival Florencia, capital europea de la cultura. Florencia, Italia. |
0 | ||||||||||
| 24006 | Jorge | Martínez | On-off suoni nelle citta' | 1985 | audiovisuell, live-elec, 1 perf, 1 group | 60:00 | (500 Cassette) players / Interpreters [Performer] | Julio 1985. Festival Milano Suono, Milan, Italia. | 0 | ||||||||||
| 24005 | Jorge | Martínez | Passaggi, Messaggi, assaggi | 1985 | audiovisuell | var | Junio 1985. Florencia, Italia. | 0 | |||||||||||
| 24014 | Jorge | Martínez | Phonei | 1996 | live-elec, 3 perf | 15:00 | Sp, V, synt, (Vocoder) [Sprecher, Stimme, synthesizer] | Septiembre 1996. Festival Incontri Musicanici. Florencia, Italia. | 0 | ||||||||||
| 24012 | Jorge | Martínez | Pomeriggi musicanici | 1998 | live-elec, 2 perf | var | synt, ins (silbatos, sikus andinos) [Instrument, synthesizer] | 1998. Florencia, Italia. | 0 | ||||||||||
| 24017 | Jorge | Martínez | Proteo | audiovisuell, live-elec, | 72:00 | CD-Rom | 0 | ||||||||||||
| 24009 | Jorge | Martínez | Prov.lo | fixed media, akusmatisch | var | Serie de programas de composición automática Febrero 198?. Pistoia, Italia |
0 | ||||||||||||
| 24000 | Jorge | Martínez | Schegge | 1994 | fixed media, akusmatisch | 8:00 | Noviembre 1994. Festival de Música Contemporánea. Temuco, Chile. | 0 | |||||||||||
| 24002 | Jorge | Martínez | Sequenze di Ballo, alla zampogna | fixed media, akusmatisch | 8:00 | 0 | |||||||||||||
| 24021 | Jorge | Martínez | Tinku | fixed media, akusmatisch | 8:59 | 0 | |||||||||||||
| 24010 | Jorge | Martínez | Torre di campani virtuali | 1987 | audiovisuell | var | Septiembre 1987. Pistoia, Italia. | 0 | |||||||||||
| 23996 | Jorge | Martínez | Triángulo Andino | 1983 | Zuspiel / Tonband, 1 perf | 7:00 | w (Aerófonos andinos) [Bläser] | Julio 1983. Bagnacavallo, Italia. | Julio 1983 | Bagnacavallo, Italia. | 0 | ||||||||
| 24020 | Jorge | Martínez | Unisonos | fixed media, akusmatisch | 5:00 | 0 | |||||||||||||
| 19728 | José Miguel | Martinez | Ectoplasma | 1995 | fixed media, akusmatisch | Stereo | PS C. | 0 | |||||||||||
| 19727 | José Miguel | Martinez | Juego a Tres | 1992 | Zuspiel / Tonband, 3 perf | Stereo | fl, vc, p [Flöte, Piano, Cello] | PS C. | 0 | ||||||||||
| 19725 | José Miguel | Martinez | Textura Sonora | 1991 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | PS C. | 0 | ||||||||||
| 19726 | José Miguel | Martinez | Una Mujer, un Coche y dos Hombres, Ocultos en un Nombre | 1992 | Zuspiel / Tonband, 3 perf | Stereo | fl, vn, p [Flöte, Piano, Violine] | PS C. | 0 | ||||||||||
| 10734 | Lirio | Martinez | Tram | 1985 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 39474 | Patricia | Martinez | Del cuadro a la postergación, Espejos de tiempo I | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40175 | Patricia E. | Martinez | Al trasluz del recuerdo (through the translucent light of memory) | 2017 | fixed media, akusmatisch | Patricia E. Martinez | 0 | ||||||||||||
| 21910 | Patricia E. | Martinez | Del Cuadro a la Postergacion I | 1994 | fixed media, akusmatisch | 6:00 | IMEB Bourges | 0 | |||||||||||
| 21911 | Patricia E. | Martinez | Del Cuadro a la Postergacion II | 1994 | fixed media, akusmatisch | 6:30 | IMEB Bourges | 0 | |||||||||||
| 40176 | Patricia E. | Martinez | Pure Consciousness of invention | 2016 | fixed media, akusmatisch | Patricia E. Martinez | 0 | ||||||||||||
| 41946 | Mika, Felipe | Martini, Conejeros | Mestizo Retocado 1/4/7/13 | fixed media, akusmatisch | 0 | ||||||||||||||
| 23349 | Bohuslav | Martinu | Fantasia | 1944 | live-elec, 3 perf, 1 group | 14:17 | theremin, ob, p, strs [Oboe, Piano, synthesizer, Streicher] | Lydia Kavina (Theremin), Joshua Pierce (p) | mode 76/ | 1 | http://www.moderecords.com/ | ||||||||
| 10735 | Salvatore | Martirano | Electronic Dance No. 1, Electronic Dance | 1962 | fixed media, akusmatisch | 5:00 | 3 parts | Centaur CRC 2266, CDCM Vol. 22/ | SanFran Tape M. C. | 1 | |||||||||
| 10736 | Salvatore | Martirano | Four not Two | 1987 | live-elec, 2 perf | 12:44 | (com), Kbd, Zeta-vn [Keyboard, Violine] | yahaSALmaMAC (SAL) | Centaur CRC 2266, CDCM Vol. 22/ | 1 | |||||||||
| 10737 | Salvatore | Martirano | L's G.A. | 1968 | Zuspiel / Tonband, 1 perf | 24:11 | Stereo | Sp [Sprecher] | gassed-masked politico | Centaur CRC 2266, CDCM Vol. 22/ polydor 24-5001/ IDEAMA CD 073/ | EMS UIUC | 1 | |||||||
| 10738 | Salvatore | Martirano | Look at the back of my head for awhile | 1974 | live-elec, 1 perf | 12:01 | com [computer] | Sal-Mal Construction | Centaur CRC 2266, CDCM Vol. 22/ | PS C. | 1 | ||||||||
| 36773 | Salvatore | Martirano | Not suffering from Bruckneritis improvization using a Macintosh Plus computer and a Yamaha music engine | 1986 | live-elec, | 3 | ICMC 1986 Den Haag | Sonology Den Haag | 0 | ||||||||||
| 10739 | Salvatore | Martirano | Phleu | 1988 | Zuspiel, live-elec, 1 perf | 7:05 | fl [Flöte] | YahaSALmaMAC und "Sound and Logic" | EMS UIUC | 1 | 1990 | ||||||||
| 10740 | Salvatore | Martirano | Sampler: Everything Goes When The Whistle Blows | 1985 | live-elec, 1 perf | 11:31 | Stereo | Zeta-vn, (com) [Violine] | yahaSALmaMAC MIDI orc | Centaur CRC 2045, CDCM Vol. 3/ | EMS UIUC | 1 | |||||||
| 10741 | Salvatore | Martirano | SATBehind Demo | 1992 | live-elec, 1 perf | 5:10 | com [computer] | KYMA (sound and logic 80) | Centaur CRC 2266, CDCM Vol. 22/ | PS C. | 1 | ||||||||
| 40922 | Salvatore | Martirano | The SalMar | 1983 | Performance, live-elec, 1 perf | 41 | ins (SalMar Construction) [Instrument] | SR 374 sub rosa/ | IRCAM | 0 | |||||||||
| 10742 | Salvatore | Martirano | UIUS and Jest fa' Laffs | 1991 | live-elec, 3 perf | 12:35 | Stereo | fl, cl, db, [Flöte, Klarinette, Kontrabass] | Centaur CRC 2170, CDCM Vol. 14/ | EMS UIUC | 1 | ||||||||
| 10743 | Salvatore | Martirano | Underworld | 1968 | Zuspiel / Tonband, 7 perf | 17:02 | Stereo | t-sax, 2 db, 4 perc [Saxophon, Schlagzeug, Kontrabass] | Centaur CRC 2266, CDCM Vol. 22/ HE HS 25047 LP/ IDEAMA CD 073/ | EMS UIUC | 1 | http://www.centaurrecords.com/ | |||||||
| 31980 | Elio | Martusciello | A@TRAVERSO.IT | 1998 | fixed media, akusmatisch | 8:36:00 | Konzert Inventionen 2000, Parochialkirche 30.6.2000, 20h | PS C. | 1 | ||||||||||
| 24452 | Elio | Martusciello | Charybde | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 10744 | Elio | Martusciello | Limite inferiore sinistro | 1994 | fixed media, akusmatisch | 9:24 | LDC 278058/59 Cultures Electroniques 8/ | PS C. | prize Bourges 94 | 1 | |||||||||
| 20503 | Elio | Martusciello | Meta-Harmonies | live-elec, 1 perf | 58:06 | Stereo | MIDI-gui [Gitarre] | Staalplaat/ | 0 | ||||||||||
| 10745 | Elio | Martusciello | Non Nato | 1993 | fixed media, akusmatisch | 15:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 24800 | Elio | Martusciello | Proiezioni | 1995 | fixed media, akusmatisch | 12:35:00 | LDC 278063/64 Cultures Electroniques 10/ | 0 | |||||||||||
| 24451 | Elio | Martusciello | Rita's kitchen | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21912 | Elio | Martusciello | The Wave | 1998 | fixed media, akusmatisch | 15:10 | IMEB Bourges | 0 | |||||||||||
| 22701 | Elio | Martusciello | Vis Motrix | 1997 | fixed media, akusmatisch | 8:28 | GMEM El 10, Project'Son/ | GMEM Marseille | 1 | ||||||||||
| 24713 | Maurizio | Martusciello | Unsettled Line | 1998 - 1999 | fixed media, akusmatisch | 18:21 | MK CD 027/ | 0 | |||||||||||
| 10746 | Vladimir | Martynov | De façon primitive ... peutêtre | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 10747 | Vladimir | Martynov | Utro v gorach, Morning in the Mountains | fixed media, akusmatisch | 3:30 | Melodiya S10 13889-90/ | Muzei Skryabina Moskva | 0 | |||||||||||
| 10748 | Vladimir | Martynov | Vesennii etyud, Spring Etude | fixed media, akusmatisch | 5:20 | Melodiya S10 13889-90/ | Muzei Skryabina Moskva | 0 | |||||||||||
| 20504 | Koji | Marutani | Scene 1 - 2 | 1995 | fixed media, akusmatisch | 35:00 | Stereo | DNCD 001/ | 0 | ||||||||||
| 20505 | Koji | Marutani | Scene 3 | fixed media, akusmatisch | 7:07 | Stereo | RRRecords CD 21/ | 0 | |||||||||||
| 39437 | Marcus Vinicius | Marvila das Neves | Who can sound past textures 2 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34948 | Günter | Marx | ALPHASOLO, Vector Alpha | 2001 | live-elec, 1 perf | 6:40 | Zeta-vn (com) [Violine] | Improvisation | Earsay/ | 2007 | Depot Dortmund | 0 | |||||||
| 34946 | Günter | Marx | ANLOGTETT | 1993 | fixed media, akusmatisch | 2:36 | Improvisationen | 0 | |||||||||||
| 34947 | Günter | Marx | ELPOEM | 1996 | Zuspiel / Tonband, 1 perf | 15:56 | Mez [Mezzo] | Fünf Gedichte für Mezzosopran und elektroakustische Klänge. Texte von Mörike, Lasker-Schüler, Härtling, Bachmann, Celan | Dezember 2000 | Zürich | 0 | ||||||||
| 24262 | Günter | Marx | Kurzer Traum - Version 1 | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 34950 | Günter | Marx | NOTTURNO | 2003 | live-elec, 1 perf | 10:57 | Zeta-vn, (com) [Violine] | Improvisation | 2003 | Depot Dortmund | 0 | ||||||||
| 34955 | Günter | Marx | SAMPROVIS 1 | 1993 | fixed media, akusmatisch | 1:40 | Improvisationen | 0 | |||||||||||
| 34956 | Günter | Marx | SAMPROVIS 2 | 1993 | fixed media, akusmatisch | 4 | Improvisationen | 0 | |||||||||||
| 34954 | Günter | Marx | Tetude | 1991 | live-elec, 1 perf | 6:40 | vn, (MIDI) [Violine] | 1991 | Lüneburg | 0 | |||||||||
| 34949 | Günter | Marx | TIERSONETTE | 2002/2003 | live-elec, 1 perf | 6:48 | Sp (Mez) [Sprecher] | Improvisationen | 0 | ||||||||||
| 34951 | Günter | Marx | VIOLINSECTIV 1 | live-elec, 1 perf | 1:55 | Zeta-vn [Violine] | Improvisation | 0 | |||||||||||
| 34952 | Günter | Marx | VIOMESPEL | 2010 | live-elec, 1 perf | 11:17 | vn (com) [Violine] | Improvisation | 2010 | Biberach / Riss | 0 | ||||||||
| 33642 | Mario | Mary | 2261 | 2009 | fixed media, akusmatisch | 10:51 | MR 2010 Métamorphoses 2010/ INA GRM G6050/59/ | INA • GRM | INA-GRM | 0 | |||||||||
| 41635 | Mario | Mary | Belgium Snob | 2017 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 10749 | Mario | Mary | Del otro lado del silencio | 1993 | fixed media, akusmatisch | 12:51 | Russolo Pratella EF.ER.P 94/ | Prize Russolo Varese 1994 | 0 | ||||||||||
| 27244 | Mario | Mary | Fuite en avant | 2005 | fixed media, akusmatisch | 10:21 | LDC 2781137 Compendium 2005/ | IMEB Bourges | 0 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | |||||||||
| 41587 | Mario | Mary | Polyphonic Philosophy | 2015 | fixed media, akusmatisch | 0 | |||||||||||||
| 22716 | Mario | Mary | Portraits Témoins | 1997 | fixed media, akusmatisch | 5:22 | CMJ Vol 23-4, 1999/ INA GRM G6050/59/ | INA • GRM | 0 | ||||||||||
| 41464 | Mario | Mary | Sal | 2016 | fixed media, akusmatisch | 9:11 | 0 | ||||||||||||
| 23566 | Mario | Mary | Signes émergents, Haulie | 2003 | fixed media, akusmatisch | 14:58 | LDC 278078 Cultures électroniques 17/ Accademia Musicale Pescarese/ INA GRM G6050/59/ | INA • GRM | Prix 30. Concours Bourges 2003 | 0 | |||||||||
| 38855 | Mario | Mary | Une Bouffe d’Air | fixed media, akusmatisch | 10:30 | INA GRM G6050/59/ | INA • GRM | 0 | |||||||||||
| 10750 | John | Maryn | Fantasie über zerbrochenes Glas Version I | 1972 | fixed media, akusmatisch | 21:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 10751 | John | Maryn | Fantasie über zerbrochenes Glas. Version II | 1973 | fixed media, akusmatisch | 6:55 | Stereo | ELAK Wien | 0 | ||||||||||
| 10752 | John | Maryn | Studie über "Manipulationen und Treatments" | 1973 | fixed media, akusmatisch | 11:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 39296 | Amelia | Marzec | Alouette 1 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 38359 | Miya | Masaoka | For Birds, Planes & Cello | 2005 | Zuspiel / Tonband, 1 perf | vc [Cello] | A Continuous Field Recording With Cello | SB 002/ | 0 | ||||||||||
| 38360 | Miya | Masaoka | While I Was Walking, I Heard A Sound... | 2004 | Musikinstrument, keine EM, 9 perf, 3 groups | 31 | 3 ch, 9 mus [Musiker, Chor] | cappella choral work by Miya Masaoka for 3 choirs and 9 soloists spatialized in balconies". Recorded in the natural 2.5 sec. reverberation of St. Ignatius Cathedral in San Francisco, California. |
SB 001/ | 0 | |||||||||
| 10753 | Alireza | Mashayeki | Abstraktion | 1970 - 1971 | fixed media, akusmatisch | 20:00 | Mono, Stereo, Quadro | part A - E | Hozeyeh Honari/ | Sonology Utrecht | 1 | ||||||||
| 36809 | Alireza | Mashayeki | Abstraktion II | 1971 | fixed media, akusmatisch | 6:00:00 | Sonology Utrecht | 0 | |||||||||||
| 10754 | Alireza | Mashayeki | Autonom III, op. 10 | 1966 | fixed media, akusmatisch | 4:17 | Mono | Hozeyeh Honari/ | STEM Utrecht | 1 | |||||||||
| 27292 | Alireza | Mashayeki | Chahargah I, op. 75 Nr. 2 | 1979 | fixed media, akusmatisch | 9:59 | Hozeyeh Honari/ Organised Sound Vol 13/3/ SR 277 sub rosa/ | Sonology Utrecht | 1 | ||||||||||
| 27296 | Alireza | Mashayeki | Chahargah I (Saba), op. 75 | 1979 | fixed media, akusmatisch | 9:22 | Hozeyeh Honari/ | Sonology Utrecht | 1 | ||||||||||
| 27293 | Alireza | Mashayeki | Computer Aesthetic, op. 74 | 1979 | fixed media, akusmatisch | 11:04 | Hozeyeh Honari/ | Sonology Utrecht | 0 | ||||||||||
| 10755 | Alireza | Mashayeki | Development II, op. 24 | 1970 | fixed media, akusmatisch | 5:02 | Stereo | Hozeyeh Honari/ SR 277 sub rosa/ | Sonology Utrecht | 1 | |||||||||
| 27295 | Alireza | Mashayeki | Development III, op. 29 | 1971 | fixed media, akusmatisch | 12:20 | Stereo | Hozeyeh Honari/ | Sonology Utrecht | 1 | |||||||||
| 27291 | Alireza | Mashayeki | East-West, op. 45 | 1973 | fixed media, akusmatisch | 19:09 | Hozeyeh Honari/ SR 277 sub rosa/ | Sonology Utrecht | 1 | ||||||||||
| 27289 | Alireza | Mashayeki | Happy Electronic Sounds, op. 81 | 1980 | fixed media, akusmatisch | 8:02 | Hozeyeh Honari/ | Sonology Utrecht | 1 | ||||||||||
| 27290 | Alireza | Mashayeki | Iranian Aesthetics, op. 77 | 1979 | fixed media, akusmatisch | 9:06 | Hozeyeh Honari/ | Sonology Utrecht | 1 | ||||||||||
| 10756 | Alireza | Mashayeki | Mitra Mithra, op. 90 |
1982 | fixed media, akusmatisch | 10:20 | Quadro | Hozeyeh Honari/ SR 277 sub rosa/ | Sonology Utrecht | 1 | |||||||||
| 36810 | Alireza | Mashayeki | Ost-West | 1973 | fixed media, akusmatisch | 19:00:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 37432 | Alireza | Mashayeki | Ost-West II | 1979 | fixed media, akusmatisch | 11:30 | Stereo | Sonavera | 0 | ||||||||||
| 10758 | Alireza | Mashayeki | Panoptikum 70, op. 27 | 1970 | fixed media, akusmatisch | 10:47 | Stereo | Hozeyeh Honari/ SR 277 sub rosa/ | Sonology Utrecht | 1 | |||||||||
| 10759 | Alireza | Mashayeki | Polyphonie 82, op. 82 | 1982 | fixed media, akusmatisch | 11:08 | Quadro | Hozeyeh Honari/ | Sonology Utrecht | 1 | |||||||||
| 10760 | Alireza | Mashayeki | Shur, op. 15 | 1968 | Zuspiel / Tonband, 1 perf | 6:34 | Mono | vn [Violine] | Hozeyeh Honari/ PHI 6526004/ Organised Sound Vol 13/3/ SR 277 sub rosa/ SR 270 sub rosa/ | Sonology Utrecht | 1 | ||||||||
| 10761 | Alireza | Mashayeki | Stratosphäre, op. 46 | 1973 | Zuspiel / Tonband, 1 perf | 10:49 | Quadro | perc [Schlagzeug] | sources: 3 tonbanks | Hozeyeh Honari/ SR 277 sub rosa/ | Sonology Utrecht | 1 | |||||||
| 10762 | Alireza | Mashayeki | Vers l'Orient | 1982 | fixed media, akusmatisch | 25:00 | Stereo | Hozeyeh Honari/ | Sonology Utrecht | 0 | |||||||||
| 27288 | Alireza | Mashayeki | Yaad, op. 66 | 1979 | fixed media, akusmatisch | 7:48 | Hozeyeh Honari/ SR 277 sub rosa/ | Sonology Utrecht | 1 | ||||||||||
| 10763 | Benedict | Mason | Durham Dream with Miners' Gala | 1973 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 10764 | Benedict | Mason | Ertshub | 1974 | Zuspiel / Tonband, 1 perf | p [Piano] | Uni Durham | 0 | |||||||||||
| 25542 | Benedict | Mason | felt | ebb | thus | brink | here | array | telling | 2001 | Zuspiel, live-elec, 47 perf | 71:44 | Stereo | 48 perf (miscellaneous objects and self-made ins, elec) [Performer] | Visual, aural, acoustical, sculptural music; The piece is for 48 players on self-developed instrumentsand divided in 12 parts; Live-recording at premiere in Donaueschingen. |
WWE 1SACD 20604/ | SWR | 17.10.2004 | Donaueschingen Festival | 1 | |||||
| 20506 | Charles Norman | Mason | Amalgam I | 1988 | Zuspiel / Tonband, 1 perf | 8:39 | Stereo | ob [Oboe] | David Weber, ob | SEAMUS EAM 9401 Vol. 2/ | 0 | ||||||||
| 41507 | Charles Norman | Mason | Gems, #2 Malachite | 2003 | fixed media, akusmatisch | 1 | cps 8744 Capstone/ | 0 | |||||||||||
| 32062 | Charles Norman | Mason | Mirrors, Stones, and Cotton | 1996 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | Paul Bowman, guitar | SEAMUS EAM Vol. 6/ | 0 | ||||||||||
| 20507 | Charles Norman | Mason | The Blazing Macaw | 1992 | Zuspiel / Tonband, 1 perf | 8:17 | Stereo | p [Piano] | Thomas Bagwell, p | SEAMUS EAM 9402 Vol. 3/ | 0 | ||||||||
| 10765 | David | Mason | I miss my dear cats | 1982 | fixed media, akusmatisch | 7:56 | Ornament CH 7.921/ | HfM Stuttgart | 1 | ||||||||||
| 10766 | David | Mason | Mother To Be | 1991 | audiovisuell, live-elec, 1 perf | MIDI [synthesizer] | MIDI & slides | HfM Stuttgart | 0 | ||||||||||
| 10767 | David | Mason | Schwanenbadewanne | 1990 | audiovisuell, live-elec, 1 perf | MIDI [synthesizer] | MIDI & slides | HfM Stuttgart | 0 | ||||||||||
| 36865 | Vanessa | Massera | An Almost Abstract Experience | 2016 | fixed media, akusmatisch | 11:11:00 | 0 | ||||||||||||
| 34821 | Vanessa | Massera | Éclats de feux | 2016 | audiovisuell | 10:08:00 | Stereo | Vanessa Sorce-Lévesque | JTTP 2016 2. prize | 0 | http://econtact.ca/19_1/pieces.html | ||||||||
| 10768 | Jan | Masséus | Paleonthologie: Schakel met het Verleden, Story in the Rocks: an Introduction to Paleontology | 1958 | Film | 10:00 | Mono | TH Delft | Royal Dutch Shell company | 0 | http://thresholdofbeauty.com/music excerpts/Paleontologie excerpt.mp3 | ||||||||
| 40545 | Diègo | Masson | Les Enchaînes | 1965 | Theatermusik | perc [Schlagzeug] | INA • GRM | 0 | |||||||||||
| 33280 | Martin | Matalon | De polvo y piedra | 2013 | Zuspiel, live-elec, 14 perf | 20 | fl, cl, hn, 2 tpt, trbn, 2 perc, acc, p, vn, 2 vc, db [Flöte, Klarinette, Horn, Trompete, Posaune, Piano, Akkordeon, Schlagzeug, Cello, Violine, Kontrabass] | Dédicace Ensemble Modern et Max Bruckert | GRAME | Ensemble Modern & Kulturfonds Frankfurt / Main | 14 Mai 2013 | Création par Ensemble Modern / Direction Stefan Asbury à l’Alte Oper | 0 | ||||||
| 33287 | Martin | Matalon | … del color a la materia… | 2011 | live-elec, 7 perf | 37 | p, 6 perc [Piano, Schlagzeug] | La Muse | Commande d’Orléans Concours International de Piano | Création au Théâtre d’Orléans, Christopher Falzone Piano, les percussions de Strasbourg, technique la Muse en circuit. | Gérard Billaudot Editeur | 0 | |||||||
| 33289 | Martin | Matalon | Dos Lineas | 2013 | live-elec, 6 perf | 35 | 5 fem V, perc [Stimme, Schlagzeug] | Commande de l’Abbaye de Noirlac | le 28 Septembre 201 | Création au Festival de Noirlac3, Par l’ensemble De Caelis, – Martin Matalon Direction, Abbaye de Noirlac | Gérard Billaudot Editeur | 0 | |||||||
| 33288 | Martin | Matalon | Formas in Pulvere | 2012 | Zuspiel, live-elec, 6 perf | 35 | 5 fem V, perc [Stimme, Schlagzeug] | l’ensemble De Caelis | 16 Juillet 2012 | Création au Festival de Radio France et Montpellier par l’ensemble De Caelis, Eve Payeur percussion – Martin Matalon Direction, Salle Pasteur / Le Corum | Gérard Billaudot Editeur | 0 | |||||||
| 33285 | Martin | Matalon | Foxtrot Délirium | 2015 | Film, live-elec, 12 perf | 60 | 12 ins [Instrument] | Musique pour le film Die Austernprinssezin de Ernst Lubitsch | le 20 Janvier 2015 | Paris, Création par l’ensemble Ars Nova – Direction Philippe Nahon à la scène National de Valence | Gérard Billaudot Editeur | 0 | |||||||
| 33279 | Martin | Matalon | KDM Fragments | 2011 | Zuspiel, live-elec, 3 perf | 15 | acc, 2 perc [Akkordeon, Schlagzeug] | Commande du trio KDM | le 1er Décembre 2011 | Création par le trio KDM – l’Arsenal de Metz | 0 | ||||||||
| 33281 | Martin | Matalon | La Carta (2) | 2015 | Zuspiel, live-elec, 4 perf | ≈ 17 | Mez, cl, acc, perc [Mezzo, Klarinette, Akkordeon, Schlagzeug] | Radio France pour l’Ensemble Accroche Note | 9 Février 2015 | Radio France | Gérard Billaudot Editeur | 0 | |||||||
| 33277 | Martin | Matalon | La Makina | 2007 | live-elec, 4 perf | 25 | 2 p, 2 perc [Piano, Schlagzeug] | commande de McGill University – Langlois Foundation | 6 Mars 2008 | Pollack hall – McGill University (Canada) | Gérard Billaudot Editeur | 0 | |||||||
| 10769 | Martin | Matalon | La Rosa Profunda | 1992 | Musiktheater, 9 perf | ≈ 45:00 | Sp, fl, cl, bn, tpt, perc, e-gui, va, db [Sprecher, Flöte, Klarinette, Fagott, Trompete, Gitarre, Schlagzeug, Viola, Kontrabass] | Texts from Borges ; M. for the Borges exhibition, C. Pompidou | IRCAM Collection 0003/ | IRCAM | L’IRCAM | Novembre 1992 à Février 1993 | Centre Georges-Pompidou | Inédi | 0 | ||||
| 33282 | Martin | Matalon | Las siete vidas de un gato | 1996 | Film, live-elec, 8 perf | 18 | fl, cl, tpt, 2 perc, p, vn, vc [Flöte, Klarinette, Trompete, Piano, Schlagzeug, Cello, Violine] | Musique pour le film de Luis Buñuel « Un Chien Andalou » | Commande du Centro de Cultura Contemporanea de Barcelona | 1996 | Barcelone | 0 | |||||||
| 33283 | Martin | Matalon | Le scorpion | 2002 | Film, live-elec, 7 perf | ≈ 60 | 6 perc, p [Piano, Schlagzeug] | Musique pour le film « L’Âge d’or » de Luis Buñuel, | Commande de l’Ircam et des Percussions de Strasbourg | Gérard Billaudot Editeur | 0 | ||||||||
| 33286 | Martin | Matalon | Le Tunnel sous l’Atlantique | 1995 | Klangkunst, Installation | IRCAM | Ircam, Musée d’Art Moderne de Montréal / Centre Georges Pompidou, Images de synthèse Maurice Benayoun | 0 | |||||||||||
| 28138 | Martin | Matalon | Metropolis | 1995/2011 | Film | 140 | 16 ins [Instrument] | Musique pour le film de Fritz Lang « Metropolis » | IRCAM Collection/ IRCAM Les Années 90/ | IRCAM | l’Ircam / Commande nouvelle version de l’Ensemble Modern avec le soutien du Kulturfonds Frankfurt RheinMain, et l’Ensemble Intercontemporain, réalisée en co-production avec Grame | 1995 5 Mars 2011 |
Paris, Ensemble, dir. Ernest Martinez-Izquierdo Lichetspielmusik par l’ensemble Modern, norbert ommer sound Enginneer, François Xavier Roth Direction, Pour 16 instrumentistes & électronique |
Editions Max Eschig | 0 | ||||
| 33275 | Martin | Matalon | Monedas de hierro | 1993 | live-elec, 10 perf | ≈ 15 | fl, 2 cl, bn, tpt, hp, 2 perc, vc, db [Flöte, Klarinette, Fagott, Trompete, Harfe, Schlagzeug, Cello, Kontrabass] | 10 musiciens & électronique | 1993 | New York | Gérard Billaudot Editeur | 0 | |||||||
| 33290 | Martin | Matalon | Nocturnes | 2006 | radiophon | 30 | 3 (sol) ins, 3 actor [Instrument, Schauspieler] | Opéra radiophonique. Pour 3 instruments solistes, électronique en temps réel et 3 commédiens |
17 Septembre 2006 | France Culture | 0 | ||||||||
| 33291 | Martin | Matalon | Rugged lines – ballet | 1997 | Tanz, live-elec, 9 perf | 50 | fl, cl, b-cl, a-sax, tpt, 2 perc, p, db [Flöte, Klarinette, Saxophon, Trompete, Piano, Schlagzeug, Kontrabass] | Festival de Musiques Contemporaines de Barcelona | 1997 | Barcelone | Editions Max Eschig | 0 | |||||||
| 33276 | Martin | Matalon | Rugged lines memos | 1999 | live-elec, 9 perf | 20 | fl, cl, b-cl, sax, tpt, 2 perc, p, db [Flöte, Klarinette, Saxophon, Trompete, Piano, Schlagzeug, Kontrabass] | 9 instruments & électronique | 1999 | Strasbourg | Editions Max Eschig | 0 | |||||||
| 33265 | Martin | Matalon | Short Stories | 2005 | Zuspiel / Tonband, 1 perf | ≈ 10 | vib [Schlagzeug] | Commande du CNSMD de Lyon | Gérard Billaudot Editeur | 0 | |||||||||
| 33263 | Martin | Matalon | Traces I | 2004 | Zuspiel / Tonband, 1 perf | ≈ 15 | vc [Cello] | CIRM | Commande : CIRM et le « Printemps des Arts » | 4 Avril 200 | Création « Festival Printemps des arts », Alexis Descharmes Violoncelle solo, Tom Mays et Frédérique Voisin assistants musicaux- Technique CIRM | Gérard Billaudot Editeur | 0 | ||||||
| 33264 | Martin | Matalon | Traces II | 2005 | Zuspiel / Tonband, 1 perf | ≈ 13:20 | va [Viola] | Sismal Records SR 005/ | La Muse | Commande du Musée du Louvre et La Muse en circuit | 6 Juin 2005 | Création La Marroquinerie, Paris | Gérard Billaudot Editeur | 0 | |||||
| 33284 | Martin | Matalon | Traces II (La cabra) | 2005 | Film, live-elec, 1 perf | ≈ 40 | va [Viola] | Musique pour le film « Las Hurdes (Terre sans pain) »de Luis Buñuel | La Muse | Commande de l’Auditorium du Louvre et la Muse en Circuit | Gérard Billaudot Editeur | 0 | |||||||
| 33266 | Martin | Matalon | Traces III | 2006 | Zuspiel / Tonband, 1 perf | 8:29 | hn [Horn] | Sismal Records SR 005/ | La Muse | Ecrite avec le financement de la J.S. Guggenheim Memorial Foundation Fellowship | Technique Ircam – Thomas Goepfer, assistant musical. | Gérard Billaudot Editeur | 0 | ||||||
| 33267 | Martin | Matalon | Traces IV | 2006 | Zuspiel / Tonband, 1 perf | 6:51 | mar [Schlagzeug] | Sismal Records SR 005/ | La Muse | Ecrite avec le financement de la J.S. Guggenheim Memorial Foundation Fellowship | 17.3.2006 | Court circuit – Eve Payeur, Marimba, Technique Thierry Coduys, Cité de la Musique Strasbourg (France) | Gérard Billaudot Editeur | 0 | http://martinmatalon.com/traces-iv/ | ||||
| 33272 | Martin | Matalon | Traces IX | 2014 | Zuspiel, live-elec, 1 perf | ≈ 8:30 | vc [Cello] | Michael Kasper et Alexis Descharmes | Technique GRAME – Max Bruckert RIM. | 6 Février 2014 | Salle Cortot par Alexis Descharmes | Gérard Billaudot Editeur | 0 | ||||||
| 33268 | Martin | Matalon | Traces V, Levedad | 2006 | Zuspiel / Tonband, 1 perf | ≈ 7:56 | cl [Klarinette] | Sismal Records SR 005/ | Ecrite avec le financement de la J.S. Guggenheim Memorial Foundation Fellowship | Technique Ircam – Thomas Goepfer, assistant musical. | Gérard Billaudot Editeur | 0 | |||||||
| 33269 | Martin | Matalon | Traces VI, Multiplicidad | 2006 | Zuspiel / Tonband, 1 perf | 10:12 | fl [Flöte] | Sismal Records SR 005/ | La Muse | Commande de l’ensemble Sillages. | Technique La muse en circuit – Olivier Pasquet, assistant musical. | Gérard Billaudot Editeur | 0 | ||||||
| 33270 | Martin | Matalon | Traces VII, La Carta | 2009 | live-elec, 1 perf | ≈ 11:47 | S [Sopran] | Sismal Records SR 005/ | Commande de l’ensemble Sillages. | Technique La muse en circuit – Olivier Pasquet, assistant musical. création le 23 Mai 2008 à la MAC de Créteil par Donatienne Michel-Donsac | Gérard Billaudot Editeur | 0 | |||||||
| 33271 | Martin | Matalon | Traces VIII | 2012 | Zuspiel, live-elec, 1 perf | ≈ 14 | vn [Violine] | à Aisha Orazbayeva | INA • GRM | Commande du GRM. | le 5 Mai 2 | Technique GRM – Cyril Déflache et Jose Miguel Fernandez, RMI. 2 à Radio France par Aisha Orazbayeva | Gérard Billaudot Editeur | 0 | |||||
| 33273 | Martin | Matalon | Traces X | 2014 | Zuspiel, live-elec, 1 perf | ≈ 13:30 | acc [Akkordeon] | GRAME | festival Les Arcs | 29 Juillet 2014 | au Festival les Arcs par Bruno Maurice, Technique GRAME – Max Bruckert RIM. | Gérard Billaudot Editeur | 0 | ||||||
| 33274 | Martin | Matalon | Traces XI | 2015 | Zuspiel, live-elec, 1 perf | ≈ 10 | trbn [Posaune] | GRAME | Wittener Tage für Neue Kammermusik | 21 Avril 2015 | Festival de Witten par Uwe Dierksen, Technique GRAME – Max Bruckert RIM. | Gérard Billaudot Editeur | 0 | ||||||
| 33278 | Martin | Matalon | Tunneling | 2009 | audiovisuell, live-elec, 7 perf | 18:30 | fl, cl, hn, tpt, perc, vc, db [Flöte, Klarinette, Horn, Trompete, Schlagzeug, Cello, Kontrabass] | GRAME | Commande de la Muse en Circuit (Centre National de Création Musicale), l’Arsenal de Metz & du festival Why Note | e 29 Août 20 | MusikFabrik à l’Abbaye de Royaumont- l09 pour le spectacle multimédia Chûte(S) – vidéo Paolo Pachini, Production GRAME / ROYAUMONT | 0 | |||||||
| 38612 | José | MATALONI | Das Schicksalsrad | 2004 | radiophon | 49:39:00 | 0 | ||||||||||||
| 38613 | José | MATALONI | Die Arkana | 2002 | radiophon | 52:58:00 | 0 | ||||||||||||
| 22997 | José | Mataloni | Piazzollage | fixed media, akusmatisch | 8:42 | 1 | |||||||||||||
| 41817 | José | Mataloni | Portalis | 2001 | fixed media, akusmatisch | 3:25:00 | codemist ICMC2001/ | 0 | |||||||||||
| 38614 | José | MATALONI | Sonidos lejanos – entfernte Klänge | 2000 | radiophon | 50:03:00 | 0 | ||||||||||||
| 28454 | José | Mataloni | Tempo Dos | 2000 | fixed media, akusmatisch | 8:50 | ELCD 027 Electroshock Records/ | 0 | |||||||||||
| 10770 | Gustavo | Matamoros | Portrait: Bob Gregory | 1991 | radiophon | 10:00 | AER 1992 / 5/ | 1 | |||||||||||
| 19714 | Mikel | Mate Ormazábal | Amets Baten Susmoak | 1995 | fixed media, akusmatisch | 16:00 | Stereo | HfM San Sebastián | 0 | ||||||||||
| 19715 | Mikel | Mate Ormazábal | Continuum Quartet | 1995 | fixed media, akusmatisch | 3:00 | Stereo | HfM San Sebastián | 0 | ||||||||||
| 19713 | Mikel | Mate Ormazábal | Grises | 1994 | Zuspiel / Tonband, 6 perf | 14:00 | Stereo | ins, p, 4 sax [Saxophon, Piano, Instrument] | HfM San Sebastián | 0 | |||||||||
| 19711 | Mikel | Mate Ormazábal | Homenaje a Picasso | 1993 | fixed media, akusmatisch | 6:00 | Stereo | MIDI-Realization pf a piano-piece | HfM San Sebastián | 0 | |||||||||
| 19712 | Mikel | Mate Ormazábal | Sorkuntz | 1993 | fixed media, akusmatisch | 7:00 | Stereo | HfM San Sebastián | 0 | ||||||||||
| 19716 | Mikel, José Manuel | Mate Ormazábal, Crespo | Secuences | 1995 | live-elec, 1 perf | 10:00 | Stereo | fl [Flöte] | HfM San Sebastián | 0 | |||||||||
| 17277 | Victor | Máté | V 78 | 1978 | fixed media, akusmatisch | 9:00 | Stereo | MR Budapest | 0 | ||||||||||
| 17278 | Victor | Máté | Varythm | 1976 | fixed media, akusmatisch | 8:15 | Stereo | MR Budapest | 0 | ||||||||||
| 17279 | Victor | Máté | Version No. 2. | 1979 | fixed media, akusmatisch | 9:00 | Stereo | MR Budapest | 0 | ||||||||||
| 17280 | Victor | Máté | Via M 1. | 1977 | fixed media, akusmatisch | 5:10 | Stereo | MR Budapest | 0 | ||||||||||
| 17281 | Victor | Máté | Viatrone | 1981 | Zuspiel / Tonband, 1 perf | 9:50 | Stereo | trbn [Posaune] | HUN SLPX 12371/ | MR Budapest | 1 | ||||||||
| 17282 | Victor, Péter | Máté, Winkler | Viscositas, Viscosité | 1975 | fixed media, akusmatisch | 5:12 | Stereo | Moog III/C | HUN SLPX 11851/ Creel Pone 03/ | MR Budapest | 1 | ||||||||
| 10771 | Gerhard | Mategka | Die Druckerei | 1978 | fixed media, akusmatisch | 7:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 32211 | Daniel | Matej | accompaniment 1, to be played with MIKA (Mi-CHA) for piccolo flute | 1996 | Zuspiel / Tonband, 1 perf | 11 | Stereo | pic-fl [Flöte] | duration of tape-part ≈ 8 Minutes | TU Berlin | 0 | ||||||||
| 10772 | Daniel | Matej | Lament | 1988 | Zuspiel / Tonband, 4 perf | 12:00 | S, trio [Sopran, Instrument] | tape not realized yet | 0 | ||||||||||
| 10773 | Daniel | Matej | SATIollagE | 1995 | fixed media, akusmatisch | 5:27 | Stereo | LMJ 12 CD/ | CECM Bratislava | 0 | |||||||||
| 36915 | John | Maters | the shopping brain relieved container piece | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 10774 | Norbert | Math | Bersaglio | fixed media, akusmatisch | 0 | ||||||||||||||
| 10776 | Norbert | Math | Drill | 1992 | Klangkunst, Installation | 0 | |||||||||||||
| 10777 | Norbert | Math | Erste Symphonie | 1991 | Zuspiel / Tonband, 1 perf | 40:00 | V [Stimme] | PS C. | 0 | ||||||||||
| 10779 | Norbert | Math | Ohne Titel | 1989 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 10780 | Norbert | Math | Schlafradio | 1993 | radiophon | interaktive Radioserie | ORF Kunstradio | 0 | |||||||||||
| 10781 | Norbert | Math | thetaPHASE | 1994 | intermedia, live-elec, 1 perf | perf [Performer] | biofeedbackgesteuertes Licht- und Klangenvironment zur Radioserie "Schlafradio" | 0 | |||||||||||
| 10775 | Norbert, Elmar | Math, Heinz-Guantes | Das Zähneklappern | 1989 | Zuspiel / Tonband, 2 perf | 8:43 | Stereo | db, sam [Kontrabass, computer] | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | ||||||||
| 10778 | Norbert, Lukas, Elmar, Ali | Math, Ligeti, Heinz-Guantes, Popovic | Kurzer Prozess | fixed media, akusmatisch | PS C. | 0 | |||||||||||||
| 10782 | Bruce | Mather | Etude 4 | 1966 | fixed media, akusmatisch | 1:50 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 10783 | Bruce | Mather | Etude un | 1965 | fixed media, akusmatisch | 2:05 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 36811 | Max | Mathews | Alternations Triplets |
1963 | fixed media, akusmatisch | Bell Lab | 0 | ||||||||||||
| 10784 | Max | Mathews | Bicycle Built for Two | 1962 | fixed media, akusmatisch | 1:42 | Mono | MUSIC V; Pop | BTL Microgroove 122227/ DECCA DL 9103 (Music for Mathematics)/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 054/ | Bell Lab | 1 | ||||||||
| 10785 | Max | Mathews | Cyclic Study | 1964 | fixed media, akusmatisch | 2:08 | Mono | Gravesaner Blätter ML 372/ | Bell Lab | 1 | |||||||||
| 22346 | Max | Mathews | Daisy Bell | 1962 | fixed media, akusmatisch | IBM - Computer : 360-50, 1130, 7094 | IBM 113 174 E/ | Bell Lab | 1 | ||||||||||
| 10786 | Max | Mathews | Frère Jacques | 1961 | fixed media, akusmatisch | 0:37 | Mono | DECCA DL 9103 (Music for Mathematics)/ IDEAMA CD 054/ | Bell Lab | 0 | |||||||||
| 31295 | Max | Mathews | Grenadier-Johnny | 1969 | fixed media, akusmatisch | 1:48 | IDEAMA CD 054/ | Bell Lab | 0 | ||||||||||
| 10788 | Max | Mathews | Joy to the World | 1961 | fixed media, akusmatisch | 1:09 | Mono | DECCA DL 9103 (Music for Mathematics)/ IDEAMA CD 054/ | Bell Lab | 0 | |||||||||
| 10789 | Max | Mathews | Masquerades | 1963 | fixed media, akusmatisch | 2:42 | Mono | GBI/ Gravesaner Blätter ML 372/ DECCA DL 710180/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | Bell Lab | 1 | |||||||||
| 10790 | Max | Mathews | May Carol | 1960 | fixed media, akusmatisch | 0:38 | withdrawn | DECCA DL 9103 (Music for Mathematics)/ IDEAMA CD 054/ | Bell Lab | 0 | |||||||||
| 10791 | Max | Mathews | Numerology | 1960 | fixed media, akusmatisch | 2:30 | Mono | with Music III. 8 parts with special effects: cresc-vibrato; timbre-modulation; cross-fading; Lagen; vibrato-attack; canon; tempo |
BTL Microgroove 122227/ DECCA DL 9103 (Music for Mathematics)/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 054/ | Bell Lab | 1 | ||||||||
| 10792 | Max | Mathews | Pergolesi Development | 1964 | fixed media, akusmatisch | 2:10 | Mono | GBI/ Gravesaner Blätter ML 372/ IDEAMA CD 054/ | Bell Lab | 1 | |||||||||
| 28398 | Max | Mathews | Phosphones | 1971 | audiovisuell | 2:29 | excerpt. Tanzperformance; GROOVE | Ellipsis Arts 3694 - OHM DVD/ | 1 | ||||||||||
| 37416 | Max | Mathews | Rhythm Developments | 1966 | Studie | Mono | 0 | ||||||||||||
| 10793 | Max | Mathews | Slider | 1965 | fixed media, akusmatisch | 6:20 | Mono | GBI/ DECCA DL 710180/ | Bell Lab | 0 | |||||||||
| 10794 | Max | Mathews | Study #1 | 1959 | fixed media, akusmatisch | 0:20 | withdrawn | Bell Lab | 0 | ||||||||||
| 10795 | Max | Mathews | Substitutions Study | 1964 | fixed media, akusmatisch | 3:20 | Mono | Gravesaner Blätter ML 372/ | Bell Lab | 1 | |||||||||
| 10796 | Max | Mathews | Swansong | 1966 | fixed media, akusmatisch | 10:00 | Mono | GBI/ DECCA DL 710180/ | Bell Lab | 0 | |||||||||
| 37417 | Max | Mathews | The british grenadiers / Jonny comes marching home | 1966 | Studie | Mono | 0 | ||||||||||||
| 10797 | Max | Mathews | The second Law | 1961 | fixed media, akusmatisch | 3:22 | Mono | study 3, with random noise | BTL/ DECCA DL 9103 (Music for Mathematics)/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 054/ | Bell Lab | 1 | ||||||||
| 10798 | Max | Mathews | Three against Four (May Carol II) | 1960 | fixed media, akusmatisch | 1:04 | BTL Microgroove 122227/ | Bell Lab | 0 | ||||||||||
| 10787 | Max, Osamu | Mathews, Fujimura | International Lullaby | 1966 | fixed media, akusmatisch | 2:30 | Mono | Music IVG | GBI/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | Bell Lab | 1 | ||||||||
| 24023 | Gabriel | Mathey | RSPQ-T27 | fixed media, akusmatisch | 10:00 | 0 | |||||||||||||
| 24022 | Gabriel | Mathey | Un rico baño en la tina | 1983 | fixed media, akusmatisch | 13:00 | Compuesta con ocasión del XV aniversario de la carrera de Tecnología del Sonido. Agosto 1983. Sala Isidora Zegers. Santiago, Chile. |
0 | |||||||||||
| 27372 | Theo | Mathien | Eolian Erosion | 2006 | fixed media, akusmatisch | 7:12 | JTTP 2007 composer | CEC Cache 2007, PeP 012/ | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 37479 | Stephan | Mathieu | A Microsound Fairytale | 2003 | fixed media, akusmatisch | 6:15 | LMJ 13 CD/ | 0 | |||||||||||
| 36454 | Stephan | Mathieu | Lux-Scn | 2007 | radiophon | 23:45:00 | EDRM 417/ | 0 | |||||||||||
| 10799 | Janez | Maticic | Cosmophonie | 1970 | Zuspiel / Tonband, 1 perf | 12:15 | Quadro, Stereo | p [Piano] | IDEAMA CD 032/ | INA • GRM | 11.5.1970 | Gulbekian Festival Lisboa, avec Janez Maticic, piano | 0 | ||||||
| 10800 | Janez | Maticic | Formes | 1971 | fixed media, akusmatisch | 18:57 | Stereo | IMEB Bourges | 0 | ||||||||||
| 10801 | Janez | Maticic | Fusions | 1979 | fixed media, akusmatisch | 11:10 | Stereo | Radio Beograd | 0 | ||||||||||
| 40613 | Janez | Maticic | Gare sans salle d’Attente | 1967 | Film | INA • GRM | 20.6.1970 | TV ORTF, 1. chaine | 0 | ||||||||||
| 10802 | Janez | Maticic | Oscillations | 1966 | fixed media, akusmatisch | 4:57 | Quadro, Stereo | Ed. DSS 200443/ IDEAMA CD 026/ | INA • GRM | 1 | |||||||||
| 10803 | Janez | Maticic | Strette | 1968 | fixed media, akusmatisch | 3:58 | Stereo | INA • GRM | 0 | ||||||||||
| 10804 | Janez | Maticic | Trois visions, Hypnos Agora Ekstasis |
1975 | fixed media, akusmatisch | 20:10 | Stereo | Editions Mego (LP) Recollection GRM/ | INA • GRM | INA • GRM | 26.1.1976 | Paris, Th. Récamier | 0 | ||||||
| 10805 | Lukás | Matousek | Studie I 68 | 1968 | fixed media, akusmatisch | 5:42 | Stereo | Radio Plzen | 0 | ||||||||||
| 10806 | Lukás | Matousek | Studie II | 1969 | fixed media, akusmatisch | 2:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 41897 | Vlastislav | Matousek | 108 vin vetru | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 19249 | Vlastislav | Matousek | 5 minut pred | 1992 | fixed media, akusmatisch | 5:01 | KO 0004/ | Studio Plzen | 1 | ||||||||||
| 20508 | Vlastislav | Matousek | Shapes of Silence | fixed media, akusmatisch | 66:32 | Stereo | EMF CD 010/ | Competition Musica Nova Prag 1996 | 0 | ||||||||||
| 41913 | Vlastislav | Matousek | Tvary ticha | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 37929 | Vlastislav | Matousek | Vox clamantis | 2004 | radiophon | 19:48 | radiocustica selected 2004/ | Czech Radio Prague | 0 | ||||||||||
| 25984 | Shu | Matsuda | Deep Blue | 1998 | live-elec, 1 perf | 6:25 | p [Piano] | Yoshiko Shibuya (p) | CMJ Vol 28, 2004/ | Kunitachi Tokyo | ICMC 1999 in Beijing | 1 | |||||||
| 10807 | Yoshihiko | Matsuda | Mono Metramorphosen für Violine | 1985 | fixed media, akusmatisch | 12:45 | ELAK Wien | 0 | |||||||||||
| 10808 | Yoshihiko | Matsuda | Musashino | 1986 | fixed media, akusmatisch | 6:15 | Stereo | ELAK Wien | 0 | ||||||||||
| 10809 | Yoriaki | Matsudaira | Accumulation | 1976 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 10810 | Yoriaki | Matsudaira | Alternation for Combo | 1967 | live-elec, 4 perf | tpt, perc, b, p [Bass, Trompete, Piano, Schlagzeug] | Zerboni | 0 | |||||||||||
| 10811 | Yoriaki | Matsudaira | Assemblages, Assemblage | 1969 | fixed media, akusmatisch | 14 | Stereo | elec & concrete sounds | FOCD 2511/ OUOADM 0702/ | NHK Tokyo | 0 | ||||||||
| 10812 | Yoriaki | Matsudaira | Constellation | 1984 | fixed media, akusmatisch | UPIC sounds | 0 | ||||||||||||
| 10813 | Yoriaki | Matsudaira | Distribution | 1966 - 1967 | live-elec, 4 perf | str-qt, (rng) [Streicher] | Zerboni | 0 | |||||||||||
| 10814 | Yoriaki | Matsudaira | Epitaph for Satoshi Ashikawa | 1984 | live-elec, 1 perf | p [Piano] | feedback system | 0 | |||||||||||
| 10815 | Yoriaki | Matsudaira | Erixatone | 1974 | Zuspiel / Tonband, 1 perf | e-p [Piano] | AL 24/ | 0 | |||||||||||
| 10816 | Yoriaki | Matsudaira | Gradation | 1971 | live-elec, 2 perf | vn, va, (oscillator) [Viola, Violine] | Zerboni | 0 | |||||||||||
| 10817 | Yoriaki | Matsudaira | Mc Voices | 1992 | live-elec, 1 perf | S [Sopran] | tape, elec equipments | 0 | |||||||||||
| 10818 | Yoriaki | Matsudaira | Monuments | 1977 | live-elec, 4 perf | S, fl, trbn, vc [Sopran, Flöte, Posaune, Cello] | 0 | ||||||||||||
| 10819 | Yoriaki | Matsudaira | Salve Regina | 1981 | live-elec, 2 perf | 2 Kbd, (Vocoder) [Keyboard] | 0 | ||||||||||||
| 10820 | Yoriaki | Matsudaira | The Conducts | 1986 | Zuspiel/Tonband, 1 perf | intermedia |
conductor, (lights) [Performer] | 0 | ||||||||||||
| 10821 | Yoriaki | Matsudaira | to the Victims of Cain | 1980 | Zuspiel / Tonband, 1 perf | 4:16 | gui (shamisen) [Gitarre] | TAP/ VICG 8002/ EAR Magazine 2/ | 0 | ||||||||||
| 10822 | Yoriaki | Matsudaira | Transient '64 | 1964 | fixed media, akusmatisch | 20:20 | Mono | elec sounds | FOCD 2511/ OUOADM 0401/ IDEAMA CD 090/ | NHK Tokyo | 0 | ||||||||
| 10823 | Yoriaki | Matsudaira | Wand Waves | 1970 | fixed media, akusmatisch | elec & concrete sounds with V – versions for Japanese, German, English and French text by Eiji Usami | 0 | ||||||||||||
| 10824 | Yoriaki | Matsudaira | What's next | 1971 | Zuspiel / Tonband, 3 perf | S, 2 perf (noisemakers) [Sopran, Performer] | Zerboni | 0 | |||||||||||
| 10825 | Yoriaki | Matsudaira | Why not ? | 1970 | live-elec, 1 perf | fixed media, akusmatisch |
var ins [Instrument] | elec version available | 0 | |||||||||||
| 33883 | Yoritsune | Matsudaira | Portrait | 1967 - 1968 | fixed media, akusmatisch | 12:10 | IDEAMA CD 113/ | 0 | |||||||||||
| 31559 | Masayoshi | Matsui | Eusthenopteron | 2013 | live-elec, 1 perf | ≈ 8 | vn [Violine] | next_generation 5.0 | SEM Salzburg | 0 | |||||||||
| 10826 | Hinoharu | Matsumoto | Aria interrompue | 1975 | Zuspiel / Tonband, 1 group | 8:35 | Stereo | orc [Orchester] | INA • GRM | 0 | |||||||||
| 18992 | Hinoharu | Matsumoto | Dawn Bird | 1994 | live-elec, 2 perf | 8:57 | shakuhachi, koto [Flöte, Streicher] | ISAST LMJ 5/ | 1 | ||||||||||
| 40761 | Hinoharu | Matsumoto | Escargot | 1975 | fixed media, akusmatisch | 14:53 | Étude de stage | INA • GRM | 27.8.1976 | Paris, Théâtre Récamier, Festival Estival | 0 | ||||||||
| 21913 | Hinoharu | Matsumoto | Kyoschou | 1973 | fixed media, akusmatisch | 13:44 | IMEB Bourges | 0 | |||||||||||
| 34669 | Seiichiro | Matsumura | Sounding Kaleido | 2015 | Klangkunst, Installation | audiovisuell |
∞ | SMC2016, HAW | 0 | |||||||||||
| 10827 | Isao | Matsushita | Kochi | 1983 | Zuspiel / Tonband, 1 perf | 9:21 | Stereo | cl [Klarinette] | FOCD 3248/ | TU Berlin | 1 | ||||||||
| 10828 | Shinichi | Matsushita | Black Monastery, (Kuroi So-in) | 1959 | fixed media, akusmatisch | 21:03 | Mono | OUOADM 0901/ IDEAMA CD 090/ | NHK Osaka | 0 | |||||||||
| 10829 | Shinichi | Matsushita | distroyed Ruines | 1964 | fixed media, akusmatisch | 12:00 | Stereo | NHK Osaka | 0 | ||||||||||
| 10830 | Shinichi | Matsushita | Fantasie sur les nombres | 1963 | Zuspiel / Tonband, 1 perf, 2 groups | 32:00 | Mono | narrator, ch, orc [Schauspieler, Chor, Orchester] | NHK Osaka | 0 | |||||||||
| 10831 | Shinichi | Matsushita | Jet Pilot | 1960 | Zuspiel / Tonband, 5 perf, 1 group | 25:00 | Mono | str-qt, orc, V [Stimme, Streicher, Orchester] | NHK Osaka | 0 | |||||||||
| 10832 | Shinichi | Matsushita | Requiem on the execution ground | 1964 | Zuspiel / Tonband, 2 perf, 2 groups | 30:00 | Mono | 2 narrator, ch, orc [Schauspieler, Chor, Orchester] | NHK Osaka | 0 | |||||||||
| 10833 | Shinichi | Matsushita | The Pole | 1962 | Theatermusik | 16:00 | Mono | NHK Osaka | 0 | ||||||||||
| 10834 | Shinichi | Matsushita | Torso in the glimmering | 1960 | Fernsehen, | 25:00 | Mono | NHK Osaka | 0 | ||||||||||
| 39311 | Bill | Matthews | PHANTOM ICE | 2017 | live-elec, | 0 | |||||||||||||
| 10835 | Justus | Matthews | Crystal | 1979 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 33514 | Justus | Matthews | Music XV | 1973 | fixed media, akusmatisch | examples meaning ≈ Music V ?? |
EMS Stockholm | 0 | |||||||||||
| 20509 | Kaffe | Matthews | A hot Bath | 1997 | live-elec, 1 perf | 5:34 | Stereo | vn [Violine] | AWcd 0001 Annette Works/ | 0 | http://www.kaffematthews.net/ | ||||||||
| 20510 | Kaffe | Matthews | Advent Herring | 1997 | live-elec, 1 perf | 19:59 | Stereo | vn [Violine] | AWcd 0001 Annette Works/ | 0 | |||||||||
| 28817 | Kaffe | Matthews | An address from a well wisher | 2008 | Performance | 0 | http://www.kaffematthews.net/arcana-111-chapter-21/ | ||||||||||||
| 28829 | Kaffe | Matthews | Body Abiding | 2007 | Performance | 6 | May 5th 2007 | Glasgow | 0 | http://www.kaffematthews.net/works/body-abiding/ | |||||||||
| 20511 | Kaffe | Matthews | Bus with Olive Smee | 1997 | live-elec, 1 perf | 5:22 | Stereo | vn [Violine] | AWcd 0001 Annette Works/ | 0 | |||||||||
| 28814 | Kaffe | Matthews | Café Carbon | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 43141 | Kaffe | Matthews | CD Cécile, Contact C My Love Gave Me A Blue Plastic Watch This Many B Planes The Air Underneath The Surface Is Ice I Believe At Night The Air Hostess Touch Down Outside |
2000 | Performance | CD ARS 00 only with The Air Hostess (4:04) | ARS 00/ AWcd 0003 Annette Works/ | Auszeichnung ars electronica honorary mention 2000 | 0 | ||||||||||
| 32151 | Kaffe | Matthews | CD Eb | fixed media, akusmatisch | AWcd 0005 Annette Works/ | 0 | |||||||||||||
| 32152 | Kaffe | Matthews | CD Flo | 2003 | fixed media, akusmatisch | AWcd 0006 Annette Works/ | 0 | ||||||||||||
| 32146 | Kaffe | Matthews | Contact C | fixed media, akusmatisch | 17:45 | AWcd 0003 Annette Works/ | 0 | ||||||||||||
| 28842 | Kaffe | Matthews | environmental cleaning moments | 2005 | Klangkunst, Installation | Quadro | 5th May – 5th June 2005 | de Schone Kunsten galerie, Haarlem | 0 | http://www.kaffematthews.net/works/environmental-cleaning-moments/ | |||||||||
| 28815 | Kaffe | Matthews | Fathers | 2009 | Oper | November 25th 2009. | Haus der Kulturen der Welt Berlin | 0 | |||||||||||
| 28835 | Kaffe | Matthews | Feed Teresa | 2006 | live-elec, 1 perf | 6 | theremin [synthesizer] | RADAR festival | 0 | http://www.kaffematthews.net/works/feed-teresa/ | |||||||||
| 28816 | Kaffe | Matthews | In clean air we fly | 2009 | Klangkunst, Installation | Invisible Dust and Hackney Cooperative Developments | Gillett Square, London N16 | 0 | http://www.kaffematthews.net/works/in-clean-air-we-fly-2009/ | ||||||||||
| 32149 | Kaffe | Matthews | In Search Of A Bun | fixed media, akusmatisch | AWcd 0004 Annette Works/ | 0 | |||||||||||||
| 28818 | Kaffe | Matthews | Men being butterflies | 2008 | Performance | 5 | Octo | SCD 28057 Sargasso/ | GRM | 28th March 2008 | Salle Olivier Messian, Maison de Radio France | 0 | http://www.kaffematthews.net/works/men-being-butterflies/ | ||||||
| 28833 | Kaffe | Matthews | Miniatora | 2006 | Klangkunst, Installation | Octo | August 2006 | Docklands Dance Festival, Canary Wharf, then Trafalgar Square, London | 0 | http://www.kaffematthews.net/works/miniatora/ | |||||||||
| 28827 | Kaffe | Matthews | Mount Magnet | 2007 | audiovisuell | 12 | Optofonica | 0 | http://www.kaffematthews.net/works/mount-magnet/ | ||||||||||
| 28822 | Kaffe | Matthews | Moving Forest | 2008 | Performance | 0 | http://www.kaffematthews.net/works/moving-forest/ | ||||||||||||
| 28836 | Kaffe | Matthews | music for bodies | 2006 | Performance | 0 | http://www.musicforbodies.net/wiki/Main_Page | ||||||||||||
| 32147 | Kaffe | Matthews | My Love Gave Me A Blue Plastic Watch | fixed media, akusmatisch | 22:56 | AWcd 0003 Annette Works/ | 0 | ||||||||||||
| 28843 | Kaffe | Matthews | No one here but us chickens | 2005 | live-elec, 6 perf | 6 ins [Instrument] | The Sound of Heavan and Earth Symposium, Starr Auditorium,TATE Modern, London, UK. | 0 | http://www.kaffematthews.net/works/no-one-here-but-us-chickens/ | ||||||||||
| 28813 | Kaffe | Matthews | Our places play | 2010 | fixed media, akusmatisch | 0 | |||||||||||||
| 28840 | Kaffe | Matthews | Playing with Merce | 2005 | Tanz | 16th – 19th July 2005 | 0 | http://www.kaffematthews.net/works/playing-with-merce/ | |||||||||||
| 28846 | Kaffe | Matthews | RADIO CYCLE 101.4FM | 2003 | radiophon | 0 | |||||||||||||
| 32148 | Kaffe | Matthews | Skagerrak | fixed media, akusmatisch | 29:37 | AWcd 0003 Annette Works/ | 0 | ||||||||||||
| 28830 | Kaffe | Matthews | Sleeping Beauty and Friends | 2007 | Performance | April 4th 2007 | The New Players Theatre, Villiers St, London | 0 | http://www.kaffematthews.net/works/sleeping-beauty-and-friends/ | ||||||||||
| 28837 | Kaffe | Matthews | Sonic Bed_London | 2005 | Klangkunst, Installation | 12 Tracks | ARS 06/ | Electra for Her Noise 2005, | London | Auszeichnung ars electronica Award of Distinction 2006 | 0 | http://www.musicforbodies.net/wiki/SonicBedLondon | |||||||
| 28819 | Kaffe | Matthews | Sonic Bed_Marfa | 2008 | Klangkunst, Installation | 0 | http://www.musicforbodies.net/wiki/SonicBedMarfa | ||||||||||||
| 28831 | Kaffe | Matthews | Sonic Bed_Quebec | 2007 | Klangkunst, Installation | Avatar | February-March 2007 | Meduse, Quebec City | 0 | http://www.musicforbodies.net/wiki/SonicBedQuebec | |||||||||
| 28828 | Kaffe | Matthews | Sonic Bed_Scotland | 2007 | Klangkunst, Installation | Le Weekend Festival | May 25th 2007 | Tolbooth Scotland | 0 | http://www.musicforbodies.net/wiki/SonicBedScotland | |||||||||
| 28834 | Kaffe | Matthews | Sonic Bed_Shanghai | 2006 | Klangkunst, Installation | 12 Tracks | British Council | Xuhui Art Museum, Shanghai | 0 | http://www.musicforbodies.net/wiki/SonicBedShanghai | |||||||||
| 28832 | Kaffe | Matthews | Sonic Bed_Taipei | 2006 | Klangkunst, Installation | ETAT | ETAT for Aura Spurt, Remoteness Nearby, the 1st Digital Art Festival Taipei, 2006 | 0 | http://www.musicforbodies.net/wiki/SonicBedTaipei | ||||||||||
| 28823 | Kaffe | Matthews | Sonic Bench_Mexico | 2007 | Klangkunst, Installation | Im-polis | October 13th, 2007 | Mexico City | 0 | http://www.musicforbodies.net/wiki/SonicBenchMexico | |||||||||
| 40939 | Kaffe | Matthews | Sonic Bikes, On golden hares | 2018 | Klangkunst, Installation | (sonic bike) [] | Kunstmuseum Kloster Unser Lieben Frauen | 11.8.2018 | Kunstmuseum Kloster Unser Lieben Frauen Magdeburg, Festival „Ambitus, Art and Music today“ | 0 | https://sonicbikes.net/on-golden-hares/ | ||||||||
| 28826 | Kaffe | Matthews | Sonic Rotations on a Ramp | 2007 | Performance | 12 Tracks | 7th September 2007 | The Serpentine Gallery Pavilion, | 0 | http://www.kaffematthews.net/works/sonic-rotations-on-a-ramp/ | |||||||||
| 28841 | Kaffe | Matthews | Sounding Architecture | 2005 | Klangkunst, Installation | Octo | July 2005 | 0 | http://www.kaffematthews.net/works/sounding-architecture/ | ||||||||||
| 28810 | Kaffe | Matthews | Tangible | 2010 | Klangkunst, Installation | May 2010 | Tate Modern Turbine hall | 0 | |||||||||||
| 28844 | Kaffe | Matthews | TARANTATA | 2005 | Performance | 25th & 26th January 2005 | Venice & Rome | 0 | http://www.kaffematthews.net/works/tarantata/ | ||||||||||
| 28809 | Kaffe | Matthews | The empty pot fills | 2011 | Klangkunst, Installation | 6 | 0 | http://www.kaffematthews.net/works/the-empty-pot-fills-2011/ | |||||||||||
| 32150 | Kaffe | Matthews | The Last Of the Violins | fixed media, akusmatisch | AWcd 0004 Annette Works/ | 0 | |||||||||||||
| 28820 | Kaffe | Matthews | The Marvelo Project | 2008 | Performance | Folkestone Triennial 2008 | June 14th to September 14th 2008 | Folkestone UK | 0 | ||||||||||
| 28806 | Kaffe | Matthews | The swamp that was … a bicycle opera | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 28838 | Kaffe | Matthews | This is for you | 2005 | Klangkunst, Installation | 0 | http://www.kaffematthews.net/works/this-is-for-you/ | ||||||||||||
| 28839 | Kaffe | Matthews | Three Crosses of Queensbridge | 2005 | Performance | Drawing Room, London | 0 | http://www.kaffematthews.net/works/three-crosses-of-queensbridge/ | |||||||||||
| 20513 | Kaffe | Matthews | To Manson 13 | 1997 | live-elec, 1 perf | 37:39 | Stereo | vn [Violine] | AWcd 0001 Annette Works/ | 0 | |||||||||
| 28825 | Kaffe | Matthews | Viewing 1 | 2007 | Klangkunst, Installation | Stereo | August 15th- 19th 2007 | World Financial Plaza, New York | 0 | http://www.kaffematthews.net/works/viewing-1/ | |||||||||
| 28824 | Kaffe | Matthews | Viewing 2_Laura | 2007 | Klangkunst, Installation | Stereo | Loughborough Universtity for Radar | 0 | http://www.kaffematthews.net/works/viewing-2-_-laura/ | ||||||||||
| 28807 | Kaffe | Matthews | Vitula physicata | 2012 | Klangkunst, Installation | EMS Stockholm | audiorama | 21.11.12 | Sound of Stockholm festival | 0 | http://www.kaffematthews.net/works/vitula-physicata/ | ||||||||
| 28821 | Kaffe | Matthews | Vivien and her shadows | 2008 | Theatermusik | 6 | TheatreWorks | October 21st 2008 | Asian New Theatre Festival, Chapel Hill, North Carolina | 0 | http://www.kaffematthews.net/works/vivien-and-the-shadows/ | ||||||||
| 28845 | Kaffe | Matthews | weightless animals | 2004 | fixed media, akusmatisch | AWcd 001 Annette Works/ AWpd 001/ | 0 | http://www.kaffematthews.net/works/weightless-animals/ | |||||||||||
| 28805 | Kaffe | Matthews | Where are the wild ones? – the opera | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 28811 | Kaffe | Matthews | Where are the wild ones? part one | 2010 | Klangkunst, Installation | 12 Tracks | AV Festival 10 and the Environment Agency | March 14th 2010 | The Sage, UK. | 0 | |||||||||
| 28812 | Kaffe | Matthews | Will you cook the fish? | 2010 | audiovisuell | 7 | AWcd 0001 Annette Works/ | Matts Gallery project. | 0 | ||||||||||
| 28804 | Kaffe | Matthews | Yird Muin Starn | 2012 | fixed media, akusmatisch | 0 | http://www.kaffematthews.net/works/yird_muin_starn1/ | ||||||||||||
| 28808 | Kaffe | Matthews | You might come out of the water every time singing | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 32697 | Kaffe | Matthews | zu Bong | 2014 | Klangkunst, Installation | (sonic bikes) [] | a sonic cycling experience | 12.6.2014 | Klangradverleih Bonner Schule | 0 | |||||||||
| 22704 | Michael | Matthews | Madrugada, In Emptiness, over Emptiness | 1994 | live-elec, 1 perf | 12:08 | Stereo | S [Sopran] | Centaur CRC 2347, CDCM Vol. 25/ | PS C. | CMA-Commission-Award | 1 | |||||||
| 23176 | Michael | Matthews | On the Outer Edge | 2001 | fixed media, akusmatisch | 5:04 | Cec Presence 3/ | 1 | |||||||||||
| 40115 | Michael | Matthews | Sky Rings | 2015 | fixed media, akusmatisch | 15:10:00 | Michael Matthews | 0 | |||||||||||
| 22703 | Michael | Matthews | The first Sea | 1988 | live-elec, 1 perf | 8:34 | Stereo | b-cl [Klarinette] | Centaur CRC 2193, CDCM Vol. 16/ | 1 | |||||||||
| 10836 | Wade | Matthews | Crossing | 1992 | 0 | ||||||||||||||
| 35728 | Wade | Matthews | Etude aux travaux | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 10837 | William | Matthews | Crianlarich | 1975 | Zuspiel / Tonband, 2 perf | 21:15 | Stereo | trbn, V [Stimme, Posaune] | Sonology Utrecht | 0 | |||||||||
| 10838 | William | Matthews | Diora | 1976 | fixed media, akusmatisch | 14:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 10839 | William | Matthews | Field Guide | 1976 | fixed media, akusmatisch | 8:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 37446 | William | Matthews | FMSDEM | 1976 | fixed media, akusmatisch | |
36 | Sonology Utrecht | 0 | |||||||||||
| 37441 | William | Matthews | Sarabanda | 1976 | fixed media, akusmatisch | 14:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 37442 | William | Matthews | Variations II | 1976 | fixed media, akusmatisch | 14:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 25672 | Siegfried | Matthus | Die Ermittlung, Tua res agitur | 1965 | Radiokunst, 1 group | Stereo | chamber-ens [Ensemble] | Oratorio in 11 singings by Peter Weiss. |
DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | 26.10.1965 | 1 | ||||||||
| 10840 | Siegfried | Matthus | Galilei | 1966 | Zuspiel, live-elec, 6 perf | 12:10 | Stereo | Mez, fl, p, trbn, vc, mar [Mezzo, Flöte, Posaune, Piano, Schlagzeug, Cello] | after texts by Brecht. Use of Subharchord. RFZ = Studio für künstliche Klang- und Geräuscherzeugung im Rundfunk- und Fernsehtechnischen Zentralamt der Deutschen Post, Berlin |
Nova 885111/ DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ IDEAMA CD 013/ | RFZ Berlin | Deutschlandsender | 9.3.1966 | Deutschlandsender DDR. 16.11.1966 Apollosaal der Deutschen Staatsoper |
1 | ||||
| 10841 | Siegfried | Matthus | Mario und der Zauberer | 1975 | Tanz | Muzei Skryabina Moskva | 0 | ||||||||||||
| 10842 | Siegfried | Matthus | Match | 1969 | Tanz | 0 | |||||||||||||
| 10843 | Siegfried | Matthus | Terra incognita | 1964 | Theatermusik | 42:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 10844 | Siegfried | Matthus | Vokalisen | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 42637 | Paula | Matthusen | rosenthaler | 2009 | fixed media, akusmatisch | 5 | 0 | ||||||||||||
| 31826 | Florian | Mattil | Kauft Fuflpflegekaugummi ! | 2007 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 10845 | Marcio | Mattos | Mirrors | 1975 | live-elec, 1 group | Quadro | strs, (delay) [Streicher] | West Square London | 0 | ||||||||||
| 10846 | Janis | Mattox | Dragon's View | 1980 | fixed media, akusmatisch | 27:00 | Quadro | voice-materilas | CCRMA | 0 | |||||||||
| 10847 | Janis | Mattox | Shaman | 1984 | Zuspiel, live-elec, 3 perf | 65:00 | B, actor and V amd dancer, amp perc [Bass, Schlagzeug, Schauspieler] | CCRMA | 0 | ||||||||||
| 10848 | Janis, Elliot, James Andy, Loren | Mattox, Mazer, Moorer, Rush | The Digital Domain | 1983 | fixed media, akusmatisch | Stereo | enviromental sounds | CCRMA | 0 | ||||||||||
| 10849 | Bernadetta | Matuszczak | Dramat kameralny | 1967 | Zuspiel / Tonband, 2 perf, 1 group | Sp, Bar, ens [Bariton, Sprecher, Ensemble] | Muza 3XW 895/ | 0 | |||||||||||
| 22147 | Bernadetta | Matuszczak | Libera Me | 1991 | Zuspiel / Tonband, 1 perf | 16:07 | Stereo | Bar [Bariton] | ExpSt Warsaw | 0 | |||||||||
| 22145 | Bernadetta | Matuszczak | Wild Swans | 1991 | Tanz | 63:30 | Stereo | After Ch.Andersen "Wild Swans" | ExpSt Warsaw | 0 | |||||||||
| 22146 | Bernadetta | Matuszczak | Wild Swans, Suite | 1988 | fixed media, akusmatisch | 40:30 | Stereo | From ballet based on Ch.Andersen "Wild Swans" | ExpSt Warsaw | 0 | |||||||||
| 36685 | Antony | Maubert | Cristales | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 35729 | Antony | Maubert | Trains | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 34749 | Benoit | Maubrey | audio igloo | 2004 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 10.10.-12.12.2004 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 10850 | Benoit | Maubrey | Audio-Ballerinas | 1988 | Klangkunst, Installation | Tanz |
var | multichannel | dancers (with audio-technic) [Tanz] | 0 | ||||||||||
| 19076 | Benoit | Maubrey | Cellular Buddies | 1996 | Klangkunst, Installation | 0:42 | Sonambiente Ausstellung (1996) Katalog S.99 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 10851 | Christophe | Maudot | Acanthocinus Aedilis | 1981 | fixed media, akusmatisch | 17:45 | Stereo | INA • GRM | 0 | ||||||||||
| 10852 | Christophe | Maudot | Les Cepheides suspendues | 1982 | fixed media, akusmatisch | 21:00 | Stereo | INA • GRM | 15.12.1984 | Paris, ACNAV | 0 | ||||||||
| 10853 | Christophe | Maudot | Les echerons d'allerey | 1985 | fixed media, akusmatisch | 29:42 | Stereo | INA • GRM | 24.2.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 38783 | Karl-Heinz, Frank | MAUERMANN, NIEHUSMANN | Maschinen – ein Hörspiel | 2006 | radiophon | 51:59:00 | Prix Phonurgia nova | 0 | |||||||||||
| 32128 | Luis | Maurette | Surrender | 2004 | fixed media, akusmatisch | 9:58:00 | SEAMUS EAM Vol. 14/ | 0 | |||||||||||
| 10854 | Richard | Maxfield | African Symphony | 1964 | fixed media, akusmatisch | 7:00 | 3 tracks | PS C. NY | 0 | ||||||||||
| 10855 | Richard | Maxfield | Amazing Grace | 1960 | fixed media, akusmatisch | 3:00-7:00 | multichannel | PS C. NY | 0 | ||||||||||
| 10856 | Richard | Maxfield | An Opera for Simone | 1961 | Musiktheater, 1 perf | 16:00 | 3 tracks | actor [Schauspieler] | for Simone Morris ≈ performed with or without Simone | PS C. NY | 0 | ||||||||
| 10857 | Richard | Maxfield | Bacchanale | 1963 | Tanz | 11:00 | Stereo | PS C. NY | 0 | ||||||||||
| 10858 | Richard | Maxfield | Bacchanale II | 1966 | fixed media, akusmatisch | 11:00 | Stereo | PS C. SanFran | 0 | ||||||||||
| 10859 | Richard | Maxfield | Clarinet Music | 1961 | Zuspiel / Tonband, 2 perf | 6:00-30:00 | multichannel | 2 or more cl [Klarinette] | PS C. NY | 0 | |||||||||
| 10860 | Richard | Maxfield | Cough Music | 1959 | fixed media, akusmatisch | 2:00-12:00 | multichannel | PS C. NY | 0 | ||||||||||
| 10861 | Richard | Maxfield | Dishes | 1961 | fixed media, akusmatisch | 4:00-7:00 | multichannel | PS C. NY | 0 | ||||||||||
| 10862 | Richard | Maxfield | Dream | 1967 | fixed media, akusmatisch | 0:09 | Mono | PS C. SanFran | 0 | ||||||||||
| 10863 | Richard | Maxfield | Dromenon | 1961 | Tanz | 25:00 | multichannel | also version "concert suite" (with mx ins) | PS C. NY | 0 | |||||||||
| 10864 | Richard | Maxfield | Electronic Music | 1959 | fixed media, akusmatisch | 5:00 | Mono | PS C. NY | 0 | ||||||||||
| 10865 | Richard | Maxfield | Electronic Symphony | 1964 | fixed media, akusmatisch | 11:00 | Stereo | PS C. NY | 0 | ||||||||||
| 10866 | Richard | Maxfield | Fermentation (for John Cage) | 1960 | fixed media, akusmatisch | 14:00 | Stereo | PS C. NY | 0 | ||||||||||
| 10867 | Richard | Maxfield | Garden Music | 1963 | fixed media, akusmatisch | var | Stereo | PS C. NY | 0 | ||||||||||
| 10868 | Richard | Maxfield | Italian Folk Music | 1960 | fixed media, akusmatisch | 3:00-14:00 | multichannel | PS C. NY | 0 | ||||||||||
| 10869 | Richard | Maxfield | Lunamble | 1959 | Tanz | 7:00 | Mono | PS C. NY | 0 | ||||||||||
| 10870 | Richard | Maxfield | Night Music | 1960 | fixed media, akusmatisch | 9:05 | 3 tracks | Odyssey 32160160/ | PS C. NY | 1 | |||||||||
| 10871 | Richard | Maxfield | Pastoral Symphony | 1959 | fixed media, akusmatisch | 2:00-6:00 | multichannel | Boomkat bundle_49/ SR 270 sub rosa/ | PS C. NY | 0 | |||||||||
| 10872 | Richard | Maxfield | Peripateia | 1960 | Tanz, 3 perf | 55:00 | 3 tracks | sax, vn, p [Saxophon, Piano, Violine] | PS C. NY | 0 | |||||||||
| 10873 | Richard | Maxfield | Perspectives | 1960 | Zuspiel / Tonband, 1 perf | 6:00 | Mono | vn [Violine] | PS C. NY | 0 | |||||||||
| 10874 | Richard | Maxfield | Perspectives II (for La Monte Young) | 1961 | Zuspiel / Tonband, 1 perf | 4:00-30:00 | multichannel | vn or other str-ins [Violine, Streicher] | PS C. NY | 0 | |||||||||
| 10875 | Richard | Maxfield | Piano Concert for David Tudor | 1961 | Zuspiel / Tonband, 1 perf | 12:00 | multichannel | p [Piano] | PS C. NY | 0 | |||||||||
| 10876 | Richard | Maxfield | Radio Music | 1960 | fixed media, akusmatisch | 2:00 | 3 tracks | PS C. NY | 0 | ||||||||||
| 10877 | Richard | Maxfield | Sine Music (A Swarm of Butterflies encountered over the Ocean) | 1959 | fixed media, akusmatisch | 6:00 | Mono | Ellipsis Arts 3671 - OHM: 01/ CDCD 5067/ | PS C. NY | 0 | |||||||||
| 10878 | Richard | Maxfield | Sirens | 1964 | fixed media, akusmatisch | 2:00 | Stereo | PS C. NY | 0 | ||||||||||
| 10879 | Richard | Maxfield | Stream | 1961 | fixed media, akusmatisch | 4:00-8:00 | Stereo + Stereo | PS C. NY | 0 | ||||||||||
| 10880 | Richard | Maxfield | Suite from Peripateia | 1961 | fixed media, akusmatisch | 18:00 | 3 tracks | PS C. NY | 0 | ||||||||||
| 10881 | Richard | Maxfield | Toy Symphony | 1962 | Zuspiel / Tonband, 2 perf | 11:00 | multichannel | fl, vn, (toys, others) [Flöte, Violine] | PS C. NY | 0 | |||||||||
| 10882 | Richard | Maxfield | White and Square | 1959 | fixed media, akusmatisch | 3:00 | Mono | PS C. NY | 0 | ||||||||||
| 10883 | Richard | Maxfield | Wind | 1960 | Zuspiel / Tonband, 1 perf | 25:00 | multichannel | sax [Saxophon] | PS C. NY | 0 | |||||||||
| 37905 | Bérangèr | Maximin | Tant Que Les Heures Passent | 2003 | fixed media, akusmatisch | 12 | elek 001/ | 0 | |||||||||||
| 10884 | Anne | Maxwell | Heavy Metal | 1993 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 42854 | Devin | Maxwell | Bonneville Park | 2013 | fixed media, akusmatisch | 8:37:00 | 0 | ||||||||||||
| 43018 | Aaron | May | Study in Rubber and Air | 2013 | fixed media, akusmatisch | 14:02:00 | 0 | ||||||||||||
| 32129 | Andrew | May | Chant/Songe | 2004 | live-elec, 1 perf | 11:12:00 | cl, (com) [Klarinette] | F. Gerard Errante, clarinet | SEAMUS EAM Vol. 15/ | 0 | |||||||||
| 42714 | Andrew | May | Ripped-Up Maps | 2012 | live-elec, 1 perf | 8:00:00 | vn [Violine] | Andrew May, violin | 0 | ||||||||||
| 36590 | Andrew | May | Still angry | 2007 | live-elec, 2 perf | fl, cl [Flöte, Klarinette] | Centaur CRC 3219 Vol. 39/ |
CEMI Denton | University of Manchester | 0 | |||||||||
| 32078 | Andrew | May | The Twittering Machine | 1995 | fixed media, akusmatisch | SEAMUS EAM Vol. 9/ | 0 | ||||||||||||
| 38615 | Mara | MAY | In one year, inshallah | 2016 | radiophon | 15:05:00 | 0 | ||||||||||||
| 35440 | Daniel | Mayer | Algorithmische Etüden für computergesteuerten Konzertflügel | 2003 | live-elec, 1 perf | ≈ 5 | MIDI p [Piano] | IEM Graz | 2003-07-24 | lecture concert, ZKM Karlsruhe | 0 | ||||||||
| 35425 | Daniel | Mayer | crushed letters 1 | 2011 | fixed media, akusmatisch | 6:30 | Stereo | IEM Graz | 2011-04-09 | University of Music and Performing Arts Graz, MUMUTH | 0 | ||||||||
| 35423 | Daniel | Mayer | crushed letters 2 | 2012 | fixed media, akusmatisch | 8:00 | Octo | IEM Graz | 2012-09-07 | JazzwerkstattWien, Vienna Roomservice #3; Porgy & Bess | 0 | ||||||||
| 35428 | Daniel | Mayer | Hybride Strukturen 1 | 2010 | Zuspiel / Tonband, 5 perf | 8:50 | Octo | b-trbn, str-qt [Posaune, Streicher] | IEM Graz | 2010-10-22 | Wolfgang Tischhart, trombone; Kathrin Lenzenweger, violin; Kana Matsui, violin; Daniel Moser, viola; Philipp Comploi, violoncello; concert of the series Signale; Graz, MUMUTH | 0 | |||||||
| 35418 | Daniel | Mayer | kitchen studies | 2016 | fixed media, akusmatisch | 10:35 | Stereo | IEM Graz | 0 | ||||||||||
| 35432 | Daniel | Mayer | Lokale Orbits / Duo 1 | 2008 | Zuspiel / Tonband, 2 perf | 19:30 | Quadro | vn, b-cl [Klarinette, Violine] | IEM Graz | 2008-12-18 | Annelie Gahl, violin; Petra Stump, bass clarinet; Graz, Minoritensaal | 0 | |||||||
| 35420 | Daniel | Mayer | Lokale Orbits / Duo 2 | 2013 | Zuspiel / Tonband, 2 perf, 1 group | 9:00 | Octo | tpt, cymbals [Trompete, Schlagzeug] | IEM Graz | 2013-10-22 | Franz Hautzinger, trumpet; Josef Klammer, cymbals; IEM Graz, Open CUBE | 0 | |||||||
| 35419 | Daniel | Mayer | Lokale Orbits / Duo 3 | 2014 | live-elec, 2 perf | 13:15 | Quadro, Stereo | vn, str (zither) [Violine, Streicher] | IEM Graz | 2014-09-18 2014-10-22 |
Barbara Lüneburg, violin; Martin Mallaun, zither; InnerSound International New Arts Festival Bucharest, (PP 2 channel version); Klosterneuburg, Essl Museum, (PP 4 channel version) | 0 | |||||||
| 35435 | Daniel | Mayer | Lokale Orbits / Duo T1 | 2007 | fixed media, akusmatisch | 9:45 | Quadro | IEM Graz | 2007-11-23 | ZKM Karlsruhe, concert of Giga-Hertz-Award | 0 | ||||||||
| 35437 | Daniel | Mayer | Lokale Orbits / Solo 1 | 2007 | Zuspiel/Tonband, 1 perf | audiovisuell |
≈ 20 | Quadro | a-sax [Saxophon] | IEM Graz | 2007-06-12 | Clemens Frühstück, saxophone; Wolfgang Musil, live video processing; concert of "die andere saite", Graz, Minoritensaal | 0 | |||||||
| 35421 | Daniel | Mayer | Lokale Orbits / Solo 10 | 2013 | Zuspiel / Tonband, 1 perf | 20:00 | Quadro | tpt [Trompete] | IEM Graz | 2013-10-22 | Franz Hautzinger, trumpet; IEM Graz, Open CUBE | 0 | |||||||
| 35436 | Daniel | Mayer | Lokale Orbits / Solo 2 | 2007 | Zuspiel / Tonband, 1 perf | ≈ 25 | Quadro | db [Kontrabass] | Lokale Orbits / Solo 2; Granular | IEM Graz | 2007-10-27 | Uli Fussenegger, double bass, concert of "die andere saite"; Graz, Minoritensaal | 0 | ||||||
| 35433 | Daniel | Mayer | Lokale Orbits / Solo 3 | 2008 | Zuspiel / Tonband, 1 perf | 18:30 | Quadro or multichannel | fl [Flöte] | Modisti 07/ | IEM Graz | 29.11.2008 | Martina Roth, flute; ZKM Karlsruhe, concert of Giga-Hertz-Award | 0 | ||||||
| 35430 | Daniel | Mayer | Lokale Orbits / Solo 4 | 2009 | Zuspiel / Tonband, 1 perf | 17:00:00 | Quadro | bn [Fagott] | IEM Graz | 2009-05-20 | Robert Gillinger-Buschek, Contraforte; Vienna, Alte Schmiede | 0 | |||||||
| 35429 | Daniel | Mayer | Lokale Orbits / Solo 5 | 2009 | Zuspiel / Tonband, 1 perf | 15:00:00 | Octo | vc [Cello] | IEM Graz | 2009-10-25 | Michael Moser, violoncello, concert of the IGNM series "Strom-Musik", Vienna, Ruprechtskirche | 0 | |||||||
| 35427 | Daniel | Mayer | Lokale Orbits / Solo 6 | 2010 | Zuspiel / Tonband, 1 perf | 11:30 | Octo | p [Piano] | IEM Graz | 2010-11-08 | Manon-Liu Winter, piano, concert of "die andere saite"; Graz, Minoritensaal | 0 | |||||||
| 35426 | Daniel | Mayer | Lokale Orbits / Solo 7 | 2010 | Zuspiel / Tonband, 1 perf | 11:30 | Quadro | va [Viola] | IEM Graz | 2011-01-28 | Dimitrios Polisoidis, viola; Vienna, Alte Schmiede | 0 | |||||||
| 35424 | Daniel | Mayer | Lokale Orbits / Solo 8 | 2011 | Zuspiel / Tonband, 1 perf | 10:45 | Quadro | V [Stimme] | IEM Graz | 2011-04-09 | Claudia Cervenca, voice; University of Music and Performing Arts Graz, MUMUTH | 0 | |||||||
| 35422 | Daniel | Mayer | Lokale Orbits / Solo 9 | 2013 | Zuspiel / Tonband, 1 perf | 8:00 | Octo | perc (drum set) [Schlagzeug] | IEM Graz | 2013-10-22 | Josef Klammer, drum set; IEM Graz, Open CUBE | 0 | |||||||
| 35431 | Daniel | Mayer | Lokale Orbits / Trio 1 | 2009 | Zuspiel / Tonband, 3 perf | 9:00:00 | Quadro | vn, vc, p [Piano, Cello, Violine] | IEM Graz | 2009-05-13 | Trio Tritonous: Kathrin Lenzenweger, violin; Philipp Comploi, violoncello; Maria Mylaraki, piano; Vienna, Alte Schmiede | 0 | |||||||
| 35434 | Daniel | Mayer | Paraphrasen / Solo 1 | 2008 | Zuspiel / Tonband, 1 perf | ≈ 15 | Quadro | p [Piano] | IEM Graz | 2008-08-29 | Bilder einer Ausstellung - Raue Einstellungsbilder; Clara Frühstück, piano, conception; Florian Frühstück, video; Manfred Leirer, action painting; concert - performance, Landesgalerie Eisenstadt | 0 | |||||||
| 35439 | Daniel | Mayer | Rondo for buffer granulator | 2005 | fixed media, akusmatisch | 8:00:00 | IEM Graz | 2006-07-28 | Birmingham, UK, SuperCollider Symposium | 0 | |||||||||
| 35441 | Daniel | Mayer | Study 0 in computer aided sound synthesis | 2000 | fixed media, akusmatisch | 9:30 | Russolo Pratella EF.ER.P 00/ | IEM Graz | 2000-06-18 | University of Music and Performing Arts Graz | 3. prize at the 22. int. composition competition "Luigi Russolo 2000", Varese, Italy | 0 | |||||||
| 35438 | Daniel | Mayer | two minutes retuned | 2005 | fixed media, akusmatisch | ≈ 42 | IEM Graz | 2006-01-17 | "Open CUBE" concert, IEM Graz | 0 | |||||||||
| 37447 | Fred | Mayer | Supplicate | 1972 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 37254 | Jürgen | Mayer | Spectromorph | 2016 | fixed media, akusmatisch | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 33409 | Thomas | Mayhew | Linear Impressions | 1965 | fixed media, akusmatisch | 6 | Mono | EMS UIUC | 0 | ||||||||||
| 10885 | Albert | Mayr | Collassi | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 10886 | Albert | Mayr | F 1 M | 1965 | fixed media, akusmatisch | 30:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 10887 | Albert | Mayr | F R/2 SqP | 1966 | fixed media, akusmatisch | 5:00 | Stereo | S 2F M (Studio di fonologia musicale di Firenze) | Fonologia Firenze | 0 | |||||||||
| 10888 | Albert | Mayr | Hora Harmonica | 1983 | fixed media, akusmatisch | 60:00 | Stereo | Ants AG02/ | CSC Padova | 0 | |||||||||
| 10889 | Albert | Mayr | Musica lunare | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 10890 | Albert | Mayr | Musica Lunare (excerpt) | 1980 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 10891 | Albert | Mayr | Octo in primis | 1988 | fixed media, akusmatisch | 8:10 | Stereo | PAN PRC S20-54/ | CNUCE Firenze | 1 | |||||||||
| 10892 | Albert | Mayr | Proposta sonora, Proposta sonora III | 1966 | fixed media, akusmatisch | 8:00 | Stereo + Stereo | Ants AG08/ | Fonologia Firenze | 0 | |||||||||
| 10893 | Albert | Mayr | Triade Poco Probabile | 1982 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 10894 | Albert | Mayr | Va {ß(Fa 1,3)} | 1966 | fixed media, akusmatisch | 3:00 | Mono + Mono | Fonologia Firenze | 0 | ||||||||||
| 10895 | Jacques, Jean | Mayrand, Séguin | Étude électroacoustique | 1984 | live-elec, 1 perf | Stereo | B [Bass] | 0 | |||||||||||
| 42148 | Friederike, Nadja | Mayröcker, Schöning | Gärten, Schnäbel, ein Mirakel, ein Monolog, ein Hörspiel | 2008 | radiophon | 45 | ORF, SWR | 12.9.2008 | Radio | Hörspiel-Kritikerpreis des ORF 2008 | 0 | ||||||||
| 10896 | Toshiro | Mayuzumi | Aoi no Ue, Princess Aoi Princess Hollyhock |
1957 | fixed media, akusmatisch | 27:26 | Mono | Text von Noh Th | OUOADM 0901/ IDEAMA CD 086/ | NHK Tokyo | 0 | ||||||||
| 10897 | Toshiro | Mayuzumi | Bara to Kaizoku, (The rose and the Pirate) | 1958 | Hintergrundmusik | incidental M. to Yukio Mishima | 0 | ||||||||||||
| 10898 | Toshiro | Mayuzumi | Boxing | 1954 | radiophon | 36:00 | Mono | Text: Yukio Mishima | NHK Tokyo | 0 | |||||||||
| 10899 | Toshiro | Mayuzumi | Campanology, The Campanology Campanology For Electronic Music |
1959 | Performance | 10:10 | Mono | multi piano | RCA SJU 1515/ OUOADM 0702/ IDEAMA CD 086/ | NHK Tokyo | 1 | ||||||||
| 37451 | Toshiro | Mayuzumi | Campanology by Multipiano solo | 1966 | fixed media, akusmatisch | 9:38 | Mono | OUOADM 0401/ | NHK Tokyo | 0 | |||||||||
| 10900 | Toshiro | Mayuzumi | Drei Oden für Tonband, Tape no tameno Mitsu no San | 1965 | fixed media, akusmatisch | 44:00 | Mono | NHK Tokyo | 0 | ||||||||||
| 10901 | Toshiro | Mayuzumi | Invention über Sägezahn- und Rechteckwellen Invention For Square Wave And Saw-Tooth Wave, Kyoshijioha to Kugeiha ni yoru Invention |
1955 | fixed media, akusmatisch | 4:07 | Mono | OUOADM 0101/ OUOADM 9301/ | NHK Tokyo | 0 | |||||||||
| 10902 | Toshiro | Mayuzumi | L'Eve Future | 1955 | Tanz | Mono | NHK Tokyo | 0 | |||||||||||
| 10903 | Toshiro | Mayuzumi | Mandara, Mandara With Source Of Voice And Electric Sound | 1969 | Zuspiel / Tonband, 1 perf | 10:10 | Mono | V [Stimme] | RCA SJX 1004/ PHI 6526005/ OUOADM 0501/ | NHK Tokyo | 1 | ||||||||
| 37450 | Toshiro | Mayuzumi | Music for modulated Wave proportion of Prime Number | 1955 | fixed media, akusmatisch | OUOADM 0101/ OUOADM 9301/ | NHK Tokyo | 0 | |||||||||||
| 10905 | Toshiro | Mayuzumi | Olimpic Campanology, Olympic Campanology | 1964 | fixed media, akusmatisch | 3:15 | Quadro | für Olympiade 1964 in Tokyo | OUOADM 0101/ OUOADM 9301/ IDEAMA CD 086/ | NHK Tokyo | 0 | ||||||||
| 10904 | Toshiro | Mayuzumi | Sosu no Hikeiretsu ni yoru Henchoha no Ongaku music for sine wave, Modulierte Wellenmusik über einer proportionalen Serie von Primzahlen A music for sine wave selected on a ratio of Prime Numbers |
1955 | fixed media, akusmatisch | 15:00 | Mono | OUOADM 0101/ OUOADM 9301/ IDEAMA CD 085/ | NHK Tokyo | 0 | |||||||||
| 10907 | Toshiro | Mayuzumi | The Bible | 1965 | Film | NHK Tokyo | 0 | ||||||||||||
| 10909 | Toshiro | Mayuzumi | XYZ, Works For Musique Concrète | 1953 | fixed media, akusmatisch | 14:00 | Mono | M. concrète no tameno XYZ | Earlabs LC 010/ | NHK Tokyo | 0 | ||||||||
| 10908 | Toshiro, Makoto | Mayuzumi, Moroi | Variations sur 7, shichi no Variation Variation on the numerical principle of 7 |
1956 | fixed media, akusmatisch | 14:00 | Mono | serielle Musik | V-VX 52 / RCA SJV 1515/ IDEAMA CD 086/ Earlabs LC 010/ OUOADM 0101/ OUOADM 9301/ | NHK Tokyo | 1 | ||||||||
| 37459 | Toshiro, Minao, Joji, Toshi, Toru | Mayuzumi, Shibata, Yuasa, Ichiyanagi, Takemitsu | Electronic Music For Stereophonic Broadcast | 1960 | fixed media, akusmatisch | radiophon |
4:50 | Stereo | OUOADM 0702/ | NHK Tokyo | 0 | |||||||||
| 42517 | Ilya | Mayzus | On Waking and Going | 2008 | live-elec, 1 perf | 10:39 | cl [Klarinette] | Kinan Azmeh, clarinet | 0 | ||||||||||
| 10910 | Bohdan | Mazurek | 6 Electronic Preludes | 1981 | fixed media, akusmatisch | 14:45 | Stereo | BR ES02 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 10911 | Bohdan | Mazurek | Alla Rustica | 1980 | fixed media, akusmatisch | 12:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10912 | Bohdan | Mazurek | Ballad | 1976 | fixed media, akusmatisch | 7:30 | Stereo | BR ES02 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 10913 | Bohdan | Mazurek | Bozzetti, Bocetti | 1967 | fixed media, akusmatisch | 4:55 | Stereo | TV 34301/ BR ES02 bolt Blanc et Rouge/ IDEAMA CD 045/ Turnabout 34301/ | ExpSt Warsaw | Mention Dartmouth Arts Council Prize 1967 | 1 | ||||||||
| 10914 | Bohdan | Mazurek | Canti | 1973 | fixed media, akusmatisch | 9:10 | Stereo | BR ES02 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 10915 | Bohdan | Mazurek | Children's Dreams | 1976 | fixed media, akusmatisch | 8:29 | Stereo | BR ES02 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 10916 | Bohdan | Mazurek | Daisy Story | 1979 | radiophon | 19:10 | Stereo | BR ES02 bolt Blanc et Rouge/ Wire Issue 406/ | ExpSt Warsaw | 0 | |||||||||
| 10917 | Bohdan | Mazurek | Day after Day | 1984 | fixed media, akusmatisch | 9:20 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10918 | Bohdan | Mazurek | Episodes, 3 episodes | 1973 | fixed media, akusmatisch | 8:31 | Stereo | 3 parts also on the CD BR ES01 bolt is an improvisation by the group AMM London and BR ES03 bolt by Zeitkratzer Berlin |
BR ES01 bolt Blanc et Rouge/ | ExpSt Warsaw | 11.4.1973 | Warsaw | 1 | ||||||
| 10919 | Bohdan | Mazurek | Epitaph on Jan Palachs Death, Epitafiumdla Jana Palacha | 1982 | fixed media, akusmatisch | 6:50 | Stereo | 2nd version | Muza 3XW 1185/ BR ES02 bolt Blanc et Rouge/ BR ES07 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | ||||||||
| 10920 | Bohdan | Mazurek | Esperienza 1 & 2, Esperienza | 1967 | fixed media, akusmatisch | 3:35 | Stereo | also on the CD BR ES01 bolt is an improvisation by the group AMM London | BR ES01 bolt Blanc et Rouge/ Wire Issue 406/ | ExpSt Warsaw | 28.3.1968 | Padua RAI | 1 | ||||||
| 10921 | Bohdan | Mazurek | Four Seasons of a Day | 1979 | fixed media, akusmatisch | 11:48 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10922 | Bohdan | Mazurek | from a Notebook | 1983 | fixed media, akusmatisch | 16:35 | Stereo | BR ES02 bolt Blanc et Rouge/ | EMS Stockholm, ExpSt Warsaw | 0 | |||||||||
| 22151 | Bohdan | Mazurek | Landscape (Krajobraz) | 1995 | fixed media, akusmatisch | 10:02 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22150 | Bohdan | Mazurek | Miniatures | 1994 | fixed media, akusmatisch | 12:25 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10923 | Bohdan | Mazurek | Moment Musical | 1974 | fixed media, akusmatisch | 6:20 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22148 | Bohdan | Mazurek | Music on rainy Afternoon | 1990 | fixed media, akusmatisch | 11:40 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10924 | Bohdan | Mazurek | Pensilvania Dream | 1987 | fixed media, akusmatisch | 9:35 | Stereo | BR ES02 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 22152 | Bohdan | Mazurek | "Po Górach, Dolinach…" | 1997 | fixed media, akusmatisch | 12:10 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10925 | Bohdan | Mazurek | Polnisches Lied ohne Worte | 1982 | fixed media, akusmatisch | 16:02 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10926 | Bohdan | Mazurek | Prelude | 1977 | fixed media, akusmatisch | 7:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 30750 | Bohdan | Mazurek | Reverie | fixed media, akusmatisch | 9:37 | BR ES02 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||||
| 10927 | Bohdan | Mazurek | Sinfonia Rustica | 1969 | fixed media, akusmatisch | 9:30 | Stereo | BR ES02 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 10928 | Bohdan | Mazurek | Small Electronic Symphony | 1979 | fixed media, akusmatisch | 13:03 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22149 | Bohdan | Mazurek | Spring Prelude | fixed media, akusmatisch | 7:10 | Stereo | ExpSt Warsaw | 0 | |||||||||||
| 10929 | Bohdan | Mazurek | Study | 1980 | fixed media, akusmatisch | 6:07 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 10930 | Bohdan | Mazurek | To my Friends a Letter, Letter to Friends | 1984 | fixed media, akusmatisch | 10:00 | Stereo | BR ES02 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 10931 | Bohdan | Mazurek | Zaduma | 1989 | fixed media, akusmatisch | 9:35 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 33398 | Bohdan, Zbigniew | Mazurek, Turski | Makbet | 1964 | Theatermusik | 15:20 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 23539 | Ron | Mazurek | Reflections | 2001 | Zuspiel / Tonband, 1 perf | 7:41 | Stereo | fl [Flöte] | B. G. Schmitt (flöten ≈ pic-fl / c-fl / b-fl) | ISPV 191 CD ProViva Flöte und Computer 2/ | PS | 1 | |||||||
| 39733 | Dmitri | Mazurov | Cavity | 2017 | fixed media, akusmatisch | Dmitri Mazurov | 0 | ||||||||||||
| 39712 | Dariusz | Mazurowski | Depth of Field (Hidden Dimensions Part 3) | 2016 | fixed media, akusmatisch | Dariusz Mazurowski | 0 | ||||||||||||
| 39348 | Dariusz | Mazurowski | Dossier of Oblivion | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39349 | Dariusz | Mazurowski | Far Beyond the Heliopause | 2017 | audiovisuell | 0 | |||||||||||||
| 39711 | Dariusz | Mazurowski | The Great Red Spot of Jupiter | 2017 | fixed media, akusmatisch | 16 Tracks | Dariusz Mazurowski | 0 | |||||||||||
| 10932 | Loren, Suzanne | Mazzacane, Langille | Haunted House | 1989 | intermedia, live-elec, 2 perf | 6:06 | e-gui, gui [Gitarre] | AER 1990 / 1/ | 1 | ||||||||||
| 42862 | Antonio | Mazzotti | I have not seen you on the jumbotrons at Time Square | 2013 | fixed media, akusmatisch | 10:35:00 | 0 | ||||||||||||
| 42743 | Antonio | Mazzotti | Wall of Breath | 2012 | fixed media, akusmatisch | 4:54:00 | 0 | ||||||||||||
| 31450 | Thomas | McBee | Fractal | 1999 | audiovisuell | 7:25:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 31371 | Thomas | McBee | SlowRise Tibet | 1999 | fixed media, akusmatisch | 6:47:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 42638 | Richard | McCandless | Voyager | 2009 | live-elec, 1 perf | 7 | perc [Schlagzeug] | 0 | |||||||||||
| 18928 | Andra | McCartney | Arcade ´94 | 1994 | fixed media, akusmatisch | 2:25 | CEC DISContact_2/ | Con Toronto | 1 | ||||||||||
| 19260 | Andra | McCartney | Swimming the Reef (for Patrick) | 1990 - 1996 | fixed media, akusmatisch | 5:43 | CEC Presence 1/ | Con Toronto | 0 | ||||||||||
| 23033 | John | McCaughey | Manche Lucias und Desdemonas eindrucksvolles Leben und Sterben, Manche Lucias und Desdemonas … | 1975 | fixed media, akusmatisch | 33:56 | Stereo | Ex Machina 4 - die siebziger Jahre txtcompo |
Cybele 960.104, ex machina 4/ | ICEM Essen | 0 | http://www.Cybele .de/shop/product_info.php?products_id=50 | |||||||
| 10935 | John | McCaughey | Watergates | 1973 | fixed media, akusmatisch | 5:35 | Stereo | Creel Pone 057/ | ICEM Essen | 0 | |||||||||
| 10934 | John, Dirk | McCaughey, Reith | Musik für einen Raum | 1973 | fixed media, akusmatisch | 11:05 | Stereo | for Ruhrpreisverleihung Mülheim; für Tonbänder | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||
| 39360 | Douglas | McCausland | Glossolalia | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42864 | Robert | McClure | Failing to Resist | 2013 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 39487 | Robert | McClure | in excess | 2017 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 40205 | Robert | McClure | lingering garden | 2017 | fixed media, akusmatisch | 16 Tracks | Robert McClure | 0 | |||||||||||
| 40206 | Robert | McClure | now our grief is put away | 2015 | fixed media, akusmatisch | 14:00:00 | Robert McClure | 0 | |||||||||||
| 41947 | Robert | McClure | Untangle My Tongue | fixed media, akusmatisch | 0 | ||||||||||||||
| 28019 | Nic | McConaghy | Single Origin | 2010 | fixed media, akusmatisch | 4:17 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 winner 1. prize australasian | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 22732 | Kevin | McCoy | Lucille's Violin (algorithmic remix) | 1998 | fixed media, akusmatisch | 7:45 | Deep Listening DL 8 - 1998 CD/ | IEA Alfred Uni | 0 | ||||||||||
| 23410 | Brian | McCue | Premonitions I | 1989 | Zuspiel / Tonband, 1 perf | 14:26 | Stereo | perc [Schlagzeug] | McCue (perc) | McGill 750038/ | McGill Montréal | 1 | |||||||
| 42758 | Peter | McCulloch | Rust Belt | 2012 | fixed media, akusmatisch | 6:20:00 | 0 | ||||||||||||
| 27103 | Iain | McCurdy | Cipher | 2009 | Klangkunst, Installation | 27.08.2009 | 0 | ||||||||||||
| 25985 | Iain | McCurdy | Molten Liquid | 2006 | fixed media, akusmatisch | 9:00 | Octo | CSound | SARC Belfast | 1 | 2006 | ||||||||
| 27104 | Iain | McCurdy | Pendulum | 2008 | Klangkunst, Installation | 27.08.2009 | 0 | ||||||||||||
| 24297 | Iain | McCurdy | Points of collapse | 2002 | fixed media, akusmatisch | 9:24 | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | ||||||||||
| 25986 | Iain, Ricardo, Simon | McCurdy, Climent, Mahinney | The Pope’s Piano | 2006 | live-elec, 1 perf | 13:54 | 12 Tracks | p, (com) [Piano] | Live-Improvisation | SARC Belfast | 26.5.2006 | Inventionen Villa Elisabeth Berlin | 1 | 2006 | |||||
| 10936 | Charles | McDermed | Improvisations for Dance | 1966 | Tanz | ≈ 25:00 | Quadro | Buchla | SanFran Tape M. C., PS Buchla Berkeley | 0 | |||||||||
| 10937 | Charles | McDermed | Red | 1966 | live-elec, 1 perf | 7:00 | 5 tracks | synt [synthesizer] | Buchla | SanFran Tape M. C., PS Buchla Berkeley | 0 | ||||||||
| 10938 | Vincent | McDermott | The Dark Laments of Ariadne and of Attis | 1983 | Zuspiel / Tonband, 2 perf | 25:00 | Stereo | V, va [Stimme, Viola] | after Catullus: Version I - II | Sonology Utrecht | 0 | ||||||||
| 36498 | Ian | McDonald | Christmasmusic | 1973 | fixed media, akusmatisch | 17:54 | Kiwi SLD-46/ | Uni Wellington | 0 | ||||||||||
| 36497 | Ian | McDonald | Collages for Sunday Morning | 1968 | fixed media, akusmatisch | 5:48 | Kiwi SLD-46/ | Uni Wellington | 0 | ||||||||||
| 10939 | John Herbert | McDowell | At home | 1955 | Tanz | 17:00 | Mono | PS C. NY | 0 | ||||||||||
| 10940 | John Herbert | McDowell | Landscape | 1955 | Tanz | 51:00 | Mono | PS C. NY | 0 | ||||||||||
| 10941 | John Herbert | McDowell | Music for a While | 1960 | fixed media, akusmatisch | 7:00 | Mono + Mono + Mono | PS C. NY | 0 | ||||||||||
| 10942 | John Herbert | McDowell | Tuning Fork | 1967 | fixed media, akusmatisch | 1:30 | Mono | PS C. NY | 0 | ||||||||||
| 10943 | John Herbert | McDowell | Winter Music | 1960 | Zuspiel / Tonband, 5 perf | 12:00 | Mono | 5 ins [Instrument] | PS C. NY | 0 | |||||||||
| 36613 | Michael | McFerron | Stratum | 1997 | Zuspiel / Tonband, 1 perf | 9:36:00 | p [Piano] | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | |||||||||
| 42969 | Mike | McFerron | X Marks the Sirens | 2013 | live-elec, 1 perf | 5:00:00 | S [Sopran] | Christina Hourihan, soprano | 0 | ||||||||||
| 32098 | Kristi | McGarity | so many days to be here | 2002 | fixed media, akusmatisch | SEAMUS EAM Vol. 12/ | ASCAP/SEAMUS | 0 | |||||||||||
| 43015 | Huw | McGregor | Llan Pass | 2013 | fixed media, akusmatisch | 12:24:00 | 0 | ||||||||||||
| 34605 | Huw | McGregor | Metronic | 2015 | fixed media, akusmatisch | SMC2016 | 0 | ||||||||||||
| 34453 | David | McGuire | Lange Nieuwstraat 89 | 1973 | intermedia | 24:25 | Mono | for slides and tape | Sonology Utrecht | 0 | |||||||||
| 10944 | David | McGuire | Music for Noel | 1973 | Zuspiel / Tonband, 1 perf | 25:00 | Quadro | rec [Flöte] | Sonology Utrecht | 0 | |||||||||
| 10945 | Edward | McGuire | Electric song | 1971 | fixed media, akusmatisch | 13:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 10946 | Edward | McGuire | Legend | Zuspiel / Tonband, 1 perf | va [Viola] | 0 | |||||||||||||
| 10947 | John | McGuire | 108 Impulse | 1976 | fixed media, akusmatisch | 21:40 | Quadro | HfMT Köln | 0 | ||||||||||
| 21187 | John | McGuire | A Cappella | 1992 - 1997 | Zuspiel / Tonband, 1 perf | 23:25 | Quadro | fem V [Stimme] | SCD 28043 Sargasso/ / | WDR SEM | WDR 1997 | 14.6.1997 | Köln | WDR | 0 | ||||
| 10948 | John | McGuire | Pulse Music I | 1976/1977 | fixed media, akusmatisch | 22:00 | Quadro | Feedback 25 Jahre/ Feedback Studio Köln CD 2/ HfMT Köln CD6/ | HfMT Köln | 1977 | Köln | Feedback | 1 | ||||||
| 10949 | John | McGuire | Pulse Music III | 1978 | fixed media, akusmatisch | 24:00 | Quadro, Octo | MFB 001/ SCD 28043 Sargasso/ SCD 28001 Sargasso/ | WDR SEM | WDR 1979 | 20.1.1979 | "Musik der Zeit" Köln | 1 | ||||||
| 10950 | John | McGuire | Vanishing Points | 1988 | fixed media, akusmatisch | 25:45 | Quadro + Mono | SCD 28043 Sargasso/ | WDR SEM | WDR 1990 | 22.9.1989 | WDR | 0 | ||||||
| 10951 | J. | McHard | Tremors | 1990 | Zuspiel / Tonband, 1 group | 6:46 | Stereo | ens [Ensemble] | Upic | CEMAMu/ Ateliers Upic/ CCMIX, Sinewave St | 0 | ||||||||
| 10952 | J. | McHard | Virtuals | 1991 | fixed media, akusmatisch | 6:45 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX, Sinewave St | 0 | |||||||||
| 10953 | Callum | McIntosh | Vox | 1995 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 10954 | Diana | McIntosh | Aiby-Aicy-Aidyai | 1983 | live-elec, 2 perf | 4:30 | Stereo | toy p, V [Stimme, Piano] | PS C. | 0 | |||||||||
| 10955 | Diana | McIntosh | All in Good Time | 1988 | Zuspiel / Tonband, 2 perf | 9:30 | Stereo | p, amp V [Stimme, Piano] | bruits de bouche | Uni Western ON | 0 | ||||||||
| 10956 | Diana | McIntosh | Booting Up | 1988 | Tanz | intermedia, 3 perf, 1 group |
55:00 | Stereo | perc, V, dancers, sax [Stimme, Saxophon, Schlagzeug, Tanz] | installation | PS C. | 0 | ||||||||
| 21610 | Diana | McIntosh | Climb to Camp One | 1989 | fixed media, akusmatisch | 6:49 | CEC Presence 2/ | 1 | |||||||||||
| 10957 | Diana | McIntosh | Doubletalk | 1983 | fixed media, akusmatisch | 5:10 | Stereo | PS Lavigne | 0 | ||||||||||
| 10958 | Diana | McIntosh | Eliptosonics | 1979 | fixed media, akusmatisch | 13:00 | Stereo | 0 | |||||||||||
| 10959 | Diana | McIntosh | Go Between | 1984 | Zuspiel / Tonband, 3 perf | 25:00 | Stereo | 3 p [Piano] | Uni Western ON | 0 | |||||||||
| 10960 | Diana | McIntosh | Gut Reaction | 1986 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | va [Viola] | Uni Western ON | 0 | |||||||||
| 36930 | Diana | McIntosh | Kiss Dancing | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 18938 | Diana | McIntosh | Processions (Part of "Murkings") | 1994 | live-elec, 2 perf | 2:35 | 2 p, (dig delay) [Piano] | Ausschnitt | CEC DISContact_2/ CEC Presence 1/ | Winnipeg | 0 | ||||||||
| 10962 | Diana | McIntosh | Shadowed Voices | 1988 | live-elec, 3 perf | 11:00 | Stereo | V, p, perc, (dig delay) [Stimme, Piano, Schlagzeug] | PS C. | 0 | |||||||||
| 10963 | Diana | McIntosh | Sound Assemblings | 1983 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | p [Piano] | Uni Western ON | 0 | |||||||||
| 10964 | Diana | McIntosh | Tea for Two at Whipsnade Zoo | 1982 | Zuspiel / Tonband, 1 perf | Stereo | a-rec [Flöte] | PS C. | 0 | ||||||||||
| 10961 | Diana, Ann | McIntosh, Southam | Music at the Centre | 1981 | Zuspiel/Tonband, 3 perf | intermedia |
15:00 | Stereo | cl, p, perc, slides [Klarinette, Piano, Schlagzeug] | PS Lavigne | 0 | |||||||||
| 21826 | Rachel | McInturff | By Heart | 1996 | fixed media, akusmatisch | SEAMUS EAM Vol. 6/ | 0 | ||||||||||||
| 21827 | Rachel | McInturff | Origami Animae | 1997 | fixed media, akusmatisch | SEAMUS EAM Vol. 8/ | 0 | ||||||||||||
| 18921 | Andrew | McKenzie | Understanding Stops Action | 1994 | live-elec, 3 perf | 8:45 | 3 perf [Performer] | The Hafler Trio | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | ||||||||
| 10965 | Gary | McKenzie | Luminations '65, Luminations | 1965 | fixed media, akusmatisch | 11:30 | Mono | STEM Utrecht, CEM Bilthoven | 0 | ||||||||||
| 21093 | Dugal | McKinnon | And Words | 1996 | Zuspiel / Tonband, 6 perf | 7:08 | Mez, str-qt, a-sax [Mezzo, Saxophon, Streicher] | BEAST | 1 | ||||||||||
| 21094 | Dugal | McKinnon | Cipher | 1997 | fixed media, akusmatisch | 7:27 | BEAST | 1 | |||||||||||
| 21095 | Dugal | McKinnon | Homage to The Night Sky's Debris | 1996 | Zuspiel / Tonband, 1 perf | 6:10 | sax [Saxophon] | BEAST | 1 | ||||||||||
| 21096 | Dugal | McKinnon | Horizont im Ohr | 1998 | fixed media, akusmatisch | 10:14 | SCD 28034 Sargasso/ | BEAST | 1 | 2000 | |||||||||
| 21097 | Dugal | McKinnon | Jetztzeit - Study for Sentient Song | 1998 | Zuspiel / Tonband, 1 group | 3:08 | orc [Orchester] | work in progress | BEAST | 1 | |||||||||
| 22399 | Dugal | McKinnon | [o] | 2001 | fixed media, akusmatisch | 17:50 | ein Teil wurde in A-Line benutzt ("Debussy") | TU Berlin | 1 | ||||||||||
| 21098 | Dugal | McKinnon | Ouir | 1996 | Zuspiel / Tonband, 1 perf, 1 group | 20:47 | narrator, ens [Schauspieler, Ensemble] | BEAST | 1 | ||||||||||
| 26150 | Dugal | McKinnon | Strane e sconosciute vie | 2007 | fixed media, akusmatisch | 3:54 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 39742 | Dugal, Grayson | McKinnon, Cooke | This Storm is Called Progress | 2017 | audiovisuell | Dugal McKinnon and Grayson Cooke | 0 | ||||||||||||
| 21099 | Dugal, David | McKinnon, Prior | Ways of Hearing | 1998 | radiophon | 30:08 | BEAST | 1 | |||||||||||
| 42639 | Peter | McKinnon | Pianosophagus | 2009 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 10966 | Jim | McKonkey | E Pluribus Unum | 1981 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 10967 | Norman | McLaren | Allegro | 1939 | Film | 2:15 | Mono | drawn soundtrack, synthetic sound | PS C. NY | 0 | |||||||||
| 10968 | Norman | McLaren | Begone dull care | 1949 | Film | 7:48 | Mono | drawn soundtrack, synthetic sound | PS C. NY | 0 | |||||||||
| 10969 | Norman | McLaren | Blinkity Blank | 1955 | Film | 6:00 | Mono | drawn soundtrack, synthetic sound | NFBC Montréal | 0 | |||||||||
| 10970 | Norman | McLaren | Loops | 1940 | Film | 2:15 | Mono | drawn soundtrack, synthetic sound | PS C. NY | 0 | |||||||||
| 10971 | Norman | McLaren | Mony a Pickle | 1938 | Film | 10:32 | Mono | experiment with soundtrack | NFBC Montréal | 0 | |||||||||
| 10972 | Norman | McLaren | Mosaic | 1964 | Film | 5:30 | Mono | drawn soundtrack, synthetic sound | NFBC Montréal | 0 | |||||||||
| 10973 | Norman | McLaren | Neighbours | 1953 | Film | 3:28 | Mono | drawn soundtrack, synthetic sound | NFBC Montréal | 0 | |||||||||
| 10974 | Norman | McLaren | Now is the Time | 1951 | Film | 3:20 | Mono | drawn soundtrack, synthetic sound | NFBC Montréal | 0 | |||||||||
| 10975 | Norman | McLaren | Scherzo | 1939 | Film | 2:15 | Mono | drawn soundtrack, synthetic sound | PS C. NY | 0 | |||||||||
| 10976 | Norman | McLaren | Synchromy | 1971 | Film | 7:27 | Mono | drawn soundtrack, synthetic sound | 0 | ||||||||||
| 10977 | Norman | McLaren | Two Bagatelles | 1952 | Film | 1:10 | Mono | drawn soundtrack, synthetic sound | NFBC Montréal | 0 | |||||||||
| 41535 | Barton | McLean | Dawn Chorus | 1995 | Zuspiel, live-elec, 1 perf | 13:53 | Stereo | s-rec and clariflute [Flöte] | CPS 8637 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8637.html | ||||||||
| 41534 | Barton | McLean | Dimensions II | 1995 | Zuspiel / Tonband, 1 perf | 11:20 | Stereo | p [Piano] | CPS 8637 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8637.html | ||||||||
| 37976 | Barton | McLean | Dimensions III | 1975 | Zuspiel / Tonband, 1 perf | 6:25 | Stereo | sax [Saxophon] | CRI SD 431/ CPS 8637 Capstone/ | Uni Texas Austin | 0 | ||||||||
| 37977 | Barton | McLean | Dimensions IV | 1977 | Zuspiel / Tonband, 1 perf | 12:15 | sax [Saxophon] | CRI SD 431/ | Uni Texas Austin | 0 | |||||||||
| 37980 | Barton | McLean | Etunytude | 1982 | Performance | 5:28 | Narration (2:32) and Performance (5:28) | FSS 37465/ | Uni Texas Austin | 0 | |||||||||
| 37984 | Barton | McLean | Forgotten Shadows | 1995 - 1998 | fixed media, akusmatisch | 39:10 | CRI CD 846/ | 0 | |||||||||||
| 37971 | Barton | McLean | Heavy Music for four Crowbars | 1979 | fixed media, akusmatisch | 18 | FPX 6050/ | 0 | |||||||||||
| 41538 | Barton | McLean | Himalayan Fantasy | 1991 | fixed media, akusmatisch | 19:04 | CPS 8617 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8617.html | ||||||||||
| 37986 | Barton | McLean | Ice Canyons | 2009 | live-elec, 1 perf | 8:23 | kbd [Keyboard] | innova 234/ | 0 | ||||||||||
| 37975 | Barton | McLean | Journey on a long string | 2001 | fixed media, akusmatisch | 11:48 | EM Records 1060 CD/ | 0 | |||||||||||
| 37985 | Barton | McLean | Magic at Xanadu | 2009 | live-elec, 1 perf | 8:53 | kbd [Keyboard] | innova 234/ | 0 | ||||||||||
| 37983 | Barton | McLean | Ritual of the dawn | 1984, 1998 | live-elec, 5 perf | 15:30 | cl, fl, hp, perc, p [Flöte, Klarinette, Piano, Harfe, Schlagzeug] | CRI CD 846/ innova 234/ | 0 | ||||||||||
| 37970 | Barton | McLean | Song of the Nahuatl | 1976 | fixed media, akusmatisch | 17 | FTS 33450/ EM Records 1060 CD/ | 0 | |||||||||||
| 37969 | Barton | McLean | Spirals | 1974 | fixed media, akusmatisch | 20 | CRI 335/ | Uni Indiana | 0 | ||||||||||
| 37981 | Barton | McLean | The last ten minutes | 1982 | Performance | 11:07 | Narration (2:27) and Performance (11:07) | FSS 37465/ | Uni Texas Austin | 0 | |||||||||
| 37972 | Barton | McLean | The Sorcerer Revisited | 1979 | fixed media, akusmatisch | 20 | FPX 6050/ | 0 | |||||||||||
| 37974 | Barton | McLean | Valley of lost dreams, Visions of a summernight | 1989 | fixed media, akusmatisch | EM Records 1060 CD/ | 0 | ||||||||||||
| 10978 | Barton | McLean | Visions of a Summer Night, A Little Night Music Demons of the Night |
1989 | fixed media, akusmatisch | 12:46 | Stereo | MIDI | Centaur CRC 2047, CDCM Vol. 7/ | iEAR Rensselaer | 1 | ||||||||
| 28028 | Christopher | McLean | Bébelles | 2009 | fixed media, akusmatisch | 8:21 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | JTTP-Winner 2009 canadian 3. prize | 1 | |||||||||
| 37973 | Priscilla | McLean | Angels of Delirium | 2001 | fixed media, akusmatisch | 13:33 | EM Records 1060 CD/ | 0 | |||||||||||
| 21828 | Priscilla | McLean | Beneath the Horizon III | 1982 | fixed media, akusmatisch | Stereo | Opus One 96/ | 0 | |||||||||||
| 20480 | Priscilla | McLean | Dance of Dawn | 1974 | fixed media, akusmatisch | 22:23 | Stereo | CRi CD 764/ CRI 335/ | 0 | ||||||||||
| 20478 | Priscilla | McLean | Etunytude | 1982 | fixed media, akusmatisch | 5:30 | Stereo | CRi CD 764/ | 0 | ||||||||||
| 20481 | Priscilla | McLean | Invisible Chariots, Voices of the Invisible Archangels Chariots |
1975 - 1977 | fixed media, akusmatisch | 21:49 | Stereo | CRi CD 764/ FTS 33450/ FPX 6050/ EM Records 1060 CD/ | 0 | ||||||||||
| 20482 | Priscilla | McLean | Night Images | 1973 | fixed media, akusmatisch | 6:07 | Stereo | CRi CD 764/ FPX 6050/ | 0 | ||||||||||
| 21830 | Priscilla | McLean | On Wings of Song | 1993 | fixed media, akusmatisch | 5:12 | Stereo | CPS 8617 Capstone/ | 0 | ||||||||||
| 20479 | Priscilla | McLean | Song of the Nahuatl | 1976 | fixed media, akusmatisch | 17:08 | Stereo | CRi CD 764/ | 0 | ||||||||||
| 41536 | Priscilla | McLean | The Inner Universe | 1994 | Zuspiel / Tonband, 1 perf | 26 | Stereo | prep p [Piano] | CPS 8637 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8637.html | ||||||||
| 41537 | Priscilla | McLean | Where the Wild Geese Go | 1994 | fixed media, akusmatisch | 26 | Stereo | b-cl [Klarinette] | CPS 8637 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8637.html | ||||||||
| 21829 | Priscilla, Barton | McLean, McLean | Rainforest Images | 1993 | fixed media, akusmatisch | 48:14 | Stereo | CPS 8617 Capstone/ | 0 | ||||||||||
| 33410 | Robert H. | McMahan | Signs | 1966 | fixed media, akusmatisch | 3 | Mono | Uni Louisville | 0 | ||||||||||
| 21831 | Ann | McMillan | Amber'75 e.a. | 1978 | fixed media, akusmatisch | FTS 33451/ | 0 | ||||||||||||
| 21832 | Ann | McMillan | Carrefours | 1974 | fixed media, akusmatisch | FTS 33904/ | 0 | ||||||||||||
| 21833 | Ann | McMillan | Whale I | 1974 | fixed media, akusmatisch | FTS 33904/ | 0 | ||||||||||||
| 21834 | Ann | McMillan | Whale-Wail In Peace En Paix |
1990 | fixed media, akusmatisch | FSS 34006/ | 0 | ||||||||||||
| 10979 | Michael | McNabb | Dreamsong | 1978 | fixed media, akusmatisch | 9:21 | Stereo | WER 2020-50/ MFCD 818/ CMJ Vol 05, 1981/ CMJ Vol 30-4, 2006/ | CCRMA | mention, Bourges 1979 winner, 1979 League / ISCM national competition |
1 | ||||||||
| 10980 | Michael | McNabb | Invisible Cities, City Of No Resistance City Of Wind City Of Congruence City Of Desire Hidden City City Of Reflection |
1985 | Tanz, 2 perf | 40:00 | Quadro | p, s-sax (com) [Saxophon, Piano] | ODC, SanFran dance company | WER 2015-50/ | CCRMA | Auszeichnung ars electronica 1989 | 0 | ||||||
| 10981 | Michael | McNabb | Love in the Asylum, Mad as Birds Pirouette The Magician’s Daughter |
1981 | fixed media, akusmatisch | 14:16 | Quadro | WER 2020-50/ MFCD 818/ | CCRMA | 2nd prize Bourges 1982 | 0 | 1983 | |||||||
| 10982 | Michael | McNabb | Mars Suite, Orbital View Chryse Planitia Olympus Mons Flanked by Clouds |
1981/1984 | fixed media, akusmatisch | Film |
13:45 | Quadro | Suite from Mars in 3-D | WER 2020-50/ MFCD 818/ | CCRMA | 0 | ||||||||
| 10983 | Michael | McNabb | Pirouette | 1981 | fixed media, akusmatisch | 3:00 | Quadro | CCRMA | 0 | ||||||||||
| 10984 | Michael | McNabb | Sudden Changes | 1992 | Tanz, live-elec, 1 perf | 35:00 | Stereo | s-sax, (pitch-to-MIDI, Next, synt, DSP) [Saxophon] | PS C. | Fain Dance company | 0 | ||||||||
| 10985 | Michael | McNabb | The Far and Brilliant Night | 1991/1995 | Zuspiel, live-elec, 2 perf | intermedia |
10:00 | Stereo | synt, com (Buchla Lightning, Thunder, NeXT, synt, DSP, slides) [computer, synthesizer] | PS C. | 0 | |||||||||
| 10986 | Michael | McNabb | The Lark Full Cloud | 1990 | Klangkunst, Installation | 14:00 | Stereo | unpublished M. for permanent outdoor installation in LA | PS C. | 0 | |||||||||
| 39980 | Kenn | McSperitt | Study No. 1: Transients | 2015 | fixed media, akusmatisch | 9:00:00 | Kenn McSperitt | 0 | |||||||||||
| 10987 | Cindy | McTee | "M" Music | 1991/1992 | Zuspiel / Tonband, 1 perf | 15:00 | a-sax [Saxophon] | Centaur CRC 2213, CDCM Vol. 18/ | EMS UIUC | 1 | |||||||||
| 10988 | Cindy | McTee | Metal Music | 1989 | fixed media, akusmatisch | 10:20 | Stereo | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | |||||||||
| 38616 | Thomas | MEADOWCROFT | Moving Homes | 2015 | radiophon | 45:15:00 | 0 | ||||||||||||
| 38617 | Thomas | MEADOWCROFT | Song Buslines | 2013 | radiophon | 49:50:00 | 0 | ||||||||||||
| 25987 | Jelle | Meander | Al Amin Dada | 2005 | Zuspiel, live-elec, 2 perf | 6:01 | V, (effects,) toy-tpt [Stimme, Trompete] | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 25565 | Delphine | Measroch | Machin Machine | 2005 | fixed media, akusmatisch | 7:46 | JTTP 2005 | CEC Cache 2005, PeP 010/ | winner JTTP 2005 3. prize | 1 | |||||||||
| 10989 | Johan | Mebius | Ruisstudie | 1964 | fixed media, akusmatisch | 4:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 32693 | Peter | Mechtler | Silicon Dream | 1989 | audiovisuell | 0 | |||||||||||||
| 10990 | Ivo | Medek | Rozpomínání | 1989 | fixed media, akusmatisch | 12:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 42212 | Tilo | Medek | Der Ozeanflug | 1969 | radiophon | 24:07 | Radiolehrstück für Knaben und Mädchen nach Bertolt Brecht |
Rundfunk der DDR | 26.12.1969 | Rundfunk der DDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1442987&vi=1&SID | |||||||
| 10991 | Tilo | Medek | Des Meeres und der Liebe Wellen | 1975 | Zuspiel / Tonband, 1 group | ch [Chor] | Muzei Skryabina Moskva | 0 | |||||||||||
| 10992 | Tilo | Medek | Pinturas negra, nach Bildern von Goya | 1974 | Zuspiel, live-elec, 3 perf | 21:34 | V, mar, Subharchord [Stimme, Schlagzeug, synthesizer] | letzte Produktion unter Leitung von Steinke, aber nicht im RFZ, sondern Hörspielkomplex 2 in der Nalepastr. Subharchord |
Radio DDR | Stimme der DDR | 0 | ||||||||
| 19610 | Joaquin | Medina Villena | Errante | 1989 | fixed media, akusmatisch | 6:00 | Stereo | GME Cuenca, PS C. Medina | 0 | ||||||||||
| 34393 | Joaquin | Medina Villena | Hacia la Esperanza | fixed media, akusmatisch | 10:05 | AMEE/ | 0 | ||||||||||||
| 19611 | Joaquin | Medina Villena | Onirium I | 1991 | fixed media, akusmatisch | 10:30 | Stereo | GME Cuenca, PS C. Medina | 0 | ||||||||||
| 20011 | Joaquin | Medina Villena | Onirium II | 1992 | fixed media, akusmatisch | 8:00 | Stereo | PS C. Medina | 0 | ||||||||||
| 34380 | Joaquin | Medina Villena | Profundidades | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 19613 | Joaquin | Medina Villena | Proyecto | 1993 | fixed media, akusmatisch | 12:23 | Stereo | GME Cuenca, PS C. Medina | 0 | ||||||||||
| 19612 | Joaquin | Medina Villena | Tarsik | 1992 | fixed media, akusmatisch | 16:00 | Stereo | GME Cuenca, PS C. Medina | 0 | ||||||||||
| 35730 | Joaquín | Medina Villena | Hexadecarlo | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 22713 | Joaquin, Manuel | Medina Villena, Lorente | Delirio | 1997 | fixed media, akusmatisch | 4:46 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | GME Cuenca | 1 | ||||||||||
| 36908 | Juan Pablo | Medina | Like empty space | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 40253 | Stefan | Meditz | Vorspiel | 2016 | fixed media, akusmatisch | Stefan Meditz | 0 | ||||||||||||
| 10993 | Arturas | Medonis | Classical Equations | live-elec, 1 perf | vn, (com) [Violine] | 0 | |||||||||||||
| 33659 | Joe | Meek | Glob Waterfall | 1960 | fixed media, akusmatisch | 3:12 | CDCD 5067/ | 1 | |||||||||||
| 36482 | Roel | Meelkop | Ukigusa | 2007 | radiophon | 5:39:00 | and 26/ | 0 | |||||||||||
| 10994 | Joop | Meershoek | Oefening E | 1972 | fixed media, akusmatisch | 16:25 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 36739 | Lambert | Meertens | Strijkkwartet no.1 in C - computer composition | fixed media, akusmatisch | 12:39 | Sonology Den Haag | 0 | ||||||||||||
| 10995 | Louis de | Meester | 2 = te weinig, 3 = te veel | 1966 | Fernsehen, | 35:00 | Mono | (T. Brulin) | IPEM Gent | 0 | |||||||||
| 10996 | Louis de | Meester | 5 Gedichte van Paul Ostayen: Melopee, Polonaise, Geologie, Bedreigde Stad, De Sirenen | 1962 | Zuspiel / Tonband, 1 perf | 17:00 | Mono | Sp [Sprecher] | IPEM Gent, INR Bruxelles | 0 | |||||||||
| 10997 | Louis de | Meester | A la Recherche de . . . | 1968 | Tanz | Mono | IPEM Gent | 0 | |||||||||||
| 10998 | Louis de | Meester | Agent 777 | 1969 | radiophon | 35:00 | Mono | IPEM Gent | 0 | ||||||||||
| 10999 | Louis de | Meester | April am Rhein | 1966 | Fernsehen, | 3:37 | Mono | (P. de Vree) | IPEM Gent | 0 | |||||||||
| 11000 | Louis de | Meester | Bagatelles | 1958 | fixed media, akusmatisch | 7:30 | Mono | INR Bruxelles | 0 | ||||||||||
| 11002 | Louis de | Meester | Ballade van de Gebarsten Trommel | 1972 | Zuspiel, live-elec, 1 perf, 1 group | 40:00 | Stereo | Sp, orc [Sprecher, Orchester] | (M. Coole) | IPEM Gent | 0 | ||||||||
| 43079 | Louis de | Meester | Bedreigde Stad | 1962 | Zuspiel / Tonband, | IPEM Gent | 0 | ||||||||||||
| 11003 | Louis de | Meester | Cassandra | 1969 | Theatermusik | 60:00 | Mono | (W. Eysselinck) | IPEM Gent | 0 | |||||||||
| 11004 | Louis de | Meester | Dansen op de maan | 1959 | Tanz | 6:00 | Mono | INR Bruxelles | 0 | ||||||||||
| 11005 | Louis de | Meester | De Automaan | 1968 | Theatermusik | 10:00 | Mono | (G. Pleiter) | IPEM Gent | 0 | |||||||||
| 43082 | Louis de | Meester | De bekende soldaat | 1962 | Zuspiel / Tonband, | IPEM Gent | 0 | ||||||||||||
| 11006 | Louis de | Meester | De Ekster Op de Galg | 1967 | Theatermusik | 16:00 | Mono | (H. Teirlinck) | IPEM Gent | 0 | |||||||||
| 11007 | Louis de | Meester | De Gecroonde Leersse | 1964 | Fernsehen, | 20:00 | Mono | (M. De Swaen) | IPEM Gent | 0 | |||||||||
| 11008 | Louis de | Meester | De Gedaanteverwisseling | 1972 | radiophon | 20:00 | Stereo | (F. Kafka) | IPEM Gent | 0 | |||||||||
| 11009 | Louis de | Meester | De glimlach van de Gioconda | 1970 | Theatermusik | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11010 | Louis de | Meester | De Huisbewaarder | 1966 | Theatermusik | 8:00 | Mono | (H. Pinter) | IPEM Gent | 0 | |||||||||
| 11011 | Louis de | Meester | De Inktvis | 1970 | radiophon | 12:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11012 | Louis de | Meester | De Koning die Sterft | 1963 | Theatermusik | 14:00 | Mono | (E. Ionesco) | IPEM Gent | 0 | |||||||||
| 11013 | Louis de | Meester | De Koning van Assyrie | 1972 | Theatermusik | 18:00 | Mono | (F. Arrabal) | IPEM Gent | 0 | |||||||||
| 11014 | Louis de | Meester | De Meiden | 1969 | Theatermusik | Mono | (J. Genet) | IPEM Gent | 0 | ||||||||||
| 11015 | Louis de | Meester | De Menschwording | 1965 | Fernsehen, | 30:00 | Mono | (M. De Swan) | IPEM Gent | 0 | |||||||||
| 11016 | Louis de | Meester | De Mini-Minnaar | 1972 | Theatermusik | 7:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11017 | Louis de | Meester | De Pacificatie van Gent | 1976 | intermedia | IPEM Gent | 0 | ||||||||||||
| 11018 | Louis de | Meester | De Paradijsgeuzen | 1967 | Oper, 1 perf, 1 group | Mono + Mono | orc, mus [Musiker, Orchester] | IPEM Gent | 0 | ||||||||||
| 11019 | Louis de | Meester | De Postwissel | 1970 | radiophon | 14:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11020 | Louis de | Meester | De Rebellie | 1971 | radiophon | 20:00 | Mono | IPEM Gent | 0 | ||||||||||
| 43080 | Louis de | Meester | De Sirenen | 1962 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | Text by P. van Ostayern | IPEM Gent | 0 | ||||||||||
| 11021 | Louis de | Meester | De Sjaal | 1972 | Theatermusik | 7:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11022 | Louis de | Meester | De Smalle Weg naar het diepe Noorden | 1969 | Theatermusik | Mono | (E. Bond) | IPEM Gent | 0 | ||||||||||
| 11023 | Louis de | Meester | De Tijd der Waanzin | 1971 | intermedia | 50:00 | Stereo | (E. Saegeman), with lights | IPEM Gent | 0 | |||||||||
| 11024 | Louis de | Meester | De Vertraagde Film | 1963 | Theatermusik | 29:00 | Mono | (H. Teirlinck) | IPEM Gent | 0 | |||||||||
| 11025 | Louis de | Meester | De Vrouw in de Ochtend | 1963 | Theatermusik | 18:00 | Mono | (Casona) | IPEM Gent | 0 | |||||||||
| 11026 | Louis de | Meester | De Zoemende Muzikant | 1966 | radiophon | 40:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11027 | Louis de | Meester | Don Juan | 1962 | Theatermusik | 15:00 | Mono | ( M. de Ghelderode) | IPEM Gent | 0 | |||||||||
| 11028 | Louis de | Meester | Duel met de Tanker | 1964 | Film | 22:20 | Mono | IPEM Gent | 0 | ||||||||||
| 11029 | Louis de | Meester | Elektron | 1963 | Tanz | 4:20 | Mono | IPEM Gent | 0 | ||||||||||
| 11030 | Louis de | Meester | Environment | 1967 | Hintergrundmusik | 6:00 | Mono | for plastic-environment by L. Peire | IPEM Gent | 0 | |||||||||
| 11031 | Louis de | Meester | Escurial | 1963 | Fernsehen, | 25:00 | Mono | ( M. de Ghelderode) | IPEM Gent | 0 | |||||||||
| 43081 | Louis de | Meester | Essay over het onderontwikkeld, Kroniek van een Anachronisme | 1962 | Zuspiel / Tonband, | IPEM Gent | 0 | ||||||||||||
| 11032 | Louis de | Meester | Gedichten van Sybren Polet: Essay…, Kroniek..., De bekende Soldaat, Uiterst … | 1964 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | Mono | Sps [Sprecher] | IPEM Gent | 0 | |||||||||
| 11033 | Louis de | Meester | Genoesia | 1968 | Theatermusik | IPEM Gent | 0 | ||||||||||||
| 43078 | Louis de | Meester | Geologie | 1962 | Zuspiel / Tonband, | IPEM Gent | 0 | ||||||||||||
| 11034 | Louis de | Meester | Het Blaumilch-kanaal | 1972 | radiophon | 12:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11035 | Louis de | Meester | Het Helleschip | 1969 | Fernsehen, | 10:00 | Mono | (Paolo) | IPEM Gent | 0 | |||||||||
| 11036 | Louis de | Meester | Het Leven een Klok | 1968 | Theatermusik | 25:00 | Mono | (H. Pinter) | IPEM Gent | 0 | |||||||||
| 11037 | Louis de | Meester | Het Meisje zei dat tz zag | 1972 | radiophon | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11038 | Louis de | Meester | Het Systeem Fabrizzi | 1966 | Theatermusik | 15:00 | Mono | (A. HUsson) | IPEM Gent | 0 | |||||||||
| 11039 | Louis de | Meester | Het Teken van Kikota | 1969 | Theatermusik | Mono | (Ferdinand) | IPEM Gent | 0 | ||||||||||
| 11040 | Louis de | Meester | Home | 1972 | Theatermusik | 6:00 | Mono | (D. Storey) | IPEM Gent | 0 | |||||||||
| 11041 | Louis de | Meester | Images, Hédonisme Comparaisons Déformations Impulsions Coontrepoint machinal |
1964 | fixed media, akusmatisch | 9:00 | Mono | IDEAMA CD 005/ | IPEM Gent | 0 | |||||||||
| 11042 | Louis de | Meester | In den beginne | 1968 | Zuspiel / Tonband, 1 perf | 14:00 | Mono | Sp [Sprecher] | (B. Aafjes) | IPEM Gent | 0 | ||||||||
| 11043 | Louis de | Meester | Incantations | 1958 - 1962 | fixed media, akusmatisch | 6:20 | Mono, Quadro | ( I. Isou) | ALPHA 5066-5/ IDEAMA CD 005/ | IPEM Gent, INR Bruxelles | 0 | ||||||||
| 11044 | Louis de | Meester | Industrie | 1962 | Tanz | 10:18 | Mono | IPEM Gent, INR Bruxelles | 0 | ||||||||||
| 11045 | Louis de | Meester | Interférences | 1972 | Film | 25:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11048 | Louis de | Meester | Kamer te huur met Klimplant | 1972 | Theatermusik | 8:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11049 | Louis de | Meester | Katten in de Buurt | 1962 | Fernsehen, | 4:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11050 | Louis de | Meester | Keramist De Bruyne | 1969 | Film | Mono | IPEM Gent | 0 | |||||||||||
| 11051 | Louis de | Meester | Kinderdroom | 1970 | Tanz | 28:05 | Stereo | IPEM Gent | 0 | ||||||||||
| 11052 | Louis de | Meester | Koning Oedipus | 1966 | Theatermusik | 60:00 | Mono | (Sofokles) | IPEM Gent | 0 | |||||||||
| 11053 | Louis de | Meester | Kreet en Kennis | 1964 | Film | 24:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11054 | Louis de | Meester | La grande tentation de Saint Antoine, De verzoeking van Sint Antonius La tentation de Saint Antoine |
1957 | Zuspiel / Tonband, 1 perf, 4 groups | 9:00 | Mono | V, ch, 3 orc [Stimme, Chor, Orchester] | total duration 55:00 | IDEAMA CD 005/ | INR Bruxelles | Prix Italia 1957 | 0 | ||||||
| 11055 | Louis de | Meester | La possession du Condamné | 1967 | Film | 15:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11056 | Louis de | Meester | La voix du silence (cantata) | 1954 | Zuspiel / Tonband, 1 perf, 2 groups | 30:00 | Vs, ens [Stimme, Ensemble] | 0 | |||||||||||
| 11057 | Louis de | Meester | Le Cid | 1971 | Theatermusik | 20:00 | Mono | (P. Corneille) | IPEM Gent | 0 | |||||||||
| 11058 | Louis de | Meester | Le Drame du Fukuruyu Maru | 1964 | Theatermusik | 40:00 | Mono | (G. Cousin) | IPEM Gent | 0 | |||||||||
| 11059 | Louis de | Meester | Le Partage de Midi | 1971 | Theatermusik | 7:00 | Mono | (P. Claudel) | IPEM Gent | 0 | |||||||||
| 11060 | Louis de | Meester | Les Géants de la Montagne | 1963 | Theatermusik | 150:00 | Mono + Mono + Mono | (L. Pirandello) | IPEM Gent | 0 | |||||||||
| 11061 | Louis de | Meester | Les Géants de la Montagne - Proloog | 1963 | fixed media, akusmatisch | 6:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11062 | Louis de | Meester | Lief zijn voor Sloane | 1972 | Theatermusik | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11063 | Louis de | Meester | Macbeth | 1970 | Theatermusik | 50:00 | Mono | (W. Shakespeare) | IPEM Gent | 0 | |||||||||
| 11064 | Louis de | Meester | Magie Rouge | 1963 | Theatermusik | 17:00 | Mono | ( M. de Ghelderode) | IPEM Gent | 0 | |||||||||
| 11065 | Louis de | Meester | Marieke van Niemegen | 1975 | Zuspiel / Tonband, 2 perf, 3 groups | 120:00 | Vs, ch, ens, org [Stimme, Orgel, Ensemble, Chor] | IPEM Gent | 0 | ||||||||||
| 11066 | Louis de | Meester | Marlborough s'en va-t'en guerre | 1963 | fixed media, akusmatisch | 4:00 | Mono | IPEM Gent | 0 | ||||||||||
| 43077 | Louis de | Meester | Melopee | 1962 | Zuspiel / Tonband, | IPEM Gent | 0 | ||||||||||||
| 11067 | Louis de | Meester | Mimodrama | 1975 | Tanz | 26:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 11068 | Louis de | Meester | Moordenaar Gods | 1965 | Fernsehen, | 25:15 | Mono | (Cantens) | IPEM Gent | 0 | |||||||||
| 11069 | Louis de | Meester | Mootjes | 1969 | radiophon | 20:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11070 | Louis de | Meester | Netsuke | 1964 | Film | 23:30 | Mono | IPEM Gent | 0 | ||||||||||
| 11071 | Louis de | Meester | Nocturne Malgache | 1965 | fixed media, akusmatisch | 8:00 | Mono | (Text by I. Isou) | IDEAMA CD 007/ | IPEM Gent | 0 | ||||||||
| 11072 | Louis de | Meester | Op het Einde van de Regenboog | 1966 | radiophon | 25:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11073 | Louis de | Meester | Organon | 1965 | Fernsehen, | 4:50 | Mono | (Text by Paul De Vree) | IPEM Gent | 0 | |||||||||
| 11074 | Louis de | Meester | Oscar of de Wet op de Zwaartekracht | 1965 | radiophon | 25:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11075 | Louis de | Meester | Poetsoek | 1970 | Fernsehen, | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 43076 | Louis de | Meester | Polonaise | Zuspiel / Tonband, | IPEM Gent | 0 | |||||||||||||
| 11076 | Louis de | Meester | Polyester, Musik für eine Plastik | 1962 | Hintergrundmusik | intermedia |
10:00 | Mono | with sculptures and light (Lambrecht) | IPEM Gent, INR Bruxelles | 0 | |||||||||
| 43075 | Louis de | Meester | Proloog | 1963 | fixed media, akusmatisch | Mono | IPEM Gent | 0 | |||||||||||
| 11078 | Louis de | Meester | Rapport voor de Raad van Toezicht | 1972 | radiophon | 13:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11079 | Louis de | Meester | Ringvariaties | 1963 | fixed media, akusmatisch | 5:00 | Mono | IDEAMA CD 004/ | IPEM Gent | 0 | |||||||||
| 11081 | Louis de | Meester | Sieraden der Diepte | 1962 | Film | 20:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11082 | Louis de | Meester | Snecken | 1965 | Film | 11:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11083 | Louis de | Meester | Spielerei | 1969 | Zuspiel / Tonband, 2 perf | ≈ 8:00 | Stereo | fl, vc [Flöte, Cello] | IDEAMA CD 006/ | IPEM Gent | 0 | ||||||||
| 11086 | Louis de | Meester | Tand om Tand | 1970 | Theatermusik | 25:00 | Mono | (H. Claus) | IPEM Gent | 0 | |||||||||
| 11087 | Louis de | Meester | Thema en Varieties | 1965 | fixed media, akusmatisch | 9:00 | Mono | IPEM Gent | 0 | ||||||||||
| 11088 | Louis de | Meester | Thyestes | 1966 | Theatermusik | 26:20 | Mono | (H. Claus) | IPEM Gent | 0 | |||||||||
| 11089 | Louis de | Meester | Toc - ade | 1967 | fixed media, akusmatisch | 3:53 | Mono | IPEM Gent | 0 | ||||||||||
| 11090 | Louis de | Meester | Trijntje Cornelis | 1965 | Theatermusik | 20:00 | Mono | (C. Huygens) | IPEM Gent | 0 | |||||||||
| 11092 | Louis de | Meester | Twee Englen op Bezoek | 1966 | Theatermusik | 18:00 | Mono | (G. Weissenborn) | IPEM Gent | 0 | |||||||||
| 43083 | Louis de | Meester | Uiterst vriendelijk licht | 1964 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | Text by S. Polet | IPEM Gent | 0 | ||||||||||
| 11093 | Louis de | Meester | Variatie op de Stilte | 1969 | radiophon | Stereo | IPEM Gent | 0 | |||||||||||
| 11094 | Louis de | Meester | Vroue Grieze | 1959 | Zuspiel / Tonband, | 11:00 | Mono | INR Bruxelles | 0 | ||||||||||
| 11095 | Louis de | Meester | Warai | 1967 | Zuspiel / Tonband, | 13:00 | Mono | str orc [Orchester] | IPEM Gent | 0 | |||||||||
| 11096 | Louis de | Meester | Woorden en muziek | 1970 | Theatermusik | 14:00 | Mono | (S. Beckett) | IPEM Gent | 0 | |||||||||
| 11097 | Louis de | Meester | Xenos | 1978 | Oper | 30:00 | IPEM Gent | 0 | |||||||||||
| 11098 | Louis de | Meester | Zoo Story | 1966 | Theatermusik | 7:00 | Mono | (E. Albee) | IPEM Gent | 0 | |||||||||
| 11001 | Louis de, David van de | Meester, Woestijne | Ballade | 1958 | fixed media, akusmatisch | 5:00 | Mono | INR Bruxelles | 0 | ||||||||||
| 11046 | Louis de, David van de | Meester, Woestijne | Inventions | 1958 | fixed media, akusmatisch | 12:00 | Mono | INR Bruxelles | 0 | ||||||||||
| 11077 | Louis de, David van de | Meester, Woestijne | Psalterion | 1958 | fixed media, akusmatisch | 7:00 | Mono | INR Bruxelles | 0 | ||||||||||
| 11080 | Louis de, David van de | Meester, Woestijne | (several transmissions) | 1953/1954 | radiophon | 160:00 | Mono | INR Bruxelles | 0 | ||||||||||
| 11091 | Louis de, David van de | Meester, Woestijne | Trilogie | 1962 | fixed media, akusmatisch | 0 | |||||||||||||
| 11047 | Louis de, David van de, Renier van der | Meester, Woestijne, Velden | Kabouters in de Veugel | 1961 | fixed media, akusmatisch | 7:00 | Mono | INR Bruxelles | 0 | ||||||||||
| 11084 | Louis de, David van de, Renier van der | Meester, Woestijne, Velden | Suite | 1958 | fixed media, akusmatisch | 7:30 | Mono | INR Bruxelles | 0 | ||||||||||
| 11099 | Paul | Méfano | Intersections | 1970 | fixed media, akusmatisch | 10:10 | 6 | CIRM Paris | 0 | ||||||||||
| 11100 | Paul | Méfano | La Messe des Voleurs | 1972 | Zuspiel / Tonband, 4 perf, 1 group | 75:00 | 6 | 4 V, ens [Stimme, Ensemble] | CIRM Paris | 0 | |||||||||
| 11101 | Paul | Méfano | Old Œdip | 1970 | Zuspiel / Tonband, 1 perf | 13:30 | Sp [Sprecher] | CIRM Paris | 0 | ||||||||||
| 24453 | Daniel | Meier | Organa III | 1970 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 11102 | Hermann | Meier | Klangschichten, Elektronische Studie | 1975 | fixed media, akusmatisch | 6:31 | Stereo | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 28742 | Robin | Meier | The Body is a Vessel | 2010 | live-elec, 2 perf | Apnoe Diver, com [computer] | SC Symposium 2010 | 25.9.2010 | Kleiner Wasserspeicher, Berlin | 1 | |||||||||
| 31647 | Mela | Meierhans | Enigma | 1999 | live-elec, 1 group | ens, (elec) [Ensemble] | HSM Basel | 0 | |||||||||||
| 31642 | Mela | Meierhans | Verité Verité Verirrte Vérité | 1999 | Zuspiel, live-elec, 1 perf | 12:59:00 | amp vn [Violine] | HSM Basel | 0 | ||||||||||
| 39603 | Augusto | Meijer | The Starry Night | 2016 | fixed media, akusmatisch | Augusto Meijer | 0 | ||||||||||||
| 11103 | Axel | Meijer | Compositie 1964 | 1964 | fixed media, akusmatisch | 2:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 11104 | Axel | Meijer | Werkstuk 1964 | 1964 | fixed media, akusmatisch | 2:32 | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | STEM Utrecht | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 32726 | Cord | Meijering | Gramsci Studie 2 | 2010 | fixed media, akusmatisch | 3:45 | pre study to the opera GRAMSCI. Text by Hans-Klaus Jungheinrich | EDITION MEIJERING | 0 | ||||||||||
| 11105 | Edmund | Meisel | Geräuschschallplatte(n) | 1928 | Film | Mono | for experimental work with soundtracks | 0 | |||||||||||
| 22503 | John | Melby | 91 Plus 5 | 1971 | fixed media, akusmatisch | 20:00 | IBM with MUSIC 360 | LDC 278070/71 Cultures Electroniques 13/ | EMS UIUC | Preis Bourges 79 | 1 | ||||||||
| 11106 | John | Melby | Chor der Steine | 1979 | fixed media, akusmatisch | 10:00 | LDC 278070/71 Cultures Electroniques 13/ | EMS UIUC | Prize Bourges 79 | 1 | |||||||||
| 11107 | John | Melby | Chor der Waisen | 1985 | fixed media, akusmatisch | 10:04 | Stereo, Quadro | MUSIC 360 | Centaur CRC 2045, CDCM Vol. 3/ | EMS UIUC | 1 | ||||||||
| 11108 | John | Melby | Concerto for violin and Tape | 1979 | Zuspiel / Tonband, 1 perf | 15:56 | vn [Violine] | FYLP 1025/ | EMS UIUC | 1 | |||||||||
| 11109 | John | Melby | Concerto No. 1 | 1984 | Zuspiel / Tonband, 1 perf | 17:31 | Stereo | fl [Flöte] | realisiert auf IBM 4341 mit MUSIC 360 | Centaur CRC 2110, CDCM Vol. 10/ | EMS UIUC | 1 | |||||||
| 11110 | John | Melby | Layers | 1981 | fixed media, akusmatisch | 9:51 | Stereo | CSC Padova | Biennale Venezia | Mention Bourges 1982 | 0 | ||||||||
| 11111 | John | Melby | Of Quiet Desperation | 1975 | fixed media, akusmatisch | EMS UIUC | 0 | ||||||||||||
| 11112 | Alessandro | Melchiorre | Ctonios | 1990 | live-elec, 1 perf | 15:00 | db [Kontrabass] | MM&T Milano | 0 | ||||||||||
| 11113 | Alessandro | Melchiorre | Halos | 1990 | live-elec, 1 perf | 13:00 | vn [Violine] | MM&T Milano | 0 | ||||||||||
| 11114 | Alessandro | Melchiorre | Primo Sonetto ad Orfeo | 1987 | live-elec, 1 group | 17:00 | ens [Ensemble] | Tecnomusica | 0 | ||||||||||
| 11115 | Alessandro | Melchiorre | Ritmische Schwelle | 1991 | live-elec, 1 perf | 14:00 | perc, (elec) [Schlagzeug] | MM&T Milano | 0 | ||||||||||
| 22682 | Bjørn | Melhus | no sunshine | 1997 | Film | 6:15 | 16 mm Farbe | TU Berlin, HBK Braunschweig | 1. Preis Marler Videokunstpreis 1998; 1. Preis Elida Fabergé München 1998; 2. Preis TRANSMEDIA Berlin 1998; Preis der deutschen Filmkritik Osnabrück 1998; Certificate of Merit San Francisco 1998; K&ST Fonds Braunschweig 1998 |
1 | |||||||||
| 22681 | Bjørn | Melhus | weit weit weg, Far Far Away | 1995 | Film | 39:00 | 16 mm Farbe; Gefördert mit Mitteln des Landes Niedersachsen | HBK Braunschweig | 1 | ||||||||||
| 23380 | Nick | Melia | O(N) | 2002 | fixed media, akusmatisch | 9:04 | ARiADA 2003/ | UEA Norwich | 0 | ||||||||||
| 42149 | Michaela | Melián | Electric ladyland | 2016 | radiophon | 57:11 | BR | 11.3.2016 | BR München | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4913577&vi=2&SID | ||||||||
| 42150 | Michaela | Melián | Memory loops | 2010 | radiophon | 284:33 | BR, Kulturreferat der Landeshauptstadt München | Kulturreferat der Landeshauptstadt München | 26.9.2010 - 24.10.2010 | BR München | Hörspiel des Jahres 2010 Hörspiel des Monats Oktober 2010 |
0 | |||||||
| 11116 | Philippe | Melin | "Ici l'Onde" | 1993 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 11117 | Sten | Melin | To be continued | 1986 | Zuspiel / Tonband, 1 perf | 6:35 | Stereo | db [Kontrabass] | EMS Stockholm | 0 | |||||||||
| 11118 | Arne | Mellnäs | Appassionato | 1970 | fixed media, akusmatisch | radiophon |
11:40 | Stereo, Quadro | EMS Stockholm | 0 | ||||||||||
| 11119 | Arne | Mellnäs | CEM 63 | 1963 | fixed media, akusmatisch | radiophon |
5:40 | Mono | CEM Bilthoven | 0 | ||||||||||
| 11120 | Arne | Mellnäs | Conglomérat | 1968 | fixed media, akusmatisch | radiophon |
7:50 | Stereo | SVR 1091/ LPD 3, SR - Dokumentation 3/ | SR Stockholm | 1 | |||||||||
| 11121 | Arne | Mellnäs | Den blå knappen (Del II) | 1970 | radiophon | 5:00 | Stereo | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 11122 | Arne | Mellnäs | Eufoni | 1969 | fixed media, akusmatisch | radiophon |
8:10 | Stereo, Quadro | CAP 1035 LP/ | EMS Stockholm | 1 | |||||||||
| 11123 | Arne | Mellnäs | Far Out - (Portrait of Laura Nyro) | 1970 | fixed media, akusmatisch | radiophon |
9:30 | Stereo, Quadro | Text-Sound Composition | RELP 1102-1103/ FYCD 1024 CD 5 Text-Sound Compositions/ | EMS Stockholm | 0 | ||||||||
| 11124 | Arne | Mellnäs | Intensity 6.5 (Edgard Varèse in memoriam) | 1966 | fixed media, akusmatisch | radiophon |
8:40 | Mono | EMI CSDS 1000/ | EMS Stockholm | 0 | |||||||||
| 11125 | Arne | Mellnäs | Kaleidovision | 1969 | Fernsehen, | Tanz |
12:25 | Mono | EMS Stockholm | 0 | ||||||||||
| 11126 | Arne | Mellnäs | Landskapsmusik | 1972 | fixed media, akusmatisch | 4:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 11127 | Arne | Mellnäs | Minibuff | 1967 | Oper | 50:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 11128 | Arne | Mellnäs | Monotrem | 1969 | fixed media, akusmatisch | radiophon |
9:25 | Stereo, Quadro | EMS Stockholm | 0 | ||||||||||
| 11129 | Arne | Mellnäs | Musik för Skolradion | 1970 | radiophon | 1:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 28107 | Arne | Mellnäs | Nite Music | 1964 | fixed media, akusmatisch | 5:58 | Stereo | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | 0 | ||||||||||
| 11130 | Arne | Mellnäs | OM I & II | 1972 | fixed media, akusmatisch | 3:55 | Stereo | EMS Stockholm | 0 | ||||||||||
| 11131 | Arne | Mellnäs | Pausmusik 1 - 7 | 1967 | Fernsehen, | 23:15 | EMS Stockholm | 0 | |||||||||||
| 11132 | Arne | Mellnäs | Riflessioni | 1981 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | cl [Klarinette] | EMS Stockholm | 0 | |||||||||
| 11133 | Arne | Mellnäs | Soliloquium IV | 1976 | Zuspiel / Tonband, 1 perf | 7:35 | Mono | bn [Fagott] | FYLP 1011/ | 1 | |||||||||
| 11134 | Arne | Mellnäs | Splinters | 1970 | fixed media, akusmatisch | radiophon |
5:25 | Mono | EMS Stockholm | 0 | ||||||||||
| 11135 | Chico | Mello | DAS PUBLIKUM | 1991 | Theatermusik | Quadro | after G. Lorca. Coproduction Hebbel Th Berlin, Bühnen Schwedt, HdK Amsterdam, HdK Berlin | HdK Berlin | 0 | ||||||||||
| 36979 | Chico | Mello | Nik Nih | 1993 | live-elec, 2 perf | trbn, perc [Posaune, Schlagzeug] | szenische Musik | 0 | |||||||||||
| 11136 | Chico | Mello | Tem um copo de veneno | 1992 | live-elec, 1 perf | 10:00 | Stereo | p, (Gestik) [Piano] | TU Berlin | Festival Inventionen DAAD/TU 92 | 12.2.1992 | Inventionen Akademie der Künste Berlin | 1 | 1992 | |||||
| 11137 | Chico | Mello | Todo Santo | 1989 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | cl (mit Gesten) [Klarinette] | dedicated to Dieter Schnebel (his 60. birthday) | HdK Berlin | 0 | ||||||||
| 11138 | Chico, Martin | Mello, Supper | Wunschmaschinen | 1992 | Performance | 30:00 | Quadro | Raumklang-Oper | HdK Berlin | Klangwerkstatt Berlin | Kreuzberger Klangwerkstatt, Berlin | 0 | |||||||
| 25989 | Laura | Mello | 29. Mai 1905 | 2004 | radiophon | 8:14 | aus „zeitzuhören“ | EX 656 Elak Wien/ | ELAK Wien | 1 | |||||||||
| 28223 | Laura | Mello | Der Lebenslift | 2006 | fixed media, akusmatisch | 9:25 | stimme: Jessica Huijnen; Tonmix: Sabine Maier | 1 | |||||||||||
| 25603 | Laura | Mello | Sonnencreme, Kaufmann on the beach | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 41456 | Laura, Wolfgang | Mello, Musil | living radio 2018 | 2018 | Performance | 4 actor, 2 mus [Musiker, Schauspieler] | für 4 beobachter, 2 musiker und 100 radiohörer | 29.9.2018 | Kollwitzplatz Berlin | 0 | http://www.dystopie-festival.net/wp/?lang=en | ||||||||
| 19134 | Andy | Mellwig | drifting, afroid, async sense, biaural, afrophil, zea | 1995 | fixed media, akusmatisch | ≈ 51:00 | imbalance recordings/ | PS | 1 | ||||||||||
| 13047 | Emanuel Dimas de | Melo Pimenta | Rings | 1989 | fixed media, akusmatisch | 25:30 | Stereo | mode 21/ | ESM Lisboa | 1 | http://www.moderecords.com/ | ||||||||
| 13048 | Emanuel Dimas de | Melo Pimenta | Rozart | 1989 | fixed media, akusmatisch | 15:09 | Stereo | an Rozart.Mix von Cage orientiert | mode 21/ | ESM Lisboa | 1 | http://www.moderecords.com/ | |||||||
| 13049 | Emanuel Dimas de | Melo Pimenta | Short Waves 1985 | 1985 | fixed media, akusmatisch | 13:56 | Stereo | used in M. Cunningham "fabrications" | mode 21/ | ESM Lisboa | 1 | http://www.moderecords.com/ | |||||||
| 13050 | Emanuel Dimas de | Melo Pimenta | Structures II | 1988 | fixed media, akusmatisch | 11:54 | Stereo | mode 21/ | ESM Lisboa | 1 | http://www.moderecords.com/ | ||||||||
| 11139 | Albert | Meloche | Inverse Entropy (Lane 12 #1-#5 / Airwaves 1 / The Neutron Corps / Airwaves 3 / Start Here / Melting Moonlight) | 1982 | fixed media, akusmatisch | Stereo | M104 | Yendor St Rodney ON | 0 | ||||||||||
| 11140 | Albert | Meloche | Science in Action (Random Advantage 1 / The wanderer and his shadow / Wing Command / Science in Action 2 / More / Inebrium) | 1982 | fixed media, akusmatisch | Stereo | M104 | Yendor St Rodney ON | 0 | ||||||||||
| 11141 | Albert | Meloche | Shadowplay (Lobo/ Gadnay / Ambient Ratland / Odessa Journey) | 1983 | fixed media, akusmatisch | Stereo | M104 | SPK Hall, Forest City Gal London ON | 0 | ||||||||||
| 11142 | Chris | Meloche | A Choir of Metal | 1983 | fixed media, akusmatisch | 13:15 | Stereo | NY Inst of Technology, Forest City Gal London ON | 0 | ||||||||||
| 11143 | Chris | Meloche | Concerning The Amorphous Isle | 1985 | fixed media, akusmatisch | 5:40 | Stereo | Rough Cut St | 0 | ||||||||||
| 11144 | Chris | Meloche | Electic Interlude | 1992 | fixed media, akusmatisch | 3:01 | CEC DISContact_1/ | Rough Cut St | 1 | ||||||||||
| 18935 | Chris | Meloche | Extensions V | 1994 | Zuspiel, live-elec, 1 perf | 2:45 | trbn, (elec) [Posaune] | CEC DISContact_2/ | London ON | 1 | |||||||||
| 11145 | Chris | Meloche | Eyeless in Wonderland | 1987 | fixed media, akusmatisch | 5:45 | Stereo | Rough Cut St | 0 | ||||||||||
| 11146 | Chris | Meloche | Fallen Star | 1987 | fixed media, akusmatisch | 5:45 | Stereo | Rough Cut St | 0 | ||||||||||
| 11147 | Chris | Meloche | Intensities: 1 | 1987 | fixed media, akusmatisch | 5:20 | Stereo | Rough Cut St | 0 | ||||||||||
| 11148 | Chris | Meloche | Into The Wind | 1986 | fixed media, akusmatisch | 7:04 | Stereo | Rough Cut St | 0 | ||||||||||
| 11149 | Chris | Meloche | Japanese Landscape | 1986 | fixed media, akusmatisch | 21:15 | Stereo | Rough Cut St | 0 | ||||||||||
| 11150 | Chris | Meloche | Memory | 1987 | fixed media, akusmatisch | 6:07 | Stereo | Rough Cut St | 0 | ||||||||||
| 11151 | Chris | Meloche | Mental Note | 1986 | fixed media, akusmatisch | 8:05 | Stereo | Rough Cut St | 0 | ||||||||||
| 11152 | Chris | Meloche | Motion Sickness | 1986 | fixed media, akusmatisch | 7:45 | Stereo | Rough Cut St | 0 | ||||||||||
| 11153 | Chris | Meloche | One or More | 1986 | fixed media, akusmatisch | 14:06 | Stereo | Rough Cut St | 0 | ||||||||||
| 11154 | Chris | Meloche | Polite Warfare: "0.0" | 1982 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 11155 | Chris | Meloche | Procession | 1985 | fixed media, akusmatisch | 4:45 | Stereo | Rough Cut St | 0 | ||||||||||
| 11156 | Chris | Meloche | Quartet #1 (For Vibraphone) | 1987 | fixed media, akusmatisch | 5:28 | Stereo | Rough Cut St | 0 | ||||||||||
| 11157 | Chris | Meloche | Shimmer | 1986 | fixed media, akusmatisch | 11:15 | Stereo | Rough Cut St | 0 | ||||||||||
| 11158 | Chris | Meloche | Summer Sun | 1986 | fixed media, akusmatisch | 7:15 | Stereo | Rough Cut St | 0 | ||||||||||
| 11159 | Chris | Meloche | Sway | 1986 | fixed media, akusmatisch | 6:35 | Stereo | Rough Cut St, Forest City Gal London ON | 0 | ||||||||||
| 11161 | Chris | Meloche | The Process | 1985 | fixed media, akusmatisch | 3:22 | Stereo | Rough Cut St | 0 | ||||||||||
| 11162 | Chris | Meloche | The Spirit of Marcel Duchamp | 1987 | fixed media, akusmatisch | 25:10 | Stereo | Rough Cut St | 0 | ||||||||||
| 11163 | Chris | Meloche | The Transition Area | 1985 | fixed media, akusmatisch | 5:00 | Stereo | Rough Cut St | 0 | ||||||||||
| 11164 | Chris | Meloche | Throttle Up | 1986 | fixed media, akusmatisch | 8:05 | Stereo | Rough Cut St | 0 | ||||||||||
| 11165 | Chris | Meloche | Wind on Wind | 1986 | fixed media, akusmatisch | 22:00 | Stereo | Rough Cut St | 0 | ||||||||||
| 11160 | Chris, Brian | Meloche, Lambert | Swept Away | 1987 | fixed media, akusmatisch | 12:00 | Stereo | Rough Cut St, Nach Dem Tode St, Forest City Gal London ON | 0 | ||||||||||
| 10466 | Samir | Menaceri | Canto Acuaticos | 1984 | fixed media, akusmatisch | PS CIIMM Mexico | 0 | ||||||||||||
| 27186 | Samir | Menaceri | Extincion | 1990 | fixed media, akusmatisch | 6:07 | IMEB Bourges | 0 | |||||||||||
| 10468 | Samir | Menaceri | Sin titulo | 1985 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 10467 | Samir, Arturo | Menaceri, Marquez | Mascleta y fuga | 1985 | Zuspiel, live-elec, 2 perf | 2 synt [synthesizer] | with recordings of fireworks | EMI LME 515/ | 0 | ||||||||||
| 11166 | Philippe | Ménard | Femme-en-Songe | 1981 | fixed media, akusmatisch | 15:52 | Stereo | IMEB Bourges | 0 | ||||||||||
| 21914 | Philippe | Ménard | Houppi-Hopi | 1972 | fixed media, akusmatisch | 9:05 | Stereo | IMEB Bourges | 0 | ||||||||||
| 11167 | Philippe | Ménard | Jeux d'interdits | 1975 | intermedia, live-elec, | 23:00 | Stereo | (slides) [] | IMEB Bourges | 0 | |||||||||
| 11168 | Philippe | Ménard | Maquam-à-Toi | 1977 | fixed media, akusmatisch | 19:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 11169 | Philippe | Ménard | Reel-à-Phil | 1974 | fixed media, akusmatisch | 15:00 | Stereo | FYLP 1012/ | IMEB Bourges | prize Fylkingen 1975 | 1 | ||||||||
| 11170 | Philippe | Ménard | Vie d'optique | fixed media, akusmatisch | 17:00 | Stereo | 0 | ||||||||||||
| 36855 | Xavier | Ménard | Fragmentation(s) | 2017 | fixed media, akusmatisch | 6:50:00 | UdeM | prize JTTP 2017 | 0 | ||||||||||
| 35781 | Felipe | Mendes | Nalgum Lugar nos Limites do Terceiro Céu, Recover Nalgum place us limits do Terceiro Céu | 2013 | fixed media, akusmatisch | Octo | 1. prize 4º concurso latinoamericano de composición electroacústica y electrónica Gustavo Becerra schmidt 2013 | 0 | |||||||||||
| 11171 | Gilberto | Mendes | Cidade | 1964 | Zuspiel / Tonband, 5 perf | 2:20 | Mono + Mono | 3 V, p, db [Stimme, Piano, Kontrabass] | after a poem by de Campas | PS C. | 0 | ||||||||
| 11172 | Gilberto | Mendes | Escurial | 1960 | Theatermusik | 3:30 | Mono | PS C. | 0 | ||||||||||
| 11173 | Gilberto | Mendes | nascemorre | 1963 | Zuspiel / Tonband, 2 perf | 0:45-1:15 | Mono | V, perc [Stimme, Schlagzeug] | after a poem by de Campas | PS C. | 0 | ||||||||
| 34112 | Andrés | Mendiondo | Estudio FM | 2011 | fixed media, akusmatisch | 4:37 | FONAM Urugay/ | 0 | |||||||||||
| 39718 | David | Mendoza | Dissolution No. 4 | 2017 | fixed media, akusmatisch | 16 Tracks | David Mendoza | 0 | |||||||||||
| 39719 | David | Mendoza | Drift | 2015 | fixed media, akusmatisch | 6:17:00 | David Mendoza | 0 | |||||||||||
| 43036 | David | Mendoza | Ghosts of Fukushima | 2013 | live-elec, 1 perf | 5:40:00 | str (erhu) [Streicher] | David Mendoza, erhu | 0 | ||||||||||
| 42789 | David | Mendoza | Séance for violin and electronics | 2012 | live-elec, 1 perf | 7:13:00 | vn [Violine] | David Mendoza, violin | 0 | ||||||||||
| 31616 | Benedikt | Mendzigal | The Art of Destruction | 2012 | audiovisuell | 4:00 | next_generation 5.0 | HfM Trossingen | 0 | ||||||||||
| 11175 | Renato | Meneghetti | Insania | 1982 | fixed media, akusmatisch | 35:00 | Stereo | Panarecords 3371/ | CSC Padova | 0 | |||||||||
| 18855 | Jim | Meneses | 2 Studien Synclavier | fixed media, akusmatisch | Synclavier | 1 | |||||||||||||
| 22657 | Jim | Meneses | A man who saw very quickly | 1988 | fixed media, akusmatisch | Synclavier | TU Berlin | 1 | |||||||||||
| 18856 | Jim | Meneses | Prelimity | fixed media, akusmatisch | Synclavier | 1 | |||||||||||||
| 18857 | Jim | Meneses | Time | fixed media, akusmatisch | Synclavier | 1 | |||||||||||||
| 22631 | Flo | Menezes | A Dialètica da Praia | 1993 | Zuspiel / Tonband, 2 perf | 23:05 | Stereo | 2 perc [Schlagzeug] | CD GHA 126.033/ | PANaroma São Paulo | 18 July 1994 | Auditório Cláudio Santoro, Campos do Jordão; 25. Festival de Inverno de Campos do Jordão, Duo Diálogos (Joaquim Abreu and Carlos Tarcha, percussion) and Flo Menezes (electronics). | FEU (Fundação Editora da Unesp), São Paulo | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||
| 22633 | Flo | Menezes | A Viagem sobre os Grãos | 1993 - 1996 | Zuspiel / Tonband, 2 perf | 13:50 | Stereo | 2 perc [Schlagzeug] | Russolo Pratella EF.ER.P 96/ | PANaroma São Paulo | American Composers Orchestra to be first performed at Carnegie Hall (Weill Recital Hall). | 9.04.1996 | Carnegie Hall (Weill Recital Hall), New York; Sonidos de las Américas: Brasil, Duo Diálogos (Joaquim Abreu and Carlos Tarcha, percussion) and Flo Menezes (electronics). | 1st prize Russolo Varese 96 | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||
| 22632 | Flo | Menezes | Atlas Folisipelis | 1996 - 1997 | Zuspiel, live-elec, 4 perf | 23:47 | Quadro | 3 ob, perc [Oboe, Schlagzeug] | perc ≈ membrane | PANaroma São Paulo | Instituto Cultural Itaú (São Paulo) | 30.08.1998 | Instituto Cultural Itaú, São Paulo; 34. Festival Música Nova, Piet van Bockstal (oboes), Joaquim Abreu and Eduardo Gianesella (percussion), Alê Siqueira, Ignacio de Campos and Flo Menezes (electronics). | Finalist work at the Concours International de Musique Électroacoustique de Bourges 1999, France. | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||
| 22635 | Flo | Menezes | Confluéncias | 1985 | live-elec, 7 perf | 14:00 | 6 ins, synt [Instrument, synthesizer] | Collective Composition | 0 | ||||||||||
| 22636 | Flo | Menezes | Contesture III - Tempi reali, Tempo virtuale | 1990 | live-elec, 2 perf | 6:25 | 2 p [Piano] | PANaroma MM CD 1/ | PANaroma São Paulo | 12 October 1990 | Aula der Musikhochschule Köln, Cologne; Aulakonzert Neue Musik XL, Paulo Álvares and Débora Halász (pianos), and Flo Menezes (electronics). | 1 | |||||||
| 22637 | Flo | Menezes | Contesture IV - Monteverdi altrimenti | 1992 - 1993 | Zuspiel / Tonband, 7 perf | 16:10 | Stereo + Stereo | tpt, cl, trbn, p, synt, sax, perc [Klarinette, Saxophon, Trompete, Posaune, Piano, Schlagzeug, synthesizer] | BNM CD 2/ | PANaroma São Paulo | 7.08.1993 | SESC Vila Nova, São Paulo; 29. Festival Música Nova, Carlos Sulpício (trumpet), Grupo Novo Horizonte conducted by Graham Griffiths and Flo Menezes (electronics). | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||
| 22638 | Flo | Menezes | Contextures I (Hommage à Berio), Hommage à Berio | 1988 - 1989 | fixed media, akusmatisch | 8:20 | Quadro | PANaroma MM CD 1/ ST.OSTI5 Bologna/ HfMT Köln CD8/ | HfMT Köln | Bienal Internacional de São Paulo 1989 | 25.11.1989 | Pavilhão da Bienal Internacional de São Paulo, São Paulo; during the International Biennial of São Paulo 1989 | UNESCO selection Paris 91 | 1 | |||||
| 26762 | Flo | Menezes | Crase | 2005 - 2006 | live-elec, 1 group | 24:00 | orc [Orchester] | PANaroma São Paulo | OSESP (Orquestra Sinfônica do Estado de São Paulo). | 13.12.2007 | Sala São Paulo, São Paulo; OSESP, conducted by Victor Hugo Toro and Flo Menezes (electronics). | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||||
| 41466 | Flo | Menezes | … donde solo las plantas suenan … | 2015 | live-elec, 1 perf | 16 | hp [Harfe] | CMMAS Morelia | 7.10.2018 | Bienal Internacional de Música Eletroacústica de São Paulo ( Bimesp ) 2018 | 0 | ||||||||
| 25693 | Flo | Menezes | Harmonia das Esferas | 2000 | fixed media, akusmatisch | 34:26 | Octo | el. Version of „Pulsars“ (1998-2000) for p, orc, 4-ch-tape. Tribute to Stockhausens 70. Birthday |
PANaroma MM CD 07/ | PANaroma São Paulo | 29.10.2000 | SESC Vila Mariana, São Paulo | 1 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||
| 22639 | Flo | Menezes | In Memoriam Berg-Bartok | 1985 | live-elec, 7 perf | 16:00 | 6 ins, synt [Instrument, synthesizer] | Collective Composition | 0 | ||||||||||
| 22640 | Flo | Menezes | Kontexturen II (Schachspiegel) | 1989 - 1990 | fixed media, akusmatisch | intermedia |
9:11 | Quadro | slide-projection of a chess player and works by Regina Johas | HfMT Köln | 29 January 1990 | Aula der Musikhochschule Köln, Cologne; Aulakonzert Neue Musik XXXVII. | 0 | |||||||
| 26756 | Flo | Menezes | L'Itinéraire des Résonances | 2001 | Zuspiel, live-elec, 3 perf | 16:31 | Quadro | fl, 2 perc [Flöte, Schlagzeug] | PANaroma São Paulo | Fondation Nestlé (Switzerland) for Verena Bosshart and for Duo Contexto (Eduardo Leandro and Ricardo Bologna). | 9.11.2001 | Institut Jaques-Dalcroze, Genève; Verena Bosshart (flutes), Ricardo Bologna and Eduardo Leandro (percussion), and Flo Menezes (electronics). | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||
| 22641 | Flo | Menezes | La (Dè)marche sur les Grains | 1993 | fixed media, akusmatisch | 13:50 | Stereo | CD Edusp/ | PANaroma São Paulo | 8.04.1994 | MAC, São Paulo. | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||||
| 26761 | Flo | Menezes | La Novità del Suono | 2006 | live-elec, 1 group | 23:00 | Octo | orc [Orchester] | PANaroma São Paulo | EOC (Ensemble Orchestral Contemporain) of Lyon. | 13 August 2006 | Auditório Ibirapuera, São Paulo; 41. Festival Música Nova, Ensemble Orchestral Contemporain conducted by Daniel Kawka and Flo Menezes (electronics). | Giga-Hertz-Preis 2007 (ZKM / Experimentalstudio Freiburg), Germany. | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||
| 22642 | Flo | Menezes | La Ricerca Panica di Eco | 1991 | fixed media, akusmatisch | 9:50 | Stereo | 0 | |||||||||||
| 26758 | Flo | Menezes | labORAtorio – an Electroacoustic Oratorium | 1991 - 2003 | Zuspiel, live-elec, 1 perf, 2 groups | 56:00 | Quadro | S, ch, orc [Sopran, Chor, Orchester] | PANaroma 500.000.124/ | PANaroma São Paulo | 31.01.2004 | Theatro Municipal de São Paulo, São Paulo; Martha Herr (soprano), Coral Paulistano, Orquestra Experimental de Repertório, Mara Campos (choir conductor), Jamil Maluf (orchestra conductor) and Flo Menezes (electronics). | 1 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||
| 26757 | Flo | Menezes | Mahler in Transgress | 2002 - 2003 | live-elec, 2 perf | 53:00 | Quadro | 2 p [Piano] | PANaroma São Paulo | 18 October 2003 | La Casa Encendida, Madrid; Alberto Rosado and Vadim Gladkov (pianos), and Flo Menezes (electronics). | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||||
| 41467 | Flo | Menezes | MetaScriptio | 2015 | fixed media, akusmatisch | 12:35 | 24 Tracks | 0 | |||||||||||
| 26765 | Flo | Menezes | Motus in Fine Velocior - In Memoriam Stockhausen | 2008 | fixed media, akusmatisch | 13:00 | Octo | PANaroma São Paulo | 21 August 2008 | SESC Vila Mariana, São Paulo; VII BIMESP 2008. | 1 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||||
| 26759 | Flo | Menezes | O Livro do Ver(e)dito | 2004 | fixed media, akusmatisch | 22:29 | Octo | PANaroma São Paulo | GRM (Groupe de Recherches Musicales, Paris) for the Acousmonium loudspeaker orchestra and by the Forschungskolleg der Universität zu Köln (Cologne). | 8 October 2004 | Aula der Universität zu Köln, Cologne; Audiovisionen 2004, Acousmonium-Konzert. | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||||
| 22643 | Flo | Menezes | PAN | 1985 - 1986 | Zuspiel / Tonband, 1 group | 20:02 | Stereo | orc [Orchester] | 0 | ||||||||||
| 22644 | Flo | Menezes | PAN: Laceramento della Parola (Omaggio à Trotskji) | 1986 - 1988 | fixed media, akusmatisch | 7:50 | Quadro | 3 parts | PANaroma MM CD 1/ CD Edusp/ | HfMT Köln | 0 | ||||||||
| 22645 | Flo | Menezes | Parcours de l‘Entitè | 1994 | Zuspiel / Tonband, 4 perf | 15:41 | Stereo | 3 fl, perc [Flöte, Schlagzeug] | music V sounds made at the CSC Padova; 3 sections | PANaroma MM CD 1/ Prix ars electronica 95/ SBME 006 Coletânea de Música Eletroacústica Brasileira/ | IMEB Bourges, CSC Padova | 5.06.1994 | Palais Jacques Cœur, Bourges; Festival Synthèse 94 | Auszeichnung ars electronica 1995 | FEU (Fundação Editora da Unesp), São Paulo (together with the book by Flo Menezes, Atualidade Estética da Música Eletroacústica). | 1 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||
| 22646 | Flo | Menezes | Phantom-Wortquelle. Words in Transgress |
1986 - 1987 | fixed media, akusmatisch | 23:45 | Quadro | txtcompo | HfMT Köln | 1 | |||||||||
| 22647 | Flo | Menezes | Profils écartelés | 1988 | Zuspiel / Tonband, 1 perf | 14:36 | Quadro | p [Piano] | part1 (2 sections), part 2 (10 sections) | PANaroma MM CD 1/ BNM CD 2/ HfMT Köln CD2/ | HfMT Köln | 1st prize TRIMALCA 93 | 1 | ||||||
| 26755 | Flo | Menezes | Pulsares | 1998 - 2000 | Zuspiel, live-elec, 2 perf, 1 group | 29:00 | Quadro | p, prep p, (rm), ens [Piano, Ensemble] | the acousmatic version of this piece is "Harmonia das Esferas" (2000) | PANaroma 500.000.124/ | PANaroma São Paulo | 24.11.2003 | Walt Disney Hall (RedCat), Los Angeles; Vicki Ray (piano), New Century Players conducted by David Rosenboom, Mark Trayle and Flo Menezes (electronics). | Prix Ars Electronica 95 | 1 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||
| 22648 | Flo | Menezes | Quarteto para o Advento de Novos Tempos | 1985 | live-elec, 4 perf | 8:00 | T, va, trbn, synt [Tenor, Posaune, Viola, synthesizer] | 0 | |||||||||||
| 26766 | Flo | Menezes | Retrato Falado das Paixões | 2008 | live-elec, 1 group | 34:00 | ch [Chor] | ch ≈ 32 V | Experimentalstudio für Akustische Kunst Freiburg | Experimentalstudio of Freiburg for the SWR Vokalensemble Stuttgart. | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||||
| 26763 | Flo | Menezes | Selva Illuminata | 2006 | fixed media, akusmatisch | 13:26 | Octo | PANaroma São Paulo | 28.03.2007 | SESC Vila Mariana, São Paulo | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||||
| 22649 | Flo | Menezes | Sinfonias | 1997 - 1998 | fixed media, akusmatisch | 13:33 | Octo | PANaroma MM CD 07/ | IRCAM, PANaroma São Paulo | 13 October 1998 | Salle de Concert Oscar Peterson, Université Concordia, Montreal. | 1 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||||
| 25692 | Flo | Menezes | Stream from outer space | 2001 | fixed media, akusmatisch | 6:00 | Quadro | Electroacoustic sounds (acousmatic piece; based on the final moments of Harmonia das Esferas (acousmatic version of Pulsares); 4 or 2 channels) | PANaroma MM CD 09/ | PANaroma São Paulo | 8.-17.06.2001 | Foyer TJC, Bourges; Festival Synthèse 2001. | 1 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||
| 26760 | Flo | Menezes | Todos os Cantos | 2004 - 2005 | fixed media, akusmatisch | 15:08 | Octo | KHM Köln Klanglabor | KHM (Kunsthochschule für Medien/Köln, Cologne). | 7.06.2005 | SESC Vila Mariana, São Paulo. Selected work at the "V Festival Internacional de Música Electroacústica de Santiago de Chile, Ai-maako 2005”. |
0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||||
| 26764 | Flo | Menezes | Traces | 2007 | live-elec, 4 perf | 14:30 | str-qt [Streicher] | PANaroma São Paulo | Festival Música Nova of São Paulo for the Arditti String Quartet. | 13 September 2007 | SESC Vila Mariana, São Paulo; 42. Festival Música Nova, Arditti String Quartet and Flo Menezes (electronics). | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | ||||||
| 22650 | Flo | Menezes | TransFormantes III | 1997 | live-elec, 1 perf | 6:30 | vib [Schlagzeug] | PANaroma MM CD 3/ | PANaroma São Paulo | André Juarez | 17 October 1998 | FASM, São Paulo; II BIMESP 1998, André Juarez (vibraphone) and Flo Menezes (electronics). | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||
| 22651 | Flo | Menezes | Words in Transgress | 1986 - 1995 | fixed media, akusmatisch | 12:33 | Stereo | tape based on verbal sounds; 7 sections | PANaroma MM CD 1/ | PANaroma São Paulo | 19 June 2005 | Centro Cultural Fiesp, São Paulo. | 1 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||
| 22634 | Flo, Silvio | Menezes, Ferraz | Campos de pássaros - Messiaen Revisitado | 1994 | Zuspiel, live-elec, 12 perf | 16:30 | Stereo | p {4 hands}, synt, vn, sax, cl, trbn, tpt, 4 perc, (elec) [Klarinette, Saxophon, Trompete, Posaune, Piano, Schlagzeug, Violine, synthesizer] | PANaroma MM CD 3/ | PANaroma São Paulo | 22 July 1994 | Vila Dom Bosco, Campos do Jordão; 25. Festival de Inverno de Campos do Jordão, Paulo Álvares (piano), Duo Diálogos (Joaquim Abreu and Carlos Tarcha, percussion), Grupo Novo Horizonte conducted by Graham Griffiths and Flo Menezes (electronics). | 0 | http://www.flomenezes.mus.br/flomenezes/index_flomenezes.html | |||||
| 11184 | Misha | Mengelberg | Amaga | 1971 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 11185 | Misha | Mengelberg | Hello windyboys | 1968 | live-elec, 10 perf | 10 w-ins [Bläser] | STEIM | 0 | |||||||||||
| 11186 | Misha | Mengelberg | Organum candelabrium | 1977 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 19143 | Dr. | Mengelhause | Noodlesoup | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | ||||||||||||
| 22013 | Olivier | Menini | Neuf Esquisses Acousmatiques | 1997 | fixed media, akusmatisch | 9:03 | Musidisc 247982/ NOR 05/ | CNR Toulouse | 1 | ||||||||||
| 32889 | Emmanuel | Ménis | Trillo | 2004 | live-elec, 2 perf | 7 | p, perc [Piano, Schlagzeug] | IRCAM | 24.11.2004 | Lyon | 0 | ||||||||
| 11187 | Bruno | Menny | Cosmographie | 1969 | fixed media, akusmatisch | Arion 30 V 085/ | 0 | ||||||||||||
| 15267 | Gian Carlo | Menotti | Help, Help the Globolinks! | 1968 | Oper | 71 | 21.12.1968 | Hamburgische Staatsoper | 0 | http://de.wikipedia.org/wiki/Hilfe,_Hilfe,_die_Globolinks | |||||||||
| 38784 | Wolfgang Peter, Ola Eseth | MENZEL, MOEN | My father, the sea | 2007 | radiophon | 42:58:00 | 0 | ||||||||||||
| 42856 | Chris | Mercer | Evolving Choruses | 2013 | fixed media, akusmatisch | 9:51:00 | 0 | ||||||||||||
| 39676 | Christopher | Mercer | Trapdoor Piano | 2015 | fixed media, akusmatisch | 9:25:00 | Christopher Mercer | 0 | |||||||||||
| 11188 | Dominic | Mercier | Nuit blanche | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 11189 | Pierre | Mercure | Elément Trois | 1965 | Film | 46:00 | Mono | McGill Montréal | 0 | ||||||||||
| 11190 | Pierre | Mercure | Forme des choses | 1964 | Film | 10:00 | Mono | McGill Montréal | 0 | ||||||||||
| 11191 | Pierre | Mercure | Incandescence | 1961 | Tanz | 17:00 | Mono | CBC Montréal | 0 | ||||||||||
| 11192 | Pierre | Mercure | Psaume pour Abri | 1963 | Zuspiel / Tonband, 1 perf, 2 groups | 31:00 | Stereo | Sp, ch, orc [Sprecher, Chor, Orchester] | CBC Montréal | 0 | |||||||||
| 11193 | Pierre | Mercure | Structures métalliques #1 | 1960 | fixed media, akusmatisch | 10:00 | 3 tracks | PS C. Montréal | 0 | ||||||||||
| 11194 | Pierre | Mercure | Structures métalliques #2 | 1961 | Klangkunst, Installation | ∞ | Stereo + Stereo | pour sculptures d'Armand Vaillancourt | PS C. Montréal | 0 | |||||||||
| 11195 | Pierre | Mercure | Structures métalliques #3 | 1961 | fixed media, akusmatisch | ∞ | Stereo + Stereo | PS C. Montréal | 0 | ||||||||||
| 11196 | Pierre | Mercure | Tetrachromie | Tanz, 4 perf | a-sax, cl, b-cl, perc [Klarinette, Saxophon, Schlagzeug] | Mainstream MS 6763/ | CBC Montréal | 0 | |||||||||||
| 37214 | Jean-David | Merhi | Katharaxis | 2017 | fixed media, akusmatisch | 7:00:00 | multichannel | HEAR Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 23177 | Lisa | Meridan | Blaze | 1999 | fixed media, akusmatisch | Klangkunst, Installation |
6:31 | UWMD 1200 New Zealand Sonic Art 2000/ | Uni Auckland | 1 | ||||||||||
| 23178 | Lisa | Meridan | Twitter tourniquet | 2000 | fixed media, akusmatisch | 7:53 | UWMD 1201 New Zealand Sonic Art Vol. 2/ | Uni Waikato | 1 | ||||||||||
| 11197 | Usko | Meriläinen | Alasin, The Anvil | 1975 | fixed media, akusmatisch | 20:44 | Jase CD 0014/ | Yleisradio | 1 | ||||||||||
| 11198 | Usko | Meriläinen | Aspects on Psykhe | Zuspiel / Tonband, | Yleisradio | 0 | |||||||||||||
| 11199 | Usko | Meriläinen | Eros ja Psykhe | 1964 | radiophon | 20:00 | Mono | Yleisradio | 0 | ||||||||||
| 11200 | Usko | Meriläinen | Ku-gu-ku | 1979 | fixed media, akusmatisch | 16:07 | Jase CD 0014/ | Yleisradio | 1 | ||||||||||
| 11201 | Usko | Meriläinen | Oratorio Picassolle | 1984 | Radiokunst, 2 perf | 29:56 | 2 Sp [Sprecher] | Oratorio for Picasso | Jase CD 0014/ | Yleisradio | 1 | ||||||||
| 11202 | Usko | Meriläinen | Psykhe | 1972 | Tanz | Yleisradio | 0 | ||||||||||||
| 11203 | Usko | Meriläinen | Suvisoitto (Summer Sounds for Flute and Grasshoppers) | 1979 | Zuspiel / Tonband, 1 perf | 6:51 | fl [Flöte] | ODE 742/ | Yleisradio | 0 | |||||||||
| 11204 | Usko | Meriläinen | The Concert where I Dozed Off – Consciousness Streaming Free | 1982 | radiophon | (radiophonic poem) | Yleisradio | 0 | |||||||||||
| 22738 | Jacky | Merit | Emphase | 1999 | fixed media, akusmatisch | 11:18 | LDC 278070/71 Cultures Electroniques 13/ | PS | Pierre d'Or Bourges 1999 | 1 | |||||||||
| 24454 | Jacky | Merit | Involution | 2001 | fixed media, akusmatisch | 14:39:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 24789 | Jacky | Mérit | Éthique épique | 2002 | fixed media, akusmatisch | 11:59 | Stereo | MR 2002 Métamorphoses 2002/ LDC 2781138 Compendium 2005/ | IMEB Bourges | Métamorphoses 2002 mention | 1 | ||||||||
| 11205 | Bertrand | Merlier | Epoxy | 1989 | fixed media, akusmatisch | étudesNo. 1, 2, 3, 4 | CNR Lyon | 0 | |||||||||||
| 20515 | Bertrand | Merlier | O Houenouho | intermedia | 70:00 | Stereo | 13 parts | Theleme 02/ | CNR Lyon | 0 | |||||||||
| 20516 | Jacqueline | Merville | Pière pour une folle | 1992 | fixed media, akusmatisch | 1:53 | Stereo | GMVL 003/ | GMVL Lyon | 0 | |||||||||
| 42832 | JP | Merz | The Voice and the Peak | 2013 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 40864 | Merzbow | Birds and Warhorse | fixed media, akusmatisch | 11:30 | SR 220 sub rosa/ | 0 | |||||||||||||
| 11206 | Luis | Mesa | Golem | fixed media, akusmatisch | 5:40 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 11207 | Luis | Mesa | Tunel I | fixed media, akusmatisch | 5:06 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 11208 | Marcos | Mesquita | De barro é feito João, e sopro | 1994 | Zuspiel / Tonband, 6 perf | 7:20 | Stereo | 6 ins [Instrument] | PANaroma São Paulo | 0 | |||||||||
| 11209 | Olivier | Messiaen | Fête des belles eaux, Premieères fusées L 'eau Les fusées L 'eau Les fusées L 'eau (à son maximum de hauteur) Superposition de l 'eau et des fusées Feu d'artifice final |
1937 | live-elec, 6 perf | 31:35 | 6 | 6 oma [synthesizer] | "Sextuor Jeanne Loriod" at "Les Ondes Martenot - 50th Anniversaire de leur invention".# open-air-performance |
MHS 821/ Adès 21.007/08/ ERA STU 70102/ | 1 | 1990 | |||||||
| 21544 | Olivier | Messiaen | Oraison | 1937 | live-elec, 4 perf | 7:42 | 4 oma (or org, oma; oma, orc) [synthesizer] | Ellipsis Arts 3671 - OHM: 01/ CDCD 5067/ SR 250 sub rosa/ | 1 | ||||||||||
| 11210 | Olivier | Messiaen | Timbres durées, Timbres-durées | 1952 | fixed media, akusmatisch | Zuspiel, live-elec, 1 perf |
15:05 | Mono, 3 tracks | p [Piano] | with assistens by Pierre Henry für eine mehrkanalige Aufführung, mit 3 Lautsprechern? | INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 034/ | INA • GRM | 21.5.1951 23.5.1952 21.5.1952 |
Paris, Salle de l'Ancien Conservatoire dito dito |
1 | |||||
| 11211 | Olivier | Messiaen | Trois petites Liturgies de la presence divine | live-elec, 19 perf, 1 group | oma, 18 fem V, orc [Stimme, synthesizer, Orchester] | ERA 3202/ ERA LDE 3300 LP/ ERA STU 70200 LP/ | 1 | ||||||||||||
| 11212 | Olivier | Messiaen | Turangalila symphonie | 1946 | live-elec, 2 perf, 1 group | oma, cl, orc [Klarinette, synthesizer, Orchester] | RCA LSC 7051/ CDCD 5067/ | 1 | |||||||||||
| 23179 | Martin | Messier | Tiaré | 2002 | fixed media, akusmatisch | 6:59 | JTTP 2002 | CEC Cache 2002/ | Uni Montreal | winner JTTP 2002 3. prize | 1 | ||||||||
| 43189 | Martin, Nicolas | Messier, Bernier | La chambre des machines | 2011 | Performance | Auszeichnung ars electronica honorary mention 2011 | 0 | http://www.lachambredesmachines.com/ | |||||||||||
| 11213 | Sergio | Messina | Radiomantra | 1991 | radiophon | 17:00 | 0 | ||||||||||||
| 11214 | Patrice | Mestral | Bloc VI | 1971 | Zuspiel / Tonband, 1 perf | fl [Flöte] | CIRM Paris | 0 | |||||||||||
| 35457 | Josep Maria | Mestres Quadreny | Concert equinoccial | Zuspiel / Tonband, 5 perf | 16:25 | solo-perc, 4 perc [Schlagzeug] | AudioVisuals De Sarriá 20.1343/ | Phonos Barcelona | 0 | ||||||||||
| 11215 | Josep Maria | Mestres Quadreny | Concert per a representar | 1964 | Musiktheater, 11 perf | 7:00 | Stereo | 6 ins, 5 actor [Instrument, Schauspieler] | Phonos Barcelona | 0 | |||||||||
| 11216 | Josep Maria | Mestres Quadreny | Doble Concert | Zuspiel / Tonband, | Phonos Barcelona | 0 | |||||||||||||
| 19932 | Josep Maria | Mestres Quadreny | Espai sonor | 1976 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 11217 | Josep Maria | Mestres Quadreny | Homenatge a Joan Prats | 1972 | Musiktheater, 1 group | ens [Ensemble] | Phonos Barcelona | 0 | |||||||||||
| 11218 | Josep Maria | Mestres Quadreny | L'Estro Aleatorio III | 1978 | Zuspiel / Tonband, 1 group | (typewriter,) orc [Orchester] | Phonos Barcelona | 0 | |||||||||||
| 11219 | Josep Maria | Mestres Quadreny | Oxo | 1963 | fixed media, akusmatisch | 4:00 | Mono | Phonos Barcelona | 0 | ||||||||||
| 11220 | Josep Maria | Mestres Quadreny | Peca per a serra mecanica | 1964 | fixed media, akusmatisch | 5:00 | Mono | Phonos Barcelona | 0 | ||||||||||
| 19933 | Josep Maria | Mestres Quadreny | Quina | 1979 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19934 | Josep Maria | Mestres Quadreny | Sonades dels Vells Proverbis | 1993 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 11221 | Josep Maria | Mestres Quadreny | Suite Bufa | 1966 | Musiktheater, live-elec, 1 perf | 60:00 | Mono | amp p [Piano] | Phonos Barcelona | 0 | |||||||||
| 35456 | Josep Maria | Mestres Quadreny | Tocatina | Zuspiel / Tonband, 1 group | 7:38 | ens (perc) [Ensemble] | AudioVisuals De Sarriá 20.1343/ | Phonos Barcelona | 0 | ||||||||||
| 11222 | Group | MetaMusic | 4 Pieces | 1972 | fixed media, akusmatisch | 34:39 | Stereo | 0 | |||||||||||
| 11223 | Group | MetaMusic | 4 Violins etc | 1973 | fixed media, akusmatisch | 20:25 | Stereo | 0 | |||||||||||
| 11224 | Group | MetaMusic | Bosses Rabies | 1973 | fixed media, akusmatisch | 26:41 | Stereo | 0 | |||||||||||
| 11225 | Group | MetaMusic | Frieks Piece | 1973 | fixed media, akusmatisch | 19:03 | Stereo | 0 | |||||||||||
| 11226 | Group | MetaMusic | Midnight in June 1972 | 1972 | fixed media, akusmatisch | 36:48 | Stereo | 0 | |||||||||||
| 11227 | John | Metcalf | Notturno | 1971 | Zuspiel / Tonband, 1 perf, 1 group | Stereo | str-orc [Streicher] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 11228 | Lucian | Metianu | Pythagoreis | 1970/1971 | fixed media, akusmatisch | Zuspiel/Tonband, 2 groups |
16:00 | Stereo | ch, ens [Ensemble, Chor] | 2 versions: - Elektronische Komposition (1970/71, 16:00) - Komposition für Chor, Ensemble, Tonband (1971, 16:05) |
HfMT Köln | 0 | ||||||||
| 37189 | Alexander | Metner | Travel | 2017 | fixed media, akusmatisch | 7:00:00 | HfG Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 25566 | Jeffrey | Mettlewsky | Saron | 2005 | fixed media, akusmatisch | 6:32 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 36920 | Jeffrey | Mettlewsky | Trump Study | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 19004 | Jim, Douglas | Metzner, Quin | The Pulse of the Planet: Oropendola Bird | 1993 | Klangkunst, Installation | 2:00 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 26165 | Hermann | Meyer-Eppler | Klangmodelle | 1951 | fixed media, akusmatisch | 78:00 | 0 | ||||||||||||
| 40309 | Ursula | Meyer-König | allears | 2015 | fixed media, akusmatisch | 8:00:00 | Ursula Meyer-König | 0 | |||||||||||
| 31535 | Ursula | Meyer-König | I feel sorry for the garden | 2013 | fixed media, akusmatisch | 9:32 | Quadro | next_generation 5.0 Text by Forugh Farrochsad |
ICST Zürich | 26.6.2013 | ZKM | 0 | |||||||
| 42699 | Ursula | Meyer-König | l’espace entre les souvenirs | 2012 | fixed media, akusmatisch | 9:08:00 | 0 | ||||||||||||
| 11230 | Wolfgang | Meyer-Tormin | Studie I / II, über farbiges Rauschen - Atmende Fläche | 1964 | fixed media, akusmatisch | 22:00 | Mono | IPEM Gent | 0 | ||||||||||
| 33394 | Axel | Meyer | Compositie 1964 | 1964 | fixed media, akusmatisch | 2 | Mono | STEM Utrecht | 0 | ||||||||||
| 39619 | Brad | Meyer | Hummingbrrd | 2016 | fixed media, akusmatisch | Brad Meyer | 0 | ||||||||||||
| 39899 | Jeffrey | Meyer | Metro Chapultepec | 2015 | fixed media, akusmatisch | 7:07:00 | Jeffrey Meyer | 0 | |||||||||||
| 39898 | Jeffrey | Meyer | (not-so-serious) Ideas | 2016 | fixed media, akusmatisch | Jeffrey Meyer | 0 | ||||||||||||
| 11229 | Krzysztof | Meyer | Three Pieces | 1976 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 25733 | Piet Johan | Meyer | Interaktion Nr. 3a | 2007 | live-elec, 1 perf | 3:27 | db-sax, (tubax) [Saxophon] | PS C. | 1 | ||||||||||
| 25732 | Piet Johan | Meyer | Klangräume … Interaktion Nr. 2 | 2006 | live-elec, 20 perf | 22:06 | 20 Tracks | 4 tpt, fl, ob, cl or b-cl, bn, 2 hn, tpt, trbn, b-trbn, 2 perc, str-qt, db [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Schlagzeug, Kontrabass, Streicher] | PS C. | 1 | |||||||||
| 25731 | Piet Johan | Meyer | metA … INteraktion Nr. 4 | 2007 | live-elec, 1 perf | 11:05 | tpt [Trompete] | PS C. | 1 | ||||||||||
| 25735 | Piet Johan | Meyer | Perspektiven I - II | 2004 | Zuspiel / Tonband, 5 perf | 17:00 | Quadro | B, b-cl, acc, perc, vc [Bass, Klarinette, Akkordeon, Schlagzeug, Cello] | PS C. | 1 | |||||||||
| 25734 | Piet Johan | Meyer | Solo … Interaktion Nr. 1 | 2005 | live-elec, 1 perf | 15:06 | vn [Violine] | PS C. | 1 | ||||||||||
| 11231 | Jacob | Meyerowitz | Synthesis #1 — #8 | 1961 - 1967 | fixed media, akusmatisch | je≈ 2:00 | Mono, Stereo | PS C. London | 0 | ||||||||||
| 11232 | Emerson | Meyers | Chez Dentiste | 1968 | fixed media, akusmatisch | 3:36 | Moog-Synthesizer | WGS-8129/ | Catholic Uni | 1 | |||||||||
| 11234 | Emerson | Meyers | Excitement | 1968 | fixed media, akusmatisch | 1:27 | WGS-8129/ | Catholic Uni | 1 | ||||||||||
| 11235 | Emerson | Meyers | In Memoriam | 1965 | Zuspiel / Tonband, 1 perf | 4:46 | S [Sopran] | WGS-8129/ | Catholic Uni | 1 | |||||||||
| 11236 | Emerson | Meyers | Intervals I | 1969 | Hintergrundmusik | 8:45 | exhibition with pictures by C. Ferriter | WGS-8129/ | Catholic Uni | 1 | |||||||||
| 11237 | Emerson | Meyers | Medea | 1963 | Theatermusik | 30:00 | Mono | Catholic Uni | 0 | ||||||||||
| 11238 | Emerson | Meyers | Moonflight Sound Pictures | 1969 | Hintergrundmusik | 4:50 | WGS-8129/ | Catholic Uni | nat Gal of Art, Washington | 1 | |||||||||
| 11239 | Emerson | Meyers | Overture to "Waiting for Godot" | 1965 | Theatermusik | 2:00 | Mono | Catholic Uni | 0 | ||||||||||
| 11240 | Emerson | Meyers | Rhythmus | 1970 | fixed media, akusmatisch | 5:03 | WGS-8129/ | Catholic Uni | 1 | ||||||||||
| 11241 | Emerson | Meyers | Saint Joan | 1963 | Theatermusik | 30:00 | Mono | Catholic Uni | 0 | ||||||||||
| 11242 | Emerson | Meyers | Variations on a useless theme | 1965 | fixed media, akusmatisch | 5:00 | Mono | Catholic Uni | 0 | ||||||||||
| 11243 | Randall | Meyers | Americas | 1987 | fixed media, akusmatisch | 20:00 | NOTAM | 0 | |||||||||||
| 38618 | Yves | MEYLAN | Au revoir, merci | 1997 | radiophon | 71:43:00 | Prix Phonurgia nova | 0 | |||||||||||
| 11244 | Caroline | Meynet | Etude No. 1 | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 40089 | Mauricio A. | Meza | Panurgo’s hold:::the Tunguska Blast | 2017 | Klangkunst, Installation | Mauricio A. Meza | 0 | ||||||||||||
| 22153 | Agata de | Mezer | Pianosamba | 1995 | Zuspiel / Tonband, 1 perf | 8:02 | Stereo | perc [Schlagzeug] | ExpSt Warsaw | 0 | |||||||||
| 11245 | Ermeline le | Mezo | Les chambres effacées | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 11246 | Doug | Michael | Cakebread | 1994 | live-elec, 1 perf | 3:30 | disklavier [Piano] | CREAM | 0 | ||||||||||
| 11247 | Doug | Michael | Clarinet for One | 1993 | live-elec, 1 perf | 5:18 | cl [Klarinette] | CREAM | 0 | ||||||||||
| 11248 | Doug | Michael | Eleven | 1995 | fixed media, akusmatisch | 4:20 | Stereo | CREAM | 0 | ||||||||||
| 20980 | Doug | Michael | Extension #1 | 1995 - 1996 | Zuspiel / Tonband, 1 perf | 9:41 | Stereo | e-gui [Gitarre] | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | ||||||||
| 36404 | Doug | Michael | Extension #2 | 1999 | fixed media, akusmatisch | Kiasma 1999/ | 0 | ||||||||||||
| 11249 | Doug | Michael | Isara | 1995 | fixed media, akusmatisch | 2:45 | Stereo | CREAM | 0 | ||||||||||
| 11250 | Doug | Michael | Submerge | 1994 | Zuspiel / Tonband, 1 perf | 2:20 | Stereo | p [Piano] | CREAM | 0 | |||||||||
| 11251 | Doug | Michael | Velvet | 1994 | fixed media, akusmatisch | 3:15 | Stereo | CREAM | 0 | ||||||||||
| 11252 | Frank | Michael | Oktopus (Erotogramm V) | 1971 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 37781 | Vincent | Michalke | Composer Ensemble | 2015 | live-elec, 4 perf | Quadro | vn, gui, Lap-Steel gui, santur, (elec) [Gitarre, Violine, Streicher] | Incontri HMTM Hannover | 26.06.2015 | ZKM Karlsruhe | 0 | ||||||||
| 36881 | Vincent | Michalke | Layers | 2015 | live-elec, 2 perf | Stereo | cl, sax, (elec, Smartphones, tablet) [Klarinette, Saxophon] | Incontri HMTM Hannover | 21.04.2015 | Kunstverein Hannover | 0 | ||||||||
| 36899 | Vincent | Michalke | Mikodin | 2014 | live-elec, 2 perf | Mono | sax, elec (portable Live-Elektronik) [Saxophon, elektronik] | Incontri HMTM Hannover | 06.11.2014 | Kestnergesellschaft | 0 | ||||||||
| 37227 | Vincent | Michalke | Polymachine | 2017 | live-elec, 1 perf | 9:00:00 | perc (Live-Elektronik) [Schlagzeug] | HfMT Köln | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 32542 | Vincent | Michalke | Spiegel | 2012 | live-elec, 1 perf | Stereo | va, (elec) [Viola] | Incontri HMTM Hannover | 25.9.2012 | Staatsoper, Hannover | 0 | ||||||||
| 37780 | Vincent | Michalke | Taxis und Kinese | 2013 | Tanz, live-elec, 1 perf | Quadro | dance, (sensorik, elec) [Tanz] | Incontri HMTM Hannover | 11.2.2014 | Sprengel Museum, Hannover | 0 | ||||||||
| 31587 | Vincent | Michalke | Wellen | 2013 | fixed media, akusmatisch | 5:00 | Octo | next_generation 5.0 | Incontri HMTM Hannover | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||
| 36900 | Vincent | Michalke | Wiederentdeckung | 2014 | live-elec, 2 perf | Quadro | vn, V, (elec) [Stimme, Violine] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 11253 | Guy | Michel | Tu t’es pas entendu roufler | 1989 | fixed media, akusmatisch | 4:20 | Stereo | Concordia Montréal | 0 | ||||||||||
| 11254 | Guy | Michel | Vive les bonnes laveuses à tordeur | 1986 | fixed media, akusmatisch | 3:55 | Stereo | Concordia Montréal | 0 | ||||||||||
| 24199 | Hubert | Michel | Galets | 2002 | fixed media, akusmatisch | 4:57 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 36419 | Hubert | Michel | Salle de Bain | 2009 | fixed media, akusmatisch | 5:54 | CONV 60/ | 0 | |||||||||||
| 11255 | Paul-Baudouin | Michel | Comic Strip | 1971 | Zuspiel / Tonband, 1 perf | 10:20 | b-cl [Klarinette] | 0 | |||||||||||
| 11256 | Paul-Baudouin | Michel | Délitation II | 1969 | Zuspiel / Tonband, 4 perf | 11:00 | str-qt [Streicher] | 0 | |||||||||||
| 11257 | Paul-Baudouin | Michel | Eole Maitrisé | 1978 | Zuspiel / Tonband, 17 perf, 1 group | 4:20 | Stereo | 12 cl, 4 shawms, clvd, ens [Klarinette, Cembalo, Bläser, Ensemble] | IPEM Gent | 0 | |||||||||
| 11258 | Paul-Baudouin | Michel | La Crétinisation | 1973 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | IPEM Gent | 0 | ||||||||||
| 11259 | Paul-Baudouin | Michel | Le Graal gras | 1989 | fixed media, akusmatisch | Stereo | CRFMW Liège | 0 | |||||||||||
| 11260 | Paul-Baudouin | Michel | Libration II | 1974 | fixed media, akusmatisch | 9:45 | Stereo | IPEM Gent | 0 | ||||||||||
| 11261 | Paul-Baudouin | Michel | Parallèloïde | 1973 | Zuspiel / Tonband, 1 perf | 6:30 | clvd [Cembalo] | 0 | |||||||||||
| 11263 | Paul-Baudouin | Michel | Phusint | 1980 | Zuspiel / Tonband, 2 perf | 15:30 | Quadro | tsjeng, perc [Schlagzeug] | IPEM Gent | 0 | |||||||||
| 11264 | Paul-Baudouin | Michel | Requiem pour un ordinateur | 1975 | Zuspiel / Tonband, 3 perf, 1 group | 14:45 | Stereo | Sp, ch, br, perc [Sprecher, Schlagzeug, Bläser, Chor] | IPEM Gent | 0 | |||||||||
| 11265 | Paul-Baudouin | Michel | Rex Pacificus (motet) | 1968 | Radiokunst, 1 perf, 2 groups | 31:00 | B, ch, orc [Bass, Chor, Orchester] | 0 | |||||||||||
| 11266 | Paul-Baudouin | Michel | Toreitique VI, Monologue double Bassonance Clarbassonance |
1965/1966 | Zuspiel / Tonband, 3 perf | 30:00 | Stereo, Quadro | fl, bn, b-cl [Flöte, Klarinette, Fagott] | ? parts played at the same time | IPEM Gent | 0 | ||||||||
| 11262 | Paul-Baudouin, André | Michel, Stordeur | Phraséologie | 1979 | fixed media, akusmatisch | 11:55 | Stereo | IPEM Gent | 0 | ||||||||||
| 11267 | Wilfried | Michel | Pneumolodium | 1970 | Zuspiel / Tonband, 1 perf | 10:00-15:00 | org [Orgel] | 0 | |||||||||||
| 11268 | Wilfried | Michel | Trakturen | 1974 | Zuspiel, live-elec, 1 perf | org [Orgel] | 0 | ||||||||||||
| 39260 | WOJCIECH | MICHNIEWSKI | Litany | 1974 | Zuspiel / Tonband, 2 perf | fl, hp [Flöte, Harfe] | ExpSt Warsaw | 0 | |||||||||||
| 39259 | WOJCIECH | MICHNIEWSKI | Little Variations on a Theme from Mozart | 1974 | Zuspiel / Tonband, 4 perf | cl, trbn, vc, p [Klarinette, Posaune, Piano, Cello] | ExpSt Warsaw | 0 | |||||||||||
| 30752 | WOJCIECH | MICHNIEWSKI | Whisperetto | 1973 | Performance | 10:42 | 2 S, 2 Mez, 2 A, perf (body-builder) [Sopran, Alt, Mezzo, Performer] | BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | Premio RAI award of the Italian Radio and Television in 1975 | 0 | ||||||||
| 19193 | Alain | Michon | Lutte au Dela, Struggle and beyond | 1996 | fixed media, akusmatisch | 14:05 | LDC 278060/61 Cultures Electroniques 9/ | ENS Paris | Prix Bourges 1996 | 1 | |||||||||
| 11269 | Gérard | Mick | Issues fatales | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 11270 | Gérard | Mick | Paradis | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 22578 | Daniel | Miehe | Spaziergang mit Goethe | 1995 | fixed media, akusmatisch | 3:40 | Stereo | STEAM Berlin | 0 | ||||||||||
| 11271 | Costin | Miereanu | Ares Mares Koukounares | 1971/1972 | Zuspiel / Tonband, 9 perf | 10:00 | 9 ins [Instrument] | 0 | |||||||||||
| 11272 | Costin | Miereanu | Black Against | 1968 | fixed media, akusmatisch | 0 | |||||||||||||
| 11273 | Costin | Miereanu | Bris de sons | 1990 | Zuspiel / Tonband, 1 perf | 11:40 | Stereo | bn [Fagott] | INA • GRM | 0 | |||||||||
| 11274 | Costin | Miereanu | Espace dernier | 1966/1969 | Zuspiel / Tonband, 2 groups | 13:00-21:00 | ch, orc [Chor, Orchester] | 0 | |||||||||||
| 11275 | Costin | Miereanu | Espaces II | 1967/1969 | Zuspiel / Tonband, 1 perf | 15:00 | p, str orc [Piano, Orchester] | 0 | |||||||||||
| 11276 | Costin | Miereanu | Immersion | 1990 | fixed media, akusmatisch | 15:00 | Stereo | Syter. dedicated to Ivo Malec | INA • GRM | 0 | |||||||||
| 11277 | Costin | Miereanu | Labyrinthes d'Adrien | 1981 | live-elec, 13 perf | 17:47 | S, fl, b-cl, hn, 2 perc, p, 3 Kbd, 2 e-gui, vc [Sopran, Flöte, Klarinette, Horn, Piano, Keyboard, Gitarre, Schlagzeug, Cello] | Salabert SCD 8801/ HM 83/ | 1 | ||||||||||
| 11278 | Costin | Miereanu | Lines | 1967/1968 | fixed media, akusmatisch | 0 | |||||||||||||
| 11279 | Costin | Miereanu | Luna cinese | 1975 | Zuspiel / Tonband, 1 perf | 41:23 | Sp [Sprecher] | Cramps CRSLP 6107/ | 0 | ||||||||||
| 11280 | Costin | Miereanu | Monostructures II | 1967 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 11281 | Costin | Miereanu | Night Music | 1970 | fixed media, akusmatisch | 15:00-43:00 | 0 | ||||||||||||
| 11282 | Costin | Miereanu | Polymorphie 5x7 | 1968/1969 | Zuspiel / Tonband, 5 perf | 11:00-55:00 | Stereo + Stereo | 5 ins [Instrument] | ERA/ | 0 | |||||||||
| 11283 | Costin | Miereanu | Ricochets | live-elec, 1 perf, 1 group | 9:09 | sax, ens [Saxophon, Ensemble] | 1 | 1990 | |||||||||||
| 11284 | Costin | Miereanu | Terçafeira | 1984 | Zuspiel / Tonband, 3 perf | 3 sax [Saxophon] | 0 | ||||||||||||
| 33071 | Manfred | Miersch | Das Subharchord, Funkhaus Antithetik Three steps up from the subway station Transmediale Vokalisation / the Subharchord speaks The story of the Subharchord Wechselstrom Nalepastraße Burundi Beatnik Scherzo (Ernst Schreiber im Spielwarengeschäft) Kleines Capriccio für Subharchord |
2014 | live-elec, 1 perf | 58:56 | Subharchord [synthesizer] | Auf dem Subharchord des Deutschen Technikmuseums Berlin gespielt. | Krautopia Records/ | 1 | http://www.subharchord.com | ||||||||
| 25990 | Manfred | Miersch | Subharmonische Mixturen mit dem Subharchord, - Kinderfunk mit Ernst Schreiber (historisch 1962; 2:51) - Tierpark (hommage à Frederic Rzewski), 3:10 - La Subharchordia, 5:48 |
2005 | radiophon | 10:00 | Subharchord | Krautopia Records/ | 1 | http://www.subharchord.com | |||||||||
| 11285 | Mario | Migliardi | arrangiomenti ellettronici di registrazioni di jazz | 1958 | radiophon | Mono | Fonologia Milano | 0 | |||||||||||
| 11286 | Mario | Migliardi | L'oro matto | radiophon | (Giovaninetti) | Fonologia Milano | 0 | ||||||||||||
| 11287 | Mario | Migliardi | Lazzaro | radiophon | (Borgese) | Fonologia Milano | 0 | ||||||||||||
| 24858 | Christof | Migone | Erase Head | 1992 | radiophon | 0:55 | Stereo | sound poems | AVTR 005/ | 0 | |||||||||
| 24853 | Christof | Migone | Headholes | 1996 | radiophon | 11:22 | Stereo | sound poems | AVTR 005/ | 0 | |||||||||
| 24857 | Christof | Migone | Headinside | 1996 | radiophon | 2:12 | Stereo | sound poems | AVTR 005/ | 0 | |||||||||
| 20517 | Christof | Migone | Hole in the Head | 1996 | radiophon | 22:49 | Stereo | sound poems | AVTR 005/ | 0 | |||||||||
| 24856 | Christof | Migone | Muscle soleaire | 1992 | radiophon | 3:30 | Stereo | sound poems | AVTR 005/ | 0 | |||||||||
| 24854 | Christof | Migone | Open your mouth and let the air out | 1992 | radiophon | 7:49 | Stereo | sound poems | AVTR 005/ | 0 | |||||||||
| 20518 | Christof | Migone | Radio Folie Je Me Te Parle |
1996 | radiophon | 17 | Stereo | sound poems | OHM 002 overhear/ | 0 | |||||||||
| 24846 | Christof | Migone | SeptSixUn-QuatreHuitQuatreUn | radiophon | 12:40 | AVTR 004/ | 0 | ||||||||||||
| 24859 | Christof | Migone | Sign Language | 1992 | radiophon | 2:23 | Stereo | sound poems | AVTR 005/ | 0 | |||||||||
| 20519 | Christof | Migone | Solar Plexus | 1994 | radiophon | 24:35 | Stereo | sound poems | WN 0018/ | 0 | |||||||||
| 24855 | Christof | Migone | The Transpiring Transistors | 1996 | radiophon | 6:54 | Stereo | sound poems | AVTR 005/ | 0 | |||||||||
| 20520 | Christof | Migone | Voice inside my Head (and others) | 1991 | radiophon | 6:00 | Stereo | sound poems | MW 53/ | 0 | |||||||||
| 11288 | Alexander | Mihalic | Composition | 1990 | fixed media, akusmatisch | 13:00 | CICM Paris, CNR Boulogne | 0 | |||||||||||
| 11289 | Alexander | Mihalic | Skladba pre klavir a mg. pasku | 1988 | Zuspiel / Tonband, 1 perf | 6:53 | Stereo | p [Piano] | CECM Bratislava | 0 | |||||||||
| 32487 | Julia | Mihály | Atmen unter Steinen | 2009 | Klangkunst, Installation | Quadro | Raum mit Granitplatten und Stimme | Incontri HMTM Hannover | 8.11.2009 | Sprengel Museum, Hannover | 0 | ||||||||
| 34694 | Julia | Mihály | cozy new gastfeindlichkeit | 2016 | fixed media, akusmatisch | 5:15:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 32504 | Julia | Mihály | Eine Geldfrage | 2010 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 26.11.2010 | Altes Forsthaus Habichtshorst, Winsen | 0 | |||||||||
| 32712 | Julia | Mihály | FarbTon | 2013 | live-elec, 1 perf | 8:21 | V [Stimme] | 0 | |||||||||||
| 38465 | Julia | Mihály | Grand Hotel Establishment | 2018 | audiovisuell, live-elec, 2 perf | radiophon |
V and perf (sensor-ausgestattete Gegenstände, Video), elec [Stimme, Performer, elektronik] | Deutschlandfunk / Forum Neuer Musik 2018 / Echoes of ’68 | 13.4.2018 03.06.2018 |
Deutschlandfunk Kammermusiksaal Deutschlandfunk |
0 | http://www.deutschlandfunk.de/forum-neuer-musik-echoes-of-68-grand-hotel-establishment.453.de.html?drem:event_id=1784&ct=t(brain_food_1_2018_Newsletter_Julia_Mihaly)&mc_cid=fb9c1d25ba&mc_eid=5db7f6c299 | ||||||||
| 34333 | Julia | Mihály | Immerse Selters | 2016 | radiophon | 55 | HR Hessischer Rundfunk | 26.3.2016 | HR The Artist’s Corner, 23:05 Uhr | 0 | http://www.hr-online.de/website/radio/hr2/index.jsp?rubrik=6016&key=standard_document_35509208 | ||||||||
| 32714 | Julia | Mihály | Inter_1 Inter_2 Inter_3 |
live-elec, | 3:20 | 0 | |||||||||||||
| 32519 | Julia | Mihály | Into the Trees (I-IV) | 2010 | live-elec, 1 perf | Quadro | toy p, (elec) [Piano] | Incontri HMTM Hannover | 10.6.2010 | Sprengel Museum, Hannover | 0 | ||||||||
| 32711 | Julia | Mihály | Lokalklang FFM | live-elec, | 4:45 | 0 | |||||||||||||
| 32713 | Julia | Mihály | Music_Box_Sampler #1 | live-elec, | 3:20 | 0 | |||||||||||||
| 32530 | Julia | Mihály | oscillations in space | 2010 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 29.10.2010 | Neues Rathaus, Hannover | 0 | |||||||||
| 32535 | Julia | Mihály | random-bit_error-gaming | 2011 | live-elec, 4 perf | 9 | Stereo | 4 perf (2 Gamepad-Spieler, 2 Game-Engine-Spieler und Live-Elektronik) [Performer] | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | |||||||
| 32709 | Julia | Mihály | scape_1 scape_2 scape_3 scape_12, scape_ |
2013 | fixed media, akusmatisch | ≈ 6:49 | Quadro, 12 tracks | Kompositionsreihe | DegeM CD 11 wandlungen unplump/ | 1 | |||||||||
| 32549 | Julia | Mihály | trigger me | 2012 | live-elec, 1 perf | Stereo | V [Stimme] | Incontri HMTM Hannover | 22.9.2012 | 0 | |||||||||
| 32710 | Julia | Mihály | Wer von uns weiß noch welchen Weg er geht?! | live-elec, | 40:16 | 0 | |||||||||||||
| 34631 | Julia | Mihàly | antizyklisch.momente_von_sinn(un-[d])freiheit.anti.trashcore.milch.2.0 | 2016 | audiovisuell, live-elec, 1 perf | 8:30 | Stereo | V [Stimme] | audio-visual performance for voice, live-electronics, fixed media and videos. SMC2016 |
0 | |||||||||
| 11290 | Keitaro | Miho | Divertimento | 1964 | Zuspiel / Tonband, 1 perf | 10:00 | Mono | ins [Instrument] | OUOADM 0502/ OUOADM 0601/ IDEAMA CD 091/ | NHK Tokyo | 0 | ||||||||
| 11291 | Mikhail | Mikhailyuk | Tuning to the Wave of Perception by the Name | 1990 | live-elec, 2 perf | theremin, synt [synthesizer] | (Korg M-1) | 0 | |||||||||||
| 11292 | Mikhail | Mikhailyuk | Vookon | 1989 | fixed media, akusmatisch | 0 | |||||||||||||
| 40847 | Jukka | Mikkola | Microseasonings | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 11293 | Valer | Miko | Double space | 1993 | fixed media, akusmatisch | 8:59 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 11294 | Bohdan | Mikolásek | Porcelánová hubda | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1993 | 0 | ||||||||||||
| 41907 | Bohdan | Mikolásek | Žalm II | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 11295 | Thanos | Mikroutsikos | Adelfos | 1979 | Zuspiel / Tonband, | 14:30 | Stereo | ET.N.M. 1986/ | Action | 0 | |||||||||
| 11296 | Thanos | Mikroutsikos | Minotaure I | 1985 | Zuspiel / Tonband, | 11:00 | Stereo | PS C. | 0 | ||||||||||
| 36929 | Bonnie | Miksch | Fanfare for the Common Cold | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 11297 | Mario | Milani | Legature | 1971 | fixed media, akusmatisch | 13:50 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 11298 | Mario | Milani | Level Switch | 1971 | fixed media, akusmatisch | 11:14 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 11299 | Mario | Milani | Octafonia | fixed media, akusmatisch | CNUCE Pisa | 0 | |||||||||||||
| 11300 | Andrew | Milburn | Elmore | 1987 | fixed media, akusmatisch | 4:07 | Stereo | Inner Voices | Centaur CRC 2076, CDCM Vol. 5/ | Winham | 1 | ||||||||
| 11301 | Hansom | Milde-Meissner | Hilfsmittel zur elektronischen Klanggestaltung | 1962 | Film | 12:00 | Mono | Lehrfilm | Siemens | Institut für Film und Bild in Wissenschaft und Unterricht München | Oktober 1962 | 0 | |||||||
| 11302 | Hansom | Milde-Meissner | Serenade für 20 Sologeneratoren | 1964 | fixed media, akusmatisch | 2:38 | lochstreifengesteuerte Gen | Siemens | 1 | ||||||||||
| 20521 | John | Miles | Last of the Barkeaters | 1993 | fixed media, akusmatisch | 6:54 | Stereo | EMS 9300/ | EMS UIUC | 0 | |||||||||
| 11303 | Miroslav | Miletic | Lamentation, Lamentacija | 1962 | Zuspiel / Tonband, 1 perf | 6:03 | Mono | va [Viola] | Croatia Rec 6072965/ | CEM Bilthoven, Radio Rijeka | 0 | ||||||||
| 11304 | Miroslav | Miletic | Trois études | 1961 | fixed media, akusmatisch | Mono | PS C. Zagreb | 0 | |||||||||||
| 11305 | Darius | Milhaud | La rivière endormie | 1954 | Zuspiel / Tonband, 3 perf, 1 group | 7:35 | Stereo | Mez, 2 Sp, orc [Mezzo, Sprecher, Orchester] | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1031 27651 archives grm CD 1/5/ FLD 76/ IDEAMA CD 038/ | INA • GRM | 25.10.1954 | Salle Gaveau | 1 | ||||||
| 11306 | Darius | Milhaud | Suite, Choral Sérénade Impromptu Etude Elégie |
1933 | live-elec, 2 perf | 12:30 | Mono | oma, p [Piano, synthesizer] | from an theatre piece | Adès 14.036/ MHS 821/ Adès 21.007/08/ ERA STU 70102/ | 1933 | 1 | 1990 | ||||||
| 11307 | Mladen | Milicevic | CL ? | 1984 | live-elec, 1 perf | 5:38 | Stereo | prep cl [Klarinette] | EAR Sarajevo | 0 | |||||||||
| 11308 | Mladen | Milicevic | Ili | 1984 | live-elec, 2 perf | 7:00 | Stereo | cl, p [Klarinette, Piano] | EAR Sarajevo | 0 | |||||||||
| 41939 | Mladen | Milicevic | Ludwig Fun | 1996 | fixed media, akusmatisch | Competition Musica Nova Prag 1996 | 0 | ||||||||||||
| 34535 | Mladen | Milicevic | Random | 1984 | fixed media, akusmatisch | 4:31 | Stereo | Croatia Rec 6072965/ | EAR Sarajevo | 0 | |||||||||
| 11309 | Mladen | Milicevic | Selftreatments | 1983 | live-elec, 1 perf | 12:00 | Stereo | cl [Klarinette] | EAR Sarajevo | 0 | |||||||||
| 25991 | Fernando | Millan | Itinerarios N.O.IDOS | 2004 | Klangkunst, Installation | "Itinerarios del Sonido“ in Madrid 2004 | 1 | ||||||||||||
| 41088 | Aaron | Miller | Instance Dégagé | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41086 | Aaron | Miller | Voxshift Reconstruction | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 39642 | Caroline Louise | Miller | Sadismusic I | 2016 | fixed media, akusmatisch | Caroline Louise Miller | 0 | ||||||||||||
| 25992 | Dennis | Miller | Cross Contiurs | 2005 | audiovisuell | 9:53 | Cinema 4D animation software, Kyma, Tassman physical modeling synthesizer | CMJ Vol 29-4, 2005/ | 1 | http://www.dennismiller.neu.edu | |||||||||
| 27327 | Dennis | Miller | faktura | 2003 | audiovisuell | 9:36 | Surround 5.1 | CMJ Vol 27-4, 2003/ | 1 | ||||||||||
| 36405 | Dennis | Miller | Vantage Point | 1999 | fixed media, akusmatisch | Kiasma 1999/ | 0 | ||||||||||||
| 39725 | Dennis H. | Miller | point.line.plane | 2016 | fixed media, akusmatisch | Dennis H. Miller | 0 | ||||||||||||
| 36597 | Edward J. | Miller | Seven Sides of a Crystal | 1984 | Zuspiel / Tonband, 1 perf | p [Piano] | Peter Takks, piano | Centaur CRC 2938, CDCM Vol. 37/ | Oberlin Col | 0 | |||||||||
| 11310 | Elma | Miller | Syneidesis IV | 1987 | live-elec, 1 perf | 12:00 | Stereo | bn, (DSP) [Fagott] | 0 | ||||||||||
| 42910 | Scott | Miller | Contents may Differ | 2013 | live-elec, 1 perf | 11:00:00 | b-cl [Klarinette] | Pat O’Keefe, bass clarinet | 0 | ||||||||||
| 42973 | Scott | Miller | Every Problem is a Nail | 2013 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 40236 | Scott D. | Miller | Mouth That Tears The Land | 2015 | fixed media, akusmatisch | 10:47:00 | Scott D. Miller | 0 | |||||||||||
| 39492 | Scott D. | Miller | Paganini Liszt Distortion | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 11311 | William | Miller | Pagaille | 1978 | fixed media, akusmatisch | 3:00 | Stereo | INA • GRM | 0 | ||||||||||
| 31596 | Richard | Millig | 130508 | 2013 | fixed media, akusmatisch | ≈ 7 | 6 | hp [Harfe] | next_generation 5.0 | HfM Freiburg | 29.6.2013 | ZKM | 0 | ||||||
| 37195 | Richard | Millig | muendig-hoerig02 | 2016/2017 | live-elec, 1 perf | 12:00:00 | ins (beliebiges Instrument, Live-Elektronik) [Instrument] | HfM Frankfurt | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 28559 | Cathy | Milliken | - Eye View (Theaterräume 1) | 2002 | Klangkunst, Installation | 4:11 | WD 2002, Wittener Tage Für Neue Kammermusik 2002/ | Auftrag des Landes NRW, mit Unterstützung des Australia Council | 2002 | Wittener Tage für neue Kammermusik 2002 | 0 | ||||||||
| 23073 | Cathy | Milliken | Lungen | 1999 | Klangkunst, Installation | für Gelände der Zeche Nachtigall | WD 99, Wittener Tage Für Neue Kammermusik 1999/ | WDR 1999 | 1999 | Wittener Tage für neue Kammermusik | 1 | ||||||||
| 38619 | Cathy | MILLIKEN | New Looks | 2002 | radiophon | 46:30:00 | 0 | ||||||||||||
| 11312 | John | Mills-Cockell | Cartoon | 1966 | fixed media, akusmatisch | 5:09 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 11313 | John | Mills-Cockell | Dialogue | 1966 | fixed media, akusmatisch | 15:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 11314 | John | Mills-Cockell | Fragment | 1966 | Zuspiel / Tonband, 2 perf | 8:45 | Stereo | 2 p [Piano] | UTEMS Toronto | 0 | |||||||||
| 11315 | John | Mills-Cockell | Gamelon | 1965 | fixed media, akusmatisch | 18:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 11316 | John | Mills-Cockell | Ganges | 1965 | fixed media, akusmatisch | 15:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 11317 | John | Mills-Cockell | Imitation | 1966 | fixed media, akusmatisch | 9:15 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 11318 | John | Mills-Cockell | Soft-cell | 1966 | fixed media, akusmatisch | 12:30 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 11319 | Simon K | Millward | Nature Dance | 1988 | fixed media, akusmatisch | 6:10 | Stereo | CCRMA | 0 | ||||||||||
| 11320 | Group, Pascal, Marcel, Pierre, Patrice | MIM, Gobin, Formosa, Malbosc, Challuleau | Le Bataillon des marseillais (oratorio) | 1989 | live-elec, 6 perf | 60:00 | Stereo | S, vn, vc, db, Sp, synt [Sopran, Sprecher, Cello, Violine, Kontrabass, synthesizer] | SYTER, livret Gabriel Vialle Gobin, Formosa, Malbosc, Challalau |
MIM Marseille | 0 | ||||||||
| 11321 | Ilhan | Mimaroglu | Agony, visual study #4 | 1965 | fixed media, akusmatisch | 9:24 | Stereo | visual study #4 after Arshile Gorky | TV 34046 S/ TV 4046/ IDEAMA CD 065/ Finna SR 9012/ Earlabs LC 009/ Soot Records DJ/rupture/ | Col.Princ EMC | 1 | ||||||||
| 11322 | Ilhan | Mimaroglu | Anacolutha, Encounter and Episode II | 1965 | fixed media, akusmatisch | 19:14 | Stereo | Finna SR 9001/ | Col.Princ EMC | 0 | |||||||||
| 11323 | Ilhan | Mimaroglu | Bowery Bum, visual study #3 | 1964 | fixed media, akusmatisch | 2:50 | Stereo | visual study #3 after Jean Debuffet | Finna SR 9012/ Finna 791305/ IDEAMA CD 065/ Earlabs LC 009/ TV 34004S/ | Col.Princ EMC | 1 | ||||||||
| 11324 | Ilhan | Mimaroglu | Da Capo | 1967 | fixed media, akusmatisch | Stereo | Col.Princ EMC | 0 | |||||||||||
| 23331 | Ilhan | Mimaroglu | Fantasy for elektromagnetic tape | 1966 | fixed media, akusmatisch | 21:11 | Stereo | featuring Freddi Stubbard & his quintet | Col.Princ EMC | 1 | |||||||||
| 11325 | Ilhan | Mimaroglu | Four the News, visual study #1 | 1964 | fixed media, akusmatisch | 4:30 | Stereo | visual study #1 after Jasper Johns | Col.Princ EMC | 0 | |||||||||
| 11326 | Ilhan | Mimaroglu | Green on a Block, visual study #2 | 1964 | fixed media, akusmatisch | 4:07 | Stereo | visual study #2 after Ahmet Gürsoy | Col.Princ EMC | 0 | |||||||||
| 34457 | Ilhan | Mimaroglu | Hyperboles | 1971 | fixed media, akusmatisch | 5:12 | Finna SR 9001/ | Col.Princ EMC | 0 | ||||||||||
| 35329 | Ilhan | Mimaroglu | Immolation Scene | 1970 | Zuspiel / Tonband, 1 perf | 6:44 | V [Stimme] | text by Semra Ertan (englisch) and Heinrich Heine (german) | Finna 90104/ TV 34429/ | Col.Princ EMC | 0 | ||||||||
| 34455 | Ilhan | Mimaroglu | Interlude II | 1970 | fixed media, akusmatisch | 5 | Finna SR 9001/ SD 1576 Arlantic/ | Col.Princ EMC | 0 | ||||||||||
| 11327 | Ilhan | Mimaroglu | Intermezzo | 1964 | fixed media, akusmatisch | 3:05 | Stereo | Finna SR 9012/ TV 34004S/ IDEAMA CD 065/ Earlabs LC 009/ | Col.Princ EMC | 0 | |||||||||
| 11328 | Ilhan | Mimaroglu | L'apres-midi d'un faune | 1967 | fixed media, akusmatisch | Stereo | Col.Princ EMC | 0 | |||||||||||
| 11329 | Ilhan | Mimaroglu | La ruche | 1968 | fixed media, akusmatisch | 23:40 | Stereo | INA • GRM | 30.1.1969 | Paris, Maison de la Radio, studio 105 | 0 | ||||||||
| 11330 | Ilhan | Mimaroglu | Le Tombeau d'Edgar Poe | 1964 | fixed media, akusmatisch | 7:20 | Stereo | Poem by Stéphane Mallarmé; V ≈ Erdem Buri | Finna SR 9012/ TV 34004S/ IDEAMA CD 065/ | Col.Princ EMC | 0 | ||||||||
| 11331 | Ilhan | Mimaroglu | Music for Jean Dubuffet's "Coucou Bazar" | 1973 | fixed media, akusmatisch | for Jean Dubuffet's articulated painting, "Coucou Bazar", which opened at the Guggenheim Museum in New York City on May 16, 1973. | Finna SR 9003/ | Col.Princ EMC | 0 | ||||||||||
| 35057 | Ilhan | Mimaroglu | Music plus one | 1970 | Zuspiel / Tonband, 1 perf | 10:37 | vn [Violine] | Finna 791305/ Finna 90104/ | Col.Princ EMC | 0 | |||||||||
| 11332 | Ilhan | Mimaroglu | Nocturne | 1964 | Zuspiel / Tonband, 1 perf | 10:00 | Mono | str [Streicher] | Col.Princ EMC | 0 | |||||||||
| 22676 | Ilhan | Mimaroglu | Piano Music, Piano Music for Performer and Composer | 1967 | Zuspiel / Tonband, 2 perf | 7:42 | p, perf [Piano, Performer] | TV 34177 turnabout vox / | Col.Princ EMC | 1 | |||||||||
| 22400 | Ilhan | Mimaroglu | Prelude No. 8 (to the Memory of Edgard Varèse) | 1966 | fixed media, akusmatisch | 3:54 | NWR 80521/ Finna SR 9001/ Boomkat bundle_158/ | Col.Princ EMC | 0 | ||||||||||
| 11333 | Ilhan | Mimaroglu | Preludes for magnetic tape, 6 Preludes for magnetic tape | 1966 - 1967 | fixed media, akusmatisch | 21:00 | Stereo | all together there are 17 Preludes, but only Nr. 1, 2, 6, 9, 11, 12 are for magnetic tape | TV 34177/ NWR 80521/ Finna SR 9012/ Finna 791305/ SR 390 sub rosa/ STJ 014 Secret thirteen mix/ Earlabs LC 009/ | Col.Princ EMC | 1 | ||||||||
| 36671 | Ilhan | Mimaroglu | Preludes for magnetic tape 1 | 1966 | fixed media, akusmatisch | 2:48 | with piano | Earlabs LC 009/ | 0 | ||||||||||
| 36674 | Ilhan | Mimaroglu | Preludes for magnetic tape 11 | 1967 | fixed media, akusmatisch | 3:07 | Earlabs LC 009/ | 0 | |||||||||||
| 36675 | Ilhan | Mimaroglu | Preludes for magnetic tape 12 | 1967 | fixed media, akusmatisch | 2:35 | poem by Orhan Veli | Earlabs LC 009/ | 0 | ||||||||||
| 36672 | Ilhan | Mimaroglu | Preludes for magnetic tape 6 | 1966 | fixed media, akusmatisch | 2:16 | Face the Windmills, trun left | Earlabs LC 009/ | 0 | ||||||||||
| 36673 | Ilhan | Mimaroglu | Preludes for magnetic tape 9 | 1966 | fixed media, akusmatisch | 2:21 | Earlabs LC 009/ | 0 | |||||||||||
| 34456 | Ilhan | Mimaroglu | Provocations | 1971 | fixed media, akusmatisch | 3 | Finna SR 9001/ | Col.Princ EMC | 0 | ||||||||||
| 11334 | Ilhan | Mimaroglu | Rhapsody | 1963 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | cl [Klarinette] | withdrawn | Col.Princ EMC | 0 | ||||||||
| 35330 | Ilhan | Mimaroglu | Session | Zuspiel / Tonband, 1 perf | 10:34 | p [Piano] | finna SR 9021/ | 0 | |||||||||||
| 23330 | Ilhan | Mimaroglu | Sing me a Song of Songmy | 1966 | fixed media, akusmatisch | 19:34 | Stereo | Col.Princ EMC | 1 | ||||||||||
| 11335 | Ilhan | Mimaroglu | Sodome et Gomorrhe | 1966 | Theatermusik | 16:10 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 35327 | Ilhan | Mimaroglu | Still Life 1980 | 1980 | Zuspiel / Tonband, 1 perf | 10:04 | vc [Cello] | Finna 90104/ | Col.Princ EMC | 0 | |||||||||
| 28154 | Ilhan | Mimaroglu | String Quartet No. 4, Like There's Tomorrow | Zuspiel / Tonband, 4 perf | 31:20 | Stereo | str-qt [Streicher] | Finna SR 9033/ SR 9033 sub rosa/ Finna 791305/ | Col.Princ EMC | 0 | https://www.discogs.com/de/Ilhan-Mimaroglu-Criminal-Record/release/1634355 | ||||||||
| 40860 | Ilhan | Mimaroglu | The Last Largo | fixed media, akusmatisch | 9:33 | SR 220 sub rosa/ | 0 | ||||||||||||
| 35328 | Ilhan | Mimaroglu | The Offering | 1980 | fixed media, akusmatisch | 8:48 | with prerecorded voice (Jean Dupuy); text by J. S. Bach’s Musikalisches Opfer | Finna 90104/ | Col.Princ EMC | 0 | |||||||||
| 11336 | Ilhan | Mimaroglu | Transitive I | 1965 | fixed media, akusmatisch | 3:28 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 11337 | Ilhan | Mimaroglu | Transitive II | 1966 | fixed media, akusmatisch | 6:04 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 11338 | Ilhan | Mimaroglu | White Cockatoo, visual study #5 | 1966 | fixed media, akusmatisch | 4:45 | Stereo | visual study #5 after Jackson Pollack | Finna SR 9001/ | Col.Princ EMC | 1 | ||||||||
| 34454 | Ilhan | Mimaroglu | Wings of the delirious demon | 1969 | fixed media, akusmatisch | 14:50 | 3 sections (4:12 + 5:27 + 5:08) | Finna 791305/ Finna SR 9001/ | Col.Princ EMC | 0 | |||||||||
| 36335 | Hiroaki | Minami | Chaos, Taiyo-fu | 1966, 2012 | fixed media, akusmatisch | 11:56 | OPA 019/ | 0 | |||||||||||
| 36321 | Hiroaki | Minami | Electronic Symphony No. 1 | 1976 | fixed media, akusmatisch | 47 | 5 parts | OPA 010/ | 0 | ||||||||||
| 36334 | Hiroaki | Minami | Kumo no Ito, The Spider's Thread | 1977 | fixed media, akusmatisch | 21:33 | Quadro | text of Akutagawa | OPA 019/ | PS. C | 0 | ||||||||
| 18679 | Robin | Minard | 4 Räume | 1998 | fixed media, akusmatisch | ∞ 15:00 | 16 Tracks | Konzertinstallation. Weitere Aufführungen: 29.10.1998 TU Audimax; 4.11.1998 Stockholm; 16.-20.11.1998 Karlsruhe Tonmeistertagung; 16.-20.11.1998 SFB - Klanggalerie |
ed. rz 10009/10 Inventionen 98/ | TU Berlin | Festival Inventionen 1998 DAAD & Radiokunst-Redaktion des SFB | 26.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | http://www.robinminard.de/ | |||
| 26310 | Robin | Minard | 68 Kilomètres de Musique | 1990 | Klangkunst, Installation | ∞ | für U-Bahnsystem Montreal | 0 | http://www.robinminard.de/ | ||||||||||
| 30411 | Robin | Minard | à voir en silence | 2006 - 2011 | Klangkunst, Installation | 0 | http://www.robinminard.de/ | ||||||||||||
| 26313 | Robin | Minard | Art Drains | 1996 | Klangkunst, Installation | Mono | Kanalisation in Dresden (Rähnitzgasse) | 0 | http://www.robinminard.de/ | ||||||||||
| 27517 | Robin | Minard | Au Coin de l'Oreille | 2009 | Klangkunst, Installation | Interaktiver Stadtplan mit Audio und Videoprojektionen. Realisiert in Zusammenarbeit mit das "Lycée Horticole de la ville de Montreuil" und "Instants Chavirés" ... | "Instants Chavirés" Montreuil 2009 | 0 | http://www.robinminard.de/minard.content.php?id=66&sh=1 | ||||||||||
| 30415 | Robin | Minard | Audio Books | 2005 | Klangkunst, Installation | 2005 | Bibliothèque Robert Desnos, Instants Chavirés, Montreuil, France | 0 | http://www.robinminard.de/ | ||||||||||
| 27518 | Robin | Minard | Brunnen | 1994 - 1996 | Klangkunst, Installation | 3 tracks | 1994 | Aspekte Salzburg, Mozarteum, Salzburg | 0 | http://www.robinminard.de/minard.content.php?id=44&sh=0 | |||||||||
| 30416 | Robin | Minard | chambre 108 (bleu) | 2004/2011 | Klangkunst, Installation | 2004 2011 |
Festival Audioframes, Lille, France European Capital of Culture 2011, Turun kaupunginkirjasto (Turku Municipal Library), Turku, Finland |
0 | http://www.robinminard.de/ | ||||||||||
| 24506 | Robin | Minard | Das Buch der Räume, The Book of Spaces 4 Räume Sutra |
2004/2012 | fixed media, akusmatisch | 36:14 | 5 tracks, Octo, 12 tracks | EMF DVD 054/ | TU Berlin, SEAM Weimar | 17.6.2004 | Aula der Musik-Hochschule Weimar | 1 | 1998 | http://www.robinminard.de/ | |||||
| 2005 | |||||||||||||||||||
| 26322 | Robin | Minard | Der Jerusalem Raum | 2005 | Klangkunst, Installation | permanent 19:29 | 24 Tracks | Burg Ziesar; permanente Installation | since 2005 | Museum Burg Ziesar, Jerusalemraum | 1 | http://www.robinminard.de/ | |||||||
| 25993 | Robin | Minard | Diary for S. | 2008 | radiophon | 55:00 | Stereo | PS C. | Réseaux des arts médiatiques, Montreal | 17.4.2008 | Montreal | 1 | http://www.robinminard.de/ | ||||||
| 11339 | Robin | Minard | Enviromental Sound Diffusion | 1984 | Klangkunst, Installation | ∞ | Stereo | Gal Tangente Montreal | PS SONDE | 0 | http://www.robinminard.de/ | ||||||||
| 11340 | Robin | Minard | Expansion | 1994 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | perc [Schlagzeug] | TU Berlin | Folkmar Hein | 2.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 | http://www.robinminard.de/ | ||||
| 26325 | Robin | Minard | Full Circle | 2007 | Zuspiel / Tonband, 1 perf | Quadro | Sp [Sprecher] | mit Lautgedichten von Gerhard Rühm | SEAM Weimar | 28.06.2007 | Kulturbrauerei Berlin (poesiefestival) | 0 | http://www.robinminard.de/minard.content.php?p=1&sh=1 | ||||||
| 33496 | Robin | Minard | Geschichtsbaum | 2015 | Klangkunst, Installation | ortsspezifische Klanginstallation; mit app für iOS (iPhone Programmierung: Alexander Pospischil) | Stadt Witten | 25.4.2015 | Klangwanderung Muttental im Rahmen der Wittener Tage für Neue Kammermusik | 0 | |||||||||
| 26318 | Robin | Minard | High Frequency Fields | 2000 | Klangkunst, Installation | 0 | http://www.robinminard.de/ | ||||||||||||
| 26314 | Robin | Minard | Horizont | 1996 | Klangkunst, Installation | Mono | DAAD-Galerie | 0 | http://www.robinminard.de/ | ||||||||||
| 26315 | Robin | Minard | Intermezzo | 1999 | Klangkunst, Installation | 12 Tracks | Treibhaus-Konstruktion für Landesgartenschau Magdeburg | Bundesgartenschau Magdeburg | 1999 | Bundesgartenschau Magdeburg, Magdeburg, Germany | 0 | http://www.robinminard.de/ | |||||||
| 11341 | Robin | Minard | Klangstille | 1995 | Klangkunst, Installation | ∞ | Quadro | TU Berlin | 10.-24.11.1995 | TU Mathematikgebäude Glasbrücke, im Rahmen von "Klangfenster '95" der INM Berlin | 0 | http://www.robinminard.de/ | |||||||
| 26311 | Robin | Minard | Klangweg | 1994 | Klangkunst, Installation | 5 tracks | Treibhaus-Boxen | 1994 | Landesgartenschau Paderborn, Forum und Museum für Informationstechnik, Schloss Neuhaus | 0 | http://www.robinminard.de/ | ||||||||
| 19300 | Robin | Minard | Landscape I | 1997 | Klangkunst, Installation | ∞ | tausende von Piezzolautsprechern | SEAM Weimar | Donaueschinger Musiktage 1997 | 1 | http://www.robinminard.de/ | ||||||||
| 11342 | Robin | Minard | Le Système d'écoute | 1990 | intermedia | ∞ | Mono | Holger Becker (Software Entwicklung) | TU Berlin | New M. America, 25th anniversary Metro Montreal | 0 | http://www.robinminard.de/ | |||||||
| 26328 | Robin | Minard | Listening to Australia | 2008 | Radiokunst, 1 perf | radiophon |
40:10 | Stereo | Sp [Sprecher] | DRadio Kultur Berlin | 5.12.2009 | 0 | http://www.robinminard.de/ | |||||||
| 30408 | Robin | Minard | Memorials | 2011 | fixed media, akusmatisch | 3 tracks | 2011 | "Musik im Freien", Carillonturm beim Haus der Kulturen der Welt, Berlin, Germany, | 0 | ||||||||||
| 26309 | Robin | Minard | Mur-Murs | 1985 | Tanz | Stereo | dance [Tanz] | Concordia Montréal | 0 | http://www.robinminard.de/ | |||||||||
| 27317 | Robin | Minard | Music for environmental sound diffusion | 1984 | Klangkunst, Installation | Stereo | Band 1&2 | 1 | http://www.robinminard.de/ | ||||||||||
| 11343 | Robin | Minard | Music for Passageways | 1985 - 1999 | Klangkunst, Installation | ∞ | Quadro, 32 tracks | PS SONDE | 1985 | Galerie Tangente, Montréal, Kanada | 0 | http://www.robinminard.de/ | |||||||
| 11344 | Robin | Minard | Music for Quiet Spaces | 1984 | live-elec, 1 perf | 15:46 | Stereo | vib, (delay) [Schlagzeug] | feedback | Saarländischer Rundfunk/ ed. RZ 10007/ T 5150 - degem01/ | Canada Council | 1 | http://www.robinminard.de/ | ||||||
| 11345 | Robin | Minard | Music for walking under | 1987 | fixed media, akusmatisch | je 27:00 | Octo | TU Berlin | 15.-17.5.1987 | TU Foyer Hauptgebäude | 1 | http://www.robinminard.de/ | |||||||
| 21149 | Robin | Minard | Nachklang, Morgens Mittags Abends |
1999 | Klangkunst, Installation | 3 tracks | Verwendung der Buchenwaldglocke | Cantz Verlag 1999/ | TU Berlin, SEAM Weimar | Weimar Kulturstadt Europas | 1.5.-30.6.1999 | Weimar, Rathausturm, Schlossturm, Kirchtum Herderkirche | 1 | http://www.robinminard.de/ | |||||
| 19124 | Robin | Minard | Neptun | 1996 | Klangkunst, Installation | 29:03 | Octo | Ariadne GE 016/ Saarländischer Rundfunk/ ed. rz 10007/ T 5150 - degem01/ | IEM Graz | 1996 | Graz, Steiermärkischen Landesmuseums Joanneum | 1 | http://www.robinminard.de/ | ||||||
| 26317 | Robin | Minard | Offrandes | 2000 | Klangkunst, Installation | 12 Tracks | Kloster Börstel (Osnabrück) | 0 | http://www.robinminard.de/ | ||||||||||
| 37843 | Robin | Minard | On and Between | 2017 | Klangkunst, Installation | ∞ | Spazialisation: more then 100 | Philharmonie Luxembourg | 6.11.2017 - 4.12.2017 | Luxembourg [Philharmonie] | 0 | https://www.youtube.com/watch?v=wcoyAgqErD4 | |||||||
| 30413 | Robin | Minard | Outside In | 2006 | Klangkunst, Installation | 16 Tracks | 2006 | Museo TAMAYO, Mexico City, Mexico, | 0 | ||||||||||
| 30409 | Robin | Minard | Outside In (Blue) | 2010 | Klangkunst, Installation | Netzwerk Neue Musik (Berlin) with the support of the Kulturstiftung des Bundes. | Festival "Sounding D", Deutschlandweit /, German wide, Germany | 0 | |||||||||||
| 11346 | Robin | Minard | Qu'il m'en souvienne… | 1987 | fixed media, akusmatisch | 10:33 | Stereo, Quadro | Carplus-Strong-Algorithm | edel 0085102 ACA/ | TU Berlin | 23.9.1987 | Warschauer Herbst, Musikhochschule | 1 | http://www.robinminard.de/ | |||||
| 11347 | Robin | Minard | Ré | 1990 | Zuspiel / Tonband, 1 perf | 11:15 | Stereo | cl [Klarinette] | edel 0085102 ACA/ | TU Berlin | Bruno Martinez | 10.2.1991 | Inventionen Akademie der Künste Berlin | 1 | 1991 | http://www.robinminard.de/ | |||
| 11348 | Robin | Minard | Resonanz | 1993 | Zuspiel / Tonband, 2 perf | 13:00 | Stereo | p, perc [Piano, Schlagzeug] | electronic access 95 - die andere saite Nr. 1/ | TU Berlin | Senatsverwaltung für kulturelle Angelegenheiten | 10.12.1993 | Podewil Berlin | 1 | http://www.robinminard.de/ | ||||
| 37844 | Robin | Minard | Rosace | 2017 | Klangkunst, Installation | ∞ | 16 Tracks | 0 | |||||||||||
| 23180 | Robin | Minard | Silence (Blue) | 2000 | Klangkunst, Installation | Quadro, 500 tracks | MF 0002-2/ | Mattress Factory | 2000 - 2001 | The Mattress Factory Museum of Contemporary Art, Pittsburgh, United States | 0 | http://www.robinminard.de/ | |||||||
| 26279 | Robin | Minard | Silence (Blue) | 2003 | Klangkunst, Installation | ∞ | Quadro, 500 tracks | 500 Piezzos, Pergamentpapier, blaue Folie, 4-Kanal-Audio; Galerie Voxxx Chemnitz | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2003 | Voxxx Chemnitz | 0 | http://www.voxxx.de/projekte/soundart.htm | |||||
| 11349 | Robin | Minard | Silent Music | 1994 - 2009 | Klangkunst, Installation | ∞ | Quadro, Octo | Installation with several hundred wall-mounted piezo loudspeakers and four-channel audio | TU Berlin | 0 | |||||||||
| 30414 | Robin | Minard | Silent Music (Adelaide) | 2006 | Klangkunst, Installation | Quadro, 600 tracks | 2006 | Project 3 / Adelaide Festival, Adelaide Festival Centre, Adelaide, Australia | 0 | http://www.robinminard.de/ | |||||||||
| 26320 | Robin | Minard | Silent Music (Mariposa), Silent Music | 2002 | Klangkunst, Installation | permanent | 3 tracks, 150 tracks | Mariposa at Teneriffa. Permanente Installation | 0 | http://www.robinminard.de/ | |||||||||
| 30412 | Robin | Minard | Silent Music (Monterrey) | 2006 - 2007 | Klangkunst, Installation | Quadro, 500 tracks | 2006 - 2007 | Construyendo el Mundo / The Building of the World, Museo MARCO, Monterrey, Mexico | 0 | http://www.robinminard.de/ | |||||||||
| 26321 | Robin | Minard | Son <-> Silence, Silent Music | 2003 | Klangkunst, Installation | 6 | Bibliothek Uni Lille | since 2003 | Bibliothèque de Faubourg de Béthune, Lille | 0 | http://www.robinminard.de/ | ||||||||
| 23181 | Robin | Minard | SoundBits | 2002 | Klangkunst, Installation | 576 Tracks | with 576 Piezzo-Lautsprechern; Cooperation with Norbert Schnell | DAAD 205-1 ISBN 3-89727-259-8/ archipel the third ear/ | IRCAM | Inventionen 2002 | 27.6.2002 | Inventionen Stadtbad Oderberger Straße Berlin | 1 | 2002 | http://www.robinminard.de/ | ||||
| 11350 | Robin | Minard | Soundcatchers | 1991 | Klangkunst, Installation | ∞ | Octo | Innenhof WZB; Holger Becker (Software Entwicklung) | TU Berlin | WZB | 17.6.-7.7.1991 | Hof des Wissenschaftszentrums Berlin | 0 | http://www.robinminard.de/ | |||||
| 30410 | Robin | Minard | SoundMap | 2010 | Netzmusik | Internet project | Netzwerk Neue Musik (Berlin) with the suppport of the Kulturstiftung des Bundes. | festival "Sounding D". | 0 | http://map.sounding-d.de/map | |||||||||
| 11351 | Robin | Minard | Soundwalls | 1988 | Klangkunst, Installation | ∞ | 6 | TU Berlin | E88 Berlin | 18.-21.09.1988 | Kongresshalle Berlin, "Audiowerkstatt Berlin" | 0 | http://www.robinminard.de/ | ||||||
| 11352 | Robin | Minard | Stationen | 1992 | Klangkunst, Installation | ∞ | Octo | zur Ausstellung erschien ein Katalog (Einführung von Matthias Osterwold; englischer Kommentar von R. Minard), herausgegeben von „Freunde Guter Musik“ (ohne ISBN) | Stationen (Katalog)/ | TU Berlin | Freunde Guter Musik | 1992 | Kunst in Parochial, Parochialkirche Berlin | 0 | http://www.robinminard.de/ | ||||
| 30417 | Robin | Minard | Still/Life | 1996 - 2001 | Klangkunst, Installation | Octo, 16 tracks | 1 | http://www.robinminard.de/ | |||||||||||
| 19062 | Robin | Minard | Still/Life (Magdeburg) | 1996 - 2001 | Klangkunst, Installation | Octo | Katalog S.101 | ISBN 3-7913-1699 (Prestel)/ | Sonambiente Exhibition (1996) | 1 | http://www.robinminard.de/ | ||||||||
| 30418 | Robin | Minard | Stillleben | 1995 | Klangkunst, Installation | Mono | 0 | http://www.robinminard.de/ | |||||||||||
| 23182 | Robin | Minard | Sutra, Sakrale Räume | 2002 | Klangkunst, Installation | 15:50 | Octo, 12 tracks | Klanginstallation Friedenskirche Jena - dort unter dem Namen "Sakrale Räume". | ed. rz 290405/ | TU Berlin | Friedenskirche Jena & Stiftung Kulturfonds | 27.8.-20.9.2002 | Friedenskirche Jena | 1 | http://www.robinminard.de/ | ||||
| 31665 | Robin | Minard | The Qikiqtaaluk Deep Map | 2013 | radiophon | 56 | Surround 5.1 | WDR Studio Akustische Kunst, DRadio Kultur, Freunde Guter Musik, TU-Studio | 3.1.2014 9.1.2014 31.1.2014 |
Ursendung WDR 3 open Kanadische Botschaft Berlin Ursendung DeutschlandRadio Kultur Klangkunst |
0 | ||||||||
| 37845 | Robin | Minard | The Rende Sugar Factory Soundwalk | 2015 | Klangkunst, Installation | ∞ | since 2015 | Ten Drum Rende Creative Park, Tainan, Taiwan | 0 | ||||||||||
| 26319 | Robin | Minard | Vue | 2001 | Klangkunst, Installation | Saal Bellevue Wisbaden | 0 | http://www.robinminard.de/ | |||||||||||
| 26312 | Robin | Minard | Weather Station | 1995 | Klangkunst, Installation | zusammen mit Norbert Schnell | IEM Graz | 0 | http://www.robinminard.de/ | ||||||||||
| 26316 | Robin | Minard | Zagreb 1999 | 1999 | Klangkunst, Installation | 0 | http://www.robinminard.de/ | ||||||||||||
| 11353 | Robin | Minard | Zwischengeräusche(n) | 1995 | Klangkunst, Installation | ∞ | Octo | TU Berlin | Karl Hofer Gesellschaft | 1.-22.12.1995 | Künstlerbahnhof Westend / Berlin, bei »USE_MEdienKUnst@HdK« der Karl-Hofer-Gesellschaft | 0 | http://www.robinminard.de/ | ||||||
| 26326 | Robin, Jaap | Minard, Blonk | Full Circle (Blonk) | 2008 | Zuspiel, live-elec, 1 perf | Quadro | Sp [Sprecher] | mit einem Lautgedicht von Jaap Blonk with sound poetry by Jaap Blonk. For voice, live electronics and 4-channel audio. Commissioned by Toronto New Music Concerts (première in Toronto on June 5, 2008 together ... |
Toronto New Music Concerts | 5.6.2008 | Toronto | 0 | http://www.robinminard.de/ | ||||||
| 26327 | Robin, Susan | Minard, Meinhardt | Nature Morte | 2008 - 2011 | audiovisuell, 1 perf | Stereo | Sp [Sprecher] | April-June 2008 | exposition "Sounds on Paper", OBORO, Montréal and Gallery 345, Toronto | 0 | http://www.robinminard.de/minard.content.php?id=65&sh=0 | ||||||||
| 26323 | Robin, Hanns-Holger, Ludger | Minard, Rutz, Hennig | Installed Piano String | 2006 | Klangkunst, Installation | permanent | 14 Meter Piano-String; Liszt - Haus Weimar; permanente Installation look to "Rigid String Geometry" |
0 | http://www.sciss.de/texts/intro.html | ||||||||||
| 26324 | Robin, Hanns-Holger, Constantin | Minard, Rutz, Popp | Hörmodule | 2007 | Klangkunst, Installation | Klangskulpturen für Deutschlandradio | 0 | http://www.sciss.de/texts/intro.html | |||||||||||
| 22305 | Diego | Minciacchi | Klavierstück Nr. 4: Vae Victis | Zuspiel, live-elec, 1 perf | 13:53 | p [Piano] | WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||||
| 31982 | Diego | Minciacchi | Mentre noi corravam la morte gora | 1998 | fixed media, akusmatisch | 9:44:00 | after the text from Dante Divina Commedia Konzert Inventionen 2000, Parochialkirche 30.6.2000, 20h |
PS C. | 1 | ||||||||||
| 28461 | Diego | Minciacchi | Who's responsible in here? | 2002 | fixed media, akusmatisch | 12:29 | ELCD 036 Electroshock Records/ | 0 | |||||||||||
| 11354 | Nicholas | Minde | A Neutral Bias in Bridge Building | 1989 | fixed media, akusmatisch | 7:34 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 27692 | Nicholas | Minde | Listen | 1989 | fixed media, akusmatisch | Stereo | Queens Uni Kingston | Procan Award 1989 | 0 | ||||||||||
| 11355 | Jean-François | Minjard | Chemin de ronde | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 11356 | Jean-François | Minjard | Con tempi | 1984 | live-elec, 3 perf | 3 synt [synthesizer] | CNR Lyon | 0 | |||||||||||
| 11357 | Jean-François | Minjard | Cyralé | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 40785 | Jean-François | Minjard | Désordre | 1989 | fixed media, akusmatisch | 27:30 | INA • GRM | 0 | |||||||||||
| 11358 | Jean-François | Minjard | Frôle | 1985 | live-elec, 3 perf | 3 synt [synthesizer] | CNR Lyon | 0 | |||||||||||
| 11359 | Jean-François | Minjard | Immanence | 1991 | fixed media, akusmatisch | 21:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 11360 | Jean-François | Minjard | L'éspace des chutes | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 11361 | Jean-François | Minjard | L'infini, voyage in memoriam ... | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 11362 | Jean-François | Minjard | Les espaces du temps | 1986 | fixed media, akusmatisch | 22:10 | Stereo | INA • GRM | 0 | ||||||||||
| 11363 | Jean-François | Minjard | Manière d'envie | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 11364 | Jean-François | Minjard | Méristème | 1982 | Tanz | CNR Lyon | 0 | ||||||||||||
| 11365 | Jean-François | Minjard | Petites Histoires noires | 1988 | fixed media, akusmatisch | 17:40 | Stereo | INA • GRM | 0 | ||||||||||
| 20522 | Jean-François | Minjard | Peur dans l'escalier | 1986 | fixed media, akusmatisch | 7:50 | Stereo | GMVL CD 09/ | GMVL Lyon | 0 | |||||||||
| 11366 | Jean-François | Minjard | Simulacre | 1990 | fixed media, akusmatisch | 33:15 | Stereo | INA • GRM | 0 | ||||||||||
| 11367 | Jean-François | Minjard | Tresse | 1982 | Tanz | CNR Lyon | 0 | ||||||||||||
| 25994 | Raúl | Minsburg | A tu memoria, para Naúm Minsburg | 2005 | fixed media, akusmatisch | 8:03 | Stereo | MR 2006 Métamorphoses 2006/ | Métamorphoses 2006 | 1 | |||||||||
| 35661 | Raúl | Minsburg | A tu memoria (para Naun Minsburg) | 2005 | fixed media, akusmatisch | 07:58 | Serie Contemporanea | Uni de la serena/ | 1 | ||||||||||
| 35662 | Raúl | Minsburg | Cantos Lejanos | fixed media, akusmatisch | 5:34 | 0 | |||||||||||||
| 35663 | Raúl | Minsburg | Cientos de voces | 1999 | fixed media, akusmatisch | 05:28 | Serie Contemporanea | Uni de la serena/ | 0 | ||||||||||
| 22745 | Raúl | Minsburg | Dias después… | 1998 | fixed media, akusmatisch | 8:01 | Uni de la serena 1/ | 1 | |||||||||||
| 37768 | Raúl | Minsburg | El gesto ausente | 2016 | fixed media, akusmatisch | Honorable Mention at the CIME 2017 | 0 | ||||||||||||
| 35664 | Raúl | Minsburg | El mismo camino | 2003 | fixed media, akusmatisch | 10:38 | Serie Contemporanea | Uni de la serena/ | 0 | ||||||||||
| 35665 | Raúl | Minsburg | Entre suenos | 2001 | fixed media, akusmatisch | 09:20 | Serie Contemporanea | Uni de la serena/ | 0 | ||||||||||
| 35666 | Raúl | Minsburg | Tiempos Imaginarios | 1999 | live-elec, 2 perf | 08:15 | p, w [Piano, Bläser] | Serie Contemporanea | Uni de la serena/ | 0 | |||||||||
| 35667 | Raúl | Minsburg | Voces del recuerdo | 1996 | fixed media, akusmatisch | 09:15 | Serie Contemporanea | Uni de la serena/ | 0 | ||||||||||
| 40779 | Philippe | Mion | Cocktail - Poireautant - L’Aube | 1979 | Tanz | 44:10 | INA • GRM | 1979 | BOURG-EN-BRESSE, Festival International de Danse Contemporaine | 0 | |||||||||
| 11368 | Philippe | Mion | Confidence | 1995 | fixed media, akusmatisch | 15:19 | MK CD 017/ | Musiques et Recherches Ohain, INA • GRM | 0 | ||||||||||
| 24723 | Philippe | Mion | Des jambes de femmes tout le temps | 1997 | fixed media, akusmatisch | 22:13 | Stereo | INA C 1020/ | INA • GRM | state and by the INA GRM | 1 | ||||||||
| 11369 | Philippe | Mion | Etude frenetique | 1978 | fixed media, akusmatisch | 3:30 | Stereo | INA • GRM | 28.11.1979 | Lille, Festival 1979, Foyer de l’Opéra | 0 | ||||||||
| 11370 | Philippe | Mion | Feuillet N°1 | 1991 | fixed media, akusmatisch | Stereo | INA • GRM | 0 | |||||||||||
| 11371 | Philippe | Mion | Germinal, Cotillon 2000 | 1985 | fixed media, akusmatisch | 6:11 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 11372 | Philippe | Mion | Grossier personnage, Prélude Rétine citron Marelle inutile Petit drame champêtre Violenta Roulis d'amour |
1980 | fixed media, akusmatisch | 27:10 | Stereo | INA • GRM | INA • GRM | 19.1.1981 | Paris, Maison de Radio France, Gd. Auditorium | 0 | |||||||
| 11373 | Philippe | Mion | Huit chansons précieuses | 1987 | Zuspiel / Tonband, 1 perf | 14:20 | Stereo | S [Sopran] | INA • GRM | 0 | |||||||||
| 35376 | Philippe | Mion | Je joue pour faire de la fumée | 2013 | fixed media, akusmatisch | 48:33 | 18 parts | EOR 013 Éole Records/ | 0 | ||||||||||
| 11374 | Philippe | Mion | L'image éconduite | 1983 - 1984, 1987 | fixed media, akusmatisch | 70:00 | Octo, Stereo | d’après Henri Michaux | Coll GRM 9118 MI/ EOR 013 Éole Records/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 26.3.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | ||||||
| 20523 | Philippe | Mion | Léone | 1987 - 1993 | Oper, 6 perf | 72:40 | Stereo | 2 S, Mez, T, Bar, B [Sopran, Mezzo, Tenor, Bariton, Bass] | IMED 9632/ | INA • GRM, GRAME Lyon | Fondation Beaumarchais (Funds for Writers) and a 1992 French government commission, and with the help of the Ina-GRM and GRAME studios | 15.05.1993 | 16th Perspectives Festival in Saarbrücken | 0 | |||||
| 20524 | Philippe | Mion | Loulou & Pierrot-la-Lune | 1997 | fixed media, akusmatisch | 16:51 | Stereo | FRAM 212/ | La Muse | 0 | |||||||||
| 11376 | Philippe | Mion | Romaine | 1991 | fixed media, akusmatisch | Stereo | INA • GRM | 0 | |||||||||||
| 24724 | Philippe | Mion | Si c’était du jour | 1999 | fixed media, akusmatisch | 16:27 | Octo | INA C 1020/ | INA • GRM | INA GRM | 1 | ||||||||
| 11377 | Philippe | Mion | Six scenes pour Leone | 1988 | Zuspiel / Tonband, 1 perf | 31:12 | Stereo | V [Stimme] | INA • GRM | 0 | |||||||||
| 18859 | Philippe | Mion | Soupcon-délice (Puzzlasept) | 1980 | fixed media, akusmatisch | 3:56 | INA C 1000/ | INA • GRM | 0 | ||||||||||
| 11378 | Philippe | Mion | Statue | 1985 | fixed media, akusmatisch | 18:27 | Stereo | INA C 1020/ | INA • GRM | INA GRM | 25.2.1985 | Salle Olivier Messiaen, Maison de la Radio France | 1 | ||||||
| 11380 | Philippe | Mion | Suite fauve | 1982/1986 | fixed media, akusmatisch | 24:30 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 18858 | Philippe | Mion | Trois esquisses ouvertes | 1982 | live-elec, 3 perf | 20:42 | 3 synt [synthesizer] | Trio TM+ | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 1 | 1984 | |||||||
| 11381 | Philippe | Mion | Vous avez dit oiseaux, Plumes | 1983 | fixed media, akusmatisch | 10:35 | Stereo | La nuit des oiseaux | INA • GRM | 1.10.1983 | France Musique | 0 | |||||||
| 19614 | Rafael | Mira Fornés | Cada Vez | 1985 | fixed media, akusmatisch | 12:37 | Stereo | GME Cuenca | 0 | ||||||||||
| 35511 | Daniel | Miraglia | Construccion | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 11382 | Julien | Miran (Essegulian) | Allô ! C'est moi - Ça va? | 1989/1990 | fixed media, akusmatisch | 17:15 | Stereo | EMS Stockholm | 0 | ||||||||||
| 11383 | Eduardo Reck | Miranda | Deep Resonance | 1994 | fixed media, akusmatisch | 12:00 | Stereo | dat/cd | UEE Edinburgh | 0 | |||||||||
| 11384 | Eduardo Reck | Miranda | Electroacoustic samba, No. 1 a 9 | 1992 - 1994 | fixed media, akusmatisch | Tanz |
50:00 | Stereo | ELECTROACOUSTIC SAMBA II (7:04) ELECTROACOUSTIC SAMBA I (7:35) |
LDC 278068/69 Cultures Electroniques 12/ ISAST LMJ 10/ scd 28051 sargasso/ | UEE Edinburgh, Uni York | 1 | ||||||||
| 11385 | Eduardo Reck | Miranda | Entre l'absurde et le mystère | 1992 - 1994 | computer generated score, 1 group | 12:00 | orc [Orchester] | Uni York | 0 | ||||||||||
| 11386 | Eduardo Reck | Miranda | Goma arábica | 1995 | fixed media, akusmatisch | 7:18 | Stereo | Csound, Phase Vocoder | SBME 001, Musica el. Brasileira Vol 1/ scd 28051 sargasso/ | Uni Glasgow | 1 | ||||||||
| 25995 | Eduardo Reck | Miranda | Grain Streams | 1997 - 1999 | Zuspiel / Tonband, 1 perf | 16:00 | p [Piano] | C. Domenici (p) | 38972604-7 Brasil/ | StudioForum Annecy, Uni Glasgow | 2000 | Annecy | 1 | ||||||
| 11387 | Eduardo Reck | Miranda | Jorge Borges takes Italo Calvino on a taxi ... | 1994 | fixed media, akusmatisch | 24:00 | Stereo | dat/cd | UEE Edinburgh | 0 | |||||||||
| 24455 | Eduardo Reck | Miranda | Le Jardin de Jérôme | 2001 | fixed media, akusmatisch | 11:50 | scd 28051 sargasso/ | IMEB Bourges | 1 | ||||||||||
| 11388 | Eduardo Reck | Miranda | Mônadas | 1988 | computer generated score, 1 perf | 8:00 | perc [Schlagzeug] | PS C. | 0 | ||||||||||
| 32864 | Eduardo Reck | Miranda | Mozat Reloaded, Appassionata Dance of Shadows Hip-Hopped |
2011 | live-elec, 1 perf | 12 | p [Piano] | electroacoustic Piano Qinitet in three movements | SCD 28065 Sargasso/ | 0 | |||||||||
| 11389 | Eduardo Reck | Miranda | Noises | 1993 | fixed media, akusmatisch | 10:00 | Stereo | dat/cd | UEE Edinburgh | 0 | |||||||||
| 11390 | Eduardo Reck | Miranda | Olivine Trees | 1994 | fixed media, akusmatisch | 8:05 | Stereo | II SBC&M/ | UEE Edinburgh | 1 | |||||||||
| 25026 | Eduardo Reck | Miranda | Requiem per una veu perduda, Kyrie Gloria Sanctus-Benedictus Agnus Dei |
1997 | fixed media, akusmatisch | 17:00 | with the Sopranovoice by Simone Sahyouni | scd 28051 sargasso/ | Pompeu Fabra, Uni Glasgow | 1 | |||||||||
| 25027 | Eduardo Reck | Miranda | robotapithecos | 2002 | fixed media, akusmatisch | 8:07 | scd 28051 sargasso/ | Tempo Reale Firenze | 1 | ||||||||||
| 31743 | Eduardo Reck | Miranda | Sacra Conversazione, opus 2, From the void … Cantus Firmus Euphony Flux … to the Ziggurat |
2002 - 2007 | fixed media, akusmatisch | 11:36 | uses synthesized voice 1. From the void … 2:41 2. Cantus Firmus 2:08 3. Euphony 0:53 4. Flux 3:16 5. … to the Ziggurat 2:12 |
SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 11391 | Eduardo Reck | Miranda | The turning of the tide | 1993 | live-elec, 1 perf | 22:30 | Stereo | prep vn [Violine] | UEE Edinburgh | 0 | |||||||||
| 27602 | Eduardo Reck | Miranda | Tiergarten | 2007 | fixed media, akusmatisch | 12:16 | Stereo | entstand während seines Aufenthaltes als Varèse-Gastprofessor in Berlin (WS 2006/07) | magazine Notations, Nr. 1, Portfolio Five, 2009. [ISSN 2040-2651]/ | PS C. | 1 | ||||||||
| 19082 | Fatima | Miranda | Concierto en Canto | 1996 | Performance | 0:40 | Sonambiente Ausstellung (1996); Hebbeltheater Katalog S.103 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 20525 | Fatima | Miranda | Entre Nosostros, Epitafio a Las Ballenas | 2002 | Zuspiel / Tonband, 1 perf | 4:59 | Stereo | V [Stimme] | Nova Era CD 2002/ | 0 | |||||||||
| 11392 | Zarko | Mirkovic | Echo Waldstein | 1987 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | p [Piano] | DIEM Aarhus | 0 | |||||||||
| 11393 | Zarko | Mirkovic | Epic '85 | 1985 | fixed media, akusmatisch | 10:05 | Stereo | Radio Beograd CD 2, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | |||||||||
| 11394 | Zarko | Mirkovic | Legend | 1987 | fixed media, akusmatisch | 12:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 11395 | Zarko | Mirkovic | Letters | 1985 | Zuspiel / Tonband, 1 group | Stereo | fem ch [Chor] | Radio Beograd | 0 | ||||||||||
| 39535 | Adam | Mirza | InsideOut | 2017 | fixed media, akusmatisch | Adam Mirza | 0 | ||||||||||||
| 11396 | Dominique | Miscopein | Etude No 1 | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 11397 | Dominique | Miscopein | Klôn | 1991 | Zuspiel, live-elec, 1 group | ens [Ensemble] | SONVS Lyon | 0 | |||||||||||
| 11398 | Dominique | Miscopein | Les manèges écarlates | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 11399 | Dominique | Miscopein | Vision | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 34842 | Antoine | Missout | Syntonisation | 2016 | audiovisuell | 3:15:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 42819 | David | Mitchell | Howl | 2012 | fixed media, akusmatisch | 8:20:00 | 0 | ||||||||||||
| 42863 | Jason | Mitchell | Derelict Station: Channel 1 | 2013 | fixed media, akusmatisch | 8:14:00 | 0 | ||||||||||||
| 39889 | Jason | Mitchell | End of Message | 2016 | Performance | Jason Mitchell | 0 | ||||||||||||
| 39888 | Jason | Mitchell | No Way Forward, No Way Back | 2017 | audiovisuell | Jason Mitchell | 0 | ||||||||||||
| 42518 | Jason H. | Mitchell | Gravitational Altitude Correction | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42640 | Jason H. | Mitchell | Sk’elep | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 20526 | Jonathan | Mitchell | Vinyl | 1993 | fixed media, akusmatisch | 6:08 | Stereo | EMS 9300/ | EMS UIUC | 0 | |||||||||
| 11400 | Luca | Miti | Abendlied | 1990 | fixed media, akusmatisch | 2:13 | ambient M. | electronikaruna "musiche sole"/ | PS C. | 1 | |||||||||
| 11401 | Luca | Miti | Il manoscritto bresciano | 1991 | fixed media, akusmatisch | 6:32 | electronikaruna "musiche sole"/ | PS C. | 1 | ||||||||||
| 22752 | Luca | Miti | Musica per "e non mi resta che tornare solo" | 1996 | live-elec, 2 perf | V, Sp [Sprecher, Stimme] | Luca Miti, Clarita Pandolfi, Mimmo Surace, Graziano Sirci, Marco Nateri | Electronikaruna | 1 | ||||||||||
| 11402 | Luca | Miti | Nomadi | 1990 | fixed media, akusmatisch | 10:01 | electronikaruna "musiche sole"/ | PS C. | 1 | ||||||||||
| 22753 | Luca | Miti | Omaggio a Saverio Ungheri | 1996 | live-elec, | Electronikaruna | 1 | ||||||||||||
| 22754 | Luca, Francesco | Miti, Michi | Giocattoli | 1997 | live-elec, | Electronikaruna | 1 | ||||||||||||
| 11403 | Mihai | Mitrea-Celerianu | Aïn | 1973 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 11404 | Mihai | Mitrea-Celerianu | Convergences II (Colinda) | 1967 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 11405 | Mihai | Mitrea-Celerianu | Convergences V, (Jeux dans le blanc) | 1969 | Zuspiel / Tonband, 1 perf, 1 group | ch, perc [Schlagzeug, Chor] | 0 | ||||||||||||
| 11406 | Mihai | Mitrea-Celerianu | Inaugural 71 | 1971 | live-elec, 1 perf | fl, slides [Flöte] | 0 | ||||||||||||
| 11407 | Mihai | Mitrea-Celerianu | Piano de matin, (Ecoute pour Anne Frank) | 1972 | Zuspiel / Tonband, 5 perf | 5 ins, slides [Instrument] | 0 | ||||||||||||
| 11408 | Herbert A. | Mitschke | Calypso | 1985 | Zuspiel, live-elec, 2 perf | 12:10 | Stereo | perc, synt [Schlagzeug, synthesizer] | 0 | ||||||||||
| 11409 | Herbert A. | Mitschke | Capriccio | 1987 | Zuspiel / Tonband, 2 perf | 12:48 | Stereo | V, sam [Stimme, computer] | 0 | ||||||||||
| 11410 | Herbert A. | Mitschke | Clausula rebus sic stantibus | 1992 | Performance | intermedia || audiovisuell |
45:00 | dancer, Sp [Sprecher, Tanz] | Partiturenviroment | Feedback | 0 | |||||||||
| 11411 | Herbert A. | Mitschke | Ernst, Ernst ! | 1987 | fixed media, akusmatisch | 11:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 26384 | Herbert A. | Mitschke | Modul Media | 1993 | Zuspiel, Performance, 3 perf | fl, drum, V [Stimme, Flöte, Schlagzeug] | text by Schwitters; with sculptures by B. Szüts | 1993 | Köln | Feedback | 0 | ||||||||
| 19177 | Herbert A. | Mitschke | Pendulum | 1991 | live-elec, 2 perf | 4:15 | S, Sp [Sopran, Sprecher] | Feedback 25 Jahre/ | Studio HerMit | 1 | |||||||||
| 11412 | Herbert A. | Mitschke | Vaterkomm | 1991 | Theater, 1 perf | 17:10 | Stereo | actor, (com) [Schauspieler] | Feedback 25 Jahre/ | Feedback St | 1991 | Köln | Feedback | 1 | |||||
| 11413 | Hans | Mittendorf | Adagio | 1992 | fixed media, akusmatisch | 5:00 | Stereo | Upic com | CEMAMu/ Ateliers Upic/ CCMIX | 1 | |||||||||
| 11414 | Hans | Mittendorf | All Digital | 1994/1995 | live-elec, 1 group | ≈ 9:00 | orc [Orchester] | 0 | |||||||||||
| 22697 | Hans | Mittendorf | Bamboo | 1990 | fixed media, akusmatisch | 4:00 | CEMAMu/ Ateliers Upic/ CCMIX | 1 | |||||||||||
| 11415 | Hans | Mittendorf | Baptism of Numbers | 1993/1994 | fixed media, akusmatisch | ≈9-11 | Upic com | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 11416 | Hans | Mittendorf | Drei Lieder | 1987 | live-elec, 4 perf | ≈ 10:00 | S, Kbd, e-gui, db [Sopran, Keyboard, Gitarre, Kontrabass] | RCM London | 0 | ||||||||||
| 11417 | Hans | Mittendorf | Electrio | 1988 | fixed media, akusmatisch | 6:00 | Stereo | midi | RCM London | 1 | |||||||||
| 11418 | Hans | Mittendorf | Gesang der Winde | 1994 | fixed media, akusmatisch | 8:30 | 5 tracks | Upic com | Cybele 960.205/ DegeM CD 05/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | 1996 | |||||||
| 11419 | Hans | Mittendorf | Ghetto Fever | 1988 | live-elec, 14 perf | 5:10 | 14 ins [Instrument] | RCM London | 0 | ||||||||||
| 22698 | Hans | Mittendorf | Himalaya | 1990 | fixed media, akusmatisch | 7:58 | CEMAMu/ Ateliers Upic/ CCMIX | 1 | |||||||||||
| 11420 | Hans | Mittendorf | In Secula Seculorum | 1990/1992 | live-elec, 1 group | ≈ 12:00 | orc [Orchester] | 1 | |||||||||||
| 23287 | Hans | Mittendorf | Invisible Worlds | 1999 | live-elec, 4 perf | 5:53 | fl, cl, perc, dancer, (elec, UPIC) [Flöte, Klarinette, Schlagzeug, Tanz] | Clara Navakova (fl), Carol Robinson (cl), Thierry Miroglio (perc), Isaura Corlay (dance) | Cybele 960.207 DegeM CD 07/ |
CEMAMu/ Ateliers Upic/ CCMIX | 1 | ||||||||
| 25996 | Hans | Mittendorf | Matrix der Primzahlen | 2005 | audiovisuell, live-elec, 1 group | 3:00 | ens [Ensemble] | Version mit Max/MSP und Jitter (“Studioversion“) und Version mit Ensemble | PS C. | 1 | |||||||||
| 11421 | Hans | Mittendorf | Metal | 1986 | fixed media, akusmatisch | 1:26 | Stereo | Upic com | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 11422 | Hans | Mittendorf | Out of Range | 1989 | live-elec, 6 perf | 9:03 | db, t-trbn, b-trbn, a-sax, vib, MIDI [Saxophon, Posaune, Schlagzeug, Kontrabass, synthesizer] | RCM London | 1 | ||||||||||
| 11423 | Hans | Mittendorf | Plateau | 1988 | fixed media, akusmatisch | Stereo | com M. | TU Berlin | 1 | ||||||||||
| 11424 | Hans | Mittendorf | Praise the Lord | 1989 | live-elec, 1 perf | 6:30 | vn [Violine] | RCM London | 0 | ||||||||||
| 11425 | Hans | Mittendorf | Salome | 1995 | live-elec, 2 perf | intermedia |
≈7-10 | fl, dancer, (multimedia) [Flöte, Tanz] | 0 | |||||||||||
| 11426 | Hans | Mittendorf | Singularity with spin | 1992 | fixed media, akusmatisch | 19:00 | Stereo | Upic com | CEMAMu/ Ateliers Upic/ CCMIX | 1 | |||||||||
| 24265 | Hans | Mittendorf | Transformationen | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 11427 | Hans | Mittendorf | Transformations I | 1985 | fixed media, akusmatisch | 1:38 | Stereo | Synthi AKS | Morley Coll | 1 | |||||||||
| 11428 | Hans | Mittendorf | Transformations II | 1985 | fixed media, akusmatisch | 13:10 | Stereo | Synthi AKS, MIDI | Morley Coll | 0 | |||||||||
| 11429 | Hans | Mittendorf | Voyageur | 1986 | fixed media, akusmatisch | 16:10 | Stereo | sm | Morley Coll | 1 | |||||||||
| 32460 | Wolfgang | Mitterer | 5 stuecke fuer orgel und 7-kanalband | Zuspiel / Tonband, 1 perf | 24:00:00 | 7 tracks | org [Orgel] | 0 | |||||||||||
| 32445 | Wolfgang | Mitterer | ab und zu | fixed media, akusmatisch | 10:40:00 | Stereo + Stereo | für 2 Tonbänder | 0 | |||||||||||
| 18900 | Wolfgang | Mitterer | AmusiE, Raum Klang Kirche | 1993 | Zuspiel, live-elec, 7 perf | 48:00 | 10 Tracks | ob, vn, cl, hn, bn, org, perc [Klarinette, Oboe, Fagott, Horn, Orgel, Schlagzeug, Violine] | LondonHALL tiro 2/ | 1 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||
| 32434 | Wolfgang | Mitterer | Angelo | 1985 | Zuspiel, live-elec, 1 group | 52:00:00 | ens [Ensemble] | 0 | |||||||||||
| 32428 | Wolfgang | Mitterer | Astrologia Mundi | 1986 | live-elec, 1 perf | 40:00:00 | ins [Instrument] | 0 | |||||||||||
| 32371 | Wolfgang | Mitterer | Ausgebrannt | 1996 | live-elec, 1 group | ch [Chor] | 0 | ||||||||||||
| 32461 | Wolfgang | Mitterer | balancement | Zuspiel / Tonband, 1 perf | 15:03:00 | org [Orgel] | 0 | ||||||||||||
| 32447 | Wolfgang | Mitterer | beat music | Zuspiel, live-elec, 6 perf | 73 | Octo | perf (dj’s), b-cl, e-gui, 2 perc, V [Stimme, Klarinette, Gitarre, Schlagzeug, Performer] | 0 | |||||||||||
| 32485 | Wolfgang | Mitterer | blackwater redux | radiophon | 28:00:00 | mit Petschinka | 0 | ||||||||||||
| 32377 | Wolfgang | Mitterer | Brain | 1995 | radiophon | 26:35:00 | ORF, Petschinka | 0 | |||||||||||
| 32408 | Wolfgang | Mitterer | Broken Consort | 1990 | live-elec, 5 perf | 52:00:00 | V, 4 ins [Stimme, Instrument] | 0 | |||||||||||
| 36553 | Wolfgang | Mitterer | BWV.ORG | 2000 | live-elec, 1 perf | 25:03 | org [Orgel] | WWE 1SACD 20615/ | 0 | ||||||||||
| 32421 | Wolfgang | Mitterer | Call Boys Inc I | 1988 | live-elec, 4 perf | audiovisuell |
56:30:00 | 4 ins [Instrument] | 0 | |||||||||||
| 32472 | Wolfgang | Mitterer | carbon copy remixed | fixed media, akusmatisch | 14:00:00 | olongapo/ | 0 | ||||||||||||
| 32482 | Wolfgang | Mitterer | casanova matador | radiophon | 20:00:00 | WDR / ORF, Sanchez & Petschinka | 0 | ||||||||||||
| 32405 | Wolfgang | Mitterer | Charivari | 1991 | live-elec, 1 perf | 6:30:00 | ins [Instrument] | 0 | |||||||||||
| 32411 | Wolfgang | Mitterer | Composto | 1989 | live-elec, 1 perf | 9:00:00 | ins [Instrument] | 0 | |||||||||||
| 32398 | Wolfgang | Mitterer | Computer | 1992 | fixed media, akusmatisch | 2:11:00 | 0 | ||||||||||||
| 32370 | Wolfgang | Mitterer | Contracis | 1998 | live-elec, 1 perf | 45:00:00 | Octo | var perf [Performer] | 8-spur-tonband und variable spieler | 0 | |||||||||
| 32455 | Wolfgang | Mitterer | crushroom | live-elec, 1 perf, 1 group | 95:00 | V, ens [Stimme, Ensemble] | 0 | ||||||||||||
| 32446 | Wolfgang | Mitterer | das schattengedaechtni | Zuspiel, live-elec, 2 perf | 20:07:00 | V, ins [Stimme, Instrument] | 0 | ||||||||||||
| 32380 | Wolfgang | Mitterer | Der Irre - Theatermusik | 1994 | Musiktheater | 35:00:00 | ins [Instrument] | 0 | |||||||||||
| 32385 | Wolfgang | Mitterer | Dirty Tone | 1994 | live-elec, 3 perf | ≈ 22 | trio, (elec) [Instrument] | olongapo/ | 0 | ||||||||||
| 32422 | Wolfgang | Mitterer | "Drunk" | 1987 | Film | 5:08:00 | Musik zu einem Zeichentrickfilm | 0 | |||||||||||
| 32452 | Wolfgang | Mitterer | espirando | Zuspiel / Tonband, 8 perf | 33:00:00 | 8 ins [Instrument] | 0 | ||||||||||||
| 32440 | Wolfgang | Mitterer | facile | Zuspiel / Tonband, 1 perf | 4:20:00 | ins [Instrument] | 0 | ||||||||||||
| 32393 | Wolfgang | Mitterer | Falter | 1993 | Film | 30:00:00 | Musik zu einem Kurzfilm | 0 | |||||||||||
| 32430 | Wolfgang | Mitterer | Fractals 11 | 1986 | live-elec, 2 perf | 5:20:00 | 2 ins [Instrument] | 0 | |||||||||||
| 32438 | Wolfgang | Mitterer | Fractals 13 | 1983 | live-elec, 13 perf | 12:00:00 | 13 ins [Instrument] | 13 Spieler | 0 | ||||||||||
| 11432 | Wolfgang | Mitterer | Fractals 2 | 1983 | fixed media, akusmatisch | 12:36 | Stereo | 7 Kinderlieder | EMS Stockholm | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||
| 11433 | Wolfgang | Mitterer | Fractals 3 | 1987 | Zuspiel / Tonband, 1 perf | 11:34 | b-cl [Klarinette] | amadeo 427040 Oesterreichische Musik Der Gegenwart: Elektronische Musik 2/ | EMS Stockholm | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||
| 32429 | Wolfgang | Mitterer | Fractals 5 | 1986 | live-elec, 5 perf | 11:15:00 | 5 ins [Instrument] | 0 | |||||||||||
| 32423 | Wolfgang | Mitterer | Fractals 9 | 1987 | fixed media, akusmatisch | 11:30:00 | ins [Instrument] | 0 | |||||||||||
| 32444 | Wolfgang | Mitterer | free flow | Zuspiel / Tonband, 4 perf | 4 ins [Instrument] | 0 | |||||||||||||
| 32365 | Wolfgang | Mitterer | free radio | 2011 | live-elec, 1 perf | org [Orgel] | 0 | ||||||||||||
| 32413 | Wolfgang | Mitterer | Funeral March | 1989 | fixed media, akusmatisch | 2:45:00 | 0 | ||||||||||||
| 32404 | Wolfgang | Mitterer | Gestrichen | 1992 | fixed media, akusmatisch | 2:22:00 | 0 | ||||||||||||
| 32390 | Wolfgang | Mitterer | Gitarre | 1993 | fixed media, akusmatisch | 2:32:00 | 0 | ||||||||||||
| 32367 | Wolfgang | Mitterer | go next | 2007 - 2008 | live-elec, 1 group | ens, (elec, conductor) [Ensemble] | für Ensemble, Elektronik und Dirigent | 0 | |||||||||||
| 32480 | Wolfgang | Mitterer | goldrausch | radiophon | 21:47:00 | SRG, Petschinka | 0 | ||||||||||||
| 32469 | Wolfgang | Mitterer | greiz | Klangkunst, Installation | 21:03:00 | Octo | 0 | ||||||||||||
| 32394 | Wolfgang | Mitterer | Guernica | 1992 | Musiktheater | 37:00:00 | Theatermusik | 0 | |||||||||||
| 32426 | Wolfgang | Mitterer | Hirn mit Ei | 1987 | live-elec, 2 perf | 16:30:00 | 2 ins [Instrument] | 0 | |||||||||||
| 32451 | Wolfgang | Mitterer | horizontal noise | live-elec, 1 perf, 1 group | V, ens [Stimme, Ensemble] | 0 | |||||||||||||
| 11434 | Wolfgang | Mitterer | Impac drullen | 1983/1984 | fixed media, akusmatisch | 3:11 | Stereo | EMS Stockholm | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | |||||||||
| 32479 | Wolfgang | Mitterer | indegenous people | radiophon | 14:00:00 | DRadio Kultur, Petschinka | 0 | ||||||||||||
| 32368 | Wolfgang | Mitterer | Inwendig losgelöst | 2006 | live-elec, 1 group | ≈ 25 | ens, (elec) [Ensemble] | für Barockorchester, Ensemble und Electronic | 0 | ||||||||||
| 32433 | Wolfgang | Mitterer | Ive | 1985 | live-elec, 2 perf | 15:03:00 | 2 ins [Instrument] | 0 | |||||||||||
| 32431 | Wolfgang | Mitterer | Ive 1 | 1985 | live-elec, 1 perf | 16:12:00 | ins [Instrument] | 0 | |||||||||||
| 32374 | Wolfgang | Mitterer | Ka und der Pavian | 1996 | live-elec, 13 perf, 1 group | 56:00:00 | ch, 13 ins [Instrument, Chor] | Chor, 13 Instrumente und Ringbeschallung | 0 | ||||||||||
| 32453 | Wolfgang | Mitterer | kadout | live-elec, | 11:00:00 | 0 | |||||||||||||
| 32459 | Wolfgang | Mitterer | käthchen teil 1 | live-elec, 2 perf | 55:00:00 | V, ins [Stimme, Instrument] | 0 | ||||||||||||
| 32458 | Wolfgang | Mitterer | kleines requie | live-elec, 2 perf | V, ins [Stimme, Instrument] | 0 | |||||||||||||
| 32397 | Wolfgang | Mitterer | Kon i net | 1992 | fixed media, akusmatisch | 1:14:00 | 0 | ||||||||||||
| 32450 | Wolfgang | Mitterer | konzert für klavier, orchester und electronic | 2001 | live-elec, 1 perf, 1 group | 21:54 | p, orc [Piano, Orchester] | WWE 2CD 20215/ | 19-21.10.2001 | Donaueschinger Musiktage 2001 | 0 | ||||||||
| 32379 | Wolfgang | Mitterer | Krok | 1994 | radiophon | 26:35:00 | SRG / ORF; Petschinka & Moessmer | 0 | |||||||||||
| 32402 | Wolfgang | Mitterer | Kugel | 1992 | fixed media, akusmatisch | 1:37:00 | 0 | ||||||||||||
| 32456 | Wolfgang | Mitterer | labyrinth 1+2 | live-elec, 1 perf | 55:00:00 | V [Stimme] | 0 | ||||||||||||
| 32699 | Wolfgang | Mitterer | Labyrinth 14/2 | 2014 | Performance | ≈ 50 | 6 | 2 ch, 2 br-ens, bagpipe-band, perc-ens (tambourcorps), 7 perc [Schlagzeug, Bläser, Ensemble, Chor] | part of „Stadtsinfonie Bonn“, open-air concert at Bonn City Center | Beethovenstiftung Bonn, www.bonnhoeren.de/ | 20.6.2014 | Bonn, Münsterplatz | 1 | ||||||
| 32457 | Wolfgang | Mitterer | labyrinth 4 | live-elec, | 0 | 2006 | |||||||||||||
| 32477 | Wolfgang | Mitterer | lady killer | radiophon | DRadio Kultur, Petschinka & Moessmer | 0 | |||||||||||||
| 32467 | Wolfgang | Mitterer | langsam mahlen | fixed media, akusmatisch | 14:10:00 | 0 | |||||||||||||
| 32387 | Wolfgang | Mitterer | Lauter Termin | 1993 | fixed media, akusmatisch | 1:38:00 | 0 | ||||||||||||
| 32410 | Wolfgang | Mitterer | Lenz - Theatermusik | 1990 | Musiktheater | 35:00:00 | 0 | ||||||||||||
| 11435 | Wolfgang | Mitterer | Lied auf einem Ton | 1983/1984 | fixed media, akusmatisch | 5:50 | Stereo | EMS Stockholm | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | |||||||||
| 32436 | Wolfgang | Mitterer | Lied eines einsamen Wanderer | 1984 | fixed media, akusmatisch | 7:25:00 | 0 | ||||||||||||
| 32366 | Wolfgang | Mitterer | Little Smile | 2011 | live-elec, 1 group | 21:30 | ens [Ensemble] | 0 | |||||||||||
| 32391 | Wolfgang | Mitterer | Löffel | 1993 | fixed media, akusmatisch | 1:57:00 | 0 | ||||||||||||
| 32454 | Wolfgang | Mitterer | massacre - oper | 2003 | Musiktheater, live-elec, 14 perf | 73:20 | 5 V, 9 ins [Stimme, Instrument] | Part A (18:17), B (25:24), C (29:38) Opera For Five Singers, Nine Instruments And Electronics |
WWE 1CD 20294/ | Wiener Festwochen | 0 | ||||||||
| 32386 | Wolfgang | Mitterer | Matador | 1994 | live-elec, 1 perf | 50:56 | ins [Instrument] | olongapo/ | 0 | ||||||||||
| 32465 | Wolfgang | Mitterer | materials: slow motion 1 | fixed media, akusmatisch | 7:40:00 | 0 | |||||||||||||
| 32376 | Wolfgang | Mitterer | Mimemata | 1995 | fixed media, akusmatisch | 20:00:00 | olongapo/ | 0 | |||||||||||
| 32375 | Wolfgang | Mitterer | Mir wird schlecht | 1995 | fixed media, akusmatisch | 20:00:00 | 0 | ||||||||||||
| 32437 | Wolfgang | Mitterer | Mit dem Regen in die Traufe | 1984 | fixed media, akusmatisch | 11:30:00 | 0 | ||||||||||||
| 22401 | Wolfgang | Mitterer | Mixture, Mixture V | 1995/1996 | Zuspiel / Tonband, 1 perf | 30 | Octo | org [Orgel] | several versions | WWE 1SACD 20615/ | 7.6.1996 | Inventionen Epiphanienkirche Berlin | 1 | 1996 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||
| 32372 | Wolfgang | Mitterer | Modemusik 1 | 1996 | fixed media, akusmatisch | 32:04:00 | zum Modedéfilée "Grönland eins" von Lisa D. | 0 | |||||||||||
| 32442 | Wolfgang | Mitterer | Modemusik 2 | live-elec, | 55:00:00 | 0 | |||||||||||||
| 32443 | Wolfgang | Mitterer | more dirty tone | live-elec, 3 perf | 3 ins [Instrument] | 0 | |||||||||||||
| 32403 | Wolfgang | Mitterer | Mü-keiten | 1992 | fixed media, akusmatisch | 1:24:00 | 0 | ||||||||||||
| 32484 | Wolfgang | Mitterer | nacht der wünsche | radiophon | 33:00:00 | mit Eberhard Petschinka | 0 | ||||||||||||
| 32369 | Wolfgang | Mitterer | Net - Words 1-5 | 1998 | Zuspiel / Tonband, 11 perf | 22:00:00 | Octo | 11 mus [Musiker] | elf Spieler und Acht-Kanal-Tonband | 0 | |||||||||
| 32473 | Wolfgang | Mitterer | networds 1-5 | Zuspiel / Tonband, 1 group | 22:00:00 | ens [Ensemble] | 0 | ||||||||||||
| 32378 | Wolfgang | Mitterer | Nicht | 1994 | live-elec, 1 perf | 12:00:00 | V [Stimme] | 0 | |||||||||||
| 32419 | Wolfgang | Mitterer | "Nit weiter geht" | 1988 | Film | 1:07:00 | Musik zum Trickfilm | 0 | |||||||||||
| 32407 | Wolfgang | Mitterer | Nu | 1991 | Musiktheater | 57:07 | Musik für die gleichnamige Produktion des Serapionstheaters Wien | 0 | |||||||||||
| 32395 | Wolfgang | Mitterer | Null-Bytes | 1992 | radiophon | 22:00:00 | Hörspiel für den ORF, Petschinka | ORF | 0 | ||||||||||
| 32424 | Wolfgang | Mitterer | Nullmelodie | 1987 | fixed media, akusmatisch | 42:24 | Hörstück für Kinder | 0 | |||||||||||
| 11436 | Wolfgang | Mitterer | obsoderso | 1984 | Zuspiel / Tonband, 1 perf | 22:55 | a-sax [Saxophon] | moers 02044/ | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | |||||||||
| 32382 | Wolfgang | Mitterer | Off Limit | 1994 | live-elec, 1 perf | 55:00:00 | ins [Instrument] | 0 | |||||||||||
| 32414 | Wolfgang | Mitterer | Oitasitro | 1989 | live-elec, 1 perf | 12:37:00 | ins [Instrument] | 0 | |||||||||||
| 32406 | Wolfgang | Mitterer | Olongapo | 1991 | fixed media, akusmatisch | 8:12:00 | 0 | ||||||||||||
| 32432 | Wolfgang | Mitterer | Ostinato | 1985 | live-elec, 1 perf | 1:29:00 | ins [Instrument] | 0 | |||||||||||
| 32470 | Wolfgang | Mitterer | ottenstein | Klangkunst, Installation | ≈ 186 | 16 Tracks | 3 x 60:02 Minuten | 0 | |||||||||||
| 32466 | Wolfgang | Mitterer | quiet moment | fixed media, akusmatisch | 0 | ||||||||||||||
| 22506 | Wolfgang | Mitterer | radio fractal | 2001 | Zuspiel, live-elec, 9 perf | 42 | Octo | 4 perf (DJs), e-gui, 2 perc, V, b-cl [Stimme, Klarinette, Gitarre, Schlagzeug, Performer] | Produktion bei "format 5" der singuhr - hoergalerie in parochial. | Tick 02 tourette - Format 5/ hathut/ | PS | 1 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||
| 32435 | Wolfgang | Mitterer | Realtimesinfony | 1984 | fixed media, akusmatisch | 5:12:00 | 0 | ||||||||||||
| 32468 | Wolfgang | Mitterer | reisei | fixed media, akusmatisch | 10:00:00 | 0 | |||||||||||||
| 11438 | Wolfgang | Mitterer | reluctant games | 1986 - 1991 | live-elec, 1 perf | 54 | prep p [Piano] | 16 parts | olongapo 003/ Prix ars electronica 92/ | Auszeichnung ars electronica 1992 | 1 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | |||||||
| 32389 | Wolfgang | Mitterer | Respektive | 1993 | fixed media, akusmatisch | 3:15:00 | 0 | ||||||||||||
| 32464 | Wolfgang | Mitterer | roxy | fixed media, akusmatisch | 2:30:00 | 0 | |||||||||||||
| 32418 | Wolfgang | Mitterer | Rubber | 1988 | fixed media, akusmatisch | 1:10:00 | 0 | ||||||||||||
| 32483 | Wolfgang | Mitterer | santo subito | radiophon | mit Eberhard Petschinka | 0 | |||||||||||||
| 33543 | Wolfgang | Mitterer | scan 1 | 2014 | live-elec, 1 group | 7:52:00 | ens, (elec) [Ensemble] | Klangforum Wien, Ltg Emilio Pomarico | WD 2014, Wittener Tage Für Neue Kammermusik 2014/ | Auftrag Klangforum Wien und WDR | 10.5.2014, Saalbau Witten | 1 | |||||||
| 32481 | Wolfgang | Mitterer | schroedingers katze | radiophon | 19:00:00 | WDR / ORF, Bestenreiner & Petschinka | 0 | ||||||||||||
| 32396 | Wolfgang | Mitterer | Schwarzenbergplatz | 1992 | radiophon | 18:00:00 | Hörspiel für den WDR | WDR | 0 | ||||||||||
| 32439 | Wolfgang | Mitterer | selbstaehnlich | live-elec, 2 perf | 10:08:00 | 2 ins [Instrument] | 0 | ||||||||||||
| 32420 | Wolfgang | Mitterer | Senza cauda | 1988 | Zuspiel / Tonband, 2 perf | 15:40:00 | 2 ins [Instrument] | 0 | |||||||||||
| 32417 | Wolfgang | Mitterer | Signal | 1989 | live-elec, 2 perf | 3:46:00 | V, ins [Stimme, Instrument] | 0 | |||||||||||
| 32399 | Wolfgang | Mitterer | Signation I | 1992 | fixed media, akusmatisch | 44:00:00 | 0 | ||||||||||||
| 32400 | Wolfgang | Mitterer | Signation II | 1992 | fixed media, akusmatisch | 24:00:00 | 0 | ||||||||||||
| 32401 | Wolfgang | Mitterer | Signation III | 1992 | fixed media, akusmatisch | 1:46:00 | 0 | ||||||||||||
| 32448 | Wolfgang | Mitterer | silbersandmusik | live-elec, 2 perf | 55:00:00 | V, ins [Stimme, Instrument] | 0 | ||||||||||||
| 32425 | Wolfgang | Mitterer | So What | 1987 | fixed media, akusmatisch | 3:12:00 | 0 | ||||||||||||
| 32427 | Wolfgang | Mitterer | Sonori | 1986 | live-elec, 2 perf | 8:00:00 | 2 ins [Instrument] | 0 | |||||||||||
| 32476 | Wolfgang | Mitterer | SOPOP | 2007 | fixed media, akusmatisch | 58:00:00 | cd-production with birgit minichmayr | WWE 1CD 20901/ | 0 | ||||||||||
| 32412 | Wolfgang | Mitterer | Sortisatio | 1989 | live-elec, 2 perf | 15:40:00 | 2 ins [Instrument] | Auszeichnung ars electronica 1989 | 0 | ||||||||||
| 32478 | Wolfgang | Mitterer | splitter | radiophon | 14:25:00 | DRS, Petschinka | 0 | ||||||||||||
| 32462 | Wolfgang | Mitterer | stilles bild | live-elec, 1 perf | 20:00:00 | ins [Instrument] | 0 | ||||||||||||
| 25997 | Wolfgang | Mitterer | string quartet 1.3 mit Live-Elektronik und Licht | 2004 | live-elec, 5 perf | 40:00 | str-qt, Kbd [Keyboard, Streicher] | Zwei Versionen: die erste für st-qt - solo; die zweite für st-qt + Live-El. (Wolfgang Mitterer am KB) |
Inventionen 2004 & Wiener Konzerthausgesellschaft | 1 | 2004 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | |||||||
| 32441 | Wolfgang | Mitterer | surfaces 1-5 | Zuspiel / Tonband, 4 perf | 5:00:00 | 4 ins [Instrument] | 4 spieler und tonband | 0 | |||||||||||
| 18901 | Wolfgang | Mitterer | Tastatura | 1993 | live-elec, 2 perf | 14:23 | 10 Tracks | V, prep p, (elec) [Stimme, Piano] | LondonHALL tiro 2/ | 1 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||
| 32388 | Wolfgang | Mitterer | Tier | 1993 | fixed media, akusmatisch | 5:12:00 | 0 | ||||||||||||
| 32416 | Wolfgang | Mitterer | "Trilogie" | 1989 | Film | 3:20:00 | Drei Stücke für Zeichentrickfilm | 0 | |||||||||||
| 32392 | Wolfgang | Mitterer | Trio - Kollektiv | 1993 | live-elec, 2 perf | 53:00:00 | 2 perf [Performer] | 0 | |||||||||||
| 32409 | Wolfgang | Mitterer | Trio 1 | 1990 | live-elec, 1 perf | 14:00:00 | ins [Instrument] | 0 | |||||||||||
| 11439 | Wolfgang | Mitterer | Turmbau zu Babel | 1993 | Zuspiel / Tonband, 70 perf, 6 groups | 55 | Octo | 16 ch, 16 V, 22 perc, 16 trbn, 8 tuba, 8 tpt, (16 conductor) [Stimme, Trompete, Posaune, Tuba, Schlagzeug, Chor] | olongapo 005/ | 1 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||
| 20286 | Wolfgang | Mitterer | uluru | 1998 | Zuspiel, live-elec, 2 perf | 30:00 | Octo | prep p, sam [Piano, computer] | PS C. | Festival Inventionen DAAD/TU 98 | 26.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||
| 21116 | Wolfgang | Mitterer | uluru 1 | 1999 | fixed media, akusmatisch | 14:07 | Stereo | p [Piano] | tape version; also version for piano solo | ed. rz 10009/10 Inventionen 98/ | PS C. | Festival Inventionen DAAD/TU 98 | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | |||||
| 28581 | Wolfgang | Mitterer | uluru 2 | Zuspiel / Tonband, 1 perf | 11:15 | p [Piano] | PS C. | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||||
| 32449 | Wolfgang | Mitterer | vertical silence | live-elec, 2 perf | 63 | V, ins [Stimme, Instrument] | 0 | ||||||||||||
| 18899 | Wolfgang | Mitterer | violettes Gras, tier lauter termin olongapo gestrichen signal löffel gitarre respektive violettes gras signation 1 / 2 / 3 kugel computer kon i net nit weiter geht mü-keiten so what drunk |
1983 - 1993 | fixed media, akusmatisch | 53:00 | 19 parts | olongapo 004/ | PS C. | 1 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||
| 32415 | Wolfgang | Mitterer | Violettes Gras | 1989 | live-elec, 2 perf | 2:57:00 | V, ins [Stimme, Instrument] | olongapo 004/ | 1 | ||||||||||
| 32373 | Wolfgang | Mitterer | Viruskonferenz | 1996 | radiophon | WDR / ORF, Petschinka | 0 | ||||||||||||
| 11441 | Wolfgang | Mitterer | waldmusik | 1994 | Zuspiel / Tonband, 20 perf | 50 | Octo | (venezianisches Sägewerk,) 3 perf (Holzarbeiter), S, Sp, 15 hackbrett [Sopran, Sprecher, Performer, Streicher] | olongapo 007/ | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||
| 32471 | Wolfgang | Mitterer | waldreichs | Klangkunst, Installation | 20:00:00 | Stereo | 0 | ||||||||||||
| 32383 | Wolfgang | Mitterer | With Usura | 1994 | live-elec, 15 perf | 20:00:00 | 15 perf [Performer] | 15 Schüler mit selbstgebauten Instrumenten | 0 | ||||||||||
| 32381 | Wolfgang | Mitterer | X 2 | 1994 | live-elec, 1 perf | 55:00:00 | ins [Instrument] | 0 | |||||||||||
| 22402 | Wolfgang | Mitterer | Zeit vergeht | 2000 | Klanginstallation, 1 perf | 54:55 | Octo | org, (tape) [Orgel] | 2 Versionen: für Inventionen und Ultraschallfestival Berlin (19.-28.1.2001) | ed. rz 10013 parallele 13 Inventionen 2000/ | PS C. | Inventionen 2000 | 22.06.2000 | Inventionen Sophienkirche Berlin | 1 | 2000 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||
| 11431 | Wolfgang, Klaus, Günther, Gunter | Mitterer, Dickbauer, Selichar, Schneider | call boys inc. 2 | 1991 | live-elec, 3 perf | 53 | sax, perc, gui [Saxophon, Gitarre, Schlagzeug] | Group "Call Boys Inc." | olongapo 002/ | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | ||||||||
| 32169 | Wolfgang, Hans-Ola | Mitterer, Ericsson | Hommage à Bonbonidodonido "for Arion …" Hommage à Richard P. Scott |
1996 | Zuspiel / Tonband, 1 perf | 5 | Octo | org [Orgel] | Improvisation | 1 | 1996 | ||||||||
| 32168 | Wolfgang, Hans-Ola | Mitterer, Ericsson | Lied | 1996 | Zuspiel / Tonband, 1 perf | 5:12 | Octo | org [Orgel] | Improvisation | 1 | 1996 | ||||||||
| 11437 | Wolfgang, Linda, Wolfgang, Wolfgang | Mitterer, Sharrock, Puschnig, Reisinger | pat brothers | 1986 | live-elec, 3 perf | 53 | V, sax, perc [Stimme, Saxophon, Schlagzeug] | moers 02052/ | 0 | http://www.wolfgangmitterer.at/gui/web/index.asp?topId=2 | |||||||||
| 11442 | Masahiro | Miwa | Bqmovm1E | 1986 | live-elec, 5 perf | 15:00 | Stereo | (imaginary) ww-qnt [Bläser] | HfM Düsseldorf | 0 | |||||||||
| 11443 | Masahiro | Miwa | Christe des Ostens | 1993 | live-elec, 1 perf, 1 group | 13:00 | p, ens, [Piano, Ensemble] | HfM Düsseldorf | 1 | ||||||||||
| 11444 | Masahiro | Miwa | Die Flut und drei Monde | 1986 | live-elec, | 20:00 | Stereo | HfM Düsseldorf | 0 | ||||||||||
| 11445 | Masahiro | Miwa | Dithyrambe | 1991 | fixed media, akusmatisch | 16:00 | Stereo | HfM Düsseldorf | 1991 | Köln | 1. prize Russolo Varese 1992 | Feedback | 1 | ||||||
| 11446 | Masahiro | Miwa | Duoklav II | 1987 | live-elec, 1 perf | 13:00 | Stereo | p, (com) [Piano] | HfM Düsseldorf | 1987 | Düsseldorf | Feedback | 0 | ||||||
| 11447 | Masahiro | Miwa | Gesänge des Ostens | 1992 | live-elec, 1 perf | 23:00 | p (1 pianist with 2 p) [Piano] | HfM Düsseldorf | 1 | ||||||||||
| 35791 | Masahiro | Miwa | Jaiken-beats | 2003 | live-elec, 5 perf | 5 perc [Schlagzeug] | 0 | ||||||||||||
| 11448 | Masahiro | Miwa | Lasst uns singen und die Pachamama anflehn! | 1989 | Zuspiel / Tonband, 7 perf | 25:00 | Stereo | cl, hn, bn, str-qt, (loop) [Klarinette, Fagott, Horn, Streicher] | HfM Düsseldorf | 2. prize int. M. today compo contest Tokyo 1991 | Feedback | 0 | |||||||
| 18990 | Masahiro | Miwa | My Favorite Few of Coltrane's | 1994 | live-elec, 2 perf | 8:53 | hpd, va da gamba [Cembalo, Cello] | ISAST LMJ 5/ | 1 | ||||||||||
| 43127 | Masahiro | Miwa | Reverse-Simulation Music | 2007 | audiovisuell | 14:20 | Auszeichnung ars electronica: Golden Nica 2007 | 0 | |||||||||||
| 11449 | Masahiro | Miwa | Rotkäppchen-Begleiter | 1988 | live-elec, 2 perf | 16:00 | Stereo | Mez, MIDI p [Mezzo, Piano] | HfM Düsseldorf | 1988 | Köln ICMC | 1. prize Irino 1989 | Feedback | 0 | |||||
| 11450 | Masahiro | Miwa | Trödelmarkt der Träume | 1990 | live-elec, 1 perf | 13:00 | Stereo | hp [Harfe] | HfM Düsseldorf | 1990 | Tokyo | Feedback | 0 | ||||||
| 25998 | Masahiro, Nobuyasu | Miwa, Sakonda | Ordering a pizza de Brothers! | 2003 | live-elec, 1 perf | 4:04 | com (Klavacode) [computer] | CMJ Vol 28, 2004/ | 1 | ||||||||||
| 11451 | Manfred, Mechthild | Mixner, Rausch | Ein außerordentlicher Liebesfall | 1993 | radiophon | 50:00 | Stereo | Koproduktion mit dem SFB | ZKM Karlsruhe | 0 | |||||||||
| 25999 | Chikashi | Miyama | Butterfly | 2003 | live-elec, 1 perf | 12:22 | S [Sopran] | Yasuko Sasaki (S). MAX/MSP | CMJ Vol 28, 2004/ | 1 | |||||||||
| 24996 | Chikashi | Miyama | Density | 2003 | Zuspiel / Tonband, 1 perf | 9:51 | hp [Harfe] | ICMC 2005 Barcelona; Ailing Sai (harp) | ICMC 2005, ars harmonica/ | 1 | |||||||||
| 26000 | Chikashi | Miyama | Kinetica | 2002 | Tanz, live-elec, 1 perf | 11:49 | dancer [Tanz] | CMJ Vol 28, 2004/ | 1 | ||||||||||
| 34603 | Chikashi | Miyama | Modulations | 2013 | audiovisuell, live-elec, 1 perf | ins (self-built), video [Instrument] | Self-built Instrument with Interactive video SMC2016 |
ZKM Karlsruhe | 0 | ||||||||||
| 35751 | Chikashi | Miyama | Piano Chimera | 2009 | audiovisuell | special prize Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2009 | 0 | ||||||||||||
| 42641 | Chikashi | Miyama | Thrum | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 40276 | Takashi | Miyamoto | Garan | 2016 | live-elec, 1 perf | p, (com) [Piano] | Takashi Miyamoto | 0 | |||||||||||
| 26231 | Shintaro, Stephane | Miyazaki, Leonhard | Discordia, Operation Mind Fuck or The Law of Fives | 2007 | Performance, live-elec, 1 perf, 1 group | 23:00 | 16 Tracks | laptop-ens [computer] | Laptoporchester Berlin + Videokünstler (Dominik Busch) 5 Richtungen / Lautsprecher + eine Videoprojektion (5 + 1) |
Festival 5+1 | 21.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | http://www2.ak.tu-berlin.de/Studio/5plus1/Konzerte.html#anchorc64f14c0 | |||||
| 11452 | Akira | Miyoshi | Ondine | 1959 | fixed media, akusmatisch | 9:30 | Mono | NHK Tokyo | 0 | ||||||||||
| 11453 | Akira | Miyoshi | Ondine | 1959 | Theater, 1 perf, 3 groups | 44:00 | Stereo | orc, ch, narrators [Schauspieler, Chor, Orchester] | after Jean Giraudoux | IDEAMA CD 087/ | NHK Tokyo | Prix Italia 1960 | 0 | ||||||
| 31296 | Akira | Miyoshi | Transit | 1970 | fixed media, akusmatisch | 5:30 | Stereo | OUOADM 0502/ OUOADM 0601/ | NHK Tokyo | 0 | http://chorch.fc2web.com/e/miyoshi_a.html | ||||||||
| 36598 | Dary John | Mizelle | Samadhi | 1978 | fixed media, akusmatisch | Centaur CRC 2938, CDCM Vol. 37/ | Oberlin Col | 0 | |||||||||||
| 11454 | John | Mizelle | Straight Ahead | 1966 | Zuspiel / Tonband, 5 perf | 10:00 | Stereo | 5 ins [Instrument] | UC Davis | 0 | |||||||||
| 11455 | Ivan | Mizera | Parlata ÄÖÜ | 1992 | Tanz | 10:16 | Stereo | CECM Bratislava | 0 | ||||||||||
| 11456 | Michael | Mizma | Suburban Decay | 1989 | fixed media, akusmatisch | 5:10 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 36467 | Haruko | Mizoguchi, Haco | Blind | 2007 | radiophon | 3:40:00 | and 26/ | 0 | |||||||||||
| 43164 | Haruko | Mizoguchi, Haco | Stereo Bugscope | 2005 | Performance | Auszeichnung ars electronica honorary mention 2005 | 0 | ||||||||||||
| 19333 | Itzhak | Mizrahi | Horizon for Jeffery | fixed media, akusmatisch | 1 | ||||||||||||||
| 19335 | Itzhak | Mizrahi | Purple | fixed media, akusmatisch | 1 | ||||||||||||||
| 35643 | Mikako | Mizuno | Children's dream | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 35644 | Mikako | Mizuno | City life | 1997 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 35645 | Mikako | Mizuno | The wind through the spiritual way | 1997 | Zuspiel / Tonband, 1 perf | S [Sopran] | 0 | ||||||||||||
| 11457 | Nobutaka | Mizuno | Tape piece | 1961 | fixed media, akusmatisch | Mono | PS Chiba | 0 | |||||||||||
| 36479 | Kiyoshi | Mizutani | Two Tables (1) | 2007 | radiophon | 3:59:00 | and 26/ | 0 | |||||||||||
| 36465 | Kiyoshi | Mizutani | Two Tables (2) | 2007 | radiophon | 3:47:00 | and 26/ | 0 | |||||||||||
| 11458 | Andreas | Mniestris | Anasitisi mathiteias | 1990 | fixed media, akusmatisch | 30:00 | Stereo | CCM Mills | 0 | ||||||||||
| 33799 | Andreas | Mniestris | Free Associations: The ”Jungle” | 2012 | fixed media, akusmatisch | 3:43:00 | Composing with Sounds/ | ZKM Karlsruhe | 0 | ||||||||||
| 11459 | Andreas | Mniestris | M like L | 1987 | Zuspiel / Tonband, | 5:00 | Stereo | La Muse | 0 | ||||||||||
| 11460 | Andreas | Mniestris | Magradia tois ryinoiois eperoton | 1987 | fixed media, akusmatisch | 6:00 | Stereo | GES Vierzon | 0 | ||||||||||
| 11461 | Andreas | Mniestris | MRBRplays | 1988 | fixed media, akusmatisch | 9:00 | Stereo | CCM Mills | 0 | ||||||||||
| 11462 | Andreas | Mniestris | Palambra | 1990 | audiovisuell | 10:00 | Stereo | Banff C. | 0 | ||||||||||
| 11463 | Andreas | Mniestris | Plasma I,II,III | 1987/1988 | fixed media, akusmatisch | live-elec, |
12:15 | Stereo | La Muse, CCM Mills | 0 | ||||||||||
| 11464 | Andreas | Mniestris | Trane | 1987 | fixed media, akusmatisch | 20:00 | Stereo | La Muse | 0 | ||||||||||
| 42762 | Andreas | Mniestris | Variations’ Variations | 2011 | fixed media, akusmatisch | 9:00:00 | “Amici della Musica” of Cagliari | June 2nd 2001 | Cagliari | 0 | |||||||||
| 11465 | Nicholas | Mniestris | Rea | 1985 | fixed media, akusmatisch | 7:00 | Stereo | PS C. | 0 | ||||||||||
| 39589 | Anoush | Moazzeni | 2D Spatialized Comprovisations | 2017 | live-elec, 1 perf | p (with Robotic Devices) [Piano] | Anoush Moazzeni | 0 | |||||||||||
| 32108 | James | Mobberley | Ascension | 1988 | Zuspiel / Tonband, 1 perf, 1 group | w-ens [Bläser] | Arizona State University Wind Ensemble, Gary Hill, conductor | SEAMUS EAM Vol. 13/ | 0 | ||||||||||
| 32076 | James | Mobberley | Beams! | 1986 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | John Leisenring, trombone | SEAMUS EAM Vol. 8/ | 0 | ||||||||||
| 20527 | James | Mobberley | Caution to the Winds | 1991 | Zuspiel / Tonband, 1 perf | 5:30 | Stereo | p [Piano] | Richard Cass, p | SEAMUS EAM 9401 Vol. 2/ | 0 | ||||||||
| 36617 | James | Mobberley | Caution To The Winds | 1987 | Zuspiel / Tonband, 1 perf | 5:33:00 | p [Piano] | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | |||||||||
| 32065 | James | Mobberley | Icarus Wept | 1996 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | Keith Benjamin, trumpet; II. Intermezzoid #1 - Getting Waxed; III. Climbing the Blue Staircase; IV. Intermezzoid #2: Somebody Else’s Face; V. Eleven Feet From The Sun | SEAMUS EAM Vol. 6/ | 0 | ||||||||||
| 32082 | James | Mobberley | Into the Maelstrom | 1992 | fixed media, akusmatisch | SEAMUS EAM Vol. 9/ | 0 | ||||||||||||
| 20528 | James | Mobberley | Spontaneous Combustion | 1991 | live-elec, 1 perf | 9:03 | Stereo | sax [Saxophon] | Timothy Simmons, sax | SEAMUS EAM 9301 Vol. 1/ | 0 | ||||||||
| 32093 | James | Mobberley | Study for Vox Inhumana | 2000 | fixed media, akusmatisch | SEAMUS EAM Vol. 11/ | 0 | ||||||||||||
| 36610 | James | Mobberley | TNT | 1994 | Zuspiel / Tonband, 1 perf | 11:40:00 | db [Kontrabass] | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | |||||||||
| 32130 | James | Mobberley | VOX METALLICA | 2006 | fixed media, akusmatisch | 8:10:00 | SEAMUS EAM Vol. 16/ | 0 | |||||||||||
| 30420 | Paul | Modler | BITE & BITS and BIT, BITS & BYTES | 1994 | Performance, Zuspiel, live-elec, 3 perf | V, Sp, (tape, video,) com [Sprecher, Stimme, computer] | Akademie der Künste Berlin | 1994 | Akademie der Künste Berlin für das Festival X94, Berlin | 0 | |||||||||
| 30419 | Paul | Modler | movendi | 2000 | Performance | 20 - 60 | Octo | dance, db, V, perf [Stimme, Kontrabass, Performer, Tanz] | 2000 | Festival „Ab geht die Post", Postfuhramt Berlin | 0 | http://www.eva-twin-lilith.de/modler.htm | |||||||
| 28445 | Dieter | Möbius | Alte Mir | 1999 | fixed media, akusmatisch | 10:22 | Stereo | ELCD 013 Electroshock Records/ | 0 | ||||||||||
| 35321 | Dieter, Asmus | Möbius, Tietchens | Geräuschwelten | 2013 | radiophon | 0 | |||||||||||||
| 31349 | Konrad | Möhwald | Harpagon | 1995 | fixed media, akusmatisch | 6:50:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 26001 | André O. | Möller | blue/dense | 2003 | live-elec, 1 perf | 69:00 | fl [Flöte] | Erik Drescher (fl), Frank Eickhoff ( live sampling) | EWR 0411 Edition Wandelweiser Records/ | 1 | |||||||||
| 11466 | Philippe | Moënne-Loccoz | A toi | 1982 | fixed media, akusmatisch | 8:00 | C&C Annecy | 0 | |||||||||||
| 20529 | Philippe | Moënne-Loccoz | Asperites | 1988 | fixed media, akusmatisch | 11:55 | Stereo | Collectif & Cie, AMEG CD 02/ | C&C Annecy | 0 | |||||||||
| 11467 | Philippe | Moënne-Loccoz | Boucles | 1981 | fixed media, akusmatisch | 8:00 | Stereo | C&C Annecy | 0 | ||||||||||
| 11469 | Philippe | Moënne-Loccoz | Chaos | 1990 | fixed media, akusmatisch | Zuspiel/Tonband, |
10:40 | C&C Annecy | 0 | |||||||||||
| 11470 | Philippe | Moënne-Loccoz | Cherchons encore | 1990 | fixed media, akusmatisch | 3:14 | électro-clip | C&C Annecy | 0 | ||||||||||
| 11471 | Philippe | Moënne-Loccoz | Conversation | 1987 | Zuspiel / Tonband, | 11:30 | C&C Annecy | 0 | |||||||||||
| 11472 | Philippe | Moënne-Loccoz | Cris et murmures | 1988 | fixed media, akusmatisch | 13:40 | C&C Annecy | 0 | |||||||||||
| 11473 | Philippe | Moënne-Loccoz | Improvisation n°1 | 1988 | Zuspiel / Tonband, | 13:30 | C&C Annecy | 0 | |||||||||||
| 11474 | Philippe | Moënne-Loccoz | Improvisation n°2 | 1989 | Zuspiel / Tonband, | 12:00 | C&C Annecy | 0 | |||||||||||
| 11475 | Philippe | Moënne-Loccoz | Instances | 1983/1984 | Zuspiel / Tonband, 1 group | 15:10 | Stereo | chamber-orc [Orchester] | C&C Annecy | 1 | |||||||||
| 11477 | Philippe | Moënne-Loccoz | L'objet transformé | 1987 | Zuspiel / Tonband, | 17:00 | C&C Annecy | 0 | |||||||||||
| 11478 | Philippe | Moënne-Loccoz | La peau du lait | 1981 | Zuspiel / Tonband, | 40:00 | C&C Annecy | 0 | |||||||||||
| 11479 | Philippe | Moënne-Loccoz | Le cri des idées sur l'eau | 1982 | Zuspiel / Tonband, | 43:00 | C&C Annecy | 0 | |||||||||||
| 28089 | Philippe | Moënne-Loccoz | Limites: Il se passe toujours quelque chose | 2000 | fixed media, akusmatisch | 6 parts | Collectif & Cie mg 02/ | C&C Annecy | 0 | ||||||||||
| 11480 | Philippe | Moënne-Loccoz | Mémo l'homme blanc | 1981 | Zuspiel / Tonband, | 30:00 | C&C Annecy | 0 | |||||||||||
| 11481 | Philippe | Moënne-Loccoz | Mercredi | 1981 | fixed media, akusmatisch | 4:00 | C&C Annecy | 0 | |||||||||||
| 11482 | Philippe | Moënne-Loccoz | Mixage 4 | 1982 | Zuspiel / Tonband, | 60:00 | C&C Annecy | 0 | |||||||||||
| 11483 | Philippe | Moënne-Loccoz | Opérations 1 à 6 | 1981 | fixed media, akusmatisch | 40:00 | C&C Annecy | 0 | |||||||||||
| 11484 | Philippe | Moënne-Loccoz | Oscillation | 1983 | Zuspiel / Tonband, | 60:00 | C&C Annecy | 1 | |||||||||||
| 11485 | Philippe | Moënne-Loccoz | Oscillation #0 | 1984 | fixed media, akusmatisch | 9:10 | Stereo | C&C Annecy | 0 | ||||||||||
| 11487 | Philippe | Moënne-Loccoz | Perspectives n°1 | 1982 | intermedia | 35:00 | C&C Annecy | 0 | |||||||||||
| 11488 | Philippe | Moënne-Loccoz | Petite musique du soir | 1986 | fixed media, akusmatisch | 8:38 | Stereo | C&C Annecy | 0 | ||||||||||
| 11489 | Philippe | Moënne-Loccoz | Petite symphonie aquatique | 1990 | fixed media, akusmatisch | 5:30 | C&C Annecy | 0 | |||||||||||
| 20530 | Philippe | Moënne-Loccoz | Piailleries et autres siagrées | 1988 | fixed media, akusmatisch | 10:20 | Stereo | Collectif & Cie 12/ | C&C Annecy | 0 | |||||||||
| 11490 | Philippe | Moënne-Loccoz | Rencontre | 1986 | Zuspiel / Tonband, 3 perf, 1 group | 25:00 | Stereo | ch, 3 ins, [Instrument, Chor] | C&C Annecy | 0 | |||||||||
| 11491 | Philippe | Moënne-Loccoz | Respiration carrée | 1983 | fixed media, akusmatisch | 11:00 | C&C Annecy | 0 | |||||||||||
| 11492 | Philippe | Moënne-Loccoz | Rêves opaques | 1985 | fixed media, akusmatisch | 13:40 | Stereo | Collectif & Cie C 01/ | C&C Annecy | 1 | |||||||||
| 11493 | Philippe | Moënne-Loccoz | Stockhatês | 1988 | fixed media, akusmatisch | 15:30 | Stereo | Collectif & Cie C 02/ | C&C Annecy | 0 | |||||||||
| 11494 | Philippe | Moënne-Loccoz | Tous les sens | 1981 | fixed media, akusmatisch | 5:00 | C&C Annecy, ESPACE Genève | 0 | |||||||||||
| 11495 | Philippe | Moënne-Loccoz | Traces, chutes, etc... | 1988/1989 | fixed media, akusmatisch | Zuspiel/Tonband, |
11:30 | Stereo | AMEG - CD 01/ | C&C Annecy | 1 | |||||||||
| 11497 | Philippe | Moënne-Loccoz | Vision urbaine | 1987 | fixed media, akusmatisch | 32:00 | C&C Annecy | 0 | |||||||||||
| 4246 | Philippe, Bernard | Moënne-Loccoz, Donzel-Gargand | Irisation | 1987 | intermedia | audiovisuell |
18:30 | b-cl, synt [Klarinette, synthesizer] | C&C Annecy | 0 | ||||||||||
| 11498 | W. | Mogg | Macbeth | 1958 | Theatermusik | 40:00 | Mono | TH Delft | 0 | ||||||||||
| 20531 | Abdel Fattah | Mohammed | Die Wunderzahl | 1995 | fixed media, akusmatisch | 16:45 | Stereo | EX 256/ | ELAK Wien | 0 | |||||||||
| 11499 | Miklós | Mohay | Study I | 1982 | fixed media, akusmatisch | 4:55 | Stereo | MR Budapest | 0 | ||||||||||
| 42151 | László | Moholy-Nagy | Möglichkeiten des Grammophons | 1923, 2004 | radiophon | UPV-Radio Universitat Politècnica de València 2004 | Staatliches Bauhaus in Weimar, UPV-Radio Universitat Politècnica de València | 0 | |||||||||||
| 38620 | Marcus | MOHR | Muoi – Zehn | 2006 | radiophon | 50:04:00 | 0 | ||||||||||||
| 11500 | Vojtech | Mojzís | Artprotis | 1979 | fixed media, akusmatisch | 6:36 | Stereo | Radio Plzen | 0 | ||||||||||
| 39540 | Akio | Mokuno | In the Sonorant | 2016 | fixed media, akusmatisch | Akio Mokuno | 0 | ||||||||||||
| 42870 | Akio | Mokuno | Mullaly Park 9/10 | 2013 | live-elec, 1 perf | 7:30:00 | p [Piano] | Hitomi Honda, piano | 0 | ||||||||||
| 11501 | Eirik | Moland | Et fjellsavn | 1990 | Zuspiel, live-elec, 7 perf | 8:00 | cl, hn, tuba, perc (triangel), 2 (jew's) hp, synt [Klarinette, Horn, Tuba, Harfe, Schlagzeug, synthesizer] | NOTAM | 0 | ||||||||||
| 28177 | Laurence | Moletta | Savoir, pouvoir, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 3:00 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | http://www.nioskarma.com | |||||||||
| 37661 | Jorge Denis | Molina | Yemayá en Cojímar | 2016 | Tanz | 8 | ICAP Habana | 0 | |||||||||||
| 35731 | Miguel | Molina | Etude aux chemins de Schaeffer | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 19315 | Miguel | Molina | Étude aux Disques de Gramophone | fixed media, akusmatisch | 5:10 | música electroacústica española 1/ | 1 | ||||||||||||
| 34384 | Miguel | Molina | Para sinta sola | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 11502 | Andrea | Molino | Canti d'inquietudine | 1994 | Theatermusik | Tanz, live-elec, 14 perf |
25 | Stereo | 14 ins [Instrument] | CSC Padova | 0 | |||||||||
| 23381 | Andrea | Molino | Unité K | 1999 | Zuspiel, live-elec, 1 perf | 14:03 | sax [Saxophon] | Daniel Kientzy (sax's) | NMCD 5114/ | GRAME Lyon | 1 | ||||||||
| 38921 | Udo | Moll | ENIAC Girls | 2018 | radiophon | 50:34 | DeutschlandRadio Kultur | 1.6.2018 | Deutschland Radio Kultur | 0 | http://www.deutschlandfunkkultur.de/hoerstueck-ueber-programmiererinnen-in-den-1940er-jahren.1022.de.html?dram:article_id=414229 | ||||||||
| 11503 | Michela | Mollia | A State of Silence | 1983/1984 | fixed media, akusmatisch | 10:45 | PAN PRC S20-18/ | SFU | Auszeichnung ars electronica honorary mention 1987 | 1 | |||||||||
| 11504 | Michela | Mollia | Viola celesta | 1982 | fixed media, akusmatisch | PAN PRC S 20-15/ | 0 | ||||||||||||
| 22575 | Michela | Mollia | Viola Celeste | 1975 | fixed media, akusmatisch | 11:30 | PAN PRC S20-15/ | CSC Padova | 1 | ||||||||||
| 35840 | Marc | Mollica | Keep Out | 2012 | fixed media, akusmatisch | 9:26 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 39436 | Marco | Molteni | BROKEN AELIA MINIMIX 2 | 2017 | live-elec, | 0 | |||||||||||||
| 40046 | Marco | Molteni | Effimere Emergenze, Eremi, Eclissi (ePWsM 03) | 2016 | fixed media, akusmatisch | Marco Molteni | 0 | ||||||||||||
| 40826 | Marco | Molteni | Rubber, Lime and Glue | 2012 | fixed media, akusmatisch | 1:20 | CLS 170901/ | 0 | |||||||||||
| 40045 | Marco | Molteni | to JL (eWPsM 03) | 2017 | fixed media, akusmatisch | Marco Molteni | 0 | ||||||||||||
| 19616 | Pedro | Mombiedro Sandoval | Imitaciones | 1994 | fixed media, akusmatisch | 10:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19617 | Pedro | Mombiedro Sandoval | La Idea sentida | 1995 | fixed media, akusmatisch | 9:15 | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||
| 19615 | Pedro | Mombiedro Sandoval | Las Cajitas | 1993 | fixed media, akusmatisch | 8:14 | Stereo | GME Cuenca | 0 | ||||||||||
| 22714 | Pedro | Mombiedro Sandoval | Piezas | 1999 | fixed media, akusmatisch | 4:28 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | LIEM CDMC Madrid | 1 | ||||||||||
| 11505 | Fons | Mommers | No Time | 1989 | live-elec, 1 perf | 11:00 | e-p [Piano] | Vorsetzer | Sweelinck | 0 | |||||||||
| 22022 | Franz | Mon | Artikulationen | radiophon | 2:17 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 42152 | Franz | Mon | Ausgeartetes Auspunkten | 2007 | radiophon | 38:11 | HR | 16.5.2007 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1524867&vi=1&SID | ||||||||
| 24538 | Franz | Mon | Blaiberg Funeral | 1970 | fixed media, akusmatisch | 9:32 | Text-Sound Composition | FYCD 1024 CD 5 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 28123 | Franz, Tera de | Mon, Marez Oyens | da du der bist | 1973 | radiophon | 5:56 | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | 1 | ||||||||||
| 34458 | Greta | Monach | Automaterga ’72/73 | 1974 - 1976 | fixed media, akusmatisch | 27:18 | Mono | text-Sound-composition | Sonology Utrecht | 0 | |||||||||
| 34459 | Greta | Monach | Zwevingen / Floatings | 1978/1979 | fixed media, akusmatisch | 52:15 | Mono | text-Sound-composition | Sonology Utrecht | 0 | |||||||||
| 11506 | Alfredo del | Monaco | Alternancias | 1971 | Zuspiel / Tonband, 4 perf | 7:17:00 | vn, va, vc, p [Piano, Viola, Cello, Violine] | CMMAS/ | INCIBA Caracas | 0 | |||||||||
| 11507 | Alfredo del | Monaco | Estudio electronico No. 1 | 1968 | fixed media, akusmatisch | INCIBA Caracas | 1 | ||||||||||||
| 40306 | Una | Monaghan | The Chinwag | 2016 | fixed media, akusmatisch | Una Monaghan | 0 | ||||||||||||
| 36643 | Gordon | Monahan | A Magnet that speaks also Attracts | Klangkunst, Installation | GM Video Compilation/ GM 005 Video Compilation/ | 0 | |||||||||||||
| 36638 | Gordon | Monahan | A Theremin Inside The Piano | 2008 | Klangkunst, Installation | 7:44:00 | C3R Records 015/ | 0 | |||||||||||
| 36637 | Gordon | Monahan | A Very Large Vinyl LP Constructed in Acoustic Space | 2008 | Klangkunst, Installation | 8:50:00 | C3R Records 015/ | 0 | |||||||||||
| 36646 | Gordon | Monahan | Aquaeolian Music Room | Klangkunst, Installation | GM Video Compilation/ GM 005 Video Compilation/ | 0 | |||||||||||||
| 36645 | Gordon | Monahan | Aquaeolian Whirlpool | Klangkunst, Installation | GM Video Compilation/ GM 005 Video Compilation/ | 0 | |||||||||||||
| 36640 | Gordon | Monahan | Coulee | 2008 | Klangkunst, Installation | 7:51:00 | C3R Records 015/ | 0 | |||||||||||
| 27346 | Gordon | Monahan | Etheric Theremin Harmonic | 2002 | Klangkunst, Installation | DAAD 205-1 ISBN 3-89727-259-8/ GM Video Compilation/ | 1 | 2002 | |||||||||||
| 33868 | Gordon | Monahan | Flex Machine | 1997 | Klangkunst, Installation | Performance |
Prix Ars Electronica 98/ | Auszeichnung ars electronica honorary mention 1998 | 0 | |||||||||||
| 36639 | Gordon | Monahan | Layered Lines Fading Away | 2008 | Klangkunst, Installation | 5:40:00 | C3R Records 015/ | 0 | |||||||||||
| 11508 | Gordon | Monahan | Long Æolian Piano, 35 Kilometre Winds 15 Kilometre Winds 30 Kilometre Winds 70 Kilometre Winds 10 Kilometre Winds ; Silenced By 20 Kilometre Winds Blowing Fog |
1987 | fixed media, akusmatisch | 29:40 | Stereo | GM 005 Video Compilation/ GM 002/ GM Video Compilation/ | 0 | ||||||||||
| 19018 | Gordon | Monahan | Music for Mechanical Metal | 1995 | live-elec, | 13:23 | excerpt from: sounds and the machines that make them | MW 63/ | Kitchen | Auszeichnung ars electronica 1996 | 1 | ||||||||
| 36644 | Gordon | Monahan | New and used Furniture Music | Klangkunst, Installation | GM Video Compilation/ GM 005 Video Compilation/ | 0 | |||||||||||||
| 11509 | Gordon | Monahan | Piano Mechanics, Voices Emerging Along High Tension Wires Abrupt Stops Solitary Waves 1 Solitary Waves 2 Trill With Hand-Controlled Pitch Release Solitary Waves 3 Melody Concealed By A Tremolo / High Trills Becoming Difference Tones Fingers And Arms Becoming Four Hands |
1983 | fixed media, akusmatisch | 30:34 | Stereo | C3R Records 007/ GM 004 Swerve Editions/ GM 001/ C3R Records 007/ | 0 | ||||||||||
| 36635 | Gordon | Monahan | Prairie Piano | 2008 | Klangkunst, Installation | 2:00:00 | C3R Records 015/ | 0 | |||||||||||
| 34739 | Gordon | Monahan | Resonant Platinum Records | 2012 | Klangkunst, Installation | 9:33 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 5.7.-2.9.2012 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=714 | ||||||||
| 36641 | Gordon | Monahan | Revolving Around You | 2008 | Klangkunst, Installation | 4:00:00 | C3R Records 015/ | 0 | |||||||||||
| 36649 | Gordon | Monahan | Sauerkraut Synthesizer | Klangkunst, Installation | GM 005 Video Compilation/ | 0 | |||||||||||||
| 22952 | Gordon | Monahan | Sound And The Machines That Make Them | 1994 | Zuspiel, Performance, 7 perf | perf, 6 assistent, (robot) [Performer] | GM 005 Video Compilation/ | 7.2.1994 | Inventionen Künstlerhaus Bethanien Berlin | 1 | 1994 | ||||||||
| 36648 | Gordon | Monahan | Space Bedomes The Instrument | Klangkunst, Installation | GM 005 Video Compilation/ | 0 | |||||||||||||
| 11510 | Gordon | Monahan | Speaker Swinging | 1982 | Performance | 29:30 | perf (swinging the speakers) [Performer] | swinging speakers | Nonesuch 9 79235-2, Imaginary Landscapes/ C3R Records 007/ GM 002/ GM Video Compilation/ GM 005 Video Compilation/ | 1982 | Toronto | 1 | https://www.youtube.com/watch?v=amEwNbVz8vg | ||||||
| 19060 | Gordon | Monahan | Spontaneously Harmonious in Certain Kinds of Weather | 1996 | Klangkunst, Installation | 0:46 | Sonambiente Ausstellung (1996) Katalog S.105 |
ISBN 3-7913-1699 (Prestel)/ Kehrer Verlag ISBN 978-3-939583-23-3/ GM Video Compilation/ GM 005 Video Compilation/ | 9.8.-8.9.1996 | singuhr hoergalerie Berlin | 1 | http://singuhr.de/page.php?ID=524 | |||||||
| 36647 | Gordon | Monahan | Syncopated Precipitation | Klangkunst, Installation | GM 005 Video Compilation/ | 0 | |||||||||||||
| 11511 | Gordon | Monahan | Tape Pulling | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 35448 | Gordon | Monahan | Theremin in the rain, Theremin In The Rain Fluid Dynamics Flex String Updown Long String Motor Automatic Electric String See Through Theremin When It Rains Aerial Drop Wavelength | 2003 | Performance | perf [Performer] | C3R Records 011/ | 2003 | Open Ears Festival in Kitchener, Ontario, Canada | 0 | |||||||||
| 36634 | Gordon | Monahan | Theremin Pendulum | 2008 | Klangkunst, Installation | 2:35:00 | C3R Records 015/ GM 005 Video Compilation/ | 0 | |||||||||||
| 11512 | Gordon | Monahan | This Piano Thing, Piano Drilling Moving And Stationary Screws, Nuts, Washers Prelude - The Din Of Demolition |
1989 | live-elec, 1 perf | 30:50 | amp prep p [Piano] | GM 004 Swerve Editions/ | 1 | 1992 | |||||||||
| 22507 | Gordon | Monahan | When it Rains | 2002 | Klangkunst, Installation | 10 Ausschnitte aus der gleichnamigen Klanginstallation in der DAAD-Galerie bei Inventionen 2002 (27. -Juni - 21. Juli). All sounds are produced by 32 midi-controlled water drops falling on 24 suspended objects which are amplified by contact pick-ups. No sampling or electronic manipulation. |
Voxxx 2003-2005 mit Katalog/ C3R Records 011/ GM 005 Video Compilation/ | 27. Juni bis 21. Juli 2002 | daadgalerie Berlin | 1 | 2002 | ||||||||
| 36636 | Gordon | Monahan | Wind Over Dirt Hills | 2008 | Klangkunst, Installation | 3:30:00 | C3R Records 015/ | 0 | |||||||||||
| 36642 | Gordon | Monahan | Wind, Wires, and Airplanes | 2008 | Klangkunst, Installation | 3:05:00 | C3R Records 015/ | 0 | |||||||||||
| 34834 | Vincent | Monastesse | BeLLZeEBull | 2015 | fixed media, akusmatisch | 8:34:00 | Stereo, Octo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 11513 | Peter de | Moncey-Conegliano | Amphibian Fogg | 1976/1977 | fixed media, akusmatisch | Morley Coll | 0 | ||||||||||||
| 11514 | Peter de | Moncey-Conegliano | Hannele | 1976 | fixed media, akusmatisch | Morley Coll | 0 | ||||||||||||
| 27187 | Jose Manuel | Mondragon | Salon de Belleza | 2002 | fixed media, akusmatisch | 4:58 | 0 | ||||||||||||
| 42723 | Taryn | Mongillo | KAIROS | 2012 | fixed media, akusmatisch | 5:10:00 | 0 | ||||||||||||
| 37998 | Meredith | Monk | 16 Millimeter Earrings | 1966 | Zuspiel/Tonband, 2 perf | Film, 2 perf |
V, gui [Stimme, Gitarre] | 0 | ||||||||||||
| 38003 | Meredith | Monk | Blueprint: Overload / Blueprint | 1967 | Zuspiel / Tonband, 1 perf | V, (echoplex) [Stimme] | tape collage | 0 | |||||||||||
| 38002 | Meredith | Monk | Boys, Boys 1 Boys 2 Boys 3 |
2001 | fixed media, akusmatisch | 4 V [Stimme] | 0 | ||||||||||||
| 38004 | Meredith | Monk | Break | 1964 | fixed media, akusmatisch | tape collage | 0 | ||||||||||||
| 37990 | Meredith | Monk | Engine Steps | 1983 | fixed media, akusmatisch | tape collage | ECM 1240/ | 0 | |||||||||||
| 38000 | Meredith | Monk | Facing North | 1990 | Zuspiel, Performance, 2 perf | 2 V [Stimme] | 0 | ||||||||||||
| 37987 | Meredith | Monk | Key | 1967 - 1970 | live-elec, 7 perf | perc, V, e-org, 4 V [Stimme, Keyboard, Schlagzeug] | jazz | LML 1051/ LCD 1051/ | 0 | ||||||||||
| 37997 | Meredith | Monk | Quarry: an opera | 1976 | Oper, 42 perf | 38 V, 2 org (pump organs), 2 s-rec [Stimme, Flöte, Orgel] | 0 | ||||||||||||
| 37995 | Meredith | Monk | Recent Ruins | 1979 | Zuspiel / Tonband, 15 perf | 14 V, vc [Stimme, Cello] | GPS 0112-013/ | 0 | |||||||||||
| 37993 | Meredith | Monk | Specimen Days | 1981 | live-elec, 17 perf | 14 V, p, 2 e-org [Stimme, Piano, Keyboard] | 0 | ||||||||||||
| 37991 | Meredith | Monk | The Games | 1983 | live-elec, 16 perf | 16 perf (16 V, synt, kbd, bagpipes, hn) [Performer] | Schaubühne am Lehniner Platz, West Berlin, Germany | 0 | |||||||||||
| 37996 | Meredith | Monk | The Plateau Series | 1977 | Zuspiel / Tonband, 5 perf | 5 V [Stimme] | 0 | ||||||||||||
| 37999 | Meredith | Monk | The politics of quiet | 1996 | live-elec, 15 perf | Musiktheater |
10 V, 2 kbd, hn, vn, ins (bowed psaltry) [Stimme, Horn, Keyboard, Violine, Instrument] | a music theater oratorio | 0 | |||||||||||
| 37989 | Meredith | Monk | Tokyo Cha.Cha | 1983 | Performance | 6 V, 2 e-org [Stimme, Keyboard] | 0 | ||||||||||||
| 37994 | Meredith | Monk | Turtle Dream (Waltz) | 1980 | live-elec, 6 perf | 4 V, 2 e-org [Stimme, Keyboard] | ECM 1240/ | 0 | |||||||||||
| 37988 | Meredith | Monk | Vessel: an opera epic, Epic Fire Dance Little Epiphany / Sybil Song Mill |
1971 - 1980 | Performance | 19 | 80 perf (75 perf) [Performer] | ECM 1482/ | 1980 | Berlin | 0 | ||||||||
| 37992 | Meredith | Monk | View No. 1 View No. 2 |
1982 | live-elec, 3 perf | 16 | p, synt, V [Stimme, Piano, synthesizer] | View 1 (10:14), View 2 (6:02) | ECM 1240/ | 0 | |||||||||
| 11515 | Françoise | Monneret | Cantaconcert | 1989 | Musiktheater, 2 perf | 12:00 | p, actor and V [Stimme, Piano, Schauspieler] | GRAME Lyon | 0 | ||||||||||
| 11516 | Françoise, Jean François | Monneret, Estager | Cantamétamorphose | 1984 | Musiktheater, 2 perf | 12:00 | p, S [Sopran, Piano] | GRAME Lyon | 0 | ||||||||||
| 11517 | Marc | Monnet | Eros Machina | 1978 | Zuspiel / Tonband, 2 perf | 11:00 | Stereo | 2 e-gui [Gitarre] | INA • GRM | Goethe-Institut | Paris, Maison de Radio France, Studio 105; W. Bruck & Th. Ross (gui) | 0 | |||||||
| 11518 | Marc | Monnet | Fragments | 1993 | live-elec, 7 perf, 1 group | 70:00 | 5 actor, 2 S, ens [Sopran, Schauspieler, Ensemble] | système informatique système informatique de traitement du signal en temps réel |
IRCAM | 0 | http://www.marcmonnet.com/en/home-2.html | ||||||||
| 26767 | Marc | Monnet | Inventions | 1986 | Tanz, 4 perf | 20:00 | Quadro | 3 actor and V, dancer [Stimme, Schauspieler, Tanz] | 0 | http://www.marcmonnet.com/en/home-2.html | |||||||||
| 27746 | Marc | Monnet | Premier Regard | 2001 | live-elec, 1 perf | 35:00 | acc [Akkordeon] | Video non obligée | sig 11012 Signatures Radio France (Harmonia Mundi)/ | 1 | http://www.marcmonnet.com/en/home-2.html | ||||||||
| 42764 | Nicola | Monopoli | La Quiete, La Fuga, Disordine | 2012 | live-elec, 1 perf | 7:05:00 | vc [Cello] | Madeleine Shapiro, cello | 0 | ||||||||||
| 11519 | Juan P. | Monreal | Sintered | fixed media, akusmatisch | 2:25 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 11520 | Juan P. | Monreal | Water Alloy-Essay No. 1 | fixed media, akusmatisch | 6:18 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 20532 | Gordon | Monro | Dry Rivers | fixed media, akusmatisch | 12:00 | Stereo | Prix ars electronica 96/ | Auszeichnung ars electronica 1996 | 0 | ||||||||||
| 23535 | Gordon | Monro | the voice of the Phoenix | 1997 - 2000 | Zuspiel / Tonband, 1 perf | 11:33 | Stereo | db-fl [Flöte] | B. G. Schmitt (fl). Chaosgeneratoren; Autorenprogramm mit C++ | ISPV 191 CD ProViva Flöte und Computer 2/ ISAST LMJ 7/ | PS | 1 | |||||||
| 11521 | Stephen | Montague | a Presto Patch | 1973 | live-elec, | 8:25 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 11522 | Stephen | Montague | After Ives | 1992 | Zuspiel, live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 11523 | Stephen | Montague | Boombox Virelai | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 26768 | Stephen | Montague | Bright Interiors I | 1992 | Klangkunst, Installation | ∞ | Octo | music for sculpture Colourspace by Maurice Agis | 0 | ||||||||||
| 26769 | Stephen | Montague | Bright Interiors II | 1996 | Klangkunst, Installation | ∞ | 16 Tracks | music for giant inflatable sculpture Dreamspace by Maurice Agis | 0 | ||||||||||
| 26770 | Stephen | Montague | Bright Interiors III | 2000 | Klangkunst, Installation | ∞ | music for giant inflatable sculpture Dreamspace by Maurice Agis | 0 | |||||||||||
| 11524 | Stephen | Montague | Caccia | 1974 | live-elec, 2 perf | 3:00 | Stereo | trbn, p [Posaune, Piano] | 0 | ||||||||||
| 11525 | Stephen | Montague | Criseyde | 1976 | Musiktheater | intermedia |
20:00 | Stereo | S, fl (okarina, slides) [Sopran, Flöte] | West Square London | 0 | |||||||||
| 11526 | Stephen | Montague | Fluxus | 1976 | Film | 16 mm film | West Square London | 0 | |||||||||||
| 11527 | Stephen | Montague | Frozen Mirrors | 1976 | Zuspiel, live-elec, 4 perf | 20:00-23:00 | synt, 3 ins [Instrument, synthesizer] | 0 | |||||||||||
| 11528 | Stephen | Montague | Gravity`s Rainbow | 1980 | live-elec, 1 perf | 16:00 | Stereo | fl [Flöte] | 0 | ||||||||||
| 11529 | Stephen | Montague | Haiku | 1987 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | p, (dig delay) [Piano] | CCD 1061/ | 1 | |||||||||
| 11530 | Stephen | Montague | Into the sun | 1977 | Tanz, 2 perf | 55:00 | Quadro | perc, p [Piano, Schlagzeug] | 0 | ||||||||||
| 11531 | Stephen | Montague | Introduction | 1976 | Zuspiel / Tonband, 1 perf | 4:00 | Stereo | V [Stimme] | 0 | ||||||||||
| 11532 | Stephen | Montague | Inundations I: Trio | 1975 | live-elec, 12 perf | 20:00 | Stereo | 12 p (12 Pianists with 3 amp p) [Piano] | West Square London | 0 | |||||||||
| 11533 | Stephen | Montague | Inundations II: "Willow" | 1976 | Zuspiel / Tonband, 2 perf | 17:00 | Stereo | S, p [Sopran, Piano] | West Square London | 0 | |||||||||
| 11534 | Stephen | Montague | Largo con moto | 1975 | Tanz | var | Stereo | 0 | |||||||||||
| 11535 | Stephen | Montague | Mouth of Anger | 1981/1983 | live-elec, 3 perf | 17:00 | Stereo | b-cl, p, perc, [Klarinette, Piano, Schlagzeug] | 0 | ||||||||||
| 11536 | Stephen | Montague | Paramell III | Zuspiel / Tonband, 1 perf | 8:00 | p [Piano] | 0 | ||||||||||||
| 11537 | Stephen | Montague | Paramell IV | 1979 | Zuspiel / Tonband, 2 perf | 16:40 | Stereo | Tuba, trbn [Posaune, Tuba] | IPEM Gent | 1 | 1985 | ||||||||
| 11538 | Stephen | Montague | Passim | 1977 | Zuspiel, live-elec, 2 perf | 28:00 | Quadro | p, perc [Piano, Schlagzeug] | West Square London | 0 | |||||||||
| 11539 | Stephen | Montague | Quartet | 1982 | fixed media, akusmatisch | ≈ | Quadro | 0 | |||||||||||
| 11540 | Stephen | Montague | Quintet | 1978 | Zuspiel / Tonband, 1 perf | ≈ | Quadro | any ins or V [Stimme, Instrument] | 0 | ||||||||||
| 11541 | Stephen | Montague | Scythia | 1981 | fixed media, akusmatisch | Tanz |
22:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 20533 | Stephen | Montague | Silence: John, Yvar and Tim | 1994 | live-elec, 5 perf | 16:28 | Stereo | prep str-qt, prep p [Piano, Streicher] | Centaur CRC 2347, CDCM Vol. 25/ | City Uni London | ICMA-Commission-Award 94 | 1 | |||||||
| 11542 | Stephen | Montague | Slow dance on a Burial Ground | 1982/1984 | fixed media, akusmatisch | 24:28 | definitive version | IPEM Gent | 0 | ||||||||||
| 11543 | Stephen | Montague | Sound Round | 1973 | live-elec, 1 group | 20:00 | Stereo | orc [Orchester] | 0 | ||||||||||
| 11544 | Stephen | Montague | String Quartet No. 1, (in memoriam Barry Anderson and Tomasz Sikorski) | 1993 | Zuspiel, live-elec, 5 perf | 21:57 | str-qt, MIDI [synthesizer, Streicher] | delay, SPX-1000 | CCD 1061/ LDC 278058/59 Cultures Electroniques 8/ | PS C. | Auszeichnung ars electronica 1996 | 1 | |||||||
| 11545 | Stephen | Montague | Strummin | 1974/1981 | Zuspiel / Tonband, 1 perf | 10:07 | Stereo | p [Piano] | IPEM Gent, West Square London | 0 | |||||||||
| 11546 | Stephen | Montague | The Eyes of Ambush | 1976 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 11548 | Stephen | Montague | Tigida Pipa | 1983/1989 | Zuspiel / Tonband, 35 perf | 9:30 | Stereo | 4- 8- 12- 16 amp V, perc [Stimme, Schlagzeug] | innova 115/ CCD 1061/ | IPEM Gent | 1 | ||||||||
| 11547 | Stephen | Montague | Tongues of Fire | 1983/1989 | live-elec, 1 perf | 23:00 | Stereo | p [Piano] | 0 | ||||||||||
| 11549 | Stephen | Montague | Trio | 1978 | Zuspiel / Tonband, 1 perf | ≈ | Stereo | any ins [Instrument] | 0 | ||||||||||
| 11550 | Stephen | Montague | Vlug | 1992 | live-elec, 1 perf | 6:00 | Stereo | fl [Flöte] | 0 | ||||||||||
| 11551 | Stephen | Montague | Voussoirs | 1970/1972 | fixed media, akusmatisch | 28:00 | Stereo | 0 | |||||||||||
| 20534 | Fabrice, Jocelyn | Montal, Robert | Sans titre | 1996 | radiophon | 11:28 | Stereo | sound poems | OHM 002 overhear/ | 0 | |||||||||
| 11552 | Eugène de | Montalembert | aouy | 1992 | Zuspiel, live-elec, 2 perf | 32:00 | 2 p [Piano] | SONVS Lyon | 1 | ||||||||||
| 11553 | Eugène de | Montalembert | Euouae | 1991 | Zuspiel, live-elec, 3 perf | 3 cl [Klarinette] | SONVS Lyon | 0 | |||||||||||
| 11554 | Eugène de | Montalembert | Personne | 1990 | Zuspiel, live-elec, 6 perf | 2 cl, 2 va, p {4 hands} [Klarinette, Piano, Viola] | SONVS Lyon | 0 | |||||||||||
| 11555 | Jose | Montalvo | Fusion Cibernetica | fixed media, akusmatisch | 0 | ||||||||||||||
| 18366 | Jose | Montalvo | Sea Shells | 1995 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 18367 | Jose | Montalvo | Totems | 1995 | intermedia | CCRMA | 0 | ||||||||||||
| 34685 | Larisa | Montanaro | Inside the Ride | 2002 | fixed media, akusmatisch | Stereo | Russolo Pratella EF.ER.P 02/ | Prize Russolo Varese 2002 | 0 | ||||||||||
| 11556 | José-Manuel | Montañes | Trois Pièces Espagnoles (Calandeña) | 1993 | Zuspiel, live-elec, 1 perf | 11:00 | e-gui [Gitarre] | JTR 8445/ | 0 | ||||||||||
| 11557 | William, Anne | Montecinos, Sédes | Microdialogue I | 1989 | live-elec, 1 perf | 15:00 | MIDI-gui [Gitarre] | CICM Paris | 0 | ||||||||||
| 34917 | Alejandro | Montes de Oca | Cracked voices | fixed media, akusmatisch | 12:38 | miso records mcd 023.10/ | IMEB Bourges, HfM Stockholm | IMEB (Institut International de Musique Electroacoustique de Bourges) | Musica Viva Competition Prize 2009 | 0 | |||||||||
| 34099 | Alejandro | Montes de Oca | Imaginario 1 | 2007 | fixed media, akusmatisch | 6:04 | next_generation ZKM 2007 | IRD 002 Irradia/ | Uni Wien | 0 | |||||||||
| 11558 | James | Montgomery | Hut | 1987 | Zuspiel / Tonband, 1 perf | 6:15 | Stereo | ob [Oboe] | Trappist 9003/ | 0 | |||||||||
| 20535 | James | Montgomery | Saigon | 1984 | Musiktheater | 10:15 | Stereo | ACM 37 CD 1-4/ | 0 | ||||||||||
| 11559 | Aleida | Montijn | Parabel | 1962 | Tanz, 1 group | Mono | orc [Orchester] | PS C. | 0 | ||||||||||
| 11560 | Vittorio | Montis | Cum sonantibus | 1991 | live-elec, 1 perf | ≈ 10:00 | perc [Schlagzeug] | CRM Roma, CERM Sassari | 0 | ||||||||||
| 40937 | Vittorio | Montis | Czárdás | 1955 | Performance | e-org (Philicord), e-ins (multivibrator), 2 generator (tone generator, RC oscillator) [Keyboard, elektronik, synthesizer] | Philips Laboratories Eindhoven | 0 | http://thresholdofbeauty.com/music excerpts/Czardas excerpt.mp3 | ||||||||||
| 11561 | Vittorio | Montis | De sonantibus | 1990 | live-elec, 1 perf, 1 group | ≈ 12:00 | perc-ens [Schlagzeug] | CRM Roma, CERM Sassari | 0 | ||||||||||
| 11562 | Vittorio | Montis | Nei segni degli opposti | 1994 | Zuspiel / Tonband, | Spaziomusica Cagliari | 0 | ||||||||||||
| 11563 | Vittorio | Montis | Ricercare a tre | 1992 | Zuspiel / Tonband, 3 perf | ≈ 15:00 | 2 mus, p [Piano, Musiker] | CRM Roma, CERM Sassari | 0 | ||||||||||
| 11564 | Louis | Montpetit | Auditions | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 39305 | Barry | Moon | Ellipse | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 36240 | Barry | Moon | Liquid | 2016 | live-elec, 1 perf | 7:42 | vib [Schlagzeug] | innova 967/ | 0 | ||||||||||
| 36238 | Barry | Moon | Snare Drum Alchemy | 2012 | Zuspiel / Tonband, 1 perf | 7:29 | perc [Schlagzeug] | innova 967/ | PS C. | Patti Cudd | 0 | ||||||||
| 22581 | Seong Joon | Moon | Dudri | 1996 | fixed media, akusmatisch | 11:00 | Stereo, Quadro | STEAM Berlin | 0 | ||||||||||
| 25801 | Seong Joon | Moon | Fortepiano | 2006 | fixed media, akusmatisch | 10:19 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 1 | ||||||||||
| 22583 | Seong Joon | Moon | Klangschatten | 1997 | Zuspiel / Tonband, 1 group | 11:00 | Quadro | chamber-orc [Orchester] | STEAM Berlin | 0 | |||||||||
| 24970 | Seong Joon | Moon | Klangschatten 3 | 2002 | Zuspiel / Tonband, 1 perf | 12:00 | perc [Schlagzeug] | Young-Yun Kim (perc) | KEAMS 10th Anniversary/ | 1 | |||||||||
| 41516 | David | Mooney | Ducks in Motion | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 24200 | David | Mooney | Studs gone bad | 2002 | fixed media, akusmatisch | 4:00 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 23183 | David | Mooney | The Llama Strut | 2000 | fixed media, akusmatisch | 3:15 | Cec Presence 3/ | 1 | |||||||||||
| 23382 | Adam | Moore | Milk Tears | 2002 | fixed media, akusmatisch | 5:16 | source: guitar | ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 19376 | Adrian | Moore | (1/V)T | 1996 | Zuspiel / Tonband, 1 perf | 8:08 | vn [Violine] | BBC | 0 | ||||||||||
| 37104 | Adrian | Moore | 3Pieces, 3Pieces: Piano 3Pieces: Horn 3Pieces: Violin |
2006 - 2007 | fixed media, akusmatisch | 25:29:00 | Surround 5.1 | IMED 11112/ | PS C. | 20.3.2007 | Crossing Continents concert in Firth Hall of the University of Sheffield (UK) | 0 | |||||||
| 11565 | Adrian | Moore | ...and by his suggestion... | 1993 | fixed media, akusmatisch | 9:45 | Stereo | BEAST | Auszeichnung ars electronica honorary mention 1993 | 1 | |||||||||
| 23184 | Adrian | Moore | Becalmed 1 | 2001 | fixed media, akusmatisch | 4:01 | Cec Presence 3/ | Uni Sheffield | 1 | ||||||||||
| 11566 | Adrian | Moore | Breaking … Glass | 1992 | fixed media, akusmatisch | 8:30 | Stereo | BEAST | 1 | ||||||||||
| 37029 | Adrian | Moore | Counterattack | 2014 | fixed media, akusmatisch | 14:55 | Surround 7.1 | IMED 15135/ | PS C. | 2.3.2015 | 7th International Festival for Artistic Innovation (Leeds, England, UK) | Prix, Concurso Internacional de Composição Electroacústica Música Viva 2015 | 0 | ||||||
| 19372 | Adrian | Moore | Dreamarena | 1996 | fixed media, akusmatisch | 13:13 | IMED 0053/ | BEAST | 1997 | Rumours series in Birmingham | 1 | ||||||||
| 25462 | Adrian | Moore | Dreaming of the dawn | 2004 | fixed media, akusmatisch | 14:04 | Stereo | IMED 0684/ miso records mcd 016.07/ | INA • GRM | INA GRM | 14.05. 2004 | Salle Olivier Messiaen, Maison de la Radio France | First Prize (ex-æquo) at the 2004 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | www.electrocd.com | ||||
| 21557 | Adrian | Moore | Ethereality | 2000 | fixed media, akusmatisch | 14:43 | Octo | ed. rz 10012 parallele 12 Inventionen 2000/ | Uni Sheffield | Inventionen_2000 | 01.7.2000 | Inventionen Parochialkirche Berlin | 1 | 2000 | |||||
| 11567 | Adrian | Moore | Etudes, Etudes magnetique | 1994 | fixed media, akusmatisch | 13:30 | Stereo | BEAST | Competition Musica Nova Prag 1994 | 0 | |||||||||
| 37102 | Adrian | Moore | Fields of Darkness and Light | 2009 - 2010 | Zuspiel / Tonband, 1 perf | 10:23:00 | Stereo | vn (Darragh Morgan, violin) [Violine] | IMED 11112/ | PS C. | Darragh Morgan | 28.4.2010 | Clothworkers Centenary Hall (Leeds, UK) | 0 | |||||
| 19374 | Adrian | Moore | Foil-Counterfoil | 1997 | fixed media, akusmatisch | 12:20 | IMED 0053/ Prix Ars Electronica 98/ | BEAST | 1997 | Université de Montréal | Mention at Prix Ars Electronica 1998 | 1 | |||||||
| 35394 | Adrian | Moore | Inside and out… again | 2016 | fixed media, akusmatisch | 12:41:00 | Surround 7.1 | MR 2016 Métamorphoses 2016/ | May 28, 2016 | Música Viva 2016: Non Plus Nectar: Encontro X: Orquestra de Altifalantes, O’culto da Ajuda (Lisbon, Portugal) | finalist at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||
| 19371 | Adrian | Moore | Junky | 1996 | fixed media, akusmatisch | 12:13 | IMED 0053/ | BEAST | 1996 | Dartington International Summer Schoo | Mention at Musica Nova 1996 | 1 | |||||||
| 37030 | Adrian | Moore | Nebula Sequence | 2012 | fixed media, akusmatisch | 19:33 | Surround 5.1 | IMED 15135/ | VICC Visby, PS C. | 31.1.2013 | Drama Studio of The University of Sheffield | Mention, category A, Musica Nova 2015 | 0 | ||||||
| 21559 | Adrian | Moore | Out there and Beyond | fixed media, akusmatisch | 5:00 | 1 | |||||||||||||
| 32922 | Adrian | Moore | Piano Piece (for Peter) | 2004 | Zuspiel / Tonband, 1 perf | 7:19 | Stereo | p [Piano] | IMED 0684/ | PS C. | Peter Hill | 27.3.2004 | Peter Hill during the Electric Spring Festival in Huddersfield (UK) | 0 | |||||
| 26002 | Adrian | Moore | Power Tools v 1 | 2004 | fixed media, akusmatisch | 14:29 | Stereo | LDC 2781133 Compendium 2004/ IMED 0684/ | IMEB Bourges, PS C. | 4.6.2004 | Palais Jacques-Cœur during the Synthèse Festival (Bourges, France). The piece was commissioned by the IMEB. | 1 | |||||||
| 11569 | Adrian | Moore | Prelude to Autonomy | 1992 | live-elec, 1 perf | 13:00 | Stereo | vn [Violine] | BEAST | 1 | |||||||||
| 23593 | Adrian | Moore | Resonant Image | 2003 | audiovisuell | 9:52 | Surround 5.1 | CMJ Vol 27-4, 2003/ | Uni Sheffield | 1 | |||||||||
| 37105 | Adrian | Moore | Rococo Variations | 2006 | fixed media, akusmatisch | 17:22:00 | Surround 5.1 | IMED 11112/ | PS C. | 3.2.2006 | Soundings… festival in Reid Concert Hall (Edinburgh, Scotland, UK). | 0 | |||||||
| 32923 | Adrian | Moore | Sea of Singularity, Becalmed Mutiny on the Bounty Third mint sauce (or sheep appoggiatura) Horse with shouting Still Life (as we know it) In Paradisum |
2001 - 2003 | fixed media, akusmatisch | 31:48 | Stereo | 6 parts | IMED 0684/ | Uni Sheffield | 4.10.2002 | 9th International Acousmatic Festival L’Espace du son in Théâtre Marni (Brussels, Belgium) | 0 | ||||||
| 19375 | Adrian | Moore | Sieve | 1994 - 1995 | fixed media, akusmatisch | 13:20 | Musidisc 245752/ IMED 0053/ NOR 04/ | BBC | funded by the Barry Anderson Trust | 1994 | BBC Radio 3 as part of the ‘Between the Ears’ series | 2nd Prize at the Prix Noroit 1996 | 1 | ||||||
| 21611 | Adrian | Moore | Soundbodies: Bodypart | 1998 | fixed media, akusmatisch | 2:08 | CEC Presence 2/ | Uni Sheffield | 1 | ||||||||||
| 37031 | Adrian | Moore | Strings and Tropes | 2012 | fixed media, akusmatisch | 22:22 | Stereo | IMED 15135/ | PS C. | 9.2.2013 | Reid Concert Hall of the Edinburgh University | 0 | |||||||
| 19373 | Adrian | Moore | Study in Ink | 1996 | fixed media, akusmatisch | 10:22 | sounds from pen-marker on a whiteboard | IMED 0053/ IMED 0050/ | BEAST | 1997 | Discoveries series in Aberdeen | 2nd prize at the Hungarian Radio’s EAR’97 | 1 | ||||||
| 21558 | Adrian | Moore | SuperStrings | 1999 | fixed media, akusmatisch | 12:25 | SEAMUS EAM Vol. 10/ | 1 | |||||||||||
| 37103 | Adrian | Moore | Surface | 2007 | fixed media, akusmatisch | 15:22:00 | Surround 7.1, Surround 5.1 | IMED 11112/ | PS C. | 8.11.2008 | Soundings… festival in Reid Concert Hall (Edinburgh, Scotland, UK) | 0 | |||||||
| 37101 | Adrian | Moore | Sustain | 2009 - 2010 | fixed media, akusmatisch | 12:26:00 | Stereo | IMED 11112/ | PS C. | 1.3.2010 | 20 years of musical innovation concert at PACE Studio 1 of De Montfort University (Leicester, UK). | 0 | |||||||
| 35384 | Adrian | Moore | The Battle | 2013 | fixed media, akusmatisch | 14:20:00 | Surround 5.1 | MR 2014 Métamorphoses 2014/ IMED 15135/ | VICC Visby, PS C. | October 26, 2013 | Akousma X: Espace strié, Usine C (Montréal, Québec) | 0 | |||||||
| 11570 | Adrian | Moore | The beast would not lie down | 1994 | fixed media, akusmatisch | 2:30 | Stereo | BEAST | 0 | ||||||||||
| 41588 | Adrian | Moore | The Wolf’s Glen | fixed media, akusmatisch | 0 | ||||||||||||||
| 11571 | Adrian | Moore | Traversing the colure | 1993 | live-elec, 8 perf | 20:00 | Stereo | (amp ens) tpt, trbn, hn, perc, p, S, T, B [Sopran, Tenor, Bass, Horn, Trompete, Posaune, Piano, Schlagzeug] | BEAST | 0 | |||||||||
| 40254 | Stephanie | Moore | LCROSS 2009-10-09 | 2015 | fixed media, akusmatisch | 7:35:00 | Stephanie Moore | 0 | |||||||||||
| 42771 | Stephanie | Moore | Pleine lune | 2012 | live-elec, 1 perf | 7:50:00 | db [Kontrabass] | Pierre-Alexandre Miranda, double bass | 0 | ||||||||||
| 11572 | Steve | Moore | A Quiet Gathering | 1988 | fixed media, akusmatisch | 22:46 | Stereo | konkrete Musik | ReR CMCD/ | 1 | |||||||||
| 11573 | Steve | Moore | Germination | 1985 | fixed media, akusmatisch | 7:00 | Uni Durham | 0 | |||||||||||
| 11574 | Steve | Moore | NO | 1984 | fixed media, akusmatisch | 8:20 | Uni Durham | 0 | |||||||||||
| 11575 | Steve | Moore | The Return of the Poet | 1982/1983 | fixed media, akusmatisch | 14:15 | Uni Durham | 0 | |||||||||||
| 11576 | Steve | Moore | The Threshold of Liberty | 1983 | fixed media, akusmatisch | 9:40 | Uni Durham | 0 | |||||||||||
| 39510 | Ted | Moore | still motion | 2017 | audiovisuell, live-elec, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 11577 | James Andy | Moorer | Lions are growing | 1978 | fixed media, akusmatisch | 2:30 | Stereo | txtcompo | CCRMA | 1 | |||||||||
| 11578 | James Andy | Moorer | Perfect Days | 1977 | fixed media, akusmatisch | Stereo | txtcompo | CCRMA | 0 | ||||||||||
| 11579 | Angela von | Moos | Licht Vokale | 1992 | intermedia | je 45:00 | Stereo + Stereo + Stereo + Stereo | für "Galerie im Turm", Berlin Friedrichshain | TU Berlin, HdK Berlin | 0 | |||||||||
| 24026 | Mario | Mora | Capricho | 2005 | live-elec, 1 perf | vn [Violine] | Enero 2005. Festival de Música contemporánea. Sala Isidora Zegers. Santiago, Chile. | 0 | |||||||||||
| 24024 | Mario | Mora | NUD | 1995 | Zuspiel / Tonband, 1 perf | 5:32 | fl [Flöte] | Sergio Cabrera. Flauta. Enero 1995. Lanzamiento de disco Electromúsica de arte. Casa Central Universidad de Chile. |
0 | ||||||||||
| 24025 | Mario | Mora | Sax | 1995 | Zuspiel / Tonband, 1 perf | 8:00 | a-sax [Saxophon] | 1995. Sala Isidora Zegers. | Uni de la serena 1/ | 0 | |||||||||
| 27878 | Yves | Mora | Mona XY | 2003 | Performance, live-elec, 2 perf | mus, dancer, (video, photo) [Musiker, Tanz] | ou de l'improbabilité d'exister | CRFMW Liège | 1.04.2004 | Mons, La Machine à Eau | 0 | http://www.crfmw.be/index1.htm | |||||||
| 24036 | Cristian | Morales | Arial doble: Bifurcaciones | live-elec, 2 perf | 2 p [Piano] | 0 | |||||||||||||
| 24038 | Cristian | Morales | Auciones | Zuspiel / Tonband, 7 perf, 1 group | ens, vocal-qt, trio (de rabeles) [Stimme, Instrument, Ensemble] | 0 | |||||||||||||
| 24029 | Cristian | Morales | Cygnus | 1994 | fixed media, akusmatisch | 7:14 | Septiembre de 1994. Santiago, Chile. | 0 | |||||||||||
| 24028 | Cristian | Morales | Irial | 1996 | Zuspiel / Tonband, 2 perf | 2 gui [Gitarre] | Estreno parcial: Octubre 1996, XI Festival de La Habana, Cuba. | 0 | |||||||||||
| 24040 | Cristian | Morales | Materiales | Zuspiel / Tonband, 3 perf | 3 perc [Schlagzeug] | Obra compuesta con financiamiento FONDART. | 0 | ||||||||||||
| 24039 | Cristian | Morales | Mientras, yo caminaré lejos…por la otra orilla | 2003 | live-elec, 1 perf | fl [Flöte] | Noviembre 2003. Sala Fresno. XII Festival de Música Contemporánea de la Universidad Catolica. Santiago Chile. | 0 | |||||||||||
| 24042 | Cristian | Morales | Nodo | live-elec, 3 perf | 2 fl, tam-tam [Flöte, Schlagzeug] | Existe una versión con ensamble (flauta, clarinete, guitarra, violín y violonchello). | 0 | ||||||||||||
| 24030 | Cristian | Morales | Oda | 1997 | Zuspiel / Tonband, 2 perf | fl, va [Flöte, Viola] | Marzo 1997. Sala HAL. Barcelona, España. | 0 | |||||||||||
| 24033 | Cristian | Morales | Relief II | 2000 | Zuspiel / Tonband, 4 perf | 4 fl [Flöte] | Mayo 2000. Sala Universidad Pompeu Fabra. Barcelona, España. | 0 | |||||||||||
| 24041 | Cristian | Morales | Relief Iib | 2004 | live-elec, 4 perf | 2 fl, 2 w (tarkas) [Flöte, Bläser] | Agosto 2004. Facultad de Derecho. Buenos Aires, Argentina. | 08.2004 | Buenos Aires, Facultad de Derecho | 0 | |||||||||
| 24035 | Cristian | Morales | Relief III | 2001 | Zuspiel / Tonband, 1 perf | 11:45 | vib [Schlagzeug] | Enero 2002. Sala l'Alpha. Charbonniers-les-Bains, Francia. | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||
| 24037 | Cristian | Morales | Ris-Ras | fixed media, akusmatisch | 3:00 | Junio 2002. Festival Synthése. Bourges. Francia | 0 | ||||||||||||
| 24031 | Cristian | Morales | Sola…y eterna | 1999 | Zuspiel / Tonband, 4 perf | vn, cl, gui, p [Klarinette, Piano, Gitarre, Violine] | Noviembre 1999. Sala Plateau. Bruselas, Bélgica. | 0 | |||||||||||
| 24032 | Cristian | Morales | Una voz | 2000 | live-elec, 5 perf | fl, vn, hn, 2 db [Flöte, Horn, Violine, Kontrabass] | Mayo 2000. Sala Universidad Pompeu Fabra. Barcelona, España. | 0 | |||||||||||
| 24034 | Cristian | Morales | Una voz evanescente | 2000 | live-elec, 1 perf, 1 group | S, ens [Sopran, Ensemble] | Mayo 2000. Sala Varèse. Lyon, Francia. | 0 | |||||||||||
| 24027 | Cristian | Morales | Zampler | 1992 | Zuspiel / Tonband, 8 perf | str-qt, 4 pan-fl (Zampoñas-qt) [Flöte, Streicher] | Agosto 1992. Aula Magna del centro de extensión de la Universidad Catolica. Santiago, Chile. | 0 | |||||||||||
| 35600 | Hugo | Morales | In tension | 2005 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 35601 | Hugo | Morales | Pulsars | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 19316 | Pedro José | Morales | Caribe | fixed media, akusmatisch | 2:58 | música electroacústica española 1/ | 1 | ||||||||||||
| 11580 | Roberto | Morales | Agua derramada | 1984 | Zuspiel, live-elec, 1 perf | 10:37 | synt [synthesizer] | Centro Independiente De Investigaciones Musicales Y Multimedia (CIIMM) | Universidad de Guanajuato 001/ CIIMM 84/ | ESM Mexico | 0 | ||||||||
| 26003 | Roberto | Morales | Cenzontle | 2004 | audiovisuell | abstrakte Animationen in blau | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2005 | 1 | ||||||||||
| 11581 | Roberto | Morales | El rey LEAR | 1982 | Zuspiel, live-elec, 5 perf | 2 synt, fl, hp, maracas [Flöte, Harfe, Schlagzeug, synthesizer] | ESM Mexico | 0 | |||||||||||
| 11582 | Roberto | Morales | Eres sueño | 1988 | fixed media, akusmatisch | ESM Mexico | 0 | ||||||||||||
| 11583 | Roberto | Morales | Las melisas | 1990 | live-elec, 3 perf | vn, vc, db [Cello, Violine, Kontrabass] | ESM Mexico | 0 | |||||||||||
| 34139 | Roberto | Morales | Murmullo a voces | fixed media, akusmatisch | 5:27 | 0 | |||||||||||||
| 11584 | Roberto | Morales | Nahual | 1990 | live-elec, 3 perf | (Chamula) hp, perc (tamburin), synt [Harfe, Schlagzeug, synthesizer] | ESM Mexico | 0 | |||||||||||
| 11585 | Roberto | Morales | Nahual II | 1990 | live-elec, 2 perf | 9:25 | (Chamula) hp, synt [Harfe, synthesizer] | SY77; ICMC 1992. Software Escamol or MaxMSP or Supercollider |
ICMC 1992, PRDC 1300/ IRD 002 Irradia/ | ESM Mexico | 1 | ||||||||
| 11586 | Roberto | Morales | Nodos | 1985 | live-elec, 4 perf | synt, (com), 1 - 3 perf [Performer, synthesizer] | ESM Mexico | 0 | |||||||||||
| 11587 | Roberto | Morales | Relampagos azules | 1988 | Zuspiel, live-elec, 3 perf | fl, perc, synt [Flöte, Schlagzeug, synthesizer] | ESM Mexico | 0 | |||||||||||
| 20536 | Roberto | Morales | Servicio a Domicilio | 1991 | fixed media, akusmatisch | 8:28 | Stereo | ISAST LMJ 4/ | 0 | ||||||||||
| 11588 | Roberto | Morales | Sombras | 1987 | live-elec, 1 perf | synt [synthesizer] | ESM Mexico | 0 | |||||||||||
| 11590 | Roberto | Morales | Tlaloc | 1981 | fixed media, akusmatisch | loops | ESM Mexico | 0 | |||||||||||
| 11589 | Roberto, Francisco | Morales, Nunez | Tientos en eco I & II | 1988 | live-elec, 2 perf | fl, p, (elec) [Flöte, Piano] | ESM Mexico | 0 | |||||||||||
| 36256 | Robert | Moran | Bombardments, Bombardments No. 4 | 1968 | Zuspiel / Tonband, 1 perf | 10:55 | trbn [Posaune] | innova 792/ | Stuart Dempster | 1968 | Seattle, Washington | 0 | |||||||
| 36257 | Robert | Moran | Commander of Darkmess | 1985 | Zuspiel / Tonband, 1 perf, 1 group | mul acc [Akkordeon] | 1985 | Painted Bride Arts Center, Philadelphia | C. Benson Music | 0 | |||||||||
| 37836 | Robert | Moran | Cortege | 2003 | Musikinstrument, keine EM, 9 perf | 7:06:00 | 3 tpt, hn, 3 trbn, db-trbn, tuba [Horn, Trompete, Posaune, Tuba] | innova 714/ | 0 | ||||||||||
| 37835 | Robert | Moran | Da entstünde ein Engel | 2006 | Musikinstrument, keine EM, 2 groups | 8:45:00 | ens, ch [Ensemble, Chor] | innova 714/ | 0 | ||||||||||
| 36258 | Robert | Moran | Divertissement Number Three | 1969 | Musiktheater, live-elec, 1 perf | elec (small elec devices) [elektronik] | October 1971 | London’s banking centre, sponsored and filmed by BBC TV | C. Benson Music | 0 | |||||||||
| 37837 | Robert | Moran | Elegy for a Young King | 1999 | Musikinstrument, keine EM, 1 perf, 1 group | 8:38:00 | org, ch [Orgel, Chor] | innova 714/ | 0 | ||||||||||
| 11591 | Robert | Moran | Hexahedra | 1965 | Zuspiel / Tonband, 4 perf | 180:00 | Stereo + Stereo | 2 p, 2 perc [Piano, Schlagzeug] | SanFran Tape M. C. | 0 | |||||||||
| 37841 | Robert | Moran | Kboco | 2006 | Musikinstrument, keine EM, 8 perf | 10:01:00 | 6 perc, prep p, celesta [Piano, Schlagzeug] | innova 714/ | University of Iowa Dance Department | Nov. 4, 2006 | Iowa Percussion, conducted by Dan Moore | 0 | |||||||
| 37838 | Robert | Moran | Mantra | 1994 | Musikinstrument, keine EM, 3 groups | 9:24 | 3 ch [Chor] | innova 714/ | 0 | ||||||||||
| 36260 | Robert | Moran | May 11, 1973 | 1973 | live-elec, 1 perf | V, (elec manipulations) [Stimme] | Berlin Metamusik Festival | 1974 | Berlin Metamusik Festival | 0 | |||||||||
| 36259 | Robert | Moran | Morton Feldman in Berlin | 1971 | live-elec, 1 group | amp chamber orc [Orchester] | 1972 | San Francisco | C. Benson Music | 0 | |||||||||
| 23083 | Robert | Moran | Musik für Haustiere | 1977 | radiophon | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||||
| 37839 | Robert | Moran | Obrigado | 1995 | Musikinstrument, keine EM, 4 perf | 4:00 | 4 perc [Schlagzeug] | innova 714/ | 0 | ||||||||||
| 37842 | Robert | Moran | Processional | 2005 | Musikinstrument, keine EM, 1 perf | 2:38:00 | org [Orgel] | innova 714/ | 0 | ||||||||||
| 37840 | Robert | Moran | Stirling: It's Raining Cats and Dogs | 2008 | Zuspiel / Tonband, 1 perf, 1 group | 15:37:00 | (gigantic) perc-ens [Schlagzeug] | innova 714/ | Patti and Michael Scullin | April 12, 2008 | University of Iowa, Iowa Percussion conducted by Dan Moore | 0 | |||||||
| 20537 | Serge | Morand | Naïves | 1991 | fixed media, akusmatisch | 7:41 | Stereo | NOR 02/ | 1 | ||||||||||
| 11592 | Paul | Moravec | Devices and Desires | fixed media, akusmatisch | 2:34 | Stereo | Synclavier | Centaur CRC 2052, CDCM Vol. 6/ | Bregman Dartmouth | 1 | |||||||||
| 37817 | Falk | Morawitz | Nuclear Magnetic Resonance | 2014 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 37818 | Falk | Morawitz | Spin Dynamics | 2016 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 39702 | Daniel | Morel | Meditation | 2017 | fixed media, akusmatisch | Daniel Morel | 0 | ||||||||||||
| 35732 | Josué | Moreno | HaP60 | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 36686 | Josué | Moreno | LáPICes | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 19940 | Juan Antonio | Moreno | A-IR-UN (Cor) | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19936 | Juan Antonio | Moreno | A. Satie | 1980 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19950 | Juan Antonio | Moreno | Brote | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19961 | Juan Antonio | Moreno | Buenache | 1990 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19555 | Juan Antonio | Moreno | Buenache (un Pueblo de Piedra) | 1991 | fixed media, akusmatisch | 10:00 | Stereo | GME Cuenca, Phonos Barcelona | 0 | ||||||||||
| 19953 | Juan Antonio | Moreno | Cita II | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19935 | Juan Antonio | Moreno | Com un Adeu | 1980 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19938 | Juan Antonio | Moreno | Comte Arnau | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19945 | Juan Antonio | Moreno | Cor I Multifónic | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19948 | Juan Antonio | Moreno | Cor II Multifónic | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19951 | Juan Antonio | Moreno | Cor III Multifónic | 1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 11593 | Juan Antonio | Moreno | Coro | 1990 | Zuspiel / Tonband, 1 perf | b-cl [Klarinette] | Phonos Barcelona | 0 | |||||||||||
| 19941 | Juan Antonio | Moreno | Duet I | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19954 | Juan Antonio | Moreno | Duo | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19556 | Juan Antonio | Moreno | El Hombre sin Atributos (Buenache) | 1991 | fixed media, akusmatisch | 28:00 | Stereo | GME Cuenca, Phonos Barcelona | 0 | ||||||||||
| 19939 | Juan Antonio | Moreno | El Jardin | 1982 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19959 | Juan Antonio | Moreno | Força Contrabaix | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19958 | Juan Antonio | Moreno | Força Piano | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19942 | Juan Antonio | Moreno | Gemir | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19960 | Juan Antonio | Moreno | Multimúsica | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19957 | Juan Antonio | Moreno | Música sana | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 11594 | Juan Antonio | Moreno | Nono está aqui | 1990 | fixed media, akusmatisch | 4:00 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | ||||||||||
| 19943 | Juan Antonio | Moreno | Polifonia de Colors I | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19944 | Juan Antonio | Moreno | Polifonia de Colors II | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19937 | Juan Antonio | Moreno | Preludi | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19949 | Juan Antonio | Moreno | Preludio II | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19956 | Juan Antonio | Moreno | Preludio III a Lluis Callejo | 1988 | fixed media, akusmatisch | Stereo | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 19946 | Juan Antonio | Moreno | Somnis I | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19947 | Juan Antonio | Moreno | Somnis II | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19952 | Juan Antonio | Moreno | Tam.Tam | 1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19955 | Juan Antonio | Moreno | Xochipilli | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 11595 | Philippe | Moret | Tatzelwurm | 1976 | fixed media, akusmatisch | Stereo | ESPACE Genève | 0 | |||||||||||
| 11596 | Nelly | Moretto | Composición #10 | 1967 | fixed media, akusmatisch | Stereo | Fonal B.Aires | 0 | |||||||||||
| 11597 | Nelly | Moretto | Composición #9 A | 1965 | Tanz | intermedia |
12:00 | Stereo | 2 ens, dancers, (lights) [Tanz, Ensemble] | Fonal B.Aires | 0 | |||||||||
| 11598 | Nelly | Moretto | Composición #9 B | 1966 | fixed media, akusmatisch | 8:45 | Stereo | after a poem by Moretto | Creel Pone 068/ | Fonal B.Aires | 0 | ||||||||
| 11599 | Guy | Morgan | Androidal Design | fixed media, akusmatisch | 8:16 | Stereo | Queens Uni Kingston | 0 | |||||||||||
| 20538 | Jeffrey, Joker | Morgan, Nies | Pair á Dice | 1993 - 1994 | live-elec, 2 perf | 70:00 | Stereo | sax, MIDI [Saxophon, synthesizer] | RA 010/ | 0 | |||||||||
| 19272 | Scott | Morgan | parade | 1996 | fixed media, akusmatisch | 3:27 | CEC Presence 1/ | SFU | 1 | ||||||||||
| 20539 | Proteus | Morganii | Mur blanc silence | 1990 | fixed media, akusmatisch | 3:26 | Stereo | GMVL 003/ | GMVL Lyon | 0 | |||||||||
| 11600 | Inge | Morgenroth | Azur in Nuce | 1995 | Zuspiel / Tonband, 1 perf | 19:20 | Stereo | db [Kontrabass] | für Ausstellung Marseille | TU Berlin | WDR | 1 | |||||||
| 18568 | Inge | Morgenroth | Dear Kokon | 1997 - 1998 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo, Octo | acc [Akkordeon] | GMEM El 10, Project'Son/ | TU Berlin, GMEM Marseille | SFB | 1 | |||||||
| 22403 | Inge | Morgenroth | Dear Mrs. RCS | 2001 | fixed media, akusmatisch | 44:28 | Hommage à Ruth Crawford-Seeger | Deutschlandfunk Köln, PS C. | Deutschlandfunk Köln | 1 | |||||||||
| 21150 | Inge | Morgenroth | Europa von weitem | 1999 | radiophon | 74:46 | Stereo | Produktion BR. Text und Realisation: Eva Meyer und Eran Schaerf. auch Aufführung am 21.11.1999 in der AdK Berlin |
TU Berlin, PS Morgenroth | Bayerischer Rundfunk / Hörspiel und Medienkunst 1999 | 1 | ||||||||
| 28727 | Inge | Morgenroth | Leis’ sei Eure Straße Purpurtodesmaul | 1995 | fixed media, akusmatisch | Stereo | TU Berlin | 19.12.1995 | "Unart" Berlin-Kreuzberg | 0 | |||||||||
| 25791 | Inge | Morgenroth | Little Connections | 2006 | radiophon | 48:07 | Text:Gertrude Stein, lifting belly | AdK Berlin | DeutschlandRadio Berlin | 0 | |||||||||
| 22746 | Inge | Morgenroth | Marseille - le panier | 1998 | fixed media, akusmatisch | 14:47 | Aufnahmen entstanden während eines Arbeitsstipendiums im GMEM-Studio Marseille | GMEM Marseille | 0 | ||||||||||
| 34696 | Inge | Morgenroth | Nachtgestalten | 2014/2016 | fixed media, akusmatisch | 5:56:00 | Stimme | voice: Magda Vogel | DegeM CD 14 escape/ | 0 | ||||||||||
| 23523 | Inge | Morgenroth | Passage Kampuchea | 2004 | radiophon | 35:00 | Stereo | TU Berlin, Deutschlandfunk Köln | Deutschlandfunk Köln | 1 | |||||||||
| 11601 | Inge | Morgenroth | und ich sehe nichts … nichts als die Malerei | 1993 | Zuspiel / Tonband, 1 perf | 30:00 | Stereo | V [Stimme] | Texte von MarieBashkirtseff, Performance zur Eröffnmung einer Ausstellung von Sarah Schumann in Moskau | PS C. | 0 | ||||||||
| 21131 | Inge | Morgenroth | Werk 57 | 1998 | Zuspiel / Tonband, 1 perf | 40:00 | Stereo | perc [Schlagzeug] | mit Robyn Schulkowski | TU Berlin | 0 | ||||||||
| 26004 | Inge, Beate | Morgenroth, Brinkmann | Hôtel de l’Esperance | 2004 | audiovisuell | 7:11 | Texte von Unica Zürn | PS C., TU Berlin | 1 | ||||||||||
| 19105 | Inge, Martina | Morgenroth, Cizek | ungeklärte Verhältnisse | 1996 | Zuspiel / Tonband, 2 perf | 2 sax [Saxophon] | Aufnahme Berliner Dom 21.8.96 Material: pigs |
TU Berlin | 1 | ||||||||||
| 21151 | Inge, Ellen | Morgenroth, Fricke | Les jeux à deux | 1999 | radiophon | 54:00 | Stereo | Textvorlage nach Unica Zürn "Les jeux à deux" (betrifft Oper "Norma" von Bellini). | PS Morgenroth, TU Berlin | Deutschland Radio Kultur | 5.11.1999 | Deutschland Radio Kultur | 1 | ||||||
| 22508 | Inge, Laura | Morgenroth, Gallati | Palimpsest | 2002 | fixed media, akusmatisch | 9:08 | PS Morgenroth, TU Berlin | Tonart Bern | 1 | ||||||||||
| 22678 | Inge, Erika, Martina | Morgenroth, Stürmer-Alex, Cizek | Requiem für ein Schwein | 1997 | Performance | 8:31 | Cybele 960.205/ DegeM CD 05/ | TU Berlin | 1997 | Berliner Dom | 1 | ||||||||
| 43138 | Ikue | Mori | Birthday, "Birthday" Growing up aggressively Nostalgia |
1999 | Performance | Award of Distinction at the ARS ELECTRONICA 199 | 0 | ||||||||||||
| 38131 | Ikue, Ida | Mori, Lundén | December 3rd | 2011 | live-elec, | 19:32 | iDEAL 103/ | 3.12.2011 | Old American Can Factory, Brooklyn | 0 | |||||||||
| 43160 | Ikue, Zeena | Mori, Parkins | Phantom Orchard | 2004 | audiovisuell | Auszeichnung ars electronica honorary mention 2004 | 1 | ||||||||||||
| 33581 | Ikue, Christian, Marina | Mori, Wolff, Rosenfeld | Event — December 15, 2004, New York City | 2004 | Performance | 6:56:00 | 3 perf [Performer] | Computer [Laptop] – Ikue Mori Piano, Melodica, Percussion – Christian Wolff Turntables, Electronics [Live] – Marina Rosenfeld |
NWR 80712/ | 1 | |||||||||
| 33936 | Noriaki | Mori | Doppelt Grün | 2012 | live-elec, 3 perf | 12:25:00 | Stereo | euphonium, perc, p [Horn, Piano, Schlagzeug] | Komposition für Euphonium, Schlagzeug, Klavier und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 33937 | Noriaki | Mori | Dreizehn Hüllen | 2013 | Performance | 6:30:00 | Stereo | 7 mus [Musiker] | Komposition für 7 Musiker | HfMT Köln | 0 | ||||||||
| 33938 | Noriaki | Mori | l’autre | 2012 | Tanz, live-elec, 1 perf | 11:00:00 | Stereo | fem dancer [Tanz] | Komposition für eine Tänzerin und interaktive Live-Elektronik | HfMT Köln | 0 | ||||||||
| 33939 | Noriaki | Mori | mémoire, „mes“moires | 2013 | live-elec, 1 perf | Stereo | vn [Violine] | HfMT Köln | 0 | ||||||||||
| 33934 | Noriaki | Mori | Pupa | 2012 | live-elec, 1 perf | 10:00:00 | Quadro | trbn [Posaune] | HfMT Köln | 0 | |||||||||
| 33935 | Noriaki | Mori | Wenn er mich immer frägt | 2011 | Zuspiel / Tonband, 3 perf | 9:05:00 | Quadro | sp, V, perc [Sprecher, Stimme, Schlagzeug] | Komposition für Sprecherin, Sängerin, Schlagzeug und Zuspiel | HfMT Köln | 0 | ||||||||
| 42520 | Takeyoshi | Mori | Over the Blue | 2006 | fixed media, akusmatisch | 0 | |||||||||||||
| 43022 | Manoli | Moriaty | Dancing on the Fence | 2013 | fixed media, akusmatisch | 10:29:00 | 0 | ||||||||||||
| 41948 | Felix-Antoine | Morin | Le jeu des miroirs de Kali | fixed media, akusmatisch | 0 | ||||||||||||||
| 27349 | Félix-Antoine | Morin | Feed Metal Dirt | 2007 | fixed media, akusmatisch | 7:00 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 3. prize | 1 | http://myspace.com/antonixfelinski | ||||||||
| 43027 | Luigi | Morleo | ReComposed 2.3 | 2013 | fixed media, akusmatisch | 4:48:00 | 0 | ||||||||||||
| 11602 | Makoto | Moroi | Akai Mayu, Der rote Kokon | 1960 | Musiktheater | 26:00 | Mono | Text: Kobo Abe | OPA 003/ | NHK Tokyo | 0 | ||||||||
| 11611 | Makoto | Moroi | Bangumi no Tema 1 - 8, Thema for a broadcast Program #1-#8 | 1956 | fixed media, akusmatisch | je ≈ 1:00 | Mono | NHK Tokyo | 0 | ||||||||||
| 11609 | Makoto | Moroi | Gyosha Phaeton, Phaeton | 1965 | Oper, 2 perf, 1 group | 40:00 | Stereo | Narrator, V, orc [Stimme, Schauspieler, Orchester] | NHK Tokyo | 0 | |||||||||
| 11606 | Makoto | Moroi | Henshin | 1958 | fixed media, akusmatisch | 5:00 | Partitur | NHK Tokyo | 0 | ||||||||||
| 31297 | Makoto | Moroi | Hoso bangumi tema ongakushu | 1956 - 1957 | fixed media, akusmatisch | 6:43 | part 1 - 4 : 00:53 + 02:12 + 01:55 + 01:43 | IDEAMA CD 087/ | NHK Tokyo | 0 | |||||||||
| 11607 | Makoto | Moroi | Kusabira, Mushroom | 1964 | Zuspiel / Tonband, 2 perf | 21:12 | Stereo | 2 V [Stimme] | Text: traditional Kyogen | OPA 013/ IDEAMA CD 088/ | NHK Tokyo | 0 | |||||||
| 11608 | Makoto | Moroi | Metamorphosis | 1958 | Zuspiel / Tonband, 1 perf | 3:20 | Stereo | V [Stimme] | NHK Tokyo | 0 | |||||||||
| 11604 | Makoto | Moroi | Nagai, nagai michi ni sotte, Einer langen, langen Straße entlang A long long way ahead |
1961 | Musiktheater | 40 | Stereo | text by Wolfgang Borchert | NHK Tokyo | 0 | |||||||||
| 11603 | Makoto | Moroi | Pythagoras no Hoshi Stars of Pythagoras, Die Sterne des Pythagoras |
1959 | Musiktheater | 30 | Mono | OUOADM 0101/ OUOADM 9301/ IDEAMA CD 088/ | NHK Tokyo | 0 | |||||||||
| 11610 | Makoto | Moroi | Shôsanke | 1968 | Zuspiel / Tonband, 1 perf | 13:25 | Mono | (traditional japanese) ins [Instrument] | RCA SJX 1004/ PHI 6526005/ IDEAMA CD 091/ OUOADM 0501/ | NHK Tokyo | 1 | ||||||||
| 11612 | Makoto | Moroi | Varieté | 1962 | fixed media, akusmatisch | 7:20 | Mono | OUOADM 0101/ OUOADM 9301/ IDEAMA CD 087/ | NHK Tokyo | 0 | |||||||||
| 11613 | Makoto | Moroi | Yamamba | 1962 | Tanz | 20:00 | Mono, Stereo, 5 tracks | Opera Ballet | NHK Tokyo | 0 | |||||||||
| 11614 | Dexter | Morrill | Chowning | 1973 | fixed media, akusmatisch | 2:55 | Centaur CRC 2732/ | 1 | |||||||||||
| 11615 | Dexter | Morrill | Fantasy qintett | 1978 | Zuspiel / Tonband, 1 perf | 13:45 | p [Piano] | 1 | |||||||||||
| 11616 | Dexter | Morrill | Getz Variations, Echoes Quartett the Lady from Portola Windows |
1984 | Zuspiel, live-elec, 1 perf | 30:00 | t-sax [Saxophon] | Centaur CRC 2732/ Centaur CRC 2214/ | CCRMA | 1 | |||||||||
| 11617 | Dexter | Morrill | Lastel | 1976 | fixed media, akusmatisch | 4:32 | 1 | ||||||||||||
| 11618 | Dexter | Morrill | NO | 1977 | Zuspiel / Tonband, 1 group | 6:28 | ch [Chor] | 1 | |||||||||||
| 11619 | Dexter | Morrill | Quartet for violin, Cello and 2 Loudspeakers | 1985 | Zuspiel / Tonband, 2 perf | 14:33 | Stereo | vn, vc [Cello, Violine] | DMX-1000, MIDI | Centaur CRC 2091, CDCM Vol. 8/ | Colgate Hamilton | 1 | |||||||
| 11622 | Dexter | Morrill | Sea Songs | 1975 | Zuspiel / Tonband, 1 perf | S [Sopran] | 0 | ||||||||||||
| 11620 | Dexter | Morrill | Six dark questions | 1979 | Zuspiel / Tonband, 1 perf | 14:03 | S [Sopran] | 1 | |||||||||||
| 24931 | Dexter | Morrill | Six Studies and an Improvisation | 1992 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | Centaur CRC 2214/ | 0 | |||||||||||
| 24930 | Dexter | Morrill | Sketches for Invisible Man | 1989 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | Centaur CRC 2214/ | 0 | |||||||||||
| 11621 | Dexter | Morrill | Studies | 1975 | Zuspiel, live-elec, 1 perf | 8:18 | S [Sopran] | Centaur CRC 2732/ | CCRMA | 1 | |||||||||
| 36752 | Dexter | Morrill | Studies for Trumpet & Computer | Zuspiel / Tonband, 1 perf | tpt [Trompete] | 0 | |||||||||||||
| 11623 | Dexter | Morrill | TARR | 1982 | Zuspiel / Tonband, 4 perf | 10:20 | 4 tpt [Trompete] | 1 | |||||||||||
| 11624 | Dexter | Morrill | Woodwind quintett & Tape | 1980 | Zuspiel / Tonband, 4 perf | 16:40 | ww-qt [Bläser] | 1 | |||||||||||
| 11625 | David | Morris | Piano Whales | 1987 | Zuspiel / Tonband, 1 perf | 8:19 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 39893 | Jeff, Joe | Morris, Hertenstein | Shankcraft | 2016 | fixed media, akusmatisch | Jeff Morris and Joe Hertenstein | 0 | ||||||||||||
| 39404 | Jeff, April Zanne, Joe | Morris, Johnson, Hertenstein | Live Feed | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 11626 | Lawrence "Butch" | Morris | Spiriti Materani | 1990 | fixed media, akusmatisch | 35:00 | 0 | ||||||||||||
| 11627 | Pert | Morris | Akhenaten | 1973 | Zuspiel / Tonband, 3 perf | 16:00 | 3 cl [Klarinette] | 0 | |||||||||||
| 11628 | Pert | Morris | Alpha Centauri | 1971 | Zuspiel / Tonband, 2 perf | 13:30 | fl, perc [Flöte, Schlagzeug] | 0 | |||||||||||
| 11629 | Pert | Morris | Andromeda Link | 1974 | Zuspiel / Tonband, 1 perf | 16:30 | vn [Violine] | 0 | |||||||||||
| 11630 | Pert | Morris | Continuum | 1977 | Tanz | 20:00 | Discourses ABM 25/ | 0 | |||||||||||
| 11631 | Pert | Morris | Diary II | 1976 | Tanz | 30:00 | Discourses ABM 25/ | 0 | |||||||||||
| 11632 | Pert | Morris | Eoastrion | 1976 | Zuspiel / Tonband, 1 perf | 15:00 | cl [Klarinette] | Discourses ABM 25/ | 0 | ||||||||||
| 11633 | Pert | Morris | Ionosphere | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 11634 | Pert | Morris | Magnificat NGC 6853 | 1975 | fixed media, akusmatisch | 0 | |||||||||||||
| 11635 | Pert | Morris | Omega Centauri | 1972 | Zuspiel / Tonband, 1 group | 17:00 | ens [Ensemble] | 0 | |||||||||||
| 11636 | Pert | Morris | Sun Dragon | 1972 | Zuspiel / Tonband, 1 group | 17:00 | orc [Orchester] | 0 | |||||||||||
| 11637 | Pert | Morris | The Ultimate Decay | 1978 | Zuspiel / Tonband, 4 perf | S, A, T, B [Sopran, Alt, Tenor, Bass] | 0 | ||||||||||||
| 11638 | Pert | Morris | Theta Orionis | 1975 | fixed media, akusmatisch | 0 | |||||||||||||
| 11639 | J. H. | Morrison | Prevalent Modes | 1984 | Zuspiel / Tonband, 1 perf | Stereo | s-sax [Saxophon] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 11640 | J. H. | Morrison | Voice bending open | 1987 | Zuspiel / Tonband, 1 perf | 40:00 | Stereo | vn [Violine] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 40322 | William | Morrison | 201216_Silo | 2017 | fixed media, akusmatisch | William Morrison | 0 | ||||||||||||
| 22049 | Charles | Morrow | Arctic - Kristallklar | radiophon | 2:08 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 20540 | Mortal Engines | Passage IV | 1995 | Zuspiel / Tonband, 1 perf | 3:04 | Stereo | gui [Gitarre] | ASP 0966 / | 0 | ||||||||||
| 11641 | Jørgen | Mortensen | Tao Visioner | 1989 | fixed media, akusmatisch | 55:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 11642 | Jan W. | Morthenson | 1984 | 1984 | Zuspiel, live-elec, 1 group | 27:00 | orc [Orchester] | PSCD 26 Phono Suecia/ | 1 | ||||||||||
| 33516 | Jan W. | Morthenson | Alla Marcia, inslag | 1974 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 11643 | Jan W. | Morthenson | Angelus | 1961 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | PS C. | 0 | |||||||||||
| 11644 | Jan W. | Morthenson | Attacca | 1977 | Zuspiel / Tonband, 5 perf | 20:00 | Stereo | ww-qnt [Bläser] | SR Stockholm, EMS Stockholm | 0 | |||||||||
| 11645 | Jan W. | Morthenson | C Minus X | 1969 | Film | 18:00 | Mono | 16 mm film | SR Stockholm | 0 | |||||||||
| 11646 | Jan W. | Morthenson | Camera humana | 1972 | Fernsehen, | 18:00 | WDR SEM | 0 | |||||||||||
| 11647 | Jan W. | Morthenson | Chains - Mirrors | 1963 | fixed media, akusmatisch | 4:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 11648 | Jan W. | Morthenson | Coloratura | 1962 | Zuspiel, live-elec, 3 perf | str, 2 e-gui [Gitarre, Streicher] | PS C. | 0 | |||||||||||
| 11649 | Jan W. | Morthenson | Decadenza II | 1971 | Zuspiel / Tonband, 1 group | orc, slides [Orchester] | EM ?? | 0 | |||||||||||
| 11651 | Jan W. | Morthenson | Diaphonia | 1983 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | p [Piano] | EMS Stockholm | 1 | 1984 | ||||||||
| 11652 | Jan W. | Morthenson | Distances I, Distanser | 1968 | Fernsehen, | 12:15 | Mono | EMS Stockholm | 0 | ||||||||||
| 11653 | Jan W. | Morthenson | Epsilon Eridani | 1967 | fixed media, akusmatisch | 19:30 | Mono | LPD 3, SR - Dokumentation 3/ IDEAMA CD 140/ | SR Stockholm | SR (Swedish Radio) | 1 | ||||||||
| 11654 | Jan W. | Morthenson | Fragment of a Folksong | 1981 | fixed media, akusmatisch | 5:00 | Owner of the tape: IRK | 0 | |||||||||||
| 11655 | Jan W. | Morthenson | Interferences I | 1967 | Film | 8:30 | Mono | 35 mm colour wide screen | EMS Stockholm | 0 | |||||||||
| 11656 | Jan W. | Morthenson | Intermissions I-V | 1978 | audiovisuell | 25:00 | Stereo | Sw- TV, videotape | EMS Stockholm | 0 | |||||||||
| 11657 | Jan W. | Morthenson | Intimi | 1978 | Zuspiel / Tonband, 1 perf, 1 group | 1:45 | Stereo | inss [Instrument] | EMS Stockholm | 0 | |||||||||
| 36812 | Jan W. | Morthenson | Ionosphere | fixed media, akusmatisch | 8:35:00 | EMS Stockholm | 0 | ||||||||||||
| 11658 | Jan W. | Morthenson | Ionosphéres I | 1969 | fixed media, akusmatisch | 7:30 | Mono | 0 | |||||||||||
| 11659 | Jan W. | Morthenson | Kindertotenlied | 1979 | Zuspiel / Tonband, 5 perf | ww-qnt [Bläser] | 0 | ||||||||||||
| 11660 | Jan W. | Morthenson | Lux sonora | 1971 | Fernsehen, | 17:00 | WDR SEM | 0 | |||||||||||
| 11661 | Jan W. | Morthenson | Musica Nera | 1978 | fixed media, akusmatisch | 9:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 11662 | Jan W. | Morthenson | Neutron star | 1967 | fixed media, akusmatisch | 7:29 | Mono | PSCD 41 Phono Suecia/ PSLP 002/ IDEAMA CD 047/ | 1 | ||||||||||
| 11663 | Jan W. | Morthenson | Post Scriptum | 1971 | fixed media, akusmatisch | 4:40 | Mono | M. for pausprogram; com SR - TV 1. | EMS Stockholm | 0 | |||||||||
| 11664 | Jan W. | Morthenson | Sensory I | 1972 | fixed media, akusmatisch | 5:35 | Stereo | com M. | EMS Stockholm | 0 | |||||||||
| 33515 | Jan W. | Morthenson | Sensory projekt I | 1971 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 11665 | Jan W. | Morthenson | Sensory projekt II | 1971 | fixed media, akusmatisch | 14:00 | Stereo | com M. | EMS Stockholm | 0 | |||||||||
| 11666 | Jan W. | Morthenson | Silence XX | 1988 | intermedia | Laserprojection | 1 | ||||||||||||
| 11667 | Jan W. | Morthenson | Spoon River | 1968/1969 | radiophon | Fernsehen, |
45:00 | Mono | txtcompo | SR Stockholm | 0 | |||||||||
| 11668 | Jan W. | Morthenson | Stereos | 1979 | Zuspiel / Tonband, 2 perf | 19:00 | 2 p [Piano] | 0 | |||||||||||
| 11669 | Jan W. | Morthenson | Strano | 1984 | Zuspiel / Tonband, 5 perf | 10:00 | ww-qnt [Bläser] | PSCD 26 Phono Suecia/ | EMS Stockholm | 1 | |||||||||
| 11670 | Jan W. | Morthenson | Supersonics | 1969 | Fernsehen, | 18:00 | Mono | WDR SEM, EMS Stockholm | WDR | 0 | |||||||||
| 11671 | Jan W. | Morthenson | Trauma | 1981 | radiophon | 29:30 | Stereo | Rundfunkoper | SR Stockholm, EMS Stockholm | 1 | |||||||||
| 11672 | Jan W. | Morthenson | Trauma | 1981 | fixed media, akusmatisch | 14:00 | EMS Stockholm | 1 | |||||||||||
| 11673 | Jan W. | Morthenson | Tremor | 1978 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | vn [Violine] | EMS Stockholm | SR (Swedish Radio) | 0 | ||||||||
| 11674 | Jan W. | Morthenson | Ultra | 1970 | fixed media, akusmatisch | 9:59 | Mono | CAP 1035 LP/ | EMS Stockholm | 1 | |||||||||
| 11675 | Jan W. | Morthenson | Wechselspiel | 1961 | Zuspiel / Tonband, 1 perf | 3:25 | Stereo | fl [Flöte] | PS C. | 0 | |||||||||
| 11676 | Jan W. | Morthenson | Zero | 1969 | fixed media, akusmatisch | 9:55 | Mono | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 42153 | Kaye | Mortley | Retours en australie | 2001 | radiophon | France Culture (Radio France) | 0 | ||||||||||||
| 11677 | Konstantinos | Moschos | 12 Etudes for electromechanical piano | 1990 | live-elec, 1 perf | 20:00 | Stereo | MIDI p, (DSP) [Piano] | IRMA | 0 | |||||||||
| 11678 | Konstantinos | Moschos | Black-Out | 1990 | live-elec, 1 perf | 11:00 | Stereo | fl, (com) [Flöte] | IRMA | Tounta Gallery | 0 | ||||||||
| 11679 | Konstantinos | Moschos | Chorale quasi una fantasia | 1984/1985 | fixed media, akusmatisch | 9:49 | Quadro | HfMT Köln | Bourges, France | 0 | http://composers.musicportal.gr/data/moschos/audio/Chorale_quasi_una_fantasia.mp3 | ||||||||
| 31922 | Konstantinos | Moschos | e-motion | 1996 | Performance | 55:00:00 | electronic music performance | Petras Festival | 0 | ||||||||||
| 31927 | Konstantinos | Moschos | e-motion@amber'07 | 2007 | Performance | 10:00:00 | electronic music performance | amber festival Istanbul | 0 | ||||||||||
| 11680 | Konstantinos | Moschos | Ex-AEquo | 1991 | live-elec, 2 perf | 12:33 | Stereo | vc, fl, (com) [Flöte, Cello] | IRMA | Athens Megaron | 0 | ||||||||
| 11681 | Konstantinos | Moschos | Ex-Audi I | 1987 | fixed media, akusmatisch | 14:00 | Stereo | transformation of sax-material | Spectrum | Greek Radio ERA3 | 0 | ||||||||
| 11682 | Konstantinos | Moschos | Ex-Audi II | 1987 | live-elec, 1 perf | 13:00 | Stereo | vc, (elec) [Cello] | KSYME | Patras Festival, Cello: Dimitris Gouzios | 0 | ||||||||
| 31914 | Konstantinos | Moschos | Ex-Audi III | 1987 | live-elec, 1 perf | 12 | sax [Saxophon] | KSYME | Atheneum Coservatory, Saxophone: Daniel Kienzy | 0 | |||||||||
| 11683 | Konstantinos | Moschos | Ex-Audi V | 1989 | live-elec, 1 perf | 11:00 | Stereo | fl, (com) [Flöte] | IRMA | Japanize Institute, Flute: Katrin Zenz | 0 | ||||||||
| 11684 | Konstantinos | Moschos | Ex-Machina 1 & 2 | 1991 | live-elec, 1 perf | ≈ 9:00 | Stereo | perf, (com) [Performer] | IRMA | 0 | |||||||||
| 31924 | Konstantinos | Moschos | Expectation | 2004 | Klangkunst, Installation | 45:00:00 | Electroacoustic installation | Evgenidion Foundation | 0 | ||||||||||
| 11685 | Konstantinos | Moschos | Hommage à Feldman | 1991 | fixed media, akusmatisch | var | Stereo | Non-timed (eternal) algorithmic composition | IRMA | 0 | |||||||||
| 11686 | Konstantinos | Moschos | Idiomelon | 1993 | computer generated score, 6 perf | 9:30 | fl, ob, cl, va, perc, db [Flöte, Klarinette, Oboe, Schlagzeug, Viola, Kontrabass] | IRMA | Greek American Union | 0 | |||||||||
| 31928 | Konstantinos | Moschos | In 3 movements | 2008 | Performance | 12:00:00 | electronic music performance | Electronic Music Days '08 Rethimnon | 0 | ||||||||||
| 11687 | Konstantinos | Moschos | Kristallwelt | 1990 | live-elec, 1 perf | 9:00 | Stereo | com [computer] | IRMA | 0 | |||||||||
| 31921 | Konstantinos | Moschos | Little rythm stories | 2003 | live-elec, 1 perf | 1:30:00 | e-perc [Schlagzeug] | For the there organization of Cyprus | 0 | ||||||||||
| 31929 | Konstantinos | Moschos | Locus Solus | 2009 | Klangkunst, Installation | ≈ | Movement to sound installation | Locus Solus project London | 0 | ||||||||||
| 31925 | Konstantinos | Moschos | Logomotion | 2006 | Performance | 10:00:00 | electronic music performance | 5.11.2006 | HfMT Köln, Cumputing in Music IV Festival | 0 | |||||||||
| 11688 | Konstantinos | Moschos | Marly | 1981 | fixed media, akusmatisch | 12:00 | Stereo | M. le Roi Paris | Marly le Roi, France | 0 | |||||||||
| 31920 | Konstantinos | Moschos | Missa Criola | 2002 | audiovisuell | 30:00:00 | with video Penelope Skourla | Corfu Elctronic Music Days | 0 | ||||||||||
| 31916 | Konstantinos | Moschos | Objets trouves | 1996 | audiovisuell, live-elec, | 20:00:00 | Computer Music with Computer generated graphics | Greek American Union | 0 | ||||||||||
| 31930 | Konstantinos | Moschos | Pictures of an Exhibition | 2010 | Klangkunst, Installation | 9:00:00 | Sound projection | Aetopoleion - Chalandri | 0 | ||||||||||
| 11689 | Konstantinos | Moschos | Sonata per toccar | 1992 | live-elec, 1 perf | 19:30 | MIDI p [Piano] | IRMA | Darmstadt, Ferienkurse | 0 | |||||||||
| 31931 | Konstantinos | Moschos | Soundscape 1 | 2011 | fixed media, akusmatisch | 3:00:00 | Electronic Music | ESSIM Discography | 0 | ||||||||||
| 31926 | Konstantinos | Moschos | Stamos paintings | 2007 | Klangkunst, Installation | 10:00:00 | Sound projection | ICEM festival Lefkada | 0 | ||||||||||
| 11690 | Konstantinos | Moschos | Sweet Music | 1985/1986 | fixed media, akusmatisch | 8:33 | Quadro | HfMT Köln | HfMT Köln | 0 | |||||||||
| 31923 | Konstantinos | Moschos | The dinner | 2004 | Tanz | 55:00:00 | For the dance group "14th day", tape, scenical music | 0 | |||||||||||
| 31918 | Konstantinos | Moschos | "The train station" | 1996 | Tanz | 55:00:00 | For the dance group "14th day"; tape, scenical music | 0 | |||||||||||
| 31917 | Konstantinos | Moschos | Theogonia | 1996 | Tanz | audiovisuell |
60:00:00 | tape (computer music) with dance & computer graphics | Titanium Gallery - for the exhibition of Eirini Pagoni | 0 | ||||||||||
| 31919 | Konstantinos | Moschos | Theogonia II | 1998 | audiovisuell, live-elec, | 25:00:00 | tape (computer music) with real time Computer generated graphics | Syntagma METRO sation installation | 0 | ||||||||||
| 31915 | Konstantinos | Moschos | Toccata | 1990 | computer generated score, 5 perf | 6:00:00 | fl, cl, vn, db, p [Flöte, Klarinette, Piano, Violine, Kontrabass] | Algorithmic composition | 0 | ||||||||||
| 11691 | Konstantinos | Moschos | Versus In-Versum | 1991 | live-elec, 1 perf | 10:00 | Stereo | vc, (com) [Cello] | IRMA | 0 | |||||||||
| 34342 | Michael | Moser | Antiphon Stein | 2011 | Klangkunst, Installation | 80 | prerecorded source materials: Klaus Lang: organ (Stiftskirche St Lambrecht, Pfarrkirche St. Oswald, Krakaudorf; Minoritenkirche), Berndt Thurner: Percussion (Minoritenkirche), Michael Moser: glass plates, electronics. Vinyl (ed. RZ) is a recording of the soundinstallation. |
ed. rz 9010-11 LP/ | 0 | ||||||||||
| 31671 | Michael | Moser | Resonant cuts | 2008 | Performance, live-elec, 5 perf | Klangkunst, Installation |
65 | 2 perc, db, tpt, b-cl, (elec) [Klarinette, Trompete, Schlagzeug, Kontrabass] | Version „Concert Installation“ | ed. rz 10018-19/ ISBN 978-3-89727-430-3 Pfau/ Kehrer Verlag ISBN 978-3-86828-493-5/ | singuhr hœrgalerie mit BKP des daad | 24.7.-28.9.2008 | Kleiner Wasserspeicher Berlin, Singuhr hœrgalerie. Mit Beins / Brandlmayr (perc), Dafeldecker (db), Dörner (tpt), Nabicht (b-cl), Musil (live-elec) | 0 | 2008 | http://singuhr.de/page.php?ID=662 | ||||
| 2008 | |||||||||||||||||||
| 31672 | Michael | Moser | Resonant cuts | 2008 | Klangkunst, Installation | ∞ | Version „Sound Installation“ | ed. rz 10018-19/ ISBN 978-3-89727-430-3 Pfau/ | 25.7.-25.8.2008 | Kleiner Wasserspeicher Berlin, Singuhr hœrgalerie | 0 | 2008 | |||||||
| 2008 | |||||||||||||||||||
| 11692 | Roland | Moser | Arbeit (Sisyphi in memoriam) | 1970 | Zuspiel / Tonband, 1 perf | vc [Cello] | 0 | ||||||||||||
| 11693 | Roland | Moser | Stilleben mit Glas | 1969/1970 | fixed media, akusmatisch | 16:53 | Mono | HfMT Köln | 0 | ||||||||||
| 19679 | Roberto | Mosquera | Itinerarios imaginarios | 1995 | fixed media, akusmatisch | 24:30 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 11694 | Roberto | Mosquera | Perfil Nocturno I | 1991 | fixed media, akusmatisch | 14:15 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19678 | Roberto | Mosquera | Senderos de la Memoria | 1992 | fixed media, akusmatisch | 16:15 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 37469 | David | Moss | Conjure | 1991 | live-elec, 1 perf | 10:04 | V [Stimme] | ISAST LMJ 3/ | Tellus Harvestwork | 0 | |||||||||
| 24897 | Lawrence | Moss | Harried | 1999 | live-elec, 1 perf | b-cl [Klarinette] | EMF 145/ | 0 | |||||||||||
| 24893 | Lawrence | Moss | Hear this Touch | 1976 | Zuspiel / Tonband, 1 perf | V [Stimme] | EMF 145/ | 0 | |||||||||||
| 24895 | Lawrence | Moss | Into the woods | 1996 | live-elec, 1 perf | fl [Flöte] | EMF 145/ | 0 | |||||||||||
| 24894 | Lawrence | Moss | Korea | 1999 | live-elec, 1 perf | cl [Klarinette] | EMF 145/ | 0 | |||||||||||
| 33148 | Lawrence | Moss | Korea for Kwartludium | 2005 | live-elec, 4 perf | 9:37 | cl, vn, perc, p [Klarinette, Piano, Schlagzeug, Violine] | for clarinet, violin, percussion and piano | WJ 2005 polmic 012/ | Warsaw Autumn | 20.9.2005 | Warsaw Autumn | 1 | ||||||
| 24896 | Lawrence | Moss | Lifelines | 1998 | live-elec, 1 perf | cl [Klarinette] | EMF 145/ | 0 | |||||||||||
| 24892 | Lawrence | Moss | Unseen Leaves | 1975 | Zuspiel / Tonband, 2 perf | V, ob [Stimme, Oboe] | EMF 145/ | 0 | |||||||||||
| 32086 | William ‘Pete’ | Moss | Oscillococcinum | 2000 | fixed media, akusmatisch | SEAMUS EAM Vol. 10/ | ASCAP/SEAMUS | 0 | |||||||||||
| 22328 | Staffan | Mossenmark | Enjoy the simple life: Sova | fixed media, akusmatisch | 3:25 | Infogram 045/1/ | 1 | ||||||||||||
| 11695 | Staffan | Mossenmark | Friday afternoon at the office | 1991 | fixed media, akusmatisch | 3:30 | 0 | ||||||||||||
| 22335 | Staffan | Mossenmark | Wroom | fixed media, akusmatisch | 3:45 | Infogram 045/1/ | 1 | ||||||||||||
| 11696 | Staffan, Magnus | Mossenmark, Alexanderson | Play-ground | 1991 | intermedia | 60:00 | installation Linköping, together with Peter Urh | 0 | |||||||||||
| 11698 | Jon | Mostad | Det dagas i den gamla katedralen | 1983/1984 | Zuspiel / Tonband, 1 perf | 15:30 | Stereo | org [Orgel] | 3 parts | EMS Stockholm | 0 | ||||||||
| 11699 | Jon | Mostad | Det forheksede pianoet | 1989 | Zuspiel / Tonband, 1 perf | 4:20 | p [Piano] | NOTAM | 0 | ||||||||||
| 11700 | Jon | Mostad | Nærmere | 1987 | fixed media, akusmatisch | 7:21 | NOTAM | 0 | |||||||||||
| 11701 | Krystyna | Moszumanska-Nazar | Exodus | 1964 | Zuspiel / Tonband, 1 group | orc [Orchester] | Muza 3XW 1034/ | 0 | |||||||||||
| 11702 | Krystyna | Moszumanska-Nazar | Interpretacje | 1967 | Zuspiel / Tonband, 2 perf | 9:00 | fl, perc [Flöte, Schlagzeug] | Muza 3XW 1034/ | 0 | ||||||||||
| 28276 | Sergio Felix | Mota | Metamorfose | 2007 | fixed media, akusmatisch | 7:10 | Musica Viva Lisboa 2008 mention for young portugese | 1 | http://www.misomusic.com/port/cria/concomp/2008_main.htm | ||||||||||
| 31358 | Johannes | Motschmann | Kristallsphären | 2001 | fixed media, akusmatisch | 10:50:00 | Stereo, Quadro | CD-Version | HfM Dresden | 0 | |||||||||
| 11703 | Dieter de la | Motte | Elegie | 1972 | Zuspiel / Tonband, 4 perf | Stereo | S, fl, vn, trbn [Sopran, Flöte, Posaune, Violine] | 0 | |||||||||||
| 11704 | Dieter de la | Motte | Freude für alle, (Mixed Music III) | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 11705 | Dieter de la | Motte | Mixed music II | fixed media, akusmatisch | VDMK, 654 065/ | 0 | |||||||||||||
| 11706 | Dieter de la | Motte | Nachtmusik | 1974 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 11707 | Dieter de la | Motte | Worin gesagt worden ist | 1972 | radiophon | 0 | |||||||||||||
| 11708 | Wolfgang | Motz | als ob's aus dunklen Fernen rief…, mintha a ködös tavolbol szolna | 1984 | fixed media, akusmatisch | 10:00 | Stereo | Moog III | MR Budapest | Ungarische Filmfabrik Mafilm | 15.6.84 | Bourges (Frankreich) | 0 | ||||||
| 30424 | Wolfgang | Motz | Aufzubrechen… ins Offene… | 1983/1984 | live-elec, 4 perf | 12:30 | a-cl, str-trio, (elec) [Klarinette, Streicher] | Version 1 with cl & str-trio. Version 2: with live elec |
Süddeutscher Rundfunk, Stuttgart | 19.7.2011 | Freiburg, Walter Ifrim (Klar), Maria Stang (Vl.), Sebastian Wohlfarth (Va.), Lusine Arakelian (Vc.), Klangregie: Wolfgang Motz, Roland Breitenfeld | 0 | |||||||
| 30423 | Wolfgang | Motz | Elektronische Studien, Elektronische Studie I Elektronische Studie II Elektronische Studie III |
1981 | fixed media, akusmatisch | 6:26 | Music V | CSC Padova | 0 | ||||||||||
| 11709 | Wolfgang | Motz | il segno sulla sabbia | 1991/1992 | live-elec, 5 perf | 16:00 | 6 | Mez, cl or b-cl, gui, va, perc [Mezzo, Klarinette, Gitarre, Schlagzeug, Viola] | nach Fragmenten aus Gedichten von Asteria Fiore | Experimentalstudio für Akustische Kunst Freiburg | Heinrich-Strobel-Stiftung des SWF | 13.11.92 | Freiburg (Gabi Kniesel,Mezzo; Walter Ifrim,Klar; Charlotte Geselbracht,Va; Hector Moro-Vera,Schl; Ltg. Johannes Schöllhorn; Klangregie Don-Oung Lee, Wolfgang Motz, Antonio Gomez); | 1 | |||||
| 11710 | Wolfgang | Motz | In den Spuren einer neuen Erde | 1982 - 1983, 1986 | Zuspiel / Tonband, 4 perf | 23:00 | Stereo | Mez, cl, db, perc [Mezzo, Klarinette, Schlagzeug, Kontrabass] | Textzusammenstellung vom Komponisten unter Verwendung von Fragmenten aus Gedichten von Ernesto Cardenal (dt. Übers. Stefan Baciu) sowie dokumentarischen Texten aus und über El Salvador (szenisch aufführbar) | Experimentalstudio für Akustische Kunst Freiburg | Städtische Bühnen Freiburg mit Unterstützung des Ministeriums für Kultur und Wissenschaft Baden-Württemberg | 10.5.84 | Podium der Städt. Bühnen, Freiburg (Hedwig Faßbender, Mezzosopran; Iain Semple, Klarinette; Johannes Nied, Kontrabass, Olaf Tzschoppe, Schlagzeug; Ltg. Bruno Leuschner); | 0 | |||||
| 11711 | Wolfgang | Motz | Krypsantes | 1995 - 2000 | Zuspiel / Tonband, 2 groups | 10:12 | Quadro | orc, ch [Chor, Orchester] | Cmusic, Chant Texte von Hesiod und Eduard Mörike |
TU Berlin | Süddeutscher Rundfunk Stuttgart | 1.2.2002 | Eclat-Festival, Stuttgart (David Coleman dir. SWR-Orchester, Stuttgart und SWR-Vokalensemble; Klangregie Wolfgang Motz); | 1 | |||||
| 30422 | Wolfgang | Motz | Los Dictadores | 1979/1980 | Zuspiel / Tonband, 8 perf | Mono | S, fl or a-fl, cl or b-cl, va, db, gui, 2 perc [Sopran, Flöte, Klarinette, Gitarre, Schlagzeug, Viola, Kontrabass] | Text von Pablo Neruda, dt. Übers. von Erich Arendt | 20.6.81 | Ensemblia-Festival, Mönchengladbach (Margarete Jungen, Sopran; Lothar Zagrosek dir. die NRSinfonietta) | 0 | ||||||||
| 11712 | Wolfgang | Motz | …per non sentirci soli… | 1985/1990 | Zuspiel / Tonband, 4 perf | 12:34 | Quadro | 4 perc [Schlagzeug] | MUSIC V | CSC Padova | Biennale Venezia | 22.9.85 | Biennale von Venedig (Percussione Ricerca, Ltg. Wolfgang Motz, Klangregie Roberto Barbieri); | 1 | |||||
| 11713 | Wolfgang | Motz | sotto pressione | 1982 | Zuspiel / Tonband, 2 perf | 8:21 | Stereo, Quadro | 2 ob [Oboe] | Music V | WER 2030; Computer Music Currents 10/ | CSC Padova | 1.10.82 | Biennale von Venedig (Joseph Sanders, Peter Veale,Oboen; Wolfgang Motz, Klangregie) | Bärenreiter BA 7300 | 1 | ||||
| 11714 | Wolfgang | Motz | …und lächelnd ihr Übel umarmen | 1990 | fixed media, akusmatisch | 5:33 | Quadro | edel 0085102 ACA/ | TU Berlin | 1.2.1990 | Inventionen Akademie der Künste Berlin | 1 | 1990 | ||||||
| 30421 | Wolfgang | Motz | …verschwunden… | 1978/1987 | Zuspiel / Tonband, 4 perf | Stereo | fl or a-fl, 3 perc [Flöte, Schlagzeug] | Das Stereo-Tonband kann ersetzt werden durch acht zusätzliche Flöten live | 16.4.80 | Stuttgart (Arturo Tamayo dir. Ensemble des Instituts für Neue Musik, Freiburg) | 0 | ||||||||
| 31388 | Peter | Motzkus | Prometheus im Goldfischglas | 2008 | fixed media, akusmatisch | 5:16:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 36937 | Rosemary | Mountain | Fragments of memory | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 39631 | Brian | Mountford | Downfall | 2017 | fixed media, akusmatisch | Brian Mountford | 0 | ||||||||||||
| 31534 | Kenn | Mouritzen | pok ti lø | 2012 | live-elec, 2 perf | 11:45 | Stereo | 2 perf [Performer] | next_generation 5.0 | ICST Zürich | 26.6.2013 DEA | ZKM | 0 | ||||||
| 39981 | Kenn | Mouritzen | Tempestuous Breaths (A Girl in Her Garden) | 2015 | fixed media, akusmatisch | 9:59:00 | Kenn Mouritzen | 0 | |||||||||||
| 31972 | Frank | Mouserry | Midi Life Crisis | fixed media, akusmatisch | 7:40:00 | Inventionen 1990; Vorstellung durch Herbert Brün | 1 | 1990 | |||||||||||
| 21915 | Daniel | Mouthon | Zimmermusik (Suite Suisse) | 1982 | fixed media, akusmatisch | 15:00 | IMEB Bourges | 0 | |||||||||||
| 18955 | Johan | Mowinckel | Daremot I Caracas | 1992 | fixed media, akusmatisch | 9:00 | JM01/ | EMS Stockholm | 1 | ||||||||||
| 18957 | Johan | Mowinckel | Flaggsignal | 1994 | fixed media, akusmatisch | 6:00 | JM01/ | EMS Stockholm | 1 | ||||||||||
| 11715 | Johan | Mowinckel | New York Cadillac | 1993 | fixed media, akusmatisch | 9:50 | Stereo | JM01/ | EMS Stockholm | 1 | |||||||||
| 18956 | Johan | Mowinckel | Senilion Minus | 1990 | fixed media, akusmatisch | 7:30 | JM01/ | EMS Stockholm | 1 | ||||||||||
| 11716 | Johan | Mowinckel | Stanna (Stop) | fixed media, akusmatisch | INFOGRAM 018/ | EMS Stockholm | 0 | ||||||||||||
| 18954 | Johan | Mowinckel | Stanna II | 1993 | fixed media, akusmatisch | 3:00 | JM01/ | EMS Stockholm | 1 | ||||||||||
| 18953 | Johan | Mowinckel | Viking | 1991 | fixed media, akusmatisch | 7:50 | JM01/ | EMS Stockholm | 1 | ||||||||||
| 20541 | Ira | Mowitz | À la mémoire d'un ami | fixed media, akusmatisch | 16:00 | Stereo | NA 047/ | 0 | |||||||||||
| 11717 | Ira | Mowitz | Darkening | 1987 | fixed media, akusmatisch | 11:00 | Stereo | NA 047/ | CCRMA | 0 | |||||||||
| 11718 | Ira | Mowitz | Jublium | 1986 | fixed media, akusmatisch | 20:00 | Stereo | CCRMA | 0 | ||||||||||
| 11719 | Ira | Mowitz | Kol Aharon | 1993 | Zuspiel / Tonband, 1 perf | 12:00 | vn [Violine] | NeXT with Cmix | Centaur CRC 2255, CDCM Vol. 21/ | PS C. NY | ICMA 1993 | 1 | |||||||
| 11720 | Ira | Mowitz | Shimmering | 1988 | fixed media, akusmatisch | Stereo | NA 047/ | CCRMA | 0 | ||||||||||
| 35492 | Arturo | Moya | La musica que habia en mis objetos | fixed media, akusmatisch | 5:09 | 0 | |||||||||||||
| 11721 | Maire-Noëlle | Moyal | Anagadellis | 1979 | Zuspiel, live-elec, 3 perf | 13:20 | Stereo | vn, monochord, synt [Violine, synthesizer, Streicher] | INA • GRM, La Muse | 18.12.1979 | Paris, Maison de Radio France, studio 105, avec le TRIO.GRM.PLUS (L. Cuniot, D. Dufour et Y. Geslin) | 0 | |||||||
| 11722 | Maire-Noëlle | Moyal | Ramanemga | 1978 | fixed media, akusmatisch | 3:48 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 18860 | , Renato | Mr. il Fagocitato, Meneghetti | Post Iram | 1982 | Zuspiel / Tonband, 1 perf | 16:45 | perf [Performer] | insania | Panar. 3371/ | CSC Padova | 0 | ||||||||
| 18861 | , Renato | Mr. il Fagocitato, Meneghetti | Sub Ira | 1982 | Zuspiel / Tonband, 1 perf | 18:15 | perf [Performer] | insania | Panar. 3371/ | CSC Padova | 0 | ||||||||
| 11723 | George | Muche | Conzertantes Pizzicato "Der gerissene Strick" | 1953 | fixed media, akusmatisch | 0 | |||||||||||||
| 11724 | George | Muche | Entschebendes Finale | 1953 | fixed media, akusmatisch | 0 | |||||||||||||
| 11725 | George | Muche | Harmonisches Duett | 1953 | fixed media, akusmatisch | 0 | |||||||||||||
| 11726 | George | Muche | Haucharie | 1953 | fixed media, akusmatisch | 0 | |||||||||||||
| 11727 | George | Muche | Nähmaschinen scherzando | 1953 | fixed media, akusmatisch | 0 | |||||||||||||
| 11728 | Luis Maria | Mucillo | Au de lú des portes d´ivoire, Au dela des portes d'ivoire | 1984 | fixed media, akusmatisch | 14:35 | Quadro | nach Texten von Ch. Baudelaire, J. Verne, G. de Nerval Inventionen 6.3.1986 Ackerstr |
HfMT Köln CD2/ | HfMT Köln | 1 | 1986 | |||||||
| 11729 | Luis Maria | Mucillo | Isla de Cristal | 1984 | fixed media, akusmatisch | 7:03 | Quadro | HfMT Köln | 0 | ||||||||||
| 30141 | Bernhard | Müller-Hornbach | Zyklus | 2006 | live-elec, | 1:58 | after Ulrich Stranz "Sieben Feld-, Wald- und Wiesenstück" (1983) | WER 6505-2 Edition Zeitgenössische Musik Wergo - CrossCut Edition/ | 0 | ||||||||||
| 42001 | Jan | Müller-Wieland | Eidola | 2004 | Zuspiel / Tonband, 1 perf | p and perc (zwei Reibebretter), (Zuspiel-CD) [Piano, Schlagzeug] | 0 | ||||||||||||
| 21916 | Andres | Müller | Durchwoben (Suite Suisse) | 1982 | fixed media, akusmatisch | 11:20 | IMEB Bourges | 0 | |||||||||||
| 42154 | Heiner, Blixa, Group | Müller, Bargeld, Einstürzende Neubauten | Die Hamletmaschine | 1990 | radiophon | 32:22 | Rundfunk der DDR | 27.9.1990 | Rundfunk der DDR | 0 | |||||||||
| 11730 | Karl-Josef | Müller | Tempora mutantur | 1974 | Zuspiel / Tonband, 4 perf | fl, vc, p, perc [Flöte, Piano, Schlagzeug, Cello] | 0 | ||||||||||||
| 31367 | Knut | Müller | Instrument A | 1997 | fixed media, akusmatisch | 8:08:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31449 | Knut | Müller | Textur | 1998 | audiovisuell | 7:35:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 38621 | Ludwig | MÜLLER | Chanson im Jahr 2014 | 2013 | radiophon | 3:28:00 | 0 | ||||||||||||
| 38785 | Ulrich, Siegfried | MÜLLER, RÖSSERT | Terminus | 2004 | radiophon | 52:30:00 | 0 | ||||||||||||
| 11731 | Christian | Münch | Monolog | 1987 | Musiktheater, 1 perf | 33:00 | Stereo | actor [Schauspieler] | TIP Berlin | Mai 1987 | Dresden, Kulturpalast | 0 | |||||||
| 11732 | Christian | Münch | Tänze | 1984 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 30427 | Harald | Muenz | ariche | 2001 | Zuspiel / Tonband, 1 perf | ≈ 12 | b-fl [Flöte] | PS C. | Carin Levine | 10.05.2001 | Köln, Alte Feuerwache Carin Levine - bass flute, Harald Muenz - sound control | 0 | |||||||
| 30428 | Harald | Muenz | articulated strings | 2002 | live-elec, 3 perf | ≈ 16 | gui, hp, vc, (elec) [Gitarre, Harfe, Cello] | PS C. | Ensemble Apartment House (London) | 17.7.2002, | Köln, Kunst-Station Sankt Peter Ensemble Apartment House (London): Rhodri Davies - harp/Harfe, Seth Josel - guitar/Gitarre, Anton Lukoszevieze - violoncello Harald Muenz - live electronics | 0 | |||||||
| 30429 | Harald | Muenz | BeethovEnBloc | 2000 | fixed media, akusmatisch | 9:26 | MH-G7 012/ | PS C., Villa Aurora, Los Angeles | 01.12.2000 | Köln, Hochschule für Musik, Aulakonzert Neue Musik of the electronic studio | 1 | ||||||||
| 30430 | Harald | Muenz | bikofynoipo | 2002 | radiophon | ≈ 55 | PS C. | Westdeutscher Rundfunk, "WortLaut" | 30.10.2002 | WDR 3 WortLaut, 11.05-12.00pm | 0 | ||||||||
| 30431 | Harald | Muenz | BrahmsBloc | 2001 | radiophon | PS C. | 0 | ||||||||||||
| 34813 | Harald | Muenz | Ceci n'est pas un homme riant, Un quatre-vintâge radiophonique pour Helmut | 2015 | radiophon | 21:54 | Stereo | Hessischer Rundfunk/Ensemble Modern, Frankfurt/M. | 0 | ||||||||||
| 30425 | Harald | Muenz | … con dolcezza … | 2005/2006 | live-elec, 6 perf | ≈ 16 | fl or pic-fl or b-fl, cl or b-cl, hp, p, vc, db, (elec) [Flöte, Klarinette, Piano, Harfe, Cello, Kontrabass] | 29.11.2006 | Berlin, Kulturbrauerei Ensemble Mosaik (Berlin): Bettina Junge - flutes/Flöten, Christian Vogel - clarinets/Klarinetten, Karin Schmeer-Rundel - harp/Harfe, Ernst Surberg - piano/Klavier, Dirk Beiße - violoncello, Matthias Bauer - double bass/Kontrabaß, Daniel Plewe - live electronics/Live-Elektronik | 0 | |||||||||
| 30432 | Harald | Muenz | d(r)e(i)ChiffrAGE | 1993/2010 | live-elec, 3 perf | ≈ 7:30 | 3 Sp and com [Sprecher, computer] | Trio version of deChiffrAGE | 25.09.2010, | Köln, Japanisches Kulturinstitut Terni Georg Sachse, Harald Muenz, Sigrid Sachse - speakers | 0 | ||||||||
| 30433 | Harald | Muenz | deChiffrAGE | 1993 | live-elec, 6 perf | x 7:30 | 1 - 3 Sp, 1 - 3 com [Sprecher, computer] | Sp, com (2 Sp; 2 com) (3 Sp; 3 com) | 01.12.1993 | Poznan (Polish version) | FEEDBACK STUDIO VERLAG KÖLN, FB 9811 | 0 | |||||||
| 21059 | Harald | Muenz | deSperanto | 1995/1996 | fixed media, akusmatisch | 21:54 | Stereo, Quadro | Quadraphonic tape composition in eight languages | HfMT Köln | 10. 11. 1996 | Kraków, Goethe Institute, Festival Audio Art, SprecherInnen: Song-On Cho (Koreanisch), Chia-Ling Hsu (Chinesisch), David Smeyers (Englisch), Maria de Alvear (Spanisch), Tibor Herczeg(Rumänisch), Harald Muenz (Deutsch), …tefan Vevar (Slowenisch), Lida Zournatzi (Griechisch) | FEEDBACK STUDIO VERLAG KÖLN, FB 9809 | 0 | http://www.haraldmuenz.de | |||||
| 30434 | Harald | Muenz | dissieme | 2004 | live-elec, 4 perf | ≈ 11 | fl or a-fl, cl or b-cl, vn, vc, (elec) [Flöte, Klarinette, Cello, Violine] | Istituto Italiano di Cultura Colonia | 30.11.2004 | Cologne, Istituto Italiano di Cultura Alter Ego Ensemble (Rome): Manuel Zurria - flutes/Flöten, Paolo Ravaglia - clarinets/Klarinetten, Aldo Campagnari - violin/e, Francesco Dillon - violoncello Harald Muenz - live electronics/Live-Elektronik | 0 | ||||||||
| 24280 | Harald | Muenz | dreimal neunzig sekunden wirklichkeit: realität eins?, realität? zwei, ? realität drei | 2002 | radiophon | 4:30 | Cybele 960.208/ DegeM CD 08/ | 1 | http://www.haraldmuenz.de | ||||||||||
| 30435 | Harald | Muenz | entr'actes | 2004 | live-elec, 2 perf | Sp, com, (video) [Sprecher, computer] | 24.9.2004 | Trier, Viehmarktthermen Harald Muenz - performer | 0 | ||||||||||
| 30437 | Harald | Muenz | fugaCittà | 2003 | Klangkunst, Installation | PS C. | "Romanischer Sommer Köln" | 24.6.2003, | Deutzer Rheinbrücke in Köln, "Brückenmusik" der KGNM | 0 | |||||||||
| 34811 | Harald | Muenz | I Fiffari | 2015 | Zuspiel / Tonband, 4 perf | 24 | Quadro | (for mechanical bird calls), 4 ins [Instrument] | Dedicated to Marina Cervetti | Raumklänge 2015 / Georg Dietzler (curator) | 12. June 2015 | Alte Kirche St Martinus, D-50259 Pulheim-Stommeln. Ortrud Kegel (flutes), Lucia Mense (recorders), Heather Roche (clarinets), Christine Chapman (double bell horn), Harald Muenz (sound control), Youth Choir ConTakt Köln-Rath (mechanical bird calls), Georg Sachse (choirmaster) | 0 | ||||||
| 30440 | Harald | Muenz | Ipecacuanha | 2006 | fixed media, akusmatisch | WER 6599 2/ | PS C. | 0 | |||||||||||
| 30461 | Harald | Muenz | [KLIKTRAEK DE:?ES] | 2007 | fixed media, akusmatisch | 2 | SWR für die Donaueschinger Musiktage | 19.-21. Oktober 2007 | Donaueschinger Musiktage | 0 | |||||||||
| 30443 | Harald | Muenz | nah/fern | 1998 | Performance | ≈ 12 | var perf [Performer] | Köln, Theater casamax, members of Krahnenbaum Company Köln | 0 | ||||||||||
| 41382 | Harald | Muenz | Oiseaux d'artifice — une nature morte | 2018 | radiophon | 27:10 | PS C. | WDR 3, Redaktion Markus Heuger | 22.9.2018 | WDR 3 Open sounds | 0 | http://www.wdr.de/wdrlive/media/wdr3.m3u | |||||||
| 30444 | Harald | Muenz | ope-seynsu | 2001 | Zuspiel / Tonband, 1 perf | ≈ 15 | p [Piano] | Kompositionsauftrag des Deutschlandradio Kultur | 19.1.2002 | Berlin, Festival Ultraschall, Kleiner Sendesaal des SFB Hwa-Kyung Yim - piano, Harald Muenz - sound control | 0 | ||||||||
| 30445 | Harald | Muenz | Orèlob 80 | 2008 | fixed media, akusmatisch | 2 | Noise of Cologne 1/ | 19.9.2009, | Cologne, 5. Kölner Musiknacht, Kunst-Station Sankt Peter Köln, Harald Muenz - sound control | 0 | |||||||||
| 30446 | Harald | Muenz | reading hacking writing be4 the 9th time 4 2 live speakers & 8-tracks | 2002 | Zuspiel / Tonband, 2 perf | ≈ 25 | Octo | 2 Sp [Sprecher] | PS C. | 31.10.2002 | KunstWerk, Köln-Deutz archae.o.pteryx (Armin Sommer, Ulrich Ludat) Harald Muenz - tape | 0 | |||||||
| 30447 | Harald | Muenz | rieselt stille froh entsprungen | 2003 | fixed media, akusmatisch | ≈ 13 | Octo, Stereo | 31.10.2003 | Cologne.de, Kunstwerk, “Raummusik” Harald Muenz - sound control | 0 | |||||||||
| 30448 | Harald | Muenz | schweigenderest | 2000 - 2001 | radiophon | 12:47 | Villa Aurora Los Angeles | 18.2.2001, | London, The Warehouse, Apartment House concert | 0 | |||||||||
| 30450 | Harald | Muenz | SILENtplaCES | 2002 | radiophon | 4:33 | PS C. | Radio Bremen | 29.09.2002 | Radio Bremen (producer: Marita Emigholz) | 0 | ||||||||
| 30451 | Harald | Muenz | spi:tschsaontskäip 1 | 2000 | Zuspiel / Tonband, 2 perf | 2 Sp [Sprecher] | PS C. | 24.02.2000, | Köln, Neue Musik in Europa, Krahnenbaum Company Köln Andrea Pieroni / Harald Muenz, speaking voices | 0 | |||||||||
| 30452 | Harald | Muenz | SprachProben, 1) fromAnts 2) Ginestra 8.9.02 3) Grid 1 4) Istrischer Volkston 5) Grid 2 6) Zhurjanski 7) Feldtrafo 8) Grid 3 9) Dialog 10) Kurven - Wege |
2001 - 2003 | Zuspiel / Tonband, 2 perf, 1 group | ≈ 37 | fem Vs, ins [Stimme, Instrument] | All single movements apart 7) can be performed separately: | 04.4.2003, | Kunst-Station Sankt Peter Köln, "Portrait concerts Harald Muenz" Ortrud Kegel - flutes/Flöten, Lucia Mense - recorders/Blockflöten, Joachim Striepens - clarinets/Klarinetten, Beth Griffith - soprano/Sopran, Bettina Wenzel & Ralf Peters - Wolfsohn voices/Wolfsohnsche Stimmen, Doris Mücke & Georg Sachse - phonetic voices/Phonetische Stimmen, Harald Muenz - electronics/Elektronik | 0 | ||||||||
| 30453 | Harald | Muenz | standArts | 1996 | live-elec, 1 perf | ≈ 12 - 13 | cl, (com) [Klarinette] | David Smeyers | 10.9.1996 | Köln, Diözesanmuseum David Smeyers - clarinet | FEEDBACK STUDIO VERLAG KÖLN, FB 9805 | 0 | |||||||
| 30455 | Harald | Muenz | stein-sum | 2011 - 2012 | live-elec, 3 perf | ≈ 12 | Mez, va d’amore, Kbd [Mezzo, Keyboard, Viola] | Trio Scordatura | 1.2.2013 | Hamburg, Festival klub katarakt 37, Kampnagelfabrik Trio Scordatura, Amsterdam: Alfrun Schmidt - Elisabeth Smalt - Keiko Shichijo/Bob Gilmore | 0 | ||||||||
| 26134 | Harald | Muenz | Still Life with Orphean Shepherd | 2007 | fixed media, akusmatisch | 6:00 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | http://www.haraldmuenz.de | |||||||||
| 30458 | Harald | Muenz | The Abyss of the Eyes | 2003 | live-elec, 3 perf | ≈ 18 | rec, gui, p, (elec) [Flöte, Piano, Gitarre] | 17.10.2003 | Ghent (Belgium), Vooruit, Festival for the 40th anniversary of IPEM (Institute for Psychoacoustics and Electronic Music) | 0 | |||||||||
| 30459 | Harald | Muenz | The SelfComposer | 1999 - 2002 | live-elec, 1 perf | ≈ 12 | ob, (com) [Oboe] | Kunststiftung Nordrhein-Westfalen | 19.02.2002 | Berlin, Festival Audible Interfaces Simon Strasser, oboe (Ensemble Mosaik, Berlin) | 0 | ||||||||
| 23094 | Harald | Muenz | writing | 1998 | live-elec, 2 perf | 14:35 | 2 perf (gr Trommel, sounddesigner) [Performer] | 3 perf | Cybele 960.303/ DegeM CD 06/ Feedback CD3/ | Feedback St | archae.o.pteryx (Armin Sommer, Ulrich Ludat) | 16.01.1999, | Leipzig, Festival "atem(?)los!", Schaubühne im Lindenfels archae.o.pteryx (Armin Sommer, Ulrich Ludat) Harald Muenz, sound control | 1 | http://www.haraldmuenz.de | ||||
| 30462 | Harald | Muenz | Žejanski Kntaduri | 2002/2003 | radiophon | 40:07 | PS C. | Hessischer Rundfunk | 4.4.2003 | Kunst-Station Sankt Peter Köln, Porträtkonzerte Harald Muenz | 0 | ||||||||
| 34812 | Harald | Muenz | zwiegefühle | 2015 | radiophon | 8:15 | Stereo | EMCD 031/ | Hessischer Rundfunk & Ensemble Modern, Frankfurt/M. | 17. Oktober 2015 2. Dezember 2015 |
Hessischer Rundfunk, hr2 Kultur "Perspektiven" - Konzertreihe für Neue Musik, Städtische Museen Heilbronn, Germany |
0 | https://www.ensemble-modern.com/de/shop/129d | ||||||
| 30426 | Harald, Hans W. | Muenz, Koch | abwarten | 1998 | Performance | 27. 11. 1998 | Köln, Hochschule für Musik, „Aulakonzert Neue Musik“ of the electronic studio hans w. koch and Harald Muenz - performers | 0 | |||||||||||
| 30442 | Harald, Hans W. | Muenz, Koch | musik + salon = | 1998 | Zuspiel, live-elec, 3 perf | 2 synt, ins [Instrument, synthesizer] | 31.01.1998 | Köln, Galerie Thoenissen, music festival of KunstSalon Köln, hans w. koch and Harald Muenz, KORG MS 10 | 0 | ||||||||||
| 30449 | Harald, Hans W. | Muenz, Koch | shiftlessness/schiebeproben | 1998/1999 | live-elec, 3 perf | ≈ 66 | S, cl or b-cl, synt, (elec) [Sopran, Klarinette, synthesizer] | Text von Gertrude Stein | PS C., PS C. | 05.4. 1998, | Köln, Alte Feuerwache Beth Griffith (soprano), Beate Zelinsky (clarinets/voice), hans w. koch (live electronics), Harald Muenz (analogue synthesizer KORG MS20) | 0 | |||||||
| 30456 | Harald, Hans W. | Muenz, Koch | tafelmusik 1 | 1998 | Klangkunst, Installation | 0 | |||||||||||||
| 30457 | Harald, Hans W. | Muenz, Koch | tafelproben | 1998 | fixed media, akusmatisch | Tape composition (CD) based on tafelmusik 1 | PS Koch | 0 | |||||||||||
| 30439 | Harald, Holger | Muenz, Schroers | Hallo, hier spricht Ehrenfeld! | 2004 | radiophon | 05.6.2004 | Stadtklänge - ein Hörparcours, Festival Stadt-Klang-Fluß, Köln | 0 | |||||||||||
| 39845 | Hibiki | Mukai | Egomaniac II | 2016 | fixed media, akusmatisch | Hibiki Mukai | 0 | ||||||||||||
| 11733 | Éric | Mulard | Métamorphose d'un départ | 1987 | fixed media, akusmatisch | Stereo | Delta P La Rochelle | 0 | |||||||||||
| 11734 | Marga | Mulder | Spheren der Kand | 1982 | Zuspiel / Tonband, 1 perf | com [computer] | Con Den Haag | 0 | |||||||||||
| 11735 | Dominic | Muldowney | Awake - so to sleep | 1974 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 11736 | Gordon | Mumma | 2nd Horn | 1965 | Performance | 8:00 | Mono | cybersonic perf | CSEM Ann Arbor | 0 | |||||||||
| 11737 | Gordon | Mumma | Bus Ride | 1962 | Musiktheater | 45:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 11738 | Gordon | Mumma | Commodious Means | 1962 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | perf [Performer] | CSEM Ann Arbor | 0 | |||||||||
| 11740 | Gordon | Mumma | Cybersonic Cantilevers | 1973 | live-elec, 1 group | 12:00 | ens [Ensemble] | with MEV | NWR 80632/ FTS 33904/ | CSEM Ann Arbor | 0 | ||||||||
| 25668 | Gordon | Mumma | Echo-D | 1978 | fixed media, akusmatisch | Tanz |
14:37 | Quadro | Echo-D is one of four parts of ECHO, an evening-long work for modern dance |
LCD 1093/ Slowscan Vol. 9/ | CSEM Ann Arbor | Portland Dance Theatre | 10.1978 | Portland Civic Auditorium in | 1 | |||||
| 11741 | Gordon | Mumma | Ensemble | 1962 | Zuspiel / Tonband, 4 perf | 10:00 | Stereo | fl, db, 2 perc [Flöte, Schlagzeug, Kontrabass] | CSEM Ann Arbor | 0 | |||||||||
| 25669 | Gordon | Mumma | Epifont | 1984 | fixed media, akusmatisch | 4:30 | Stereo | In Memoriam for George Cacioppo (1927 - 1984). Comes from a series called Spectral Portraits, each of which explores a specific musical problem. |
LCD 1093 Lovely Music/ Slowscan Vol. 9/ | CSEM Ann Arbor | 04.1985 | University of Michigan, Ann Arbor | 1 | ||||||
| 11742 | Gordon | Mumma | Extensions | 1963 | Musiktheater | 30:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 11743 | Gordon | Mumma | Greys | 1963 | Film | 4:00 | Stereo | NWR 80567 „Music from the Once Festival“/ | CSEM Ann Arbor | 1 | |||||||||
| 11744 | Gordon | Mumma | Horn | 1965 | Zuspiel, Performance, 3 perf | 9:34 | Mono | hn, 2 V [Stimme, Horn] | cybersonic perf | Aspen 5/ Slowscan Vol. 9/ Tzadik TZ- 7074 live-electronic music 2002/ IDEAMA CD 077/ | CSEM Ann Arbor | april 1965 | Ann Arbor | 1 | http://www.tzadik.com/ | ||||
| 27680 | Gordon | Mumma | Hornpipe | 1967 | Zuspiel, live-elec, 1 perf | 15:18 | Mono | hn, (cybersonics) [Horn] | Tzadik TZ- 7074 live-electronic music 2002/ Mainstream MS 5010 Earle Brown Contemporary Sound Series Vol 13/ WER 6940/ IDEAMA CD 080/ | CSEM Ann Arbor | 1 | http://www.tzadik.com/ | |||||||
| 11745 | Gordon | Mumma | If you leave me I will kill myself | 1963 | Film | 1:30 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 11746 | Gordon | Mumma | Le Corbusier | 1965 | Zuspiel, Performance, 1 perf, 1 group | 20:00 | Mono + Stereo | orc, org [Orgel, Orchester] | cybersonic perf | CSEM Ann Arbor | 0 | ||||||||
| 11747 | Gordon | Mumma | Love in Truro | 1963 | Film | 30:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 11748 | Gordon | Mumma | Meanwhile, A Twopiece | 1961 | Zuspiel / Tonband, 3 perf | 7:30 | Stereo | p, perc, any ins [Piano, Schlagzeug, Instrument] | NWR 80567 „Music from the Once Festival“/ IDEAMA CD 073/ | CSEM Ann Arbor | 1 | ||||||||
| 11749 | Gordon | Mumma | Medium Size Mograph 1963 | 1963 | Zuspiel, live-elec, 2 perf | 8:10 | Mono | p {4 hands}, (cybersonics) [Piano] | "Cybersonic" equipment | Tzadik TZ- 7074 live-electronic music 2002/ | CSEM Ann Arbor | 1963 | ONCE Festival Ann Arbor | 1 | http://www.tzadik.com/ | ||||
| 11751 | Gordon | Mumma | Megaton for William Burroughs | 1963 | Zuspiel / Tonband, 5 perf | 22:10 | Quadro | 5 perf [Performer] | NWR 80632/ VR- 1091 Lovely Music/ | CSEM Ann Arbor | 0 | ||||||||
| 11752 | Gordon | Mumma | Mesa | 1966 | live-elec, 1 perf | Tanz, live-elec, 1 perf |
20 - 40 23:00 | Mono, Quadro, 6 | bandoneon, (Cybersonic Console) [Akkordeon] | Mesa is a Duo with electronic sound modification. Elaborate electronic circuity is attached to the Bandoneon. | odyssey 32160158/ Tzadik TZ- 7074 live-electronic music 2002/ VR- 1092 Lovely Music/ NWR 80712/ | CSEM Ann Arbor | Merce Cunningham Dance Company / National Endowment for the Arts and Humanities | 08.1966 | Foundation Maeght, St. Paul de Vence, France | 1 | http://www.tzadik.com/ | |||
| 11753 | Gordon | Mumma | Music from the Venezia Space Theatre | 1964 | audiovisuell, live-elec, 1 group | Tanz |
≈ 60 | Quadro | ens [Ensemble] | Excerpt from an hour-long performance of Teatro della Spazio (Venezia Biennale 1964) with image-projection, live-electronic music and modern dance performed by the ONCE Group ensemble. | AdV FGR- 5/ LCD 1093 Lovely Music/ VR- 1091 Lovely Music/ IDEAMA CD 071/ | CSEM Ann Arbor | 1 | |||||||
| 28257 | Gordon | Mumma | Music with Roots in the Aether, Landscape with Gordon Mumma (57:40) The Music of Gordon Mumma (57:40) Some Voltage Drop (1974): Simulcast Schoolwork Telepos/ Foxbat |
1974 | Fernsehen, 2 perf | Oper |
57:40 | hn, V [Stimme, Horn] | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. Produced and directed by Robert Ashley. Philip Makanna, Director and Camera; Maggi Payne, Audio Recordist; Jerry Pearsall, Video Recordist and Technical Director. Seven 2-hour NTSC |
DV 7704 Lovely Music/ LVHS 4/ Music with Roots in the Aether/ | 1 | http://www.lovely.com/titles/dvdroots.html | ||||||||
| 11754 | Gordon | Mumma | Peasant Boy | 1965 | Zuspiel / Tonband, 3 perf | 8:20 | Stereo | jazz-trio [Instrument] | eSP 1009 Shelan/ | CSEM Ann Arbor | 0 | ||||||||
| 11755 | Gordon | Mumma | Place | 1966 | Performance | 25:00 | 3 tracks | cybersonic perf | CSEM Ann Arbor | 0 | |||||||||
| 11756 | Gordon | Mumma | Pontpoint | 1966 - 1980 | fixed media, akusmatisch | Tanz || Performance |
100:00 | Stereo | Dedicated to Bénédicte Pesle. Companion piece to Mumma's Mesa (1966) and Beam (1969), all three of them were inspired by bridge and beam systems. Binaural EM! |
LCD 1093 Lovely Music/ VR- 1092 Lovely Music/ | CSEM Ann Arbor | 1 | ||||||||
| 25667 | Gordon | Mumma | Retrospect | 1959 - 1982 | fixed media, akusmatisch | 10:21 | Stereo | The piece was assembled from four shorter electroacoustic pieces: Densities (1959), Phenomenom Unarticulated (1972), Wooden Pajamas (1973), and Spectral Portrait (1982). | LCD 1093/ | CSEM Ann Arbor | 1 | ||||||||
| 11757 | Gordon | Mumma | Return Trip | 1963 | Musiktheater | 45:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 11758 | Gordon | Mumma | Ritmii | 1958 | fixed media, akusmatisch | 3:00 | Mono | CSEM Ann Arbor | 0 | http://brainwashed.com/mumma/ | |||||||||
| 11759 | Gordon | Mumma | say nothing about this to anyone | 1963 | Film | 2:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 11760 | Gordon | Mumma | Sequences for Galleries | 1964 | Musiktheater | 20:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 27418 | Gordon | Mumma | Sinfonia, for 12 Instruments and Magnetic Tape 4 movements |
1958 - 1960 | Zuspiel / Tonband, 12 perf | 12:03 | 12 ins [Instrument] | 3/4/61; ONCE-Ens based on a work for Cohen’s Space Theater |
NWR 80567 „Music from the Once Festival“/ IDEAMA CD 072/ | 1 | http://www.newworldrecords.org/album.cgi?rm=view&album_id=80567 | ||||||||
| 11761 | Gordon | Mumma | Soundblock #3 - 8 | 1958 - 1962 | fixed media, akusmatisch | Mono | CSEM Ann Arbor | 0 | |||||||||||
| 33554 | Gordon | Mumma | Telepos | 1972 | Tanz, live-elec, 1 perf | 18:27:00 | perf [Performer] | Electronics [Controlled Sounds Activated By Dancers With Telemetry-accelerometer Belts] – Gordon Mumma Dance: TV Rerun (1972) |
NWR 80712/ | 1 | |||||||||
| 11762 | Gordon | Mumma | Temps for Space Theatre | 1963 | Musiktheater | 60:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 27679 | Gordon | Mumma | Than Particle | 1985 | Zuspiel, live-elec, 1 perf | 10:22 | Mono | perc, (com) [Schlagzeug] | Tzadik TZ- 7074 live-electronic music 2002/ | CSEM Ann Arbor | 1 | http://www.tzadik.com/ | |||||||
| 11763 | Gordon | Mumma | The Analog Computer | 1963 | Film | 20:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 11764 | Gordon | Mumma | The Bald Soprano | 1958 | Theatermusik | 75:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 11765 | Gordon | Mumma | The Dresden Interleaf 13 February 1945 | 1965 | fixed media, akusmatisch | 12:34 | Quadro | JME-1/ LCD 1093 Lovely Music/ VR- 1091 Lovely Music/ SR 190 sub rosa/ | CSEM Ann Arbor | 13.02.1965 | 20th anniversary of the Dresden Firestorm | 1 | |||||||
| 26771 | Gordon | Mumma | Truro | 1962 | fixed media, akusmatisch | 30:15 | Stereo | Tao Particle 4001/ | 0 | ||||||||||
| 11766 | Gordon | Mumma | Untitled Mobile | 1962 | Musiktheater | 20:00-60:00 | Stereo + Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 11767 | Josef Otto | Mundigl | 1. Kinderkonzert | 1981 | Zuspiel / Tonband, | ≈ 15:00 | Quadro | PS C. | 0 | ||||||||||
| 11768 | Josef Otto | Mundigl | 1. Körperstromkonzert | 1982 | fixed media, akusmatisch | intermedia |
≈ 15:00 | 3 tracks | PS C. | 0 | ||||||||||
| 11769 | Josef Otto | Mundigl | Baal Sebub's Tanz | 1974 | fixed media, akusmatisch | ≈ 10:00 | Stereo | PS C. | 0 | ||||||||||
| 11770 | Josef Otto | Mundigl | Ballade über einen Traum mit der Erscheinung des Hermann | 1986 | fixed media, akusmatisch | 34:37 | 5 tracks | PS C. | 0 | ||||||||||
| 11771 | Josef Otto | Mundigl | Ballettmusik für Kinder | 1981/1983 | fixed media, akusmatisch | Tanz |
≈ 15:00 | 5 tracks | 83 rev; Phantomkanal zu Kinderkonzert | PS C. | 0 | |||||||||
| 11772 | Josef Otto | Mundigl | Dialog für 2 LS | 1972 | fixed media, akusmatisch | ≈ 5:00 | Stereo | PS C. | 0 | ||||||||||
| 11773 | Josef Otto | Mundigl | Eine kleine Blasmusik (Solokonzert) | 1987 | Zuspiel / Tonband, | 30:43 | Quadro | PS C. | 0 | ||||||||||
| 11774 | Josef Otto | Mundigl | Elektronische Studie Nr. 2 | 1973 | fixed media, akusmatisch | ≈ 20:00 | Stereo | Nachtgesang, Tod des Tags, Klage der Nacht, Sternengesang | PS C. | 0 | |||||||||
| 11775 | Josef Otto | Mundigl | For you | 1992 | fixed media, akusmatisch | 35:30 | 5 tracks | PS C. | 0 | ||||||||||
| 11776 | Josef Otto | Mundigl | Fraktale Welten (Begleitmusik) | 1993 | audiovisuell | ≈ 32:00 | Stereo | PS C. | 0 | ||||||||||
| 11777 | Josef Otto | Mundigl | Fünf Sequencerstudien | 1974 | fixed media, akusmatisch | 44:00 | Stereo | PS C. | 0 | ||||||||||
| 11778 | Josef Otto | Mundigl | Glasperlenspiel, in memoriam Hermann Hesse | 1976 | fixed media, akusmatisch | ≈ 30:00 | Stereo | IMS 072/ | PS C. | 1 | |||||||||
| 11779 | Josef Otto | Mundigl | Interludium II (Romanze) | 1983 | fixed media, akusmatisch | 8:00 | Mono | PS C. | 0 | ||||||||||
| 11780 | Josef Otto | Mundigl | Kristalle | 1974/1992 | intermedia | ≈ 70:00 | Stereo | after paintings by Karl Freyer, 3 parts | PS C. | 0 | |||||||||
| 11781 | Josef Otto | Mundigl | Orchesterkonzert Nr. 1, Interludium | 1975 | fixed media, akusmatisch | ≈ 25:00 | Stereo | IMS 072/ | PS C. | 1 | |||||||||
| 11782 | Josef Otto | Mundigl | Quartette Nr. 1, in memoriam Hermann Beck | 1980 | fixed media, akusmatisch | ≈ 15:00 | Quadro | IMS 072/ | PS C. | 1 | |||||||||
| 11783 | Josef Otto | Mundigl | Quartette Nr. 2 | 1981 | fixed media, akusmatisch | 20:30 | Quadro | IMS 096/ | PS C. | 0 | |||||||||
| 11784 | Josef Otto | Mundigl | Reflexe | 1974 | fixed media, akusmatisch | ≈ 10:00 | Stereo | PS C. | 0 | ||||||||||
| 11785 | Josef Otto | Mundigl | Ringspiele - Interpretation durch Licht | 1974/1992 | fixed media, akusmatisch | intermedia |
∞ | Octo | PS C. | 0 | ||||||||||
| 11786 | Josef Otto | Mundigl | Shadows and Lights | 1975 | fixed media, akusmatisch | ≈ 10:00 | Stereo | PS C. | 0 | ||||||||||
| 11787 | Josef Otto | Mundigl | Vier Impromptus | 1983 | fixed media, akusmatisch | ≈ 20:00 | Stereo | PS C. | 0 | ||||||||||
| 22306 | Isabel | Mundry | Gesichter | live-elec, 4 perf | 24:30 | V, Sp, 2 perc [Sprecher, Stimme, Schlagzeug] | 6 parts | WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 11788 | Isabel | Mundry | Komposition 1, Komposition für Altsaxophon und Tonband | 1992 | Zuspiel / Tonband, 1 perf | 10:11 | Stereo | a-sax [Saxophon] | WWE 1CD 31890/ | HfM Frankfurt | 0 | ||||||||
| 11789 | Isabel | Mundry | Mirliton | 1985 | Zuspiel / Tonband, 1 perf | 4:00 | Stereo | trbn [Posaune] | TU Berlin | 29.5.1985 | Kaiser-Friedrich-Gedächtniskirche, Sven Strunkheit (trbn) | 1 | |||||||
| 11790 | Isabel | Mundry | o. T. | 1986 | Zuspiel / Tonband, 3 perf | 14:00 | Stereo | vc, Mez, mime [Mezzo, Cello, Schauspieler] | TU Berlin | 8.3.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1986 | ||||||
| 11791 | Isabel | Mundry | Rosenstraße | 1992 | Fernsehen, | 45:00 | Stereo | TU Berlin | 1 | ||||||||||
| 11792 | Isabel | Mundry | rue narcisse | 1988 | Zuspiel, live-elec, 3 perf | Mez, fl, va [Mezzo, Flöte, Viola] | Experimentalstudio für Akustische Kunst Freiburg | 02.02.1989 | Inventionen Künstlerhaus Bethanien Berlin | 1 | 1989 | ||||||||
| 23185 | Isabel | Mundry | Sieben Stücke für einen Raum | 2002 | Klangkunst, Installation | ∞ | Stereo + Stereo + Stereo | TU Berlin | Daimler-Chrysler-Galerie am Potsdamer Platz | 27.9.2002 bis 9.2.2003 | Daimler-Chrysler-Galerie am Potsdamer Platz | 1 | |||||||
| 41653 | Rafael | Muñoz Gomez | Invitation à prendre le temps | 2011 | fixed media, akusmatisch | 12:09 | 0 | ||||||||||||
| 41654 | Rafael | Muñoz Gomez | Minotaur | 2018 | fixed media, akusmatisch | 10:30 | 0 | ||||||||||||
| 41655 | Rafael | Muñoz Gomez | Particules recomposées | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 41656 | Rafael | Muñoz Gomez | Ribambelle de Ritournelles | 2014 | fixed media, akusmatisch | 12 | 0 | ||||||||||||
| 35404 | Rafael | Muñoz Gomez | Stuck | 2013 | fixed media, akusmatisch | 10:57:00 | Stereo | MR 2016 Métamorphoses 2016/ | Public Prize ex æquo at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||||
| 35309 | Brigitta | Muntendorf | Abschminken | 2012 | audiovisuell | Mez, b-fl, p, perc, va, vc [Mezzo, Flöte, Piano, Schlagzeug, Viola, Cello] | 04.05.2012 | Acht Brücken Festival Köln; Thürmchen Ensemble, Leitung: Erik Oña | 0 | ||||||||||
| 35294 | Brigitta | Muntendorf | BRONZE by GOLD | 2015 | Performance, Zuspiel, live-elec, 9 perf, 1 group | audiovisuell |
25:00:00 | S, 6 actor (Knaben), 2 actor, ens [Sopran, Schauspieler, Ensemble] | 0 | |||||||||||
| 35317 | Brigitta | Muntendorf | Chicken&Chickets / Latexkonzert | 2008 | Performance | Zwei Performances des spartenübergreifenden Projektes Knall.körper im Rahmen des Klang.Körper-Festivals | 2008 | Hochschule für Musik Köln. Knall.körper im Rahmen des Klang.Körper-Festivals | 0 | ||||||||||
| 35318 | Brigitta | Muntendorf | Conzerrt in Streifen | 2005 | audiovisuell, | für Tonband und Video (Stefan Demming) | 2005 | Weserburg-Museum Bremen | 0 | ||||||||||
| 35312 | Brigitta | Muntendorf | Die Leute | 2009/2010 | Klangkunst, Installation | 16 Tracks | Klanginstallation für den Platz der Weltausstellung Hannover. Sprachinstallation für 16 Lautsprecher im öffentlichen Raum |
Stadt Hannover / Musik 21 Niedersachsen | Mai 2010 – Aug. 2010 | Platz der Weltausstellung Hannover | 0 | ||||||||
| 35306 | Brigitta | Muntendorf | Endlich Opfer | 2013 | Zuspiel, Performance, 5 perf, 2 groups | audiovisuell |
20:00:00 | ens, 4 V, childern-ch, actor [Stimme, Schauspieler, Ensemble, Chor] | Taschenoper für Ensemble, 4 Sänger, Kinderchor, 1 Schauspieler, Video und Zuspiel | 20.09.2013 | Taschenopernfestival Salzburg | 0 | ||||||||
| 35296 | Brigitta | Muntendorf | FREE PLAY | 2015 | Performance | 15:00:00 | 3 perf [Performer] | audiovisuelle Performance für drei Performer | 25.07.2015 | TAG DER PERFORMANCE, Bamberg; Performer: Brigitta Muntendorf & Die BismarX | 0 | ||||||||
| 35307 | Brigitta | Muntendorf | Hello Body | 2012 | audiovisuell | loop 8 | actrice and V [Stimme, Schauspieler] | Videoinstallation für Schauspielerin und Stimme; Zusammenarbeit mit dem Videokünstler Jürgen Palmer | 27.04.2012 | Wittener Tage für Neue Kammermusik 2012; Schauspielerin: Nicola Gründel | 0 | ||||||||
| 35315 | Brigitta | Muntendorf | Hinterhall | 2009 | audiovisuell, live-elec, 2 perf | sax, perc [Saxophon, Schlagzeug] | für Saxophon und Schlagwerk, Live-Video und Lichtgeneratoren. Video/Licht: Stefan Demming (Videokünstler) | 2009 | Gründungskonzert des Ensemble Garage im Belgischen Haus, Köln | 0 | |||||||||
| 35300 | Brigitta | Muntendorf | ISLANDS OF LIGHT | 2014 | Performance, Zuspiel, live-elec, 2 perf | audiovisuell |
45:00:00 | 2 perf (prep p, V, elec, video) [Performer] | Audiovisuelle Performance über Text und Klang; Zusammenarbeit mit dem Schriftsteller Javier Salinas |
04.11.2014 | Internationales Künstlerhaus Villa Concordia; Performer: Brigitta Muntendorf und Javier Salinas; für präparierten Flügel, Stimme, Live-Elektronik, Video und Zuspielung | 0 | ||||||||
| 35299 | Brigitta | Muntendorf | Key of Presence | 2014/2015 | Zuspiel, live-elec, 2 perf | 15:00:00 | 2 p, (elec) [Piano] | 07.02.2015 | Eclat Festival Stuttgart; GrauSchumacher Piano Duo | 0 | |||||||||
| 35316 | Brigitta | Muntendorf | moving in between | 2008/2009 | Performance | audiovisuell |
perf [Performer] | Performancevideo mit Klangkomposition mit der Künstlerin Julia Weissenberg |
Februar 2009 | Kunst Praxis Staab, Köln | 0 | |||||||||
| 35297 | Brigitta | Muntendorf | play me back and forth | 2015 | audiovisuell, live-elec, 6 perf | S, cl, vc, sam, perc, str (e-zither) [Sopran, Klarinette, Schlagzeug, Cello, computer, Streicher] | 0 | ||||||||||||
| 35313 | Brigitta | Muntendorf | Poe-try | 2009 | live-elec, 9 perf | sax, trbn, vc, db, e-gui, V, synt, 2 perc [Stimme, Saxophon, Posaune, Gitarre, Schlagzeug, Cello, Kontrabass, synthesizer] | Nov. 2009 | Ensemble Garage und Band „Roman" | 0 | ||||||||||
| 35303 | Brigitta | Muntendorf | Public Privacy #1 Flute Cover | 2013 | audiovisuell, live-elec, 1 perf | 5:00:00 | fl [Flöte] | 27.06.2013 | Deutzer Zentralwerk der Schönen Künste; Performer: Daniel Agi (fl) | 0 | |||||||||
| 35304 | Brigitta | Muntendorf | Public Privacy #2 Piano Cover | 2013 | audiovisuell, live-elec, 1 perf | 10:00:00 | Kbd [Keyboard] | für Keyboard, Video und Zuspiel | 23.11.2013 | ZKM Karlsruhe; Performer: Sebastian Berweck | 0 | ||||||||
| 35302 | Brigitta | Muntendorf | Public Privacy #3 Trumpet Cover | 2014 | audiovisuell, live-elec, 1 perf | 8:00:00 | tpt [Trompete] | Video, Zuspiel und Live-Elektronik | 10.08.2014 | Admiralspalast Berlin; Performer: Daniel Albrecht (Junge Deutsche Philharmonie) | 0 | ||||||||
| 35298 | Brigitta | Muntendorf | Public Privacy #4 Leap in the dark | 2015 | audiovisuell, 1 perf | 10:00:00 | e-gui [Gitarre] | 02.04.2015 | DeSingel, Antwerpen (BE); Nico Couck | 0 | |||||||||
| 35301 | Brigitta | Muntendorf | PUBLIC PRIVACY #CITY | 2014 | Performance | Performanceaktionen und künstlerische Hashtags im öffentlichen Raum | 23.10.2014 | Bamberg City | 0 | ||||||||||
| 35295 | Brigitta | Muntendorf | Public Privacy #shift_ctrl | 2016 | Klangkunst, Installation | 60:00:00 | audio visual surveillance sculpture with live pop-ups | 0 | |||||||||||
| 35308 | Brigitta | Muntendorf | Rundumschlag# | 2012 | live-elec, 6 perf | fl, e-gui, p, perc, vn, vc [Flöte, Piano, Gitarre, Schlagzeug, Cello, Violine] | 04.05.2012 | Rathaus Oldenburg; Oh-ton Ensemble | Carl von Ossietzky Preises in der Sparte Komposition | 0 | |||||||||
| 35310 | Brigitta | Muntendorf | Sweetheart, Goodbye! | 2011/2012 | live-elec, 9 perf | 12:38 | Mono | V, 8 ins [Stimme, Instrument] | WD 2012/ | 27.04.2012 | Wittener Tage für Neue Kammermusik 2012; Asko Schönberg Ensemble | 0 | |||||||
| 35314 | Brigitta | Muntendorf | Überhall | 2009 | audiovisuell, live-elec, 6 perf | cl, vn, sax, trbn, db, perc [Klarinette, Saxophon, Posaune, Schlagzeug, Violine, Kontrabass] | 2009 | Gründungskonzert des Ensemble Garage im Belgischen Haus, Köln | 0 | ||||||||||
| 35293 | Brigitta | Muntendorf | WAH-WAH | 2016 | Tanz | 60:00:00 | Quadro | 7 dancer [Tanz] | dance performance for 7 dancers | 0 | |||||||||
| 35311 | Brigitta | Muntendorf | Yes, Master | 2011 | Zuspiel, Performance, 4 perf | 4 perf [Performer] | 22.01.2011 | Cité Internationale des Arts Paris | 0 | ||||||||||
| 11793 | Tristan | Murail | Désintégrations | 1983 | Zuspiel / Tonband, 1 group | 22:00 | Stereo | ens [Ensemble] | Adès CD 0002/ IRCAM 0002 F, Creations IRCAM/ SCD 8902/ | IRCAM | Salabert | 1 | |||||||
| 11794 | Tristan | Murail | Ethers | 1988 | live-elec, 5 perf | 20:00 | fl, va, vc, db, trbn [Flöte, Posaune, Viola, Cello, Kontrabass] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 34510 | Tristan | Murail | La conquète de l'Antartique | live-elec, | Jeanne Loriod (OMa) | 0 | |||||||||||||
| 11795 | Tristan | Murail | Les 13 couleurs du soleil couchant | 1978 | live-elec, 5 perf | 14 | fl, cl, p, vn, vc [Flöte, Klarinette, Piano, Cello, Violine] | dispositif électronique non spécifié | Goethe-Institut | 4.12.1979 | Goethe-Institut Paris, LIM-Ensemble | 1 | 1990 | http://brahms.ircam.fr/works/work/10718/ | |||||
| 11796 | Tristan | Murail | New Work | 1993 - 1994 | Zuspiel / Tonband, 1 group | 15:00 | ens [Ensemble] | Adès/ IRCAM Les Années 90/ | IRCAM | IRCAM | 0 | ||||||||
| 11797 | Tristan | Murail | Random Access Memory | 1984/1987 | live-elec, 2 perf, 3 groups | ens, synts, coms [computer, synthesizer, Ensemble] | 0 | ||||||||||||
| 33545 | Tristan | Murail | Un Sogno | 2014 | live-elec, 1 group | 19:04:00 | ens, (elec) [Ensemble] | Klangforum Wien, Ltg Emilio Pomarico | WD 2014, Wittener Tage Für Neue Kammermusik 2014/ | UA, Auftrag Klangforum Wien und CNCM Nice | 10.5.2014, Saalbau Witten | 1 | |||||||
| 33154 | Tristan | Murail | Winter Fragments | 2000 | live-elec, 1 group | 14:42 | ens [Ensemble] | for ensemble and electroacoustic layer | WJ 2006 polmic 019/ | Editions Henry Lemoine, Paris | 1 | ||||||||
| 26005 | Valerio | Murat | Coppi | 2003 | Zuspiel / Tonband, 5 perf | 6:40 | Octo | str-qt, V [Stimme, Streicher] | about the biker Fausto Coppi; Zephyr - Stringquartet | LDC 278080 Cultures électroniques 19 2006/ | 1 | ||||||||
| 26006 | Eiji | Murata | Cross Projection | 2002 | live-elec, 1 perf | 9:24 | fl [Flöte] | MAX/MSP | CMJ Vol 28, 2004/ | 1 | |||||||||
| 11798 | H. | Murdo | Musik im All | 1962 | radiophon | 58 | Siemens | SWR | 5. Juli 1962 | 0 | |||||||||
| 34359 | Franco, Fernando | Murillo, Alexis | Qualia | 2013 | fixed media, akusmatisch | 10:43:00 | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 4. prize | 0 | |||||||||
| 34837 | Franco, Fernando | Murillo, Alexis | Untitled#1 | 2015 | audiovisuell | 6:35:00 | Stereo | JTTP 2016 participant | 0 | https://fernandoalexismusic.com/video-works/ | |||||||||
| 28542 | Pippa | Murphy | Caspian Retreat | 2003 | fixed media, akusmatisch | 10:28 | Stereo | BEAST | 1 | 2010 | |||||||||
| 42642 | Pippa | Murphy | Postcard from Paris | 2009 | fixed media, akusmatisch | 3 | Curated by Robert Dow | 0 | |||||||||||
| 31568 | Max | Murray | Szene nach Aktion | 2012 | Zuspiel / Tonband, 1 perf | 7:20 | V [Stimme] | next_generation 5.0 | HfM Leipzig | 0 | |||||||||
| 40211 | Roberto | Musanti | Rotational Chaos | 2016 | fixed media, akusmatisch | Roberto Musanti | 0 | ||||||||||||
| 11799 | Thea | Musgrave | An Occurrence at Owl Creek Bridge | 1981 | Oper | radiophon |
30:00 | ens [Ensemble] | 0 | |||||||||||
| 11802 | Thea | Musgrave | Narcissus | 1986 | live-elec, 1 perf | fl, (dig delay) [Flöte] | 0 | ||||||||||||
| 21836 | Thea | Musgrave | Narcissus | 1990 | live-elec, 1 perf | cl, (delay) [Klarinette] | CPS 8607 Capstone/ | 0 | |||||||||||
| 11803 | Thea | Musgrave | Niobe | 1986 | Zuspiel / Tonband, 1 perf | ob [Oboe] | 0 | ||||||||||||
| 11805 | Thea | Musgrave | Soliloquy I | 1969 | Zuspiel / Tonband, 1 perf | 9:00 | gui [Gitarre] | DGG 2530076/ | PS Oramics | 0 | |||||||||
| 11800 | Thea, Daphne | Musgrave, Oram | Beauty and the Beast | 1968/1969 | Tanz | 90:00 | orc [Orchester] | PS Oramics | 1969 | Scottish Theatre Ballet | 0 | ||||||||
| 11801 | Thea, Daphne | Musgrave, Oram | From One to Another | 1970 | Zuspiel / Tonband, 1 perf | 9:30 | va [Viola] | PS Oramics | 0 | ||||||||||
| 11804 | Thea, Daphne | Musgrave, Oram | Soliloquy | 1969 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | PS Oramics | 0 | |||||||||||
| 11807 | Group | Musica Elettronica Viva | Aspen 4 | live-elec, 10 perf | 10 perf [Performer] | Bertoncini, Bryant, Chiari, Curran, Gelmetti, Heinemann, Phetteplace, Rzewski, Teitelbaum, Vandor | Mainstream MS 5002 Earle Brown Contemporary Sound Series Vol 8/ | 0 | |||||||||||
| 11808 | Group | Musica Elettronica Viva | Dialogue For Magnetic Sewers | 1994 | live-elec, 10 perf | 10 perf [Performer] | Bertoncini, Bryant, Chiari, Curran, Gelmetti, Heinemann, Phetteplace, Rzewski, Teitelbaum, Vandor | MEV LIVE'94/ | 1 | ||||||||||
| 11810 | Group | Musica Elettronica Viva | Horn | Performance, live-elec, | Bertoncini, Bryant, Chiari, Curran, Gelmetti, Heinemann, Phetteplace, Rzewski, Teitelbaum, Vandor | Mainstream MS 5002 Earle Brown Contemporary Sound Series Vol 8/ | 0 | ||||||||||||
| 33741 | Group | Musica Elettronica Viva | MEV 40 | 1967 - 2007 | Performance, live-elec, 6 perf | 3 - 6 perf [Performer] | Alvin Curran – Frederic Rzewski – Allan Bryant – Richard Teitelbaum – Ivan Vandor – Carol Plantamura – Gregory Reeve – Garrett List – Steve Lacy – George Lewis | NWR 80675-2/ | 0 | ||||||||||
| 11812 | Group | Musica Elettronica Viva | Rotonda Combine | 1967 | live-elec, 4 perf | 10:00 | Mono + Mono + Mono + Mono | 4 perf (4 tape recorders) [Performer] | Bertoncini, Bryant, Chiari, Curran, Gelmetti, Heinemann, Phetteplace, Rzewski, Teitelbaum, Vandor | 0 | |||||||||
| 11813 | Group | Musica Elettronica Viva | Spacecraft | 1967 | Performance, live-elec, | 23:14 | Bertoncini, Bryant, Chiari, Curran, Gelmetti, Heinemann, Phetteplace, Rzewski, Teitelbaum, Vandor | Mainstream MS 5002 Earle Brown Contemporary Sound Series Vol 8/ Ellipsis Arts 3671 - OHM: 01/ NWR 80675-2/ WER 6928/ | 1 | ||||||||||
| 11814 | Group | Musica Elettronica Viva | United patchwork (live) | 1980 | live-elec, 10 perf | 9:40 | 10 perf [Performer] | Bertoncini, Bryant, Chiari, Curran, Gelmetti, Heinemann, Phetteplace, Rzewski, Teitelbaum, Vandor | Nuova atlantide (Beilage Buch)/ | 0 | |||||||||
| 11815 | Group | Musica Elettronica Viva | Variations IV | 1966 | live-elec, 2 perf | ≈ | multichannel | ins, V, [Stimme, Instrument] | simultaneously with "solo for Cello" by Cage MEV Roma |
0 | |||||||||
| 34569 | Group, Group | Musica Elettronica Viva, AMM | Apogee | 2005 | Performance, live-elec, 6 perf | ≈ 70 | 3 perf (AMM), 3 perf (MEV) [Performer] | Performer [AMM] – Eddie Prévost, John Tilbury, Keith Rowe Performer [MEV] – Alvin Curran, Frederic Rzewski, Richard Teitelbaum |
MRCD 61/ | 0 | |||||||||
| 28041 | Group, Group | Musica Elettronica Viva, AMM | Live Electronic Music Improvised, Spacecraft Untitled |
1968 | Performance, live-elec, | 43 | Performer MEV – Alan Bryant*, Alvin Curran, Frederic Rzewski, Ivan Vandor, Richard Teitelbaum. Performer AMM – Christopher Hobbs, Cornelius Cardew, Eddie Prévost, Keith Rowe, Lou Gare |
Mainstream MS 5002 Earle Brown Contemporary Sound Series Vol 8/ WER 6928/ WER 6930/ | 1 | ||||||||||
| 11809 | Group, Alvin, Frederic, Richard | Musica Elettronica Viva, Curran, Rzewski, Teitelbaum | Funeral Rites for Sixty-Foot Gum Cat | 1994 | live-elec, 3 perf | 2 p, trbn [Posaune, Piano] | Curran, Rzewski, Teitelbaum MEV Roma | MEV LIVE'94/ | 1 | ||||||||||
| 11806 | Group, Jon, Frederic | Musica Elettronica Viva, Phetteplace, Rzewski | Anima 7 | 1966 | live-elec, 1 perf | 7:00 | Mono | vc [Cello] | Phetteplace, Rzewski MEV Roma | 0 | |||||||||
| 11811 | Group, Jon, Frederic | Musica Elettronica Viva, Phetteplace, Rzewski | Lyndon Johnson | 1966 | live-elec, 2 perf | 10:00 | Stereo | 2 perf [Performer] | Phetteplace, Rzewski, MEV Roma | 0 | |||||||||
| 11816 | Group, Jon, Frederic | Musica Elettronica Viva, Phetteplace, Rzewski | Wave train | 1966 | Zuspiel, live-elec, 3 perf | ≈ 20:00 | Stereo | 2 perf, str-ins [Performer, Streicher] | Phetteplace, Rzewski MEV Roma | 0 | |||||||||
| 43068 | Michael | Musick | Sonic Space No. 5 | 2014 | Klangkunst, Installation | Location: New York University | 0 | ||||||||||||
| 40099 | Michael A. | Musick | Creative Improvisation with Digital Agents | 2017 | fixed media, akusmatisch | Michael A. Musick | 0 | ||||||||||||
| 40117 | Michael A. | Musick | Four Deliberate Agents; Sonic Space No. 8 – Iteration No. 3 | 2016 | Klangkunst, Installation | Michael Musick | 0 | ||||||||||||
| 40116 | Michael A. | Musick | Precuneus: Sonic Space No. 8 | 2016 | fixed media, akusmatisch | Michael Musick | 0 | ||||||||||||
| 11819 | Wolfgang | Musil | Studie | 1985 | fixed media, akusmatisch | 6:00 | ELAK Wien | 0 | |||||||||||
| 11820 | Wolfgang | Musil | Telpor alpha | 1989 | fixed media, akusmatisch | 10:39 | Stereo | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | |||||||||
| 11821 | Wolfgang | Musil | Telpor omega | 1989 - 1990 | fixed media, akusmatisch | 10:13 | IGNM OO CD 003/ | ELAK Wien | 0 | ||||||||||
| 11817 | Wolfgang, Bernhard | Musil, Lang | Mierenburg Poeme | 1985 | fixed media, akusmatisch | 10:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 22027 | Linda | Mussman | Dantons Death | radiophon | 2:20 | Nach Georg Büchner | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||||
| 32759 | Roberto | Musto | De Bachussy - Ri-scrittura #1 | live-elec, 1 group | ens [Ensemble] | 0 | |||||||||||||
| 11822 | Roberto | Musto | Ricercare e interludio no.2 | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 11823 | Roberto | Musto | Tr/e 36 I - II | 1966 | fixed media, akusmatisch | 8:00+4:00 12 | Stereo | SMET Torino | 0 | ||||||||||
| 11824 | Sonia | Mutsaerts | Blanchard - Mr. Marl | 1992 | live-elec, | STEIM | 0 | ||||||||||||
| 11825 | Florian, Flori | Mutschler, Reifenberg | Ein aleatorischer Spaziergang durch die Stadt | 1996 | Klangkunst, Installation | var | Stereo, Octo | K&R CDAA-01/ | Klang & Raum | 1 | 1996 | ||||||||
| 20542 | Florian, Flori | Mutschler, Reifenberg | Haute tension | 1990 | fixed media, akusmatisch | 11:00 | Stereo | GMVL CD 09/ | GMVL Lyon | 0 | |||||||||
| 19103 | Florian, Flori | Mutschler, Reifenberg | Lokomovie (Suite der ORTE) | 1995/1993 | Klangkunst, Installation | Klang & Raum | 0 | ||||||||||||
| 19325 | Florian, Flori | Mutschler, Reifenberg | Re-Mustered in Berlin / am 13. Tage | 1998 | Klangkunst, Installation | 74:00 | Quadro + Quadro, Stereo, Octo | "Re-Mustered in Berlin": CD, die in der Klangausstellung "am 13. Tage" im UBA vom 5.-22.5.1998 benutzt wird. | F.O.R.M. - CD1/ | TU Berlin | 1 | ||||||||
| 11826 | Florian, Flori | Mutschler, Reifenberg | Suite der Orte | 1993 | Klangkunst, Installation | ∞ | after reading by Martin Heidegger's "die Kunst und der Raum" | 0 | |||||||||||
| 11827 | John | Myhill | Scherzo a tre voci | 1965 | fixed media, akusmatisch | 7:00 | Mono | com M. | EMS UIUC | 0 | |||||||||
| 33123 | Pawel | Mykietyn | An Album Leaf | 2002 | live-elec, 1 perf | 20:21:00 | vc [Cello] | for cello and computer | WJ 2002/ | 1 | |||||||||
| 22154 | Pawel | Mykietyn | Epifora | 1996 | Zuspiel / Tonband, 1 perf | 20:54 | Stereo | p [Piano] | ExpSt Warsaw | 0 | |||||||||
| 33162 | Pawel | Mykietyn | Sonata for Cello Solo or with Live Electronics | 2006 | live-elec, 1 perf | 16:43 | vc [Cello] | WJ 2006 polmic 026/ | 25.9.2006 | Warsaw autumn | 1 | ||||||||
| 40052 | Maria | Mykolenko | burya-storms | 2015 | fixed media, akusmatisch | 7:39:00 | Maria Mykolenko | 0 | |||||||||||
| 40050 | Maria | Mykolenko | “in the streets and shadows” | 2017 | fixed media, akusmatisch | 16 Tracks | Maria Mykolenko | 0 | |||||||||||
| 40051 | Maria | Mykolenko | silence and steel | 2016 | Performance | Maria Mykolenko | 0 | ||||||||||||
| 39439 | Maria | Mykolenko | sounds and voices | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42837 | Maria | Mykolenko | the words pile up | 2013 | live-elec, 2 perf | 6:50:00 | 2 vn [Violine] | Maria Mykolenko, violin, Mioi Takeda, violin | 0 | ||||||||||
| 42521 | Maria | Mysiak | In Heaven | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 22404 | Clemens | Nachtmann | Intrecci | 2000 | Zuspiel / Tonband, 3 perf | 10:00 | Surround 5.1 | cl, hn, db [Klarinette, Horn, Kontrabass] | TU Berlin | 10.11.2000 | Künstlerhaus Bethanien Berlin, Klangwerkstatt 2000 | 1 | |||||||
| 21152 | Clemens | Nachtmann | Tafelmusik | 1999 | fixed media, akusmatisch | 4:50 | 5 tracks | EMF DVD 054/ | TU Berlin | 21.7.1999 | Parochialkirche Berlin | 1 | |||||||
| 39557 | Ali | Nader Esfahani | Sonances of the Bizarre | 2017 | fixed media, akusmatisch | Ali Nader Esfahani | 0 | ||||||||||||
| 31398 | Adrian | Nagel | Klix | 2011 | fixed media, akusmatisch | 3:45:00 | 5 tracks | HfM Dresden | 0 | ||||||||||
| 11828 | Jody | Nagel | Gandalf the Grey | 1990 | Zuspiel / Tonband, 1 perf | 11:51 | cl [Klarinette] | Robert Tuttle (cl) | Centaur CRC 2245, CDCM Vol. 20/ | Uni of Texas at Austin | 1 | ||||||||
| 33940 | Ferid | Naghizade | Angel | 2012 | fixed media, akusmatisch | 8:17:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 33941 | Ferid | Naghizade | Heaven | 2014 | fixed media, akusmatisch | 9:30:00 | Octo | HfMT Köln | 0 | ||||||||||
| 42522 | Ágnes | Nagy | Yvett’s New World | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 39284 | Aine Eva | Nakamura | six stories | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39978 | Kayoko | Nakamura | Song for Northern Lights | 2016 | fixed media, akusmatisch | Kayoko Nakamura | 0 | ||||||||||||
| 31955 | Shigenobu | Nakamura | Noemata No. 2 | 2000 - 2001 | audiovisuell | 8 | audio-video collaboration with Robert Darroll | ZKM Karlsruhe | 0 | http://www.iotacenter.org/program/publication/darroll/statements | |||||||||
| 18993 | Shigenobu | Nakamura | Walk | 1994 | fixed media, akusmatisch | 10:36 | ISAST LMJ 5/ | Takatsuki | 1 | ||||||||||
| 38622 | Götz | NALEPPA | Abschiedssendung für Götz Naleppa | 2008 | radiophon | 26:16:00 | 0 | ||||||||||||
| 38623 | Götz | NALEPPA | Cantus Apium | 2013 | radiophon | 40:12:00 | 0 | ||||||||||||
| 11829 | Götz | Naleppa | Emotionelle Räume - Hommage à Mathias Göritz | 1992 | radiophon | 27:30 | Stereo | Hör-Spiel-Projekt zu "el eco" AdK | TU Berlin | 1 | |||||||||
| 38624 | Götz | NALEPPA | Jam Session | 1998 | radiophon | 50:18:00 | 0 | ||||||||||||
| 38625 | Götz | NALEPPA | Popol Vuh – Das Buch vom Ursprung der Maya | 2006 | radiophon | 48:22:00 | Deutsch | 0 | |||||||||||
| 38626 | Götz | NALEPPA | Popol Vuh – Das Buch vom Ursprung der Maya | 2006 | radiophon | 47:43:00 | Spanisch | 0 | |||||||||||
| 38786 | Götz, Gabi | NALEPPA, SCHAFFNER | Der Klang des Schnees – Finnish Snowwalks and Dances | 2007 | radiophon | 54:22:00 | 0 | ||||||||||||
| 38787 | Götz, Michael | NALEPPA, VETTER | Mokrutufflumieräk | 1995 | radiophon | 52:00:00 | 0 | ||||||||||||
| 38788 | Götz, Michael | NALEPPA, VETTER | Stimmen auf Goldgrund oder Legende von den Wundern der sprachlosen Heiligen | 1995 | radiophon | 30:00:00 | 0 | ||||||||||||
| 36545 | Conlon | Nancarrow | Contraption #1 | 1993 | live-elec, 1 perf | com-driven player p [Piano] | 0 | ||||||||||||
| 36544 | Conlon | Nancarrow | Studies for Player Piano Nr. 1 - 51, Studies for Player Piano | 1948 - 1992 | computer generated score | live-elec, 1 perf |
player p [Piano] | WER 60167-50/ WWE 3CD 31882/ MS 7222/ Arch Records S-1768, S-1777, S-1786, S-1798/ MDG 6451401 MDG 6451403 MDG 6451405 MDG 6451407 MDG 6451409/ BMG 09026 61180/ |
0 | https://en.wikipedia.org/wiki/Studies_for_Player_Piano_(Nancarrow) | ||||||||||
| 27669 | Richard | Nance | Analogies of Control, 6 parts | 2005 | fixed media, akusmatisch | 11:48 | Stereo | acousmatic version on CD | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | |||||||
| 22206 | Richard | Nance | Between Dog and the Wolf | fixed media, akusmatisch | 5:50 | ICMC 2000/ | PS | 1 | |||||||||||
| 23186 | Rick | Nance | This is Not a Model | 2001 | fixed media, akusmatisch | 7:32 | Cec Presence 3/ | Uni Sheffield | 1 | ||||||||||
| 11830 | Maurizio | Nannucci | 4+ 4+ 8 | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 36530 | Maurizio | Nannucci | Testi Sonori And Radiopoems 1965-1972, Colors Definizioni Cut Words Quasi Infinito Colors Definizioni Cut Words Quasi Infinito |
1965 - 1972 | radiophon | 31 | txtcompo | S Press 62/ | 0 | ||||||||||
| 39678 | Chryssie | Nanou | piano | 2015 | Zuspiel / Tonband, 1 perf | p [Piano] | Chryssie Nanou | 0 | |||||||||||
| 38856 | Luis | Naon | La Sphere et la Pierre (Urbana 8) | fixed media, akusmatisch | 17:34 | INA GRM G6050/59/ | 0 | ||||||||||||
| 38858 | Luis | Naon | Lascaux (Urbana 2) | fixed media, akusmatisch | 39:22 | INA GRM G6050/59/ | 0 | ||||||||||||
| 38857 | Luis | Naon | Perspectives (Urbana 20) | fixed media, akusmatisch | 17:36 | INA GRM G6050/59/ | 0 | ||||||||||||
| 39693 | Dafna | Naphtali | Audio Chandelier | 2016 | fixed media, akusmatisch | Spazialisation: multi | Dafna Naphtali | 2.6.2017 | Montreal | 0 | |||||||||
| 39694 | Dafna | Naphtali | Walkie Talkie Dream Garden, WALKIE TALKIE DREAM ANGLES | 2017 | Klangkunst, Installation | interactive soundwalks | Uni Williamsburg | 0 | |||||||||||
| 42810 | Dafna, Hans | Naphtali, Tammen | Mechanique(s)77 | 2012 | live-elec, 2 perf | 12:00:00 | prep gui, V [Stimme, Gitarre] | Hans Tammen, guitar | 0 | ||||||||||
| 39695 | Dafna, Hans | Naphtali, Tammen | Turbulent Flow | 2017 | fixed media, akusmatisch | Dafna Naphtali and Hans Tammen | Uni Williamsburg | 0 | |||||||||||
| 42992 | Mirjana | Nardelli | e-cor 3.1 | 2013 | fixed media, akusmatisch | 10:49:00 | 0 | ||||||||||||
| 34460 | Ki, Jos | Nartosabdo, Janssen | Ketawnag "Subakastawa" | 1984 | fixed media, akusmatisch | 8:10 | Quadro | Midim-simulatie van de midden-Javaanse "Gender Barung" | Sonology Utrecht | 0 | |||||||||
| 11831 | Ki, Jos | Nartosabdo, Janssen | Subakastawa | 1983/1984 | Zuspiel / Tonband, | 8:00 | Quadro | Sonology Den Haag | 0 | ||||||||||
| 33731 | Mayke | Nas | Ad infinitum | 2002 | fixed media, akusmatisch | var | voice & elec | 0 | |||||||||||
| 33730 | Mayke | Nas | Android | 2009 | Klangkunst, Installation | var | Kinkerbrug Amsterdam | 0 | |||||||||||
| 33729 | Mayke | Nas | It Don't Mean a Thing | 2014 | live-elec, | var | (16 interactive swings) [] | TIS Theater Wannaplay | 0 | ||||||||||
| 33728 | Mayke, Wouter | Nas, Snoei | I Delayed People’s Flights By Walking Slowly In Narrow Hallways | 2005 | audiovisuell, live-elec, 4 perf | 16:12 | Stereo, Surround 5.1 | 4 perf, (elec) [Performer] | Based on "Self-accusation" by Peter Handke | slagwerk den haag/ | Fonds voor de Scheppende Toonkunst | 14 december 2005 | Felix Meritis in Amsterdam by Percussion Group The Hague (Marcel Andriessen, Martin Ansink, Fedor Teunisse, Elyssa Shalla) and Wouter Snoei | 1 | |||||
| 11832 | Group | Nash the Slash | In Search of Prey | 1985 | fixed media, akusmatisch | 2:12 | Stereo | 0 | |||||||||||
| 36614 | Daniel | Nass | Gitchee Gumme | 1998 | fixed media, akusmatisch | 4:31:00 | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | ||||||||||
| 11833 | Maziar | Nassiri | An die Bevölkerung | 1978 | fixed media, akusmatisch | 7:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 11834 | Robert | Nasveld | I touch you | 1978/1982 | fixed media, akusmatisch | 13:24 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 33828 | Robert | Nasveld | New York | 1984 | fixed media, akusmatisch | 13 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 11835 | Robert | Nasveld | Soundscape | 1984 | fixed media, akusmatisch | 11:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 42523 | Eric | Nathan | Cantus | 2008 | live-elec, 1 perf | tpt [Trompete] | Eric Nathan, trumpet | Uni Indiana | John Adler | 0 | |||||||||
| 11836 | Sergiu | Natra | Environment for an Exhibition | 1970 | Hintergrundmusik | 0 | |||||||||||||
| 36725 | Bruce | Naumann | Stamping in the Studio | 1968 | audiovisuell | 62 | Tanglewood Press LP/ | Tanglewood Recording Studios | 0 | ||||||||||
| 33331 | Siegfried | Naumann | Il Cantico del Sole | 1963 | Zuspiel / Tonband, 13 perf, 2 groups | 26 | Stereo | p, A, Bar, ch, 10 ins, orc [Alt, Bariton, Piano, Instrument, Chor, Orchester] | EMS Stockholm | 0 | |||||||||
| 34077 | Hiram | Navarrete | Swell | 2007 | fixed media, akusmatisch | 10:55:00 | Octo | 0 | |||||||||||
| 11837 | Jorge Arandia | Navarro | Forma sonora de ondina | 1964 | Zuspiel / Tonband, 3 perf | Mono | Mez, hp, perc [Mezzo, Harfe, Schlagzeug] | PS Sacchi | 0 | ||||||||||
| 39795 | Frank | Nawrot | Prozium | 2015 | fixed media, akusmatisch | 3:12:00 | Frank Nawrot | 0 | |||||||||||
| 37089 | Steven | Naylor | Automatopoiea: Study 1 | 2006 | fixed media, akusmatisch | 9:34:00 | Octo | IMED 12120/ | PS C., BEAST | 17.3.2006 | “Voyages sonores” concerts produced by BEAST at the CBSO Centre (Birmingham, UK) | 0 | |||||||
| 37090 | Steven | Naylor | Bitter Orchids | 2000 | fixed media, akusmatisch | 11:17:00 | Stereo | IMED 12120/ | BEAST | 9.12.2000 | MET Concert Series at Ball State University in Muncie (Indiana, USA) | 0 | |||||||
| 21583 | Steven | Naylor | i wish | 2000 | fixed media, akusmatisch | 9:46 | Stereo | SCD 28034 Sargasso/ IMED 12120/ | BEAST | 1 | |||||||||
| 23187 | Steven | Naylor | Irrashaimase | 2000 | fixed media, akusmatisch | 8:17 | Stereo | Cec Presence 3/ IMED 12120/ | BEAST | 1 | |||||||||
| 37091 | Steven | Naylor | kune kune | 2004 | fixed media, akusmatisch | 4:17:00 | Stereo | IMED 12120/ | BEAST, PS C. | 8.3.2003 | 20th anniversary concerts of the Birmingham Electroacoustic Sound Theatre (BEAST) | 0 | |||||||
| 36924 | Steven | Naylor | Revisit 1-10: pianoply , pianoply | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 37092 | Steven | Naylor | The Thermal Properties of Concrete | 2006 | fixed media, akusmatisch | 27:03:00 | Octo | IMED 12120/ | BEAST, PS C. | 4.3.2007 | “Invisible Art” concerts produced by BEAST at the CBSO Centre (Birmingham, UK) | 0 | |||||||
| 20543 | Lelo | Nazario | A Redoma de Cristal Azul | 1994 | fixed media, akusmatisch | 7:46 | Stereo | PANaroma 199.000.954/ | 0 | ||||||||||
| 39618 | Boris | Nazarov | East is the West Radio | 2016 | fixed media, akusmatisch | Boris Nazarov | 0 | ||||||||||||
| 39617 | Boris | Nazarov | Soundscape Imperialism II (Manhattan) | 2017 | fixed media, akusmatisch | Boris Nazarov | 0 | ||||||||||||
| 39536 | Adam S. | Neal | speaks | 2017 | fixed media, akusmatisch | Adam S. Neal | 0 | ||||||||||||
| 42715 | Adam Scott | Neal | C/K/P | 2012 | fixed media, akusmatisch | audiovisuell |
5:00:00 | 0 | ||||||||||||
| 42643 | Adam Scott | Neal | For Tape | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 42524 | Adam Scott | Neal | Petrichor | 2008 | live-elec, 1 perf | cl [Klarinette] | Kinan Azmeh, clarinet | 0 | |||||||||||
| 31583 | Michael | Nebl | zabdAkSara | 2013 | fixed media, akusmatisch | 8:00 | next_generation 5.0 | ELAK Wien | 0 | ||||||||||
| 11838 | Reinhard | Necas | Interakties | 1977 | Film | 13:48 | Mono | 16 mm | Sonology Utrecht | 0 | |||||||||
| 39588 | Annelie | Nederberg | Ayvalik And/act | 2015 | fixed media, akusmatisch | 14:59:00 | Annelie Nederberg | 0 | |||||||||||
| 39587 | Annelie | Nederberg | Feed Back | 2016 | fixed media, akusmatisch | qnt [Instrument] | Annelie Nederberg | 0 | |||||||||||
| 42873 | Annelie | Nederberg | SHIFT [still views of a snowy horizon] | 2013 | fixed media, akusmatisch | 10:40:00 | 0 | ||||||||||||
| 40252 | Annelie, Christian | Nederberg, Banasik, Reeder, Snowkrash | Postlude | 2016 | fixed media, akusmatisch | qnt [Instrument] | Snowkrash, Nederberg, Banasik, Reeder | 0 | |||||||||||
| 11839 | Hermann | Neef | Sonntagsfahrer | 1963 | Film | 20:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 11840 | Larry | Neeman | Composition | 1963 | fixed media, akusmatisch | 4:30 | Mono | EMS UIUC | 0 | ||||||||||
| 11841 | Robbert Jan de | Neeve | Compositie 1964, A. F. | 1964 | fixed media, akusmatisch | 1:17 | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | STEM Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 11842 | Robbert Jan de | Neeve | Studie | 1964 | fixed media, akusmatisch | 2:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 39538 | Ai | Negishi | Rainbird | 2016 | fixed media, akusmatisch | Ai Negishi | 0 | ||||||||||||
| 39539 | Ai | Negishi | Tanpopo | 2015 | fixed media, akusmatisch | 9:07:00 | Ai Negishi | 0 | |||||||||||
| 40032 | Luigi | Negretti Lanner | Altre voci (“other voices”) | 2016 | fixed media, akusmatisch | Luigi Negretti Lanner | 0 | ||||||||||||
| 20545 | Ben | Neill | 678 Streams | 1993 | live-elec, 1 perf | 16:25 | Stereo | tpt [Trompete] | nt 6730/ | 0 | |||||||||
| 20544 | Ben | Neill | Music for the King of Thule | live-elec, | 6:07 | Stereo | Tellus 27/ | 0 | |||||||||||
| 11843 | Gary Lee | Nelson | Fractal Mountains | 1988 | live-elec, 1 perf | 4:01 | Stereo | MIDI-hn [Horn] | WER 2030; Computer Music Currents 10/ | 1 | |||||||||
| 36175 | Jon Christopher | Nelson | Dhoormages, Variation On A Door, Not A Sigh I Am Sitting In A… Waterrun |
2002 | fixed media, akusmatisch | 6:43 | innova 119/ | 0 | |||||||||||
| 36589 | Jon Christopher | Nelson | Gerry Rigged | 2004 | live-elec, 1 perf | cl [Klarinette] | Centaur CRC 3219 Vol. 39/ |
CEMI Denton | 0 | ||||||||||
| 24456 | Jon Christopher | Nelson | L'horlogue imaginaire | 2002 | fixed media, akusmatisch | 10:22 | Octo | LDC 2781125/ SEAMUS EAM Vol. 14/ | IMEB Bourges | 0 | |||||||||
| 20546 | Jon Christopher | Nelson | Order and Alliance | 1991 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | p [Piano] | Barry Hannigan, p | SEAMUS EAM 9402 Vol. 3/ | CEMI Denton | 0 | |||||||
| 32081 | Jon Christopher | Nelson | Other Terrains | 1998 | fixed media, akusmatisch | SEAMUS EAM Vol. 9/ | 0 | ||||||||||||
| 32084 | Jon Christopher | Nelson | Scatter | 2000 | fixed media, akusmatisch | 8:42:00 | Stereo, Octo | SEAMUS EAM Vol. 10/ LDC 278076/77 Cultures Electroniques 16/ innova 118/ | 20th Annual New Music and Art Festival at Bowling Green State University | 0 | |||||||||
| 11844 | Jon Christopher | Nelson | Six Etudes Bréves, Rafalées Contrefaçones Comédie Reverie Juxtapositiones Fantasie |
1989 | Zuspiel / Tonband, 1 perf | 12:15 | Stereo | vc [Cello] | Rhonda Rider (vc) | SEAMUS EAM 9501 Vol. 4/ | EMS Stockholm | 0 | |||||||
| 20983 | Jon Christopher | Nelson | the rain has a slap and a curve | 1997 | fixed media, akusmatisch | 8:24 | Stereo | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | |||||||||
| 19028 | Jon Christopher, Robert | Nelson, Gregory | they wash their anbassadors in citrus and fennel | 1994 | Zuspiel / Tonband, 1 perf | 12:39 | V [Stimme] | for voice and tape. Joan La Barbara / Heidi Dietrich Klein, Mez |
Russolo Pratella EF.ER.P 95/ ICMC 1995, ICMA PRCD 1600/ LDC 278060/61 Cultures Electroniques 9/ SEAM EAM Vol. 7/ | EMS Stockholm | Prix Bourges 1996 Competition Musica Nova Prag 1995 |
1 | |||||||
| 11845 | Mary Beth | Nelson | "I", moros | 1970 | fixed media, akusmatisch | 11:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 11846 | Peter | Nelson | Ichthys | 1992 | Zuspiel / Tonband, 1 group | Stereo | chamber-orc [Orchester] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 11847 | Peter | Nelson | Tournoiments de spectres | 1988 | fixed media, akusmatisch | 8:00 | Stereo | Upic. P.R.S. | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 11848 | Octavian | Nemescu | Combinaisons en cercles | 1982 | Zuspiel / Tonband, 1 group | 11:45 | Stereo | ens [Ensemble] | LDX 78043 Le chant du monde/ | 0 | |||||||||
| 11849 | Octavian | Nemescu | Concentrique | 1980 | Zuspiel / Tonband, 1 group | 16:10 | Stereo | ens [Ensemble] | 0 | ||||||||||
| 11850 | Octavian | Nemescu | Efemeride | 1969 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 18522 | Octavian | Nemescu | Finalalpha - suite "Le Chêne des Etats-Unis d'Europ" | 1990 | fixed media, akusmatisch | 13:41 | IMEB Bourges | 0 | |||||||||||
| 11851 | Octavian | Nemescu | Gradeoitas | 1982 | fixed media, akusmatisch | 29:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 11852 | Octavian | Nemescu | Impar | fixed media, akusmatisch | 21:33 | Compositori di Bucarest | 0 | ||||||||||||
| 11853 | Octavian | Nemescu | Le Roi va mourir | 1971/1972 | Zuspiel / Tonband, 1 perf | ins [Instrument] | 0 | ||||||||||||
| 11854 | Octavian | Nemescu | Memorial I-V | 1968/1970 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 11855 | Octavian | Nemescu | Naturel - Culturel | 1985 | fixed media, akusmatisch | 20:00 | Stereo | 0 | |||||||||||
| 11856 | Octavian | Nemescu | Soatu (H)R | fixed media, akusmatisch | 21:00 | 0 | |||||||||||||
| 11857 | Octavian | Nemescu | Ulysse | 1972/1973 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 40841 | Group | Nemesis | Aluminium II | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 0 | ||||||||||||
| 40837 | Group | Nemesis | Valve-üni | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 0 | ||||||||||||
| 42644 | Andrew, Sean | Nemr, Hagerty | Chasing the Train | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 11858 | Aleksandr | Nemtin | Chorale Prelude in C major (J. S. Bach) | fixed media, akusmatisch | 2:30 | Mono | ANS - synt | Melodiya D-25631-32/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 0 | |||||||||
| 11859 | Aleksandr | Nemtin | Grotesk | 1961 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 11860 | Aleksandr | Nemtin | Intermezzo konsertnoye | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 11861 | Aleksandr | Nemtin | Sl’ezy, Tears | 1961 | fixed media, akusmatisch | 4:41 | Mono | ANS - synt | Melodiya D-25631-32/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 0 | ||||||||
| 41988 | Sarah | Nemtsov | Journal | 2015 | live-elec, 5 perf | 5 ins [Instrument] | 0 | ||||||||||||
| 41989 | Sarah | Nemtsov | running.out of tune | 2013 | live-elec, 2 perf | 2 hpd [Cembalo] | 0 | ||||||||||||
| 41987 | Sarah | Nemtsov | White Wide Eyes | 2014 | Performance | audiovisuell |
23 ins (projektion) [Instrument] | 0 | ||||||||||||
| 25582 | Raphaël | Néron-Baribeau | Toons | 2006 | fixed media, akusmatisch | 7:58 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | winner JTTP 2006 2. prize | 1 | ||||||||
| 41843 | Raphael | Neron | ExobiologY | 2008 | radiophon | 9:29:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 39363 | Eduardo | Nespoli | Quark Motion | 2017 | live-elec, | 0 | |||||||||||||
| 41974 | Giorgio | Netti | us, 3 halves | 2018 | live-elec, 1 perf | e-gui [Gitarre] | SWR für die Donaueschinger Musiktage | 19.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, Maurizio Grandinetti (e-gui) | 0 | |||||||||
| 11862 | Günter | Neubert | Mors et vita | Zuspiel / Tonband, 3 perf, 1 group | 3 V, ens [Stimme, Ensemble] | EM ?? | 0 | ||||||||||||
| 11864 | Max | Neuhaus | Coeur pour batteur - positively Yes | 1965 | live-elec, 1 perf | 10:00-15:00 | Stereo | amp perc [Schlagzeug] | Bussotti 1959 | PS C. NY | 0 | ||||||||
| 11865 | Max | Neuhaus | Drive-in Music | 1967 | Klangkunst, Installation | radiophon |
∞ | first soundinstallation (giving the name) | 0 | |||||||||||
| 11867 | Max | Neuhaus | Four Systems | 1964 | live-elec, 4 perf | 10:00 | Mono | 4 cymbal, (contact mic) [Schlagzeug] | after Brown 1954 | PS C. NY | 0 | ||||||||
| 11868 | Max | Neuhaus | Max-Feed | 1966 | live-elec, 1 perf | var | multichannel | (radios), mic [elektronik] | "compo & design of elec device for manufacture and sale to the general public" | PS C. NY | 0 | ||||||||
| 11869 | Max | Neuhaus | Public Supply, radio net | 1966 | Performance, live-elec, 10 perf | radiophon |
≈90:00 | Stereo | 10 perf (public telephone lines, radio) [Performer] | one version with delayed feedback flow | PS C. NY | 0 | ||||||||
| 43181 | Max | Neuhaus | Sound as a medium - Klang als Medium | 2009 | fixed media, akusmatisch | Auszeichnung ars electronica special Mention 2009 | 0 | ||||||||||||
| 11870 | Max | Neuhaus | Times Square | 1977 | Klangkunst, Installation | ∞ | permanent soundinstallation | 0 | |||||||||||
| 11863 | Max, John | Neuhaus, Cage | 27'10.554'', for a percussionist | 1964/1965 | Zuspiel / Tonband, 1 perf | 27:10 | Stereo | amp perc [Schlagzeug] | after John Cage 1956, 2 versions. On Vinyl Donald Knaack (perc) |
finna SR 9017/ | EMS UIUC, PS C. NY | 0 | |||||||
| 11866 | Max, John | Neuhaus, Cage | Fontana Mix - Feed | 1965 | live-elec, | 10:00 | Stereo, 12 tracks | (4 - 12 Potentiometer con feedback) [] | John Cage 1958 | MS 7139/ S 34 61063/ | PS C. NY, PS Corner NY | 0 | |||||||
| 22223 | Thomas | Neuhaus | 5 kleine Stücke über die kleinen laute eines kleinen menschen | 1997 | fixed media, akusmatisch | 6:48 | Cybele 960.103/ | ICEM Essen | 1 | http://www.Cybele .de/shop/product_info.php?products_id=49 | |||||||||
| 11871 | Thomas | Neuhaus | Aunt Henry's Attempt to Blow Up | 1987 | Zuspiel / Tonband, 1 perf | 13:00 | Octo | tpt [Trompete] | ICEM Essen | 0 | |||||||||
| 30465 | Thomas | Neuhaus | Die Küche | 1990 | Theatermusik | für das Theaterstück „Die Küche“ von Arnold Wesker | 0 | ||||||||||||
| 11872 | Thomas | Neuhaus | Die Milchmännchenrechnung | 1986 | Film | 14:10 | Video by E. Schmidt und B.Grosse-Rhode | 0 | http://icem.folkwang-hochschule.de/~neuhaus/Thomas%20Neuhaus/Wichtige_Daten.html | ||||||||||
| 11873 | Thomas | Neuhaus | Die Schiefe | 1988 | Tanz | 25:00 | choreo Wanda Golonka (Musik zur gleichnamigen Choreographie von Wanda Golonka) Synlab, Musikzitate |
0 | |||||||||||
| 11874 | Thomas | Neuhaus | Elektromechanik | 1988 | fixed media, akusmatisch | 2:00 | Stereo | Musik zu 'Die Mechanische Exzentrik'v. L. Moholy-Nagy | ICEM Essen | 0 | |||||||||
| 30467 | Thomas | Neuhaus | Figur und Klang im Raum | 1992 - 1993 | Theatermusik | Theater der Klänge 1993 | 0 | ||||||||||||
| 30471 | Thomas | Neuhaus | Gregorius auf dem Stein | 2004 | Musiktheater | (nach „Der Erwählte“ von TH. Mann), Musik zusammen mit dem Münchner Ensembles Estampie | Theater der Klänge 2004 | 0 | |||||||||||
| 30472 | Thomas | Neuhaus | HOEReographien | 2005 | Performance | ein intermediales Tanzkonzert | Theater der Klänge 2005 | 0 | |||||||||||
| 30469 | Thomas | Neuhaus | Manifest | 2000 | Performance | interaktive Stimmtransformation, mit J. Lensing (Regie, Elektronik), Clemente Fernandez (Stimme, Elektronik) | 0 | ||||||||||||
| 26181 | Thomas | Neuhaus | Megalopolis: Abgesänge auf die grossen Städte | 2002 | Performance | 82:10 | dancer [Tanz] | HörZeichen 2003/ | ICEM Essen | Theater der Klänge | 0 | ||||||||
| 30470 | Thomas | Neuhaus | Modul|a|t|o|r Le Corbusier | Der Mensch ist das Maß aller Dinge | 2002 | Musiktheater | ein intermediales Musik- und Tanztheaterstück | Theater der Klänge | 0 | |||||||||||
| 11875 | Thomas | Neuhaus | Neurotica | 1984 | Zuspiel / Tonband, 1 perf | 2:00 | Sp [Sprecher] | Satz 6 der gleichnamigen Kammermusik | 0 | ||||||||||
| 30466 | Thomas | Neuhaus | November 1918 1989 | 1991 | Theatermusik | 2 perc, com, (elec) [Schlagzeug, computer] | Theater der Klänge 1991 | 0 | |||||||||||
| 30477 | Thomas | Neuhaus | Revelations and a Terrace Talk | 2010 | fixed media, akusmatisch | 12 | Quadro | ICEM Essen | 2010 | Day of Sound der ISEA 2010 | 0 | ||||||||
| 11876 | Thomas | Neuhaus | She is not at all domesticated | 1986 | live-elec, 1 perf | 10:00 | Stereo | V [Stimme] | ICEM Essen | 0 | |||||||||
| 11877 | Thomas | Neuhaus | Solo für Doris | 1986 | Tanz | 9:07 | Quadro | choreo Olivia Maridjan-Koop | ICEM Essen | 0 | |||||||||
| 11878 | Thomas | Neuhaus | Studien zur Kompositionssprache PPP | 1985 | fixed media, akusmatisch | 23:00 | Quadro | ICEM Essen | 0 | ||||||||||
| 30478 | Thomas | Neuhaus | Suite Intermediale | 2010 | Performance | 2010 | Novembermusic 2010 an der Folkwang UdK, Theater der Klänge 2010 | 0 | |||||||||||
| 30473 | Thomas | Neuhaus | Teufels kreise | 2006 | Theatermusik | Theater der Klänge 2006 | 0 | ||||||||||||
| 23036 | Thomas | Neuhaus | The bad Boys were prodding the bear through the bars of the cage | 1985 | fixed media, akusmatisch | 6:39 | Octo | mit SynLab produziert. 5 kleine Stücke über die kleinen Laute eines kleinen Menschen |
Cybele 960.105, ex machina 5/ Koch 3-5037-3/ | ICEM Essen | 0 | ||||||||
| 30474 | Thomas, Dietrich | Neuhaus, Hahne | Carbonized | 2007 | Klangkunst, Installation | Interaktive Installation für die ehemalige Kohlenwäsche der Zeche Zollverein im Rahmen von Round Midnight-Folkwang Medial | ehemalige Kohlenwäsche der Zeche Zollverein | 0 | |||||||||||
| 30464 | Thomas, Jörg, A. | Neuhaus, Lensing, Heinrich | Die Barocke Maskenbühne | 1989 | Theatermusik | hpd, perc [Cembalo, Schlagzeug] | Theater der Klänge 1989 | 0 | |||||||||||
| 30463 | Thomas, Jörg, E. | Neuhaus, Lensing, Kis | Kunst-Stoff Drumprojekt | 1986 | live-elec, 4 perf | 4 perc, (com) [Schlagzeug] | 0 | ||||||||||||
| 30475 | Thomas, Neil, Spencer, Anthony, Claudius, Dietrich, Stefan | Neuhaus, Leonard, Putman, Bonenstein, Lazzeroni, Hahne, Kreitmayer | 55 | 2008 | Performance | An International Interactive Multimedia Project | ICEM Essen | 0 | |||||||||||
| 30468 | Thomas, Dirk | Neuhaus, Reith | Tilt -- and yet it moves | 1996 | Performance | Tanz |
dancer, (elec) [Tanz] | interactive sound-sculpture and dance für Tänzerin, ferngesteuerte Kugeln, live-elektronik und Tonband; Jürgen Steger (Objekte) und Kerstin Hörner (Choreographie und Tanz) | 0 | |||||||||||
| 30476 | Thomas, Günter | Neuhaus, Steinke | Conversations without Drums | 2009 | Performance | 14 ins [Instrument] | Improvisationsstück | Bunkerebene der Mischanlage der Kokerei Zollverein | 0 | ||||||||||
| 22593 | Martin | Neukom | Drei Etüden | 1991 - 1993 | fixed media, akusmatisch | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 27901 | Martin | Neukom | Studie 1.1 - 1.6 | 1990/1991 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27909 | Martin | Neukom | Studie 10.1 - 10.2 | 1996 - 1997 | fixed media, akusmatisch | aus der Performance "Der Kern und die Frucht" | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 27910 | Martin | Neukom | Studie 11.1 | 1996 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27911 | Martin | Neukom | Studie 12.1 - 12.2 | 1997 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27912 | Martin | Neukom | Studie 14.1 | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27902 | Martin | Neukom | Studie 2 | 1991 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27903 | Martin | Neukom | Studie 3.1 - 3.3 | 1991 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27904 | Martin | Neukom | Studie 4 | 1992 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27905 | Martin | Neukom | Studie 5.1 - 5.5 | 1992/1993 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27906 | Martin | Neukom | Studie 6 | 1992 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27907 | Martin | Neukom | Studie 7.1 - 7.3 | 1993 - 1996 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27713 | Martin | Neukom | Studie 8.1 - 8.5 | 1994/1995 | fixed media, akusmatisch | 8:18 | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 27908 | Martin | Neukom | Studie 9.1 | 1995 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27913 | Martin | Neukom | Widerspiel | 1998 | Zuspiel / Tonband, 1 perf | va [Viola] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 33808 | Andrea | Neumann | pappelallee 5 | 2009 | live-elec, 1 perf | 29:30 | p [Piano] | inside piano, elec (A. Neumann) … the music coming from the surrounding flats was recorded from within my apartment … |
absinth 016/ | 1 | |||||||||
| 42293 | Andrea | Neumann | Solo for Zither, Heartbeat and Mixer | 2018 | Performance, live-elec, 1 perf | perf (Zither, elec) [Performer] | 18.12.2018 | SomoS Art House Berlin | 0 | ||||||||||
| 38949 | Hans-Joachim | Neumann | Hexen - Geschäfte mit dem Aberglauben | 1960 | Film | 13 | Kurz-Dokumentarfilm | 0 | |||||||||||
| 22953 | Ute | Neumerkel | Launische Dreisamkeit | 1978 | fixed media, akusmatisch | 12:00 | Quadro | "3-Minutenstücke" with Herbert Brün | TU Berlin | 1 | |||||||||
| 37521 | Gerd | Neuse | Circulatio | 1984 | fixed media, akusmatisch | 12:12:00 | Stereo | ob or ehn [Oboe] | Oboe / Englich Horn | ICEM Essen | 0 | ||||||||
| 11880 | Gösta | Neuwirth | Vanish | 1975 | fixed media, akusmatisch | 9:35 | Stereo | IEM Graz | 0 | ||||||||||
| 27544 | Olga | Neuwirth | Addio … sognando | 2009 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | zum 200. Todestages von Joseph Haydn | 31.5.2009 | Eisenstadt Bergkirche um 0:41 | 0 | |||||||||
| 11881 | Olga | Neuwirth | Aufenthalt | 1992/1993 | live-elec, 11 perf | ≈ 16:00 | S, T, 2 Sp, 7 ins [Sopran, Tenor, Sprecher, Instrument] | words by Elfriede Jelinek | Ricordi | 0 | |||||||||
| 23023 | Olga | Neuwirth | Construction in Space | 2000 | live-elec, 4 perf, 4 groups | 46:39 | 4 mus, 4 ens [Musiker, Ensemble] | Klngforum Wien, Ltg. Emilio Pomarico. "à Pierre Boulez à son 75ème anniversaire". u.a. Peter Böhm (el) |
Kairos 0012302KAI/ | 1 | |||||||||
| 26265 | Olga | Neuwirth | Der Tod und das Mädchen II | 2000 | radiophon | 52:00 | words by Elfriede Jelinek | col legno WWE 1CD 20261/ | ZKM Karlsruhe, Radio SR Saarbrücken | 0 | |||||||||
| 20547 | Olga | Neuwirth | !? dialogues suffisants | 1991/1992 | audiovisuell, 2 perf | 11:45 | Stereo | vc, perc [Schlagzeug, Cello] | Accord 205232/ | AdK Berlin | 0 | ||||||||
| 42333 | Olga | Neuwirth | incidendo/fluido | 2000 | Zuspiel / Tonband, 1 perf | 10 | p (CD-Player inside piano, piano prepared) [Piano] | 0 | |||||||||||
| 11882 | Olga | Neuwirth | Lonicera Caprifolium | 1993 | Zuspiel / Tonband, 1 group | 17:00 | Octo | ens [Ensemble] | Accord 205232/ | 0 | |||||||||
| 28625 | Olga | Neuwirth | Metal / Pallas | 1996 | fixed media, akusmatisch | 8 | Octo | IRCAM, TU Berlin | 3.6.1996 | Inventionen Parochialkirche Berlin | 1 | 1996 | |||||||
| 11883 | Olga | Neuwirth | Pallas / Construction | 1996 | Zuspiel, live-elec, 3 perf | 10:00 | Quadro | 3 perc [Schlagzeug] | ed. rz 20002/ | TU Berlin | 20.10.1996 | Wien | 1 | 2000 | |||||
| 22405 | Olga | Neuwirth | Permin III | 2000 | live-elec, 4 perf | 9:53 | 3 perc, theremin [Schlagzeug, synthesizer] | TU Berlin | 1 | 2000 | |||||||||
| 11884 | Olga | Neuwirth | Sans Soleil | 1994 | live-elec, 2 perf, 1 group | 18:00 | 2 oma, orc [synthesizer, Orchester] | 0 | |||||||||||
| 11885 | Olga | Neuwirth | Vampyrotheone | 1995 | live-elec, 3 perf, 3 groups | ≈ 12:00 | b-cl, e-gui, t-sax, 3 ens [Klarinette, Saxophon, Gitarre, Ensemble] | 0 | |||||||||||
| 11886 | Olga | Neuwirth | Vexierbilder | 1993/1994 | live-elec, 4 perf | 10:00 | 4 w [Bläser] | Accord 205232/ | 0 | ||||||||||
| 11887 | Tapio | Nevanlinna | you offer me out of water the sun | 1985 | fixed media, akusmatisch | 4:28 | ed. rz 3004 LP/ | Yleisradio | 1 | ||||||||||
| 23278 | José Maria | Neves | Un-X-2 | 1971 | fixed media, akusmatisch | 8:54 | SBME 002, Musica el. Brasileira Vol 2/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ Tacuabé T/E 3/ | Centro Americano Studio Paris | 1 | ||||||||||
| 40047 | Marcus | Neves | Glass II | 2015 | fixed media, akusmatisch | 7:48:00 | Marcus Neves | 0 | |||||||||||
| 11888 | Group, Jonathan | New Digital Orchestra, Mitchell | The NDO Takes Off! | 1985 | fixed media, akusmatisch | Stereo | group: Mitchell, Szava, Stephen | NDO CCR 9030 / | St B Toronto | 0 | |||||||||
| 21837 | Mary Lou | Newmark | Green Angel | 2000 | live-elec, 2 perf | e-vn, V [Stimme, Violine] | 0 | ||||||||||||
| 26007 | Sergej | Newski | Cellostück | 2005 | Zuspiel, live-elec, 1 perf | 5 tracks | vc [Cello] | TU Berlin | 0 | ||||||||||
| 22708 | Sergej | Newski | Jétais d'accord… | 1999 | Zuspiel / Tonband, 3 perf | 7:40 | 3 mus [Musiker] | WER 65872/ | TU Berlin | KNM Berlin | 11.11.2000 | Künstlerhaus Bethanien Berlin | 1 | ||||||
| 26008 | Sergej | Newski | Ortstermin | 2003 | Zuspiel, live-elec, | 5 tracks | TU Berlin | 4.4.2003 | Deutschen Staatsoper | 1 | |||||||||
| 11889 | George | Newson | Alan's Piece again | 1968 | Zuspiel / Tonband, 1 perf | 14:25 | cl [Klarinette] | Fonologia Milano | 0 | ||||||||||
| 36813 | George | Newson | Alan's Piece Again | 1968 | Zuspiel / Tonband, 1 perf | 14:15:00 | Mono | cl [Klarinette] | Fonologia Milano | 0 | |||||||||
| 11890 | George | Newson | Ballet Scene | 1972 | fixed media, akusmatisch | Stereo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 11891 | George | Newson | One under the Eight | 1969 | fixed media, akusmatisch | 7:10 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 33327 | George | Newson | The Man who collected Sounds | 1966 | radiophon | 80 | Mono | BBC | 0 | ||||||||||
| 36753 | George | Newson | The Six Of Us | 1968 | fixed media, akusmatisch | 12:00:00 | Sonology Utrecht | 0 | |||||||||||
| 36814 | George | Newson | This gap of time | 1968 | Zuspiel / Tonband, 6 perf | 7:00:00 | Mono | fl, cl, trbn, va, vc, perc [Flöte, Klarinette, Posaune, Schlagzeug, Viola, Cello] | 0 | ||||||||||
| 36815 | George | Newson | Threw Away a Pearl | 1968 | Zuspiel / Tonband, 8 perf | 16:15:00 | Mono | fl, ob, bn, hn, 2 tpt, trbn, perc [Flöte, Oboe, Fagott, Horn, Trompete, Posaune, Schlagzeug] | 0 | ||||||||||
| 39720 | David Q. | Nguyen | Pictured Remnants | 2017 | fixed media, akusmatisch | 16 Tracks | David Q. Nguyen | 0 | |||||||||||
| 11892 | Thien-Dao | Nguyen | Tuyen lua | 1968 | Zuspiel / Tonband, 7 perf | 15:00 | 7 ins [Instrument] | ERA/ | 0 | ||||||||||
| 20548 | Phill | Niblock | Didjeridoos and Don'ts | 1992 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | w (didgeridoo) [Bläser] | OO Discs 32/ | 0 | |||||||||
| 18958 | Phill | Niblock | Early Winter | 1991 | Zuspiel / Tonband, 6 perf | 45:27 | str-qt, fl, synt [Flöte, synthesizer, Streicher] | Soldier String Quartet, Strenger, E. Blum; 38 sampled and synthesizer voices | XI 111 Experimental Intermedia/ | 0 | |||||||||
| 33832 | Phill | Niblock | Ghosts and Others | live-elec, | 8:11 | ISAST LMJ 9/ | 0 | ||||||||||||
| 26009 | Phill | Niblock | Guitar too, for four | 1996 | live-elec, 1 perf | gui [Gitarre] | archipel the third ear/ | 0 | |||||||||||
| 26010 | Phill | Niblock | Pan Fried II | 1996 | live-elec, | archipel the third ear/ | 0 | ||||||||||||
| 26011 | Phill | Niblock | PK and SLS | 1978 | Performance | archipel the third ear/ | 0 | ||||||||||||
| 43159 | Phill | Niblock | The Movement Of People Working | 1975 - 1983 | audiovisuell | Surround 5.1 | XDVD 001/ ARS 03/ | Auszeichnung ars electronica honorary mention 2003 | 0 | https://www.discogs.com/Phill-Niblock-The-Movement-Of-People-Working/release/667669 | |||||||||
| 41479 | Phill | Niblock | Vlada BC | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 11893 | Grigore | Nica | Zones | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 11894 | Serban | Nichifor | Dionysies | 1981 | Zuspiel / Tonband, 2 perf | cl, p [Klarinette, Piano] | EM ?? | 0 | |||||||||||
| 38447 | Serban | Nichifor | Domnisoara Christina, Miss Christina | 1982 | Performance | 20:20 | lyrical drama | ST-ECE 02108/ | 0 | ||||||||||
| 11895 | Serban | Nichifor | Echos 2050 | Zuspiel / Tonband, 3 perf | 9:00 | Bar, B, vc [Bariton, Bass, Cello] | EM ?? | 0 | |||||||||||
| 41519 | Serban | Nichifor | One Minute of Eternity | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 42704 | John | Nichols III | Amovi Alaan | 2012 | fixed media, akusmatisch | 6:38:00 | 0 | ||||||||||||
| 43009 | John | Nichols III | Gates | 2013 | fixed media, akusmatisch | 8:46:00 | 0 | ||||||||||||
| 43043 | John | Nichols III | Nothing that Breathes | 2014 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 39648 | Charles | Nichols | At The Boundary | 2016 | fixed media, akusmatisch | Charles Nichols | 0 | ||||||||||||
| 41513 | Charles | Nichols | Eulogy | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 38872 | Charles | Nichols | Il Prete Rosso | 2014 | live-elec, 1 perf | 6:21 | Spazialisation: binaural | amp vn, (motion sensor, com) [Violine] | CMJ Vol 41, 2017/ | 0 | |||||||||
| 42893 | Charles | Nichols | Sound of Rivers: Stone Drum | 2013 | fixed media, akusmatisch | 5:23:00 | 0 | ||||||||||||
| 39649 | Charles, Joan | Nichols, Grossman | This Edge | 2015 | fixed media, akusmatisch | 5:38:00 | Charles Nichols and Joan Grossman | 0 | |||||||||||
| 39926 | John | Nichols | Nothing that Breathes | 2015 | fixed media, akusmatisch | 10:00:00 | John Nichols III | 0 | |||||||||||
| 39412 | John | Nichols | Reveries of Solitude | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39925 | John | Nichols | The Pillar II | 2016 | fixed media, akusmatisch | John Nichols | 0 | ||||||||||||
| 35847 | John S. | Nichols | AGE | 2012 | fixed media, akusmatisch | 8:35 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 39927 | John S. | Nichols | AGE | 2017 | fixed media, akusmatisch | John S. Nichols | 0 | ||||||||||||
| 36535 | John S. | Nichols | GATES | 2014 | fixed media, akusmatisch | 8:20 | Taukay 156/ | 1. Preis composition competition Città di Udine, 10. edition | 0 | ||||||||||
| 11896 | George | Nicholson | Equation | 1970 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 11897 | Leslie | Nicholson | Delusions of a Peroxide Blonde | 1981 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 35062 | Carsten | Nicolai | aoyama space no. 5 | 2009 | Klangkunst, Installation | (Aluminiumbox auf Podest, Elektrik, Licht, Ton) [] | 2009 | Galerie EIGEN+ART Leipzig / Berlin | 0 | ||||||||||
| 32998 | Carsten | Nicolai | electronics | 2008 | live-elec, | 51:44 | zkr 0004/ | 1 | |||||||||||
| 22700 | Carsten | Nicolai | Kerne | 1998 | fixed media, akusmatisch | 68:11 | Noto alias Carsten Nicolai | pl 04/ | PS voxxx Noto | 1 | |||||||||
| 34768 | Carsten | Nicolai | Kosmos + Turm, kosmos+turm - bausatz.noto.∞ | 1998 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 18.9.-18.10.1998 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 23573 | Carsten | Nicolai | Party Plasibenpius (for Rune Lindblad) | 2003 | Klangkunst, Installation | 7:21 | The hidden City - Sound Portraits from Göteborg. Pseudonym: alva noto | SR 219 sub rosa/ | 0 | ||||||||||
| 32904 | Carsten | Nicolai | syn chron | 2005 | Klangkunst, Installation | ∞ | 25.2.2005 - 3.4.2005 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | http://www.musikwerke-bildender-kuenstler.de/de/k02.html | |||||||||
| 38457 | Carsten | Nicolai | Synchron Bitwave 5 Min C1 |
2005, 2007 | live-elec, 2 perf | 51:42 | 2 perf (ens Zeitkratzer) [Performer] | zkr 0003/ | 0 | ||||||||||
| 40866 | Carsten | Nicolai | Time … Dot | fixed media, akusmatisch | 4:26 | SR 220 sub rosa/ | 0 | ||||||||||||
| 43122 | Carsten, Ilpo, RyojiWolfgang | Nicolai, Väisänen, Ikeda, Scanner, Voigt | 20’ to 2000 | 1999 | fixed media, akusmatisch | 20' to 2000 is a monthly magazine-like on more than 12 CDs | ARS 00/ | Auszeichnung ars electronica: Golden Nica 2000 | 0 | https://www.discogs.com/Various-20-To-2000/release/1885879 | |||||||||
| 42155 | Olaf | Nicolai | In the woods there is a bird… | 2017 | radiophon | 31:01 | SAVVY-Funk - Documenta 14, Dlf Kultur | Cincinnati Percussion Group | 9.6.2017 | Deutschlandfunk | Karl-Sczuka-Preis 2017 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4939945&vi=2&SID | ||||||
| 33942 | Vassos | Nicolaou | Blaue Bäume | 2001 | Zuspiel / Tonband, 1 perf | 9:19:00 | Stereo | cl [Klarinette] | HfMT Köln | 0 | |||||||||
| 35351 | Vassos | Nicolaou | Réflexions | 2004 | live-elec, 4 perf | cl, vn, vc, p [Klarinette, Piano, Cello, Violine] | HfMT Köln CD8/ | HfMT Köln, IRCAM | 2004 | Paris, Ensemble InterContemporain | 0 | ||||||||
| 33943 | Jing | Nie | Delusion, now | 2015 | fixed media, akusmatisch | 7:38:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 11898 | Sebastian, Macieo | Niedziela, Zóltowski | Thang-Ka (The final Showtime) | 1994 | fixed media, akusmatisch | HfM Warsaw | 0 | ||||||||||||
| 31540 | Johann | Niegl | 4PoAS | 2013 | fixed media, akusmatisch | 6:00 | Spazialisation: WFS | next_generation 5.0 | HfM Hamburg | 0 | |||||||||
| 43173 | Jörg | Niehage | Samplingplong | 2006 | Klangkunst, Installation | Auszeichnung ars electronica honorary mention 2008 | 0 | http://www.schroeder-niehage.de/samplingplong.html | |||||||||||
| 11899 | Manfred | Niehaus | Badineries | 1971 | live-elec, 1 group | 11:00 | orc [Orchester] | 0 | |||||||||||
| 23045 | Manfred | Niehaus | Die Badewanne | 1970 | radiophon | musikalisches und radiophonisches Lustspiel | WDR SEM | WDR 1970 | 0 | ||||||||||
| 11900 | Manfred | Niehaus | Landkarte II | 1963 | fixed media, akusmatisch | AUL 53579/ | 1 | ||||||||||||
| 11901 | Manfred | Niehaus | Maldoror | 1970 | Oper, 1 group | 5:33 | Mono | ens [Ensemble] | HfMT Köln | 0 | |||||||||
| 11902 | Manfred | Niehaus | Quartett mit Regler | 1970 | live-elec, | 0 | |||||||||||||
| 30502 | Frank | Niehusmann | Abenteuer Ruhrpott | 2001 | Fernsehen, | 34:47 | soundtrack for the 4-part TV-documentation by Werner Kubny | media: Video-DVDs "Abenteuer Ruhrpott"/ | 2001-04-18 | 3-sat | 0 | ||||||||
| 30501 | Frank | Niehusmann | Arbeit | 2001 | fixed media, akusmatisch | 6:36:00 | Cybele 960.207 DegeM CD 07 DegeM CD 07/ |
1 | |||||||||||
| 34867 | Frank | Niehusmann | Bandito Cafe Overload | 2016 | audiovisuell | 1:03 | AF 0170/ | 0 | |||||||||||
| 30483 | Frank | Niehusmann | Das Gebiet | 2011 | radiophon | 48:00:00 | WDR | 2011-12-02 2012-01-15 |
WDR-3 Dortmund (Theater im Depot) |
0 | |||||||||
| 24944 | Frank | Niehusmann | Day Tracks 1 | 2005 | live-elec, 1 perf | 63:00 | Stereo, Quadro | com Kbd [Keyboard] | Live-Version use 4 Loudspeakers. | NURNICHTNUR 1050826/ | PS C. | 2005-11-24 | Preetz (Klanggalerie, Kunstkreis Preetz) | 1 | http://www.niehusmann.org | ||||
| 25074 | Frank | Niehusmann | Day Tracks 2 | 2005 | live-elec, 1 perf | 70:28 | Stereo, Quadro | com Kbd [Keyboard] | Live-Version use 4 Loudspeakers. 20 Parts with titels showing the Date of the record; duration each around 3 Minutes. |
NURNICHTNUR 1060309/ | PS C. | 1 | http://www.niehusmann.org | ||||||
| 26012 | Frank | Niehusmann | Day Tracks 3 | 2006 | live-elec, 1 perf | 73:12 | com Kbd [Keyboard] | 20 Teile entsprechen 20 Tagen im Jahr 2006 mit 20 Versionen einer immer wieder neuen Archivkomposition, live gespielt auf einem KB | NURNICHTNUR 1070131/ | PS C. | 1 | http://www.niehusmann.org | |||||||
| 30485 | Frank | Niehusmann | Die Faxen des Kleinen vorm Großen | 2011 | fixed media, akusmatisch | 3:00:00 | NURNICHTNUR 1120526/ | 2011-07-10 | Dortmund (Theater im Depot) | 1 | |||||||||
| 30481 | Frank | Niehusmann | Eskalation für 3 virtuelle Klaviere | 2012 | live-elec, | 5:45:00 | NURNICHTNUR 1120526/ | 2012-02-26 | Dortmund (Theater im Depot) | 1 | |||||||||
| 30495 | Frank | Niehusmann | Everything under control by my nanotec swarm | 2005 | fixed media, akusmatisch | 4:44:00 | NURNICHTNUR 1110517/ | 1 | |||||||||||
| 30486 | Frank | Niehusmann | Frage Raum Übergang | 2011 | fixed media, akusmatisch | 32:00:00 | 2011-11-18 | Marl (Galerie Frageraum) | 0 | ||||||||||
| 24942 | Frank | Niehusmann | Fragrance | 1998 | fixed media, akusmatisch | live-elec, || Klangkunst, Installation |
135:00 | Stereo, Quadro, Octo | (1 - 4 CD-player) [] | 4 movements: Fragrance 1 (34:00), Fragrance 2 (33:00), Fragrance 3 (34:00), Fragrance 4 (34:00) | Klangkunst-Edition 3/5 Item-Verlag Essen 1999; ISBN 3-929151-22-7/ | PS C. | 1998-08-21 | Essen (Kunsthaus) | 0 | http://www.niehusmann.org | ||||
| 30494 | Frank | Niehusmann | Gasometer | 2006 | fixed media, akusmatisch | 3:38:00 | NURNICHTNUR 1110517/ | 2006-07-18 | Stuttgart, Kunstmuseum, World New Music Days | winner of the competition "Short Cuts: Beauty" des ZKM/Karlsruhe at the festival "World New Music Days" in Stuttgart/Germany 2006 | 1 | ||||||||
| 24945 | Frank | Niehusmann | Heimat & Antarktis | 1993 | Zuspiel, live-elec, 1 perf | 41:50 | Stereo | synt, (DSP) [synthesizer] | Klangkunst-Edition 1, Item-Verlag, Essen 1994; ISBN 3-929151-05-7/ | PS C. | 1993-08-04 | Düsseldorf, Schloß Benrath, Neuer Tanz | 0 | http://www.niehusmann.org | |||||
| 24947 | Frank | Niehusmann | Inkan (analogue version) | 2003 - 2004 | fixed media, akusmatisch | live-elec, 1 perf |
61:30 | Stereo, Quadro, Octo | Kbd [Keyboard] | 2-track and 8-track tape machine | PS C. | 0 | http://www.niehusmann.org | |||||||
| 24948 | Frank | Niehusmann | Inkan (digital version) | 2003 - 2004 | live-elec, 1 perf | 61:30 | Stereo, Quadro | (com), Kbd [Keyboard] | PS C. | 0 | http://www.niehusmann.org | ||||||||
| 31964 | Frank | Niehusmann | materila de vaga | 2012 | fixed media, akusmatisch | NURNICHTNUR 1120526/ | 1 | ||||||||||||
| 30497 | Frank | Niehusmann | Overdrive Boulevard | 2005 | fixed media, akusmatisch | 6 | 4 movements: Overdrive Boulevard North (1:30), Overdrive Boulevard West (1:30), Overdrive Boulevard South (1:30), Overdrive Boulevard East (1:30) | DEGEM CD 08/ | 0 | ||||||||||
| 24286 | Frank | Niehusmann | Overdrive Boulevard East | 2002 | fixed media, akusmatisch | 1:30 | Stereo | digital remix of Frank Niehusmann's piece "Schnitt!"; originally composed as a set of 5(!) pieces for the DEGEM-CD8 "90 Sekunden Wirklichkeit": Overdrive Boulevard - North (track 14), Overdrive Boulevard - West (track 17), Overdrive Boulevard - South (track 19), Overdrive Boulevard - East (track 40), Overdrive Boulevard - Roof Garden (not on the CD!) | Cybele 960.208/ DegeM CD 08/ | PS C. | 1 | http://www.niehusmann.org | |||||||
| 24267 | Frank | Niehusmann | Overdrive Boulevard North | 2002 | fixed media, akusmatisch | 1:30 | Stereo | digital remix of Niehusmann's piece "Schnitt!"; originally composed as a set of 5(!) pieces for the DEGEM-CD8 "90 Sekunden Wirklichkeit": Overdrive Boulevard - North (track 14), Overdrive Boulevard - West (track 17), Overdrive Boulevard - South (track 19), Overdrive Boulevard - East (track 40), Overdrive Boulevard - Roof Garden (not on the CD!) | Cybele 960.208/ DegeM CD 08/ | PS C. | 1 | http://www.niehusmann.org | |||||||
| 24272 | Frank | Niehusmann | Overdrive Boulevard South | 2002 | fixed media, akusmatisch | 1:30 | Stereo | digital remix of Frank Niehusmann's piece "Schnitt!"; originally composed as a set of 5(!) pieces for the DEGEM-CD8 "90 Sekunden Wirklichkeit": Overdrive Boulevard - North (track 14), Overdrive Boulevard - West (track 17), Overdrive Boulevard - South (track 19), Overdrive Boulevard - East (track 40), Overdrive Boulevard - Roof Garden (not on the CD!) | Cybele 960.208/ DegeM CD 08/ | PS C. | 1 | http://www.niehusmann.org | |||||||
| 24270 | Frank | Niehusmann | Overdrive Boulevard West | 2002 | fixed media, akusmatisch | 1:30 | Stereo | digital remix of Niehusmann's piece "Schnitt!"; originally composed as a set of 5(!) pieces for the DEGEM-CD8 "90 Sekunden Wirklichkeit": Overdrive Boulevard - North (track 14), Overdrive Boulevard - West (track 17), Overdrive Boulevard - South (track 19), Overdrive Boulevard - East (track 40), Overdrive Boulevard - Roof Garden (not on the CD!) | Cybele 960.208/ DegeM CD 08/ | PS C. | 1 | http://www.niehusmann.org | |||||||
| 24943 | Frank | Niehusmann | Schnitt! | 1999 - 2002 | fixed media, akusmatisch | live-elec, 1 perf |
66:00 | Stereo, Quadro, Octo | Kbd [Keyboard] | 8 movements, Biometrie (4:30), Das verrückte Kind (3:48), Fischgesang (3:24), Marrakesch Medizin (4:17), Maschinenpark (3:51), Piano Vulcano (4:19), Scherzo for Windows (4:38), Transport (5:10). 2-track and 8-track analogue tape machine |
NURNICHTNUR 10021127 "Frank Niehusmann - live"/ | PS C. | 1999-10-23 | Essen, Galerie Schütte | 1 | http://www.niehusmann.org | ||||
| 30484 | Frank | Niehusmann | Scuderia Ferrari auf der Allee der Kosmonauten | 2011 | radiophon | 5:33:00 | Neue Komposition aus „Jetzt“-Material | WER 20662/ | 2012-11-12 2011-12-10 |
Karlsruhe (ZKM/ARD-Hörspieltage) HR-2 / The Artist's Corner |
competition "Ferrari (r)écouté" Preis der deutschen Schallplattenkritik 2/2012 |
0 | |||||||
| 30488 | Frank | Niehusmann | Sechs Stücke für drei Schlagzeuger | 2011 | live-elec, 3 perf | 30:00:00 | 3 perc [Schlagzeug] | 2011-08-31 | Berlin (Festival "Ankunft Neue Musik") | 0 | |||||||||
| 30499 | Frank | Niehusmann | Shloiderform | 2002 | fixed media, akusmatisch | 4:44:00 | NURNICHTNUR 1120526/ | 2003-04-04 | Gainesville/FL (USA) at the 12th Annual Florida Electroacoustic Music Festival (University of Gainesville, Center for the Performing Arts), | 1 | |||||||||
| 30491 | Frank | Niehusmann | Top spin slices and returns | 2010 | fixed media, akusmatisch | 10:10:00 | NURNICHTNUR 1110517/ | finalist of the competition "Città di Udine 2010" at Taukay Edizioni Musicali (Remanzacco - Udine/Italy) | 1 | ||||||||||
| 23188 | Frank | Niehusmann | Traum.Reise. | 2001 | radiophon | 52:30 | Stereo | PS C. | DLR (now Deutschlandradio Kultur). | 2001-10-05 | Deutschlandradio Berlin | 1 | http://www.nurnichtnur.com | ||||||
| 30504 | Frank | Niehusmann | Triptychon - Looking for Slothrop | 2000 | fixed media, akusmatisch | 19:00:00 | 2000-12-03 | Berlin, Akademie der Künste | 0 | ||||||||||
| 29996 | Frank | Niehusmann | uData | 2011 | fixed media, akusmatisch | 5:00:00 | DegeM CD 10 Replace/ | 1 | |||||||||||
| 30487 | Frank | Niehusmann | Übergang Umschaltung | 2011 | fixed media, akusmatisch | 10:57:00 | 2011-11-18 | Marl (Galerie Frageraum) | 0 | ||||||||||
| 24946 | Frank | Niehusmann | Untertagemusik Nr. 1 | 2000 | fixed media, akusmatisch | live-elec, 1 perf |
10:33 | Stereo, Quadro, Octo | perf [Performer] | 2-track and 8-track analogue tape machine | NURNICHTNUR 10021127 "Frank Niehusmann - live"/ | PS C. | 2000-11-23 | Bochum (Festival "Blicke aus dem Ruhrgebiet") | 29th International Competition of Electroacoustic Music and Sound Art" in Bourges/Frankreich 2002 in the category "works for electroacoustic and sonic art | 1 | http://www.niehusmann.org | |||
| 42268 | Frank | Niehusmann | Untertagemusik Nr. 3 | live-elec, | 0 | ||||||||||||||
| 24949 | Frank | Niehusmann | WAS DA LOS IST | 2004 | fixed media, akusmatisch | live-elec, 1 perf |
21:00 | Stereo, Quadro | com Kbd [Keyboard] | ZKM Karlsruhe | ZKM at Festival "Internationale Glockentage 2004" | 2005-09-25 | Karlsruhe, ZKM, Europäische Glockentage 2004 | winner of the competition at the festival "Europäische Glockentage 2004" in cooperation with ZKM/Karlsruhe | 0 | http://www.niehusmann.org | ||||
| 26140 | Frank | Niehusmann | Wer? (Monster. Mythen. Mutationen) | 2007 | fixed media, akusmatisch | 6:40 | Stereo | Cybele 960.209/ DegeM CD 09/ | 2011-10-07 | Dortmund (Theater im Depot), | 0 | http://www.niehusmann.org | |||||||
| 30496 | Frank, Karl-Heinz | Niehusmann, Mauermann | Maschinen - ein Hörspiel | 2005 | radiophon | 52:00:00 | DeutschlandRadio | 2005-05-27 2007-01-16 |
Deutschlandradio Kultur Paris, IRCAM, Festival "La semaine du son" |
winner of the competition "Phonurgia Nova 2006" (Arles/Frankreich) | 0 | ||||||||
| 30490 | Frank, Clemens von | Niehusmann, Reusner | Bonds Swapping | 2010 | fixed media, akusmatisch | 1:00:00 | Stereo | NURNICHTNUR 1110517/ | PS C. | 12.11.2012 | Radio CKCU.FM, Acoustic Frontiers, Kanada | Finalist at the International Electroacoustic Music Competition Musica Nova 2010 - Prague, Czech Republik, Selected for World Music Days 2011, Zagreb. | 1 | ||||||
| 32869 | Frank, Clemens von | Niehusmann, Reusner | Bugs and bunnies in the reaper | 2011 | fixed media, akusmatisch | 3:00 | Stereo | NURNICHTNUR 1110517/ | PS C. | 12.11.2012 | Radio CKCU.FM, Acoustic Frontiers, Kanada | 1 | |||||||
| 34865 | Frank, Angelika, Group | Niehusmann, Sheridan, STROM | Druckausgleich | 2016 | live-elec, 2 perf | 11:18 | fl (c-fl, b-fl), com (MAX by Cycling '74; hardware ≈ nanoKONTROL2 by KORG, Mac Book Pro by Apple, Komplete Audio 6 by Native Instruments) [Flöte, computer] | STROM = Angelika Sheridan, flute / Frank Niehusmann, Computer | NURNICHTNUR 1160615/ | 0 | http://www.niehusmann.org/STROM | ||||||||
| 34866 | Frank, Angelika, Group | Niehusmann, Sheridan, STROM | Entladung | 2016 | live-elec, 2 perf | 5:25 | fl (c-fl, b-fl), com (MAX by Cycling '74; hardware ≈ nanoKONTROL2 by KORG, Mac Book Pro by Apple, Komplete Audio 6 by Native Instruments) [Flöte, computer] | STROM = Angelika Sheridan, flute / Frank Niehusmann, Computer | NURNICHTNUR 1160615/ | 0 | http://www.niehusmann.org/STROM | ||||||||
| 34862 | Frank, Angelika, Group | Niehusmann, Sheridan, STROM | Feld | 2016 | live-elec, 2 perf | 7:57 | fl (c-fl, b-fl), com (MAX by Cycling '74; hardware ≈ nanoKONTROL2 by KORG, Mac Book Pro by Apple, Komplete Audio 6 by Native Instruments) [Flöte, computer] | STROM = Angelika Sheridan, flute / Frank Niehusmann, Computer | NURNICHTNUR 1160615/ | 0 | http://www.niehusmann.org/STROM | ||||||||
| 34864 | Frank, Angelika, Group | Niehusmann, Sheridan, STROM | Fluss | 2016 | live-elec, 2 perf | 5:22 | fl (c-fl, b-fl), com (MAX by Cycling '74; hardware ≈ nanoKONTROL2 by KORG, Mac Book Pro by Apple, Komplete Audio 6 by Native Instruments) [Flöte, computer] | STROM = Angelika Sheridan, flute / Frank Niehusmann, Computer | NURNICHTNUR 1160615/ | 0 | http://www.niehusmann.org/STROM | ||||||||
| 34863 | Frank, Angelika, Group | Niehusmann, Sheridan, STROM | Generator | 2016 | live-elec, 2 perf | 9:28 | fl (c-fl, b-fl), com (MAX by Cycling '74; hardware ≈ nanoKONTROL2 by KORG, Mac Book Pro by Apple, Komplete Audio 6 by Native Instruments) [Flöte, computer] | STROM = Angelika Sheridan, flute / Frank Niehusmann, Computer | NURNICHTNUR 1160615/ | 0 | http://www.niehusmann.org/STROM | ||||||||
| 34861 | Frank, Angelika, Group | Niehusmann, Sheridan, STROM | Transistor | 2016 | live-elec, 2 perf | 4:11 | fl (c-fl, b-fl), com (MAX by Cycling '74; hardware ≈ nanoKONTROL2 by KORG, Mac Book Pro by Apple, Komplete Audio 6 by Native Instruments) [Flöte, computer] | STROM = Angelika Sheridan, flute / Frank Niehusmann, Computer | NURNICHTNUR 1160615/ | 0 | http://www.niehusmann.org/STROM | ||||||||
| 34700 | Frank, Angelika, Group | Niehusmann, Sheridan, STROM | Umschaltplan | 2016 | live-elec, 2 perf | 6:08 | fl (c-fl, b-fl), com (MAX by Cycling '74; hardware ≈ nanoKONTROL2 by KORG, Mac Book Pro by Apple, Komplete Audio 6 by Native Instruments) [Flöte, computer] | STROM = Angelika Sheridan, flute / Frank Niehusmann, Computer | DegeM CD 14 escape/ NURNICHTNUR 1160615/ | 0 | http://www.niehusmann.org/STROM | ||||||||
| 28645 | Svend | Nielsen | Waldeinsamkeit | 1970 | fixed media, akusmatisch | 9:32 | Stereo | LJUD 006 CD2 n©b/ | 1 | ||||||||||
| 11903 | Alfred | Nieman | Two-part Invention [?] | 1969 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 11904 | Charlotte | Niemann | 27 min 45 sec | 1964 | Film | 27:45 | Mono | after a text by Samuel Beckett | Radio Bremen | 0 | |||||||||
| 11905 | Charlotte | Niemann | Bin, oder Die Reise nach Peking | 1966 | radiophon | 90:00 | Mono | Radio Bremen | 0 | ||||||||||
| 11906 | Charlotte | Niemann | Der Baum | 1965 | radiophon | 14:00 | Mono | tails by Blaise Cendrars | Radio Bremen | 0 | |||||||||
| 11907 | Charlotte | Niemann | Der Wind | 1965 | radiophon | 12:00 | Mono | tails by Blaise Cendrars | Radio Bremen | 0 | |||||||||
| 11908 | Charlotte | Niemann | Träume von einem Mond | 1962 | Film | 10:00 | Mono | Radio Bremen | 0 | ||||||||||
| 42156 | Hans-Jürgen | Nierentz | Symphonie der Arbeit | 1933 | radiophon | RRG | 0 | ||||||||||||
| 35901 | Joker | Nies | Circuit-Bending and beyond | 2005 | fixed media, akusmatisch | 16:44 | WER ARTS 8102 5/ | 0 | http://www.klangbureau.de/klangbureau/circuit-bending.html | ||||||||||
| 11909 | Wolfgang | Niessner | Flugschau, op. 24 | 1993 | Zuspiel / Tonband, | 15:00 | SEM Salzburg | 0 | |||||||||||
| 34065 | Kai | Niggemann | Electric Canopy | 2015 | fixed media, akusmatisch | 4:24:00 | degem CD 13/ | 0 | |||||||||||
| 34695 | Kai | Niggemann | lnterrupture | 2016 | fixed media, akusmatisch | 3:40:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 42057 | Kai | Niggemann | The Pretty Blaze | 2018 | fixed media, akusmatisch | 5:15 | degem CD 16/ | 1 | |||||||||||
| 42442 | Kai, Henning | Niggemann, Partiet | Grat | 2019 | fixed media, akusmatisch | 30:42 | 0 | ||||||||||||
| 11910 | Seiichi | Niikuni | Entrance | 1965 | fixed media, akusmatisch | 9:00 | Mono | txtcompo | Hibiya Tokyo | 0 | |||||||||
| 11911 | Seiichi | Niikuni | Fragment | 1965 | fixed media, akusmatisch | 7:00 | Mono | txtcompo | Hibiya Tokyo | 0 | |||||||||
| 11912 | Seiichi | Niikuni | Onna (a woman) | 1963 | fixed media, akusmatisch | 3:45 | Mono | txtcompo | PS C. | 0 | |||||||||
| 11913 | Seiichi | Niikuni | Piece 9 | 1963 | fixed media, akusmatisch | 2:10 | Mono | txtcompo | PS C. | 0 | |||||||||
| 11914 | Seiichi | Niikuni | Piece Ki | 1963 | fixed media, akusmatisch | 3:10 | Mono | txtcompo | PS C. | 0 | |||||||||
| 11915 | Seiichi | Niikuni | Piece Po | 1963 | fixed media, akusmatisch | 1:50 | Mono | txtcompo | PS C. | 0 | |||||||||
| 38628 | Dmitrij | NIKOLAEV | Préceptes silencieux | 1996 | radiophon | 11:27:00 | Prix Phonurgia nova | 0 | |||||||||||
| 38627 | Dmitrij | NIKOLAEV | X-Story | 1999 | radiophon | 51:55:00 | 0 | ||||||||||||
| 33755 | Dmitriy | Nikolaev | Orpheus Descending | 2009 | radiophon | 14:59 | Stereo | EBU Ars Acustica 2009/ | Radio Russia | EBU Ars Acustica 2009 | 1 | ||||||||
| 18986 | Dmitriy | Nikolaev | The Tune | 1993 | radiophon | 15:03 | EBU 1994/ | Radio Ostankimo Moscou | EBU Ars Acustica 1994 | 1 | |||||||||
| 11916 | Vladimir | Nikolaev | Antique Landscape | 1995 | Zuspiel / Tonband, 1 perf | 13:30 | vc [Cello] | SLR 0044, Theremin Center/ ELCD 004 Electroshock Records/ | Theremin C. Moscou | 0 | |||||||||
| 11917 | Vladimir | Nikolaev | Echolalia | 1993 | Zuspiel / Tonband, 2 perf | 11:39 | 2 fl [Flöte] | SLR 0044, Theremin Center/ | Theremin C. Moscou | 1 | |||||||||
| 11918 | Vladimir | Nikolaev | Frank's Tricks | 1994 | fixed media, akusmatisch | 3:39 | SLR 0044, Theremin Center/ | Theremin C. Moscou | 1 | ||||||||||
| 19341 | Vladimir | Nikolaev | Laugh Track | 1997 | fixed media, akusmatisch | 5:55 | ELCD 004 Electroshock Records/ | Theremin C. Moscou | 1 | ||||||||||
| 19342 | Vladimir | Nikolaev | Somnambula Round Play | 1995 | fixed media, akusmatisch | 13:48 | Theremin C. Moscou | 1 | |||||||||||
| 24457 | Vladimir | Nikolaev | Two Duets | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19339 | Vladimir | Nikolaev | Valentina's Night Songs | 1997 | fixed media, akusmatisch | 11:35 | Theremin C. Moscou, IMEB Bourges | 1 | |||||||||||
| 11919 | Alwin | Nikolais | A Gothic Tale | 1964 | Tanz | 20:00 | Stereo | Col.Princ EMC, PS C. Nikolais NY | 0 | ||||||||||
| 11920 | Alwin | Nikolais | Allegory | 1959 | Tanz | 60:00 | Mono | Hnv/ | PS C. Nikolais NY | 0 | |||||||||
| 11921 | Alwin | Nikolais | Antechamber | 1962 | Tanz | 6:00 | Stereo | PS C. Nikolais NY | 0 | ||||||||||
| 20549 | Alwin | Nikolais | Aviary | 1978 | Tanz | 7:00 | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | |||||||||
| 11922 | Alwin | Nikolais | Bird Solo | 1963 | Tanz | 4:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 20550 | Alwin | Nikolais | Blank on Blank | 1987 | Tanz | 5:39 | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | |||||||||
| 11923 | Alwin | Nikolais | Cantos | 1957 | Tanz | 20:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 11924 | Alwin | Nikolais | Chimera | 1966 | Tanz | 25:00 | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | |||||||||
| 11925 | Alwin | Nikolais | Choros I | 1966 | Tanz | 20:00 | Stereo | PS C. Nikolais NY | 0 | ||||||||||
| 11926 | Alwin | Nikolais | Contours | 1963 | Tanz | 4:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 11927 | Alwin | Nikolais | Facets | 1962 | Tanz | 17:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 20551 | Alwin | Nikolais | Frail Demons | 1984 | Tanz | 6:00 | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | |||||||||
| 11928 | Alwin | Nikolais | Fusion | 1967 | Tanz | Film |
17:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 11929 | Alwin | Nikolais | Galaxy | 1965 | Tanz | 90:00 | Stereo | Col.Princ EMC, PS C. Nikolais NY | 0 | ||||||||||
| 20552 | Alwin | Nikolais | Gallery | 1984 | Tanz | 78:00 | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | |||||||||
| 20553 | Alwin | Nikolais | Graph | 1984 | Tanz | 5:00 | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | |||||||||
| 11931 | Alwin | Nikolais | Kaleidoscope | 1956 | Tanz | 45:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 11932 | Alwin | Nikolais | Kites | 1959 | Tanz | Fernsehen, |
1:50 | Mono | Hnv/ | PS C. Nikolais NY | 0 | |||||||||
| 11933 | Alwin | Nikolais | Masks, Props and Mobiles | 1955 | Tanz | 30:00 | Mono | Hnv/ | PS C. Nikolais NY | 0 | |||||||||
| 20554 | Alwin | Nikolais | Mechanical Organ | 1980 | Tanz | 10:00 | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | |||||||||
| 11934 | Alwin | Nikolais | Mirrors | 1958 | Tanz | 45:00 | Mono | Hnv/ | PS C. Nikolais NY | 0 | |||||||||
| 11935 | Alwin | Nikolais | Nimbus | 1961 | Tanz | 30:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 20555 | Alwin | Nikolais | Pierrot | 1986 | Tanz | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | ||||||||||
| 11936 | Alwin | Nikolais | Premier | 1967 | Tanz | 35:00 | Stereo | PS C. Nikolais NY | 0 | ||||||||||
| 11937 | Alwin | Nikolais | Prism | 1956 | Tanz | 30:00 | Mono | Hnv/ | PS C. Nikolais NY | 0 | |||||||||
| 20556 | Alwin | Nikolais | Revels | 1986 | Tanz | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | ||||||||||
| 11938 | Alwin | Nikolais | Sanctum | 1964 | Tanz | 90:00 | Stereo | Col.Princ EMC, PS C. Nikolais NY | 0 | ||||||||||
| 11939 | Alwin | Nikolais | Somniloquy | 1966 - 1967 | Tanz | 38:00 | Stereo | PS C. Nikolais NY | 0 | ||||||||||
| 11940 | Alwin | Nikolais | Sonatina | 1961 | Tanz | 7:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 11941 | Alwin | Nikolais | Stratus | 1961 | Tanz | 30:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 20557 | Alwin | Nikolais | Styx | 1976 | Tanz | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | ||||||||||
| 20558 | Alwin | Nikolais | Ten Legs | 1989 | Tanz | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | ||||||||||
| 11942 | Alwin | Nikolais | Totem | 1960 | Tanz | 70:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 11943 | Alwin | Nikolais | Totem - the world of Nikolais | 1962 | Tanz | Film |
17:00 | Mono | Col.Princ EMC, PS C. Nikolais NY | 0 | ||||||||||
| 20559 | Alwin | Nikolais | Tribe | 1975 | Tanz | Stereo | CRi CD 651/ | PS C. Nikolais NY | 0 | ||||||||||
| 11944 | Alwin | Nikolais | Vaudeville of the Elements | 1965 | Tanz | 90:00 | Stereo | Col.Princ EMC, PS C. Nikolais NY | 0 | ||||||||||
| 11945 | Alwin | Nikolais | Village of Whispers | 1955 | Tanz | 30:00 | Mono | PS C. Nikolais NY | 0 | ||||||||||
| 11930 | Alwin, James | Nikolais, Seawright | Imago | 1963 | Tanz | 90:00 | Quadro | Col.Princ EMC, PS C. Nikolais NY | 0 | ||||||||||
| 31617 | Smiljana | Nikolic | Körper | 2012 | fixed media, akusmatisch | 5:20 | Quadro | next_generation 5.0 | HfM Trossingen | 0 | |||||||||
| 11946 | Vlastimir | Nikolovsky | Etude | 1980 | fixed media, akusmatisch | 23:30 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 11947 | Nikolai, Yevgeny | Nikolsky, Murzin | The Russian Fantasia | 1959 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 38789 | Natascha, Michael | NIKPRELEVIC, VETTER | De Profundis (Rocca) | 2000 | radiophon | 9:30:00 | 0 | ||||||||||||
| 38790 | Natascha, Michael | NIKPRELEVIC, VETTER | Soto Voce | 2000 | radiophon | 32:57:00 | 0 | ||||||||||||
| 11948 | Ricardo | Nillni | Entropogel | 1988 | fixed media, akusmatisch | CNSMP | 1 | ||||||||||||
| 11949 | Ricardo | Nillni | Gaps | 1990 | Zuspiel / Tonband, 1 perf | fl [Flöte] | CNSMP | 1 | |||||||||||
| 11950 | Ricardo | Nillni | Mnese | 1991 | Zuspiel / Tonband, 12 perf | 20:00 | 12 ins [Instrument] | played from harddisk | IRCAM | 1 | |||||||||
| 11951 | Ricardo | Nillni | Sonambula | 1987 | fixed media, akusmatisch | Uni Tel Aviv | 1 | ||||||||||||
| 12016 | Anders | Nilsson | Elegische Fragmente | 1991 | Zuspiel / Tonband, 2 perf | 12:00 | S, p [Sopran, Piano] | 3.2.1992 | Inventionen Akademie der Künste Berlin | 1 | 1992 | ||||||||
| 12017 | Bo | Nilsson | Audiogramme | 1958 | fixed media, akusmatisch | 2:16 | Mono | IDEAMA CD 006/ | WDR SEM | 21.7.1957 | Darmstadt | 0 | |||||||
| 12018 | Bo | Nilsson | Bass | 1977 | live-elec, 2 perf | 11:46 | tuba, perc [Tuba, Schlagzeug] | PS C. | 1 | 1992 | |||||||||
| 12019 | Bo | Nilsson | Déjà vu, déjà connu | Zuspiel / Tonband, 5 perf | 7:30 | ww-qnt [Bläser] | EMS Stockholm | 1 | |||||||||||
| 12020 | Bo | Nilsson | Entrée | 1962/1963 | Zuspiel / Tonband, 1 group | 6:30 | orc [Orchester] | PS C. | 0 | ||||||||||
| 12021 | Bo | Nilsson | Eurhythmical Voyage | 1970 | Zuspiel / Tonband, 1 perf, 1 group | p, orc [Piano, Orchester] | EM ?? | 0 | |||||||||||
| 12022 | Bo | Nilsson | Exit | 1970 | Zuspiel / Tonband, 1 group | orc [Orchester] | EM ?? | 0 | |||||||||||
| 12023 | Bo | Nilsson | La bran | 1976 | live-elec, 1 group | orc [Orchester] | PS C. | 0 | |||||||||||
| 12024 | Bo | Nilsson | Liebeslied | 1979 | live-elec, 1 group | 15:00 | orc [Orchester] | PS C. | 0 | ||||||||||
| 12025 | Bo | Nilsson | Madonna | 1976 | live-elec, 1 perf, 1 group | S, orc [Sopran, Orchester] | PS C. | 0 | |||||||||||
| 12026 | Bo | Nilsson | Nazm | 1973 | live-elec, 1 perf, 2 groups | 31:00 | orc, ch, V [Stimme, Chor, Orchester] | PS C. | 0 | ||||||||||
| 12027 | Bo | Nilsson | Quartets | 1969 | Zuspiel / Tonband, 37 perf | 36 w, perc [Schlagzeug, Bläser] | EM ?? | 0 | |||||||||||
| 12028 | Bo | Nilsson | Séance | 1963 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 12029 | Bo | Nilsson | Swedenborg drömmer | 1969 | audiovisuell | laser images | 0 | ||||||||||||
| 12030 | Bo | Nilsson | Wendepunkt | 1981 | live-elec, 1 perf, 1 group | 3:00 | wws [Bläser] | PS C. | 0 | ||||||||||
| 23189 | Ivo | Nilsson | deaf-mute | 1997 | Zuspiel / Tonband, 2 perf | 10:17 | perc, trbn [Posaune, Schlagzeug] | 1 | 2002 | ||||||||||
| 39869 | Ivo | Nilsson | Gedeckt | 2015 | fixed media, akusmatisch | 14:00:00 | Ivo Nilsson | 0 | |||||||||||
| 12031 | Ivo | Nilsson | Vanan är en utomordentlig ljuddämpare : fyra stycken om varseblivning | 1991 | Zuspiel / Tonband, 1 perf, 1 group | Sp, chamber-ens [Sprecher, Ensemble] | 0 | ||||||||||||
| 11953 | Leo | Nilsson | "1920"- Tatlin in memoriam | 1969 | fixed media, akusmatisch | 6:00 | Stereo | PS C. | 0 | ||||||||||
| 11954 | Leo | Nilsson | 3 kortfilmer av Vera Nordin | 1965 | Film | 60:00 | 0 | ||||||||||||
| 11955 | Leo | Nilsson | 5 mentala årstider | 1980 | Hintergrundmusik | 30:00 | 6 | St Viarp | 0 | ||||||||||
| 11957 | Leo | Nilsson | Aurora | 1966 | fixed media, akusmatisch | 8:00 | Stereo | 0 | |||||||||||
| 11959 | Leo | Nilsson | Dödsdansen | 1983 | Theater, live-elec, 2 perf | 25:00 | vc, p [Piano, Cello] | 0 | |||||||||||
| 11960 | Leo | Nilsson | Early ear | 1982 | fixed media, akusmatisch | 7:00 | Stereo | FYLP 1029/ | St Viarp | 1 | |||||||||
| 11961 | Leo | Nilsson | Galapagos | 1975 | Tanz | 8:00 | Quadro | Etoile du Nord | 0 | ||||||||||
| 11962 | Leo | Nilsson | Guide Sonore | 1970 | Hintergrundmusik | 22:00 | Stereo | Bregman Dartmouth | Paris exhibition of the city of Stockholm | 0 | |||||||||
| 11964 | Leo | Nilsson | Interiör | 1987 | Theatermusik | 0 | |||||||||||||
| 11967 | Leo | Nilsson | Joy | 1974 | fixed media, akusmatisch | 6:47 | Quadro | IRK | 0 | ||||||||||
| 11969 | Leo | Nilsson | Lek 5 | 1979 | fixed media, akusmatisch | 30:00 | 0 | ||||||||||||
| 11971 | Leo | Nilsson | Mannen i båten | 1973 | Fernsehen, | 40:00 | Mono | SR Stockholm | 0 | ||||||||||
| 11972 | Leo | Nilsson | Memory music | 1976 | fixed media, akusmatisch | 5:00 | Stereo | St Viarp | 0 | ||||||||||
| 11974 | Leo | Nilsson | Musica mobile | 1978 | fixed media, akusmatisch | 17:00 | Stereo | St Viarp | 0 | ||||||||||
| 11975 | Leo | Nilsson | Musik till 13 filmer om natur | 1973 | Fernsehen, | 52:00 | Mono | SR Stockholm | 0 | ||||||||||
| 11977 | Leo | Nilsson | Musique d'ameublement | 1983 | Zuspiel / Tonband, 2 perf | 20:00 | ww, vc [Cello, Bläser] | 0 | |||||||||||
| 11978 | Leo | Nilsson | Niente Subito | 1983 | Zuspiel / Tonband, 1 perf | 25:00 | vc [Cello] | 0 | |||||||||||
| 11979 | Leo | Nilsson | Operaria | 1982 | live-elec, 2 perf | 60:00 | p, vc [Piano, Cello] | 0 | |||||||||||
| 11981 | Leo | Nilsson | Pels | 1973 | Tanz | 8:40 | Stereo | PS C. | 0 | ||||||||||
| 11982 | Leo | Nilsson | Piano Plectra | 1969 | fixed media, akusmatisch | Hintergrundmusik |
7:00 | Stereo | PS C. | 0 | ||||||||||
| 11983 | Leo | Nilsson | Puppan | 1974 | Tanz | 4:00 | Quadro | Etoile du Nord | 0 | ||||||||||
| 11985 | Leo | Nilsson | Rit | 1974 | Tanz | 7:00 | Quadro | Etoile du Nord | 0 | ||||||||||
| 11986 | Leo | Nilsson | Satellitmusik | 1967 | fixed media, akusmatisch | 8:00 | Stereo | PS C. | 0 | ||||||||||
| 11988 | Leo | Nilsson | Signs of presence | 1978 | live-elec, | 20:00 | St Viarp | 0 | |||||||||||
| 11989 | Leo | Nilsson | Sirrah | 1971 | fixed media, akusmatisch | 12:30 | Stereo | PS C. | 0 | ||||||||||
| 11990 | Leo | Nilsson | Skorpionen | 1965 | fixed media, akusmatisch | 6:00 | Mono | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ IDEAMA CD 099/ | EMS Stockholm, Yleisradio | 0 | |||||||||
| 11991 | Leo | Nilsson | Skulpturmusik I | 1966 | fixed media, akusmatisch | Hintergrundmusik |
∞ | Stereo | 0 | |||||||||||
| 11992 | Leo | Nilsson | Skulpturmusik II | 1967 | fixed media, akusmatisch | Hintergrundmusik |
∞ | Stereo + Stereo | PS C. | 0 | ||||||||||
| 11993 | Leo | Nilsson | Skulpturmusik III | 1968 | fixed media, akusmatisch | Hintergrundmusik |
∞ | Stereo | 0 | |||||||||||
| 11994 | Leo | Nilsson | Sonata Grafica Y | 1978 | live-elec, 5 perf | 15:00 | ww-qnt [Bläser] | St Viarp | 0 | ||||||||||
| 11995 | Leo | Nilsson | Sonata Infernale | 1981 | fixed media, akusmatisch | 13:10 | Stereo | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 11996 | Leo | Nilsson | Star-75 | 1975 | Tanz | 75:00 | Quadro | 0 | |||||||||||
| 11997 | Leo | Nilsson | Stenens hjärta | 1979 | Hintergrundmusik | 16:00 | Stereo | Riksutställnngar | 0 | ||||||||||
| 11998 | Leo | Nilsson | String play-video | 1976 | Fernsehen, | 30:00 | Mono | St Viarp | 0 | ||||||||||
| 11999 | Leo | Nilsson | Summermusic | 1972 | fixed media, akusmatisch | 5:00 | Quadro | Fylkingen | 0 | ||||||||||
| 12000 | Leo | Nilsson | Svart vår - vår tiger | 1983 | Zuspiel, live-elec, 3 perf | 60:00 | Sp, p, vc [Sprecher, Piano, Cello] | 0 | |||||||||||
| 12002 | Leo | Nilsson | That Experiment H2S | 1968 | fixed media, akusmatisch | 10:05 | Stereo | 0 | |||||||||||
| 12005 | Leo | Nilsson | Va - et - vient monsieur Satie | 1978 | live-elec, 1 perf | 40:00 | p [Piano] | 0 | |||||||||||
| 12006 | Leo | Nilsson | Vad speglar ögat - själens spegel | 1976 | Film | 22:00 | Mono | St Viarp | 0 | ||||||||||
| 12008 | Leo | Nilsson | Viarp 1 | 1971 | fixed media, akusmatisch | 9:00 | Stereo | CAP 1035 LP/ | EMS Stockholm | 1 | |||||||||
| 12009 | Leo | Nilsson | Viarp 2 | 1971 | fixed media, akusmatisch | ∞ 6 | Stereo | EMS Stockholm | 0 | ||||||||||
| 12010 | Leo | Nilsson | Viarp 3 | 1973 | fixed media, akusmatisch | 7:00 | Quadro | 0 | |||||||||||
| 12011 | Leo | Nilsson | Viarp 4 | 1975 | fixed media, akusmatisch | 5:00 | Quadro | 0 | |||||||||||
| 12012 | Leo | Nilsson | Viarp 5 | 1976 | Hintergrundmusik | 20:30 | Stereo | The Swedish Institute | EMS Stockholm | 0 | |||||||||
| 12013 | Leo | Nilsson | Voice of glass | fixed media, akusmatisch | 42:00 | 0 | |||||||||||||
| 12014 | Leo | Nilsson | Zoo-eller framtiden i våra händer | 1978 | fixed media, akusmatisch | 8:00 | Stereo | St Viarp | 0 | ||||||||||
| 12015 | Leo | Nilsson | Zooo | 1975 | Tanz | 40:00 | Quadro | Etoile du Nord | 0 | ||||||||||
| 11966 | Leo, Ralph | Nilsson, Lundsten | It | 1968 | fixed media, akusmatisch | Hintergrundmusik |
4:10 | Stereo | PS Andromeda | 0 | ||||||||||
| 11976 | Leo, Ralph | Nilsson, Lundsten | Musik till Etherhypotesen | 1967 | Hintergrundmusik | 30:00 | Stereo | 0 | |||||||||||
| 11984 | Leo, Ralph | Nilsson, Lundsten | Pyramidens ljus i ljud | 1974 | Hintergrundmusik | 35:00 | Stereo | SR Stockholm | 0 | ||||||||||
| 12001 | Leo, Ralph | Nilsson, Lundsten | Svea gris | 1968 | Film | 90:00 | Mono | PS Andromeda | 0 | ||||||||||
| 12004 | Leo, Ralph | Nilsson, Lundsten | Tre elektroniska pop stycken | 1966 | fixed media, akusmatisch | 10:00 | Mono | 0 | |||||||||||
| 11952 | Leo, Ensemble | Nilsson, Pax Art | 1-10 | 1977 | Film | 140:00 | Stereo | St Viarp | 0 | ||||||||||
| 11958 | Leo, Ensemble | Nilsson, Pax Art | Celebration | 1979 | live-elec, | 75:00 | 0 | ||||||||||||
| 11963 | Leo, Ensemble | Nilsson, Pax Art | Instant music | 1977 | live-elec, | 540:00 | Quadro | St Viarp | 0 | ||||||||||
| 11965 | Leo, Ensemble | Nilsson, Pax Art | Interpretationer Pax | 1977 | live-elec, | 140:00 | Stereo | St Viarp | 0 | ||||||||||
| 11968 | Leo, Ensemble | Nilsson, Pax Art | Lazer symfoni | 1978 | live-elec, | 20:00 | St Viarp | 0 | |||||||||||
| 11970 | Leo, Ensemble | Nilsson, Pax Art | Live Concert | 1978 | fixed media, akusmatisch | 40:00 | Stereo | IRK | 0 | ||||||||||
| 11973 | Leo, Ensemble | Nilsson, Pax Art | Micro / Macro | 1978 | live-elec, | 22:00 | St Viarp | 0 | |||||||||||
| 11980 | Leo, Gunner Møller | Nilsson, Pedersen | Palm music | 1976 | fixed media, akusmatisch | 16:00 | Quadro | St Viarp | 0 | ||||||||||
| 12003 | Leo, Peter, Bo Arne | Nilsson, Schuback, Persson | Tiger Cage | 1981 | live-elec, | 110:00 | 3 tracks | Fylkingen | 0 | ||||||||||
| 12007 | Leo, Peter, Bo Arne | Nilsson, Schuback, Persson | Våroffer | 1983 | live-elec, 2 perf | 10:00 | p, vc [Piano, Cello] | Improvisation | 0 | ||||||||||
| 11956 | Leo, Michael | Nilsson, Smith | After us | 1979 | live-elec, | 40:00 | Stereo | St Viarp | 0 | ||||||||||
| 11987 | Leo, Michael | Nilsson, Smith | Schhh... | 1979 | live-elec, | 40:00 | Stereo | St Viarp | 0 | ||||||||||
| 12032 | Torsten | Nilsson | Dantesvit | 1969 | Zuspiel / Tonband, 4 perf, 1 group | V, ch, 3 ins [Stimme, Instrument, Chor] | EM ?? | 0 | |||||||||||
| 37552 | Ortwin | Nimczik | Das Fagott… | 1976, 1986 | live-elec, 1 perf | 19:00:00 | Quadro | Sp, (elec) [Sprecher] | Sprecher, Elektronik und Musikzitate | ICEM Essen | 0 | ||||||||
| 12033 | Ortwin | Nimczik | Looping | 1979 | fixed media, akusmatisch | 20:00 | 2.Version | ICEM Essen | 0 | ||||||||||
| 37553 | Ortwin | Nimczik | …und sein Weib wandte sich - und erstarrte zur Salzsäule | 1978 | Zuspiel / Tonband, 12 perf | 14 | Stereo | 11 ins, Sp [Sprecher, Instrument] | 11 Instrumente, Tonband und Sprecher | ICEM Essen | 0 | ||||||||
| 12034 | Akira | Nishimura | A Mirror of Lights | 1992 | live-elec, 1 perf, 1 group | oma, orc [synthesizer, Orchester] | NHK Tokyo | 0 | |||||||||||
| 12035 | Akira | Nishimura | Ode for Ekstasis | 1981 | fixed media, akusmatisch | OUOADM 0801/ | NHK Tokyo | 1 | |||||||||||
| 12036 | Manfred | Nitschke | Ferdinands Zauberhäuschen | 1965 | fixed media, akusmatisch | 8:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 23300 | Craig | Noble | Aerosol | 2002 | fixed media, akusmatisch | 9:00 | Octo | SFU | 1 | ||||||||||
| 12037 | Ichiro | Nodaira | Neuf écarts vers le défi | 1993 | live-elec, 1 perf | 9:05 | MIDI p [Piano] | ISPW | ISAST LMJ 5/ | IRCAM | 0 | ||||||||
| 12038 | Ichiro | Nodaira | Quatorze écarts vers le défi | 1991 | live-elec, 2 perf, 1 group | 45:00 | MIDI p, str-ens [Piano, Streicher] | ISPW | IRCAM | Lemoine | 1 | ||||||||
| 12039 | Francine | Noël | Aussi lourd que le vent | 1981 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 12040 | Francine | Noël | Gotta Keep the Drama Going | 1983 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 12041 | Francine | Noël | Narration de «Seating Arrangement» | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 42267 | Jerôme | Noetinger | Discordes | 2016 | live-elec, 1 perf | 46 | vc [Cello] | together with Aude Romany (vc), 6 parts | Vand’Oeuvre 1749/ | CCAM Vandoeuvre-Les-Nancy | 0 | ||||||||
| 20560 | Jerôme | Noetinger | Gloire à … | 1991 | fixed media, akusmatisch | 21:00 | Stereo | MK CD 005/ | 9.11.1991 | Grenoble | 0 | ||||||||
| 20561 | Jerôme | Noetinger | Le Ballon rouge | fixed media, akusmatisch | 5:08 | Stereo | RRRecords CD 21/ | 0 | |||||||||||
| 38825 | Jerôme | Noetinger | Synthetic Magnet | 2018 | fixed media, akusmatisch | 10 | Stereo | Musique concrète Bei Wittener Tage für Neue Kammermsuik verwendet in „Synthetic Skin“ von Uli Fussenegger |
27.4.2018 | Wittener Tage für neue Kammermusik 2018 | 0 | ||||||||
| 37248 | Jieun | Noh | Figur | 2017 | live-elec, 3 perf | 8:00:00 | Octo | acc, 2 elec [Akkordeon, elektronik] | Incontri HMTM Hannover | 09.02.2017 | Kunstverein Hannover, (Anna Katharina Schau Akkordeon, Danbi Jeung & Jieun Noh Elektronik) | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||
| 40299 | Tonalli | Nokamura | Optic Nerve | 2016 | fixed media, akusmatisch | Tonalli Nokamura | 0 | ||||||||||||
| 12043 | Luigi | Nono | A floresta é jovem e cheia de vida, second version | 1977/1979 | Zuspiel / Tonband, 3 perf | 34:00 | Mono | V, S, cl [Sopran, Stimme, Klarinette] | (2. Version) | DGG 2531004/ | Fonologia Milano | 0 | |||||||
| 12042 | Luigi | Nono | A floresta é jovem e cheja de vida, first version | 1966 | Zuspiel / Tonband, 5 perf | 39:30 | Quadro + Quadro | S, cl, 3 Sp [Sopran, Sprecher, Klarinette] | (1. Version); after a text by Giovanni Pirelli | DGG 2531004/ mode 87/ IDEAMA CD 048/ | Fonologia Milano | 7.9.1966 | Teatro La Fenice, Venezia | Ricordi | 1 | ||||
| 12044 | Luigi | Nono | A Pierre, dell'azzurro silenzio, inquietum | 1985 | live-elec, 2 perf | 8:24 | db-fl, db-cl [Flöte, Klarinette] | à Pierre Boulez | ed. rz 1004/ CRM CD 1003 Ricordi/ DMR Musik in Deutschland 1950 - 2000: Experimentalstaudio SWR/ Neos 11122 SACD/ ed. rz 1031-32/ | Experimentalstudio für Akustische Kunst Freiburg | 31.3.1985 | Baden-Baden, Weinbrenner Saal | 1 | ||||||
| 12045 | Luigi | Nono | Al gran sole carico d'amore | 1974 | Musiktheater | 35:30 | Quadro | 3 S, Mez, A, Bar, 2 B, 2 ch, orc [Sopran, Alt, Mezzo, Bariton, Bass, Chor, Orchester] | Fonologia Milano | 4.4.1975 | Teatro Lirico, Milano | Ricordi | 0 | ||||||
| 12046 | Luigi | Nono | "Caminantes ... Ayacucho" | 1987 | live-elec, 3 perf, 3 groups | ≈ 42 | Mez, b-fl, org, orc, 2 ch [Mezzo, Flöte, Orgel, Chor, Orchester] | text by Giordano Bruno | ed. rz 1031-32/ | Experimentalstudio für Akustische Kunst Freiburg | Philharmonie München | 25.4.1987 | München Gasteig | Ricordi | 1 | ||||
| 12048 | Luigi | Nono | Como una ola de fuerza y luz | 1971 | Zuspiel / Tonband, 2 perf, 1 group | ≈ 29:04 | Quadro | S, p, orc [Sopran, Piano, Orchester] | Version a: 29'04, Version b: 29'18, Version c: 30'04 | DGG 2530436/ DGG 4232482/ | Fonologia Milano | 1 | |||||||
| 12050 | Luigi | Nono | Con Luigi Dallapiccola | 1979 | live-elec, 6 perf | 13:30 | Quadro | 6 perc, (elec) [Schlagzeug] | DGG 2720025/ Neos 11122 SACD/ | Fonologia Milano | 4.11.1979 | Teatro alla Scala Milano | Ricordi | 1 | 1991 | ||||
| 12051 | Luigi | Nono | Contrappunto dialettico alla mente | 1968 | Zuspiel / Tonband, 5 perf, 1 group | 19:46 | Stereo | S, 4 V, ch [Sopran, Stimme, Chor] | DGG 2720025/ DGG 4232482/ DGG 2561044/ | Fonologia Milano | 1 | ||||||||
| 12052 | Luigi | Nono | Das Atmende Klarsein | 1980 - 1981 | live-elec, 1 perf, 1 group | 38:34 | Stereo | b-fl, ch, (elec) [Flöte, Chor] | WWE 2SACD 20600 / Fonit Cetra ITL 70100/ WJ 2006 polmic 022/ | Experimentalstudio für Akustische Kunst Freiburg | 30.3.1981 | Teatro alla Pergola, Firenze | 1 | 1990 | |||||
| 12053 | Luigi | Nono | Découvrir la subversion: Hommage à Edmond Jabès | 1987 | live-elec, 7 perf | ≈ 30 | A, B, Sp, tuba, hn, fl, Sp [Alt, Bass, Sprecher, Flöte, Horn, Tuba] | text by Edmond Jabés | Experimentalstudio für Akustische Kunst Freiburg | 5.10.1987 | Paris, Théâtre de Chaillot; Festival d’Automne | Ricordi | 0 | http://www.luiginono.it/de/luigi-nono/werke/decouvrir-la-subversion-hommage-a-edmond-jabes | |||||
| 12054 | Luigi | Nono | Guai ai gelidi mostri | 1983 | live-elec, 8 perf | 33:00 | 2 A, va, fl, cl, vc, db, tuba [Alt, Flöte, Klarinette, Tuba, Viola, Cello, Kontrabass] | ed. rz 1004/ Neos 10801 SACD/ ed. rz 1031-32/ MO 782047/ | Experimentalstudio für Akustische Kunst Freiburg | WDR 1983 | 23.10.1983 | Köln WDR, Großer Sendesaal | Ricordi | 1 | 1991 | ||||
| 12055 | Luigi | Nono | Intolleranza 1960 | 1961 | Theatermusik | ≈ 40 | Stereo | 5 V, 3 fl, 3 ob, 3 cl, 3 bn, 6 hn, 4 trbn, 4 tpt, perc, celesta, hp, ch [Stimme, Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Piano, Harfe, Schlagzeug, Chor] | Fonologia Milano | 13.4.1961 | Venezia | 0 | http://www.luiginono.it/de/luigi-nono/werke/intolleranza-1960 | ||||||
| 12056 | Luigi | Nono | Io, frammento dal Prometeo | 1981 | live-elec, 5 perf, 1 group | 45 | 3 S, chamber-ch, b-fl, db-cl, (elec) [Sopran, Flöte, Klarinette, Chor] | MO 782058/ WWE 2SACD 20600 / | Experimentalstudio für Akustische Kunst Freiburg | 24.9.1981 | Venezia | Ricordi | 1 | ||||||
| 12057 | Luigi | Nono | La fabbrica illuminata, per soprano e nastro magnetico a quattro piste | 1964 | Zuspiel / Tonband, 1 perf | 16:45 | Quadro | S [Sopran] | Dedicated to the workers of the Italsider of Genova-Cornigliano | WER 60038/ WER 6038-2/ IDEAMA CD 117/ WER 286038/ | Fonologia Milano | RAI | 15.9.1964 | Venice, with Carla Henius during Biennale 27 | Ricordi | 1 | 1986 1991 | ||
| 12058 | Luigi | Nono | la lontananza nostalgica utopica futura, La lontananza nostalgica utopica futura, Madrigale per più “caminantes” con Gidon Kremer | 1988 | Zuspiel / Tonband, 1 perf | var 39:28 | Stereo + Stereo + Stereo + Stereo, Octo | vn [Violine] | DGG 435870/ MO 782004/ DGG 4743262/ EWR 0103 Edition Wandelweiser/ MO 782133/ Kairos 0012102KAI/ |
Experimentalstudio für Akustische Kunst Freiburg | 3.9.1988 | Berlin, Festwochen | Ricordi | 1 | http://www.lafolia.com/nonos-shrug-at-immortality-la-lontananza-nostalgica-utopica-futura/ | ||||
| 12060 | Luigi | Nono | Musica per "Die Ermittlung" di Peter Weiss | 1965 | Theatermusik | 22:00 | Mono | Musiche di scena | NFCD 2034/ BMG/RCA 74321/ BMG Ricordi STR 57001/ | Fonologia Milano | 1 | ||||||||
| 12059 | Luigi | Nono | Musica-Manifesto n. 1, Un volto, del mare Non consumiamo Marx |
1969 | fixed media, akusmatisch | 33:11 | siehe Subtitel | Fonologia Milano | 1 | ||||||||||
| 12061 | Luigi | Nono | Musiche per Manzù | 1969 | fixed media, akusmatisch | 17:16 | Mono | Ricordi/ | Fonologia Milano | 1 | |||||||||
| 12062 | Luigi | Nono | Non consumiamo Marx, Musica-Manifesto n. 1 | 1969 | Zuspiel / Tonband, 2 perf | 17:35 | Quadro | S, Sp [Sopran, Sprecher] | Fonologia Milano | 17.3.1969 | Bagneaux | 1 | |||||||
| 12063 | Luigi | Nono | Omaggio a Emilio Vedova | 1960 | fixed media, akusmatisch | 4:45 | Stereo, Quadro | only piece with synthetic sounds | WER 60067/ WER 6229-2/ IDEAMA CD 116/ ed. rz 4006 Daad / 20 Jahre Inventionen V/ | Fonologia Milano | 5.4.1961 | Congresso di Musica Sperimentale, Venezia | Ricordi | 1 | |||||
| 12064 | Luigi | Nono | Omaggio a Györgi Kurtag | 1983 - 1986 | live-elec, 4 perf | 35 | A, fl, cl, b-tuba [Alt, Flöte, Klarinette, Tuba] | Neos 10801 SACD/ Neos 11122 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 10.6.1983 6.6.1986 |
Teatro della Pergola, Firenze Aula Magna Caserna Cernia, Torino |
Ricordi | 0 | ||||||
| 12065 | Luigi | Nono | Per Bastiana – Tai-Yang Cheng | 1967 | Zuspiel / Tonband, 3 groups | 15:00 | Quadro | 3 ens [Ensemble] | WER 6229-2/ WER 60067/ IDEAMA CD 116/ | Fonologia Milano | 1 | ||||||||
| 12066 | Luigi | Nono | Per Paul Dessau, Für Paul Dessau | 1974 | fixed media, akusmatisch | 6:52 | Quadro | Konkret: Solidarität zum 80sten Geburtstag von Paul Dessau | Ricordi/ | Fonologia Milano | 15.12.1974 | AdK der DDR, Berlin | Ricordi | 1 | |||||
| 12067 | Luigi | Nono | Post-Prae-Ludium BAAB-ARR, Post-prae-ludium n. 3 "BAAB-ARR" | 1988 | live-elec, 1 perf | 15 | ottavino [Flöte] | Neos 11119 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 4.9.1988 | Berlin, Festwochen | Ricordi | 0 | http://www.luiginono.it/de/luigi-nono/werke/post-prae-ludium-n-3-baab-arr | |||||
| 12068 | Luigi | Nono | Post-Prae-Ludium per Donau | 1987 | live-elec, 1 perf | 13:38 | Stereo | tuba [Tuba] | dedicated to Giancarlo Schiaffini | CRM CD 1003 Ricordi/ WER 67442/ | Experimentalstudio für Akustische Kunst Freiburg | 17.10.1987 | Donaueschingen | 1 | 2002 | ||||
| 12069 | Luigi | Nono | Prometeo - Tragedia dell'ascolto, per solisti vocali e strumentali, coro misto, 4 gruppi strumentali e live electronics | 1981 - 1985 | Zuspiel, live-elec, 22 perf, 2 groups | 133:00 | 12 Tracks | 2 S, 2 A, T, 2 Sp, ch, b-fl, db-cl, trbn, 10 mus, ens, 2 conductor [Sopran, Alt, Tenor, Sprecher, Flöte, Klarinette, Posaune, Musiker, Performer, Ensemble, Chor] | production by Th alla Scala Milan; Massimo Cacciari (text); 2 versions Part 7: Tre voci B (Il Maestro del Gioco X / XI / XII) |
EMI 7243 5 55209 2/ col legno WWE 2SACD 20605/ | Experimentalstudio für Akustische Kunst Freiburg, CSC Padova, LIMB Venezia | Biennale di Venezia | 25.9.1984 25.9.1985 |
La Biennale di Venezia, Chiesa di San Lorenzo Stabilimento Ansaldo, Milano |
Ricordi 133786 | 1 | 2000 | http://www.luiginono.it/de/luigi-nono/opere/prometeo-tragedia-dell-ascolto | |
| 12070 | Luigi | Nono | Quando stanno morendo, Diario polacco 2 | 1982 | live-elec, 6 perf | 33:40:00 | 2 S, Mez, A, b-fl, vc [Sopran, Alt, Mezzo, Flöte, Cello] | Text zusammengestellt von Massimo Cacciari | CRM CD 1003 Ricordi/ ed. rz 4006 Daad / 20 Jahre Inventionen V/ WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ Neos 10801 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 3.10.1982 | Venezia, „Numero e Suono“ ICMC | Ricordi | 1 | 1983 | ||||
| 1991 | |||||||||||||||||||
| 12071 | Luigi | Nono | Ricorda cosa ti hanno fatto in Auschwitz, cori dall' Ermittlung di P. Weiss | 1966 | fixed media, akusmatisch | 11:09 | "cori dall "Die Ermittlung"" | WER 286038/ WER 60038/ IDEAMA CD 117/ WER 6038-2/ | Fonologia Milano | 1.3.1967 | Milano | 1 | |||||||
| 12072 | Luigi | Nono | Risonanze erranti - a Massimo Cacciari, Liederzyklus a Massimo Cacciari | 1986/1987 | live-elec, 9 perf | 37:00 | Mez, fl, tuba, 6 perc [Mezzo, Flöte, Tuba, Schlagzeug] | texts by I. Bachmann, H. Melville 3 versions. |
Neos 11119 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | WDR 1986 | 8.10.1987 | Paris, Théâtre de Chaillot; Festival d’Automne | 1 | 1991 | http://www.luiginono.it/de/luigi-nono/opere/risonanze-erranti-liederzyklus-a-massimo-cacciari | |||
| 12073 | Luigi | Nono | .....sofferte onde serene... | 1976 | Zuspiel / Tonband, 1 perf | 13:56 | Stereo | p [Piano] | DGG 4232482/ DGG 2531004/ Neos 11122 SACD/ 2e2m Collection 1014/ | Fonologia Milano | 17.4.1977 | Conservatorio, Milano | Ricordi | 1 | |||||
| 12074 | Luigi | Nono | un volto, del mare, Musica-Manifesto n. 1 | 1969 | Zuspiel / Tonband, 2 perf | 16:46 | Quadro | S, Sp [Sopran, Sprecher] | FFE 100/ | Fonologia Milano | 17.3.1969 | Bagneaux | 1 | ||||||
| 12075 | Luigi | Nono | Y entonces comprendió | 1970 | Zuspiel / Tonband, 6 perf, 1 group | ≈ 30:24 | Quadro | 6 fem V, ch [Stimme, Chor] | Version a: 30'24, Version b: 31'51 | DGG 2530436/ | Fonologia Milano | 1 | |||||||
| 12076 | Frank Tveor | Nordensten | ... Bluer than Blood, but not much | 1980 | Zuspiel / Tonband, 3 perf | 12:00 | cl, 2 perc [Klarinette, Schlagzeug] | NOTAM | 0 | ||||||||||
| 21974 | Kristin | Norderval | Untitled | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 12077 | Erik | Nordgren | Aftonraga | 1971 | fixed media, akusmatisch | 13:00 | Stereo | PS C. | 0 | ||||||||||
| 12078 | Erik | Nordgren | Åkallan | 1975 | fixed media, akusmatisch | 5:35 | Stereo | PS C. | 0 | ||||||||||
| 12079 | Erik | Nordgren | Aurora borealis | 1974 | fixed media, akusmatisch | 9:03 | Stereo | PS C. | 0 | ||||||||||
| 12080 | Erik | Nordgren | Babbles 1 op. 115a | 1977 | fixed media, akusmatisch | 7:00 | PS C. | 0 | |||||||||||
| 12081 | Erik | Nordgren | Babbles 2 op. 115b | 1977 | fixed media, akusmatisch | 3:50 | PS C. | 0 | |||||||||||
| 12082 | Erik | Nordgren | Cello | 1980 | fixed media, akusmatisch | 8:33 | Stereo | PS C. | 0 | ||||||||||
| 35774 | Erik | Nordgren | Crazy Robots | 1961 | fixed media, akusmatisch | 2:58 | Creel Pone 056/ | 0 | |||||||||||
| 12083 | Erik | Nordgren | Dirge | 1980 | fixed media, akusmatisch | 7:53 | Stereo | PS C. | 0 | ||||||||||
| 12084 | Erik | Nordgren | (Dis)similarities | 1979 | fixed media, akusmatisch | 26:15 | Stereo | PS C. | 0 | ||||||||||
| 12085 | Erik | Nordgren | Four songs from elsewhere | 1979 | fixed media, akusmatisch | 18:16 | Stereo | PS C. | 0 | ||||||||||
| 12086 | Erik | Nordgren | Looking forward to... | 1978 | fixed media, akusmatisch | 8:33 | Stereo | PS C. | 0 | ||||||||||
| 12087 | Erik | Nordgren | Mitt ute på det blånande | 1981 | Fernsehen, | 18:58 | Stereo | PS C. | 0 | ||||||||||
| 12088 | Erik | Nordgren | På jakt efter tiden | 1975 | Fernsehen, | 10:31 | Stereo | PS C. | 0 | ||||||||||
| 12089 | Erik | Nordgren | Perpetuum locomobile | 1975 | fixed media, akusmatisch | 6:32 | Stereo | PS C. | 0 | ||||||||||
| 35775 | Erik | Nordgren | Playhouse | 1961 | fixed media, akusmatisch | 2:58 | Creel Pone 056/ | 0 | |||||||||||
| 12090 | Erik | Nordgren | Points-Lines-Circles | 1974 | fixed media, akusmatisch | 32:32 | Stereo | PS C. | 0 | ||||||||||
| 12091 | Erik | Nordgren | Prayer | 1980 | fixed media, akusmatisch | 12:20 | Stereo | PS C. | 0 | ||||||||||
| 12092 | Erik | Nordgren | Prelude to extinction | 1982 | fixed media, akusmatisch | 18:58 | Stereo | PS C. | 0 | ||||||||||
| 12093 | Erik | Nordgren | Pyramiderna | 1975 | Fernsehen, | 11:49 | Stereo | PS C. | 0 | ||||||||||
| 12094 | Erik | Nordgren | Quintet | 1983 | fixed media, akusmatisch | 37:39 | Stereo | PS C. | 0 | ||||||||||
| 12095 | Erik | Nordgren | Radiant darkness | 1980 | fixed media, akusmatisch | 20:27 | Stereo | PS C. | 0 | ||||||||||
| 12096 | Erik | Nordgren | Rebirth | 1977 | fixed media, akusmatisch | 16:19 | Stereo, Quadro | PS C. | 0 | ||||||||||
| 12097 | Erik | Nordgren | Regets | 1980 | fixed media, akusmatisch | 6:58 | Stereo | PS C. | 0 | ||||||||||
| 12098 | Erik | Nordgren | Rest(less) | 1980 | fixed media, akusmatisch | 11:01 | Stereo | PS C. | 0 | ||||||||||
| 12099 | Erik | Nordgren | Rökstenen | 1975 | Fernsehen, | 13:44 | Stereo | PS C. | 0 | ||||||||||
| 12100 | Erik | Nordgren | Six songs from somewhere | 1977 | fixed media, akusmatisch | 23:07 | Stereo | PS C. | 0 | ||||||||||
| 12101 | Erik | Nordgren | Stonehenge | 1975 | Fernsehen, | 13:44 | Stereo | PS C. | 0 | ||||||||||
| 12102 | Erik | Nordgren | Suite from in the midst.. | 1981 | fixed media, akusmatisch | 9:43 | Stereo | PS C. | 0 | ||||||||||
| 12103 | Erik | Nordgren | Thoughts | 1976 | fixed media, akusmatisch | 14:27 | Stereo | PS C. | 0 | ||||||||||
| 12104 | Erik | Nordgren | Three computer studies | 1982 | fixed media, akusmatisch | 6:37 | Stereo | PS C. | 0 | ||||||||||
| 12105 | Erik | Nordgren | Three tonal studies | 1964 | fixed media, akusmatisch | 11:15 | Stereo | PS C. | 0 | ||||||||||
| 12106 | Erik | Nordgren | Threecornered cycle | 1980 | fixed media, akusmatisch | 13:48 | Stereo | PS C. | 0 | ||||||||||
| 12107 | Erik | Nordgren | Tio preludier | 1975 | fixed media, akusmatisch | 44:37 | Stereo | PS C. | 0 | ||||||||||
| 12108 | Erik | Nordgren | Variations and fuge | 1975 | fixed media, akusmatisch | 12:06 | Stereo | PS C. | 0 | ||||||||||
| 12109 | Erik | Nordgren | Voice | 1979 | fixed media, akusmatisch | 7:00 | Stereo | PS C. | 0 | ||||||||||
| 12110 | Erik | Nordgren | Voice 2 | 1980 | fixed media, akusmatisch | 7:21 | Stereo | PS C. | 0 | ||||||||||
| 12111 | Erik | Nordgren | Waiting | 1980 | fixed media, akusmatisch | 15:40 | Stereo | PS C. | 0 | ||||||||||
| 12112 | Arne | Nordheim | 5 Osaka Fragments | 1970 | fixed media, akusmatisch | Stereo | PHI 6507034/ | 0 | |||||||||||
| 27568 | Arne | Nordheim | Amaryllis | fixed media, akusmatisch | 5:28 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 12113 | Arne | Nordheim | Ariadne | 1977 | Tanz, 2 perf | 2 S [Sopran] | 0 | ||||||||||||
| 12114 | Arne | Nordheim | Aurora | 1983 | Zuspiel / Tonband, 4 perf | 20:50 | Stereo | S, Mez, T, B [Sopran, Mezzo, Tenor, Bass] | In memoriam Cathy Berberian. Text fromthe Bible (Psalm 139), The Divine Comedy (Song 33) |
NC 4910/ | EMS Stockholm | Electric Phoenix, London | 3.6.1984 | Bergen Music Festival | 1 | ||||
| 12116 | Arne | Nordheim | Be Not Afeared | 1978 | Zuspiel / Tonband, 2 perf, 1 group | S, Bar, ens [Sopran, Bariton, Ensemble] | 0 | ||||||||||||
| 27551 | Arne | Nordheim | Collage I | fixed media, akusmatisch | 16:52 | material from: Papirfuglen - Hjemkomsten - Vi På Alfabulator - Intermezzo - Faust - Amaryllis - Dagen Vender - Dødsdansen. | ACD 5051 Aurora/ | NRK Oslo | 0 | ||||||||||
| 27552 | Arne | Nordheim | Collage II | fixed media, akusmatisch | 10:47 | Multiple Parallell Layers | ACD 5051 Aurora/ | NRK Oslo | 0 | ||||||||||
| 27553 | Arne | Nordheim | Collage III | fixed media, akusmatisch | 12:08 | Multiple Parallell Layers | ACD 5051 Aurora/ | NRK Oslo | 0 | ||||||||||
| 27554 | Arne | Nordheim | Collage IV | fixed media, akusmatisch | 7:12 | material from: Dei Kjenslelause. | ACD 5051 Aurora/ | NRK Oslo | 0 | ||||||||||
| 12117 | Arne | Nordheim | Colorazione | 1968/1982 | live-elec, 2 perf | 19:45 | Stereo | hammond-org, perc, (elec, rm) [Orgel, Schlagzeug] | PHI 854005/ NCD B 4933 New Concert Discs/ RCD 2002/ PHI 410470-1/ | Edition Wilhelm Hansen, Copenhagen | 1 | ||||||||
| 27564 | Arne | Nordheim | Dagen Vender | fixed media, akusmatisch | 3:54 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 27567 | Arne | Nordheim | Dei Kjenslelause | fixed media, akusmatisch | 3:54 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 27556 | Arne | Nordheim | Den Lille Prinsen | fixed media, akusmatisch | 2:44 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 12118 | Arne | Nordheim | Dinosaurus | 1971 | Zuspiel / Tonband, 1 perf | 9:30 | acc [Akkordeon] | Orion ORS 77263/ | NOTAM | 1 | |||||||||
| 31298 | Arne | Nordheim | Dodeka | fixed media, akusmatisch | 37:11 | RCD 2030/ | 0 | ||||||||||||
| 12119 | Arne | Nordheim | Eco | 1967 | Zuspiel / Tonband, 1 perf, 2 groups | 20:00 | S, ch, orc [Sopran, Chor, Orchester] | 0 | |||||||||||
| 12120 | Arne | Nordheim | Epitaffio | 1963 | Zuspiel / Tonband, 1 group | 11:00 | Stereo | orc [Orchester] | LML LS 86061/ NCD B 4933 New Concert Discs/ PHI 839250/ IDEAMA CD 045/ | NRK Oslo | 0 | ||||||||
| 12121 | Arne | Nordheim | Evolution | 1967 | fixed media, akusmatisch | 8:30 | Stereo | electro acoustic music to pictures by Rolf Aamot (1967) WH 9’ | NRK Oslo | 0 | |||||||||
| 27561 | Arne | Nordheim | Faust | fixed media, akusmatisch | 5:28 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 12122 | Arne | Nordheim | Favola in Musica | 1964 | Tanz | Fernsehen, 1 perf, 1 group |
Mono | V, orc [Stimme, Orchester] | NRK Oslo | 0 | ||||||||||
| 27560 | Arne | Nordheim | Hamlet | fixed media, akusmatisch | 2:45 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 27558 | Arne | Nordheim | Her Bor Vi Så Gjerne | fixed media, akusmatisch | 1:49 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 27557 | Arne | Nordheim | Hjemkomsten | fixed media, akusmatisch | 3:04 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 12123 | Arne | Nordheim | Intermezzo | 1969 | Zuspiel / Tonband, 2 perf | 7:00 | Stereo | fl, perc [Flöte, Schlagzeug] | ACD 5051 Aurora/ | NRK Oslo | 0 | ||||||||
| 12124 | Arne | Nordheim | Katharsis | 1962 | Tanz, 1 group | 50:00 | Mono | orc [Orchester] | LML LS 86061/ | NRK Oslo | 0 | ||||||||
| 12125 | Arne | Nordheim | Kimaere | 1963 | Tanz | Fernsehen, 1 group |
12:00 | Mono | orc [Orchester] | NRK Oslo | 0 | |||||||||
| 12126 | Arne | Nordheim | Lux et tenebrae | 1970 | fixed media, akusmatisch | 21:48 | for EXPO Osaka. Dedicated to Jihn cage | PHI 6507042/ | ExpSt Warsaw | 1 | |||||||||
| 27565 | Arne | Nordheim | Mandagsbilen | fixed media, akusmatisch | 1:20 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 27562 | Arne | Nordheim | Mot Bristepunktet | fixed media, akusmatisch | 1:38 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 21975 | Arne | Nordheim | Music for "Draumkedet" | 1994 | Theatermusik | NOTAM | 0 | ||||||||||||
| 21976 | Arne | Nordheim | Music for the Winner Olympics 1994 | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 27563 | Arne | Nordheim | Myrfolket | fixed media, akusmatisch | 5:29 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 27559 | Arne | Nordheim | Når Vi Døde Vågner | fixed media, akusmatisch | 2:55 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 31299 | Arne | Nordheim | Ode to Light, Rzeźba - muzyka do projekcji w Trondheim | 1968 | Klangkunst, Installation | em for a sculpture by Arnold Haukeland | Wire Issue 406/ | ExpSt Warsaw | 0 | ||||||||||
| 12127 | Arne | Nordheim | OHM | 1971 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | w (lur) [Bläser] | PHI 6529109/ | NRK Oslo | 0 | ||||||||
| 12128 | Arne | Nordheim | Pace | 1970 | fixed media, akusmatisch | 9:30 | Stereo | dedicated to Patkowski; Text from the Declaration of Human Rights | RCD 2002/ PHI 6507042/ IDEAMA CD 045/ | ExpSt Warsaw | 1 | ||||||||
| 27569 | Arne | Nordheim | Papirfuglen | fixed media, akusmatisch | 12:40 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 31300 | Arne | Nordheim | Peer Gynt | 1969 | intermedia | 0 | |||||||||||||
| 12129 | Arne | Nordheim | Poly-Poly, Five Osaka Fragments | 1970 | fixed media, akusmatisch | EXPO Osaka, scandinavian Pavillon. 5 Osaka Fragments = short excerpts from Poly-Poly |
RCD 2002/ | 1 | |||||||||||
| 12130 | Arne | Nordheim | Puznor | 1980 | Zuspiel / Tonband, 1 perf | 17:00 | Stereo | trbn [Posaune] | ExpSt Warsaw | 0 | |||||||||
| 21977 | Arne | Nordheim | Reconstruction of "Nedstigningen" | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 12131 | Arne | Nordheim | Response I | 1966 | Zuspiel / Tonband, 2 groups | 18:30 | Stereo | 2 perc-group [Schlagzeug] | PHI 839250/ PHI 836.896/ | NRK Oslo | 0 | ||||||||
| 12132 | Arne | Nordheim | Response II | 1966 - 1967 | Zuspiel / Tonband, 3 perf | 18:30 | Stereo | org, 2 perc [Orgel, Schlagzeug] | NRK Oslo | 0 | |||||||||
| 12133 | Arne | Nordheim | Response III | 1983 | Zuspiel / Tonband, 5 perf | 19:00 | org, 4 perc [Orgel, Schlagzeug] | NOTAM | 0 | ||||||||||
| 12134 | Arne | Nordheim | Response IV | 1978 | Zuspiel / Tonband, 4 perf | 19:00 | 4 perc [Schlagzeug] | NOTAM | 0 | ||||||||||
| 12135 | Arne | Nordheim | Return of the snark | Zuspiel / Tonband, 1 perf | trbn [Posaune] | NOTAM | 0 | ||||||||||||
| 12136 | Arne | Nordheim | Signals | 1967 | live-elec, 3 perf | 8:40 | Stereo | acc, e-gui, perc [Akkordeon, Gitarre, Schlagzeug] | PHI 854005/ | Edition Wilhelm Hansen, Copenhagen | 1 | ||||||||
| 12137 | Arne | Nordheim | Solitaire | 1968 | fixed media, akusmatisch | Hintergrundmusik |
12:10 | Stereo | for inaugoration of a Museum in Oslo for concrete and electronic sounds |
PHI 6746001/ PHI 6526006/ NCD B 4933 New Concert Discs/ RCD 2002/ PHI 854005/ IDEAMA CD 048/ | ExpSt Warsaw | Edition Wilhelm Hansen, Copenhagen | 1 | |||||||
| 31301 | Arne | Nordheim | Stille, Kepler tenker | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 12138 | Arne | Nordheim | Stormen (The Tempest) | 1979 | Tanz | 0 | |||||||||||||
| 12139 | Arne | Nordheim | Tempora Noctis | 1979 | Zuspiel / Tonband, 1 group | 35:00 | orc [Orchester] | NOTAM | 0 | ||||||||||
| 27566 | Arne | Nordheim | Vi På Alfabulator | fixed media, akusmatisch | 2:30 | ACD 5051 Aurora/ | NRK Oslo | 0 | |||||||||||
| 12140 | Arne | Nordheim | Warszawa | 1967/1968 | fixed media, akusmatisch | 12:10 | dedicated to the Studio-stuff Gienio, Bogdan Mazurek, Ania, Krzysztof Slifirski, Jozef Patkowski, Woijtek | PHI 6507042/ RCD 2002/ | ExpSt Warsaw | 1 | |||||||||
| 34681 | Jesper | Nordin | Calm Like a Bomb | 2000 | Zuspiel / Tonband, 1 perf | 10:04 | Stereo | vn [Violine] | Russolo Pratella EF.ER.P 02/ Accademia Musicale Pescarese/ | Prize Russolo Varese 2002 | 0 | ||||||||
| 12141 | Per | Nordin | Nattens väsen : Ljudspel | 1991 | live-elec, | 0 | |||||||||||||
| 33193 | Lise-Lotte | Norelius | Angrepp | 2014 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 33201 | Lise-Lotte | Norelius | Atmosfärisk drill | 2011 | live-elec, 1 perf | 25 | p, (elec devices) [Piano] | [vibrators, grand piano, live-electronics] | Kristine Scholz | 0 | |||||||||
| 33213 | Lise-Lotte | Norelius | Beepshow | 2005 | fixed media, akusmatisch | private headphoneconcerts | 0 | ||||||||||||
| 24497 | Lise-Lotte | Norelius | Bjupp-bjupp | 2003 | fixed media, akusmatisch | 7:43 | Stereo | FER 1057 Firework Edition Records/ | 1 | ||||||||||
| 24496 | Lise-Lotte | Norelius | Bleed | 2003 | fixed media, akusmatisch | 3:29 | Stereo | FER 1057 Firework Edition Records/ | Rikskonserter for Fylkingen's 70th anniversary | 1 | |||||||||
| 24499 | Lise-Lotte | Norelius | Bleed II | 2003 | fixed media, akusmatisch | 3:51 | Stereo | FER 1057 Firework Edition Records/ | 1 | ||||||||||
| 33204 | Lise-Lotte | Norelius | BLUSH | 2010 | Tanz | Music for the dance performance, SU-EN Butoh Company | SU-EN Butoh Company | 0 | |||||||||||
| 33214 | Lise-Lotte | Norelius | Bon Voyage | 2004 | audiovisuell, live-elec, | video installation | 0 | ||||||||||||
| 33200 | Lise-Lotte | Norelius | DOS 5.0 | 2011 | Performance | 6 | Pärlor för svin and recorded floppy drives; for swedish arts council | swedish arts council | 0 | ||||||||||
| 33211 | Lise-Lotte | Norelius | Ett skepp kommer lastat | 2006 | live-elec, | 16 | Quadro | Usedomer Festiv. | 0 | ||||||||||
| 33208 | Lise-Lotte | Norelius | Filosofisk improvisation | 2008 | Performance, live-elec, 2 perf | audiovisuell |
dance, actor, (video) [Schauspieler, Tanz] | performance for dancer, philosopher, video artist and live-electronics | 0 | |||||||||||
| 33202 | Lise-Lotte | Norelius | FLOCK | 2011 | Tanz | Surround 5.0 | Music for the dance performance | Kungliga svenska balettskolan | 0 | ||||||||||
| 33196 | Lise-Lotte | Norelius | Freezing Violin | 2013 | live-elec, 1 perf | vn, (elec) [Violine] | [violin & small electric devices, for George Kentros | George Kentros | 0 | ||||||||||
| 24498 | Lise-Lotte | Norelius | Gruvfruns goda råd | 2003 | fixed media, akusmatisch | 14:01 | Stereo | FER 1057 Firework Edition Records/ | Rikskonserter | 1 | |||||||||
| 24502 | Lise-Lotte | Norelius | Grynlik | 2000 | fixed media, akusmatisch | 11:17 | Stereo | FER 1057 Firework Edition Records/ | 1 | ||||||||||
| 33203 | Lise-Lotte | Norelius | Huset har vingar | 2010 | Tanz | Music for the dance performance | en dansföreställning för barn av Räserbyrån |
0 | ||||||||||||
| 24501 | Lise-Lotte | Norelius | In Sea | 2003 | fixed media, akusmatisch | 15:04 | Stereo | FER 1057 Firework Edition Records/ | 1 | ||||||||||
| 23669 | Lise-Lotte | Norelius | In Sea RP-Bob Gruvfruas goda råd BjuppBjupp Bleed Ägga |
2004 | fixed media, akusmatisch | EMS Stockholm | 1 | ||||||||||||
| 33215 | Lise-Lotte | Norelius | Isola | 2004 | Tanz, live-elec, 1 perf | Octo | elec [elektronik] | Music for the dance performance. live-electronics 8-channels, choreographers/dancers Håkan Mayer, Katarina Eriksson | 0 | ||||||||||
| 33216 | Lise-Lotte | Norelius | Jymdjym | 2002 | Performance, live-elec, 1 perf | elec [elektronik] | cycle exerciser and live-electronics | 0 | |||||||||||
| 33195 | Lise-Lotte | Norelius | Mean little things II | 2014 | radiophon | synt, (elec) [synthesizer] | synth jewelry, noise ball, live electronics, EBU Broadcast | 0 | |||||||||||
| 33217 | Lise-Lotte | Norelius | Nightmen | 2001 | live-elec, 1 perf | sax [Saxophon] | also version for 4 sax | 0 | |||||||||||
| 33207 | Lise-Lotte | Norelius | Rara avis | 2008 | Tanz | Music for the dance performance | 0 | ||||||||||||
| 24500 | Lise-Lotte | Norelius | RP-Bob | 2003 | fixed media, akusmatisch | 5:53 | Stereo | FER 1057 Firework Edition Records/ | 1 | ||||||||||
| 33209 | Lise-Lotte | Norelius | Sentimental Babusjka | 2007 | Performance | 15 | actor ([babusjka doll, live-el]) [Schauspieler] | Ukrainian doll and live-electronics for NMD 2007 (new version released on "Existentiell Tremor") | 0 | ||||||||||
| 33205 | Lise-Lotte | Norelius | Snooze | 2009 | Radiokunst, live-elec, 1 perf | 17 | elec (elec devices) [elektronik] | alarmclocks/live-electronics for P2Live, EBU Ars Acoustica 2009 (new version released on "Existentiell Tremor") | 0 | ||||||||||
| 33197 | Lise-Lotte | Norelius | TBE | 2013 | live-elec, 1 perf | synt, (elec) [synthesizer] | synth jewelry, noise ball, live electronics | 0 | |||||||||||
| 33206 | Lise-Lotte | Norelius | Thermos | 2008 | live-elec, | 12:20 | termos/live-electronics 2008 (new version released on "Existentiell Tremor") | 0 | |||||||||||
| 33198 | Lise-Lotte | Norelius | Ticko Ticko | 2012 | live-elec, 4 perf | ≈ 10 | 4 sax [Saxophon] | Stockholm Saxophone Quartet | 0 | ||||||||||
| 33199 | Lise-Lotte | Norelius | Tremor | 2011 | Performance | ≈ 10 | elec (elec devices) [elektronik] | [vibrators, live-electronics] | 0 | ||||||||||
| 33212 | Lise-Lotte | Norelius | Två tre | 2006 | Tanz, live-elec, | Musik for the dance performance | 0 | ||||||||||||
| 33210 | Lise-Lotte | Norelius | Undulate | 2007 | live-elec, 2 perf | 2 sax [Saxophon] | Oduo/The Arts Grants | 0 | |||||||||||
| 33194 | Lise-Lotte | Norelius | You Are The Flower | 2014 | fixed media, akusmatisch | multichannel for Kubus, ZKM | 0 | ||||||||||||
| 12142 | Per | Nørgård | Årsfriser | 1991 | fixed media, akusmatisch | 60:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 12143 | Per | Nørgård | Blomsterduft | 1963 | Theatermusik | James Saunders | 0 | ||||||||||||
| 12144 | Per | Nørgård | Datemusic, Kalendermusik | 1970 | fixed media, akusmatisch | 420:00 | rev. 1991 : "Årsfrise" (60:00) | CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 0 | |||||||||
| 12145 | Per | Nørgård | Det store baelt | 1968 | Film | film-music with "The Enchanted Forest" | 0 | ||||||||||||
| 12146 | Per | Nørgård | Dommen | 1962 | Zuspiel / Tonband, 1 perf, 2 groups | 50:00 | Mono | V, orc, ch [Stimme, Chor, Orchester] | Dansk Radio | 0 | |||||||||
| 12147 | Per | Nørgård | Labyrinten | 1967 | Oper | 30:00 | Stereo | Dansk Radio | 0 | ||||||||||
| 12148 | Per | Nørgård | The Enchanted Forest | 1968 | fixed media, akusmatisch | 0 | |||||||||||||
| 12149 | Per | Nørgård | Titanic | 1962 | Zuspiel / Tonband, 1 perf, 1 group | 35:00 | Stereo | Sps [Sprecher] | Dansk Radio | 0 | |||||||||
| 41396 | Katharine | Norman | Bells and Gargoyles | fixed media, akusmatisch | sonus.ca | 0 | https://www.ckcufm.com/ | ||||||||||||
| 36255 | Katharine | Norman | Fuga Interna (begin) | 2012 | Zuspiel / Tonband, 1 perf | 10:20:00 | p [Piano] | innova 874/ | Paul Clouvel / Elektramusic | 0 | |||||||||
| 20562 | Katharine | Norman | Hard Cash | 1996 | fixed media, akusmatisch | 13:23 | Stereo | innova 114/ | 1 | http://www.novamara.com/index.html | |||||||||
| 12150 | Katharine | Norman | Icarus | 1993 | Zuspiel / Tonband, 1 perf, 1 group | 18:55 | Stereo | Vs [Stimme] | Sonic Arts Network | 0 | |||||||||
| 12152 | Katharine | Norman | In the stream | 1990 | fixed media, akusmatisch | 13:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 19370 | Katharine | Norman | London, In her own Time London E17 People underground |
1991 - 1993 | fixed media, akusmatisch | 59:00 | 3 digital soundscapes | NMC D034/ | Col.Princ EMC | SPNM | Competition Musica Nova Prag 1994 (People underground) | 1 | http://econtact.ca/1_1/normanCD.html | ||||||
| 39974 | Katharine | Norman | Making Place | 2013 | fixed media, akusmatisch | 15:00:00 | Katharine Norman | 0 | |||||||||||
| 21835 | Katharine | Norman | Squeaky Reel | 1996 | fixed media, akusmatisch | excerpt 3 | Stereo | IMED 9837/ | Col.Princ EMC | 0 | |||||||||
| 12155 | Katharine | Norman | Trilling Wire | 1994 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | cl [Klarinette] | NMC D034/ | PS C. | 1 | ||||||||
| 12156 | Katharine | Norman | Trying to translate | 1992 | live-elec, 1 perf | 15:00 | Stereo | p [Piano] | PS C. | Arts Council of England | 0 | ||||||||
| 37078 | Robert | Normandeau | Anadliad | 2010 | fixed media, akusmatisch | 14:02:00 | 38 Tracks | IMED 12116/ | PS C. | Bangor University | 4.11.2010 | Powis Hall, Bangor University (Wales, UK) | 0 | ||||||
| 37044 | Robert | Normandeau | Baobabs, Babillage et rythme Nostalgie et timbre Colère et dynamique Lassitude et espace Sérénité et texture |
2012 - 2013 | Zuspiel / Tonband, 10 perf | 15:32:00 | S, A, T, B, 6 perc [Sopran, Alt, Tenor, Bass, Schlagzeug] | IMED 14128/ | Banff C. | 15.5.2013 | Des puces et des drums in the MultiMedia Room of McGill University in Montréal; with Stéphanie Lessard, soprano; Marie-Annick Béliveau, alto; Michiel Schrey, tenor; Pierre Étienne Bergeron, bass; Sixtrum (João Catalão, Julien Compagne, Julien Grégoire, Philip Hornsey, Kristie Ibrahim, Fabrice Marandola), percussion | 1st prize, category B, Musica Nova 2013 | 0 | ||||||
| 12158 | Robert | Normandeau | Bédé, Le monde de l’enfance La vallée des fantômes La quête de la voix |
1990 | fixed media, akusmatisch | 5 | Stereo | (childhood ="battleground"). Parts: Le monde de l’enfance (The Realm of Childhood); La vallée des fantômes (The Valley of Phantoms); La quête de la voix (In Search of the Voice) |
IMED 9004/ IMED 9419/20/ IMED 9920/ IMED 9604/ IMED 9419/20/ IMED 9920/ IMED 9604/ | INA • GRM, PS C. | empreintes DIGITALes | 2.11.1990 | Montréal musiques actuelles festival. | 1 | |||||
| 24638 | Robert | Normandeau | Chorus | 2002 | fixed media, akusmatisch | 14:00 | 16 Tracks, Stereo | 7 parts: Ouverture (Overture); Judaïsme (Judaism); Christianisme (Christianity); Islamisme (Islamism); Confrontation (War); Douleur (Pain); Paix (Peace). Inspired by Lessing's "Nathan der Weise" |
IMED 0575/ MR 2002 Métamorphoses 2002/ innova 120/ IMED 1775/ | PS C. | Réseaux with the financial support of the Canada Council | 13.07.2002 | Festival de musiques sacrées (Fribourg, Switzerland) | First Prize at the 2002 Fribourg International Sacred Music Competition (Switzerland). Chorus was also selected by the 2nd Métamorphoses Biennial Acousmatic Composition Competition (Brussels, Belgium) in 2002 | 1 | ||||
| 23295 | Robert | Normandeau | Clair de terre, Ouverture [Overture] Cadre étroit (espace clos) [Narrow Frame (Close Space)] Couleurs primaires et secondaires [Primary and Secondary Colors] Mobilité des plans [Camera Mobility] Montage rythmique [Rhythmic Editing] Montage métaphorique [Metaphoric Editing] Durée des plans [Duration of Shots] Clarté (éblouissement) [Brightness (Dazzling)] Taille des plans [Proportion of Shots] Couleurs ternaires [Ternary Colors] Micro-montage Obscurité [Darkness] Cadre large (espace ouvert) [Wide Frame (Open Space)] |
1999 | fixed media, akusmatisch | 36:00 | Stereo | 12 movements | IMED 0157/ | PS C. | 10.12.1999 | Réseaux at Ex-Centris in Montréal. | 1 | ||||||
| 12160 | Robert | Normandeau | Éclats de voix | 1991 | fixed media, akusmatisch | 14:50 | Eclats de voix (Voice fragments) Sounds have been generated with the computer music system SYTER at the Groupe de Recherches Musicales in Paris. |
IMED 9419/20/ CEC DISContact_1/ nor 02/ IMED 9920/ | INA • GRM, PS C. | CKUT with the assistance of the Canada Council | 26.09.1991 | CKUT-FM in Montréal | 1st Prize by Jury & Public’s Prize 2nd Prix international Noroit 1991. mention at the Stockholm Electronic Arts Award Competition (Sweden, 1992), Auszeichnung ars electronica honorary mention 1993 1st Mention at the Bourges 1993 Competition Musica Nova Prag 1994 |
1 | |||||
| 24637 | Robert | Normandeau | Éden | 2003 | fixed media, akusmatisch | 16:21 | 16 Tracks | IMED 0575/ LDX 274818/ IMED 1775/ | PS C. | GMEM Marseille | 12.05.2003 | Les musiques 2003 festival in Marseille (France) | 1 | 2006 | |||||
| 24634 | Robert | Normandeau | Ellipse | 1997 - 1999 | fixed media, akusmatisch | 11:59 | Stereo | speech | IMED 0944/ | HfM Mons, PS C. | Arturo Parra with the financial support of the Canadian Council | 15.05.1998 | Victoriaville (Québec) | 0 | |||||
| 23294 | Robert | Normandeau | Erinyes | 2001 | fixed media, akusmatisch | 20:08 | Stereo | 4. part from "Onomatopœia-Cycle". With the voice of Anne-Marie Cadieux |
IMED 0157/ | PS C. | Sonorities Festival | 5.05.2001 | Sonorities Festival in Belfast (Northern Ireland) | 1 | |||||
| 24632 | Robert | Normandeau | Figures de rhétorique | 1997 | Zuspiel / Tonband, 1 perf | 13:37 | Stereo | p [Piano] | SYTER | IMED 0944/ | INA • GRM, SARC Belfast, PS C. | pianist, Jacques Drouin, with financial support from the Canada Council | 23.05.1998 | Chapelle historique du Bon-Pasteur in Montréal by Jacques Drouin | 1st Prize for mixed music at the 1998 international Musica Nova competition | 0 | |||
| 24639 | Robert | Normandeau | Hamlet-Machine with Actors | 2003 | Theatermusik | 15:58 | 5 tracks, 16 tracks | adapted from "Hamletmaschine" by Heiner Müller | IMED 0575/ MR 2004 Métamorphoses 2004/ IMED 1775/ | PS C. | Vancouver New Music | 11.10.2003 | Scotia Bank Dance Centre, Vancouver (Canada) | Métamorphoses 2004 | 1 | ||||
| 37043 | Robert | Normandeau | Hamlet-Machine without Actors | 2014 | fixed media, akusmatisch | 8:54:00 | Stereo | IMED 14128/ | PS C. | 28.10.2015 | PACE Studio 1 of De Montfort University (Leicester, UK) | 0 | |||||||
| 12161 | Robert | Normandeau | Jeu | 1989 | fixed media, akusmatisch | 23:55 | Stereo | IMED 9002/ LDC 2781115/16/17 opus 30/ IMED 9802/ | IMEB Bourges, Uni Montréal | IMEB Bourges | 8.06.1989 | Synthèse Festival (Bourges) | Honorable Mention at the 11th Luigi Russolo International Competition 1989 | 1 | |||||
| 37077 | Robert | Normandeau | Jeu de langues | 2009 | fixed media, akusmatisch | 11:52:00 | Stereo | IMED 12116/ | PS C. | 19.9.2009 | Música Viva 2009 festival in the Sala Eduardo Prado Coelho of the Centro Cultural de Belém in Lisbon (Portugal) | Production Prize at the Giga-Hertz-Preis 2010 (Karlsruhe, Germany) | 0 | ||||||
| 37041 | Robert | Normandeau | Kuppel | 2005 - 2006, 2014 | fixed media, akusmatisch | 17:49:00 | Stereo , 26 tracks, Spazialisation: Klangdom | IMED 14128/ | ZKM Karlsruhe, PS C. | ZKM | 9.12.2006 | ZKM Karlsruhe Kubus | 0 | ||||||
| 37821 | Robert | Normandeau | L’engloutissement | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24648 | Robert | Normandeau | L’envers du temps | 1998 - 2000 | Zuspiel / Tonband, 1 perf | 10:18 | Stereo | gui [Gitarre] | with Arturo Parra (gui) | IMED 0264/ | PS C. | 0 | |||||||
| 12162 | Robert | Normandeau | La chambre blanche | 1986 | fixed media, akusmatisch | 25:00 | Stereo | Uni Montréal | Mention 2nd concours Phonurgia 1987 | 0 | |||||||||
| 37040 | Robert | Normandeau | La part des anges | 2011, 2012 | fixed media, akusmatisch | 14:37:00 | Spazialisation: mul, Klangdom | IMED 14128/ | ZKM Karlsruhe, Uni Montréal | 26.11.2012 | Trans_Canada Reloaded in Karlsruhe | Mention, category A, Musica Nova 2012 | 0 | ||||||
| 12163 | Robert | Normandeau | La règle du jeu | 1988 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | Uni Montréal | 0 | ||||||||||
| 12164 | Robert | Normandeau | Le cap de la tourmente | 1985 | Klangkunst, Installation | 7:24 | Stereo | One of the five soundtracks from Musique holographique. The original holosculpture and the soundtrack are part of the permanent collection of the Holographic Museum of New York City (USA). |
IMED 9002/ IMED 9802/ | PS C. | 15.01.1985 | Obscure (Québec City) | 1 | ||||||
| 20563 | Robert | Normandeau | Le renard et la rose, Babillage et rythme Nostalgie et timbre Colère et dynamique Lassitude et espace Sérénité et texture |
1995 | fixed media, akusmatisch | 14:51 | Stereo | "Voice"-Piece (cycle with other pieces starting with Éclats de voix and Spleen). 5 parts | innova 114/ Prix ars electronica 96/ IMED 0944/ IMED 0050/ | PS C. | The Banff Centre for the Arts for the 1995 ICMC and Canada Council | 6.09.1995 | Banff Centre for the Arts | Prix ars electronica: Golden Nica 1996 | 1 | ||||
| 23293 | Robert | Normandeau | Malina | 2000 | fixed media, akusmatisch | 15:02 | Stereo | Texts by Bachmann. Origin was a play | IMED 0157/ | IMEB Bourges, PS C. | IMEB Bourges | 17.06.2000 | Synthèse festival (Bourges) | 1 | |||||
| 12165 | Robert | Normandeau | Matrechka, Chaos Gris acier Outremer Terre de sienne brûlée Bleu de cobalt Pourpre Terre d’ombre |
1984 - 1986 | fixed media, akusmatisch | 13:53 | Stereo | IMED 9002/ IMED 9802/ | Uni Montréal, PS C. | 1.05.1986 | Université du Québec à Trois-Rivières (UQTR) | prize of the French National Federation of Electroacoustic Music, Mention at the 14th Bourges Competition (France, 1986) Métamorphoses d’Orphée Studio prize (Ohain, Belgium) 1st Phonurgia-Nova International Competition (Arles, France, 1986) |
1 | ||||||
| 37822 | Robert | Normandeau | Melancholia | 2017 | fixed media, akusmatisch | 14:52 | 0 | ||||||||||||
| 12166 | Robert | Normandeau | Mémoires vives | 1989 | fixed media, akusmatisch | 15:50 | Stereo | IMED 9002/ IMED 9802/ | Uni Montréal | Événements du Neuf & Canada Council | 9.03.1989 | the Salle Claude-Champagne, Montréal | selected at the 3rd International Rostrum of EM 1990 in Oslo | 1 | |||||
| 37076 | Robert | Normandeau | Murmures | 2007, 2011 | fixed media, akusmatisch | 8:58:00 | Stereo | IMED 12116/ | Musiques et Recherches Ohain, PS C. | 17.10.2007 | 14th international acousmatic festival L’Espace du son at Théâtre Marni in Brussels (Belgium) | 0 | |||||||
| 32918 | Robert | Normandeau | Palimpseste, Furie et rythme Amertume et timbre Colère et dynamique Fatigue et espace Sagesse et texture |
2005, 2011 | fixed media, akusmatisch | 14:53 | 16 Tracks | IMED 09100 trans_canada/ IMED 12116/ | PS C., ZKM Karlsruhe | ZKM with the support of Conseil des arts et des lettres du Québec (CALQ) and Canada Council for the Arts (CCA) | 12.2.2005 | trans_canada festival under the title ZedKejeM | finalist in the Musica Nova 2005 International Competition of Electroacoustic Music (Prague, Czech Republic) selected by the Canadian Section of the International Society for Contemporary Music (ISCM) |
0 | |||||
| 37079 | Robert | Normandeau | Palindrome | 2005 - 2006, 2007 | fixed media, akusmatisch | 14:50:00 | 24 Tracks | IMED 12116/ | PS C., IMEB Bourges, TU Berlin | IMEB | 7.6.2006 | Synthèse festival in Bourges | 0 | ||||||
| 37042 | Robert | Normandeau | Pluies noires, Black Rains | 2008, 2014 | fixed media, akusmatisch | 11:16:00 | Stereo | IMED 14128/ | PS C. | Miso music portugal and Réseaux des arts médiatiques (Québec) | 25.9.2008 13.12.2008 |
Música Viva 2008 festival in Lisbon (Portugal) Akousma (5) festival in Montréal |
0 | ||||||
| 24636 | Robert | Normandeau | Puzzle | 2003 | fixed media, akusmatisch | 5:40 | 5 tracks, 16 tracks | IMED 0575/ IMED 1775/ | PS C. | Open Space Arts Society | 9.10.2003 | Open Space Arts Society, Victoria (Canada) | 1 | ||||||
| 12167 | Robert | Normandeau | Rumeurs (Place de Ransbeck) | 1987 | fixed media, akusmatisch | 12:13 | Stereo | IMED 9002/ LDC 278046/47 Cultures Electroniques 3/ IMED 9802/ | Musiques et Recherches Ohain | 24.09.1987 | Concordia University, Montréal. | 2nd Prize Bourges 1988 | 0 | ||||||
| 12168 | Robert | Normandeau | Spleen | 1993 | fixed media, akusmatisch | 15:00 | Parts: Musique et rythme (Music and Rhythm); Mélancolie et timbre (Melancholy and Timbre); Colère et dynamique (Anger and Dynamics); Frustration et espace (Frustration and Space); Délire et texture (Frenzy and Texture) |
IMED 9419/20/ nor 03/ CEC DISContact_1/ IMED 9920/ Kiasma 1998/ | PS C. | 10.12.1993 | Festival Journées Électro-Radio Days broadcast live in Montréal, Toronto and Vancouver | Public´s Prize at 3rd Noroit comp. 1994 Competition Musica Nova Prag 1995 |
1 | ||||||
| 24635 | Robert | Normandeau | StrinGDberg | 2001/2003 | fixed media, akusmatisch | 18:20 | 16 Tracks | IMED 0575/ IMED 1775/ | PS C. | Ina-GRM | June 1, 2001 | Salle Olivier Messiaen, Maison de la Radio France | 1 | 2005 | |||||
| 2006 | |||||||||||||||||||
| 12169 | Robert | Normandeau | Tangram, Ouverture éclair Printemps Été Automne Hiver Fermeture éclair |
1989 - 1993 | fixed media, akusmatisch | 27:05 | 16 Tracks | Ouverture éclair (‘zipper’) (Opening of the Zipper); Printemps (eau et verre) (Spring (Water and Glass)); Été (feu et papier) (Summer (Fire and Paper)); Automne (terre et bois) (Autumn (Earth and Wood)); Hiver (air et métal) (Winter (Air and Metal)); Fermeture éclair (‘zipper’) (Closing of the Zipper) | IMED 9419/20/ ASP 0966/ IMED 9920/ | PS C., Banff C. | Musée d’art contemporain de Montréal for the concert inaugurating its new edifice on May 29, 1992; and Canada Council [for the Arts] and from the ministère des Affaires culturelles du Québec | 29.05.1992 | Musée d’art contemporain de Montréal | 1 | 2006 | ||||
| 12170 | Robert | Normandeau | Tropes | 1991/1993 | radiophon | 13:49 | Zitate von Mozart. It marks the 200th anniversary of Mozart’s death | IMED 9419/20/ IMED 9920/ | PS C., Banff C. | Service des émissions musicales du Réseau FM de Radio-Canada | 3.12.1991 | Ottawa | 1 | ||||||
| 37769 | Robert | Normandeau | Tunnel Azur | 2016 | fixed media, akusmatisch | 10:38 | Honorable Mention MUSICA NOVA 2017 | 0 | |||||||||||
| 24633 | Robert | Normandeau | Venture, Introduction Innocence Stabilité Tension Délire Violence Sérénité |
1998 | fixed media, akusmatisch | 19:15 | Stereo | 6 Movements | IMED 0944/ | HfM Mons, SARC Belfast, PS C. | Codes d’accès (Montréal) and Musiques & Recherches & financial support of the Canada Council | 28.02.1996 | Agora de la danse (Montréal) | 0 | |||||
| 22084 | Michael | Norris | Alumina | fixed media, akusmatisch | 10:54 | City Uni London | 1 | ||||||||||||
| 22097 | Michael | Norris | Aquarelle | fixed media, akusmatisch | 10:24 | City Uni London | 1 | ||||||||||||
| 22083 | Michael | Norris | Chimaera | fixed media, akusmatisch | 7:55 | UWMD 1200 New Zealand Sonic Art 2000/ | City Uni London | 1 | |||||||||||
| 22085 | Michael | Norris | Chrysalis | Zuspiel / Tonband, 1 perf | 10:12 | fl [Flöte] | Justine Bristowe:fl | Uni Victoria | 1 | ||||||||||
| 42525 | Doug van | Nort | Mimetic Orchestra #1: NEMO, for Triple Point | 2008 | live-elec, 3 perf | acc (digital acc), sax, elec [Saxophon, Akkordeon, elektronik] | Triple Point: Pauline Oliveros, digital accordion; Jonas Braasch, saxophone; Doug Van Nort, electronics | 0 | |||||||||||
| 12171 | Roger | North | Agony of Kings | 1974 | Musiktheater | Morley Coll, PS North | 0 | ||||||||||||
| 12172 | Roger | North | On Bb | 1976 | fixed media, akusmatisch | Morley Coll, PS North | 0 | ||||||||||||
| 35613 | Jonathan | Norton | Gravity | 1995 | fixed media, akusmatisch | 1:00 | ICMC | 0 | |||||||||||
| 35614 | Jonathan | Norton | Vicissitudes | 1995 | fixed media, akusmatisch | 7:35 | ICMC | 0 | |||||||||||
| 41841 | Julia | Norton | W.B.Q. | 2008 | radiophon | 0:57:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 42341 | Giorgio | Nottoli | 7Isole | 2015 | live-elec, 2 perf | fl, perc [Flöte, Schlagzeug] | 0 | ||||||||||||
| 42347 | Giorgio | Nottoli | Archeion | fixed media, akusmatisch | 10:45 | BIG CD 04 001/ | 0 | ||||||||||||
| 42346 | Giorgio | Nottoli | Arco | fixed media, akusmatisch | 8:09 | BIG CD 04 001/ | 0 | ||||||||||||
| 39819 | Giorgio | Nottoli | Ellenikà | 2016 | fixed media, akusmatisch | Giorgio Nottoli | 0 | ||||||||||||
| 12173 | Giorgio | Nottoli | Figura | 1981 | fixed media, akusmatisch | 11:00 | Stereo | CRM Roma | 0 | ||||||||||
| 12174 | Giorgio | Nottoli | Grid | 1985 | fixed media, akusmatisch | 14:26 | Stereo | Fonit Cetra CDC 43/ BIG CD 04 001/ | CRM Roma | 0 | |||||||||
| 42343 | Giorgio | Nottoli | Ground II | fixed media, akusmatisch | 4:36 | BIG CD 04 001/ | 0 | ||||||||||||
| 42345 | Giorgio | Nottoli | Iki | fixed media, akusmatisch | 3:57 | BIG CD 04 001/ | 0 | ||||||||||||
| 42340 | Giorgio | Nottoli | Ordito polifonico | 2011 | radiophon | 0 | |||||||||||||
| 42348 | Giorgio | Nottoli | Ruota Del Tempo | fixed media, akusmatisch | 9:39 | BIG CD 04 001/ | 0 | ||||||||||||
| 42342 | Giorgio | Nottoli | Seguendo Un Filo Di Luce | fixed media, akusmatisch | 3:07 | BIG CD 04 001/ | 0 | ||||||||||||
| 12175 | Giorgio | Nottoli | Senza voci II | 1979 | fixed media, akusmatisch | 6:53 | Stereo | with Guido Baggiani | PAN 20-15/ | CSC Padova | 0 | ||||||||
| 42339 | Giorgio | Nottoli | Solve et coagula | 2000 | radiophon | 7:18 | BIG CD 04 001/ | 0 | |||||||||||
| 39820 | Giorgio | Nottoli | Traiettoria tesa | 2015 | fixed media, akusmatisch | 15:32:00 | Giorgio Nottoli | 0 | |||||||||||
| 39818 | Giorgio | Nottoli | Trama Filante | 2017 | fixed media, akusmatisch | Giorgio Nottoli | 0 | ||||||||||||
| 39383 | Giorgio | Nottoli | Trama lucente | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42344 | Giorgio | Nottoli | Tre Microaforismi | fixed media, akusmatisch | 3:35 | BIG CD 04 001/ | 0 | ||||||||||||
| 12176 | Jacqueline | Nova | Creación de la tierra, Cantos de la creación de la tierra | 1972 | fixed media, akusmatisch | 19:00 | Tacuabé T/E 4/ | Uni B.Aires | 0 | 1984 | |||||||||
| 37947 | Jacqueline | Nova | Doce móviles | 1965 | fixed media, akusmatisch | 0 | |||||||||||||
| 38100 | Jacqueline | Nova | Echos I | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | |||||||||||||
| 38101 | Jacqueline | Nova | Hiroshima | Zuspiel / Tonband, 18 perf, 2 groups | orc, Counter-T, A, 16 fem V, ch [Alt, Tenor, Stimme, Chor, Orchester] | oratorio, text by Dora Castellanos | 0 | ||||||||||||
| 38102 | Jacqueline | Nova | Omaggio a Catullus | Zuspiel / Tonband, 4 perf | Sp, p, harmonium, perc [Sprecher, Piano, Orgel, Schlagzeug] | 0 | |||||||||||||
| 12177 | Jacqueline | Nova | Oposición Fusión | 1968 | fixed media, akusmatisch | IDEAMA CD 058/ | Tella B.Aires | 0 | |||||||||||
| 12178 | Jacqueline | Nova | Resonancias I | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | Tella B.Aires | 0 | |||||||||||
| 12179 | Jacqueline | Nova | Sincronización | 1970 | Zuspiel / Tonband, 4 perf | V, p, Harmonium, perc [Stimme, Piano, Orgel, Schlagzeug] | 1st version of Omaggio a Catullus | Tella B.Aires | 0 | ||||||||||
| 27894 | Riccardo | Nova | Ipnos | 1999 | live-elec, 1 group | ens [Ensemble] | CRFMW Liège | 26.09.1998 | Strasbourg, Festival Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 24540 | Ladislav | Novak | Ceterum autem | 1969 | fixed media, akusmatisch | 2:08 | Text-Sound Composition | FYCD 1024 CD 5 Text-Sound Compositions/ | PS C. Trbic | 1 | |||||||||
| 24539 | Ladislav | Novak | Les mirroirs aux alouettes | 1968 | fixed media, akusmatisch | 3:03 | Text-Sound Composition | FYCD 1024 CD 5 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 12180 | Ladislav | Novák | Aleatoricka láska | 1964 | fixed media, akusmatisch | 9:03 | Mono | PS C. | 0 | ||||||||||
| 12181 | Ladislav | Novák | Ceterum au | 1964 | fixed media, akusmatisch | 2:03 | Mono | PS C. | 0 | ||||||||||
| 12182 | Ladislav | Novák | Cizi spolecnost | 1963 | fixed media, akusmatisch | 5:20 | Mono | PS C. | 0 | ||||||||||
| 12183 | Ladislav | Novák | Dialogus | 1964 | fixed media, akusmatisch | 5:26 | Mono | PS C. | 0 | ||||||||||
| 12184 | Ladislav | Novák | Gelogie cili Jak jsme zabijeli | 1963 | fixed media, akusmatisch | 10:12 | Mono | PS C. | 0 | ||||||||||
| 12185 | Ladislav | Novák | Gute Nacht | 1964 | fixed media, akusmatisch | 6:15 | Mono | PS C. | 0 | ||||||||||
| 12186 | Ladislav | Novák | Ioci vernales | 1964 | Zuspiel / Tonband, 7 perf | 21:00 | B, 6 ins [Bass, Instrument] | PS C. | 0 | ||||||||||
| 12187 | Ladislav | Novák | Korespondence | 1962 | fixed media, akusmatisch | 6:40 | Mono | PS C. | 0 | ||||||||||
| 12188 | Ladislav | Novák | Na konci neni snih | 1966 | fixed media, akusmatisch | 3:04 | PS C. | 0 | |||||||||||
| 12189 | Ladislav | Novák | Prostory nasich zivotu | 1966 | fixed media, akusmatisch | 2:32 | Mono | PS C. | 0 | ||||||||||
| 12190 | Ladislav | Novák | Proverbia | 1966 | fixed media, akusmatisch | 5:25 | Mono | PS C. | 0 | ||||||||||
| 12191 | Ladislav | Novák | Vita humana | 1969 | fixed media, akusmatisch | Stereo | txtcompo | RELP 1074/ FYCD 1024 CD 5 Text-Sound Compositions/ | SR Stockholm | 1 | |||||||||
| 12192 | Ladislav | Novák | Zneni pro P. G. | 1964 | fixed media, akusmatisch | 2:51 | Mono | PS C. | 0 | ||||||||||
| 39547 | Alberto | Novello | Le Retour des Oiseaux, third movement | 2015 | fixed media, akusmatisch | 10:00:00 | Alberto Novello | 0 | |||||||||||
| 25585 | Alejandro González | Novoa | Electroacoustic bed…happy dreams! | 2006 | Klangkunst, Installation | 11:50 | Stereo | Work done with cellos in Max msp and Digital Performer |
Galerie Projektraum Künstlerhäuser Worpswede 2006 | 1 | http://www.artesonoro-agn.com.ar | ||||||||
| 25586 | Alejandro González | Novoa | Gardening, Lluvia Jardineando |
2006 | fixed media, akusmatisch | 10:30 | Stereo | Galerie Projektraum Künstlerhäuser Worpswede 2006 | 1 | http://www.artesonoro-agn.com.ar | |||||||||
| 34479 | Group, Memo, Ennio, Serenella, Teresa | NPS, Alfonsi, Chiggio, Marega, Rampazzi | Ricerca 2 | 1965 | fixed media, akusmatisch | 5:30:00 | CSC Padova | 0 | |||||||||||
| 34481 | Group, Memo, Ennio, Serenella, Teresa | NPS, Alfonsi, Chiggio, Marega, Rampazzi | Ricerca 4 | 1965 | fixed media, akusmatisch | 5:00:00 | DS 23 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 34478 | Group, Memo, Ennio, Serenella, Teresa, Gianni | NPS, Alfonsi, Chiggio, Marega, Rampazzi, Meiners | Ricerca 1 | 1965 | fixed media, akusmatisch | 6:00:00 | CSC Padova | 0 | |||||||||||
| 34484 | Group, Ennio | NPS, Chiggio | Graduale 1 | 1967/1968 | fixed media, akusmatisch | 6:00:00 | CSC Padova | 0 | |||||||||||
| 34477 | Group, Ennio | NPS, Chiggio | Ipotesi 3 | 1965 | fixed media, akusmatisch | 5:00:00 | CSC Padova | 0 | |||||||||||
| 34485 | Group, Ennio | NPS, Chiggio | Orgon 1 | 1968 | fixed media, akusmatisch | 2:40:00 | CSC Padova | 0 | |||||||||||
| 34497 | Group, Giovanni, Olivier, Alvise | NPS, De Poli, Menini, Vidolin | Hardlag, Hardlag II | 1972 | fixed media, akusmatisch | 5:15:00 | DS 23 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 34493 | Group, Giovanni, Teresa, Olivier, Alvise | NPS, De Poli, Rampazzi, Menini, Vidolin | Filtro 1 | 1971 | fixed media, akusmatisch | 6:08:00 | DS 23 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 34494 | Group, Giovanni, Teresa, Olivier, Alvise | NPS, De Poli, Rampazzi, Menini, Vidolin | Taras su tre dimensioni | 1971 | fixed media, akusmatisch | 10:50:00 | CSC Padova | 0 | |||||||||||
| 34492 | Group, Giovanni, Alvise, Olivier | NPS, De Poli, Vidolin, Menini | ECO 1 | fixed media, akusmatisch | 3:50:00 | CSC Padova | 0 | ||||||||||||
| 34486 | Group, Serenella, Teresa | NPS, Marega, Rampazzi | Freq. Mod. 1 | 1968 | fixed media, akusmatisch | 4:15:00 | CSC Padova | 0 | |||||||||||
| 34482 | Group, Serenella, Teresa | NPS, Marega, Rampazzi | Operativo 1 | 1966 | fixed media, akusmatisch | 3:00:00 | CSC Padova | 0 | |||||||||||
| 34483 | Group, Serenella, Teresa | NPS, Marega, Rampazzi | Operativo 2 | 1966 | fixed media, akusmatisch | 3:25:00 | CSC Padova | 0 | |||||||||||
| 34496 | Group, Teresa | NPS, Rampazzi | Computer 1800 | 1972 | fixed media, akusmatisch | 8:20:00 | CSC Padova | 0 | |||||||||||
| 34490 | Group, Teresa | NPS, Rampazzi | Environ | 1970 | fixed media, akusmatisch | 7:00:00 | DS 9 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 34487 | Group, Teresa | NPS, Rampazzi | Freq. Mod. 2 | 1968 | fixed media, akusmatisch | 6:50:00 | DS 23 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 34495 | Group, Teresa | NPS, Rampazzi | Immagini per Diana Baylon | 1972 | fixed media, akusmatisch | 180:00:00 | CSC Padova | 0 | |||||||||||
| 34489 | Group, Teresa | NPS, Rampazzi | Imp.&Ritmi | 1970 | fixed media, akusmatisch | 4:00:00 | CSC Padova | 0 | |||||||||||
| 34491 | Group, Teresa | NPS, Rampazzi | Insiemi | 1970 | fixed media, akusmatisch | 7:20:00 | DS 23 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 34499 | Group, Teresa | NPS, Rampazzi | Musica endoscopia | 1972 | fixed media, akusmatisch | 26:10 | DS 9 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 34480 | Group, Teresa | NPS, Rampazzi | Ricerca 3 | 1965 | fixed media, akusmatisch | 7:30:00 | CSC Padova | 0 | |||||||||||
| 34498 | Group, Teresa, Ennio | NPS, Rampazzi, Chiggio | 5x2=10 Pezzi Facili per nastro a quattro mani | 1977/1985 | fixed media, akusmatisch | var | Quadro | CSC Padova | 0 | ||||||||||
| 34488 | Group, Teresa, Giorgio | NPS, Rampazzi, Loviscek | Progetto O.T | 1969 | fixed media, akusmatisch | CSC Padova | 0 | ||||||||||||
| 26013 | Ralf | Nuhn | Staccato Death / Life | 2001 | Klangkunst, Installation | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2002 | 1 | |||||||||||
| 20023 | Jep | Nuix | Antoni y Cleopatra | 1995 | Zuspiel, live-elec, 2 perf | 30:00 | Stereo | synt, sam [computer, synthesizer] | PS C. Nuix | 0 | |||||||||
| 20019 | Jep | Nuix | C.I.P. Braslip | 1986 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | perc [Schlagzeug] | PS C. Nuix | 0 | |||||||||
| 20018 | Jep | Nuix | Calembour | 1985 | live-elec, 6 perf | 8:00 | Stereo | fl, ob, synt, e-gui, vc, db [Flöte, Oboe, Gitarre, Cello, Kontrabass, synthesizer] | Version 1 & 2 | PS C. Nuix | 0 | ||||||||
| 20020 | Jep | Nuix | Concert esterilitzat | 1991 | live-elec, 1 perf, 1 group | 15:00 | Stereo | fl, ens [Flöte, Ensemble] | PS C. Nuix | 0 | |||||||||
| 19964 | Jep | Nuix | Halterofilia I | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19965 | Jep | Nuix | Halterofilia II | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 12202 | Jep | Nuix | His master's voice | 1990 | fixed media, akusmatisch | 9:10 | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 19968 | Jep | Nuix | L'Inizio | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 20022 | Jep | Nuix | Les Paraules de L'Anima | 1995 | live-elec, 2 perf | 20:00 | Stereo | synt, sam [computer, synthesizer] | PS C. Nuix | 0 | |||||||||
| 20017 | Jep | Nuix | Marxa Nupcial | 1981 | fixed media, akusmatisch | 3:00 | Stereo | PS C. Nuix | 0 | ||||||||||
| 19966 | Jep | Nuix | Nits | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 12203 | Jep | Nuix | Pensant en Nono | 1991 | fixed media, akusmatisch | 3:28 | UM CD 7 Vol. I/ | Phonos Barcelona, PS C. Nuix | 1 | ||||||||||
| 20021 | Jep | Nuix | Percuflu | 1994 | live-elec, 2 perf | 9:00 | Stereo | fl, perc [Flöte, Schlagzeug] | PS C. Nuix | 0 | |||||||||
| 19969 | Jep | Nuix | Riudes | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19967 | Jep | Nuix | Serenata nocturna | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19963 | Jep | Nuix | Si | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 22061 | Yakichi | Nukarya | 2.170 | fixed media, akusmatisch | 10:03 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 12204 | Emmanuel | Nunes | 73.Oeldorf.75 I | 1975 | Zuspiel / Tonband, 2 perf | 32:00 | Stereo + Stereo + Stereo | 2 e-org [Keyboard] | M. Maiguashca, P. Eötvös | 0 | |||||||||
| 12205 | Emmanuel | Nunes | 73.Oeldorf.75 II | 1976 | Zuspiel / Tonband, 1 group | 32:00 | Stereo + Stereo + Stereo | ch [Chor] | Pau, France | 0 | |||||||||
| 12206 | Emmanuel | Nunes | Fermata | 1973 | Zuspiel / Tonband, 1 group | 28:00 | Stereo | orc [Orchester] | 0 | ||||||||||
| 12207 | Emmanuel | Nunes | Grund | 1982/1983 | Zuspiel / Tonband, 1 perf | 27:00 | Octo | fl [Flöte] | ADDA 58110/ | 0 | |||||||||
| 12208 | Emmanuel | Nunes | Lichtung I | 1988 - 1991 | live-elec, 9 perf | 22:00 | Octo | cl, hn, trbn, tuba, 4 perc, vc [Klarinette, Horn, Posaune, Tuba, Schlagzeug, Cello] | ISPW | IRCAM Les Années 90/ Accord 472 964-2/ | IRCAM | IRCAM Centre Pompidou | 13.2.1992 | Centre Georges Pompidou, Paris, Ens Intercontemporain, Ltg. Mark Foster | Ricordi | 1 | |||
| 21770 | Emmanuel | Nunes | Lichtung II | 1995 - 2000 | live-elec, 1 group | 35:00 | 13 Tracks | ens [Ensemble] | ISPW | Accord 472 964-2/ | IRCAM | Françoise et Jean-Philippe Billarant | 16.5.1996 | Lissabon, Gulbenkian, Ens. Intercontemporaine, Ltg. P. Rophé | Ricordi | 1 | |||
| 20564 | Emmanuel | Nunes | Machina Mundi | 1990 - 1992 | Zuspiel / Tonband, 1 perf, 2 groups | 67:05 | Stereo | ch, orc, ins [Instrument, Chor, Orchester] | MO 782020/ | 0 | |||||||||
| 12209 | Emmanuel | Nunes | Nachtmusik I | 1973 - 1991 | Zuspiel, live-elec, 5 perf | 35:00 | Stereo | va, vc, ehn, trbn, b-cl, (rm) [Klarinette, Oboe, Posaune, Viola, Cello] | L'Itinéraire Paris, HSM Basel | 0 | |||||||||
| 28771 | Emmanuel | Nunes | Peter Kien - eine akustische Maske | 2012 | live-elec, 1 group | 20 | ens [Ensemble] | nach Texten aus Elias Canettis "Die Blendung" | Experimentalstudio für Akustische Kunst Freiburg | 29.4.2012 | Witten, Coll. Novum Zürich, Ltg. Titus Engel | Ricordi | 0 | ||||||
| 12210 | Emmanuel | Nunes | Ruf | 1975/1977 | Zuspiel / Tonband, 1 group | 38:00 | Stereo | orc [Orchester] | Fondation Gulbenkian | 4.4.1977 | Royan Festival, France; SWF-orc, Ltg. E. Bour | Jobert | 0 | http://brahms.ircam.fr/works/work/10873/ | |||||
| 12211 | Emmanuel | Nunes | The Blending Season | 1973/1977 | live-elec, 4 perf | 40:00 | Quadro | amp fl, amp a-cl, amp e-org, amp va [Flöte, Klarinette, Keyboard, Viola] | Ministère de la culture français | 1973 | Oeldorf | 0 | |||||||
| 12212 | Emmanuel | Nunes | Voyage du corps | 1974 | Zuspiel, live-elec, 28 perf | 20:00 | Stereo + Stereo + Stereo | 28 V, (rm) [Stimme] | Fondation Gulbenkian | Royan Festival, France | Jobert | 0 | |||||||
| 12213 | Emmanuel | Nunes | Wandlungen, Passacaglia I - V | 1986 | live-elec, 25 perf | 31:00 | 25 ins [Instrument] | WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ | Experimentalstudio für Akustische Kunst Freiburg | 10.1986 | Donaueschingen | 1 | |||||||
| 12214 | Emmanuel | Nunes | Wandlungen | 1986/1992 | live-elec, 1 group | 29:00 | ens [Ensemble] | 2nd Version!; ISPW | IRCAM | 18.10.1086 | Donaueschingen, Enseble Modern, Ltg. E. Bour | Ricordi | 1 | ||||||
| 37213 | Sergio | Núñez Meneses | What we don’t see | 2017 | live-elec, 1 perf | 7:00:00 | acc, (com) [Akkordeon] | HEAR Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 31493 | Adolfo | Nuñez | Álbum de viajes de "Ro | 2005 | audiovisuell | 10:06:00 | Stereo | 0 | |||||||||||
| 12215 | Adolfo | Nuñez | Anira | 1984 | fixed media, akusmatisch | 3:43 | Quadro, Stereo | Music V | UM CD 7 Vol. I/ hyCD 1/ | CCRMA | 21.05.1986 | Círculo de Bellas Artes | 1 | ||||||
| 31491 | Adolfo | Nuñez | Biografía paralela | 2005 | fixed media, akusmatisch | 3:31:00 | Stereo | 0 | |||||||||||
| 31474 | Adolfo | Nuñez | Boceto místereoico | 1997 | live-elec, 1 perf, 1 group | 8:00:00 | Stereo | Sp, ch [Sprecher, Chor] | 0 | ||||||||||
| 31500 | Adolfo | Nuñez | Boceto místereoico II | 2007 | Zuspiel / Tonband, 1 perf | 8:00:00 | Stereo | Sp [Sprecher] | Text by Azorin | 0 | |||||||||
| 31488 | Adolfo | Nuñez | Breves instereoantes | 2005 | Zuspiel / Tonband, 4 perf | 7:00:00 | Stereo | fl, cl, gui, p or Kbd [Flöte, Klarinette, Piano, Keyboard, Gitarre] | 0 | ||||||||||
| 12216 | Adolfo | Nuñez | Cambio de Saxo | 1989 | Zuspiel / Tonband, 1 perf | 6:15 | Stereo | sax or bar-sax or s-sax [Saxophon] | D. Kientzy (sax) | HyCD 1/ DL:M-19.190/ | LIEM CDMC Madrid | 14.12.1989 | Colegio de España, Paris, Daniel Kientzy | Editorial Pygmalión | 1 | ||||
| 12217 | Adolfo | Nuñez | Canales | 1985 | fixed media, akusmatisch | 10:54 | Quadro, Stereo | HyCD 1/ | CCRMA | 18.06.1985. | Frost Amphitheater, Stanford, California,EEUU | 1 | |||||||
| 27225 | Adolfo | Nuñez | Chimes | 2003 | Zuspiel / Tonband, 4 perf | 13:04 | Stereo | 4 perc [Schlagzeug] | Percussions de Barcelona: Robert Armengol, Sebastià Bel, Ramon Torramilans, Ignasi Vila | LIEM CDMC Madrid | 29.10.2003 | CCCB Barcelona | 1 | ||||||
| 31470 | Adolfo | Nuñez | Chocolate | 1995 | fixed media, akusmatisch | 1:20:00 | Stereo | 0 | |||||||||||
| 31501 | Adolfo | Nuñez | Concierto para sonido | 2008 | live-elec, 11 perf | 11:16:00 | Stereo | fl, ob, cl, bn, hn, tpt, trbn, perc, vn, va, vc, (elec) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Schlagzeug, Viola, Cello, Violine] | 0 | ||||||||||
| 31505 | Adolfo | Nuñez | El Pozo | 2010 | Klangkunst, Installation | Stereo | (sensors, video, audio) [] | 0 | |||||||||||
| 31507 | Adolfo | Nuñez | Emak Bakia | 2012 | audiovisuell | 20:00:00 | Stereo | toy p, p, (vídeo with "Emak Bakia") [Piano] | 0 | ||||||||||
| 31462 | Adolfo | Nuñez | Es menos dos | 1988 | live-elec, 1 perf | 10:00:00 | Stereo | Kbd, (elec) [Keyboard] | 0 | ||||||||||
| 31463 | Adolfo | Nuñez | Es menos dos, version 2 | 1989 | Zuspiel / Tonband, 1 perf | 10:00:00 | Stereo | p [Piano] | 0 | ||||||||||
| 31465 | Adolfo | Nuñez | Fax pas | 1990 | fixed media, akusmatisch | 15:00:00 | Stereo | 0 | |||||||||||
| 31467 | Adolfo | Nuñez | Ficción | 1992 | Zuspiel / Tonband, 2 perf | 8:06:00 | Stereo | vn, db [Violine, Kontrabass] | 0 | ||||||||||
| 31494 | Adolfo | Nuñez | Frontera | 2005 | audiovisuell | 8:06:00 | Stereo | 0 | |||||||||||
| 31498 | Adolfo | Nuñez | Galería de stereoancia | 2006 | live-elec, 5 perf | Stereo | S, 2 rec, va da gamba, hpd, (elec) [Sopran, Flöte, Cembalo, Cello] | 0 | |||||||||||
| 31477 | Adolfo | Nuñez | Gamas líquidas | 2000 | fixed media, akusmatisch | 6:18:00 | Stereo | 0 | |||||||||||
| 31492 | Adolfo | Nuñez | Guardianes | 2005 | audiovisuell | 9:13:00 | Stereo | 0 | |||||||||||
| 31508 | Adolfo | Nuñez | Horizonte de sucesos | 2012 | fixed media, akusmatisch | 1:13:00 | Stereo | 0 | |||||||||||
| 27224 | Adolfo | Nuñez | Huecograbado | 1999 | Zuspiel / Tonband, 1 perf | 10:38 | cl [Klarinette] | A. Gumi (cl) | LIEM CDMC Madrid | 1 | |||||||||
| 12218 | Adolfo | Nuñez | Images | 1986 | Zuspiel, live-elec, 5 perf | 13:12 | Stereo | Mez, p, french hn, tpt, trbn [Mezzo, Horn, Trompete, Posaune, Piano] | HyCD 1/ | CCRMA | ICMC 1987 | 1 | |||||||
| 31469 | Adolfo | Nuñez | Impromptu | 1993 | live-elec, 3 perf | var | Stereo | p, elec, ins (freely chosen) [Piano, Instrument, elektronik] | 0 | ||||||||||
| 31485 | Adolfo | Nuñez | Impromptu v.2 | 2003 | live-elec, 3 perf | var | Stereo | p, elec, ins (freely chosen) [Piano, Instrument, elektronik] | 0 | ||||||||||
| 31482 | Adolfo | Nuñez | Ja. Epitafio a John Cage | 2003 | fixed media, akusmatisch | 2:02:00 | Stereo | 0 | |||||||||||
| 18523 | Adolfo | Nuñez | Jurel | 1993 | fixed media, akusmatisch | 11:12 | Stereo | Música Contemporánea, vol 2. CAB. 1996 Sony Music/ | PS C., IMEB Bourges | 6.06.1994 | Palacio Jacques Coeur, Festival Synthèse del Groupe de Musique Expérimentale de Bourges (GMEB), en Bourges (Francia) |
Mención Honorífica en el Concurso de Bourges (Francia, 1994) Premio especial, Musica Nova'95 República Checa (Competition Musica Nova Prag 1995) |
1 | ||||||
| 31499 | Adolfo | Nuñez | Kernel dream II | 2007 | fixed media, akusmatisch | 2:49:00 | Stereo | MMV-003/ | 0 | ||||||||||
| 31478 | Adolfo | Nuñez | Kinetics | 2000 | live-elec, 3 perf | 8:25:00 | Stereo | fl, cl, p, (elec) [Flöte, Klarinette, Piano] | 0 | ||||||||||
| 27228 | Adolfo | Nuñez | Kit | 1996 | fixed media, akusmatisch | 1:00 | Stereo | Música Contemporánea, vol 2. CAB. 1996 Sony Music/ | PS C., IMEB Bourges | Mención Honorífica en el Concurso de Bourges (Francia, 1994) Premio especial, Musica Nova'95 República Checa |
0 | ||||||||
| 27229 | Adolfo | Nuñez | La caja de Pandora | 1992 | radiophon | 1:30 | Stereo | Música Contemporánea, vol 2. CAB. 1996 Sony Music/ | PS C., IMEB Bourges | Mención Honorífica en el Concurso de Bourges (Francia, 1994) Premio especial, Musica Nova'95 República Checa |
0 | ||||||||
| 31511 | Adolfo | Nuñez | La cotorra y el lorito que hablan con autonomía | 2013 | fixed media, akusmatisch | 2:20:00 | Stereo | 0 | |||||||||||
| 31458 | Adolfo | Nuñez | La dura intención | 1984 | fixed media, akusmatisch | 10:00:00 | Stereo | 0 | |||||||||||
| 31466 | Adolfo | Nuñez | Liturgias de cristereoal | 1991 | fixed media, akusmatisch | 1:30:00 | Stereo | 0 | |||||||||||
| 31480 | Adolfo | Nuñez | Meninas | 2002 | Klangkunst, Installation | 10:00:00 | Stereo | 0 | |||||||||||
| 20565 | Adolfo | Nuñez | Menta Re | 1989 | live-elec, 3 perf | 12:30 | Stereo | fl, p, synt [Flöte, Piano, synthesizer] | HyCD 1/ | PS C. | 22.11.1989 | SIMO, Local de IFEMA, Madrid | 1 | ||||||
| 31461 | Adolfo | Nuñez | Movimiento | 1987 | fixed media, akusmatisch | 7:00:00 | Stereo | 0 | |||||||||||
| 31471 | Adolfo | Nuñez | Música acuática | 1995 | fixed media, akusmatisch | 1:15:00 | Stereo | 0 | |||||||||||
| 31509 | Adolfo | Nuñez | Música para la sistereoa de un fauno | 2012 | Klangkunst, Installation | 60:00:00 | Quadro | 0 | |||||||||||
| 31510 | Adolfo | Nuñez | Ninfas huyen | 2012 | Zuspiel / Tonband, 1 perf | 11:11:00 | Stereo | Sp [Sprecher] | Text: „L’après-midi d’un faune“ by St. Mallarmé | 0 | |||||||||
| 27227 | Adolfo | Nuñez | Noche castellana | 1999 | fixed media, akusmatisch | 7:10 | Stereo | OAV01, Oreille au Vent/ ELCD 020 Electroshock Records/ Oreille au Vent Monts/ | LIEM CDMC Madrid | 15.11.1999 | Festival EN RED O, CCCB, Barcelona | 0 | http://www.musicalia.com | ||||||
| 27222 | Adolfo | Nuñez | Normal | 1984 | live-elec, 2 perf | 3:07 | 2 perf [Performer] | 2 versions | CCRMA | 20.01.1991 20.03.1986 |
Circulo de Bellas Artes Madrid Alea Concert, Stanford |
1 | |||||||
| 31479 | Adolfo | Nuñez | Oráculo | 2001 | Klangkunst, Installation | Stereo | 0 | ||||||||||||
| 31483 | Adolfo | Nuñez | Oráculo fijo | 2003 | audiovisuell | fixed media, akusmatisch |
10:53:00 | Stereo | 0 | |||||||||||
| 31481 | Adolfo | Nuñez | Oscura frontera milenaria | 2002 | Zuspiel / Tonband, 5 perf | 8:02:00 | Stereo | S, fl, vn, vc, p, (elec) [Sopran, Flöte, Piano, Cello, Violine] | 0 | ||||||||||
| 27230 | Adolfo | Nuñez | OVNI, UFO | 1992 | fixed media, akusmatisch | 9:25 | Stereo | Música Contemporánea, vol 2. CAB. 1996 Sony Music/ | PS C., IMEB Bourges | Mención Honorífica en el Concurso de Bourges (Francia, 1994) Premio especial, Musica Nova'95 República Checa |
0 | ||||||||
| 12219 | Adolfo | Nuñez | Press | 1986 | fixed media, akusmatisch | 9:10 | Quadro, Stereo | 2nd version | CBA 5 Musica electroacustica española 2/ HyCD 1/ | CCRMA | 21.05.1986 | Círculo de Bellas Artes | 1 | ||||||
| 31468 | Adolfo | Nuñez | Quebrada | 1993 | Zuspiel / Tonband, 4 perf | 7:00:00 | Stereo | s-sax, a-sax, t-sax, bar-sax [Saxophon] | Editorial Piles | 0 | |||||||||
| 27285 | Adolfo | Nuñez | Quimera en danza | 2003 | fixed media, akusmatisch | 12:45 | Octo, Stereo | 1 | |||||||||||
| 31496 | Adolfo | Nuñez | Régulus de ficción | 2006 | live-elec, 2 perf | ≈ 12 | Stereo | sax, perc, (elec) [Saxophon, Schlagzeug] | 0 | ||||||||||
| 31487 | Adolfo | Nuñez | Siempre quise trabajar en una fábrica | 2004 | Film | 9:00:00 | Stereo | soundtrack Producciones Aricanauan, S.L.(diretor Stereoéban Crespo) | 0 | ||||||||||
| 31484 | Adolfo | Nuñez | soni/col | 2003 | Klanginstallation, live-elec, | (interactive instereoallation) [] | 0 | ||||||||||||
| 31459 | Adolfo | Nuñez | Sonidos sobre colisiones de partículas subatómicas | 1985 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 31460 | Adolfo | Nuñez | Sonidos sobre oscilaciones y manchas solares | 1986 | fixed media, akusmatisch | 7:00:00 | Stereo | 0 | |||||||||||
| 31464 | Adolfo | Nuñez | The Nightingales Sing | 1990 | Zuspiel / Tonband, 1 perf | 5:20:00 | Stereo | Mez [Mezzo] | 0 | ||||||||||
| 31475 | Adolfo | Nuñez | Toda la Humanidad habla de Troya | 1998 | fixed media, akusmatisch | audiovisuell |
12:00:00 | Stereo | 0 | |||||||||||
| 31495 | Adolfo | Nuñez | Totem | 2005 | audiovisuell | 6:00:00 | Stereo | 0 | |||||||||||
| 31476 | Adolfo | Nuñez | Totem: Los errantes | 1999 | fixed media, akusmatisch | 6:00:00 | Stereo | 0 | |||||||||||
| 31504 | Adolfo | Nuñez | Umbrales de incertidumbre | 2009 | live-elec, 1 perf | 50:00:00 | Stereo | rec, (elec) [Flöte] | 0 | ||||||||||
| 31503 | Adolfo | Nuñez | Un poème sonore | 2009 | fixed media, akusmatisch | 16:00:00 | Surround 5.1 | 0 | |||||||||||
| 31506 | Adolfo | Nuñez | Urpflanze | 2011 | live-elec, 1 perf, 1 group | 8:00:00 | Quadro | fem ch, p, (elec) [Piano, Chor] | Text by Heraclito, Gallero, Vega Toscano; also version with 1 Sp | 0 | |||||||||
| 27223 | Adolfo | Nuñez | Utopia A | 1996 | Zuspiel, live-elec, 1 perf | 11:19 | p [Piano] | Toscano (p) | IMEB Bourges | 31-May-1997 | Maison de la Culture, Festival Synthèse, Bourges | 1 | |||||||
| 31473 | Adolfo | Nuñez | Utopía: esqueleto | 1995 | intermedia | 7:00:00 | Stereo | MIDI p [Piano] | 0 | ||||||||||
| 12220 | Adolfo | Nuñez | Virtual | 1992 | Zuspiel / Tonband, 9 perf | 11:30 | Stereo | 4 vn, 2 va, 2 vc, db [Viola, Cello, Violine, Kontrabass] | LIEM CDMC Madrid, PS C. | 26.11.1992 | Auditorio Nacional, Ciclo de Cámara y Polifonía, Orquesta de Cámara Reina Sofía, director Luis Remartínez |
0 | |||||||
| 23657 | Adolfo | Nuñez | Water Boulder Music | 2002 | fixed media, akusmatisch | 12:50 | PR 0083-2 SGAE/ | 3. prize Premio Internacional SGAE 2003 | 1 | ||||||||||
| 31497 | Adolfo | Nuñez | Wind Path Key | 2006 | Zuspiel / Tonband, 1 perf, 1 group | 8:04:00 | Stereo | fl, orc [Flöte, Orchester] | 0 | ||||||||||
| 31472 | Adolfo | Nuñez | Wu Chi | 1995 | live-elec, 1 perf | 7:20:00 | Stereo | fl [Flöte] | 0 | ||||||||||
| 31490 | Adolfo | Nuñez | X-rays from beyond | 2005 | fixed media, akusmatisch | 4:44:00 | Stereo | 0 | |||||||||||
| 19681 | Adolfo | Nuñez | Xenon | 1994 | Zuspiel / Tonband, 1 perf | 6:42 | Stereo | t-rec [Flöte] | LIEM CDMC Madrid | 11.10.1994 | 1r festival de Música del Segle XX, LIEM-CDMC | 0 | |||||||
| 27226 | Adolfo | Nuñez | Yacimiento ignorado | 2004 | fixed media, akusmatisch | 5:50 | Stereo | C. (com); 1:48, 2:14, 1:48 | LIEM CDMC Madrid | 1 | |||||||||
| 31489 | Adolfo | Nuñez | Yacimiento ignorado 23 | 2005 | fixed media, akusmatisch | 4:12 | Stereo | (2:14 + 1:48) | 0 | ||||||||||
| 31502 | Adolfo | Nuñez | Yes and no | 2009 | fixed media, akusmatisch | 1:00:00 | Stereo | 0 | |||||||||||
| 19680 | Adolfo | Nuñez | Zambra 44.1 | 1993 | radiophon | 22:40 | Stereo | LIEM CDMC Madrid | RNE | 25.10.1993 | "Ars Sonora", Radio-2, RNE | 0 | |||||||
| 24458 | Adolfo | Nuñez | Zonas encordadas | 2001 | Zuspiel / Tonband, 1 perf | 10:06 | Stereo | gui [Gitarre] | LDC 2781122/23/ | IMEB Bourges | IMEB Bourges | 15.6.2001 | Maison de la Culture, Bourges | 1 | |||||
| 12221 | Francisco | Nunez | Cantos y memorias | 1989 | live-elec, 4 perf | bn, fl, MIDI, p [Flöte, Fagott, Piano, synthesizer] | ESM Mexico | 0 | |||||||||||
| 12222 | Francisco | Nunez | Encuentros | 1989 | live-elec, 1 perf, 1 group | orc, synt, [synthesizer, Orchester] | MIDI-Toolkit | ESM Mexico | 0 | ||||||||||
| 12223 | Francisco | Nunez | Follajes | 1990 | live-elec, 6 perf | str-trio, 3 synt [synthesizer, Streicher] | ESM Mexico | 0 | |||||||||||
| 12224 | Francisco | Nunez | Juegos sensoriales | 1987 | fixed media, akusmatisch | 9:14 | collaboration with Roberto Morales | IRD 002 Irradia/ | ESM Mexico | january 1988 | Mexico City, Palacio de Bellas Artes | 0 | |||||||
| 12225 | Francisco | Nunez | Los logaritmos del danés | 1968 | fixed media, akusmatisch | CIRM Nice | 0 | ||||||||||||
| 12226 | Francisco | Nunez | Reforma | 1972 | Zuspiel / Tonband, 1 group | orc [Orchester] | ESM Mexico | prize Uni Mexico | 0 | ||||||||||
| 40838 | Juhani | Nuorvala | Im Vorbeigehen | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 12227 | Group, Mario, Walter, Franco, Egisto, Ennio, John, Roland, Ivan, Aldo | Nuova Consonanza, Bertoncini, Branchi, Evangelisti, Macchi, Morricone, Heineman, Kayn, Vandor, Clementi | improvisations | 1964/1966 | live-elec, 6 perf | 6 perf [Performer] | Bertoncini, Branchi, Evangelisti, Macci, Morricone, Heinemann | DGG 643541/ | Nuova Consonanza | 0 | |||||||||
| 43104 | Group, Mario, Walter, Franco, Egisto, Ennio, John, Roland, Giovanni, Jesus | Nuova Consonanza, Bertoncini, Branchi, Evangelisti, Macchi, Morricone, Heineman, Kayn, Piazza, Villa-Rojo | improvisations, String Quartet Improvvisazione per Cinque RKBA 1675/I Percussione per Tutti Mirage Wenig aber kurz NC Berlino 1969 Zum Schluß Eflot Soup |
1967/1975 | live-elec, 10 perf | 10 perf [Performer] | ed. RZ 1009/ | Nuova Consonanza | 0 | ||||||||||
| 34565 | Group | Nurse with wound | Mutilés de guerre | 1981 | fixed media, akusmatisch | 0 | |||||||||||||
| 22954 | Group | Nurse with wound | no hiding from the black bird several odd moments the strange play of the mouth dadax I was no longer stick that chick | fixed media, akusmatisch | 1 | ||||||||||||||
| 12228 | Jérôme | Nussbaum | Capiton | 1991 | fixed media, akusmatisch | Stereo | ESPACE Genève | 0 | |||||||||||
| 12229 | Ludwig | Nussbichler | In den kleinen Städten | 1994 | Film | 45:00 | SEM Salzburg | 0 | |||||||||||
| 19233 | Carey | Nutman | Contrasts (11 parts) | 1994 | fixed media, akusmatisch | 63:00 | MPSCD 001/ | 0 | |||||||||||
| 12230 | Carey | Nutman | Flow-Breathe | 1989 | fixed media, akusmatisch | 12:06 | Rosegarth | 0 | |||||||||||
| 12231 | Carey | Nutman | In Aller Welt | 1987 | fixed media, akusmatisch | 12:30 | Rosegarth | 0 | |||||||||||
| 12232 | Carey | Nutman | Mystery History | 1990 | fixed media, akusmatisch | 9:30 | Rosegarth | 0 | |||||||||||
| 12233 | Carey | Nutman | Queen of Air & Light | 1989 | fixed media, akusmatisch | 16:50 | Rosegarth | 0 | |||||||||||
| 28448 | Carey | Nutman | Rituals do Matter | 1998 | fixed media, akusmatisch | 11:13 | ELCD 020 Electroshock Records/ | 0 | |||||||||||
| 12234 | Carey | Nutman | The Wet Island of Wood | 1990 | fixed media, akusmatisch | 23:40 | Rosegarth | 0 | |||||||||||
| 41658 | Nicolas | Nuyens | Bipoléoptère | 2016 | fixed media, akusmatisch | 9:09 | 0 | ||||||||||||
| 35400 | Nicolas | Nuyens | Le fil ébréché | 2016 | fixed media, akusmatisch | 8:36:00 | Stereo | MR 2016 Métamorphoses 2016/ | March 23, 2016 | ÉlectroBelge, Espace Senghor (Brussels, Belgium) | first prize ex aequo (student category) at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). |
0 | |||||||
| 41659 | Nicolas | Nuyens | Orphéose | 2015 | fixed media, akusmatisch | 9:14 | 0 | ||||||||||||
| 41660 | Nicolas | Nuyens | Petite clairière du là | 2015 | fixed media, akusmatisch | 7:38 | 0 | ||||||||||||
| 12235 | Frank | Nuyts | 1973, algunos testimonios | 1980 | fixed media, akusmatisch | 9:05 | IPEM Gent | 0 | |||||||||||
| 12236 | Frank | Nuyts | Bombos del Sol | 1981 | fixed media, akusmatisch | 8:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 12237 | Frank | Nuyts | Chile, un pais arrellanado por los Andes | 1980 | fixed media, akusmatisch | 16:55 | Stereo | IPEM Gent | 0 | ||||||||||
| 12238 | Frank | Nuyts | De Kolossenkammer | 1982 | fixed media, akusmatisch | 8:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 12239 | Frank | Nuyts | From Ipem … with love | 1980 | Zuspiel / Tonband, 1 perf | 10:45 | Stereo | a-sax [Saxophon] | IPEM Gent | 0 | |||||||||
| 12240 | Frank | Nuyts | Les Angoisses de Cynthiçan | 1984 | fixed media, akusmatisch | 10:16 | IPEM Gent | 0 | |||||||||||
| 12241 | Frank | Nuyts | Les premiers pas de Cynthiçan | 1984 | fixed media, akusmatisch | 2:45 | IPEM Gent | 0 | |||||||||||
| 12242 | Frank | Nuyts | Methuna II | 1979 | Zuspiel / Tonband, 2 perf | 10:10 | Stereo | sax, p [Saxophon, Piano] | IPEM Gent | 0 | |||||||||
| 12243 | Frank | Nuyts | Quintessens | 1982 | fixed media, akusmatisch | 16:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 12244 | Frank | Nuyts | Studie op de sinus-square-generator | 1979 | fixed media, akusmatisch | 2:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 12245 | Erik | Nyberg | Cochlea | 1983 | fixed media, akusmatisch | 62:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 12246 | Erik | Nyberg | Datonisk studie | 1977/1978 | fixed media, akusmatisch | 6:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 12248 | Erik, Otto | Nyberg, Romanowski | Nuages | 1980 | fixed media, akusmatisch | ∞ | Stereo | 0 | |||||||||||
| 12247 | Erik, Thomas | Nyberg, Sjöland | Improvisation | 1978 | fixed media, akusmatisch | Stereo | PDP-15 | EMS Stockholm | 0 | ||||||||||
| 23580 | Fredrik, Daniel | Nyberg, Skoglund | Perianth vs Subject Matter | 2003 | Klangkunst, Installation | 13:12 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 23190 | Dan, Andrew | Nyborg, Watson | 198.3 Ashcroft Subdivision | 2002 | fixed media, akusmatisch | 8:00 | JTTP 2002 | CEC Cache 2002/ | Montreal | 1 | |||||||||
| 12249 | Göran | Nygren | Retention #1 | 1986/1987 | fixed media, akusmatisch | 15:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 12250 | Göran | Nygren | Vattendrömmar | 1986/1987 | fixed media, akusmatisch | 14:06 | Stereo | EMS Stockholm | 0 | ||||||||||
| 35388 | Erik | Nyström | Catabolisms | 2011 - 2012 | fixed media, akusmatisch | 12:15:00 | Octo | MR 2014 Métamorphoses 2014/ IMED 14129/ | City Uni London | April 17, 2012 | SuperCollider Symposium 2012: Electroacoustic Concert, Performance Space — College Building — City University London (London, England, UK) | 0 | |||||||
| 37047 | Erik | Nyström | Cataract | 2010 | fixed media, akusmatisch | 13:33:00 | Octo | IMED 14129/ | City Uni London | 2.11.2010 | Exploring the Acousmatic Fabric of Space at City University London | 0 | |||||||
| 33637 | Erik | Nyström | Elemental Chemistry | 2009 | fixed media, akusmatisch | 13:48 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 37048 | Erik | Nyström | Far-from-equilibrium | 2008 | fixed media, akusmatisch | 12:45:00 | Stereo | IMED 14129/ | PS C. | 19.2.2009 | Electroacoustic Concert Series at City University London | 0 | |||||||
| 37045 | Erik | Nyström | Latitudes | 2011 | fixed media, akusmatisch | 13:45:00 | Octo | IMED 14129/ | City Uni London | 12.5.2011 | Éphémère 8 at Studio Loos in The Hague (The Netherlands) | 0 | |||||||
| 37046 | Erik | Nyström | Lucent Voids | 2012 | fixed media, akusmatisch | 20:45:00 | Octo | IMED 14129/ | City Uni London | 16.10.2012 | Alchemy & Transmutation of Sonic Matter at City University London | 0 | |||||||
| 31969 | Erik | Nyström | Multiverse | 2008 | fixed media, akusmatisch | 11:07:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 1 am 1.8.2008 18h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | ||||||||||
| 39368 | Erik | Nyström | Spheroid | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 19366 | Michael | Nyvang | Music for Virtuel Orchestra: Collage I - IV, Travelling Heavenward Surreal Cantata Concrete Animation Corona |
1995 | fixed media, akusmatisch | 40:00 | dacapo 8.224083/ | DIEM Aarhus | 1 | ||||||||||
| 39351 | Dave | O Mahony | ImproVariation 2 | 2017 | audiovisuell | 0 | |||||||||||||
| 42806 | Benjamin | O’Brien | Densité | 2012 | fixed media, akusmatisch | 5:06:00 | 0 | ||||||||||||
| 31978 | James | O’Callaghan | Arbeits/Kraft, Labour/Force | 2009 | fixed media, akusmatisch | 9:04 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 35377 | James | O’Callaghan | Bodies-Soundings | 2014 | fixed media, akusmatisch | 10:19 | Stereo | IMED 16140/ | Banff C. | March 8, 2014 | Cluster 2014: Amplification: Culmination, Urban Shaman (Winnipeg, Manitoba, Canada) | First Prize at the Musicworks Electronic Music Competition (Toronto, Canada, 2014) | 0 | ||||||
| 35378 | James | O’Callaghan | Empties-Impetus | 2014 - 2015 | fixed media, akusmatisch | 20:02 | Quadro | IMED 16140/ | PS C., INA • GRM | INA - GRM | January 24, 2015 | Multiphonies 2014-15: Akousma, Auditorium Saint-Germain — MPAA (Paris, France) | finalist in the 2nd Klang competition (Montpellier, France, 2015) Honorable Mention at the CIME 2017 |
0 | |||||
| 35699 | James | O’Callaghan | Forofrom | 2016 | fixed media, akusmatisch | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 41476 | James | O’Callaghan | If (and only if) I am among | 2018 | fixed media, akusmatisch | finaliste l’espace du son 2018 Bruxelles | 0 | ||||||||||||
| 35379 | James | O’Callaghan | Isomorphic | 2011 - 2014 | fixed media, akusmatisch | 9:58 | Surround 5.1 | IMED 16140/ | PS C. | Codes d’accès | June 18, 2015 | Suoni Per Il Popolo 2015: The Privacy of Domestic Life, La Sala Rossa (Montréal, Québec) | Honorable Mention in the Musica Nova 2015 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | |||||
| 34344 | James | O’Callaghan | Objects-interiors | 2013 | fixed media, akusmatisch | 10:11 | Stereo | CEC Cache 2013, PeP 018/ IMED 16140/ | PS C. | March 14, 2013 | Pop + Noise: Paramirabo, Urban Shaman (Winnipeg, Manitoba, Canada) | Winner JTTP 2013 1. prize SOCAN Foundation award 2013 |
0 | http://econtact.ca/16_1/index.html#jamesocallaghan | |||||
| 37772 | James | O’Callaghan | Xeno | 2016 | fixed media, akusmatisch | Honorable Mention MUSICA NOVA 2017 Cataegory B | 0 | ||||||||||||
| 37663 | Mónica | O’Reilly Viamontes | El segundo de un compay eterno | 2000 | fixed media, akusmatisch | 3:45 | Stereo | ICAP Habana | 0 | ||||||||||
| 26014 | Damian | O'Riain | Sekher’s Clock | 2006 | fixed media, akusmatisch | 6:00 | SARC Belfast | 26.5.2006 | Inventionen Villa Elisabeth Berlin | 1 | 2006 | ||||||||
| 39697 | Damian | O’Riain | Configurational Energy Landscape No. 9 | 2015 | fixed media, akusmatisch | 20:08:00 | Damian O’Riain | 0 | |||||||||||
| 20566 | Jim | O'Rourke | A Young Person's Guide to Drowning | 1991 - 1992 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | Staalplaat STCD048/ | 0 | ||||||||||
| 20567 | Jim | O'Rourke | Mere | 1991 - 1992 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | Staalplaat STCD048/ Editions Mego (LP) Old News Serie/ | 0 | ||||||||||
| 32590 | Jim | O'Rourke | Old News, No. 5 - 9 | 1992 - 2012 | Performance | Editions Mego (LP) Old News Serie/ | 0 | ||||||||||||
| 20568 | Jim | O'Rourke | Rules of Reduction | 1993 | fixed media, akusmatisch | 16:52 | Stereo | MK CD 009/ | 0 | ||||||||||
| 20569 | Jim | O'Rourke | Scend | 1992 | fixed media, akusmatisch | Stereo | div 01/ | 0 | |||||||||||
| 20570 | Jim | O'Rourke | Spirits never forgive | live-elec, 3 perf | 20:56 | Stereo | vn, vc, perc [Schlagzeug, Cello, Violine] | XCD 009 Extreme/ | 0 | ||||||||||
| 33577 | Jim, Takehisa, Christian | O'Rourke, Kosugi, Marclay | Event — September 12, 1998, Minneapolis | 1998 | Performance | 5:22:00 | 3 perf [Performer] | Computer [Laptop] – Jim O'Rourke Electronics [Live] – Takehisa Kosugi Turntables – Christian Marclay |
NWR 80712/ | 1 | |||||||||
| 12251 | Rodney | Oakes | Blues Danube | 1991 | fixed media, akusmatisch | 6:55 | Stereo | MR Budapest | 0 | ||||||||||
| 12252 | Rodney | Oakes | Cantata Cava | 1988 | fixed media, akusmatisch | 8:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 12253 | Rodney | Oakes | Danse | 1983 | fixed media, akusmatisch | 5:40 | Stereo | MR Budapest | 0 | ||||||||||
| 12254 | Rodney | Oakes | Homage to Pan Tadeusz | 1987 | fixed media, akusmatisch | 10:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 37834 | Rodney | Oakes | Igor | fixed media, akusmatisch | 0 | ||||||||||||||
| 12255 | Rodney | Oakes | Nordic Incantaitions | 1983 | fixed media, akusmatisch | 10:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 12256 | Rodney | Oakes | Song of the Spae Wives | 1983 | fixed media, akusmatisch | 11:53 | Stereo | IPEM Gent | 0 | ||||||||||
| 12257 | Rodney | Oakes | Trombone Danse | 1986 | fixed media, akusmatisch | 10:05 | MR Budapest | 0 | |||||||||||
| 12258 | Rodney | Oakes | Uqluspa | 1983 | Zuspiel / Tonband, | 5:45 | Stereo | IPEM Gent | 0 | ||||||||||
| 32266 | Giuliano | Obici | Lan House Concert | 2010 | Klangkunst, Installation | Performance || audiovisuell |
16:00 | multichannel | var com, (com network) [computer] | 0 | http://giulianobici.com/site/concerto-para-lanhouse.html | |||||||||
| 31603 | Giuliano | Obici | Laptop Choral | 2012 | live-elec, 1 perf, 1 group | Performance || Klangkunst, Installation |
var 10:00 | multichannel | laptop-ens [computer] | next_generation 5.0 with 10 Laptops ≈ var Laptops with LAN | TU Berlin | 0 | http://n-1.art.br | |||||||
| 32265 | Giuliano | Obici | Simulacrum Chamber Orchestra | 2013 | live-elec, 2 perf, 1 group | intermedia |
42:00 | ens, vn, p, (com, com network, camera ) [Piano, Violine, Ensemble] | 0 | http://giulianobici.com/site/simulacrumorchestra.html | ||||||||||
| 25467 | Ingrid | Obled | Si je regarde | 2005 | fixed media, akusmatisch | 7:37 | Stereo | miso records mcd 016.07/ | CNR Toulouse | 2006 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | ||||||||
| 12259 | Vidna | Obmana | Awaken in floating colours | fixed media, akusmatisch | 50:00 | NOS Hilversum | 0 | ||||||||||||
| 28451 | Vidna | Obmana | In Memory of Morton Feldman | 2001 | fixed media, akusmatisch | 11:30 | ELCD 026 Electroshock Records/ | 0 | |||||||||||
| 20571 | Vidna, Asmus | Obmana, Tietchens | Vot 3/2 | 1995 | fixed media, akusmatisch | 8:16 | Stereo | ASP 0966 / | 0 | ||||||||||
| 12260 | Aleksandar | Obradovic | Electronic Toccata and Fugue | 1967 | fixed media, akusmatisch | 2:08 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 12261 | Aleksandar | Obradovic | Epitaf H | 1965 | Zuspiel / Tonband, 1 group | 10:00 | Stereo | orc [Orchester] | Radio Beograd | 0 | |||||||||
| 12262 | Aleksandar | Obradovic | Mikro-Simfonija | 1967 | Zuspiel / Tonband, 1 group | 12:00 | Stereo | orc [Orchester] | Col.Princ EMC | 0 | |||||||||
| 36282 | Frédéric | Obringer | Ailleurs et Après | 1987 | fixed media, akusmatisch | Collectif & Cie C 02/ | 0 | ||||||||||||
| 25427 | Michael | Obst | Arcus | 2006 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 3.11.2006 | HfMT Köln | 0 | ||||||||||
| 12263 | Michael | Obst | Chansons | 1987 | Zuspiel, live-elec, 5 perf | 44:20 | Quadro | Mez, b-cl and db-cl, synt, 2 perc [Mezzo, Klarinette, Schlagzeug, synthesizer] | poems by Erich Fried | WDR SEM | WDR 1987 | 23.10.1987 | Köln | Breitkopf & Härtel | 0 | ||||
| 12264 | Michael | Obst | Chansons | 1988 | Tanz, 1 perf | 44:20 | Stereo, Quadro | Mez [Mezzo] | poems by Erich Fried | WDR SEM | Breitkopf & Härtel | 0 | |||||||
| 21198 | Michael | Obst | Diaphonia | 1994 | live-elec, 1 group | orc [Orchester] | WWE 3CD 31898 col legno/ | Breitkopf & Härtel | 1 | ||||||||||
| 27611 | Michael | Obst | Die andere Seite | 2010 | Oper, 1 perf, 1 group | orc, V [Stimme, Orchester] | Opera after a roman by Alfred Kubin | 25.9.2010 | Würzburg | 0 | |||||||||
| 12266 | Michael | Obst | Dr. Mabuse, der Spieler, Inferno - Ein Spiel von Menschen unserer Zeit (2. Teil des Films) | 1993 | Film, 1 group | 130:00 | ens [Ensemble] | Musik für Fritz Lang's Stummfilm | IRCAM Les Années 90/ | IRCAM | Br&Hä | 0 | |||||||
| 12267 | Michael | Obst | Ende gut | 1988 | Radiokunst, 1 perf | 35:00 | Quadro | Sp [Sprecher] | Radiofassung von Chansons | WDR SEM | 7.10.1988 | Köln | 0 | ||||||
| 25426 | Michael | Obst | espaces sonores | 2003 - 2004 | fixed media, akusmatisch | 0 | |||||||||||||
| 18525 | Michael | Obst | Fabrica | 1994 | fixed media, akusmatisch | 16:46 | Stereo | Koch 3-5037-3/ | IMEB Bourges | Breitkopf & Härtel | 0 | ||||||||
| 18526 | Michael | Obst | Fabrica II | 1994 | Zuspiel / Tonband, 4 perf | 28:40 | Stereo | 1 - 4 perc [Schlagzeug] | IMEB Bourges | Breitkopf & Härtel | 0 | ||||||||
| 12268 | Michael | Obst | Inside | 1981/1982 | fixed media, akusmatisch | 26:35 | Quadro | WER SM 1043/ LDC 278079 Cultures électroniques 18/ | HfMT Köln, IMEB Bourges | 1st prize Bourges 1983 | 1 | ||||||||
| 12269 | Michael | Obst | Intermède | 1986 | fixed media, akusmatisch | 5:10 | Quadro | Bei Wiedergabe des Gesamtzyklus 'Kristallwelt' muß 'Intermède' zwischen Teil 2 und Teil 3 eingefügt werden. | WER 2011-50/ | HfMT Köln | 0 | ||||||||
| 21199 | Michael | Obst | Journeys End | 1996 | fixed media, akusmatisch | 15:28 | Quadro | HfMT Köln | 0 | ||||||||||
| 12273 | Michael | Obst | Kristallwelt | 1984 - 1986 | fixed media, akusmatisch | 9:30 | Quadro | 3 parts (Kristallwelt I, II, III). I | IRCAM, HfMT Köln | 0 | |||||||||
| 12272 | Michael | Obst | Kristallwelt 1, Crystal World | 1983/1985 | fixed media, akusmatisch | 12:10 | Quadro | Part 1 Crystal World | WER 2011-50/ HfMT Köln CD1/ | HfMT Köln | 1st prize Bourges 1985 | Breitkopf & Härtel | 1 | ||||||
| 12270 | Michael | Obst | Kristallwelt 2, Crystal World | 1985/1986 | fixed media, akusmatisch | 19:30 | Quadro | Part 2 Crystal World | WER 2011-50/ | HfMT Köln | Br&Hä | 0 | |||||||
| 12271 | Michael | Obst | Kristallwelt 3 | 1985/1986 | Zuspiel / Tonband, 1 group | 19:30 | Quadro | ens [Ensemble] | Adès 205832/ UN 925 0-048946-530627/ | IRCAM | Br&Hä | 0 | |||||||
| 37898 | Michael | Obst | Kristallwelt 3, Crystal World | 1985/1986 | fixed media, akusmatisch | 19:30 | Quadro | Part 3 Crystal World | WER 2011-50/ | HfMT Köln | Br&Hä | 0 | |||||||
| 12274 | Michael | Obst | metal drop music | 1981 | fixed media, akusmatisch | 8:08 | Quadro | WER SM 1043/ DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ LDC 278072/73 Cultures Electroniques 14/ | HfMT Köln, IPEM Gent | 2nd prize Bourges 1981 | 1 | 1984 | |||||||
| 12275 | Michael | Obst | Nachtstücke | 1990 | live-elec, 7 perf | 35:00 | fl, cl, trbn, db, synt, 2 perc [Flöte, Klarinette, Posaune, Schlagzeug, Kontrabass, synthesizer] | Adès 205832/ UN 925 0-048946-530627/ | 1 | 1991 | |||||||||
| 12276 | Michael | Obst | Poèmes | 1989 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
17:00 | Stereo | perc [Schlagzeug] | IMEB Bourges, HfMT Köln | Breitkopf & Härtel | 0 | ||||||||
| 25425 | Michael | Obst | Solaris | 1994 - 1996 | fixed media, akusmatisch | 0 | |||||||||||||
| 21200 | Michael | Obst | The Wind | 2000 | Zuspiel / Tonband, 2 perf | vn, hn [Horn, Violine] | 0 | ||||||||||||
| 21201 | Michael | Obst | Viola | 2000 | fixed media, akusmatisch | 0 | |||||||||||||
| 12277 | Michael | Obst | Visioni di Medea | 1983 | fixed media, akusmatisch | 20:06 | Quadro | IPEM Gent, HfMT Köln | 17.2.1984 | Inventionen TU-Gebäude Ackerstraße Berlin | 0 | 1984 | |||||||
| 12278 | Michael | Obst | Ye-Na-Ye, Ye na je | 1982 | fixed media, akusmatisch | 13:55 | Stereo | WER SM 1043/ | IPEM Gent, HfMT Köln | 2. prize Russolo Varese 1982 | 1 | ||||||||
| 12279 | Michael | Obst | Ye-Na-Ye | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 16:50 | Stereo | Kbds [Keyboard] | IPEM Gent, HfMT Köln | 1 | |||||||||
| 30509 | Matthias | Ockert | Dans La Nuit | 2010 | live-elec, 2 perf | 10:00:00 | e-gui, p, (elec) [Piano, Gitarre] | ZKM Karlsruhe | Auftragswerk der Hoepfner-Stiftung Karlsruhe, Wolfgang-Rihm-Stipendium 2009 | 0 | |||||||||
| 30515 | Matthias | Ockert | exquilibrium | 2010 | live-elec, 3 perf | 10:00:00 | fl, p, perc [Flöte, Piano, Schlagzeug] | Auftragswerk des Ensemble Intégrales und der Hanne-Darboven-Stiftung | 0 | ||||||||||
| 29990 | Matthias | Ockert | frutas transversales | 2011 | fixed media, akusmatisch | 4:06:00 | Stereo | DegeM CD 10 Replace/ | ZKM Karlsruhe | 1 | |||||||||
| 30513 | Matthias | Ockert | Hakan Loops | 2010 | live-elec, 3 perf | t-sax, e-gui, perc, (elec) [Saxophon, Gitarre, Schlagzeug] | Auftragswerk für das Trio Ruido gefördert durch die Ernst von Siemens Musikstiftung | 0 | |||||||||||
| 41384 | Matthias | Ockert | Haumea | 2015 | live-elec, 1 perf | e-gui [Gitarre] | 0 | https://meetingorganizer.copernicus.org/EPSC2018/oral_programme/29482 | |||||||||||
| 30514 | Matthias | Ockert | laminar flow | 2010 | live-elec, 6 perf | 12:00:00 | fl, b-cl, e-gui, p, vn, vc, (elec) [Flöte, Klarinette, Piano, Gitarre, Cello, Violine] | ZKM Karlsruhe | Auftragswerk der Landeshauptstadt München | 0 | |||||||||
| 30511 | Matthias | Ockert | laminar groove | 2010 | live-elec, 3 perf | t-sax, e-gui, perc [Saxophon, Gitarre, Schlagzeug] | Auftragswerk für das Trio Ruido gefördert durch die Ernst von Siemens Musikstiftung | 0 | |||||||||||
| 30512 | Matthias | Ockert | shift rock variations | 2010 | live-elec, 3 perf | a-sax, e-gui, perc, (elec) [Saxophon, Gitarre, Schlagzeug] | Auftragswerk für das Trio Ruido gefördert durch die Ernst von Siemens Musikstiftung | 0 | |||||||||||
| 30516 | Matthias | Ockert | Strombahnen | 2007 | live-elec, 1 perf | Stereo | e-gui [Gitarre] | ZKM Karlsruhe | 0 | ||||||||||
| 30508 | Matthias | Ockert | Strombahnen - II. open circuits | 2011 | live-elec, 1 perf | 12:00:00 | e-gui, (elec) [Gitarre] | ConBrio Buch & DVD/ | ZKM Karlsruhe | 28.10.2012 | Symposium „Perspektiven multimedialer Musikvermittlung“ Black Box, Gasteig München | 0 | |||||||
| 42060 | Matthias | Ockert | Strombahnen – Haumea Grid | 1017/2018 | live-elec, 1 perf | 5:47 | e-gui [Gitarre] | degem CD 16/ | 1 | ||||||||||
| 30510 | Matthias | Ockert | Zugriff | 2010 | live-elec, 3 perf | a-sax, e-gui, perc, (elec) [Saxophon, Gitarre, Schlagzeug] | Auftragswerk für das Trio Ruido gefördert durch die Ernst von Siemens Musikstiftung | 0 | |||||||||||
| 12280 | Conny | Odd | Pumphut | 1963 | Film | 11:00 | Mono | Puppenfilm; Subharchord | RFZ Berlin | 0 | |||||||||
| 12281 | Henrik | Ødegaard | Klokkesang | 1990 | fixed media, akusmatisch | 8:00 | NOTAM | 0 | |||||||||||
| 12282 | Henrik | Ødegaard | Stenens sang - vannets vinge | 1992 | fixed media, akusmatisch | 30:00 | NOTAM | 0 | |||||||||||
| 12283 | Henrik | Ødegaard | Tetrad - de fire dementer | 1993 | fixed media, akusmatisch | 45:00 | NOTAM | 0 | |||||||||||
| 34999 | Samir | Odeh-Tamimi | Jarich, Mondgott | 2013/2014 | live-elec, 3 perf | 3 fem V [Stimme] | 0 | http://www.pgnm-festival.de/ | |||||||||||
| 12284 | Patrick | Odiard | Henkäys | 1992 | Zuspiel, live-elec, 5 perf, 1 group | orc, 5 mus [Musiker, Orchester] | SONVS Lyon | 0 | |||||||||||
| 28556 | Georg, Marcus | Odijk, Schmickler | Brüsseler-Platz-10a-Musik | 1999 | Performance | 4:24 | 2 perf (für Reproduktionsgeräte) [Performer] | Georg Odijk, Marcus Schmickler | WD 99, Wittener Tage Für Neue Kammermusik 1999/ | 1 | |||||||||
| 12285 | Karel | Odstrcil | Agatha Christie | 1989 | fixed media, akusmatisch | 8:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 12286 | Karel | Odstrcil | Amundsen | 1971 | fixed media, akusmatisch | 17:40 | Stereo | Radio Plzen | 0 | ||||||||||
| 12287 | Karel | Odstrcil | Dr. Sorge | 1969 | fixed media, akusmatisch | 4:34 | Stereo | Radio Plzen | 0 | ||||||||||
| 12288 | Karel | Odstrcil | Einstein | 1969 | fixed media, akusmatisch | 4:40 | Stereo | Radio Plzen | 0 | ||||||||||
| 12289 | Karel | Odstrcil | Fiction I | 1970 | fixed media, akusmatisch | 10:26 | Quadro | Radio Plzen | 0 | ||||||||||
| 12290 | Karel | Odstrcil | Fiction II | 1974 | fixed media, akusmatisch | 10:04 | Quadro, Quadro | Radio Plzen | 0 | ||||||||||
| 12291 | Karel | Odstrcil | Gagarin (Wax Works #9) | 1987 | fixed media, akusmatisch | 8:36 | Stereo | Radio Plzen | 0 | ||||||||||
| 12292 | Karel | Odstrcil | Gandhí | 1969 | fixed media, akusmatisch | 10:46 | Stereo | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | |||||||||
| 12293 | Karel | Odstrcil | Hemingway | 1970 | fixed media, akusmatisch | 10:45 | Stereo | Radio Plzen | 0 | ||||||||||
| 12294 | Karel | Odstrcil | Hledání zivé vody, Searching for live water. Electroacoustic sonata | 1983 | fixed media, akusmatisch | 24:24 | Stereo | Radio Plzen | 0 | ||||||||||
| 12295 | Karel | Odstrcil | Kafka | 1969 | fixed media, akusmatisch | 10:10 | Stereo | Radio Plzen | 0 | ||||||||||
| 12296 | Karel | Odstrcil | Konflikt 42 | 1967 | fixed media, akusmatisch | 3:06 | Mono | first piece done in this studio | Radio Plzen | 0 | |||||||||
| 12297 | Karel | Odstrcil | Louis | 1971 | fixed media, akusmatisch | 9:45 | Stereo | Radio Plzen | 0 | ||||||||||
| 12298 | Karel | Odstrcil | Mme. Curie, Mme Curie | 1969 | 7:40 | Stereo | Radio Plzen | 0 | |||||||||||
| 12299 | Karel | Odstrcil | Noc v kabinetu voskovych figur neboli Proces | 1983 | fixed media, akusmatisch | 16:50 | Stereo | Radio Plzen | 0 | ||||||||||
| 12300 | Karel | Odstrcil | Tarzan's Death | 1990 | fixed media, akusmatisch | 18:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 12301 | Karel | Odstrcil | Toccata | 1969 | fixed media, akusmatisch | 8:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 32094 | Paul | Oehlers | Archetypal Infusion: MemEry2k | 2000 | Zuspiel / Tonband, 1 perf | hp [Harfe] | Ann Yeung, harp | SEAMUS EAM Vol. 11/ | 0 | ||||||||||
| 22675 | Caspar | Oehlschlägel (Abocab) | Picken und Hacken | 1994 - 1996 | radiophon | ≈ 70:00 | TU Berlin, PS C. | 0 | |||||||||||
| 28554 | Helmut | Oehring | Dokumentaroper | 1995 | Musiktheater | 13:42 | actor, ens, (elec) [Schauspieler, Ensemble] | elec (Datenhandschuh) | WD 95, Wittener Tage Für Neue Kammermusik 1995/ | Auftragswerk des Kultusministerium des Landes NRW | 1995 | Wittener Tage für neue Kammermusik | 1 | ||||||
| 42157 | Helmut | Oehring | Mit anderen Augen | 2015 | radiophon | 56:49 | SWR | 3.12.2015 | SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4806713&vi=2&SID | ||||||||
| 27545 | Helmut | Oehring | Philipp | 2001 | live-elec, 1 perf | tpt [Trompete] | first version for trbn! | 1 | |||||||||||
| 12302 | Helmut, Daniel | Oehring, Göritz | Ex temporelle II | 1991 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | 2 gui [Gitarre] | AdK Berlin | 0 | |||||||||
| 27508 | Helmut, Daniel | Oehring, Göritz | römisch zwo (quasi für Gitarren) | 1991 | Zuspiel, live-elec, 2 perf | 12:17 | Stereo | 2 gui [Gitarre] | DMR Musik in Deutschland 1950 - 2000: Live-Elektronik/ | AdK Berlin | 0 | ||||||||
| 28555 | Helmut, Iris | Oehring, Ter Schiphorst | Androgyn, 18 Songs nach einem Gedicht "Live" von Anne Sexton | 1997 | live-elec, 4 perf | 25 | V, vn, vc, prep p and sam [Stimme, Piano, Cello, Violine, computer] | 18 songs for voice, violin, cello, preparde piano/sample-keybaord and live-electronic | WD 97, Wittener Tage Für Neue Kammermusik 1997/ | Kompositionsuaftrag des WDR | 1997 | Wittener Tage für neue Kammermusik | 1 | ||||||
| 28127 | Helmut, Iris | Oehring, Ter Schiphorst | Bernarda Albas Haus | 1999 | Oper, live-elec, | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Tanztheater / Motive Weltliteratur/ | 0 | ||||||||||||
| 12303 | Urban | Öjhage | Feedback I | 1992/1993 | fixed media, akusmatisch | 4:36 | Stereo | EMS Stockholm | 0 | ||||||||||
| 12304 | Urban | Öjhage | Halo | 1993/1994 | fixed media, akusmatisch | 17:34 | Stereo | 4 versions | EMS Stockholm | 0 | |||||||||
| 22711 | Timothy | Oesau | Angola du Sons | 1998 | fixed media, akusmatisch | 6:09 | innova 116/ | 1 | |||||||||||
| 40318 | Wil | Offermans | Tsuro-no-Sugumori | 2016 | fixed media, akusmatisch | Wil Offermans | 0 | ||||||||||||
| 36957 | David | Ogborn | Footsteps with Context | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 42526 | Allison | Ogden | Attabi | 2008 | live-elec, 1 perf | cl [Klarinette] | Kinan Azmeh, clarinet | May 25, 2008 | University of Chicago | 0 | |||||||||
| 23191 | Christoph | Ogiermann | aiyt | 2002 | Zuspiel / Tonband, 9 perf | 26:00 | 9 ins [Instrument] | x-pol-battrie; St. Martinskirche, documenta XI 2002 | 1 | ||||||||||
| 23192 | Christoph | Ogiermann | … an Unbekannt | 2002 | live-elec, 1 perf | 7:15 | vc [Cello] | IEM Graz | 1 | ||||||||||
| 23193 | Christoph | Ogiermann | Ciant da li ciampanis | 2002 | live-elec, 2 perf | 7:30 | vn, V [Stimme, Violine] | 1 | |||||||||||
| 23194 | Christoph | Ogiermann | … das muss alles nochmal radikal FORMALISIERT werden / weil ich angst hab… | 2002 | Zuspiel / Tonband, 3 perf | 7:00 | fl, sax, p [Flöte, Saxophon, Piano] | 1 | |||||||||||
| 42435 | Christoph | Ogiermann | Decisionismus 1b | 2015 | Zuspiel / Tonband, 16 perf | ≈ 11:30 | 6 | 2 tpt, 2 s-sax, 2 a-sax, 2 t-sax, 3 trbn, tuba, 4 perc [Saxophon, Trompete, Posaune, Tuba, Schlagzeug] | 0 | ||||||||||
| 23521 | Christoph | Ogiermann | die sich stürzen/ in das Glas/ des einzigen Fensters unseres Hauses/ das auf den Vertriebenen wartet | 2003 | Zuspiel / Tonband, 1 perf | 6 | V [Stimme] | Nach den Worten des palästinensischen Dichters Muin Bessieso. Ogiermann: Komposition, Violine, Klangregie; Gunnar Brandt: Gesang, Klangbearbeitung, Klangregie |
TU Berlin | 5.03.2004 | Heiligkreuz-Kirche in Berlin/Kreuzberg | 1 | |||||||
| 23195 | Christoph | Ogiermann | DIF | 2002 | Zuspiel, live-elec, 5 perf | 11:30 | 5 rec [Flöte] | Consort of five; Kirche Unsere Lieben Frauen in Bremen | 1 | ||||||||||
| 35340 | Christoph | Ogiermann | DRUCKBLÖCKE und ZEICHENAKKUMULATIONEN BCC | 2011/12 | Zuspiel, Performance, 1 perf | 9:32 | s-sax [Saxophon] | Mark Lorenz Kysela (sax) | Gruen 120/ | 0 | |||||||||
| 23196 | Christoph | Ogiermann | Geschichtsbegriffen | 2002 | Zuspiel / Tonband, 3 perf, 1 group | 15:00 | org, 2 Bar, ch [Bariton, Orgel, Chor] | Hans-Ola Ericsson (org), HfM Pitea Schweden | 1 | ||||||||||
| 34997 | Christoph | Ogiermann | Parole | 2012 | Zuspiel, live-elec, 1 perf | Octo | amp V [Stimme] | 0 | http://www.pgnm-festival.de/ | ||||||||||
| 33802 | Christoph | Ogiermann | ПИКНИК am Wegrand: some arts by remembrance (1a abgerichtete Würfe) and by limits of programs | 2012 | fixed media, akusmatisch | 8:57:00 | Composing with Sounds/ | ZKM | 0 | ||||||||||
| 32282 | Christoph, Jürgen | Ogiermann, Palmtag | G. Feb.’s - Collection of post-twelfishs, partly in the manner of subtilior | 2013 | live-elec, 2 perf | 15:25 | multichannel | 2 perf [Performer] | for two players in electronic surroudings | stock11 003/ | 0 | ||||||||
| 40331 | Yeamin | Oh | Time Discontinuum | 2017 | fixed media, akusmatisch | Yeamin Oh | 0 | ||||||||||||
| 42908 | Yemin | Oh | Synesthetic Moment | 2013 | live-elec, 1 perf | 5:40:00 | p [Piano] | Francesco Prode, piano | 0 | ||||||||||
| 12305 | Maurice | Ohana | Autodafe | 1971, 1972 | Zuspiel / Tonband, 17 perf, 1 group | 21:55 | Quadro, Stereo | 15 V, ch, perc, brass (cuivres) [Stimme, Schlagzeug, Bläser, Chor] | Cantate scénique | INA • GRM | de l'Etat | 9.8.1971 23.5.1972 |
Vaison-la-Romain, VII. Choralies Lyon, Opéra |
0 | |||||
| 12306 | Maurice | Ohana | Sybille | 1970 | Zuspiel / Tonband, 2 perf | 12:15 | fem V, perc [Stimme, Schlagzeug] | Barclay 995018/ | 0 | ||||||||||
| 12307 | Maurice | Ohana | Syllabaire pour Phèdre | 1967/1968 | Musiktheater, 1 perf, 2 groups | 31:00 | Vs, orc [Stimme, Orchester] | ERA STU 70443/ | 0 | ||||||||||
| 42527 | Marcelo | Ohara | Prato Unico | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 20572 | Felix | Ohm | Dry | 1989 | live-elec, 1 perf | 7:09 | Stereo | (MIDI WX7,) MIDI p [Piano] | ACMA/ | 0 | |||||||||
| 42706 | Mari | Ohno | Floating sound | 2012 | fixed media, akusmatisch | 9:05:00 | 0 | ||||||||||||
| 42869 | Mari | Ohno | Speaking Clock | 2013 | fixed media, akusmatisch | 8:20:00 | 0 | ||||||||||||
| 18949 | Yasuhiro | Ohtani | Brain Wash | 1994 | live-elec, 1 perf | 2:55 | gui [Gitarre] | CEC DISContact_2/ | Tokyo | 1 | |||||||||
| 41900 | Yasuhiro | Ohtani | The Stream of Consciousness | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 41918 | Yasuhiro | Ohtani | Vanishment | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 26015 | Junya | Oikawa | Eclipse | 2006 | fixed media, akusmatisch | 7:56 | Stereo | MR 2006 Métamorphoses 2006/ | Métamorphoses 2006 | 1 | |||||||||
| 41979 | Junya | Oikawa | Plastic Recollections 6 | 2015 | fixed media, akusmatisch | Spazialisation: WFS IOSONO | Kunststiftung Baden-Württemberg | 0 | |||||||||||
| 37455 | Keiki | Okasaka | Beyond the cloud | 1976 | fixed media, akusmatisch | 11:44 | OUOADM 0701/ | NHK Tokyo | 0 | ||||||||||
| 37426 | Keiki | Okasaka | To-on | 1967 | Zuspiel / Tonband, | NHK Tokyo | 0 | ||||||||||||
| 36615 | Mikito | Oki | Tribute To Daddy's Bald Head | 1998 | fixed media, akusmatisch | 5:56:00 | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | ||||||||||
| 12308 | Matthias | Okieg | Getreidegasse Nr. 9 | 1990 | Tanz | 40:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 23596 | Kjartan | Olafsson | 7 Variations | 2001 | fixed media, akusmatisch | 49:00 | u.a. mit dem CALMS-Programm | ETCD 010 ErkiTonlist/ | PS Reykjavik | 1 | |||||||||
| 23602 | Kjartan | Olafsson | Dans | 1996 | fixed media, akusmatisch | 4:58 | ETCD 009 ErkiTonlist/ | 1 | |||||||||||
| 23598 | Kjartan | Olafsson | Diphtong 1 | 1993 | Zuspiel / Tonband, 1 perf | 12:51 | gui [Gitarre] | with CALMUS | ETCD 004 ErkiTonlist/ | Sibelius AC Helsinki | 1 | ||||||||
| 23601 | Kjartan | Olafsson | Gullveig | 1998 | Zuspiel / Tonband, 1 perf | 6:38 | db-rec [Flöte] | ETCD 009 ErkiTonlist/ | 1 | ||||||||||
| 23599 | Kjartan | Olafsson | Skammdegi I (Dark Days I) | 1996 | Zuspiel / Tonband, 3 perf | 25:27 | gui, jazz-gui, perc [Gitarre, Schlagzeug] | with CALMUS | ETCD 004 ErkiTonlist/ | Sibelius AC Helsinki | 0 | ||||||||
| 23603 | Kjartan | Olafsson | Skammdegi II (Dark Days II) | 1998 | live-elec, 3 perf | 28:40 | gui, jazz-gui, perc [Gitarre, Schlagzeug] | jazz, rock, pop | ETCD 009 ErkiTonlist/ | 0 | |||||||||
| 23597 | Kjartan | Olafsson | Summary: three worlds according to One | 1994 | fixed media, akusmatisch | 9:07 | with CALMUS | ETCD 004 ErkiTonlist/ | Sibelius AC Helsinki | 1 | |||||||||
| 23600 | Kjartan | Olafsson | Völuspá | 1996 - 2000 | fixed media, akusmatisch | 29:25 | Völuspá= the Song of the Sibyl | ETCD 009 ErkiTonlist/ | 1 | ||||||||||
| 42645 | David | Olan | Alborada | 2009 | live-elec, 1 perf | 8 | ob [Oboe] | for Oboe and Computer-generated Sounds | Brooklyn College Center for Computer Music | 0 | |||||||||
| 42528 | David | Olan | Composition for Clarinet and Tape | 1976 | live-elec, 1 perf | cl [Klarinette] | Kinan Azmeh, clarinet | Col.Princ EMC | 0 | ||||||||||
| 30531 | Franz Martin | Olbrisch | Akustisches Wegeleitsystem | 1996 | Klangkunst, Installation | 12 Tracks | Kehrer Verlag ISBN 978-3-939583-23-3/ | singuhr Hörgalerie in Parochial | 31.5.-17.6.1996 | singuhr hoergalerie Berlin | 0 | http://www.avantart.com/fmo/index.htm | |||||||
| 27310 | Franz Martin | Olbrisch | … and some tapes runs on in silence | 1996 | fixed media, akusmatisch | 33:00 | Octo | Montage aus FMo99.5 | 1996 | Berlin (Hörgalerie in Parochial) | 0 | http://www.avantart.com/fmo/index.htm | |||||||
| 30522 | Franz Martin | Olbrisch | Auf den Wellen eines Meeres von Beziehungen | 1998 | Zuspiel / Tonband, 1 perf | ≈ 21 | tuba [Tuba] | für Publikum, Tuba & Zuspielband | 22.9.1998 | Berlin (Michael Vogt), unerhörte musik | 0 | http://www.avantart.com/fmo/werke/elektroakustisch.htm | |||||||
| 27315 | Franz Martin | Olbrisch | Augenblicke, in denen die Zeit sich spiegelt, Konzertenvironment | 2008 | Zuspiel, Performance, 1 perf | 35 | mus, (video) [Musiker] | WD 2008, Wittener Tage Für Neue Kammermusik 2008/ | Kompositionsauftrag der Stadt Witten | 2008 | Wittener Tage für neue Kammermusik | 1 | http://www.avantart.com/fmo/index.htm | ||||||
| 27308 | Franz Martin | Olbrisch | Aus dem Labyrinth der Zeiten und Orte | 1997 | radiophon | 46:00 | Stereo | Montage aus Von der Willkür der Beobachtung & FM o99.5 | SFB | 1997 | SFB | 0 | http://www.avantart.com/fmo/index.htm | ||||||
| 30528 | Franz Martin | Olbrisch | between walls | 2007 | Klangkunst, Installation | loop 13 | 7.9.2007 | Colditz Schlosskapelle, Die Musikalisierte Stadt | 0 | http://www.avantart.com/fmo/index.htm | |||||||||
| 30519 | Franz Martin | Olbrisch | coupures de temps … | 2010 | live-elec, 6 perf | ≈ 15 | fl, cl, vn, va, vc, perc, (elec) [Flöte, Klarinette, Schlagzeug, Viola, Cello, Violine] | WER 6799/ | 19.11.2009 | Köln, WDR | 1 | http://www.avantart.com/fmo/werke/elektroakustisch.htm | |||||||
| 30520 | Franz Martin | Olbrisch | Cross Creek Road | 2006 | Zuspiel, live-elec, 8 perf | ≈ 24 | tpt, fl, 2 vc, 2 perc, e-gui, e-db [Flöte, Trompete, Gitarre, Schlagzeug, Cello, Kontrabass] | Auftrag | 11.5.2006 | AdK Berlin | 0 | http://www.avantart.com/fmo/werke/elektroakustisch.htm | |||||||
| 28228 | Franz Martin | Olbrisch | Curved Ringing | 2007 | Zuspiel / Tonband, 1 perf | carillon [Keyboard] | Premiere am Carillon im Tiergarten Berlin durch Jeffrey Bossin. | PS C. | Kulturveranstaltungen des Bundes in Berlin | 5.08.2007 | Carillon im Tiergarten Berlin, Jeff Bossin | 1 | http://www.avantart.com/fmo/index.htm | ||||||
| 12309 | Franz Martin | Olbrisch | Dance | 1981 | fixed media, akusmatisch | 5:00 | Stereo | TU Berlin | 1982 | Synthese Festival Bourges | 1 | http://www.avantart.com/fmo/index.htm | |||||||
| 33495 | Franz Martin | Olbrisch | Dennoch lauert im Gesang der Vögel das Schreckliche … | 2015 | Klangkunst, Installation | Zeche Fortuna, Zeche Stettin, Zeche Turteltaube | Stadt Witten | 25.4.2015 | Klangwanderung Muttental im Rahmen der Wittener Tage für Neue Kammermusik | 0 | |||||||||
| 12310 | Franz Martin | Olbrisch | Der gebrochene Spiegel | 1986 - 1990 | Musiktheater | 139:00 | Quadro | WD 03, Wittener Tage Für Neue Kammermusik 1992/ | TU Berlin | Oper Bonn | 1992 | Wittener Tage für Neue Kammermusik | 1 | http://www.avantart.com/fmo/index.htm | |||||
| 30530 | Franz Martin | Olbrisch | différance | 1997 | Performance | 33 | Klang- & Licht-Environment | Kulturlandschaft Hundisburg | 16.8.1997 | Hundisburg (Internationale Sommerakademie) | 0 | http://www.avantart.com/fmo/index.htm | |||||||
| 19243 | Franz Martin | Olbrisch | diskontinuum | 1997 | radiophon | fixed media, akusmatisch |
26:24 | Stereo | Montage aus FM099.5 | WER 2054/ zkm edition 4/ | ZKM Karlsruhe | 1 | http://www.avantart.com/fmo/index.htm | |||||||
| 23074 | Franz Martin | Olbrisch | Dissimilation | 1999 | Performance, Zuspiel, live-elec, 1 perf | 50:00 | 16 Tracks | V [Stimme] | Musikenvironment für Stimme und 16 Lautsprecher Installation für die 1892 errictete Ziegelei der Zeche Nachtigall |
WD 99, Wittener Tage Für Neue Kammermusik 1999/ | Land NRW | 1999 | Wittener Tage für neue Kammermusik | 1 | http://www.avantart.com/fmo/index.htm | ||||
| 12311 | Franz Martin | Olbrisch | Dokumentation | 1992 | Klangkunst, Installation | 360:00 | Stereo | Installation für Darmstädter Ferienkurse | TU Berlin | 1 | http://www.avantart.com/fmo/index.htm | ||||||||
| 30521 | Franz Martin | Olbrisch | El mundo haz de tus imàgenes | 2001 | Zuspiel / Tonband, 1 perf, 1 group | ≈ 52 | Sp, ens [Sprecher, Ensemble] | Berliner Festspiele | 18.3.2001 | Berlin (Musikbiennale) | 0 | http://www.avantart.com/fmo/werke/elektroakustisch.htm | |||||||
| 30523 | Franz Martin | Olbrisch | flöte, sounde & live-electronics | 1996/1998/2004 | Zuspiel, live-elec, 1 perf | ≈ 19 | fl [Flöte] | 3 Fassungen | WER 6799/ WER T 5682/ | Land Berlin | 1996 | Berlin (D.Wiesner / Ensemble Modern) | 1 | http://www.avantart.com/fmo/werke/elektroakustisch.htm | |||||
| 12312 | Franz Martin | Olbrisch | FM o99.5, Nr. 1 - 83 | 1993 | radiophon | 2880:00 | Stereo | broadcast on FM 99.5 MHz. Excerpt on WER and zkm edition (Kanon à 11) |
WER 2054 2/ zkm edition 4/ | TU Berlin, ZKM Karlsruhe | Donaueschinger Musiktage | 15.10.1993 | Rundfunk um Donaueschingen | 0 | http://www.avantart.com/fmo/index.htm | ||||
| 27312 | Franz Martin | Olbrisch | Garrulas aguas! | 1996 | fixed media, akusmatisch | 16:00 | Octo | Montage aus FMo99.5 | 1996 | Berlin (Hörgalerie in Parochial) | 0 | http://www.avantart.com/fmo/index.htm | |||||||
| 25674 | Franz Martin | Olbrisch | Garten der Klänge | 2007 | radiophon | 51:06 | Surround 5.1 | Selbstverlag/ | WDR Studio Akustische Kunst | WDR | 2008 | WDR3 | 1 | http://www.avantart.com/fmo/index.htm | |||||
| 27306 | Franz Martin | Olbrisch | gleichzeitig - ohne Ende | 2009 | fixed media, akusmatisch | 1:05 | 5 tracks | Folkmar Hein zum 65. Geburtstag | PS C. | 2.2.2009 | Berlin Pfefferberg | 0 | http://www.avantart.com/fmo/index.htm | ||||||
| 12313 | Franz Martin | Olbrisch | Im Anfänglichen läuft keine Spur - wer könnte da suchen | 1989 | Performance, live-elec, 8 perf | 60:00 | Quadro | 5 mus, 3 Akteure [Musiker, Schauspieler] | Event für 3 Akteure, Vln., Fl., Pos., Sax., Schlgz. & Live-Elektronik | TU Berlin | Land Berlin | 28.5.1989 1989 |
Neue Nationalgalerie Berlin Freiburg (int. MusikTheaterfestival) |
1 | http://www.avantart.com/fmo/index.htm | ||||
| 30527 | Franz Martin | Olbrisch | infinito blanco | 2009 | Klangkunst, Installation | HR | 6.3.2009 | Frankfurt (Goldhalle der Hessischen Rundfunks) | 0 | http://www.avantart.com/fmo/index.htm | |||||||||
| 27309 | Franz Martin | Olbrisch | Interferenzen | 1996 | fixed media, akusmatisch | 48:00 | Octo | 1996 | Galerie Merkel Grenzach | 0 | http://www.avantart.com/fmo/index.htm | ||||||||
| 19242 | Franz Martin | Olbrisch | Kanon à 11 | 1992 | fixed media, akusmatisch | 24:31 | Montage aus FMo99.5 | WER 2054/ zkm edition 4/ | ZKM Karlsruhe | 1 | http://www.avantart.com/fmo/index.htm | ||||||||
| 12314 | Franz Martin | Olbrisch | Meson | 1991 | Performance, Zuspiel, live-elec, 1 perf, 1 group | ∞ 43:00 | Stereo | mul perf [Performer] | für 6 Diaprojektoren, Band, Live-Elektronik | TU Berlin | 14.-16.6.1991 | Bauhütte Klangzelt, Wuppertal | 1 | http://www.avantart.com/fmo/index.htm | |||||
| 12315 | Franz Martin | Olbrisch | Millionen Nachtigallen schlagen | 1990 | fixed media, akusmatisch | intermedia, 4 perf |
8:00 | Quadro | p, 2 cl, S [Sopran, Klarinette, Piano] | slides | TU Berlin | 10.3.1990 | Künstlerhaus Bethanien | 1 | http://www.avantart.com/fmo/index.htm | |||||
| 30532 | Franz Martin | Olbrisch | Nun braucht er nicht mehr dem Brüllen zu folgen | 1995 | Zuspiel / Tonband, 5 perf | V, bandoneon, perc, vn, p [Stimme, Piano, Akkordeon, Schlagzeug, Violine] | 13.6.1995 | Berlin (Ballhaus Naunynstr.) | 0 | http://www.avantart.com/fmo/index.htm | |||||||||
| 26149 | Franz Martin | Olbrisch | Orphée | 2007 | fixed media, akusmatisch | 0:04 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | http://www.avantart.com/fmo/index.htm | |||||||||
| 30525 | Franz Martin | Olbrisch | palinsesto | 2010 | Klangkunst, Installation | loop 31 | WDR | 12.11.2010 | WDR Funkhaus, Foyer | 0 | http://www.avantart.com/fmo/index.htm | ||||||||
| 30529 | Franz Martin | Olbrisch | personal spaces | 2004 | Klangkunst, Installation | loop 13 | 20.6.2004 | Darmstadt (Kunsthalle), im Rahmen der Ferienkurse | 0 | http://www.avantart.com/fmo/index.htm | |||||||||
| 22509 | Franz Martin | Olbrisch | pick/up | 2002 | fixed media, akusmatisch | 11:00 | Octo | TU Berlin, PS Olbrisch | WDR Köln | 2002 2003 |
WDR 8-ch-Fassung Berlin (Ultraschall) |
1 | http://www.avantart.com/fmo/werke/elektroakustisch.htm | ||||||
| 30517 | Franz Martin | Olbrisch | Promitheys in Fukushima | 2011 | live-elec, 7 perf, 1 group | ≈ 16 | 3 perc, hp, str, orc, 2 (wii-)perf [Harfe, Schlagzeug, Performer, Streicher, Orchester] | Netzwerk Musik Saar | 15.5.2011 | Saarbrücken (Landes-Jugend-Symphonie-Orchester Saar) | 0 | ||||||||
| 12316 | Franz Martin | Olbrisch | Schichtwechsel, temps et mouvement | 2006/2008 | Klangkunst, Installation | 35 | Octo | Konzert-Environment für 3 Videoprojektoren und Zuspielband UA der ersten Version: Darmstadt, 43. Internationale Ferienkurse 2006 UA der endgültigen Fassung: Donaueschinger Musiktage 2008 |
TU Berlin, ZKM Karlsruhe | SWF | 2006 2008 |
1. Version: Darmstadt, Ferienkurse 2006 endgültige Version Donaueschinger Musiktage |
1 | http://www.avantart.com/fmo/index.htm | |||||
| 27313 | Franz Martin | Olbrisch | some people like cupcakes only | 1996 | fixed media, akusmatisch | 31:00 | Octo | Montage aus FMo99.5 | 1996 | Berlin (Hörgalerie in Parochial) | 0 | http://www.avantart.com/fmo/index.htm | |||||||
| 27307 | Franz Martin | Olbrisch | Spah-Lenz | 2006 | fixed media, akusmatisch | 0:08 | Stereo | WER (CrossCut Edition)/ | 0 | http://www.avantart.com/fmo/index.htm | |||||||||
| 30524 | Franz Martin | Olbrisch | Stimmen - Gassen - Stille wieder… | 2008 | Klangkunst, Installation | 13.9.2008 | Rochlitz, Die Musikalisierte Stadt | 0 | http://www.avantart.com/fmo/index.htm | ||||||||||
| 19029 | Franz Martin | Olbrisch | studi and speaker | 1996 | fixed media, akusmatisch | 11:30 | Stereo, Octo | WER 2054/ zkm edition 4/ EMF DVD 054/ | TU Berlin, ZKM Karlsruhe, PS Olbrisch | Inventionen 1996 | 3.06.1996 | Inventionen Parochialkirche Berlin | 1 | 1996 | http://www.avantart.com/fmo/index.htm | ||||
| 30526 | Franz Martin | Olbrisch | Syphon | 2009 | Klangkunst, Installation | Wanderaustellung | Deutscher Musikrat | 1.10.2009 | Dresden, Festspielhaus Hellerau | 0 | http://www.avantart.com/fmo/index.htm | ||||||||
| 27316 | Franz Martin | Olbrisch | Tagtraum der Eule | 1997 | Performance | 58:00 | 6 | Kulturlandschaft Hundisburg | 1997 | Schloss Hundisburg | 0 | http://www.avantart.com/fmo/werke/szenische.htm | |||||||
| 24282 | Franz Martin | Olbrisch | Van Ness | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 2003 | Pyramidale Berlin | 1 | http://www.avantart.com/fmo/index.htm | ||||||||
| 27314 | Franz Martin | Olbrisch | velvet noise | 1996 | fixed media, akusmatisch | 62:00 | Octo | Montage aus FMo99.5 | 1996 | Berlin (Hörgalerie in Parochial) | 0 | http://www.avantart.com/fmo/index.htm | |||||||
| 12318 | Franz Martin | Olbrisch | Viele Menschen suchen den Ochsen, doch Wenige haben ihn je gesehen | 1992 | Performance, Zuspiel, live-elec, 6 perf | ≈ 90:00 | Quadro | tuba, p, vn, vc, 2 Akteure [Tuba, Piano, Cello, Violine, Schauspieler] | Event für 2 Akteure, Tuba, Vlc, Klav, Schlgz, Zuspielb & Diaprojektoren | TU Berlin | Inventionen 92 | 26.1.1992 | Inventionen Bauhaus Archiv Berlin, Ziggy Schöning, Gisela Weimann (Akteure); Tuyet Pham (Klavier); Thilo Thomas Krigar (Violoncello); Georg Schwark (Tuba); Edwin Kaliga (Schlagzeug); Beate Olbrisch (Lichtausstattung); Franz-Martin Olbrisch (Klangregie) | 1 | 1992 | http://www.avantart.com/fmo/index.htm | |||
| 27311 | Franz Martin | Olbrisch | Virelai | 1996 | fixed media, akusmatisch | 31:00 | Octo | Montage aus FMo99.5 | 1996 | Berlin (Hörgalerie in Parochial) | 0 | http://www.avantart.com/fmo/index.htm | |||||||
| 34775 | Franz Martin | Olbrisch | Virtueller Klangraum / realer Raumklang, Kanon á 7 beat velvet noise some people like cupcakes only Zeitquant (8-Spur Version) ¡Garrulas aguas! Schichtwechsel 197 Augenblicke aus dem Leben der Schleimpilze Bicinium Virelai 94 MB adieu ma joye Im Labyrinth der Zeiten und Orte Turbulenzen Begegnungen des John Scott Russel "Klassik zum Frühstück" blow[z]y Redundanz son-io-gramm Studio blow[z]y Gravitation (8-Spur Version) Das Abwesende zum Sprechen bringen Bruchstücke Das Ergebnis Saitenwechsel "…" (Iteration) Kanon á 3 …zwischen ihnen war ein Spalt… studi & speaker … and some tape runs on in silence Bimmelfunk Erinnerungen Kanon á 11 |
1996 | Klangkunst, Installation | radiophon |
Octo | 5.-6.10.1996 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 30518 | Franz Martin | Olbrisch | Von der Willkür der Beobachtung | 1996 | Zuspiel / Tonband, 3 perf, 1 group | ≈ 60 | 3 Sp, orc [Sprecher, Orchester] | SR | 3.12.1996 | Radiotop (Saarländischer Rundfunk), | 0 | ||||||||
| 30533 | Franz Martin | Olbrisch | Zellophonie | 1995 | Performance | ≈ 24 | perc, vn, vc [Schlagzeug, Cello, Violine] | Performance von Gisela Weimann | 1.10.1995 | Norderstedt (Schleswig-Holsteinische Kulturtage) | 0 | http://www.avantart.com/fmo/index.htm | |||||||
| 28722 | Franz Martin, Jens-Uwe, Kirsten | Olbrisch, Dyffort, Reese | 31 wohlgeordnete Episoden zu Ehren des ungläubigen Thomas | 1996 | fixed media, akusmatisch | TU Berlin | Klangwerkstatt Kreuzberg | 4.11.1996 | Thomaskirche Berlin-Kreuzberg | 0 | |||||||||
| 26016 | Franz Martin, Beate | Olbrisch, Olbrisch | City Drives | 2003 | audiovisuell | 8:00 | 5 tracks | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | PS C. | 2003 | VIPER Festival Basel | 1 | http://www.avantart.com/fmo/index.htm | ||||||
| 20289 | Franz Martin, Enno, Arnulf | Olbrisch, Poppe, Herrmann | Études aux roulements | 1998 | Zuspiel, live-elec, 2 perf | 45:00 | Octo | p, perc [Piano, Schlagzeug] | TU Berlin, PS Olbrisch | Inventionen 1998 & SFB | 23.9.1998 | Sender Freies Berlin SFB, mit Miroglio, Surberg | 1 | 1998 | http://www.avantart.com/fmo/index.htm | ||||
| 34529 | Alan | Oldfield | Color Suite: Orange, Gold, Red | fixed media, akusmatisch | 3:20 | Stereo | UI Carbondale | 0 | |||||||||||
| 30889 | Andreas | Oldörp | 1_continuum | 2012 | Klangkunst, Installation | Projekt „stadtklangkünstler“ | bonn hoeren | 0 | http://www.bonnhoeren.de/?page_id=1453 | ||||||||||
| 30891 | Andreas | Oldörp | 2_pendulum | 2012 | Klangkunst, Installation | Projekt „stadtklangkünstler“ | bonn hoeren | 12. 8. 2012 um 16 h | kunstmuseum bonn / aussenbereich | 0 | http://www.bonnhoeren.de/?page_id=1453 | ||||||||
| 30890 | Andreas | Oldörp | 3_fluidum | 2012 | Klangkunst, Installation | permanent | Projekt „stadtklangkünstler“ | bonn hoeren | 1.12.2012 | kurfürstenquelle bad godesberg | 0 | http://www.bonnhoeren.de/?page_id=1453 | |||||||
| 34736 | Andreas | Oldörp | Arbeit mit Lager II | 2011 | Klangkunst, Installation | 6:22 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 1.7.-18.9.2011 | singuhr hoergalerie Berlin | 0 | |||||||||
| 26277 | Andreas | Oldörp | De Profundis | 2003 | Klangkunst, Installation | ∞ | 2 Klangsysteme: - Stahl, Glaszylinder, Propangas - Stahl, Glaskolben, Glühdraht, Wasser, Silikon, Kupfer |
Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2003 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 25651 | Andreas | Oldörp | Gossip | 2000 | Klangkunst, Installation | 6:30 | Stereo | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | PS C. Hamburg | 1 | http://oldoerp.de/index.html | ||||||||
| 12319 | Peter | Olejar | Dance from the Noh | 1965 | Tanz | 14:10 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 12320 | Peter | Olejar | Incommunicado | 1965 | fixed media, akusmatisch | 6:20 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 12321 | Jan | Oleszkowicz | Bird of death | 1984 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Muza SX 2415/ | 1 | |||||||||||
| 18527 | Jan | Oleszkowicz | Harmonia Mundi | 1992 | fixed media, akusmatisch | 7:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 22157 | Jan | Oleszkowicz | Impromptu | 1994 | live-elec, 1 perf | 14:00 | Stereo | synt, (com) [synthesizer] | ExpSt Warsaw | 0 | |||||||||
| 22156 | Jan | Oleszkowicz | Les Chants De L'ame Libereé (apiewy ulatujey duszy) | 1993 | Zuspiel / Tonband, 1 perf | 17:35 | Stereo | S [Sopran] | ExpSt Warsaw | 0 | |||||||||
| 22155 | Jan | Oleszkowicz | Manipulation with third Dimension | 1990 | Zuspiel / Tonband, 1 perf | 13:15 | Stereo | vn [Violine] | ExpSt Warsaw | 0 | |||||||||
| 12322 | Jan | Oleszkowicz | Manipulations With 3rd Dimension | 1990 | Zuspiel / Tonband, 1 perf | 13:15 | Stereo | vn [Violine] | ExpSt Warsaw | 0 | |||||||||
| 12323 | Jan | Oleszkowicz | Mare Imbrium | 1984 | Zuspiel / Tonband, 1 perf | 15:50 | Stereo | perc [Schlagzeug] | ExpSt Warsaw | 0 | |||||||||
| 12324 | Jan | Oleszkowicz | Spazm | 1981 | fixed media, akusmatisch | 10:45 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 12325 | Jan | Oleszkowicz | The Bird of Death | 1984 | Zuspiel / Tonband, 1 perf | 15:30 | Stereo | perc [Schlagzeug] | Muza SX 2415/ | ExpSt Warsaw | 0 | ||||||||
| 20046 | Alberto de la | Oliva | Acoiris en Burbujas de Metal | 1995 | fixed media, akusmatisch | 11:44 | Stereo | PS C. Oliva, LIEM CDMC Madrid | 0 | ||||||||||
| 20039 | Alberto de la | Oliva | Ajenoides | 1992 | fixed media, akusmatisch | 10:40 | Stereo | PS C. Oliva | 0 | ||||||||||
| 19684 | Alberto de la | Oliva | Azul, Rojo y Algún que otro Borrón | 1993 | fixed media, akusmatisch | 4:05 | Stereo | LIEM CDMC Madrid, PS C. Oliva | 0 | ||||||||||
| 20040 | Alberto de la | Oliva | Bioevanescencias | 1992 | fixed media, akusmatisch | 20:00 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20027 | Alberto de la | Oliva | Claro de Luna | 1987 | fixed media, akusmatisch | 18:37 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20028 | Alberto de la | Oliva | Composicion con espacio reverberando | 1989 | fixed media, akusmatisch | 6:51 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20041 | Alberto de la | Oliva | Doble perplejidad | 1993 | fixed media, akusmatisch | 7:00 | Stereo | PS C. Oliva | 0 | ||||||||||
| 19310 | Alberto de la | Oliva | El Espíritu del Agua | fixed media, akusmatisch | 8:42 | música electroacústica española 1/ | 1 | ||||||||||||
| 20025 | Alberto de la | Oliva | El Monasterio de Asirodeim | 1987 | fixed media, akusmatisch | 23:48 | Stereo | PS C. Oliva | 0 | ||||||||||
| 19683 | Alberto de la | Oliva | El Tercer Lado de un Ángulo | 1993 | fixed media, akusmatisch | 3:50 | Stereo | LIEM CDMC Madrid, PS C. Oliva | 0 | ||||||||||
| 20024 | Alberto de la | Oliva | El Tranvia estelar | 1987 | fixed media, akusmatisch | 26:14 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20034 | Alberto de la | Oliva | El Viento en los Árboles | 1991 | fixed media, akusmatisch | 4:50 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20032 | Alberto de la | Oliva | Endage | 1991 | fixed media, akusmatisch | 7:40 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20038 | Alberto de la | Oliva | Entorno anbiótico | 1991 | fixed media, akusmatisch | 5:21 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20037 | Alberto de la | Oliva | Espaciales | 1991 | fixed media, akusmatisch | 11:00 | Stereo | PS C. Oliva, GME Cuenca | 0 | ||||||||||
| 19546 | Alberto de la | Oliva | Good evening | 1991 | fixed media, akusmatisch | 6:20 | Stereo | GME Cuenca, PS C. Oliva | 0 | ||||||||||
| 19547 | Alberto de la | Oliva | IF… | 1992 | fixed media, akusmatisch | 18:30 | Stereo | GME Cuenca, PS C. Oliva | 0 | ||||||||||
| 20030 | Alberto de la | Oliva | In Crescendo | 1991 | fixed media, akusmatisch | 6:30 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20031 | Alberto de la | Oliva | Jugando con el Tiempo | 1991 | fixed media, akusmatisch | 5:05 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20042 | Alberto de la | Oliva | La Cuarta Escencia en Al-Andalus (6 parts) | 1994 | fixed media, akusmatisch | 65:50 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20048 | Alberto de la | Oliva | La Vieja casa del Páramo | 1995 | fixed media, akusmatisch | 10:23 | Stereo | PS C. Oliva, LIEM CDMC Madrid | 0 | ||||||||||
| 20043 | Alberto de la | Oliva | Lacrimas sobre la Piedra | 1994 | fixed media, akusmatisch | 50:00 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20045 | Alberto de la | Oliva | Luminiscencias en Azul | 1995 | fixed media, akusmatisch | 7:32 | Stereo | PS C. Oliva, LIEM CDMC Madrid | 0 | ||||||||||
| 20026 | Alberto de la | Oliva | Luna de Arrayanes | 1987 | fixed media, akusmatisch | 23:17 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20036 | Alberto de la | Oliva | Melodia difuminada | 1991 | fixed media, akusmatisch | 7:35 | Stereo | PS C. Oliva | 0 | ||||||||||
| 19545 | Alberto de la | Oliva | Movimiento extático | 1991 | fixed media, akusmatisch | 14:50 | Stereo | GME Cuenca, PS C. Oliva | 0 | ||||||||||
| 20029 | Alberto de la | Oliva | Nada es tan extensio que sea demasiado | 1989 | fixed media, akusmatisch | 6:51 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20035 | Alberto de la | Oliva | Nebulum | 1991 | fixed media, akusmatisch | 7:54 | Stereo | PS C. Oliva | 0 | ||||||||||
| 20044 | Alberto de la | Oliva | Paisaje con Máquinas | 1995 | fixed media, akusmatisch | 12:18 | Stereo | PS C. Oliva, LIEM CDMC Madrid | 0 | ||||||||||
| 20033 | Alberto de la | Oliva | Puntillismo de Cristal | 1991 | fixed media, akusmatisch | 10:36 | Stereo | PS C. Oliva | 0 | ||||||||||
| 12326 | Alberto de la | Oliva | Qatia | 1991/1993 | fixed media, akusmatisch | 7:52 | Stereo | LIEM CDMC Madrid, PS C. Oliva | 0 | ||||||||||
| 19685 | Alberto de la | Oliva | Querido Dinosaurio | 1993 | fixed media, akusmatisch | 35:55 | Stereo | LIEM CDMC Madrid, PS C. Oliva | 0 | ||||||||||
| 19682 | Alberto de la | Oliva | Seis o tal vez más | 1993 | radiophon | 7:40 | Stereo | LIEM CDMC Madrid, PS C. Oliva | 0 | ||||||||||
| 20049 | Alberto de la | Oliva | Surgiendo del Silencio | 1995 | fixed media, akusmatisch | 13:23 | Stereo | PS C. Oliva, LIEM CDMC Madrid | 0 | ||||||||||
| 20047 | Alberto de la | Oliva | What's wrong? | 1995 | fixed media, akusmatisch | 15:10 | Stereo | PS C. Oliva, LIEM CDMC Madrid | 0 | ||||||||||
| 39914 | Joao Pedro | Oliveira | Magma | 2015 | fixed media, akusmatisch | 10:41:00 | Joao Pedro Oliveira | 0 | |||||||||||
| 42911 | Joao Pedro | Oliveira | Mosaic | 2013 | live-elec, 1 perf | 10:00:00 | p [Piano] | Francesco Prode, piano | 0 | ||||||||||
| 23641 | João Pedro | Oliveira | A Cidade eterna | 1988 | fixed media, akusmatisch | 15:03 | Csound. This piece is the last part of a series of 7. | NUM 1011/ NUM 1122/ | PS C. | 1 | |||||||||
| 41580 | João Pedro | Oliveira | A Escada Estreita | 1999 | live-elec, 2 perf | 8:29 | a-fl, b-fl [Flöte] | NUM 1122/ | 0 | ||||||||||
| 41579 | João Pedro | Oliveira | Alap-jor-jhala-gat, Le Voyage Des Sons | 1998 | fixed media, akusmatisch | 9:52 | vn, va [Viola, Violine] | NUM 1122/ | PS C. | 1 | |||||||||
| 35708 | João Pedro | Oliveira | Aphâr | 2007, 2015 | audiovisuell | 11 | Octo | 0 | https://vimeo.com/143418505 | ||||||||||
| 41575 | João Pedro | Oliveira | Atlas | 1998 | Klangkunst, Installation | 10 | Quadro | Music for the Pavillion of the Future, World Exhibition EXPO 98 | 0 | ||||||||||
| 42425 | João Pedro | Oliveira | Beyond | 2007 | live-elec, 3 perf, 1 group | 10:09 | vc, cl, p, ens [Klarinette, Piano, Cello, Ensemble] | LDC 278082-83 Cultures électroniques 20/ | Prix Trivium et Magisterium 2007, 34th International Electroacoustic Music and Sonic Art Competitions - Bourges - 2007 | 0 | |||||||||
| 23643 | João Pedro | Oliveira | Canticum | 1987 | fixed media, akusmatisch | 13:49 | NUM 1011/ NUM 1122/ | SUNY Stony Brook | 1 | ||||||||||
| 26017 | João Pedro | Oliveira | Et ignis involvens | 2005, 2014 | fixed media, akusmatisch | audiovisuell |
10:07 | Stereo, Octo | MR 2006 Métamorphoses 2006/ | PS C., Uni Keele | Gulbenkian Foundation | Métamorphoses 2006 | 1 | http://youtu.be/ZxJ0L0n2Q6o | ||||||
| 41577 | João Pedro | Oliveira | Hydatos | 2008, 2013 | fixed media, akusmatisch | audiovisuell |
13 | 0 | http://www.youtube.com/watch?v=D87vRy5sLr0&feature=youtu.be | |||||||||||
| 41578 | João Pedro | Oliveira | In Tempore | 2000 | live-elec, 1 perf | 11:14 | p [Piano] | NUM 1122/ | 0 | ||||||||||
| 41581 | João Pedro | Oliveira | La mer émeraude | fixed media, akusmatisch | 0 | ||||||||||||||
| 32990 | João Pedro | Oliveira | Labirinto | 2002 | Zuspiel / Tonband, 4 perf | 16:00:00 | str-qt [Streicher] | LDC 278076/77 Cultures Electroniques 16/ | 0 | ||||||||||
| 23646 | João Pedro | Oliveira | Lâminas Liquidas | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 1 | |||||||||||
| 35610 | João Pedro | Oliveira | Maelström | 2006 | Zuspiel / Tonband, 1 perf | 07:35 | hpd [Cembalo] | 0 | |||||||||||
| 25002 | João Pedro | Oliveira | Mahakala Sadhana, Le Voyage Des Sons | 1999 | fixed media, akusmatisch | 9:52 | part of „The Journey of Sounds“ | miso records mcd 013/014/ NUM 1122/ | PS C. | 1 | |||||||||
| 35702 | João Pedro | Oliveira | Neshamah | 2015, 2016 | fixed media, akusmatisch | audiovisuell |
10 | Octo | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | https://vimeo.com/255169571 | |||||||||
| 23642 | João Pedro | Oliveira | Psalmus | 1986 | fixed media, akusmatisch | 12:46 | NUM 1011/ | SUNY Stony Brook | 1 | ||||||||||
| 41576 | João Pedro | Oliveira | Rumo ao Futuro | 1998 | Klangkunst, Installation | 10 | Octo | Music for the Pavillion of the Future, World Exhibition EXPO 98 | 0 | ||||||||||
| 23644 | João Pedro | Oliveira | Silence to Light | 1992 | fixed media, akusmatisch | 10:18 | NUM 1011/ Plancton CO 003/ | PS C. | 1 | ||||||||||
| 35611 | João Pedro | Oliveira | Time Spell | 2004 | Zuspiel / Tonband, 1 perf | 13:19 | cl [Klarinette] | unesp Sao Paulo musica maximalista/ | 0 | ||||||||||
| 28211 | João Pedro | Oliveira | Timshel | 2007 | live-elec, 1 group | 15:00 | Stereo | ens [Ensemble] | electric ensemble sond’ar-te | miso records mcd 021.09/ | miso music portugal | 1 | |||||||
| 35695 | João Pedro | Oliveira | Titanium | 2016 | fixed media, akusmatisch | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 23640 | João Pedro | Oliveira | Triptico | 1991 | fixed media, akusmatisch | 14:55 | Stereo | Music for the Museum of Fine Arts of Ghent | NUM 1011/ | PS C. | 1 | ||||||||
| 35745 | João Pedro | Oliveira | Vox sum vitae | 2012 | live-elec, 1 perf | vib [Schlagzeug] | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 | 0 | |||||||||||
| 32314 | Jocy de | Oliveira | AN ACT OF SOUND II | 2005 | live-elec, 1 perf | 14 | perc and actor [Schlagzeug, Schauspieler] | March 8, 2005 | Global Ear, Dresden, Germany, Claudia Sgarbi – percussion | 0 | |||||||||
| 32304 | Jocy de | Oliveira | As Malibrans | 1999 - 2000 | Musiktheater | 83 | 2 S, actress, T, vc, ob, b-cl, perc, p, acrobat, (elec) [Sopran, Tenor, Klarinette, Oboe, Piano, Schlagzeug, Cello, Schauspieler] | Music, Concept, text, video and direction by Jocy de Oliveira | ABM Digital/ Naxos Video Library/ | RioArte Foundation; a Brazil / Germany co-production | 2000 | Stattstheater Darmstadt | Bogliasco Foundation Italy 2004 | 0 | |||||
| 32312 | Jocy de | Oliveira | BERCEUSE POUR PERE IGOR | 2010 | live-elec, 1 perf | 3:30:00 | vc, (elec) [Cello] | 2010 | SESC Vila Mariana, São Paulo. Peter Schuback – cello | 0 | |||||||||
| 32306 | Jocy de | Oliveira | Canto e Raga | 1995 | Tanz | 60 | 2 S, dancer, vc, synt [Sopran, Cello, synthesizer, Tanz] | Music, Concept and direction by Jocy de Oliveira | 1995 | Casa França Brasil, Rio de Janeiro | 0 | ||||||||
| 32305 | Jocy de | Oliveira | Cenas de uma Trilogia | 1999 | Musiktheater | 60 | Music, Concept, text, video and direction by Jocy de Oliveira | 2000 | SESC Vila Mariana, São Paulo | 0 | |||||||||
| 26504 | Jocy de | Oliveira | DEATH OF DESDEMONA | 1998 | Zuspiel / Tonband, 1 perf | 7:00 | S [Sopran] | Segmento da ópera “As Malibrans”. | selo/ | 1998 | Primeira audição no Festival “Escuta”, Teatro Carlos Gomes, Rio de Janeiro | 0 | |||||||
| 34720 | Jocy de | Oliveira | Dimensões para quatro Teclados | 1968 | fixed media, akusmatisch | Creel Pone 32/ | 0 | ||||||||||||
| 26507 | Jocy de | Oliveira | ENCONTRODESENCONTRO | 1985 | Zuspiel, live-elec, 1 perf | 15:00 | p [Piano] | piano and tape / two to four pianos / piano and real time electronics | 1985 | Ijsbreker, Amsterdam | 0 | ||||||||
| 32318 | Jocy de | Oliveira | ESTÓRIA I | 1966 | fixed media, akusmatisch | 10 | 1966 | Washington University, St Louis, USA | 0 | ||||||||||
| 26511 | Jocy de | Oliveira | ESTÓRIA II | 1967 | Zuspiel / Tonband, 2 perf | 12:00 | fem V, perc [Stimme, Schlagzeug] | also Version Estória IV (1979/1981) | selo/ Creel Pone 32/ | Washington University, St Louis, USA, Soprano: Rosalyn Wykes, percussão Rich O'Donnell | 0 | ||||||||
| 34719 | Jocy de | Oliveira | ESTÓRIA IV | 1968 | fixed media, akusmatisch | Creel Pone 32/ | 0 | ||||||||||||
| 32308 | Jocy de | Oliveira | Fata Morgana | 1987 | Musiktheater | 74 | V, e-vn, (elec), dancers [Stimme, Violine, Tanz] | Music, Concept, direction by Jocy de Oliveira | Naxos Video Library/ | 1987 | Museu de Arte Moderna, Rio de Janeiro | 0 | |||||||
| 20082 | Jocy de | Oliveira | For Cello | 1995 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | vc [Cello] | RD003 MEB Rioarte/ | PS C. | 1995 | Bienal de Musica Contemp. Rio de Janeiro; Peter Schuback (vc) | 0 | http://www.jocydeoliveira.com/ | |||||
| 21786 | Jocy de | Oliveira | Illud Tempus, La Lobra | 1994 | Musiktheater | 53:00 | Stereo | S, actress, cl, perc, synt [Sopran, Klarinette, Schlagzeug, Schauspieler, synthesizer] | La Lobra ≈ part of Illud Tempus | OO Discs 65/ Naxos Video Library/ | PS C. | Espaçio Sergio Porto, Rio de Janeiro | 0 | http://www.jocydeoliveira.com/ | |||||
| 32319 | Jocy de | Oliveira | Imersão | 2008 | Klangkunst, Installation | A retrospective exhibition of music, theater, installations and video by Jocy de Oliveira The exhibition occupied the entire Oi Futuro Cultural Center |
april 7 2008 | Oi Futuro Cultural Center Rio de Janeiro | 0 | ||||||||||
| 19099 | Jocy de | Oliveira | Inori à prostituta sagrada, RAGA IN THE AMAZON SOBRE O SINO DO TEMPLO REPOUSA E DORME A BORBOLETA IBAKE PORA A PROSTITUTA SAGRADA GUAYUPIA |
1993 | Musiktheater | 87 | S, S, B, fl, ob, trbn, perc, ch, (elec), actor, dancers [Sopran, Bass, Flöte, Oboe, Posaune, Schlagzeug, Schauspieler, Tanz, Chor] | coloratur-S | ReR BJOCD/ DVD tratore/ | Vitae Foundation, Banco do Brasil | 1993 | Banco do Brasil Cultural Center, Rio de Janeiro | 1 | http://www.jocydeoliveira.com/ | |||||
| 32309 | Jocy de | Oliveira | Interlúnios, Interlúnios I - V | 2010 - 2011 | live-elec, | 35 | 0 | ||||||||||||
| 32311 | Jocy de | Oliveira | KRUKOV CANAL | 2010 | live-elec, 4 perf | 3:00:00 | V, (indian) harmonium, vc, elec [Stimme, Orgel, Cello, elektronik] | 2010 | SESC Vila Mariana, São Paulo; Gabriela Geluda – voice and electronics, Peter Schuback – cello | 0 | |||||||||
| 32303 | Jocy de | Oliveira | Kseni - a estrangeira | 2003 - 2006 | Musiktheater | 72 | S, boys V, vc, cl, b-cl, tambura, e-gui, perc, (metallic structures, elec) [Sopran, Stimme, Klarinette, Gitarre, Schlagzeug, Cello, Streicher] | Music, Concept, text, video and direction by Jocy de Oliveira | Naxos Video Library/ | Dresdner Tage der zeitgenössischen Musik; Sigune von Osten | March 2005 2006 |
avant premiere MaerzMusik Berlin world premiere Theatro Carlos Gomes, Rio de Janeiro; Ens Jocy de Oliveira, Sigune von Osten e.a. |
Bogliasco Foundation Italy 2004 | 0 | |||||
| 32307 | Jocy de | Oliveira | Liturgia do Espaço | 1988 | Musiktheater | 40 | 4 S, e-vn, 2 ob, elec, (real time video,) dancers [Sopran, Oboe, Violine, elektronik, Tanz] | Music, Concept, direction by Jocy de Oliveira | Naxos Video Library/ | 1988 | Estadio de Remo da Lagoa, Rio de Janeiro | 0 | |||||||
| 32315 | Jocy de | Oliveira | MEDEA – PROFECIA | 2004 - 2005 | Musiktheater | 15 | S, actress, vc, cl, b-cl, e-gui, perc, (metallic structures) [Sopran, Klarinette, Gitarre, Schlagzeug, Cello, Schauspieler] | Music and text by Jocy de Oliveira | 2005 | Berliner Festspiele, MärzMusik. Art Point Ensemble: Sigune von Osten – soprano, Norbert Schröder – cello, Georg Wettin – clarinet and bass clarinet, Serge Baghdassarian – electric guitar and tambura, Claudia Sgarbi – percussion, Ursula Haupenthal – metallic structures, Jocy de Oliveira – electronics | 0 | ||||||||
| 26502 | Jocy de | Oliveira | NENHUMA MULHER CIVILIZADA FARIA ISTO | 2005 | Zuspiel, live-elec, 4 perf | 10:00 | Stereo | 4 V [Stimme] | PS C. | Berliner Festspiele 2005 | 2005 | Berliner Festspiele | 0 | http://www.jocydeoliveira.com/ | |||||
| 32313 | Jocy de | Oliveira | NHERANA, SOIF PROJECT – Nº 2 | 2007 | live-elec, 6 perf | 14 | vc, ob, cl, b-cl, e-gui, perc, (elec) [Klarinette, Oboe, Gitarre, Schlagzeug, Cello] | Comission Bayerischer Rundfunk – Música Viva, Munich | February, 2007 | Bayerischer Rundfunk – Música Viva, Munich, Hanno Simons – cello, Stefan Schilli – oboe, Stefan Schneider – clarinet, bass clarinet, Harald Lillmeyer – electric guitar, Christian Dierstein – percussion | 0 | ||||||||
| 26508 | Jocy de | Oliveira | O CONTAR DE UMA RAGA | 1987 | live-elec, 2 perf | 19:00 | e-vn, synt [Violine, synthesizer] | 1987 | Museu de Arte Moderna, Rio de Janeiro; Violino eletrônica: Ayrton Pinto, Sintetizadores: Jocy de Oliveira | 0 | |||||||||
| 26503 | Jocy de | Oliveira | PALMYRA | 1998 | Zuspiel / Tonband, 1 perf | 8:00 | ob [Oboe] | Segmento da ópera “As Malibrans”. | selo/ | 1998 | Ricardo Rodrigues oboe, Hochschule Hans Eisler, Berlin | 0 | |||||||
| 32310 | Jocy de | Oliveira | PROJETO SOIF - Nº 3, Project 1, 2, 3, 4 | 2010 | live-elec, 2 perf | 12:00:00 | ob, Sp, (elec) [Sprecher, Oboe] | Speaker ≈ storyteller | Ricardo Rodrigues, for a concert tour in China | 2010 | Chengdu University, China. Ricardo Rodrigues – oboe, Li Jie Liu – storyteller/soprano | 0 | |||||||
| 32316 | Jocy de | Oliveira | RAGA | 2005 | live-elec, 1 perf | 16 | ob, (elec) [Oboe] | CD: Ricardo Rodrigues, Sociedade Brasileira de Música Eletroacústica | 2005 | Hochschule für Musik Hanns Eisler, Berlin. Ricardo Rodrigues – oboe | 0 | ||||||||
| 31750 | Jocy de | Oliveira | Raga no Amazonas | 1995 | Zuspiel / Tonband, 1 perf | 13:18 | ob [Oboe] | SBME 006 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 26510 | Jocy de | Oliveira | REALEJO DOS MUNDOS | 1986 | live-elec, 2 perf | 12:00 | S, synt [Sopran, synthesizer] | 1986 | Bellas Artes, Cidade do México | 0 | |||||||||
| 26509 | Jocy de | Oliveira | RITUAL | 1987 | live-elec, 2 perf | 13:00 | S, synt [Sopran, synthesizer] | Segmento da ópera Fata Morgana. | 1987 | Museu de Arte Moderna, Rio de Janeiro, Mezzo soprano: Anna Maria Kieffer | 0 | ||||||||
| 32317 | Jocy de | Oliveira | Solaris | 1988 | Zuspiel / Tonband, 1 perf | 12 | ob [Oboe] | also Soundart püroject | 1989 | Musikhochschule Würzburg | 0 | ||||||||
| 26506 | Jocy de | Oliveira | SONAR | 1997 | Zuspiel / Tonband, 1 perf | 8:00 | b-cl [Klarinette] | selo/ | 1998 | Estréia no Panorama de Música Contemporânea, URFJ, Rio de Janeiro, Clarone: Paulo Passos | 0 | ||||||||
| 26505 | Jocy de | Oliveira | SOUNDS FROM THE SACRIFICE OF IPHIGENIA | 1997 | Zuspiel / Tonband, 2 perf | 8:00 | actor, b-cl [Klarinette, Schauspieler] | Segmento da ópera “As Malibrans”. | selo/ | 1997 | Estréia na Bienal de Música Brasileira Contemporânea, Escola de Música, URFJ, Rio de Janeiro | 0 | |||||||
| 26512 | Jocy de | Oliveira | Wave Song | 1981 | Zuspiel, live-elec, 1 perf | 18 | p [Piano] | Version I and Version II | Creel Pone 32/ | 0 | |||||||||
| 32302 | Jocy de, Igor | Oliveira, Strawinsky | Revisitando Stravinsky | 2010 | Musiktheater | 105 | S, actress, narrator, vc, cl, b-cl, sax, gui, e-gui, fl, hp, vn, p, (elec), orc ad libitum [Sopran, Flöte, Klarinette, Saxophon, Piano, Gitarre, Harfe, Cello, Violine, Schauspieler, Orchester] | Concept, script and general direction by Jocy de Oliveira | Naxos Video Library/ | Oi / Oi Futuro Brazil, SESC SP | September 2010 | Theatro Municipal Rio de Janeiro | 0 | ||||||
| 40015 | Levy | Oliveira | Por um triz! | 2017 | fixed media, akusmatisch | Levy Oliveira | 0 | ||||||||||||
| 12327 | Willy Corrêa de | Oliveira | A filha de Rapaccini | 1960 | Theatermusik | 10:00 | Mono | PS C. | 0 | ||||||||||
| 12328 | Willy Corrêa de | Oliveira | "Bronzinas" Metaleve | 1964 | Film | 1:00 | Mono | PS C. | 0 | ||||||||||
| 12329 | Willy Corrêa de | Oliveira | Experience I – IV | 1959 | fixed media, akusmatisch | ≈ 3:00 | Mono | PS C. | 0 | ||||||||||
| 12330 | Willy Corrêa de | Oliveira | Gessy tooth paste | 1964 | Film | 2:20 | Mono + Mono | PS C. | 0 | ||||||||||
| 12331 | Willy Corrêa de | Oliveira | Sorocaba, Senhor ! | 1963 | Theatermusik | 25:00 | Stereo | PS C. | 0 | ||||||||||
| 28023 | Mark | Oliveiro | In Maluga | 2009 | fixed media, akusmatisch | 8:59 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 winner 5. prize australasian | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 42752 | Mark | Oliveiro | Tartarian Psalms | 2012 | live-elec, 1 perf | 7:07:00 | b-trbn [Posaune] | Jeremiah Stones, bass trombone | 0 | ||||||||||
| 36940 | John | Oliver | Abstract Wind 1 | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 12332 | John | Oliver | Augery Music | 1984 | live-elec, 1 group | Stereo | ens [Ensemble] | 0 | |||||||||||
| 20573 | John | Oliver | Before the Freeze | 1988 | Zuspiel / Tonband, 3 perf | 12:45 | Stereo | cl, a-sax, tpt [Klarinette, Saxophon, Trompete] | McGill 750038-2/ | McGill Montréal | 1 | ||||||||
| 36565 | John | Oliver | Copper Flying | 1997 | fixed media, akusmatisch | 8:42 | ES 98001 Earsay/ ES 98004 Earsay/ | 0 | |||||||||||
| 36574 | John | Oliver | Copper Flying | 1997 | live-elec, 1 perf | 8:47:00 | gui (Zeta MIDI guitar, Mac computer, MAX software & synthesizers) [Gitarre] | ES 98004 Earsay/ | 0 | ||||||||||
| 12334 | John | Oliver | El reposo del fuego | 1987 | live-elec, 1 perf | 16:14 | MIDI [synthesizer] | Barroso | SNE 556/ | IREME Vancouver, SFU | 1 | ||||||||
| 36573 | John | Oliver | Icicle Blue Avalanche | 1997 | live-elec, 1 perf | 9:12:00 | gui (Zeta MIDI guitar, Mac computer, MAX software & synthesizers) [Gitarre] | ES 98004 Earsay/ | 0 | ||||||||||
| 36578 | John | Oliver | InDia | 1997 | live-elec, 1 perf | 8:17:00 | gui (Zeta MIDI guitar, Mac computer, MAX software & synthesizers) [Gitarre] | ES 98004 Earsay/ | 0 | ||||||||||
| 12335 | John | Oliver | Marimba Dismembered | 1990 | fixed media, akusmatisch | 3 | Stereo | IMED 9004/ IMED 9604/ | M. Gal Toronto | 1 | |||||||||
| 36577 | John | Oliver | Noh 1 | 1997 | live-elec, 1 perf | 7:11:00 | gui (Zeta MIDI guitar, synthesizers) [Gitarre] | ES 98004 Earsay/ | 0 | ||||||||||
| 36575 | John | Oliver | Off The Edge | 1997 | fixed media, akusmatisch | 13:14:00 | ES 98004 Earsay/ | 0 | |||||||||||
| 36555 | John | Oliver | Scintilla | 1997 | fixed media, akusmatisch | 6 | ES 98005 Earsay/ | 0 | |||||||||||
| 36576 | John | Oliver | Second Nature | 1997 | fixed media, akusmatisch | 8:05:00 | ES 98004 Earsay/ | 0 | |||||||||||
| 12336 | John | Oliver | Synprov (for J A) | 1983 | fixed media, akusmatisch | 10:00 | Stereo | McGill Montréal | 0 | ||||||||||
| 12333 | John, Claude | Oliver, Schryer | Divertimento for Latecomers | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 24144 | Betty | Olivero | Ma io qui non ho visto farfalle… (Documento) | 2004 | live-elec, 1 perf, 1 group | 21:00 | 5 tracks | V, (small) orc [Stimme, Orchester] | Tempo Reale Firenze | 0 | |||||||||
| 35046 | Pauline | Oliveros | 50-50, Heads Tails |
1967 - 1970 | fixed media, akusmatisch | 39 | Stereo | IMPREC 352/ | UCSD | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12337 | Pauline | Oliveros | 5000 Miles | 1966 | fixed media, akusmatisch | 30:00 | Stereo | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35055 | Pauline | Oliveros | A Little Noise in the System | 1967 - 1970 | fixed media, akusmatisch | 30:25 | Stereo | IMPREC 352/ SR 190 sub rosa/ | UCSD | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12364 | Pauline | Oliveros | A Poem of Change | 1993 | radiophon | 10:21 | EBU 1994/ Infiné IF 4002/ | WDR Studio Akustische Kunst | EBU Ars Acustica 1994 | 1 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12338 | Pauline | Oliveros | A Theater Piece | 1965 | Musiktheater, 16 perf | 75:00 | Quadro | 15 actor, (film, projection), mus [Musiker, Schauspieler] | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 37918 | Pauline | Oliveros | A Woman sees how the world goes with no eye | 1990 | fixed media, akusmatisch | 7:19 | AUD 04612/ | 0 | |||||||||||
| 12339 | Pauline | Oliveros | Accordion | 1966 | live-elec, 1 perf | 20:00 | Octo | amp acc, (tape-delay) [Akkordeon] | CCM Mills | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 24915 | Pauline | Oliveros | Alien Bog | 1967 | live-elec, 1 perf | 33:15 | Stereo | synt (Buchla 100) [synthesizer] | Buchla 100 series synt | Pogus 21012/ MC 001 Mills College/ IDEAMA CD 140/ | CCM Mills | 1 | http://www.lovely.com/bios/oliveros.html | ||||||
| 35047 | Pauline | Oliveros | Angel Fix | 1966 | fixed media, akusmatisch | 32:37 | Stereo | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35044 | Pauline | Oliveros | Another Big Mother | 1966 | fixed media, akusmatisch | 31:40 | Stereo | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12342 | Pauline | Oliveros | Apple Box, solo | 1966 | live-elec, 11 perf | ∞ | Mono | 11 perf (mus, amp apple box, bow, mallets) [Performer] | SanFran Tape M. C. | 1 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12341 | Pauline | Oliveros | Apple Box, Orchestra with Bottle Chorus | 1966 | live-elec, | ∞ | 10 Tracks | SanFran Tape M. C. | 1 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 27420 | Pauline | Oliveros | Apple Box, Double | 1965 | live-elec, 2 perf | 17:07 | 2 perf (with apple boxes) [Performer] | 3/28/66; David Tudor & Pauline Oliveros (live-elec) | wow & flutter 1961 - now, DVD/ NWR 80567 „Music from the Once Festival“/ | 1 | http://www.newworldrecords.org/album.cgi?rm=view&album_id=80567 | ||||||||
| 24916 | Pauline | Oliveros | Beautiful Soop | 1966 | live-elec, 1 perf | 27:49 | Stereo | synt (Buchla 100) [synthesizer] | Buchla 100 series synt | Pogus 21012/ | CCM Mills | 1 | http://www.lovely.com/bios/oliveros.html | ||||||
| 12343 | Pauline | Oliveros | Before the Music Ends | 1965 | Tanz | 13:00 | Stereo | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 12344 | Pauline | Oliveros | Big Mother Is Watching You | 1966 | fixed media, akusmatisch | 26:00 | Stereo | PD 04 Paradigm/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35050 | Pauline | Oliveros | Big Slow Bog | 1966 - 1967 | fixed media, akusmatisch | 32:39 | IMPREC 352/ | Mills Col | 0 | ||||||||||
| 35052 | Pauline | Oliveros | Bog Bog | 1966 - 1967 | fixed media, akusmatisch | 33:45 | IMPREC 352/ Infiné IF 4002/ | Mills Col | 0 | ||||||||||
| 32268 | Pauline | Oliveros | Bog Road | 1967 | fixed media, akusmatisch | 33:11 | Buchla 100 | Pogus 21023/ | Mills Col | Deep Listening Publications | 0 | http://www.lovely.com/bios/oliveros.html | |||||||
| 35051 | Pauline | Oliveros | Boone Bog | 1966 - 1967 | fixed media, akusmatisch | 32:34 | IMPREC 352/ | Mills Col | 0 | ||||||||||
| 12345 | Pauline | Oliveros | Bye Bye Butterfly | 1965 | fixed media, akusmatisch | 8:05 | Stereo | The Composition utilizes 2 oscillators, 2 line-amplifiers in cascade, one turntable with record and 2 tape-recorders in a delay-setup. | Arch Records S-1765 LP/ CRi CD 728/ PD 04 Paradigm/ Ellipsis Arts 3672 - OHM: 02/ NWR 80653-2/ wow & flutter 1961 - now, DVD/ Ellipsis Arts 3694 - OHM DVD/ IDEAMA CD 081/ Boomkat bundle_49/ | SanFran Tape M. C. | Deep Listening Publications | 1 | http://www.lovely.com/bios/oliveros.html | ||||||
| 12346 | Pauline | Oliveros | Cat O'Nine Tails | 1965 | Musiktheater, 1 group | 20:00 | Stereo | actors [Schauspieler] | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12347 | Pauline | Oliveros | Circuitry, for percussion and light | 1967 | live-elec, 5 perf | 21:00 | 5 amp perc [Schlagzeug] | visual composition: Tony Martin | wow & flutter 1961 - now, DVD/ | SanFran Tape M. C. | Deep Listening Publications, ASCAP | 1 | http://www.lovely.com/bios/oliveros.html | ||||||
| 20574 | Pauline | Oliveros | Crone Music | 1989 | live-elec, 1 perf | 57:36 | Stereo | acc [Akkordeon] | LM- LCD 1903/ | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 37595 | Pauline | Oliveros | Ear Rings | 1995 | live-elec, 1 perf | acc, (beliebiges ens) [Akkordeon] | 0 | ||||||||||||
| 22407 | Pauline | Oliveros | Ear Rings: Inventionen 2000 | 2000 | live-elec, 4 perf | 27:00 | trbn, vc, tpt, acc [Trompete, Posaune, Akkordeon, Cello] | 25.6.2000 | Inventionen Sophiensäle Berlin | 1 | 2000 | http://www.lovely.com/bios/oliveros.html | |||||||
| 12348 | Pauline | Oliveros | Engineers Delight | 1966 | live-elec, 9 perf | 7:00 | Quadro | pic-fl, 7 conductor, mus [Flöte, Musiker, Performer] | CCM Mills | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35045 | Pauline | Oliveros | Fed Back 1 Fed Back 2 |
1966 | fixed media, akusmatisch | 32 | Stereo | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12349 | Pauline | Oliveros | George Washington Slept Here | 1965 | audiovisuell, 1 perf | 15:00 | Stereo | amp vn, (film, projection) [Violine] | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 20575 | Pauline | Oliveros | Ghostdance Procession | 1996 | Zuspiel / Tonband, | 10:40 | Stereo | anomalous Records/ Deep Listening DL 7 - 1998 CD/ | 0 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 12350 | Pauline | Oliveros | Hallo | 1966 | live-elec, 4 perf, 1 group | 20:00 | 14 Tracks | modified p, vn, V, actor, (lights), dancers, (tape-delay) [Stimme, Piano, Violine, Schauspieler, Tanz] | CCM Mills | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 22092 | Pauline | Oliveros | Humayun's Tomb | radiophon | 2:33 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | http://www.lovely.com/bios/oliveros.html | ||||||||||
| 12351 | Pauline | Oliveros | I of IV | 1966 | fixed media, akusmatisch | 20:03 | Odyssey 32160160/ PD 04 Paradigm/ IDEAMA CD 082/ | UTEMS Toronto | Deep Listening Publications | 1 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12352 | Pauline | Oliveros | II of IV | 1966 | fixed media, akusmatisch | 16:16 | Stereo | Neuma 450-92/ IMPREC 352/ IDEAMA CD 083/ | UTEMS Toronto | 1 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35042 | Pauline | Oliveros | III | 1966 | fixed media, akusmatisch | 16:08 | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 12353 | Pauline | Oliveros | III of IV | 1966 | fixed media, akusmatisch | 9:23 | Stereo | IMPREC 352/ IDEAMA CD 083/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 33552 | Pauline | Oliveros | In Memoriam: Nikola Tesla, Cosmic Engineer | 1969 | Tanz, live-elec, 4 perf | 4 V, (elec) [Stimme] | Voice, Electronics [Live, Acoustical-space Sound-activator]: David Tudor, Gordon Mumma, Jean Rigg, John Cage Dance: Canfield (1969) |
NWR 80712/ | 1 | ||||||||||
| 12354 | Pauline | Oliveros | IV of IV | 1966 | fixed media, akusmatisch | 26:00 | Stereo | IMPREC 352/ IDEAMA CD 083/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35043 | Pauline | Oliveros | Jar Piece | 1966 | fixed media, akusmatisch | 15:52 | Stereo | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12355 | Pauline | Oliveros | Light Piece for David Tudor | 1965 | Zuspiel / Tonband, 1 perf | 35:00 | Quadro + 3 tracks | e-modified p, (lights, film) [Piano] | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12356 | Pauline | Oliveros | Lion's Tale | 1989 | live-elec, 1 perf, 1 group | 15:06 | Stereo | sam, gamelan-ens [computer, Ensemble] | Gamelan-sounds | Centaur CRC 2047, CDCM Vol. 7/ Deep Listening DL 28 - 2006 CD/ | iEAR Rensselaer | 1 | http://www.lovely.com/bios/oliveros.html | ||||||
| 35037 | Pauline | Oliveros | Live in Atlanta: The Carrier Band, Automatic Inscription Of Speech Melody Chaos And Difference Earth Orbit Flux Ling (Sound Check) |
2000 | Performance, live-elec, 4 perf | Quadro | acc, 3 perf [Akkordeon, Performer] | The Carrier Band ≈ Andrew Deutsch, Pauline Oliveros, Peer Bode |
Deep Listening DL 16 - 2000 CD/ | 16.4.2000 | Woodruff Art Center (Atlanta, Georgia, USA) | 0 | |||||||
| 35054 | Pauline | Oliveros | Mewsack | 1966 - 1967 | fixed media, akusmatisch | 32:30 | IMPREC 352/ | Mills Col | 0 | ||||||||||
| 35053 | Pauline | Oliveros | Mind Bog | 1966 - 1967 | fixed media, akusmatisch | 33:38 | IMPREC 352/ | Mills Col | 0 | ||||||||||
| 35040 | Pauline | Oliveros | Mnemonics #1 | 1965 | fixed media, akusmatisch | 12:00 | Stereo | IMPREC 352/ | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12357 | Pauline | Oliveros | Mnemonics #2 | 1965 | fixed media, akusmatisch | 12:00 | Stereo | IMPREC 352/ | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12358 | Pauline | Oliveros | Mnemonics #3 | 1965 | fixed media, akusmatisch | 20:00 | Stereo | SR 185 sub rosa/ IMPREC 352/ | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35041 | Pauline | Oliveros | Mnemonics #4 | 1965 | fixed media, akusmatisch | 12:00 | Stereo | IMPREC 352/ | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12359 | Pauline | Oliveros | Mnemonics #5 | 1965 | fixed media, akusmatisch | 12:00 | Stereo | IMPREC 352/ | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12360 | Pauline | Oliveros | Mnemonics #7 (winter light) | 1965 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | actor, (mobile) [Schauspieler] | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 28258 | Pauline | Oliveros | Music with Roots in the Aether, Landscape with Pauline Oliveros (57:40) including Unnatural Acts Between Consenting Adults, a collaboration with Carol Vencius Landscape with Pauline Oliveros (continued) and The Music of Pauline Oliveros (57:40) Rose Mountain Slow Runner |
Fernsehen, 1 perf | Oper |
acc and V [Stimme, Akkordeon] | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. Produced and directed by Robert Ashley. Philip Makanna, Director and Camera; Maggi Payne, Audio Recordist; Jerry Pearsall, Video Recordist and Technical Director. Seven 2-hour NTSC |
DV 7705 Lovely Music/ LVHS 5/ Music with Roots in the Aether/ | 1 | http://www.lovely.com/titles/dvdroots.html | ||||||||||
| 12361 | Pauline | Oliveros | No Mo | 1966 | fixed media, akusmatisch | 17:51 | Stereo | Layfette Tone Generators, Noise Source, Tape Delay | Pogus 21023/ | UTEMS Toronto | Deep Listening Publications | 0 | http://www.lovely.com/bios/oliveros.html | ||||||
| 29219 | Pauline | Oliveros | Once again, Buchla piece | 1966 | fixed media, akusmatisch | 19:21 | Stereo | SR 185 sub rosa/ | 0 | ||||||||||
| 35033 | Pauline | Oliveros | Oracle Bones | 2009 | Performance | acc, koto, Sp [Sprecher, Akkordeon, Streicher] | for spoken word, accordion, koto, electronics and light | 0 | |||||||||||
| 12362 | Pauline | Oliveros | Participle Dangling in Honor of Gertrude Stein | 1966 | fixed media, akusmatisch | intermedia |
7:00 | Stereo | mobile, film | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12363 | Pauline | Oliveros | Pieces of Eight | 1965 | Zuspiel / Tonband, 8 perf | 16:00 | Stereo | w-octet [Bläser] | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 21540 | Pauline | Oliveros | Pigeon | 1998 | Zuspiel, live-elec, 1 perf | 12:27 | acc [Akkordeon] | Deep Listening DL 8 - 1998 CD/ | IEA Alfred Uni | 1 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35036 | Pauline | Oliveros | Primordial/Lift | 1998 | live-elec, 5 perf | acc, vc, e-vc, harmonium, vn, (sam, oscillator) [Orgel, Akkordeon, Cello, Violine] | Deep Listening DL 33 - 2006 CD/ IEA 09/ | Fromm Foundation | 1998 | Hallwalls Art Center Buffalo | 0 | ||||||||
| 35056 | Pauline | Oliveros | Red Horse Headache | 1967 - 1970 | fixed media, akusmatisch | 21:26 | Stereo | IMPREC 352/ | UCSD | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 22408 | Pauline | Oliveros | Red Shifts | 2000 | live-elec, 2 perf | 16:10 | trbn, synt [Posaune, synthesizer] | 1 | 2000 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 35049 | Pauline | Oliveros | Ringing the Mods | 1966 | fixed media, akusmatisch | 19 | Stereo | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12365 | Pauline | Oliveros | Rock Symphony | 1965 | fixed media, akusmatisch | 12:00 | Stereo | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 12366 | Pauline | Oliveros | Seven Passages for Dancer | 1963 | Tanz | 14:00 | Stereo | Medusa Editions 100/ IDEAMA CD 140/ | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35035 | Pauline | Oliveros | Six for New Time | 1999 | live-elec, 3 perf | e-gui, 2 perc [Gitarre, Schlagzeug] | 0 | ||||||||||||
| 32267 | Pauline | Oliveros | Something Else | 1966 | fixed media, akusmatisch | 13:51 | Layfette Tone Generators, Noise Source, Tape Delay | Pogus 21023/ | UTEMS Toronto | Deep Listening Publications | 0 | http://www.lovely.com/bios/oliveros.html | |||||||
| 35038 | Pauline | Oliveros | Sound Patterns | 1967 | live-elec, 1 group | 4 | ch (synt, vocoder) [Chor] | Odyssey 32160156/ | 0 | ||||||||||
| 36584 | Pauline | Oliveros | Sound Piece Sound Fishes Heart of Tones |
2010 | Performance, live-elec, 1 perf, 1 group | 26:24 | perf, ens (Uni of Michigan digital music ens) [Performer, Ensemble] | Deep Listening DL-DVD 3/ | 0 | ||||||||||
| 36583 | Pauline | Oliveros | Tara’s Room | 1987 | Performance, live-elec, | 227:31 | Deep Listening DL 22 - 2004 CD/ | 0 | |||||||||||
| 36582 | Pauline | Oliveros | The Beauty of Sorrow | 1987 | Performance, live-elec, | 25 | Deep Listening DL 22 - 2004 CD/ | 0 | |||||||||||
| 12367 | Pauline | Oliveros | The C (S) for ONCE | 1966 | Zuspiel / Tonband, 11 perf | 25:00 | Stereo + Stereo + Stereo | 11 mus [Musiker] | Col.Princ EMC | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12368 | Pauline | Oliveros | The Covenant | 1965 | Film | 10:00 | Mono | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 12369 | Pauline | Oliveros | The cronicles of Hell | 1965 | Theatermusik | 90:00 | Stereo | SanFran Tape M. C. | 0 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 12370 | Pauline | Oliveros | The Day I Disconnected the Erase Head and Forgot to Reconnect It | 1966 | fixed media, akusmatisch | 32:36 | Stereo | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 35034 | Pauline | Oliveros | The Heart of Tones | 1999 | live-elec, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 21838 | Pauline | Oliveros | The Ready Made Boomerang | 1990 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | deep lsitening band | NA 044/ | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 20576 | Pauline | Oliveros | The Roots of the Moment | 1987 | live-elec, | 58:17 | Stereo | ART 6009/ | CCM Mills | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12371 | Pauline | Oliveros | The Wheel of Time | Zuspiel / Tonband, 4 perf | 29:00 | str-qt [Streicher] | 1 | 1989 | http://www.lovely.com/bios/oliveros.html | ||||||||||
| 12372 | Pauline | Oliveros | Theater Piece | 1966 | Musiktheater | 15:00 | Stereo | Col.Princ EMC | 0 | http://www.lovely.com/bios/oliveros.html | |||||||||
| 35048 | Pauline | Oliveros | Three Pieces | 1966 | fixed media, akusmatisch | 13 | Stereo | IMPREC 352/ | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 12373 | Pauline | Oliveros | Time Perspectives | 1959 | fixed media, akusmatisch | 19:37 | Quadro | first elec piece by Oliveros at her Home Studio | SR 185 sub rosa/ IMPREC 352/ | PS C. | 0 | https://www.subrosa.net/en/catalogue/early-electronic-music/pauline-oliveros-early-electronic-works-1959-66-2lp.html | |||||||
| 12374 | Pauline | Oliveros | Ultra Sonic Studies in Real Time | 1966 | fixed media, akusmatisch | 30:00 | Stereo | 8 versions | UTEMS Toronto | 0 | http://www.lovely.com/bios/oliveros.html | ||||||||
| 28038 | Pauline | Oliveros | V of IV | 1966 | fixed media, akusmatisch | 16:28 | Stereo | SR 185 sub rosa/ IMPREC 352/ | UTEMS Toronto | 0 | |||||||||
| 12375 | Pauline | Oliveros | Valentine | live-elec, 1 group | ens [Ensemble] | amp hearts; SAG-Group | 0 | http://www.lovely.com/bios/oliveros.html | |||||||||||
| 22730 | Pauline, Andrew | Oliveros, Deutsch | Lucille's Violin | 1998 | Zuspiel, live-elec, 2 perf | 8:04 | vn, acc [Akkordeon, Violine] | for Lucille Norman | Deep Listening DL 8 - 1998 CD/ | IEA Alfred Uni | 1 | ||||||||
| 41069 | Pauline, Andrew, Peer | Oliveros, Deutsch, Bode | Automatic Inscription Of Speech Melody | 2000 | Performance, live-elec, 2 perf | 25:36 | Quadro | 2 perf [Performer] | IEA 03/ | IEA Alfred Uni | 1 | ||||||||
| 22731 | Pauline, Andrew, Peer | Oliveros, Deutsch, Bode | Carrier | 1998 | Zuspiel, live-elec, 1 perf | 25:36 | acc [Akkordeon] | Sound-Samples includes material and loops recorded for demo tapes by Harald Bode (Bode Vocoder) | Deep Listening DL 8 - 1998 CD/ | IEA Alfred Uni | 1 | ||||||||
| 41071 | Pauline, Andrew, Peer, Dick | Oliveros, Deutsch, Bode, Robinson | Earth Orbit | 2000 | Performance, live-elec, 2 perf | 25:36 | Quadro | 2 perf [Performer] | IEA 03/ | IEA Alfred Uni | 1 | ||||||||
| 41072 | Pauline, Andrew, Peer, Dick | Oliveros, Deutsch, Bode, Robinson | Flux Ling (Sound Check) | 2000 | Performance, live-elec, 3 perf | 25:36 | Quadro | 3 perf [Performer] | IEA 03/ | IEA Alfred Uni | 16.4.2000 | Woodruff Art Center (Atlanta, Georgia, USA) | 1 | ||||||
| 21840 | Pauline, Ellen | Oliveros, Fullman | Suspended Music | live-elec, 1 perf, 1 group | ens, the long-str-ins [Streicher, Ensemble] | P 0010 Periplum/ | 0 | ||||||||||||
| 21839 | Pauline, Fanny | Oliveros, Green | Time Piece | 1992 | live-elec, 1 perf | vocal [Stimme] | Tellus CD 27/ | 0 | |||||||||||
| 41070 | Pauline, Dick | Oliveros, Robinson | Chaos And Difference | 2000 | Performance, live-elec, 1 perf | 25:36 | Quadro | perf [Performer] | IEA 03/ | IEA Alfred Uni | 1 | ||||||||
| 34580 | Pauline, Jesse | Oliveros, Stewart | The Dunrobin Session | 2011 | Performance | 52 | acc, perc [Akkordeon, Schlagzeug] | NUUN 8/ | 0 | ||||||||||
| 33376 | Jacques | Olivier | The Minister | 1963 | Film | 17 | Mono | SMC Genève | 0 | ||||||||||
| 12376 | Pierre | Olivier | Nouvelle lune | 1987 | fixed media, akusmatisch | 9:16 | Stereo | Concordia Montréal | 0 | ||||||||||
| 12377 | Pierre | Olivier | Quelques bestioles | 1988 | fixed media, akusmatisch | 6:28 | Stereo | Relatif Montréal | 0 | ||||||||||
| 12378 | Pierre | Olivier | Shortwaves | 1985 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 40224 | Ryan | Olivier | Fortspinnung | 2017 | fixed media, akusmatisch | Ryan Olivier | 0 | ||||||||||||
| 42646 | Ryan | Olivier | Metronomic Hommage | 2009 | fixed media, akusmatisch | 1 | 0 | ||||||||||||
| 40225 | Ryan | Olivier | Nova Vita | 2015 | fixed media, akusmatisch | 12:14:00 | Ryan Olivier | 0 | |||||||||||
| 12379 | Ralf R. | Ollertz | À une passante | 1987 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 12380 | Ralf R. | Ollertz | ÇACRADAR | 1992/1993 | Zuspiel/Tonband, 1 perf | Tanz |
18:00 | perc [Schlagzeug] | Musik-Choreographie für Beckenspieler | 0 | ||||||||||
| 12381 | Ralf R. | Ollertz | Cral'une | 1995 | fixed media, akusmatisch | 4:47 | Quadro | sam | Cybele 960.102/ | ICEM Essen | 1 | 1996 | http://www.Cybele .de/shop/product_info.php?products_id=48 | ||||||
| 12382 | Ralf R. | Ollertz | Immer das Erlebte zu erleben | 1988 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 21132 | Ralf R. | Ollertz | Isson | 1998 | Tanz | ≈ 40:00 | Octo | TU Berlin | 0 | ||||||||||
| 12383 | Ralf R. | Ollertz | Kinder und Literaturhörspiele | 1992 | radiophon | 25:00 | Stereo | ICEM Essen | 0 | ||||||||||
| 30535 | Ralf R. | Ollertz | La forêt | fixed media, akusmatisch | 0 | ||||||||||||||
| 41636 | Ralf R. | Ollertz | Musique pour Chairasâme, Chairasâme | 1996 | Tanz | chorégraphie de Paula Limnauos | Musiques et Recherches Ohain | 0 | |||||||||||
| 41637 | Ralf R. | Ollertz | Musique pour Entrevision, Entrevision | 1998 | Tanz | chorégraphie de Paula Limnauos | Musiques et Recherches Ohain | 0 | |||||||||||
| 12384 | Ralf R. | Ollertz | Nachtmeer #1 & #2 | 1993 | radiophon | Stereo | ICEM Essen | 0 | |||||||||||
| 37873 | Ralf R. | Ollertz | Nottambulotto | fixed media, akusmatisch | 11:08 | ICEM Essen | 0 | ||||||||||||
| 12385 | Ralf R. | Ollertz | Pyrócua | 1994 | fixed media, akusmatisch | 7:35 | Quadro | Ex Machina 6 - die neunziger Jahre | Cybele 960.106, ex machina 6/ II SBC&M/ | ICEM Essen | 1 | 1996 | |||||||
| 12386 | Ralf R. | Ollertz | Rothegang : Untergrund | 1993 | Theatermusik | 50:00 | Stereo | Deutschsprachige Version | ICEM Essen | 0 | |||||||||
| 19210 | Ralf R. | Ollertz | Soana | 1997 | fixed media, akusmatisch | 13:09 | Stereo, Octo | TU Berlin | Kryptonale III (1997) | 19.9.1997 | kleiner Wasserspeicher Berlin | 1 | |||||||
| 12387 | Ralf R. | Ollertz | Tishiña | 1993 | radiophon | 22:35 | Quadro | In Memoriam Jakob | ICEM Essen | 1 | |||||||||
| 19290 | Ralf R. | Ollertz | Unácrès | 1996 | fixed media, akusmatisch | 7:48 | Cybele 960.203/ DegeM CD 03/ | AdK Berlin | 1 | ||||||||||
| 30536 | Ralf R. | Ollertz | Verwandlung | fixed media, akusmatisch | 0 | ||||||||||||||
| 30537 | Ralf R. | Ollertz | Yster | fixed media, akusmatisch | 0 | ||||||||||||||
| 12388 | Bogdan | Olma | ETIUDA | 1985 | fixed media, akusmatisch | 13:25 | Stereo | SME Krakow | 0 | ||||||||||
| 12389 | Piero | Olmeda | L'Allegro Faust | 1986 | fixed media, akusmatisch | 4:00 | Quadro | com poetry | CSC Padova | 0 | |||||||||
| 12390 | Kent | Olofsson | Ad Cor | 1989 | fixed media, akusmatisch | HfM Malmö | 0 | ||||||||||||
| 12391 | Kent | Olofsson | Burning Pitch, Iconographie in Two Parts | 1993/1994 | Zuspiel, live-elec, 4 perf | sax-qt [Saxophon] | HfM Malmö | 0 | |||||||||||
| 18528 | Kent | Olofsson | Eos' Weeping Dew | 1994 | fixed media, akusmatisch | 18:10 | IMEB Bourges | 0 | |||||||||||
| 12392 | Kent | Olofsson | Flutes and Cymbals for Cybele | 1991 | Zuspiel / Tonband, 2 perf | 10:57 | fl, perc [Flöte, Schlagzeug] | MAP 9133/ | HfM Malmö | 0 | |||||||||
| 22739 | Kent | Olofsson | Il Liuto d'Orfeo | 1999 | Zuspiel / Tonband, 1 perf | 25:00 | gui [Gitarre] | LDC 278070/71 Cultures Electroniques 13/ | HfM Malmö | 2nd prize "studio & Score" | 1 | ||||||||
| 12393 | Kent | Olofsson | Lamentations | 1988 | fixed media, akusmatisch | HfM Malmö | 0 | ||||||||||||
| 12394 | Kent | Olofsson | T | 1988 | Zuspiel / Tonband, 1 group | 16:16 | ens [Ensemble] | MAP 9133/ | HfM Malmö | 0 | |||||||||
| 24459 | Kent | Olofsson | Terpsichord | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 12395 | Kent | Olofsson | The Garden of Earthly Delights | 1992 | Zuspiel / Tonband, 1 perf, 1 group | gui, ens [Gitarre, Ensemble] | HfM Malmö | 0 | |||||||||||
| 12396 | Ole | Ølschlegel | Studie über 14 Asymptoten, linear | 1962 | fixed media, akusmatisch | 1:00 | Stereo | 0 | |||||||||||
| 36919 | Alex | Olsen | Rust | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 12397 | Anders | Olsen | Freden og dig | 1987 | Film | 8:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 23509 | Harry F. | Olson | The Sounds and Music of the RCA Electronic Music-Center | 1955 | fixed media, akusmatisch | Synthetisierte Stücke von Bach, Brahms, Salonmusic, Jazz | RCA Victor LM - 1922 experimental/ LM- 1922 experimental/ | Uni Princeton | 1 | ||||||||||
| 36942 | Michael | Olson | Against Silhouettes | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 40118 | Michael | Olson | Flux Beta | 2017 | fixed media, akusmatisch | Michael Olson | 0 | ||||||||||||
| 42647 | Michael James | Olson | Waterstate | 2009 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 36072 | Mike | Olson | De Novo | 2013 | live-elec, 2 perf, 1 group | 5:56 | synt (Moog model 12) or hammond-org, drums [Orgel, Schlagzeug, synthesizer] | innova 918/ | 0 | ||||||||||
| 36249 | Mike | Olson | Implied Movement | 2015 | live-elec, 1 perf | 9:24 | synt [synthesizer] | innova 918/ | 0 | ||||||||||
| 20577 | Mike | Olson | Office furniture from outer space | 1992 | live-elec, 2 perf | 6:26 | Stereo | MIDI-gui, synt [Gitarre, synthesizer] | innova 114/ | 1 | |||||||||
| 36248 | Mike | Olson | Shift | 2002 | live-elec, 2 perf | 5:44 | synt (sam), V [Stimme, synthesizer] | innova 918/ | 0 | ||||||||||
| 32936 | Justice | Olsson | A Man Is a Delicate Flame | 1997 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 18530 | Justice | Olsson | Dolphins | 1995 | fixed media, akusmatisch | 8:33 | IMEB Bourges | 0 | |||||||||||
| 18529 | Justice | Olsson | Je n'ai jamais revu Frank | 1992 | fixed media, akusmatisch | 19:28 | IMEB Bourges | 0 | |||||||||||
| 12398 | Justice | Olsson | Moon over Sandra | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 24460 | Justice | Olsson | Sea-Dream | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21918 | Justice | Olsson | Un Aprés midi sous la Mer | 1998 | fixed media, akusmatisch | 9:14 | IMEB Bourges | 0 | |||||||||||
| 12399 | Justice | Olsson | UP ! | 1990 | fixed media, akusmatisch | 25:00 | Stereo | txtcompo | LDC 278053/54 Cultures Electroniques 6/ | PS C. | 1st prize Bourges; | 1 | |||||||
| 12400 | Endre | Olsvay | Charybdis | 1984 | fixed media, akusmatisch | 7:20 | MR Budapest | 0 | |||||||||||
| 33944 | Oxana | Omelchuk | Cereals | 2011 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | HfMT Köln | 0 | ||||||||||
| 33946 | Oxana | Omelchuk | Playback | 2011 | live-elec, 2 perf | Stereo | 2 p, (sam) [Piano] | HfMT Köln | 0 | ||||||||||
| 33945 | Oxana | Omelchuk | Staahaadler Aff | 2010 | live-elec, 2 perf | 8:50:00 | Stereo | perc, sam [Schlagzeug, computer] | Komposition für Drumset und Samplepad | HfMT Köln | 0 | ||||||||
| 26018 | Kumiko | Omura | Double Contour, collection of EM | 2001 | live-elec, 1 perf | 11:29 | vc [Cello] | Alexis Descharmes (vc) | CMJ Vol 28, 2004/ fontec/ | IRCAM | 1 | ||||||||
| 12401 | Tetsuya | Omura | Ferne | 1983 | fixed media, akusmatisch | 10:21 | Quadro | dedicated to Folkmar Hein | TU Berlin | 17.2.1984 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1984 | ||||||
| 28047 | Erik | Oña | Euler Sonaten | 2001 | live-elec, 3 perf | 19:21 | 3 vc [Cello] | 5 parts on WER 65932 DMR only parts II & III |
WER 65932 DMR/ WER 65632/ | 0 | |||||||||
| 18904 | Erik | Oña | Per Ivan Lermoliev | 1991 | fixed media, akusmatisch | 12:57 | MW 60/ | 0 | |||||||||||
| 42529 | Ivan | Onek | Alone in the Dark | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 24201 | Lulu | Ong | Turn of the Century Tide | 2002 | fixed media, akusmatisch | 3:26 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 12402 | Group | Ongaku | Automatism | 1961 | fixed media, akusmatisch | Improvisation. Tape at Nihon Kindai Ongaku Kaikan. Members: Takehisa Kosugi, Nobutaka Mizuno, Chieko Shiomi, Mikio Tojima, Yasunao Tone, G. Tsuge |
0 | ||||||||||||
| 33396 | Group | Ongaku | Metaplasm 8 - 15 | 1961 | Zuspiel / Tonband, 7 perf | 12:45 | Mono + Mono + Mono + Mono | vn, a-sax, 2 vc, 2 p, gui [Saxophon, Piano, Gitarre, Cello, Violine] | Improvisation. Tape at Nihon Kindai Ongaku Kaikan. Members: Takehisa Kosugi, Nobutaka Mizuno, Chieko Shiomi, Mikio Tojima, Yasunao Tone, G. Tsuge |
Segetsu Art Center Tokyo | 0 | ||||||||
| 22677 | Jean-Marie | Onni, Ruelgo | Tiraillement | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 0 | ||||||||||||
| 40844 | Teemu | Ontero | Objawr | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 12403 | Hideko | Ooki | 4 Concertant movements | 1958 | Zuspiel / Tonband, 1 perf | 14:45 | Mono | p [Piano] | PS Kamakura | 0 | |||||||||
| 27698 | Christina | Oorebeck | Tuning Studies | 1997/1998 | live-elec, 1 perf | disklavier [Piano] | CRFMW Liège | 2.3.1997 | Rotterdam | 0 | |||||||||
| 3520 | Paul Matthijs | Op de Coul | Elektronische Studie | 1964 | fixed media, akusmatisch | 15 | Mono | STEM Utrecht | 0 | ||||||||||
| 39258 | Tomasz Jakub | Opalka | Blue, Black, White | 2009 | live-elec, 4 perf | fl, 2 fem V, perc [Stimme, Flöte, Schlagzeug] | 0 | ||||||||||||
| 39257 | Tomasz Jakub | Opalka | Cirro-Stratus | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 39256 | Tomasz Jakub | Opalka | Saya | 2008 | Zuspiel / Tonband, 5 perf, 1 group | strs, tpt (cornet), sax, p, perc, V [Stimme, Saxophon, Trompete, Piano, Schlagzeug, Streicher] | 0 | ||||||||||||
| 39255 | Tomasz Jakub | Opalka | Sleeping Mind | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 37216 | Lars | Opfermann | Ansichten | 2017 | fixed media, akusmatisch | HfM Lübeck | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 12404 | Daniel V. | Oppenheim | Concerto in D | 1991 | live-elec, 2 perf | 22:00 | Zeta-MIDI-vn, com (2 Yamaha SY/TG-77 synthesizers, Yamaha DMP7, Yamaha DX7 II) [Violine, computer] | MIDI | CCRMA | 0 | |||||||||
| 12405 | Daniel V. | Oppenheim | Lamentations for Jerusalem | 1992 | live-elec, 2 perf | 25:00 | t-sax or bar-sax, synt (2 Yamaha SYt/TG-77 synthesizers, Yamaha DMP7) [Saxophon, synthesizer] | MIDI | CCRMA | 0 | |||||||||
| 12406 | Daniel V. | Oppenheim | Psookim | 1990 | computer generated score, 1 group | 12 | ch [Chor] | second version available for female chorus | CCRMA | 0 | |||||||||
| 12407 | Daniel V. | Oppenheim | Round the Corners of Purgatory, Purgatory Lamentation Purgatory Drifting up Postlude |
1987 | fixed media, akusmatisch | 25:47 | WER 2021-50, Computer Music Currents 1/ | HfM Tel Aviv | 1 | ||||||||||
| 12408 | Franco | Oppo | Le cerniere | 1985 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 12409 | Franco | Oppo | Variazioni su temi popolari | 1992 | live-elec, 1 perf | ≈ 14:00 | w (launeddas) [Bläser] | (collaborazione con il laboratorio di Spaziomusica Ricerca) | CRM Roma, Spaziomusica Cagliari | 0 | |||||||||
| 12410 | van | Opstal | Destructie | 1973 | fixed media, akusmatisch | IPEM Gent | 0 | ||||||||||||
| 12411 | Roman | Opuszynski | Muzyka ilustracyjna | 1978 | live-elec, 3 perf | 9:40 | Stereo | S, fl, V [Sopran, Stimme, Flöte] | SME Krakow | 0 | |||||||||
| 27468 | Daphne | Oram | Adwick High School No. 1-4 | 1967 - 1968 | fixed media, akusmatisch | 7:15 | Adwick High School in York | PD 21 Paradigm Discs/ | PS Oramics | 0 | http://daphneoram.org/ | ||||||||
| 33660 | Daphne | Oram | Amphitryon 38 | 1958 | fixed media, akusmatisch | 0:48 | CDCD 5067/ | BBC | 1 | ||||||||||
| 35772 | Daphne | Oram | Ascending And Descending Sequences Of Varying Nature, Electronic Sound Patterns | 1962 | fixed media, akusmatisch | 5 | 6 parts | HMV 7EG 8762/ Creel Pone 056/ | 0 | ||||||||||
| 27469 | Daphne | Oram | Bala | fixed media, akusmatisch | 1:47 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||||
| 12413 | Daphne | Oram | Bird of parallax | 1962/1972 | fixed media, akusmatisch | 12:58 | Stereo | include rhythmic sections "hell ride" and "donkey ride to Venus" (1962) | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||
| 33689 | Daphne | Oram | Brociliande | 1969/1970 | fixed media, akusmatisch | 10:11 | Stereo | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27470 | Daphne | Oram | Conclusion | fixed media, akusmatisch | 0:21 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||||
| 27466 | Daphne | Oram | Costain Suite | 1977 | Film | 20:35 | Stereo | for the film "Costaine Mine" | PD 21 Paradigm Discs/ Boomkat bundle_158/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||
| 27471 | Daphne | Oram | Dr. Faustus Suite | 1959 | Musiktheater | 9:41 | (Marlowe) | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 35773 | Daphne | Oram | Electronic Sound Pictures | 1961 | fixed media, akusmatisch | part of Listen, move and dance series (Volume 1) | Capitol Rec H-21006/ | 0 | |||||||||||
| 27472 | Daphne | Oram | Episode Metallic | 1965 | Klangkunst, Installation | 5:33 | Quadro | mobile sculpture by A. Bobrowski, for permanent Install. at Mullard House London | PD 21 Paradigm Discs/ Boomkat bundle_49/ | PS Oramics | Messrs Mullard Ltd. for permanent exhibition at Mullard House. | 1 | http://daphneoram.org/ | ||||||
| 27473 | Daphne | Oram | Fanfare Of Graphs | 1968 | fixed media, akusmatisch | 1:01 | early Oramics drawn sound ecp. | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27474 | Daphne | Oram | Food Preservation | 1964 | fixed media, akusmatisch | 3:26 | Mono | several versions | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||
| 12412 | Daphne | Oram | Four Aspects | 1960 | fixed media, akusmatisch | 8:05 | Mono | PD 21 Paradigm Discs/ EMF CD 036/ SR 200 sub rosa/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27475 | Daphne | Oram | High Speed Flight | 1959 | Film | 0:54 | made for Shell Films | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27476 | Daphne | Oram | In A Jazz Style | fixed media, akusmatisch | 0:43 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||||
| 27478 | Daphne | Oram | Intertel | 1966 | Fernsehen, | 1:23 | commercial TV | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27479 | Daphne | Oram | Introduction | fixed media, akusmatisch | 3:34 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||||
| 27477 | Daphne | Oram | Invasion | 1958 | intermedia | 5:04 | Stereo | Incidental Music For Invasion, play by Adamov for Oxford Arena Theatre (Edinburgh Festival) | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||
| 27480 | Daphne | Oram | Kia Ora | 1962 | Film | 0:52 | commercial film music (Schweppes!) | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27481 | Daphne | Oram | Lego Builds It | 1966 | Fernsehen, | 1:01 | commercial TV | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27482 | Daphne | Oram | Look At Oramics | 1967 | fixed media, akusmatisch | 0:43 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||||
| 27483 | Daphne | Oram | Mary Had A Little Lamb | 1963 | fixed media, akusmatisch | 2:42 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||||
| 35767 | Daphne | Oram | Melodic Group Shapes 1, Electronic Sound Patterns | 1962 | fixed media, akusmatisch | 1:20 | part of Listen, move and dance series (Volume 3) and BBC programme to help children dance | HMV 7EG 8762/ Creel Pone 056/ | 0 | ||||||||||
| 35768 | Daphne | Oram | Melodic Group Shapes 2, Electronic Sound Patterns | 1962 | fixed media, akusmatisch | 0:37 | HMV 7EG 8762/ Creel Pone 056/ | 0 | |||||||||||
| 27484 | Daphne | Oram | Missile Away | 1963 | Film | 2:11 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||||
| 27485 | Daphne | Oram | Nestea | 1962 | fixed media, akusmatisch | 0:33 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||||
| 37910 | Daphne | Oram | Phensic | 1961 | fixed media, akusmatisch | PS Oramics | 0 | ||||||||||||
| 27487 | Daphne | Oram | Pompie Ballet | 1971 | fixed media, akusmatisch | using the Oramic-System | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||||
| 27488 | Daphne | Oram | Power Tools | 1965 | Film | 0:48 | commercial film music | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27489 | Daphne | Oram | Pulse Persephone | 1965 | fixed media, akusmatisch | 4:07 | PD 21 Paradigm Discs/ AUD 04612/ Infiné IF 4002/ | PS Oramics | exhibition "Treasures from the Commenwealth", Burlington House London | 1 | http://daphneoram.org/ | ||||||||
| 27490 | Daphne | Oram | Purple Dust | 1962 | Musiktheater | 6:51 | play by Sean O'Casey, Mermaid Theatre London | PD 21 Paradigm Discs/ | PS Oramics | performance in Canada | 1 | http://daphneoram.org/ | |||||||
| 27491 | Daphne | Oram | Purring Interlude | fixed media, akusmatisch | 0:48 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||||
| 35770 | Daphne | Oram | Rhythmic Variation 1, Electronic Sound Patterns | 1962 | fixed media, akusmatisch | 0:52 | HMV 7EG 8762/ Creel Pone 056/ | 0 | |||||||||||
| 35771 | Daphne | Oram | Rhythmic Variation 2, Electronic Sound Patterns | 1962 | fixed media, akusmatisch | 0:41 | HMV 7EG 8762/ Creel Pone 056/ Infiné IF 4002/ | 0 | |||||||||||
| 27492 | Daphne | Oram | Rockets in Ursa Major | 1962 | intermedia | 28:17 | different versions in 1962 (duration 28:17; 16:09) incidental music for Mermaid Theatre, Prof. Fred Hoyle |
PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27493 | Daphne | Oram | Rotolock | 1967 | Film | 1:32 | commercial film (Rayant Films) | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 27494 | Daphne | Oram | Snow | 1963 | Film | 7:46 | PD 21 Paradigm Discs/ | PS Oramics | British Transport | 1 | http://daphneoram.org/ | ||||||||
| 12418 | Daphne | Oram | Still Point | 1950 | Zuspiel, live-elec, 2 groups | 33:00 | 2 orc [Orchester] | PS Oramics | 0 | http://daphneoram.org/ | |||||||||
| 27495 | Daphne | Oram | Studio Experiment No. 1-5 | fixed media, akusmatisch | 5:00 | PD 21 Paradigm Discs/ | PS Oramics | 0 | http://daphneoram.org/ | ||||||||||
| 27496 | Daphne | Oram | Studio Jinks | fixed media, akusmatisch | 6:08 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||||
| 27499 | Daphne | Oram | The Innocents | 1961 | Film | based on Henry James’ „The turn of the Screw“ | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||||
| 35769 | Daphne | Oram | Three Single Sounds Taken In Canon, Electronic Sound Patterns | 1962 | fixed media, akusmatisch | 1:52 | HMV 7EG 8762/ Creel Pone 056/ | 0 | |||||||||||
| 27497 | Daphne | Oram | Tumblewash | 1962 | Fernsehen, | 2:04 | commercial | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||||
| 12415 | Daphne, Ivor | Oram, Walsworth | Contrasts Essconic | 1963 | Zuspiel / Tonband, 1 perf | 8:15 | Stereo | p [Piano] | version for tape alone and tape with piano (together with Ivor Walsworth) | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | ||||||
| 27486 | Daphne, Ivor | Oram, Walsworth | Passacaglia | 1960 | fixed media, akusmatisch | 4:30 | PD 21 Paradigm Discs/ | PS Oramics | 1 | http://daphneoram.org/ | |||||||||
| 12417 | Daphne, Ivor | Oram, Walsworth | Sardonica | 1972 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | p [Piano] | PS Oramics | 0 | http://daphneoram.org/ | ||||||||
| 12419 | Cecilie | Ore | Circé | 1982 | fixed media, akusmatisch | 16:00 | Quadro | Sweelinck, Sonology Utrecht | 0 | ||||||||||
| 12420 | Cecilie | Ore | Etapper | 1988 | fixed media, akusmatisch | 14:30 | Stereo | ACD 5018 Aurora/ | Høvikodden Oslo, NOTAM | 2nd prize Rostrum 1988; 1st prize Tribune int Stockholm |
1 | ||||||||
| 12421 | Cecilie | Ore | Im - Mobile | 1984 | Fernsehen, | 9:00 | Stereo | 4 parts | Sweelinck | 1 | 1985 1986 | ||||||||
| 21978 | Cecilie | Ore | In Situ | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 12422 | Joaquin | Orellana | Asediado - Asediante | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 12423 | Joaquin | Orellana | Entropé | 1972 | fixed media, akusmatisch | 0 | |||||||||||||
| 12424 | Joaquin | Orellana | Humanofonia, Humanofonia I | 1971 | fixed media, akusmatisch | 11:35 | Tacuabé T/E 4/ | PS C. | 0 | 1984 | |||||||||
| 12425 | Joaquin | Orellana | Imagenes de una historia en rodondo | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 35612 | Joaquin | Orellana | Imposible a la X | 1979 | fixed media, akusmatisch | 18:03 | 0 | ||||||||||||
| 12426 | Joaquin | Orellana | Itero - izul | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 12427 | Joaquin | Orellana | La rueda sinfin de los Katunes | 1984 | Theatermusik | th work by C. M. Corleto | 0 | ||||||||||||
| 12428 | Joaquin | Orellana | Malebolge (Humanofonia II) | 1972 | fixed media, akusmatisch | 0 | |||||||||||||
| 12429 | Joaquin | Orellana | Metéora | 1968 | fixed media, akusmatisch | IDEAMA CD 058/ | 0 | ||||||||||||
| 12430 | Joaquin | Orellana | Primitiva I | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 12431 | Joaquin | Orellana | Rupestre en el futuro | 1979 | fixed media, akusmatisch | 0 | |||||||||||||
| 12432 | Joaquin | Orellana | Sortilegio | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 33715 | Hope | Organ | Sneaky | 1990 | fixed media, akusmatisch | 6:07:00 | from ingreat records | WN 00006/1991/ | 1 | ||||||||||
| 39988 | Konstantina | Orlandatou | Constant Flowing | 2016 | fixed media, akusmatisch | Konstantina Orlandatou | 0 | ||||||||||||
| 12433 | Yann | Orlarey | Bain total | 1985 | fixed media, akusmatisch | 8:00 | GRAME Lyon | 0 | |||||||||||
| 12434 | Yann | Orlarey | Cristal Divisé | 1984 | fixed media, akusmatisch | 6:00 | GRAME Lyon | 0 | |||||||||||
| 12435 | Yann | Orlarey | Déchiffrage | 1985 | live-elec, 1 perf | 8:00 | synt, (interaction) [synthesizer] | GRAME Lyon | 0 | ||||||||||
| 12436 | Yann | Orlarey | Ecriture publique | 1986 | live-elec, | 8:00 | GRAME Lyon | 0 | |||||||||||
| 23383 | Yann | Orlarey | Kahina | 1999 | live-elec, 1 perf | 13:27 | sax [Saxophon] | Daniel Kientzy (sax's) | NMCD 5114/ | GRAME Lyon | 1 | ||||||||
| 12439 | Yann | Orlarey | Proximités | 1986 | live-elec, 1 perf | 8:00 | synt, (com) [synthesizer] | GRAME Lyon | 0 | ||||||||||
| 12440 | Yann | Orlarey | Silice | 1993 | live-elec, 3 perf | 10:00 | ehn, p, sam [Oboe, Piano, computer] | GRAME Lyon | 0 | ||||||||||
| 12437 | Yann, Jérôme | Orlarey, Dorival | Lys Passion | 1995 | Zuspiel / Tonband, 1 group | 18:00 | ens [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 12442 | Yann, Jérôme | Orlarey, Dorival | Voie de sable | 1988 | live-elec, 3 perf | 14:00 | cl, fl, actor (interaction) [Flöte, Klarinette, Schauspieler] | SC 658 CD / Festival FAUST/ | GRAME Lyon | 0 | |||||||||
| 12438 | Yann, Gérard | Orlarey, Levot | Orion, Sextine, Canicula | 1994 | live-elec, 1 perf | 10:00 | V [Stimme] | de Rebec | GRAME Lyon | 0 | |||||||||
| 12441 | Yann, Benoît | Orlarey, Thibergien | Variations pour la robe d'un fauve | 1987 | live-elec, | GRAME Lyon | 0 | ||||||||||||
| 12443 | Dragoslav | Ortakov | Eleorp 76 | 1976 | fixed media, akusmatisch | 6:35 | Stereo | RTB 3130037/ | Radio Beograd | 1 | |||||||||
| 39777 | Federico | Ortica | Jicamo 2.0 | 2017 | fixed media, akusmatisch | Federico Ortica | 0 | ||||||||||||
| 42814 | Federico | Ortica | M. For Tymp | 2012 | live-elec, 1 perf | 7:45:00 | perc (3 timpani) [Schlagzeug] | Laura Mancini, percussion | 0 | ||||||||||
| 39373 | Federico, Luca | Ortica, Truffarelli | Here and through | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 22510 | Gabriela | Ortiz | Five Micro-Etudes | 1992 | fixed media, akusmatisch | 9:40 | LNT113/ IRD 002 Irradia/ | City Uni London | 1 | ||||||||||
| 12444 | Gabriela | Ortiz | Magna Sin | 1992 | Zuspiel / Tonband, 1 perf | steel-drum [Schlagzeug] | 1 | 1994 | |||||||||||
| 23660 | Jesús Manuel | Ortiz | KISH | 2002 | fixed media, akusmatisch | 14:20 | PR 0083-2 SGAE/ | Mention Premio Internacional SGAE 2003 | 1 | ||||||||||
| 28362 | William | Ortiz | Composición electronica | 1978 | fixed media, akusmatisch | 4:40 | 0 | 1984 | |||||||||||
| 18863 | Richard | Ortmann | Flaschenpost | 1991 | fixed media, akusmatisch | 6:38 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records/ | Sound House - Studio, Dortmund | 1 | ||||||||
| 22045 | Richard, Raimund, Ralf R. | Ortmann, Fleiter, Wassermann | Klanglandfschaft Ruhrgebiet | 1999 | radiophon | 3:12 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||||
| 12445 | Richard | Orton | Ambience | 1975 | Zuspiel / Tonband, 1 perf | 10:40 | Stereo | b-trbn [Posaune] | YES, 2-4/ | Uni York | 0 | ||||||||
| 12446 | Richard | Orton | Clock farm | 1973 | fixed media, akusmatisch | YES, 2-4/ | Uni York | 0 | |||||||||||
| 12447 | Richard | Orton | Emergences | 1978 | Zuspiel / Tonband, 4 perf | Sp, fl, vc, p [Sprecher, Flöte, Piano, Cello] | Uni York | 0 | |||||||||||
| 12448 | Richard | Orton | For the Time Being | 1972 | fixed media, akusmatisch | YES, 2-4/ | Uni York | 0 | |||||||||||
| 12449 | Richard | Orton | Kiss | 1968 | fixed media, akusmatisch | YES, 2-4/ | Uni York | 0 | |||||||||||
| 12450 | Richard | Orton | Kiss Combine | 1970 | Zuspiel / Tonband, 4 perf | 4 V [Stimme] | YES, 2-4/ | Uni York | 0 | ||||||||||
| 12451 | Richard | Orton | Timescape | 1984 | Zuspiel / Tonband, 3 perf, 1 group | 60:00 | S, tpt, org, (early-music-) ens [Sopran, Trompete, Orgel, Ensemble] | Uni York | 0 | ||||||||||
| 32776 | Jose Antonio | Orts | Harmoniengang | 2004 | Klangkunst, Installation | Deutscher Klangkunstpreis 2004 in Marl | 0 | ||||||||||||
| 12452 | Jose Antonio | Orts | Luscinia metallica II | 1990 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | sax [Saxophon] | CRM Roma | 0 | |||||||||
| 23197 | Jose Antonio | Orts | Territorio Estelado | 2002 | Klangkunst, Installation | 6 | DAAD 205-1 ISBN 3-89727-259-8/ | Festival Inventionen DAAD/TU 2002 | 28.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 12453 | Jose Antonio | Orts | Viaje | 1987 | fixed media, akusmatisch | 7:58 | Upic | CBA 5 Musica electroacustica española 3/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | |||||||||
| 22409 | José Antonio | Orts | Boreal | 2000 | Performance | 26:13 | Stereo | 22.6.2000 | Inventionen Sophiensäle Berlin | 1 | 2000 | ||||||||
| 22410 | José Antonio | Orts | composición infinita | 2000 | Klangkunst, Installation | ∞ | ed. rz 10013 parallele 13 Inventionen 2000/ | Inventionen 2000 | 21.6.2000 | Inventionen Rathauspassage Berlin | 1 | 2000 | |||||||
| 33145 | Ryszard | Osada | E-motion | 2001 | Zuspiel / Tonband, 2 perf | 9:03 | Stereo | 2 acc [Akkordeon] | for two button accordions and stereo track | WJ 2004/ | 1 | ||||||||
| 33176 | Ryszard | Osada | Mimesis II | 2008 | live-elec, 5 perf | 8:59 | fl, cl, vn, vc, p [Flöte, Klarinette, Piano, Cello, Violine] | for flute, clarinet, violin, cello, piano and electronics | WJ 2008 polmic 046/ | Warsaw Autumn | 1 | ||||||||
| 40136 | Naotoshi | Osaka | Morphing Collage | 2015 | live-elec, 1 perf | 10:47:00 | p (com) [Piano] | Naotoshi Osaka | 0 | ||||||||||
| 26019 | Naotoshi | Osaka | Shizuku no Kuzushi | 1991 | live-elec, 1 perf | 9:12 | vn [Violine] | CMJ Vol 28, 2004/ | 1991 | Xebec Hall in Kobe | ICMC 1993 in Tokyo | 1 | |||||||
| 40145 | Natoshi | Osaka | Hybridization Collage | 2016 | fixed media, akusmatisch | Natoshi Osaka | 0 | ||||||||||||
| 22411 | Ed | Osborn | Elevation | 2001 | Zuspiel / Tonband, 1 perf | 12:00 | 3 tracks | carillon [Keyboard] | PS C., TU Berlin | 15.7.2001 | Carillon im Tiergarten Berlin, Jeff Bossin | 1 | http://roving.net | ||||||
| 26280 | Ed | Osborn | Feldstimmen | 2003 | Klangkunst, Installation | ∞ | 7 tracks | 7 Lautsprecher, CD-Spieler, Verstärker, Fiebrglasstative, Motoren, Schaltsysteme, Kabel | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2003 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | |||||
| 34760 | Ed | Osborn | Flying Machines | 2001 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 3.5.-10.6.2001 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 12454 | Ed | Osborn | Guitar Mechanical | 1990 | fixed media, akusmatisch | 5:47 | made with gui, 2 pickups | ISAST LMJ 1/ | 1 | ||||||||||
| 22412 | Ed | Osborn | Language Master - the early years | 1998 | Performance | 15:38 | Stereo | Konzert Sophiensaele 22.6.2000 | Kiasma 1999/ | 1 | 2000 | ||||||||
| 36391 | Ed | Osborn | Nocturne | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 19074 | Ed | Osborn | Parabolica | 1996 | Klangkunst, Installation | 1:04 | Sonambiente Ausstellung (1996) Katalog S.111 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 22413 | Ed | Osborn | Recoil | 1999 | Klangkunst, Installation | ∞ | ed. rz 10013 parallele 13 Inventionen 2000/ | Inventionen 2000 | 21.6.2000 | Inventionen Haus des Lehrers Berlin | 1 | 2000 | |||||||
| 28222 | Ed | Osborn | Wandering Eye Studies | 2006 | audiovisuell | 47:09 | 1 | 2008 | |||||||||||
| 12455 | Nigel | Osborne | Alba | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 17:00 | Mez, ens [Mezzo, Ensemble] | ERA/ | IRCAM | UE | 0 | ||||||||
| 12456 | Nigel | Osborne | Four Loom Weaver | Oper | UEA Norwich | 0 | |||||||||||||
| 12457 | Nigel | Osborne | Karenza At the Zawn | 1978 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo, Quadro | ob [Oboe] | ExpSt Warsaw | 0 | |||||||||
| 12458 | Nigel | Osborne | Poem without a Hero | 1981 | live-elec, 4 perf | 20:00 | S, Mez, T, B [Sopran, Mezzo, Tenor, Bass] | 0 | |||||||||||
| 12459 | Nigel | Osborne | Sarajevo | 1994 | Oper | UEA Norwich | 0 | ||||||||||||
| 40180 | Paul | Osetinsky | virgo_bozkurt_liljedahl | 2015 | fixed media, akusmatisch | 5:20:00 | Paul Osetinsky | 0 | |||||||||||
| 38629 | Fabrice | OSINSKI | La Tourmente | 2017 | radiophon | 53:00:00 | Prix Phonurgia nova 2017 francophone fictions mention | 0 | |||||||||||
| 12460 | Robert | Osler | Architorture | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 12461 | Robert | Osler | Conversations | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 12462 | Robert | Osler | Music for 2001 (14 parts) | 1987 | fixed media, akusmatisch | Stereo | PS C. | 0 | |||||||||||
| 12463 | Robert | Osler | The Dance of Shiva | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 12464 | Robert | Osler | The Long March | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 12465 | Robert | Osler | Zero Hour Minus Zero | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 12466 | Jasmin | Osmanagic | Cosmological chants, of Pygmies of Equat. Africa | 1986 | Zuspiel / Tonband, 2 perf | 4:00 | Stereo | cl, S [Sopran, Klarinette] | EAR Sarajevo | 0 | |||||||||
| 12467 | Jasmin | Osmanagic | Ejo | 1985 | live-elec, 1 perf, 1 group | 3:00 | Stereo | fem ch, cl [Klarinette, Chor] | EAR Sarajevo | 0 | |||||||||
| 12468 | Jasmin | Osmanagic | Fantasy variation | 1987 | fixed media, akusmatisch | 4:00 | Stereo | EAR Sarajevo | 0 | ||||||||||
| 12469 | Jasmin | Osmanagic | There was a blindman standing in the road | 1988/1989 | fixed media, akusmatisch | 5:00 | Stereo | EAR Sarajevo | 0 | ||||||||||
| 39741 | Douglas | Osmun | soliloquy | 2016 | fixed media, akusmatisch | Douglas Osmun | 0 | ||||||||||||
| 20578 | Roland | Ossart | Poems / Chanson | 1989 | radiophon | Stereo | TAC 071 Toulouse action chanson/ | 0 | |||||||||||
| 12470 | Jens Peter | Ostendorf | Creuser pour bien sortir au soleil | 1979 | live-elec, 6 perf | 6 V [Stimme] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 12471 | Jens Peter | Ostendorf | Seul | 1972 | live-elec, 1 perf | 14:25 | fl [Flöte] | Mars 308115/ | 0 | ||||||||||
| 33460 | Bob | Ostertag | All the Rage | 1992 | Zuspiel / Tonband, 4 perf | 16:17 | str-qt [Streicher] | libretto by Sara Miles; reading by Eric Gupton. Kronos Quartet (D. Harrington, J. Sherba, H. Dutt, J. Jeanrenaud) |
Nonesuch 7559-79332/ | Kronos-qt | Lincoln Center in NYC | 1 | |||||||
| 35798 | Ali | Ostovar | Reflections | 2017 | live-elec, 5 perf | qt (Bansuri, Djoze, Santur, Tombak), elec [Instrument, elektronik] | Masterprojekt | ICEM Essen | 16.2.2017 | Neue Aula Folkwang Uni Essen | 0 | ||||||||
| 19252 | Karel | Ostrcil | Agatha Christie (10. Teil von "Cabinet of Waxen Figures") | 1992 | fixed media, akusmatisch | 7:58 | KO 0004/ | Czech Radio Prague | 0 | ||||||||||
| 24202 | Matthew | Ostrowski | tclinke tcrano | 2001 | fixed media, akusmatisch | 4:12 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 33411 | J. P. | Ostryniec | Prelude | 1965 | fixed media, akusmatisch | 0:35 | Mono | Uni Louisville | 0 | ||||||||||
| 24861 | John | Oswald | 69 plunderphonics 96, plunderphonic | 1996 | fixed media, akusmatisch | SEELAND 515/ | Auszeichnung ars electronica Award of Distinction 2005 | 0 | |||||||||||
| 20579 | John | Oswald | 7th | 1988 | live-elec, | 5:28 | Stereo | MW 60/ | 1 | ||||||||||
| 20580 | John | Oswald | Amina | 1990 | fixed media, akusmatisch | 4:41 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20581 | John | Oswald | Angle | 1990 | fixed media, akusmatisch | 2:35 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 24640 | John | Oswald | aparanthesi A | 2000 - 2003 | fixed media, akusmatisch | 30:00 | Stereo | IMED 0368/ | mLab | Réseaux | 22 March 2003 | Réseaux at the Musée d’art contemporain de Montréal | 0 | ||||||
| 24641 | John | Oswald | aparanthesi B | 2000/2003 | fixed media, akusmatisch | 35:33 | Stereo | IMED 0368/ | mLab | Réseaux and Canada Council | 9.03.2000 | Réseaux Canada | 0 | ||||||
| 20582 | John | Oswald | Beat | 1981 | fixed media, akusmatisch | 3:19 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 12472 | John | Oswald | Bell Speeds | 1990 | fixed media, akusmatisch | 3 | Stereo | bell -Material | IMED 9004/ ReR JOCD/ IMED 9604/ | 1 | |||||||||
| 20583 | John | Oswald | Blur | 1993 | fixed media, akusmatisch | 1:10 | Stereo | AVAN 016/ | 0 | ||||||||||
| 12473 | John | Oswald | Burroughs Tapes | 1974 - 1975 | fixed media, akusmatisch | 9:12 | txtcompo | CSR 0501/ | SFU | 1 | 1986 | ||||||||
| 20584 | John | Oswald | Code | 1988 | fixed media, akusmatisch | 3:19 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20585 | John | Oswald | Compact | 1993 | fixed media, akusmatisch | 1:39 | Stereo | AVAN 016/ | 0 | ||||||||||
| 20586 | John | Oswald | Cyfer | 1993 | fixed media, akusmatisch | 1:44 | Stereo | AVAN 016/ | 0 | ||||||||||
| 20587 | John | Oswald | Fence | 1991 | fixed media, akusmatisch | 13:00 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20588 | John | Oswald | Love 1 | 1987 | fixed media, akusmatisch | 1:07 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20589 | John | Oswald | Mad Mod | 1993 | fixed media, akusmatisch | 1:27 | Stereo | AVAN 016/ | 0 | ||||||||||
| 20590 | John | Oswald | Manifold | 1993 | fixed media, akusmatisch | 2:14 | Stereo | AVAN 016/ | 0 | ||||||||||
| 20591 | John | Oswald | Massive | 1993 | fixed media, akusmatisch | 2:13 | Stereo | AVAN 016/ | 0 | ||||||||||
| 20592 | John | Oswald | Melody | 1987 | fixed media, akusmatisch | 2:35 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20593 | John | Oswald | More from the Case of Death | 1991 | fixed media, akusmatisch | 4:00 | Stereo | MW 60/ | 0 | ||||||||||
| 20594 | John | Oswald | Nothing | 1989 | fixed media, akusmatisch | 2:26 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20595 | John | Oswald | Open | 1993 | fixed media, akusmatisch | 1:21 | Stereo | AVAN 016/ | 0 | ||||||||||
| 12474 | John | Oswald | Parade, (in Anlehnung an Satie) | 1986 | Zuspiel/Tonband, 4 perf | Tanz |
11:08 | Stereo | Kbd, gui, sam, sax [Saxophon, Keyboard, Gitarre, computer] | ReR CMCD/ | Dance St Vancouver | 1 | ||||||||
| 20596 | John | Oswald | Power | 1975 | fixed media, akusmatisch | 3:30 | Stereo | MW 60/ | 1 | ||||||||||
| 20597 | John | Oswald | Prey | 1986 | fixed media, akusmatisch | 10:10 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20598 | John | Oswald | Shane | 1987 | fixed media, akusmatisch | 3:23 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20599 | John | Oswald | Skindling Shadées | 1989 | fixed media, akusmatisch | 5:00 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20600 | John | Oswald | Soine | 1988 | fixed media, akusmatisch | Stereo | ReR JOCD/ | 0 | |||||||||||
| 20601 | John | Oswald | Temperature | 1993 | fixed media, akusmatisch | 1:47 | Stereo | AVAN 016/ | 0 | ||||||||||
| 20602 | John | Oswald | The Case of Death | 1991 | fixed media, akusmatisch | 9:20 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20603 | John | Oswald | Urge | 1993 | fixed media, akusmatisch | 1:46 | Stereo | AVAN 016/ | 0 | ||||||||||
| 20604 | John | Oswald | Velocity | 1993 | fixed media, akusmatisch | 1:11 | Stereo | AVAN 016/ | 0 | ||||||||||
| 40879 | John | Oswald | Vertical Time | 1973 | fixed media, akusmatisch | 10 | SR 300 sub rosa/ | 0 | |||||||||||
| 20605 | John | Oswald | VT | 1973 | fixed media, akusmatisch | 0:20 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 20606 | John | Oswald | Worse | 1993 | fixed media, akusmatisch | 1:17 | Stereo | AVAN 016/ | 0 | ||||||||||
| 20607 | John | Oswald | Zoom | 1993 | fixed media, akusmatisch | 1:20 | Stereo | AVAN 016/ | 0 | ||||||||||
| 33712 | John, Group | Oswald, Mystery Laboratory | Excerpt From V. T. | audiovisuell | 1:11:00 | WN 00006/1991/ | 1 | ||||||||||||
| 20799 | John, Holly | Oswald, Small | Short Attack | 1990 | fixed media, akusmatisch | 2:05 | Stereo | ReR JOCD/ | 0 | ||||||||||
| 40330 | Yasuhiro | Otani | Reverie | 2016 | fixed media, akusmatisch | Yasuhiro Otani | 0 | ||||||||||||
| 35733 | Reyes | Oteo | Canción n 3; Pudor | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 19687 | Francisco | Otero | Mito, Delirio y Desmembración de una Milonga | 1992 | Zuspiel / Tonband, 1 perf | Stereo | gui [Gitarre] | LIEM CDMC Madrid | 0 | ||||||||||
| 19142 | Yasuhiro | Othani | Trample under-Subconscious | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 0 | ||||||||||||
| 41742 | Felipe | Otondo | Ciguri | 2008 | fixed media, akusmatisch | 10:41 | SCD 28070 Sargasso/ | Uni Lancaster | first prize in the 2008 Città di Udine second prize in the CEMVA composition competition in Brazil |
0 | |||||||||
| 24047 | Felipe | Otondo | Constelaciones 1 | 2003 | fixed media, akusmatisch | 2:50 | Octubre 2003. Festival Ai-Maako. Santiago, Chile. | 0 | |||||||||||
| 24045 | Felipe | Otondo | Guitar ex Machina | 2001 | Zuspiel / Tonband, 1 perf | 7:25 | gui [Gitarre] | 09.2001 | Tercer Festival Internacional de Performance, Odense, Denmark | 0 | |||||||||
| 24046 | Felipe | Otondo | Impermanencias 1 | 2001 | live-elec, 1 perf | 7:00 | vc [Cello] | Julio 2001. Conservatorio de Fiona. Odense, Dinamarca. | 0 | ||||||||||
| 41740 | Felipe | Otondo | Irama | 2012 | fixed media, akusmatisch | 9:33 | SCD 28070 Sargasso/ | Uni Lancaster, INA • GRM | first prize at the 2012 Quartz Radio France International competition represent the United Kingdom at the 2014 ISCM World Music Days in Wroclaw, Poland. |
0 | |||||||||
| 24043 | Felipe | Otondo | Jojo (el sueño de jojo) | 1998 | fixed media, akusmatisch | 3:00 | Noviembre 1998. Sala Goethe, Santiago. VIII Festival de Música contemporánea. | 0 | |||||||||||
| 24052 | Felipe | Otondo | Lydbillede (imagen sonora) | 2004 | Klangkunst, Installation | ≈ 50:00 | Instalación de arte generativo realizada como colaboración con dos artistas daneses que realizaron el diseño visual y la implementación en el recinto. Octubre de 2004, Copenhagen Project Room |
0 | |||||||||||
| 39779 | Felipe | Otondo | Night Study 1 | 2015 | fixed media, akusmatisch | 9:59:00 | Felipe Otondo | SCD 28082 Sargasso/ | 0 | ||||||||||
| 39778 | Felipe | Otondo | Night Study 2 | 2016 | fixed media, akusmatisch | 9:44 | Felipe Otondo | SCD 28082 Sargasso/ | 0 | ||||||||||
| 39375 | Felipe | Otondo | Night study 3 | 2017 | fixed media, akusmatisch | 8:56 | SCD 28082 Sargasso/ | 0 | |||||||||||
| 24048 | Felipe | Otondo | Objetos Encontrados | 2003 | fixed media, akusmatisch | 5:10 | Noviembre 2003 | DIEM Aarhus | 0 | ||||||||||
| 24044 | Felipe | Otondo | Pájaros en una jaula llena de sonido | 1999 | fixed media, akusmatisch | 5:35 | Agosto 1999. Luxus Art Festival, Aarhus, Dinamarca. | 0 | |||||||||||
| 24049 | Felipe | Otondo | Pi | audiovisuell | 22:00 | Realizada para el video "I DO YES WHEN I THINK NO" de Maritxu Otondo. | 0 | ||||||||||||
| 41743 | Felipe | Otondo | Sarnaht | 2009 | fixed media, akusmatisch | 9:33 | SCD 28070 Sargasso/ | Uni Lancaster | 0 | ||||||||||
| 41741 | Felipe | Otondo | Teocalli | 2009 | fixed media, akusmatisch | 9:19 | SCD 28070 Sargasso/ | Uni Lancaster | 0 | ||||||||||
| 24050 | Felipe | Otondo | Trama | live-elec, 1 perf | 5:00 | cl [Klarinette] | Encargada por el grupo danés "Moose Matrix" y dedicada al compositor Anders Brødsgaard. | 0 | |||||||||||
| 24053 | Felipe | Otondo | Tres estratégias diagonales para una instalación sonora | 2004 | Klangkunst, Installation | ≈ 70:00 | Instalación realizada en conjunto con el arquitecto Jorge Soto utilizando cuatro canales independientes de sonido para dos recintos acoplados de la galeria. Junio de 2004, Galeria Pi, Copenhagen |
0 | |||||||||||
| 24051 | Felipe | Otondo | Zapping Zappa | 2004 | fixed media, akusmatisch | 7:00 | Octubre 2004. Festival Ai-Maako. Santiago, Chile. omage à Frank Zappa |
Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 28574 | Daniel | Ott | Blick Richtung Süden | 2009 | Klanginstallation, 7 perf | 2:41 | 5 tpt, 2 trbn [Trompete, Posaune] | Für den Bereich des Denkmals für L. Berger auf Hohenstein (Witten) | WD 2009, Wittener Tage Für Neue Kammermusik 2009/ | Kompositionsauftrag der Stadt Witten und Pro Helvetia und Kunststiftung NRW | 2009 | Wittener Tage für neue Kammermusik 2009 mit L. Starke, Ph. Euen, S. Mitschke, A. Marino, R. W. Kopp (tpt), M. Langert, J. Ph. Walter (trbn), E. Stolzenberg (Regie), W. Kleiner (Elektronik) | 1 | ||||||
| 35289 | Daniel | Ott | Klangkörperklang | 2000 | Klangkunst, Installation | MGB 6190/ | 2000 | Expo 2000 Hannover. Anna Clementi, Stimme, Co Streiff, Altsaxophon, Wu Wei, Sheng, Ruedi Häusermann, Klarinette, Flöte, Hans Koch, Bassklarinette, Rico Gubler, Sopransaxophon, Peter Schärli, Trompete, Marc Ramser, Hackbrett, Vladimir Blagojevic, Akkordeon, Goran Kovacevic, Akkordeon u.a. |
0 | https://www.musiques-suisses.ch/de/Daniel-Ott-klangkoerperklang/zum-Klangkoerper-von-Peter-Zumthor/id/389 | |||||||||
| 28406 | Julien | Ottavi | voix imprrsonel | 2005 | Performance | 7:56 | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | |||||||||||
| 12475 | Hans | Otte | Arbeit | 1974 | Theater, live-elec, 3 perf | 3 V, (record-play-system) [Stimme] | 0 | ||||||||||||
| 12476 | Hans | Otte | Atem | 1972 | Klangkunst, Installation | Klangobjekt | 0 | ||||||||||||
| 12477 | Hans | Otte | Biographie | 1975 | radiophon | Klangroman für Klavier und konkrete Klänge | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 12478 | Hans | Otte | Biographie | 1979 | Zuspiel / Tonband, 1 perf | org [Orgel] | 0 | ||||||||||||
| 12479 | Hans | Otte | Das Lied der Welt | 1986 | live-elec, 10 groups | 5 ch, 5 ch [Chor] | in 10 countries, communication over the radio network | 0 | |||||||||||
| 12480 | Hans | Otte | Déjà vue | 1971 | intermedia, live-elec, 1 perf | ∞ | V [Stimme] | 0 | |||||||||||
| 12481 | Hans | Otte | face a face | 1965 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 12482 | Hans | Otte | Großes Sound Light- Enviroment | 1972 | Klangkunst, Installation | Auf- und Abbau von Interferenzschwingungen, spatialization, durch Lichtwege gekennzeichnet | 0 | ||||||||||||
| 12483 | Hans | Otte | Himmelsklavier | 1984/1989 | Klangkunst, Installation | Raum-Klaviatur | 0 | ||||||||||||
| 12484 | Hans | Otte | Hoch Ton Raum | 1988 | intermedia | Raum der hörbaren und unhörbaren Klänge | 0 | ||||||||||||
| 12485 | Hans | Otte | ich | 1972 | Klangkunst, Installation | Klang-, Bildinstallation | 0 | ||||||||||||
| 12486 | Hans | Otte | Im Garten der Klänge | 1992/1993 | Theatermusik | ein Th der Stimmen und neuen Technologien | 0 | ||||||||||||
| 12487 | Hans | Otte | Intervall Ton Raum | 1991 | Klangkunst, Installation | im Raum wandernde musikalische Intervalle | 0 | ||||||||||||
| 12488 | Hans | Otte | Klang Haus | 1989/1991 | Klangkunst, Installation | Museum Weserburg, Bremen | 0 | ||||||||||||
| 12489 | Hans | Otte | Klang-Container Paris | 1985 | intermedia | Allintervallklangraum | 0 | ||||||||||||
| 12490 | Hans | Otte | Körpermusik | 1974 | Theater, live-elec, 3 perf | 2 fem V, Kbd [Stimme, Keyboard] | 0 | ||||||||||||
| 12491 | Hans | Otte | Lotus | 1989 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 12492 | Hans | Otte | Natur Ton Raum | 1987 | intermedia | 0 | |||||||||||||
| 12494 | Hans | Otte | On earth | 1978 | Theater, 2 perf | 2 actor [Schauspieler] | Th für ein Publikum in einer LS-landschaft elec Klänge, begleitet von Texten durch 2 actors | 0 | |||||||||||
| 12495 | Hans | Otte | Orient: Occident | 1978 | Zuspiel / Tonband, 2 perf | 2 ww [Bläser] | 0 | ||||||||||||
| 22686 | Hans | Otte | Raum, Komposition für vokale, instrumentale und elektronische Klänge | 1993/1994 | fixed media, akusmatisch | 59:10 | Octo | Radio Bremen | Inventionen'94 | 22.1.1994 | Inventionen Akademie der Künste Berlin, Hans Otte (Stimme, Keyboard, Raumklaviatur), Andreas Heintzeler (Ton) | 1 | 1994 | ||||||
| 12496 | Hans | Otte | Rausch Raum | 1992 | intermedia | Klangstraße aus acht Hoch- und Tieftonlautsprechern | DIEM Aarhus | 0 | |||||||||||
| 12497 | Hans | Otte | Reflexe | 1973/1974 | Klangkunst, Installation | Klanglichtraum | 0 | ||||||||||||
| 12498 | Hans | Otte | Schrift | 1975 | Zuspiel/Tonband, 2 perf, 4 groups | intermedia |
4 ch, org, Sp [Sprecher, Orgel, Chor] | slides; vier 10-stimmige Chöre | 0 | |||||||||||
| 12499 | Hans | Otte | Show down | 1976 | Theater, 4 perf | 4 actor [Schauspieler] | Th in 12 Bildern | 0 | |||||||||||
| 12500 | Hans | Otte | singular:plural | 1975 | Klanginstallation, live-elec, 1 perf | 16 Tracks | e-p [Piano] | Lautsprecherlandschaft | 0 | ||||||||||
| 12501 | Hans | Otte | sonarium | 1979 | intermedia | Klanggalerie | 0 | ||||||||||||
| 12502 | Hans | Otte | soundings | 1978 | Klangkunst, Installation | 0 | |||||||||||||
| 12503 | Hans | Otte | Text Klang Tafeln | 1987/1991 | intermedia | 0 | |||||||||||||
| 12504 | Hans | Otte | voicing | 1988 | radiophon | 0 | |||||||||||||
| 22028 | Hans | Otte | Voicings | radiophon | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||||||
| 12505 | Hans | Otte | vox | 1976 | Zuspiel, Performance, 1 perf | perf [Performer] | elektronische live-performance | 0 | |||||||||||
| 12506 | Hans | Otte | What's the Difference between You and Me | 1977 | Theatermusik | intermedia |
2 actor [Schauspieler] | slides | 0 | |||||||||||
| 18961 | Rolf den, Othmar | Otter, Schimmel | V = S / t | 1995 | Klangkunst, Installation | 5:25 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | Utrecht | 1 | |||||||||
| 30540 | Andreas | Otto | Bassbestie’s Blässe, Springintgut Remix | 2008 | live-elec, 2 perf | 4:22 | acc, vc [Akkordeon, Cello] | 0 | |||||||||||
| 34461 | Peter | Otto | Brown Rice | 1982 | fixed media, akusmatisch | 8:10 | Quadro | Buchla 200 | CalArts | 0 | |||||||||
| 20608 | Louis | Ouellet | Four ON/OFF Cut | 1989/1992 | Zuspiel / Tonband, 1 group | 3:43 | Stereo | ens [Ensemble] | OBZ 001/ | 0 | |||||||||
| 43143 | Group, Markus | Oval, Popp | Ovalprocess | 2001 | Klangkunst, Installation | Auszeichnung ars electronica Award of Distinction 2001 | 0 | ||||||||||||
| 33696 | Group, Markus | Oval, Popp | systemisch, Textuell Aero Deck The Politics of Digital Audio Schöner Wissen Catchy Daad Mediation Tonregie Oval Office Compact Disc Post-Post Gabba Nation |
1994 | fixed media, akusmatisch | 59 | glitch | thrill 032/ MP CD 9/ | 1 | ||||||||||
| 23384 | Fran | Overbury | No wonder cassettes came out (four Generations) | 2002 | fixed media, akusmatisch | 5:59 | ARiADA 2003/ | UEA Norwich | 0 | ||||||||||
| 12507 | Laura | Owens | Omen | 1973/1974 | Zuspiel / Tonband, 1 group | Quadro | ch [Chor] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 20610 | Jacqueline | Ozanne | Après la pluie | fixed media, akusmatisch | 2:40 | Stereo | st. Ligys | 0 | |||||||||||
| 20611 | Jacqueline | Ozanne | Au grand large | fixed media, akusmatisch | 3:45 | Stereo | st. Ligys | 0 | |||||||||||
| 20612 | Jacqueline | Ozanne | Avec l'aube | Tanz | 12:00 | Stereo | st. Ligys | 0 | |||||||||||
| 20613 | Jacqueline | Ozanne | Chemin de pierre et de fer | 1996 | fixed media, akusmatisch | 40:40 | Stereo | st. Ligys | 0 | ||||||||||
| 20614 | Jacqueline | Ozanne | Dedans de haut en 3 tableaux | fixed media, akusmatisch | 21:00 | Stereo | st. Ligys | 0 | |||||||||||
| 20615 | Jacqueline | Ozanne | Esquisses sonores | Klangkunst, Installation | 18:30 | Stereo | st. Ligys | 0 | |||||||||||
| 18973 | Group, Stefan, Roger, Ewald, Ralf | P16.D4, Schmidt, Schönauer, Weber, Wehowsky | ACRID ACME (Section1 — Section 4), P16.D4 | 1989 | fixed media, akusmatisch | 61:00 | Stefan Schmidt, Roger Schönauer, Ewald Weber, Ralf Wehowsky | SCD002 Selektion/ | FTF Frankfurt | 0 | |||||||||
| 22774 | Group, Stefan, Roger, Ewald, Ralf | P16.D4, Schmidt, Schönauer, Weber, Wehowsky | diamat Kühe Aufmarsch svenska förtaxing Kryptogramme |
fixed media, akusmatisch | Stefan Schmidt, Roger Schönauer, Ewald Weber, Ralf Wehowsky | 0 | |||||||||||||
| 12508 | Seppo | Paakunainen | Whale Conphony | Zuspiel / Tonband, | Yleisradio | 0 | |||||||||||||
| 24425 | Impio | Paavo | Holter Holter | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 12509 | Luis de | Pablo | A través de San Sebastián | 1959 | Film | 10:00 | Mono | PS C. | 0 | ||||||||||
| 12510 | Luis de | Pablo | Chaman | 1976 | fixed media, akusmatisch | Hispavox 130 302/ | McGill Montréal | 0 | |||||||||||
| 12511 | Luis de | Pablo | El Sonido d la Muerte | 1965 | Film | 40:00 | Mono | PS C. | 0 | ||||||||||
| 12512 | Luis de | Pablo | Espacio dos | 1962 | Film | 10:00 | Mono | PS C. | 0 | ||||||||||
| 12513 | Luis de | Pablo | Je mange, tu manges | 1972 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 12514 | Luis de | Pablo | Mitologia #1 | 1965 | Film | 15:00 | Mono | PS C. | 0 | ||||||||||
| 12515 | Luis de | Pablo | Operación "H" | 1962 | Film | 10:00 | Mono | PS C. | 0 | ||||||||||
| 12516 | Luis de | Pablo | Pasajes, tres | 1961 | Film | 10:00 | Mono | PS C. | 0 | ||||||||||
| 12517 | Luis de | Pablo | Por diversos motivos | 1969 | Zuspiel / Tonband, 1 group | 30:00 | orc [Orchester] | ALEA Madrid | 0 | ||||||||||
| 12518 | Luis de | Pablo | Riotinto | 1962 | Film | 10:00 | Mono | PS C. | 0 | ||||||||||
| 12519 | Luis de | Pablo | Soledad interrumpida | 1971 | Zuspiel, live-elec, 1 perf | 24:00 | synt [synthesizer] | VCS-3 | ALEA Madrid | 0 | |||||||||
| 12520 | Luis de | Pablo | Tamaño natural | 1970 | fixed media, akusmatisch | 40:00 | ALEA Madrid | 0 | |||||||||||
| 12521 | Luis de | Pablo | Tornasol | 1982 | Zuspiel / Tonband, 1 group | 17:00 | ens [Ensemble] | IRCAM | Suvini Zerboni | 0 | |||||||||
| 12522 | Luis de | Pablo | We | 1970/1984 | fixed media, akusmatisch | 36:14 | Hispavox LP/ Creel Pone 35/ polydor 2310117/ | ALEA Madrid, GME Cuenca | 0 | ||||||||||
| 12523 | Angelo | Paccagnini | Actuelles | 1968 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 12524 | Angelo | Paccagnini | Aforismo | 1990 | live-elec, 2 perf | ≈ 9:00 | gui, e-mus [Gitarre, Musiker] | Gitana; Fandango; Canto Hondo; Serenata | LIM Milano | 0 | |||||||||
| 12525 | Angelo | Paccagnini | Agnus Dei | 1990 | live-elec, 1 perf | 4:00 | V [Stimme] | LIM Milano | 0 | ||||||||||
| 12526 | Angelo | Paccagnini | Bivio | 1968 | Zuspiel / Tonband, 2 perf | 13:00 | Quadro | 2 V [Stimme] | letture nello spazio | Fonologia Milano | 0 | ||||||||
| 12527 | Angelo | Paccagnini | Cantiga 1 | 1989 | live-elec, 1 perf | 4:40 | fem V [Stimme] | LIM Milano | 0 | ||||||||||
| 12528 | Angelo | Paccagnini | Dolce ombra | 1990 | live-elec, | 4:30 | LIM Milano | 0 | |||||||||||
| 12530 | Angelo | Paccagnini | E ' L ' Ora | 1970 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 12529 | Angelo | Paccagnini | E il ricercar mi è dolce | 1990 | live-elec, | LIM Milano | 0 | ||||||||||||
| 12531 | Angelo | Paccagnini | Flou | 1972 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 12532 | Angelo | Paccagnini | Flou IX | 1990 | live-elec, 1 perf | 9:00 | ob [Oboe] | A la dolce ombra …; Fresco, ombroso …; Quel rosignuol… | LIM Milano | 0 | |||||||||
| 12533 | Angelo | Paccagnini | Frasi | 1990 | live-elec, | LIM Milano | 0 | ||||||||||||
| 12534 | Angelo | Paccagnini | In questo spazio | 1990 | live-elec, | LIM Milano | 0 | ||||||||||||
| 12535 | Angelo | Paccagnini | La fame | 1969 | fixed media, akusmatisch | 7:35 | Stereo | Fonologia Milano | 0 | ||||||||||
| 12536 | Angelo | Paccagnini | La misura il mistero | 1970 | Oper, 1 perf, 3 groups | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 12537 | Angelo | Paccagnini | La nascita | 1969 | fixed media, akusmatisch | non-existent | Fonologia Milano | 0 | |||||||||||
| 12538 | Angelo | Paccagnini | La svolta pericolosa | Fernsehen, | Fonologia Milano | 0 | |||||||||||||
| 12539 | Angelo | Paccagnini | lo e il mondo | Fernsehen, | Fonologia Milano | 0 | |||||||||||||
| 12540 | Angelo | Paccagnini | Mosè | 1963 | Oper | radiophon |
Vs, ch, orc [Stimme, Chor, Orchester] | RAI Milano | 0 | |||||||||||
| 12541 | Angelo | Paccagnini | Musica de cantar | 1989 | live-elec, 1 perf | 7:00 | V [Stimme] | LIM Milano | 0 | ||||||||||
| 12542 | Angelo | Paccagnini | Partner | 1969 | Zuspiel / Tonband, 1 perf | 12:50 | Quadro | V [Stimme] | Fonologia Milano | 0 | |||||||||
| 12543 | Angelo | Paccagnini | Quattro liriche | 1989 | live-elec, 1 perf | 9:00 | V, (elec mus) [Stimme] | LIM Milano | 0 | ||||||||||
| 12544 | Angelo | Paccagnini | Ringelchen | 1987 | live-elec, 5 perf | 10:00 | ob, fl, bn, cl, hn [Flöte, Klarinette, Oboe, Fagott, Horn] | also version with elec sol | LIM Milano | 0 | |||||||||
| 12545 | Angelo | Paccagnini | Sequenze e strutture | 1961 | fixed media, akusmatisch | 7:00 | Quadro | Fonologia Milano | 0 | ||||||||||
| 12546 | Angelo | Paccagnini | Serenata a Carla #1 - #3 | 1990 | live-elec, | LIM Milano | 0 | ||||||||||||
| 12547 | Angelo | Paccagnini | Serenata a Elena #1 - #3 | 1990 | live-elec, | LIM Milano | 0 | ||||||||||||
| 12548 | Angelo | Paccagnini | Stimmen | 1970 | fixed media, akusmatisch | 2. version | Fonologia Milano | 0 | |||||||||||
| 24145 | Paolo | Pachini | Due Inverni Identici | 1998 | Zuspiel, live-elec, 9 perf | 9:00 | p, b-fl, vc, proc vn, va, vc, b-fl, vib, p [Flöte, Piano, Schlagzeug, Viola, Cello, Violine] | Tempo Reale Firenze | 1 | ||||||||||
| 12549 | Roberto | Paci Daló | Auroras | 1993 | Oper, live-elec, 7 perf | 42:00 | Octo | 3 actor, 2 Sp, acc, db [Sprecher, Akkordeon, Kontrabass, Schauspieler] | STEIM, TU Berlin | Festival Inventionen DAAD/TU, Hebbel | 4.02.1994 | Inventionen Hebbeltheater Berlin | 1 | 1994 | |||||
| 12550 | Roberto | Paci Daló | Dancing | 1993 | Zuspiel / Tonband, 2 perf | cl, V [Stimme, Klarinette] | 0 | ||||||||||||
| 12551 | Roberto | Paci Daló | del disorientamento: Wien | 1992 | Zuspiel / Tonband, 1 perf | 50:00 | cl [Klarinette] | 0 | |||||||||||
| 18864 | Roberto | Paci Daló | Napoli acoustical portrait of the city |
1993 | radiophon | 29:08 | L'Alfabeto Urbano / Giardini Pensili – AUGP 001/ | ORF Kunstradio, TU Berlin | 1 | ||||||||||
| 19083 | Roberto | Paci Daló | Oz | 1996 | Klangkunst, Installation | 0:40 | Sonambiente Ausstellung (1996); SFB Klanggalerie Katalog S.113 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 18988 | Roberto | Paci Dalò | La Lunga Notte | 1993 | radiophon | 31:11 | Tele-Concert between Rimini, Innsbruck, Jerusalem, Köln | EBU 1994/ | Rai, ORF Kunstradio, ECI Köln, KOL | EBU Ars Acustica 1994 | 1 | ||||||||
| 12552 | Roberto, Isabella | Paci Daló, Bordoni | La natura ama nascondersi | 1992 | fixed media, akusmatisch | 10:20 | 0 | ||||||||||||
| 21998 | Roberto, Isabella | Paci Daló, Bordoni | many many voices | 1995 | radiophon | 60:00 | edel 0014512 TLR, the listening room/ | Radio SFB, ORF Kunstradio, RNE, Yleisradio, TU Berlin | 1 | ||||||||||
| 35391 | Irene | Pacini | Fragile Butterfly | 2014 | fixed media, akusmatisch | 11:45:00 | Stereo | MR 2014 Métamorphoses 2014/ | 0 | ||||||||||
| 22296 | Giles | Packham | 7 | 2000 | fixed media, akusmatisch | 6:46 | Excerpt from multimedia piece 1:27 | SIDO 010/ | 1 | ||||||||||
| 12553 | Else Marie | Pade | Afsnit I — III | 1960 | Zuspiel / Tonband, 4 perf | 14:04 | Stereo | vn, 3 mus [Violine, Musiker] | LJUD 006 CD1 n©b/ | Dansk Radio | 1 | ||||||||
| 12554 | Else Marie | Pade | Den fortabte søn | 1959 | Theatermusik | 15:00 | Mono | Dansk Radio | 0 | ||||||||||
| 12555 | Else Marie | Pade | Den lille havfrue | 1957 | radiophon | 42:40 | Mono | english version 1958 | Dansk Radio | 0 | |||||||||
| 12556 | Else Marie | Pade | En dag på Dyrehavsbakken | 1955 | Fernsehen, | 30:00 | Mono | Dansk Radio | 0 | ||||||||||
| 12557 | Else Marie | Pade | Etude I | 1961 | fixed media, akusmatisch | 5:33 | Mono | LJUD 006 CD1 n©b/ | Dansk Radio | 1 | |||||||||
| 12558 | Else Marie | Pade | Faust | 1962 | radiophon | 42:00 | Mono | Dansk Radio | 0 | ||||||||||
| 12559 | Else Marie | Pade | Glasperlespil I | 1958 | fixed media, akusmatisch | 14:00 | Stereo | IDEAMA CD 099/ | Dansk Radio | 0 | |||||||||
| 33881 | Else Marie | Pade | Glasperlespil I | 1958 | fixed media, akusmatisch | 8:06 | Stereo | IDEAMA CD 099/ | Dansk Radio | 0 | |||||||||
| 12560 | Else Marie | Pade | Grœsstrået | 1965 | Fernsehen, | Tanz |
23:50 | Mono | Dansk Radio | 0 | ||||||||||
| 12561 | Else Marie | Pade | Lys og lyd | 1959 | fixed media, akusmatisch | intermedia |
4:35 | Stereo | with light & sound (light-organ) | Dansk Radio | 0 | |||||||||
| 12562 | Else Marie | Pade | Seks eventyr for børn | 1956 | radiophon | 6 * 20:00 | Mono | Dansk Radio | 0 | ||||||||||
| 12563 | Else Marie | Pade | Suite from "Faust" | 1962 | fixed media, akusmatisch | 36:00 | Stereo | Dansk Radio | 0 | ||||||||||
| 12564 | Else Marie | Pade | Symphonie magnetophonique | 1958 | fixed media, akusmatisch | 19:25 | Mono | Dansk Radio | 0 | ||||||||||
| 12565 | Else Marie | Pade | Syv cirkler | 1958 | fixed media, akusmatisch | 7:00 | Mono, Stereo | Infiné IF 4002/ SR 290 sub rosa/ | Dansk Radio | 0 | |||||||||
| 12566 | Else Marie | Pade | Vikingerne | 1961 | fixed media, akusmatisch | 14:05 | Mono | Dansk Radio | 0 | ||||||||||
| 36700 | Abril | Padilla | Feu de voix | 2006 | fixed media, akusmatisch | 12:00 | elek 002/ | 0 | |||||||||||
| 35845 | Abril | Padilla | Grimja | 2011 | fixed media, akusmatisch | 10:15 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 12567 | Juan | Pagán | Red and white | 1986 | fixed media, akusmatisch | 11:05 | CBA 5 Musica electroacustica española 1/ | Uni BC Victoria | 1 | ||||||||||
| 42813 | Timothy | Page | Toccata for Halldorophone, Clarinet, and Electronics | 2012 | live-elec, 1 perf | 9:45:00 | vc [Cello] | Alex Yu, clarinet; Andrew Borkowski, cello | 0 | ||||||||||
| 12568 | Younghi | Pagh-Paan | Ta-Ryung | 1988 | Zuspiel / Tonband, 1 group | 16:00 | ens [Ensemble] | IRCAM | Ricordi | 0 | |||||||||
| 23198 | Younghi | Pagh-Paan | Tsi-Shin-Kut | 1991 - 1994 | Zuspiel / Tonband, 4 perf | 19:18 | Quadro, Stereo | 4 perc [Schlagzeug] | für vier Schlagzeuger und elektronische Klänge | MdZ CD2/ WJ 2006 polmic 026/ | WDR SEM | WDR 1994 | 9.6.1994 | Köln | 1 | ||||
| 27848 | Lorenzo | Pagliei | Ak- | 2007 | live-elec, 1 perf | vc [Cello] | CRFMW Liège | 24.11.2007 | Liège, Festival Images sonores | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 42349 | Lorenzo | Pagliei | L’Aleph | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 26020 | Sun-Young | Pahg | d'en arrière | 2003 | fixed media, akusmatisch | 14:00 | Octo | 1 | |||||||||||
| 26021 | Sun-Young | Pahg | la bouteille qui rit | 2003 | Zuspiel, live-elec, 5 perf | 26:10 | Stereo | ob, db, acc, perc, p [Oboe, Piano, Akkordeon, Schlagzeug, Kontrabass] | SeaM Weimar | 1 | |||||||||
| 26022 | Sun-Young | Pahg | Madang | 2004 | Zuspiel, live-elec, 1 perf | 22:41 | 5 tracks | db-cl [Klarinette] | Wolfgang Stryi (cl) | TU Berlin | Ultraschall 2005 | 18.1.2005 | Sophiensäle Berlin | 1 | |||||
| 23544 | Sun-Young | Pahg | Objektimprovisationen | 2004 | audiovisuell, | 30:10 | Octo | für 3 Videoprojektionen und 8-Kanalzuspielung. Bilder von Carola Dinges. | SEAM Weimar | 1 | |||||||||
| 23199 | Sun-Young | Pahg | Relief Oktett | 2002 | fixed media, akusmatisch | 13:40 | Octo | SEAM Weimar | 1 | ||||||||||
| 12569 | Nam June | Paik | Etude for pianoforte | 1960 | Musiktheater, 1 perf | 15:00 | Mono + Mono + Mono | p [Piano] | 0 | ||||||||||
| 12570 | Nam June | Paik | hommage à john cage | 1959 | Zuspiel/Tonband, 2 perf | Musiktheater |
0:30 | Mono + Mono + Mono | 2 p [Piano] | SR 190 sub rosa/ | 0 | |||||||||
| 19046 | Nam June | Paik | Requiem for Turkish Soldiers Who Died In The Korean War | 1996 | Klangkunst, Installation | 0:43 | Sonambiente Ausstellung (1996) Katalog S.115 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 12571 | Nam June | Paik | Simple | 1961 | Musiktheater | 0:15 | Mono + Mono | for "Originale" by Stockhausen | 0 | ||||||||||
| 12572 | David | Paillet | Etude No. 1 | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 34368 | Gabriel | Paiuk | Greifen | 2014 | live-elec, 1 perf | 14:55 | vn [Violine] | Post Scriptum PS 001/ | Sonology Den Haag | STEIM in Amsterdam and the Performing Arts Fund NL | 0 | ||||||||
| 42530 | Pedro | Paiva | Ohmnipresence | 2007 | fixed media, akusmatisch | 5th Black&White Audiovisual Festival 2–5 April, 2008 Awards (Portugal) | 0 | http://artes.ucp.pt/b&w/2008/index.html | |||||||||||
| 19307 | Fernando | Palacios | Big Piña | 1988 | fixed media, akusmatisch | 8:01 | Ausschnitt | música electroacústica española 1/ | GME Cuenca | 1 | |||||||||
| 12573 | Fernando | Palacios | Un millón de pasos | 1989 | fixed media, akusmatisch | 19:25 | UM CD 9 Vol. II/ | GME Cuenca | 1 | ||||||||||
| 12574 | Artur | Palaudarias | Adolescencia y Estrella | 1990 | Zuspiel / Tonband, 1 perf | va [Viola] | Phonos Barcelona | 0 | |||||||||||
| 19970 | Artur | Palaudarias | La Luz de los Sueños | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 12575 | Artur | Palaudarias | Paréntesis militar | fixed media, akusmatisch | 6:26 | UM CD 7 Vol. I/ | 1 | ||||||||||||
| 40212 | Roberto | Palazzolo | Materia | 2016 | fixed media, akusmatisch | Roberto Palazzolo | 0 | ||||||||||||
| 12576 | Jacques | Palinckx | Stuk | 1989 | live-elec, 1 perf | e-p [Piano] | Vorsetzer | Sweelinck | 0 | ||||||||||
| 37928 | Tomáš | Pálka | Absurdní hra s textem pro nic (Samuela Becketta), Absurd Game With Text For Nothing (Samuel Beckett) | 2003 | radiophon | 16:02 | radiocustica selected 2003/ | Czech Radio Prague | 0 | http://www.rozhlas.cz/radiocustica | |||||||||
| 33752 | Tomáš | Pálka | MOIJECROISQUE | 2009 | radiophon | 14:57 | EBU Ars Acustica 2009/ | Czech Radio Prague | EBU Ars Acustica 2009 | 1 | http://www.rozhlas.cz/radiocustica | ||||||||
| 22549 | Gioacchino | Palma | Ante Litteram II | 2002 | fixed media, akusmatisch | 9:24 | Einreichung Prix Noroit 2002 | 1 | |||||||||||
| 26264 | John | Palmer | … as it flies … | 2008 | fixed media, akusmatisch | 13:20 | Octo | SCD 28053 Sargasso/ | ZKM Karlsruhe | 0 | http://www.johnpalmer.org/ | ||||||||
| 12577 | John | Palmer | Beyond the Bridge | 1994 | Zuspiel / Tonband, 1 perf | 13:01 | vc [Cello] | LDC 278058/59 Cultures Electroniques 8/ SCD 28023 Sargasso Records/ | City Uni London | 2. prize Bourges 94 | 1 | http://www.johnpalmer.org/ | |||||||
| 18341 | John | Palmer | Encounter | 1998 | Zuspiel / Tonband, 2 perf | 13:00 | hpd, (asiatic) perc [Cembalo, Schlagzeug] | SCD 28038 Sargasso Records/ | City Uni London | 0 | http://www.johnpalmer.org/ | ||||||||
| 18340 | John | Palmer | Epitaph | 1994 - 1998 | Zuspiel, live-elec, 1 perf | 9:45 | amp vc [Cello] | SCD 28038 Sargasso Records/ ELCD 010 Electroshock Records/ | City Uni London | 0 | http://www.johnpalmer.org/ | ||||||||
| 18336 | John | Palmer | Eternity | 1992 | live-elec, 8 perf | 8:00 | a-fl, vn, db, p, S, T, B, perc, (elec) [Sopran, Tenor, Bass, Flöte, Piano, Schlagzeug, Violine, Kontrabass] | City Uni London | 0 | http://www.johnpalmer.org/ | |||||||||
| 38630 | John | PALMER | I Am | 2003 | radiophon | 51:58:00 | 0 | ||||||||||||
| 26023 | John | Palmer | In the Temple | 2007 | radiophon | 51:45:00 | Stereo | Deutschlandradio | Deutschlandradio Kultur, Hörspiel (Naleppa) | 1 | http://www.johnpalmer.org/ | ||||||||
| 41769 | John | Palmer | Nowhere | live-elec, 2 perf | 14:31 | cl, p [Klarinette, Piano] | SCD 28053 Sargasso/ | 0 | |||||||||||
| 18335 | John | Palmer | Phonai | 1992 - 1997 | Zuspiel, live-elec, 1 perf | 11:00 | synt [synthesizer] | SY77 or SY99; also for tape solo | SCD 28023 Sargasso Records/ ELCD 006 Electroshock Records/ | City Uni London | 1 | http://www.johnpalmer.org/ | |||||||
| 18337 | John | Palmer | Reflections | 1993 | live-elec, 2 perf | 15:00 | tpt, p, (elec) [Trompete, Piano] | City Uni London | 0 | http://www.johnpalmer.org/ | |||||||||
| 18338 | John | Palmer | Renge-Kyo | 1993 - 1994 | Zuspiel, live-elec, 1 perf | 11:30 | p [Piano] | SCD 28023 Sargasso Records/ | City Uni London | 1 | http://www.johnpalmer.org/ | ||||||||
| 18334 | John | Palmer | Spirits | 1990 | live-elec, 1 perf | 15:00 | synt [synthesizer] | SY77 or SY99 | SCD 28023 Sargasso Records/ | City Uni London | 1 | http://www.johnpalmer.org/ | |||||||
| 18339 | John | Palmer | Vision | 1994 - 1996 | Zuspiel, live-elec, 1 perf | 11:00 | hpd [Cembalo] | SCD 28023 Sargasso Records/ | City Uni London | 1 | http://www.johnpalmer.org/ | ||||||||
| 43113 | Juliet Kiri | Palmer | Citrus | 1994 | Performance | Auszeichnung ars electronica 1994 | 0 | ||||||||||||
| 12578 | Guiliano | Palmieri | Composizione per elaboratore | 1989 | live-elec, | DIST Genova | 0 | ||||||||||||
| 12579 | Guiliano | Palmieri | Dialogues | 1991 | live-elec, | DIST Genova | 0 | ||||||||||||
| 12581 | Guiliano | Palmieri | Traslot | 1986 | live-elec, 1 perf | MIDI [synthesizer] | MIDI-system | Con Venezia | 0 | ||||||||||
| 12580 | Guiliano, Mario | Palmieri, Jorio | Harp | 1993 | live-elec, | DIST Genova | 0 | ||||||||||||
| 12582 | Rodolphe | Palumbo | Achronia | 1983 | Zuspiel / Tonband, 5 perf | 4 fl, perc [Flöte, Schlagzeug] | CIRM Nice | 0 | |||||||||||
| 42158 | Thomas | Palzer | Magnetische Erinnerungen | 2003 | radiophon | WDR | 0 | ||||||||||||
| 39912 | Joan Arnau | Pàmies | 18 | 2017 | fixed media, akusmatisch | Joan Arnau Pàmies | 0 | ||||||||||||
| 37205 | Anne | Pammler | Motus mundorum | 2016 | fixed media, akusmatisch | ICMT St. Pölten | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 37176 | Anne, Vlad, Jakob | Pammler, Baran, Maurer | First steps on Mozart | 2017 | Klangkunst, Installation | ∞ | ICMT St. Pölten | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 18368 | Juan Carlos | Pampin | Apocalypse was postponed due to lack of interest | 1994 | fixed media, akusmatisch | CLM | CCRMA | 0 | |||||||||||
| 19686 | Juan Carlos | Pampin | La Segunda Letra del Nombre | 1995 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | LIEM CDMC Madrid | 0 | ||||||||||
| 18384 | Juan Carlos | Pampin | Metal Hurlant | 1996 | Zuspiel / Tonband, 1 perf | 13:32 | perc [Schlagzeug] | CLM | SCD 28079 Sargasso/ | CCRMA | 0 | ||||||||
| 26772 | Juan Carlos | Pampin | Oid | 2004 | audiovisuell, live-elec, 1 perf | p [Piano] | CCRMA | 0 | |||||||||||
| 41777 | Juan Carlos | Pampin | On Space | 2000 - 2005 | fixed media, akusmatisch | 20:33 | SCD 28079 Sargasso/ | 0 | |||||||||||
| 41776 | Juan Carlos | Pampin | Skin Heads | 1998 | fixed media, akusmatisch | 14:28 | SCD 28079 Sargasso/ | 0 | |||||||||||
| 41775 | Juan Carlos | Pampin | Toco Madera | 1997 | fixed media, akusmatisch | 15:22 | SCD 28079 Sargasso/ | 0 | |||||||||||
| 18369 | Juan Carlos | Pampin | Transcription No. 1 | 1996 | live-elec, 1 perf | disklavier [Piano] | CCRMA | 0 | |||||||||||
| 37525 | Marina | Panayiotou | Bottles | 1992 | fixed media, akusmatisch | 5:50:00 | Stereo | ICEM Essen | 0 | ||||||||||
| 20621 | Thierry | Pandelé | Le palais aux rochers de fenêtres | 1993 | fixed media, akusmatisch | 10:34 | Stereo | OC 951/ | 0 | ||||||||||
| 12583 | Dusan | Pandula | Erbsen an die Wand werfen | 1974 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | EM ?? | 0 | |||||||||||
| 39828 | Gregorio | Panerai | In Illo Tempore | 2015 | fixed media, akusmatisch | 8:48:00 | Gregorio Panerai | 0 | |||||||||||
| 26025 | Hyun-Ok | Pang | Kaspar | 2007 | radiophon | 12:50 | Octo | Uni Wien | 1 | ||||||||||
| 26024 | Hyun-Ok | Pang | Muusiic | 2003 | fixed media, akusmatisch | 4:04 | EX 656 Elak Wien/ | ELAK Wien | 1 | ||||||||||
| 25605 | Hyun-Ok | Pang | Wir lieben Dieter | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 34248 | Paul | Panhuysen | Automatenmusik, Automatic Ukelele Orchestra Musicmaker |
1986 | Klangkunst, Installation | 45 | Edition Giannozzo/ | 0 | |||||||||||
| 25640 | Paul | Panhuysen | Engines in Power and Love, Heavy duty on frozen rocks | 1991 | live-elec, | 5:17 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 25641 | Paul | Panhuysen | Engines in Power and Love, We will not fail | 1991 | live-elec, | 0:44 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 25642 | Paul | Panhuysen | Engines in Power and Love, Rolling, rolling, rolling | 1991 | live-elec, | 10:09 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 25643 | Paul | Panhuysen | Engines in Power and Love, Train in thin Air | 1991 | live-elec, | 6:31 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 25644 | Paul | Panhuysen | Engines in Power and Love, The Exterminator’s MegaByte | 1991 | live-elec, | 6:25 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 25645 | Paul | Panhuysen | Engines in Power and Love, Pierrot la Tendresse | 1991 | live-elec, | 9:32 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 25646 | Paul | Panhuysen | Engines in Power and Love, Wheels of Fortune and Engines of Love | 1991 | live-elec, | 4:48 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 25647 | Paul | Panhuysen | Engines in Power and Love, Hôpital Général | 1991 | live-elec, | 14:34 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 25648 | Paul | Panhuysen | Engines in Power and Love, After the Ball is over | 1991 | live-elec, | 6:41 | Stereo | (5 Matrix com Printers) [] | Apollo ACD 019210/ | Research for Beleid, Leiden | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 37863 | Paul | Panhuysen | Pendulum Change Ringing | 2012 | Klangkunst, Installation | 36 | Recording of the sound installation "Pendulum Change Ringing", displayed at Pand Koloniale Waren in Hasselt (Belgium) in 2012. | Edition Telemark 314.03/ | 0 | ||||||||||
| 18908 | Paul | Panhuysen | singing the world into existence (16 Teile) | 1992 | intermedia | live-elec, 2 perf |
60:00 | 2 perf (KanaryGrandBand, Ukulele, long str) [Performer] | Kanarienvögel | Apollo ACD 039212/ ISBN 3-7913-1699 (Prestel)/ | Apollohuis Eindhoven | 0 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 12584 | Paul | Panhuysen | The KGB adapted to human ears and human speed | 1993 | Klangkunst, Installation | 6:32 | Kanary Grand Band | MW 59/ WER 20692/ | Apollohuis Eindhoven | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | ||||||||
| 28616 | Paul | Panhuysen | Voltaic Memory Space | 2011 | Klangkunst, Installation | 9:21 | kleinen Wasserspeicher Prenzlauer Berg | Kehrer Verlag ISBN 978-3-86828-493-5/ | 1.7.-11.9.2011 | singuhr hoergalerie Berlin | 0 | http://www.singuhr.de/page.php?ID=706 | |||||||
| 18915 | Paul, Johan | Panhuysen, Goedhart | Projection | 1987 | intermedia, live-elec, 1 perf | 6:30 | long str [Streicher] | installation | Apollo ACD 019209/ | Apollohuis Eindhoven | 1 | http://www.artpool.hu/harmas/apollohuis_en.html | |||||||
| 37867 | Paul, Sappho | Panhuysen, Panhuysen | Carillon Sudokus, Oog & Oor | 2015 | Klanginstallation, live-elec, 1 perf | 38 | carillon [Keyboard] | Edition Telemark 628.08/ | Apollohuis Eindhoven | 2015 | Eindhoven town hall | 0 | |||||||
| 12585 | Marcello | Panni | Pas de bande | 1964 | fixed media, akusmatisch | 5:25 | Quadro | Fonologia Milano | 0 | ||||||||||
| 22046 | Peter | Pannke | Alles ein atmendes Buch | radiophon | 2:38 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 28419 | Peter | Pannke | Das Mali meiner Träume | 2006 | radiophon | 52 | Stereo | WDR Studio akustische Kunst | WDR | 01.2009 | 1 | ||||||||
| 37253 | Vasilios | Panousis | Drosoulites | 2016 | fixed media, akusmatisch | 8:00:00 | HfK Bremen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 33864 | Aquiles | Pantaleão | 3 Inconspicuous Settings | 1997 | fixed media, akusmatisch | 11:35 | Stereo | Prix Ars Electronica 98/ | ESt da Glória Rio | Prix Ars Electronica Award of Distinction 1998 | 0 | ||||||||
| 20622 | Aquiles | Pantaleão | Materialma | 1995 | fixed media, akusmatisch | 12:38 | Stereo | RD003 MEB Rioarte/ | ESt da Glória Rio | 0 | |||||||||
| 12586 | Aquiles | Pantaleão | Sólidos (Partículas de Luz e Gelo) | 1993 | fixed media, akusmatisch | 9:30 | nor 03/ INA ACM 1995/ | ESt da Glória Rio | Prix Noroit 94 | 0 | |||||||||
| 32912 | Jon | Panther | Scherzophobia | 2010 | fixed media, akusmatisch | 7:16 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 | 1 | |||||||||
| 12587 | Giancarlo | Paoletti | GL 1 | 1966 | fixed media, akusmatisch | 3:00 | Mono + Mono | Fonologia Firenze | 0 | ||||||||||
| 31524 | Group, Frank, Lukas, Andreas, Moph | Papa Pacini, Bierlein, Fuetterer, Goralczyk, Zielke | get it on | 2013 | Performance, live-elec, 4 perf | 19:00 | 4 perf [Performer] | next_generation 5.0 | HfG Karlsruhe | 26.6.2013 | ZKM | 0 | |||||||
| 12589 | Joseph | Papadatos | Bacchae, 4 Szenen | 1989/1990 | fixed media, akusmatisch | 15:04 | Quadro | HfMT Köln | 0 | ||||||||||
| 12591 | Joseph | Papadatos | Divinas Palabras | 1987 | Theatermusik | 20:00 | Stereo | Th play by Ramon del Valle Inclam | PS C. | 0 | |||||||||
| 12592 | Joseph | Papadatos | Ikesia | 1985 | intermedia | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 12593 | Joseph | Papadatos | Mairy the Egyptian | 1988 | radiophon | 25:00 | Stereo | PS C. | 0 | ||||||||||
| 12595 | Joseph | Papadatos | Ouk estin Ode | 1993 | Zuspiel / Tonband, | 52:00 | Stereo | 0 | |||||||||||
| 12596 | Joseph | Papadatos | OYK ESTIN ODE (Jesus: die letzten Tage) | 1992/1993 | Zuspiel / Tonband, 2 perf, 1 group | 15:00 | Stereo | Sp, ch, ins [Sprecher, Instrument, Chor] | HfMT Köln | 0 | |||||||||
| 12597 | Joseph | Papadatos | Philoktetes | 1988 | Theatermusik | 70:00 | Stereo | Tragedy by Sophocles | PS C. | 0 | |||||||||
| 12598 | Joseph | Papadatos | Politeia | 1990/1991 | Zuspiel / Tonband, 1 perf, 2 groups | 20:00 | Quadro | fem ch, br-ens [Bläser, Chor] | texts by Plato | HfMT Köln | 0 | ||||||||
| 12599 | Joseph | Papadatos | Tekmoor | 1991 | Zuspiel / Tonband, | 20:00 | Quadro | 0 | |||||||||||
| 12600 | Joseph | Papadatos | Tekmoor-Limit, Morphogenesis III | 1990/1991 | Zuspiel / Tonband, 1 perf, 1 group | 18:00 | Quadro | w-ens [Bläser] | HfMT Köln | 0 | |||||||||
| 12601 | Joseph | Papadatos | The Caretaker | 1992 | Theatermusik | 15:00 | Stereo | Th play by Harold Pinter | PS C. | 0 | |||||||||
| 22504 | Joseph | Papadatos | Voix celèstes, Himmlische Stimmen | 1991/1992 | fixed media, akusmatisch | 15:30 | Quadro | HfMT Köln CD2/ | HfMT Köln | 0 | |||||||||
| 34040 | Joseph | Papadatos | Voix Celèstes II | 1993 | fixed media, akusmatisch | 15:20 | Quadro | HfMT Köln | 0 | ||||||||||
| 12590 | Joseph, Minas | Papadatos, Alexiadis | Cosmographima | 1985 | live-elec, | 22:00 | 0 | ||||||||||||
| 31598 | Martha | Papadogianni | re-define | 2013 | fixed media, akusmatisch | 4:20 | next_generation 5.0 | TU Berlin | 0 | ||||||||||
| 12604 | Gerard | Pape | A little girl dreams of taking the veil | 1990 | Oper, | 254:00 | Stereo | (slides, com) [] | Upic. surrealist opera for tape and slides; texts and slides by Max Ernst |
CEMAMu/ Ateliers Upic/ CCMIX, Sinewave St | 0 | ||||||||
| 12605 | Gerard | Pape | A Piece of Monologue | 1990 | Zuspiel / Tonband, 1 perf | 32:00 | Stereo | Bar [Bariton] | Upic | CEMAMu/ Ateliers Upic/ CCMIX, Sinewave St | 0 | ||||||||
| 33604 | Gerard | Pape | Aquarelles | 1999 | Zuspiel, live-elec, 1 perf | bassett-hn and cl [Klarinette] | 0 | ||||||||||||
| 33607 | Gerard | Pape | Ascension au Purgatoire | 2004 | live-elec, 1 perf | perc, (com) [Schlagzeug] | 0 | ||||||||||||
| 34196 | Gerard | Pape | Atoms of Space and Time | 2015 | Oper, live-elec, 44 perf | 2 Sp, 2 (vocal) V, 8 ins, 8 com, 24 fl (orc with 24 fl) [Sprecher, Stimme, Flöte, Instrument, computer] | libretto: J.-P- Luminet | 0 | |||||||||||
| 27525 | Gerard | Pape | Battle | 1996 | Zuspiel / Tonband, 4 perf | Octo | 4 V [Stimme] | Upic. Part of „Weaveworld“ (in progress), after the novel by Clive Barker |
mode 67/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 20623 | Gerard | Pape | Cerberus | 1987 | Zuspiel / Tonband, 1 perf | 14:14 | Stereo | org [Orgel] | Upic | mode 26/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | http://www.moderecords.com/ | ||||||
| 33620 | Gerard | Pape | Clouds | 2002 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 33587 | Gerard | Pape | Cosmos | 1985 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 33613 | Gerard | Pape | Dreamwake | 1984 | fixed media, akusmatisch | texts: Gérard Pape | 0 | ||||||||||||
| 33617 | Gerard | Pape | Fabula | 1999 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 34189 | Gerard | Pape | Faux mouvements | 2007 | fixed media, akusmatisch | 0 | |||||||||||||
| 33588 | Gerard | Pape | Feu toujours vivant | 1997 | Zuspiel / Tonband, 4 perf, 1 group | orc, 4 sam [computer, Orchester] | 0 | ||||||||||||
| 33606 | Gerard | Pape | For Maurizio | 2003 | live-elec, 1 perf | amp va [Viola] | 0 | ||||||||||||
| 34187 | Gerard | Pape | Funeral Music (hommage à Mozart) | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 33610 | Gerard | Pape | Funeral Sentences | 1998 | live-elec, 4 perf | 2 S, 2 perc [Sopran, Schlagzeug] | 0 | ||||||||||||
| 34192 | Gerard | Pape | Harmonies of Form and Timbre | 2011 | Zuspiel / Tonband, 9 perf | pic-fl, 4 vn, 4 vc [Flöte, Cello, Violine] | 0 | ||||||||||||
| 34193 | Gerard | Pape | Harmonies of Form and Time | 2011 - 2012 | live-elec, 6 perf, 6 groups | 6 amp sol, 6 ens [Ensemble] | 0 | ||||||||||||
| 34188 | Gerard | Pape | Héliophonie | 2006 | live-elec, 8 perf | 8 com [computer] | optional video | 0 | |||||||||||
| 34190 | Gerard | Pape | Héliophonie II | 2008 | live-elec, 8 perf | 8 com [computer] | 0 | ||||||||||||
| 33593 | Gerard | Pape | In Memoriam: George Cacioppo | 1984 | Zuspiel / Tonband, 10 perf | 8 trbn, 2 perc [Posaune, Schlagzeug] | 0 | ||||||||||||
| 33589 | Gerard | Pape | Ivan and Rena | 1983 - 1984 | Zuspiel / Tonband, 4 perf, 1 group | Sp, 3 V, orc [Sprecher, Stimme, Orchester] | music drama, text: Gérard Pape | 0 | |||||||||||
| 33605 | Gerard | Pape | La Naissance du son | 2002 | live-elec, 1 perf | amp vc [Cello] | 0 | ||||||||||||
| 33608 | Gerard | Pape | La Tristesse de la lune | 1986 | Zuspiel / Tonband, 1 perf | Bar or S [Sopran, Bariton] | text: Charles Baudelaire; voice of a Soprano pre-recorded | 0 | |||||||||||
| 22683 | Gerard | Pape | Le fleuve de désir III | 1994 | Zuspiel / Tonband, 4 perf | 12:41 | str-qt, (UPIC) [Streicher] | Upic versions with and without upic-live |
CMJ Vol 21, 1997/ mode 98/99/ mode 67/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://www.moderecords.com/ | |||||||
| 33616 | Gerard | Pape | Le Fleuve du désir II | 1994 | fixed media, akusmatisch | UPIC-generated tape | 0 | ||||||||||||
| 33594 | Gerard | Pape | Le Fleuve du désir IV | 1994/2002 | Zuspiel, live-elec, 8 perf | 8 vn (or 1 vn) [Violine] | 0 | ||||||||||||
| 33598 | Gerard | Pape | Le Fleuve du désir V | 1994 | Zuspiel, live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 33599 | Gerard | Pape | Le Fleuve du désir VI | 1994 | Zuspiel, live-elec, 1 perf | 12:39 | va [Viola] | CMJ Vol 26, 2002/ | 0 | ||||||||||
| 33600 | Gerard | Pape | Le Fleuve du désir VII | 1994 | Zuspiel, live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 33601 | Gerard | Pape | Le Fleuve du désir VIII | 1994 | Zuspiel, live-elec, 1 perf | db [Kontrabass] | 0 | ||||||||||||
| 33590 | Gerard | Pape | Les Cenci | 2000 | Oper, live-elec, 49 perf, 1 group | 7 V, 24 fl, 12 sax, 6 perc, ch [Stimme, Flöte, Saxophon, Schlagzeug, Chor] | opera in four acts, text: Antonin Artaud | 0 | |||||||||||
| 34191 | Gerard | Pape | Licht und Klang (in memoriam Stockhausen) | live-elec, | 0 | ||||||||||||||
| 33595 | Gerard | Pape | Makbénach I | 1996 | Zuspiel / Tonband, 1 perf, 1 group | sax, ens [Saxophon, Ensemble] | 0 | ||||||||||||
| 33602 | Gerard | Pape | Makbénach III | 1996 | Zuspiel, live-elec, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 33603 | Gerard | Pape | Makbénach IV | 1998 | Zuspiel, live-elec, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 33618 | Gerard | Pape | Mon autre Peau | 1999 | Klangkunst, Installation | 20 Tracks | installation for 20-channel tape and DVD based on paintings by Ana-Paula Portilla with digital video by Anney Bonney; texts by Ana-Paula Portilla, Parmenides, and the Upanishads |
0 | |||||||||||
| 27526 | Gerard | Pape | Monologue | 1995 | Oper, 1 perf | Octo | B [Bass] | Upic. chamber opera based on Samuel Beckett’s play, A Piece of Monologue, for bass voice and eight-channel tape |
mode 67/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 12606 | Gerard | Pape | On the road at night | 1993 | Zuspiel / Tonband, 2 perf | Stereo | V, fl [Stimme, Flöte] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 34195 | Gerard | Pape | Per Dario | 2015 | live-elec, 2 perf | (mikrotonale) Kbd, perc (Megaplex) [Keyboard, Schlagzeug] | libretto: G. Pape after poems and texts by Hölderlin and Heidegger | 0 | |||||||||||
| 33615 | Gerard | Pape | Prélude Electronique | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 33596 | Gerard | Pape | Recordare | 1984 | live-elec, 1 perf | s-rec [Flöte] | 0 | ||||||||||||
| 33614 | Gerard | Pape | Resonance | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 20624 | Gerard | Pape | Sorrow of the Moon | Zuspiel / Tonband, 2 perf | 11:35 | Stereo | Bar, S [Sopran, Bariton] | Upic | mode 26/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | http://www.moderecords.com/ | |||||||
| 33591 | Gerard | Pape | Soundbook | 1982 | live-elec, 1 perf, 1 group | inss [Instrument] | 0 | ||||||||||||
| 33592 | Gerard | Pape | Tableaux | 1983 | live-elec, 1 perf, 1 group | (acoustic & elec) inss [Instrument] | 0 | ||||||||||||
| 33619 | Gerard | Pape | Tantric Transformations | 2000 | audiovisuell | Octo | 0 | ||||||||||||
| 33597 | Gerard | Pape | That Burning Thing | 1989 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 33611 | Gerard | Pape | The Ecstasy of St. Theresa (homage to Bernini) | 2001 | live-elec, 9 perf | 9 V [Stimme] | text: St. Theresa of Ávila | 0 | |||||||||||
| 33612 | Gerard | Pape | Triple Requiem | 1982 | live-elec, 1 perf | multichannel | perf (tapes, turntables) [Performer] | 0 | |||||||||||
| 33609 | Gerard | Pape | Two Electro-Acoustic Songs | 1993 | Zuspiel / Tonband, 2 perf | S, fl [Sopran, Flöte] | poems by Dahlia Ravicovitch | 0 | |||||||||||
| 12607 | Gerard | Pape | Variations Varèsiennes | 1992 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 34194 | Gerard | Pape | „Why Poets?“ | 2012 | Oper, live-elec, 12 perf | B, Sp and vn, trbn, b-cl, 4 vc, 4 db [Bass, Sprecher, Klarinette, Posaune, Cello, Violine, Kontrabass] | libretto: G. Pape after poems and texts by Hölderlin and Heidegger | 0 | |||||||||||
| 12608 | Gerard | Pape | X <-> Stasis | 1992 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 12609 | Yoram | Paporisz | Phantoms Peregrinating | 1963 | Zuspiel / Tonband, 1 perf | Mono | p [Piano] | PS C. | 0 | ||||||||||
| 22733 | Emanuele | Pappalardo | Audi Filia | 1999 | Zuspiel / Tonband, 5 perf, 1 group | 6:00 | 5 V, ch [Stimme, Chor] | gregorianischer ch | Edison/ | CRM Roma | 1 | 2000 | |||||||
| 12610 | Emanuele | Pappalardo | Debarim | Zuspiel / Tonband, 2 perf | V, perc [Stimme, Schlagzeug] | CRM Roma | 0 | ||||||||||||
| 12611 | Emanuele | Pappalardo | Linee interiori | 1992 | Zuspiel / Tonband, | Stereo | Spaziomusica Cagliari | 0 | |||||||||||
| 12612 | Emanuele | Pappalardo | Modi | 1990 | Zuspiel / Tonband, 2 perf | 14:00 | Stereo | cl, p [Klarinette, Piano] | CRM Roma | 0 | |||||||||
| 20625 | Emanuele | Pappalardo | Oltre | 1994 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | rec [Flöte] | ICMC 1995, ICMA PRCD 1600/ | CRM Roma | 0 | ||||||||
| 12613 | Emanuele | Pappalardo | Studium Punctum | 1992 | live-elec, 4 perf | 12:00 | fl, cl, tpt, p [Flöte, Klarinette, Trompete, Piano] | CRM Roma | 0 | ||||||||||
| 12614 | Emanuele | Pappalardo | Tra Cronopios e Famas | 1989 | Zuspiel / Tonband, 1 perf | 12:50 | Stereo | gui [Gitarre] | CRM Roma | 0 | |||||||||
| 34653 | Simone | Pappalardo | Col corpo fare ritorno | fixed media, akusmatisch | 8:17 | SMC2016, Listening Room HAW | 0 | ||||||||||||
| 34671 | Simone, Giovanni | Pappalardo, Trovalusci | Rizoma Alcina | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW | 0 | |||||||||||
| 20626 | Renaud, James | Paquet, Partaik | #3 | 1996 | radiophon | 1:00 | Stereo | sound poems | OHM 002 overhear/ | 0 | |||||||||
| 20627 | Renaud, James | Paquet, Partaik | Fresh Meat Freedom | 1996 | radiophon | 4:24 | Stereo | sound poems | OHM 002 overhear/ | 0 | |||||||||
| 20628 | Renaud, James | Paquet, Partaik | Onomatopée | 1996 | radiophon | 1:02 | Stereo | sound poems | OHM 002 overhear/ | 0 | |||||||||
| 23200 | David | Paquette | Un million d'instants: 1. Le matin | 2002 | fixed media, akusmatisch | 3:49 | JTTP 2002 | CEC Cache 2002/ | Concordia Montreal | 1 | |||||||||
| 24203 | David | Paquette | Un million d'instants: 2. Les relations | 2002 | fixed media, akusmatisch | 4:22 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 12615 | Bert | Paquin | The Grey Earth | 1987 | fixed media, akusmatisch | 9:00 | Stereo | 0 | |||||||||||
| 22955 | Group | Para-Noise-Terminal | Soul Moving | 1994 | live-elec, 1 group | 7:11 | ens [Ensemble] | Improvisation, Industrie-Klang | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | ||||||||
| 34599 | Francesco Maria | Paradiso | Profili d’onda | 2007 | Zuspiel / Tonband, 1 perf | prep vib [Schlagzeug] | SMC2016 | 0 | |||||||||||
| 36429 | Yann | Paranthoën | Portrait D'Irène Zack | 2003 | fixed media, akusmatisch | 11:27 | Césaré 10/ | 0 | |||||||||||
| 37011 | Graciela | Paraskevaidis | A entera revisación del público en general | 1978-1981 | fixed media, akusmatisch | ELAC Montevideo | 0 | ||||||||||||
| 12616 | Graciela | Paraskevaidis | Aphorismen | 1969 | Zuspiel / Tonband, 4 perf | 2 Sp, p, perc [Sprecher, Piano, Schlagzeug] | HfM Freiburg | 0 | |||||||||||
| 12618 | Graciela | Paraskevaidis | Combinatoria II | 1966 | Zuspiel / Tonband, 3 perf | 6:00 | Mono | p, trbn, perc [Posaune, Piano, Schlagzeug] | LIPM B.Aires, HfM Freiburg | 0 | |||||||||
| 12619 | Graciela | Paraskevaidis | Entera Revisación | 1995 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 12620 | Graciela | Paraskevaidis | Huauqui | 1975 | fixed media, akusmatisch | 11:05 | Stereo | ELAC Montevideo | 0 | 1984 | |||||||||
| 27802 | Pierre | Paré-Blais | Spiralling | 2010 | audiovisuell | 8:23 | 20 mai 2010 | Bruxelles | JTTP 2010 honorable mention | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 27373 | Félix | Paré | La volonté du périscope | 2007 | fixed media, akusmatisch | 6:18 | CEC Cache 2007, PeP 012/ | JTTP-Winner 2007 5. prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 39870 | Ivonne | Paredes | Cuerdas De Un Pueblo Muy Lejano | 2015 | fixed media, akusmatisch | 5:12:00 | Ivonne Paredes | 0 | |||||||||||
| 34564 | Nil | Parent | Extension V | 1974 | live-elec, 5 perf | 19:15 | 2 perc, 3 synt [Schlagzeug, synthesizer] | 0 | |||||||||||
| 12621 | Ivan | Parik | Cantica feralia | 1975 | fixed media, akusmatisch | 12:00 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 12622 | Ivan | Parik | Concerto grosso | 1991 | fixed media, akusmatisch | 9:02 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 12623 | Ivan | Parik | Hommage to Wiliam Croft | 1969 | fixed media, akusmatisch | 5:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 12624 | Ivan | Parik | In memoriam Ockeghem | 1971 | fixed media, akusmatisch | 20:30 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 12625 | Ivan | Parik | Music to a Vernisage II | 1970 | Zuspiel / Tonband, 1 perf | 10:56 | fl [Flöte] | EM CD 001/ | CECM Bratislava | 1 | |||||||||
| 12626 | Ivan | Parik | Pocta Hummelovi | 1980 | fixed media, akusmatisch | 8:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 12627 | Ivan | Parik | Sonata, kanon pre violoncelo a magnetofonovú pasku | 1971 | Zuspiel / Tonband, 1 perf | 7:45 | Stereo, Quadro | vc [Cello] | CECM Bratislava | 0 | |||||||||
| 12628 | Ivan | Parik | Sonata pastoralis '74 | 1974 | fixed media, akusmatisch | 10:15 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 12629 | Ivan | Parik | Tragédia cloveka (Die Tragödie des Menschen) | 1969 | Theatermusik | 60:00 | (Madach) | 0 | |||||||||||
| 12630 | Ivan | Parik | Variacie na obrazy Milosa Urbaska | 1970 | fixed media, akusmatisch | 9:35 | Stereo, Quadro | on paintings by M. U. | CECM Bratislava | 0 | |||||||||
| 12631 | Ivan | Parik | Vezova hudba (tower music) | 1971 | fixed media, akusmatisch | Zuspiel/Tonband, |
9:50 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 31827 | Jae-Su | Park | Space | 2002 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31828 | Jae-Su | Park | Space 2 | 2003 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 42767 | Joo Won | Park | Block Routine | 2012 | live-elec, 1 perf | 6:00:00 | elec and com [computer, elektronik] | 0 | |||||||||||
| 42649 | Joo Won | Park | Decrescendo | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 26026 | Joo Won | Park | KutMalKut | 2005 | fixed media, akusmatisch | 6:13 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 1 | http://www.spectrumpress.com/ | |||||||||
| 39934 | Joo Won | Park | Large Intestine | 2015 | fixed media, akusmatisch | 8:02 | Joo-Won Park | 0 | |||||||||||
| 42531 | Joo Won | Park | Sound Mobile | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 31453 | Juhee | Park | Reise | 2008 | Film | 9:00:00 | Kurzfilm | HfM Dresden | 0 | ||||||||||
| 31389 | Juhee | Park | Taepyung-Ga | 2008 | fixed media, akusmatisch | 5:17:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 36901 | Jung-Eun | Park | Abracadabra | 2014 | Zuspiel / Tonband, 5 perf | Quadro | fl, V, perc, hpd, vn [Stimme, Flöte, Cembalo, Schlagzeug, Violine] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 31588 | Jung-Eun | Park | Joong Dok | 2013 | fixed media, akusmatisch | 6:00 | Stereo | next_generation 5.0 | Incontri HMTM Hannover | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||
| 36902 | Jung-Eun | Park | Krieg | 2014 | Zuspiel / Tonband, 1 perf | Stereo | hn [Horn] | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | ||||||||
| 33949 | Myunghoon | Park | Am Fenster | 2010 | live-elec, 1 perf | 10:20:00 | Octo | sax [Saxophon] | HfMT Köln | 0 | |||||||||
| 33948 | Myunghoon | Park | bounce | 2010 | live-elec, 2 perf | 7:45:00 | Quadro | 2 perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 33947 | Myunghoon | Park | Mach Kein | 2009 | Zuspiel / Tonband, 2 perf | 9:00:00 | Quadro | S, hn [Sopran, Horn] | Komposition für Sopran, Violine, Horn und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 39508 | Sue Jean | Park | Dialogue | 2017 | live-elec, | 0 | |||||||||||||
| 42980 | Tae Hong | Park | 48 13N, 16 20 O | 2013 | fixed media, akusmatisch | 14:00:00 | 0 | ||||||||||||
| 40274 | Tae Hong | Park | Bass X Sung | 2015 | fixed media, akusmatisch | 8:00:00 | Tae Hong Park | 0 | |||||||||||
| 42711 | Tae Hong | Park | T1 | 2012 | live-elec, 1 perf | 7:44:00 | tpt [Trompete] | Joe Drew, trumpet | 0 | ||||||||||
| 42688 | Tae Hong | Park | The Machine Stops | 2012 | fixed media, akusmatisch | 2:14:00 | 0 | ||||||||||||
| 12632 | Elizabeth | Parker | A passing whale | radiophon | BBC | 0 | |||||||||||||
| 12633 | Elizabeth | Parker | Amazon Requiem | radiophon | BBC | 0 | |||||||||||||
| 38111 | Elizabeth | Parker | The Living Planet, The Living Planet (Theme From The Series) The Building Of The Earth The Frozen World The Northern Forests Jungle Seas Of Grass The Baking Deserts The Sky Above Sweet Fresh Water The Margins Of The Land Worlds Apart The Open Ocean New Worlds (Closing Theme From The Series) |
1983 | radiophon | REB 496/ | BBC | 0 | |||||||||||
| 38113 | Elizabeth, Richard | Parker, Yeoman-Clarke | Blake’s Seven | 1981 | radiophon | BBC Records 9781471322969/ | BBC | 0 | |||||||||||
| 20629 | Evan | Parker | The Hundred Books (for Idries Shah) | live-elec, 1 perf, 1 group | 4:09 | Stereo | MIDI-ens [synthesizer] | ECM 1612/ | 0 | ||||||||||
| 20630 | Evan | Parker | The regenerative Landscape | 1996 | live-elec, 1 perf, 1 group | 3:34 | Stereo | MIDI-ens [synthesizer] | ECM 1612/ | 0 | |||||||||
| 20631 | Evan | Parker | Turbulent Mirror | 1996 | live-elec, 1 perf, 1 group | 5:51 | Stereo | MIDI-ens [synthesizer] | ECM 1612/ | 0 | |||||||||
| 20900 | Evan, Philipp | Parker, Wachsmann | Philipp's Pavilion | 1996 | live-elec, 1 perf, 1 group | 7:32 | Stereo | MIDI-ens [synthesizer] | ECM 1612/ | 0 | |||||||||
| 20901 | Evan, Philipp | Parker, Wachsmann | Trahütten | 1996 | live-elec, 1 perf, 1 group | 6:17 | Stereo | MIDI-ens [synthesizer] | ECM 1612/ | 0 | |||||||||
| 24817 | Nicholas | Parkin | Magmas | 2001 | fixed media, akusmatisch | 16:01:00 | LDC 278074/75 Cultures Electroniques 15/ | 0 | |||||||||||
| 20632 | Stephen | Parkinson | Catch the Bonner | 1994 | Zuspiel, live-elec, 2 perf | 6:52 | Stereo | p, amp gui [Piano, Gitarre] | MW 63/ | 1 | |||||||||
| 43006 | Ron | Parks | Click... | 2013 | fixed media, akusmatisch | 8:32:00 | 0 | ||||||||||||
| 24885 | Ron | Parks | Residual | 1995 | fixed media, akusmatisch | 6:37 | Max with ISPW | EMF 031 „Florida EM Festival, Vol 1“/ | Winthrop Com Mus Lab | 1 | |||||||||
| 40221 | Ronald | Parks | Deluge | 2016 | fixed media, akusmatisch | Ronald Parks | 0 | ||||||||||||
| 42532 | Ronald Keith | Parks | Anacoustic Zones | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42650 | Ronald Keith | Parks | Fractures | 2009 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 40415 | Bernard | Parmegiani | A propos de Steinberg | 1961 | Fernsehen, | Interview sur les manipulations électroacoustiques | INA • GRM | 19.12.1961 | TV ORTF | 0 | |||||||||
| 12634 | Bernard | Parmegiani | Alternances, Concert Collectif | 1963 | Zuspiel / Tonband, 1 group | 7:47 | Stereo, Quadro | ens [Ensemble] | IDEAMA CD 050/ | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||
| 40626 | Bernard | Parmegiani | Araignelephant | 1967 | Film | 9:07 | INA • GRM | 2.1.1968 | TV ORTF, 2. chaine | 0 | |||||||||
| 25683 | Bernard | Parmegiani | Au gré du souffle… le son s'envole | 2006 | fixed media, akusmatisch | 20:03 | Stereo | INA G 6000, CD 12/ | INA • GRM | 9.03.2006 | Studio 104 at Radio France (Multiphonies - Presence Festival) | 1 | 2008 | ||||||
| 40467 | Bernard | Parmegiani | Balcon sur le rêve | 1962 | radiophon | série de 8 émissions radiophoniques de R. Arnaud | INA • GRM | 8.1.1962 - 12.1963 | Radio Paris | 0 | |||||||||
| 40587 | Bernard | Parmegiani | Banc d’Essai | 1966 | Film | 0:45 | INA • GRM | 0 | |||||||||||
| 12635 | Bernard | Parmegiani | Bidule en ré, du bruit de la surface au bruit de fond voix bidulantes Hommage à Chopin 1 Hommage à Chopin 2 |
1969 | fixed media, akusmatisch | 9:18 | Quadro, Stereo | (mention „bidule en ut“ by Henry & Schaeffer!) | INA G 6000, CD 02/ PHI 836 889 DSY/ IDEAMA CD 022/ Klett Stuttgart 92422/ | INA • GRM | 28.03.1969 | Studio 105 at Radio France | 1 | ||||||
| 40576 | Bernard | Parmegiani | Bongo fuego | 1966 | Tanz | 3:43 | INA • GRM | 0 | |||||||||||
| 40759 | Bernard | Parmegiani | C’est - A - diré | 1975 | Hintergrundmusik | 1 | INA • GRM | 1.10.1975 | TV Antenne 2 | 0 | |||||||||
| 12636 | Bernard | Parmegiani | Capture ephémère | 1967, 1968, 1988 | fixed media, akusmatisch | Tanz |
11:57 | Quadro | new stereo-version 1988 | INA C 2019/ INA G 6000, CD 01/ IDEAMA CD 052/ PHI 836 889 DSY/ | INA • GRM | 30.05.1967 December 1967 April 1968 |
Studio 105 at Radio France Paris, Musée d’art Moderne Vienne |
1 | ||||||
| 40763 | Bernard | Parmegiani | Ce jour - la j’entemoigne | 1976 | Hintergrundmusik | INA • GRM | 2.8.1976 | TV Antenne 2 | 0 | ||||||||||
| 40434 | Bernard | Parmegiani | Chimigrammes | 1962 | Film | adaption de l’Etude de stage pour le film de R. Blanchard à partir des chimigrammes du photographe P. Cordier | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 40566 | Bernard | Parmegiani | Cocktail Varietés-Sons | 1966 | Film | INA • GRM | Janvier 1966 | TV ORTF | 0 | ||||||||||
| 40569 | Bernard | Parmegiani | Commençons par les Maçons | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 12637 | Bernard | Parmegiani | Danse 1 | 1961, 1962 | Film | fixed media, akusmatisch |
5:00 | Stereo | Candide CE 31025/ IDEAMA CD 052/ | INA • GRM | 0 | |||||||||
| 12638 | Bernard | Parmegiani | Dante n'avait rien vu | 1962 | Film | pour un dessin animée de J. Hurtado, filmé par G. Patris | IDEAMA CD 013/ | INA • GRM | 0 | ||||||||||
| 12639 | Bernard | Parmegiani | De natura sonorum, Incidences / résonaces Accidents / harmoniques Géologie sonore Dynamique de la résonance Etude élastique Conjugaison du timbre. Incidence/battements Natures éphémères Matières induites Ondes croisées Pleins et déliés Points contre champs. |
1975 | fixed media, akusmatisch | Tanz |
52:46 | Stereo | 12 movements devided into 2 series of six. | INA C 3001/ Coll GRM AM 714.01/ INA G 6000, CD 05/ INA 471401/ Editions Mego (LP) Recollection GRM/ HM AM 714.01/ Boomkat bundle_158/ Boomkat bundle_49/ SR 220 sub rosa/ | INA • GRM | INA • GRM | 3.06.1975 avril 1976 |
Paris, Salle Wagram Mexico (ballet sous le titre „Año 0“ |
1 | |||||
| 12640 | Bernard | Parmegiani | Dedans - Dehors, En Phase / Hors Phase Jeux Retour De La Forêt Métamorphoses Lointain-Proche Rappel au silence |
1977 | fixed media, akusmatisch | 22:24 | Stereo | 10 parts. Conçu comme une suite de „De Narura Sonorum“. | INA C 1012/ Coll GRM 9102 PA/ INA ACM 1995/ Ellipsis Arts 3673 - OHM: 03/ INA G 6000, CD 06/ Editions Mego (LP) Recollection GRM/ INA-GRM 9102 PA/ INA C 1012 / 1013/ | INA • GRM | INA • GRM | 28.02.1977 | Palais des Arts Paris | 1 | 1984 | ||||
| 12641 | Bernard | Parmegiani | Demons et des mots | 1988 | Zuspiel / Tonband, 1 perf | 16:28 | Stereo | V [Stimme] | SYTER | INA • GRM | 0 | ||||||||
| 12642 | Bernard | Parmegiani | Des mots et des sons | 1977 | fixed media, akusmatisch | 19:10 | Stereo | INA • GRM | Radio-France et INA·GRM | 29.1.1978 | Paris, Maison de Radio France, Gd. Auditorium; Cycle Acousmatique 1979. Avec les voix de J. Laurat, M. Chion, R.-L. Chauffard et le compositeur | 0 | |||||||
| 40607 | Bernard | Parmegiani | Des Mouches et des Hommes | 1967 | Film | Theatermusik |
INA • GRM | 0 | ||||||||||||
| 40601 | Bernard | Parmegiani | Deux Romains en Gaulle | 1967 | Theatermusik | variétée | INA • GRM | 25.5.1967 | TV ORTF, 1. chaine | 0 | |||||||||
| 40556 | Bernard | Parmegiani | Don Quichotte | 1965 | Film | INA • GRM | 26.10.1965 | TV ORTF, 2. chaine | 0 | ||||||||||
| 31315 | Bernard | Parmegiani | Drôle de Jeu | 1968 | Film | 15 | pour un film de P. Kast | INA • GRM | 0 | ||||||||||
| 12643 | Bernard | Parmegiani | Du pop à l'ane | 1969 | fixed media, akusmatisch | 10:09 | Stereo | "collage" | INA G 6000, CD 02/ | INA • GRM | 27.02.1969 | Paris, Maison de la Radio, studio 105 | 1 | 1984 | |||||
| 25679 | Bernard | Parmegiani | E Pericoloso sporgersi | 1991 | radiophon | 25:37 | Stereo | INA G 6000, CD 09/ | INA • GRM | Radio France | 1 | ||||||||
| 40563 | Bernard | Parmegiani | Elect’Rythm | 1965, 1966 | Film | 3:12 | Mono | animation film | INA • GRM | 0 | |||||||||
| 40570 | Bernard | Parmegiani | Empire romain I - II | 1966 | Film | INA • GRM | mai 1966 | TV ORTF, 1. chaine | 0 | ||||||||||
| 19019 | Bernard | Parmegiani | Enfer, Cantique électronique | 1971 - 1972 | fixed media, akusmatisch | Tanz |
65:13 | Stereo | from divine comédie, sung by M. Hermon; 3 Versions |
MGCB 0795/ INA G 6000, CD 04/ | INA • GRM | Commande d’Etat | 5.2.1973 27.3.1973 30.1.1974 23.2.1973 |
Récamier Theatre Paris (version concert) Récamier Theatre Paris (avec Diapositives) Paris, Eglise St. Séverin (654,2) ORTF France Musique (23.2.1973) |
1 | http://www.magison.org/ | ||||
| 24728 | Bernard | Parmegiani | Espèces d’espaces | 2002 | fixed media, akusmatisch | 21:47 | Stereo | INA C 2026/ INA G 6000, CD 12/ | INA • GRM | 14.10.2002 | Studio 104 at Radio France | 1 | |||||||
| 12645 | Bernard | Parmegiani | Et apres …, Et apres | 1973 | Zuspiel / Tonband, 1 perf | 11:35 | Stereo | bandoneon [Akkordeon] | INA • GRM | ORTF, Service de la Musique légère | 05.1973 28.4.1979 |
Int. Forum of Light Music Munich (Michel Portal) Paris, Maison de la Radio, Studio 104 |
0 | ||||||
| 12646 | Bernard | Parmegiani | Exercisme 1 | 1985 | live-elec, 3 perf | 17:22 | Stereo | 3 synt [synthesizer] | INA G 6000, CD 08/ | INA • GRM | 25.02.1985 | Studio 104 at Radio France with Trio TM+ | 1 | ||||||
| 12647 | Bernard | Parmegiani | Exercisme 2 | 1985 | fixed media, akusmatisch | 27:20 | Stereo | INA G 6000, CD 08/ | INA • GRM | 25.02.1985 | Studio 104 at Radio France | 1 | |||||||
| 12648 | Bernard | Parmegiani | Exercisme 3, De l'oiseau du dessert De la variation Des perspectives Des Glissements D'Autres Perspectives De la couleur |
1986 | fixed media, akusmatisch | 23:50 | Stereo | Syter | INA C 1012 / 1013/ LDC 278055 Cultures Electroniques 6 Magisterium/ INA C 1034 27654 archives grm CD 4/5/ INA G 6000, CD 08/ INA C 1012 / 1013/ | INA • GRM | 24.02.1986 | Paris, Maison de Radio-France, Gd. Auditorium | Magisterium Bourges 1991 | 1 | |||||
| 12649 | Bernard | Parmegiani | Exercisme 4 | 1989 | fixed media, akusmatisch | 13:51 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 12650 | Bernard | Parmegiani | Générique | 1970 | fixed media, akusmatisch | 2:05 | Stereo | PHI 6526003/ PHI 6585 007/ PHI 674 001/ | INA • GRM | 1 | |||||||||
| 40597 | Bernard | Parmegiani | Générique de Syrie | 1966 | Film | 2:30 | INA • GRM | 8.9.1968 | TV ORTF, 2. chaine | 0 | |||||||||
| 40657 | Bernard | Parmegiani | Générique divertimento | 1969 | Fernsehen, | 0:55 | INA • GRM | 0 | |||||||||||
| 40419 | Bernard | Parmegiani | Guerre et Poesie | 1961 | Theatermusik | pour un spectacle d H. Pichette | INA • GRM | Paris, Th. de France | 0 | ||||||||||
| 40748 | Bernard | Parmegiani | Histoire d’un accident | 1974 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 40481 | Bernard | Parmegiani | Histoires naturelles | 1963 | Film | INA • GRM | 28.10.1963 | TV ORTF, 2. chaine | 0 | ||||||||||
| 40541 | Bernard | Parmegiani | Hommes et Pierres | 1965 | Theatermusik | Pièce de J. C. Faye | INA • GRM | 2.11.1965 | Paris, Th. de France | 0 | |||||||||
| 12651 | Bernard | Parmegiani | Ici la radio | 1986 | fixed media, akusmatisch | 13:44 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 12652 | Bernard | Parmegiani | IFI | 1958 | Film | 2:00 | Mono | ORTF Paris | 0 | ||||||||||
| 25682 | Bernard | Parmegiani | Immer / sounds, Immer/Sounds | 1999 | fixed media, akusmatisch | 11:24 | Surround 5.1 | INA G 6000, CD 12/ | INA • GRM | Philippe Samartzis (surround sound concert) | 1 | ||||||||
| 40578 | Bernard | Parmegiani | IMPROMPTU mECANIQUE | 1966 | Film | INA • GRM | 24.6.1966 | TV ORTF, 2. chaine | 0 | ||||||||||
| 40436 | Bernard | Parmegiani | Improvisations | 1962 | Theatermusik | 3:10 | mime [Schauspieler] | Etude de gestes par le mime Lecoq | INA • GRM | 1962 | Paris, Spectacle Lecoq | 0 | |||||||
| 24328 | Bernard | Parmegiani | Indicatif, Indicatif France Culture | 1972 | Hintergrundmusik | 1:14 | Mono | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 1 | |||||||||
| 24329 | Bernard | Parmegiani | Indicatif "Stade 2" | 1975 | Hintergrundmusik | 0:26 | Stereo | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 1 | |||||||||
| 12653 | Bernard | Parmegiani | Indicatif Roissy | 1971 | Hintergrundmusik | 0:03 | Stereo | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | Aéroport de Roissy | 1 | ||||||||
| 40418 | Bernard | Parmegiani | Indicatifs, Inter actualités Physique nucléaire La radio s’interroge |
1961 | Hintergrundmusik | 0:28 | Pausenzeichen | INA • GRM | 0 | ||||||||||
| 40751 | Bernard | Parmegiani | Indicativf | 1975 | radiophon | INA • GRM | ORTF France-Culture | ORTF France-Culture | 0 | ||||||||||
| 40753 | Bernard | Parmegiani | Inter-action | 1975 | Tanz | 60:05 | pour le Theâtre du silence | INA • GRM | 29.5.1975 | Paris, Musée d’art Moderne, dansé par B. Lefèvre et J. Garnier | 0 | ||||||||
| 40526 | Bernard | Parmegiani | J’ai les peintres | 1964 | Film | Mono | INA • GRM | 17.10.1966 | TV ORTF, 2. chaine | 0 | |||||||||
| 12654 | Bernard | Parmegiani | Jazzex | 1966 | Zuspiel / Tonband, 4 perf | 16:53 | Stereo | sax, tpt, perc, db [Saxophon, Trompete, Schlagzeug, Kontrabass] | "free jazz" | INA G 6000, CD 01/ IDEAMA CD 052/ | INA • GRM | 4.4.1966 | Royan Festival, avec J.-L. Chautemps saxo, B. Vitet trompette, Ch. Sendrais batterie, G. Rovere contrebas | 1 | |||||
| 40568 | Bernard | Parmegiani | Jeu des definitions | 1966 | Film | 0:46 | INA • GRM | 14.8.1966 - 16.1.1967 | TV ORTF, 1. chaine | 0 | |||||||||
| 40781 | Bernard | Parmegiani | Jeux d’artifices | 1979 | audiovisuell | 13:10 | INA • GRM | 28.4.1979 | Paris, Maison de Radio France, Gd. Auditorium | 0 | |||||||||
| 31314 | Bernard | Parmegiani | Jeux des anges | 1964 | Film | pour un film de W. Borowzyck | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | INA • GRM | 1964 | Tours, Festival | 2ème prix du Festival | 0 | |||||||
| 40638 | Bernard | Parmegiani | Journees de recherche | 1968 | Fernsehen, | 0:34 | INA • GRM | 0 | |||||||||||
| 40402 | Bernard | Parmegiani | Jours de ma vie | 1959 | Film | INA • GRM | 1960 | Tours | 0 | ||||||||||
| 12656 | Bernard | Parmegiani | Kaleidophone | 1978 | Klangkunst, Installation | 20:59 | Octo, Stereo | first use of 8 channel tape | INA • GRM | Radio France | 6.-13.3.1978 | Paris, Festival du son; Palais des Congrés | 0 | ||||||
| 24331 | Bernard | Parmegiani | L'alcool tue | 1962, 1966 | fixed media, akusmatisch | 4:13 | Text by Boris Vian. Singer: Caroline Cler. Chanson concrète |
INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 24.7.1962 | Paris, Ranelagh Expériences 62 | 1 | |||||||
| 32738 | Bernard | Parmegiani | L’Arraignelephant | 1967 | Film | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | INA • GRM | 0 | |||||||||||
| 12657 | Bernard | Parmegiani | L'echo du miroir | 1980 | Performance, live-elec, 1 perf | 41:47 | Octo, Stereo | com, (6 screens) [computer] | spectacle multi-média | INA • GRM | 21.11.1980 | Metz, 9. Rencontres Internationales, Palais des Sports | 0 | ||||||
| 12658 | Bernard | Parmegiani | L'ecran transparent | 1973 | Film | 19:56 | Stereo | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | INA • GRM | WDR Köln | 0 | ||||||||
| 40737 | Bernard | Parmegiani | L’Ecran transparent | 1973 | Fernsehen, | 19:56 | INA • GRM, WDR | 0 | |||||||||||
| 12659 | Bernard | Parmegiani | L'enfer de la Divine Comedie | 1972 | fixed media, akusmatisch | 65:00 | Stereo | INA • GRM | 0 | ||||||||||
| 12660 | Bernard | Parmegiani | L'instant mobile | 1966/1971 | fixed media, akusmatisch | 10:41 | Quadro, Stereo | first „pure electronic“ work from GRM | INA G 6000, CD 01/ PHI 6521 025/ IDEAMA CD 052/ | INA • GRM | 25.05.1966 | Paris, Studio 105 at Radio France | 1 | ||||||
| 12661 | Bernard | Parmegiani | L'oeil écoute | 1970 | audiovisuell | Tanz |
19:11 | Stereo | with a video directed by Borowzyck - cf film music catalogue. First use of an analog synt |
Agon PV 725002/ INA C 2026/ INA G 6000, CD 03/ PHI 6521 025/ Klett Stuttgart 92422/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 021/ | INA • GRM | 9.05.1970 | Gulbekian Festival Lisboa | 1 | ||||||
| 40554 | Bernard | Parmegiani | La Brulure de 1000 Soleils | 1965, 1971 | Film | radiophon |
25:04 | Mono, Stereo | texte de P. Kast & C. Marker | INA • GRM | 1965 | Warsaw autumn | 0 | |||||||
| 40542 | Bernard | Parmegiani | La cage de verre, Le mime Marceau | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 12662 | Bernard | Parmegiani | La Création du Monde, Lumière Noire Métamorphose du vide Signe de vie |
1984 | fixed media, akusmatisch | 72:44 | Stereo | INA C 1002/ INA G 6000, CD 07/ | INA • GRM | 14.05.1984 | Studio 104 at Radio France | 1 | |||||||
| 31325 | Bernard | Parmegiani | La Création du Monde, Lumière Noire | 1983 | fixed media, akusmatisch | 28:37 | INA • GRM | 31.1.1983 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | |||||||||
| 31328 | Bernard | Parmegiani | La Création du Monde, Lumière Noire Métamorphose du vide Signe de vie |
1984/1986 | Oper | fixed media, akusmatisch |
103 | INA G 6000, CD 07/ | INA • GRM | 14.5.1984 21.6.1984 |
Paris, Maison de Radio-France, Gd. Auditorium Montpellier, Th. Gramont |
1 | ||||||||
| 40710 | Bernard | Parmegiani | La Forêt clcinée | Film | INA • GRM | 0 | |||||||||||||
| 40564 | Bernard | Parmegiani | La Fusée Antigone | 1965 | Film | pour émission TV | INA • GRM | 0 | |||||||||||
| 24726 | Bernard | Parmegiani | La mémoire des sons | 2000 - 2001 | fixed media, akusmatisch | 24:40 | Stereo | INA C 2019/ INA G 6000, CD 11/ | INA • GRM | 10.03.2001 | Studio 104 at Radio France | 1 | |||||||
| 28661 | Bernard | Parmegiani | La Poupée | 1962 | Film | Mono | INA • GRM | 0 | |||||||||||
| 40437 | Bernard | Parmegiani | La Poupée | 1962 | Film | Etude de gestes par le mime Lecoq | INA • GRM | 1962 | Berlin | 0 | |||||||||
| 12664 | Bernard | Parmegiani | La roue ferris | 1971 | fixed media, akusmatisch | Tanz |
10:40 | Stereo | INA C 1000/ INA C 1035 27655 archives grm CD 5/5/ INA C 2026/ INA G 6000, CD 03/ PHI 6521 025/ | INA • GRM | 26.08.1971 February 1972 |
Shipyard Festival Menton Lyon, Opéra |
1 | |||||||
| 25678 | Bernard | Parmegiani | La Table des Matières | 1979 | fixed media, akusmatisch | 19:02 | Stereo | INA G 6000, CD 06/ | INA • GRM | 28.04.1979 | Studio 104 at Radio France (acousmatic cycle) | 1 | |||||||
| 40647 | Bernard | Parmegiani | La Ville en haut de la Colline | 1968 | Film | 26:17 | INA • GRM | 2.1.1969 | TV ORTF | 0 | |||||||||
| 40708 | Bernard | Parmegiani | La visite de la vieille dame | 1970 | Film | INA • GRM | 5.1.1971 | TV ORTF, 2. chaine | 0 | ||||||||||
| 12665 | Bernard | Parmegiani | Labyrinthe | 1969 | Film | 13:15 | Stereo | INA • GRM | prix special de Melbourne 1972 | 1 | |||||||||
| 12666 | Bernard | Parmegiani | Le diable à quatre | 1971 | Zuspiel / Tonband, 3 perf | 35:55 | Stereo, Quadro | b-cl, perc, db [Klarinette, Schlagzeug, Kontrabass] | INA • GRM | 26.2.1971 | Paris, Halles Baltard; avec M. Portal (b-cl), J.-P- Drouet (perc), J.-F. Jenny-Clark (db) | 0 | |||||||
| 40562 | Bernard | Parmegiani | LE DICTIONNAIRE DE JOACHIM | 1965 | Film | 8 | animation film | INA • GRM | 1965 | Tours, Festival | 0 | ||||||||
| 40656 | Bernard | Parmegiani | Le Lièvre | 1969 | radiophon | INA • GRM | 0 | ||||||||||||
| 40421 | Bernard | Parmegiani | Le mariage de Monsieur Mississipi | 1961 | Theatermusik | pour la Comp. de l’est, mise en scène de H. Gignoux | INA • GRM | Novembre 1961 | Strasbourg | 0 | |||||||||
| 32739 | Bernard | Parmegiani | Le Pas | 1975 | Film | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | INA • GRM | 0 | |||||||||||
| 40750 | Bernard | Parmegiani | Le pas | 1975 | Film | 7:14 | animations film | INA • GRM | 0 | ||||||||||
| 40426 | Bernard | Parmegiani | Le repos du Guerrier | 1961 | Theatermusik | 8:08 | after novelle de Christiane Rochefort. Mise en scène J. Lescure | INA • GRM | nov./dec. 1961 | Paris, Th. de Paris | 0 | ||||||||
| 40549 | Bernard | Parmegiani | Le Ruom | 1965 | radiophon | INA • GRM | 28.3.1965 | Radio France Inter | 0 | ||||||||||
| 40606 | Bernard | Parmegiani | Les Mathematiques | 1967 | Film | INA • GRM | 16.4.1967 | TV ORTF | 0 | ||||||||||
| 40585 | Bernard | Parmegiani | Les Puces | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 40769 | Bernard | Parmegiani | Les Samedis de L’Histoire | 1977 | Fernsehen, | 3:50 | INA • GRM | 7.5.1977 | TV ORTF, 3. chaine | 0 | |||||||||
| 40719 | Bernard | Parmegiani | Les soleils de l’Ile de Paques | 1971 | Film | INA • GRM | 0 | ||||||||||||
| 40772 | Bernard | Parmegiani | Lettres du bout du monde | 1977 | Fernsehen, | 23:58 | INA • GRM | 13.12.1977 | TV ORTF, 1. chaine | 0 | |||||||||
| 40776 | Bernard | Parmegiani | Lettres du bout du monde no. 3, Une honorable partie de Go | 1979 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 12668 | Bernard | Parmegiani | Litaniques | 1987 | fixed media, akusmatisch | 21:23 | Stereo | INA G 6000, CD 09/ | INA • GRM | 26.05.1987 | Studio 104 at Radio France | 1 | |||||||
| 40565 | Bernard | Parmegiani | Magazine Cinema verite | 1965 | Film | pour émission TV | INA • GRM | 0 | |||||||||||
| 40555 | Bernard | Parmegiani | MAN | 1965 | Film | INA • GRM | 12.9.1965 | TV ORTF, 2. chaine | 0 | ||||||||||
| 40577 | Bernard | Parmegiani | Mec’Art | 1966 | Film | INA • GRM | 24.6.1966 | TV ORTF, 2. chaine | 0 | ||||||||||
| 20633 | Bernard | Parmegiani | Mécaniquàmusique | 1991 | fixed media, akusmatisch | 2:05 | Stereo | CIRM/ | CIRM Nice | 0 | |||||||||
| 12669 | Bernard | Parmegiani | Mess media sons, Introduction La table des matières Désaccords, la pollution La pollution radio Corps en sons, jeu objets 1 Gestes évoluants Ajustements Jeu objets 2 Accords |
1979 | Zuspiel / Tonband, 3 perf | 44:21 | Stereo + Stereo, Stereo, Quadro | 2 perf, dancer [Performer, Tanz] | INA • GRM | L’Etat pour l'Ina GRM | 28.4.1979 | Paris, Maison de Radio France, Gd. Auditorium; avec M. Redolfi et F. Royon le Mée | 1 | ||||||
| 40553 | Bernard | Parmegiani | Miracle oublie | 1965 | Tanz | Poème de L. Bérimond | INA • GRM | 25.4.1966 | Paris, Theâtre du Tertre | 0 | |||||||||
| 40471 | Bernard | Parmegiani | Musée Grevin | 1962 | Hintergrundmusik | Musique accompagnant la visité du Musée | INA • GRM | décembre 1962 | Paris, Musée Grevin | 0 | |||||||||
| 40774 | Bernard | Parmegiani | Musico Picassa | 1978 | radiophon | 6:50 | en hommage à Picasso | INA • GRM | Radio france | 5.4.1978 | France Culture | 0 | |||||||
| 25677 | Bernard | Parmegiani | Musico-Picassa | 1978 | Tanz | 6:53 | Stereo | INA G 6000, CD 02/ | INA • GRM | Radio France | 5.04.1978 | France Culture Radio | 1 | ||||||
| 40629 | Bernard | Parmegiani | Musique du CERN, La grande machine | 1968 | Film | INA • GRM | 10.11.1968 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40713 | Bernard | Parmegiani | Narcissus | 1971 | Film | 5:56 | INA • GRM | 1972 1972 |
Zagreb New York |
0 | |||||||||
| 40447 | Bernard | Parmegiani | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | 9:30 | INA • GRM | 0 | |||||||||||
| 12670 | Bernard | Parmegiani | Outremer | 1969, 1978 | Zuspiel, live-elec, 6 perf | 21:16 | Stereo | 6 oma [synthesizer] | Marconi C 065 11690/ IDEAMA CD 022/ | INA • GRM | Commande d’Etat | 23.10.1969 28.3.1978 |
Paris, Maison de la Radio, SMIP; avec Arlette Sibon-Simonovic Paris, Eglise St. Séverin; avec le sextuor Jeanne Loriod |
1 | 1990 | ||||
| 12671 | Bernard | Parmegiani | Paradis, Écriture | 1974 | fixed media, akusmatisch | 19:37 | Stereo | INA • GRM | 30.1.1974 31.3.1976 |
Paris, Eglise St. Séverin Lyon, Audit. Maurice Ravel; Choré. de V. Biagi; Décor: R. Allio |
1 | ||||||||
| 12672 | Bernard | Parmegiani | Phonosophobe | 1962 | fixed media, akusmatisch | Performance |
10:45 | Stereo | mime [Schauspieler] | pour une action mimée sur un argument du compositeur | INA • GRM | 15.12.1962 | Salle des Conservatoires, Paris | 1 | ||||||
| 40567 | Bernard | Parmegiani | Plateforme zero | 1966 | Film | 1 | INA • GRM | 8.5.1966 - 10.7.1966 | TV ORTF, 1. chaine | 0 | |||||||||
| 40557 | Bernard | Parmegiani | Plus Vite | 1965 | Film | 8:16 | animation film | INA • GRM | 1965 | Tours, Festival | 0 | ||||||||
| 12673 | Bernard | Parmegiani | Ponomatopées | 1970 | Film | 6:17 | Stereo | concerto suite | INA G 6000, CD 02/ PHI 6740 001/ IDEAMA CD 022/ | INA • GRM | 17.05.1972 | Guimet Museum Paris | 1 | ||||||
| 12674 | Bernard | Parmegiani | Pop secret, Introduction Eclosion Trille d’essai L’un après l’autre Métallorgie a b c Exorcisme Rencontre |
1969, 1971 | fixed media, akusmatisch | Zuspiel/Tonband, 2 perf |
35:45 | Stereo | V, ins [Stimme, Instrument] | (rév.1971) | IDEAMA CD 021/ | INA • GRM | EMI (“The third Ear Band“) | 24.6.1970 6.11.1970 |
London, Royal Festival Hall (The third Ear Band) Bordeaux, Sigma; avec „the third Ear Band“ |
0 | ||||
| 12675 | Bernard | Parmegiani | Pop'eclectic, Popecletic | 1969 | fixed media, akusmatisch | 10:59 | Stereo | music taken from a filmsoundtrack. Suite tirée de „Je tu elles“ |
INA G 6000, CD 02/ Klett Stuttgart 08762/ | INA • GRM | 11.03.1969 | Southhampton Uni | 1 | ||||||
| 12676 | Bernard | Parmegiani | Pour en finir avec le pouvoir d'Orphée, Lent tissage Un souffle un rien Trés fin lá-bas L’unisson des voix Silons d’Orphée |
1971 | Zuspiel / Tonband, 2 perf | 23:25 | Stereo | 2 mouth-org (guimbardes) [Bläser] | version 1 | Coll GRM 9102 PA/ INA C 1012/ INA G 6000, CD 03/ INA-GRM 9102 PA/ | INA • GRM | 26.2.1971 | Paris, Halles Baltard, avec J. Wright et Tran Quang Hai, guimbardes (Maultrommel) | 0 | |||||
| 12677 | Bernard | Parmegiani | Pour en finir avec le pouvoir d'Orphée II, Faire Défaire Kaleidoscope I Kaleidoscope II L'Oscilée L’Unisson des voix |
1972, 1979 | fixed media, akusmatisch | Tanz |
40:50 | Stereo | version 2 | INA C 1012/ INA G 6000, CD 03/ Coll GRM 9102 PA/ INA C 1012 / 1013/ | INA • GRM | 1 | ||||||||
| 40544 | Bernard | Parmegiani | Pup’s | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 40610 | Bernard | Parmegiani | Ramayana | 1967 | radiophon | INA • GRM | 1.2.1968 | ORTF France-Culture | 0 | ||||||||||
| 40586 | Bernard | Parmegiani | Recession | 1966 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 25684 | Bernard | Parmegiani | Rêveries | 2007 | fixed media, akusmatisch | 13:46 | Stereo | INA G 6000, CD 12/ | INA • GRM | 20.10.2007 | Marni Theatre Brussels (Musiques et Recherches - 80nth birthday) | 1 | |||||||
| 40438 | Bernard | Parmegiani | Rhinomorphoses | 1962 | Film | animations film | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 40739 | Bernard | Parmegiani | Roman de Renard | 1974 | Fernsehen, | Pour une émission TV en 18 épisodés. | INA • GRM | mai à juin 1974 | TV ORTF, 3. chaine | 0 | |||||||||
| 12678 | Bernard | Parmegiani | Rouge-Mort: Thanatos, Signes Derniers Jeux Séduction Froide Ultime Danse |
1987 | fixed media, akusmatisch | Tanz |
16:48 | Stereo | INA C 1013/ INA G 6000, CD 09/ INA C 1012 / 1013/ | INA • GRM | 27.02.1989 | Studio 104 at Radio France | 1 | |||||||
| 40780 | Bernard | Parmegiani | S T | 1979 | Theatermusik | Pour une pièce de F. G. Lorca. | INA • GRM | 3.12.1979 | Paris, Theâtre Montparnasse | 0 | |||||||||
| 40702 | Bernard | Parmegiani | Sables | 1970 | Film | INA • GRM | 0 | ||||||||||||
| 40648 | Bernard | Parmegiani | Sadiquement votre | 1968 | Film | INA • GRM | 0 | ||||||||||||
| 40637 | Bernard | Parmegiani | Socrate | 1968 | Film | Mono | INA • GRM | 0 | |||||||||||
| 24727 | Bernard | Parmegiani | Sonare | 1996 | fixed media, akusmatisch | 21:22 | Stereo | 4 Movements (7:29; 3:04; 4:31; 6:20) | INA e 5203/ INA G 6000, CD 11/ | INA • GRM | 1996 | Mancas Festival (CIRM) Moans-Sartoux | 1 | ||||||
| 24725 | Bernard | Parmegiani | Sons / jeu | 1998 - 2000 | fixed media, akusmatisch | 21:09 | Stereo | INA C 2019/ INA G 6000, CD 11/ | INA • GRM | 18.06.1998 | Studio 104 at Radio France | 1 | |||||||
| 40760 | Bernard | Parmegiani | Stade Flash sports |
1975 | Hintergrundmusik | INA • GRM | 25.1.1976 | TV Antenne 2 | 0 | ||||||||||
| 32737 | Bernard | Parmegiani | Steinberg | 1960 | Film | sur les dessins de Steinberg | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | INA • GRM | 19.6.1960 | Paris, Salle des Agricultures | 0 | ||||||||
| 40611 | Bernard | Parmegiani | Stienz | 1967 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 12679 | Bernard | Parmegiani | Stries, Strilento (ou Adagio) Strio Stries |
1980 | Zuspiel, live-elec, 3 perf | 45:05 | Stereo, Quadro, Octo | 3 synt [synthesizer] | Roland 100M, Synthi AKS, Yamaha CS40M | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | INA • GRM | 17.3.1980 | Paris, Maison de Radio France, Gd. Auditorium; avec le TRIO.GRM.PLUS (Cuniot, Dufour, Geslin) | 1 | 1984 | |||
| 40534 | Bernard | Parmegiani | Strip Camelia, Faut pas pousser Les tousseurs |
1964 | Film | Emissions TV de Caroline Cler. | INA • GRM | 22.10.1964 20.11.1964 |
TV ORTF, 1. chaine TV ORTF, 1. chaine |
0 | |||||||||
| 40433 | Bernard | Parmegiani | Telescripteurs | 1962 | Film | animations film | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 12680 | Bernard | Parmegiani | Thalassa | 1970 | fixed media, akusmatisch | 17:58 | Stereo | INA • GRM | 11.2.1971 | Paris, Espace Cardin "Cinq Journées Rencontres 1971" |
0 | ||||||||
| 12644 | Bernard | Parmegiani | Trilogie Plain-temps, Entre-temps | 1992 | fixed media, akusmatisch | 22:32 | Stereo | Prix ars electronica 93/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA G 6000, CD 10/ | INA • GRM | 16.03.1992 | Studio 104 at Radio France | Golden Nica Ars Electronica 1993 | 1 | 1996 | |||||
| 12667 | Bernard | Parmegiani | Trilogie Plain-temps Le Présent composé, Temps figé Intermittence Présence Temps pulsé |
1991 | fixed media, akusmatisch | 23:45 | Stereo | total duration is 70:34 | INA C 1013/ INA G 6000, CD 10/ INA C 2027/ INA C 1012 / 1013/ | INA • GRM | 19.04.1991 | Studio 104 at Radio France | 1 | 1996 | |||||
| 12681 | Bernard | Parmegiani | Trio | 1973 | Theater, live-elec, 1 perf | 23:07 | Mono + Mono + Stereo | actor [Schauspieler] | spectaclepour trois haut-parleurs et action scènique | INA • GRM | 3.4.1973 | Paris, Maison de la Radio, Studio 104, avec M. Chion, acteur | 0 | ||||||
| 12682 | Bernard | Parmegiani | Tuba raga | 1982 | Zuspiel / Tonband, 1 perf | 24:45 | Stereo | tuba [Tuba] | INA • GRM | 17.3.1982 | Paris, IRCAM Espace de projection | 0 | |||||||
| 40600 | Bernard | Parmegiani | Tueur sans gage | 1967 | Theatermusik | spectacle de marionnettes | INA • GRM | 1967 | Paris, Theâtre de France | 0 | |||||||||
| 40773 | Bernard | Parmegiani | Turandot | 1978 | radiophon | 11:35 | INA • GRM | 15.9.1978 | France Culture | 0 | |||||||||
| 12683 | Bernard | Parmegiani | Un arbre ... c’était le mien! | 1987 | fixed media, akusmatisch | 19:30 | IMEB Bourges | 0 | |||||||||||
| 40479 | Bernard | Parmegiani | Un cas interessant | 1963 | Film | INA • GRM | 15.1.1963 | TV ORTF | 0 | ||||||||||
| 40749 | Bernard | Parmegiani | Une nuit en Lorraine | 1974 | Fernsehen, | INA • GRM | ORTF Lille | 8.11.1975 | FR 3 TV Lille | 0 | |||||||||
| 40639 | Bernard | Parmegiani | Varietes | 1968 | Fernsehen, | 0:38 | INA • GRM | 0 | |||||||||||
| 40594 | Bernard | Parmegiani | Varietés I et II, Afro Yeyex Les nanas Bossa I Jerk I Jerk II |
1966 | fixed media, akusmatisch | 21 | Mono | INA • GRM | 0 | ||||||||||
| 40499 | Bernard | Parmegiani | Venus an 2000, Demandez le programme | Film | TV-Serie „Demandez le programme“ | INA • GRM | 0 | ||||||||||||
| 40766 | Bernard | Parmegiani | Vibs | 1976 | Film | INA • GRM | 0 | ||||||||||||
| 12685 | Bernard | Parmegiani | Visage d'Afrique | 1958 | Film | 4:00 | Mono | PS C. | 0 | ||||||||||
| 40777 | Bernard | Parmegiani | Wings | 1979 | Theatermusik | 7:13 | INA • GRM | 19.10.1979 | Paris, Theâtre d’Orsay | 0 | |||||||||
| 40462 | Bernard, Y. | Parmegiani, Baudrier | Navire etoile | 1962 | Film | INA • GRM | 11.11.1962 | TV ORTF | 0 | ||||||||||
| 40517 | Bernard, Edgardo | Parmegiani, Canton | Le puits et le pendule | 1964 | Film | pour une émission TV de A. Astruc. Enreg. studio du mixage bande (Parmegiani) et ens instr. (Canton) | INA • GRM | 0 | |||||||||||
| 40413 | Bernard, Edgardo | Parmegiani, Canton | Martiens 001 | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 40465 | Bernard, Edgardo | Parmegiani, Canton | Tilt | 1962 | Theater, 1 perf, 1 group | ens, mime [Schauspieler, Ensemble] | INA • GRM | 1962 | Théâtre Récamier, Paris | 0 | |||||||||
| 40655 | Bernard, Robert | Parmegiani, Cohen-Solal | Je tu elles, Les réfrigérateurs | 1969 | Film | 1. part ≈ Parmegiani, 2. part ≈ Cohen-Solal | INA • GRM | 28.6.1973 | TV ORTF, 2. chaine | 0 | |||||||||
| 40535 | Bernard, Georges | Parmegiani, Delerue | A | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 12684 | Bernard, Devy | Parmegiani, Erlih | Violostries, Introduction Pulsion-miroirs Jeu de cellules Végétal |
1964 | Zuspiel / Tonband, 1 perf | 16:37 | Quadro | vn [Violine] | violin part created by an original idea by the violin player Devy Erlih | INA C 1012/ INA G 6000, CD 01/ PHI 836 889 DSY/ Klett Stuttgart 92422/ IDEAMA CD 051/ INA C 1012 / 1013/ | INA • GRM | 04.1965 31.1.1969 |
Royan Festival; with D. Erlih (vn) Amiens, Maison de la Culture |
1 | |||||
| 40411 | Bernard, Geneviève | Parmegiani, Martin | 7ème ART BIS | 1960 | Fernsehen, | 3:27 | INA • GRM | 20.9.1961 | RTF | 0 | |||||||||
| 28659 | Bernard, Geneviève | Parmegiani, Martin | Patamorphoses | 1960 | Film | Stereo | ens [Ensemble] | Enregistrement du mixage bande et ens. instrumental (composé par G. Martin) | INA • GRM | 1960 | Tours | 0 | |||||||
| 41638 | Clément | Parmentier | Schizophrénie | 2014 | fixed media, akusmatisch | 11:18:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 33639 | Clément | Parmentier | TOC | 2010 | fixed media, akusmatisch | 11 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 12686 | Åke | Parmerud | 9 musikskulpturer | 1983 | fixed media, akusmatisch | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||||||
| 12687 | Åke | Parmerud | Accending | 1983 | live-elec, 5 perf | p, vn, vc, fl, cl [Flöte, Klarinette, Piano, Cello, Violine] | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||||
| 39263 | Åke | Parmerud | AfterImage | 1997 - 1998 | live-elec, 1 group | 11:33 | orc [Orchester] | Also as a film music „Ellipse 1993“ | The Gothenburg Symphonic Orchestra | 0 | http://www.parmerud.com/MediaArtist/AfterImage.html | ||||||||
| 39265 | Åke | Parmerud | Age unknown | 1991 | Film | 0 | http://www.parmerud.com/MediaArtist/Handerna.html | ||||||||||||
| 12688 | Åke | Parmerud | Alias | 1990 | fixed media, akusmatisch | 14:20 | INFOGRAM 009/ LDC 278053/54 Cultures Electroniques 6/ PSCD 72 Phono Suecia/ | Swedish Royal Academy of Music | 1990 | ”Stockholm New Music” | first prize in the Bourges festival 1991 | 1 | http://www.parmerud.com/MediaArtist/Home.html | ||||||
| 12689 | Åke | Parmerud | Alice i Underlandet, 2 parts | 1983 | Musiktheater, 4 perf | 107:00 | Stereo | 4 actor [Schauspieler] | EMS Stockholm | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||
| 39269 | Åke | Parmerud | Ancestral land | 1999 - 2004 | Film | 0 | http://www.parmerud.com/MediaArtist/Documentary.html | ||||||||||||
| 39262 | Åke | Parmerud | Bows, Arcs & the arrow of Time | 2006 | audiovisuell, live-elec, 7 perf | 2 vn, va, vc, db, 2 Kbd, (soundextensions & Video) [Keyboard, Viola, Cello, Violine, Kontrabass] | Swedish string orchestra Musica Vitae | 0 | |||||||||||
| 27817 | Åke | Parmerud | Broken Silence | 2009 | live-elec, 1 perf | 12:39 | b-sax or a-sax, [Saxophon] | Rikskonserter | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||
| 39036 | Åke | Parmerud | Broken Silence | 2009 | live-elec, 1 perf | b-sax and a-sax [Saxophon] | Svenska Rikskonserter | 0 | |||||||||||
| 12690 | Åke | Parmerud | Coda | 1984 | fixed media, akusmatisch | 2:50 | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||||
| 27815 | Åke | Parmerud | Crystal Counterpoint | 2009 | fixed media, akusmatisch | 12:58 | Surround 5.1 | IMED 16137/ | IMEB Bourges | IMEB | May 29, 2009 | Synthèse festival (Bourges, France) | Prix Ton Bruynèl 2010 (Amsterdam, The Netherlands). | 0 | http://www.parmerud.com/MediaArtist/Crystal.html | ||||
| 32930 | Åke | Parmerud | Cut 1, 2, 3 Progress | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 39035 | Åke | Parmerud | Dark Harbour | 2015 | live-elec, 1 perf | 7:52 | hn [Horn] | Sören Hermansson | 0 | ||||||||||
| 40359 | Åke | Parmerud | Dark matter | 2018 | fixed media, akusmatisch | 9:42 | CMJ Vol 45, 2018/ | DME (Dias de musica electroacustica), Lisbon, Portugal | 0 | http://www.parmerud.com/dark-matter.html | |||||||||
| 26027 | Åke | Parmerud | Dreaming in Darkness | 2005/2008 | fixed media, akusmatisch | 11:30 | 6, Spazialisation: WFS | IMED 16137/ INA GRM G6050/59/ | INA • GRM | INA • GRM | March 25, 2006 31.7.2008 |
Salle Olivier Messiaen of Maison de Radio France Inventionen TU-Hauptgebäude WellenFeld Berlin |
1 | 2008 | http://www.parmerud.com/MediaArtist/Dreaming.html | ||||
| 37021 | Åke | Parmerud | Electric Birds | 2013 | fixed media, akusmatisch | 11:13 | Octo | IMED 15132/ INA GRM G6050/59/ | INA • GRM | 14.1.2014 | Maison de Radio-France, Paris, Multiphonie Festival | 0 | |||||||
| 39272 | Åke | Parmerud | Ellipse 1993 | 1993 | Film | 9:16 | 0 | http://www.parmerud.com/MediaArtist/Lalandienses.html | |||||||||||
| 12691 | Åke | Parmerud | Epilog, Floden av Glas | 1981 | fixed media, akusmatisch | intermedia |
16:00 | Stereo | 15 slide - projectors | EMS Stockholm | 1981 | Stockholm | 0 | 1983 | http://www.parmerud.com/MediaArtist/Home.html | |||||
| 12692 | Åke | Parmerud | Exor | 1986 | Zuspiel / Tonband, 1 perf | 13:10 | p [Piano] | PSCD 72 Phono Suecia/ | PS C. | Artistic Development Gothenburg Univerity | 1 | http://www.parmerud.com/MediaArtist/Home.html | |||||||
| 12693 | Åke | Parmerud | Floden av glas | 1976/1981 | intermedia | EMS Stockholm | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||||
| 12694 | Åke | Parmerud | Förortsnatt | 1976/1977 | intermedia, 1 perf | ins [Instrument] | with transpariences | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||||
| 12695 | Åke | Parmerud | Gamla hundar | 1984 | Musiktheater | M. and mummery | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||||
| 12696 | Åke | Parmerud | Genom landskap av Glas | 1975 | fixed media, akusmatisch | 8:30 | txtcompo | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||||
| 24844 | Åke | Parmerud | Grains of Voices | 1992 - 1994 | radiophon | fixed media, akusmatisch |
31:11 | a Voice-piece. On the CD are 15 Examples of Field Recordings! |
CAP 21579/ | SR (Swedish Radio) | 0 | http://www.parmerud.com/MediaArtist/Grains.html | ||||||||
| 37020 | Åke | Parmerud | Grooves | 2011 | fixed media, akusmatisch | 9:11 | 43 Tracks, Octo, Spazialisation: Klangdom | IMED 15132/ | ZKM Karlsruhe | 0 | |||||||||
| 37022 | Åke | Parmerud | Growl! | 2014 | fixed media, akusmatisch | 12:43 | Stereo | IMED 15132/ | Musiques et Recherches Ohain | Musiques et Recherches | 11.2.2015 | Espace Senghor Bruxelles | 0 | http://www.parmerud.com/MediaArtist/Growl!.html | |||||
| 39270 | Åke | Parmerud | Homo Lalandiense | 1995 - 1997 | Film | 0 | http://www.parmerud.com/MediaArtist/Lalandienses.html | ||||||||||||
| 12697 | Åke | Parmerud | I förvittringen | 1975 | fixed media, akusmatisch | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||||||
| 12698 | Åke | Parmerud | Inori | 1986 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | hpd [Cembalo] | EMS Stockholm | Rikskonserter | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||
| 12699 | Åke | Parmerud | Inside Looking Out | 1992 | live-elec, 1 group | 10:27 | ens [Ensemble] | PSCD 72 Phono Suecia/ | DIEM Aarhus | DIEM | 1 | http://www.parmerud.com/MediaArtist/Home.html | |||||||
| 12700 | Åke | Parmerud | Intermediate I, II, III, IV | 1994 | fixed media, akusmatisch | 3:30 | PSCD 72 Phono Suecia/ | 1 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||||
| 12701 | Åke | Parmerud | Jeux imaginaires | 1993 | fixed media, akusmatisch | 10:45 | after a chess game; Stockholm M. Award 1993 | ICMC 1994, DIEM 001/ PSCD 72 Phono Suecia/ FYCD 1014/ | IMEB Bourges | IMEB | Stockholm Electronic Arts Award 1993 | 1 | http://www.parmerud.com/MediaArtist/Home.html | ||||||
| 12702 | Åke | Parmerud | Krén | 1983 | fixed media, akusmatisch | 17:20 | Stereo | INFOGRAM 018/ LDC 278058/59 Cultures Electroniques 8/ Ton Art 17/ | EMS Stockholm | 1st prize Bourges 1984 | 1 | http://www.parmerud.com/MediaArtist/Home.html | |||||||
| 26028 | Åke | Parmerud | La Vie Mécanique | 2004 | fixed media, akusmatisch | 12:50 | 5 tracks | LDC 2781134 Compendium 2004/ IMED 15132/ | IMEB Bourges | IMEB | 1 | http://www.parmerud.com/MediaArtist/Home.html | |||||||
| 39267 | Åke | Parmerud | Lê Lê | 2005 - 2008 | Film | 0 | |||||||||||||
| 22202 | Åke | Parmerud | Les Flûtes en feu | 1999 | fixed media, akusmatisch | 10:43 | Stereo | MR 2000 Métamorphoses 2000/ IMED 0367/ LDC 2781115/16/17 opus 30/ | IMEB Bourges, PS C. | IMEB Bourges | 14.06.2000 | Synthèse festival (Bourges, France) | 1st biennial Acousmatic Composition Competition Métamorphosis: 1st prize ex aequo | 1 | 2002 | http://www.parmerud.com/MediaArtist/LesFlutes.html | |||
| 12703 | Åke | Parmerud | Les objets obscures | 1991 | fixed media, akusmatisch | 14:40 | Stereo | Syter | PSCD 72 Phono Suecia/ nor 02/ INA ACM 1995/ INA C 1034 27654 archives grm CD 4/5/ INA GRM G6050/59/ | INA • GRM | Second prize: 2 ième Prix International Noroit - Léonce Petitot 1991 de Composition Mususicale acousmatique | 0 | http://www.parmerud.com/MediaArtist/LesObjets.html | ||||||
| 39277 | Åke | Parmerud | Lost Angel | 2001 | Klangkunst, Installation | Quadro | Installation | ICMA composition/production prize 2000 | 0 | ||||||||||
| 12705 | Åke | Parmerud | Mandala | 1983 | fixed media, akusmatisch | 7:00 | Stereo | EMS Stockholm | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||
| 12706 | Åke | Parmerud | Maze | 1984/1985 | fixed media, akusmatisch | 41:00 | Stereo | CAP 1320 LP/ | EMS Stockholm | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||
| 39278 | Åke | Parmerud | Metamorphos, Shadowplace | 2013 | Tanz | ZKM Karlsruhe | ZKM | 2013 | Atalante (Gothenburg) | Gigahertz and Walter Fink prizes | 0 | ||||||||
| 21979 | Åke | Parmerud | Mirage | 1996 | Tanz, 1 group | 16:27 | orc [Orchester] | NOTAM | NOMUS | 1996 | Oslo during the Ultima Festival | SMIC | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||
| 12707 | Åke | Parmerud | Morgondagen är en ofödd sång | 1982 | audiovisuell | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||||||
| 12708 | Åke | Parmerud | Närheter, Proximities | 1978 | fixed media, akusmatisch | 19:40 | Stereo | LDC 278076/77 Cultures Electroniques 16/ | EMS Stockholm | SR | first prize in Bourges in the category “program music” 1978 | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||
| 32272 | Åke | Parmerud | Necropolis the City of the Dead | 2011 | fixed media, akusmatisch | 13:45 | Octo | IMED 16137/ | INA • GRM | INA - GRM Paris | September 23, 2011 | Auditorium Saint-Germain de la Maison des pratiques artistiques amateurs (Paris, France) | 0 | ||||||
| 39037 | Åke | Parmerud | Nude descending a staircase | 2009 | live-elec, 5 perf | 6:58 | fl, bn, p, Kbd, perc [Flöte, Fagott, Piano, Keyboard, Schlagzeug] | For chamber ens & computer | Gageego | 0 | http://www.parmerud.com/downloads/NudeDescending/NudeScore.pdf | ||||||||
| 12709 | Åke | Parmerud | Opus I | 1989 | audiovisuell | intermedia |
56:00 | Stereo | EMS Stockholm | Skinnskattebergs & Rikskonserter | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||
| 12710 | Åke | Parmerud | Out of Sight | 1981 | fixed media, akusmatisch | 10:55 | Stereo | com M. | FYLP 1026/ CAP 21469 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | 1982 | http://www.parmerud.com/MediaArtist/Home.html | ||||||
| 12711 | Åke | Parmerud | Prolog | 1981 | fixed media, akusmatisch | 11:39 | Stereo | EMS Stockholm | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||
| 39261 | Åke | Parmerud | Raw | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 39042 | Åke | Parmerud | Reed my lips | 1991 | live-elec, 5 perf | w-qnt [Bläser] | Jönköpings Länsmusik | Jönköpings Wind Quintet | 0 | ||||||||||
| 12712 | Åke | Parmerud | Remain | 1980 | Zuspiel / Tonband, 4 perf, 1 group | 19:46 | Stereo | orc, Kbd, trbn, cl, perc [Klarinette, Posaune, Keyboard, Schlagzeug, Orchester] | PDP15 with IMPAC | EMS Stockholm | SR (Swedish Radio) | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||
| 12713 | Åke | Parmerud | Renaissance | 1994 | fixed media, akusmatisch | 12:24 | Stereo | Prix ars electronica 97/ IMED 0367/ INA GRM G6050/59/ | INA • GRM | Ina-GRM | January 31st, 1995 | Salle Olivier Messiaen, Maison de la Radio France | Honorary Mention at Prix Ars Electronica (Linz, Austria, 1997) | 0 | 1996 | http://www.parmerud.com/MediaArtist/Home.html | |||
| 12714 | Åke | Parmerud | Repulse | 1986 | fixed media, akusmatisch | 10:10 | Stereo | LDC 278046/47 Cultures Electroniques 3/ PSCD 41 Phono Suecia/ IMED 0367/ | PS C. | 3.09.1986 | Berwald Hall (Stockholm) | 1. prize Bourges 1988 | 1 | http://www.parmerud.com/MediaArtist/Home.html | |||||
| 24642 | Åke | Parmerud | Retur | 1992 - 1993 | Zuspiel / Tonband, 4 perf | 10:35 | Stereo | 4 sax [Saxophon] | IMED 0367/ CAP 21517/ | PS C. | Rikskonserter | 23.03.1993 | Stockholm New Music Festival | 0 | http://www.parmerud.com/MediaArtist/Retur.html | ||||
| 27816 | Åke | Parmerud | ReVoiced | 2009 | fixed media, akusmatisch | 14:01 | 43 Tracks, Spazialisation: Klangdom | IMED 16137/ | ZKM Karlsruhe | ZKM | 28.11.2009 | ZKM | 0 | http://www.parmerud.com/MediaArtist/Revoiced.html | |||||
| 12715 | Åke | Parmerud | Rit | 1981 | fixed media, akusmatisch | 5:00 | Stereo | EMS Stockholm | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||
| 39039 | Åke | Parmerud | Rituals | live-elec, 9 perf | 13:38 | fl, cl, 2 vn, va, vc, db, perc, p and Kbd [Flöte, Klarinette, Piano, Keyboard, Schlagzeug, Viola, Cello, Violine, Kontrabass] | Swedish Broadcast Corporation | 2009 | World Music days in Växjö, Sweden | 0 | |||||||||
| 39266 | Åke | Parmerud | Sommarens tolv månader, 12 months of summer | 1988 | Film | 0 | http://www.parmerud.com/MediaArtist/Handerna.html | ||||||||||||
| 39274 | Åke | Parmerud | Sonic Park | 1998, 2008 | Klangkunst, Installation | 40 Tracks | 0 | ||||||||||||
| 12716 | Åke | Parmerud | String quartet | 1988 | fixed media, akusmatisch | 11:44 | Stereo | Prix ars electronica 90/ IMED 0367/ LDC 278079 Cultures électroniques 18/ | PS C., EMS Stockholm | SR (Swedish Radio) | 4.6.1989 | Skinnskatteberg Festival. | Honorary Mention at Prix ars electronica 90 | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||
| 39038 | Åke | Parmerud | String quintet #1 | 2008 | live-elec, 5 perf | 12 | str-qt, db [Kontrabass, Streicher] | 4 movements | 0 | http://www.parmerud.com/downloads/NudeDescending/NudeScore.pdf | |||||||||
| 18893 | Åke | Parmerud | Strings and Shadows | 1993 | Zuspiel / Tonband, 1 perf | 9:59 | Stereo | hp [Harfe] | PSCD 91-1 Phono Suecia/ Prix ars electronica 94/ IMED 0367/ Centaur CRC 2284/ | PS Parmerud | NOMUS for Sofia Claro | 22.09.1994 | Stockholm Electronic Music Festival | 2nd prize Ars Electronica (Linz, Austria, 1994) | 1 | http://www.parmerud.com/MediaArtist/Home.html | |||
| 26029 | Åke | Parmerud | Substring Bridge | 1998 - 1999 | Zuspiel / Tonband, 1 perf | 8:53 | gui [Gitarre] | LDC 278079 Cultures électroniques 18/ | PS C. | IRK | Magistere Prize Bourges 2005 | 1 | http://www.parmerud.com/MediaArtist/Home.html | ||||||
| 39041 | Åke | Parmerud | SubString bridge | 1999 | live-elec, 1 perf | 8:54 | gui and com (computer interactions) [Gitarre, computer] | „for Guitar and computer interactions“ | Svenska Rikskonserter for Mats Bergström | 1 | |||||||||
| 39043 | Åke | Parmerud | The Death - Soprano | 1985 | radiophon | 10:06 | virtual Radio Opera; Sp ≈ Ernst Günther | Music Drama Group of the Swedish Broadcast Corporation (SR) | 0 | ||||||||||
| 39268 | Åke | Parmerud | The Final Cod | 2000 - 2003 | Film | 0 | |||||||||||||
| 39275 | Åke | Parmerud | The Fire Inside | 2000 | Klangkunst, Installation | ICMA composition/production prize 2000 | 0 | ||||||||||||
| 39264 | Åke | Parmerud | The hands | 1994 | audiovisuell | 0 | http://www.parmerud.com/MediaArtist/Handerna.html | ||||||||||||
| 39276 | Åke | Parmerud | The living room | 2001 | Klangkunst, Installation | ICMA composition/production prize 2000 | 0 | ||||||||||||
| 12719 | Åke | Parmerud | Times imaginary Eye | 1979 | intermedia, 1 perf | 19:40 | Stereo | Mez [Mezzo] | slides; | EMS Stockholm, SR Stockholm | 0 | http://www.parmerud.com/MediaArtist/Home.html | |||||||
| 37023 | Åke | Parmerud | Transmissions II | 2015 | audiovisuell | 19:02 | Stereo | IMED 15132/ | PS C. | SR (Swedish Radio) | 24.1.2015 | Södra teatern, Stockholm | 0 | https://vimeo.com/parmerud/review/127812439/71c230758d | |||||
| 39271 | Åke | Parmerud | Trees of eternity | 1996 - 1999 | Film | 0 | http://www.parmerud.com/MediaArtist/Lalandienses.html | ||||||||||||
| 12721 | Åke | Parmerud | Yân | 1984 | Zuspiel / Tonband, 6 perf | 14:55 | Stereo | 6 perc [Schlagzeug] | LDC 278046/47 Cultures Electroniques 3/ CAP 1320 LP/ | HfM Göteborg | 1 | 1992 | http://www.parmerud.com/MediaArtist/Home.html | ||||||
| 12722 | Åke | Parmerud | Yttringar | 1983 | Zuspiel, live-elec, 1 perf, 1 group | 19:40 | Stereo | inss [Instrument] | Ton Art 17/ | EMS Stockholm | SR (Swedish Radio) | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||
| 39040 | Åke | Parmerud | Zeit aus Zeit (the Stockhausen variations) | 2002 | live-elec, 2 perf | 14:42 | p, MIDI-Kbd and perc [Piano, Keyboard, Schlagzeug] | Rikskonserter | 2002 | World Music Days 2002 in Gothenburg, Cikada Duo (Kenneth Karlsson and Bjørn Rabben) | 0 | ||||||||
| 39273 | Åke, Anders | Parmerud, Blomqvist | Garbo | 1985 | Film | 0 | http://www.parmerud.com/MediaArtist/Lalandienses.html | ||||||||||||
| 12704 | Åke, Anders | Parmerud, Blomqvist | Märk hur vår skugga | 1981 | fixed media, akusmatisch | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||||||
| 12717 | Åke, Anders | Parmerud, Blomqvist | Team, Improvisation | 1992 | live-elec, 6 perf | 11:00 | 6 perc [Schlagzeug] | 0 | 1992 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||
| 12718 | Åke, Anders | Parmerud, Blomqvist | Termik, part - XVII | 1986 - 1996 | live-elec, 2 perf | 2 perf [Performer] | several Improvisations; 1994: Nr. 17 | EMS Stockholm | 1 | http://www.parmerud.com/MediaArtist/Home.html | |||||||||
| 32170 | Åke, Anders | Parmerud, Blomqvist | Trio | 1992 | Performance, live-elec, 1 perf | 11:00:00 | synt, (com) [synthesizer] | 1 | 1992 | ||||||||||
| 12720 | Åke, Anders | Parmerud, Blomqvist | Vinterminne | 1982 | fixed media, akusmatisch | 0 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||||||
| 32891 | Héctor | Parra | L’Aube assaillie | 2005 | Tanz, live-elec, 13 perf | 20 | vc, 12 dancer [Cello, Tanz] | IRCAM | 0 | ||||||||||
| 28576 | Héctor | Parra | Quartett No. 2 "Fragment on Fragility", Breath Roughness Stifled Lyricism Particles Strings A voice From within |
2009 | live-elec, 4 perf | 13:31 | str-qt [Streicher] | WD 2009, Wittener Tage Für Neue Kammermusik 2009/ | Experimentalstudio für Akustische Kunst Freiburg | Kompositionsauftrag des WDR | 2009 | Wittener Tage für neue Kammermusik 2009 Experimentalstudio des SWR, Arditti Quartet | 1 | ||||||
| 24056 | Juan | Parra | FAILIN(n)g | live-elec, 1 perf | 6:40 | hpd [Cembalo] | 0 | ||||||||||||
| 27388 | Juan | Parra | Refractions II | 2007 | live-elec, 3 perf | 8:04 | perc, 2 com [Schlagzeug, computer] | The Electronic Hammer (perc: Diego Espinosa, computer: Henry Vega, Juan Parra). | EMF CD 067 „The Electronic Hammer“ How to philosophize with a hammer/ | Sonology Den Haag | 1 | ||||||||
| 24054 | Juan | Parra | Serenata a Bruno | 2003 | fixed media, akusmatisch | 7:00 | Febrero 2003 | Teatro Kikker. Utrecht, Holanda. | Finalista en concurso de Bourges 2003 categoria menores de 25 años. | 0 | |||||||||
| 24055 | Juan | Parra | Tellura | 2003 | fixed media, akusmatisch | 8:00 | Stereo | MaxMSP, Csound | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ Pueblo Nuevo PN.CD.001/ | 2004 edition of the Bourges Electroacoustic Music competition. | 0 | http://juanparra.sampleandhold.org/ | |||||||
| 24057 | Juan | Parra | The Battle | live-elec, 1 group | ens [Ensemble] | 0 | |||||||||||||
| 12723 | Arnost | Parsch | Bludiste, cást 1 Prologos | 1971 | fixed media, akusmatisch | 14:35 | Stereo, Quadro | Radio Plzen | 0 | ||||||||||
| 12724 | Arnost | Parsch | Bludiste, cást 2 Labyrinthos | 1971 | fixed media, akusmatisch | 21:30 | Stereo, Quadro | Radio Plzen | 0 | ||||||||||
| 12726 | Arnost | Parsch | Didaktika No.1 | 1967 | fixed media, akusmatisch | 12:40 | Stereo | Radio Brno | 0 | ||||||||||
| 34524 | Arnost | Parsch | Didaktika No.2 | 1967 | fixed media, akusmatisch | 6 | Stereo | Radio Brno | 0 | ||||||||||
| 12728 | Arnost | Parsch | Poetics 1 | 1966 | Zuspiel / Tonband, 1 group | ens [Ensemble] | Radio Brno | 0 | |||||||||||
| 12729 | Arnost | Parsch | Poetics 2 | 1967 | Zuspiel / Tonband, 1 group | ens [Ensemble] | Radio Brno | 0 | |||||||||||
| 12730 | Arnost | Parsch | Poetics 3, Poetika No. 3 | 1968 | Zuspiel / Tonband, 1 group | 4:50 | Stereo | ens [Ensemble] | Radio Brno | 0 | |||||||||
| 41886 | Arnost | Parsch | Poetics 5, Poetika No. 5 | 1968 | fixed media, akusmatisch | 4:50 | Stereo | Radio Brno | Competition Musica Nova Prag 1969 | 0 | |||||||||
| 12732 | Arnost | Parsch | Polyfonie c. 2 | 1972 | fixed media, akusmatisch | 13:46 | Stereo, Quadro | Radio Plzen | 0 | ||||||||||
| 12733 | Arnost | Parsch | Polyfonie c. 3 (Nocturno) | 1976 | fixed media, akusmatisch | 17:54 | Stereo | Radio Plzen | 0 | ||||||||||
| 12731 | Arnost | Parsch | Polyfonie c.1 | fixed media, akusmatisch | 15:40 | Radio Brno | 0 | ||||||||||||
| 12734 | Arnost | Parsch | Promeny casu | 1989 | fixed media, akusmatisch | 9:57 | Stereo | Radio Plzen | 0 | ||||||||||
| 12735 | Arnost | Parsch | Rotae rotarum | fixed media, akusmatisch | 4:42 | Radio Brno | 0 | ||||||||||||
| 12736 | Arnost | Parsch | Rozednívání | 1982 | fixed media, akusmatisch | 13:36 | Stereo | Radio Plzen | 0 | ||||||||||
| 12737 | Arnost | Parsch | Sonata | 1966 | Zuspiel / Tonband, 1 group | ens [Ensemble] | Radio Brno | 0 | |||||||||||
| 12738 | Arnost | Parsch | Transposizioni | fixed media, akusmatisch | 11:30 | Radio Brno | 0 | ||||||||||||
| 12739 | Arnost | Parsch | Trasposizioni II | 1969 | fixed media, akusmatisch | 11:30 | Stereo | Radio Plzen | 0 | ||||||||||
| 12740 | Arnost | Parsch | Ve vysokych horách, For Josef Horak | 1972 | fixed media, akusmatisch | 13:55 | Stereo, Quadro | Radio Plzen | 0 | ||||||||||
| 12725 | Arnost, Milos | Parsch, Stedron | Das Huhn Big Dutchman | 1969 | fixed media, akusmatisch | Radio Brno | 0 | ||||||||||||
| 12727 | Arnost, Milos | Parsch, Stedron | Kure krakore | fixed media, akusmatisch | 8:30 | (Das Huhn gackert) | Radio Brno | 0 | |||||||||||
| 12741 | Arnost, Milos | Parsch, Stedron | Viva Che | fixed media, akusmatisch | 18:12 | 2 versions | Radio Brno | 0 | |||||||||||
| 36351 | Harry | Partch | The Bewitched | 1955 | Musiktheater, 16 perf, 3 groups | 76 | b-cl,vc, ch, cl, ens, koto, 3 mar, orc, 3 perc, V, 5 gui (zither) [Stimme, Klarinette, Gitarre, Schlagzeug, Cello, Streicher, Ensemble, Chor, Orchester] | im ens diverse spezial-inss | CRi CD 7001/ Gate 5 Records/ CRi SD 304/ CRi CD 0754-2/ NWR 80624/ | Fromm Music Foundation and the University of Illinois School of Music | BMI | 0 | |||||||
| 18885 | Harry | Partch | The Bewitched (final scene and epilogue) | 1955 | Musiktheater, 1 perf, 2 groups | 9:39 | Sp, ch, ens [Sprecher, Ensemble, Chor] | im ens diverse spezial-inss | CRi CD 7001/ | 0 | |||||||||
| 42159 | Elodie | Pascal | Blow back – die Suche | 2014 | radiophon | DKultur | 0 | ||||||||||||
| 12742 | Michel | Pascal | A la conquète du creux de la vague | 1984 | live-elec, 3 perf | 3 synt [synthesizer] | 0 | ||||||||||||
| 12743 | Michel | Pascal | Abbaye | 1991 | live-elec, | intermedia |
≈ | 16 Tracks | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 20634 | Michel | Pascal | Anneau d'observation des requins | 1991 | fixed media, akusmatisch | 10:45 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 20635 | Michel | Pascal | Chant d'aubes | 1991 | live-elec, 1 perf | 16:00 | Stereo | vc [Cello] | Forlane UCD 16664/ | GRAME Lyon | 0 | ||||||||
| 20636 | Michel | Pascal | Monde du plancton | 1991 | live-elec, | 6:40 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 41639 | Michel | Pascal | Never Die | 2015 | fixed media, akusmatisch | 14:04:00 | Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 12744 | Michel | Pascal | New piece | 1994 | live-elec, 3 perf | 15:00 | 16 Tracks | sax, b, V [Bass, Stimme, Saxophon] | QUATRON / PACOM | LIMCA Auch | 0 | ||||||||
| 22012 | Michel | Pascal | Puzzle | 1996 | fixed media, akusmatisch | 14:36 | recordings in GRM, CIRM, GMEM, PS Shehan | Musidisc 247982/ INA C 2015/ NOR 05/ | PS C., CIRM Nice | Prix Noroit 1996 | 1 | ||||||||
| 12745 | Robert | Pascal | Atmen | 1988 | live-elec, 5 perf | 15:00 | S, cl, vc, p, MIDI [Sopran, Klarinette, Piano, Cello, synthesizer] | GRAME Lyon | 0 | ||||||||||
| 12747 | Robert | Pascal | Chants disparus | 1993 | Zuspiel / Tonband, 6 perf | 20:00 | S, Mez,cl, vc, p, perc [Sopran, Mezzo, Klarinette, Piano, Schlagzeug, Cello] | GRAME Lyon | 0 | ||||||||||
| 12748 | Robert | Pascal | Déjà mes yeux s'étaient rendus... | 1992 | Zuspiel / Tonband, 1 perf | fem V [Stimme] | GRAME Lyon | 0 | |||||||||||
| 12749 | Robert | Pascal | Figuration sur un ballet abstrait | 1986 | Zuspiel / Tonband, 1 perf, 1 group | 17:00 | ens, ins [Instrument, Ensemble] | GRAME Lyon | 0 | ||||||||||
| 12750 | Robert | Pascal | Lamentations de Jérémie | 1987 | Zuspiel / Tonband, 8 perf, 1 group | S, 6 ins, ch, perc [Sopran, Schlagzeug, Instrument, Chor] | ADDA/ | GRAME Lyon | 0 | ||||||||||
| 12751 | Robert | Pascal | Marge étroite | 1989 | live-elec, 5 perf | 8:00 | 5 perc [Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 12752 | Robert | Pascal | Or | 1988 | Zuspiel / Tonband, 6 perf | 9:00 | 2 Counter-T, T, Bar, 2 B [Tenor, Bariton, Bass] | GRAME Lyon | 0 | ||||||||||
| 12753 | Robert | Pascal | Passages | 1984 | Zuspiel / Tonband, 3 perf | 17:00 | ob, va, (a,a-,) vc [Oboe, Viola, Cello] | GRAME Lyon | 0 | ||||||||||
| 12754 | Robert | Pascal | Sinfonia di Paradiso | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | fem Vs [Stimme] | GRAME Lyon | 0 | ||||||||||
| 38631 | Hermeto | PASCOAL | Brasil Universo | 1998 | radiophon | 45:11:00 | 0 | ||||||||||||
| 18370 | Fiammetta | Pasi | Collage | 1995 | fixed media, akusmatisch | Stereo | Csound, CLM | CCRMA | 0 | ||||||||||
| 12755 | Yves-Marie | Pasquet | Atemkristall | 1981 | Zuspiel / Tonband, 1 perf, 1 group | 19:00 | S, ens [Sopran, Ensemble] | M. Transatlantiques | IRCAM | 0 | |||||||||
| 35658 | Patricia | Pasquieu | Lectures Bartleby | fixed media, akusmatisch | 11:37 | 0 | |||||||||||||
| 12756 | Corrado | Pasquotti | Forma Magistra Ludi | 1981 | fixed media, akusmatisch | 15:00 | Stereo | CSC Padova | Biennale Venezia | 0 | |||||||||
| 40008 | Lasse | Passage Nøsted | Hei! | 2017 | fixed media, akusmatisch | Lasse Passage Nøsted | 0 | ||||||||||||
| 12757 | Dominique | Passeri | Album | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 12758 | Dominique | Passeri | Narkosis | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 12759 | Dominique | Passeri | Pleureuse de givre | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 12760 | Dominique | Passeri | Un jour l'homme | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 37178 | Océane | Pastier | Fièvre (Fever) | 2016 | Klangkunst, Installation | ∞ | HEAR Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 36687 | José María | Pastor | .... | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 35734 | José María | Pastor | Keiw 74 | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 39473 | Paolo | Pastorino | Velocità limite | 2017 | live-elec, | 0 | |||||||||||||
| 12761 | Iván | Patachich | 1789 ( Libegal Fra ) | 1989 | Zuspiel / Tonband, 1 perf | 9:55 | Stereo | perc [Schlagzeug] | MR Budapest | 0 | |||||||||
| 18531 | Iván | Patachich | Ad Europam - suite "Le Chêne des Etats-Unis d'Europe" | 1990 | fixed media, akusmatisch | 9:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 12762 | Iván | Patachich | Addities with tape | 1983 | fixed media, akusmatisch | 10:10 | Stereo | MR Budapest | 0 | ||||||||||
| 12763 | Iván | Patachich | Alterego | 1981 | Zuspiel / Tonband, 1 perf | 10:10 | Stereo | perc [Schlagzeug] | MR Budapest | 0 | |||||||||
| 12764 | Iván | Patachich | Analisi | 1981 | Zuspiel / Tonband, 1 perf | 10:10 | Stereo | vn [Violine] | MR Budapest | 0 | |||||||||
| 12765 | Iván | Patachich | Annales | 1982 | fixed media, akusmatisch | 9:10 | Quadro | MR Budapest | 0 | ||||||||||
| 12766 | Iván | Patachich | Antifoni | 1977 | Zuspiel / Tonband, 2 perf | 9:30 | Stereo | vn, perc [Schlagzeug, Violine] | HUN SLPX 12369/ | MR Budapest | 1 | ||||||||
| 12767 | Iván | Patachich | Antisonata | 1981 | Zuspiel / Tonband, 1 perf | 10:10 | Stereo | gui [Gitarre] | MR Budapest | 0 | |||||||||
| 12768 | Iván | Patachich | Auletica | 1986 | Zuspiel / Tonband, 5 perf | 8:25 | Stereo | 5 cl [Klarinette] | MR Budapest | 1986 | Radio Budapest | 0 | |||||||
| 12769 | Iván | Patachich | Ballade (Barna Jancsi balladája), Barna Jancsi balladája | 1976 | fixed media, akusmatisch | 5:00 | Stereo | HUN SLPX 12369/ | MR Budapest | 0 | |||||||||
| 12770 | Iván | Patachich | Calling Sounds | 1977 | fixed media, akusmatisch | 10:11 | Quadro | HUN SLPX 12369/ | Sonology Utrecht | 1 | |||||||||
| 12771 | Iván | Patachich | Canti profani silvae | 1981 | fixed media, akusmatisch | 7:28 | Quadro | MR Budapest | 0 | ||||||||||
| 12772 | Iván | Patachich | Canti stravaganti | 1981 | Zuspiel / Tonband, 1 group | 8:10 | Quadro | ch [Chor] | MR Budapest | 0 | |||||||||
| 12773 | Iván | Patachich | Cantus discipulus | 1986 | Zuspiel / Tonband, 1 group | 10:30 | Stereo | ch [Chor] | MR Budapest | 0 | |||||||||
| 12774 | Iván | Patachich | Caratteri | 1983 | Zuspiel / Tonband, 1 perf | 10:55 | Stereo | clvd [Cembalo] | MR Budapest | 0 | |||||||||
| 12775 | Iván | Patachich | Chanson du Poisson | 1988 | fixed media, akusmatisch | 8:17 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 12776 | Iván | Patachich | Chinese Temple with Echo | 1979 | fixed media, akusmatisch | 8:15 | Quadro | on two poems by Sandor Weöres | HUN SLPX 12369/ | MR Budapest | 1 | ||||||||
| 12777 | Iván | Patachich | Clarsyn | 1989 | Zuspiel / Tonband, 1 perf | 9:05 | Stereo | cl [Klarinette] | MR Budapest | 0 | |||||||||
| 12778 | Iván | Patachich | Concertino | 1982 | Zuspiel / Tonband, 5 perf | 12:55 | Stereo | vc, 4 perc [Schlagzeug, Cello] | MR Budapest | 0 | |||||||||
| 12779 | Iván | Patachich | Concerto per violoncello e nastro | 1984 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | vc [Cello] | MR Budapest | 0 | |||||||||
| 12780 | Iván | Patachich | Csipkerózsika | 1961 | Theatermusik | 16:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 12781 | Iván | Patachich | Die zwei Parallelen | 1982 | Zuspiel / Tonband, 1 perf | 6:40 | Stereo | V [Stimme] | MR Budapest | 0 | |||||||||
| 12782 | Iván | Patachich | DX 7 Reports No. 1 | 1987 | fixed media, akusmatisch | 10:50 | Stereo | MR Budapest | 0 | ||||||||||
| 12783 | Iván | Patachich | Elisylv | 1984 | Zuspiel / Tonband, 2 perf | 10:55 | Stereo | hpd, perc [Cembalo, Schlagzeug] | MR Budapest | 0 | |||||||||
| 12784 | Iván | Patachich | Fagotto digitalis | 1988 | fixed media, akusmatisch | 11:24 | Stereo | CECM Bratislava | 0 | ||||||||||
| 12785 | Iván | Patachich | Félelem | 1960 | Film | 3:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 12786 | Iván | Patachich | Félhomályos zóna | 1964 | radiophon | Mono | Qualiton Budapest | 0 | |||||||||||
| 12787 | Iván | Patachich | Fisches Nachtgesang | fixed media, akusmatisch | MR Budapest | 0 | |||||||||||||
| 12788 | Iván | Patachich | Funzione acustica | 1975 | fixed media, akusmatisch | 10:40 | Stereo | HUN SLPX 11851/ Creel Pone 03/ | CECM Bratislava | 1 | |||||||||
| 12789 | Iván | Patachich | Halhatatlanság | 1959 | Film | 59:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 12790 | Iván | Patachich | Harmonized septet | 1976 | Zuspiel / Tonband, 2 perf | 11:45 | br, hp [Harfe, Bläser] | MR Budapest | 0 | ||||||||||
| 12791 | Iván | Patachich | Helyünk a világmindensegben | 1959 | Film | 8:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 12792 | Iván | Patachich | Hommage à l'Electronique | 1978 | fixed media, akusmatisch | 9:30 | Quadro | HUN SLPX 12369/ | Sonology Utrecht, MR Budapest | 1 | |||||||||
| 12793 | Iván | Patachich | Ionosfera | 1981 | Zuspiel / Tonband, 3 perf | 10:05 | Stereo | fl, vc, p [Flöte, Piano, Cello] | MR Budapest | 0 | |||||||||
| 12794 | Iván | Patachich | Ludi spaziali | 1984 | Zuspiel / Tonband, 1 perf | 11:00 | Quadro | p [Piano] | LDC 278043 Cultures Electroniques 1/ | MR Budapest | prize Bourges 1984 | 1 | |||||||
| 12795 | Iván | Patachich | Ludus syntheticus | 1980 | fixed media, akusmatisch | 8:15 | Stereo | HUN SLPX 12369/ | MR Budapest | 1 | |||||||||
| 12796 | Iván | Patachich | Martello e plettro | 1980 | Zuspiel / Tonband, 2 perf | 9:30 | Stereo | p, mdl [Piano, Gitarre] | MR Budapest | 0 | |||||||||
| 12797 | Iván | Patachich | Menekülés | 1962 | radiophon | 7:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 12798 | Iván | Patachich | Metamorfosis No. 1 | 1977 | Zuspiel / Tonband, 1 perf | 8:45 | Stereo | mar [Schlagzeug] | LDC 278058/59 Cultures Electroniques 8/ | MR Budapest | prize Bourges 1978 | 1 | |||||||
| 12799 | Iván | Patachich | Metamorfosis No. 2 | 1977 | Zuspiel / Tonband, 1 perf | 9:17 | fl [Flöte] | MR Budapest | 0 | ||||||||||
| 12800 | Iván | Patachich | Metamorfosis No. 3 | 1979 | Zuspiel / Tonband, 1 perf | 9:25 | Quadro | cymbalom [Streicher] | MR Budapest | 0 | |||||||||
| 12801 | Iván | Patachich | Modharp | 1989 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | hp [Harfe] | MR Budapest | 0 | |||||||||
| 12802 | Iván | Patachich | Moog Fantasy | 1984 | fixed media, akusmatisch | 8:10 | Stereo | MR Budapest | 0 | ||||||||||
| 12803 | Iván | Patachich | Movimenti spaziali | 1976 | fixed media, akusmatisch | 9:05 | Quadro | MR Budapest | 0 | ||||||||||
| 12804 | Iván | Patachich | Multiolicazoni | 1981 | Zuspiel / Tonband, 1 perf | 9:15 | Stereo | vc [Cello] | MR Budapest | 0 | |||||||||
| 12805 | Iván | Patachich | Musique Dessinée | 1987 | fixed media, akusmatisch | 8:50 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | Ksyme St. | 0 | ||||||||
| 12806 | Iván | Patachich | Octopus | 1980 | Fernsehen, | 9:25 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 12807 | Iván | Patachich | Pacem mundo | 1981 | fixed media, akusmatisch | 9:30 | Stereo | MR Budapest | 0 | ||||||||||
| 12808 | Iván | Patachich | Pantheos | 1980 | fixed media, akusmatisch | 8:35 | Stereo | IMEB Bourges | 0 | ||||||||||
| 12809 | Iván | Patachich | Patience binaire | 1985 | Zuspiel / Tonband, 1 perf | 10:50 | Stereo | (barrel) org [Orgel] | MR Budapest | 0 | |||||||||
| 12810 | Iván | Patachich | Patience II | 1984 | Zuspiel / Tonband, 1 perf | 8:35 | Stereo | sax [Saxophon] | MR Budapest | 1 | |||||||||
| 12811 | Iván | Patachich | Percussioni con macchina | 1980 | fixed media, akusmatisch | 8:30 | Stereo | MR Budapest | 0 | ||||||||||
| 12812 | Iván | Patachich | Polynesia | 1982 | Zuspiel / Tonband, 1 perf | 10:20 | Stereo | fl [Flöte] | MR Budapest | 0 | |||||||||
| 12813 | Iván | Patachich | Quintet excentrique | 1984 | Zuspiel / Tonband, 4 perf | 8:20 | Stereo | ob, vn, gui, perc [Oboe, Gitarre, Schlagzeug, Violine] | MR Budapest | 0 | |||||||||
| 12814 | Iván | Patachich | Salmo e ballata | 1988 | Zuspiel / Tonband, 1 perf | 6:50 | Stereo | vc [Cello] | MR Budapest | 0 | |||||||||
| 12815 | Iván | Patachich | Saxyn | 1989 | Zuspiel / Tonband, 1 perf | 9:05 | Stereo | sax [Saxophon] | MR Budapest | 0 | |||||||||
| 12816 | Iván | Patachich | Senvoles | 1983 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | V [Stimme] | MR Budapest | 0 | |||||||||
| 12817 | Iván | Patachich | Singing Statue | 1982 | fixed media, akusmatisch | 6:45 | Stereo | for metal statue | MR Budapest | 0 | |||||||||
| 12818 | Iván | Patachich | Spettri | 1974 | fixed media, akusmatisch | 5 | Stereo | EMS Stockholm | 0 | ||||||||||
| 12819 | Iván | Patachich | Studio Analitico | 1979 | fixed media, akusmatisch | 11:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 12820 | Iván | Patachich | Studio sintetico | 1972 | fixed media, akusmatisch | MAFILM Budapest | 0 | ||||||||||||
| 12821 | Iván | Patachich | Synperc | 1985 | Zuspiel / Tonband, 1 perf | 10:50 | Stereo | perc [Schlagzeug] | MR Budapest | 1986 | Radio Budapest | 0 | |||||||
| 12822 | Iván | Patachich | Ta Fonaeta (Vowels) | 1980 | fixed media, akusmatisch | 8:06 | Stereo | after „Das große Lalula“ von Chr. Morgenstern | HUN SLPX 11851/ Creel Pone 03/ | MR Budapest | 0 | ||||||||
| 12823 | Iván | Patachich | Tafonéenta | 1976 | fixed media, akusmatisch | 8:06 | MR Budapest | 0 | |||||||||||
| 12824 | Iván | Patachich | Tioerlanauli | 1984 | fixed media, akusmatisch | 10:00 | Quadro | MR Budapest | 0 | ||||||||||
| 12825 | Iván | Patachich | Tissus | 1984 | Zuspiel / Tonband, 1 perf | cymbalom [Streicher] | MR Budapest | 0 | |||||||||||
| 12826 | Iván | Patachich | Trasformazioni | 1981 | Zuspiel / Tonband, 1 perf | 9:35 | Stereo | hn [Horn] | MR Budapest | 0 | |||||||||
| 12827 | Iván | Patachich | Trip Around the Milky Way | 1990 | fixed media, akusmatisch | 9:12 | MR Budapest | 0 | |||||||||||
| 12828 | Iván | Patachich | Une Poème Mathématique et Sonore sous la Forme d'une Octopus | 1980 | fixed media, akusmatisch | 9:40 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 12829 | Iván | Patachich | Vihar a Sycamor utcábon | 1961 | Fernsehen, | 3:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 12830 | Iván | Patachich | Voltage Controlles | 1983 | Zuspiel / Tonband, 1 perf | 8:40 | Stereo | db [Kontrabass] | MR Budapest | 0 | |||||||||
| 12831 | Iván | Patachich | Water Music | 1989 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | vib [Schlagzeug] | ICMC/ | GRAME Lyon | 0 | ||||||||
| 12832 | Iván | Patachich | Woolemesyn | 1984 | Zuspiel / Tonband, 1 perf | 10:55 | Stereo | perc [Schlagzeug] | MR Budapest | 0 | |||||||||
| 12833 | Marc Arkel | Patch | Le réel du spectre | 1986 | Zuspiel / Tonband, 1 perf | Stereo | tuba [Tuba] | CRFMW Liège | Procan Award 1986 | 0 | |||||||||
| 42835 | Keith | Patchel | Ophelia’s Song | 2013 | fixed media, akusmatisch | 5:20:00 | 0 | ||||||||||||
| 36392 | Gianantonio | Patella | Radio Viaggio | 1998 | radiophon | Stereo | Kiasma 1998/ | CSC Padova | 0 | ||||||||||
| 12834 | Gianantonio | Patella | Sinaric | 1978 | fixed media, akusmatisch | 8:00 | Stereo | CSC Padova | 0 | ||||||||||
| 12835 | Joèl | Patin | Contre-ciel | 1987 | fixed media, akusmatisch | 7:53 | Stereo | INA • GRM | 0 | ||||||||||
| 34963 | Jozef | Patkowski | Czas przemiany | 1968 | Film | Muzyka do filmu dokumentalno-impresyjnego Czas przemiany w reż. Andrzeja Piekutowskiego (1968) | ExpSt Warsaw | 0 | |||||||||||
| 34964 | Jozef | Patkowski | Ludzie | 1969 | Film | Muzyka do filmu animowanego Ludzie w reż. Krzysztofa Raynocha (1969) | ExpSt Warsaw | 0 | |||||||||||
| 34962 | Jozef | Patkowski | Radosne dni | 1967 | Film | Muzyka do spektaklu Radosne dni Samuela Becketta w reż. Jerzego Markuszewskiego (1967) | ExpSt Warsaw | 0 | |||||||||||
| 34961 | Jozef | Patkowski | Stacja Oświęcim | 1964 | Film | Muzyka do filmu dokumentalno-impresyjnego Stacja Oświęcim w reż. Marii Kwiatkowskiej (1963) | ExpSt Warsaw | 0 | |||||||||||
| 12838 | Jozef, Krzysztof | Patkowski, Szlifirski | Niebo bez slonca | 1966 | Film | 29:00 | Mono | Muzyka do filmu dokumentalno-impresyjnego Niebo bez słońca w reż. Jana Rybkowskiego (1966) | ExpSt Warsaw | 0 | |||||||||
| 12839 | Jozef, Krzysztof | Patkowski, Szlifirski | Pojedynek | 1963 | Film | 6:35 | Mono | Muzyka do filmu dokumentalno-impresyjnego Pojedynek w reż. Janusza Majewskiego (1964) | ExpSt Warsaw | 0 | |||||||||
| 12840 | Jozef, Krzysztof | Patkowski, Szlifirski | Rozmowa | 1964 | Film | 10:00 | Mono | Muzyka do filmu dokumentalno-impresyjnego Rozmowa w reż. Marii Kwiatkowskiej (1964) | ExpSt Warsaw | 0 | |||||||||
| 12841 | Jozef, Krzysztof | Patkowski, Szlifirski | Sposob bycia | 1965 | Film | 23:00 | Mono | Muzyka do filmu Sposób bycia w reż. Jana Rybkowskiego (1965) | ExpSt Warsaw | 0 | |||||||||
| 12842 | Jozef, Krzysztof | Patkowski, Szlifirski | Swiatlo i dzwiek | 1965 | Film | 12:00 | Mono | Muzyka do filmu dokumentalno-impresyjnego Światło i dźwięk w reż. Marii Kwiatkowskiej (1965) | ExpSt Warsaw | 0 | |||||||||
| 12843 | Jozef, Krzysztof | Patkowski, Szlifirski | Wedlug rozkladu jazdy | 1960 | Film | 6:00 | Mono | ExpSt Warsaw | 0 | http://www2.ak.tu-berlin.de/Geschichte/personen/Patkowski-Nachruf.html | |||||||||
| 12837 | Jozef, Krzysztof, Bohdan | Patkowski, Szlifirski, Mazurek | Nad Tatrami | 1963 | Film | 7:30 | Mono | Dokumentarfilm | ExpSt Warsaw | 0 | |||||||||
| 12836 | Jozef, Krzysztof, Eugeniusz | Patkowski, Szlifirski, Rudnik | Dwudziestolecie PPR | 1962 | Film | 7:30 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 34462 | Dennis | Patrick | Only moments away | 1978 | fixed media, akusmatisch | 6:50 | Stereo | Sonology Utrecht, Uni Toronto | 0 | ||||||||||
| 12844 | Dennis | Patrick | Phantasy VI | 1988 | fixed media, akusmatisch | 8:00 | Stereo | 0 | |||||||||||
| 39685 | Clelia | Patrono | Blue4Notes | 2016 | fixed media, akusmatisch | Clelia Patrono | 0 | ||||||||||||
| 39684 | Clelia | Patrono | Tension and Release | 2016 | fixed media, akusmatisch | Clelia Patrono | 0 | ||||||||||||
| 33008 | Frederic | Pattar | Lierre | 2007 | live-elec, 2 perf | 4:34 | hp, e-p [Piano, Harfe] | p ≈ Fender-Rhodes | Césaré/ | 1 | |||||||||
| 38632 | Benjamin | PATTERSON | What happened on the 29th Day in this Merry Month of May | 2015 | radiophon | 30:22:00 | 0 | ||||||||||||
| 38925 | Benjamin | PATTERSON | When Elephants Fight, It Is the Frogs That Suffer | 2016 - 2017 | radiophon | 56:55 | 16 Tracks, 24 tracks | Hörstück des Fluxus-Künstlers Ben Patterson. A Sonic Graffiti (2016–2017) |
Nassauischer Kunstverein Wiesbaden/documenta 14 | Documenta 14 / Adam Szymczyk | 0 | http://www.kunstverein-wiesbaden.de/das-stipendium/ben-patterson.html | |||||||
| 39466 | Nic | Patterson | Proposal | 2017 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 12845 | Paul | Patterson | Wildfire | 1975 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 24680 | Ryan | Patterson | Little Red Wagon | 2003 | fixed media, akusmatisch | 7:58 | JTTP 2003 | CEC Cache 2003 CA/ | winner JTTP 2003 3. prize | 1 | |||||||||
| 28546 | Anup Kumar | Paul | Eigenfrequency | 2010 | fixed media, akusmatisch | 6:16 | Stereo | BEAST | 31.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||||
| 23301 | Eric | Paul | Lenny | 2002 | fixed media, akusmatisch | Octo | SFU | 1 | |||||||||||
| 39811 | Georges | Paul | Hans Tammen – Reflection on Time | 2017 | fixed media, akusmatisch | Georges Paul | 0 | ||||||||||||
| 12846 | John F. | Paul | Before the sea of glass | 1985 | fixed media, akusmatisch | 13:45 | IPEM Gent | 0 | |||||||||||
| 12847 | John F. | Paul | Just a piece of wood | 1985 | Zuspiel / Tonband, 1 perf | 3:30 | str [Streicher] | IPEM Gent | 0 | ||||||||||
| 12848 | John F. | Paul | Trivial Pursuits | 1985 | fixed media, akusmatisch | 13:20 | IPEM Gent | 0 | |||||||||||
| 12849 | John F. | Paul | White on Grey | 1985 | fixed media, akusmatisch | 6:30 | IPEM Gent | 0 | |||||||||||
| 34677 | Noel | Paul | Corridor | 2002 | fixed media, akusmatisch | 10:14 | Stereo | Russolo Pratella EF.ER.P 01/ | Prize Luigi Russolo 2001 | 0 | |||||||||
| 32107 | Noel | Paul | The Sundering Seas | 2002 | fixed media, akusmatisch | SEAMUS EAM Vol. 13/ | 0 | ||||||||||||
| 23071 | Hansjörg | Pauli | einige einigen viele | 1996 | radiophon | Ein Hörstück für Minderheiten | WDR SEM | WDR 1998 | 0 | ||||||||||
| 18866 | Erik | Pauser | Moving towards the sun strong strain and beautiful results | 1990 | fixed media, akusmatisch | 2:57 | ano kato 020/ | GMS Göteborg | 1 | ||||||||||
| 28153 | Brice | Pauset | Perspectivae Sintagma II | 2001 | live-elec, 3 perf, 2 groups | 40:00 | p, 2 V, 2 ens [Stimme, Piano, Ensemble] | IRCAM Les Années 90/ | IRCAM | Ircam-Centre Pompidou | 3.04.2001 | Paris, Ircam, Espace de projection, par Catherine Dagois : contralto, Jean-Pierre Collot : piano, Jean Nirouët : haute-contre, Ensemble Recherche : Martin Fahlenbock, flûte, Shizuyo Oka, clarinette, Philippe Wendling, tuba, Melise Mellinger, violon, Barbara Maurer, alto, Lucas Fels, violoncelle, Didier Meu, contrebasse, direction : Johannes Kalitzke | Lemoine, Paris, nº 27592 | 0 | |||||
| 38955 | Isabelle, Paul | Pauwels, Kajander | ,000, | 2014 | audiovisuell | 13 perf [Performer] | multimedia artwork | EMPAC | 2014 EMPAC | 0 | http://empac.rpi.edu/events/2014/fall/000 | ||||||||
| 12850 | Dimitri | Pavlov | About Love (cantata) | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 12851 | Raul | Pavon | Fantasia cósmica | 1984 | intermedia, live-elec, | 9:16 | film 16 mm; slides | Universidad de Guanajuato 001/ CIIMM 84/ | PS C. | 0 | |||||||||
| 12852 | Raul | Pavon | Fantasia de la muerte | 1986 | intermedia, live-elec, | PS C. | INBA | 0 | |||||||||||
| 41949 | Emilie | Payeur | All Over | fixed media, akusmatisch | 0 | ||||||||||||||
| 27364 | Émilie | Payeur | Écholocation | 2008 | fixed media, akusmatisch | 7:37 | JTTP 2008 | CEC Cache 2008, PeP 013/ | 1 | http://cec.concordia.ca/jttp | |||||||||
| 27800 | Émilie | Payeur | Triptyque | 2010 | fixed media, akusmatisch | 11:09 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | Uni North Texas | JTTP-Winner 2010 3. prize | 0 | http://cec.concordia.ca/jttp/2010/ | |||||||
| 12853 | Frank | Payne | 1st electronic piece | 1966 | fixed media, akusmatisch | 1:30 | Stereo | CEMI Denton | 0 | ||||||||||
| 12854 | Frank | Payne | Elegy on the Death of a Mad Dog | 1966 | fixed media, akusmatisch | 9:00 | Stereo | CEMI Denton | 0 | ||||||||||
| 12855 | Frank | Payne | Piece for sax & tape | 1966 | Zuspiel / Tonband, 1 perf | 4:00 | Stereo | sax [Saxophon] | CEMI Denton | 0 | |||||||||
| 41515 | Maggi | Payne | 60 Spin | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 22573 | Maggi | Payne | Aeolian Confluence | 1993 | fixed media, akusmatisch | 10:40 | Stereo | CRI 807 "the extended flute"/ NWCR 807/ | CCM Mills | 1 | http://www.maggipayne.com/ | ||||||||
| 22571 | Maggi | Payne | Ahh-Ahh (version 2.1) | 1987 | fixed media, akusmatisch | audiovisuell |
9:06 | Stereo | LM- LCD 2061/ | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 12856 | Maggi | Payne | Airwaves (Realities) | 1987 | fixed media, akusmatisch | audiovisuell |
10:02 | Music&Arts CD 276/ | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||||
| 22556 | Maggi | Payne | Allusions | 1973 | Film | Tanz |
10:28 | Quadro, Stereo | dancers, special lighting and video-processed 16mm film | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 27775 | Maggi | Payne | Apparent Horizon | 1996 | audiovisuell, | 11:51 | tape & video | Prix Ars Electronica 98/ innova 783/ | CCM Mills | honorary mention Prix ars electronica 1998 | Postwest | 1 | http://www.maggipayne.com/ | ||||||
| 36002 | Maggi | Payne | Arctic Winds | 2007 | fixed media, akusmatisch | innova 783/ | Mills Col | 0 | |||||||||||
| 36020 | Maggi | Payne | Back to Forth, | 1986 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 35988 | Maggi | Payne | BAM | 2015 | fixed media, akusmatisch | Octo | Mills Col | 0 | |||||||||||
| 35990 | Maggi | Payne | Beyond | 2014 | fixed media, akusmatisch | Stereo | Mills Col | 0 | |||||||||||
| 35989 | Maggi | Payne | Black Ice | 2014 | fixed media, akusmatisch | Stereo, Quadro | Mills Col | 0 | |||||||||||
| 22562 | Maggi | Payne | Blue Metallics | 1980 | intermedia | Film |
8:26 | Quadro, Stereo | photomicrographic slides or 16mm film | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 27776 | Maggi | Payne | breaks/motors | 2001 | fixed media, akusmatisch | 8:41 | Oasis/ | CCM Mills | honorary mention Prix ars electronica | 1 | http://www.maggipayne.com/ | ||||||||
| 22564 | Maggi | Payne | Circular Motions | 1981 | audiovisuell | 9:28 | Quadro, Stereo | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||||
| 36017 | Maggi | Payne | Close-ups | 1999 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 35998 | Maggi | Payne | Cloud Fields | 2008 | Performance | Klangkunst, Installation |
multichannel | Mills Col | 0 | |||||||||||
| 22566 | Maggi | Payne | Crystal | 1982 | fixed media, akusmatisch | audiovisuell |
9:56 | Quadro, Stereo | videomicrography | LM- LCD 2061/ | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||
| 27774 | Maggi | Payne | Distant Thunder | 2003 | fixed media, akusmatisch | 10:48 | innova 783/ | CCM Mills | 1 | http://www.maggipayne.com/ | |||||||||
| 35999 | Maggi | Payne | Effervescence | 2008 | fixed media, akusmatisch | audiovisuell |
multichannel | Mills Col | 0 | |||||||||||
| 36001 | Maggi | Payne | Electric Ice | 2007 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 36023 | Maggi | Payne | Farewell | 1975 | intermedia | Stereo, Quadro | scenic slides | innova 783/ | Mills Col | 0 | |||||||||
| 36007 | Maggi | Payne | FIZZ | 2004 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 36010 | Maggi | Payne | Flight | 2003 | live-elec, 9 perf | S, 8 ins, (up to eight sustaining instruments and/or electronics) [Sopran, Instrument] | Mills Col | 0 | |||||||||||
| 27773 | Maggi | Payne | Fluid Dynamics | 2002 | fixed media, akusmatisch | 11:48 | innova 783/ | CCM Mills | 1 | http://www.maggipayne.com/ | |||||||||
| 36016 | Maggi | Payne | Fountain | 1999 | Klangkunst, Installation | (piezos, fountain, trigger to MIDI converter, Morpheus) [] | Mills Col | 0 | |||||||||||
| 35996 | Maggi | Payne | Glassy Metals | 2009 | fixed media, akusmatisch | innova 783/ | Mills Col | 0 | |||||||||||
| 36019 | Maggi | Payne | Heavy Water, | 1991 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 36024 | Maggi | Payne | HUM | 1973 | Zuspiel / Tonband, 1 perf | Stereo, Quadro | fl [Flöte] | Mills Col | 0 | ||||||||||
| 36013 | Maggi | Payne | HUM 2 | 2000 | live-elec, | trbn, (and 7 recorded trbn, or 8 recorded trbn) [Posaune] | Mills Col | 0 | |||||||||||
| 22565 | Maggi | Payne | Io | 1982 | fixed media, akusmatisch | audiovisuell |
10:36 | Quadro, Stereo | videomicrography | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 36008 | Maggi | Payne | It's Elemental | 2004 | fixed media, akusmatisch | using unprocessed field recordings | Mills Col | 0 | |||||||||||
| 22563 | Maggi | Payne | Ling | 1981 | intermedia | 9:12 | Quadro, Stereo | photomicrographic slides | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 36000 | Maggi | Payne | Liquid Amber | 2008 | fixed media, akusmatisch | audiovisuell |
Mills Col | 0 | ||||||||||||
| 22574 | Maggi | Payne | Liquid Metal | 1994 | fixed media, akusmatisch | audiovisuell |
10:49 | Stereo | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||||
| 22560 | Maggi | Payne | Lunar Dusk | 1976 | fixed media, akusmatisch | 8:00 | Quadro, Stereo | electronically generated slides | LM101-6/ | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||
| 22559 | Maggi | Payne | Lunar Earthrise | 1978 | intermedia | 12:40 | Quadro, Stereo | abstract slides | LM101-6/ | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||
| 20637 | Maggi | Payne | Moiré | 1996 | fixed media, akusmatisch | 13:04 | Stereo | remix by Naut Humon | ASP 0966 / | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||
| 36006 | Maggi | Payne | Molecular Nanotechnology | 2005 | fixed media, akusmatisch | field recordings | Mills Col | 0 | |||||||||||
| 36005 | Maggi | Payne | Motor Rhythms | 2005 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 22555 | Maggi | Payne | Orion | 1973 | Film | 6:10 | Mono | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||||
| 22572 | Maggi | Payne | Phase Transitions | 1989 | fixed media, akusmatisch | 10:29 | Stereo | synt | LM- LCD 2061/ | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||
| 36011 | Maggi | Payne | Ping and Pong | 2003 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 36014 | Maggi | Payne | Pontpoint Visuals | 1999 | audiovisuell | photomicrography and video | Mills Col | 0 | |||||||||||
| 35994 | Maggi | Payne | Quicksilver | 2011 | fixed media, akusmatisch | audiovisuell |
Mills Col | 0 | ||||||||||||
| 36018 | Maggi | Payne | Raw Data | 1998 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 36009 | Maggi | Payne | ReCycle | 2004 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 12857 | Maggi | Payne | Resonant Places | 1992 | fixed media, akusmatisch | 10:51 | Centaur CRC 2195, CDCM Vol. 17/ | CCM Mills | 1 | http://www.maggipayne.com/ | |||||||||
| 22561 | Maggi | Payne | Rising | 1980 | intermedia | Tanz |
8:52 | Stereo | dancers [Tanz] | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 35992 | Maggi | Payne | ROAR | 2012 | fixed media, akusmatisch | live-elec, 1 perf |
Quadro, Octo | fl (optional) [Flöte] | Mills Col | 0 | ||||||||||
| 36003 | Maggi | Payne | Santa Fe | 2006 | Klangkunst, Installation | Stereo + Stereo + Stereo + Stereo | Mills Col | Atrium Sound Space, Benildus Hall, College of Santa Fe | 0 | ||||||||||
| 22568 | Maggi | Payne | Scirocco | 1983 | Zuspiel / Tonband, 1 perf | 10:18 | Quadro, Stereo | fl [Flöte] | LM- LCD 2061/ | CCM Mills | 0 | http://www.maggipayne.com/ | |||||||
| 35986 | Maggi | Payne | Sferics | 2016 | fixed media, akusmatisch | Quadro, Stereo | Mills Col | 0 | |||||||||||
| 36021 | Maggi | Payne | Shimmer | 1985 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 22567 | Maggi | Payne | Solar Wind | 1983 | intermedia | audiovisuell |
9:42 | Quadro, Stereo | LM- LCD 2061/ | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 22558 | Maggi | Payne | Spheres | 1977 | intermedia | 9:56 | Quadro, Stereo | electronically generated slides | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 36022 | Maggi | Payne | Spirals | 1977 | intermedia | Stereo, Quadro | electronically generated slides | Mills Col | 0 | ||||||||||
| 35991 | Maggi | Payne | STATIC | 2013 | fixed media, akusmatisch | Stereo, Quadro | Mills Col | 0 | |||||||||||
| 36004 | Maggi | Payne | Stretching the Boiling Point | 2006 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 22570 | Maggi | Payne | Subterranean Network | 1985 | fixed media, akusmatisch | 11:16 | Stereo | staging | LM- LCD 2061/ MC 001 Mills College/ | CCM Mills | 1984 by Hartt School of Music, University of Hartford | 1 | http://www.maggipayne.com/ | ||||||
| 35995 | Maggi | Payne | Surface Tension | 2010 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 36015 | Maggi | Payne | Sweet Dreams | 1999 | fixed media, akusmatisch | Mills Col | 0 | ||||||||||||
| 26030 | Maggi | Payne | System Test, fire and ice | 2001 | audiovisuell | Tanz |
12:03 | Surround 5.1 | with four electroluminescent-wired imagers | CMJ Vol 31-4, 2007/ innova 783/ | honorary mention Bourges | 1 | http://www.maggipayne.com/ | |||||||
| 35987 | Maggi | Payne | Through the Looking Glass | 2015 | fixed media, akusmatisch | audiovisuell |
Mills Col | 0 | ||||||||||||
| 22557 | Maggi | Payne | Transparencies | 1976 | intermedia | 10:12 | Quadro, Stereo | electronically generated slides | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 36025 | Maggi | Payne | VDO | 1973 | Film | Mono | Mills Col | 0 | |||||||||||
| 35993 | Maggi | Payne | Wet | 2012 | Klangkunst, Installation | Mills Col | 0 | ||||||||||||
| 22569 | Maggi | Payne | White Night | 1984 | fixed media, akusmatisch | 9:58 | Quadro, Stereo | LM- LCD 2061/ | CCM Mills | 0 | http://www.maggipayne.com/ | ||||||||
| 36012 | Maggi | Payne | White Turbulence 2000 | 2000 | intermedia | Quadro | DVD with photomicrographic slides | Mills Col | 0 | ||||||||||
| 40260 | Stephen | Pearse | Liten Röst | 2015 | fixed media, akusmatisch | 9:30:00 | Stephen Pearse | 0 | |||||||||||
| 42803 | Stephen | Pearse | Overture | 2012 | fixed media, akusmatisch | 5:38:00 | 0 | ||||||||||||
| 39864 | Ignacio | Pecino | Boids | 2015 | fixed media, akusmatisch | 8:09:00 | Ignacio Pecino | 0 | |||||||||||
| 39650 | Charles | Peck | Fade | 2017 | fixed media, akusmatisch | Charles Peck | 0 | ||||||||||||
| 20638 | Nick | Peck | Music from Airports | fixed media, akusmatisch | 6:47 | Stereo | RRRecords CD 21/ | 0 | |||||||||||
| 42736 | Chris | Pedder | Virus | 2012 | fixed media, akusmatisch | 2:57:00 | 0 | ||||||||||||
| 12858 | Gunner Møller | Pedersen | Da niente | 1979 | fixed media, akusmatisch | PS Octopus | 0 | ||||||||||||
| 22263 | Gunner Møller | Pedersen | Iliad 17-20 | 1999 | fixed media, akusmatisch | 15:00 | dacapo 8.224199/ | DIEM Aarhus | 1 | ||||||||||
| 28643 | Gunner Møller | Pedersen | In Terra Pax | 1967 | fixed media, akusmatisch | 3:58 | Stereo | LJUD 006 CD1 n©b/ | DIEM Aarhus | 1 | |||||||||
| 28644 | Gunner Møller | Pedersen | Organism | 1969 | fixed media, akusmatisch | 15:59 | Stereo | LJUD 006 CD2 n©b/ | PS C. Kalundborg | 1 | |||||||||
| 12859 | Gunner Møller | Pedersen | Phoenix | 1977 | fixed media, akusmatisch | PS Octopus, Aarhus | 0 | ||||||||||||
| 12860 | Gunner Møller | Pedersen | Som ild og vand | 1986 | fixed media, akusmatisch | PS Octopus | 0 | ||||||||||||
| 12861 | Gunner Møller | Pedersen | Suite II (Et lydår) | 1984 | fixed media, akusmatisch | PS Octopus | 0 | ||||||||||||
| 34463 | Paul | Pedersen | .008 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | ||||||||||||
| 23411 | Paul | Pedersen | Fantasie | 1967 | fixed media, akusmatisch | 8:06 | using a photo-electronic device by Le Caine | McGill MR 2001-01-2 Disc 1/ | McGill Montréal | 1 | |||||||||
| 34717 | Paul | Pedersen | For Margaret, Motherhood and Mendelssohn | 1971 | radiophon | 4:29 | Creel Pone 14/ RCI 373/ | 0 | |||||||||||
| 12862 | Paul | Pedersen | Mel scale canon | 1965 | fixed media, akusmatisch | 0:40 | Mono | UTEMS Toronto | 0 | ||||||||||
| 12863 | Paul | Pedersen | Pictures from the old testament | 1965 | fixed media, akusmatisch | 4:40 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 12864 | Paul | Pedersen | The Ione tree | 1964 | fixed media, akusmatisch | 4:30 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 12865 | Paul | Pedersen | Themes from the Old Testament | 1967 | fixed media, akusmatisch | Film |
25:00 | Stereo | McGill Montréal, Uni Toronto | 0 | ||||||||||
| 37211 | Guido | Pedicone | Stomatopod | 2017 | live-elec, 1 perf | 7:00:00 | e-gui (9-string e-gui, com) [Gitarre] | HEAR Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 20639 | Sarah | Peebles | Aqua Babble | 1993 | live-elec, 2 perf | 13:49 | Stereo | oma, sho [synthesizer, Bläser] | innova 506/ | 0 | |||||||||
| 36161 | Sarah | Peebles | Blue Moon Spirit | 1991 | live-elec, 1 group | 3:42 | ens [Ensemble] | innova 506/ | 0 | ||||||||||
| 41950 | Sarah | Peebles | In the Canopy | fixed media, akusmatisch | 0 | ||||||||||||||
| 36163 | Sarah | Peebles | Insect Groove | 2002 | live-elec, 4 perf | 6 | 4 perf [Performer] | cycling74 007/ cycling74 001/ c74-001-c74-008/ | 0 | https://www.discogs.com/de/Sarah-Peebles-Insect-Groove/release/600459 | |||||||||
| 20640 | Sarah | Peebles | Kai (revolving life) | 1991 | live-elec, | 11:49 | Stereo | AER 1992 / 5/ | 0 | ||||||||||
| 41849 | Sarah | Peebles | Lift | 2006 | radiophon | 3:18:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 19107 | Sarah | Peebles | Nocturnal Premonitions | 1994 | fixed media, akusmatisch | 2:15 | Mac, Samplecell, MIDI | MW 66/ CEC DISContact_2/ cycling74 007/ | Excelo Toronto | 1 | |||||||||
| 20641 | Sarah | Peebles | Phoenix Calling | 1991 - 1993 | live-elec, 2 perf, 1 group | 12:44 | Stereo | w (sho), perc-ens [Schlagzeug, Bläser] | innova 506/ | 0 | |||||||||
| 36162 | Sarah | Peebles | Resinous Fold, Resinous Fold 1 … 7 | 2013 | live-elec, 1 perf | sho [Bläser] | unsounds 42 U/ | 0 | http://unsounds.com/shop/delicate-paths | ||||||||||
| 19109 | Sarah | Peebles | The Curse of Border Vacuums | 1995 | live-elec, 4 perf | 7:59 | 4 perf [Performer] | MW 66/ cycling74 007/ | Excelo Toronto | 1 | |||||||||
| 20642 | Sarah | Peebles | Tomoé (revolving life), Pre-Dawn Spring Summer Autumn The Big Sleep Rebirth |
1991 - 1993 | live-elec, 2 perf | 39:59 | Stereo | sho, perc [Schlagzeug, Bläser] | innova 506/ | 0 | |||||||||
| 19108 | Sarah, Kikuchi | Peebles, Naoko | The Nimbus | 1993 | live-elec, | 4:01 | MW 66/ | 1 | |||||||||||
| 19110 | Sarah, Nilan | Peebles, Perera | Cinnamon Spére (interludes 1 and 4) | 1996 | live-elec, 2 perf | 6:17 | e-gui, com and sho (Cinnamon Sphere trio, with Chung Gong Ha ≈ calligraphy perf) [Gitarre, computer, Bläser] | MW 66/ | Art Gallery | 0 | |||||||||
| 20643 | Arno | Peeters | AeroSon | 1996 | fixed media, akusmatisch | 40:00 | Stereo | MP 38/ | 0 | ||||||||||
| 37930 | Arno | Peeters | Fossile Sounds, Memory Mining | 2005 | radiophon | 17:03 | radiocustica selected 2005/ | Czech Radio Prague | 0 | ||||||||||
| 20644 | Arno | Peeters | Xtra traX | 1996 | fixed media, akusmatisch | Stereo | MP 38/ | 0 | |||||||||||
| 40094 | Medín | Peirón | The creation of the world | 2017 | fixed media, akusmatisch | Medín Peirón | 0 | ||||||||||||
| 18532 | Jorge | Peixinho | Canto Germinal | 1989 | fixed media, akusmatisch | 11:50 | Stereo | IMEB Bourges | 0 | ||||||||||
| 12866 | Jorge | Peixinho | Electronicolirica | 1979 | fixed media, akusmatisch | 29:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 12867 | Jorge | Peixinho | Elegia a Amilcar Cabral I | 1973 | fixed media, akusmatisch | 19:20 | Stereo, Quadro | Plancton CO 003/ | IPEM Gent | 0 | |||||||||
| 12868 | Jorge | Peixinho | Elegia a Amilcar Cabral II | 1973 | fixed media, akusmatisch | 22:00 | IPEM Gent | 0 | |||||||||||
| 12869 | Jorge | Peixinho | Kinetofonias | 1965 | Zuspiel / Tonband, 25 perf | Stereo + Stereo + Stereo | 25 str [Streicher] | EM ?? | 0 | ||||||||||
| 18533 | Jorge | Peixinho | Le forêt sacrée | 1992 | fixed media, akusmatisch | 13:27 | Stereo | IMEB Bourges | 0 | ||||||||||
| 12870 | Jorge | Peixinho | Luiz Va z ' 73, Canto I, II, III | 1974 | fixed media, akusmatisch | 46:14 | Stereo | IPEM Gent | 0 | ||||||||||
| 12871 | Jorge | Peixinho | Passage intérieur | 1989 | live-elec, 1 perf | 15:22 | sax [Saxophon] | NMCD 5102/ | 1 | 1990 | |||||||||
| 12872 | Jorge | Peixinho | Recitativo III | 1966/1969 | Zuspiel / Tonband, 3 perf | fl, hp, perc [Flöte, Harfe, Schlagzeug] | EM ?? | 0 | |||||||||||
| 20645 | Jorge | Peixinho | Sax-blue | 1982 | live-elec, 1 perf | 17:35 | Stereo | sax [Saxophon] | NMCD 5102/ | 1 | |||||||||
| 12873 | Carlos | Pellegrino | Trova/Dura | 1979 | fixed media, akusmatisch | 8:02 | Stereo | IMEB Bourges | 1 | ||||||||||
| 12874 | Carlos | Pellegrino | Voci Silenti | 1979 | fixed media, akusmatisch | 10:05 | Stereo | IMEB Bourges | 0 | ||||||||||
| 12875 | Guy | Pelletier | Chien d'or | 1987 | fixed media, akusmatisch | 8:00 | Stereo | PS C. | 1st prize SDE Procan Award 1987 |
0 | |||||||||
| 24681 | Jean-Marc | Pelletier | Tashikara | 2003 | fixed media, akusmatisch | 7:49 | JTTP 2003 | CEC Cache 2003 CA/ | d’IAMAS Ôgaki | winner JTTP 2003 5. prize | 1 | ||||||||
| 36913 | Samuel | Pellman | Adrift | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 42651 | Samuel | Pellman | M45 | 2009 | fixed media, akusmatisch | 4 | 0 | ||||||||||||
| 40231 | Samuel, Ella | Pellman, Gant | Mind Meld | 2016 | fixed media, akusmatisch | Samuel Pellman and Ella Gant | 0 | ||||||||||||
| 40054 | Mario | Peña y Lillo | Sous | 2015 | fixed media, akusmatisch | 6:00:00 | Mario Peña y Lillo | 0 | |||||||||||
| 28854 | Luis Antunes | Pena | Anatomia de um Poema Sonoro | 2004 | live-elec, 5 perf | 12 | male Sp, fem V, sax, perc, p, (elec) [Sprecher, Stimme, Saxophon, Piano, Schlagzeug] | ICEM Essen | april 2004 | folkwang-hochschule essen. performers: mafalda de lemos voice fabian sattler speaker alexander berezny sax michael pattmann percussion martin von der heydt piano valerio sannicandro direction joão pais & luís a. pena electronics |
0 | ||||||||
| 28855 | Luis Antunes | Pena | Fragments of noise and blood | 2009 | live-elec, 4 perf | 23 | b-cl, vc, perc, p, (elec) [Klarinette, Piano, Schlagzeug, Cello] | fragmente: 1. in mir selbst 2. das fast perfekte gleichgewicht von kraft und zurückhaltung 3. apotheose des absurden 4. das kapital chaos 5. unaussprechliches rot 6. ich will die unsterblichkeit nur damit das blut durch die ären fließt | april 2009 | philharmonie essen, e-mex ensemble | 0 | ||||||||
| 28849 | Luis Antunes | Pena | Im Rauschen cantabile | 2012 | live-elec, 1 perf | db, (elec) [Kontrabass] | 29. mai 2012 | philharmonie berlin, double bass: edicson ruiz | 0 | ||||||||||
| 28853 | Luis Antunes | Pena | Im Rauschen Rot | 2010 | live-elec, 5 perf | db, perc-qt, (elec) [Schlagzeug, Kontrabass] | fundação gulbenkian, lisboa; double bass: edicson ruiz; drumming grupo de percussão - miquel bernat, direction; electronics: luís antunes pena | 0 | |||||||||||
| 28850 | Luis Antunes | Pena | K-U-L-T | 2011 | live-elec, 1 perf | p, (live-elec) [Piano] | mai 2011 | villa romana florence, piano: pavlos antoniadis | 0 | ||||||||||
| 28040 | Luis Antunes | Pena | Klangspiegel | 2005 | Zuspiel / Tonband, 1 perf | 23 | Quadro | tpt [Trompete] | quartertone- tpt | ICEM Essen | 0 | ||||||||
| 28848 | Luis Antunes | Pena | Man on carpet | 2012 | live-elec, 2 perf | fem V, vib, (elec) [Stimme, Schlagzeug] | 0 | ||||||||||||
| 28857 | Luis Antunes | Pena | Mund | 2006 | Tanz | Stereo | music for a theatr and dance performance from birgit götz | 18.08.2006 | theater im depot, dortmund; voices: judith hoffmann, pavlina cerna, jana griess, klaus michalski | 0 | |||||||||
| 28851 | Luis Antunes | Pena | Musica para 30 metals | 2012 | live-elec, 31 perf | 30 perc (dif metal cymbal), elec [Schlagzeug, elektronik] | 0 | ||||||||||||
| 31829 | Luis Antunes | Pena | Raumzeit | 2002 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 28858 | Luis Antunes | Pena | Sonorous landscapes 1&2 | 2005 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 28852 | Luis Antunes | Pena | Três quadros sobre pedra, Three Pictures on Stone | 2008 | live-elec, 1 perf | Octo | (granit stones), several perc [Schlagzeug] | there is also a version of the 1st picture for 8-channel-tape made specially for the csound conference in hannover (oct 2011) |
ZKM Karlsruhe | 11.07.2009 | centro memória, vila do conde, portugal percussion: nuno aroso | 0 | |||||||
| 28856 | Luis Antunes | Pena | Vermalung I - Westernmusik | 2005/2011 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 25694 | Luis Antunes | Pena | Vermalung II - Donny G. | 2006 | fixed media, akusmatisch | 22:56 | Octo | ZKM Karlsruhe | 1.8.2006 | Aschaffenburg, Stadttheater | 1 | http://icem.folkwang-hochschule.de/~pena | |||||||
| 34159 | Luis Antunes | Pena | νομάς (nomás) | 2015 | live-elec, 7 perf | b-fl, b-cl, e-gui, perc, p, va, vc [Flöte, Klarinette, Piano, Gitarre, Schlagzeug, Viola, Cello] | ZKM Karlsruhe | SWR | 17.10.2015 | Donaueschingen, Donauhalle, Ensemble Mosaik | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/donaueschinger-musiktage-2015-programm-06/-/id=2136962/did=15652820/nid=2136962/mkps9x/index.html | |||||||
| 33803 | Luís Antunes | Pena | Hi-Fi Noise Study – Pecking Chickens | 2012 | fixed media, akusmatisch | 5:28:00 | Composing with Sounds/ | ZKM | 1 | ||||||||||
| 42687 | Terry | Pender | A Gentle Man | 2012 | fixed media, akusmatisch | 7:54:00 | 0 | ||||||||||||
| 34625 | Samuel | Penderbayne | MY NEW CROSSOVER-CLASSICAL EP!!! | 2016 | live-elec, 1 perf | cl (Max4Live) [Klarinette] | SMC2016 | 0 | |||||||||||
| 12876 | Krzysztof | Penderecki | Bazyliszek | 1961 | Film | 10:00 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 12877 | Krzysztof | Penderecki | Death Brigade, Brygada Smierci | 1964 | Oper | radiophon |
30:50 | Mono | Text by Leon Weliczker | BR ES07 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | ||||||||
| 12878 | Krzysztof | Penderecki | Komu Bije dzwon | 1964 | Theatermusik | ExpSt Warsaw | 0 | ||||||||||||
| 12879 | Krzysztof | Penderecki | Koncert wawelski | 1960 | Film | 19:00 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 12880 | Krzysztof | Penderecki | Le manuscript trouvé à Sarragosse | 1964 | Film | 10:00 | ExpSt Warsaw | 0 | |||||||||||
| 12881 | Krzysztof | Penderecki | Malarze Gdanscy | 1964 | Film | 19:00 | ExpSt Warsaw | 0 | |||||||||||
| 12882 | Krzysztof | Penderecki | Psalmus | 1961 | fixed media, akusmatisch | 5:05 | Mono | also on the CD BR ES01 bolt is an improvisation by the group AMM London and two versions on BR ES09 bolt with E. Rudnik-Realisation and Lionel Marchetti-Realisation | PHI 6740001/ PHI 6526006/ IDEAMA CD 011/ BR ES01 bolt Blanc et Rouge/ BR ES09 bolt Blanc et Rouge/ SUA 10951/ Creel Pone 39/ SUA DV 6221/ Wire Issue 406/ | ExpSt Warsaw | 10.4.1961 | Fylkingen Festival Stockholm | 1 | ||||||
| 12883 | Krzysztof | Penderecki | Scyzoryk | 1961 | Film | 7:00 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 12884 | Krzysztof | Penderecki | Słodkie rytmy, Slodky rytmy | 1965 | Film | 8:00 | ExpSt Warsaw | 0 | |||||||||||
| 12885 | Krzysztof | Penderecki | Ubu Roi | 1964 | Theatermusik | ExpSt Warsaw | 0 | ||||||||||||
| 40270 | Sylvia | Pengilly | If You Could See my Soul | 2017 | fixed media, akusmatisch | Sylvia Pengilly | 0 | ||||||||||||
| 40272 | Sylvia | Pengilly | Maze | 2016 | fixed media, akusmatisch | Sylvia Pengilly | 0 | ||||||||||||
| 26031 | Sylvia | Pengilly | Patterns of Organic Energy | 2004 | audiovisuell | 5:52 | CMJ Vol 29-4, 2005/ | 1 | |||||||||||
| 39509 | Sylvia | Pengilly | Sierpinsky Learns to Paint | 2017 | audiovisuell | 0 | |||||||||||||
| 40273 | Sylvia | Pengilly | Sometimes I Forget to Breathe | 2015 | fixed media, akusmatisch | 8:07:00 | Sylvia Pengilly | 0 | |||||||||||
| 40271 | Sylvia | Pengilly | The Syntax of Chaos | 2016 | fixed media, akusmatisch | Sylvia Pengilly | 0 | ||||||||||||
| 35684 | Rui | Penha | Calcinatio | 2005 | Zuspiel / Tonband, 1 group | 09:19 | ens [Ensemble] | 0 | |||||||||||
| 12886 | Zbigniew | Penherski | 3M - HI | 1969 | fixed media, akusmatisch | 12:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 12887 | Zbigniew | Penherski | Chroniques mazuriennes | 1965 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 12888 | Wilhelm | Penndorf | Pausenzeichen | 1963 | Hintergrundmusik | Mono | RFZ Berlin | 0 | |||||||||||
| 24146 | Francesco | Pennisi | L'Ape Iblea, Elegia per Noto | 1998 | live-elec, 3 perf, 1 group | ≈ 30:00 | Stereo | S, 2 Sp, orc [Sopran, Sprecher, Orchester] | Radio Version | Tempo Reale Firenze | Ricordi | 0 | |||||||
| 12889 | Bruce | Pennycook | gr, RR | 1979 | Zuspiel / Tonband, 6 perf | 26:00 | Stereo | sax-qt, p, db [Saxophon, Piano, Kontrabass] | Colgate Hamilton | 0 | |||||||||
| 12890 | Bruce | Pennycook | if carillons grew wings | 1976 | fixed media, akusmatisch | 4:20 | Stereo | Colgate Hamilton | 0 | ||||||||||
| 12891 | Bruce | Pennycook | Northern Dancer (Short Version) | 1982 | Zuspiel, live-elec, 5 perf | 14:00 | Stereo | cl, 2 perc, e-bass, p [Klarinette, Piano, Gitarre, Schlagzeug] | ON Science C.Toronto | 0 | |||||||||
| 12892 | Bruce | Pennycook | Northern Dancers (Parts I, II, III) | 1983 | Zuspiel, live-elec, 5 perf | 24:00 | Stereo | cl, va, perc, db, p and synt [Klarinette, Piano, Schlagzeug, Viola, Kontrabass, synthesizer] | 2 versions | ON Science C.Toronto | 0 | ||||||||
| 23412 | Bruce | Pennycook | PRAESCIO I | 1987 | Zuspiel / Tonband, 1 perf | 9:39 | Stereo | s-sax [Saxophon] | McGill 750038/ | McGill Montréal | 1 | ||||||||
| 23413 | Bruce | Pennycook | Praescio II: Amnesia | 1988 | live-elec, 2 perf, 1 group | 10:23 | S, ens, MIDI [Sopran, synthesizer, Ensemble] | McGill MR 2001-01-2 Disc 1/ | McGill Montréal | 1 | |||||||||
| 20646 | Bruce | Pennycook | PRAESCIO VII (Piano .. and then some) | 1994 | live-elec, 1 perf | 14:47 | Stereo | p [Piano] | eSp 9601 Shelan/ | McGill Montréal | 0 | ||||||||
| 12893 | Bruce | Pennycook | PRAESCIO-I | 1987 | Zuspiel, live-elec, 1 perf | 11:00 | Stereo | s-sax [Saxophon] | McGill 750038-2/ | McGill Montréal | 0 | ||||||||
| 12894 | Bruce | Pennycook | PRAESCIO-II: Amnesia | 1988 | live-elec, 5 perf | 10:00 | Stereo | S, fl, synt, vn, vc [Sopran, Flöte, Cello, Violine, synthesizer] | 0 | ||||||||||
| 12895 | Bruce | Pennycook | PRAESCIO-III (The Desert speaks) | 1988 | live-elec, 2 perf | 15:00 | Stereo | MIDI-hpd, synt, [Cembalo, synthesizer] | J&W CD 931/ ACM 37 CD 1-4/ | 0 | |||||||||
| 12896 | Bruce | Pennycook | Speeches for Dr. Frankenstein | 1980 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | S [Sopran] | FTS 37475/ | CCRMA | Dexter Morrill and Neva Pilgrim for "Singing Circuits" through the Canadian Council for the Arts | 1 | |||||||
| 12897 | Bruce | Pennycook | The Yonge Street Variations | 1980 | Zuspiel / Tonband, 4 perf | 12:00 | Stereo | va or 4 perc [Schlagzeug, Viola] | Queens Uni Kingston | 0 | |||||||||
| 12898 | Bruce | Pennycook | Three Pieces for Saxophone and Tape | 1982 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | s-sax or a-sax [Saxophon] | (Text: Margaret Atwood) | Uni BC Victoria, SFU | 0 | ||||||||
| 39868 | Ivan | Penov | Controcorrente | 2015 | fixed media, akusmatisch | 7:23:00 | Ivan Penov | 0 | |||||||||||
| 12899 | Christopher | Penrose | He's Bite Size | fixed media, akusmatisch | 7:45 | Col.Princ EMC | 1 | ||||||||||||
| 40345 | Zack | Pentecost | Interlude: 1882 | 2017 | fixed media, akusmatisch | Zack Pentecost | 0 | ||||||||||||
| 41815 | Henri | Penttinen | The Gate | 2001 | fixed media, akusmatisch | 2:24:00 | codemist ICMC2001/ | 0 | |||||||||||
| 12900 | Ivan | Pequeño | Ahora | 1974 | fixed media, akusmatisch | 16:30 | SMECA: experimental music studio of Centre culturel américain (Paris, France) | Pueblo Nuevo PN.CD.001/ | SMECA Paris | 0 | |||||||||
| 12901 | Ivan | Pequeño | Cours, cours vite | 1976 | fixed media, akusmatisch | intermedia |
(slides) [] | Con Pantin | 0 | |||||||||||
| 12902 | Ivan | Pequeño | Motete con Huesillos | 1972 | Zuspiel / Tonband, 1 perf | p [Piano] | SMECA Paris | 0 | |||||||||||
| 12903 | Ivan | Pequeño | Suite inconnue | 1973 | fixed media, akusmatisch | SMECA Paris | 0 | ||||||||||||
| 12904 | Ivan | Pequeño | Y movieron con sus alas el tiempo estancado | 1975 | fixed media, akusmatisch | 19:28 | Stereo | other Name of composers: Ivan Pequeño Andrade | Radio Beograd | 0 | |||||||||
| 21919 | Ivan | Pequeño | Zoom in | 1972 | fixed media, akusmatisch | 9:16 | IMEB Bourges | 0 | |||||||||||
| 40163 | Omar | Peracha | Colour Etude I | 2017 | fixed media, akusmatisch | Omar Peracha | 0 | ||||||||||||
| 35735 | Carlos D. | Perales | Creaky Motion | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 39640 | Carlos D. | Perales | Danzon | 2015 | fixed media, akusmatisch | 6:25:00 | Carlos D. Perales | 0 | |||||||||||
| 35500 | Catalina | Peralta | De Igitur o la locura de Elbehnon | 2001 | fixed media, akusmatisch | 07:08 | 0 | ||||||||||||
| 12905 | Catalina | Peralta | Monolog in der toten Stadt Nr. 1 | 1988 | Zuspiel / Tonband, 3 perf | 7:02 | Stereo | fl, db, perc [Flöte, Schlagzeug, Kontrabass] | ELAK Wien | 0 | |||||||||
| 37856 | Catalina | Peralta | Monolog in der toten Stadt Nr. 2 | 1988 | Zuspiel / Tonband, 4 perf | Stereo | fl, db, perc, conductor [Flöte, Schlagzeug, Kontrabass, Performer] | ELAK Wien | 0 | ||||||||||
| 12906 | Catalina | Peralta | Recitativo Elletronico I | 1990 | Zuspiel, live-elec, 1 perf | 15:00 | va [Viola] | ELAK Wien | 0 | ||||||||||
| 35501 | Catalina | Peralta | Recitativo Iib | 1997 | fixed media, akusmatisch | 08:01 | 0 | ||||||||||||
| 12907 | Catalina | Peralta | Requiem nach einem imaginären Todesfall, Requiem sobre una muerte imaginaria | 1990 - 1991 | live-elec, 1 perf | 16:00 | fl [Flöte] | ELAK Wien | Auszeichnung ars electronica 1992 | 0 | |||||||||
| 35502 | Catalina | Peralta | Soliloquio de Rotorno Iic | 1999 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 12908 | Catalina | Peralta | Through the space, hearing your voice - Phantasmagory of oscillating voices I | 1989 | fixed media, akusmatisch | 15:06 | Stereo + Stereo | ELAK Wien | 0 | ||||||||||
| 12909 | Catalina | Peralta | Unabhängige Episoden aus einem Künstlerleben | 1989 | fixed media, akusmatisch | 11:50 | Stereo | ELAK Wien | 0 | ||||||||||
| 39379 | Gaspar | Peralta | Grafología del entorno sonoro, Sound scape graphology | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 35656 | Pablo | Perazzo | Loopoccidente | 2008 | fixed media, akusmatisch | 9:33 | Musica Contemporanea Electroacustica - Convocatoria 07 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 12910 | Staffan | Percival | Tranches | 1977 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 42160 | Georges | Perec | Die Maschine | 1968 | radiophon | 47:15 | SR, WDR | 13.11.1968 | SR Saarbrücken, WDR Köln | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1435956&vi=16&SID | ||||||||
| 35469 | Alexis | Perepelycia | Izba | fixed media, akusmatisch | 9:45 | 0 | |||||||||||||
| 35470 | Alexis | Perepelycia | Los duendes interiores | fixed media, akusmatisch | 10:44 | 0 | |||||||||||||
| 35471 | Alexis | Perepelycia | Poros | fixed media, akusmatisch | 7:55 | 0 | |||||||||||||
| 35472 | Alexis | Perepelycia | Quid Pro Quo | fixed media, akusmatisch | 9:38 | 0 | |||||||||||||
| 12911 | Ronald | Perera | Evolutions | 1968 | fixed media, akusmatisch | 8:10 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 12912 | Ronald | Perera | Free Forms I | 1968 | fixed media, akusmatisch | 9:35 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 19624 | Antonio | Pérez Martinez | El Emperador del Jamón serrano | 1990 | fixed media, akusmatisch | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 12913 | Eduardo | Pérez Maseda | Luz de Oscura Llama | 1991 | Oper | 2:30 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 12914 | Eduardo | Pérez Maseda | My echo my shadow | 1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | LIEM CDMC Madrid | 0 | ||||||||
| 19557 | Eduardo | Pérez Maseda | Nagaman (I / II) | 1985 | fixed media, akusmatisch | 15:02 | Stereo | GME Cuenca | 0 | ||||||||||
| 12915 | Eduardo | Pérez Maseda | Presencia de Luz | 1991 | fixed media, akusmatisch | 16:38 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19558 | Eduardo | Pérez Maseda | Quórum | fixed media, akusmatisch | 11:16 | Stereo | GME Cuenca | 0 | |||||||||||
| 19559 | Eduardo | Pérez Maseda | Take me away | 1988 | fixed media, akusmatisch | 23:12 | Stereo | GME Cuenca | 0 | ||||||||||
| 19688 | Eduardo | Pérez Maseda | Taraz | 1994 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | V [Stimme] | LIEM CDMC Madrid | 0 | |||||||||
| 35671 | Ricardo | Perez Miró | Donde crecen los trigales | fixed media, akusmatisch | 10:07 | Uni de la serena/ | 0 | ||||||||||||
| 23414 | Ricardo | Perez Miró | Entre la noche y el océano | 1999 | fixed media, akusmatisch | 10:15 | McGill MR 2001-01-2 Disc 1/ | McGill Montréal | 1 | ||||||||||
| 24461 | Ricardo | Perez Miró | Per Sonare | 2002 | fixed media, akusmatisch | 8:19 | LDC 2781125/ | IMEB Bourges | 0 | ||||||||||
| 19632 | Alberto | Pérez Pena | El Bufón | 1994 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | LINCE-CAM Madrid | 0 | ||||||||||
| 19633 | Alberto | Pérez Pena | El Glaciar | 1995 | fixed media, akusmatisch | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 19631 | Alberto | Pérez Pena | Lamentos ante las Montañas | 1993 | live-elec, 1 perf | Stereo | synt [synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 19630 | Alberto | Pérez Pena | Medina Azahara bajo la Luna | 1993 | Zuspiel / Tonband, 3 perf | Stereo | tpt, synt, p [Trompete, Piano, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 37660 | Ileana | Pérez Velázquez | Celia | 1994 | fixed media, akusmatisch | 5 | Stereo | ICAP Habana | 0 | ||||||||||
| 41640 | Daniel | Perez-Hajdu | Rhizome | 2011 | fixed media, akusmatisch | 8:23:00 | Musiques et Recherches Ohain | M&R | 0 | ||||||||||
| 19701 | Diana | Pérez | Circulos viciosos en un ojo de Pez | 1992 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | HfM Malaga | 0 | ||||||||||
| 19700 | Diana | Pérez | De cómo abrir cerraduras | 1992 | Zuspiel, live-elec, 3 perf | Stereo | actor, fl, tuba [Flöte, Tuba, Schauspieler] | HfM Malaga | 0 | ||||||||||
| 35736 | Diana | Pérez | Etude aux chemins de voix | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 34389 | Diana | Pérez | Juguetes del viento | fixed media, akusmatisch | 5:02 | AMEE/ | 0 | ||||||||||||
| 19699 | Diana | Pérez | Mi ventana | 1992 | live-elec, 1 perf | Stereo | fl [Flöte] | HfM Malaga | 0 | ||||||||||
| 35746 | Simon | Pérez | Empachado | 2011 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2012 | 0 | ||||||||||||
| 35698 | Simon | Pérez | Las cifras y las palabras | 2016 | fixed media, akusmatisch | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 36853 | Sophie | Périard | Pôles | 2016 | fixed media, akusmatisch | 9:30:00 | 0 | ||||||||||||
| 43177 | Tristan | Perich | Active Field | 2009 | live-elec, 10 perf | 10 Tracks | 10 vn [Violine] | for ten violins and ten-channel 1-bit music | Auszeichnung ars electronica Award of Distinction 2009 | 0 | |||||||||
| 40487 | Luc | Perini | Cap Africa | 1963 | Film | le monde sousmarin des côtes tunisiennes | INA • GRM | 0 | |||||||||||
| 12916 | Luc | Perini | Conte | 1965 | Film | 4:00 | Mono | PS C. Paris | 0 | ||||||||||
| 12917 | Luc | Perini | East African Safari | 1966 | Film | 8:00 | Mono | PS C. Paris | 0 | ||||||||||
| 40614 | Luc | Perini | Eveil | 1967 | Film | 23 | INA • GRM | 8.9.1968 | TV ORTF, 1. chaine | 0 | |||||||||
| 40427 | Luc | Perini | Noir et blanc | 1961 | Film | pour le film „image par image“ de R. Lapoujade | INA • GRM | 1963 | Evreux, Semaine intern. du film | Pricx special de Jury | 0 | ||||||||
| 12918 | Luc | Perini | Nuit noire Calcutta | 1965 | Film | 6:00 | Mono | PS C. Paris | 0 | ||||||||||
| 40478 | Luc | Perini | Prassinos | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 28660 | Luc | Perini | Prison | 1962 | Film | Mono | INA • GRM | 21.8.1962 | Ranelagh, Paris; Expériences 1962 | Prix Bergame, Festival 1962 Prix Antonin Arthaud 1964 |
0 | ||||||||
| 40547 | Luc | Perini | Un garçon plein d’Avenir | 1965 | Film | INA • GRM | 1965 | Annecy | Prix Festival d’Annecy 1965 | 0 | |||||||||
| 12919 | Pietro | Perini | Sequencer 1. 2. 3. | 1988 | Zuspiel / Tonband, 2 perf | pic-fl, db [Flöte, Kontrabass] | Con Venezia | 0 | |||||||||||
| 24204 | Dale | Perkins | "Holiday Snap 2002": a sonic document | 2002 | fixed media, akusmatisch | 3:19 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 23201 | Dale | Perkins | Submarine | 2001 | fixed media, akusmatisch | 9:05 | Cec Presence 3/ | Uni Leeds | 1 | ||||||||||
| 33697 | Heather | Perkins | What You Think Will Happen, Will | 1989 | fixed media, akusmatisch | 1:48:00 | from Never Whatever Cassette 1989 | WN 00006/1991/ | 1 | ||||||||||
| 20653 | Philip | Perkins | Necropolis | live-elec, 3 perf | 3:07 | Stereo | db, V, synt [Stimme, Kontrabass, synthesizer] | FUN 1006/ | 0 | ||||||||||
| 20654 | Philip | Perkins | Office Love | live-elec, 2 perf | 2:11 | Stereo | V, synt [Stimme, synthesizer] | FUN 1006/ | 0 | ||||||||||
| 33708 | Philip | Perkins | Remoting, Beakeley Remote | live-elec, 2 perf | 2:07:00 | synt, (sam, vocoder, radios) MIDI [synthesizer] | Excerpt From Beakeley Remote, what is part of „The Remotes“ | WN 00006/1991/ | 1 | ||||||||||
| 20655 | Philip | Perkins | The Child who is silent | live-elec, 2 perf | 3:52 | Stereo | V, vn [Stimme, Violine] | FUN 1006/ | 0 | ||||||||||
| 20656 | Philip | Perkins | Waiting in Front of the Columnar High School | live-elec, 3 perf | 2:30 | Stereo | perc, V, synt [Stimme, Schlagzeug, synthesizer] | FUN 1006/ | 0 | ||||||||||
| 20657 | Philip | Perkins | When Suffering is Everywhere | live-elec, 2 perf | 2:07 | Stereo | V, synt [Stimme, synthesizer] | FUN 1006/ | 0 | ||||||||||
| 20647 | Tim | Perkis | Clavitron 6000 | live-elec, 1 perf | 7:00 | Stereo | MIDI p [Piano] | ART 1003/ | CCM Mills | 0 | |||||||||
| 20648 | Tim | Perkis | Cliks | fixed media, akusmatisch | 4:04 | Stereo | ART 1003/ | CCM Mills | 0 | ||||||||||
| 20649 | Tim | Perkis | Engagement | live-elec, | 6:15 | Stereo | ART 1003/ | CCM Mills | 0 | ||||||||||
| 12920 | Tim | Perkis | Farabi, The Minister of pitch | 1988 | live-elec, | 13:00 | ART 1002/ | CCM Mills | 1 | ||||||||||
| 20650 | Tim | Perkis | Touch Typing | live-elec, | 5:52 | Stereo | ART 1003/ | CCM Mills | 0 | ||||||||||
| 20651 | Tim | Perkis | Waxlips | 1992 | live-elec, 1 perf | 4:37 | Stereo | MIDI-ins [synthesizer] | ART 1008/ | CCM Mills | 0 | ||||||||
| 20652 | Tim | Perkis | Waxlips III | 1993 | live-elec, 1 perf | 4:37 | Stereo | MIDI-ins [synthesizer] | ART 1008/ | CCM Mills | 0 | ||||||||
| 12921 | Gianfranco | Pernaiachi | Journal d'été | live-elec, 2 perf | 12:00 | fl, perc [Flöte, Schlagzeug] | CRM Roma | 0 | |||||||||||
| 12922 | Gianfranco | Pernaiachi | Realgar II | 1989 | Zuspiel / Tonband, 1 perf | 5:40 | Stereo | t-sax [Saxophon] | CRM Roma | 1 | 1990 | ||||||||
| 12923 | Gianfranco | Pernaiachi | Sillabe d'ombra | 1986 - 1987 | Zuspiel, live-elec, 1 group | ens [Ensemble] | CRM Roma | 0 | |||||||||||
| 35467 | Alain | Peron | De dos para uno | fixed media, akusmatisch | 5:31 | 0 | |||||||||||||
| 38791 | Nicolas, Silvia | PERRET, PLONER | Nýey | 2014 | radiophon | 35:29:00 | first Price in the category "Radio Art" at the 10th Bienal Internacional de Radio in Mexico | 0 | |||||||||||
| 28092 | Nicolas | Perrillat | Veillà D'hivé | 1999 | fixed media, akusmatisch | 12 parts; elec pop?? | Collectif & Cie mts 03/ | C&C Annecy | 0 | ||||||||||
| 32000 | Marc-André | Perron | Effervescence / Somnolence | 2010 | fixed media, akusmatisch | 10:24 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner | 1 | |||||||||
| 12924 | Serge | Perron | Fusion | 1977 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | McGill Montréal | 0 | ||||||||||
| 42533 | Andrew | Perry | Blackout | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 33420 | Kathryn | Perry | Approach - Statement - Retreat | 1965 | fixed media, akusmatisch | 6:07 | Stereo | PS IEMC Trumanburg | 0 | ||||||||||
| 38633 | Nina | PERRY | Melting Point | 2010 | radiophon | 28:16:00 | Prix Phonurgia nova | 0 | |||||||||||
| 12928 | John | Persen | Fuglan veit! | 1989 | fixed media, akusmatisch | 16:40 | NOTAM | 0 | |||||||||||
| 12929 | John | Persen | NotaBene | 1988 | fixed media, akusmatisch | 25:38 | NOTAM | 0 | |||||||||||
| 12930 | John | Persen | Things take time | 1985 | fixed media, akusmatisch | 29:29 | NOTAM | 0 | |||||||||||
| 12925 | John, Jøran | Persen, Rudi | 7'56" | 1984 | fixed media, akusmatisch | 7:56 | NOTAM | 0 | |||||||||||
| 12926 | John, Jøran | Persen, Rudi | 8'05" | 1984 | fixed media, akusmatisch | 8:05 | NOTAM | 0 | |||||||||||
| 12927 | John, Jøran | Persen, Rudi | 8'27" | 1984 | fixed media, akusmatisch | 8:27 | NOTAM | 0 | |||||||||||
| 12931 | Bo Anders | Persson | Out in the street | 1967 | fixed media, akusmatisch | 29:55 | Stereo | EMS Stockholm | 0 | ||||||||||
| 18865 | Bo Anders | Persson | Proteinimperialism | 1967 | fixed media, akusmatisch | 24:37 | WER 60047/ | SR Stockholm | 1 | ||||||||||
| 32860 | Andrian | Pertout | Pañc Hazar Chakra Kai Andar, Within five thousand cycles | 2000 | live-elec, 1 perf | 5:41 | disklavier [Piano] | Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 12933 | Andrian | Pervazov | Rit | 1990 | fixed media, akusmatisch | 6:38 | Radio Sofia | 0 | |||||||||||
| 12934 | Alfred | Peschek | Fünf elektronische Stücke | 1970 | fixed media, akusmatisch | 17:00 | Stereo | IGNM OO CD 003/ | 0 | ||||||||||
| 31564 | Sebastian | Peter | Angst | 2013 | fixed media, akusmatisch | 5:00 | Stereo | next_generation 5.0 (gekürzte Fassung) |
SEAM Weimar | 0 | |||||||||
| 38634 | Sebastian | PETER | Stamboul City Blues | 2009 | radiophon | 20:00:00 | 0 | ||||||||||||
| 38635 | Sebastian | PETER | Tophane | 2009 | radiophon | 20:15:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 25469 | Thomas | Peter | neugut-rand | 2006 | fixed media, akusmatisch | 9:13 | Stereo | miso records mcd 016.07/ | 2006 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | www.tpeter.ch | ||||||||
| 23780 | Erik | Peters | Allt som ligger under snön är gratis | 1999 | fixed media, akusmatisch | 12:33 | Stereo | CAP 22057/ | emsPrize honorable mention 2001 | 1 | |||||||||
| 12935 | Erik | Peters | SEJD | 1993 | fixed media, akusmatisch | 8:50 | Stereo | FYCD 1006/ | EMS Stockholm | 1 | |||||||||
| 12936 | Erik | Peters | Wie alt ist Herr Müller? | 1993/1994 | fixed media, akusmatisch | 4:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 23335 | Norbert Walter | Peters | Cavæ Tóna (Höhlenton) op. 16 | 2000 | Radiokunst, 2 perf | 34:10 | V, perc [Stimme, Schlagzeug] | Bernhard Lüers (V), Dirk Rothbrust (perc); Stefan Fricke (Aufnahmeleitung) | Radio SR Saarbrücken | 0 | |||||||||
| 38873 | Norbert Walter | Peters | dépot de beau songe | 2010 | radiophon | 52 | 0 | ||||||||||||
| 25032 | Norbert Walter | Peters | mériterechkîma op. 25 | 2004 | Zuspiel, live-elec, 3 perf | 61:07 | 2 actor, V (älterer Actor, junger actor, jüngere Sängerin, elec) [Stimme, Schauspieler] | radiophones Theater- und Raumprojekt, akustisch-skulpturale Installation. im Aachener Theater „mÖrgens“ | 1 | ||||||||||
| 23336 | Norbert Walter | Peters | né-tchr - a music story, Ars Acoustica-Stück opus 20 | 2001 | fixed media, akusmatisch | 40:00 | mit Ruth Geiersberger, Bernhard Lüers, Miriam Löhr, Dirk Rothbrust. Aufzeichnung im SWR Baden-Baden 2002 | SWR Baden-Baden | DR | 1 | |||||||||
| 38636 | Norbert Walter | PETERS | nota.thion – Nach der Flut | 2005 | radiophon | 47:09:00 | 0 | ||||||||||||
| 38874 | Norbert Walter | Peters | nota.thion – Nach der Flut | 2005 | radiophon | 47 | 0 | ||||||||||||
| 27795 | Oliver | Peters | Transkript 18 | 2009 | fixed media, akusmatisch | 19:26 | JTTP 2009 | CEC Cache 2009, PeP 014 DE/ | JTTP-Winner 2009 german 2. prize | 1 | http://cec.concordia.ca/jttp/2009/index.html#winners | ||||||||
| 12937 | Nils Holger | Petersen | Joseph i Brønden | 1971 | fixed media, akusmatisch | ≈ 11:00 | Quadro | EMS Stockholm | DR | 0 | |||||||||
| 12938 | Tracy L. | Petersen | Digital Tantra I | 1978 | fixed media, akusmatisch | 8:11 | WER 2027; Computer Music Currents 7/ | Uni Utha | 1 | ||||||||||
| 22511 | Niklas | Peterson | To John | 2000 | fixed media, akusmatisch | 4:37 | CD: "a new Generation" at EMS / Eight Times Falling | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 28213 | Mattias | Petersson | a call from mrs. B. a room in my laptop the key I bought diswalzing |
2008 | fixed media, akusmatisch | 42:00 | experimentelle EM from Sweden | iDeal 056 iDeal Recordings/ | 1 | http://www.wickerwork.net/ | |||||||||
| 26032 | Mattias | Petersson | Mimer | 2003 | fixed media, akusmatisch | 63:58 | alles mit Originalaufnahmen aus der Eisenmine „Mimer“ in Norberg (Schweden) im Jahre 2001 | FYCD 1021/ | PS C. | 1 | |||||||||
| 25487 | Mattias | Petersson | Ström | 2003 | audiovisuell | 45:34 | Stereo, Surround 5.1 | Video by Fredrik Olofsson and was Lissajou-processed. | FYDVD 1002/ | Rikskonserter and EMS | 2003 | Fylkingens 70th anniversary festival JIBBOLII | 1 | http://www.wickerwork.net | |||||
| 42534 | Gabriel | Peti | The Metallic Phenomenon | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 12939 | Raynald | Petiet | Etude | 1979 | fixed media, akusmatisch | 8:20 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 12940 | Arnaud | Petit | Espaces et pleurs | 1983 | fixed media, akusmatisch | 23:25 | Stereo | INA • GRM | 15.3.1983 | Paris, IRCAM Espace de projection | 0 | ||||||||
| 12941 | Arnaud | Petit | Germinal, Furientanz | 1985 | fixed media, akusmatisch | 5:40 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 12942 | Arnaud | Petit | La Passion de Jeanne d'Arc | 1988 | Film | 103:00 | Stereo | Carl Dreyer's film | IRCAM 0002 F, Creations IRCAM/ | IRCAM | Th des Amandiers | 1 | |||||||
| 12943 | Arnaud | Petit | La place de la République | 1991 | Oper | Film |
65:00 | S, Bar, ens, actors [Sopran, Bariton, Schauspieler, Ensemble] | IRCAM | Ricordi | 0 | |||||||||
| 12944 | Arnaud | Petit | Presence-horizon, Non quoique | 1979 | fixed media, akusmatisch | 13 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 12945 | Franck | Petit | La trajectoire du Sujet | 1986 | fixed media, akusmatisch | 12:00 | CNR Amiens | 1 | |||||||||||
| 20658 | Dominique | Petitgand | 10 petites compositions familiales | 1993 - 1996 | radiophon | 21:01 | Stereo | La muse En Circuit Hörspiele 2: Jeux Pour L'Oreille/ MK CD 021/ | La Muse | 0 | |||||||||
| 12946 | Stefano | Petrarca | Bisanzio I | 1987 | live-elec, 2 perf | 2 db [Kontrabass] | STREAM Roma | 0 | |||||||||||
| 12947 | Stefano | Petrarca | Campana del Tramonto | 1986 | fixed media, akusmatisch | 11:30 | Stereo | STREAM Roma | 0 | ||||||||||
| 12948 | Stefano | Petrarca | In mezzo a questa steppa mediterranea | 1990 | live-elec, 1 perf | tpt [Trompete] | sound diffusion | CRM Roma, CERM Sassari | 0 | ||||||||||
| 12949 | Stefano | Petrarca | Ipogeo | 1990 | live-elec, 4 perf | prep p, MIDI-Kbd, 2 synt [Piano, Keyboard, synthesizer] | CRM Roma, CERM Sassari | 0 | |||||||||||
| 12950 | Stefano | Petrarca | Irish Stream | 1985 | fixed media, akusmatisch | 45:00 | Stereo | STREAM Roma | 0 | ||||||||||
| 12951 | Stefano | Petrarca | Nested dreams | 1985 | fixed media, akusmatisch | 11:00 | Stereo | STREAM Roma | 0 | ||||||||||
| 12952 | Stefano | Petrarca | Se e solo se... | 1983 | fixed media, akusmatisch | 4:30 | Stereo | STREAM Roma | 0 | ||||||||||
| 12953 | Dinu | Petrescu | Apollo XI | 1969 | Zuspiel / Tonband, 1 perf, 6 groups | 13:00 | 5 children V, ens [Stimme, Ensemble] | 0 | |||||||||||
| 12954 | Dinu | Petrescu | Etudes spatiales I et II | 1968 | fixed media, akusmatisch | 13:00 | Con Bucarest | 0 | |||||||||||
| 33389 | Ivo | Petrić | Jeux | 1966 | Zuspiel / Tonband, 2 perf, 1 group | 15:12 | Stereo | V, hp, ens [Stimme, Harfe, Ensemble] | Radio Ljubljana | 0 | |||||||||
| 12955 | Cinthia | Petroka | Louie, Louie | 1983 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 12956 | Arthur | Petronio | Tellurgie | 1964 | fixed media, akusmatisch | 9:50 | txtcompo | PS Petronio Paris | 0 | ||||||||||
| 12957 | Milos | Petrovic | Anton with / without Webern | 1981 | fixed media, akusmatisch | 9:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 12958 | Milos | Petrovic | Lei parla Italiano? | 1980 | fixed media, akusmatisch | 8:00 | Stereo | RTB 3130037/ | Radio Beograd | 1 | |||||||||
| 12959 | Milos | Petrovic | Study 4 | 1977 | fixed media, akusmatisch | 8:33 | Stereo | Radio Beograd CD 2, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | |||||||||
| 23511 | Vesna | Petrovic | Aura | Zuspiel / Tonband, 1 perf | vn [Violine] | 1 | |||||||||||||
| 31640 | Vesna | Petrovic | Transzendenz 2000 | 1998 | Zuspiel, live-elec, 1 group | 13:00:00 | fem ch, (elec) [Chor] | HSM Basel | 0 | ||||||||||
| 31552 | Juan Pablo | Pettoruti | When the saints stop marching | 2011/2013 | live-elec, 1 perf | tpt [Trompete] | next_generation 5.0 / UA DER KURZFASSUNG) 9‘ | HfM Lübeck | 26.6.2013 | ZKM, Kurzfassung; Trompete: Martín Mengel | 0 | ||||||||
| 37223 | Anna | Petzer | 49° 0' 6.473" N 8° 22' 59.398" E | 2017 | live-elec, 1 perf | 7 | V [Stimme] | Elektronik, Kurzwelle, Bewegung und Stimme | UdK Berlin | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 42535 | Sean | Peuquet | Quarter Space | 2008 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 40237 | Sean | Peuquet | What Rough Beast Slouches? | 2017 | fixed media, akusmatisch | 16 Tracks | Sean Peuquet | 0 | |||||||||||
| 12960 | Jean-Pierre | Peuvion | Atem, (by Mauricio Kagel) | 1984 | Zuspiel, live-elec, | Stereo | CRFMW Liège | 0 | |||||||||||
| 39577 | Andrew | Pfalz | Of grating impermanence | 2017 | fixed media, akusmatisch | Andrew Pfalz | 0 | ||||||||||||
| 37234 | Torsten | Pfeffer | Only the real ghosts survive | 2017 | fixed media, akusmatisch | 7:00:00 | 4-8 Tracks, Spazialisation: var | HfM Leipzig | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 23042 | Roman | Pfeifer | Dem Grau der Nacht enttaucht | 2000 | fixed media, akusmatisch | 6:56 | Ex Machina 6 - die neunziger Jahre | Cybele 960.106, ex machina 6/ | ICEM Essen | 1 | |||||||||
| 39528 | Roman | Pfeifer | Sleep, the Mouth and the Dream Screen 1 | 2015 | fixed media, akusmatisch | 9:55 | Stereo | ICEM Essen | 0 | ||||||||||
| 31830 | Roman | Pfeifer | Studie I Studie II |
2000 | fixed media, akusmatisch | 2 | Stereo | CSound | ICEM Essen | 0 | |||||||||
| 31831 | Roman | Pfeifer | Studie III | 2000 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 12961 | John | Pfeiffer | Echoes and Images | 1965 | Tanz | 8:00 | Mono | PS C. Miami | 0 | ||||||||||
| 12962 | John | Pfeiffer | Office Routine | 1963 | Tanz | 5:15 | Mono | PS C. Miami | 0 | ||||||||||
| 12963 | John | Pfeiffer | Wonderful World of Winter Sports | 1966 | Fernsehen, | 8:00 | Mono | PS C. Miami | 0 | ||||||||||
| 22078 | Katrin | Pfister | Zeit-Reise | fixed media, akusmatisch | 5:54 | Von CD " Gezeiten/Acht Stücke über die Zeit" | HBK Saar/ | HBK Saar | 1 | ||||||||||
| 12964 | Roland | Pfrengle | AASP | 1984 | live-elec, 2 perf | 16:00 | V, perc [Stimme, Schlagzeug] | PS C. | 1984 | Tokio mit M. Hirayama | 1 | 1984 | |||||||
| 12965 | Roland | Pfrengle | Abstrakte Tänze | 1985 | Tanz, 1 perf | Quadro | Kbd, (com) [Keyboard] | Choreograph Gerhard Bohner | PS C. | 1985 | Akademie der Künste Berlin | 0 | |||||||
| 32258 | Roland | Pfrengle | An sich - Bilder / Stille | 2003 | Musiktheater | Maerz Musik | 2003 | Hebbel-Theater Berlin | 0 | ||||||||||
| 22990 | Roland | Pfrengle | Aus sich | 1995/1996 | live-elec, 15 perf | 15 ins [Instrument] | PS C. | 1997 | Ensemble Modern im Podewil Berlin | 0 | |||||||||
| 12966 | Roland | Pfrengle | Cellokonzert | 1970 | Zuspiel, live-elec, 1 perf | vc, (Modulatoren) [Cello] | PS C. | 1971 | Berliner Festwochen | 0 | |||||||||
| 12967 | Roland | Pfrengle | Coming up | 1990 | Zuspiel / Tonband, 1 perf | 16:00 | V [Stimme] | PS C. | 10.2.1992 | Inventionen Akademie der Künste Berlin, M. Hirayama | 1 | 1992 | |||||||
| 12968 | Roland | Pfrengle | Der Gelbe Klang | 1992/1993 | Tanz, live-elec, 20 perf | 54:00 | Quadro | 18 dancer, com, synt, (Ultraschall-sensors) [computer, synthesizer, Tanz] | Choreographie Arila Siegert | PS C. | 1993 | Landestheater Dessau | 0 | ||||||
| 22992 | Roland | Pfrengle | Im ganzen | 1997/1998 | live-elec, 1 perf | p, (com) [Piano] | PS C. | 1999 | Klaviersommer Heilbronn | 0 | |||||||||
| 12971 | Roland | Pfrengle | Im Schnitt | 1989 | Tanz, live-elec, 1 perf | com, (Ultraschall-sensors) [computer] | Choreograph Gerhard Bohner | PS C. | 1989 | Hebbeltheater | 0 | ||||||||
| 23536 | Roland | Pfrengle | INNEN | 2001 - 2002 | live-elec, 1 perf | 12:33 | 6 | db-fl [Flöte] | B. G. Schmitt (fl). | ISPV 191 CD ProViva Flöte und Computer 2/ | PS | 2002 | BKA Berlin, Beate Gabriela Schmitt | 1 | |||||
| 12972 | Roland | Pfrengle | innen außen | 1977 | Zuspiel, live-elec, 3 perf | ob, org, synt [Oboe, Orgel, synthesizer] | PS C. | 1977 | Evang. Kirchentag Berlin | 0 | |||||||||
| 12973 | Roland | Pfrengle | Iphigenie | 1978 | Musiktheater, live-elec, 6 perf | V, 4 actor, mus [Stimme, Musiker, Schauspieler] | PS C. | Stadttheater Basel | 0 | ||||||||||
| 12974 | Roland | Pfrengle | Klaviermusik | 1982 - 1984 | live-elec, 1 perf | p, (com) [Piano] | PS C. | 1984 | Folkwangschule Essen mit S. Achilles | 1 | 1985 | ||||||||
| 12975 | Roland | Pfrengle | Kometentanz | 1982 | Tanz | 1 dancer [Tanz] | Choreograph Gerhard Bohner | PS C. | 1982 | Akademie der Künste Berlin | 0 | ||||||||
| 12976 | Roland | Pfrengle | Links-Rechts | 1969 | Zuspiel / Tonband, 10 perf | 5:38 | Stereo | 10 mus [Musiker] | ? UA Januar 1972 in der AdK Berlin? | TU Berlin | 1971 | Musica Nova Hannover | 1 | ||||||
| 22993 | Roland | Pfrengle | Metall | 1999 - 2001 | live-elec, 2 perf | V, perc (Gong, tam-tam) [Stimme, Schlagzeug] | fürAmelia Cuni | PS C. | 0 | ||||||||||
| 22991 | Roland | Pfrengle | Mich | 1996 | live-elec, 1 perf | V, (com) [Stimme] | PS C. | 1996 | Wien Modern mit Michiko Hirayama | 0 | |||||||||
| 12977 | Roland | Pfrengle | Netz | 1987 | live-elec, 3 perf | 2 fl, com, (Modulatoren) [Flöte, computer] | PS C. | 1987 | Beriner Festwochen | 0 | |||||||||
| 32260 | Roland | Pfrengle | Projektionen | 2011 - 2013 | live-elec, 3 perf, 1 group | V, ens, ins (musikmaschinen by Martin Riches), com [Stimme, Instrument, computer, Ensemble] | 2013 | Philharmonie Essen, Festival NOW. Solisten : Katia Guedes, Lesley Olson, Alexandre Babal, Kammerensemble Neue Musik Berlin, Ltg.Titus Engel (in Essen), Manuel Nawri (in Nagoya und Tokio) |
0 | ||||||||||
| 28217 | Roland | Pfrengle | RaumStörung | 2004/2005 | audiovisuell, live-elec, 4 perf | 18:59 | s-rec, bar-sax, V, tuba, (4 Videobeamer, 4 LS, com) [Stimme, Flöte, Saxophon, Tuba] | with L. Mense (s-rec), S. Otto (bar-sax), U. Wassermann (V), R. Hayward (Tuba) | PS C. | 2005 | Villa Elisabeth | 1 | |||||||
| 12978 | Roland | Pfrengle | Sog | 1991/1992 | live-elec, 1 perf | 21:00 | Stereo | fl [Flöte] | ISPV 181/ | PS C. | 1 | ||||||||
| 12979 | Roland | Pfrengle | Solo | 1980 | live-elec, 2 perf | 14:00 | perc, synt, (com) [Schlagzeug, synthesizer] | PS C. | 1980 | Witten | 1 | 1984 | |||||||
| 22989 | Roland | Pfrengle | Später Schall | 1995 | live-elec, 31 perf | 30 ins, (Modulatoren), com [Instrument, computer] | Klangart Osnabrück 1995 | PS C. | 1995 | Klangart Osnabrück | 0 | ||||||||
| 32259 | Roland | Pfrengle | Sprachmusik | 2007 | live-elec, 1 perf | 17:31 | fl, (Talking Machine) [Flöte] | Talking Machine (by Martin Riches) | 2007 | Wien Modern 2007 | 1 | ||||||||
| 12981 | Roland | Pfrengle | THEMA: Information | 1971 | Zuspiel, live-elec, 1 perf | fl, (Modulatoren) [Flöte] | ISPV 181/ | PS C. | 1972 | 1 | |||||||||
| 12983 | Roland | Pfrengle | und nicht oder | 1974 - 1976 | Zuspiel / Tonband, 1 group | orc [Orchester] | PS C. | 1976 | RSO, Berlin | 0 | |||||||||
| 12984 | Roland | Pfrengle | Verquetscht im Kalkül | 1972 | Zuspiel, live-elec, 1 perf | fl, (live-elec) [Flöte] | PS C. | 1974 | 0 | ||||||||||
| 12969 | Roland | Pfrengle | Vom fallen, Fallstudie | 1981 | live-elec, 2 perf | 35:00 | perc, (com), synt [Schlagzeug, synthesizer] | PS C. | 30.03.1982 | Inventionen TU-Hauptgebäude Lichthof Berlin | 1 | 1982 | |||||||
| 22988 | Roland | Pfrengle | Zurück | 1994 | live-elec, 1 perf | cl [Klarinette] | PS C. | Berlin | 0 | ||||||||||
| 12970 | Roland, Eberhard | Pfrengle, Blum | Felder I | 1980 | Zuspiel, live-elec, 2 perf | fl, synt [Flöte, synthesizer] | PS C. | 1980 | "Warschauer Herbst" | 1 | 1983 | ||||||||
| 12982 | Roland, Eberhard, Martin | Pfrengle, Blum, Riches | Triptychon | 1981/1982 | Zuspiel, live-elec, 2 perf | fl, com (sound machine, com) [Flöte, computer] | PS C. | 1982 | Amsterdam | 1 | 1983 | ||||||||
| 12980 | Roland, Jolyon | Pfrengle, Brettingham-Smith | Tape Impulses | 1974 | fixed media, akusmatisch | intermedia |
0 | |||||||||||||
| 20660 | James | Phelps | Chordlines | 1990 | fixed media, akusmatisch | 6:26 | Stereo | SEAMUS EAM 9301 Vol. 1/ | 0 | ||||||||||
| 20659 | James | Phelps | Sax Houses | 1994 | Zuspiel, live-elec, 1 perf | 9:30 | Stereo | sax [Saxophon] | NeXT; 3 parts | Centaur CRC 2302, CDCM Vol. 23/ | Uni Northern Illinois | 1 | |||||||
| 12986 | Jon | Phetteplace | Displacements | 1967 | live-elec, 4 perf | 13:00 | 4 perf, (lights) [Performer] | MEV Roma | 0 | ||||||||||
| 12987 | Jon | Phetteplace | Gira-Gira | 1967 | live-elec, 1 perf | 10:00 | perf [Performer] | MEV Roma | 0 | ||||||||||
| 12988 | Jon | Phetteplace | "Imaginary Landscape No. 5" by Cage | 1965 | live-elec, 1 perf | 3:00 | Stereo + Stereo + Stereo | perf (record-player) [Performer] | 6 of the 42 records are used live, MEV Roma | Fonologia Firenze | 0 | ||||||||
| 12989 | Jon | Phetteplace | Intermission I | 1965 | fixed media, akusmatisch | 30:00 | Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 12990 | Jon | Phetteplace | No. 4, 1967 | 1967 | fixed media, akusmatisch | 16:00 | Mono | MEV Roma | 0 | ||||||||||
| 12991 | Jon | Phetteplace | Number one | 1965 | fixed media, akusmatisch | 14:00 | Stereo + Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 12992 | Jon | Phetteplace | Paesaggio naturale | 1966 | fixed media, akusmatisch | ≈ 12:00 | Stereo + Stereo | one or more taperecorders, MEV Roma | Fonologia Firenze | 0 | |||||||||
| 12993 | Jon | Phetteplace | "Solo 0:00" by Cage | 1965 | Zuspiel, Performance, 1 perf | ∞ | Mono | (telephone operator), perf [Performer] | perf in any way by anyone; with max amp (live phone call to Cage in Stony Point: nobody at home) | Fonologia Firenze | 0 | ||||||||
| 12994 | Jon | Phetteplace | "Solo for Cello" by Cage | 1966 | live-elec, 1 perf | ≈ | multichannel | amp ins [Instrument] | simultaniously "Variations IV", MEV Roma | 0 | |||||||||
| 12995 | Jon | Phetteplace | TF = 0,2 / R 1,3 (6) | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 12996 | Jon | Phetteplace | Where are we going? And what are we doing? | 1966 | live-elec, 2 perf | 45:00 | 3 tracks | Sp, perf [Sprecher, Performer] | 4 simultaniously texts, Cage 1960, MEV Roma | 0 | |||||||||
| 12985 | Jon, Sylvano, John | Phetteplace, Bussotti, Cage | "Cartridge Music" by Cage | 1965 | live-elec, 1 perf, 1 group | Stereo + Stereo + Stereo | perfs (amp small sounds) [Performer] | Fonologia Firenze | 0 | ||||||||||
| 12997 | Michel | Philippot | Ambiance 1 | 1959 | fixed media, akusmatisch | Film |
8:40 | Mono | sons électroniques et concrets | BAM EX 241/ BAM LD 070/ IDEAMA CD 037/ | INA • GRM | 01.06.59 | Salle Gaveau, Paris | 1 | ||||||
| 13003 | Michel | Philippot | Ambiance 2, Toast funèbre | 1959 | fixed media, akusmatisch | 6:01 | Stereo | Musique intégrant le "Toast funèbre" de Mallarmé, dit par Nelly Delmas | BAM LD 071/ BAM 5872/ IDEAMA CD 037/ | INA • GRM | 30.6.1959 | Salle Gaveau, Paris | 1 | ||||||
| 12998 | Michel | Philippot | Etude 1 | 1953 | fixed media, akusmatisch | 5:18 | Mono | étude sérielle | Thomson 320 C 102/ INA C 1032 27652 archives grm CD 2/5/ DUC 9/ DTL 93121/ IDEAMA CD 037/ | INA • GRM | 15.6.1953 | Paris, Unesco | 1 | ||||||
| 12999 | Michel | Philippot | Etude 2 | 1956 | fixed media, akusmatisch | 6:57 | Stereo | Étude sérielle | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 1956 | Paris, Salle Gaveau | 1 | ||||||
| 13000 | Michel | Philippot | Etude 3, Etude III | 1962 | fixed media, akusmatisch | 10:04 | Mono, Stereo, Quadro | Candide CE 31025/ IDEAMA CD 037/ | INA • GRM | 11.1.1963 | Salle des Conservatoires, Paris | 0 | |||||||
| 13001 | Michel | Philippot | Etude 4 | 1984 | fixed media, akusmatisch | 10:31 | Stereo | INA • GRM | MANCA | 26.3.1984 | Nice-MANCA, Galerie des Ponchettes | 0 | |||||||
| 13002 | Michel | Philippot | La rien que la toute la | 1976 | Zuspiel / Tonband, 3 perf | 7:25 | Stereo | cl, perc, S [Sopran, Klarinette, Schlagzeug] | sur un texte de F. Le Lionnais | INA • GRM | 28.4.1976 | Paris, Fac. de Droit; Ensemble 2e2m, I. di Donato, G. Ballet, Ch. Legrand (S) | 0 | ||||||
| 40404 | Michel | Philippot | Maldoror | 1960 | radiophon | 58:50 | Emission dramatique radiodiffusion. Adaption des „Chants de Maldoror“ de Lautréamont | INA • GRM | 0 | ||||||||||
| 40441 | Michel | Philippot | Pièce pour dix ou dixtuor, concert collectif | 1962 | Zuspiel / Tonband, | 8 | INA • GRM | 19.12.1962 | Paris, Salle des Conservatoires | 0 | |||||||||
| 40442 | Michel | Philippot | Pièce pour dix ou dixtuor, concert collectif | 1962 | Zuspiel / Tonband, | 5 | Stereo | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||
| 40406 | Michel | Philippot | Rhinoceros | 1960 | Theatermusik | Pièce de E. Iomesco | INA • GRM | 1960 | Paris, Th. de France | 0 | |||||||||
| 32900 | Susan | Philipsz | Part file score, Zwölf Arten Hanns Eisler zu beschreiben | 2014 | Klangkunst, Installation | ∞ | 24 Tracks | 1.2.2014 - 4.5.2014 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | http://www.musikwerke-bildender-kuenstler.de/de/k14.html | ||||||||
| 43067 | Andrew | Phillips | voiceWork3 | 2014 | Klangkunst, Installation | Location: New York University. Using the Max/MSP environment and a selection of analog synthesizers, this system isolates the sounds of the human voice within an enclosed space, recording and deconstructing the speech into fragments and then playing these fragments back in a random order and at varying speeds over a set of speakers. | 0 | ||||||||||||
| 20661 | Barre | Phillips | Around again | 1989 | Zuspiel / Tonband, 1 perf | 7:19 | Stereo | db [Kontrabass] | Victo CD 08/ | GRAME Lyon | 0 | ||||||||
| 20662 | Barre | Phillips | Camouflage | 1989 | Zuspiel / Tonband, 1 perf | 16:19 | Stereo | db [Kontrabass] | Victo CD 08/ | GRAME Lyon | 0 | ||||||||
| 20663 | Barre | Phillips | Covered | 1989 | Zuspiel / Tonband, 1 perf | 10:05 | Stereo | db [Kontrabass] | Victo CD 08/ | GRAME Lyon | 0 | ||||||||
| 20664 | Barre | Phillips | Twist and Parry | 1989 | Zuspiel / Tonband, 1 perf | 8:29 | Stereo | db [Kontrabass] | Victo CD 08/ | GRAME Lyon | 0 | ||||||||
| 20665 | Barre | Phillips | You and Me | 1989 | Zuspiel / Tonband, 1 perf | 6:17 | Stereo | db [Kontrabass] | Victo CD 08/ | GRAME Lyon | 0 | ||||||||
| 40059 | Mark | Phillips | Deep Blue | 2015 | fixed media, akusmatisch | 5:30:00 | Mark Phillips | 0 | |||||||||||
| 40057 | Mark | Phillips | Elegy and Honk | 2017 | fixed media, akusmatisch | Mark Phillips | 0 | ||||||||||||
| 39442 | Mark | Phillips | Fake News | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 43001 | Mark | Phillips | Viola Power | 2013 | live-elec, 1 perf | 6:40:00 | va [Viola] | Benjamin Wu, viola | 0 | ||||||||||
| 40058 | Mark | Phillips | Waiting for Lucille | 2016 | fixed media, akusmatisch | Mark Phillips | 0 | ||||||||||||
| 19261 | Jamie | Philp | Lizard in the Garden | 1988 | Tanz | 3:33 | CEC Presence 1/ | Edmonton | 1 | ||||||||||
| 13004 | Jamie | Philp | Victories Over Us | 1991 | fixed media, akusmatisch | 3:04 | MIDI | CEC DISContact_1/ | 1 | ||||||||||
| 38637 | Ergo | PHIZMIZ | The Carnival in the Mirror - Marches into the Sea | 2011 | radiophon | 30:03:00 | 0 | ||||||||||||
| 13005 | Marek | Piacek | Flauto dolce 91 | 1991 | Zuspiel / Tonband, 1 perf | 7:59 | fl [Flöte] | EM CD 003/ | CECM Bratislava | 0 | |||||||||
| 13006 | Riccardo | Piacentini | G Plot per uno | 1990 | live-elec, 1 perf | Stereo | b-cl [Klarinette] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 13007 | Katarzyna | Piatek | SNY ULOTNE | 1986 | fixed media, akusmatisch | 7:30 | Stereo | SME Krakow | 0 | ||||||||||
| 13008 | Piero | Piccioni | Inana, Ianna agli inferni | 1971 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 13009 | Claire | Piché | Qui suis-je? | 1991 | fixed media, akusmatisch | 2:01 | MIDI | CEC DISContact_1/ | Uni Montréal | 1 | |||||||||
| 13010 | Jean | Piché | Ange | 1979 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 13011 | Jean | Piché | Crosstalk (...the singing wire) | fixed media, akusmatisch | 0 | ||||||||||||||
| 20666 | Jean | Piché | In vertical Fire | 1984 | fixed media, akusmatisch | 11:44 | Stereo | UMM 101/ | 0 | ||||||||||
| 24667 | Jean | Piché | La mer à l'aube | 1977 | fixed media, akusmatisch | 12:50 | CSR 0501/ | SFU | 0 | ||||||||||
| 24808 | Jean | Piché | Préceptes pour Attica | 1993 | fixed media, akusmatisch | 13 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 20667 | Jean | Piché | Sleight of Hand | 1990 | Zuspiel / Tonband, 1 perf | 11:52 | Stereo | ob [Oboe] | CMC CD 4793/ | 0 | |||||||||
| 24462 | Jean | Piché | Spin | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19155 | Jean | Piché | Steal the Thunder | 1985 | live-elec, 2 perf | 11:14 | perc, synt [Schlagzeug, synthesizer] | Centrediscs CMC 2786 Canadian Music Center/ | SFU | 1 | |||||||||
| 20668 | Jean | Piché | Taxis to Burning Sky | 1988 | fixed media, akusmatisch | 7:30 | Stereo | ACM 37 CD 1-4/ | 0 | ||||||||||
| 20669 | Marc | Pichelin | Nuit | 1997 | radiophon | 13:53 | Stereo | GMÉA CP 9705/ | GME Albi | 0 | |||||||||
| 20670 | Marc | Pichelin | Œnanthe | 1992 | fixed media, akusmatisch | 7:32 | Stereo | GMÉA MP 9201 / | GME Albi | 0 | |||||||||
| 20671 | Marc | Pichelin | Vignoble Gaillacois | fixed media, akusmatisch | 6:11 | Stereo | GMÉA MP 9401/ | GME Albi | 0 | ||||||||||
| 20618 | Marc, Jean | Pichelin, Pallandre | Andorre - Andorra | 1995 | Klangkunst, Installation | 19:46 | Stereo | GMÉA CP 9502/ | GME Albi | 0 | |||||||||
| 20620 | Marc, Jean | Pichelin, Pallandre | "Et, Sinon…" | 1995 | Radiokunst, 2 perf | 14:49 | Stereo | vc, V [Stimme, Cello] | GMÉA CP 9502/ | GME Albi | 0 | ||||||||
| 20619 | Marc, Jean | Pichelin, Pallandre | Vasance | 1995 | Klangkunst, Installation | 15:09 | Stereo | GMÉA CP 9503/ | GME Albi | 0 | |||||||||
| 13013 | Richard | Pickett | Light Black | 1970 | fixed media, akusmatisch | with puppetry | YES, 2-4/ | Uni York | 0 | ||||||||||
| 23415 | Michael | Picton | Bagatelles | 1993 | fixed media, akusmatisch | 6:55 | MIDI | McGill MR 2001-01-2 Disc 2; McGill Studio 35th Anniversary/ | McGill Montréal | 1 | |||||||||
| 23416 | Michael | Picton | Ouvertures II | 1991 | Zuspiel / Tonband, 1 perf | 4:59 | perc [Schlagzeug] | D'Arcy Gray (perc). GEMS McGill | ISBN 7717-0537-9/ | McGill Montréal | 1 | ||||||||
| 13014 | Alina | Piechowska | Ballade de l’echarpe d’Iris | 1983 | Oper, 6 perf | V, Sp, 3 ins, ins (Sofreson) [Sprecher, Stimme, Instrument] | 0 | ||||||||||||
| 21920 | Alina | Piechowska | Epitafium 72 | 1972 | fixed media, akusmatisch | 5:58 | IMEB Bourges | 0 | |||||||||||
| 13015 | James | Piekarski | Dreamfile | 1991 | fixed media, akusmatisch | 9:56 | Stereo | MIDI | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | ||||||||
| 13017 | John R. | Pierce | Beat Canon, Pierce II | 1959 | fixed media, akusmatisch | 0:48 | Mono | BTL Microgroove 122227/ DECCA DL 9103 (Music for Mathematics)/ IDEAMA CD 054/ | Bell Lab | 1 | |||||||||
| 13018 | John R. | Pierce | Canon for New Scale | 1966 | fixed media, akusmatisch | 6:00 | Mono | Bell Lab | 0 | ||||||||||
| 13016 | John R. | Pierce | Eight-Tone Canon | 1966 | fixed media, akusmatisch | 4:00 | Mono | DECCA DL 710180/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | Bell Lab | 1 | |||||||||
| 31274 | John R. | Pierce | Fantasia | 1961 | fixed media, akusmatisch | 2:29 | IDEAMA CD 054/ | Bell Lab | 0 | ||||||||||
| 13020 | John R. | Pierce | Five Against Seven - Random Canon, Pierce IV | 1961 | fixed media, akusmatisch | MUSIC V | DECCA DL 9103 (Music for Mathematics)/ IDEAMA CD 054/ | Bell Lab | 0 | ||||||||||
| 36304 | John R. | Pierce | Harmony, Chords, Power, and Reproduction | 1983 | Demo, Studie | CCRMA ISBN 0-7167-1508-2 / | CCRMA | 0 | |||||||||||
| 13021 | John R. | Pierce | Melodie, Pierce V | 1961 | fixed media, akusmatisch | 1:01 | Mono | DECCA DL 9103 (Music for Mathematics)/ IDEAMA CD 054/ | Bell Lab | 0 | |||||||||
| 13022 | John R. | Pierce | Molto Amoroso, Pierce VI | 1961 | fixed media, akusmatisch | 0:56 | Mono | DECCA DL 9103 (Music for Mathematics)/ IDEAMA CD 054/ | Bell Lab | 0 | |||||||||
| 36306 | John R. | Pierce | Paradox and Illusion | 1983 | Demo, Studie | CCRMA ISBN 0-7167-1508-2 / | Bell Lab | 0 | |||||||||||
| 36816 | John R. | Pierce | Pierce Piece | 1963 | fixed media, akusmatisch | Bell Lab | 0 | ||||||||||||
| 13019 | John R. | Pierce | Sea Sounds | 1963 | fixed media, akusmatisch | 1:50 | Mono | DEC/ WER 2033-2; Computer Music Currents 13/ | Bell Lab | 1 | |||||||||
| 13024 | John R. | Pierce | Stochatta, Pierce I | 1959 | fixed media, akusmatisch | 0:36 | Mono | BTL Microgroove 122227/ DECCA DL 9103 (Music for Mathematics)/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | Bell Lab | 1 | |||||||||
| 36305 | John R. | Pierce | Synthesis of Musical Sounds | 1983 | Demo, Studie | CCRMA ISBN 0-7167-1508-2 / | CNRS Marseille | 0 | |||||||||||
| 13025 | John R. | Pierce | Variations in Timbre and Attack, Pierce III | 1961 | fixed media, akusmatisch | MUSIC V | DECCA DL 9103 (Music for Mathematics)/ BTL Microgroove 122227/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | Bell Lab | 1 | ||||||||||
| 36303 | John R. | Pierce | Waves, Beats, Tuning, and Consonance | 1983 | Demo, Studie | Music by Bach | CCRMA ISBN 0-7167-1508-2 / | IRCAM | 0 | ||||||||||
| 13023 | John R., Claude | Pierce, Shannon | Music by Chance | 1959 | fixed media, akusmatisch | Mono | BTL Microgroove 122227/ | Bell Lab | 1 | ||||||||||
| 13026 | Zdzislaw | Piernik | DIALOGI | 1978 | Zuspiel / Tonband, 1 perf | 8:18 | Stereo | tuba [Tuba] | SME Krakow | 0 | |||||||||
| 19627 | Alessandro | Pierozzi Santos | … con sinceridad | 1992 | Zuspiel / Tonband, 3 perf | Stereo | vn, synt, p [Piano, Violine, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 34825 | Jean Philippe | Pierre-Louis | Puntito_visual | 2016 | audiovisuell | 6:33:00 | Stereo | JTTP 2016 6. prize | 0 | http://www.seeingsound.co.uk/2016-screenings/ | |||||||||
| 36928 | Kala | Pierson | Chilling Effects | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 21922 | Renée Marie | Pietrafesa | Méditation | 1973 | fixed media, akusmatisch | 25:00 | IMEB Bourges | 0 | |||||||||||
| 21921 | Renée Marie | Pietrafesa | Suite de los Pajaros pintados | 1973 | fixed media, akusmatisch | 12:00 | IMEB Bourges | 0 | |||||||||||
| 13027 | Marek | Pietrucha | 7 WARIACJI na temat tekstu CUMINGSA | 1984 | fixed media, akusmatisch | 10:25 | Stereo | SME Krakow | 0 | ||||||||||
| 38638 | Marcin | PIETRUSZEWSKI | the (dia)grammatology of space | 2016 | radiophon | 38:28:00 | 0 | ||||||||||||
| 27447 | Bernard | Piette | Happy end | 1985 - 1989 | fixed media, akusmatisch | DME Amiens | 1 | ||||||||||||
| 13028 | Bernard | Piettre | Carnavalesque | 1988 | fixed media, akusmatisch | 11:00 | CNR Amiens | 0 | |||||||||||
| 13029 | Bernard | Piettre | Flandres | 1987 | fixed media, akusmatisch | 8:00 | CNR Amiens | 0 | |||||||||||
| 13030 | Bernard | Piettre | Happy End | 1989 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 13031 | Paul | Pignon | Four | 1978 | fixed media, akusmatisch | 17:10 | Stereo | Radio Beograd | 0 | ||||||||||
| 13032 | Paul | Pignon | Funk de nuit | 1977 | fixed media, akusmatisch | 22:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 13033 | Paul | Pignon | Hardware Performance | 1972 | fixed media, akusmatisch | 16:24 | Stereo | first realized work in the Bekgrade studio! | RTB 2513/ Radio Beograd CD 431333, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | ||||||||
| 13034 | Paul | Pignon | Hendrix | 1974 | fixed media, akusmatisch | 20:00 | Stereo | RTB 3130037/ | Radio Beograd | 1 | |||||||||
| 13035 | Paul | Pignon | Hypnofunk | 1977 | fixed media, akusmatisch | 16:04 | Stereo | unfinished | Radio Beograd | 0 | |||||||||
| 13036 | Paul | Pignon | Magic Bread | 1982 | intermedia | 120:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 13037 | Paul | Pignon | Mechanical Cartoons | 1980 | fixed media, akusmatisch | 18:40 | Stereo | Radio Beograd | 1 | ||||||||||
| 13038 | Paul | Pignon | Microhabitat | 1975 | fixed media, akusmatisch | 18:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 13039 | Paul | Pignon | Nach Leif | 1990 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 13040 | Paul | Pignon | Play Me | 1979 | fixed media, akusmatisch | 12:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 13041 | Paul | Pignon | Rehersal | 1982 | fixed media, akusmatisch | 7:07 | Stereo | Radio Beograd | 0 | ||||||||||
| 13042 | Paul | Pignon | Say | 1973 | Zuspiel / Tonband, 5 perf | 10:00 | Stereo | 5 V [Stimme] | Radio Beograd | 0 | |||||||||
| 13043 | Paul | Pignon | Z | 1987 | fixed media, akusmatisch | 17:28 | Stereo | INFOGRAM 009/ FYCD 1002/ | EMS Stockholm | 1 | |||||||||
| 22063 | Marika | Piiri | Mother i want to kill you!Father i want to … | fixed media, akusmatisch | 3:02 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 13044 | Jan | Pilch | PERCUSSION GARDEN | 1983 | fixed media, akusmatisch | 26:47 | Mono | SME Krakow | 0 | ||||||||||
| 13045 | Philip | Pilgrim, Sebastapol | Colorful Darkness | 1985 | fixed media, akusmatisch | 4:02 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 13046 | Philip | Pilgrim, Sebastapol | Under my Umbrella | 1985 | fixed media, akusmatisch | 2:20 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 18941 | Shawn | Pinchbeck | The Children Are the Future | 1994 | fixed media, akusmatisch | 3:00 | CEC DISContact_2/ | Edmonton | 1 | ||||||||||
| 20672 | Shawn | Pinchbeck | Transformation #1 | 1993 | Zuspiel / Tonband, 1 perf | 6:30 | Stereo | fl [Flöte] | CR 96001 Clef/ | Edmonton | 0 | ||||||||
| 37664 | Juan | Piñera | Juegos y Rejuegos | 2017 | fixed media, akusmatisch | 3:45 | Stereo | ICAP Habana | 1.10.2017 | AdK Berlin, Kontakte 17 Festival | 0 | ||||||||
| 13051 | Luis Roberto | Pinheiro | Apeiron | 1994 | fixed media, akusmatisch | 6:00 | Stereo | Uni Brasília sala 24 | 0 | ||||||||||
| 13052 | Luis Roberto | Pinheiro | Fontes borbullhantes | 1994 | fixed media, akusmatisch | 6:00 | Stereo | Uni Brasília sala 24 | 0 | ||||||||||
| 20673 | Luis Roberto | Pinheiro | Fuzuê | 1995 | fixed media, akusmatisch | 3:30 | Stereo | SBME 001, Musica el. Brasileira Vol 1/ | Uni Brasília sala 24 | 1 | |||||||||
| 31745 | Luis Roberto | Pinheiro | Lacuerasax3 | 2003 | fixed media, akusmatisch | 3:25 | with sax-sounds | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 13053 | Luis Roberto | Pinheiro | Planos | 1994 | fixed media, akusmatisch | 6:00 | Stereo | Uni Brasília sala 24 | 0 | ||||||||||
| 13054 | Luis Roberto | Pinheiro | Variações vestibulares | 1994 | fixed media, akusmatisch | 8:00 | Stereo | Uni Brasília sala 24 | 0 | ||||||||||
| 33418 | Enrique | Pinilla | Prisma | 1967 | fixed media, akusmatisch | 5:30 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 36609 | Russell | Pinkston | All Round Me, 4 electroacoustic Dance Suites | 1997 | fixed media, akusmatisch | 14:41 | Centaur CRC 2764, CDCM Vol. 34/ | Uni Austin | 0 | ||||||||||
| 32090 | Russell | Pinkston | Dervish Dances, 4 electroacoustic Dance Suites | 1994 | fixed media, akusmatisch | 17:13 | SEAMUS EAM Vol. 11/ Centaur CRC 2764, CDCM Vol. 34/ | Uni Austin | 0 | ||||||||||
| 13055 | Russell | Pinkston | Don't Look Now | 1991 | Zuspiel / Tonband, 4 perf | 11:39 | str-qt [Streicher] | Smith-Qt | Centaur CRC 2245, CDCM Vol. 20/ | Uni of Texas at Austin | 1 | http://ems.music.utexas.edu/composers/rfp/ | |||||||
| 28156 | Russell | Pinkston | Emergence | 1975 | fixed media, akusmatisch | 7:57 | one the first four pieces made with "The Dartmouth Digital Synthesizer" | FTS 33442/ | Bregman Dartmouth | 0 | |||||||||
| 32106 | Russell | Pinkston | Gerrymander | 2002 | fixed media, akusmatisch | b-cl, (Max/MSP) [Klarinette] | Gerard Errante, clarinet | SEAMUS EAM Vol. 13/ | 0 | ||||||||||
| 32132 | Russell | Pinkston | Gobo | 2007 | live-elec, 1 perf | 7:19:00 | ob [Oboe] | Rebecca Henderson, oboe | SEAMUS EAM Vol. 17/ | 0 | |||||||||
| 32131 | Russell | Pinkston | Lizamander | 2004 | live-elec, 1 perf | 8:24:00 | fl, (elec) [Flöte] | Max/MSP, Elizabeth McNutt, flute | SEAMUS EAM Vol. 14/ | 0 | |||||||||
| 36608 | Russell | Pinkston | Memory Of Absence, 4 electroacoustic Dance Suites | 1994 | fixed media, akusmatisch | 16:11 | Centaur CRC 2764, CDCM Vol. 34/ | Uni Austin | 0 | ||||||||||
| 36607 | Russell | Pinkston | Music For Margo's World, 4 electroacoustic Dance Suites | 1992 | fixed media, akusmatisch | 20:20 | Centaur CRC 2764, CDCM Vol. 34/ | Uni Austin | 0 | ||||||||||
| 28377 | Russell | Pinkston | Synthony | 1987 | Zuspiel, live-elec, 2 perf | amp fl, amp p [Flöte, Piano] | 0 | ||||||||||||
| 32089 | Russell | Pinkston | TaleSpin | 2000 | fixed media, akusmatisch | 8:45 | disklavier [Piano] | SEAMUS EAM Vol. 10/ | 0 | ||||||||||
| 40222 | Russell | Pinkston | Vox Clamantis | 2015 | fixed media, akusmatisch | 7:38:00 | Russell Pinkston | 0 | |||||||||||
| 13056 | Alois | Pinos | Adorace | 1972 | fixed media, akusmatisch | 10:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 19250 | Alois | Pinos | Advent | 1991 | fixed media, akusmatisch | 8:40 | KO 0004/ | Studio Plzen | 1 | ||||||||||
| 13061 | Alois | Pinos | Concerto for Orchestra and Tape, Koncert pro orchestra magnetofony | 1964 | Zuspiel / Tonband, 1 group | 17:12 | orc [Orchester] | Supraphon LP 110118-11011/ IDEAMA CD 140/ | Radio Brno | 0 | |||||||||
| 13057 | Alois | Pinos | Domov, Heimat | fixed media, akusmatisch | 11:36 | 2 versions | Radio Brno | 0 | |||||||||||
| 13058 | Alois | Pinos | Home | 1972/1973 | fixed media, akusmatisch | Radio Brno | 0 | ||||||||||||
| 13059 | Alois | Pinos | Hudba pro dva, Musik für zwei | fixed media, akusmatisch | 10:24 | Radio Brno | 0 | ||||||||||||
| 13060 | Alois | Pinos | Kantilena | 1984 | fixed media, akusmatisch | 10:06 | Stereo | Radio Plzen | 0 | ||||||||||
| 13062 | Alois | Pinos | Konfluence | 1974 | fixed media, akusmatisch | 12:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 13063 | Alois | Pinos | Kontrapunkty prírody I Zivly | 1978 | fixed media, akusmatisch | 8:18 | Stereo | Radio Plzen | 0 | ||||||||||
| 13064 | Alois | Pinos | Kontrapunkty prírody II Zoo | 1978 | fixed media, akusmatisch | 7:48 | Stereo | Radio Plzen | 0 | ||||||||||
| 13065 | Alois | Pinos | Kontrapunkty prírody III Bel Canto | 1978 | fixed media, akusmatisch | 14:30 | Stereo | Radio Plzen | 0 | ||||||||||
| 13066 | Alois | Pinos | Korespondence | 1971 | fixed media, akusmatisch | 10:38 | Stereo | Radio Plzen | 0 | ||||||||||
| 13067 | Alois | Pinos | Ludus floralis, 5 Songs | 1966 | Zuspiel / Tonband, 2 perf, 1 group | Bar, fem ch, perc [Bariton, Schlagzeug, Chor] | Radio Brno | 0 | |||||||||||
| 13068 | Alois | Pinos | Lux in tenebris | 1990 | fixed media, akusmatisch | 10:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 13069 | Alois | Pinos | Nekonecná melodie | 1973 | fixed media, akusmatisch | 11:12 | Stereo | Radio Plzen | 0 | ||||||||||
| 13070 | Alois | Pinos | Panta rhei, Triptych: Antifona, Metamorfóza, Katharse | 1985 | fixed media, akusmatisch | 14:01 | Stereo | CECM Bratislava | 0 | ||||||||||
| 13071 | Alois | Pinos | Speleofonie | 1976 | fixed media, akusmatisch | 8:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 13072 | Alois | Pinos | Static music | 1970 | fixed media, akusmatisch | intermedia |
13:24 | (slides) [] | Radio Brno | 0 | ||||||||||
| 13073 | Alois | Pinos | Tance pro magnetofonovy pás | 1975 | fixed media, akusmatisch | 10:06 | Stereo | Radio Plzen | 0 | ||||||||||
| 13074 | Alois | Pinos | Tance pro trubku, klavír, bicí nastroje a magnetofonovy pás | 1975 | fixed media, akusmatisch | 10:05 | Stereo | Radio Plzen | 0 | ||||||||||
| 23030 | Alois | Pinos | Zimni slunovrat | 2001 | fixed media, akusmatisch | CDR Musica Nova 2001/ | prize Musica Nova 2001 Category Czech Compositions | 1 | |||||||||||
| 2307 | Alois, Rudolf, Milos, Arnost, Group | Pinos, Ruzicka, Stedron, Parsch, Brno | Ecce homo | 1968 | Zuspiel / Tonband, 13 perf | 26:06 | S, B, fl, hp, 2 vn, cl, p, db, sax, tuba, vc, va [Sopran, Bass, Flöte, Klarinette, Saxophon, Tuba, Piano, Harfe, Viola, Cello, Violine, Kontrabass] | Radio Brno | 0 | ||||||||||
| 13075 | François | Pinot | Molto e molto | 1982 | fixed media, akusmatisch | CERM Metz | 0 | ||||||||||||
| 41917 | Gyula | Pinter | Black Stones | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 13076 | Gyula | Pinter | Die Feuer der Abenddämmerung | 1991 | fixed media, akusmatisch | 0 | |||||||||||||
| 24816 | Gyula | Pinter | Les cloches de flammes roses | 2001 | Zuspiel / Tonband, 1 perf | 9:50:00 | S [Sopran] | LDC 278074/75 Cultures Electroniques 15/ | 0 | ||||||||||
| 13077 | Gyula | Pinter | Panzerlächeln | 1991 | fixed media, akusmatisch | 0 | |||||||||||||
| 13078 | Gyula | Pinter | Shrinking | 1989 | fixed media, akusmatisch | 9:20 | MR Budapest | 0 | |||||||||||
| 38792 | Gyula, Lászlo, Miklós | PINTER, SARY, SUGAR | Hungarian Soundscapes I | 1996 | radiophon | 54:09:00 | 0 | ||||||||||||
| 36953 | Michael, Alexandre | Pionsonneault, Matheson | Path to Inspiration | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 13079 | Claude | Piot | Milliards cinq | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 13080 | Claude | Piot | Modelo | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 13081 | Claude | Piot | Poisson lune | 1989 | Zuspiel / Tonband, 1 perf | hn, (senza arco pio) [Horn] | CNR Lyon | 0 | |||||||||||
| 13082 | Claude | Piot | Qui oublie ( les noms ) | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 30545 | Marc | Pira | Aquaphonie | Klangkunst, Installation | Octo | Musiques Mécaniques/ | 0 | ||||||||||||
| 30543 | Marc | Pira | Elektronische Drehorgel | Performance | Musiques Mécaniques/ | 0 | |||||||||||||
| 30548 | Marc | Pira | Les Bricoleurs | live-elec, | 0 | http://www.bricoleurs.de | |||||||||||||
| 30549 | Marc | Pira | Panoptikum | fixed media, akusmatisch | Schrauben in Gelée, etc, (14 parts) | 0 | |||||||||||||
| 30542 | Marc | Pira | Papier Oper | audiovisuell, live-elec, | Eine Kammeroper, gespielt auf einer Papierbühne mit elektronischer Live Musik und Videoprojektion | 0 | |||||||||||||
| 24285 | Marc | Pira | Réalit-taire / Realitär | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 30547 | Marc | Pira | Spazierklang | Performance | 10 | 10 perf [Performer] | Musiques Mécaniques/ | 0 | |||||||||||
| 30544 | Marc | Pira | Wasserorgel | Performance | Musiques Mécaniques/ | 0 | |||||||||||||
| 30546 | Marc | Pira | Wind Musik | Klangkunst, Installation | 6 | Musiques Mécaniques/ | 0 | ||||||||||||
| 30554 | Marc, Uli | Pira, Bösking | Ketumba | live-elec, | Elektronik + Eins/ | 0 | |||||||||||||
| 30551 | Marc, S. | Pira, Ernst | Spaltungen | live-elec, | Elektronik + Eins/ | 0 | |||||||||||||
| 30556 | Marc, Dietmar | Pira, Kirstein | Play Piano Play | live-elec, | Elektronik + Eins/ | 0 | |||||||||||||
| 30550 | Marc, Dietmar | Pira, Kirstein | VIS-À-VIS | Performance | VIS-À-VIS/ | 0 | |||||||||||||
| 30555 | Marc, Th. | Pira, Markus | Regenbogenkonfetti | live-elec, | Elektronik + Eins/ | 0 | |||||||||||||
| 30553 | Marc, C. | Pira, Riedlberger | Doublette | live-elec, | Elektronik + Eins/ | 0 | |||||||||||||
| 30541 | Marc, Dennis | Pira, Tan | SONIC KITCHEN | Performance | 2 perf [Performer] | 0 | |||||||||||||
| 30552 | Marc, M. | Pira, Wichamann | Laute Nacht | live-elec, | Elektronik + Eins/ | 0 | |||||||||||||
| 13083 | Otto | Pircher | Konzert für Kammermusik | 1971 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 13084 | Otto | Pircher | Mauer | 1971 | fixed media, akusmatisch | 6:08 | Stereo | ELAK Wien | 0 | ||||||||||
| 13085 | Otto | Pircher | Umschalten | 1971 | fixed media, akusmatisch | 8:38 | Stereo | ELAK Wien | 0 | ||||||||||
| 13086 | Otto | Pircher | Was ist | 1971 | fixed media, akusmatisch | 13:55 | Stereo | ELAK Wien | 0 | ||||||||||
| 28297 | Isabel | Pires | Sideral | 2006 | fixed media, akusmatisch | 10:17 | Quadro | 1 | |||||||||||
| 43182 | Jörg | Piringer | abcdefghijklmnopqrstuvwxyz for iPhone | 2010 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2010 | 0 | http://archive.aec.at/prix/showmode/18097/ | |||||||||||
| 28404 | Jörg | Piringer | en do | 2005 | Performance | 2:26 | recorded at rramp studio | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 28313 | Michael | Pisaro | a wave and waves | 2006/2007 | fixed media, akusmatisch | 74:00 | Stereo, 6, Spazialisation: WFS | Cath 009 Cathnor Recordings/ | 1 | www.cathnor.com | |||||||||
| 33653 | Michael | Pisaro | Transparent City | 2005 | fixed media, akusmatisch | 288 | Stereo | field recordings & sine tones. Spacial Thanks: Aaron Copland Fund for Music Recording, Foundation for Contemporary Arts (NY) |
EWR 0706/7/ EWR 0708/9/ | 1 | |||||||||
| 13087 | Maurizio | Pisati | Quanti animali parlanti | 1992 | live-elec, 2 perf | 15:00 | gui, Sp [Sprecher, Gitarre] | MM&T Milano | 0 | ||||||||||
| 34729 | Paolo | Piscitelli | unpacking | 2009 | Klangkunst, Installation | audiovisuell |
10:40 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 24.7.-20.9.2009 | singuhr hoergalerie Berlin | 0 | |||||||||
| 37184 | Yvette, Christian, Paul | Pistor, Berkes, Modler | OBSERVATION II come closer | 2016 | Klangkunst, Installation | ∞ | HfG Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 36945 | Grant | Pittman | untitled | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 13088 | Ray | Pitts | new work | 1991 | live-elec, 1 group | Stereo | ens [Ensemble] | DIEM Aarhus | 0 | ||||||||||
| 21923 | J. L. | Pivet | Etude 1 | 1970 | fixed media, akusmatisch | 5:08 | Stereo | IMEB Bourges | 0 | ||||||||||
| 39921 | Joel | Pixley-Fink | Weighting | 2016 | fixed media, akusmatisch | Joel Pixley-Fink | 0 | ||||||||||||
| 40033 | Luigi | Pizzaleo | Illudio VI | 2017 | fixed media, akusmatisch | Luigi Pizzaleo | 0 | ||||||||||||
| 36616 | Timothy | Place | Dandelions | 2000 | live-elec, 1 perf | 13:24:00 | sax, (live computer processing) [Saxophon] | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | |||||||||
| 13090 | Jørgen | Plaetner | 10 Oktober | 1963 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | ins [Instrument] | PS C. Kalundborg | 0 | |||||||||
| 13091 | Jørgen | Plaetner | Alea | 1963 | fixed media, akusmatisch | 6:00-9:00 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13092 | Jørgen | Plaetner | Alfa | 1963 | fixed media, akusmatisch | 8:12 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13093 | Jørgen | Plaetner | Beta | 1963 | fixed media, akusmatisch | 5:35 | Stereo | LJUD 006 CD1 n©b/ | PS C. Kalundborg | 1 | |||||||||
| 13094 | Jørgen | Plaetner | Biedermann og brandstifterne | 1962 | Theater, 1 perf | 25:00 | Stereo | ins [Instrument] | PS C. Kalundborg | 0 | |||||||||
| 13095 | Jørgen | Plaetner | Continuo | 1960 | fixed media, akusmatisch | 11:35 | Stereo + Stereo | LJUD 006 CD1 n©b/ | PS C. Kalundborg | 1 | |||||||||
| 13096 | Jørgen | Plaetner | Coupures | 1966 | fixed media, akusmatisch | 8:30 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13097 | Jørgen | Plaetner | De elskende | 1965 | fixed media, akusmatisch | intermedia |
11:10 | Stereo | with projections | PS C. Kalundborg | 0 | |||||||||
| 13098 | Jørgen | Plaetner | Den genfundne Ophelia | 1961/1962 | fixed media, akusmatisch | 46:00 | Mono, Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13099 | Jørgen | Plaetner | Elektronisk Kantate | 1960 | fixed media, akusmatisch | 5:34 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13100 | Jørgen | Plaetner | Elementi | 1960 | fixed media, akusmatisch | 5:15 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13101 | Jørgen | Plaetner | Epos op. 34a | 1968 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 13102 | Jørgen | Plaetner | Et barn er født | 1961 | fixed media, akusmatisch | 23:00 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13103 | Jørgen | Plaetner | Figurer i vand | 1974 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 13104 | Jørgen | Plaetner | Gamma | 1963 | fixed media, akusmatisch | 8:04 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13105 | Jørgen | Plaetner | Kappens arving | 1963 | fixed media, akusmatisch | 11:30 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13106 | Jørgen | Plaetner | Kryptogram | 1963 | fixed media, akusmatisch | 12:10 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13107 | Jørgen | Plaetner | Modulationer | 1963 | fixed media, akusmatisch | 6:30 | Mono, Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13108 | Jørgen | Plaetner | Nocturne | 1963 | Zuspiel / Tonband, 1 perf | 5:25 | Stereo | fl [Flöte] | PS C. Kalundborg | 0 | |||||||||
| 13109 | Jørgen | Plaetner | Ødipus | 1966 | Zuspiel / Tonband, 13 perf, 1 group | Sp-ch, 10 perc, fl, 2 p [Flöte, Piano, Schlagzeug, Chor] | PS C. | 0 | |||||||||||
| 13110 | Jørgen | Plaetner | Parabler | 1963 | fixed media, akusmatisch | 6:18 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13111 | Jørgen | Plaetner | Passerer | 1989 | fixed media, akusmatisch | 18:00 | Quadro | dacapo DCCD 9101/ | DIEM Aarhus | 1 | |||||||||
| 13112 | Jørgen | Plaetner | Peripatos | 1961 | fixed media, akusmatisch | 7:00 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13113 | Jørgen | Plaetner | Polygon I | 1963 | fixed media, akusmatisch | 4:19 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13114 | Jørgen | Plaetner | Relativités | 1963 | Zuspiel / Tonband, 1 perf | 17:16 | Stereo | ins [Instrument] | PS C. Kalundborg | 0 | |||||||||
| 13115 | Jørgen | Plaetner | Spirales et polygones | 1966 | fixed media, akusmatisch | 6:01 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13116 | Jørgen | Plaetner | Sprech/time | 1963 | Zuspiel / Tonband, 2 perf | 11:04 | Mono | V, ins [Stimme, Instrument] | PS C. Kalundborg | 0 | |||||||||
| 13117 | Jørgen | Plaetner | Stykke 8 | 1963 | fixed media, akusmatisch | 16:23 | Stereo | LJUD 006 CD1 n©b/ | PS C. Kalundborg | 1 | |||||||||
| 13118 | Jørgen | Plaetner | Synkratikon | 1965 | Zuspiel / Tonband, 1 perf | 6:10 | Quadro + Stereo + Stereo + Stereo | ins [Instrument] | PS C. Kalundborg | 0 | |||||||||
| 13119 | Jørgen | Plaetner | Vor tids kantate II | 1964 | fixed media, akusmatisch | 12:06 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 13120 | Jørgen | Plaetner | Words and Music | 1965 | fixed media, akusmatisch | 6:11 | Stereo | PS C. Kalundborg | 0 | ||||||||||
| 35200 | Paul | Plamper | Das akustische Kleist Denkmal | 2011 | Klangkunst, Installation | radiophon |
110 | Spazialisation: Kopfhörer | 2 CD Ausgabestelle am Wannsee/ | 2011 | Hörspiel-Parcours am Kleinen Wannsee | 0 | http://www.hoerspielpark.de/kleistdenkmal | |||||||
| 35198 | Paul | Plamper | Der Berg | 2005 | Klangkunst, Installation | Hörspielinstallation | 2005 | Palasts der Republik | 0 | ||||||||||
| 35199 | Paul | Plamper | Ruhe 1, Im Geflecht der Geschichten | 2008 | Klangkunst, Installation | radiophon |
49 | 40 Tracks | Hörspiel im Raum | WDR Studio Akustische Kunst | 15.12.2008 | Museum Ludwig Köln | Deutscher Hörbuchpreis 2012, Hörspielpreis der Kriegsblinden 2009, Hörspiel des Monats Dezember 2008 |
0 | http://www.hoerspielpark.de/website/titel/ruhe-1 | |||||
| 42162 | Paul | Plamper | TACET, Ruhe 2 | 2010 | radiophon | 53:30 | Hörspielpark 2015/ | WDR | Deutschlandradio 2010 | 4.10.2010 | WDR, DeutschlandRadio | Lobende Erwähnung Deutscher Hörspielpreis der ARD 2011 Prix Europa 2011 Best European Radio Drama of the Year |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1534881&vi=8&SID | |||||
| 42161 | Paul, Beat | Plamper, Halberschmidt | Dramat mixe 05, Radiodramatmixe '05 | 2005 | radiophon | 50:05 | WDR | 6.12.2005 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1481414&vi=5&SID | ||||||||
| 13121 | Edgardo | Plasencia Santa Maria | Fractal Songs | 1993 | fixed media, akusmatisch | 54:40 | PS C. Wien | 0 | |||||||||||
| 13122 | Edgardo | Plasencia Santa Maria | Stück I | 1990 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 13123 | Edgardo | Plasencia Santa Maria | Variationen über einen Klang | 1991 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 13124 | Anton | Plate | Solo (1000 faces) | 1974 | Zuspiel / Tonband, 1 perf | rec [Flöte] | 0 | ||||||||||||
| 13125 | Anton | Plate | The Sting | 1982 | Zuspiel / Tonband, 14 perf | 11:40 | 14 ins [Instrument] | WER 60501/ | 1 | ||||||||||
| 39813 | Giacomo | Platini | Vertigo, étude no. 1 | 2015 | live-elec, | Giacomo Platini | 0 | ||||||||||||
| 27849 | Robert H.P. | Platz | Anderswo | 2007 | Radiokunst, live-elec, 5 perf | hp, va, V, 2 V, (elec) [Stimme, Harfe, Viola] | pièce radiophonique | CRFMW Liège | 09.2007 | Cologne, WDR | 0 | http://www.crfmw.be/index1.htm | |||||||
| 22089 | Robert HP | Platz | Andere Räume | radiophon | 2:02 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 27707 | Robert HP | Platz | Carin's Turm | 2002 | live-elec, 1 perf | fl [Flöte] | CRFMW Liège | 15.04.2004 | Weimar, Weimarer Frühjahrskonzerte für neue Musik | 0 | |||||||||
| 13126 | Robert HP | Platz | CHLEBNIKOV | 1979/1980 | Zuspiel / Tonband, 1 group | 30:00 | ens [Ensemble] | EM ? | 0 | ||||||||||
| 27708 | Robert HP | Platz | FLEUR | 2003 | Zuspiel / Tonband, 1 group | ens [Ensemble] | new version | CRFMW Liège | 16.11.2003 | Apeldoorn (Pays-Bas) | 0 | ||||||||
| 13127 | Robert HP | Platz | from fear of thunder, dreams … | 1987/1988 | Zuspiel / Tonband, 7 perf | 12:00 | 7 ins [Instrument] | WER 6521-2/ | 1 | 1992 | |||||||||
| 13128 | Robert HP | Platz | Klavierstück 2 | 1986 | Zuspiel / Tonband, 1 perf | p [Piano] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 13129 | Robert HP | Platz | PIÈCE NOIRE | 1989 | Zuspiel / Tonband, 1 group | 20:00 | ens [Ensemble] | EM ? | 0 | ||||||||||
| 22673 | Robert HP | Platz | Requiem | 1984 | radiophon | 14:37 | Text by B. Rauschenbach | WER 6521-2/ | WDR Studio Akustische Kunst | 1 | |||||||||
| 13130 | Robert HP | Platz | SCHWELLE I-VI | 1973/1978 | Zuspiel / Tonband, 1 group | 63:00 | orc [Orchester] | EM ? | 0 | ||||||||||
| 23507 | Robert HP | Platz | Verkommenes Ufer | 1983 - 1986 | Oper | 7:47 | szenische Komposition in 2 Akten nach einem Text von Heiner Müller | WER 6521-2/ | 1 | ||||||||||
| 35491 | Artur | Plaudarias | Moverse en el tiempo | fixed media, akusmatisch | 12:50 | 0 | |||||||||||||
| 13132 | Mimis | Plessas | ARS Mediteraneé | 1986 | intermedia | 40:00 | M. LTD | 0 | |||||||||||
| 13133 | Mimis | Plessas | Dodekaemeron | 1984 | Tanz | 25:00 | New Age St | 0 | |||||||||||
| 13134 | Mimis | Plessas | Epta epi Thivas | 1990 | Theatermusik | 40:00 | Omega | 0 | |||||||||||
| 13135 | Mimis | Plessas | Midsummer's dream | 1987 | Theatermusik | 35:00 | M. LTD | 0 | |||||||||||
| 13136 | Mimis | Plessas | Oresteia 70 | 1970 | Film | 39:00 | Finos ERA | 0 | |||||||||||
| 13137 | Mimis | Plessas | Orpheas and Euridice | 1986 | Oper | 1:25 | 24 Tracks | Seirios | Alsound, Acoustic Polysound | 0 | |||||||||
| 13138 | Mimis | Plessas | Pygmalion | 1988 | Tanz | 11:00 | M. LTD | 0 | |||||||||||
| 13139 | Daniel | Pletinckx | KHONA | 1983 | fixed media, akusmatisch | 11:15 | Quadro | IPEM Gent | 0 | ||||||||||
| 13140 | Peter | Plompen | Naira | 1983 | fixed media, akusmatisch | 1 | 1985 | ||||||||||||
| 13141 | Peter | Plompen | Selected Blend 84 | fixed media, akusmatisch | Sweelinck | 0 | |||||||||||||
| 13142 | Peter | Plompen | The Difference between a bird | 1981 | fixed media, akusmatisch | Stereo | Sweelinck | 0 | |||||||||||
| 13143 | Peter | Plompen | Triptique I Murea | 1983 | fixed media, akusmatisch | 9:23 | Stereo | Sweelinck | 0 | ||||||||||
| 13144 | Peter | Plompen | Triptique II Varana | 1983 | fixed media, akusmatisch | 7:35 | Stereo | Sweelinck | 0 | ||||||||||
| 13145 | Peter | Plompen | Triptique III Naira | 1984 | fixed media, akusmatisch | 25:22 | Stereo | Sweelinck | 0 | ||||||||||
| 13146 | Tim | Plowman | Primitive American Song | 1984 | fixed media, akusmatisch | 12:45 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 13147 | Tim | Plowman | Song for Electric Guitar, Ringmodulator and oscillators | 1984 | live-elec, 1 perf | 5:45 | Stereo | e-gui (rm, osc) [Gitarre] | Sonology Utrecht | 0 | |||||||||
| 13148 | Tim | Plowman | The Lathe of Anatomy | 1984 | fixed media, akusmatisch | 20:28 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 35690 | Sergio | Poblete | Actions | fixed media, akusmatisch | 7:28 | 0 | |||||||||||||
| 36864 | Kasey | Pocius | Metro | 2016 | fixed media, akusmatisch | 4:28:00 | 0 | ||||||||||||
| 13149 | Katalin | Pócs | Mutatis mutandis | 1985 | fixed media, akusmatisch | 4:05 | Stereo | MR Budapest | 0 | ||||||||||
| 21209 | Paul | Pörtner | Schallspielstudie 1 | 1963 | radiophon | Stereo | audiocom multimedia 1998/ | Siemens | 1964 | 0 | |||||||||
| 13151 | Paul | Pörtner | Schallspielstudie 2 | 1965 | radiophon | Mono | auf Siemens-CD ≈ 4 Ausschnitte (2:10) elec altered voices |
Siemens AG/ Earlabs LC 007/ | Siemens | 1 | |||||||||
| 13152 | Jean-Christoph | Poette | American Sound Burger | 1989 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 13153 | Jean-Christoph | Poette | Etoiles Rouges | 1988 | Theatermusik | var | CNR Amiens | 0 | |||||||||||
| 13154 | Jean-Christoph | Poette | Inch Allah | 1990 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 13155 | Jean-Christoph | Poette | La 5ème Saison | 1988 | fixed media, akusmatisch | 8:00 | CNR Amiens | 1 | |||||||||||
| 43073 | Helga | Pogatschar | Schachabend | 2016 | radiophon | V, 5 w [Stimme, Bläser] | Kriminaloper | BR München | 0 | https://www.helgapogatschar.de/diskographie/schachabend/ | |||||||||
| 32913 | Emi | Pogoni | Untitled | 2010 | fixed media, akusmatisch | 7:04 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 | 1 | |||||||||
| 42536 | Sylvain | Pohu | Le Deuil | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 13156 | Jean Claude | Poirier | Feux d’eau, In memoriam Klee, Kandinski | 1979 | fixed media, akusmatisch | 7:39 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 32982 | Agnès | Poisson | Au Commencement… | 1995 | fixed media, akusmatisch | 15:00 | Motus M 399002/ | GMU Pau | 0 | ||||||||||
| 27286 | Agnès | Poisson | Colère du vent | 2002 | fixed media, akusmatisch | 5:00 | Stereo | Oreille au Vent Monts/ | GMU Pau | 0 | |||||||||
| 13157 | Agnès | Poisson | Crosse de Sort | 1985 | fixed media, akusmatisch | 10:00 | Stereo | GMU Pau | 0 | ||||||||||
| 32981 | Agnès | Poisson | Elle Dormante | 1995 | fixed media, akusmatisch | 19:05 | Motus M 399002/ | GMU Pau | 0 | ||||||||||
| 32984 | Agnès | Poisson | Filigrane | 1995 | fixed media, akusmatisch | 14:52 | Motus M 399002/ | GMU Pau | 0 | ||||||||||
| 13158 | Agnès | Poisson | Jeu decors | 1988 | Tanz | 17:30 | Stereo | GMU Pau | 0 | ||||||||||
| 13160 | Agnès | Poisson | Ombre et Lune | 1989 | fixed media, akusmatisch | 10:00 | Stereo | GMU Pau | 0 | ||||||||||
| 32985 | Agnès | Poisson | Oracle Et Baliverne | 1995 | fixed media, akusmatisch | 11:57 | Motus M 399002/ | GMU Pau | 0 | ||||||||||
| 13161 | Agnès | Poisson | Oranger bleu | 1986 | fixed media, akusmatisch | 9:00 | Stereo | GMU Pau | 0 | ||||||||||
| 32983 | Agnès | Poisson | Point Rouge | 1995 | fixed media, akusmatisch | 4:53 | Motus M 399002/ | GMU Pau | 0 | ||||||||||
| 13162 | Agnès | Poisson | Reflets | 1987 | fixed media, akusmatisch | 11:00 | Stereo | GMU Pau | 0 | ||||||||||
| 30753 | Maria | Pokrzywinska | Reglamentoso | 1982 | fixed media, akusmatisch | 5:06 | BR ES07 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | ||||||||||
| 13163 | Larry | Polansky | 4 Voice Canon #2, #3, #4, #5, #6, 4 Voice Canon #3 | 1975 | fixed media, akusmatisch | Stereo | ART 1004/ MC 001 Mills College/ | CCRMA | 1 | http://www.ubu.com/sound/mills.html | |||||||||
| 23066 | Larry | Polansky | 51 Harmonies | 1994 | live-elec, 4 perf | 3 perc, e-gui, [Gitarre, Schlagzeug] | WDR SEM, HSM Basel | WDR 1994 | 0 | ||||||||||
| 13164 | Larry | Polansky | And to rule… - Cantillation Study No. 2, V'leem'shol | 1988 | Zuspiel / Tonband, 5 perf | 8:59 | 5 fl [Flöte] | Centaur CRC 2133, CDCM Vol. 11/ | 1 | ||||||||||
| 19149 | Larry | Polansky | Anna, the Long and Short of It | 1994 | live-elec, 1 perf | 0:55 | com (DSP) [computer] | Study | AER 1994 / 6/ | 1 | |||||||||
| 20676 | Larry | Polansky | B'Rey'Sheet | 1985 | live-elec, 1 perf | 13:16 | Stereo | V, (com) [Stimme] | ART 1004/ | 0 | |||||||||
| 20677 | Larry | Polansky | Psaltery | 1979 | fixed media, akusmatisch | 16:41 | Stereo | ART 1004/ | 0 | ||||||||||
| 20484 | Larry | Polansky | Simple Actions, Rules of Compossibility | 1989 | live-elec, 1 perf | 22:34 | Stereo | V [Stimme] | ART 1004/ | 0 | |||||||||
| 13165 | Larry | Polansky | Stochastic Studies #1 - #3 | 1975 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 43037 | Timothy | Polashek | Echoes of Steel | 2013 | live-elec, 1 perf | 6:00:00 | perc [Schlagzeug] | Brad Meyer, percussion | 0 | ||||||||||
| 40291 | Timothy | Polashek | Engravings | 2016 | live-elec, 2 perf | Prepared Snare Drum, ipad and computer [computer] | Timothy Polashek | 0 | |||||||||||
| 40290 | Timothy | Polashek | Panic Attack | 2017 | fixed media, akusmatisch | Timothy Polashek | 0 | ||||||||||||
| 41895 | Timothy | Polashek | Siblink Waves | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 40075 | Matteo | Polato | “Et Vous, Que Cherchez-Vous?” | 2017 | fixed media, akusmatisch | 16 Tracks | Matteo Polato | 0 | |||||||||||
| 13166 | Er | Polen | .TRANse.SEPTem. | 1994 | fixed media, akusmatisch | 3:00 | CEC DISContact_2/ | 1 | |||||||||||
| 31569 | Egor | Poliakov | core_v2 | 2013 | live-elec, 1 perf | 16:00 | ob [Oboe] | next_generation 5.0 | HfM Leipzig | 0 | |||||||||
| 22320 | Jean-Louis | Poliart | Comme une feuille tombe | 1998 | live-elec, 2 perf | 11:30 | ob, b-cl [Klarinette, Oboe] | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||
| 13167 | Jean-Louis | Poliart | Erosion | 1993 | fixed media, akusmatisch | 5:30 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 27763 | Jean-Louis | Poliart | Lamento | 2001 | fixed media, akusmatisch | 14 | Octo | Musiques et Recherches Ohain | Musiques et Recherches Ohain | 0 | |||||||||
| 27754 | Jean-Louis | Poliart | Madelgaire le souffle | 1996 | fixed media, akusmatisch | 7:26 | wbm 168 b Electro AC Wallonie - Bruxelles/ | Musiques et Recherches Ohain | 1 | ||||||||||
| 42163 | René | Pollesch | Heidi hoh | 1999 | radiophon | 40:13 | DLR Berlin, WDR | 14.2.2000 | WDR, DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1426940&vi=4&SID | ||||||||
| 42164 | René | Pollesch | Heidi hoh 3 – die Interessen der Firma können nicht die Interessen sein, die Heidi Hoh hat | 2002 | radiophon | 52:29 | NDR, DLR Berlin | 6.4.2003 | NDR, DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1446487&vi=2&SID | ||||||||
| 42165 | René | Pollesch | Heidi Hoh arbeitet hier nicht mehr | 2000 | radiophon | 55:23 | DLR Berlin, WDR, NDR | 12.2.2001 | NDR, WDR, DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436277&vi=3&SID | ||||||||
| 37761 | Andrea | Polli | Heat and the Heartbeat of the City | 2004 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 36443 | Andrea | Polli | Round Mountain | 2008 | radiophon | 5:01 | EDRM 416/ | 0 | |||||||||||
| 26033 | Andrea, Joe | Polli, Gilmore | N. April 16 | 2006 | Klangkunst, Installation | 5:34 | sonification of measured and model weather data April 2006 | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 23525 | Ulrich | Pollmann | Paramorphosen | 2004 | Zuspiel / Tonband, 1 perf | 7:42 | 5 tracks | p [Piano] | TU Berlin | Ultraschall 2004 | 20.1.2004 | Sophiensäle mit Ernst Surberg (p) | 1 | ||||||
| 13168 | Zdenek | Pololáník | Concentus resonabilis | 1963 | Zuspiel / Tonband, 1 group | 12:00 | Mono | ens [Ensemble] | Radio Brno | 0 | |||||||||
| 13169 | Zdenek | Pololáník | Ctyri zvukové konverzace a finále, Four sound conversations and Finale | 1965 | fixed media, akusmatisch | 18:00 | Mono | (Vier Tonkonversationen und Finale) | Radio Brno | 0 | |||||||||
| 13170 | Eduardo | Polonio | A-roving | 1992 | fixed media, akusmatisch | radiophon |
20:09 | Stereo | AH 236/ Polonio self-released 5 CDs/ lus 35/ | RNE, LIEM CDMC Madrid, PS C. | 0 | |||||||||
| 13171 | Eduardo | Polonio | Acaricia la mañana, Batka Paso A Dos Tiento Arsilah San Quintin Do Difícil Que Las Margaritas Beban En La Fuente Sí, Euclides/Automat Alejandría Después Del Agujero Negro Solfarredodo Embarazo Gatuno Tres Sur | 1976 - 1984 | fixed media, akusmatisch | 39:00 | Stereo | UM-A 7/ GR 2137/ MR-SSS 37/ AH 236/ lus 35/ Polonio self-released 5 CDs/ | Phonos Barcelona, PS C., GME Cuenca | 0 | |||||||||
| 13172 | Eduardo | Polonio | Alteraciones | 1989 | fixed media, akusmatisch | 45:00 | Stereo | GME Cuenca, PS C. | 0 | ||||||||||
| 13173 | Eduardo | Polonio | Anch'io sono pittore | 1990 | fixed media, akusmatisch | 8:28 | Stereo | AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | 0 | |||||||||
| 13174 | Eduardo | Polonio | Animalia | 1983 | Theatermusik | 80:00 | Stereo | PS C. | 0 | ||||||||||
| 36369 | Eduardo | Polonio | Beyond Us | 1999 - 2001 | fixed media, akusmatisch | AH 236/ lus 35/ | 0 | ||||||||||||
| 13175 | Eduardo | Polonio | Bload Stations - Syntax Error, Valverde !Estate Quieto Ya! Paseo Japonés En Nairobi Tratado De Orugas Inquietas Rocus Firmus Parlamento De Goonies Aenaoi Nefelai Niña Acaricia Cortina Infancia E Iniciación De Orestes Robots, Uníos |
1977/1985 | fixed media, akusmatisch | 30:00 | Stereo | EG-010/ Polonio self-released 5 CDs/ | Phonos Barcelona, PS C., GME Cuenca | 0 | |||||||||
| 36364 | Eduardo | Polonio | Brief Fast Ambrosia | 1999 - 2001 | fixed media, akusmatisch | audiovisuell |
8:47 | AH 236/ lus 46/ lus 35/ | 0 | |||||||||||
| 19971 | Eduardo | Polonio | Calidoscopi | 1976 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19773 | Eduardo | Polonio | Castor i Pols | 1995 | Klangkunst, Installation | Stereo | PS C. | 0 | |||||||||||
| 13176 | Eduardo | Polonio | ChC | 1992 | fixed media, akusmatisch | 10:52 | Stereo | LDC 278058/59 Cultures Electroniques 8/ AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | CDMC Madrid | prize Bourges | 1 | |||||||
| 13177 | Eduardo | Polonio | Comecomecome rramm rramm | 1986 | Zuspiel / Tonband, 2 perf | 6:00 | Stereo | Mez, gui [Mezzo, Gitarre] | Polonio self-released 5 CDs/ | PS C. | 0 | ||||||||
| 13178 | Eduardo | Polonio | Comecomecome rramm rramm (version 2) | 1986 | fixed media, akusmatisch | 7:20 | Stereo | NM 13297 L/ AH 236/ lus 35/ | GME Cuenca, PS C. | 0 | |||||||||
| 13179 | Eduardo | Polonio | Continuo | 1970 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | synt [synthesizer] | AH 236/ lus 35/ | ALEA Madrid | 0 | ||||||||
| 19779 | Eduardo | Polonio | Cos Hanno a che vedere la Polifonia e la Zoofilia? | 1997 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 36372 | Eduardo | Polonio | Cosa Que Empieza Y Termina Limitada A 10 Minutos Y 16 Canales | 1999 - 2001 | fixed media, akusmatisch | AH 236/ lus 35/ | 0 | ||||||||||||
| 13180 | Eduardo | Polonio | Cuenca | 1985 | fixed media, akusmatisch | 13:27 | Stereo | UM CD 9 Vol. II/ Polonio self-released 5 CDs/ NM 13297 L/ AH 236/ lus 35/ | GME Cuenca, PS C. | 1 | |||||||||
| 13181 | Eduardo | Polonio | Cuenca (version 2) | 1985 | intermedia, live-elec, 1 perf | 13:27 | Stereo | perf (Chapeau chinois) [Performer] | GME Cuenca, PS C. | 1 | |||||||||
| 13182 | Eduardo | Polonio | Dabalearrozalazorraelabad | 1988 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | prep p [Piano] | PS C. | 0 | |||||||||
| 13183 | Eduardo | Polonio | De Fantasia Variaciones bajo fianza Rabelais en un trono | 1968 - 1983 | Zuspiel / Tonband, 1 perf | 10:47 | Stereo | prep p [Piano] | UM-A 10/ Polonio self-released 5 CDs/ AH 236/ lus 35/ | PS C. | 0 | ||||||||
| 13184 | Eduardo | Polonio | Dempeus Assegut Agenollat | 1981 | intermedia | 70:00 | Stereo | Phonos Barcelona, PS C. | 0 | ||||||||||
| 13185 | Eduardo | Polonio | Denominacio 031 | 1987 | intermedia | ≈ | Stereo | PS C. | 0 | ||||||||||
| 36362 | Eduardo | Polonio | Devil's Dreams | 1999 - 2001 | fixed media, akusmatisch | 12:08 | AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | 0 | ||||||||||
| 13186 | Eduardo | Polonio | Diagonal | 1991 | Zuspiel / Tonband, 4 perf | 10:37 | Stereo | fl, va, perc, synt [Flöte, Schlagzeug, Viola, synthesizer] | AV de Sarrià CD 251485/ AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | 0 | ||||||||
| 36373 | Eduardo | Polonio | Dos Carpetas Con Cuatro Archivos Cada Una | 1999 - 2001 | fixed media, akusmatisch | AH 236/ lus 35/ | 0 | ||||||||||||
| 36632 | Eduardo | Polonio | Einai | 1998 | fixed media, akusmatisch | 3:58 | Polonio self-released 5 CDs/ | PS C. | 0 | ||||||||||
| 36374 | Eduardo | Polonio | El Encargo | 1999 - 2001 | fixed media, akusmatisch | AH 236/ lus 35/ | 0 | ||||||||||||
| 36425 | Eduardo | Polonio | El Objeto encontrado | 1991 | fixed media, akusmatisch | audiovisuell |
29:50 | lus 46/ | 0 | |||||||||||
| 13187 | Eduardo | Polonio | El reclinatorio en el tejado de la lejana abadia | 1971 | fixed media, akusmatisch | 20:00 | Stereo | AH 236/ lus 35/ | ALEA Madrid | 0 | |||||||||
| 34392 | Eduardo | Polonio | En Realidad, No | fixed media, akusmatisch | 3:52 | AMEE/ AH 236/ lus 35/ | 0 | ||||||||||||
| 36363 | Eduardo | Polonio | En Un Eclipse, En Un Eclipse Total, En Un Apagón General Del Universo | 1999 - 2001 | fixed media, akusmatisch | 7:27 | AH 236/ Polonio self-released 5 CDs/ lus 35/ | LIEM CDMC Madrid, PS C. | 0 | ||||||||||
| 13188 | Eduardo | Polonio | Errance | 1989 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | bar-sax [Saxophon] | AH 236/ lus 35/ | PS C. | 0 | ||||||||
| 13189 | Eduardo | Polonio | Errance II | 1990 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | db [Kontrabass] | PS C. | 0 | |||||||||
| 13190 | Eduardo | Polonio | Errance III | 1990 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | a-fl [Flöte] | PS C. | 0 | |||||||||
| 13191 | Eduardo | Polonio | Esa ola de luz | 1990 | fixed media, akusmatisch | 3:10 | hommage à Luigi Nono | UM CD 7 Vol. I/ AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | 1 | |||||||||
| 35737 | Eduardo | Polonio | Escena | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 13192 | Eduardo | Polonio | Espai Sonor | 1976 | fixed media, akusmatisch | 12:00 | Stereo | AH 236/ Polonio self-released 5 CDs/ lus 35/ | Phonos Barcelona | 0 | |||||||||
| 13193 | Eduardo | Polonio | Flautas, voces, animales, pajaros, sierra, la fragua de protones, trompetas, frialdad con sangre, arpas judias, trompetillas, agua, agujero negro | 1981 | fixed media, akusmatisch | 15:05 | Stereo | NM 13297 L/ Polonio self-released 5 CDs/ AH 236/ lus 35/ | Phonos Barcelona, PS C., GME Cuenca | 0 | |||||||||
| 19780 | Eduardo | Polonio | Fuga a tre voci con alcune licenze | 1997 | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | PS C. | 0 | ||||||||||
| 18534 | Eduardo | Polonio | Histoires de sons | 1993 | fixed media, akusmatisch | 13:40 | Stereo | AH 236/ Polonio self-released 5 CDs/ lus 35/ | IMEB Bourges | IMEB Borges | 0 | ||||||||
| 13194 | Eduardo | Polonio | Homenat-jo | 1990 | Fernsehen, | audiovisuell |
9:00 | Stereo | PS C. | 0 | ||||||||||
| 13195 | Eduardo | Polonio | Hoy comemos con Leonardo | 1991 | fixed media, akusmatisch | radiophon |
46:32 | Stereo | AH 236/ Polonio self-released 5 CDs/ lus 35/ | RNE, PS C. | CDMB, RNE | 0 | ||||||||
| 13196 | Eduardo | Polonio | Ice Cream | 1991 | Zuspiel / Tonband, 2 perf | 46:32 | Stereo | sam, synt [computer, synthesizer] | AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | 0 | ||||||||
| 36366 | Eduardo | Polonio | Improvisación Con Formas Frías | 1999 - 2001 | fixed media, akusmatisch | AH 236/ lus 35/ | 0 | ||||||||||||
| 13198 | Eduardo | Polonio | Juegos de noche | 1987 | Zuspiel/Tonband, 6 perf | Musiktheater |
21:00 | Stereo | fl, ob, cl, bn, vc, hn [Flöte, Klarinette, Oboe, Fagott, Horn, Cello] | GME Cuenca, PS C. | 0 | |||||||||
| 13199 | Eduardo | Polonio | Kántikum Kuántikum | 1988 | fixed media, akusmatisch | 25:33 | Stereo | GME Cuenca, PS C. | 0 | ||||||||||
| 19689 | Eduardo | Polonio | Kepler (Una es el Cubro) | 1995 | Oper | Stereo | LIEM CDMC Madrid | 0 | |||||||||||
| 13200 | Eduardo | Polonio | Kepler, Tycho, Marte | 1987 | fixed media, akusmatisch | 19:54 | Stereo | GME Cuenca, PS C. | 0 | ||||||||||
| 13201 | Eduardo | Polonio | La Adonda le dijo al Filio | 1992 | Zuspiel / Tonband, 6 perf | 8:00 | Stereo | T, p, fl, a-sax, gui, va [Tenor, Flöte, Saxophon, Piano, Gitarre, Viola] | PS C. | 0 | |||||||||
| 36371 | Eduardo | Polonio | La Metáfora Del Tiempo | 1999 - 2001 | fixed media, akusmatisch | audiovisuell |
15:47 | AH 236/ lus 46/ lus 35/ | 0 | |||||||||||
| 36365 | Eduardo | Polonio | La Ultima Pócima | 1999 - 2001 | fixed media, akusmatisch | AH 236/ lus 35/ | 0 | ||||||||||||
| 36368 | Eduardo | Polonio | Labrys | 1999 - 2001 | fixed media, akusmatisch | AH 236/ lus 35/ | 0 | ||||||||||||
| 22715 | Eduardo | Polonio | LP | 1998 | fixed media, akusmatisch | 5:20 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ AH 236/ Polonio self-released 5 CDs/ lus 35/ | LIEM CDMC Madrid | 1 | ||||||||||
| 27234 | Eduardo | Polonio | Matière espace temps | 2006 | fixed media, akusmatisch | 16:26 | LDC 2781139 Compendium 2006/ AH 236/ lus 35/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 13202 | Eduardo | Polonio | Movimenta | 1987 | Tanz | 22:00 | Stereo | PS C. | 0 | ||||||||||
| 13203 | Eduardo | Polonio | Narcissus | 1988 | Zuspiel / Tonband, 2 perf | 7:30 | Stereo | va, synt [Viola, synthesizer] | AV de Sarrià CD 251485/ AH 236/ Polonio self-released 5 CDs/ lus 35/ | GME Cuenca, PS C. | 0 | ||||||||
| 13204 | Eduardo | Polonio | Oficio | 1969 | fixed media, akusmatisch | 15:00 | Stereo | AH 236/ Polonio self-released 5 CDs/ lus 35/ | ALEA Madrid | 0 | |||||||||
| 19776 | Eduardo | Polonio | Oh, Gabriel | 1996 | fixed media, akusmatisch | 6:00 | Stereo | Homenaje a Brncic | AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | 0 | ||||||||
| 13205 | Eduardo | Polonio | Para una pequeña margarita ronca | 1969 | fixed media, akusmatisch | 7:25 | Stereo | AH 236/ Polonio self-released 5 CDs/ Polonio self-released 5 CDs/ lus 35/ | ALEA Madrid | 0 | |||||||||
| 13206 | Eduardo | Polonio | Per a Matar - ho | 1977 | intermedia | ≈ | Stereo | Phonos Barcelona | 0 | ||||||||||
| 13207 | Eduardo | Polonio | Pian Pianino | 1992 | Musiktheater, 3 perf | 4:00 | Stereo | b-cl, cl, es-cl [Klarinette] | PS C. | 0 | |||||||||
| 19777 | Eduardo | Polonio | Piedra | 1996 | fixed media, akusmatisch | 5:05 | Stereo | Homenaje a Schaeffer | AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | 0 | ||||||||
| 19972 | Eduardo | Polonio | Play back | 1977 | intermedia | Stereo | Phonos Barcelona | 0 | |||||||||||
| 13208 | Eduardo | Polonio | Primera Estancia | 1969 | Hintergrundmusik | 37:00 | 12 Tracks | IPEM Gent | 0 | ||||||||||
| 36424 | Eduardo | Polonio | ¿Qué Hacen Todos Estos Girasoles Mirando Hacia Japón? | 1991 | fixed media, akusmatisch | audiovisuell |
28:34 | lus 46/ | 0 | |||||||||||
| 13209 | Eduardo | Polonio | Rabelaisiennes | 1969 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | prep gui [Gitarre] | 0 | ||||||||||
| 13210 | Eduardo | Polonio | Somnium | 1989 | Zuspiel / Tonband, 3 perf | 7:00 | Stereo | fl, va, synt [Flöte, Viola, synthesizer] | PS C. | 0 | |||||||||
| 19778 | Eduardo | Polonio | Sota L'arc / sobre L'arc | 1997 | intermedia | Stereo | Video-Installation | PS C. | 0 | ||||||||||
| 13211 | Eduardo | Polonio | Sottovoce | 1983 | intermedia | ≈ | Quadro | PS C. | 0 | ||||||||||
| 36367 | Eduardo | Polonio | Sudoku-mix | 1999 - 2001 | fixed media, akusmatisch | AH 236/ lus 35/ | 0 | ||||||||||||
| 19973 | Eduardo | Polonio | Swan | 1978 | intermedia | Stereo | Phonos Barcelona | 0 | |||||||||||
| 36370 | Eduardo | Polonio | Transparencias | 1999 - 2001 | fixed media, akusmatisch | audiovisuell |
7:11 | AH 236/ lus 46/ SR 300 sub rosa/ lus 35/ | 0 | |||||||||||
| 35547 | Eduardo | Polonio | Tratado de Supercuerdas | fixed media, akusmatisch | 15:26 | 0 | |||||||||||||
| 13212 | Eduardo | Polonio | Tret de Gràcia | 1986 | Fernsehen, | 1:00 | Mono | PS C. | 0 | ||||||||||
| 24463 | Eduardo | Polonio | Trois moments précédant la genèse des cordes | 2000 | fixed media, akusmatisch | 15:25:00 | LDC 2781122/23/ AH 236/ lus 35/ | IMEB Bourges | 0 | ||||||||||
| 19775 | Eduardo | Polonio | U flu for fru | 1996 | Zuspiel / Tonband, 1 perf | 6:28 | Stereo | fl [Flöte] | AH 236/ lus 35/ | PS C. | 0 | ||||||||
| 19772 | Eduardo | Polonio | uno es el cubo, Escena 1 Escena 2 Escenas 3 Y 4 Escenas 5 Y 6 Escena 7 Escenas 8 Y 9 Escena 10 Intermedio Escena 11 Escenas 12 Y 13 Escenas 14, 15 Y 16 |
1995 | Zuspiel / Tonband, 3 perf | 70:00 | Stereo | T, B, Sp [Tenor, Bass, Sprecher] | electroacoustic opera | CDNO 22/ AH 236/ lus 35/ | PS C. | 0 | |||||||
| 19771 | Eduardo | Polonio | Usession | 1995 | intermedia | 4:24 | Stereo | for horizontal radio ORF hommage à Alan Turing |
G3 KRTU 1/2/ AH 236/ Polonio self-released 5 CDs/ lus 35/ | PS C. | 0 | ||||||||
| 19516 | Eduardo | Polonio | Valverde | 1988 | Zuspiel / Tonband, 1 perf | 8:08 | Stereo | e-gui [Gitarre] | EG-010/ AH 236/ Polonio self-released 5 CDs/ lus 35/ | GME Cuenca, PS C. | 0 | ||||||||
| 13213 | Eduardo | Polonio | Valverde II | 1986 | Zuspiel / Tonband, 1 perf | 8:08 | Stereo | synt [synthesizer] | EG-010/ | Phonos Barcelona | 0 | ||||||||
| 13214 | Eduardo | Polonio | Variaciones bajo fianza | 1977 | Zuspiel / Tonband, | 10:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 19774 | Eduardo | Polonio | Variations U | 1995 | Zuspiel / Tonband, 4 perf | 7:00 | Stereo | 4 ins [Instrument] | PS C. | 0 | |||||||||
| 13215 | Eduardo | Polonio | Vida de Máquinas | 1988 | fixed media, akusmatisch | 10:30 | Stereo | UM CD 9 Vol. II/ AH 236/ Polonio self-released 5 CDs/ lus 35/ | GME Cuenca | 1 | |||||||||
| 13216 | Eduardo | Polonio | Vilafranca-Eclipsi | 1985 | intermedia | ≈ | 3 tracks | PS C. | 0 | ||||||||||
| 13197 | Eduardo, Horacio | Polonio, Vaggione | It | 1972 | Zuspiel, live-elec, 2 perf | 44:42 | Stereo | synt, e-gui [Gitarre, synthesizer] | Movieplay / S-32.866/ | ALEA Madrid | 0 | ||||||||
| 22743 | Fernando | Polonuer | Breve reseña sobre los sueños, el vacio y la enfermedad | 1998 | fixed media, akusmatisch | 7:25 | 1 | ||||||||||||
| 42387 | Mark | Polscher | 7 Trios | 1998 | fixed media, akusmatisch | 21:45 | 6 | 0 | |||||||||||
| 42393 | Mark | Polscher | Alias | 1993 | Musikinstrument, keine EM, 1 perf | Zuspiel/Tonband, 1 perf |
5 | p [Piano] | 3 versions | 0 | ||||||||||
| 36692 | Mark | Polscher | Anakoluth | 2005 - 2006, 2009 | fixed media, akusmatisch | 105 | MA 20043/ | 2006 2008 |
2. Zone: Hochschule für Medien Köln 2006 3. Zone: Lab30 Festival Augsburg 2008 |
0 | http://www.anakoluth.com | ||||||||
| 42385 | Mark | Polscher | are there two? are there more than two? | 1999 | Zuspiel, live-elec, 1 perf | ≈ 17:00 | hpd (transformed) [Cembalo] | 0 | |||||||||||
| 36696 | Mark | Polscher | Automatik | 1999 | fixed media, akusmatisch | 72 | Octo | part of „Die mechanische Braut“. Sektor 1. - 9. | MA 992/ MA 20007/ | 2000 | Darmstadt Staatstheater | 0 | |||||||
| 42364 | Mark | Polscher | Average Deviation II | 2011/2012 | fixed media, akusmatisch | 9:00 | 0 | ||||||||||||
| 42368 | Mark | Polscher | Bakchen/Chor (The Karlsruhe Situation) | 2009 | Zuspiel / Tonband, 1 group | 54:00 | ch [Chor] | 0 | |||||||||||
| 42360 | Mark | Polscher | Bdelloid | 2015 | live-elec, 2 perf | 4:30:00 | Quadro | V, gui [Stimme, Gitarre] | 0 | ||||||||||
| 42397 | Mark | Polscher | Bdelloid | 2015 | Tanz, 1 perf | Quadro | gui [Gitarre] | Schauspiel Essen 2015 | 0 | ||||||||||
| 36695 | Mark | Polscher | Bindehäute, Bindehäute (Conjunctiva) | 1997/1998 | live-elec, 3 perf | fl, celesta, mar [Flöte, Piano, Schlagzeug] | MA 991/ | 0 | |||||||||||
| 36691 | Mark | Polscher | Blanche Starr | 2014 | Klangkunst, Installation | 13:09 | Quadro, Stereo | nhl 002/ | 2014 | Ernst Barlach Stiftung, Güstrow | 0 | http://www.blanchestarr.com | |||||||
| 42403 | Mark | Polscher | Bodenproben | 2019 | Klangkunst, Installation | loop 27 | Octo | CLB Galerie, Berlin 2019 | 0 | ||||||||||
| 42356 | Mark | Polscher | Camp du Drap d’Or | 2016 | fixed media, akusmatisch | 5:50:00 | 0 | ||||||||||||
| 42369 | Mark | Polscher | Dai Zovi | 2008 | fixed media, akusmatisch | 3:14:00 | 0 | ||||||||||||
| 42367 | Mark | Polscher | Dangerous Liaisons | 2009 | Zuspiel / Tonband, 1 group | 45:00 | orc [Orchester] | 0 | |||||||||||
| 42396 | Mark | Polscher | Der Bromid, The Bromide | 1991 | Zuspiel, live-elec, 2 perf | 2 x 7:30 15 | p, perc [Piano, Schlagzeug] | 0 | |||||||||||
| 36693 | Mark | Polscher | Die mechanische Braut, Automatik Die mechanische Braut towards a comprehensetive model of change Brautlieder |
1998 - 2004 | Oper, live-elec, 10 perf | ≈ 81 | Octo, Quadro | Mez, T, fl, ob, cl, bn, hn, p, xyl, perc (Glockenspiel) [Mezzo, Tenor, Flöte, Klarinette, Oboe, Fagott, Horn, Piano, Schlagzeug] | MA 20007/ MA 992/ | 2000 | Staatsoper Darmstadt | 0 | |||||||
| 42388 | Mark | Polscher | endoTruth | 1997 - 1998 | live-elec, 4 perf | Zuspiel/Tonband, 4 perf |
≈ 13 | p, synt, celesta, sam [Piano, computer, synthesizer] | 0 | |||||||||||
| 42409 | Mark | Polscher | Enigma Emmy Göring | 2006 | radiophon | SWR | SWR | 0 | |||||||||||
| 42384 | Mark | Polscher | Fremdes Gewebe (Alien Tissue | 2001-2002 | Zuspiel, live-elec, 3 perf | 36:00 | ehn, bn, elec (Schlagzeugcomputer, Tonband) [Oboe, Fagott, elektronik] | 0 | |||||||||||
| 42361 | Mark | Polscher | Friend or Foe | 2015 | fixed media, akusmatisch | 6:20:00 | 0 | ||||||||||||
| 42399 | Mark | Polscher | Gefährliche Liebschaften, Dangerous Liaisons | 2009 | Tanz | orc [Orchester] | Staatsoper Hannover 2010 | 0 | |||||||||||
| 42358 | Mark | Polscher | H8 | 2016-2017 | Zuspiel / Tonband, 1 group | ≈ 50:00 | orc [Orchester] | 0 | |||||||||||
| 42375 | Mark | Polscher | Haus Leib Schuld | 2006 | Zuspiel / Tonband, 1 group | 7:00 | ch (a cappella) [Chor] | 0 | |||||||||||
| 42381 | Mark | Polscher | Heiligkreuz geräumt (We come in Peace) | 2002 | Zuspiel / Tonband, 1 group | ≈ 63:00 | orc [Orchester] | 0 | |||||||||||
| 36694 | Mark | Polscher | HENRY VIII | 2016 - 2017 | Tanz, live-elec, 1 group | ≈ 50 | orc [Orchester] | 6.5.2017 | Staatsoper Hannover. Ballett der Staatsoper Hannover, Choreographie: Jörg Mannes. Niedersächsisches Staatsorchester Hannover, Leitung: Andrea Sanguineti | 0 | |||||||||
| 42414 | Mark | Polscher | Herr Paul | 1997 | Theatermusik | MA 991/ | 1995 | Schauspiel, Deutsches Theater Göttingen | 0 | ||||||||||
| 42411 | Mark | Polscher | Hexenjagd | 1996 | Theatermusik | MA 991/ | 1996 | Schauspiel, Theater Basel/CH | 0 | ||||||||||
| 42362 | Mark | Polscher | Hindermost | 2014 | fixed media, akusmatisch | 7:50:00 | Octo | 0 | |||||||||||
| 42366 | Mark | Polscher | Ikarus | 2011 | live-elec, 1 perf | 90:00 | Quadro | V [Stimme] | 0 | ||||||||||
| 42392 | Mark | Polscher | in fortran | 1995 | live-elec, 1 perf | 18:00 | synt [synthesizer] | 0 | |||||||||||
| 42370 | Mark | Polscher | Invertebrates, Arthropods Annelids Mollusks |
2007 - 2008 | Zuspiel / Tonband, | ≈ 9 | 0 | ||||||||||||
| 42359 | Mark | Polscher | Jetfighter | 2016 | Zuspiel / Tonband, 1 perf | 7:40:00 | perc [Schlagzeug] | 0 | |||||||||||
| 42363 | Mark | Polscher | Land of the Free | 2012 | fixed media, akusmatisch | 8:45:00 | Elektronische Musik mit Stimmen | 0 | |||||||||||
| 42354 | Mark | Polscher | Le Grand Large | 2017- | live-elec, 1 perf | 9 x 13 117 | synt [synthesizer] | 0 | |||||||||||
| 42352 | Mark | Polscher | Ligneous Encounter | 2017-2018 | fixed media, akusmatisch | 18:00 | Quadro | 0 | |||||||||||
| 42404 | Mark | Polscher | Ligneous Encounter | 2018 | Klangkunst, Installation | 18:00 | Quadro | Geigenbaumuseum, Mittenwald 2018 | 0 | ||||||||||
| 42374 | Mark | Polscher | Love & Loss | 2007 | Theatermusik | ≈ 80:00 | actor [Schauspieler] | Drama für Schauspieler | 0 | ||||||||||
| 42365 | Mark | Polscher | Madame Bovary | 2011-2012 | Zuspiel / Tonband, 1 group | 54:00 | orc [Orchester] | 0 | |||||||||||
| 42398 | Mark | Polscher | Madame Bovary | 2011-2012 | Tanz | orc [Orchester] | Staatsoper Hannover 2012 | 0 | |||||||||||
| 42382 | Mark | Polscher | Metrische Jugend (Metric Youth | 2002 | live-elec, 1 perf | ≈ 6:00 | e-ins (mit Gitarrenklängen) [synthesizer] | 0 | |||||||||||
| 42372 | Mark | Polscher | Muspilli Triptychon | 2007-2008 | Zuspiel / Tonband, 1 group | 72:00 | ch (a cappella) [Chor] | 0 | |||||||||||
| 42401 | Mark | Polscher | Nacht Leib Fleisch, Night Limp Flesh | 1999-2000 | Tanz | Elektronische und Konkrete Musik Schauspiel Leipzig 2000 |
0 | ||||||||||||
| 42402 | Mark | Polscher | Nachtschatten, Solanum | 1998 | Tanz | Elektronische und Konkrete Musik Städtische Bühnen Krefeld 1999 |
0 | ||||||||||||
| 42416 | Mark | Polscher | Oi | 1995 | Theatermusik | MA 991/ | 1995 | Schauspiel, Theater Basel/CH | 0 | ||||||||||
| 42412 | Mark | Polscher | Parzival | 1997 | Theatermusik | MA 991/ | 1997 | Schauspiel, Städtische Bühnen Krefeld | 0 | ||||||||||
| 42383 | Mark | Polscher | Penthesilea [4, 11 - 16] | 2002 | Zuspiel / Tonband, 3 perf | ≈ 7:00 | ehn, bn, hn [Oboe, Fagott, Horn] | 0 | |||||||||||
| 42351 | Mark | Polscher | Rückegasse, 1. Gebiet | 2019 | Zuspiel, live-elec, 2 perf | 9 | Quadro | elec (Mellotron), hn, (4-Spur-Kassettenrekorder und electronic Follow up) [Horn, elektronik] | 30.1.2019 | LTK4 Klangbasierte Künste im Lutherturm, Köln; Sibylle Canonica: Faksimile Horn (Tonband); Florian Zwißler: Faksimile Mellotron (Tonband) Mark Polscher: 4 Spur Kassettenrekorder, synt |
0 | ||||||||
| 42373 | Mark | Polscher | Saat | 2007 | fixed media, akusmatisch | 28:00 | 0 | ||||||||||||
| 42417 | Mark | Polscher | Sibirien | 1990 | Theatermusik | MA 991/ | 1990 | Schauspiel, Deutsches Theater Göttingen | 0 | ||||||||||
| 42410 | Mark | Polscher | size does matter | 1998 | radiophon | BR | BR | 0 | |||||||||||
| 42390 | Mark | Polscher | SMPTE | 1997 | live-elec, 5 perf | 24:00 | fl, ob, bn, p, synt [Flöte, Oboe, Fagott, Piano, synthesizer] | 0 | |||||||||||
| 42413 | Mark | Polscher | spät, weit, weg | 1997 | Theatermusik | MA 991/ | 1997 | Schauspiel, Staatstheater Darmstadt | 0 | ||||||||||
| 42386 | Mark | Polscher | Superbot | 1997-1998 | fixed media, akusmatisch | 6:30:00 | Quadro | 0 | |||||||||||
| 42405 | Mark | Polscher | SYNC | 2014, 2017 | audiovisuell | Klangkunst, Installation |
3:24, 3:51, 3:42 (Loop) 11 | 6 | mit Héctor Solari | 0 | ||||||||||
| 42357 | Mark | Polscher | The Mono Files | 2016- | live-elec, 1 perf | 13 x ≈ 7- 9 | gui, [Gitarre] | 0 | |||||||||||
| 32578 | Mark | Polscher | The pomegranate tree | 2010 - 2012 | Klangkunst, Installation | 63 | Stereo, 64 tracks | 2 V [Stimme] | Klanginstallation im Ägyptischen Museum München | MA 20045/ | Ägyptischen Museum München | June 2011 | Ägyptischen Museum München | 0 | http://www.thepomegranatetree.de | ||||
| 42408 | Mark | Polscher | The very dark Area | 1997 | Klangkunst, Installation | 10 x 10 100 | Lenbachhaus, München 1997 | 0 | |||||||||||
| 42407 | Mark | Polscher | thick ideas | 1998 | Klangkunst, Installation | Loop 30:00 | Elektroakustische Umgebung IFKW, München 1998 |
0 | |||||||||||
| 42400 | Mark | Polscher | Tod und Teufel | 2005 | Tanz | solo perf [Performer] | Elektronische Musik mit Solisten Theater Luzern/CH 2005 |
0 | |||||||||||
| 42406 | Mark | Polscher | Trunks | 2014 | Klangkunst, Installation | 2 x 9 18 | Quadro | Staatliches Museum für Völkerkunde, München 2014 | 0 | ||||||||||
| 42353 | Mark | Polscher | Un Coup de Dés | 2017 | live-elec, 3 perf | 70:00 | V, gui, synt [Stimme, Gitarre, synthesizer] | 0 | |||||||||||
| 42376 | Mark | Polscher | Viva Activa, Im Wald Unter Wasser Am Meer An der Kreuzung |
2003, 2004 | Zuspiel / Tonband, 1 perf | bn and fl and cl and ehn [Flöte, Klarinette, Oboe, Fagott] | 0 | ||||||||||||
| 42395 | Mark | Polscher | vme | 1992 | live-elec, 2 perf | ≈ 10:00 | va, mar [Schlagzeug, Viola] | 0 | |||||||||||
| 42389 | Mark | Polscher | VoiceAbuse | 1996-1997 | Theatermusik | Live Elektronische Aktion für Bühnen | MA 991/ | 0 | |||||||||||
| 42415 | Mark | Polscher | Von Morgens bis Mitternachts | 1994 | Theatermusik | MA 991/ | 1994 | Schauspiel, Deutsches Theater Göttingen | 0 | ||||||||||
| 42355 | Mark | Polscher | World in the Back | 2017 | live-elec, 3 perf | 80:00 | V, gui, synt [Stimme, Gitarre, synthesizer] | 0 | |||||||||||
| 42391 | Mark | Polscher | WYSIWYG | 1995 | live-elec, 5 perf | 3:00 | fl, ob, b-cl, hn, bn [Flöte, Klarinette, Oboe, Fagott, Horn] | 0 | |||||||||||
| 18916 | Jim | Pomeroy | 2 Performances | 1987 | intermedia, live-elec, | 6:00 | (several soundsources) [] | Apollo ACD 019209/ | 1 | ||||||||||
| 33838 | Jim | Pomeroy | Celestial Mechanix | Klangkunst, Installation | WER 20692/ | Apollohuis Eindhoven | 0 | ||||||||||||
| 30566 | Sibylle | Pomorin | 2 Skizzen für Posaune und Zuspielband | 2003 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 30565 | Sibylle | Pomorin | 8 amerikanische Lieder | 1994 | live-elec, 1 perf | var ins, (elec) [Instrument] | 0 | ||||||||||||
| 30569 | Sibylle | Pomorin | Abgeräumt. Imbiss geplant. Führungen ins Universum | 2011 | Klangkunst, Installation | Kasernengelände Neuhardenberg / Landkreis Märkisch-Oderland | 0 | http://www.endmoraene.de/projekte.html | |||||||||||
| 30564 | Sibylle | Pomorin | Am Anfang ist das Ende | 1991 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 30567 | Sibylle | Pomorin | Collage mit Schritten | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 19128 | Sibylle | Pomorin | Divining by Looking in the Water | 1997 | radiophon | 20:00 | Octo | Maya-Sprache | TU Berlin, ZKM Karlsruhe | WDR Studio Akustische Kunst | 1 | ||||||||
| 30562 | Sibylle | Pomorin | Hommage | 2000 | Zuspiel / Tonband, 8 perf | mtr, cl, b-cl, vn, vc, hp, 2 perc [Klarinette, Harfe, Schlagzeug, Cello, Violine, synthesizer] | Zuspielung mit den bearbeiteten Klängen des Trautoniums | 0 | |||||||||||
| 30560 | Sibylle | Pomorin | Klanglandschaft mit Fluß | 2004 | Performance, live-elec, 3 perf | p, vc, perc, (elec) [Piano, Schlagzeug, Cello] | 0 | ||||||||||||
| 30561 | Sibylle | Pomorin | Mo(u)vements | 2001/2002 | audiovisuell, live-elec, 3 perf | p, vn, vc [Piano, Cello, Violine] | elektroakustische Raumklangkomposition, Videoinstallation (Doerte Meyer) und Lichtinstallation (Andreas Greiner) | 0 | |||||||||||
| 22512 | Sibylle | Pomorin | Mo(u)vements II | 2002 | fixed media, akusmatisch | 12:46 | Octo | besteht aus 3 Sätzen. | PS | 0 | |||||||||
| 27383 | Sibylle | Pomorin | Phonismen | 1993 | live-elec, 2 perf | 16:18 | 2 vc [Cello] | A. Schlömann & Thilo Kriegar (vc) | 1 | ||||||||||
| 30558 | Sibylle | Pomorin | Prayer for the Sun Before Traveling, | 1998 | Performance | S, b-fl, perc, (field recordings) [Sopran, Flöte, Schlagzeug] | Field Recordings in Bergdörfern in Mexiko, 1997-98. | Staalplaat Sscd 002A-B/ | TU Berlin | erster Preis beim Internationalen Kompositionswettbewerb "Soundscapes voor 2000" in den Niederlanden | 0 | ||||||||
| 37680 | Sibylle | Pomorin | Raumklang, Raumklang 1 und 2 | 2015 | fixed media, akusmatisch | 4:59 | 6 | DegeM CD 15/ | 0 | ||||||||||
| 26034 | Sibylle | Pomorin | Spiegelung | 2005 | Zuspiel / Tonband, 3 perf, 1 group | 20:00 | Octo | ens, 3 impro mus [Musiker, Ensemble] | 11.5.2006 | Akademie der Künste Berlin | 1 | ||||||||
| 22414 | Sibylle | Pomorin | The Secret of P.P.P. | 2000 | radiophon | 18:06 | Sprach-Komposition | PS C. | Radio NPS | 1 | |||||||||
| 22680 | Sibylle | Pomorin | Traveler's Prayer | 1997 | fixed media, akusmatisch | 9:39 | Stereo | TU Berlin | 1 | ||||||||||
| 30568 | Sibylle, Iris | Pomorin, Ter Schiphorst | Attaca Subito | 1994 | Performance | sax, sam [Saxophon, computer] | Z.o.o-Verlag Herne/ | 0 | |||||||||||
| 30563 | Sibylle, Iris | Pomorin, Ter Schiphorst | Rockefeller Building | 1992 | Performance | V, t-sax, sam, dancer [Stimme, Saxophon, computer, Tanz] | zusammen mit Iris ter Schiphorst und Sascha Waltz | 0 | |||||||||||
| 13217 | Lisl | Ponder | A tourist in the soundscape | 1993 | fixed media, akusmatisch | ORF Kunstradio | 0 | ||||||||||||
| 13218 | Zoltán | Pongrácz | 144 sounds, 144 Hang | 1977 | fixed media, akusmatisch | 12:10 | Quadro | HUN SLPX 12433/ | MR Budapest | 1 | |||||||||
| 13219 | Zoltán | Pongrácz | Barisphère | 1976 | fixed media, akusmatisch | 8:07 | Stereo | MAFILM Budapest | 0 | ||||||||||
| 13220 | Zoltán | Pongrácz | Concertino | 1982 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | sax (cimbalom?) [Saxophon] | ICMC 2001/ | Radio Beograd | 0 | ||||||||
| 13221 | Zoltán | Pongrácz | Concertino | 1989 | Zuspiel / Tonband, 1 perf | 15:00 | cymbalom [Streicher] | MR Budapest | 0 | ||||||||||
| 13222 | Zoltán | Pongrácz | Contrastes Polaires et Successifs | 1986 | fixed media, akusmatisch | 7:16 | Magisterium Bourges | LDC 278048 Cultures Electroniques 3/ | IMEB Bourges | 1 | |||||||||
| 13223 | Zoltán | Pongrácz | In praise of folly, Das Lob der Torheit | 1980 | Zuspiel / Tonband, 1 perf, 1 group | 18:26 | Stereo | Sp, ch [Sprecher, Chor] | Satire für Sprechgesang, gemischten Chor und Elektronik. After the same titled book by Erasmus von Rotterdam |
HUN SLPX 12433/ | MR Budapest | 1 | |||||||
| 13224 | Zoltán | Pongrácz | Ispirazioni | 1965 | Zuspiel / Tonband, 2 groups | ch, orc [Chor, Orchester] | EM ?? | 0 | |||||||||||
| 13225 | Zoltán | Pongrácz | Les parfums | 1976 | fixed media, akusmatisch | intermedia |
19:00 | Stereo | multimedia | MR Budapest | 0 | |||||||||
| 13226 | Zoltán | Pongrácz | Louange de la Scottise | 1980 | fixed media, akusmatisch | 18:40 | Stereo | (satire on a text by D´Erasme) | MR Budapest | 0 | |||||||||
| 13227 | Zoltán | Pongrácz | Luna 9 | 1966 | fixed media, akusmatisch | 6:00 | Stereo | PS C. | 0 | ||||||||||
| 13228 | Zoltán | Pongrácz | Madrigal | 1980 | fixed media, akusmatisch | 10:10 | Stereo | per un sonetto di Petrarca | HUN SLPX 12433/ | MR Budapest | 1 | ||||||||
| 13229 | Zoltán | Pongrácz | Mariphonia | 1972 | fixed media, akusmatisch | 8:10 | Stereo | HUN SLPX 11851/ LDC 278051/52 Cultures Electroniques 5/ Creel Pone 03/ | CECM Bratislava | CSSR-Rundfunk | 1st prize Bourges | 1 | |||||||
| 13230 | Zoltán | Pongrácz | Phonothese | 1965/1966 | fixed media, akusmatisch | 3:35 | Quadro | DGG 137011/ DGG 643545/ | STEM Utrecht, CEM Bilthoven | 1 | |||||||||
| 13231 | Zoltán | Pongrácz | Rotations | 1975 | fixed media, akusmatisch | 4:25 | Quadro | IMEB Bourges | 0 | ||||||||||
| 13232 | Zoltán | Pongrácz | Saits and Pairs | 1967 | fixed media, akusmatisch | 2:00 | Stereo | PS C. | 0 | ||||||||||
| 13233 | Zoltán | Pongrácz | Salade francoise | 1981 | fixed media, akusmatisch | 8:50 | Stereo | MR Budapest | 0 | ||||||||||
| 13234 | Zoltán | Pongrácz | Sesquialtera | 1979 | fixed media, akusmatisch | 7:20 | Stereo | HUN SLPX 12433/ | MR Budapest | 1 | |||||||||
| 13235 | Zoltán | Pongrácz | Stones | 1987 | fixed media, akusmatisch | 11:40 | MR Budapest | 0 | |||||||||||
| 13236 | Zoltán | Pongrácz | The Big Bang | 1978 | fixed media, akusmatisch | 6 | MR Budapest | 0 | |||||||||||
| 13237 | Zoltán | Pongrácz | The Story of a Chord in C sharp minor, Histoire d’un Accord de Do Dièze Majeur Egy Cisz-Dur Akkord Története |
1974 | fixed media, akusmatisch | 5:48 | Stereo | LDC 278048 Cultures Electroniques 3/ HUN SLPX 11851/ Creel Pone 03/ | IMEB Bourges | IMEB Bourges | 1 | ||||||||
| 13238 | Zoltán | Pongrácz | Variations Boucles (12 körszalag) | 1977 | fixed media, akusmatisch | 8:37 | Stereo | LDC 2781112/13/14 opus 30/ | IMEB Bourges, MR Budapest | 0 | |||||||||
| 13239 | Zoltán | Pongrácz | Zoofonia | 1976 | fixed media, akusmatisch | 6:45 | Stereo | MAFILM Budapest | 0 | ||||||||||
| 36817 | Ted | Ponjee | S - ijskoude Liederen | 1982 | fixed media, akusmatisch | 0 | |||||||||||||
| 13240 | Aleksander, Valery, Andre | Ponomariov, Beluntsov, Smirnov | Mrs. Lenin (by Velimir Khlebnikov) | 1993 | fixed media, akusmatisch | 15:12 | SLR 0044, Theremin Center/ | Theremin C. Moscou | 0 | http://asmir.theremin.ru/ | |||||||||
| 34464 | Luctor | Ponse | 2e Concerto pour violon et orchestre, op. 38 | 1965 | Zuspiel / Tonband, 1 perf | 18:22 | Stereo | vn [Violine] | 0 | ||||||||||
| 13241 | Luctor | Ponse | Concerto I, Concert for piano and 4 electronic tracks | 1967/1980 | Zuspiel / Tonband, 1 perf | 28:05 | Quadro | p [Piano] | HM Q 97041/ | Sonology Utrecht | 0 | ||||||||
| 13242 | Luctor | Ponse | Enchantement | 1973 | fixed media, akusmatisch | 10:54 | Stereo | HM Q 97041/ | Sonology Utrecht | 0 | |||||||||
| 13243 | Luctor | Ponse | Etude 1 | 1965 | fixed media, akusmatisch | 10:00 | Quadro | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | STEM Utrecht, CEM Bilthoven | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 13244 | Luctor | Ponse | Facettes tournantes, erste Version - zweite Version | 1968 | fixed media, akusmatisch | 14:00 | Quadro | 2 versions (11 & 14 Minutes) | Sonology Utrecht | 0 | |||||||||
| 13245 | Luctor | Ponse | Musique concertante | 1977 | Zuspiel, live-elec, 7 perf | 25:00 | va, db, b-gui, p, perc, 2 synt [Piano, Gitarre, Schlagzeug, Viola, Kontrabass, synthesizer] | 0 | |||||||||||
| 13246 | Luctor | Ponse | Nacht | 1966 | fixed media, akusmatisch | 14:16 | Quadro | PHI 836 893/ HM Q 97041/ | STEM Utrecht, CEM Bilthoven | 1 | |||||||||
| 13247 | Luctor | Ponse | Radiophonie I, Radiophonie 1a | 1968 | fixed media, akusmatisch | 9:00 | Quadro | part a (6’) & b (3’) | PHI 6526004/ | Sonology Utrecht | 0 | ||||||||
| 13248 | Luctor | Ponse | Radiophonie II | 1969 | fixed media, akusmatisch | 28:15 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 13249 | Luctor | Ponse | Radiophonie III | 1969 | fixed media, akusmatisch | 15:15 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 13250 | Luctor | Ponse | Sonate | 1981 | Zuspiel / Tonband, 2 perf | 23:00 | b-cl, p [Klarinette, Piano] | 0 | |||||||||||
| 13251 | Luctor | Ponse | Sonografisch | 1974 | fixed media, akusmatisch | 15:04 | Stereo | voice recorded from J.H.W. Veenstra | Sonology Utrecht | 0 | |||||||||
| 13252 | Luctor | Ponse | Triptyque | 1984 | Zuspiel / Tonband, 2 perf | 17:00 | hpd, gui [Gitarre, Cembalo] | 0 | |||||||||||
| 33104 | Luctor | Ponse | Triptyque II | 1992 | Zuspiel / Tonband, 4 perf | 19 | 4 perf [Performer] | Triptyque II - for 4 performers: harpsichord / synthesizer - 4 saxophones (bariton, tenor, alto and soprano) - electric guitar / bass guitar - percussion, 19' | 0 | ||||||||||
| 33105 | Luctor | Ponse | Triptyque IV | 1995 | Zuspiel / Tonband, 4 perf | 10 | 2 hpd, b-gui, synt [Gitarre, Cembalo, synthesizer] | 0 | |||||||||||
| 22669 | Ben, Group | Ponton, zoviet*france | I´Saram | 1994 | fixed media, akusmatisch | 9:17 | Improvisation | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | |||||||||
| 27403 | Julián | Pontón | Aire … como … pan | fixed media, akusmatisch | 13:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 13253 | Robert | Poor | Secret and Profound | 1985 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 13255 | Melvyn | Poore | And finanlly… | 1993 | live-elec, 1 perf | 12:00 | Stereo | tuba [Tuba] | ZKM Karlsruhe | 0 | |||||||||
| 33845 | Melvyn | Poore | Death be not proud | 2009 | live-elec, 1 perf | 13:57 | tuba [Tuba] | ISPW | WER 20642/ | ZKM Karlsruhe | 0 | ||||||||
| 21032 | Melvyn | Poore | Nesting Time | 1998 | live-elec, 1 perf | 20:00 | Quadro | tuba [Tuba] | ISPW | ZKM Karlsruhe | 0 | ||||||||
| 21031 | Melvyn | Poore | One, Two, Three | 1976 | live-elec, 1 perf | 6:00 | Stereo | tuba, (delay) [Tuba] | 0 | ||||||||||
| 13256 | Melvyn | Poore | Playback I | 1978 | Zuspiel, live-elec, 1 perf | 7:00 | Stereo | tuba [Tuba] | 0 | ||||||||||
| 13257 | Melvyn | Poore | Study in Moving Sounds | 1994 | fixed media, akusmatisch | 3:16 | Stereo | ZKM Karlsruhe | 0 | ||||||||||
| 13254 | Melvyn, Günter | Poore, Steinke | Buffers | 1993 | live-elec, 2 perf | 21:30 | Quadro | 2 perf, (tuba) [Performer] | ZKM Karlsruhe | 0 | |||||||||
| 21030 | Melvyn, Günter | Poore, Steinke | Unquestioned Answer | 1995 | live-elec, 3 perf | 15:00 | Quadro | 2 perf, tuba [Tuba, Performer] | ZKM Karlsruhe | 0 | |||||||||
| 13259 | Hans | Poort | The medium is the matter | 1982 | radiophon | 14:00 | Stereo | Sweelinck | 0 | ||||||||||
| 13260 | Hans | Poort | Vonk | 1983 | live-elec, 1 perf | e-p [Piano] | Vorsetzer | Sweelinck | 0 | ||||||||||
| 32230 | Heinrich | Poos | Emblemata, Sinfonische Kantate | 1976 - 1980 | Zuspiel / Tonband, 3 perf, 2 groups | S, T, ch, Sp, orc [Sopran, Tenor, Sprecher, Chor, Orchester] | 0 | ||||||||||||
| 32229 | Heinrich | Poos | Von Zeit und Ewigkeit, Thema mit Variationen Legende Hymnus |
1983/2003 | Zuspiel / Tonband, 11 perf, 1 group | mixed ch, Sp, fl, 4 trbn, db, org, celesta (mar), perc (gr. trommel, tamtam, becken, triangel), tim [Sprecher, Flöte, Posaune, Piano, Orgel, Schlagzeug, Kontrabass, Chor] | Tonband nur im 2. Satz “Legende“ | Tonger ISMN M-005-20501-2 | 0 | ||||||||||
| 39677 | Christopher | Poovey | Gift of Flame | 2015 | fixed media, akusmatisch | 5:22:00 | Christopher Poovey | 0 | |||||||||||
| 39338 | Christopher | Poovey | only through fractures may light shine | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 13261 | Stephen Travis | Pope | 4 | 1980 - 1982 | Tanz | 22:42 | Ballet Music for my Siblings | EMF 068/ | SEM Salzburg, IRCAM | Salzburg Cultural Council | 1982 | ICMC 1982 Venezia | 1 | http://heaveneverywhere.com/stp/ | |||||
| 13263 | Stephen Travis | Pope | Bat out of hell, Stories for Dance | 1983 | Tanz | 5:20 | II SBC&M/ EMF 068/ | SEM Salzburg | 1985 | ICMC 1985 Vancouver | 1 | http://heaveneverywhere.com/stp/ | |||||||
| 13265 | Stephen Travis | Pope | Celebration: Laments and a Song for Quiet Spiritual Places, Part 2: Ywe Ye, I She Di (Moonlight Night) - Lament with Beils | 1990 | fixed media, akusmatisch | 7:00 | Stereo | CCRMA | 0 | http://heaveneverywhere.com/stp/ | |||||||||
| 13266 | Stephen Travis | Pope | Celebration: Laments and a Song for Quiet Spiritual Places, Part 3: To My Younger Brother - Message Looking for a Messenger | 1991 | fixed media, akusmatisch | 9:00 | Stereo | Text: Tu Fu (712-770) | CCRMA | 0 | http://heaveneverywhere.com/stp/ | ||||||||
| 13267 | Stephen Travis | Pope | Celebration: Laments and a Song for Quiet Spiritual Places, Part 4: Simple Truths-Form: for the time Capsule | 1989 - 1991 | fixed media, akusmatisch | 22:00 | Stereo | Text: Albert Goldbarth 1974 | CCRMA, STEIM | STEIM, Amsterdam | 0 | http://heaveneverywhere.com/stp/ | |||||||
| 34858 | Stephen Travis | Pope | Celebration: Laments and a Song for Quiet Spiritual Places, Part 1: Kombination XI - Ritual Place for Live and Processed Voices | 1990 | fixed media, akusmatisch | 17:00 | Stereo | Text: Helmut Heissenbuettel | CCRMA | 0 | http://heaveneverywhere.com/stp/ | ||||||||
| 25429 | Stephen Travis | Pope | Day | 1986 | fixed media, akusmatisch | 10:40 | algorithmic Improvisation (3 excerpts) | EMF 068/ | Xerox PARC, PS C. | 1 | http://heaveneverywhere.com/stp/ | ||||||||
| 25052 | Stephen Travis | Pope | Eternal Dream | 2002 | fixed media, akusmatisch | 19:10 | Sonata for voices and drums, 6 movements. Recordings from Santa Babara / Berlin / Havana 2000-02 Video-sources by Erik Pauser and Johan Söderberg |
EMF 068/ | PS C. | 2002 | KREV Stockholm 2002 (without Video); Woodstockhausen Festival Santa Cruz 2002 |
1 | http://heaveneverywhere.com/stp/ | ||||||
| 25053 | Stephen Travis | Pope | Four Magic Sentences | 2000 | fixed media, akusmatisch | 3:00 | abstract mantra for voices and wind. Berlin / Santa Babara 2000 | PS C. | 1 | http://heaveneverywhere.com/stp/ | |||||||||
| 42652 | Stephen Travis | Pope | Jerusalem’s Secrets - Mass, for the New Millenium | 2005/2006, 2010 | audiovisuell | 80 | 5 parts | 0 | |||||||||||
| 13264 | Stephen Travis | Pope | Kombination XI, A Ritual Place for Processed Voices | 1978 - 1990 | fixed media, akusmatisch | 14:25 | based on the poem by Helmut Heissenbüttel. 6 parts. Soundprocessing with HyperScore ToolKit; Phase Vocoder |
Centaur CRC 2166, CDCM Vol. 13/ EMF 068/ | ELAK Wien, CCRMA, Xerox PARC, QuickSilver Studios | 1990 | STEIM foundation | 1 | http://heaveneverywhere.com/stp/ | ||||||
| 25054 | Stephen Travis | Pope | Leur Songe de la Paix | 2001 - 2002 | fixed media, akusmatisch | 10:34 | setting of a Text by Martin Luther King jr. (A Time to Break the Silence 1967; full text on DVD!) | EMF 068/ | PS C. | 2002 | Primavera Festival Santa Barbara | 1 | http://heaveneverywhere.com/stp/ | ||||||
| 35786 | Stephen Travis | Pope | Ora penso invece che il mondo … | 2006 | live-elec, 6 perf | str-qt, 2 com p [Piano, Streicher] | 3.11.2006 | HfMT Köln | 0 | ||||||||||
| 25431 | Stephen Travis | Pope | Paragraph 31: All Gates Are Open | 1991 - 1993 | fixed media, akusmatisch | 30:02 | A National Anthem. Processed voices of the Kings of Elgaland/ Vargaland (Sun of God..) Stockholm. 5 Parts | EMF 068/ | STEIM, EMS Stockholm | 1993 | KREV Stockholm | 1 | http://heaveneverywhere.com/stp/ | ||||||
| 13268 | Stephen Travis | Pope | Requiem Aeternam Dona Eis | 1984/1985 | fixed media, akusmatisch | 13:20 | Requiem variations for bells, Dedicated to Stephan Kaske. Composed with ARA. 6 parts | EMF 068/ | SEM Salzburg, PCS GmbH | 1 | http://heaveneverywhere.com/stp/ | ||||||||
| 13269 | Stephen Travis | Pope | Terpsichore | 1983 | Tanz | 2:40 | after 2 pieces by M. Praetorius 1612 | SEM Salzburg | 0 | http://heaveneverywhere.com/stp/ | |||||||||
| 25430 | Stephen Travis | Pope | WAKE, Dunkelkammergespräche | 1979/1980 | Tanz | intermedia |
17:10 | Ten Tangents for Dance. Hymns for slow movement. Also composition for mixed media of com music and graphics based on sections of James Joyce's "Finnegan's Wake" |
EMF 068/ | Uni Toronto | 1 | http://heaveneverywhere.com/stp/ | ||||||||
| 37200 | Philip | Popien | Secret Window inside a fragile structured Mind | 2016 | audiovisuell | 5:24:00 | ICEM Essen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 27336 | Constantin | Popp | Berührung | 2007 | fixed media, akusmatisch | 6:10 | Stereo | SeaM Weimar | 1 | http://www.popup-studios.de/ | |||||||||
| 26035 | Constantin | Popp | café | 2006 | radiophon | 20:39 | christian rosenau (Text & Sprecher) | SeaM Weimar | 1 | http://www.popup-studios.de/ | |||||||||
| 27335 | Constantin | Popp | Der Mann aus dem Meer | 2009 | fixed media, akusmatisch | 9:15 | Stereo | Sprecherin: Annika Nestler | SeaM Weimar | 1 | http://www.popup-studios.de/ | ||||||||
| 27340 | Constantin | Popp | Duetto nebuleaux | 2008 | Film | 5:00 | Stereo | Filmmusik für einen Kurzfilm von Karl Kühnder der TanzMedienAkademie 2008 | SeaM Weimar | 1 | http://www.popup-studios.de/ | ||||||||
| 26036 | Constantin | Popp | glimpses | 2005 | fixed media, akusmatisch | 7:14 | SeaM Weimar | 1 | http://www.popup-studios.de/ | ||||||||||
| 27338 | Constantin | Popp | grell | 2003 | Klangkunst, Installation | 3:33 | Stereo | ein Stück für das Projekt „Ausblick privat“ des Meininger Theaters | SeaM Weimar | 1 | http://www.popup-studios.de/ | ||||||||
| 27337 | Constantin | Popp | qi | 2007 | live-elec, | 8:00 | Stereo | SeaM Weimar | via nova e. V. | 1 | http://www.popup-studios.de/ | ||||||||
| 27339 | Constantin | Popp | ruhig | 2008 | fixed media, akusmatisch | 4:20 | Stereo | SeaM Weimar | 1 | http://www.popup-studios.de/ | |||||||||
| 26037 | Constantin | Popp | Schumann radiophon | 2006 | fixed media, akusmatisch | 3:34 | ina rosenstock (V) | SeaM Weimar | 1 | http://www.popup-studios.de/ | |||||||||
| 26038 | Constantin | Popp | verfall | 2005 | fixed media, akusmatisch | 10:55 | SeaM Weimar | 1 | http://www.popup-studios.de/ | ||||||||||
| 26039 | Constantin | Popp | zerbrechlich | 2006 | live-elec, 3 perf | 7:22 | 2 vn, vc [Cello, Violine] | Diemer & Sung (vn), Mittelstaedt (vc) | SeaM Weimar | 1 | http://www.popup-studios.de/ | ||||||||
| 43191 | Markus | Popp | Oval-O | 2011 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2011 | 0 | http://www.thrilljockey.com/artists/oval | |||||||||||
| 34146 | Enno | Poppe | Arbeit | 2006/2007 | live-elec, 1 perf | ≈ 16 | Stereo | hammond-org or Kbd [Keyboard, Orgel] | für virtuelle Hammondorgel for microtonal virtual hammond organ |
20.4.2007 | Wittener Tage für neue Kammermusik | Ricordi | 1 | ||||||
| 35802 | Enno | Poppe | Arbeit Nahrung Wohnung | 2006 - 2007 | Musiktheater | abendfüllend | Counter-T, T, Bar, B, 2 Sp and V (Robinson & Freitag), 4 perc, 4 Kbd [Tenor, Bariton, Bass, Sprecher, Stimme, Keyboard, Schlagzeug] | Bühnenmusik für 14 Herren; Text: Marcel Beyer | 19.4.2008 | München | Ricordi München | 0 | |||||||
| 38875 | Enno | Poppe | Fleisch | 2017 | live-elec, 4 perf | ≈ 12 | sax, e-gui, synt, perc [Saxophon, Gitarre, Schlagzeug, synthesizer] | 16.11.2017 | Bludenz | Ricordi Sy. 3718 | 0 | ||||||||
| 35804 | Enno | Poppe | Holz | 1999/2000 | live-elec, 8 perf | 10 | cl, fl, sax, perc, Kbd (sam), vl, va, vc [Flöte, Klarinette, Saxophon, Keyboard, Schlagzeug, Viola, Cello] | 28.9.2000 | Wien | Ricordi | 0 | ||||||||
| 35801 | Enno | Poppe | IQ | 2011/12 | Performance, live-elec, 7 perf, 1 group | abendfüllend | 6 V or perf, Kbd, orc, (elec) [Stimme, Keyboard, Performer, Orchester] | Testbatterie in acht Akten | 27.4.2012 | Schwetzingen | Ricordi München | 0 | |||||||
| 35803 | Enno | Poppe | Koffer | 2012 | live-elec, 1 perf, 1 group | ≈ 30 | ens, Kbd [Keyboard, Ensemble] | 7.5.2013 | Köln | Ricordi | 0 | ||||||||
| 34147 | Enno | Poppe | Rad | 2003 | live-elec, 2 perf | ≈ 22 | Quadro | 2 Kbd (2 e-p 88 Tasten oder 2 Kbd) and com [Keyboard, computer] | 18.10.2003 | Donaueschingen | Ricordi | 0 | |||||||
| 40671 | Enno | Poppe | Rundfunk | 2018 | live-elec, 9 perf | ≈ 56 | 9 tracks | 9 synt [synthesizer] | Experimentalstudio für Akustische Kunst Freiburg | SWR, Wien Modern, Huddersfield, Acht Brücken etc. | 20.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, Exp. St. des SWR | 0 | ||||||
| 35800 | Enno | Poppe | Salz | 2005 | live-elec, 9 perf | fl, ob and ehn, cl and b-cl, s-sax and a-sax, perc, Kbd (sam), vn, va, vc [Flöte, Klarinette, Oboe, Saxophon, Keyboard, Schlagzeug, Viola, Cello, Violine] | Kairos 0013252KAI/ | 21.8.2005 | Salzburg | Ricordi | 0 | ||||||||
| 35806 | Enno | Poppe | Schrank | 1989, 2009 | live-elec, 9 perf | 24 | fl and a-fl, ob and ehn, cl and b-cl, sax, p and Kbd, perc, vn, va, vc [Flöte, Klarinette, Oboe, Saxophon, Piano, Keyboard, Schlagzeug, Viola, Cello, Violine] | Es ist vorgesehen, dass im direkten Anschluss an „Schrank” ohne Unterbrechung „Salz” (2005) aufgeführt wird. | 9.11.2009 | Paris | Ricordi | 0 | |||||||
| 35805 | Enno | Poppe | Schweiß | 2010 | live-elec, 2 perf | 4 | vc, Kbd [Keyboard, Cello] | 2 Versions | 9.11.2009 | Paris | Ricordi | 0 | |||||||
| 37642 | Enno, Wolfgang | Poppe, Heiniger | Tonband | 2008/2013 | live-elec, 5 perf | ≈ 30 | 2 perc, 2 kbd (25 Kontaktmikrofone), elec [Keyboard, Schlagzeug, elektronik] | 9.1.2009 | Köln | Ricordi München | 0 | ||||||||
| 36542 | Mauro | Porro | Ipse | fixed media, akusmatisch | 9:09 | Accademia Musicale Pescarese/ | 0 | ||||||||||||
| 13270 | Patrick | Portella | Agoué-Agoué | 1989 | Musiktheater | Stereo | GMEM Marseille | 0 | |||||||||||
| 13271 | Patrick | Portella | Hélé | 1988 | Zuspiel / Tonband, 1 perf | Stereo | V and shells [Stimme] | GMEM Marseille | 0 | ||||||||||
| 13273 | Patrick | Portella | Kondyliès | 1993 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | V [Stimme] | GMEM Marseille | 0 | |||||||||
| 13274 | Patrick | Portella | La Fleur | 1983 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 13275 | Patrick | Portella | Le Massacre Des Eletok | 1991 | Musiktheater | 60:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 13276 | Patrick | Portella | Le Voyage d'Hiver, Winterreise | 1987 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | V [Stimme] | GMEM EI 02/ | GMEM Marseille | 1 | 1992 | |||||||
| 13278 | Patrick | Portella | Les Pas | 1984 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | perc [Schlagzeug] | GMEM Marseille | 0 | |||||||||
| 13279 | Patrick | Portella | Lied-Improvisationen frei nach Webern | 1988 | Zuspiel / Tonband, 3 perf | 10:00 | Stereo | 2 V, perc [Stimme, Schlagzeug] | GMEM Marseille | 0 | |||||||||
| 13280 | Patrick | Portella | Mémoire De Chien | 1982 | Zuspiel / Tonband, 3 perf | 15:00 | Stereo | ob, cl, perc [Klarinette, Oboe, Schlagzeug] | GMEM Marseille | 0 | |||||||||
| 20678 | Patrick | Portella | Milieux terrestres | 1996 | fixed media, akusmatisch | Klangkunst, Installation |
22:26 | Stereo | GMEM EI 05/ | GMEM Marseille | 0 | |||||||||
| 13281 | Patrick | Portella | Terzouille | 1984 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | perc [Schlagzeug] | GMEM Marseille | 0 | |||||||||
| 13272 | Patrick, Jean-Luc | Portella, Therminarias | Inremeabilis Erros | 1990 | fixed media, akusmatisch | Film |
5:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 13282 | Bern | Porter | The Last Acts of St. Fuckyou | 1985/1988 | intermedia | 9:37 | AER 1990 / 1/ | 1 | |||||||||||
| 13283 | Michael | Pos | Life As Won | fixed media, akusmatisch | 12:20 | Stereo | mention Satori Festival1986 | 0 | |||||||||||
| 13284 | Andrés | Posada | Catenaria | 1990 | live-elec, | 5:10 | ISAST LMJ 4/ | Lab Colombiano „Jacqueline Nova“ | 0 | ||||||||||
| 28140 | Alberto | Posadas | Glossopoeia | 2009 | audiovisuell | Tanz, live-elec, 8 perf |
19:07 | 3 dancer, b-cl, perc, va, vc, (video), elec [Klarinette, Schlagzeug, Viola, Cello, elektronik, Tanz] | IRCAM Collection/ Kairos 0013112KAI/ | IRCAM | IRCAM | 2009 | ensemble intercontemporain Centre Pompidou | 0 | http://www.philippemanoury.com/ | |||||
| 13285 | Hans | Pose | Himalyan Snow Ice | 1976/1980 | Fernsehen, | 16:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 42062 | Lina | Posecnaite | (lots of) time |
2018 | fixed media, akusmatisch | 9 | degem CD 16/ | 0 | |||||||||||
| 38951 | Hans | Posegga | Gespeicherte Energie | 1962 | Film | Filmstelle der Robert Bosch GmbH | 0 | ||||||||||||
| 38950 | Hans | Posegga | Reaktionen – Menschen in der Automation | 1962 | Film | 11:05 | Siemens | Bunawerke Hülst GmbH | 0 | ||||||||||
| 13286 | Hans | Posegga | Über die Entstehung der Radioaktivität, Kernenergie aus Natur-Uran | 1967 | Film | Mono | Kurzfilm | Siemens | Siemens AG | 0 | |||||||||
| 13287 | Juraj | Pospisil | Meditation elektronique | 1970 | fixed media, akusmatisch | 10:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 13288 | Juraj | Pospisil | Suita ad modum tympanorum | 1983 | fixed media, akusmatisch | 9:50 | Stereo | CECM Bratislava | 0 | ||||||||||
| 39322 | Cesar | Potes | Flaxi-Tones | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39645 | César | Potes | Surri Bachra Noscia: Homage | 2017 | fixed media, akusmatisch | César Potes | 0 | ||||||||||||
| 42857 | Nils | Potet | Alone in these strange landscapes | 2013 | fixed media, akusmatisch | 14:46:00 | 0 | ||||||||||||
| 42721 | Nils | Potet | Reflet | 2012 | fixed media, akusmatisch | 10:00:00 | October 2012 | Seoul International Computer Music Festival | 0 | ||||||||||
| 40157 | Nils | Potet | …(s’extirpe), lointain résonance | 2015 | fixed media, akusmatisch | 4:28:00 | 0 | ||||||||||||
| 13289 | William | Pottebaum | How the animals got their names | 1964 | Film | 6:35 | Mono | UTEMS Toronto | 0 | ||||||||||
| 36961 | Ambrose | Pottie | Bellwoods | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 32931 | Yves | Potvin | Matières à réactions | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 18535 | Gabriel | Poulard | 4 portraits d'un même silence | 1986 | fixed media, akusmatisch | 28:28 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18536 | Gabriel | Poulard | Alytes | 1988 | fixed media, akusmatisch | 13:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 13290 | Gabriel | Poulard | Atolls | 1989 | intermedia | 0 | |||||||||||||
| 13291 | Gabriel | Poulard | Dornomyl | 1978/1979 | fixed media, akusmatisch | 18:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 13292 | Gabriel | Poulard | En attendant Myrnika | 1980 | fixed media, akusmatisch | 21:53 | Stereo | IMEB Bourges | 0 | ||||||||||
| 13293 | Gabriel | Poulard | Espace de sourds | 1983 | fixed media, akusmatisch | 19:53 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24464 | Gabriel | Poulard | Existence | 1979 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 13294 | Gabriel | Poulard | Existences | 1978 | fixed media, akusmatisch | 25:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 13295 | Gabriel | Poulard | La Mémoire des Pierres | 1988 | fixed media, akusmatisch | 13:53 | LDC 278046/47 Cultures Electroniques 3/ | IMEB Bourges | 1 | ||||||||||
| 13296 | Gabriel | Poulard | Matière et Mouvance | 1985 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18537 | Gabriel | Poulard | Wesen | 1989 | fixed media, akusmatisch | 18:19 | Stereo | IMEB Bourges | 0 | ||||||||||
| 40119 | Michael | Pounds | Breathing 2: Re/Inspiration | 2015 | fixed media, akusmatisch | 7:02:00 | Michael Pounds | 0 | |||||||||||
| 42537 | Michael | Pounds | Collection | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 32072 | Michael | Pounds | Critical Mass | 1997 | fixed media, akusmatisch | SEAMUS EAM Vol. 8/ | 0 | ||||||||||||
| 42929 | Michael | Pounds | Openings | 2013 | fixed media, akusmatisch | 5:45:00 | 0 | ||||||||||||
| 42653 | Michael | Pounds | Recollection | 2009 | fixed media, akusmatisch | 6 | EMS UIUC | University of Illinois Experimental Music Studios in commemo- ration of its 50th anniversary celebration | 0 | ||||||||||
| 32079 | Michael | Pounds | Release | 1998 | fixed media, akusmatisch | SEAMUS EAM Vol. 9/ | ASCAP/SEAMUS | 0 | |||||||||||
| 13298 | Henri | Pousseur | Deux Poèmes de Henri Michaux | 1959 | Hintergrundmusik | 5:00 | Mono | PS Apelac | 0 | ||||||||||
| 13299 | Henri | Pousseur | Electre | 1960 | fixed media, akusmatisch | Tanz, 8 perf |
48:00 | Mono | 8 V [Stimme] | UE 13.500/ | PS Apelac | prix Italia 1960 | 0 | |||||||
| 40885 | Henri | Pousseur | Éléments de Trois visages de Liège | 1961, 2005 | fixed media, akusmatisch | 3:16 | SR 415 sub rosa/ | PS Apelac | 0 | ||||||||||
| 13300 | Henri | Pousseur | Etude pour Rimes II | 1958 | fixed media, akusmatisch | 2:55 | Stereo | PS Apelac | 0 | ||||||||||
| 23350 | Henri | Pousseur | Ex Dei in Machinam Memoria | 1971 | live-elec, 1 perf | 21:11 | ob [Oboe] | Birgit Schmieder (ob), Thomas Seelig (com); 11.9.2003 Podewil | 1 | http://mspcafe.g2312.de/projects/synthi/ | |||||||||
| 13301 | Henri | Pousseur | experiments in sound & composition, Ziele und Aussichten der Elektronischen Musik | 1963 | Lehre & Forschung | 1:27 | Mono | lecture with sound examples, produced by Bayerischer Rundfunk | Siemens AG/ Earlabs LC 007/ | Siemens | 0 | ||||||||
| 13303 | Henri | Pousseur | Interlude pour les "Contes d'Hoffmann" | 1961 | Oper | 18:00 | Mono | after Offenbach | PS Apelac | 0 | |||||||||
| 13304 | Henri | Pousseur | L'Ecole d'Orphée | 1989 | live-elec, 2 perf | S, org, (rm) [Sopran, Orgel] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 13305 | Henri | Pousseur | Leçons d'Enfer | 1991 | Zuspiel, live-elec, 1 perf, 2 groups | Musiktheater |
Stereo | ens, V, actors [Stimme, Schauspieler, Ensemble] | CRFMW Liège | 0 | ||||||||||
| 13306 | Henri | Pousseur | Les Perses | 1961 | Theatermusik | 30:00 | Mono | PS Apelac | 0 | ||||||||||
| 13307 | Henri | Pousseur | Liège à Paris | 1977/1980 | fixed media, akusmatisch | 58:00 | Stereo | IRCAM, CRFMW Liège | UE | 0 | |||||||||
| 13308 | Henri | Pousseur | Liège, cité ardente | 1958 | Film | 26:00 | Mono | PS Apelac | 0 | ||||||||||
| 13309 | Henri | Pousseur | Mnemosyne I | fixed media, akusmatisch | Mono | Siemens | 0 | ||||||||||||
| 13302 | Henri | Pousseur | Parabol Mix: Ikaros' Beschreibung eines langen Marsches, Ikaros | 1972/1973 | fixed media, akusmatisch | different versions | SR 174 sub rosa/ | WDR SEM | WDR 1973 | 4.6.1973 | "Musik der Zeit" Düsseldorf | 0 | |||||||
| 13310 | Henri | Pousseur | Paraboles - Mix | 1972/1984 | Zuspiel / Tonband, 1 perf, 1 group | 40:49 | ad lib ins, ch [Instrument, Chor] | adapted from "Etudes Paraboliques"; rev. 84 | BVHAAST 9010/ BVHAAST 0206/ | CRFMW Liège | 1 | ||||||||
| 28118 | Henri | Pousseur | Phonèmes pour Cathy | fixed media, akusmatisch | 6:09 | STR 10017/ | 0 | ||||||||||||
| 13311 | Henri | Pousseur | Préhistoire du cinéma | 1959 | Film | 10:00 | Mono | PS Apelac | 0 | ||||||||||
| 13312 | Henri | Pousseur | Prospective | 1961 | radiophon | 5:00 | Mono | PS Apelac | 0 | ||||||||||
| 13313 | Henri | Pousseur | Rimes pour differentes sources sonores, Rimes I | 1958 | Zuspiel / Tonband, 3 groups | 14:40 | Stereo | 3 (groups of ) orc [Orchester] | Weltausstellung Brüssel; elec = "Tonquellen" |
RCA VICS 1239/ SR 415 sub rosa/ IDEAMA CD 017/ | PS Apelac, Fonologia Milano | 1 | |||||||
| 13314 | Henri | Pousseur | Scambi | 1957 | fixed media, akusmatisch | 3:25 | Stereo | version II Pousseur | SR 190 sub rosa/ PHI 835 485/486 AY/ | Fonologia Milano | 1 | ||||||||
| 13315 | Henri | Pousseur | Scambi | 1957 | fixed media, akusmatisch | 3:40 | Stereo | version I Berio | Fonologia Milano | 1 | |||||||||
| 13316 | Henri | Pousseur | Scambi | 1957 | fixed media, akusmatisch | 5:00 | Stereo | version II Berio (on CD duration 6:27) | BVHAAST 9010/ BVHAAST 0206/ | Fonologia Milano | 1 | ||||||||
| 13317 | Henri | Pousseur | Scambi | 1957 | fixed media, akusmatisch | 6:30 | Stereo | version I Pousseur | PHI 835 485/86/ Mercury SR2 9123/ IDEAMA CD 096/ SR 415 sub rosa/ | Fonologia Milano | 1 | ||||||||
| 13318 | Henri | Pousseur | Seismogramme I | 1954 | fixed media, akusmatisch | 2:53 | Mono | BVHAAST 9106/ SR 415 sub rosa/ IDEAMA CD 097/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | |||||||
| 13319 | Henri | Pousseur | Seismogramme II | 1954 | fixed media, akusmatisch | 3:25 | Mono | BVHAAST 9106/ SR 415 sub rosa/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | |||||||
| 13320 | Henri | Pousseur | Semaphace | 1958 | Hintergrundmusik | 8:00 | Mono | PS Apelac | 0 | ||||||||||
| 13321 | Henri | Pousseur | Système de Paraboles A - Etúde parabolique | 1972 | fixed media, akusmatisch | 81:35 227:00 | 8 parts | WDR SEM | 0 | ||||||||||
| 13323 | Henri | Pousseur | Trois visages de Liège, l'Air et lèau Voix de la Ville Forges |
1961 | fixed media, akusmatisch | Hintergrundmusik |
20:07 | Stereo | BVHAAST 9010/ MEN/ BVHAAST 0206/ Columbia MS 7051/ SICC 78/ IDEAMA CD 096/ ALPHA 5066-5/ SR 415 sub rosa/ | PS Apelac | 1 | |||||||||
| 27706 | Henri | Pousseur | Un jour du monde en 280 minutes | 2002 | fixed media, akusmatisch | Stereo | paysage sonore | CRFMW Liège | 19.06.2004 | Liège, MAMAC | 0 | ||||||||
| 26331 | Henri | Pousseur | Voix et Vues planétaires, ethno-electroacoustic music | 2003/2004 | fixed media, akusmatisch | 210:00 | Text by Michel Butor | alga marghen plana-P 21NMN.051/ | PS Apelac | 1 | 2008 | ||||||||
| 13324 | Henri | Pousseur | Votre Faust, Jeu de miroirs de votre Faust | 1966 | Oper | 150 -180 | Quadro | WER 60039/ | IPEM Gent, PS Apelac | 1969 | Piccola Scala de Milan | Universal Edition | 0 | ||||||
| 13297 | Henri, Michel | Pousseur, Butor | Déclarations d'Orages | 1989 | Zuspiel / Tonband, 1 perf, 1 group | Stereo | orc, Sp and singer [Sprecher, Stimme, Orchester] | CRFMW Liège | 0 | ||||||||||
| 13322 | Henri, John | Pousseur, Whiting | Tales and Songs from the Bible | 1979 | Zuspiel / Tonband, 4 perf | 28 | 4 V [Stimme] | WER 60094/ | 0 | ||||||||||
| 21924 | Felix | Powell | Krahenalles (Suite Suisse) | 1981 | fixed media, akusmatisch | 12:05 | Stereo | IMEB Bourges | 0 | ||||||||||
| 13325 | Kit | Powell | Chinese Songs | 1988 | Zuspiel / Tonband, 1 perf | 16:18 | Stereo | S [Sopran] | (with Fr. Stähelin, S) | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||
| 27719 | Kit | Powell | Credo | Zuspiel / Tonband, 1 perf | org [Orgel] | ASM - 011 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 23202 | Kit | Powell | Dapple Metal | 1996 | fixed media, akusmatisch | 9:12 | UWMD 1201 New Zealand Sonic Art Vol. 2/ | SCCM | 1 | http://www.computermusic.ch/ | |||||||||
| 13326 | Kit | Powell | Nelson Songs | 1986 | Zuspiel / Tonband, 1 perf | Stereo | B [Bass] | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 22594 | Kit | Powell | WHALE | 1993 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 13327 | Mel | Powell | Analogs #1 - #4 | 1965 | fixed media, akusmatisch | 14:00 | Stereo | CSMT Yale | 0 | ||||||||||
| 13330 | Mel | Powell | Events | 1963 | fixed media, akusmatisch | 6:44 | 3 pre-recorded voices | CRi 227 USD/ | Col.Princ EMC, CSMT Yale | 1 | |||||||||
| 13328 | Mel | Powell | First Electronic Setting | 1961 | fixed media, akusmatisch | 3:10 | Stereo | Son Nova 1/ MAS 4262/ | Col.Princ EMC | 0 | |||||||||
| 13329 | Mel | Powell | Second Electronic Setting | 1962 | fixed media, akusmatisch | 4:58 | CRi 227 USD/ | Col.Princ EMC, CSMT Yale | 1 | ||||||||||
| 13331 | Morgan, James | Powell, Lewis | Tape Piece using Trombone Sounds | 1965 | fixed media, akusmatisch | 2:30 | Stereo | EMS UIUC | 0 | ||||||||||
| 27933 | Philip | Powell | Spurious Moments | 1995 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 36939 | David | Power | invisible sample | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 39324 | Chad | Powers | Hipster Hunter | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34257 | Martyna | Poznanska | The end result of development, Towards the poetics of deterioration and displacement | 2015 | Klangkunst, Installation | audio-visual Installation | 25.9.2015 | Kontakte-Festival AdK Berlin, Garten vor der Akademie Hanseatenweg | 0 | http://www.adk.de/de/projekte/2015/Kontakte/teaser_17.htm | |||||||||
| 13332 | Guillermo | Pozzati | El adiós | 1990 | fixed media, akusmatisch | 4:18 | ARP 2600 | Tarka CD 701/ | LIPM B.Aires | 1 | |||||||||
| 20679 | Guillermo | Pozzati | Stanford (a mi padre), Stanford (to my father) | 1992 | fixed media, akusmatisch | 14:10 | Stereo | CCRMA/ | CCRMA | 0 | |||||||||
| 37204 | Daniele | Pozzi | 132 Mecchaniche | 2017 | fixed media, akusmatisch | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 39704 | Daniele | Pozzi | Breakpoint | 2017 | fixed media, akusmatisch | 16 Tracks | Daniele Pozzi | 0 | |||||||||||
| 33950 | Tomasz | Praszczalek | Salto Mortale | 2007 | Zuspiel / Tonband, 1 group | 6:30:00 | Stereo | strs [Streicher] | Komposition für Streicher und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 13333 | Walter | Prati | Acqua di immensa muraglia | 1989 | live-elec, 1 perf | 7:00 | Stereo | p [Piano] | MM&T Records/ | MM&T Milano | 0 | ||||||||
| 13334 | Walter | Prati | Fluminis | 1985 | radiophon | Stereo | vocal sounds | RAI | 0 | ||||||||||
| 13336 | Walter | Prati | Il Gran Trio | 1993 | live-elec, 3 perf | 8:00 | va, db, Kbd [Keyboard, Viola, Kontrabass] | MM&T Milano | 0 | ||||||||||
| 13337 | Walter | Prati | Improvviso 6 | 1992 | live-elec, 1 perf | 7:00 | gui [Gitarre] | MM&T Milano | 0 | ||||||||||
| 13338 | Walter | Prati | Io ho un sogno… (per non dimenticare, mai) | 1993 | live-elec, 10 perf | 15:00 | 8 ins, perc, p [Piano, Schlagzeug, Instrument] | Nuova Fonit Cetra CDC 501/ | MM&T Milano | 0 | |||||||||
| 13339 | Walter | Prati | L'isola in un'oasi | 1992 | live-elec, 1 perf | 17:00 | com [computer] | com MARS | MM&T Milano | 0 | |||||||||
| 13340 | Walter | Prati | Puzzle | 1992 | live-elec, | 6:00 | MM&T Milano | 0 | |||||||||||
| 13341 | Walter | Prati | Riflessi in transformazione | 1991 | live-elec, | Stereo | BMG Ariola/ | MM&T Milano | 0 | ||||||||||
| 13342 | Walter | Prati | Teodora | 1993 | live-elec, | Oper |
105:00 | MM&T Milano | 0 | |||||||||||
| 13343 | Walter | Prati | Tropi estatici | 1991 | live-elec, 3 perf | Oper |
75:00 | Stereo | trbn, V, perc [Stimme, Posaune, Schlagzeug] | MM&T Milano | 0 | |||||||||
| 13335 | Walter, Evan | Prati, Parker | Hall of Mirrors | 1989 | live-elec, | Stereo | MM&T Records/ | MM&T Milano | 0 | ||||||||||
| 13344 | Benedict | Pratt | Electric Notes III | 1988 | fixed media, akusmatisch | 3:00 | Stereo | Coll Liverpool | 0 | ||||||||||
| 13345 | Marco | Predazzi | Ran | 1987 | fixed media, akusmatisch | DIST Genova | 0 | ||||||||||||
| 13346 | Tom | Prehn | Solhverv I - IV | 1965 | fixed media, akusmatisch | 40:00 | Mono | Aarhus | 0 | ||||||||||
| 13347 | Christopher | Preissing | Bull | 1989 | fixed media, akusmatisch | 6:30 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 13348 | David | Prescott | Epicenters | 1989 | fixed media, akusmatisch | 19:40 | GU LP 1006 Generations Unlimited/ | 1 | |||||||||||
| 13349 | David | Prescott | Still life with boiling water | 1988 | fixed media, akusmatisch | 18:15 | GU LP 1006 Generations Unlimited/ | 1 | |||||||||||
| 42904 | Tom | Prescott | The Blind Watchmaker | 2013 | fixed media, akusmatisch | 9:36:00 | 0 | ||||||||||||
| 40294 | Tom | Prescott | The Singing Forest | 2015 | fixed media, akusmatisch | 8:00:00 | Tom Prescott | 0 | |||||||||||
| 18979 | Gabor | Presser | 2000 dioptria Z. op. 1 Electromanco Valvola Electromantic |
1982 | fixed media, akusmatisch | 20:36 | SLPX 17716/ | MR Budapest | 0 | ||||||||||
| 18980 | Gabor | Presser | La Boletta #1 & #2 Adagio Electrico Rondo à la Terror D. D. |
1982 | fixed media, akusmatisch | 19:34 | SLPX 17716/ | MR Budapest | 1 | ||||||||||
| 20680 | Jeff | Pressing | Butterfly's Dream | live-elec, 1 perf | 4:19 | Stereo | MIDI [synthesizer] | NA 028/ | 0 | ||||||||||
| 13350 | Jeff | Pressing | Squall | fixed media, akusmatisch | 0 | ||||||||||||||
| 20681 | Jeff | Pressing | Study Number One | 1985 | live-elec, 4 perf | 7:29 | Stereo | 4 DX7 [synthesizer] | MIDI | ACMA/ | 0 | ||||||||
| 39485 | Richard | Pressley | 5 Cretti | 2017 | fixed media, akusmatisch | (after Burri) | 0 | ||||||||||||
| 42918 | Michele Del | Prete | Selva di varie intonazioni | 2013 | fixed media, akusmatisch | 9:54:00 | 0 | ||||||||||||
| 13351 | Joël | Prévost | Brougne | 1991 | Zuspiel, live-elec, 6 perf | A, fl, ob, bn, p, perc [Alt, Flöte, Oboe, Fagott, Piano, Schlagzeug] | SONVS Lyon | 0 | |||||||||||
| 19009 | Joël | Prévost | Prélude à J. R. R. Tolkien | 1993 | Zuspiel / Tonband, 1 group | 13:30 | Stereo | ens [Ensemble] | SONVS Lyon | 1 | |||||||||
| 13352 | Joël | Prévost | Prélude numéro 1 | 1992 | Zuspiel, live-elec, 8 perf | fl, ob, cl, hn, bn, perc, p, vc [Flöte, Klarinette, Oboe, Fagott, Horn, Piano, Schlagzeug, Cello] | SONVS Lyon | 0 | |||||||||||
| 13353 | Philippe | Prevot | Corps Son Jeu | 1989 | live-elec, | intermedia |
≈ | Quadro | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 13354 | Philippe | Prevot | Mont-Virtuel | 1988 | live-elec, | intermedia |
≈ | Octo | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 40574 | Claude | Prey | Bouches d’Ombre | 1966 | Oper | INA • GRM | 0 | ||||||||||||
| 28746 | Scott | Price | Veils | 2009 | fixed media, akusmatisch | Kleiner Wasserspeicher - Concert 1, 2010 Friday 24. September, 19h, SC Symposium 2010; Aufnahme mit Kunstkopf. | 2010 Friday 24. September, 19h | Kleiner Wasserspeicher | 1 | http://supercollider2010.de/concerts-installations.html | |||||||||
| 42798 | William | Price | WOOSH | 2012 | fixed media, akusmatisch | 3:22:00 | 0 | ||||||||||||
| 40035 | Luke | Priest | Tempus Fugit | 2017 | audiovisuell | Luke Priest | 0 | ||||||||||||
| 20682 | Michael | Prime | Aquatic Synapse | 1992 | fixed media, akusmatisch | 13:40 | Stereo | RRRecords CD 09/ | 0 | ||||||||||
| 20684 | Michael | Prime | Climb down the Ladder of Carbon | 1996 | fixed media, akusmatisch | 21:43 | Stereo | SPOR 01/ | 0 | ||||||||||
| 20685 | Michael | Prime | Finis Terra | 1996 | fixed media, akusmatisch | 23:14 | Stereo | SPOR 01/ | 0 | ||||||||||
| 20683 | Michael | Prime | Instar | 1996 | fixed media, akusmatisch | 13:48 | Stereo | RRRecords CD 21/ SPOR 01/ | 0 | ||||||||||
| 20686 | Michael | Prime | Nocturnal Resort | 1996 | fixed media, akusmatisch | 13:58 | Stereo | SPOR 01/ | 0 | ||||||||||
| 20687 | Michael | Prime | Racked | 1991 | fixed media, akusmatisch | 7:13 | Stereo | RRRecords CD 09/ | 0 | ||||||||||
| 20688 | Michael | Prime | Rotifers | 1991 | live-elec, | 15:45 | Stereo | (water machine) [] | RRRecords CD 09/ | 0 | |||||||||
| 20689 | Michael | Prime | Timeslips | 1991 | fixed media, akusmatisch | 18:47 | Stereo | RRRecords CD 09/ | 0 | ||||||||||
| 27374 | Jean-François | Primeau | Le soleil se lève aussi | 2007 | fixed media, akusmatisch | 7:40 | JTTP 2007 composer | CEC Cache 2007, PeP 012/ | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 13355 | Yves | Prin | Mobile I | 1971 | Zuspiel / Tonband, 3 perf | ob, p, perc [Oboe, Piano, Schlagzeug] | CIRM Paris | 0 | |||||||||||
| 43158 | Gert-Jan | Prins | Risk | 2003 | fixed media, akusmatisch | 13 parts | MEGO 072/ | Auszeichnung ars electronica honorary mention 2003 | 0 | ||||||||||
| 28488 | Gert-Jan | Prins | sub 8 | fixed media, akusmatisch | 6:19 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ a-musik sieben 7.4-45/ | 0 | http://www.gjp.info/ | |||||||||||
| 33219 | Gert-Jan | Prins | sub 9 | fixed media, akusmatisch | a-musik sieben 7.4-45/ | 0 | http://www.gjp.info/ | ||||||||||||
| 33542 | Stefan | Prins | I'am your body | 2014 | live-elec, 4 perf, 1 group | 12:36:00 | amp str-qt, ens, (elec) [Streicher, Ensemble] | Klangforum Wien, Ltg Emilio Pomarico | WD 2014, Wittener Tage Für Neue Kammermusik 2014/ | UA, Auftrag WDR | 10.5.2014, Saalbau Witten | 1 | |||||||
| 38876 | Stefan | Prins | Mirrorbox | 2014 | live-elec, 3 perf | sax, perc, p, (elec) [Saxophon, Piano, Schlagzeug] | 0 | ||||||||||||
| 41985 | Stefan | Prins | Piano Hero | 2011 - | Performance | Kbd [Keyboard] | 0 | ||||||||||||
| 38900 | Stefan | Prins | Third Space | 2018 | Tanz | ≈ 90 | 7 dancer, orc [Tanz, Orchester] | ICST Zürich | Münchener Biennale, Ernst von Siemens Stiftung | 4.6.2018 | Münchener Biennale, Ens. Hiatus (be), Klangforum Wien (at) | 0 | http://www.muenchenerbiennale.de/programm-2018/spielplan/events/event/detail/third-space/ | ||||||
| 23514 | Hannah Leonie | Prinzler | _['d∧zn] | 2002 | Klangkunst, Installation | ∞ | DAAD 205-1 ISBN 3-89727-259-8/ | Inventionen 2002 | 1 | 2002 | |||||||||
| 22741 | David | Prior | 16 Shadows, Butane's Daughter Untitled 1 Maria Narcissus Untitled 2 Plato's Cave |
2000 | fixed media, akusmatisch | 44:28 | TU Berlin | 1 | |||||||||||
| 19327 | David | Prior | an die Materie | 1997 | Tanz | 7:35 | BEAST | 1 | |||||||||||
| 21565 | David | Prior | Butane's Daughter | 1999 | fixed media, akusmatisch | 1:52 | TU Berlin | 1 | |||||||||||
| 19328 | David | Prior | Dense | 1995 | fixed media, akusmatisch | 10:31 | BEAST | 1 | |||||||||||
| 36393 | David | Prior | Hymne an die Materie | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 21566 | David | Prior | Infant | 1999 | fixed media, akusmatisch | 3:57 | TU Berlin | 1 | |||||||||||
| 22415 | David | Prior | Love and Death | 2000 | fixed media, akusmatisch | 13:14 | ed. rz 10012 parallele 12 Inventionen 2000/ | TU Berlin | Inventionen 2000 | 01.7.2000 | Inventionen Parochialkirche Berlin | 1 | 2000 | ||||||
| 21564 | David | Prior | Maria | 1999 | fixed media, akusmatisch | 13:09 | TU Berlin | 1 | |||||||||||
| 21568 | David | Prior | Narcissus | 1999 | fixed media, akusmatisch | 11:34 | TU Berlin | 1 | |||||||||||
| 21567 | David | Prior | Plato's Cave | 1999 | fixed media, akusmatisch | 4:38 | TU Berlin | 1 | |||||||||||
| 19326 | David | Prior | somewhere submarine | 1996 | Zuspiel / Tonband, 1 perf | 15:20 | p [Piano] | 5 Teile. Auch zwei Versionen mit Text (Teil 3 und 1) | CEC Presence 2/ SCD 28046 Sargasso/ | BEAST | 1 | ||||||||
| 13357 | Bob | Pritchard | Flight Paths | 1988 | fixed media, akusmatisch | 9:00 | Stereo | 1989 | University of British Columbia | 0 | http://www.opusonemusic.net/pritchard/ | ||||||||
| 13358 | Bob | Pritchard | Twisted Mirror, Shattered Dream | 1993 | fixed media, akusmatisch | NeXT with ISPW, Csound | CEC DISContact_1/ | SFU | 1 | http://www.opusonemusic.net/pritchard/ | |||||||||
| 13356 | Bob, M. | Pritchard, Kropf | Escarpment Series | 1984 | Klangkunst, Installation | Stereo | Three touch-sensitive sound sculptures | Brock Uni ON | 21.09.1984 | Arts and Sciences Festival, North Bay, Ontario. | 0 | http://www.opusonemusic.net/pritchard/ | |||||||
| 13360 | Bernfried | Pröve | aufsteigend - sich bewegend | 1987 | fixed media, akusmatisch | 12:00 | HfM Freiburg | 0 | |||||||||||
| 22595 | Bernfried | Pröve | Triade | 1996 | Zuspiel / Tonband, 2 perf | fl, perc [Flöte, Schlagzeug] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 20690 | Aloof | Proof | The last Leaf | 1994 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | ASP 0966 / | 0 | ||||||||||
| 13361 | Anton van | Prooijen | Composition SNG | 1974 | Zuspiel / Tonband, 1 perf, 2 groups | Vs, ens [Stimme, Ensemble] | 0 | ||||||||||||
| 13362 | Anton van | Prooijen | N(umber) N(ine) | 1975 | Zuspiel / Tonband, 3 perf, 1 group | 10:00-16:00 | Vs, p, perc [Stimme, Piano, Schlagzeug] | 0 | |||||||||||
| 13363 | Anton van | Prooijen | Sea Fantasy | 1974 | Zuspiel / Tonband, 3 perf, 1 group | 8:00 | Vs, p, perc [Stimme, Piano, Schlagzeug] | 0 | |||||||||||
| 13364 | Anton van | Prooijen | XII000 MLS | 1974 | Zuspiel / Tonband, 1 perf, 2 groups | 16:00-20:00 | Vs, ens [Stimme, Ensemble] | 0 | |||||||||||
| 13365 | Kees van | Prooijen | De Onbesuysde Steenhoop | 1977 | fixed media, akusmatisch | 7:31 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 13366 | Michel | Propilosky | Rives | 1991 | Zuspiel, live-elec, | SONVS Lyon | 0 | ||||||||||||
| 33759 | Group | ProTon | RADIO - What Is It? | 2009 | radiophon | 8:56 | Stereo | EBU Ars Acustica 2009/ | Yleisradio | EBU Ars Acustica 2009 | 1 | ||||||||
| 13367 | Group, Ilkka, Mikko, Agnieszka, Pekka | ProTon, Toiviainen, Laakso, Waligorska, Sirén | Radio chaines | 1994 | radiophon | ProTon: Ilkka Toiviainen, Mikko Laakso, Agnieszka Waligorska, Pekka Sirén | Yleisradio | 1 | |||||||||||
| 13368 | Group, Ilkka, Mikko, Agnieszka, Pekka | ProTon, Toiviainen, Laakso, Waligorska, Sirén | Warriors - letters from the front | 1994 | radiophon | 28:10 | ProTon: Ilkka Toiviainen, Mikko Laakso, Agnieszka Waligorska, Pekka Sirén | Yleisradio | 1 | ||||||||||
| 13369 | Hervé | Provini | Duo | 1991 | live-elec, | Stereo | Music-Maker | ESPACE Genève | 0 | ||||||||||
| 27365 | Antonin | Provost | Bourrasques | 2007 | fixed media, akusmatisch | 8:23 | JTTP 2008 | CEC Cache 2008, PeP 013/ | 1 | http://cec.concordia.ca/jttp | |||||||||
| 13370 | Ginnette | Provost | Neptune | 1985 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 13371 | Ginnette | Provost | Saturn | 1985 | live-elec, 3 perf | Stereo | fl, V, gui [Stimme, Flöte, Gitarre] | 0 | |||||||||||
| 24700 | Daniel | Pruger | Symphonie für Waschmaschine | 2004 | fixed media, akusmatisch | 6:40 | JTTP 2004 | CEC Cache 2004, PeP 009/ | SFU | winner JTTP 2004 5. prize | 1 | ||||||||
| 33951 | Michal | Prynda | Adeu? | 2012 | fixed media, akusmatisch | 14:54:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 33952 | Michal | Prynda | Forma | 2013 | live-elec, 1 perf | 14:03:00 | Quadro | vc [Cello] | HfMT Köln | 0 | |||||||||
| 33953 | Michal | Prynda | Goodbye Underground | 2014 | Zuspiel / Tonband, 1 perf | 8:20:00 | Stereo | p [Piano] | HfMT Köln | 0 | |||||||||
| 33954 | Dariusz | Przybylski | Subkontur | 2007 | Zuspiel / Tonband, 1 perf | 10:25:00 | Quadro | perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 19217 | Paris | Psaros | The Knights Fight | fixed media, akusmatisch | CMJ Vol 21, 1997/ | 1 | |||||||||||||
| 13372 | Grazyna | Pstrokonska-Nawratil | Ymnodia | 1977 | Zuspiel / Tonband, 2 perf, 1 group | Vs, perc [Stimme, Schlagzeug] | 0 | ||||||||||||
| 39461 | Miller, Kerry | Puckette, Hagan | Who Was That Timbre I Saw You With? | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 13373 | Tom | Puckey | George Jackson Texts | 1971/1972 | Zuspiel / Tonband, 2 perf | Stereo | 2 Sp [Sprecher] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 13374 | Ursula | Pürrer | The Drift of Juicy | 1989 | audiovisuell | 10:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 13375 | Friedrich | Pütz | Studie | 1976/1977 | fixed media, akusmatisch | 2:53 | Quadro | HfMT Köln | 0 | ||||||||||
| 28225 | Roberto | Pugliese | Anamorphosis | 2007 | fixed media, akusmatisch | 9:35 | Octo | Aufstellung der 8 LS: paarweise li-re von vorne nach hinten. | 1 | https://soundcloud.com/sinthesys/anamorphosis | |||||||||
| 43200 | Roberto | Pugliese | Equilibrium Variant | 2011 | Klangkunst, Installation | (metal, Plexiglas, motors, electronic circuits) [] | Auszeichnung ars electronica honorary mention 2013 | 0 | http://www.robertopugliese.com/page22/page22.html | ||||||||||
| 31332 | Michel | Puig | Provosoires agglomérats | 1966 | Theatermusik | 29:10 | fem V, ch, 6 perc [Stimme, Schlagzeug, Chor] | PHI 836 892 DSY/ | INA • GRM | Strasbourg, Theâtre des Drapiers | 0 | ||||||||
| 25501 | Punkcan | Isolated Illusion | 2005 | fixed media, akusmatisch | 4:50 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 0 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 13376 | Kazimierz | Pyzik | 1.2M2.3.4 | 1980 | fixed media, akusmatisch | 12:20 | Quadro | SME Krakow | 0 | ||||||||||
| 13377 | Kazimierz | Pyzik | RANDOM MUSIK | 1981 | fixed media, akusmatisch | 1:07 | Stereo + Stereo | SME Krakow | 0 | ||||||||||
| 30125 | Yufen | Qin | Alltag oder Szenarien | 2004 | Klangkunst, Installation | PS Kirschke (sem) | 2004 | Baukunst-Galerie, Köln | 0 | ||||||||||
| 22532 | Yufen | Qin | Beautiful Violence | 2001 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory; Teil CD-ROM, Teil Audio-CD; Windows und Mac | MF 0002-2/ | PS Kirschke (sem) | 1 | ||||||||||
| 30127 | Yufen | Qin | Beijing 008- | 2008 | Klangkunst, Installation | PS Kirschke (sem) | 2008 | Art Projekt, Today Art Museum Beijing / China (Katalog) | 0 | ||||||||||
| 29904 | Yufen | Qin | Blaue Arie | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30123 | Yufen | Qin | China Fieber | 2003 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | PS Kirschke (sem) | 5.6.-6.7.2003 | singuhr hoergalerie Berlin | 0 | |||||||||
| 30115 | Yufen | Qin | Chinesischer Sommer | 1999 | Klangkunst, Installation | PS Kirschke (sem) | 1999 | Kunstlerhaus Schloß Wiepersdorf | 0 | ||||||||||
| 30113 | Yufen | Qin | Chinesischer Traum - Montag bis Sonntag | 1999 | Klangkunst, Installation | PS Kirschke (sem) | 1999 | Junge Kunst e.V. Wolfsburg (Katalog) | 0 | ||||||||||
| 30112 | Yufen | Qin | Chuan Xing, Durchschreiten | 1999 | Klangkunst, Installation | PS Kirschke (sem) | 1999 | KunstRaum München | 0 | ||||||||||
| 29905 | Yufen | Qin | chun xing | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 19064 | Yufen | Qin | Di Dao (Insel der Flöten) | 1996 | Klangkunst, Installation | 2:05 | Sonambiente Ausstellung (1996) Katalog S.121 |
ISBN 3-7913-1699 (Prestel)/ | PS Kirschke (sem) | 0 | |||||||||
| 30118 | Yufen | Qin | Du bist nicht fremd, du bist fremd | 2001 | Klangkunst, Installation | PS Kirschke (sem) | 2001 | Kunstverein Götringen (Katalog) | 0 | ||||||||||
| 30114 | Yufen | Qin | Du Guo, Zeit vergeht | 1999 | Klangkunst, Installation | PS Kirschke (sem) | 1999 | Kunstverrein Ulm (Katalog) | 0 | ||||||||||
| 30105 | Yufen | Qin | Feng He, Windlotos | 1994 | Klangkunst, Installation | PS Kirschke (sem) | 1994 | Projekt im Sommerpalast Beijing/ China | 0 | ||||||||||
| 30128 | Yufen | Qin | Fictive Architectur | 2009 | Klangkunst, Installation | PS Kirschke (sem) | 2009 | Joy Space in 798, Beijing / China | 0 | ||||||||||
| 29917 | Yufen | Qin | Fieber | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30124 | Yufen | Qin | Garten mit Aussicht | 2003 | Klangkunst, Installation | PS Kirschke (sem) | 2003 | Kunstverein Marburg | 0 | ||||||||||
| 29907 | Yufen | Qin | Heimat | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 29909 | Yufen | Qin | Insel der Zhang | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30116 | Yufen | Qin | Klanginstallation | 2000 | Klangkunst, Installation | PS Kirschke (sem) | 2000 | Baukunst-galerie, Köln | 0 | ||||||||||
| 29910 | Yufen | Qin | Legenden der Farbe | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 29918 | Yufen | Qin | liu shui | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 29919 | Yufen | Qin | Masken | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 29908 | Yufen | Qin | ming yue | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30119 | Yufen | Qin | Mirage | 2001 | Klangkunst, Installation | PS Kirschke (sem) | 2001 | Kunstverein Solothurn (Katalog) | 0 | ||||||||||
| 30117 | Yufen | Qin | Nicht Er, nicht sie | 2000 | Klangkunst, Installation | PS Kirschke (sem) | 2000 | Fine Art Rafael Vostell, Berlin | 0 | ||||||||||
| 30126 | Yufen | Qin | Nomad | 2005 | Klangkunst, Installation | PS Kirschke (sem) | 2005 | Art Projekt, Beijing Shi Du/ China | 0 | ||||||||||
| 29912 | Yufen | Qin | Papier | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30108 | Yufen | Qin | Pipa Xing | 1996 | Klangkunst, Installation | PS Kirschke (sem) | 1996 | Georg Kolbe Museum, Berlin (Katalog) | 0 | ||||||||||
| 30106 | Yufen | Qin | Qing Zhou, Schwebende Boote | 1996 | Klangkunst, Installation | PS Kirschke (sem) | 1996 | Sprengelmuseum Hannover (Katalog) | 0 | ||||||||||
| 29913 | Yufen | Qin | Regen | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 29914 | Yufen | Qin | san se | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30104 | Yufen | Qin | Shui Mo, Wasser und Tusche | 1986 | Klangkunst, Installation | PS Kirschke (sem) | 1986 | Heidelberger Kunstverein | 0 | ||||||||||
| 29920 | Yufen | Qin | strange home | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30120 | Yufen | Qin | Treibende Heimat | 2002 | Klangkunst, Installation | PS Kirschke (sem) | 2002 | Kunstmuseum Heidenheim (Katalog) | 0 | ||||||||||
| 30122 | Yufen | Qin | Volks Bühne | 2002 | Klangkunst, Installation | PS Kirschke (sem) | 2002 | Kunstverein Weitendorf | 0 | ||||||||||
| 29921 | Yufen | Qin | wu xing | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30109 | Yufen | Qin | Wu Yan De Feng, Schweigender Wind | 1997 | Klangkunst, Installation | PS Kirschke (sem) | 1997 | Fine Art Rafael Vostell,Berlin (Katalog) | 0 | ||||||||||
| 30110 | Yufen | Qin | Xing Yin, Walking Sound | 1998 | Klangkunst, Installation | PS Kirschke (sem) | 1998 | Stadtgalerie Saarbrücken (Katalog) | 0 | ||||||||||
| 29922 | Yufen | Qin | ye yan | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30111 | Yufen | Qin | Yin Song, Lesung | 1998 | Klangkunst, Installation | PS Kirschke (sem) | 1998 | Hörsaalruine des Medizinhistorischen Museum, Charité, Berlin | 0 | ||||||||||
| 30107 | Yufen | Qin | Yun Li, In Wolken treibend | 1996 | Klangkunst, Installation | PS Kirschke (sem) | 1996 | O.K Centrum für Gegenwartskunst, Linz/ Österreich (Katalog) | 0 | ||||||||||
| 29916 | Yufen | Qin | yutan chun | Klangkunst, Installation | PS Kirschke (sem) | 0 | |||||||||||||
| 30121 | Yufen | Qin | Zeit für Dialoge | 2002 | Klangkunst, Installation | PS Kirschke (sem) | 2002 | Kunsthalle Bremen | 0 | ||||||||||
| 34041 | Rainer | Quade | Das Mobile | 2000 | Zuspiel / Tonband, 1 perf | 11:10:00 | Stereo | t-sax [Saxophon] | Komposition für Tenorsaxophon und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 22513 | Rainer | Quade | Die Enden der Parabel | 1999 | Zuspiel / Tonband, 1 perf | 12:04 | Stereo | perc [Schlagzeug] | Von CD6 der Reihe Elektronische Musik der HfMT Köln | HfMT Köln CD6/ | HfMT Köln | 1 | |||||||
| 35512 | Daniel | Quaranta | O que nos olha | fixed media, akusmatisch | 3:05 | 0 | |||||||||||||
| 35513 | Daniel | Quaranta | What are yo see is wath you see | 2005 | fixed media, akusmatisch | 5 | 0 | ||||||||||||
| 13378 | Marco | Querzola | Villotta | 1986 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | S [Sopran] | CSC Padova | 0 | |||||||||
| 37208 | Brian | Questa | The Birth of Ymir | 2017 | live-elec, | 3:30:00 | (excerpt) (UA) | HfM Stuttgart | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 27799 | Charles | Quevillon | Au Boute | 2010 | fixed media, akusmatisch | 21:42 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP-Winner 2010 1. prize | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 28580 | Charles | Quevillon | Frette | 2009 | fixed media, akusmatisch | 12:44 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | 1 | ||||||||||
| 22047 | Douglas | Quin | Forests / Wälder | radiophon | 1:57 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 13379 | Douglas | Quin | Green Oropendola Kingdoms and Phyla III |
1992 | live-elec, 1 perf | 5:00 | V [Stimme] | Naturaufnahmen | MW 59/ | 0 | |||||||||
| 19005 | Douglas | Quin | Kingdom and Phyla 3 | 1993 | Klangkunst, Installation | 3:00 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 13380 | Douglas | Quin | Le Pendu | 1985 | Zuspiel / Tonband, 4 perf | 14:07 | cl, perc, V, synt [Stimme, Klarinette, Schlagzeug, synthesizer] | IPEM Gent | 0 | ||||||||||
| 39922 | Johannes | Quint | Magische Realismus | 2016 | fixed media, akusmatisch | qnt [Instrument] | Johannes Quint | 0 | |||||||||||
| 40307 | Ursel | Quint | Looking for Contact | 2016 | fixed media, akusmatisch | qnt [Instrument] | Ursek Quint | 0 | |||||||||||
| 40308 | Ursel | Quint | Troubled Bridge over Water | 2015 | fixed media, akusmatisch | 11:45:00 | Ursel Quint | 0 | |||||||||||
| 42896 | Ursel | Quint | Umschwaermt | 2013 | fixed media, akusmatisch | 8:33:00 | 0 | ||||||||||||
| 27188 | Hector | Quintanar | Diálogos | 1973 | Zuspiel / Tonband, 1 perf | 6:55 | p [Piano] | IRD 002 Irradia/ | Col.Princ EMC | 1973 | Vermont, Robert Miller (p) | 1 | |||||||
| 13381 | Hector | Quintanar | Mezcla | 1972 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 13382 | Hector | Quintanar | Opus #1 | 1971 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 13383 | Hector | Quintanar | Voz | 1972 | live-elec, 1 perf | Zuspiel/Tonband, 1 perf |
S [Sopran] | 0 | ||||||||||||
| 31638 | Yosvany | Quintero | Trozo | 1998 | live-elec, 1 perf | 6:00:00 | vn or cl, (elec) [Klarinette, Violine] | HSM Basel | 0 | ||||||||||
| 11233 | Young Joo | Quon | Etude | 1965 | fixed media, akusmatisch | 8:00 | Mono | Catholic Uni | 0 | ||||||||||
| 31579 | Simon, Frederic | Raab, Robinson | Improvisation | 2013 | live-elec, 1 perf | 8:00:00 | p [Piano] | next_generation 5.0 | HSM Basel | 0 | |||||||||
| 34438 | Dick | Raaijmakers | 3 Plastieken | 1961 | fixed media, akusmatisch | 7:20 | Mono | STEM Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 24999 | Dick | Raaijmakers | Ach! Ach! | 1987 | audiovisuell | 6:00 | political piece to the death of Mao at September 9nth 1976. With Slides | CV NEAR 10/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 13385 | Dick | Raaijmakers | Achter de schermen | 1960 | Film | 17:31 | Mono | educational industrial film showing the manufacture of TV-Screens | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Achter de schermen excerpt.mp3 | |||||||
| 36767 | Dick | Raaijmakers | Actio in distans | 1977/1979 | Klangkunst, Installation | Actio in Distans is de titel van een expositie van werken en ideeën van Dick Raaijmakers, gepland in 1979 in het Gemeentemuseum te Den Haag. |
Sonology Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 13386 | Dick | Raaijmakers | Aioon | 1964 | fixed media, akusmatisch | 6:00 | Stereo | PS C., PS Raaijmakers | 0 | ||||||||||
| 36764 | Dick | Raaijmakers | Anti qua Musica | 1989 | Klangkunst, Installation | Sonology Den Haag | 0 | ||||||||||||
| 24572 | Dick | Raaijmakers | Ballade Erlkönig voor luidsprekers, Ballade voor luidsprekers | 1967 | fixed media, akusmatisch | audiovisuell |
23:32 | Stereo | sounds are from short wave radiosignals. Goethe's Erlkönig" may be shown on slides. | CV NEAR 09/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 13396 | Dick | Raaijmakers | Bekaert, Het andere woord voor Staaldraad | 1966, 1996 | Film | 15:46 | Stereo | Filmmuziek 2; Name of the Film: "Het andere woord voor Staaldraad", Industry Film | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ CV NEAR 10/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 23748 | Dick | Raaijmakers | Bell Tune | 1963 | Film | 0:30 | Mono | for Philips educational films | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | PS C. | 1 | ||||||||
| 36818 | Dick | Raaijmakers | Cage Promenade, CAGE WANDELING MEIJENDEL | 1988 | Performance | 97 | 0 | ||||||||||||
| 13398 | Dick | Raaijmakers | Canon 1, super augere, Kanon 1 | 1964 | fixed media, akusmatisch | 5:11 | Mono | "nice-music"; made in Studio Bruynèl / Raaijmakers | CV NEAR 09/ Basta 30.9156-2/ | PS C., PS. Raaijmakers | 1 | http://thresholdofbeauty.com/music excerpts/Canon 1 – Super Augere excerpt.mp3 | |||||||
| 24571 | Dick | Raaijmakers | Canon 2, super imprimere, Kanon 2 Kanon II |
1964 | fixed media, akusmatisch | 5:16 | Mono | canon about printing | CV NEAR 09/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 13399 | Dick | Raaijmakers | Canon 3, super addere, Kanon 3 | 1965 | fixed media, akusmatisch | 2:31 | Mono | duration Sonology-tape: 4:15 | CV NEAR 09/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 13400 | Dick | Raaijmakers | Canon 4, super sub-trahere, Kanon 4 | 1965 | fixed media, akusmatisch | 6:54 | Mono | duration Sonology-tape: 8:30 | CV NEAR 09/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 13401 | Dick | Raaijmakers | Canon 5, super 'dis-moi...', Kanon 5 | 1965 | fixed media, akusmatisch | 6:02 | Mono | duration Sonology-tape: 6:50 | CV NEAR 09/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 34468 | Dick | Raaijmakers | Canon 6, Kanon 6 | 1967 | fixed media, akusmatisch | 7:45 | Stereo | PS Raaijmakers | 0 | ||||||||||
| 24574 | Dick | Raaijmakers | Chairman Mao is our Guide | 1970, 1996 | fixed media, akusmatisch | 8:00 | political piece | CV NEAR 10/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 36819 | Dick | Raaijmakers | Chinees Ballet | 1958/1959 | Tanz | 0 | |||||||||||||
| 23746 | Dick | Raaijmakers | Colonel Bogey | 1957 | fixed media, akusmatisch | 2:59 | Mono | Pseudonym Raaijmakers für Unterhaltungsmusik = Kid Baltan. After the movie “Bridge of the River Kwai“ |
Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ PHI 0816181/ PHI 3155382/ CDCD 5067/ | Philips Laboratories Eindhoven | 1 | ||||||||
| 36820 | Dick | Raaijmakers | COME ON ! | 1983/1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 23749 | Dick | Raaijmakers | Coppélia Tune | 1964 | Film | 0:30 | Mono | for Philips educational films | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | PS C. | 1 | ||||||||
| 13388 | Dick | Raaijmakers | Crystal Diode I | 1961 | Film | 20:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 13389 | Dick | Raaijmakers | De Bouwers van de Macht | 1964 | Theatermusik | 30:00 | Mono | PS C. | 0 | ||||||||||
| 13390 | Dick | Raaijmakers | De Grafische Methode | 1976 | Performance | STEIM | 0 | ||||||||||||
| 24575 | Dick | Raaijmakers | De Lange Mars | 1971, 1996 | live-elec, 8 perf | 21:00 | Mono | 8 perf (elec ens) [Performer] | political piece about the Long March; originally for 8 performers of "Cinese Violins" | CV NEAR 10/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 36758 | Dick | Raaijmakers | De Soundmen | 1984 | Musiktheater | 37:33 | 0 | ||||||||||||
| 36757 | Dick | Raaijmakers | De val van Mussolini - V, De val van Mussolini | 1994 - 1997 | Musiktheater | music theater piece + production | 0 | ||||||||||||
| 36756 | Dick | Raaijmakers | De Weergave | 1999 - 2002 | Performance | Sonology Den Haag | 0 | ||||||||||||
| 34466 | Dick | Raaijmakers | Dépons - Der Fall, Der Fall - Dépons | 1992 | Musiktheater | 45 | 2 actor [Schauspieler] | PS C. | 0 | ||||||||||
| 36759 | Dick | Raaijmakers | Der Fall | fixed media, akusmatisch | 0 | ||||||||||||||
| 24581 | Dick | Raaijmakers | Der Fall Leiermann | 1991 | Musiktheater | 10:13 | Mono | about Schubert's song "Der Leiermann". Played by a handdriven Taperecorder "Webcor". 2 parts |
CV NEAR 11/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 36765 | Dick | Raaijmakers | Die glückliche Hand - geöffnet Die glückliche Hand, DGH |
1992 - 1993 | Musiktheater | Stereo | Sonology Den Haag | 0 | |||||||||||
| 24582 | Dick | Raaijmakers | Du Armer! | 1993, 1996 | Performance | 6:58 | part of "Die glückliche Hand - geöffnet" (by Arnold Schönberg 1913). The pice is a Gesamtkunstwerk | CV NEAR 11/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 13391 | Dick | Raaijmakers | E.V.D. Klankdecor, EVD | 1966 | Hintergrundmusik | 13:00 | Mono + Stereo | PS C. | 0 | ||||||||||
| 13392 | Dick | Raaijmakers | Ein Reiterstück | 1966 | Film | 6:52 | Stereo | based on Klankdecor | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ | PS C. | 1 | ||||||||
| 36821 | Dick | Raaijmakers | Electronic Boogie - Woogie | 1958/1959 | fixed media, akusmatisch | 0 | |||||||||||||
| 36766 | Dick | Raaijmakers | Extase | 1984 | fixed media, akusmatisch | 15:35 | Mono | Sonology Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 34467 | Dick | Raaijmakers | Fanfares | 1995 | Zuspiel / Tonband, 5 perf | vc, 2 tpt, trbn, tuba [Trompete, Posaune, Tuba, Cello] | PS C. | 0 | |||||||||||
| 36822 | Dick | Raaijmakers | Fiets | Performance | 15:15:00 | 0 | |||||||||||||
| 13394 | Dick | Raaijmakers | Flux | 1967 | fixed media, akusmatisch | 9:40 | Stereo | CV NEAR 11/ Basta 30.9156-2/ | Con Den Haag, Sonology Utrecht | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 13395 | Dick | Raaijmakers | Fuel for the future | 1960 | Film | fixed media, akusmatisch |
12:14 | Mono | parts from "achter de schermen" and "mechanical Motions" | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Fuel for the Future excerpt.mp3 | |||||||
| 34440 | Dick | Raaijmakers | Het Leven | 1968 - 1972 | live-elec, | elec ens [Ensemble] | Het Leven ≈ elektro-instrumentaal ensemble - consisting of: Gilius van Bergeijk Annelies Dieudonné Kees van Hage Babet Mossel Dick Raaymakers (Raaijmakers) Pamela Thacker Hugo Timmer Victor Wentink Bob Zimmerman |
0 | |||||||||||
| 13397 | Dick | Raaijmakers | Het stenen bruidsbed | 1960 | Hintergrundmusik | Mono | for a novel by Mulisch; from Klankdecor | PHI 422564/ | Philips Laboratories Eindhoven | 0 | |||||||||
| 36823 | Dick | Raaijmakers | Hey - Hey ! | 1990 | Performance | 0:19:09 | 0 | ||||||||||||
| 36768 | Dick | Raaijmakers | Intona | 1992 | Performance | Sonology Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||||
| 40797 | Dick | Raaijmakers | Klankstudie over één motief | 1958 | Theatermusik | fixed media, akusmatisch |
test III performance | TH Delft | Toneelwerkgroep Test | 0 | ||||||||||
| 24579 | Dick | Raaijmakers | Kwartet | 1971, 1996 | Klanginstallation, live-elec, 8 perf | 20:50 | 4 perf, 4 assistent [Performer] | played on original stringins, educational piece | CV NEAR 11/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 13403 | Dick | Raaijmakers | Kwintet | 1972 | live-elec, 5 perf | 5 str [Streicher] | 0 | ||||||||||||
| 36824 | Dick | Raaijmakers | Laurel & Hardy - Kreten, Slagen ed. | fixed media, akusmatisch | 0 | ||||||||||||||
| 24578 | Dick | Raaijmakers | Lied van de Arbeid | 1976, 1994 | fixed media, akusmatisch | 1:53 | the "Internationale" is played very slowly by a small music box (a 100s slower) | CV NEAR 11/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 23747 | Dick | Raaijmakers | Limburg's National Anthem, Limburgsch Volkslied | 1960 | radiophon | 0:30 | Mono | Pausenzeichen | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | Philips Laboratories Eindhoven | Stichting Omroup Zuid, Maastricht | 1 | |||||||
| 24576 | Dick | Raaijmakers | Mao Leve! | 1977, 1996 | audiovisuell | 15:20 | political piece to the death of Mao at September 9nth 1976. With Slides | CV NEAR 10/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 36825 | Dick | Raaijmakers | Microman - Stemmen | fixed media, akusmatisch | 0 | ||||||||||||||
| 13405 | Dick | Raaijmakers | Mouvements | 1960 | Hintergrundmusik | Stereo | Philips Laboratories Eindhoven | 0 | |||||||||||
| 13406 | Dick | Raaijmakers | Nachtmuziek | 1969 | Zuspiel, Performance, 1 perf | ins, (waterfall) [Instrument] | 0 | ||||||||||||
| 36826 | Dick | Raaijmakers | OW - pluimen | fixed media, akusmatisch | 0 | ||||||||||||||
| 13407 | Dick | Raaijmakers | Pianoforte, Piano-Forte | 1960, 2003 | Zuspiel, live-elec, 1 perf | more then 20 | Mono | var perf [Performer] | playing inside piano (action-composing). Last piece realized at Philips-Lab by Raaijmakers |
CV 7803/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ CV NEAR 09/ BASTA 30-9182-2/ SR 164 sub rosa/ Basta 30.9156-2/ CDCD 5067/ Creel Pone 10/ SR 290 sub rosa/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Pianoforte excerpt.mp3 | ||||||
| 13408 | Dick | Raaijmakers | Piet-Muziek | 1968 | fixed media, akusmatisch | 10:00 | Mono | PS C. | 0 | ||||||||||
| 24580 | Dick | Raaijmakers | Ping-Pong | 1983 | Performance | 4:46 | from a game of table-tennis (with contact mics) | CV NEAR 11/ Basta 30.9156-2/ De Appel 3/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 13409 | Dick | Raaijmakers | Plumes | 1967 | fixed media, akusmatisch | 10:50 | Stereo | CV NEAR 11/ Basta 30.9156-2/ | Sonology Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 36827 | Dick | Raaijmakers | Probe | 1993 | fixed media, akusmatisch | 0:06:02 | 0 | ||||||||||||
| 36828 | Dick | Raaijmakers | Proefneming met een tabakspijp | 1998 | Performance | perf [Performer] | 14-16 Dec 1998 | TOUCH festival, Theater Frascati; introduction by Michel Waiszvis | 0 | ||||||||||
| 36829 | Dick | Raaijmakers | Quartet Cycle – GRAFISCH KWARTET, electricistrijkkwartet het elektries strijkkwartet strijkkwartet |
1967 - 1968 | Performance | 0 | |||||||||||||
| 13410 | Dick | Raaijmakers | Radiation I | 1963 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 13411 | Dick | Raaijmakers | Ronquières | 1964 | Film | 15:00 | Mono | PS C. | 0 | ||||||||||
| 13412 | Dick | Raaijmakers | S. C. - 3 | 1963 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 13413 | Dick | Raaijmakers | Schaakmuziek | 1971 | live-elec, 1 group | strs [Streicher] | STEIM | 0 | |||||||||||
| 34465 | Dick | Raaijmakers | Shell | 1960 | Film | Mono | PS C. | 0 | |||||||||||
| 36830 | Dick | Raaijmakers | Shhh! | fixed media, akusmatisch | 0 | ||||||||||||||
| 24573 | Dick | Raaijmakers | Sidmar | 1969, 1996 | Film | 7:43 | Mono | Filmmuziek 3; Industry Film. Rev. 1996; about belgian Steelmanufacture | CV NEAR 10/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 23750 | Dick | Raaijmakers | Sign Tune | 1964 | Film | 0:30 | Mono | for Philips educational films | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | PS C. | 1 | ||||||||
| 36831 | Dick | Raaijmakers | Spiel | 1952 | fixed media, akusmatisch | Mono | 0 | ||||||||||||
| 23751 | Dick | Raaijmakers | STER Tunes, Stertune voor Televisie Stertune |
1966 | radiophon | 0:09 | Stereo | 9 Pausenzeichen ca. 11 sec, STER Tune 9 ≈ 14 sec | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | PS C. | 1 | ||||||||
| 13416 | Dick | Raaijmakers | Strijkkwartet | 1971 | live-elec, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 37448 | Dick | Raaijmakers | T.V. buizen, Philips T.V. buizenfilm | Film | 0 | ||||||||||||||
| 36832 | Dick | Raaijmakers | Telemusik | 1966 | fixed media, akusmatisch | Mono | 0 | ||||||||||||
| 37433 | Dick | Raaijmakers | Theorie Canons | 1964 - 1967 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 13418 | Dick | Raaijmakers | Transistor I | 1963 | Film | Theatermusik |
20:00 | Mono | PS C. | 0 | ||||||||||
| 13420 | Dick | Raaijmakers | Tweeklank, Contrasts | 1959 | Film | 4:47 | Stereo | PHI 835056/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ CV NEAR 09/ Basta 30.9156-2/ BC 1118/ LS 86055/ CDCD 5067/ IDEAMA CD 043/ | Philips Laboratories Eindhoven | prize for young artists from the city of Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Tweeklank excerpt.mp3 | |||||||
| 24583 | Dick | Raaijmakers | Vier Fanfares | 1995, 1996 | Klangkunst, Installation | 6:35 | with large metal-blocks at an exhibition about Piet Mondriaan (collective music Theatre "De Promenoir") | CV NEAR 11/ Basta 30.9156-2/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 36751 | Dick | Raaijmakers | Vijf Canons, Five Canons | 1967 | fixed media, akusmatisch | Stereo | PS C. | 0 | |||||||||||
| 13384 | Dick | Raaijmakers | Vijf Plastieken, 5 Plastieken | 1961, 1996 | fixed media, akusmatisch | 7:42 | Mono | one of the first production in the new Sonology-Studio (STEM) at Utrecht University. 5 Movements. english title: 5 Sculptures. Rev. 1996 Influenced by Piet Mondriaan |
CV NEAR 09/ Basta 30.9156-2/ | STEM Utrecht | 1 | http://thresholdofbeauty.com/music excerpts/Vijf plastieken excerpt.mp3 | |||||||
| 36833 | Dick | Raaijmakers | VOLTA | 1995 | audiovisuell | 0 | |||||||||||||
| 36834 | Dick | Raaijmakers | Vuurwerk ! | 1952 - 1966 | fixed media, akusmatisch | 0 | |||||||||||||
| 13417 | Dick, Thomas | Raaijmakers, Arras | The art of Opening an exhibition | 1966 | Musiktheater | 30:00 | Mono | Kamertheater, happening. 4 parts | PS C. | 0 | |||||||||
| 13404 | Dick, Kid | Raaijmakers, Baltan | Mechanical Motions, The Ray Makers | 1960, 1966 | Film | fixed media, akusmatisch |
7:25 | Mono | Filmmuziek 1. Industry Film. Based on filmmusic "Achter de Schermen". Rev. 1996. C: version for tape alone without a voice-over! |
PHI 08168/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ CV NEAR 10/ Basta 30.9156-2/ PHI 430791/ | Philips Laboratories Eindhoven | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 23745 | Dick, Kid | Raaijmakers, Baltan | Night Train Blues | 1957 | live-elec, 3 perf | 3:31 | Mono | 3 oma [synthesizer] | Pseudonym Raaijmakers für Unterhaltungsmusik = Kid Baltan. With 3 Ondes Martenots |
Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Night Train Blues excerpt.mp3 | ||||||
| 13414 | Dick, Kid | Raaijmakers, Baltan | Song of the second moon, Electronische Rumba / Spoetnik Song | 1957 | fixed media, akusmatisch | 2:48 | Mono | Pseudonym Raaijmakers für Unterhaltungsmusik = Kid Baltan. This is the attempt to compose popular electronic music. There are two versions (with alternative endings) |
PHI 0816181/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ LS 86050/ PHI 315538/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4 (original Version 3:06)/ | Philips Laboratories Eindhoven, NatLab employee (PS C.) | 1 | http://thresholdofbeauty.com/music excerpts/Song of the Second Moon excerpt.mp3 | |||||||
| 36763 | Dick, Horst, Walter | Raaijmakers, Rickels, Maioli | fort klank - fort asperen labyrint van klank | 1993 | Musiktheater | Sonology Den Haag | 0 | ||||||||||||
| 13421 | Folke | Rabe | 20th Century Jazz Tribute | 1964 | fixed media, akusmatisch | 1:10 | Mono | PS C. Stockholm | 0 | ||||||||||
| 13422 | Folke | Rabe | Älskade lilla gris | 1986 | fixed media, akusmatisch | 20:57 | Stereo | For schoolchildren | EMS Stockholm | Rikskonserter | 0 | ||||||||
| 13423 | Folke | Rabe | ARG-N.Y. 3.5.65 / 4-5 p.m., ARGH! | 1965 | fixed media, akusmatisch | 6:30 | Stereo | KD 006/ | SanFran Tape M. C. | 0 | |||||||||
| 13425 | Folke | Rabe | Cyclone | 1985 | fixed media, akusmatisch | 10:10 | Stereo | PSCD 67 Phono Suecia/ | EMS Stockholm | Rikskonserter | 1 | ||||||||
| 13426 | Folke | Rabe | Elmus | 1964 | fixed media, akusmatisch | 1:00 | Mono | Uni Helsinki | 0 | ||||||||||
| 13428 | Folke | Rabe | Hommage A Mesmer | 1968 | fixed media, akusmatisch | 26:00 | 0 | ||||||||||||
| 36347 | Folke | Rabe | Joe’s Harp | 1977 | live-elec, 1 perf | 8:35 | hp [Harfe] | KD 006/ | 0 | ||||||||||
| 13429 | Folke | Rabe | Les fleurs africaines | 1964 | fixed media, akusmatisch | 9:05 | Mono | PS C. Stockholm | 0 | ||||||||||
| 13430 | Folke | Rabe | Mannen som övergav bilar | 1965 - 1967 | Film | 18:00 | Mono | SR Stockholm | 0 | ||||||||||
| 13432 | Folke | Rabe | Nybygget | 1984 | fixed media, akusmatisch | 4 compo | 0 | ||||||||||||
| 13433 | Folke | Rabe | Parades and Changes | 1965 | Musiktheater | var 100:00 | Stereo + Stereo + Stereo + Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 13434 | Folke | Rabe | Python | 1966 | fixed media, akusmatisch | 2:00 | Mono | HfM Stockholm | 0 | ||||||||||
| 13436 | Folke | Rabe | Supreme I | 1967 | fixed media, akusmatisch | 3:05 | Mono | HfM Stockholm | 0 | ||||||||||
| 13437 | Folke | Rabe | Supreme II | 1967 | fixed media, akusmatisch | 3:05 | Mono | HfM Stockholm | 0 | ||||||||||
| 13438 | Folke | Rabe | Sverige | 1964 | fixed media, akusmatisch | 4:00 | Mono | Uni Helsinki | 0 | ||||||||||
| 13439 | Folke | Rabe | Thank you ! | 1967 | fixed media, akusmatisch | 3:00-16:00 | 0 | ||||||||||||
| 13440 | Folke | Rabe | The World's most Radio | 1966 | Hintergrundmusik | 27:00 | Mono | HfM Stockholm | 0 | ||||||||||
| 13441 | Folke | Rabe | To the Barbender. A greeting to John Cage in 1982 | 1982 | fixed media, akusmatisch | 3:55 | Stereo | FYLP 1029/ KD 006/ | PS C. | 1 | |||||||||
| 13442 | Folke | Rabe | VA?? (WAS??, EH??) | 1967 | fixed media, akusmatisch | Zuspiel/Tonband, |
25:30 | Mono, Stereo | WER 60047/ dex 12/ | EMS Stockholm | 0 | |||||||||
| 13424 | Folke, Jan | Rabe, Bark | Cavetown Bump | 1968 | fixed media, akusmatisch | 8:40 | 0 | ||||||||||||
| 13435 | Folke, Jan | Rabe, Bark | Smolensk djetiami | 1968 | fixed media, akusmatisch | 10:00 | 0 | ||||||||||||
| 13431 | Folke, Jan, ThordJens Wilhelm | Rabe, Bark, Normann, Fuzzy, Pedersen | Narreskeppet / Das Narrenschiff, The Ship of Fools | 1983 | Musiktheater | intermedia |
75:00 | 4 actor, ins [Instrument, Schauspieler] | Nya Kulturkvartetten. After the story by Sebastian Brant. Gleichnamiger Film von Folke Rabe 1986, 42 Minuten |
CAP 21619/ | EMS Stockholm | 1 | http://www.fuzzy.dk/site/kulturkvartet.html | |||||||
| 13427 | Folke, Morton | Rabe, Subotnick | Fresno Drone | 1965 | fixed media, akusmatisch | 16:55 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 13443 | Aleksander | Rabinovitch | Happy end | 1974 | fixed media, akusmatisch | 25:00 | Stereo | Muzei Skryabina Moskva | 0 | ||||||||||
| 13444 | Günther | Rabl | 4 Skizzen zu den Erinnerungen an die verlorene Musik | 1990 | fixed media, akusmatisch | 12 | Mono | IGNM OO CD 003/ ccr 409/ | PS C. | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 32185 | Günther | Rabl | AIN'T THERE TV AFTER DEATH | 2005 | fixed media, akusmatisch | 13 | Stereo | Computermusic | ccr 302/ | PS C. | Auszeichnung ars electronica honorary mention 2007 | 0 | |||||||
| 13446 | Günther | Rabl | Atem, ein Denkmal, Breath | 1982 | fixed media, akusmatisch | 19:00 | Stereo, 15 tracks | ccr 403/ | PS C. | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 32186 | Günther | Rabl | BELCANTO | 2000 | fixed media, akusmatisch | 23 | Quadro | vocals: Alexandra Sommerfeld | PS C. | 0 | |||||||||
| 32187 | Günther | Rabl | BETIRI | 1988/1989 | fixed media, akusmatisch | 80 | Octo | speech opera after a novel by Werner Helwig | ccr 411/ | PS C. | 0 | ||||||||
| 32188 | Günther | Rabl | BETIRI SUITE | 2002 | fixed media, akusmatisch | 60 | Octo | from Betiri | ccr 404/ | PS C. | 0 | ||||||||
| 32189 | Günther | Rabl | BITTERSWEET | 1987 | fixed media, akusmatisch | 3 | 6 | ccr 404/ | PS C. | 0 | |||||||||
| 32190 | Günther | Rabl | DER ARME SPIELMANN | 1995 | fixed media, akusmatisch | 11 | 5 tracks | Computermusic | ccr 409/ | PS C. | 0 | ||||||||
| 32191 | Günther | Rabl | DIE RELATIVITÄTSTHERAPIE, 25 Vorschläge für eine neue Europa-Hymne | fixed media, akusmatisch | PS C. | 0 | |||||||||||||
| 32192 | Günther | Rabl | ETUDE IN GRAU | 1978/1979 | fixed media, akusmatisch | 30 | 10 Tracks | ccr 403/ | PS C., EMS Stockholm | 0 | |||||||||
| 32193 | Günther | Rabl | EVE | 1987/1988 | fixed media, akusmatisch | 7 | Quadro | ccr 404/ SR 220 sub rosa/ | PS C. | 0 | |||||||||
| 13447 | Günther | Rabl | Farewell Tempered Piano | 1991 | fixed media, akusmatisch | 42:00 | amadeo 437041/ | PS C. | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | |||||||||
| 32194 | Günther | Rabl | FOURIER AUF DER REISE NACH PRAG | 1996 | fixed media, akusmatisch | 8 | Stereo | ccr 410/ | PS C. | 0 | |||||||||
| 32195 | Günther | Rabl | FUNKENFLUG, Katharsis Part 2 | 1993 | fixed media, akusmatisch | 19 | Octo | ccr 405/ | PS C. | 0 | |||||||||
| 13448 | Günther | Rabl | Imps | 1991 | fixed media, akusmatisch | 4:00 | Quadro | ccr 409/ | PS C. | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 13449 | Günther | Rabl | Katharsis | 1991/1992 | fixed media, akusmatisch | 13:00 | Octo | ccr 405/ | PS C. | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 32196 | Günther | Rabl | KLEINE FUGE | 1988 | fixed media, akusmatisch | 2 | Quadro | ccr 404/ | PS C. | 0 | |||||||||
| 13450 | Günther | Rabl | Komposition in Klängen und Bildern I | 1978 | intermedia | 14:00 | Stereo | ELAK Wien | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | |||||||||
| 13451 | Günther | Rabl | Landschaft mit Pianist | 1986 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
34:00 | 3 tracks | p [Piano] | tape-version = "Landschaft" (Gulda) | ccr 404/ ccr 301/ | PS C. | 1986 | Konzerthaus Wien | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||
| 13452 | Günther | Rabl | Märchen | 1977 | fixed media, akusmatisch | intermedia |
15:00 | Stereo | also version with slides | ccr 401/ | PS C. | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | |||||||
| 32197 | Günther | Rabl | MITE E-LITE | 2001/2002 | fixed media, akusmatisch | 19 | 24 Tracks | ccr 302/ | PS C. | IEM Graz | 0 | ||||||||
| 13453 | Günther | Rabl | Mugl entsteigt 1. Teil | 1975/1976 | fixed media, akusmatisch | 25:00 | Mono | ccr 401/ | ELAK Wien | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 13454 | Günther | Rabl | Mugl entsteigt 2. Teil | 1975 | fixed media, akusmatisch | 19:15 | Stereo | ccr 401/ | ELAK Wien | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 13455 | Günther | Rabl | Nebengeräusche | 1982 | fixed media, akusmatisch | 30:00 | Stereo | ccr 201/ | EMS Stockholm | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 13456 | Günther | Rabl | Odyssee | 1991 | fixed media, akusmatisch | 45:40 | 18 parts | amadeo 437042/ | PS C. | 1 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 32198 | Günther | Rabl | PASSANTEN | 1996 | fixed media, akusmatisch | 17 | Stereo | ccr 410/ | PS C. | 0 | |||||||||
| 32199 | Günther | Rabl | PHANTASIE ÜBER DEN GOLDENEN SCHNITT | fixed media, akusmatisch | ccr 409/ | PS C. | 0 | ||||||||||||
| 32200 | Günther | Rabl | ROLLER | 1996 | Performance | 19 | Stereo | ccr 410/ | PS C. | 0 | |||||||||
| 32201 | Günther | Rabl | SPEEDUP CHOPIN | 2006 | fixed media, akusmatisch | 12 | Stereo | clavichord: Manon Liu Winter | PS C. | 0 | |||||||||
| 32202 | Günther | Rabl | STEINBUTT VARIATIONEN | 1993 | fixed media, akusmatisch | 10 | Stereo | Computermusic | ccr 409/ | PS C. | CVIRN | 0 | |||||||
| 13457 | Günther | Rabl | Styx, eine Fuge in Klängen und Bildern | 1985 | fixed media, akusmatisch | intermedia |
47:50 | Quadro | slides by R. Porstendorfer; für 4 Projektionen und 4 Lautsprechersysteme (in 2 Teilen) | AMP 003/ | PS C. | 1 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | |||||||
| 13458 | Günther | Rabl | Trio I | 1979 | fixed media, akusmatisch | 8:30 | 3 tracks | sounds from db & vc | ccr 403/ | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | ||||||||
| 13459 | Günther | Rabl | Trio II (Kanon, Rotation, Fuge) | 1988 | fixed media, akusmatisch | 7:00 | Stereo | PS C. | 0 | http://db.mica.at/composerdb/details/Composer/composer31322.asp?cat=composer&letter=r | |||||||||
| 32203 | Günther | Rabl | VON ANDEREN SONNEN | fixed media, akusmatisch | ccr 409/ | PS C. | 0 | ||||||||||||
| 32204 | Günther | Rabl | WERKTAG RAGA | fixed media, akusmatisch | PS C. | 0 | |||||||||||||
| 32205 | Günther | Rabl | WIDERWÄRTIG GUT | fixed media, akusmatisch | PS C. | 0 | |||||||||||||
| 36927 | Fabian | Racca | Screen murmurs | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | http://myspace.com/carbonoproyecto | ||||||||||
| 24913 | Rachmaninow, Saint-Saens, de Falla, Achron, Wyniawski, Strawinsky, Ravella, Glazunov | The Art of the Theremin, Classical Titels | live-elec, 2 perf | theremin, p [Piano, synthesizer] | with Clara Rockmore (Theremin), Nadia Reisenberg (p) | Delos DE / CD 1014/ CMJ Vol 30-4, 2006/ | 0 | ||||||||||||
| 13460 | Philippe | Racine | "... des espoirs ..." | 1991 | live-elec, 1 perf | 11:30 | e-fl [Flöte] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 13461 | Gilles | Racot | Apocalypse de Jean | 1987 | fixed media, akusmatisch | 58:30 | Stereo | INA • GRM | 0 | ||||||||||
| 13462 | Gilles | Racot | Arboral | 1981 | fixed media, akusmatisch | 20:36 | Stereo | INA • GRM | 0 | ||||||||||
| 26040 | Gilles | Racot | Chronomorphoses, Ronde Minérale Fureur étincelles Ombre d’hommes Mémoire de lune |
2002 - 2003 | fixed media, akusmatisch | 23:50 | 6 | INA • GRM | 1 | 2005 | |||||||||
| 13463 | Gilles | Racot | Concreato | 1985 | Zuspiel / Tonband, 3 perf | 22:00 | Stereo | 2 synt, perc [Schlagzeug, synthesizer] | 1. version | INA • GRM | 19.1.1981 | Paris, Maison de RadioFrance, Gd. Auditorium. L. Cuniot et C. Maudot : synthétiseurs, H. Kergomard : percussions | 0 | ||||||
| 31330 | Gilles | Racot | Concreato | 1985 | Zuspiel / Tonband, 2 perf | 22 | synt, proc vn [Violine, synthesizer] | 2. version | INA • GRM | 0 | |||||||||
| 13464 | Gilles | Racot | Diffluences | 1995 | Zuspiel / Tonband, 1 perf | 22:39 | Stereo | p [Piano] | 6 parts | INA C 2013/ | INA • GRM | 1 | 1996 | ||||||
| 13466 | Gilles | Racot | Exultitudes | 1985 | Zuspiel, live-elec, 1 perf | 23:33 | sax [Saxophon] | SYTER | INA C 2000/ INA ACM 1995/ | INA • GRM | 28.4.1986 | Paris, Maison de Radio-France, Gd. Auditorium, avec Daniel Kientzy | 1 | ||||||
| 13467 | Gilles | Racot | Germinal, Anamorphées | 1985 | fixed media, akusmatisch | 7:21 | Stereo | Part of Project "Germinal", computer-pieces | INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 1 | ||||||
| 13468 | Gilles | Racot | Immédiances | 1988/1989 | live-elec, 8 perf | 25:00 | Quadro | 5 perc, 3 cl [Klarinette, Schlagzeug] | QUATRON / PACOM and SUSIE | LIMCA Auch | 0 | ||||||||
| 13469 | Gilles | Racot | Jubilud'a | 1984 | Zuspiel / Tonband, 9 perf | 28:00 | Stereo | 6 V, fl, sax, vc [Stimme, Flöte, Saxophon, Cello] | INA • GRM | Radio France | 22.9.1984 | Royaumont Abbaye | 0 | ||||||
| 13470 | Gilles | Racot | Noctuel | 1988 | Zuspiel / Tonband, 1 perf | 15:50 | Stereo | bn [Fagott] | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 1 | ||||||||
| 13471 | Gilles | Racot | Organimal | 1982 | fixed media, akusmatisch | 31:40 | Stereo | INA • GRM | 30.5.1983 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 24729 | Gilles | Racot | Phonophonie | 1998 | fixed media, akusmatisch | 20:07 | INA C 2013/ | INA • GRM | 1 | ||||||||||
| 13472 | Gilles | Racot | Subgestuel | 1991 | live-elec, 6 perf | 22:00 | Stereo | 6 perc [Schlagzeug] | Syter; 4 parts | INA C 1034 27654 archives grm CD 4/5/ INA C 2013/ | INA • GRM | Les Percussions de Strasbourg | 1 | ||||||
| 24803 | Gilles | Racot | Vifs Instants | 1997 | Zuspiel / Tonband, 1 group | 17 | ens [Ensemble] | LDC 278065/66 Cultures Electroniques 11/ | INA • GRM | 0 | |||||||||
| 13473 | Irmfried | Radauer | Akoasmen | 1967 | fixed media, akusmatisch | 15:00 | Quadro | first FM-piece | CCRMA | 0 | |||||||||
| 13474 | Irmfried | Radauer | Aktion-Reaktion | 1968 | fixed media, akusmatisch | 12:00 | CCRMA | 0 | |||||||||||
| 13475 | Irmfried | Radauer | Bläserquintett | 1973 | computer generated score | com Partitur | SEM Salzburg | 0 | |||||||||||
| 13476 | Irmfried | Radauer | clair-obscure | 1961 | fixed media, akusmatisch | 7:00 | elektronisches Ballett | Siemens, SEM Salzburg | 0 | ||||||||||
| 13478 | Irmfried | Radauer | Die Kunst der Computer-Fuge | 1987/1988 | fixed media, akusmatisch | com - con fugues, canons and Interludes in variable number, form and tonal realization | SEM Salzburg | 0 | |||||||||||
| 13479 | Irmfried | Radauer | Donnerstag | 1959 | Theatermusik | 15:00 | ORF Salzburg | 0 | |||||||||||
| 13480 | Irmfried | Radauer | Euphorie, für großes Orchester | 1973 | computer generated score | ORF 0120156/ | SEM Salzburg | 1 | |||||||||||
| 13481 | Irmfried | Radauer | Evocation d'Ockeghem | 1977/1979 | Zuspiel / Tonband, 2 groups | 15:20 | 2 orc [Orchester] | amadeo 427040 Oesterreichische Musik Der Gegenwart: Elektronische Musik 2/ | CCRMA | Edition Gravis | 1 | ||||||||
| 13482 | Irmfried | Radauer | Faust 1 | 1961 | Theatermusik | 12:00 | Mono | SEM Salzburg | 0 | ||||||||||
| 13483 | Irmfried | Radauer | Kalligraphie | 1961 | fixed media, akusmatisch | 8:40 | Mono | with graphic by the composer | SEM Salzburg | 0 | |||||||||
| 13484 | Irmfried | Radauer | Kontraktion | 1974 | computer generated score, 1 group | orc [Orchester] | SEM Salzburg | 0 | |||||||||||
| 13485 | Irmfried | Radauer | Modelle | 1977/1978 | Zuspiel / Tonband, 2 perf | 12:00 | fl, hp [Flöte, Harfe] | CCRMA | 0 | ||||||||||
| 13487 | Irmfried | Radauer | My end is my beginning | 1968 | fixed media, akusmatisch | 60:00 | text by Robert Moran | CCRMA | 0 | ||||||||||
| 13488 | Irmfried | Radauer | Oasis I | 1976 | fixed media, akusmatisch | 12:00 | Stereo | CCRMA | 0 | ||||||||||
| 13489 | Irmfried | Radauer | Oasis II | 1976 | Zuspiel / Tonband, 1 group | 15:00 | ens [Ensemble] | CCRMA | 0 | ||||||||||
| 13490 | Irmfried | Radauer | Oasis III | 1977 | Zuspiel / Tonband, 1 group | 16:00 | ens [Ensemble] | CCRMA | 0 | ||||||||||
| 13491 | Irmfried | Radauer | Ockeghem 77 | 1977 | fixed media, akusmatisch | 13:00 | Stereo | CCRMA | 0 | ||||||||||
| 13492 | Irmfried | Radauer | Sinfonia possibile | 1972 | Zuspiel / Tonband, 1 group | ens [Ensemble] | SEM Salzburg | 0 | |||||||||||
| 13493 | Irmfried | Radauer | Sphärenmusik I | 1983 | fixed media, akusmatisch | Stereo | SEM Salzburg | 0 | |||||||||||
| 13494 | Irmfried | Radauer | Sphärenmusik II | 1985 | fixed media, akusmatisch | Stereo | SEM Salzburg | 0 | |||||||||||
| 13495 | Irmfried | Radauer | Sphärenmusik III | 1987 | fixed media, akusmatisch | Stereo | SEM Salzburg | 0 | |||||||||||
| 13496 | Irmfried | Radauer | Spiel um Job | 1958 | Theatermusik | 20:00 | ORF Salzburg | 0 | |||||||||||
| 13497 | Irmfried | Radauer | Streichquartett 14-3-71 | 1972 | computer generated score | SEM Salzburg | 0 | ||||||||||||
| 13498 | Irmfried | Radauer | Tetraeder | 1966/1968 | Zuspiel / Tonband, 12 perf | 17:00 | 12 ins [Instrument] | CCRMA´s 1st combination tape-live-ins | SEM Salzburg | 0 | |||||||||
| 13499 | Irmfried | Radauer | Trio | 1973 | fixed media, akusmatisch | computer generated score, 3 perf |
fl, vn, p [Flöte, Piano, Violine] | SEM Salzburg | 0 | |||||||||||
| 13477 | Irmfried, Josef Maria, Andor | Radauer, Horváth, Losonczy | Collage | 1962 | fixed media, akusmatisch | 7:30 | SEM Salzburg | 0 | |||||||||||
| 13486 | Irmfried, Josef Maria, Gerhard | Radauer, Horváth, Wimberger | Musik für die Felsenreitschule | 1977 | fixed media, akusmatisch | SEM Salzburg | 0 | ||||||||||||
| 37132 | Laurie | Radford | à la cire perdue | 2004 | fixed media, akusmatisch | 15:27 | IMED 0891/ | PS C. | Réseaux des arts médiatiques | 14.2.2003 | Rien à voir (15) concert series presented by Réseaux at Espace GO in Montréal | 0 | |||||||
| 13500 | Laurie | Radford | enclave | fixed media, akusmatisch | McGill MR 2001-01-2 Disc 2; McGill Studio 35th Anniversary/ | McGill Montréal | 1 | ||||||||||||
| 21542 | Laurie | Radford | Expelled Notions | 1985 | fixed media, akusmatisch | Synclavier; PROCAN | 1 | ||||||||||||
| 13501 | Laurie | Radford | Landlocked | 1990 | fixed media, akusmatisch | 3 | Stereo | Synclavier; Upic | IMED 9004/ IMED 9604/ | CEMAMu/ Ateliers Upic/ CCMIX, McGill Montréal | 1 | ||||||||
| 23203 | Laurie | Radford | les ponts de l'espace, line I triangle point I circle point II line II |
2001 | fixed media, akusmatisch | 7:15 | Stereo, Surround 5.1 | Cec Presence 3/ IMED 0891/ | PS C. | Edmonton Symphony Orchestra | 7.2.2001 | rESOund Festival of Contemporary Music at the Winspear Centre in Edmonton (Canada) | 1 | ||||||
| 37133 | Laurie | Radford | Mining Inference | 2003 | fixed media, akusmatisch | 3:05 | IMED 0891/ | PS C. | Group of the Electronic Music Studio | 3.10.2003 | Group of the Electronic Music Studio (GEMS)’s 20th anniversary celebrations at McGill University in Montréal | 0 | |||||||
| 13502 | Laurie | Radford | Minuit caché | 1985 | Zuspiel/Tonband, 2 perf | intermedia |
14:30 | Stereo | 2 perc, (lights) [Schlagzeug] | Synclavier | McGill 750038-2/ | McGill Montréal | 1 | |||||||
| 37134 | Laurie | Radford | Terms of Occupancy | 2004, 2005 - 2006 | fixed media, akusmatisch | 10:08 | Stereo, Surround 5.1 | IMED 0891/ | PS C. | 11.9.2004 | Harvest Moon Festival at the Oscar Peterson Hall at Concordia University in Montréal | 0 | |||||||
| 21541 | Laurie | Radford | The Invalidity of Monuments | 1984 | fixed media, akusmatisch | PROCAN | Montreal | 1 | |||||||||||
| 24205 | Laurie | Radford | Verb Tales | 2002 | fixed media, akusmatisch | 5:00 | Stereo | Discontact! III 2003 PeP 007/ IMED 0891/ | PS C. | 11.12.2002 | University of Alberta in Edmonton (Canada) | 1 | |||||||
| 13503 | Dusan | Radic | Ciniti cin | 1988 | fixed media, akusmatisch | 22:10 | Stereo | Radio Beograd | 0 | ||||||||||
| 13504 | Dusan | Radic | Electronic Meditations, elektronske meditacije | 1984/1985 | fixed media, akusmatisch | 10:08 | Stereo | with Synthi 100 | Radio Beograd CD 431333, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | ||||||||
| 13505 | Dusan | Radic | Oratorio Profano | 1975 | Zuspiel / Tonband, | Stereo | Radio Beograd | 0 | |||||||||||
| 37946 | Eliane | Radigue | ∑=a=b=a+b | 1969 | fixed media, akusmatisch | This set contains two copies of the same record packaged together so that sides A & B may be played simultaneously and be combined with each other at different speeds: 78 RPM, 45 RPM, 33 RPM or 16 RPM. | Povertech Industries PSP 001/ | 0 | https://www.discogs.com/de/Eliane-Radigue-%CE%A3-a-b-a-b/master/321291 | ||||||||||
| 13506 | Eliane | Radigue | Adnos, Prélude à Milarepa | 1974 - 1980 | fixed media, akusmatisch | 216:50 | Arp-Synt. 3 parts (ADNOS I - III); Adnos III = Prélude à Milarepa |
IMPREC 028/ INA 6060/74/ | 1974 1980 1982 |
Festival d'Automne, Paris Mills Collage Experimental Intermedia Foundation, New York |
0 | ||||||||
| 26240 | Eliane | Radigue | Arthesis | 1973 | fixed media, akusmatisch | 25:46 | Fringes Archive 01/ INA 6060/74/ imprec 464/ | Uni Iowa | 1973 | Theater Vanguard, Los Angeles | 0 | http://www.kalvos.org/radigue.html | |||||||
| 22576 | Eliane | Radigue | Biogenesis | 1973 | fixed media, akusmatisch | 21:06 | for ARP 2500 Synthesizer and heartbeats (by the foetus Anne und the mother Eliane) | MK CD 019/ INA 6060/74/ | CIRM Nice | 1974 | The Kitchen, New York | 1 | http://www.kalvos.org/radigue.html | ||||||
| 13507 | Eliane | Radigue | Chry-ptus, Chry-ptus I | 1971, 2001, 2006 | fixed media, akusmatisch | live-elec, 1 perf |
23:40 | Stereo + Stereo | perf [Performer] | school 2/ Infiné IF 4002/ INA 6060/74/ | Uni NY, CCMIX | 1971 | New York Cultural Art Center | 0 | http://www.kalvos.org/radigue.html | |||||
| 37937 | Eliane | Radigue | Chry-ptus II | 1971, 2006 | fixed media, akusmatisch | live-elec, 1 perf |
20:28 | Stereo + Stereo | perf [Performer] | school 2/ | 1971 | New York Cultural Art Center | 0 | http://www.kalvos.org/radigue.html | ||||||
| 37945 | Eliane | Radigue | Elemental I, Air - Vent Feu Terre - Eau - Pluie Mer |
2003 | fixed media, akusmatisch | 12:06 | Alga Marghen plana-R alga 029/ | PS Apsome | 0 | ||||||||||
| 37936 | Eliane | Radigue | Elemental II | 2004 | live-elec, 1 perf | 50 | e-gui [Gitarre] | r.o.s.a.01/ | 0 | ||||||||||
| 26836 | Eliane | Radigue | Elimination of Desires, 5 Songs of Milarepa Les Chants de Milarepa |
1976 | fixed media, akusmatisch | 17:21 | Performed (Arp synthesizer) and recorded by Eliane Radigue; Robert Ashley, English voice; Lama Kunga Rinpoche, Tibetan voice | LM- VR 2001, Lovely Music "Songs of Milarepa"/ INA 6060/74/ | 0 | http://www.kalvos.org/radigue.html | |||||||||
| 13508 | Eliane | Radigue | Geelriandre | 1972 | Zuspiel / Tonband, 1 perf | 30 | p [Piano] | Fringes Archive 01/ INA 6060/74/ | 1972 | Théatre de la Musique, Paris, | 0 | http://www.kalvos.org/radigue.html | |||||||
| 38910 | Eliane | Radigue | IMAfiction, portrait 04 | 2012 | Film | 84 | IMA portrait 04/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/portrait-08-electric-indigo/ | |||||||||
| 26839 | Eliane | Radigue | Jetsun Mila | 1986 | fixed media, akusmatisch | 64:25 | ARP-Synt, 2 parts | IMA portrait 04/ INA 6060/74/ | French Ministry of Culture | 0 | |||||||||
| 26242 | Eliane | Radigue | Kailasha, Trilogie de la Morte 2 | 1991 | fixed media, akusmatisch | 56:08 | Stereo | XI 119 Experimental Intermedia/ | 1991 | Experimental Intermedia Foundation, New York | 1 | http://www.kalvos.org/radigue.html | |||||||
| 26243 | Eliane | Radigue | Koumé, Trilogie de la Morte 3 | 1991 - 1993 | fixed media, akusmatisch | 51:17 | „O death, where is thy victory?“ | XI 119 Experimental Intermedia/ | CIRM Nice | 1993 | Mamac, Festival MANCA, Nice | 1 | http://www.kalvos.org/radigue.html | ||||||
| 20691 | Eliane | Radigue | Kyema, Trilogie de la Morte 1 | 1985 - 1988 | fixed media, akusmatisch | 61:22 | Stereo | … to my son, Yves Arman (lost his life by a car-accident) | XI 103 Experimemtal Intermedia/ XI 119 Experimental Intermedia/ | 1988 | New Langton Arts, San Francisco | 1 | http://www.kalvos.org/radigue.html | ||||||
| 37935 | Eliane | Radigue | L'ile Re-Sonante | 2000 | fixed media, akusmatisch | 55:04 | Shiiin 1/ INA 6060/74/ ARS 06/ | Auszeichnung ars electronica: Golden Nica 2006 | 0 | ||||||||||
| 26838 | Eliane | Radigue | Mila's Journey Inspired by a Dream, 5 Songs of Milarepa Les Chants de Milarepa |
1976 | fixed media, akusmatisch | 62:21 | Performed (Arp synthesizer) and recorded by Eliane Radigue; Robert Ashley, English voice; Lama Kunga Rinpoche, Tibetan voice | LM- VR 2002, Lovely Music "Songs of Milarepa"/ INA 6060/74/ | 0 | http://www.kalvos.org/radigue.html | |||||||||
| 26239 | Eliane | Radigue | Mila's Song in the Rain, 5 Songs of Milarepa Les Chants de Milarepa |
1976 | fixed media, akusmatisch | 19:10 | Performed (Arp synthesizer) and recorded by Eliane Radigue; Robert Ashley, English voice; Lama Kunga Rinpoche, Tibetan voice | LM- VR 2001, Lovely Music "Songs of Milarepa"/ INA 6060/74/ | 0 | http://www.kalvos.org/radigue.html | |||||||||
| 37938 | Eliane | Radigue | Naldjorlak, Naldjorlak I Naldjorlak II Naldjorlak III |
2006 | live-elec, 3 perf | 58:53 | vc, 2 cl (bassethorn) [Klarinette, Cello] | shiiin 3/ shiiin 9/ | 0 | ||||||||||
| 37944 | Eliane | Radigue | Occam, Occam River I Occam I Occam III Occam IV Occam Delta II |
2011 - 2012 | live-elec, 3 perf | 106:18 | hp, b-cl, va [Klarinette, Harfe, Viola] | shiiin eer 1/ | 0 | ||||||||||
| 37942 | Eliane | Radigue | Omnht | 1970 | fixed media, akusmatisch | 19:42 | Feedback | Alga Marghen plana-R alga 040/ | PS C. | 0 | |||||||||
| 37943 | Eliane | Radigue | Opus 17, Etude Maquette Epure Safari Number 17 |
fixed media, akusmatisch | Alga Marghen plana-R alga 045/ | 0 | |||||||||||||
| 13509 | Eliane | Radigue | Psi 847, Ψ 847 | 1973 | fixed media, akusmatisch | 71:30 | Stereo | 2 versions (concert, studio) | ORAL 57/ INA 6060/74/ | IMEB Bourges | 1973 | The Kitchen, New York | 0 | http://www.kalvos.org/radigue.html | |||||
| 13510 | Eliane | Radigue | Sept petites pièces pour un labyrinthe sonore | 1976/1977 | fixed media, akusmatisch | 0 | http://www.kalvos.org/radigue.html | ||||||||||||
| 13511 | Eliane | Radigue | Seventh Birth | 1972 | fixed media, akusmatisch | 1972 | New York | 0 | http://www.kalvos.org/radigue.html | ||||||||||
| 26835 | Eliane | Radigue | Song of the Path Guides, 5 Songs of Milarepa Les Chants de Milarepa |
1976 | fixed media, akusmatisch | 21:00 | Performed (Arp synthesizer) and recorded by Eliane Radigue; Robert Ashley, English voice; Lama Kunga Rinpoche, Tibetan voice | LM- VR 2001, Lovely Music "Songs of Milarepa"/ INA 6060/74/ | 0 | http://www.kalvos.org/radigue.html | |||||||||
| 37940 | Eliane | Radigue | Stress-Osaka | 1969 | fixed media, akusmatisch | 11:35 | Feedback | Alga Marghen plana-R alga 040/ | PS C. | 0 | |||||||||
| 26837 | Eliane | Radigue | Symbols for Yogic Experience, 5 Songs of Milarepa Les Chants de Milarepa |
1976 | fixed media, akusmatisch | 19:27 | Performed (Arp synthesizer) and recorded by Eliane Radigue; Robert Ashley, English voice; Lama Kunga Rinpoche, Tibetan voice | LM- VR 2001, Lovely Music "Songs of Milarepa"/ INA 6060/74/ | 0 | http://www.kalvos.org/radigue.html | |||||||||
| 26241 | Eliane | Radigue | Transamorem Transmortem | 1973 | fixed media, akusmatisch | 67:02 | ARP 2600 | IMPREC 337/ | 1974 | The Kitchen, New York | 0 | http://www.kalvos.org/radigue.html | |||||||
| 26238 | Eliane | Radigue | Trilogie de la Morte, Kyema Kailasha Koumé |
1988 - 1993 | fixed media, akusmatisch | 180 | Stereo | Kyema 61:07; Kailasha 56:09; Koumé 51:18 | XI 119 Experimental Intermedia/ INA 6060/74/ | 1 | http://www.kalvos.org/radigue.html | ||||||||
| 37939 | Eliane | Radigue | Triptych | 1978 | fixed media, akusmatisch | 61:37 | ARP 2500 Synthesizer A three-part composition: 17′47", 24′23", 19′27" |
IMPREC 260/ | PS C. | 0 | |||||||||
| 37941 | Eliane | Radigue | Usral | 1969 | fixed media, akusmatisch | 13:32 | Feedback | Alga Marghen plana-R alga 040/ | PS C. | 0 | |||||||||
| 33654 | Eliane | Radigue | Vice-Versa, etc… | 1970 | fixed media, akusmatisch | ad libitum | Mono, Stereo | Feedback on magnetic tape Duration: ad libitum |
IMPREC 259/ | PS C. | 1 | ||||||||
| 32634 | Werner | Raditschnig | Abtastungen | 2000 | live-elec, 1 perf | e-gui [Gitarre] | ORF CD/ | 0 | |||||||||||
| 32641 | Werner | Raditschnig | ALTO, et in terra pax | 2008/2010 | Klangkunst, Installation | 30 | 0 | ||||||||||||
| 32637 | Werner | Raditschnig | Aluphon „autoerotico stomp“ | 1998 | Performance | 0 | |||||||||||||
| 13512 | Werner | Raditschnig | autoerotico stomp | 1993 | intermedia, live-elec, 1 perf | perf (30 aluprofile,) (video, lights) [Performer] | 0 | ||||||||||||
| 13513 | Werner | Raditschnig | Der Eisenhammer | 1992 | Zuspiel / Tonband, 6 perf | (Eisenobjekte,) 2 V, 3 gui, Sp [Sprecher, Stimme, Gitarre] | 0 | ||||||||||||
| 13514 | Werner | Raditschnig | Der Sammler | 1993 | live-elec, 6 perf | 3 gui, 3 sam [Gitarre, computer] | 0 | ||||||||||||
| 13515 | Werner | Raditschnig | Die seltsamen Ereignisse … | 1985 | radiophon | ORF Kunstradio | 0 | ||||||||||||
| 32636 | Werner | Raditschnig | Elettrico | 1999 | Performance | ≈ 60 | 2 electropolychorde, vc [Cello, Streicher] | 0 | |||||||||||
| 32633 | Werner | Raditschnig | Feldflächen | 1997 | live-elec, 2 perf | 2 electropolychorde [Streicher] | 0 | ||||||||||||
| 13516 | Werner | Raditschnig | Karst | 1992 | Zuspiel / Tonband, 7 perf | vc, str (zither), gui, perc (steinperc), 3 V [Stimme, Gitarre, Schlagzeug, Cello, Streicher] | 0 | ||||||||||||
| 32635 | Werner | Raditschnig | Klangplatz | 2000 | Performance | 3 electropolychorde [Streicher] | 0 | ||||||||||||
| 32639 | Werner | Raditschnig | Madridtape | 2008 | Performance | 0 | |||||||||||||
| 13517 | Werner | Raditschnig | Nichts kommt von selbst | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 32640 | Werner | Raditschnig | ORT - Erinnern und Vergessen | 2011 | Performance, Zuspiel, live-elec, | (devices) [] | 0 | ||||||||||||
| 13518 | Werner | Raditschnig | Passagen | 1988/1989 | Zuspiel / Tonband, 5 perf | A, actor, trbn, e-gui, perc [Alt, Posaune, Gitarre, Schlagzeug, Schauspieler] | 0 | ||||||||||||
| 32642 | Werner | Raditschnig | Phosphonotop - Park der Frauen, Der Klang des Phosphonotops | 2006 | Klangkunst, Installation | n x 18 min | Musikalische Installationen für Frauenstimmklang 4 Hörstücke | 0 | |||||||||||
| 13519 | Werner | Raditschnig | Play Part I | 1975 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 32638 | Werner | Raditschnig | ROM | 2012 | Performance | audiovisuell |
Quadro | 3 V [Stimme] | 0 | |||||||||||
| 13520 | Werner | Raditschnig | Salzburger Gesänge | 1982 | fixed media, akusmatisch | 0 | |||||||||||||
| 13521 | Werner | Raditschnig | Seschelt | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 13522 | Werner | Raditschnig | Violindrama | 1990 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 13523 | Vladan | Radovanovic | Audiospacial | 1975/1978 | fixed media, akusmatisch | Zuspiel/Tonband, 1 group |
16:30 | Quadro | fem ch [Chor] | RTB 3130037/ | Radio Beograd | 1 | ||||||||
| 13524 | Vladan | Radovanovic | Computoria | 1977 | fixed media, akusmatisch | 8:13 | Mono | Sonology Utrecht | 0 | ||||||||||
| 26125 | Vladan | Radovanovic | Constellations, Sazvezda | 1997 | fixed media, akusmatisch | audiovisuell |
16:35 | Stereo | other version with 12 singers + AV | Radio Beograd CD 431333, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | ||||||||
| 13525 | Vladan | Radovanovic | Electra | 1974 | fixed media, akusmatisch | 10:04 | Stereo | RTB 2513/ | Radio Beograd | 1 | |||||||||
| 13526 | Vladan | Radovanovic | Elektronska Studija Nr. 1 | 1966 | fixed media, akusmatisch | 4:00 | Mono | ExpSt Warsaw, Radio Beograd | 0 | ||||||||||
| 13527 | Vladan | Radovanovic | Sferoön | 1966 | fixed media, akusmatisch | 8:00-16:00 | Radio Beograd | 0 | |||||||||||
| 13528 | Vladan | Radovanovic | The Eternal Lake | 1983/1984 | fixed media, akusmatisch | 24:00 | Stereo | Komuna – CD NEW SOUND 109/ | Radio Beograd | 0 | |||||||||
| 13529 | Vladan | Radovanovic | Timbral | 1987 | fixed media, akusmatisch | 9:30 | Stereo | Radio Beograd, MR Budapest | 0 | ||||||||||
| 13530 | Vladan | Radovanovic | Undine | 1985 | fixed media, akusmatisch | 7:15 | Stereo | Radio Beograd | 0 | ||||||||||
| 35331 | Vladan | Radovanovic | Voice from the Loudspeaker | 1975 | fixed media, akusmatisch | 5 | Mono | Radio Beograd | 0 | https://ultraschallberlin.de/aufsatz/vladan-radovanovic-voice-from-the-loudspeaker/ | |||||||||
| 13531 | Horatiu | Radulescu | Astray | 1983 | live-elec, 6 perf | 22:47 | 6 sax, (Sound Icons) [Saxophon] | op. 50 | ed. rz 1007/ | 1 | |||||||||
| 13533 | Horatiu | Radulescu | Beethoven’s Quasars | 150:00 | 0 | ||||||||||||||
| 13534 | Horatiu | Radulescu | Beyond's aura op. 44 | 1982 | fixed media, akusmatisch | 1 | |||||||||||||
| 13535 | Horatiu | Radulescu | Celpsydra, op. 47 | 1982 | live-elec, 16 perf | 24:22 | 16 ins [Instrument] | 16 ins ≈ „16 Sound Icons“ | ed. rz 1007/ | 1 | |||||||||
| 13537 | Horatiu | Radulescu | Conclusive Text op. 12a | 1985 | Zuspiel / Tonband, | Radio HR Frankfurt | 1 | ||||||||||||
| 13538 | Horatiu | Radulescu | Everlasting longings op. 13a | Zuspiel / Tonband, | 12:00 | 1 | |||||||||||||
| 13539 | Horatiu | Radulescu | Hierophony op. 16a | Zuspiel / Tonband, | 13:00 | 1 | |||||||||||||
| 13540 | Horatiu | Radulescu | Incandescent Serene | 1982 | Zuspiel / Tonband, 1 perf | 10:00 | db [Kontrabass] | IRCAM | 0 | ||||||||||
| 13542 | Horatiu | Radulescu | Intimate Rituals op. 63 | 1986 | live-elec, | 1 | |||||||||||||
| 33135 | Horatiu | Radulescu | Khufu's Serpent IV | 2001/2003 | live-elec, 1 group | 18:12 | ens [Ensemble] | new version. for ensemble and digital media. Published and copyright by Lucero Music publishers, Montreux www.mywebpage.netscape.com/uytarokh/horatiuradulescu.htm |
WJ 2003/ | Lucero Music publishers, Montreux | 1 | ||||||||
| 13543 | Horatiu | Radulescu | Lamento di Gesu | 1976 | Zuspiel / Tonband, | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 13541 | Horatiu | Radulescu | Streichquartett Nr. 4 op. 33, "infinite to be cannot be infinite" „Infinit a fi nu poate fi infinit“ |
1987 | Zuspiel / Tonband, 4 perf | 48:39 | str-qt (oder ein Streichquartett umgeben von einer imaginären 128-saitigen Viola da Gamba) [Streicher] | 8 str-qts on tape Inventionen 20.2.1989 Kammersaal Phil. |
ed. RZ 4002/ | 1 | 1989 | ||||||||
| 13544 | Horatiu | Radulescu | These occult oceans op. 41 | Zuspiel / Tonband, | 23:00 | 1 | |||||||||||||
| 23059 | Horatiu | Radulescu | Vetrata op. 83 | 1992 | live-elec, 24 perf | 24 V [Stimme] | WDR SEM | WDR 1991 | 0 | ||||||||||
| 20693 | Ami | Radunskaya | A wild and reckless Place | 1990 | live-elec, 1 perf | 8:33 | Stereo | vc, (radio baton) [Cello] | Mathews / Boie Radio Drum and Radio Baton | Centaur CRC 2190, CDCM Vol. 15/ | 1 | ||||||||
| 13545 | Jaan | Rääts | Electronic Marginalia | 1980 | fixed media, akusmatisch | 22:07 | Melodiya S10 16031-2/ | 0 | |||||||||||
| 13546 | Hans-Karsten | Raecke | Biotron | 1978 | fixed media, akusmatisch | 7:55 | Stereo | ExpSt Warsaw | 1 | 1985 | |||||||||
| 34167 | Hans-Karsten | Raecke | …denn wir sollten die Natur wieder lernen | 1993/1994 | Performance | p, V [Stimme, Piano] | CD: Recording from 1994, Klangwerkstatt Musiktage Mannheim | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | 1 | ||||||||||
| 13548 | Hans-Karsten | Raecke | Extracte 1- 4, für Klavier und obligaten Synthesizer | 1990 | live-elec, 2 perf | Stereo | p, synt [Piano, synthesizer] | Zeitkreis 2/ | PS Klangwerkstatt | 1 | |||||||||
| 13550 | Hans-Karsten | Raecke | Lichtbreitung | 1976 | Zuspiel / Tonband, 1 perf | e-org [Keyboard] | 0 | ||||||||||||
| 13551 | Hans-Karsten | Raecke | Luft - Druck - Zonen | 1982 | live-elec, 1 perf | ins (Metalluphon) [Instrument] | 1 | 1985 | |||||||||||
| 13553 | Hans-Karsten | Raecke | Musik für Blas-Metall-Dosenharfe | 1984 | live-elec, 1 perf | 9:00 | Stereo | ins (Blas-Metall-Dosen-Harfe) [Instrument] | Zeitkreis 1/ | PS Klangwerkstatt | 1 | ||||||||
| 13554 | Hans-Karsten | Raecke | Protonenaufgalopp | 1983/1984 | Zuspiel / Tonband, 1 perf | ins (Messingblasrohre) [Instrument] | 1 | 1985 | |||||||||||
| 22956 | Hans-Karsten | Raecke | Raster 4 | 1979 | Zuspiel, live-elec, | 1 | |||||||||||||
| 13555 | Hans-Karsten | Raecke | So ...? ein Warnlied | 1978/1981 | live-elec, 1 perf | ins (Bambuphon) [Instrument] | 1 | 1985 | |||||||||||
| 13556 | Hans-Karsten | Raecke | ... So? ... oder So | 1976 | Zuspiel / Tonband, 1 perf | ins (Bambuphon) [Instrument] | 0 | ||||||||||||
| 13558 | Hans-Karsten | Raecke | Technische Landschaft | 1976 | Zuspiel / Tonband, 1 perf | e-org [Keyboard] | 1 | 1985 | |||||||||||
| 13559 | Hans-Karsten | Raecke | Verbindungen, Verbindungen 1 - 3 | 1972 | Zuspiel / Tonband, 1 perf | ob [Oboe] | 0 | ||||||||||||
| 13560 | Hans-Karsten | Raecke | Wassermusik | 1979 | live-elec, 1 perf | perf (Gummiphon mit und ohne Wasser) [Performer] | 1 | 1985 | |||||||||||
| 13561 | Hans-Karsten | Raecke | Zu den Quellen | 1984 | live-elec, 1 perf | ins (Blas-Metall-Dosen-Harfe) [Instrument] | 1 | 1985 | |||||||||||
| 13549 | Hans-Karsten, Hugh | Raecke, Davies | Klangbild 1-8 | 1988 - 1994 | live-elec, 1 perf | je≈ 40:00 | (special) ins [Instrument] | Klangwerkstatt SM 500135/ | 1 | ||||||||||
| 22957 | Hans-Karsten, Hugh | Raecke, Davies | Klangbild 5 | 1991 | live-elec, 1 perf | 10:30 | Stereo | ins (Blas-Metall-Dosen-Harfe), (elec) [Instrument] | Klangwerkstatt SM 500135/ | PS Raecke | 1 | ||||||||
| 13552 | Hans-Karsten, Michael | Raecke, Ranta | MU 3 | 1982 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | MEN/ | 1 | |||||||||||
| 13562 | Godfried-Willem | Raes | Festival - Val | 1972 | fixed media, akusmatisch | 20:20 | Mono | IPEM Gent | 0 | ||||||||||
| 13563 | Godfried-Willem | Raes | Fuga Otto Nove | 1991 | live-elec, 2 perf | 7:19 | p, synt [Piano, synthesizer] | Fleyt, Maes | XI 117 experimental intermedia/ | Logos | 1 | ||||||||
| 35795 | Godfried-Willem | Raes | Herbst - für Köln geeignet | 1995 | live-elec, | 0 | |||||||||||||
| 13564 | Godfried-Willem | Raes | Hermétique | 1970 | fixed media, akusmatisch | 20:20 | Mono | IPEM Gent | 0 | ||||||||||
| 35591 | Godfried-Willem | Raes | Klangfiguren I | fixed media, akusmatisch | 04:00 | 0 | |||||||||||||
| 13565 | Godfried-Willem | Raes | Shifts | 1988 | live-elec, 1 perf | 11:06 | perc, (com) [Schlagzeug] | XI 117 experimental intermedia/ | Logos | 1 | |||||||||
| 20694 | Godfried-Willem | Raes | Spring '94 | 1994 | fixed media, akusmatisch | 4:43 | Stereo | XI 117 experimental intermedia/ | Logos | 1 | |||||||||
| 13566 | João | Rafael | l'air de l'air | 1991 | live-elec, 1 perf | 10 Tracks | MIDI [synthesizer] | Atari, sm, 2 ACM-Module, 10 LS | HfM Freiburg | 0 | |||||||||
| 13567 | João | Rafael | Ombres Croisées | 1999 | live-elec, 1 perf | 20:00 | MIDI [synthesizer] | Atari, 2 TX802 | miso records mcd 013/014/ | HfM Freiburg | 1 | ||||||||
| 13570 | Hjálmar Helgi | Ragnarsson | Experiment | 1975 | fixed media, akusmatisch | 0 | |||||||||||||
| 13571 | Hjálmar Helgi | Ragnarsson | Nocturne | 1977 | Zuspiel / Tonband, 2 perf | 18:12 | Quadro | a-fl, Mez [Mezzo, Flöte] | Sonology Utrecht | 0 | |||||||||
| 13568 | Joseph | Raguin | 33 337 | fixed media, akusmatisch | 11:25 | Stereo | AMEG: Geneva El. Mu. Ass. | AMEG - CD 01/ | C&C Annecy | 1 | |||||||||
| 13573 | Joseph | Raguin | Aria condizionata | 1987 | fixed media, akusmatisch | 12:30 | Collectif & Cie C 02/ | C&C Annecy | 0 | ||||||||||
| 13574 | Joseph | Raguin | Mavériana | 1984 | fixed media, akusmatisch | 8:00 | Collectif & Cie C 01/ | C&C Annecy | 1 | ||||||||||
| 36860 | George | Rahi | Hidden City | 2017 | fixed media, akusmatisch | 11:17:00 | 0 | ||||||||||||
| 13575 | John | Rahn | Kali | 1986 | fixed media, akusmatisch | 9:25 | Stereo | com M. | Centaur CRC 2144, CDCM Vol. 12/ | SMCC Seattle | 1 | ||||||||
| 13576 | John | Rahn | Miranda | 1990 | fixed media, akusmatisch | 13:15 | NeXT, txtcompo | Centaur CRC 2144, CDCM Vol. 12/ | 1 | ||||||||||
| 13577 | Patsy | Rahn | Trojan Horse | 1991 | Performance, live-elec, 1 perf | 3:40 | V [Stimme] | AER 1991 / 4/ | 1 | ||||||||||
| 13578 | Takayuki | Rai | 3 Inventions, Three Inventions Invention I Invention II Invention III |
1992 | live-elec, 4 perf | 13:27 | sax, db, p, hp [Saxophon, Piano, Harfe, Kontrabass] | ISPW | Centaur CRC 2255, CDCM Vol. 21/ | Kunitachi Tokyo | ICMA 1992 | 1 | |||||||
| 32176 | Takayuki | Rai | 3 unknown spaces | 1993 | Zuspiel / Tonband, 1 group | 14 | gamelan-ens [Ensemble] | 0 | |||||||||||
| 32183 | Takayuki | Rai | Active Figuration | 2009 | live-elec, 1 perf | 13 | vn, (com) [Violine] | FOCD 2574 Fontec/ | 0 | ||||||||||
| 32175 | Takayuki | Rai | Broken White | 1990 | Zuspiel / Tonband, 8 perf | 10 | 8 ins [Instrument] | 0 | |||||||||||
| 32184 | Takayuki | Rai | Discrete Transfer | 2012 | live-elec, 1 perf | 10:26 | p, (com) [Piano] | FOCD 2574 Fontec/ | 0 | ||||||||||
| 32179 | Takayuki | Rai | Facade | 2003 | live-elec, 1 perf | 11 | gui, (com) [Gitarre] | FOCD 2574 Fontec/ | 0 | ||||||||||
| 13580 | Takayuki | Rai | Five Inventions Accompanied by Computers | 1986 | Zuspiel, live-elec, 3 perf | 15:16 | cl, vc, p [Klarinette, Piano, Cello] | WER 2028; Computer Music Currents 8/ | Sonology Den Haag, AVRO-Studio | 0 | |||||||||
| 13579 | Takayuki | Rai | Four Inventions | 1988 | live-elec, 1 perf | 15:21 | p [Piano] | DMX 1010 | LDC 278049/50 Cultures Electroniques 4/ DAC 1210 Digital Art Creation/ | IMEB Bourges | 0 | ||||||||
| 32182 | Takayuki | Rai | horizontal stillness | 2009 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 32177 | Takayuki | Rai | Impulse | 1997 | live-elec, 1 perf | 23 | perc, (com) [Schlagzeug] | FOCD 2574 Fontec/ | 0 | ||||||||||
| 32174 | Takayuki | Rai | Isolation | 1980 | Zuspiel / Tonband, 1 perf | 11 | b-cl [Klarinette] | 0 | |||||||||||
| 24928 | Takayuki | Rai | Kinetic Figuration | 1994 | live-elec, 2 perf | MIDI p, synt [Piano, synthesizer] | ISPW | DAC 1210 Digital Art Creation/ | 0 | ||||||||||
| 32180 | Takayuki | Rai | Labyrinth | 2004 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 26041 | Takayuki | Rai | Lucent Aquarelle | 2001 | live-elec, 1 perf | 10:56 | hp [Harfe] | Ailing Sai (hp) | CMJ Vol 28, 2004/ FOCD 2574 Fontec/ | Media Art Festival 2001 at the Sizuoka University of Art and Culture in Japan | 2001 | Media Art Festival, Sizuoka University, Japan | ICMC 2002 in Gothenburg, Sweden | 1 | |||||
| 32178 | Takayuki | Rai | Mirage | 2000 | live-elec, 1 perf | 8 | koto, (com) [Streicher] | 0 | |||||||||||
| 13581 | Takayuki | Rai | Oran Canaigh, Canna Song | 1990 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 13582 | Takayuki | Rai | Pain for two computers, Pain | 1984 | fixed media, akusmatisch | 10:40 | Stereo | 2 com | DAC 1210 Digital Art Creation/ | Sonology Utrecht | 1 | ||||||||
| 18539 | Takayuki | Rai | Seven Refractions | 1995 | live-elec, 1 perf | 10:00 | fl [Flöte] | ISPW | DAC 1210 Digital Art Creation/ | IMEB Bourges | 0 | ||||||||
| 18538 | Takayuki | Rai | Sparkle | 1989 | Zuspiel / Tonband, 1 perf | 10:05 | b-cl [Klarinette] | LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | |||||||||
| 32181 | Takayuki | Rai | Time Flows | 2007 | live-elec, 3 perf | 13 | b-fl, perc, gui, (com) [Flöte, Gitarre, Schlagzeug] | 0 | |||||||||||
| 13583 | Takayuki | Rai | Transparency | 1985 | Zuspiel / Tonband, 1 perf | 8:10 | Stereo | hp [Harfe] | LDC 278043 Cultures Electroniques 1/ DAC 1210 Digital Art Creation/ | Sonology Utrecht | prize Bourges | 1 | |||||||
| 13584 | Slobodan | Raicki | Elstud | 1974 | fixed media, akusmatisch | 9:50 | Stereo | Radio Beograd | 0 | ||||||||||
| 38919 | Anna | Raimondo | Me, my English and all the languages of my life | 2015 | radiophon | 15:34 | ACSR Brüssel / ABC Creative Radio Unit | Prix Palma Ars Acustica 2017 | 0 | http://www.deutschlandfunkkultur.de/auszeichnung-fuer-klangkunst-palma-ars-acustica.1022.de.html?dram:article_id=351625 | |||||||||
| 19619 | Dante | Raitieri | Orfeo Xoboidua | 1989 | fixed media, akusmatisch | 12:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 41827 | Jeronimo | Rajchenberg | Jovel | 2001 | fixed media, akusmatisch | 2:44:00 | codemist ICMC2001/ | 0 | |||||||||||
| 13585 | Andrzej, Janusz | Rakowski, Piechurski | 2 Etiudy, Liryczna perkusja Ostatni rytm |
1957 | fixed media, akusmatisch | Mono | PWSM | 0 | |||||||||||
| 35389 | Paul | Ramage | Endroit/Envers | 2013 | fixed media, akusmatisch | 7:29:00 | MR 2014 Métamorphoses 2014/ | 0 | |||||||||||
| 39489 | Sameer A. | Ramchandran | Sand and Sky | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34665 | Mersid | Ramiĉević | Cooling The Music | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW. Copeco: Mersid Ramicevic |
0 | |||||||||||
| 34652 | Mersid | Ramiĉević | Music through spectacles, Cold Frame Prosthetic Voice Theodelitus |
2016 | live-elec, 3 perf | ob (and lupophone), p, com [Oboe, Piano, computer] | SMC2016 | 0 | |||||||||||
| 39376 | Felipe | Ramirez-Rodriguez | Reto | 2017 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 42654 | Izzi | Ramkissoon | Domesticated Animalia | 2009 | audiovisuell, live-elec, 1 perf | 8 | cl [Klarinette] | 0 | |||||||||||
| 42801 | Izzi | Ramkissoon | Kill Switch | 2012 | audiovisuell | 7:08:00 | Sarah Carrier | 0 | |||||||||||
| 19146 | Hal | Rammel | Afterthought (sonance in limbo) | 1994 | live-elec, | 5:53 | (sound palette) [] | AER 1994 / 6/ | 0 | ||||||||||
| 20695 | Hal | Rammel | Elsewheres | 1991 | live-elec, | 62:43 | Stereo | PM CD 001/ | 0 | ||||||||||
| 20696 | Hal | Rammel | Night alters Entrance | 1994 | live-elec, | 6:01 | Stereo | Autonomedia/ | 0 | ||||||||||
| 27210 | Manuel | Ramos | Descenso a Xibalba | fixed media, akusmatisch | 1 | ||||||||||||||
| 27211 | Manuel | Ramos | Voy con fuerza | Zuspiel / Tonband, 1 perf | sax [Saxophon] | 1 | |||||||||||||
| 36835 | Teresa | Rampazzi | Almost a Haiku | 1988 | fixed media, akusmatisch | 10:50:00 | Studio Verci - Bassano | 0 | |||||||||||
| 34473 | Teresa | Rampazzi | Ambiguita | 1986 | fixed media, akusmatisch | Quadro | V of F. Rampazzi, Yamaha DX7, Yamaha CX5 | CSC Padova | 0 | ||||||||||
| 13586 | Teresa | Rampazzi | Atmen wir noch | 1980 | fixed media, akusmatisch | 15:10 | Quadro | LDC 278070/71 Cultures Electroniques 13/ DS 9 Die Schachtel/ | CSC Padova | Mention Bourges 1980 | 1 | ||||||||
| 13587 | Teresa | Rampazzi | Breath | 1974 | fixed media, akusmatisch | 18:34 | 40 Tracks | Sonology Utrecht | 0 | ||||||||||
| 13588 | Teresa | Rampazzi | Computer Dances | 1978 | fixed media, akusmatisch | 10:30 | Quadro | CSC Padova | Mention Bourges 1978 | 0 | |||||||||
| 34469 | Teresa | Rampazzi | Crumbling | 1977 | fixed media, akusmatisch | 14:10 | Quadro | CSC Padova | 0 | ||||||||||
| 13589 | Teresa | Rampazzi | Danza Seconda | 1981 | fixed media, akusmatisch | 8:05 | Quadro | CSC Padova | 0 | ||||||||||
| 34471 | Teresa | Rampazzi | Donati un Haiku | 1987 | fixed media, akusmatisch | 10:50 | Quadro | St Vezci Bassano | 0 | ||||||||||
| 13590 | Teresa | Rampazzi | EKA | 1984 | fixed media, akusmatisch | 19:50 | Quadro | CSC Padova | 0 | ||||||||||
| 13591 | Teresa | Rampazzi | Fluxus | 1979 | fixed media, akusmatisch | 10:40 | Stereo | PAN PRC S20-16/ | CSC Padova | 1 | |||||||||
| 34472 | Teresa | Rampazzi | Forte Fantasmi | 1987 | fixed media, akusmatisch | 9:50 | Quadro | St Vezci Bassano | 0 | ||||||||||
| 36836 | Teresa | Rampazzi | Forte Fantasmi | 1988 | fixed media, akusmatisch | 9:50:00 | Studio Verci - Bassano | 0 | |||||||||||
| 13594 | Teresa | Rampazzi | Geometrie in Moto | 1982 | fixed media, akusmatisch | 11:40 | Quadro | CSC Padova | 0 | ||||||||||
| 13596 | Teresa | Rampazzi | La cattedrale | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 34470 | Teresa | Rampazzi | Melismi | 1976 | fixed media, akusmatisch | 7:50 | Quadro | CSC Padova | 0 | ||||||||||
| 13597 | Teresa | Rampazzi | Metamorfosi | 1981 | fixed media, akusmatisch | 8:30 | Quadro | DS 9/2 Die Schachtel Vinyl/ |
CSC Padova | 0 | |||||||||
| 37919 | Teresa | Rampazzi | Polifonie di Novembre | 1988 | fixed media, akusmatisch | 8:10 | AUD 04612/ | 0 | |||||||||||
| 13601 | Teresa | Rampazzi | Requiem per Ananda | 1982 | fixed media, akusmatisch | 8:15 | Quadro | CSC Padova | 0 | ||||||||||
| 13603 | Teresa | Rampazzi | Ritmi | 1978 | fixed media, akusmatisch | CSC Padova | 0 | ||||||||||||
| 13604 | Teresa | Rampazzi | Spettri | 1983 | fixed media, akusmatisch | 9:46 | Quadro | CSC Padova | 0 | ||||||||||
| 13605 | Teresa | Rampazzi | TAUMUS, Musikalischer Spass | 1975 | fixed media, akusmatisch | CNUCE-IEI/ | CNUCE Pisa | 0 | |||||||||||
| 12197 | TeresaGroup | RampazziNPS | Masse 2 | 1968 | fixed media, akusmatisch | 2:30 | DS 23 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 13599 | TeresaGroup | RampazziNPS | Modulo 4 | 1966 | fixed media, akusmatisch | 3:40 | Mono | DS 23 Die Schachtel/ | CSC Padova | 0 | |||||||||
| 13593 | Teresa, Memo, Group | Rampazzi, Alfonsi, NPS | Funzione 4 | 1966 | fixed media, akusmatisch | 2:30 | Mono | DS 23 Die Schachtel/ | Fonologia Padova | 0 | |||||||||
| 13606 | Teresa, Paolo | Rampazzi, Balladore | With the Light Pen | 1976 | fixed media, akusmatisch | 8:30 | Stereo | DS 9 Die Schachtel/ | CSC Padova | Mention Bourges, 1977 | 0 | ||||||||
| 33386 | Teresa, Ennio, Group | Rampazzi, Chiggio, NPS | Ipotesi 2 | 1965 | fixed media, akusmatisch | 5 | Mono | Fonologia Padova | 0 | ||||||||||
| 34474 | Teresa, Ennio, Group | Rampazzi, Chiggio, NPS | Meno per meno | 1973 | fixed media, akusmatisch | 15:15 | Stereo | CSC Padova | 0 | http://www.grupponps.it/ | |||||||||
| 13595 | Teresa, Serenella, Memo, Ennio, Gianni, Group | Rampazzi, Marega, Alfonsi, Chiggio, Meiners, NPS | Ipotesi 1 | 1965 | fixed media, akusmatisch | 4 | Mono | Fonologia Padova | 0 | ||||||||||
| 13602 | Teresa, Serenella, Memo, Ennio, Group | Rampazzi, Marega, Alfonsi, Chiggio, NPS | Ricercar 4 | 1965 | fixed media, akusmatisch | 5:00 | Mono | Fonologia Padova | 0 | ||||||||||
| 12201 | Teresa, Serenella, Memo, Gianni, Group | Rampazzi, Marega, Alfonsi, Meiners, NPS | Ritmo 3 | 1967 | fixed media, akusmatisch | 2:40 | CSC Padova | 0 | |||||||||||
| 13592 | Teresa, Serenella, Group | Rampazzi, Marega, NPS | Funzione 1, 3, 5, 5a | 1966 | fixed media, akusmatisch | Mono | Fonologia Padova | 0 | |||||||||||
| 12194 | Teresa, Serenella, Group | Rampazzi, Marega, NPS | Interferenza 1 | 1968 | fixed media, akusmatisch | 3:30 | CSC Padova | 0 | |||||||||||
| 13598 | Teresa, Serenella, Group | Rampazzi, Marega, NPS | Modulo 1 | 1966 | fixed media, akusmatisch | ≈ 2:00 | Mono | CSC Padova | 0 | ||||||||||
| 34475 | Teresa, Serenella, Group | Rampazzi, Marega, NPS | Modulo 2 | 1966 | fixed media, akusmatisch | 2:00 | Mono | CSC Padova | 0 | ||||||||||
| 34476 | Teresa, Serenella, Group | Rampazzi, Marega, NPS | Modulo 3 | 1966 | fixed media, akusmatisch | 2:00 | Mono | CSC Padova | 0 | ||||||||||
| 12199 | Teresa, Serenella, Group | Rampazzi, Marega, NPS | Ritmo 1 | 1967 | fixed media, akusmatisch | 3:00 | CSC Padova | 0 | |||||||||||
| 12200 | Teresa, Serenella, Group | Rampazzi, Marega, NPS | Ritmo 2 | 1967 | fixed media, akusmatisch | 3:00 | CSC Padova | 0 | |||||||||||
| 12193 | Teresa, Bohdan, Serenella, Group | Rampazzi, Mazurek, Marega, NPS | Dinamica 1 | 1968 | fixed media, akusmatisch | 3:00 | CSC Padova | 0 | |||||||||||
| 12195 | Teresa, Bohdan, Group | Rampazzi, Mazurek, NPS | Interferenza 2 | 1968 | fixed media, akusmatisch | 4:10 | DS 23 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 12196 | Teresa, Bohdan, Group | Rampazzi, Mazurek, NPS | Masse 1 | 1968 | fixed media, akusmatisch | 3:00 | DS 23 Die Schachtel/ | CSC Padova | 0 | ||||||||||
| 12198 | Teresa, Bohdan, Group | Rampazzi, Mazurek, NPS | Modulo 5 | 1967 | fixed media, akusmatisch | 2:30 | CSC Padova | 0 | |||||||||||
| 13600 | Teresa, Group | Rampazzi, NPS | Operativo 3 | 1966 | fixed media, akusmatisch | 3:55 | Mono | Fonologia Padova | 0 | ||||||||||
| 37240 | Josef | Ramsauer | ohne titel | 2017 | fixed media, akusmatisch | 5:00:00 | Quadro | SEM Salzburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 42773 | Ben | Ramsay | Volmet North | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 42538 | Momilani | Ramstrum | Gloved Water | 2008 | live-elec, 1 perf | V [Stimme] | Momilani Ramstrum, vocals | 0 | |||||||||||
| 40132 | Momilani | Ramstrum | Standing While Dreaming | 2015 | fixed media, akusmatisch | 6:42:00 | Momilani Ramstrum | 0 | |||||||||||
| 40131 | Momilani | Ramstrum | Stopped in Time | 2016 | fixed media, akusmatisch | Momilani Ramstrum | 0 | ||||||||||||
| 13607 | James K. | Randall | Lyric Variations | 1964 | Zuspiel / Tonband, 1 perf | 20:13 | vn [Violine] | Vanguard 10057/ IDEAMA CD 055/ | Col.Princ EMC | 0 | |||||||||
| 13608 | James K. | Randall | Mudgett: Monologues by a Mass Murderer | 1965 | fixed media, akusmatisch | 10:02 | Muisc IVB | nonesuch H 71245/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 056/ | Col.Princ EMC | 1 | |||||||||
| 13609 | James K. | Randall | Quartersines | 1969 | fixed media, akusmatisch | 1:49 | Fortran-Version of Muisc IVB | nonesuch H 71245/ IDEAMA CD 055/ | Col.Princ EMC | 1 | |||||||||
| 13610 | James K. | Randall | Quartets in Pairs | 1964 | fixed media, akusmatisch | 1:21 | Muisc IV | nonesuch H 71245/ IDEAMA CD 055/ | Col.Princ EMC | 1 | |||||||||
| 13611 | James K. | Randall | Variations | 1967 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | Col.Princ EMC | 0 | ||||||||||
| 33417 | Bernard | Rands | The Descendents of Cain | 1966 | radiophon | 10 | Mono | SUNY Albany | 0 | ||||||||||
| 13612 | Andras | Ranki | Dr. What on Earth | 1974 | Zuspiel / Tonband, 6 perf | fl, cl, bn, str-trio [Flöte, Klarinette, Fagott, Streicher] | Morley Coll | 0 | |||||||||||
| 13613 | György | Ránki | Simon Machard látomása | 1963 | Theatermusik | 4:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 13614 | Michael | Ranta | Algol-Rhythmen | 1968 | 0 | ||||||||||||||
| 26385 | Michael | Ranta | Aspects II | 1976 | live-elec, 4 perf | 18:00 | 3 perc, synt [Schlagzeug, synthesizer] | Feedback | 0 | ||||||||||
| 34541 | Michael | Ranta | Chanta Cka | 1973 | fixed media, akusmatisch | 30 | NHK Tokyo | 0 | |||||||||||
| 13615 | Michael | Ranta | Dimmer piece | 1974 | intermedia, 1 perf | perc [Schlagzeug] | lights | 1 | 1985 | ||||||||||
| 37454 | Michael | Ranta | Kagakuhenka | 1971 | fixed media, akusmatisch | 17:44 | OUOADM 0601/ | NHK Tokyo | 0 | ||||||||||
| 22958 | Michael | Ranta | Mu 2 | 1984 | live-elec, 2 perf | perc, several ins [Schlagzeug, Instrument] | MEN/ | PS | 1 | 1985 | |||||||||
| 13617 | Michael | Ranta | Transits II | 1975 | live-elec, 12 perf | 2 - 12 perc [Schlagzeug] | 1976 | Manila | Feedback | 0 | |||||||||
| 13618 | Michael | Ranta | Transits III | 1978 | live-elec, 1 perf | p [Piano] | 1978 | Tokyo | Feedback | 0 | |||||||||
| 25444 | Giueseppe | Rapisarda | Almaquae | 2001 | fixed media, akusmatisch | 8:13 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 24206 | Giueseppe | Rapisarda | FRDM | 2000 | fixed media, akusmatisch | 3:16 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 41500 | Giueseppe | Rapisarda | (h)ear | 2000 | fixed media, akusmatisch | 3:48 | HAG CD 02/ | 0 | |||||||||||
| 32495 | Kostia | Rapoport | claiming | 2010 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 26.11.2010 | Altes Forsthaus Habichtshorst, Winsen | 0 | |||||||||
| 32509 | Kostia | Rapoport | Fahrstuhlmusik | 2009 | live-elec, 1 perf | Stereo | elec [elektronik] | Incontri HMTM Hannover | 8.11.2009 | Sprengel Museum, Hannover | 0 | ||||||||
| 32527 | Kostia | Rapoport | Narration | 2009 | live-elec, 5 perf | ≈ 25:00-30:00 | 5 tracks | V, vn, acc, perc, Sp, (elec) [Sprecher, Stimme, Akkordeon, Schlagzeug, Violine] | Gesang, Violine, Akkordeon, Schlagzeug, | Incontri HMTM Hannover | 19.2.2009 | Fensterzurstadt-Theater, Hannover | 0 | ||||||
| 32547 | Kostia | Rapoport | Trennung / 1- Ouverture, 2- Zoom | 2006 | fixed media, akusmatisch | 3:30 | Stereo | Incontri HMTM Hannover | 24.1.2007 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 32548 | Kostia | Rapoport | Trennung / 3- Puls, 4- Strudel abwärts 5- Strudel aufwärts 6- Faden verloren 7- Opernslalom | 2007 | fixed media, akusmatisch | 3:30 | Stereo | Incontri HMTM Hannover | 23.6.2007 | ZKM, Karlsruhe | 0 | ||||||||
| 18903 | Paul | Rapoport | a study in fives | 1994 | fixed media, akusmatisch | 3:02 | HMSL | MW 60/ | 1 | ||||||||||
| 35622 | Jorge | Rapp | Tres momentos | fixed media, akusmatisch | 13:12 | Uni de la serena/ | 0 | ||||||||||||
| 24465 | Jorge Eduardo | Rapp | Alrededores | 2003 | fixed media, akusmatisch | 16:48 | LDC 2781131 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 13619 | Jorge Eduardo | Rapp | Break up | 1992 | fixed media, akusmatisch | 8:28 | Tarka CD 701/ | PS C. | 1 | ||||||||||
| 26042 | Jorge Eduardo | Rapp | Estudio Electrónico II | 1985 | fixed media, akusmatisch | 6:38 | LDC 278080 Cultures électroniques 19 2006/ | LIPM B.Aires | 1 | ||||||||||
| 26043 | Jorge Eduardo | Rapp | Otro tiempo, otro lugar … | 2005 | fixed media, akusmatisch | 6:47 | LDC 278080 Cultures électroniques 19 2006/ | Sound Lab | 1 | ||||||||||
| 38639 | Moritz von | RAPPARD | Kleiner Grenzverkehr | 2011 | radiophon | 54:49:00 | 0 | ||||||||||||
| 28298 | Oliver | Rappoport | Identitées | 2005 | fixed media, akusmatisch | 6:00 | Stereo | CONV 60/ | IRCAM | 1 | http://www.wix.com/oliverrappoport/rappoport | ||||||||
| 28299 | Oliver | Rappoport | Mini descarga, Minidescarga | 2007 | fixed media, akusmatisch | 1:00 | Stereo | IRCAM | 1 | http://www.wix.com/oliverrappoport/rappoport | |||||||||
| 32283 | Uwe | Rasch | Also könnte ich in dieser Hinsicht völlig beruhigt sein? | 2013 | live-elec, 1 perf | 16:07 | vc [Cello] | stock11 003/ | 0 | ||||||||||
| 42427 | Uwe | Rasch | klopfzeichen | Zuspiel / Tonband, 11 perf | ≈ 7:30 | fl, ob, cl, p, S, 4 str, 2 perc [Sopran, Flöte, Klarinette, Oboe, Piano, Schlagzeug, Streicher] | 4x3 Akteure mit Besenstiel o.ä., 3 Holzbläser (Flöte, Oboe, Klarinette), Piano, Sopran, 4 Streicher, Percussion I und II (Pauke, Brummtopf, zwei Ratschen, kleine Trommel, Vibraphon bzw. Glockenspiel, Knallerbsen, Ratter), Zuspiel Alle Stimmen – außer die der Klangakteure- sind fakultativ. Dennoch: hat man nicht genügend Streicher, besser alle weglassen; das gleiche gilt für Holzbläser. Die Holzbläser könnten auch durch zusätzliche Streicher ersetzt werden. |
0 | |||||||||||
| 34996 | Uwe | Rasch | versprecher | 2014 | Zuspiel / Tonband, 1 perf | counter-T [Tenor] | 26.11.2016 | Bremen, 19. Festival für zeitgenössische Musik | 0 | http://www.pgnm-festival.de/ | |||||||||
| 35337 | Uwe | Rasch | vierundzwanzig, vierundzwanzig zwölf/einundzwanzig drei |
2008 - 2014 | live-elec, 1 perf | 6:19 | sax [Saxophon] | Gruen 156/ Gruen 120/ | 0 | http://www.gruenrekorder.de/?page_id=14449 | |||||||||
| 22514 | Sunleif | Rassmussen | The Song of a child | 1997 | Zuspiel / Tonband, 1 perf | 11:52 | hp [Harfe] | "Harp & Computer" | DIEM Aarhus | 1 | |||||||||
| 37927 | Michal | Rataj | African Beauty in Berlin, Africká krása v Berlíně | 2003 | radiophon | 17:48 | Český Rozhlas, rAdioCUSTICA: an intermedia project by Czech Radio 3 - Vltava for the acoustic art domain |
radiocustica selected 2003/ | Czech Radio Prague | 0 | |||||||||
| 42330 | Michal | Rataj | Das Molyneux-Problem | 2017 | radiophon | 31:29 | Klangkunst von Katharina Schmitt, zum Thema Blinde | ORF | ORF | 0 | |||||||||
| 23031 | Michal | Rataj | …per saecula saeculorum…, Oratorium Electronicum | 2002 | fixed media, akusmatisch | 8:01 | CDR Musica Nova 2001/ | TU Berlin | Nova 2001 Category Czech Compositions | 1 | |||||||||
| 42954 | Michal | Rataj | Small Imprints | 2013 | live-elec, 1 perf | 5:00:00 | cl [Klarinette] | Esther Lamneck, clarinet | 0 | ||||||||||
| 26044 | Michal | Rataj | The Vitkov Oratorio | 2002 | fixed media, akusmatisch | TU Berlin | 1 | ||||||||||||
| 23098 | Maja Solveig Kjelstrup | Ratkje | Sinus Seduction (moods two) | 1997 | Zuspiel / Tonband, 1 perf | 10:05 | Quadro | sax [Saxophon] | Torben Snekkestad (sax) | ACD 5018 Aurora/ Russolo Pratella EF.ER.P 01/ | Prize Russolo Varese 2001 | 0 | |||||||
| 43154 | Maja Solveig Kjelstrup | Ratkje | Voice, Intro Joy Trio Octo Vacuum Dictaphone Jam Voice Chipmunk Party Interlude Acid Insomnia |
2003 | fixed media, akusmatisch | RCD 2028/ ARS 03/ | Auszeichnung ars electronica Award of Distinction 2003 | 0 | |||||||||||
| 40854 | Maja Solveig Kjelstrup | Ratkje | Vox | fixed media, akusmatisch | 13:23 | SR 250 sub rosa/ | 0 | ||||||||||||
| 18868 | Ulrich | Rattay | Augen Fällig | 1991 | fixed media, akusmatisch | 4:12 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records ART CD 001/ | Demo Deo, Köln | 1 | ||||||||
| 39111 | Weronika | Ratusinska | Concert for amplified violin, instrumental ensemble and tape | 2002 | Zuspiel / Tonband, 1 perf, 1 group | amp vn, ens [Violine, Ensemble] | 0 | ||||||||||||
| 39112 | Weronika | Ratusinska | Memory from Chamonix | 2002 | Zuspiel / Tonband, 4 perf | S, a-fl, perc, vn [Sopran, Flöte, Schlagzeug, Violine] | 0 | ||||||||||||
| 42166 | Milo | Rau | Hate-Radio, Hate Radio | 2013 | radiophon | 52:13 | WDR, ORF | 16.4.2013 | WDR, ORF | Hörspielpreis der Kriegsblinden 2014 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3564753&vi=3&SID | |||||||
| 13620 | Einojuhani | Rautavaara | Cantus arcticus | 1972 | Zuspiel / Tonband, | Yleisradio | 0 | ||||||||||||
| 20697 | Einojuhani | Rautavaara | The Myth of Sampo | 1994 | Zuspiel / Tonband, 1 perf, 1 group | 53:17 | Stereo | V, male ch [Stimme, Chor] | ODE 842/ | Yleisradio | 0 | ||||||||
| 13621 | Einojuhani | Rautavaara | True & False Unicorn | 1971 | Zuspiel / Tonband, | Yleisradio | 0 | ||||||||||||
| 20698 | Patrick | Ravella | Ceux qui s'interrogent | 1988 | fixed media, akusmatisch | 16:28 | Stereo | GMVL 013/ | GMVL Lyon | 0 | |||||||||
| 20699 | Patrick | Ravella | Petite leçon d'acousmatique | 1989 | fixed media, akusmatisch | 8:07 | Stereo | GMVL 013/ | GMVL Lyon | 0 | |||||||||
| 34773 | Jutta | Ravenna | 10n Operationen in 10 Stunden für die Sicherheit einer Stadt | 1996 | Klangkunst, Installation | Quadro | Kehrer Verlag ISBN 978-3-939583-23-3/ | TU Berlin | 20.9.-7.10.1996 | singuhr hoergalerie Berlin | 0 | ||||||||
| 4953 | Jutta | Ravenna | Arche Noah | 1994 | Klangkunst, Installation | ∞ | 10 Tracks | Klang-Installation in Brandenburg | T 5150 - degem01/ | TU Berlin | 12.-18.9.1994 | Brandenburg, Musiktage | 1 | ||||||
| 22684 | Jutta | Ravenna | CHIPMUSIC, Datenwand I und II | 1997 | Klangkunst, Installation | 5:58 | T 5150 - degem01/ | TU Berlin | 1 | ||||||||||
| 4955 | Jutta | Ravenna | Daten-Klang Fenster Feld 1 und 3 | 1995/1996 | Klangkunst, Installation | ∞ | Stereo | Datenklangfenster 3 auch bei BGNM-Fest "Musik und Licht" der BGNM im Podewil Berlin | TU Berlin | 1.-15.8.1995 3.-7.10.1995 |
Dom zu Brandenburg | 1 | |||||||
| 28731 | Jutta | Ravenna | Daten-Klangsäule (Feld 3), Daten-Klangfenster | 1998 | Klangkunst, Installation | ∞ | Stereo | Permanent-Installation | TU Berlin | 16.7.1998 | TU Berlin, Elektronisches Studio EN 324 | 0 | |||||||
| 21126 | Jutta | Ravenna | Daten-Klangsäule (Feld 3), "Hommage à Satie" | 1998 | Klangkunst, Installation | ∞ | 6 | TU Berlin | 3.7.-2.8.1998 | Bildhauersymposium Berlin-Hellersdorf | 0 | ||||||||
| 21127 | Jutta | Ravenna | Daten-Klangsäule (Feld 4) | 1998 | Klangkunst, Installation | ∞ | Stereo | TU Berlin | 0 | ||||||||||
| 21128 | Jutta | Ravenna | Daten-Klangsäule (Feld 4) "Welcome to this Church" | 1998 | Klangkunst, Installation | ∞ | 10 Tracks | im Rahmen des International Congress of Mathematicians, 18.8.-27.8.98 im TU-Mathematikgebäude | T 5150 - degem01/ | TU Berlin | 0 | ||||||||
| 28728 | Jutta | Ravenna | Datenklangfenster | 1996 | Klangkunst, Installation | ∞ | TU Berlin | 3.-20.2.1996 | Petrikapelle Brandenburg | 0 | |||||||||
| 22959 | Jutta | Ravenna | Dauerwelle | 1994 | Klangkunst, Installation | 7:00 | Klangobjekt mit 5 bzw. 1 Trockenhauben | TU Berlin | 1 | ||||||||||
| 22671 | Jutta | Ravenna | Feldwärme | 1995 | Klangkunst, Installation | ∞ | "Dom" | TU Berlin | 10.-24.11.1995 | TU Mathematikgebäude, im Rahmen von "Klangfenster '95" der INM Berlin | 1 | ||||||||
| 4954 | Jutta | Ravenna | InTakt | 1993 | Klangkunst, Installation | ∞ | Octo | Klanginstallation bei Forschungsmarkt Berlin | TU Berlin | 0 | |||||||||
| 4956 | Jutta | Ravenna | Klangstaub | 1995 | Klangkunst, Installation | ∞ | 10 Tracks | Pauli-Kloster Brandenburg | TU Berlin | 1.-18.9.1995 | Paulikloster Brandenburg | 1 | |||||||
| 4957 | Jutta | Ravenna | LEISELAUTE (Feld 3) | 1994 | Klangkunst, Installation | ∞ | Stereo | for "Intervall 94" in der HdK Berlin | Cybele 960.203/ DegeM CD 03/ T 5150 - degem01/ | TU Berlin | 7.-17.12.1994 | UdK Berlin, bei "Intervall '94" | 0 | ||||||
| 4958 | Jutta | Ravenna | Planeta, (weibliche Vokalsignale aus 2 Kontinenten zur Überwindung räumlicher Distanzen) | 1994 | Klangkunst, Installation | ∞ | Octo | TU Berlin | 25.-31.12.1994 | Petrikapelle Brandenburg | 0 | ||||||||
| 4959 | Jutta | Ravenna | Quagga | 1994 | Klangkunst, Installation | ∞ | 5 tracks | 5 Klangobjekte, Festival "Irrton" | TU Berlin | 0 | |||||||||
| 37756 | Jutta | Ravenna | SesamSesam | 2017 | Klangkunst, Installation | Tanz |
∞ | dancer [Tanz] | interaktive Klangskulptur. Also a dance-piece with the Soundsculptor by Tomoko Mio „Dancing Sound - Conducting Data“ |
BGNM | 0 | |||||||||
| 4960 | Jutta | Ravenna | Stoffwechsel | 1993 | Klangkunst, Installation | ∞ | Quadro | TU Berlin | 10.2.1993 | Foyer TU-Hauptgebäude | 0 | ||||||||
| 38422 | Jutta | Ravenna | Traum und Wahrheit | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 0 | |||||||||||||
| 13622 | Enrique | Raxach | A Rite of Perception | 1970/1971 | live-elec, 1 perf | ob [Oboe] | 0 | ||||||||||||
| 13623 | Enrique | Raxach | Chimaera | 1974 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | b-cl [Klarinette] | 0 | ||||||||||
| 13624 | Enrique | Raxach | Inside-Outside | 1968/1970 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 13625 | Enrique | Raxach | Interface from "The Esoteric Garden" | 1972 | Zuspiel / Tonband, 2 groups | 14:00 | ch, orc [Chor, Orchester] | 0 | |||||||||||
| 13626 | Enrique | Raxach | String Quartet no.2 | 1971 | live-elec, 4 perf | 18:00 | str-qt [Streicher] | 0 | |||||||||||
| 13627 | Robert | Rayher | Pièces de corps le corps complet |
1981 | fixed media, akusmatisch | 49:45 | Stereo | 0 | |||||||||||
| 23770 | Philippe | Raynaud | Libre | 1997 | Zuspiel / Tonband, 1 perf | 16:22 | Stereo | vn [Violine] | CDMC 27255 ACL2002 Aclama/ | INA • GRM | J. Leber | 1 | |||||||
| 20139 | Andy, Fats | Razaf, Waller | Ain't Misbehavin all the Way | 1993 | live-elec, 1 group | 7:30 | Stereo | ens [Ensemble] | TLR 02 Track & Light/ | 0 | |||||||||
| 13628 | Fausto | Razzi | A voi che lavorate sulla terra | 1982 | Zuspiel / Tonband, 1 perf | 15:30 | Mono | V [Stimme] | PAN PRC S20-18/ | CSC Padova | Biennale Venezia | 1 | |||||||
| 13629 | Fausto | Razzi | Progetto Secondo | 1980 | fixed media, akusmatisch | 12:00 | Mono | PAN PRC S20-16/ | CSC Padova | Biennale Venezia | 1 | ||||||||
| 33955 | Josef | Rebbe | Acqua | 2001 | live-elec, 2 perf | 19:40:00 | Quadro | ins, synt, (com) [Instrument, synthesizer] | Simon Rummel, Wasserinstrumente, Josef Rebbe, EMS-Synthesizer, Manfred Rücker, Effektgeräte | HfMT Köln | 0 | ||||||||
| 33956 | Josef | Rebbe | ARP 2002 | 2002 | fixed media, akusmatisch | 10:24:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 20993 | Pedro | Rebelo | 3 shorts about Noise and Rhythm | 1998 | fixed media, akusmatisch | 3:13 | Stereo | innova 115/ ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 28296 | Pedro | Rebelo | An Instrument of Dissection | 2005 | fixed media, akusmatisch | 7:33 | Stereo | 1 | |||||||||||
| 35381 | Pedro | Rebelo | Exposure 4.1 | 2010 | live-elec, 4 perf | 9:25 | 4 sax [Saxophon] | CQB 1618/ | 0 | ||||||||||
| 36394 | Pedro | Rebelo | Forking Paths virtual Mix | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 24207 | Pedro | Rebelo | Four more Sho(r)ts - I | 2002 | fixed media, akusmatisch | 4:14 | Discontact! III 2003 PeP 007/ | SARC Belfast | 0 | ||||||||||
| 25003 | Pedro | Rebelo | Tabacaria [boxed] | 2002 | fixed media, akusmatisch | 10:14 | text composition from Fernando Pessoa | miso records mcd 013/014/ | 1 | ||||||||||
| 33010 | Tobias | Reber | Blech | 2009 | fixed media, akusmatisch | 8:57:00 | IAPETUS/ | PS C. | 1 | ||||||||||
| 33012 | Tobias | Reber | Container | 2009 | fixed media, akusmatisch | 4:47:00 | IAPETUS/ | PS C. | 1 | ||||||||||
| 33011 | Tobias | Reber | Geisterer | 2009 | fixed media, akusmatisch | 10:57:00 | IAPETUS/ | PS C. | 1 | ||||||||||
| 33013 | Tobias | Reber | Glocker | 2009 | fixed media, akusmatisch | 7:11:00 | IAPETUS/ | PS C. | 1 | ||||||||||
| 33009 | Tobias | Reber | Mundane Concerns | 2009 | fixed media, akusmatisch | 4:02:00 | IAPETUS/ | PS C. | 1 | ||||||||||
| 33014 | Tobias | Reber | We Wonder | 2009 | fixed media, akusmatisch | 12:38:00 | IAPETUS/ | PS C. | 1 | ||||||||||
| 21980 | Rune | Rebne | Hvileskjær | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21981 | Rune | Rebne | Ooids | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 13630 | Herman | Rechberger | A Midsummer Night’s Dream | 1981 | Theater, 1 group | 70:00 | ens [Ensemble] | Yleisradio | 0 | ||||||||||
| 13631 | Herman | Rechberger | Conjurations (Loitsut) | 1974 | Zuspiel / Tonband, 1 perf, 1 group | 10:22 | S, ens [Sopran, Ensemble] | Yleisradio | 0 | ||||||||||
| 13632 | Herman | Rechberger | Consort Music I | 1974/1976 | Zuspiel / Tonband, 1 perf, 1 group | 20:00 | rec, orc [Flöte, Orchester] | Tactus TA 8103/ | Yleisradio | 0 | |||||||||
| 13633 | Herman | Rechberger | Cordamix | 1978 | fixed media, akusmatisch | 6:03 | FENO 5/ | Yleisradio | 1 | ||||||||||
| 13634 | Herman | Rechberger | ES | 1979 | Zuspiel, live-elec, 1 perf | 9:00 | tpt [Trompete] | Yleisradio | 0 | ||||||||||
| 13635 | Herman | Rechberger | KV 622 IIbis | 1978 | Zuspiel / Tonband, 1 perf | 9:00 | cl [Klarinette] | Yleisradio | 0 | ||||||||||
| 13636 | Herman | Rechberger | Le Balcon | 1984/1985 | Theatermusik | 70:00 | Yleisradio | 0 | |||||||||||
| 13637 | Herman | Rechberger | Magnus Cordius - Entries in a Diary | 1985 | Radiokunst, 3 groups | 40:00 | ch, ens, orc [Ensemble, Chor, Orchester] | Yleisradio | 0 | ||||||||||
| 13638 | Herman | Rechberger | Mayenzeit one neidt | 1974 | live-elec, 4 perf | 11:40 | fl, vn, vc, db, (metronome) [Flöte, Cello, Violine, Kontrabass] | Yleisradio | 0 | ||||||||||
| 13639 | Herman | Rechberger | Moldavia | 1982 | fixed media, akusmatisch | 15:00 | Yleisradio | 0 | |||||||||||
| 13640 | Herman | Rechberger | Naród | 1978 | fixed media, akusmatisch | 11:00 | Stereo | Yleisradio | 0 | ||||||||||
| 13641 | Herman | Rechberger | Oedipus Rex | 1980 | Theatermusik | 20:00 | Yleisradio | 0 | |||||||||||
| 13642 | Herman | Rechberger | Pekka Mikkosen nousu (The Rise of Jonathan Smith) | 1976/1978 | radiophon | 24:25 | Yleisradio | 0 | |||||||||||
| 13643 | Herman | Rechberger | Pre-inter-postludium | 1975 | live-elec, 1 perf | 10:00 | a-rec [Flöte] | Yleisradio | 0 | ||||||||||
| 13644 | Herman | Rechberger | Rasenie jari, Frühlingsrauschen | 1984 | fixed media, akusmatisch | 10:00 | Stereo | Jase LP 0011/ | CECM Bratislava | 1 | |||||||||
| 13645 | Herman | Rechberger | Sirba | 1982 | Zuspiel / Tonband, 4 perf | 16:02 | 4 cl [Klarinette] | Yleisradio | 0 | ||||||||||
| 13646 | Herman | Rechberger | Solstenen (Sunstone) | 1985/1986 | Fernsehen, 2 groups | 75:00 | ch, ens [Ensemble, Chor] | Yleisradio | 0 | ||||||||||
| 13647 | Herman | Rechberger | Soundscape - with horses | 1985 | fixed media, akusmatisch | 10:40 | MR Budapest | 0 | |||||||||||
| 13648 | Herman | Rechberger | Spoon River | 1981/1982 | Theatermusik | 45:00 | Yleisradio | 0 | |||||||||||
| 13649 | Herman | Rechberger | The Vision of Tondal | 1980/1981 | Zuspiel, live-elec, 1 perf | 11:00 | rec, slides [Flöte] | Yleisradio | 0 | ||||||||||
| 13650 | Herman | Rechberger | Treis Mythoi | 1982 | Zuspiel / Tonband, 2 perf, 1 group | adlib | recs, shawm [Flöte, Bläser] | Yleisradio | 0 | ||||||||||
| 13651 | Herman | Rechberger | Valtakunnan rakentaja (Forgers of the Nation) | 1981 | Theatermusik | 10:00 | Yleisradio | 0 | |||||||||||
| 13652 | Herman | Rechberger | Venezia | 1985 | Zuspiel / Tonband, 1 group | 27:00 | orc [Orchester] | Yleisradio | 0 | ||||||||||
| 13653 | Herman | Rechberger | Voyage | 1982 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | (folk) ins, ens [Instrument, Ensemble] | Yleisradio | 0 | ||||||||||
| 13654 | Herman | Rechberger | Zin Kibaru | 1977 | Zuspiel / Tonband, 2 perf, 1 group | 35:00 | 2 V, ens [Stimme, Ensemble] | Yleisradio | 0 | ||||||||||
| 42167 | Adolf | Rechenberg | Ein Phonograph als Geschenk | 1899 | radiophon | PS C. | 0 | ||||||||||||
| 37237 | Martin | Recker | leaps | 2016 | fixed media, akusmatisch | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 40009 | Lauren | Redhead | ijereja | 2016 | fixed media, akusmatisch | Lauren Redhead | 0 | http://www.panyrosasdiscos.net/pyr180-lauren-redhead-ijereja/ | |||||||||||
| 13656 | Erwin | Redl | My Blue Eyes | 1991 | Zuspiel, Performance, 1 perf | perf [Performer] | masochistische Videooper | 0 | |||||||||||
| 13657 | Erwin | Redl | Parallel Doubt on the Distinction between Truth an Beauty | 1994 | Klangkunst, Installation | 0 | |||||||||||||
| 13658 | Erwin | Redl | Parallele Musik | 1993 | live-elec, 8 perf | S, str-qt, 2 e-gui, drum [Sopran, Gitarre, Schlagzeug, Streicher] | 0 | ||||||||||||
| 13659 | Erwin | Redl | Sex is a dirty Thing | 1991 | Klangkunst, Installation | 0 | |||||||||||||
| 13660 | Erwin | Redl | The Heavy Tension of Continually Appoaching Parallels | 1993 | live-elec, 3 perf | 2 e-gui, MIDI [Gitarre, synthesizer] | 0 | ||||||||||||
| 13661 | Erwin | Redl | The Tension of Continually Appoaching Parallels | 1993 | Klangkunst, Installation | 0 | |||||||||||||
| 13662 | Erwin | Redl | to cage john to cage john | 1989 | Klangkunst, Installation | ELAK Wien | 0 | ||||||||||||
| 13664 | Erwin | Redl | Who's afraid of One, Zero and Me | 1992 | Klangkunst, Installation | 0 | |||||||||||||
| 13655 | Erwin, N., Markus | Redl, Stock, Brandt | Mein Knie, die Welt und überhaupt | 1991 | Zuspiel, Performance, 1 perf | perf [Performer] | 0 | ||||||||||||
| 13663 | Erwin, N., Markus, B. | Redl, Stock, Brandt, Rothschädl | USA 1935 | 1991 | Musiktheater | 0 | |||||||||||||
| 39423 | Katherine | Redlus | Kingdom Come | 2017 | live-elec, 2 perf | e-hp, V [Stimme, Harfe] | 0 | ||||||||||||
| 13665 | Harry | Redner | Piece in two | 1962 | fixed media, akusmatisch | 8:00 | Stereo | Fonologia Milano | 0 | ||||||||||
| 13666 | Michel | Redolfi | 3 vues aériennes de Pully | 1986 | fixed media, akusmatisch | Stereo | CIRM Nice | 0 | |||||||||||
| 13667 | Michel | Redolfi | A La Clarte Des Veilleuses | 1971 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 13668 | Michel | Redolfi | American Graffitis | 1973 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 13669 | Michel | Redolfi | Appel D'air | 1991 | fixed media, akusmatisch | 27:00 | Stereo | Syter | INA C 2005/ INA C 1034 27654 archives grm CD 4/5/ | INA • GRM | 1 | ||||||||
| 20700 | Michel | Redolfi | Aquarium, diamant des thons | 1991 | Klangkunst, Installation | 4:45 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 13670 | Michel | Redolfi | Carnaval | 1985 | Zuspiel / Tonband, 1 perf | fl [Flöte] | CIRM Nice | 0 | |||||||||||
| 20701 | Michel | Redolfi | Carnet amazonien | 1993 | Klangkunst, Installation | 3:00 | Stereo | mm 303/ | CIRM Nice | 0 | |||||||||
| 13671 | Michel | Redolfi | Cocktails | 1972 | Musiktheater | Stereo | GMEM Marseille | 0 | |||||||||||
| 13672 | Michel | Redolfi | Comix | 1976 | fixed media, akusmatisch | Tanz |
Stereo | GMEM Marseille | 0 | |||||||||||
| 13673 | Michel | Redolfi | Compendium Georges B. | 1975 | fixed media, akusmatisch | Tanz |
Stereo | GMEM Marseille | 0 | |||||||||||
| 20702 | Michel | Redolfi | Crysallis, Cristal Deep Sleep |
1993 | intermedia, 2 perf | 20:30 | Stereo | V, perc [Stimme, Schlagzeug] | l’empreinte digitales 13027/ Ultrason 38R 001/ mm 303/ | CIRM Nice | 0 | ||||||||
| 13674 | Michel | Redolfi | Desert Tracks, Opening Mojave Desert Death Valley Palm Canyon |
1987/1988 | fixed media, akusmatisch | 35:35 | Naturaufnahmen von Mojave, Death Valley, Palm Canyon | INA C 1005/ SR 418 sub rosa/ | CalArts, CIRM Nice | 1 | |||||||||
| 13675 | Michel | Redolfi | Effractions | 1987 | fixed media, akusmatisch | Stereo | hat ART CD 6026/ | CIRM Nice | 0 | ||||||||||
| 20703 | Michel | Redolfi | Espace de sortie | 1991 | Klangkunst, Installation | 6:10 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 13676 | Michel | Redolfi | Hardscore | 1977 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 32234 | Michel | Redolfi | History of Sound | 2008/2011 | fixed media, akusmatisch | 20:48 | INA G 6031/ | INA • GRM | Groupe de Recherches Musicales (INA-GRM) | 24. Mai 2008 | 0 | ||||||||
| 13677 | Michel | Redolfi | Immersion, Surface Immersion partielle Immersion profonde Immersion totale |
1979 | fixed media, akusmatisch | 23:40 | Stereo | first underwater.experiments Synclavier |
Coll GRM 833.12 3D / Coll GRM 3D 833.12/ HM 3D 833.12/ | GMEM Marseille, INA • GRM | 26.4.1980 | Marseille, Centre culturel de Meiland | 1 | ||||||
| 20704 | Michel | Redolfi | In corpus | 1994 | Zuspiel / Tonband, 1 perf | 7:35 | Stereo | V [Stimme] | mm 303/ | CIRM Nice | 0 | ||||||||
| 13678 | Michel | Redolfi | Instant Blanc | 1973 | Zuspiel / Tonband, 1 perf | Stereo | fl [Flöte] | GMEM Marseille | 0 | ||||||||||
| 20705 | Michel | Redolfi | Interlude | 1991 | Klangkunst, Installation | 2:40 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 13679 | Michel | Redolfi | Jazz, d'après Matisse | 1989 | fixed media, akusmatisch | 37:20 | after the painting "Jazz" by Henry Matisse (1947). CD duration 22:20 | INA C 2005/ INA ACM 1995/ | IMEB Bourges, CIRM Nice, INA • GRM | 1 | |||||||||
| 13680 | Michel | Redolfi | Jeux | 1971 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 13681 | Michel | Redolfi | Jungle, Livre / Laser | 1991 | fixed media, akusmatisch | Stereo | CIRM 1102/ mm 303/ mediacraft 603882/ | CIRM Nice | 0 | ||||||||||
| 13682 | Michel | Redolfi | L'Ecume de la Nuit | 1984 | fixed media, akusmatisch | Stereo | CIRM Nice | 0 | |||||||||||
| 32235 | Michel | Redolfi | L’Ombre de la Meduse, Physalies Montée de l'ombre Sound Zero Cendres |
2002/2010 | live-elec, 3 perf | 18:26 | V, ins (glassharmonica), oma [Stimme, Instrument, synthesizer] | INA G 6031/ | PS C. | Groupe de Recherches Musicales (INA-GRM) | 13 février 2002 | Maison de Radio France, Festival Présences | 0 | ||||||
| 20706 | Michel | Redolfi | La galaxie du caiman, Oiseaux Chauna torquata Aramus guarauna Batraciens & Capivara |
1990 | Zuspiel / Tonband, 1 perf | 7:10 | Stereo | V [Stimme] | Extrait des « Carnets Amazoniens » | mm 303/ INA G 6031/ | CIRM Nice | 0 | |||||||
| 13683 | Michel | Redolfi | Les Noces Chymiques | 1980 | Musiktheater | Stereo | GMEM Marseille | 0 | |||||||||||
| 13684 | Michel | Redolfi | Manifeste | 1971 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 20707 | Michel | Redolfi | Mata-Pau, Mara abd the Bird | 1992 | Zuspiel / Tonband, | 6:40 | Stereo | mm 303/ | CIRM Nice | 0 | |||||||||
| 13685 | Michel | Redolfi | Merry Melodies | 1973 | fixed media, akusmatisch | Tanz |
Stereo | GMEM Marseille | 0 | |||||||||||
| 13686 | Michel | Redolfi | Naissance Et Agonie De Ma Lampe De Chevet | 1980 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 20708 | Michel | Redolfi | Nausicaa, Entering Nausicaa Passing into grand Nausicaa Return to Nausicaa |
1991 - 1998, 2004 | Zuspiel / Tonband, 3 perf, 1 group | 79:45 | Stereo | V, fl, ch, synt [Stimme, Flöte, synthesizer, Chor] | total of 24 parts. Underwater soundscapes taped in San Diego; Rain forest recorded in Australia and Brazil | mm 303/ CIRM 9104/ AUDIONAUTE AUD 6004/ | CIRM Nice | 1 | http://www.redolfi-music.com | ||||||
| 13688 | Michel | Redolfi | Nuit Solaire | 1976 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 13689 | Michel | Redolfi | Pacific tubular waves, Inner tube Crystal lips A smooth ride Pacific motion The underwater park at sunset |
1979 | fixed media, akusmatisch | 24:56 | Synclavier. Parts: inner tube, crystal lips, a smooth ride, Pacific motion, the underwater park at sunset | INA C 1005/ Coll GRM 3D 833.12/ HM 3D 833.12/ | GMEM Marseille, INA • GRM | GRM | 7.5.1979 | Paris, Maison de Radio France, Gd. Auditorium | Luigi Russolo International Competition (Varese, Italy, 1979) | 1 | |||||
| 13690 | Michel | Redolfi | Portrait de Jean-Paul Celea avec contrebasse, Portrait of Celea with Double Bass | 1991 | Zuspiel / Tonband, 1 perf | 18:00 | db [Kontrabass] | SYTER | INA C 2005/ | INA • GRM | Auszeichnung ars electronica honorary mention 1993 | 1 | |||||||
| 20709 | Michel | Redolfi | Programme 1, Atlantide | 1991 | fixed media, akusmatisch | 5:05 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 20710 | Michel | Redolfi | Programme 1, Immersion | 1991 | fixed media, akusmatisch | 3:25 | Stereo | CIRM 9104/ | CIRM Nice | 1 | |||||||||
| 13691 | Michel | Redolfi | Rapport de Force | 1973 | radiophon | Stereo | GMEM Marseille | 0 | |||||||||||
| 20711 | Michel | Redolfi | Remontée du temps | 1991 | fixed media, akusmatisch | 4:40 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 20712 | Michel | Redolfi | Songes drôlatiques, Premier livre Second livre Jusqu'aux cieux Carnaval |
1994 | fixed media, akusmatisch | 15:45 | Stereo | LDC 2781105/ INA G 6031/ | CIRM Nice | Groupe de Musique Expérimentale de Bourges (GMEB) | 1994 | Bourges dans la cour Jacques Cœur, Festival Synthèses (GMEB) | Prix international Ars Electronica, Linz 1996 | 0 | |||||
| 32236 | Michel | Redolfi | Sonic Immersion, Immersion Sonic Waters |
2011 | Zuspiel / Tonband, 2 perf | 14:30 | fl, hp [Flöte, Harfe] | from Immersion & Sonic Waters | INA G 6031/ | INA • GRM | 1 | ||||||||
| 23204 | Michel | Redolfi | Sonic water: Music for fresh water | 1983 | live-elec, 3 perf | 23:55 | synt, fl, hp, [Flöte, Harfe, synthesizer] | Underwater Music / Sonic Waters; 4 parts | hat ART 2002/ | 1 | |||||||||
| 23205 | Michel | Redolfi | Sonic water: Music for salt water | 1983 | live-elec, 3 perf | 23:40 | synt, fl, hp, [Flöte, Harfe, synthesizer] | Underwater Music / Sonic Waters; 4 parts. Synclavier | hat ART 2002/ | 1 | |||||||||
| 20713 | Michel | Redolfi | Sonic Waters | 1993 | Zuspiel / Tonband, 2 perf | 10:30 | Stereo | fl, hp [Flöte, Harfe] | mm 303/ | CIRM Nice | 0 | ||||||||
| 13692 | Michel | Redolfi | Sonic Waters No. 2, Effractions sunny afternoon at bird rock beach full scale ocean |
1983/1989 | Zuspiel / Tonband, 1 perf | 57:00 | Stereo | Synclavier [computer] | Synclavier, underwater M. | hat ART CD 6026/ | Bregman Dartmouth, UCSD, CIRM Nice | 1 | |||||||
| 32237 | Michel | Redolfi | Sons Frissons | 1998 | fixed media, akusmatisch | 3:22 | EEG | INA G 6031/ | 19 juin 1998 | grand Auditorium de Radio France, Concert INA-GRM, Paris | 0 | ||||||||
| 13693 | Michel | Redolfi | Swinging on a Vine | 1974 | live-elec, 4 perf | Stereo | trbn, sax, synt, perc [Saxophon, Posaune, Schlagzeug, synthesizer] | GMEM Marseille | 0 | ||||||||||
| 13694 | Michel | Redolfi | Tentation Enfantine | 1975 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 13695 | Michel | Redolfi | Titre Perdu | 1974 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 13696 | Michel | Redolfi | Too much sky | 1984 | fixed media, akusmatisch | 9:15 | CARL-software | INA C 1005/ mm 303/ SR 418 sub rosa/ | UCSD, CIRM Nice | Atelier Espace Nouveaux | 1 | ||||||||
| 20714 | Michel | Redolfi | Traversée des abysses | 1991 | fixed media, akusmatisch | 3:50 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 23513 | Michel | Redolfi | Underwater concerts live Recordings (10.4.83 und 11.9.1982) | 1983 | fixed media, akusmatisch | 23:00 | Underwater Music / Sonic Waters | hat ART 2002/ | 0 | ||||||||||
| 13697 | Michel | Redolfi | Verve | 1988 | fixed media, akusmatisch | 0 | |||||||||||||
| 20715 | Michel | Redolfi | Vie dans les profondeurs | 1991 | fixed media, akusmatisch | 12:30 | Stereo | CIRM 9104/ | CIRM Nice | 0 | |||||||||
| 13698 | Michel | Redolfi | Volare | 1987 | fixed media, akusmatisch | Stereo | CIRM Nice | 0 | |||||||||||
| 13699 | Michel | Redolfi | Walkdog | 1985 | fixed media, akusmatisch | Stereo | CIRM Nice | 0 | |||||||||||
| 39475 | Patrick | Reed | As the Flames Grow Higher | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 30589 | Sean | Reed | Bedlam | 2005 | audiovisuell | 36:00:00 | 5 tracks | 5-channel electroacoustic composition for the audio-visual-text collaboration "Bedlam" with Robert Darroll | iotaCenter DVD/ | ZKM Karlsruhe | 1 | http://www.iotacenter.org/program/publication/darroll/statements | |||||||
| 30602 | Sean | Reed | btd x | 2000 | audiovisuell | 5:00:00 | audio-video collaboration with Claudia Westermann | ZKM Karlsruhe | 0 | ||||||||||
| 30585 | Sean | Reed | Flying Instants | 2007 | fixed media, akusmatisch | 9:00:00 | multichannel | n-channel electro-acoustic composition for media playback | ZKM Karlsruhe | 0 | |||||||||
| 33025 | Sean | Reed | Future Paleontology | 2007 - 2011 | audiovisuell | 9:30 | iotaCenter DVD/ iotaCenter DVD/ | ZKM Karlsruhe | 0 | ||||||||||
| 30599 | Sean | Reed | Inr n wdh (Stone of the kind which flows) | 2001 | live-elec, 1 perf | 12:00:00 | multichannel | b-cl, (com) [Klarinette] | bass clarinet and multi-channel live-interactive computer | ZKM Karlsruhe | 0 | ||||||||
| 30581 | Sean | Reed | Interminable Delirium | 2008 | Zuspiel / Tonband, 5 perf | 11:00:00 | Stereo | va, vc, db, xyl, hpd [Cembalo, Schlagzeug, Viola, Cello, Kontrabass] | Viola, Cello, Double Bass, Xylophone, Harpsichord, and stereo tape | ZKM Karlsruhe | 0 | ||||||||
| 30580 | Sean | Reed | More Than Is Wise | 2009 | fixed media, akusmatisch | 9:30:00 | Octo | 8-channel tape | ZKM Karlsruhe | 0 | |||||||||
| 30600 | Sean | Reed | Murmurs and hushed tones | 2001 | Zuspiel / Tonband, 1 perf | 7:00:00 | Stereo | prep p [Piano] | prepared piano and computer-generated 2-channel tape | ZKM Karlsruhe | 0 | ||||||||
| 30604 | Sean | Reed | Music for Electric Guitar, amplified Violin and two Synthesizers | 1999 | live-elec, 4 perf | 6:00:00 | e-gui, amp vn, 2 synt [Gitarre, Violine, synthesizer] | 0 | |||||||||||
| 30607 | Sean | Reed | Music for Three Players No. 2 | 1998 | audiovisuell, live-elec, 3 perf | 14:00:00 | vn, p, gui, (elec) [Piano, Gitarre, Violine] | violin, piano, guitar, and pitch-to-MIDI controlled video/graphics via MAX | 0 | ||||||||||
| 30601 | Sean | Reed | Noemata No. 1 | 2000 | audiovisuell | 5:00:00 | audio-video collaboration with Robert Darroll | ZKM Karlsruhe | Media Prize awarded by the Bund Deutsche Industrie, 2001. A solo Art Film Festival prize for computer animation 2002 |
0 | http://www.iotacenter.org/program/publication/darroll/statements | ||||||||
| 30578 | Sean | Reed | Of Memory and Dream | 2009 | Zuspiel / Tonband, 2 perf | 5:00:00 | Stereo | va, vc [Viola, Cello] | viola, cello and stereo tape | ZKM Karlsruhe | 0 | ||||||||
| 30586 | Sean | Reed | Oracle, Orakel | 2007 | audiovisuell | Octo | 8-channel electro-acoustic compositions for the audio-visual-text installation of the same name with Robert Darroll, produced for the ZKM PanoramaScreen | ZKM Karlsruhe | 0 | http://www.iotacenter.org/program/publication/darroll/statements | |||||||||
| 30571 | Sean | Reed | Orion | 2011 | fixed media, akusmatisch | 4:56 | Spazialisation: var, Zirkonium | n-channel circular loudspeaker array and playback devices (or stereo loudspeaker setup and CD). Version also available for ZKM Klangdom (Zirkonium patch). | ZKM Karlsruhe | ZKM Institute for Music and Acoustics for the 2011 KAMUNA | 0 | ||||||||
| 30597 | Sean | Reed | Pencils, dumbells, cassette tapes, and a pack of tissues No. 2 | 2002 | live-elec, | 9:00:00 | Stereo | 2-channel modular computer composition | ZKM Karlsruhe | 0 | |||||||||
| 30579 | Sean | Reed | Rattling the Cage | 2009 | Zuspiel / Tonband, 1 perf | 4:30:00 | Stereo | prep p [Piano] | prepared piano and stereo tape | ZKM Karlsruhe | 0 | ||||||||
| 30598 | Sean | Reed | Sie wird nicht kommen | 2002 | audiovisuell | 8:00:00 | music for a theater-video-animation collaboration, with Claudia Westermann | ZKM Karlsruhe | 0 | ||||||||||
| 30595 | Sean | Reed | souvenir | 2003 | Klangkunst, Installation | 6 | 6-channel sound installation for the visual art exhibition "souvenir" by Natalia Stachon | ZKM Karlsruhe | 0 | ||||||||||
| 30593 | Sean | Reed | Stretching of the Core | 2004 | Performance | 9:00:00 | Quadro | live-performed computer with 4 loudspeakers | ZKM Karlsruhe | 0 | |||||||||
| 30590 | Sean | Reed | Suburbia | 2005 | Klangkunst, Installation | Quadro | 4-channel sound installation for the visual art exhibition of the same name | ZKM Karlsruhe | 0 | ||||||||||
| 30574 | Sean | Reed | The Buried Sky | 2011 | fixed media, akusmatisch | 9:00:00 | Octo | 8-channel tape | ZKM Karlsruhe | 0 | |||||||||
| 32585 | Sean | Reed | The Imperium of Koom Posh | 2013 | Film | 0 | http://www.br.de/fernsehen/br-alpha/sendungen/phase3/phase3-video-kunst-zeit/robert-darroll100.html | ||||||||||||
| 30573 | Sean | Reed | This Impossible Night | 2011 | fixed media, akusmatisch | 11:00:00 | Stereo | stereo tape | ZKM Karlsruhe | 0 | |||||||||
| 30582 | Sean | Reed | Thriambos | 2008 | Zuspiel / Tonband, 1 perf | 11:00:00 | Octo | trbn [Posaune] | 8-channel electro-acoustic playback | ZKM Karlsruhe | 0 | ||||||||
| 30596 | Sean | Reed | transgression / excès | 2003 | Theatermusik | 120:00:00 | a-sax, acc, (com) [Saxophon, Akkordeon] | music for the theater production of the same name by Malte Ubenauf and Dirk Meinzer | ZKM Karlsruhe | 0 | |||||||||
| 30575 | Sean | Reed | What's the Matter With My Head? | 2010 | fixed media, akusmatisch | 9:00:00 | Octo | 8-channel tape | ZKM Karlsruhe | 0 | |||||||||
| 30592 | Sean, Florian, Kazue, Chris | Reed, Meyer, Ikeda, Ziegler | turned | 2004 | Performance | multichannel | multichannel improvisational computer music environment for the interactive dance-video-sound production "turned" with Florian Meyer, Kazue Ikeda, and Chris Ziegler | ZKM Karlsruhe | 0 | ||||||||||
| 40289 | Tim | Reed | “…the irresistible will of heaven…” | 2017 | fixed media, akusmatisch | Tim Reed | 0 | ||||||||||||
| 39721 | David | Reeder | …and then what happened? | 2016 | Performance | David Reeder | 0 | ||||||||||||
| 13700 | Hayden | Reeder | Coalescence | 1975 | Zuspiel, live-elec, 2 perf | p, synt [Piano, synthesizer] | West Square London | 0 | |||||||||||
| 39989 | Kory | Reeder | Il n’y a plus (Napoo) | 2017 | fixed media, akusmatisch | Kory Reeder | 0 | ||||||||||||
| 43188 | Philip | Reeder | Hemispheric | 2011 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2011 | 0 | ||||||||||||
| 41951 | Andrew | Reeman | Shapes | fixed media, akusmatisch | 0 | ||||||||||||||
| 13701 | Howard | Rees | Doug's New Flute Thing | 1969 | Zuspiel, live-elec, 1 perf | Stereo | amp fl [Flöte] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 13702 | Howard | Rees | …The Cat's Paw Among the Silence of Midnight Goldfish | 1969 | Zuspiel / Tonband, 7 perf | Stereo | trbn, 6 ins [Posaune, Instrument] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 21153 | Kirsten | Reese | 100 Minuten oder 10 plus 10 Jahre in 20 Minuten | 1999 | radiophon | 20:00 | Stereo | Hörcollage anlässlich des 10. Jahrestages des Mauerfalls | TU Berlin | 0 | http://www.kirstenreese.de | ||||||||
| 27983 | Kirsten | Reese | Angelic Streamers, Klanginstallation für einen Kirchenraum | 2009 | Klangkunst, Installation | 4:20 | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | Ny Musikk | 26. - 29.3.2009 | Borealis Festival Bergen | 1 | http://www.kirstenreese.de | ||||||
| 27992 | Kirsten | Reese | anregen/übertragen, interaktive Klang- und Konzertinst. für Ins, hängende LS und Objekte | 2003 | Klangkunst, Installation | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | TU Berlin | 24.5.2003 7. 6. 2004 |
Scheune Höge in Högenhausen Edith-Russ-Site for Media Art, Oldenburg |
1 | http://www.kirstenreese.de | |||||||
| 37668 | Kirsten | Reese | Atmende Kugel | 2017 | Performance, live-elec, 6 perf | ≈ 22 | 6 V, (rotierende Lautsprecherkugel ≈ Scherchen-Null-Strahler) [Stimme] | AdK Berlin | AdK Berlin, Kontakte17, Ernst von Siemensstiftung | 1.10.2017 | Kontakte-Festival 2017 Akademie der Künste Berlin, Neue Vocalsolisten Stuttgart | 0 | http://www.kirstenreese.de/atmendekugel.html | ||||||
| 28017 | Kirsten | Reese | Axis | 1992 | fixed media, akusmatisch | 4:03 | Stereo | elektroakustische Komposition | Manhattan School of Music NY | 1993 | Manhattan School of Music New York | 0 | http://www.kirstenreese.de | ||||||
| 38292 | Kirsten | Reese | B.E.A. - F.A.G. (frei aber gemeinsam) | 2016 | Klangkunst, Installation | Interaktive Klanginstallation für Stimme und im Raum verteilte Lautsprecher mit Gesangs- und Geigenklängen, Musikfragmenten und -spuren, Archivklängen. | 26.4.-1.7.2016 | Hochschule für Musik und Theater Hamburg | 0 | ||||||||||
| 19296 | Kirsten | Reese | Basics | 1998 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | b-fl [Flöte] | auch Version Basics II (UA Bhf Westend 10.1.98) | TU Berlin | 1997 | Kreuzberger Klangwerkstatt | 1 | http://www.kirstenreese.de | |||||
| 28730 | Kirsten | Reese | Basics II | 1998 | Zuspiel / Tonband, 1 perf | Quadro | fl [Flöte] | TU Berlin | 10.1.1998 | Künstlerbahnhof Berlin-Westend | 0 | http://www.kirstenreese.de | |||||||
| 38288 | Kirsten | Reese | Cinder and Spatter | 2017 | live-elec, 1 perf | synt (Fairlight CMI) [synthesizer] | Live Audio Processing am Fairlight CMI (Computer Musical Instrument). | 25.3.2017 | Musikinstrumentenmuseum Berlin im Rahmen der Ausstellung Good Vibrations Eine Geschichte der elektronischen Musikinstrumente | 0 | |||||||||
| 28009 | Kirsten | Reese | clelia-eryx-boiga | 2004 | live-elec, 3 perf | Octo | amp fl, ob, cl [Flöte, Klarinette, Oboe] | für verstärkte Flöte, Oboe und Klarinette und live-elektronische Raumklangsteuerung. 2004 | 18. 9. 2004 | Podewil Berlin | 0 | http://www.kirstenreese.de | |||||||
| 27995 | Kirsten | Reese | Contained | 2001 | Klangkunst, Installation | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | TU Berlin | 15. /16. 6.2001 | existart Container im Rahmen der Ausstellung Freie Wahlen der Kunsthalle Baden-Baden | 1 | http://www.kirstenreese.de | |||||||
| 38308 | Kirsten | Reese | covered, uncovered, no voice audible but that of the sea on the far side | 2013 | Klangkunst, Installation | 17 | Spazialisation: headphone, speakers | audiotrack with voice and sound for headphones / objects, photos, sound, small speakers. | 9 - 12th May 2013 | Kunsthal Aarhus, SPOR Festival Aarhus | 0 | ||||||||
| 41457 | Kirsten | Reese | Creatures and Signals | 2018 | Performance | synt (Fairlight CMI) [synthesizer] | 30.9.2018 | Teufelsberg Berlin | 0 | http://www.dystopie-festival.net/wp/?lang=en | |||||||||
| 27985 | Kirsten | Reese | Crisp, Für Objekte und Live-Processing | 2008 | Performance, live-elec, | 4:51 | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 29.3.2008 | MIBEM Festival Melbourne | 1 | http://www.kirstenreese.de | |||||||
| 28016 | Kirsten | Reese | Crown | 1992/1993 | fixed media, akusmatisch | Stereo | elektroakustische Komposition (Stereo). 1992/93 | Manhattan School of Music NY | 1993 | Manhattan School of Music New York | 0 | http://www.kirstenreese.de | |||||||
| 30611 | Kirsten | Reese | Deckkraft, opacity | 2011 | fixed media, akusmatisch | 38 | 47 Tracks, Spazialisation: Zirkonium | 5 parts | ZKM Karlsruhe | 21.10.2011 | ZKM Center for Art and Media Karlsruhe, Kubus | 0 | |||||||
| 23206 | Kirsten | Reese | Der tönende See | 2000 | Klangkunst, Installation | 10:00 | 16 Tracks | Klanginstallation Böbereckensee Rheinsberg. 16-Spur Komposition für schwimmende Klangschüsseln. Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" |
ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | TU Berlin | 17. 6. 2000 | Böbereckensee, Schloss Rheinsberg, Brandenburg | 1 | http://www.kirstenreese.de/klanginstallationene.html | |||||
| 28001 | Kirsten | Reese | drehenderweise, circling | 2009 | Klangkunst, Installation | Octo | Klanginstallation für 8 Lautsprecher hinter osmanischen Türklopfern in Wandschränken | 29.04.2009 | Deutsches Archeologisches Institut Berlin im Rahmen des Salons des Leo Baeck Instituts | 0 | http://www.kirstenreese.de | ||||||||
| 28013 | Kirsten | Reese | dulationen | 2002 | live-elec, 1 perf | Stereo | fl, (com) [Flöte] | 8.12.2003 | Dortmund Zehn Jahre Mex/festival open systems | 0 | http://www.kirstenreese.de | ||||||||
| 38309 | Kirsten | Reese | E.O.C. | 2013 | fixed media, akusmatisch | Octo | 8-channel electroacoustic composition. | May 3 2013 | Theatre des Varietes, Monaco, Festival Monaco Electroacoustique | 0 | |||||||||
| 28006 | Kirsten | Reese | flou | 2005 | Zuspiel, live-elec, 2 perf | Stereo | fl, p [Flöte, Piano] | für Flöte, Flügel, Zuspiel, verstärkte Miniaturlautsprecher im Innern des Flügels. 2005 | 0 | http://www.kirstenreese.de | |||||||||
| 28004 | Kirsten | Reese | Foliosa | 2007 | Klangkunst, Installation | perf [Performer] | 16.-18.2.2007 | Universität Hildesheim, Konferenz Performativität und Performance | 0 | http://www.kirstenreese.de | |||||||||
| 38298 | Kirsten | Reese | Frau Paula Trousseau | 2015 | Musiktheater | Klanggestaltung für Theaterstück nach Christoph Hein, Regie Enrico Stolzenburg. | 28.3.2015 | Deutsches Nationaltheater Weimar | 0 | ||||||||||
| 38289 | Kirsten | Reese | FREEROAM À REBOURS MOD#I.1 | 2016/2017 | audiovisuell | Musik zum Video. | 16.2.2017 | VIDEONALE. 16 Festival for Video and Time-Based Arts Kunstmuseum Bonn | 0 | ||||||||||
| 26045 | Kirsten | Reese | Hallenfelder, Klang-Video-Installation für ein Wellenfeldsynthesesystem (20 Lautsprecher) und Videoprojektion | 2006 | Klangkunst, Installation | ∞ 60:00 | 20 Tracks, Spazialisation: WFS | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | TU Berlin | SWR für Donaueschingen | 20.-22.10.2006 | Donaueschinger Musiktage, kl. Turnhalle Realschule | 1 | http://www.kirstenreese.de/hallenfelder.html | |||||
| 27987 | Kirsten | Reese | Haluzzi, Klangraum Kurfürstenstraße | 2007 | Klangkunst, Installation | 5:00 | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen". Musik für Passanten, Klanginst. im öffentlichen Raum |
ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 15.6. - 15.8.2007 | Kurfürstenstraße/ Ecke Potsdamer Str. Berlin | 1 | http://www.kirstenreese.de | |||||||
| 38310 | Kirsten | Reese | Hört auf diese Stadt! | 2012/2013 | radiophon | Spazialisation: audiowalk | Hörparcours durch die Innenstadt Magdeburgs. | TU Berlin | ab 25.1.2013 | Theater Magdeburg | 0 | http://www.kirstenreese.de/hoertbilder/11_St_Rathausfoyer.mp3 | |||||||
| 38300 | Kirsten | Reese | Hofmeister. Vorteile der Privaterziehung | 2014 | Musiktheater | Klanggestaltung für Theaterstück von Kai-Ivo Baulitz nach Jakob Lenz, Regie Enrico Stolzenburg. | 3.10.2014 | Deutsches Nationaltheater Weimar | 0 | ||||||||||
| 27993 | Kirsten | Reese | Inyib, für neun Instrumente, Live-Elektronik, Zuspiel (6 Spuren), 15 Lautsprecher | 2002 | Zuspiel, live-elec, 9 perf | 6:53 | 15 Tracks | 9 ins [Instrument] | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 6.7.2002 | Podewil Berlin | 1 | http://www.kirstenreese.de/inyib.html | |||||
| 34698 | Kirsten | Reese | Jugendvollzugsanstalt | 2016 | fixed media, akusmatisch | 4:42:00 | Stereo | DegeM CD 14 escape/ | 0 | http://www.kirstenreese.de/jva.html | |||||||||
| 38302 | Kirsten | Reese | KSH, Portrait des Pianisten als junger Mann | 2014 | Performance, Zuspiel, live-elec, 1 perf | p [Piano] | Szenische Komposition für einen Pianisten, einen Flügel, elektronische Zuspiele, installierte Lautsprecher und Objekte. | 24.5.2014 | swr 2 ars nova, Villa Musica Mainz | 0 | |||||||||
| 27984 | Kirsten | Reese | Kugelspiele, 11 Klangspiele | 2009 | Performance, live-elec, 1 perf | 5:00 | acc [Akkordeon] | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 11.3.2009 | Berlin Pfefferberg with Eva Zöllner (Akkordeon) | 1 | http://www.kirstenreese.de | |||||||
| 29998 | Kirsten | Reese | Kurzes Hörstück über das Ende des Kapitalismus, Short piece on the end of capitalism | 2011 | fixed media, akusmatisch | 7:03 | Stereo | DegeM CD 10 Replace/ | 1 | ||||||||||
| 28008 | Kirsten | Reese | lieplich beslozzen, für verstärkte Blockflöte, Stereozuspiel und Miniaturlautsprecher in hängenden Flaschen | 2005 | Zuspiel, live-elec, 1 perf | Stereo + Stereo | amp rec [Flöte] | für verstärkte Blockflöte (Sopranino, Sopran, Alt, Tenor), Stereozuspiel und Miniaturlautsprecher in hängenden Flaschen | SWR | 25.02.2005 | ZKM Karlsruhe - Jeremias Schwarzer, Blockflöte | 0 | http://www.kirstenreese.de | ||||||
| 38285 | Kirsten | Reese | Light Green Rituals | 2017/2018 | live-elec, 1 perf, 1 group | synt (Fairlight CMI), ens [synthesizer, Ensemble] | 0 | ||||||||||||
| 27982 | Kirsten | Reese | Lotussound, Blue Garden Dracaena Circle |
2010 | Klangkunst, Installation | 5:00 | 60 Tracks | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 17.3. - 20.3.2010 | Lotusland Santa Barbara | 1 | http://www.kirstenreese.de/lotussound.html | ||||||
| 27996 | Kirsten | Reese | Lotussound, Tischinstallation | 2010 | Klangkunst, Installation | 22.8. - 3.10.2010 27.10. - 7.11.2010 4.12.2010 - 2.1.2011 |
22.8. - 3.10.2010 Ausstellung Deutscher Klangkunstpreis 2010, Skulpturenmuseum Marl 27.10. - 7.11.2010 Ausstellung SoundArt, Praetorium Köln 4.12.2010 - 2.1.2011 Ausstellung Transatlantische Impulse, Akademie der Künste Berlin |
1 | http://www.kirstenreese.de | ||||||||||
| 28002 | Kirsten | Reese | Lüftchen/Brise | 2008 | Klangkunst, Installation | 23. - 29.6. 2008 | Brückenmusik Köln | 0 | http://www.kirstenreese.de | ||||||||||
| 38295 | Kirsten | Reese | Luft nach oben | 2015 | Musiktheater | Klanggestaltung für Theaterstück von Dirk Laucke, Regie Enrico Stolzenburg. | 20.11.2015 | Deutsches Nationaltheater Weimar | 0 | ||||||||||
| 27990 | Kirsten | Reese | Lullabies, interaktive audiovisuelle Installation | 2006 | Klangkunst, Installation | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 17.-25.6.2006 | Ausstellung Stille Post, Neue Galerie der Karl Hofer Gesellschaft, Oberschöneweide / Berlin | 1 | http://www.kirstenreese.de | ||||||||
| 22679 | Kirsten | Reese | Mandelkern | 1997 | fixed media, akusmatisch | 10:30 | Quadro | EMF DVD 054/ | TU Berlin | Juni 1997 | Parochialkirche Berlin im Rahmen der Klangmesse 1997 | 1 | http://www.kirstenreese.de/mandelkern.html | ||||||
| 21133 | Kirsten | Reese | - matique | 1998 | Zuspiel / Tonband, 3 perf | 12:00 | Quadro | fl, ob, cl [Flöte, Klarinette, Oboe] | TU Berlin | 1998 | Kreuzberger Klangwerkstatt - trio e-vent. | 0 | http://www.kirstenreese.de | ||||||
| 38294 | Kirsten | Reese | Messages | 2008/2016 | Performance, live-elec, | Performance für Archivklänge, Kassetten, verstärkte Flöte, verstärkte Objekte, Diaprojektor. | 9.4.2016 | Audiorama Stockholm | 0 | ||||||||||
| 27986 | Kirsten | Reese | Mondmessage, Ein begehbares MusikTheater für 5 Musiker, viele Lautsprecher und andere Medien | 2008 | Musiktheater, live-elec, 4 perf | 7:44 | many | vn, va, vc, fl [Flöte, Viola, Cello, Violine] | Luise Krüger, Tom Lane (Violine), Sergi Roca (Viola), Ulrike Ruf (Violoncello), Karoline Göhler (Flöte) Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" |
ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 26.9.2008 | Alte TU Mensa, Hardenbergstr. 35, Berlin | 1 | http://www.kirstenreese.de/mondmessage.html | |||||
| 38307 | Kirsten | Reese | no voice audible but that of the sea on the far side | 2013 | Klangkunst, Installation | Quadro | four channel sound installation. | 9 - 12th May 2013 | Aarhus harbour, SPOR Festival Aarhus | 0 | http://www.sporfestival.dk/2013/works/&workid=361 | ||||||||
| 38293 | Kirsten | Reese | Pahoehoe | 2016 | fixed media, akusmatisch | 17 Tracks | Elektroakustische Komposition mit Fairlight CMI Klängen für 17 Lautsprecher. | 9.4.2016 | Audiorama Stockholm | 0 | |||||||||
| 27988 | Kirsten | Reese | Postkartengeflüster, interaktive audiovisuelle Inst. für Webcam und Postkarten | 2006 - 2009 | Klangkunst, Installation | 5:00 | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 20.3.2006 | Cité des Arts Paris | 1 | http://www.kirstenreese.de | |||||||
| 38290 | Kirsten | Reese | r.d.l. - automatic creation | 2017 | Performance, live-elec, | 224 | Live audio processing with objects and loudspeakers. | 15.2.2017 | Errant Sound Berlin | 0 | |||||||||
| 38297 | Kirsten | Reese | rice - door – lion | 2015 | Klangkunst, Installation | Octo or multichannel | 8-kanalige Klanginstallation mit zahlreichen Lautsprechern. | 11.-20.6.2015 | Ausstellung Sound Dept. Ltd. FRISE Künstlerhaus Hamburg | 0 | |||||||||
| 42058 | Kirsten | Reese | Roaming | 2017 | fixed media, akusmatisch | 14:51 | degem CD 16/ | 1 | |||||||||||
| 38291 | Kirsten | Reese | rrr | 2017 | Klangkunst, Installation | 24 Tracks | Multikanal-Audio-Installation für mobile Lautsprecherwürfel mit auditivem Archivmaterial. | 21.1.2017 | Salon Sophie Charlotte der Berlin-Brandenburgischen Akademie der Wissenschaften | 0 | |||||||||
| 28012 | Kirsten | Reese | Seidenlaubenvögel/module | 2003 | Klanginstallation, | interaktive Solar-Klangobjekte und CD | 24.09.2003 4.12. - 7.12.2003 |
Volkart Stiftung, Winterthur, CH Neues Museum Weserburg, Bremen |
0 | http://www.kirstenreese.de | |||||||||
| 22709 | Kirsten | Reese | Siebenschlaf | 1999 - 2000 | Zuspiel, live-elec, 1 perf | 13:00 | Quadro | amp t-sax [Saxophon] | für Ulli Krieger. | TU Berlin | 16.11.2000 | Sophiensäle Berlin - Ulrich Krieger (Saxophon) | 1 | http://www.kirstenreese.de/siebenschlaf.html | |||||
| 38286 | Kirsten | Reese | Sound Cards | 2005 | Netzmusik | installation of postcards and recordings of the site | 14.7.2017 | Errant Sound Berlin | 0 | ||||||||||
| 27997 | Kirsten | Reese | Spring Bluff | 2010 | fixed media, akusmatisch | Stereo | Elektroakustische Komposition aus "field recordings". 5.11. - 19.12.2010 |
5.11.2010 | Geluidpost @ Lokaal 01, Breda, Niederlande | 0 | http://www.kirstenreese.de | ||||||||
| 28010 | Kirsten | Reese | Stränge | 2004 | Zuspiel, live-elec, 5 perf | Quadro | 5 ins [Instrument] | 24.05.2004 | Edith-Ruß-Haus für Medienkunst, Oldenburg - oh-ton Ensemble | 0 | http://www.kirstenreese.de | ||||||||
| 27994 | Kirsten | Reese | Symose | 1999/2002 | Zuspiel / Tonband, 4 perf | Quadro | en-hn, b-cl, hn, trbn [Klarinette, Oboe, Horn, Posaune] | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 20.5.2002 | Rheinsberg mit Birgit Schmieder (Englischhorn), Winfried Rager (Bassklarinette), Gideon Seidenberg (Horn), Matthias Jann (Posaune) | 1 | http://www.kirstenreese.de | ||||||
| 38301 | Kirsten | Reese | The killer in me is the killer in you my love | 2014 | Musiktheater | Klanggestaltung für Theaterstück von Andri Beyerle, Regie Enrico Stolzenburg. | 14.6.2014 | Autorentheatertage Deutsches Theater Berlin | 0 | ||||||||||
| 38299 | Kirsten | Reese | the lightest words had the weight of oracles | 2014 | live-elec, 2 perf | synt (Fairlight), e-gui [Gitarre, synthesizer] | für Fairlight CMI Synthesizer und E-Gitarre. | 15.11.2014 12.7.2015 |
Theaterhaus Stuttgart, SWR attaca Festival Heroines of Sound Festival, Radialsystem Berlin |
0 | |||||||||
| 21154 | Kirsten | Reese | Venedig, Venice | 1999 | fixed media, akusmatisch | 20:00 | Stereo | TU Berlin | 1 | http://www.kirstenreese.de | |||||||||
| 30610 | Kirsten | Reese | Vexierklang Hardenstein | 2011 | Klangkunst, Installation | 30 Tracks | Parcours | Wittener Tage für Neue Kammermusik | 6. - 8.5.2011 | Castle Hardenstein, Herbede, Wittener Tage für neue Kammermusik, Wittener Festival for Contemporary Chamber Music | 0 | ||||||||
| 22416 | Kirsten | Reese | Voi | 2000 | Zuspiel / Tonband, 2 perf | 8:00 | Quadro, Octo | V, db [Stimme, Kontrabass] | TU Berlin | 10.11.2000 | Künstlerhaus Bethanien Berlin, Klangwerkstatt 2000, Ute Wassermann (Stimme), Matthias Bauer (Kontrabass) | 1 | http://www.kirstenreese.de | ||||||
| 38305 | Kirsten | Reese | Weisskerns Nachlass | 2013 | Musiktheater | Klanggestaltung für Theaterstück nach Christoph Hein. | 8.9.2013 | Deutsches Nationaltheater Weimar | 0 | ||||||||||
| 24276 | Kirsten | Reese | Windrad 1 | 2003 | fixed media, akusmatisch | 1:30 | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | Cybele 960.208/ DegeM CD 08/ | 1 | http://www.kirstenreese.de | |||||||||
| 28003 | Kirsten | Reese | Wirbligen Signale | 2007 | Performance | Spazialisation: mobil | tpt, hn, trbn [Horn, Trompete, Posaune] | MusikFabrik | 24.8.2007 | Nachtschicht, Festival Rümlingen | 0 | http://www.kirstenreese.de | |||||||
| 28000 | Kirsten | Reese | WYSIWYG, Klangintervention für Galerieaufsicht und Diktaphon | 2010 | Klangkunst, Installation | 01.-25.06.2010 | Chapman Gallery University Salford, Ausstellung exhibition menu for murmur | 0 | http://www.kirstenreese.de | ||||||||||
| 38311 | Kirsten | Reese | Zoobrücke | 2012 | Klangkunst, Installation | 12 | Spazialisation: SA & audiowalk | Hörpassage - Klanginstallation und Audiowalk. | 16.3. - 5.8.2012 | Fußgängerbrücke (Tiergartenweg) Karlsruhe. | 0 | ||||||||
| 27998 | Kirsten, Zoro, Daniel, Erwin, Enrico | Reese, Babel, Ott, Stache, Stolzenburg | KlangExpedition Der klingende Berg KlangBallon, sounding D, mittendrin Festival Eisenach |
2010 | Klangkunst, Installation | Musik für Fortbewegungsmittel und 20 KlangTräger durch das Umland von Eisenach | 10. - 12.9.2010 | sounding D, mittendrin Festival Eisenach | 0 | http://www.sounding-d.net/mittendrin | |||||||||
| 27999 | Kirsten, Lukas, Helmut, Urban, Daniel, Enrico | Reese, Berchtold, Lemke, Mäder, Ott, Stolzenburg | Vor dem Tag, Before the Day | 2010 | Klangkunst, Installation | 13./14.8.2010 | Festival Rümlingen | 0 | http://www.kirstenreese.de | ||||||||||
| 27989 | Kirsten, Dominik | Reese, Busch | Abglanz, für mobile Lampe und Lautsprecher, Musterfolien, 4-Kanal-Audio | 2006 | Performance | Quadro | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 23.9.2006 | Festival Interlace Berlin | 1 | http://www.kirstenreese.de | |||||||
| 28014 | Kirsten, Sabine | Reese, Ercklentz | Slobo | 2000 | Film | Musik zu einem Kurzfilm von Sylke René Meyer | 16. - 21. 1. 2001 | Max-Ophüls-Preis Festival, Saarbrücken | 0 | http://www.kirstenreese.de | |||||||||
| 28011 | Kirsten, Katharina | Reese, Höcker | dies, sagt sie | 2004 | radiophon | 38:13 | Stereo | Sprach-Klang-Komposition | Radio Bremen | Radio Bremen | 15.4.2005 | RB Nordwestradio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1451037&vi=184&SID | |||||
| 28007 | Kirsten, Katharina | Reese, Höcker | kein name kein datum | 2005 | audiovisuell, live-elec, 1 perf | b-fl [Flöte] | für Text, Bassflöten-Live-Sampling und Projektion | 19. 6. 2005 | Texte und Töne, Högenhausen | 0 | http://www.kirstenreese.de | ||||||||
| 28005 | Kirsten, Pepe | Reese, Jürgens | Init-AV | 2005 | Netzmusik | Netzklangmodul. 2005 | 0 | http://www.kirstenreese.de | |||||||||||
| 27991 | Kirsten, Victorine | Reese, Müller | quiver, Installative Performance für 6 Performerinnen und EM | 2004 | Performance | 6 perf [Performer] | Siehe Beitrag im Katalog "Medien, Klang, Konstellationen" | ISBN 978-3-936000-86-3 Wolkeverlag 2010 (Buchbeilage)/ | 6.11.2004 | Künstlerhaus Bethanien Berlin, Festival Klangwerkstatt | 1 | http://www.kirstenreese.de/quiver.html | |||||||
| 38296 | Kirsten, Daniel, Sebastian, Enrico | Reese, Ott, Quack, Stolzenburg | Phantom Synchron | 2015 | Performance | 40 Tracks | 12 ins, mul perf [Instrument, Performer] | Stadion, Tiefgarage, JVA, Römisches Haus, Schlosshof, Theaterplatz, eine musikalische Ortserkundung für 40 mobile Lautsprecherboxen, zwölf Instrumente und zahlreiche Mitwirkende. | 4.9. - 5.9.2015 | Kunstfest Weimar | 0 | ||||||||
| 30609 | Kirsten, Daniel, Erwin, Zoro, Enrico | Reese, Ott, Stache, Babel, Stolzenburg | mittenDrin - sound expeditions, sounding mountain and sounding town, SoundBallon | 2010 | Klangkunst, Installation | 10. - 12.9.2010 | mittenDrin Festival, Eisenach and hinterland | 0 | http://www.kirstenreese.de/klangballone.html | ||||||||||
| 38306 | Kirsten, Jan | Reese, Schacher | Sonozones | 2013 | Klangkunst, Installation | artistic research, small scale installations/interventions in public space. | 22.-26.7.2013 | Mülheim Ruhr | 0 | http://www.zhdk.ch/index.php?id=55369 | |||||||||
| 38303 | Kirsten, Enrico | Reese, Stolzenburg | 9. November 1938 // Eine lebendige Klanginstallation zum Novemberpogrom | 2013 | Performance | mul perf [Performer] | 9.11.2013 | Theaterplatz Weimar | 0 | ||||||||||
| 38304 | Kirsten, Enrico | Reese, Stolzenburg | Debatte | 2013 | Klangkunst, Installation | 50 | 24 Tracks | 24-kanalige Klanginstallation im Ratssaal im Rathaus Donaueschingen. | 18.-20.10.2013 | Donaueschinger Musiktage | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/2012/werke/-/id=11579120/nid=11579120/did=12046806/1akbvqp/index.html | |||||||
| 42421 | Kirsten, David | Reese, Wagner | Berlin Rosenthaler Platz | 2018 | Performance | 75 | Audiowalk | 21.-23.9.2018 | Live-Performance BAM! Festival für aktuelles Musiktheater; als individueller Audiowalk ab 8.10.2018 | 0 | http://kirstenreese.de/rosenthalerplatz.html | ||||||||
| 38287 | Kirsten, David | Reese, Wagner | Luthertöne | 2017 | radiophon | Spazialisation: soundwalk | Ein Kopfhörerspaziergang zum Lutherjahr 2017 | ab 19.5.2017 | Lutherstadt Wittenberg | 0 | |||||||||
| 13703 | Stephen | Reeve | O que Zeus apparaisse a l'horizon | fixed media, akusmatisch | 14:00 | Stereo | Sweelinck | 0 | |||||||||||
| 13704 | Fabio | Reggio | Studio I | fixed media, akusmatisch | Con Venezia | 0 | |||||||||||||
| 13705 | Francis | Regnier | Chemins d'avant la mort | 1968 | fixed media, akusmatisch | 4:20 | Stereo | Editions Mego (LP) Recollection GRM/ | INA • GRM | 14.2.1968 | Bourges, Maison de la Culture | 0 | |||||||
| 13706 | Francis | Regnier | Deux jeunes filles rieuses | 1969 | fixed media, akusmatisch | 3:40 | Stereo | INA • GRM | 7.3.1969 | London, Queen Elizabeth Hall | 0 | ||||||||
| 13707 | Francis | Regnier | Metronome III | 1968 | fixed media, akusmatisch | 3:00 | Stereo | etude de stage | INA • GRM | 30.1.1969 | Paris, Maison de la Radio, studio 105 | 0 | |||||||
| 40712 | Francis, Agnès | Regnier, Tanguy | Les voix d’au-dela de l’espace | 1971 | radiophon | 59:50 | INA • GRM | 0 | |||||||||||
| 37203 | Natascha, Philipp | Rehberg, Schober | I-O-scope | 2016 | fixed media, akusmatisch | SEM-LAB Darmstadt | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 35335 | Karin | Rehnqvist | Alfred | 1995 | Film | film about Alfred Nobel | 0 | ||||||||||||
| 13708 | Karin | Rehnqvist | Musik från vårt klimat, Music from our climate | 1981/1982 | fixed media, akusmatisch | 11:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 13709 | Karin | Rehnqvist | Råkar, Driven ice | 1983 | Tanz | 15:00 | EMS Stockholm | 0 | |||||||||||
| 13710 | Guy | Reibel | Antinote | 1967 | fixed media, akusmatisch | 9:55 | Quadro, Stereo | using Baschet-ins | IDEAMA CD 023/ | INA • GRM | 22.6.1967 | Paris, Festival du Marais, Egl. Ste Marie | 0 | ||||||
| 13711 | Guy | Reibel | Canon sur une trompe africaine | 1971 | fixed media, akusmatisch | 2:57 | Quadro, Stereo | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 13.8.1972 | Paris, Eglise St. Séverin | 1 | |||||||
| 13712 | Guy | Reibel | Carnaval | 1969, 1971 | Zuspiel / Tonband, 4 perf, 3 groups | 15:15 | Stereo | 3 ch, 3 director, narrator [Schauspieler, Chor] | Text de Roger Marty | ERA STU 70599/ | INA • GRM | GRM | 29.5.1969 | Paris, Maison de la Radio, Studio 105, avec P. Rousseau comédien, R. Boesch, S. Caillat, chefs des chœers | 1 | ||||
| 13713 | Guy | Reibel | Carnaval IV | 1971 | Zuspiel / Tonband, 4 perf, 3 groups | 8:43 | Stereo | 3 ch (d'amateurs), narrator, 3 conductor [Performer, Schauspieler, Chor] | révision de Carnaval | INA • GRM | Commande d’Etat | April 1971 | Tours | Heugel | 0 | ||||
| 40726 | Guy | Reibel | Chanson de geste | 1972 | Musikinstrument, keine EM, 21 perf | 15 V, 6 perc [Stimme, Schlagzeug] | INA • GRM | 0 | |||||||||||
| 40778 | Guy | Reibel | Chohina | 1979 | Zuspiel, live-elec, 2 perf | 10 | amp S, synt [Sopran, synthesizer] | INA • GRM | 25.11.1979 | Lille Festival Serre equatoriale; Ch. Defressine (S) | 0 | ||||||||
| 13714 | Guy | Reibel | Cinq etudes aux modulations | 1973 | fixed media, akusmatisch | 27:30 | Stereo | Tryptique Electroacoustique 2 | Coll GRM 9103 RE/ | INA • GRM | 19.2.1974 | Paris, Espace Cardin | 1 | ||||||
| 40758 | Guy | Reibel | D’un Rabelais en liesse | 1975 | radiophon | 58 | INA • GRM | 25.8.1975 | ORTF France-Culture | 0 | |||||||||
| 13715 | Guy | Reibel | Douze inventions en six modes de jeu, Thème d'éclats Frôlements Frottements-irruption Fluide Equilibre instable jeu d'itérations électroniques Rotation : progresion-développement Jeu d'itérations acoustiques électroniques Voile déchirure Minéral-animal Thème d'itérations Frôlements 2 |
1979 | Zuspiel / Tonband, 3 perf | 40:30 | Octo | 3 synt [synthesizer] | 12 parts (tape alone parts1, 2, 4, 5, 7, 9, 10, 12) | INA • GRM | INA • GRM | 7.5.1979 13.11.1979 |
Paris, Maison de Radio France, Gd. Auditorium; avec le Trio GRM.PLUS (Cuniot, Dufour, Geslin) Lille Festival Palais Rihour |
0 | |||||
| 13716 | Guy | Reibel | Durboth | 1965 | Zuspiel / Tonband, 7 perf | 8:12 | Stereo | S, 5 brass (cuivres), perc [Sopran, Schlagzeug, Bläser] | sur un texte de R. Tagore | ERA STU 70599/ IDEAMA CD 023/ | INA • GRM | August 1965 | Vaison-la-Romaine, Choralies „A cœur joie“ | 1 | |||||
| 13717 | Guy | Reibel | Franges du signe, Tryptique Electroacoustique 3 | 1974 | fixed media, akusmatisch | 31:17 | Stereo | Tryptique Electroacoustique, 3e volet | Coll GRM AM 771.02/ INA C 1016/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 19.2.1974 | Paris, Espace Cardin | 1 | ||||||
| 13718 | Guy | Reibel | Granulations-Sillages, Granulations 1 Tutti médium Granulations 2 Tutti 2 aïgu Balancement Sillage Tutti 3 large |
1976 | fixed media, akusmatisch | 26:40 | Stereo + Stereo + Stereo, 6 | Trois bandes synchrones mixées en direct lors du concert | Coll GRM AM 771.02/ INA C 1016/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 15.3.1976 | Paris, Th. Récamier | 1 | ||||||
| 13719 | Guy | Reibel | Halo d'ombre | 1969 | Zuspiel / Tonband, 1 perf | 32:00 | Stereo | zarb [Schlagzeug] | INA • GRM | 27.2.1969 | Paris, Maison de la Radio, Foyer B; Djamehid Chemirami au zarb | 0 | |||||||
| 40630 | Guy | Reibel | L’enfant d’Elephant | 1968 | Theatermusik | spectacle de marionnettes | INA • GRM | 0 | |||||||||||
| 13720 | Guy | Reibel | Langages Imaginaires, Langues sauvages Langues douces Langues rythmiques Voyelles Couler-boire |
1981 | Zuspiel, live-elec, 7 perf | 34:00 | Stereo | 2 S, T, Bar, hn, cl, perc, (vocoder) [Sopran, Tenor, Bariton, Klarinette, Horn, Schlagzeug] | short version on CD is 13:06 | Coll GRM 9113 RE4/ INA C 2014/ | INA • GRM | Festival de Metz | 22.11.1980 | Metz, 9. Rencontres Internationales, Palais des Sports; avec Nell Froger et Ch. Defressine, sopranos, R. Safir, ténor, M. Piquemal, baryton, A. Cazalet, cor, J.N. Crocq, clarinette J.P. Drouet, percussion | 1 | ||||
| 13721 | Guy | Reibel | Les Chambres de cristal | 1985 | Tanz | 80:10 | Stereo | science fiction Opera | INA • GRM | 13.9.1985 | Paris, Maison de Radio-France, Studio 104 | 0 | |||||||
| 13722 | Guy | Reibel | Les quatre elements, Génèse Les quatre éléments Cinq figures du discours Silhouette Gerbe Aile Cercle Feu follet Le poème de l'énergie |
1983 | Zuspiel / Tonband, 4 perf | 83:00 | Stereo | V, cl, hn, perc [Stimme, Klarinette, Horn, Schlagzeug] | INA • GRM | 16.3.1983 | Paris, IRCAM Espace de projection; avec J.-N. Crocq (cl), J. Blanc (hn), F. Gagneux (perc) et la voix de Jean Bollery; Mixage en direct de la 1. partie par H. Kergomard, G. Racot, D. Teruggi | 0 | |||||||
| 40627 | Guy | Reibel | Mouvances | 1967 | Zuspiel, live-elec, 6 perf | 11:43 | Quadro, Stereo | 6 amp V [Stimme] | INA • GRM | 30.5.1967 | Paris, Maison de la Radio, Studio 105 | 0 | |||||||
| 13723 | Guy | Reibel | Musique en liesse | 1970 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf || intermedia |
71:55 | Stereo, Quadro | e-gui, (slides) [Gitarre] | spectacle, 1. version | INA • GRM | 18.11.1970 14.2.1971 7.11.1971 |
Rennes, Maison de la Culture, P. Urban, gui électr., R. Gagneux, piano préparé et corps sonores. Paris, Espace Cardin avec P. Urban, R. Gagneux Bordeaux, SIGMA 7 |
0 | ||||||
| 13724 | Guy | Reibel | Musiques Eclatees, Incidents | 1969 | Performance | 5:00 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 13725 | Guy | Reibel | Ode a Villon | 1972 | Zuspiel / Tonband, 12 perf | 22:35 | Stereo | 12 V [Stimme] | INA • GRM | ORTF | 2.8.1972 | Avignon, 26. Festival; avec les solistes des chœurs de l’ORTF, dir. M. Couraud | 0 | ||||||
| 24730 | Guy | Reibel | On eût dit des coups d’ailes | 1996 | Zuspiel / Tonband, 6 perf | 27:29 | 5 V, cl [Stimme, Klarinette] | INA C 2014/ | INA • GRM | 0 | |||||||||
| 13726 | Guy | Reibel | Quatre etudes de forme, Etude aux mouvements circulaires Etude aux formes brèves, équilibres instables Etude aux formes accélérées et ralenties Staccato/mi |
1980 | Zuspiel / Tonband, 1 perf | 32:30 | Stereo | p [Piano] | 4 parts (part 1 & 4 piano solo) | INA • GRM | 11.4.1980 21.4.1980 |
Luxembourge, RTL (O. Frank), creation partielle. J. C: Pennetier (p). Paris, Maison de Radio France, Gd. Auditorium; J. C: Pennetier (p). |
0 | ||||||
| 13727 | Guy | Reibel | Rabelais en liesse | 1974 | Theatermusik | 120:00 | Stereo | ch, ins [Instrument, Chor] | textes de F. Rabelais | INA • GRM | ville de Grenoble, Festival d'Avignon | 22.6.1974 1974 |
Grenoble, Maison de la Culture. Décors: W. Underdown, mise en scène P. Barrat; dir. S. Caillat Avignon, 28. Festiva; Mise en scène: P. Barrat, dir. S. Caillat |
0 | |||||
| 13728 | Guy | Reibel | Radiomanie | 1983 | Zuspiel / Tonband, 1 perf | 35:30 | Stereo | perc and V [Stimme, Schlagzeug] | INA • GRM | Ministère de la Culture | 28.11.1983 | Metz, 12. Rencontres Internationales de Musique Contemporaine. Percussion: J.P. Drouet | 0 | ||||||
| 13729 | Guy | Reibel | Rumeurs, Echappée 2 Bloc choral Continuo |
1968 | fixed media, akusmatisch | 21:00 | Quadro | IDEAMA CD 031/ | INA • GRM | 1 | |||||||||
| 13730 | Guy | Reibel | Signal sur bruit, Tryptique Electroacoustique 1 | 1973 | fixed media, akusmatisch | 27:30 | Stereo | Tryptique Electroacoustique 1. volet | INA C 1016/ | INA • GRM | 19.3.1973 | Paris, Maison de la Radio, Studio 104 | 0 | ||||||
| 13731 | Guy | Reibel | Suite pour Edgar Poe, Bérénice Annabel Lee Silence Ombre |
1973 | Theatermusik | 52:48 | Stereo | ens, Sp [Sprecher, Ensemble] | short version on CD is 26:20 | Coll GRM 9103 RE/ INA C 2014/ | INA • GRM | ORTF pour la Festival de Vaisor la Romaine | 22.3.1972 19.2.1973 |
Toulouse (mvts 3 et 4) Paris, Th. Récamier |
1 | 1984 | |||
| 13732 | Guy | Reibel | Variations en étoile, Prologue Métamorphose Jeux combinés Espace courbes Thème Machination Bribes |
1966, 1969 | Zuspiel / Tonband, 1 perf | 16:47 | Stereo | perc [Schlagzeug] | Première oeuvre à partir d'un seul corps sonore | Coll GRM 9103 RE/ PHI 6526003/ IDEAMA CD 023/ Klett Stuttgart 92422/ PHI 6740 001/ | INA • GRM | 2.10.1968 28.3.1969 |
Montreux, Theâtre du Casino Paris, Maison de la Radio, Foyer B, avec J.-P. Drouet (perc) |
1 | |||||
| 13733 | Guy | Reibel | Vertiges | 1969 | Zuspiel, live-elec, 1 perf | 33:15 | Quadro, Stereo | e-gui [Gitarre] | IDEAMA CD 019/ | INA • GRM | 24.10.1969 | Paris, Maison de la Radio, SMIP; avec P. Urban | 0 | ||||||
| 40602 | Guy | Reibel | Vous | 1967 | Theatermusik | 0:45 | INA • GRM | 0 | |||||||||||
| 31316 | Guy, François | Reibel, Bayle | Rumeurs, Echappée 2 Bloc choral Continuo |
1968 | Zuspiel / Tonband, 12 perf, 2 groups | 21 | Quadro | 3 V, oma, p, 2 perc, 2 ch, 6 large ch [Stimme, Piano, Schlagzeug, synthesizer, Chor] | 5 parts (Bayle; 31:08 min) + 3 parts (Reibel; 21min) Scénario de François Bayle. 6 large ch ≈ 6000 Voices at 9 chefs |
ERA STU 70599/ IDEAMA CD 031/ | INA • GRM | Commande d’Etat | 10.8.1968 | Vaison la Romaine, A. Savouret, S. Caillat, R. Boesch (3 conductors) avec J. Higelin | 1 | http://www.magison.org/ | |||
| 13734 | Steve | Reich | Buy Art Buy Art | 1967 | fixed media, akusmatisch | 70:00 | Mono + Mono + Mono | 3 loop cartridges | PS C. NY | 0 | |||||||||
| 13735 | Steve | Reich | Come out | 1966 | fixed media, akusmatisch | 12:58 | Stereo | Odyssey 32160160/ Nonesuch 79451/ Nonesuch 79552/ Nonesuch 79988/ Nonesuch 979169/ IDEAMA CD 138/ | PS C. NY | 1 | 1992 | ||||||||
| 13736 | Steve | Reich | Different Trains | 1988 | Zuspiel / Tonband, 4 perf | 26:43 | Stereo | str-qt [Streicher] | Nonesuch 7559-79179/ MO 782167/ Nonesuch 79451/ Nonesuch 979176/ | PS Russian Hill SanFran, WDR SEM | Kronos | Grammy 1990 | 0 | ||||||
| 19201 | Steve | Reich | Electric Counterpoint | 1987 | Zuspiel / Tonband, 1 perf | 14:38 | e-gui or amp gui [Gitarre] | CRR 9610 Rivoalto/ Nonesuch 79451/ Nonesuch 979176/ | 1 | ||||||||||
| 43102 | Steve | Reich | Electric Guitar Phase | 2000 | Zuspiel / Tonband, 1 perf | 15…18 | e-gui [Gitarre] | arrangement of Violin Phase (1967) | 0 | ||||||||||
| 43098 | Steve | Reich | Four Organs | 1970 | live-elec, 4 perf | 16…22 | 4 e-org and maracas [Keyboard, Schlagzeug] | for four electric organs and maracas | Universal Edition | 0 | |||||||||
| 13737 | Steve | Reich | Four Pianos | 1967 | live-elec, 4 perf | 20:00-30:00 | Quadro | 4 e-p (with headphones) [Piano] | PS C. NY | 0 | |||||||||
| 13738 | Steve | Reich | It’s Gonna Rain, or Meet Brother Walter in Union Square after listening to Terry Riley | 1965 | fixed media, akusmatisch | 17:30 | Stereo | 2 parts | MS 7265 LP/ Nonesuch 979169/ Nonesuch 79451/ Nonesuch 7559-79962 (5 CDs)/ EuroArts 3058128/ IDEAMA CD 138/ | PS C. SanFran | 1 | ||||||||
| 13739 | Steve | Reich | Livelihood | 1964 | fixed media, akusmatisch | 3:10 | Stereo | PS C. SanFran | 0 | ||||||||||
| 13740 | Steve | Reich | Melodica | 1966 | fixed media, akusmatisch | 10:30 | Stereo | MC 001 Mills College/ | CCM Mills | 1 | |||||||||
| 34993 | Steve | Reich | Music for 18 Musicians | 1974 - 1976 | fixed media, akusmatisch | 2 S, Mez, A, 14 ins [Sopran, Alt, Mezzo, Instrument] | multimediales Oratorium in drei Teilen | 0 | |||||||||||
| 13741 | Steve | Reich | Music for Piano and Tape | 1964 | Zuspiel / Tonband, 1 perf | 4:00-10:00 | Stereo | p [Piano] | PS C. SanFran | 0 | |||||||||
| 32754 | Steve | Reich | My Name Is, Mein Name ist… | 1967 | Zuspiel / Tonband, 3 perf | 7…15 | Mono + Mono + Mono | 3 perf (taperec) [Performer] | 0 | ||||||||||
| 23351 | Steve | Reich | New York Counterpoint | 1985 | Zuspiel / Tonband, 1 perf | 11:27 | amp cl [Klarinette] | Erich Wagner (cl); 11.9.2003 Podewil | Nonesuch 79481-2/ | 1 | |||||||||
| 43100 | Steve | Reich | New York Counterpoint | 1985 | Zuspiel / Tonband, 4 perf | 11 | amp sax-qt [Saxophon] | 1 | |||||||||||
| 21546 | Steve | Reich | Pendulum Music | 1968 | Zuspiel, live-elec, 3 perf | 5…8 5:52 | Mono + Mono + Mono | 3 perf (taperecorder, with feedback via moved Microphones) [Performer] | for 3 or 4 microphones, amplifiers and loudspeakers | Ellipsis Arts 3672 - OHM: 02/ SR 250 sub rosa/ | 1969 | Whitney Museum of American Art NY | Universal Edition | 1 | |||||
| 13742 | Steve | Reich | Saxophone Phrase | 1966 | Zuspiel / Tonband, 1 perf | 10:00-15:00 | Stereo | s-sax [Saxophon] | PS C. NY | 0 | |||||||||
| 13743 | Steve | Reich | The Plastic Haircut | 1964 | Film | 3:00 | Mono | PS C. SanFran | 0 | ||||||||||
| 28397 | Steve | Reich | Three Tales, Hindenburg Bikini Dolly |
2002 | audiovisuell | 65 | 2 S, 3 T, 4 perc, 2 p, str-qt (all amp) [Sopran, Tenor, Piano, Schlagzeug, Streicher] | a documentary digital video opera | Ellipsis Arts 3694 - OHM DVD/ Nonesuch 7559-79835/ | 12.5.2002 | Wien | 1 | http://www.stevereich.com/threetales.html | ||||||
| 43101 | Steve | Reich | Triple Quartet | 1998 | Zuspiel / Tonband, 4 perf | 15 | amp str-qt [Streicher] | Original: for string quartet and pre-recorded tape Also: for three string quartets or string orchestra |
0 | ||||||||||
| 43099 | Steve | Reich | Vermont Counterpoint | 1982 | Zuspiel / Tonband, 1 perf | 9 | amp fl (picc, a-fl) [Flöte] | 0 | |||||||||||
| 43103 | Steve | Reich | Violin Phase | 1967 | Zuspiel / Tonband, 1 perf | 15…18 | vn (or 4 vn) [Violine] | 1 | |||||||||||
| 34992 | Steve, Beryl | Reich, Korot | The Cave – | 1990 - 1993 | Oper | ens, 4 V [Stimme, Ensemble] | multimediales Oratorium in drei Teilen | Frankfurt LAB | 0 | ||||||||||
| 41952 | Leah | Reid | Pressure | fixed media, akusmatisch | 0 | ||||||||||||||
| 34600 | Leah | Reid | Ring, Resonate, Resound | 2015 | fixed media, akusmatisch | SMC2016 | 0 | ||||||||||||
| 13744 | Ross | Reid | Construction and Improvisation | 1964 | fixed media, akusmatisch | 5:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 31551 | Thomas | Reifner | fern | 2013 | audiovisuell | 9:00 | next_generation 5.0 | HfM Lübeck | 26.6.2013 | ZKM | 0 | ||||||||
| 37220 | Thomas | Reifner | Wiltion Zur | 2017 | fixed media, akusmatisch | HfM Lübeck | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 42655 | M. Anthony | Reimer | untitledededede | 2009 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 20716 | Brian | Reinbolt | Bathtub Curve | 1996 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | ART 1015/ | CCM Mills | 0 | |||||||||
| 20717 | Brian | Reinbolt | It's not that simple | live-elec, 1 perf | Stereo | MIDI [synthesizer] | ART 1005/ | CCM Mills | 0 | ||||||||||
| 40845 | Ines | Reingold-Tali | Suction | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 0 | ||||||||||||
| 41593 | Jaime | Reis | Fluxus, pas trop haut dans le ciel | 2017 | fixed media, akusmatisch | 9:30 | 16 Tracks | finaliste du dixième concours international de composition "Métamorphoses" | 0 | ||||||||||
| 42000 | Christoph | Reiserer | Listen | 2018 | audiovisuell | t-sax (multimediainstallation) [Saxophon] | 26.10.2018 | München | 0 | ||||||||||
| 13745 | Josef | Reiter | Alice hinter den Spiegeln | 1990 | Theatermusik | radiophon |
35:00 | 0 | ||||||||||||
| 13746 | Josef | Reiter | chicken music | 1988 | fixed media, akusmatisch | 17:00 | ELAK Wien | 0 | |||||||||||
| 13747 | Josef | Reiter | Große Pause | 1992 | Klangkunst, Installation | 0 | |||||||||||||
| 13748 | Josef | Reiter | im Mund noch den Geschmack des anderen Mannes | 1988 | Theatermusik | 70:00 | ELAK Wien | 0 | |||||||||||
| 13749 | Josef | Reiter | Indicatore | 1994 | radiophon | 35:00 | 0 | ||||||||||||
| 13750 | Josef | Reiter | Kiosk | 1993 | audiovisuell | 6:00 | 0 | ||||||||||||
| 13751 | Josef | Reiter | Lautsprecherpendel | 1991 | Klangkunst, Installation | 9:12 | 0 | ||||||||||||
| 13752 | Josef | Reiter | Lingual | 1992 | Klangkunst, Installation | intermedia |
8:00 | 0 | ||||||||||||
| 13753 | Josef | Reiter | Man muß Kautschukman sein | 1989 | live-elec, 1 perf | 12:00 | Stereo | perf [Performer] | Live-performance. | ELAK Wien | 0 | ||||||||
| 13754 | Josef | Reiter | ÖNorm A-1650 | 1992 | Klangkunst, Installation | 0 | |||||||||||||
| 13755 | Josef | Reiter | Schrattenberg Sounding | 1992 | Klangkunst, Installation | 7:17 | 0 | ||||||||||||
| 13756 | Josef | Reiter | Soundsculpure IV | 1992 | Klangkunst, Installation | 0 | |||||||||||||
| 13757 | Josef | Reiter | statistic composition | 1993 | Klanginstallation, | 16:46 | 0 | ||||||||||||
| 13758 | Josef | Reiter | Stirb i (and when I die) | 1991 | Klangkunst, Installation | 3:16 | 0 | ||||||||||||
| 13759 | Josef | Reiter | Südwind | 1994 | audiovisuell | intermedia |
8:00 | 0 | ||||||||||||
| 13760 | Josef | Reiter | Tape music I | 1987 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 13761 | Josef | Reiter | Tape music II | 1987 | fixed media, akusmatisch | 6:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 13762 | Josef | Reiter | Zauberflöte fast forward | 1991 | Musiktheater | 10:00 | 0 | ||||||||||||
| 13763 | Arthur | Reith | Harmonien: Overtüre, Choral, Le printemps, Hommage a R. Wagner, Finale. | 1983 | fixed media, akusmatisch | 18:27 | Stereo | ELAK Wien | 0 | ||||||||||
| 28712 | Dirk | Reith | Casino Moon | 1997 | Theater, live-elec, 6 perf | Stereo | 5 Sp, (perc-)Kbd [Sprecher, Keyboard] | mit Videoband, Life-Video | PS C. | Mai 1997 | Folkwang Hochschule | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||
| 28711 | Dirk | Reith | Dialog, Dialog aus "Mécanique mon Amour" | 1993/1999 | Film, live-elec, 1 perf | 15:40 | Stereo | a-sax [Saxophon] | Sample Cell, Csound, Turbosynth und ProTools (digidesign) | PS C. | Rheinisches Musikfest des WDR | 1999 | ex machina Folkwang Hochschule (Simone Otto) | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||
| 23032 | Dirk | Reith | Entwurf eines Programms | 1972 | fixed media, akusmatisch | 15:14 | Stereo | Ex Machina 4 - die siebziger Jahre | Cybele 960.104, ex machina 4/ | ICEM Essen | 1 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||
| 13766 | Dirk | Reith | Feed Back, ( Version 1 ) | 1980 | fixed media, akusmatisch | 16:05 | Stereo | Material aus m730709.1-3.tb Mischen&Mod v.4 automat. Schaltungen | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||
| 13767 | Dirk | Reith | Feed Back, ( Version 2 ) | 1983 | fixed media, akusmatisch | 7:25 | Stereo | DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||
| 32809 | Dirk | Reith | Interactions 2 | 2013 | fixed media, akusmatisch | 8 | Quadro | ICEM Essen | 0 | ||||||||||
| 26183 | Dirk | Reith | Kesselhaus Suite, Ouvertüre aus der Kesselhaus-Suite Feuerwerksmusik zur Kesselhaus-Suite |
1997/2000 | Klangkunst, Installation | 63 | Quadro, Octo | eine Raummusik | ICEM CD-2.1/ | ICEM Essen | Design Zentrums NRW | 29.4.1997 | Zeche Zollverein | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||
| 23043 | Dirk | Reith | Mécanique mon amour | 1993 | Zuspiel / Tonband, 1 perf | 14:13 | a-sax, (film) [Saxophon] | Ex Machina 6 - die neunziger Jahre. Simone Otto (Saxophon) |
Cybele 960.106, ex machina 6/ | ICEM Essen | 1 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||
| 13768 | Dirk | Reith | Mischen und Modulieren von vier Klangquellen im Raum, Mischen und Modulieren v. 4 autom. Schaltungen im Raum | 1971 | fixed media, akusmatisch | 2:05 | Mono + Mono + Mono + Mono | für 4 Tonbandmaschinen | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||
| 30615 | Dirk | Reith | music for 113 pianos | 2000 | Klangkunst, Installation | 0 | |||||||||||||
| 30613 | Dirk | Reith | nahe zu … | 1988 | fixed media, akusmatisch | Octo | Variationen über „nahe zu fern“ | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||||
| 13770 | Dirk | Reith | nahe zu fern | 1987 | Zuspiel, live-elec, 1 perf | 12:45 | Octo | (com), Kbd [Keyboard] | two versions: for tape alone; for live electronics | Cybele 960.101/ DegeM CD 01/ | ICEM Essen | 1 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||
| 13771 | Dirk | Reith | Nested Loops 1, Nested Loops | 1980 | fixed media, akusmatisch | 9:00 | Quadro | Cybele 960.105, ex machina 5/ | EMS Stockholm | 1 | 1984 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||
| 13772 | Dirk | Reith | Nested Loops 2, Nested Loops II | 1982 | Zuspiel / Tonband, 1 perf | 16:38 | Quadro | p [Piano] | ICEM NovemberMusic 2007/ | ICEM Essen | 1 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||
| 13773 | Dirk | Reith | Nested Loops 3, Nested Loops III | 1984 | Zuspiel / Tonband, 2 perf | 11:45 | Quadro | p, perc [Piano, Schlagzeug] | Synlab, Projekt 1 (Gottfried Michael Koenig), SC2 (Dirk Reith, Klaus Damm), P2 (Markus Lepper), APLLE II, Hofschneider Intervace mit 16 DA-Wandlern, Helious Mischpult. AEG Bandmschinen, ADAT, LEXICON 480, C24 Mischpult, ADAM&SMITH Synchronizer, ProTools 4. | ICEM CD Reith/ | ICEM Essen | 1 | 1985 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||
| 32808 | Dirk | Reith | Nested Loops 5, Nested Loops V | 2007 | fixed media, akusmatisch | 7:10 | DegeM CD 15/ | ICEM Essen | 0 | ||||||||||
| 30614 | Dirk | Reith | Ouvertüre aus der Kesselhaus-Suite, Kesselhaus Suite | 1997 | Zuspiel / Tonband, 1 perf | fl, (signalglocke, Akusmonium) [Flöte] | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||||
| 35026 | Dirk | Reith | passing bells | 2016 | live-elec, 1 perf | Mez [Mezzo] | for mezzo-soprano and poem against war | NOW Festival | 5.11.2016 | ICEM festival NOW 2016 | 0 | ||||||||
| 13774 | Dirk | Reith | Programm 2, Programm II | 1977 | Zuspiel / Tonband, 1 perf | 12:09 | Quadro | perc [Schlagzeug] | ICEM CD Reith/ | ICEM Essen | WDR | 1 | 1984 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||
| 28709 | Dirk | Reith | Resonanzen 1, Resonanzen I | 1993 | Zuspiel / Tonband, 1 perf | 12:54 | Stereo | fl [Flöte] | ICEM CD Reith/ | PS C. | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||
| 28710 | Dirk | Reith | Resonanzen 2 | 1993 | live-elec, 1 perf | Stereo | fl [Flöte] | PS C. | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||||
| 28708 | Dirk | Reith | sonic landscape | 1995 | Klangkunst, Installation | Octo | PS C. | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||||
| 13775 | Dirk | Reith | traffic jam | 1991 | fixed media, akusmatisch | 8:48 | Quadro | M. concrète | WDR & AufRuhr Records ART CD 001/ | ICEM Essen | 1 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||
| 28713 | Dirk | Reith | Un Lay de Consolation | 1999, 2002 | Performance, live-elec, 2 perf | 16:36 | Stereo | rec, dancer [Flöte, Tanz] | WER ARTS 81062/ | PS C. | Oktober 1999 | Ludgeruskirche Werden | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||
| 28714 | Dirk | Reith | vent arrièr | 2005 | Performance, live-elec, 2 perf | tuba, bar-sax [Saxophon, Tuba] | bewegte Bilder | PS C. | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||||
| 13776 | Dirk | Reith | verSTIMMUNG | 1995 | fixed media, akusmatisch | 8:37 | Quadro | Text von Angelika Janz | Cybele 960.102/ ICEM CD Reith/ | PS C. | Oktober 1995 | Tokyo | 1 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||
| 30612 | Dirk | Reith | … zu fern | 1988 | fixed media, akusmatisch | Octo | Variationen über „nahe zu fern“ | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | |||||||||
| 31431 | Torsten | Reitz | Füße und Flüsse | 2007 | live-elec, 1 perf | vc, (Max/MSP) [Cello] | HfM Dresden | 0 | |||||||||||
| 31434 | Torsten, Jan Friedrich | Reitz, Kurth | 5 Skizzen | 2008 | live-elec, 1 perf | rec, (Max/MSP) [Flöte] | HfM Dresden | 0 | |||||||||||
| 13777 | Radek | Rejsek | Carmen Campanarum | 1991 | fixed media, akusmatisch | 11:48 | Praha VÚRT | Competition Musica Nova Prag 1993 | 0 | ||||||||||
| 13778 | Radek | Rejsek | Ofélie | 1990 | fixed media, akusmatisch | 9:42 | Stereo | Radio Plzen | 0 | ||||||||||
| 19255 | Radek | Rejsek | Stomatologicka minirapsodie | 1994 | fixed media, akusmatisch | 6:08 | Zahnarzt - Quelle | KO 0004/ | Studio Plzen | Competition Musica Nova Prag 1994 | 1 | ||||||||
| 13779 | Attila | Reményi | Moo | 1980 | fixed media, akusmatisch | 6:30 | Stereo | MR Budapest | 0 | ||||||||||
| 13780 | Attila | Reményi | The Last Message | 1982 | fixed media, akusmatisch | 8:55 | Stereo | MR Budapest | 0 | ||||||||||
| 19027 | Manolo | Remiddi | Una Giornata di Agosto | 1995 | fixed media, akusmatisch | 8:10 | Russolo Pratella EF.ER.P 95/ | 3rd prize Russolo 95 | 1 | ||||||||||
| 26046 | Rauno | Remme | Gen Ision | fixed media, akusmatisch | 4:24 | 2. part | E-Stuudio/ | HfM Estonia | 1 | ||||||||||
| 13781 | Mats | Rendel | Brider I & II | 1982 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 13782 | Mats | Rendel | Calypso e-moll | 1982 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 13783 | Mats | Rendel | Dedicated to M.P. | 1982 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 13784 | Mats | Rendel | End of the beguine | 1982 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 13785 | Mats | Rendel | Ers majestät (Dalmasia, För Sverige i tiden, Effekt) | 1982 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 13786 | Mats | Rendel | Lamento de Tristano | 1980 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 13787 | Mats | Rendel | Pensionatet | 1981 | Zuspiel / Tonband, 2 perf | Stereo | 2 perf [Performer] | with Göran Agdur & Albert Fichter | EMS Stockholm | 0 | |||||||||
| 13788 | Paolo | Renosto | Love' s body | 1972 | Zuspiel / Tonband, 2 perf | Mez, Sp [Mezzo, Sprecher] | Fonologia Milano | 0 | |||||||||||
| 13789 | Paolo | Renosto | Omaggio a W. Blake | 1974 | Zuspiel / Tonband, 1 perf | V [Stimme] | Fonologia Milano | 0 | |||||||||||
| 13790 | Paolo | Renosto | Praeludium | 1973 | Zuspiel / Tonband, 1 perf | V [Stimme] | Fonologia Milano | 0 | |||||||||||
| 31668 | Régis | Renouard Larivière | Contrée | 2012 | fixed media, akusmatisch | 20 | Stereo | INA • GRM | 0 | ||||||||||
| 26047 | Régis | Renouard Larivière | Errance essorante | 2004 | fixed media, akusmatisch | 20:00 | Octo | 2 Teile | INA • GRM | 1 | 2005 | ||||||||
| 13791 | Régis | Renouard Larivière | Futaie | 1996 | fixed media, akusmatisch | 14:00 | Stereo | Prix ars electronica 96/ INA e 5008/ | INA • GRM | prix ars electronica 1996 | 1 | 1996 | |||||||
| 13792 | Régis | Renouard Larivière | Les soulevements | 1991 | fixed media, akusmatisch | 24:40 | Stereo | INA • GRM | 0 | ||||||||||
| 23772 | Régis | Renouard Larivière | Tchernoziom | 1998 | fixed media, akusmatisch | 18:40 | Stereo | INA e 5008/ | INA • GRM | 1 | |||||||||
| 41854 | Jean-Phillipe, Dinah | Renoult, Bird | Song for the Brewery | 2008 | radiophon | 11:52:00 | (excerpt # 5, 6 & 7) | NAISA Deep Wireless 5/ | 1 | ||||||||||
| 27870 | Jean-Marie | Rens | Score | 2004 | live-elec, 2 perf | fl, p [Flöte, Piano] | nouvelle version | CRFMW Liège | 19.03.2004 | Bruxelles, MIM, concours public de musique de chambre du Conservatoire Royal de Bruxelles | 0 | http://www.crfmw.be/index1.htm | |||||||
| 13793 | Tim | Rescala | A Ilha de Santa Cruz | 1988 | live-elec, 1 perf | 70:00 | Stereo + Stereo + Stereo | synt [synthesizer] | ESt da Glória Rio | 0 | |||||||||
| 13794 | Tim | Rescala | Discurso da difamação do poeta | 1979 | Musiktheater, 1 perf | 10:00 | Stereo | actor [Schauspieler] | ESt da Glória Rio | 0 | |||||||||
| 13795 | Tim | Rescala | Midimambo | 1992 | live-elec, 2 perf | 5:30 | 2 sam [computer] | ESt da Glória Rio | 0 | ||||||||||
| 13796 | Tim | Rescala | Midistudo | 1989 | live-elec, 1 perf | 9:00 | sam [computer] | ESt da Glória Rio | 0 | ||||||||||
| 13797 | Tim | Rescala | Midistudo II | 1991 | live-elec, 2 perf | 10:00 | 2 sam [computer] | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | ESt da Glória Rio | 1 | |||||||||
| 13798 | Tim | Rescala | Música para berimbau e fita magnética | 1980 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | str (berimbau) [Streicher] | ESt da Glória Rio | 0 | |||||||||
| 13799 | Tim | Rescala | Ponto, linha e plano | 1990 | Zuspiel / Tonband, 1 perf | 11:30 | Stereo | cl [Klarinette] | RD003 MEB Rioarte/ | ESt da Glória Rio | 0 | ||||||||
| 13800 | Tim | Rescala | Primeiro estudo político | 1981 | Zuspiel / Tonband, 4 perf | 20:00 | Stereo | 4 perc [Schlagzeug] | ESt da Glória Rio | 0 | |||||||||
| 13801 | Tim | Rescala | Psiu ! | 1989 | live-elec, 1 perf | 8:00 | sam [computer] | ESt da Glória Rio | 0 | ||||||||||
| 13802 | Tim | Rescala | Salve o Brasil ! | 1982 | Musiktheater, 3 perf | 18:00 | Stereo | 3 actor [Schauspieler] | ESt da Glória Rio | 0 | |||||||||
| 13803 | Lloyd | Reschke | Contemplation II | 1987 | fixed media, akusmatisch | 5:37 | Stereo | Brock Uni ON | 0 | ||||||||||
| 13804 | Lloyd | Reschke | Synthesis 3 | 1987 | fixed media, akusmatisch | 6:11 | Stereo | Brock Uni ON | 0 | ||||||||||
| 35542 | Eduard | Resina | Read my lisp | fixed media, akusmatisch | 5:52 | 0 | |||||||||||||
| 37255 | Christof | Ressi | game_over_0.1.2 | 2017 | fixed media, akusmatisch | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 13805 | Clara von | Rettig | E-stoder | 1988 | fixed media, akusmatisch | 15:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 28561 | Michael | Reudenbach | Tvers | 2002 | live-elec, 12 perf | 13:57 | p, 11 str [Piano, Streicher] | WD 2002, Wittener Tage Für Neue Kammermusik 2002/ | Kompositionsauftrag des WDR | 2002 | Wittener Tage für neue Kammermusik 2002 mit Experimentalstudio des SWR, Sven Thomas Kiebler (p), Ensemble Resonanz, Ltg. Kasper de Roo | 1 | |||||||
| 32871 | Clemens von | Reusner | 10vorne D | 2010 | fixed media, akusmatisch | 0:20 | Stereo | PS C. | 17.4.2010 | 10vorne - der elektroakustische Salon, Essen | 0 | ||||||||
| 32872 | Clemens von | Reusner | 10vorne S | 2010 | fixed media, akusmatisch | 0:20 | Stereo | PS C. | 17.4.2010 | 10vorne - der elektroakustische Salon, Essen | 0 | ||||||||
| 39029 | Clemens von | Reusner | Aechome | 2017 | Zuspiel / Tonband, 2 perf | 11:55:00 | Stereo | a-fl, vc [Flöte, Cello] | Aechome for altoflute, violoncello and tape | PS C. | Beatrix Wagner, Gerald Eckert | Sa, 25. Nov 2017 | Lange Nacht der Musik, Eckernförde | 0 | |||||
| 39032 | Clemens von | Reusner | Anamorphosis | 2018 | fixed media, akusmatisch | 7:19 | Octo, Surround 5.1, Spazialisation: Ambisonics 3rd order | NEOS 11803/ | PS C. | Mi, 09. Mai 2018 | Künstlerische Werkstätten, Trebel | ISCM 2019 Tallinn, Estland | 0 | ||||||
| 31171 | Clemens von | Reusner | ATLANTIK | 1990 | fixed media, akusmatisch | 3:55 | Stereo | „Kandinsky Music Painter“ software | PS C. | 0 | |||||||||
| 31960 | Clemens von | Reusner | BRNK | 2011 | fixed media, akusmatisch | 4:47 | Stereo | NURNICHTNUR 1110517/ | PS C. | 16.1.2010 | Noise Floor Festival 2010, Stafford, U.K. | Finalist at the International Electroacoustic Music Competition Musica Nova 2010 - Prague, Czech Republik, Selected for World Music Days 2011, Zagreb. | 0 | ||||||
| 31175 | Clemens von | Reusner | Canyon | 1978 | fixed media, akusmatisch | 4:58 | Stereo | Elektronik | PS C. | 0 | |||||||||
| 31155 | Clemens von | Reusner | contact-w | 2008 | fixed media, akusmatisch | 2:32 | Stereo | PS C. | 0 | ||||||||||
| 31145 | Clemens von | Reusner | Continuous Flow Machines | 2011, 2018 | fixed media, akusmatisch | radiophon |
60 | Octo, Stereo, Spazialisation: Ambisonics | PS C. | 23.5.2012 13.01.2018 |
Allgemeiner Konsumverein, Braunschweig hr2 kultur |
0 | ||||||||
| 31140 | Clemens von | Reusner | de monstris epistola | 2012 | radiophon | 23:45 | Stereo | Elektroakustik | PS C. | 25.5.2013 | The Artist's Corner, Hessischer Rundunk | 1. Preis im internationalen Kompositionswettbewerb "Wär' ich ein Ton" zum 250. Geburtstag des Dichters Jean Paul in der Kategorie "Radiophone Klangkunst" | 0 | ||||||
| 34627 | Clemens von | Reusner | Definierte Lastbedingung | 2016 | fixed media, akusmatisch | 11:04 | Octo, Surround 5.1, Spazialisation: Ambisonics 3rd order | SMC2016 | ablaze records 00047/ NEOS 11803/ | 0 | |||||||||
| 31962 | Clemens von | Reusner | Dry Fiction | 2012 | fixed media, akusmatisch | 12:55 | Stereo | NURNICHTNUR 1120526/ NEOS 11803/ | PS C. | 7.10.2012 | EMUFest "Festival Internazionale di Musica Elettroacustica del Conservatoria S.Cecilia", Roma, Italia | Selected for ICMC 2012, Perth, Canada. International Computer Music Conference 2012 (ICMC), Ljubljana |
1 | ||||||
| 31165 | Clemens von | Reusner | FM-C 004 | 1992 | fixed media, akusmatisch | 7:57 | Stereo | Kandinsky Music Painter software | PS C. | 0 | |||||||||
| 26148 | Clemens von | Reusner | Gedehnte Zeit | 2007 | fixed media, akusmatisch | 4:56 | Stereo | Cybele 960.209/ DegeM CD 09/ | PS C. | 1 | |||||||||
| 31153 | Clemens von | Reusner | Hafen Beddingen | 2009 | radiophon | 33:30 | Stereo | Soundscape Komposition | NURNICHTNUR 1090505/ | PS C. | 27.3.2009 | Deutschlandradio Kultur | 0 | ||||||
| 31958 | Clemens von | Reusner | HO | 2011 | fixed media, akusmatisch | 13:06 | Stereo | CSound | NURNICHTNUR 1110517/ NEOS 11803/ | PS C. | 4.12.2009 | Theatre Inspirace - Academy of Arts, Prague, Czech Republik | Honorable Mention, International Electroacoustic Music Competition Musica Nova 2009 - Prague, Czech Republik |
0 | |||||
| 31151 | Clemens von | Reusner | i-RAAT | 2009 | fixed media, akusmatisch | 3 | Stereo | Elektroakustik | PS C. | 0 | |||||||||
| 39031 | Clemens von | Reusner | KRIT | 2018 | fixed media, akusmatisch | 10:10:00 | Octo, Surround 5.1, Spazialisation: Ambisonics 3rd order | NEOS 11803/ | PS C. | Fr, 18. Mai 2018 | Künstlerische Werkstätten, Trebel | 0 | |||||||
| 31152 | Clemens von | Reusner | material de vaga | 2009 | fixed media, akusmatisch | 3:04 | Stereo | Elektronik | NURNICHTNUR 1120526/ | PS C. | 0 | ||||||||
| 31170 | Clemens von | Reusner | MONOLOG 1 | 1990 | fixed media, akusmatisch | 0:51 | Stereo | Kandinsky Music Painter software | PS C. | 0 | |||||||||
| 32873 | Clemens von | Reusner | MONOLOG 2 | 1990 | fixed media, akusmatisch | 0:20 | Stereo | Kandinsky Music Painter software | PS C. | 0 | |||||||||
| 32874 | Clemens von | Reusner | MONOLOG 3 | 1990 | fixed media, akusmatisch | 0:51 | Stereo | Kandinsky Music Painter software | PS C. | 0 | |||||||||
| 32875 | Clemens von | Reusner | MONOLOG 4 | 1990 | fixed media, akusmatisch | 0:46 | Stereo | Kandinsky Music Painter software | PS C. | 0 | |||||||||
| 32876 | Clemens von | Reusner | MONOLOG 7 | 1990 | fixed media, akusmatisch | 0:30 | Stereo | Kandinsky Music Painter software | PS C. | 0 | |||||||||
| 39028 | Clemens von | Reusner | Morgue | 2015 | radiophon | 42:57:00 | Octo | Hessischer Rundfunk, PS C. | Hessischer Rundfunk | Sa, 30. Apr 2016 | HR | 0 | |||||||
| 31147 | Clemens von | Reusner | Nachtraum | 2010 | radiophon | 52:48 | Stereo | PS C. | WDR3 - Studio akustische Kunst | 17.9.2010 | WDR3 - Studio akustische Kunst | 0 | |||||||
| 31162 | Clemens von | Reusner | OHMS IV | 1989 | fixed media, akusmatisch | 3:20 | Stereo | KANDINSKY MUSIC PAINTER software | PS C. | 0 | |||||||||
| 31173 | Clemens von | Reusner | OHMS V | 1989 | fixed media, akusmatisch | 2:30 | Stereo | Elektronik; KMP (Kandinsky Music Painter) | PS C. | 0 | |||||||||
| 31168 | Clemens von | Reusner | OLKT-R | 1991 | fixed media, akusmatisch | 3:52 | Stereo | Kandinsky Music Painter software | PS C. | 0 | |||||||||
| 42571 | Clemens von | Reusner | play sequence | 2018/2019 | fixed media, akusmatisch | 12:41 | Stereo, Quadro, Surround 5.0, Octo, Spazialisation: Ambisonic 3rd-order | "play sequence" entstand als Auftragswerk für das Projekt "MusiKKirche" der evangelischen St. Johannis-Gemeinde in Restorf im niedersächsischen Wendland. | "MusiKKirche" der evangelischen St. Johannis-Gemeinde in Restorf | 27.01.2019 | St. Johannis-Kirche, Restorf | 0 | |||||||
| 31166 | Clemens von | Reusner | REIF | 1992 | fixed media, akusmatisch | 9:22 | Stereo | Elektronik; KMP (Kandinsky Music Painter) | PS C. | 0 | |||||||||
| 31163 | Clemens von | Reusner | RIPLEY | 1993 | fixed media, akusmatisch | 5:53 | Stereo | Kandinsky Music Painter software | PS C. | 0 | |||||||||
| 31141 | Clemens von | Reusner | rooms without walls | 2012 | fixed media, akusmatisch | 16:16 | Octo, 16 tracks, Spazialisation: Ambisonics | Elektronik | PS C. | Musik21 Niedersachsen | 19.7.2012 | Platz der Weltaussstellung Hannover | 0 | ||||||
| 31146 | Clemens von | Reusner | rückbau | 2011 | fixed media, akusmatisch | 4:55 | Stereo | NURNICHTNUR 1110517/ | PS C. | 25.7.2012 | The Global Composition 2012, Darmstadt | 1 | |||||||
| 31144 | Clemens von | Reusner | selbstLAUT | 2011 | radiophon | 59 | Stereo | Radioportrait, Hessischer Rundfunk | PS C. | HR | 12.7.2012 | Hessischer Rundfunk, hr2-kultur, "Cluster - Kontexte Neuer Musik" | 0 | ||||||
| 31966 | Clemens von | Reusner | slksti | 2012 | fixed media, akusmatisch | 1 | Stereo | NURNICHTNUR 1120526/ | PS C. | 0 | |||||||||
| 31143 | Clemens von | Reusner | Spectral Derivates I | 2011 | fixed media, akusmatisch | 6:58 | Stereo | Elektronik | PS C. | 0 | |||||||||
| 32866 | Clemens von | Reusner | Sphären der Untätigkeit | 2013 | fixed media, akusmatisch | 9:30 | Stereo | NEOS 11803/ | PS C. | 7.10.2013 | Elektro Arts Festival 2013, Cluji, Romania | 0 | |||||||
| 31148 | Clemens von | Reusner | The Secrets Of The Bowl | 2010 | fixed media, akusmatisch | 1:00 | Stereo | Elektroakustik | PS C. | 0 | |||||||||
| 32867 | Clemens von | Reusner | Topos Concrete | 2014 | fixed media, akusmatisch | 9:18 | Octo, Surround 5.1, Spazialisation: Ambisonics 3rd order | NEOS 11803/ | PS C. | Finalist at the International Electroacoustic Music Competition Musica Nova 2014 - Prague, Czech Republik | 0 | ||||||||
| 39030 | Clemens von | Reusner | Waves | 1989 | fixed media, akusmatisch | 1:00:00 | Stereo | PS C. | 0 | ||||||||||
| 30480 | Clemens von, Frank | Reusner, Niehusmann | Igel sein, anstatt dem toten Hasen die Kunst zu erklären, Teil 1 | 2012 | fixed media, akusmatisch | 5:48 | Stereo | 3 movements, Teil 1 (5:48 min.), Teil 2 (5:48 min.), Teil 3 (5:48 min.) | NURNICHTNUR 1120526/ | PS C. | 1 | ||||||||
| 32877 | Clemens von, Frank | Reusner, Niehusmann | Igel sein, anstatt dem toten Hasen die Kunst zu erklären, Teil 2 | 2012 | fixed media, akusmatisch | 5:48 | Stereo | 3 movements, Teil 1 (5:48 min.), Teil 2 (5:48 min.), Teil 3 (5:48 min.) | NURNICHTNUR 1120526/ | PS C. | 1 | ||||||||
| 32878 | Clemens von, Frank | Reusner, Niehusmann | Igel sein, anstatt dem toten Hasen die Kunst zu erklären, Teil 3 | 2012 | fixed media, akusmatisch | 5:48 | Stereo | 3 movements, Teil 1 (5:48 min.), Teil 2 (5:48 min.), Teil 3 (5:48 min.) | NURNICHTNUR 1120526/ | PS C. | 1 | ||||||||
| 30492 | Clemens von, Frank | Reusner, Niehusmann | TESA 4124 | 2008 | fixed media, akusmatisch | 11:42 | Quadro | NURNICHTNUR 1110517/ | PS C. | 20.9.2008 | Hessischer Rundfunk & degem, festival "on/off", Limburg | finalist of the competition "Phonurgia Nova 2008" (Arles/France) | 1 | ||||||
| 30616 | Markus | Reuter | Stick Men | 2011 | Performance | gui, chapman stick, perc [Gitarre, Schlagzeug] | 0 | ||||||||||||
| 13806 | Carl Fredrik | Reutersvärd | Fjärtmusik | 1968 | fixed media, akusmatisch | 13:10 | Mono | EMS Stockholm | 0 | ||||||||||
| 13807 | Carl Fredrik | Reutersvärd | Prix Nobel | 1963 | fixed media, akusmatisch | 15:00 | Mono | 0 | |||||||||||
| 13808 | Jozef | Revallo | Boj | 1993 | fixed media, akusmatisch | 11:45 | Stereo | CECM Bratislava | 0 | ||||||||||
| 13809 | Jozef | Revallo | Zapas | 1993 | fixed media, akusmatisch | 11:45 | Stereo | CECM Bratislava | 0 | ||||||||||
| 13810 | D. | Revill | La Porte | 1992 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 39449 | Maureen | Reyes Lavastida. | Entering in the city | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 36359 | Jorge | Reyes | Aguas Permanentes | 1991 | live-elec, 1 group | 5:19:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36360 | Jorge | Reyes | Canción Del Jaguar-Luna | 1991 | live-elec, 1 group | 2:30:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36358 | Jorge | Reyes | Danza De La Culebra | 1991 | live-elec, 1 group | 6:16:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36352 | Jorge | Reyes | El Ensoñamiento | 1991 | live-elec, 1 group | 5:22:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36357 | Jorge | Reyes | El Sendero Espiral | 1991 | live-elec, 1 group | 3:44:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36355 | Jorge | Reyes | Invocación | 1991 | live-elec, 1 group | 3:49:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36356 | Jorge | Reyes | Las Flores Divinas Del Águila | 1991 | live-elec, 1 group | 4:28:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36353 | Jorge | Reyes | Los Cuatro Jaguares | 1991 | live-elec, 1 group | 3:28:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36354 | Jorge | Reyes | Ver Cosas Nunca Oídas… | 1991 | live-elec, 1 group | 3:46:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 36361 | Jorge | Reyes | Viaje Al Sitio De Los Violines De Flores | 1991 | live-elec, 1 group | 3:21:00 | ens [Ensemble] | CDNO 02/ | 0 | ||||||||||
| 27189 | Jorge | Reyes | Zocaloop | 2002 | fixed media, akusmatisch | 3:28 | 0 | ||||||||||||
| 32031 | Juan | Reyes | Boca de Barra | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 32032 | Juan | Reyes | Bolinas | 2006 - 2007 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 22718 | Juan | Reyes | Choi Hung | 1997 | fixed media, akusmatisch | 4:21 | CMJ Vol 23-4, 1999/ | MOX Uni Bogota | 1 | ||||||||||
| 32033 | Juan | Reyes | Chryseis | 2002 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 32034 | Juan | Reyes | Chuchoter | 2010 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 13812 | Juan | Reyes | Dali Liquidor | 1992 | fixed media, akusmatisch | 10:00 | Stereo | INGESON Bogota | 1 | ||||||||||
| 18570 | Juan | Reyes | Dialogos por Paz | 1992 | fixed media, akusmatisch | 10:00 | Stereo | INGESON Bogota | 1 | ||||||||||
| 18571 | Juan | Reyes | El Espectador | 1992 | fixed media, akusmatisch | 10:00 | Stereo | INGESON Bogota | 1 | ||||||||||
| 32035 | Juan | Reyes | Equus & Resonancias | fixed media, akusmatisch | 0 | ||||||||||||||
| 32036 | Juan | Reyes | expySax(n) | 2008 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 32037 | Juan | Reyes | F the F | 2009 | audiovisuell, live-elec, | CCRMA | 0 | ||||||||||||
| 32038 | Juan | Reyes | Feather Rollerball | 2002 | live-elec, 1 perf | p, (elec) [Piano] | CCRMA | 0 | |||||||||||
| 32039 | Juan | Reyes | Freddie the Friedlander | 2003 - 2004 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 32040 | Juan | Reyes | Fuxing | 2006 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 32041 | Juan | Reyes | Horace in San Mateo | 2009 - 2011 | live-elec, 1 perf | Fender Rhodes p [Piano] | CCRMA | 0 | |||||||||||
| 32042 | Juan | Reyes | Joselito | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 13813 | Juan | Reyes | Laberintos | 1992 | fixed media, akusmatisch | 10:13 | PS C. | 0 | |||||||||||
| 18569 | Juan | Reyes | Las Meninas | 1992 | fixed media, akusmatisch | 10:00 | Stereo | INGESON Bogota | 1 | ||||||||||
| 32043 | Juan | Reyes | Los Vientos de Los Santos Apostoles | 2000 | Klangkunst, Installation | CCRMA | 0 | ||||||||||||
| 32044 | Juan | Reyes | Marimonda Sketches | 2007 | Klangkunst, Installation | 0 | |||||||||||||
| 13814 | Juan | Reyes | Ojos de cacica | 1992 | fixed media, akusmatisch | 3:10 | PS C. | 0 | |||||||||||
| 32045 | Juan | Reyes | Open Spaces, Espacios Abiertos | 2009 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 32046 | Juan | Reyes | Oranged (lima-limon) | 2001 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 32047 | Juan | Reyes | ppP | 1999 - 2000 | fixed media, akusmatisch | live-elec, 1 perf |
p [Piano] | 0 | ||||||||||||
| 32048 | Juan | Reyes | Rocas | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 32049 | Juan | Reyes | SanSounds | 1998 - 1999 | fixed media, akusmatisch | 0 | |||||||||||||
| 32050 | Juan | Reyes | Straw-berri | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 32051 | Juan | Reyes | Sygfrydo | fixed media, akusmatisch | 0 | ||||||||||||||
| 32052 | Juan | Reyes | Trapezio | fixed media, akusmatisch | 0 | ||||||||||||||
| 32053 | Juan | Reyes | TxRx Pong | 2007 | radiophon | CCRMA | 0 | ||||||||||||
| 32054 | Juan | Reyes | Wadi-Musa, or the Monteria Hat | 2001 | fixed media, akusmatisch | 0 | |||||||||||||
| 13811 | Juan, Mauricio | Reyes, Bejarano | Anagramas: Caja, Crisol, Control numerico | 1992 | fixed media, akusmatisch | 18:00 | INGESON Bogota | 1 | |||||||||||
| 13815 | Roger | Reynolds | A Portrait of Vanzetti, the confusion of truth | 1963 | Zuspiel / Tonband, 3 perf | 17:00 | Stereo | narrator, w, perc [Schlagzeug, Schauspieler, Bläser] | CSEM Ann Arbor | 1 | |||||||||
| 27080 | Roger | Reynolds | Again (Template series one) | 1970 | Zuspiel, live-elec, 10 perf | Quadro | 2 S, 2 fl, 2 trbn, 2 perc, 2 db [Sopran, Flöte, Posaune, Schlagzeug, Kontrabass] | lights ad lib | 0 | ||||||||||
| 13816 | Roger | Reynolds | Archipelago | 1983 | Zuspiel / Tonband, 32 perf | 33:00 | Octo | 32 ins [Instrument] | Neuma 450-91/ IRCAM 0002 F, Creations IRCAM/ | IRCAM | Peters | 1 | |||||||
| 21011 | Roger | Reynolds | Ariadnes Thread, Finding The Path Pressing Inwards Animated Line Extremity Exuberant Line Desperate Line Line Of Desire Quietest Moment In This Set |
1994 | Zuspiel / Tonband, 4 perf | 16:07 | Quadro | str-qt [Streicher] | UPIC | MO 782083/ | CEMAMu/ Ateliers Upic/ CCMIX, UCSD | Radio France, The Florence Gould Foundation, and Les Ateliers UPIC | 0 | ||||||
| 27079 | Roger | Reynolds | … between … | 1968 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 27082 | Roger | Reynolds | Compass | 1972/1973 | Zuspiel, live-elec, 4 perf | Quadro | T, B, vc, db, (slide-projection) [Tenor, Bass, Cello, Kontrabass] | slides by Uelsmann; poem by Jorge Luis Borges | 0 | ||||||||||
| 27095 | Roger | Reynolds | Dreaming | 1992 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 13818 | Roger | Reynolds | Extension of Man | 1966 | fixed media, akusmatisch | 12:00 | Stereo + Stereo + Stereo | PS C. Tokyo | 0 | ||||||||||
| 27083 | Roger | Reynolds | … from behind the unreasoning mask | 1974/1975 | Zuspiel / Tonband, 3 perf | Quadro | trbn, perc, assistent [Posaune, Schlagzeug, Performer] | 0 | |||||||||||
| 27081 | Roger | Reynolds | I/O: A Ritual for 23 Performers | 1970 | Zuspiel, live-elec, 23 perf | Quadro | 9 V, 9 actor, 2 fl, cl, 2 technician [Stimme, Flöte, Klarinette, Performer, Schauspieler] | slides; Mth by Buckminster Fuller | 0 | ||||||||||
| 27093 | Roger | Reynolds | Ivanov | 1991 | Musiktheater | Octo | text by A. Tschechow | 0 | |||||||||||
| 21019 | Roger | Reynolds | Justice | 1996 | live-elec, 2 perf, 1 group | Octo | actors, S, perc [Sopran, Schlagzeug, Schauspieler] | 0 | |||||||||||
| 27096 | Roger | Reynolds | last things, I think, to think about | 1994 | Zuspiel / Tonband, 2 perf | Quadro | Bar, p [Bariton, Piano] | slides with texts | EMF 144/ | 0 | |||||||||
| 27086 | Roger | Reynolds | Less than Two | 1976 - 1979 | Zuspiel / Tonband, 4 perf | Quadro | 2 p, 2 perc [Piano, Schlagzeug] | LM- LP 1803/ mode 212/213/ | 0 | http://www.lovely.com/albumnotes/notes1803.html | |||||||||
| 27091 | Roger | Reynolds | Not Only Night | 1988 | Zuspiel / Tonband, 6 perf | Stereo | S, fl, cl, p, vn, vc [Sopran, Flöte, Klarinette, Piano, Cello, Violine] | 0 | |||||||||||
| 13817 | Roger | Reynolds | Odyssey, Entre le galet et la dune | 1993 | Zuspiel / Tonband, 2 perf, 1 group | 70:00 | S, Bar, ens [Sopran, Bariton, Ensemble] | Texts by Samuel Beckett | Neuma 450-91/ IRCAM Les Années 90/ | IRCAM | 0 | ||||||||
| 21016 | Roger | Reynolds | On the Balance of Things | 1996/1998 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | dance ad lib | 0 | ||||||||||
| 27092 | Roger | Reynolds | Personae | 1990 | Zuspiel, live-elec, 1 perf, 1 group | Quadro | vn, ens [Violine, Ensemble] | Neuma 450-78/ | 0 | ||||||||||
| 13819 | Roger | Reynolds | Ping | 1968 | live-elec, 3 perf | Quadro | fl, perc, p [Flöte, Piano, Schlagzeug] | slides; Texts by Samuel Beckett | CRi SD 285/ | 0 | |||||||||
| 28246 | Roger | Reynolds | Sanctuary 1 - 3, Chatter/ Clatter Oracle Song |
live-elec, 1 perf | 70:00 | Stereo | perc [Schlagzeug] | vorgeführt 18.12.2008 von Katharina Rosenberger bei emhören | UCSD | 1 | |||||||||
| 27089 | Roger | Reynolds | Sketchbook (for "The Unbearable Lightness of Being") | 1985 | live-elec, 1 perf | fem V [Stimme] | text by M. Kundera | 0 | |||||||||||
| 27090 | Roger | Reynolds | Symphony (Vertigo) | 1987 | Zuspiel / Tonband, 1 group | Quadro | orc [Orchester] | 0 | |||||||||||
| 13820 | Roger | Reynolds | The Dream of Infinite Words | 1986 | Zuspiel / Tonband, 1 perf, 1 group | Quadro | chamber-orc, vc [Cello, Orchester] | 0 | |||||||||||
| 20718 | Roger | Reynolds | The Ivanov Suite | 1991 | Zuspiel / Tonband, 1 group | 31:49 | Stereo | ens [Ensemble] | NWR 8031/ | 0 | |||||||||
| 21017 | Roger | Reynolds | The Red Act Arias | 1997 | fixed media, akusmatisch | Octo | mode 70 DVD & CD/ |
1 | http://www.moderecords.com/ | ||||||||||
| 13821 | Roger | Reynolds | …the serpent - snapping eye … | 1979 | Zuspiel / Tonband, 3 perf | Quadro | p, perc, tpt [Trompete, Piano, Schlagzeug] | CCRMA, UCSD | Edition Peters London) | 1 | 1983 | ||||||||
| 27088 | Roger | Reynolds | The Tempest | 1980 | Musiktheater | Quadro | after Shakespeare | 0 | |||||||||||
| 27094 | Roger | Reynolds | TheIvanov-Suite | 1991 | fixed media, akusmatisch | Octo | 7 parts | 0 | |||||||||||
| 13823 | Roger | Reynolds | Traces | 1968/1969 | Zuspiel, live-elec, 3 perf | Stereo + Stereo + Stereo | p, fl, vc [Flöte, Piano, Cello] | CRi SD 285/ mode 212/213/ | 0 | ||||||||||
| 20719 | Roger | Reynolds | Transfigured Wind II | 1983 | Zuspiel / Tonband, 1 perf, 1 group | 35:30 | Quadro | fl, ens [Flöte, Ensemble] | NWR 8031/ NWR 80401-2/ | UCSD | 0 | ||||||||
| 13824 | Roger | Reynolds | Transfigured Wind III | 1984 | Zuspiel, live-elec, 1 perf, 1 group | Quadro | fl, ens [Flöte, Ensemble] | UCSD | 0 | ||||||||||
| 13825 | Roger | Reynolds | Transfigured Wind IV | 1985 | Zuspiel / Tonband, 1 perf | 17:47 | Quadro | fl [Flöte] | Neuma 450-74/ | UCSD | 1 | ||||||||
| 21015 | Roger | Reynolds | Two Voices - an allegory | 1996 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | 0 | |||||||||||
| 20720 | Roger | Reynolds | Versions / Stages, Cello Dream Dionysos Waterfall Farewell Cult Ocean |
1986 - 1991 | fixed media, akusmatisch | 25:07 | Stereo | NWR 8031/ | 0 | ||||||||||
| 13826 | Roger | Reynolds | Vertigo | 1985 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 27084 | Roger | Reynolds | Voicespace I, Still | 1975 | fixed media, akusmatisch | 21:35 | Quadro | text by T. Coleridge; vocal music Nr. 1 of the circle "Voicespace" |
LM- LCD 1801/ | UCSD | National Endowment for the Arts. | C. F. Peters | 1 | http://www.lovely.com/albumnotes/notes1801.html | |||||
| 27085 | Roger | Reynolds | Voicespace II, A Merciful Coincidence | 1976 | Musiktheater, live-elec, 3 perf | Quadro | 3 V [Stimme] | text by Samuel Beckett (Watt) | VR 1801-2/ | 1 | |||||||||
| 27087 | Roger | Reynolds | Voicespace III, Eclipse | 1979 | audiovisuell | 16:37 | Quadro | vocal music; texts by Issa, Melville, Stevens, Borges, Joyce, Garcia-Marquez. Video by Ed Emshwiller | LM- LCD 1801/ mode 70 DVD & CD/ |
UCSD | C. F. Peters | 1 | http://www.lovely.com/albumnotes/notes1801.html | ||||||
| 13827 | Roger | Reynolds | Voicespace IV, the Palace | 1981 | Zuspiel / Tonband, 1 perf | 16:07 | Quadro | male V [Stimme] | poem "the palace" by Jorge Luis Borges | LM- LCD 1801/ | CCRMA | C. F. Peters | 1 | http://www.lovely.com/albumnotes/notes1801.html | |||||
| 13822 | Roger | Reynolds | Voicespace V, The Vanity of Words | 1986 | fixed media, akusmatisch | 20:14 | Stereo | vocal piece; text by M. Kundera | WER 2024-50, Computer Music Currents 4/ | UCSD | 1 | ||||||||
| 21018 | Roger | Reynolds | Watershed II | 1996 | live-elec, 1 perf, 1 group | Octo | perc, orc [Schlagzeug, Orchester] | 0 | |||||||||||
| 27097 | Roger | Reynolds | Watershed III | 1995 | live-elec, 1 perf, 1 group | Octo | perc, ens [Schlagzeug, Ensemble] | 0 | |||||||||||
| 21014 | Roger | Reynolds | Watershed IV | 1995 | live-elec, 1 perf | 25:25 | multichannel | perc [Schlagzeug] | mode 70 DVD & CD/ |
1 | http://www.moderecords.com/ | ||||||||
| 13828 | A. | Rezkov | "DF.DF.XS / W.E.T. = H2" | 1989 | fixed media, akusmatisch | 10:00 | Stereo | IEM Graz | 0 | ||||||||||
| 13829 | P. | Reznicek | U muziky (Bei der Volksmusik) | fixed media, akusmatisch | 8:54 | Mono | Radio Brno | 0 | |||||||||||
| 38640 | Sol | REZZA | In the Darkness of the World | 2015 | radiophon | 51:22:00 | 0 | ||||||||||||
| 34240 | Raffael | Rheinsberg | Gegossenes Wort - Gegossener Klang | 1985 | Klangkunst, Installation | 45 | Edition Giannozzo/ | Galerie Giannozzo | 0 | http://www.discogs.com/Raffael-Rheinsberg-W%C3%B6rtliche-Fotografie/release/1880576 | |||||||||
| 34238 | Raffael | Rheinsberg | Wörtliche Fotografie | 1981 | Klangkunst, Installation | Edition Giannozzo Band 14/ Resco 66.10 219-01-1/ | Galerie Giannozzo | 0 | http://www.discogs.com/Raffael-Rheinsberg-W%C3%B6rtliche-Fotografie/release/1880576 | ||||||||||
| 40120 | Michael | Rhoades | Apparitions | 2017 | fixed media, akusmatisch | Michael Rhoades | 0 | ||||||||||||
| 39456 | Michael | Rhoades | Crystal Verse | 2017 | audiovisuell | 0 | |||||||||||||
| 41399 | Michael | Rhoades | Elongations | fixed media, akusmatisch | Enigma | 0 | https://www.ckcufm.com/ | ||||||||||||
| 42978 | Michael | Rhoades | Immersion | 2013 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 41818 | Michael | Rhoades | John's Door (door to the john) | 2001 | fixed media, akusmatisch | 3:58:00 | codemist ICMC2001/ | 0 | |||||||||||
| 40121 | Michael | Rhoades | Reflections and Refractions | 2016 | fixed media, akusmatisch | Michael Rhoades | 0 | ||||||||||||
| 13830 | Antonio Celso | Ribeiro | Alucinações | 1991 | Theatermusik | 55:00 | Stereo | CPMC UFMG, PS BeloHorizonte | 0 | ||||||||||
| 13831 | Antonio Celso | Ribeiro | Alzira Power | 1994 | Theatermusik | 16:00 | Stereo | CPMC UFMG | 0 | ||||||||||
| 13832 | Antonio Celso | Ribeiro | Carta ao pai | 1992 | Theatermusik | 45:00 | Stereo | CPMC UFMG, PS BeloHorizonte | 0 | ||||||||||
| 13833 | Antonio Celso | Ribeiro | Crepusculum | 1995 | Theatermusik | 22:00 | Stereo | CPMC UFMG, Polifonia BeloHorizonte | 0 | ||||||||||
| 13834 | Antonio Celso | Ribeiro | Curupira | 1995 | intermedia, live-elec, 2 perf | 55:00 | Stereo | perc, dance [Schlagzeug, Tanz] | CPMC UFMG, Polifonia BeloHorizonte | 0 | |||||||||
| 13835 | Antonio Celso | Ribeiro | Die Zeit | 1989 | fixed media, akusmatisch | 8:00 | Stereo | CPMC UFMG | 0 | ||||||||||
| 13836 | Antonio Celso | Ribeiro | Montanhas de Minas | 1990 | Fernsehen, | 12:00 | Mono | CPMC UFMG | 0 | ||||||||||
| 13837 | Antonio Celso | Ribeiro | Morte | 1991 | audiovisuell | 11:00 | Mono | CPMC UFMG | 0 | ||||||||||
| 13838 | Antonio Celso | Ribeiro | Os dragões não conhecem o paraíso | 1994 | Theatermusik | 36:00 | Stereo | CPMC UFMG | 0 | ||||||||||
| 13839 | Antonio Celso | Ribeiro | Prélude pour un magicien | 1990 | Musiktheater, 1 perf | 6:00 | Stereo | perf [Performer] | CPMC UFMG | 0 | |||||||||
| 13840 | Gisèle | Ricard | Je vous aime | 1987 | fixed media, akusmatisch | 12:57 | Stereo | Amaryllie Québec | 0 | ||||||||||
| 13841 | Gisèle | Ricard | Passacaille | 1981 | Zuspiel / Tonband, 6 perf | 7:40 | Stereo | V, vc, vib, fl, hn, synt [Stimme, Flöte, Horn, Schlagzeug, Cello, synthesizer] | ARP 2600 | Amaryllie Québec | 0 | ||||||||
| 34822 | Jérémie | Ricard | Corrosion des alliages | 2016 | fixed media, akusmatisch | 7:19:00 | Stereo | JTTP 2016 3. prize | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 36857 | Jérémie | Ricard | Que nous eûmes bondi | 2017 | fixed media, akusmatisch | 7:55:00 | UdeM | prize JTTP 2017 | 0 | ||||||||||
| 43054 | Carter | Rice | Code Fragments | 2014 | live-elec, 1 perf | 6:15:00 | tuba [Tuba] | Aaron Hynds, tuba | 0 | ||||||||||
| 39643 | Carter John | Rice | Code Fragments | 2015 | fixed media, akusmatisch | 6:15:00 | Carter Rice | 0 | |||||||||||
| 39321 | Carter John | Rice | Flat Circle | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 32068 | William | Rice | SATX | 1994 | fixed media, akusmatisch | SEAMUS EAM Vol. 7/ | 0 | ||||||||||||
| 20721 | Robert | Rich | Ephemera | 1996 | fixed media, akusmatisch | 3:11 | Stereo | ASP 0966 / | 0 | ||||||||||
| 13842 | André | Richard | Echanges | 1986 | live-elec, 1 group | ≈ 20 | orc [Orchester] | WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ | Experimentalstudio für Akustische Kunst Freiburg | 9.7.1986 | Genf | Ricordi | 1 | ||||||
| 13843 | André | Richard | Glidif, a sonar e cantar à Luigi Nono in memoriam | 1990 | live-elec, 3 perf | ≈ 17 | Stereo | b-cl and db-cl, 2 db [Klarinette, Kontrabass] | Experimentalstudio für Akustische Kunst Freiburg | Ricordi | 0 | ||||||||
| 42338 | André | Richard | Musique de rue | 1987 | Zuspiel / Tonband, 6 perf | ≈ 15 | sol perc, fl, cl, p, vn, vc [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | Szenische Musik | 28.10.1987 | Frankfurt | Ricordi | 0 | |||||||
| 27666 | John | Richards | Bite_Down (Study3h) | 2001 | fixed media, akusmatisch | 4:57 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 0 | http://www.jsrichards.com/ | |||||||||
| 27654 | John | Richards | qwyet kar | 2007 | live-elec, 1 perf | 7:33 | p [Piano] | with Christopher Hobbs (p, found objects of Trinity Chapel) | uh-label 020011006 sonic voyages/ | Uni De Montfort | 5.2.2007 | Leicester | 0 | ||||||
| 13845 | Martin | Riches | Flute-playing Machine | 1984 | Klanginstallation, live-elec, 1 perf | Flute-playing Machine [computer] | 0 | ||||||||||||
| 37671 | Martin | Riches | Four Voices | 2013–2017 | Klanginstallation, live-elec, 4 perf | 4 com (with com-con object) [computer] | 28.9.2017 - 1.10.2017 | Kontakte17 Festival, AdK Berlin, Unter der Treppe | 0 | ||||||||||
| 30621 | Martin | Riches | Interactive Field | 1999 - 2004 | Klangkunst, Installation | 0 | |||||||||||||
| 13846 | Martin | Riches | Konzert mit Musikmaschinen | 1989 | intermedia, live-elec, 2 perf | a-fl, com (perc machine, sound machine) [Flöte, computer] | 0 | http://www.kehrerverlag.com | |||||||||||
| 30617 | Martin | Riches | MotorMouth | 1994 - 1999 | Klangkunst, Installation | (8 motors,) com [computer] | 0 | ||||||||||||
| 19089 | Martin | Riches | One Note - ein Ton | 1996 | Klangkunst, Installation | 0:38 | Sonambiente Ausstellung (1996); SFB Klanggalerie Katalog S.123 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 30620 | Martin | Riches | Pas de Deux | 1986 | Klangkunst, Installation | 0 | http://martinriches.de/thinkmore.html#top | ||||||||||||
| 13847 | Martin | Riches | Percussion Piece No. 1 | 1985 | Klanginstallation, live-elec, 1 perf | perc-machine [Schlagzeug] | this is the first installation by Riches (aksed for by Andelm Dreher) | 1 | 1985 | ||||||||||
| 13848 | Martin | Riches | Piece for four Radios | 1985 | Klangkunst, Installation | 4 radios | 1 | 1985 | |||||||||||
| 37676 | Martin | Riches | Singing Machine | 2012–2013 | Klangkunst, Installation | Kontakte17 Festival, AdK Berlin, Unter der Treppe | 0 | ||||||||||||
| 13849 | Martin | Riches | Sound Machine | 1985 | Klanginstallation, live-elec, 1 perf | com (Sound Machine) [computer] | 1 | 1985 | |||||||||||
| 13850 | Martin | Riches | Talking Machine | 1989 - 1991 | intermedia, live-elec, 1 perf | (32 pipes,) com [computer] | 32 pipes and air valves, wind chests, magazine bellows, blower, computer. 230cm. | ed. RZ 20005 / tesla, werkstatt klangapparate/ | 1 | ||||||||||
| 30618 | Martin | Riches | The Japanese Ladies Light Orchestra, Do it Yourself | 1999/2000 | Klangkunst, Installation | 0 | 2000 | ||||||||||||
| 30619 | Martin | Riches | The Thinking Machine | 2007 | Klangkunst, Installation | 0 | http://martinriches.de/thinkmore.html#top | ||||||||||||
| 30622 | Martin | Riches | Time Signals | 1973 | Klangkunst, Installation | 0 | http://martinriches.de/thinkmore.html#top | ||||||||||||
| 23207 | Martin, Tom | Riches, Johnson | 24 Piece Percussion Installation | 1988 | Klangkunst, Installation | ∞ | Octo | ed. rz 10013 parallele 13 Inventionen 2000/ Kehrer Verlag ISBN 978-3-939583-23-3/ | 21.6. - 23.7.2000 | singuhr hoergalerie Berlin | 1 | 2000 | http://singuhr.de/page.php?ID=502 | ||||||
| 13844 | Martin, Tom | Riches, Johnson | A talk about talking | 1994 | Radiokunst, 3 perf | 32:00 | Stereo | bn, V, com (Talking machine) [Stimme, Fagott, computer] | "Talking machine" by Riches | TU Berlin | 1 | ||||||||
| 28373 | Martin, Tom | Riches, Johnson | Linear Percussion, with 8 Pieces by Tom Johnson | 1994 | Klangkunst, Installation | 22.1. - 9.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 | ||||||||||
| 20722 | Christian | Richet | Faces of Fire | 1995 | Zuspiel, live-elec, | Stereo | CD900 (private)/ | 0 | |||||||||||
| 36170 | John | Richey | 11 Studies in Noise and Dialectic, Socialism is Marvelous! Commune Members are All Like Sunflowers The Revolution, a Fiery Furnace We Workers Have Strength Happiness Comes, the Cassias Bloom The Working Class is Indomitable Slow Down, My Steed Follow Lei Feng’s Fine Example I'll Sing a Song for the Communist Party I Like These Young People We'll Make the Sun and Moon Shine Under New Skies |
fixed media, akusmatisch | 8:31 | innova 118/ | 0 | ||||||||||||
| 40028 | Luca | Richielle | B Cell Intro | 2015 | fixed media, akusmatisch | 7:03:00 | Luca Richielle | 0 | |||||||||||
| 13851 | Howard | Richman | Little Boy Lost | fixed media, akusmatisch | Stereo | SUNY Saratoga Springs | 0 | ||||||||||||
| 13856 | Nikolaus | Richter de Vroe | Essay | 1982 | live-elec, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 13857 | Nikolaus | Richter de Vroe | Installationen | 1986 | live-elec, 2 perf | va, sax [Saxophon, Viola] | 0 | ||||||||||||
| 34513 | Nikolaus | Richter de Vroe | Zwei Metallstücke | 1993 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 13852 | Frederico | Richter | Aleluia | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 13853 | Frederico | Richter | Baiao, eco intermezzo | fixed media, akusmatisch | 0 | ||||||||||||||
| 13854 | Frederico | Richter | Dreams and Fantasy | 1984 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 13855 | Frederico | Richter | Elegia for a Dying Hero (Introduçà e elegia um herói moribundo) | 1980 | Zuspiel / Tonband, 1 perf | 9:44 | Stereo | vn [Violine] | RD003 MEB Rioarte/ | 0 | |||||||||
| 20723 | Frederico | Richter | Estudo eletrônico | 1980 | fixed media, akusmatisch | 5:00 | Stereo | SBME 001, Musica el. Brasileira Vol 1/ | McGill Montréal | 1 | |||||||||
| 23276 | Frederico | Richter | Metamorfoses | 1981 | fixed media, akusmatisch | 9:00 | SBME 002, Musica el. Brasileira Vol 2/ | McGill Montréal | 1 | ||||||||||
| 20724 | Frederico | Richter | Monumenta Fractallis-Thomas | 1991 | Zuspiel / Tonband, 1 perf | 10:16 | Stereo | org [Orgel] | Sony 107259/ SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 1 | |||||||||
| 23277 | Frederico | Richter | Sonhos e Fantasia | 1980 | fixed media, akusmatisch | 7:35 | SBME 002, Musica el. Brasileira Vol 2/ McGill MR 2001-01-2 Disc 2; McGill Studio 35th Anniversary/ | McGill Montréal | 1 | ||||||||||
| 30634 | Urs | Rickenbacher | 42m Regen | 1998 | Klangkunst, Installation | Klanginstallation/Recording mit langem Stahldraht im Regen | UR-CD98/ | 1998 | 0 | ||||||||||
| 30651 | Urs | Rickenbacher | Areas | 2004 | fixed media, akusmatisch | Komposition mit dem Klangmaterial der Klangzonen 2000 | 2004 | 0 | |||||||||||
| 13858 | Urs | Rickenbacher | Bambus | 1988 | intermedia | 0 | |||||||||||||
| 30648 | Urs | Rickenbacher | Dance Obscure | Tanz | Klangsequenz, Soundtrack zur Dia-Sequenz mit Heidi Köpfer, Heinz Schäublin und Jean-Pierre Addor | 0 | |||||||||||||
| 30644 | Urs | Rickenbacher | Elevator Time | 1997 | Tanz | Klangkomposition zur Choreografie von Heidi Köpfer | UR-CD98/ | 1997 | Shortcuts Basel | 0 | |||||||||
| 30638 | Urs | Rickenbacher | Hörbilder-Serie, Passage 45 Tube Bambus |
1987/1988 | Performance | Quadro | (slides) [] | Kompositionen für Tonband, Klangsynthese und Diaprojektion | 1987/88 | Radio DRS2 | 0 | ||||||||
| 13859 | Urs | Rickenbacher | Klabauter 91 | 1991 | Zuspiel, live-elec, 1 perf | sam, slides [computer] | 0 | ||||||||||||
| 30635 | Urs | Rickenbacher | Klangstation | 2000 | Klangkunst, Installation | Interaktive Raum-Klang-Installation | 2000 | Foyer der National Versicherung Basel | 0 | ||||||||||
| 13861 | Urs | Rickenbacher | Klangzonen | 1992 | Klanginstallation, live-elec, 2 perf | Quadro | sam, synt [computer, synthesizer] | Teil davon: Passagen, Areas | 1992 | Donaueschinger Musiktage | 0 | ||||||||
| 30636 | Urs | Rickenbacher | Klangzonen 2000 | 2000 | Klangkunst, Installation | Erweiterte Interaktive Raum-Klang-Installation | 2000 | ISCM World Music Days 2000, Luxembourg, Casino/Forum d’art contemporain | 0 | ||||||||||
| 13862 | Urs | Rickenbacher | Klangzonen III | 1993 | Klanginstallation, live-elec, 2 perf | sam, synt [computer, synthesizer] | 1st prize Exhibition Kunstkredit Basel-Stadt | 0 | |||||||||||
| 30633 | Urs | Rickenbacher | Lauschseite/ Lauschsaite | 1998 | Klangkunst, Installation | Klanginstallation mit langem Stahldraht | 1998 | Tiroler Festspiele Erl 1998, im Projekt Grenzgang von Gunter Schneider | 0 | ||||||||||
| 13863 | Urs | Rickenbacher | Message to Belgrade / to Sarajewo | 1994 | radiophon | für Verein Transit /ORF-Kunstradio /Radio B92 Belgrad | 0 | ||||||||||||
| 13864 | Urs | Rickenbacher | Passage 45 | 1987 | intermedia | Quadro | 0 | ||||||||||||
| 13865 | Urs | Rickenbacher | Passagen | 1993 | radiophon | UR-CD95/ | Schweizer Radio DRS2 | 0 | |||||||||||
| 13866 | Urs | Rickenbacher | Rainmaking | 1989 | Zuspiel, live-elec, 2 perf | Octo | V, sam [Stimme, computer] | Festival für Elektronische Musik und Raum | 0 | ||||||||||
| 30639 | Urs | Rickenbacher | Rainmaking | 1989 | Performance | Octo | V, (elec), sam [Stimme, computer] | Performance für Stimme und Live-Elekrtonik, Tonband und Sampling | 1989 | Festival für Elektronische Musik und Raum, Basel | 0 | ||||||||
| 13867 | Urs | Rickenbacher | Rainmaking II | 1991 | Performance, Zuspiel, live-elec, 2 perf | V, sam, slides [Stimme, computer] | 0 | ||||||||||||
| 13860 | Urs | Rickenbacher | Signalzone | 1990 | Klangkunst, Installation | Quadro | Installation mit Sensor-Bodenbelag | 0 | |||||||||||
| 13868 | Urs | Rickenbacher | Spetrophonie für einen Stahldraht | 1990 | live-elec, 1 perf | (stahldraht,) sam [computer] | 0 | ||||||||||||
| 30641 | Urs | Rickenbacher | Spetrophonie für Stahldraht | 1990 | Performance | Sequenz für Klangobjekt, Performance für einen Stahldraht, Sampling, Computer und manuelle Modulationen | 1990 | 0 | |||||||||||
| 30642 | Urs | Rickenbacher | Spheres & Movements | Tanz | Komposition für die Tanz-, Licht- und Klangperformance mit Heidi Köpfer, Anne Mermet und Heinz Schäublin | 1997 | AuaU 1997, Basel | 0 | |||||||||||
| 13869 | Urs | Rickenbacher | Station 45 | 1987 | Klangkunst, Installation | Quadro | 0 | http://www.rickstudio.ch/ | |||||||||||
| 30647 | Urs | Rickenbacher | The Monkey Trip | 2001 | audiovisuell | Klangequenz, Soundtrack zum Video «Whatsoever» von Heidi Köpfer | 2001 | 0 | |||||||||||
| 13870 | Urs | Rickenbacher | Tube | 1988 | intermedia | 0 | |||||||||||||
| 30645 | Urs | Rickenbacher | Wireworks | 1998 | Performance | Klangimprovisation mit langem Stahldraht | UR-CD98/ | 1998 | 0 | ||||||||||
| 30640 | Urs | Rickenbacher | Zeit-Raum für Metronom | 1990 | Performance | ins (metronom) [Instrument] | Sequenz für Klangobjekt, Performance für Metronom, Computer und elektronische Modulationen | 1990 | Radio DRS2 | 0 | |||||||||
| 30637 | Urs, Bernhard | Rickenbacher, Batschelet | Sinfoterra | 2002 | Klangkunst, Installation | 45 Tracks | Sound Design und Komposition in Zusammenarbeit mit Bernhard Batschelet | 2002 | für die Beschallung von MANNA, dem Projekt von COOP Schweiz an der Expo02 | 0 | |||||||||
| 30646 | Urs, Bernhard | Rickenbacher, Batschelet | The Incredible Sound of Ziegler Papier | 1998 | fixed media, akusmatisch | Recordings und Kompositionen mit Maschinen- und Papiersounds | CD-Produktion für die Ziegler Papier AG/ | 1998 | 0 | ||||||||||
| 30650 | Urs, Bernhard | Rickenbacher, Batschelet | The Magic Sound of Maurice Lacroix | 2003 | fixed media, akusmatisch | Kompositionen aus dem Ticken einer Uhr, Mini-CD-Produktion zur Uhren-präsentation, in Zusammenarbeit mit Bernhard Batschelet | 2003 | 0 | |||||||||||
| 30643 | Urs, Martin | Rickenbacher, Cleis | Waterworks Waterscape | 1997 | Tanz | Klangkomposition und Environment zu einer Raum-Klang-Installation mit Martin Cleis und zur Tanzperformance von Heidi Köpfer, Projekt Mörser | UR-CD98/ | 1997 | Basel, Sendung Radio DRS2 | 0 | |||||||||
| 30649 | Urs, Wilhelm | Rickenbacher, Seefeldt | Interplay | fixed media, akusmatisch | Klangkomposition in Zusammenarbeit mit Wilhelm Seefeldt / Brainticket | 0 | |||||||||||||
| 42976 | Steven | Ricks | Medusa in Fragments | 2013 | fixed media, akusmatisch | 22:00:00 | 0 | ||||||||||||
| 42914 | Steven | Ricks | VioLla | 2013 | live-elec, 1 perf | 10:30:00 | va [Viola] | Christian Asplund, viola | 0 | ||||||||||
| 31541 | Carlos | Rico | Desde la Ventana, Aus dem Fenster | 2013 | live-elec, 1 perf | 8:00 | p [Piano] | next_generation 5.0 | HfM Hamburg | 0 | |||||||||
| 35413 | Alistair | Riddell | Atlantic Fears | 1983 | live-elec, 1 perf | 13:14 | p [Piano] | Archisonic 270198/ | 0 | ||||||||||
| 35416 | Alistair | Riddell | Black Moon Assails | 1987 | live-elec, 1 perf | 10:26 | p [Piano] | Archisonic 270198/ | 0 | ||||||||||
| 35412 | Alistair | Riddell | Existential Constellation | 1982 | live-elec, 1 perf | 1:08 | p [Piano] | Archisonic 270198/ | 0 | ||||||||||
| 20725 | Alistair | Riddell | Fantasie | 1982 | live-elec, 1 perf | 57:36 | Stereo | p [Piano] | NA 028/ Archisonic 270198/ | Col.Princ EMC | 0 | ||||||||
| 35474 | Alistair | Riddell | Legend | 1995 | fixed media, akusmatisch | 9:00:00 | ICMC | 0 | |||||||||||
| 35411 | Alistair | Riddell | One 1a Two 1a |
1982 | live-elec, 1 perf | 3 | p, (com) [Piano] | Archisonic 270198/ | 0 | ||||||||||
| 36406 | Alistair | Riddell | Steam Land | 1999 | fixed media, akusmatisch | Kiasma 1999/ | 0 | ||||||||||||
| 35415 | Alistair | Riddell | Tales From Transitions | 1986 | live-elec, 1 perf | 22:50 | p [Piano] | Archisonic 270198/ | 0 | ||||||||||
| 35414 | Alistair | Riddell | Variations For Two Instruments | 1984 | live-elec, 1 perf | 8:48 | p [Piano] | Archisonic 270198/ | 0 | ||||||||||
| 13872 | Alistair | Riddell | Z Says | fixed media, akusmatisch | 18:24 | Col.Princ EMC | 1 | ||||||||||||
| 13873 | Willem de | Ridder | Report | 1991 | intermedia | 7:01 | AER 1992 / 5/ | 0 | |||||||||||
| 13874 | Willem de, Alvin, Cora de | Ridder, Curran, Ridder | Walkman Berlin 1986, ein Radio-Art-Spaziergang | 1986 | Klangkunst, Installation | Inventionen 1.3.1986 in der Nähe daad-Galerie (Einstein) | INVENTIONEN'86 | 1 | 1986 | http://www.alvincurran.com | |||||||||
| 13875 | Stephen | Rieck | Electronic Music Studies IV | 1983 | fixed media, akusmatisch | Stereo | Studies #37 / 41 / 42 / 43 / 44 / 45 / 46 / 49 | 0 | |||||||||||
| 13876 | Stephen | Rieck | Hard Reality | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 13877 | Stephen | Rieck | Study #73 | 1985 | fixed media, akusmatisch | 6:27 | Stereo | 0 | |||||||||||
| 37239 | Josefine, Vlad, Felix, Jakob | Riedel, Baran, Rauchwarter, Maurer | Sphaera Sonus | 2016 | fixed media, akusmatisch | 35:00:00 | ICMT St. Pölten | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 37183 | Josefine, Thomas, Julian, Felix | Riedel, Böck, Fischer, Rauchwarter | Isidor | 2017 | Klangkunst, Installation | ∞ | ICMT St. Pölten | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 25597 | Fernando | Riederer | Nnchhttt nach D.K. | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 13880 | Josef Anton | Riedl | Antoniou und Cleopatra, Antonius und Cleopatra | 1969 | Theatermusik | Shakespeare | Siemens, ARD | 0 | |||||||||||
| 13882 | Josef Anton | Riedl | Audiovisual Events | 1995 | intermedia, live-elec, 2 perf | Sp, ins (glas-tubes) [Sprecher, Instrument] | Donaueschinger Musiktage 1995 | ZKM Karlsruhe | 0 | ||||||||||
| 27168 | Josef Anton | Riedl | Ausfluss, Niederschlag, Spur, Nachhall I | 2000/2002/2007 | Zuspiel, Performance, 2 perf | 4:17 | Phonola, Interpreters [Piano, Performer] | Fassung für Phonola, gesampeltes Klatschen, Händereiben und Stampfen | ed. rz 1020-21/ NEOS 10925/ | 1 | |||||||||
| 13883 | Josef Anton | Riedl | Autoportrait | 1966 | Film | Mono | Zeichentrick | Siemens | 0 | ||||||||||
| 37717 | Josef Anton | Riedl | Bauern sterben | 1951/1971/1981/1984 | Theatermusik | 9.6.1985 | Münchener Kammerspiele | 0 | |||||||||||
| 13884 | Josef Anton | Riedl | Baumwolle | 1960 | Film | 29:10 | Mono | Thomas Mauch (Assistenz), Kurt Linnebach (Herstellung). ein Industrie-Film der Farbenfabrik Bayer AG Leverkusen; agfacolor |
Siemens | Farbenfabrik Bayer AG Leverkusen | 1- Preis der Europäischen Industriefilmtage, Rouen 1960 | 0 | |||||||
| 34965 | Josef Anton | Riedl | c.e. oder conclamatum est | 2009 | radiophon | Sp, 4 p [Sprecher, Piano] | c.e. oder conclamatum est. Für Sprecher und vier Klaviere auf einen Text von Hans Henny Jahnn nach einer Idee von Herbert Kapfer, Mit Jan-Philip Schulze, Ruschana Pamirova, Sebastian Berweck, Christian Schulte (Klavier); Michael Lentz (Sprechen). musica viva/BR Hörspiel und Medienkunst 2009. Als Podcast/Download im BR Hörspiel Pool [4] | BR München | 0 | ||||||||||
| 13885 | Josef Anton | Riedl | Daniel Henry Kahnweiler - Erzähltes Leben | 1964 | radiophon | Mono | Lesung, 4 parts. | DGG 18738-39/ | Siemens | 0 | |||||||||
| 13886 | Josef Anton | Riedl | Das Bildverstärker - Fernsehsystem | 1964 | Film | 17:30 | Mono | Industriefilm Siemens | Siemens | Siemens | 0 | ||||||||
| 13887 | Josef Anton | Riedl | Das Paradies | Fernsehen, | Mono | Zeichentrick J. Lenica | Siemens | 0 | |||||||||||
| 13888 | Josef Anton | Riedl | Das Spiel | 1963/1964 | Theatermusik | Mono | Beckett | Siemens | 13.5.1964 | Werkraumtheater der Münchner Kammerspiele | 0 | ||||||||
| 13889 | Josef Anton | Riedl | Der Hausmeister | 1961 | Theatermusik | 3:00 | Mono | work using paper-sounds | Siemens | 0 | |||||||||
| 13890 | Josef Anton | Riedl | Der Sturm | 1968 | Theatermusik | Fernsehen, |
Shakespeare | Siemens, ARD | 8.5.1968 | Schillertheater Berlin | 0 | |||||||||
| 13891 | Josef Anton | Riedl | Diabon | 1962 | Film | 21:00 | Mono | Industriefilm Siemens | Siemens | Siemens | 0 | ||||||||
| 13892 | Josef Anton | Riedl | Die Behandlung | 1965 | Film | 9:00 | Mono | Industriefilm Siemens | Siemens | Siemens | 0 | ||||||||
| 13893 | Josef Anton | Riedl | Die Ordnung | 1971 | Film | 10 | Mono | Zeichentrick B. Stepan | Siemens | Silberner Bär | 0 | ||||||||
| 13895 | Josef Anton | Riedl | dor | 1963 | Film | 2:13 | Mono | Industriefilm | Siemens | 0 | |||||||||
| 27169 | Josef Anton | Riedl | Douce-Amère | 1972/1974/1981 | Zuspiel, Performance, 4 perf | 3:00 | vn, gui, str (zither), prep p [Piano, Gitarre, Violine, Streicher] | ed. rz 1020-21/ ISBN 978-3-940768-36-0/ | 1 | ||||||||||
| 13897 | Josef Anton | Riedl | Elektronische Musik, Möglichkeiten der Klangsynthese, -analyse und -verarbeitung in den Studios Köln, München, Paris, Utrecht | 1966/1967 | Film | 113 | Mono | Dokumentar- / Lehrfilm in 4 Teilen; Redaktion: H. J. Pauli Regie: Stefan Meuschel, Musik: Josef Anton Riedl |
Siemens, NDR Hamburg | 1967 | Expo Montral | 0 | |||||||
| 27171 | Josef Anton | Riedl | Elektronische Musik - Studie 1 | 1958 | fixed media, akusmatisch | 2:17 | Mono | ed. rz 1020-21/ | Siemens | 1 | |||||||||
| 27170 | Josef Anton | Riedl | Elektronische Musik - Studie 2 | 1959 | fixed media, akusmatisch | 4:55 | Mono | ed. rz 1020-21/ | Siemens | 1 | |||||||||
| 13898 | Josef Anton | Riedl | Epiphyt I | 1975 - 1977 | Zuspiel, live-elec, 9 perf | 9 synt [synthesizer] | LOFT 1012/ | ARD | 1 | 1986 | |||||||||
| 1986 | |||||||||||||||||||
| 1986 | |||||||||||||||||||
| 1986 | |||||||||||||||||||
| 13899 | Josef Anton | Riedl | Epiphyt II, (Kurzfassg Epiphyt I) | 1977/1981 | live-elec, 9 perf | 7:25 | 9 synt [synthesizer] | LOFT 1012/ | ARD | 1 | 1986 | ||||||||
| 37723 | Josef Anton | Riedl | Epiphyt III | 1977 | live-elec, 9 perf | 9 synt [synthesizer] | 0 | ||||||||||||
| 13900 | Josef Anton | Riedl | Ermüdung | 1958 | Fernsehen, | 5:00 | Mono | Siemens | 0 | ||||||||||
| 13901 | Josef Anton | Riedl | Fahrrad | Fernsehen, | Mono | Zeichentrick J. Lenica | Siemens | 0 | |||||||||||
| 13902 | Josef Anton | Riedl | Fernsprechen mit EMD | 1962 | Film | 17:00 | Mono | Industriefilm Siemens | Siemens | Siemens | 0 | ||||||||
| 13878 | Josef Anton | Riedl | Folge von 4 Studien, Studie 59 I Studie 61 I Studie 62 I Studie 62 II |
1959 - 1962 | fixed media, akusmatisch | 13:30 | Mono | Nr. 59 I (2:39), 61 (2:08), 62/1 (2:07), 62/2 (5:46) | WER 60066/ ed. rz 1020-21/ ISBN 978-3-940768-36-0/ Siemens AG/ Earlabs LC 007/ SUA DV 6221/ | Siemens | 1 | ||||||||
| 30653 | Josef Anton | Riedl | Für Trommeln I | 1979/1981 | Zuspiel / Tonband, | 0 | |||||||||||||
| 13903 | Josef Anton | Riedl | Für Trommeln II | 1979/1981 | Zuspiel / Tonband, 1 perf | 4:20 | perc [Schlagzeug] | LOFT 1012;/ | 1 | ||||||||||
| 13904 | Josef Anton | Riedl | Gasturbinen - Heizkraftwerk | Film | Mono | Industriefilm Siemens | Siemens | Siemens | 0 | ||||||||||
| 13905 | Josef Anton | Riedl | Gebändigter Strom | 1961 | Film | 12:18 | Mono | Industriefilm Siemens | Siemens | Siemens | 0 | ||||||||
| 13906 | Josef Anton | Riedl | Geformtes Licht | 1962 | Film | 25:00 | Mono | Industriefilm Siemens | Siemens | Siemens | 0 | ||||||||
| 28553 | Josef Anton | Riedl | Geschwindigkeit, Kino 1 | 1963 | Film | 14:10 | Mono | perc (very complex perc-sound-sources) [Schlagzeug] | S/W-Film. Mitarbeit: Thomas Mauch, Hatto Kurtenbach, Marion Imhof; Produzent: Norbert Handwerk; Inselfilm, Gruppe Entwicklung und Experiment. | WD 04, Wittener Tage Für Neue Kammermusik 1993/ | Siemens | 1.5.1963 | Cannes | Bundesfilmpreis 1963 | 1 | ||||
| 30654 | Josef Anton | Riedl | Glas-Spiele | 1974 - 1977, 2009 | Performance | 14:13 | mehrere Versionen; Version 1 (14:13), Version 2 (13:13) ≈ NEOS 10925 | ISBN 978-3-940768-36-0/ NEOS 10925/ DMR 1022-24/ | 1977 | Graz | 0 | ||||||||
| 13907 | Josef Anton | Riedl | Grenzen | 1964 | Film | Mono | Zeichentrick | Siemens | 0 | ||||||||||
| 34966 | Josef Anton | Riedl | größer minus größer | 2014 | radiophon | Lautkomposition aus Collagen von Herta Müller. Mit Michael Hirsch, Michael Lentz. Realisation: Michael Lentz/Josef Anton Riedl. BR - Hörspiel und Medienkunst 2014. | BR München | 0 | |||||||||||
| 13908 | Josef Anton | Riedl | Heizkraftwerk Sendling | 1964 | Film | 14:00 | Mono | Siemens | 0 | ||||||||||
| 13909 | Josef Anton | Riedl | Herz | Film | Mono | Zeichentrick | Siemens | 0 | |||||||||||
| 13910 | Josef Anton | Riedl | Heute für Morgen | 1961 | Film | 25:40 | Mono | Industriefilm Siemens | Siemens | Siemens | 25.-28. Juni 1961 | Int. Industriefilmfestival Turin | wertvoll | 0 | |||||
| 37713 | Josef Anton | Riedl | Hundert Blatt Schreibblock, 100 Blatt Schreibblock | 1968 | Film | 28 | perc-ens (Geräusche von Schreibfedern mit Kontaktmic) [Schlagzeug] | Siemens | 0 | ||||||||||
| 13911 | Josef Anton | Riedl | Impuls unserer Zeit | 1959 | Film | 58:17 | Mono | Dokumentarfilm von Otto Martini | Siemens | 16.10.1959 | München Film-Casino | Filmband in Gold, bester abendfüllender Dokumentarfilm, Filmbewertungsstelle: besonders wertvol | 0 | ||||||
| 37715 | Josef Anton | Riedl | Impuls unserer Zeit | 1959 | Film | Undustriefilm; Verwendung u.a. auch seiner Werke „Studien für elektronische Klänge“ (“Studie I und II von 1958/1959) | Siemens | 0 | |||||||||||
| 30655 | Josef Anton | Riedl | Invention in 5 Raten | 2004 | Performance | 13 | 2 mar [Schlagzeug] | NEOS 10925/ | 0 | ||||||||||
| 37718 | Josef Anton | Riedl | Kains Bruder ist umsonst gestorben | 1960 | radiophon | 52:15 | Mono | Antikriegs-Hörspiel von Moscheh Ya’akov Ben-Gavriêl; Regie Helmut Brennicke | Siemens | Bayerischer Rundfunk | 2.3.1960 | BR | 0 | ||||||
| 13913 | Josef Anton | Riedl | Kalwa | 1966 | Film | 23:30 | Mono | Siemens | 0 | ||||||||||
| 13914 | Josef Anton | Riedl | Klang / Licht / Duft - Spiele | 1963, 1973 | intermedia, 2 perf, 1 group | Vs, ins [Stimme, Instrument] | LOFT 1012/ | ARD | 0 | ||||||||||
| 13915 | Josef Anton | Riedl | Klangleuchtlabyrinth - Tropfenabläufe, Klang-Leucht-Labyrinth | 1976 | Performance | audiovisuell |
ens (Musik/Film/Dia/Licht-Galerie) [Ensemble] | Multimedia-Event | LOFT 1012/ | ARD | 0 | |||||||||
| 13916 | Josef Anton | Riedl | Klangsynchronie I, Studie 59 II 64 | 1959 | Performance, live-elec, 2 perf | 2:42 | Mono | 2 synt, (Tape) [synthesizer] | ed. rz 1020-21/ | Siemens | 1 | ||||||||
| 13917 | Josef Anton | Riedl | Klangsynchronie II | 1965 | fixed media, akusmatisch | 7:40 | Mono | Klangsynchronie I + Studie für elektronische Klänge 53 I Version a und b |
LOFT 1012/ | Siemens | 1984 | NEUE MUSIK München | 1 | 1986 | |||||
| 1986 | |||||||||||||||||||
| 13918 | Josef Anton | Riedl | Klangsynchronie II und Synthesizer | Zuspiel / Tonband, 1 perf | Mono | synt [synthesizer] | LOFT 1012/ | Siemens, ARD | 0 | ||||||||||
| 37724 | Josef Anton | Riedl | Klangsynchronie III | 1959/1979/1981 | live-elec, 1 perf, 1 group | synt-ens [synthesizer] | 0 | ||||||||||||
| 37725 | Josef Anton | Riedl | Klangsynchronie IV | 1979/1981 | fixed media, akusmatisch | 0 | |||||||||||||
| 13919 | Josef Anton | Riedl | Kommunikation. Technik der Verständigung | 1962 | Film | 10:45 | Mono | Siemens | 28.2.1962 | Oberhausen | 0 | ||||||||
| 13920 | Josef Anton | Riedl | Komposition für Elektronische Klänge Nr. 2 | 1963/1965 | fixed media, akusmatisch | Film |
10:15 | Stereo, 16 tracks | lochstreifengesteuerte EM. Auch Musik der VariaVision "Unendliche Fahrt" von Edgar Reitz, 1965 |
Siemens AG/ ed. rz 1020-21/ Earlabs LC 007/ | Siemens | 1 | ||||||||
| 18333 | Josef Anton | Riedl | Komposition für Elektronische Klänge Nr. 4 | 1969 | fixed media, akusmatisch | 2 Versionen (?) | WER 60066/ | Siemens, ARD | 1 | ||||||||||
| 13921 | Josef Anton | Riedl | Komposition für Elektronische und Konkrete Klänge Nr. 3 | 1967 | fixed media, akusmatisch | 6:49 | WER 60066/ ed. rz 1020-21/ Siemens AG/ Earlabs LC 007/ | Siemens, NDR Hamburg | 1 | ||||||||||
| 37728 | Josef Anton | Riedl | Komposition für Konkrete und Elektronische Klänge Nr. 4 | 1963 - 1968/1969 | Zuspiel, live-elec, 2 perf | 26 | ins, V [Stimme, Instrument] | Komposition Für Konkrete Und Elektronische Klänge / Tonbänder Und Für Verschiedene Instrumente Und Stimmen / Live Nr. 4 III | DGG 654062/ DGG 654061/ | 0 | https://www.discogs.com/de/Various-Deutsche-Musik-Der-Gegenwart-Serie-I-1970/release/1636419 | ||||||||
| 13922 | Josef Anton | Riedl | L'enfer | 1971 | Fernsehen, | 11 | Mono | Zeichentrick J. Lenica | Siemens | 1972 | Internationale Filmfestspiele Berlin - Forum des jungen Films | 0 | |||||||
| 13923 | Josef Anton | Riedl | Landschaftsbeschreibung I, Komposition von Kompositionen | 1973 | Zuspiel / Tonband, 1 perf | 5:00 | 1 Interpret [Performer] | Papiere, Metallgegenstände, Tierlautins, el Klänge | ed. rz 1020-21/ DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / visible music/ | Siemens, ARD | 1 | ||||||||
| 13924 | Josef Anton | Riedl | Landschaftsbeschreibung II, Komposition von Kompositionen | 1981 | fixed media, akusmatisch | Siemens, ARD | 0 | ||||||||||||
| 13925 | Josef Anton | Riedl | Lautgedichtfolge | 1977/1979/1998 | Zuspiel, Performance, 2 perf | 8:00 | V, sax [Stimme, Saxophon] | LOFT 1012/ ed. rz 1020-21/ NEOS 10925/ | 1 | 1986 | |||||||||
| 13926 | Josef Anton | Riedl | Leonce und Lena | 1963/1964 | Theater, live-elec, 2 perf, 1 group | 2:18 | Mono + Mono + Mono | Vs, (Vocoder), prep ins [Stimme, Instrument] | nach Büchner; Teile 1-4; Lautgedicht für Stimmen, Vocoder, präp ins; und elec music elec verändert Siemens-CD ≈ 2 Stücke aus der Theatermusik (Nr. 4, Nr. 1 ≈ 2:21) |
ed. rz 1020-21/ SR 270 sub rosa/ Siemens AG/ Earlabs LC 007/ WER 30262/ BR Schallarchiv ST 46342-44/ | Siemens | 30.9.1963 | Münchener Kammerspiele | 1 | |||||
| 13927 | Josef Anton | Riedl | Menschen - Maschinen-Strom | 1960 | Film | 11:34 | Mono | Industriefilm | Siemens | Brown, Boveri & Cie. AG Mannheim | 1961 | Intern. Industriefilmtage Berlin | besonders wertvoll | 0 | |||||
| 13928 | Josef Anton | Riedl | Mix Fontana Mix | 1970/1974/1976/1979 | Performance, Zuspiel, live-elec, 2 perf | 5:00 | (radios), 2 synt [synthesizer] | LOFT 1012/ ed. rz 1020-21/ | ARD | 1 | |||||||||
| 13929 | Josef Anton | Riedl | Moltopren I bis III | 1961 | Film | 45:00 | Mono | Industriefilm | Siemens | Bayer AG Leverkusen | 0 | ||||||||
| 13930 | Josef Anton | Riedl | Musik / Film / Dia / Licht - Galerie | 1969 | intermedia, 2 perf, 1 group | Vs, ins [Stimme, Instrument] | LOFT 1012/ | ARD | 0 | ||||||||||
| 13931 | Josef Anton | Riedl | Musik für Atem, Wasser, Steine, Zweige, Papier | radiophon | konkrete Musik | ARD | 0 | ||||||||||||
| 13932 | Josef Anton | Riedl | Notizen aus meinem Familienleben | 1972 | Fernsehen, | Mono | Zeichentrick J. Lenica | Siemens | 0 | ||||||||||
| 13933 | Josef Anton | Riedl | Nr. 4/I | 1968/1969 | fixed media, akusmatisch | WER 60066/ | 0 | ||||||||||||
| 34341 | Josef Anton | Riedl | Orwell | 1968 | Film | Schamoni Musik JAR (Vinyl 12’’ 45 RPM/ |
Schamoni Musik | 0 | |||||||||||
| 13934 | Josef Anton | Riedl | Paper Music I, Paper Music II | 1961/1970/1990 | Zuspiel, Performance, 2 perf | 4:28 | 2 perf [Performer] | verschiedene Papiere (Krepp-, Seiden-, Pacl-, Pergament-, Cellophan-, Metallpapier, Papprohr etc. | WER 60066/ ed. rz 1020-21/ ISBN 978-3-940768-36-0/ | 1968 | Wittener Tage für neue Kammermusik | 1 | |||||||
| 37721 | Josef Anton | Riedl | Parc-Floral | 1970/1972 | Performance | Siemens | 0 | ||||||||||||
| 13935 | Josef Anton | Riedl | Partnerschaft | 1962 | Film | 28:00 | Mono | Industriefilm | Siemens | Siemens | 23.09.1962 | Berlin Internationale Industriefilmfestspiele | wertvoll | 0 | |||||
| 13936 | Josef Anton | Riedl | Phantoro, Fantorro oder die Rache der Blumen | 1972 | Fernsehen, | 9 | Mono | Zeichentrick J. Lenica | Siemens | 1973 | Berlin | 0 | |||||||
| 13937 | Josef Anton | Riedl | Polygonum | 1968/1970 | Zuspiel, Performance, 2 perf | 1:25 | 2 Interpreters [Performer] | Lautgedicht für Gegenstände, Tierlaut-ins, Stimme | WER 60066/ ed. rz 1020-21/ | 1 | |||||||||
| 13938 | Josef Anton | Riedl | Post und Technik | 1961 | Film | 28:05 | Mono | Siemens | Fernmeldetechnisches Zentralamt Darmstad | Jan. 1962 | 0 | ||||||||
| 13939 | Josef Anton | Riedl | Quadratonien | Fernsehen, | Mono | Zeichentrick J. Lenica | Siemens | 0 | |||||||||||
| 37726 | Josef Anton | Riedl | rakt: tzatzrgkt. wuss, la; albu? | 1952/1954/1979 | Performance | perf-ens, synt, perc-ens [Schlagzeug, Performer, synthesizer] | akustische Lautgedichte; siehe Sila Silasphir | 0 | |||||||||||
| 13940 | Josef Anton | Riedl | Rationale Briefverteilung | 1964 | Film | 13:30 | Mono | Industriefilm | Siemens | Siemens | 0 | ||||||||
| 13941 | Josef Anton | Riedl | Reaktionen auf "Komposition für Elektronische Klänge Nr. 2" | 1980 | Zuspiel / Tonband, 1 perf | 7:10 | synt [synthesizer] | LOFT 1012/ | ARD | 1 | |||||||||
| 13942 | Josef Anton | Riedl | Rhipsalis, Rhipsalis I | 1970/1972 | fixed media, akusmatisch | sev. versions. Vokale, instrumentale und andere Klänge | LOFT 1012/ | ARD | 0 | ||||||||||
| 37722 | Josef Anton | Riedl | Rhipsalis III | 1970/1972 | Performance | ARD | 0 | ||||||||||||
| 13943 | Josef Anton | Riedl | Röntgenaufnahmen - lupenscharf | 1960 | Film | 14:55 | Mono | Industriefilm | Siemens | Siemens-Reiniger- Werke Erlangen | 0 | ||||||||
| 13944 | Josef Anton | Riedl | Ruhrgas | 1965 | Film | 18:30 | Mono | Industriefilm | Siemens | Siemens | 0 | ||||||||
| 13945 | Josef Anton | Riedl | Schall-Kunst-Stücke | Zuspiel / Tonband, 2 perf | V, ins [Stimme, Instrument] | konkret | ARD | 0 | |||||||||||
| 13946 | Josef Anton | Riedl | Schallspielstudie I | 1963 | radiophon | Mono | Siemens | 0 | |||||||||||
| 13947 | Josef Anton | Riedl | Schweißgeräte | 1964 | Film | 21:00 | Mono | Siemens | 0 | ||||||||||
| 37716 | Josef Anton | Riedl | Sekundenfilme | 1968 | Film | Siemens | Bayerischer Rundfunk | 0 | |||||||||||
| 13948 | Josef Anton | Riedl | Sendezeichen | 1962 | Hintergrundmusik | 0:42 | Mono | CBS Television Network; 4 Klänge | Siemens AG/ Earlabs LC 007/ | Siemens | 1 | ||||||||
| 13949 | Josef Anton | Riedl | Signal, Signale | 1964 | Film | 37 | Mono | Kurzfilm | Siemens | Schweizerische Bundespost | Internationale Filmfestspiele (IFF) Berlin: 1964 Silberner Bär, Sonderpreis der Jury für einen besonders wertvollen Kurzfilm, Deutscher Filmpreis 1964: Filmband in Silbe | 0 | |||||||
| 13950 | Josef Anton | Riedl | Sila Silasphir | 1981 | Zuspiel / Tonband, 1 perf, 2 groups | 21:42 | Stereo | Sp-ch, per-orc (tom-tom, Reibegongs …), ens, selfmade ins [Ensemble, Chor, Orchester] | Lautgedicht-Album, auch abendfüllend | WDR SEM | 18.9.1981 | "Musik der Zeit" Köln | 0 | ||||||
| 13951 | Josef Anton | Riedl | Silphium | 1969/1970 | Zuspiel, Performance, 4 perf | 4 Interprets [Performer] | sev. versions; ed. RZ Version with Metallophonics | LOFT 1012/ ed. rz 1020-21/ | ARD | 1 | |||||||||
| 30652 | Josef Anton | Riedl | Spielstraße | 1972 | Performance | Multimedia-Event | 0 | ||||||||||||
| 13952 | Josef Anton | Riedl | Stromrichter | 1960 | Film | 16:28 | Mono | Industriefilm | Siemens | Siemens | 0 | ||||||||
| 13953 | Josef Anton | Riedl | Studie 1 | 1962 | fixed media, akusmatisch | 2:05 | Mono | IDEAMA CD 012/ | Siemens | 0 | |||||||||
| 13954 | Josef Anton | Riedl | Studie 2 | 1962 | fixed media, akusmatisch | 5:45 | Mono | IDEAMA CD 012/ | Siemens | 0 | |||||||||
| 13956 | Josef Anton | Riedl | Studie für elektronische Klänge 1958, Studie 1958 | 1958 | fixed media, akusmatisch | 2:19 | Mono | Siemens | 16.2.1960 | Studio für Neue Musik München | 0 | ||||||||
| 26166 | Josef Anton | Riedl | Studie für elektronische Klänge 1959, Studie 1959 | 1959 | fixed media, akusmatisch | 2:42 | Mono | SUA DV 6221/ | Siemens | 1961 | Tage der Neuen Musik Hannover | 0 | |||||||
| 13958 | Josef Anton | Riedl | Studie für konkrete Klänge I, Studie für konkrete Klänge I a & I b | 1951 | fixed media, akusmatisch | 7:00 | Mono | konkret | DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ IDEAMA CD 001/ IDEAMA CD 016/ | PS C. | 1 | ||||||||
| 13957 | Josef Anton | Riedl | Studie für konkrete Klänge I, Musique Concrète - Studie I | 1951/1959 | fixed media, akusmatisch | 2:53 | Mono | konkrete Klänge. Studie 1A und 1B | DMR 1007-09/ ed. rz 1020-21/ IDEAMA CD 016/ | PS C., Siemens | 1 | ||||||||
| 13959 | Josef Anton | Riedl | Studie für konkrete Klänge II, Musique Concrète - Studie II | 1951/1959 | fixed media, akusmatisch | 2:27 | Mono | konkret | ed. rz 1020-21/ | PS C., Siemens | 1 | ||||||||
| 13960 | Josef Anton | Riedl | Studie für konkrete Klänge III | 1952 | fixed media, akusmatisch | Mono | konkret | PS C. | 0 | ||||||||||
| 13955 | Josef Anton | Riedl | Studien für elektronische Klänge 1961 | 1961/1962 | fixed media, akusmatisch | 2:12 | Mono | WER 60066/ IDEAMA CD 099/ | Siemens | 0 | |||||||||
| 13961 | Josef Anton | Riedl | Study 1959 | 1959 | fixed media, akusmatisch | 5:45 | from "4 Studien …" | SUA 10951/ Creel Pone 39/ | Siemens | 0 | |||||||||
| 37719 | Josef Anton | Riedl | Stück | 1955 | live-elec, 10 perf | str-qt, 4 p (2 prep p, 4 player),perc, mic [Piano, Schlagzeug, elektronik, Streicher] | 0 | ||||||||||||
| 37720 | Josef Anton | Riedl | Stück | 1979/1981 | Zuspiel, live-elec, 1 perf | perc (Bowlgongs, live und Tonband) [Schlagzeug] | 0 | ||||||||||||
| 13962 | Josef Anton | Riedl | Stück für Singstimme, Klavier, Schlagzeug und konkrete Klänge | 1954 | Zuspiel / Tonband, 7 perf | 8:00 | Mono | 4 V (S, A, T, B), p, 2 perc [Stimme, Piano, Schlagzeug] | konkrete Klänge | PS C. | 0 | ||||||||
| 13963 | Josef Anton | Riedl | Stunde X | 1959 | Film | 11:03 | Mono | Siemens | 1960 | Westdeutsche Kurzfilmtage Oberhausen | Filmbewertungsstelle: besonders wertvoll, Diplome spécial der Int. Filmfestspiele Bergamo | 0 | |||||||
| 13964 | Josef Anton | Riedl | Thunder over Mexico, Que viva México | 1930 - 1932, 1966 | Film | Mono | Stumm-Film | Siemens | Bayerischer Rundfunk | 0 | |||||||||
| 22417 | Josef Anton | Riedl | Titelmusik | 1962 | fixed media, akusmatisch | Siemens AG/ Earlabs LC 007/ | Siemens, CBS | 1 | |||||||||||
| 13965 | Josef Anton | Riedl | Trailer zu "Impuls unserer Zeit" | 1962 | Film | 2:00 | Mono | Siemens | 0 | ||||||||||
| 13966 | Josef Anton | Riedl | Un chien andalou | 1928, 1959, 1980 | intermedia | Film |
5:56 | Stereo | perc, Sp, perf (contactmicro projector-noises) [Sprecher, Schlagzeug, Performer] | auch Verwendung von „Klangsynchronie II“ (2 synt, prep trbn; Einleitungsmusik beginnend vor dem Filmeinsatz) und „Un chien andalou“ (2 synt) | Siemens AG/ Earlabs LC 007/ | ARD, Siemens | 1 | |||||||
| 13894 | Josef Anton | Riedl | Utopen, Die Utopen | 1967 | Film | 9 | Zeichentrick V. Kristl | Schamoni Musik JAR (Vinyl 12’’ 45 RPM/ |
Siemens | 05.04.1967 | Knokke-le-Zoute Festival | Schamoni Musik | 0 | https://www.edition-filmmuseum.com/product_info.php/info/p142_Der-Brief---Obrigkeitsfilm.html | |||||
| 13967 | Josef Anton | Riedl | VariaVision - Unendliche Fahrt | 1962, 1964/1965 | Film | 18:00 | Mono | 1st version | Siemens | 25.6.-3.10.1965 | Erste Internationale Verkehrsausstellung München | 0 | |||||||
| 13968 | Josef Anton | Riedl | Variovision | 1965 | Klangkunst, Installation | ∞ | 16 Tracks | 0 | |||||||||||
| 13969 | Josef Anton | Riedl | Vielleicht ist es so - Lautkomp. I | 1984 | radiophon | 50 | Stereo | konkret | ARD | 8.9.1984 | Brüssel | 0 | |||||||
| 13970 | Josef Anton | Riedl | Vielleicht ist es so - Lautkomp. II | radiophon | konkret | ARD | 0 | ||||||||||||
| 13971 | Josef Anton | Riedl | Vielleicht-Duo | 1963/1968/1970 | Zuspiel / Tonband, 2 perf | 3:16 | V, interpret [Stimme, Performer] | für Stimme, Atmen, Wasser, Pfeifinstrumente, Mundsirene, Zuspielung | WER 60066/ ed. rz 1020-21/ NEOS 10925/ | ARD | 1 | ||||||||
| 19297 | Josef Anton | Riedl | WU-TKAR SSLA ZTASTAL-TKARBU |
1995 | Zuspiel, live-elec, 1 perf, 1 group | 20:09 | perf-ens (glas, Sprechen, Klatschen) [Performer] | Donaueschinger Musiktage 1995; Lautgedicht | WWE 3CD 31898 col legno/ | BR, ZKM Karlsruhe, SWF | 0 | ||||||||
| 13972 | Josef Anton | Riedl | wuss, la; albu? | 1955 | Zuspiel, live-elec, 1 perf | Mono | Sp [Sprecher] | txtcompo | PS C. | 0 | |||||||||
| 13973 | Josef Anton | Riedl | Yucatan | 1960 | Film | 11:21 | Mono | Dokumentarfilm Edgar Reitz (d 56 produktion, Gestaltung und Kamera), | Siemens | 1960 | Weltkongress der Jeunesses Musicales Berlin | besonders wertvoll | 0 | ||||||
| 13974 | Josef Anton | Riedl | Zeichnen - Klatschen / Zeichnen - Zeichnen | 1979 | Zuspiel, Performance, 4 perf | 4:00 | 4 Interprets [Performer] | LOFT 1012/ ed. rz 1020-21/ DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / visible music/ | 1 | 1986 | |||||||||
| 13975 | Josef Anton | Riedl | Zuverlässige Schweisstromquellen | 1958 | Film | Mono | Industriefilm | Siemens | Siemens | 0 | |||||||||
| 37714 | Josef Anton | Riedl | Zweite Heimat. Chronik einer Jugend | 1992 | Film | Siemens | 0 | ||||||||||||
| 13881 | Josef Anton, John | Riedl, Cage | Audiovisual Events | intermedia, live-elec, 3 perf | 2 synt, ins [Instrument, synthesizer] | ARD | 0 | ||||||||||||
| 13879 | Josef Anton, Nicolaus A. | Riedl, Huber | Adam II | 1969/1970 | Film | 79 | Mono | Zeichentrick | Siemens | Filmband in Silber | 0 | ||||||||
| 13976 | Rolf | Riehm | blutwurst sagt: komm, leberwurst | 1962 | Zuspiel / Tonband, 3 perf | 16:00 | Mono | Sp, e-org, p [Sprecher, Piano, Keyboard] | PS C. | 0 | |||||||||
| 13977 | Rolf | Riehm | Das Schweigen der Sirenen | 1994 | Oper | HfM Frankfurt | 0 | ||||||||||||
| 35325 | Rolf | Riehm | Schlaf, schlaf, John Donne, schlaf tief und quäl dich nicht | 1997 | live-elec, 7 perf, 1 group | 19:20 | acc, b-cl, Kbd, 2 vn, V, Sp, ens [Sprecher, Stimme, Klarinette, Keyboard, Akkordeon, Violine, Ensemble] | Cybele SACD 860.701/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 13978 | Rainer | Riehn | Chants de Maldoror | 1966/1969 | fixed media, akusmatisch | 26:13 | Quadro | 2 versions (17:49 + 26:31) | DGG 643545/ SR 164 sub rosa/ Edition Telemark 314.09/ | Sonology Utrecht, CEM Bilthoven | 1 | ||||||||
| 13979 | Rainer | Riehn | Fontana Mix by John Cage, Après une écoute de Fontana Mix | 1971 | fixed media, akusmatisch | 11:50 | Quadro | Edition Telemark 314.09/ | Sonology Utrecht | 0 | |||||||||
| 37862 | Rainer | Riehn | Hommage à À M. | 1968 | fixed media, akusmatisch | 8:41 | Quadro | Edition Telemark 314.09/ | Sonology Utrecht | 0 | |||||||||
| 35860 | Rainer | Riehn | … Schatten von Liedern und der Leidenschaft Stimme…, Schatten von Liedern und der Leidenschaft Stimme oder Gegen die Süße der Zeit | 1968 | fixed media, akusmatisch | 28:04 | Edition Telemark 314.09/ | Sonology Utrecht | 1984 | Klangaktionen 84 München | 0 | ||||||||
| 38641 | Lasse-Marc | RIEK | Saison Concrète | 2010 | radiophon | 44:23:00 | 0 | ||||||||||||
| 38923 | Lasse-Marc, Tobias | RIEK, Schmitt | Darknet Poetry | 2018 | radiophon | 54:30 | Klangkomposition über die dunkle Seite des Netzes | 6.7.2018 | DeutschlandRadio Kultur | 0 | |||||||||
| 27723 | Mark | Riener | Phlegethon | 1970 | live-elec, | 5:05 | Source Records, SR 3/ Pogus 21050-2/ | PS C. | 1 | ||||||||||
| 38642 | Michael | RIESSLER | Aponivi | 2003 | radiophon | 53:32:00 | 0 | ||||||||||||
| 28122 | Michael | Riessler | Fever | 1999 | radiophon | 5:56 | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | 0 | ||||||||||
| 22041 | Michael | Riessler | Ji-Virus | radiophon | 3:00 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 13980 | Carole | Rieussec | Abyz-d | 1986 | Tanz | 1 dancer [Tanz] | CNR Lyon | 0 | |||||||||||
| 13982 | Carole | Rieussec | Etude No 1 | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 13983 | Carole | Rieussec | Métalyre | 1985 | Zuspiel / Tonband, 1 perf | vn [Violine] | CNR Lyon | 0 | |||||||||||
| 13984 | Carole | Rieussec | Rythme en ocre | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 20373 | Carole, Jean Christophe | Rieussec, Camps | Des travailleurs de la nuit, à l'amie des objets | 1997 | Klangkunst, Installation | 21:31 | Stereo | Name ? Kristoff K. Roll | MK CD 024/ | 0 | |||||||||
| 42168 | Abderrahim | Rifai | Heidi (episode 3): Heidis Universum | 1968 | radiophon | Schweizerischer Kurzwellendienst (KWD) | 0 | ||||||||||||
| 24058 | Guillermo | Riffo | Intento | 1985 | Zuspiel / Tonband, 1 perf | 9:00 | fl [Flöte] | 1985. Encuentro de música contemporánea, Anacrusa. Sala del Instituto Goethe. Santiago, Chile. | 0 | ||||||||||
| 13985 | Jan | Righarts | Jan Klaassen | 1958 | Theatermusik | fixed media, akusmatisch |
8:00 | Mono | test III performance | TH Delft | Toneelwerkgroep Test | 0 | ||||||||
| 42539 | Jane | Rigler | In Touch | 2008 | live-elec, 1 perf | fl [Flöte] | Jane Rigler, flute | 0 | |||||||||||
| 42966 | Jane | Rigler | SJ2: Wind/Unwind/Rewind | 2013 | live-elec, 4 perf | 15:00:00 | fl, gui, p, perc [Flöte, Piano, Gitarre, Schlagzeug] | Jane Rigler, flute; Janet Feder, guitar Shoko Nagai, piano; Satoshi Takeishi, percussion | 0 | ||||||||||
| 42775 | Jane | Rigler | The Calling | 2012 | live-elec, 1 perf | 8:00:00 | fl [Flöte] | Jane Rigler, flute | 0 | ||||||||||
| 28648 | Wolfgang | Rihm | Étude d’aprés Séraphin | 2007 | audiovisuell | Tanz |
02:47 | ens, dancer [Tanz, Ensemble] | siehe Organised Sound Vol 14/3 / Ludger Brümmer: The ZKM; Excerpt |
Organised Sound Vol 14/3/ WER 2055 2/ zkm edition 5/ | ZKM Karlsruhe | 1 | ||||||||
| 42540 | Rob van, Jeroen | Rijswijk, Strijbos | SoundSpots, an homage to Graham Bell (1865) | 2007 | Klangkunst, Installation | 0 | http://www.strijbosvanrijswijk.com | ||||||||||||
| 42656 | Paul | Riker | Commuter | 2010 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 42541 | Paul | Riker | Cubicle Revisited | 2008 | audiovisuell | 0 | |||||||||||||
| 13986 | Terry | Riley | A Rainbow in Curved Air | 1969 | fixed media, akusmatisch | ≈ | minimalistic improvisation | MS 7315/ MK CD 7315/ CBS 32099/ MS 7315/ | SanFran Tape M. C. | 1 | |||||||||
| 13987 | Terry | Riley | Concert for 2 pianists and 5 tape recorders | 1960 | Zuspiel / Tonband, 2 perf | ≈ 10:00 | Stereo + Mono + Mono + Mono | 2 p, (5 tape recorders) [Piano] | PS C. SanFran | 0 | |||||||||
| 13988 | Terry | Riley | Dorian Reeds | 1966 | live-elec, 1 perf | 14:55 | Mono | sax, (2 feedback -tape-loops) [Saxophon] | PS C. NY | 0 | |||||||||
| 13989 | Terry | Riley | In C | 1961 | live-elec, 11 perf | 53:00 | Stereo | sax, V, ob, bn, tpt, cl, fl, va, trbn, vib, mar [Stimme, Flöte, Klarinette, Oboe, Saxophon, Fagott, Trompete, Posaune, Schlagzeug, Viola] | minimalistic improvisation | Columbia MS 7178/ | SanFran Tape M. C. | 1 | |||||||
| 13990 | Terry | Riley | Keyboard - Studies | 1964 - 1967 | live-elec, 1 perf | 10:54 | perc [Schlagzeug] | 1 | 1989 | ||||||||||
| 13991 | Terry | Riley | M-Mix | 1961 | fixed media, akusmatisch | Stereo | SanFran Tape M. C. | 0 | |||||||||||
| 32163 | Terry | Riley | Music with Roots in the Aether, Landscape with Terry Riley (57:40) The Music of Terry Riley (46:03) Shri Camel: Moming Corona |
1976 | Fernsehen, | Oper |
100 | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. |
DV 7706 Lovely Music/ LVHS 6/ Music with Roots in the Aether/ | 1 | ||||||||||
| 41881 | Terry | Riley | Persian Surgery Dervishes | 1971 | fixed media, akusmatisch | 90 | Mantra 077/ Shanti 83.501/2/ | SanFran Tape M. C. | 18 avril 1971 24 mai 1972 |
Performance One in Los Angeles. Performance Two in Paris. |
0 | ||||||||
| 13992 | Terry | Riley | Poppy Nogood and the Phantom Band | 1968 | fixed media, akusmatisch | 16:00 | Ellipsis Arts 3672 - OHM: 02/ | SUNY Buffalo | 1 | ||||||||||
| 13993 | Terry | Riley | The 5 Legged Stool | 1961 | Zuspiel, live-elec, | (tape-loops, tape-delay) [] | 0 | ||||||||||||
| 32735 | Terry | Riley | The Ethereal Time Shadow | 1981 - 1982 | live-elec, 1 perf | synt [synthesizer] | Terry Riley (2 Prophet V - synt) | MC 001 Mills College/ | CCM Mills | SWF Baden-Baden | 1982 | Baden-Baden 1988 (Herbstkorrespondenzen) | 1 | ||||||
| 25025 | Robin | Rimbaud, Scanner | Light & Temperature I & II | 2005 | Klangkunst, Installation | 10:50 | Im Rahmen von „Sound Out“ in der „National Sculpture Factory“ in Cork (Irland) - Kulturhauptstadt Europas 2005; CD-Beilage zum gleichnamigen Katalog. Robin Rimbaud = scanner |
Farpoint Recordings Cork 2005/ | 0 | ||||||||||
| 33137 | Robin | Rimbaud, Scanner | 'Trailer' Concert | live-elec, 2 perf | 29:15:00 | (com), cl, prep tuba [Klarinette, Tuba] | Robin Rimbaud A.K.A. Scanner, live electronics | WJ 2003/ | 1 | ||||||||||
| 36178 | RobinNobukazu | Rimbaud, Scanner, Takemura | Continuum, after Scanner | 2005 | audiovisuell | fixed media, akusmatisch |
6:53 | 2 versions Continuum: „remix“ after Scanner and Video by Ryan Jeffery and Audio by Scanner. | innova 121/ | 0 | ||||||||||
| 33583 | Robin, Philip, John | Rimbaud, Selway, King, Scanner | Event — June 14, 2005, London | 2005 | Performance | 5:21:00 | 3 perf [Performer] | Computer [Laptop] – Robin Rimbaud Drum Machine, Electronics [Live] – Philip Selway Electric Guitar, Electronics [Live] – John King |
NWR 80712/ | 1 | |||||||||
| 28253 | Robin, David | Rimbaud, Shea, Scanner | untitled 1 | 1996 | live-elec, 2 perf | 21:03 | 2 perf [Performer] | recorded live at upstairs at the garage.london.may 12.1996 Robin Rimbaud = scanner quantum051 |
sub rosa Ltd CD 46/ | 12.05.1996 | garage.london | 1 | http://www.scannerdot.com/scanner.shtml | ||||||
| 32846 | John | Rimmer | A Sengai Question | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 20726 | John | Rimmer | A Vocalise for Einstein | 1991 | fixed media, akusmatisch | 14:28 | Stereo | MANU 1437/ | SFU | 0 | |||||||||
| 20727 | John | Rimmer | An inner Voice | 1991 | fixed media, akusmatisch | 8:31 | Stereo | MANU 1437/ | SFU | 0 | |||||||||
| 23208 | John | Rimmer | Ancestral Voices | 2000 | fixed media, akusmatisch | 14:39 | UWMD 1201 New Zealand Sonic Art Vol. 2/ | 1 | |||||||||||
| 20728 | John | Rimmer | Beyond the Saying | 1990 | fixed media, akusmatisch | 20:01 | Stereo | MANU 1437/ | SFU | 0 | |||||||||
| 32845 | John | Rimmer | Canzona | 1968 | fixed media, akusmatisch | 0 | |||||||||||||
| 32848 | John | Rimmer | Colder far than Snow | 1977 | fixed media, akusmatisch | SLD 62/ | 0 | ||||||||||||
| 32838 | John | Rimmer | Composition 3 | 1973 | Zuspiel / Tonband, 1 perf | 9:31 | hp [Harfe] | Kiwi SLD-45/ SLD 44-45-46/ | Uni Wellington | 0 | |||||||||
| 36627 | John | Rimmer | Composition 6 | 1972 | Zuspiel / Tonband, 1 perf | 12 | p [Piano] | SLD 62/ | Uni Wellington | 0 | |||||||||
| 36628 | John | Rimmer | Composition 9 | 1976 | Zuspiel / Tonband, 1 perf | 10:40 | S [Sopran] | SLD 62/ | Uni Wellington | 0 | |||||||||
| 20729 | John | Rimmer | De Motu Naturae | 1985 | fixed media, akusmatisch | 12:18 | Stereo | MANU 1437/ | SFU | 1 | |||||||||
| 32851 | John | Rimmer | Distant Rituals | 2006 | fixed media, akusmatisch | 0 | |||||||||||||
| 13994 | John | Rimmer | Fleeting Images | 1985 | fixed media, akusmatisch | 12:14 | Stereo | POD | LDC 278044/45 Cultures Electroniques 2/ MANU 1437/ | SFU | 1 | ||||||||
| 32840 | John | Rimmer | Homage to Paganini | 1974 | fixed media, akusmatisch | 6:16 | Kiwi SLD-45/ SLD 44-45-46/ | Uni Wellington | 0 | ||||||||||
| 18540 | John | Rimmer | La Voce di Galileo | 1995 | fixed media, akusmatisch | 9:52 | CMJ Vol 22-4, 1998/ | IMEB Bourges | 1 | ||||||||||
| 32850 | John | Rimmer | Pacific Soundscapes with Dancing | 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 23209 | John | Rimmer | People, Power and Pollution | 2000 | fixed media, akusmatisch | 7:40 | UWMD 1200 New Zealand Sonic Art 2000/ | SFU | 1 | ||||||||||
| 20730 | John | Rimmer | Poi | 1979 | fixed media, akusmatisch | 4:50 | Stereo | MANU 1437/ SLD 62/ | SFU | 0 | |||||||||
| 32849 | John | Rimmer | Redundancies | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 36626 | John | Rimmer | Soundweb, Soundweb for Trombone with tape delay and electronic music | 1978 | fixed media, akusmatisch | 13:45 | SLD 62/ | Uni Wellington | 0 | ||||||||||
| 32847 | John | Rimmer | Where Sea Meets Sky 1 | 1975 | fixed media, akusmatisch | 0 | |||||||||||||
| 32839 | John | Rimmer | White Island | 1974 | fixed media, akusmatisch | 7:04 | Kiwi SLD-45/ SLD 44-45-46/ | Uni Wellington | 0 | ||||||||||
| 13995 | Paolo | Rimoldi | ... ancora viva tra le sue rovine | 1990 | live-elec, 8 perf | Mez, 7 ins [Mezzo, Instrument] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 13996 | Paolo | Rimoldi | Trouvere le jouet, la reve, la treve | 1992 | live-elec, 1 perf | 12:00 | fl [Flöte] | MM&T Milano | 0 | ||||||||||
| 22301 | Judith | Ring | Accumulation | 2000 | fixed media, akusmatisch | 7:21 | SIDO 010/ Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 | 1 | ||||||||||
| 24977 | Judith | Ring | phorM | 2003 | Zuspiel / Tonband, 1 perf | 7:12 | sax [Saxophon] | CMC CD 04 Contemporary Music from Ireland Vol 4/ | Project Arts Center | 1 | |||||||||
| 38643 | Sonia | RINGOOT | En quête de terre | 2011 | radiophon | 51:10:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 13997 | Ludwig | Rink | Eigentum und Recht und Freiheit | 1972 | fixed media, akusmatisch | 31:42 | Quadro | txtcompo | HfMT Köln | 1 | |||||||||
| 19975 | Daniel | Rios | Eicasia | 1986 | fixed media, akusmatisch | Stereo | UM CD 7 Vol. I/ | Phonos Barcelona | 0 | ||||||||||
| 13998 | Daniel | Rios | Erial | 1987 | fixed media, akusmatisch | 5:00 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | ||||||||||
| 19709 | Daniel | Rios | Talk Talk | 1993 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 19974 | Daniel | Rios | Tell me | 1985 | fixed media, akusmatisch | Stereo | UM CD 7 Vol. I/ | Phonos Barcelona | 0 | ||||||||||
| 19710 | Daniel, José, Vega | Rios, Prieto, Ruiz | Grenze | 1994 | fixed media, akusmatisch | Stereo | UM CD 7 Vol. I/ | Lab Saragoza | 0 | ||||||||||
| 32986 | Clément | Riot | Daoumi | 2004 | fixed media, akusmatisch | 77:05 | 4 parts | Motus M 406001/ | 0 | ||||||||||
| 13999 | Peter van | Riper | Heart (from acoustic Metal Music) | 1989 | Performance | 4:11 | metal strip | AER 1991 / 4/ | 0 | ||||||||||
| 42815 | Gerd | Rische | Risk 1 | 2012 | fixed media, akusmatisch | 6:24:00 | 0 | ||||||||||||
| 14000 | Vassilis | Risiotis | Echochronos | 1974 | Zuspiel / Tonband, 2 perf | 11:20 | Stereo | p, db [Piano, Kontrabass] | ELAK Wien | 0 | |||||||||
| 14001 | Vassilis | Risiotis | Epitaphios | 1974 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | vn [Violine] | ELAK Wien | 0 | |||||||||
| 14002 | Jean-Claude | Risset | Attracteurs étrangers | 1988 | Zuspiel / Tonband, 1 perf | 21:00 | Quadro | cl [Klarinette] | LDC 278067 Cultures Electroniques 11 Magisterium/ | CNRS Marseille | IRCAM | 1 | |||||||
| 24731 | Jean-Claude | Risset | Avel | 1997 | fixed media, akusmatisch | 12:56 | INA C 1019/ | 0 | |||||||||||
| 14003 | Jean-Claude | Risset | Aventures de lignes | 1982 | Zuspiel, live-elec, | 9:45 | Stereo | CNRS Marseille | 0 | ||||||||||
| 14004 | Jean-Claude | Risset | Computer Suite from „Little Boy“, Flight and Countdown Fall Contra-Apotheosis |
1968 | fixed media, akusmatisch | 12:41 | MUSIC V | WER 2013-50/ CMJ Vol 20, 1996/ CMJ Vol 32-4, 2008/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 055/ | Bell Lab | 0 | |||||||||
| 14005 | Jean-Claude | Risset | Contours | 1981 | fixed media, akusmatisch | 9:45 | Stereo | CNRS Marseille | 0 | ||||||||||
| 14006 | Jean-Claude | Risset | Dérives | 1985 | Zuspiel / Tonband, | 13:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 14007 | Jean-Claude | Risset | Dialogues | 1975 | Zuspiel / Tonband, 4 perf | 10:37 | fl, cl, p, perc [Flöte, Klarinette, Piano, Schlagzeug] | INA C 1003/ Coll GRM AM 564.09/ | CNRS Marseille | 1 | |||||||||
| 14008 | Jean-Claude | Risset | Echo (for John Pierce) | 1990 | fixed media, akusmatisch | 6:00 | Quadro | MUSIC V, SYTER | ICMC 1992, PRDC 1300/ CMJ Vol 19, 1995/ CMJ Vol 16, 1992/ | CNRS Marseille | 0 | ||||||||
| 14009 | Jean-Claude | Risset | Électron - Positron | 1989 | fixed media, akusmatisch | 3:00 | Octo | CNRS Marseille | 0 | ||||||||||
| 24732 | Jean-Claude | Risset | Elementa | 1998 | fixed media, akusmatisch | 22:04 | 4 Parts: Aquq, Focus, Aer, Terra. | INA C 1019/ | INA • GRM | GRM to the anniversary of GRM | 23.2.1998 | Paris, Maison de la Radio, Salle Olivier Messiaen | 0 | ||||||
| 14010 | Jean-Claude | Risset | Huit esquisses en duo pour un pianiste, Eight Sketches: Duet For One Pianist | 1989 | live-elec, 1 perf | 19:06 | disklavier [Piano] | com Mac mit MAX Inventionen 9.2.1992 AdK |
Neuma CD 450-87/ hap vol 18 - 3/ | MIT Media Lab | 1 | 1992 | |||||||
| 37419 | Jean-Claude | Risset | Inharmonic soundscapes | 1977 | fixed media, akusmatisch | IRCAM | 0 | ||||||||||||
| 14011 | Jean-Claude | Risset | Inharmonique | 1977 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | S [Sopran] | INA C 1003/ Coll GRM AM 564.09/ | IRCAM | Salabert | 1 | |||||||
| 20731 | Jean-Claude | Risset | Introductory Catalogue of Computer Synthesized Sounds, An Introductory Catalogue of Computer Synthesized Sounds | 1969 | fixed media, akusmatisch | Lehre & Forschung |
Stereo | WER 2033-2; Computer Music Currents 13/ | Bell Lab | 0 | ||||||||||
| 21008 | Jean-Claude | Risset | Invisible | 1996 | Zuspiel / Tonband, 1 perf | 19:30 | Stereo | S [Sopran] | LDC 278067 Cultures Electroniques 11 Magisterium/ | GMEM Marseille | Prize EAR 97, Prize Magisterium 1998 Bourges |
1 | |||||||
| 21009 | Jean-Claude | Risset | Invisible Irene | 1995 | fixed media, akusmatisch | 16:26 | Stereo | INA C 1019/ | GMEM Marseille | sonic arts Network | prize Competition Musica Nova Prag 1995 | 0 | |||||||
| 14012 | Jean-Claude | Risset | Invisibles | 1994 | Zuspiel / Tonband, 1 perf | 30:00 | Stereo | S [Sopran] | Music V | GMEM EI 06/ | GMEM Marseille | 0 | |||||||
| 14013 | Jean-Claude | Risset | L'autre face | 1983 | Zuspiel / Tonband, 1 perf | 11:15 | Stereo | S [Sopran] | WER 2027; Computer Music Currents 7/ Neuma 450-73/ WER 3024-2/ | CNRS Marseille | 1 | ||||||||
| 14014 | Jean-Claude | Risset | Lurai | 1992 | Zuspiel / Tonband, 1 perf | 16:30 | Stereo | hp [Harfe] | 2 Movements | INA C 1019/ | CNRS Marseille | 0 | |||||||
| 14015 | Jean-Claude | Risset | Mirages | 1978 | Zuspiel / Tonband, 1 group | 24:00 | ens [Ensemble] | IRCAM | Amphion | 0 | |||||||||
| 14016 | Jean-Claude | Risset | Mixte | 1982 | Zuspiel / Tonband, | 5:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 14017 | Jean-Claude | Risset | Moments Newtoniens | 1977 | Zuspiel / Tonband, 1 group | 7:00 | ens [Ensemble] | Coll GRM AM 564.09/ | IRCAM | 1 | |||||||||
| 14018 | Jean-Claude | Risset | Mutations | 1969, 1978 | fixed media, akusmatisch | 10:25 | Music V, first piece with FM | INA C 1003/ Coll GRM AM 564.09/ INA ACM 1995/ Ellipsis Arts 3672 - OHM: 02/ Decca DL 710180/ Turnabout TV S 34427/ Klett Stuttgart 92422/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 055/ Boomkat bundle_49 | Bell Lab, INA • GRM | GRM | 8.6.1970 25.2.1971 |
Stockholm Skeppsholmen, Museum of Modern Art Paris, Halles Baltard |
1 | ||||||
| 34633 | Jean-Claude | Risset | Nature Contre Nature | 1996 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | dedicated to Thierry Miroglio SMC2016 |
0 | |||||||||||
| 14019 | Jean-Claude | Risset | Nouvelle Atlantide | 1987 | Zuspiel/Tonband, | Musiktheater |
75:00 | Quadro | CNRS Marseille | 0 | ||||||||||
| 14020 | Jean-Claude | Risset | Passages | 1982 | Zuspiel / Tonband, 1 perf | 13:57 | fl [Flöte] | MUSIC V | WER 2013-50/ | CNRS Marseille | 1 | ||||||||
| 35382 | Jean-Claude | Risset | Pentacle | 2005 - 2006 | live-elec, 1 perf | 14:27 | hpd [Cembalo] | ISI 03 isidorart/ | 0 | ||||||||||
| 14021 | Jean-Claude | Risset | Profils | 1983 | Zuspiel / Tonband, | 18:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 26048 | Jean-Claude | Risset | Resonant Sound Spaces | 2002 | fixed media, akusmatisch | 14:30 | Octo | PS C. | 1 | 2005 | |||||||||
| 14022 | Jean-Claude | Risset | Saxatile | 1992 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | sax [Saxophon] | Upic | mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://www.moderecords.com/ | ||||||
| 38410 | Jean-Claude | Risset | Saxtractor | 1998 | fixed media, akusmatisch | 6:33 | Neuma 450-99/ | 0 | |||||||||||
| 14023 | Jean-Claude | Risset | Songes | 1979 | fixed media, akusmatisch | 9:05 | WER 2013-50/ CMJ Vol 07, 1983/ CMJ Vol 32-4, 2008/ CMJ Vol 30-4, 2006/ | IRCAM | 1980 and the “Euphonie d’or” in 1992 at the Bourges International Electronic Music Competition | 1 | |||||||||
| 14024 | Jean-Claude | Risset | Sud | 1985 | fixed media, akusmatisch | 23:43 | Quadro | INA C 1003/ WER 2013-50/ WER 3025/ INA C 1033 27653 archives grm CD 3/5/ Editions Mego (LP) Recollection GRM/ | INA • GRM | Ministère de la Culture | 10.6.1985 | Salle Olivier Messiaen, Maison de la Radio France | 1 | 2008 | http://www.electrocd.com/en/bio/risset_je/ | ||||
| 14025 | Jean-Claude | Risset | Trois études en duo pour un pianiste | 1991 | Zuspiel, live-elec, 1 perf | 9:04 | MIDI p [Piano] | 3 parts: Écho, Narcisse, Mercure | INA C 1019/ | CNRS Marseille | 0 | ||||||||
| 14026 | Jean-Claude | Risset | Trois mouvements newtoniens | 1978 | fixed media, akusmatisch | IRCAM | 0 | ||||||||||||
| 14027 | Jean-Claude | Risset | Voilements | 1987 | Zuspiel / Tonband, 1 perf | 13:48 | t-sax [Saxophon] | MUSIC V, Syter | INA C 2000/ | CNRS Marseille, LMA Marseille, Luminy - Uni Marseille | 1 | ||||||||
| 14028 | Hilary | Ritchie | Cigart | 1995 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 14029 | Winfried | Ritsch | Evolution 3 | 1990 | live-elec, | 6:35 | Quadro | IEM Graz | 0 | ||||||||||
| 14030 | Winfried | Ritsch | Klangstudie Evolution 2 | 1989 | fixed media, akusmatisch | 12:00 | Stereo | GEM 9701/ | IEM Graz | 1 | |||||||||
| 23024 | Winfried | Ritsch | Monolog, Konzert für Violoncello und Computer | 1997 | live-elec, 1 perf | 12:12 | vc [Cello] | Michael Moser | Durian 007-2 C+P1998/ | 0 | |||||||||
| 30629 | Denise | Ritter | 20-40-60 | 2010 | radiophon | 2:56 | BR 2 | 0 | |||||||||||
| 28751 | Denise | Ritter | 41 Jahre, Schachtanlage Gegenort | 2004 | Klangkunst, Installation | 29:48 | Stereo, 9 tracks | HANDS D080/ | 2004 | Zeche Zweckel, Gladbeck | 0 | ||||||||
| 41967 | Denise | Ritter | 94 bis 103 | 2009 | Klangkunst, Installation | 22:43:00 | Quadro | 0 | |||||||||||
| 41961 | Denise | Ritter | altitude | 2017 | Klangkunst, Installation | 23:54:00 | 3 tracks | 0 | http://www.gegenort.com/sound-installations/altitude.html | ||||||||||
| 28750 | Denise | Ritter | aufgelassen, La Mine St. Charles Alter Mann Grubenbahn Südkai Km 58,8 Saarhafen Schachtwasser Dillinger Minette Nordschacht Konverterhalle Site Kazebierg |
2010 | Klangkunst, Installation | fixed media, akusmatisch |
68:22 | Stereo | HANDS D156/ | 1 | http://www.gegenort.com | |||||||||
| 28757 | Denise | Ritter | Bandfahrung | 2010 | Klangkunst, Installation | 28:16 | 9 tracks | EM aus Tonaufnahmen vom Steinkohleabbau unter Tage und aus dem Einkaufszentrum Marler Stern | 2010 | Skulpturenmuseum Marl | Deutscher Klangkunstpreis 2010, Skulpturenmuseum Glaskasten Marl | 0 | |||||||
| 41971 | Denise | Ritter | Bergmannskuh reloaded | 2014 | Klangkunst, Installation | Performance |
19:11:00 | 14.11.2014 | im Lautsprecher, Museum Ostwall, Dortmund | 0 | ||||||||||
| 29988 | Denise | Ritter | Da capo | 2011 | fixed media, akusmatisch | 4:58:00 | DegeM CD 10 Replace/ | 1 | |||||||||||
| 41970 | Denise | Ritter | Der Saarbrücker Kohlehafen | 2007 | Klangkunst, Installation | 50:16:00 | 7 tracks | 0 | |||||||||||
| 28752 | Denise | Ritter | Erzengel, Schachtanlage Gegenort | 1998 | Klangkunst, Installation | 33:48 | Stereo | Erzengel ist die Bezeichnung der Frauen, die die Erzschiffe an der Saar mit Körben beluden, die sie auf dem Kopf trugen. | eigen verlag/ | 0 | |||||||||
| 30627 | Denise | Ritter | Ewige Teufe | 2011 | fixed media, akusmatisch | 0 | |||||||||||||
| 41965 | Denise | Ritter | Feurio! | 2014 | Klangkunst, Installation | 36:21:00 | Quadro | 0 | |||||||||||
| 41972 | Denise | Ritter | Feurio!_remix | 2014 | radiophon | 35:42:00 | 10.1.2015 | HR2 | 0 | ||||||||||
| 28754 | Denise | Ritter | Flöz Tauentzien | 2006 | Klangkunst, Installation | 43:38 | 5 tracks | 2006 | sonambiente Berlin, Allianzgebäude am Ostbahnhof | 0 | |||||||||
| 41962 | Denise | Ritter | Gutehoffnungsgeister | 2016 | Klangkunst, Installation | 40:16:00 | 3 tracks | 0 | |||||||||||
| 35162 | Denise | Ritter | Hölleneingang a, b, c bis z | 2015 | Klangkunst, Installation | radiophon |
28:56 | Stereo | narrative sound installation. electroacoustic piece based on field recordings made from inaccessible territories and quotations of an Independent musician and a geographer |
2015-16 | Kunstverein Schwerin | 0 | http://www.gegenort.com/hoelleneingang_.html | |||||||
| 34064 | Denise | Ritter | Hölleneingang a, b, c bis z (radio edit) | 2015 | fixed media, akusmatisch | 9:28:00 | Stereo | degem CD 13/ | 0 | ||||||||||
| 30628 | Denise | Ritter | Im Zwischen | 2011 | radiophon | 0 | |||||||||||||
| 30623 | Denise | Ritter | intra muros | 2011 | Klangkunst, Installation | 18:01 | Stereo | Einheit Eins, Saarbrücken | 0 | http://www.gegenort.com/intra_muros.html | |||||||||
| 30631 | Denise | Ritter | Kompott | 2006 | fixed media, akusmatisch | 0 | |||||||||||||
| 41968 | Denise | Ritter | Mäander | 2008 | Klangkunst, Installation | 31:46:00 | 5 tracks | 0 | |||||||||||
| 41966 | Denise | Ritter | Metamorphose | 2013 | Klangkunst, Installation | 27:48:00 | Quadro | 0 | |||||||||||
| 41958 | Denise | Ritter | mono / industriell | 2018 | Klangkunst, Installation | 49:30:00 | 6 | 2018 | Marl Glaskasten (Ausstellung Herbst 2018) | 0 | http://gegenort.com/sound-installations/monoindustriell.html | ||||||||
| 30625 | Denise | Ritter | nachtblau | 2011 | Klangkunst, Installation | 27:25 | Quadro | Kunsthalle Mainz | 0 | www.gegenort.com/nachtblau.html | |||||||||
| 41969 | Denise | Ritter | Off Line Avrig | 2007 | Klangkunst, Installation | 20:10:00 | Stereo | 0 | |||||||||||
| 41964 | Denise | Ritter | Off-Time | 2014 | Klangkunst, Installation | 49:05:00 | Quadro | 0 | |||||||||||
| 32706 | Denise | Ritter | Outer Shell | 2014 | fixed media, akusmatisch | 9:06 | Stereo | DegeM CD 11 wandlungen unplump/ | 1 | ||||||||||
| 28756 | Denise | Ritter | Porte d'Ellergronn | 2008 | Klangkunst, Installation | 80:47 | multichannel | EM aus Tonaufnahmen von U-Bahnhöfen | 2008 | Sentiers Rouges, Esch-sur-Alzette, Luxemburg | 0 | ||||||||
| 30630 | Denise | Ritter | Relikt | 2009 | radiophon | 4:23 | BR 2 | 0 | |||||||||||
| 41960 | Denise | Ritter | river loops | 2017 | Klangkunst, Installation | 39 | Stereo | 3 parts: 11:54 + 13:57 + 13:48 | 0 | ||||||||||
| 41959 | Denise | Ritter | Schwerefeld | 2018 | Klangkunst, Installation | 24:24:00 | Quadro | 0 | |||||||||||
| 35160 | Denise | Ritter | small world wide _ _ _ start | 2016 | radiophon | 34:10 | Audio-Aufnahmen der Startpersonen des Projektes small world wide | HR2 | 27.2.2016 | The artist's Corner, Hessischer Rundunk HR2 | 0 | http://www.smallworldwide.net/ | |||||||
| 35158 | Denise | Ritter | small world wide _ _ _ track #1, social interaction | 2016 | Klangkunst, Installation | 35:35 | Octo | Elektroakustische Komposition aus Audioaufnahmen sozialer Interaktionen (im Rahmen des Projektes small world wide) | 21.-24.1.2016 | Allgemeiner Konsumverein Braunschweig | nominiert für DEW21-Kunstpreis 2016 | 0 | http://www.gegenort.com/track1.html | ||||||
| 35159 | Denise | Ritter | small world wide _ _ _ track #2, animals & nature | 2016 | Klangkunst, Installation | 44:10 | 10 Tracks | electroacoustic composition based on recordings of nature and animals (within the scope of the project small world wide) | Künstlerdorf Schöppingen | 0 | http://www.gegenort.com/track2.html | ||||||||
| 35161 | Denise | Ritter | small world wide _ _ _ track #3, Journeys marketplaces |
2017 | Klangkunst, Installation | 25:23 | Octo | Aufnahmen, die die Teilnehmer*innen weltweit von Märkten aller Art, wie z. B. Flohmärkten und Wochenmärkten, aufgenommen haben | 0 | ||||||||||
| 28758 | Denise | Ritter | Sphaira 01 | 2010, 2012 | Klangkunst, Installation | 8:29 | Stereo | Klangobjekt (Kugel) EM aus Tonaufnahmen eines Funkkontaktes zu einem Astronauten auf der int. Raumstation ISS |
Skulpturenmuseum Marl | 0 | |||||||||
| 30626 | Denise | Ritter | Sphaira 01_remix _2012 | 2012 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41963 | Denise | Ritter | Stein Sand Ruhr | 2015 | Klangkunst, Installation | 35:21:00 | Quadro | 0 | |||||||||||
| 30624 | Denise | Ritter | verblasst | 2011 | Klangkunst, Installation | 25:52 | Stereo | Médiathèque de Florange, Lorraine, Frankreich | 0 | http://www.gegenort.com/verblasst.html | |||||||||
| 28755 | Denise | Ritter | Zwischen den Händen und der Erde | 2008 | Klangkunst, Installation | 28:18 | Stereo | 2008 | Tagungshaus Kloster Weingarten | 0 | |||||||||
| 28753 | Denise, Thomas | Ritter, Baltes | Einsatzstoffe & Energie, Schachtanlage Gegenort | 1998 | Klangkunst, Installation | 67:53 | Stereo | eigen verlag/ | 0 | ||||||||||
| 30632 | Denise | Ritter, Schachtanlage Gegenort | Schachtanlage Gegenort | 2004 - 2012 | Klangkunst, Installation | 5:46 | AATP 50/ HANDS B043/ Pro Noize PN 001/ ZS 207803 Zoomshot/ | 0 | |||||||||||
| 19073 | Don | Ritter | Intersection | 1996 | Klangkunst, Installation | 0:38 | Sonambiente Ausstellung (1996) Katalog S.125 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 31987 | John | Ritz | In the Very Eye of Night | 2004 | fixed media, akusmatisch | 8:50:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | ||||||||||
| 39759 | Enric | Riu | Sound Portrait IV | 2017 | fixed media, akusmatisch | Enric Riu | 0 | ||||||||||||
| 24062 | Roque | Rivas | El eco de las sombras | 2004 | live-elec, 1 perf | 13:00 | MIDI p [Piano] | CNSMD Lyon | Diciembre 2004 | Sala Varese CNSM de Lyon, Francia. | 0 | ||||||||
| 24060 | Roque | Rivas | Estudio Nocturno | fixed media, akusmatisch | 5:00 | 0 | |||||||||||||
| 24059 | Roque | Rivas | Happy days | 1996 | fixed media, akusmatisch | 5:00 | Noviembre 1996. Aula Magna Centro de Extension UC. Santiago, Chile. | 0 | |||||||||||
| 24061 | Roque | Rivas | Splitting the ergo | 2004 | Zuspiel / Tonband, 1 group | 10:00 | ens [Ensemble] | Obra revisada durante el año 2004, modificando parcialmente su estructura original. Diciembre 2003. Sala Varese CNSM de Lyon, Francia. |
0 | ||||||||||
| 27190 | Victor M. | Rivas | Metagloborfis | 1998 | fixed media, akusmatisch | 7:20 | 0 | ||||||||||||
| 20732 | Jean-Michel | Rivet | Embrasement | 1993 | fixed media, akusmatisch | 10:27 | Stereo | OC 951/ | 0 | ||||||||||
| 20733 | Serge | Rivron | Le puits | 1989 | fixed media, akusmatisch | 4:45 | Stereo | GMVL 013/ | GMVL Lyon | 0 | |||||||||
| 35593 | Guillermo | Rizzotto | Antología del Ave | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35594 | Guillermo | Rizzotto | Kenco Clips | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 24466 | Guillermo | Rizzotto | Mapo | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 35595 | Guillermo | Rizzotto | Modern Minimal | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 35596 | Guillermo | Rizzotto | Open | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 35597 | Guillermo | Rizzotto | Relax Groove | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 24467 | Guillermo | Rizzotto | The noises of my mind | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 20734 | Steve | Roach | Merciful Eyes | 1996 | fixed media, akusmatisch | 5:04 | Stereo | ASP 0966 / | 0 | ||||||||||
| 40122 | Michael | Roades | Amber Orbs in a White Infinity | 2015 | fixed media, akusmatisch | 17:26:00 | Michael Roades | 0 | |||||||||||
| 23755 | Curtis | Roads | Eleventh Vortex | 2001 | fixed media, akusmatisch | 4:06 | Stereo | Third part of Point, Line, Cloud. Granular, PulsarGenerator |
ASP 3000/ | CREATE | Auszeichnung ars electronica Award of Distinction 2002 | 1 | |||||||
| 23761 | Curtis | Roads | Fluxon | 2003 | fixed media, akusmatisch | 3:05 | Stereo | Granular | ASP 3000/ | CREATE | 1 | ||||||||
| 23756 | Curtis | Roads | Half-life, Point, Line, Cloud | 1999 | fixed media, akusmatisch | 5:18 | Stereo | first part of Point, Line, Cloud. 2 parts: sonal atoms, Granules |
ASP 3000/ | CREATE | Auszeichnung ars electronica Award of Distinction 2002 | 1 | |||||||
| 23760 | Curtis | Roads | Nanomorphosis | 2003 | fixed media, akusmatisch | 3:16 | Stereo | Granular | ASP 3000/ | CREATE | 1 | ||||||||
| 23753 | Curtis | Roads | Now | 2003 | fixed media, akusmatisch | 6:14 | Stereo | Granular | ASP 3000/ | CREATE | 1 | ||||||||
| 14031 | Curtis | Roads | nscor | 1986 | fixed media, akusmatisch | 8:44 | Stereo | WER 2010-50/ | MIT Media Lab | 1 | |||||||||
| 23759 | Curtis | Roads | Pictor alpha | 2003 | fixed media, akusmatisch | 3:23 | Stereo | PulsarGenerator | ASP 3000/ | CREATE | 1 | ||||||||
| 43147 | Curtis | Roads | Point, Line, Cloud, Half-Life Tenth Vortex Eleventh Vortex Sculptor |
1999 - 2001 | fixed media, akusmatisch | Auszeichnung ars electronica Award of Distinction 2002 | 0 | ||||||||||||
| 25535 | Curtis | Roads | Purity | 1994 | fixed media, akusmatisch | 7:13 | Excerpt from“Clang-Tint“. | mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX, PS C. | 1 | http://www.moderecords.com/ | ||||||||
| 23757 | Curtis | Roads | Sculptor | 2001 | fixed media, akusmatisch | 3:13 | Stereo | Forth part of Point, Line, Cloud | ASP 3000/ | CREATE | Auszeichnung ars electronica Award of Distinction 2002 | 1 | |||||||
| 25536 | Curtis | Roads | Sonal Atoms | 1998 | fixed media, akusmatisch | 3:41 | 28 Tracks | Excerpt from“Half-Life“. GENDYN |
mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://www.moderecords.com/ | |||||||
| 23754 | Curtis | Roads | Tenth Vortex | 2000 | fixed media, akusmatisch | 3:01 | Stereo | second part of Point, Line, Cloud. Granular, PulsarGenerator |
ASP 3000/ | CREATE | Auszeichnung ars electronica Award of Distinction 2002 | 1 | |||||||
| 23758 | Curtis | Roads | Volt air | 2003 | fixed media, akusmatisch | 10:20 | Stereo | 4 parts; Granular | ASP 3000/ | CREATE | 1 | ||||||||
| 14032 | John Donald | Robb | Collage | 1964 | fixed media, akusmatisch | 5:12 | Stereo | (original "Torontoniana") | FMS 33436/ | UTEMS Toronto | 1 | ||||||||
| 14033 | John Donald | Robb | Collages #1, #2 | 1965 | fixed media, akusmatisch | 5:00 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14034 | John Donald | Robb | Composites | 1965 | fixed media, akusmatisch | 3:30 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14035 | John Donald | Robb | Cosmic Dance of Shiva | 1966 | Tanz | 5:20 | Mono | PS C. Albuquerque | 0 | ||||||||||
| 14036 | John Donald | Robb | Fantasy of Echoes | 1965 | fixed media, akusmatisch | 17:00 | Stereo | PS IEMC Trumanburg | 0 | ||||||||||
| 14037 | John Donald | Robb | Four Marches for Children | 1965 | fixed media, akusmatisch | 6:30 | Stereo | PS IEMC Trumanburg | 0 | ||||||||||
| 14038 | John Donald | Robb | Four Nature Poems | 1965 | fixed media, akusmatisch | 11:30 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14039 | John Donald | Robb | Four Pieces | 1965 | fixed media, akusmatisch | 8:40 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14040 | John Donald | Robb | Les Ondes | 1965 | fixed media, akusmatisch | 4:25 | Stereo | PS C. Albuquerque, PS C. Farmingdale | 0 | ||||||||||
| 14041 | John Donald | Robb | Little suite | 1966 | fixed media, akusmatisch | 8:40 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 14042 | John Donald | Robb | Montage | 1964 | fixed media, akusmatisch | 1:05 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 14043 | John Donald | Robb | Persiflage | 1965 | fixed media, akusmatisch | 1:15 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14044 | John Donald | Robb | Pleasant obsession | 1964 | fixed media, akusmatisch | 7:30 | Stereo | UTEMS Toronto, PS C. Albuquerque | 0 | ||||||||||
| 14045 | John Donald | Robb | Polyrhythmic Variations | 1966 | fixed media, akusmatisch | 20:50 | Mono | PS C. Albuquerque | 0 | ||||||||||
| 14046 | John Donald | Robb | Pulsations of Tone | 1965 | fixed media, akusmatisch | 4:00 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14047 | John Donald | Robb | Retrogade Sequence from a Tragedy | 1965 | fixed media, akusmatisch | 6:00 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14048 | John Donald | Robb | Sandiana | 1964 | fixed media, akusmatisch | 5:30 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14049 | John Donald | Robb | Set for Tape Recorder | 1965 | fixed media, akusmatisch | 5:50 | Stereo | PS IEMC Trumanburg | 0 | ||||||||||
| 14050 | John Donald | Robb | Six Staccato Etudes | 1965 | fixed media, akusmatisch | 6:00 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14051 | John Donald | Robb | Sonatina #1, #2 | 1966 - 1967 | fixed media, akusmatisch | 16:15 | Mono | PS C. Albuquerque | 0 | ||||||||||
| 14052 | John Donald | Robb | Spatial Serenade | 1965 | fixed media, akusmatisch | 11:40 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14053 | John Donald | Robb | Study 4.5/3 | 1965 | fixed media, akusmatisch | 5:00 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14054 | John Donald | Robb | Three Caprichos | 1965 | fixed media, akusmatisch | 10:00 | Stereo | PS C. Farmingdale | 0 | ||||||||||
| 14055 | John Donald | Robb | Two Canons in Percussion Sound | 1965 | fixed media, akusmatisch | 5:00 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14056 | John Donald | Robb | Two Plus Two Equals One | 1966 | fixed media, akusmatisch | 2:00 | Stereo | PS C. Albuquerque | 0 | ||||||||||
| 14057 | John Donald | Robb | Velocitation | 1964 | fixed media, akusmatisch | 2:10 | Mono | PS C. Albuquerque | 0 | ||||||||||
| 34528 | Bryce | Robbley | Meniscus | fixed media, akusmatisch | 4 | Stereo | Fragment | UI Carbondale | 0 | ||||||||||
| 38866 | Pedro | Robelo | Netrooms: The Long Feedback | 2014 | audiovisuell | CMJ Vol 34, 2014/ | 0 | ||||||||||||
| 23210 | Jean-Michel | Robert | Les enfants d'Éole | 2002 | fixed media, akusmatisch | 7:50 | JTTP 2002 | CEC Cache 2002/ | Uni Montreal | winner JTTP 2002 1. prize | 1 | http://econtact.ca/5_1/index.html#21 | |||||||
| 24860 | Jocelyn | Robert | Canned Gods. A Typical Afternoon in the Backyard in Phoenix, Arizona | 1999 | radiophon | 42:10 | AVTR 014/ | 0 | |||||||||||
| 14058 | Jocelyn | Robert | Folie / Culture | 1991 | fixed media, akusmatisch | 60:00 | ReR JORCD/ | 1 | |||||||||||
| 20735 | Jocelyn | Robert | La Théorie des Nerfs creux | 1993 | fixed media, akusmatisch | Stereo | OHM 003 overhear/ | 0 | |||||||||||
| 32928 | Jocelyn | Robert | Prélude à «des dieux en conserves» | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 20736 | Jocelyn | Robert | Tableaux d'une apposition | 1989 - 1992 | fixed media, akusmatisch | 11:34 | Stereo | OBZ 001/ | 0 | ||||||||||
| 14059 | Martial | Robert | Asthénie ou la recherche de soi | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 14060 | Martial | Robert | Les illusions spectrales | 1986 | Zuspiel / Tonband, 5 perf | br-qnt [Bläser] | CNR Lyon | 0 | |||||||||||
| 14061 | Martial | Robert | Office de nuit | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 14062 | Yves | Robert | Dans Les 20' Entre Eux | 1991 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | trbn [Posaune] | GMEM Marseille | 0 | |||||||||
| 14063 | Arthur | Roberts | LINK | 1966 | Film | 3:00 | Mono | com M. | Argonne Lab | 0 | |||||||||
| 37418 | Arthur | Roberts | Rocket | 1966 | fixed media, akusmatisch | Mono | Argonne Lab | 0 | |||||||||||
| 14064 | Arthur | Roberts | Sonatina for CDC-3600 | 1966 | fixed media, akusmatisch | 4:52 | Mono | com M. | Argonne Lab | 0 | |||||||||
| 42809 | Jeffrey | Roberts | Song of the Roosting Crows | 2012 | live-elec, 1 perf | 6:00:00 | str (guqin) [Streicher] | guqin and live electronics | 0 | ||||||||||
| 19183 | Mary Lee A. | Roberts | Eusebio Consumed | 1991 | fixed media, akusmatisch | 14:10 | CEC Presence 1/ div 02/ | UCSB | 1 | ||||||||||
| 14065 | Megan | Roberts | I could sit here all day | 1976 | Zuspiel / Tonband, 4 perf | 6:22 | Stereo | drum, 2 V, synt [Stimme, Schlagzeug, synthesizer] | Arch Records S-1765 LP/ CRi CD 728/ CRI 113/ NWR 80653-2/ Infiné IF 4002/ | CCM Mills | 1 | ||||||||
| 38117 | Megan, Raymond | Roberts, Ghirardo | Atvo II | 1986 | Fernsehen, | Tellus Cassette 17/ | 0 | https://www.discogs.com/de/Various-Video-Arts-Music/release/2449167 | |||||||||||
| 14066 | Paul | Roberts | 6X | 1990 | live-elec, 1 group | 15:00 | Stereo | ens [Ensemble] | BEAST | 0 | |||||||||
| 14067 | Paul | Roberts | Align | 1991 | live-elec, 4 perf | 10:00 | perc, tpt, cl, p [Klarinette, Trompete, Piano, Schlagzeug] | Tempo Reale Firenze | 0 | ||||||||||
| 14068 | Paul | Roberts | Line | 1986 | fixed media, akusmatisch | 6:00 | Stereo | BEAST, Yleisradio | 0 | ||||||||||
| 14069 | Paul | Roberts | Mixages | 1986 | fixed media, akusmatisch | 6:30 | Stereo | BEAST | 0 | ||||||||||
| 14070 | Paul | Roberts | Springs | 1988 | fixed media, akusmatisch | 10:00 | Stereo | BEAST | 0 | ||||||||||
| 39308 | Ben | Robichaux | American Real Estate | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39313 | Bradley | Robin | Consumption | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39621 | Bradley | Robin | Fracture | 2017 | fixed media, akusmatisch | Bradley Robin | 0 | ||||||||||||
| 39620 | Bradley | Robin | Steam | 2017 | fixed media, akusmatisch | 16 Tracks | Bradley Robin | 0 | |||||||||||
| 19055 | Brigitte | Robindoré | Comme étrangers et voyagers sur la terre | 1994 | Zuspiel / Tonband, 2 perf | 11:27 | Stereo | 2 perc, (UPIC) [Schlagzeug] | Upic | CMJ Vol 20, 1996/ mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://www.moderecords.com/ | ||||||
| 14071 | Brigitte | Robindoré | L'Autel de la perte et de la transformation | 1993 | fixed media, akusmatisch | 8:33 | Stereo | Upic | mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://www.moderecords.com/ | |||||||
| 19279 | Brigitte | Robindoré | L'enfant et le phenix | 1997 | radiophon | 12:37 | Sonnette an Orpheus, Denuiser Elegien von Rilke | La Muse en Circuit, 3. concours de création radiophonique/ | La Muse, CEMAMu/ Ateliers Upic/ CCMIX | 1 | |||||||||
| 41953 | Frederic Anthony | Robinson | Paling | fixed media, akusmatisch | 0 | ||||||||||||||
| 14072 | Richard | Robinson | Career | 1966 | fixed media, akusmatisch | Tanz |
9:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 14073 | Richard | Robinson | Formant Piece | 1965 | fixed media, akusmatisch | 3:50 | Stereo | PS Atlanta | 0 | ||||||||||
| 14074 | Richard | Robinson | Letter from Stu Hamilton | 1966 | fixed media, akusmatisch | 1:10 | Stereo | PS Atlanta | 0 | ||||||||||
| 14075 | Richard | Robinson | Lowdown | 1966 | fixed media, akusmatisch | Tanz |
32:40 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 14076 | Richard | Robinson | Transpositions | 1964 | fixed media, akusmatisch | 2:35 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 14077 | Richard | Robinson | UAI | 1966 | fixed media, akusmatisch | Tanz |
16:05 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 36837 | Richard | Robinson | Voices | fixed media, akusmatisch | 10:32:00 | Atlanta Electronic Music Center | 0 | ||||||||||||
| 14078 | Tucker | Robinson | Study for Cymbals | 1989 | fixed media, akusmatisch | 5:17 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 43005 | Claudia | Robles Angel | Zhong | 2013 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 30668 | Claudia | Robles | 1'' = 24 Images | 1995 | audiovisuell, live-elec, | 0 | |||||||||||||
| 30661 | Claudia | Robles | Bewegung in Silber | 2002 | audiovisuell, live-elec, | Stiftung Bauhaus-Dessau | 0 | ||||||||||||
| 37683 | Claudia | Robles | Blossoms | 2013 | fixed media, akusmatisch | 5:50 | DegeM CD 15/ | 0 | |||||||||||
| 39682 | Claudia | Robles | Cologne:transformations | 2016 | fixed media, akusmatisch | Claudia Robles Angel | 0 | ||||||||||||
| 34701 | Claudia | Robles | Departure | 2016 | fixed media, akusmatisch | 6:00:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 30676 | Claudia | Robles | Der Traum vom Raum | 2003 | Klangkunst, Installation | Bauhaus-Archiv Museum für Gestaltung Berlin | 0 | ||||||||||||
| 30669 | Claudia | Robles | Des Particules… (16mm) | 1994 | audiovisuell, live-elec, | 0 | |||||||||||||
| 30678 | Claudia | Robles | El Jardin de(l) Goethe | 1999 | Klangkunst, Installation | Espacio para el arte. Goethe-Institut. Bogotá | 0 | ||||||||||||
| 39681 | Claudia | Robles | HINEIN (inwards) | 2016 | audiovisuell | audiovisuelle Installation | 0 | ||||||||||||
| 30664 | Claudia | Robles | Horizon | 1997 | audiovisuell, live-elec, | Oriente Gallery. Santiago de Cuba | 0 | ||||||||||||
| 30663 | Claudia | Robles | Iguaque | 1998 | audiovisuell, live-elec, | 0 | |||||||||||||
| 30681 | Claudia | Robles | Il y a toujours… | 1995 | Klangkunst, Installation | 0 | |||||||||||||
| 30666 | Claudia | Robles | Imágenes Cristal | 1996 | audiovisuell, live-elec, | 0 | |||||||||||||
| 30680 | Claudia | Robles | Immersio | 1998 | Klangkunst, Installation | Galeria Atena. Bogotá | 0 | ||||||||||||
| 30672 | Claudia | Robles | Kern - Im Turm | 2010 | Klangkunst, Installation | Group Exhibition: EIN-SAM | Kunst im turm - Luther Kirche. Cologne | 0 | |||||||||||
| 30673 | Claudia | Robles | Konfluentîa | 2007 | Klangkunst, Installation | 2007 | European Capitals of the Culture: Luxembourg - Sibiu | 0 | |||||||||||
| 39683 | Claudia | Robles | La-bas…(There…) | 2015 | fixed media, akusmatisch | 14:29:00 | Claudia Robles Angel | 0 | |||||||||||
| 30665 | Claudia | Robles | Le sacré du Temps | 1996 | audiovisuell, live-elec, | 0 | |||||||||||||
| 30679 | Claudia | Robles | Madrediagua | 1998 | Klangkunst, Installation | 0 | |||||||||||||
| 30671 | Claudia | Robles | Nah | 2010 | Klangkunst, Installation | Frageraum & Skulpturenmuseum Glaskasten. Marl | 0 | ||||||||||||
| 30660 | Claudia | Robles | Oceanique | 2005 | audiovisuell, live-elec, | 0 | |||||||||||||
| 30677 | Claudia | Robles | Raum Verwandlung | 2001 | Klangkunst, Installation | Stiftung Bauhaus-Dessau | 0 | http://www.bauhaus-dessau.de/de/projects.asp?p=buehnwerk | |||||||||||
| 30675 | Claudia | Robles | Seed / Tree | 2005 | Klangkunst, Installation | Kubus. ZKM -Center for Art and Media | 0 | http://on1.zkm.de/zkm/stories/storyReader$4657 | |||||||||||
| 30667 | Claudia | Robles | Simplement de l'eau (16mm) | 1995 | audiovisuell, live-elec, | 0 | |||||||||||||
| 30670 | Claudia | Robles | SKIN | 2012 | Performance | audiovisuell |
actrice [Schauspieler] | 0 | http://www.2580association.info/?p=3582 | |||||||||||
| 30662 | Claudia | Robles | Terra | 2002 | audiovisuell, live-elec, | 0 | http://conciertosenellimb0.blogspot.com/2009_10_31_archive.html | ||||||||||||
| 30657 | Claudia | Robles | Travelog #1 - Nuit Bleue | 2008 | audiovisuell, live-elec, | Quadro | VISUAL SOUNDS Festival Musik Intermedial | 0 | |||||||||||
| 30656 | Claudia | Robles | Travelog #2 -Journey to the dry- | 2009/2012 | audiovisuell, live-elec, | EMUFEST - Rome | 0 | http://www.emufest.org/emufest_it/index_it.htm | |||||||||||
| 42657 | Claudia | Robles | TRAVELOG#1- Nuit Bleue- | 2009 | audiovisuell | 10 | Surround 4.1 | 0 | |||||||||||
| 30659 | Claudia | Robles | Zhong | 2005 | audiovisuell, live-elec, | November Musik Festival. FHS-Essen | 0 | ||||||||||||
| 30658 | Claudia, Paulo | Robles, Ferreira-Lopes | Wintermusik | 2007 | audiovisuell, live-elec, | Musica Viva Festival Porto | 0 | ||||||||||||
| 30674 | Claudia, Florian | Robles, Grond | Intermittent | 2006 | Klangkunst, Installation | Galerie Rachel Haferkamp | 0 | ||||||||||||
| 22755 | Anton, Luca, Francesco | Roca, Miti, Michi | Mens Conclusa: Tre Variazioni su "mens conclusa" | 1994 | Klanginstallation, live-elec, | parallele performance | Electronikaruna | 1 | |||||||||||
| 35083 | Manuel | Rocha Iturbide | 5 lineas con clavos, 5 lines with nails | 2014 | Performance | perf [Performer] | Action-Installation. Varied Mesures. 5 lines of n meters long with nails spaced by 1 cm + audio of the action that took place | 2014 | Zona Vacía. Le Laboratoire Gallery. México City. Curator: Michel Blancsube | 0 | http://www.artesonoro.net/artesonoro/cincolineas/cincolineas.html | ||||||||
| 35100 | Manuel | Rocha Iturbide | A través otra vez | 2001 - 2005 | Klangkunst, Installation | (Two megaphones and tricycle) [] | Mobile sound sculpture. Juego doble | Centro Cultural de España, Mexico City. | 0 | http://www.artesonoro.net/artesonoro/atravesotravez/atravesotravez.html | |||||||||
| 35079 | Manuel | Rocha Iturbide | Accelenrando al niente Zona Vacía | 2014 | Klangkunst, Installation | Surround 5.1 | (5.1 home audio system, audio cable, 5 sound tracks) [] | Le Laboratoire Gallery. Mexico City. | 2014 | Zona Vacía. Le Laboratoire gallery. Mexico City | 0 | http://www.artesonoro.net/artesonoro/accelerandoalniente/accelerandoalniente.html | |||||||
| 27277 | Manuel | Rocha Iturbide | Airwaves on the fields | 2006 | fixed media, akusmatisch | Klangkunst, Installation |
5 tracks | 2006 | Köln | 0 | ||||||||||
| 35067 | Manuel | Rocha Iturbide | Ashimakase | 2010 | live-elec, 1 perf | 9:24 | Stereo | p, (com) [Piano] | Composition for piano and computer. Dedicated to Aki Takahashi | 0 | http://www.artesonoro.net/composiciones/Ashimakase.html | ||||||||
| 27271 | Manuel | Rocha Iturbide | Atl | 1990 | fixed media, akusmatisch | 10:00 | Stereo | CCM Mills | 1 | http://www.artesonoro.net/compositions.html | |||||||||
| 27283 | Manuel | Rocha Iturbide | Avidya | 1989 | fixed media, akusmatisch | 23:00 | Stereo | CCM Mills | 0 | http://www.artesonoro.net/compositions.html | |||||||||
| 35072 | Manuel | Rocha Iturbide | B-36-A | 2005 | Klangkunst, Installation | 28 | 19 Tracks | Composition-Installation for 19 digital tracks. Stereo Version. | Oasis Sonoro | 0 | |||||||||
| 27282 | Manuel | Rocha Iturbide | Bandas de pueblo | 1991 | Zuspiel / Tonband, 6 perf, 1 group | 17:00 | Stereo | hn, trbn, t-sax, s-sax, tpt, perc, (mex Village) Band [Saxophon, Horn, Trompete, Posaune, Schlagzeug, Ensemble] | CCM Mills | 0 | |||||||||
| 35102 | Manuel | Rocha Iturbide | Boom Box Project | 2003 | Klangkunst, Installation | Soundscape installation and CD project | Cdmusic/ | 2003 | Aparentemente. IX Salón de Arte Bancomer. Museo de Arte Moderno. México DF | 0 | http://www.artesonoro.net/artesonoro/boomboxproject/boomboxproj.html | ||||||||
| 14079 | Manuel | Rocha Iturbide | Cantos Rituales | 1992 - 1993, 2002 | fixed media, akusmatisch | 10:00 | Stereo | INA • GRM, LIEM CDMC Madrid, Uni Herdforshire, Ps C. | 0 | http://www.artesonoro.net/composiciones/CantosRituales.html | |||||||||
| 34080 | Manuel | Rocha Iturbide | Casi nada | 2012 | fixed media, akusmatisch | 10:48:00 | Octo, 20 tracks | march 2012 | “Espacio de experimentación sonora” (Experimental sound space) in the MUAC Contemporary Art Museum in Mexico City | 0 | http://www.artesonoro.net/composiciones/casinada/casinada.html | ||||||||
| 35069 | Manuel | Rocha Iturbide | Cinema Revolucion | 2009 | fixed media, akusmatisch | 6:18 | 5 tracks | Composition for 2 digital tracks. Comission from Fonoteca Nacional de México. | FONOTECA NACIONAL DE MEXICO | 0 | |||||||||
| 35093 | Manuel | Rocha Iturbide | Colapso Colateral, Colateral Collapse | 2011 | Klangkunst, Installation | (three children drum sets, speaker cones, audio cable, computer, audio card and 3 stereo amplifiers) [] | 2011 | Non Corupus Mentis. León Guanajuato | 0 | http://www.artesonoro.net/artesonoro/colapsocolateral/colapsocolateral.html | |||||||||
| 35088 | Manuel | Rocha Iturbide | Contensión Reglamentaria - Statuary Contention | 2013 | Klangkunst, Installation | (Six Military Drums. Steel Cable. Tensors. Speakers) [] | 2013 | Series of interventions for specific site. 50 Anniversary for the Centro Cultural del Bosque. México City. Curator: Bárbara Perea | 0 | http://www.artesonoro.net/artesonoro/contensionreglamentaria/contensionreglamentaria.html | |||||||||
| 35099 | Manuel | Rocha Iturbide | Corte de Pelo (Hair Cut) | 2006 | Performance | 6 | 6 perf [Performer] | Sound Action for six amplified hair cutters | 10.3.2006 | Ex-Teresa Museum, Mexico City | 0 | http://www.artesonoro.net/artesonoro/cortedepelo/Cortedepelo.html | |||||||
| 35076 | Manuel | Rocha Iturbide | Cruci-Fiction | 2016 | Klangkunst, Installation | (Violin. Long metal strings. Tensors) [] | Sculpture. Sound Reasons. Galería Vadhera. New Delhi India.. | 2016 | Sound Reasons. Galería Vadhera. New Delhi India | 0 | http://www.artesonoro.net/artesonoro/crucifiction/crucifiction.html | ||||||||
| 35098 | Manuel | Rocha Iturbide | Dentro Afuera Adentro, Inside outside inside | 2006 | Klangkunst, Installation | (Two cardioide mics, sound card. Mac with MAX-MSP, 4 amplifiers, a optional mixer. Speaker Cones, audio cable) [] | Sound Installation | 2006 | Plataforma Puebla 2006, Mexico. Curators: Priamo Lozada and Bárbara Perea | 0 | http://www.artesonoro.net/artesonoro/Dentroafueradentro/Dentroafueradentro.html | ||||||||
| 35080 | Manuel | Rocha Iturbide | Doble puntuación - Double Punctuation Zona Vacía | 2014 | Klangkunst, Installation | Le Laboratoire Gallery. Mexico City. | 0 | ||||||||||||
| 35071 | Manuel | Rocha Iturbide | Ecosistemas | 2008 - 2009 | fixed media, akusmatisch | 6 | Composition for 6 digital tracks | IMEB Bourges | IMEB Bourges | 0 | |||||||||
| 35066 | Manuel | Rocha Iturbide | El Baño de Frida Kahlo | 2012 | fixed media, akusmatisch | 8:37 | Composition for two digital tracks. | FONOTECA NACIONAL DE MEXICO and the Frida Kahlo Museum | 0 | ||||||||||
| 27279 | Manuel | Rocha Iturbide | El Eco Esta en Todas Partes | 2003 | fixed media, akusmatisch | Klangkunst, Installation |
14:00 | Octo | 2003 | La Colmena. Colección Jumex, México DF. Curator: Guillermo Santamarina | 0 | http://www.artesonoro.net/composiciones/ElEco.html | ||||||||
| 34089 | Manuel | Rocha Iturbide | El eterno retorno, The eternal recurrence | 2011 | Performance, live-elec, 1 perf | Stereo | (toy-train), drum [Schlagzeug] | 2011 | Cualquier semejanza con el original es pura coincidencia. Le laboratoire Gallery. México City | 0 | http://www.artesonoro.net/artesonoro/eleternoretorno/eleternoretorno.html | ||||||||
| 35104 | Manuel | Rocha Iturbide | En una fracción de fricción, In a fraction of friction | 1999 | Klangkunst, Installation | audiovisuell |
Video and Audio Installation. | 1999 | Project Rooms Arco | 0 | http://www.artesonoro.net/artesonoro/enunafrac/fraccion.html | |||||||||
| 40873 | Manuel | Rocha Iturbide | Estudio antimatierico No. 1 | 1989 | fixed media, akusmatisch | 5:02 | SR 290 sub rosa/ | 0 | |||||||||||
| 35073 | Manuel | Rocha Iturbide | Estudio electrónico no.1 | 1989 | live-elec, | 4 | composed with Xpander synthesizer. 4:00 | 0 | |||||||||||
| 27280 | Manuel | Rocha Iturbide | Even, Introito Kyrie Sanctus Agnus Dei |
2003 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 35089 | Manuel | Rocha Iturbide | Five Cages | 2013 | Klangkunst, Installation | (5 cricket cages, wooden table, Max MSP or a DVD player) [] | Galería Le Laboratoire. México DF. 2013. | 2014 | Gabinet de curoisités. Le Laboratoire Gallery. México City. | 0 | http://www.artesonoro.net/artesonoro/fivecages/fivecages.html | ||||||||
| 35092 | Manuel | Rocha Iturbide | Fonosíntesis, Phonosynthesis | 2011 | Klangkunst, Installation | 5 tracks | ( 5 album covers, 5 mp3 players, 5 headphones, 5 text sheets) [] | A tectonic temporal study of five rock bands | 2011 | Tiempo de Sospecha. Museum of Modern Art MAM. México City. Curator: Víctor Palacios | 0 | http://www.artesonoro.net/artesonoro/fonosintesis/fonosintesis.html | |||||||
| 27272 | Manuel | Rocha Iturbide | Frost clear energy saver | 1991 | Zuspiel / Tonband, 2 perf | 15:48 | Stereo | (amp refrigerator), db, com [Kontrabass, computer] | Audition rec ar 033/ | CCM Mills | 1 | http://www.artesonoro.net/compositions.html | |||||||
| 35077 | Manuel | Rocha Iturbide | Geografías Agrestes, Rough Geographies | 2014 | Klangkunst, Installation | 12 Tracks | (12 clay comales. 6 iTune Players. 12 six inch speaker cones. Audio Cables) [] | Sound Installation. Geografías Agrestes. MACO Contemporary Art Museum. Oaxaca Mexico. | 2014 | Geografías Agrestes. MACO Contemporary Art Museum. Oaxaca, Mexico | 0 | ||||||||
| 35068 | Manuel | Rocha Iturbide | Hieros Logos | 2010 | radiophon | 28 | Stereo | Radiophonic work. Two digital tracks. Comission from Radio Clásica España. | Audition rec ar 033/ | Radio Clásica Spain | 2010 | Alicante Music Festival | 0 | ||||||
| 35097 | Manuel | Rocha Iturbide | I play the drums with frequency (Toco la batería con frecuencia) | 2007 | Klangkunst, Installation | Sound Installation | 2007 | Forum internacional de las culturas, Monterrey Mexico | 0 | http://www.artesonoro.net/artesonoro/Iplaythedrums/Iplaythedrums.html | |||||||||
| 35108 | Manuel | Rocha Iturbide | Impasse | 1997 | Klangkunst, Installation | Sound Sculpture | 1998 | Domestica exhibition. México D.F. | 0 | http://www.artesonoro.net/artesonoro/impasse/impasse.html | |||||||||
| 35084 | Manuel | Rocha Iturbide | In Vitro Series | 2014 | Klangkunst, Installation | (5 laboratory jars. 5 mp3 players. 5 earplugs) [] | 2014 | Zona Vacía. Le Laboratoire Gallery. México City. Curator: Michel Blancsube | 0 | http://www.artesonoro.net/artesonoro/invitroserie/invitroserie.html | |||||||||
| 35101 | Manuel | Rocha Iturbide | Instalación Sonora en el fuerte de San José, Sound installation at the San José Fort | 2004 | Klangkunst, Installation | Sound Installation in situ at the San José Fort in Campeche city Mexico. Proyecto 23 Zonas. Mexico 2004. | 2004 | San José Fort in Campeche city Mexico. Proyecto 23 Zonas. Mexico | 0 | http://www.artesonoro.net/artesonoro/fuertedesanjose/fuerteSanJose.html | |||||||||
| 35081 | Manuel | Rocha Iturbide | Johan Sebastian Bach Two Voice Intenvions for Piano | 2014 | Klangkunst, Installation | (Intervention on music scores cutting notes and stems, over black background. Schreyer editions. Volume 812. Inventions 1, 3, 5, 7, 9, 11, 13 and 15) [] | 2014 | Zona Vacia. Le Laboratoire Gallery. Mexico City | 0 | ||||||||||
| 35065 | Manuel | Rocha Iturbide | La rama del tamarindo | 2013 | Klangkunst, Installation | 30:24 | Stereo | Soundscape composition for two digital tracks. | IBERMUSICAS grant and the Circular Abierto Foundation in Barranquilla | 0 | http://www.artesonoro.net/composiciones/larama/larama.html | ||||||||
| 35070 | Manuel | Rocha Iturbide | La selva precede al hombre | 2008 | radiophon | 3 | Stereo | Radiophonic work for 2 digital tracks. Comission from Radio UNAM México. | RADIO UNAM MEXICO | 0 | |||||||||
| 35063 | Manuel | Rocha Iturbide | La sintesis de espacios | 2016 | Klangkunst, Installation | 26.11.16 - 15.01.17 | entre limites / zwischen grenzen, Kunstraum Kreuzberg / Bethanien, Berlin | 0 | http://singuhr.de/en/projects-2014/2016-3/la-sintesis-de-espacios/ | ||||||||||
| 35087 | Manuel | Rocha Iturbide | La Tensión Extendida, The Extended Tension | 2013 | Klangkunst, Installation | (Electric Guitar. EG Amplifier. 6 long Brass Strings. Tensors. Instructions) [] | 2013 | El Futuro hoy. Aldea Digital. Art and technology exhibition. México City | 0 | http://www.artesonoro.net/artesonoro/latensionextendida/latensionextendida.html | |||||||||
| 35082 | Manuel | Rocha Iturbide | Lecture on Nothing | 2014 | Klangkunst, Installation | (Seventeen 21.59 x 27.94. rice paper sheets with mechanical Olivetti type writer ink) [] | 2014 | Zona Vacía. Le Laboratoire Gallery. México City. Curator: Michel Blancsube | 0 | http://www.artesonoro.net/artesonoro/lectureonnothing/lectureonnothing.html | |||||||||
| 27276 | Manuel | Rocha Iturbide | Light and Dust | 2006 | Zuspiel / Tonband, 1 perf | 9:40 | Stereo | ob or s-sax [Oboe, Saxophon] | 0 | http://www.artesonoro.net/composiciones/lightanddust.html | |||||||||
| 35111 | Manuel | Rocha Iturbide | Ligne d'abandon | 1994 | Klangkunst, Installation | Sound Work in collaboration with Gabriel Orozco | Galerie Chantal Crousel GM 369/ | 1993-94 | Chantal Crousel Gallery in Paris during Orozco's exhibition | 0 | http://www.artesonoro.net/artesonoro/lineade/lineade.html | ||||||||
| 35075 | Manuel | Rocha Iturbide | Los números de Pitágoras | 1989 | Klangkunst, Installation | 8 | Computer music composed with the Vedic numeric system used by the Mexican artist Juan Luis Díaz for his exhibition in the Mexican cultural center in Paris "Revelaciones de UN Arcano" | Mexican cultural center in Paris "Revelaciones de UN Arcano" | 0 | http://www.artesonoro.net/articulos/tablaveda.html | |||||||||
| 35095 | Manuel | Rocha Iturbide | Mandil Electro Acústico Doméstico, Electro Domestic Acoustic Apron | 2010 | Klangkunst, Installation | (Mexican art craft gray paper, two sound tracks, small speaker cones, audio cable, itunes player) [] | Sound Sculpture. Shopware, Rose Soshana Gallery, Los Angeles USA. | Rose Soshana Gallery in LA California USA | 2010 | Shopwear RoseGallery LA California USA | 0 | http://www.artesonoro.net/artesonoro/mandil/mandil.html | |||||||
| 35086 | Manuel | Rocha Iturbide | Massa Confusa | 2013 | Klangkunst, Installation | Octo | (8 Steel Comales, Fried Oil, 8 Speaker Cones, Audio cable, Mac Computer and MAX MSP) [] | CON.TENSIONES. (Solo Show) Fonoteca Nacional. Mexico City. | 2013 | CONTENSIONES. Individual exhibition at FONOTECA. México City. Curator: Guillermo Santamarina | 0 | http://www.artesonoro.net/artesonoro/massaconfusa/massaconfusa.html | |||||||
| 27281 | Manuel | Rocha Iturbide | Mathias Goeritz, 4 Interludios | 1998 | fixed media, akusmatisch | Stereo | 4 Interludios | 0 | |||||||||||
| 35110 | Manuel | Rocha Iturbide | Mechanisms for the absolution of waste | 1997 | Klangkunst, Installation | Sound Installation in Situ | 1997 | La resurrección del San Martín. DF. | 0 | http://www.artesonoro.net/artesonoro/mecanismos/mecanismos.html | |||||||||
| 27273 | Manuel | Rocha Iturbide | Móin Mór | 1995 | fixed media, akusmatisch | 9:39 | Stereo | Russolo Pratella EF.ER.P 97/ | Prize Russolo Varese 1997 Competition Musica Nova Prag 1995 |
1 | http://www.artesonoro.net/compositions.html | ||||||||
| 35085 | Manuel | Rocha Iturbide | Nakshatra Ahoratram Raags | 2013 | Klangkunst, Installation | (3 pairs of Indian Tabla Drums. 3 itune players, 6 Relays. Audio Cable) [] | 2013 | An Antipode So Close.. Collective exhibition at Vedhera Gallery. New Delhi, India. Curator: Julia Villaseñor Bell | 0 | http://www.artesonoro.net/artesonoro/nakshatra/nakshatra.html | |||||||||
| 35103 | Manuel | Rocha Iturbide | OFFSIDE | 1999 | Klangkunst, Installation | Quadro | Audiovisual Installation with slide projector and sound system. 11 images and 4 sound tracks | 1999 | Frontera. 9 bienal internacional de fotografía. Centro de la Imagen. México DF | 0 | http://www.artesonoro.net/artesonoro/offside/offside.html | ||||||||
| 27278 | Manuel | Rocha Iturbide | Parlantes | 2003 | audiovisuell, live-elec, 1 perf | elec [elektronik] | Parlantes = Loudspeakers | 0 | |||||||||||
| 35106 | Manuel | Rocha Iturbide | Ping-Roll | 1997 | Klangkunst, Installation | Sound Sculpture | 1998 | 1era Bienal Tridimensional. INBA. México DF. Sidney Biennale. Austrailia |
0 | http://www.artesonoro.net/artesonoro/pingroll/pingroll.html | |||||||||
| 34141 | Manuel | Rocha Iturbide | Pocos cocodrilos | fixed media, akusmatisch | 1:26 | 0 | |||||||||||||
| 35113 | Manuel | Rocha Iturbide | Puesta de Luna en Malinalco | 1988 | audiovisuell | Video, Cabinet de Curiosités. Galería Le Laboratoire. México DF. 2013. | 0 | http://www.artesonoro.net/artesonoro/puestaluna/puestaluna.html | |||||||||||
| 26049 | Manuel | Rocha Iturbide | Purusha-Prakrti | 2005 | fixed media, akusmatisch | 12:23 | Stereo | LDC 278081 Cultures électroniques 19 2006/ | IMEB Bourges | 2005 | Bourges (Frankreich) | 1 | http://www.artesonoro.net/composiciones/PurushaPrakrti.html | ||||||
| 23590 | Manuel | Rocha Iturbide | Rebicycling | 2000 | Klangkunst, Installation | 12:25 | Quadro | (5 old byicicles, 4 preamplified speakers, 2 trasnparene CD players . 2000. ) [] | Bicycles-sounds in Tokio | CMJ Vol 27-4, 2003/ | November 2000 | Surge Gallery, Tokyo | 1 | http://www.artesonoro.net/artesonoro/Rebicycling/Rebicycling.html | |||||
| 34140 | Manuel | Rocha Iturbide | Recontrucción de los hechos, Crime scene reconstruction | 1998 | Klangkunst, Installation | 5 tracks | (4 broken glasses, 1 glass, 5 speaker cones. Three amps. 5 Audio track) [] | 1998 | First international sound art festival. Mexico City | 0 | http://www.artesonoro.net/artesonoro/reconstruccion/rerconstruccion.html | ||||||||
| 27191 | Manuel | Rocha Iturbide | Semi No Koe | 2001 | Zuspiel / Tonband, 1 perf | 8:41 | Stereo | fl [Flöte] | IRD 002 Irradia/ | Alejandro Escuer | 06.2001 | “Festival Internacional de Arte Sonoro” in Mexico City | 1 | ||||||
| 35091 | Manuel | Rocha Iturbide | Siete COPiAS - Seven COPyES | 2011 | Klangkunst, Installation | 7 tracks | ( 7 wine cups. 7 amplified channels. 7 Relays. Computer Patch) [] | 2011 | Cualquier semejanza con el original es pura coincidencia. Le Laboratoire Gallery. México City. | 0 | http://www.artesonoro.net/artesonoro/sietecopias/sietecopias.html | ||||||||
| 27274 | Manuel | Rocha Iturbide | SL-9 | 1994 | fixed media, akusmatisch | 12:00 | Stereo | SFU | 1 | http://www.artesonoro.net/compositions.html | |||||||||
| 35094 | Manuel | Rocha Iturbide | Sónica Tal | 2010 | Klangkunst, Installation | 5 tracks | (5 Mexican Talavera Ceramic pieces, different dimensions. 5 sound tracks, 5.1 home audio system, audio cable) [] | Sound Sculpture | Talavera museum Allaraca in Cholula Puebla | 2010 | Museo de Talavera Las Alaracas, Cholula Mexico | 0 | http://www.artesonoro.net/artesonoro/sonicatal/sonicatal.html | ||||||
| 35064 | Manuel | Rocha Iturbide | TACTOS | 2013 | live-elec, 1 perf | fixed media, akusmatisch |
1 or more perf [Performer] | For six digital tracks with the possibility of having one or more performers. | new blind library of the Ciudad de los Libros in the Ciudadela, México City | 0 | ||||||||||
| 35107 | Manuel | Rocha Iturbide | Techno in Vitro | 1997 | Klangkunst, Installation | (Glass Jar, walkman recorder and headphones) [] | Sound Sculpture | 1998 | Doméstica Ayer mañana . Cuenca, España | 0 | http://www.artesonoro.net/artesonoro/tecno/tecno.html | ||||||||
| 27275 | Manuel | Rocha Iturbide | Tetraktis | 2007 | Zuspiel / Tonband, 4 perf | 14:30 | Quadro | str-qt [Streicher] | Arditti Quartet through the Ernst Von Siemens Foundation | Arditti String Quartet in Palacio de Bellas Artes, Mexico City | Auszeichnung ars electronica honorary mention 2009 | 0 | |||||||
| 35105 | Manuel | Rocha Iturbide | Time-Space compression of an habitat | 1998 | Klangkunst, Installation | Sound installation in situ | 1998 | Doméstica. México DF | 0 | http://www.artesonoro.net/artesonoro/timespace/timespace.html | |||||||||
| 35074 | Manuel | Rocha Iturbide | Trance lumínico | 1989 | live-elec, 4 perf | 5 | synt, sax, xyl, vib [Saxophon, Schlagzeug, synthesizer] | for Synthesizer, Saxophone, Xylophone and Vibraphone | 0 | ||||||||||
| 22719 | Manuel | Rocha Iturbide | Transiciones de fase | 1994 | Zuspiel / Tonband, 4 perf | 12:00 | tpt, hn, trbn, tuba [Horn, Trompete, Posaune, Tuba] | CMJ Vol 23-4, 1999/ Russolo Pratella EF.ER.P 96/ | IRCAM | 12 February 1994 | concert du Cursus de composition, Espace de projrction de l'Ircam, Paris, par Ensemble Court-Circuit, direction: Pierre-André Valade | Prize Russolo Varese 1996 | 1 | http://www.artesonoro.net/compositions.html | |||||
| 35109 | Manuel | Rocha Iturbide | Urnoboros | 1997 | Klangkunst, Installation | Sound Sculpture | 1998 | La resurrección del San Martín. 1997. Doméstica. México DF | 0 | http://www.artesonoro.net/artesonoro/urnoboros/urnoboros.html | |||||||||
| 35112 | Manuel | Rocha Iturbide | (+ x – ) = – | 1987 | Klangkunst, Installation | Stereo | (Speaker, Saint Head, Bulb Amplifier, Stereo sound track) [] | Sound Sculpture and video installation. 14 Artistas en torno a Jospeh Beuyce. DF. 1989. | 1989 | „a PROPOSOTO, 14 obras en torno a Joseph Beuys”, Mexico | 0 | http://www.artesonoro.net/artesonoro/maspormenos/maspormenos.html | |||||||
| 35078 | Manuel | Rocha Iturbide | Z z z z z z z z | 2014 | Klangkunst, Installation | (Portable Turntable and Vinyl LP with a snoring sound over a chair) [] | MACO Art Fair, Mexico City. | 2014 | El Mar en el cual un mosquito puede beber y un elefante puede bañarse. Le Laboratoire Gallery. México City | 0 | http://www.artesonoro.net/artesonoro/zzzzzzz/zzzzzz.html | ||||||||
| 35090 | Manuel, Adriana | Rocha Iturbide, Ramonetti | 4:33, Cualquier semejanza con el original es pura coincidencia | 2011 | Klangkunst, Installation | (Printed Text in Wall + Audio) [] | 2011 | Cualquier semejanza con el original es pura coincidencia. Le Laboratoire Gallery. México City. | 0 | http://www.artesonoro.net/artesonoro/cuatrotreintaytres/cuatrotreintaytres.html | |||||||||
| 35096 | Manuel, Mauricio | Rocha Iturbide, Rocha Iturbide | Pabellón Acústico, ACOUSTIC PAVILLION | 2008 | Klangkunst, Installation | Architectural sound space | 2008 | Museo Laberinto de las Ciencias y Artes, San Luis Potosí Mexico | 0 | http://www.artesonoro.net/artesonoro/pabellonacustico/pabellonacustico.html | |||||||||
| 21767 | Pedro | Rocha | Caminho | 1994 | Zuspiel, live-elec, 2 perf | 28:00 | Stereo | hn, fl [Flöte, Horn] | IRCAM | 0 | |||||||||
| 19620 | Pedro | Rocha | Dual | 1988 | fixed media, akusmatisch | 10:10 | Stereo | GME Cuenca | 0 | ||||||||||
| 21768 | Pedro | Rocha | Pièce pour Vibraphone MIDI et Live electronics | 1993 | Zuspiel, live-elec, 1 perf | 3:00 | Stereo | MIDI-vib [Schlagzeug] | IRCAM | 0 | |||||||||
| 21769 | Pedro | Rocha | Psalm 148 | 1998 - 2001 | Zuspiel / Tonband, 2 perf, 1 group | 60:00 | Stereo | mixed ch, mus, org [Orgel, Musiker, Chor] | INA • GRM | 0 | |||||||||
| 28212 | Pedro | Rocha | to a World Free from Beliefs | 2007 | live-elec, 4 perf | 18:48 | Stereo | amp qt, (elec) [Instrument] | electric ensemble sond’ar-te | miso records mcd 021.09/ | 1 | ||||||||
| 14084 | Pierre | Rochefort | Bande Mémoire ou dernier oubli | 1979 | fixed media, akusmatisch | 5:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 14080 | Pierre | Rochefort | Dîner des grandes personnes | 1975 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 14081 | Pierre | Rochefort | Dur 1er volet: exposition | 1976 | fixed media, akusmatisch | 17:25 | Stereo | IMEB Bourges | 0 | ||||||||||
| 14082 | Pierre | Rochefort | Hum (étude de stage) | 1974 | fixed media, akusmatisch | Stereo | IMEB Bourges | 0 | |||||||||||
| 14083 | Pierre | Rochefort | Je retourné au manège | 1979 | fixed media, akusmatisch | 10:15 | Stereo | IMEB Bourges | 0 | ||||||||||
| 14085 | Pierre | Rochefort | Solitude | 1978 | fixed media, akusmatisch | 14:12 | Stereo | IMEB Bourges | 0 | ||||||||||
| 26050 | Clara | Rockmore | The world’s greatest Theremin Virtuosa | 1998 | audiovisuell, 1 perf | theremin [synthesizer] | licence moog music inc. | Ellipsis Arts 3694 - OHM DVD/ | 1 | http://championupnorth.com/music/features/7-visionary-women-who-paved-the-way-for-electronic-music | |||||||||
| 35493 | Arturo | Rodas | 2 Movimientos de la Suite Pan Comido - 1 | 2003 | Zuspiel / Tonband, 1 perf | 3:06 | p [Piano] | 0 | |||||||||||
| 35494 | Arturo | Rodas | 2 Movimientos de la Suite Pan Comido – 2 | 2003 | Zuspiel / Tonband, 1 perf | 1:46 | p [Piano] | 0 | |||||||||||
| 38915 | Steve | Roden | Heizlüfter (Slight Return) | 1999 | Performance, live-elec, | 11:45 | x-tract x-t 2002/ | 1999 | Podewil Berlin | 0 | |||||||||
| 34755 | Steve | Roden | Light forms | 2002 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 19.9.-27.10.2002 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 37481 | Steve | Roden | OTR | 2003 | radiophon | 6:46 | LMJ 13 CD/ | 0 | |||||||||||
| 34740 | Steve | Roden | Rag Picking | 2012 | Klangkunst, Installation | 9:29 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 12.7.-12.8.2012 | singuhr hoergalerie Berlin im Meinblau, Pfefferberg | 0 | |||||||||
| 36462 | Steve | Roden | Tapping The Inside Of Sitting Still | 2007 | radiophon | 4:45:00 | and 26/ | 0 | |||||||||||
| 34756 | Steve | Roden | the moon gatherers | 2002 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 19.9.-27.10.2002 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 14086 | Daniel | Rodger | Blip | 1991 | fixed media, akusmatisch | 2:00 | Stereo | BEAST | 0 | ||||||||||
| 14087 | Daniel | Rodger | Bob | 1991 | fixed media, akusmatisch | 4:00 | Stereo | BEAST | 0 | ||||||||||
| 14088 | Daniel | Rodger | Flush | 1990 | fixed media, akusmatisch | 5:00 | Stereo | BEAST | 1 | ||||||||||
| 14089 | Daniel | Rodger | Sample of Parody's Lot | 1992 | fixed media, akusmatisch | 5:00 | Stereo | BEAST | 0 | ||||||||||
| 14090 | Daniel | Rodger | Thak | 1992 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | shakuhachi [Flöte] | BEAST | 0 | |||||||||
| 14091 | Daniel | Rodger | The Temptations of St Poob and the Revelations of Dionysus | 1991 | fixed media, akusmatisch | 10:00 | Stereo | BEAST | 0 | ||||||||||
| 14092 | Andrei | Rodionov | Kremlins | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 28434 | Andrei | Rodionov | Laboratory-8 | fixed media, akusmatisch | 5:18 | ELCD 004 Electroshock Records/ | 0 | ||||||||||||
| 14093 | Andrei | Rodionov | Oxide, OcsiD | 1990 | fixed media, akusmatisch | 5:56 | ELCD 005 Electroshock Records/ | 0 | |||||||||||
| 14094 | Andrei | Rodionov | Syuita dlya personal’nogo komp’yutera s orkestrom | 1989 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 41915 | Andreas | Rodler "sha" | die melancho Lieder … | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 20793 | Andreas | Rodler "sha" | Les espace virtuels et/ou leur musique | 1995 | radiophon | 34:31 | Stereo | EX 256/ | ELAK Wien | 0 | |||||||||
| 19164 | Andreas | Rodler "sha" | living room music, der ohrenblick des untergangs der titanic iteration |
1996 | radiophon | der ohrenblick des untergangs der titanic pieces from/for radio partie du rapport… |
ORF 082/ | IRCAM | ORF-kunstradio | 1 | http://www.thing.or.at/thimg/ORFkunstradio.htm | ||||||||
| 41909 | Andreas | Rodler "sha" | Sand-voices and linen | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 14095 | Mario | Rodrigue | Cristaux liquides | 1990 | fixed media, akusmatisch | 9:15 | MIDI; txtcompo | IMED 9415/ ASP 0966/ | Uni Montréal, PS Rodrigue | Mention Bouges 1991 | 1 | ||||||||
| 14096 | Mario | Rodrigue | Fiano Porte | 1985 | fixed media, akusmatisch | 5:22 | IMED 9415/ | Uni Montréal | 1 | ||||||||||
| 41982 | Mario | Rodrigue | Fluctuation quantique | 2014 | fixed media, akusmatisch | 8:36 | 2nd prize Klang! competition Montpellier (France) 2014 | 0 | |||||||||||
| 14097 | Mario | Rodrigue | Le Voyageur | 1993 | fixed media, akusmatisch | 9:52 | MIDI | IMED 9415/ | PS C. | 1 | |||||||||
| 14098 | Mario | Rodrigue | Qu'est - ce concert? | 1987 | fixed media, akusmatisch | 6:07 | IMED 9415/ | Uni Montréal | 1 | ||||||||||
| 14099 | Mario | Rodrigue | Tilt | 1986 | fixed media, akusmatisch | 6:43 | IMED 9415/ | Uni Montréal | prize CBC 1986 | 1 | |||||||||
| 28400 | Américo Jorge | Rodrigues | O som que circula nas veias | 2005 | Performance | 2:53 | recorded at Reque Rec Studios Portugal | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 19628 | M. Angel | Rodriguez Velázquez | Travelogue | 1992 | live-elec, 2 perf | Stereo | synt, mar [Schlagzeug, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 42273 | Manuel | Rodriguez-Valenzuela | T(T) - Blocks D | 2013 - 2014 | audiovisuell, live-elec, 3 perf | 3 perf (with 3 amp elec Typewriter, Video, Objects) [Performer] | 0 | ||||||||||||
| 21570 | Ana Maria | Rodriguez | 9.33 | 1999 | live-elec, 3 perf | 9:40 | 3 vc [Cello] | Walter, Bruns, Jeremias (Vc) | 1 | ||||||||||
| 21577 | Ana Maria | Rodriguez | Automatische Musik | 2000 | Klanginstallation, live-elec, 2 perf | 18:00 | (Mikroorganismen,) ins, elec [Instrument, elektronik] | 1 | |||||||||||
| 21571 | Ana Maria | Rodriguez | G. & G. | 2000 | live-elec, 1 perf | 9:56 | va d’amore, (com) [Viola] | Reschke | 1 | ||||||||||
| 21572 | Ana Maria | Rodriguez | Guitar piece | 1991 | live-elec, 1 perf | 4:28 | gui [Gitarre] | tape version | 1 | ||||||||||
| 21576 | Ana Maria | Rodriguez | Havanita | 1997 | Zuspiel / Tonband, 1 perf | 6:31 | b-fl [Flöte] | Hoitenga | 1 | ||||||||||
| 34343 | Ana Maria | Rodriguez | Le Stéréoscope des Solitaires, Das Stereoskop der Einzelgänger | 2015 | Musiktheater | ≈ 45 | dance, tpt, vn, va, vc, (elec) [Trompete, Viola, Cello, Violine, Tanz] | Musique, Théâtre, Installation. 8 parts | Césaré | 18.2.2015 | Le Manège de Reims, Festival Reims Scènes d’Europe. - Coproduction Césaré Centre national de création musicale de Reims / Reims Scènes d‘Europe and Ensemble KNM Berlin. Supported by the Berlin Senate Cultural Affairs Department and Impuls. In cooperation with le Manège de Reims. In partnership with la Comédie de Reims and La Fileuse, Friche Artistique. | 0 | http://www.kammerensemble.de/projekte/St-r-oscope.93a44.php | ||||||
| 42288 | Ana Maria | Rodriguez | Le Stéréoscope des Solitaires, Das Stereoskop der Einzelgänger | 2015 | live-elec, 1 group | ens [Ensemble] | 7.12.2018 | HAU 2, Festival heroines-of-sound (UA der konzertanten Version) mit dem Ensemble KNM Berlin | 0 | ||||||||||
| 21578 | Ana Maria | Rodriguez | Level I | 2000 | Klanginstallation, live-elec, 1 perf | 23:01 | b-ob, (com) [Oboe] | 1 | |||||||||||
| 26223 | Ana Maria | Rodriguez | Overlook | 2007 | live-elec, 2 perf | ≈ 10:00 | va, cl [Klarinette, Viola] | singuhr-hoergalerie | 20.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | ||||||||
| 21574 | Ana Maria | Rodriguez | piece for cello and tape | 1992 | Zuspiel / Tonband, 1 perf | 8:24 | vc [Cello] | 1 | |||||||||||
| 39027 | Ana Maria | Rodriguez | Scale of Grey | 2018 | Tanz, live-elec, 3 perf | 30 | sax, perc, dance [Saxophon, Schlagzeug, Tanz] | poetry • Simen Hagerup, video • Andre Bartetzki, dance/choreography • Annapaola Leso |
Haus für Poesie | 0 | https://www.youtube.com/watch?v=QWkXdgTtD_8 | ||||||||
| 21575 | Ana Maria | Rodriguez | shelter | 1999 | live-elec, 3 perf | 12:16 | ob d'amore, db-cl, tpt [Klarinette, Oboe, Trompete] | Reschke, Rager, Dörner | 1 | ||||||||||
| 39026 | Ana Maria | Rodriguez | Silver | 2018 | live-elec, 3 perf | fl, db-cl, vn, (feedback) [Flöte, Klarinette, Violine] | 17.4.2018 | Radialsystem V, Berlin | 0 | ||||||||||
| 21573 | Ana Maria | Rodriguez | últimas flores en forma de trompeta | 1998 | live-elec, 2 perf | 13:54 | tpt, sam [Trompete, computer] | Dörner | 1 | ||||||||||
| 23557 | Camillo | Rodríguez | Y los caminos | 1999 | fixed media, akusmatisch | 6:20 | Quadro | 1 | |||||||||||
| 40153 | Nicolas | Rodriguez | El dialogo entre los dialogos | 2015 | fixed media, akusmatisch | 5:50:00 | Nicolas Rodriguez | 0 | |||||||||||
| 37665 | René | Rodriguez | Preludio y Después | 2016 | fixed media, akusmatisch | 7:46 | Stereo | ICAP Habana | 0 | ||||||||||
| 27192 | Salvador | Rodriguez | Reflejos | 1994 | Zuspiel / Tonband, 1 perf | 8:44 | p [Piano] | 0 | |||||||||||
| 31548 | Richard | Röbel | Labium | 2013 | fixed media, akusmatisch | 6:30 | next_generation 5.0 | HfM Dresden | 0 | ||||||||||
| 36174 | Joachim | Roedelius | Frag’s Pferd | 2002 | fixed media, akusmatisch | 16:10 | innova 119/ | 0 | |||||||||||
| 14100 | Klaus | Röder | 10:11:12 | 1981 | fixed media, akusmatisch | 10:23 | Stereo | PS C. | 0 | ||||||||||
| 14101 | Klaus | Röder | Anja‘90 | 1990 | fixed media, akusmatisch | 7:37 | Stereo | PS C. | 1 | ||||||||||
| 14102 | Klaus | Röder | Cloches imaginaires | 1983 | fixed media, akusmatisch | 13:20 | Stereo | IMEB Bourges | 1 | 1985 | |||||||||
| 14103 | Klaus | Röder | Electronic Vocal | 1978 | fixed media, akusmatisch | 14:47 | Stereo | PS C. | 0 | ||||||||||
| 14104 | Klaus | Röder | Etüde für DMX 1000 | 1985 | fixed media, akusmatisch | 7:01 | Stereo | IMEB Bourges | 0 | ||||||||||
| 14105 | Klaus | Röder | Etüde für Klangwandler- Orchester | 1984 | live-elec, 8 perf | 30:00 | 8 perf [Performer] | with 32 Blechschüsseln | PS C. | 0 | |||||||||
| 14106 | Klaus | Röder | Klangbild | 1980 | fixed media, akusmatisch | 19:15 | Stereo | GEMA 0481/ Creel Pone 155/ | PS C. | 1 | |||||||||
| 14107 | Klaus | Röder | Klangnetz | 1990 | fixed media, akusmatisch | 7:30 | Stereo | PS C. | 1 | ||||||||||
| 14108 | Klaus | Röder | Kontra C | 1988 | fixed media, akusmatisch | Stereo | com M. | TU Berlin | 1 | ||||||||||
| 14109 | Klaus | Röder | Konzertwalzer | 1977 | Zuspiel / Tonband, 1 perf | 9:21 | Stereo | gui [Gitarre] | GEMA 0481/ Creel Pone 155/ | PS C. | 1 | ||||||||
| 14110 | Klaus | Röder | Kristallisation 1 | 1982 | fixed media, akusmatisch | 6:52 | Stereo | GEMA 0683/ | PS C. | 1 | |||||||||
| 14111 | Klaus | Röder | Kristallisation 2 | 1984 | Zuspiel / Tonband, 8 perf | 15:55 | Stereo | 8 mus [Musiker] | GEMA 0683/ | PS C. | 1 | ||||||||
| 14112 | Klaus | Röder | Kristallisation 3 | 1986 | fixed media, akusmatisch | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 14113 | Klaus | Röder | Kristallisation 4 | 1991 | fixed media, akusmatisch | 10:00 | Stereo | PS C. | 0 | ||||||||||
| 14114 | Klaus | Röder | Mr. Frankenstein's Babies | 1979 | fixed media, akusmatisch | 10:42 | Stereo | GEMA 0481/ LDC 278065/66 Cultures Electroniques 11/ Creel Pone 155/ | PS C. | 1st prize Bourges 81 | 1 | ||||||||
| 14115 | Klaus | Röder | Polyphonie | 1983 | fixed media, akusmatisch | 13:12 | Stereo | GEMA 0683/ | PS C. | 1 | |||||||||
| 14116 | Klaus | Röder | Potpourri | 1985 | fixed media, akusmatisch | 13:15 | Stereo | PS C. | 8.2.85 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | ||||||||
| 14117 | Klaus | Röder | Prelude pour la fraternité | 1989 | fixed media, akusmatisch | 20:00 | Stereo | PS C. | 1 | ||||||||||
| 14118 | Klaus | Röder | Rock- Symphonie | 1978 | fixed media, akusmatisch | 10:30 | Stereo | PS C. | 0 | ||||||||||
| 14119 | Klaus | Röder | Schmutzmusik | 1975 | fixed media, akusmatisch | 18:40 | Stereo | PS C. | 0 | ||||||||||
| 14121 | Klaus | Röder | Spiegelungen | 1988 | Zuspiel / Tonband, 1 perf | 54:46 | gui [Gitarre] | PS C. | 5.2.1989 | Inventionen Künstlerhaus Bethanien Berlin Studio 1 | 1 | 1989 | |||||||
| 14122 | Klaus | Röder | Studie mit Sinustönen | 1975 | fixed media, akusmatisch | 5:00 | Stereo | PS C. | 0 | ||||||||||
| 14123 | Klaus | Röder | Tanz | 1976 | fixed media, akusmatisch | 2:35 | Stereo | GEMA 0481/ Creel Pone 155/ | PS C. | 1 | |||||||||
| 14124 | Klaus | Röder | Unendlichkeit Nr. 2 | 1980/1981 | Film | 30:00 | Mono | PS C. | 0 | ||||||||||
| 14125 | Klaus | Röder | Unendlichkeit Nr. 3 | 1981 | Film | 10:00 | Mono | PS C. | 0 | ||||||||||
| 14126 | Klaus | Röder | Vier Anjalieder | 1990 | fixed media, akusmatisch | 11:30 | Stereo | PS C. | 1 | ||||||||||
| 14127 | Klaus | Röder | Voice Dance | 1987 | fixed media, akusmatisch | 20:00 | Stereo | PS C. | 0 | ||||||||||
| 36707 | Eckhard | Rödger | Das blaurote Land | 1983 | Rundfunk | 16:45 | Kinderhörspiel. Hörspiel im DRA Babelsberg verfügba | Radio DDR | 6.12.1983 | Rundfunk der DDR | 0 | http://hoerspiele.dra.de/vollinfo.php?tipp=1&dukey=1526858 | |||||||
| 27511 | Eckhard | Rödger | Micha | 1988 | Zuspiel, live-elec, 3 perf | 65:00 | va, perc, V [Stimme, Schlagzeug, Viola] | nach Texten aus der Lutherbibel | Radio DDR | 0 | |||||||||
| 14128 | Eginhard | Röhlig | Sturm | 1966 | Theatermusik | Mono | RFZ Berlin | 0 | |||||||||||
| 14129 | Martin | Rössel | Sväva Collosal | 1981 | fixed media, akusmatisch | 5:32 | Stereo | EMS Stockholm | 0 | ||||||||||
| 23385 | Matt | Rogalsky | S | 2002 | fixed media, akusmatisch | 1:28 | S = silence (from BBC Radio 4) | ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 14130 | Rowell | Rogers | Centoph | 1990 | fixed media, akusmatisch | 14:24 | Stereo | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | |||||||||
| 32133 | Troy | Rogers | Dubh Bringlóid | 2004 | live-elec, 2 perf, 1 group | 10:02:00 | (Scottish Highland) bagpipes, com [computer, Bläser] | Ben Hunter, bagpipes | SEAMUS EAM Vol. 15/ | 0 | |||||||||
| 25152 | Steingrimur | Rohloff | Ikarus | 2004 | Zuspiel / Tonband, 1 perf | 11:05:00 | Quadro | p, (com) [Piano] | HfMT Köln CD8/ | HfMT Köln | Isländischer Komponistenrat | 0 | |||||||
| 25154 | Steingrimur | Rohloff | Optische Täuschung | 2005 | live-elec, 11 perf | 11 ins [Instrument] | 0 | ||||||||||||
| 25153 | Steingrimur | Rohloff | Pont du Monologue | 2003 | Zuspiel / Tonband, 2 perf | fem V, gui [Stimme, Gitarre] | 0 | ||||||||||||
| 26051 | Ebba | Rohweder | Balsamico | 2005 | audiovisuell | 6:49 | 1 | ||||||||||||
| 25051 | Ebba | Rohweder | Cielo de Peces azules, Las Trece Rosas | 2003 | fixed media, akusmatisch | 40:44 | Stereo | Übersetzung: „Himmel aus blauen Fischen“, „die dreizehn Rosen“, elektroakustische Komposition und Originaldokumente. 3 Sprecherinnen, Anna Carewe (vc) |
LIEM CDMC Madrid, TU Berlin | 14.4.2004 | Madrid, Erstsendung 18.7.2004 RNE | 1 | |||||||
| 23211 | Ebba | Rohweder | Deseos, Piedras, Cielo y Jirones. Mujeres Republicanas en la Resistencia | 2002 | Klangkunst, Installation | 57:40 | 10 Tracks | 6 LS mit den 6 Frauenstimmen und Fotografien im Raum. | TU Berlin, LIEM CDMC Madrid | 1 | |||||||||
| 25068 | Ebba | Rohweder | Música de Baño III (el rio de El Atazar) | 2004 | Klangkunst, Installation | 3:44 | Zwei Versionen: DVD mit experimentellem Bild (3:44) und Audio-CD mit 12 Teilen à 6:28 mit jeder Art von Bad-Geräuschen (Wasser ..). Die Reihe „Música de Baño“ umfasst Teile I bis IV. |
PS C. | 0 | ||||||||||
| 25050 | Ebba | Rohweder | Música de Baño IV | 2005 | Klangkunst, Installation | 69:00 | Audio-CD mit 7 Teilen à 9:28 mit jeder Art von Papiergeräuschen Die Reihe „Música de Baño“ umfasst Teile I bis IV. |
LIEM CDMC Madrid | 1 | ||||||||||
| 14131 | Micheline | Roi | Blood & Sand (Movement II) | 1986 | fixed media, akusmatisch | 6:08 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 19015 | Adelhard | Roidinger | Recursion | 1995 | live-elec, 1 perf | 14:57 | db [Kontrabass] | MIDI (Max); Roidinger (db) | electronic access 95 - die andere saite Nr. 1/ | IEM Graz | 1 | ||||||||
| 43107 | Adelhard | Roidinger | Siamesic Sinfonia | 1987 | fixed media, akusmatisch | 15:20 | Auszeichnung ars electronica 1988 | 0 | |||||||||||
| 35156 | Stefan | Roigk | Bilder meiner Ausstellung | 2007 | Klangkunst, Installation | 11:31 | 0 | ||||||||||||
| 34741 | Stefan | Roigk | bursting confidence | 2013 | Klangkunst, Installation | 9:46 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 6.6.-7.7.2013 | singuhr hoergalerie Berlin im Meinblau, Pfefferberg | 0 | |||||||||
| 35155 | Stefan | Roigk | entfaltungen | 2015 - 2017 | Klangkunst, Installation | 26.11.2016 -15.01.2017 | Kunstraum Kreuzberg/Bethanien Room 8, Berlin |
0 | |||||||||||
| 37931 | Stefan | Roigk | Sprachmusik | 2015 | fixed media, akusmatisch | Tochnit Aleph TA 149/ | 0 | ||||||||||||
| 22515 | Sergio | Rojas | Microinfinitos | 1992 - 1993 | Zuspiel / Tonband, 4 perf | 49:34 | trbn, vocal, perc, gui [Stimme, Posaune, Gitarre, Schlagzeug] | 29 Tracks; Komposition mit Poesie. Unterstützt durch brasilianische Firmen / Institutionen. Vinko Globokar (trbn), Monica Passos (vocals), Nenê (drums), Sergio Rojas (vocals & gui) |
Rio Prefeitura Culturas SR 03/ | INA • GRM | 1 | ||||||||
| 19976 | Vicente | Rojo | Algas Marinas | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 27193 | Vicente | Rojo | Erotica II | 1986 | live-elec, 1 perf | 8:17 | amp vn [Violine] | for violin, balloon and electronics | IRD 002 Irradia/ | 0 | |||||||||
| 35458 | Vicente | Rojo | Vulcan | 1984 | fixed media, akusmatisch | 11:10 | Universidad de Guanajuato 001/ CIIMM 84/ | 0 | |||||||||||
| 30691 | Harry-Ed | Roland | CIRCADIAN RHYTHMS: WT | 2001 | fixed media, akusmatisch | 10 | Stereo | PS C. | July 2001 | ISMEAM '01, Sag Hill (volcanic crater); Celldömolk, Hungary | 0 | http://www.her-krypticvisions.com | |||||||
| 30683 | Harry-Ed | Roland | eine Vernachlässigbare Menge, I. pangea | 2010/2011 | fixed media, akusmatisch | 11:25 | Stereo | PS C. | 0 | ||||||||||
| 30692 | Harry-Ed | Roland | IN TONGUES. . . peaking!: LGS | 2000 | fixed media, akusmatisch | 9:30 | Stereo, Quadro, Octo | CIME | July 2000 | ISMEAM 2000; Sarvar Nadasdy Castle; Sarva, Hungary | 0 | http://www.her-krypticvisions.com | |||||||
| 30701 | Harry-Ed | Roland | Jenseits von Egyptian | 1987 | Film | PS C. | 0 | http://www.her-krypticvisions.com | |||||||||||
| 23288 | Harry-Ed | Roland | N.A.M.A: "booty!" don't walk | 1999 | fixed media, akusmatisch | 8:30 | Stereo | Cybele 960.207 DegeM CD 07/ |
PS C. | April 2000 | 9th Florida Electroacoustic Music Festival Univ. of Florida; Gainsville, Florida |
Competition finalist (455 entries): 27th Concours International de Musique et D'Art Sonore Electroacoustique, Bourges 2000 |
1 | ||||||
| 30696 | Harry-Ed | Roland | ÖFFENTLICHER VERKEHR, public discourse | 1996 | Klangkunst, Installation | Quadro | Acoustic Art, "an audio simulation for the S-Bahn" | PS C. | Mar. 1996 | KUNSTSTATIONEN, S-BAHN BERLIN, train lines S25/S2 |
0 | http://www.her-krypticvisions.com | |||||||
| 19292 | Harry-Ed | Roland | Prayer Meeting: EO | 1996 | fixed media, akusmatisch | 9:34 | Stereo | A triptych within a triptych | Cybele 960.203/ DegeM CD 03/ | EMS Stockholm | 1 | ||||||||
| 30697 | Harry-Ed | Roland | RAINDANCE: M.L.R. after L,R., Immaculate Darkness Immaculate Derision Immaculate Disdain |
1995 | fixed media, akusmatisch | 13 | Stereo | A triptych within a triptych | PS C. | 0 | http://www.her-krypticvisions.com | ||||||||
| 30695 | Harry-Ed | Roland | REVOLVING DOORS: PR | 1996 | fixed media, akusmatisch | 13 | Stereo | A triptych within a triptych | PS C. | April. 1998 | SFB III | 0 | http://www.her-krypticvisions.com | ||||||
| 30698 | Harry-Ed | Roland | SELBSTVERSTÜMMELUNG | 1993 | Zuspiel, live-elec, 5 perf | 4 V, Kbd [Stimme, Keyboard] | PS C. | Senatsvervaltung für Kulturelle Angelegenheiten, Berlin | Dec. 1993 | PODEWIL, Berlin | 0 | http://www.her-krypticvisions.com | |||||||
| 30689 | Harry-Ed | Roland | Shamanic: Whispering Pulse | 2005 | Tanz | 4 | Stereo | PS C. | 2005 | L'Altre Espai 2005 (festival); Valencia, Spain | 0 | http://www.her-krypticvisions.com | |||||||
| 30690 | Harry-Ed | Roland | SILENCED DREAMS: TMA | 2002 | fixed media, akusmatisch | 10:48 | Stereo | PS C. | July 2004 | ISMEAM '04, Sarvar Nadasdy Castle; Sarvar, Hungary | 0 | http://www.her-krypticvisions.com | |||||||
| 30694 | Harry-Ed | Roland | THE THREE LEGENDS: A triptych of triptychs | 1996 | fixed media, akusmatisch | PS C. | 0 | http://www.her-krypticvisions.com | |||||||||||
| 27808 | Harry-Ed | Roland | The Warrior Weeps, love's labors shadow and reflections tears-and-twilight Mesozoic and Hephaestus |
2006 - 2008 | fixed media, akusmatisch | 37:16 | Stereo, Octo | PS C. | Gerhard Behles | 1 | http://www.her-krypticvisions.com | ||||||||
| 30688 | Harry-Ed | Roland | The Warrior Weeps, Sparks and Fumes | 2004 | fixed media, akusmatisch | 13:31 | Stereo, Octo | PS C. | Jan 2005 | TU Berlin, EMHören | 1 | http://www.her-krypticvisions.com | |||||||
| 30684 | Harry-Ed | Roland | The Warrior Weeps I, love's labors | 2006 | fixed media, akusmatisch | 10:15 | Stereo | PS C. | Gerhard Behles | Aug 2007 | International Computer Music Conference (ICMC) "Noon Concert", Copenhagen, Denmark |
0 | http://www.her-krypticvisions.com | ||||||
| 30685 | Harry-Ed | Roland | The Warrior Weeps II, shadow and reflections | 2007 | fixed media, akusmatisch | 10:35 | Stereo | voices: Ghahsal Mohammadi and Nima Chatrsimab | PS C. | Gerhard Behles | Aug 2008 | International Computer Music Conference (ICMC), Sonic Arts Research Center (SARC); Belfast, Ireland |
0 | http://www.her-krypticvisions.com | |||||
| 30686 | Harry-Ed | Roland | The Warrior Weeps III, tears-and-twilight | 2008 | fixed media, akusmatisch | 5:08 | Stereo | PS C. | Gerhard Behles | Sept 2008 | "on/off Limburg", Stadthalle Limburg / Kleiner Saal; Limburg, Germany |
0 | http://www.her-krypticvisions.com | ||||||
| 30687 | Harry-Ed | Roland | The Warrior Weeps IV, Mesozoic and Hephaestus | 2008 | fixed media, akusmatisch | 11:17 | , Octo | voices: Viktor Pushkar; poem: d.d.slash | PS C. | Gerhard Behles | 8.1.2009 | TU Berlin, EMHören | 0 | http://www.her-krypticvisions.com | |||||
| 30700 | Harry-Ed | Roland | Thirteen Scenes, Why Can't We Live Together | 1991 | Film | PS C. | Kris Kinoo | 0 | http://www.her-krypticvisions.com | ||||||||||
| 30699 | Harry-Ed | Roland | TON, "DISPOSABLE MUSIC" | 1993 | Klangkunst, Installation | PS C., TU Berlin | NURTON, Berlin | 0 | http://www.her-krypticvisions.com | ||||||||||
| 30693 | Harry-Ed | Roland | TRAVERSING DISTANT INTERIORS: BR 1-6 | 1999 | Klangkunst, Installation | 16:30 | Stereo | PS C. | July 1999 | ISMEAM '99, Sarvar Nadasdy Castle; Sarva, Hungary | 0 | http://www.her-krypticvisions.com | |||||||
| 30682 | Harry-Ed | Roland | un Lugar Inhabitado: triple torrid convergences (TTC) | 2009/2010 | fixed media, akusmatisch | 9:45 | Stereo | PS C. | July 2010 | Sound and Music Computing Conference (SMC) Universitat Pompeu Fabra; Barcelona, Spain | 0 | ||||||||
| 13981 | Kristoff K. | Roll | Corazón Road | 1993 | Klangkunst, Installation | 78:02 | Corazón Road is the musical diary of a trip in Central America (Yukatan, Belize, Guatemala) in 7 Stations | IMSO 9303/ IMED 9946/ IMED 0050/ | 1 | ||||||||||
| 24709 | Kristoff K. | Roll | Des travailleurs de la nuit, à l’amie des objets | 1997 | fixed media, akusmatisch | 21:45 | MK CD 024/ | 0 | |||||||||||
| 37080 | Kristoff K. | Roll | Méridienne allongée, La gestion des plannings Il y a de l’ombre sur les voix L’hélicoïde des pas perdus La ville plate |
2011 | fixed media, akusmatisch | 27:49:00 | Stereo | IMED 12118/ | 0 | ||||||||||
| 37083 | Kristoff K. | Roll | Méridienne inclinée, Mes gestes sont lentes, lentes, lentes Animal Les amoureux, le vélo, la voiture et le deltaplane |
2011 | fixed media, akusmatisch | 26:35:00 | Stereo | IMED 12118/ | 0 | ||||||||||
| 37081 | Kristoff K. | Roll | Récit de rêve, Le concept d’arrosage | 2011 | fixed media, akusmatisch | 7:12:00 | Stereo | IMED 12118/ | 0 | ||||||||||
| 42542 | Stephen | Rolle | The Journey Within | 2007 | fixed media, akusmatisch | 0 | |||||||||||||
| 14132 | Monique | Rollin | Etude vocale, Motet | 1952 | fixed media, akusmatisch | 1:08 | Mono | INA C 1032 27652 archives grm CD 2/5/ Infiné IF 4002/ IDEAMA CD 001/ | INA • GRM | 21.5.1952 | Paris, Salle de l'Ancien Conservatoire | 1 | |||||||
| 40147 | Neil | Rolnick | O Brother! | 2015 | fixed media, akusmatisch | 11:15:00 | Neil Rolnick | 0 | |||||||||||
| 36074 | Neil B. | Rolnick | 2 Places @ Once | 1998 | audiovisuell, live-elec, 4 perf | 60:00:00 | 2 vn, sax, e-perc, (sam, video proc) [Saxophon, Schlagzeug, Violine] | 0 | |||||||||||
| 27610 | Neil B. | Rolnick | À La Mode | 1985 | live-elec, 8 perf | 20 | 8 ins, (com) [Instrument] | CRI SD 540/ | iEAR Rensselaer | 0 | http://www.neilrolnick.com/ | ||||||||
| 36075 | Neil B. | Rolnick | A Po-sy, A Po-sy | 1976, 1981 | live-elec, 4 perf | 20:00:00 | T, vn, db, perc, (com) [Tenor, Schlagzeug, Violine, Kontrabass] | 0 | |||||||||||
| 14133 | Neil B. | Rolnick | A Robert Johnson Sampler | 1987 | live-elec, 1 perf | 12:48 | Stereo | sol-com [computer] | Centaur CRC 2047, CDCM Vol. 7/ | iEAR Rensselaer | 1 | http://www.neilrolnick.com/ | |||||||
| 14134 | Neil B. | Rolnick | Balkanization, Imaginary Landscape | 1988 | live-elec, 1 perf | 12 | sol-com [computer] | Nonesuch 9 79235-2, Imaginary Landscapes/ BCD 9030/ | PS C. | 1 | http://www.neilrolnick.com/ | ||||||||
| 36076 | Neil B. | Rolnick | Blue Monday | 1984 | live-elec, 1 perf | 20:00:00 | S, (com) [Sopran] | 0 | |||||||||||
| 36077 | Neil B. | Rolnick | Body Work | 2004 | live-elec, 1 perf | 11:00:00 | fem V, (com) [Stimme] | innova 631/ | 0 | ||||||||||
| 36078 | Neil B. | Rolnick | Cello Ex Machina | 2015 | live-elec, 1 perf | 30:00:00 | sol-vc, (com) [Cello] | innova 950/ | 0 | ||||||||||
| 36079 | Neil B. | Rolnick | Deal With The Devil | 2016 | live-elec, 2 perf | 25:00:00 | vn, p, (com) [Piano, Violine] | 0 | |||||||||||
| 36080 | Neil B. | Rolnick | Digits | 2005 | live-elec, 1 perf | 11:00:00 | p, (com, optional video) [Piano] | innova 656/ | 0 | ||||||||||
| 36081 | Neil B. | Rolnick | Drones & Dances | 1988 | live-elec, 1 group | 17:00:00 | chamber-orc, (com) [Orchester] | 0 | |||||||||||
| 36082 | Neil B. | Rolnick | Dynamic RAM & Concert Grand | 2013 | live-elec, 1 perf | 30:00:00 | sol p, (com) [Piano] | innova 950/ | 0 | ||||||||||
| 20737 | Neil B. | Rolnick | ElectriCity | 1991 | live-elec, 4 perf | 45 | Stereo | fl, cl, vn, vc, (com) [Flöte, Klarinette, Cello, Violine] | OO Discs 8/ | iEAR Rensselaer | 0 | http://www.neilrolnick.com/ | |||||||
| 36083 | Neil B. | Rolnick | Empty Mirror | 1975 | Tanz | 13:00:00 | dancer [Tanz] | 0 | |||||||||||
| 20738 | Neil B. | Rolnick | Ever-Livin' Rhythm | 1977 | live-elec, 1 perf | 9:00 | Stereo | perc [Schlagzeug] | OO Discs 8/ Arch Records S-1793 LP/ | CCRMA | Highgate Press/EC Schrimer, Boston | 0 | http://www.neilrolnick.com/ | ||||||
| 36084 | Neil B. | Rolnick | Ever-livin' Rhythm | 1977 | live-elec, 1 perf | 9:00:00 | sol-perc, (com) [Schlagzeug] | 0 | |||||||||||
| 36085 | Neil B. | Rolnick | Extended Family , I. The Gene Pool II. Siblings III. Cousins and Uncles and Aunts IV. Loss V. The Gathering |
2009 | live-elec, 4 perf | 25:00:00 | amp str-qt [Streicher] | innova 782/ | 0 | ||||||||||
| 36086 | Neil B. | Rolnick | Faith | 2008, 2009 | live-elec, 1 perf | 25:00:00 | p, (com) [Piano] | innova 782/ | 0 | ||||||||||
| 36087 | Neil B. | Rolnick | Fiddle Faddle | 2003 | live-elec, 1 perf | 8:00:00 | sol-vn, (com) [Violine] | innova 631/ | 0 | ||||||||||
| 36088 | Neil B. | Rolnick | Gardening At Gropius House | 2012 | live-elec, 14 perf | 30:00:00 | sol-vn, 13 ins, (com) [Violine, Instrument] | innova 877/ | 0 | ||||||||||
| 36089 | Neil B. | Rolnick | Gate Beats | 2003 | live-elec, 1 perf | 9:00:00 | sol-com [computer] | innova 631/ | 0 | ||||||||||
| 36090 | Neil B. | Rolnick | Good Night, Sweet Elks | 2001 | audiovisuell, live-elec, 1 perf | 10:00:00 | Sp, (multi-channel video) [Sprecher] | 0 | |||||||||||
| 36091 | Neil B. | Rolnick | Harmonizer Heaven | 2016 | live-elec, 2 perf | 15:00:00 | sol p, elec (Eventide H9 guitar pedal) [Piano, elektronik] | 0 | |||||||||||
| 36092 | Neil B. | Rolnick | Heat: The Rise and Fall of Isabella Rico | 1994 | live-elec, 2 perf, 1 group | 14:00:00 | S, Mez, amp chamber-orc, (video projection, com) [Sopran, Mezzo, Orchester] | 0 | |||||||||||
| 36093 | Neil B. | Rolnick | HomeGame | 1995 | live-elec, 7 perf | full evening | 2 actor/singers, fl or sax, amp vn, com, db, perc, (interactive video disk, quasi-artificially intelligent com program) [Flöte, Saxophon, Schlagzeug, Violine, Kontrabass, computer] | 0 | |||||||||||
| 36094 | Neil B. | Rolnick | Like It | 1989 | live-elec, 2 perf | 12:00:00 | 2 fem V, (com) [Stimme] | 0 | |||||||||||
| 36095 | Neil B. | Rolnick | Loopy | 1982 | live-elec, 1 perf | 13:00:00 | sol-com [computer] | 0 | |||||||||||
| 36096 | Neil B. | Rolnick | Love Songs | 2007 | live-elec, 2 perf, 1 group | 20:00:00 | Bar, amp vn, orc [Bariton, Violine, Orchester] | 0 | |||||||||||
| 14136 | Neil B. | Rolnick | Macedonian AirDrumming | 1990 | live-elec, 1 perf | 3:00 | sol-com [computer] | CMJ Vol 17, 1993/ BCD 9030/ CMJ Vol 19, 1995/ | iEAR Rensselaer | 1 | http://www.neilrolnick.com/ | ||||||||
| 36097 | Neil B. | Rolnick | Making Light of It, Wednesday Making Light of It Words the Return Llanto the Last Step |
2005 | live-elec, 1 perf | 15:00:00 | Bar, (com) [Bariton] | innova 656/ | 0 | ||||||||||
| 36098 | Neil B. | Rolnick | MONO | >2005 | live-elec, 3 perf, 1 group | full evening | com, V, inss, (multimedia) [Stimme, Instrument, computer] | in progress | innova 782/ | 0 | |||||||||
| 36099 | Neil B. | Rolnick | Neighborhood Ears | 2002 | live-elec, 1 perf | 11:00:00 | sol-com [computer] | 0 | |||||||||||
| 27609 | Neil B. | Rolnick | Nerve Us | 1992 | live-elec, 1 perf | 7 | com [computer] | for solo com music performance | Cuneiform 55011/ | iEAR Rensselaer | 0 | http://www.neilrolnick.com/ | |||||||
| 36100 | Neil B. | Rolnick | Newsical Muse | 1975 | radiophon | 60:00:00 | 0 | ||||||||||||
| 36101 | Neil B. | Rolnick | No Strings | 1980 | live-elec, 19 perf | 25:00:00 | 12 w-ins, 4 perc, 2 p, Hammond-org [Piano, Orgel, Schlagzeug, Bläser] | 0 | |||||||||||
| 36102 | Neil B. | Rolnick | Numb | 2010 | live-elec, 5 perf | 14:00:00 | S, str-trio, Kbd, (com) [Sopran, Keyboard, Streicher] | 0 | |||||||||||
| 36103 | Neil B. | Rolnick | Oceans Eat Cities | 2015 | live-elec, 4 perf | 16:00:00 | str-qt, (com) [Streicher] | 0 | |||||||||||
| 36104 | Neil B. | Rolnick | Oh, Brother!, O Brother! | 2014 | live-elec, 1 perf | 15:00:00 | sol-laptop, (com) [computer] | innova 950/ | 0 | ||||||||||
| 36105 | Neil B. | Rolnick | PhonesOff | 2005 | fixed media, akusmatisch | 2:00:00 | Stereo | 0 | |||||||||||
| 36106 | Neil B. | Rolnick | Plays Well With Others | 2004, 2007 | live-elec, 4 perf | 12:00:00 | vn, b-cl, Kbd, e-perc, (com) [Klarinette, Keyboard, Schlagzeug, Violine] | innova 656/ | 0 | ||||||||||
| 36073 | Neil B. | Rolnick | Real Time | 1983 | live-elec, 13 perf | 15 | 13 ins [Instrument] | CRI SD 540/ innova 724/ | iEAR Rensselaer | 0 | http://www.neilrolnick.com/ | ||||||||
| 36107 | Neil B. | Rolnick | Requiem Songs - for the victims of nationalism | 1993 | live-elec, 4 perf | 30:00:00 | 2 fem V, vn, perc, (com) [Stimme, Schlagzeug, Violine] | 0 | |||||||||||
| 20739 | Neil B. | Rolnick | Rerebong | 1989 | live-elec, 1 group | 8:48 | Stereo | gamelan-ens [Ensemble] | BCD 9030/ | iEAR Rensselaer | 0 | http://www.neilrolnick.com/ | |||||||
| 36108 | Neil B. | Rolnick | Rico Songs & Interludes | 1997 | live-elec, 2 perf, 1 group | 60:00:00 | S, Mez, amp chamber-orc [Sopran, Mezzo, Orchester] | 0 | |||||||||||
| 20740 | Neil B. | Rolnick | Sanctus | 1990 | fixed media, akusmatisch | 19:02 | Stereo | BCD 9030/ | iEAR Rensselaer | 0 | http://www.neilrolnick.com/ | ||||||||
| 36109 | Neil B. | Rolnick | Shadow Quartet | 2003 | live-elec, 4 perf | 15:00:00 | str-qt, (com) [Streicher] | innova 631/ | 0 | ||||||||||
| 36110 | Neil B. | Rolnick | Silicon Breath | 2014 | live-elec, 1 perf | 30:00:00 | sol-sax, (com) [Saxophon] | innova 950/ | Grant from the New York State Council On the Arts | 0 | |||||||||
| 36111 | Neil B. | Rolnick | The Bridge | 2007 | live-elec, 1 group | 7:00:00 | amp chamber-orc [Orchester] | 0 | |||||||||||
| 36112 | Neil B. | Rolnick | The Economic Engine , I. Traffic II. Farm to Factory III. Opaque Air IV. Hutong to Highrise |
2008 | live-elec, 8 perf | 25:00:00 | 4 ins (erhu, yangqin, guzhen, pipa), str-qt, (com, optional video) [Instrument, Streicher] | innova 724/ | 0 | ||||||||||
| 36113 | Neil B. | Rolnick | The iFiddle Concerto | 2006 | live-elec, 1 perf, 1 group | 20:00:00 | sol-vn, orc, (com) [Violine, Orchester] | 0 | |||||||||||
| 36114 | Neil B. | Rolnick | The Master Speed | 1985 | live-elec, 1 perf, 1 group | 7:00:00 | ch, ins, (com) [Instrument, Chor] | 0 | |||||||||||
| 36115 | Neil B. | Rolnick | The Original Child Bomb Song | 1983 | live-elec, 1 perf | 10:00:00 | S, (com) [Sopran] | 0 | |||||||||||
| 14137 | Neil B. | Rolnick | The Persistence of the Clavé | 1992 | live-elec, 3 perf | 7:16 | celletto, tpt, com (MIDI system) [Trompete, Cello, computer] | Centaur CRC 2133, CDCM Vol. 11/ | iEAR Rensselaer | 1 | http://www.neilrolnick.com/ | ||||||||
| 36116 | Neil B. | Rolnick | The Real Thief of Baghdad | 2003 | live-elec, 1 perf | 5:00:00 | Sp or poet, (com) [Sprecher] | innova 631/ | 0 | ||||||||||
| 36117 | Neil B. | Rolnick | Uptown Jump | 2006 | live-elec, 3 perf | 13:00:00 | fl, hp, perc, (com) [Flöte, Harfe, Schlagzeug] | innova 724/ | 0 | ||||||||||
| 36118 | Neil B. | Rolnick | Video Songs | 1976 | live-elec, 1 perf | 25:00:00 | dancer [Tanz] | 0 | |||||||||||
| 14138 | Neil B. | Rolnick | Vocal Chords | 1988 | live-elec, 1 perf | 8:39 | Stereo | V (jazz singer, com, also available for other instruments) [Stimme] | MIDI, .. | Centaur CRC 2047, CDCM Vol. 7/ | iEAR Rensselaer | 1 | http://www.neilrolnick.com/ | ||||||
| 14139 | Neil B. | Rolnick | What is The Use ? | 1985 | fixed media, akusmatisch | 12:40 | Stereo | MIDI. Rensselaer Polytechnic | Centaur CRC 2039, CDCM Vol. 2/ | iEAR Rensselaer | 1 | http://www.neilrolnick.com/ | |||||||
| 36120 | Neil B. | Rolnick | Where? | 2012 | live-elec, 5 perf | 8:00:00 | brass-qnt, (com) [Bläser] | 0 | |||||||||||
| 14140 | Neil B. | Rolnick | Wondrous Love | 1979 | Zuspiel / Tonband, 1 perf | 12:00 | trbn, (com) [Posaune] | PDP10, MUSIC 10 | Arch Records S-1793 LP/ OO Discs 8/ | CCRMA, IRCAM | Mention Bourges 1980 | Highgate Press/EC Schrimer, Boston | 0 | http://www.neilrolnick.com/ | |||||
| 36121 | Neil B. | Rolnick | Yakiimo | 1996 | live-elec, 1 perf | 15:00:00 | shakuhachi, (com) [Flöte] | 0 | |||||||||||
| 36119 | Neil B., Felice, Boudleaux | Rolnick, Bryant, Bryant | WakeUp – an Everly Brothers Mashup | 2013 | live-elec, 1 perf | 14:00:00 | sol-laptop [computer] | innova 950/ | 0 | ||||||||||
| 14141 | Erik | Romand | Avant - première | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 14142 | Erik | Romand | La chance tourne | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 14143 | Erik | Romand | Préambule du Seigneur des anneaux | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 14144 | Erik | Romand | Zega's flat | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 22418 | Daniel | Romano | Cocmos | 2000 | fixed media, akusmatisch | 6:15 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 14145 | Otto | Romanowski | Deuxième image du son | 1985 | fixed media, akusmatisch | 4:15 | (from: Trois images du son) | Jase LP 0011/ | EMS Stockholm | 1 | |||||||||
| 20741 | Otto | Romanowski | Dia II | 1989 | fixed media, akusmatisch | 4:44 | Stereo | Jase LP 0026/ | Yleisradio | Expo Sevilla | 0 | ||||||||
| 14146 | Otto | Romanowski | Ein Blick | 1985 | fixed media, akusmatisch | 10:25 | Jase LP 0011/ | EMS Stockholm | 1 | ||||||||||
| 14147 | Otto | Romanowski | Nocturne | 1979 | fixed media, akusmatisch | 6:30 | computer music. dedicated to Erik Nyberg |
FENO 5/ | EMS Stockholm | 1 | |||||||||
| 20742 | Otto | Romanowski | Nocturne II | 1978 | fixed media, akusmatisch | 6:44 | Stereo | Jase LP 0026/ | Yleisradio | 0 | |||||||||
| 14148 | Otto | Romanowski | Non âme | 1983 | Zuspiel / Tonband, 1 perf | fl [Flöte] | EMS Stockholm, Yleisradio | 0 | |||||||||||
| 20743 | Otto | Romanowski | Poles | 1994 | Zuspiel / Tonband, 1 perf | 6:21 | Stereo | tpt (bugle) [Trompete] | Jase LP 0026/ | Yleisradio | 0 | ||||||||
| 20744 | Otto | Romanowski | Resonance B | 1990 | Zuspiel / Tonband, 1 perf | 12:31 | Stereo | cl [Klarinette] | Jase LP 0026/ | Yleisradio | 0 | ||||||||
| 20745 | Otto | Romanowski | Tresonos II | 1979 | fixed media, akusmatisch | 11:34 | Stereo | Jase LP 0026/ | Yleisradio | 0 | |||||||||
| 20746 | Otto | Romanowski | Trois mage du son | 1985 | fixed media, akusmatisch | 13:59 | Stereo | Jase LP 0026/ | Yleisradio | 0 | |||||||||
| 20747 | Otto | Romanowski | Two Dreams | 1975 | fixed media, akusmatisch | 10:07 | Stereo | Jase LP 0026/ | Yleisradio | 0 | |||||||||
| 14149 | Otto | Romanowski | UR-NES | 1992 | fixed media, akusmatisch | 18:53 | Jase LP 0022/ | Yleisradio | Expo Sevilla | 1 | |||||||||
| 20748 | Otto | Romanowski | Yesterday - Tomorow | 1974 | fixed media, akusmatisch | 6:39 | Stereo | Jase LP 0026/ | Yleisradio | 0 | |||||||||
| 31520 | Juan A., Michael | Romero, Vierling | Der Zertrommler "SnRL" | 2013 | fixed media, akusmatisch | ≈ 10 | Spazialisation: Ambisonics | next_generation 5.0 | HfM Karlsruhe | 0 | |||||||||
| 37764 | Lula | Romero | Dérive | 2017 | live-elec, 4 perf | str-qt [Streicher] | bgnm | 28.10.2017 | Villa Elisabeth Berlin, Festival Sonification, Kairos-Quartett | 0 | |||||||||
| 24468 | Victor Hugo | Romero | Dese el Hgadoi | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 27194 | Victor Hugo | Romero | Voces (Canto I) | 2000 | fixed media, akusmatisch | 10:16 | IRD 002 Irradia/ | 0 | |||||||||||
| 14150 | Fausto | Romitelli | Natura morta con fiamme | 1992 | live-elec, 4 perf | 11:00 | str-qt [Streicher] | IRCAM | 0 | ||||||||||
| 27700 | Fausto | Romitelli | Professor Bad Trip, Lesson I | 1992 | live-elec, 1 group | ens [Ensemble] | CRFMW Liège | 24.09.1998 | Strasbourg, Festival Musica | 0 | |||||||||
| 35409 | Lucia | Ronchetti | Amore | 2002 | Musiktheater, live-elec, 2 perf | 25 | fem V, va [Stimme, Viola] | Certosa di Padula/Project “Le opere e i giorni” | 2.9.2002 | Certosa di Padula, Salerno, Sabina Meyer (voice), Luca Sanzò (viola), Maurizio Giri (live project), Carlo Volpe (live electronics), Dörte Meyer (video) | Edizioni Rai Trade | 0 | |||||||
| 27601 | Lucia | Ronchetti | Astolfo sulla luna | 1987 | radiophon | 25:00 | Text by Ludovico Ariosto | RAI Radio Tre | 1987 | RAI Radio Tre | 0 | http://www.luciaronchetti.com/ | |||||||
| 27598 | Lucia | Ronchetti | BendelSchlemihl | 2000 | Musiktheater, live-elec, 2 perf | 22:00 | Sp, acc [Sprecher, Akkordeon] | HSM Basel | Akademie Schloss Solitude, Stuttgart, Elektronisches Studio de la Musik-Akademie-Basel | 13.5.2001 | Akademie Schloss Solitude | Durand | 0 | http://www.luciaronchetti.com/ | |||||
| 27593 | Lucia | Ronchetti | Der Sonne entgegen | 2006/2010 | Musiktheater, 15 perf, 1 group | 90:00 | 14 V, br-ens [Stimme, Bläser] | revision 2010 | 12.5.2007 | Musik Theater im Revier Gelsenkirchen; 21.3.2010 Maerzmusik |
Experimentelles Musiktheater NRW 2006. “Music Theater Now” ITI Berlin 2008. |
Rai Trade | 0 | http://mspcafe.g2312.de/projects/ronchetti/ | |||||
| 27600 | Lucia | Ronchetti | Éluvion-Étude | 1997 | live-elec, 1 perf | 12:00 | va [Viola] | IRCAM | 29.9.1997 | IRCAM | 0 | http://www.luciaronchetti.com/ | |||||||
| 34868 | Lucia | Ronchetti | Fiore di Campo | 2016 | radiophon | 49:20 | Stereo | about Giuseppe Impastato (1948-1978) | AdK Berlin | DRadio Kultur Berlin, Redaktion Markus Gammel | 1,7,2016 | Deutschland Radio Kultur | 0 | http://www.deutschlandradiokultur.de/ursendung-anti-mafia-radio-fiore-di-campo.1022.de.html?dram:article_id=352455 | |||||
| 26052 | Lucia | Ronchetti | Il Castello di Atlante | 2007 | radiophon | 54:00 | Stereo | Rai Trade/ | TU Berlin, PS Seelig | Deutschlandradio Kultur | 2.11.2007 | DRadio Kultur (Götz Naleppa) | 1 | http://mspcafe.g2312.de/projects/ronchetti/ | |||||
| 27546 | Lucia | Ronchetti | Il sonno di Atys | 2003/2004 | live-elec, 1 perf | 18:00 | va [Viola] | STR 33772/ STR 33869 Stradivarius/ | Experimentalstudio für Akustische Kunst Freiburg | Experimentalstudio for akustische Kunst e.V., Freiburg | 12.8.2004 | Darmstadt | 0 | http://www.luciaronchetti.com/ | |||||
| 27589 | Lucia | Ronchetti | Interlude 1 und 2, for Xylocopa Violacea | 2008/2009 | fixed media, akusmatisch | 16:30 | Surround 5.1 | STR 33869 Stradivarius/ | Experimentalstudio für Akustische Kunst Freiburg | 27.11.2009 | Giga-Hertz-Preis ZKM, Karlsruhe | 1 | 2010 | http://www.luciaronchetti.com/ | |||||
| 27599 | Lucia | Ronchetti | L 'Alibi del Labirinto | 1993 | radiophon | 120:00 | Text by Toti Scialoja | Rai Radio Uno, Audiobox | 1993 | RAI Radio Tre, Audiobox | 0 | http://www.luciaronchetti.com/ | |||||||
| 35410 | Lucia | Ronchetti | L’ape apatica | 2001 | Musiktheater, live-elec, 3 perf | 30 | S, trbn, perc, [Sopran, Posaune, Schlagzeug] | CEMAT 2002/ | Teatro La Fenice, Venice | 7/3/2002 | Teatro La Fenice, Venice | Edizioni Musicali RAI Trade | 0 | ||||||
| 19184 | Lucia | Ronchetti | La violette geante | 1996/2012 | Zuspiel / Tonband, 2 perf | 7:54 | b-fl, actor [Flöte, Schauspieler] | Texte: from Allgebrah by Adolf Wölfli (1996 rev. 2012) | IRCAM | La Muse en Circuit, Paris | 21.2.1997 | Festival Présence, Radio France, Paris, Renno (actor), Manuel Zurria (bass flute) | Edipan | 1 | http://www.luciaronchetti.com/ | ||||
| 27597 | Lucia | Ronchetti | Last Desire, a Tragedy in one Act | 2004 | Musiktheater, 4 perf | 50:00 | V, Counter-T, B, va [Tenor, Bass, Stimme, Viola] | DVD Neues Musiktheater Stuttgart/ | Forum Neues Musiktheater Staatsoper Stuttgart | 20.12.2004 | Forum Neues Musiktheater, Stuttgart. David Dorne (treble voice), Daniel Gloger (countertenor), Andreas Fischer (bass), Luca Sanzò (viola), Carl Faia (live electronics), Sebastian Hannak (stage and costume design), Michael von zur Mühlen (direction) |
Edizioni Musicali RAI Trade RTC 1517 | 1 | http://www.luciaronchetti.com/ | |||||
| 27596 | Lucia | Ronchetti | Last Desire Cadenza | 2006 | live-elec, 1 perf | 10:00 | va [Viola] | STR 33869 Stradivarius/ | Experimentalstudio für Akustische Kunst Freiburg | 20.1.2007 | Ultraschall Berlin | Rai Trade | 0 | http://www.luciaronchetti.com/ | |||||
| 28193 | Lucia | Ronchetti | Legende | 1997 | Zuspiel / Tonband, 1 perf | 13:00 | S [Sopran] | TU Berlin | 10.9.1998 | Kleiner Wasserspeicher Berlin, Kryptonale IV | 1 | ||||||||
| 27590 | Lucia | Ronchetti | Lupus in studio, Folkmar in fabula, Hommage to Folkmar Hein | 2008 | fixed media, akusmatisch | 1:04 | Stereo | Berliner Künstlerprogramm des DAAD | 8.2.2009 | Pfefferberg Berlin | 0 | http://www.luciaronchetti.com/ | |||||||
| 27591 | Lucia | Ronchetti | Narrenschiffe | 2010 | Musiktheater | 40:00 | 2 male V, fem V, 2 tpt, trbn, tuba, perc [Stimme, Trompete, Posaune, Tuba, Schlagzeug] | Bayerische Staatsoper | 29.6.2010 | Münchener Opernfestspiele, Bayerische Staatsoper | Rai Trade | 0 | http://mspcafe.g2312.de/projects/ronchetti/ | ||||||
| 21134 | Lucia | Ronchetti | Rivelazione | 1998 | radiophon | 33:00 | Texte von Ermanno Cavazzoni. | TU Berlin, RAI Roma, INA • GRM | 1998 | RAI Radio Tre, Audiobox | 1 | http://www.luciaronchetti.com/ | |||||||
| 24911 | Lucia | Ronchetti | Studio sulla luna da Ludovico Ariosto - Come un acciar che non ha macchia alcuna | 2005 | Zuspiel / Tonband, 1 perf | 3 tracks | carillon [Keyboard] | TU Berlin | Inventionen 2005 | 3.7.2005 | Inventionen Carillon im Tiergarten Berlin | 1 | http://www.luciaronchetti.com/ | ||||||
| 34869 | Lucia | Ronchetti | Weltall | 2010 | audiovisuell | 6:40 | Video-scene from Der Sonne entgegen | 23.3 & 28.3.2010 | Weltall, Galerie Mario Mazzoli, Berlin | 0 | |||||||||
| 27595 | Lucia | Ronchetti | Xylocopa Violacea | 2007 | live-elec, 1 perf | 45:00 | va, (elec) [Viola] | STR 33869 Stradivarius/ | Experimentalstudio für Akustische Kunst Freiburg | 20.1.2007 | Ultraschall Berlin im Tesla, Barbara Maurer (viola), Reinhold Braig (live electronics), Claudia Doderer (set) |
Rai Trade | 0 | http://www.luciaronchetti.com/ | |||||
| 25415 | Lucia, Folkmar | Ronchetti, Hein | Studio in forma di rosa | 2006 | radiophon | 13:17 | Stereo | Text by Andrea Fortina dedicated to Folkmar Hein |
TU Berlin | DeutschlandRadio Kultur | 15.9.2006 | DRadio Kultur | 1 | http://www.luciaronchetti.com/ | |||||
| 27592 | Lucia, Philip | Ronchetti, Miller | Sebenza e-mine | 2010 | radiophon | 45:00 | Stereo | TU Berlin, PS Hein | Deutschlandradio Kultur | 2.7.2010 | DRadio Kultur | 1 | http://www.luciaronchetti.com/ | ||||||
| 34870 | Lucia, Lara, Nicola, Salvatore, Giovanni | Ronchetti, Morciano, Sani, Sciarrino, Verrando | A room only for music | 2006 | Klangkunst, Installation | 30 | 1.6 - 15.7.2006 | Italy Made in Art: Now, Shangai | 0 | ||||||||||
| 27594 | Lucia, Thomas | Ronchetti, Seelig | Invitation au voyage | 2008 | fixed media, akusmatisch | dedicated to Götz Naleppa | STR 33869 Stradivarius/ | 7.12.2008 | Frannz Club Berlin | 0 | http://www.luciaronchetti.com/ | ||||||||
| 14151 | Didier | Roncin | Dole | 1975 | fixed media, akusmatisch | (INTEL8008, VCS3) | GAIV Paris | 0 | |||||||||||
| 14152 | Didier | Roncin | Fab | 1975 | fixed media, akusmatisch | (DEC-Computerlab, VCS3) | GAIV Paris | 0 | |||||||||||
| 14153 | Didier | Roncin | Flo I | 1979 | live-elec, | (DAN) | GAIV Paris | 0 | |||||||||||
| 14154 | Didier | Roncin | Flo II | 1979 | live-elec, | (DAN) | GAIV Paris | 0 | |||||||||||
| 14155 | Didier | Roncin | Other New York | 1980 | live-elec, | (Quatron) | GAIV Paris | 0 | |||||||||||
| 14156 | Didier | Roncin | Ti-Pitch | 1975 | live-elec, 1 perf | (com), synt [synthesizer] | (INTEL8, DEC-Computerlab, 1 VCS3, 2 Synthi AKS) | GAIV Paris | 0 | ||||||||||
| 14157 | Miguel Angel | Rondano | 2 Times | 1963 | Tanz | 6:00 | Mono | PS C. | 0 | ||||||||||
| 14158 | Miguel Angel | Rondano | 4 pintores, hoy | 1964 | Film | 15:00 | Mono | PS C. | 0 | ||||||||||
| 14159 | Miguel Angel | Rondano | Barbazul | 1966 | Hintergrundmusik | 10:00 | Mono | PS C. | 0 | ||||||||||
| 14160 | Miguel Angel | Rondano | Buen Viaje | 1965 | fixed media, akusmatisch | 20:00 | Mono | PS C. | 0 | ||||||||||
| 14161 | Miguel Angel | Rondano | Dance Bouquet | 1965 | fixed media, akusmatisch | 60:00 | Mono | LIPM B.Aires | 0 | ||||||||||
| 14162 | Miguel Angel | Rondano | Danza de los resortes | 1963 | Tanz | 4:00 | Mono | PS C. | 0 | ||||||||||
| 14163 | Miguel Angel | Rondano | El Pirámide de Saturno | 1963 | Hintergrundmusik | 6:00 | Mono | for a sculpture | PS C. | 0 | |||||||||
| 14165 | Miguel Angel | Rondano | Help Valentino | 1966 | Theatermusik | 20:00 | Mono | PS C. | 0 | ||||||||||
| 14166 | Miguel Angel | Rondano | Julia | 1966 | Film | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 14167 | Miguel Angel | Rondano | Kesa y Morito | 1965 | Theatermusik | 20:00 | Mono | PS C. | 0 | ||||||||||
| 14168 | Miguel Angel | Rondano | La batalla de los Ángeles | 1963 | fixed media, akusmatisch | 7:00 | Mono | PS C. | 0 | ||||||||||
| 14169 | Miguel Angel | Rondano | La Fiesta, hoy | 1966 | Tanz | 60:00 | Mono | LIPM B.Aires | 0 | ||||||||||
| 14171 | Miguel Angel | Rondano | Marvilla | 1965 | Tanz | 60:00 | Mono | LIPM B.Aires | 0 | ||||||||||
| 14172 | Miguel Angel | Rondano | Microsucesos | 1965 | Musiktheater | 40:00 | Mono | PS C. | 0 | ||||||||||
| 14173 | Miguel Angel | Rondano | Ouroboros | 1964 | Tanz | 6:00 | Mono | PS C. | 0 | ||||||||||
| 14174 | Miguel Angel | Rondano | Panto-danza … y embolsados | 1966 | Theatermusik | 40:00 | Mono | PS C. | 0 | ||||||||||
| 14175 | Miguel Angel | Rondano | Promenade | 1963 | Tanz | ≈ 3:00 | Mono | PS C. | 0 | ||||||||||
| 14176 | Miguel Angel | Rondano | Wig's happening | 1966 | Musiktheater | 30:00 | Stereo | PS C. | 0 | ||||||||||
| 14164 | Miguel Angel, Alberto | Rondano, Villalpando | Exhibition Music | 1963 | Hintergrundmusik | ≈ 30:00 | Stereo | exhibition Carlos Squirru | PS C. | 0 | |||||||||
| 14170 | Miguel Angel, Alberto | Rondano, Villalpando | La Muerte | 1964 | Hintergrundmusik | 20:00 | Mono | PS C. | 0 | ||||||||||
| 14177 | Robert | Rønnes | Hommage · André Jolivet | 1980 | live-elec, 3 perf | 8:26 | oma, p, a-cl [Klarinette, Piano, synthesizer] | NOTAM | 0 | ||||||||||
| 14178 | Robert | Rønnes | The old Castle in Chinion | Zuspiel / Tonband, 1 perf | 1:35 | bassett-hn [Klarinette] | NOTAM | 0 | |||||||||||
| 14179 | Victor | Rook | Itching | 1986 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 42169 | Kristen | Roos | Electrosmog variations | 2014 - 2016, 2015 | radiophon | radius 2015 | PS C., radius | 0 | |||||||||||
| 14180 | Louis | Roquin | Duo + | 1972 | Zuspiel, live-elec, 1 perf | Quadro | tpt (bugle) [Trompete] | CIRM Paris | 0 | ||||||||||
| 14181 | Louis | Roquin | Mécanique | 1972 | Zuspiel / Tonband, 1 perf | p [Piano] | CIRM Paris | 0 | |||||||||||
| 14182 | Louis | Roquin | Ricercare I | fixed media, akusmatisch | 0 | ||||||||||||||
| 14183 | Louis | Roquin | Ricercare II | 1977 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | CIRM Paris | 0 | |||||||||||
| 14184 | Louis | Roquin | Soli-solo et solissimo | 1984 | live-elec, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 14185 | Michael | Rosas-Cobian | Alternative 1.4 | 1989 | Tanz | 9:53 | Stereo | City Uni London | 0 | ||||||||||
| 14186 | Michael | Rosas-Cobian | Anaconda | 1990 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | fl [Flöte] | City Uni London | Auszeichnung ars electronica 1992 | 1 | ||||||||
| 14187 | Michael | Rosas-Cobian | Anima - Animus for Dance | 1994 | fixed media, akusmatisch | 57:00 | Stereo | City Uni London | 0 | ||||||||||
| 14188 | Michael | Rosas-Cobian | Bakxai | 1991 | Theatermusik | 22:00 | Stereo | City Uni London | 0 | ||||||||||
| 14189 | Michael | Rosas-Cobian | De Luna a Luna … | 1995 | Zuspiel / Tonband, 2 perf | 14:30 | Stereo | 2 perc [Schlagzeug] | City Uni London | 1 | |||||||||
| 14190 | Michael | Rosas-Cobian | Endless Moment | 1988 | live-elec, 2 perf | ≈ 15:00 | 2 perc [Schlagzeug] | elec = Midi | 0 | ||||||||||
| 14191 | Michael | Rosas-Cobian | Gatos Raid | 1994 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | mar [Schlagzeug] | LNT113/ | City Uni London | 1 | ||||||||
| 14192 | Michael | Rosas-Cobian | Islands on the Surface of Time | 1989 | live-elec, 5 perf | ≈ 45:00 | p, 2 perc, 2 (sets of amp) str [Piano, Schlagzeug, Streicher] | 0 | |||||||||||
| 14193 | Michael | Rosas-Cobian | Lucero (Bright Star) | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 13:40 | Stereo | charango [Gitarre] | City Uni London | Auszeichnung ars electronica honorary mention 1993 | 0 | ||||||||
| 14194 | Michael | Rosas-Cobian | Parabolas for Dance | 1993 | fixed media, akusmatisch | 2:57 | Stereo | City Uni London | 0 | ||||||||||
| 14195 | Michael | Rosas-Cobian | Phaedra. suite | 1990 | Theatermusik | 13:32 | Stereo | City Uni London | 0 | ||||||||||
| 14196 | Michael | Rosas-Cobian | Rumbos (Etudes 94) | 1994 | fixed media, akusmatisch | 10:10 | Stereo | PS C. | 0 | ||||||||||
| 14197 | Michael | Rosas-Cobian | SIN MANIJA | 1995/1996 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | p [Piano] | City Uni London | 0 | |||||||||
| 14198 | Michael | Rosas-Cobian | Spells | 1984 | live-elec, 4 perf | ≈ 10:00 | amp str-qt [Streicher] | 0 | |||||||||||
| 14199 | Michael | Rosas-Cobian | Urbis #2 (passing moments / riff / raffs) | 1992 | Zuspiel / Tonband, 1 perf | 19:00 | Stereo | b-cl [Klarinette] | NMC D036, sonic arts collection 2/ | City Uni London | 0 | ||||||||
| 14200 | Michael | Rosas-Cobian | Urbis #3 (Alter Ego) | 1992 | Zuspiel, live-elec, 1 perf | 12:56 | Stereo | e-gui [Gitarre] | JTR 8445/ | City Uni London | prize Bourges 1995 | 0 | |||||||
| 22742 | Michael | Rosas-Cobian | Urbis #4, 2nd Run Martellato / FYSOB Cool (Bias; Rite of Passage; RumbosI) |
1993 | fixed media, akusmatisch | 33:00 | LNT113/ | PS | 1 | ||||||||||
| 14201 | Michael | Rosas-Cobian | Urbis #4, 1st run | 1993 | fixed media, akusmatisch | 2:57 | Stereo | PS C. | 0 | ||||||||||
| 14202 | Michael | Rosas-Cobian | Womb - 3 Etudes | 1991 | fixed media, akusmatisch | 12:40 | Stereo | City Uni London | 1 | ||||||||||
| 40297 | Tommassi | Rosati | Resound Nature | 2016 | fixed media, akusmatisch | Tommassi Rosati | 0 | ||||||||||||
| 14203 | Wolfgang | Roscher | 3 Textklangimprovisationen | 1994 | fixed media, akusmatisch | 24:00 | SEM Salzburg | 0 | |||||||||||
| 19160 | Jodi | Rose | Song to Dissolve the World, Part 1 | 1994 | Klangkunst, Installation | 3:32 | ISAST LMJ 6/ | 1 | |||||||||||
| 14204 | Jon | Rose | Buon Mercato | 1993 | live-elec, 1 perf | vn, (com) [Violine] | KCD 5021/ | 0 | |||||||||||
| 14205 | Jon | Rose | Die Beethoven Konversationen | 1990 | live-elec, 1 perf | 28:00 | vn [Violine] | Ultrasound/MIDI-system (STEIM) | EX 106090 CD/ | GM Graz | 1 | ||||||||
| 14206 | Jon | Rose | Instrumentum Diabolicum | 1990 | Radiokunst, 2 perf | 22:54 | vn, vc [Cello, Violine] | EX 106090 CD/ | ORF Kunstradio | 1 | |||||||||
| 14207 | Jon | Rose | Line of sight | live-elec, | 1 | 1989 | |||||||||||||
| 14208 | Jon | Rose | Mr. Aha May comes to town | 1993 | live-elec, 1 perf | vn, (com) [Violine] | KCD 5021/ | Festival ROMAEUROPA 1993 | 0 | ||||||||||
| 37813 | Jon | Rose | o.T. | 2004 | live-elec, 1 perf | (expandede) str-ins [Streicher] | STEIM | 0 | |||||||||||
| 14209 | Jon | Rose | Paganini's last Testimony | 1988 | live-elec, 1 perf | 56:58 | vn [Violine] | KCD 5021/ | 1 | ||||||||||
| 19077 | Jon | Rose | Perks | 1996 | Performance | 56:31 | Sonambiente Ausstellung (1996); Katalog S.127 |
ISBN 3-7913-1699 (Prestel)/ ReR JR3/ | 1 | ||||||||||
| 14210 | Jon | Rose | Pulled Muscles, (music satire on sport, politics and the violin) | 1991 | live-elec, 6 perf | 65:47 | vn, str-qt, p [Piano, Violine, Streicher] | Originale Wachsplattendokumente des SFB von Olympiade 1936 | Immigrant 019/ | STEIM | 1 | ||||||||
| 14211 | Jon | Rose | Saint Johanna | 1990 | Musiktheater, 1 group | 36:33 | ens [Ensemble] | EX 176093 CD/ | 1 | ||||||||||
| 35211 | Jon | Rose | Skeleton in the Museum | 2004 | radiophon | Karl-Sczuka-Preis 2004 | 0 | ||||||||||||
| 14212 | Jon | Rose | Space Violins | 1989 | live-elec, 1 perf | vn [Violine] | STEIM | 0 | |||||||||||
| 14213 | Jon | Rose | The Grand Tour | 1993 | live-elec, 1 perf | vn, (com) [Violine] | KCD 5021/ | 0 | |||||||||||
| 14214 | Jon | Rose | The Mozart industry | 1991 | radiophon | 30:09 | mx | EX 176093 CD/ | 1 | ||||||||||
| 14215 | Jon | Rose | The relative violin II | 1976 - 1986 | live-elec, 1 perf | vn [Violine] | project Inventionen 16. - 19.1.1989 AdK by Jon Rose & Freunde Guter Musik (M. Osterwold) | 1 | 1989 | ||||||||||
| 14216 | Jon | Rose | The Virtual Violin | 1990 | live-elec, 1 perf | vn [Violine] | STEIM | 0 | |||||||||||
| 14217 | Jon | Rose | Violin Language | 1989 | live-elec, 1 perf | 9:18 | vn [Violine] | KCD 5021/ | 1 | ||||||||||
| 42170 | Jon | Rose | Violin music for supermarkets | 1994 | radiophon | ABC | 0 | ||||||||||||
| 18869 | Jon, George | Rose, Lewis | Techno Crunch | live-elec, 2 perf | 4:20 | vn, Kbd [Keyboard, Violine] | The Relative Violin:; vn (Rose), el. (Lewis); AdK 16.1.89 | 1 | 1989 | ||||||||||
| 14218 | Joakim | Roséen | Djup | 1988 | fixed media, akusmatisch | 7:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 14219 | Joakim | Roséen | Resan | 1990/1991 | fixed media, akusmatisch | 17:07 | Stereo | EMS Stockholm | 0 | ||||||||||
| 37496 | Alexej | Rosen | Art of Recycling of Art | 1997 | Zuspiel / Tonband, 1 perf | 14:40:00 | Quadro | perc [Schlagzeug] | Elektronik: Schlagzeugsamples und ProTools (DINR) | ICEM Essen | 23.05.1997 | Neue Aula Folkwang-Hochschule Essen, Material: eingespielt durch Christoph Wiatr, Ur-Aufführung: Schlagzeug Christoph Wiatr, Klangregie : Alex Rosen | 0 | ||||||
| 14220 | Alexej | Rosen | Der Teich der Monade | 1995 | fixed media, akusmatisch | 7:07 | Quadro | Lexicon 480, Tonbandtransposition, AUDIOS, SYNLAB, M15:16 | ICEM Essen | 0 | |||||||||
| 37497 | Alexej | Rosen | Single Bells | 1996 | fixed media, akusmatisch | 5:50:00 | Stereo | Csound, Lexicon 480L, Sounddesigner | ICEM Essen | 0 | |||||||||
| 14221 | Robert J. | Rosen | Signal Hill | 1992 | fixed media, akusmatisch | 2:52 | CEC DISContact_1/ | Canmore Alberta | 1 | ||||||||||
| 20751 | Robert J. | Rosen | Suite fz / Thanks Frank | 1994 | fixed media, akusmatisch | 6:16 | Stereo | CR 96001 Clef/ | Canmore Alberta | 0 | |||||||||
| 42902 | Jonah | Rosenberg | Arrays for alto flute and electronics | 2013 | live-elec, 1 perf | 6:27:00 | a-fl [Flöte] | Martha Cargo, alto flute | 0 | ||||||||||
| 14222 | Wolf | Rosenberg | Assemblage | 1974 | fixed media, akusmatisch | 5:33 | Mono | Sonology Utrecht | 0 | ||||||||||
| 14223 | Wolf | Rosenberg | Lullaby, Lullaby I | 1973 | fixed media, akusmatisch | 18:07 | Mono | Sonology Utrecht | 0 | ||||||||||
| 14224 | Wolf | Rosenberg | Lullaby II | 1974 | fixed media, akusmatisch | 7:38 | Mono | Sonology Utrecht | 0 | ||||||||||
| 14225 | Wolf | Rosenberg | Nights at the opera | 1974 | radiophon | 21:15 | Quadro | (Radiophonie I) | Sonology Utrecht | 0 | |||||||||
| 14226 | Wolf | Rosenberg | Sweepsteaks No. 1, Version A & B | 1972 | fixed media, akusmatisch | 25:20 | Stereo | Version B ≈ 13:20 | Sonology Utrecht | 0 | |||||||||
| 14227 | Wolf | Rosenberg | Sweepsteaks No. 2 | 1972 | fixed media, akusmatisch | 9:10 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 34500 | Wolf | Rosenberg | Three electronic pieces | 1969 | fixed media, akusmatisch | 27 | Stereo | 3 parts: 10:30 + 6:50 + 9:50 | EMS UIUC | 0 | |||||||||
| 42289 | Katharina | Rosenberger | Modules | 2015 | live-elec, 4 perf | amp t-sax, e-gui, perc, p (mit Effektpedal) [Saxophon, Piano, Gitarre, Schlagzeug] | 0 | ||||||||||||
| 27529 | Katharina | Rosenberger | Room V | 2007 | Klangkunst, Installation | interactive soundinstallation | GMEM Marseille | Les Musiques de Marseille | 5.5.2007 | Galerie District Marseille | 1 | http://www.krosenberger.ch | |||||||
| 14228 | David | Rosenboom | A Precipice in Time | 1966 | Zuspiel / Tonband, 1 group | 12:31 | Stereo | ens [Ensemble] | Centaur CRC 2110, CDCM Vol. 10/ | CCM Mills | 1 | ||||||||
| 33047 | David | Rosenboom | and out come the night ears | 1978 | live-elec, 2 perf | 23:20 | synt, p [Piano, synthesizer] | Don Buchla: instrumentation | Arch Records S-1774 LP/ | 1 | |||||||||
| 14229 | David | Rosenboom | Daytime Viewing, talk 1: bareback/ domestic violence/ Distant Space talk 2: wishes |
1980 | fixed media, akusmatisch | 38:46 | Stereo | Texts: J. Humbert Chez Hum-Boom Publishing | CCM Mills | 0 | http://www.lovely.com/bios/rosenboom.html | ||||||||
| 14230 | David | Rosenboom | Extended Trio: Sampler | fixed media, akusmatisch | 0 | ||||||||||||||
| 33048 | David | Rosenboom | How much better if Plymouth rock had landed on the Pilgrims, Section V | 1969 | live-elec, 1 perf | 22:50 | synt [synthesizer] | Electronic voice #1 perf by David Rosenboom Electronic voices 2, 3, 4 perf by Donald Buchla |
Arch Records S-1774 LP/ | 1 | |||||||||
| 33041 | David | Rosenboom | In the Beginning, Etude I (trombones) | 1979 | live-elec, 1 perf | 9:48 | trbn [Posaune] | MIDI, software HMSL; 7 parts | MC 001 Mills College/ | CCM Mills | 1 | ||||||||
| 18870 | David | Rosenboom | On Being Invisible | 1977 | fixed media, akusmatisch | 12 | Part 1 and Part 2 | CMJ Vol 14, 1990/ CMJ Vol 30-4, 2006/ | 1 | ||||||||||
| 21555 | David | Rosenboom | On Being Invisible, Part II | 1994 - 1995 | fixed media, akusmatisch | 17:22 | 2 perf (with brainwave-controlled com music systems), 2 mus (improvising), narrator, com [Musiker, Performer, Schauspieler, computer] | Centaur CRC 2490, CDCM Vol. 30/ | Calarts | 1 | |||||||||
| 14231 | David | Rosenboom | Systems of Judgment, Prologue initial State central section Interrupt I and II Meaning Meaning in Context |
1988 | fixed media, akusmatisch | 63:52 | Stereo | MIDI, software HMSL; 7 parts | Centaur CRC 2077, CDCM Vol. 4/ | CCM Mills | 1 | ||||||||
| 14232 | Gerhard | Rosenfeld | Nysterium Buffo | 1966 | Theatermusik | Mono | RFZ Berlin | 0 | |||||||||||
| 43151 | Marina | Rosenfeld | Delusional Situation | 1994 - 2002 | fixed media, akusmatisch | Surround 5.1 | Charhizma/ | 2002 | Whitney Museum s 2002 Biennial Exhibition, in New York | Auszeichnung ars electronica honorary mention 2002 | 0 | ||||||||
| 36026 | Marina, George | Rosenfeld, Lewis | Power Duo, Sour Mash | 2009 | Performance | 46:33 | 2 perf [Performer] | innova 229/ innova 228/ | 0 | ||||||||||
| 14233 | Gunnar | Rosengren | 1 KOR 13:1 | 1987 | fixed media, akusmatisch | 7:24 | Stereo | 0 | |||||||||||
| 14234 | Gunnar | Rosengren | Bubblor | 1994 | fixed media, akusmatisch | 8:30 | Stereo | NeXT + ISPW. MAX | EMS Stockholm | 0 | |||||||||
| 37542 | Mauricio | Rosenmann | Advance | 1990 | Theatermusik | 9:24:00 | Stereo | ICEM Essen | 0 | ||||||||||
| 37543 | Mauricio | Rosenmann | Fasolauta - Extensiones | 1977 | live-elec, | 10:20:00 | 3 tracks, Quadro | 3-Kanal Version (CH2 mittig) | ICEM Essen | 0 | |||||||||
| 14235 | Mauricio | Rosenmann | Game Over | 1978/1980 | Theatermusik | 5:40 | 3. Zuspielband aus "Maquinacion" | 0 | |||||||||||
| 40460 | Mauricio | Rosenmann | Le prisonnier | 1962 | Theatermusik | pour un dessin animé de M. Lepeuve | INA • GRM | 0 | |||||||||||
| 14236 | Mauricio | Rosenmann | Maquinacion | 1979/1980 | Theatermusik | 10:17 | (1.Zuspielband) | ICEM Essen | 0 | ||||||||||
| 40515 | Mauricio | Rosenmann | Velodrame | Film | INA • GRM | 0 | |||||||||||||
| 40464 | Mauricio | Rosenmann | Vitrine de noël | 1962 | Klangkunst, Installation | INA • GRM | décembre 1962 | Paris, Galeries La Fayette (pour le vitrines de Noël) | 0 | ||||||||||
| 39606 | Barry | Roshto | Prelude | 2016 | fixed media, akusmatisch | qnt [Instrument] | Barry L. Roshto | 0 | |||||||||||
| 39607 | Barry | Roshto | Zwischen den Zugen | 2015 | fixed media, akusmatisch | 7:04:00 | Barry Roshto | 0 | |||||||||||
| 42861 | Barry L. | Roshto | The Secret Sonic Life of Trees | 2013 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 32616 | Mario | Rosivatz | 3 Klänge | 2006 | live-elec, | 10:00:00 | 6 | für Audiosequenzer auf 6 Kanälen | 0 | ||||||||||
| 32619 | Mario | Rosivatz | Ausschnitt aus einem Total | 2005 | audiovisuell, live-elec, | aus Filmfragmenten eines Live-Mitschnitts | 0 | ||||||||||||
| 32621 | Mario | Rosivatz | Ausschnitt aus einem Total | 2001 | audiovisuell, live-elec, 2 perf | b-cl, com p [Klarinette, Piano] | für Bassklarinette und Computer-Klavier | 0 | |||||||||||
| 32632 | Mario | Rosivatz | Distanzen | 1995 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 32629 | Mario | Rosivatz | Environment II | 1997 | Zuspiel / Tonband, | 0 | |||||||||||||
| 32620 | Mario | Rosivatz | "Er…" | 2005 | audiovisuell | 0 | |||||||||||||
| 32618 | Mario | Rosivatz | Four Strings | 2006 | live-elec, | 1:00:00 | Octo | für Audiosequenzer auf 8 Kanälen | 0 | ||||||||||
| 32630 | Mario | Rosivatz | Gras | 1996 | Zuspiel / Tonband, 2 perf | Quadro | vc, Bar [Bariton, Cello] | nach Charles Bukovski | 0 | ||||||||||
| 32622 | Mario | Rosivatz | Improvisationen mit "le macchine animate" | 1999 | fixed media, akusmatisch | 0 | |||||||||||||
| 32631 | Mario | Rosivatz | Klangstudie 1996 | 1996 | fixed media, akusmatisch | 0 | |||||||||||||
| 32628 | Mario | Rosivatz | Masken I | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 32627 | Mario | Rosivatz | Masken II | 1997 | live-elec, | 0 | |||||||||||||
| 32623 | Mario | Rosivatz | Strömungen | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 32617 | Mario | Rosivatz | Total Plan B | 2006 | live-elec, | 1:00:00 | 6 | für Audiosequenzer auf 6 Kanälen | 0 | ||||||||||
| 32624 | Mario | Rosivatz | Tschonkeitsch | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 32625 | Mario | Rosivatz | Vögel | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 32626 | Mario | Rosivatz | widerschein | 1997 | Klangkunst, Installation | (Klangprojektion nach Robert Kleindienst) | 0 | ||||||||||||
| 38644 | Franco | ROSS ADAMS | Nord Rute | 2012 | radiophon | 43:10:00 | Prix Phonurgia nova | 0 | |||||||||||
| 34610 | Ryan | Ross Smith | Study No. 55 | 2016 | live-elec, 1 group | ens [Ensemble] | TonArt ensemble SMC2016 |
0 | |||||||||||
| 14237 | Anne | Ross | Nine | 1976 | fixed media, akusmatisch | Morley Coll | 0 | ||||||||||||
| 14238 | Eric | Ross | Etude for Ensemble | 1984 | Zuspiel / Tonband, 1 group | 5:40 | ens [Ensemble] | IPEM Gent | 0 | ||||||||||
| 14239 | Norbert | Rosseau | De Twee-Weertij-Klokhuisruimte , - Weertij - Klokhuisruimte - De Twee |
1964 | Zuspiel / Tonband, 1 perf | 9:00 | Mono | V [Stimme] | 3 Liederen | IPEM Gent | 0 | ||||||||
| 14240 | Norbert | Rosseau | Elektronische Mis | 1967 | fixed media, akusmatisch | 15:30 | Stereo | IDEAMA CD 006/ | IPEM Gent | 0 | |||||||||
| 14241 | Norbert | Rosseau | Het groot avontuur | 1966 | Theater, 1 group | 25:00 | ch [Chor] | IPEM Gent | 0 | ||||||||||
| 14242 | Norbert | Rosseau | Ode aan Gent | 1969 | Zuspiel / Tonband, 1 perf | 5:40 | Mono | Sp [Sprecher] | A. Magermann | IPEM Gent | 0 | ||||||||
| 42171 | Christian | Rosset | On ne sait jamais | 1996 | radiophon | France Culture (Radio France) | 0 | ||||||||||||
| 39346 | Danilo | Rossetti | Poussières cosmiques | 2017 | live-elec, 1 perf | p [Piano] | version 2 for piano and live-electronics | 0 | |||||||||||
| 41408 | Louise | Rossiter | Black Velvet | fixed media, akusmatisch | file | 0 | https://www.ckcufm.com/ | ||||||||||||
| 40026 | Louise | Rossiter | Rift | 2016 | fixed media, akusmatisch | Louise Rossiter | Uni De Montfort | 0 | |||||||||||
| 42923 | Louise | Rossiter | SiO2 | 2013 | fixed media, akusmatisch | 9:51:00 | 0 | ||||||||||||
| 14243 | Stephan | Rostomian | Computer Symphony | fixed media, akusmatisch | 0 | ||||||||||||||
| 14244 | Stephan | Rostomian | The Angels’ Canticles | fixed media, akusmatisch | 0 | ||||||||||||||
| 24541 | Diter, Emmet | Rot, Williams | Around the Corner Variations | 1969 | fixed media, akusmatisch | 4:14 | Text-Sound Composition | FYCD 1024 CD 5 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 33809 | Nino | Rota | La Notte di un nevrastencio | 1959 | radiophon | 34:53:00 | Mono | Text by Riccardo Bacchelli | DS 22 Die Schachtel/ | Fonologia Milano | 19.11.1959 | RAI; orc di Torino della RAI directed by Brubo Maderna | Prix Italia 1959 (sezione „opere musicali con testo“) | Ricordi | 1 | ||||
| 14245 | Nikiforos | Rotas | Antiphonia I | 1967 | fixed media, akusmatisch | 7:30 | 0 | ||||||||||||
| 14246 | Nikiforos | Rotas | Antiphonia III | fixed media, akusmatisch | 0 | ||||||||||||||
| 14247 | Nikiforos | Rotas | Megali Antiphonia | fixed media, akusmatisch | 0 | ||||||||||||||
| 42173 | Dieter | Roth | Radiosonate nr. 1 | 1976 | radiophon | SWR, SDR | 0 | ||||||||||||
| 42172 | Dieter, Björn | Roth, Roth | Autofahrt | 1979 | radiophon | Dieter Roth's Verlag, Edition Hansjörg Mayer | 0 | ||||||||||||
| 38793 | Dieter, Grace | ROTH, YOON | Murmel | 2014 | radiophon | 44:11:00 | 0 | ||||||||||||
| 19112 | David | Rothenberg | Inconclusive Gazes | 1995 | live-elec, 2 perf | 4:12 | cl, synt [Klarinette, synthesizer] | extract | MW 66/ | 1 | |||||||||
| 20752 | David | Rothenberg | Mountains and Waters | 1994 | live-elec, 1 perf | 4:28 | Stereo | MIDI-ins [synthesizer] | MW 58/ | 1 | |||||||||
| 14248 | David | Rothenberg | The Limitation in Discovery | 1989 | live-elec, 2 perf | 4:24 | cl, MIDI [Klarinette, synthesizer] | Part III of "In the Rainforest" | ISAST LMJ 1/ | 1 | |||||||||
| 19111 | David | Rothenberg | The Other (for Tomas Tranströmer) | 1996 | live-elec, 3 perf | 6:31 | (bolivian) fl, cl, synt [Flöte, Klarinette, synthesizer] | MW 66/ | 0 | ||||||||||
| 18871 | David | Rothenberg | The Time-Being | 1994 | live-elec, 2 perf | 3:46 | cl, MIDI-ins [Klarinette, synthesizer] | MW 58/ | 1 | ||||||||||
| 20753 | David | Rothenberg | Xarxa | 1994 | live-elec, 2 perf | 2:14 | Stereo | fl, MIDI-ins [Flöte, synthesizer] | MW 58/ | 1 | |||||||||
| 22034 | Jerome | Rothenberg | Das Hörspiel des Bibers. Ein Testament | radiophon | 1:47 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 26053 | Frank | Rothkamm | astronaut of inner space | 2003 - 2006 | fixed media, akusmatisch | 60:00 | 5 parts. Synthesizermusik mit „IFORMM“-System | FLX 5 Flux Records FB02/ | PS C. | 1 | |||||||||
| 14249 | Daniel | Rothman | Southwest Sky | 1987 | fixed media, akusmatisch | 10:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 14250 | Daniel | Rothman | Tilted Arc | 1990 | live-elec, | Stereo | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 22210 | Daniel | Rothman | Yes, Philip, Androids Dream Electric Sheep | live-elec, 1 perf | 28:38 | cl, (DSP) [Klarinette] | Nach Philip K. Dicks Siencefiktion Novele " Do Androids Dream of Electric Sheep" | River Records 2-11 LA/ | Radio Bremen | 1 | |||||||||
| 40174 | Paolo | Rotili | e nel tempo si desperde | 2015 | fixed media, akusmatisch | 10:30:00 | Paolo Rotili | 0 | |||||||||||
| 39427 | Kyle Peter | Rotolo | NO-MORE, TOO-LATE, FAREWELL | 2017 | fixed media, akusmatisch | fl [Flöte] | 0 | ||||||||||||
| 14251 | Jorge | Rotter | Estudio I | 1965 | fixed media, akusmatisch | 6:15 | Quadro | HfMT Köln | 0 | ||||||||||
| 14252 | Han | Rotteveel | Breath | 1968 | Theatermusik | 13:15 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 14253 | Han | Rotteveel | Klankconstruktie bij Vloeistofprojektie | 1969 | fixed media, akusmatisch | 15:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 14254 | Han | Rotteveel | Tibet Blow | 1968 | fixed media, akusmatisch | 10:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 14255 | Patrick | Roudier | Les noces d'herodiade | 1986 | fixed media, akusmatisch | 21:00 | Stereo | Texte de Mallarmé | INA • GRM | 0 | |||||||||
| 14256 | Patrick | Roudier | Les rouges | 1990 | fixed media, akusmatisch | 23:30 | Stereo | INA • GRM | 0 | ||||||||||
| 14257 | Patrick | Roudier | Lieux moments traversées | 1983 | fixed media, akusmatisch | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||||
| 27850 | Juliette | Rousseff | Murmures et soupirs d'ange | 2007 | fixed media, akusmatisch | son exposition "Le lieu du ravissement" | CRFMW Liège | 29.11.2007 | Liège, Salle St-Georges du Musée de l'Art wallon | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 24848 | Jean | Routhier | 4 short pieces | radiophon | 4:00 | AVTR 004/ | 0 | ||||||||||||
| 41401 | Jean | Routhier | Baliverne Fragments Bris |
fixed media, akusmatisch | endurance | 0 | https://www.ckcufm.com/ | ||||||||||||
| 19262 | Jean | Routhier | Face à claques | 1995 | fixed media, akusmatisch | 8:11 | CEC Presence 1/ | 1 | |||||||||||
| 21612 | Jean | Routhier | Stereotyped Latter-Day Opinion | 1999 | fixed media, akusmatisch | 1:00 | CEC Presence 2/ | 1 | |||||||||||
| 14258 | Jean, Christof, Michel F. | Routhier, Migone, Coté | Sous les décombres d'une brève hémorragie champêtre | 1994 | fixed media, akusmatisch | 3:58 | CEC DISContact_2/ | 1 | |||||||||||
| 14259 | François | Roux | Bleu, rouge, jaune | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 14260 | François | Roux | Des murs en acier | 1991 | Zuspiel, live-elec, 5 perf | 30:00 | 5 perc [Schlagzeug] | SONVS Lyon | 0 | ||||||||||
| 14261 | François | Roux | Marées d'étincelles | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 14262 | François | Roux | Mort sur catalogue | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 14263 | François | Roux | Renoncules de Perse | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 41929 | François | Roux | Sukayu Hot Spring Hotel | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 14264 | François | Roux | Toute buissonnière en un saule caché | 1992 | Zuspiel, live-elec, 1 group | orc [Orchester] | SONVS Lyon | 0 | |||||||||||
| 38645 | Sébastien | ROUX | Nouvelle | 2012 | radiophon | 43:09:00 | Prix Phonurgia nova | 0 | |||||||||||
| 42543 | Butch | Rovan | Correspondences | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42709 | Butch | Rovan | Desire with Digressions | 2012 | live-elec, 1 perf | 16:00:00 | p [Piano] | Bruce Brubaker, piano | 0 | ||||||||||
| 42983 | Butch | Rovan | of the survival of images | 2013 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 14265 | Frédéric | Roverselli | L'Éveil de la cité | 1994 | fixed media, akusmatisch | intermedia |
2:30 | CEC DISContact_2/ | Uni Montréal | 1 | ||||||||||
| 14266 | Frédéric | Roverselli | Silence, j'écoute | 1992 | fixed media, akusmatisch | 2:21 | CEC DISContact_1/ | Uni Montréal | 1 | ||||||||||
| 39995 | Kyle | Rowan | Wanderings | 2017 | live-elec, 1 perf | cl, (com) [Klarinette] | Kyle Rowan | 0 | |||||||||||
| 41566 | Keith | Rowe | Unsettingly Horizontal | 2012 | live-elec, 1 perf | 10:25 | e-gui [Gitarre] | az 4 another timbre/ | 0 | ||||||||||
| 14267 | Robert | Rowe | Blue Flute | 1979 | Zuspiel / Tonband, 1 perf | 15:45 | Stereo | fl [Flöte] | using CSP by Koenig | Sonology Utrecht | 1 | ||||||||
| 32134 | Robert | Rowe | Cigar Smoke | 2004 | live-elec, 1 perf | 10:19:00 | cl, (elec) [Klarinette] | composition for clarinet and interactive music system, Esther Lamneck, clarinet | SEAMUS EAM Vol. 16/ | 0 | |||||||||
| 14268 | Robert | Rowe | Flood Gate Vl., piano and E |
1989 | live-elec, 1 perf | 10:45 | p [Piano] | LDC 278051/52 Cultures Electroniques 5/ | MIT Media Lab | 0 | |||||||||
| 35790 | Robert | Rowe | freesound mix | 2006 | live-elec, 1 perf | com [computer] | 4.11.2006 | HfMT Köln | 0 | ||||||||||
| 14269 | Robert | Rowe | Hall of Mirrors | 1986 | live-elec, 1 perf | 12:00 | b-cl [Klarinette] | IRCAM | 0 | ||||||||||
| 36298 | Robert | Rowe | Maritime | fixed media, akusmatisch | hap vol 18 - 3/ | 0 | |||||||||||||
| 42658 | Robert | Rowe | Primary Colors | 2009 | fixed media, akusmatisch | The Tornado Project | 0 | ||||||||||||
| 20754 | Robert | Rowe | Shells | 1993 | live-elec, 1 perf | 7:58 | Stereo | b-cl [Klarinette] | NWR 80468/ | Uni NY | 0 | ||||||||
| 14270 | Robert | Rowe | Spattering... A Shower | 1980 | fixed media, akusmatisch | 10:45 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 14271 | David | Rowland | Dreamtime | 1972 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | S [Sopran] | EMS_London | 0 | |||||||||
| 14272 | David | Rowland | Masques | 1973 | Zuspiel / Tonband, 3 perf | Stereo + Stereo | ob, ehn, perc [Oboe, Schlagzeug] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 14273 | David | Rowland | Tetrad | 1970 | Zuspiel, live-elec, 3 perf | 20:00 | Stereo | fl, p, perc [Flöte, Piano, Schlagzeug] | 0 | ||||||||||
| 14274 | David | Rowland | The Dance of the Seven Deadly Sins (Doctor Faustus) | 1970 | Theatermusik | 1:33 | Mono | PS Davies | 0 | ||||||||||
| 23386 | Camille | Roy | Saxstück | 1998 | Zuspiel, live-elec, 1 perf | 6:17 | sax [Saxophon] | Daniel Kientzy (sax's) | NMCD 5114/ | GRAME Lyon | 1 | ||||||||
| 42848 | Elise | Roy | coalescing (Flutescape III) | 2013 | live-elec, 2 perf | 7:10:00 | fl, p [Flöte, Piano] | Elise Roy, flute; Michiko Saiki, piano | 0 | ||||||||||
| 22419 | Julien | Roy | Rémanence | 2000 | fixed media, akusmatisch | 7:00 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 14275 | Myke | Roy | If you stand on a log long enough, tout le monde va partir | 1988 | fixed media, akusmatisch | 14:00 | Stereo | (MAO) Montréal | 0 | ||||||||||
| 14276 | Myke | Roy | In die Mülliener, part II | 1987 | radiophon | 4:50 | Stereo | 0 | |||||||||||
| 14277 | Myke | Roy | Lansdtaad Myr | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 14278 | Myke | Roy | Le Dima Tiva | 1985 | Zuspiel / Tonband, 1 perf | Stereo | Sp [Sprecher] | 0 | |||||||||||
| 14279 | Myke | Roy | Le Grand Kyrie | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 14280 | Myke | Roy | MmnnnNmmn NmNnm | 1984 | fixed media, akusmatisch | 8:43 | Stereo | 0 | |||||||||||
| 14281 | Myke | Roy | Mnemongry ou l'apprenti sorcier | 1979 | fixed media, akusmatisch | 17:00 | Stereo | 0 | |||||||||||
| 14282 | Myke | Roy | Ne pas brocher, plier ou mutiler. | 1987 | live-elec, 5 perf | 13:00 | Stereo | 4 sax, MIDI [Saxophon, synthesizer] | 0 | ||||||||||
| 14283 | Myke | Roy | Ode à l'anonyme | 1984 | live-elec, 1 perf | Stereo | fl, (rm, delay) [Flöte] | 0 | |||||||||||
| 14284 | Myke | Roy | PYMFS, l'ombre de l'ombre de l'ombre de l'… | 1983 | fixed media, akusmatisch | 22:30 | Stereo | 0 | |||||||||||
| 14285 | Myke | Roy | Sveln | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 14286 | Myke | Roy | TSE TNANT/Te Deum | 1975 | fixed media, akusmatisch | 16:30 | Stereo | 0 | |||||||||||
| 14287 | Myke | Roy | Twyliyt Zaulne | 1988 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | Uni Montréal | 0 | ||||||||||
| 14288 | Myke | Roy | Wegwerfe deiner Seele in die Muhliener und Warte auf der rôt Licht | 1986 | live-elec, 1 perf | audiovisuell |
25:00 | Stereo | actor, (com) [Schauspieler] | textes de Yves Boisvert ,vidéo 3/4", TX816 | 0 | |||||||||
| 24654 | Stéphane | Roy | Appartenances | 2003 | fixed media, akusmatisch | 27:06 | Stereo | 3 parts: Thème celte - latin -oriental | IMED 0373/ | PS C. | Réseaux | 22 March 2003 | Réseaux at the Musée d’art contemporain de Montréal | 0 | |||||
| 14289 | Stéphane | Roy | Crystal Music | 1993 | fixed media, akusmatisch | 14:40 | with CLM | nor 03/ IMED 9630/ ASP 0966/ | CCRMA, Uni Montreal | ACREQ with the assistance of the Canada Council | 3.03.1994 | Chapelle historique du Bon-Pasteur in Montréal | 1st Prix Noroit 94 Competition Musica Nova Prag 1995 |
1 | |||||
| 14290 | Stéphane | Roy | Janvier—quêtes de chaleurs | 1989 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 24644 | Stéphane | Roy | La basilique fantôme | 1998 - 2000 | Zuspiel / Tonband, 1 perf | 9:51 | Stereo | gui [Gitarre] | with Arturo Parra (gui) | IMED 0264/ | 0 | ||||||||
| 41462 | Stéphane | Roy | Maelström | 2016 | fixed media, akusmatisch | 12:05 | Stereo | 0 | |||||||||||
| 24656 | Stéphane | Roy | Masques et parades | 2000 - 2003 | fixed media, akusmatisch | 24:57 | Stereo | 3 Sections: Exultation; Burlesque; Noir silence | IMED 0373/ | PS C. St Louis, PS C. Montreal | Réseaux | 22 March 2003 | Réseaux at the Musée d’art contemporain de Montréal | 0 | |||||
| 14291 | Stéphane | Roy | Mimetismo | 1992 | Zuspiel / Tonband, 1 perf | 10:40 | gui [Gitarre] | Syter. With Arturo Parra (gui) | CEC DISContact_1/ IMED 9630/ CEC Presence 1/ DIV 02/ | Uni Montréal, CCRMA, INA • GRM | Arturo Parra and with the assistance of the Canada Council | First Prize in the 14th International Luigi Russolo Competition 1992 Auszeichnung ars electronica 1992 |
1 | ||||||
| 14293 | Stéphane | Roy | Ondes / Arborescences | 1987 | fixed media, akusmatisch | 9:34 | Stereo | IMED 9630/ | Uni Montréal | 05.1987 | public concert at the Université de Montréal | 0 | |||||||
| 14294 | Stéphane | Roy | Paysages intérieurs | 1988 | fixed media, akusmatisch | 12:30 | Stereo | IMED 9630/ | Uni Montreal | 05.1988 | public concert at the Université de Montréal | 2nd Prize at the 8th CBC National Competition for Young Composers (Ottawa, 1988), Second Prize at the 1989 International Newcomp Computer Music Competition (Boston, USA), Honorable Mention at the 11th Luigi Russolo International Competition (Varese, Italy, 1989). |
0 | ||||||
| 14295 | Stéphane | Roy | Résonances d'arabesques | 1990 | fixed media, akusmatisch | 3 | Stereo | SYTER | IMED 9004/ IMED 9604/ | INA • GRM, Uni Montréal | 1 | ||||||||
| 24655 | Stéphane | Roy | Trois petites histoires concrètes | 1998 | fixed media, akusmatisch | 12:59 | Stereo | IMED 0373/ | PS C. St Louis | Réseaux | 28.10.1998 | Réseaux at Théâtre La Chapelle in Montréal | 0 | ||||||
| 35742 | Timothy | Roy | Wunderkins | 2012 | Zuspiel / Tonband, 1 perf | p [Piano] | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 | 0 | |||||||||||
| 42659 | Thomas | Royal | Ruptures | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 42544 | Thomas | Royal | Soft Stings of a Cold Dead Image | 2008 | live-elec, 1 perf | V [Stimme] | Thomas Royal, vocals | 0 | |||||||||||
| 14296 | Philippe | Royer | Tensions | 1989 | fixed media, akusmatisch | 8:18 | nor 01/ | 1 | |||||||||||
| 27831 | Vincent | Royer | Interplay | 2009 | audiovisuell, live-elec, 3 perf | cl, va, dancer [Klarinette, Viola, Tanz] | CRFMW Liège | 10.06.2009 | Cologne, reiheM | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27879 | Vincent | Royer | Lumen | 2003 | Zuspiel / Tonband, 1 perf | va [Viola] | CRFMW Liège | 5.06.2003 | Bruxelles, Festival Trois Visages de la musique électroacoustique | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 20755 | Frank | Royon Le Mée | 123, Boulevard de la Mer (and other) | 1990 | fixed media, akusmatisch | 4:40 | Stereo | electro pop | CIRM 9311/ | CIRM Nice | 0 | ||||||||
| 14297 | Frank | Royon Le Mée | 3ème doxologie Saint Sebastien | 1981 | fixed media, akusmatisch | 18:25 | Stereo | INA • GRM | Novembre 1981 | Orleans | 0 | ||||||||
| 14298 | Frank | Royon Le Mée | Act | 1977 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | GMEM Marseille | 0 | ||||||||||
| 14299 | Frank | Royon Le Mée | Complies | 1978 | fixed media, akusmatisch | 16:22 | Stereo | GMEM Marseille | 0 | ||||||||||
| 14300 | Frank | Royon Le Mée | Guimauve | 1976 | fixed media, akusmatisch | Tanz |
Stereo | GMEM Marseille | 0 | |||||||||||
| 14301 | Frank | Royon Le Mée | La mort d’Empedocle | 1984 | Musiktheater | CalArts, GRAME Lyon, GMEM Marseille, CIRM Nice | 0 | ||||||||||||
| 14302 | Frank | Royon Le Mée | Laudes | 1980 | fixed media, akusmatisch | 16:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 14303 | Frank | Royon Le Mée | Maman, l’été (ou L’Album familiale) | 1984 | Musiktheater, 1 perf | V, (images) [Stimme] | 0 | ||||||||||||
| 14304 | Frank | Royon Le Mée | Matines | 1979 | fixed media, akusmatisch | Octo | GMEM Marseille | 0 | |||||||||||
| 14305 | Frank | Royon Le Mée | Mille Flêches | 1983 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 14306 | Frank | Royon Le Mée | Reportage sans image de la Valeza | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 14307 | Frank | Royon Le Mée | Sept Fois Plus | 1981 | Zuspiel/Tonband, 2 perf | Tanz |
Stereo | vn, V [Stimme, Violine] | GMEM Marseille | 0 | ||||||||||
| 14308 | Frank | Royon Le Mée | Taksim | 1977 | live-elec, | 20:00 | 6 | GMEM Marseille | 0 | ||||||||||
| 14309 | Frank | Royon Le Mée | Tierce | 1980 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | V [Stimme] | GMEM Marseille | 0 | |||||||||
| 39495 | Seth | Rozanoff | Seth Rozanoff | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 14310 | Oliver | Rozek | Maxwelluv démon, Maxwelluv zákon | 1969 | fixed media, akusmatisch | 3:18 | Stereo | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | |||||||||
| 14311 | Akos | Rozmann | Images of the Dream and Death (Bilder inför Drömmen och Döden) | 1974/1989 | fixed media, akusmatisch | 67:11 | Stereo | PSCD 27 Phono Suecia/ | EMS Stockholm, HfM Stockholm | 0 | |||||||||
| 22229 | Akos | Rózmann | Amen - Amen | fixed media, akusmatisch | 23:00 | SWEDMIC CD-R/ | 1 | ||||||||||||
| 14320 | Akos | Rózmann | Crypt with table and chairs, Krypta med bord och stolar | 1989/1990 | fixed media, akusmatisch | 37:51 | Stereo | CAP 21471 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | |||||||||
| 14313 | Akos | Rózmann | De osynliga trådarna | 1979/1989 | Zuspiel / Tonband, | 14:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 21010 | Akos | Rózmann | De två, med tre instrument, two, with three Instruments | 1996 - 1997 | fixed media, akusmatisch | 61:36 | Stereo | 9 parts | FYCD 1013/ | EMS Stockholm | 1 | ||||||||
| 14315 | Akos | Rózmann | Dörr med tårar | 1989 | fixed media, akusmatisch | 20:56 | FYCD 1003 / | EMS Stockholm, Katedral St | 1 | ||||||||||
| 14316 | Akos | Rózmann | Figurer | 1983/1985 | fixed media, akusmatisch | 27:37 | EMS Stockholm | 0 | |||||||||||
| 14317 | Akos | Rózmann | Impulsioni | 1973 - 1974 | fixed media, akusmatisch | 16:30 | Stereo | Part 1 to 4 | FYCD 1013/ | EMS Stockholm | 1 | ||||||||
| 14318 | Akos | Rózmann | Klagovisor (Lamentations) | 1988 | Zuspiel / Tonband, 2 groups | 18:10 | Stereo | str (zither), 2 ens (folk-mus groups) [Streicher, Ensemble] | INFOGRAM 018/ | EMS Stockholm | 0 | ||||||||
| 14321 | Akos | Rózmann | …KULOR… Några studier framför helvetets portar och sorgetoner | 1983/1984 | Zuspiel / Tonband, 1 perf | 62:18 | Stereo | ins [Instrument] | EMS Stockholm | 0 | |||||||||
| 22228 | Akos | Rózmann | Kyrie | Zuspiel / Tonband, 1 perf | 30:19 | org [Orgel] | first part from Mass I | SWEDMIC CD-R/ | 1 | ||||||||||
| 24316 | Akos | Rózmann | Mass | 1988 - 2004 | Zuspiel / Tonband, 2 perf | 448:10 | org, Sp [Sprecher, Orgel] | 10 parts | 1 | ||||||||||
| 14327 | Akos | Rózmann | Orgelstycke - 1980 | 1980 | fixed media, akusmatisch | 15:49 | Stereo | new version | PSCD 41 Phono Suecia/ | EMS Stockholm, HfM Stockholm | 1 | ||||||||
| 14323 | Akos | Rózmann | Orgelstycke #2 | 1981/1988 | fixed media, akusmatisch | 28:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 14324 | Akos | Rózmann | Orgelstycke #4 | 1989 | fixed media, akusmatisch | 30:22 | Stereo | EMS Stockholm, Katedral St | 0 | ||||||||||
| 14325 | Akos | Rózmann | Orgelstycke #5: Gloria | 1991 | fixed media, akusmatisch | 26:30 | HfM Stockholm | 0 | |||||||||||
| 14326 | Akos | Rózmann | Orgelstycke Nr. VI, 2nd part of Tritykon: Nocturne i silver och dans | 1989 | fixed media, akusmatisch | 17:00 | HfM Stockholm | Rikskonserter | 0 | 1992 | |||||||||
| 14328 | Akos | Rózmann | Rytmer och melodier | 1984/1987 | fixed media, akusmatisch | 146:00 | Stereo | INFOGRAM 009/ | EMS Stockholm | 1 | |||||||||
| 14329 | Akos | Rózmann | Skräcken | 1988 | fixed media, akusmatisch | 36:08 | Stereo | EMS Stockholm | 0 | ||||||||||
| 14330 | Akos | Rózmann | Tolv stationer (stationer 1-12), 12 Stationen | 1978/1980 | fixed media, akusmatisch | 85:00 | Stereo | 0 | |||||||||||
| 14331 | Akos | Rózmann | Triptykon | 1990/1992 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 14332 | Akos | Rózmann | Trumpetmusette | 1993/1994 | fixed media, akusmatisch | 43:29 | Stereo | EMS Stockholm, Katedral St | radio Budapest | 0 | |||||||||
| 14333 | Anna | Rubin | Her laughter and so much else | fixed media, akusmatisch | Sweelinck | 0 | http://www.capstonerecords.org/CPS-8743.html | ||||||||||||
| 41522 | Anna | Rubin | Landmine | live-elec, 1 perf | 16:20 | e-vc [Cello] | CPS 8743 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8743.html | ||||||||||
| 14334 | Anna | Rubin | Laughing the crying & golden, Crying the Laughing and Golden | 1987 | fixed media, akusmatisch | Neuma CD 450-71/ CPS 8743 Capstone/ | Sweelinck | 0 | http://www.capstonerecords.org/CPS-8743.html | ||||||||||
| 20756 | Anna | Rubin | Remembering | 1989/1993 | Zuspiel / Tonband, 2 perf | 14:44 | Stereo | S, p [Sopran, Piano] | Judith Kellock (S), Karl Paulnack (p) | SEAMUS EAM 9301 Vol. 1/ CPS 8743 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8743.html | |||||||
| 41523 | Anna | Rubin | Stolen Gold | live-elec, 1 perf | 6:20 | amp ob (baroque oboe) [Oboe] | CPS 8743 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8743.html | ||||||||||
| 42730 | Anna | Rubin | The Beekeepers | 2011 | live-elec, 1 perf | 8:05:00 | vc [Cello] | Madeleine Shapiro | 2011 | Tank, New York City | 0 | ||||||||
| 41521 | Anna, Laurie | Rubin, Hollander | Family Stories: Sophie Sally | fixed media, akusmatisch | 16:05 | CPS 8743 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8743.html | |||||||||||
| 31585 | Julian | Rubisch | bored'oh | 2013 | fixed media, akusmatisch | 4:00 | next_generation 5.0 | ELAK Wien | 0 | ||||||||||
| 35706 | Demian | Rudel Rey | Céfiro | 2016 | fixed media, akusmatisch | audiovisuell |
0 | |||||||||||||
| 35396 | Demian | Rudel Rey | Che-toi | 2016 | fixed media, akusmatisch | 8:09:00 | MR 2016 Métamorphoses 2016/ | finalist at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016) | 0 | ||||||||||
| 35705 | Demian | Rudel Rey | Khemia I | 2016 | fixed media, akusmatisch | Nomination Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 27247 | Jøran | Rudi | Bruits de raison | 2003 | fixed media, akusmatisch | 8:12 | LDC 2781138 Compendium 2005/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | |||||||||
| 14335 | Jøran | Rudi | For more than one | 1986 | Zuspiel / Tonband, 1 group | ch [Chor] | NOTAM | 0 | |||||||||||
| 14336 | Jøran | Rudi | General Purpose | 1988 | Zuspiel / Tonband, 1 perf | 12:10 | perc [Schlagzeug] | NOTAM | 0 | ||||||||||
| 21982 | Jøran | Rudi | Music for "Lady from the Sea" | 1996 | Tanz | NOTAM | 0 | ||||||||||||
| 21983 | Jøran | Rudi | Og fuglene..? | 1997 | fixed media, akusmatisch | computer Music Animation | NOTAM | 0 | |||||||||||
| 14337 | Jøran | Rudi | Planet (Terra) | 1988 | fixed media, akusmatisch | 3:28 | Kiasma 1998/ | NOTAM | 0 | ||||||||||
| 14338 | Jøran | Rudi | Resolution | 1987 | fixed media, akusmatisch | 9:45 | NOTAM | 0 | |||||||||||
| 14339 | Jøran | Rudi | The Flood | 1990 | Zuspiel / Tonband, 4 perf | 15:30 | S, A, T, B [Sopran, Alt, Tenor, Bass] | NOTAM | 0 | ||||||||||
| 41935 | Jøran | Rudi | When Timbre Comes... | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 14340 | Andrew | Rudin | For Ages Ten to Adult | 1966 | Film | 16:00 | Stereo | nonesuch H 71198/ | Uni Philadelphia | 0 | |||||||||
| 14341 | Andrew | Rudin | Il Giuoco | 1966 | fixed media, akusmatisch | Film |
15:28 | Stereo | abstract opera #1 | nonesuch H 71198/ | Uni Philadelphia | 0 | ||||||||
| 14342 | Andrew | Rudin | Paideia | 1967 | fixed media, akusmatisch | Film |
15:00 | Stereo | abstract opera #2 | nonesuch H 71198/ | Uni Philadelphia | 0 | ||||||||
| 14343 | Andrew | Rudin | Tragoedia | fixed media, akusmatisch | for EM synthesizer | nonesuch H 71198/ | 0 | ||||||||||||
| 39844 | Henry | Rudkins | Shadow | 2017 | audiovisuell | Henry Rudkins | 0 | ||||||||||||
| 14344 | Eugeniusz | Rudnik | 00173 | 1966 | Film | 8:00 | ExpSt Warsaw | 0 | |||||||||||
| 39079 | Eugeniusz | Rudnik | Agonia pastoralna | 2004 | fixed media, akusmatisch | 0 | |||||||||||||
| 14345 | Eugeniusz | Rudnik | Allegro vivace | 1964 | Film | ExpSt Warsaw | 0 | ||||||||||||
| 22161 | Eugeniusz | Rudnik | Annus Mirabilis | 1995 | fixed media, akusmatisch | 6:00 | Quadro | ExpSt Warsaw | 0 | ||||||||||
| 14346 | Eugeniusz | Rudnik | Annus Miraculi | 1990 | fixed media, akusmatisch | 38:55 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 14347 | Eugeniusz | Rudnik | Berceuse | 1982 | fixed media, akusmatisch | 8:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 14348 | Eugeniusz | Rudnik | Collage, Kolaz | 1965 | fixed media, akusmatisch | 5:02 | Stereo | also on the CD BR ES01 bolt is an improvisation by the group AMM London | BR ES01 bolt Blanc et Rouge/ PRCD 1173-76 (4 CDs)/ SR 300 sub rosa/ | ExpSt Warsaw | 23.12.1969 | ORTF concert hall | 1 | ||||||
| 39077 | Eugeniusz | Rudnik | Die Wanderungen des Herrn Fähnrich oder Die Mühlsteine an der Weichsel | 2001 | radiophon | 0 | |||||||||||||
| 39066 | Eugeniusz | Rudnik | Diewuszka, wasze dokumienty | 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 14349 | Eugeniusz | Rudnik | Divertimento | 1971 | fixed media, akusmatisch | 10:15 | Stereo | PRCD 1173-76 (4 CDs)/ | ExpSt Warsaw | 0 | |||||||||
| 39070 | Eugeniusz | Rudnik | Divertimento | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 14350 | Eugeniusz | Rudnik | Dixi, Zeitkratzer plays PRES | 1966 | fixed media, akusmatisch | 4:42 | Stereo | also on the CD BR ES01 bolt is an improvisation by the group AMM London and BR ES03 bolt by Zeitkratzer Berlin | TV 34301/ BR ES01 bolt Blanc et Rouge/ BR ES03 bolt Blanc et Rouge/ DUX 0811/ Wire Issue 406/ Turnabout 34301/ | ExpSt Warsaw | Mention Dartmouth Arts Council Prize 1967 | 1 | |||||||
| 14351 | Eugeniusz | Rudnik | Docent Hammler | 1964 | Film | 9:45 | ExpSt Warsaw | 0 | |||||||||||
| 39087 | Eugeniusz | Rudnik | Dzięcielina pałała | 2010 | fixed media, akusmatisch | 0 | |||||||||||||
| 39082 | Eugeniusz | Rudnik | Ecce homo | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 14352 | Eugeniusz | Rudnik | Elegy - to the Victims of War, Elegia ofiarom wojny | 1982 | fixed media, akusmatisch | 25:00 | Stereo | BR ES07 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | |||||||||
| 39084 | Eugeniusz | Rudnik | Epilogos | 2007 | fixed media, akusmatisch | collective compostion | 0 | ||||||||||||
| 39083 | Eugeniusz | Rudnik | Epitafium - zamęczonym w kamiennym piekle Gross Rosen | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 14353 | Eugeniusz | Rudnik | Epitaph of Stones, Kamienne epitafium | 1984 | fixed media, akusmatisch | 8:12 | Stereo | BR ES07 bolt Blanc et Rouge/ PRCD 1173-76 (4 CDs)/ | ExpSt Warsaw | 1 | 1985 | ||||||||
| 14354 | Eugeniusz | Rudnik | Etude | 1974 | fixed media, akusmatisch | 3:50 | Stereo | IMEB Bourges | 0 | ||||||||||
| 14355 | Eugeniusz | Rudnik | Four Poems | 1976 | fixed media, akusmatisch | 11:47 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 14356 | Eugeniusz | Rudnik | Guillotine DG, Gilotyna - Dg | 1989 | fixed media, akusmatisch | 9:32 | Stereo | BR ES07 bolt Blanc et Rouge/ Wire Issue 406/ | ExpSt Warsaw | 1 | |||||||||
| 14357 | Eugeniusz | Rudnik | Homo Ludens | 1985 | fixed media, akusmatisch | 33:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 39074 | Eugeniusz | Rudnik | Homo radiophonicus | 1998 | fixed media, akusmatisch | radio documentary ballad | 0 | ||||||||||||
| 39067 | Eugeniusz | Rudnik | Interludia | 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 39076 | Eugeniusz | Rudnik | Jesień Ludów | 1999 | fixed media, akusmatisch | 0 | |||||||||||||
| 22159 | Eugeniusz | Rudnik | Jesus Christ of Disbelievers | 1993 | fixed media, akusmatisch | 10:45 | Stereo | textby Jana Bransstaettera | ExpSt Warsaw | 0 | |||||||||
| 39080 | Eugeniusz | Rudnik | Johna pamięci rapsod frywolny | 2004 | fixed media, akusmatisch | 0 | |||||||||||||
| 14358 | Eugeniusz | Rudnik | Knell | 1986 | fixed media, akusmatisch | 9:30 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22160 | Eugeniusz | Rudnik | LA gent aileé et les gens, Ptacy i ludzie | 1993 | Zuspiel / Tonband, 7 perf | 15:55 | Stereo | 4 artist, 3 vn [Violine, Performer] | Concert Etude for four artists, three violins, two nightingales, scisors and folk ceramics | ExpSt Warsaw | 1 | ||||||||
| 39086 | Eugeniusz | Rudnik | Larum - 'Dlaboga, co się stało z Wami, Żołnierze?' | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 14359 | Eugeniusz | Rudnik | Lesson, Lesson II / Lekcja II | 1965 | fixed media, akusmatisch | 15:24 | Stereo | BR ES07 bolt Blanc et Rouge/ PRCD 1173-76 (4 CDs)/ | ExpSt Warsaw | 1 | |||||||||
| 39081 | Eugeniusz | Rudnik | Manewry albo Dama i huzary | 2004 | fixed media, akusmatisch | a lyrical sound poem | 0 | ||||||||||||
| 39072 | Eugeniusz | Rudnik | Martwa natura z ptakiem, zegarem, strzelcem i panną | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 14360 | Eugeniusz | Rudnik | Mobile | 1972 | fixed media, akusmatisch | 11:40 | Stereo | LDC 278051/52 Cultures Electroniques 5/ PRCD 1173-76 (4 CDs)/ | ExpSt Warsaw | 1 | |||||||||
| 14361 | Eugeniusz | Rudnik | Moulin diabolique | 1979 | fixed media, akusmatisch | 17:05 | Stereo | Editions Mego (LP) Recollection GRM/ | INA • GRM | INA • GRM | 0 | ||||||||
| 14362 | Eugeniusz | Rudnik | Nature morte avec l'Oiseau | 1974 | fixed media, akusmatisch | 7:42 | Stereo + Stereo | IPEM Gent, IMEB Bourges | 0 | ||||||||||
| 39085 | Eugeniusz | Rudnik | Neomobile | 2007 | fixed media, akusmatisch | 0 | |||||||||||||
| 14363 | Eugeniusz | Rudnik | Nocturne | 1975 | fixed media, akusmatisch | 9:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 14365 | Eugeniusz | Rudnik | Ostinato | 1973 | fixed media, akusmatisch | 16:10 | Stereo | PRCD 1173-76 (4 CDs)/ | IPEM Gent, ExpSt Warsaw | 0 | |||||||||
| 14366 | Eugeniusz | Rudnik | Ourselves | 1970 | fixed media, akusmatisch | 27:30 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 39062 | Eugeniusz | Rudnik | Pan Jezus niewierzących | 1993 | radiophon | 0 | |||||||||||||
| 39064 | Eugeniusz | Rudnik | Panichida - pamięci Jerzego Bienieckiego | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 39075 | Eugeniusz | Rudnik | Peregrynacje Pana Podchorążego albo Nadwiślańskie Żarna | 1999 | radiophon | 0 | |||||||||||||
| 39073 | Eugeniusz | Rudnik | Pourquoi Cocteau - epitafium na śmierć Wielkiego Aktora | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 39068 | Eugeniusz | Rudnik | Przyjaciółki z Żelaznej ulicy | 1995 | radiophon | radio documentary ballad | 0 | ||||||||||||
| 39063 | Eugeniusz | Rudnik | Ptacy i ludzie | 1993 | radiophon | 0 | |||||||||||||
| 14367 | Eugeniusz | Rudnik | Ready made | 1973 | fixed media, akusmatisch | 5:00 | Stereo, Quadro | Wire Issue 406/ PRCD 1173-76 (4 CDs)/ | ExpSt Warsaw | 0 | |||||||||
| 14368 | Eugeniusz | Rudnik | Ring lI | 1974 | fixed media, akusmatisch | 13:40 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 14369 | Eugeniusz | Rudnik | Rondo | 1969 | fixed media, akusmatisch | 6:35 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 14370 | Eugeniusz | Rudnik | Root, Korzeń | 1965 | fixed media, akusmatisch | 3:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 39071 | Eugeniusz | Rudnik | Rumor | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 39069 | Eugeniusz | Rudnik | Sekunda wielka - mała suita dokumentalna dla dorosłych | 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 39078 | Eugeniusz | Rudnik | Śniadanie na trawie w grocie Lascaux | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 39065 | Eugeniusz | Rudnik | Thème: G-M-E-B | 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 14371 | Eugeniusz | Rudnik | Triptique In Memoriam Franco Evangelisti |
1980 | fixed media, akusmatisch | 13:30 | Stereo, Quadro | PRCD 1173-76 (4 CDs)/ | ExpSt Warsaw | 0 | |||||||||
| 22158 | Eugeniusz | Rudnik | Via Crucis | 1990 | fixed media, akusmatisch | 8:20 | Stereo | PRCD 1173-76 (4 CDs)/ | ExpSt Warsaw | 0 | |||||||||
| 14372 | Eugeniusz | Rudnik | Vox humana | 1967 | fixed media, akusmatisch | radiophon |
6:50 | Quadro | WDR SEM | 28.4.1967 | "Musik der Zeit" Köln | 0 | ||||||||
| 14373 | Eugeniusz | Rudnik | Wykres | 1966 | Film | 2:00 | ExpSt Warsaw | 0 | |||||||||||
| 14364 | Eugeniusz, Ryszard | Rudnik, Szeremeta | Omaggio all'anonimo | 1979 | fixed media, akusmatisch | 11:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 14374 | Robert | Rudolf | Nieco povedat | 1987 | fixed media, akusmatisch | 8:16 | Stereo | CECM Bratislava | prize Bourges Russolo Varese |
0 | |||||||||
| 21925 | Robert | Rudolf | Sanctuaire | 1998 | fixed media, akusmatisch | 11:26 | IMEB Bourges | 0 | |||||||||||
| 14375 | Robert | Rudolf | Scar | 1994 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
13:01 | S [Sopran] | EM CD 003/ | CECM Bratislava | 1 | |||||||||
| 28467 | Vivian Adelberg | Rudow | Cuban Lawyer, Juan Blanco | 2000 | fixed media, akusmatisch | 5:27 | ELCD 044 Electroshock Records/ | 0 | |||||||||||
| 28458 | Vivian Adelberg | Rudow | Racing inside the Milky Way | 1994 | fixed media, akusmatisch | 3:00 | ELCD 036 Electroshock Records/ | 0 | |||||||||||
| 44 | Vivian Adelberg | Rudow | With love | 1986 | Zuspiel / Tonband, 1 perf | 16:12 | vc [Cello] | LDC 278046/47 Cultures Electroniques 3/ Living Artist Rec Vol. 4/ | PS Rolnick | 1 | |||||||||
| 36611 | Paul | Rudy | Degrees Of Separation "Grandchild Of Tree" | 1999 | Zuspiel / Tonband, 1 perf | 10:01:00 | perf (amp cactus), (digital effects) [Performer] | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | |||||||||
| 23782 | Paul | Rudy | Thema: Omaggio | 2002 | fixed media, akusmatisch | 8:50 | Stereo | CAP 22057/ SEAMUS EAM Vol. 14/ | emsPrize 2002 | 1 | |||||||||
| 32135 | Paul | Rudy | Vastly Shrinking Space | 2006 | Zuspiel / Tonband, 1 perf | 14:20:00 | vc [Cello] | Madeleine Shapiro, cello | SEAMUS EAM Vol. 18/ | 0 | |||||||||
| 14376 | Jesús | Rueda Azcuaga | Designio de bruma | 1989 | live-elec, 1 perf | 9:00 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 19562 | Jesús | Rueda Azcuaga | Fragmento final | 1988 | fixed media, akusmatisch | 7:36 | Stereo | GME Cuenca | 0 | ||||||||||
| 14377 | Jesús | Rueda Azcuaga | La otra zona | 1992 | Zuspiel / Tonband, 1 perf | 8:25 | Stereo | sax [Saxophon] | LIEM CDMC Madrid | 0 | |||||||||
| 19560 | Jesús | Rueda Azcuaga | Sobre un fondo de Luto descolorido | 1985 | fixed media, akusmatisch | 9:14 | Stereo | GME Cuenca | 0 | ||||||||||
| 19561 | Jesús | Rueda Azcuaga | Voyageur | 1988 | fixed media, akusmatisch | 11:49 | Stereo | GME Cuenca | 0 | ||||||||||
| 14379 | Rüdiger | Rüfer | Alabama | 1971 | fixed media, akusmatisch | 5:20 | Stereo | TU Berlin | 1 | http://www.ruefer.de/ | |||||||||
| 14380 | Rüdiger | Rüfer | Anastasia | 1967 | fixed media, akusmatisch | Tanz |
3:57 | Quadro | auch Konzertfassung | TU Berlin | Deutsche Oper Berlin | 25.6.1967 | Deutsche Oper Berlin | 1 | http://www.ruefer.de/ | |||||
| 14381 | Rüdiger | Rüfer | Bestrebungen | 1977/1980 | fixed media, akusmatisch | 13:08 | Stereo | Thorofon CTH 2020/ | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 14382 | Rüdiger | Rüfer | Bobbymusik | 1977 | fixed media, akusmatisch | 1:00 | Stereo | noise-composition (unvollendet) | HfM Hannover | 0 | http://www.ruefer.de/ | ||||||||
| 25777 | Rüdiger | Rüfer | Brummkreisel-Suite, Auf dem Jahrmarkt, langsamen & schnellen Brummkreiseltanz | 1992 | fixed media, akusmatisch | 9:47 | Quadro | unvollendet | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 25778 | Rüdiger | Rüfer | Das Bleibende | 1992 - 1998 | fixed media, akusmatisch | 36:23 | Quadro | 3. Teil von "Symphonie" | HfM Hannover | 0 | http://www.ruefer.de/ | ||||||||
| 14384 | Rüdiger | Rüfer | Der Maelström | 1978/1980 | Film | 7:05 | Mono | Original Version in stereo. Film von Ernst Reinboth |
HfM Hannover | 0 | http://www.ruefer.de/ | ||||||||
| 14385 | Rüdiger | Rüfer | Der Sturm | 1984/1985 | Theatermusik | 75:25 | Stereo | (M. zum Schauspiel von Shakespeare) | HfM Hannover | 0 | http://www.ruefer.de/ | ||||||||
| 14386 | Rüdiger | Rüfer | Deutschlandfilm | 1970 | Film | 10:27 | Mono | Weberfilm, 35 mm Farbe | TU Berlin | 1 | http://www.ruefer.de/ | ||||||||
| 14387 | Rüdiger | Rüfer | Dialog, Dialog zwischen oft gehörten und unerhörten Instrumenten | 1977/1978 | Zuspiel, live-elec, 3 perf | 25:03 | Quadro | p, fl, e-p [Flöte, Piano] | HfM Hannover | 21.2.1978 | Hannover (Hans Jörn Brandenburg (p), Walter Schumacher (Blockflöte), Andreas Wellmann (e-Piano), Rüdiger Rüfer (el. Instrumente) | 1 | http://www.ruefer.de/ | ||||||
| 14388 | Rüdiger | Rüfer | Dialog, Dialog 1 Dialog 2 |
1984 | Film | 20:16 | Stereo | after the Music with the Titel "Dialog". 2 versions | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 25776 | Rüdiger | Rüfer | Die Bremer Stadtmusikanten | 1996 | radiophon | 14:36 | Stereo | Märchenhörspiel nach Grimm | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 14389 | Rüdiger | Rüfer | Doppelrondo | 1985/1986 | live-elec, 4 perf | 11:48 | Quadro | tpt, p, drum, gui [Trompete, Piano, Gitarre, Schlagzeug] | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 14390 | Rüdiger | Rüfer | Exponatenfilm | 1970 | Film | 6:03 | Mono, Stereo | Ullrich, 16 mm Film | TU Berlin | 1 | http://www.ruefer.de/ | ||||||||
| 14391 | Rüdiger | Rüfer | Forschung für die Gesundheit (à votre santé) | 1969 | Film | 6:38 | Mono | Leonarisfilm, 16 mm | TU Berlin | Osaka-Expo | 0 | http://www.ruefer.de/ | |||||||
| 14392 | Rüdiger | Rüfer | Fuge C-Dur aus dem "Wohltemperierten Klavier" Teil 1 von Bach | 1979 | fixed media, akusmatisch | 1:56 | Stereo | HfM Hannover | 0 | http://www.ruefer.de/ | |||||||||
| 14393 | Rüdiger | Rüfer | Gemartert | 1981 | fixed media, akusmatisch | 1:59 | Stereo | aftr a poem by Wilhelm Busch | Thorofon CTH 2168/ | HfM Hannover | 1 | http://www.ruefer.de/ | |||||||
| 14394 | Rüdiger | Rüfer | Geräuschkomposition | 1984 | fixed media, akusmatisch | 3:13 | Stereo | HfM Hannover | 0 | http://www.ruefer.de/ | |||||||||
| 14395 | Rüdiger | Rüfer | Glück, Lust, Torheit | 1968 | fixed media, akusmatisch | 5:33 | Quadro | sp: Ernst Schröder; text from Goethe's Faust | TU Berlin | AdK Berlin | 8.7.1969 | TU Berlin Audimax (Einweihung der neuen Technik) | 1 | 1986 | http://www.ruefer.de/ | ||||
| 14396 | Rüdiger | Rüfer | Kantele | 1973 | fixed media, akusmatisch | Film |
3:55 | Mono | 16 mm Film; „Innsbruck-Film“ | Thorofon CTH 2168/ | TU Berlin | 1 | http://www.ruefer.de/ | |||||||
| 30702 | Rüdiger | Rüfer | Schöpfung | 1981 - 1985 | fixed media, akusmatisch | HfM Hannover | 0 | ||||||||||||
| 14398 | Rüdiger | Rüfer | Schwanensee | 1973 | Tanz | 6:31 | Stereo | new Version 2006 (end changed) | TU Berlin | 1 | http://www.ruefer.de/ | ||||||||
| 14399 | Rüdiger | Rüfer | Schwierige Politik | 1985/1987 | fixed media, akusmatisch | 9:24 | Stereo | (voice of Helmut Kohl); Sprachkomposition | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 14400 | Rüdiger | Rüfer | Sequenzgestalten | 1983/1985 | fixed media, akusmatisch | 11:49 | Stereo | Thorofon CTH 2020/ | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 14401 | Rüdiger | Rüfer | Signets / Strahlenfächer, Farbauflösung im Prisma | 1971 | fixed media, akusmatisch | 16:00 | Stereo | 15 Teile a 1 Minute; auch für "Farbauflösung im Prisma" & Reihe im Zerrspiegel; auch Film "Signets in square" Untertitel auch: 15 Variationen über ein Thema von Boris Blacher |
Thorofon CTH 2020/ | TU Berlin | 6.1971 | München, Welt-Chemiefaser-Kongress | 1 | http://www.ruefer.de/ | |||||
| 14402 | Rüdiger | Rüfer | Sturm-Suite, Sturmmusik Luftgeistzauber Tanz der Harpyien Torkelgesang Überwindung |
1984/1985 | fixed media, akusmatisch | Tanz |
26:40 | Stereo | 6 parts, from "the tempest" | Thorofon CTH 2020/ Thorofon CTH 2168/ | HfM Hannover | 1 | http://www.ruefer.de/ | |||||||
| 27318 | Rüdiger | Rüfer | Sturmmusik | 1984/1985 | fixed media, akusmatisch | 4:38 | Stereo | 1. Teil der Sturmsuite | Thorofon CTH 2168/ | HfM Hannover | 1 | http://www.ruefer.de/ | |||||||
| 14403 | Rüdiger | Rüfer | Superbirdsong | 1976 | fixed media, akusmatisch | 5:27 | Stereo | HfM Hannover | 0 | http://www.ruefer.de/ | |||||||||
| 14397 | Rüdiger | Rüfer | Symphonie, Schöpfung Weg und Abgrund Das Bleibende |
1981/1985 | fixed media, akusmatisch | 17:41 | Quadro | compo of nature-sounds, birds | Thorofon CTH 2020/ | HfM Hannover | 1 | http://www.ruefer.de/ | |||||||
| 14404 | Rüdiger | Rüfer | Vehiculose | 1987 | fixed media, akusmatisch | 7:41 | Stereo | Thorofon CTH 2168/ | HfM Hannover | Volkswagenwerk | 1 | http://www.ruefer.de/ | |||||||
| 24584 | Rüdiger | Rüfer | Wasserleben | 2000 - 2004 | Zuspiel, live-elec, 1 perf | 19:31 | 6 | vn and e-vn [Violine] | 4 tracks from tape, 2 tracks vn | PS C. | 1 | http://www.ruefer.de/ | |||||||
| 14405 | Rüdiger | Rüfer | Weg und Abgrund | 1985/1990 | fixed media, akusmatisch | 21:16 | Quadro | 2. Teil von "Symphonie" | Thorofon CTH 2168/ | HfM Hannover | 0 | http://www.ruefer.de/ | |||||||
| 14406 | Rüdiger | Rüfer | Werbesprüche | 1991/1992 | fixed media, akusmatisch | 2:35 | Stereo | HfM Hannover | 0 | http://www.ruefer.de/ | |||||||||
| 14407 | Rüdiger | Rüfer | Wondjinas | 1987/1989 | fixed media, akusmatisch | Film |
11:54 | Stereo | Thorofon CTH 2168/ | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 64 | Rüdiger, Boris, Group | Rüfer, Blacher, AfeM | Elektronisches Scherzo, Titel auch : Gaussimpulse elektronische Impulsketten elektronische Impulse |
1965 | fixed media, akusmatisch | 2:47 | Stereo, Quadro | WER 60017/ MACE MXX 9097/ IDEAMA CD 018/ | TU Berlin | 1 | http://www.ruefer.de/ | ||||||||
| 66 | Rüdiger, Boris, Group | Rüfer, Blacher, AfEM | Interferenzen, Wasser | 1965/1967 | Film | 8:44 | Mono | 16 mm. nach einer Klavierimprovisation von Blacher; "Wasser-Film". 2 Fassungen: Kurzfassung 4:16, Langfassung: 8:44 |
TU Berlin | 9.11.1965 | Akademie der Künste Berlin Hanseatenweg, im Rahmen der Mitgliedervesammlung 1965 | Bundesfilmpreis 1967 Prädikat wertvoll |
1 | http://www.ruefer.de/ | |||||
| 14383 | Rüdiger, Jürgen | Rüfer, Holzweg | Das Möbel | 1977 | Theatermusik | 4:58 | Mono | HfM Hannover | 0 | ||||||||||
| 72 | Rüdiger, Manfred | Rüfer, Krause | Spazio vocale e instrumentale | 1964 | Zuspiel / Tonband, 1 perf | 5:21 | Stereo | vn [Violine] | Material nach der Violinsonate von Blacher und aus der "Notlandung…". Neufassung 1966 | TU Berlin | 1 | http://www2.ak.tu-berlin.de/Geschichte/personen/Krause-Nachruf.html | |||||||
| 25775 | Rüdiger, Bernardo | Rüfer, Martinez | Elektronische Etüde | 1989 - 1996 | fixed media, akusmatisch | 15:20 | Stereo | Klaviermaterial gespielt von Bernardo Martinez (p) | HfM Hannover | 1 | http://www.ruefer.de/ | ||||||||
| 14378 | Rüdiger, Michael, Eva | Rüfer, Wagner, Politt | Al Ma | 1981/1983 | Film | 17:35 | Stereo | 16 mm | Thorofon CTH 2168/ | HfM Hannover | 1 | http://www.ruefer.de/ | |||||||
| 22021 | Gerhard | Rühm | Gebet | radiophon | 0:39 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 33843 | Gerhard | Rühm | Hugo Wolf und drei Grazien, letzter Akt | 2014 | radiophon | 38:26 | multichannel | WDR, HR | 13.2.2015 | WDR | Karl-Sczuka-Preis 2015 | 0 | http://www.swr.de/swr2/sczuka | ||||||
| 35202 | Gerhard | Rühm | Wald. Ein deutsches Requiem, Wald, ein deutsches Requiem | 1984 | radiophon | Eine zweite Version wurde 1985 im WDR produziert | WDR Studio Akustische Kunst | 6.12.1983 | WDR | Hörspielpreis der Kriegsblinden 1984 | 0 | ||||||||
| 42207 | Gerhard | Rühm | Wald. Ein deutsches Requiem, Wald, ein deutsches Requiem | 1985 | radiophon | 34:55 | WDR Studio Akustische Kunst | 11.3.1986 | WDR | Hörspielpreis der Kriegsblinden 1984 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1375795&vi=25&SID | |||||||
| 28364 | Gerhard | Rühm | Wintermärchen | 1976 | radiophon | 16:35 | Ein Radiomelodram | WDR Studio Akustische Kunst | 6.12.1976 | WDR | Karl-Sczuka-Preis 1977 | 0 | |||||||
| 22960 | Gerhard, Erik | Rühm, Satie | Kleine Geschichte der Zivilisation | 1979 - 1984 | Zuspiel / Tonband, 1 perf | 16:50 | p [Piano] | WDR Studio Akustische Kunst | 14.4.1980 | 1 | 1986 | http://hoerspiele.dra.de/vollinfo.php?dukey=1441392&vi=15&SID# | |||||||
| 22026 | Gerhard, Klaus | Rühm, Schöning | Ophelia and the words | 1969 | radiophon | 2:30 | englisch | WER 6307-2/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | WDR | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1445731&vi=18&SID | |||||||
| 19011 | Michael | Rüsenberg | El ritmo del ciego | 1994 | Klangkunst, Installation | 13:00 | der Rhythmus des Blinden | ZP 9501 ZwergProductions/ real ambient/ | WDR Studio Akustische Kunst, Wiethase Studio Köln | 1 | |||||||||
| 25019 | Michael | Rüsenberg | La Défense - stage urbain | 2003 | fixed media, akusmatisch | 39:31 | real ambient vol. 4/ | PS | 1 | ||||||||||
| 35514 | Daniel | Rugonyi | Las orgias del sol y la luna | 2009 | fixed media, akusmatisch | 09:54 | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 14408 | Wim de | Ruiter | 3 Etudes | 1984 | fixed media, akusmatisch | 8:50 | Sweelinck | 0 | |||||||||||
| 14409 | Wim de | Ruiter | It's about time | 1987 | Zuspiel / Tonband, 3 perf | 23:00 | fl, b-cl, p [Flöte, Klarinette, Piano] | Sweelinck | 0 | ||||||||||
| 14410 | Wim de | Ruiter | Song | 1982 | fixed media, akusmatisch | 10:10 | Sweelinck | 0 | |||||||||||
| 14411 | Wim de | Ruiter | Time | 1987 | fixed media, akusmatisch | 20:00 | Stereo | Sweelinck | 0 | ||||||||||
| 14412 | Wim de | Ruiter | Time | 1987 | Zuspiel / Tonband, 3 perf | 43:00 | fl, b-cl, p [Flöte, Klarinette, Piano] | Sweelinck | 0 | ||||||||||
| 26054 | Francisco | Ruiz de Infante | alrededor o dentto | 2004 | Klangkunst, Installation | "Itinerarios del Sonido“ in Madrid 2004 | 1 | ||||||||||||
| 14413 | Miguel A. | Ruiz | After Elvis | fixed media, akusmatisch | 3:55 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 14414 | Miguel A. | Ruiz | Yo, Piscicultor | fixed media, akusmatisch | 2:17 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 40159 | Octavi | Rumbau | One paradox | 2017 | fixed media, akusmatisch | Octavi Rumbau | 0 | ||||||||||||
| 35142 | Stefan | Rummel | a.k.a. tone | 1999 | Klangkunst, Installation | 1999 | Mobilia, Nürnberg | 0 | |||||||||||
| 35118 | Stefan | Rummel | Abstrakte Werbung | 2002 | radiophon | SFB/ORB + randfunk, Berlin, Sound Rules # 23 | RBB Berlin, ORB, randfunk | 0 | |||||||||||
| 35138 | Stefan | Rummel | akustische Schleife | 2001 | Klangkunst, Installation | 2001 | fishing enterprice, Staatsbank, Berlin | 0 | |||||||||||
| 35135 | Stefan | Rummel | arrival departure | 2005 | Klangkunst, Installation | 2005 | Ausstellungsprojekt daheim, Berlin | 0 | |||||||||||
| 35126 | Stefan | Rummel | Articulated Chambers | 2011/2012 | Klangkunst, Installation | 6 | (plywood, beams, steel pipes, pontoons, car battery, solar panel, loudspeakers, 6 sound tracks) [] | European Sound Art Network, public space: Kortrijk – Belgien, Maastricht – Niederlande, Riga – Lettland, Bergen – Norwegen | 2011 | Bassinkade, Timmerfabrik, Maastricht, Netherlands | 0 | ||||||||
| 35114 | Stefan | Rummel | bonnhoeren lll – Novemberrhein | 2014 | radiophon | ≈ 30 | WDR | 0 | |||||||||||
| 35122 | Stefan | Rummel | bricks | 2015 | Klangkunst, Installation | 5 tracks | (core board, slats, loudspeakers, 5 sound tracks) [] | 2014 | galerie weisser elefant / Berlin Art Week – Berlin | 0 | |||||||||
| 35121 | Stefan | Rummel | endlose reflexionen | 2016 | Klangkunst, Installation | Octo | (wood, plywood, paint, loudspeakers, 8 sound tracks) [] | Museo de Arte Contemporáneo, Maco, Oaxaca, Mexico | 0 | ||||||||||
| 35130 | Stefan | Rummel | Erdgeister | 2008 | Klangkunst, Installation | Stereo | 2008 | Goethe-Institut Kroatien (Eunic) / UrbanFestival, Zagreb, Kroatien | 0 | ||||||||||
| 34726 | Stefan | Rummel | Fehlformen | 2009 | Klangkunst, Installation | 10:15 | Quadro | (plywood, steel pipes, car battery, coated styrofoam, plastic pipes, lashing straps, loudspeakers, 4 sound tracks) [] | Kehrer Verlag ISBN 978-3-86828-493-5/ | 22.5.-26.9.2009 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=666 | ||||||
| 35136 | Stefan | Rummel | Freiwillige Feuerwehr | 2004 | Klangkunst, Installation | 2004 | Die Leerstelle, Gustave-Eiffel-Schule, Berlin | 0 | |||||||||||
| 34744 | Stefan | Rummel | in die länge gezogener Geistesblitz | 2006 | Klangkunst, Installation | 10 Tracks | ( wood, silicone strings, speaker cable, loudspeakers, 10 sound tracks) [] | Kehrer Verlag ISBN 978-3-939583-23-3/ | 3.3.-14.5.2006 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=666 | |||||||
| 35119 | Stefan | Rummel | innen außen | 2001 | fixed media, akusmatisch | sensor, Berlin, Audio CD | sensor Berlin, Haus des Lehrers | 0 | |||||||||||
| 35133 | Stefan | Rummel | Kapuze | 2006 | Klangkunst, Installation | 2006 | Yoyogi Park, Tokyo, Japan | 0 | |||||||||||
| 35129 | Stefan | Rummel | Ländliche Arbeit | 2010 | Klangkunst, Installation | 6 | (wood, branches, silicone strings, loudspeaker cable, loudspeakers, 6 sound tracks) [] | 2010 | Klangburg 10/Extensions, Burg Eisenhardt, Bad Belzig | 0 | |||||||||
| 35143 | Stefan | Rummel | Marsbar – Musikboxprinzip | 1999 | Klangkunst, Installation | 1999 | saldoblau blauborn, Galerie WP8, Düsseldorf | 0 | |||||||||||
| 35140 | Stefan | Rummel | My Mind Spray | 2000 | Klangkunst, Installation | 1.10. – 17.10.99 | Porto-Nürnberg: Focused Daily, Exhibition Series Fern, s.og.büro – Haus des Lehrers, Berlin | 0 | |||||||||||
| 35139 | Stefan | Rummel | Ozonloch | 2001 | Klangkunst, Installation | 2001 | saldo, Simultanhalle, Köln | 0 | |||||||||||
| 35145 | Stefan | Rummel | Prototypen | 1996 | Klangkunst, Installation | 1996 | Galerie Kohlenhof, Nürnberg | 0 | |||||||||||
| 34776 | Stefan | Rummel | querfeldein, Musik aus der Wolke | 2013 | fixed media, akusmatisch | Stereo | Hörstück für Mobiltelefone | Musik in der Wolke, Tempelhover Feld Berlin | 0 | http://www.wolkenmusik.de/ | |||||||||
| 35116 | Stefan | Rummel | Recovery of an Image | 2005 | fixed media, akusmatisch | soundtrack | Berlin | 0 | |||||||||||
| 35132 | Stefan | Rummel | Schattengemeinde | 2006 | Klangkunst, Installation | 10 Tracks | (wallboards (gypsum), silicone, silicone strings, speaker cable, neon lamps, loudspeakers, 10 sound tracks) [] | 2006 | Invisible Geographies, New Sound Art from Germany, The Kitchen, New York | 0 | |||||||||
| 35137 | Stefan | Rummel | Silitop | 2003 | Klangkunst, Installation | 2003 | Ausland, Berlin | 0 | |||||||||||
| 35141 | Stefan | Rummel | Sounds Like It | 1999 | Klangkunst, Installation | 1999 | Coopera – 5. workshop, Societätstheater, Dresden | 0 | |||||||||||
| 35134 | Stefan | Rummel | Tähtisadetikku | 2005 | Klangkunst, Installation | 2005 | public space, Helsinki, Finnland | 0 | |||||||||||
| 35115 | Stefan | Rummel | The Present | 2007 | fixed media, akusmatisch | soundtrack | 2007 | Warschau | 0 | ||||||||||
| 35117 | Stefan | Rummel | Tiger & Bus | 2003 | radiophon | Anthologie Ars Acustica IX (Hörminiaturen) | RBB Berlin | 0 | |||||||||||
| 35144 | Stefan | Rummel | Under Construction | 1998 | Klangkunst, Installation | 1998 | I’m On, Semperdepot, Wien | 0 | |||||||||||
| 35120 | Stefan | Rummel | verdichtete reflexionen | 2016 | Klangkunst, Installation | 6 | (wood, plywood, paint, loudspeakers, 6 sound tracks, fine-art print 90 x 60) [] | 26.11.2016 -15.01.2017 | Kunstraum Kreuzberg / Bethanien, entre limites / zwichen grenzen – berlin, singuhr projekte berlin | 0 | |||||||||
| 35131 | Stefan | Rummel | Verlängerungen | 2007 | Klangkunst, Installation | Octo | (street lights, speaker cable, silicon strings, wooden box, loudspeakers, 8 sound tracks) [] | 2007 | Klangräume Sibiu 2007, Goethe-Institut Bukarest, Sibiu, Rumänien | 0 | |||||||||
| 35125 | Stefan | Rummel | Within the Range of Transition | 2012 | Klangkunst, Installation | Octo | (plywood, light, loudspeakers, 8 sound tracks) [] | 2012 | As we speak / Kulturhauptstadt, Goethe-Institut Ljubljana, Maribor, Slowenien | 0 | |||||||||
| 35124 | Stefan, Anja | Rummel, Gerecke | KAPUZE Osaka | 2013 | Klangkunst, Installation | 2013 | Contemporary Art & Spirits, Goethe-Institut Osaka, Osaka, Japan | 0 | |||||||||||
| 35128 | Stefan, Anja | Rummel, Gerecke | Stadtphysis | 2010 | Klangkunst, Installation | 10 Tracks | (plywood, slats, acrylic paint, house paint, solar foil, loudspeakers, 10 sound tracks) [] | 2010 | Museum für Moderne Kunst MAMAM, CCBA, Recife, Brasilien | 0 | |||||||||
| 35123 | Stefan, Anja | Rummel, Gerecke | Tage-des-Geta | 2013 | Klangkunst, Installation | Quadro | (traditional japanese house, board walk, outdoor platform, acrylic paint, wood, bamboo, loudspeakers, 4 sound tracks) [] | 2013 | ART BASE Momoshima – Momoshima Island – Japan | 0 | |||||||||
| 30707 | Martin | Rumori | alltagsstimmen_judenburg | 2012 | Klangkunst, Installation | alltagsstimmen judenburg site specific sound installations | 0 | ||||||||||||
| 30712 | Martin | Rumori | atravers | 2010 | Klangkunst, Installation | à travers un verger binaural audio augmented environment | july 8–10, 2010 | hyperkult 19, leuphana university of lüneburg | 0 | ||||||||||
| 30713 | Martin | Rumori | datalisteningspace | 2009 | Klangkunst, Installation | data listening space for quantum electrodynamics | 0 | http://www.qcd-audio.at/installation | |||||||||||
| 30705 | Martin | Rumori | inout | 2010 | Klangkunst, Installation | ∞ | interactive live sound readymades mediation | IEM Graz | april 30 – may 20 2010 | centre d'art contemporain les voûtes du port / captures gallery, royan, france | 0 | ||||||||
| 30709 | Martin | Rumori | ortszeit_hamburg-salvador | 2010 | Klangkunst, Installation | 23 | audio-visual essay | 0 | |||||||||||
| 30704 | Martin | Rumori | paper_circuits | 2012 | Klangkunst, Installation | interactive sound installation | december 1–15, 2012 | château d’assas du vigan, france | 0 | ||||||||||
| 30719 | Martin | Rumori | parisflaneur | 2008 | Klangkunst, Installation | parisflâneur binaural audio augmented environment | 0 | ||||||||||||
| 30711 | Martin | Rumori | ruhrprotokolle | 2010 | Klangkunst, Installation | everyday voices from ruhr metropolis | 19 August 2010 | ISEA 2010 RUHR Ausstellung | Heavy Matter, Westfalenforum Dortmund, Kampstraße 37–39 | 0 | http://ruhrprotokolle.de/ | |||||||||
| 30706 | Martin, Luc, Georgios, David, Group | Rumori, Döbereiner, Marentakis, Pirrò, altraconsonanza | altraconsonanza | 2012 | Performance | altraconsonanza improvisation collective | 2012–01–13 2012–01–17 |
live at esc im labor graz, austria live on tape at art's birthday, esc im labor graz, austria |
0 | ||||||||||
| 30716 | Martin, Gerhard, David, Gerriet K., Christos | Rumori, Eckel, Pirrò, Sharma, Zachos | staircase | 2008 | Klangkunst, Installation | permanent | permanent generative sound installation at technical university graz | Studienzentrum, Inffeldgasse 10, 8010 Graz, Austria | 0 | http://www.iem.at/staircase/staircase.html | |||||||||
| 30708 | Martin, Group | Rumori, frequenzwechsel | COMPUTING MUSIC VIII | 2012 | Performance | member of the frequenzwechsel collective | 06. November 2012 | WDR Funkhaus am Wallrafplatz, Köln | 0 | http://www.frequenzwechsel.net/ | |||||||||
| 30710 | Martin, Christoph, Franziska, Ludwig | Rumori, Haag, Windisch, Zeller | osk | 2011 | Klangkunst, Installation | "offener schaltkreis" interactive sound installation | 0 | http://osk.openkhm.de/ | |||||||||||
| 30718 | Martin, Michael, Judith | Rumori, Scholz, Nordbrock | groma | 2008 | Klangkunst, Installation | permanent | permanent urban sound installation at rheinauhafen cologne | Häfen und Güterverkehr Köln AG, HGK AG Kulturamt der Stadt Köln; Förderprogramm SK Stiftung Kultur, Köln; Kunsthochschule für Medien, Köln; modernes köln; NetCologne |
0 | http://www.groma-net.de/ | |||||||||
| 30714 | Martin, Dirk | Rumori, Specht | onlocation | 2009 | Klangkunst, Installation | 46 | live urban soundscapes | 0 | http://www.hgesch.de | ||||||||||
| 30715 | Martin, Daniel | Rumori, Teige | 16:9 | 2005 - 2009 | Klangkunst, Installation | 60 Tracks | sound installation with a 60-channel loudspeaker matrix | 2005 | ICMC2005, off programme, metronom gallery, barcelona | 0 | |||||||||
| 30722 | Martin, Daniel | Rumori, Teige | busted, busted2 | 2004 | Klangkunst, Installation | police live stream sound installations | 2004 November 2, 2004 |
busted: Klangkunstmuseum, Kulturbahnhof Kassel busted2: Fassadengalerie mount warning, Berlin, |
0 | ||||||||||
| 42545 | Jake | Rundall | silica | 2008 | fixed media, akusmatisch | EMS UIUC | University of Illinois Experimental Music Studios | 0 | |||||||||||
| 14415 | Simon | Running | Sunset over H.P. | 1990 | fixed media, akusmatisch | 4:59 | excerpt from Imagine a Dancer. MIDI | ISAST LMJ 1/ | 1 | ||||||||||
| 22342 | Sören | Runolf | Osmos Ex | fixed media, akusmatisch | 8:16 | Infogram 045/2/ | 1 | ||||||||||||
| 22286 | Sören | Runolf | Reddish Noise | fixed media, akusmatisch | 8:05 | Festival Documentation "Nature is Perverse" | FYCD 1017-1/ | 1 | |||||||||||
| 28103 | Sören, Johannes, Martin | Runolf, Bergmark, Küchen | Cloudchamber - Safaris | 2002 | live-elec, 3 perf | 72:13 | 3 mus [Musiker] | FYCD 1020/ | 0 | ||||||||||
| 14416 | Sören, Mats | Runolf, Lindström | Pg 4330207-4 | 1992 | live-elec, 2 perf | 20:00 | 2 perf [Performer] | with Sören Runolf & Mats Lindström | 0 | ||||||||||
| 14417 | Daryl | Runswick | I sing the Body Electric | 1984 | live-elec, 1 group | 25:00 | ch, (delay) [Chor] | 0 | |||||||||||
| 43156 | Group, Rudolf | Runzelstirn & Gurgelstøck, Eb.er | Humpa.Zerkörpert | 2003 | fixed media, akusmatisch | ARS 03/ | Auszeichnung ars electronica honorary mention 2003 | 0 | |||||||||||
| 22670 | Group, Rudolf | Runzelstirn & Gurgelstøck, Eb.er | Morx und Kotschlag | 1993 | fixed media, akusmatisch | 74:00 | Kunstkopfaufnahme Leipzig | SHS Selektion CD 001/ | FTF Frankfurt | 0 | |||||||||
| 14418 | Jarmo | Ruohomäki | NRUT 1 | 1978 | fixed media, akusmatisch | 4:56 | Jase LP 0011/ | Uni Helsinki | 1 | ||||||||||
| 34547 | Jukka | Ruohomäki | Ack Värmeland du sköna | 1972 | fixed media, akusmatisch | 2:16 | Stereo | Uni Helsinki | 0 | ||||||||||
| 14419 | Jukka | Ruohomäki | Adjö op. 2/1 | 1975 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 28449 | Jukka | Ruohomäki | Hommage à Winston Smith | 2000 | fixed media, akusmatisch | 7:12 | ELCD 020 Electroshock Records/ | 0 | |||||||||||
| 40833 | Jukka | Ruohomäki | Jockey Seq | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 27237 | Jukka | Ruohomäki | June Sessions Remix | 2006 | fixed media, akusmatisch | 12:51 | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 28440 | Jukka | Ruohomäki | Luscina | 1998 | fixed media, akusmatisch | 7:15 | ELCD 006 Electroshock Records/ | 0 | |||||||||||
| 14420 | Jukka | Ruohomäki | Mikä aika on | 1970 | fixed media, akusmatisch | 4:00 | Musica DSS-1/ | 0 | |||||||||||
| 28459 | Jukka | Ruohomäki | Neuromancer Suite | 2000 - 2002 | fixed media, akusmatisch | 12:25 | Part I: Jockey Seq. B". 04:37; "Part VII: Samm's Place". 03:59; "Part VIII: Luna Gardens". 02:03; "Part IX: Chuang Grade Mark III (grande finale incompleto)". 01:46 | ELCD 036 Electroshock Records/ | 0 | ||||||||||
| 14421 | Jukka | Ruohomäki | Phones op. 3 | 1975 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 14422 | Jukka | Ruohomäki | Pisces | 1975 | fixed media, akusmatisch | 6:12 | FENO 5/ | Yleisradio | 2.1976 | UNM Festival Arhus | 1 | ||||||||
| 24469 | Jukka | Ruohomäki | Sans parole (Wordles) | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19192 | Jukka | Ruohomäki | Scratches | 1995 | fixed media, akusmatisch | 10:27 | time-stretching, phase- vocoder | LDC 278060/61 Cultures Electroniques 9/ | Prix Bourges 1996 | 1 | |||||||||
| 34546 | Jukka | Ruohomäki | What is Time | 1970 | fixed media, akusmatisch | 3:28 | Stereo | 2 versions | Uni Helsinki | 0 | |||||||||
| 40261 | Stephen | Ruppenthal | Brian Belet, Tessellation Rag (from Disconcerting Speech) | 2017 | fixed media, akusmatisch | Stephen Ruppenthal | 0 | ||||||||||||
| 31832 | Jan | Rusch | deac | 2005 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 30725 | André | Ruschkowski | AR | 1994 | Klangkunst, Installation | 6:23 | Quadro | 4 moving sound sources (sound mobiles) | SEM Salzburg | July 3, 1994 | Toscana-Trakt of the Salzburg University; (concert week "Open Air Music electronic - live") | 0 | |||||||
| 23666 | André | Ruschkowski | Araku | 1997 | Zuspiel / Tonband, 1 perf | 6:00 | Stereo | perc [Schlagzeug] | elektr. Klänge = Sprache | SEM Salzburg | Mai 28, 1997 | Aspekte-Festival Salzburg, Arabella Lorenz (percussion) | 1 | ||||||
| 19329 | André | Ruschkowski | Arara | 1997 | Zuspiel / Tonband, 1 perf | ≈ 7:00 | Stereo | perc [Schlagzeug] | Arabella Lorenz (perc); elektr. Klänge = Sprache | SEM Salzburg | 28. Mai 1997 | Aspekte-Festival Salzburg, Arabella Lorenz (Perkussion) | 1 | ||||||
| 23664 | André | Ruschkowski | Arion | 1999 | audiovisuell | 8:41 | Quadro | tape and video | SEM Salzburg | 3. December 1999 | Musikhochschule "Franz Liszt" Weimar (D), Konzerte im Fürstenhaus | 0 | https://www.youtube.com/watch?v=zhEgxKu8rIw | ||||||
| 14424 | André | Ruschkowski | Autologous | 1991 | fixed media, akusmatisch | 11:25 | Stereo | MIDI; noise composition | TU Berlin | 12.2.1992 | Inventionen Akademie der Künste Berlin | 1 | 1992 | ||||||
| 22422 | André | Ruschkowski | Boreas | 2000 | audiovisuell | 8:58 | Quadro | Color studies by Monika Hoenicke | BYG Records/ DVD/ | SEM Salzburg | 7. December 2000 | Art Gallery MAERZ, Linz (Austria) | 0 | ||||||
| 30736 | André | Ruschkowski | BYG-MUC-BYG-INC | 2005 | Zuspiel / Tonband, | 22:00:00 | Surround 5.1 | Four compositions for computer-realized 5.1 channel surround tape and processed still pictures | 25. March 2006 | Salzburg, Romanischer Saal, Abtei St. Peter | 0 | ||||||||
| 23662 | André | Ruschkowski | Cento | 2001 | audiovisuell | 8:03 | Quadro | tape and video | SEM Salzburg | 12.7.2001 | Concert series Elektronische Musik hören, TU Berlin | 0 | |||||||
| 22421 | André | Ruschkowski | Changing Channels, MA | 1998/1999 | Tanz | 40:00 | Quadro | BYG Records/ DVD/ | SEM Salzburg | 22. and 23. January 1999 | Stadtkino Salzburg (Austria) | 1 | |||||||
| 30730 | André | Ruschkowski | Cracks in the Parthenon | 2008 | live-elec, 1 group | 35:00:00 | vocal-ens [Chor] | Composition for Vocal Ensemble and Interactive Computer Control | International Paul-Hofhaymer-Society | 0 | |||||||||
| 14425 | André | Ruschkowski | Der Himmel über den Dächern Berlins | 1988 | fixed media, akusmatisch | 22:00 | Octo | Music for a planetarium program | Planetarium Berlin | Zeiss Großplanetarium Berlin | March 22, 1989 | Zeiss Großplanetarium Berlin | 0 | ||||||
| 22424 | André | Ruschkowski | Dione | 2000 | audiovisuell | 7:41 | Quadro | BYG Records/ DVD/ | SEM Salzburg | 7. December 2000 | Art Gallery MAERZ, Linz (Austria) | 0 | https://www.youtube.com/watch?v=SyqMJLPZzmQ | ||||||
| 22208 | André | Ruschkowski | Doxa | 1998/1999 | audiovisuell, live-elec, 2 perf | 20:30 | Quadro | perc, fem dancer, (video) [Schlagzeug, Tanz] | BYG Records/ DVD/ | SEM Salzburg | 15.5.1999 | Salzburg | 1 | ||||||
| 30733 | André | Ruschkowski | En un lugar | 2006 | fixed media, akusmatisch | 12:00:00 | Surround 5.1 | Speech Composition using the first Sentence of "Don Quixote" by Miguel de Cervantes | 0 | ||||||||||
| 30726 | André | Ruschkowski | FarbKlangRaum I - V, Cento Doxa Dione Probe Vom Blau umschauert … |
2003 | Performance | 60 | dance, (video), elec [elektronik, Tanz] | Multimedia Performance with interactive electronic sound, video and dance | 27. February 2003 | Salzburg Experimental Academy of Dance (SEAD) | 1 | ||||||||
| 37879 | André | Ruschkowski | Feliz viaje | 2017 | audiovisuell | 0 | https://www.youtube.com/watch?v=hKq6Pzq24zc | ||||||||||||
| 37883 | André | Ruschkowski | Flow | 2016 | audiovisuell | 2:12 | 0 | https://www.youtube.com/watch?v=JJ_-Qv54jcI | |||||||||||
| 37881 | André | Ruschkowski | Into the blue | 2017 | audiovisuell | 0 | https://www.youtube.com/watch?v=AyD15YZb9Kc | ||||||||||||
| 19331 | André | Ruschkowski | Karabontara | 1996 | Zuspiel / Tonband, 1 perf | 12:00 | Quadro | p [Piano] | SEM Salzburg | 8.7.1996 | Salzburg, with Daniel Linton (p) | 1 | |||||||
| 14428 | André | Ruschkowski | Kunst, (vier kurze Studien) | 1995 | fixed media, akusmatisch | 5:02 | Octo | text-composition | OS 005 offscale/ | SEM Salzburg | March 23, 1996 | School of Music, Yale University, New Haven CT, USA | 1 | http://ruschkowski.net/music-f.htm | |||||
| 19280 | André | Ruschkowski | les pas intérieurs (inner steps) | 1997 | radiophon | 11:12 | 2nd version for dancer, perc (duration 13') | La Muse en Circuit, 3. concours de création radiophonique/ innova 115/ | La Muse | Sept 30, 1997 Dez 2, 1997 |
- Festival international des musiques d‘aujourd‘hui MUSICA at Strasbourg (France) - Galery of the city Wels (Austria), Ruth Derschmidt (dance and percussion), Arabella Lorenz (percussion and dance) |
0 | |||||||
| 30731 | André | Ruschkowski | Look With Thine Ears | 2007 | fixed media, akusmatisch | 10:00:00 | Surround 5.1 | Speech Composition, dedicated to Ezra Sims on the Occasion of his 80th Birthday | July 3rd, 2008 | Technical University Berlin, Germany | 0 | ||||||||
| 37880 | André | Ruschkowski | Montego particles | 2013 | audiovisuell | 0 | https://www.youtube.com/watch?v=-O6eDex-w9c | ||||||||||||
| 14430 | André | Ruschkowski | Nasca | 1993 | fixed media, akusmatisch | 10:10 | Stereo | Upic, graphical composition for sine-, square- and sawtooth-waves | CEMAMu/ Ateliers Upic/ CCMIX, SEM Salzburg | 4.6.1994 | Mozarteum Salzburg, Aspekte | 0 | |||||||
| 20199 | André | Ruschkowski | Nasoma | 1996 | fixed media, akusmatisch | 10:14 | Quadro, Octo | Basis von Salzburgtrum | Cybele 960.204/ DegeM CD 04/ | SEM Salzburg | Nov 11, 1997 | Festival Musica Scienza ‘97 Roma (Italy) | 1 | ||||||
| 23663 | André | Ruschkowski | Ondit I - III | 2002 | audiovisuell | 21:00 | Quadro | tape and video | SEM Salzburg | 12.7.2004 | Berlin, Nacht der Kunst und Wissenschaften | 0 | |||||||
| 30729 | André | Ruschkowski | Ora Scatters | 2009 | fixed media, akusmatisch | audiovisuell |
12:30:00 | Surround 5.1 | sound and video material recorded at Riva del Garda (Italy). | 0 | ||||||||||
| 23665 | André | Ruschkowski | Otherland | 1999 | audiovisuell | Tanz, live-elec, 2 perf |
70:00 | perc, dance, (lights) [Schlagzeug, Tanz] | SEM Salzburg | 15.5.1999 | Salzburg, Orchesterhaus, Yamahasaal (Festival Aspekte 99) Arabella Lorenz: percussion, dance Donna Jewell: dance, percussion Ruth Derschmidt: choreography Arteom Denissov: sound mix, live-electronic Andreas Greiml: light mix André Ruschkowski: live-electronic, sound and light mix Cameras and video editing: Chris Amrhein, Michael Edwards | 0 | http://www.moz.ac.at/german/publications/aspekte99/ram/ruschkowski.ram | |||||||
| 37878 | André | Ruschkowski | Pas de deux | audiovisuell | 0 | https://www.youtube.com/watch?v=nlwFNVKbnzc | |||||||||||||
| 30738 | André | Ruschkowski | Perfect Nowhere @ Berlin | 2007 | Klangkunst, Installation | June 14th, 2007 | Technical University Berlin (Germany) | 0 | |||||||||||
| 30732 | André | Ruschkowski | Perfect Nowhere @ Munich | 2007 | Klangkunst, Installation | 70:00:00 | Interactive Concert Installation, Part I - V | June 7th, 2007 | t-u-b-e Gallery for Radiophonic Art, Munich (Germany) | 0 | |||||||||
| 30734 | André | Ruschkowski | Perfect Nowhere @ Salzburg | 2006 | Klangkunst, Installation | 25:00:00 | Interactive Concert Installation, Parts I - V | 25. March 2006 | Salzburg, Romanischer Saal, Abtei St. Peter | 0 | |||||||||
| 30727 | André | Ruschkowski | Perfect Nowhere @ Vienna | 2010 | Performance | 70:00:00 | Interactive Concert Installation, Part I - V | DVD soon/ | July 2010 | Vienna (Austria) | 0 | ||||||||
| 22209 | André | Ruschkowski | Probe | 1999 | Tanz, 1 perf | 7:01 | dancer [Tanz] | using 36 quotations of 20th century music history | BYG Records/ | SEM Salzburg | 5. June 1999 | 29. Festival for electroacustic Music "Synthese 1999", Theatre Jacques Coeur in Bourges | 1 | ||||||
| 14431 | André | Ruschkowski | Quartett | 1993 | Klangkunst, Installation | 6:40 | Quadro | 4 moving sound sources (sound mobiles) | SEM Salzburg | July 7, 1993 | Toscana-Trakt of the Salzburg University (Concert Week "Open Air Music electronic - live") | 0 | |||||||
| 14432 | André | Ruschkowski | Rimbaud ist der Dichter I, RIMBAUD IS THE POET I | 1991 | fixed media, akusmatisch | 10:45 | Stereo | BFP 002292/ | AdK Berlin | Stiftung Kulturfonds Berlin | 12.9.1990 | Varese (Italy) | Prize winning pieces concert of the 12th International competition for electroacustic music "Luigi Russolo" | 1 | |||||
| 14433 | André | Ruschkowski | Salzburgtrum | 1995 | Zuspiel / Tonband, 3 perf | ≈ 65:00 | Octo | fl, vn, perc [Flöte, Schlagzeug, Violine] | SEM Salzburg | May 22, 1995 | Großes Studio of the Mozarteum (19. Internationales Festival für neue Musik ASPEKTE Salzburg) with soloists of the Austrian Ensemble for New Music: Petra Hirzel: violin, Irmgard Daxner: flute, Henning Kirsch: percussion, sound diffusion: Birmingham ElectroAcoustic Sound Theatre (BEAST) | 1 | |||||||
| 21115 | André | Ruschkowski | Salzburgtrum 98 | 1998 | fixed media, akusmatisch | 60:48 | Octo | SEM Salzburg | 26.7.1998 | Salzburg, Open Air at Hanuschplatz, inside the old center of Salzburg (project "moving house") | 1 | ||||||||
| 30723 | André | Ruschkowski | Schatten eines Hasen, Shadow of a hare | 2005 | audiovisuell, live-elec, 1 perf | 12 | gui, (elec) [Gitarre] | SEM Salzburg | 8. Juni 2005, | Konzertreihe "Guitar & Friends", Gitarre: Domenico Simone | 0 | https://www.youtube.com/watch?v=rOg0NN9pbRk | |||||||
| 30724 | André | Ruschkowski | Schatten eines Hundes, Shadow of a dog | 2005 | live-elec, 4 perf | 15 | 1 - 4 str [Streicher] | SEM Salzburg | 18. Januar 2005 | Salzburg, Museum der Moderne Rupertinum; Laurentiu Nicolae Beldean, Violine Barbara Broz, Viola Laczko Toth-Timea, Cello | 0 | ||||||||
| 37882 | André | Ruschkowski | Splash | 2016 | audiovisuell | 2:33 | 0 | https://www.youtube.com/watch?v=lff3T8AzKeQ | |||||||||||
| 14434 | André | Ruschkowski | Sub rosa, (Rimbaud ist der Dichter II) | 1991/1992 | fixed media, akusmatisch | 15:00 | Stereo | text-sound composition using "Vokale" by Arthur Rimbaud | TU Berlin | Stiftung Kulturfond Berlin | 5.12.1992 | Akademie der Künste Berlin, 5. Werkstatttage | 1 | ||||||
| 14435 | André | Ruschkowski | Succubus-Quartett | 1994 | fixed media, akusmatisch | 20:20 | Octo | SEM Salzburg | April 1, 1995 | 17. International Study Week for Contemporary Music at Lüneburg (Germany) | 1 | 1996 | |||||||
| 14436 | André | Ruschkowski | Svelt | 1988 | audiovisuell | 12:30 | Stereo | Video Graphics by Hardy Krause | Planetarium Berlin | 21.5.1989 | TiP Berlin bei 2. Werkstatttage | 0 | |||||||
| 14437 | André | Ruschkowski | The Inventor, (vier kurze Studien) | 1995 | fixed media, akusmatisch | 5:15 | Octo | text-composition | OS 005 offscale/ | SEM Salzburg | March 23, 1996 | School of Music, Yale University, New Haven CT, USA | 1 | ||||||
| 19330 | André | Ruschkowski | Trakl-Zyklus, Weißer Schlaf Dunkle Stunde Unter steinernem Bogen |
1997 | Zuspiel / Tonband, 6 perf | 37:00 | Quadro | fl, cl, vn, vc, p, S [Sopran, Flöte, Klarinette, Piano, Cello, Violine] | SEM Salzburg | Mai 29, 1997 | Aspekte-Festival Salzburg, Sigune von Osten (Soprano), Irmgard Daxner (flute), Fritz Kronthaler (clarinet), Keunah Park (violin), Peter Siegl (cello), Daniel Linton-France (piano), conductor: Oswald Sallaberger; | 1 | |||||||
| 14438 | André | Ruschkowski | Trevoce, (vier kurze Studien) | 1995 | fixed media, akusmatisch | 5:11 | Octo | text-composition | OS 005 offscale/ | SEM Salzburg | March 23, 1996 | School of Music, Yale University, New Haven CT, USA | 1 | ||||||
| 30735 | André | Ruschkowski | Twigs & Grains | 2005 | audiovisuell | 12:26 | Surround 5.1 | Part I: 6:23, Part II: 6:03 | 25. March 2006 | Salzburg, Romanischer Saal, Abtei St. Peter | 0 | ||||||||
| 30737 | André | Ruschkowski | Vitrium --- unio / duo / tres / quattuor | 2005 | fixed media, akusmatisch | 53:00:00 | Stereo | Four algorithmic harmony studies about glass spectra for 2 channel tape; CD-Project for an Austrian glass company | 0 | ||||||||||
| 23516 | André | Ruschkowski | Vom Blau umschauert | 1999 | audiovisuell | 12:05 | 5 tracks | nach einem Bild "Einst dem Grau der Nacht enttaucht" von Paul Klee | SEM Salzburg | 8. October 1999 | Workshop-concert "Künstliche und künstlerische Algorithmen", Ludwig-Maximilians-University Munich | 1 | |||||||
| 30728 | André | Ruschkowski | Wetland Scatters | 2010 | audiovisuell | 12:00:00 | Surround 5.1 | sound and video material recorded at several wildlife habitats in Southeast Georgia (USA). | 0 | ||||||||||
| 23661 | André | Ruschkowski | Xenon Loops | 2004 | audiovisuell | 10:10 | Quadro | for tape and video | SEM Salzburg | 8. June 2005 | Aspekte Salzburg | 0 | |||||||
| 14439 | André | Ruschkowski | Zeichen, Signs | 1989 | fixed media, akusmatisch | 13:00 | Stereo | text-composition using texts by Ernst Jandl | HfM Dresden | 25.2.1990 | TiP Berlin bei DDR-Musiktage | 0 | |||||||
| 14440 | André | Ruschkowski | Zu kurz, (vier kurze Studien) | 1995 | fixed media, akusmatisch | 5:02 | Octo | OS 005 offscale/ | SEM Salzburg | March 23, 1996 | School of Music, Yale University, New Haven CT, USA | 1 | |||||||
| 14426 | André, Winfried | Ruschkowski, Prkno | Extravaganza | 1985 | Tanz | 6:37 | Stereo | PS C. | 18.11.1990 | DS Kultur | 0 | ||||||||
| 14427 | André, Winfried | Ruschkowski, Prkno | Kampftanz | 1982/1983 | fixed media, akusmatisch | 5:38 | Stereo | PS C. | 5.12.1983 | Volksbühne Berlin, "Stunde des Tanzes" | 0 | ||||||||
| 14429 | André, Winfried | Ruschkowski, Prkno | Morpheus | 1983 | Tanz | 5:38 | Stereo | PS C. | Dez 5, 1983 | Volksbühne Berlin, ("Stunde des Tanzes" 22) | 0 | http://www.ruschkowski.de/ | |||||||
| 14423 | André, Lars, Jörg | Ruschkowski, Stroschen, Thomasius | Tonart Vier | 1994 | fixed media, akusmatisch | 64:56 | Stereo | OS 004 offscale/ | SEM Salzburg | May 10, 1994 | Alte Schmiede, Vienna (Festival for electronic music "Electronic spring") | 0 | |||||||
| 31764 | Roberto David | Rusconi | De Imago (Materia) Sonora, Streichquartett Nr. 4 | 2013 | live-elec, 4 perf | 34 | Octo | str-qt [Streicher] | Experimentalstudio für Akustische Kunst Freiburg | Verlag Neue Musik (www.verlag-neue-musik.de) | 0 | http://www.robertdavidrusconi.co.uk/robertdavidrusconi.co.uk/Project_2.html | |||||||
| 34873 | Roberto David | Rusconi | Elegia | 2012 | Zuspiel, live-elec, 1 perf | 17 | 6 | db [Kontrabass] | 0 | ||||||||||
| 34872 | Roberto David | Rusconi | Hortus Conclusus | 2014 | live-elec, 2 perf | 14 | e-gui, perc [Gitarre, Schlagzeug] | Verlag Neue Musik (www.verlag-neue-musik.de) | 0 | ||||||||||
| 34874 | Roberto David | Rusconi | inner Urge | 2008 | live-elec, 2 perf | 14 | db, p [Piano, Kontrabass] | 0 | |||||||||||
| 34871 | Roberto David | Rusconi | Mnemosyne | 2015 | live-elec, 6 perf | 25 | fl, cl, p, bn, vn, vc [Flöte, Klarinette, Fagott, Piano, Cello, Violine] | Verlag Neue Musik (www.verlag-neue-musik.de) | 0 | https://vimeo.com/146744714 | |||||||||
| 14441 | Loren | Rush | A Little Traveling Music | 1971 - 1973 | Zuspiel / Tonband, 1 perf | 10:54 | Quadro | amp p [Piano] | WER 2022-50, Computer Music Currents 2/ | CCRMA | Dwight Peltzer | 1 | |||||||
| 14442 | Loren | Rush | Song and Dance | 1975 | Zuspiel, live-elec, 1 group | 22:00 | Quadro | amp orc [Orchester] | CCRMA´s 1st com-generated synthesis in perf | CCRMA | Seiji Ozawa and the San Francisco Symphony Orchestra | 0 | |||||||
| 31308 | Stephen | Rush | Six Treatments for Carillon, First Treatment Tilted Waltz Cloud Bowls River Teeth Homage to Ives Bolts |
2002 | Zuspiel / Tonband, 1 perf | 19 | carillon [Keyboard] | for the Lurie-Carillon University of Michigan, Ann Arbor, USA | 0 | ||||||||||
| 14443 | Terry | Rusling | Basu Sen | 1966 | radiophon | 2:50 | Mono | CBC Toronto | 0 | ||||||||||
| 14444 | Terry | Rusling | Black and White | 1965 | fixed media, akusmatisch | 4:39 | Mono | CBC Toronto | 0 | ||||||||||
| 14445 | Terry | Rusling | Comp. K | 1965 | fixed media, akusmatisch | 2:10 | Mono | CBC Toronto | 0 | ||||||||||
| 14446 | Terry | Rusling | Composition #4 | 1964 | fixed media, akusmatisch | 1:20 | Mono | CBC Toronto | 0 | ||||||||||
| 14447 | Terry | Rusling | Dag Hammar, Memorial | 1966 | radiophon | 6:00 | Mono | CBC Toronto | 0 | ||||||||||
| 14448 | Terry | Rusling | Fates vs. Will | 1966 | radiophon | 0:40 | Mono | CBC Toronto | 0 | ||||||||||
| 14449 | Terry | Rusling | Frag. Des. | 1965 | fixed media, akusmatisch | 1:25 | Mono | CBC Toronto | 0 | ||||||||||
| 14450 | Terry | Rusling | Freedom | 1965 | fixed media, akusmatisch | 4:13 | Mono | CBC Toronto | 0 | ||||||||||
| 14451 | Terry | Rusling | Furthermore | 1965 | fixed media, akusmatisch | 2:00 | Mono | CBC Toronto | 0 | ||||||||||
| 14452 | Terry | Rusling | Haiku #1 | 1965 | fixed media, akusmatisch | 1:07 | Mono | CBC Toronto | 0 | ||||||||||
| 14453 | Terry | Rusling | Industrial State | 1966 | radiophon | 0:40 | Mono | CBC Toronto | 0 | ||||||||||
| 14454 | Terry | Rusling | Law versus Revolution | 1966 | radiophon | 0:40 | Mono | CBC Toronto | 0 | ||||||||||
| 14455 | Terry | Rusling | Mega | 1965 | Tanz | 32:00 | Mono | IPEM Gent, EMS UIUC, UTEMS Toronto | 0 | ||||||||||
| 14456 | Terry | Rusling | Military Mind | 1966 | radiophon | 0:40 | Mono | CBC Toronto | 0 | ||||||||||
| 14457 | Terry | Rusling | Music for audio kinetics | 1966 | Hintergrundmusik | 4:30 | Mono | CBC Toronto | 0 | ||||||||||
| 14458 | Terry | Rusling | On hearing the first sine tone - experiment | 1964 | fixed media, akusmatisch | 0:30 | Mono | UTEMS Toronto | 0 | ||||||||||
| 14459 | Terry | Rusling | Sans Motion Quickly | 1965 | fixed media, akusmatisch | 1:07 | Mono | CBC Toronto | 0 | ||||||||||
| 14460 | Terry | Rusling | Spatial Motion | 1965 | fixed media, akusmatisch | 1:42 | Mono | CBC Toronto | 0 | ||||||||||
| 14461 | Terry | Rusling | The Trains | 1966 | radiophon | 3:00 | Mono | CBC Toronto | 0 | ||||||||||
| 14462 | Terry | Rusling | Three Blind Etc. | 1965 | fixed media, akusmatisch | 4:18 | Mono | CBC Toronto | 0 | ||||||||||
| 14463 | Terry | Rusling | Variation | 1965 | fixed media, akusmatisch | 2:30 | Mono | CBC Toronto | 0 | ||||||||||
| 14464 | Terry | Rusling | Variations on Black and White | 1965 | fixed media, akusmatisch | 2:21 | Mono | CBC Toronto | 0 | ||||||||||
| 14466 | Antonio | Russek | 4 Estudios para microcomputadora | 1982 - 1983 | live-elec, 1 perf | com [computer] | PS CIIMM Mexico | 0 | |||||||||||
| 14467 | Antonio | Russek | 5 piezas cortas | 1980 - 1982 | fixed media, akusmatisch | Quadro | PS CIIMM Mexico | 0 | |||||||||||
| 14469 | Antonio | Russek | ASA/ISO 100 210 | 1988 | fixed media, akusmatisch | EMI LME 515/ | PS CIIMM Mexico | 0 | |||||||||||
| 27196 | Antonio | Russek | Babel de nuevo, Babel again | 1998 | fixed media, akusmatisch | 8:04 | Stereo, Octo | IRD 002 Irradia/ | 0 | ||||||||||
| 14470 | Antonio | Russek | Canon al aire libre | 1985 | Zuspiel / Tonband, 8 perf | 8 cimbales [Schlagzeug] | PS CIIMM Mexico | 0 | |||||||||||
| 35490 | Antonio | Russek | Cinco Miniaturas | 1977 | fixed media, akusmatisch | 8:15 | 0 | ||||||||||||
| 14471 | Antonio | Russek | Coexistencias | 1982 - 1984 | Zuspiel / Tonband, 1 perf | Quadro | p [Piano] | PS CIIMM Mexico | 0 | ||||||||||
| 14472 | Antonio | Russek | Continuidades y distancias | 1981 | Tanz, live-elec, 1 perf | Quadro | synt [synthesizer] | PS CIIMM Mexico | 0 | ||||||||||
| 34076 | Antonio | Russek | Cubo 2 | 2012 | fixed media, akusmatisch | 12:02:00 | Octo, 24 tracks | 0 | |||||||||||
| 14473 | Antonio | Russek | Desde entonces | 1983 | live-elec, 3 perf | a-sax, 2 synt [Saxophon, synthesizer] | PS CIIMM Mexico | CENIDIM | 0 | ||||||||||
| 14474 | Antonio | Russek | Discursos | 1984 | Zuspiel / Tonband, 1 perf | Quadro | actor [Schauspieler] | after a text by Handke | PS CIIMM Mexico | 0 | |||||||||
| 14475 | Antonio | Russek | Entretiempo - Entrespacios | 1983 | live-elec, 1 perf | var ins [Instrument] | PS CIIMM Mexico | CENIDIM | 0 | ||||||||||
| 14476 | Antonio | Russek | Estudio #5 para microcomputadora – Conjetura | 1986 | live-elec, 1 perf | com [computer] | PS CIIMM Mexico | 0 | |||||||||||
| 14477 | Antonio | Russek | Estudio electrónico #1 | 1979 | fixed media, akusmatisch | Quadro | PS CIIMM Mexico | 0 | |||||||||||
| 14478 | Antonio | Russek | Imagenes #2 | 1976 | Tanz | PS CIIMM Mexico | Expansión 7 | 0 | |||||||||||
| 14479 | Antonio | Russek | Incidentes | 1980 | Hintergrundmusik | Gal Velazco | PS CIIMM Mexico | 0 | |||||||||||
| 14480 | Antonio | Russek | Introspecciones | 1981 | live-elec, 2 perf | fixed media, akusmatisch |
Quadro, Octo | 2 synt [synthesizer] | PS CIIMM Mexico | CENIDIM | 0 | |||||||||
| 14465 | Antonio | Russek | Miniatura No. 1 | 1990 | Zuspiel, live-elec, 1 perf | synt [synthesizer] | CMJ Vol 23-4, 1999/ | PS CIIMM Mexico | 1 | ||||||||||
| 14482 | Antonio | Russek | Ohztalán | 1990 | Zuspiel, live-elec, 1 perf | e-ins [synthesizer] | PS CIIMM Mexico | 0 | |||||||||||
| 14483 | Antonio | Russek | Paisaje circular | 1984 | fixed media, akusmatisch | Stereo | PS CIIMM Mexico | 0 | |||||||||||
| 14484 | Antonio | Russek | Para espacios abiertos | 1981 | fixed media, akusmatisch | 13:55 | Octo | Universidad de Guanajuato 001/ CIIMM 84/ | PS CIIMM Mexico | banamex | 0 | ||||||||
| 14485 | Antonio | Russek | Permanencias | 1980 | fixed media, akusmatisch | Quadro | PS CIIMM Mexico | 0 | |||||||||||
| 14486 | Antonio | Russek | Punto de fuga | 1984 | live-elec, 1 perf | perf [Performer] | PS CIIMM Mexico | 0 | |||||||||||
| 34142 | Antonio | Russek | Punto y aparte | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 14487 | Antonio | Russek | Reflejos distantes | 1984 | live-elec, 2 perf | Quadro | 2 com [computer] | PS CIIMM Mexico | 0 | ||||||||||
| 14488 | Antonio | Russek | Trio | 1982 | live-elec, 6 perf | 3 synt, 3 perf [Performer, synthesizer] | PS CIIMM Mexico | CENIDIM | 0 | ||||||||||
| 21079 | Antonio | Russek | Viernes Santo | 1998 | fixed media, akusmatisch | 12:47 | LIEM CDMC Madrid | 1 | |||||||||||
| 14481 | Antonio, Juan, Roberto | Russek, Blanco, Morales | Música para el jardin | 1984 | Klangkunst, Installation | PS CIIMM Mexico, ESM Mexico | 0 | ||||||||||||
| 14468 | Antonio, Vicente | Russek, Rojo | A toute vitesse | 1988 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 14489 | George | Russell | Electronic sonata for souls loved by nature | 1968 | Zuspiel / Tonband, 1 group | 7:20 | jazz-ens [Ensemble] | FD 10124 Flying Dutchman/ Soul Note SN-1034/ | EMS Stockholm | 1 | |||||||||
| 19621 | Jordi | Russinyol | Ensueño | 1990 | fixed media, akusmatisch | 15:20 | Stereo | GME Cuenca | 0 | ||||||||||
| 19977 | Jordi | Russinyol | Ocellots | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 14490 | Adrian | Russovich | De natura rerum | 1992 | Zuspiel, live-elec, 2 perf, 1 group | male ch, p, perc [Piano, Schlagzeug, Chor] | SONVS Lyon | 0 | |||||||||||
| 19010 | Adrian | Russovich | Dream-Land | 1993 | Zuspiel / Tonband, 1 perf, 1 group | 13:00 | Stereo | V, ens [Stimme, Ensemble] | SONVS Lyon | 1 | |||||||||
| 28085 | Patrick | Rutgé | 2 Fuite 1, Nuit Des Temps | 1986 | fixed media, akusmatisch | Collectif & Cie C 02/ | C&C Annecy | 0 | |||||||||||
| 18872 | Patrick | Rutgé | De natura rigolis | 1986 | fixed media, akusmatisch | Collectif & Cie C 01/ | C&C Annecy | 1 | |||||||||||
| 28091 | Patrick | Rutgé | Eaux Fortes | 1999 | fixed media, akusmatisch | 21:41 | field recordings | Collectif & Cie mts 02/ | C&C Annecy | 0 | |||||||||
| 14491 | Paul | Rutherford | Echo 1 | 1975 | Zuspiel / Tonband, 1 perf | db [Kontrabass] | 0 | ||||||||||||
| 34042 | Timo | Ruttkamp | Intra-Terrestrik | 2007 | fixed media, akusmatisch | 11:29:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 34043 | Timo | Ruttkamp | Korrelation | 2007 | fixed media, akusmatisch | 11:47:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 28316 | Timo | Ruttkamp | Snapshots | 2008 | fixed media, akusmatisch | 24:35 | Stereo | JTTP 2009 | CEC Cache 2009, PeP 014 DE/ | HfMT Köln | Bernd-Alois Zimmermannpreis der Stadt Köln 2008 | 1 | http://cec.concordia.ca/jttp/2009/index.html#winners | ||||||
| 14492 | Walter | Ruttmann | In der Nacht | 1931 | Film | Mono | exp. Film | 0 | |||||||||||
| 14493 | Walter | Ruttmann | opus I - IV | 1924 - 1926 | Film | Mono | drawn soundtrack, synthetic sound | 0 | |||||||||||
| 14494 | Walter | Ruttmann | Weekend, Wochenende | 1929/1930 | radiophon | Film |
10:51 | For the Filmcongress Bruxelles 1930 | MK CD 010/ Intermedium rec./Indigo CD 93172/ IDEAMA CD 001/ SR 190 sub rosa/ | Reichsrundfunkgesellschaft Berliner Funkstunde, Triergon Mariendorf | 13. Mai 1930 | und 13. Juni 1930 (Erstsendung) | 1 | 2008 | ||||||
| 42200 | WalterKlaus, John | Ruttmann, To Rococo Rot, Buhlert, Oswald | Walter Ruttmann Weekend Remix II, Weekend Berlin '98-Version production memory-remix wknd 58-remix |
1998 | radiophon | 44:13 | BR | 16.10.1998 | BR | 1 | 2008 | http://hoerspiele.dra.de/vollinfo.php?dukey=1395170&vi=2&SID | |||||||
| 41823 | Hanns Holger | Rutz | Vault | 2001 | fixed media, akusmatisch | 2:07:00 | codemist ICMC2001/ | 0 | |||||||||||
| 23337 | Hanns-Holger | Rutz | achronie | 2001 - 2002 | audiovisuell | Cem Akkan (Video) | PS Hanns Holger Rutz | 1 | |||||||||||
| 27259 | Hanns-Holger | Rutz | Akrostichon | 2009 | fixed media, akusmatisch | 1:05 | 7 tracks | PS C. | 8.2.2009 | Pfefferberg Berlin | Prize Bourges 2003 | 0 | http://www.sciss.de/texts/intro.html | ||||||
| 27269 | Hanns-Holger | Rutz | Amplifikation | 2009 | Klangkunst, Installation | Quadro | also connected with "TanzMedienAkademie 09" | Kunstfest Weimar | 0 | http://www.sciss.de/texts/intro.html | |||||||||
| 30739 | Hanns-Holger | Rutz | Außer ein paar Vögeln war er das höchste Tier | 2009 | Klangkunst, Installation | 0 | |||||||||||||
| 27253 | Hanns-Holger | Rutz | Autour / Entre | 2000 | fixed media, akusmatisch | Stereo | PS C. | 0 | http://www.sciss.de/texts/intro.html | ||||||||||
| 27252 | Hanns-Holger | Rutz | Azoiphon | 2000 | fixed media, akusmatisch | Stereo | PS C. | 0 | http://www.sciss.de/texts/intro.html | ||||||||||
| 27256 | Hanns-Holger | Rutz | Crosshatch | 2004 | fixed media, akusmatisch | 18:00 | Stereo | PS C. | 0 | http://www.sciss.de/texts/intro.html | |||||||||
| 30743 | Hanns-Holger | Rutz | Durchführung | 2010 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 27262 | Hanns-Holger | Rutz | Electric Steamboat | 2004 | Klangkunst, Installation | 0 | http://www.sciss.de/texts/intro.html | ||||||||||||
| 30744 | Hanns-Holger | Rutz | Fäden ziehen | 2010 | fixed media, akusmatisch | 7:54 | 6 | 0 | |||||||||||
| 30740 | Hanns-Holger | Rutz | Feuchtigkeit | 2010 | Klangkunst, Installation | 0 | |||||||||||||
| 34059 | Hanns-Holger | Rutz | Grenzwerte | 2015 | fixed media, akusmatisch | 6:30:00 | degem CD 13/ | 0 | |||||||||||
| 24259 | Hanns-Holger | Rutz | Halbschlaf | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | http://www.sciss.de/texts/intro.html | ||||||||||
| 27257 | Hanns-Holger | Rutz | Ichneumon | 2004 | fixed media, akusmatisch | Octo | PS C. | 0 | http://www.sciss.de/texts/intro.html | ||||||||||
| 30749 | Hanns-Holger | Rutz | Insub #11 | 2012 | Performance | 0 | |||||||||||||
| 30748 | Hanns-Holger | Rutz | Inter-Play/Re-Sound | 2011 | Performance, live-elec, 2 perf | amp p, perf, (com) [Piano, Performer] | Peninsula Arts Contemporary Music Festival, Plymouth 2011 | 0 | |||||||||||
| 29994 | Hanns-Holger | Rutz | Leere Null | 2011 | fixed media, akusmatisch | 5:01:00 | DegeM CD 10 Replace/ | 1 | |||||||||||
| 30747 | Hanns-Holger | Rutz | Leere Null 2 | 2012 | fixed media, akusmatisch | Quadro | Peninsula Arts Contemporary Music Festival | 0 | |||||||||||
| 30745 | Hanns-Holger | Rutz | Lighthouse | 2011 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 34067 | Hanns-Holger | Rutz | Machinae Coelestis | 2013 | audiovisuell | 16 | 5 tracks | 5-channel tape + star projection | 0 | ||||||||||
| 23212 | Hanns-Holger | Rutz | Manga, Das Reich der Zeichen | 2002 | Musiktheater | 9 tracks | ein Theatercomic, neues Kranzlereck Berlin, 1.3. - 10.3.2002 | PS | 1 | http://www.sciss.de/texts/intro.html | |||||||||
| 27251 | Hanns-Holger | Rutz | Netzhaut | 2003 | fixed media, akusmatisch | Stereo | Mini-CD | SEAM Weimar | 0 | http://www.sciss.de/texts/intro.html | |||||||||
| 23338 | Hanns-Holger | Rutz | NoMusic Web Tounament III | 2002 | fixed media, akusmatisch | 45:00 | PS Hanns Holger Rutz | 1 | |||||||||||
| 27270 | Hanns-Holger | Rutz | Phonolithikum | 2007 | Performance, live-elec, | 10 Tracks | «pèlerinages» art festival Weimar 2007 | 0 | http://www.sciss.de/texts/intro.html | ||||||||||
| 23339 | Hanns-Holger | Rutz | Residual | 2002 | Klangkunst, Installation | 51:00 | PS Hanns Holger Rutz | Prize Bourges 2003 | 1 | http://www.sciss.de/texts/intro.html | |||||||||
| 27254 | Hanns-Holger | Rutz | Stamina | 2001 | fixed media, akusmatisch | Stereo | PS C. | 0 | http://www.sciss.de/texts/intro.html | ||||||||||
| 26204 | Hanns-Holger | Rutz | Strahlung | 2006 | fixed media, akusmatisch | 9:54 | Octo | SEAM Weimar | 0 | http://www.sciss.de/texts/intro.html | |||||||||
| 27258 | Hanns-Holger | Rutz | Tremor | 2007 | fixed media, akusmatisch | 10:29 | Stereo | PS C. | Prize Bourges 2003 | 0 | http://www.sciss.de/texts/intro.html | ||||||||
| 30742 | Hanns-Holger | Rutz | Writing Machine | 2011 | Klangkunst, Installation | SONICA, Ljubljana | 0 | ||||||||||||
| 25799 | Hanns-Holger | Rutz | Zeichnung | 2005 | fixed media, akusmatisch | 12:00 | Quadro | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 1 | http://www.sciss.de/texts/intro.html | |||||||||
| 27263 | Hanns-Holger | Rutz | Zelle 148 | 2006 | Klangkunst, Installation | SEAM Weimar | 0 | http://www.sciss.de/texts/intro.html | |||||||||||
| 27265 | Hanns-Holger, Cem | Rutz, Akkan | Command Control Communications, C.C.C. | 2006 | Klangkunst, Installation | audiovisuell |
Quadro | LAC 2007 at TU Berlin | SEAM Weimar | 0 | http://www.sciss.de/texts/intro.html | |||||||||
| 27261 | Hanns-Holger, Cem | Rutz, Akkan | Quagmire | 2001 | Klangkunst, Installation | TU Berlin | 0 | http://www.sciss.de/texts/intro.html | |||||||||||
| 30741 | Hanns-Holger, Nayari | Rutz, Castillo | Dissemination | 2010 | Klangkunst, Installation | 0 | |||||||||||||
| 41383 | Hanns-Holger, Nayari | Rutz, Castillo | Mexikanischer Tumulus | 2018 | Klangkunst, Installation | ∞ | Installation mit Objekten, Text, Licht und Klang | 15.-29.9.2018 | Graz, Ostbahnhof, Conrad-von-Hötzendorf-Straße 108, öffentlicher Raum | 0 | |||||||||
| 37852 | Hanns-Holger, Nayari, Reni, Miriam | Rutz, Castillo, Hofmüller, Raggam | Raumaneignungen | 2017 | Klangkunst, Installation | 0 | https://helsinki.at/program/73365 | ||||||||||||
| 27264 | Hanns-Holger, Ludger | Rutz, Hennig | Rigid String Geometry | 2006 | Klangkunst, Installation | Weimar Liszt-Haus, TESLA-Berlin bei Sonambiente 2006 | SEAM Weimar | 0 | http://www.sciss.de/texts/intro.html | ||||||||||
| 27266 | Hanns-Holger, Robin, Ludger, Robert | Rutz, Minard, Hennig, Rehnig | Vice Versa | 2007 | Klangkunst, Installation | 9:37 | Quadro | Kehrer Verlag ISBN 978-3-86828-493-5/ | SEAM Weimar | 2.6. - 22.7.2007 | Großer und Kleiner Wasserspeicher Berlin Prenzlauer Berg | 0 | http://singuhr.de/page.php?ID=632 | ||||||
| 42948 | Bruce | Ruviaro | Mesmo Que Depois | 2013 | fixed media, akusmatisch | 15:30:00 | 0 | ||||||||||||
| 26774 | Bruno | Ruviaro | Demo & Palavra Prima | 2001 | fixed media, akusmatisch | Stereo | PANaroma São Paulo | 0 | |||||||||||
| 26777 | Bruno | Ruviaro | Fonepoemas, Phonepoems | 2003 | fixed media, akusmatisch | 7:41 | Stereo | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | Bregman Dartmouth | 10.05.2003. | Brown University | 1 | |||||||
| 39636 | Bruno | Ruviaro | Inaudible Harp | 2017 | fixed media, akusmatisch | Bruno Ruviaro | 0 | ||||||||||||
| 26779 | Bruno | Ruviaro | Instantânea | 2005 | live-elec, 1 perf | 6:00 | prep p, (elec) [Piano] | Max/MSP | CCRMA | Brazilian pianist and composer Tania Lanfer | 6.11.2005 | Tania Lanfer (to whom the piece is dedicated) in Rio de Janeiro (XVI Biennial of Brazilian Contemporary Music) | 0 | ||||||
| 26775 | Bruno | Ruviaro | Japanese Dishes | 2003 | fixed media, akusmatisch | 3:00 | Stereo | Bregman Dartmouth | 0 | ||||||||||
| 26780 | Bruno | Ruviaro | The Spell of Speech | 2004 | live-elec, 1 perf | 30:00 | actress, (elec) [Schauspieler] | Bregman Dartmouth | 16.05.2004 | Hannah Chodos (actress), Dartmouth College | 0 | ||||||||
| 26773 | Bruno | Ruviaro | Tubular | 1999 | fixed media, akusmatisch | Stereo | UNICAMP | 0 | |||||||||||
| 26778 | Bruno, Juan-Pablo | Ruviaro, Cáceres | Chamber of the Late Half-Hour | 2005 | fixed media, akusmatisch | 8:00 | Quadro | CCRMA | 2006 | CCRMA, Stanford University. | Grand Prize Digital Art Awards (DigitalMusic Category), Tokyo, 2005 | 0 | |||||||
| 26776 | Bruno, Masaki | Ruviaro, Kubo | Kate’s Bored It’s a Rainy Day |
2003 | fixed media, akusmatisch | 5:07 | Stereo | Bregman Dartmouth | 0 | ||||||||||
| 34533 | Marko | Ruzdjak | Chanson Blanche | 1971 | Zuspiel / Tonband, 1 perf | 2:25 | Bar [Bariton] | Croatia Rec 6072965/ | 0 | ||||||||||
| 14495 | Marko | Ruzdjak | Trois Chansons de Geste | 1972 | Zuspiel / Tonband, 1 perf, 1 group | 9:20 | Bar, orc [Bariton, Orchester] | EM ?? | 0 | ||||||||||
| 14496 | Peter | Ruzicka | Bewegung (Environment) | 1972 | fixed media, akusmatisch | WER 6071/ | 0 | ||||||||||||
| 14497 | Peter | Ruzicka | Outside-Inside | 1971 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 14498 | Rudolf | Ruzicka | Anthroporea | 1969 | fixed media, akusmatisch | 10:50 | a spatial el. compo | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14499 | Rudolf | Ruzicka | Aphorisms | 1969 | Zuspiel / Tonband, 1 perf | 6:00 | Sp [Sprecher] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 26171 | Rudolf | Ruzicka | Aranea | 1999 | Zuspiel / Tonband, 1 perf | 13:00 | V [Stimme] | 0 | http://www.musica.cz/ruzicka/ | ||||||||||
| 14500 | Rudolf | Ruzicka | Arcanum, Secret | 1974 | fixed media, akusmatisch | 12:12 | Stereo | SL 89307/ | Radio Plzen, Radio Brno | 1 | http://www.musica.cz/ruzicka/ | ||||||||
| 21684 | Rudolf | Ruzicka | Aves | 1994 | fixed media, akusmatisch | 10:30 | 0 | http://www.musica.cz/ruzicka/ | |||||||||||
| 21683 | Rudolf | Ruzicka | Brotsack | 1994 | fixed media, akusmatisch | 11:30 | 0 | http://www.musica.cz/ruzicka/ | |||||||||||
| 14501 | Rudolf | Ruzicka | Bucina, Bugle | 1988 | Zuspiel / Tonband, 1 perf | 8:40 | tpt [Trompete] | SL 89307/ | Radio Plzen | 1 | http://www.musica.cz/ruzicka/ | ||||||||
| 14502 | Rudolf | Ruzicka | Cantata Ai Ai A | 1971 | Zuspiel / Tonband, 2 perf, 2 groups | 14:00 | Mez, b-Bar, ch, orc [Mezzo, Bariton, Chor, Orchester] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14504 | Rudolf | Ruzicka | Celula, Cell | 1986 | fixed media, akusmatisch | 9:10 | SL 89307/ | Praha VÚRT | 1 | http://www.musica.cz/ruzicka/ | |||||||||
| 14505 | Rudolf | Ruzicka | Chamber Concerto No. 3 | 1990 | live-elec, 1 perf, 1 group | 13:00 | orc, synt [synthesizer, Orchester] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14506 | Rudolf | Ruzicka | Concertino | 1973 | Zuspiel / Tonband, 1 perf | 7:42 | Stereo | hp [Harfe] | SL 89307/ | Radio Plzen | 1 | http://www.musica.cz/ruzicka/ | |||||||
| 21682 | Rudolf | Ruzicka | Creation | 1993 | fixed media, akusmatisch | 24:10 | 0 | http://www.musica.cz/ruzicka/ | |||||||||||
| 14508 | Rudolf | Ruzicka | Crucifixion 1 | 1992 | fixed media, akusmatisch | 15:45 | SL 89307/ | Praha VÚRT | 1 | http://www.musica.cz/ruzicka/ | |||||||||
| 14509 | Rudolf | Ruzicka | Deliciae | 1968 | Zuspiel / Tonband, 1 perf | 5:36 | db [Kontrabass] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14510 | Rudolf | Ruzicka | Discordia | 1970 | fixed media, akusmatisch | 9:00 | Stereo | SL 89307/ | Radio Plzen | 1 | http://www.musica.cz/ruzicka/ | ||||||||
| 14512 | Rudolf | Ruzicka | Elektronia A, Electronica A | 1964 | Zuspiel / Tonband, 1 perf, 1 group | 6:00 | Mono | A, chamber-orc [Alt, Orchester] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | ||||||||
| 14513 | Rudolf | Ruzicka | Elektronia B, Electronica B | 1965 | Zuspiel / Tonband, 2 groups | 9:10 | Stereo | ch, orc [Chor, Orchester] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | ||||||||
| 14514 | Rudolf | Ruzicka | Elektronia C, Electronica C | 1966 | fixed media, akusmatisch | 6:00 | Radio Brno, Radio Plzen | Competition Musica Nova Prag 1969 | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14515 | Rudolf | Ruzicka | Gurges | 1968 | fixed media, akusmatisch | 12:36 | Quadro | a spatial el. compo | Radio Plzen | Competition Musica Nova Prag 1969 | 0 | http://www.musica.cz/ruzicka/ | |||||||
| 26170 | Rudolf | Ruzicka | Kymbalon | 1997 | Zuspiel / Tonband, 1 perf | 10:13 | str (dulcimer) [Streicher] | 0 | http://www.musica.cz/ruzicka/ | ||||||||||
| 14516 | Rudolf | Ruzicka | Malefica | 1974 | Zuspiel / Tonband, 5 perf | 18:48 | Mez, fl, cl, va, hpd or p [Mezzo, Flöte, Klarinette, Piano, Cembalo, Viola] | SL 89307/ | Radio Brno, Radio Plzen | 0 | http://www.musica.cz/ruzicka/ | ||||||||
| 14517 | Rudolf | Ruzicka | Mavors | 1970 | fixed media, akusmatisch | 10:25 | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | ||||||||||
| 26169 | Rudolf | Ruzicka | Missa, Kyrie Gloria Credo Offertorium Sanctus Benedictus Agnus Dei |
2007 | fixed media, akusmatisch | 43:00 | CECM/ | 0 | http://www.musica.cz/ruzicka/ | ||||||||||
| 14518 | Rudolf | Ruzicka | Paean | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | trbn [Posaune] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14519 | Rudolf | Ruzicka | Parabola for Synthesizer | 1989 | live-elec, 1 perf | 8:00 | synt [synthesizer] | Praha VÚRT | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 21685 | Rudolf | Ruzicka | Posonensia | 1996 | fixed media, akusmatisch | 11:10 | CECM/ | 0 | http://www.musica.cz/ruzicka/ | ||||||||||
| 14521 | Rudolf | Ruzicka | Rosa sepulcreti, Rose from a Cemetery | 1989 | Zuspiel / Tonband, 1 perf | 7:00 | Bar [Bariton] | latin text by J. Neruda | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | ||||||||
| 14523 | Rudolf | Ruzicka | Rota, Rotation | 1985 | Zuspiel / Tonband, 1 perf | 11:06 | Stereo | p or hpd [Piano, Cembalo] | SL 89307/ | Radio Plzen | 1 | http://www.musica.cz/ruzicka/ | |||||||
| 19253 | Rudolf | Ruzicka | Saxophantasy | 1994 | Zuspiel / Tonband, 1 perf | 7:05 | s-sax [Saxophon] | KO 0004/ | Studio Plzen | 1 | http://www.musica.cz/ruzicka/ | ||||||||
| 14507 | Rudolf | Ruzicka | Stvoreni sveta, Creation of the World | 1969 | fixed media, akusmatisch | 17:00 | elec collage with M. by D. Milhaud | Radio Plzen, Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14526 | Rudolf | Ruzicka | Suita 6 | 1986 | live-elec, 1 perf | 9:36 | Stereo | synt [synthesizer] | SL 89307/ | Radio Plzen, Praha VÚRT | 0 | http://www.musica.cz/ruzicka/ | |||||||
| 21686 | Rudolf | Ruzicka | Suite No. 9 | 1993 | Zuspiel / Tonband, 1 perf | 8:35 | vn [Violine] | 0 | http://www.musica.cz/ruzicka/ | ||||||||||
| 14527 | Rudolf | Ruzicka | Symphony for two Orchestras | 1984 | Zuspiel / Tonband, 2 groups | 18:00 | 2 orc [Orchester] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14528 | Rudolf | Ruzicka | Tibia | 1972 | Zuspiel / Tonband, 1 perf | 9:36 | Stereo | fl [Flöte] | SL 89307/ | Radio Plzen | 0 | http://www.musica.cz/ruzicka/ | |||||||
| 14529 | Rudolf | Ruzicka | Tibia I | 1984 | Zuspiel / Tonband, 1 perf | 12:00 | sax [Saxophon] | Radio Brno | 0 | http://www.musica.cz/ruzicka/ | |||||||||
| 14530 | Rudolf | Ruzicka | Timbri | 1967 | Zuspiel / Tonband, 5 perf | 6:36 | Mono | w-qnt [Bläser] | Radio Plzen | 0 | http://www.musica.cz/ruzicka/ | ||||||||
| 28479 | Joel | Ryan | Frontal | fixed media, akusmatisch | 6:28 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://jr.home.xs4all.nl/ | |||||||||||
| 34369 | Joel | Ryan | Griot Mix, Or Air | 2004 | live-elec, 1 perf | 11:29 | sax [Saxophon] | originally released in 2004 on psi 04.08 | Post Scriptum PS 001/ | Sonology Den Haag | Evan Parker (sax), Joel Ryan (elec) | 0 | |||||||
| 14532 | Joel | Ryan | HAT MOON JOY | 1981 | fixed media, akusmatisch | CCM Mills | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 14533 | Joel | Ryan | Lantoon | 1989 | live-elec, | STEIM | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 14534 | Joel | Ryan | Lina | 1986 | intermedia | STEIM | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 14535 | Joel | Ryan | Ogol Reconstructed | 1988 | live-elec, | STEIM | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 14536 | Joel | Ryan | Ogotemmeli | 1984 | live-elec, | STEIM | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 14537 | Joel | Ryan | Other Men’s Flowers | 1982 | live-elec, | STEIM | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 14538 | Joel | Ryan | Tasty Dishes from Waste Items | 1993 | live-elec, | STEIM | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 14539 | Joel | Ryan | The Effect of Noise on the Sleep of Children | 1979 | Zuspiel, live-elec, | CCM Mills | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 14540 | Joel | Ryan | The Intermediary | 1981 | live-elec, 1 perf | p [Piano] | CCM Mills | 0 | http://www.xs4all.nl/~jr/ | ||||||||||
| 14541 | Joel | Ryan | The number readers | 1988 | intermedia | audiovisuell, live-elec, 1 perf |
≈ 30:00 | V, (com) [Stimme] | Video-synt (B. Pyle) | STEIM | 1 | http://www.xs4all.nl/~jr/ | ||||||||
| 14542 | Joel | Ryan | Thin Film Music | 1978 | live-elec, | CCM Mills | 0 | http://www.xs4all.nl/~jr/ | |||||||||||
| 20757 | Joel | Ryan | Unfolded Strings | live-elec, 1 perf | 7:24 | Stereo | vn [Violine] | Nova Era CD 2002/ | STEIM | 0 | http://www.xs4all.nl/~jr/ | ||||||||
| 14531 | Joel, Malcom | Ryan, Goldstein | Enfolded Strings | 1991 | live-elec, 1 perf | vn [Violine] | STEIM | 0 | |||||||||||
| 14543 | Jozef | Rychlik | C'EST-a-DIRE | 1978 | fixed media, akusmatisch | 12:00 | Stereo | SME Krakow | 0 | ||||||||||
| 14544 | Jozef | Rychlik | Euridice's Dream | 1978 | fixed media, akusmatisch | 8:33 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 14545 | Jozef | Rychlik | MUSINELLE | 1975 | fixed media, akusmatisch | 8:40 | Stereo | SME 1973-2003/ | SME Krakow | 0 | |||||||||
| 14546 | Jozef | Rychlik | MUZYKA ÍCIENNA / FOTOGRAFIA / | 1976/1977 | fixed media, akusmatisch | 16:40 | Stereo | SME Krakow | 0 | ||||||||||
| 14547 | Jozef | Rychlik | TUÛ zA HORYZONTEM | 1980 | fixed media, akusmatisch | 12:00 | Stereo | SME Krakow | 0 | ||||||||||
| 33121 | Józef | Rychlik | Fantasia | 2002 | live-elec, 1 perf | 12:06:00 | (barock-)vn [Violine] | for baroque violin and electroacoustic sound layer | WJ 2002/ | PS C. | 1 | ||||||||
| 39238 | Mateusz | Ryczek | Madhouse | 2011 | audiovisuell, live-elec, 4 perf | cl, e-gui, vc, acc [Klarinette, Akkordeon, Gitarre, Cello] | 0 | ||||||||||||
| 39236 | Mateusz | Ryczek | Neptune | 2008 | live-elec, 1 perf | a-fl [Flöte] | 0 | ||||||||||||
| 39239 | Mateusz | Ryczek | Sagittarius A | 2011 | live-elec, 1 perf | a-sax [Saxophon] | 0 | ||||||||||||
| 39237 | Mateusz | Ryczek | Song from Otłoczyn IV, Two Words of the Princess to Her Darling on the Farm | 2010 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 39240 | Mateusz | Ryczek | Tuba Dei | 2014 | live-elec, 1 group | orc (youth orchestra) [Orchester] | 0 | ||||||||||||
| 14548 | Bo | Rydberg | Abélard et Héloise | 1983 | fixed media, akusmatisch | 7:00 | Stereo | 0 | |||||||||||
| 14549 | Bo | Rydberg | Achtzehn Flaschen | 1992 | live-elec, 1 perf | 6:00 | Stereo | perc [Schlagzeug] | 1 | 2002 | |||||||||
| 14550 | Bo | Rydberg | Brunnen | 1992 | Tanz | Efva Lilja Dansproduktion | 0 | ||||||||||||
| 14551 | Bo | Rydberg | Cadena | 1988 | fixed media, akusmatisch | 9:18 | CAP 21471 "Bits and Pieces / EMS 30 Years"/ INFOGRAM 009/ | EMS Stockholm | 1 | ||||||||||
| 14552 | Bo | Rydberg | Caravan | 1987 | Zuspiel / Tonband, 1 perf | ob [Oboe] | 0 | ||||||||||||
| 18541 | Bo | Rydberg | Chanson de la ferraille | 1994 | fixed media, akusmatisch | 10:00 | IMEB Bourges | 0 | |||||||||||
| 14553 | Bo | Rydberg | et je danse | 1987 | Zuspiel / Tonband, 1 perf | 6:38 | Stereo | vc [Cello] | EMS Stockholm | 0 | |||||||||
| 14554 | Bo | Rydberg | Expo | 1984 | fixed media, akusmatisch | 9:20 | Stereo | EMS Stockholm | 1 | ||||||||||
| 14555 | Bo | Rydberg | Illuminated Bodies | 1985 | Zuspiel / Tonband, | 15:00 | Stereo | 0 | |||||||||||
| 14556 | Bo | Rydberg | Lecon de choses | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 14557 | Bo | Rydberg | Muren | 1985 | Hintergrundmusik | 27:00 | Stereo | 0 | |||||||||||
| 22425 | Bo | Rydberg | Planflykt (Level Flight) | 1999 | fixed media, akusmatisch | 10:12 | CSCD 00027 Media Artes + Chamber Sound/ | PS | 0 | ||||||||||
| 14558 | Bo | Rydberg | Self / Model | 1989 | Zuspiel / Tonband, 1 perf | 8:07 | Stereo | gui [Gitarre] | EMS Stockholm | 0 | |||||||||
| 14559 | Bo | Rydberg | Skruv | 1989 | fixed media, akusmatisch | 10:00 | Stereo | EMS Stockholm | 1 | ||||||||||
| 14560 | Bo | Rydberg | Zuppe | 1984 | fixed media, akusmatisch | 6:09 | Stereo | Radium RA 005/ | EMS Stockholm | 0 | |||||||||
| 14561 | Bo | Rydberg | Zuppe - G | 1985 | Zuspiel / Tonband, | 6:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 14562 | Göran | Rydberg | Versuch über die wahre Art | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 14563 | Kari | Rydman | Declamatory Songs | 1961 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | EM ?? | PS C. | 0 | ||||||||||
| 14564 | Kari | Rydman | Kitka i Lappland | 1964 | fixed media, akusmatisch | 9:10 | Mono | PS C. Helsinki | 0 | ||||||||||
| 23584 | Henrik | Rylander | Important Message and no Danger | 2003 | Klangkunst, Installation | 1:17 | The hidden City - Sound Portraits from Göteborg. Cat. no.: SUB ROSA SR 219 | SR 219 sub rosa/ | 1 | ||||||||||
| 14565 | Terje | Rypdal | Arktik | 1988 | live-elec, 6 perf | e-gui, a-fl, tpt, synt, db, perc [Flöte, Trompete, Gitarre, Schlagzeug, Kontrabass, synthesizer] | NOTAM | 0 | |||||||||||
| 14566 | Terje | Rypdal | Détente, op. 56 | 1992 | live-elec, 8 perf | 24:40 | fl, cl, str-qt, 2 synt [Flöte, Klarinette, synthesizer, Streicher] | NOTAM | 0 | ||||||||||
| 14567 | Terje | Rypdal | Labyrinth, Versjon I | 1982 | live-elec, 1 perf | 45:00 | Kbd [Keyboard] | Improvisation | NOTAM | 0 | |||||||||
| 14568 | Terje | Rypdal | Time | live-elec, 6 perf | ehn, vc, db, synt, perc, gui [Oboe, Gitarre, Schlagzeug, Cello, Kontrabass, synthesizer] | NOTAM | 0 | ||||||||||||
| 14569 | Hans | Rytterkvist | Saggio | 1978 | fixed media, akusmatisch | 8:50 | Stereo | PDP 15/40 | EMS Stockholm | 0 | |||||||||
| 14570 | Frederic | Rzewski | Composition for two | 1966 | live-elec, 2 perf | 16:27 | Stereo + Stereo | 2 perf [Performer] | Curran, Heinemann, Phetteplace, Rzewski, MEV Roma | 0 | |||||||||
| 14571 | Frederic | Rzewski | Darstellung | 1966 | live-elec, 4 perf | 22:00 | Quadro | V, 3 perf (manipulators) [Stimme, Performer] | original version of "Impersonation"; rev. version made in Roma MEV Roma |
PS C. Buffalo | 0 | ||||||||
| 14572 | Frederic | Rzewski | Falling Music | 1971 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 14573 | Frederic | Rzewski | Impersonation: Audiodrama in 6 parts | 1967 | live-elec, 1 perf | 37:00 | Octo | V [Stimme] | new version of "Darstellung" (Buffalo); also reduced version (15 min), MEV Roma | 0 | |||||||||
| 14574 | Frederic | Rzewski | Le silence des espaces infinis | 1981 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | CRFMW Liège | 0 | http://de.wikipedia.org/wiki/Frederic_Rzewski | |||||||||
| 14575 | Frederic | Rzewski | Music for Children | 1970 | 0 | ||||||||||||||
| 14576 | Frederic | Rzewski | Piece with Projectors | 1966 | live-elec, 1 perf, 1 group | intermedia |
20:00 | Quadro | mus, dancers, slides [Musiker, Tanz] | Bertoncini, Bryant, Curran, Heinemann, Phetteplace, Rzewski, MEV Roma | 0 | |||||||||
| 14577 | Frederic | Rzewski | Portrait | 1967 | Zuspiel, live-elec, 1 perf | intermedia |
Quadro + Quadro + Quadro | actor [Schauspieler] | slides, film | 0 | ||||||||||
| 14578 | Frederic | Rzewski | Zoologischer Garten | 1965, 2018 | fixed media, akusmatisch | 23:05 | Mono | Subharchord. Restaurierte Fassung wird am 11.7.2018 in der AdK im Rahmen von EM4 (13) uraufgeführt | IDEAMA CD 020/ | RFZ Berlin, AdK Berlin | 11.7.2018 | Akademie der Künste Berlin EM4 (13) | 1 | ||||||
| 14579 | Group | S 2f M | Ambientazione sonara per "Sign - Gestalt No. 16 di Pizzo" | 1965 | Hintergrundmusik | 25:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 14580 | Group | S 2f M | B (2 /10) | 1965 | fixed media, akusmatisch | 110:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 14581 | Group | S 2f M | Battimenti | 1965 | fixed media, akusmatisch | 60:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 33379 | Group | S 2f M | E 1 (RB) | 1964 | fixed media, akusmatisch | 10 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 33380 | Group | S 2f M | EIEA (G 101) | 1964 | fixed media, akusmatisch | 25 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 14582 | Group | S 2f M | FV 1 | 1964 | fixed media, akusmatisch | 2:10 | Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 14583 | Group | S 2f M | OM | 1966 | fixed media, akusmatisch | 40:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 33383 | Group | S 2f M | P 4 | 1964 | fixed media, akusmatisch | 15 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 33384 | Group | S 2f M | R1, 01 | 1964 | fixed media, akusmatisch | 20 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 33382 | Group | S 2f M | RB1 | 1964 | fixed media, akusmatisch | Stereo | Fonologia Firenze | 0 | |||||||||||
| 14584 | Group | S 2f M | RF 1 + B(2,3) | 1965 | fixed media, akusmatisch | 20:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 14585 | Group | S 2f M | Ricercar Hz | 1966 | fixed media, akusmatisch | 480:00 | Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 14586 | Group | S 2f M | SP | 1966 | fixed media, akusmatisch | 60:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 14587 | Group | S 2f M | TRFN (6) | 1966 | fixed media, akusmatisch | 38:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 26055 | Adriana | Sá | PARALLAX | 2003 | Klangkunst, Installation | 11:30 | 6 | t-u-b-e 18.9.2003 | WER ARTS 81015 t-u-b-e reloaded 2004/ | 1 | |||||||||
| 14588 | Kaija | Saariaho | Aer | 1991 | live-elec, 7 perf | 17:46 | 7 ins [Instrument] | IRCAM | 1 | 1992 | |||||||||
| 14589 | Kaija | Saariaho | Amers | 1992 | live-elec, 1 perf, 1 group | 18:00 | vc, ens [Cello, Ensemble] | IRCAM | Chester M. | 0 | |||||||||
| 20758 | Kaija | Saariaho | Du cristal … à la fumée | 1990 | Zuspiel, live-elec, 2 perf, 1 group | 35:20 | Stereo | orc, fl, vc [Flöte, Cello, Orchester] | ODE 804/ | IRCAM | 0 | ||||||||
| 14590 | Kaija | Saariaho | Io | 1987 | Zuspiel / Tonband, 16 perf | 16:30 | 16 mus [Musiker] | FACD 374/ IRCAM 0002 F, Creations IRCAM/ Prix ars electronica 89/ FACD 354/ | IRCAM | IRCAM | April 1987 | Paris, ens InterContemporaine, P. Eötvös (Ltg) | Auszeichnung ars electronica: Golden Nica 1989 | 1 | |||||
| 14591 | Kaija | Saariaho | Jardin secret I | 1985 | fixed media, akusmatisch | 11:00 | Wilhelm Hansen | WER 2025; Computer Music Currents 5/ | IRCAM | 1 | |||||||||
| 14592 | Kaija | Saariaho | Jardin secret II | 1986 | Zuspiel / Tonband, 1 perf | 10:57 | hpd [Cembalo] | FACD 357/ J&W CD 931/ | IRCAM | 1 | |||||||||
| 14593 | Kaija | Saariaho | Lichtbogen | 1986 | live-elec, 9 perf | 15:00 | 9 ins [Instrument] | FACD 374/ UMM 102/ FACD 354/ | IRCAM | 1 | |||||||||
| 20759 | Kaija | Saariaho | Lonh | 1996 | live-elec, 1 perf | 15:46 | Stereo | S [Sopran] | ODE 906/ MO 782085/ | IRCAM | 0 | ||||||||
| 14594 | Kaija | Saariaho | MAA, Erde | 1991 | Tanz, live-elec, 8 perf | 73:56 | vn, va, vc, fl, hp, hpd, synt, perc [Flöte, Harfe, Cembalo, Schlagzeug, Viola, Cello, Violine, synthesizer] | 7 Scenes | ODE 791/ | Yleisradio | Auszeichnung ars electronica honorary mention 1993 | 1 | |||||||
| 20760 | Kaija | Saariaho | Noanoa | 1992 | live-elec, | 8:40 | Stereo | ODE 906/ MO 782085/ Neuma CD 450-87/ | IRCAM | 0 | |||||||||
| 23056 | Kaija | Saariaho | Nuits, Adieux | 1991 | live-elec, 4 perf | 4 V [Stimme] | WDR 1991 | 11.5.1991 | Funkhaus WDR Großer Sendesaal, Köln | 0 | |||||||||
| 20761 | Kaija | Saariaho | Nymphea | 1987 | live-elec, 4 perf | 18:40 | Stereo | str-qt [Streicher] | ODE 804/ | IRCAM | 0 | ||||||||
| 14595 | Kaija | Saariaho | Petals | 1988 | Zuspiel / Tonband, 1 perf | 10:39 | vc [Cello] | Neuma 450-73/ AECD 0637/ | IRCAM | 1 | |||||||||
| 20762 | Kaija | Saariaho | Près | 1992 | live-elec, 1 perf | 19:18 | Stereo | vc [Cello] | ODE 906/ IRCAM Les Années 90/ MO 782085/ AECD 0637/ | IRCAM | 0 | ||||||||
| 20763 | Kaija | Saariaho | Six Japanese Gardens | 1993 - 1995 | live-elec, 1 perf | 18:52 | Stereo | perc [Schlagzeug] | ODE 906/ INA e 5013/ MO 782085/ | IRCAM | 1 | ||||||||
| 14596 | Kaija | Saariaho | Stilleben | 1988 | radiophon | 22:15 | FACD 374/ EBU 1991/ Prix ars electronica 89/ FACD 354/ | Yleisradio | Auszeichnung ars electronica: Golden Nica 1989 EBU Ars Acustica 1991 |
1 | |||||||||
| 39969 | Kaija | Saariaho | Tag des Jahrs | 2017 | fixed media, akusmatisch | Kaija Saariaho | 0 | ||||||||||||
| 24733 | Kaija | Saariaho | Trois rivières Delta | 1993 | live-elec, 1 perf | 14:14 | perc [Schlagzeug] | INA e 5013/ | IRCAM | 1 | |||||||||
| 33839 | Kaija | Saariaho | Vent nocturne | 2006 | live-elec, 1 perf | 13:32 | va [Viola] | WER 20625/ | 0 | ||||||||||
| 14597 | Kaija | Saariaho | Verblendungen | 1984 | Zuspiel / Tonband, 1 group | 13:14 | Stereo | orc [Orchester] | FACD 374/ FACD 354/ | INA • GRM, Yleisradio | 11.4.1984 | Helsinki, dir. Esa Pekka Salonen | 1 | ||||||
| 14598 | Kaija | Saariaho | Vers le blanc | 1982 | fixed media, akusmatisch | 15:00 | IRCAM | 0 | |||||||||||
| 21581 | Antti | Saario | B-side | 1998 | fixed media, akusmatisch | 3:13 | SCD 28034 Sargasso/ CEC Presence 2/ | BEAST | 1 | ||||||||||
| 20997 | Javier Aguilar | Saaveda | Improvisacion a Dúo | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 35856 | Marc | Sabat | Artificial Music for Machines | 2002 | live-elec, 1 perf | 11:00 | MIDI p, (com) [Piano] | MIDI-output acoustic piano with live computer generated tuned sinewaves | 0 | ||||||||||
| 35850 | Marc | Sabat | Cucumber Serenades (Gurkenlieder | 2009 | live-elec, 1 perf | 30:00 | solo-vn, vn-ens [Violine, Ensemble] | solo violin, violin choir, electronics | 0 | ||||||||||
| 35851 | Marc | Sabat | is land a part | 2014 | live-elec, 1 perf | 30:00 | db, (com) [Kontrabass] | contrabass and computer | 0 | ||||||||||
| 35849 | Marc | Sabat | reminded again | 2007 | Zuspiel / Tonband, 1 perf | 72:00 | acc [Akkordeon] | music scenery with accordion and recorded electronic tones | 0 | ||||||||||
| 35852 | Marc | Sabat | Swing in sweetest summer | 2013 | live-elec, 1 perf | 15:00 | (gliss-) fl (com) [Flöte] | glissando flute and computer | 0 | ||||||||||
| 35854 | Marc | Sabat | WAKE for JIM | 2007 | live-elec, 1 perf | 5:00 | com p [Piano] | computer-piano | 0 | ||||||||||
| 35853 | Marc | Sabat | wave piano scenery player | 2007 | live-elec, 1 perf | 960:00 | p and pianist, (com) [Piano] | scenery with paintings, piano, pianist, computer, loudspeakers | 0 | ||||||||||
| 35855 | Marc | Sabat | Wonderful Scatter | 2005 | live-elec, 1 perf | 104:00 | tuba [Tuba] | music scenery with tuba, 6-valve F-tuba with valve-sensors, computer and loudspeaker | 0 | ||||||||||
| 14599 | Hermann | Sabbe | Masscheroen | 1967 | Theatermusik | 30:00 | Mono + Stereo | (H. Claus) | IPEM Gent | 0 | |||||||||
| 37967 | Franca | Sacchi | Ainsi Fut Le Commencement, Il N'y Aura Pas De Fin | 1970 | fixed media, akusmatisch | 10:56 | DS 24 Die Schachtel/ DS 4 Die Schachtel/ | RAI Milano | 0 | ||||||||||
| 37966 | Franca | Sacchi | Arpa Eolia | 1970 | fixed media, akusmatisch | 7:59 | DS 24 Die Schachtel/ DS 4 Die Schachtel/ | RAI Milano | 0 | ||||||||||
| 37965 | Franca | Sacchi | Danza, mia cara | 1971 | fixed media, akusmatisch | 26:06 | DS 24 Die Schachtel/ DS 4 Die Schachtel/ | RAI Milano | 0 | ||||||||||
| 37968 | Franca | Sacchi | Quando Mi Hanno Ucciso, Se Così Posso Dire. E Quindi Rinasco. | 1970 | fixed media, akusmatisch | 8:53 | DS 24 Die Schachtel/ DS 4 Die Schachtel/ | RAI Milano | 0 | ||||||||||
| 14600 | Francis John | Sacci | Animated Sonic Forms No. 2 | 1978 | fixed media, akusmatisch | 5:56 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 14601 | Francis John | Sacci | Animated Sonic Forms No. 3 | 1978 | fixed media, akusmatisch | 11:52 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 14602 | Francis John | Sacci | Arrival, Dance I | 1981 | fixed media, akusmatisch | 4:39 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 14603 | Francis John | Sacci | Arrival, Dance II | 1981 | fixed media, akusmatisch | 5:10 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 14604 | Francis John | Sacci | Passage | 1980 | fixed media, akusmatisch | 9:04 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 22058 | Curt | Sachs | Song for K. Clausewitz | 1998 | fixed media, akusmatisch | 7:18 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | ||||||||||
| 22199 | Jorge | Sad | Aspavientos | fixed media, akusmatisch | 7:38 | 1st biennial Acousmatic Composition Competition | MR 2000 Métamorphoses 2000/ | Uni Moron | 1 | ||||||||||
| 41641 | Jorge | Sad | Escrita al borde del mar | 2001 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 35624 | Jorge | Sad | L'aube lette son or | 2006 | Zuspiel / Tonband, 1 perf | 7:34 | p [Piano] | 0 | |||||||||||
| 35623 | Jorge | Sad | La ida hacia abajo de la tierra de la tarde… | fixed media, akusmatisch | 11:51 | 0 | |||||||||||||
| 35625 | Jorge | Sad | Teatro Astral | 2009 | Zuspiel / Tonband, 3 perf | 11:02 | tpt, bandoneon, vc [Trompete, Akkordeon, Cello] | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | |||||||||
| 18371 | Jorge | Sad | Vox Vox II |
1995 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 14605 | Yitzhak | Sadai | Aria da Capo | 1966 | Zuspiel / Tonband, 6 perf | 7:30 | Mono + Mono | 6 ins [Instrument] | PS C. | 0 | |||||||||
| 14606 | Yitzhak | Sadai | From the Diary of a Percussionist | 1971 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Uni Tel Aviv | 0 | |||||||||||
| 14607 | Yitzhak | Sadai | La prière interrompue | 1975 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 14608 | Yitzhak | Sadai | Trial 19 | 1979 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 38646 | Natascha | SADR HAGHIGHIAN | pssst Leopard 2A7+ | 2014 | radiophon | 47:09:00 | 0 | ||||||||||||
| 42174 | Natascha, Nicholas | Sadr Haghighian, Bussmann | Singing yesterday’s news again | 2017 | radiophon | 48:05 | SAVVY-Funk - Documenta 14, Dlf Kultur | 29.12.2017 | Deutschlandfunk Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4943604&vi=1&SID | ||||||||
| 35531 | Dario | Saenz | Modo Aleatorio | fixed media, akusmatisch | 12:02 | 0 | |||||||||||||
| 14609 | Stellan | Särlefalk | Ett livscirkus: Igår / idag / imorgon | 1981 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 22693 | Andrers | Sätter | Kantring | 1997 | fixed media, akusmatisch | EMS Stockholm | 1 | ||||||||||||
| 19978 | Ignacio | Sáez | H2O | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 14610 | Ignacio | Sáez | Horizonte encadenado | 1990 | fixed media, akusmatisch | 5:07 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | ||||||||||
| 19979 | Ignacio | Sáez | Misticos | 1986 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19980 | Ignacio | Sáez | Riu Fosc I - IV | 1988 - 1991 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19981 | Ignacio | Sáez | Teranyines | 1992 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 22660 | Helene | Sage | frissons dans la cochlee | 1983 | live-elec, | 9:00 | Un Drame Musical instantanée | 1 | |||||||||||
| 22661 | Helene, Bernard | Sage, Vitet | H. Sage supposons le probleme résolu B. Vitet | 1984 | live-elec, | 19:00 | Un Drame Musical instantanée | 1 | |||||||||||
| 24470 | Iradj | Sahbai | Uzbek Var | 1973 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 14611 | Michael | Sahl | 217 Avenue A | 1964 | fixed media, akusmatisch | 6:43 | Mono | PS C. NY | 0 | ||||||||||
| 14612 | Michael | Sahl | A Mitzvah for the Dead | 1967 | Zuspiel / Tonband, 1 perf | 22:00 | Stereo | vn [Violine] | Sch of the Arts NY | 0 | |||||||||
| 14613 | Michael | Sahl | Fragment of a Dream of Childhood | 1964 | fixed media, akusmatisch | 7:34 | Mono | PS C. NY | 0 | ||||||||||
| 14614 | Michael | Sahl | Mavable Sounds | 1964 | fixed media, akusmatisch | 7:34 | Mono | PS C. NY | 0 | ||||||||||
| 14615 | Michael | Sahl | Sueños de Nueva York | 1964 | fixed media, akusmatisch | 4:35 | Mono | PS C. NY | 0 | ||||||||||
| 14616 | Michael | Sahl | Sunday | 1964 | fixed media, akusmatisch | 4:23 | Mono | PS C. NY | 0 | ||||||||||
| 14617 | Michael | Sahl | The nicest thing about you | 1964 | fixed media, akusmatisch | 4:09 | Mono | PS C. NY | 0 | ||||||||||
| 14618 | Michael | Sahl | The Third Piece | 1964 | fixed media, akusmatisch | 9:33 | Mono | PS C. NY | 0 | ||||||||||
| 14619 | Michael | Sahl | The Waltz | 1964 | fixed media, akusmatisch | 7:56 | Mono | PS C. NY | 0 | ||||||||||
| 22611 | James Paul | Sain | Aerokinesis No. 1 | 1990 | fixed media, akusmatisch | 6:00 | Stereo | FEMS Florida | 0 | ||||||||||
| 22612 | James Paul | Sain | Alleluia | 1989 | fixed media, akusmatisch | 5:00 | Stereo | FEMS Florida | 0 | ||||||||||
| 42746 | James Paul | Sain | Beondegi | 2007 | fixed media, akusmatisch | 10:03:00 | 0 | ||||||||||||
| 35605 | James Paul | Sain | Coriolis Effect | fixed media, akusmatisch | 9:28 | Uni de la serena/ | 0 | ||||||||||||
| 22608 | James Paul | Sain | Ender:s Game | 1994 | Tanz | 20:00 | Stereo | techno-ballet for MIDI dance controller | FEMS Florida | 0 | |||||||||
| 22605 | James Paul | Sain | Evanescence | 1997 | Zuspiel / Tonband, 1 perf | 5:20 | Stereo | F-hn [Horn] | FEMS Florida | 0 | |||||||||
| 22607 | James Paul | Sain | Kornighet | 1995 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | cl [Klarinette] | FEMS Florida | 0 | |||||||||
| 22610 | James Paul | Sain | Mr. Chaos | 1992 | fixed media, akusmatisch | 8:00 | Stereo | MIDI | FEMS Florida | 0 | |||||||||
| 22613 | James Paul | Sain | Quartet | 1988 | fixed media, akusmatisch | 3:36 | Stereo | FEMS Florida | 0 | ||||||||||
| 42660 | James Paul | Sain | redbird express | 2010 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 22609 | James Paul | Sain | Scurrilous | 1992 | fixed media, akusmatisch | 3:00 | Stereo | MIDI | FEMS Florida | 0 | |||||||||
| 22606 | James Paul | Sain | Sieve | 1996 | fixed media, akusmatisch | 6:51 | Stereo | FEMS Florida | 0 | ||||||||||
| 42546 | James Paul | Sain | subjacent queue | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 24890 | James Paul | Sain | Tåg till … | 1998 | fixed media, akusmatisch | 7:58 | EMF 031 „Florida EM Festival, Vol 1“/ | FEMS Florida | 1 | ||||||||||
| 14620 | Denis | Saindon | Entropie, agglutination, genèse | 1988 | live-elec, 1 perf | 15:00 | Stereo | MIDI [synthesizer] | 0 | ||||||||||
| 14621 | Denis | Saindon | Pentacle | 1992 | fixed media, akusmatisch | 2:59 | MIDI | CEC DISContact_1/ | Uni Montréal | 1 | |||||||||
| 14622 | Pierre | Sainte-Marie | Antiphon | 1988 | fixed media, akusmatisch | 9:30 | Stereo | McGill Montréal | 0 | ||||||||||
| 14623 | Pierre | Sainte-Marie | Simili | 1989 | fixed media, akusmatisch | 15:30 | Stereo | McGill Montréal | 0 | ||||||||||
| 14624 | Wataru | Saito | I was not afraid on the Mountain | 1962 | radiophon | 45:00 | Mono | NHK Osaka | 0 | ||||||||||
| 35499 | Carmelo | Saitta | D'aprés pliegues | 2002 | Zuspiel / Tonband, 1 perf | 11:39 | p [Piano] | 0 | |||||||||||
| 14625 | Carmelo | Saitta | La maga o el angel de la noche | 1989 | fixed media, akusmatisch | 10:20 | Rostrum 1990 | LDC 278051/52 Cultures Electroniques 5/ | LIPM B.Aires | 1 | |||||||||
| 19690 | Diego | Saiz | Clon de "Fenotipo severo" | 1995 | fixed media, akusmatisch | 9:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19563 | Diego, Carlos Garcia | Saiz, Cuéllar | Pegasus | 1990 | fixed media, akusmatisch | 8:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 14626 | Jacek | Sajka | THE THING OF THE CRIPT | fixed media, akusmatisch | 10:00 | Quadro | SME Krakow | 0 | |||||||||||
| 14627 | Branimir | Sakac | 3 sintetske poeme za magnetofon: Masakri, Jama, Rat | 1959 | fixed media, akusmatisch | 15:00 | Mono | txtcompo | Radio Zagreb | 0 | |||||||||
| 14628 | Branimir | Sakac | Entropie 66 | 1966 | audiovisuell, live-elec, | intermedia |
7:00 | Stereo | phonoplastic, with projections | Radio Rijeka | 0 | |||||||||
| 14629 | Branimir | Sakac | Epizode | 1963 | Zuspiel / Tonband, 1 group | 21:00 | Mono | orc [Orchester] | Radio Rijeka | 0 | |||||||||
| 14630 | Branimir | Sakac | Jahaci apokalipse | 1961 | fixed media, akusmatisch | 9:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 14631 | Branimir | Sakac | Mali i veliki manevri | 1967 | Film | 10:00 | Mono | Radio Rijeka | 0 | ||||||||||
| 14632 | Branimir | Sakac | Miroir de Bosch | 1966 | audiovisuell, live-elec, | intermedia |
15:00 | Stereo | phonoplastic, with projections | Radio Rijeka | 0 | |||||||||
| 14633 | Branimir | Sakac | Nebeski odred | 1961 | Film | 60:00 | Mono | Radio Zagreb | 0 | ||||||||||
| 14634 | Branimir | Sakac | Prostori | 1965 | Zuspiel / Tonband, 1 group | 18:00 | Mono | orc [Orchester] | Radio Zagreb | 0 | |||||||||
| 14635 | Branimir | Sakac | Stvari | 1966 | Film | 11:00 | Mono | Radio Rijeka | 0 | ||||||||||
| 34532 | Branimir | Sakac | Svemirski Pejzaž | 1961 | fixed media, akusmatisch | 9:35 | Croatia Rec 6072965/ | 0 | |||||||||||
| 14637 | Branimir | Sakac | Variations | 1966 | audiovisuell, live-elec, | intermedia |
8:00 | Stereo | phonoplastic, with projections | Radio Rijeka | 0 | |||||||||
| 14636 | Branimir, Paul | Sakac, Pignon | Synthana | 1973 | fixed media, akusmatisch | 14:20 | Stereo | JUGT LSY 61134/ | Radio Beograd | 0 | |||||||||
| 14638 | Oskar | Sala | 1000 Wunder 1000 Plagen | 1965 | Film | 10:00 | Mono | BASF | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14639 | Oskar | Sala | 2 Capricen (Glockenspiel, Perpetuum mobile) | 1937 | fixed media, akusmatisch | 5:15 | Mono | MTR | WER SM 1040/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14640 | Oskar | Sala | 2 Improvisationen | 1967 | fixed media, akusmatisch | Mono | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||||
| 14641 | Oskar | Sala | 253000 Stunden | 1965 | Film | 20:00 | Mono | Meyer Zürich | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14642 | Oskar | Sala | 4 Klang-, Spiel- und Rhythmusstudien | 1981 | fixed media, akusmatisch | 11:45 | Stereo | WER SM 1040/ | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||
| 14643 | Oskar | Sala | 40 Stunden sind genug | 1962 | Film | 5:30 | Türek- Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14644 | Oskar | Sala | 6 Capricen für elektronisches Orchester | 1974 | fixed media, akusmatisch | 13:00 | Stereo | Schachtverlag, MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 19165 | Oskar | Sala | 6 Capricen für Mixturtrautonium Solo | 1992 - 1995 | fixed media, akusmatisch | 46:00 | Erdenklang 70962/ OW 022/ | PS Sala | 1 | http://www.oskar-sala.de/ | |||||||||
| 14645 | Oskar | Sala | 7 Film-Musiken, Rummelrhythmus Kosseir, gestern und morgen Zeichnungen von Oswin Islamische Kleinkunst Platons Gastmahl à fleur d'eau Der Fluch der gelben Schlange |
1961/1966 | Film | 33:00 | Stereo | WER SM 1040/ | PS Sala | 1 | 1990 | http://www.oskar-sala.de/ | |||||||
| 14647 | Oskar | Sala | A fleur d'eau | 1963 | fixed media, akusmatisch | 11:20 | Seiler Zürich, excerpt of film version | MEP 6043/ | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||
| 14648 | Oskar | Sala | Alborada - Aufbruch nach Brasilien | 1963 | Film | 36:00 | Mannesmann - Niebeling | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14649 | Oskar | Sala | Allstromzug | 1962 | Film | 11:20 | London Film Zürich | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14650 | Oskar | Sala | Altersheim | 1964 | Film | 6:00 | Mono | Durmiok | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14651 | Oskar | Sala | Aluminium, Portrait eines Metalls | 1958 | Film | 12:00 | Gesellschaft für bildende Filme, München | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14652 | Oskar | Sala | Ammoniak-Konverter | 1970 | Film | 7:20 | GBF Uhde GmbH | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14653 | Oskar | Sala | Amphitryon 38 | 1963 | Fernsehen, | 13:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14654 | Oskar | Sala | Antigone | 1960 | Theatermusik | 30:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14655 | Oskar | Sala | Auf gehobener Ebene | 1963 | Film | 33:50 | Dido-Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14656 | Oskar | Sala | Auf weißem Grund | 1962 | Film | 10:30 | Seiler-Gnant Zürich | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14657 | Oskar | Sala | Aus aller Welt | 1968 | Film | Werner Klett, United Artists Corp. | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14658 | Oskar | Sala | Aus einem Arbeitstag | 1969 | Film | 10:00 | Impressionen | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14659 | Oskar | Sala | Ausflug in die Vergangenheit | 1960 | Film | 6:00 | Some Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14660 | Oskar | Sala | Ausgewählte islamische Kleinkunst | 1959 | Film | 8:20 | A. W. - Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14661 | Oskar | Sala | BASF Jahresschau 1963 | 1963 | Film | 13:50 | Paxmann | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14662 | Oskar | Sala | Bei mir bin ich schön | 1962 | Fernsehen, | 16:40 | Durmiok | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14663 | Oskar | Sala | Berlin 1913 | 1966 | Film | 13:30 | Mono | Durniok | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14664 | Oskar | Sala | Berliner Kaleidoskop | 1960 | Film | 10:00 | Zeichentrickfilm (Robinson) | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14665 | Oskar | Sala | Besuch im elektronischen Studio | 1980 | Film | 7:05 | a Portrait of Oskar Sala; Ikarusfilm, Kiepenheuer, Bild Berlin | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 28629 | Oskar | Sala | Blendax Antibelag | 1998 | Film | 0:20 | Stereo | Industrie-Kurzfilm | NDR Hamburg | 0 | |||||||||
| 14666 | Oskar | Sala | Buzkoshi | 1965 | Fernsehen, | 5:00 | Mono | Durmiok | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14667 | Oskar | Sala | Caprice Espressivo | 1991 | fixed media, akusmatisch | 8:23 | Stereo | MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14668 | Oskar | Sala | Caprice Rubato | 1991 | fixed media, akusmatisch | 5:15 | Stereo | sounds from Tube-MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14669 | Oskar | Sala | Capsula | 1971 | Film | 11:13 | Leberecht-Prove, Scherer GmbH | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14670 | Oskar | Sala | Carbon | 1968 | Film | 11:45 | Agavision London | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 19166 | Oskar | Sala | Chaconne electronique | 1995 | fixed media, akusmatisch | 7:39 | Erdenklang 70962/ | PS Sala | 1 | http://www.oskar-sala.de/ | |||||||||
| 14671 | Oskar | Sala | Chauffeur - Schule | 1969 | Film | 5:40 | Werner Klett Constantin-Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14672 | Oskar | Sala | Chemie für alle | 1965 | Film | 3:00 | Mono | Hoechst | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14673 | Oskar | Sala | Concertino für MTR & el. Fantasieorch. | 1953 | live-elec, 1 perf | 6:00 | Mono | mtr [synthesizer] | WER SM 1040/ | Radio Bremen | 0 | http://www.oskar-sala.de/ | |||||||
| 14674 | Oskar | Sala | Cooperation is our business | 1970 | Film | 12:00 | Agavision London f. OECD Paris | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14675 | Oskar | Sala | Das eiserne Netz | 1968 | Film | 7:33 | Leckebusch München | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14676 | Oskar | Sala | Das Mädchen Rosemarie | 1959 | Film | 15:00 | Spielfilm | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14677 | Oskar | Sala | Das Märkische Viertel Berlin | 1973 | Film | 3:20 | W. Kiepenheuer, Ikarusfilm | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14678 | Oskar | Sala | Das magische Band | 1959 | Film | 3:00 | Gesellschaft für bildende Filme, BASF | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14679 | Oskar | Sala | Das Zimmer oder Verheißung und Elend der Fotografie |
1967 | Film | 9:50 | Illing, Klett u.a. | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14680 | Oskar | Sala | Dein Horoskop - Dein Schicksal | 1956 | Film | 6:00 | Mono | Schonger Film, MTR | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14681 | Oskar | Sala | DEMAG baut für die Welt | 1963 | Film | 17:45 | Paxmann DEMAG | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14682 | Oskar | Sala | Der bewältigte Michel | 1963 | Fernsehen, | 23:40 | Provobis | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14683 | Oskar | Sala | Der Fachmann | 1969 | Film | 7:12 | Menck-Gongfilm | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14684 | Oskar | Sala | Der Fächer | 1962 | Film | 12:10 | BASF, Leberecht | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14685 | Oskar | Sala | Der Fluch der gelben Schlange | 1963 | Film | 22:00 | Gottlieb CCC | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14687 | Oskar | Sala | Der Schrittmacher | 1973 | Film | 12:13 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14688 | Oskar | Sala | Der Sturm | 1958 | Theatermusik | 20:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14689 | Oskar | Sala | Der Würger von Schloß Blackmoor | 1963 | Film | 37:00 | CCC, Harald Reinl | Erdenklang 70962/ | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||
| 14690 | Oskar | Sala | Der Würger von Schloß Blackmoor | 1991 | Film | 12:22 | new version of film-music | Erdenklang 70962/ | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||
| 14691 | Oskar | Sala | Deutsche Reiterei heute | 1962 | Film | 7:50 | Wisföss | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14692 | Oskar | Sala | Die Augen der Ica Villander | 1968 | Film | 9:15 | Werner Klett Constantin-Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14693 | Oskar | Sala | Die Erfinder der Erfindung | 1967 | Film | 3:41 | Klett, Metro Goldwin Mayer | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14694 | Oskar | Sala | Die ersten 40 Jahre | 1963 | Film | 19:00 | Durmiok | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14695 | Oskar | Sala | Die genialen Radfahrer | 1969 | Film | 4:45 | Werner Klett Gloria-Film München | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14696 | Oskar | Sala | Die Grasharfe | 1959 | Film | 15:00 | Th, tog. with Sondloff | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14697 | Oskar | Sala | Die große Zeit der Eisenbahn | 1967 | Film | 3:48 | Universal Filmverleih Inc. | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14699 | Oskar | Sala | Die Kunst zu Pflügen | 1959 | Film | 5:00 | A. W. - Film H. Lander | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14698 | Oskar | Sala | Die Kunst, sich in die Luft zu erheben und sich darin zu bewegen | 1970 | Film | 4:03 | Werner Klett, Gloria Verleih | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14700 | Oskar | Sala | Die Luft, in der wir leben | 1962 | Film | 9:00 | Hubenthal | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14701 | Oskar | Sala | Die Nashörner | 1960 | Theatermusik | 25:00 | Staatstheater München | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14702 | Oskar | Sala | Die Stadt von morgen | 1965 | Film | 8:30 | Mono | Durmiok, SFB, Oswin | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14703 | Oskar | Sala | Die Träume des Herrn Jules Verne | 1960 | Film | 9:40 | Türik Film Düsseldorf | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14705 | Oskar | Sala | Dioremo Industrie-Ausstellung | 1965 | Hintergrundmusik | 11:00 | Mono | Borkmann | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14706 | Oskar | Sala | Druckgefäss Kohl | 1960 | Film | 12:35 | Niebeling - Mannesman | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14707 | Oskar | Sala | Drüben | 1963 | Fernsehen, | 0:20 | Titel - Schlußmusik ZDF | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14708 | Oskar | Sala | Du hast die Chance | 1958 | Film | 12:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14709 | Oskar | Sala | Eaters od Darkness | 1972 | Tanz | 28:45 | Stereo | Unitel Niebeling, MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14710 | Oskar | Sala | Ein Wald klagt an | 1960 | Film | 5:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14711 | Oskar | Sala | Eine Reise zum Mond in 7 Sätzen | 1974 | Fernsehen, | 52:34 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14712 | Oskar | Sala | Elektronische Impressionen 1-9 | 1978 | live-elec, | 40:38 | Stereo | TEL 6.42003 AP/ | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||
| 14713 | Oskar | Sala | Elektronische Improvisationen | 1964 | fixed media, akusmatisch | 17:00 | Mono | WST, 14143/ | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14714 | Oskar | Sala | Elektronische Tanzsuite für Mixturtrautonium solo und Mixturorchester, Concertando Expressivo Giocoso Strepitoso Furioso |
1955, 1990 | fixed media, akusmatisch | 16:04 | Stereo | Erdenklang 90340/ Ellipsis Arts 3671 - OHM: 01/ CDCD 5067/ | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||
| 14715 | Oskar | Sala | Energie heute für morgen | 1969 | Film | 19:50 | Dr. Köster, Lothar Kompatzki, Polyphon | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14716 | Oskar | Sala | Erinnerungen an eine bewegte Vergangenheit | 1960 | Film | 11:00 | Durmiok SFB | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14717 | Oskar | Sala | Exportstern Hafen Hamburg | 1968 | Film | 7:55 | Ewald Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14718 | Oskar | Sala | Fanfare | 1952, 1990 | fixed media, akusmatisch | 1:09 | Mono | Erdenklang 90340/ | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||
| 14719 | Oskar | Sala | Fantasie - Suite in 3 Sätzen, Demonstration Skala nuova Farbmelodie |
1989 | live-elec, 1 perf | 20:49 | Stereo | mtr [synthesizer] | 1st piece with the new MTR Inventionen 27.1.1990 AdK |
Erdenklang 90340/ | PS Sala | 1 | 1990 | http://www.oskar-sala.de/ | |||||
| 14722 | Oskar | Sala | Filmmusik von Oskar Sala | 1971 | Film | 12:25 | collection of film M. | MEP 6043/ | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14723 | Oskar | Sala | Flucht aus China | 1984 | Fernsehen, | 26:28 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14724 | Oskar | Sala | Fontäne der Fäden | 1967 | Film | 39:40 | Gong-Film, IVC Ind.-Vereinigung Chemiefaser | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14725 | Oskar | Sala | Forschung und Leben | 1958 | Film | 22:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14726 | Oskar | Sala | Galvanotechnik | 1971 | Film | Freie Film Redaktion für Schering | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14727 | Oskar | Sala | Gefahr Nordwest | 1958 | Film | 18:00 | Deutsche Gesellschaft zur Rettung Schiffbrüchiger | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14728 | Oskar | Sala | Geheimnis eines Stahls | 1960 | Film | 12:35 | Ewald Film Düsseldorf | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14729 | Oskar | Sala | Geschichten mit Gewichten | 1963 | Fernsehen, | 5:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14730 | Oskar | Sala | Gesicht des Bahnhofs | 1961 | Film | 11:00 | Durmiok SFB | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14731 | Oskar | Sala | Gewebte Natur | 1960 | Film | 8:20 | Gesellschaft für bildende Filme | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14732 | Oskar | Sala | Gletscher und ihre Ströme | 1962 | Film | 10:30 | Eberhard Hamburg | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14733 | Oskar | Sala | Gold der Pharaonen | 1959 | Film | 7:20 | A. W. Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14734 | Oskar | Sala | Herbst der Raketen | 1962 | Film | 8:00 | Klett | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14735 | Oskar | Sala | Herrliche Zeiten im Spessart | 1967 | Film | 13:11 | Independent Film Berlin | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14736 | Oskar | Sala | Hier beginnt Europa | 1960 | Film | 7:00 | Türik Film Düsseldorf | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14737 | Oskar | Sala | Ich in der Zeit | 1964 | Film | 10:40 | Mono | Durmiak | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14738 | Oskar | Sala | Ich zeichne New York | 1962 | Film | 10:40 | W. Klett | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14739 | Oskar | Sala | ICI Mars - Tonbandstudie | 1962 | fixed media, akusmatisch | 0:42 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14740 | Oskar | Sala | Im Schatten von Peking | 1964 | Film | 9:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14741 | Oskar | Sala | Im Tal der Finsternis | 1964 | radiophon | 7:30 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14742 | Oskar | Sala | Im Tal der Künstler | 1959 | Film | 10:30 | A. W. - Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14743 | Oskar | Sala | Impression èlectronique, Elektronische Impressionen | 1987/1990 | fixed media, akusmatisch | 6:38 | Stereo | für Bourges | Erdenklang 90340/ | PS Sala | 1 | http://www.oskar-sala.de/ | |||||||
| 14744 | Oskar | Sala | Improvisation mit dem Rauschgenerator | 1962 | fixed media, akusmatisch | 0:42 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14745 | Oskar | Sala | Industrie-Ausstellung Berlin | 1962 | Hintergrundmusik | 18:00 | Bornemann | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14746 | Oskar | Sala | Intermezzo | 1961 | Theatermusik | 20:00 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14747 | Oskar | Sala | Intermezzo (Eine Nacht in Elektronia) | 1955 | fixed media, akusmatisch | 15:00 | Mono | RB, MTR | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14748 | Oskar | Sala | Jede Minute ein Tor | 1965 | Fernsehen, | 7:30 | Mono | Handball ZDF | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14749 | Oskar | Sala | Jockeys | 1961 | Film | 6:20 | Wikrauß | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14750 | Oskar | Sala | Käthe Kollwitz | 1961 | Film | 5:30 | Apelt Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14751 | Oskar | Sala | Kommunikationssystem in der Kommunalverwaltung | 1977 | Film | 1:49 | Alexansrow u. Glauert IBM | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14752 | Oskar | Sala | Kompositionen für MTR (Frequenzversch.) | 1965/1966 | fixed media, akusmatisch | 20:00 | Mono | MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14753 | Oskar | Sala | Kompositionen für Tonband | 1958 | fixed media, akusmatisch | 20:00 | Mono | MTR | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14754 | Oskar | Sala | Kongreßzentrum Berlin | 1976 | Film | 28:00 | Peter Cürlis | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14755 | Oskar | Sala | Konzert für MTR & elektron. Schlagwerk | 1954 | fixed media, akusmatisch | 16:00 | Mono | Radio Basel, MTR | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14756 | Oskar | Sala | Konzertante Variationen | 1953 | fixed media, akusmatisch | 8:35 | Mono | MTR | NDR Hamburg | 1 | http://www.oskar-sala.de/ | ||||||||
| 14757 | Oskar | Sala | Korallen | 1964 | Film | 11:30 | Mono | Gloria-Film | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14758 | Oskar | Sala | Kosseir, zwischen gestern und morgen | 1959 | Film | 3:00 | A. W. - Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14759 | Oskar | Sala | Kraftstoff (Aral) | 1965 | Film | 11:00 | Mono | Niebeling | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14760 | Oskar | Sala | Krompus u. Angelika | 1965 | Fernsehen, | 8:18 | Mono | SFB | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14761 | Oskar | Sala | Künstler | 1971 | Film | 3:00 | Alexandrow, Durmiok | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14762 | Oskar | Sala | Kunst unserer Zeit | 1959 | Film | 13:33 | Erhardt-Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14763 | Oskar | Sala | La Campanella | 1936 | fixed media, akusmatisch | 2:30 | Mono | MTR; after Paganini | WER SM 1040/ | PS Sala | 1 | http://www.oskar-sala.de/ | |||||||
| 14765 | Oskar | Sala | Largo, Hommage à Hermann Scherchen | 1990 | fixed media, akusmatisch | 4:44 | Stereo | Erdenklang 90340/ | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||
| 14766 | Oskar | Sala | Lateinamerika, Industrieausstellung Berlin | 1964 | Film | 18:00 | Stereo | Bornemann | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14767 | Oskar | Sala | Leben des Meeres (1 - 19) | 1961 | Fernsehen, | 129:00 | W. Klett WDR | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14768 | Oskar | Sala | Legierung nach Maß | 1973 | Film | 9:00 | Lurgi | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14769 | Oskar | Sala | Likör | 1977 | radiophon | 5:35 | Stereo | SFB, MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14770 | Oskar | Sala | Macbeth | 1964 | Theatermusik | 30:00 | Rendsburg | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14771 | Oskar | Sala | Make love not war - die Liebesgeschichte unserer Zeit | 1968 | Film | 16:33 | Werner Klett | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14772 | Oskar | Sala | Manoques Volutes | 1963 | Film | 26:40 | Revel Genf | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14773 | Oskar | Sala | Menschenwürde | 1961 | Film | 9:15 | IFAG, Kress | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 22662 | Oskar | Sala | Mephisto Lied von Majewski | fixed media, akusmatisch | 2:05 | MTR | PS Sala | 1 | http://www.oskar-sala.de/ | ||||||||||
| 14774 | Oskar | Sala | Mit dem Adler fing es an | 1961 | Film | 20:30 | Ewald-Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14775 | Oskar | Sala | Mit Farben begann es | 1964 | Film | 16:00 | Mono | Hoechst, Gong Film | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14776 | Oskar | Sala | Mit Licht schreiben (I) | 1967 | Film | 39 | Agfa-Gaevert; UFA-Werbefilm | UFA Dokumentarfilm, PS Sala | Agfa-Gaevert; | Kulturfilmprämie 1967 Deutscher Industriefilmpreis 1968 |
0 | http://www.oskar-sala.de/ | |||||||
| 14777 | Oskar | Sala | Mit offenen Augen | 1964 | Film | 33:00 | Mono | ZDF | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 28628 | Oskar | Sala | Mixturen, Oskar Sala und sein Mixtur-Trautonium | 1966 | Film | 17 | Mono | Schweiz | NDR Hamburg | 0 | |||||||||
| 14778 | Oskar | Sala | Mobile Gesellschaft | 1963 | Film | 18:20 | H. Hübenthal | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14779 | Oskar | Sala | Mord auf dem Schrottplatz | 1970 | Film | 6:02 | M. Durmiok, Centfoxfilm | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14780 | Oskar | Sala | Moskau fotografiert | 1965 | Film | 6:30 | Mono | Durmiok | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14781 | Oskar | Sala | Musik für elektrisches Orchester | 1954 | fixed media, akusmatisch | 9:00 | Mono | RB, MTR | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14782 | Oskar | Sala | Musik für Elektronisches Schlagwerk | 1954 | fixed media, akusmatisch | 15:00 | Mono | RIAS, MTR | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 18873 | Oskar | Sala | Musique stereo pour orchestre electronique | 1973 | fixed media, akusmatisch | DSK 90 - Sendung; MTR | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14783 | Oskar | Sala | Nashörner | 1966 | Theatermusik | 35:00 | Mono | Deppisch, Rendsburg, Th | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14784 | Oskar | Sala | Neu! Neu! Neu! | 1968 | Film | 6:08 | Klett | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14785 | Oskar | Sala | Neue Impulse | 1981 | Film | 9:19 | Cennec Duba, Sulzer Winterthur | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14786 | Oskar | Sala | New York | 1966 | Film | 10:40 | Mono | Städtebild | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14787 | Oskar | Sala | Ödipus | 1964 | Film | 25:00 | Rendsburg | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 28627 | Oskar | Sala | Oskar Sala. Ein Alchemist der elektronischen Musik | 1988 | Film | 45 | über und mit Oskar Sala | NDR Hamburg | 0 | ||||||||||
| 14788 | Oskar | Sala | Pelletieren | 1971 | Film | 9:02 | Lurgi | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14789 | Oskar | Sala | Petrol | 1965 | Film | 4:30 | Mono | Aral | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14790 | Oskar | Sala | Platons Gastmahl | 1965 | Fernsehen, | 16:00 | Mono | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14791 | Oskar | Sala | Polnische Passion | 1965 | Film | 43:00 | Mono | Pikalenitsch | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14792 | Oskar | Sala | Polnisches Dilemma | 1967 | Fernsehen, | 8:14 | ZDF v. Werthern | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14793 | Oskar | Sala | Polyäthylen | 1962 | Film | 22:30 | BASF, Leberecht | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14794 | Oskar | Sala | Preußen (1 - 6) | 1968 | Fernsehen, | Serie in 6 Folgen | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14795 | Oskar | Sala | Prix Futura | 1973 | fixed media, akusmatisch | 30:00 | Stereo | SFB, MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14796 | Oskar | Sala | Pyramin | 1966 | Film | 11:00 | Mono | Noldan | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14797 | Oskar | Sala | Rede des toten Christus vom Weltgebäude herab, daß kein Gott sei | 1986 | radiophon | 12:21 | Stereo | Idee einer Sprach-Elektronischen Komposition nach Jean Paul (aus dem Siebenkäs) und einer Idee von Hermann Scherchen. Friedrich Schönfelder (sp) |
Erdenklang 90340/ | PS Sala | 9.3.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1986 | http://www.oskar-sala.de/ | ||||
| 14798 | Oskar | Sala | Remanit | 1962 | Film | 31:00 | Ewald-Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14799 | Oskar | Sala | Rendezvous mit der Vergangenheit | 1963 | Fernsehen, | 48:00 | Klett WDR; TV- Serie 1-8 | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14800 | Oskar | Sala | Resonanzen, Fugato Concertando Ostinato |
1969/1970 | fixed media, akusmatisch | 18:17 | Stereo | Majewski, MTR | Selected Sound 9009/ | PS Sala | 1 | http://www.oskar-sala.de/ | |||||||
| 14801 | Oskar | Sala | Rohr aus Stahl | 1961 | Film | 22:50 | Leberecht - Mannesmann | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14802 | Oskar | Sala | Rummelrhythmus | 1961 | Fernsehen, | 9:20 | SFB | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14803 | Oskar | Sala | Scheiterhaufen für Apostel | 1976 | radiophon | 13:11 | Stereo | SFB, MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14804 | Oskar | Sala | Schering - heute für morgen | 1971 | Film | 19:23 | Freie Film Redaktion | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14805 | Oskar | Sala | Scherzo-Etüde | 1954 | fixed media, akusmatisch | 7:40 | Mono | RB, MTR | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14806 | Oskar | Sala | Schmieden im Gesenk | 1971 | Film | 9:07 | Ewald Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14807 | Oskar | Sala | Schnellstraßen im Zahlungsverkehr | 1965 | Film | 6:20 | Mono | DBP, UFA Werbefilm | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14808 | Oskar | Sala | Schöpfung ohne Ende | 1957 | Film | 63:00 | Mono | MTR; Bayer-Industriefilm | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14809 | Oskar | Sala | Schule von St. Thomas | 1964 | Film | 6:00 | Mono | Durmiak | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14810 | Oskar | Sala | Senedjems Weg ins Paradies | 1959 | Film | 9:30 | A. W. - Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14811 | Oskar | Sala | Sinterung von Eisenerz | 1965 | Film | 19:50 | Mono | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14812 | Oskar | Sala | Spektrum der Chemie | 1963 | Film | 25:20 | Hoechst | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14813 | Oskar | Sala | Stahl - Thema mit Variationen | 1960 | Film | 12:35 | Mannesmann AG, PS C. | Mannsmann | Grand prix Rouen 1960 Bundesfilmpreis 1961 IFF Monza 1961 Grand Prix als bester Industriefilm documenta X 1997 |
1 | http://www.oskar-sala.de/ | ||||||||
| 14814 | Oskar | Sala | Stahlfahrt | 1970 | Film | 10:09 | Ewald Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14815 | Oskar | Sala | Stahlfinger | 1967 | Film | 6:10 | Markenfilm Wedel | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14816 | Oskar | Sala | Stereomusik für elektrisches Orchester | 1971/1990 | fixed media, akusmatisch | 26:00 | Stereo | 5 parts | SSOUND 900/ ERA STU 70633 LP/ Creel Pone 08/ | PS Sala | 1 | http://www.oskar-sala.de/ | |||||||
| 14817 | Oskar | Sala | Struktur | 1967 | Film | 8:43 | Arrigio Wittler, Bayer Leverkusen | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14818 | Oskar | Sala | Suite der Fäden | 1969 | Film | 14:58 | Gong-Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14819 | Oskar | Sala | Suite der Fäden (II) | 1969 | Film | 10:02 | Niebeling; Agfa-Gaevert; UFA-Werbefilm; Cinema-Version | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14820 | Oskar | Sala | Suite für Mixturtrautonium und elektronisches Schlagwerk, Tanzstück agitato in leichtem Marsch- Rhythmus Meditation Interludium Improvisation |
1969/1970 | fixed media, akusmatisch | 16:00 | Stereo | Majewski, MTR | SSOUND 900/ Selected Sound 9009/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14821 | Oskar | Sala | Tagebuch eines Reporters | 1961 | Fernsehen, | 10:30 | Durmiok SFB | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14822 | Oskar | Sala | Tanzstücke, für MTR und el. Orchester | 1955, 1989 | live-elec, 1 perf | 27:00 | mtr [synthesizer] | PS Sala | 1 | 1990 | http://www.oskar-sala.de/ | ||||||||
| 14823 | Oskar | Sala | The air, my enemy | 1971 | Film | 19:11 | Agavision London | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14824 | Oskar | Sala | The city of tomorrow | 1964 | fixed media, akusmatisch | 24:00 | Mono | MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14825 | Oskar | Sala | Todesstrahlen des Dr. Mabuse | 1964 | Film | 13:00 | Mono | additional effects | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14826 | Oskar | Sala | Tokyo, Stadt im Osten | 1964 | Film | 8:00 | Mono | Durmiak | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14827 | Oskar | Sala | Tonbildschau für Belgrad | 1972 | intermedia | 10:00 | Stereo | slides, Conrads - IFA, MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14828 | Oskar | Sala | Tonbildschau Stadterneuerung | 1966 | Hintergrundmusik | 11:00 | Stereo | Bornemann | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14830 | Oskar | Sala | Triumph der Technik I-IV | 1961 | Fernsehen, | 40:00 | W. Klett WDR | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14831 | Oskar | Sala | Triumph der Technik VII-VIII | 1963 | Fernsehen, | 19:00 | W. Klett WDR | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14832 | Oskar | Sala | und dann hatte einer eine Idee | 1969 | Film | 5:20 | Gongfilm Menck | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14833 | Oskar | Sala | Unsichtbare Kohle | 1966 | Film | 7:30 | Mono | Neue Filmprod Wiesbaden | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14834 | Oskar | Sala | Unter der Oberfläche | 1960 | Film | 12:00 | Mono | Zeitlupenstudie | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14835 | Oskar | Sala | Unter dir der Himmel | 1965 | Film | 16:30 | Stöss, Sasse | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14836 | Oskar | Sala | Unterwegs nach Kathmandu | 1973 | Film | 39:07 | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||||
| 14837 | Oskar | Sala | Urea | 1970 | Film | 32:03 | GBF München | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14838 | Oskar | Sala | Variationen über ein Thema aus der Caprice Rubato | 1991 | fixed media, akusmatisch | 15:00 | Stereo | MTR | SSOUND 900/ | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||
| 14839 | Oskar | Sala | Verlorene Freiheit | 1956 | Film | 10:30 | Mono | MTR; Zielke | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14840 | Oskar | Sala | Verzauberter Niederrhein | 1953 | Film | 10:00 | Mono | MTR; Zielke | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14841 | Oskar | Sala | Volk unter Völkern | 1962 | Film | 15:40 | Hubenthal | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14842 | Oskar | Sala | Vorsorge aus Klugheit | 1964 | Film | 13:00 | Mono | Gabler München | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14843 | Oskar | Sala | Vulkanisches Antlitz | 1962 | Film | 10:40 | Eberhard Hamburg | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14844 | Oskar | Sala | Was - Wo - Wie? | 1970 | Film | 7:22 | GBF, Klein,Schanzlin u. Becker Nürnberg | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14845 | Oskar | Sala | Wasserelektrolyse - Anlage Assuan | 1962 | Film | 13:00 | Paxmann HGP-Film | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14846 | Oskar | Sala | Wer forscht der findet | 1966 | Film | 19:00 | Mono | Lurgi | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14847 | Oskar | Sala | Widerstand | 1961 | Film | 37:50 | IFAG, Kress | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14848 | Oskar | Sala | Wiesensonntag | 1963 | Film | 9:50 | Lürlis | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14849 | Oskar | Sala | Wir fliegen | 1961 | Film | 13:00 | Durmiok SFB | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14850 | Oskar | Sala | Wohnen über der Autobahn | 1979 | Film | 5:35 | Ikarusfilm, Kiepenheuer | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14851 | Oskar | Sala | Wunder des Atoms | 1968 | Fernsehen, | 4:45 | SFB | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14852 | Oskar | Sala | Zeichnungen von Oswin | 1962 | Fernsehen, | 11:30 | Zeichnungen von Oswald Meichsner (Oswin) | PS Sala | 1 | 1990 | http://www.oskar-sala.de/ | ||||||||
| 14853 | Oskar | Sala | Zündhölzer | 1961 | Film | 9:30 | Uwe Krauß München | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 14720 | Oskar, Paul | Sala, Dessau | Faust I | 1948/1950 | Theatermusik | 20:00 | Mono | Deutsches Th, MTR. H. Davies gibt Hans-Martin Majewski als Ko-Autoren an |
PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14704 | Oskar, Remi | Sala, Gassmann | Die Vögel (The Birds) | 1963 | Film | 119 | A. Hitchcock; Produktion Universal Pictures; nach dee Kurzgeschichte von Daphne du Maurier | XWN 18962/ | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14764 | Oskar, Hans-Martin | Sala, Majewski | Labyrinth der Leidenschaften | 1959 | Film | 36:00 | Mono | Spielfilm | PS Sala | 0 | http://www.oskar-sala.de/ | ||||||||
| 14829 | Oskar, Peter | Sala, Sandloff | Triumph der Medizin | 1959 | Film | 10:00 | W. Klett WDR | PS Sala | 0 | http://www.oskar-sala.de/ | |||||||||
| 27215 | Diana | Salazar | Anima Machina | 2006 | fixed media, akusmatisch | Stereo | Uni Manchester NOVARS | 1 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | ||||||||||
| 27821 | Diana | Salazar | Bosonica | 2009 | fixed media, akusmatisch | Surround 5.1 | Uni Manchester NOVARS | 0 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | ||||||||||
| 27218 | Diana | Salazar | Broken Nerve | 2005 | fixed media, akusmatisch | 10:02 | Stereo | Hfm Glasgow | 1 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | |||||||||
| 31674 | Diana | Salazar | Capsium Fever | 2012 | fixed media, akusmatisch | 10:56 | Octo | Uni Manchester NOVARS | 0 | ||||||||||
| 28064 | Diana | Salazar | Chemistries | 2007 | live-elec, 4 perf | fl, vn, vc, acc [Flöte, Akkordeon, Cello, Violine] | symposia ens | 0 | http://www.dianasalazar.co.uk | ||||||||||
| 27214 | Diana | Salazar | Cipher | 2008 | fixed media, akusmatisch | CEMI Denton | 0 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | |||||||||||
| 27216 | Diana | Salazar | Kalimba | 2005 - 2006 | fixed media, akusmatisch | Stereo | 7 acousmatic movements | Uni Manchester NOVARS | 1 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | |||||||||
| 36704 | Diana | Salazar | La Voz del Fuelle | fixed media, akusmatisch | elek 003/ | 0 | |||||||||||||
| 28068 | Diana | Salazar | Last words | 2005 | Zuspiel, live-elec, 1 perf | S [Sopran] | 0 | http://www.dianasalazar.co.uk | |||||||||||
| 28067 | Diana | Salazar | Mind Games | 2006 | Zuspiel, live-elec, 2 perf | S, mar [Sopran, Schlagzeug] | 0 | http://www.dianasalazar.co.uk | |||||||||||
| 27217 | Diana | Salazar | Needlepoint | 2006 | fixed media, akusmatisch | 5:18 | Stereo | COMA | 1 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | |||||||||
| 27822 | Diana | Salazar | Papyrus | 2008 | fixed media, akusmatisch | 8:21:00 | Stereo | CMMAS CD 020/ | Uni Manchester NOVARS | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2009 | 0 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | |||||||
| 28065 | Diana | Salazar | Pavakoothu | 2007 | live-elec, 1 perf | db-cl [Klarinette] | Esther Lamneck | 0 | http://www.dianasalazar.co.uk | ||||||||||
| 39728 | Diana | Salazar | Rewind (modus operandi) | 2015 | fixed media, akusmatisch | 11:36:00 | Diana Salazar | 0 | |||||||||||
| 28066 | Diana | Salazar | Shards | 2006 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Cathrine Coulter | 0 | http://www.dianasalazar.co.uk | ||||||||||
| 28218 | Diana | Salazar | Spindlesong I | 2008 | Klangkunst, Installation | fixed media, akusmatisch |
6:48 | Octo | Uni Manchester | 1.5.2008 | Mantis Manchester | 1 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | |||||||
| 27220 | Diana | Salazar | Stratus | 2004 | fixed media, akusmatisch | Stereo | Uni Manchester NOVARS | 0 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | ||||||||||
| 28062 | Diana | Salazar | Tekahtoa | 2010 | live-elec, 1 perf | db [Kontrabass] | creative Scotland | 0 | http://www.dianasalazar.co.uk | ||||||||||
| 28063 | Diana | Salazar | Tipuana Tipu | 2010 | live-elec, 1 perf | mar [Schlagzeug] | Jennifer Torrence | 0 | http://www.dianasalazar.co.uk | ||||||||||
| 27212 | Diana | Salazar | Topographia | 2008 | fixed media, akusmatisch | Stereo | Uni Manchester NOVARS | 0 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | ||||||||||
| 27219 | Diana | Salazar | Zonohedra | 2005 | fixed media, akusmatisch | Stereo | Uni Manchester NOVARS | 1 | http://www.dianasalazar.co.uk/Diana_Salazar/Diana_Salazar___Music.html | ||||||||||
| 39503 | Spencer | Salazar | PULSE | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39504 | Spencer | Salazar | Teeth | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 14854 | Dieter | Salbert | 13 Solostücke | live-elec, 1 perf | synt, (com) [synthesizer] | PS C. | 0 | ||||||||||||
| 14855 | Dieter | Salbert | 2 afrikanische Gesänge | live-elec, 5 perf | S, gui, 3 synt [Sopran, Gitarre, synthesizer] | (L. Senghor) | PS C. | 0 | |||||||||||
| 14856 | Dieter | Salbert | 3 Elegien | live-elec, 2 perf | hn, synt [Horn, synthesizer] | PS C. | 0 | ||||||||||||
| 14857 | Dieter | Salbert | 3 Vertonungen nach Neruda-Texten | 1974 | Zuspiel, live-elec, 2 perf | V, synt [Stimme, synthesizer] | (Ode I, II, Der Vogel) | PS C. | 0 | ||||||||||
| 14858 | Dieter | Salbert | 4 Lieder | live-elec, 2 perf | V, synt, (com) [Stimme, synthesizer] | after poems by I. Meidinger-Geise | PS C. | 0 | |||||||||||
| 14859 | Dieter | Salbert | 7 Solostücke | live-elec, 2 perf | synt, perc [Schlagzeug, synthesizer] | PS C. | 0 | ||||||||||||
| 14860 | Dieter | Salbert | Azur | fixed media, akusmatisch | PS C. | 0 | |||||||||||||
| 14861 | Dieter | Salbert | B.A.C.H. - D.S. | live-elec, 2 perf | perc, synt [Schlagzeug, synthesizer] | PS C. | 0 | ||||||||||||
| 14862 | Dieter | Salbert | Beam | live-elec, 2 perf | synt, com (soundbeam) [computer, synthesizer] | PS C. | 0 | ||||||||||||
| 14863 | Dieter | Salbert | Bergwanderung | live-elec, 1 perf | synt [synthesizer] | PS C. | 0 | ||||||||||||
| 14864 | Dieter | Salbert | Bergwanderung / Ikone / Dunkel | live-elec, 2 perf | S, synt, (Vocoder) [Sopran, synthesizer] | PS C. | 0 | ||||||||||||
| 14865 | Dieter | Salbert | Concerto | live-elec, 1 perf | synt, (com) [synthesizer] | PS C. | 0 | ||||||||||||
| 14866 | Dieter | Salbert | Der fliegende Teppich | live-elec, 2 perf | perc, synt, (com) [Schlagzeug, synthesizer] | PS C. | 0 | ||||||||||||
| 14867 | Dieter | Salbert | Der Spieler | live-elec, 1 perf | fl [Flöte] | PS C. | 0 | ||||||||||||
| 14868 | Dieter | Salbert | Die Reise | live-elec, 6 perf | radiophon |
90:00 | S, Sp, gui, b, synt, perc(-synt) [Sopran, Bass, Sprecher, Gitarre, Schlagzeug, synthesizer] | (Dichtung: Schnetz) | BR Nürnberg | 0 | ||||||||||
| 14869 | Dieter | Salbert | Die Schöne und das Biest | Theatermusik | PS C. | 0 | |||||||||||||
| 14870 | Dieter | Salbert | Die sieben Siegel | live-elec, 4 perf | V, 3 synt [Stimme, synthesizer] | PS C. | 0 | ||||||||||||
| 14871 | Dieter | Salbert | Die Werkzeuge der Trauer | live-elec, 4 perf | S, perc, org, p(-loop) [Sopran, Piano, Orgel, Schlagzeug] | (Lao Tse, alt. Testament, Zeitungsberichte) | PS C. | 0 | |||||||||||
| 14872 | Dieter | Salbert | Erinnerung an Atlantis | live-elec, 2 perf | org, synt [Orgel, synthesizer] | PS C. | 0 | ||||||||||||
| 14873 | Dieter | Salbert | Geheimnis der Liebe | live-elec, 2 perf, 2 groups | ch, synt-ens, S [Sopran, synthesizer, Chor] | PS C. | 0 | ||||||||||||
| 14874 | Dieter | Salbert | Genesis | intermedia, live-elec, 6 perf | S, B, org, perc, 2 synt [Sopran, Bass, Orgel, Schlagzeug, synthesizer] | PS C. | 0 | ||||||||||||
| 14875 | Dieter | Salbert | Gleichnis | live-elec, 3 perf | S, fl, synt [Sopran, Flöte, synthesizer] | PS C. | 0 | ||||||||||||
| 14876 | Dieter | Salbert | Golem | live-elec, 4 perf | 3 sax, synt [Saxophon, synthesizer] | PS C. | 0 | ||||||||||||
| 14877 | Dieter | Salbert | Großer Bär | live-elec, 2 perf | V, synt, (com) [Stimme, synthesizer] | after I. Bachmann | PS C. | 0 | |||||||||||
| 14878 | Dieter | Salbert | Heavenly | live-elec, 1 perf | synt, (com) [synthesizer] | PS C. | 0 | ||||||||||||
| 14879 | Dieter | Salbert | Hyperion-Surface, Schattenspiele, Rotationen, Jeux de Taekwondo | audiovisuell, live-elec, 3 perf | 3 synt [synthesizer] | PS C. | 0 | ||||||||||||
| 14880 | Dieter | Salbert | Jesus und die Kinder | live-elec, 2 perf | V, synt [Stimme, synthesizer] | PS C. | 0 | ||||||||||||
| 14881 | Dieter | Salbert | Klangszenen | Radiokunst, 5 perf | (modulated) S, gui, b, synt, synt perc [Sopran, Bass, Gitarre, synthesizer] | Ikone / Bergwanderung / Capriolen / Dunkel | RRK 15016/ | BR Nürnberg | 0 | ||||||||||
| 14882 | Dieter | Salbert | Konstellationen | 1969 | fixed media, akusmatisch | 11:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 14883 | Dieter | Salbert | Konstellationen II | 1969 | fixed media, akusmatisch | 11:00 | 0 | ||||||||||||
| 14884 | Dieter | Salbert | Landschaften | live-elec, 2 perf | V, synt [Stimme, synthesizer] | 4 chansons after poems by W.P. Schnetz | PS C. | 0 | |||||||||||
| 14885 | Dieter | Salbert | Musica phantastica, Prelude / The phantastic bird / the Voice (2 Neruda-Oden) | live-elec, 3 perf | S, S (with vocoder), synt [Sopran, synthesizer] | CMS 30066/ | PS C. | 0 | |||||||||||
| 14886 | Dieter | Salbert | Musik aus der Stille | live-elec, 2 perf | V, synt [Stimme, synthesizer] | PS C. | 0 | ||||||||||||
| 14887 | Dieter | Salbert | Musik der Roboter und Golems | live-elec, 3 perf | S, 2 synt, [Sopran, synthesizer] | PS C. | 0 | ||||||||||||
| 14888 | Dieter | Salbert | Musik im Dom | live-elec, 3 perf | org, perc, synt [Orgel, Schlagzeug, synthesizer] | PS C. | 0 | ||||||||||||
| 14889 | Dieter | Salbert | Night passage | Tanz, 4 perf | S, perc, fl, synt [Sopran, Flöte, Schlagzeug, synthesizer] | after I. Bachmann | PS C. | 0 | |||||||||||
| 41884 | Dieter | Salbert | Ormuzd und Ahriman | 1969 | fixed media, akusmatisch | Competition Musica Nova Prag 1969 | 0 | ||||||||||||
| 14890 | Dieter | Salbert | Prelude 2000 | live-elec, 1 perf | synt [synthesizer] | PS C. | 0 | ||||||||||||
| 14891 | Dieter | Salbert | Prinzessin Lilofee und der Androide | radiophon | BR Nürnberg | 0 | |||||||||||||
| 14892 | Dieter | Salbert | Raummusik - Traummusik | live-elec, 1 perf | synt, (com) [synthesizer] | PS C. | 0 | ||||||||||||
| 14893 | Dieter | Salbert | Renatus | computer generated score | PS C. | 0 | |||||||||||||
| 14894 | Dieter | Salbert | Requiem für einen sterbenden Planeten | live-elec, 2 perf | S (with vocoder), synt [Sopran, synthesizer] | PS C. | 0 | ||||||||||||
| 14895 | Dieter | Salbert | Schwarzer Walzer in F | live-elec, 2 perf | V, synt, (com) [Stimme, synthesizer] | (Text after Bachmann) | PS C. | 0 | |||||||||||
| 14896 | Dieter | Salbert | Sinfonia electronica | live-elec, 5 perf | V, 4 synt [Stimme, synthesizer] | after Rahel Mann | PS C. | 0 | |||||||||||
| 14897 | Dieter | Salbert | "So ziehen die Tage dahin…" | live-elec, 2 perf | V, synt [Stimme, synthesizer] | (indianische Texte) | PS C. | 0 | |||||||||||
| 14898 | Dieter | Salbert | Spielpläne | live-elec, 7 perf | V, br-qnt, synt [Stimme, synthesizer, Bläser] | NDR Hamburg | 0 | ||||||||||||
| 14899 | Dieter | Salbert | Studie | fixed media, akusmatisch | PS C. | 0 | |||||||||||||
| 14900 | Dieter | Salbert | Tagebuch Miserere | live-elec, 2 perf | org, synt [Orgel, synthesizer] | mit Orgel-Modulation | PS C. | 0 | |||||||||||
| 14901 | Dieter | Salbert | Tageszeiten | live-elec, 6 perf, 1 group | ch, V, perc, gui, 3 synt [Stimme, Gitarre, Schlagzeug, synthesizer, Chor] | poems by R. Mann | PS C. | 0 | |||||||||||
| 14902 | Dieter | Salbert | Texte jiddisch, Konturen | Zuspiel, live-elec, 2 perf | V, synt [Stimme, synthesizer] | PS C. | 0 | ||||||||||||
| 14903 | Dieter | Salbert | The phantastic bird and the voice | live-elec, 2 perf | V, synt, (com) [Stimme, synthesizer] | PS C. | 0 | ||||||||||||
| 14904 | Dieter | Salbert | The pipe | live-elec, 1 perf | fl (Eunuchenpfeife) [Flöte] | PS C. | 0 | ||||||||||||
| 14905 | Dieter | Salbert | Theatralische Messe | Zuspiel, live-elec, 11 perf, 1 group | org, perc, 5 br, ch, Sp, S, perf, synt [Sopran, Sprecher, Orgel, Schlagzeug, Performer, synthesizer, Bläser, Chor] | PS C. | 0 | ||||||||||||
| 14906 | Dieter | Salbert | Toccata für Synthesizer | fixed media, akusmatisch | PS C. | 0 | |||||||||||||
| 14907 | Dieter | Salbert | Todesfuge / Tenebrae | live-elec, 4 perf | V, S, Sp, synt [Sopran, Sprecher, Stimme, synthesizer] | after Paul Celan | PS C. | 0 | |||||||||||
| 14908 | Dieter | Salbert | Über Dir treibt der Himmel | live-elec, 3 perf | (modulated) V, synt, com [Stimme, computer, synthesizer] | PS C. | 0 | ||||||||||||
| 14909 | Dieter | Salbert | Unknown object | live-elec, 1 perf | synt, (com) [synthesizer] | PS C. | 0 | ||||||||||||
| 14910 | Dieter | Salbert | Walpurga | live-elec, 2 perf | V, synt [Stimme, synthesizer] | PS C. | 0 | ||||||||||||
| 14911 | Dieter | Salbert | Wesen | live-elec, 3 perf | S, 2 synt [Sopran, synthesizer] | PS C. | 0 | ||||||||||||
| 14912 | Dieter | Salbert | wie schön leuchtet der Stern | live-elec, 2 perf | hpd, synt [Cembalo, synthesizer] | PS C. | 0 | ||||||||||||
| 14913 | Dieter | Salbert | Zeitalter | live-elec, 2 perf | (modulated) V, synt [Stimme, synthesizer] | poems by Georg Trakl | PS C. | 0 | |||||||||||
| 39646 | Cesare | Saldicco | I Camminatori, Resconto, audiovisio per isole erranti | 2016 | audiovisuell | Cesare Saldicco | 0 | ||||||||||||
| 42547 | Sam | Salem | i spy | 2008 | Klangkunst, Installation | 0 | |||||||||||||
| 35835 | Sam | Salem | The Sun warms the Memory | 2011 | fixed media, akusmatisch | 11:28 | MR 2012 Métamorphoses 2012/ | Musiques et Recherches Ohain | 0 | ||||||||||
| 31984 | Sam | Salem | They Sing for Themselves | 2008 | fixed media, akusmatisch | 6:54:00 | Spazialisation: WFS | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 1 am 1.8.2008 18h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | |||||||||
| 25497 | Alejandra, Aeron | Salinas, Bergman | Bluemen of the Minch | 2003 | fixed media, akusmatisch | 2:31 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | PS C. | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||
| 25495 | Alejandra, Aeron | Salinas, Bergman | Each-Uisge | 2003 | fixed media, akusmatisch | 3:35 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | PS C. | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||
| 43148 | Alejandra, Aeron | Salinas, Bergman | The Tale of Pip / Revisionland | 2001 | Klangkunst, Installation | Auszeichnung ars electronica Award of Distinction 2002 | 0 | ||||||||||||
| 25496 | Alejandra, Aeron | Salinas, Bergman | Trows | 2003 | fixed media, akusmatisch | 2:31 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | PS C. | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||
| 14914 | Arturo | Salinas | Dao | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 14915 | Arturo | Salinas | Espacio nocturno | 1979 | Klangkunst, Installation | 0 | |||||||||||||
| 14916 | Arturo | Salinas | Lumil | 1991 | fixed media, akusmatisch | 12:00 | ICMC 1991 | PS C. | 0 | ||||||||||
| 14917 | Arturo | Salinas | Mutationen III | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | ELAK Wien | 0 | |||||||||||
| 14918 | Arturo | Salinas | Nijawi, Mémoire immarcescible | 1976 | fixed media, akusmatisch | CIRM Paris | 0 | ||||||||||||
| 27197 | Arturo | Salinas | Nunutsi | 1997 | fixed media, akusmatisch | 2:06 | 0 | ||||||||||||
| 14919 | Arturo | Salinas | Ta'kal: Music for a Solar Eclipse | 1991 - 1992 | fixed media, akusmatisch | 21:00 | PS C. | 0 | |||||||||||
| 14920 | Arturo | Salinas | Vindu | 1981 | fixed media, akusmatisch | 0 | |||||||||||||
| 14921 | Aulis | Sallinen | Chaka | 1969 | radiophon | text by L. Senghor | Yleisradio | 0 | |||||||||||
| 14922 | Erkki | Salmenhaara | Information explosion | fixed media, akusmatisch | LVR, RLEP 103/ | Uni Helsinki | 0 | ||||||||||||
| 14923 | Erkki | Salmenhaara | Konsertto | 1963 | live-elec, 3 perf | 7:30 | Stereo | 2 amp vn, mics [Violine, elektronik] | PS C. | 0 | |||||||||
| 14924 | Erkki | Salmenhaara | Pan ja Kaiku | 1963 | live-elec, 1 perf | 5:00 | Stereo | amp perc [Schlagzeug] | PS C. | 0 | |||||||||
| 14925 | Erkki | Salmenhaara | White Label | 1963 | fixed media, akusmatisch | 5:00 | Mono | Uni Helsinki | 0 | ||||||||||
| 18981 | Pertii | Salomaa | Iron Haters | 1993 | radiophon | 8:30 | YLE CDY 134/ | Yleisradio | 1 | ||||||||||
| 14926 | Esa-Pekka | Salonen | Apokalyptische Phantasie | 1978 | Zuspiel / Tonband, 1 perf, 1 group | br-band [Bläser] | Sibelius AC Helsinki | 0 | |||||||||||
| 14927 | Esa-Pekka | Salonen | Horn Music II | 1979 | Zuspiel / Tonband, 7 perf | 6 hn, perc [Horn, Schlagzeug] | Sibelius AC Helsinki | 0 | |||||||||||
| 14928 | Tadeas | Salva | Alikvoty (Harmonics) | 1971 | fixed media, akusmatisch | 5:54 | Stereo | EM CD 002/ | CECM Bratislava | 0 | |||||||||
| 14929 | Tadeas | Salva | Balada | 1975 | fixed media, akusmatisch | 4:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 14930 | Tadeas | Salva | Plac (crying) | 1979 | fixed media, akusmatisch | 21:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 14931 | Leonard | Salzedo | Agrionia | 1964 | Tanz | 35:00 | Stereo | Boyden Rec London | 0 | ||||||||||
| 14932 | Leonard | Salzedo | Distances | 1967 | Zuspiel / Tonband, 9 perf | 12:00 | Stereo | 9 ins [Instrument] | Boyden Rec London | 0 | |||||||||
| 14933 | Leonard | Salzedo | The Travellers | 1963 | Tanz, 1 group | 30:00 | Mono | orc [Orchester] | Boyden Rec London | 0 | |||||||||
| 14934 | Michael | Sam | Chopimn, m.v. | 1988 | fixed media, akusmatisch | 25:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 14935 | Michael | Sam | Next Step | 1991 | fixed media, akusmatisch | Stereo | DIEM Aarhus | 0 | |||||||||||
| 42833 | Saman | Samadi | Magnapinna in Abdomen of a Newborn | 2013 | fixed media, akusmatisch | 9:31:00 | 0 | ||||||||||||
| 36395 | Philip | Samartzis | Dark Woods | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 36440 | Philip | Samartzis | General Electric | 2008 | radiophon | 5:01 | 50th anniversary of the Institute of Australian Geographers | EDRM 416/ | 0 | ||||||||||
| 41938 | Philip | Samartzis | Herimoncourt | 1996 | fixed media, akusmatisch | Competition Musica Nova Prag 1996 | 0 | ||||||||||||
| 21926 | Philip | Samartzis | The space between somewhere + nowhere | 1997 | fixed media, akusmatisch | 32:20 | IMEB Bourges | 0 | |||||||||||
| 14936 | Michele | Sambin | era nell'aria | 1984 | Theatermusik | 15:00 | Stereo | CSC Padova | 0 | ||||||||||
| 14937 | Michele | Sambin | macchine sensibilli | 1987 | Theatermusik | 15:00 | Stereo | CSC Padova | 0 | ||||||||||
| 14938 | Michele | Sambin | Otto | 1976 | fixed media, akusmatisch | Con Venezia | 0 | ||||||||||||
| 20764 | Kjell | Samkopf | Aqua | 1990 | Zuspiel / Tonband, 1 perf | 58:02 | Stereo | perc [Schlagzeug] | PPC 9023 Point Park College/ | NOTAM | 0 | ||||||||
| 14939 | Kjell | Samkopf | Den 11. desember 1984 | 1984 | live-elec, 1 perf | 9:00 | perc [Schlagzeug] | NOTAM | 0 | ||||||||||
| 14940 | Kjell | Samkopf | Etude Nr. 1 | 1979 | fixed media, akusmatisch | 15:09 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 14941 | Kjell | Samkopf | Oppfinnelse nr. 4, (Invention no. 4) | 1980 | Zuspiel / Tonband, 2 perf | 2 perc [Schlagzeug] | 0 | ||||||||||||
| 14942 | Kjell | Samkopf | Self Portrait 1984 | 1984 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | NOTAM | 0 | |||||||||||
| 14943 | Kjell | Samkopf | Tokke Kraftverk 22.februar 1987 | 1987 | Zuspiel / Tonband, 3 perf | 8:00 | pic-fl, com, (2 emulators,) perc [Flöte, Schlagzeug, computer] | NOTAM | 0 | ||||||||||
| 14944 | Wieland | Samolak | steady state music | 1993 | fixed media, akusmatisch | 48:28 | 5 parts | imbalance 01/ | 1 | ||||||||||
| 35630 | Julian | Samuel | Julian Samuel | 2000 | Zuspiel / Tonband, 1 perf | 8:26 | vc [Cello] | Phonos Barcelona | 0 | ||||||||||
| 14945 | Claudio | San Yon Pan | Composition #1 - 5 | 1965 - 1967 | Musiktheater | ≈ 60:00 | Stereo | for happening | PS C. Long Beach | 0 | |||||||||
| 14946 | Claudio | San Yon Pan | Montage #1 - 3 | 1966 | Musiktheater | 13:00 | Stereo | for happening | PS C. Long Beach | 0 | |||||||||
| 14947 | Claudio | San Yon Pan | Omaggio a Remi Gassmann | 1965 | fixed media, akusmatisch | 3:00 | Stereo | PS C. Long Beach | 0 | ||||||||||
| 14948 | Claudio | San Yon Pan | Rolling Stones Collage | 1966 | fixed media, akusmatisch | 2:30 | Stereo | PS C. Long Beach | 0 | ||||||||||
| 14949 | Claudio | San Yon Pan | Study #1 - 3 | 1965 | fixed media, akusmatisch | 9:30 | Mono | PS C. Long Beach | 0 | ||||||||||
| 27732 | Patrick | Sanan | Spoll | 2007 | fixed media, akusmatisch | 6:55 | Stereo | Uni Manchester | 1 | ||||||||||
| 37645 | Jose Maria | Sanchez-Verdu | Alegorias de la luz | 2017 | audiovisuell | 45 | + Mono | 7 ins, (4 Filmprojektoren [2 16mm, 1 35-mm], 4 Leinwände, Live-Manipulation der Filme, Live-Elektronik und Hermann Scherchens rotierende Lautsprecherkugel) [Instrument] | AdK Berlin | Ensemble ascolta, AdK Berlin | 29.9.2017 | AdK Berlin, Kontakte 17 Festival, Ensemble ascolta | 0 | ||||||
| 22196 | David | Sanchez | Aufnahme | Film | 89:00 | Für "Das kleine Fernsehspiel" des ZDF | TU Berlin | Preis bei "3Sat-Preis für deutschsprachige Dokumentation", vergeben bei der Duisburger Filmwoche | 1 | ||||||||||
| 19007 | David | Sanchez | Das Pendel | 1995 | Klangkunst, Installation | ≈ 30:00 | für Klanginstallation Foyer Hauptgebäude im Rahmen des Workshops Nov. 1995 | TU Berlin | 1 | ||||||||||
| 21107 | David | Sanchez | Jan T zen, oder die Kunst als Zahnarzt Pleite zu gehen | 1998 | Film | 7:56 | Stereo | TU Berlin | 1 | ||||||||||
| 21109 | David | Sanchez | Mi Mi Chiamo… | 1985 | fixed media, akusmatisch | 11:44 | Stereo | Roosevelt Uni Chicago | 1 | ||||||||||
| 21114 | David | Sanchez | off <area> | 1999 | Demo, Studie | ∞ | Beatnik see Website | TU Berlin | 1 | http://www.bethanien.de/off.area/ | |||||||||
| 21108 | David | Sanchez | Ruine der Kinder | 1997 | Klangkunst, Installation | 11:11 | Stereo | TU Berlin | 1 | ||||||||||
| 21110 | David | Sanchez | Sura XXVII (Part 1) | 1997 - 1999 | fixed media, akusmatisch | 13:08 | Stereo | work in Progress | TU Berlin | 0 | |||||||||
| 21111 | David | Sanchez | The Nature of Music | 1985 | fixed media, akusmatisch | 4:49 | Stereo | Roosevelt Uni Chicago | 1 | ||||||||||
| 27198 | Luz Maria | Sanchez | Radio 1 | 1997 | fixed media, akusmatisch | 6:01 | 0 | ||||||||||||
| 14950 | Håkan | Sandelius | De himmelshöga gobelängerna | 1992 | fixed media, akusmatisch | 6:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 14951 | Håkan | Sandelius | Hologram | 1989 | fixed media, akusmatisch | 4:14 | Stereo | EMS Stockholm | 0 | ||||||||||
| 14952 | Håkan | Sandelius | Kroki | 1989 | fixed media, akusmatisch | 2:58 | Stereo | EMS Stockholm | 0 | ||||||||||
| 14953 | Håkan | Sandelius | På Kurs | 1986 | fixed media, akusmatisch | 2:33 | Stereo | Examenskomposition | EMS Stockholm | 0 | |||||||||
| 14954 | Håkan | Sandelius | Tur och retur | 1992 | fixed media, akusmatisch | 4:14 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22961 | Sten | Sandell | ahead | live-elec, | 5:04 | BAR 8502/ | 1 | ||||||||||||
| 14955 | Sten | Sandell | Between the pipes | 1993 | fixed media, akusmatisch | 9:30 | 0 | ||||||||||||
| 14956 | Sten | Sandell | damp | live-elec, | 10:11 | BAR 8502/ | 1 | ||||||||||||
| 14957 | Sten | Sandell | flowing | live-elec, | 12:19 | BAR 8502/ | 1 | ||||||||||||
| 14958 | Sten | Sandell | Perhentian | live-elec, | 5:23 | BAR 8502/ | 1 | ||||||||||||
| 14959 | Sten | Sandell | the end, and | live-elec, | 2:55 | BAR 8502/ | 1 | ||||||||||||
| 14960 | Sten | Sandell | to be | live-elec, | 4:25 | BAR 8502/ | 1 | ||||||||||||
| 28346 | Sten, Inger | Sandell, Arvidsson | Gobi | 1990 | fixed & Dias | 0 | 2002 | ||||||||||||
| 33296 | Peter | Sandloff | Akte Wilhelm Voigt | 1961 | radiophon | 10 | PS Sala | 0 | |||||||||||
| 33295 | Peter | Sandloff | Der Fall Pinedus | 1959 | radiophon | 15 | Mono | PS Sala | 0 | ||||||||||
| 33294 | Peter | Sandloff | Der Meisterdieb | 1958 | Fernsehen, | 22 | Mono | PS Sala | 0 | ||||||||||
| 33298 | Peter | Sandloff | Der Unvollendete | 1962 | radiophon | 10 | Mono | PS Sala | 0 | ||||||||||
| 33297 | Peter | Sandloff | Intermezzo | 1961 | Theatermusik | 20 | PS Sala | 0 | |||||||||||
| 33299 | Peter | Sandloff | Nemo | 1962 | Film | 11 | Mono | PS Sala | 0 | ||||||||||
| 33300 | Peter | Sandloff | Von Musen und Menschen | 1963 | Fernsehen, | 6 | Mono | PS Sala | 0 | ||||||||||
| 14961 | Peter | Sandmark | Undercurrent | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 34156 | Carlos | Sandoval | AntiLegos, AntiLego 1 AntiLego 2 AntiLego 3 |
2015 | audiovisuell, live-elec, 5 perf | ob, vn, KB, cl, va [Klarinette, Oboe, Viola, Violine] | 3 parts | Ensemble Mosaik | 17.10.2015 | Donaueschingen, Donauhalle, Ensemble Mosaik | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/donaueschinger-musiktage-2015-programm-06/-/id=2136962/did=15652820/nid=2136962/mkps9x/index.html | |||||||
| 27355 | Carlos | Sandoval | Between the garden and the Kitchen in Istanbul | fixed media, akusmatisch | 9:23 | 1 | |||||||||||||
| 26056 | Carlos | Sandoval | CcMd-01 | 2002 | Zuspiel / Tonband, 4 perf | 13:46 | str-qt [Streicher] | Arditti (stqt) | PS C. | 1 | |||||||||
| 26057 | Carlos | Sandoval | Chillida | 2003 | Klangkunst, Installation | 5:00 | granular synthesis | PS C. | 1 | ||||||||||
| 39150 | Carlos | Sandoval | Die Tränen der Dinge | 2018 | audiovisuell, live-elec, 1 group | ens [Ensemble] | 5.7.2018 | Kulturbrauerei Berlin, Autonome Musik 4 „Schaltungen“, Ensemble Mosaik, mit Projektion von Daniela Berenka, Tanja Watoro, Ernst Surberg, Niklas Seidl | 0 | ||||||||||
| 36547 | Carlos | Sandoval | Fast Piece | 1991 | computer generated score, 1 perf | 6:23:00 | player p [Piano] | Donaueschinger Musiktage 1994 | WWE 3CD 31882/ | 1 | |||||||||
| 14962 | Carlos | Sandoval | Homenaje | 1991 | fixed media, akusmatisch | 10:07 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 26058 | Carlos | Sandoval | Liz-Mix | 2002 | fixed media, akusmatisch | 6:23 | PS C. | 1 | |||||||||||
| 14963 | Carlos | Sandoval | Lomos | 1989 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 26059 | Carlos | Sandoval | negativ | 2005 | fixed media, akusmatisch | 15:00 | 5 tracks, Octo | mit Handschuh und Steim-Software „Lisa“ | TU Berlin | 1 | |||||||||
| 26060 | Carlos | Sandoval | PfMd-01 | 2002 | Zuspiel / Tonband, 1 perf | 16:38 | p [Piano] | Marion Vidal (p) | PS C. | 1 | |||||||||
| 28394 | Carlos | Sandoval | The birth of a ship | 2006 | Performance, live-elec, 7 perf | 40 | 3 perc, 2 perf, 2 assistent [Schlagzeug, Performer] | Auftrag zur Langen Nacht der Museen 26.8.2006 im Deutschen Technikmuseum Berlin, Schiffsabteilung Videodokumentation |
PS C., TU Berlin | 1 | http://www.carlos-sandoval.de/ | ||||||||
| 26228 | Carlos | Sandoval | the body of Ligia | 2007 | Tanz, live-elec, 2 perf | 18:00 | Octo | dancer, perf [Performer, Tanz] | Projekt 5+1 | 22.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | |||||||
| 14964 | Ørjan | Sandred | Det tredje perspektivet | 1991 | fixed media, akusmatisch | 10:30 | INFOGRAM 018/ | 1 | |||||||||||
| 14965 | Ørjan | Sandred | [The] turn of a flute | 1990 | intermedia | 5:30 | 0 | ||||||||||||
| 14966 | Sven David | Sandström | En vårfilm | 1970 | Film | Stereo | EMS Stockholm | 0 | |||||||||||
| 14967 | Kent | Sandusky | Loop Study | 1962 | fixed media, akusmatisch | 6:00 | Mono | EMS UIUC | 0 | ||||||||||
| 24064 | Iris | Sanguesa | Integración | 1968 | Tanz, 1 perf | audiovisuell |
dancer, (proyección de lineas y colores) [Tanz] | 1968. Claem. Buenos Aires, Argentina. | 0 | |||||||||||
| 24065 | Iris | Sanguesa | Llaman las llamas | live-elec, 6 perf | V, narrator, p, db, perc, synt [Stimme, Piano, Schlagzeug, Kontrabass, Schauspieler, synthesizer] | 0 | |||||||||||||
| 24068 | Iris | Sanguesa | Oda a la humanidad | Zuspiel / Tonband, 6 perf, 2 groups | 6 V, ch, chamber-orc [Stimme, Chor, Orchester] | 0 | |||||||||||||
| 24066 | Iris | Sanguesa | Permanencia I | fixed media, akusmatisch | 0 | ||||||||||||||
| 24067 | Iris | Sanguesa | Permanencia II | fixed media, akusmatisch | 0 | ||||||||||||||
| 21678 | Nicola | Sani | Adagio Moss | 1998 | radiophon | Radio SFB | 0 | ||||||||||||
| 24471 | Nicola | Sani | Al di là dei miei uragani | 2003 | Zuspiel / Tonband, 1 perf | 16:26 | acc [Akkordeon] | LDC 2781131 Compendium 2003/ | IMEB Bourges | french goverment | 1 | ||||||||
| 14968 | Nicola | Sani | Area | 1986 | Zuspiel / Tonband, | 10:00 | Stereo | CRM Roma | 0 | ||||||||||
| 21670 | Nicola | Sani | Che-cambiare la Prosa del Mondo | 1989 | Oper, 1 perf | V [Stimme] | 0 | ||||||||||||
| 25457 | Nicola | Sani | Con Fuoco | 2000 | Zuspiel, live-elec, 2 perf | 31:46 | Octo | (hyper) b-fl, elec [Flöte, elektronik] | Fourth part of the cycle "elements". | STR 33766 stradivarius/ | WDR Studio Akustische Kunst | WDR Studio Akustische Kunst | 13. 10. 2001 | Köln | 1 | ||||
| 21666 | Nicola | Sani | Concetto spaziale, Attese | 1997 | Zuspiel / Tonband, 1 perf | 12:30 | p [Piano] | STR 33609 stradivarius/ | 1 | ||||||||||
| 38647 | Nicola | SANI | Diotima e Euridice | 2004 | radiophon | 50:45:00 | 0 | ||||||||||||
| 23517 | Nicola | Sani | Dove arrivano le nuvole pin vaste | 1999 | Zuspiel, live-elec, 1 perf | 14:48 | db-fl [Flöte] | B. G. Schmitt (fl); Thomas Seelig (MAX/MSP) | PS Seelig | 1 | |||||||||
| 18543 | Nicola | Sani | Dove volano le nuvole piu' vaste | 1996 | Zuspiel, live-elec, 2 perf | 14:55 | db, fl [Flöte, Kontrabass] | IMEB Bourges | 0 | ||||||||||
| 14970 | Nicola | Sani | Embryo | 1981 | fixed media, akusmatisch | 9:00 | Stereo | Fly com | CRM Roma | 0 | |||||||||
| 21673 | Nicola | Sani | Energia | 1992 | Klangkunst, Installation | Octo | Expo Sevilla; pictures by Michelangelo Antonioni | 0 | |||||||||||
| 14971 | Nicola | Sani | Etra | 1985 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | vc [Cello] | Fly com | CRM Roma | 0 | ||||||||
| 21671 | Nicola | Sani | Footprint | 1990 | audiovisuell | Video by Mario Sasso & Sani | 0 | ||||||||||||
| 14972 | Nicola | Sani | Frammenti sull 'Apocalisse | 1994 - 1995 | radiophon | 29:30 | Text: R. Andó | RAI | Ricordi | 1 | |||||||||
| 21667 | Nicola | Sani | I Binari del Tempo | 1998 | Zuspiel / Tonband, 1 perf | 11:31 | p [Piano] | AG 275.1 AGORA/ STR 33609 stradivarius/ WJ 2003/ | 1 | ||||||||||
| 14973 | Nicola | Sani | In stiller ewiger Klarheit | 1995 | live-elec, 1 group | 16:00 | Stereo | ens [Ensemble] | CRM Roma | 1 | |||||||||
| 14974 | Nicola | Sani | L'incarico e il fine | 1994 | Oper, live-elec, 14 perf | Musiktheater, live-elec, 14 perf |
37:40 | Sp V, 5 str, 8 V [Sprecher, Stimme, Streicher] | Text: L. Pestalozza | 1 | ||||||||||
| 21679 | Nicola | Sani | La Torre delle Trilogie | 1998 | Klangkunst, Installation | 6 | 0 | ||||||||||||
| 21676 | Nicola | Sani | La Voce di Petrouschka | 1993 | Klangkunst, Installation | 0 | |||||||||||||
| 19068 | Nicola | Sani | Le cittá continue / La stanza di Vertov | 1993 - 1995 | Klangkunst, Installation | Sonambiente Ausstellung (1996) Katalog S.129 |
ISBN 3-7913-1699 (Prestel)/ Nuova Fonit Cetra CDC 501/ | 1 | |||||||||||
| 14975 | Nicola | Sani | Les jours de la lumiere (I giorni della luce fragile) | 1994 | fixed media, akusmatisch | 11:05 | IMEB Bourges | 0 | |||||||||||
| 21135 | Nicola | Sani | Lo soffia il cielo | 1998 - 2001 | Zuspiel / Tonband, 2 perf | 15:40 | Octo | 2 tuba [Tuba] | Sigma 1 | TU Berlin | 6.7.2002 DE | Inventionen staatsbank Berlin | 1 | 2002 | |||||
| 14977 | Nicola | Sani | Matera Sassi | 1988 | radiophon | 20:55 | WER 6307-2/ | WDR Studio Akustische Kunst, CRM Roma | 1 | ||||||||||
| 18542 | Nicola | Sani | Non potè mai sfiorire | 1995 | Zuspiel / Tonband, 1 perf | 6:15 | S [Sopran] | IMEB Bourges | 0 | ||||||||||
| 21665 | Nicola | Sani | Non tutte le isole hanno intorno il mare (isola seconda) | 1997 | Zuspiel / Tonband, 1 perf | 13:20 | hp [Harfe] | STR 33609 stradivarius/ | IMEB Bourges | 0 | |||||||||
| 18544 | Nicola | Sani | Non tutte le isole hanno intorno il mare (isola terza) | 1997 | Zuspiel / Tonband, 1 perf | 13:00 | b-cl [Klarinette] | STR 33609 stradivarius/ LDC 2781115/16/17 opus 30/ | IMEB Bourges | 0 | |||||||||
| 21664 | Nicola | Sani | Non tutte le isole hanno intorno il mare (isola una) | 1997 | Zuspiel / Tonband, 1 perf | 21:00 | va [Viola] | STR 33609 stradivarius/ | INA • GRM | 0 | |||||||||
| 21674 | Nicola | Sani | Noto-Mandorli-Vulcano-Stromboli-Carnevale | 1992 | Film | 0 | |||||||||||||
| 21669 | Nicola | Sani | Occhi lucenti, Iqbal | 1996 | Zuspiel / Tonband, 1 perf | 14:00 | V [Stimme] | text by Luigi Pestalozza | 0 | ||||||||||
| 21675 | Nicola | Sani | Oltre oltre | 1993 | Oper | 0 | |||||||||||||
| 21668 | Nicola | Sani | Sonore Image de mon Absence | 2000 | Zuspiel / Tonband, 1 perf | Octo | vc [Cello] | STR 33609 stradivarius/ | IMEB Bourges | 1 | |||||||||
| 14978 | Nicola | Sani | Studio per Apocalisse | 1993 | radiophon | 18:10 | RAI | 1 | |||||||||||
| 14979 | Nicola | Sani | Tendenze | 1987 | radiophon | 10:00 | Stereo | Fonit Cetra CDC 43/ | RAI Milano, RAI | 1 | |||||||||
| 21681 | Nicola | Sani | Terra | 2000 | Zuspiel / Tonband, 1 perf | 30:46 | Octo | perc, (elec) [Schlagzeug] | Third part of the cycle "elements". | STR 33766 stradivarius/ | WDR Studio Akustische Kunst | WDR Studio Akustische Kunst | 08. Mai 2000 | Kölner Musik-Triennale, Grosser Sendesaal im WDR, Köln | 1 | ||||
| 5000 | Nicola | Sani | The Waste Land - La Terra desolata | 1992 | radiophon | 20:00 | text by Eliot | RAI | 0 | ||||||||||
| 21672 | Nicola | Sani | Unreal City | 1991 | radiophon | 20:00 | RAI | 0 | |||||||||||
| 21155 | Nicola | Sani | Voices beyond the edge | 1999 | Radiokunst, 1 perf | 52:00 | Stereo, Octo | V [Stimme] | Zwei Versionen: radiophone Fassung; Fassung für Mehrkanaltonband + Stimme | DeutschlandRadio, TU Berlin | 1 | ||||||||
| 21677 | Nicola | Sani | Wassererinnerungen | 1996 | radiophon | 34:55 | Stereo, Octo | First part of the cycle "elements". Dedicated to Klaus Schoening. |
STR 33766 stradivarius/ | WDR Studio Akustische Kunst | WDR Studio Akustische Kunst | 1996 | "Acustica International", Köln | 1 | |||||
| 21680 | Nicola | Sani | Windstille | 1999 | Radiokunst, 2 perf | Octo | b-fl, org [Flöte, Orgel] | Second part of the cycle "elements". Roberto Fabbriciani (b-fl), Oscar Pizzo (org), Carin Levine (fl). |
STR 33766 stradivarius/ | WDR Studio Akustische Kunst | WDR Studio Akustische Kunst | 1999 | "Acustica International", Köln | 1 | |||||
| 14969 | Nicola, Michelangelo | Sani, Lupone | Doppio di coppia | 1987 | live-elec, 2 perf | 7:00 | Stereo | 2 com [computer] | Fly com | CRM Roma | 0 | ||||||||
| 35609 | Joan | Sanmarti | Passadis | 2001 | Zuspiel / Tonband, 1 perf | 13:29 | vc [Cello] | Phonos Barcelona | 0 | ||||||||||
| 34072 | Valerio | Sannicandro | Ephemeris - Ekleipsis | 2015 | live-elec, 2 perf | 27 | cl, sax [Klarinette, Saxophon] | (M. Poore) | AdK Berlin | AdK Berlin Brandenburg / Ernst-von-Siemens-Stiftung | 25.9.2015 | Kontakte-Festival AdK Berlin, Ingólfur Vilhjálmsson (cl), Joaquín Sáez Belmonte (sax) | 0 | ||||||
| 31339 | Valerio | Sannicandro | Ius Lucis, für zwei Ensembles in zwei Räumen | 2011 | live-elec, 2 groups | 51:40 | Stereo, Surround 5.1 | 2 ens [Ensemble] | (musikFabrik) | WER 20652/ zkm electronic, Edition ZKM/ | ZKM Karlsruhe | 0 | |||||||
| 33847 | Valerio | Sannicandro | Sonnet X | 2008 | live-elec, 1 perf | 18:22 | tuba [Tuba] | (M. Poore) | WER 20642/ | ZKM Karlsruhe | 0 | ||||||||
| 41840 | Roberto | Santaguida | AWOL | 2008 | radiophon | 10:47:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 36377 | Robert | Santamaria | El Ciclo del Tiempo | 1989 | fixed media, akusmatisch | 5:30 | Audiovisuals de Sarria 29-1421/ | 0 | |||||||||||
| 39569 | Ana | Santillan Alcocer | 6 Études électroniques | 2016 | Performance | Ana Santillan Alcocer | 0 | ||||||||||||
| 39567 | Ana | Santillan Alcocer | Oneirophrenia | 2015 | fixed media, akusmatisch | 2:22:00 | Ana Paola Santillan Alcocer | 0 | |||||||||||
| 39568 | Ana | Santillan Alcocer | The FEAST | 2017 | fixed media, akusmatisch | Ana Santillan Alcocer | 0 | ||||||||||||
| 43053 | Ana Paola | Santillan Alcocer | Oneirophrenia | 2014 | fixed media, akusmatisch | 2:22:00 | 0 | ||||||||||||
| 36407 | Riccardo | Santoboni | Rituals | 1999 | fixed media, akusmatisch | Kiasma 1999/ | 0 | ||||||||||||
| 19277 | Riccardo, Rossana | Santoboni, Maggia | Omaggio a Luigi Russolo | 1995 | live-elec, 2 perf | 3:36 | V, ins (dig intonarumori) [Stimme, Instrument] | Russolo Pratella EF.ER.P 97/ WER Ed. NZ/ | 1 | ||||||||||
| 14980 | Cláudio | Santoro | Mutationen III | 1971 | Zuspiel / Tonband, 1 perf | 10:37 | p [Piano] | eSP 9401 Shelan/ | McGill Montréal | 1 | |||||||||
| 31751 | Francisco dos | Santos Braga | Lirica Espacial | 2004 | fixed media, akusmatisch | 4:43 | SBME 006 Coletânea de Música Eletroacústica Brasileira/ | Uni Brasília | 1 | ||||||||||
| 22962 | Carles | Santos | Arganchulla-Arganchulla-Gallac | 1986 | Musiktheater, 1 perf, 3 groups | 20:40 | Stereo | ens, Vs, actors [Stimme, Schauspieler, Ensemble] | TU Berlin | DAAD | 2.1987 | AdK Berlin (Musik im Februar) | 1 | ||||||
| 22707 | Julio | Sanz Vázquez | Ad Libitum? | 1987 | fixed media, akusmatisch | 9:58 | Stereo | UM CD- 21 (Unio Musics)/ | GME Cuenca | 1 | |||||||||
| 19573 | Julio | Sanz Vázquez | Canto a un Arcoiris sin Timón | 1991 | fixed media, akusmatisch | 22:36 | Stereo | GME Cuenca | 0 | ||||||||||
| 19574 | Julio | Sanz Vázquez | Carcoma | 1991 | fixed media, akusmatisch | 14:30 | Stereo | GME Cuenca | 0 | ||||||||||
| 19583 | Julio | Sanz Vázquez | Coda para Sweet | 1995 | fixed media, akusmatisch | 4:30 | Stereo | GME Cuenca | 0 | ||||||||||
| 19577 | Julio | Sanz Vázquez | Comunicación | 1991 | fixed media, akusmatisch | 10:53 | Stereo | UM CD- 21 (Unio Musics)/ | GME Cuenca | 1 | |||||||||
| 19582 | Julio | Sanz Vázquez | El Jardin de los Poetas | 1994 | fixed media, akusmatisch | 72:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19569 | Julio | Sanz Vázquez | El Roman de Fauvel | 1990 | fixed media, akusmatisch | 40:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 14981 | Julio | Sanz Vázquez | En la memoria… L. Nono | 1990 | fixed media, akusmatisch | 6:27 | UM CD 7 Vol. I/ | GME Cuenca | 1 | ||||||||||
| 19581 | Julio | Sanz Vázquez | Espacio imaginario | 1994 | fixed media, akusmatisch | 18:20 | Stereo | GME Cuenca | 0 | ||||||||||
| 19575 | Julio | Sanz Vázquez | Inhibiciones sonoras de un espacio gris para Fuera del Negro | 1991 | fixed media, akusmatisch | 12:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19564 | Julio | Sanz Vázquez | Interiores | 1988 | fixed media, akusmatisch | 11:25 | Stereo | UM CD- 21 (Unio Musics)/ | GME Cuenca | 1 | |||||||||
| 19565 | Julio | Sanz Vázquez | Introversus | 1988 | fixed media, akusmatisch | 12:36 | Stereo | UM CD- 21 (Unio Musics)/ | GME Cuenca | 1 | |||||||||
| 19576 | Julio | Sanz Vázquez | Intususcepción | 1991 | fixed media, akusmatisch | 13:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19566 | Julio | Sanz Vázquez | Jalea Real | 1990 | fixed media, akusmatisch | 8:30 | Stereo | GME Cuenca | 0 | ||||||||||
| 19568 | Julio | Sanz Vázquez | "L" al Cuadro | 1990 | fixed media, akusmatisch | 12:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19579 | Julio | Sanz Vázquez | Mandándome Callar | 1992 | fixed media, akusmatisch | 10:27 | Stereo | UM CD- 21 (Unio Musics)/ | GME Cuenca | 1 | |||||||||
| 19570 | Julio | Sanz Vázquez | Melodia de Kolor | 1990 | fixed media, akusmatisch | 7:12 | Stereo | UM CD- 21 (Unio Musics)/ | GME Cuenca | 1 | |||||||||
| 19578 | Julio | Sanz Vázquez | Música en conserva … O de lo Aleatorio | 1992 | fixed media, akusmatisch | 15:15 | Stereo | UM CD- 21 (Unio Musics)/ | GME Cuenca | 1 | |||||||||
| 19580 | Julio | Sanz Vázquez | Pass-Son-100 | 1993 | fixed media, akusmatisch | 5:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 35631 | Julio | Sanz Vázquez | Si la piedra… | fixed media, akusmatisch | 1:16 | 0 | |||||||||||||
| 19567 | Julio | Sanz Vázquez | Suite de sensaciones sonoras, sin Titulo Metamorfosis en esa vieja ciudad |
1990 | fixed media, akusmatisch | 12:30 | Stereo | GME Cuenca | 0 | ||||||||||
| 19571 | Julio | Sanz Vázquez | ´Üpera en el Talego | 1991 | fixed media, akusmatisch | 20:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 21005 | Julio | Sanz Vázquez | Un Instante en Paris | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 19572 | Julio | Sanz Vázquez | Zoolitosonia | 1991 | fixed media, akusmatisch | 23:45 | Stereo | GME Cuenca | 0 | ||||||||||
| 14982 | Janina | Sapinska | ETIUDA | 1979 | fixed media, akusmatisch | 2:47 | Quadro | SME Krakow | 0 | ||||||||||
| 28205 | Group | SARC | The Queen’s University Belfast: Sonic Arts Research Centre SARC, opening April 21 2004 | 2006 | Demo, Studie | interactive CD-ROM mit Beschreibung der Facilities. | Queen’s Uni/ | SARC Belfast | 2004 | 0 | |||||||||
| 14983 | Albert | Sardá | Roig | fixed media, akusmatisch | 3:15 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | |||||||||||
| 19584 | Albert | Sardá | Selkit | 1988 | fixed media, akusmatisch | 8:55 | Stereo | GME Cuenca | 0 | ||||||||||
| 40083 | Matthew | Sargent | Living in the Pulsing Light | 2016 | fixed media, akusmatisch | Matthew Sargent | 0 | ||||||||||||
| 14984 | Simonetta | Sargenti | Frammenti di un sogno | 1991 | live-elec, 1 perf | 7:00 | fl [Flöte] | MM&T Milano | 0 | ||||||||||
| 38433 | Simonetta | Sargenti | Natural-mente | 1989 | Zuspiel / Tonband, 1 perf | va [Viola] | 0 | ||||||||||||
| 38434 | Simonetta | Sargenti | Resonant wholes | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 42807 | Donal | Sarsfield | The Snare Piece | 2012 | live-elec, 1 perf | 11:11:00 | perc (snare drum) [Schlagzeug] | Levy Lorenzo, snare drum | 0 | ||||||||||
| 26062 | Jakub | Sarwas | Dialog | 1997/2004 | Zuspiel / Tonband, 1 perf | 5:33 | vn [Violine] | 1 | |||||||||||
| 26063 | Jakub | Sarwas | Hybrid Conjunction | 1999 | Zuspiel / Tonband, 2 perf | tpt, db [Trompete, Kontrabass] | PS C. | 1 | |||||||||||
| 26061 | Jakub | Sarwas | Philharmonia Colonia - Alea | 2004 | Zuspiel / Tonband, 5 perf | 6:30 | Quadro | 2 trbn, sax, acc, perc [Saxophon, Posaune, Akkordeon, Schlagzeug] | part of „Vetch“ | HfMT Köln | 1 | ||||||||
| 33061 | Jakub | Sarwas | … quia fortis est ut mors dilectio dura sicut inferus aemulatio … | 1998 | Zuspiel / Tonband, 1 perf, 1 group | 20:03 | Quadro | orc, fem V [Stimme, Orchester] | WJ 2000/ | PS C., Mix plus Krakow | 1 | ||||||||
| 14985 | Karl Ernst | Sasse | Alaskafüchse | 1964 | Film | 2:30 | Mono | RFZ Berlin | 0 | ||||||||||
| 14986 | Roland | Sassi | Ceux d'Argos | 1960 | radiophon | 33:00 | Mono | CRS Genève | 0 | ||||||||||
| 14987 | Roland | Sassi | Gabriel Cousin | 1960 | radiophon | 20:00 | Mono | CRS Genève | 0 | ||||||||||
| 14988 | Roland | Sassi | L'oeuf de Klein | 1959 | radiophon | 26:00 | Mono | CRS Genève | 0 | ||||||||||
| 14989 | Roland | Sassi | La mort n'avait pas de clé | 1960 | radiophon | 53:00 | Mono | CRS Genève | 0 | ||||||||||
| 14990 | Roland | Sassi | Le navigateur | 1958 | radiophon | 34:00 | Mono | CRS Genève | 0 | ||||||||||
| 14991 | Roland | Sassi | Les cierges de St. Laurent | 1960 | radiophon | 40:00 | Mono | CRS Genève | 0 | ||||||||||
| 14992 | Roland | Sassi | Marc Alyn | 1960 | radiophon | 24:00 | Mono | CRS Genève | 0 | ||||||||||
| 14993 | Roland | Sassi | Qu'était-ce | 1960 | radiophon | 28:00 | Mono | CRS Genève | 0 | ||||||||||
| 14994 | Roland | Sassi | Quatre en un | 1961 | radiophon | 41:00 | Mono | CRS Genève | 0 | ||||||||||
| 14995 | Roland | Sassi | Qui peut remplacer l'Homme | 1959 | radiophon | 32:00 | Mono | CRS Genève | 0 | ||||||||||
| 14996 | Roland | Sassi | Vérité garantie | 1956 | radiophon | 35:00 | Mono | CRS Genève | 0 | ||||||||||
| 20617 | Roland, Jean | Sassi, Pallandre | Berger d'Aubrac | radiophon | 18:40 | Stereo | CRS Genève | 0 | |||||||||||
| 34641 | Ayako | Sato | August, blue colored green | 2015 | fixed media, akusmatisch | 5:40 | SMC2016 | Uni Tokyo, ENS Paris | 0 | ||||||||||
| 42790 | Ayako | Sato | kakurega | 2012 | fixed media, akusmatisch | 5:40:00 | 0 | ||||||||||||
| 42900 | Ayako | Sato | sen no kaikou | 2013 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 20765 | Somei | Satoh | Cosmic Womb | 1988 | Zuspiel / Tonband, 2 perf | 11:35 | Stereo | 2 p [Piano] | mode 15/ | 0 | http://www.moderecords.com/ | ||||||||
| 36333 | Somei | Satoh | Echoes | 1981 | fixed media, akusmatisch | 30:27 | OPA 018/ | NHK Tokyo | May 20-19, 1981 | "Mist, Sound, and Light Festival", held at Kawaji, Tochigi Prefecture | 0 | ||||||||
| 36332 | Somei | Satoh | Emerald Tablet | 1978 | fixed media, akusmatisch | 26:54 | OPA 018/ | NHK Tokyo | 0 | ||||||||||
| 20766 | Somei | Satoh | Mantra, Stabat Mater | 1986 | live-elec, 1 perf | 22:53 | Stereo | V [Stimme] | NA 016/ | 0 | |||||||||
| 34518 | Arthur, Paul de, Group | Sauer, Jong, The Brain | Strijd | 1987 | fixed media, akusmatisch | 7:20 | Stereo | Con Den Haag | 0 | ||||||||||
| 37171 | Nico | Sauer | AcouSuit | 2017 | Klangkunst, Installation | ∞ | HfM Dresden | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 37228 | Nico | Sauer | Love Me | 2017 | live-elec, 9 perf | 14:00:00 | 8 gui, perc, (Live Elektronik) [Gitarre, Schlagzeug] | HfM Dresden | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 24284 | Thomas | Sauerbier | c:\Musik\Sound.exe | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 14997 | Henri | Sauguet | Aspect sentimental, trois Aspects sentimenteaux | 1957, 1959 | fixed media, akusmatisch | 7:08 | Mono | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1031 27651 archives grm CD 1/5/ BAM EX 241/ BAM LD 070/ AZ BAM 5070/ IDEAMA CD 038/ | INA • GRM | 3.2.1958 | Radio Paris IV | 1 | |||||||
| 29220 | Henri | Sauguet | Six pièces en un acte | 1955 | Theatermusik | INA • GRM | 22.6.1955 | Paris, Th. de la Huchette | 0 | ||||||||||
| 40387 | Henri | Sauguet | Une Voix sans Personne | 1956 | Theatermusik | Texte by J. Tardieu | INA • GRM | 0 | |||||||||||
| 42931 | Danny | Saul | Glitches/Trajectories | 2013 | fixed media, akusmatisch | 11:30:00 | 0 | ||||||||||||
| 23512 | James | Saunders | #290602 | 2002 | Zuspiel, Performance, 1 perf | 9:00 | vc, (Diktiergeräte) [Cello] | 29.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | http://www.james-saunders.com/James_Saunders/news_/news_.html | |||||||
| 39399 | Jane | Saunders | An Agitated Earth | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 14998 | Etienne | Saur | Cryogénie | 1986 | fixed media, akusmatisch | 11:50 | CNR Amiens | 1 | |||||||||||
| 14999 | Etienne | Saur | D'un jour l'autre | 1986 | fixed media, akusmatisch | 11:00 | CNR Amiens | 0 | |||||||||||
| 15000 | Etienne | Saur | Etude pour timbale | 1985 | fixed media, akusmatisch | 7:00 | CNR Amiens | 0 | |||||||||||
| 15001 | Etienne | Saur | L'art du Lézard | 1989 | fixed media, akusmatisch | 12:00 | CNR Amiens, IMEB Bourges | 0 | |||||||||||
| 18545 | Etienne | Saur | La petite mort | 1990 | fixed media, akusmatisch | 9:30 | IMEB Bourges | 0 | |||||||||||
| 15002 | Etienne | Saur | Le métro fantôme | 1985 | Theatermusik | ∞ | CNR Amiens | 0 | |||||||||||
| 15003 | Etienne | Saur | Procession | 1985 | fixed media, akusmatisch | 15:00 | CNR Amiens | 0 | |||||||||||
| 15004 | Etienne | Saur | Timbale et voix | 1985 | fixed media, akusmatisch | 1:50 | CNR Amiens | 0 | |||||||||||
| 15005 | Etienne | Saur | Valse | 1986 | fixed media, akusmatisch | 3:00 | CNR Amiens | 0 | |||||||||||
| 31513 | Henri de | Saussure | 13dCCTV | 2013 | Klangkunst, Installation | audiovisuell |
∞ | next_generation 5.0 | HKB Bern | 0 | ||||||||||
| 15006 | Ernest | Sauter | Métrages | 1982 | fixed media, akusmatisch | Zuspiel, live-elec, 1 group |
17:36 | 6 | orc [Orchester] | HfM Hannover | 0 | |||||||||
| 15007 | Ernest | Sauter | Remontage, Requiem für eine Tänzerin | 1975/1976 | live-elec, 1 perf, 1 group | Tanz |
29:43 | Quadro | ch, actor [Schauspieler, Chor] | HfM Hannover | 1 | |||||||||
| 15008 | Ernest | Sauter | Spiegelung | 1975/1976 | Film | 5:17 | Mono | from "Remontage" | HfM Hannover | 0 | |||||||||
| 15009 | Paul | Sauvanet | Cyclique 5 | 1984 | live-elec, 3 perf | 3 synt [synthesizer] | 0 | ||||||||||||
| 22517 | Paul | Savage | Fall | 2000 | Zuspiel / Tonband, 2 perf | 10:48 | V, sax [Stimme, Saxophon] | CD: "a new Generation" at EMS / Eight Times Falling. nach einem Text von Göran Sonnevi; Sara Jungberg (voc), Martin Küchen (sax) |
Elektron EM 1004/ | EMS Stockholm | 1 | ||||||||
| 15010 | Robert Cosmos | Savage | 12 tape collages | 1958 - 1967 | Tanz | 3:00-30:00 | Mono, Stereo, Quadro | PS C. NY | 0 | ||||||||||
| 15011 | Robert Cosmos | Savage | Canon for 3 tape recorders | 1967 | Tanz | 8:00 | Mono + Mono + Mono | PS C. NY | 0 | ||||||||||
| 15012 | Robert Cosmos | Savage | Clay (- Liston, -Patterson, -Terrel) | 1967 | Tanz | intermedia |
130:00 | Mono | 3 versions (Liston, Patterson, Terrel) | PS C. NY | 0 | |||||||||
| 15013 | Robert Cosmos | Savage | The Waste Land | 1965 | Tanz | 33:00 | Mono + Mono | PS C. NY | 0 | ||||||||||
| 15014 | Miroslav, Paul | Savic, Pignon | 34'7 | 1976 | fixed media, akusmatisch | 34:07 | Stereo | Radio Beograd | 0 | ||||||||||
| 27199 | Francisco | Savin | Quasar I | 1970 | live-elec, 2 perf | 9:47 | e-org, perc [Keyboard, Schlagzeug] | 0 | |||||||||||
| 20767 | Monique | Savoie | L'inconsolable | 1990 | radiophon | 3:16 | Stereo | MW 53/ | 0 | ||||||||||
| 18548 | Alain | Savouret | 1er cahier d'enluminures | 1987 | fixed media, akusmatisch | 19:40 | Stereo | LDC 2781136/ | IMEB Bourges | 1 | |||||||||
| 18549 | Alain | Savouret | 3ème cahier d'enluminures… des automates… | 1990 | fixed media, akusmatisch | 18:06 | Stereo | LDC 2781136/ | IMEB Bourges | 1 | |||||||||
| 15015 | Alain | Savouret | Au loin l'artifice | 1978 | fixed media, akusmatisch | 15:00 | Stereo | LDC 2781136/ | IMEB Bourges | 1 | |||||||||
| 15016 | Alain | Savouret | Didactic party | 1968 | fixed media, akusmatisch | 12:40 | Stereo | INA • GRM | 18.12.1968 | Toulouse, Centre Culturel | 0 | ||||||||
| 15017 | Alain | Savouret | Don Quixotte Corporation, Prologue Dulcinée Rossinante D.Q.S.P.C.Q.F.D. Maritornes La caverne de Montesinos |
1981 | fixed media, akusmatisch | 29:42 | Stereo | WER 2021-50, Computer Music Currents 1/ | INA • GRM | Commande d’Etat | 15.6.1981 | Paris, Maison de Radio France, Gd. Auditorium | 1 | ||||||
| 18550 | Alain | Savouret | Emprunts-Empreintes d'Auvergne | 1992 | Zuspiel / Tonband, 2 perf, 1 group | 10:00 | Stereo | ch, V, ins [Stimme, Instrument, Chor] | IMEB Bourges | 0 | |||||||||
| 40716 | Alain | Savouret | En phanusie je cherche un peu d’amour | 1971 | radiophon | INA • GRM | 0 | ||||||||||||
| 15018 | Alain | Savouret | Etude Aux Sons Realistes | 1969 | fixed media, akusmatisch | 4:09 | Stereo | INA C 1032 27652 archives grm CD 2/5/ IDEAMA CD 045/ | INA • GRM | 1 | |||||||||
| 15019 | Alain | Savouret | Germinal, Etude numérique aux syllabes | 1985 | fixed media, akusmatisch | 6:37 | Stereo | Part of Project "Germinal", computer-pieces | INA C 1032 27652 archives grm CD 2/5/ | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 1 | ||||||
| 15020 | Alain | Savouret | Kiosque, Attente Appel Annonces Action Arrêt |
1969 | Zuspiel / Tonband, 1 perf | 29:00 | Stereo | ins (improvisation) [Instrument] | (Improvisation) | INA • GRM | 24.4.1969 | Paris, Maison de la Radio, Foyer B, avec le Groupe d’improvisation „Opus N“ | 0 | ||||||
| 28096 | Alain | Savouret | L'Annecy de Pierre | 2004 | Zuspiel, live-elec, 2 perf | 23:44 | prep p, perc [Piano, Schlagzeug] | Collectif & Cie mts 06/ | C&C Annecy | 0 | |||||||||
| 15021 | Alain | Savouret | L'arbre et caetera, L'arbre et coetera | 1971 | fixed media, akusmatisch | 16:00 | Quadro, Stereo | Coll GRM AM 647.07/ HM AM 647.07/ | INA • GRM | 2.8.1972 | Avignon, Festival | 1 | |||||||
| 40666 | Alain | Savouret | L’Invitation | 1969 | Film | 13 | INA • GRM | 0 | |||||||||||
| 18546 | Alain | Savouret | L'ouÏe-Spartacus | 1980 | fixed media, akusmatisch | 21:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 15022 | Alain | Savouret | La complainte du bossué | 1987 | live-elec, 2 perf | 17:45 | Stereo | db, V [Stimme, Kontrabass] | Syter | INA C 1034 27654 archives grm CD 4/5/ | INA • GRM | 1 | |||||||
| 15023 | Alain | Savouret | La Trans-Solitaire | 1984 | fixed media, akusmatisch | 10:45 | Stereo | LDC 2781136/ | IMEB Bourges | 1 | |||||||||
| 18547 | Alain | Savouret | Le bal des etrilles | 1984 | Zuspiel / Tonband, 1 perf | 3:50 | Stereo | fl [Flöte] | IMEB Bourges | 0 | |||||||||
| 21927 | Alain | Savouret | Le Bois de la Goinfre | 1998 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | ins [Instrument] | IMEB Bourges | 0 | |||||||||
| 18551 | Alain | Savouret | Le lait / Le sang | 1996 | fixed media, akusmatisch | 10:08 | Stereo | LDC 2781136/ | IMEB Bourges | 1 | |||||||||
| 40665 | Alain | Savouret | LE VOYAGE | 1969 | Film | 10:30 | INA • GRM | 21.1.1970 | Nevers, Maison de la Culture | 0 | |||||||||
| 40591 | Alain | Savouret | LE VOYAGE DE DERRIERE LA MONTAGNE | 1966 | Film | INA • GRM | Prix Festival Arras 1969 | 0 | |||||||||||
| 20768 | Alain | Savouret | Mardi, Place aux Fleurs | 1986 | live-elec, 1 perf | 9:34 | Stereo | V [Stimme] | C.C.S. 590013/ | IMEB Bourges | 0 | ||||||||
| 15024 | Alain | Savouret | Ouverture du Triton | 1979 | fixed media, akusmatisch | 7:35 | Stereo | IMEB Bourges | 0 | ||||||||||
| 15025 | Alain | Savouret | Ouverture pour Fausta | 1981 | fixed media, akusmatisch | 11:45 | Stereo | IMEB Bourges | 0 | ||||||||||
| 15026 | Alain | Savouret | Phil Cello et Joe Sax chez les Trogloustiques | 1979 | Zuspiel / Tonband, 2 perf | 12:30 | Stereo | sax, vc [Saxophon, Cello] | IMEB Bourges | 0 | |||||||||
| 24474 | Alain | Savouret | Refus d'Eté | 2002 | fixed media, akusmatisch | 13:25 | LDC 2781129 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 15027 | Alain | Savouret | Selon | 1970, 1971 | Zuspiel, live-elec, 2 perf | 28:04 | Stereo | p, e-org [Piano, Keyboard] | Coll GRM AM 647.07/ HM AM 647.07/ | INA • GRM | 19 novembre 1970 | BORDEAUX. Alhambra. SIGMA 6 avec G. Frémy & A. Savouret | 1 | ||||||
| 15028 | Alain | Savouret | Sol triste | 1972 | fixed media, akusmatisch | 15:40 | Stereo | LDC 2781127 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 15029 | Alain | Savouret | Sonate Baroque, Allegro Andante Scherzo Post-scriptum |
1974 - 1976 | fixed media, akusmatisch | 66:08 | Stereo | 4 parts with subparts | LDC 2781101/ | IMEB Bourges | 1 | ||||||||
| 24472 | Alain | Savouret | Souvenirs d'Auvergne : le lait, le sang | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 15030 | Alain | Savouret | Suite pour claviers à rallonges | 1973 | fixed media, akusmatisch | 20:55 | Stereo | IMEB Bourges | 0 | ||||||||||
| 15031 | Alain | Savouret | Tango | 1972 | fixed media, akusmatisch | 17:45 | Stereo | LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||||
| 15032 | Alain | Savouret | Tour de France pour deux Enfants / Suite pour la Mer André Julienne | 1976 | fixed media, akusmatisch | 20:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 26064 | Alain | Savouret | Triodie haut-parlante | 2003 | fixed media, akusmatisch | 16:37 | LDC 2781131 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 15033 | Alain | Savouret | Trip | 1971 | fixed media, akusmatisch | 8:37 | Stereo | Suite tirée de la musique du film „Le voyage“ | INA • GRM | 27.8.1971 | Menton, Festival Chantiers Navals | 0 | |||||||
| 15034 | Alain | Savouret | Valse molle | 1973 | fixed media, akusmatisch | 10:15 | Stereo | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | ORTF, Service de la Musique légère | May 1973 | Int. Forum of Light Music Munich | 1 | ||||||
| 40715 | Alain | Savouret | Voyage autour de votre lit | 1971 | radiophon | 60 | INA • GRM | 5.4.1971 | ORTF France-Culture | 0 | |||||||||
| 35386 | Dimitrios | Savva | Balloon Theories | 2013 | fixed media, akusmatisch | 14:16:00 | MR 2014 Métamorphoses 2014/ | 0 | |||||||||||
| 35842 | Dimitrios | Savva | Erevos | 2012 | fixed media, akusmatisch | 7:23 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 39356 | Dimitrios | Savva | Moments of Liberty II, Falling within wind | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 43024 | Dimitris | Savva | Stous Theous | 2013 | fixed media, akusmatisch | 4:50:00 | 0 | ||||||||||||
| 15035 | Iannis | Savvidis | Sonderangebot: Der letzte Mensch | 1983 | fixed media, akusmatisch | 15:45 | Stereo | ELAK Wien | 0 | ||||||||||
| 42277 | Evelyn | Saylor | Synchromie No. 2 | 1936, 2018 | Film | heroines-of-sound | 0 | ||||||||||||
| 42871 | Evelyn | Saylor | The Bells | 2013 | fixed media, akusmatisch | 3:11:00 | 0 | ||||||||||||
| 42925 | Robert | Sazdov | Blagoveshtenije 07.04 | 2013 | fixed media, akusmatisch | 7:04:00 | 0 | ||||||||||||
| 38870 | Robert | Sazdov | Sveti Kliment | 2007 | fixed media, akusmatisch | Spazialisation: binaural | CMJ Vol 41, 2017/ | SARC Belfast | 0 | ||||||||||
| 15036 | Franco | Sbacco | Contro-formanti | 1991 | Zuspiel, live-elec, 7 perf | 12:16 | Stereo | br-trio, str-trio, p [Piano, Bläser, Streicher] | RCA CCD 3001/ | CRM Roma | 1 | ||||||||
| 15037 | Franco | Sbacco | Esercizi per computer | 1986 | live-elec, 1 perf | Stereo | com [computer] | Fly com | CRM Roma | 0 | |||||||||
| 15038 | Franco | Sbacco | Fluido e cristallino | 1987 | Zuspiel / Tonband, 1 perf | 20:31 | Stereo | prep p [Piano] | CRM Roma | 0 | |||||||||
| 15039 | Franco | Sbacco | Improvvisazione su un suono elettronico | 1984 | Zuspiel, live-elec, 1 perf | 13:00 | Stereo | com [computer] | Fly com | CRM Roma | 0 | ||||||||
| 15040 | Franco | Sbacco | Policromie | 1985 | intermedia | audiovisuell |
14:00 | Stereo | 2 com, Multivision with slides | CRM Roma | 0 | |||||||||
| 15041 | Franco | Sbacco | Riflessioni | 1981 | fixed media, akusmatisch | 13:10 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 15042 | Franco | Sbacco | Riflessioni (Variazioni II) | 1981 | fixed media, akusmatisch | 13:05:00 | Stereo | CRM Roma, Sonology Utrecht | 0 | ||||||||||
| 15043 | Franco | Sbacco | Splitting of the time | 1988 | Zuspiel, live-elec, 1 perf | 13:00 | com [computer] | Fly com | CRM Roma | 0 | |||||||||
| 15044 | Franco | Sbacco | Un climax inaudito | 1986 | Zuspiel / Tonband, 1 perf | com [computer] | CRM Roma | 0 | |||||||||||
| 15045 | Franco | Sbacco | Variazioni I | 1980 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | p [Piano] | CRM Roma | 0 | |||||||||
| 35757 | Alessandro | Sbordoni | Parole e oltre | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 39775 | Fabio, Vincenzo | Scacchioli, Core | Spectrography of a Battle | 2015 | fixed media, akusmatisch | 3:46:00 | Fabio Scacchioli and Vincenzo Core | 0 | |||||||||||
| 38166 | Carla | Scaletti | Autocatalysis | 2010 | live-elec, 1 perf | com (Kyma) [computer] | for Kyma and Live Audience | 0 | |||||||||||
| 38167 | Carla | Scaletti | Bubble & Squeak | 2017 | live-elec, | 0 | |||||||||||||
| 38168 | Carla | Scaletti | Conductus | 2014 | live-elec, | 0 | |||||||||||||
| 38169 | Carla | Scaletti | Cyclonic | 2008 | live-elec, | 9:30 | Quadro | Illinois Experimental Music Studios | 0 | ||||||||||
| 38170 | Carla | Scaletti | Double-well | 2016 | live-elec, | 2016 | f.EAT Stony Brook | 0 | |||||||||||
| 38171 | Carla | Scaletti | Frog Pool Farm | 2002 | live-elec, | 0 | |||||||||||||
| 38172 | Carla | Scaletti | h—>gg | 2017 | live-elec, | 15 | 0 | ||||||||||||
| 38173 | Carla | Scaletti | Lament | 1999 | live-elec, 1 perf | V, (com Kyma) [Stimme] | 0 | ||||||||||||
| 38174 | Carla | Scaletti | Levulose | 1986 | Zuspiel / Tonband, 1 perf | B [Bass] | 0 | ||||||||||||
| 15046 | Carla | Scaletti | Lysogeny | 1983 | Zuspiel / Tonband, 1 perf | 7:26 | hp [Harfe] | UIUC LC 84-743210/ | EMS UIUC | 1 | |||||||||
| 38175 | Carla | Scaletti | Mitochondria | 1994 | live-elec, | 0 | |||||||||||||
| 38176 | Carla | Scaletti | Motet | 1977 | live-elec, | opus one 42/ | 0 | ||||||||||||
| 38177 | Carla | Scaletti | …odd kind of sympathy | 2011 | live-elec, | 0 | |||||||||||||
| 38178 | Carla | Scaletti | Public Organ | 1995 | live-elec, | 0 | http://carlascaletti.com/sounds/sound-art/public-organ/ | ||||||||||||
| 38180 | Carla | Scaletti | QUANTUM | 2013 | Tanz, live-elec, | 0 | |||||||||||||
| 38179 | Carla | Scaletti | SlipStick | 2008 | live-elec, 1 perf | com (Kyma) [computer] | 0 | ||||||||||||
| 15047 | Carla | Scaletti | sunSurgeAutomata | 1987 | fixed media, akusmatisch | 5:10 | Stereo | Platypus DSP | Centaur CRC 2045, CDCM Vol. 3/ | EMS UIUC | 1 | ||||||||
| 38181 | Carla | Scaletti | Tangled Timelines | 1999 | live-elec, 1 perf | hp, (Kyma) [Harfe] | 0 | ||||||||||||
| 38182 | Carla | Scaletti | Trinity | 1989 | live-elec, | 0 | |||||||||||||
| 38183 | Carla | Scaletti | VR_I | 2017 | live-elec, | 0 | http://carlascaletti.com/sounds/sound-art/vr_i/ | ||||||||||||
| 38184 | Carla | Scaletti | X bar | 1986 | live-elec, | 0 | |||||||||||||
| 38185 | Carla | Scaletti | Yes | 1981 | live-elec, | 0 | |||||||||||||
| 33439 | John | Scandrett | Goombar Improvisations on „Improvisation on a Toy Piano“ (W. L. White, 1964) | 1966 | fixed media, akusmatisch | 3 | Mono | Uni Madison | 0 | ||||||||||
| 33437 | John | Scandrett | Rhapsody for tape recorder | 1965 | fixed media, akusmatisch | 4 | Mono | Uni Madison | 0 | ||||||||||
| 33443 | John | Scandrett | The Wuggly Ump | 1966 | fixed media, akusmatisch | 3 | Quadro | Uni Madison | 0 | ||||||||||
| 33438 | John | Scandrett | Three Stellar Folk Tunes | 1966 | fixed media, akusmatisch | 6 | Mono | Uni Madison | 0 | ||||||||||
| 41075 | Scanner | BodeScan | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | |||||||||||
| 40858 | Scanner | Emily | 2003 | fixed media, akusmatisch | 4:46 | SR 200 sub rosa/ | 0 | ||||||||||||
| 41083 | Scanner | ScanBode | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | |||||||||||
| 37482 | Scanner | Spirit Trace | 2003 | live-elec, | 5:24 | LMJ 13 CD/ | 0 | ||||||||||||
| 21580 | Simon | Scardanelli | a sharp intake of breath | 2000 | fixed media, akusmatisch | 6:15 | SCD 28034 Sargasso/ | BEAST | 1 | ||||||||||
| 37550 | Olimpia | Scardi | Attentione all'impulso | 1990 | Performance | 29:24:00 | Stereo | Zirkusmusik Roncalli | ICEM Essen | 0 | |||||||||
| 37551 | Olimpia | Scardi | Signor Coniglio | 1991 | Tanz | 4:06:00 | Stereo | Musik von Schallplatte, Sergeij Prokoview | ICEM Essen | 0 | |||||||||
| 32755 | Antonio | Scarlato | Matière et memoire | Zuspiel / Tonband, 4 perf | fl, db, 2 perc [Flöte, Schlagzeug, Kontrabass] | 0 | |||||||||||||
| 15048 | Anne | Scarlett | Cloudscape | 1993 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 15049 | Anne | Scarlett | Out of It | 1993 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | UEA Norwich | 0 | ||||||||||
| 15050 | Anne | Scarlett | The Amazing Auricular Landscape | 1993 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 15051 | Giancarlo | Scarpone | Gloria - moti di allontanamente (oratorio) | Zuspiel, live-elec, 1 perf, 2 groups | 50:00 | Vs, ens, [Stimme, Ensemble] | Fono AS 5013/ | 0 | |||||||||||
| 38648 | Jean-Philippe | SCELLIER | Sur le chemin | 2007 | radiophon | 2:03:00 | Prix Phonurgia nova | 0 | |||||||||||
| 15052 | Giacinto | Scelsi | 20 Canti del capricorno | 1962 - 1972 | live-elec, 1 perf | 39:30 | amp V [Stimme] | ed. RZ 4004 Daad / 20 Jahre Inventionen 2/ | 1 | 1992 | |||||||||
| 21172 | Giacinto | Scelsi | Aitsi | 1974 | live-elec, 1 perf | Stereo | amp p [Piano] | 43 Akkorde played with fff & Distortion | ReCDec 04/ | 1 | |||||||||
| 43105 | Giacinto | Scelsi | Pranam I | 1972 | Zuspiel / Tonband, 13 perf | 7:05 | V, 12 ins [Stimme, Instrument] | ed. RZ 1014/ | 0 | ||||||||||
| 33174 | Giacinto | Scelsi | Uaxuctum. La Légende de la cité Maya, détruite par eux-mêmes pour des raisons religieuses, Part I 5'53" Part II 3'47" Part III 3'23" Part IV 3'41" Part V 4'II" |
1966 | live-elec, 9 perf, 2 groups | 21:08 | 7 perc, tim, ch, orc, oma [Schlagzeug, synthesizer, Chor, Orchester] | for 7 percussionists, timpanist, chorus and orchestra with Ondes Martenot | WJ 2008 polmic 046/ | Salabert, Paris | 1 | ||||||||
| 15053 | Asbjørn | Schaathun | Double Portrait | 1992 | live-elec, 1 perf, 1 group | 10:00 | vn, ens [Violine, Ensemble] | Norwegian M. Information C. | IRCAM | 0 | http://www.schaathun.org/ | ||||||||
| 15054 | Asbjørn | Schaathun | Musical Grafitti (II) | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 25:00 | p, orc [Piano, Orchester] | NOTAM | 0 | http://www.schaathun.org/ | |||||||||
| 38899 | Asbjørn | Schaathun | Nations | 2014 | live-elec, 1 perf | 23:18 | p [Piano] | LabLabel LAB 002/ | 0 | ||||||||||
| 15055 | Asbjørn | Schaathun | Physis | 1986 | live-elec, 1 perf | 13:00 | amp p [Piano] | com con harm and Delay | NOTAM | 0 | http://www.schaathun.org/ | ||||||||
| 31643 | Jan | Schacher | Schatten/Körper | 1999 | live-elec, 1 perf, 2 groups | 16:10:00 | ens, Vs, (elec) [Stimme, Ensemble] | HSM Basel | 0 | ||||||||||
| 41463 | Daniel | Schachter | Cifra oscura | 2010 | fixed media, akusmatisch | 10:02 | Octo | 0 | |||||||||||
| 35515 | Daniel | Schachter | Ecos | 2004 | Zuspiel / Tonband, 1 perf | 11:15 | p [Piano] | 0 | |||||||||||
| 35516 | Daniel | Schachter | Efecto Tango | 2002 | fixed media, akusmatisch | 11:21 | 0 | ||||||||||||
| 35517 | Daniel | Schachter | Espejos Virtuales | 2005 | fixed media, akusmatisch | 14:25 | 0 | ||||||||||||
| 35518 | Daniel | Schachter | Espejos Virtuales – I …en remolino… | 1994 | fixed media, akusmatisch | 4:49 | 0 | ||||||||||||
| 35519 | Daniel | Schachter | Espejos Virtuales – II…perpetuo… | 1994 | fixed media, akusmatisch | 4:18 | 0 | ||||||||||||
| 35520 | Daniel | Schachter | Espejos Virtuales – III …a la distancia… | 1994 | fixed media, akusmatisch | 5:44 | 0 | ||||||||||||
| 27284 | Daniel | Schachter | FlaX | 2002 | live-elec, 1 perf | 9:00 | fl [Flöte] | Organised Sound Vol 12/3/ | 0 | ||||||||||
| 35521 | Daniel | Schachter | Fuga tras un objeto oculto | 1996 | fixed media, akusmatisch | 4:36 | 0 | ||||||||||||
| 35522 | Daniel | Schachter | Hálito | 1991 | Zuspiel / Tonband, 1 perf | 13:47 | fl [Flöte] | 0 | |||||||||||
| 22744 | Daniel | Schachter | Intramuros II | 1995 | fixed media, akusmatisch | 10:45 | Uni de la serena 1/ | 1 | |||||||||||
| 35523 | Daniel | Schachter | Lineas y puntos de otro tiempo | 2000 | fixed media, akusmatisch | 9:03 | 0 | ||||||||||||
| 35524 | Daniel | Schachter | Luzazul | 1999 | fixed media, akusmatisch | 11:05 | 0 | ||||||||||||
| 35525 | Daniel | Schachter | …raices lejanas, tal vez… | 1997 | fixed media, akusmatisch | 7:46 | 0 | ||||||||||||
| 35526 | Daniel | Schachter | …riccordio… (Ricardo Bianchini) | 2005 | fixed media, akusmatisch | 10:44 | 0 | ||||||||||||
| 22696 | Daniel | Schachter | Tiempo Quebrado | 1993 | fixed media, akusmatisch | 13:58 | Pogus Productions P21015-2/ | INA • GRM, PS C. | 1 | ||||||||||
| 34398 | Daniel | Schachter | Una Caña | 2012 | live-elec, 1 perf | 8:59 | cl [Klarinette] | CMMAS/ | 0 | ||||||||||
| 15056 | Sabine | Schäfer | 3 Studies for Computer Controlled Piano, glissando cascades chords and repetitions Hommage à Steve Reich |
1991 | live-elec, 1 perf | com p [Piano] | 1991 | Roboard-Festival Den Haag (NL) | 0 | ||||||||||
| 30929 | Sabine | Schäfer | CINQ CYCLES | 1989 | Performance | Klang-Bild-Installation* | 1989 | „MultiMediale1“ des ZKM Karlsruhe | 0 | ||||||||||
| 30918 | Sabine | Schäfer | Cycle of Sound - Sechs Klangszenen | 1997 | radiophon | Radiophone Klangkunst | Westdeutscher Rundfunk (WDR) Köln, Studio Akustische Kunst | 1997 | 5. Acustica International Köln | 0 | |||||||||
| 30921 | Sabine | Schäfer | Different Warps | 1994/1995 | radiophon | radiophone Klangkomposition | 1995 | Westdeutscher Rundfunk / WDR 3 | WDR-Wettbewerb Acustica International 1994/95 | 0 | |||||||||
| 15057 | Sabine | Schäfer | …ein endlos geflochtenes Band… | 1992 | Klangkunst, Installation | Octo | konzertante Raumklanginstallation | Radio SDR Stuttgart | 1992 | Festakt zu Gründung des Instituts für Angewandte Kulturwissenschaft der Universität Karlsruhe (TH) | 0 | ||||||||
| 34699 | Sabine | Schäfer | escape, part I | 2016 | fixed media, akusmatisch | 5:58:00 | „Bewegung liegt allem Werden zugrunde." Paul Klee, 1920 "Movement is the source of all change." Paul Klee, 1920 |
DegeM CD 14 escape/ | 0 | ||||||||||
| 30917 | Sabine | Schäfer | Fremdenführung durch die Räume M.C. Eschers | 1998 | radiophon | nach einem Text von Jochen Beyse, mit Christian Brückner (Sp) | Südwestfunk (SWF) Baden-Baden | 1999 | Hörspieltage des SWR, Planetarium Mannheim | 0 | |||||||||
| 30924 | Sabine | Schäfer | Karlsruhe Berlin Karlsruhe | 1986 | Zuspiel, Performance, 3 perf | synt, vn, perf [Violine, Performer, synthesizer] | Tanzperformance**, „Sieben-Sein“ für Synthesizer, Violine und Zuspielband, „Arbeiten auf dem Boden“ | 0 | |||||||||||
| 30927 | Sabine | Schäfer | KLANGFARBSPUREN | 1987/1988 | Performance | Performance*, „MATERIAL-SEGMENT/OBJEKT-MUSIK“ mixed-media Projekt**, „MICROCHROM I“ Performance* + ** | Kunstakademie Karlsruhe | 0 | |||||||||||
| 30919 | Sabine | Schäfer | MEIN (T)RAUM, eine radiophone Paraphrase über den gleichnamigen Text von Franz Schubert | 1997 | radiophon | mit Salome Kammer und Udo Samel | Saarländischen Rundfunk (SR) Saarbrücken | 1997 | Festival Musik und Medien Saarbrücken | 0 | |||||||||
| 30930 | Sabine | Schäfer | MICROCHROM II | 1990 | audiovisuell, live-elec, 1 perf | db, (elec) [Kontrabass] | Film-Musik-Performance*, „SHAPE I“ Musik für Kontrabass solo, Live-Elektronik und Zuspielband | 0 | |||||||||||
| 30931 | Sabine | Schäfer | Musik für Klavier solo und Computerflügel | 1992 | live-elec, 2 perf | p, com-p [Piano] | Robert Daeschler, Erlangen | 1992 | Karlsruhe im Rahmen der Tagung der Deutschen Gesellschaft für Musikpsychologie | 0 | |||||||||
| 15059 | Sabine | Schäfer | Player Pianos und Computerflügel | 1994 | radiophon | Radio SDR Stuttgart | 0 | ||||||||||||
| 30922 | Sabine | Schäfer | RÄUME I – V | 1984 | fixed media, akusmatisch | Elektroakustische Musik | 0 | ||||||||||||
| 15060 | Sabine | Schäfer | shape I | 1990 | Zuspiel / Tonband, 1 perf | db [Kontrabass] | 0 | ||||||||||||
| 30907 | Sabine | Schäfer | SonicOpening | 1997 | Klangkunst, Installation | 16 Tracks | konzertante, 16-kanalige RaumklangInstallation für großes Lautsprecherensemble | Stadt Karlsruhe | 1997 | Festakt im Hallenbau A zur Einweihung der neuen Gebäude des ZKM Karlsruhe | 0 | ||||||||
| 30912 | Sabine | Schäfer | Sound Warp / Fruits of Columbus Vers. II | 1994 | Klangkunst, Installation | audiovisuell |
23 Tracks | 23-kanalige, begehbare RaumklangInstallation mit Videoinstallation / Hens Breet, NL | 1994 | Kunst-Werke Berlin – Gruppenausstellung „Irrton“ Festival virtueller Irritation Berlin | 0 | |||||||||
| 30920 | Sabine | Schäfer | Sprach(t)räume - ein endlos geflochtenes Band | 1996 | radiophon | nach Texten von Lewis Carroll, Douglas R. Hofstadter und Gille Deleuze, mit Isabel Navarro, Gisela Saur-Kontarski u.a. | WDR Köln Studio Akustische Kunst | 1996 | Westdeutscher Rundfunk / WDR 3 | 0 | |||||||||
| 30923 | Sabine | Schäfer | STAND-BILDER | 1985 | Theatermusik | Theateraktion* Kunstverein Wilhelmshöhe Ettlingen, „IM GEWITTER DER“ Tanztheater**, „KUNST-SEIDENE-FÄDEN“ Musik-Mal-Performance* | Badischer Kunstverein | 0 | |||||||||||
| 30914 | Sabine | Schäfer | The Spiritual Location of Sound | 1993 | Klangkunst, Installation | 16 Tracks | 16-kanalige, begehbare RaumklangInstallation für Kirchenräume, mit Lichtinszenierung / Hens Breet, NL | 1993 | Festival "Kultur(t)raum - Europa", Heiliggeistkirche Heidelberg | 0 | |||||||||
| 15063 | Sabine | Schäfer | TopoPhonicPlateaus | 1995/2008 | Klangkunst, Installation | live-elec, 1 perf |
23 Tracks, 27 tracks, Spazialisation: ZKM Klangdom | com p [Piano] | WWE 3CD 31898 col legno/ T 5150 - degem01/ | Südwestfunk (SWF) | 20.-22. October 1995 | Donaueschinger Musiktage | 1 | http://www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | ||||||
| 30913 | Sabine | Schäfer | TopoPhonicScenes | 1993 | Klangkunst, Installation | 16 Tracks | 16-kanalige, konzertante RaumklangInstallation | 1993 | Multimediale 3 des Zentrum für Kunst und Medientechnologie – ZKM Karlsruhe | 0 | |||||||||
| 15064 | Sabine | Schäfer | TopoPhonicSpheres | 1993 | Klangkunst, Installation | audiovisuell, 1 perf |
16 Tracks | com p [Piano] | Video by Hens Breet; 3 parts; also soundinstallation | Fraunhofer Instituts für Systemtechnik und Innovationsforschung (ISI) Karlsruhe | 1993 | nternationale Konferenz des Bundesforschungsministeriums Bonn und der OECD Paris, Dresden | 0 | |||||||
| 15062 | Sabine | Schäfer | TopoPhonicZones, 3 Klang-Licht-Räume: Sound Warp LOST Lines in-between |
1992 | Klangkunst, Installation | Lichtobjekte von Hens Breet, Werner Cee | 1992 | Badischer Kunstverein Karlsruhe | 0 | http://www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | |||||||||
| 21102 | Sabine | Schäfer | TopoPhonie No. 3 | 1996 | Klangkunst, Installation | ∞ 6:00 | Octo | loop | PS Schäfer | Warschauer Herbst | 1996 | Warschauer Herbst / 39. Internationales Festival für Zeitgenössische Musik Warschau. | 1 | http://www.topophonien.de/main-en.html | |||||
| 26263 | Sabine | Schäfer | TopoPhonie No. 4 | 1997/2007 | Klangkunst, Installation | live-elec, 1 perf |
7:31 | 16 Tracks, Spazialisation: ZKM Klangdom | V [Stimme] | mit Salome Kammer (V) | DMR Musik in Deutschland 1950 - 2000: Studioproduktionen 74321 73564 2/ | PS Schäfer, ZKM Karlsruhe | Stadt Karlsruhe | 1997 | "Multimediale 5" Medienkunst-Festival des ZKM│ Zentrum für Kunst und Medientechnologie Karlsruhe | 0 | ||||
| 15065 | Sabine | Schäfer | TopoPhonien II | 1991 | Klangkunst, Installation | 47:00 | 16 Tracks | 16-kanalige Raumklanginstallation | ZKM Karlsruhe | 1991 | Festival „Frauenperspektiven“ Karlsruhe | 0 | http://www.topophonien.de/main-en.html | ||||||
| 30916 | Sabine | Schäfer | Warped Visions of Lauren`s Voice, Eine Reise in den Mikrokosmos der Stimmklänge Lauren Newtons | 2000 | radiophon | Lauren Newton, Stimme Erstsendung: DeutschlandRadio Berlin (DLR) 2000 |
DeutschlandRadio (DLR) Berlin und des Saarländischen Rundfunk (SR) Saarbrücken, | 2000 | Zeiss Großplanetarium Berlin | 0 | |||||||||
| 38649 | Sabine | SCHÄFER | Warped Visions of Lauren’s Voice | 2000 | radiophon | 49:50:00 | 0 | ||||||||||||
| 30908 | Sabine | Schäfer | Was erzählte ich über "Sprach(t)räume"? | 1997 | Klangkunst, Installation | Octo | Eine dreidimensionale Paraphrase über die Stereoproduktion "Sprachträume - ein endlos geflochtenes Band", 8-kanalige Raumklang-Komposition | WDR Köln Studio Akustische Kunst | 1997 | MusikTriennale Köln | 0 | ||||||||
| 30928 | Sabine, Werner, Peter | Schäfer, Cee, Hollinger | ULUDAG | 1987 - 1988 | Performance | 38 | e-chin, perc, KBd [Keyboard, Gitarre, Schlagzeug] | Art-Rock-Projekt**, mit Werner Cee (b) und Peter Hollinger (dr), LP „MAU MAU“ Vinyl | rere 128 Review Records/ | 0 | |||||||||
| 30946 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | AerAquaAngelusVox | 1998 | radiophon | 53:05:00 | eine radiophone Klangreise mit Hildegard Auftragswerk | DeutschlandRadio, Berlin (DLR) | 1998 | DeutschlandRadio | 0 | ||||||||
| 30940 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | AquaAngelusVox | 1997 | fixed media, akusmatisch | 16 Tracks, Surround 5.1, Octo | Raumklangkunstprojekt - ein „Hildegard von Bingen-KlangRaum“ | MDG 9241254-5/ | 1998 | Ravensburg | 0 | www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | |||||||
| 30934 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | Audio-Biosphäre, The Acoustic Microcosm of Insect Voices | 2008 | Klangkunst, Installation | 2011 | Internationaler Entomologen Kongress, Humboldt Universität Berlin | 0 | |||||||||||
| 30938 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | Brennnesselgarten mit Lilien und Raumklängen | 2005 | Klangkunst, Installation | Begehbarer RaumklangKörper | 2005 | Gartenfestival "Natur & Kunst" Schloss Ippenburg | 0 | ||||||||||
| 30909 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | Hörbild, Tableau I – III TopoPhonicAmbience I Cycle of Sound |
1995 - 1997 | Klangkunst, Installation | 11 Tracks | RaumklangObjekt mit 11-gliedrigem Lautsprecherensemble | Berliner Festwochen; SFB; WDR | 1995 | Berliner Festwochen | 0 | ||||||||
| 30933 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | MicroSonical Shining Biospheres, MikroklangMilieu BLAU, GRÜN | 2009 - 2010 | Klangkunst, Installation | DegeM CD 10 Replace/ | 07.2009 – 01.2010 2010 |
ZKM subRaum DeutschlandRadio Kultur |
1 | ||||||||||
| 30935 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | ProsaPhon Nr.1 | 2008 | fixed media, akusmatisch | 12 Tracks | Konzertinstallation mit der Textlinie <flucht> von Konrad Bayer, | 0 | |||||||||||
| 30942 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | ProsaPhon(ie), KlangSprachMilieu Nr. 1-3 | 2001/2002 | radiophon | 49:51 | sonotopologische KlangSprachKonsistenzMaschine | SWR | 2002 | SWR | 0 | ||||||||
| 30936 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | …raumKLANGraum…entgrenzend… | 2006 | Klangkunst, Installation | Wandelraum für elektroakustische Raumklangkunst | 2006 | Kunstmuseum Stuttgart im Rahmen des ISCM World New Music Festival | 0 | http://www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | |||||||||
| 30932 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | SolarSonical Insects | 2012 | audiovisuell | loop 10:35 | eine MikroKlang-FarbLicht-EreignisSphäre | 17.3.2012 - 6.1.2013 | ZKM Medienmuseum „Sound Art. Klang als Medium der Kunst“ Gruppenausstellung | 0 | www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | ||||||||
| 30944 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | Sonic Lines n’Rooms | 1999 - 2001 | fixed media, akusmatisch | Octo + Octo + Octo + Octo | RaumklangKomposition für einen begehbaren, 4-gliedrigen RaumklangKörper. Room 1: SpatialSoundObject with 8 loudspeakers resting on a steel construction Room 2: SpatialSoundObject with 8 loudspeakers resting on a steel construction Room 3: accessible SpatialSoundBody with 8 loudspeakers suspended and resting on two levels Room 4: accessible SpatialSoundBody with 8 loudspeakers suspended on one level |
Südwestrundfunk (SWR) | 1999 | "Donaueschinger Musiktage“, Internationales Festival für Zeitgenössische Musik Donaueschingen | 0 | www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | |||||||
| 30949 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | Sonic Lines n’Rooms No. 7 | fixed media, akusmatisch | Octo | Eight channel spatial sound composition for a twelve-limbed, accessible Space-soundBody | October 11th 2001, 20.00h | ZKM-Cube | 0 | www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | |||||||||
| 30945 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | SonicLines No. 1 | 1998 | fixed media, akusmatisch | Octo | RaumklangObjekt | Goethe-Institut Rom | 1998 | 35. Festival „Nuova Consonanza“ Rom (I) | 0 | ||||||||
| 30948 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | SonicRooms Np. 1 & 2, Klangzelt | 1997 - 1998 | fixed media, akusmatisch | Octo | RaumklangKompositionen für den RaumklangKörper „Klangzelt“: | 1998 | Städtische Galerie „Fruchthalle“ Rastatt (Einzelausstellung "SonicRooms") | 0 | |||||||||
| 30943 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | SprachMilieu III, ProsaPhon(ie) | 2001/2002 | radiophon | 14:37 | 0 | ||||||||||||
| 30947 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | TopoPhonicAmbience No. 2 – Feldlerche mit Meer | 1998 | fixed media, akusmatisch | Octo | RaumklangEnvironment | 1999 | Technologiepark (TPK) Karlsruhe | 0 | |||||||||
| 30941 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | TopoSonic Lines n’ Rooms with Instruments | 2002 | fixed media, akusmatisch | fl, ob, cl, perc [Flöte, Klarinette, Oboe, Schlagzeug] | RaumklangKomposition | AUDI Kulturfonds in Zusammenarbeit mit der Münchener Biennale, Internationales Festival für Zeitgenössisches Musiktheater, | 2002 | „museum mobile“ Ingolstadt | 0 | ||||||||
| 28199 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | TopoSonic Lines N'Rooms, Achtgliedriger konzertanter RaumklangKörper | 2002 | Klangkunst, Installation | 30:27 | Octo | Konzertinstallation; Nutzung der 8 im Kreis angeordneten UPL-1. Eingeteilt in 9 "RaumklangMilieus" |
PS C. | Inventionen 2002 | 4.7.2002 | Inventionen Parochialkirche Berlin | 1 | 2002 | www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | ||||
| 30939 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | TopoSonic Spheres, RaumklangMillieu 1-22 | 2004 | radiophon | Stereo, Surround 5.1, Quadro | Raumklangkunstprojekt | WER ARTS 81072/ | Südwestrundfunk (SWR), | 2004 | SWR | 0 | www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | ||||||
| 30937 | Sabine, Joachim, Group | Schäfer, Krebs, SA/JO | TopoSonic Tunnel | 2005 | Klangkunst, Installation | permanent | Begehbarer RaumklangKörper | Stadt Wolfsburg | Sammlung des Wissenschaftsmuseums „phæno“ Wolfsburg | 0 | www.sajo-art.de/hp/menu_en.htm?subpages/ssi_dt.htm | ||||||||
| 15066 | Boguslaw | Schaeffer | 19 MIKROUTWORØW | 1981 | fixed media, akusmatisch | Stereo | SME Krakow | 0 | |||||||||||
| 15067 | Boguslaw | Schaeffer | aDieu | 1973 - 1992 | live-elec, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 15068 | Boguslaw | Schaeffer | Antiphone, Cantata | 1975 | fixed media, akusmatisch | 7:29 | Stereo | also on the CD BR ES01 bolt is an improvisation by the group AMM London | BR ES01 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | http://boltrecords.pl/en_br_es01.html | |||||||
| 15069 | Boguslaw | Schaeffer | Assemblage I | 1966 | fixed media, akusmatisch | 8:37 | Stereo | also on the CD BR ES01 bolt is an improvisation by the group AMM London On CD BR ES06: first (4:14) & second (18:14) simultaneous Versions |
BR ES01 bolt Blanc et Rouge/ BR ES06 bolt Blanc et Rouge/ IDEAMA CD 044/ | ExpSt Warsaw | 1966 | Radio @ Warsaw, The Horizons of Music | 1 | ||||||
| 15070 | Boguslaw | Schaeffer | Assemblage II | 1966 | fixed media, akusmatisch | 18:14 | Stereo | BR ES06 bolt Blanc et Rouge/ IDEAMA CD 044/ | ExpSt Warsaw | 1 | |||||||||
| 15071 | Boguslaw | Schaeffer | Assemblage III | 1966 | fixed media, akusmatisch | 18:04 | Stereo | IDEAMA CD 044/ | ExpSt Warsaw | 0 | |||||||||
| 15072 | Boguslaw | Schaeffer | Audiencja I | 1980 | Musiktheater, 2 perf | Stereo | 2 actor [Schauspieler] | SME Krakow | 0 | ||||||||||
| 15073 | Boguslaw | Schaeffer | Bergsoniana | 1972 | Zuspiel / Tonband, 5 perf | 10:48 | S, 4 ins [Sopran, Instrument] | 0 | |||||||||||
| 15074 | Boguslaw | Schaeffer | Berlin'80 I | 1980 | fixed media, akusmatisch | Zuspiel, live-elec, 2 perf |
7:05 | Quadro | p, synt [Piano, synthesizer] | TU Berlin | 2.10.1980 | Amerikahaus, Schaeffer (p), Hein (synt) bei „Boguslaw Schaeffers Musik-Theater“ | 1 | |||||||
| 15075 | Boguslaw | Schaeffer | Berlin'80 II | 1980 | fixed media, akusmatisch | Zuspiel, live-elec, 2 perf |
9:14 | Quadro | p, synt [Piano, synthesizer] | ed. rz 3002 LP/ ed. RZ 3007 „Inventionen“/ ed. RZ 2/ | TU Berlin | 12.6.1981 | Lichthof TU in Konzertreihe „klangfiguren“ (HdK und DAAD) | 1 | ||||||
| 15076 | Boguslaw | Schaeffer | Blues | 1972 | Zuspiel / Tonband, 2 perf, 1 group | 35:45 | Stereo | 2 p, orc [Piano, Orchester] | ExpSt Warsaw | 1 | |||||||||
| 15077 | Boguslaw | Schaeffer | Concerto for Tape | 1969 | fixed media, akusmatisch | 17:55 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 15078 | Boguslaw | Schaeffer | E.S.Jazz | 1969 | fixed media, akusmatisch | 12:15 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 31311 | Boguslaw | Schaeffer | Elblag, Biennale Form Przestrzennycm | 1967 | Performance | 8:18 | Happening | Bolt RB/ | ExpSt Warsaw | 1 | |||||||||
| 15079 | Boguslaw | Schaeffer | Heraklitiana | 1970 | Zuspiel / Tonband, 1 perf | 20:45 | Stereo | hp [Harfe] | BR ES06 bolt Blanc et Rouge/ Wire Issue 406/ | ExpSt Warsaw | 1 | ||||||||
| 15080 | Boguslaw | Schaeffer | Hommage a Strzeminski | 1967 | Film | 11:51 | Stereo | Bolt RB/ IDEAMA CD 044/ | ExpSt Warsaw | 1 | |||||||||
| 15081 | Boguslaw | Schaeffer | Howl | 1971 | fixed media, akusmatisch | 4:50 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 15082 | Boguslaw | Schaeffer | Kantate - Elektronische Musik, Cantata: electronic music | 1980 | fixed media, akusmatisch | 19:27 | Quadro | 4 parts: 1.Satz: 6:11; 2. Satz: 3:22; 3.Satz: 3:09; 4. Satz: 6:20 | Bolt RB 1042/ | TU Berlin | 4.4.1981 | Helsinki | 1 | ||||||
| 15083 | Boguslaw | Schaeffer | Maat's | 1981 | fixed media, akusmatisch | 9:46 | Quadro | 3 parts (5:03 + 1:14 + 3:17); 9:46 mit Pausen! | ed. rz 3003 LP/ ed. RZ 3007 „Inventionen“/ ed. RZ 3/ | TU Berlin | 7.4.1981 | Lichthof der Technischen Universität Berlin, „stimmen 4“ | 1 | ||||||
| 15084 | Boguslaw | Schaeffer | Miserere | 1978 | Zuspiel / Tonband, 1 perf, 1 group | 29:25 | Stereo | S, ch [Sopran, Chor] | ExpSt Warsaw | 0 | |||||||||
| 15085 | Boguslaw | Schaeffer | Missa Electronica | 1975 | Zuspiel / Tonband, 1 group | 40:25 | boys ch [Chor] | ExpSt Warsaw | 0 | ||||||||||
| 15086 | Boguslaw | Schaeffer | Monodrama | 1968 | fixed media, akusmatisch | 65:10 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 15087 | Boguslaw | Schaeffer | Music for Tape | 1973 | fixed media, akusmatisch | 9:21 | Stereo | Muza 3XW 1896/ Bolt RB 1042/ | Radio Beograd | 18.5.1973 28.9.1974 |
Belgrad Warsaw autumn |
1 | |||||||
| 15088 | Boguslaw | Schaeffer | Poetries | 1978 | fixed media, akusmatisch | 14:37 | Stereo, Quadro | Duration of the CD-Version ≈ 13:24 QUEG by EMS London, with voice-sounds (Lisa Cooper, Ryszard Wand) |
Bolt RB 1042/ SME 1973-2003/ | SME Krakow | 17.11.1978 | Cracow | 1 | ||||||
| 31310 | Boguslaw | Schaeffer | Pomnik Birkenau | 1967 | Film | 11:04 | Bolt RB/ | ExpSt Warsaw | 1 | ||||||||||
| 15089 | Boguslaw | Schaeffer | Proietto, Project | 1970 | Zuspiel / Tonband, 1 perf | 14:30 | ob or ins or tuba [Oboe, Tuba, Instrument] | BR ES06 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | |||||||||
| 15090 | Boguslaw | Schaeffer | Proietto simultaneo | 1984 | Zuspiel / Tonband, 5 perf | 5 ins [Instrument] | Muza SX 2410/ | 1 | |||||||||||
| 15091 | Boguslaw | Schaeffer | Symfonia - Muzyka Elektroniczna, Electronic Symphony | 1966 | fixed media, akusmatisch | 17:25 | Stereo | 4 parts: 5:12 + 4:34 + 2:25 + 4:58 also version by Thomas Lehn after Bogulslaw Schaeffer’s Work Symphony: electronic music with the title „o. T.“ dec. 2011 (10:11). |
Muza Z-SL-570/ PHI 6526006/ BR ES06 bolt Blanc et Rouge/ BR ES09 bolt Blanc et Rouge/ IDEAMA CD 048/ Muza ZL 464/ | ExpSt Warsaw | 1 | ||||||||
| 15092 | Boguslaw | Schaeffer | Synthistory | 1973 | fixed media, akusmatisch | 13:18 | Stereo | Synthi 100 | Bolt RB 1042/ | Radio Beograd | Radio Belgrad | 14.5.1973 | Zagreb | 1 | |||||
| 31312 | Boguslaw | Schaeffer | Szkarlatny Pyt | 1968 | Theatermusik | 30 | Bolt RB/ | ExpSt Warsaw | 0 | ||||||||||
| 15093 | Boguslaw | Schaeffer | Thema - Elektronische Musik, Theme: Electronic Music | 1970 | fixed media, akusmatisch | 11:52 | Stereo | Bolt RB 1042/ | ExpSt Warsaw, EMS Stockholm | 19.9.1978 19.9.1978 |
Bourges Warsaw autumn |
1 | |||||||
| 31313 | Boguslaw | Schaeffer | Tkanina Abakanowicz | 1970 | Film | 13:47 | Bolt RB/ | ExpSt Warsaw | 1 | ||||||||||
| 15095 | Boguslaw | Schaeffer | Trio | 1972 | Zuspiel / Tonband, 3 perf | 7:30 | Stereo | fl, va, hp [Flöte, Harfe, Viola] | ExpSt Warsaw | 0 | |||||||||
| 23053 | Boguslaw | Schaeffer | Turm- und Rathausmusik für Münster und Krakau | 1989 | live-elec, 2 perf | br, perc [Schlagzeug, Bläser] | WDR SEM | WDR 1989 | 0 | ||||||||||
| 15096 | Boguslaw | Schaeffer | Voice, Noise, Beuys, Choice | 1984 | Zuspiel / Tonband, 5 perf | 5 ins [Instrument] | Muza SX 2410/ | 1 | |||||||||||
| 15097 | Myron | Schaeffer | Allegro for tape recorder | 1961 | fixed media, akusmatisch | 4:55 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15098 | Myron | Schaeffer | Bell etude in the form of a passacaglia | 1960 | fixed media, akusmatisch | 8:10 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 15099 | Myron | Schaeffer | Bridge #1 | 1960 | fixed media, akusmatisch | 4:20 | Stereo | 2 versions | UTEMS Toronto | 0 | |||||||||
| 15100 | Myron | Schaeffer | Dance R 4:3, Dance 4:3 | 1960 - 1961 | fixed media, akusmatisch | 3:30 | Stereo | FMS 33436/ | Uni Toronto | 1 | |||||||||
| 15102 | Myron | Schaeffer | Etude op. 1 #1 | 1959 | fixed media, akusmatisch | 2:58 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15103 | Myron | Schaeffer | Etude with voices | 1961 | fixed media, akusmatisch | 9:30 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15104 | Myron | Schaeffer | Haiku #1 | 1961 | fixed media, akusmatisch | 2:20 | Mono | version 1 (male V), version 2 (fem V) | UTEMS Toronto | 0 | |||||||||
| 15105 | Myron | Schaeffer | Haiku #2 | 1962 | fixed media, akusmatisch | 3:10 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 15106 | Myron | Schaeffer | Haiku #3 | 1962 | fixed media, akusmatisch | 2:45 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 15107 | Myron | Schaeffer | Lament from Jephtha | 1963 | fixed media, akusmatisch | 6:45 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 15108 | Myron | Schaeffer | Many faces of man | 1959 | Tanz | 8:50 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15109 | Myron | Schaeffer | New Intruder | 1962 | fixed media, akusmatisch | Film |
17:45 | Mono | tape version (Suite) | UTEMS Toronto | 0 | |||||||||
| 15111 | Myron | Schaeffer | Psalm XXIII | 1960 | fixed media, akusmatisch | 2:35 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15114 | Myron | Schaeffer | The smile | 1962 | Film | 20:00 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15115 | Myron | Schaeffer | Voices and bells | 1961 | fixed media, akusmatisch | 4:55 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15116 | Myron | Schaeffer | White noise etude | 1959 | fixed media, akusmatisch | 5:45 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15113 | Myron, Louis | Schaeffer, Applebaum | The mask | 1961 | Film | 15:10 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15101 | Myron, Harvey, Arnold | Schaeffer, Olnick, Walter | Electronic Dance | 1963 | Tanz | 7:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 15110 | Myron, Harvey, Arnold | Schaeffer, Olnick, Walter | Project A | 1961 | fixed media, akusmatisch | 6:45 | Mono | UTEMS Toronto | 0 | ||||||||||
| 15112 | Myron, Arnold, Harvey | Schaeffer, Walter, Olnick | Summer Idyll | 1960 | Fernsehen, | 6:40 | Mono | FMS 33436/ | UTEMS Toronto | 1 | |||||||||
| 37278 | Pierre | Schaeffer | À L'enseigne Du Roi Soleil | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37279 | Pierre | Schaeffer | Adaptation De Salavin | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37280 | Pierre | Schaeffer | Adolphe Hitler | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37281 | Pierre | Schaeffer | Adrienne Mesurat | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37282 | Pierre | Schaeffer | Albert Camus Lisant L'Éditorial De Combat | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37283 | Pierre | Schaeffer | Albert Camus: Reportage Par Frédéric Pottecher | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37284 | Pierre | Schaeffer | Altagor | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 18874 | Pierre | Schaeffer | Anamorphoses | fixed media, akusmatisch | zu Gravesaner Blätter Nr. 17 | Gravesaner Blätter ML 164/ | INA • GRM | 1 | |||||||||||
| 37285 | Pierre | Schaeffer | André Gide: Entretiens Avec Jean Amrouche | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37286 | Pierre | Schaeffer | André Malraux | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37287 | Pierre | Schaeffer | Athalie | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15117 | Pierre | Schaeffer | Bilude | 1979 | Zuspiel / Tonband, 1 perf | 2:18 | Stereo | p [Piano] | INA C 1008/ EMF 010/ INA G 6027/6029/ | INA • GRM | ACIC en hommage à R. Daumal | 11.12.1979 | Paris, Musée Guimet; Minka Roustcheva (p) | 1 | |||||
| 37288 | Pierre | Schaeffer | Blaise Cendrars | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37289 | Pierre | Schaeffer | Bonne Nuit Capitaine | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37290 | Pierre | Schaeffer | Buffalo Bill | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37291 | Pierre | Schaeffer | Chantecler | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37292 | Pierre | Schaeffer | Charlemagne | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37293 | Pierre | Schaeffer | Charlotte Corday | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37294 | Pierre | Schaeffer | Christophe Colomb | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37295 | Pierre | Schaeffer | Colère | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37296 | Pierre | Schaeffer | Colette Lisant L'Araignée | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37297 | Pierre | Schaeffer | Combour, Visage De Pierre | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37298 | Pierre | Schaeffer | Combourg | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15120 | Pierre | Schaeffer | Concertino diapason Diapason Concertino, Allegro Andante Intermezzo Andantino |
1948, 1951, 1952, 1970 | fixed media, akusmatisch | 9:50 | Mono, Stereo | 4 Versionen: 1948, 1951, 1952, rev. 1970 (Schaeffer & Bayle) CD INA G 6027/6029 ist wohl Version 20. This piece was originally part of the étude de bruits, was seperated and became an autonomous piece. 4 parts |
INA C 1006/ INA C 1008/ EMF 010/ INA G 6027/6029/ IDEAMA CD 118/ IDEAMA CD 120/ | INA • GRM | 29.4.1951 26.2.1971 |
Radio Paris IV (Version 2), présentation M. Rollin Paris, Halles Baltard (Panorama P. Schaeffer) |
1 | http://www.inagrm.com/historique | |||||
| 37299 | Pierre | Schaeffer | Conclusion De Pierre Schaeffer | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37300 | Pierre | Schaeffer | Constantinople | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37301 | Pierre | Schaeffer | Derviches Tourneurs | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37302 | Pierre | Schaeffer | Edouard Branly | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37303 | Pierre | Schaeffer | Espace Et Volume: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37304 | Pierre | Schaeffer | Essai D'anesthésie | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37814 | Pierre | Schaeffer | Essais radiophoniques | radiophon | BBC | 0 | |||||||||||||
| 40379 | Pierre | Schaeffer | étude au tourniquets, Étude de bruits | 1948, 1971 | fixed media, akusmatisch | 1:52 | Stereo | Second Part of Étude de bruits | INA • GRM | 0 | |||||||||
| 15121 | Pierre | Schaeffer | Etude aux allures | 1958, 1960, 1970 | fixed media, akusmatisch | Film |
3:27 | Mono, Stereo | PHI 6526003/ WER 60005/ INA C 1032 27652 archives grm CD 2/5/ INA G 6027/6029/ BAM EX 241/ BAM LD 070/ BAM 5070/ PHI 6740 001/ IDEAMA CD 120/ | INA • GRM | 5.10.1958 | Expo Bruxelles 1958 | 1 | |||||||
| 40380 | Pierre | Schaeffer | étude aux chemins de fer, Étude de bruits | 1948, 1971 | fixed media, akusmatisch | 3:40 | Stereo | third Part of Étude de bruits | INA • GRM | 0 | 1996 | ||||||||
| 15122 | Pierre | Schaeffer | Etude aux objets, exposés étendus multipliés liés rassemblés ou strette |
1959, 1970 | fixed media, akusmatisch | Tanz |
16:40 | Mono + Mono, Stereo | (rev. 1970), INA G 6027/6029 with duration 17:10 |
INA C 1008/ PHI 6521021/ Coll GRM 9106 SC/ INA C 1032 27652 archives grm CD 2/5/ EMF 010/ INA G 6027/6029/ PHI A 00567 L/ PHI 835 487 AY/ IDEAMA CD 120/ | INA • GRM | 30.6.1959 11.5.1970 |
Salle Gaveau, Paris Lisboa, Gulbenkian |
1 | 1984 | |||||
| 18875 | Pierre | Schaeffer | Etude pathetique Étude aux casseroles, Étude de bruits |
1948, 1971 | fixed media, akusmatisch | 3:24 | Stereo | Last / fourth Part of Étude de bruits | Coll GRM 9106 SC/ INA C 1032 27652 archives grm CD 2/5/ Thomson 320 C 100/ DUC 8/ DTL 93090/ PHI 6521 021/ Klett Stuttgart 92422/ ACMEM 196CD/ CDNO 02/ CND 15-16 | INA • GRM | 1 | ||||||||
| 40378 | Pierre | Schaeffer | étude violette, Étude de bruits | 1948, 1971 | fixed media, akusmatisch | 3:15 | Stereo | first Part of Étude de bruits | SR 190 sub rosa/ | INA • GRM | 0 | ||||||||
| 28380 | Pierre | Schaeffer | Etudes de bruits Cinq Études De Bruits, Etude n⁰ 1 "Déconcertante" ou étude au tourniquets Etude n⁰ 2 "Imposée" ou étude aux chemins de fer Etude n⁰ 3 "Concertante" ou étude pour orchestre Etude n⁰ 4 "Composée" ou étude au piano Etude n⁰ 5 "Pathétique" ou étude aux casseroles étude au tourniquets étude aux chemins de fer étude pour orchestre étude au piano étude aux casseroles |
1948, 1971 | fixed media, akusmatisch | 20:05 | Mono, Stereo | Version 1 piste 38 cm/s; 5 Études, 20:05 Version 1 piste "original gravure directe disque souple 78 t/s", 15:15 révision 1971 (Schaeffer, Bayle) stereo, 12:08 |
INA C 1006/ PHI 6521021/ Ellipsis Arts 3671 - OHM: 01/ INA C 1008/ EMF 010/ INA C 1032 27652 archives grm CD 2/5/ INA G 6027/6029/ IDEAMA CD 118/ IDEAMA CD 120/ ACMEM 159CD | INA • GRM | 20.06.1948 | Radio Paris "Concert de bruits", par J. Toscane | 1 | 1996 | http://www.inagrm.com/historique | ||||
| 37305 | Pierre | Schaeffer | Exemples Musicaux | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37306 | Pierre | Schaeffer | Fidélités Et Plans: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37307 | Pierre | Schaeffer | François Mauriac Lisant L'Éditorial Du Figaro | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37308 | Pierre | Schaeffer | Frédéric Général | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37309 | Pierre | Schaeffer | Gaston Bachelard | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37310 | Pierre | Schaeffer | Georges Bernanos | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37311 | Pierre | Schaeffer | Georges Bidault | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37312 | Pierre | Schaeffer | Giuseppe Ungaretti Et Julien Green: Entretiens Avec Dominique Arban | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37313 | Pierre | Schaeffer | Il Était Une Fois Un Orchestre | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37314 | Pierre | Schaeffer | Instantanés | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37315 | Pierre | Schaeffer | Ithaque Délivrée | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37316 | Pierre | Schaeffer | Jacques Copeau Dans "L'Art Du Comédien" | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37317 | Pierre | Schaeffer | Jarjaille Chez Le Bon Dieu | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37318 | Pierre | Schaeffer | John Brown | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37319 | Pierre | Schaeffer | Jules Suppervielle | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 19246 | Pierre | Schaeffer | L'aura d'Olga | 1961 | fixed media, akusmatisch | 0:53 | Ausschnitt, Beilage NZ 5/97 zum Artikel von Frisius (konkrete Musik); "Klang Welten" | WER 3025/ | INA • GRM | 1 | |||||||||
| 37320 | Pierre | Schaeffer | L'Enfance Du Crime | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37321 | Pierre | Schaeffer | L'étranger | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37322 | Pierre | Schaeffer | L'Homme Et Les Machines: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37323 | Pierre | Schaeffer | L'Honneur | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37324 | Pierre | Schaeffer | L'Honneur Des Poètes | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15127 | Pierre | Schaeffer | L'oiseau RAI | 1950 | fixed media, akusmatisch | 3:10 | Mono | Réalisée d’après l’indicarif de la Radio Italienne (RAI) | INA C 1006/ DTL 93090/ PHI 6521021/ EMF 010/ INA G 6027/6029/ RTF 1942-1952/ Thomson 320 C 102/ DUC 9/ DTL 93121/ Klett Stuttgart 08762 | INA • GRM | 6.5.1951 | Radio, Paris IV | 1 | ||||||
| 37325 | Pierre | Schaeffer | La Chambre | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37326 | Pierre | Schaeffer | La Cloche De Brume | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15128 | Pierre | Schaeffer | La Coquille à planètes, Suite fantastique pour une voix et douze monstres en huit épisodes et vingt deux chapitres | 1943/1944 | radiophon | 240:00 | Mono | Pierre Schaeffer / Claude Arrieu - La Coquille À Planètes: Suite fantastique pour une voix et douze monstres en huit épisodes et vingt deux chapitres |
INA C 14191/ disques Adès 141922/ IDEAMA CD 121-124/ PN 0461/5/ | Radio France, Studio d'Essai, ORTF | 0 | http://www.music-story.com/pierre-schaeffer/la-coquille-a-planetes | |||||||
| 37327 | Pierre | Schaeffer | La Dernière Classe | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37328 | Pierre | Schaeffer | La Femme Transformée En Renard | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37329 | Pierre | Schaeffer | La fille De Roland | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37330 | Pierre | Schaeffer | La Libération De Paris | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37331 | Pierre | Schaeffer | La Marchande De Fleurs | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37332 | Pierre | Schaeffer | La Montre Magique | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37333 | Pierre | Schaeffer | La Mort De Socrate | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37334 | Pierre | Schaeffer | La Part Du Rêve | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37335 | Pierre | Schaeffer | Le Blé En Herbe | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37336 | Pierre | Schaeffer | Le Capitaine Nemo | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37337 | Pierre | Schaeffer | Le Décor Sonore: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37338 | Pierre | Schaeffer | Le Horla | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37339 | Pierre | Schaeffer | Le Joueur De Flûte | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37340 | Pierre | Schaeffer | Le Journal Officieux | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37341 | Pierre | Schaeffer | Le Livre De Christophe Colomb | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37342 | Pierre | Schaeffer | Le Nez | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37343 | Pierre | Schaeffer | Le Paradoxe Du Comédien | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37344 | Pierre | Schaeffer | Le Petit Prince | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37345 | Pierre | Schaeffer | Le Plein Temps Ou Le Temps Poète: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37346 | Pierre | Schaeffer | Le Procès D'Oradour | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37347 | Pierre | Schaeffer | Le Puits Et Le Pendule | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37348 | Pierre | Schaeffer | Le Temps Stoppé: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37349 | Pierre | Schaeffer | Le Voleur Honnête | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37350 | Pierre | Schaeffer | Lecture De Salavin | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37351 | Pierre | Schaeffer | Les Creations Originales: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37352 | Pierre | Schaeffer | Les Douze | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37353 | Pierre | Schaeffer | Les Emanglons | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37354 | Pierre | Schaeffer | Les Enfants Terribles | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15130 | Pierre | Schaeffer | Les Paroles degelées, Dix ans d'Essais Radiophoniques | 1952 | radiophon | 8:00 | Mono | (rev. 1982 ?) INA G 6027/6029 (rev. version 1982) duration 4:30 Text by Rabelais |
INA C 1008/ Coll GRM 9106 SC/ EMF 010/ INA G 6027/6029/ PN 0461/5/ IDEAMA CD 120/ | INA • GRM, Studio d'Essai, ORTF | 1 | https://www.discogs.com/de/Pierre-Schaeffer-Dix-Ans-dEssais-Radiophoniques-Du-Studio-Au-Club-DEssai-1942-1952/release/614983 | |||||||
| 37355 | Pierre | Schaeffer | Les Paroles Gelées | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37356 | Pierre | Schaeffer | Les Raisins De La Colère | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37357 | Pierre | Schaeffer | Les Ressources De L'adaptation: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37358 | Pierre | Schaeffer | Les Soliloques Du Pauvre | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37359 | Pierre | Schaeffer | Les Surprises De L'Amour | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37360 | Pierre | Schaeffer | Les Temps Héroïques | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37361 | Pierre | Schaeffer | Les Temps Historiques: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37362 | Pierre | Schaeffer | Les Thibault | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37363 | Pierre | Schaeffer | Lettre De Madame Jouhandeau A Son Fils Marcel | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37364 | Pierre | Schaeffer | Lettre De Marcel Herrand Pour La Mort De Louis Jouvet | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37365 | Pierre | Schaeffer | Lettres De Stendhal | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37366 | Pierre | Schaeffer | Lorsque Cinq Ans Seront Passés | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37367 | Pierre | Schaeffer | Louis Aragon | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37368 | Pierre | Schaeffer | Louis Aragon | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37369 | Pierre | Schaeffer | Louis XIV | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37370 | Pierre | Schaeffer | Machines À Mémoire | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37371 | Pierre | Schaeffer | Madame Bovary | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37372 | Pierre | Schaeffer | Madame Simone Dans "L'Art Du Comédien" | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37373 | Pierre | Schaeffer | Madame Simone Et Jean Cocteau | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37374 | Pierre | Schaeffer | Marguerite Moreno au Gala de l'Union des Artistes | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15131 | Pierre | Schaeffer | Masquerage | 1952, 1970 | Film | fixed media, akusmatisch |
9:15 | Mono | (rev. 1970 ??, Bandfassung real. Parmegiani,) Un film de Max de Haas. Labo. Cinétone, Amsterdam INA G 6027/6029 with duration 3:38 (Version 021,2?) |
INA C 1008/ Coll GRM 9106 SC/ EMF 010/ INA G 6027/6029/ IDEAMA CD 120/ | INA • GRM | Max de Haas. | 1952 26.2.1961 |
Cannes, Ve Festival International du Film Paris, Halles Baltard |
1 | 1996 | ||||
| 37375 | Pierre | Schaeffer | Monsieur Jourdain Chez Les Speakers | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37376 | Pierre | Schaeffer | Monsieur Lyonnet | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37377 | Pierre | Schaeffer | Musique Concrète | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15132 | Pierre | Schaeffer | Musique de scène pour Phèdre | 1959, 1970 | Theatermusik | fixed media, akusmatisch |
130:00 | Mono, Stereo | actrice [Schauspieler] | (enregistr. Spectacle); also short version (5:12) INA G 6027/6029 mit Dauer 5:14 wird als "inédit" bezeichnet |
INA G 6027/6029/ IDEAMA CD 014/015/ | INA • GRM | 15.10.1959 26.2.1971 |
Théâtre du Gymnase, Paris Paris, Halles Baltard |
1 | |||||
| 37378 | Pierre | Schaeffer | Musiques Pour Le Micro: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 28658 | Pierre | Schaeffer | Nocturne aux chemins de fer | 1959 | Theatermusik | mime [Schauspieler] | spectacle de mime de J. Lecoq | INA • GRM | 25.6.1959 | Musée Guimet, Paris | 0 | ||||||||
| 37379 | Pierre | Schaeffer | On Vous Parle: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37380 | Pierre | Schaeffer | Pâques À Harlem | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37381 | Pierre | Schaeffer | Paul Claudel | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37382 | Pierre | Schaeffer | Paul Claudel: Entretiens Avec Jacques Madaule Et Pierre Schaeffer | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37383 | Pierre | Schaeffer | Paul Eluard | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37384 | Pierre | Schaeffer | Paul Léautaud: Entretiens Avec Robert Mallet | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37385 | Pierre | Schaeffer | Pensées | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37386 | Pierre | Schaeffer | Philippe Henriot | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 19244 | Pierre | Schaeffer | Pochette surprise | 1952 | fixed media, akusmatisch | 0:55 | Beilage NZ 5/97 zum Artikel von Frisius (konkrete Musik); "Klang Welten" | WER 3025/ PN 0461/5/ | INA • GRM | 1 | |||||||||
| 37387 | Pierre | Schaeffer | Pochette Surprise | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37388 | Pierre | Schaeffer | Poésie Et Fantaisie | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37389 | Pierre | Schaeffer | Présence Et Réalisme | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37390 | Pierre | Schaeffer | Prières Dans La Cathédrale | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37391 | Pierre | Schaeffer | Psychanalyse Des Voix | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37392 | Pierre | Schaeffer | Quand Les Choses S'En Mèlent | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37393 | Pierre | Schaeffer | Raccrochez C'Est Une Erreur | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37394 | Pierre | Schaeffer | Retour Au Texte Intégral: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37395 | Pierre | Schaeffer | Roger Blin | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37396 | Pierre | Schaeffer | Saint John Perse: Discours Du Prix Nobel | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15134 | Pierre | Schaeffer | Simultane camerounais | 1959 | fixed media, akusmatisch | 6:47 | Mono + Stereo, Stereo | IDEAMA CD 051/ | INA • GRM | 01.06.59 | Salle Gaveau, Paris | 0 | |||||||
| 37397 | Pierre | Schaeffer | Sourds Et Muets | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37398 | Pierre | Schaeffer | Sous Le Pont Mirabeau | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37399 | Pierre | Schaeffer | Souvenirs | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15135 | Pierre | Schaeffer | Suite pour 14 instruments, Prélude Courante / Roucante Rigodon Vagotte / Gavotte Sphoradie |
1949, 1970 | fixed media, akusmatisch | 25:24 | Mono, Stereo | 5 parts. INA G 6027/6029 wohl Version 004,2 |
INA C 1006/ INA C 1008/ EMF 010/ INA G 6027/6029/ PHI 6521021/ IDEAMA CD 118/ | INA • GRM | 6.11.1949 29.4.1951 20.2.1971 |
Radio Paris Inter Radio Paris IV Halles Baltrard Paris (rev. stereo) |
1 | ||||||
| 37400 | Pierre | Schaeffer | Tartuffe | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37401 | Pierre | Schaeffer | Télégramme Du Dakar | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37402 | Pierre | Schaeffer | Toby, Le Tuba | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37403 | Pierre | Schaeffer | Tradition Et Métier: Introduction | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 28649 | Pierre | Schaeffer | Trièdre fertile, plutôt dynamique (étude banale) plutôt harmonique plutôt mélodique moins banal (interlude, ou impromptu) toccata et fugue baroque (second interkude) strette |
1975 | fixed media, akusmatisch | 35:56 | Stereo | 7 Sätze | INA G 6027/6029/ | INA • GRM | 1 | ||||||||
| 37404 | Pierre | Schaeffer | Tué | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37405 | Pierre | Schaeffer | Une Inconnue | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37406 | Pierre | Schaeffer | Untitled | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 15137 | Pierre | Schaeffer | Variations sur une flûte mexicaine | 1949, 1971 | fixed media, akusmatisch | 7:20 | Mono, Stereo | rev. (Schaeffer & Bayle) stereo, ca. 1971, 2:56 Version 27.07.2012 ist 3:06 lang (wohl Version 003,2) |
INA C 1006/ EMF 010/ INA G 6027/6029/ IDEAMA CD 118/ ACMEM 196CD/ CND 15-16/ CND 15-16/ | INA • GRM | 21.6.1950 26.2.1971 |
Paris, Centre culturel du Conservatoire Paris, Halles Baltard |
1 | http://www.inagrm.com/historique | |||||
| 21543 | Pierre | Schaeffer | Vestiges d'Orphée ou Toute la Lyre | 1952 | fixed media, akusmatisch | 13:45 | Inventionen 8.3.1986 Ackerstr | Coll GRM 9106 SC/ | INA • GRM | 0 | |||||||||
| 37407 | Pierre | Schaeffer | Vol De Nuit | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37408 | Pierre | Schaeffer | Vulture | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 37409 | Pierre | Schaeffer | William Morton Et L'anesthésie | 1942 - 1952 | radiophon | Mono | PN 0461/5/ | Club d'Essai Paris | 0 | ||||||||||
| 40461 | Pierre, Claude | Schaeffer, Arrieu | L’Aura d’Olga | 1962 | radiophon | Theatermusik |
32:30 | INA • GRM | 1 | |||||||||||
| 37276 | Pierre, Claude | Schaeffer, Arrieu | La Farce Enfantine De La Tête Du Dragon | 1947 | radiophon | PN 0461/5/ | Club d'Essai Paris | 0 | |||||||||||
| 15124 | Pierre, Denis | Schaeffer, Dufour | Etude aux sons animés | 1958, 1970, 1978 | fixed media, akusmatisch | Zuspiel, live-elec, 3 perf |
4:10 | Mono, Stereo | 2 synt, prep p [Piano, synthesizer] | also transcripted Version 4 by Denis Dufour for 2 synt and prep piano (Duration 6:04) | PHI 6521021/ Coll GRM 9106 SC/ INA G 6027/6029/ BAM EX 242/ BAM LD 070/ AZ BAM 5070/ Klett Stuttgart 92422/ Boomkat bundle_158/ IDEAMA CD 120/ | INA • GRM | 5.10.1958 | Expo Bruxelles 1958 | 1 | 1996 | ||||
| 15129 | Pierre, Bernard | Schaeffer, Durr | Le trièdre fertile, plutôt dynamique (étude banale) plutôt harmonique plutôt mélodique moins banal (interlude, ou impromptu) toccata et fugue baroque (second interkude) strette |
1975/1976 | fixed media, akusmatisch | audiovisuell |
34:35 | Stereo | PHI 6510018/ Editions Mego (LP) Recollection GRM/ | INA • GRM | INA • GRM | 26.2.1976 17.12.1976 |
Rennes, Maison de la Culture Paris, Salle de l’Ancien Conservatoire |
1 | ||||||
| 28650 | Pierre, Luc | Schaeffer, Ferrari | Continuo | 1958 | fixed media, akusmatisch | 2:40 | Stereo | INA G 6027/6029/ | INA • GRM | 5.10.1958 | Bruxelles Expo, french Pavillon | 1 | |||||||
| 37277 | Pierre, Pierre | Schaeffer, Henry | Cinq Histoires Étranges | 1947 | radiophon | PN 0461/5/ | Club d'Essai Paris | 0 | |||||||||||
| 7021 | Pierre, Pierre | Schaeffer, Henry | Orphée 51 ou Toute la Lyre | 1951, 1970 | Zuspiel / Tonband, 5 perf | 45:00 | Mono, Quadro | 4 V, mime [Stimme, Schauspieler] | Pantomime lyrique. Première œvre mixte (voix instruments et bande). Premier concert en relief spatial par pupitre potentiométrique. Première utilisation du phonogène à coulisse et chromatique. 4 Loudspeakers. With perf ≈ diffusion |
RTF 1942-1952/ | INA • GRM | 6.7.1951 | Theatre de l'Empire | 0 | |||||
| 7022 | Pierre, Pierre | Schaeffer, Henry | Orphée 51 ou Toute la Lyre, 1er air d'Orphée Concoléances Récitatif aux serpents 2e air d'Orphée Les monstres Fleurs et couronnes Parade d'Eurydice (2 versions: fraçaise et allemande) 3e air d'Orphée Intermède Prédication Ductée musicale (extr.) Les grillons Bandeau d'amour Le voile Adieux d'Eurydice |
1970 | fixed media, akusmatisch | 52:00 | Stereo | rev., 18 title Titel is also "Toute la Lyre ou Vestiges d'Orphée" |
CDNO 02/ | INA • GRM | 0 | ||||||||
| 7023 | Pierre, Pierre | Schaeffer, Henry | Orphée 51 ou Toute la Lyre | 1951 | fixed media, akusmatisch | 54:30 | Mono | Version Radio Titel is also "Toute la Lyre ou Vestiges d'Orphée" |
INA • GRM | 29.9.1951 | Radio Paris, chaine Nationale | 0 | |||||||
| 7024 | Pierre, Pierre | Schaeffer, Henry | Orphée 53, Orphée 53, Suite De Concert | 1953, 1974 | Oper, 5 perf | 31:45 | Stereo | 3 V, hpd, vn [Stimme, Cembalo, Violine] | rev 1974: 2 versionen als "Suite I" und "Suite II" INA G 6027/6029 mit dem Untertitel "Suite de concert" (1951/2010) neue Version mit Dauer 41:40 in Absprache mit Pierre Henry und neu gemacht von diesem. |
INA G 6027/6029/ | INA • GRM | 10.10.1953 | Donaueschingen, Festhalle. avec Jeannine Collard, Orphée; Andrée Lescot, Eurydice; Heinz Fischer Karvin, voix de l'amour. Philippe Arthuys, clavecin; Janine Gruttler-Rauch, violon. | 1 | |||||
| 7025 | Pierre, Pierre | Schaeffer, Henry | Orphée 53 | 1953 | Oper, 5 perf | 86:00 | Mono | 3 V, hpd, vn [Stimme, Cembalo, Violine] | Version Donaueschingen: Premier Opéra Concret Libretto von P. Schaeffer; with Jeannine Collard, Orphée; Andrée Lescot, Eurydice; Heinz Fischer Karvin, voix de l'amour. Philippe Arthuys, clavecin; Janine Gruttler-Rauch, violon |
INA • GRM | 10.10.1953 | Donaueschingen Festhalle; mit J. Colland (Orphée), A. Lescot (Eurydic), H. Fischer Karvin (voix de l'amour); Ph. Arthuys (clavecin), J. Grutter-Rauch (Violon) | 1 | ||||||
| 7026 | Pierre, Pierre | Schaeffer, Henry | Orphée 53 | 1953 | radiophon | 44:17 | Mono | Version Radio | INA • GRM | 1 | |||||||||
| 28635 | Pierre, Pierre | Schaeffer, Henry | Sahara d'aujourd'hui | 1957 | Film | Mono | INA • GRM | 23.6.1959 | Paris, Musée Guimet | 0 | |||||||||
| 7037 | Pierre, Pierre | Schaeffer, Henry | Symphonie pour un homme seul, Prosopopée 1 Partita Valse Erotica Scherzo Collectif Prosopopée 2 Eroica Apostrophe Intermezzo Cadence Strette |
1950, 1966 | fixed media, akusmatisch | Tanz |
21:10 | Mono, Stereo | Version 1 22 Titel (46:00) Version 2 11 Titel (ohne Zeitangabe) Version balet 11 Titel (Théâtre des Champs-Elysées 31.7.1955) Revision (P. Henry) stereo 1966 mit 12 Titeln, 21:10 INA G 6027/6029 duration 21:30 with 12 titel (Version ≈ 010,4 ?) |
INA C 1007/ PHI 6521021/ DTL 93090/ DUC 3/ INA G 6027/6029/ Thomson 320 C 102/ DUC 9/ DTL 93121/ PHI 6510 012/ INA C 1000 | INA • GRM | 18.3.1950 26.2.1971 |
Ecole Normale de Musique, Paris (mono; premiere concert de „Musique concrète“) Halles Baltrard Paris (rev. stereo) |
1 | 1986 2008 | http://brahms.ircam.fr/works/work/9062/ | ||||
| 15118 | Pierre, Maurice | Schaeffer, Martenot | composition sonore (radioplay for one voice and 12 monsters) | 1944 | radiophon | Stereo | INA C 14191/ | Radio France | 0 | ||||||||||
| 37410 | Pierre, Charles | Schaeffer, Péguy, varios | Dix Ans D'Essais Radiophoniques du Studio au Club D'Essai: 1942-1952 Volume 5: Machines À Mémoire, Les Temps historiques Les Temps Héroïques Le Temps Stoppé Le Plein-Temps Ou Le Temps-Poète |
1942 - 1952 | radiophon | 2 Vinyl | RTF SR 5/ | Club d'Essai Paris | 0 | ||||||||||
| 28117 | Pierre, Guy, Beatriz | Schaeffer, Reibel, Ferreyra | Solfège de L’objet sonore, Traité des objets musicaux | 1967 | Lehre & Forschung | old Version = 3 LPs or 3 Cassettes (INA GRM 4001-03 SC) new Version = 3 CDs |
ORTF - SR2 3 LP/ INA C 2010/ INA C 2011/ INA C 2012/ PHI 6521 006/ INA GRM 4001 SC/ INA GRM 4001-03 SC/ | INA • GRM | 0 | ||||||||||
| 37411 | Pierre | Schaeffer, varios | Dix Ans D'Essais Radiophoniques Du Studio Au Club D'Essai: 1942-1952 Volume 1: La Radio Et Ses Personnages, On Vous Parle Les Speakers Les Voix De Couleurs Les Voix Des Choses Et Des Bêtes Le Western Le Mélo Le Conférencier Le Lecteur Le Paradoxe Du Comédien Psychanalyse Des Voix Instantanés Et Portraits |
1942 - 1952 | radiophon | Anthology of radioplays & sound documents produced & recorded between 1942 and 1952 at the Club d'essai de la Radiodiffusion française directed by Pierre Schaeffer | RTF SR 1/ | Club d'Essai Paris | 0 | ||||||||||
| 37414 | Pierre | Schaeffer, varios | Dix Ans D'Essais Radiophoniques Du Studio Au Club D'Essai: 1942-1952 Volume 2: L'écran Sonore, Fidélités Et Plan Espace Et Volume L'homme Et Les Machines Reportage Sur La Résistance Musiques Pour Le Micro |
1942 - 1952 | radiophon | Anthology of radioplays & sound documents produced & recorded between 1942 and 1952 at the Club d'essai de la Radiodiffusion française directed by Pierre Schaeffer | RTF SR 2/ | Club d'Essai Paris | 0 | ||||||||||
| 37413 | Pierre | Schaeffer, varios | Dix Ans D'Essais Radiophoniques Du Studio Au Club D'Essai: 1942-1952 Volume 3: Le Texte Et Le Micro, Retour Au Texte Intégral Les Ressources De L'Adaptation Les Créations Originales Poésie Et Fantaisie |
1942 - 1952 | radiophon | Anthology of radioplays & sound documents produced & recorded between 1942 and 1952 at the Club d'essai de la Radiodiffusion française directed by Pierre Schaeffer | RTF SR 3/ | Club d'Essai Paris | 0 | ||||||||||
| 37412 | Pierre | Schaeffer, varios | Dix Ans D'Essais Radiophoniques Du Studio Au Club D'Essai: 1942-1952 Volume 4: La Mise En Ondes, Réalisme Et Présence La Part Du Rêve Tradition Et Métier Le Décor Sonore |
1942 - 1952 | radiophon | Anthology of radioplays & sound documents produced & recorded between 1942 and 1952 at the Club d'essai de la Radiodiffusion française directed by Pierre Schaeffer | RTF SR 4/ | Club d'Essai Paris | 0 | ||||||||||
| 22596 | Ernst Martin | Schär | Werk für DMX-1000 Signalprozessor | 1986 | live-elec, 1 perf | MIDI-synt [synthesizer] | DMX-1000 | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 42175 | Eran | Schaerf | Die Stimme des Hörers | 2002 | radiophon | 40:24 | intermedium records 2013/ | BR, ZKM, Intermedium 2 | 23.3.2002 | BR München | Hörspiel des Monats März 2002 Hörspiel des Jahres 2002 |
0 | |||||||
| 42176 | Eran | Schaerf | Fm-scenario – Benutzerinnen - Montagen aus dem Online-Studio, FM-Scenario - Die Stimme des Hörers - Benutzerinnen - Montagen aus dem Online-Studio | 2014 | radiophon | 37:47 | BR, ZKM | Bayerischer Rundfunk / A Production e. V., Berlin / HartwareMedienKunstVerein, Dortmund / Haus der Kulturen der Welt, Berlin / Les Complices*, Zürich / Museum für Konkrete Kunst, Ingolstadt / ZKM, Karlsruhe 2014 | 11.4.2014 | BR München e.a. | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4245658&vi=4&SID | |||||||
| 42177 | Eran | Schaerf | Heute ist Mittwoch, der 10. Dezember | 2009 | radiophon | 45:07 | BR | 26.7.2009 | BR München | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1534555&vi=10&SID | ||||||||
| 39735 | Dominique | Schafer | Cendre | 2015 | fixed media, akusmatisch | 9:21:00 | Dominique Schafer | 0 | |||||||||||
| 15138 | R. Murray | Schafer | film score for Kaleidoscope Pavillon, Expo 67 | 1966 | Film | 5:00 | 3 tracks | McGill Montréal | 0 | ||||||||||
| 15139 | R. Murray | Schafer | sound tracks for Man and Life Pavillion, Expo 67 | 1966 | Hintergrundmusik | 8:00 | Stereo | McGill Montréal | 0 | ||||||||||
| 18995 | R. Murray | Schafer | The Vancouver Soundscape | 1973 | Klangkunst, Installation | 76:00 | (Hörner, Schiffe, Häuser) | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ CSR CD 9701/ | SFU | 1 | |||||||||
| 15140 | R. Murray | Schafer | Toi | 1965 | Oper | Fernsehen, |
60:00 | Stereo | McGill Montréal | 0 | ||||||||||
| 28124 | R. Murray | Schafer | Winter Diary | 1997 | radiophon | 7:37 | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | Karl-Sczuka-Preis 1998 | 0 | |||||||||
| 15141 | R. Murray | Schafer | World Soundscape Project | 1970 | Klangkunst, Installation | 1 | |||||||||||||
| 38650 | Gabi | SCHAFFNER | Hidden Places - Erzählte Landschaften in Island und Australien | 2016 | radiophon | 52:08:00 | 0 | ||||||||||||
| 15142 | Thomas | Schaller | Drei Miniaturen | 1985 | fixed media, akusmatisch | 4:00 | ELAK Wien | 0 | |||||||||||
| 15143 | Thomas | Schaller | Maschinentod | 1986 | fixed media, akusmatisch | 4:10 | Stereo | cuts | ELAK Wien | 0 | |||||||||
| 15144 | Thomas | Schaller | Trüb | 1985 | Klangkunst, Installation | 12:00 | ELAK Wien | 0 | |||||||||||
| 15145 | Thomas | Schaller | Zur Lage | 1986 | fixed media, akusmatisch | 17:00 | Stereo | Rede zur Lage, Ruhe im Land, Ich und mein Chip | ELAK Wien | 0 | |||||||||
| 39867 | Isaac | Schankler | Apop | 2017 | audiovisuell | Isaac Schankler | 0 | ||||||||||||
| 15146 | Nikolaus | Schapfl | Cry-X | 1996 | fixed media, akusmatisch | 7:00 | GEM 9701/ | SEM Salzburg | 1 | ||||||||||
| 15147 | Martina | Scharf-Bauer | CO | 1987 | Zuspiel, live-elec, 1 perf | synt [synthesizer] | pseudonym Meritaton | ELAK Wien | 0 | ||||||||||
| 15148 | Martina | Scharf-Bauer | la belle endormie | 1987 | Zuspiel/Tonband, 1 perf | intermedia |
13:00 | sax, (film) [Saxophon] | pseudonym Meritaton | ELAK Wien | 0 | |||||||||
| 15157 | Peter | Schat | De Aleph | 1965 | fixed media, akusmatisch | 7:46 | Quadro | from Labyrinth op. 15 | CV 7803/ IDEAMA CD 008/ BASTA 30-9182-2/ Creel Pone 10/ | STEM Utrecht | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 15151 | Peter | Schat | Electrocutie | 1966 | Musiktheater, live-elec, | "Artaudofoon" with 40 contact micros | PS C. | 0 | |||||||||||
| 15152 | Peter | Schat | Hypothema, op. 20 | 1969 | Zuspiel / Tonband, 1 perf | 9:00 | rec [Flöte] | STEIM | Dutch Government | 0 | |||||||||
| 15153 | Peter | Schat | Koen Loen | 1972 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 15154 | Peter | Schat | Labyrint, op. 15 | 1964 | Oper | 18:00 | Quadro | STEM Utrecht | 0 | ||||||||||
| 15156 | Peter | Schat | Studie | 1959 | fixed media, akusmatisch | Mono | TH Delft | 0 | |||||||||||
| 15158 | Peter | Schat | The Tone Clock, op. 34 | 1987 | computer generated score, 1 perf | perc (mechanical clock) [Schlagzeug] | written for a comp publik clock, designed by Floris Guntenaar | 0 | |||||||||||
| 15159 | Peter | Schat | Thema | 1970 | live-elec, 4 perf | ob, gui, org, ww [Oboe, Orgel, Gitarre, Bläser] | CV 7475/ | STEIM, Experimentalstudio für Akustische Kunst Freiburg | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 15160 | Peter | Schat | To You, op. 22 | 1972 | live-elec, 3 perf, 1 group | 21:00 | S, amp inss, e-org [Sopran, Keyboard, Instrument] | text by Adrian Mitchell | CV 7475/ | STEIM | City of Amsterdam | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 15155 | Peter, Louis, Reinbert de, Misha, Jan van | Schat, Andriessen, Leeuw, Mengelberg, Vlijmen | Reconstructie, op. 18 (a morality), Reconstructie | 1969 | Musiktheater, live-elec, 9 perf, 3 groups | 130:00 | V, 3 ch, rec, 3 sax, e-hpd, 2 p, str [Stimme, Flöte, Saxophon, Piano, Cembalo, Streicher, Chor] | STEIM Opus 001/ | STEIM | 0 | |||||||||
| 15150 | Peter, Lodewijk de | Schat, Boer | Darts | 1966 | Theatermusik | 10:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 15149 | Peter, Frits | Schat, Weiland | Banden uit het Labyrint, op. 15e | 1965 | Theatermusik | 18:00:00 | Quadro | STEM Utrecht | 0 | ||||||||||
| 42178 | Philipp | Schaufelberger | Drs4 | 2006 | radiophon | Radio LoRa, Zürich | 0 | ||||||||||||
| 42712 | Margaret | Schedel | Partita, Perihelion | 2012 | live-elec, 1 perf | 8:00:00 | Quadro | vn [Violine] | Christina McGann, violin | 0 | |||||||||
| 40049 | Margaret | Schedel | QfwfQ: A Voice a Point of View, | 2016 | live-elec, 2 perf | 2 a-ins [] | Margaret Schedel | 0 | |||||||||||
| 42915 | Margaret | Schedel | Tattoo of a Gesture for percussion and live electronics | 2013 | live-elec, 1 perf | 10:00:00 | perc [Schlagzeug] | Chris Howard, percussion | 0 | ||||||||||
| 40048 | Margaret | Schedel | to red, to music to chaos | 2017 | fixed media, akusmatisch | Margaret Schedel | 0 | ||||||||||||
| 36951 | Stephen | Schedra | Bi Yu Banter | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 15161 | Peter | Scheelke | Rock med naturen | 1988 | fixed media, akusmatisch | 10:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 38651 | Philip | SCHEFFNER | off season / binocular view | 2006 | radiophon | 50:07:00 | 0 | ||||||||||||
| 18943 | Daniel | Scheidt | Big Piano : Storm | 1994 | live-elec, 2 perf | 2:23 | p, com-p [Piano] | Übersetzung von Text in Klang ("The Text is the Music") | CEC DISContact_2/ | Banff C. | 1 | ||||||||
| 15163 | Daniel | Scheidt | Dirds | 1986 | fixed media, akusmatisch | 13:00 | Stereo | 0 | |||||||||||
| 15164 | Daniel | Scheidt | Norm'n George | 1990 | live-elec, 1 perf | 20:13 | Stereo | trbn [Posaune] | NORM-Programm | IMED 9105/ | Banff C. | 1 | |||||||
| 15165 | Daniel | Scheidt | Obeying the Laws of Physics | 1987 | live-elec, 1 perf | 16:13 | Stereo | e-perc (MIDI perc), (interactive software) [Schlagzeug] | IMED 9105/ ACM 37 CD 1-4/ BCA 1/ | Banff C. | Trevor Tureski with the assistance of the Canada Council | 10.1987 | Banff Centre for the Arts | 1 | |||||
| 15166 | Daniel | Scheidt | Squeeze | 1990 | live-elec, 1 perf | 11:00 | Stereo | b-cl [Klarinette] | IMED 9105/ | Banff C. | 22.02.1991 | Western Front in Vancouver | 1 | ||||||
| 15167 | Daniel | Scheidt | Standard Deviance | 1988 | fixed media, akusmatisch | 13:00 | Stereo | 0 | |||||||||||
| 15168 | Daniel | Scheidt | Stories Told | 1989 | live-elec, 1 perf | 12:29 | Stereo | S [Sopran] | IMED 9105/ | Banff C. | Catherine Lewis with assistance from the Canada Council | 13.11.1989 | CEC Electroacoustic Days at The Banff Centre for the Arts | 1 | |||||
| 15169 | Daniel | Scheidt | Stuff: An Assortment of Things Occuring at Particular Times | 1986 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 15170 | Daniel | Scheidt | What If | 1990 | fixed media, akusmatisch | 3 | Stereo | IMED 9004/ EAR Magazine 1/ IMED 9604/ | Banff C. | 1 | |||||||||
| 15162 | Daniel, Claude | Scheidt, Schryer | A Digital Eclogue | 1986 | live-elec, 1 perf | 12:45 | Stereo | cl [Klarinette] | IMED 9105/ | Banff C. | 03.1986 | Banff Centre for the Arts | 1 | ||||||
| 20769 | Michael | Schell | Jerry Hunt: Song drape 2 | 1996 | fixed media, akusmatisch | 6:00 | Stereo | innova 114/ | 1 | ||||||||||
| 15171 | Harold | Schellinx | PR 1 - PAGE 21 | 1984 | Zuspiel / Tonband, 2 perf | 6:25:00 | 2 p [Piano] | com : PR 1 | Sonology Utrecht | 4.12.1984 | Vredenburg | 0 | |||||||
| 25673 | Friedrich | Schenker | alias mandelstam | 1995 | radiophon | 12:10 | Stereo | Libretto: Kerstin Hensel | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | AdK Berlin | 1 | ||||||||
| 15173 | Friedrich | Schenker | Bettina | 1981/1982 | Oper | 1 actrice, children ch, ens [Schauspieler, Ensemble, Chor] | Libretto: Karl Mickel | 0 | |||||||||||
| 27513 | Friedrich | Schenker | Die Gebeine Dantons | 1988/1991 | radiophon | Radio-Oper. Libretto: Karl Mickel | Radio DDR | 1988 Radio DDR 2 | 0 | ||||||||||
| 15174 | Friedrich | Schenker | Hörstück mit Flöten | 1976 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | fl [Flöte] | Radio DDR | 19.2.1977 | Berlin, Werner Tost (fl) | 0 | |||||||
| 15175 | Friedrich | Schenker | Hörstück mit Oboe | 1971 | Zuspiel / Tonband, 1 perf | 15:25 | Stereo | ob [Oboe] | Eterna 827 906/ | Radio DDR | 1 | 1990 | |||||||
| 29456 | Friedrich | Schenker | ich bin ein Berliner | 2001 | radiophon | MediaMime, Libretto: Frank Burckner | 0 | ||||||||||||
| 29454 | Friedrich | Schenker | Jessenin-Majakowski-Recital | 1981 | Zuspiel / Tonband, 8 perf | Quadro | 8 ins [Instrument] | text by Majakowski, Jessenin, Celan, Huppert, Schenker | 30.9.1979 | Berlin, Gruppe Neue Musik „Hanns Eisler“ Leipzig | 0 | ||||||||
| 15176 | Friedrich | Schenker | Kammerspiel II - missa nigra | 1978 | Zuspiel, live-elec, 9 perf | 50:00 | Stereo | 7 ins, actor, synt [Instrument, Schauspieler, synthesizer] | different versions with var number of musicians. multimedial; texts by Heiner Müller (Leben Gundlings) | Radio DDR | 5.2.1979 | Leipzig, Gruppe Neue Musik „Hanns Eisler“. Ltg. Christian Münch | 0 | ||||||
| 15179 | Friedrich | Schenker | Schafott - Front | 1983 | radiophon | Stereo | antifaschistisches Radiowerk anlässlich der Machtergreifung Hitlers vor 50 Jahren | TIP Berlin | Radio DDR2 Amzoll | 30.1.1983 | Radio DDR II | 0 | |||||||
| 15180 | Friedrich | Schenker | Versuche über ROSWITHA | 1973 | Zuspiel / Tonband, 1 perf | 8:52 | Stereo | S [Sopran] | Stimme von Roswitha Trexler | Radio DDR | 1 | ||||||||
| 29455 | Friedrich | Schenker | Vierte Allemande, Eind sinfonisches Historienspektakel | 1995 | Zuspiel / Tonband, 3 perf, 3 groups | ch, orc, gui, 2 br-ens, Sp [Sprecher, Gitarre, Bläser, Chor, Orchester] | 0 | ||||||||||||
| 15181 | Friedrich | Schenker | Werkstatt über das Stück “Hörstück mit Oboe“ | 1975 | Zuspiel / Tonband, 1 perf, 2 groups | 30:00 | Stereo | 2 ens, ob [Oboe, Ensemble] | Improvisationen | Radio DDR | 0 | ||||||||
| 15182 | Friedrich | Schepers | Passionsmusik | 1971 | Zuspiel / Tonband, 1 perf, 1 group | org, jazz-combo [Orgel, Ensemble] | 0 | ||||||||||||
| 34111 | Sofia | Scheps | Alvum | 2011 | fixed media, akusmatisch | 5:36 | FONAM Urugay/ | 0 | |||||||||||
| 23051 | Tona | Scherchen | Cancer, Soltice '83 | 1983 | Zuspiel / Tonband, 1 perf | S [Sopran] | WDR SEM | WDR 1987 | 0 | ||||||||||
| 15183 | Tona | Scherchen | Fuite | 1987 | Zuspiel / Tonband, 5 perf | 24:50 | Stereo | V, cl, b-cl, db, perc [Stimme, Klarinette, Schlagzeug, Kontrabass] | INA • GRM | 0 | |||||||||
| 42337 | Tona | Scherchen | L’illégitime | 1986 | Zuspiel / Tonband, 1 group | 16 | orc [Orchester] | Saarländischen Rundfunk (SR) Saarbrücken | Festival Musik im 20. Jahrhundert | 0 | |||||||||
| 15184 | Tona | Scherchen | Lude pour Alicelia | 1989 | Zuspiel / Tonband, 2 perf | 14:50 | Stereo | V, tuba [Stimme, Tuba] | INA • GRM | 0 | |||||||||
| 28557 | Valerie | Scherstjanoi | Die russischen Vokale schauen sich im Spiegel an | 2000 | Zuspiel / Tonband, 1 perf | 2:10 | V [Stimme] | WD 2000, Wittener Tage Für Neue Kammermusik 2000/ | UA | 2000 | Wittener Tage für neue Kammermusik 2000 mit Valerie Scherstjanoi (V) | 1 | |||||||
| 37466 | Valerie | Scherstjanoi | Sense-non-Sense | 1993 | live-elec, 1 perf | 9:51 | V [Stimme] | ISAST LMJ 3/ | 0 | ||||||||||
| 15185 | Robert | Schertzer | Cold Sweat in the Night | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 15186 | Robert | Schertzer | Doswa | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | ||||||||||||
| 15188 | Robert | Schertzer | Rain Dance | 1983 | fixed media, akusmatisch | Stereo | PS C. Montréal | 0 | |||||||||||
| 15189 | Robert | Schertzer | The Sentinel Plays Alone | 1985 | fixed media, akusmatisch | 14:00 | Stereo | Uni Halifax, MetaM. Montréal | Rhino Prods | 0 | |||||||||
| 15187 | Robert, Tara | Schertzer, Workman | Gloating Bleets | 1981 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 15190 | Henk van | Schevikhoven | For 8 blåsere og "live electronics" | 1980 | live-elec, 8 perf | 2 ehn, 2 hn, 2 bn, 2 b-cl [Klarinette, Oboe, Fagott, Horn] | NOTAM | 0 | |||||||||||
| 15191 | Henk van | Schevikhoven | Study | 1978 | fixed media, akusmatisch | 8:30 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 15192 | Henk van | Schevikhoven | Tracks | 1976 | Zuspiel / Tonband, 1 perf | 7:00 | b-cl [Klarinette] | NOTAM | 0 | ||||||||||
| 15193 | Giancarlo | Schiaffini | Alter echo | 1992 | live-elec, 2 perf | 8:00 | br (s-flicorno), perc [Schlagzeug, Bläser] | CRM Roma, CERM Sassari | 0 | ||||||||||
| 15194 | Giancarlo | Schiaffini | Bluish | 1990 | live-elec, 1 perf | Stereo | S [Sopran] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 15195 | Giancarlo | Schiaffini | Eufonia | 1988 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 23065 | Giancarlo | Schiaffini | Instant Piece | 1994 | live-elec, 3 perf | 2 trbn, perc [Posaune, Schlagzeug] | Experimentalstudio für Akustische Kunst Freiburg | WDR 1994 | 0 | ||||||||||
| 15196 | Giancarlo | Schiaffini | Perchel | 1991 | live-elec, 1 perf | 11:00 | perc [Schlagzeug] | MM&T Milano | 0 | ||||||||||
| 15197 | Armin | Schibler | La folie de Tristan, mystère musicale | 1977/1978 | Oper, 1 perf, 4 groups | 80:00 | Vs, ch, orc, jazz-band [Stimme, Ensemble, Chor, Orchester] | 0 | |||||||||||
| 15198 | Armin | Schibler | Signale - elektronische Studie | 1962 | fixed media, akusmatisch | 3:00 | Mono | Radio Genève, PS Schibler | 0 | ||||||||||
| 31416 | Tobias Eduard | Schick | … aus der Erinnerung … | 2010 | Zuspiel / Tonband, 2 perf | 2 p [Piano] | HfM Dresden | 0 | |||||||||||
| 31435 | Tobias Eduard | Schick | Lost in Viola | 2008 | live-elec, 1 perf | ≈ 9:00 | va, (Max/MSP) [Viola] | HfM Dresden | 0 | ||||||||||
| 31441 | Tobias Eduard | Schick | Tweening | 2010 | live-elec, 1 perf | perc [Schlagzeug] | HfM Dresden | 0 | |||||||||||
| 31432 | Tobias Eduard | Schick | Über den Versuch eines Dialogs | 2007 | live-elec, 1 perf | disklavier, (Max/MSP) [Piano] | HfM Dresden | 0 | |||||||||||
| 24077 | Leon | Schidlowsky | Citizen 1230316 | fixed media, akusmatisch | 0 | ||||||||||||||
| 24075 | Leon | Schidlowsky | Nacimiento | 1956 | fixed media, akusmatisch | 2:10 | Música incidental parala obra de teatro de mimos del mismo nombre. Primera obra electroacústica chilena. 1957, Sala el Golf. Santiago, Chile. |
Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 24076 | Leon | Schidlowsky | Three Structures and one scene | Zuspiel / Tonband, 1 perf, 1 group | ch, perc [Schlagzeug, Chor] | 0 | |||||||||||||
| 34169 | Dodo | Schielein | moving preparations, für Klavier | 2000 | Performance | p [Piano] | 2 parts | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | Tonstudio Volker Zeigermann, Hamburg | 1 | |||||||||
| 15199 | Horst | Schiffbauer | Edward | 1969 | fixed media, akusmatisch | 4:58 | Mono | HfMT Köln | 0 | ||||||||||
| 15200 | Horst | Schiffbauer | Klage der Ariadne | 1971 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 15201 | Thomas | Schilling | Stück für 5 Schalter und 10 Regler | 1987 | live-elec, 1 perf | com [computer] | DMX-1000 | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 31350 | Franz | Schillinger | Celebration | 1996 | fixed media, akusmatisch | 8:37:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31418 | Franz | Schillinger | Cycles | 1994 | live-elec, 1 perf | 13:00:00 | MIDI p, (Max/SMP, sam) [Piano] | HfM Dresden | 0 | ||||||||||
| 31408 | Franz | Schillinger | Melodie | 1994 | Zuspiel / Tonband, 1 perf | 10:32:00 | fl [Flöte] | HfM Dresden | 0 | ||||||||||
| 23352 | Joseph | Schillinger | Melody (Song) | 1929 | live-elec, 2 perf | 1:43 | theremin, p [Piano, synthesizer] | Lydia Kavina (Theremin), Joshua Pierce (p). siehe "The Schillinger Method of Musical Composition". Auszug des Solokonzertes für Theremin + Orchester "First Airphonic Suite" |
mode 76/ | 0 | http://www.moderecords.com/ | ||||||||
| 23353 | Joseph | Schillinger | Moivement électrique et pathétique | 1932 | live-elec, 2 perf | 1:42 | theremin, p [Piano, synthesizer] | Lydia Kavina (Theremin), Joshua Pierce (p) | mode 76/ | 1 | http://www.moderecords.com/ | ||||||||
| 15202 | Elisabeth | Schimana | A-LE-LU-JA, op. 2 | 1988 | Zuspiel / Tonband, 3 perf | 16:14 | Stereo | V, perc, monochord [Stimme, Schlagzeug, Streicher] | EX 98 Extraplatte/ | ELAK Wien | 1988 | Alte Schmiede Wien | 0 | ||||||
| 32599 | Elisabeth | Schimana | Auf und Zu | 2012 | live-elec, | 0 | |||||||||||||
| 15203 | Elisabeth | Schimana | Ausflug | 1989 | fixed media, akusmatisch | 1:40 | Stereo | cuts | ELAK Wien | 0 | |||||||||
| 38363 | Elisabeth | Schimana | Berührungen | 1998 | live-elec, | 42 | Elisabeth Schimana 000398/ | 0 | |||||||||||
| 32613 | Elisabeth | Schimana | die große partitur | 2001 - 2006 | audiovisuell, live-elec, | [live Elektronik & Visuals] | 0 | ||||||||||||
| 32606 | Elisabeth | Schimana | Dope Beat Rosengarten | 2009, 2012 | audiovisuell, live-elec, | 49 | 7 parts | CHmafu Nocords cn45/ | 0 | ||||||||||
| 32611 | Elisabeth | Schimana | Gewebe 03 | 2003 | audiovisuell, live-elec, 1 perf, 1 group | inss [Instrument] | live Elektronik & Visuals & akustische Instrumente | 0 | |||||||||||
| 32603 | Elisabeth | Schimana | Good News im QuotenJournal | 2011 | radiophon | 0 | |||||||||||||
| 32598 | Elisabeth | Schimana | Hautkörper | 2013 | live-elec, | 0 | |||||||||||||
| 32609 | Elisabeth | Schimana | Höllenmaschine | 2009 | live-elec, 1 perf | 26:05 | synt [synthesizer] | [Max Brand Synthesizer] | Chmafu Nocords/ | 0 | |||||||||
| 35184 | Elisabeth | Schimana | In die Sonne | 2016 | fixed media, akusmatisch | 6 | 0 | http://www.heroines-of-sound.com/ | |||||||||||
| 32607 | Elisabeth | Schimana | Le midi alla turca | 2009 | live-elec, 1 perf | synt [synthesizer] | [Max Brand Synthesizer] | 0 | |||||||||||
| 32604 | Elisabeth | Schimana | Modells | 2011 | audiovisuell, live-elec, | 0 | |||||||||||||
| 27531 | Elisabeth | Schimana | Moskwa | 2005 | radiophon | 33:24 | Surround 5.1 | ORF 3068 SACD/ | ORF Kunstradio | 24.5.2005 | ORF Kunstradio | 1 | http://elise.at/db.php?id=2&table=Projekt&lang=de | ||||||
| 20770 | Elisabeth | Schimana | .öffnung | 1996 | radiophon | 6:52 | Stereo | ISAST LMJ 9/ | ORF Kunstradio | 0 | http://db.mica.at/composerdb/details/Composer/composer28227.asp?cat=composer&letter=s | ||||||||
| 32610 | Elisabeth | Schimana | on tesar | 2006, 2008 | live-elec, | 0 | |||||||||||||
| 32615 | Elisabeth | Schimana | patriarchal poetry - dance for daisies | 2001 | radiophon | 0 | |||||||||||||
| 15205 | Elisabeth | Schimana | Peter | 1992 | fixed media, akusmatisch | 3:04 | PS Lang | 0 | |||||||||||
| 32612 | Elisabeth | Schimana | Schatten | 2002, 2006 | audiovisuell, live-elec, | 0 | |||||||||||||
| 15206 | Elisabeth | Schimana | Sirenen, op. 3 | 1989 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | V, ins (Planetophon) [Stimme, Instrument] | ELAK Wien | 1989 | Planetarium Wien | 0 | http://www.mica.at/composerdb/details/Composer/composer28227.asp?cat=composer&letter=s | ||||||
| 32614 | Elisabeth | Schimana | sitting in my chair | 2001 | audiovisuell, live-elec, | [live Elektronik & Visuals] | 0 | ||||||||||||
| 27530 | Elisabeth | Schimana | spaces #1, 1 Den Zwischenraum Bauen Und Eine Kruste Bilden Vom Fließenden (7:36) 2 Denken In Schichten Bauen, Legen, Ordnen,Stapeln (7:53) 3 Engstellen, O In Die Welt, Puls (3:37) 4 Es Kriecht (3:46) 5 All(Es) Oszilliert Zwischen Dem Raum Und Meinem Körper (5:56) |
2006 | live-elec, 1 perf | 29:00 | Surround 5.1 | fl [Flöte] | Cordula Bösze (fl) | ORF 3068 SACD/ | ORF Kunstradio | Klangspuren | 28.9.2006 | BTV Stadtforum Innsbruck | 1 | ||||
| 15207 | Elisabeth | Schimana | Spurensicherung, Ein musikalischer Vortrag | 1992 | live-elec, 1 perf | 30:00 | V [Stimme] | 0 | |||||||||||
| 32608 | Elisabeth | Schimana | Sternenstaub, Entstehung der Sterne Explosionen Sonnenwinde |
2009 | live-elec, | 37 | Octo | Chmafu Nocords/ | 0 | ||||||||||
| 38361 | Elisabeth | Schimana | Touchless I | 1977 | live-elec, 5 perf | 21 | 3 Theremin, V, synt [Stimme, synthesizer] | ORF (1998)/ | 4.12.1977 | ORF Kunstradio | 0 | ||||||||
| 38362 | Elisabeth | Schimana | Touchless II | 1998 | live-elec, 9 perf | 37 | 6 Theremin, V, synt, sam [Stimme, computer, synthesizer] | ORF (1998)/ | 4.4.1998 | Minoritenkirche/kunst Halle Krems | 0 | ||||||||
| 20771 | Elisabeth | Schimana | .txt, op. 43 | 1996 | fixed media, akusmatisch | 6:59 | Stereo | ORF Kunstradio | 0 | ||||||||||
| 15209 | Elisabeth | Schimana | U-Boote | 1991 | fixed media, akusmatisch | 3:27 | PS Lang | 0 | |||||||||||
| 32605 | Elisabeth | Schimana | vibrate space | 2011 | Klangkunst, Installation | 0 | |||||||||||||
| 32602 | Elisabeth | Schimana | Virus #1, Virus #1.2 Virus #1.3 |
2012 / 2014 | live-elec, 2 perf | p, perc [Piano, Schlagzeug] | Composition for live generated electronic resonating body and piano. | Chmafu Nocords/ | 0 | ||||||||||
| 32600 | Elisabeth | Schimana | Virus #2 | 2012 | live-elec, | 0 | |||||||||||||
| 38364 | Elisabeth | Schimana | Virus #3, Virus #3.0 | 2009 - 2013 | live-elec, 3 perf | str, ww, perc [Schlagzeug, Bläser, Streicher] | Composition for live generated electronic resonating body and strings, woodwind and brass instruments, percussion sets. | Chmafu Nocords/ | RSO Wien | 0 | |||||||||
| 20772 | Elisabeth | Schimana | .wasser, op. 44 | 1996 | fixed media, akusmatisch | 6:58 | Stereo | ORF Kunstradio | 25.01.1996 | ORF Kunstradio | 0 | ||||||||
| 15210 | Elisabeth | Schimana | Weib | 1995 | fixed media, akusmatisch | 4:30 | ORF Kunstradio | 0 | |||||||||||
| 32601 | Elisabeth | Schimana | You Never Know | 2012 | audiovisuell, live-elec, | 0 | |||||||||||||
| 15204 | Elisabeth, Katharina | Schimana, Klement | Bach | 1989 | fixed media, akusmatisch | 12:30 | Stereo | EX 98 Extraplatte/ | ELAK Wien | 0 | |||||||||
| 15208 | Elisabeth, Katharina | Schimana, Klement | Tot zu sein..., op. 5 | 1989 | fixed media, akusmatisch | 2:04 | Stereo | ELAK Wien | 0 | ||||||||||
| 15211 | Elisabeth, Katharina | Schimana, Klement | Zustände- Liebste Lieder, op. 1 | 1988 | Zuspiel / Tonband, 3 perf | 35:00 | Stereo | V, p, monochord [Stimme, Piano, Streicher] | ELAK Wien | 1988 | Museum des 20. Jahrhunderts Wien | 0 | |||||||
| 15212 | Iraj | Schimi | Co och Oc | 1978 | fixed media, akusmatisch | 7:11 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15213 | Martin | Schimka | Ex per element (Träumende Straße) | 1985 | fixed media, akusmatisch | 10:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 15214 | Martin | Schimka | Zeit hoch Zeit | 1985 | fixed media, akusmatisch | 3:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 15215 | Martin | Schimka | Zeit ins Quadrat | 1985 | fixed media, akusmatisch | 4:15 | Stereo | ELAK Wien | 0 | ||||||||||
| 42179 | Roland | Schimmelpfennig | Krieg der Wellen | 2000 | radiophon | 66:50 | HR | 23.8.2000 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1430816&vi=11&SID | ||||||||
| 15216 | Allan | Schindler | At the Edge | 1989 | Zuspiel / Tonband, 1 perf | 15:41 | Stereo | perc [Schlagzeug] | Centaur CRC 2170, CDCM Vol. 14/ | Eastman Sch of M. | 1 | ||||||||
| 15217 | Allan | Schindler | Tremor of Night and Day | 1984 | Zuspiel / Tonband, 1 perf | 12:39 | Stereo | vc [Cello] | Centaur CRC 2091, CDCM Vol. 8/ | CCRMA | 1 | ||||||||
| 23594 | Allan, Stephanie | Schindler, Maxwell | terra incognita | 2001 | audiovisuell | 4:24 | Surround 5.1 | CMJ Vol 27-4, 2003/ | 1 | ||||||||||
| 15218 | Fernand | Schirren | Les Quatre Fils Aymon | 1962 | Zuspiel / Tonband, 1 perf | 30:00 | Mono | perc [Schlagzeug] | PS C. Bruxelles | 0 | |||||||||
| 19295 | Christof | Schläger | 18 Geräusch Gestalten | 1987 - 1994 | Klangkunst, Installation | Federine, Knackdose, Rauscher, Riller, Quäker, Sirenen, Sauser, Rauscher, Klapperrappel, Standzeit … | Item Verlag Andrea Reichart/ | 1 | |||||||||||
| 26065 | Christof | Schläger | Electric Motion, Beispiele seiner Klangkunst- Arbeiten und Instrumente | 2004 | Klangkunst, Installation | 1 | |||||||||||||
| 33548 | Steffen | Schleiermacher | Gassen Hauer mit Nebel Horn | 2001 | live-elec, 1 perf, 1 group | theremin, orc [synthesizer, Orchester] | 0 | ||||||||||||
| 33547 | Steffen | Schleiermacher | klavier und klaviere | 1997 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 33549 | Steffen | Schleiermacher | spaziergänge ins niemandland | 2007 | Zuspiel / Tonband, 4 perf | Bar, fl, p, perc [Bariton, Flöte, Piano, Schlagzeug] | Text by Lutz Seiler | 0 | |||||||||||
| 28073 | Gustav | Schlemm | Capriccio für sechs Oktaven | 1940 | live-elec, 2 perf | mtr, p [Piano, synthesizer] | 0 | ||||||||||||
| 42180 | Christoph | Schlingensief | Rocky Dutschke ’68 | 1996 | radiophon | 49:25 | WDR | 7.1.1997 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1403410&vi=1&SID | ||||||||
| 15219 | Andrew | Schloss | Towers of Hanoi | 1980 | fixed media, akusmatisch | 6 | Quadro | CCRMA | 1 | ||||||||||
| 15220 | Mathias | Schlothfeldt | Sommermorgen an einer Bierdose | 1992 | live-elec, 4 perf | 5:20 | p, vn, V, gui [Stimme, Piano, Gitarre, Violine] | Synlab, PCM 70, Audios, Filterbank B1 | ICEM Essen | 0 | |||||||||
| 15221 | Gerd | Schlotter | Gock und Reinemachen | 1965 | Film | Mono | RFZ Berlin | 0 | |||||||||||
| 15222 | Annette | Schlünz | Beschreibung eines Baumes | 1987 | live-elec, 2 perf | 8:00 | V, DX7 [Stimme, synthesizer] | Text: Gerhard Rühm. 3 Teile (Stamm, Äste Zweige, Blatt) keine Realisierung |
0 | ||||||||||
| 32702 | Annette | Schlünz | high tide | 2005 | live-elec, 3 perf | cl, db, acc, (elec) [Klarinette, Akkordeon, Kontrabass] | 0 | ||||||||||||
| 32700 | Annette | Schlünz | Hortensien | 2002 | Zuspiel / Tonband, 1 perf | Quadro | b-cl [Klarinette] | 0 | |||||||||||
| 15223 | Annette | Schlünz | Rosen | 1988 | live-elec, 3 perf | 10:00 | Mez, p, synt, (rm) [Mezzo, Piano, synthesizer] | Text after Ingeborg Bachmann | 24.5.1988 | Dresdner Zentrum für zeitgenössische Musik, R. Trexler, A. Schlünz, H. Gorgs | 0 | ||||||||
| 15224 | Annette | Schlünz | Schattenspiel | 1986 | intermedia | Theatermusik |
12:00 | Stereo | a-rec, perc [Flöte, Schlagzeug] | szenisch, von Spielen umgesetzt | HfM Dresden | 4.6.1986 | Theater der jungen Generation Dresden | 0 | ||||||
| 23070 | Annette | Schlünz | Unaufhörliche Schlaflosigkeit | 1994 - 1998 | Zuspiel / Tonband, 1 perf | tuba [Tuba] | WDR SEM | WDR 1998 | 0 | ||||||||||
| 33723 | Annette | Schlünz | Zebra | 2005 | Zuspiel, live-elec, 1 perf | 8:11 | Quadro | e-vn [Violine] | 5-saitige E-Violine, Live-Elektronik und 4-Kanal-Zuspielband | WER ARTS 8115/ | 1 | ||||||||
| 37238 | Philipp | Schmalfuß | quilt | 2017 | fixed media, akusmatisch | Octo | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 31974 | Marcus | Schmickler | Bonner Durchmusterung | 2009 | fixed media, akusmatisch | 34:07:00 | 9 tracks, Spazialisation: WFS | Wave Field Synthesis hall H104, TU-Berlin 2010 Thursday 23. September, 19h Kunstkopfaufnahme |
International Year of Astronomy and Deutscher Musikrat. | Mai 2009 | Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn | 1 | |||||||
| 20773 | Marcus | Schmickler | Param | 1995 | fixed media, akusmatisch | 12:37 | Stereo | a-Musik a3/ | 0 | ||||||||||
| 35012 | Marcus | Schmickler | Richters Patterns | 2016 | Performance | ens, (elec) [Ensemble] | KölnMusik | 16.9.2016 | Köln, Philharmonie, Paul Jeukendrup, Klangregie, Marcus Schmickler, Elektronik, Ensemble Musikfabrik | 0 | |||||||||
| 43142 | Marcus | Schmickler | Sator Rotas | 1999 | fixed media, akusmatisch | 45 | ARS 00/ a-Musik a16/ | Auszeichnung ars electronica honorary mention 2000 | 0 | ||||||||||
| 40670 | Marcus | Schmickler | Sky Dice / Mapping the Studio | 2018 | live-elec, 1 perf | com and synt (ARP) [computer, synthesizer] | Experimentalstudio für Akustische Kunst Freiburg | 20.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, Exp. St. des SWR | 0 | |||||||||
| 20774 | Marcus | Schmickler | Wabi sabi | 1995 | fixed media, akusmatisch | 33:32 | Stereo | a-Musik a3/ | 0 | ||||||||||
| 31623 | Peer | Schmid-Heinisch | Allegro diffuso | 2006 | fixed media, akusmatisch | 10:41:00 | Stereo | PS C. | 0 | ||||||||||
| 31626 | Peer | Schmid-Heinisch | crippled the dog | 2007 | fixed media, akusmatisch | 5:15:00 | Stereo | PS C. | 0 | ||||||||||
| 31620 | Peer | Schmid-Heinisch | hard core | 2001 | fixed media, akusmatisch | 4:03:00 | Stereo | PS C. | 0 | ||||||||||
| 31627 | Peer | Schmid-Heinisch | Nachtstück | 2011 | fixed media, akusmatisch | 2:38:00 | Stereo | PS C. | 0 | ||||||||||
| 31621 | Peer | Schmid-Heinisch | Nichtich | 2003 | fixed media, akusmatisch | 3:56:00 | Stereo | PS C. | 0 | ||||||||||
| 31625 | Peer | Schmid-Heinisch | Paraphrase | 2007 | fixed media, akusmatisch | 3:25:00 | Stereo | PS C. | 0 | ||||||||||
| 31624 | Peer | Schmid-Heinisch | Simpler Sog | 2007 | fixed media, akusmatisch | 3:24:00 | Stereo | PS C. | 0 | ||||||||||
| 31622 | Peer | Schmid-Heinisch | Vitrine | 2003 | fixed media, akusmatisch | 4:14:00 | Stereo | PS C. | 0 | ||||||||||
| 26191 | Arno | Schmidt | Seelandschaft mit Pocahontas | 1964 | radiophon | 11:10 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 15225 | Christfried | Schmidt | ... Glied der menschlichen Gesellschaft | 1983 | Zuspiel / Tonband, 1 perf, 1 group | Sp, ens [Sprecher, Ensemble] | EM ?? | 0 | |||||||||||
| 31838 | Johannes | Schmidt | December 21st Rain | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31802 | Johannes | Schmidt | f cue | 2006 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31835 | Johannes | Schmidt | Hanta Virus | 2007 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31803 | Johannes | Schmidt | Kurbeltrichter | 2009 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31834 | Johannes | Schmidt | t-fall | 2006 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31836 | Johannes | Schmidt | Tension Elastica | 2007 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31837 | Johannes | Schmidt | Uferblatt | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31833 | Johannes | Schmidt | Under Construction | 2005 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31839 | Johannes | Schmidt | Volker ist verr¸ckt | 2010 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 38652 | Maria Antonia | SCHMIDT | Gegenalbum | 2011 | radiophon | 12:32:00 | 0 | ||||||||||||
| 15226 | Mia | Schmidt | a rose is a rose | 1988 | fixed media, akusmatisch | HfM Freiburg | 0 | ||||||||||||
| 37193 | Natalia, Philippe | Schmidt, Mainz | Deprevix | 2017 | fixed media, akusmatisch | 1:00:00 | Octo | vn, p, drum [Piano, Schlagzeug, Violine] | Natalia Schmidt (concept) / Philippe Mainz (sound) vn, p, drum (David Bem Violine, Philip Lawall Piano, Alexander Schröder Drums) |
HfG Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||
| 42181 | Ernst | Schnabel | Interview mit einem Stern, Tagebuch eines Fluges um die Erd | 1951 | radiophon | 170:05 | NWDR | 10.4.1951 | NWDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1412664&vi=1&SID | ||||||||
| 15227 | Dieter | Schnebel | 2 Studien für Klavier und elektronische Klangunformung, Raum Zeit |
1988 | live-elec, 1 perf | 21:00 | p [Piano] | Inventionen 3.2.1989 Künstlerhaus Bethanien | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 15228 | Dieter | Schnebel | Atemzüge Maulwerke, für mehrere Artikulationsorgane & Reproduktionsgeräte |
1971 | live-elec, 12 perf | 3 - 12 perf [Performer] | WER 60075/ | 3.11.1971 | Rom | 1 | http://de.wikipedia.org/wiki/Dieter_Schnebel | ||||||||
| 15229 | Dieter | Schnebel | Choralvorspiele I / II, für stimmen (… missa est) | 1966, 1968 - 1969 | Zuspiel / Tonband, 5 perf | 20 | org, 4 ins (mindestens 4 ins) [Orgel, Instrument] | WER 60075/ | Radio Bremen | 29.5.1970 | anlässlich der Tage PRO MUSICA NOVA von Radio Bremen - Orgel: Gerd Zacher; Nebeninstrumente: Peter Schulze, Uwe Gronosty; Tonbandsteuerung: Ernst A. Stiebler; Herstellung des Tonbandes: Radio Bremen (Riehn, Philipp, Schneckenberg | 0 | |||||||
| 15230 | Dieter | Schnebel | Die Metamorphosen des Ovid, Die Bewegung von den Rändern zur Mitte hin und umgekehrt | 1987 | Theatermusik | 120 | 6 | 11 str, Vs [Stimme, Streicher] | für Burgtheater Wien | PS CUE Berlin | 0 | ||||||||
| 38911 | Dieter | Schnebel | Kafka-Dramolette | 2006 - 2008 | live-elec, 2 perf, 1 group | 35 | 2 V (mobile Vokalisten; Instrumente für den zweiten Vokalisten ad lib.: Synthesiser · 2 Röhrengl. · Bongo · Maracas), ch ad lib [Stimme, Chor] | After Texts by Franz Kafka | Schott Music | 0 | https://de.schott-music.com/shop/kafka-dramolette-no272842.html | ||||||||
| 19346 | Dieter | Schnebel | ki-no, Nachtmusik für Projektoren und Hörer | 1963 - 1967, 1972 | Performance | 45 | (2 - 4 Slideprojections, taperecorder,) Sp, perc [Sprecher, Schlagzeug] | konkrete Klänge und Geräusche; Klangreihung Riedl An Imaginary Landscape to John Cage Hinweis: digitale Fassung eines gleichnamigen Films von 2012, prod. ZKM Karlsruhe |
Siemens AG/ DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / visible music/ Earlabs LC 007/ | Siemens | 10.7.1967 | München, Sprecher und Darsteller: Alfred Feussner | Schott Music | 0 | |||||
| 15231 | Dieter | Schnebel | Konzentrationen | radiophon | 44:00 | Stereo | Hörspielrealisation für WDR | PS CUE Berlin | 0 | ||||||||||
| 30951 | Dieter | Schnebel | Languido | 1992 - 1993 | live-elec, 1 perf | Zuspiel/Tonband, 1 perf |
25 | b-fl [Flöte] | 9. Oktober 1993 | Graz, Steirischer Herbst, Musikprotokoll • Carin Levine, Bassflöte • Martin Supper Live-Elektronik | 0 | |||||||||
| 30950 | Dieter | Schnebel | Maulwerke | 1968 - 1974 | Performance | audiovisuell |
90 | 3 - 12 perf [Performer] | für Artikulationsorgane und Reproduktionsgeräte | 0 | ||||||||||
| 34165 | Dieter | Schnebel | Maulwerke für Artikulationsorgane und Reproduktionsgeräte (= Produktionsprozesse) | 1968 - 1974 | Theatermusik | Performance |
Vs [Stimme] | CD: Version of 1997, recording by SWR, Stuttgart, | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | 3.11.1971 | Rom • Carla Henius • Gisela Saur-Kontarsky William Pearson | Schott Music | 0 | |||||||
| 15232 | Dieter | Schnebel | Monotonien I-VII, Monotonien 1 - 7 | 1988 - 1989 | live-elec, 1 perf | 70 | Stereo | p [Piano] | für Klavier und elektronische Klangunformung | WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ DMR Musik in Deutschland 1950 - 2000: Experimentalstaudio SWR/ | Experimentalstudio für Akustische Kunst Freiburg | 21. Oktober 1989 28. Oktober 1993 |
Donaueschingen (D) Donaueschinger Musiktage 2014 · Marianne Schroeder, Klavier; Bernd Noll, Experimentalstudio der Heinrich-Strobel-Stiftung des Südwestfunks Freiburg; Rudolf Strauß, Klangregie; Hans-Peter Haller, Klangregie; André Richard, Klangregie; Bernd Noll, Technik (Teile I-V) 28. Oktober 1993 München, Philharmonie im Gasteig (D) · Marianne Schroeder, Klavier; Experimentalstudio der Heinrich-Strobel-Stiftung des Südwestfunks Freiburg; Hans-Peter Haller, Klangregie; André Richard, Klangregie; Rudolf Strauß, Klangregie; Bernd Noll, Technik: (Gesamtfassung) |
0 | |||||
| 15233 | Dieter | Schnebel | SINFONIE X | 1992, 2005 | Zuspiel, live-elec, 6 perf, 2 groups | 210 | A, large orc, Sp, S, A, T, B, ch [Sopran, Alt, Tenor, Bass, Sprecher, Chor, Orchester] | Teile I, II, III | Experimentalstudio für Akustische Kunst Freiburg | Donaueschinger Musiktage 1992 | 18.10.1992 13. März 2005 |
Donaueschingen, Donauhalle, Saal A (D) Donaueschinger Musiktage 1992 · Susanne Otto, Alt; Experimentalstudio der Heinrich-Strobel-Stiftung des Südwestfunks; André Richard, Klangregie · Dirigent: Michael Gielen · SWF-Sinfonieorchester Baden-Baden (Uraufführung von Teil I/II) 13. März 2005 Berlin, Philharmonie (D) MaerzMusik 2005 · Isolde Siebert, Sopran; Susanne Otto, Alt; Scot Weir, Tenor; Andreas Fischer, Bass; Michael Hirsch, Sprecher; Experimentalstudio der Heinrich-Strobel-Stiftung des SWR; André Richard, Klangregie · Dirigent: Zsolt Nagy · Deutsches Symphonie-Orchester Berlin · Chor des Lettischen Rundfunks · Choreinstudierung: Kaspars Putnins (Uraufführung Teil III: LIEBE - ZEIT (1 Winter - 2 Frühling - 3 Sommer - 4 Herbst)) |
0 | ||||||
| 38912 | Dieter | Schnebel | Yes, I will, Yes! | 2016 | Zuspiel / Tonband, 2 perf | ≈ 40 | S, perc [Sopran, Schlagzeug] | Monodram after James Joyce | NDR | 18. Mai 2016 | Hamburg, Resonanzraum St. Pauli | Schott Music | 0 | ||||||
| 34689 | Matthias | Schneider-Hollek | Das Ende der Eulen | 1995 | fixed media, akusmatisch | 7:02 | Russolo Pratella EF.ER.P 96/ | Prize Russolo Varese 1996 | 0 | ||||||||||
| 34959 | Matthias | Schneider-Hollek | EMBKT, Feature 04/12 | 2012 | radiophon | Ein Feature von Matthias Schneider-Hollek über die Stuttgarter Reihe Elektrominibarklingelton | degem-download/ | 0 | |||||||||||
| 15246 | Matthias | Schneider-Hollek | Sonatine | 1991 | live-elec, 1 perf | vn [Violine] | HfM Stuttgart | 0 | |||||||||||
| 15247 | Matthias | Schneider-Hollek | The paper piece | 1991 | live-elec, 2 perf | V, fl [Stimme, Flöte] | HfM Stuttgart | 0 | |||||||||||
| 24208 | Bruce | Schneider | It has come full Circle | 2002 | fixed media, akusmatisch | 4:44 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 15234 | Hans-Werner | Schneider | Fremder Mann | fixed media, akusmatisch | 2:27 | Synthesizer a la Walter Carlos; after Kinderszenen by Schuman | 0 | ||||||||||||
| 37486 | Hans-Werner | Schneider | Variationen über eine Volksweise für Blockflöte und… | fixed media, akusmatisch | 46 | Stereo | ICEM Essen | 0 | http://www.Cybele .de/shop/product_info.php?products_id=50 | ||||||||||
| 15235 | Hans-Werner | Schneider | Wenn ich auf einem Instrument spiele… | 1974 | fixed media, akusmatisch | 8:20 | Stereo | txtcompo | Cybele 960.104, ex machina 4/ | ICEM Essen | 1 | http://www.Cybele .de/shop/product_info.php?products_id=50 | |||||||
| 42860 | Jason | Schneider | Material Pairs in Two Movements | 2013 | fixed media, akusmatisch | 14:06:00 | 0 | ||||||||||||
| 15236 | John | Schneider | Dust | 1974 | fixed media, akusmatisch | Quadro | Uni Cardiff | 0 | |||||||||||
| 15237 | John | Schneider | Home Again | 1974 | fixed media, akusmatisch | Uni Cardiff | 0 | ||||||||||||
| 15238 | John | Schneider | Voyage | 1975 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | Uni Cardiff | 0 | |||||||||||
| 15239 | John | Schneider | Voyage II | 1976 | fixed media, akusmatisch | Uni Cardiff | 0 | ||||||||||||
| 15240 | John | Schneider | Voyage III | 1977 | fixed media, akusmatisch | Uni Cardiff | 0 | ||||||||||||
| 26217 | Markus | Schneider | Ballroom | 2003 | audiovisuell | 5:59 | 24 Tracks, Spazialisation: WFS | visualisation by Oietro Sanguineti | TU Berlin | 1 | |||||||||
| 15241 | Sabine | Schneider | Flüstergarten | 1993 | Klangkunst, Installation | ∞ | Octo | HdK Berlin Ruinengarten | TU Berlin | 3.9.1993 | Ruinengarten der HdK Berlin | 0 | |||||||
| 23571 | Stefan | Schneider | Hammarkullen | 2003 | Klangkunst, Installation | 4:07 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | Studio 2 | 1 | |||||||||
| 15242 | Thomas | Schneider | Hase Hase | 1992 | Theatermusik | ≈ 16:00 | Stereo | TU Berlin, Schillerth. Berlin | Schillertheater | 0 | |||||||||
| 15243 | Urs Peter | Schneider | Ätzendes Brennen, (Kleines Mysterium IV) | 1976/1977 | Zuspiel / Tonband, 5 perf | 1:00 | 5 ins [Instrument] | 0 | |||||||||||
| 15244 | Urs Peter | Schneider | Umkehr | 1969/1970 | live-elec, 1 group | orc [Orchester] | 0 | ||||||||||||
| 15245 | Urs Peter | Schneider | Wolkenloser Himmel, (Kleines Mysterium II) | 1976/1977 | Zuspiel / Tonband, 3 perf | 7:00 | vn, vc, p [Piano, Cello, Violine] | 0 | |||||||||||
| 15248 | Norbert | Schnell | Animalfarm | 1991 | Theatermusik | 4:00 | Stereo | IEM Graz | 0 | ||||||||||
| 31840 | Christof | Schnelle | A Walk | 2008 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31841 | Christof | Schnelle | Concrete_01 | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31845 | Christof | Schnelle | In Bloom | 2008 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31846 | Christof | Schnelle | Installation Klassenkonzert / Sheep | 2008 | audiovisuell | ICEM Essen | 0 | ||||||||||||
| 31844 | Christof | Schnelle | Loop // Unloop | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31843 | Christof | Schnelle | Mutter | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31842 | Christof | Schnelle | Sinusstudie | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 26792 | Oliver | Schneller | And Tomorrow | 2004 | live-elec, 1 perf | 8:00 | p [Piano] | mode 211/ | Puffin Foundation New York | 16.03.2004 | Maerzmusik Festival 2004, Berlin, Heather O'Donnell | 0 | http://pieces.oliverschneller.net | ||||||
| 28317 | Oliver | Schneller | AQUA VIT | 1999 | live-elec, 1 group | 7:41 | ens [Ensemble] | ICMC 2002 Göteborg | LJ CD 5232 ICMC 2002/ WER 6592-2 Edition Zeitgenössische Musik 6/ | July 11, 1999 | Tanglewood Music Center Fellows conducted by Stefan Asbury, Recorded at Seiji Ozawa Hall, Tanglewood | 1 | |||||||
| 26806 | Oliver | Schneller | Baby Duett | 2006 | audiovisuell | 3:00 | video work of Eberli/Mantel | 0 | http://pieces.oliverschneller.net | ||||||||||
| 26800 | Oliver | Schneller | Bell/Man | 1998 | fixed media, akusmatisch | 7:00 | Stereo | 2.05.1998 | CMC Concert Miller Theatre – New York City | 0 | http://pieces.oliverschneller.net | ||||||||
| 26802 | Oliver | Schneller | Candidum lilium | 1997 | live-elec, 6 perf | 10:00 | 2S, 2 T, 2 B [Sopran, Tenor, Bass] | 14.06.1997 | Kloster Unser Lieben Frauen, Magdeburg, Ensemble labia vocalia, Klangregie: Oliver Schneller | 0 | http://pieces.oliverschneller.net | ||||||||
| 26796 | Oliver | Schneller | Cell Cycle | 2007 | audiovisuell | 11:00 | Octo + Mono | Karnatic Lab Festival Amsterdam | 14.04.2007 | Karnatic Lab Festival 07, Muziekgebouw Amsterdam | 0 | http://pieces.oliverschneller.net | |||||||
| 26804 | Oliver | Schneller | Cento Correnti | 2006 | Klangkunst, Installation | Loop 25:00 | 20 Tracks + Mono | Collaboration with Iris Dupper, Funds provided by BMW Rome, | 06.2006 | German Academy Villa Massimo, Rome | 0 | http://pieces.oliverschneller.net | |||||||
| 26784 | Oliver | Schneller | Clair/Obscur, Clair-Obscur | 2005 - 2006 | live-elec, 8 perf | 16:00 | 6 | fl, cl, trbn, perc, MIDI-p, vn, va, db [Flöte, Klarinette, Posaune, Piano, Schlagzeug, Viola, Violine, Kontrabass] | Maerzmusik / Berliner Festspiele | 22.03.2002 | Kammermusiksaal Berliner Philharmonie, Maerzmusik 2006, ICTUS | 0 | http://pieces.oliverschneller.net | ||||||
| 42441 | Oliver | Schneller | Cyclotron | 2017 | fixed media, akusmatisch | 10 | Octo | 0 | |||||||||||
| 26789 | Oliver | Schneller | Die Unendliche Feinheit des Raumes, Kosmische Kräfte Fixsterne |
2005 | audiovisuell, live-elec, 4 perf | 58:00 | Octo | org, hn, perc, tuba [Horn, Tuba, Orgel, Schlagzeug] | "theatrum sonorum", afer „Die unendliche Feinheit des Raumer“ nach Otto von Guericke | 14.10.2005 | 4. Magdeburger Concerte, Kuturfestung Mark, Magdeburg, | 0 | http://pieces.oliverschneller.net | ||||||
| 26788 | Oliver | Schneller | Engine | 2006 | live-elec, 1 perf | 6:00 | 5 tracks | acc [Akkordeon] | 6.06.2006 | German Academy Villa Massimo, Rome, Claudio Jacomucci | 0 | http://pieces.oliverschneller.net | |||||||
| 26793 | Oliver | Schneller | Five Imaginary Spaces | 2001 | live-elec, 1 perf | 10:00 | p [Piano] | WER 6579/ | 26.10.2001 | Espace de projection, IRCAM - Paris, Heather O'Donnell | 0 | http://pieces.oliverschneller.net | |||||||
| 26808 | Oliver | Schneller | installations Wu Xing | 2007 | Klangkunst, Installation | audio-visual installation for loud speakers and video projection | 6.09.2007 | Altana Kulturstiftung Bad Homburg | 0 | http://pieces.oliverschneller.net | |||||||||
| 26803 | Oliver | Schneller | IO | 2006 | Klangkunst, Installation | 24:00 | Surround 5.1 | Curtis Anderson / Gallery Jule Kewenig, Cologne | 10.2006 | “IO” Galeria Jule Kewenig, Palma de Majorca | 0 | http://pieces.oliverschneller.net | |||||||
| 26785 | Oliver | Schneller | Jardin des fleuves | 2003 - 2004 | live-elec, 18 perf | 17:00 | 16 ins, 2 ins (Timées) [Instrument] | IRCAM / Centre Pompidou | 11.12.2004 | Tremplins, Ensemble Intercontemporain, Pierre-André Valade | 0 | http://pieces.oliverschneller.net | |||||||
| 26794 | Oliver | Schneller | Joyce Paraphrases | 1998 | Zuspiel / Tonband, 4 perf | 25:00 | amp str-qt [Streicher] | ARTS&SOCIETY, Inc. with funds provided by Meet the Composer/New England Foundation for the Arts | 14.06.1998 | Katherine Cornell Theatre - Martha's Vineyard, MA, Whitman String Quartet | 0 | http://pieces.oliverschneller.net | |||||||
| 26810 | Oliver | Schneller | La couleur du son | 2008 | Klangkunst, Installation | audio-visual installation for loud speakers and video projection | 2.03.2008 | Gesellschaftshaus Magdeburg | 0 | http://pieces.oliverschneller.net | |||||||||
| 26795 | Oliver | Schneller | Marsyas | 1996 | Zuspiel / Tonband, 2 perf | 10:00 | amp fl, vc [Flöte, Cello] | Katinka Kleijn/Chicago Symphony Chamber Players | 12.05.1996 | New England Conservatory - Boston, Gaspar Hoyos, Katinka Kleijn | 0 | http://pieces.oliverschneller.net | |||||||
| 26798 | Oliver | Schneller | Mobile Music | 2002 | fixed media, akusmatisch | 7:00 | Stereo | 0 | http://pieces.oliverschneller.net | ||||||||||
| 26782 | Oliver | Schneller | Musica ficta | 2008 | live-elec, 5 perf | 9:00 | fl, ob, cl, p, perc, (elec) [Flöte, Klarinette, Oboe, Piano, Schlagzeug] | Senatsverwaltung für Kultur und Wissenschaft Berlin | 14.11.2008 | Wien Modern 2008, Ensemble Mosaik, Oliver Schneller | 0 | http://pieces.oliverschneller.net | |||||||
| 26807 | Oliver | Schneller | Passage | 2004 | audiovisuell | 4:00 | video work of Almut Determeyer | 0 | http://pieces.oliverschneller.net | ||||||||||
| 26786 | Oliver | Schneller | Phantom Islands | 2000 | live-elec, 14 perf | 11:00 | 14 ins [Instrument] | the Tanglewood Music Center / Harvard University (Paul Fromm Award for the Tanglewood Festival of Contemporary Music 2000 | 13.08.2000 | Seiji Ozawa Hall - Tanglewood; TMC Fellows; Revised version: - May 19, 2001, Alte Oper - Frankfurt, Ensemble Modern - December 9, 2002, Centre Pompidou - Paris, Ensemble Intercontemporain | 0 | http://pieces.oliverschneller.net | |||||||
| 26799 | Oliver | Schneller | Proteus | 1999 | fixed media, akusmatisch | 11:00 | Stereo | Janet McShain | 1999 | “EARTHDAY ‘99” Philadelphia Academy of the Arts - Philadelphia | 0 | http://pieces.oliverschneller.net | |||||||
| 26805 | Oliver | Schneller | Ritratto Romano | 2006 | audiovisuell | 16:00 | video work of Christoph Brech | 0 | http://pieces.oliverschneller.net | ||||||||||
| 26783 | Oliver | Schneller | Stratigraphie | 2005 - 2006 | live-elec, 6 perf | 17:00 | 6 | 6 ins [Instrument] | WER 6579/ | Ultraschall/ Deutschland Radio and Villa Massimo Rome | 21.01.2009 | Ultraschall Festival Berlin, OENM, Johannes Kalitzke | 0 | http://pieces.oliverschneller.net | |||||
| 26791 | Oliver | Schneller | String Space | 2005 | live-elec, 3 perf | 8:00 | vn, va, vc [Viola, Cello, Violine] | Ars Nova Music Festival, SWR | 16.04.2005 | Ars Nova Rottenburg, KNM Berlin | 0 | http://pieces.oliverschneller.net | |||||||
| 26787 | Oliver | Schneller | Track & Field | 2006 - 2007 | audiovisuell, live-elec, 1 perf | 11:00 | Quadro | p [Piano] | "piano optophonique" with funds provided by Hauptstadtkulturfonds Berlin | 20.01.2007 | Ultraschall-Festival Berlin, Heather O'Donnell | 0 | http://pieces.oliverschneller.net | ||||||
| 32822 | Oliver | Schneller | Tropes | 2014 | live-elec, 1 group | ≈ 45 | orc (partly amp) [Orchester] | Zu Beginn der Aufführung kommen die Orchestermusiker auf die Bühne. Aufführung korrespondiert mit „Spalt“ von Orm Finnendahl | Philharmonie Essen | 16.11.2014 | Philharmonie Essen, Festival NOW, Philharmoniker Essen. Ltg. Jonathan Stockhammer | 0 | |||||||
| 26790 | Oliver | Schneller | Turbulent Space | 2005 | live-elec, 1 perf | 9:00 | rec [Flöte] | Lucia Mense | 25.01.2005 | Electronic Counterpoint, Cologne, Lucia Mense | 0 | http://pieces.oliverschneller.net | |||||||
| 26801 | Oliver | Schneller | Variations on a Word | 1997 | fixed media, akusmatisch | 5:17 | Stereo | 0 | http://pieces.oliverschneller.net | ||||||||||
| 26809 | Oliver | Schneller | Voice Space | 2007 | Klangkunst, Installation | 6 | interactive audio-visual installation for loud speakers and video projection | 1.03.2007 | Martin-Gropius-Bau Berlin | 0 | http://pieces.oliverschneller.net | ||||||||
| 15249 | Alfred | Schnittke | Potok, Steam | 1969 | fixed media, akusmatisch | 5:50 | ANS - synt | CTEPEO C60 30721/ ELCD 011 Electroshock Records/ IDEAMA CD 013/ | Muzei Skryabina Moskva | 1 | |||||||||
| 39556 | Alfred | Schnittke | Praeludium in memoriam Dimitri Shostakovich | 2016 | fixed media, akusmatisch | Alfred Schnittke | 0 | ||||||||||||
| 21020 | Alfred, Andrej | Schnittke, Schnittke | Historia von D. Johann Fausten | 1991 - 1994 | Oper | 0 | |||||||||||||
| 34859 | Brian | Schober | Voices | 1985 | fixed media, akusmatisch | 16 | Quadro | CCRMA | 0 | ||||||||||
| 15250 | Nicolas | Schöffer | Chronosonor 1-5 | 1975 | fixed media, akusmatisch | ≈ 50:00 | Stereo | HUN SLPX 12084/ | IRCAM | 1 | |||||||||
| 15251 | Nicolas | Schöffer | Kybernetischer Turm, Chronos | Klangkunst, Installation | ∞ | tower 50 m high Liége (Belgium), 64 moving mirrors, | 0 | ||||||||||||
| 33060 | Nicolas | Schöffer | LUX I - XIII | 1957 - 1960 | Klangkunst, Installation | After the „Licht-Raum-Modulator“ by Noholy-Nagy | 0 | ||||||||||||
| 15252 | Nicolas | Schöffer | Percussonor 1-2 | 1977 | fixed media, akusmatisch | 8:48 | HUN SLPX 12084/ | IRCAM | 1 | ||||||||||
| 33059 | Nicolas | Schöffer | Raumplastik | 1976 | Klangkunst, Installation | ∞ | Raum-Plastik | 28.5.1976 | Théâtre Sarah Bernard, Paris | 0 | |||||||||
| 15253 | Nicolas | Schöffer | Variations sur 600 | 1984 | fixed media, akusmatisch | 4:00 | IRCAM | 0 | |||||||||||
| 15254 | Philippe | Schoeller | Feuillages | 1992 | live-elec, 1 group | 14:00 | ens [Ensemble] | IRCAM | Schott | 0 | |||||||||
| 28152 | Philippe | Schoeller | Vertigo Apocalypsis | 1978 - 1997 | Oper, live-elec, 2 groups | 40:00 | ch, ens [Ensemble, Chor] | IRCAM Les Années 90/ | IRCAM | Ensemble intercontemporain, Ircam-Centre Pompidou, chœur de la radio SDR Stuttgart | 21 September 1997 | Paris, Cité de la Musique, par le chœur de la Radio SDR Stuttgart direction : Rupert Huber et l'Ensemble intercontemporain, direction : Anne Manson. | Schott | 0 | http://brahms.ircam.fr/works/work/14325/ | ||||
| 43060 | Matthew | Schoen | Color Chord | 2014 | Klangkunst, Installation | Location: Experimental Theater | 0 | ||||||||||||
| 34354 | Matthew | Schoen | Release | 2012 | fixed media, akusmatisch | 7:18:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 4. prize | 0 | |||||||||
| 40084 | Matthew | Schoen | Track #1 | 2015 | fixed media, akusmatisch | 4:00:00 | Matthew Schoen | 0 | |||||||||||
| 15255 | Dieter | Schönbach | Canzona da sonar III | 1966 | Zuspiel / Tonband, 2 perf | Stereo | rec, prep p [Flöte, Piano] | EM ?? | Corona SM 30020/ | 0 | |||||||||
| 15256 | Dieter | Schönbach | Canzona da sonar IV | 1967 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 15257 | Dieter | Schönbach | Canzona da sonar V | 1971 | Zuspiel / Tonband, 1 perf, 1 group | Stereo | S, ens [Sopran, Ensemble] | 0 | |||||||||||
| 15258 | Dieter | Schönbach | Canzona da sonar VI | 1971 | Zuspiel / Tonband, 2 perf | a-sax, p [Saxophon, Piano] | 0 | ||||||||||||
| 15259 | Dieter | Schönbach | CNG 224 | 1966 | fixed media, akusmatisch | 4:00 | Stereo | Schauspielhaus Bochum | 0 | ||||||||||
| 15260 | Dieter | Schönbach | Die Geschichte von einem Feuer | 1967/1968 | Oper | Musiktheater |
0 | |||||||||||||
| 15261 | Dieter | Schönbach | Diverse Filmmusiken | 1960 - 1966 | Film | Mono | Schauspielhaus Bochum | 0 | |||||||||||
| 15262 | Dieter | Schönbach | Diverse Theatermusiken | 1960 - 1966 | Theatermusik | Mono | Schauspielhaus Bochum | 0 | |||||||||||
| 15263 | Dieter | Schönbach | Hymnus 2: Morgen nach dem Feuer | 1972 | Musiktheater | audiovisuell |
Vs, ens (pop groups) [Stimme, Ensemble] | 0 | ||||||||||||
| 15264 | Dieter | Schönbach | Improvisation sur Tarasin | 1964 | fixed media, akusmatisch | 4:00 | Stereo | Schauspielhaus Bochum | 0 | ||||||||||
| 15265 | Eberhard | Schoener | Cathode Ray Tube | 1972 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 15266 | Eberhard | Schoener | Elektronische Ereignisse | 1969 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 22664 | Eberhard | Schoener | Komposition für Osaka | 1970 | fixed media, akusmatisch | 8-Spur Perfo, Kopie | 1 | ||||||||||||
| 22426 | Bernd | Schönhaar | Das Ohr | 1985 | fixed media, akusmatisch | 5:23 | Stereo | TU Berlin | 1 | ||||||||||
| 15268 | Bernd, Thomas | Schönhaar, Seelig | Nocturne Nr. 3 | 1985 | fixed media, akusmatisch | 27:30 | Quadro | TU Berlin | 1 | ||||||||||
| 42182 | Klaus | Schöning | Krieg der Welten | 1977 | radiophon | 62:05 | WDR | 18.4.1977 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1437132&vi=1&SID | ||||||||
| 24287 | Karl-Heinz | Schöppner | Birds, rendered, with clicks, take 8 | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 19147 | Carter | Scholz | Talus | 1994 | live-elec, 1 perf | 4:01 | dig reverb [elektronik] | AER 1994 / 6/ | 1 | ||||||||||
| 37194 | Elias | Schomers | strand | 2017 | fixed media, akusmatisch | 7:00:00 | Stereo | HfM Frankfurt | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 15269 | Bill | Schottstaedt | 5 Bagatelles | 1979 | fixed media, akusmatisch | 12:00 | MBOX, PDP 10, NCOMP | CCRMA | 0 | ||||||||||
| 15270 | Bill | Schottstaedt | Brand X Music | 1987 | fixed media, akusmatisch | 9:30 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15271 | Bill | Schottstaedt | Brown Music | 1990 | fixed media, akusmatisch | 9:00 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15272 | Bill | Schottstaedt | Busted Pipes | 1989 | fixed media, akusmatisch | 6:00 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15273 | Bill | Schottstaedt | Colony | 1981 - 1983 | fixed media, akusmatisch | 40:00 | 5 parts. F2, SAMBOX, mixture of PLA and the editor |
CCRMA | 1 | ||||||||||
| 15274 | Bill | Schottstaedt | Daily Life Among the Phrygians | 1979 | fixed media, akusmatisch | 6:00 | PDP10, MBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15275 | Bill | Schottstaedt | Daybreak | 1984 | fixed media, akusmatisch | 6:00 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15276 | Bill | Schottstaedt | Dinosaur Music | 1986 | fixed media, akusmatisch | 6:43 | Quadro | F2, JETSAM and SAMBOX, mixture of PLA and the editor | WER 2016-50/ | CCRMA | 0 | ||||||||
| 15277 | Bill | Schottstaedt | Dirge | 1977 | fixed media, akusmatisch | 6:00 | MUSIC 10, PDP 10, SCORE | CCRMA | 0 | ||||||||||
| 15278 | Bill | Schottstaedt | from The Book of the Burning Mirror | 1983 | fixed media, akusmatisch | 13:00 | F2, JETSAM and SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15279 | Bill | Schottstaedt | Icicles | 1989 | fixed media, akusmatisch | 8:00 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15280 | Bill | Schottstaedt | Idyll | 1988 | fixed media, akusmatisch | 6:00 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15281 | Bill | Schottstaedt | Leviathan | 1987 | fixed media, akusmatisch | 7:11 | F4, MIXER (software program for sound processing) | WER 2023-50, Computer Music Currents 3/ | CCRMA | 1 | |||||||||
| 15282 | Bill | Schottstaedt | Long Ago and Far Away | 1989 | fixed media, akusmatisch | 7:30 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15283 | Bill | Schottstaedt | Mars Music | 1978 | fixed media, akusmatisch | 13:00 | Stereo | MBOX, PDP 10, NCOMP (NCOMP was in some regards the predecessor of PLA) | CCRMA | 0 | |||||||||
| 15285 | Bill | Schottstaedt | Pastorale | 1989 | fixed media, akusmatisch | 5:30 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15286 | Bill | Schottstaedt | Put on a Happy Face | 1986 | fixed media, akusmatisch | 7:00 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15287 | Bill | Schottstaedt | Sand Castle | 1978 | fixed media, akusmatisch | 9:00 | MUSIC 10, PDP 10, SCORE | CCRMA | 0 | ||||||||||
| 15288 | Bill | Schottstaedt | Sinfonia for Computer | 1977 | fixed media, akusmatisch | 13:00 | MUSIC 10, PDP 10, SCORE | CCRMA | 0 | ||||||||||
| 15289 | Bill | Schottstaedt | Sonata | 1986 | fixed media, akusmatisch | 7:00 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15290 | Bill | Schottstaedt | The Gong-tormented Sea | 1978 | fixed media, akusmatisch | 13:00 | MBOX, PDP 10, NCOMP | CCRMA | 0 | ||||||||||
| 15291 | Bill | Schottstaedt | The New Music Liberation Army | 1978 | fixed media, akusmatisch | 1:15 | MUSIC 10, PDP 10, SCORE | CCRMA | 1 | ||||||||||
| 15292 | Bill | Schottstaedt | Variation on Ives' Unanswered Question | 1984 | fixed media, akusmatisch | 2:00 | F4, SAMBOX, the editor | CCRMA | 0 | ||||||||||
| 15293 | Bill | Schottstaedt | Wait For Me ! | 1988 | fixed media, akusmatisch | 11:40 | F4, MIXER (software program for sound processing) | PNM 28/ | CCRMA | 0 | |||||||||
| 15294 | Bill | Schottstaedt | Water Music I | 1985 | fixed media, akusmatisch | 10:14 | F4, SAMBOX, mixture of PLA and the editor | WER 2016-50/ CMJ Vol 32-4, 2008/ | CCRMA | 1 | |||||||||
| 28189 | Bill | Schottstaedt | Water Music II | 1985 | fixed media, akusmatisch | 7:04 | WER 2016-50/ CMJ Vol 32-4, 2008/ | CCRMA | 0 | ||||||||||
| 15295 | Bill | Schottstaedt | Windmills | 1989 | fixed media, akusmatisch | 7:00 | F4, SAMBOX, mixture of PLA and the editor | CCRMA | 0 | ||||||||||
| 15284 | Bill, Michael | Schottstaedt, McNabb | Music for Mars, Music for Mars in 3-D | 1979 | Film | 30:00 | Stereo | for NASA Film on Viking project | CCRMA | 0 | |||||||||
| 35916 | Barry | Schrader | 816 | 1996 | fixed media, akusmatisch | 2 | innova 119/ | 0 | |||||||||||
| 35926 | Barry | Schrader | Apparitions | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 35921 | Barry | Schrader | Bachahama | 1986 | fixed media, akusmatisch | 7:07 | innova 575/ | 0 | |||||||||||
| 35924 | Barry | Schrader | Bestiary | 1972 - 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 21561 | Barry | Schrader | Beyond | 1992 | fixed media, akusmatisch | 7:17 | Centaur CRC 2490, CDCM Vol. 30/ innova 640/ | Calarts | 1 | ||||||||||
| 35920 | Barry | Schrader | California Dream | 1986 - 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 35925 | Barry | Schrader | Celebration | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 35923 | Barry | Schrader | Classical Studies | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 35917 | Barry | Schrader | Dance from the Outside | 1989 | fixed media, akusmatisch | 4:27 | innova 575/ | 0 | |||||||||||
| 35938 | Barry | Schrader | Dance Suite | 1987 | live-elec, 1 perf | hp, (com) [Harfe] | 0 | ||||||||||||
| 35912 | Barry | Schrader | Death | 2004 | fixed media, akusmatisch | 28:13 | innova 640/ | 0 | |||||||||||
| 35913 | Barry | Schrader | Duke’s Tune | 2002 | fixed media, akusmatisch | 14:15 | innova 640/ | 0 | |||||||||||
| 35942 | Barry | Schrader | Electronic Music Box I | 1982 | fixed media, akusmatisch | synt (real-time analog synt automation) [synthesizer] | 0 | ||||||||||||
| 35941 | Barry | Schrader | Electronic Music Box II | 1983 | fixed media, akusmatisch | synt (real-time analog synt automation) [synthesizer] | 0 | ||||||||||||
| 35940 | Barry | Schrader | Electronic Music Box III | 1984 | fixed media, akusmatisch | synt (real-time analog synt automation) [synthesizer] | 0 | ||||||||||||
| 35939 | Barry | Schrader | Electronic Music Box IV | 1985 | live-elec, 1 perf | synt (real-time analog synt automation) [synthesizer] | 0 | ||||||||||||
| 35943 | Barry | Schrader | Elysium | 1971 | intermedia | hp, dancers, synt (Buchla 200, projections) [Harfe, synthesizer, Tanz] | 0 | ||||||||||||
| 20775 | Barry | Schrader | Excavations, Prélude non mesuré Barroco |
1992 | Zuspiel / Tonband, 1 perf | Stereo | hpd [Cembalo] | Alissa Rhode, harpsichord | SEAMUS EAM 9401 Vol. 2/ | 0 | |||||||||
| 35937 | Barry | Schrader | Extreme Variations on a Theme and Variations by Mel Powell | 1987, 1998 | live-elec, 6 perf | 6 e-p (computer-controlled Yamaha Clavinovas) [Piano] | 0 | ||||||||||||
| 35930 | Barry | Schrader | Fallen Sparrow | 2005 | live-elec, 1 perf | vn [Violine] | innova 654/ | 0 | |||||||||||
| 39609 | Barry | Schrader | Fallen Sparrow | 2015 | fixed media, akusmatisch | 20:00:00 | Barry Schrader | 0 | |||||||||||
| 35911 | Barry | Schrader | First Spring | 2004 | fixed media, akusmatisch | 6:07 | innova 640/ | 0 | |||||||||||
| 35932 | Barry | Schrader | Five Arabesques | 1999 | live-elec, 1 perf | cl [Klarinette] | innova 654/ | 0 | |||||||||||
| 35915 | Barry | Schrader | Ground | 1998 | fixed media, akusmatisch | 10:13 | innova 575/ | 0 | |||||||||||
| 35927 | Barry | Schrader | Incantation | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 35906 | Barry | Schrader | Lost Atlantis | 1977 | live-elec, | 39 | 6 parts. Lost analog world rediscovered. Buchla 200 found in excellent shape and still revealing beauties from the ancient future. |
innova 629/ | 0 | ||||||||||
| 18552 | Barry | Schrader | Love, in memoriam, L’Oreille coupée Marmelade d’oranges Une histoire de portra |
1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | V [Stimme] | poems by Michael Glück | CIRM 9311/ innova 654/ | IMEB Bourges | 0 | |||||||
| 35908 | Barry | Schrader | Monkey King | 2005 - 2007 | fixed media, akusmatisch | 39:09 | innova 703/ | 0 | |||||||||||
| 34502 | Barry | Schrader | Moon-Whales and Other Moon Songs, The Moon-Oak A Moon-Lily Moon-Wings Moon-Clock The Moon-Bull Moon-Whales |
1982 - 1983 | fixed media, akusmatisch | Quadro | S, dancers [Sopran, Tanz] | poems by Ted Hughes The Moon-Mare | Calarts | 0 | |||||||||
| 35910 | Barry | Schrader | Mystic Night | 2005 | fixed media, akusmatisch | (electronic solo version) | 0 | ||||||||||||
| 35931 | Barry | Schrader | Ravel | 2003 | live-elec, 1 perf | p [Piano] | innova 654/ | 0 | |||||||||||
| 39608 | Barry | Schrader | Ravel | 2016 | fixed media, akusmatisch | Barry Schrader | 0 | ||||||||||||
| 35935 | Barry | Schrader | Remonstrance | 1989 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 35928 | Barry | Schrader | Serenade | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 35914 | Barry | Schrader | Still Lives | 2000 | fixed media, akusmatisch | 7:05 | innova 575/ | 0 | |||||||||||
| 35907 | Barry | Schrader | The Barnum Museum | 2009 - 2012 | fixed media, akusmatisch | 52 | Inspired by the short story by STEVEN MILLHAUSER | innova 830/ | 0 | ||||||||||
| 39306 | Barry | Schrader | The Chamber of False Things | 2017 | fixed media, akusmatisch | (from The Barnum Museum) | 0 | ||||||||||||
| 34503 | Barry | Schrader | The Gardens of Cleito | 1977 | fixed media, akusmatisch | 7:37 | Quadro | Calarts | 0 | ||||||||||
| 35905 | Barry | Schrader | Trinity | 1976 | live-elec, | 15:17 | innova 629/ | 0 | |||||||||||
| 35918 | Barry | Schrader | Triptych | 1987, 2000 | fixed media, akusmatisch | 20:06 | innova 575/ | 0 | |||||||||||
| 35936 | Barry | Schrader | Twilight | 1988 | live-elec, 1 perf | com (real-time interactive com, elec) [computer] | 0 | ||||||||||||
| 35934 | Barry | Schrader | Two: Square Flowers Red : Songs | 1990 | live-elec, 1 group | ch (S, A, T, B, elec) [Chor] | poems by Peter Levitt | 0 | |||||||||||
| 35909 | Barry | Schrader | Wu Xing: Cycle of Destruction | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 35929 | Barry | Schrader | Wu-Xing, Cycle of Destruction | 2005 | fixed media, akusmatisch | 19:28 | Cycle of Destruction, electronic music and graphic score | innova 703/ | 0 | ||||||||||
| 35933 | Barry, Frank | Schrader, Royon Le Mée | Night | 1990 | live-elec, 1 perf | V, (live interactive com, elec) [Stimme] | 0 | ||||||||||||
| 26190 | Ernst | Schreiber | Kinderfunksendung über elektronische Musik | 1963 | radiophon | 8:40 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 20776 | Dan Moses | Schreier | Exotic | 1996 | radiophon | 9:00 | Stereo | Innova 113/ | 1 | ||||||||||
| 15299 | Walter | Schröder-Limmer | Bit / Bach | 1974/1978 | audiovisuell, live-elec, | "Videomusik" mit Videosynthesizer | PS C. | 0 | |||||||||||
| 34505 | Walter | Schröder-Limmer | Debatte | 1974 - 1977 | audiovisuell | Stereo | PS C. | 0 | |||||||||||
| 15300 | Walter | Schröder-Limmer | Impulse | 1974 | live-elec, 1 perf | perc [Schlagzeug] | PS C. | 0 | |||||||||||
| 34504 | Walter | Schröder-Limmer | Synthetic Landscape | 1976 | audiovisuell | 20 | Stereo | PS C. | 0 | ||||||||||
| 15301 | Walter | Schröder-Limmer | Toccata / Sequenzen I | live-elec, 1 perf | e-p [Piano] | MIDI-p | PS C. | 1 | |||||||||||
| 15296 | Hans Erich | Schröder | Eingriffe | 1975 | fixed media, akusmatisch | 21:10 | Stereo | unvollstaendig | ICEM Essen | 0 | |||||||||
| 15297 | Hans Erich | Schröder | Gebrauchsanweisung | 1976 | live-elec, 2 perf | 35:30 | Stereo | 2 Sp [Sprecher] | ICEM Essen | 0 | |||||||||
| 15298 | Hans Erich | Schröder | Verdeckungen | 1973 | live-elec, 3 perf | 14:05 | Stereo | 3 synt (VCS III) [synthesizer] | (Studie nach Inventionen für 3 VCS III) | ICEM Essen | 1 | ||||||||
| 42451 | Sabrina | Schroeder | Underroom | 2018 | live-elec, 4 perf | str-qt [Streicher] | EXperimentalstudio für Akustische Kunst Freiburg | 18.8.2018 | Festival TIME:SPANS, NY, JACK-Quartet | 0 | |||||||||
| 15302 | Wilfried | Schröpfer | Mechanisches Theater | 1955 | Theatermusik | intermedia |
40:00 | Mono | 2 perf [Performer] | "Phonomontagen" ; with Harry Kramer (Puppen = kinetisches Th). This was the first music-production of the TU Studio! | TU Berlin | 15.4.1955 | Galerie Springer am Kurfürstendamm | 1 | ||||||
| 15303 | Claude | Schryer | 3 Radioludes | 1994 | fixed media, akusmatisch | 3:00 | CEC DISContact_2/ | 1 | |||||||||||
| 15305 | Claude | Schryer | a kindred spirit | 1985 | Zuspiel / Tonband, 1 group | 16:00 | Stereo | ens [Ensemble] | McGill Montréal | 2nd prize Bourges | 0 | ||||||||
| 15306 | Claude | Schryer | A Soundwalk in the Rain of St-John's | 1992 | fixed media, akusmatisch | 3:00 | CEC DISContact_1/ | Uni Montréal | 1 | ||||||||||
| 20302 | Claude | Schryer | Autour d'une musique portuaire | 1996 | Zuspiel / Tonband, 3 perf | 12:26 | Stereo | bar-sax, trbn, b-cl [Klarinette, Saxophon, Posaune] | IMED 9736/ | PS C. | FM cultural network of Radio-Canada | 3.03.1996 | FM Radio Canada | Prix de la création radiophonique 1996 as part of the Radio Prizes of the French radio service of Radio-Canada | 0 | ||||
| 15307 | Claude | Schryer | Chasse | 1989 | fixed media, akusmatisch | 6:30 | Stereo | ACM 37 CD 1-4/ | Banff C. | 0 | |||||||||
| 15308 | Claude | Schryer | Dans un coin | 1983 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | b-cl [Klarinette] | McGill Montréal | 0 | |||||||||
| 15309 | Claude | Schryer | eclogue for an alpine meadow | 1985 | live-elec, 2 perf | Stereo | cl, trbn [Klarinette, Posaune] | vallée | 0 | ||||||||||
| 20301 | Claude | Schryer | El medio ambiente acústico de México, Mosaico Océano Transportación Música Naturaleza Campanas |
1995 - 1996 | radiophon | 16:35 | Stereo | 6 Movements: Mosaico; Océano; Transportación; Música; Naturaleza; Campanas | IMED 9736/ Kiasma 1998/ | PS C. | 16.03.1996 | Le navire night radio program of the FM cultural network of Radio-Canada | 0 | ||||||
| 36408 | Claude | Schryer | Entre ici et là: Croyance | 1999 | fixed media, akusmatisch | Kiasma 1999/ | 0 | ||||||||||||
| 15310 | Claude | Schryer | … just a pulse | 1984 | Zuspiel / Tonband, 1 perf | 10:25 | Stereo | p [Piano] | McGill Montréal | 0 | |||||||||
| 15311 | Claude | Schryer | Les oiseaux de Bullion | 1990 | fixed media, akusmatisch | 3 | Stereo | IMED 9004/ IMED 9604/ | 1 | ||||||||||
| 15312 | Claude | Schryer | MONØREAL | 1993 | Zuspiel/Tonband, 1 perf | radiophon |
13:00 | Mono | S [Sopran] | GMEM Marseille | 0 | |||||||||
| 20300 | Claude | Schryer | Musique de l'Odyssée sonore, Prologue Cloches Envol Eau Nuit Église Épilogue |
1996/1997 | Film | 11:38 | Stereo | 7 Movements: Prologue; Cloches; Envol; Eau; Nuit; Église; Épilogue After a film about acoustic ecology. |
IMED 9736/ IMED 0050/ | PS C., PRIM Montréal, GMEM Marseille | 0 | ||||||||
| 15313 | Claude | Schryer | Overture, 1504 | 1987 | fixed media, akusmatisch | 11:00 | Stereo | EMS Stockholm, UEA Norwich, La Muse | 0 | ||||||||||
| 15314 | Claude | Schryer | Percussion of the Air | 1986 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | mar [Schlagzeug] | UEA Norwich, La Muse | 0 | |||||||||
| 15315 | Claude | Schryer | Sound Letter, hello soundscape frogs car-city layers breath of the earth electoral argument Departure (87) ABBNF (90) Hunting (89) Climb (91) Duo (85) Listen… (91) Waves of Excesss (90) Nature of sound and silence Sound Letter (92) Marche sonore I The Morning of the World (90 / 92) |
1985/1992 | fixed media, akusmatisch | CEC DISContact_1/ | 1 | ||||||||||||
| 19006 | Claude | Schryer | The World Soundscape Project Revisited | 1993 | Klangkunst, Installation | 5:39 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 20777 | Claude | Schryer | Vagues d'excès | 1990 | fixed media, akusmatisch | 2:33 | Stereo | MW 53/ | 0 | ||||||||||
| 19263 | Claude | Schryer | Vancouver Soundscape Revisited, Eagle Fire DroneSong Industry Horns Beans Blowin’ |
1996 | Klangkunst, Installation | 15:10 | Octo | 7 Movements: Eagle; Fire; DroneSong; Industry; Horns; Beans; Blowin’ |
CEC Presence 1/ IMED 9736/ CSR CD 9701/ | SFU | 7.06.1996 | Vancouver as part of the Vancouver New Music Festival | 1 | ||||||
| 42247 | Claude, Hélène | Schryer, Prévost | Montreal Metropolis | 1999 | radiophon | 42:50 | WDR Studio Akustische Kunst | 27.11.1999 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1433464&vi=99&SID | ||||||||
| 15316 | Manfred | Schu | 2 von 3 | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 15317 | Manfred | Schu | Ohne Titel | 1983 | fixed media, akusmatisch | 13:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 15318 | Manfred | Schu | Symphonische Skulptur, stretch Cadillac and god save us |
1993 | fixed media, akusmatisch | Radiokunst, 5 perf |
47:26 | 5 artist [Performer] | OXO'music 2112-212/ | Transit Wien | 1 | |||||||||
| 15319 | Peter | Schuback | Balfasz | 1984 | live-elec, 1 perf | vc [Cello] | EMS Stockholm | 0 | |||||||||||
| 15320 | Peter | Schuback | Canti di Euridici | 1991 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 15321 | Peter | Schuback | Cantus I | fixed media, akusmatisch | 24:00 | Stereo | IPEM Gent | 0 | |||||||||||
| 15322 | Peter | Schuback | Cantus II | fixed media, akusmatisch | 30:00 | IPEM Gent | 0 | ||||||||||||
| 15323 | Peter | Schuback | Cantus III | fixed media, akusmatisch | 22:00 | IPEM Gent | 0 | ||||||||||||
| 15324 | Peter | Schuback | Comportamenti | 1984 | live-elec, 1 perf | vc [Cello] | EMS Stockholm | 0 | |||||||||||
| 15325 | Peter | Schuback | L'Ombre négative de Monsieur Sandomir | 1980 | fixed media, akusmatisch | 8:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 15326 | Peter | Schuback | Luta | 1976 | live-elec, 1 perf | vc [Cello] | PS C. | 0 | |||||||||||
| 15327 | Peter | Schuback | Orpheus | 1988 | Zuspiel / Tonband, 6 perf | Stereo | 1 - 6 perc [Schlagzeug] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | STIM | 0 | ||||||||
| 15328 | Peter | Schuback | Possible | 1980 | fixed media, akusmatisch | 13:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 15329 | Peter | Schuback | Re-flexions | 1991 | Zuspiel / Tonband, 1 perf | 27:00 | vc [Cello] | 0 | |||||||||||
| 15330 | Peter | Schuback | Roten ur f | 1983 | Zuspiel / Tonband, 1 group | 28:00 | strs [Streicher] | EMS Stockholm | 0 | ||||||||||
| 15331 | Peter | Schuback | The sunset | 1982 | Zuspiel / Tonband, 1 perf | vc [Cello] | EMS Stockholm | 0 | |||||||||||
| 15332 | Peter | Schuback | Tramontana e la luna | 1991 | fixed media, akusmatisch | 0 | |||||||||||||
| 15333 | Peter | Schuback | Upique | 1988 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | STIM | 0 | |||||||||
| 36984 | Alexander | Schubert | A Set of Dots | Klanginstallation, live-elec, | Interactive Audiovisual Installation | 0 | |||||||||||||
| 36985 | Alexander | Schubert | Bifurcation Fury | 2012 | live-elec, 1 perf | e-b-gui, [Gitarre] | For electric bass guitar, live-electronics (and live-lights) | 0 | |||||||||||
| 36986 | Alexander | Schubert | Bird Snapper | 2012 | live-elec, 6 perf | 7 | V, sax, e.bass, e-gui, perc, kbd [Stimme, Saxophon, Keyboard, Gitarre, Schlagzeug] | ICTUS | 0 | ||||||||||
| 36987 | Alexander | Schubert | Black Mirror | 2016 | audiovisuell | 60 | ens, (light, video, elec) [Ensemble] | one-hour participatory concert installation | Ensemble United Instruments of Lucilin and Rainy Days Festival | 0 | http://www.alexanderschubert.net/works/Black_Mirror.php | ||||||||
| 36988 | Alexander | Schubert | Black Out BRD | 2017 | live-elec, 1 perf, 1 group | any inss (any combination of instruments) [Instrument] | 0 | ||||||||||||
| 36989 | Alexander | Schubert | Bureau Del Sol | 2010, 2011 | Performance, live-elec, 2 perf | ≈ 10 | perc (drumkit), sax, (rimecode-vinyl, kinect) [Saxophon, Schlagzeug] | 0 | |||||||||||
| 36990 | Alexander | Schubert | Codec Error | 2017 | live-elec, 3 perf | db, 2 perc, (light) [Schlagzeug, Kontrabass] | IRCAM | IRCAM, Donaueschinger Musiktage | 21.10.2017 | Donaueschinger Musiktage 2017, Samuel Favre & Victor Hanna (perc), Nicolas Crosse (db) ≈ Ens. Intercontemporaine, IRCAM | 0 | ||||||||
| 36991 | Alexander | Schubert | Coryllus Avellana | 2007 | fixed media, akusmatisch | 8 | 49 Tracks, Spazialisation: Zirkonium | 20.9.2007 | ZKM as part of the Bipolar festival | 0 | |||||||||
| 34591 | Alexander | Schubert | F1 | 2016, 2017 | live-elec, 7 perf | audiovisuell, live-elec, 7 perf |
cl, p, perc, e-str (zither), vn, e-gui, vc [Klarinette, Piano, Gitarre, Schlagzeug, Cello, Violine, Streicher] | SMC2016 | ICEM Essen für die Neufassung, Now-Festival 2017 | 27.10.2017 | Folkwang Hochschule Aula | 0 | ||||||||
| 36992 | Alexander | Schubert | Grinder | 2015 | live-elec, 4 perf | e-gui, sax, perc, kbd [Saxophon, Keyboard, Gitarre, Schlagzeug] | oh-ton ens | 0 | |||||||||||
| 34589 | Alexander | Schubert | Hello | 2014 | live-elec, 5 perf | cl, p, perc, e-str (zither), vc [Klarinette, Piano, Schlagzeug, Cello, Streicher] | SMC2016 | 0 | |||||||||||
| 36993 | Alexander | Schubert | Infinite Jest, Superimpose III | 2010 | live-elec, 3 perf | e-gui, Perc (drum-kit), sax [Saxophon, Gitarre, Schlagzeug] | 0 | ||||||||||||
| 36994 | Alexander | Schubert | Laplace Tiger | 2009 | audiovisuell, live-elec, 1 perf | 12 | perc (drum-kit), (arm-sensor, live-electronics, live-video) [Schlagzeug] | 0 | |||||||||||
| 36995 | Alexander | Schubert | Lucky Dip | 2013 | Performance | audiovisuell |
perc (MIDI-drumkit), e-gui (hazer, light, projection) [Gitarre, Schlagzeug] | piano possible | 0 | |||||||||||
| 36996 | Alexander | Schubert | Mimicry | fixed media, akusmatisch | 10 | multichannel | 0 | ||||||||||||
| 27796 | Alexander | Schubert | Nachtschatten | 2008 | fixed media, akusmatisch | 12:00 | 20 Tracks, Spazialisation: Zirkonium | JTTP 2009 | CEC Cache 2009, PeP 014 DE/ | ZKM Karlsruhe | JTTP-Winner 2009 german 3. prize Bourges residency prize 2009 |
1 | http://cec.concordia.ca/jttp/2009/index.html#winners | ||||||
| 36997 | Alexander | Schubert | Night of the Living Dead, Superimpose II | 2009 | live-elec, 4 perf | p, db, sax, perc (jazz-qt ≈ p, db, sax, perc) [Saxophon, Piano, Schlagzeug, Kontrabass] | 0 | ||||||||||||
| 34592 | Alexander | Schubert | Point Ones | 2012 | live-elec, 7 perf | cl, p, perc, vn, e-gui, vc, conductor (augmented) [Klarinette, Piano, Gitarre, Schlagzeug, Cello, Violine, Performer] | SMC2016 | 0 | |||||||||||
| 35324 | Alexander | Schubert | Scanners | 2013/2016 | live-elec, 5 perf | str-qnt (2 vn, 2 va, vc) [Streicher] | NDR, Das Neue Werk | 0 | |||||||||||
| 36998 | Alexander | Schubert | Semaphores, Sinebag project | fixed media, akusmatisch | 0 | ||||||||||||||
| 34593 | Alexander | Schubert | Sensate Focus | 2014 | live-elec, 4 perf | cl, e-str (zither), perc, vc [Klarinette, Schlagzeug, Cello, Streicher] | SMC2016 | 0 | |||||||||||
| 36999 | Alexander | Schubert | Serious Smile | 2014 | live-elec, 4 perf | p, perc, vc, conductor (sensor-equipped ens) [Piano, Schlagzeug, Cello, Performer] | IRCAM | IRCAM | 0 | ||||||||||
| 37000 | Alexander | Schubert | Silent Post | 2016 | Performance | audiovisuell |
any perf (with or without elec and video) [Performer] | 0 | http://www.alexanderschubert.net/works/Silent_Posts.php | |||||||||||
| 37001 | Alexander | Schubert | Solid State | 2016 | Klangkunst, Installation | 0 | |||||||||||||
| 37002 | Alexander | Schubert | Some forgotten patterns | 2008 | Klangkunst, Installation | audiovisuell |
Galerie der Gegenwart Hamburg | 0 | ||||||||||||
| 37003 | Alexander | Schubert | Star Me Kitten | 2015 | Performance, live-elec, 1 perf, 1 group | audiovisuell |
V, ens (flexible ens, video) [Stimme, Ensemble] | Sound Initiative | 0 | |||||||||||
| 37004 | Alexander | Schubert | Sugar, Maths and Whips, Superimpose V | 2011 | live-elec, 4 perf | vn, db, p, perc (drum kit) [Piano, Schlagzeug, Violine, Kontrabass] | 0 | ||||||||||||
| 37005 | Alexander | Schubert | Superimpose Cycle, Superimpose I Superimpose II Superimpose III Superimpose IV Superimpose V |
2009 - 2011 | live-elec, 7 perf | (jazz quartet), p, db, sax, perc, e-gui, b-cl, vn [Klarinette, Saxophon, Piano, Gitarre, Schlagzeug, Violine, Kontrabass] | 0 | ||||||||||||
| 37006 | Alexander | Schubert | Superimpose I | 2009 | live-elec, 4 perf | p, db, sax, perc (jazz qt) [Saxophon, Piano, Schlagzeug, Kontrabass] | 0 | ||||||||||||
| 37007 | Alexander | Schubert | Supramodal Parser, n4000 White Rooms Dark Eyes Rolling Shutter |
2015 | Performance | 60 | V, e-gui, sax, perc, p, elec (haze, light) [Stimme, Saxophon, Piano, Gitarre, Schlagzeug, elektronik] | Wien modern | 0 | ||||||||||
| 37008 | Alexander | Schubert | The Password Disco | fixed media, akusmatisch | 7 | Stereo | Nadar/ | 0 | |||||||||||
| 37009 | Alexander | Schubert | Unit Cycle | 2013 | Klangkunst, Installation | audiovisuell |
0 | |||||||||||||
| 37010 | Alexander | Schubert | Weapon of Choice | 2009 | audiovisuell, live-elec, 1 perf | vn (sensor, live-electronics, live-video) [Violine] | 3.5.2009 | Barbara Lüneburg during Blurred Edges Festival Hamburg | 0 | ||||||||||
| 34590 | Alexander | Schubert | Your Fox’s A Dirty Gold | 2011 | live-elec, 1 perf | V [Stimme] | SMC2016 | 0 | |||||||||||
| 31529 | Klaus, Felix, Yannick, Natascha | Schüller, Deufel, Hofmann, Rehberg | I, Water | 2013 | fixed media, akusmatisch | 7:00 | Spazialisation: Zirkonium | next_generation 5.0 | H Darmstadt | 0 | |||||||||
| 38653 | Magali | SCHUERMANS | Katia | 2013 | radiophon | 46:04:00 | Prix Phonurgia nova | 0 | |||||||||||
| 42661 | Philip | Schuessler | Supercell | 2009 | live-elec, 1 perf | 12 | perc [Schlagzeug] | 0 | |||||||||||
| 42548 | Philip | Schuessler | Void Chapel | 2004 | fixed media, akusmatisch | SUNY Stony Brook | 0 | ||||||||||||
| 40185 | Phillip | Schuessler | Driftwood Box Puzzle | 2015 | fixed media, akusmatisch | 14:10:00 | Phillip Schuessler | 0 | |||||||||||
| 41508 | Phillip | Schuessler | Peptyde Hallucination | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 27940 | Johannes | Schütt | Aveugle | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27942 | Johannes | Schütt | Evanescence, Eternelles, Perle d'Asie, La rivière des dragons, Le monde et le sacré, Au fil des vagues, Sous les chapeaux coniques, Le long du fleuve Rouge, Visages d'il y a mille ans… | 1995 | Zuspiel / Tonband, 1 perf | b-cl [Klarinette] | CD Vietnam | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 27941 | Johannes | Schütt | Magic-Mirror | 1998 | Zuspiel / Tonband, 1 perf | b-cl [Klarinette] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 42662 | Paul | Schuette | Everything Must Come From Something | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 42956 | Paul | Schuette | Improvisation/Vaster than Empires | 2013 | live-elec, 1 perf | 12:07:00 | perc [Schlagzeug] | Allen Otte, percussion | 0 | ||||||||||
| 25557 | Hans | Schüttler | Flumen | 2000 | Klangkunst, Installation | Zuspiel/Tonband, 9 perf |
10:21 | Mez, va, trbn, w (didgeridoo), (tibetian) hn, clvd, tim, gong, (toys, turntable,) perc [Mezzo, Horn, Posaune, Cembalo, Schlagzeug, Viola, Bläser] | Raum Klang Komposition | Placebo Records PR CD 04/ | Museen der Stadt Delmenhorst; |
21.02.2000 | Turbinenhaus im Stadtmuseum Delmenhorst, Performed by Ensemble Inside | 1 | http://www.hansschuettler.de | |||||
| 25556 | Hans | Schüttler | Locus Sonorum | 2000 | Klangkunst, Installation | 47:23 | Raum Klang Komposition für das Turbinenhaus im Stadtmuseum Delmenhorst; 11 parts: sonus I - sonus XI Ensemble Inside |
Placebo Records PR CD 04/ | Museen der Stadt Delmenhorst | 21.02.2000 | Turbinenhalle Fabrikmuseum Nordwolle, Delmenhorst. | 1 | http://www.hansschuettler.de | ||||||
| 30952 | Martin | Schüttler | Augenbildermusik | 1998/2000 | Zuspiel / Tonband, 1 perf | 11:31 | acc [Akkordeon] | WER 6575/ | 0 | ||||||||||
| 26297 | Martin | Schüttler | blasses Objekt [-himmelblau-|] | 2000 | Zuspiel / Tonband, 1 perf | vc [Cello] | ZKM Karlsruhe | 0 | |||||||||||
| 26306 | Martin | Schüttler | Das Mitleid ist die Geißel der Menschheit, Sheriff | 2008 | fixed media, akusmatisch | 6:50 | Quadro | + Ghettoblaster | WER 6575/ | ZKM Karlsruhe | 0 | ||||||||
| 37860 | Martin | Schüttler | Entflechtung | 1996 | fixed media, akusmatisch | ICEM Essen | 0 | ||||||||||||
| 26307 | Martin | Schüttler | Gier | 2007/2009 | live-elec, 4 perf | 11:23 | ob, perc, p, db [Oboe, Piano, Schlagzeug, Kontrabass] | WER 6575/ WER 6592-2 Edition Zeitgenössische Musik 6/ | ZKM Karlsruhe | 1 | |||||||||
| 26300 | Martin | Schüttler | Kokain | 2007 | fixed media, akusmatisch | 1:56 | Mono | ZKM Karlsruhe | 0 | ||||||||||
| 30953 | Martin | Schüttler | linked trips | 2001 | live-elec, 1 group | 10:18 | amp ens [Ensemble] | WER 6575/ | ZKM Karlsruhe | 0 | |||||||||
| 26299 | Martin | Schüttler | Marion, mit akustischen Raummarkierungen | 2007 | fixed media, akusmatisch | 3 tracks | ZKM Karlsruhe | 0 | |||||||||||
| 26296 | Martin | Schüttler | pink fantasy island | 2000 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 26301 | Martin | Schüttler | schöner leben 1, music for K.C. | 2005 - 2008 | Zuspiel, live-elec, 2 perf | Counter-T, e-p, (Megaphon, Maske, Pistole) [Tenor, Piano] | stock11 015/ nasu 015/ | ZKM Karlsruhe | 0 | ||||||||||
| 26302 | Martin | Schüttler | schöner leben 2, Monument für T.H. | 2006 | Zuspiel, live-elec, 1 perf | prep p [Piano] | ZKM Karlsruhe | 0 | |||||||||||
| 26303 | Martin | Schüttler | schöner leben 3, for T.G. | 2009 | Zuspiel, live-elec, 1 perf | prep fl, (Neonröhre) [Flöte] | ZKM Karlsruhe | 0 | |||||||||||
| 26304 | Martin | Schüttler | schöner leben 4, sumo D.D. | 2008 | Zuspiel, live-elec, 1 perf | hp, (video) [Harfe] | ZKM Karlsruhe | 0 | |||||||||||
| 26305 | Martin | Schüttler | schöner leben 5, nix verstehen ist besser als gar nichts - M.K. | 2008 | Zuspiel, live-elec, 1 perf | prep va [Viola] | stock11 015/ nasu 015/ | ZKM Karlsruhe | 0 | ||||||||||
| 35341 | Martin | Schüttler | Schöner leben 7 | 2011 | live-elec, 1 perf | 11:15 | sax [Saxophon] | Gruen 120/ | ZKM Karlsruhe | 0 | |||||||||
| 40668 | Martin | Schüttler | Schöner leben 9, Turing Maschine | 2016 | Zuspiel, live-elec, 1 perf | amp conductor (mikrofonierter Dirigent), (Click tracks, Monitore, Zuspielungen) [Performer] | INA • GRM | 0 | |||||||||||
| 35011 | Martin | Schüttler | Selbstversuch, die Anderen | 2013 | live-elec, 1 group | amp ens, (elec) [Ensemble] | für verstärktes Ensemble,Rückkopplung und Live-Elektronik | 0 | |||||||||||
| 26298 | Martin | Schüttler | taped & low-bit | 2003 | Zuspiel, live-elec, 2 perf | 9:02 | Counter-T, synt [Tenor, synthesizer] | WER 6575/ | ZKM Karlsruhe | 0 | |||||||||
| 32281 | Martin, Mark Lorenz | Schüttler, Kysela | filet 12 - 19 | 2013 | Performance | live-elec, 1 perf, 1 group |
7 | laptop-ens [computer] | group „taste“ ≈ Schüttler & Kysela. 2 Laptops single „filet“ duration ≈ 1 Minute |
stock11 003/ | 0 | |||||||||
| 15334 | Heinz | Schütz | Akustische Atomfibel | 1956 | radiophon | 19:20 | Mono | WDR SEM | 0 | ||||||||||
| 15335 | Heinz | Schütz | Der Griff nach den Sternen | 1953 | radiophon | 2:10 | Mono | WDR SEM | 0 | ||||||||||
| 15336 | Heinz | Schütz | Der Straßenfeger | 1966 | Tanz | 16:40 | Mono | WDR-Ton-Trickstudio | 0 | ||||||||||
| 15337 | Heinz | Schütz | Die Ehe des Herrn Mississippi | 1956 | Theatermusik | 38:00 | Mono | WDR SEM | 0 | ||||||||||
| 15338 | Heinz | Schütz | Die Flüchtende | 1956 | Theatermusik | 14:00 | Mono | WDR SEM | 0 | ||||||||||
| 15339 | Heinz | Schütz | Faust, 1. Teil | 1963 | Theatermusik | 17:40 | Stereo | WDR-Ton-Trickstudio | 0 | ||||||||||
| 15340 | Heinz | Schütz | Gegen den Dezembersturm | 1953 | radiophon | 4:00 | Mono | WDR SEM | 0 | ||||||||||
| 15341 | Heinz | Schütz | Morgenröte | 1952 | fixed media, akusmatisch | radiophon |
2:30 3:38 | Mono | 2 versions? | DMR Musik in Deutschland 1950 - 2000: Studio des WDR Köln/ IDEAMA CD 018/ | WDR SEM | WDR | ohne Nachweis | 0 | ||||||
| 15342 | Heinz | Schütz | Nibelungen | 1966 | radiophon | 8:20 | Stereo | WDR-Ton-Trickstudio | 0 | ||||||||||
| 15343 | Heinz | Schütz | Traumspiel, Zu viele Köche, Mary Rose, Kaiser Jones, Höhlen in Sauerland, Nach Damaskus | 1961 - 1966 | Fernsehen, | Mono | diverse Filmmusiken | WDR-Ton-Trickstudio | 0 | ||||||||||
| 15344 | Heinz | Schütz | Über allem Zauber Liebe | 1956 | Theatermusik | 17:00 | Mono | WDR SEM | 0 | ||||||||||
| 15345 | Bernard | Schulé | Brown&Boveri Jubiläum | 1966 | Film | 0 | |||||||||||||
| 15346 | Bernard | Schulé | Géometrie animée, op. 85 | 1970 | Zuspiel / Tonband, 2 perf | 8:30 | hp, perc [Harfe, Schlagzeug] | CTS 44/ | CRS Genève | 0 | |||||||||
| 15347 | Bernard | Schulé | Passage au zénith, op. 90 | 1971 | Zuspiel / Tonband, 1 perf | 7:30 | cl [Klarinette] | CRS Genève | 0 | ||||||||||
| 15348 | Bernard | Schulé | Rive incertaine | 1981 | Zuspiel / Tonband, 1 perf | 8:00 | cl [Klarinette] | 0 | |||||||||||
| 27934 | Denis | Schuler | son deux | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 27935 | Franziska | Schuler | Assimilat | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 15349 | Mark | Schultz | Eärendil | 1987 | Zuspiel / Tonband, 1 perf | 7:19 | fl [Flöte] | Karl Kraber (fl) | Centaur CRC 2245, CDCM Vol. 20/ | Uni of Texas at Austin | 1 | ||||||||
| 15350 | Svend S. | Schultz | Pastorale #5 | 1963 | fixed media, akusmatisch | Mono | Dansk Radio | 0 | |||||||||||
| 31425 | Karoline | Schulz | Verkleidungen | 2004 | live-elec, 1 perf | 15:00:00 | fl, (Max/MSP) [Flöte] | HfM Dresden | 0 | ||||||||||
| 15351 | Martin | Schulz | Großes Fugato | live-elec, | 1 | ||||||||||||||
| 15352 | Martin | Schulz | Woodstock | Zuspiel / Tonband, 1 perf | gui [Gitarre] | 1 | |||||||||||||
| 15353 | Thomas | Schulz | Exis. | 1991 | radiophon | 51:20 | Stereo | Koproduktion mit SFB | ZKM Karlsruhe | 0 | |||||||||
| 15354 | Thomas | Schulz | Lingua X Tichon, oder die Bedeutung des Weges | 1990 | radiophon | 59:45 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||||
| 38794 | Phillip, Jan, Nathalie | SCHULZE, SIEBER, SINGER | The Godfathers - Oskar Sala und Pierre Schaeffer zum 100. Geburtstag | 2010 | radiophon | 53:05:00 | 0 | ||||||||||||
| 32715 | Stefan | Schulzki | Auftakt | 2014 | live-elec, 1 group | orc, (elec) [Orchester] | 0 | ||||||||||||
| 32721 | Stefan | Schulzki | Der Sommer meines Lebens | 2010 | live-elec, 5 perf | str-qt, p, (elec) [Piano, Streicher] | 0 | ||||||||||||
| 42295 | Stefan | Schulzki | Drei Epigramme nach Bertolt Brecht, Daß sie da waren Afrika Den kleinen Bruder |
2014 | live-elec, 2 perf | 11:40:00 | S, p and elec [Sopran, Piano, elektronik] | NEOS 11812/ | 0 | https://neos-music.com/?language=german&page=output.php%3Ftemplate%3Dgerman-album-details.php%26content%3DAlben/11812.php | |||||||||
| 32705 | Stefan | Schulzki | Everything (Lied II) | 2012 | fixed media, akusmatisch | 8:31 | Stereo | with Beatrice Ottmann (Stimme) | DegeM CD 11 wandlungen unplump/ | PS C. | 0 | ||||||||
| 32725 | Stefan | Schulzki | Musik für Klavier und Elektronik Nr. 1 | 2008/2009 | live-elec, 1 perf | p, (elec) [Piano] | 0 | ||||||||||||
| 32720 | Stefan | Schulzki | Musik für Klavier und Elektronik Nr. 2 | 2010 | live-elec, 1 perf | p, (elec) [Piano] | 0 | ||||||||||||
| 32718 | Stefan | Schulzki | Musik für Klavier und Elektronik Nr. 3 | 2013 | live-elec, 1 perf | p, (elec) [Piano] | 0 | ||||||||||||
| 32717 | Stefan | Schulzki | Musik für Klavier und Elektronik Nr. 4 | 2013 | live-elec, 1 perf | p, (elec) [Piano] | 0 | ||||||||||||
| 32722 | Stefan | Schulzki | Odyssee - Entgleisung nach oben | 2010 | live-elec, 6 perf | fl, vn, vc, gui, mar, p, (elec) [Flöte, Piano, Gitarre, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 42296 | Stefan | Schulzki | Piano Concerto | 2018 | live-elec, 2 perf, 1 group | 20:26:00 | p, ens, elec [Piano, elektronik, Ensemble] | NEOS 11812/ | 0 | https://neos-music.com/?language=german&page=output.php%3Ftemplate%3Dgerman-album-details.php%26content%3DAlben/11812.php | |||||||||
| 42061 | Stefan | Schulzki | Test Run DFAM #3 | 2018 | fixed media, akusmatisch | 7:58 | degem CD 16/ | 1 | |||||||||||
| 32723 | Stefan | Schulzki | Vier Räume - Öffnung < Firmament > Treppe < Fenster | 2010 | live-elec, 3 perf | vn, vc, hpd, str orc, (elec) [Cembalo, Cello, Violine, Orchester] | 0 | ||||||||||||
| 32724 | Stefan | Schulzki | Widerschein II - fragment / auskopplung -- another place | 2009/2010 | live-elec, 2 perf | 10:46:00 | s-sax, Hammond-org, (elec) [Saxophon, Orgel] | NEOS 11812/ | 0 | ||||||||||
| 32719 | Stefan | Schulzki | Widerschein III - Reset | 2010 | live-elec, 4 perf | fl, cl, vc, p, (elec) [Flöte, Klarinette, Piano, Cello] | 0 | ||||||||||||
| 32716 | Stefan | Schulzki | Wildruhezone | 2014 | live-elec, 1 group | ens, (elec) [Ensemble] | 0 | ||||||||||||
| 23794 | Federico | Schumacher | 100 Flores | 2002 | fixed media, akusmatisch | 13:10 | Stereo | PS C. | 1 | ||||||||||
| 32856 | Federico | Schumacher | 1197 | 2007 | fixed media, akusmatisch | 31:30 | 5 parts | Pueblo Nuevo PN.DVD.001/ | 0 | ||||||||||
| 24070 | Federico | Schumacher | Ameriasia | fixed media, akusmatisch | 6:16 | Encargo de la Fundación Edwards para la exposición "Cuerpos Pintados". | 0 | ||||||||||||
| 24073 | Federico | Schumacher | Ayes y lamentos… | 2000 | live-elec, 2 groups | 15:00 | 2 orc [Orchester] | FONDART 2000 | 0 | ||||||||||
| 24071 | Federico | Schumacher | Corazón de Látex | fixed media, akusmatisch | 5:30 | Encargo de la Fundación Edwards para la exposición "Cuerpos Pintados". | 0 | ||||||||||||
| 27807 | Federico | Schumacher | El Espejo de Alicia | 2009 | fixed media, akusmatisch | 11:45 | MR 2010 Métamorphoses 2010/ | PS C. | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2010 | 1 | |||||||||
| 27806 | Federico | Schumacher | El Punto Inmóvil | 2005 | fixed media, akusmatisch | 10:39 | Pueblo Nuevo PN.DVD.001/ | PS C. | 0 | ||||||||||
| 23793 | Federico | Schumacher | Estrellas Compactas | 2003 | fixed media, akusmatisch | 12:58 | Stereo | Pueblo Nuevo PN.DVD.001/ Pueblo Nuevo PN.CD.001/ | PS C. | 1 | |||||||||
| 24072 | Federico | Schumacher | Gato en el agua | 2001 | fixed media, akusmatisch | 7:10 | Octo | Junio 2001.Festival Synthése '01. Bourges, Francia. | 0 | ||||||||||
| 24074 | Federico | Schumacher | Jardin de la Noche | 2004 | live-elec, 6 perf | 8:00 | 5 ins, elec (objects, telefons) [Instrument, elektronik] | Pieza pedagógica. Encargo del conservatorio de Blanc-Mesnil. Junio 2004. Forum culturel de la ciudad de Blanc-Mesnil. Francia. |
0 | ||||||||||
| 27804 | Federico | Schumacher | Jetlag+6Hrs | 2008 | fixed media, akusmatisch | 2:10 | Pueblo Nuevo PN.DVD.001/ elek 002/ | PS C. | 0 | ||||||||||
| 23797 | Federico | Schumacher | La Musica del Cuerpo | 1998 | Zuspiel, live-elec, 1 perf | 13:10 | Stereo | MIDI-ins [synthesizer] | PS C. | 1 | |||||||||
| 35844 | Federico | Schumacher | Las particulas elementales | 2012 | fixed media, akusmatisch | MR 2012 Métamorphoses 2012/ | 0 | ||||||||||||
| 41586 | Federico | Schumacher | Los Náufragos de La Medusa | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 23792 | Federico | Schumacher | MingaSola I | 2004 | fixed media, akusmatisch | 10:00 | Octo | Pueblo Nuevo PN.DVD.001/ | PS C. | FONDART 2003 | 09.2004 | Festival MusicaViva, Lisboa, Portugal | 1 | ||||||
| 24069 | Federico | Schumacher | Música para espantar dictadores | live-elec, 11 perf | 16:00 | 11 ins [Instrument] | 0 | ||||||||||||
| 23795 | Federico | Schumacher | On the Radio, oh, oh, oh | 2001 | fixed media, akusmatisch | 4:40 | Stereo | Pueblo Nuevo PN.DVD.001/ | PS C. | 1 | |||||||||
| 23796 | Federico | Schumacher | Palabras del Sur | 1999 | fixed media, akusmatisch | 5:54 | Stereo | PS C. | 1 | ||||||||||
| 27805 | Federico | Schumacher | Pl@y, Play | 2008 | fixed media, akusmatisch | 10 | PS C., Musiques et Recherches Ohain | 0 | |||||||||||
| 35581 | Federico | Schumacher | Print…? | 2007 | fixed media, akusmatisch | 3:15 | Pueblo Nuevo PN.DVD.001/ LMJ 18 CD/ | 0 | |||||||||||
| 27803 | Federico | Schumacher | Remixmix | 2008 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 35582 | Federico | Schumacher | Wisssh…! | 2006 | fixed media, akusmatisch | 2:07 | Pueblo Nuevo PN.DVD.001/ | 0 | |||||||||||
| 28723 | Michael J. | Schumacher | der ewige E-bow | 1992 | Klangkunst, Installation | TU Berlin | 26.11.1002 | Foyer TU- Hauptgebäude | 0 | ||||||||||
| 26066 | Michael J. | Schumacher | Five Sound Installations, Room Piece Twenty-four Noema Steiner Suite Unintending Scene |
2007 | Klanginstallation, live-elec, | Surround 5.1 | sound compositions generated in real time by computer algorithm! SR 220 sub rosa ≈ one room piece (4:41, exceprt) |
XI 133 experimental intermedia/ SR 220 sub rosa/ | DAAD, „SOUND ART MUSEUM“ | 1 | http://www.michaeljschumacher.com | ||||||||
| 22518 | Michael J. | Schumacher | Four Stills | 2002 | live-elec, 3 perf | 67:21 | vc, perc, MIDI p [Piano, Schlagzeug, Cello] | Charles Curtis (vc), Tim Barnes (perc). 4 parts |
sed cd 032 sedimental/ | PS | 1 | ||||||||
| 34723 | Michael J. | Schumacher | Living Room Piece Berlin 2007 | 2007 | Klangkunst, Installation | 9:10 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 21.9. - 28.10.2007 | private Wohnung Berlin | 0 | |||||||||
| 38969 | Michael J. | Schumacher | Room Pieces Troy 2010 | 2010 | Klangkunst, Installation | multichannel | EMPAC | 2010 EMPAC | 0 | http://empac.rpi.edu/events/2010/fall/filament/room-pieces-troy-2010 | |||||||||
| 15355 | Alain | Schumacker | L'oeil Dalinien | 1975 | Film | 8:25 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 31379 | Florian | Schumann | heile welt | 2002 | fixed media, akusmatisch | 23:10 | Quadro | HfM Dresden | 0 | ||||||||||
| 22427 | Gregor, Ellen, Andreas | Schuster, Fricke, Mengel | La vie en dose, ein dosaster | 1989 | radiophon | 32:02 | TU Berlin | 16.7.1990 | H0107 TU Berlin, bei "EM hören" | 1 | |||||||||
| 15356 | Arie van | Schutterhoef | Wording: midden | 1993 | Zuspiel, live-elec, 3 perf, 1 group | vn, Kbd, synts [Keyboard, Violine, synthesizer] | 0 | ||||||||||||
| 39343 | Dan | Schwartz | Ambience 1d | 2017 | Zuspiel / Tonband, 1 perf | ob [Oboe] | for solo oboe and prerecorded sound | 0 | |||||||||||
| 20778 | Elliott | Schwartz | Extended Oboe | 1974 | Zuspiel / Tonband, | Stereo | OO Discs 1/ | Bowdoin Coll Brunswick | 0 | ||||||||||
| 15357 | Elliott | Schwartz | Fantasy | 1966 | Zuspiel / Tonband, 2 perf | 8:00 | Mono | fl, db [Flöte, Kontrabass] | Adv/ | Bowdoin Coll Brunswick | 0 | ||||||||
| 15358 | Elliott | Schwartz | Music for Orchestra | 1965 | Zuspiel / Tonband, 1 group | 7:00 | Mono | orc [Orchester] | Bowdoin Coll Brunswick | 0 | |||||||||
| 15359 | Elliott | Schwartz | Music for piano and tape | 1966 | Zuspiel / Tonband, 1 perf | 10:00 | Mono | p [Piano] | Bowdoin Coll Brunswick | 0 | |||||||||
| 33110 | Jay | Schwartz | Die Möwe | 1996 | Theatermusik | str-trio, prep p [Piano, Streicher] | for the theatre play by A. Chechov | pfalztheater kaiserslautern, germany | 0 | ||||||||||
| 33106 | Jay | Schwartz | four chamber music | 2003 | Performance | 4 actor [Schauspieler] | cultural offices of the city of kaiserslautern, germany | 0 | |||||||||||
| 33108 | Jay | Schwartz | Music for a bridge | 2000 | Klangkunst, Installation | cologne society of new music (kgnm) for the festival brueckenmusik at the musiktriennale cologne, germany | 0 | ||||||||||||
| 25040 | Jay | Schwartz | Music for autosonic Gongs, Music for autosonic Gongs I - X | 2001 | Klangkunst, Installation | tam-tam [Schlagzeug] | Performances in Donaueschingen, ICMC Göteborg 2002, AdK Berlin, Romanischer Sommer Köln, Stadthaus Ulm. Feedback zwischen Abnehmern vor den TanTams und Lautsprechern hinter den TamTams. dritte Track: Interview anlässlich der Installation in Ulm |
diverse ( -> Notes) | 1 | ||||||||||
| 33107 | Jay | Schwartz | Music for piano, violin and double bass | 2000 | live-elec, 3 perf | e-p, vn, db [Piano, Violine, Kontrabass] | european cultur festival karlsruhe / suedwestrundfunk (swr) germany | 0 | |||||||||||
| 33109 | Jay | Schwartz | Triumpf der Liebe | 2000 | Theatermusik | str-qt, hpd, boy-S [Sopran, Cembalo, Streicher] | for the theatre play by Marivaux | theater bochum, germany | 0 | ||||||||||
| 35164 | Laurie | Schwartz | Outtakes from the Baroness Tapes | 2016 | live-elec, 1 perf | amp V, (com) [Stimme] | 8.12.2016 | HAU2 Berlin, Anna Clementi (V), Laurie Schwartz (elec) | 0 | http://www.heroines-of-sound.com/ | |||||||||
| 42276 | Laurie | Schwartz | Parabola | 1937, 2018 | Film | original music by Darius Milhaud | heroines-of-sound | 06.12.2018 | HAU 2, Festival heroines-of-sound | 0 | http://www.heroines-of-sound.com/programm2018/ | ||||||||
| 15360 | Laurie | Schwartz | The shoes | 1993 | live-elec, 1 perf | 15:00 | Stereo | fem V [Stimme] | ZKM Karlsruhe | 0 | |||||||||
| 38129 | Laurie | Schwartz | The Spaces | 1996 | live-elec, 3 perf | 5:52 | 3 amp p (inside piano) [Piano] | EZ 4032824000023/ | 0 | ||||||||||
| 38128 | Laurie | Schwartz | The Streets | 1991 | live-elec, 1 perf | 3:37 | sax [Saxophon] | 0085122 ACA/ | 0 | ||||||||||
| 38130 | Laurie | Schwartz | The Tides | 1998 | live-elec, | 5:01 | Musicaphon M 55712/ | 0 | |||||||||||
| 19002 | Tony | Schwartz | Close the door - Nancy | 1991 | Klangkunst, Installation | 2:00 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 15361 | Neil | Schwartzman | Trial and Beat It (slender version) | 1984 | fixed media, akusmatisch | Stereo | Concordia Montréal, Bregman Dartmouth | 0 | |||||||||||
| 38795 | Anjo, Maria Antonia | SCHWARZ, SCHMIDT | Letztermomentaufnahme | 2011 | radiophon | 11:42:00 | 0 | ||||||||||||
| 25610 | Astrid | Schwarz | Wahlverwandtschaft | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 37151 | Diemo | Schwarz | Les arbres ont bougé pendant la nuit | 2017 | live-elec, 3 perf | tpt, perc, V, (com) [Stimme, Trompete, Schlagzeug] | IRCAM | 6.2016 | Le Tremplin, Clerment-Ferrand | 0 | http://diemo.concatenative.net/ | ||||||||
| 37152 | Diemo, Victoria, Mats | Schwarz, Johnson, Claesson | Suspended Beginnings | 2012 | live-elec, 3 perf | e-vn, 2 perf (elec, com) [Violine, Performer] | 3 parts | Farbror Melker Records 885767493841/ | IRCAM | 0 | https://www.discogs.com/de/Victoria-Johnson-Suspended-Beginnings/release/6513259 | ||||||||
| 15362 | Jean | Schwarz | And around, Accord Rythme-Venise Solo Trains Water Ballade Conclusion |
1981 | Zuspiel / Tonband, 2 perf | 35:02 | sax or fl, perc [Flöte, Saxophon, Schlagzeug] | Celia CL 8909/ | INA • GRM | 1 | |||||||||
| 15363 | Jean | Schwarz | Anticycle, Xylorimba Xylafricain Gongs Cymbales Tambours Vibravlocks Cloches Balitho Tempo Timbales Franco |
1972 | Zuspiel / Tonband, 1 perf | 44:22 | Stereo | perc [Schlagzeug] | Celia CL 8908/ LDX 74551/ | INA • GRM | 24.8.1972 | München, Haus der Kunst; Olympische Spiele, avec M. Delaporte (perc) | 0 | ||||||
| 24872 | Jean | Schwarz | Architas | 1978 | fixed media, akusmatisch | 3:23 | Celia CL 8002/ | 0 | |||||||||||
| 24875 | Jean | Schwarz | Bataille finale | 1978 | fixed media, akusmatisch | 5:41 | Celia CL 8002/ | 0 | |||||||||||
| 20206 | Jean | Schwarz | Canto, Canto 1 Mino Boucles Saut Still Duet Rythme Final |
1993 | fixed media, akusmatisch | 54:46 | Stereo | Celia CL 9414/ | INA • GRM | 0 | |||||||||
| 20207 | Jean | Schwarz | Capriccio | 1994 | fixed media, akusmatisch | 48:00 | Stereo | 7 parts | Celia CL 9516/ | INA • GRM | 0 | ||||||||
| 20208 | Jean | Schwarz | Destroy Encore Sculpture So Long Up Mi |
1990 | Zuspiel / Tonband, 3 perf | 64:00 | Stereo | S, bn, db [Sopran, Fagott, Kontrabass] | Jazz-Improvisation with Alexandre Ouzounoff | Celia CL 9011/ | INA • GRM | 0 | |||||||
| 24704 | Jean | Schwarz | Dilin Dalan | fixed media, akusmatisch | Celia CL 2024/ | INA • GRM | 0 | ||||||||||||
| 15365 | Jean | Schwarz | Erda, Variations Cellules Grillons 54 Oiseaux Erda Génorgue Kloock In Memoriam |
1971 | fixed media, akusmatisch | 27:02 | Stereo | Coll GRM AM 715.03/ Celia CL 2022/23/ Klett Stuttgart 92422/ | INA • GRM | 13.4.1972 | Paris, Eglise St. Séverin | 1 | |||||||
| 15366 | Jean | Schwarz | Etude I & II | 1964 | fixed media, akusmatisch | 14:00 | Mono | PS C. Paris | 0 | ||||||||||
| 24869 | Jean | Schwarz | For Keith, Esquisse Pour une mélodie |
1973 | fixed media, akusmatisch | 10:33 | Celia CL 8001/ | INA • GRM | 0 | ||||||||||
| 24866 | Jean | Schwarz | Galaxies I, Il etait une fois For Keith |
1973, 1974 | Zuspiel / Tonband, 1 group | 10:35 | ens [Ensemble] | Celia CL 8001/ | INA • GRM | 5.3.1973 27.8.1976 |
Paris, Th. Récamier Paris, Th. Récamier |
1 | |||||||
| 15367 | Jean | Schwarz | Gamma, GAMMA PLUS | 1978 | fixed media, akusmatisch | 32:00 | Stereo, Quadro | Coll GRM 9110 SC/ | INA • GRM | Commande de l'Etat et de l'INA·GRM | 1 | ||||||||
| 20209 | Jean | Schwarz | Gamma plus | 1997 | Zuspiel, live-elec, 3 perf | 27:20 | Stereo | 3 synt [synthesizer] | with the TM+ (trio: Cuniot, Dufour, Geslin) | INA e 5006/ | INA • GRM | Commande de l'Etat et de l'INA·GRM | 1979 | Lille, Festival 1979, Palais Rihour 13 Novembre, avec le Trio GRM.Plus | 1 | ||||
| 24867 | Jean | Schwarz | Gamyriade | fixed media, akusmatisch | 10:33 | Celia CL 8001/ | INA • GRM | 0 | |||||||||||
| 15368 | Jean | Schwarz | Germinal, Grimenal | 1985 | fixed media, akusmatisch | 5:11 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 20210 | Jean | Schwarz | Goñi'ko Zalduna (La Légende du chevalier de Goñi) | 1994 | fixed media, akusmatisch | 74:00 | Stereo | Celia CL 9820/ | INA • GRM | 0 | |||||||||
| 15369 | Jean | Schwarz | Il était une fois, Galaxies Paranthèses Gamyriades For Keith Esquisse pour une mélodie |
1974, 1987 | fixed media, akusmatisch | 48:07 | Stereo | for Carolyn Carson | Celia CL 9819/ INA C 1035 27655 archives grm CD 5/5/ Celia CL 8001/ | INA • GRM | 26.2.1974 | Paris, Espace Cardin | 1 | ||||||
| 15370 | Jean | Schwarz | Interurbain | 1982/1986 | fixed media, akusmatisch | 14:30 | Stereo | (Version Concert) Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
Celia CL 9313/ | INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | ||||||
| 20211 | Jean | Schwarz | Itzala | fixed media, akusmatisch | Stereo | Celia CL 9821/ | INA • GRM | 1 | |||||||||||
| 40754 | Jean | Schwarz | Les aventures de Don Quichotte | 1975 | radiophon | 58 | INA • GRM | 7.8.1975 | ORTF France-Culture | 0 | |||||||||
| 24871 | Jean | Schwarz | Maison de l'Enfance | 1978 | fixed media, akusmatisch | 3:43 | Celia CL 8002/ | 0 | |||||||||||
| 20212 | Jean | Schwarz | Makinak | 1994 | fixed media, akusmatisch | 20:52 | Stereo | 2 parts | Celia CL 9516/ | INA • GRM | 0 | ||||||||
| 20213 | Jean | Schwarz | Mosaique | 1997 | fixed media, akusmatisch | 67:14 | Stereo | Celia CL 9818/ | INA • GRM | 1 | |||||||||
| 15375 | Jean | Schwarz | Nocturne | 1983 | Zuspiel / Tonband, 1 perf | 27:10 | Stereo | fl [Flöte] | La nuit des oiseaux | INA • GRM | 1.10.1983 | France Musique; Flûte: P. Y. Artaud | 0 | ||||||
| 31318 | Jean | Schwarz | Parentheses, Gammes | 1973, 1974 | fixed media, akusmatisch | 10:10 | INA • GRM | 0 | |||||||||||
| 15376 | Jean | Schwarz | Perpetuum Mobile, Cycles (1, 2) Mécaniques (1,2) Tensions (1, 2) |
1984 | fixed media, akusmatisch | 57:30 | Stereo | INA • GRM | Radio France (for „Mecanique“) | 18.3.1985 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 15378 | Jean | Schwarz | Quatre-vingts, Vent d’Est Kind of Shit FM Square Y a pas d’quoi-plus jamais ça Tchernobyl |
1987 | fixed media, akusmatisch | 48:54 | Stereo | Celia CL 9515/ | INA • GRM | 0 | |||||||||
| 24874 | Jean | Schwarz | Rideau 3e Acte | 1978 | fixed media, akusmatisch | 6:40 | Celia CL 8002/ | 0 | |||||||||||
| 15379 | Jean | Schwarz | Roundtrip | 1976 | Zuspiel / Tonband, 1 perf, 1 group | 53:11 | Stereo | jazz-inss [Instrument] | (enregistrement). Avec la collaboration de l’ACR |
INA • GRM | 12.2.1977 | Paris, Th. Récamier; avec Don Cherry, M. Portal, J.-F. Jenny-Clark et Nana Vasconcellos | 0 | ||||||
| 24330 | Jean | Schwarz | sonal France Culture | 1982 | Hintergrundmusik | 0:17 | station identification | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 1 | |||||||||
| 24703 | Jean | Schwarz | Sonances | 1971 | fixed media, akusmatisch | 9:12 | Celia CL 2022/23/ | INA • GRM | 0 | ||||||||||
| 24877 | Jean | Schwarz | Still Waters | 1986 | fixed media, akusmatisch | 60:00 | Ballet de Carolyn Carlson | Celia CL 8607/ | 0 | ||||||||||
| 15380 | Jean | Schwarz | Suite | 1981 | fixed media, akusmatisch | 22:35 | Stereo | INA C 1000/ Coll GRM AM 9110/ | INA • GRM | INA-GRM | 16.3.1982 | Paris, IRCAM Forum de la Création | 1 | ||||||
| 40752 | Jean | Schwarz | suite de motifs no. 1 à 19 | 1975 | radiophon | 37:08 | INA • GRM | 0 | |||||||||||
| 15381 | Jean | Schwarz | Suite symphonique, Ostinato Mix Piz Gil Adiago Séquence Piccolo |
1989 | fixed media, akusmatisch | 33:25 | Stereo | Celia CL 8908/ | INA • GRM | 0 | |||||||||
| 24876 | Jean | Schwarz | Surroundings | 1980 | fixed media, akusmatisch | Celia CL 8003/ | 0 | ||||||||||||
| 15382 | Jean | Schwarz | Symphonie | 1974 | fixed media, akusmatisch | 23:40 | Stereo | Coll GRM AM 715.03/ Celia CL 2022/23/ | INA • GRM | 29.4.1975 | Paris, Salle Wagram | 1 | |||||||
| 15384 | Jean | Schwarz | The Sea-maid's music, Introduction à Kathleen à Cathy à Mahalia à Elise |
1990 | live-elec, 2 perf | 61:01 | V, synt [Stimme, synthesizer] | Syter | INA C 3003/ | INA • GRM | 1 | ||||||||
| 15385 | Jean | Schwarz | Variations, Lyrica Millie Eroîca Ondes |
1976 | Film | 20:04 | Stereo | Celia CL 9819/ | INA • GRM | INA • GRM | 15.03.1976 | Théâtre Récamier, Paris | 1 | ||||||
| 15387 | Jean | Schwarz | Vier Jahreszeiten, Les quatre Saisons Frühling Sommer Herbst Winter |
1983 | Zuspiel / Tonband, 1 perf | 65:30 | Stereo | Bar [Bariton] | after poems by Goethe (in deutscher Sprache) | INA C 1004/ INA ACM 1995/ INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | INA.GRM, Radio France | 30.5.1983 | Paris, Maison de Radio-France, Gd. Auditorium; avec Jorge Chaminé (baryton) | 1 | 1984 1996 | |||
| 24873 | Jean | Schwarz | Vol Plané | 1978 | fixed media, akusmatisch | 6:02 | Celia CL 8002/ | 0 | |||||||||||
| 24868 | Jean | Schwarz | With No J. | fixed media, akusmatisch | 8:57 | Celia CL 8001/ | 0 | ||||||||||||
| 24870 | Jean | Schwarz | Year of the Horse | 1978 | fixed media, akusmatisch | 26:53 | Celia CL 8002/ | 0 | |||||||||||
| 15371 | Jean, Philippe | Schwarz, Beetz | La vilaine Lulu (Dim Dam Dam) | 1967 | Fernsehen, | 5:00 | Mono | PS C. Paris | 0 | ||||||||||
| 15372 | Jean, Philippe | Schwarz, Beetz | Mac Doodle II | 1965 | Film | 40:00 | Mono | PS C. Paris | 0 | ||||||||||
| 15374 | Jean, Philippe | Schwarz, Beetz | Mort aux vaches | 1967 | Tanz | 13:00 | Mono | Jazz experiment | PS C. Paris | 0 | |||||||||
| 15388 | Jean, Philippe | Schwarz, Beetz | Viol | 1966 | Tanz | 5:00 | Mono | PS C. Paris | 0 | ||||||||||
| 15377 | Jean, Alexandre | Schwarz, Ouzounoff | Pyramides Assolutamente L'ours et le rat |
1990 | Zuspiel / Tonband, 1 perf | 60:18 | bn [Fagott] | Jazz-Improvisation with Alexandre Ouzounoff | Celia CL 9010/ | INA • GRM | 1 | ||||||||
| 20214 | Jean, Alexandre | Schwarz, Ouzounoff | Sokoa Tanz, Bluesie Elles Sakoa Tanz Milesan Silky |
1992 | Zuspiel / Tonband, 4 perf | Stereo | gui, bn, db, perc [Fagott, Gitarre, Schlagzeug, Kontrabass] | Jazz-Improvisation with Alexandre Ouzounoff | Celia CL 9212/ | INA • GRM | 0 | ||||||||
| 15364 | Jean, Michel | Schwarz, Portal | Chantakoa, Introduction-Dialogue Tape Accents Trame Par 5 Solo Final |
1986 | Zuspiel, live-elec, 1 perf | 34:00 | cl [Klarinette] | Syter | Celia CL 8909/ INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 15.11.1986 | Paris, Maison de Radio-France, Gd. Auditorium, avec Michel Portal (cl) | 1 | ||||||
| 15373 | Jean, Daniel | Schwarz, Teruggi | Mano A Mano | 1991 | fixed media, akusmatisch | 57:00 | Stereo | 12 parts | Celia CL 9313/ | INA • GRM | 0 | ||||||||
| 20215 | Jean, Daniel | Schwarz, Teruggi | Transe | 1995 | Zuspiel, live-elec, 1 perf | Stereo | p [Piano] | Patrick Scheyder (p); J. Schwarz (rec. sounds), D. Teruggi (realtime transformations) | Celia CL 9717/ | INA • GRM | 0 | ||||||||
| 15389 | Martin | Schwarzenlander | Chacoel - Musik für den frühen Abend | 1980 | fixed media, akusmatisch | 10:31 | Stereo | IEM Graz | 0 | ||||||||||
| 15390 | Martin | Schwarzenlander | Das Unrecht in meinem Bad | 1980 | fixed media, akusmatisch | 11:11 | Stereo | arcana 90287/ | IPEM Gent | 0 | |||||||||
| 15391 | Martin | Schwarzenlander | "Erst wollt ihr … ", Erst wollt ihr den Petersbrunnhof, dann Hellabrunn, und schließlich gar Schloss Mirabell | 1976 | fixed media, akusmatisch | 11:46 | Stereo | SMI 001/ Creel Pone 59/ | IPEM Gent | 0 | |||||||||
| 15392 | Martin | Schwarzenlander | Nicht ein Wassertropfen fehlt dem Meer | 1984 | fixed media, akusmatisch | 13:30 | arcana 90287/ | IPEM Gent | 0 | ||||||||||
| 15393 | Martin | Schwarzenlander | Pas Rien, Musique pour une feministe | 1987 | fixed media, akusmatisch | 12:02 | Stereo | Voices and lyrics by Erica Fischer. | INA • GRM | Auszeichnung ars electronica 1988 | 0 | ||||||||
| 15394 | Martin | Schwarzenlander | Prolegomena | 1977 | fixed media, akusmatisch | 15:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 15395 | Martin | Schwarzenlander | Repression | 1976 | fixed media, akusmatisch | IEM Graz | 0 | ||||||||||||
| 15396 | Martin | Schwarzenlander | Unter dem Pflasterstein ( noch immer) liegt der Sand | 1977 | fixed media, akusmatisch | 12:24 | Stereo | SMI 001/ Creel Pone 59/ | IPEM Gent | 0 | |||||||||
| 15397 | Martin | Schwarzenlander | Warum sollte ich wohl? Ein elektroakustisches Manifest gegen die Phallokratie | 1987 | fixed media, akusmatisch | intermedia |
21:38 | slides | arcana 90287/ | IMEB Bourges | 0 | |||||||||
| 15398 | Walter | Schweiger | Stille in der Stadt | 1986 | fixed media, akusmatisch | 4:00 | Stereo | cuts | ELAK Wien | 0 | |||||||||
| 15399 | Walter | Schweiger | Wien Herbst 83 | 1983/1984 | fixed media, akusmatisch | 9:50 | Stereo | ELAK Wien | 0 | ||||||||||
| 19357 | Wolfgang von | Schweinitz | Helmholtz - Funk, Helmholtzfunk / Alefbet | 1997 | live-elec, 4 perf | ≈ 40:00 | 2 p (rm), 2 Sp, (8 sinegen) [Sprecher, Piano] | für acht computergesteuerte Sinusgen. und 2 zwei ringmodulierte Klaviere in natürlicher Stimmung. Chr. Grund & K. Steffens (p) | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 35857 | Wolfgang von | Schweinitz | NATURGESANG mit Fröschen und Rotbauchunken | 2000 | fixed media, akusmatisch | 74 | 0 | ||||||||||||
| 31410 | Benjamin | Schweitzer | Ballade | 1996 | Zuspiel / Tonband, 1 perf | 10:50:00 | vc [Cello] | HfM Dresden | 0 | ||||||||||
| 31352 | Benjamin | Schweitzer | Tractus | 1997 | fixed media, akusmatisch | 8:18:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 15400 | Frank | Schweizer | Ari | 1992 | fixed media, akusmatisch | 10:32 | fmw - 02.95 Skywalk Records/ | PS C. | 1 | ||||||||||
| 22729 | Frank | Schweizer | Beginner's Mind | 1997 | fixed media, akusmatisch | 8:05 | Cybele 960.205/ DegeM CD 05/ | PS | 1 | ||||||||||
| 18895 | Frank | Schweizer | Dialog II | 1989 | live-elec, 1 perf | 10:20 | rec [Flöte] | fmw - 02.95 Skywalk Records/ | PS | 1 | |||||||||
| 15401 | Frank | Schweizer | Dialog IV | 1992 | live-elec, 1 perf | 6:00 | vc [Cello] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 15402 | Frank | Schweizer | Feuerwasser | 1992 | fixed media, akusmatisch | 8:49 | DegeM CD 01/ | PS C. | 1 | ||||||||||
| 31656 | Frank | Schweizer | Interferencia | 1992 | fixed media, akusmatisch | 10:30:00 | HSM Basel | 0 | |||||||||||
| 15403 | Frank | Schweizer | Königskinder | 1993 | live-elec, 2 perf | 2 p [Piano] | fmw - 02.95 Skywalk Records/ | HSM Basel | 1 | http://www.esbasel.ch/ | |||||||||
| 15404 | Frank | Schweizer | Streichquartett II | 1987 | fixed media, akusmatisch | 14:10 | Stereo | HfM Düsseldorf | 0 | ||||||||||
| 15405 | Herbert | Schwendinger | Etüde vocale | 1972 | fixed media, akusmatisch | 1:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 15406 | Herbert | Schwendinger | Zwitschermaschine | 1982 | fixed media, akusmatisch | 3:40 | Stereo | after a painting by Paul Klee. | ELAK Wien | 0 | |||||||||
| 15407 | Dirk | Schwibbert | Bruit Blanc | 1992 | Fernsehen, | 11:00 | Stereo | Bild: Bettina Rave | TU Berlin | 1 | |||||||||
| 18876 | Dirk | Schwibbert | Cheimon | 1992 | Film | 12:00 | Stereo | TU Berlin | 19.3.1992 | Galerie Vayhinger Radolfzell | 1 | ||||||||
| 28726 | Dirk | Schwibbert | Swing | 1995 | Klangkunst, Installation | TU Berlin | 10.-24.11.1995 | TU Mathematikgebäude, im Rahmen von "Klangfenster '95" der INM Berlin | 0 | ||||||||||
| 28733 | Dirk | Schwibbert | Xglasses | 1999 | Klangkunst, Installation | Quadro | 4 Glasplatten, aufgehängt an je 2 Löchern | TU Berlin | 10.9.-9.12.1999 | Haus des Senators für Kulturelle Angelegenheiten Brunnenstraße (Berlin) | 1 | ||||||||
| 23076 | Dirk | Schwibbert | Zwischenstationen | 1999 | Klangkunst, Installation | WDR 1999 | 1999 | Wittener Tage für neue Kammermusik | 0 | ||||||||||
| 34772 | Dirk | Schwibbert | Zwölf Gläser | 1997 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | TU Berlin | 1.8.-17.8.1997 | singuhr hoergalerie Berlin | 0 | |||||||||
| 15408 | Stefan | Schwietert | Ikarus | 1986 | Film | 6:00 | Mono | 16 mm Farbe. Synclavier | TU Berlin | 0 | |||||||||
| 28766 | Kilian | Schwoon | A Humming Drum | 2008 | live-elec, 2 perf | 10:00 | b-fl, perc [Flöte, Schlagzeug] | perc (gr Trommel) | 19.9.2008 | Winsen (Luhe) | 0 | ||||||||
| 34151 | Kilian | Schwoon | Anthropologoi | 2003 | Performance, live-elec, | Tanz, live-elec, |
0 | http://www.claudia-lichtblau.de/ | ||||||||||||
| 34150 | Kilian | Schwoon | Arktisches Triptychon | 2002 | Performance, live-elec, | Tanz, live-elec, |
0 | http://www.claudia-lichtblau.de/ | ||||||||||||
| 28762 | Kilian | Schwoon | Baskisches Mobile | 2004 | live-elec, 4 perf | 4 perc [Schlagzeug] | 23.6.2005 | Köln | 0 | ||||||||||
| 23077 | Kilian | Schwoon | Broken Consort | 1999 | live-elec, 1 group | 15:00 | ens [Ensemble] | WDR SEM | WDR 2000 | 5.5.2000 | Witten | 0 | http://www.kilianschwoon.de/ | ||||||
| 34152 | Kilian | Schwoon | carne-vale | 2004 | Performance, live-elec, | Tanz, live-elec, |
0 | http://www.claudia-lichtblau.de/ | ||||||||||||
| 28765 | Kilian | Schwoon | Flügeladern | 2007 - 2008 | live-elec, 2 perf | 22:00 | fem V, cl [Stimme, Klarinette] | 12.10.2009 | Firenze | 0 | |||||||||
| 28764 | Kilian | Schwoon | Glanz und Zwielicht | 2006 | live-elec, 1 perf | trbn [Posaune] | 5.6.2006 | Tokyo | 0 | ||||||||||
| 24147 | Kilian | Schwoon | Implantate | 1998 - 1999 | live-elec, 4 perf | ≈ 13:00 | 2 vn, va, cl [Klarinette, Viola, Violine] | Tempo Reale Firenze | 8.1.1999 | Frankfurt | 0 | http://www.kilianschwoon.de/ | |||||||
| 28767 | Kilian | Schwoon | Kerbholz | 2010 | live-elec, 2 perf | 8:00 | ob, perc [Oboe, Schlagzeug] | 8.5.2012 | Bremen | 0 | |||||||||
| 28759 | Kilian | Schwoon | Kodierte Räume | 1997 | live-elec, 1 group | orc [Orchester] | 24.11.1997 | Essen | 0 | ||||||||||
| 28760 | Kilian | Schwoon | Le poumon oxygène | 2000 | live-elec, 1 perf | 6:00 | fem V [Stimme] | 18.10.2000 | Berlin | 0 | |||||||||
| 24148 | Kilian | Schwoon | Musica Letitiae Comes | 2001 | Klangkunst, Installation | ∞ | Tempo Reale Firenze | 28.5.2001 | Galleria dell'Accademia (Florenz) | 0 | http://www.kilianschwoon.de/ | ||||||||
| 34154 | Kilian | Schwoon | Notett - Randbemerkungen | 2008 | Performance, live-elec, | Tanz, live-elec, |
0 | http://www.claudia-lichtblau.de/ | ||||||||||||
| 22224 | Kilian | Schwoon | Orpheus und Demokrit, eine Klaviermusik mit Tonband | 1997 | Zuspiel / Tonband, 1 perf | 11:20 | p [Piano] | mit SynLab produziert | Cybele 960.103/ | ICEM Essen | 23.5.1997 | Essen, mit Martin von der Heydt (p) | 1 | http://www.kilianschwoon.de/ | |||||
| 34153 | Kilian | Schwoon | Palimpseste | 2005 | Performance, live-elec, | Tanz, live-elec, |
0 | http://www.claudia-lichtblau.de/ | ||||||||||||
| 28768 | Kilian | Schwoon | Pendelnde Schatten | 2010 | live-elec, 1 perf | 12:00 | a-fl [Flöte] | 21.11.2011 | Hannover | 0 | |||||||||
| 28763 | Kilian | Schwoon | Siderurgie | 2005 | live-elec, 3 perf, 2 groups | 25:00 | 3 vn, 2 ens [Violine, Ensemble] | 0 | |||||||||||
| 34155 | Kilian | Schwoon | The Dancer | 2011 | Performance, live-elec, | Tanz, live-elec, |
0 | http://www.claudia-lichtblau.de/ | ||||||||||||
| 28761 | Kilian | Schwoon | Thronlos | 2003 | live-elec, 2 perf | 12:00 | acc, e-gui [Akkordeon, Gitarre] | 14.10.2004 | Lüneburg | 0 | |||||||||
| 37523 | Kilian | Schwoon | Turbulentometría | 1995 | fixed media, akusmatisch | 8:05:00 | Quadro | SYNLAB, ProTools, Sounddesigner, LEXICON 480, Analysefilter EMS | ICEM Essen | 0 | |||||||||
| 28770 | Kilian | Schwoon | Unmoored - Nachspiel | 2001 | Performance, live-elec, 1 perf | Tanz, live-elec, 1 perf |
dancer [Tanz] | 0 | http://www.claudia-lichtblau.de/ | |||||||||||
| 28621 | Kilian | Schwoon | Verborgene Metalle | 2011 | fixed media, akusmatisch | 1:17 | Stereo | 0 | |||||||||||
| 28769 | Kilian | Schwoon | Wellenfronten | 2009 | Klangkunst, Installation | 19.5.2009 | St. Stephan (Bremen) | 0 | |||||||||||
| 22665 | Martin | Schwuttke | Descrete pattern | 1987 | Zuspiel / Tonband, 1 perf | 28:20 | vn [Violine] | Minimal music. 2 Versions | TU Berlin | 1 | |||||||||
| 15409 | Joseph | Scianni | Another Time: Another Voice | 1964 | Film | 32:00 | Mono | PS C. NY | 0 | ||||||||||
| 15410 | Joseph | Scianni | Horizon South | 1962 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | db [Kontrabass] | PS C. NY | 0 | |||||||||
| 33813 | Salvatore | Sciarrino | La voce dell'Inferno | 1981 | radiophon | 28:35:00 | DS 22 Die Schachtel/ | Fonologia Milano | 2.9.1981 | RAI Radio 2 | Prix Italia 1981 (sezione „opere per musica“) | Ricordi | 1 | ||||||
| 15411 | Salvatore | Sciarrino | Noms des Airs (scatola per musica), una discesa nel suono d'Orfeo | 1994 | live-elec, | 50:00 | (live elec) [] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 15412 | Salvatore | Sciarrino | Perseo e Andromeda | 1989 | Theatermusik | CSC Padova | 0 | ||||||||||||
| 15413 | Flavio Emilio | Scogna | Relazioni | 1991 | live-elec, 5 perf | 12:37 | Stereo | vc, ob, cl, vn, va [Klarinette, Oboe, Viola, Cello, Violine] | Proteus-realtime-Gerät | RCA CCD 3001/ | 27.11.1991 | Goethe-Institut Rom | 0 | ||||||
| 15414 | Henri | Scolari | Cauchemar de Chalamala, Terre de Gruyère | 1965 | radiophon | 3:00 | Mono | Terre de Gruyère ≈ 92’ | Radio Suisse Romande | 0 | |||||||||
| 15415 | Henri | Scolari | Intégration | 1968 | Zuspiel / Tonband, 1 group | 19:00 | orc [Orchester] | Radio Suisse Romande | 0 | ||||||||||
| 15416 | Henri | Scolari | Merlin l'Enchanteur | 1965 | radiophon | 142:00 | Mono | 6 épisodes | Radio Suisse Romande | 0 | |||||||||
| 15417 | Henri | Scolari | Solitude… cancer de l'àme | 1965 | radiophon | 27:20 | Mono | Radio Suisse Romande | 0 | ||||||||||
| 33377 | Henri, Julien-François | Scolari, Zbinden | Indicativ officiel de l’Éxposition Nationale Suisse 1964 | 1963 | Hintergrundmusik | 0:20 | Mono | Sendezeichen | Radio Suisse Romande | 0 | |||||||||
| 39963 | Julian | Scordato | Constellations | 2015 | fixed media, akusmatisch | 7:04:00 | Julian Scordato | 0 | |||||||||||
| 39962 | Julian | Scordato | Engi | 2017 | audiovisuell | Julian Scordato | 0 | ||||||||||||
| 41642 | Vincenzo | Scorza | Respiro | 2015 | fixed media, akusmatisch | 16:11:00 | Surround 5.0 | Musiques et Recherches Ohain | 0 | ||||||||||
| 15418 | Douglas | Scott | Interlude and Fantasy | 1992 | fixed media, akusmatisch | 7:02 | Stereo | Centaur CRC 2170, CDCM Vol. 14/ | UCSB | 1 | |||||||||
| 21545 | Raymond | Scott | Cindy Electronium | 1959 | fixed media, akusmatisch | Demonstration of the "Clavivox" | Ellipsis Arts 3672 - OHM: 02/ | 1 | |||||||||||
| 36650 | Raymond | Scott | Cyclic Bit | fixed media, akusmatisch | Boomkat bundle_49/ | 0 | |||||||||||||
| 33293 | Raymond | Scott | electronic music for commercials | 1954 | Film | Fernsehen, |
PS C. Farmingdale | 0 | ||||||||||||
| 36297 | Raymond | Scott | In The Hall Of The Mountain Queen | fixed media, akusmatisch | hap vol 18 - 3/ | 0 | |||||||||||||
| 36651 | Raymond | Scott | The happy Whistler | fixed media, akusmatisch | Boomkat bundle_49/ | 0 | |||||||||||||
| 36296 | Raymond | Scott | The Pigmy Taxi Corporation | fixed media, akusmatisch | hap vol 18 - 3/ | 0 | |||||||||||||
| 41403 | Richard | Scott | Ghosts of the Gamecock | fixed media, akusmatisch | self | 0 | https://www.ckcufm.com/ | ||||||||||||
| 15419 | Marina | Scriabine | Etude | 1950 | fixed media, akusmatisch | 2:30 | Mono | PS C. | 0 | ||||||||||
| 15420 | Paul | Scriver | Armistice | 1988 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 40148 | Nichola | Scrutton | At First Light | 2016 | fixed media, akusmatisch | Nichola Scrutton | 0 | ||||||||||||
| 42791 | Nichola | Scrutton | Fretwork | 2012 | fixed media, akusmatisch | 4:48:00 | 0 | ||||||||||||
| 33337 | Peter | Sculthorpe | King Lear | 1960 | Theatermusik | PS C. Sydney | 0 | ||||||||||||
| 15421 | Alberto | Scunio | Impulso y Medida | 1985 | Zuspiel / Tonband, 1 perf | 10:33 | Quadro | perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 15422 | Alberto | Scunio | Laberinto en Lluvia | 1986 | fixed media, akusmatisch | 9:04 | Quadro | HfMT Köln CD3/ | HfMT Köln | 1 | |||||||||
| 20779 | Michael Gregory | Sczerba | Hyperbol-ly | 1993 | fixed media, akusmatisch | 6:00 | Stereo | EMS 9300/ | EMS UIUC | 0 | |||||||||
| 40208 | Robert | Seaback | Catena | 2015 | fixed media, akusmatisch | 6:35:00 | Robert Seaback | 0 | |||||||||||
| 39488 | Robert | Seaback | in surge | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42975 | Robert | Seaback | seed.signal | 2013 | fixed media, akusmatisch | 5:30:00 | 0 | ||||||||||||
| 42895 | Robert | Seaback | Sequence | 2013 | fixed media, akusmatisch | 6:35:00 | 0 | ||||||||||||
| 15423 | Humphrey | Searle | Night Thoughts | 1963/1966 | Film | radiophon |
60:00 | Mono, Stereo | BBC | 0 | ||||||||||
| 39632 | Brian | Sears | …and veiled between | 2016 | Performance | Brian Sears | 0 | ||||||||||||
| 39633 | Brian | Sears | Reverberance | 2015 | fixed media, akusmatisch | 7:49:00 | Brian Sears | 0 | |||||||||||
| 27871 | Catherine | Seba | De 14 à 15 heures : rêverie solitaire | 2004 | live-elec, 2 perf | vn, trbn [Posaune, Violine] | CRFMW Liège | 8.10.2004 | Liège, Festival Images Sonores | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 22735 | Fausto | Sebastiani | Ascolto | 1999 | Zuspiel, live-elec, 5 perf | 9:44 | fl, e-gui, va, vc, perc [Flöte, Gitarre, Schlagzeug, Viola, Cello] | FLY-30 | CEMAT 1/ | CRM Roma | 1 | ||||||||
| 27407 | Fausto | Sebastiani | Bilaumri | 2004 | live-elec, 3 perf | 7:45 | vn, vc, p [Piano, Cello, Violine] | Musica Verticale | 1 | http://www.cematitalia.it/servizi/works.php?lg=eng&cat=comp&id=227 | |||||||||
| 27408 | Fausto | Sebastiani | Geometrie Dall’Azzurro velato | 1998 | Zuspiel, live-elec, 2 perf, 1 group | 12:00 | fl, str-ens [Flöte, Streicher] | CEMAT | 1 | http://www.cematitalia.it/servizi/works.php?lg=eng&cat=comp&id=227 | |||||||||
| 27406 | Fausto | Sebastiani | Les Ymages | live-elec, 2 perf | 12:23 | S, vc [Sopran, Cello] | C. Dibon, B. Carat | GRAME Lyon | GRAME | 1 | http://www.cematitalia.it/servizi/works.php?lg=eng&cat=comp&id=227 | ||||||||
| 15424 | Christian | Sebille | Improvisation | 1992 | live-elec, 2 perf | Octo | cl, sax [Klarinette, Saxophon] | QUATRON and SUSIE, PACOM | LIMCA Auch | 0 | |||||||||
| 15425 | Christian | Sebille | Jeux | 1992 | live-elec, | intermedia |
≈ | Octo | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 20780 | Christian | Sebille | Miroir abandonné | 1994 | radiophon | 12:00 | Stereo | MEC 02/ | LIMCA Auch | 0 | |||||||||
| 15426 | Christian | Sebille | Trio | 1992 | live-elec, 2 perf | 12:00 | Octo | cl, sax [Klarinette, Saxophon] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 15427 | Christophe | Sechet | Terres brulees | 1987 | fixed media, akusmatisch | 22:28 | Stereo | INA • GRM | 0 | ||||||||||
| 35846 | Ambrose | Seddon | Fleeting Strands | 2011 | fixed media, akusmatisch | 13:50 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 39565 | Ambrose | Seddon | Pellere | 2015 | fixed media, akusmatisch | 13:36:00 | Ambrose Seddon | 0 | |||||||||||
| 39295 | Ambrose | Seddon | Traces of Play | 2017 | fixed media, akusmatisch | finaliste l’espace du son 2018 BruxellesFinalist | 0 | ||||||||||||
| 15428 | Anne | Sédes | Erwartung | 1987 | fixed media, akusmatisch | 15:00 | Stereo | CICM Paris | 0 | ||||||||||
| 15430 | Anne | Sédes | Moments froissés | 1987 | fixed media, akusmatisch | 6:00 | Stereo | CICM Paris | 0 | ||||||||||
| 15431 | Anne | Sédes | Périple | 1989 | Performance, live-elec, 1 perf | ∞ | com [computer] | CICM Paris | 0 | ||||||||||
| 15432 | Anne | Sédes | Pièce n° 2 | 1992 | live-elec, 1 perf | 9:26 | Stereo | gui, (com) [Gitarre] | GF 001/ | CICM Paris | 0 | ||||||||
| 15429 | Anne, Olivier | Sédes, Bousquet | Microdialogue II | 1990 | live-elec, 1 perf | 12:00 | com [computer] | CICM Paris | 0 | ||||||||||
| 31599 | Marten | Seedorf | all my dreams are fake, so count to 4 and wake me up. | 2013 | fixed media, akusmatisch | 4:59 | next_generation 5.0 | TU Berlin | 0 | ||||||||||
| 23541 | Thomas | Seelig | 14 Minor | 2002 | live-elec, 1 perf, 1 group | 4:23 | Stereo | fl-ens [Flöte] | B. G. Schmitt (fl); MAX | ISPV 191 CD ProViva Flöte und Computer 2/ | PS | 1 | |||||||
| 15433 | Thomas | Seelig | Die Fahrt | 1990 | Fernsehen, | 8:00 | Stereo | TU Berlin | 0 | ||||||||||
| 15434 | Thomas | Seelig | Die Kunst ist rund | 1989 | Fernsehen, | ≈ 4:00 | Stereo | TU Berlin | 0 | ||||||||||
| 23540 | Thomas | Seelig | Loops & Grooves | 2001 | live-elec, 1 perf | 6:54 | Stereo | db-fl [Flöte] | B. G. Schmitt (fl); MAX | ISPV 191 CD ProViva Flöte und Computer 2/ | PS | 1 | |||||||
| 15436 | Thomas | Seelig | martial art | 1992 - 1994, 2018 | audiovisuell | 8:00 | Stereo | 2 projections. motion pixel, 2 x Betacam SP synchron. 3 parts: 8 + 6:32 + 6:30 https://vimeo.com/channels/medienkunst/256340810 https://vimeo.com/channels/medienkunst/256320910 https://vimeo.com/channels/medienkunst/256305321 |
Bildo A. | 1993 | Kino Babylon Berlin-Mitte | 0 | https://vimeo.com/channels/medienkunst/256340810 | ||||||
| 28344 | Thomas, Ewa, Thomas, Inge, Nico | Seelig, Chamerska, Kusitzky, Morgenroth, Franzke | Several Species… | 2002 | Klangkunst, Installation | ∞ | Klangaufnahme von RadioKultur Hagelücken | DAAD 205-1 ISBN 3-89727-259-8 | TU Berlin | 2002 | Inventionen SFB-Foyer "SFB-Klanggalerie" Berlin | 1 | 2002 | ||||||
| 30954 | Thomas, Volker | Seelig, Nikel | Nichtlinear rückgekoppeltes Schwingungssystem | 2003 | Klanginstallation, live-elec, | 2003 | Lange Nacht der Wissenschaften, Mathematische Fachbibliothek TU Berlin | 0 | http://mspcafe.g2312.de/projects/nlrks/ | ||||||||||
| 30955 | Thomas, Volker | Seelig, Nikel | The chair - Der Stuhl | 2004 | Klanginstallation, live-elec, | 12.6.2004 | Lange Nacht der Wissenschaften, Mathematische Fachbibliothek TU Berlin | 0 | http://mspcafe.g2312.de/projects/nlrks/ | ||||||||||
| 37172 | Michelle | Seffino | tf-hb | 2017 | Klangkunst, Installation | ∞ | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 15437 | Jan | Segers | Study for horn | 1979 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | hn [Horn] | 0 | ||||||||||
| 15438 | Karl | Seglem | Lysspyd | 1990 | Zuspiel / Tonband, 4 perf | 40:60 | tpt and Flügelhorn, a-sax and perc (crotales), t-sax, bar-sax [Saxophon, Horn, Trompete, Schlagzeug] | NOTAM | 0 | ||||||||||
| 22721 | Rodrigo | Segnini Sequera | Pamine | 1996 | fixed media, akusmatisch | 5:45 | CMJ Vol 23-4, 1999/ | IMEB Bourges | 1 | ||||||||||
| 15439 | Jean | Séguin | Bienvenue / Welcome | 1984 | fixed media, akusmatisch | 7:50 | Stereo | Concordia Montréal | 0 | ||||||||||
| 15440 | Jean | Séguin | Fine 'R' Fire | 1985 | fixed media, akusmatisch | 15:00 | Stereo | 0 | |||||||||||
| 15441 | Jean | Séguin | Pluie acide | 1986 | fixed media, akusmatisch | 15:30 | Stereo | 0 | |||||||||||
| 15442 | Jean | Séguin | Ré-édition | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 26286 | Veronica | Seidel | eines | 2005 | Klangkunst, Installation | ∞ | 3 Klangdispositive: 12 Klaviersaiten, Stahlplatten, Schreibmaschine, Samowar, Tee und 12 Gläser | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2005 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 37749 | Hannes | Seidl | Alles muss raus IV - mashup | 2012 | live-elec, | 0 | |||||||||||||
| 32291 | Hannes | Seidl | Allmählich aber die Gedanken einschläfernd | 2006 | live-elec, 1 perf | 15 | db-cl [Klarinette] | Edition Juliane Klein | 0 | ||||||||||
| 32292 | Hannes | Seidl | Arrête | 2011 | live-elec, 1 perf | 10 | synt, (com) [synthesizer] | Edition Juliane Klein | 0 | ||||||||||
| 32293 | Hannes | Seidl | Box | 2008 | Zuspiel, live-elec, 3 perf | 15 | Counter-T, va, perf (Geräuschemacher) [Tenor, Viola, Performer] | Edition Juliane Klein | 0 | ||||||||||
| 32287 | Hannes | Seidl | Die Anderen - Jetzt Neu! | 2003 | Zuspiel / Tonband, 1 perf | 15:31 | p [Piano] | WER 65742 DMR edition zeitgenössische musik/ | 0 | ||||||||||
| 32294 | Hannes | Seidl | Die Illusion zu erzeugen, dass die Zeit dynamisch und bedeutsam vergeht | 2006 | Zuspiel, live-elec, 1 perf | 15 | Quadro | perc [Schlagzeug] | Edition Juliane Klein | 0 | |||||||||
| 43205 | Hannes | Seidl | Die letzten 25 Jahre in No. 1 Hits der deutschen Jahrescharts dargestellt durch Karlheinz Stockhausens Studie 2 5x, Die letzten 25 Jahre | 2015 | Performance, live-elec, 1 perf | fixed media, akusmatisch |
com [computer] | Auszeichnung ars electronica honorary mention 2015 | 0 | https://vimeo.com/108558792 | ||||||||||
| 34995 | Hannes | Seidl | Dies ist die Geschichte von einem Mann … | 2013 | Zuspiel / Tonband, 1 group | ens [Ensemble] | für Ensemble und Playback | 0 | http://www.pgnm-festival.de/ | ||||||||||
| 32295 | Hannes | Seidl | Es geht besser, Version 2 | 2011 | Zuspiel, live-elec, 4 perf | 16 | fl, ob, e-gui, perc [Flöte, Oboe, Gitarre, Schlagzeug] | version 2 | Edition Juliane Klein | 0 | |||||||||
| 32296 | Hannes | Seidl | Es geht besser, Version 1 | 2011 | Zuspiel, live-elec, 4 perf | 16 | fl, ob, tpt, perc [Flöte, Oboe, Trompete, Schlagzeug] | version 1 | Edition Juliane Klein | 0 | |||||||||
| 32297 | Hannes | Seidl | Es geht besser, Version Graz | 2011 | Zuspiel, live-elec, 3 perf | 16 | cl, vc, perc [Klarinette, Schlagzeug, Cello] | version Graz | Edition Juliane Klein | 0 | |||||||||
| 37586 | Hannes | Seidl | Es geht besser, Version Freiburg | 2011 | live-elec, 3 perf | es-cl, vc, perc [Klarinette, Schlagzeug, Cello] | Elektronische Musik in zwei Teilen | 6.7.2018 | Freiburg | Edition Juliane Klein | 0 | ||||||||
| 32298 | Hannes | Seidl | Falsche Arbeit | 2008 | Musiktheater | audiovisuell, live-elec, 4 perf |
40 | Quadro | 4 perf, (Geräuschemacher) video [Performer] | 2008 | Theaterhaus Stuttgart | Edition Juliane Klein | 0 | |||||||
| 32299 | Hannes | Seidl | Falsche Freizeit | 2010 | Musiktheater | audiovisuell, live-elec, |
60 | 2010 | Sophiensäle Berlin | Edition Juliane Klein | 0 | |||||||||
| 32289 | Hannes | Seidl | Film für übers Sofa | 2009 | Film | 11:37 | 5 tracks | HD-Video | Edition Juliane Klein | 0 | |||||||||
| 35002 | Hannes | Seidl | Good Morning, Deutschland | 2016 | Klangkunst, Installation | 13.10.2016 | Donaueschinger Musiktage, Flüchtlingsunterkunft Friedhofstr. 15a | 0 | |||||||||||
| 32288 | Hannes | Seidl | Leihgabe | 2007 | Zuspiel / Tonband, 1 perf | 12:19 | vc [Cello] | für vc und Mischpultspieler | WER 65742 DMR edition zeitgenössische musik/ | 0 | |||||||||
| 32290 | Hannes | Seidl | mixtape | 2013 | live-elec, 1 group | 17 | Quadro | ens [Ensemble] | für 4 no-input-mixer and mixtape | 4.5.2013 | Freies Musikzentrum Stuttgart, Ens. Suono Mobile | Edition Juliane Klein | 0 | ||||||
| 23038 | Hannes | Seidl | re: bounce | 2001 | fixed media, akusmatisch | 4:17 | Ex Machina 6 - die neunziger Jahre | Cybele 960.106, ex machina 6/ | ICEM Essen | 1 | |||||||||
| 41986 | Hannes | Seidl | Stadt (Land Fluß) | 2017 | audiovisuell, live-elec, 1 perf | perf (Sebastian Berweck) [Performer] | 0 | ||||||||||||
| 31848 | Hannes | Seidl | Studie 2 | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31849 | Hannes | Seidl | Studie 3 / 3a | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31850 | Hannes | Seidl | Studie 4 | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 32285 | Hannes | Seidl | The Art of Home Entertainmant | 2009 | Zuspiel / Tonband, 4 perf | 15:02 | vn, t-sax, p, perc [Saxophon, Piano, Schlagzeug, Violine] | WER 65742 DMR edition zeitgenössische musik/ | 0 | ||||||||||
| 31847 | Hannes | Seidl | Tripeltee (Versuch zu denken) | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 32245 | Hannes | Seidl | Vergiftet | 2012 | Zuspiel, live-elec, 2 perf | 11:25 | acc, V [Stimme, Akkordeon] | Verarbeitung von Sprache | stock11 003/ | 0 | |||||||||
| 32286 | Hannes | Seidl | Zimmerrauschen | 2011 | Zuspiel / Tonband, 1 perf | 8:07 | db-cl [Klarinette] | Hörstück für db-cl in verschiedenen Mikrofonierungen und Umgebungsklängen | WER 65742 DMR edition zeitgenössische musik/ | 0 | |||||||||
| 26226 | Hannes, Hans, Theo | Seidl, Koch, Nabicht | Deep Level | 2007 | live-elec, 2 perf | Octo | 2 db-cl [Klarinette] | singuhr hoergalerie | 21.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 0 | ||||||||
| 38796 | Hannes, Daniel | SEIDL, KÖTTER | Studio | 2013 | radiophon | 39:40:00 | 0 | ||||||||||||
| 42433 | Niklas | Seidl | Alter Egon | 2012 | Zuspiel / Tonband, 1 perf | acc [Akkordeon] | 2012 | Köln, Andrea Kiefer | 0 | ||||||||||
| 42434 | Niklas | Seidl | der feine unterchied | 2007 | Zuspiel / Tonband, 6 perf | sol-gui, 5 br [Gitarre, Bläser] | 0 | ||||||||||||
| 42432 | Niklas | Seidl | gefallen | 2013 | Zuspiel / Tonband, 1 perf | 4:40 | p [Piano] | 30.10.2015 | Cologne, Kunststation St. Peter; aufgeführt von/performed by: Dorrit Bauerecker | 0 | |||||||||
| 42429 | Niklas | Seidl | Gichtgriffel & Achterbeene | 2016 | live-elec, 1 perf | 10:00:00 | one perf and acc (elec, footswitches) [Akkordeon, Performer] | Dorrit Bauerecker | 0 | http://www.niklas-seidl.eu/niklasseidl.eu/Gichtgriffel.html | |||||||||
| 33959 | Niklas | Seidl | IMG_0197 | 2011 | live-elec, 15 perf | 10:30:00 | Stereo | 14 perf, sam [Performer, computer] | Komposition für 14 Spieler und Sampler | HfMT Köln | 0 | ||||||||
| 42431 | Niklas | Seidl | Maderijåal | 2014 | live-elec, 4 perf | 3 V and Kbd, Kbd [Stimme, Keyboard] | SCHOLA Heidelberg | 23./24.07.2014 | Kunstverein Heidelberg | 0 | |||||||||
| 42430 | Niklas | Seidl | printen | 2015 | Zuspiel / Tonband, 5 perf | 5:20:00 | tpt, cl, ob, bn, va [Klarinette, Oboe, Fagott, Trompete, Viola] | 0 | |||||||||||
| 33958 | Niklas | Seidl | sahne sahne | 2010 | fixed media, akusmatisch | 6:50:00 | 3 tracks, Stereo | Komposition für 3 Lautsprecher und Stereozuspiel | HfMT Köln | 0 | |||||||||
| 42428 | Niklas | Seidl | was auf den Kästen haben | Zuspiel, Performance, 1 group | ens [Ensemble] | Kopfhörer-basierte Performance für beliebige Formate und Materialien | 0 | ||||||||||||
| 21136 | Christiane | Seiler | Tegel - Alexanderplatz | 1998 | Klangkunst, Installation | ∞ | Stereo + Stereo + Stereo + Stereo | Klanginstallation zu 100 Jahre JVA Tegel im UBf Alexanderplatz | TU Berlin | 31.10.-16.11.1998 | UBf Berlin-Alexanderplatz im Rahmen von "Aufbruch / Kunst Gefängnis" | 0 | |||||||
| 25041 | Jürgen | Seizew | Icicle | 2004 | fixed media, akusmatisch | 21:12 | Wasserklänge, Eisklänge | PS C. | 1 | ||||||||||
| 38654 | Jürgen | SEIZEW | Nektarrauschen | 2008 | radiophon | 51:03:00 | 0 | ||||||||||||
| 25042 | Jürgen | Seizew | Paper | 2004 | fixed media, akusmatisch | 53:43 | Papierklänge | PS C. | 1 | ||||||||||
| 38655 | Jürgen | SEIZEW | Splendor Solis | 2013 | radiophon | 51:57:00 | 0 | ||||||||||||
| 37449 | J. A. | Sekon | Nonce | 1973 | fixed media, akusmatisch | 7:35 | EMS UIUC | 0 | |||||||||||
| 33397 | Jerzy | Sekorski | Opowiesc prawie o koncu swiata | 1958 | Oper | radiophon |
Mono | ExpSt Warsaw | 0 | |||||||||||
| 42549 | Zachary | Seldess | tinge, disperse | 2008 | live-elec, 1 perf | audiovisuell |
com [computer] | Zachary Seldess, laptop | 0 | |||||||||||
| 42963 | Andrew | Selle | Rise Up! | 2013 | live-elec, 1 perf | 9:30:00 | p [Piano] | Francesco Prode, piano | 0 | ||||||||||
| 15443 | Antonio Rodriguez | Selles | Aragonesa | 1987 | live-elec, | 2:10 | (dalla Suite Spagnola)(by Manuel de Falla) | LIM Milano | 0 | ||||||||||
| 15444 | Antonio Rodriguez | Selles | Concerto Grosso Op. 6 No. 1 | 1987 | live-elec, | 8:50 | (arr Arcangelo Corelli) | LIM Milano | 0 | ||||||||||
| 15445 | Antonio Rodriguez | Selles | Omaggio a Pietro Grossi | live-elec, | LIM Milano | 0 | |||||||||||||
| 15446 | Antonio Rodriguez | Selles | Otello e Jago | 1987 | live-elec, | 8:00 | text by W. Shakespeare | LIM Milano | 0 | ||||||||||
| 15447 | Antonio Rodriguez | Selles | Pavane pour une enfante défunte | 1987 | live-elec, | 5:30 | (dalla Maurice Ravel) | LIM Milano | 0 | ||||||||||
| 15448 | Antonio Rodriguez | Selles | Rumore | 1989 | live-elec, | 8:00 | LIM Milano | 0 | |||||||||||
| 15449 | Antonio Rodriguez | Selles | Sinfonia in sol minore K550 | 1987 | live-elec, | 2:30 | (dalla W.A. Mozart) | LIM Milano | 0 | ||||||||||
| 15450 | Antonio Rodriguez | Selles | Sonata per flauto e cembalo No. 1 | 1987 | live-elec, | 20:30 | (dalla J.S. Bach) | LIM Milano | 0 | ||||||||||
| 15451 | Antonio Rodriguez | Selles | Tannhäuser | 1987 | live-elec, | 2:30 | (dalla R. Wagner) | LIM Milano | 0 | ||||||||||
| 39871 | Jacob | Sello | Catch_up | 2017 | fixed media, akusmatisch | Jacob Sello | Uni Williamsburg | 0 | |||||||||||
| 15452 | Daria | Semegen | Arabesque | 1992 | fixed media, akusmatisch | 9:00 | SUNY Stony Brook | 1 | |||||||||||
| 21843 | Daria | Semegen | Arc: Music for Dancers | 1976 | Tanz | 13:40 | Stereo | for choreographer Mimi Garrard's experimental dance works | Finna SR 9020/ | Uni NY | 0 | ||||||||
| 15453 | Daria | Semegen | Electronic Composition #1 | 1971/1972 | fixed media, akusmatisch | 5:47 | Stereo | Odyssey AL 34139/ NWR 80521/ AUD 04612/ | Col.Princ EMC | 1 | |||||||||
| 21842 | Daria | Semegen | Electronic Composition #2: Spectra | 1978 | fixed media, akusmatisch | Stereo | CRI SD 443/ | Col.Princ EMC | 0 | ||||||||||
| 38103 | Daria | Semegen | Jeux des quatres | 1970 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | Opus One 59/ | SUNY Stony Brook | 0 | ||||||||||
| 21844 | Daria | Semegen | Rhapsody | 1989 | live-elec, 1 perf | 7:08 | Stereo | MIDI p [Piano] | Opus One CD 152/ | Col.Princ EMC | 0 | ||||||||
| 15454 | Fred | Semeniuk | Neanderthals in a phone booth | 1992 | fixed media, akusmatisch | 2:49 | Studio Vision | CEC DISContact_1/ | Uni Calgary | 1 | |||||||||
| 18946 | Fred | Semeniuk | Spraying | 1994 | fixed media, akusmatisch | 2:40 | CEC DISContact_2/ | SFU | 1 | ||||||||||
| 15455 | Ramon | Sender | 4 Sanskrit Hymns | 1961 | Zuspiel / Tonband, 16 perf | 17:00 | Mono + Mono + Mono | 4 S, 12 ins [Sopran, Instrument] | SanFran Tape M. C. | 0 | |||||||||
| 33046 | Ramon | Sender | Audition | 1981 | live-elec, 3 perf | 3 perf [Performer] | MC 001 Mills College/ | CCM Mills | 1 | http://www.ubu.com/sound/mills.html | |||||||||
| 15456 | Ramon | Sender | Desert Ambulance | 1964 | audiovisuell, 1 perf | 16:17 | Stereo | acc [Akkordeon] | performance with Pauline Oliveros (acc); visual composition Tony Martin |
wow & flutter 1961 - now, DVD/ locust 70/ IDEAMA CD 078/ | SanFran Tape M. C. | 1 | |||||||
| 31302 | Ramon | Sender | In the Garden | 1965 | Zuspiel / Tonband, 2 perf | 17:20 | cl, va, (projection) [Klarinette, Viola] | IDEAMA CD 078/ | 0 | ||||||||||
| 15457 | Ramon | Sender | Interstices | 1963 | fixed media, akusmatisch | 10:35 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 15458 | Ramon | Sender | Kore | 1962 | audiovisuell | 9:42 | Stereo | wow & flutter 1961 - now, DVD/ locust 70/ IDEAMA CD 076/ | SanFran Tape M. C. | 1 | |||||||||
| 15459 | Ramon | Sender | Kronos | 1961 | fixed media, akusmatisch | 12:00 | Stereo | IDEAMA CD 075/ | SanFran Tape M. C. | 0 | |||||||||
| 15460 | Ramon | Sender | Thrones | 1963 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | amp p, (projection) [Piano] | SanFran Tape M. C. | 0 | |||||||||
| 31303 | Ramon | Sender | Traversals | 1961 | fixed media, akusmatisch | 11:02 | IDEAMA CD 076/ | 0 | |||||||||||
| 15461 | Ramon | Sender | Triad | 1962 | fixed media, akusmatisch | 4:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 28277 | Ramon | Sender | Tropical Fish Opera | 1962 | audiovisuell, 4 perf | 7:17 | Stereo | acc, perc, V, cl [Stimme, Klarinette, Akkordeon, Schlagzeug] | performance with Pauline Oliveros (acc), B. Maginis (perc), R. Sender (V), M. Subotnick (cl) visual composition Tony Martin |
SanFran Tape M. C. | 1 | ||||||||
| 32269 | Ramon | Sender | Worldfood | 1965 | fixed media, akusmatisch | 73 | locust Music 55/ | SanFran Tape M. C. | 0 | ||||||||||
| 34843 | Pierre-Luc | Senécal | In(side).Your.Face, Inside.Your.Face | 2015 | audiovisuell | 4:40:00 | Stereo | JTTP 2016 participant | 0 | https://vimeo.com/153254824 | |||||||||
| 41473 | Pierre-Luc | Senécal | MusicBox | 2017 | fixed media, akusmatisch | 11:32 | 0 | ||||||||||||
| 41474 | Pierre-Luc | Senécal | PFTP | 2015 | fixed media, akusmatisch | 11:32 | 0 | ||||||||||||
| 36874 | Pierre-Luc | Senécal | Public Gardens | 2017 | fixed media, akusmatisch | 11:25:00 | UdeM | third prize JTTP 2017 | 0 | ||||||||||
| 41475 | Pierre-Luc | Senécal | Schrei | 2014 | fixed media, akusmatisch | mention catégorie étudiant l’espace du son 2018 Bruxelles | 0 | ||||||||||||
| 41472 | Pierre-Luc | Senécal | Urban Gardens | 2016 - 2017 | fixed media, akusmatisch | 11:32 | 0 | ||||||||||||
| 42211 | Jochen, Paul, Peter Leonhard, Hansjörg, Karlhans | Senf, Pörtner, Braun, Schmitthenner, Frank | Kunstkopf-Experimente und Gestaltungsversuche | 1974 | radiophon | 29:30 | Spazialisation: Kunstkopf | SR Saarbrücken, HR, SFB, BR München | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530343&vi=5&SID | |||||||||
| 43011 | Karin | Senff | Ascension | 2013 | fixed media, akusmatisch | 8:49:00 | 0 | ||||||||||||
| 42741 | Karin | Senff | XRF | 2012 | fixed media, akusmatisch | 4:54:00 | 0 | ||||||||||||
| 39835 | Haerim | Seok | Through the Contrabass | 2016 | fixed media, akusmatisch | Haerim Seok | 0 | ||||||||||||
| 34857 | Stephen | Sereda | MaMa Goes Shaloopin | 2016 | fixed media, akusmatisch | 12:33:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 15462 | Jarmo | Sermilä | A Doll's Cry | 1973 | fixed media, akusmatisch | SCAN, SLP 600/ | Yleisradio | 0 | |||||||||||
| 15463 | Jarmo | Sermilä | A Prague Thoroughfare | 1983 | live-elec, 5 perf | 13:18 | e-gui, str-qt [Gitarre, Streicher] | ODE 745/ | Yleisradio | 1 | |||||||||
| 20781 | Jarmo | Sermilä | A twisted reverie | fixed media, akusmatisch | 4:04 | Stereo | Jase LP 0025/ | Yleisradio | 0 | ||||||||||
| 20783 | Jarmo | Sermilä | After an beyond yesterday | Zuspiel / Tonband, 1 perf | 5:53 | Stereo | ins [Instrument] | Jase LP 0025/ | Yleisradio | 0 | |||||||||
| 20782 | Jarmo | Sermilä | An October Question | Zuspiel / Tonband, 1 perf | 5:32 | Stereo | ins [Instrument] | Jase LP 0025/ | Yleisradio | 0 | |||||||||
| 15464 | Jarmo | Sermilä | Another Reflection | 1993 | fixed media, akusmatisch | 9:27 | Jase LP 0022/ | Yleisradio | 1 | ||||||||||
| 15465 | Jarmo | Sermilä | Apocalyptic Beast | 1972 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 36409 | Jarmo | Sermilä | But I Didn’t Know It Was Spring | 1999 | radiophon | Kiasma 1999/ | Yleisradio | 0 | |||||||||||
| 15466 | Jarmo | Sermilä | Can on a Bang | 1995 | fixed media, akusmatisch | 3:35 | Jase LP 0022/ | Yleisradio | 1 | ||||||||||
| 15467 | Jarmo | Sermilä | Contemplation I | 1978 | fixed media, akusmatisch | Jase LP 0017/ | Yleisradio | 0 | |||||||||||
| 20784 | Jarmo | Sermilä | Einsame Seelen | Zuspiel / Tonband, 1 perf | 8:39 | Stereo | ins [Instrument] | Jase LP 0025/ | Yleisradio | 0 | |||||||||
| 15468 | Jarmo | Sermilä | Electrocomposition 1 | 1976 | fixed media, akusmatisch | 7:40 | FENO 5/ | Yleisradio | 1 | ||||||||||
| 15469 | Jarmo | Sermilä | Epitaph for Bonny | 1973 | Zuspiel / Tonband, 1 perf | perf [Performer] | melodrama, text by A. Vuorinen | Yleisradio | 0 | ||||||||||
| 15470 | Jarmo | Sermilä | Final Conclusion | 1988 | Zuspiel / Tonband, 1 perf | 7:10 | tpt [Trompete] | Jase CD 0015/ | Yleisradio | 1 | |||||||||
| 15471 | Jarmo | Sermilä | Hommage à Jules Verne | 1982 | fixed media, akusmatisch | 11:20 | Jase LP 0011/ | Yleisradio | 1 | ||||||||||
| 36396 | Jarmo | Sermilä | Incubo di Orfeo | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 15472 | Jarmo | Sermilä | Invocation | 1975 | Zuspiel / Tonband, 2 perf | hn, Bar [Bariton, Horn] | Yleisradio | 0 | |||||||||||
| 20785 | Jarmo | Sermilä | Life Companion | Zuspiel / Tonband, 1 perf | 4:49 | Stereo | ins [Instrument] | Jase LP 0025/ | Yleisradio | 0 | |||||||||
| 15473 | Jarmo | Sermilä | Mimesis 3 | 1975 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 15474 | Jarmo | Sermilä | Missa urbana | 1975 | fixed media, akusmatisch | "Jazz - improvisations" | Yleisradio | 0 | |||||||||||
| 20786 | Jarmo | Sermilä | … novelas de amor | Zuspiel / Tonband, 1 perf | 9:31 | Stereo | ins [Instrument] | Jase LP 0025/ | Yleisradio | 0 | |||||||||
| 20787 | Jarmo | Sermilä | Park Mood 3 & 4 | Zuspiel / Tonband, 1 perf | 16:00 | Stereo | ins [Instrument] | Jase LP 0025/ | Yleisradio | 0 | |||||||||
| 40835 | Jarmo | Sermilä | Pipana | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 20788 | Jarmo | Sermilä | Pois | Zuspiel / Tonband, 2 perf | 5:05 | Stereo | tpt, S [Sopran, Trompete] | Jase LP 0017/ | Yleisradio | 0 | |||||||||
| 15475 | Jarmo | Sermilä | St. Henry’s Tribe Memorial Anthem | 1982 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 20789 | Jarmo | Sermilä | Tango macabre | fixed media, akusmatisch | 1:05 | Stereo | Jase LP 0017/ | Yleisradio | 0 | ||||||||||
| 15476 | Jarmo | Sermilä | The Myth is weeping again | 1973 | fixed media, akusmatisch | SCAN, SLP 600/ | Yleisradio | 0 | |||||||||||
| 15477 | Jarmo | Sermilä | Three Skatches For PH | 1972 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 15478 | Jarmo | Sermilä | Tutinax | 1991 | fixed media, akusmatisch | 6:50 | Jase LP 0022/ | Yleisradio | Competition Musica Nova Prag 1995 | 1 | |||||||||
| 20790 | Jarmo | Sermilä | Urbanology 3, 5, 7 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | tpt [Trompete] | Jase LP 0017/ | Yleisradio | 0 | |||||||||
| 20791 | Jarmo | Sermilä | Viewpoint 1 | Zuspiel / Tonband, 1 perf | 9:15 | Stereo | ins [Instrument] | Jase LP 0025/ | Yleisradio | 0 | |||||||||
| 20792 | Jarmo | Sermilä | Viewpoint 2, 4 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | tpt [Trompete] | Jase LP 0017/ | Yleisradio | 0 | |||||||||
| 15479 | Kazimierz | Serocki | Don Juan | 1966 | Theatermusik | Muza SX 1850/ | 0 | ||||||||||||
| 15480 | Kazimierz | Serocki | Pianophonie | 1978 | live-elec, 1 perf, 1 group | 30:00 | p, (rm), orc [Piano, Orchester] | Muza SX 1850/ | Experimentalstudio für Akustische Kunst Freiburg | Prix Italia 1979 | 1 | ||||||||
| 18554 | Luis Maria | Serra | A.M. à deux | 1991 | fixed media, akusmatisch | 11:55 | Stereo | LDC 2781121/ | IMEB Bourges | 0 | |||||||||
| 15481 | Luis Maria | Serra | Abismos | 1971 | Zuspiel / Tonband, 1 perf | 24:48 | Stereo | p [Piano] | M. A. Estrella (p) | LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||
| 24475 | Luis Maria | Serra | Hiver d'Argent (invierno de Plata) | 2002 | fixed media, akusmatisch | 12:18 | LDC 2781128 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 18555 | Luis Maria | Serra | Impromptu | 1993 | fixed media, akusmatisch | 14:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 38424 | Luis Maria | Serra | Invocation | 1970 | fixed media, akusmatisch | 11:33 | Creel Pone 068/ | 0 | |||||||||||
| 21928 | Luis Maria | Serra | Marina - de un tiempo de verano, Marina - par un tempos d'ete | 1998 | fixed media, akusmatisch | 17:51 | Stereo | LDC 2781121/ Uni de la serena 1/ | IMEB Bourges | 0 | |||||||||
| 32994 | Luis Maria | Serra | Melólogo 1, Chroniques de l'abolition de l'esclavage | 1989 | Zuspiel / Tonband, 4 perf | 14:48 | perc, 3 V [Stimme, Schlagzeug] | LDC 2781121/ | IMEB Bourges | 0 | |||||||||
| 32995 | Luis Maria | Serra | Melólogo 2, A Jaques Coeur Argentier du Roi |
1990 | fixed media, akusmatisch | 18:33 | LDC 2781121/ | IMEB Bourges | 0 | ||||||||||
| 15482 | Luis Maria | Serra | Musique de la Fugitive | 1970 | fixed media, akusmatisch | 7:15 | Stereo | IMEB Bourges | 0 | ||||||||||
| 15483 | Luis Maria | Serra | Musiques Dispersées (A), Invocation | 1969 | Performance | 8:34 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 18553 | Luis Maria | Serra | Poblaciones | 1987 | fixed media, akusmatisch | 14:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 15484 | Luis Maria | Serra | Qura-kura | 1972 | fixed media, akusmatisch | 15:20 | Stereo | LDC 2781127 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 15485 | Luis Maria | Serra | Soles | 1972 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 26067 | Luis Maria | Serra | Symphonie des Anges | 2004 | fixed media, akusmatisch | 14:11 | LDC 2781134 Compendium 2004/ | IMEB Bourges | 1 | ||||||||||
| 15486 | André | Serre | Les oiseaux chanteurs | 1993 | Zuspiel / Tonband, 2 perf, 1 group | ch, 2 perc [Schlagzeug, Chor] | SONVS Lyon | 0 | |||||||||||
| 15487 | André | Serre | Rivages | 1992 | Zuspiel, live-elec, 3 perf | Mez, vc, perc [Mezzo, Schlagzeug, Cello] | SONVS Lyon | 0 | |||||||||||
| 27745 | André | Serre | Trois Rêves | Zuspiel / Tonband, 1 perf | Quadro | acc [Akkordeon] | SONVS Lyon | 1 | |||||||||||
| 15488 | Zack | Settel | Hok Pwah | 1991 | live-elec, 2 perf | 8:10 | V, perc [Stimme, Schlagzeug] | (DSP). Improvisation; ICMC 1992 | ICMC 1992, PRDC 1300/ Centaur CRC 2302, CDCM Vol. 23/ | Banff C. | 1 | ||||||||
| 15489 | Zack | Settel | Skweeit-Chupp | 1990 | fixed media, akusmatisch | 2:58 | Stereo | IMED 9004/ IMED 9604/ | 1 | ||||||||||
| 15490 | Roberta | Settels | Afrikaresan | 1971 | Film | 30:00 | 0 | ||||||||||||
| 15491 | Roberta | Settels | Isolation - Meinhoff in memoriam | 1977 | fixed media, akusmatisch | 12:12 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15492 | Roberta | Settels | Landscape with taperecorder and … | 1973 | fixed media, akusmatisch | 8:45 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15493 | Roberta | Settels | New York | 1976 | Hintergrundmusik | 60:00 | 0 | ||||||||||||
| 15494 | Roberta | Settels | Nöjen | 1970 | fixed media, akusmatisch | 7:05 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15495 | Roberta | Settels | P1 | 1973 | fixed media, akusmatisch | 7:15 | SR Stockholm | 0 | |||||||||||
| 15496 | Roberta | Settels | P4 | 1975 | fixed media, akusmatisch | 8:45 | EMS Stockholm | 0 | |||||||||||
| 15497 | Roberta | Settels | Se upp | 1970 | fixed media, akusmatisch | 5:30 | 0 | ||||||||||||
| 15498 | Roberta | Settels | Senario | 1980 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 15499 | Roberta | Settels | Sequences | 1981 | fixed media, akusmatisch | 10:00 | com M. | 0 | |||||||||||
| 15500 | Terry | Setter | Aphorism III, Like a Coat or a Mask | 1988 | fixed media, akusmatisch | 9:40 | Synclavier | AER 1990 / 1/ | 1 | ||||||||||
| 38797 | Bärbel, Stefanie | SETZEPFAND, HEIM | Ausgenommen | 2012 | radiophon | 0:41:00 | 0 | ||||||||||||
| 33028 | Lary | Seven | D.J. From Hell | Performance | 9:13 | btc 04/ | 1 | ||||||||||||
| 42989 | Seth | Shafer | Dark Star | 2013 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 40241 | Seth | Shafer | Everything Will Be Shaken | 2017 | fixed media, akusmatisch | Seth Shafer | 0 | ||||||||||||
| 34602 | Seth | Shafer | Hookean Elastics | 2015 | fixed media, akusmatisch | SMC2016 | 0 | ||||||||||||
| 15501 | Lior | Shambadal | Il cantinco di frate sole | 1978 | fixed media, akusmatisch | 12:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 36487 | Michael | Shannon | Graced By Loneliness | 2007 | radiophon | 2:07:00 | and 26/ | 0 | |||||||||||
| 36480 | Michael | Shannon | Hitan | 2007 | radiophon | 2:41:00 | and 26/ | 0 | |||||||||||
| 36485 | Michael, Dean | Shannon, Moore | Jiken | 2007 | radiophon | 2:37:00 | and 26/ | 0 | |||||||||||
| 37261 | Taizhi | Shao | Synchronisation 702 | 2016 | live-elec, 2 perf | 5:00:00 | 2 com (zwei Leapmotion-Spieler) [computer] | ZM4 Hamburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 33661 | Arie | Shapira | And time touches like feather | 1989 | fixed media, akusmatisch | 12:29 | V of the poet Orna Elsstein | 1 | |||||||||||
| 33664 | Arie | Shapira | Bass 2000 | 2000 | fixed media, akusmatisch | 5 | 1 | ||||||||||||
| 18346 | Arie | Shapira | Ear Drum | 1995 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | PS C. | 0 | |||||||||||
| 33667 | Arie | Shapira | Ex Machina | 2001 | Zuspiel / Tonband, 1 perf | 6:26 | gui [Gitarre] | 1 | |||||||||||
| 28455 | Arie | Shapira | Gustl in Theresienstadt | 1998 - 1999 | fixed media, akusmatisch | 7:50 | to the memory of Nichola Elbaz | ELCD 027 Electroshock Records/ | 1 | ||||||||||
| 33663 | Arie | Shapira | In the Bird shop | fixed media, akusmatisch | 1:54 | text by Oded Svedlik | 1 | ||||||||||||
| 18347 | Arie | Shapira | Lament for Lotan | 1987 | fixed media, akusmatisch | 10:08 | first EM by the C. after the poem „Lament in Memory of Lotan“ by Ido Bassok |
ACUM/ | PS C. | 1 | |||||||||
| 18343 | Arie | Shapira | Left - Right | 1996 | Zuspiel / Tonband, 8 perf | 14:51 | 8 ins [Instrument] | after 7 poems to the war in Lebanon | PS C. | 1 | |||||||||
| 18345 | Arie | Shapira | Letzte Briefe aus Stalingrad | 1983 - 1994 | live-elec, 6 perf | 5 ins, sam, (elec) [Instrument, computer] | PS C. | 1 | |||||||||||
| 33662 | Arie | Shapira | Poem for Guni | 1996 | fixed media, akusmatisch | 3:34 | texz by Natan Zach | 1 | |||||||||||
| 15503 | Arie | Shapira | Post Piano | 1991 | Zuspiel / Tonband, 1 perf | 8:14 | p [Piano] | POOL 76033/ | PS C. | 1 | |||||||||
| 18342 | Arie | Shapira | Sacrifice | 1982 | live-elec, 1 perf, 2 groups | V, ch, orc [Stimme, Chor, Orchester] | PS C. | 1 | |||||||||||
| 18344 | Arie | Shapira | The Kastner Trial | 1991 - 1994 | Oper, 32 perf | 56:30 | 32 mus [Musiker] | electronic Opera in 13 Scenes | ACUM AS-001/ | PS C. | 1 | ||||||||
| 33666 | Arie | Shapira | The Unnamable | 1995 | Tanz | 12:00 | Text: Samuel Beckett | Tamar Borer | 1 | ||||||||||
| 33668 | Arie | Shapira | Thus Spake | 2001 | fixed media, akusmatisch | 6:04 | Text: Exodus XX, 1-17. Voice: abused child | 1 | |||||||||||
| 15502 | Arie | Shapira | Upon thy Ruins Ophrah | 1990 | fixed media, akusmatisch | 9:43 | ACUM/ | PS C. | 1 | ||||||||||
| 15504 | Arie | Shapira | We are Heading Hiroshima towards the rising Sun | 1989 | live-elec, 1 perf, 1 group | Sp, orc [Sprecher, Orchester] | PS C. | 0 | |||||||||||
| 18393 | Arie, Raviv | Shapira, Gazit | Exchanges | 1989 | fixed media, akusmatisch | Stereo | Uni Tel Aviv | 1 | |||||||||||
| 40768 | Claire | Shapira | Loin | 1977 | Zuspiel / Tonband, 1 perf | 6:50 | fl [Flöte] | INA • GRM | 0 | ||||||||||
| 15505 | Gerald | Shapiro | Antiphonies I | 1965 | Zuspiel / Tonband, 1 perf | 6:00 | Stereo | p [Piano] | SanFran Tape M. C. | 0 | |||||||||
| 15506 | Gerald | Shapiro | Chamber Music 1965 | 1965 | Zuspiel / Tonband, 3 perf | 12:00 | Stereo | p, vc, cl [Klarinette, Piano, Cello] | SanFran Tape M. C. | 0 | |||||||||
| 15507 | Gerald | Shapiro | Phoenix | live-elec, 1 group | 13:50 | ch [Chor] | Neuma 450-75/ | 1 | |||||||||||
| 37647 | Gerriet K. | Sharma | gleAM | 2017 | Klangkunst, Installation | fixed media, akusmatisch |
34:47 | Spazialisation: Ikosaederlautsprecher | Ambisonische Klangskulptur für Bessy II VSR und einen lkosaederlautsprecher | Helmholtz-Zentrum Berlin, IEM Graz | 30.9.2017 | AdK Berlin, Kontakte 17 Festival | 0 | |||||||
| 34604 | Gerriet K. | Sharma | grafik unten | 2014 | fixed media, akusmatisch | SMC2016 | ZKM Karlsruhe | 0 | |||||||||||
| 34636 | Gerriet K. | Sharma | grrawe | 2013 | fixed media, akusmatisch | SMC2016 | 0 | ||||||||||||
| 38869 | Gerriet K. | Sharma | Mirage 4 | 2015 | fixed media, akusmatisch | Spazialisation: binaural | IKO-System (IEM Graz) | CMJ Vol 41, 2017/ | ZKM Karlsruhe | 0 | |||||||||
| 33787 | Gerriet K. | Sharma | neodym cycle | 2013 | fixed media, akusmatisch | 5:36 | Stereo | DegeM CD 12 Seltene Erden/ | 1 | ||||||||||
| 32780 | Gerriet K. | Sharma | wieder und nie | 2008 | Klangkunst, Installation | Deutscher Klangkunst-Preis 2008 | 0 | ||||||||||||
| 15508 | Rodney | Sharman | The Black Domino | 1980 | fixed media, akusmatisch | Quadro | Uni BC Victoria | 0 | |||||||||||
| 15509 | Rodney | Sharman | Towards White | 1983 | Zuspiel / Tonband, 1 perf | 7:00 | Quadro | fl [Flöte] | Sonology Utrecht | 1984 | Muziek-Centrum Vredenburg | 0 | |||||||
| 42853 | Barry | Sharp | Sonance and Excursus | 2013 | fixed media, akusmatisch | 6:24:00 | 0 | ||||||||||||
| 20794 | Elliot | Sharp | Klystron | 1996 | Zuspiel / Tonband, 1 perf | 4:46 | Stereo | p [Piano] | ASP 0966 / | 0 | |||||||||
| 37731 | Elliot | Sharp | Larynx | 1987 | live-elec, 11 perf | 40 | str-qt, 7 ins [Instrument, Streicher] | 4 parts | NEOS 40704/ | 0 | |||||||||
| 37732 | Elliot | Sharp | Rheo~Umbra | 1996 | live-elec, 11 perf | 45 | str-qt, 5 ins, e-drum, sam [Schlagzeug, Instrument, computer, Streicher] | 2 parts | NEOS 40706/ | 0 | |||||||||
| 37730 | Elliot | Sharp | SyndaKit | 1998 | live-elec, 11 perf | 67 | 10 ins, synt [Instrument, synthesizer] | 4 parts | NEOS 40703/ | 0 | |||||||||
| 20795 | Maryanne | Sharp | Karyon | 1996 | fixed media, akusmatisch | 15:31 | Stereo | ASP 0966 / | 0 | ||||||||||
| 35975 | Judith | Shatin | A Little Water Music | 2011 | fixed media, akusmatisch | 3:04 | Deering Estate Chamber Players | 8/17/11 | Bass Museum of Art, Miami, FL | 0 | |||||||||
| 42550 | Judith | Shatin | Cherry Blossom and a Wrapped Thing | 2004 | live-elec, 1 perf | Stereo, Octo | cl [Klarinette] | Kinan Azmeh, clarinet | F. Gerard Errante | 0 | |||||||||
| 35976 | Judith | Shatin | Civil War Memories | 2005 | fixed media, akusmatisch | 19 | 4 parts | Jane Franklin Dance | 4/30/05 | Gunston Theatre One, Alexandria, VA | 0 | ||||||||
| 42663 | Judith | Shatin | For the Birds | 2009 | live-elec, 1 perf | 14 | amp vc [Cello] | Madeleine Shapiro | 0 | ||||||||||
| 42728 | Judith | Shatin | For the Fallen | 2012 | fixed media, akusmatisch | 6:40:00 | 2 Versions: fixed media; amp vc and tape | Ivano Ascari | 0 | ||||||||||
| 35977 | Judith | Shatin | Glimmerings | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 11/02/03 | Vox Novus 60 x 60, St. Marks Theatre, NY | 0 | |||||||||
| 35978 | Judith | Shatin | Hosech Al P’ney HaTehom, Darkness Upon the Face of the Deep | 1990 | fixed media, akusmatisch | 11:10 | innova 845/ | CCRMA | 4/28/90 | Dinkelspiel Auditorium, Stanford University, Palo Alto, CA | 0 | ||||||||
| 35979 | Judith | Shatin | House Music | fixed media, akusmatisch | 3:08 | Open Space 21/ | 0 | ||||||||||||
| 21088 | Judith | Shatin | Kairos | 1991/1995 | live-elec, 1 perf | 15:50 | fl [Flöte] | Patricia Spencer (fl); Midi | ICMC 1999/ | Virginia Center | 1 | ||||||||
| 39960 | Judith | Shatin | Plain Song | 2016 | fixed media, akusmatisch | Judith Shatin | 0 | ||||||||||||
| 22723 | Judith | Shatin | Sea of Reeds | 1997 | live-elec, 1 perf | 13:35 | cl [Klarinette] | Centaur CRC 2454, CDCM Vol 29/ | VCCM | 1 | |||||||||
| 35980 | Judith | Shatin | Tape Music (5.1 Surround) | 2013 | fixed media, akusmatisch | 7:14 | Surround 5.1 | 11/2/13 | Third Practice Festival, Richmond, VA | 0 | |||||||||
| 35981 | Judith | Shatin | Tape Music (Quad) | 2014 | fixed media, akusmatisch | 7:14 | Quadro | 3/28/14 | SEAMUS (Society for Electroacoustic Music in the US) Wesleyan University Middletown, CT |
0 | |||||||||
| 35982 | Judith | Shatin | Tape Music (Stereo) | 2013 | fixed media, akusmatisch | 7:14 | Stereo | 5/20/13 | Atlantic Center for the Arts New Smyrna Beach, FL |
0 | |||||||||
| 35983 | Judith | Shatin | Tape Music∞ | 2013 | Performance | Stereo | mul perf [Performer] | 0 | |||||||||||
| 15510 | Judith | Shatin | Tenebrae Super Faciem Abyssi | 1990 | fixed media, akusmatisch | 20:00 | F4, SAMBOX, PLA | CCRMA | 0 | ||||||||||
| 22725 | Judith | Shatin | Three Summers Heat | 1989 | Zuspiel / Tonband, 1 perf | 17:48 | S [Sopran] | 10 parts | Centaur CRC 2454, CDCM Vol 29/ | VCCM | 1 | ||||||||
| 35984 | Judith | Shatin | Tree Music | Performance | var | elec (interactive elec, wireless camera) [elektronik] | 0 | ||||||||||||
| 35985 | Judith | Shatin | Water Ways | 2013 | fixed media, akusmatisch | 1 | 3/30/13 | Soka University of America Black Box Theatre 1 University Dr. Aliso Viejo, CA |
0 | ||||||||||
| 39996 | Kyle | Shaw | ej Guerrouj | 2016 | fixed media, akusmatisch | Kyle Shaw | 0 | ||||||||||||
| 24690 | Tim | Shaw | Emergence | 2003 | fixed media, akusmatisch | 5:18 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 27880 | David | Shea | A Book of Scenes | 2003 | Zuspiel / Tonband, 2 perf | va, p [Piano, Viola] | CRFMW Liège | 22.11.2003 | Dijon, Festival Why Note | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 15511 | Mike | Shed | Return to Reason | 1977 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 15512 | Jerry | Shedd | Queen Anne's Lace | 1976 | fixed media, akusmatisch | Stereo | SUNY Saratoga Springs | 0 | |||||||||||
| 15513 | Robert | Sheff | Cassiopeia | 1963 | Zuspiel / Tonband, 4 perf | 15:00 | Mono | fl, S, p, perc [Sopran, Flöte, Piano, Schlagzeug] | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. Ann Arbor | 0 | ||||||||
| 15515 | Robert | Sheff | Diotima | 1964 | Zuspiel / Tonband, 1 perf, 1 group | ≈ 22:30 | Stereo | fl, ens [Flöte, Ensemble] | Robert Sheff ≈ „Blue“ Gene Tyranni | NWR 80567 „Music from the Once Festival“/ | PS C. Ann Arbor | 1 | |||||||
| 15516 | Robert | Sheff | Just Walk On In | 1965 | Klanginstallation, 1 perf | ≈ | Mono | perf (environmental activities) [Performer] | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. Ann Arbor | 0 | ||||||||
| 15517 | Robert | Sheff | Music for G. Brecht's "3 Begins" | 1960 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. San Antonio | 0 | |||||||||
| 15518 | Robert | Sheff | Peace in the Valley | 1964 | Film, 5 perf | 22:30 | Mono | 5 ins [Instrument] | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. Ann Arbor | 0 | ||||||||
| 15519 | Robert | Sheff | Penniless Australian Flies Home C.O.D. | 1965 | Musiktheater | 5:00 | Mono | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. Ann Arbor | 0 | |||||||||
| 15520 | Robert | Sheff | Piano Music | 1958 | live-elec, 1 perf | Stereo | p [Piano] | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. San Antonio | 0 | |||||||||
| 33045 | Robert | Sheff | Remembering | 1974 | live-elec, 1 perf | 2:27 | V, (elec) [Stimme] | Robert Sheff ≈ „Blue“ Gene Tyranni | MC 001 Mills College/ | CCM Mills | 1 | http://www.ubu.com/sound/mills.html | |||||||
| 20877 | Robert | Sheff | Somewhere in Arizona 1970 | 1988 | live-elec, 1 perf | 10:05 | Stereo | p [Piano] | Robert Sheff ≈ „Blue“ Gene Tyranni | Nonesuch 9 79235-2, Imaginary Landscapes/ | 0 | ||||||||
| 15521 | Robert | Sheff | The All-American Serenade | 1958 - 1965 | Zuspiel / Tonband, | 75:00 | Octo | elec (blues) band [Ensemble] | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. Ann Arbor | 0 | ||||||||
| 15522 | Robert | Sheff | The Daves and the Hawks | 1967 | Zuspiel / Tonband, 1 perf | 15:00 | Quadro | p [Piano] | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. Ann Arbor | 0 | ||||||||
| 15514 | Robert, Richard | Sheff, Steiner | Composition #4 | 1964 | Zuspiel / Tonband, 5 perf | 45:00 | Mono + Mono | 4 Sp, p [Sprecher, Piano] | Robert Sheff ≈ „Blue“ Gene Tyranni | PS C. Ann Arbor | 0 | ||||||||
| 39767 | Eric | Sheffield | Arbor I-V | 2016 | fixed media, akusmatisch | Eric Sheffield | 0 | ||||||||||||
| 39766 | Eric | Sheffield | Water is Thicker than Blood | 2017 | fixed media, akusmatisch | Eric Sheffield | 0 | ||||||||||||
| 41592 | Lin | Shen | Return to homeland | 2018 | fixed media, akusmatisch | prize of the Public ex-aequo; 10th Métamorphoses Acousmatic Composition Competition, and held in occasion of the 25th International Acousmatic Festival Espace du Son | 0 | ||||||||||||
| 24691 | Dave | Shepherd | Äwhä | 2003 | fixed media, akusmatisch | 5:30 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 15523 | David | Sheppard | ...of love | 1990 | fixed media, akusmatisch | 8:00 | Stereo | Coll Liverpool | 0 | ||||||||||
| 15524 | David | Sheppard | The First Laugh (Images Of Lauhgter) | 1987 - 1988 | fixed media, akusmatisch | 8:00 | Stereo | Coll Liverpool | 0 | ||||||||||
| 15525 | David | Sheppard | The Humourless Puzzle | 1990 | Musiktheater, live-elec, 8 perf | 40:00 | Stereo | 7 actor and mus, sam [Musiker, Schauspieler, computer] | Coll Liverpool | 0 | |||||||||
| 20796 | Ted | Sheridan | City Passage | 1994 | fixed media, akusmatisch | 11:00 | Stereo | MW 67/ | 0 | ||||||||||
| 15526 | Noam | Sheriff | Cain | 1969 | Tanz | 0 | |||||||||||||
| 34697 | Mehran | Sherkat Naderi | Ich trenne mich von mir | 2014/2016 | fixed media, akusmatisch | 4:30:00 | DegeM CD 14 escape/ | 0 | http://www.mehran-sherkatnaderi.com | ||||||||||
| 15527 | Robert | Sherlaw-Johnson | Fractal in A minor | live-elec, 1 perf | 5:00 | Stereo | synt [synthesizer] | Uni Oxford | 0 | ||||||||||
| 15528 | Robert | Sherlaw-Johnson | Green Whispers of Gold | 1971 | Zuspiel / Tonband, 2 perf | 21:00 | Stereo | V, p [Stimme, Piano] | Uni Oxford | 0 | |||||||||
| 15529 | Robert | Sherlaw-Johnson | Kyisi | 1983 | live-elec, 1 perf | 12:00 | Stereo | perf [Performer] | Uni Oxford | 0 | |||||||||
| 15530 | Robert | Sherlaw-Johnson | The Praises of Heaven and Earth | 1969 | Zuspiel / Tonband, 2 perf | 7:00 | Stereo | S, p [Sopran, Piano] | Uni York | 0 | |||||||||
| 15531 | Keith | Sherlock | Cranes at Sunset | 1971 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 15533 | Stuart | Sherman | Four Sound Pieces: Doors, Water, Click, Pin-Ball | 1981 | intermedia | 7:25 | AER 1990 / 1/ | 1 | |||||||||||
| 15532 | Stuart | Sherman | Shadow of Evil | 1965 | Film | 40:00 | Quadro | AER 1990 / 1/ | PS C. NY | 0 | |||||||||
| 42551 | Braxton | Sherouse | _impulse->response(&space); | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42664 | Braxton | Sherouse | splatter, articulate, recurse | 2009 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 33807 | Guy | Sherwin | Optical Sound Films 1971-2007, Phase Loop Sound Shapes Cycles Newsprint At The Academy Soundtrack Musical Stairs Railings Night Train Interval Notes visual material Optical Sound Spirals Cross Section Vowels & Consonants Mobius Loops Sound Cuts |
1971 - 2007 | Film | Mono, Stereo | original Films 16mm | ISBN 978-0-9548569-4-6/ | 1 | ||||||||||
| 25638 | Pei Yu | Shi | Abrupter Abbruch | 2007 - 2008 | live-elec, 1 perf | 7:00 | 6 | db [Kontrabass] | TU Berlin | 2008 January 25 | RadialsystemV, Ultraschall-Festival, Berlin, Germany | 1 | http://www.peiyu-shi.com | ||||||
| 25550 | Pei Yu | Shi | Außerdem | 2001 | fixed media, akusmatisch | 13:25 | Octo | 1 | http://www.peiyu-shi.com | ||||||||||
| 25552 | Pei Yu | Shi | Brennende Gedanken | 2005 | audiovisuell | 9:50 | Quadro | Nina Vögel (Video) | ZKM Karlsruhe | 1 | http://www.peiyu-shi.com | ||||||||
| 25537 | Pei Yu | Shi | Burning thoughts, Brennende Gedanken | 2006 | fixed media, akusmatisch | 9:50 | Quadro | mit deutscher Textdichtung | ZKM Karlsruhe | 1 | http://www.peiyu-shi.com | ||||||||
| 25551 | Pei Yu | Shi | Chi - Ruhende Kraft, Bewegung | 2001 | fixed media, akusmatisch | 13:05 | Octo | 1 | http://www.peiyu-shi.com | ||||||||||
| 28300 | Pei Yu | Shi | Fall aus der Zeit … | 2006 | fixed media, akusmatisch | 10:00 | 7 tracks, Spazialisation: WFS | miso records mcd 023.10/ | ZKM Karlsruhe | Musica Viva Competition Prize 2007 | 1 | 2008 | |||||||
| 25540 | Pei Yu | Shi | Gedicht vom Wind des Herbstes | 2007 | Zuspiel / Tonband, 3 perf | 10:24 | 6 | p, sax, perc [Saxophon, Piano, Schlagzeug] | ZKM / | ZKM Karlsruhe | 1 | http://www.peiyu-shi.com | |||||||
| 28597 | Pei Yu | Shi | Ich bin another yourself | 2004 - 2005 | Zuspiel / Tonband, 1 perf | 6 | pipa [Gitarre] | ZKM Karlsruhe | 0 | ||||||||||
| 25539 | Pei Yu | Shi | Liu An Hwa Ming | 2006 | fixed media, akusmatisch | 7:58 | Quadro | ZKM Karlsruhe | 1 | http://www.peiyu-shi.com | |||||||||
| 28545 | Pei Yu | Shi | Movements | 2010 | fixed media, akusmatisch | 3:54 | Stereo | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | 31.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||||
| 26275 | Pei Yu | Shi | Red chamber, for viedeo dance and five channel tape | 2009 | Tanz | audiovisuell |
13:00 | 5 tracks | BEAST | 1 | http://www.peiyu-shi.com | |||||||||
| 28224 | Pei Yu | Shi | Slow, Slow Tune… | 2008 | Zuspiel, live-elec, 5 perf | 8:20 | Octo | fl, cl, p, vn, vc [Flöte, Klarinette, Piano, Cello, Violine] | TU Berlin | Honorable Mention of Sond'Ar-te Música Viva Portugal | 1 | http://www.peiyu-shi.com | |||||||
| 26068 | Pei Yu | Shi | Studien | 2005 | Zuspiel / Tonband, 1 perf | 8:04 | Stereo | p [Piano] | Für Boesendorfer Computerflügel | ZKM Karlsruhe | 1 | http://www.peiyu-shi.com | |||||||
| 25538 | Pei Yu | Shi | Zwei singende Klarinetten | 2006 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | cl [Klarinette] | für Klarinette und 43-kanalige Wiedergabe | ZKM Karlsruhe | 1 | http://www.peiyu-shi.com | |||||||
| 15534 | Satsuki | Shibano | empreinte | fixed media, akusmatisch | 0 | ||||||||||||||
| 34539 | Minao | Shibata | Display, Display ’70-1 | 1970 | fixed media, akusmatisch | 7 | Stereo | PHI 6526005/ OUOADM 0501/ | NHK Tokyo | 0 | |||||||||
| 15535 | Minao | Shibata | Improvisation, Improvisation for electronic tone Improvisation For The Electric Sound |
1968 | fixed media, akusmatisch | 9:30 | Stereo | PHI 6526005/ OUOADM 0401/ | NHK Tokyo | 1 | |||||||||
| 37452 | Minao | Shibata | Jungetsutouka | 1971 | fixed media, akusmatisch | 13:02 | OUOADM 0502/ OUOADM 0601/ | NHK Tokyo | 0 | ||||||||||
| 15536 | Minao | Shibata | Rittai Hoso no tameno, Music concrete for stereo phonic Broadcast | 1955 | fixed media, akusmatisch | 19:36 | Stereo | M. concrète für zweidimensionale Übertragung / stereo phonic broadcast | CMJ Vol 21, 1997/ OUOADM 0702/ IDEAMA CD 090/ | NHK Tokyo | 1 | ||||||||
| 37462 | Shoko | Shida | Lazy Garnet | 1974 | fixed media, akusmatisch | 13:03 | Stereo | OUOADM 0801/ | NHK Tokyo | 0 | |||||||||
| 15537 | Alice | Shields | Apocalypse | 1993 | Oper, 4 perf | 67:58 | Stereo | Mez, Bar, e-gui, Kbd [Mezzo, Bariton, Keyboard, Gitarre] | 4 acts (3rd omitted); 14 parts (Indexs), an electronic Opera | CRi CD 647/ CRi CD 670/ | Col.Princ EMC, Quality St NY | 1 | |||||||
| 15538 | Alice | Shields | Coyote (Prelude to Shaman) | 1979, 1980 | fixed media, akusmatisch | 13:33 | Mono, Stereo | CRi SD 495/ AUD 04612/ | Col.Princ EMC | 0 | |||||||||
| 22749 | Alice | Shields | Dance Piece No. 3 | 1969 | fixed media, akusmatisch | 5:46 | NWR 80521/ | Col.Princ EMC | 1 | ||||||||||
| 38013 | Alice | Shields | Dust | 2001 | fixed media, akusmatisch | 28:09 | TROY 699/ | Col.Princ EMC | 0 | ||||||||||
| 15539 | Alice | Shields | Farewell to a hill | 1975 | fixed media, akusmatisch | 6:43 | Quadro | Finna QD 9010/ | Col.Princ EMC | 1 | |||||||||
| 15540 | Alice | Shields | Icarus and 4-H Club (2 plays) | 1966 | Theatermusik | 10:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 39294 | Alice | Shields | Intertwined Relationships | 2017 | live-elec, | 0 | |||||||||||||
| 42552 | Alice | Shields | Kyrielle | 2006 | live-elec, 1 perf | vn [Violine] | Mari Kimura, violin | Airi Yoshioka | 0 | ||||||||||
| 15541 | Alice | Shields | Magikos | 1966 | Tanz | 9:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 15542 | Alice | Shields | Mass For The Dead | 1992 | Oper | Stereo | Col.Princ EMC | 0 | |||||||||||
| 39558 | Alice | Shields | Mioritza – Requiem for Rachel Corrie | 2017 | fixed media, akusmatisch | Alice F. Shields | 0 | ||||||||||||
| 21846 | Alice | Shields | Rhapsody | 1983 | fixed media, akusmatisch | Quadro | Opus One LP 94/ | Col.Princ EMC | 0 | ||||||||||
| 15543 | Alice | Shields | Shaman | 1987 | Oper, 1 perf | Stereo | V [Stimme] | Col.Princ EMC | 0 | ||||||||||
| 38014 | Alice | Shields | Shenandoah | 2002 | fixed media, akusmatisch | 29:19 | TROY 699/ | Col.Princ EMC | 0 | ||||||||||
| 22750 | Alice | Shields | Study for Voice and Tape | 1968 | Zuspiel / Tonband, 1 perf | 5:17 | V [Stimme] | NWR 80521/ | Col.Princ EMC | 1 | |||||||||
| 39560 | Alice | Shields | The Mud Oratorio | 2016 | Alice Shields | 0 | |||||||||||||
| 15544 | Alice | Shields | The Transformation of ANI, Transformation of ANI | 1970 | fixed media, akusmatisch | 9:04 | aus dem äghyptischen "Buch des Todes" | CRi CD 611/ NWCR 611/ CRI SD 268/ IDEAMA CD 063/ | Col.Princ EMC | 1 | |||||||||
| 38012 | Alice | Shields | Vegetable Karma | 1999 | fixed media, akusmatisch | 14:36 | TROY 699/ | Col.Princ EMC | 0 | ||||||||||
| 21847 | Alice | Shields | Voices | 1988 | live-elec, 1 perf | Stereo | V [Stimme] | Tellus Cassette 22/ | Col.Princ EMC | 0 | |||||||||
| 15545 | Alice | Shields | Volti | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 15546 | Alice | Shields | Walking on the Surface of the Sun | 1966 | fixed media, akusmatisch | 3:40 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 39559 | Alice | Shields | White Heron Dance | 2017 | fixed media, akusmatisch | Alice Shields | 0 | ||||||||||||
| 26069 | Hoh Chung | Shih | Cargaku | 2005 | audiovisuell | 9:53 | Surround 5.1 | Blick auf fahrende Fahrzeuge auf einer Autobahn und eine stilistische Visualisierung von Bewegung | CMJ Vol 31-4, 2007/ | 1 | http://www.mlum.com/ | ||||||||
| 40338 | Yu | Shih | Ring | 2015 | fixed media, akusmatisch | 5:28:00 | Yu Shih | 0 | |||||||||||
| 24975 | Kin Seob | Shim | Tongraph II | 1998 | live-elec, 1 perf | 9:31 | com [computer] | graphic sound | KEAMS 10th Anniversary/ | 1 | |||||||||
| 24978 | Takehito | Shimazu | A Thought at Zero degree | 2001 | Tanz | ≈ 8:37 | piece for DancePerformance | Uni Fukushima | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 15547 | Takehito | Shimazu | Apostasie | 1978 | fixed media, akusmatisch | 12:00 | Quadro | TU Berlin | 19.7.1979 | "stimmen 1", Amerikahaus Berlin | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||
| 28529 | Takehito | Shimazu | Breath Communication, for a Shô-player and Computer | 2011 | live-elec, 1 perf | 14:00 | Stereo | w (Shô) [Bläser] | Uni Fukushima | 5.06.2011 | focused II, concert series in the Museum für asiatische Kunst, Takustr. 40, Berlin Dahlem | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||
| 15548 | Takehito | Shimazu | Comp 16-18 | 1986 | Klanginstallation, live-elec, 2 perf | ∞ | Quadro | 2 com [computer] | Uni Fukushima | 3.12.1985 | Tokyo | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||
| 15549 | Takehito | Shimazu | Comp X | 1985 | Klangkunst, Installation | 10 - 15 | (as soundinst.) | Uni Fukushima | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 15550 | Takehito | Shimazu | Don Don | 1990 | live-elec, 1 perf | 15:00 | (17-gen) koto [Streicher] | Uni Fukushima | 18. May 1994 | Tokyo | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||
| 15551 | Takehito | Shimazu | Feast (U-Ta-Ge) | 1994 | Zuspiel, Performance, 5 perf | 17:30 | Quadro + Quadro + Quadro | 1 or 6 perf [Performer] | 6 cassette player with LS. also version for theater. |
Uni Fukushima | 24.30.1994 | Hongkong | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||
| 15552 | Takehito | Shimazu | from moon-phase | 1986 | audiovisuell | 30:00 | video: Iimula; DX7 | Uni Fukushima | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 15553 | Takehito | Shimazu | From Origin Point | 1992 | live-elec, 1 perf | 14:58 | (17-gen) koto [Streicher] | ICMC 1993, LMCD 1375/ | Uni Fukushima | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 15554 | Takehito | Shimazu | Frühlingsanfang | 1979 | fixed media, akusmatisch | 9:08 | Quadro | TU Berlin | 29.10.1979 | stimmen 2, Mathematik-Rohbau TU Berlin ("kältestes Konzert") | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||
| 15555 | Takehito | Shimazu | Furuike-Ya | 1985 | Klanginstallation, live-elec, | ∞ | Stereo | automatische Sprache | Uni Fukushima | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 15556 | Takehito | Shimazu | Fuzzy Diagonals | 1994 | live-elec, 3 perf | 12:00 | 17-gen koto, str (satsuma-biwa), p [Piano, Streicher] | Uni Fukushima | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 25808 | Takehito | Shimazu | Fuzzy Diagonals II | 2003 | Tanz, live-elec, 4 perf | 12:00 | 17-gen Koto, 13-gen Koto, fl, dance [Flöte, Tanz] | Saarbrücker Musik Fest 2003 | Uni Fukushima | 2003 | Saarbrücker Musik Fest | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||
| 24979 | Takehito | Shimazu | Green - it’s life | 2003 | Tanz | 23:00 | Stereo | piece for DancePerformance | Uni Fukushima | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 15557 | Takehito | Shimazu | Illusions in Desolate Fields | 1994 | Zuspiel / Tonband, 2 perf | 13:27 | Stereo | V, lute (Shamisen) [Stimme, Gitarre] | Upic | mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://www.moderecords.com/ | ||||||
| 15558 | Takehito | Shimazu | Kombinationen | 1981 | fixed media, akusmatisch | 10:55 | Quadro | MIDI | TU Berlin | 1982 | Bourges | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||
| 20287 | Takehito | Shimazu | Laughcry | 1998 | Zuspiel, live-elec, 1 perf | 10:42 | Stereo | perc [Schlagzeug] | Cymbal | Uni Fukushima | Festival Inventionen DAAD/TU 98 | 26.09.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||
| 15559 | Takehito | Shimazu | Monodie IV | 1989 | fixed media, akusmatisch | 12:00 | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 15560 | Takehito | Shimazu | Monodie IVa | 1990 | Zuspiel / Tonband, 1 perf | 17:00 | perc [Schlagzeug] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 15561 | Takehito | Shimazu | NAMI, Wellen | 1983 | Tanz | 70:00 | Quadro | unter Verwendung Wellenmusik II | Uni Fukushima, TU Berlin | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 15562 | Takehito | Shimazu | OX, TRIANGEL, SQUARE, O X △ ◻ | 1993 | live-elec, 1 perf | 13:00 | p, (com) [Piano] | Reiko Ebisuta (p) | Uni Fukushima | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 15563 | Takehito | Shimazu | Requiem I, for Tape and Trumpeter | 1981 | Zuspiel / Tonband, 1 perf | 15:26 | Quadro | tpt [Trompete] | TU Berlin | 19.11.1981 | 15. Pan-Musik-Festival Tokyo (Kenji Tamiya) | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||
| 22691 | Takehito | Shimazu | Requiem II | 1995 | Zuspiel, live-elec, 1 perf | 14:25 | Stereo | sax [Saxophon] | TU Berlin | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 15565 | Takehito | Shimazu | Saisiki X+Y | 1988 | live-elec, 1 perf | MIDI [synthesizer] | midi (2 com) | Uni Fukushima | 1988 | ICMC Köln | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||
| 25069 | Takehito | Shimazu | Solar Wind | 2004 | audiovisuell | 40:37 | piece for Video and Computermusic. With Fuji modern dance company (October 2002) DVD-Video, NTSC |
Uni Fukushima, Uni Fine Art Tokio | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 15566 | Takehito | Shimazu | Sound of Wind, Sound of Time | 1990 | live-elec, 1 perf | p, (com) [Piano] | Uni Fukushima | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||||
| 15567 | Takehito | Shimazu | Stone Circle | 1994 | live-elec, 2 perf | ≈ 30:00 | perc, 3-gen koto [Schlagzeug] | VP1, with stone sculptures | Uni Fukushima | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 28384 | Takehito | Shimazu | Stone-Breath | 2009 | fixed media, akusmatisch | 9:24 | Stereo | dedicated to Folkmar Hein for his 65. Birthday | Uni Fukushima | 14.Feb.2009 | CCMC 2009, Tokyo | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||
| 15568 | Takehito | Shimazu | Taboo on Space–Time | 1994 | live-elec, 1 perf | ≈ 15:00 | Stereo | (17-gen) koto [Streicher] | Uni Fukushima | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||||
| 15569 | Takehito | Shimazu | Territory | 1985 | Zuspiel / Tonband, | 14:00 | Stereo | Uni Fukushima | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 15570 | Takehito | Shimazu | Territory II by an objectified piano | 1987 | Zuspiel, live-elec, 1 perf | 14:00 | Stereo | MIDI p [Piano] | Uni Fukushima | 1988 | ISCM Hong Kong | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||
| 15571 | Takehito | Shimazu | Territory III | 1991 | live-elec, 1 perf | 14:00 | Stereo | p, (com) [Piano] | Akemi SHIMAZU (p) | Uni Fukushima | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||
| 15572 | Takehito | Shimazu | Vertical Prelude | 1976 | fixed media, akusmatisch | 20:00 | Octo | diplom piece Tokio Gakugei Uni | Uni Fukushima | 3.11.1976 | Gakugei-Univ. Tokyo | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | ||||||
| 15573 | Takehito | Shimazu | Voice | 1988 | live-elec, 1 perf | 15:00 | shakuhachi [Flöte] | Uni Fukushima | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 15574 | Takehito | Shimazu | void main | 1991 | live-elec, 1 perf | shakuhachi [Flöte] | Kifu MITSUHASHI | Uni Fukushima | 0 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||||
| 15575 | Takehito | Shimazu | Wellenmusik II | 1978/1980 | fixed media, akusmatisch | 30:00 | Quadro | TU Berlin | 1.11.1982 | Graz, Weltmusiktage der IGNM | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||||
| 15576 | Takehito | Shimazu | YUKI-YUKI-TE | 1990 | Musiktheater, live-elec, 3 perf | ≈ 50:00 | 3 mus (Koto, Nô, Butô, com) [Musiker] | world M. days Oslo | Uni Fukushima | IGNM | 1990 | world music days ISCM Oslo | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||
| 15577 | Takehito | Shimazu | Zytoplasma | 1980 | fixed media, akusmatisch | 10:45 | Quadro | SynLab | ed. rz 3003 LP/ ed. RZ 3007 „Inventionen“/ ed. RZ 3/ | TU Berlin | 7.4.1981 | Lichthof der Technischen Universität Berlin, „stimmen 4“ | 1 | http://neuemusik.web.fc2.com/worklist20110710.htm | |||||
| 34538 | Hifumi | Shimoyama | Fumon, Fu-mon | 1974 | Zuspiel / Tonband, 1 group | 20 | orc [Orchester] | NHK Tokyo | 0 | ||||||||||
| 15578 | Hifumi | Shimoyama | Fumon III | 1979 | Zuspiel / Tonband, 1 perf | 11:00 | Mez [Mezzo] | NHK Tokyo | 1 | 1992 | |||||||||
| 37458 | Hifumi | Shimoyama | Fumon IVa | 1983 | fixed media, akusmatisch | 15:45 | Stereo | OUOADM 0701/ | NHK Tokyo | 0 | |||||||||
| 15579 | Makoto | Shinohara | Broadcasting | 1974 | fixed media, akusmatisch | 19:30 | Stereo | PHI 836 893/ OUOADM 0501/ | NHK Tokyo | 0 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | ||||||||
| 15580 | Makoto | Shinohara | City Visit | 1971/1979 | fixed media, akusmatisch | intermedia |
40:30 | Quadro | CMCD 50042/ | Sonology Utrecht, Col.Princ EMC | 0 | |||||||||
| 15581 | Makoto | Shinohara | experiments in sound & composition | fixed media, akusmatisch | Mono | Siemens | 0 | ||||||||||||
| 15582 | Makoto | Shinohara | Mémoires | 1966 | fixed media, akusmatisch | 9:20 | Quadro | PHI 836 893/ CMCD 50042/ IDEAMA CD 007/ | STEM Utrecht | 1966 | Hilversum | Feedback | 1 | ||||||
| 15583 | Makoto | Shinohara | Passage | 1980 | live-elec, 1 perf | 7:00 | Stereo | fl [Flöte] | PHI 836 893/ | 0 | |||||||||
| 15584 | Makoto | Shinohara | Personnage | 1968/1973 | Performance, live-elec, 1 perf | 10:50 | 3 tracks | mime (für Mime, Beleuchtung und Tonband) [Schauspieler] | lights; version TU Berlin withdrawn | CMCD 50042/ IDEAMA CD 053/ | Sonology Utrecht, TU Berlin | 9.10.1968 | AudiMax TU Berlin bei "Internationale Woche für experimentelle Musik" | 1 | |||||
| 15585 | Makoto | Shinohara | Rencontres | 1972 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 15586 | Makoto | Shinohara | Situations | 1993 | live-elec, 2 perf | a-sax, Kbd [Saxophon, Keyboard] | 0 | ||||||||||||
| 15587 | Makoto | Shinohara | Visions I, Visions | 1965 | fixed media, akusmatisch | 5:15 | Quadro, Stereo | CMCD 50042/ | STEM Utrecht | 1 | |||||||||
| 15588 | Wayne D. | Shirley | Ladies Day | 1962 | fixed media, akusmatisch | Stereo | Uni Waltham | 0 | |||||||||||
| 15589 | Wayne D. | Shirley | Perspectives | 1962 | fixed media, akusmatisch | Stereo + Stereo | Uni Waltham | 0 | |||||||||||
| 15590 | Wayne D. | Shirley | Young Person's Guide to Electronic Music | 1963 | fixed media, akusmatisch | Stereo | Uni Waltham | 0 | |||||||||||
| 15591 | Peter | Shore | A touch of little Bob Major | 1977 | fixed media, akusmatisch | 4:05 | Quadro | EMS Stockholm | 0 | ||||||||||
| 15592 | Su | Shu-Ying | Capriccioso II | fixed media, akusmatisch | ELAK Wien | 0 | |||||||||||||
| 39483 | Qu | Shuang | Collapse | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 15593 | Mizuno | Shuko | Gyomon | 1961 | fixed media, akusmatisch | 10:00 | Uni Tokyo | 0 | |||||||||||
| 15594 | Mizuno | Shuko | Konkureto no tameno Kokyokyoku | 1960 | fixed media, akusmatisch | 50:00 | Synphonie für Konkrete Musik | Uni Tokyo | 0 | ||||||||||
| 19022 | Xu | Shuya | Taiyi II | 1991 | Zuspiel / Tonband, 1 perf | 14:23 | fl [Flöte] | Russolo Pratella EF.ER.P 93/ | Prize Russolo Varese 1993 | 1 | |||||||||
| 40292 | Timothy | Si Heng Tan | Ghosts of Double Pendula | 2017 | fixed media, akusmatisch | Timothy Si Heng Tan | 0 | ||||||||||||
| 19212 | Giancarlo | Sica | En sueño | fixed media, akusmatisch | CMJ Vol 21, 1997/ | 1 | |||||||||||||
| 15595 | Lise | Sicard | Temps affreux | 1982 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 15596 | Yorgo | Sicilianos | Episodes II | 1971 | fixed media, akusmatisch | EMI CSDG 65/ | 0 | ||||||||||||
| 33310 | Eric | Siday | Since the Flight | 1967 | Fernsehen, | 8 | Quadro | television ballet | PS Siday NY | 0 | |||||||||
| 15597 | Jon | Siddall | Mystery of South and East | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 15598 | Jon | Siddall | Pastorale | 1985 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 15599 | James | Siddons | Guy Fawkes | 1970 | intermedia, live-elec, 1 perf, 1 group | Stereo | actors, ins [Instrument, Schauspieler] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 43055 | Eva, Jens | Sidén, Hedman | Double Bind Player | 2014 | Klangkunst, Installation | prep p [Piano] | 2012 | Underground Theater. Modern Art Stockholm | 0 | ||||||||||
| 40912 | Otto | Sidharta | Chimes | 1981 | fixed media, akusmatisch | 10:50 | SR 452 sub rosa/ | 0 | |||||||||||
| 40917 | Otto | Sidharta | CO2 | 1987 | fixed media, akusmatisch | 10:40 | SR 452 sub rosa/ | 0 | |||||||||||
| 40911 | Otto | Sidharta | Gamelan | 1980 | fixed media, akusmatisch | 11:30 | SR 452 sub rosa/ | 0 | |||||||||||
| 15600 | Otto | Sidharta | Gong | 1980 | fixed media, akusmatisch | 12:00 | Stereo | SR 452 sub rosa/ | Sweelinck | 0 | |||||||||
| 40920 | Otto | Sidharta | Listrik | 1990 | fixed media, akusmatisch | 6:05 | SR 452 sub rosa/ | 0 | |||||||||||
| 40915 | Otto | Sidharta | Lorong | 1984 | fixed media, akusmatisch | 8:03 | SR 452 sub rosa/ | 0 | |||||||||||
| 40921 | Otto | Sidharta | Mitsuno Hibiki | 1992 | fixed media, akusmatisch | 12:23 | SR 452 sub rosa/ | 0 | |||||||||||
| 40909 | Otto | Sidharta | Nature | 1979 | fixed media, akusmatisch | 11:58 | SR 452 sub rosa/ | 0 | |||||||||||
| 40910 | Otto | Sidharta | Ngendau | 1979 | fixed media, akusmatisch | 12:36 | SR 452 sub rosa/ | 0 | |||||||||||
| 40918 | Otto | Sidharta | Nglanglang | 1988 | fixed media, akusmatisch | 13:17 | SR 452 sub rosa/ | 0 | |||||||||||
| 40914 | Otto | Sidharta | P&G | 1982 | fixed media, akusmatisch | 12:53 | SR 452 sub rosa/ | 0 | |||||||||||
| 40919 | Otto | Sidharta | Perc & Gliss | 1989 | fixed media, akusmatisch | 10:53 | SR 452 sub rosa/ | 0 | |||||||||||
| 40913 | Otto | Sidharta | Recycling | 1982 | fixed media, akusmatisch | SR 452 sub rosa/ | 0 | ||||||||||||
| 40916 | Otto | Sidharta | Sal | 1986 | fixed media, akusmatisch | 9:40 | SR 452 sub rosa/ | 0 | |||||||||||
| 15601 | Otto | Sidharta | Saluang | 1984 | fixed media, akusmatisch | 11:00 | Stereo | SR 452 sub rosa/ | Sweelinck | 0 | |||||||||
| 15602 | Otto | Sidharta | Waves | fixed media, akusmatisch | 11:00 | Stereo | Sweelinck | 0 | |||||||||||
| 15603 | Wilhelm Dieter | Siebert | de architectura | 1968 | Zuspiel / Tonband, 3 perf | Stereo + Stereo + Stereo | 3 ins [Instrument] | 0 | |||||||||||
| 15604 | Wilhelm Dieter | Siebert | Der Pilot von Hiroshima | 1991 | Musiktheater, 2 perf | 72:00 | 7 tracks | T, vc [Tenor, Cello] | 0 | ||||||||||
| 15605 | Wilhelm Dieter | Siebert | Etüde für Klarinette | 1964 | Zuspiel / Tonband, 1 perf | 1:15 | Mono | cl [Klarinette] | 0 | ||||||||||
| 15606 | Wilhelm Dieter | Siebert | James Bond Oratorium | 1969 | Zuspiel / Tonband, 2 perf, 2 groups | Sp, Vs, ens [Sprecher, Stimme, Ensemble] | 0 | ||||||||||||
| 15607 | Wilhelm Dieter | Siebert | Komposition für Flöte & Tonband | 1964 | Zuspiel / Tonband, 1 perf | 7:00 | Mono | fl [Flöte] | SWF | 0 | |||||||||
| 15608 | Wilhelm Dieter | Siebert | Manipul | 1974 | Zuspiel / Tonband, 2 perf | 2 perc [Schlagzeug] | 0 | ||||||||||||
| 15609 | Wilhelm Dieter | Siebert | Orpheus’ Dream | 1967 | Zuspiel / Tonband, 2 perf | S, vc [Sopran, Cello] | 0 | ||||||||||||
| 15610 | Wilhelm Dieter | Siebert | Paganini-Variationen | 1967 | Zuspiel / Tonband, 5 perf | fl, vn, va, vc, p [Flöte, Piano, Viola, Cello, Violine] | 0 | ||||||||||||
| 15611 | Wayne | Siegel | Århus by Art | 1989 | live-elec, | 420:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 20966 | Wayne | Siegel | Autumn Resonance | 1979 | live-elec, 1 perf | 25:00 | p [Piano] | DIEM Aarhus | 0 | ||||||||||
| 31899 | Wayne | Siegel | Bloopers (Fraklip) | 2008 | Tanz | 16 | DIEM Aarhus | Mrs. Miller Dance Company with support from the Danish Arts Foundation | 0 | ||||||||||
| 22267 | Wayne | Siegel | Burning River | fixed media, akusmatisch | 13:37 | Quadro | dacapo 8.224199/ | DIEM Aarhus | 1 | ||||||||||
| 20970 | Wayne | Siegel | Chimmney Music | 1991 | Klangkunst, Installation | ∞ | interactive installation | DIEM Aarhus | Lerchenborg Music Festival with support from the Danish Art Council | 1991 | Lerchenborg Palace Gardens with mobiles by Ib Geertsen and paper sculpture by Jane Balsgaard | 0 | |||||||
| 31904 | Wayne | Siegel | Close Orbit | 2005 | live-elec, 2 perf | 45 | Mez, gui [Mezzo, Gitarre] | DIEM Aarhus | Orpheus Duo with support from the Danish Arts Foundation | 0 | |||||||||
| 20969 | Wayne | Siegel | Cobra | 1988 | fixed media, akusmatisch | 21:00 | Quadro | dacapo DCCD 9101/ | DIEM Aarhus | Danish Art Council by the Randers Art Museum | 0 | ||||||||
| 15612 | Wayne | Siegel | Cobra / Tunnel | 1988 - 1995 | fixed media, akusmatisch | 32:00 | Quadro | dacapo DCCD 9101/ | DIEM Aarhus | Warren Spears of Nyt Dansk Danseteater for the ballet CMXCV | 1 | ||||||||
| 19364 | Wayne | Siegel | Devil's Golf Course | 1986 | live-elec, 2 perf, 1 group | 21:30 | orc, synt, perc [Schlagzeug, synthesizer, Orchester] | G. Rose (cond.) | dacapo 8.224069/ | DIEM Aarhus | 1 | ||||||||
| 31911 | Wayne | Siegel | Drowning/Burning | 2010 | Klangkunst, Installation | ∞ | DIEM Aarhus | TEKNE-Production | June 12th, 2010 | Skive Museum of Art located in Skive, Denmark | 0 | ||||||||
| 20971 | Wayne | Siegel | Eclipse | 1992 | live-elec, 4 perf | 14:00 | 4 V [Stimme] | dacapo 8.224069/ | DIEM Aarhus | 1 | |||||||||
| 31913 | Wayne | Siegel | Everyone Talks about the Weather | 2013 | Klangkunst, Installation | org, (weather satellite) [Orgel] | DIEM Aarhus | Sunday, September 8th, 11:00 AM – 11:00 PM 2013 | Symphony Hall, The Concert Hall Aarhu | 0 | |||||||||
| 15613 | Wayne | Siegel | Forest Music | 1989 | live-elec, | 14:00 | Quadro | DIEM Aarhus | 0 | ||||||||||
| 31903 | Wayne | Siegel | Guernica | 2001 | live-elec, 4 perf | 12 | cl, perc, vn, db [Klarinette, Schlagzeug, Violine, Kontrabass] | DIEM Aarhus | ensemble Contemporanea with support from the Danish Arts Foundation | 0 | |||||||||
| 31898 | Wayne | Siegel | Guernica Revisited | 2002 | fixed media, akusmatisch | 11 | 5 tracks | DIEM Aarhus | Rien a voir with support from the Danish Arts Foundation | September 11, 2002 | Montreal | 0 | |||||||
| 19365 | Wayne | Siegel | Jackdraw | 1995 | live-elec, 1 perf | 9:39 | b-cl, (com) [Klarinette] | Harry Sparnaay | dacapo 8.224069/ | DIEM Aarhus | 1 | ||||||||
| 31905 | Wayne | Siegel | Jericho 2.0 | 2008 | live-elec, 2 perf | 11 | 2 trbn [Posaune] | DIEM Aarhus | Niels-Ole Bo Johansen and Chris Houlding with support from the Danish Arts Foundation | 0 | |||||||||
| 31909 | Wayne | Siegel | Librarian’s Nightmare | 2013 | Performance | 5 | (shouting audience), perf [Performer] | DIEM Aarhus | 0 | ||||||||||
| 20961 | Wayne | Siegel | Match I | 1996 | live-elec, 1 perf | 15:00 | perc [Schlagzeug] | dacapo 8.224197/ | DIEM Aarhus | 0 | |||||||||
| 20959 | Wayne | Siegel | Match II | 1998 | live-elec, 1 perf | 14:00 | fl [Flöte] | DIEM Aarhus | 0 | ||||||||||
| 20960 | Wayne | Siegel | Movement Study I | 1997 | Tanz, live-elec, 1 perf | 15:00 | com [computer] | DIEM Aarhus | 0 | ||||||||||
| 15614 | Wayne | Siegel | Music for Wind | 1991 | Klangkunst, Installation | var | DIEM Aarhus | Lerchenborg Music Festival with support from the Danish Art Council | 1991 | Lerchenborg Palace Gardens with mobiles by Ib Geertsen and paper sculpture by Jane Balsgaard | 0 | ||||||||
| 20962 | Wayne | Siegel | Netwærk | 1989 - 1994 | live-elec, 4 perf | 60:00 | 4 perf (composers, 4 com) [Performer] | DIEM Aarhus | 0 | ||||||||||
| 31908 | Wayne | Siegel | No Water, No Moon | 2013 | fixed media, akusmatisch | 15 | 12 Tracks | DIEM Aarhus | Royal Library in Copenhagen | 2011 | Copenhagen Jazz Festival | 0 | |||||||
| 31900 | Wayne | Siegel | Nykker | 2007 | Tanz | 24:45 | DIEM Aarhus | Louise Friis | 0 | ||||||||||
| 20972 | Wayne | Siegel | Pastel Music | 1979 | live-elec, 1 group | 18:00 | Stereo | ch [Chor] | ch ≈ 16 V | DIEM Aarhus | 0 | ||||||||
| 31910 | Wayne | Siegel | Room No. 1, 2, 3 | 2004 - 2005 | audiovisuell, live-elec, | 10 | DIEM Aarhus | 0 | |||||||||||
| 20965 | Wayne | Siegel | Rosewood Afternoon | 1980 | live-elec, 1 perf | 16:00 | Stereo | gui, (delay) [Gitarre] | DIEM Aarhus | 0 | |||||||||
| 31901 | Wayne | Siegel | Sisters | 1998 | Tanz, live-elec, 1 perf | 13 | com [computer] | DIEM Aarhus | Finalist Prize at the 1999 International Bourges Festival | 0 | |||||||||
| 31912 | Wayne | Siegel | Sound Gallery | 2011 | Klangkunst, Installation | ∞ | DIEM Aarhus | Bruuns Galleri with financial support from the Danish Arts Foundation, The Society of Danish Composers and The Royal Academy of Music, Aarhus | 0 | ||||||||||
| 20964 | Wayne | Siegel | Street Music | 1981 | live-elec, 1 perf, 1 group | 15:00 | Kbds [Keyboard] | DIEM Aarhus | 0 | ||||||||||
| 20963 | Wayne | Siegel | Supreme Sacrifice | 1981 | live-elec, 2 perf, 1 group | 16:00 | Kbds, V [Stimme, Keyboard] | DIEM Aarhus | 0 | ||||||||||
| 31902 | Wayne | Siegel | Terra | 2000 | live-elec, 1 perf | 15 | Mez [Mezzo] | DIEM Aarhus | 0 | ||||||||||
| 31907 | Wayne | Siegel | The Gift of Pandora | 2011 | Tanz, live-elec, | 30 | Dance Installation | DIEM Aarhus | Augustinus Fonden, KODA dramatik, Wilhelm Hansen Fonden, Århus Kommune, Statens Kunstfond, Konsul George Jorck og Hustru Emma Jorck’s fond, Beckett Fonden, CAVI Tekne Produktion, Dansk Komponistforening, KODA’s nationale midler, DIEM / Det jyske musikkonservatorium | April 20 2011, 8:00 PM | ARoS Musuem of Art in Aarhus | 0 | |||||||
| 15615 | Wayne | Siegel | Three Textures | 1988 | fixed media, akusmatisch | 3:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 15616 | Wayne | Siegel | Tracking | 1990 | live-elec, 4 perf | 16:30 | str-qt [Streicher] | dacapo 8.224069/ | DIEM Aarhus | Kronos Quartet and the Danish Radio | October 1990. | Copenhagen | Auszeichnung ars electronica 1992 | 1 | |||||
| 20968 | Wayne | Siegel | Tunnel | 1995 | fixed media, akusmatisch | 11:00 | Quadro | DIEM Aarhus | Warren Spears of Nyt Dansk Danseteater for the ballet CMXCV | September 1995 | Copenhagen | 0 | |||||||
| 20967 | Wayne | Siegel | Tunnel Vision | 1998 | fixed media, akusmatisch | 12:00 | Quadro | DIEM Aarhus | 0 | ||||||||||
| 31906 | Wayne | Siegel | Two Hands (not clapping) | 2009 | Performance, live-elec, 1 perf | 15 | perf [Performer] | DIEM Aarhus | Dark Music Days (Reykjavik) with financial support from the Danish Arts Foundation | 2010 | 0 | ||||||||
| 15617 | Wayne | Siegel | Voices Recurrent | 1980 | live-elec, 1 perf | 15:00 | vc, (delays) [Cello] | DIEM Aarhus | Morten Zeuthen with support from the Danish Art Council. | 0 | |||||||||
| 22164 | Edward | Sielicki | Entre Espejos | 2000 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | hp [Harfe] | ExpSt Warsaw | 0 | |||||||||
| 15618 | Edward | Sielicki | Paralipomenon | 1987 | fixed media, akusmatisch | 12:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 33113 | Edward | Sielicki | Polymorphic Fantasy | 2000 | Zuspiel / Tonband, 1 perf | 13:39:00 | harmonium [Orgel] | for harmonium and tape | WJ 2000/ | PS C. | 1 | ||||||||
| 22162 | Edward | Sielicki | Sound Crouncher | 1994 | Zuspiel / Tonband, 1 perf | 15:48 | Stereo | actor [Schauspieler] | ExpSt Warsaw | 0 | |||||||||
| 27398 | Lothar | Siemens | Guayadeque Across | fixed media, akusmatisch | 7:30 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 42784 | Luca De | Siena | Concrezione | 2012 | fixed media, akusmatisch | 4:19:00 | 0 | ||||||||||||
| 27321 | Johannes | Sienknecht | reincarnation | 2002 | Klangkunst, Installation | DAAD 205-1 ISBN 3-89727-259-8/ | SEAM Weimar | Inventionen 2002 | 28.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 15619 | Martin | Sierek | Glissando Continuo | 1981 | fixed media, akusmatisch | 5:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 15620 | Martin | Sierek | Kairos - Konzert | 1987 | Zuspiel, live-elec, 1 perf | 50:00 | Stereo | V [Stimme] | Steir. Herbst 87 | IEM Graz | 0 | ||||||||
| 15621 | Martin | Sierek | Nebengeräusche | 1985 | Zuspiel / Tonband, 5 perf, 1 group | p, hpd, 2 V, synt, ens [Stimme, Piano, Cembalo, synthesizer, Ensemble] | Josef Matthias Hauer Zwölftonensemble, Zwölfgeräuschmusik | 0 | |||||||||||
| 15622 | Martin | Sierek | Opus 1 Digital | 1982 | fixed media, akusmatisch | 30:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 15623 | Martin | Sierek | Quadratwellenwurst | 1981 | fixed media, akusmatisch | 15:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 15624 | Martin | Sierek | Regenbogen | 1986 | fixed media, akusmatisch | 27:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 15625 | Martin | Sierek | Schall und Rauch | 1981 | fixed media, akusmatisch | 10:50 | Stereo | ELAK Wien | 0 | ||||||||||
| 15626 | Martin | Sierek | Sierek Martin bei Kaufmann 1 | 1981 | fixed media, akusmatisch | 5:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 15627 | Martin | Sierek | Sierek Martin bei Kaufmann 3 | 1981 | fixed media, akusmatisch | 5:50 | Stereo | ELAK Wien | 0 | ||||||||||
| 15628 | Martin | Sierek | Sinfonie konkret | 1981 | fixed media, akusmatisch | 14:00 | Stereo | Steir. Herbst / IGNM Festival 82 | IEM Graz | 0 | |||||||||
| 15629 | Martin | Sierek | Starpiece | 1988 | fixed media, akusmatisch | 20:00 | IEM Graz | 0 | |||||||||||
| 15630 | Firmino | Sifonia | Canoni | 1961 | fixed media, akusmatisch | 4:00-16:00 | Mono + Mono + Mono + Mono | Fonologia Milano | 0 | ||||||||||
| 24964 | Rodrigo | Sigal | Babel | 1998 | Zuspiel, live-elec, 1 perf | 8:56 | fl [Flöte] | CIEM 006/ Kiasma 1999/ | Agon | 1 | |||||||||
| 35677 | Rodrigo | Sigal | Blood Stream | 2004 | Zuspiel / Tonband, 1 perf | 8:50 | tuba [Tuba] | 0 | |||||||||||
| 34143 | Rodrigo | Sigal | Canon Papageno | 20062006 | fixed media, akusmatisch | 6:06 | RedASLA 2/ | 0 | |||||||||||
| 24961 | Rodrigo | Sigal | Cycles | 1999 | fixed media, akusmatisch | 12:30 | 2 Parts: Stop, potS | CIEM 007/ Russolo Pratella EF.ER.P 99/ | City Uni London | Prize Russolo Varese 1999 | 1 | ||||||||
| 37477 | Rodrigo | Sigal | Dolor en Mi | fixed media, akusmatisch | 8:27 | ISAST LMJ 10/ | 1 | ||||||||||||
| 25070 | Rodrigo | Sigal | El firmamento | 1998 | Zuspiel / Tonband, 1 perf | 25:00 | p [Piano] | all sounds taken from the piano | CIEM 006/ | Banff C. | 1 | ||||||||
| 24692 | Rodrigo | Sigal | Friction of Things in Other Places | 2002 | fixed media, akusmatisch | 8:04 | JTTP 2003 | CEC Cache 2003 UK/ CIEM 007/ ELCD 044 Electroshock Records/ IRD 002 Irradia/ elek 001/ | PS C. | Conaculta | JTTP2003 | 1 | |||||||
| 27390 | Rodrigo | Sigal | Me(n)tal | 2007 | live-elec, 3 perf | 7:38 | perc, 2 com [Schlagzeug, computer] | The Electronic Hammer (perc: Diego Espinosa, computer: Henry Vega, Juan Parra). | EMF CD 067 „The Electronic Hammer“ How to philosophize with a hammer/ | SARC Belfast | 0 | ||||||||
| 35678 | Rodrigo | Sigal | Mudra | 2004 | Zuspiel / Tonband, 3 perf | 12:28 | cl, bn, p [Klarinette, Fagott, Piano] | 0 | |||||||||||
| 35679 | Rodrigo | Sigal | Power nap | 2005 | Zuspiel / Tonband, 5 perf | 8:25 | w-qnt (Quinteto de alientos) [Bläser] | 0 | |||||||||||
| 24963 | Rodrigo | Sigal | Real Scream Dream | 2001 | radiophon | 3:00 | soundscape | CIEM 007/ | 0 | ||||||||||
| 34144 | Rodrigo | Sigal | Repetition of perception | fixed media, akusmatisch | 7:40 | 0 | |||||||||||||
| 24959 | Rodrigo | Sigal | Rimbarimba (Lejos del silencio) | 2002 | live-elec, 1 perf | 15:00 | mar, (Max/MSP) [Schlagzeug] | CIEM 007/ | City Uni London | 0 | |||||||||
| 35680 | Rodrigo | Sigal | Sonic Farfalla | 2004 | Zuspiel / Tonband, 1 perf | 9 | fl [Flöte] | 0 | |||||||||||
| 24962 | Rodrigo | Sigal | Tolerance | 2002 | Zuspiel / Tonband, 1 perf | 11:40 | vc [Cello] | CIEM 007/ ELCD 026 Electroshock Records/ AH ars harmonica/ | City Uni London | 1 | http://www.rodrigosigal.com/ | ||||||||
| 24960 | Rodrigo | Sigal | Twilight | 2001 | live-elec, 1 perf | 13:30 | bn [Fagott] | CIEM 007/ | City Uni London | 1 | |||||||||
| 35681 | Rodrigo | Sigal | Vida Lunar | 2006 | Zuspiel / Tonband, 1 perf | 9:30 | b-fl [Flöte] | 0 | |||||||||||
| 27743 | Samuel | Sighicelli | marée noire | 2007 | fixed media, akusmatisch | 31:00 | d’ac 111 D’Autres Cordes records 2008/ | INA • GRM | 1 | http://samuelsighicelli.com/ | |||||||||
| 34668 | Alexander | Sigman | Detritus II | 2009 | Klangkunst, Installation | audiovisuell |
∞ | SMC2016, HAW | 0 | |||||||||||
| 39553 | Alexander | Sigman | detritus II | 2015 | fixed media, akusmatisch | 8:30:00 | Alexander Sigman | 0 | |||||||||||
| 34617 | Alexander | Sigman | fcremapno | 2014 | live-elec, 1 perf | p [Piano] | SMC2016 | 12.2014 | Ghent (Belgium), Frederik Croene (p) | 0 | |||||||||
| 42828 | Alexander | Sigman | Future Creatures | 2013 | fixed media, akusmatisch | 9:23:00 | 0 | ||||||||||||
| 39552 | Alexander | Sigman | Nudes | 2016 | fixed media, akusmatisch | Alexander Sigman | 0 | ||||||||||||
| 39291 | Alexander | Sigman | フロー_remix | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 15631 | Martin | Sigrist | Väriton | 1975/1976 | Zuspiel / Tonband, 3 perf | 30:00-45:00 | org, fl, vc [Flöte, Orgel, Cello] | 0 | |||||||||||
| 36754 | Thorkell | Sigurbjörnsson | Fipur | 1975 | fixed media, akusmatisch | 14:00:00 | Sonology Utrecht | 0 | |||||||||||
| 15632 | Torkell | Sigurbjörnsson | Fipur | 1971 | fixed media, akusmatisch | 14 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15633 | Torkell | Sigurbjörnsson | Hylling (Homage) | 1974 | Zuspiel / Tonband, 4 perf | 4 ins [Instrument] | EM ?? | 0 | |||||||||||
| 15634 | Torkell | Sigurbjörnsson | Laeti | 1971 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 15635 | Torkell | Sigurbjörnsson | Leikar #3 | 1961 | fixed media, akusmatisch | 4:00 | Mono | EMS UIUC | 0 | ||||||||||
| 15636 | Marjan | Sijanec | Falling Leaves makes Trees Invisible | 1984/1985 | fixed media, akusmatisch | 25:20 | Stereo | Radio Beograd | 0 | ||||||||||
| 26126 | Marjan | Sijanec | Khesed - el. | 1989 | fixed media, akusmatisch | 10:00 | Stereo | tape verion of "Khesed" for perc + tape | Radio Beograd CD 2, 30 years Radio Beograde electronic studio/ | 0 | |||||||||
| 23732 | Marjan | Sijanec | Venus Orchetsra | 1995 | fixed media, akusmatisch | 13:44 | Stereo | Ed. DSS 200443/ | RTV Maribor | 1 | |||||||||
| 31895 | Elzbieta | Sikora | A peine le temps que dure une vision | 1987 - 1989 | Zuspiel / Tonband, 1 perf, 1 group | 21 | S, ens [Sopran, Ensemble] | two versions: with Voice or Soprano, ens + tape | La Muse | 0 | |||||||||
| 22737 | Elzbieta | Sikora | Aquamarina (la mer) | 1998 | fixed media, akusmatisch | 9:52 | LDC 278070/71 Cultures Electroniques 13/ | IMEB Bourges | Magistere Prize Bourges 1999 | 0 | |||||||||
| 31891 | Elzbieta | Sikora | Axe rouge | 2004 | Zuspiel / Tonband, 2 perf | 17 | sax, db [Saxophon, Kontrabass] | INA • GRM | INA GRM | April 24th, 2004 | Olivier Messiaen Concert Hall, Radio France, Paris, Daniel Kientzy, saxophone(s), Jean Pierre Robert (db ) | 0 | |||||||
| 31892 | Elzbieta | Sikora | Axe rouge III | 2008 | Zuspiel / Tonband, 1 perf | 12 | sax [Saxophon] | INA • GRM | INA GRM | June 7th, 2008 | Olivier Messiaen Concert Hall, Radio France, Paris, Daniel Kientzy, saxophone(s) | 0 | |||||||
| 38859 | Elzbieta | Sikora | Axe rouge V | 2005 | fixed media, akusmatisch | 13:16 | Quadro | INA GRM G6050/59/ | INA • GRM | 0 | |||||||||
| 38860 | Elzbieta | Sikora | Chicago al fresco | fixed media, akusmatisch | 19:28 | INA GRM G6050/59/ | INA • GRM | 0 | |||||||||||
| 15637 | Elzbieta | Sikora | Derriere son double | 1983 | fixed media, akusmatisch | 27:30 | Stereo | INA GRM G6050/59/ | INA • GRM | 30.5.1983 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 23214 | Elzbieta | Sikora | Eine Rose als Stütze | 2002 | radiophon | 28:20 | TU Berlin | SFB Hörspiel | 1 | ||||||||||
| 15638 | Elzbieta | Sikora | Five Seasons of a Year | 1989 | fixed media, akusmatisch | 18:10 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 31888 | Elzbieta | Sikora | Flashback, Hommage à Pierre Schaeffer | 1997 | fixed media, akusmatisch | 4:14 | BR ES04 bolt Blanc et Rouge/ INA GRM G6050/59/ | INA • GRM | 0 | ||||||||||
| 31893 | Elzbieta | Sikora | Fragments | 1997 | Zuspiel / Tonband, 1 perf | 12 | S [Sopran] | text Jorge Hernandez | May 1997 | Elena Vasilieva / Cité de la Musique, Paris, | 0 | ||||||||
| 15639 | Elzbieta | Sikora | Géometries variables | 1991 | fixed media, akusmatisch | 20 | INA • GRM | 0 | |||||||||||
| 36495 | Elzbieta | Sikora | Głowa Orfeusza II | fixed media, akusmatisch | 20:53 | DUX 0679/ | 0 | ||||||||||||
| 24476 | Elzbieta | Sikora | Grain de sable | 2002 | fixed media, akusmatisch | 10:26:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 15640 | Elzbieta | Sikora | Janek Wisniewski - december, Poland, Janek Wisniewski - Grudzien - Polska | 1982 - 1983 | fixed media, akusmatisch | 16:17 | Stereo | INA e 5011/ BR ES07 bolt Blanc et Rouge/ | INA • GRM | 30.1.1984 | Paris, Maison de Radio France, Gd. Auditorium | 1 | |||||||
| 15641 | Elzbieta | Sikora | L'incertitude d'été, Uncertainty of Summer | 1973 | fixed media, akusmatisch | 10:00 | Stereo | LDC 2781127 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 15642 | Elzbieta | Sikora | La nuit - le visage contre le ciel, In The Night Face Towards Heaven |
1978 | fixed media, akusmatisch | 16:00 | Stereo | BR ES04 bolt Blanc et Rouge/ | IMEB Bourges | IMEB Borges | 0 | ||||||||
| 15643 | Elzbieta | Sikora | la Tète D'Orfée, The Head of Orpheus | 1981 | fixed media, akusmatisch | 17:10 | Stereo | LDC 278070/71 Cultures Electroniques 13/ BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | |||||||||
| 15651 | Elzbieta | Sikora | La Tête d'Orphée II, The Head of Orpheus II | 1982 | Zuspiel / Tonband, 1 perf | 20:00 | fl [Flöte] | recording: WDR-Cologne, SFB-Berlin, Karin Levine, fl record: Polskie Nagrania SX 2858, Jolanta Kotnowska |
DUX 0679/ Muza SX 2858/ | IRCAM | Centre Pompidou for IRCAM | 1982 | Théâtre du Rond Point, Pierre-Yves Artaud, fl | 0 | |||||
| 31889 | Elzbieta | Sikora | Les enfants terribles (B.D.) | 1992 | fixed media, akusmatisch | 20 | COMA | 0 | |||||||||||
| 15644 | Elzbieta | Sikora | Letters to M | 1979 | fixed media, akusmatisch | 14:23 | Stereo, Quadro | ExpSt Warsaw | 0 | ||||||||||
| 22519 | Elzbieta | Sikora | Lisboa, tramway 28 | 1998 | Zuspiel / Tonband, 1 perf | 14:00 | sax [Saxophon] | Tribute to Fernando Pessoa sax (sopr, alt,) and tape | INA e 5011/ | INA • GRM | INA-Grm | February 9th, 1999 | Olivier Messiaen Concert Hall, Radio France, Paris, Daniel Kientzy, saxophone(s) | 1 | |||||
| 18556 | Elzbieta | Sikora | On the Lime | 1992 | Zuspiel / Tonband, 1 perf | 17:20 | Stereo | S [Sopran] | also Version without Soprano Text E.Sikora |
IMEB Bourges | IMEB Bourges | 8.6.1992 | Festival Synthese, Frances Lynch, soprano | 0 | |||||
| 15647 | Elzbieta | Sikora | Prénom, First Name | 1970 | fixed media, akusmatisch | 4:35 | INA • GRM | 0 | |||||||||||
| 15648 | Elzbieta | Sikora | Rappel II | 1990 | Zuspiel / Tonband, 1 group | 16:25 | Stereo | orc [Orchester] | SYTER | INA • GRM | 0 | ||||||||
| 27245 | Elzbieta | Sikora | Reflets irisés | 2005 | Zuspiel / Tonband, 1 perf | 16:13 | p [Piano] | LDC 2781138 Compendium 2005/ DUX 0679/ | IMEB Bourges | IMEB Bourges | 2005 | Festival Synthèse, Bourges, Wilhem Latchoumia | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | |||||
| 15649 | Elzbieta | Sikora | Rhapsody for the Death of Republic, Rapsod na smierc republiki | 1979 | fixed media, akusmatisch | 11:50 | BR ES07 bolt Blanc et Rouge/ Wire Issue 406/ | ExpSt Warsaw | 1 | ||||||||||
| 24477 | Elzbieta | Sikora | Rouge d'Eté | 2002 | fixed media, akusmatisch | 10:28 | LDC 2781129 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 19318 | Elzbieta | Sikora | Suite | 1990 | Zuspiel / Tonband, 1 perf | 21:25 | vc [Cello] | 5 parts | Warschauer Herbst '97, Vol. 7/ DUX 0679/ | ExpSt Warsaw | Radio Warsaw | 1991 | Festival of Polish Contemporary Music, Wroclaw, Ivan Monighetti, cello | 1 | |||||
| 31894 | Elzbieta | Sikora | Suite II | 1992/1998 | Zuspiel, live-elec, 1 perf | 21 | hpd [Cembalo] | harpsichord, tape and live transformations (SYTER) | DUX 0679/ | INA • GRM | GRM | 16.03.1992 | Son-Mu, l’Auditorium Olivier Messiaen, Radio France Elisabeth Chojnacka, harpsichord | 0 | |||||
| 15650 | Elzbieta | Sikora | Suite V | 1991 | Zuspiel / Tonband, 1 perf | Stereo | clvd [Cembalo] | SYTER | INA • GRM | 0 | |||||||||
| 15652 | Elzbieta | Sikora | the Second Journey, Journey n°2 | 1976 | fixed media, akusmatisch | 13:50 | Stereo | BR ES04 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 41470 | Elzbieta | Sikora | Trois tunnels et un arrêt | 2017 | fixed media, akusmatisch | 16 | Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 15654 | Elzbieta | Sikora | View from a Window, Zeitkratzer plays PRES | 1971 | fixed media, akusmatisch | 8:30 | Stereo | improvisation by the group by Zeitkratzer Berlin (BR ES03 bolt) | BR ES03 bolt Blanc et Rouge/ BR ES04 bolt Blanc et Rouge/ DUX 0811/ | ExpSt Warsaw | 0 | ||||||||
| 15653 | Elzbieta | Sikora | Waste Land | 1979 | fixed media, akusmatisch | 24:35 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 31317 | Elzbieta, Joanna | Sikora, Bruzdowicz | Ek-stasis | 1969 | Performance | Klangkunst, Installation |
7:49 | Stereo | INA • GRM | 20.6.1969 | Paris, American Center | 0 | ||||||||
| 15645 | Elzbieta, Joanna | Sikora, Bruzdowicz | Musiques Dispersees (D), Ek-stasis | 1969 | Performance | 7:49 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 31890 | Elzbieta, Krystyna | Sikora, de Obaldia | Passion selon Kijno | radiophon | 0 | ||||||||||||||
| 15655 | Tomasz | Sikorski | Antiphones, Antyfony | 1963 | Zuspiel / Tonband, 4 perf | 9:27 | Stereo | S, p, hn, perc [Sopran, Horn, Piano, Schlagzeug] | BR ES08 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | ||||||||
| 15656 | Tomasz | Sikorski | Collage | 1970 | Zuspiel / Tonband, 2 groups | fem ch, ens [Ensemble, Chor] | 0 | ||||||||||||
| 15657 | Tomasz | Sikorski | Diario 87 | 1987 | fixed media, akusmatisch | 7:30 | BR ES08 bolt Blanc et Rouge/ | ExpSt Warsaw | 1 | 1990 | |||||||||
| 15658 | Tomasz | Sikorski | Echoes lI | 1961 - 1963 | Zuspiel / Tonband, 5 perf | 11:50 | Stereo | 1 - 4 p, perc [Piano, Schlagzeug] | BR ES08 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | ||||||||
| 15659 | Tomasz | Sikorski | Samotnosc dzwieków, Solitude of Sounds | 1975 | fixed media, akusmatisch | 21:45 | BR ES08 bolt Blanc et Rouge/ | Col.Princ EMC | 0 | ||||||||||
| 19698 | Ramón | Silles McLaney | O'Lassus | 1995 | fixed media, akusmatisch | 3:05 | Stereo | LICEO Madrid | 0 | ||||||||||
| 19636 | Ramón | Silles McLaney | Tiento | 1994 | live-elec, 1 perf | Stereo | synt [synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 24078 | Carlos | Silva | Entorno II | Zuspiel / Tonband, 1 perf | 4:29 | s-sax [Saxophon] | Miguel Villafruela, saxo | 0 | |||||||||||
| 15660 | Conrado | Silva | A nau dos insensatos | 1989 | fixed media, akusmatisch | 10:00 | Stereo | PS St M São Paulo | 0 | ||||||||||
| 15661 | Conrado | Silva | Also sprach Galileu | 1970 | Film | 10:00 | Stereo | ESt Rio | 0 | ||||||||||
| 15662 | Conrado | Silva | Bienal 1983 | 1983 | live-elec, 1 perf | 24:00 | Stereo | synt [synthesizer] | PS St M São Paulo | 0 | |||||||||
| 15663 | Conrado | Silva | Brinquedos I, Toys I | 1971 | live-elec, 1 perf | 12:05 | Stereo | synt AKS [synthesizer] | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | Uni Brasília sala 24 | oct 1971 | Art Museum Brasilia | 1 | ||||||
| 15664 | Conrado | Silva | Celebração | 1973 | live-elec, 1 perf, 4 groups | 16:00 | Stereo | 4 ch, synt AKS [synthesizer, Chor] | Uni Brasília sala 24 | 0 | |||||||||
| 15665 | Conrado | Silva | Círculo Mágico | 1985 | live-elec, 20 perf | 14:00 | 20 synt [synthesizer] | PS St M São Paulo | 0 | ||||||||||
| 15666 | Conrado | Silva | EIXOS I | 1986 | live-elec, 1 perf, 1 group | 6:00 | Stereo | orc, synt [synthesizer, Orchester] | PS St M São Paulo | 0 | |||||||||
| 23270 | Conrado | Silva | Equus | 1976 | Musiktheater | 10:09 | after text by Peter Shaffer | SBME 002, Musica el. Brasileira Vol 2/ Tacuabé T/E 8/ | PS LSV São Paulo | 1 | |||||||||
| 15668 | Conrado | Silva | Espaços Habitados, Abertura Espaços Lúdicos |
1992 - 1994 | Performance | Oper, live-elec, 2 perf |
67:00 | Stereo | 1 V, synt [Stimme, synthesizer] | 1. Abertura 4:56 2. Espaços Lúdicos 7:40 Multimedia, „Pluriópera“. After a text „Galaxia“ (1984) by Haroldo de Campos |
VITAE/ SBME 006 Coletânea de Música Eletroacústica Brasileira/ | PS St M São Paulo | Vitae Foundation | 1 | ||||||
| 15669 | Conrado | Silva | Galaxias | 1991 | fixed media, akusmatisch | 9:00 | Stereo | PS St M São Paulo | 0 | ||||||||||
| 15670 | Conrado | Silva | Ludus absque fasciem | 1986 | live-elec, 1 perf | 8:00 | Stereo | synt [synthesizer] | PS St M São Paulo | 0 | |||||||||
| 15671 | Conrado | Silva | Maulwerke | 1980 | live-elec, 2 perf | 35:00 | Stereo | V, synt [Stimme, synthesizer] | PS St M São Paulo | 0 | |||||||||
| 15672 | Conrado | Silva | Música para Bahia | 1976 | Hintergrundmusik | 25:00 | Stereo | PS LSV São Paulo | 0 | ||||||||||
| 32263 | Conrado | Silva | Música para diez radios portátiles, Musik für zehn Kofferradios | 1964 | Performance | 10 Tracks | (10 radios) [] | Leibniz Rechenzentrum der Bayerischen Akademie der Wissenschaften | 1964 | Berlin | 0 | ||||||||
| 15673 | Conrado | Silva | Natal del-Rey | 1978 | fixed media, akusmatisch | 15:15 | Stereo | RD003 MEB Rioarte/ SBME 001, Musica el. Brasileira Vol 1/ | IMEB Bourges | 0 | |||||||||
| 15674 | Conrado | Silva | Pericón | 1988 | live-elec, 1 perf | 7:55 | Stereo | synt [synthesizer] | II SBC&M/ | PS St M São Paulo | 1 | ||||||||
| 15675 | Conrado | Silva | Ulisses | 1973 | fixed media, akusmatisch | 17:00 | Stereo | Uni Brasília sala 24 | 0 | ||||||||||
| 31737 | Conrado | Silva | Vericuetos de Antigona, Antigone’s widing paths | 1965 | fixed media, akusmatisch | 6:03 | incidental music | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | SODRE Montevideo | 1 | |||||||||
| 27200 | Pablo | Silva | De Silenti Natura, de Corporum Natura | 2003 | Zuspiel / Tonband, 1 perf | 10:21 | perc [Schlagzeug] | 0 | |||||||||||
| 39959 | Judi, Bruce | Silvano, Arnold | Travel Chant | 2017 | fixed media, akusmatisch | Judi Silvano and Bruce Arnold | 0 | ||||||||||||
| 27448 | Carlos da | Silveira | Así nomás | 1977 | fixed media, akusmatisch | 17:27 | tacuabé T/E 28 CD/ | PS Silvera | 1 | ||||||||||
| 23547 | Carlos da | Silveira | Calma es la noche? | 2002 | fixed media, akusmatisch | 6:32 | 1 | ||||||||||||
| 23548 | Carlos da | Silveira | En el corazón de la noche | 2002 | fixed media, akusmatisch | 6:23 | 1 | ||||||||||||
| 19241 | Carlos da | Silvera | Así nomás | 1977 | fixed media, akusmatisch | 10:27 | tacuabé T/E 28 CD/ | PS C. | 0 | ||||||||||
| 20797 | Gilles | Silvilotto | Rapides | 1993 | Zuspiel / Tonband, 1 perf | 19:00 | Stereo | p [Piano] | GMEM Marseille | 0 | |||||||||
| 15676 | Pavol | Simai | Alle 7 Minuten | 1965 | Film | 2:00 | Mono | CECM Bratislava | 0 | ||||||||||
| 15677 | Pavol | Simai | Das Augenlicht | 1965 | Film | 5:30 | Mono | CECM Bratislava | 0 | ||||||||||
| 15678 | Pavol | Simai | Kontraste in der Tatra | 1965 | Film | 5:00 | Mono | CECM Bratislava | 0 | ||||||||||
| 33358 | Pavol | Simai | Senzi mama | 1965 | Film | 3:15 | Mono | Radio Bratislava | 0 | ||||||||||
| 23029 | Karel | Simandl | Dreaming | 2001 | fixed media, akusmatisch | CDR Musica Nova 2001/ | prize Musica Nova 2001 Category Czech Compositions | 1 | |||||||||||
| 39942 | Josh | Simmons | INDRA/NET | 2016 | fixed media, akusmatisch | Josh Simmons | 0 | ||||||||||||
| 23387 | Tom | Simmons | Love Song | 2002 | audiovisuell, live-elec, 1 perf | 3:58 | fl [Flöte] | Using the film "Love Song" | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 15679 | Ladislav | Simon | Antithesen | 1965 | Zuspiel / Tonband, 5 perf | 15:45 | Mono | fl, b-cl, p, 2 perc [Flöte, Klarinette, Piano, Schlagzeug] | 0 | ||||||||||
| 15680 | Ladislav | Simon | Missa non sacra | 1969 | Zuspiel / Tonband, 4 perf | 16:59:00 | Stereo | Sp, fl, p, perc [Sprecher, Flöte, Piano, Schlagzeug] | EM ?? | 0 | |||||||||
| 41392 | Didier | Simone | Outre vide: Le vide ethnique | fixed media, akusmatisch | CIME 2008 | 0 | https://www.ckcufm.com/ | ||||||||||||
| 40068 | Mary | Simoni | Connemara | 2017 | fixed media, akusmatisch | Mary Simoni | EMPAC | 0 | |||||||||||
| 15681 | Mary | Simoni | Death Dance | 1995 | live-elec, 1 perf | com [computer] | CSEM Ann Arbor | 0 | |||||||||||
| 37472 | Mary | Simoni | Eulogy | 1996 | live-elec, 1 perf | 2:46 | e-ins [synthesizer] | ISAST LMJ 7/ | 0 | ||||||||||
| 15682 | Mary | Simoni | In Memory of T.S. Dowd | 1982 | live-elec, 1 perf, 1 group | synt ens [synthesizer] | originally for orch | CSEM Ann Arbor | 0 | ||||||||||
| 15683 | Anker Fjeld | Simonsen | Det græske alfabet | 1988 | Zuspiel / Tonband, 1 group | 40:00 | Stereo | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 15684 | Anker Fjeld | Simonsen | Fuglefængeren Pan 1 & 2 | 1989 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | fl [Flöte] | DIEM Aarhus | 0 | |||||||||
| 15685 | Anker Fjeld | Simonsen | Fuglefængeren Pan 3 ? 4 | 1990 | Zuspiel / Tonband, 1 perf | 40:00 | Stereo | fl [Flöte] | DIEM Aarhus | 0 | |||||||||
| 39768 | Eric | Simonson | Imaginary Cavern Study No. 2 | 2015 | fixed media, akusmatisch | 6:14:00 | Eric Simonson | 0 | |||||||||||
| 26070 | Veronika | Simor | statt dem streichquartett | 2003 | fixed media, akusmatisch | 7:25 | EX 656 Elak Wien/ | ELAK Wien | 1 | ||||||||||
| 35534 | Diana | Simpson | Broken Nerve | 2005 | fixed media, akusmatisch | 10:03 | unesp Sao Paulo musica maximalista/ | 0 | |||||||||||
| 35535 | Diana | Simpson | Cipher | 2007 | fixed media, akusmatisch | 11:47 | unesp Sao Paulo musica maximalista/ | Honourable Mention in CIMESP 2007 | 0 | ||||||||||
| 34916 | Diana | Simpson | Papyrus | fixed media, akusmatisch | 8:21 | miso records mcd 023.10/ | Musica Viva Competition Prize 2009 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2009 |
0 | |||||||||||
| 27405 | Jürgen | Simpson | Rotation Patterns | 2007 | live-elec, 1 perf | 7:36 | p [Piano] | CMC CD 08 Contemporary Music from Ireland Vol 8/ | 1 | ||||||||||
| 22298 | Jürgen | Simpson | Unlocking | 2000 | Zuspiel / Tonband, 1 perf | 5:35 | acc [Akkordeon] | accordion: Jürgen Simpson | SIDO 010/ | 1 | |||||||||
| 15686 | Ezra | Sims | Sakoku | 1963 | Fernsehen, | 4:00 | Mono | NHK Tokyo | 0 | ||||||||||
| 15687 | Ezra | Sims | Tape Improvisation for Ichiyanagi | 1963 | fixed media, akusmatisch | 7:33 | Mono | PS C. | 0 | ||||||||||
| 15688 | Richard | Sims | Mira Ceti | 1988 | fixed media, akusmatisch | 12:00 | Stereo | Coll Liverpool | 0 | ||||||||||
| 15689 | Andreas | Simvoulopoulos | Accelere | 1986 | Film | 10:00 | Stereo | IEMA | 0 | ||||||||||
| 15690 | Andreas | Simvoulopoulos | Cell's Patterns | 1988 | live-elec, | 15:00 | Stereo | KSYME | 0 | ||||||||||
| 15691 | Andreas | Simvoulopoulos | FOLO 3 | 1989 | live-elec, | 15:00 | Stereo | IEMA | 0 | ||||||||||
| 15692 | Andreas | Simvoulopoulos | Little season | 1992 | live-elec, | 23:00 | Stereo | IEMA | 0 | ||||||||||
| 15693 | Andreas | Simvoulopoulos | Metal Extensions | 1989 | live-elec, | 25:00 | Stereo | IEMA | 0 | ||||||||||
| 15694 | Andreas | Simvoulopoulos | Pama Rama | 1986 | fixed media, akusmatisch | 10:00 | Stereo | PS C. | 0 | ||||||||||
| 15695 | Andreas | Simvoulopoulos | Space- numbers | 1984 | fixed media, akusmatisch | 30:00 | Stereo | PS C. | 0 | ||||||||||
| 15696 | Malcolm | Singer | Man versus Machine | 1982 | intermedia, live-elec, 2 perf | Quadro | actor, perc [Schlagzeug, Schauspieler] | CCRMA | 0 | ||||||||||
| 15697 | Malcolm | Singer | Sines of OurTimes | 1981 | fixed media, akusmatisch | 8:32 | Quadro | CCRMA | 0 | ||||||||||
| 38656 | Nathalie | SINGER | Kindertonkunststudio | 2002 | radiophon | 53:22:00 | 0 | ||||||||||||
| 38657 | Nathalie | SINGER | Klango-Nacht | 2003 | radiophon | 54:37:00 | 0 | ||||||||||||
| 15699 | Gary | Singh | Evidence of Abuse | 1991 | live-elec, 1 perf | 3:00 | Quadro | drum machine [Schlagzeug] | CREAM | 0 | |||||||||
| 15700 | Gary | Singh | Kataklysmos | 1993 | Klangkunst, Installation | 6:55 | Stereo | CREAM | 0 | ||||||||||
| 15701 | Gary | Singh | My Name is Not Ed | 1993 | audiovisuell, live-elec, 1 perf | 7:00 | V, (video) [Stimme] | CREAM | 0 | ||||||||||
| 15702 | Gary | Singh | My Name is Not Ed | 1994 | Klangkunst, Installation | 5:32 | CREAM | 0 | |||||||||||
| 15703 | Gary | Singh | Seriously Professional | 1993 | Theatermusik | CREAM | 0 | ||||||||||||
| 15704 | Gary | Singh | The Fugitive | 1991 | Klangkunst, Installation | 6:58 | CREAM | 0 | |||||||||||
| 15705 | Gary | Singh | Tumble Dry Low | 1995 | Tanz, 1 perf | 10:00 | sax, (washing machine) [Saxophon] | CREAM | 0 | ||||||||||
| 15698 | Gary, Maria | Singh, Di Paola | Dove Sono | 1995 | Tanz | 4:30 | 0 | ||||||||||||
| 15706 | Jean-Marc | Singier | Bout à bout, tout à trac | 1993 | live-elec, 3 perf | 12:00 | 3 perc [Schlagzeug] | IRCAM | Lemoine | 0 | |||||||||
| 39862 | Iacopo | Sinigaglia | Buzz | 2016 | fixed media, akusmatisch | Iacopo Sinigaglia | 0 | ||||||||||||
| 19355 | Riccardo | Sinigaglia | Arm | 1991 | fixed media, akusmatisch | 6:50 | PAN 3035/ | Studio ES Milano | 1 | ||||||||||
| 15707 | Riccardo | Sinigalia | Metropoli | 1989 | live-elec, | LIM Milano | 0 | ||||||||||||
| 15708 | Riccardo | Sinigalia | Silab | 1987 | live-elec, | 1:20 | LIM Milano | 0 | |||||||||||
| 40186 | Phillip | Sink | No. 2 | 2015 | fixed media, akusmatisch | 5:51:00 | Phillip Sink | 0 | |||||||||||
| 39480 | Phillip | Sink | ReCursive | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 15709 | Birute | Sinkevichiute | SKAIM 1 | fixed media, akusmatisch | 0 | ||||||||||||||
| 15711 | Pekka | Sirén | Four Nightmares | 1983 | fixed media, akusmatisch | 11:45 | Stereo | MR Budapest | 0 | ||||||||||
| 15713 | Pekka | Sirén | Kasaanin Synthi | 1982 | Fernsehen, | 24:00 | Stereo | Yleisradio | 0 | ||||||||||
| 15714 | Pekka | Sirén | Merry-Go-Round | 1983 | fixed media, akusmatisch | 9:30 | Yleisradio | 0 | |||||||||||
| 15715 | Pekka | Sirén | Oil | 1972 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 15717 | Pekka | Sirén | Shifting | 1984 | fixed media, akusmatisch | 8:00 | Yleisradio | 0 | |||||||||||
| 15718 | Pekka | Sirén | Something is Happening on the Shore | 1982 | Zuspiel, live-elec, 2 perf | 12:00 | V, w (didgeridoo) [Stimme, Bläser] | Yleisradio | 0 | ||||||||||
| 15720 | Pekka | Sirén | The Genesis of Kazan | 1978 | Radiokunst, 1 perf | 24:00 | Stereo | actor [Schauspieler] | txtcompo | Yleisradio, EMS Stockholm | 0 | ||||||||
| 15721 | Pekka | Sirén | Touch | 1980 | fixed media, akusmatisch | 6:00 | Stereo | Yleisradio | 0 | ||||||||||
| 15722 | Pekka | Sirén | Vieraissakäynyt uni | 1975 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 40846 | Pekka | Sirén | Wind Song | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 15710 | Pekka, Agnieszka | Sirén, Waligórska | Akaklaklak | 1989/1990 | radiophon | 26:40 | Yleisradio | 0 | |||||||||||
| 15712 | Pekka, Agnieszka | Sirén, Waligórska | Hot and Cold | 1992 | radiophon | 15:15 | YLE CDY 134/ | Yleisradio, RNE | 1 | ||||||||||
| 15716 | Pekka, Agnieszka | Sirén, Waligórska | Radiocaravan | radiophon | 12:50 | Yleisradio | 0 | ||||||||||||
| 15719 | Pekka, Agnieszka | Sirén, Waligórska | The Faroe Gandur | 1995 | fixed media, akusmatisch | 11:45 | Portrait of Faroe-Island | Yleisradio | 1 | ||||||||||
| 15723 | Pekka, Agnieszka | Sirén, Waligórska | Water Tales | radiophon | 12:50 | Yleisradio | 0 | ||||||||||||
| 41454 | Candas | Sisman | Centralized (Feed_back) | 2018 | Klangkunst, Installation | 21.9.2018 | Dystopie Festival September 2018 Berlin, Errant Sound | 0 | http://www.dystopie-festival.net/wp/?lang=en | ||||||||||
| 30849 | Johannes S. | Sistermanns | 19.1 Rion Ma, Paraphase über die gleichnamige KlangPerformance für Tonband | 1998 | Performance, live-elec, 1 perf | 34:00:00 | p, (DJ) [Piano] | piece of continuous music, grand pinao, disc-jockey, megaphon, plastic gloves, stones, photos, painting, scotch-tape, Rin (acoustic bowl), . . . | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater /Fluxus - Happening - Performance/ | Kobe (Japan) 1998 (Xebec Hall) | 0 | ||||||||
| 30828 | Johannes S. | Sistermanns | 2000 basalte | 2001 | Klangkunst, Installation | 16:00:00 | acc, b-cl [Klarinette, Akkordeon] | 7 basalt-lava-stones, piezo membranes, stones, metro of Paris, accordeon, baßclarinette | bach 2000 (Festival "Rendez-vous musique nouvelle") | 0 | |||||||||
| 30824 | Johannes S. | Sistermanns | 6y Wohnung | 2002 | Klangkunst, Installation | 6:06:00 | a loving couple, internet cafe, game hall | X Wohnungen; A. Wurster, S. Schultze, + Audio CD, Order number: ISBN 978 3 89581 096 1/ | Duisburg (Theater der Welt) 2002 | 0 | |||||||||
| 30878 | Johannes S. | Sistermanns | A l'intérieur de la vue, Das Innere der Sicht | 2000 | Musiktheater | 90 | perc, ch, A, Sp, p, perf, (video-)artist [Alt, Sprecher, Piano, Schlagzeug, Performer, Chor] | Text by Paul Eluard, Drawings by Max Ernst. Percussion, scenic chorus, scenic alto, speaker, piano, performer, video artist, writer, tape, piezo membranes, unplayed instruments, monochord, loudspeaker, light, spaces of resonance |
Netzwerk Musik Saar Saarbruecken | 2000 | Hannover EXPO 2000 Deutscher Pavillon | 0 | |||||||
| 23215 | Johannes S. | Sistermanns | A l’intérieur de la vue / WeltInnenRaum eines Tones | 2000 | radiophon | 48:29 | EXPO 2000 Hannover Producer Wolfgang Korb |
Radio SR Saarbrücken | SR Saarbrücken 2000 | 1 | http://www.sistermanns.eu/#page/home | ||||||||
| 24260 | Johannes S. | Sistermanns | A No Rak | 2002 | Performance | 1:30 | 4 perf [Performer] | 2 zipper, 2 Perfor mer, Tape | Cybele 960.208/ DegeM CD 08/ | Shanghai 2006 (Music Conservatorium Shanghai) | 1 | http://www.sistermanns.eu/#page/home | |||||||
| 30815 | Johannes S. | Sistermanns | abheben | 2009 | Klangkunst, Installation | 6:00:00 | transducer, pater noster, lift space | Koeln 2008 (plan 08- um aktueller Architektur, Volkshochschule) | 0 | ||||||||||
| 39923 | Johannes S. | Sistermanns | Algo que necesita lenta encontrarme | 2017 | fixed media, akusmatisch | Johannes S. Sistermanns | 0 | ||||||||||||
| 30786 | Johannes S. | Sistermanns | Anorak – Streichholz – Türschlüssel – Papier – Blechdose: every day noises | 2003 | radiophon | 6:34:00 | Wolfram Wessels, SWR Baden-Baden | SWR Baden-Baden | 2002 | SWR Baden-Baden 2002 (Series: Dschungel) | 0 | ||||||||
| 33786 | Johannes S. | Sistermanns | Aroona __ still | 2013 | fixed media, akusmatisch | 7 | Stereo | DegeM CD 12 Seltene Erden/ | 1 | ||||||||||
| 30836 | Johannes S. | Sistermanns | Auf Blau zugehen | 1995 | Klangkunst, Installation | 31:45:00 | grey room, room tones, city noise, harmonics, sampling. Concept of space: Silvia Schreiber, Hermann Maier Neustadt |
NURNICHTNUR 1971205/ Kiasma 1999/ | Berlin 1995 (Info-Box am Potsdamer Platz) | 0 | |||||||||
| 30765 | Johannes S. | Sistermanns | auf weitem Feld | 2006 | live-elec, 2 perf | 16:00:00 | Quadro | (elec), monochord, V [Stimme, Streicher] | electroacoustic, 4 loudspeaker, monochord, voice | ISCM Wolrd New Music Days 2006, Kunstmuseum Stuttgart | 0 | ||||||||
| 30814 | Johannes S. | Sistermanns | Augenklang | 2009 | Klangkunst, Installation | 12:00:00 | piezo membrane, plastic, steel construction, Foyer | Hessischer Rundfunk, Frankfurt, 2008 | 0 | ||||||||||
| 24906 | Johannes S. | Sistermanns | [ ] aus nichts etwas J.B. | 2003 | fixed media, akusmatisch | 12:00 | 6 | TU Berlin | Ultraschall 2004 | 20.1.2004 | Sophiensäle | 1 | http://www.sistermanns.eu/#page/home | ||||||
| 30774 | Johannes S. | Sistermanns | Ausculta - Kloster Lichtenthal | 2012 | radiophon | 48:00:00 | Stereo, Surround 5.1 | Manfred Hess, SWR Baden-Baden (Studio ars acustica) | SWR Baden-Baden | SWR Baden-Baden | Prix Phonurgia nova | 0 | |||||||
| 30822 | Johannes S. | Sistermanns | auto diapason | 2003 | Klangkunst, Installation | 32:25 | 12 perf [Performer] | 12 cars, 12 car driver, 12 car radios, inner city, 12 cd's | 2003 | Grimma 2003 (ECHO- Festival) | 0 | ||||||||
| 30819 | Johannes S. | Sistermanns | AutoAutoAuto | 2005 | Klangkunst, Installation | 10:45:00 | 3 V [Stimme] | AutoqPREMIERrtett: 3 voices and car driver 32 Was träumen Autos nachts: 3 electroacoustic compositionen 2,30 / 4 / 5:12 Autowerkstatt Modehouse ; electroacoustic composition 10:45 |
2005 | Donaueschingen (Donaueschinger Musiktage) 2005 | 0 | ||||||||
| 30857 | Johannes S. | Sistermanns | Bereifte Klänge / Silent Cities - singing Cars | 2011 | Klangkunst, Installation | 6 perf [Performer] | SoundPlastic for 6 Electric cars, WaVer [Transducer], 6 Driver | Saarbrücken | 0 | ||||||||||
| 30832 | Johannes S. | Sistermanns | blättern | 1999 | Klangkunst, Installation | 22:40:00 | a tree, 50 piezo membranes, Tape | Koeln 1999 (Schloß Wahn/Universität zu Koeln) | 0 | ||||||||||
| 30763 | Johannes S. | Sistermanns | Blinman | 2009 | live-elec, 1 perf | 40 | Octo, Spazialisation: ZKM Klangdom 43 Speakers | vc [Cello] | Version for Sound Dome 43 Loudspeaker (ZKM) and version for 8/5 Loudspeaker. transducer, live-sound directing, 3 digital scores, violoncello |
hr2 Hessischer Rundfunk Radio Frankfurt | 2009 2010 |
8 Loudspeaker Klangbiennale 2009, hr2 Klangdom ZKM 2010 |
0 | ||||||
| 30760 | Johannes S. | Sistermanns | Brainscape | 2011 | audiovisuell | 7:05:00 | Video : Helga Griffiths | Helga Griffiths | Dresden [Deutsches Hygiene Museum] | 0 | |||||||||
| 30782 | Johannes S. | Sistermanns | Christmas on the beach | 2005 | radiophon | 30:00:00 | Wolfram Wessels, SWR Baden-Baden | SWR Baden-Baden | 2005 | SWR Baden-Baden 2005 | 0 | ||||||||
| 30853 | Johannes S. | Sistermanns | Continents III - Leaves of Grass | 1993 | Performance | 34:00:00 | monochord, V [Stimme, Streicher] | voice, monochord, tape, radio, natural materials, fluorescent yellow ways; Text: Walt Whitman | New York 1993 (Gallery 54 Soho) | 0 | |||||||||
| 30829 | Johannes S. | Sistermanns | Day of Resonance Night of Beginnings | 2001 | Klangkunst, Installation | 5 gallery spaces, piezo membranes, dried bread bread, parts of car wreck, big white sheets | Contemtporary Art Center South Australia | 2000 | Adelaide/Australien (CACSA Contemporary Art Center of South Australia) | 0 | |||||||||
| 30826 | Johannes S. | Sistermanns | den Raum stimmen | 2001 | Klangkunst, Installation | 10:05:00 | every day noise of a hotel, elecronics | Graz 2001 (Musikprotokoll, Steirischer Herbst Graz) | 0 | ||||||||||
| 23216 | Johannes S. | Sistermanns | den Raumstimmen | 2001 | Klangkunst, Installation | 10:00 | Komponiertes Hotelzimmer mit Membran-Technik. Steirischer Herbst Graz 2001 | PS | 1 | http://www.sistermanns.eu/#page/home | |||||||||
| 30800 | Johannes S. | Sistermanns | den Spargel wachsen hören | 2012 | Klangkunst, Installation | SoundPlastic for a poublic place [Peter-Fryns-Platz] of Bornheim City | Bornheim | 0 | |||||||||||
| 30801 | Johannes S. | Sistermanns | Der Klang der Schrift | 2012 | Klangkunst, Installation | SoundPlastic for Paper, Bibles of 18. Century | Düsseldorf (FFFZ) | 0 | |||||||||||
| 30835 | Johannes S. | Sistermanns | Der Resonanzmensch | 1996 | Klangkunst, Installation | 34:00:00 | 7 monochords [Streicher] | seven monochords lit and echoing, seven acoustic bowls, room tone, tape and total dark room | Donaueschingen 1996 (Donaueschinger Musiktage) | 0 | |||||||||
| 30793 | Johannes S. | Sistermanns | Der Siebente Satz | 1989/1990 | radiophon | 35:13 | 3 V, noises, echoing spaces (sonic notation) [Stimme] | Hermann Naber, SWF Baden-Baden (Studio ars acustica) Text by Hazrat Inayat Khan |
SWR Baden-Baden | 1990 | 0 | ||||||||
| 30856 | Johannes S. | Sistermanns | Der Vokal entleert sich | 1987 | Performance | 40:00:00 | V, monochord [Stimme, Streicher] | Noise-Performance (sonic notation), voice, breath, basalt-lava-stone, monochord | Exhibition and Premiere Cologne (Gallery Kolon) 1989 | 0 | |||||||||
| 30780 | Johannes S. | Sistermanns | Die Befragung des Echos | 2007 | radiophon | 22:00:00 | Radio HR Frankfurt | Filmstiftung NRW Filmfoundation Duesseldorf | 2007 | HR Frankfurt 2007 | 0 | ||||||||
| 30879 | Johannes S. | Sistermanns | Die Klangfrau, Neufassung | 1988 | Musiktheater | 15:55:00 | perf [Performer] | performer, light, tape, scenic 'Radio Drama | 1988 | Baden-Baden (Herbstkorrespondenzen) | 0 | ||||||||
| 30881 | Johannes S. | Sistermanns | Die Klangfrau | 1983 | Musiktheater | 6:42:00 | perf [Performer] | performer, light, tape Scenic Radio Play | 1983 | Koeln 1983 | 0 | ||||||||
| 30811 | Johannes S. | Sistermanns | durchhören | 2008/2009 | Klangkunst, Installation | 12:00:00 | noise, the interior of spaces of the Museums and their room tones | 2008 | Skulpturenmuseum Marl 2008 | Deutscher Klangkunst-Preis 2008 | 0 | ||||||||
| 30794 | Johannes S. | Sistermanns | Einen Weg gehen, a walker, city noises | 1983/1984 | radiophon | 46:30:00 | Jürgen Becker / Klaus Schöning; Co-Production: DLF / WDR Koeln (Studio Akustische Kunst) |
WDR Studio Akustische Kunst | 1984 | DLF / WDR Koeln (Studio akustische Kunst) | 0 | ||||||||
| 30771 | Johannes S. | Sistermanns | EN | 1992 | fixed media, akusmatisch | 12:00:00 | ZKM Karlsruhe | ZKM | Pyramidale, Berlin 1997 | 0 | |||||||||
| 30769 | Johannes S. | Sistermanns | etc - electric tea ceremony | 2001 | Zuspiel, live-elec, 3 perf | 46:20:00 | V, sam, (tea box, teacup, water,) monochord [Stimme, computer, Streicher] | computer sampling, voice, tea box, teacup, water, monochord tape’s and contact mics | Tokyo 2001 (Winds Cafe 54- Winds Gallery) | 0 | |||||||||
| 30785 | Johannes S. | Sistermanns | etc_dozo | 2003 | radiophon | 61:00:00 | Andreas Hagelueken, rbb Berlin | Radio RBB | 2003 | RBB Berlin 2003 (Internationale digitale Radiokunst) | 0 | ||||||||
| 24983 | Johannes S. | Sistermanns | etc_random | 2004 | fixed media, akusmatisch | 58:46 | with Kazuya Ishigami (com sm) and Sistermanns (V etc.) Diese CD soll im Random-Mode gespielt werden!!! |
WER ARTS 8104/ | 1 | http://www.sistermanns.eu/#page/home | |||||||||
| 30778 | Johannes S. | Sistermanns | fade / perspectives | 2008 | radiophon | 52:00:00 | Stefan Fricke, WDR Koeln (Studio Akustische Kunst) | WDR Studio Akustische Kunst | 2008 | WDR Koeln 2008 (Studio Akustische Kunst) | 0 | ||||||||
| 23515 | Johannes S. | Sistermanns | Flex | 2003 | radiophon | fixed media, akusmatisch |
9 | Stereo, 7 tracks | TU Berlin | 2003 | Berlin 2003 Festival Kryptonale | 1 | http://www.sistermanns.eu/#page/home | |||||||
| 30821 | Johannes S. | Sistermanns | Foyer acoustique | 2003 | Klangkunst, Installation | 7:40:00 | 15 Tracks | public space, 15 loudspeaker, tapes | Koeln 2003 (Opernvorplatz/Jacques Offenbach Platz) | 0 | |||||||||
| 30854 | Johannes S. | Sistermanns | Fragestain / 7 | 1991 | Performance | 35:00:00 | monochord [Streicher] | 7 basalt-lava-stones, monochord, room tone | Cologne (Moltkerei) 1991 | 0 | |||||||||
| 30783 | Johannes S. | Sistermanns | Fußgesänge ballrund (mit Fußballfangesänge) | 2004 | radiophon | 31:00:00 | Wolfram Wessels, SWR Baden-Baden | SWR Baden-Baden | 2004 | SWR Baden-Baden 2004 | 0 | ||||||||
| 30876 | Johannes S. | Sistermanns | Good evening song | 2007 | Performance | V, p [Stimme, Piano] | Linda Marie Walker (words, voice), James Guerts (video, tape), Johanne S. Sistermanns (voice, piano, scotch tape) | 2007 | Delacatessen Gallery, Adelaide/Australia with Linda Marie Walker (words, voice), James Guerts (video, tape), Johanne S. Sistermanns (voice, piano, scotch tape) | 0 | |||||||||
| 30860 | Johannes S. | Sistermanns | Hallo Welt ! | 2006 | Klangkunst, Installation | 180:00:00 | 40 mus [Musiker] | Prolog for railway station; 40 activ musicians (singer, instrumentalists, speaker) video, tapes, 9 electroacoustic compositionen | Dresden 2006 (20. Dresdner Tage zeitgenössischer Musik) | 0 | |||||||||
| 27823 | Johannes S. | Sistermanns | HORIZON T | 2008 | fixed media, akusmatisch | 17:40 | Spazialisation: WFS | TU Berlin, PS C. | Inventionen 2008 | 2.8.2008 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 1 | 2008 | http://www.sistermanns.eu/#page/home | |||||
| 23217 | Johannes S. | Sistermanns | I hear you think | 1995 | radiophon | 34:12 | 10 Sp, va, perc [Sprecher, Schlagzeug, Viola] | für 10 mehrsprachige Schauspieler/Sprecher, Bratsche, Tambourin, Stein, Holz, Klavier-Resonanzboden, Eisentisch, Papier, Plastikstäbchen, Computer -generierte Klänge, Denk- und Raumsituationen Producer Wolfgang Korb / Klaus Schöning |
Radio SR Saarbrücken, WDR Studio Akustische Kunst | 1997 | 1 | http://www.sistermanns.eu/#page/home | |||||||
| 30873 | Johannes S. | Sistermanns | I thought I saw you | 2001 | audiovisuell, live-elec, 4 perf | 32:45 | 4 perc [Schlagzeug] | 4 percussionists, 4 monitors, 4 videos, live-elektronic, 4 electroacoustic composition with live sound directing | Europäisches Zentrum der Künste | Dresden 2001 | Dresden Hellerau, 15. Dresdner Tage zeitgenössischer Musik | 0 | |||||||
| 30762 | Johannes S. | Sistermanns | Ichi Zer 0 | 2009 | fixed media, akusmatisch | 6:19:00 | 0 | ||||||||||||
| 30776 | Johannes S. | Sistermanns | im klangrand | 2009 | radiophon | 48:30:00 | Markus Gammel, DLR Kulturradio Berlin | DeutschlandRadio | 2009 | DLR Kulturradio Berlin 2009 | 0 | ||||||||
| 30837 | Johannes S. | Sistermanns | Indigo | 1994 | Klangkunst, Installation | monochord [Streicher] | monochord, tape, loudspeaker, 5 basalt-lava-stones unrealisiert! |
0 | |||||||||||
| 30767 | Johannes S. | Sistermanns | Inter View | 2005 | Zuspiel, live-elec, 3 perf | 12:00:00 | p, vc, perc [Piano, Schlagzeug, Cello] | piano, cello/piezo membrane, percussion/transducer, tape | City of Kaiserslautern | Portrait concert Fruchthalle Kaiserslautern 2005; SR Saarbruecken - Radio live broadcasting 2005 | 0 | ||||||||
| 30768 | Johannes S. | Sistermanns | Inter vue | 2004 | live-elec, 1 perf | 14:00:00 | vc, (elec) [Cello] | Piezo Membrane, Electronics, Violoncello | Wissenschaftstadt Darmstadt | International Ferienkurse Darmstadt (Orangerie) 2004 | 0 | ||||||||
| 30818 | Johannes S. | Sistermanns | INTUITION Raum 2005 | 2005 | Klangkunst, Installation | 6:55:00 | V [Stimme] | voice, breath, bottle, tibetan sound bell, piezo membranes, loudspeaker | Friedrichsbau, Bühl/Baden 2005 | 0 | |||||||||
| 30810 | Johannes S. | Sistermanns | INTUITION Raum 2009 | 2009 | Klangkunst, Installation | 12 | 2009 | Water Chateau Quilow, Mecklenburg Vorpommern (Germany) | 0 | ||||||||||
| 30808 | Johannes S. | Sistermanns | INTUITION Raum 2010 /Adelaide | 2010 | Klangkunst, Installation | SoundPlastic for cling film, glas, CD, piezo membrane | AEAF Australien Experimental Art Foundation, Adelaide/Australien | 0 | |||||||||||
| 30809 | Johannes S. | Sistermanns | INTUITION Raum 2010 /Bukarest | 2010 | Klangkunst, Installation | SoundPlastic for cling film, glas, CD, piezo membrane | SIMN 2010 Festival, Bucharest/Rumänien | 0 | |||||||||||
| 30807 | Johannes S. | Sistermanns | INTUITION Raum 2010 /Pulheim | 2010 | Klangkunst, Installation | SoundPlastic for cling film, glas, CD, piezo membrane, transducer | St. Martin, Raumklänge Festival, Pulheim Stommeln | 0 | |||||||||||
| 30806 | Johannes S. | Sistermanns | INTUITION Raum 2010 Sydney | 2010 | Klangkunst, Installation | 12:00:00 | SoundPlastic for cling film, glas, CD, piezo membrane, transducer | 2010 | ISCM 2010, Atrium Conservatorium of Music, Sydney, 2010 | ISCM World New Music Days Sydney 2010 | 0 | ||||||||
| 30805 | Johannes S. | Sistermanns | INTUITION Raum 2011 Hilltown | 2011 | Klangkunst, Installation | SoundPlastic for Cling wrap, Electronics, Piezo Membrane | Hilltown, Irland 2011 | 0 | |||||||||||
| 30779 | Johannes S. | Sistermanns | Jacob Räume Zen | 2007 | radiophon | 55:00:00 | Götz Naleppa, DLR Kulturradio Berlin | DeutschlandRadio | 2007 | DLR Kulturradio Berlin 2007 | 0 | ||||||||
| 30792 | Johannes S. | Sistermanns | Just and Thongs | 1997 | radiophon | 27:59 | 2 V, (house, wash basin, shower, tv, railway, Robert Fripp, Kbd, radio, telefonsignale) [Stimme] | Text by Linda Marie Walker | SWR Baden-Baden | 1997 | SWR Radio Baden-Baden 1997 | Förderpreis des Karl-Sczuka-Preis 1997 | 0 | ||||||
| 30758 | Johannes S. | Sistermanns | Käfig Resonanzen | 2012 | Performance | 60:00:00 | vc, toy p [Piano, Cello] | Fello-Sensor Technic, Laptop, Cello, WaVer [Transducer], Toy Piano, Paper, Felt, | Weserbergmuseum Bremen / Radio Bremen | Bremen [Radio Bremen Live-Broadcasting] | 0 | ||||||||
| 30840 | Johannes S. | Sistermanns | KLANG EINS - SIEH DAS GRÜN | 1984 | Klangkunst, Installation | V [Stimme] | 1 tent stand, voices, roll of gauzes | Nümbrecht 1984 (Umwelttage) | 0 | ||||||||||
| 30775 | Johannes S. | Sistermanns | klangerzählen | 2010 | radiophon | 53:00:00 | Hans Burkhard Schlichting / Frank Halbig, SWR Baden-Baden (Studio ars acustica) | SWR Baden-Baden | 2010 | SWR Baden-Baden 2010 | 0 | ||||||||
| 30869 | Johannes S. | Sistermanns | Klangort | 1992/1994/1998 | Performance | 35:12 | 8 ch, 24 V [Stimme, Chor] | Eight a-cappella chorus, 24 singer, 24 private rooms, public sqare CAMBRIDGE SCHOLARS PUBLISHING, 2007/2009, 15 Angerton Gardens, Newcastle, 435 pages + 1 CD, ISBN 1-84718-255-0 |
NURNICHTNUR 981102/ ISBN 1-84718-255-0/ | 1992 | Wuppertal (Bauhütte Klangzeit '92) | 0 | |||||||
| 30877 | Johannes S. | Sistermanns | KlangPlastik | 2006 | Performance, Zuspiel, live-elec, 5 perf | 5 V [Stimme] | 5 voices, cling wrap, 5 rooms, piezo membranes, tape | Wissenschaftstadt Darmstadt | Wissenschaftstadt Darmstadt. Internationale Ferienkurse/Kunsthalle Darmstadt 2006 – 30 | 0 | |||||||||
| 30797 | Johannes S. | Sistermanns | lerchenfliessen | 2012 | Klangkunst, Installation | 20 perf [Performer] | Mobile SoundPlastic for 20 Persons, Cling wrap, WaVer, Inner space, Public room | Wien (Soundbarrier Festival) | 0 | ||||||||||
| 30875 | Johannes S. | Sistermanns | Licht - Traum | 1983 | Performance | 25:00:00 | p [Piano] | Grand piano, harmonics, light and the room tone of this site | 1983 | Munich (Festival Experimentelle Musik Munich 83) | 0 | ||||||||
| 30846 | Johannes S. | Sistermanns | Lichtenberg | 2006 | Performance | 50:00:00 | V [Stimme] | voice, cling wrap, piezo membrane | Maastricht 2006 (Terug naar de Lichtenberg/intro in situ) | 0 | |||||||||
| 23218 | Johannes S. | Sistermanns | Lichtung | 1997 | Klangkunst, Installation | 3 monochorde, V [Stimme] | für 3 Monochorde., Raumstimmen, live Radio- und TV, Geräusche. Technisches Konzept Frank Trost | PS C., Radio SFB | SFB-KlangGalerie | 7.10.1997 | Lichthof des Haus des Rundfunks SFB Berlin | 1 | http://www.sistermanns.eu/#page/home | ||||||
| 30834 | Johannes S. | Sistermanns | Lichtung - 3 Monochorde PRIX EUROPA | 1997 | Klangkunst, Installation | 26:47:00 | live-transmission of 3 radiostations of Berlin, piezo membranes on 3 monochorde, live- voice | SFB | 1997 | Sound Gallery Sender Freies Berlin; International Digital Radioart | PRIX EUROPA | 0 | |||||||
| 30772 | Johannes S. | Sistermanns | los hören | 2012 | radiophon | 50:00:00 | Marcus Gammel, DLR Kulturradio Berlin | DeutschlandRadio | DLR Kulturradio Berlin | 0 | |||||||||
| 33691 | Johannes S. | Sistermanns | Ludwig japonaise | 2012 | fixed media, akusmatisch | 3:03 | Stereo | MH-G7 012/ | PS C., | MH-G7 012 | 1 | ||||||||
| 30870 | Johannes S. | Sistermanns | Luftort 1 | 2008 | Performance, live-elec, 1 perf | 14:00:00 | 5 tracks | V, (elec) [Stimme] | 5 loudspeaker, electronics, voice | Berlin 2008 (Konrad-Adenauer-Stiftung) | 0 | ||||||||
| 30798 | Johannes S. | Sistermanns | luftzug | 2012 | Klangkunst, Installation | SoundPlastic for threedrei glass ceilings of the main station of Darmstadt City | Hbf. Darmstadt | 0 | |||||||||||
| 35003 | Johannes S. | Sistermanns | Ma Un Ma | 2016 | Klangkunst, Installation | 13.10.2016 | Donaueschinger Musiktage, Anton-Mall-Stadion | 0 | |||||||||||
| 30852 | Johannes S. | Sistermanns | Musica est | 1994 | Performance | 34:00:00 | monochord, V [Stimme, Streicher] | monochord, stones, rin (acoustic bowl), voice | Koeln 1994 (übergangsraum) | 0 | |||||||||
| 30845 | Johannes S. | Sistermanns | New York sur_ | 2007 | Performance | 50:00:00 | Quadro | V [Stimme] | voice, cling wrap, 4 loudspeaker | New York 2007 (Experimental Intermedia/Phil Niblock) | 0 | ||||||||
| 30777 | Johannes S. | Sistermanns | New York Undersounds | 2008 | radiophon | 30:00:00 | Patrick Batarilo, SWR Baden-Baden | SWR Baden-Baden | 2008 | SWR Baden-Baden 2008 (Series: Dschungel) | 0 | ||||||||
| 30820 | Johannes S. | Sistermanns | nichts sucht etwas | 2004 | Klangkunst, Installation | 21:35:00 | three sound plastics in three different rooms within the church basalt-lava-stones, scotch tape, five books, piezo membranes | Singuhr – hoergalerie in parochial/ Kehrer Verlag ISBN 978-3-939583-23-3/ | 25.9.-26.10.2003 | singuhr hoergalerie Berlin | 0 | ||||||||
| 30761 | Johannes S. | Sistermanns | Nigh Shift Istanbul | 2011 | fixed media, akusmatisch | 60:00:00 | 5 tracks | Worldmusic Festival Hannover | Hannover | 0 | |||||||||
| 30795 | Johannes S. | Sistermanns | Ode to Beet | 2012 | Klangkunst, Installation | Performance |
Paraphrase about the Beethoven-Room by Mauricio Kagel ,Inge Baecker Bochum - Fluxus Ruhrgebiet’ Group Exhibition | Kunstmuseum Bochum | 0 | |||||||||||
| 30880 | Johannes S. | Sistermanns | Ohne Titel. Orte. Rauschen | 1987 | Musiktheater | 22:00:00 | p, harmonium, V [Stimme, Piano, Orgel] | harmonium, grand piano, voice, telephone cab, breath, stones, wood, video | Koeln 1988 (Fermate-Festival) | 0 | |||||||||
| 27824 | Johannes S. | Sistermanns | Oratunga | 2008 | fixed media, akusmatisch | 9:15 | 5 tracks | VICC Visby | 11.7.2008 | ADMC 2008 Sydney | 1 | http://www.sistermanns.eu/#page/home | |||||||
| 30868 | Johannes S. | Sistermanns | OrchestreVille | 1998 | audiovisuell | Klangkunst, Installation |
60:00:00 | 6 V, 6 mus, 12 perf (6 writer, 6 videoartist,) [Stimme, Musiker, Performer] | Scenic video-sound-city; inner city; Composition. Unaufgeführt! |
Grant by Filmstiftung NRW Düsseldorf | 0 | |||||||||
| 26142 | Johannes S. | Sistermanns | Orpheus sings the net | 2007 | fixed media, akusmatisch | 3:22 | Stereo | electroacoustic short opera | Cybele 960.209/ DegeM CD 09/ | PS C. | Center TV, Koeln ‚ Rheinkultur | 1 | http://www.sistermanns.eu/#page/home | ||||||
| 30766 | Johannes S. | Sistermanns | Papier / Schatten | 2005 | Zuspiel, live-elec, 1 perf | 60:00:00 | V [Stimme] | live com sm Max/MSP, paper, voice, tape | Goethe-Institut Tokyo, Festival ‚Germany in Japan’ 2005/06 | 0 | |||||||||
| 23219 | Johannes S. | Sistermanns | Paris, drinnen. Hörstück für Innenräume, Stimme, Stadtresonanzen | 1991/1992 | radiophon | 35:12 | WDR Studio Akustische Kunst | 0 | http://www.sistermanns.eu/#page/home | ||||||||||
| 30770 | Johannes S. | Sistermanns | Politatmosphären | 1993 | fixed media, akusmatisch | 12:00:00 | tape, concrete sounds, Atmospheric soundportrait of the german polit party ‘Die Grünen’ | Museum ‘Haus der Geschichte’ Bonn | 0 | ||||||||||
| 30862 | Johannes S. | Sistermanns | Prometheus | 2003 | Klangkunst, Installation | 180 | Urban Environment (40 projects, inside – outside, underground) Projekt zur Bewerbung Europa’s 'Kulturhauptstadt 2010' |
Görlitz | Görlitz 2003 (Untermarkt) | 0 | |||||||||
| 34702 | Johannes S. | Sistermanns | Raum_aufgeben_1 | 2016 | fixed media, akusmatisch | 1:32:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 30839 | Johannes S. | Sistermanns | raumhören 2 | 1992 | Klangkunst, Installation | 32:00:00 | p, acc [Piano, Akkordeon] | piano, loudspeaker, stones, accordeon, radiomics, 25m long pianostring, piano resonances | Hannover 1992 ( o Artistico Eisfabrik) | 0 | |||||||||
| 23220 | Johannes S. | Sistermanns | raumhören 3 | 1996 | radiophon | 43:18 | 3 V, monochord [Stimme, Streicher] | 3 Stimmen, Monochord, Basalt-Lava Steine Text: Monika Köhn, Baden-Baden, BRD und Jo Nelson, Gig Harbor (Seattle), Washington, USA |
Radio SR Saarbrücken | 1 | http://www.sistermanns.eu/#page/home | ||||||||
| 30813 | Johannes S. | Sistermanns | Reis und Wasser | 2009 | Klangkunst, Installation | 6:00:00 | transducer, steeldoors, interior of the bridge | Subculinaria, Deutzer Brücke Interior, 2008 | 0 | ||||||||||
| 30759 | Johannes S. | Sistermanns | Rest Risiko | 2012 | Performance | 60:00:00 | Video-Score, Gesture-Sensor Technic, Laptop, WaVer [Transducer], Live-Electronic, 4 Organs, Videos, (Gudrun Kemsa), Felt, Ching, Grand Piano, 4 Offertories, Chruch room | Biennale Bern | Bern [Münster] | 0 | |||||||||
| 30799 | Johannes S. | Sistermanns | SA vertical SA | 2012 | Klangkunst, Installation | SoundPlastic for Gallery, Foyer, Staircase | SASA Gallery Adelaide | 0 | |||||||||||
| 30841 | Johannes S. | Sistermanns | SA vertical SA | 2012 | Performance | Performance | SASA Gallery Adelaide | 0 | |||||||||||
| 30789 | Johannes S. | Sistermanns | Samba Colonia | 2003 | radiophon | 24:59 | Wolfram Wessels, SWR Baden-Baden | SWR Baden-Baden | 2002 | SWR Baden-Baden 2002 (Series: Dschungel) | 0 | ||||||||
| 30784 | Johannes S. | Sistermanns | Schatten, ein Klangsitzen | 2003 | radiophon | 42:00:00 | Markus Heuger, WDR Koeln (Studio Akustische Kunst) | WDR Studio Akustische Kunst | 2003 | WDR (Studio Akustische Kunst) Koeln 2003 | 0 | ||||||||
| 30788 | Johannes S. | Sistermanns | Shampoonierte Antennen, live-radio mix live-internet- und live-cd | 2003 | radiophon | 55:00:00 | Manfred Hess, HR Frankfurt | Radio HR Frankfurt | 2002 | HR Frankfurt 2002 | 0 | ||||||||
| 23221 | Johannes S. | Sistermanns | Shichi Go San, 11 japanese spaces of sound | 2002 | fixed media, akusmatisch | 52:00 | SWR Baden-Baden | SWR Baden-Baden (Studio ars acustica) | SWR Baden-Baden 2003 (RadioArt) | 1 | http://www.sistermanns.eu/#page/home | ||||||||
| 30867 | Johannes S. | Sistermanns | Silent tea at teramichi | 2001 | Performance | 60 | Performance: Johannes S. Sistermanns; Video: Nakosho Michi, Kyoto |
Kyoto 2001 (Teramachi-dori Einkaufspassagen) | 0 | ||||||||||
| 30861 | Johannes S. | Sistermanns | Sistermanns KL Klangort Kaiserslautern | 2006 | Performance | City sounds, 4 instrumental Compositions, workshop-improvisations in gymnasiums of the City of Kaiserslautern, electroacoustic compositions, sond plastics | Edition Sistermanns 753002/ | Kaiserslautern | 0 | ||||||||||
| 30773 | Johannes S. | Sistermanns | TC Wash | 2012 | radiophon | 53:00:00 | Stelexan Fricke, hr2 Frankfurt | Radio HR Frankfurt | hr2 Frankfurt | 0 | |||||||||
| 30838 | Johannes S. | Sistermanns | the moment of the room | 1994 | Klangkunst, Installation | 42:00:00 | V [Stimme] | animal skins, tile walls, steele, voice, water pipes, iron railing, room tones, external sounds, sound bowl, fluorescent yellow | Wuppertal 1994 (Kunstraum) | 0 | |||||||||
| 30764 | Johannes S. | Sistermanns | To disappear / appear | 2007 | fixed media, akusmatisch | 2:22:00 | Free Production of the Author | CD: sounds we are now, aphasia records, 2007 - 2/ Aphasia 022/ | PS C. | Center TV, Koeln ‚Rheinkultur’ | 0 | ||||||||
| 30790 | Johannes S. | Sistermanns | Tokyo vertikal | 2001 | radiophon | 25:08:00 | Wolfram Wessels, SWR Baden-Baden | SWR Baden-Baden | 201 | SWR Baden-Baden 2001 (Series: Dschungel) | 0 | ||||||||
| 30833 | Johannes S. | Sistermanns | überschreiten Raum allein | 1999 | Klangkunst, Installation | 17:59:00 | piezo membranes, staircase in the ‚Blue Mayor’ in Donaueschingen | Experimentalstudio für Akustische Kunst Freiburg | Donaueschingen 1999 (Donaueschinger Musiktage), ‚Blue Mayor’ | 1 | |||||||||
| 30817 | Johannes S. | Sistermanns | …und weht ein Lied in allen Bäumen piezo-membrane | 2005/2006 | Klangkunst, Installation | 6:32 | Osaka 2005 Senkoji Temple (Goethe-Institut, Festival ‚ Germany in Japan 2005/06) | 0 | |||||||||||
| 30812 | Johannes S. | Sistermanns | und weht ein Lied in allen Häuser . . . | 2009 | Klangkunst, Installation | 7:00:00 | piezo membrane, city administration building, Lüchow | Netzwerk Neue Musik | Lüchow, Netzwerk Neue Musik / Musik 21, 2008 | 0 | |||||||||
| 30757 | Johannes S. | Sistermanns | Unstrument | 2012 | Performance, live-elec, | 8:00:00 | 35 WaVer [Transducer], Laptop, Electronics, Live-Sound directing, empty Orchestra | Philharmonie Luxembourg | Luxembourg [Philharmonie] | 0 | |||||||||
| 30866 | Johannes S. | Sistermanns | Versunkene Glocken, Prometheus | 2003 | Performance | 11:25:00 | Part of the project: ‚Prometheus’ Urban drainiage, loudspeaker, tapes | Görlitz 2003 (Prometheus, Kulturhauptstadtbewerbung 2010) | 0 | ||||||||||
| 30858 | Johannes S. | Sistermanns | von, enfernt | 2011 | Performance | 10 perf [Performer] | Mobile SoundPlastic for 10 Persons, Ghettoblaster, Inner city, Pedal boats, 60 Piezo-Membrane, Tree leaves | Hannover | 0 | ||||||||||
| 30859 | Johannes S. | Sistermanns | Wa l d r a n d 1 | 2011 | Klangkunst, Installation | 18 mus [Musiker] | Edge of Forest / Edge of City, 18 Musicians | Internationales Waldkunstzentrum, Darmstadt [Biennale Waldkunstpfad] - In the frameprogram of ‚A House Full of Music’ Mathildenhöhe [Exhibition] | 0 | ||||||||||
| 30796 | Johannes S. | Sistermanns | Waldrand 1 - 3, Forest Edge of City floating Grand Piano tree upside down |
2012 | Klangkunst, Installation | Forest, Edge of City, 18 Musicians [1] floating Grand Piano, WaVer [2] tree upside down – roots up, blue space and WaVer [3] |
Internationales Waldkunstzentrum, Darmstadt [Biennale Waldkunstpfad] - In the framwork of ‚A House Full of Music’ Mathildenhöhe [Exhibition] | 0 | |||||||||||
| 30848 | Johannes S. | Sistermanns | warming up of living room | 2000 | Performance | 27:30:00 | 8 perf [Performer] | building, 7 rooms, 7 huge windows, 8 performer, dried palmleafs, weared cloth, newspaper, wood, pillows etc. | Adelaide 2000 (Adelaide Festival) | 0 | |||||||||
| 30851 | Johannes S. | Sistermanns | Wasser unter Wasser | 1997 | Performance | V, monochord [Stimme, Streicher] | TV-under water performance, voice, monochord, under water singing, Film title ‚Vom Klang des Rheins’ Directing: Otto Jägersberg | SWF Baden-Baden 1997 | 0 | ||||||||||
| 30802 | Johannes S. | Sistermanns | weiter | 2011 | Klangkunst, Installation | SoundPlastic [collaboration with Gudrun Kemsa, Video] | Kunstverein Brühl/Rhld. | 0 | |||||||||||
| 30842 | Johannes S. | Sistermanns | Whispering between stars | 2012 | Performance | Performance | Percy Grainger Museum, Melbourne | 0 | |||||||||||
| 30825 | Johannes S. | Sistermanns | white taste Feld short black | 2002 | Klangkunst, Installation | 16:28:00 | wood sheets, piezo membranes, scotch tape, keybord solo, LED light | Koeln 2002 (Galerie Rachel Haferkamp) 2002 | 0 | ||||||||||
| 30874 | Johannes S. | Sistermanns | wie der raum vergeht | 2000 | audiovisuell, live-elec, 3 perf | 22:19 | 3 V [Stimme] | 3 voices (bass, alto, sopran), live-radio, tape, piezo membrane, video + mortPREMIERry | Pro Musica Nova | 2000 | Pro Musica Nova, Radio Bremen; Atelier im Volkshaus | 0 | |||||||
| 30816 | Johannes S. | Sistermanns | wo hin gehen | 2006 | Klangkunst, Installation | ≈ 20 | cling wrap, iron rods, little loudspeaker, 5 tapes | Koeln 2006 (Galerie Rachel Haferkamp) | 0 | ||||||||||
| 23354 | Johannes S. | Sistermanns | Xix Mikado, 7 Klangtableaux | 1998 | fixed media, akusmatisch | 34:48 | Vs, (airplanes, computertrans med sounds, pianoresonances, bells, sticks, acoustic bowl rin, disc-jockey, birdsingings) [Stimme] | CD 630: Ausschnitt Mikado 2 (5:36) Wolfgang Korb, SR Saarbruecken |
Cybele 960.204/ DegeM CD 04/ Edition Sistermanns 753001/ | Radio SR Saarbrücken | 1 | http://www.sistermanns.eu/#page/home | |||||||
| 30850 | Johannes S., Ros | Sistermanns, Bandt | A Global Garden Percy - Live Satellite-Performance | 1997 | Performance | radiophon |
41:08 | monochord, butterfly-piano, stones, voices, ISDN-Link, sinuswaves, watersounds, indian bells, computergenerated sounds of instruments built by Percy Grainger, exhibited in the Percy Grainger Museum, Melbourne | WER ARTS 8120/ Craftsman House, Cambridge 2002 ISBN 978-1877004025, with Audio CD/ | 1997 | Hochschule Musik und darstellende Kunst, Frankfurt am Main; Percy-Grainger- Museum Melbourne and Melbourne Festival 1997; Sydney ABC Radio Sydney "The Listening Room" 1997 |
0 | http://www.abc.net.au/arts/lroom | |||||||
| 30781 | Johannes S., Ros | Sistermanns, Bandt | BYOS | 2006 | radiophon | 16:00:00 | Robyn Ravlich, ABC Radio Sydney | ABC Radio Sydney | 2008 | ABC Radio Sydney 2008 | 0 | ||||||||
| 30844 | Johannes S., Ros | Sistermanns, Bandt | sonic blue red tracings - KAMI | 2010 | Klangkunst, Installation | 45:00:00 | dyed hair blue and red, diverse (japanese) paper-rolls, sheets of paper, sounds, transducer, piezoe membranes, loudspeaker, laptop, live and prepared sounds, photos, moving images | 2010 Wakayama (Japan) | 0 | ||||||||||
| 30855 | Johannes S., Rilo | Sistermanns, Chmielorz | Klaviristische Kratz-Nanz | 1990 | Performance | perf [Performer] | Scratching piano player and piano blocker | Brühl 1990 | 0 | ||||||||||
| 26071 | Johannes S., Kazuya | Sistermanns, Ishigami | delayed electric rea | 2003 | Klangkunst, Installation | 12:32 | t-u-b-e 11.12.2003 | WER ARTS 81015 t-u-b-e reloaded 2004/ | 1 | http://www.sistermanns.eu/#page/home | |||||||||
| 30787 | Johannes S., Kazuya | Sistermanns, Ishigami | electric tea ceremony | 2003 | radiophon | 61 Tracks | perf (live computersampling, V, tea box, tea cup, water, monochord, tape, contactmics) [Performer] | Kazuya Ishigami Producer; Markus Heuger |
WER ARTS 8104/ | WDR Studio Akustische Kunst | WDR Koeln (Studio Akustische Kunst) | 0 | |||||||
| 30827 | Johannes S., Dieter, Bettina la, Fritz | Sistermanns, Zurnieden, Castano, Eicher | Duende | 2001 | Klangkunst, Installation | 10:24:00 | 12 Copperplates, piezo membranes, in collaboration with Dieter Zurnieden, Bettina la Castano, Fritz Eicher | Sevilla 2001 (Galeria Paisaje Tailler) | 0 | ||||||||||
| 42958 | Jiang | Siting | Equal-G | 2013 | live-elec, 1 perf | 7:57:00 | fl [Flöte] | Jane Rigler, flute | 0 | ||||||||||
| 15724 | Gilles | Sivilotto | Ne Vous-Tu Rien Venir ? | 1989 | fixed media, akusmatisch | 13:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 15725 | Gilles | Sivilotto | Passage | 1991 | fixed media, akusmatisch | 50:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 15726 | Gilles | Sivilotto | Rapides | 1991/1992 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | p [Piano] | GMEM Marseille | 0 | |||||||||
| 39090 | Jaroslaw | Siwinski | Bebop | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 39094 | Jaroslaw | Siwinski | Chopin Elements | 2012 | live-elec, 2 perf | Kbd, com [Keyboard, computer] | 0 | ||||||||||||
| 39091 | Jaroslaw | Siwinski | Lokomotywa | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 39089 | Jaroslaw | Siwinski | Notari, E. M. | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 19320 | Jaroslaw | Siwinski | Notarimbalo | 1994 | Zuspiel / Tonband, 1 perf | 11:04 | hp [Harfe] | Kmiec | Warschauer Herbst '97, Vol. 8/ | Expst Warsaw | 1 | ||||||||
| 39092 | Jaroslaw | Siwinski | Owej rozgwieżdżonej nocy | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 39093 | Jaroslaw | Siwinski | Pieśni polskie | 2006 | fixed media, akusmatisch | 0 | |||||||||||||
| 33164 | Jaroslaw | Siwinski | Polish Songs | 2006 | fixed media, akusmatisch | 17:26 | WJ 2006 polmic 026/ | 27.9.2006 | Warsaw autumn | 1 | |||||||||
| 39088 | Jaroslaw | Siwinski | Postrzeganie muzyki jest procesem skomplikowanym i nie do końca klarownym | 1990 | Zuspiel / Tonband, 2 perf | p, vn [Piano, Violine] | 0 | ||||||||||||
| 22800 | Group, Günter | six and more, Schroth | Do Not Open (14 Teile) | 1993 | live-elec, 5 perf | (synt, sam,) MIDI, db, gui, V, (rm,) perc [Stimme, Gitarre, Schlagzeug, Kontrabass, synthesizer] | GON 1002 (Archegon, Günter Schroth)/ | Studio Lupus München | 0 | ||||||||||
| 19288 | Johan Magnus | Sjöberg | Again | 1994 | Zuspiel / Tonband, 2 perf | 5:51 | fl, perc [Flöte, Schlagzeug] | PSCD 91-2 Phono Suecia/ | PS | 1 | |||||||||
| 15727 | Johan-Magnus | Sjöberg | Basic Music | 1991 | Zuspiel / Tonband, 3 perf | 6:36 | bn, trbn, vc [Fagott, Posaune, Cello] | MAP 9133/ | HfM Malmö | 0 | |||||||||
| 15728 | Johan-Magnus | Sjöberg | Bilder | 1991 | fixed media, akusmatisch | 7:30 | 0 | ||||||||||||
| 15729 | Johan-Magnus | Sjöberg | Face It | 1988 | Zuspiel, live-elec, 1 perf | hn [Horn] | HfM Malmö | 0 | |||||||||||
| 15730 | Johan-Magnus | Sjöberg | Hör där är min vän | 1990 | Zuspiel / Tonband, 1 perf, 1 group | V, fem ch [Stimme, Chor] | HfM Malmö | 0 | |||||||||||
| 15731 | Johan-Magnus | Sjöberg | Once Again | 1991/1992 | Zuspiel / Tonband, 1 perf | org [Orgel] | HfM Malmö | 0 | |||||||||||
| 15732 | Johan-Magnus | Sjöberg | Via dolorosa | 1985 | fixed media, akusmatisch | HfM Malmö | 0 | ||||||||||||
| 15733 | Johan-Magnus | Sjöberg | Windows | 1991 | Zuspiel / Tonband, 1 group | 7:11 | ens [Ensemble] | MAP 9133/ | HfM Malmö | 0 | |||||||||
| 33517 | Thomas | Sjöland | 11 pieces, Filterrytmik Steady Latin Rythms Study of a chord On Short Walk in November (I, II) Piezo Mind Echoes The Revolutionary Motor |
1978 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 15734 | Thomas | Sjöland | 11 stycken och studier (Filterrytmik I & II, Steady, Latin Rhytms, Study of a chord, On, Short walk in November I & II, Piezzo, Minos Dream, The revolutionary motor) | 1978/1979 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 15735 | Thomas | Sjöland | A Jazzy One | 1977 | fixed media, akusmatisch | 2:00 | EMS Stockholm | 0 | |||||||||||
| 15737 | Thomas | Sjöland | Circus Mood | 1979 | live-elec, | 10:00 | 0 | ||||||||||||
| 15738 | Thomas | Sjöland | Computer Sound Sculpture I, Computer Sound Sculpture II | 1979 | fixed media, akusmatisch | 14:55 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15739 | Thomas | Sjöland | Continuous Bassoon Piece | 1982 | Zuspiel / Tonband, 2 perf | 25:00 | synt, bn [Fagott, synthesizer] | 0 | |||||||||||
| 15740 | Thomas | Sjöland | Earth | 1978 | fixed media, akusmatisch | 4:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15741 | Thomas | Sjöland | Impressions | 1979/1980 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 15742 | Thomas | Sjöland | Improvised pieces for Computer studio, For Michael Waisaicz Aram How it is |
1977/1978 | fixed media, akusmatisch | Stereo | For Michael Waisaicz; Aram; How it is | EMS Stockholm | 0 | ||||||||||
| 15743 | Thomas | Sjöland | Improvised pieces for Computer studio, For Roger Reynolds Over-Under Antidromic Impulses |
1978 | fixed media, akusmatisch | 15:00 | Stereo | For Roger Reynolds; Over-Under; Antidromic Impulses | EMS Stockholm | 0 | |||||||||
| 15744 | Thomas | Sjöland | Infinite variations for Computer, Infinitive - Variations | 1978 | fixed media, akusmatisch | 3:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15746 | Thomas | Sjöland | Mind Echoes | 1980 | fixed media, akusmatisch | 8:00 | EMS Stockholm | SR (Swedish Radio) | 0 | ||||||||||
| 15747 | Thomas | Sjöland | Mourning of the Sylphide | 1979/1980 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 15748 | Thomas | Sjöland | Music of no significance | 1978 | fixed media, akusmatisch | 6:00 | 0 | ||||||||||||
| 15749 | Thomas | Sjöland | Rip it | 1975/1977 | fixed media, akusmatisch | 35:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15750 | Thomas | Sjöland | Rock Cage | 1984 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 15751 | Thomas | Sjöland | Rondo | 1981 | fixed media, akusmatisch | 15:38 | Stereo | PDP15 | EMS Stockholm | 0 | |||||||||
| 15752 | Thomas | Sjöland | S2 | 1979/1980 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 15753 | Thomas | Sjöland | Sinister tales | 1975/1976 | fixed media, akusmatisch | 3:35 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15754 | Thomas | Sjöland | Sista varningen | 1979 | Film | 10:00 | Mono | 0 | |||||||||||
| 15755 | Thomas | Sjöland | Soft | 1978 | fixed media, akusmatisch | 11:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15756 | Thomas | Sjöland | Spegelbilder | 1975/1976 | fixed media, akusmatisch | 5:30 | Stereo | 4 parts: 0:46 + 1:45 + 1:45 + 1:15 | EMS Stockholm | 0 | |||||||||
| 15757 | Thomas | Sjöland | Spöket i Annertongruvan | 1980 | fixed media, akusmatisch | radiophon |
15:00 | radiotheatre with same name | 0 | |||||||||||
| 15759 | Thomas | Sjöland | Stories of Pim | 1978 | fixed media, akusmatisch | 16:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15760 | Thomas | Sjöland | Thisawirl (Seen through the eyes of a lonesome saxophone) | 1975/1977 | fixed media, akusmatisch | 15:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15761 | Thomas | Sjöland | Tolv linjer | 1975/1976 | fixed media, akusmatisch | 4:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15762 | Thomas | Sjöland | Tre retsamma stycken, Tre retsamma småstycken | 1975/1976 | fixed media, akusmatisch | 3:23 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15758 | Thomas, Stefan | Sjöland, Foconi | Stadsbilder | 1975/1977 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 15736 | Thomas, Magnus | Sjöland, Frenning | Changes | 1975/1977 | live-elec, 1 perf | Stereo | e-p [Piano] | EMS Stockholm | 0 | ||||||||||
| 15763 | Björn | Sjøholt | Apkof | 1987/1989 | fixed media, akusmatisch | 4:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15764 | Björn | Sjøholt | Claire / Obscure | 1978 | fixed media, akusmatisch | 22:45 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 15765 | Björn | Sjøholt | Exits | 1987/1989 | fixed media, akusmatisch | 6:26 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15766 | Björn | Sjøholt | Hit & Run Hits Hit & Run IT |
1978 | fixed media, akusmatisch | 4:40 | Mono | 1:37 + 1:15 + 1:41 | Sonology Utrecht | 0 | |||||||||
| 15767 | Björn | Sjøholt | Ran Scan I & II | 1987/1989 | fixed media, akusmatisch | 6:34 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15768 | William | Skelton | six Minutes, ten Seconds for José | 1962 | fixed media, akusmatisch | 6:10 | Mono | PS C. Hamilton | 0 | ||||||||||
| 25809 | Susanne | Skog | 050601 My Friends | 2006 | fixed media, akusmatisch | 10:17 | Surround 5.1 | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 0 | ||||||||||
| 30957 | Susanne | Skog | 10 Soundinstallations | 2010 | Klangkunst, Installation | 1.5.-31.10.2010 | Swedish Pavillon Shanghai World EXPO 2010 | 0 | |||||||||||
| 30956 | Susanne, Brandon, Jacob, Juliana, Liv, Åsa | Skog, LaBelle, Kirkegaard, Hodkinson, Strand, Stjerna | The Embassy Reconstructed, Skizo-Embassy BANDERA # 2 Prompt, immediate, now Defending territory in a networked world Communicating Vessels Degrees of Noise |
2013 | Klangkunst, Installation | 7 works | 27.1. - 3.2.2013 | Nordic Embassies Berlin | 0 | ||||||||||
| 28214 | Ylva | Skog | Rampljus | 2006 | fixed media, akusmatisch | 9:30 | 1 | ||||||||||||
| 28418 | , Herman, Dominique | SKOLTZ_KOLGEN, Kolgen, Skoltz | elf2b_alpha, distilled version | 2005 | audiovisuell | 9:30 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ Oral CD 04/ | 0 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 15769 | Synne | Skouen | Canto delle Balene | 1988 | Zuspiel / Tonband, 3 perf, 1 group | 4:30 | (2(1)-2-2-2 4-2-2-1), tim, perc, hp, strs [Harfe, Schlagzeug, Streicher] | NOTAM | 0 | ||||||||||
| 15770 | Synne | Skouen | Draum Kued 73 | 1971 | fixed media, akusmatisch | 6:45 | Stereo | ELAK Wien | 0 | ||||||||||
| 15771 | Synne | Skouen | Froskeprinsen | 1989 | Zuspiel / Tonband, 2 perf | 12:00 | S, T [Sopran, Tenor] | NOTAM | 0 | ||||||||||
| 15772 | Synne | Skouen | Krokusfiol | 1971 | fixed media, akusmatisch | 4:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 15773 | Bettina | Skrypczak | ABC | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 15774 | Steven | Slater | Extra Echo | 1985 | fixed media, akusmatisch | 3:13 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 15775 | Steven, Andrew, Billy, Clancy, David | Slater, Finch, Duggan, Dennehy, Barteaux | Rye, PBX | 1985 | fixed media, akusmatisch | 2:49 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 19254 | Milan | Slavicky | Adventus : electroacoustic Contemplation | 1992 | fixed media, akusmatisch | 11:03 | KO 0004/ | Studio Plzen | 1 | ||||||||||
| 15777 | Milan | Slavicky | Chvála cembalo | 1977 | fixed media, akusmatisch | 8:54 | Stereo | Radio Plzen | 0 | ||||||||||
| 15778 | Milan | Slavicky | Contrapunctus no.2 | 1992 | Zuspiel / Tonband, 1 perf | hpd [Cembalo] | Praha VÚRT | 0 | |||||||||||
| 15776 | Milan | Slavicky | L'Avent | 1992 | fixed media, akusmatisch | 11:20 | IMEB Bourges | 0 | |||||||||||
| 15779 | Milan | Slavicky | Prosvetlení V | 1982 | fixed media, akusmatisch | based on hpd sounds | 0 | ||||||||||||
| 15780 | Milan | Slavicky | Variace na laserovy paprsek | 1982 | fixed media, akusmatisch | 9:55 | Stereo | CECM Bratislava | 0 | ||||||||||
| 15781 | Adam | Slawinski | Commemoration | 1974 | fixed media, akusmatisch | 4:19 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 15782 | Adam | Slawinski | Pulsar | 1988 | Zuspiel / Tonband, 1 perf | 20:38 | Stereo | perc [Schlagzeug] | ExpSt Warsaw | 0 | |||||||||
| 27842 | Eric | Sleichim | Combat de boxe (Charles Dekeukeleire) | 2008 | fixed media, akusmatisch | CRFMW Liège | 21.01.2009 | Bruxelles, Beursschouwnurg | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 22963 | David | Slepian | Improvisations on a Random Piano {Romantic, Classic Chorale}) | 1960 | fixed media, akusmatisch | Microgroove 122227/ | Bell Lab | 0 | |||||||||||
| 15783 | Jan | Slimácek | Prolog | 1979 | fixed media, akusmatisch | 3:30 | Stereo | Radio Plzen | 0 | ||||||||||
| 15784 | Jochem | Slothouwer | 2 Studien | 1962 | fixed media, akusmatisch | 6:30 | Mono | SEM Salzburg | 0 | ||||||||||
| 15785 | Jochem | Slothouwer | Etude à deux: PS | 1961 | fixed media, akusmatisch | 4:20 | Mono | SEM Salzburg | 0 | ||||||||||
| 22289 | Group | Small Cruel Party | Revealing vessels within vessels | fixed media, akusmatisch | 10:53 | Festival Documentation "Nature is Perverse" | FYCD 1017-1/ | 1 | |||||||||||
| 22000 | Denis | Smalley | Base Metals | 2000 | fixed media, akusmatisch | 13:42 | IMED 0054/ | PS C. | SR (Swedish Radio) Malmö | 15.10.2000 | L’espace du son festival in Brussels (Belgium) | 1 | |||||||
| 15786 | Denis | Smalley | Berne Mobiles | 1980 | Klangkunst, Installation | UEA Norwich | 0 | ||||||||||||
| 15787 | Denis | Smalley | Chanson de geste | 1978 | live-elec, 2 perf | 16:33 | amp V, hpd [Stimme, Cembalo] | UEA 81063 LP/ | UEA Norwich | 0 | |||||||||
| 15788 | Denis | Smalley | Clarinet threads | 1985 | Zuspiel, live-elec, 1 perf | 13:25 | Stereo | amp cl [Klarinette] | WER 2026; Computer Music Currents 6/ IMED 9209/ IMED 0409/ | UEA Norwich, INA • GRM, Yleisradio, BEAST, SSSP Toronto | Roger Heaton with funds provided by Eastern Arts | 10.1985 | Norfolk & Norwich Festival (UK) | Auszeichnung ars electronica: Golden Nica 1988 | 1 | ||||
| 15789 | Denis | Smalley | Cornucopia | 1973 | Zuspiel / Tonband, 1 perf | amp hn [Horn] | Uni York | 0 | |||||||||||
| 15790 | Denis | Smalley | Darkness after time's colours | 1976 | fixed media, akusmatisch | 13:48 | Stereo | IMED 9209/ IMED 0409/ | UEA Norwich | 1976 | 2nd Prize Bourges 1977, Euphonie d'or Bourges 1992 |
1 | |||||||
| 22001 | Denis | Smalley | Empty Vessels | 1997 | fixed media, akusmatisch | 14:51 | IMED 0054/ | INA • GRM | ‘d’État’ & Ina-GRM | 05.1997 | Paris (France) | 1 | 2000 | ||||||
| 34366 | Denis | Smalley | Fabrezan Preludes, Portal Debussy’s Cathedral The Voices of Circius |
2016 | fixed media, akusmatisch | Quadro | 3 parts | 21.3.2016 | Uni of Kent, Colyer-Fergusson Hall, Canterbury | 0 | |||||||||
| 15791 | Denis | Smalley | Gradual | 1974 | Zuspiel / Tonband, 1 perf | 11:00 | cl and b-cl and perf (trombaphone) [Klarinette, Performer] | FYLP 1012/ | INA • GRM | prize Fylkingen 1975 | 1 | ||||||||
| 15792 | Denis | Smalley | Névé, Névé Corie Sandar |
1993 | fixed media, akusmatisch | 20:00 | Stereo | GMEM EI 03/ | GMEM Marseille | 1 | |||||||||
| 15793 | Denis | Smalley | O Vos Omnes | 1986 | Zuspiel / Tonband, 11 perf | 6:00 | Stereo | S, A, T, 8 V (8 part ch) [Sopran, Alt, Tenor, Stimme] | UEA Norwich | 0 | |||||||||
| 15794 | Denis | Smalley | Ouroboros | 1975 | fixed media, akusmatisch | 11:05 | Stereo | UEA Norwich, Uni York | 0 | ||||||||||
| 15795 | Denis | Smalley | Pentes | 1974 | fixed media, akusmatisch | 12:50 | Stereo | UEA 81063 LP/ MANU 1433/ IMED 0054/ Editions Mego (LP) Recollection GRM/ | INA • GRM | GRM | 20.3.1975 | Paris, Maison de la Radio, Studio 104 | 1 | 2008 | |||||
| 15796 | Denis | Smalley | Piano Nets | 1990/1991 | Zuspiel / Tonband, 1 perf | 17:57 | Stereo | p [Piano] | 3 parts | IMED 9209/ IMED 0409/ | UEA Norwich, IRCAM | sonic arts Network | 10.1985 | Norfolk & Norwich Festival (UK) | 1 | ||||
| 15797 | Denis | Smalley | Pneuma | 1976/1981 | Zuspiel / Tonband, 2 perf, 1 group | 14:51 | Stereo | amp Vs, perc [Stimme, Schlagzeug] | Hyperion A66060/ | UEA Norwich | 0 | ||||||||
| 26072 | Denis | Smalley | Resounding | 2004 | fixed media, akusmatisch | 14:23 | 6 | Sonorities für das Festival 2004 in Belfast | 2004 | SARC Belfast | 1 | 2005 | |||||||
| 26073 | Denis | Smalley | Ringing down the Sun | 2004 | fixed media, akusmatisch | 14:00 | 5 tracks | 1 | 2005 | ||||||||||
| 15798 | Denis | Smalley | The Pulses of Time | 1979 | fixed media, akusmatisch | 19:45 | Stereo | UEA 81063 LP/ | UEA Norwich | 0 | |||||||||
| 15799 | Denis | Smalley | Tides, Pools and Currents Sea Flight |
1984 | fixed media, akusmatisch | 30:17 | Stereo | MANU 1433/ IMED 0054/ | INA • GRM, UEA Norwich, SSSP Toronto | GRM | 30.4.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 2. Prize NewComp 84 | 1 | 1985 | ||||
| 15800 | Denis | Smalley | Valley Flow | 1991 - 1992 | fixed media, akusmatisch | 16:57 | Stereo | IMED 9209/ ASP 0966/ IMED 0409/ | Banff C., PS Smalley, UEA Norwich, IRCAM, SFU | BEAST with funds provided by West Midlands Arts. | February 27th, 1992 | broadcast live from BBC Pebble Mill Studios | Auszeichnung ars electronica 1992 | 1 | 2010 | http://www.city.ac.uk/music/staff/dsmalley.html | |||
| 15801 | Denis | Smalley | Violonectomy | 1973 | Zuspiel / Tonband, 3 perf | 2 synt, vc [Cello, synthesizer] | Uni York | 0 | |||||||||||
| 15802 | Denis | Smalley | Vortex | 1982 | fixed media, akusmatisch | 15:42 | Stereo | UEA 84099 / MANU 1433/ | UEA Norwich, Yleisradio | 2.nd prize Bourges 83 | 0 | ||||||||
| 15803 | Denis | Smalley | Wind Chimes | 1987 | fixed media, akusmatisch | 15:10 | Stereo | WER 2025; Computer Music Currents 5/ IMED 0409/ CMJ Vol 19, 1995/ CMJ Vol 17, 1993/ INA C 1033 27653 archives grm CD 3/5/ IMED 9209/ | UEA Norwich, INA • GRM | South Bank Centre | 09.1987 | Electric Weekend at the Queen Elizabeth Hall in London | 1 | ||||||
| 15804 | Denis | Smalley | Word Within | 1981 | live-elec, 3 perf | 13:00 | Stereo | 2 amp V, perc [Stimme, Schlagzeug] | UEA Norwich | 0 | |||||||||
| 15805 | Roger | Smalley | A Round of Silence | 1963 | radiophon | 45:00 | Mono | radio play by Christian Brooke-Rose | BBC | 0 | http://www.rogersmalley.com/ | ||||||||
| 26811 | Roger | Smalley | Didgeridoo | 1974 | fixed media, akusmatisch | 10:30 | Quadro | 3 sections | Uni Western Australia | 0 | http://www.rogersmalley.com/ | ||||||||
| 15806 | Roger | Smalley | Echo II | 1978 | live-elec, 1 perf | 9:00 | Stereo | vc, (delay) [Cello] | 'for Rohan de Saram' | NMC D019/ TP 180 Tall Poppies/ | 18.6.78 | Perth: Rohan de Saram | Faber Music, score (F0714) | 0 | http://www.rogersmalley.com/ | ||||
| 15807 | Roger | Smalley | Echo III | 1978 | live-elec, 1 perf | 13:00 | Stereo | tpt, (delay) [Trompete] | DXL 1039 Deux-Elles/ | 28th July 1978 | The University of Western Australia as Artist-in-Residence | Faber Music score (F0585) on sale | 1 | 1985 | http://www.rogersmalley.com/ | ||||
| 26812 | Roger | Smalley | Echo IV | 1983 | live-elec, 1 perf | 9:00 | Stereo | hn, (delay) [Horn] | 'for Daryl Poulsen' | 23.10.83 | Perth: Daryl Poulsen | Faber Music score (F0585) on sale | 0 | http://www.rogersmalley.com/ | |||||
| 32255 | Roger | Smalley | Melody Study I | 1972 | live-elec, 4 perf | p, org, mar, sax and bn, (elec) [Saxophon, Fagott, Piano, Orgel, Schlagzeug] | 0 | http://www.rogersmalley.com/ | |||||||||||
| 15808 | Roger | Smalley | Monody | 1972 | live-elec, 1 perf | 10:00 | p [Piano] | 'to Martin Kingsbury'; with RM | 4.3.1972 | London, Macnaghten Concert, St. John's Smith Square: Roger Smalley | Faber Music, score (F0503 | 0 | http://www.rogersmalley.com/ | ||||||
| 32256 | Roger | Smalley | My Generator | 1972 | live-elec, 1 perf | elec (16 generators) [elektronik] | 0 | http://www.rogersmalley.com/ | |||||||||||
| 26167 | Roger | Smalley | Pulses | 1969 | live-elec, 20 perf | ≈ 35:00 | 6 hn, 3 tpt, 6 trbn, 5 perc, (rm) [Horn, Trompete, Posaune, Schlagzeug] | Dedication: 'to Karlheinz Stockhausen and Mary Bauermeister' | NMC D017M/ | London Sinfonietta | 20.6.1969 | London, Queen Elizabeth Hall: London Sinfonietta/David Atherton | Faber Music | 0 | http://www.rogersmalley.com/ | ||||
| 15811 | Roger | Smalley | Transformation | 1969 | live-elec, 2 perf | 12:00 | p {4 hands}, (rm) [Piano] | Goldsmith's Concert Society | 7.3.1969 | London, Goldsmith's Hall: Roger Smalley/Tim Souster | 0 | http://www.rogersmalley.com/ | |||||||
| 15812 | Roger | Smalley | Zeitebenen, Zeitebenen mit Live- Elektronik | 1972/1973 | Zuspiel / Tonband, 4 perf | 44:17 | Quadro | 4 ins [Instrument] | in memory of Barbara Frecot | WDR SEM | WDR 1973 | 5.10.1973 | Dusseldorf as part of the third series of Musik der Zeit concerts promoted by the WDR, with Group intermodulation | 0 | http://www.rogersmalley.com/ | ||||
| 41828 | Scott | Smallwood | door1 | 2001 | fixed media, akusmatisch | 1:46:00 | codemist ICMC2001/ | 0 | |||||||||||
| 41821 | Scott | Smallwood | door3 | 2001 | fixed media, akusmatisch | 1:28:00 | codemist ICMC2001/ | 0 | |||||||||||
| 15813 | Sune | Smedeby | Vinter | 1974 | fixed media, akusmatisch | Quadro | EMS Stockholm | 0 | |||||||||||
| 26074 | Sylvia | Smejkalová | Guntramsdorf - Poesie | 2004 | fixed media, akusmatisch | 12:33 | aus „zeitzuhören“ | EX 656 Elak Wien/ | ELAK Wien | 1 | |||||||||
| 15814 | Giselher | Smekal | Deklination | 1987 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 15815 | Giselher | Smekal | di Analogon – Minnie and Daisy Discussing the Fate and Rebirthing of Animated Characters | 1988 | fixed media, akusmatisch | 0 | |||||||||||||
| 15816 | Giselher | Smekal | Higashiyama | 1979 | live-elec, 5 perf | sax, bn, org, db, perc [Saxophon, Fagott, Orgel, Schlagzeug, Kontrabass] | 0 | ||||||||||||
| 15817 | Giselher | Smekal | I Ching | 1983 | fixed media, akusmatisch | 10 parts | 0 | ||||||||||||
| 15818 | Giselher | Smekal | Ji | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 15819 | Giselher | Smekal | Risse | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 15821 | Giselher | Smekal | Teurgia | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 15822 | Giselher | Smekal | Timetracks – Zeitspuren | 1984 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 15823 | Giselher | Smekal | Wir kommen vom Fluß | 1988 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 15820 | Giselher, Mia | Smekal, Zabelka | Steine | 1988 | Zuspiel / Tonband, 5 perf | vn, 4 perc [Schlagzeug, Violine] | 0 | ||||||||||||
| 37424 | Group | Smet | C./Liss + R/96 | 1967 | fixed media, akusmatisch | 6 | SMET Torino | 0 | |||||||||||
| 15824 | Group | Smet | EL/25 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | SMET Torino | 0 | ||||||||||
| 37423 | Group | Smet | P/12 | 1967 | fixed media, akusmatisch | 6 | SMET Torino | 0 | |||||||||||
| 37422 | Group | Smet | SP/C/13 | 1967 | fixed media, akusmatisch | 3 | SMET Torino | 0 | |||||||||||
| 37421 | Group | Smet | SP/Q/20 | 1967 | fixed media, akusmatisch | 7 | SMET Torino | 0 | |||||||||||
| 37425 | Group | Smet | SPZ/14 | 1967 | fixed media, akusmatisch | 2 | SMET Torino | 0 | |||||||||||
| 15825 | Raoul de | Smet | 3 D, Objekt / Verkleining / Vergroting | 1975 | fixed media, akusmatisch | 4:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 15826 | Raoul de | Smet | Adagio | 1975 | fixed media, akusmatisch | 9:30 | Mono | IPEM Gent | 0 | ||||||||||
| 15827 | Raoul de | Smet | Drie Stemmingen | 1985 | Zuspiel / Tonband, 1 perf | 9:25 | sax [Saxophon] | IPEM Gent | 0 | ||||||||||
| 15828 | Raoul de | Smet | Efemeer nr 2 | 1985 | fixed media, akusmatisch | 3:05 | IPEM Gent | 0 | |||||||||||
| 15829 | Raoul de | Smet | Ephémère | 1978 | fixed media, akusmatisch | 38:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 15830 | Raoul de | Smet | Fresco | 1983 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | |||||||||||
| 15831 | Raoul de | Smet | Gam' 77 | 1977 | fixed media, akusmatisch | 5:50 | Stereo | IPEM Gent | 0 | ||||||||||
| 15832 | Raoul de | Smet | Ipemerij | 1975 | fixed media, akusmatisch | 4:28 | Stereo | IPEM Gent | 0 | ||||||||||
| 15833 | Raoul de | Smet | Kathy's nightmare an'other Joys | 1981 | fixed media, akusmatisch | 25:40 | Quadro | IPEM Gent | 0 | ||||||||||
| 15834 | Raoul de | Smet | Le Vierge, le vivace et le bel aujour d'hui | 1975 | fixed media, akusmatisch | 12:37 | Stereo | IPEM Gent | 0 | ||||||||||
| 15835 | Raoul de | Smet | Libanon 82 | 1983 | fixed media, akusmatisch | 14:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 15836 | Raoul de | Smet | Meditatie 2 | 1982 | fixed media, akusmatisch | 10:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 15837 | Raoul de | Smet | Muinkpark om 5 uur | 1976 | fixed media, akusmatisch | 10:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 15838 | Raoul de | Smet | Petite Musique de Vernissage | 1973 | fixed media, akusmatisch | 21:18 | Stereo | IPEM Gent | 0 | ||||||||||
| 15839 | Raoul de | Smet | Plusplusplusplus | 1973 | fixed media, akusmatisch | 8:42 | Stereo | IPEM Gent | 0 | ||||||||||
| 15840 | Raoul de | Smet | Torso | 1977 | fixed media, akusmatisch | 7:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 15841 | Raoul de | Smet | Zes Studies en één Synopsis, Studie I - III Synopsis Studie IV - VI |
1974 | fixed media, akusmatisch | 28:06 | Stereo | IPEM Gent | 0 | ||||||||||
| 15842 | Michael | Smetanin | Ladder of Escape | 1984 | Zuspiel / Tonband, 1 perf | 3:20 | b-fl [Flöte] | 1 | 1990 | ||||||||||
| 15843 | Pril | Smiley | Eclipse | 1967 | fixed media, akusmatisch | 7:54 | Quadro | Finna QD 9010/ Turnabout 34301/ IDEAMA CD 081/ | Col.Princ EMC | Mention Dartmouth Arts Council Prize 1967 | 1 | ||||||||
| 15844 | Pril | Smiley | Forty-three | 1988 | fixed media, akusmatisch | Stereo | Col.Princ EMC | 0 | |||||||||||
| 15845 | Pril | Smiley | Kolyosa | 1970 | fixed media, akusmatisch | 6:37 | CRi CD 611/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | ||||||||||
| 15860 | Reginald | Smith Brindle | Worlds without end | 1973 | Zuspiel, live-elec, 1 perf, 2 groups | ch, orc, Sp [Sprecher, Chor, Orchester] | Uni Surrey | 0 | |||||||||||
| 15861 | Rosemary | Smith-Mountain | Here & There, A Crack | 1985 | fixed media, akusmatisch | 12:00 | Stereo | Uni BC Victoria | 0 | ||||||||||
| 15862 | Rosemary | Smith-Mountain | The Leonids | 1979 | fixed media, akusmatisch | 7:00 | Stereo | Uni BC Victoria | 0 | ||||||||||
| 34063 | Brian | Smith | Interstitial Flux | 2015 | fixed media, akusmatisch | 6:11:00 | degem CD 13/ | 0 | |||||||||||
| 32708 | Brian | Smith | Nine, Eleven, Twenty-two | 2014 | fixed media, akusmatisch | 6:31 | Stereo | DegeM CD 11 wandlungen unplump/ | PS C. | 1 | http://bigbrainaudio.com | ||||||||
| 33780 | Brian | Smith | SM17 | 2013 | fixed media, akusmatisch | 6:25 | Stereo | DegeM CD 12 Seltene Erden/ | 1 | ||||||||||
| 39872 | Jacob | Smith | …and so she longed | 2017 | fixed media, akusmatisch | 16 Tracks | Jacob Smith | 0 | |||||||||||
| 42665 | Jory | Smith | X-Lands | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 15846 | LaDonna, Davey | Smith, Williams | Green Song | 1988 | intermedia, live-elec, 2 perf | 3:23 | gui, sam [Gitarre, computer] | AER 1990 / 2 / | 1 | ||||||||||
| 15847 | Leland | Smith | Machines of Loving Grace | 1970 | Zuspiel, Performance, 2 perf | 7:30 | Stereo | bn, actor [Fagott, Schauspieler] | CCRMA | 0 | |||||||||
| 34860 | Leland | Smith | Rhapsody | 1971 | Zuspiel / Tonband, 1 perf | 7:30 | Stereo | fl [Flöte] | CCRMA | 0 | |||||||||
| 15848 | Leland | Smith | Rondino | 1968 | fixed media, akusmatisch | 5:00 | Stereo | CCRMA | 0 | ||||||||||
| 40030 | Lucas Marshall | Smith | Rati | 2015 | fixed media, akusmatisch | Lucas Smith | 0 | ||||||||||||
| 40031 | Lucas Marshall | Smith | Talos | 2014 | fixed media, akusmatisch | 5:12:00 | Lucas Smith | CLS 160501/ | 0 | ||||||||||
| 42183 | Matt, Sandra | Smith, Wintner | Audiomobile | 2003, 2005 | radiophon | ORF 2005 | PS C., ORF | 0 | |||||||||||
| 15849 | Michel | Smith | … horizones | 1988 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | Uni Montréal | 0 | ||||||||||
| 15850 | Michel | Smith | Style de bougalou | 1990 | fixed media, akusmatisch | 3:02 | Stereo | IMED 9004/ IMED 9604/ | Phlizz-St Montreal | 1 | |||||||||
| 15851 | Peter | Smith | Etude - 1 | 1976 | fixed media, akusmatisch | 8:58 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Sonology Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 32932 | Randall | Smith | Collision | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 19025 | Randall | Smith | Continental Rift | 1995/1999 | Zuspiel / Tonband, 1 perf | 14:59 | vc [Cello] | Russolo Pratella EF.ER.P 95/ IMED 9948/ | PS C. | Canadian Electronic Ensemble with the assistance of the Canada Council | 17.06.1995 | Music Gallery Toronto | 2nd Prize at Luigi Russolo 1995 | 1 | |||||
| 22002 | Randall | Smith | Convergence | 1998 | Zuspiel / Tonband, 1 perf | 9:27 | acc [Akkordeon] | IMED 9948/ | PS C. | Joseph Petric with the assistance of the Ontario Arts Council | 1 | ||||||||
| 15852 | Randall | Smith | CounterBlast | 1990 | fixed media, akusmatisch | 9:21 | after a book by McLuhan | IMED 9416/ | PS C. | 4.12.1990 | Concordia University in Montréal. | 1 | |||||||
| 20801 | Randall | Smith | Elastic Rebound | 1995 | fixed media, akusmatisch | 11:11 | Stereo | Musidisc 245752/ IMED 9948/ NOR 04/ | PS C. | 22.09.1995 | ISEA95 Montréal | 1st Jury Prize & Public Prize Prix Noroit 1995 | 1 | ||||||
| 18930 | Randall | Smith | Fleeting Wheels of Changes | 1994 | fixed media, akusmatisch | 2:25 | CEC DISContact_2/ | Con Toronto | 1 | ||||||||||
| 22428 | Randall | Smith | Insideout | 1999 | fixed media, akusmatisch | 14:23 | Benutzung von Klängen der db, vn, cl, a-fl | IMED 9948/ | PS C. | 29.04.1999 | 6th Festival Internacional de Musica Contemporanea Bogota (Columbia) | 1 | |||||||
| 15853 | Randall | Smith | La Volière | 1994 | fixed media, akusmatisch | 12:58 | IMED 9416/ | PS C. | 1 | ||||||||||
| 22003 | Randall | Smith | Liquid Fragments 1 | 1996 | Zuspiel, live-elec, 2 perf | 10:27 | db, a-fl, (DSP) [Flöte, Kontrabass] | IMED 9948/ | PS C. | ens Continuum | 5.05.1996 | Music Gallery Toronto | 1 | ||||||
| 15854 | Randall | Smith | Ruptures | 1991 | fixed media, akusmatisch | 8:10 | IMED 9416/ | PS C. | 9.06.1991 | CEC Electroacoustic Days at Concordia University in Montréal | 1 | ||||||||
| 15855 | Randall | Smith | The Black Museum | 1993 | fixed media, akusmatisch | 15:05 | IMED 9416/ Russolo Pratella EF.ER.P 93/ | PS C. | Canada Council [for the Arts] and by the Association ACREQ | 27.04.1993 | Planétarium de Montréal. | mention Bourges 1993; 1st prize Russolo Varese 1993; GMEM-Prize 1993 |
1 | ||||||
| 15856 | Randall | Smith | The Face of the Waters | 1988 | fixed media, akusmatisch | 9:40 | Watersounds | IMED 9416/ | PS C. | 30.06.1992 | Brussels Royal Conservatory | 1 | |||||||
| 22004 | Randall | Smith | The Unmoved Centre | 1997 | fixed media, akusmatisch | 14:08 | IMED 9948/ IMED 0050/ | PS C. | Réseaux | 19.02.1997 | Réseaux’s at Théâtre La Chapelle in Montréal | mention at the Bourges Competition (France, 1997) | 1 | ||||||
| 27671 | Sophy | Smith | Bed | 2007 | fixed media, akusmatisch | 5:56 | Stereo | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | ||||||||
| 15857 | Stephen | Smith | Chicago Mercantile Exchange | 1977 | STEIM | 0 | |||||||||||||
| 15858 | William O. | Smith | Duo for clarinet and recorded clarinet | 1961 | Zuspiel / Tonband, 1 perf | 7:40 | Mono | cl [Klarinette] | IDEAMA CD 068/ | Col.Princ EMC, Am.A. Roma | 0 | ||||||||
| 15859 | William O. | Smith | Explorations | 1963 | Zuspiel / Tonband, 1 group | 5:00 | Stereo | jazz-ens [Ensemble] | Am.A. Roma | 0 | |||||||||
| 36624 | William O. | Smith | Transformations | 1999 | Zuspiel / Tonband, 1 perf | 10:12 | trbn [Posaune] | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | 0 | |||||||||
| 37170 | Ios | Smolders | Manga pour l’oreille | 1996 | fixed media, akusmatisch | 3 | Stereo | IMED 9837/ | 0 | ||||||||||
| 33170 | Martin | Smolka | Haiku | 2007 | Zuspiel / Tonband, 1 perf | 14:32 | hpd [Cembalo] | for harpsichord and tape | WJ 2007 polmic 038/ | Warsaw Autumn | 23.9.2007 | Warsaw autumn | Breitkopf & Härtel | 1 | |||||
| 22165 | Martin | Smolka | Three pastoral Motives | Performance | 12:43 | Stereo | p [Piano] | ExpSt Warsaw | 0 | ||||||||||
| 24701 | Stefan | Smulovitz | Please Hang Up | 2004 | fixed media, akusmatisch | 8:00 | JTTP 2004 | CEC Cache 2004, PeP 009/ | winner JTTP 2004 4. prize | 1 | |||||||||
| 15863 | John | Snell | Shruti | 1979 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 24508 | Wouter | Snoei | Consequence | 1997 | fixed media, akusmatisch | 10:00 | Quadro | Sonology Den Haag | 1 | http://www.woutersnoei.nl/ | |||||||||
| 22310 | Wouter | Snoei | Disintegration | 1998 | fixed media, akusmatisch | 13:16 | Quadro | Text to this piece look to the pdf saved here | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.woutersnoei.nl/ | |||||||
| 28477 | Wouter | Snoei | Hysteresis | 2009 | Performance | (11 sirenes) [] | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.woutersnoei.nl/ | ||||||||||
| 32914 | Rupert | Snook | Orbit | 2010 | fixed media, akusmatisch | 5:15 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 | 1 | |||||||||
| 42666 | Steven | Snowden | Fathoms | 2009 | live-elec, 1 perf | Tanz |
11 | hn [Horn] | May 8-9 2009 | B. Iden Payne Theatre for the Ears, Eyes, and Feet concert series in Austin, TX. | 0 | |||||||||
| 41438 | Group | Society for Nontrivial Pursuits | UTopopogies, A network of shared influences | 2018 | Klangkunst, Installation | Octo | SOCIETY FOR NONTRIVIAL PURSUITS (s4ntp): sind alberto de Campo (at), Hannes Hoelzl (at), Christian schmidts (de), Isak Han und bruno Gola. Sie sind alumni, Studenten, Freunde der Computational Art Klasse (UdK Berlin). Sie machen, performen und schaffen Kunst mit nicht-trivialen analogen, digitalen und hybriden Systemen. |
21.9.2018 | Dystopie Festival September 2018 Berlin, Kleiner Wasserspeicher | 0 | http://www.dystopie-festival.net/wp/?lang=en | ||||||||
| 37673 | Group, Alberto de, Hannes, Fredrik, Alexandra, Gil | Society for Nontrivial Pursuits, Campo, Hoelzl, Oloffson, Cárdenas, Fuser | CodeChoir 2.0 | 2017 | Klangkunst, Installation | 13 Tracks | vernetzt-generative 13-Kanal-Klanginstallation. | 28.9.2017 - 1.10.2017 | Kontakte17 Festival, AdK Berlin, Buchengarten/Eingangsfoyer | 0 | |||||||||
| 15865 | Andrea | Sodomka | And the Sphinx Thinks… | 1993 | Film | 0 | |||||||||||||
| 15866 | Andrea | Sodomka | Das 13. Opfer | 1988 | intermedia | Bild- Ton Installation | 0 | ||||||||||||
| 15870 | Andrea | Sodomka | Frozen Moments - Scheinbare Handlungen | 1991 | radiophon | ORF Kunstradio/ | ORF Kunstradio | 0 | |||||||||||
| 15871 | Andrea | Sodomka | Frozen Moments - Ungefähre Wirklichkeiten, Frozen Moments - Unendliche Gegenwart | 1991 | fixed media, akusmatisch | 21:00 | IMA portrait 05/ | ORF Kunstradio | 0 | ||||||||||
| 38908 | Andrea | Sodomka | IMAfiction, portrait 05 | 2012 | Film | 18 | IMA portrait 05/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/imafiction/video-portrait-05-andrea-sodomka/ | |||||||||
| 15872 | Andrea | Sodomka | Kunststraße | 1994 | Performance | Biofeedback perf Innsbruck | 0 | ||||||||||||
| 15873 | Andrea | Sodomka | Musik für Mordinstrumente | 1986 | intermedia | 9:15 | Stereo | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | |||||||||
| 15876 | Andrea | Sodomka | Performance für Tape & Toys | 1986 | intermedia | Modelleisenbahn, kinetische Objekte, Leuchtschrift | 0 | ||||||||||||
| 15877 | Andrea | Sodomka | Playground Suite | 1986 | fixed media, akusmatisch | 5:20 | Stereo | CD "30 Jahre EM in Österreich" | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ | ELAK Wien | 1 | ||||||||
| 15878 | Andrea | Sodomka | Pseudosadistische Transformationen | 1989 | Film | 0 | |||||||||||||
| 15879 | Andrea | Sodomka | Sendezeit | 1988 | audiovisuell, | 0 | |||||||||||||
| 15880 | Andrea | Sodomka | Sete | 1990 | audiovisuell | Video by Margot Pilz | 0 | ||||||||||||
| 15883 | Andrea | Sodomka | Tempo Compresso / Spazio Sospeso | 1993 | radiophon | Progetto Civitella d'Agliano/ | ORF Kunstradio | 0 | |||||||||||
| 32691 | Andrea, Martin | Sodomka, Breindl | Damenmord, Part 7, Haben Sie jemals Cello gespielt, Mr. Henry VIII ? | 1988 | audiovisuell | 0 | |||||||||||||
| 19086 | Andrea, Martin | Sodomka, Breindl | Die Differenzmaschine | 1996 | Performance | 0:31 | Sonambiente Ausstellung (1996); BE Katalog S.137 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 15868 | Andrea, Martin | Sodomka, Breindl | Ein Exkurs über die Leichtigkeit | 1990 | intermedia | 0 | |||||||||||||
| 15875 | Andrea, Martin | Sodomka, Breindl | Ort ohne Raum | 1991 | Performance | Network perf | 0 | ||||||||||||
| 15885 | Andrea, Martin | Sodomka, Breindl | Unendliche Gegenwart | 1991 | intermedia | 0 | |||||||||||||
| 15867 | Andrea, Norbert | Sodomka, Math | Distanz - Max Brand, ein Aspekt der Erinnerung | 1991 | radiophon | ORF Kunstradio/ | ORF Kunstradio | 0 | |||||||||||
| 15869 | Andrea, Norbert | Sodomka, Math | Einfache Freuden | 1992 | Film | 0 | |||||||||||||
| 15874 | Andrea, Norbert, Martin | Sodomka, Math, Breindl | Nahe Ferne, Zeitgleich | 1994 | Klangkunst, Installation | intermedia |
0 | |||||||||||||
| 15881 | Andrea, Norbert, Martin | Sodomka, Math, Breindl | State of Transition - Radio Edit | 1994 | radiophon | 0 | |||||||||||||
| 15886 | Andrea, Norbert, Martin | Sodomka, Math, Breindl | Ungefähre Wirklichkeit | 1991 | radiophon | ORF Kunstradio | 0 | ||||||||||||
| 15884 | Andrea, Peter | Sodomka, Mechtler | Unähnliche Abbilder | 1987 | intermedia | Assoziationen zur Licht- und Zahlenmetaphysik | 0 | ||||||||||||
| 15864 | Andrea, Peter, Igor | Sodomka, Mechtler, Lintz-Maués | Acoustic Postcard | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 15882 | Andrea, Wolfgang | Sodomka, Musil | Studie | 1985 | fixed media, akusmatisch | 6:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 15887 | Camilla | Söderberg | Subcontra X | 1973 | fixed media, akusmatisch | 5:20 | Stereo | ELAK Wien | 0 | ||||||||||
| 15888 | Camilla | Söderberg | Sylanop | 1973 | fixed media, akusmatisch | 7:52 | Stereo | ELAK Wien | 0 | ||||||||||
| 15889 | Johan | Söderberg | Turning made easy | live-elec, 3 perf | 6:00 | mar, perc, synt [Schlagzeug, synthesizer] | Radium RA 005/ | PS C. | 0 | ||||||||||
| 15890 | Jonas | Söderberg | Cmentarz | 1991 | fixed media, akusmatisch | 14:05 | Stereo | txtcompo | EMS Stockholm | 0 | |||||||||
| 15891 | Jonas | Söderberg | De foro vida… | 1983 | intermedia, live-elec, | 10:00 | Stereo | (slides) [] | EMS Stockholm | 0 | |||||||||
| 15892 | Jonas | Söderberg | Eeee | 1984 - 1985 | Tanz | 25:00 | Stereo | MIDI; choreo Chr. Kingskog | PS C. Stockholm | 0 | |||||||||
| 15894 | Jonas | Söderberg | Gud i stormen | 1988 - 1989 | Theater, live-elec, | 20:00 | Stereo | PS C. Stockholm | 0 | ||||||||||
| 15895 | Jonas | Söderberg | Idun och äpplena | 1984 | Theatermusik | 9:30 | Stereo | play for children | EMS Stockholm | 0 | |||||||||
| 15896 | Jonas | Söderberg | Lunch | 1991 | Theatermusik | 14:00 | Stereo | PS C. Stockholm | 0 | ||||||||||
| 15897 | Jonas | Söderberg | Lunch-varianter | 1993 | fixed media, akusmatisch | 9:00 | Stereo | PS C. Stockholm, EMS Stockholm | 0 | ||||||||||
| 15898 | Jonas | Söderberg | Myter | 1983 | intermedia, live-elec, | 12:00 | Stereo | (slides) [] | EMS Stockholm | 0 | |||||||||
| 15899 | Jonas | Söderberg | Receiver I und II | 1994 | fixed media, akusmatisch | 4:18 | EMS Stockholm | 1 | |||||||||||
| 15900 | Jonas | Söderberg | Schablontryck | 1982 | fixed media, akusmatisch | 10:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 15901 | Jonas | Söderberg | Se mina visioner | 1987 | Theater, live-elec, | 25:00 | Stereo | 0 | |||||||||||
| 15902 | Jonas | Söderberg | Sixty Seconds | 1987 - 1989 | fixed media, akusmatisch | 15:03 | CAP 21469 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm, PS C. Stockholm | Fredrik Heimdal / Teater 9. | 1 | |||||||||
| 15903 | Jonas | Söderberg | som funnes vi ännu | 1992 | live-elec, 1 perf | 14:00 | Stereo | synt, (com) [synthesizer] | PS C. Stockholm | 0 | |||||||||
| 15893 | Jonas, Fredrik | Söderberg, Söderling | Faraday | 1984 | Tanz | 11:55 | Stereo | MIDI | EMS Stockholm | 0 | |||||||||
| 15904 | Fredrik | Söderling | Den heter ingenting | 1987 | fixed media, akusmatisch | 3:20 | Stereo | Examensstycke | EMS Stockholm | 0 | |||||||||
| 15905 | Herbert | Söllner | Orgelkonzert | live-elec, 1 perf | org [Orgel] | nach Reiner Kunze | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 28347 | Guds | Söner | Riot | 1988 | fixed media, akusmatisch | 0 | |||||||||||||
| 15906 | Raymond van | Soens | Metamorfose | 1968 | fixed media, akusmatisch | 12:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 15907 | Raymond van | Soens | Stochastica 01 | 1965 | fixed media, akusmatisch | 6:20 | Stereo | IDEAMA CD 006/ | IPEM Gent | 0 | |||||||||
| 15908 | Gunnar | Sönstevold | Bells in Moonshine | 1961 | Film | Mono | PS C. | 0 | |||||||||||
| 15909 | Gunnar | Sönstevold | Crico | 1977 | Zuspiel / Tonband, 4 perf | 15:02 | 2 perc, 2 p and org [Piano, Orgel, Schlagzeug] | NOTAM | 0 | ||||||||||
| 15910 | Gunnar | Sönstevold | Intermezzo | 1958 | Zuspiel / Tonband, 2 perf | 8:40 | S, vn [Sopran, Violine] | NOTAM | 0 | ||||||||||
| 15911 | Gunnar | Sönstevold | Stormen | 1959 | Theater, 4 perf | Mono | S, A, A, B [Sopran, Alt, Bass] | (The Tempest) | NRK Oslo | 0 | |||||||||
| 34514 | Knut | Sönstevold | Flauten-73 | 1973 | fixed media, akusmatisch | 8:19 | Stereo | with flute-sounds | Sonology Utrecht | 0 | |||||||||
| 15916 | Knut | Sönstevold | Modulations I | 1972 | Zuspiel / Tonband, 1 perf | 14:22 | Mono | bn [Fagott] | Sonology Utrecht | 0 | |||||||||
| 34515 | Knut | Sönstevold | Modulations I Modulations II |
1972 | Zuspiel / Tonband, 1 perf | 27:33 | Quadro | bn [Fagott] | 2 versions (Modulations I / Modulations II ≈ 13:16) | Sonology Utrecht | 0 | ||||||||
| 15917 | Knut | Sönstevold | Modulations II | 1972 | fixed media, akusmatisch | 13:16 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 42866 | Sal G. | Sofia | Live Forever Requiem | 2013 | fixed media, akusmatisch | 11:19:00 | 0 | ||||||||||||
| 15920 | Lost | Soils | Idumea | 1989 | intermedia, live-elec, 3 perf | 5:31 | b-rec, vn (fiddle), V [Stimme, Flöte, Violine] | AER 1990 / 1/ | 1 | ||||||||||
| 42990 | Ignatius | Sokol | The Lost Word | 2013 | live-elec, 1 perf | 12:01:00 | fl [Flöte] | Michelle Stockman, flute | 0 | ||||||||||
| 23659 | Iván | Solano | Cielo Arterial | 2002 | fixed media, akusmatisch | 14:45 | PR 0083-2 SGAE/ | Mention Premio Internacional SGAE 2003 | 1 | ||||||||||
| 23000 | Juan Maria | Solare | Assurancetourix | fixed media, akusmatisch | 3:22 | 1 | |||||||||||||
| 23011 | Juan Maria | Solare | Celsius 1 - 4 | fixed media, akusmatisch | 6:00 | aus 24 teiliger Klanginstallation "Celsius 24. wohltemperierter Brei" | 1 | ||||||||||||
| 23002 | Juan Maria | Solare | Engarces | fixed media, akusmatisch | 4:52 | 1 | |||||||||||||
| 23003 | Juan Maria | Solare | gl | fixed media, akusmatisch | 0:18 | 1 | |||||||||||||
| 34045 | Juan Maria | Solare | Lluvia verde en Plutón | 2005 | fixed media, akusmatisch | 2:55:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 34044 | Juan Maria | Solare | Mambo de Capricornus | 2005 | fixed media, akusmatisch | 5:11:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 23001 | Juan Maria | Solare | Nice Noise | 2003 | fixed media, akusmatisch | 0:33 | CPS 8744 Capstone/ | 1 | |||||||||||
| 23010 | Juan Maria | Solare | OksiD (for the moon) | fixed media, akusmatisch | 5:15 | 0 | |||||||||||||
| 23004 | Juan Maria | Solare | Panther | fixed media, akusmatisch | 7:03 | 1 | |||||||||||||
| 34046 | Juan Maria | Solare | Point of no Return | 2005 | fixed media, akusmatisch | 5:02:00 | Quadro | Elektroakustisches Ballett | HfMT Köln | 0 | |||||||||
| 22999 | Juan Maria | Solare | Preludio Granular and Fuga Electroacustica Nr. 1 | fixed media, akusmatisch | 3:00 | 1 | |||||||||||||
| 23005 | Juan Maria | Solare | Solidità della Nebbia | 2000 | fixed media, akusmatisch | 11:07 | Quadro | HfMT Köln | 1 | ||||||||||
| 23006 | Juan Maria | Solare | taube Taube | fixed media, akusmatisch | 2:48 | 1 | |||||||||||||
| 22998 | Juan Maria | Solare | The Void Profound of unessential night | fixed media, akusmatisch | 8:34 | 1 | |||||||||||||
| 23007 | Juan Maria | Solare | Trituration | 2002 | fixed media, akusmatisch | 8:49 | Quadro | HfMT Köln CD8/ | HfMT Köln | 25.10,2002 | Aula der HfMT Köln | 1 | |||||||
| 41813 | Juan Maria | Solare | Voi ch' intrate | 2001 | fixed media, akusmatisch | 4:00:00 | codemist ICMC2001/ | 0 | |||||||||||
| 23008 | Juan Maria | Solare | Voi ch'intrate | fixed media, akusmatisch | 4:04 | 1 | |||||||||||||
| 23009 | Juan Maria | Solare | Was a saW | fixed media, akusmatisch | 5:42 | 1 | |||||||||||||
| 36308 | David | Soley | Linea I | 1996 | live-elec, 2 perf | 13:19 | vn (zeta-vn), MIDI (Radio-Baton) [Violine, synthesizer] | CCRMA V 02/ | CCRMA | 0 | |||||||||
| 31382 | Mario | Sollazzo | Due Madrigali | 2003 | fixed media, akusmatisch | 7:01:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31377 | Mario | Sollazzo | Teatro Acustico | 2002 | fixed media, akusmatisch | 13:08:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 15921 | Harvey | Sollberger | Antigone | 1966 | Theatermusik | Zuspiel/Tonband, 1 perf |
40:00 | Stereo | actor [Schauspieler] | 2 versions: Th {40 min}, concert {12} | IDEAMA CD 066/ | Col.Princ EMC | 0 | |||||||
| 22964 | Harvey | Sollberger | Chamber Variations | 1964 | Zuspiel / Tonband, 13 perf | 17:49 | 12 mus, conductor [Musiker, Performer] | CRI SD 204/ CRI CR743/ | Col.Princ EMC | 1 | |||||||||
| 19359 | Bernd Hannes | Sollfelner | Studie für Stimme und Live-Elektronik | 1996 | live-elec, 1 perf | 9:15 | V [Stimme] | GEM 9701/ | PS Zechberger | 1 | |||||||||
| 41838 | solublefish | Jubilate with the help of garbage | 2008 | radiophon | 1:21:00 | NAISA Deep Wireless 5/ | 0 | ||||||||||||
| 21614 | Dave | Solursh | We | 1998 | fixed media, akusmatisch | 3:15 | CEC Presence 2/ | Concordia Montreal | 1 | ||||||||||
| 15922 | Harry | Somers | The gift | 1965 | Fernsehen, | 5:15 | Mono | UTEMS Toronto | 0 | ||||||||||
| 43023 | Jerod | Sommerfeldt | A Wondrous Number | 2013 | fixed media, akusmatisch | 5:35:00 | 0 | ||||||||||||
| 39908 | Jerod | Sommerfeldt | Crystalline | 2015 | fixed media, akusmatisch | 3:00:00 | Jerod Sommerfeldt | 0 | |||||||||||
| 39907 | Jerod | Sommerfeldt | Dharma in Excelsis | 2016 | fixed media, akusmatisch | Jerod Sommerfeldt | 0 | ||||||||||||
| 42799 | Jerod | Sommerfeldt | Linear | 2012 | audiovisuell | 5:53:00 | 0 | ||||||||||||
| 39906 | Jerod | Sommerfeldt | Strong Back, Soft Front | 2017 | fixed media, akusmatisch | Jerod Sommerfeldt | 0 | ||||||||||||
| 15923 | Herbert van, Phillipe van, Guy van | Sompel, Keymeulen, Belle | Concession à Perpetuité | 1985 | Fernsehen, | 9:10 | IPEM Gent | 0 | |||||||||||
| 37233 | Hyewon | Son | E ? wieder ? E (über unvollständige Zeiten) | 2017 | fixed media, akusmatisch | 8:00:00 | Quadro | HfM Leipzig | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 28706 | Laetitia | Sonami | 3-MAJ | 2012 | Klangkunst, Installation | Octo | Achtkanalige Klanginstallation in der Marinewerft von Rijeka, Kroatien | 0 | |||||||||||
| 28699 | Laetitia | Sonami | A Historical Moment on a Line Between A and B | 2009 | live-elec, 1 perf | com (Datenhandschuh) [computer] | Performance mit Live-Elektronik, gesteuert vom Lady's Glove (Datenhandschuh) | 0 | |||||||||||
| 19080 | Laetitia | Sonami | …and She Keeps Coming Back for More | 1995 | live-elec, 1 perf | 1:09 | lady's glove [elektronik] | Sonambiente Ausstellung (1996); Parochialkirche Katalog S.139 |
ISBN 3-7913-1699 (Prestel)/ | STEIM | 1 | ||||||||
| 28687 | Laetitia | Sonami | BAGS | 2001 | Klangkunst, Installation | Installation in Zusammenarbeit mit Nick Bertoni, dem Tinkers Workshop and East Bay Youth | 0 | ||||||||||||
| 28694 | Laetitia | Sonami | Bellow Activated Electronic Memories | 2007 | Performance | für elektronischen Gürtel | 0 | ||||||||||||
| 28688 | Laetitia | Sonami | Birds w/o feet (cannot land) | 2002 | Tanz | Musik zu einer Choreographie von Molissa Fenley | 0 | ||||||||||||
| 28665 | Laetitia | Sonami | Blue Yonder | 1979 | Tanz | 0 | |||||||||||||
| 28701 | Laetitia | Sonami | Carême | 2010 | Film | 0 | |||||||||||||
| 28689 | Laetitia | Sonami | Celebration 2002 | 2002 | Klangkunst, Installation | Ortsspezifische Installation mit motorisierten Gummihandschuhen und amerikanischen Flaggen | 0 | ||||||||||||
| 28698 | Laetitia | Sonami | Chairs | 2007 | Klangkunst, Installation | Installation in Zusammenarbeit mit den Angehörigen des Mills College, Oakland, Kalifornien. Die Teilnehmer wurden aufgefordert, Hörräume unter Verwendung von Stühlen als Standort, Instrument und Raum zum Nachdenken zu schaffen. | 0 | ||||||||||||
| 28683 | Laetitia | Sonami | Conversation with a Light Bulb | 2000 | Performance, live-elec, 1 perf | V, (data-sounds, Bulbs) [Stimme] | 0 | ||||||||||||
| 28684 | Laetitia | Sonami | Conversation with a Light Bulb no. 5 | 2000 | Klangkunst, Installation | bulbs controlled by sound an resonator | 0 | ||||||||||||
| 28669 | Laetitia | Sonami | Drôle de dimanche | 1985 | live-elec, 1 perf | elec [elektronik] | selfmade elec | 0 | |||||||||||
| 28662 | Laetitia | Sonami | Dunes | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 28666 | Laetitia | Sonami | Extended Dreams | 1980 | Zuspiel, Performance, 1 perf | V [Stimme] | Voice, film, tape | 0 | |||||||||||
| 28703 | Laetitia | Sonami | Ghost Rivers | 2010 | Klangkunst, Installation | Installation mit Rohren und Klängen | 0 | ||||||||||||
| 20802 | Laetitia | Sonami | Has/Had | 1997 | Performance, live-elec, 2 perf | 2:20 | Stereo | V, lady's glove [Stimme, elektronik] | Text by Melody Sumner Carnahan | Prix ars electronica 97/ | STEIM | Auszeichnung ars electronica honorary mention 1997 | 0 | ||||||
| 28697 | Laetitia | Sonami | I. C. You | 2006 | audiovisuell, live-elec, | Live-Film-Performance in Zusammenarbeit mit der Videokünstlerin Sue-C | 0 | ||||||||||||
| 28705 | Laetitia | Sonami | Invisible Sea | 2011 | Klangkunst, Installation | Klanginstallation mit Rohren im Hafen von Rijeka, Kroatien | 0 | ||||||||||||
| 28674 | Laetitia | Sonami | Mechanization Takes Command | 1991 | live-elec, 1 perf | com (lady's glove, Power glove) [computer] | together with Paul DeMarinis | PS C. | 0 | ||||||||||
| 28664 | Laetitia | Sonami | Migrations | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 28676 | Laetitia | Sonami | Mona Lisa | 1996 | Performance, live-elec, | together with Donald Swearinghen, Pamela Z, Visual Brains. Text by Melody Sumner Carnahan | 0 | ||||||||||||
| 28675 | Laetitia | Sonami | Nga'i pha yul | 1995 | live-elec, 1 perf | V, (elec) [Stimme] | together with David Wessel and Tibetian Singer Tsering Wangmo | PS C. | 0 | ||||||||||
| 28668 | Laetitia | Sonami | Oh-Balihi-Wadou | 1980 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 28691 | Laetitia | Sonami | Overture on Ice | 2004 | fixed media, akusmatisch | Elektronische Musik auf Tonband | 0 | ||||||||||||
| 28670 | Laetitia | Sonami | Parfums | 1985 | fixed media, akusmatisch | 0 | |||||||||||||
| 28663 | Laetitia | Sonami | Passages | 1978 | Performance | Dancer, slides, tape | 0 | ||||||||||||
| 15924 | Laetitia | Sonami | Pie Jesu, sounds from empty places No. 3 | 1987 | live-elec, 2 perf | 7:14 | e-ins, V [Stimme, synthesizer] | MIDI | Music&Arts CD 276/ | Dragon St Redwood city | 1 | ||||||||
| 28693 | Laetitia | Sonami | Pink Bird Shadows | 2005 | Klangkunst, Installation | Installation für ferngesteuerte Schwimmer und Schaltkreise | 0 | ||||||||||||
| 28679 | Laetitia | Sonami | Shaky Memories | 1998 | Klangkunst, Installation | automated rubber gloves and elec | 0 | ||||||||||||
| 28677 | Laetitia | Sonami | She Came Back, Again | 1997 | Performance, live-elec, 2 perf | V, lady's glove [Stimme, elektronik] | Text by Melody Sumner Carnahan | 0 | |||||||||||
| 38970 | Laetitia | Sonami | Sheepspace | 2010 | Film | EMPAC | 2010 EMPAC | 0 | http://empac.rpi.edu/events/2010/fall/filament/live-shorts | ||||||||||
| 28700 | Laetitia | Sonami | SheepWoman | 2009 | audiovisuell, live-elec, | Live-Film-Perfomance in Zusammenarbeit mit der Videokünstlerin Sue-C | 0 | ||||||||||||
| 28704 | Laetitia | Sonami | Sound Gates | 2011 | Klangkunst, Installation | Klanginstallation auf Hafenkränen in Rijeka, Kroatien | 0 | ||||||||||||
| 28696 | Laetitia | Sonami | Sounds of War | 2006 | Klangkunst, Installation | Installation für Toilettensauger und Klänge von Kriegsschauplätzen | 0 | ||||||||||||
| 20803 | Laetitia | Sonami | Story Road | 1992 | Performance | 10:00 | Stereo | synt [synthesizer] | Text by Melody Sumner Carnahan | Tellus CD 26/ | STEIM | 0 | |||||||
| 28695 | Laetitia | Sonami | The Appearance of Silence (the Invention of Perspective) | 2004 | Performance | Performance mit Live-Elektronik, gesteuert vom Lady's Glove | 0 | ||||||||||||
| 28682 | Laetitia | Sonami | Two Trees | 2000 | Tanz | Choreogr. by Wends Rogers | 0 | ||||||||||||
| 28681 | Laetitia | Sonami | Vanishing Tower | 2000 | audiovisuell | 0 | |||||||||||||
| 15925 | Laetitia | Sonami | What Happened | 1985 | live-elec, 1 perf | 7:07 | V [Stimme] | Text by Melody Sumner Carnahan | Nonesuch 9 79235-2, Imaginary Landscapes/ | PS C. | 1 | ||||||||
| 28673 | Laetitia | Sonami | What Happened II | 1993 | live-elec, 1 perf | lady's glove [elektronik] | Text by Melody Sumner Carnahan | PS C. | 0 | ||||||||||
| 28690 | Laetitia | Sonami | Where are you now? | 2003 | Klangkunst, Installation | Ortsspezifische Installation mit Servomotor, Kapuzinerkresse, Hi-Hat und Löffeln (aus Plastik, Holz und Silber) | 0 | ||||||||||||
| 28667 | Laetitia | Sonami | While U Wait | 1980 | Zuspiel, live-elec, 1 perf | V [Stimme] | Voice, tape, elec | 0 | |||||||||||
| 28685 | Laetitia | Sonami | Why__dreams like a loose engine (autoportrait) | 2000 | Performance, live-elec, 1 perf | V [Stimme] | Voice, Live-elec, com-controlled e-motors | 0 | |||||||||||
| 28672 | Laetitia | Sonami | Wilfred Wants You to Remember Us | 1992 | live-elec, 1 perf | V [Stimme] | Text by Melody Sumner Carnahan | 0 | |||||||||||
| 28692 | Laetitia | Sonami | Wire Rap II: Amnesia | 2004 | Klangkunst, Installation | Installation für Kabel und Klänge | 0 | ||||||||||||
| 28702 | Laetitia | Sonami | Wire Rap IV: If walls could talk | 2010 | Klangkunst, Installation | Installation für umwickelten Draht und Klänge | 0 | ||||||||||||
| 28678 | Laetitia, Jocelyn | Sonami, Robert | Crachecophage | 1999 | live-elec, | elec music with sounds find | 0 | ||||||||||||
| 28680 | Laetitia, Jocelyn | Sonami, Robert | Le Scaphandres | 1999 | Performance, live-elec, | data-sounds | 0 | ||||||||||||
| 32165 | Group | Sonde | A piece of paper | 1984 | live-elec, | intermedia |
1 | 1984 | ||||||||||||
| 32164 | Group | Sonde | The music you hear while entering | 1984 | live-elec, | intermedia |
var | Quadro | 1 | 1984 | ||||||||||
| 15930 | Group, Andew, Charles, Pierre, John, Robin | Sonde, Culver, DeMestral, Dostie, Howard, Minard | Les plaques | 1978 | Performance | Stereo | Sonde | MuGal | 1 | ||||||||||
| 15931 | Group, Andew, Charles, Pierre, John, Robin | Sonde, Culver, DeMestral, Dostie, Howard, Minard | Mudisture | 1978 | Performance | Stereo | Sonde | MuGal | 0 | ||||||||||
| 28363 | Group, Andew, Charles, Pierre, John, Robin | Sonde, Culver, DeMestral, Dostie, Howard, Minard | Plastic Wood | 1984 | Performance | (SONDE); KuKo, 15.2.84 (Culver, de Mestral, Dostie, Howard, Minard) |
1 | 1984 | |||||||||||
| 15934 | Group, Andew, Charles, Pierre, John, Robin | Sonde, Culver, DeMestral, Dostie, Howard, Minard | Sahabi II | 1978 | Performance | Stereo | Sonde | MuGal | 1 | ||||||||||
| 15935 | Group, Andew, Charles, Pierre, John, Robin | Sonde, Culver, DeMestral, Dostie, Howard, Minard | Sahabi III | 1978 | Performance | Stereo | Sonde | MuGal | 0 | ||||||||||
| 15937 | Group, Andew, Charles, Pierre, John, Robin | Sonde, Culver, DeMestral, Dostie, Howard, Minard | Voix | 1978 | Performance | Stereo | Sonde | MuGal | 1 | ||||||||||
| 15938 | Group, Andew, Charles, Pierre, John, Robin | Sonde, Culver, DeMestral, Dostie, Howard, Minard | Water Tree (I) | 1985 | Performance | Stereo | Water Sound Structure; Sonde | 0 | |||||||||||
| 15927 | Group, Pierre, Charles | Sonde, Dostie, DeMestral | E P A E | Performance | Stereo | Sonde: Mestral; Dostie | 0 | ||||||||||||
| 15926 | Group, Robin, Charles, Pierre, John | Sonde, Minard, DeMestral, Dostie, Howard | Dry WOR / L / DS | 1983 | Performance | Stereo | Sonde: deMestral; Dostie; Howard; Minard | 1 | 1984 | ||||||||||
| 15928 | Group, Robin, Charles, Pierre, John | Sonde, Minard, DeMestral, Dostie, Howard | Encephalo Sciffle | 1983 | Performance | Stereo | Sonde: Mestral; Dostie; Howard; Minard | 1 | 1984 | ||||||||||
| 15929 | Group, Robin, Charles, Pierre, John | Sonde, Minard, DeMestral, Dostie, Howard | L'acier bien trempé | 1985 | Performance | Stereo | Metal Sonde Structure. Sonde: Mestral; Dostie; Howard; Minard | 0 | |||||||||||
| 15932 | Group, Robin, Charles, Pierre, John | Sonde, Minard, DeMestral, Dostie, Howard | Music with tensegrity sound source No. 5 | 1983 | Performance | Stereo | Sonde: Mestral; Dostie; Howard; Minard | 1 | 1984 | ||||||||||
| 15936 | Group, Robin, Charles, Pierre, John | Sonde, Minard, DeMestral, Dostie, Howard | Sweet Gaspésienne | 1983 | Performance | Stereo | Sonde: Mestral; Dostie; Howard; Minard | 1 | 1984 | ||||||||||
| 38658 | Morten | SØNDERGAARD | Monte Altissimo – Falling off the White Mountain | 2004 | radiophon | 0:00:00 | 0 | ||||||||||||
| 15939 | Group | Sonic-Art Ensemble | Color in Motion | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 15940 | Kaleido, Robbert, René de | Sonique, Bloemendaal, Groot | Symfony in Wrau | fixed media, akusmatisch | 50:00 | NOS Hilversum | 0 | ||||||||||||
| 24281 | Jan-Peter | Sonntag | mono 0 | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 42420 | Jan-Peter | Sonntag | Rundfunk Aeterna X | 2017, 2019 | Radiokunst, live-elec, 3 perf | 16 Tracks | 3 perf [Performer] | Radiooper | Documenta 14 | 1.2.2019 | AdK Berlin; Konzert mit Lars Gühlcke (sonD-Bass), Michael Vorfeld (DIY Saiteninstrumente), Jan-Peter E.R. Sonntag (Audion Feedback Radio System) | 0 | https://www.adk.de/de/programm/?we_objectID=59214 | ||||||
| 34745 | Jan-Peter | Sonntag | sub sonus | 2005 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 29.9.-6.10.2005 | singuhr hoergalerie Berlin | 0 | http://www.singuhr.de/page.php?ID=481 | |||||||||
| 15912 | Knut | Sønstevold | Cepheider | 1978 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | p [Piano] | EMS Stockholm | 0 | |||||||||
| 15913 | Knut | Sønstevold | Drömmen om "R" | 1977 | live-elec, 6 perf | 4:00 | S, ww-qnt [Sopran, Bläser] | PS C. | 0 | ||||||||||
| 15914 | Knut | Sønstevold | Fatott 70 | 1970 | Zuspiel / Tonband, | 8:00 | EMS Stockholm | 0 | |||||||||||
| 15915 | Knut | Sønstevold | Flautem | 1973 | fixed media, akusmatisch | 8:19 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 15918 | Knut | Sønstevold | Perfugio | 1976 | live-elec, 1 perf | 10:00 | b-cl [Klarinette] | PS C. | 0 | ||||||||||
| 33518 | Knut | Sønstevold | Quasar | 1974 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 15919 | Knut | Sønstevold | Windstock | 1976 | live-elec, 5 perf | 12:00 | ww-qnt [Bläser] | PS C. | 0 | ||||||||||
| 37733 | Tom | Sora | Destillation | 2002 - 2004 | live-elec, 1 perf | 9 | MIDI p [Piano] | col legno CD: Improvisationscollage (2002/2004) 4:27 Erstes Destillat Aus »Improvisationscollage« (2003/2004) 4:27 |
WWE 1CD 40001 col legno/ | 0 | |||||||||
| 37734 | Tom | Sora | Drei Angriffe | 2003 | live-elec, 1 perf | 10:25 | MIDI p [Piano] | WWE 1CD 40001 col legno/ | 0 | ||||||||||
| 32008 | Vanessa | Sorce-Lévesque | Allegro | 2010 | fixed media, akusmatisch | 7:57 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 40311 | Vanessa | Sorce-Lévesque | Wrathful Vine | 2015 | fixed media, akusmatisch | 12:48:00 | Vanessa Sorce-Lévesque | 0 | |||||||||||
| 22600 | Nicolas | Sordet | Campanes Diaphanes | 1995 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 22597 | Nicolas | Sordet | Clair Polaire | 1989 | fixed media, akusmatisch | 7:17 | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 15941 | Nicolas | Sordet | Cydor automnal | 1990 | fixed media, akusmatisch | Stereo | Collectif & Cie, AMEG CD 02/ | CSMI Genève, SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 22598 | Nicolas | Sordet | Franges glissantes sans dureté | 1992 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27717 | Nicolas | Sordet | Graphe Uni | 1997 | fixed media, akusmatisch | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 27718 | Nicolas | Sordet | Lais Contrefait | 1998 | fixed media, akusmatisch | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 15942 | Nicolas | Sordet | Laurian | 1988 | fixed media, akusmatisch | 5:41 | Stereo | AMEG - CD 01/ | SCCM | 1 | http://www.computermusic.ch/ | ||||||||
| 22599 | Nicolas | Sordet | Trois études flottantes en entier | 1993 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 39747 | Edmar | Soria | Lasciate Ogne Speranza Voi Ch’e Intrato | 2015 | Performance | Edmar Soria | Musiques et Recherches Ohain | 0 | |||||||||||
| 39362 | Edmar | Soria | Vortex Flow | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24479 | Juan Pablo | Sorrentino | Extraño | 2004 | fixed media, akusmatisch | IMEB Bourges | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2008 | 0 | |||||||||||
| 42667 | Jorge | Sosa | Ariel | 2009 | live-elec, 2 perf | 9 | fl, a-fl [Flöte] | 0 | |||||||||||
| 39937 | Jorge | Sosa | Elegy for the Victims of Gun Violence | 2017 | fixed media, akusmatisch | Jorge Sosa | 0 | ||||||||||||
| 39938 | Jorge | Sosa | Enchantment | 2015 | fixed media, akusmatisch | 10:00:00 | Jorge Sosa | 0 | |||||||||||
| 36933 | Jorge | Sosa | In Transit | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 42553 | Jorge | Sosa | Refraction I | 2007 | Zuspiel / Tonband, 1 perf | amp cl [Klarinette] | Kinan Azmeh, clarinet | 0 | |||||||||||
| 42834 | Jorge | Sosa | Time Wave Zero | 2013 | live-elec, 3 perf | 8:33:00 | vn, fl, vc [Flöte, Cello, Violine] | Brooks Berg, violin, Patricia Cardona, flute Lyle Tieman-Strauss, cello | 0 | ||||||||||
| 34680 | Rogelio | Sosa | Ejecta | 2001 | Zuspiel / Tonband, 1 perf | 9 | Stereo | trbn [Posaune] | Russolo Pratella EF.ER.P 02/ | Prize Russolo Varese 2002 | 0 | ||||||||
| 35151 | Rogelio | Sosa | Interior | 2009 | Klangkunst, Installation | 0 | |||||||||||||
| 35152 | Rogelio | Sosa | Lecho | 2006 | Klangkunst, Installation | 0 | |||||||||||||
| 27201 | Rogelio | Sosa | Maquinaria del Ansia | 1999 | fixed media, akusmatisch | 8:25 | IRD 002 Irradia/ | 0 | |||||||||||
| 35154 | Rogelio | Sosa | nodal | 2016 | Klangkunst, Installation | 26.11.2016 -15.01.2017 | Kunstraum Kreuzberg/Bethanien Raum 6, Berlin |
0 | http://singuhr.de/en/projects-2014/2016-3/nodal-2/ | ||||||||||
| 35153 | Rogelio | Sosa | Organa | 2005 | Klangkunst, Installation | 0 | |||||||||||||
| 35148 | Rogelio | Sosa | Residual | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 35147 | Rogelio | Sosa | Transmutación No. 1 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 35150 | Rogelio | Sosa | Un Balance | 2010 | Klangkunst, Installation | 0 | |||||||||||||
| 35149 | Rogelio | Sosa | Vaivén No. 1 | 2010 | Klangkunst, Installation | 0 | |||||||||||||
| 40869 | Rogelio | Sosa | Vinylika | fixed media, akusmatisch | 7:02 | SR 270 sub rosa/ | 0 | ||||||||||||
| 21189 | Mauricio | Sotelo | Angel de la Tierra | 1997 - 1999 | Zuspiel / Tonband, 4 perf, 1 group | 35:35 | Stereo | 4 V, ens [Stimme, Ensemble] | WDR SEM | WDR 1999 | 12.4.1999 | 0 | |||||||
| 21192 | Mauricio | Sotelo | Argo | 1999 | computer generated score, 1 perf | 24:50 | Stereo | sax [Saxophon] | WDR SEM | WDR | ohne Nachweis | 0 | |||||||
| 19585 | Mauricio | Sotelo | Como un Mar de Piedra | 1991 | fixed media, akusmatisch | 17:30 | Stereo | GME Cuenca | 0 | ||||||||||
| 21190 | Mauricio | Sotelo | De Amore. Una Maschera die Cenere | 1996 - 1999 | Oper | 89:50 | Stereo | Kammeroper | WDR SEM | 22.4.1999 | München | 0 | |||||||
| 22274 | Mauricio | Sotelo | Del aura al suspirar | Zuspiel / Tonband, 1 perf | 10:37 | db-fl [Flöte] | AG 275.1 AGORA/ | 1 | |||||||||||
| 15943 | Mauricio | Sotelo | Lieve | 1986 | fixed media, akusmatisch | 8:52 | CBA 5 Musica electroacustica española 1/ | ELAK Wien | 1 | ||||||||||
| 33175 | Mauricio | Sotelo | Si después de morir… In memoriam José Angel Valente | 1999 - 2000 | Zuspiel / Tonband, 1 perf, 1 group | 18:05 | V, orc [Stimme, Orchester] | for voice, tape and orchestra | WJ 2008 polmic 046/ | Universal Edition, Wien | 1 | ||||||||
| 15944 | Eduardo | Soto-Millan | Despertar de luz | 1990 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | PS CIIMM Mexico | 0 | |||||||||||
| 15945 | Eduardo | Soto-Millan | Imagenes con niña solitaria lejos del mar | 1987 | Zuspiel / Tonband, 3 perf | 22:00 | vc, vib, perc (windchimes) [Schlagzeug, Cello] | after a text by Proust | PS CIIMM Mexico | 0 | |||||||||
| 15946 | Eduardo | Soto-Millan | La Bolivariada | 1989 | Tanz, live-elec, 5 perf | 54:00 | p, gui, perc, synt, sam [Piano, Gitarre, Schlagzeug, computer, synthesizer] | PS CIIMM Mexico | 0 | ||||||||||
| 15947 | Eduardo | Soto-Millan | Marceleste | 1986 | Zuspiel / Tonband, 1 perf | fl [Flöte] | after a text by Proust | PS CIIMM Mexico | 0 | ||||||||||
| 15948 | Eduardo | Soto-Millan | Mexico | 1986 | fixed media, akusmatisch | Zuspiel, live-elec, 2 perf |
7:47 | V, synt [Stimme, synthesizer] | PS CIIMM Mexico | 0 | ||||||||||
| 15949 | Eduardo | Soto-Millan | Silencio de espejos, _______ de Espejos | 1986 | live-elec, 1 perf | 9:00 | amp fl, (elec) [Flöte] | PS CIIMM Mexico | 1 | ||||||||||
| 15950 | Eduardo | Soto-Millan | Suite urbana | 1979 | Zuspiel / Tonband, 10 perf | 15:00 | pic-fl, cl, p, vc, 6 perc [Flöte, Klarinette, Piano, Schlagzeug, Cello] | PS CIIMM Mexico | 0 | ||||||||||
| 22720 | Pablo | Sotuyo | Bereshit 1.2 | 1996 | fixed media, akusmatisch | 4:30 | Csound | CMJ Vol 23-4, 1999/ | 1 | ||||||||||
| 15951 | Arsène | Souffriau | Alternance I | 1966 | Zuspiel / Tonband, 1 perf | 2:20 | Mono | ins [Instrument] | PS BIMES | 0 | |||||||||
| 15952 | Arsène | Souffriau | Antarbel | 1961 | Film | 12:00 | Mono | PS BIMES | 0 | ||||||||||
| 15953 | Arsène | Souffriau | Apprendre à marcher | 1962 | Tanz | 8:30 | Mono | PS BIMES | 0 | ||||||||||
| 15954 | Arsène | Souffriau | Béatrice | 1963 | fixed media, akusmatisch | 7:00 | Mono | PS Apelac | 0 | ||||||||||
| 15955 | Arsène | Souffriau | Butch | 1963 | Film | 0:30 | Mono | PS BIMES | 0 | ||||||||||
| 15956 | Arsène | Souffriau | Cinq études sur des battements | 1963 | fixed media, akusmatisch | 14:00 | Mono | PS BIMES | 0 | ||||||||||
| 15957 | Arsène | Souffriau | Combats Aériens | 1963 | fixed media, akusmatisch | 13:45 | Stereo | PS BIMES | 0 | ||||||||||
| 15958 | Arsène | Souffriau | Dessins animés | 1959 | Hintergrundmusik | 0:50 | Mono | PS BIMES | 0 | ||||||||||
| 15959 | Arsène | Souffriau | Déuterium- Lithium- Tritium | 1962 | fixed media, akusmatisch | 7:20 | Mono | PS BIMES | 0 | ||||||||||
| 15960 | Arsène | Souffriau | Diastasis | 1961 | fixed media, akusmatisch | 12:00 | Stereo | PS Apelac | 0 | ||||||||||
| 15961 | Arsène | Souffriau | Diatomos I | 1963 | fixed media, akusmatisch | 2:40 | Mono | PS BIMES | 0 | ||||||||||
| 15962 | Arsène | Souffriau | Diatomos II | 1963 | fixed media, akusmatisch | 2:30 | Mono | PS BIMES | 0 | ||||||||||
| 15963 | Arsène | Souffriau | Entrée interdite | 1959 | Hintergrundmusik | 0:40 | Mono | PS BIMES | 0 | ||||||||||
| 15964 | Arsène | Souffriau | Étude en Galvanisé | 1963 | fixed media, akusmatisch | 9:30 | Mono | VdM/ | PS BIMES | 0 | |||||||||
| 15966 | Arsène | Souffriau | Etude No. 1, sur piano préparé | 1964 | Zuspiel / Tonband, 1 perf | 9:45 | Mono | prep p [Piano] | VdM/ | PS BIMES | 0 | ||||||||
| 15967 | Arsène | Souffriau | Études sur l'électronic 30 | 1963 | fixed media, akusmatisch | 28:20 | Mono | PS BIMES | 0 | ||||||||||
| 15968 | Arsène | Souffriau | Evocations spatiales No. 1 | 1961 | fixed media, akusmatisch | 14:30 | Stereo | PS Apelac | 0 | ||||||||||
| 15969 | Arsène | Souffriau | Evocations spatiales No. 2 | 1962 | fixed media, akusmatisch | 8:00 | Stereo | PS BIMES | 0 | ||||||||||
| 15970 | Arsène | Souffriau | Face à face | 1959 | Fernsehen, | 1:20 | Mono | PS Apelac | 0 | ||||||||||
| 15971 | Arsène | Souffriau | Feu d'Artifice | 1963 | fixed media, akusmatisch | 8:00 | Stereo | PS BIMES | 0 | ||||||||||
| 15972 | Arsène | Souffriau | Fluctuations | 1982 | fixed media, akusmatisch | PS BIMES | 0 | ||||||||||||
| 15973 | Arsène | Souffriau | Geel | 1963 | Film | 11:00 | Mono | PS BIMES | 0 | ||||||||||
| 15974 | Arsène | Souffriau | Hors-Texte (TV) | 1961 | Hintergrundmusik | 0:40 | Mono | PS BIMES | 0 | ||||||||||
| 15975 | Arsène | Souffriau | Impressions sur l`Electronic 30 | 1963 | fixed media, akusmatisch | 13:30 | Mono | VdM/ | PS BIMES | 0 | |||||||||
| 15976 | Arsène | Souffriau | Improvisations | 1963 | fixed media, akusmatisch | 8:15 | Mono | PS BIMES | 0 | ||||||||||
| 15977 | Arsène | Souffriau | Interferénces | 1965 | fixed media, akusmatisch | 2:10 | Mono | PS BIMES | 0 | ||||||||||
| 15978 | Arsène | Souffriau | La clé des sciences | 1962 | Hintergrundmusik | 0:30 | Mono | PS BIMES | 0 | ||||||||||
| 15979 | Arsène | Souffriau | La passion des hommes | 1959 | Film | 0:20 | Mono | PS BIMES | 0 | ||||||||||
| 15980 | Arsène | Souffriau | La voix de la foret | 1959 | Film | 3:30 | Mono | PS BIMES | 0 | ||||||||||
| 15981 | Arsène | Souffriau | Lachertiana op. 359 | 1988 | fixed media, akusmatisch | 9:00 | PS BIMES | 0 | |||||||||||
| 15982 | Arsène | Souffriau | Le petit éléphant (conte pour enfants) | 1962 | radiophon | 4:30 | Mono | PS BIMES | 0 | ||||||||||
| 15983 | Arsène | Souffriau | Le Renard et les Raisins | 1962 | Theatermusik | 9:00 | Mono | PS BIMES | 0 | ||||||||||
| 15984 | Arsène | Souffriau | Les voix du soleil | 1959 | Film | 15:00 | Mono | PS Apelac | 0 | ||||||||||
| 15985 | Arsène | Souffriau | Marine | 1963 | fixed media, akusmatisch | 1:00 | Mono | PS BIMES | 0 | ||||||||||
| 15986 | Arsène | Souffriau | Métamorphoses | 1959 | Fernsehen, | 0:30 | Mono | PS BIMES | 0 | ||||||||||
| 15987 | Arsène | Souffriau | Metastasis | 1963 | fixed media, akusmatisch | 15:00 | Mono + Mono + Mono | PS BIMES | 0 | ||||||||||
| 15988 | Arsène | Souffriau | NA2 CO3 | 1963 | Film | 16:00 | Mono | PS BIMES | 0 | ||||||||||
| 15989 | Arsène | Souffriau | Oppositions | 1966 | fixed media, akusmatisch | 2:30 | Mono | PS BIMES | 0 | ||||||||||
| 15990 | Arsène | Souffriau | Phénoménes | 1965 | fixed media, akusmatisch | 2:10 | Mono | PS BIMES | 0 | ||||||||||
| 15991 | Arsène | Souffriau | Plein sud | 1960 | Film | 8:00 | Mono | PS Apelac | 0 | ||||||||||
| 15992 | Arsène | Souffriau | Polychroïsme | 1983 | fixed media, akusmatisch | PS BIMES | 0 | ||||||||||||
| 15993 | Arsène | Souffriau | Prismes | 1965 | fixed media, akusmatisch | 3:18 | Mono | PS BIMES | 0 | ||||||||||
| 15994 | Arsène | Souffriau | Projection | 1965 | fixed media, akusmatisch | 10:10 | Mono | PS BIMES | 0 | ||||||||||
| 15995 | Arsène | Souffriau | Propositions | 1962 | Zuspiel / Tonband, 2 perf | 9:00 | Mono | 2 p [Piano] | PS BIMES | 0 | |||||||||
| 15996 | Arsène | Souffriau | Quatre études sur le Lundi de Pôques | 1964 | fixed media, akusmatisch | 10:00 | Mono | PS BIMES | 0 | ||||||||||
| 15997 | Arsène | Souffriau | Rosio Kama | 1988 | fixed media, akusmatisch | PS BIMES | 0 | ||||||||||||
| 15998 | Arsène | Souffriau | Routes | 1961 | Film | 2:35 | Mono | PS BIMES | 0 | ||||||||||
| 15999 | Arsène | Souffriau | Scientos (TV) | 1961 | Hintergrundmusik | 0:35 | Mono | PS BIMES | 0 | ||||||||||
| 16000 | Arsène | Souffriau | Séquence I | 1961 | fixed media, akusmatisch | 4:00 | Mono | PS BIMES | 0 | ||||||||||
| 16001 | Arsène | Souffriau | Séquence II | 1961 | fixed media, akusmatisch | 4:00 | Mono | PS BIMES | 0 | ||||||||||
| 16002 | Arsène | Souffriau | Séquence III | 1961 | fixed media, akusmatisch | 4:00 | Mono | PS BIMES | 0 | ||||||||||
| 16003 | Arsène | Souffriau | Six poèmes de Pierre Posno | 1966 | Zuspiel / Tonband, 1 perf | 5:00 | Mono | V [Stimme] | PS BIMES | 0 | |||||||||
| 16004 | Arsène | Souffriau | Trajectoires | 1964 | fixed media, akusmatisch | 13:20 | Mono | PS BIMES | 0 | ||||||||||
| 16005 | Arsène | Souffriau | Trois ballades fantasques | 1961 | Tanz | 9:00 | Mono | PS BIMES | 0 | ||||||||||
| 16006 | Arsène | Souffriau | Trois étranges suggestions | 1960 | Tanz | 10:00 | Mono | PS Apelac | 0 | ||||||||||
| 16007 | Arsène | Souffriau | Trois études pour "Maldoror" | 1962 | fixed media, akusmatisch | 12:00 | Mono | PS BIMES | 0 | ||||||||||
| 16008 | Arsène | Souffriau | Trois études Pulsées | 1963 | fixed media, akusmatisch | 22:00 | Mono | PS BIMES | 0 | ||||||||||
| 16009 | Arsène | Souffriau | Trois études sur un bruit blanc | 1963 | fixed media, akusmatisch | 9:00 | Mono | PS BIMES | 0 | ||||||||||
| 16010 | Arsène | Souffriau | Valse de la Mouette | 1961 | Zuspiel / Tonband, 1 group | 1:00 | Mono | orc [Orchester] | PS BIMES | 0 | |||||||||
| 16011 | Arsène | Souffriau | Variation sur un son de piano | 1962 | fixed media, akusmatisch | 1:40 | Mono | ALPHA ALE 1009/ | PS BIMES | 0 | |||||||||
| 16012 | Arsène | Souffriau | Variation sur un son de tambour | 1962 | fixed media, akusmatisch | 5:00 | Mono | ALPHA ALE 1009/ | PS BIMES | 0 | |||||||||
| 16013 | Arsène | Souffriau | Variations sur l`Electronic 30, Première Cinquième |
1963 | fixed media, akusmatisch | 5:50 | Mono | ALPHA ALE 1009/ | PS BIMES | 0 | |||||||||
| 16014 | Arsène | Souffriau | Variations sur un son de cymbale | 1966 | fixed media, akusmatisch | 4:16 | Mono | PS BIMES | 0 | ||||||||||
| 16015 | Arsène | Souffriau | Visage de Gand | 1960 | Film | 0:40 | Mono | PS BIMES | 0 | ||||||||||
| 16016 | Arsène | Souffriau | Voix de l'espace | 1963 | fixed media, akusmatisch | 12:00 | Stereo | PS BIMES | 0 | ||||||||||
| 16017 | Arsène | Souffriau | Wallonie 62 | 1961 | Fernsehen, | 0:30 | Mono | PS BIMES | 0 | ||||||||||
| 16018 | Arsène | Souffriau | Ylla fait le portrait des betes | 1962 | radiophon | 5:10 | Mono | PS BIMES | 0 | ||||||||||
| 37206 | Augustin | Soulard | Brained dance & cycling mind | 2017 | fixed media, akusmatisch | LABUT Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 23567 | Laurent | Soulié | Ecorce de Lune | 2003 | Zuspiel, live-elec, 7 perf | 16:07 | fl, ob, cl, va, vc, p, perc [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Viola, Cello] | with Ensemble TM+; 8 parts | LDC 278078 Cultures électroniques 17/ | Prix 30. Concours Bourges 2003; | 1 | ||||||||
| 27249 | Laurent | Soulié | Le cri ne peut attendre | 2005 | fixed media, akusmatisch | 11:28 | LDC 2781138 Compendium 2005/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | |||||||||
| 38798 | Group | Soundwalk Collective | What we leave behind - Das Archiv des Jean-Luc Godard | 2015 | radiophon | 44:18:00 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | http://phonurgia.fr/contest/2016-awards/ | ||||||||||
| 35487 | António de | Sousa Dias | Estranho Movimiento, para um dia como o de hoje | 2000 | fixed media, akusmatisch | 6:01 | 0 | ||||||||||||
| 35498 | António de | Sousa Dias | Latido | 1996 | Zuspiel / Tonband, 1 perf | 5:14 | vc [Cello] | Phonos Barcelona | 0 | ||||||||||
| 35488 | António de | Sousa Dias | Mise-en-page | 1990 | live-elec, 1 perf | 6:26 | com (UPIC) [computer] | 0 | |||||||||||
| 25004 | António de | Sousa Dias | TêTrês | 2001 | fixed media, akusmatisch | 8:25 | miso records mcd 013/014/ | 1 | |||||||||||
| 35489 | António de | Sousa Dias | … uma sombra também | 1999 | live-elec, 1 perf | 5:14 | cl [Klarinette] | 0 | |||||||||||
| 25011 | José Carlos Almeida de | Sousa | Viagem | 1999 | fixed media, akusmatisch | 7:45 | miso records mcd 013/014/ | Uni Aveiro | Musica Viva Competition Prize 2001 | 1 | |||||||||
| 16019 | Tim | Souster | Afghan Amplitudes | 1976 | live-elec, 4 perf | 8:30 | 3 perc, synt [Schlagzeug, synthesizer] | Uni Keele | 0 | ||||||||||
| 16020 | Tim | Souster | Arcane Artefact | 1976 | Zuspiel, live-elec, 4 perf | 13:41 | 3 perc, synt [Schlagzeug, synthesizer] | Uni Keele | 0 | ||||||||||
| 16021 | Tim | Souster | Concerto | 1988 | live-elec, 1 perf, 1 group | 35:00 | tpt, orc [Trompete, Orchester] | 0 | |||||||||||
| 16022 | Tim | Souster | Curtain Of Light | 1984 | Zuspiel, live-elec, 1 perf | amp perc [Schlagzeug] | 0 | ||||||||||||
| 16023 | Tim | Souster | Driftwood Cortège, Driftwood Courtege | 1983 | fixed media, akusmatisch | 8:00 | Stereo | ISAST LMJ 1/ | CCRMA | 0 | |||||||||
| 16024 | Tim | Souster | Echoes | Zuspiel / Tonband, 1 perf, 1 group | br-band [Bläser] | 0 | |||||||||||||
| 16025 | Tim | Souster | Equalisation | 1980 | Zuspiel / Tonband, 5 perf | br-qnt [Bläser] | NI S 317/ | 0 | |||||||||||
| 16026 | Tim | Souster | Hamblero Hill | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 0 | |||||||||||||
| 16027 | Tim | Souster | Heavy Reductions | 1977 | Zuspiel / Tonband, 1 perf | 10:00 | tuba [Tuba] | 1 | 1985 | ||||||||||
| 16028 | Tim | Souster | Mareas | 1981 | Zuspiel / Tonband, 4 perf | Quadro | 4 V [Stimme] | 0 | |||||||||||
| 16029 | Tim | Souster | Music from Afar | 1974 | fixed media, akusmatisch | 3:03 | Stereo | TRAG 343/ | 0 | ||||||||||
| 16030 | Tim | Souster | Pelvic Loops | 1969 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 16031 | Tim | Souster | Sonata | Zuspiel / Tonband, 1 group | ens [Ensemble] | NI S 317/ | 0 | ||||||||||||
| 16032 | Tim | Souster | Song | 1977 | Zuspiel / Tonband, 1 perf | Quadro | ins [Instrument] | 0 | |||||||||||
| 16033 | Tim | Souster | Spectral | 1972 | live-elec, 4 perf | 15:00 | va, (tape-delay), 3 synt [Viola, synthesizer] | TRAG 343/ | 0 | ||||||||||
| 16034 | Tim | Souster | The music room | 1976 | Zuspiel / Tonband, 1 perf | 15:00 | b-trbn [Posaune] | 1 | 1985 | ||||||||||
| 16035 | Tim | Souster | The Transistor Radio of St. Narcissus | 1983 | Zuspiel, live-elec, 1 perf | 24:00 | Flügelhorn [Horn] | Inventionen 10.2.85 Ackerstr. | LDC 278076/77 Cultures Electroniques 16/ | 1 | 1985 | ||||||||
| 16036 | Tim | Souster | Titus Groan Music | 1969 | Zuspiel, live-elec, 5 perf | Stereo | w-qnt [Bläser] | 0 | |||||||||||
| 23085 | Tim | Souster | Triple-Music IV, Natürliche Klänge | 1973/1974 | fixed media, akusmatisch | no documentation | WDR SEM | 7.12.1973 | "Musik der Zeit" Köln | 0 | |||||||||
| 16037 | Tim | Souster | World - Music | 1973/1974 | Zuspiel / Tonband, 1 group | 75:00 | ens [Ensemble] | WDR SEM | WDR 1974 | 1.12.1974 | "Musik der Zeit" Bonn | 0 | |||||||
| 16038 | Tim | Souster | Zorna | live-elec, 4 perf | sax, 3 drum [Saxophon, Schlagzeug] | 0 | |||||||||||||
| 16039 | Ann | Southam | Boat, river, moon | 1972 | fixed media, akusmatisch | 23:55 | WM- SMLP 4024/ | Con Toronto | 1 | ||||||||||
| 16040 | Ann | Southam | Electronic study #1 | 1965 | fixed media, akusmatisch | 4:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 20804 | Ann | Southam | Fluke Sound | 1989 | fixed media, akusmatisch | 10:10 | Stereo | ACM 37 CD 1-4/ | 0 | ||||||||||
| 20805 | Ann | Southam | Re-Tuning | 1985 | fixed media, akusmatisch | 8:33 | Stereo | CMC CD 4492/ | 0 | ||||||||||
| 16041 | Ann | Southam | Sonosphere | 1966 | fixed media, akusmatisch | 9:06 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 16042 | Ann | Southam | The Reprieve | 1975 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 35604 | Isabel | Soveral | Mémoires d'Automne - Tableau III | 2004 | Zuspiel / Tonband, 1 perf | 12:06 | b-fl [Flöte] | 0 | |||||||||||
| 16044 | Eduard | Spacíl | Hledání svetla | 1985 | fixed media, akusmatisch | 11:48 | Stereo | Radio Plzen | 0 | ||||||||||
| 16045 | Eduard | Spacíl | Hudba pro Plzen | 1994 | fixed media, akusmatisch | 8:00 | Stereo | KO 0004/ | Radio Plzen | 1 | |||||||||
| 16046 | Eduard | Spacíl | Hudebník ze Saint-Merry | 1989 | fixed media, akusmatisch | 13:12 | Stereo | Radio Plzen | 0 | ||||||||||
| 16047 | Eduard | Spacíl | Krok k extázi | 1989 | fixed media, akusmatisch | 10:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 16048 | Eduard | Spacíl | Poéma | 1987 | fixed media, akusmatisch | 8:48 | Stereo | Radio Plzen | 0 | ||||||||||
| 16049 | Luca | Spagnoletti | Alterazioni | 1984 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | CRM Roma | 0 | ||||||||||
| 16051 | Luca | Spagnoletti | Life fragments | 1981 | live-elec, | Stereo | CRM Roma | 0 | |||||||||||
| 16052 | Luca | Spagnoletti | Punto e virgola | 1978 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 16054 | Luca | Spagnoletti | Savana | 1986 | live-elec, 1 perf | e-ins [synthesizer] | CRM Roma | 0 | |||||||||||
| 16053 | Luca, P. | Spagnoletti, Castellano | Racconto a due voci | 1986 | live-elec, 1 perf | e-ins [synthesizer] | CRM Roma | 0 | |||||||||||
| 16050 | Luca, R. | Spagnoletti, Strati | Andata e ritorno | 1980 | intermedia | Stereo | slides | CRM Roma | 0 | ||||||||||
| 16055 | Mathias | Spahlinger | el sonido silencioso | 1973/1980 | Zuspiel / Tonband, 7 perf | 28:00 | 7 fem V [Stimme] | EM ?? | 0 | ||||||||||
| 16056 | Mathias | Spahlinger | Störung | 1975 | fixed media, akusmatisch | ed. rz 1005/ | HfM Stuttgart | 1 | |||||||||||
| 42184 | Matthias von | Spallart | Brasil | 1982 | radiophon | 113:25 | HR, DRS, ORF, NOS | 28.1.1982 | Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1356662&vi=1&SID | ||||||||
| 22666 | Friedrich | Spangemacher | Auf Brünlichen Pfaden | 1978 | fixed media, akusmatisch | 3:00 | Stereo | "3-Minutenstücke" with Herbert Brün | TU Berlin | 1 | |||||||||
| 20806 | Orchid | Spangiafora | Radios Silent | fixed media, akusmatisch | 5:18 | Stereo | innova 114/ | 1 | |||||||||||
| 39824 | Giovanni | Sparano | Maxwell’s Demon | 2017 | fixed media, akusmatisch | 16 Tracks | Giovanni Sparano | 0 | |||||||||||
| 16043 | Harry | Sparnaay | Bouwstenen | 1982 | live-elec, 1 perf | 12:00 | b-cl [Klarinette] | 0 | |||||||||||
| 28074 | Bojidar | Spassov | Fiato continuo I | 2004 | Zuspiel / Tonband, 1 perf | 13:34 | fl [Flöte] | WER 2060/ zkm edition 10/ | ZKM Karlsruhe | 0 | |||||||||
| 33821 | Bojidar | Spassov | Fiato continuo II | 2004 | Zuspiel / Tonband, 1 perf | 18:07 | b-cl [Klarinette] | WER 2060/ zkm edition 10/ | ZKM Karlsruhe | 0 | |||||||||
| 33822 | Bojidar | Spassov | Fiato continuo III | 2004 | Zuspiel / Tonband, 1 perf | 13:33 | ob [Oboe] | WER 2060/ zkm edition 10/ | ZKM Karlsruhe | 0 | |||||||||
| 33823 | Bojidar | Spassov | Fiato continuo IV | 2004 | Zuspiel / Tonband, 1 perf | 14:14 | tpt [Trompete] | WER 2060/ zkm edition 10/ | ZKM Karlsruhe | 0 | |||||||||
| 33824 | Bojidar | Spassov | Fiato continuo V | 2004 | Zuspiel / Tonband, 1 perf | 10:41 | tuba [Tuba] | WER 2060/ zkm edition 10/ | ZKM Karlsruhe | 0 | |||||||||
| 36838 | Adriano | Spatola | Baobab: phonetic informations of poetry | fixed media, akusmatisch | 50:00:00 | edizioni pubbliart s.r.l. via manfredi 5 42100 reggio emilia - Italy |
0 | ||||||||||||
| 16057 | Bernadette | Speach | Now I think we are small enough | 1979 | fixed media, akusmatisch | 3:00 | SUNY Buffalo | 1 | |||||||||||
| 24264 | Dirk | Specht | 3 Parts à 90 Sekunden | 2003 | fixed media, akusmatisch | 4:30 | Part 1, 2, 3 | Cybele 960.208/ DegeM CD 08/ | 1 | http://www.reihe-m.de/?cat=52 | |||||||||
| 26146 | Dirk, Gerriet K. | Specht, Sharma | Orphée 49/Edit 1, Hommage à J.C. | 2007 | fixed media, akusmatisch | 1:56 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 16058 | Group | Spectra | Patent 2003 | 1964 | Tanz | 15:00 | Mono | IPEM Gent | 0 | ||||||||||
| 16059 | Group | Spectra | Spectrum '64 | 1964 | fixed media, akusmatisch | 15:30 | Mono | IPEM Gent | 0 | ||||||||||
| 33313 | Sheridan S. | Speeth | Theme and Variations | 1961 | fixed media, akusmatisch | 1:11 | Mono | IDEAMA CD 054/ | Bell Lab | 0 | |||||||||
| 16060 | Jaap | Spek | Impulsen | 1960 | fixed media, akusmatisch | 8 | Mono | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | TH Delft | 23.9.1960 | Kurhaus Pavilion Scheveningen | 1 | http://thresholdofbeauty.com/music excerpts/Impulsen excerpt.mp3 | ||||||
| 38659 | Claudius | SPELTEN | Towards a poetry of scale | 2015 | radiophon | 19:33:00 | 0 | ||||||||||||
| 38799 | Claudius, Bärbel | SPELTEN, SETZEPFAND | Ausgenommen | 2012 | radiophon | 0:34:00 | 0 | ||||||||||||
| 22520 | Warren | Spicer | I'll distract myself while you cry like a boxer tears | 2001 | fixed media, akusmatisch | 7:56 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | 1 | |||||||||
| 22429 | Warren | Spicer | Singing of a Speaking Summer Swelter | 2000 | fixed media, akusmatisch | 6:54 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 38042 | Laurie | Spiegel | A Canon | 1980 | live-elec, 1 perf | com [computer] | for chamber ensemble with Apple II | 0 | |||||||||||
| 38060 | Laurie | Spiegel | A Folk Study | 1976 | live-elec, | GROOVE system | 0 | ||||||||||||
| 24925 | Laurie | Spiegel | a Harmonic Algorithm | 1981 | fixed media, akusmatisch | Aesthetic Engineering/ | 0 | ||||||||||||
| 38049 | Laurie | Spiegel | A Living Painting | 1979 | audiovisuell | VAMPIRE system, silent visual study | 0 | ||||||||||||
| 38080 | Laurie | Spiegel | A Meditation | 1974 | fixed media, akusmatisch | analog electronics | 0 | ||||||||||||
| 38043 | Laurie | Spiegel | A Quadruple Canon | 1980 | live-elec, | Apple II computer with ALF system and Eventide HM80 | 0 | ||||||||||||
| 38097 | Laurie | Spiegel | A Tombeau | 1971 | fixed media, akusmatisch | Buchla synthesizer | 0 | ||||||||||||
| 38063 | Laurie | Spiegel | A Voyage | 1976 | live-elec, | GROOVE system | 0 | ||||||||||||
| 38031 | Laurie | Spiegel | AMO - A Musical Offering | 1988 | live-elec, | Macintosh computer, MIDI, C compiler, FM synthesizer | Composer-to-Composer Festival, Sheridan Opera House, Telluride, CO | 0 | |||||||||||
| 38053 | Laurie | Spiegel | An Acceleration | 1978 | live-elec, | GROOVE | 0 | ||||||||||||
| 38032 | Laurie | Spiegel | An Arpeggio Study | 1987 | live-elec, | Emu Emulator II plus computer editing | 0 | ||||||||||||
| 38021 | Laurie | Spiegel | Anon a Mouse | 2003 | fixed media, akusmatisch | animal sounds, recorded, edited, processed | 0 | ||||||||||||
| 16061 | Laurie | Spiegel | Appalachian Groove I | 1974 | fixed media, akusmatisch | 5:20 | Stereo | GROOVE system, computer controlled analog | Arch Records S-1765 LP/ CRi CD 728/ Ellipsis Arts 3673 - OHM: 03/ NWR 80653-2/ | Bell Lab | 1 | ||||||||
| 38095 | Laurie | Spiegel | Before Completion | 1971 | fixed media, akusmatisch | Buchla synthesizer | 0 | ||||||||||||
| 38073 | Laurie | Spiegel | Cathode Ray Theater | 1974 | audiovisuell | Electrocomp synthesizer | 0 | ||||||||||||
| 16062 | Laurie | Spiegel | Cavis Muris | 1986 | fixed media, akusmatisch | 22:00 | postpro : Rick Chatham Music Mouse, MIDI, FM synthesis, digital signal processing |
Centaur CRC 2166, CDCM Vol. 13/ | PS C. | 1 | |||||||||
| 38068 | Laurie | Spiegel | Clockworks | 1975 | live-elec, | GROOVE system | 0 | ||||||||||||
| 38056 | Laurie | Spiegel | Concerto for Self-Accompanying Digital Synthesizer | 1977 | audiovisuell | C language, Hal Alles realtime digital synthesizer | 0 | ||||||||||||
| 38026 | Laurie | Spiegel | Continuous Transformations | 1990 | live-elec, | Macintosh, MIDI, mixed synthesis and signal processing techniques | 0 | ||||||||||||
| 38047 | Laurie | Spiegel | Contraries | 1979 | live-elec, 1 perf | p [Piano] | for piano, computer realization on Apple II with Mountain Hardware boards | 0 | |||||||||||
| 38023 | Laurie | Spiegel | Conversational Paws | 2001 | fixed media, akusmatisch | recorded processed dog sounds | 0 | ||||||||||||
| 38022 | Laurie | Spiegel | Current Events | 2002 | fixed media, akusmatisch | MIDI-controlled synthesis, samplers and digital signal processing | 0 | ||||||||||||
| 38071 | Laurie | Spiegel | Das Ring | 1975 | audiovisuell | GROOVE and Rutt-Etra video synthesizer | 0 | ||||||||||||
| 21854 | Laurie | Spiegel | Drums | 1975 | fixed media, akusmatisch | GROOVE system | American Women Composers LP/ EMF CD 019/ Infiné IF 4002/ | 0 | |||||||||||
| 38029 | Laurie | Spiegel | Dryads | 1988 | live-elec, | mixed computer techniques, MIDI, FM, DSP | 0 | ||||||||||||
| 38062 | Laurie | Spiegel | East River | 1976 | Tanz | GROOVE system | 0 | ||||||||||||
| 38070 | Laurie | Spiegel | Emma | 1975 | Film | mixed techniques | 0 | ||||||||||||
| 21849 | Laurie | Spiegel | Enhanced Gravity | Demo, Studie | CD-ROM | Yucca YTREGCDR/ | 0 | ||||||||||||
| 38059 | Laurie | Spiegel | Escalante | 1977 | Tanz | mixed analog electronic techniques | 0 | ||||||||||||
| 38054 | Laurie | Spiegel | Evolutions | 1977 | audiovisuell | VAMPIRE system, computer-generated music and images | 0 | ||||||||||||
| 21851 | Laurie | Spiegel | Expanding Universe | 1975 | Zuspiel / Tonband, 1 perf | p [Piano] | algorithmic composition. GROOVE system |
PH-9003 Philo/ | 0 | ||||||||||
| 24920 | Laurie | Spiegel | Finding Voice | 1988 | fixed media, akusmatisch | 2:45 | perf (Music Mouse, MIDI, FM, DSP ) [Performer] | Aesthetic Engineering/ AUD 04612/ | 0 | ||||||||||
| 38055 | Laurie | Spiegel | Five Short Visits to Different Worlds | 1977 | live-elec, | various analog and digital media | 0 | ||||||||||||
| 38057 | Laurie | Spiegel | Guadalcanal Requiem | 1977 | audiovisuell | vc [Cello] | GROOVE, concrète, cello, mixed media | 0 | |||||||||||
| 22672 | Laurie | Spiegel | Harmonia Mundi | fixed media, akusmatisch | 2:20 | CMJ Vol 20, 1996/ | 1 | ||||||||||||
| 38093 | Laurie | Spiegel | Harmonic Spheres | 1971 | fixed media, akusmatisch | Buchla synthesizer | 0 | ||||||||||||
| 38037 | Laurie | Spiegel | Idea Pieces | 1983 | live-elec, | various computer systems | 0 | ||||||||||||
| 28207 | Laurie | Spiegel | Improvisation on a „Concerto Generator“ | 1977 | audiovisuell | 2:40 | Music / Performance / Software by L. Spiegel 1977 | Ellipsis Arts 3694 - OHM DVD/ | 0 | ||||||||||
| 19050 | Laurie | Spiegel | Improvisation on a Computer | fixed media, akusmatisch | 3:00 | CMJ Vol 20, 1996/ | 1 | ||||||||||||
| 38086 | Laurie | Spiegel | Introit | 1973 | fixed media, akusmatisch | musique concrète | 0 | ||||||||||||
| 38069 | Laurie | Spiegel | Just A Day In The Life... | 1975 | audiovisuell | Electrocomp, banjo, processed recorded sounds | 0 | ||||||||||||
| 38058 | Laurie | Spiegel | Kepler's "Harmony Of The Planets" | 1977 | live-elec, | computer realization of Kepler treatise | 0 | ||||||||||||
| 38024 | Laurie | Spiegel | Lift Off | 1999 | live-elec, | electronic music with accompanying text and several computer art and scanned hand-drawn images | 0 | ||||||||||||
| 38033 | Laurie | Spiegel | Lyric For MIDI Guitar | 1987 | live-elec, 1 perf | gui [Gitarre] | for classic guitar with computer interface | Kamen-Takamine | 0 | ||||||||||
| 38094 | Laurie | Spiegel | Mines | 1971 | fixed media, akusmatisch | Buchla synthesizer | 0 | ||||||||||||
| 38045 | Laurie | Spiegel | Modes | 1980 | live-elec, | Apple II computer with ALF system and Eventide HM80 | 0 | ||||||||||||
| 38030 | Laurie | Spiegel | Motives | 1988 | live-elec, | Macintosh computer, MIDI, C compiler, FM synthesizer | SCAN Festival, Phildelphia | 0 | |||||||||||
| 38061 | Laurie | Spiegel | Music For A Garden Of Electronic Delights | 1976 | audiovisuell | musique concrète | 0 | ||||||||||||
| 38065 | Laurie | Spiegel | Music For Dance | 1975 | Tanz | GROOVE system | 0 | ||||||||||||
| 38034 | Laurie | Spiegel | Music for Signals | 1986 | Tanz | Music Mouse, MIDI, FM, DSP | 0 | ||||||||||||
| 38036 | Laurie | Spiegel | Music Mouse - An Intelligent Instrument | 1985-86 | live-elec, | interactive generative musical process | 0 | ||||||||||||
| 38035 | Laurie | Spiegel | MusicMouse Demonstration Music | 1986 | live-elec, | MusicMouse, MIDI, FM twelve computer-assisted improvisations |
0 | ||||||||||||
| 38064 | Laurie | Spiegel | Narcissicon | 1976 | audiovisuell | 0 | |||||||||||||
| 38040 | Laurie | Spiegel | Nomads | 1981 | live-elec, | Apple II computer with ALF system and Eventide HM80 | 0 | ||||||||||||
| 38067 | Laurie | Spiegel | Old Wave | 1975 | live-elec, | GROOVE system | 0 | ||||||||||||
| 38098 | Laurie | Spiegel | Orchestras | 1971 | fixed media, akusmatisch | Buchla synthesizer | 0 | ||||||||||||
| 24926 | Laurie | Spiegel | Passage | 1987 | fixed media, akusmatisch | Macintosh and Amiga computers, MIDI, FM, signal processing | Aesthetic Engineering/ | 0 | |||||||||||
| 38078 | Laurie | Spiegel | Patchwork | 1974, 1976 | live-elec, | GROOVE system | 0 | ||||||||||||
| 38079 | Laurie | Spiegel | Pentachrome | 1974 | live-elec, | GROOVE system | 0 | ||||||||||||
| 38041 | Laurie | Spiegel | Phantoms | 1980 | Zuspiel / Tonband, 1 group | chamber ens [Ensemble] | for chamber ensemble with analog electronic tape (Electrocomp) | 0 | |||||||||||
| 38038 | Laurie | Spiegel | Progression | 1982 | live-elec, | computer-generated music | 0 | ||||||||||||
| 38084 | Laurie | Spiegel | Purification | 1973 | fixed media, akusmatisch | analog electronic music | 0 | ||||||||||||
| 38092 | Laurie | Spiegel | Raga | 1972 | fixed media, akusmatisch | Electrocomp synthesizer | 0 | ||||||||||||
| 38020 | Laurie | Spiegel | Remembering Home | 2006 | audiovisuell | Video with digitally processed electric banjo soundtrack. | 0 | ||||||||||||
| 38088 | Laurie | Spiegel | Return To Zero | 1972 | fixed media, akusmatisch | Moog modular synthesizer | 0 | ||||||||||||
| 24923 | Laurie | Spiegel | Riding the Storm | 1990 | fixed media, akusmatisch | Music Mouse, MIDI, FM, digital processing and editing | Aesthetic Engineering/ | 0 | |||||||||||
| 38091 | Laurie | Spiegel | Sediment | 1972 | fixed media, akusmatisch | Electrocomp synthesizer | SR 250 sub rosa/ | 0 | |||||||||||
| 38096 | Laurie | Spiegel | Sojourn | 1971 | fixed media, akusmatisch | Buchla synthesizer | 0 | ||||||||||||
| 38050 | Laurie | Spiegel | Song Without Words | 1979 | live-elec, 2 perf | theremin, gui (or mand, gui) [Gitarre, synthesizer] | for theremin and classic guitar | 0 | |||||||||||
| 16063 | Laurie | Spiegel | Sound Zones | 1990 | fixed media, akusmatisch | Music Mouse, MIDI, FM, digital processing and editing | Aesthetic Engineering/ | 0 | |||||||||||
| 38027 | Laurie | Spiegel | Sound Zones | 1990 | live-elec, | Music Mouse, MIDI, FM synthesis, DSP, digital editing | 0 | ||||||||||||
| 38025 | Laurie | Spiegel | Soundtrack for Sandin | 1990 | live-elec, | mixed synthesis, sampling, and signal processing techniques | 0 | ||||||||||||
| 24924 | Laurie | Spiegel | Strand of Life | 1988 | fixed media, akusmatisch | Aesthetic Engineering/ | 0 | ||||||||||||
| 38074 | Laurie | Spiegel | Studies For Philharmonia | 1974 | audiovisuell | Electrocomp, Rutt-Etra, Paik-Abe, and other audio and video synthesizers | 0 | ||||||||||||
| 38087 | Laurie | Spiegel | Sunsets | 1973 | fixed media, akusmatisch | electronic music | 0 | ||||||||||||
| 38083 | Laurie | Spiegel | The Clinic | 1973 | intermedia | Electrocomp | 0 | ||||||||||||
| 38072 | Laurie | Spiegel | The Devils | 1974 | Musiktheater | Electrocomp | 0 | ||||||||||||
| 24921 | Laurie | Spiegel | The Hollows | 1990 | fixed media, akusmatisch | Music Mouse, MIDI, FM, digital processing and editing | Aesthetic Engineering/ Law & Order CD 1a13cd/ | 0 | |||||||||||
| 38082 | Laurie | Spiegel | The House of Bernarda Alba | 1973 | intermedia | Electrocomp | 0 | ||||||||||||
| 38090 | Laurie | Spiegel | The Library Of Babel | 1972 | intermedia | Electrocomp | 0 | ||||||||||||
| 19049 | Laurie | Spiegel | The Orient Express | 1974 | fixed media, akusmatisch | 4:47 | GROOVE system | CMJ Vol 20, 1996/ | 1 | ||||||||||
| 38044 | Laurie | Spiegel | The Phantom Wolf | 1980 | Film | synt, lute, gui, banjo, harmonica, fl (bamboo) [Flöte, Gitarre, synthesizer] | Electrocomp synthesizer, lute, guitar, banjo, harmonica, bamboo flute | 0 | |||||||||||
| 21850 | Laurie | Spiegel | The Unquestioned Answer | 1974 | computer generated score, 1 perf | p [Piano] | algorithmic composition GROOVE system |
ISAST LMJ 7/ Infiné IF 4002/ | 0 | ||||||||||
| 38099 | Laurie | Spiegel | Three English Gardens, Afternoon, Evening, and Night | 1971 | fixed media, akusmatisch | Buchla synthesizer | 0 | ||||||||||||
| 24919 | Laurie | Spiegel | Three sonic spaces | 1989 | fixed media, akusmatisch | Music Mouse, MIDI, FM, signal processing and editing | Aesthetic Engineering/ | 0 | |||||||||||
| 38048 | Laurie | Spiegel | Time Clock for | 1979 | live-elec, 1 perf | p [Piano] | piano, computer realization on Apple II with Mountain Hardware synthesis | 0 | |||||||||||
| 24922 | Laurie | Spiegel | Two Archetypes, Hall of Mirrors Hurricane's Eye |
1990 | fixed media, akusmatisch | Music Mouse, MIDI, FM, DSP, digital processing and editing | Aesthetic Engineering/ | 0 | |||||||||||
| 38085 | Laurie | Spiegel | Two Fanfares | 1973 | fixed media, akusmatisch | Buchla modular synthesizer | 0 | ||||||||||||
| 38028 | Laurie | Spiegel | Two Intellectual Interludes, (Data and Process): A Strand Of Life ("Viroid") From A Harmonic Algorithm |
1990 | live-elec, | C language, Macintosh, MIDI, FM synthesis | 0 | ||||||||||||
| 38046 | Laurie | Spiegel | Two Nocturnes | 1980 | fixed media, akusmatisch | electronics and tape manipulation | 0 | ||||||||||||
| 38039 | Laurie | Spiegel | Unicorn | 1982 | Film | Apple II with alphaSyntauri system | 0 | ||||||||||||
| 21852 | Laurie | Spiegel | Unseen Worlds | 1991 | Zuspiel / Tonband, 1 perf | p [Piano] | Aesthetic Engineering AE 11001 / | 0 | |||||||||||
| 21853 | Laurie | Spiegel | Voices Within, a requiem | 1979 | fixed media, akusmatisch | Electrocomp and classic tape techniques | American Women Composers LP/ | 0 | |||||||||||
| 38052 | Laurie | Spiegel | Voyages | 1978 | live-elec, | VAMPIRE system, computer co-generated music and video | 0 | ||||||||||||
| 38077 | Laurie | Spiegel | War Mime | 1974 | audiovisuell | Electrocomp and musique concrète | 0 | ||||||||||||
| 38076 | Laurie | Spiegel | War Walls | 1974 | audiovisuell | Electrocomp and musique concrète | 0 | ||||||||||||
| 38081 | Laurie | Spiegel | Water Music | 1974 | fixed media, akusmatisch | musique concrète | 0 | ||||||||||||
| 38066 | Laurie | Spiegel | Waves | 1975 | Tanz, live-elec, 9 perf | 9 ins [Instrument] | for nine instruments and GROOVE-generated tape | 0 | |||||||||||
| 38089 | Laurie | Spiegel | White Devil | 1972 | intermedia | Electrocomp | 0 | ||||||||||||
| 38051 | Laurie | Spiegel | Zierot In Outta Space | 1978 | audiovisuell | mixed analog electronics, concrète sounds, and banjo | 0 | ||||||||||||
| 38075 | Laurie | Spiegel | Zierot The Fool | 1974 | audiovisuell | Electrocomp | 0 | ||||||||||||
| 16064 | Joel | Spiegelman | Medea | 1964 | Theatermusik | 30:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 31581 | Cedric, Keitaro | Spindler, Takahashi | Sparkling Reflections | 2012 | Zuspiel, Performance, | 10:00:00 | (lampen, tape) [] | next_generation 5.0 | HSM Basel | 0 | |||||||||
| 40342 | Yuri | Spitsyn | Toccata (from Ignis Fatuus) | 2016 | fixed media, akusmatisch | Yuri Spitsyn | 0 | ||||||||||||
| 42668 | Yury | Spitsyn | Enertia | 2009 | fixed media, akusmatisch | 18 | 0 | ||||||||||||
| 42554 | Yury | Spitsyn | Welcome to the Machine! | 2007 | live-elec, 1 perf | com [computer] | Yury Spitsyn, laptop | 0 | |||||||||||
| 16065 | Bruno | Spoerri | A la tue du Cherche-MIDI | 1988 | live-elec, 2 perf | Lyricon, synt [synthesizer] | PS C. | 0 | |||||||||||
| 16066 | Bruno | Spoerri | Alice in Chipland | 1983 | live-elec, 1 perf | V, (com) [Stimme] | Votrax system | PS C. | 0 | ||||||||||
| 16068 | Bruno | Spoerri | Baal | Theatermusik | PS C. | 0 | |||||||||||||
| 16069 | Bruno | Spoerri | "Brouillard - débrouillé" | 1985 | live-elec, 1 perf | com [computer] | DMX-1000, Lyricon | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 16070 | Bruno | Spoerri | Bruno Weber | 1990 | Film | H. Schlumpf | PS C. | 0 | |||||||||||
| 16071 | Bruno | Spoerri | Cabaret–Revue Opus 7 | 1969 | fixed media, akusmatisch | Cesar Keiser, Margrit Läubli | PS C. | 0 | |||||||||||
| 16072 | Bruno | Spoerri | Cheese and chocolate | 1986 | live-elec, 1 perf | Quadro | synt [synthesizer] | Lyricon | PS C., SCCM | 0 | |||||||||
| 16073 | Bruno | Spoerri | Controlled risk | 1986 | live-elec, 1 perf | sax [Saxophon] | PS C. | 0 | |||||||||||
| 16074 | Bruno | Spoerri | Danach | 1970 | Film | M. concrete | PS C. | 0 | |||||||||||
| 16075 | Bruno | Spoerri | Das goldene Vlies | Theatermusik | PS C. | 0 | |||||||||||||
| 35497 | Bruno | Spoerri | De--In--Formation | 1995 | Zuspiel / Tonband, 2 perf, 1 group | V, mul elec (instrumento electronico) [Stimme, elektronik] | 0 | ||||||||||||
| 16076 | Bruno | Spoerri | Der Mitmacher | Theatermusik | PS C. | 0 | |||||||||||||
| 16077 | Bruno | Spoerri | Der schöne Augenblick | 1986 | Film | F. Kappeler, P. Corradi | PS C. | 0 | |||||||||||
| 16078 | Bruno | Spoerri | Der Schuh des Patriarchen | 1988 | Film | Bruno Moll | PS C. | 0 | |||||||||||
| 16079 | Bruno | Spoerri | Der Traum des Seiltänzers vom freien Fall | 1978 | Theatermusik | Jürg Amann | PS C. | 0 | |||||||||||
| 16080 | Bruno | Spoerri | Die Fahrt der White Queen | 1993 | radiophon | Gerold Späth | PS C. | 0 | |||||||||||
| 16081 | Bruno | Spoerri | Die Gräfin Sofja A. Tolstaja | 1989 | Theatermusik | Donald Freed, Th Heddy Maria Wettstein | PS C. | 0 | |||||||||||
| 16082 | Bruno | Spoerri | Die Höhle von Steenfoll | 1986 | radiophon | Wilhelm Hauff | PS C. | 0 | |||||||||||
| 16083 | Bruno | Spoerri | Die Nägel | 1971 | Film | Kurt Aeschbacher | PS C. | 0 | |||||||||||
| 16084 | Bruno | Spoerri | Die Stimme der Verfolgten | 1969 | live-elec, 3 perf | oma, e-sax, e-org (clavinet) [Saxophon, Keyboard, synthesizer] | PS C. | 0 | |||||||||||
| 16085 | Bruno | Spoerri | Divertimento 76 | 1976 | live-elec, 5 perf | ww-qnt [Bläser] | PS C. | 0 | |||||||||||
| 16086 | Bruno | Spoerri | Drum Song | 1986 | live-elec, 2 perf | lyricon, synt [synthesizer] | PS C. | 0 | |||||||||||
| 16088 | Bruno | Spoerri | Energie 2000 | 1972 | Film | Herbert E. Meyer | PS C. | 0 | |||||||||||
| 16089 | Bruno | Spoerri | Erzählung für Sandra | 1988 | Film | Anne Spoerri | PS C. | 0 | |||||||||||
| 27711 | Bruno | Spoerri | Etude aux usines à fer (Hommage à Pierre Schaffer) | 1996 | fixed media, akusmatisch | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 16090 | Bruno | Spoerri | "…for Cahill" | 1993 | live-elec, 1 perf | obsolete Kbd [Keyboard] | PS C., SCCM | 0 | |||||||||||
| 16091 | Bruno | Spoerri | Four rhythms of time | 1969 | fixed media, akusmatisch | EP, Expo 70 | PS C. | 0 | |||||||||||
| 16092 | Bruno | Spoerri | G. von Däniken | 1972 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16093 | Bruno | Spoerri | Harfe und Sarte | 1971 | Film | PS C. | 0 | ||||||||||||
| 16094 | Bruno | Spoerri | Hausmusik | 1994 | fixed media, akusmatisch | 6:50 | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 16095 | Bruno | Spoerri | High Sense | 1992 | Film | Urs Furrer | PS C. | 0 | |||||||||||
| 16096 | Bruno | Spoerri | Iischalte (Switched–on Switzerland) | 1974 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16098 | Bruno | Spoerri | Jazz, Lyrik und Projektion | 1966 | live-elec, 2 perf, 2 groups | intermedia |
Sp, ens, oma, jazz-ens [Sprecher, synthesizer, Ensemble] | PS C. | 0 | |||||||||||
| 16099 | Bruno | Spoerri | Kaspar, Melchior und Balthasar | 1985 | radiophon | Tournier | PS C. | 0 | |||||||||||
| 16100 | Bruno | Spoerri | Kongress der Pinguine | 1993 | Film | H. U. Schlumpf | PS C. | 0 | |||||||||||
| 16101 | Bruno | Spoerri | Konzert für Hubhydraulik, Gitarre und Syntheziser | 1971 | live-elec, 2 perf | gui, synt [Gitarre, synthesizer] | EP | PS C. | 0 | ||||||||||
| 16102 | Bruno | Spoerri | Konzert für Pressluftwerkzeuge | 1971 | fixed media, akusmatisch | M. concrete | PS C. | 0 | |||||||||||
| 27899 | Bruno | Spoerri | Krebsgänge für Meeresschnecken und andere Trompeten | 1997 | live-elec, 1 perf | tpt [Trompete] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 16103 | Bruno | Spoerri | La Maggia | 1971 | Film | PS C. | 0 | ||||||||||||
| 16104 | Bruno | Spoerri | Le mythe St. Exupery | 1966 | Film | OMa | PS C. | 0 | |||||||||||
| 16105 | Bruno | Spoerri | Liebe – einfach kompliziert | 1992 | Film | Tula Roy | PS C. | 0 | |||||||||||
| 16106 | Bruno | Spoerri | Musik für den Schweizer Pavillon an der Expo Tsukuba | Hintergrundmusik | PS C. | 0 | |||||||||||||
| 27900 | Bruno | Spoerri | "Not what it seems to be" | 1998 | live-elec, 1 perf | synt (Synthophone) [synthesizer] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 16107 | Bruno | Spoerri | Playback | 1990 | Zuspiel / Tonband, 4 perf | Quadro | 4 sax [Saxophon] | PS C., SCCM | 0 | ||||||||||
| 35794 | Bruno | Spoerri | Race, Clear ,n’ blow | 2006 | live-elec, 1 perf, 1 group | sax, ens (Logos Robot Orchestra, Very Nervous System) [Saxophon, Ensemble] | 4.11.2006 | HfMT Köln | 0 | ||||||||||
| 16108 | Bruno | Spoerri | Rebzeiten | 1985 | Film | Yvonne Escher | PS C. | 0 | |||||||||||
| 16109 | Bruno | Spoerri | Rollin' SBB | 1973 | fixed media, akusmatisch | M. concrete, synt | PS C. | 0 | |||||||||||
| 16110 | Bruno | Spoerri | Rue du Cherche–MIDI | 1987 | live-elec, 2 perf | sax, MIDI [Saxophon, synthesizer] | PS C. | 0 | |||||||||||
| 16111 | Bruno | Spoerri | Sachzwänge | 1990 | live-elec, 1 perf | com [computer] | Buchla Thunder-Controller | PS C. | 0 | ||||||||||
| 16112 | Bruno | Spoerri | Schlafwagen Pegasus | 1968 | radiophon | Thornton Wilder | PS C. | 0 | |||||||||||
| 16113 | Bruno | Spoerri | Schmetterlingsschatten | 1991 | Film | Anne Kasper Spoerri | PS C. | 0 | |||||||||||
| 27712 | Bruno | Spoerri | Se-/In-Formation | 1995 | Zuspiel / Tonband, 1 perf | V [Stimme] | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 16114 | Bruno | Spoerri | Sommernachtstraum | Theatermusik | PS C. | 0 | |||||||||||||
| 16115 | Bruno | Spoerri | Spiegelein | 1992 | live-elec, 1 perf | sax [Saxophon] | PS C. | 0 | |||||||||||
| 16116 | Bruno | Spoerri | Tauwetter | 1980 | Film | Markus Imhoof | PS C. | 0 | |||||||||||
| 16117 | Bruno | Spoerri | Teddy Baer | 1984 | Film | Rolf Lyssy | PS C. | 0 | |||||||||||
| 16118 | Bruno | Spoerri | The greatest thinkers | 1982 | Film | TV-Serie | PS C. | 0 | |||||||||||
| 16119 | Bruno | Spoerri | The Metronome Quintet and 57 Friends at the Zoo | 1969 | live-elec, 2 perf | oma, e-sax [Saxophon, synthesizer] | PS C. | 0 | |||||||||||
| 16121 | Bruno | Spoerri | Umbruch | 1987 | Film | H. U. Schlumpf | PS C. | 0 | |||||||||||
| 16122 | Bruno | Spoerri | Voice of Taurus | 1978 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16123 | Bruno | Spoerri | Volpone | Theatermusik | PS C. | 0 | |||||||||||||
| 22602 | Bruno, Gerald, Peter, Jürg | Spoerri, Bennett, Frey, Gasser | Improvisation für DMX-1000 Signalprozessor und zwei Musiker | 1985 | Zuspiel / Tonband, 2 perf | (com), 2 mus [Musiker] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 22601 | Bruno, Gerald, Martin, Kit | Spoerri, Bennett, Neukom, Powell | Improvisation für 4 Computer | 1990 | live-elec, 4 perf | 4 com [computer] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 16087 | Bruno, Hardy | Spoerri, Hepp | Duo – Demo | 1976 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16097 | Bruno, Albert, Ernst, Reto | Spoerri, Mangelsdorff, Reijseger, Weber | Jazz in der Fabrik | 1993 | fixed media, akusmatisch | M. concrete | AEG Electrocom/ | PS C. | 0 | ||||||||||
| 16067 | Bruno, Betha | Spoerri, Sarasin | ax+by+cz+d=0 | 1982 | live-elec, 2 perf | sax, synt [Saxophon, synthesizer] | Lyricon | PS C. | 0 | ||||||||||
| 16120 | Bruno, Irmin | Spoerri, Schmidt | Toy Planet | 1980 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16124 | Gerhard | Spokken | Concurrences | 1985 | Zuspiel / Tonband, 2 perf | Stereo | 2 fl [Flöte] | CRFMW Liège | 0 | ||||||||||
| 33445 | Vladimir | Šrámek | Métamorphoses VI | 1963 | Zuspiel / Tonband, 4 perf | 7 | Mono | fl, cl, bn, perc (gong) [Flöte, Klarinette, Fagott, Schlagzeug] | PS C. Praha | 0 | |||||||||
| 33444 | Vladimir | Šrámek | Smich, Das Lachen | 1962 | Zuspiel / Tonband, 4 perf | ≈ 10 | Mono | V, fl, p, perc [Stimme, Flöte, Piano, Schlagzeug] | PS C. Praha | 0 | |||||||||
| 33446 | Vladimir | Šrámek | Sonet für Sonet duo | 1966 | fixed media, akusmatisch | 9 | Mono | PS C. Praha | 0 | ||||||||||
| 16125 | Stephen | Srawley | Absence, Inventaire | 1981 | fixed media, akusmatisch | 31:52 | Stereo | INA • GRM | 0 | ||||||||||
| 16126 | Stephen | Srawley | Cette langue si simple | 1982 | fixed media, akusmatisch | 27:40 | Stereo | INA • GRM | 15.3.1983 | Paris, Espace de Projection IRCAM | 0 | ||||||||
| 42669 | Asha | Srinivasan | Alone, Dancing | 2009 | live-elec, 1 perf | 8 | fl [Flöte] | 0 | |||||||||||
| 42555 | Asha | Srinivasan | Bapu | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 16127 | Flora | St Loup | Eclypse | 1982 | fixed media, akusmatisch | 5:03 | Stereo | ELAK Wien | 0 | ||||||||||
| 16128 | Flora | St Loup | Spital | 1979 | fixed media, akusmatisch | 7:38 | Stereo | ELAK Wien | 0 | ||||||||||
| 16129 | Flora | St Loup | Telephone | 1979 | fixed media, akusmatisch | 0:51 | Stereo | ELAK Wien | 0 | ||||||||||
| 21858 | Tui | St. George Tucker | My Melancholy Baby - Fantasie on Ernie Burnett's Famous Theme | 1984 | live-elec, 1 perf | Stereo | p (quartertone piano) [Piano] | Opus One CD 152/ | 0 | ||||||||||
| 21857 | Tui | St. George Tucker | Sonata 2 "The Peynote" | 1990 | live-elec, 1 perf | 8:46 | Stereo | p [Piano] | Opus One CD 152/ | 0 | |||||||||
| 28560 | Erwin | Stache | 1 Steuert 13 | 2002 | Klangkunst, Installation | 2:44 | (Waschmaschinenprogrammscheibenorchester) [] | WD 2002, Wittener Tage Für Neue Kammermusik 2002/ | Auftrag der Stadt Witten | 2002 | Wittener Tage für neue Kammermusik 2002 | 1 | |||||||
| 16130 | Erwin | Stache | Klangkästen | 1993 - 1996 | Klangkunst, Installation | ∞ | Stereo | Kehrer Verlag ISBN 978-3-939583-23-3/ | 31.5.-17.6.1996 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=521 | |||||||
| 25655 | Erwin | Stache | knistern - sprechen - dehnen - stauchen, Versteckte Melodien | 1998 | Klanginstallation, live-elec, 1 perf | Stereo | elec, (objects) [elektronik] | Bronzefedernkontakte von Waschmaschinenprogrammscheiben | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | Beucha | 1 | ||||||||
| 25656 | Erwin | Stache | knistern - sprechen - dehnen - stauchen, Sprachtransformation | 1998 | Klanginstallation, live-elec, 1 perf | 2:19 | Stereo | elec, (objects) [elektronik] | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | Beucha | 1 | ||||||||
| 25657 | Erwin | Stache | knistern - sprechen - dehnen - stauchen, dehnen und stauchen | 1998 | Klanginstallation, live-elec, 1 perf | 1:12 | Stereo | elec, (objects) [elektronik] | Scherengitter mit Motorantrieb steuert Mikrocontrollerprogramm und Soundmodul | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | Beucha | 1 | |||||||
| 25658 | Erwin | Stache | knistern - sprechen - dehnen - stauchen, Rollende Klangeruption I | 1998 | Klanginstallation, live-elec, 1 perf | 3:49 | Stereo | elec, (objects) [elektronik] | Räder und Rollen als Eingabeelemente für Mikrocontrollerprogramm und Soundkarten | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | Beucha | 1 | |||||||
| 30888 | Erwin | Stache | sound islands 53,1, 5,3 kilo meter pro stunde | 2011 | Klangkunst, Installation | Projekt „stadtklangkünstler“ | bonn hoeren | 1.6.2011 | Bonn | 0 | http://www.bonnhoeren.de/?page_id=1449 | ||||||||
| 26288 | Erwin | Stache | spülen - waschen - schleudern - hören | 2005 | Klangkunst, Installation | ∞ | Stereo | Waschmaschienprogrammscheibenorchester: 16 Programmscheiben von Waschmaschinen, Mechanik, Midi-Schnittstelle, Midi-File-Player, Distanzsensoren, 2 Microcontroler, 8 Elektromagneten für 8 Klopfsysteme | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2005 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | |||||
| 34762 | Erwin | Stache | STOPUNDGO | 2000 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 10.10.1999-7.5.2000 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 32136 | Jeff | Stadelman | Facet Delay | 2004 | fixed media, akusmatisch | 6:50:00 | SEAMUS EAM Vol. 16/ | 0 | |||||||||||
| 42556 | Jeff | Stadelman | Song of Itself | 2007 | live-elec, 2 perf | 12 | e-vc, com [Cello, computer] | Jonathan Golove, electric cello | 0 | ||||||||||
| 39406 | Jeffrey | Stadelman | Old Sawtooth | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 16131 | Gerhard | Stäbler | Das Sichere ist nicht sicher | 1982 | Zuspiel / Tonband, 8 perf | 30:56 | fl, bn, hn, vn, vc, db, 2 ins (Sz) [Flöte, Fagott, Horn, Cello, Violine, Kontrabass, Instrument] | 0 | |||||||||||
| 16132 | Gerhard | Stäbler | Drüber | 1972/1973 | Zuspiel / Tonband, 1 perf | 10:00 | V [Stimme] | 0 | |||||||||||
| 16133 | Gerhard | Stäbler | fallen fallen … und liegen und fallen | 1989 | fixed media, akusmatisch | 11:22 | Synlab, Konkretgeräusche | WER 6516 DMR/ | 0 | ||||||||||
| 19182 | Gerhard | Stäbler | Heiß ! | 1992 | radiophon | 5:00 | CEC Presence 1/ div 02/ | WDR SEM | 1 | ||||||||||
| 26267 | Gerhard | Stäbler | Karas.Krähen | 1995 | Zuspiel / Tonband, 3 perf | 20:00 | db, perc, Sho [Schlagzeug, Kontrabass, Bläser] | Sampler Roland S750, Dyaxis | WER 2056 2/ zkm edition 6/ | ZKM Karlsruhe | 1995 | Tokio | 0 | ||||||
| 16134 | Gerhard | Stäbler | O Muro | 1992 | Zuspiel / Tonband, 2 perf | 6:13 | S, drum (Metall, Holz, Glas, Eis) [Sopran, Schlagzeug] | WDR SEM | WDR 1993 | 0 | |||||||||
| 33841 | Gerhard | Stäbler | Palast des Schweigens | 1997 | live-elec, 4 perf | V, Sho, db, perc [Stimme, Schlagzeug, Kontrabass, Bläser] | WER 2056 2/ | ZKM Karlsruhe | 0 | ||||||||||
| 22521 | Gerhard | Stäbler | twilights + windows, twilights | 1983 | fixed media, akusmatisch | 9:00 | CCRMA, ICEM Essen | 1 | 1985 | ||||||||||
| 16135 | Gerhard | Stäbler | Twilights, Protokolle für Tape, Twilights Protokolle |
1983 | Zuspiel / Tonband, 1 perf | org [Orgel] | CCRMA | 1 | |||||||||||
| 16136 | M. | Staehle | Laburda | 1984 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 22965 | Klaus | Staffa | Der Gehängte im Garten der Venus | 1988 | audiovisuell | 12:00 | Tanzfabrik Heitkamp / Feest / Gregor | TU Berlin, PS Staffa | 1 | ||||||||||
| 42185 | Tim, Heinrich, Jörn, Danny, Kenny | Staffel, Carstens, Hedtke, Bruder, Martin | Hüttenkäse | 1999 | radiophon | 38:26 | Clearspot 2000/ | WDR | 14.9.1999 | WDR | Prix Europa 2000 (Lobende Erwähnung) | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1430268&vi=5&SID | ||||||
| 30968 | Julius | Stahl | … als wär der Teller Tisch | 2005 | live-elec, 1 group | readymade ens [Ensemble] | 10.6.2005 | ZKM Karlsruhe | 0 | ||||||||||
| 30963 | Julius | Stahl | Cluster | 2010/2011 | Klanginstallation, live-elec, | 0 | |||||||||||||
| 30964 | Julius | Stahl | Feld III, WELLENFELDER | 2011 | Klanginstallation, live-elec, | 0 | |||||||||||||
| 43183 | Julius | Stahl | Flächen, Raumgeflechte | 2010 | Klangkunst, Installation | 0 | |||||||||||||
| 30962 | Julius | Stahl | Flaechen | 2010 | Klanginstallation, live-elec, | honorary mention at prix ars electronica, linz 2010 | 0 | ||||||||||||
| 30959 | Julius | Stahl | Flaechen duett | 2011 | Klanginstallation, live-elec, | 0 | |||||||||||||
| 30958 | Julius | Stahl | Flaechen II | 2010 | Klanginstallation, live-elec, | Inventionen 2010 | 29.7.2010 | Villa Elisabeth | 0 | http://www.juliusstahl.de/untitled-ph-1.html | |||||||||
| 30965 | Julius | Stahl | Gruppe II | 2012 | Klanginstallation, live-elec, | 0 | |||||||||||||
| 30960 | Julius | Stahl | Holz | 2008 | Klanginstallation, live-elec, | INM Berlin | 0 | ||||||||||||
| 30969 | Julius | Stahl | Keho-Soida | 2004 | live-elec, 4 perf | Quadro | str-qt [Streicher] | 5.11.2004 | klangwerkstatt Berlin | 0 | |||||||||
| 30970 | Julius | Stahl | Klangfeld-Reflexionen | 2004 | Klangkunst, Installation | live-elec, 3 perf |
Octo | a-fl, ob, cl [Flöte, Klarinette, Oboe] | 18.9.2004 | Podewil Berlin | 0 | |||||||||
| 30971 | Julius | Stahl | Mosaique | 2003 | live-elec, 1 perf | cl [Klarinette] | 7.11.2003 | Klangwerkstatt Berlin | 0 | ||||||||||
| 30967 | Julius | Stahl | Nachspielzeit | 2005 | live-elec, 3 perf | Quadro | fl, ob, cl, (audience) [Flöte, Klarinette, Oboe] | 15.8.2005 | Globusklänge Nürnberg | 0 | |||||||||
| 30961 | Julius | Stahl | Schaum | 2013 | Klanginstallation, live-elec, | denkmalschmiede hoefgen | 0 | ||||||||||||
| 25741 | Julius | Stahl | Tocar, Tocar II | 2007 | Klangkunst, Installation | live-elec, 1 perf |
∞ | 12 Tracks, or more | perc, (objects) [Schlagzeug] | Dokumentation zur Premiere im ZKM (next generation festival) | TU Berlin, PS C. | 3.11.2006 21.-24.6.2007 |
klangwerkstatt berlin (perc) ZKM Karlsruhe, next generation (SA) |
1 | http://www.juliusstahl.de | |||||
| 31456 | Julius | Stahl | Transitions | 2011/2012 | Klanginstallation, live-elec, | ∞ | custom build mic- and headphone-system | 12.07.-16.09.2012 | impuls und bewegung - ars electronica - VW Unter den Linden | Berlin | 0 | |||||||||
| 25742 | Julius | Stahl | Umgebung | 2007 | Klangkunst, Installation | ∞ | 12 Tracks, or more | Dokumentation der Arbeit mit Klangwürfeln, die man teilweise in der Hand halten kann. | PS C. | 1 | http://www.juliusstahl.de | ||||||||
| 30966 | Julius | Stahl | Wellenfelder | 2012 | Klanginstallation, live-elec, | Kulturstiftung des Freistaates Sachsen and Landeshauptstadt Dresden |
2012 | Festspielhaus Hellerau, Cynetart Dresden | 0 | ||||||||||
| 16137 | Percy | Ståhl | Blyhjärna | 1981/1982 | fixed media, akusmatisch | 10:03 | Stereo | EMS Stockholm | 0 | ||||||||||
| 16138 | Percy | Ståhl | Exempelvis | 1982 | fixed media, akusmatisch | 1:46 | Stereo | EMS Stockholm | 0 | ||||||||||
| 16139 | Percy | Ståhl | FunZun | 1983 | fixed media, akusmatisch | 12:06 | Stereo | EMS Stockholm | 0 | ||||||||||
| 16140 | Percy | Ståhl | Zardust | 1972 | fixed media, akusmatisch | 8:08 | Stereo | PS C. | 0 | ||||||||||
| 16141 | Klaus Hinrich | Stahmer | 4 Transformationen | 1972 | Zuspiel, live-elec, 3 perf | intermedia |
Stereo | vc, perc, synt [Schlagzeug, Cello, synthesizer] | slide | AUL 53592/ | 0 | |||||||||
| 16142 | Klaus Hinrich | Stahmer | Ariadnes Faden | 1990 | live-elec, 2 perf | 19:42 | db-fl, perc,( Gefäße) [Flöte, Schlagzeug] | ProViva ISPV 167/ | 1 | ||||||||||
| 16143 | Klaus Hinrich | Stahmer | Dans une lumière éclatante | 1989 | live-elec, 1 perf, 1 group | 15:00 | perc-ens [Schlagzeug] | 0 | |||||||||||
| 16144 | Klaus Hinrich | Stahmer | Der Stoff, aus dem die Stille ist | 1990 | fixed media, akusmatisch | 16:49 | com-con Wassertropfenklänge | ProViva ISPV 167/ | 1 | ||||||||||
| 16145 | Klaus Hinrich | Stahmer | Espace de la solitude | 1977 | Tanz, 1 perf | 28:00 | Quadro | gui [Gitarre] | AUL 53592/ | 0 | |||||||||
| 16146 | Klaus Hinrich | Stahmer | I can fly | 1975/1981 | Zuspiel / Tonband, 2 perf | 20:00 | 2 perc [Schlagzeug] | EM ?? | 0 | ||||||||||
| 16147 | Klaus Hinrich | Stahmer | Kristallgitter | 1992 | live-elec, 4 perf | 18:03 | str-qt, (Steinklänge) [Streicher] | com-contr. stonesounds; Klangstein 1/79 von E. Daucher | ProViva ISPV 167/ | 1 | |||||||||
| 16148 | Klaus Hinrich | Stahmer | La voce dei fiume | 1980 | Tanz, 3 perf | 31:00 | Stereo | Sp, gui, perc [Sprecher, Gitarre, Schlagzeug] | AUL 53592/ | 0 | |||||||||
| 16149 | Klaus Hinrich | Stahmer | Porcelain music | 1983 | Zuspiel/Tonband, 1 perf | intermedia |
cl [Klarinette] | slide | AUL 53592/ | 0 | ||||||||||
| 16150 | Klaus Hinrich | Stahmer | Quasi una sonata | 1973 | live-elec, 4 perf | Stereo | vc, tpt, p, synt [Trompete, Piano, Cello, synthesizer] | AUL 53592/ | 0 | ||||||||||
| 16151 | Klaus Hinrich | Stahmer | Sonnengesang (Geistliches Konzert II) | 1983/1988 | Zuspiel / Tonband, 6 perf | 15:00 | Sp, 4 perc, org [Sprecher, Orgel, Schlagzeug] | 0 | |||||||||||
| 38926 | Klaus Hinrich | Stahmer | Transformationen | Zuspiel, live-elec, 3 perf | 11 | vc, perc, synt (und Dias) [Schlagzeug, Cello, synthesizer] | 0 | ||||||||||||
| 16152 | Klaus Hinrich | Stahmer | Tre Paesaggi | 1976 | Zuspiel / Tonband, 4 perf | 13:55 | 3 ins, V [Stimme, Instrument] | AUL 53592/ | 1 | ||||||||||
| 34632 | Manfred | Stahnke | Partch Harp | 1987/1989 | live-elec, 2 perf | (microtonal) hp, synt (DX7 II) [Harfe, synthesizer] | microtonal harp and DX 7 II, Gesine Dreyer, harp, Manfred Stahnke, DX 7 II SMC2016 |
0 | |||||||||||
| 16153 | Jostein | Stalheim | Inside | 1992 | fixed media, akusmatisch | 7:28 | NOTAM | 0 | |||||||||||
| 18390 | Kurt | Stallman | Fantasy | 1996 | Zuspiel / Tonband, 1 perf | hn [Horn] | HCMC Harvard | 17.11.1996 | Paine Hall, Harvard University, Ellen Michaud Martins | 0 | http://huseac.fas.harvard.edu/-history/HCMC/records.htm | ||||||||
| 16154 | Dale, Sean | Stammen, Terriah | Tuva! | 1993 | live-elec, 3 perf | 7:55 | sax, e-gui, MIDI [Saxophon, Gitarre, synthesizer] | ICMC 1994, DIEM 001/ | 1 | ||||||||||
| 37849 | Philipp Ludwig | Stangl | QUAD | 2017 | audiovisuell, live-elec, 1 group | ens [Ensemble] | Philharmonie Essen, Land NRW | 27.10.2017 | Folkwang Hochschule Aula | 0 | |||||||||
| 25567 | Andrew | Staniland | For Violin # 3 | 2001 | fixed media, akusmatisch | 6:57 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 26075 | Charles | Stankievech | Möbius Fields | 2006 | Klangkunst, Installation | 6:01 | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | |||||||||||
| 16155 | Tomasz | Stanko | Serial I | 1985 | Zuspiel / Tonband, 1 perf | 12:25 | Stereo | tpt [Trompete] | ExpSt Warsaw | 0 | |||||||||
| 16156 | Alexander | Stankovski | quasi improvisando | 1992 | Zuspiel / Tonband, 1 perf | 8:40 | p [Piano] | HfM Frankfurt | 0 | ||||||||||
| 16157 | Helen | Stanley | Lunar Encounter | 1962 | Theatermusik | Mono | PS Jacksonville | 0 | |||||||||||
| 16158 | Helen | Stanley | Studies in Pitch Exploration | 1963 | fixed media, akusmatisch | Mono | PS Jacksonville | 0 | |||||||||||
| 16159 | Helen | Stanley | Study for Electronic Tape Performer | 1966 | fixed media, akusmatisch | Mono | PS Jacksonville | 0 | |||||||||||
| 35704 | Adam | Stansbie | Ctrl C | 2016 | fixed media, akusmatisch | 11:38 | IMED 18153/ | PS C. | Ben Gaunt | April 7, 2016 | Instrumental vs Electroacoustic: Remixing Contemporary Classical Music conference | Nomination Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||
| 26076 | Adam | Stansbie | Early Morning | 2006 | fixed media, akusmatisch | 10:40 | Stereo | MR 2006 Métamorphoses 2006/ SCD 28066 Sargasso/ | Musiques et Recherches Ohain | Métamorphoses 2006 | 1 | https://www.sargasso.com/product/adam-stansbie-isthmus/ | |||||||
| 35747 | Adam | Stansbie | Escapade | 2010 | fixed media, akusmatisch | 9:44 | SCD 28066 Sargasso/ | Musiques et Recherches Ohain | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2010 | 0 | |||||||||
| 41573 | Adam | Stansbie | Foundry Flux | 2015 | fixed media, akusmatisch | 12:13 | IMED 18153/ | Uni Sheffield | Sheaf Prospect: Soundscaping Furnace Park | June 24, 2015 | EMS 15 — The Art of Electroacoustic Music conference in Sheffield | 2nd prize at the 11th Destellos Electroacoustic Composition Competition (Mar del Plata, Argentina, 2018) Mention in the Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2016). |
0 | ||||||
| 36705 | Adam | Stansbie | Fractions | fixed media, akusmatisch | elek 003/ | 0 | |||||||||||||
| 41571 | Adam | Stansbie | Inam | 2016 | fixed media, akusmatisch | 10:58 | IMED 18153/ | PS C. | October 20, 2016 | concert Sounds Eclectic as part of the Akousma 13 festival presented by Réseaux des arts médiatiques at Usine C (Montréal, Québec) | Musica Nova 2016 International Competition of Electroacoustic Music (Prague, Czech Republic) | 0 | |||||||
| 41572 | Adam | Stansbie | Inja | 2017 | fixed media, akusmatisch | 10:16 | IMED 18153/ | PS C. | September 22, 2017 | University of Greenwich in London (UK). | 0 | ||||||||
| 41744 | Adam | Stansbie | Isthmus | 2007 | fixed media, akusmatisch | 10:05 | SCD 28066 Sargasso/ | 0 | |||||||||||
| 41570 | Adam | Stansbie | Metallurgic | 2015 | fixed media, akusmatisch | 8:16 | IMED 18153/ | PS C. | November 1, 2015 | Large Concert Hall of the Ural Mussorgsky State Conservatoire as part of the >SYNC.2015 festival in Yekaterinburg (Russia) | 2nd Prize ex æquo at the >SYNC.2015 International Competition of Electroacoustic Music and Multimedia (Yekaterinburg, Russia, 2015) | 0 | |||||||
| 35465 | Adam | Stansbie | one time one | 2010 | fixed media, akusmatisch | 11:38 | CMMAS CD 020/ | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2010 | 0 | ||||||||||
| 41745 | Adam | Stansbie | Paranthesis | 2007 | fixed media, akusmatisch | 8:54 | SCD 28066 Sargasso/ | 0 | |||||||||||
| 27451 | Adam | Stansbie | To Rosie Rodway | 2006 | fixed media, akusmatisch | 10:40 | Stereo | Métamorphoses 2006 | 0 | ||||||||||
| 41574 | Adam | Stansbie | Would be to Seek | 2017 | fixed media, akusmatisch | 9:49 | dedicated to Beatriz Ferreyra | IMED 18153/ | PS C. | September 22, 2017 | University of Greenwich in London (UK) | 0 | |||||||
| 38800 | Russel, Sherre | STAPLETON, DELYS | Containers | 2001 | radiophon | 15:34:00 | Prix Phonurgia nova | 0 | |||||||||||
| 40790 | Ipke | Starke | Caché | 2017 | fixed media, akusmatisch | 11:44:00 | Stereo | Sächsischer Musikbund | 5.10.2017 | Dresden, Hochschule für Musik | 0 | ||||||||
| 40792 | Ipke | Starke | Die unsichtbare Front | 1996 | fixed media, akusmatisch | 16:09:00 | Stereo | CNSMD Paris | 20.9.-30.9.1996 | Dresden, Technische Sammlungen, Ernemannbau | 0 | ||||||||
| 40787 | Ipke | Starke | Flurstück | 1995 | fixed media, akusmatisch | 16:07:00 | Stereo | CNSMD Paris | 17.11.1995 | Paris, CNSMDP | 0 | ||||||||
| 40788 | Ipke | Starke | Fragment – Das Kapital ist soviel Wert, wie es Elend produzieren kann | 2014 | Performance | Musiktheater |
55:00:00 | Spazialisation: var 7 - 12 | acc [Akkordeon] | performatives Konzert; Ute Richter (Video) | Festival Resonanzen | 17.10.2014 | Leipzig, Schaubühne Lindenfels; Eva Zöllner (Akkordeon) | 0 | http://resonanzen-leipzig.de/programm/ipke-starke/ | |||||
| 40789 | Ipke | Starke | Fragment – Das Kapital ist soviel Wert, wie es Elend produzieren kann | 2014 | live-elec, 1 perf | audiovisuell |
20:00:00 | Spazialisation: var 7 - 8 | acc [Akkordeon] | konzertante Version, optional mit Videozuspiel | 11.12.2014 | Basel, Gare du Nord | 0 | |||||||
| 40793 | Ipke | Starke | I always work alone – für Arnold Schwarzenegger | 2002 | live-elec, 1 perf | 10:30:00 | Quadro | vc [Cello] | 22.1.2003 | Leipzig, Gewandhaus | 0 | ||||||||
| 40796 | Ipke | Starke | Interviews | 2008 | live-elec, 1 perf | 13:30:00 | Quadro | fl [Flöte] | 26.11.2008 | Leipzig, Gewandhaus; Irmela Boßler (Flöte) | 0 | ||||||||
| 40794 | Ipke, Ute | Starke, Richter | cessez-le-feu // Feuerpause | 1996 | audiovisuell | Mono | Videoinstallation | 1996 | Fresnes, Maison dArt Contemporaine Chaillioux (MACC) | 0 | https://www.maccfresnes.com | ||||||||
| 40791 | Ipke, Ute | Starke, Richter | cliquez-ici // hier klicken | 1998 | Klangkunst, Installation | Stereo | 1998 | Ivry-sur-Seine, Le Crédac | 0 | http://www.uterichter.de/hier-klicken-1.php | |||||||||
| 40795 | Ipke, Ute | Starke, Richter | saturation – Sättigung | 1999 | Klangkunst, Installation | Stereo | 1999 | Berlin-Mitte, loop – raum für aktuelle kunst, heute: Edison-Höfe | 0 | ||||||||||
| 22706 | Sascha | Starke | Picapou | 1998 - 1999 | radiophon | 46:31 | diese Aufnahmen entstanden 1998 - 1999 im Badezimmer der Schwedter Str. 23 / 10119 Berlin | PS C. | 1 | ||||||||||
| 20807 | Michael | Starobin | Chase | live-elec, 1 perf | 4:36 | Stereo | amp gui [Gitarre] | BCD 9022/ | 0 | ||||||||||
| 16160 | Volker | Staub | Nr. 17, Musik zum "Projekt Rheinrot" | 1990 | intermedia, live-elec, 10 perf | 120:00 | S, hn, alphorn, tpt, trbn, V-qt, perc, (9 Motorsirenen, 5 Signalhupen) [Sopran, Stimme, Horn, Trompete, Posaune, Schlagzeug] | 1990 | Köln | Feedback | 0 | ||||||||
| 16161 | Volker | Staub | Nr. 22 | 1992 | Zuspiel, Performance, 4 perf | 22:00 | 1 - 4 perf [Performer] | Feedback | 0 | ||||||||||
| 28558 | Volker | Staub | Witterungsinstrumente | 2000 | Klangkunst, Installation | 3:08 | WD 2001, Wittener Tage Für Neue Kammermusik 2001/ | Auftrag des Landes NRW | 2001 | Wittener Tage für neue Kammermusik 2001 mit V. Staub & N. Heyduck, Realisation | 1 | ||||||||
| 22338 | Mikael | Stavöstrand | Catalys - 2.0 | fixed media, akusmatisch | 5:47 | Infogram 045/2/ | 1 | ||||||||||||
| 22280 | Mikael | Stavöstrand | Natu_1 | live-elec, | 8:05 | Remixed in E / VE 0999 Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 1 | |||||||||||
| 28301 | Nikos | Stavropoulos | Atropos | 2003 | fixed media, akusmatisch | 11:00 | Surround 5.1 | Uni Leeds | 1 | http://creativetech.inn.leedsmet.ac.uk/Staff.php?staff=13 | |||||||||
| 41649 | Nikos | Stavropoulos | Epitaxy | 2005 | fixed media, akusmatisch | 16:41 | 0 | ||||||||||||
| 41650 | Nikos | Stavropoulos | Granatum | 2011 | fixed media, akusmatisch | 8:06 | 0 | ||||||||||||
| 41393 | Nikos | Stavropoulos | In 4 | fixed media, akusmatisch | 6:03 | CIME 2008 | 0 | https://www.ckcufm.com/ | |||||||||||
| 41651 | Nikos | Stavropoulos | Polychoron | 2008 | fixed media, akusmatisch | 9:23 | 0 | ||||||||||||
| 41652 | Nikos | Stavropoulos | Resurrection | 2002 | fixed media, akusmatisch | 14:54 | 0 | ||||||||||||
| 24790 | Nikos | Stavropoulos | Scene III | 2002 | fixed media, akusmatisch | 8:00 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 mention | 1 | |||||||||
| 24480 | Nikos | Stavropoulos | Scenes from a Memory | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 35405 | Nikos | Stavropoulos | Topophilia | 2016 | fixed media, akusmatisch | 8:25:00 | Surround 5.1 | MR 2016 Métamorphoses 2016/ | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 mention at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). |
0 | |||||||||
| 42879 | Heather | Stebbins | foxfire | 2013 | live-elec, 1 perf | 9:30:00 | va [Viola] | Samuel Kelder, viola | 0 | ||||||||||
| 29903 | Ronald | Steckel | Aurora – Morgenröte im Aufgang | radiophon | 55:59 | hommage à Jacob Böhme Hörstück nach Texten von JACOB BÖHME | nootheater/ | 0 | http://www.nootheater.de/nootheater.html | ||||||||||
| 29895 | Ronald | Steckel | Auschwitz. Stimmen | 2005 | radiophon | PS Kirschke (sem) | WDR / SWR / RB | 0 | |||||||||||
| 29893 | Ronald | Steckel | Biophonie | 2004 | radiophon | Hörstück | PS Kirschke (sem) | SWR | 0 | ||||||||||
| 29887 | Ronald | Steckel | Das Geheul 1.0 & 2.0 | 2000 | radiophon | von Allen Ginsberg; deutsch von R.Steckel | PS Kirschke (sem) | RB / DLF | 0 | ||||||||||
| 29885 | Ronald | Steckel | Der Eine Geist | 1999 | radiophon | 20:17 | Ein Stück für Stimmen | nootheater/ | PS Kirschke (sem) | SWR | 0 | http://www.nootheater.de/nootheater.html | |||||||
| 29901 | Ronald | Steckel | Der Fälscher-Ingenieur | 2010 | radiophon | eine hommage an Erik Satie | PS Kirschke (sem) | DLR / NDR | 0 | ||||||||||
| 29888 | Ronald | Steckel | Der Gesang der Masse | 2001 | radiophon | 40:28:00 | Ein Stück für Stimmen mit 7 Liedern nach Texten von Walt Whitman | PS Kirschke (sem) | NDR / DRBerlin | 0 | |||||||||
| 29891 | Ronald | Steckel | Epitaph | 2003 | radiophon | von Heimrad Bäcker | PS Kirschke (sem) | RB / WDR | 0 | ||||||||||
| 29898 | Ronald | Steckel | Ich bin der Ursprung von allem | 2006 | radiophon | 71:19 | Ein suprematistisches Hörstück nach Texten von Kazimir Malevic | nootheater/ | PS Kirschke (sem) | DLR / HR | 0 | http://www.nootheater.de/nootheater.html | |||||||
| 29884 | Ronald | Steckel | Mindscape | 1999 | radiophon | 45:05:00 | Ein akustisches Kontinuum | PS Kirschke (sem) | DRBerlin | 1 | |||||||||
| 29902 | Ronald | Steckel | Nur für Liebende | 2012 | radiophon | hommage a Dschelal ed-Din Rumi | PS Kirschke (sem) | RB / HR | 0 | ||||||||||
| 22048 | Ronald | Steckel | Schweigende Landschaft | 1996 | radiophon | 1:55 | WER 6307-2/ | PS Kirschke (sem), WDR Studio Akustische Kunst | 1 | ||||||||||
| 29897 | Ronald | Steckel | Schwerkraft & Licht | 2006 | radiophon | hommage à Simone Weil | PS Kirschke (sem) | WDR / RBB | 0 | ||||||||||
| 29896 | Ronald | Steckel | Silent Islands | 2005 | radiophon | Ein Klangraum | PS Kirschke (sem) | WDR / Studio Akustische Kunst | 0 | ||||||||||
| 16162 | Ronald | Steckel | Silent Landscape | 1990 | radiophon | 20:00 | WDR Studio Akustische Kunst | 0 | http://matthias-kirschke.com/page7/page37/index.html | ||||||||||
| 29882 | Ronald | Steckel | Stimmen aus dem Feuer | 1996, 2003 | radiophon | nootheater/ | PS Kirschke (sem) | 1 | http://www.nootheater.de/nootheater.html | ||||||||||
| 29892 | Ronald | Steckel | Und ich erinnere mich an das Meer | 2004 | radiophon | Hörspielmusik | PS Kirschke (sem) | DLRadio | 0 | ||||||||||
| 29889 | Ronald | Steckel | Undeutliche Landschaft | 2002 | radiophon | 42:04 | Ein akustisches Palimpsest über den 11.9.2001 | SWR Edition 2013/ | PS Kirschke (sem), SWF | SWR | 12.9.2002 | 0 | http://hoerspiele.dra.de/kurzinfo.php?sessid=n7747lrq6u6lh4tp9r3k66jqkc0nq1e4feemaap9j2hod9lehi50 | ||||||
| 29899 | Ronald | Steckel | Vom inneren und äusseren Menschen | 2007 | radiophon | 52:01 | Hörstück nach Texten von Meister Eckhart | nootheater/ | PS Kirschke (sem) | SWR | 0 | http://www.nootheater.de/nootheater.html | |||||||
| 29900 | Ronald | Steckel | Von der Fülle & der Leere | 2010 | radiophon | 52:59 | Hörstück nach Texten von JohannesTauler | nootheater/ | PS Kirschke (sem) | SWR / RB | 0 | http://www.nootheater.de/nootheater.html | |||||||
| 29886 | Ronald | Steckel | Vortex | 1999 | radiophon | Ein akustisches Palimpsest über das 20. Jahrhunderts | PS Kirschke (sem) | SWR / NDR | 0 | ||||||||||
| 29894 | Ronald | Steckel | Zum Trauern bestellt | 2004 | radiophon | nach einem Text von Wallace Shawn | PS Kirschke (sem) | WDR | 0 | ||||||||||
| 42993 | Marcin A. | Steczkowski | MMIIXX | 2013 | fixed media, akusmatisch | 4:59:00 | 0 | ||||||||||||
| 36537 | Marcin Albert | Steczkowski | MmIiXx | 2014 | fixed media, akusmatisch | 4:59:00 | Taukay 156/ | 0 | |||||||||||
| 16163 | Milos | Stedron | Bis | 1971 | fixed media, akusmatisch | 6:48 | Stereo | Radio Plzen | 0 | ||||||||||
| 41889 | Milos | Stedron | BIS | 1969 | fixed media, akusmatisch | 8:20 | Radio Brno | Competition Musica Nova Prag 1969 | 0 | ||||||||||
| 16164 | Milos | Stedron | O santa Caecilia | 1968 | Zuspiel / Tonband, 1 perf | 8:20 | db [Kontrabass] | Radio Brno | 0 | ||||||||||
| 16165 | Milos | Stedron | Panychida | 1967 | fixed media, akusmatisch | 9:40 | Stereo | Radio Brno | 0 | ||||||||||
| 16166 | Milos | Stedron | Troubení z veze | 1973 | fixed media, akusmatisch | 7:54 | Stereo | Radio Plzen | 0 | ||||||||||
| 16167 | Milos | Stedron | Utis | 1967 | fixed media, akusmatisch | 6:00 | Stereo | Radio Brno | 0 | ||||||||||
| 33699 | Jim | Steele | Splatter Experience Of The Green Gods | 1989 | fixed media, akusmatisch | 2:18:00 | from Cassette „Dreeheaded Facts“ 1989 | WN 00006/1991/ | 1 | ||||||||||
| 34325 | Simon | Steen-Andersen | Amid | 2004 | live-elec, 7 perf | 9:00:00 | opt amp fl, cl, p, gui, perc, vn, vc [Flöte, Klarinette, Piano, Gitarre, Schlagzeug, Cello, Violine] | flute, clarinet, piano, guitar, percussion, violin and cello (optional amplification) | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34322 | Simon | Steen-Andersen | Amongst | 2005 | live-elec, 1 perf, 1 group | 36:00:00 | amp gui, orc [Gitarre, Orchester] | concerto for extremely amplified guitar and and large orchestra | Edition-S (http://www.edition-s.dk | 0 | http://www.simonsteenandersen.dk/eng_note-amongst.htm | ||||||||
| 34330 | Simon | Steen-Andersen | Beside | live-elec, 6 perf | amp vn, amp p, amp pic-fl, (damped) str-trio [Flöte, Piano, Violine, Streicher] | Edition-S (http://www.edition-s.dk | 0 | http://www.simonsteenandersen.dk/eng_note-besides.htm | |||||||||||
| 34326 | Simon | Steen-Andersen | Beside Besides (/Next To Beside Besides #0) | 2003 | live-elec, 1 perf | 4:00:00 | opt amp vc [Cello] | fragment for solo cello (optional amplification) | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34305 | Simon | Steen-Andersen | Black Box Music | 2012 | audiovisuell, live-elec, 16 perf | 32:00:00 | sol-perc, (amp box), 15 player, video [Schlagzeug, Performer] | percussion solo, amplified box, 15 players and video | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34318 | Simon | Steen-Andersen | Chambered Music | 2007 | live-elec, 13 perf | 11:00:00 | 12 ins, sam [Instrument, computer] | 12 instruments and sampler | Edition-S (http://www.edition-s.dk | 0 | http://www.simonsteenandersen.dk/eng_descrip_chambered-music.htm | ||||||||
| 34316 | Simon | Steen-Andersen | Difficulties Putting it Into Practice (prior In Her Frown) | 2007 | live-elec, 3 perf | 9:00:00 | 2 or 4 amp perf [Performer] | 2 or 4 amplified performers | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34309 | Simon | Steen-Andersen | Double Up | 2010 | live-elec, 1 perf, 1 group | 18:00:00 | sam, orc [computer, Orchester] | sampler and small orchestra | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34327 | Simon | Steen-Andersen | Drownword | 2003 | live-elec, 2 perf | 10:00:00 | amp S, amp gui [Sopran, Gitarre] | soprano and guitar, both amplified | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34329 | Simon | Steen-Andersen | Electro Miniature | 2001 | fixed media, akusmatisch | 2:30:00 | Edition-S (http://www.edition-s.dk | 0 | |||||||||||
| 34307 | Simon | Steen-Andersen | Im Rauschen | 2012 | live-elec, 3 perf | 10:00:00 | pic-fl, fl, b-cl [Flöte, Klarinette] | piccolo flute (playable for non-flutist), flute and bass clarinet with intra-instrumental playback | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34317 | Simon | Steen-Andersen | In Spite Of, And Maybe Even Therefore | 2007 | live-elec, 7 perf | 9:00:00 | amp fl, amp hn, amp cl, db-bn, p, perc, db [Flöte, Klarinette, Fagott, Horn, Piano, Schlagzeug, Kontrabass] | amplified fl., horn, cl. + unamplified double bassoon, pno., perc. and db | Edition-S (http://www.edition-s.dk | 0 | http://www.simonsteenandersen.dk/eng_descrip_in-spite-of.htm | ||||||||
| 34319 | Simon | Steen-Andersen | loloopop | 2006 | Klangkunst, Installation | audiovisuell |
audio/visual installation created in coorporation with visual artist Carl Krull | Edition-S (http://www.edition-s.dk | 0 | http://www.simonsteenandersen.dk/eng-loloopop.htm | ||||||||||
| 34304 | Simon | Steen-Andersen | Mono (Autotune Study and Nachgesang) | 2014 | live-elec, 2 perf | 7:00:00 | male V, Kbd, (elec) [Stimme, Keyboard] | male voice, keyboard and electronics | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34302 | Simon | Steen-Andersen | Next To Beside Besides - Kamikazeversion, für Flöten und Video | 2010 | Performance, live-elec, 1 perf | 12 | fl, (camera) [Flöte] | Videoprojektion Steen-Andersen | 29.7.2010 | Villa Elisabeth Berlin bei Inventionen 2010, mit Eric Drescher (fl) | Edition-S (http://www.edition-s.dk | 1 | 2010 | ||||||
| 34324 | Simon | Steen-Andersen | Next To Beside Besides #1-13 (+…) | 2003 - 2006 | audiovisuell, live-elec, 1 perf | 3:30:00 | ins [Instrument] | amplified solo pieces that can also be played together as ensemble pieces or movements in any combination of (cello,) doublebass (2 different pieces), saxophone, accordion (2 pieces), percussion (2 pieces), piccolo flute, violin, piano, guitar (2 pieces) and camera (perc.) ... | Edition-S (http://www.edition-s.dk | 0 | http://www.simonsteenandersen.dk/NTBB-family-eng.htm | ||||||||
| 34315 | Simon | Steen-Andersen | Nothing Integrated | 2007 | audiovisuell, live-elec, 3 perf | 21:00:00 | amp cl, perc, vc, video [Klarinette, Schlagzeug, Cello] | extremely amplified clarinet, percussion, cello and live-video | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34310 | Simon | Steen-Andersen | Ouvertures | 2008/2010 | live-elec, 2 perf, 1 group | 17:00:00 | amp Guzheng, sam, orc [computer, Streicher, Orchester] | amplified gu-zheng, sampler and orchestra | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34303 | Simon | Steen-Andersen | Piano Concerto | 2014 | audiovisuell, live-elec, 2 perf, 1 group | 28:00:00 | p, sam, orc, video [Piano, computer, Orchester] | piano, sampler, orchestra and video | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34313 | Simon | Steen-Andersen | Pretty Sound (Up And Down) | 2008 | live-elec, 1 perf | 7:30:00 | amp p or amp perc [Piano, Schlagzeug] | amplified piano (pianist or percussion player) | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34328 | Simon | Steen-Andersen | rerendered | 2003, 2004 | live-elec, 3 perf | audiovisuell |
10:00:00 | p, 2 perf [Piano, Performer] | pianist and two assistents (optional participating conductor, optional live video) | Edition-S (http://www.edition-s.dk | 0 | http://www.simonsteenandersen.dk/eng-note-rerendered.htm | ||||||||
| 34311 | Simon | Steen-Andersen | Run Time Error | 2009 | audiovisuell | Performance |
video installation / performance | Edition-S (http://www.edition-s.dk | 0 | |||||||||||
| 34312 | Simon | Steen-Andersen | Self Simulator | 2009 | Klangkunst, Installation | "interactive installation" | Edition-S (http://www.edition-s.dk | 0 | |||||||||||
| 34323 | Simon | Steen-Andersen | Self-reflecting Next To Beside Besides | audiovisuell, live-elec, 1 perf, 1 group | var inss [Instrument] | pieces from the NTBB-series in virtual combinations, where the musicians play together with video recordings of themselves, playing with video recordings of themselves, and so on ... | Edition-S (http://www.edition-s.dk | 0 | |||||||||||
| 34320 | Simon | Steen-Andersen | [sproglyd] | 2005 | Performance, live-elec, 4 perf | str-qt [Streicher] | interactive webpage (for Norwegian and Danish words and phonemes + string quartet) | Edition-S (http://www.edition-s.dk | 0 | ||||||||||
| 34306 | Simon | Steen-Andersen | String Quartet #2 | 2012 | live-elec, 4 perf | 14:00:00 | amp and prep str-qt [Streicher] | strings with prepared and amplified bows | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34308 | Simon | Steen-Andersen | Study for String Instrument #3 | 2011 | audiovisuell, live-elec, 1 perf | 5:00:00 | vc [Cello] | cello and video | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34321 | Simon | Steen-Andersen | Within Amongst - anti-kadenza | 2005 | live-elec, 1 perf | 5:00:00 | amp gui [Gitarre] | for amplified guitar solo | Edition-S (http://www.edition-s.dk | 0 | |||||||||
| 34314 | Simon, Kaj | Steen-Andersen, Aune | soundTAG | 2008 | Klangkunst, Installation | epidemic sound installation (room, street and web) in coorporation with Kaj Aune | Edition-S (http://www.edition-s.dk | 0 | |||||||||||
| 32925 | Paul | Steenhuisen | Circumnavigating the sea of shit | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 16168 | Paul | Steenhuisen | Poland is not yet lost | 1992 | fixed media, akusmatisch | 1:08 | NeXT | CEC DISContact_1/ | SFU | 1 | |||||||||
| 33862 | Paul | Steenhuisen | Pomme de Terre | 2001 | fixed media, akusmatisch | 1:11 | CMJ Vol 26, 2002/ | 0 | |||||||||||
| 16169 | Paul | Steenhuisen | The Metamorphosis—Mix 2: Cylinderrde | 1988 | fixed media, akusmatisch | 4:53 | Stereo | Uni BC Vancouver | 0 | ||||||||||
| 16170 | Mike | Steer | Elegy | 1990 | Zuspiel, live-elec, 1 perf | 30:00 | Mez [Mezzo] | Gramophone | BBC | 0 | |||||||||
| 23223 | Ewan | Stefani | blue balloons | 2001 | fixed media, akusmatisch | 3:20 | Cec Presence 3/ | Uni Leeds | 1 | ||||||||||
| 16171 | Massimo | Stefanizzi | Paradigma | 1989 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | Con Venezia | 0 | |||||||||||
| 39840 | Hanna Lisa | Stefansson | Star Map | 2015 | fixed media, akusmatisch | 7:50:00 | Hanna Lisa Stefansson | 0 | |||||||||||
| 16173 | Walter | Steffens | Rituelle Aktionen II, op. 24 | 1972 | Zuspiel / Tonband, | HfM Detmold | 0 | http://www.walter-steffens.de/werkverzeichnis.html | |||||||||||
| 34778 | Martin | Stefke | EDEN | 2013 | fixed media, akusmatisch | Hörstück für Mobiltelefone | 0 | ||||||||||||
| 21137 | Martin | Stefke, Zeitblom | Wünsche | 1998 | radiophon | 15:19 | 11 Tracks | PS monochrome music, TU Berlin | 10.9.1998 | Kleiner Wasserspeicher Berlin, Kryptonale IV | 1 | ||||||||
| 26814 | Rand | Steiger | 13 Loops | 1988 | live-elec, 5 perf | 15:00 | fl, b-cl, perc, vn, vc, (DSP) [Flöte, Klarinette, Schlagzeug, Cello, Violine] | CalArts | 0 | http://rand.info/ | |||||||||
| 26822 | Rand | Steiger | awhirl | 2008 | live-elec, 1 perf | 9:00 | p, (DSP) [Piano] | CalArts | Vicki Ray | 10.12.2008 | REDCAT in Walt Disney Concert Hall, Los Angeles | 0 | http://rand.info/ | ||||||
| 26823 | Rand | Steiger | Cryosphere | 2009 | live-elec, 13 perf | 15:00 | fl, ob, cl, bn, hn, tpt, trbn, 3 perc, hp, Kbd, str, (DSP) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Keyboard, Harfe, Schlagzeug, Streicher] | CalArts | Fromm Music Foundation at Harvard University and the American Composers Orchestra |
02.2008 | Zankel (Carnegie) Hall, New York City | 0 | http://rand.info/ | ||||||
| 26818 | Rand | Steiger | Deamscape | 2004 | live-elec, 4 perf | 18:00 | fl, p, perc, vc, (DSP) [Flöte, Piano, Schlagzeug, Cello] | CalArts | Mary Cary Flagler Trust (for Mosaic) | 14.05.2005 | Skirball Center, NYU, New York City | 0 | http://rand.info/ | ||||||
| 16174 | Rand | Steiger | Dialogues III | 1983 | live-elec, 2 perf | 13:00 | p, perc, [Piano, Schlagzeug] | CalArts | Daniel Druckman and Alan Feinberg | 1 | 1983 | http://rand.info/ | |||||||
| 26817 | Rand | Steiger | Ecosphere | 2001/2002 | live-elec, 16 perf | 30:00 | fl, ob, 2 cl, 2 hn, trbn, 2 Kbd, 2 perc, str-qt, db, (DSP) [Flöte, Klarinette, Oboe, Horn, Posaune, Keyboard, Schlagzeug, Kontrabass, Streicher] | IRCAM | IRCAM | 03.2002 | Ens Intercontemporain, Patrick Davin cond., Centre George Pompidou, Paris | 0 | http://rand.info/ | ||||||
| 26815 | Rand | Steiger | Maya | 1994 | audiovisuell | 7:00 | Colaboration with artist Vibeke Sorensen | CalArts | 0 | http://rand.info/ | |||||||||
| 26821 | Rand | Steiger | Nested Etudes for Oboe | 2007 | live-elec, 1 perf | 7:00 | ob, (DSP) [Oboe] | CalArts | Nouvel Ensemble Contemporain | 9.02.2007 | La Chaux-de-Fonds, Switzerland | 0 | http://rand.info/ | ||||||
| 26816 | Rand | Steiger | Resonant Vertices | 2009 | live-elec, 5 perf | 13:00 | 2 synt, fl, vn, vc [Flöte, Cello, Violine, synthesizer] | CalArts | 0 | http://rand.info/ | |||||||||
| 26819 | Rand | Steiger | Résonateur | 2005 | live-elec, 8 perf | 7:00 | fl, ob, vn, vc, 2 perc, 2 Kbd, (DSP) [Flöte, Oboe, Keyboard, Schlagzeug, Cello, Violine] | CalArts | Ensemble Sospeso, in honor of the 80th birthday of Pierre Boulez | 10.05.2005 | Carnegie - Zankle Hall, New York City | 0 | http://rand.info/ | ||||||
| 26820 | Rand | Steiger | Traversing | 2006 | live-elec, 1 perf | 13:00 | vc, str orc, (DSP) [Cello, Orchester] | CalArts | Brunnel Bicentenary | 28.09.2006 | Southbank Sinfonia, Peter Wiegold, cond., Mathew Barley Cello, Cadogan Hall, London, |
0 | http://rand.info/ | ||||||
| 26813 | Rand | Steiger | Tributaries for Nancarrow | 1987 | live-elec, 6 perf | 6 com p [Piano] | CalArts | 0 | http://rand.info/ | ||||||||||
| 32010 | Julian | Stein | Imposed | 2008 - 2010 | fixed media, akusmatisch | JTTP-Teilnehmer 2010 | 1 | ||||||||||||
| 36925 | Julian | Stein | Tettigoniid (60x60) | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 36470 | Ralph | Steinbrüchel | Seen | 2007 | radiophon | 5:32:00 | and 26/ | 0 | |||||||||||
| 36476 | Ralph | Steinbrüchel | Waldsee | 2007 | radiophon | 1:36:00 | and 26/ | 0 | |||||||||||
| 36167 | Malte | Steiner | Drahtwelt | 2000 | fixed media, akusmatisch | 6:27 | innova 117/ | 0 | |||||||||||
| 24982 | Malte | Steiner | Elektronengehirn | 2004 | Demo, Studie | 65:00 | 14 Teile + 12 Teile; insgesmt 3 CDs | B4 - c001/ | block 4 Hamburg | 1 | http://www.thisisnotahomepage.com/german/archiv.html | ||||||||
| 36173 | Malte | Steiner | Signale | 2002 | fixed media, akusmatisch | 3 | innova 119/ | 0 | |||||||||||
| 41820 | Malte | Steiner | The Door | 2001 | fixed media, akusmatisch | 3:40:00 | codemist ICMC2001/ | 0 | |||||||||||
| 28596 | Gerhard | Steinke | Auf dem Wege zu einer neuen Klangkunst | 1965/1966 | radiophon | Stereo | 16 Folgen mit einer Dauer zwischen 40 und 90 Minuten, Redaktion Gerhard Schwalbe. Unter dem gleichen Titel erschien eine Publikation von Gerhard Steinke zur Geschichte des Subharchords und der Geschichte des RFZ-Studios. |
RFZ Berlin, Deutschlandsender | 1 | ||||||||||
| 26188 | Gerhard, Wolfgang, Ernst | Steinke, Hoeg, Schreiber | Pausenzeichen für Sender Beelitz | 1962 | intermedia | 1:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 39827 | Greg A. | Steinke | Four Desultory Episodes | 2017 | fixed media, akusmatisch | Greg A. Steinke | 0 | ||||||||||||
| 16175 | Günter | Steinke | Arcade | 1991/1992 | live-elec, 1 perf | 11:15 | vc [Cello] | WD 03, Wittener Tage Für Neue Kammermusik 1992/ | Experimentalstudio für Akustische Kunst Freiburg | 25.4.1992 | Wittener Tage für neue Kammermusik mit Lucas Fels (vc) und Strobel-Stiftung | 1 | |||||||
| 33650 | Günter | Steinke | Innen bewegt | 2001 | Zuspiel / Tonband, 1 group | 17 | Stereo | ens [Ensemble] | ICEM NovemberMusic 2009/ | musique nouvelle Forbach | 1 | ||||||||
| 16176 | Günter | Steinke | . P | 1987 | fixed media, akusmatisch | 11:25 | Quadro | Synclavier | HfM Freiburg | 0 | |||||||||
| 16177 | Günter | Steinke | Voice1 | 1989 | live-elec, 1 perf | synt [synthesizer] | Atari | HfM Freiburg | 0 | ||||||||||
| 32777 | Hubert | Steins | HallRäume, Drei akustische Suggestionen für die Korridore des Marler Rathauses | 2004 | Klangkunst, Installation | Deutscher Klangkunstpreis 2004 in Marl | 0 | ||||||||||||
| 16178 | Stelarc | Obsolet, Remote, Laser Eyes, Elapsed Horizon | 1990 | live-elec, 1 perf | roboter [computer] | Anckarström R6/ | Waverly St Melbourne | 0 | |||||||||||
| 27111 | Susanne | Stelzenbach | vis-à-vis | 2000 | Zuspiel / Tonband, 1 perf | S [Sopran] | 0 | ||||||||||||
| 7354 | Susanne, Ralf | Stelzenbach, Hoyer | Urworte orphisch (I & II) | 1992 | Zuspiel / Tonband, 3 perf | 15:00 | Stereo | b-cl, p, vn [Klarinette, Piano, Violine] | text nach Goethe | PS C. | 24.9.1992 | Berlin, Festival SprachTonArt der BGNM im Podewil Klosterstraße 68 | 0 | ||||||
| 16179 | Ulf | Stengel | Der Weg zum Erfolg | 1994 | Klangkunst, Installation | 31:46 | Octo | Podewil Berlin | TU Berlin | 1 | |||||||||
| 16180 | Val | Stephen | Abstract chamber music for four electronic voices | 1966 | fixed media, akusmatisch | 5:20 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16181 | Val | Stephen | Abstract Hammond organ opus | 1966 | fixed media, akusmatisch | 1:40 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16182 | Val | Stephen | Cappricio for piano strings and oscillator | 1966 | fixed media, akusmatisch | 5:25 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16183 | Val | Stephen | Contrasts | 1966 | fixed media, akusmatisch | 2:40 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16184 | Val | Stephen | Electrogenic Ballet | 1966 | Tanz | 3:50 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16185 | Val | Stephen | Electrogenic hotch-potch | 1966 | fixed media, akusmatisch | 1:45 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16186 | Val | Stephen | Fantasy | 1966 | fixed media, akusmatisch | 1:10 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16187 | Val | Stephen | Fireworks | 1962 | fixed media, akusmatisch | 1:55 | Mono | FMS 33436/ | PS GLEN IRIS | 1 | |||||||||
| 16188 | Val | Stephen | Footsteps in the sands of time | 1966 | fixed media, akusmatisch | 2:00 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16189 | Val | Stephen | Further Trios in abstract sound | 1966 | fixed media, akusmatisch | 1:15 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16190 | Val | Stephen | Intermezzo mystica | 1966 | fixed media, akusmatisch | 2:35 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16191 | Val | Stephen | Melodica Rhythmica | 1966 | fixed media, akusmatisch | 2:20 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16192 | Val | Stephen | Miscellany | 1966 | fixed media, akusmatisch | 3:10 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16193 | Val | Stephen | OOOH! | 1966 | fixed media, akusmatisch | 1:25 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16194 | Val | Stephen | Opus abstracta | 1966 | fixed media, akusmatisch | 1:48 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16195 | Val | Stephen | Opus brevis | 1966 | fixed media, akusmatisch | 0:42 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16196 | Val | Stephen | Opus for two oscillators and tape loop | 1966 | fixed media, akusmatisch | 1:20 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16197 | Val | Stephen | Oscillator duet | 1966 | fixed media, akusmatisch | 4:05 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16198 | Val | Stephen | Prelude to a nuclear explosion | 1966 | fixed media, akusmatisch | 3:55 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16199 | Val | Stephen | Rhythmic bugle | 1966 | fixed media, akusmatisch | 0:48 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16200 | Val | Stephen | Schizophrenia | 1966 | fixed media, akusmatisch | 1:40 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16201 | Val | Stephen | Sonata abstracta in two movements | 1966 | fixed media, akusmatisch | 6:43 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16202 | Val | Stephen | Sonata for piano strings and oscillator | 1966 | fixed media, akusmatisch | 6:15 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16203 | Val | Stephen | The atomic scherzo | 1966 | fixed media, akusmatisch | 1:40 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16204 | Val | Stephen | The echo whistler | 1966 | fixed media, akusmatisch | 2:00 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16205 | Val | Stephen | The mad morse operetta | 1966 | fixed media, akusmatisch | 1:15 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16206 | Val | Stephen | The Orgasmic opus | 1966 | fixed media, akusmatisch | 0:42 | Mono | FMS 33436/ | PS GLEN IRIS | 1 | |||||||||
| 16207 | Val | Stephen | The rhythmic jungle | 1966 | fixed media, akusmatisch | 1:30 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16208 | Val | Stephen | The whistler & his oszillator | 1966 | fixed media, akusmatisch | 1:24 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16209 | Val | Stephen | Thunder stings | 1966 | fixed media, akusmatisch | 3:30 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16210 | Val | Stephen | Triois in abstract sound | 1966 | fixed media, akusmatisch | 1:25 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 16211 | Val | Stephen | Water water | 1966 | fixed media, akusmatisch | 1:30 | Mono | PS GLEN IRIS | 0 | ||||||||||
| 39550 | Alex | Stephenson | Jeu-Parti | 2017 | fixed media, akusmatisch | Alex Stephenson | 0 | ||||||||||||
| 39769 | Eric | Stern | Anticipations II | 2015 | fixed media, akusmatisch | 4:48:00 | Eric Stern | 0 | |||||||||||
| 36461 | Joel | Stern | Terminal Dreamer | 2007 | radiophon | 5:37:00 | EDRM 417/ | 0 | |||||||||||
| 16212 | Emile | Stevens | Bell Castles | fixed media, akusmatisch | Stereo | Queens Uni Kingston | 0 | ||||||||||||
| 16213 | Emile | Stevens | Electromagnetism | fixed media, akusmatisch | 8:20 | Stereo | Concordia Montréal | 0 | |||||||||||
| 39309 | Ben | Stevenson | Rmbln N My Mnd | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 22522 | Ian | Stewart | Petroglyph | 1998 | fixed media, akusmatisch | 7:50 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | winner JTTP 2001 4. prize | 1 | ||||||||
| 22430 | Ian | Stewart | Surveillance | 1999 | fixed media, akusmatisch | 2:40 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 39997 | Kyle | Stewart | Conflux | 2016 | fixed media, akusmatisch | Kyle Stewart | 0 | ||||||||||||
| 16214 | Milan | Stibilj | Rainbow, Mavrica | 1968 | fixed media, akusmatisch | 7:00 | Mono | PHI 6526004/ PHI 6740 001/ | Sonology Utrecht, CEM Bilthoven | 1 | |||||||||
| 16215 | Jacques | Stibler | Travelling | 1976 | fixed media, akusmatisch | 14:20 | Stereo | INA • GRM | 27.8.1976 | Paris, Th. Récamier | 0 | ||||||||
| 35342 | Thomas | Stiegler | Treibgut VI | 2012 | Zuspiel / Tonband, 1 perf | 14:04 | s-sax [Saxophon] | Gruen 120/ | 0 | http://www.gruenrekorder.de/?page_id=9585 | |||||||||
| 18330 | Sebastian | Stier | Sonne und Wind | 1994/1997 | fixed media, akusmatisch | 10:00 | Quadro | STEAM Berlin | 0 | ||||||||||
| 22577 | Sebastian | Stier | Unrettbar Befreit | 1991 | Zuspiel / Tonband, 1 perf, 1 group | ≈ 20:00 | Octo | T, chamber-orc, (elec) [Tenor, Orchester] | STEAM Berlin | 0 | |||||||||
| 16216 | Alberto | Stiglitz | Danza sospesa | 1990 | live-elec, 1 perf | 3:50 | com (elec mus) [computer] | LIM Milano | 0 | ||||||||||
| 39750 | Eli | Stine | Axle | 2015 | fixed media, akusmatisch | 1:30:00 | Eli Stine | 0 | |||||||||||
| 39752 | Eli | Stine | Gear | 2015 | fixed media, akusmatisch | 1:30:00 | Eli Stine | 0 | |||||||||||
| 39751 | Eli | Stine | Ring | 2015 | fixed media, akusmatisch | 1:30:00 | Eli Stine | 0 | |||||||||||
| 30977 | Åsa | Stjerna | Atrium | 2008 | Klangkunst, Installation | Vindöga Festival, Sandvikens Konsthall | 0 | http://www.asastjerna.se/Atrium.html | |||||||||||
| 30975 | Åsa | Stjerna | Avenue of Books | 2009 | Klangkunst, Installation | 2009 | Stockholm University Library | 0 | http://www.asastjerna.se/Avenue_of_Books.html | ||||||||||
| 30979 | Åsa | Stjerna | Circulus | 2008 | Klangkunst, Installation | Gamla Uppsala Museum | May 2008 | Gamla (Old) Uppsala Museum | 0 | http://www.asastjerna.se/Circulus.html | |||||||||
| 30974 | Åsa | Stjerna | Currents | 2011 | Klangkunst, Installation | NOTAM | September 8th 2011 | Ultima Oslo Contemporary Music Festival, NOTAM [Norwegian Centre for Technology in Art and Music) is producing the installation Currents by Åsa Stjerna. The work was featured in the foyer at the Opera in Oslo. The premiere coincides with the official opening of the festival, and is part of the opening show PRIMA | 0 | http://www.asastjerna.se/Currents-Info.html | |||||||||
| 30982 | Åsa | Stjerna | Ein Klangwäldchen für Kurfürstenstraße 134, Klangraum Kurfürstenstraße | 2007 | Klangkunst, Installation | Quartiersmanagements Magdeburger Platz | June-August 2007 | exhibition "Klangraum Kurfürstenstraße" Berlin | 0 | http://www.asastjerna.se/KlangKurfursten.html | |||||||||
| 30976 | Åsa | Stjerna | Inverted Soundscape | 2008 | Klangkunst, Installation | CoMa festival 2008 | 2008 | Stockholm | 0 | http://www.asastjerna.se/Inverted%20Soundscape.html | |||||||||
| 30981 | Åsa | Stjerna | Klangwäldchen | 2007 | Klangkunst, Installation | 2007 | Nordic Embassies Berlin. Kurfürsten Strasse and outside the Nordic Embassies close to Tiergarten | 0 | http://www.asastjerna.se/Klang-Nordische.html | ||||||||||
| 30984 | Åsa | Stjerna | Lamento | 2006 | Klangkunst, Installation | Octo | 0 | http://www.asastjerna.se/Lamento.html | |||||||||||
| 30983 | Åsa | Stjerna | Logens konsthall, Memory Gardens | 2007 | Klangkunst, Installation | 0 | http://www.asastjerna.se/Logens%20konsthall.html | ||||||||||||
| 30980 | Åsa | Stjerna | Pendula Bergiorum | 2007 | Klangkunst, Installation | Bergius Botanical Garden in Stockholm | 0 | http://www.asastjerna.se/Pendula.html | |||||||||||
| 30978 | Åsa | Stjerna | Sonic Promenade | 2008 | Klangkunst, Installation | ARTICLE 08 | November 15. - 30. 2008 | Breiavannet, Stavanger, Norway | 0 | http://www.asastjerna.se/SonicPromenade.html | |||||||||
| 30972 | Åsa | Stjerna | Sounding Esplanade | 2009 | Klangkunst, Installation | ISCM (International Society for Contemporary Music) for World New Music Days 2009 | 0 | ||||||||||||
| 30973 | Åsa | Stjerna | SubAqua | 2009 | Klangkunst, Installation | KLANG! Hamburg, Netzwerk für Neue Musik,Germany | June 2009 | Hafencity in Hamburg | 0 | http://www.asastjerna.se/SubAqua.html | |||||||||
| 37763 | Åsa | Stjerna | Vom Himmel holen | 2017 | fixed media, akusmatisch | Klangkunst, Installation |
16 Tracks | performative Präsentation einer permanenten 16-kanaligen Klanginstallation in Göteborg | 27.10.2017 | AdK Berlin Sonification Festival der bgnm | 0 | |||||||||
| 16217 | Karlheinz | Stockhausen | Alphabet für Liège, 13 musikalische Bilder für Solisten und Duos | 1972 | intermedia | ≈ 240 | 4 perf (gentle fire), 5 V, V, perf (fish expert), 5 mus, conductor [Stimme, Musiker, Performer] | musical installation; score not available | 0 | https://en.wikipedia.org/wiki/Alphabet_für_Liège | |||||||||
| 16218 | Karlheinz | Stockhausen | "Am Himmel wandre ich…", Indianerlieder | 1972 | live-elec, 2 perf | ≈ 52:00 | Quadro | amp 2 V (, 2 mic) [Stimme] | Stockhausen CD 20/ | 0 | |||||||||
| 25676 | Karlheinz | Stockhausen | Anfänge der 24 Schichten, Cosmic Pulses | 2007 | fixed media, akusmatisch | 44:00 | Octo | The 24 layers from Cosmic Pulses. | Stockhausen CD 91/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | https://en.wikipedia.org/wiki/Cosmic_Pulses | |||||||
| 16219 | Karlheinz | Stockhausen | Aries, Sirius | 1977/1980 | Zuspiel, live-elec, 1 perf | 15:00 | Octo | tpt [Trompete] | Stockhausen CD 33/ Stockhausen CD 60/ | WDR SEM | 1 | ||||||||
| 34208 | Karlheinz | Stockhausen | Atmen gibt das Leben, Chor-Oper mit Orchester (oder Tonband) | 1974/1977 | Zuspiel, live-elec, 1 perf, 1 group | ≈ 53 | Stereo | orc, conductor [Performer, Orchester] | Stockhausen CD 23/ | Stockhausen-Verlag Kürten | 0 | ||||||||
| 16220 | Karlheinz | Stockhausen | Aus den sieben Tagen, 15 Textkompositionen für intuitive Musik | 1968 | live-elec, 1 group | var 420 | amp ens [Ensemble] | intuitive Musik (Improvisation); Stücke einzeln aufführbar. Nur mit Spezialensemble aufführbar; alle Stücke ohne Dirigent; alle mit elektro-akust. Apparaturen. Dauern variabel. Vorhandene Ausgabe von 7 CDs: ca. 7 Stunden. |
DGG 270073/ Stockhausen CD 14/ HMA 190795/ | 1 | 1990 | https://en.wikipedia.org/wiki/Aus_den_sieben_Tagen | |||||||
| 33646 | Karlheinz | Stockhausen | Aus den sieben Tagen, unbegrenzt Verbindung Nachtmusik Intensität Setzt die Segel zur Sonne |
1968/2011 | live-elec, 1 perf | 43:20 | amp ins (vn, vc, db, p, e-gui, perc, cl, hn, trbn, elec) [Instrument] | Ensemble Zeitkratzer, Ltg. Reinhold Friedl. „Old school“, recorded live April 12, 2011 at Kino Šiška, Ljubljana, Slovenia, and April 14, 2011 at Vatroslav Lisinski Concert Hall, Zagreb, Croatia by Martin Wurmnest and Jermes Cernalogar, mixed by Martin Wurmnest, mastered by Rashad Becker, produced by Reinhold Friedl |
zkr 0012/ | 1 | 1990 | ||||||||
| 22190 | Karlheinz | Stockhausen | Capricorn, Sirius | 1977 | Zuspiel / Tonband, 1 perf | 27:00 | Octo | B [Bass] | Stockhausen CD 59/ | 1 | |||||||||
| 34206 | Karlheinz | Stockhausen | Carré | 1959 | live-elec, 8 groups | ≈ 36 | Quadro | 4 orc, amp 4 ch (amp cimbalom, amp hp, amp hpd) [Chor, Orchester] | Stockhausen CD 5/ | Universal Edition | 0 | ||||||||
| 25675 | Karlheinz | Stockhausen | Cosmic Pulses, 13. Stunde vom Klang die 24 Stunden des Tages |
2007 | fixed media, akusmatisch | 32:58 | Octo | from Klang, die 24 Stunden des Tages The cycle Klang, consisting of 24 hours of course, has only been finished up to the 21st hour. |
Stockhausen CD 91/ | Experimentalstudio für Akustische Kunst Freiburg | Festival Dissonanze, Rome, Massimo Simonini | 7.05.2007 | Auditorium Parco della Musica, Rome | 1 | https://en.wikipedia.org/wiki/Cosmic_Pulses | ||||
| 16243 | Karlheinz | Stockhausen | Der Jahreslauf, Dienstag aus Licht für Modernes Orchester, Tonband, Klangregisseur |
1977 | Zuspiel, live-elec, 14 perf | ≈ 46 | Octo, 12 tracks | 3 synt, 3 pic, 3 s-sax, e-hpd or synt, gui, 3 perc [Saxophon, Gitarre, Cembalo, Schlagzeug, synthesizer] | 2-track-Tape | Stockhausen CD 29/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Dienstag_aus_Licht | ||||||
| 32025 | Karlheinz | Stockhausen | Die Symbolik einer Krypta, 50 Klangbilder | 1996 | audiovisuell | 10 | ISBN 978-3-7700-1477-4 Droste Verlag; beiliegende DVD/ | F.W. Hempel & Co. Düsseldorf | 0 | ||||||||||
| 16221 | Karlheinz | Stockhausen | Dienstag aus Licht, Oper in einem Gruß und zwei Akten mit Abschied | 1977, 1987 - 1991 | Oper, live-elec, 17 perf, 3 groups | ≈ 156:00 | Stereo, Octo | 3 V, 10 ins, 4 dancer, actors, ch, orc [Stimme, Instrument, Schauspieler, Tanz, Chor, Orchester] | die Einzelteile mit Unterteilen sind auch einzeln aufführbar | Stockhausen CD 40/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Dienstag_aus_Licht | ||||||
| 16223 | Karlheinz | Stockhausen | Dienstags-Gruß, aus Dienstag aus Licht (Willkommen, Sukat) | 1987/1988 | Oper, live-elec, 22 perf, 1 group | 21:00 | Stereo | S, 9 tpt, 9 trbn, 2 synt, ch, conductor, (co–conductor, 1 Sender, 8 mic) [Sopran, Trompete, Posaune, Performer, synthesizer, Chor] | die Einzelteile mit Unterteilen sind auch einzeln aufführbar | Stockhausen CD 32/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Dienstag_aus_Licht | ||||||
| 16222 | Karlheinz | Stockhausen | Dienstags–Abschied, Jenseits Synthi–Fou |
1991 | Zuspiel, live-elec, 1 perf, 1 group | 23:00 | Octo | ch, Kbd [Keyboard, Chor] | Synthi-Fou ≈ Klavierstück XV | Stockhausen CD 42/ Stockhausen CD 82/ | WDR SEM | 1 | https://en.wikipedia.org/wiki/Dienstag_aus_Licht | ||||||
| 16224 | Karlheinz | Stockhausen | Donnerstag aus Licht, Oper in drei Akten, einem Gruß und einem Abschied | 1978 - 1980 | Oper, live-elec, 14 perf, 2 groups | ≈ 240:00 | Stereo, Octo | 3 V, 8 ins, 3 dancer, ch, orc [Stimme, Instrument, Tanz, Chor, Orchester] | die Einzelteile mit Unterteilen sind auch einzeln aufführbar | WER 68582/ Stockhausen CD 30/ Stockhausen CD 43/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Donnerstag_aus_Licht | ||||||
| 16286 | Karlheinz | Stockhausen | Elektronische Musik mit Tonszenen, vom Freitag aus Licht | 1991 - 1994 | Zuspiel / Tonband, 24 perf | ≈ 145:00 | 24 Tracks, 12 tracks | 12 S, 12 B, (elec) [Sopran, Bass] | konkrete und elektronische Musik mit Stimmen | Stockhausen CD 49/ | WDR SEM | WDR 1997 | 0 | https://en.wikipedia.org/wiki/Freitag_aus_Licht | |||||
| 16225 | Karlheinz | Stockhausen | Etude aux mille collants, Etude | 1952 | fixed media, akusmatisch | 3:15 | Stereo, Mono | Musique concrète (konkrete Musik). Dauer 1992 (auf CD Stockhausenverlag, mit Verhallung, stereo): 3:15 Originalversion 1952 Archiv INA-GRM (mono): 1:13 |
Stockhausen CD 3/ CDCD 5067/ ACMEM 193CD Label Él Mike Alway/ IDEAMA CD 125/ |
INA • GRM | 1 | https://en.wikipedia.org/wiki/Etude_(Stockhausen) | |||||||
| 16226 | Karlheinz | Stockhausen | Evas Erstgeburt, 1. Akt Montag aus Licht Geburtsfest Quelle des Lebens Kinderspiel Trauer mit Humor In Hoffnung Flautina Geburts–Arien Knabengeschrei Luzifers Zorn Das große Geweine |
1987 | Oper, live-elec, 11 perf, 2 groups | 93:00 | Octo, Quadro | 3 S, 3 T, B and actor, ch, children ch, 3 synt, perc, (16 Sender, 8 mic, 12 LS) [Sopran, Tenor, Bass, Schlagzeug, Schauspieler, synthesizer, Chor] | die Einzelteile können auch einzeln aufgeführt werden | Stockhausen CD 63/ | WDR SEM | WDR 1988 | 0 | https://en.wikipedia.org/wiki/Montag_aus_Licht | |||||
| 16227 | Karlheinz | Stockhausen | Evas Zauber, 3. Akt Montag aus Licht | 1984 - 1986 | Oper, live-elec, 6 perf, 2 groups | 57:00 | 12 Tracks, Octo | bassett-hn, a-fl and pic-fl, ch, children ch, 3 synt, 1 perc, (12 Sender, 8 mic) [Flöte, Klarinette, Schlagzeug, synthesizer, Chor] | die Einzelteile können auch einzeln aufgeführt werden. 8-track-tape | Stockhausen CD 78/ Stockhausen CD 63/ Stockhausen CD 57/ Stockhausen CD 35/ Stockhausen CD 32/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Montag_aus_Licht | ||||||
| 16228 | Karlheinz | Stockhausen | Evas Zweitgeburt, 2. Akt Montag aus Licht | 1984 - 1987 | Oper, live-elec, 16 perf, 1 group | 66:00 | Octo, 12 tracks | 7 V, 4 bassett-hn, (3 bassettinen,) p, ch, 3 synt, 1 perc, (12 Sender, 16 mic) [Stimme, Klarinette, Piano, Schlagzeug, synthesizer, Chor] | die Einzelteile können auch einzeln aufgeführt werden. 8-track-tape | Stockhausen CD 63/ Stockhausen CD 38/ Stockhausen CD 32/ WER 67852/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Montag_aus_Licht | ||||||
| 16229 | Karlheinz | Stockhausen | Expo | 1969 - 1970 | live-elec, 3 perf | ≈ 70:00 | 3 tracks | 3 Spieler and Sänger ( mit 3 Kurzwellenempfängern, 3 mic, ) (Klangregie) [Stimme, Performer] | parts duration about 25:00 | Stockhausen CD 104/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Expo_(Stockhausen) | ||||||
| 16230 | Karlheinz | Stockhausen | Fall und Reue, aus Freitag aus Licht Freitag-Versuchung |
1991 | Oper, live-elec, 41 perf, 1 group | 78:00 | 12 Tracks, 24 tracks | S, Bar, fl, bassett-hn, children ens, 12 V, 24 dancer, synt, (16 Sender, Klangregie) [Sopran, Bariton, Stimme, Flöte, Klarinette, synthesizer, Tanz, Ensemble] | 24-track-tape | WDR SEM | 0 | https://en.wikipedia.org/wiki/Freitag_aus_Licht | |||||||
| 16231 | Karlheinz | Stockhausen | Freitag aus Licht, Oper in einem Gruß, zwei Akten und Abschied | 1991 - 1994 | Oper, live-elec, 18 perf, 2 groups | ≈ 290 | Stereo, 12 tracks | S, B, Bar, fl, bassett-hn, (24 dancer,) children orc, children ch, 12 V, synt [Sopran, Bariton, Bass, Stimme, Flöte, Klarinette, synthesizer, Chor, Orchester] | die Einzelteile mit Unterteilen sind auch einzeln aufführbar | Stockhausen CD 50/ Stockhausen CD 65/ | WDR SEM | 1 | https://en.wikipedia.org/wiki/Freitag_aus_Licht | ||||||
| 16289 | Karlheinz | Stockhausen | Freitag-Versuchung, 1. Akt Freitag Aus Licht | 1991 - 1994 | Oper, live-elec, 29 perf, 2 groups | ≈ 66:00 | 12 Tracks, 24 tracks | S, B, fl, bassett-hn, children orc, children ch, 24 dancer, synt, (16 Sender,) (Klangregie) [Sopran, Bass, Flöte, Klarinette, synthesizer, Tanz, Chor, Orchester] | mit elektronischer und konkreter Musik; 24-track-tape | Stockhausen CD 82/ Stockhausen CD 79/ Stockhausen CD 57/ Stockhausen CD 48/ Stockhausen CD 32/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Freitag_aus_Licht | ||||||
| 16233 | Karlheinz | Stockhausen | Freitags-Gruß und Freitags-Abschied, Elektronische Musik aus Freitag aus Licht Weltraum |
1991 - 1992, 1994 | fixed media, akusmatisch | 146 | Octo | WDR SEM | 0 | https://en.wikipedia.org/wiki/Freitag_aus_Licht | |||||||||
| 16232 | Karlheinz | Stockhausen | Freitags–Abschied, Elektronische Musik aus Freitag aus Licht Weltraum |
1991 - 1994 | fixed media, akusmatisch | 78:00 | Octo | elektronische Musik | WDR SEM | 0 | https://en.wikipedia.org/wiki/Freitag_aus_Licht | ||||||||
| 16234 | Karlheinz | Stockhausen | Für kommende Zeiten, 17 Texte für Intuitive Musik ÜBEREINSTIMMUNG für Ensemble VERLÄNGERUNG VERKÜRZUNG ÜBER DIE GRENZE für kleineres Ensemble KOMMUNIKATION für kleines Ensemble INTERVALL, Klavierduo zu 4 Händen AUSSERHALB für kleines Ensemble INNERHALB für kleines Ensemble ANHALT für kleines Ensemble SCHWINGUNG für Ensemble SPEKTREN für kleines Ensemble WELLEN für Ensemble ZUGVOGEL für Ensemble VORAHNUNG für 4–7 Interpreten JAPAN für Ensemble WACH für Ensemble CEYLON für kleines Ensemble |
1968 - 1970 | live-elec, 1 group | var | amp ens and ins [Instrument, Ensemble] | einzeln aufführbar. Nur mit Spezialensemble aufführbar; alle Stücke ohne Dir.; alle mit elektro-akust. Apparaturen. Dauern variabel. |
Thorofon MTH 224/ Stockhausen CD 11/ Stockhausen CD 17.1/ Stockhausen Text-CD 22/ | Stockhausen-Verlag Kürten | 1 | 1990 | https://en.wikipedia.org/wiki/Für_kommende_Zeiten | ||||||
| 16235 | Karlheinz | Stockhausen | Gesang der Jünglinge, Gesang der Jünglinge im Feuerofen | 1955 - 1956 | fixed media, akusmatisch | 13:14 | Quadro, Stereo | Die fünfkanalige Fassung wurde aus technischen Gründen verworfen (Unsynchronierbarkeit 4-Spurmaschine mit Mono-Maschine) [Stimme Gottes sollte von oben kommen??]. Knabenstimme: Josef Protschka. Aus der Bibel: Buch Daniel,3,15-27; der Text aus den Apokryphen zum AT, 36-49 (Auswahl). |
Stockhausen CD 3/ DGG LP 16133/ DGG LP 138811/ IDEAMA CD 125/ ACMEM 159CD/ DMR 1007-09/ | WDR SEM | 30.5.1956 | Funkhaus WDR Köln "Musik der Zeit" | 1 | 1986 1994 | https://en.wikipedia.org/wiki/Gesang_der_Jünglinge | ||||
| 34204 | Karlheinz | Stockhausen | Gruppen | 1955 - 1957 | live-elec, 5 perf, 3 groups | 24:25 | Stereo | 3 orc, 3 conductor, amp p, amp gui [Piano, Gitarre, Performer, Orchester] | Stockhausen CD 5/ | Universal Edition | 1 | ||||||||
| 16236 | Karlheinz | Stockhausen | Helikopter–Streichquartett, 3. Szene vom Mittwoch aus Licht | 1992/1993 | intermedia, live-elec, 4 perf | ≈ 31:00 | str-qt, (4 Helikopter, 4 Kameras, 4 Fernseh-Sender, Taktspur-Sendeanlage, 4 Bildschirm-Säulen,) (Klangregie) [Streicher] | Hinweis auf einen Film von Frank Scheffer mit gleichnamigem Titel von 1995, Premiere 26.6.1995 beim Hollandfesival, mit Erläuterungen des Komponisten | Stockhausen CD 53/ | WDR SEM | 26.6.1995 | Hollandfesival | 0 | https://en.wikipedia.org/wiki/Mittwoch_aus_Licht#Scene_3:_Helikopter-Streichquartett | |||||
| 16237 | Karlheinz | Stockhausen | Herbstmusik, Musikalisches Theater für 4 Spieler Laub und Regen |
1974 | live-elec, 4 perf | ≈ 50:00 | Quadro | 4 Spieler, (16 mic,) (Klangregie) [Performer] | Schlußduett aus Herbstmusik: Laub und Regen" (cl, va) | 0 | https://en.wikipedia.org/wiki/Herbstmusik | ||||||||
| 16238 | Karlheinz | Stockhausen | Hymnen, Elektronische und konkrete Musik Region I Region II Region III Region IV |
1966 - 1967 | fixed media, akusmatisch | 114:00 | Quadro | DGG 2707039/ Stockhausen CD 10 a/b/ DGG 139421/22/ IDEAMA CD 127-130/ Stockhausen CD 10 c/d/ | WDR SEM | 17.5.1968 | Paris, Salle Pleyel | 1 | 1986 | https://en.wikipedia.org/wiki/Hymnen | |||||
| 16240 | Karlheinz | Stockhausen | Hymnen, (dritte Region) elektronische Musik mit Orchester | 1969 | Zuspiel, live-elec, 1 group | ≈ 42:00 | Quadro, 12 tracks | amp orc, (28 mic, 12 LS,) (Klangregie) [Orchester] | Koch 3-5037-2/ Stockhausen CD 47/ | WDR SEM | 1971 | New York, New York Philharmonic orc, Lrtg. Stockhausen | 1 | 1986 | https://en.wikipedia.org/wiki/Hymnen | ||||
| 16239 | Karlheinz | Stockhausen | Hymnen mit Solisten, elektronische und konkrete Musik mit 4 Solisten | 1966 - 1967 | Zuspiel / Tonband, 4 perf | ≈ 126:00 | Quadro | 4 mus [Musiker] | withdrawn | Stockhausen CD 10 c/d/ | WDR SEM | WDR 1967 | 30. November 1967 | Musik der Zeit des WDR in der Aula des Apostel-Gymnasiums in Köln; Aloys Kontarsky, (Technik: David C. Johnson, Werner Scholz), Harald Bojé, Johannes Fritsch, (Klangregie: Karlheinz Stockhausen), Rolf Gehlhaar | 1 | https://en.wikipedia.org/wiki/Hymnen | |||
| 16241 | Karlheinz | Stockhausen | Inori, Anbetungen für einen oder zwei Solisten und großes Orchester | 1973 - 1974 | Tanz, live-elec, 2 perf, 1 group | ≈ 70:00 | Quadro | 1 or 2 dancer, orc, (12 mic,) (Klangregie), conductor [Performer, Tanz, Orchester] | mit Inori kann "Vortrag über HU" aufgeführt werden (1 V – Musikalische Analyse von Inori). Inori kann auch mit einem oder zwei Tänzer-Momen (oder mehreren) und Tonband aufgeführt werden. |
DGG 2707111/ Stockhausen CD 22/ | WDR SEM | 1 | https://en.wikipedia.org/wiki/Inori | ||||||
| 16242 | Karlheinz | Stockhausen | Invasion - Explosion mit Abschied, 2. Akt Dienstag aus Licht Oktophonie Signale zur Invasion Pietà Dienstags–Abschied Synthi–Fou |
1990/1992 | Oper, live-elec, 16 perf | 72:53 | Octo | S, T, B, 3 tpt, 3 trbn, 2 synt, 2 assistent, 2 perc, assistent, (ad lib 6 tutti-tpt, 6 tutti-trbn,) (Klangregie, 5 Sender, 8 mic) [Sopran, Tenor, Bass, Trompete, Posaune, Schlagzeug, Performer, synthesizer] | die Einzelteile mit Unterteilen sind auch einzeln aufführbar. 8-track-tape | Stockhausen CD 40/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Dienstag_aus_Licht | ||||||
| 22191 | Karlheinz | Stockhausen | Jahreslauf, Dienstag aus Licht, 1. Akt | 1977/1991 | Zuspiel / Tonband, 26 perf | ≈ 61:00 | Octo, 12 tracks | T, B, 4 dancer, actor and V, 3 mime, 2 actor, 14 ins (modernes Orchester, Tonband) [Tenor, Bass, Stimme, Instrument, Schauspieler, Tanz] | Stockhausen CD 29/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Dienstag_aus_Licht#Act_1:_Der_Jahreslauf | |||||||
| 16244 | Karlheinz | Stockhausen | Jubiläum | 1977 | live-elec, 1 perf, 1 group | 16:00 | 6 | amp orc, conductor (, 10 mic) [Performer, Orchester] | Stockhausen CD 100/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Jubiläum | |||||||
| 16245 | Karlheinz | Stockhausen | Kathinkas Gesang als Lucifers Requiem, 2. Szene Samstag aus Licht | 1983 | Zuspiel / Tonband, 7 perf | 33:00 | Octo | fl, 6 perc (or fl, p) [Flöte, Schlagzeug] | 2 versions | Prix ars electronica 90/ | IRCAM | 1 | https://en.wikipedia.org/wiki/Samstag_aus_Licht | ||||||
| 16246 | Karlheinz | Stockhausen | Kathinkas Gesang als Luzifers Requiem, 2. Szene Samstag aus Licht, Version für Flöte und elektronische Musik | 1983 | Zuspiel, live-elec, 1 perf | 33:00 | 10 Tracks | fl [Flöte] | 0 | https://en.wikipedia.org/wiki/Samstag_aus_Licht | |||||||||
| 34212 | Karlheinz | Stockhausen | Klang, Die 24 Stunden des Tages | 2004 - 2007 | Zuspiel, live-elec, | Stockhausen CD 92/ Stockhausen CD 93/ Stockhausen CD 94/ Stockhausen CD 95/ Stockhausen CD 96/ Stockhausen CD 97/ Stockhausen CD 98/ Stockhausen CD 99/ Stockhausen CD 83/ Stockhausen CD 84 | 0 | ||||||||||||
| 22195 | Karlheinz | Stockhausen | Klavierstück XVIII | 2004 | live-elec, 1 perf | 12:12 | Stereo | e-p [Piano] | from Mittwochs-Abschied | Stockhausen CD 79/ | 0 | https://en.wikipedia.org/wiki/Klavierstücke_(Stockhausen) | |||||||
| 16247 | Karlheinz | Stockhausen | Kontakte, für elektronische Klänge | 1959 - 1960 | fixed media, akusmatisch | 34:45 35:30 | Quadro | DGG 138811/ WER 60009/ Stockhausen CD 3/ IDEAMA CD 125/ ACMEM 254CD/ DMR 1013-15/ | WDR SEM | WDR | Universal Edition | 1 | 1983 1994 | https://en.wikipedia.org/wiki/Kontakte_(Stockhausen) | |||||
| 16248 | Karlheinz | Stockhausen | Kontakte, 26 Strukturen für elektronische Klänge, Klavier und Schlagzeug | 1958 - 1960 | Zuspiel, live-elec, 2 perf | 35:30 | Quadro, Octo | amp p, amp perc (Klangregie, 12 mic, 8 LS) [Piano, Schlagzeug] | Otto Tomek gewidmet | WER 286009/ Stockhausen CD 6/ Candide CE 31022/ Accord 202742/ WER 6009/ Ellipsis Arts 3671 - OHM: 01/ mode 274/5/ | WDR SEM | WDR 1960 | 11. Juni 1960 | Weltmusikfest der IGNM im großen Sendesaal des WDR Köln | 1 | 1983 1994 | https://en.wikipedia.org/wiki/Kontakte_(Stockhausen) | ||
| 16249 | Karlheinz | Stockhausen | Kreuzspiel | 1951 | live-elec, 6 perf | 11:29 | Stereo | ob, b-cl, p, 3 perc (, 4 mic) (Conductor) [Klarinette, Oboe, Piano, Schlagzeug] | DGG 2530443/ col legno WWE 1CD 31894, 50 Jahre Neue Musik in Darmstadt, Vol. 1/ | 1952 | Darmstadt, Ferienkurse | UE | 1 | 1994 | https://en.wikipedia.org/wiki/Kreuzspiel | ||||
| 16250 | Karlheinz | Stockhausen | Kurzwellen, für 6 Spieler | 1968 | live-elec, 6 perf | ≈ 55:00 | Quadro | Kbd or Elektronium, p, 2 tam-tam, e-va, (alle Spieler mit Kurzwellenempfänger, 5 mic,) Klangregie (2 Filter, 4 Regler) [Piano, Keyboard, Schlagzeug, Viola] | für 6 Spieler: Klavier mit KW-Empfänger, Elektronium oder Synthesizer mit KW-Empfänger, Tamtam mit KW-Empfänger [2 Spieler], el. Bratsche mit KW-Empfänger, Klangregisseur mit 2 Filtern und 4 Reglern. (4 KW-Empfänger, 5 Mikr., 4 x 2 Lautspr., Mischpult / Klangr.) IDEAMA CD 131≈ version from April 9, 1969 (WDR Köln), duration 54:05 |
Stockhausen CD 13/ DGG 139451/ IDEAMA CD 131/ Stockhausen CD 61/ Stockhausen Text-CD 21/ | WDR SEM | 1968 | Radio Bremen | 1 | 1994 | https://en.wikipedia.org/wiki/Kurzwellen | |||
| 16251 | Karlheinz | Stockhausen | Libra, Sitius | 1977 | Zuspiel, live-elec, 1 perf | 33:00 | Octo | b-cl [Klarinette] | Stockhausen CD 32/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Tierkreis_(Stockhausen) | |||||||
| 16252 | Karlheinz | Stockhausen | Luzifers Abschied, 4. Szene Samstag aus Licht | 1982 | Oper, live-elec, 8 perf, 1 group | 58:00 | 5 tracks | male ch, org, 7 trbn (live oder vom Tonband) (26 Sender, 4 mic, Klangregie) [Posaune, Orgel, Chor] | die Einzelteile können auch einzeln aufgeführt werden | WDR SEM | 0 | https://en.wikipedia.org/wiki/Samstag_aus_Licht | |||||||
| 16253 | Karlheinz | Stockhausen | Luzifers Tanz, Szene 3 aus „Samstag aus Licht“ | 1983 | Oper, live-elec, 3 perf, 2 groups | ≈ 50:00 | Stereo | db or trbn or euphonium, pic-tpt, pic-fl, orc (Harmonie-orc, Sinfonie-orc), actors (4 Sender, 21 mic) [Flöte, Horn, Trompete, Posaune, Kontrabass, Schauspieler, Orchester] | die Einzelteile können auch einzeln aufgeführt werden | Stockhausen CD 79/ Stockhausen CD 59/ Stockhausen CD 57/ Stockhausen CD 44/ Stockhausen CD 43/ | WDR SEM | 9.3.1984 | Ann Arbor | 1 | https://en.wikipedia.org/wiki/Samstag_aus_Licht | ||||
| 16254 | Karlheinz | Stockhausen | Luzifers Traum, 1. Szene Samstag aus Licht (Klavierstück XIII, Traum–Formel) | 1981 | Oper, live-elec, 2 perf | ≈ 36:00 | Stereo | B, p, (2 Sender, 3 mic) [Bass, Piano] | die Einzelteile können auch einzeln aufgeführt werden. Luzifers Traum = Klavierstück XIII | 0 | https://en.wikipedia.org/wiki/Samstag_aus_Licht | ||||||||
| 16255 | Karlheinz | Stockhausen | Mantra, für zwei Pianisten | 1970 | Zuspiel, live-elec, 2 perf | 65:00-72:00 | Stereo | amp 2 p, (with wood blocks, cymbales antiques) [Piano] | Instruments: 2 p, woodblocks, cymbal antiques, 2 rm, 2 gen, 6 mic | DGG 2707111/ DGG 2530208/ NA 025/ Stockhausen CD 16/ Naxos 8.572398/ WER 6267-2/ | Experimentalstudio für Akustische Kunst Freiburg | Stockhausen-Verlag Kürten | 1 | 1989 1994 | https://en.wikipedia.org/wiki/Mantra_(Stockhausen) | ||||
| 22194 | Karlheinz | Stockhausen | Michaelion, 4. Szene vom Mittwoch aus Licht PRÄSIDIUM – LUZIKAMEL – OPERATOR |
1997 | Oper, live-elec, 8 perf, 1 group | 53:00 | Octo, 19 tracks | ch, B, fl, bassett-hn, tpt, trbn, synt, 2 dancer [Bass, Flöte, Klarinette, Trompete, Posaune, synthesizer, Tanz, Chor] | Stockhausen CD 54/ Stockhausen CD 57/ Stockhausen CD 55/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Mittwoch_aus_Licht | |||||||
| 16256 | Karlheinz | Stockhausen | Michaels Heimkehr, 3. Akt Donnerstag aus Licht Festival Drachenkampf Knabengeburt Argument Vision Donnerstags–Abschied |
1980 | Zuspiel, live-elec, 13 perf, 2 groups | ≈ 78:00 | Stereo + Octo | T, S, B, tpt, bassett-hn, trbn, 2 s-sax, e-org or synt, 3 dancer, actor, ch, orc, (8 Sender, 15 mic,) (Klangregie) [Sopran, Tenor, Bass, Klarinette, Saxophon, Trompete, Posaune, Keyboard, Schauspieler, synthesizer, Tanz, Chor, Orchester] | Die Einzelteile mit Unterteilen sind auch einzeln aufführbar | Stockhausen CD 78/ Stockhausen CD 77/ Stockhausen CD 43/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Donnerstag_aus_Licht | ||||||
| 16257 | Karlheinz | Stockhausen | Michaels Jugend, 1. Akt Donnerstag aus Licht Unsichtbare Chöre Kindheit Tanze Luceva! Bijou Mondeva Examen Klavierstück XII |
1978 - 1979 | Zuspiel, live-elec, 11 perf | ≈ 64:00 | 10 Tracks + Octo + Stereo | T, S, B, tpt, bassett-hn, trbn, p, e-org or synt, 3 dancer or mime, (Tapes with ch und ins) [Sopran, Tenor, Bass, Klarinette, Trompete, Posaune, Piano, Keyboard, Schauspieler, synthesizer, Tanz] | die Einzelteile mit Unterteilen sind auch einzeln aufführbar | Stockhausen CD 32/ | WDR SEM | 17.10.1979 | Jerusalem | 1 | 1986 | https://en.wikipedia.org/wiki/Donnerstag_aus_Licht | |||
| 16258 | Karlheinz | Stockhausen | Michaels Reise um die Erde, 2. Akt Donnerstag aus Licht, mit tpt und orc (Dir.) Eingang und Formel Halt Kreuzigung Mission und Himmelfahrt |
1978 | live-elec, 1 perf, 1 group | ≈ 50:00 | 6 | tpt, orc, (4 Sender, 37 mic,) (Klangregie) [Trompete, Orchester] | also „Solisten-Version Michaels Reise für 1 tpt + 9 mus | ECM 1406/ Stockhausen CD 32/ WER 68582/ | 0 | https://en.wikipedia.org/wiki/Donnerstag_aus_Licht | |||||||
| 16259 | Karlheinz | Stockhausen | Mikrophonie I, für 6 Spieler | 1964 | live-elec, 6 perf | ≈ 26:42 28:00 | Quadro | 6 Spieler (tam-tam, 2 mic, 2 Filter, 2 Regler) [Performer] | CBS 32110044/ S2K 53 346/ Stockhausen CD 9/ DGG 2530583/ CBS 72647/ MS 7355/ mode 274/5/ IDEAMA CD 126/ | WDR SEM | 9.12.1964 | Brüssel | UE | 1 | 1994 | https://en.wikipedia.org/wiki/Mikrophonie_(Stockhausen) | |||
| 16260 | Karlheinz | Stockhausen | Mikrophonie II | 1965 | Zuspiel, live-elec, 15 perf | ≈ 15:00 | Stereo | Hammond-org or synt, 6 S, 6 B, conductor, Zeitgeber (4 rm) [Sopran, Bass, Orgel, Performer, synthesizer] | 2-track-tape is partly from "Gesang der Jünglinge" | CBS 32110044/ S2K 53 346/ Stockhausen CD 9/ DMR Musik in Deutschland 1950 - 2000: Live-Elektronik/ IDEAMA CD 126/ | WDR SEM | WDR 1965 | 11.6.1965 | Sendesaal WDR Köln, „Musik der Zeit“ | Stockhausen-Verlag Kürten | 1 | 1994 | https://en.wikipedia.org/wiki/Mikrophonie_(Stockhausen) | |
| 22192 | Karlheinz | Stockhausen | Mittwoch aus Licht, in einem Gruß, vier Szenen und Abschied Mittwochs-Gruß Welt-Parlament Orchester-Finalisten Helikopter-Streichquartett Michaelion Mittwochs-Abschied |
1995 - 1997 | Oper, live-elec, 12 perf, 2 groups | 267:00 | 12 Tracks | fl, bassett-hn, tpt, trbn, str-qt, B (with radio), ch, orc, synt, 2 dancer [Bass, Flöte, Klarinette, Trompete, Posaune, synthesizer, Streicher, Tanz, Chor, Orchester] | Stockhausen CD 82/ Stockhausen CD 79/ Stockhausen CD 64/ Stockhausen CD 57/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Mittwoch_aus_Licht | |||||||
| 21183 | Karlheinz | Stockhausen | Mittwochs-Abschied, elektronische und konkrete Musik aus Mittwoch aus Licht | 1996 | fixed media, akusmatisch | 43:15 | Octo | WDR SEM | 0 | https://en.wikipedia.org/wiki/Mittwoch_aus_Licht | |||||||||
| 22193 | Karlheinz | Stockhausen | Mittwochs-Gruß, Aus Mittwoch aus Licht | 1998 | fixed media, akusmatisch | 54:00 | Octo | elektronische Musik | Stockhausen CD 66/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Mittwoch_aus_Licht | |||||||
| 16261 | Karlheinz | Stockhausen | Mixtur, für orc, 4 Sinusgen. und 4 rm für kleine Besetzung (27 ins, 4 generator-spieler, 4 Klangmischer) Mixtur 2003 für 5 ins-gruppen, 4 generator-spieler, 4 Klangmischer |
1964/2003 | live-elec, 8 perf, 1 group | 27:00 | Mono | orc, 8 perf (4 Generatorspieler, 4 Klangmischer, 4 rm, 4 gen) [Performer, Orchester] | rückwärts und vorwärts zu spielen | DGG 137012/ DGG 643546/ Stockhausen CD 8/ | WDR SEM | 9.11.1965 | NDR Hamburg „Das neue Werk“ | Universal Edition, Wien | 1 | 1994 | https://en.wikipedia.org/wiki/Mixtur | ||
| 16262 | Karlheinz | Stockhausen | Mixtur für kleine Besetzung | 1967 | live-elec, 35 perf | ≈ 27:00 | 11 Tracks | fl, ob, cl, bn, 2 hn, tpt, trbn, 3 perc, 8 vn, 4 va, 2 vc, 2 db, 8 perf (with 4 Generatorspieler, 4 Klangmischer) (, 4 rm, 4 gen, 27 mic) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Schlagzeug, Viola, Cello, Violine, Kontrabass, Performer] | rückwärts und vorwärts zu spielen. |
0 | https://en.wikipedia.org/wiki/Mixtur | ||||||||
| 16263 | Karlheinz | Stockhausen | Momente, für Solosopran, 4 Chorgruppen und 13 Instrumentalisten (Dir.) | 1962 - 1964, 1969 | live-elec, 15 perf, 4 groups | 113:00 | 6 | amp solo-S, 4 ch, 4 tpt, 4 trbn, 2 e-org or synt, 3 perc, conductor (5 Sender, 5 LS, Mischpult, Klangregie) [Sopran, Trompete, Posaune, Keyboard, Schlagzeug, Performer, synthesizer, Chor] | Mary Bauermeister gewidmet. 30 einzelne Momente und 71 Einschübe. Version „Momente - Europa-Version 1972“ |
WER 60024/ Nonesuch H 71157/ Stockhausen CD 7/ Stockhausen CD 80/ WER 67742/ | WDR | 21.5.1962 | WDR Köln „Musik der Zeit“ | Stockhausen-Verlag Kürten | 1 | 1994 | https://en.wikipedia.org/wiki/Momente | ||
| 16264 | Karlheinz | Stockhausen | Montag aus Licht, Oper in drei Akten, einem Gruß und einem Abschied für 21 musikalische Darsteller | 1984 - 1988 | Oper, live-elec, 21 perf, 2 groups | ≈ 278:00 | Quadro, 12 tracks | 14 V, 6 ins, 1 actor, ch, children ch (21 actors, children-ch, fem ch, 3 synt, perc), conductor [Stimme, Instrument, Performer, Schauspieler, Chor] | die Einzelteile können auch einzeln aufgeführt werden. | Stockhausen CD 36/ Stockhausen CD 37/ | WDR SEM | 7.4.1988 7.5.1988 |
"Musik der Zeit" Köln (konzertant) Mailand (szenisch) |
0 | https://en.wikipedia.org/wiki/Montag_aus_Licht | ||||
| 16266 | Karlheinz | Stockhausen | Montags-Abschied, Montag aus Licht (Quitt, Ypsilon) | 1986/1988 | Oper, live-elec, 3 perf, 1 group | 28:00 | Octo | pic-fl, mul S, Kbd [Sopran, Flöte, Keyboard] | die Einzelteile können auch einzeln aufgeführt werden. 8-track-tape | Stockhausen CD 82/ Stockhausen CD 32/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Montag_aus_Licht | ||||||
| 16265 | Karlheinz | Stockhausen | Montags–Guß (Xi), aus Montag aus Licht | 1986/1988 | fixed media, akusmatisch | Zuspiel, live-elec, 2 perf |
34:25 | Octo | bassett-hn, Kbd [Klarinette, Keyboard] | 8-track-tape; elec Kbd on tape | Stockhausen CD 32/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Montag_aus_Licht | ||||||
| 16268 | Karlheinz | Stockhausen | Musik im Bauch, für 6 Schlagzeuger und Spieluhren | 1975 | live-elec, 6 perf | 38:00 | Stereo | 6 perc, (6 Spieluhren, ≈ 14 mic,) (Klangregie) [Schlagzeug] | Stockhausen CD 24/ | 0 | https://en.wikipedia.org/wiki/Musik_im_Bauch | ||||||||
| 16269 | Karlheinz | Stockhausen | Oktophonie, elektronische Musik vom DIENSTAG aus LICHT | 1990/1991 | fixed media, akusmatisch | 68:40 | Octo | Stockhausen CD 41/ | WDR SEM | WDR 1994 | 12.6.1994 | "Musik der Zeit" Köln | 1 | https://en.wikipedia.org/wiki/Oktophonie | |||||
| 21184 | Karlheinz | Stockhausen | Orchester-Finalisten, elektronische und konkrete Musik vom Mittwoch aus Licht (2. Szene) | 1995 - 1996 | Zuspiel, live-elec, 1 group | 90:00 | 16 Tracks, Octo | orc [Orchester] | Stockhausen CD 52/ | WDR SEM | 14.6.1996 | Amsterdam | 0 | https://en.wikipedia.org/wiki/Mittwoch_aus_Licht | |||||
| 16270 | Karlheinz | Stockhausen | Pietà, aus Dienstag aus Licht | 1990 | Zuspiel, live-elec, 2 perf | ≈ 27:45 | Octo | Flügelhorn, S [Sopran, Horn] | in 2 Versionen | Stockhausen CD 43/ Stockhausen CD 60/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Dienstag_aus_Licht | ||||||
| 16271 | Karlheinz | Stockhausen | Pole | 1969 - 1970 | live-elec, 2 perf | ≈ 65:00 | Quadro | 2 Spieler and Sänger ( mit 2 Kurzwellenempfänger, 2 mic,) (Klangregie) [Stimme, Performer] | parts duration about 22:00 | EMI 1C 165-02313/ Stockhausen CD 15/ Stockhausen CD 103/ | Stockhausen-Verlag Kürten | 0 | https://en.wikipedia.org/wiki/Pole_(Stockhausen) | ||||||
| 16272 | Karlheinz | Stockhausen | Prozession | 1967 | live-elec, 6 perf | ≈ 37:00 | Quadro | tam-tam, va, Kbd (Elektronium), p, Mikrophonist, Filterer and Regler [Piano, Keyboard, Schlagzeug, Viola] | 6 perf | Candide CE 31001/ Stockhausen CD 11/ | WDR SEM | 21.5.1967 | Helsinki | 0 | https://en.wikipedia.org/wiki/Prozession | ||||
| 34203 | Karlheinz | Stockhausen | Punkte, für Orchester | 1952/1962 | live-elec, 8 perf | ≈ 27 | Stereo | amp 2 hp, amp 2 p, amp 4 db [Piano, Harfe, Kontrabass] | Stockhausen CD 2/ Stockhausen CD 81/ | Universal Edition | 1 | ||||||||
| 34207 | Karlheinz | Stockhausen | Refrain, 3 x Refrain 2000 | 1959, 2000 | live-elec, 3 perf | ≈ 12 | Quadro | amp p, vib, celesta or synt [Piano, Schlagzeug, synthesizer] | Accord 202742/ Candide CE 31022/ Stockhausen CD 62/ Stockhausen CD 6/ | Universal Edition | 1 | 1994 | |||||||
| 16273 | Karlheinz | Stockhausen | Samstag aus Licht, Oper in einem Gruß und vier Szenen, für 13 musikalische Darsteller | 1981 - 1983 | Tanz | Oper, live-elec, 13 perf, 1 group |
≈ 185:00 | Stereo, Octo | sol V, 10 ins, 2 dancer, orc, (Ballett, Mime, male ch, org, Sender, mic, Klangregie) [Stimme, Instrument, Tanz, Orchester] | die Einzelteile können auch einzeln aufgeführt werden. Luzifers Traum = Klavierstück XIII |
Stockhausen CD 34/ Stockhausen CD 35/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Samstag_aus_Licht | ||||||
| 16274 | Karlheinz | Stockhausen | Schlagtrio | 1952, 1973 | live-elec, 3 perf | 15:15 | Stereo + Stereo | p, 2 perc (6 tim), (Klangregie, 2 mic) [Piano, Schlagzeug] | 2 perc ≈ 6 tim; 2 mic, 2x2 LS | Stockhausen CD 2/ mode 274/5/ | WDR SEM | 1 | 1994 | https://en.wikipedia.org/wiki/Schlagtrio | |||||
| 16275 | Karlheinz | Stockhausen | Signale zur Invasion, Dienstag aus Licht | 1990 | Zuspiel, live-elec, 1 perf | 19:00-52:00 19:00 | Octo | trbn [Posaune] | Stockhausen CD 44/ WER 67442/ | WDR SEM | 1 | 1994 | https://en.wikipedia.org/wiki/Dienstag_aus_Licht | ||||||
| 16276 | Karlheinz | Stockhausen | Sirius, Aries Libra Capricorn |
1975 - 1977 | Zuspiel, live-elec, 4 perf | 95:20 | Octo, 16 tracks | tpt, b-cl, S, B (8-Spur-Magnet., 4 Sender, 5 Mikr., 8 Lautspr., Mischpult, Klangr.) [Sopran, Bass, Klarinette, Trompete] | Parts: Vorstellung - Rad - Verkündigung. Possible performances with tape-part only in 4 versions: Frühlings-, Sommer-, Herbst-, Winter-Version with 96:00 each. |
Stockhausen CD 26/ Stockhausen CD 76/ Stockhausen CD 59/ | WDR SEM | 15.7.1976 8.8.1977 |
Washington (200J-Feier Amerika) Aix-en-Provence (vollständige Fassung) |
1 | https://en.wikipedia.org/wiki/Sirius_(Stockhausen) | ||||
| 16277 | Karlheinz | Stockhausen | Solo, für Melodie-Instrument mit Rückkopplung | 1965/1966 | live-elec, 5 perf | 10, 12, 15, 17, 20 | Quadro | Melodie-ins, (delay, feedback mit ) 4 assistent [Performer] | 5 versions. Realisations in : WDR Köln, Sonology, PS Hugh Davies, PS Casserley, TU Berlin, West Square Studio London (Nr. 1 - 3) | DGG 137005/ DGG 104992/ FYLP 1011/ Stockhausen CD 45/ IDEAMA CD 132/ | NHK Tokyo | UE | 1 | 1990 | https://en.wikipedia.org/wiki/Solo_(Stockhausen) | ||||
| 34210 | Karlheinz | Stockhausen | Sonntag aus Licht, Oper in fünf Szenen und einem Abschied | 1998 - 2003 | Oper, live-elec, 15 perf, 4 groups | ≈ 278 | 10 V, boys-V, 4 ins, 2 ch, 2 orc [Stimme, Instrument, Chor, Orchester] | Stockhausen CD 58/ Stockhausen CD 68/ Stockhausen CD 69/ Stockhausen CD 70/ Stockhausen CD 71/ Stockhausen CD 72/ Stockhausen CD 73/ Stockhausen CD 67/ | 0 | ||||||||||
| 34211 | Karlheinz | Stockhausen | Sonntags-Abschied Strahlen, vom Sonntag aus Licht |
2002/2003 | Zuspiel, live-elec, 6 perf | fixed media, akusmatisch |
70 | 10 Tracks, 16 tracks, 5 tracks | 5 synt, perc [Schlagzeug, synthesizer] | Stockhausen CD 74/ Stockhausen CD 75/ | 0 | |||||||||
| 16278 | Karlheinz | Stockhausen | Spiral, für einen Solisten mit Kurzwellenempfänger | 1968 | live-elec, 1 perf | 15 - 25 135:00 | Stereo | amp 1 mus, (Kurzwellenempfänger) [Musiker] | parts duration 15:00 - 25:00 | WER 325/ Stockhausen CD 15/ Stockhausen CD 45/ OO Discs 1/ DGG 2561109/ Stockhausen CD 46/ | UE | 1 | 1985 1990 | https://en.wikipedia.org/wiki/Spiral_(Stockhausen) | |||||
| 16279 | Karlheinz | Stockhausen | Sternklang, Parkmusik für 5 Gruppen | 1971 | live-elec, 21 perf | ≈ 150:00 | 22 Tracks | 11 V, (21 mic,) 10 synt (, 5 Mixer, Klangregie) [Stimme, synthesizer] | Stockhausen CD 18/ | SFB | 5.6.1971 | Park im Englischen Garten (Tiergarten) Berlin | 0 | https://en.wikipedia.org/wiki/Sternklang | |||||
| 16280 | Karlheinz | Stockhausen | Stimmung, Stimmung „Pariser Version“ | 1968 | live-elec, 6 perf | ≈ 70:00 | 6 | amp 6 V, (6 mic, 6 LS,) (Klangregie) [Stimme] | 2 Versionen (eine "Pariser Version"), Vokalisten | Hyperion A66115/ Stockhausen CD 12/ | 1 | https://en.wikipedia.org/wiki/Stimmung | |||||||
| 16281 | Karlheinz | Stockhausen | Stop, Stop für orc (Dir.) Stop „Pariser Version“ (19 Spieler, Dir.) Stop und Start für 6 ins-group |
1965 | live-elec, 1 group | ≈ 20:00 | Stereo | amp ens ( orc, 19 mic) [Ensemble] | versions for orc or ens ("Pariser Version") | Stockhausen CD 64/ | 0 | https://en.wikipedia.org/wiki/Stop_(Stockhausen) | |||||||
| 16282 | Karlheinz | Stockhausen | Studie I, Studie 1 Elektronische Studie I |
1953 | fixed media, akusmatisch | 9:42 | Stereo, Mono | Stockhausen CD 3/ DGG LP 16133/ ACMEM 159CD/ IDEAMA CD 125/ Boomkat bundle_49/ | WDR SEM | WDR 1954 | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | https://en.wikipedia.org/wiki/Studie_I | |||||
| 16283 | Karlheinz | Stockhausen | Studie II, Studie 2 Elektronische Studie II |
1954 | fixed media, akusmatisch | 3:20 | Stereo, Mono | Stockhausen CD 3/ DGG LP 16133/ ACMEM 159CD/ IDEAMA CD 125/ MdZ CD1/ | WDR SEM | WDR 1954 | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | https://en.wikipedia.org/wiki/Studie_II | |||||
| 16284 | Karlheinz | Stockhausen | Telemusik | 1966 | fixed media, akusmatisch | 17:30 | Stereo, Octo | DGG 137012/ DGG 643546/ Stockhausen CD 9/ IDEAMA CD 126/ OUOADM 0101/ | NHK Tokyo | 1966 | NHK Tokyo | UE | 1 | 1994 | https://en.wikipedia.org/wiki/Telemusik | ||||
| 16285 | Karlheinz | Stockhausen | Tierkreis, 12 Melodien der Sternzeichen für ein Melodie- und/oder Akkordinstrument AQUARIUS PISCES ARIES TAURUS GEMINI CANCER LEO VIRGO LIBRA SCORPIO SAGITTARIUS CAPRICORN |
1974/1975 | live-elec, 4 perf | ≈ 26:00 | Stereo | cl, fl, tpt, p, (3 mic-Sender,) (Klangregie) [Flöte, Klarinette, Trompete, Piano] | Stockhausen CD 24/ Stockhausen CD 77/ WER 67492/ | Stockhausen-Verlag Kürten | 1 | 1990 | https://en.wikipedia.org/wiki/Tierkreis_(Stockhausen) | ||||||
| 34209 | Karlheinz | Stockhausen | Tierkreis, Trio-Version | 1974/1983 | live-elec, 3 perf | 26:00 | Stereo | cl, fl and picc, tpt and p [Flöte, Klarinette, Trompete, Piano] | Stockhausen CD 35/ | Stockhausen-Verlag Kürten | 1 | 1990 | https://en.wikipedia.org/wiki/Tierkreis_(Stockhausen) | ||||||
| 16287 | Karlheinz | Stockhausen | Trans | 1971 | Zuspiel / Tonband, 1 group | ≈ 27:00 | 13 Tracks, Stereo, Octo | orc (, stereo- or 8-track-tape) [Orchester] | other version: 8-track-tape + strings, picc-tpt, perc | Stockhausen CD 19/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Trans_(Stockhausen) | ||||||
| 16288 | Karlheinz | Stockhausen | Unsichtbare Chöre, Donnerstag aus Licht | 1979 | fixed media, akusmatisch | 50:00 | Octo, Stereo | für 16-kanalige a-capella-Aufnahme und 8- oder 2-kanalige Wiedergabe | Stockhausen CD 31/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Unsichtbare_Chöre | |||||||
| 16290 | Karlheinz | Stockhausen | Ylem | 1972 | live-elec, 19 perf | ≈ 26:00 | Stereo | 19 ins or V (Fl, Ob, ehn, cl, b-cl, bn, hn, tpt, trbn, vn, 4 synt, e-vc, vc, p, hp, vib) (6 mic, Klangregie) [Stimme, Instrument] | Stockhausen CD 21/ | Stockhausen-Verlag Kürten | 0 | https://en.wikipedia.org/wiki/Ylem_(stockhausen) | |||||||
| 34205 | Karlheinz | Stockhausen | Zyklus | 1959 | live-elec, 1 perf | ≈ 12 or ≈ 15 | Stereo | amp perc [Schlagzeug] | Accord 202742/ Alga Marghen plana-P 23NMN.054/ Stockhausen CD 6/ WER 67722/ | Universal Edition | 1 | 1994 1994 | |||||||
| 16267 | Karlheinz, David, Junsang, Gregory, Boudewijn, Clare, Rolf, Tymen van der, Mesias, John | Stockhausen, Ahern, Bahk, Biss, Buckinx, Franco, Gehlhaar, Kooy, Maiguashca, McGuire | Musik für ein Haus | 1968 | live-elec, 1 perf | ∞ | multichannel | elec [elektronik] | 5 rooms connected via micros and speakers | 0 | https://en.wikipedia.org/wiki/Musik_für_ein_Haus | ||||||||
| 22189 | Karlheinz, Mary | Stockhausen, Bauermeister | Originale, musikalisches Theater mit Kontakt | 1961 | Musiktheater | ≈ 90:00 | Quadro | musikalisches Theater mit Kontakte | WDR SEM | 0 | https://en.wikipedia.org/wiki/Originale | ||||||||
| 33229 | Karlheinz, Róbert, Mesias, Nicolaus A., Jorge, Rolf, Tomás, Johannes, John, Avo | Stockhausen, Wittinger, Maiguashca, Huber, Peixinho, Gehlhaar, Marco, Fritsch, McGuire, Somer | Ensemble | 1967 | Zuspiel, live-elec, 1 group | 240 | ens, (radio) [Ensemble] | Stockhausen hat für diese Kollektivkomposition 8 Einschübe komponiert (ohne Werknummer!) | WER 60065/ | WDR SEM | 0 | https://en.wikipedia.org/wiki/Ensemble_(Stockhausen) | |||||||
| 36948 | Penko | Stoitschev | Life is analog - play loud! | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 42022 | Robert | Stokowy | Coffee Rings | 2016 - 2018 | Performance | computer generated score |
2 or 3 or 4 perf [Performer] | visual score series | 0 | https://www.robert-stokowy.de/coffee-rings/ | ||||||||||
| 42028 | Robert | Stokowy | CONCRETE [kõˈkrɛt] | 2016 | Klangkunst, Installation | 46 Tracks | radical site-specific sound installation | 2016 | Bunker k101, Cologne | 0 | https://www.robert-stokowy.de/concrete/ | ||||||||
| 42024 | Robert | Stokowy | Integrated Structure | 2017 | Klangkunst, Installation | ∞ | Octo | radical site-specific Sound Installation | 2017 | Kleiner Wasserspeicher (Small Water Reservoir), Berlin, Germany | 0 | https://www.robert-stokowy.de/integratedstructure/ | |||||||
| 42025 | Robert | Stokowy | [ marks ] | 2016 | Klangkunst, Installation | ∞ | Octo | radical site-specific sound installation | 2016 | Wallraff-Richards-Museum, Cologne, Germany | 0 | ||||||||
| 42027 | Robert | Stokowy | Obicere | 2016 | Klangkunst, Installation | Quadro | radical site-specific Sound Installation | Museumsnacht 2016 | Holstengate, Lübeck, Germany | 0 | |||||||||
| 42029 | Robert | Stokowy | Pier To Pier | 2016 | Klangkunst, Installation | Octo | 2016 | Pier at Arena Berlin | 0 | ||||||||||
| 42026 | Robert | Stokowy | Pretrospective | 2016 | Klangkunst, Installation | ∞ | Octo | radical site-specific sound installation | 2016 | Ujeongguk Gallery, Seoul, South Korea | 0 | ||||||||
| 42023 | Robert | Stokowy | structures [ berlin ] |
2018 | Klangkunst, Installation | computer generated score |
∞ | Octo | also versions Malta, Tübingen, Siegen, Bernau (“vertical sounds“) | City Government of Berlin | June 2nd - August 5th 2018 | Galerie im Saalbau, Berlin, Germany | 0 | https://www.robert-stokowy.de/structures-berlin/ | ||||||
| 39900 | Jeffrey | Stolet | Between the Words | 2017 | fixed media, akusmatisch | Jeffrey Stolet | 0 | ||||||||||||
| 42720 | Jeffrey | Stolet | Lariat Rituals | 2012 | live-elec, 1 perf | 12:00:00 | perf [Performer] | Jeffrey Stolet, performer | 0 | ||||||||||
| 32137 | Jeffrey | Stolet | Tokyo Lick | 2002 | Performance, live-elec, 1 perf | 5:54:00 | com [computer] | composition for interactive environment, Jeffrey Stolet, performer | SEAMUS EAM Vol. 15/ | 0 | |||||||||
| 30989 | Markus | Stollenwerk | colored quads | 2004 | live-elec, 4 perf | 4 sax, (elec) [Saxophon] | (Koh-I-Noor Quartett) | 0 | |||||||||||
| 30988 | Markus | Stollenwerk | Mundicia | 2001 | Tanz | Quadro | gui, e-gui, (elec) [Gitarre] | 0 | |||||||||||
| 30987 | Markus | Stollenwerk | Stagemusic, to S.I. Witkiewitcz "Die Da!" | 1997 | Theater, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 30990 | Markus | Stollenwerk | verHörT | 2005/2007 | live-elec, 2 perf | cl, com (Max/SMP) [Klarinette, computer] | (Klarinette: Benjamin Reissenberger) | 0 | |||||||||||
| 21713 | Pete | Stollery | ABZ/A | 1998 | radiophon | 5:00 | Stereo | MPS CD 013/ IMED 0678/ | PS C. | BBC | 10.2.1999 | Concordia University (Montréal) | 0 | ||||||
| 16291 | Pete | Stollery | Altered Images | 1995 | fixed media, akusmatisch | 12:00 | Stereo | ISEA - 1996, ICMC 1997 | FASM CD 199.003.658/ IMED 0678/ Kiasma 1998/ SCD 28046 Sargasso/ | Norcol Aberdeen, BEAST | 23.1.1996 | Concordia University (Montréal) | 2nd prize at the 2nd Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’97, Brazil). Competition Musica Nova Prag 1995 |
0 | |||||
| 35712 | Pete | Stollery | Back to Square One | 2007 | fixed media, akusmatisch | 10:17 | Stereo | IMED 11111/ | 0 | ||||||||||
| 16292 | Pete | Stollery | Cloches | 1987 | fixed media, akusmatisch | 10:00 | Stereo | BEAST | 1 | ||||||||||
| 16293 | Pete | Stollery | Coup de Fille | 1984 | fixed media, akusmatisch | 11:00 | Stereo | BEAST | 0 | ||||||||||
| 16294 | Pete | Stollery | Faible | 1987 | live-elec, 1 perf | 6:00 | e-hp [Harfe] | World Harp Congress, Vienna, 1987 | BEAST | 0 | |||||||||
| 35716 | Pete | Stollery | Fields of Silence | 2005 | fixed media, akusmatisch | 8:55 | Stereo | IMED 11111/ | 0 | ||||||||||
| 16295 | Pete | Stollery | Hatsyiatsya | 1983 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | perc [Schlagzeug] | (drum kit) | BEAST | 0 | ||||||||
| 16296 | Pete | Stollery | Jura V | 1982 | fixed media, akusmatisch | 9:00 | Stereo | BEAST | 0 | ||||||||||
| 16297 | Pete | Stollery | Myth | 1987 | live-elec, 4 perf | 6:00 | amp S, A, T, B [Sopran, Alt, Tenor, Bass] | Spitalfields Festival, London, 1995 | BEAST | 0 | |||||||||
| 16298 | Pete | Stollery | Onset / Offset, Onset/Offset | 1996 | fixed media, akusmatisch | 7:28 | Stereo | SCD 28046 Sargasso/ ELCD 010 Electroshock Records/ IMED 0678/ Kiasma 1999/ | Norcol Aberdeen, BEAST | 25.6.1996 | Filmhouse (Edinburgh) | Stockholm Electronic Arts Award 1. Concorso Internazionale di Composizione Musicale Elettronica „Pierre Schaeffer“ (Pescara 1998) Competition Musica Nova Prag 1996 |
1 | 2010 | |||||
| 21712 | Pete | Stollery | Peel | 1997 | fixed media, akusmatisch | 12:00 | Stereo | ELCD 020 Electroshock Records/ IMED 0678/ | Norcol Aberdeen, BEAST | BEAST / West Midlands Arts. | 5.4.1997 | Midlands Arts Centre (Birmingham, UK) | 0 | ||||||
| 35715 | Pete | Stollery | Resound | 2005 | fixed media, akusmatisch | 16:51 | Stereo | IMED 11111/ | 0 | ||||||||||
| 35717 | Pete | Stollery | Scènes, rendez-vous | 2006 | fixed media, akusmatisch | 18:11 | Stereo | IMED 11111/ | 0 | ||||||||||
| 35713 | Pete | Stollery | Serendipities and Synchronicities | 2004 | fixed media, akusmatisch | 5:48 | Stereo | IMED 11111/ | 0 | ||||||||||
| 16299 | Pete | Stollery | Shioum | 1994 | fixed media, akusmatisch | 10:00 | Stereo | ICMC - 1995 | Acousmatica CD 1296/ IMED 0678/ | Norcol Aberdeen, BEAST | 4.12.1994 | Midlands Arts Centre (Birmingham, UK). | 0 | ||||||
| 16300 | Pete | Stollery | Shortstuff | 1993 | fixed media, akusmatisch | 10:00 | Stereo | ISCM - 1995, Musica Nova 94 | MPS CD 013/ IMED 0678/ | Norcol Aberdeen, BEAST | 21.10.1994 | The Lemon Tree (Aberdeen, Scotland) | Special Prize in the Musica Nova 1994 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | |||||
| 16301 | Pete | Stollery | Squirt | 1994 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | a-sax [Saxophon] | ICMC - 1996 | EMF 031 „Florida EM Festival, Vol 1“/ FEMF CD/ | Norcol Aberdeen | 1 | |||||||
| 35714 | Pete | Stollery | Still Voices | 2005 | fixed media, akusmatisch | 6:22 | Stereo | IMED 11111/ | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2009 | 0 | |||||||||
| 21714 | Pete | Stollery | Sunnifa | 1998 | intermedia | 60:00 | Stereo | St Magnus, Orkney-98 | Norcol Aberdeen | 0 | |||||||||
| 21717 | Pete | Stollery | Thickness | 2000 | Zuspiel / Tonband, 2 perf | 7:00 | Stereo | fl, va [Flöte, Viola] | Norcol Aberdeen | 0 | |||||||||
| 21715 | Pete | Stollery | Toilet | 1998 | Klangkunst, Installation | Stereo | Crawford Gallery, St Andrews | Norcol Aberdeen | 0 | ||||||||||
| 21716 | Pete | Stollery | undercovered | 2000 | Klangkunst, Installation | Stereo | Fruitmarket Gallery, Edinburgh | Norcol Aberdeen | 0 | ||||||||||
| 32921 | Pete | Stollery | Vox Magna | 2003 | fixed media, akusmatisch | 12:36 | Stereo | IMED 0678/ | Norcol Aberdeen, PS C. | 21.3.2003 | Rien à voir (13) concert series presented by Réseaux at the Musée d’art contemporain de Montréal | Special Prize in the Musica Nova 2003 International Competition of Electroacoustic Music (Prague, Czech Republic) pre-selected for the 32nd Bourges International Electroacoustic Music and Sonic Art Competition (France, 2005) |
0 | ||||||
| 28466 | Carl | Stone | Agung | 2003 | fixed media, akusmatisch | 7:15 | ELCD 044 Electroshock Records/ | 0 | |||||||||||
| 39638 | Carl | Stone | Cantipur | 2016 | fixed media, akusmatisch | Carl Stone | Diapason | 0 | |||||||||||
| 16302 | Carl | Stone | Hop Ken | 1987 | live-elec, 1 perf | 10:18 | synt [synthesizer] | MIDI | Music&Arts CD 276/ | PS C. | 1 | ||||||||
| 34516 | Carl | Stone | Ryoound Thygyzunz | fixed media, akusmatisch | 15 | Quadro | CalArts | 0 | |||||||||||
| 16303 | Carl | Stone | Wall me do | 1987 | live-elec, 1 perf | 10:18 | synt [synthesizer] | MIDI | Music&Arts CD 276/ | PS C. | 1 | ||||||||
| 36664 | Carl, Tetsu | Stone, Inoue | .bitA | 2002 | fixed media, akusmatisch | 1:34 | c74 - 005/ | 0 | |||||||||||
| 36663 | Carl, Tetsu | Stone, Inoue | ?.Digit | 2002 | fixed media, akusmatisch | 5:15 | c74 - 005/ | 0 | |||||||||||
| 36656 | Carl, Tetsu | Stone, Inoue | %. Disk | 2002 | fixed media, akusmatisch | 5:23 | c74-004-c74-007/ c74 - 005/ | 0 | |||||||||||
| 36659 | Carl, Tetsu | Stone, Inoue | ^.Error | 2002 | fixed media, akusmatisch | 4:15 | c74 - 005/ | 0 | |||||||||||
| 36658 | Carl, Tetsu | Stone, Inoue | @.Fine | 2002 | fixed media, akusmatisch | 5:22 | c74 - 005/ | 0 | |||||||||||
| 36661 | Carl, Tetsu | Stone, Inoue | *.Healthy | 2002 | fixed media, akusmatisch | 2:58 | c74 - 005/ | 0 | |||||||||||
| 36662 | Carl, Tetsu | Stone, Inoue | (.Ram | 2002 | fixed media, akusmatisch | 4:31 | c74 - 005/ | 0 | |||||||||||
| 36660 | Carl, Tetsu | Stone, Inoue | &.Restart | 2002 | fixed media, akusmatisch | 4:03 | c74 - 005/ | 0 | |||||||||||
| 36657 | Carl, Tetsu | Stone, Inoue | #. Transparency | 2002 | fixed media, akusmatisch | 6:24 | c74-004-c74-007/ c74 - 005/ | 0 | |||||||||||
| 36653 | Carl, Tetsu | Stone, Inoue | !.Tuning | 2002 | fixed media, akusmatisch | 5:32 | c74-001-c74-008/ c74 - 005/ | 0 | |||||||||||
| 20808 | Carl, Phil | Stone, Stone | Borrowing and Stealing | 1987 | live-elec, 1 perf | 7:23 | Stereo | MIDI [synthesizer] | MIDI | ART 1002/ | CCM Mills, PS C. | 1 | |||||||
| 16305 | Susan | Stone | Accusation | 1987 | fixed media, akusmatisch | 30:00 | Stereo | AE St | 0 | ||||||||||
| 16306 | Susan | Stone | House with a View | 1985 | fixed media, akusmatisch | 53:56 | Stereo | AE St | 0 | ||||||||||
| 42246 | Susan | Stone | Terra infirma | 1999 | radiophon | 26:26 | WDR Studio Akustische Kunst | 9.10.1999 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1433460&vi=100&SID | ||||||||
| 22050 | Susan | Stone | Virginia Reel | radiophon | 2:03 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 40880 | André | Stordeur | 18 Days | 1979 | fixed media, akusmatisch | 41 | SR 395 sub rosa/ | Synthèse Brüxell | 0 | https://www.discogs.com/de/Andr%C3%A9-Stordeur-Complete-Analog-And-Digital-Electronic-Works-1978-2000/release/6884723 | |||||||||
| 40884 | André | Stordeur | 6 Synthesis Studies, Synthesis Studies | ≈2000 | fixed media, akusmatisch | 44 | SR 395 sub rosa/ | 0 | |||||||||||
| 40882 | André | Stordeur | Chant 10A | 1981 | fixed media, akusmatisch | 16:57 | Music 10, Chant | SR 395 sub rosa/ | IRCAM | 0 | |||||||||
| 40883 | André | Stordeur | Nervous | 2000 | live-elec, 1 group | 7:48 | ens (MEME) [Ensemble] | SR 395 sub rosa/ | 0 | ||||||||||
| 40881 | André | Stordeur | Oh Well | 1980 | fixed media, akusmatisch | 35:40 | Octo | SR 395 sub rosa/ | 0 | ||||||||||
| 16307 | Staffan | Storm | Sus | 1991 | fixed media, akusmatisch | 17:00 | 0 | ||||||||||||
| 27347 | Nick | Storring | Artifacts (I) | 2007 | fixed media, akusmatisch | 8:00 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 1. prize | 0 | http://www.myspace.com/nickstorring | ||||||||
| 25568 | Nick | Storring | Igneous | 2004 | fixed media, akusmatisch | 7:46 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 24702 | Nick | Storring | (Lovesong For) White Invincible | 2004 | fixed media, akusmatisch | 6:03 | JTTP 2004 | CEC Cache 2004, PeP 009/ | 0 | ||||||||||
| 16308 | Boyko | Stoyanov | Darmstadt Suite | 1985 | fixed media, akusmatisch | 16:00 | Radio Sofia | 0 | |||||||||||
| 16309 | Boyko | Stoyanov | Echo from Thebes | 1985 | fixed media, akusmatisch | 8:03 | 0 | ||||||||||||
| 16310 | Boyko | Stoyanov | Koto | 1987 | fixed media, akusmatisch | 9:40 | Radio Sofia | 0 | |||||||||||
| 16311 | Albina | Stoyanova | Biriulki | 1994 | fixed media, akusmatisch | 8:15 | SLR 0044, Theremin Center/ | Theremin C. Moscou | 1 | ||||||||||
| 33356 | Svetozár | Stračina | Milan Sládek | 1965 | Tanz | 12:05 | Mono | pantomime | Radio Bratislava | 0 | |||||||||
| 33355 | Svetozár | Stračina | Pinquin | 1965 | Film | 3:18 | Radio Bratislava | 0 | |||||||||||
| 33354 | Svetozár | Stračina | Zo zivota hmyzu | 1965 | Theatermusik | 14:10 | Mono | Radio Bratislava | 0 | ||||||||||
| 33492 | Volker | Straebel | 2.33 | 2015 | fixed media, akusmatisch | ≈ 8 | 9 tracks | 15.4.2015 | Acker Stadt Palast | 0 | |||||||||
| 38660 | Volker | STRAEBEL | Aachen, 1181 | 2006 | radiophon | 51:40:00 | 0 | ||||||||||||
| 33494 | Volker | Straebel | Berlin aufräumen | 2011 | fixed media, akusmatisch | 15 | Stereo | 3 parts | TU Berlin | 0 | |||||||||
| 36839 | Joep | Straesser | Intervals II | 1979 | fixed media, akusmatisch | Music on War and Peace | 0 | ||||||||||||
| 16312 | Gerald | Strang | Composition 2, Compositions | 1963 | fixed media, akusmatisch | 2:00 | Mono | com M. | IDEAMA CD 074/ | Bell Lab | 0 | ||||||||
| 16313 | Gerald | Strang | Composition 3, Compositions | 1963 | fixed media, akusmatisch | 2:30 | Mono | com M. IBM | IDEAMA CD 074/ | Bell Lab | 0 | ||||||||
| 16314 | Gerald | Strang | Composition 4, Compositions | 1965 | fixed media, akusmatisch | 4:00 | Mono | com M. | UCLA | 0 | |||||||||
| 16315 | Gerald | Strang | Composition 5, Compositions | 1965 | fixed media, akusmatisch | 1:46 | Mono | com M. | UCLA | 0 | |||||||||
| 16316 | Allen | Strange | And still another story concerns | 1968 | fixed media, akusmatisch | 16:00 | UCSD | 1 | |||||||||||
| 16317 | Allen | Strange | Antigone | 1989 | Theatermusik | CREAM | 0 | ||||||||||||
| 16318 | Allen | Strange | As You Like It | 1994 | Theatermusik | CREAM | 0 | ||||||||||||
| 16319 | Allen | Strange | Beamer: Building of the Beast | 1985 | live-elec, 7 perf | 14:00 | 2 Kbd, 5 perc [Keyboard, Schlagzeug] | 0 | |||||||||||
| 16320 | Allen | Strange | Black Bart | 1981 | Theatermusik | CREAM | 0 | ||||||||||||
| 16321 | Allen | Strange | Botes | 1992 | fixed media, akusmatisch | 12:00 | Stereo | CREAM | 0 | ||||||||||
| 16322 | Allen | Strange | Brief Comment | 1993 | fixed media, akusmatisch | 0:03 | Stereo | CREAM | 0 | ||||||||||
| 16323 | Allen | Strange | Caucasian Chalk Circle | 1978 | Theatermusik | CREAM | 0 | ||||||||||||
| 16324 | Allen | Strange | Concord Gardens | 1968 | fixed media, akusmatisch | 8:00 | Stereo | 0 | |||||||||||
| 16325 | Allen | Strange | Conversations with Nod | 1977 | live-elec, 1 group | e-ens [Ensemble] | CREAM | 0 | |||||||||||
| 16326 | Allen | Strange | Corona Borealis | 1991 | fixed media, akusmatisch | 12:00 | Stereo | CREAM | 0 | ||||||||||
| 16327 | Allen | Strange | CuitlatecyotlJ | 1989 | Tanz | 7:00 | Stereo | CREAM | 0 | ||||||||||
| 16328 | Allen | Strange | Cygnus | 1991 | fixed media, akusmatisch | 12:00 | Stereo | CREAM | 0 | ||||||||||
| 16329 | Allen | Strange | Dracula | 1985 | Theatermusik | CREAM | 0 | ||||||||||||
| 16330 | Allen | Strange | Dune | 1977 | live-elec, 2 perf | 10:00 | (impro) e-ins, V [Stimme, synthesizer] | CREAM | 0 | ||||||||||
| 16331 | Allen | Strange | Equus | 1987 | Theatermusik | CREAM | 0 | ||||||||||||
| 16332 | Allen | Strange | Heart of Gold | 1979 | fixed media, akusmatisch | 9:00 | Quadro | CREAM | 0 | ||||||||||
| 16333 | Allen | Strange | Jack and the Beanstalk | 1979 | Theatermusik | CREAM | 0 | ||||||||||||
| 16334 | Allen | Strange | Media | 1977 | Theatermusik | CREAM | 0 | ||||||||||||
| 16335 | Allen | Strange | Moon Plus Moon | 1981 | fixed media, akusmatisch | 11:00 | Stereo | CREAM | 0 | ||||||||||
| 16336 | Allen | Strange | Music of Do's, | 1978 | live-elec, | 7:00 | CREAM | 0 | |||||||||||
| 16337 | Allen | Strange | Notes from Underground | 1989 | live-elec, | 12:00 | 0 | ||||||||||||
| 16338 | Allen | Strange | One for the Ladies | 1984 | fixed media, akusmatisch | 15:00 | Stereo | CREAM | 0 | ||||||||||
| 16339 | Allen | Strange | Palace | 1967 | Theater, 1 perf | 20:00 | vn, (mx th) [Violine] | 0 | |||||||||||
| 16340 | Allen | Strange | Phoenix and the Harlequin | 1995 | fixed media, akusmatisch | 10:00 | Stereo | CREAM | 0 | ||||||||||
| 16341 | Allen | Strange | PIKA | 1988 | Theatermusik | CREAM | 0 | ||||||||||||
| 16342 | Allen | Strange | Pinoccio | 1990 | Theatermusik | CREAM | 0 | ||||||||||||
| 16343 | Allen | Strange | Princess | 1987 | Zuspiel, live-elec, 3 perf | 6:00 | Kbd, com(-driven), ins [Keyboard, Instrument, computer] | CREAM | 0 | ||||||||||
| 16344 | Allen | Strange | Puppets | 1983 | Theatermusik | CREAM | 0 | ||||||||||||
| 16345 | Allen | Strange | Red Noses | 1993 | Theatermusik | CREAM | 0 | ||||||||||||
| 16346 | Allen | Strange | Saturn and the Seven Ladies | 1982 | live-elec, | 10:00 | CREAM | 0 | |||||||||||
| 41504 | Allen | Strange | Shadow Boxer | 2004 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 27058 | Allen | Strange | Shaman | 1994 | Zuspiel / Tonband, 1 perf | 12:00 | vn [Violine] | CREAM | 0 | ||||||||||
| 16347 | Allen | Strange | Shaman: Sisters of Dreamtime | 1994 | Zuspiel, live-elec, 1 perf | 14:21 | amp vn [Violine] | 6 parts | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | ||||||||
| 16348 | Allen | Strange | Skags | 1972 | live-elec, 5 perf | 4 V, e-ins [Stimme, synthesizer] | 0 | ||||||||||||
| 16349 | Allen | Strange | Sleeping Beauty | 1989 - 1992 | live-elec, 3 perf | 21:40 | vn, com(-driven), ins [Violine, Instrument, computer] | Centaur CRC 2213, CDCM Vol. 18/ | CREAM | 1 | |||||||||
| 16350 | Allen | Strange | Soundbeams | 1977 | live-elec, 1 perf, 1 group | 11:00 | chamber-ens, e-ins [synthesizer, Ensemble] | 0 | |||||||||||
| 16351 | Allen | Strange | String Loops and Wild Horses | 1988 | live-elec, 3 perf | 25:00 | Kbd, com(-driven), ins [Keyboard, Instrument, computer] | CREAM | 0 | ||||||||||
| 16352 | Allen | Strange | Switchcraft | 1972 | live-elec, 2 perf | 10:00 | b-str, fl [Flöte, Streicher] | 0 | |||||||||||
| 16353 | Allen | Strange | Teserae Rag | live-elec, 1 group | 8:00 | e-ens [Ensemble] | CREAM | 0 | |||||||||||
| 16354 | Allen | Strange | The Arkansas Bear | 1985 | Theatermusik | CREAM | 0 | ||||||||||||
| 16355 | Allen | Strange | The Doug Meyers' Playing Flute | 1972 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 16356 | Allen | Strange | The Duck Sisters | 1987 | Theatermusik | CREAM | 0 | ||||||||||||
| 16357 | Allen | Strange | The First Book of Angels | 1974 | live-elec, 17 perf | 15:00 | 16 V, e-ins [Stimme, synthesizer] | 0 | |||||||||||
| 16359 | Allen | Strange | The Hairbreath Ring Screamers | 1970 | live-elec, 1 perf, 1 group | 12:00 | fl-ens [Flöte] | 0 | |||||||||||
| 16360 | Allen | Strange | The Second Book of Angels | 1974 | Zuspiel / Tonband, 4 perf | 24:00 | str-qt [Streicher] | 0 | |||||||||||
| 16361 | Allen | Strange | The Thirty-Seventh Letter | 1982 | fixed media, akusmatisch | 4:00 | Stereo | CREAM | 0 | ||||||||||
| 16362 | Allen | Strange | Towers | 1985 | fixed media, akusmatisch | 12:00 | Stereo | CREAM | 0 | ||||||||||
| 16363 | Allen | Strange | Uncle Erhard for | 1979 | Theater, | 5:00 | children th | CREAM | 0 | ||||||||||
| 16364 | Allen | Strange | Ursa Major | 1989 | fixed media, akusmatisch | 12:00 | Stereo | CREAM | 0 | ||||||||||
| 16365 | Allen | Strange | Vasona | 1985 | fixed media, akusmatisch | 15:00 | Stereo | CREAM | 0 | ||||||||||
| 16366 | Allen | Strange | Velocity Studies I [Slide] | 1983 | Zuspiel / Tonband, 1 perf | 9:00 | vn [Violine] | CREAM | 0 | ||||||||||
| 16367 | Allen | Strange | Velocity Studies II [Twitter] | 1991 | Zuspiel / Tonband, 1 perf | 16:00 | hpd [Cembalo] | CREAM | 0 | ||||||||||
| 16368 | Allen | Strange | Velocity Studies III [RIP ] | 1993 | Zuspiel / Tonband, 1 perf | 4:00 | p [Piano] | CREAM | 0 | ||||||||||
| 32138 | Allen | Strange | Velocity Studies V: Ngate | 2007 | live-elec, 7 perf | 7:23:00 | 7 tpt [Trompete] | Stephen Ruppenthal, trumpet, Brian Belet, electronics | SEAMUS EAM Vol. 18/ | 0 | |||||||||
| 16369 | Allen | Strange | Western Connection | 1972 | live-elec, 1 perf, 1 group | 8:00 | orc, e-ins [synthesizer, Orchester] | 0 | |||||||||||
| 16370 | Allen | Strange | Wiley and the Hairy Man | 1982 | Theatermusik | CREAM | 0 | ||||||||||||
| 16371 | Allen | Strange | You've Come a Long Way Baby | live-elec, 4 perf | 4 V, (com) [Stimme] | 0 | |||||||||||||
| 16358 | Allen, Robert | Strange, Jenkins | The Ghost Hour- A Music Drama | 1981 | Theatermusik | CREAM | 0 | ||||||||||||
| 19042 | Kyra | Stratmann | o.T. | 1996 | Klangkunst, Installation | 1:06 | Sonambiente Ausstellung (1996) Katalog S.141 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 16372 | Costas | Stratoudakis | Blue Planet | 1989 | fixed media, akusmatisch | 8:00 | Stereo | SFU, PS C. | 0 | ||||||||||
| 16373 | Costas | Stratoudakis | Camera Music | 1989 | intermedia | 12:00 | Stereo, Octo | KSYME | 0 | ||||||||||
| 16374 | Costas | Stratoudakis | Dens e Time | 1985 | fixed media, akusmatisch | 10:00 | Stereo | PS C. | 0 | ||||||||||
| 16375 | Costas | Stratoudakis | Full circle | 1991 | audiovisuell | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 16376 | Costas | Stratoudakis | Lines at an Exhibition | 1989 | fixed media, akusmatisch | 12:00 | Stereo | KSYME, PS C. | 0 | ||||||||||
| 16377 | Costas | Stratoudakis | Octalogia | 1992 | intermedia | 14:00 | Octo | PS C. | 0 | ||||||||||
| 16378 | Costas | Stratoudakis | Pre- Exposure (A May of 20 Mays) | 1988 | fixed media, akusmatisch | 13:30 | Stereo | Cori Dischi Italy version is shorter | PS C. | 0 | |||||||||
| 16379 | Costas | Stratoudakis | Temple of the afternoon | 1987 | Zuspiel/Tonband, | audiovisuell |
6:30 | Stereo | KSYME, ERA | 1 | ||||||||||
| 16380 | Costas | Stratoudakis | Ultimate effort | 1986 | Zuspiel/Tonband, | audiovisuell |
12:00 | Stereo | KSYME | 1 | ||||||||||
| 16381 | Olivier | Strauch | Un monstre sommeille... | 1993 | Zuspiel, live-elec, 3 perf | p, b-cl, bn and db-bn [Klarinette, Fagott, Piano] | SONVS Lyon | 0 | |||||||||||
| 20809 | Richard Valentin | Strausz | On | 1995 | fixed media, akusmatisch | 2:55 | Stereo | EX 256/ | ELAK Wien | 0 | |||||||||
| 22086 | M | Stravöstrand | Illuminence | fixed media, akusmatisch | 51:00 | FER 1017 Firework Edition Records/ | EMS Stockholm, Fylkingen | 1 | |||||||||||
| 16382 | John | Strawn | Akarui tsuki | 1975 | fixed media, akusmatisch | 7:30 | Stereo | Synthi AKS | CMJ Vol 21, 1997/ | TU Berlin | 8.4.1975 | Amerika-Haus Berlin | 1 | ||||||
| 16383 | John | Strawn | Made in Freiburg | 1975 | fixed media, akusmatisch | synt | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 16384 | Laurentius | Strehl | Bericht eines Opfers | 1973 | live-elec, 1 perf | str [Streicher] | 0 | ||||||||||||
| 33961 | Lisa | Streich | Existenser | 2009 | Zuspiel / Tonband, 1 perf | 9:38:00 | Stereo | p [Piano] | HfMT Köln | 0 | |||||||||
| 33963 | Lisa | Streich | Halveringstider och Honung | 2010 | live-elec, 2 perf | 13:00:00 | Stereo + Mono | S, p [Sopran, Piano] | Komposition für Sopran, Klavier und Klavierlautsprecher | HfMT Köln | 0 | ||||||||
| 33962 | Lisa | Streich | Joie | 2011 | fixed media, akusmatisch | 6:39:00 | Stereo | Komposition für Lauscher und Lauscher | HfMT Köln | 0 | |||||||||
| 33960 | Lisa | Streich | Näcken | 2008 | Zuspiel / Tonband, 1 perf | ? | Stereo | vn [Violine] | HfMT Köln | 0 | |||||||||
| 21138 | Stefan | Streich | Konzertante Installation 98 | 1998 | Klangkunst, Installation | ∞ | Quadro | Klanginstallation für Schloss Burgk / Thüringen | TU Berlin | 0 | |||||||||
| 16385 | Peter | Streiff | Nachtgedanken | 1975 | Zuspiel / Tonband, 1 perf, 1 group | 9 | vc, orc [Cello, Orchester] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 36436 | Peter | Strickmann | Vom Sickern Und Süppeln | 2010 | Klangkunst, Installation | 6:44:00 | Besenkammer bb 03/ | 0 | |||||||||||
| 40209 | Robert | Strobel | 3 Metamorphantasmagorical Etudes | 2017 | fixed media, akusmatisch | 16 Tracks | Robert Strobel | 0 | |||||||||||
| 16386 | Aurel | Stroe | Ca n’aura pas le Prix Nobel | 1969 | Oper, 1 perf, 3 groups | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 16387 | Aurel | Stroe | De profundis | 1973 | Zuspiel / Tonband, 3 perf | hpd, p, org [Piano, Orgel, Cembalo] | 0 | ||||||||||||
| 16388 | Aurel | Stroe | De Ptolomaeo (miniopera) | 1970 | Oper | Stereo | 0 | ||||||||||||
| 16389 | Aurel | Stroe | Il giardino delle strutture + Rimo de Michelangelo | 1975 | Zuspiel / Tonband, 6 perf | Bar, 5 ins [Bariton, Instrument] | 0 | ||||||||||||
| 16390 | Aurel | Stroe | Laudes 1 & 2 | 1965 - 1967 | computer generated score, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 16391 | Aurel | Stroe | Oresteia III | 1986 | Oper | live-elec, 2 perf, 1 group |
Vs, sax [Stimme, Saxophon] | 0 | ||||||||||||
| 16392 | Aurel | Stroe | Son et écho | 1969 | fixed media, akusmatisch | 24:00 | Stereo | 0 | |||||||||||
| 16393 | Aurel | Stroe | The Man who lost his Humanity | 1965 | Theatermusik | Mono | Electrocord Bucarest | 0 | |||||||||||
| 16394 | Patrik | Strömdahl | Delar ur svit I och II | 1980 | live-elec, 3 perf | Stereo | synt, perc, e-gui [Gitarre, Schlagzeug, synthesizer] | elec: Reverb, Compressor, harm | EMS Stockholm | 0 | |||||||||
| 18877 | Wolfgang Martin | Stroh | Brain and Body | live-elec, | non-serious | 1 | |||||||||||||
| 16395 | Marco | Stroppa | …1995…2995…3695…, "comoedia harmonica" | 1995 | live-elec, 3 perf | 75:00 | Stereo | fem Actor, db, tam-tam [Schlagzeug, Kontrabass, Schauspieler] | Tempo Reale Firenze, PS C. | La Biennale di Venezia. | 27.07.1995 | Teatro Comunale di Firenze, l'ente Autonomo Arena di Verona; attrice Raffaella Azim, contrabbasso Stefano Scodanibbio, elettronica live Nicola Bernardini, Alvise Vidolin, regia del suono Marco Stroppa | Ricordi | 0 | |||||
| 30995 | Marco | Stroppa | Auras | 1995/2004 | live-elec, 1 perf | 15 | perc [Schlagzeug] | IRCAM, PS C. | Commande de l'État Français. | 15.12.1995 7.2.2004 |
Lyon, St. Etienne, Thierry Miroglio Radio France, Festival Présences, Florent Jodelet |
Ricordi | 0 | ||||||
| 31001 | Marco | Stroppa | Come Natura di Foglia | 1997 - 2002 | live-elec, 8 perf | 30 | 2 S, 2 A, 2 T, 2 B [Sopran, Alt, Tenor, Bass] | IRCAM | Françoise et Jean-Philippe Billarant per IRCAM | 4.6.2002 | Paris, Festival Agora / IRCAM; Neue Vokalsolisten Stuttgart, direttore Manfred Schreier, | Ricordi | 0 | ||||||
| 40669 | Marco | Stroppa | Come play with me | 2018 | live-elec, 1 group | orc [Orchester] | poem by William Butler Yeats | SWR für die Donaueschinger Musiktage | 19.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, IRCAM | 0 | ||||||||
| 16396 | Marco | Stroppa | Contrasti | 1985/1988 | live-elec, 1 perf | 26:00 | Stereo | p [Piano] | CSC Padova | Biennale Venezia | 22.9.1985 | La Biennale di Venezia | 0 | ||||||
| 23072 | Marco | Stroppa | De Amore | 1996 - 1999 | computer generated score | 11:30 | Stereo | vc [Cello] | WDR SEM | WDR 1999 | 0 | ||||||||
| 16397 | Marco | Stroppa | Dialoghi | 1984 | Zuspiel / Tonband, 1 perf | 12:55 | Stereo | p [Piano] | hap vol 18 - 3/ | CSC Padova | Biennale di Venezia per l’Anno Europeo della Musica | 16.4.1984 | IRCAM, Espace de Projection | Ricordi | 1 | ||||
| 16398 | Marco | Stroppa | élet … fogytiglan | 1989 | live-elec, 1 group | 15:00 | ens [Ensemble] | IRCAM | Ricordi | 0 | |||||||||
| 16399 | Marco | Stroppa | Etude pour Pulsazioni | 1989 | live-elec, 1 group | 16:00 | ens [Ensemble] | IRCAM | Ricordi | 0 | |||||||||
| 16400 | Marco | Stroppa | Hidinefte, soit l'autre face de Traiettoria | 1989 | fixed media, akusmatisch | Tanz |
≈ 30:00 | IRCAM 0002 F, Creations IRCAM/ | IRCAM, CSC Padova | November 1989 | Festival Maderna, Milano | 1 | ||||||||
| 30996 | Marco | Stroppa | hist whist | 2009 | live-elec, 1 perf | 18 | vn [Violine] | IRCAM | Société de Gestion des Droits d'Auteur de Monaco pour le Festival du Printemps des Arts de Monte-Carlo | 12.4.2009 | Monte-Carlo, Festival Le Printemps des Arts, violino: Hae-Sun Kang | Ricordi | 0 | ||||||
| 30997 | Marco | Stroppa | I will not kiss your f.ing flag | 2005 | live-elec, 1 perf | trbn [Posaune] | Trombone aumentato: Emmanuel Fléty, Frédéric Bevilacqua, Alain Terrier, IRCAM | IRCAM | 22.4.2005 | Witten, Wittener Tage 2005, trombone: Benny Sluchin | Ricordi | 0 | |||||||
| 16401 | Marco | Stroppa | In cielo, in terra, in mare | 1992 | Radiokunst, live-elec, 16 perf | ≈ 35:00 | 8 actor, 8 V [Stimme, Schauspieler] | Radio Opera | IRCAM Les Années 90/ hap vol 18 - 3/ | IRCAM | RAI, Radio 3 | 1993 | RAI Radio 3 | Menzione speciale al Prix Italia 1992 | 0 | ||||
| 16402 | Marco | Stroppa | Leggere il Decamerone | 1990 | radiophon | 180:00 | M. for reading of Boccacio's Deccamerone RAI 3 | IRCAM | RAI, Radio 3. | 0 | |||||||||
| 30992 | Marco | Stroppa | Let Me Sing into Your Ear | 2010 | live-elec, 1 perf, 1 group | 24 | amp cl, orc [Klarinette, Orchester] | Donaueschingen Musiktage | 17. October 2010 | Donaueschingen Musiktage; Michele Marelli, basset horn, Netherlands Radio Symphony Orchestra Hilversum, Péter Eötvös. | Ricordi | 0 | |||||||
| 30998 | Marco | Stroppa | little i | 1996 | live-elec, 1 perf | ≈ 23 | fl [Flöte] | PS C. | Festival Octobre en Normandie | 16.10.1996 | Rouen, Festival Octobre en Normandie; flauto: Cécile Daroux | Ricordi | 0 | ||||||
| 30999 | Marco | Stroppa | …of Silence | 2007 | live-elec, 1 perf | 21 | sax [Saxophon] | IRCAM | 23.11.2007 | Shizuoka (Japan); sassofono: Claude Delangle | Ricordi | 0 | |||||||
| 16403 | Marco | Stroppa | Proemio | 1990 | radiophon | ≈ 37:00 | Radio opera | hap vol 18 - 3/ | IRCAM | RAI, Radio 3 | 1990 | RAI Radio 3 | 0 | ||||||
| 31002 | Marco | Stroppa | Race | 1997 | live-elec, 2 perf | 80 | Sp, p [Sprecher, Piano] | PS C. | Festival Octobre en Normandie | 28.9.1997 | Festival Octobre en Normandie; Pianoforte Pierre-Laurent Aimard | Ricordi | 0 | ||||||
| 30991 | Marco | Stroppa | Re Orso | 2011 | Musiktheater | 4 V, ens, (elec) [Stimme, Ensemble] | IRCAM | 09.06.2011 | Paris, Opéra Comique, Ensemble Intercontemporain, Suzanna Mälkki | 0 | |||||||||
| 31000 | Marco | Stroppa | Spirali | 1987 - 1988 | live-elec, 4 perf | ≈ 22 | str-qt [Streicher] | Giovane Quartetto Italiano - Marco Stroppa, regia del suono | IRCAM | Società del Quartetto di Milano per il 125° anniversario | 18.4.1989 | Milano, Società del Quartetto, Giovane Quartetto Italiano | Ricordi | 0 | |||||
| 31003 | Marco | Stroppa | Träume vom Fliegen | 1990 | Performance, live-elec, 1 group | 50 | actors [Schauspieler] | musica al computer per un balletto per acrobati e funamboli | PS C. | Münchener Biennale | 10.5.1990 | 2° Münchener Biennale, Marienplatz, Fool Time Company, Bristol | Ricordi | 0 | |||||
| 16404 | Marco | Stroppa | Traiettoria, Traiettoria … deviata Dialoghi Contrasti |
1982/1984/1988 | Zuspiel / Tonband, 1 perf | 46:39 | Stereo | p [Piano] | IBM 370/158, ICMS von G. Tisato | WER 2030; Computer Music Currents 10/ STR 57008/ | CSC Padova, IRCAM | Biennale di Venezia per l’Anno Europeo della Musica | 2.8.1983 16.4.1984 22.9.1985 |
Ente Lirico Arena di Verona IRCAM, Espace de Projection La Biennale di Venezia |
Ricordi | 1 | |||
| 21188 | Marco | Stroppa | Zwielicht | 1995 - 1998 | Zuspiel / Tonband, 3 perf | 36:20 | Stereo | db, 2 perc [Schlagzeug, Kontrabass] | WDR SEM | WDR Radio | 9.4.1999 | WDR Köln, großer Sendesaal | Ricordi | 0 | |||||
| 18983 | Lars | Stroschen | Daouwaouwaou "erst mal kam ein Huhn" das Kraftfeld Wannsee Punk |
1995 | fixed media, akusmatisch | 32:00 | Sprachkomposition | OS 005 offscale/ | PS Propeller Island Berlin | 0 | |||||||||
| 16405 | Lars | Stroschen | Die kreisrunden Ruinen | 1990 | Tanz | Tanz: Ismael Ivo | OS offscale/ | PS Propeller Island Berlin | 0 | ||||||||||
| 16406 | Lars | Stroschen | Hermeneutic Music | 1988 | fixed media, akusmatisch | Erdenklang/ | PS Propeller Island Berlin | 0 | |||||||||||
| 16407 | Lars | Stroschen | The secret Convention | 1989 | fixed media, akusmatisch | OS offscale/ | PS Propeller Island Berlin | 0 | |||||||||||
| 39529 | Christiane | Strothmann | Alat Agar, Corno and Playing Children | 2015 | fixed media, akusmatisch | 10:32 | ICEM Essen | 0 | |||||||||||
| 31853 | Christiane | Strothmann | Der Kölner Dom | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31852 | Christiane | Strothmann | Logos | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31851 | Christiane | Strothmann | Rick’s Posaune | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 39669 | Christiane | Strothmann | Structures to Earth | 2017 | fixed media, akusmatisch | 16 Tracks | Christiane Strothmann | 0 | |||||||||||
| 31854 | Christiane | Strothmann | Transkulturell | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 16408 | Peter | Struycken | Geluidsprogramma | 1968 | intermedia | 3:00 | Mono | Sonology Utrecht | 0 | ||||||||||
| 16409 | Peter | Struycken | Sound and image programma I, Geluid en beeldprogramma I | 1970 | Hintergrundmusik | intermedia |
9:03 | Mono | Sonology Utrecht | 0 | ||||||||||
| 16410 | Peter | Struycken | Studie I | 1969 | fixed media, akusmatisch | 4:00 | Mono | Sonology Utrecht | 0 | ||||||||||
| 16411 | Peter | Struycken | Studie II | 1970 | fixed media, akusmatisch | 4:45 | Mono | Sonology Utrecht | 0 | ||||||||||
| 16412 | Mateusz | Stryjecki | Moonless I & lI | 1985 | fixed media, akusmatisch | 12:48 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 16413 | Georg | Stryzowski | Spiegeletüde | 1978 | fixed media, akusmatisch | 6:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 42792 | Amanda | Stuart | Light and Sharpness | 2011 | fixed media, akusmatisch | 4:30:00 | 0 | ||||||||||||
| 39563 | Amanda | Stuart | Magnetosphere | 2017 | fixed media, akusmatisch | Amanda Stuart | 0 | ||||||||||||
| 39564 | Amanda | Stuart | Song of the Trees | 2015 | fixed media, akusmatisch | 8:48:00 | Amanda Stuart | 0 | |||||||||||
| 22431 | Hans-Peter | Stubbe Teglbjaerg | Aïra - aurale för band | 1998 | fixed media, akusmatisch | 12:51 | CHANT | CSCD 00027 Media Artes + Chamber Sound/ | Media Artes Växjö, DIEM Aarhus | 1 | |||||||||
| 28718 | Hans-Peter | Stubbe Teglbjaerg | Dif:rq! | 2001 | live-elec, 1 perf | 14:21 | sax [Saxophon] | dacapo 8.226515/ | DIEM Aarhus | 0 | |||||||||
| 22259 | Hans-Peter | Stubbe Teglbjaerg | Iliou Persis | fixed media, akusmatisch | 18:23 | Music for Books 1-4 | dacapo 8.224198/ | DIEM Aarhus | 1 | ||||||||||
| 39841 | Hans-Peter | Stubbe Teglbjaerg | Ripple Reeds | 2016 | fixed media, akusmatisch | Hans Peter Stubbe Teglbjaerg | 0 | ||||||||||||
| 36654 | Leslie | Stuck | Convolutions | 2002 | Lehre & Forschung | 9:11 | c74-001-c74-008/ c74 - 008/ c74-004-c74-007/ | 0 | |||||||||||
| 36669 | Leslie | Stuck | Go | 2002 | Lehre & Forschung | 2:36 | c74 - 008/ | 0 | |||||||||||
| 36668 | Leslie | Stuck | Maxi-Zub | 2002 | Lehre & Forschung | 6:10 | c74 - 008/ | 0 | |||||||||||
| 36670 | Leslie | Stuck | Mondriaan | 2002 | Lehre & Forschung | 11:40 | c74 - 008/ | 0 | |||||||||||
| 36667 | Leslie | Stuck | Soothing The Enemy | 2002 | Lehre & Forschung | 6:16 | c74 - 008/ | 0 | |||||||||||
| 36666 | Leslie | Stuck | Special X | 2002 | Lehre & Forschung | 15:58 | c74 - 008/ | 0 | |||||||||||
| 31637 | Daniel | Studer | Ramificazioni | 1998 | Zuspiel, live-elec, 2 perf | 17:00:00 | db, sam, (elec) [Kontrabass, computer] | HSM Basel | 0 | ||||||||||
| 16414 | Group | Studio Gravesano | Elektronisches Manifest | 1957 | fixed media, akusmatisch | 2:00 | Scherchen Gravesano | 0 | |||||||||||
| 16415 | Group | Studio Members NHK Tokio | Experimental Music | 1954 | fixed media, akusmatisch | 3:00 | Mono | NHK Tokyo | 0 | ||||||||||
| 16416 | Group | Studio Members NHK Tokio | Nihon no Fuyu | 1964 | fixed media, akusmatisch | 30:00 | Stereo | (Japanese Winter ) | NHK Tokyo | 0 | |||||||||
| 16417 | Group | Studio Members NHK Tokio | Rittai Hoso no tameno Denshi Ongaku | 1960 | fixed media, akusmatisch | 6:00 | Stereo | (EM für zweidimensionale Übertragung) | NHK Tokyo | 0 | |||||||||
| 23731 | Igor | Stuhec | A Study for Electronic Sounds | 1964 | fixed media, akusmatisch | 4:12 | Mono | Ed. DSS 200443/ | ELAK Wien | 1 | |||||||||
| 16418 | Igor | Stuhec | Lütenberger Prozess | 1968 | Zuspiel / Tonband, 1 group | 2:00 | ch [Chor] | ELAK Wien | 0 | ||||||||||
| 16419 | Igor | Stuhec | Studie | 1968 | fixed media, akusmatisch | 3:50 | Mono | ELAK Wien | 0 | ||||||||||
| 27416 | Steel | Stylianon | Arousing | 2006 | fixed media, akusmatisch | 3:50 | PS C. | 1 | |||||||||||
| 27412 | Steel | Stylianon | Corona | 2006 | fixed media, akusmatisch | 8:38 | PS C. | 1 | |||||||||||
| 27415 | Steel | Stylianon | Solstice | 2006 | fixed media, akusmatisch | 25:22 | PS C. | 1 | |||||||||||
| 27413 | Steel | Stylianon | Sphinx | 2006 | fixed media, akusmatisch | 20:30 | PS C. | 1 | |||||||||||
| 27414 | Steel | Stylianon | Vanus | 2006 | fixed media, akusmatisch | 8:57 | PS C. | 1 | |||||||||||
| 27411 | Steel | Stylianon | Zedex 1, music for galleries | 2006 | fixed media, akusmatisch | 61:00 | PS C. | 1 | |||||||||||
| 36941 | Steel | Stylianou | starcloud | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 32890 | Marco Antonio | Suarez-Cifuentes | Crisalida | 2005 | live-elec, 1 perf | 12 | vn [Violine] | IRCAM | 24.11.2004 | Lyon | 0 | ||||||||
| 23551 | Silvia | Suárez | Momento cero | 1998 | fixed media, akusmatisch | 7:54 | St propio | 1 | |||||||||||
| 23549 | Silvia | Suárez | Quietud | 2001 | fixed media, akusmatisch | 8:44 | St propio | 1 | |||||||||||
| 23550 | Silvia | Suárez | Sobre si misma | 1997 | fixed media, akusmatisch | 7:54 | St propio | 1 | |||||||||||
| 23552 | Silvia | Suárez | Unidad | 1999 | fixed media, akusmatisch | 8:12 | St propio | 1 | |||||||||||
| 23553 | Silvia | Suárez | YA BASTA | 1999 | fixed media, akusmatisch | 8:08 | St propio | 1 | |||||||||||
| 31016 | Andreas H.H. | Suberg | 1791, Paraphrasen über ein Adagio für Glasharmonika von W. A. Mozart, Version 3 | 1994 | Zuspiel, live-elec, 1 perf | 11:23 | Quadro | sam [computer] | HfMT Köln | 25.11.1994 | Köln, Hochschule für Musik | 0 | |||||||
| 31039 | Andreas H.H. | Suberg | Blinden - Maschine, même | 2012 | audiovisuell | Surround 5.1 | nach neun Sonetten von Giordano Bruno | 0 | |||||||||||
| 31026 | Andreas H.H. | Suberg | Cercle mysterieux | 2007 | live-elec, 5 perf | 5 perc [Schlagzeug] | 0 | ||||||||||||
| 31027 | Andreas H.H. | Suberg | Cercle mysterieux, Version 2 | 2007/2011 | live-elec, 5 perf | 5 perc [Schlagzeug] | Carl von Ossietzky-Kompositionswettbewerb 2011 | 0 | |||||||||||
| 31025 | Andreas H.H. | Suberg | Colis fragile | 2007 | live-elec, 8 perf | 8 perf, (Glas-ins) [Performer] | 1.12.2007 | Museum für Deutsche Glasmalerei, Linnich | 0 | http://www.glasotronik.de/ | |||||||||
| 31014 | Andreas H.H. | Suberg | De la bocca dell’ omo ch’è sepoltura | 2010 | Zuspiel / Tonband, 1 perf | V [Stimme] | nach der 28. Prophezeiung von Leonardo da Vinci | Klang Art St Freiburg | 11.12.2010 | Leipzig | Preisträger des Internationalen Kompositionswettbewerbs des Forums Zeitgenössischer Musik Leipzig | 0 | |||||||
| 31009 | Andreas H.H. | Suberg | De’ crocifissi venduti | 2001 | live-elec, 3 perf | S, tpt, perc, (elec) [Sopran, Trompete, Schlagzeug] | nach der 36. Prophezeiung von Leonardo da Vinci | Klang Art St Freiburg | KlangArt – Festival, Osnabrück | 16.6.2001 | Osnabrück; Ensemble – Brass of the Moving Image; Ltg.: Rochus Aust | 0 | |||||||
| 22523 | Andreas H.H. | Suberg | De' metalli | 1995 | Zuspiel / Tonband, 2 perf | 11:35 | Quadro | perc, Counter-T [Tenor, Schlagzeug] | HfMT Köln CD1/ | HfMT Köln | 25.2.1996 | Tage für Neue Musik, Darmstadt, Mitschnitt HR | 1 | ||||||
| 31013 | Andreas H.H. | Suberg | Delle bombarde | 2010 | live-elec, 2 perf | Counter-T, perc [Tenor, Schlagzeug] | nach der 144. und 150.Prophezeiung von Leonardo da Vinci | Klang Art St Freiburg | 19.8.2011 | profectio initiative, Elisabeth Schneider Stiftung, Freiburg | 0 | ||||||||
| 31006 | Andreas H.H. | Suberg | Delle pelle I | 2000 | Zuspiel, live-elec, 2 perf | Counter-T, perc, (elec) [Tenor, Schlagzeug] | nach der 29. Prophezeiung von Leonardo da Vinci | Klang Art St Freiburg | 17.2.2001 | Tage für Neue Musik, Darmstadt, Mitschnitt HR | 0 | ||||||||
| 31007 | Andreas H.H. | Suberg | Delle pelle II | 2005 | live-elec, 3 perf | Counter-T, tpt, perc, (elec) [Tenor, Trompete, Schlagzeug] | nach der 23. Prophezeiung von Leonardo da Vinci | Klang Art St Freiburg | Globusklänge – Deutschland | 26.11.2006 | FIFA- Globusklänge - Stuttgart | 0 | |||||||
| 31008 | Andreas H.H. | Suberg | Delle scolture | 2001 | live-elec, 3 perf | S, tpt, perc, (elec) [Sopran, Trompete, Schlagzeug] | nach der 27. Prophezeiung von Leonardo da Vinci | Klang Art St Freiburg | KlangArt – Festival, Osnabrück | 16.6.2001 | Osnabrück; Ensemble – Brass of the Moving Image; Ltg.: Rochus Aust | 0 | |||||||
| 31046 | Andreas H.H. | Suberg | Dioptrien 8 | 2004/2005 | Klangkunst, Installation | 20.2.2005 | Leopold-Hoesch-Museum Düren | 0 | |||||||||||
| 31042 | Andreas H.H. | Suberg | Drehmoment Klang | 2000 | Klangkunst, Installation | 2000 | Institut der Künste, Freiburg | 0 | |||||||||||
| 31024 | Andreas H.H. | Suberg | Drehmoment Klang I | 2005 | Performance, live-elec, 15 perf | 15 perf [Performer] | 12.3.2005 | Leopold-Hoesch-Museum Düren | 0 | ||||||||||
| 39282 | Andreas H.H. | Suberg | Dress of the Bride | 2018 | live-elec, | for three glass plates and electroacoustic sounds based on the eponymous image metaphor of Marcel Duchamp’s The Large Glass | 18.7.2018 | New York City Electroacoustic Music Festival 2018 Abrons Arts Center / New York City, Concert 7 / Experimental Theater |
0 | ||||||||||
| 31019 | Andreas H.H. | Suberg | …ein Splitter ist ein Splitter, ist ein Splitter, ist ein… | 2012 | live-elec, 1 perf | perf [Performer] | 16.3.2012 | Freiburg, Kunstverein Freiburg e.V. | 0 | ||||||||||
| 31043 | Andreas H.H. | Suberg | Eingemachter Klang | 2000 - 2005 | Klangkunst, Installation | 20.2.2005 | Leopold-Hoesch-Museum Düren | 0 | |||||||||||
| 31038 | Andreas H.H. | Suberg | Eros-Matrix, même | 2010/2011 | fixed media, akusmatisch | Octo | 0 | http://www.glasotronik.de/ | |||||||||||
| 31041 | Andreas H.H. | Suberg | Fragment/Raum | Klangkunst, Installation | Stadt Bad Vilbel | 24.1.1998 | Kulturforum der Stadt Dortelweil | 0 | |||||||||||
| 27359 | Andreas H.H. | Suberg | Fulgurit | 2005 | Zuspiel, live-elec, 6 perf | 8:13 | 6 perf, (Glasins, Kbd, synt) [Performer] | Ensemble Glasotronic | WER NZ 5/2009 „Fragile Klänge - Glasotronik“/ | Klang Art St Freiburg | 12.3.2005 | Leopold-Hoesch-Museum Düren (Glasotronik-Ensemble) | 1 | http://www.glasotronik.de/ | |||||
| 31020 | Andreas H.H. | Suberg | gänzlich aufzugehen… | 1986 | Zuspiel / Tonband, 6 perf | Mez, fl, cl, tpt, trbn, perc [Mezzo, Flöte, Klarinette, Trompete, Posaune, Schlagzeug] | 0 | ||||||||||||
| 27360 | Andreas H.H. | Suberg | Glacé | 1991 | Zuspiel, live-elec, 5 perf | 12:41 | 5 perf, (Glasins, Kbd, synt) [Performer] | Ensemble Glasotronic: R. Nakamura | WER NZ 5/2009 „Fragile Klänge - Glasotronik“/ | Firma Derix Glasstudios, Taunusstein | 8.6.1991 | Taunusstein | 1 | http://www.glasotronik.de/ | |||||
| 31017 | Andreas H.H. | Suberg | Glacé Feedback 01 | 2007 | Zuspiel, live-elec, 1 perf | perf [Performer] | 1.12.2007 | Museum für Deutsche Glasmalerei, Linnich Glasotronik-Ensemble |
0 | http://www.glasotronik.de/ | |||||||||
| 31018 | Andreas H.H. | Suberg | Glacé Feedback 02 | 2005 | audiovisuell, live-elec, 1 perf | perf [Performer] | 28.04.07 | Museum Schloss Ettlingen | 0 | ||||||||||
| 31022 | Andreas H.H. | Suberg | HAUS-Musik | 2003/2004 | Zuspiel / Tonband, 13 perf | 12 Sp, p [Sprecher, Piano] | Klang Art St Freiburg | Museum Schloß Moyland anläßlich einer Ausstellung von René Acht | 13.3.2004 | Museum Schloss Moyland, Kleve | 0 | ||||||||
| 31032 | Andreas H.H. | Suberg | Hörkaleidoskop | 2003/2004 | Zuspiel / Tonband, 13 perf | 12 Sp, p [Sprecher, Piano] | Klang Art St Freiburg | Museum Schloß Moyland |
0 | ||||||||||
| 31011 | Andreas H.H. | Suberg | I dadi | 2005/2006 | audiovisuell, live-elec, 3 perf | 3 perf, (video) [Performer] | ach der 19. Prophezeiung von Leonardo da Vinci | Klang Art St Freiburg | 20.12.2006 | Profectio, KlangWerk, E-Werk-Hallen für Kunst, Freiburg | 0 | ||||||||
| 31012 | Andreas H.H. | Suberg | I papiri | 2007 | live-elec, 3 perf | Counter-T, 2 perf ad lib [Tenor, Performer] | nach der 18. Prophezeiung von Leonardo da Vinci | Klang Art St Freiburg | 6.6.2010 | Silvarouvres, Champagne | 0 | ||||||||
| 31010 | Andreas H.H. | Suberg | Il trittico della passione, Delle scolture – Stigmata – De’ crocifissi venduti | live-elec, 2 perf | S, tpt, (elec) [Sopran, Trompete] | nach Prophezeiungen von Leonardo da Vinci | Klang Art St Freiburg | KlangArt – Festival, Osnabrück | 16.6.2001 | Osnabrück; Ensemble – Brass of the Moving Image; Ltg.: Rochus Aust | 0 | ||||||||
| 31040 | Andreas H.H. | Suberg | Innere Mumie | 2013 | live-elec, 4 perf | 3 perf, prep p [Piano, Performer] | Groteskes Szenarium | Klang Art St Freiburg | 0 | ||||||||||
| 27357 | Andreas H.H. | Suberg | Lineamente | 1990 | Zuspiel, live-elec, 5 perf | 16:51 | 5 Spieler, (Glasins, synt) [Performer] | Ensemble Glasotronic | WER NZ 5/2009 „Fragile Klänge - Glasotronik“/ | Stadt Langen | 8.3.1990 | Stadthalle Langen | 1 | http://www.glasotronik.de/ | |||||
| 31047 | Andreas H.H. | Suberg | magneto | Klangkunst, Installation | audiovisuell |
Octo | 0 | http://www.glasotronik.de/ | ||||||||||||
| 31036 | Andreas H.H. | Suberg | même | 2011 | audiovisuell | Octo | 26.Mai 2011 | Netzwerk Neue Musik, mehrklang festival, Elisabeth Schneider Stiftung, Freiburg | 0 | http://www.glasotronik.de/ | |||||||||
| 31035 | Andreas H.H. | Suberg | mouvement contrôlé 04 | 2013 | Zuspiel, live-elec, 4 perf | 4 perf [Performer] | 0 | ||||||||||||
| 31037 | Andreas H.H. | Suberg | O infelici amanti, même | 2012/2013 | Zuspiel, live-elec, 1 perf | Counter-T [Tenor] | 0 | http://www.glasotronik.de/ | |||||||||||
| 31028 | Andreas H.H. | Suberg | rondeau de verre | 2007/2010 | audiovisuell, live-elec, 3 perf | Counter-T, 2 perf, (video) [Tenor, Performer] | Klang Art St Freiburg | 8.3.2010 | Langen (Hessen) – Glasotronik-Ensemble | 0 | http://www.glasotronik.de/ | ||||||||
| 31031 | Andreas H.H. | Suberg | rondeau de verre | 2007/2011 | audiovisuell | Klang Art St Freiburg | 18.2.2012 | Tage für Neue Musik Darmstadt | 0 | ||||||||||
| 39572 | Andreas H.H. | Suberg | Schwerpunktjongleur (Center of Gravity-Jongleur) | 2017 | fixed media, akusmatisch | Andreas H.H. Suberg | 0 | ||||||||||||
| 31015 | Andreas H.H. | Suberg | sei morgen…, Version 2 | 2001/2008 | Zuspiel / Tonband, 1 group | ch [Chor] | nach dem gleichnamigen Gedicht von Albrecht Rieger | 23.2.2008 | Tage für Neue Musik, Darmstadt | 0 | |||||||||
| 31021 | Andreas H.H. | Suberg | Signalstrom +- | 1999 | Zuspiel / Tonband, 2 perf | Stereo | 2 tpt [Trompete] | HfMT Köln | CD-Auftragsproduktion anläßlich der Eröffnung des Museums Schloss Moyland | 21.2.1999 | Tage für Neue Musik, Darmstadt, Mitschnitt HR | 0 | |||||||
| 31023 | Andreas H.H. | Suberg | TURM-Musik | 2008/2009 | live-elec, 9 perf | 8 Sp, tpt [Sprecher, Trompete] | nach und mit Texten von Gaston Bachelard, Joe Bousquet, Henri Bosco und Carl Gustav Jung | installativen Ausstellung Turm-Haus-Dialog mit Turm-Häusern von René Acht | 24.4.2009 | Kulturwerk T66, Freiburg | 0 | ||||||||
| 27358 | Andreas H.H. | Suberg | Was Dir Dein Sehnen aus den Scherben schmolz | 1997 | Zuspiel / Tonband, 2 perf | 8:38 | Quadro | Counter-T, Glas-perc [Tenor, Schlagzeug] | Ensemble Glasotronic nach einem Text von Albrecht Rieger |
WER NZ 5/2009 „Fragile Klänge - Glasotronik“/ | HfMT Köln | 15.2.1997 | Tage für Neue Musik, Darmstadt, Mitschnitt HR | 1 | |||||
| 31045 | Andreas H.H., Nikolaus | Suberg, Heyduck | Der Tonbandmodulator in Bild und Klang | 2004/2005 | Klangkunst, Installation | 20.2.2005 | Leopold-Hoesch-Museum Düren | 0 | |||||||||||
| 31030 | Andreas H.H., Nikolaus | Suberg, Heyduck | Glacé Feedback | 2005 | audiovisuell | 12.3. 2005 | Leopold-Hoesch-Museum Düren | 0 | |||||||||||
| 31044 | Andreas H.H., Nikolaus | Suberg, Heyduck | Kubus (Brich den Stab) | 2005 | Klangkunst, Installation | audiovisuell |
20.2.2005 | Leopold-Hoesch-Museum Düren | 0 | |||||||||||
| 31029 | Andreas H.H., Nikolaus, Andreij | Suberg, Heyduck, Roumiantsev | Trans | 1991 | audiovisuell | 6.7.1991 | Forum Neue Musik Langen | 0 | |||||||||||
| 22690 | Dimitry | Subochov | In the Ages of Motion | fixed media, akusmatisch | 11:00 | Theremin C. Moscou | 1 | ||||||||||||
| 16420 | Morton | Subotnick | A fluttering of wings | 1981 | Zuspiel / Tonband, 4 perf | 24:07 | str-qt [Streicher] | from "Amphibians" | Nonesuch 78020/ WER 73122/ | IRCAM | NEA for the Juilliard String Quartet | 14.10.1982 | Library of Congress | 1 | |||||
| 26825 | Morton | Subotnick | A sky of cloudless Sulphur | 1978/2011 | fixed media, akusmatisch | audiovisuell, live-elec, |
25:00 | Octo | Opening (11:14) and Dance (14:54) | mode 97 DVD & CD, Subotnik Vol. 1/ mode 237 DVD/ | 0 | http://www.moderecords.com/catalog/097subotnick.html | ||||||||
| 20811 | Morton | Subotnick | All my Hummingbirds have alibis | 1991 | live-elec, 3 perf | 28:46 | Stereo | ins, V, MIDI p, [Stimme, Piano, Instrument] | 2 parts | NWR 80514/ hap vol 18 - 3/ | 0 | ||||||||
| 20812 | Morton | Subotnick | And the Butterfly begin to sing | 1988 | live-elec, 6 perf | 34:01 | Stereo | str-qt, db, MIDI p, [Piano, Kontrabass, Streicher] | 4 parts | NWR 80514/ | Santa Fe Chamber Music Festival | 31.07.1988 | Santa Fe, New Mexico | 0 | |||||
| 16421 | Morton | Subotnick | Ascent into air, (part 1 of "The Double Life of Amphibians") | 1982 | live-elec, 10 perf | 24:00 | 2 vc, 2 p, 2 perc, 2 cl, 2 trbn, [Klarinette, Posaune, Piano, Schlagzeug, Cello] | Nonesuch 78020/ WER 73122/ | IRCAM | Centre Georges Pompidou | January 18, 1982 | Ensemble Intercontemporain conducted by Peter Eötvös at IRCAM in Paris | 1 | 1983 | |||||
| 16422 | Morton | Subotnick | Axolotl | 1980 | live-elec, 1 perf | 17:21 | vc [Cello] | from "Amphibians" | Nonesuch N 78012/ WER 73122/ | Joel Krosnick | 13.02.1981 | Library of Congress | 1 | http://www.mortonsubotnick.com/index.html | |||||
| 16423 | Morton | Subotnick | Danton's Death | 1965 | Theatermusik | 40:00 | Stereo + Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 32690 | Morton | Subotnick | Four Butterflies, Butterfly No. 1 Interlude Butterfly No. 2 Butterfly No. 3 Interlude Butterfly No. 4 |
1973 | Film | fixed media, akusmatisch |
Quadro | 4-ch-tape & 2 films; made on the Electric Music Box | mode 237 DVD/ Columbia M 32741/ | 1 | ||||||||||
| 16424 | Morton | Subotnick | Galileo | 1962 | Theatermusik | 30:00 | Stereo + Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 26826 | Morton | Subotnick | Gestures: It begins with Colors | 1999 - 2001 | fixed media, akusmatisch | 15:59 | Surround 5.1 | with Joan la Barbara (Voice) | mode 97 DVD & CD, Subotnik Vol. 1/ | 0 | http://www.moderecords.com/catalog/097subotnick.html | ||||||||
| 36625 | Morton | Subotnick | Intimate Immensity ( Prologue - Fire ) | 1997 | live-elec, 3 perf | 3 perf, (2 com-p, com) [Performer] | Centaur CRC 2490, CDCM Vol. 30/ | Calarts | 0 | ||||||||||
| 21562 | Morton | Subotnick | It begins … | 1997 | Zuspiel / Tonband, 3 perf | 6:00 | 3 V [Stimme] | a media poem | Calarts | 1 | |||||||||
| 25666 | Morton | Subotnick | Jacob’s Room | 1986 | Zuspiel, live-elec, 2 perf | 24:57 | Stereo | S, vc, (com) [Sopran, Cello] | Parts I and II was realized with the Yamaha Computer-Assisted Music System. |
WER 2014-50/ CMJ Vol 30-4, 2006/ CMJ Vol 12, 1988/ | Metamusic Productions | Betty Freeman | 1 | ||||||
| 16425 | Morton | Subotnick | King Lear | 1960 | Theatermusik | 40:00 | Stereo + Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 16426 | Morton | Subotnick | Lamenation | 1970 | Zuspiel / Tonband, 1 group | orc [Orchester] | SanFran Tape M. C. | 0 | |||||||||||
| 16427 | Morton | Subotnick | Mandolin | 1963 | audiovisuell, 1 perf | 18:00 | Stereo | va, (film, tape) [Viola] | visual composition: Tony Martin | wow & flutter 1961 - now, DVD/ Boomkat bundle_49/ SR 200 sub rosa/ | SanFran Tape M. C. | Schott Music | 1 | ||||||
| 16428 | Morton | Subotnick | Parades and Changes | 1967 | Musiktheater | 75:00 | Stereo | new version | Sch of the Arts NY | 0 | |||||||||
| 16429 | Morton | Subotnick | Play! #1 | 1964 | Zuspiel / Tonband, 6 perf | 17:00 | Stereo | ww-qnt, p, (film) [Piano, Bläser] | SanFran Tape M. C. | 0 | |||||||||
| 16430 | Morton | Subotnick | Play! #2 | 1964 | Zuspiel / Tonband, 1 group | 9:00 | Stereo | orc [Orchester] | SanFran Tape M. C. | 0 | |||||||||
| 16431 | Morton | Subotnick | Play! #3 | 1965 | Zuspiel / Tonband, 1 perf | 2:00 | Stereo | player, (film) [Performer] | SanFran Tape M. C. | 0 | |||||||||
| 16432 | Morton | Subotnick | Play! #4 | 1967 | Zuspiel/Tonband, 4 perf | Film |
17:00 | Stereo | S, 3 ins, (2 films) [Sopran, Instrument] | Sch of the Arts NY | 0 | |||||||||
| 16433 | Morton | Subotnick | Prelude #3 | 1964 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | p [Piano] | SanFran Tape M. C., Uni Waltham | 0 | |||||||||
| 16434 | Morton | Subotnick | Prelude #4 | 1966 | Zuspiel / Tonband, 1 perf | p [Piano] | Buchla | SanFran Tape M. C., Sch of the Arts NY | 0 | ||||||||||
| 26162 | Morton | Subotnick | Release | 2004 | live-elec, 4 perf | 34:00 | vn, vc, cl, p, [Klarinette, Piano, Cello, Violine] | Nick Williams - Com- Operator | wow & flutter 1961 - now, DVD/ | 1 | |||||||||
| 20813 | Morton | Subotnick | Return | 1985 | fixed media, akusmatisch | 39:07 | Stereo | NA 012 CD/ | 1 | ||||||||||
| 16435 | Morton | Subotnick | Serenade #3 | 1964 | Zuspiel / Tonband, 4 perf | 11:00 | Stereo | fl, cl, vn, p [Flöte, Klarinette, Piano, Violine] | SanFran Tape M. C. | 0 | |||||||||
| 26824 | Morton | Subotnick | Sidewinder | 1976 | fixed media, akusmatisch | 29:00 | Quadro | mode 132 DVD & CD, Subotnik Vol. 2/ Ellipsis Arts 3694 - OHM DVD/ Columbia M 30683/ | 1 | http://www.moderecords.com/ | |||||||||
| 16436 | Morton | Subotnick | Silver Apples of the Moon | 1968 | Zuspiel / Tonband, 1 perf | 31:30 | synt [synthesizer] | Buchla, 2 parts | nonesuch H 71174/ WER 2035 2/ Ellipsis Arts 3672 - OHM: 02/ IDEAMA CD 075/ | SanFran Tape M. C. | nonesuch | 1 | |||||||
| 16437 | Morton | Subotnick | Soundblocks, a Heroic Vision | 1959 | Zuspiel / Tonband, 4 perf | 32:00 | Stereo | 4 ins, slides [Instrument] | SanFran Tape M. C. | 0 | |||||||||
| 16438 | Morton | Subotnick | Suite from "Danton's Death" | 1965 | fixed media, akusmatisch | 9:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 16439 | Morton | Subotnick | The Balcony | 1962 | Theatermusik | 20:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 16440 | Morton | Subotnick | The Computer and the Mind of Man | 1961 | Fernsehen, | 6* 10:00 | Mono | 6 TV-Films | SanFran Tape M. C. | 0 | |||||||||
| 16441 | Morton | Subotnick | The double life of amphibians | 1981/1982 | Zuspiel, live-elec, 15 perf | 26:00 | str-qt, vc, 10 ins [Cello, Instrument, Streicher] | WER 73122/ | IRCAM | 0 | |||||||||
| 20814 | Morton | Subotnick | The Key to Songs | 1985 | live-elec, 1 group | 22:42 | Stereo | amp ens [Ensemble] | NA 012 CD/ MC 001 Mills College/ hap vol 18 - 3/ | CCM Mills | Fromm Foundation | 1 | |||||||
| 16442 | Morton | Subotnick | The Tarot, Part 2 | 1963 | Zuspiel / Tonband, 10 perf | 10:00 | Mono | 10 ins [Instrument] | SanFran Tape M. C. | 0 | |||||||||
| 16443 | Morton | Subotnick | The Tarot, Part 3 | 1965 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | S, (projection) [Sopran] | SanFran Tape M. C. | 0 | |||||||||
| 16444 | Morton | Subotnick | The wild Beasts, Wild Beasts | 1978 | live-elec, 2 perf | 26:51 | trbn, p [Posaune, Piano] | Nonesuch N 78012/ WER 73112/ | Miles Anderson | 03.1978 | Miles Anderson and Virko Baley at the Contemporary Music Festival, Valencia, California |
1 | |||||||
| 16445 | Morton | Subotnick | The Wild Bull, a comosition for electronic-music synthesizer | 1968 | Zuspiel / Tonband, 1 perf | 28:10 | synt [synthesizer] | Buchla after a sumerian poem „the wild bull“ 2 parts |
nonesuch H 71208/ WER 2035 2/ IDEAMA CD 076/ | SanFran Tape M. C. | nonesuch | 1 | |||||||
| 25665 | Morton | Subotnick | Touch | 1969 | fixed media, akusmatisch | 30:18 | Quadro | Parts I (14:55) and II (15:24) | WER 2014-50/ mode 97 DVD & CD, Subotnik Vol. 1/ CMJ Vol 30-4, 2006/ nonesuch MS 7316/ IDEAMA CD 082/ CMJ Vol 12, 1988/ | Studio Strada | Columbia Records | 1 | http://www.moderecords.com/ | ||||||
| 16446 | Morton | Subotnick | Trembling | 1983 | live-elec, 3 perf | 17:38 | Stereo | vn, p, ("Ghost"-) elec [Piano, Violine, elektronik] | Centaur CRC 2170, CDCM Vol. 14/ hap vol 18 - 3/ | 1 | |||||||||
| 16447 | Morton | Subotnick | UCLA | 1964 | fixed media, akusmatisch | 5:10 | Stereo | SanFran Tape M. C., Uni Waltham | 0 | ||||||||||
| 26159 | Morton | Subotnick | Until Spring Revisited | 1976/2003 | fixed media, akusmatisch | audiovisuell, live-elec, 1 perf |
13:05 | Quadro | glass-hp [Harfe] | wow & flutter 1961 - now, DVD/ mode 132 DVD & CD, Subotnik Vol. 2/ mode 237 DVD/ | 1 | http://www.moderecords.com/ | ||||||||
| 16448 | Morton | Subotnick | Waiting for Godot | 1961 | Musiktheater | 20:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 16449 | Morton | Subotnick | Yod | 1961 | fixed media, akusmatisch | 12:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 26154 | Jiri | Suchánek | Pec, Furnace | 2006 | radiophon | 17:22 | Stereo | radiocustica selected 2006 Cesky rozhlas/ | Czech Radio Prague | 1 | |||||||||
| 39873 | Jacob | Sudol | Vanished into the Clouds | 2015 | fixed media, akusmatisch | 10:34:00 | Jacob Sudol | 0 | |||||||||||
| 24478 | Ulrich | Süße | Cordealement | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 16451 | Ulrich | Süße | Dieses Stück | fixed media, akusmatisch | 10:00 | Ornament CH 7.921/ | HfM Stuttgart | 1 | |||||||||||
| 16452 | Ulrich | Süße | engcaged | 1992 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | HfM Stuttgart | 0 | ||||||||||
| 24812 | Ulrich | Süße | Klangbild AE7 | 1993 | fixed media, akusmatisch | 6:24 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 16453 | Ulrich | Süße | Les vusions | 1993 | fixed media, akusmatisch | 10:37 | LDC 2781106/ | HfM Stuttgart | 0 | ||||||||||
| 16454 | Ulrich | Süße | Luft | 1986 | Zuspiel, live-elec, 1 perf | 8:17 | Stereo | vn [Violine] | FCD 368318/ | HfM Stuttgart | 1 | ||||||||
| 16455 | Ulrich | Süße | no player | 1982 | Zuspiel, live-elec, 6 perf | 17:41 | Stereo | S, 2 p, fl, sax, trbn [Sopran, Flöte, Saxophon, Posaune, Piano] | FCD 368318/ | HfM Stuttgart | 1 | ||||||||
| 16456 | Ulrich | Süße | Oboe | 1974/1981 | Zuspiel, live-elec, 1 perf | 21:49 | Stereo | ob, (elec delay, rm) [Oboe] | FCD 368318/ Ornament CH 7.921/ | HfM Stuttgart | 1 | ||||||||
| 16458 | Ulrich | Süße | PAX | 1991 | Theatermusik | Stereo | Th-piece by D. Levy | HfM Stuttgart | 0 | ||||||||||
| 16460 | Ulrich | Süße | Start | 1972 | Zuspiel / Tonband, 1 group | orc [Orchester] | HfM Stuttgart | 0 | |||||||||||
| 16461 | Ulrich | Süße | Zwischen 1750 und … Zeit - Los | 1990 | Zuspiel, live-elec, 2 perf | Stereo | synt, sam [computer, synthesizer] | HfM Stuttgart | 0 | ||||||||||
| 16462 | Ulrich | Süße | Zwischen Frühling und Herbst | 1983 | Zuspiel / Tonband, 1 perf | 15:23 | 3 tracks | str orc, org [Orgel, Orchester] | FCD 368318/ | HfM Stuttgart | 1 | ||||||||
| 16450 | Ulrich, Jürgen | Süße, Bräuninger | …anywhere far | 1991 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | HfM Stuttgart | 0 | ||||||||||
| 16459 | Ulrich, David | Süße, Mason | Pfiff der Zeit | fixed media, akusmatisch | intermedia |
MIDI & slides. Musik von Süsse : AE7 | HfM Stuttgart | 0 | ||||||||||||
| 16463 | Miklós | Sugár | Pages dessinées | 1991 | fixed media, akusmatisch | 8:00 | Stereo | MR Budapest | 0 | ||||||||||
| 16464 | Miklós | Sugár | Shapes | 1990 | fixed media, akusmatisch | 16:20 | Stereo | MR Budapest | 0 | ||||||||||
| 36459 | Keiichi | Sugimoto | Tum | 2007 | radiophon | 4:18:00 | EDRM 417/ | 0 | |||||||||||
| 36471 | Taku | Sugimoto | Tengu In Linguistics | 2007 | radiophon | 4:11:00 | and 26/ | 0 | |||||||||||
| 31761 | Wilson | Sukorski | Chuva Vermelha, Red Rain | 2005 | audiovisuell | 6:10 | exc. from Luiz Duva’s Live Images project: Vermelho Sangue. Csound |
SBME 008 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 34170 | Marc | Sullivan | Talking to Myself, Too | fixed media, akusmatisch | 8:17 | 0 | http://ada.evergreen.edu/~arunc/Compositions/Sullivan.mp3 | ||||||||||||
| 38412 | Marc | Sullivan | Thirty-two Prose Segments: A Computer Sound In Child's Speech | 1998 | fixed media, akusmatisch | 12:23 | Neuma 450-99/ | 0 | |||||||||||
| 31971 | Marc | Sullivan | Twists and Notts | fixed media, akusmatisch | 9:29:00 | Inventionen 1990; Vorstellung durch Herbert Brün | 1 | 1990 | |||||||||||
| 42944 | Mark | Sullivan | “Talking to myself too” | 2013 | fixed media, akusmatisch | 8:17:00 | 0 | ||||||||||||
| 43034 | Matthew | Sullivan | Armodafinil | 2013 | live-elec, 1 perf | 7:20:00 | trbn [Posaune] | Haim Avitsur, trombone | 0 | ||||||||||
| 16465 | Lepo | Sumera | Ofanim | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 16466 | Satoshi | Sumitani | Andromeda Festival | 1965 | fixed media, akusmatisch | 9:00 | Uni Tokyo | 0 | |||||||||||
| 16467 | Satoshi | Sumitani | Garden on air | 1965 | fixed media, akusmatisch | 9:13 | Uni Tokyo | 0 | |||||||||||
| 16468 | Satoshi | Sumitani | Mirror concave | 1978 | fixed media, akusmatisch | 14:45 | Quadro | ETSM Tokyo | 1 | ||||||||||
| 16469 | Satoshi | Sumitani | Nought | 1980 | fixed media, akusmatisch | 18:40 | Quadro | ETSM Tokyo | 1 | ||||||||||
| 16470 | Satoshi | Sumitani | Quark - G | 1982 | fixed media, akusmatisch | 18:00 | Quadro | 1 | |||||||||||
| 16471 | Satoshi | Sumitani | Revealed Beam | 1963 | fixed media, akusmatisch | 15:00 | Uni Tokyo | 0 | |||||||||||
| 16472 | Lars | Summanen | Den andra existensen | 1975 | fixed media, akusmatisch | 7:13 | Mono | EMS Stockholm | 0 | ||||||||||
| 16473 | Lars | Summanen | Quinta Essentia | 1973 | fixed media, akusmatisch | 8:45 | Stereo | EMS Stockholm | 0 | ||||||||||
| 16474 | Håkan | Sundborg | Brevet från staden. | 1983/1984 | radiophon | 9:46 | Stereo | EMS Stockholm | 0 | ||||||||||
| 16475 | Helge Havsgaard | Sunde | Achestra | 1990 | live-elec, 2 perf, 1 group | 08:30 | ens, 2 Kbd [Keyboard, Ensemble] | NOTAM | 0 | ||||||||||
| 16476 | Helge Havsgaard | Sunde | Riddles | Zuspiel / Tonband, 6 perf | vn, va, vc, p, 2 perc [Piano, Schlagzeug, Viola, Cello, Violine] | NOTAM | 0 | ||||||||||||
| 21984 | Helge Havsgaard | Sunde | The Dinosaur Theory | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 22432 | Paulina | Sundin | Clandestine parts | 2000 | fixed media, akusmatisch | 8:09 | 12 Tracks | Elektron EM 1002/ | EMS Stockholm, UEA Norwich | Swedish National Concerts for the open-air pavilion Elektrofonen | 2001 | Russia | 1 | http://user.tninet.se/~mbh759n/ | |||||
| 22433 | Paulina | Sundin | Crisálida | 1996 | fixed media, akusmatisch | 8:54 | soundscape south spain | Elektron EM 1002/ FYCD 1012/ | EMS Stockholm, HfM Stockholm | 1996 | Kulturhuset, Stockholm | 1 | http://user.tninet.se/~mbh759n/ | ||||||
| 16477 | Paulina | Sundin | e | 1993 | fixed media, akusmatisch | 3:00 | Stereo | EMS Stockholm | Swedish Royal Institut | 1993 | Stockholm Electronic Music Festival | 0 | http://user.tninet.se/~mbh759n/ | ||||||
| 24209 | Paulina | Sundin | Electroclips | 2001 | fixed media, akusmatisch | 3:11 | Discontact! III 2003 PeP 007/ ARIADA 2003/ | 1 | http://user.tninet.se/~mbh759n/ | ||||||||||
| 16478 | Paulina | Sundin | Kontakt | 1992 | Tanz | 5:26 | Stereo | NUMU 001, Nutida Musik/ | EMS Stockholm | 1992 | Fylkingen, Stockholm | 1 | http://user.tninet.se/~mbh759n/ | ||||||
| 22220 | Paulina | Sundin | Li Shin Chuen | 1998 | fixed media, akusmatisch | 7:59 | FYCD 1012/ | EMS Stockholm | Swedish Royal Institute | 1998 | The Music Academy, Stockholm | Swedish contribution in Rostrum -98 | 1 | http://user.tninet.se/~mbh759n/ | |||||
| 23388 | Paulina | Sundin | Med Lekande Kval | 2002 | fixed media, akusmatisch | 3:11 | ARiADA 2003/ Discontact! III 2003 PeP 007/ | UEA Norwich | 1 | http://user.tninet.se/~mbh759n/ | |||||||||
| 22434 | Paulina, Jens | Sundin, Hedman | Currents, Traffic Water Nature City |
1996 - 1998 | fixed media, akusmatisch | 12:32 | Stereo, Octo, 12 tracks | Kunstkopf soundscape Stockholm |
Elektron EM 1002/ | EMS Stockholm | 1998 | WFAE Stockholm | 1 | http://user.tninet.se/~mbh759n/ | |||||
| 27809 | Paulina, Jens | Sundin, Hedman | Inside Round | 1995 | audiovisuell | 11:00 | Concept and image: Dinka Pignon | EMS Stockholm | Swedish Royal Institut; Konsthögskolan; Svenska Rikskonserter | 1995 | Stockholm Electronic Music Festival | 0 | http://user.tninet.se/~mbh759n/ | ||||||
| 22435 | Paulina, Jens | Sundin, Hedman | Reflections | 1999 | fixed media, akusmatisch | 9:00 | Stereo, Octo | Elektron EM 1002/ | EMS Stockholm | 1999 | Nicolai kyrka, Örebro | 1 | http://user.tninet.se/~mbh759n/ | ||||||
| 16479 | Göran | Sundqvist | Ein Musikalisches Würfelspiel av Mozart | 1970 | fixed media, akusmatisch | ∞ | Stereo | com SAAB D 21; Instrumentated for 8 fourpart stereo different waveforms | EMS Stockholm | 0 | |||||||||
| 16480 | Göran | Sundqvist | Framsyn | 1970 | Hintergrundmusik | 18:00 | Mono | EMS Stockholm | 0 | ||||||||||
| 39299 | Ania | Sundstrom | isolated-disintegrated | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 16481 | Jonko | Suonio | Goom Sounds | 1982 | Yleisradio | 0 | |||||||||||||
| 20815 | Group | Supertrio | Clusters (and others) | 1994 | Zuspiel / Tonband, 1 perf | Stereo | MIDI-ins [synthesizer] | Trappist 9604/ | 0 | ||||||||||
| 36552 | Wolfgang | Suppan | weiten und male | 2007 | live-elec, 3 perf | 13:30 | T, vn, elec (gamepad, live-elec) [Tenor, Violine, elektronik] | WWE 1CD 20280 / | 0 | ||||||||||
| 16482 | Martin | Supper | Ballet IV | 1986 | Film | 12:11 | Stereo | PS CUE Berlin | 0 | ||||||||||
| 16483 | Martin | Supper | ballmusic1 | 1988 | fixed media, akusmatisch | 17:03 | Quadro | PS CUE Berlin | Werkstatt Berlin | 0 | |||||||||
| 16484 | Martin | Supper | ballmusic2 | 1988 | fixed media, akusmatisch | 2:03 | Stereo | PS CUE Berlin | 0 | ||||||||||
| 16485 | Martin | Supper | Beethoven Sinfonie 49 | 1988 | fixed media, akusmatisch | 8:33 | Octo | PS CUE Berlin | Etagenklänge (Berlin) | 0 | |||||||||
| 16486 | Martin | Supper | Das singende und springende Löweneckerchen | 1984 | Theatermusik | Stereo | Bühnenmusik zu dem gleichnamigen Stück von Barbara Honigmann | PS CUE Berlin | Städtische Bühnen Münster | Städtische Bühnen Münster | 0 | ||||||||
| 16487 | Martin | Supper | Der Weg in den Wald | 1984 | Film | Stereo | Filmmusik zu dem gleichnamigen Spielfilm von Gottfried Junker, | PS CUE Berlin | SWF | 0 | |||||||||
| 16488 | Martin | Supper | DH1 | 1988 | computer generated score, 1 perf | 2:30 | Stereo | p [Piano] | PS CUE Berlin | Symposion Klavierliteratur des XX.Jahrhunderts, Berlin | 0 | ||||||||
| 16489 | Martin | Supper | DH2 | 1989 | fixed media, akusmatisch | 12 - 18 12:30 | Stereo | Cybele 960.203/ DegeM CD 03/ | PS CUE Berlin | 5.2.1989 | Inventionen Künstlerhaus Bethanien Berlin Studio 1 | Weltmusiktage 1990 in Oslo | 1 | 1989 | |||||
| 16490 | Martin | Supper | DH9 | 1995 | fixed media, akusmatisch | 7:00 | PS C. | Festival Omaggio a Gottfried Michael Koenig, Rom | 0 | ||||||||||
| 31049 | Martin | Supper | Die Metamorphosen des Ovid | 1987 | Theatermusik | Elektroakustische Klangstrukturen zu dem gleichnamigen Stück von Achim Freyer, Dieter Schnebel und Urs Troller | Burgtheater Wien | 0 | |||||||||||
| 31061 | Martin | Supper | fragment | 2003 | Zuspiel / Tonband, 1 perf | Stereo | Sp [Sprecher] | Perspectives of New Music, Vol. 43/44, 2005/06/ | Tempo Reale Firenze (Luciano Berio) | 0 | |||||||||
| 31057 | Martin | Supper | fragmente | 1999 | Zuspiel / Tonband, 2 perf | Octo | 2 V [Stimme] | für zwei Stimmen, Tonband und 8 Lautsprecher | WER T 5682/ | SFB (Sender Freies Berlin) | Kryptonale '99. Stimmen: Robert Podlesny, Hanns Zischler | 0 | |||||||
| 31059 | Martin | Supper | fragmente II | 2000 | Zuspiel / Tonband, 3 perf | Octo | perc, fl, p [Flöte, Piano, Schlagzeug] | Caren Levine | Dezember 2000 | Berlin | 0 | ||||||||
| 16491 | Martin | Supper | Fremde Heimat | 1991 | Fernsehen, | Stereo | Auftragskomposition zu der gleichnamigen Sendung, Redaktion Kleines Fernsehspiel | PS C. | 3sat/ZDF | 0 | |||||||||
| 31063 | Martin | Supper | gEXX | 2006 | Klangkunst, Installation | 94 Tracks | Klanginstallation für 94 Lautsprecher und 338 unterschiedliche Stimmgabeln aus dem Nachlass von August Eduard Grell (1800-1896). | Staatlichen Institutes für Musikforschung Preußischer Kulturbesitz Berlin | SIM Berlin | 0 | |||||||||
| 16492 | Martin | Supper | …grammatische Fiktion | 1994 | Klangkunst, Installation | Stereo | PS C. | Mies van der Rohe Haus, Berlin | 0 | ||||||||||
| 31055 | Martin | Supper | »… grammatische Fiktion II« | 1998 | fixed media, akusmatisch | Quadro | Akademie der Künste Berlin, Elektroakustischer Salon | 0 | |||||||||||
| 16493 | Martin | Supper | icCa… | 1993 | Zuspiel / Tonband, 1 group | 15:00 | Stereo | ens [Ensemble] | HdK Berlin | Ensemble "Zwischentöne" Berlin | Berlin | 0 | |||||||
| 16494 | Martin | Supper | IMPLANTAT | 1992 | Performance | 6 | PS C. | "Treppenhaus" Berlin | Berlin | 0 | |||||||||
| 31050 | Martin | Supper | Kasimir und Karoline | 1995 | Theatermusik | Musik zum gleichnamigen Stück von Ödön von Horváth, Regie Urs Troller | Düsseldorfer Schauspielhaus | 0 | |||||||||||
| 16495 | Martin | Supper | Kein Anschluß dieser Nummer | 1988 | Klangkunst, Installation | 21:45 | Stereo | PS CUE Berlin | Kreuzberger Klangbilder, Berlin | 0 | |||||||||
| 16496 | Martin | Supper | KYMATOCHOROS | 1986 | Klangkunst, Installation | 3 tracks | PS CUE Berlin | Ausstellung Lichtjahre, Künstlerhaus Wien | 0 | ||||||||||
| 37682 | Martin | Supper | lin t | 2017 | fixed media, akusmatisch | 4:34 | DegeM CD 15/ | 0 | |||||||||||
| 31056 | Martin | Supper | minimal phasing | 1999 | Klangkunst, Installation | Klanginstallation | Auftrag der Berliner Gesellschaft für Neue Musik (BGNM) für das Festival "minimalisms" | Festival "minimalisms" Berlin, mit Katalog | 0 | ||||||||||
| 31062 | Martin | Supper | minimal phasing 2 | 2004 | Zuspiel / Tonband, 1 perf | rec [Flöte] | Gerd Lünenberger | Chalon-sur-Saône, Frankreich | 0 | ||||||||||
| 31054 | Martin | Supper | Onde Sonore | 1998 | Klangkunst, Installation | Klanginstallation | Villa Contarini, Piazzola sul Brenta | Padua | 0 | ||||||||||
| 16497 | Martin | Supper | passage 31 | 1987 | fixed media, akusmatisch | 15:27 | Stereo | PS CUE Berlin | Kreuzberger Klangbilder, Berlin | 0 | |||||||||
| 16498 | Martin | Supper | Phantastischer Garten | 1986 | Hintergrundmusik | Stereo | PS CUE Berlin | Schloss Rheda | 0 | ||||||||||
| 16499 | Martin | Supper | Phantastisches Mobiliar | 1983 | Hintergrundmusik | Stereo | PS CUE Berlin | Schloss Lembeck | 0 | ||||||||||
| 31064 | Martin | Supper | phasing | 2007 | Zuspiel / Tonband, 3 perf | trio [Instrument] | Hugh Lane Gallery, Dublin. the a.m.m. trio. Francis Bacon Studio |
0 | |||||||||||
| 31052 | Martin | Supper | RadioArt | 1997 | Klangkunst, Installation | Installation | Auftrag für das Festival »5 Jahre Podewil« | Berlin | 0 | ||||||||||
| 16500 | Martin | Supper | SON | 1981 | Klangkunst, Installation | 30:00 | Stereo | Sonology Utrecht | INTENSIE-Festival (Nijmegen) | Nijmegen | 0 | ||||||||
| 33493 | Martin | Supper | sound - colour | 2006 | fixed media, akusmatisch | ad lib. | Stereo | 0 | |||||||||||
| 16501 | Martin | Supper | SPIEGELUNGEN (respecchione) | 1983 | Klangkunst, Installation | Stereo | PS CUE Berlin | FIORETTA galleria d'arte, Padua | 0 | ||||||||||
| 31060 | Martin | Supper | Spiegelungen II | 2001 | Klangkunst, Installation | Klanginstallation | Juni 2001 | Symposion und Konzertreihe »Tonbilder — Klangfiguren«, Beethoven-Saal, Konzerthaus Berlin | 0 | ||||||||||
| 16502 | Martin | Supper | Stehende Wellen | 1989 | Klangkunst, Installation | Stereo | PS CUE Berlin | Giannozzo Berlin | GIANNOZZO, Berlin | 0 | |||||||||
| 16503 | Martin | Supper | Stehende Wellen 2 | 1994 | Klangkunst, Installation | Stereo | PS C. | Festival Irrton der Berliner Gesellschaft für Neue Musik (BGNM), Berlin | 0 | ||||||||||
| 16504 | Martin | Supper | Traum und Musik, Klanggestalten auf der Bühne des Unbewußten | 1994 | radiophon | 120:00 | Stereo | Musik zur gleichnamigen Rundfunk-Sendung von Claus Henning Bachmann, SFB3 | PS C. | SFB 3 | 0 | ||||||||
| 31051 | Martin | Supper | Vom Unsichtbaren zum Sichtbaren und wieder zurück | 1996 | Musiktheater, 3 perf | 3 tracks | actor, vn, A [Alt, Violine, Schauspieler] | für 1 Pantomime, 1 Geiger, 1 Altistin, 3 Lautsprecher und 1 Zuspielband mit drei Spuren, Regie Michael Hirsch | Symposion »Musik und Szene in Memoriam Ruth Berghaus« | Brandenburgisches Colloquium für Neue Musik (BCNM), Rheinsberg. | 0 | ||||||||
| 31053 | Martin | Supper | Vom Unsichtbaren zum Sichtbaren und wieder zurück, Version '97 | 1997 | Klangkunst, Installation | 3 tracks | für 5 Figuren und 3 Lautsprecher. Regie Christian Kesten | Auftrag der Klangwerkstatt 1997 | Berlin | 0 | |||||||||
| 16505 | Martin | Supper | Von Wegen und Zeichen, musique d'ameublement | 1984 | Klangkunst, Installation | Stereo | PS CUE Berlin | Ausstellung VON WEGEN ZEICHEN, Berlin | 0 | ||||||||||
| 31058 | Martin, Johannes | Supper, Oberthür | STILLEGUNG | 2000 | Klangkunst, Installation | Klanginstallation, Kooperation mit Johannes Oberthür | Kehrer Verlag ISBN 978-3-939583-23-3/ | Singuhr Hœrgalerie in Parochial | August 2000 | Berlin | 0 | ||||||||
| 41954 | James | Surgenor | Flux | fixed media, akusmatisch | 0 | ||||||||||||||
| 41981 | James | Surgenor | Twist and Turn | 2016 | fixed media, akusmatisch | 8:36 | Musica Nova 2016 International Competition of Electroacoustic Music (Prague, Czech Republic) | 0 | |||||||||||
| 16506 | Horia | Surianu | * | 1983 | fixed media, akusmatisch | 21:34 | UEA Norwich | 0 | |||||||||||
| 16507 | William | Susman | Cityscape | 1983 | fixed media, akusmatisch | 11:00 | Quadro | CCRMA | 0 | ||||||||||
| 16508 | William | Susman | Pentateuch | 1985 | computer generated score, 1 perf, 4 groups | 17:00 | S, 3 ch, orc [Sopran, Chor, Orchester] | CCRMA | BMI prize for young composers 1985 | 0 | |||||||||
| 16509 | Alan | Sutcliffe | Spasmo | 1969 | Zuspiel / Tonband, 1 perf | Stereo | p, slides [Piano] | EMS_London | 0 | ||||||||||
| 16510 | Robert | Suter | Marcia Funebre | 1980/1981 | Zuspiel / Tonband, 3 perf, 1 group | 25:00 | orc, 3 S [Sopran, Orchester] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 42836 | Ben | Sutherland | Cicada Mechanics | 2013 | fixed media, akusmatisch | 5:31:00 | 0 | ||||||||||||
| 23224 | Matthew | Suttor | He Gives What He Like | 1997 | fixed media, akusmatisch | 11:07 | UWMD 1200 New Zealand Sonic Art 2000/ | Col.Princ EMC, Uni Auckland | 1 | ||||||||||
| 28375 | Akio | Suzuki | Cardboard Box Analapos |
1994 | Performance | perf [Performer] | 1 | 1994 | |||||||||||
| 23355 | Akio | Suzuki | Odds and Ends, 10 Klanginstallationen Voice Analapos-70 Blue from Gold Ancient Hill Aeolian Harp als-ob Ha Go Ro Mo Howling Object -76 Plate Juggeling -79 Ha Cha Me Cha - Drumming Ta Yu Ta I #2 |
1970 - 2001 | Klangkunst, Installation | 140:00 | 10 Beispiele seiner Klanginstallationen von ca. 1970 bis 2001; teils konzeptuelle Werke, selbstgemachte Instrumente, Stück für Ens. Zwischentöne (Ta Yu Ta I) | MIMI 012 Hören/ MIMI 013 Hören/ Farpoint Recordings Cork 2005/ | 1 | ||||||||||
| 28393 | Akio | Suzuki | Ta Yu Ta I #2 | 2002 | Klangkunst, Installation | 10:18 | Im Rahmen von „Sound Out“ in der „National Sculpture Factory“ in Cork (Irland) - Kulturhauptstadt Europas 2005; CD-Beilage zum gleichnamigen Katalog. Composition for Ensemble Zwischentöne Berlin; entnommen von „Odds & Ends“ Horen MIMI-012/13 |
Farpoint Recordings Cork 2005/ | 1 | ||||||||||
| 23356 | Akio | Suzuki | Time's Hole #2 | 1976 | fixed media, akusmatisch | 11:00 | MIMI 012 Hören/ | 1 | |||||||||||
| 28390 | Akio | Suzuki | XVteen | 2003 | Klangkunst, Installation | (tubes) [] | DVD-Video (PAL, 4/3) von Festival „Archipel“ vom 30.3.-6.4.2003 (Genf) 2004. DVD-Titel: The Third Ear |
archipel the third ear | 1 | ||||||||||
| 34250 | Akio | Suzuki | Zeitstudie | 1984 | Klangkunst, Installation | 55 | Edition Giannozzo/ | 0 | |||||||||||
| 36341 | Haruyuki | Suzuki | Bustling For Luc | 2007 | fixed media, akusmatisch | 6:17 | OPX 002/ | 0 | |||||||||||
| 36340 | Haruyuki | Suzuki | Circuit II | 2006 | fixed media, akusmatisch | 20:42 | OPX 002/ | 0 | |||||||||||
| 36338 | Haruyuki | Suzuki | Concret II | 1985 | fixed media, akusmatisch | 9:21 | OPX 002/ | 0 | |||||||||||
| 36339 | Haruyuki | Suzuki | Go and Back | 1986 | fixed media, akusmatisch | 12:05 | 3 parts (a, b, c) | OPX 002/ | 0 | ||||||||||
| 28302 | Kotoka | Suzuki | Automata, Mechanical Garden | 2010 | fixed media, akusmatisch | 8:34 | 16 Tracks, Octo, Quadro | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | Inventionen 2010 | 31.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | http://www.kotokasuzuki.com/en/Home.html | |||||
| 27110 | Kotoka | Suzuki | Character Study | 1999 | audiovisuell | Music scoring for a documentary film that takes a wry look at eccentricity, his own and three other people's: the founder of the Martin Van Buren Fan Club, a bicycle mechanic obsessed with the motion of machines, and a man who lectures on the benefits of "positivity" and dubs himself "Positive Paul." Roxie Cinema, San Francisco, CA, 1999 | 0 | http://www.kotokasuzuki.com/en/ | |||||||||||
| 27107 | Kotoka | Suzuki | Eclipse | 1996 | Tanz, 2 perf | 6:30 | (robotic lights,) 2 dancer [Tanz] | 0 | http://www.kotokasuzuki.com/en/ | ||||||||||
| 28210 | Kotoka | Suzuki | Epiphyllum Oxypetalum | 2009 | fixed media, akusmatisch | 10:32 | Octo, 14 tracks | TU Berlin | BKP des DAAD | 25.1.2009 | Ultraschall rbb kleiner Sendesaal | 1 | http://www.kotokasuzuki.com/en/ | ||||||
| 26879 | Kotoka | Suzuki | Fixed | 2005, 2006 | live-elec, 1 perf | 10:30 | db-fl [Flöte] | Beate Gabriella Schmitt | Mar 2005 | BKA-Theater, Berlin, Germany | 0 | http://www.kotokasuzuki.com/en/ | |||||||
| 37273 | Kotoka | Suzuki | I-th Time | 2008 | Performance | 60 | actors [Schauspieler] | 2008 | Intermedia Performance Lab (IPLAB, Korea) | 0 | |||||||||
| 37271 | Kotoka | Suzuki | In Praise of Shadows | 2015 | Performance | 9 | Quadro | 3 perf (paper players) [Performer] | Contemporary Music Festival, Arizona State University | Nov. 2015 | Arizona Contemporary Music Ensemble (ACME): Arian Abdollahi, Lisa Atkinson & Bryan Hummel Katzin Concert Hall |
0 | |||||||
| 36911 | Kotoka | Suzuki | Little Mechanical Box | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 26882 | Kotoka | Suzuki | Mizu I | 1993 | fixed media, akusmatisch | 0 | http://www.kotokasuzuki.com/en/ | ||||||||||||
| 26881 | Kotoka | Suzuki | Mizu II | 1994 | fixed media, akusmatisch | 0 | http://www.kotokasuzuki.com/en/ | ||||||||||||
| 26880 | Kotoka | Suzuki | Nat-King | 1995 | fixed media, akusmatisch | 0 | http://www.kotokasuzuki.com/en/ | ||||||||||||
| 37272 | Kotoka | Suzuki | Orison | 2017 | Performance | 8:15 | Stereo | 3 perf (music box) [Performer] | 21C Music Festival - The Royal Conservatory of Music, Toronto, Canada | May 27, 2017 | 21C Music Festival, Termerty Theater | 0 | |||||||
| 26078 | Kotoka | Suzuki | Piano con moto | 2007 | audiovisuell, live-elec, 1 perf | 14:18 | p, (video) [Piano] | Video von Claudia Rohrmoser; Echtzeitgrafik Rainer Kohlberger, Processing Gerhard Daurer | Heather O'Donnell / Piano Optophonique Project funded by DAAD | Canada Council for the Arts |
25.01.2007 | TESLA „Piano octophonique“ Ultraschall 2007; Heather O'Donnell (p) | 1 | https://www.kotokasuzuki.com/en/works/#/en/works/index-solo/ | ||||||
| 27109 | Kotoka | Suzuki | Q.M. | 2005 | audiovisuell | Sound design and scoring for the video documentation of Ann-Sofi Siden's works . Exhibition: Massachusetts Museum of Contemporary Art, North Adams, 05/29/05-02/12/06. | Massachusetts Museum of Contemporary Art | 29.05.2005 | Massachusetts Museum of Contemporary Art, North Adams | 0 | http://www.kotokasuzuki.com/en/ | ||||||||
| 37268 | Kotoka | Suzuki | Reservoir | 2013, 2016 | live-elec, 1 perf | 9:40 | 24 Tracks | V [Stimme] | ZKM Karlsruhe | UMS'n JIP (Switzerland) funded by Canada Council for the Arts supported by Center for Art and Media (ZKM), Karlsruhe, Germany |
May 2014) | Kunitachi Art University, Tokyo, Japan; Javier Hagen, voice | 0 | ||||||
| 37269 | Kotoka | Suzuki | Shimmer, Tree In Memoriam Jonathan Harvey | 2014 | fixed media, akusmatisch | 15 | 2 parts | Ayaka Isono | May 7, 2014) | Constellation, Chicago, IL | 0 | ||||||||
| 27332 | Kotoka | Suzuki | Sift | 2001 | Zuspiel / Tonband, 1 perf | 11:00 | vn [Violine] | Albany Records CD | ASIN: B01A5PIRCC/ | Music At The Anthology (New York) | 1 | http://www.kotokasuzuki.com/en/ | ||||||||
| 26079 | Kotoka | Suzuki | Slift | 2001 | Zuspiel / Tonband, 1 perf | 11:11 | vn [Violine] | Music At The Anthology (New York) | 1.2001 | Angel Orensanz Center, Manhattan, NY; Carla Kihlstedt, violin | 0 | http://www.kotokasuzuki.com/en/ | |||||||
| 22524 | Kotoka | Suzuki | Slipstream | 2001 | Zuspiel / Tonband, 1 perf | 10:49 | 7 tracks | fl [Flöte] | TU Berlin | SFB UltraSchall Festival 2002 | 24.1.2002 | kleiner Sendesaal des SFB bei UltraSchall Festival 2002, Karen Bergquist Lüth, flute | Musica Nova Honor Prize 2002 finalist in the Russolo Electroacoustic Music Competition 2002. |
1 | http://www.kotokasuzuki.com/en/ | ||||
| 27108 | Kotoka | Suzuki | Sound Machine | 1993 | Tanz, 8 perf | 3 perc, 2 p, 3 dancer [Piano, Schlagzeug, Tanz] | 0 | http://www.kotokasuzuki.com/en/ | |||||||||||
| 37270 | Kotoka | Suzuki | The Excess | 2017 | live-elec, 2 perf | 7 | sub-b-rec, sopranino [Flöte] | UMS'n JIP | May 13, 2017 | Zeughaus Kultur, Brig-Glis, Switzerland | 0 | ||||||||
| 23225 | Kotoka | Suzuki | Umidi Soni Colores | 2002 | audiovisuell | 15:47 | 7 tracks | originally for 3 Videoprojektoren | EMF DVD 054/ LDC 278079 Cultures électroniques 18/ | TU Berlin | Festival Inventionen DAAD/TU 2002 | 6.7.2002 | Inventionen Parochialkirche Berlin | first prize in the multimedia category at the International Electro-acoustic Music Competition in Bourges, France in 2003 | 1 | 2002 | http://www.kotokasuzuki.com/en/ | ||
| 37266 | Kotoka | Suzuki | Vestiga | 2009, 2011 | audiovisuell | Tanz |
15 | str-qt, 2 dancer [Streicher, Tanz] | Penderecki String Quartet and Perimeter Institute with funds from the Canada Council for the Arts | 0 | http://mspcafe.g2312.de/projects/vestigia/ | |||||||||
| 37267 | Kotoka | Suzuki | While Ripples Enlace… | 2010 | live-elec, 1 perf | 8:25 | a-rec [Flöte] | Magdeburger Miskverein d.V. funded by the Canada Council for the Arts |
March 2014 | Lucia Mense, alto recorder; Magdeburg Telemann Festival, Germany | 0 | ||||||||
| 27106 | Kotoka | Suzuki | Yoei | 1999 | Tanz, 7 perf | 20 | 6 perc, dancer [Schlagzeug, Tanz] | dancer (attached to 4 sensors) | June, 1999 | Center for Computer Research in Music and Acoustics (CCRMA), Stanford University | 0 | http://www.kotokasuzuki.com/en/ | |||||||
| 37274 | Kotoka, Seungyon-Seny | Suzuki, Lee | Anonymous Egos | 2011 | audiovisuell | 15:16 | Seoul Foundation for Arts and Culture | 2011 | Intermedia Performance Lab (IPLAB, Korea) Daehangno Arts Theater, Seoul, Korea |
0 | |||||||||
| 37275 | Kotoka, Claudia | Suzuki, Rohrmoser | Cinema Vertigo | 2009 | Klangkunst, Installation | 0 | |||||||||||||
| 26077 | Kotoka, Claudia | Suzuki, Rohrmoser | Kreisen | 2006 | Klangkunst, Installation | audiovisuell |
∞ 15:00 | 5 tracks | interaktive Videoinstallation; Bild von Claudia Rohrmoser, Audiogestaltung von Thomas Seelig. The concert.version has a duration of 15 Minutes. |
TU Berlin | Inventionen 2004 | 26.06.2004 | Inventionen Villa Elisabeth Berlin | 1 | 2004 | http://mspcafe.g2312.de/projects/kreisen/ | ||||
| 2006 | |||||||||||||||||||
| 43203 | Yuri | Suzuki | The Sound of the Earth | 2012 | Klangkunst, Installation | Auszeichnung ars electronica honorary mention 2013 | 0 | http://yurisuzuki.com/archive/works/the-sound-of-the-earth-2/ | |||||||||||
| 16511 | Atli Heimir | Sveinsson | Bizzarreries I | 1970 | Zuspiel / Tonband, 2 perf | fl, p [Flöte, Piano] | 0 | ||||||||||||
| 16512 | Atli Heimir | Sveinsson | Fönsun I-III | Zuspiel / Tonband, 1 perf, 2 groups | Vs, ens [Stimme, Ensemble] | 0 | |||||||||||||
| 16513 | Atli Heimir | Sveinsson | Impromptu | 1962 | live-elec, 3 perf | vn, vc, p, (oscillator) [Piano, Cello, Violine] | 0 | ||||||||||||
| 16514 | Atli Heimir | Sveinsson | Spectacles | 1969 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 37596 | Johan | Svensson | Ampèrian Loops | 2013 - 2017 | live-elec, 1 perf, 1 group | ens, elec (electro-mechanical devices) [elektronik, Ensemble] | 3 parts | 1.9.2017 | Heimathafen Berlin, ensemble Mosaik (UA part III) | 0 | |||||||||
| 37846 | Mike | Svoboda | Once around the World | 2016/2017 | audiovisuell | Performance |
≈ 60 | orc, ins (Grammofon) [Instrument, Orchester] | eine musikalische Weltreise mit 78 Umdehungen für Orchester, Grammofon und Animationsfilm | Philharmonie Essen, Land NRW | 21.10.2017 | Philharmonie Essen, Festival NOW 2017 | 0 | |||||||
| 16515 | Jan | Swafford | Magus | 1977 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | vc [Cello] | CSMT Yale | 0 | |||||||||
| 20816 | Donald | Swearingen | Salvation at 1 AM | 1990 | radiophon | 21:00 | Stereo | WN 0014/ | 0 | ||||||||||
| 16516 | Ralph | Swickard | Argument | 1966 | Zuspiel / Tonband, 2 perf | 7:30 | Stereo | ob, cl [Klarinette, Oboe] | PS C. LA | 0 | |||||||||
| 16517 | Ralph | Swickard | Bagatelle #2 | 1966 | fixed media, akusmatisch | 7:00 | Stereo | PS C. LA | 0 | ||||||||||
| 16518 | Ralph | Swickard | Electronic Study #1 | 1964 | fixed media, akusmatisch | 3:30 | Stereo | PS C. LA | 0 | ||||||||||
| 16519 | Ralph | Swickard | Hymn of creation | 1968 | Zuspiel / Tonband, 1 perf | 4:34 | Sp [Sprecher] | words from Hymn 129 of Book 10 of the Rigveda | Orion ORS 7021/ Creel Pone 058/ | EMS_London | 0 | ||||||||
| 16520 | Ralph | Swickard | Perfect Days | 1965 | Theatermusik | 10:00 | Mono | PS C. LA | 0 | ||||||||||
| 16521 | Ralph | Swickard | Sermons of Saint Francis | 1968 | Zuspiel / Tonband, 1 perf | 12:35 | Sp [Sprecher] | Orion ORS 7021/ Creel Pone 058/ | EMS_London | 0 | |||||||||
| 16522 | Ralph | Swickard | Watchers, Players and Lovers | 1967 | Tanz | 14:00 | Stereo | PS C. LA | 0 | ||||||||||
| 42557 | Daniel | Swilley | Absolute Zero | 2008 | fixed media, akusmatisch | EMS UIUC | 0 | ||||||||||||
| 31555 | Elke | Swoboda | Funkelndes Nachtlicht | 2013 | audiovisuell | 8:00 | Stereo | next_generation 5.0 | ICEM Essen | 26.6.2013 | ZKM | 0 | |||||||
| 22262 | Hans | Sydow | Entropy 1 - for virtual voices | fixed media, akusmatisch | 13:45 | dacapo 8.224199/ | DIEM Aarhus | 1 | |||||||||||
| 20817 | Group | Syllyk | Ouroboros 3 - 5 | 1994 | fixed media, akusmatisch | 35:00 | Stereo | Sylvie Laroche | DNCD 001/ | 0 | |||||||||
| 16523 | Lóránt | Szabó | Kaliyuga | 1985 | fixed media, akusmatisch | 5:35 | MR Budapest | 0 | |||||||||||
| 36736 | Ted | Szántó | Atlanta Requiem | 1985 | fixed media, akusmatisch | 17:25:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 36737 | Ted | Szántó | Music for Night Travel III | 1985 | fixed media, akusmatisch | 15:20:00 | Sonology Utrecht | 0 | |||||||||||
| 16524 | Zsigmond | Szathmáry | con-tact-versation | 1972 | Zuspiel / Tonband, 1 perf | 10:00 | vn [Violine] | 0 | |||||||||||
| 16525 | Zsigmond | Szathmáry | Dialogue II | 1971 | Zuspiel / Tonband, 1 perf | 11:00 | org [Orgel] | EM ?? | 0 | ||||||||||
| 16526 | Zsigmond | Szathmáry | Monolog | 1971 | live-elec, 1 perf | 10:00 | fl [Flöte] | 0 | |||||||||||
| 16527 | Iris | Szeghy | Inbetween | 1993 | fixed media, akusmatisch | Zuspiel/Tonband, |
8:30 | Stereo | PS C. | 0 | ||||||||||
| 16531 | Andras | Székely | Tungsram | 1959 | Film | 0:54 | Mono | Qualiton Budapest | 0 | ||||||||||
| 16528 | Endre | Székely | Concerto | 1977 | Zuspiel / Tonband, 1 perf | 16:00 | Stereo | p [Piano] | MR Budapest | 0 | |||||||||
| 16529 | Endre | Székely | Humanisation | 1976 | Zuspiel / Tonband, 1 group | 10:15 | Stereo | orc [Orchester] | MR Budapest | 0 | |||||||||
| 16530 | Endre | Székely | Paysages transcendentes | 1978 | fixed media, akusmatisch | 11:20 | Stereo | MR Budapest | 0 | ||||||||||
| 16532 | Iván | Székely | Folkronic - ballet | 1978 | Tanz | 27:00 | Quadro | MR Budapest | 0 | ||||||||||
| 16533 | Iván | Székely | For Alrun | 1976 | fixed media, akusmatisch | 8:05 | Quadro | with S and synt | HUN SLPX 12371/ | MR Budapest | 1 | ||||||||
| 16534 | Ryszard | Szeremeta | Agent Orange | 1987 | live-elec, 3 perf | 13:40 | Stereo | sax, perc, Kbd [Saxophon, Keyboard, Schlagzeug] | MIDI | ExpSt Warsaw | 1 | ||||||||
| 16536 | Ryszard | Szeremeta | Amphora | 1984 | Zuspiel / Tonband, 1 perf | 16:40 | Stereo | sax [Saxophon] | ExpSt Warsaw | 1 | 1985 | ||||||||
| 24481 | Ryszard | Szeremeta | Belief | 1999 | fixed media, akusmatisch | WJ 2001/ | IMEB Bourges | 1 | |||||||||||
| 16538 | Ryszard | Szeremeta | Entering 1990 | 1990 | fixed media, akusmatisch | 7:00 | Stereo | ExpSt Warsaw | INVENTIONEN'90 | 24.1.1990 | Inventionen Akademie der Künste Berlin | 1 | 1990 | ||||||
| 22170 | Ryszard | Szeremeta | Hourglass | 1996 | Zuspiel / Tonband, 1 perf | 23:34 | Stereo | vn [Violine] | ExpSt Warsaw | 0 | |||||||||
| 22167 | Ryszard | Szeremeta | "M 'bout M" | 1993 | fixed media, akusmatisch | 13:55 | Stereo | Computermusic | ExpSt Warsaw | 0 | |||||||||
| 16539 | Ryszard | Szeremeta | Miraculeo | 1988 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | perc, V (? perc, synt) [Stimme, Schlagzeug] | SX 2740/ | ExpSt Warsaw | 0 | ||||||||
| 22166 | Ryszard | Szeremeta | Mirror Ii | 1989 | fixed media, akusmatisch | 31:43 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 16540 | Ryszard | Szeremeta | Points I | 1981 | fixed media, akusmatisch | 10:00 | Stereo | ExpSt Warsaw | 0 | https://culture.pl/en/gallery/points-by-ryszard-szeremeta-image-gallery | |||||||||
| 16541 | Ryszard | Szeremeta | Points lI | 1981 | fixed media, akusmatisch | 9:20 | Stereo | ExpSt Warsaw | 1 | https://culture.pl/en/gallery/points-by-ryszard-szeremeta-image-gallery | |||||||||
| 16542 | Ryszard | Szeremeta | Puls Rate | 1984 | fixed media, akusmatisch | 16:15 | Stereo | SX 2462/ | ExpSt Warsaw | 0 | |||||||||
| 22168 | Ryszard | Szeremeta | Stringplay 3 | Zuspiel / Tonband, 3 perf | 19:10 | Stereo | vn, perc, synt [Schlagzeug, Violine, synthesizer] | ExpSt Warsaw | 0 | ||||||||||
| 16543 | Ryszard | Szeremeta | Tesserae VIII | live-elec, 3 perf | 6:00 | 3 perf [Performer] | Crossover:Szeremeta, Pituch, Pilch | 1 | |||||||||||
| 16544 | Ryszard | Szeremeta | Trickstar | 1989 | fixed media, akusmatisch | 13:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22169 | Ryszard | Szeremeta | Tripple Concerto | fixed media, akusmatisch | 10:44 | Stereo, 6 | ExpSt Warsaw | 0 | |||||||||||
| 18557 | Ryszard | Szeremeta | Un morceau de Mac | 1991 | fixed media, akusmatisch | 13:40 | IMEB Bourges | 1 | |||||||||||
| 16537 | Ryszard, Eugeniusz | Szeremeta, Rudnik | Dss/L.E.M./Dx 86 | 1986 | fixed media, akusmatisch | 30:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 33172 | Julieta | Szewach | Dikyrion | 2005/2008 | Zuspiel / Tonband, 1 perf | 7:09 | V [Stimme] | for voice and tape | WJ 2008 polmic 042/ | 24.9.2008 | Warsaw autumn | 1 | |||||||
| 24483 | István | Szigeti | Apicriphe | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 16545 | István | Szigeti | Concerto per Te | 1987 | fixed media, akusmatisch | 12:45 | Stereo | HUN SLPX 31124/ | MR Budapest | 0 | |||||||||
| 16546 | István | Szigeti | Elka | 1981 | fixed media, akusmatisch | 12:30 | Quadro | MR Budapest | 0 | ||||||||||
| 16547 | István | Szigeti | Image | 1982 | fixed media, akusmatisch | 9:55 | Quadro | MR Budapest | 0 | ||||||||||
| 24482 | István | Szigeti | Mother and Pather | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 16548 | István | Szigeti | Sea Song | 1984 | fixed media, akusmatisch | 10:20 | MR Budapest | 0 | |||||||||||
| 16549 | István | Szigeti | Souvenir de K. | 1980 | Theatermusik | 12:10 | Quadro | V [Stimme] | HUN SLPX 12371/ | MR Budapest | 1 | ||||||||
| 16550 | István | Szigeti | Toccata | 1983 | fixed media, akusmatisch | 13:00 | Stereo | MR Budapest | 0 | ||||||||||
| 16551 | István | Szigeti | Un petit cadeau | 1983 | fixed media, akusmatisch | 8:00 | Quadro | MR Budapest | 0 | ||||||||||
| 24819 | Andrea | Szigetvari | Mandala 1 | 2001 | fixed media, akusmatisch | 13:12:00 | LDC 278074/75 Cultures Electroniques 15/ | 0 | |||||||||||
| 26080 | Andrea | Szigetvari | The Priest and the Shell | 1999 | audiovisuell | 3:15:00 | After an old film from the 20th | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2001 | 1 | |||||||||
| 16552 | Andrea | Szigetvari | Toxoplasmosis | 1989 | fixed media, akusmatisch | 5:30 | CCRMA | 0 | |||||||||||
| 25608 | Ana | Szilagyi | Sommerhitze in Wien | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 26081 | Ana | Szilágyi | Landschaften | 2003 | radiophon | 4:23 | EX 656 Elak Wien/ | ELAK Wien | 1 | ||||||||||
| 39513 | Tibor | Szirovicza | ALCHEMIST | 2017 | Zuspiel / Tonband, 1 perf | vc [Cello] | 0 | ||||||||||||
| 16553 | Jolanta | Szlachcic | ETIUDA /2 wersje/ | 1987 | fixed media, akusmatisch | Stereo | SME Krakow | 0 | |||||||||||
| 42010 | Chiyoko | Szlavnics | 3 Strands | 2010 | live-elec, 2 perf | 15:00:00 | 2 vn (with live recording & playback) [Violine] | 0 | |||||||||||
| 42009 | Chiyoko | Szlavnics | A Steadfast Duo | 2010/2011 - | live-elec, 2 perf | 45:00:00 | 2 vn, (sinewaves) [Violine] | in progress | 0 | ||||||||||
| 42002 | Chiyoko | Szlavnics | (a)long lines: we’ll draw our own lines | 2004 | live-elec, 7 perf | 30 | fl, trbn, perc, vn, vc, 2 e-gui (E-bow gui), (2 Sinusgeneratoren) [Flöte, Posaune, Gitarre, Schlagzeug, Cello, Violine] | 0 | |||||||||||
| 42017 | Chiyoko | Szlavnics | CILIA TREMBLE, For Eva Hesse For Agnes Martin Triptych for AS I-III For JT For TN For BN For CN Acclines |
2006 | live-elec, 3 perf | 51 | 2 vn, acc, (sinewaves) [Akkordeon, Violine] | A series of short works composed for Haus 19 | 0 | ||||||||||
| 42003 | Chiyoko | Szlavnics | Constellations I-III | 2011 | live-elec, 1 perf | ≈ 10:00:00 | p, (sinewaves) [Piano] | 0 | |||||||||||
| 42015 | Chiyoko | Szlavnics | Constellations IV | 2013 - 2014 | live-elec, 6 perf | 4:30:00 | fl, b-cl, vn, vc, perc, p, (sinewaves) [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | 0 | |||||||||||
| 42012 | Chiyoko | Szlavnics | During a Lifetime (Veneration, Spectra) | 2015 | live-elec, 4 perf | ≈ 18:00:00 | 4 sax (s/a, a, t, b), (sinewaves) [Saxophon] | 0 | |||||||||||
| 42008 | Chiyoko | Szlavnics | Ephemeralities: Listening Being(s) | 2018 - | live-elec, 2 perf | 20-45 | 2 acc, (sinewaves) [Akkordeon] | work in progress | 0 | ||||||||||
| 42006 | Chiyoko | Szlavnics | For Eva Hesse (with CN) | 2007 | live-elec, 2 perf | 14:08:00 | Spazialisation: var 2 - 8 | ad lib 2 fl, (sinewaves) (2-8 channels possible) (may be performed with a solo flute part) [Flöte] | 0 | ||||||||||
| 42021 | Chiyoko | Szlavnics | Heliotrope | 2007 | live-elec, 1 group | 11:16:00 | chamber orc, (sinewaves) [Orchester] | 0 | |||||||||||
| 42013 | Chiyoko | Szlavnics | Inner Voicings I-III | 2014 | live-elec, 13 perf | ≈ 20:00:00 | 2 fl (db. piccs, b fls), 2 cb-cl (db. Bb cls), 3 vn, 2 va, 2 vc, db, acc (1/4 tone, sinewaves) [Flöte, Akkordeon, Viola, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 42004 | Chiyoko | Szlavnics | Interior Landscapes II A | 2010 | live-elec, | 45:00:00 | (sinewaves) [] | 0 | |||||||||||
| 42005 | Chiyoko | Szlavnics | Interior Landscapes II B | 2010 | live-elec, | 45:00:00 | (sinewaves) [] | 0 | |||||||||||
| 42020 | Chiyoko | Szlavnics | Materia / Immateria | 2013 | live-elec, 1 group | ≈ 19:00:00 | orc, (sinewaves) [Orchester] | 0 | |||||||||||
| 42011 | Chiyoko | Szlavnics | Mind is Moving... | 2015 | live-elec, 5 perf | 18-24 | 2 perc, 2 p, e-piano, (sinewaves) [Piano, Schlagzeug] | 0 | |||||||||||
| 42014 | Chiyoko | Szlavnics | Openings I | 2013 - 2014 | live-elec, 6 perf | 6:15:00 | fl (afl), b-cl (cl), vn, vc, perc, MIDI-kbd, (sinewaves) [Flöte, Klarinette, Keyboard, Schlagzeug, Cello, Violine] | 0 | |||||||||||
| 42016 | Chiyoko | Szlavnics | Reservoir | 2006 | live-elec, 8 perf | 26:20:00 | 8 ins (chamber ens), (sinewaves) [Instrument] | 0 | |||||||||||
| 42019 | Chiyoko | Szlavnics | Reservoir (symphonic | 2013 | live-elec, 1 group | ≈ 21:20:00 | orc, (sinewaves) [Orchester] | 0 | |||||||||||
| 42007 | Chiyoko | Szlavnics | Structures in the Mind's Eye | 2005 - 2006 | live-elec, 1 perf | 30:00:00 | solo va, (sinewaves) [Viola] | 0 | |||||||||||
| 42018 | Chiyoko | Szlavnics | The Spaces Between Them | 2005 | live-elec, 7 perf | 34:40:00 | 7 ins (chamber ens), (sinewaves) [Instrument] | 0 | |||||||||||
| 34148 | Jagoda | Szmytka | GAMEBOY | 2013 | audiovisuell, live-elec, 1 perf | Stereo, Quadro, 6 | Kbd (sam, reciting) [Keyboard] | for reciting sampleplayerplayer & video | 0 | ||||||||||
| 16554 | András | Szöllösy | Alladin és a csodalámpa | 1960 | Theatermusik | Mono | puppetsplay | Qualiton Budapest | 0 | ||||||||||
| 16555 | András | Szöllösy | Angyal szállt le Babylonban | 1966 | Theatermusik | 5:00 | Mono | Puppenspiel | Qualiton Budapest | 0 | |||||||||
| 16556 | András | Szöllösy | Elektra | 1962 | Fernsehen, | 22:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 16557 | András | Szöllösy | Nö a barakkban | 1960 | Fernsehen, | Mono | Qualiton Budapest | 0 | |||||||||||
| 16558 | Krzysztof | Szwajgier | ARTYÍCI | 1976 | live-elec, 1 perf | 8:15 | Stereo | p [Piano] | SME Krakow | 0 | |||||||||
| 31065 | Elisabeth | Szwarc | Im Traume | audiovisuell | ICEM Essen | 0 | |||||||||||||
| 42670 | Fred | Szymanski | Arkose | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 42558 | Fred | Szymanski | Eskers | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 37770 | Fred | Szymanski | Scree | 2017 | fixed media, akusmatisch | First Prize MUSICA NOVA 2017 | 0 | ||||||||||||
| 39797 | Fred | Szymanski | Sinking Air | 2015 | fixed media, akusmatisch | 8:06:00 | Fred Szymanski | 0 | |||||||||||
| 42924 | Fred | Szymanski | Tensus | 2013 | fixed media, akusmatisch | 8:40:00 | 0 | ||||||||||||
| 39796 | Fred | Szymanski | Turbulence – Convections | 2016 | fixed media, akusmatisch | Fred Szymanski | 0 | ||||||||||||
| 22171 | Pawel | Szymanski | Cantabile | 1977 | fixed media, akusmatisch | 6:30 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 16559 | Pawel | Szymanski | Crux fidelis | 1983 | fixed media, akusmatisch | 21:15 | Quadro | for an exhibition | SME Krakow | 0 | |||||||||
| 16560 | Pawel | Szymanski | la Folia | 1979 | fixed media, akusmatisch | 9:20 | Stereo | ExpSt Warsaw | 1 | ||||||||||
| 16561 | Pawel | Szymanski | Sonata | fixed media, akusmatisch | Muza SX 2176/ | 1 | |||||||||||||
| 16562 | Pawel | Szymanski | through the looking glass… II | 1988 | fixed media, akusmatisch | 8:26 | Quadro | Synclavier | TU Berlin | 5.2.1989 | DE Künstlerhaus Bethanien, Inventionen 1989 | 1 | 1989 | ||||||
| 16563 | Pawel | Szymanski | Under the Plane Tree | 1980 | fixed media, akusmatisch | 12:40 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 16564 | Michel | Tabachnik | D’autres sillages | 1972 | Zuspiel / Tonband, 8 perf | 8 tim [Schlagzeug] | 0 | ||||||||||||
| 16565 | Michel | Tabachnik | Invention à 16 voix | 1972 | Zuspiel / Tonband, 23 perf | Stereo + Stereo + Stereo + Stereo | 23 ins [Instrument] | 0 | |||||||||||
| 16566 | Michel | Tabachnik | Le Pacte des onze - Stances de Persée, d'Orion, du Centaure | 1987 | Zuspiel / Tonband, 4 perf, 1 group | 34:00 | S, 2 T, B, ens [Sopran, Tenor, Bass, Ensemble] | Theodor Presser/Salabert | IRCAM | 0 | |||||||||
| 16567 | Michel | Tabachnik | Movimenti | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 33151 | Katarzyna | Taborowska | UOO - to Victims of Kursk | 2001 | fixed media, akusmatisch | 4:51 | WJ 2005 polmic 017/ | 1 | |||||||||||
| 43000 | David | Taddie | A Rift in Time | 2013 | live-elec, 2 perf | 9:30:00 | vn, vc [Cello, Violine] | Andrea Schultz, violin Michael Finkel, cello | 0 | ||||||||||
| 42705 | David | Taddie | Category 5 (Echoes) | 2012 | live-elec, 2 perf | 9:16:00 | fl, vn [Flöte, Violine] | Francesca Arnone, flute; Mikylah Myers McTeer, violin | Francesca Arnone and Mikylah McTeer | 0 | |||||||||
| 39722 | David | Taddie | Caterwaul | 2017 | fixed media, akusmatisch | David Taddie | 0 | ||||||||||||
| 18391 | David | Taddie | Convergences | 1995 | Zuspiel / Tonband, 1 perf | hp [Harfe] | HCMC Harvard | 1995 | Paine Hall, Harvard University | 0 | |||||||||
| 42671 | David | Taddie | Licorice Stick Groove | 2009 | live-elec, 1 perf | 8 | cl [Klarinette] | 0 | |||||||||||
| 32139 | David | Taddie | Tracer | 2007 | Zuspiel / Tonband, 1 perf | 7:31:00 | p [Piano] | Mark George, piano | SEAMUS EAM Vol. 17/ | 0 | |||||||||
| 39723 | David | Taddie | Triptych | 2015 | fixed media, akusmatisch | 12:01:00 | David Taddie | 0 | |||||||||||
| 39353 | David | Taddie | Wayward Country | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 32102 | David | Taddle | mutant | 1999 | fixed media, akusmatisch | SEAMUS EAM Vol. 12/ | 0 | ||||||||||||
| 31538 | Milos | Tadic | inside out | 2013 | fixed media, akusmatisch | 6:00 | next_generation 5.0 | HfM Hanns Eisler, UDK Berlin | 0 | ||||||||||
| 22734 | Michele | Tadini | Notturna | Zuspiel, live-elec, 1 perf | 10:10 | tpt [Trompete] | 1 | 2000 | |||||||||||
| 35495 | Atsushi | Tadokoro | Transition | 1995 | fixed media, akusmatisch | 13:41 | ICMC | 0 | |||||||||||
| 42986 | Joseph | Tagg | Chromatic Hues | 2013 | fixed media, akusmatisch | 4:16:00 | 0 | ||||||||||||
| 25186 | Gabrio | Taglietti | Aria | 1995 | Zuspiel / Tonband, 1 perf | 5:15 | vn [Violine] | CRMCD 1058 Ricordi/ | 27.3.1995 | Teatro alla Scala Milano | Ricordi | 1 | http://www.amtema.it/torre.htm | ||||||
| 25187 | Gabrio | Taglietti | Melodia | 1995 | Zuspiel / Tonband, 1 perf | 10:00 | fl [Flöte] | 1.12.1995 | with Birgit Nolte | Ricordi | 0 | ||||||||
| 22736 | Stefano | Taglietti | Il Marinaio | 1999 | Zuspiel, live-elec, 6 perf | 20:47 | S, str-qt, perc [Sopran, Schlagzeug, Streicher] | text by Fernando Pessoa | CEMAT 1/ | Edison St Roma | 1 | ||||||||
| 16568 | Peter | Tahourdin | Rondo | 1966 | fixed media, akusmatisch | 3:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 31858 | Madjid | Tahriri | Amadinda | 2009 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31855 | Madjid | Tahriri | Der Sturz | 2007 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31859 | Madjid | Tahriri | Magma | 2009 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31856 | Madjid | Tahriri | Tombak | 2007 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 16569 | Artur | Tajber | TAÍMA DO WYSTAWY | 1981 | fixed media, akusmatisch | Quadro | W GALERII KRZYSZTOF ORY | SME Krakow | 0 | ||||||||||
| 28416 | Masakatsu | Takagi | Bloomy Girls | 2005 | audiovisuell | 4:54 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 41594 | Sachiyo | Takahashi | False Creak | 2002 | fixed media, akusmatisch | 10 | Musiques et Recherches Ohain | 0 | |||||||||||
| 24788 | Sachiyo | Takahashi | ParaDice | 2001 | fixed media, akusmatisch | 10:09 | Stereo | MR 2002 Métamorphoses 2002/ M&R L’Espace du son 2000/ | Musiques et Recherches Ohain | Métamorphoses 2002 mention | 1 | ||||||||
| 20818 | Yuji | Takahashi | Kumo-Rinzetsu 260795 | 1995 | fixed media, akusmatisch | 10:12 | Stereo | ISAST LMJ 5/ | 1 | ||||||||||
| 16570 | Yuji | Takahashi | L'Ombilique des Limbes | 1963 | fixed media, akusmatisch | ≈ 9:00 | Mono + Mono + Mono + Mono | NHK Tokyo | 0 | ||||||||||
| 16571 | Yuji | Takahashi | Phonogene | 1962 | Zuspiel / Tonband, 12 perf | 9:45 | Mono | 12 ins [Instrument] | OUOADM 0401/ IDEAMA CD 088/ | NHK Tokyo | 0 | ||||||||
| 16572 | Yuji | Takahashi | Time | 1962 | Film | 5:00 | Mono | PS Sogetsu Tokyo | Peters N.Y. | 0 | |||||||||
| 34989 | Yuji | Takahashi | Yé Guèn | 1969 | fixed media, akusmatisch | steel-ins by Berard Baschet | IDEAMA CD 088/ | NHK Tokyo | Expo Osaka for the „Space Theatre“ | 0 | |||||||||
| 42559 | Akira | Takaoka | Delayed Reflections 2 | 2008 | fixed media, akusmatisch | March 2008 | Yokohama, Japan | 0 | |||||||||||
| 39286 | Akira | Takaoka | Piano Sinfonia | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42672 | Akira | Takaoka | Responsorium | 2009 | live-elec, 1 perf | 11 | S [Sopran] | 0 | |||||||||||
| 39541 | Akira | Takaoka | Twelfth Aitake | 2015 | live-elec, 1 perf | 5:50:00 | sho, (com) [Bläser] | Akira Takaoka | 0 | ||||||||||
| 39542 | Akira, Keiichi | Takaoka, Tanaka | Vanishing Trajectories | 2017 | fixed media, akusmatisch | Akira Takaoka and Keiichi Tanaka | 0 | ||||||||||||
| 16573 | Chiaki | Takatsuki | AYA | 1982 | fixed media, akusmatisch | 10:00 | Quadro | 1 | |||||||||||
| 16574 | Chiaki | Takatsuki | Enroulement du silence | 1978 | fixed media, akusmatisch | 9:35 | Quadro | ETSM Tokyo | 1 | ||||||||||
| 37453 | Akimichi | Takeda | Panoramicsonor | 1973 | fixed media, akusmatisch | 14:32 | OUOADM 0502/ OUOADM 0601/ | NHK Tokyo | 0 | ||||||||||
| 16575 | Akimichi | Takeda | various compositions | 1961 | fixed media, akusmatisch | PS Sogetsu Tokyo | 0 | ||||||||||||
| 16576 | Toru | Takemitsu | A Minneapolis Garden | 1986 | Klangkunst, Installation | 0 | |||||||||||||
| 16582 | Toru | Takemitsu | Arc | 1963 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | Stereo | p, orc [Piano, Orchester] | Ko (Arc) | NHK Tokyo | 0 | ||||||||
| 16577 | Toru | Takemitsu | Blue Aurora for Toshi Ichiyanagi | 1964 | Theatermusik | Universal PBU 1/ | 0 | ||||||||||||
| 16578 | Toru | Takemitsu | Clap Vocalism | 1956 | fixed media, akusmatisch | 3:00 | 1. Broadcast at Shin Nippon Hoso | Earlabs LC 010/ | 0 | ||||||||||
| 34988 | Toru | Takemitsu | Crossing | 1969 | Zuspiel / Tonband, 2 perf, 3 groups | sol inss, Vs, orc [Stimme, Instrument, Orchester] | Expo Osaka for the „Space Theatre“ | 0 | |||||||||||
| 16579 | Toru | Takemitsu | Dialogue | 1958 | fixed media, akusmatisch | Mono | Sony Tokyo | 0 | |||||||||||
| 16580 | Toru | Takemitsu | Euridice – la mort, La Mort de Eurydice | 1956 | fixed media, akusmatisch | 5:30 | Universal PBU 1/ | Sony Tokyo | 0 | ||||||||||
| 16581 | Toru | Takemitsu | I left my Heart in San Francisco | 1964 | fixed media, akusmatisch | 4:00 | 0 | ||||||||||||
| 20819 | Toru | Takemitsu | Ki | 1966 | fixed media, akusmatisch | 5:56 | Stereo | JVC CD 1009/ RCA VCCS 1334/ | PS Sogetsu Tokyo | 0 | |||||||||
| 16583 | Toru | Takemitsu | Kwaidan | 1964/1966 | Film | fixed media, akusmatisch |
27:00 | RCA SJV 1505/ JVC CD 1009/ SJX-75004/ VX-21/ | PS Sogetsu Tokyo | 1 | ||||||||||
| 33854 | Toru | Takemitsu | November Steps | fixed media, akusmatisch | EAR Magazine 2/ | 0 | |||||||||||||
| 16584 | Toru | Takemitsu | Quiet Design | 1960 | fixed media, akusmatisch | 8:00 | perf at Sogetsu Hall | SAL/ | Sogetsu Hall | 0 | |||||||||
| 16585 | Toru | Takemitsu | Seasons | 1970 | Zuspiel / Tonband, 4 perf | 4 perc (with Baschet-ins) [Schlagzeug] | 0 | ||||||||||||
| 16586 | Toru | Takemitsu | Sky, Horse and Death, (Sora Uma soshite Shi) | 1958 | fixed media, akusmatisch | 3:20 | Mono | RCA SJV 1515/ PHI 6527003/ IDEAMA CD 091/ OUOADM 0702/ | NHK Tokyo | 1 | |||||||||
| 16587 | Toru | Takemitsu | Stanza II | 1971 | Zuspiel / Tonband, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 16588 | Toru | Takemitsu | Static Relief, Relief statique | 1955 | fixed media, akusmatisch | 6:50 | Universal PBU 1/ | Sony Tokyo | 0 | ||||||||||
| 16589 | Toru | Takemitsu | Tanin no Kao, Le visage d’autre | 1966 | Film | 15:00 | Mono | PS Sogetsu Tokyo | 0 | ||||||||||
| 16590 | Toru | Takemitsu | The Sea Is Still | 1986 | Klangkunst, Installation | 0 | |||||||||||||
| 16591 | Toru | Takemitsu | Toward | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 16592 | Toru | Takemitsu | Tree. Sky. Bird, Ki - Sora - Tori | 1956 | fixed media, akusmatisch | 3:41 | 1. Broadcast at Shin Nippon Hoso | Earlabs LC 010/ | Sony Tokyo | 0 | |||||||||
| 16594 | Toru | Takemitsu | Water Music | 1960 | fixed media, akusmatisch | 9:43 | RCA SJX 7504/ JVC CD 1009/ RCA VCCS 1334/ IDEAMA CD 091/ | PS Sogetsu Tokyo | 0 | ||||||||||
| 16593 | Toru, Shuntaro | Takemitsu, Tanikawa | Vocalism A – I | 1956 | fixed media, akusmatisch | 4:11 | JVC CD 1009/ RCA VCCS 1334/ Universal PBU 1/ Earlabs LC 010/ | Sony Tokyo | 0 | ||||||||||
| 34990 | Toru, Shuntaro, M., Akimichi, T., K. | Takemitsu, Tanikawa, Oaka, Takeda, Funayama, Usami | years of ears - what is music | 1970 | fixed media, akusmatisch | Expo Osaka for the „Space Theatre“ | 0 | ||||||||||||
| 16595 | Josef | Tal | Ashmedai | 1968/1970 | Oper | 0 | |||||||||||||
| 16596 | Josef | Tal | Ashmedai - Electronic Overture | 1968 | fixed media, akusmatisch | 9:00 | 0 | ||||||||||||
| 16597 | Josef | Tal | Backyard | 1977 | Tanz, 6 perf | fl, hn, perc, p, va, vc [Flöte, Horn, Piano, Schlagzeug, Viola, Cello] | 0 | ||||||||||||
| 16598 | Josef | Tal | Concerto for harp and electronics | 1971/1980 | Zuspiel / Tonband, 1 perf | 14:00 | hp [Harfe] | 0 | |||||||||||
| 16599 | Josef | Tal | Concerto for harpsichord and electronic music | 1964/1977 | Zuspiel / Tonband, 1 perf | 19:00 | Stereo | hpd [Cembalo] | Uni Jerusalem | 0 | |||||||||
| 16600 | Josef | Tal | Concerto No. 4 | 1962 | Zuspiel / Tonband, 1 perf | 14:00 | Mono | p [Piano] | Uni Jerusalem | 0 | |||||||||
| 16601 | Josef | Tal | Concerto No. 5 | 1964 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | p [Piano] | IDEAMA CD 017/ | Uni Jerusalem | 0 | ||||||||
| 16611 | Josef | Tal | Concerto No. 6 for piano and Electronics | 1970 | Zuspiel / Tonband, 1 perf | 14:00 | p [Piano] | Moog - synt Inventionen 1.2.1990 AdK |
edel 0085001 ACA/ POOL 76033/ FTS 33878 / | Israel C. for EM | 1 | 1990 | |||||||
| 16602 | Josef | Tal | Der Turm | 1983 | Oper | 0 | |||||||||||||
| 16603 | Josef | Tal | Die Versuchung | 1975 | Oper | 0 | |||||||||||||
| 16604 | Josef | Tal | Exodus II | 1946 / 1956 | fixed media, akusmatisch | 15:00 | Mono | Radio Jerusalem | 0 | ||||||||||
| 16605 | Josef | Tal | Frequencies 440-462 (Hommage to Blacher) | 1972 | fixed media, akusmatisch | 0 | |||||||||||||
| 16606 | Josef | Tal | From the Depth of the Soul | 1964 | Tanz | 8:00 | Stereo | Uni Jerusalem | 0 | ||||||||||
| 16607 | Josef | Tal | I called upon the Lord in Distress | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 16608 | Josef | Tal | Massada | 1967 | Oper | 75:00 | 0 | ||||||||||||
| 16609 | Josef | Tal | Min Hameitzar Karati Yah | 1971 | fixed media, akusmatisch | 6:30 | (I Called upon the Lord in Distress) | 0 | |||||||||||
| 16610 | Josef | Tal | Overture for Opera | 1973 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 16612 | Josef | Tal | Ranges of Energy | 1963/1990 | fixed media, akusmatisch | Tanz |
12:00 | Mono | Uni Jerusalem | 0 | ||||||||||
| 16613 | Josef | Tal | The Death of Moses | 1967 | Zuspiel / Tonband, 1 perf, 1 group | 40:00 | Stereo | V, ch [Stimme, Chor] | Uni Jerusalem | 0 | |||||||||
| 16614 | Josef | Tal | The Emmigrants | 1977 | Hintergrundmusik | 0 | |||||||||||||
| 16615 | Josef | Tal | The Wooden Horse | 1976 | Zuspiel / Tonband, 4 perf, 1 group | 4 V, ch [Stimme, Chor] | 0 | ||||||||||||
| 16616 | Josef | Tal | Variations | 1970 | Tanz | 12:00 | 0 | ||||||||||||
| 16617 | David | Talcott | Loop #3 | 1957 | fixed media, akusmatisch | 3:56 | Mono | PS C. Berkeley | 0 | ||||||||||
| 16618 | David | Talcott | Tribulation 1958 | 1958 | fixed media, akusmatisch | 7:20 | Stereo | PS C. Berkeley | 0 | ||||||||||
| 16619 | David | Talcott | Trilogy in Two Channels | 1958 | fixed media, akusmatisch | 5:17 | Stereo | 2nd version | PS C. Berkeley | 0 | |||||||||
| 16620 | James | Tallon | Inland Islands | 1985 | fixed media, akusmatisch | 10:08 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 16621 | James | Tallon | Jim's Gems | 1980 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 16622 | James | Tallon | Like an Empty Road Descending | 1983 | fixed media, akusmatisch | 17:45 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 16623 | James | Tallon | Manito | 1984 | fixed media, akusmatisch | 13:10 | Stereo, Quadro | Concordia Montréal, MetaM. Montréal | 0 | ||||||||||
| 16624 | James | Tallon | Molten Voice | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 16625 | James | Tallon | Roadside Litter | 1983 | intermedia, live-elec, 1 perf | 13:06 | Stereo, Quadro | com, slides [computer] | MetaM. Montréal | 0 | |||||||||
| 16626 | James | Tallon | The Feeling in the Pit of My Stomach | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28456 | Mirjam | Tally | Mythos | 2000 | fixed media, akusmatisch | 6:04 | ELCD 027 Electroshock Records/ | 0 | |||||||||||
| 19324 | Michal | Talma-Sutt | Avalon's Gates | 1997 | live-elec, 1 perf | 15:09 | fl [Flöte] | Warschauer Herbst '97, Vol. 9/ | 1 | ||||||||||
| 33118 | Michal | Talma-Sutt | Light and Shade | 2000 | fixed media, akusmatisch | 15:25:00 | WJ 2001/ | PS C. | 1 | ||||||||||
| 33132 | Michal | Talma-Sutt | Soundscape One | 2003 | fixed media, akusmatisch | 13:24 | WJ 2003/ | 1 | |||||||||||
| 33395 | Yoshio | Tamano | Rinne, Metempsychosis | 1966 | fixed media, akusmatisch | Stereo + Stereo + Stereo | Kosei Nenkin Hall Tikyo | 0 | |||||||||||
| 16627 | Akira | Tamba | Deux poemes | 1966 | fixed media, akusmatisch | 13:15 | Quadro, Stereo | Sur deux poèmes de Baudelaire : "L'amour des amants", "L'amour des artistes". |
INA • GRM | 0 | |||||||||
| 16628 | Akira | Tamba | Etude N° 2, hommage à Bach | 1964 | fixed media, akusmatisch | 3:28 | Stereo | INA C 1032 27652 archives grm CD 2/5/ | INA • GRM | 8.3.1969 | Birmingham & Midland Institute | 1 | |||||||
| 40582 | Akira | Tamba | Goya | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 40527 | Akira | Tamba | Interlude | 1964 | Film | pour la TV | INA • GRM | 0 | |||||||||||
| 40583 | Akira | Tamba | L’inconnu d’Orly | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 40529 | Akira | Tamba | neuf pièces | 1964 | Film | pour le images de Godevais | INA • GRM | 0 | |||||||||||
| 22057 | Malcolm | Tambo | We like to kill! | fixed media, akusmatisch | 5:01 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 39825 | Giuseppe Dante | Tamborrino | Strange Violin | 2016 | fixed media, akusmatisch | Giuseppe Dante Tamborrino | 0 | ||||||||||||
| 38428 | Serena | Tamburini | Alte Lontane Voci | 2009 | live-elec, 1 perf | fl [Flöte] | Taukay 133/ | 0 | |||||||||||
| 16629 | Serena | Tamburini | Frangente A | 1982 | fixed media, akusmatisch | 10:00 | Stereo | CRM Roma | 0 | ||||||||||
| 16630 | Serena | Tamburini | Frangente B | 1983 | fixed media, akusmatisch | 11:00 | Stereo | CRM Roma | 0 | ||||||||||
| 38427 | Serena | Tamburini | Grafo | 2009 | fixed media, akusmatisch | Taukay 133/ | 0 | ||||||||||||
| 38426 | Serena | Tamburini | Laghi | 2009 | fixed media, akusmatisch | Taukay 133/ | 0 | ||||||||||||
| 38430 | Serena | Tamburini | Limnea | 2009 | fixed media, akusmatisch | Taukay 133/ | 0 | ||||||||||||
| 16631 | Serena | Tamburini | Luci dorate | 1987 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | S, Contra-A [Sopran, Alt] | CRM Roma | 0 | |||||||||
| 38429 | Serena | Tamburini | Mesi | 2009 | live-elec, 1 perf | V [Stimme] | Taukay 133/ | 0 | |||||||||||
| 16632 | Serena | Tamburini | Ombra | 1991 | Zuspiel / Tonband, 1 perf | 12:07 | Stereo | cl [Klarinette] | RCA CCD 3001/ | CRM Roma | 1 | ||||||||
| 16633 | Serena | Tamburini | Per cieli e piani | 1986 | fixed media, akusmatisch | 9:00 | Quadro | Fonit Cetra CDC 43/ | CRM Roma | 0 | |||||||||
| 16634 | Serena | Tamburini | Specchi | 1985 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | ob [Oboe] | CRM Roma | 0 | |||||||||
| 38431 | Serena | Tamburini | Tra Le Righe | 2009 | live-elec, 1 perf | 12 | fl [Flöte] | Taukay 133/ | 0 | ||||||||||
| 42673 | Hila, Iddo | Tamir-Ostrover, Aharony | Kutra Begulma | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 37759 | Hans | Tammen | Conflict of Interest | 2017 | live-elec, | DNA | 27.10.2017 | Villa Elisabeth Berlin, Festival Sonification | 0 | ||||||||||
| 26903 | Jorrit | Tamminga | Barst! | 2005 | fixed media, akusmatisch | 10:35 | Quadro | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26902 | Jorrit | Tamminga | Barsten | 2005 | Zuspiel / Tonband, 1 perf | 11:00 | carillon [Keyboard] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26890 | Jorrit | Tamminga | Bells Palsey | 2008 | live-elec, 1 perf | 12:00 | fl [Flöte] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26928 | Jorrit | Tamminga | Berg | 1997 | fixed media, akusmatisch | 12:34 | Quadro | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26896 | Jorrit | Tamminga | Bosch | 2007 | fixed media, akusmatisch | 15:30 | Stereo, Quadro, Octo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26924 | Jorrit | Tamminga | Curver A | 1998 | fixed media, akusmatisch | 7:14 | Quadro | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26923 | Jorrit | Tamminga | Curver C | 1999 | fixed media, akusmatisch | 16:27 | Stereo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26922 | Jorrit | Tamminga | Curver D | 1999 | fixed media, akusmatisch | 12:07 | Stereo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26920 | Jorrit | Tamminga | Curver E | 2000 | fixed media, akusmatisch | 6:18 | Stereo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26916 | Jorrit | Tamminga | Curver F | 2001 | fixed media, akusmatisch | 13:25 | Stereo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 22311 | Jorrit | Tamminga | Euridice | 2000 | Zuspiel / Tonband, 1 perf | 15:55 | carillon [Keyboard] | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.jorrittamminga.nl/ | ||||||||
| 26927 | Jorrit | Tamminga | Fiks | 1997 | live-elec, 1 perf | 7:00 | S [Sopran] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26933 | Jorrit | Tamminga | Glas | 1995 | fixed media, akusmatisch | 8:03 | Stereo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26884 | Jorrit | Tamminga | Het Gordijn | 2009 | Zuspiel, live-elec, 1 group | 14:00 | ch [Chor] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26911 | Jorrit | Tamminga | Inside Out | 2003 | Zuspiel / Tonband, 1 perf | 13:00 | carillon [Keyboard] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26919 | Jorrit | Tamminga | Kikkerscape | 2000 | Klangkunst, Installation | Quadro | 0 | http://www.jorrittamminga.nl/ | |||||||||||
| 26929 | Jorrit | Tamminga | Kist | 1996 | fixed media, akusmatisch | 10:00 | Stereo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26913 | Jorrit | Tamminga | Klep Dicht! | 2002 | live-elec, 1 perf | 12:00 | s-sax [Saxophon] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26931 | Jorrit | Tamminga | Klokwerk | 1995 | Zuspiel / Tonband, 1 perf | 8:00 | carillon [Keyboard] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26926 | Jorrit | Tamminga | Knikkers | 1998 | Zuspiel / Tonband, 3 perf | 15:00 | p, 2 tpt [Trompete, Piano] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26894 | Jorrit | Tamminga | Lachrimae | 2007 | live-elec, 1 perf | 45:00 | Octo | rec [Flöte] | 2007 | Festival Oude Muziek | 0 | http://www.jorrittamminga.nl/ | |||||||
| 26925 | Jorrit | Tamminga | Mikroket | 1998 | live-elec, 2 perf | 8:00 | 2 tpt [Trompete] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26921 | Jorrit | Tamminga | MmIiLlEeNnIiUuMm | 1999 | Klangkunst, Installation | live sound installation for project vhdvv | 0 | http://www.jorrittamminga.nl/ | |||||||||||
| 26917 | Jorrit | Tamminga | Morphosis | 2000 | live-elec, 1 perf | 13:00 | carillon [Keyboard] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26918 | Jorrit | Tamminga | Orfeo | 2000 | fixed media, akusmatisch | 15:54 | Stereo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26898 | Jorrit | Tamminga | Powerchords | 2006 | live-elec, 4 perf | 12:30 | str-qt [Streicher] | 12.05.2006 | 0 | http://www.jorrittamminga.nl/ | |||||||||
| 26915 | Jorrit | Tamminga | Rioolgeluiden | 2001 | Klangkunst, Installation | Quadro | 0 | http://www.jorrittamminga.nl/ | |||||||||||
| 26888 | Jorrit | Tamminga | Riot of Color | 2008 | live-elec, 3 perf | 15:00 | b-cl, vc, p [Klarinette, Piano, Cello] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26914 | Jorrit | Tamminga | Schizo | 2001 | Zuspiel, live-elec, 1 perf | 12:00 | tpt [Trompete] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26887 | Jorrit | Tamminga | Size doesn:t matter | 2008 | live-elec, 1 perf | 5:00 | sopranino rec [Flöte] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26899 | Jorrit | Tamminga | Subito Piano | 2006 | live-elec, 1 perf | 12:00 | p [Piano] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26930 | Jorrit | Tamminga | Tapijt | 1996 | Zuspiel / Tonband, 1 perf | 7:00 | p [Piano] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26889 | Jorrit | Tamminga | Tarzan | 2008 - 2010 | audiovisuell, live-elec, 2 perf | 12:00 | rec, gui, (film) [Flöte, Gitarre] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26908 | Jorrit | Tamminga | Tijdverspilling | 2004 | live-elec, 1 group | 12:00 | gamelan-ens [Ensemble] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26897 | Jorrit | Tamminga | Versteek | 2007 | live-elec, 1 perf | 45:00 | carillon [Keyboard] | for automatic carillon Goes | 0 | http://www.jorrittamminga.nl/ | |||||||||
| 26901 | Jorrit | Tamminga | Vierkant | 2005 | live-elec, 1 perf | 10:30 | carillon [Keyboard] | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 26895 | Jorrit | Tamminga | Waterslag | 2007 | Zuspiel / Tonband, 1 perf | 15:00 | carillon [Keyboard] | town Hoorn, 650th anniversery. | 09.2007 | 0 | http://www.jorrittamminga.nl/ | ||||||||
| 26883 | Jorrit, Wim | Tamminga, Henderickx | Sri Yantra | 2009 | fixed media, akusmatisch | 15:41 | Octo | 0 | http://www.jorrittamminga.nl/ | ||||||||||
| 16635 | Kathleen | Tamplin | Guarapé | 1990 | fixed media, akusmatisch | 8:00 | Uni Nottingham | 0 | |||||||||||
| 16636 | Kathleen | Tamplin | roundaboutagain | 1994 | Zuspiel / Tonband, 1 perf | 6:00 | Stereo | Bar [Bariton] | BEAST | 0 | |||||||||
| 43114 | Jack | Tamul | Igniters | 1995 | fixed media, akusmatisch | 5:48 | Auszeichnung ars electronica 1995 | 0 | http://archive.aec.at/prix/showmode/29861/ | ||||||||||
| 41400 | Anthony | Tan | Per/Cycle | fixed media, akusmatisch | sonus.ca | 0 | https://www.ckcufm.com/ | ||||||||||||
| 42701 | Anthony | Tan | Pose I: Between the Sadness | 2012 | fixed media, akusmatisch | 7:49:00 | 0 | ||||||||||||
| 16637 | Atau | Tanaka | Kagami | 1992 | live-elec, 2 perf | (BioMuse) perf, MIDI-ins [Performer, synthesizer] | CCRMA | 0 | |||||||||||
| 16638 | Karen | Tanaka | Metallic Crystal | 1993 | live-elec, 1 perf | 9:00 | perc [Schlagzeug] | ISPW | IRCAM Les Années 90/ | IRCAM | Chester M. | 0 | |||||||
| 16639 | Eric | Tanguy | Altundeva | 1987 | fixed media, akusmatisch | 10:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 16640 | Eric | Tanguy | Altundeva II | 1990 | fixed media, akusmatisch | 11:00 | Stereo | 0 | |||||||||||
| 25601 | Ayako | Taniguchi | Poquecommusisilation | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 22069 | Kent | Tankred | A Revelation | fixed media, akusmatisch | 29:58 | Von CD "A REVELATION" | FER 1006 Firework Edition Records/ | Nybygget Studio | 1 | ||||||||||
| 22068 | Kent | Tankred | Desert | fixed media, akusmatisch | 10:02 | Von CD "A REVELATION" | FER 1006 Firework Edition Records/ | Nybygget Studio | 1 | ||||||||||
| 22327 | Kent | Tankred | Detta är en uppenbarelse… | fixed media, akusmatisch | 3:24 | Infogram 045/1/ | 1 | ||||||||||||
| 16641 | Kent | Tankred | Element I - El | 1988 | fixed media, akusmatisch | 40:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22067 | Kent | Tankred | From Alpha to Omega and back again (Part 1) | fixed media, akusmatisch | 3:50 | Von CD "A REVELATION" | FER 1006 Firework Edition Records/ | Nybygget Studio | 0 | ||||||||||
| 22070 | Kent | Tankred | From Alpha to Omega and back again (Part 2) | fixed media, akusmatisch | 22:54 | Von CD "A REVELATION" | FER 1006 Firework Edition Records/ | Nybygget Studio | 0 | ||||||||||
| 22282 | Kent | Tankred | Home Sweet Home II | fixed media, akusmatisch | 8:10 | Festival Documentation "Nature is Perverse" | FYCD 1017-1/ | 1 | |||||||||||
| 16642 | Kent | Tankred | Joli fanto Bambla | 1984 | fixed media, akusmatisch | 8:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 16643 | Kent | Tankred | Komposition nr 1 | 1982 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 16644 | Kent | Tankred | Ordinary Things, (Lap of honour, PS3, Table manners, Memories) | 1995 | fixed media, akusmatisch | 66:00 | FYCD 1004/ | PS C. | 1 | ||||||||||
| 16645 | Kent | Tankred | PS 3 | 1988 | fixed media, akusmatisch | 10:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22333 | Kent | Tankred | Tumba ba umf | fixed media, akusmatisch | 4:15 | Infogram 045/1/ | 1 | ||||||||||||
| 16646 | Kent, Leif | Tankred, Elggren | Riot | 1988 | intermedia | slides (Leif Elggren) | EMS Stockholm | 1 | 2002 | ||||||||||
| 16647 | Kent, Per, Leif | Tankred, Jonsson, Elggren | Ugn - ett arbetspass | 1984 | fixed media, akusmatisch | 27:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 16648 | Dante | Tanzi | Cip Roar | 1989 | live-elec, | 9:00 | LIM Milano | 0 | |||||||||||
| 16649 | Dante | Tanzi | Deadlock | 1994 | live-elec, | LIM Milano | 0 | ||||||||||||
| 39706 | Dante | Tanzi | Etakate! | 2009 | fixed media, akusmatisch | Dante Tanzi | 0 | ||||||||||||
| 16650 | Dante | Tanzi | Hybris | 1987 | live-elec, | 18:00 | LIM Milano | 0 | |||||||||||
| 16651 | Dante | Tanzi | I pinti che grondano | 1990 | live-elec, 1 perf | 3:30 | V [Stimme] | after A. Vivaldi | LIM Milano | 0 | |||||||||
| 16653 | Dante | Tanzi | Louvre | 1989 | live-elec, 2 perf | 12:30 | fl, perc [Flöte, Schlagzeug] | LIM Milano | 0 | ||||||||||
| 16654 | Dante | Tanzi | Pari | 1992 | live-elec, | LIM Milano | 0 | ||||||||||||
| 16655 | Dante | Tanzi | Pro. Fumo | 1988 | live-elec, 2 perf | 12:00 | 2 trbn [Posaune] | LIM Milano | 0 | ||||||||||
| 16656 | Dante | Tanzi | Rithmos | 1989 | live-elec, 1 perf | 9:30 | vn [Violine] | LIM Milano | 0 | ||||||||||
| 39707 | Dante | Tanzi | Surveillance | 2016 | fixed media, akusmatisch | Dante Tanzi | 0 | ||||||||||||
| 39708 | Dante | Tanzi | Tea Trip | 2015 | fixed media, akusmatisch | 14:50:00 | Dante Tanzi | 0 | |||||||||||
| 16652 | Dante, A. | Tanzi, Ballista | Leu chansonet 'e vil | 1990 | live-elec, 2 perf, 1 group | 4:00 | V, Kbds [Stimme, Keyboard] | after Guiraut De Borneil | LIM Milano | 0 | |||||||||
| 42812 | Leonello | Tarabella | Jacaranda | 2012 | fixed media, akusmatisch | 9:00:00 | CNR Pisa | 0 | |||||||||||
| 16657 | Leonello | Tarabella | Midivertimento : Lunare, Cassiopeia, Planetario | 1988 - 1994 | live-elec, 1 perf | 12:00 | MIDI-sax [Saxophon] | CNUCE Pisa | 0 | ||||||||||
| 22091 | Anne, Jackson | Tardos, MacLow | Für Stimmen | radiophon | 2:22 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 16658 | Pierre | Tardy | Dissensions | 1976 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 28538 | Chris | Tarren | Steel Curtain | 2010 | fixed media, akusmatisch | 10:22 | Stereo | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | http://soundcloud.com/shelly-knotts | ||||||
| 16659 | Annie, Françoise, Michèle | Tasset, Monneret, Bernard | Epiglottis | 1988 | Musiktheater, 4 perf | 15:00 | 3 V, p [Stimme, Piano] | GRAME Lyon | 0 | ||||||||||
| 16660 | Heinrich | Taube | Darkling | 1993 | computer generated score, | 11:00 | Stereo | str orc [Orchester] | ZKM Karlsruhe | 0 | |||||||||
| 16661 | Heinrich | Taube | Gloriette for John Cage | 1993 | computer generated score, 1 perf | 5:00 | Stereo | mechanical org [Orgel] | ICMC 1994, DIEM 001/ | ZKM Karlsruhe | 1 | ||||||||
| 16662 | Heinrich | Taube | Jubjub | 1985 | fixed media, akusmatisch | 11:00 | Quadro | CCRMA | 0 | ||||||||||
| 16663 | Heinrich | Taube | Swansong | 1992 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | celletto [Cello] | ZKM Karlsruhe | 0 | |||||||||
| 16664 | Heinrich | Taube | Tremens | 1987 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 16665 | Heinrich | Taube | Wilderness of Mirrors | 1988 | Zuspiel, live-elec, 4 perf | Stereo | amp str-qt [Streicher] | CCRMA | 0 | ||||||||||
| 16666 | John | Tavener | In alium | 1968 | Zuspiel / Tonband, 1 perf, 1 group | S, orc [Sopran, Orchester] | 0 | ||||||||||||
| 16667 | John | Tavener | The Whale | 1966 | Zuspiel / Tonband, 1 perf, 2 groups | 40:00 | Stereo | V, ch, orc [Stimme, Chor, Orchester] | SAPCOR 15 Apple Records/ | 0 | |||||||||
| 16668 | John | Tavener | Three Surrealist Songs | 1967 | Zuspiel / Tonband, 3 perf | V, p, perc [Stimme, Piano, Schlagzeug] | 0 | ||||||||||||
| 37851 | Bijan | Tavili | Ways to Nowhere | 2017 | live-elec, 1 group | ens (westliche Instrumente & traditionelle persische ins) [Ensemble] | 5.11.2017 | Philharmonie Essen, Festival NOW 2017 | 0 | ||||||||||
| 32767 | Dan | Taylor | Silver Apples | 1968 | fixed media, akusmatisch | KAPP KS 3562/ | 0 | ||||||||||||
| 33428 | Keith | Taylor | Sound Piece No. 1 | 1962 | fixed media, akusmatisch | Uni Eugene | 0 | ||||||||||||
| 39463 | Monte | Taylor | AGBA | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40133 | Monte | Taylor | FEMEVizacayaV1.0 | 2017 | fixed media, akusmatisch | Monte Taylor | 0 | ||||||||||||
| 40210 | Robert | Taylor | The Synesthetic Conjurer | 2015 | fixed media, akusmatisch | 10:00:00 | Robert Taylor | 0 | |||||||||||
| 32099 | Stephen Andrew | Taylor | seven microworlds | 2000 | fixed media, akusmatisch | SEAMUS EAM Vol. 12/ | 0 | ||||||||||||
| 24545 | Kees | Tazelaar | A Guide to Night Sounds 2 | fixed media, akusmatisch | 15:00 | Octo | Sonology Utrecht | 1 | http://www.keestazelaar.com/ | ||||||||||
| 24546 | Kees | Tazelaar | Apertures / More Apertures | 2005 | fixed media, akusmatisch | 79:00 | Octo | Sonology Den Haag | 1 | http://www.keestazelaar.com/ | |||||||||
| 38861 | Kees | Tazelaar | Chatoyance 2 | fixed media, akusmatisch | 14:19 | INA GRM G6050/59/ | 0 | ||||||||||||
| 27943 | Kees | Tazelaar | Chroma, Chroma 1 | 2006 | fixed media, akusmatisch | 11:55 | Stereo, 7 tracks | 2 Versions each 11:55 | INA GRM G6050/59/ | Sonology Den Haag | Fonds voor de Scheppende Toonkunst. | 1 | 2006 | http://www.keestazelaar.com/ | |||||
| 27944 | Kees | Tazelaar | Crosstalk | 2008 | fixed media, akusmatisch | 16:14 | 7 tracks, Spazialisation: WFS | also Titel "Crosstalk A" | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | Sonology Den Haag | 1 | 2008 | http://www.keestazelaar.com/ | ||||||
| 16669 | Kees | Tazelaar | Défilé pour jamais | 1989 | fixed media, akusmatisch | 7:20 | Quadro | Sonology Den Haag | 0 | http://www.keestazelaar.com/ | |||||||||
| 23532 | Kees | Tazelaar | Depths of Field, 4 Versions | 1997, 2002 | fixed media, akusmatisch | 17:14 | 6 | orientiert nach Koenigs Funktionen-Stücken. Mit einem Analogsynth. hergestellt (voltage controlled system, analogue tape recorders). Version 1 14:34; Version 2 4:39; Version 3 17:24; Version 4 5:02 On the CD (CV NEAR 13) Version 3 (17:14) |
CV NEAR 13/ | Sonology Den Haag | Scheppende Toonkunst | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 23226 | Kees | Tazelaar | E pur si muove, E pur si muove… | 2001 | fixed media, akusmatisch | 15:02 | Octo | Kyma Capybara (Capybara 320, Powermac G3, Kyma software) | CV NEAR 13/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 27945 | Kees | Tazelaar | Geoglyphs | 1999 - 2006 | fixed media, akusmatisch | 45:30 | Stereo, 7 tracks | 6 Teile: 6:50 + 8:39 + 11:01 + 4:00 + 10:20 + 4:48 | Sonology Den Haag | 1 | http://www.keestazelaar.com/ | ||||||||
| 16670 | Kees | Tazelaar | Heil, Koude zee | 1986/1987 | fixed media, akusmatisch | 12:35 | Stereo | from "Een winter aan zee" | Sonology Den Haag | 0 | http://www.keestazelaar.com/ | ||||||||
| 16671 | Kees | Tazelaar | Impulsion émotive | 1985 | fixed media, akusmatisch | 7:17 | Stereo | Sonology Den Haag | 0 | http://www.keestazelaar.com/ | |||||||||
| 24547 | Kees | Tazelaar | K12 | fixed media, akusmatisch | 7:29 | Sonology Utrecht | 1 | http://www.keestazelaar.com/ | |||||||||||
| 24548 | Kees | Tazelaar | Lasciar Vibrare | fixed media, akusmatisch | 37:00 | Octo | verschiedene Versionen mit unterschiedlichen Längen | Sonology Utrecht | 1 | http://www.keestazelaar.com/ | |||||||||
| 27342 | Kees | Tazelaar | Lustre | 2009 | fixed media, akusmatisch | 20:28 | Stereo | duration on vimeo 8:51 | Sonology Den Haag, studio dektaz | 1 | https://vimeo.com/80201992 | ||||||||
| 16672 | Kees | Tazelaar | Metaform | 1990 | fixed media, akusmatisch | 13:30 | Stereo | Sonology Den Haag | 0 | http://www.keestazelaar.com/ | |||||||||
| 16673 | Kees | Tazelaar | Monument | 1990/1991 | fixed media, akusmatisch | 14:00 | Stereo | Sonology Den Haag | 1 | http://www.keestazelaar.com/ | |||||||||
| 23531 | Kees | Tazelaar | Paradigma 1 | 1993/2002 | fixed media, akusmatisch | 16:01 | Stereo, Octo | nach Fibonacci-Serie; mit PDP-11-34, DMX 1000, PODX (PDP-11-34 Computer, DMX-1000 Signal Processor, PODX software, Studer 8-track recorder) | CV NEAR 13/ | Sonology Den Haag | Fonds voor de Scheppende Toonkunst | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 23227 | Kees | Tazelaar | Paradigma 2 | 1994/2002 | fixed media, akusmatisch | 20:09 | Octo | PS C. | 1 | http://www.keestazelaar.com/ | |||||||||
| 24549 | Kees | Tazelaar | Phalanxes | 2006 | fixed media, akusmatisch | 20:04 | 7 tracks | daad 206-1 ISBN 3-89727-313-6 Pfau/ | Sonology Den Haag, TU Berlin | 1 | 2006 | http://www.keestazelaar.com/ | |||||||
| 22316 | Kees | Tazelaar | Pier en Oceaan | 1999 | fixed media, akusmatisch | 11:21 | Octo | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.keestazelaar.com/ | ||||||||
| 24550 | Kees | Tazelaar | Pointer | 2005 | fixed media, akusmatisch | audiovisuell |
12:46 | on vimeo duration 15:10 | Sonology Den Haag, studio dektaz | 1 | https://vimeo.com/80618006 | |||||||||
| 28304 | Kees | Tazelaar | Preludium | fixed media, akusmatisch | 6:38 | 1 | http://www.keestazelaar.com/ | ||||||||||||
| 32208 | Kees | Tazelaar | Projection | 2009 | fixed media, akusmatisch | 13 | Sonology Den Haag | 0 | |||||||||||
| 28303 | Kees | Tazelaar | Raum | fixed media, akusmatisch | 7:09 | 1 | http://www.keestazelaar.com/ | ||||||||||||
| 34373 | Kees | Tazelaar | Rayons de son | 2010 | radiophon | 17:02 | Post Scriptum PS 001/ | Sonology Den Haag | 10.9.2010 | Philips Research Laboratories in Eindhoven | 0 | ||||||||
| 16674 | Kees | Tazelaar | Reaching Altitude | 1985 | fixed media, akusmatisch | 18:00 | Quadro | Sonology Den Haag | 0 | http://www.keestazelaar.com/ | |||||||||
| 38862 | Kees | Tazelaar | Serenade | fixed media, akusmatisch | 16:01 | INA GRM G6050/59/ | 0 | ||||||||||||
| 26082 | Kees | Tazelaar | Sterne, Sterne 14 | 2011 - 2012 | fixed media, akusmatisch | 6:51 | Sterne 14 (duration 13:55) | Sonology Den Haag, studio dektaz | 1 | https://vimeo.com/80202694 | |||||||||
| 27946 | Kees | Tazelaar | Sterne vielleicht (?)! | 2002 | fixed media, akusmatisch | 6:51 | Stereo | on vimeo duration 6:52 | Sonology Den Haag, studio dektaz | 0 | https://vimeo.com/137618007 | ||||||||
| 24551 | Kees | Tazelaar | Sternflüstern | fixed media, akusmatisch | 20:29 | 6 | 5.1-Surroundfassung, Stereo | INA GRM G6050/59/ | Sonology Utrecht | 1 | http://www.keestazelaar.com/ | ||||||||
| 24552 | Kees | Tazelaar | Stimmlich | fixed media, akusmatisch | 19:35 | Octo | Sonology Utrecht | 1 | http://www.keestazelaar.com/ | ||||||||||
| 23228 | Kees | Tazelaar | Torso, Version 3 | 1998 - 2000 | fixed media, akusmatisch | 22:22 | Stereo, Octo | violin, contact microphone, powermac 7500, turbosynth/projekt 1 software | CV NEAR 13/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 26083 | Kees | Tazelaar | Zeitraum - Ort - Zeichen - Sterne | 2007 | fixed media, akusmatisch | 19:41 | Octo | first version (withdrawn) : "Zeitraum und Ort"; 20:45) | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | TU Berlin, PS C. | 1 | http://www.keestazelaar.com/ | |||||||
| 16675 | Kees | Tazelaar | Zum weißen Engel | 1987 | fixed media, akusmatisch | 14:00 | Quadro | Sonology Den Haag | 0 | http://www.keestazelaar.com/ | |||||||||
| 31666 | Kees, Richard | Tazelaar, Barrett | Equale | 2013 | fixed media, akusmatisch | 16:16 | Stereo, Octo | Post Scriptum PS 001/ | Sonology Den Haag, TU Berlin | Elektronisches Studio TU Berlin | 20.07.2013 | Elisabethkirche Berlin (relevante musik) | 0 | ||||||
| 28324 | Ivan | Tcherepnin | Five Songs | live-elec, 2 perf | 24:00 | A, fl [Alt, Flöte] | CRi CD 684/ | HEMS Harvard | 0 | http://huseac.fas.harvard.edu/-history/HEMS/works.htm | |||||||||
| 28323 | Ivan | Tcherepnin | Flores Musicales | live-elec, 3 perf | 24:36 | ob, org, vn [Oboe, Orgel, Violine] | CRi CD 684/ | HEMS Harvard | 0 | http://huseac.fas.harvard.edu/-history/HEMS/works.htm | |||||||||
| 18385 | Ivan | Tcherepnin | Santur Opera | 1981 | Zuspiel, live-elec, 1 perf | 24:36 | synt [synthesizer] | CMJ Vol 21, 1997/ CRi CD 684/ | HEMS Harvard | prize ars electronica | 1 | http://huseac.fas.harvard.edu/-history/HEMS/works.htm | |||||||
| 18386 | Ivan | Tcherepnin | The Creative Act | 1991 | Tanz | HEMS Harvard | Merce Cunningham Dance Company | 0 | http://huseac.fas.harvard.edu/-history/HEMS/works.htm | ||||||||||
| 16676 | Serge | Tcherepnin | At Bach | 1968 | fixed media, akusmatisch | 8:00 | Quadro | non-existent | Fonologia Milano | 0 | |||||||||
| 16677 | Serge | Tcherepnin | Giuseppe's Work Two | 1966 | fixed media, akusmatisch | ≈ 20:00 | Quadro | Fonologia Milano | 0 | ||||||||||
| 16678 | Serge | Tcherepnin | Ivan the Fool | 1968 | radiophon | BBC | 0 | ||||||||||||
| 16679 | Serge | Tcherepnin | Pièce de fond | 1968 | fixed media, akusmatisch | non-existent | Fonologia Milano | 0 | |||||||||||
| 39389 | Hao | Te | Huan | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 16680 | Giorgio | Tedde | Archi elettrici | 1988 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 16681 | Giorgio | Tedde | ATM | 1993 | Zuspiel / Tonband, 1 perf, 1 group | br-ens [Bläser] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 31630 | Giorgio | Tedde | Austro | 1991/1993 | live-elec, 1 perf | 11:00:00 | amp a-rec (elec) [Flöte] | HSM Basel | 0 | ||||||||||
| 31629 | Giorgio | Tedde | Cellovoce | 1993 | live-elec, 2 perf | 12:00:00 | male V, vc, (elec) [Stimme, Cello] | HSM Basel | 0 | ||||||||||
| 31633 | Giorgio | Tedde | Morite | 1996 | live-elec, 1 perf | 10:00:00 | V, (elec) [Stimme] | HSM Basel | 0 | ||||||||||
| 19586 | Giorgio | Tedde | Sintonia de Bach | 1991 | fixed media, akusmatisch | 10:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 31628 | Giorgio | Tedde | Vox | 1992 | Zuspiel, live-elec, 2 perf | 24:00:00 | male V, perc, (elec) [Stimme, Schlagzeug] | HSM Basel | 0 | ||||||||||
| 23229 | Daniel | Teige | Emotionsparameter | 2002 - 2003 | fixed media, akusmatisch | 8:45 | Surround 5.1, Octo | EMF DVD 054/ | TU Berlin | 21.1.2003 | Sophiensäle bei Ultraschall 2003 | 1 | |||||||
| 21569 | Daniel | Teige | Kadoo | 2000 | fixed media, akusmatisch | 3:17 | Stereo | Supercollider | TU Berlin | 1 | |||||||||
| 22436 | Daniel, Sascha, Daniel | Teige, Kranz, Plewe | Studie zur Corkenschen Kommunikationsinterpolation | 2000 | fixed media, akusmatisch | 21:05 | Improvisation für 3 Cds, 3 G4, 9 Meyerboxen und einen Menschen. | TU Berlin | 10.-12.11.2000 | Künstlerhaus Bethanien Berlin | 1 | ||||||||
| 23333 | Daniel, Yaeko | Teige, Osono | Crossover 78 | 2001 | Performance | exhibition in London | TU Berlin | 1 | |||||||||||
| 16682 | Richard | Teitelbaum | Barcarola | 1983 | live-elec, 1 perf | 15:00 | Quadro | perf [Performer] | 4i real-time system | CSC Padova | 0 | http://inside.bard.edu/teitelbaum/biography/index.html | |||||||
| 16683 | Richard | Teitelbaum | Blends | 1977 | Zuspiel, live-elec, 3 perf | 19:56 | shakuhachi, 2 synt [Flöte, synthesizer] | Lumina Rec L005/ | 1 | ||||||||||
| 26956 | Richard | Teitelbaum | Dal niente | 1997 | live-elec, 1 perf | MIDI p, (sam, com) [Piano] | 0 | ||||||||||||
| 26949 | Richard | Teitelbaum | Digital Keyboard Music | 1985 | live-elec, 2 perf | dig p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 16684 | Richard | Teitelbaum | Digital piano music | 1982 | live-elec, 1 perf | 25:47 | p, (2 com-p) [Piano] | für einen Flügel und zwei computergesteuerte Flügel | Lumina Rec L005/ | 1 | 1984 | ||||||||
| 26947 | Richard | Teitelbaum | Frankfurt Cakewalk | 1983 | live-elec, 1 perf | dig p, (com) [Piano] | 0 | ||||||||||||
| 26937 | Richard | Teitelbaum | Ghosts | 1975 | Zuspiel / Tonband, 1 perf | bells [Schlagzeug] | 0 | ||||||||||||
| 26953 | Richard | Teitelbaum | Golem | 1989 - 1994 | Oper, live-elec, 5 perf | V, trbn, vn, perc, robotic p, (interactive video system) [Stimme, Posaune, Piano, Schlagzeug, Violine] | 11. + 12.2.1992 Hebbeltheater; Shelley Hirsch: Voice; George Lewis: Trombone, Computer, Electronics; David Moss: Voice, Percussion, Electronics; Richard Teitelbaum: Synthesizer-sampler Keyboard, Interactive Computer; Carlos Zingaro: Violin, Electronics | Tzadik 7105/ | Hebbel Theater & Inventionen Festival 1992, Berlin, Germany | 0 | 1992 | http://www.tzadik.com/ | |||||||
| 16685 | Richard | Teitelbaum | Golem 1 | 1987 | live-elec, 3 perf | 18:56 | Stereo | synt, sam, mus [Musiker, computer, synthesizer] | Centaur CRC 2039, CDCM Vol. 2/ | iEAR Rensselaer | 1 | ||||||||
| 26951 | Richard | Teitelbaum | Golemics | 1988 | live-elec, 4 perf | robotic p, amp str (zither), synt, mus [Piano, Musiker, synthesizer, Streicher] | 0 | ||||||||||||
| 26936 | Richard | Teitelbaum | High culture imports | 1970 | live-elec, 1 group | ens [Ensemble] | for World Band | 0 | |||||||||||
| 26934 | Richard | Teitelbaum | In Tune | 1967 | live-elec, 1 perf | synt [synthesizer] | for amplified brainwaves, heartbeats, breath and Moog synthesizer | 0 | |||||||||||
| 26944 | Richard | Teitelbaum | Interlude in Prolog | 1982 | live-elec, 1 perf | dig p, (com) [Piano] | 0 | ||||||||||||
| 26959 | Richard | Teitelbaum | Klang | 2004 | live-elec, 2 perf | Kbd (-synt, sam), perc [Keyboard, Schlagzeug] | 0 | ||||||||||||
| 26935 | Richard | Teitelbaum | La Mattina presto | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 26954 | Richard | Teitelbaum | Melog XRam | 1990 | radiophon | 0 | |||||||||||||
| 26941 | Richard | Teitelbaum | ODE | 1980 | live-elec, 1 perf | V, (harm) [Stimme] | 0 | ||||||||||||
| 26957 | Richard | Teitelbaum | REIBO UNIVERSE | 1998 | live-elec, 1 perf | shakuhachi, (visual projection) [Flöte] | 0 | ||||||||||||
| 26948 | Richard | Teitelbaum | Reverse polish notation | 1983 | live-elec, 1 perf | dig p, (com) [Piano] | 0 | ||||||||||||
| 16688 | Richard | Teitelbaum | RUN SOME BY YOU | 1983 | live-elec, 1 perf | 14:16 | Stereo | p, (2 MIDI-p) [Piano] | WER 2028; Computer Music Currents 8/ | 1 | |||||||||
| 26958 | Richard | Teitelbaum | SEQ TRANSIT PARAMMERS | 1998 | live-elec, 2 perf | 2 disklavier, (com) [Piano] | 0 | ||||||||||||
| 26940 | Richard | Teitelbaum | shrine | 1979 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 26939 | Richard | Teitelbaum | solo | 1979 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 26943 | Richard | Teitelbaum | solo for pianos | 1982 | live-elec, 1 perf | dig p, (com) [Piano] | 0 | ||||||||||||
| 26942 | Richard | Teitelbaum | solo for three pianos | 1982 | live-elec, 1 perf | dig p, (com) [Piano] | 0 | ||||||||||||
| 26955 | Richard | Teitelbaum | The Emperor Walks | 1993 | live-elec, 2 perf | disklavier, synt [Piano, synthesizer] | 0 | ||||||||||||
| 26938 | Richard | Teitelbaum | Valley | 1975 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 26945 | Richard, Anthony | Teitelbaum, Braxton | digital music and jazz live | 1984 | live-elec, 2 perf | synt, w [synthesizer, Bläser] | 0 | ||||||||||||
| 16686 | Richard, Anthony | Teitelbaum, Braxton | Improvisations / Concerto grosso, Concerto grosso | 1984 | live-elec, 3 perf | ≈ 85:00 | Quadro | Kbd, sax, cl (Teitelbaum, Braxton, Lewis) [Klarinette, Saxophon, Keyboard] | 3 parts | ART 6048/ | Auszeichnung ars electronica 1987 | 0 | http://archive.aec.at/prix/showmode/20653/ | ||||||
| 16687 | Richard, George | Teitelbaum, Lewis | Interlace | 1985 | live-elec, 3 perf | dig p, trbn, synt [Posaune, Piano, synthesizer] | for collaborative music systems (digital pianos, synthesizers, microcomputers and human players) | 1 | 1985 | ||||||||||
| 26952 | Richard, Robert | Teitelbaum, Rowe | Concerto grosso No. 2 | 1988 | live-elec, 3 perf | p, (robotic p,) trbn, synt, (interactiv mus system) [Posaune, Piano, synthesizer] | 0 | ||||||||||||
| 35784 | Januibe | Tejera | Une autre hypothèse pour la fin de Jaques le Fataliste | 2013 | live-elec, 1 perf | vc [Cello] | 1. prize 4º concurso latinoamericano de composición electroacústica y electrónica Gustavo Becerra schmidt 2013 | 0 | |||||||||||
| 16689 | Cardine | Tekirdali | It's Showtime | 1985 | fixed media, akusmatisch | 2:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 19140 | Jørgen | Teller | 14 trax and a hut | 1998 | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ Kiasma 1998/ | 1 | |||||||||||
| 22258 | Jørgen | Teller | Four Encounters | fixed media, akusmatisch | 16:14 | dacapo 8.224198/ | DIEM Aarhus | 1 | |||||||||||
| 21613 | Jørgen | Teller | H a e i o u y œ ø a pt. 2 | 1997 | Klangkunst, Installation | 4:01 | Installation Copenhagen | CEC Presence 2/ | 1 | ||||||||||
| 42311 | Roger | Tellier-Craig | Duelle | 2017 | fixed media, akusmatisch | 9:14 | Stereo | Winner JTTP 2018 | 0 | ||||||||||
| 16691 | Roelof | Temmingh | Blomsit - tweede versie | 1981 | Zuspiel / Tonband, 1 perf | 15:00 | Mono | org [Orgel] | Sonology Utrecht | 0 | |||||||||
| 16690 | Roelof | Temmingh | Blomsit 2 | 1980 | Zuspiel / Tonband, 1 perf | 23:00 | Mono | org [Orgel] | Sonology Utrecht | 0 | |||||||||
| 40125 | Michelle | Temple | Cele | 2017 | fixed media, akusmatisch | Michelle Temple | EMPAC | 0 | |||||||||||
| 16692 | James | Tenney | 3 Improvisations for Medea | 1960 | Theatermusik | 15:00 | Mono | EMS UIUC | 0 | ||||||||||
| 16693 | James | Tenney | Analog No. 1, Analogue I Noise Study |
1961 | fixed media, akusmatisch | 4:23 | Noise study; MUSIC V | ART 1007/ DECCA DL 9103 (Music for Mathematics)/ IDEAMA CD 056/ | Bell Lab | 1 | |||||||||
| 16694 | James | Tenney | Collage No. 1 (Blue Suede) | 1961 | fixed media, akusmatisch | 3:22 | ART 1007/ CMJ Vol 17, 1993/ CMJ Vol 19, 1995/ | EMS UIUC | 0 | ||||||||||
| 16695 | James | Tenney | Collage No. 2 (Viet Flakes) | 1967 | fixed media, akusmatisch | Film |
10:13 | film "Viet Flakes" | MW 56/ | EMS UIUC, PS C. NY | 0 | |||||||||
| 34939 | James | Tenney | Deus ex machina | 1982 | live-elec, 2 perf | var | tam-tam, (tape-delay), technician, (unwary audience) [Schlagzeug, Performer] | 0 | |||||||||||
| 16696 | James | Tenney | Dialogue | 1963 | fixed media, akusmatisch | 4:08 | Mono | stochastic study | ART 1007/ WER 2033-2; Computer Music Currents 13/ IDEAMA CD 056/ | Bell Lab | 1 | ||||||||
| 26828 | James | Tenney | Ergodos I | 1963 | fixed media, akusmatisch | 3:31 | computer music | mode 185/ | Bell Lab | 0 | http://www.moderecords.com/catalog/185tenney.html | ||||||||
| 16697 | James | Tenney | Ergodos II (for John Cage) | 1964 | fixed media, akusmatisch | 18:24 | Stereo | last piece at Bell Lab by Tenney | ART 1007/ mode 185/ | Bell Lab | 0 | http://www.moderecords.com/catalog/185tenney.html | |||||||
| 16698 | James | Tenney | Fabric for Ché | 1967 | fixed media, akusmatisch | 9:50 | ART 1007/ | Brooklyn Polyt. Inst, Bell Lab | 1 | ||||||||||
| 16699 | James | Tenney | Five Stochastics Studies | 1961 | fixed media, akusmatisch | 10:00 | Mono | MUSIC V | Bell Lab | 0 | |||||||||
| 16700 | James | Tenney | For Ann (rising) | 1969 | fixed media, akusmatisch | 11:47 | his last elec piece | ART 1007/ MW 27/ EAR Magazine 3/ | Brooklyn Polyt. Inst | 0 | |||||||||
| 34944 | James | Tenney | Form 5 | 1993 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 34940 | James | Tenney | Glissade | 1982 | live-elec, 3 perf | 35 | va, vc, db, (tape-delay) [Viola, Cello, Kontrabass] | 0 | |||||||||||
| 33852 | James | Tenney | Harmonium #6 | 1990 | fixed media, akusmatisch | 6:47 | EAR Magazine 1/ | 0 | |||||||||||
| 26830 | James | Tenney | Instrumental Response (with Ergodos I) | 1964 | Zuspiel / Tonband, 10 perf | 8:48 | var fl, b-cl, trbn, bn, vn, va, vc, db, perc, B [Bass, Flöte, Klarinette, Fagott, Posaune, Schlagzeug, Viola, Cello, Violine, Kontrabass] | mode 185/ | Bell Lab | 0 | http://www.moderecords.com/catalog/185tenney.html | ||||||||
| 16702 | James | Tenney | Music for Player Piano Spectral Canon for Conlon Nancarrow |
1963/1964, 1971 | computer generated score, 1 perf | 5:48 | player p [Piano] | ART 1007/ WWE 3CD 31882/ | Bell Lab | 1 | |||||||||
| 26831 | James | Tenney | Percussion Response (with Ergodos I) | 1964 | Zuspiel / Tonband, 1 perf | 8:42 | perc [Schlagzeug] | mode 185/ | Bell Lab | 0 | http://www.moderecords.com/catalog/185tenney.html | ||||||||
| 16704 | James | Tenney | Phases (for Edgard Varèse) | 1963 | fixed media, akusmatisch | 12:20 | Mono | com M. | ART 1007 / IDEAMA CD 081/ | Bell Lab | 0 | ||||||||
| 34943 | James | Tenney | Pika-Don (“flash-boom”), Alamogordo Hiroshima |
1991 | Zuspiel / Tonband, 4 perf | 21 | Quadro | str-qt [Streicher] | 0 | ||||||||||
| 20820 | James | Tenney | Saxony | 1978 | live-elec, 1 perf | 26:50 | Stereo | (var number of) sax, (delay) [Saxophon] | 1 or more saxophone players and tape-delay system | OO Discs 32/ | 0 | ||||||||
| 34938 | James | Tenney | Septet, Septet For Electric Guitar And Electric Bass | 1981/2000 | live-elec, 7 perf | 9 | 7 e-gui [Gitarre] | Mills Col | 1 | ||||||||||
| 36778 | James | Tenney | Stochastic Quartet | 1961 | fixed media, akusmatisch | 2:45 | Mono | MUSIC V | Bell Lab | 0 | |||||||||
| 26829 | James | Tenney | String Complement (with Ergodos II) | 1964 | Zuspiel / Tonband, 4 perf | 10:27 | Stereo | vn, va, vc, db [Viola, Cello, Violine, Kontrabass] | mode 185/ | Bell Lab | 0 | http://www.moderecords.com/catalog/185tenney.html | |||||||
| 34941 | James | Tenney | Two Koans and a Canon | 1982 | live-elec, 1 perf | va (tape delay) [Viola] | 0 | ||||||||||||
| 34942 | James | Tenney | Voice(s) | 1983/1984 | live-elec, 1 perf, 1 group | 24 | var ens, var V, (mul tape-delay) [Stimme, Ensemble] | 0 | |||||||||||
| 16705 | James | Tenney | Water on the mountain… Fire in heaven, 3 parts: A, B, A+B | 1985 | Zuspiel / Tonband, 6 perf | 24:27 | 6 (special tuned) e-gui [Gitarre] | each part 8:07 | CRI CD 697/ | TU Berlin | 3.1.1995 | Neuaufführung dieser Version bei "unerhörte musik" | 1 | ||||||
| 22966 | Group | tentatively, a convenience | Melody #3 & #5 | 1996 | live-elec, 1 perf | 0:01 | MIDI [synthesizer] | Musicworks MW 65/ | 1 | ||||||||||
| 22967 | Group | tentatively, a convenience | Melody #5, Note #1 | 1994 | live-elec, 1 perf | 0:01 | synt [synthesizer] | Musicworks MW 63/ | 1 | ||||||||||
| 22968 | Group | tentatively, a convenience | Melody #5, Note #2 | 1995 | live-elec, 1 perf | 0:01 | synt [synthesizer] | Musicworks MW 64/ | 1 | ||||||||||
| 22582 | Nicolae | Teodoreanu | Prima | 1996 | fixed media, akusmatisch | 8:00 | Quadro | STEAM Berlin | 0 | ||||||||||
| 43046 | Benedikt | ter Braak | Acccross the Uuuniverse | 2014 | fixed media, akusmatisch | 4:06:00 | 0 | ||||||||||||
| 38252 | Iris | Ter Schiphorst | A Little Madness in the spring | 2005/2006 | audiovisuell, live-elec, 18 perf | 23:00:00 | 18 ins, (elec, 3 video) [Instrument] | Sept. 2006 | Porto, Casa da musica, remix-ens, Franck Ollu | 0 | |||||||||
| 38227 | Iris | Ter Schiphorst | A.N. (evita-che guevara-madonna) | 1998 | Zuspiel, live-elec, 10 perf | 15:00:00 | 2 V, 8 ins [Stimme, Instrument] | with Helmut Oehring | Liège/Brüssel | 0 | |||||||||
| 38235 | Iris | Ter Schiphorst | An den Stränden der Ruhe - wo die Sonne untergeht | 2015 | live-elec, 2 perf, 1 group | 16:00:00 | orc ( with masks), sam, fem V [Stimme, computer, Orchester] | based on the poem ‘ wie erklär ich’ by Nora Gomringer, quotes by the mayoress of Lampedusa of 2013, and a lyric by Helga Utz | “Landesjungendorchesters Sachsen” and “Sächsischer Musikrat” | 10.16. 2015 | Gewandhaus Leipzig, Stimme: Salome Kammer, Landesjugendorchster Sachsen, Dir. Milko Kersten | 0 | |||||||
| 38241 | Iris | Ter Schiphorst | Anna’s Wake | 1992 | Film, live-elec, 1 perf | 55:00:00 | V (16mm- film) [Stimme] | 3-D Opera | 1993 | Berlin | 0 | ||||||||
| 38221 | Iris | Ter Schiphorst | AUNG | 2010/2011 | live-elec, 1 perf, 1 group | inszenierte V or perf, ens (live-Elektronik) [Stimme, Performer, Ensemble] | Text: Helga Utz | BIT 20 (Norwegen) und Integra/ Birmingham in Zusammenarbeit mit NOTAM (Norwegen | 1. 10. 2011 | The Royal Danish Academy of Musikc, Studio Hall, Kopenhagen; Anna Clementi / BIT 20 / Baldur Brönnigmann | 0 | ||||||||
| 38224 | Iris | Ter Schiphorst | Aus Kindertagen: verloren | 2004/2005 | Zuspiel / Tonband, 8 perf | 22:00:00 | 8 ins [Instrument] | 2005 | Köln | 0 | |||||||||
| 38232 | Iris | Ter Schiphorst | AUS LIEBE II | 2015 | live-elec, 1 perf | str orc, sol-vn [Violine, Orchester] | 03.06.2016, Staatstheater, Großes Haus, Cottbus; Tobias Feldmann, vn / Philharmonisches Orchester Cottbus / Evan Christ | 0 | |||||||||||
| 38196 | Iris | Ter Schiphorst | “…aus Liebe” | 2013/2014 | live-elec, 4 perf | 16 | str-qt [Streicher] | Commission of the Doelen-Quartett and the Eduard von Beinum- Stichting / Netherlands | 01.03.2014 | Laurenskerk, Rotterdam, Doelenquartett; | 0 | ||||||||
| 16706 | Iris | Ter Schiphorst | Ballade für ein Bulldozer | 1989 | Radiokunst, live-elec, 2 perf | 38:22 | vn, synt [Violine, synthesizer] | technical set-up of the keyboard-equipment of the premiere: 2 casio-xampler (2 MB!), one as keyboard, the other as rack, synthesizer Roland D 50, yamaha 16 channel-mixing desk, yamaha-spx 90 |
ITS 225/ | Bleibeil St Berlin | 1990 | Berlin, Susanne Schulz-violin, Iris ter Schiphorst - synthesizer/sampler | 1 | ||||||
| 38240 | Iris | Ter Schiphorst | Ballade für Orchester: HUNDERT KOMMA NULL | 1999 | live-elec, 1 perf, 1 group | 17:00:00 | orc, kbd [Keyboard, Orchester] | Feburary 2000 | Munic, Symphonieorchester of Bayerischen Rundfunks, Martyn Brabbins | 0 | |||||||||
| 40667 | Iris | Ter Schiphorst | Bleche | 2016 - 2018 | Zuspiel, live-elec, 2 perf | amp perc, Klangregie [Schlagzeug] | Konzertinstallation für einen mokrofonierten Solo-Schlagzeuger, im Raum verteilte resonierende Bleche, Zuspiel und Klangregie | Experimentalstudio für Akustische Kunst Freiburg | 21.9.2018 | Güterbahnhof Bremen, Olaf Tzschoppe (perc), Thomas Hummel (Einrichtung) | 0 | ||||||||
| 38220 | Iris | Ter Schiphorst | Breaking | 2012 | live-elec, 1 perf, 1 group | amp ens, sam (live-Elektronik) [computer, Ensemble] | Auftragskomposition des Ensemble Mosaik | 13. 12. 2012 | Berghain/Berlin, Ensemble Mosaik, Enno Poppe | 0 | |||||||||
| 38238 | Iris | Ter Schiphorst | BROKEN oder „Why don’t you say a word…“ | 2001/2002 | live-elec, 1 perf | 9:00:00 | small orc, kbd [Keyboard, Orchester] | May 2002 | Potsdam, Kammermusikakademie, Sian Edwards | 0 | |||||||||
| 32865 | Iris | Ter Schiphorst | Changeant | 2004 | Zuspiel / Tonband, 1 perf | 9 | V (CD-Player ad. lib.) [Stimme] | Swedish Concert Institute | 2005 | Stockholm | 0 | ||||||||
| 38230 | Iris | Ter Schiphorst | DAS IMAGINÄRE NACH LACAN | live-elec, 2 perf, 1 group | perf (female), orc, sam (live-electronics) [Performer, computer, Orchester] | Text: Helga Utz | 04.11.2017 Konzerthaus, Großer Saal, Wien, Salome Kammer, V / Webern Symphonie Orchester / Orchestre du Conservatoire national supérieur de musique et de danse de / Ilan Volkov | 0 | |||||||||||
| 38195 | Iris | Ter Schiphorst | Dead Wire | 2011 - 2012 | live-elec, 2 perf | solo p, sam (live-Elektronik) [Piano, computer] | Psychotechnics of kbds/ a dissociative fugue | Experimentalstudio für Akustische Kunst Freiburg | 2012 | Festival eclat, Stuttgart, Christoph Grund | 0 | ||||||||
| 38218 | Iris | Ter Schiphorst | Der Grüffelo / Grüffelokind | 2010/2011 | live-elec, 1 perf, 1 group | ens, perf (puppeteers) [Performer, Ensemble] | based on the children-books by Julia Donaldson (mit Stefan Lienenkämper) | 6.19.2011 | Philharmonie Berlin, Scharoun-Ensemble, Hans-Wurst Nachfahren | 0 | |||||||||
| 38249 | Iris | Ter Schiphorst | Der Ort ist nicht der Ort | 2000 | Zuspiel, live-elec, 2 perf, 1 group | 70:00:00 | (deaf) perf, S (male), ens [Sopran, Performer, Ensemble] | with Helmut Oehring | 2000 | EXPO 2000 Hannover | 0 | ||||||||
| 38237 | Iris | Ter Schiphorst | DISLOKATIONEN | 2008-2009 | live-elec, 2 perf, 1 group | 23:00:00 | large orc, p, kbd [Piano, Keyboard, Orchester] | 3rd of july 2009 | Munic, Herkulessaal, Symphonieorchester of Bayerischen Rundfunk, Martyn Brabbins, soloist: Christoph Grund | 0 | |||||||||
| 38199 | Iris | Ter Schiphorst | dislokationen-2 | 2010 | live-elec, 4 perf | vn, va, vc, p and sam [Piano, Viola, Cello, Violine, computer] | Nov. 2010 | Munic, trio coriolis, Christoph Grund | 0 | ||||||||||
| 16707 | Iris | Ter Schiphorst | Drowned | 1992 | Radiokunst, 5 perf | 8:18 | V, fl, 2 vn, sam [Stimme, Flöte, Violine, computer] | ITS 225/ | Bleibeil St Berlin | 1 | |||||||||
| 38202 | Iris | Ter Schiphorst | Eden cinema | 1995 | live-elec, 1 perf | 17:00:00 | prep p and sample-kbd [Piano] | 1996 | Berlin, Podewil, Hermann Kretzschmar (Ensemble modern) | 0 | |||||||||
| 38203 | Iris | Ter Schiphorst | Eden cinema II | 1996 | Zuspiel / Tonband, 1 perf | 15:00:00 | prep p, (CD-Player ad libitum) [Piano] | 2004 | Berlin | 0 | |||||||||
| 38247 | Iris | Ter Schiphorst | Effi Briest | 2000 | Zuspiel / Tonband, 22 perf | 90:00:00 | deaf fem perf, V, male S, fem Sp, 18 ins [Sopran, Sprecher, Stimme, Instrument] | with Helmut Oehring | 2001 | Bonn | 0 | ||||||||
| 16708 | Iris | Ter Schiphorst | Engeltropfen | 1993 | Radiokunst, 2 perf | 16:07 | 2 fem V [Stimme] | ITS 284/ | ORF Kunstradio | 1 | |||||||||
| 16709 | Iris | Ter Schiphorst | ergo sum´pf´maschinerie, Ergo sum-pf-maschinerie | 1990 | Radiokunst, live-elec, 2 perf | 7:54 | vn, synt and sam [Violine, computer, synthesizer] | technical et-up of the keyboard-equipment of the original version: 2 casio-xampler (2 MB!), one as keyboard, the other as rack, synthesizer Roland D 50, yamaha 16 channel-mixing desk, yamaha-spx |
ITS 225/ | Bleibeil St Berlin | 1990 | Berlin, Susanne Schulz-violin, Iris ter Schiphorst - synthesizer/sampler | 1 | ||||||
| 38245 | Iris | Ter Schiphorst | Erlaube, Fremdling, dass ich dich berühre | 2003 | audiovisuell, live-elec, 1 perf, 2 groups | 55:00:00 | 1 mime, 2 ens, (video) [Schauspieler, Ensemble] | 2004 | Dresden | 0 | |||||||||
| 38244 | Iris | Ter Schiphorst | Erlaube, Fremdling, dass ich dich berühre II | 2004 | Zuspiel / Tonband, 2 perf, 2 groups | 50:00:00 | mime, actress, 2 ens [Schauspieler, Ensemble] | 2005 | Berlin | 0 | |||||||||
| 38246 | Iris | Ter Schiphorst | Euridice | 2001/2002 | live-elec, 6 perf, 1 group | 55:00:00 | V (dancing, female), 3 V, narrator, dance, ens [Stimme, Schauspieler, Tanz, Ensemble] | September 2002 | Bielefeld | 0 | |||||||||
| 38210 | Iris | Ter Schiphorst | Gestures | 2001 | Zuspiel / Tonband, 6 perf | 11:00:00 | 5 Vs (male), prep p and kbd, (CD-player) [Stimme, Piano, Keyboard] | text: Karin Spielhofer, Christine Daum | Rheinische Kliniken, Düsseldorf | 24.10.2001 | Düsseldorf, Rheinische Kliniken, Düsseldorfer Mundharmoniker | 0 | |||||||
| 38231 | Iris | Ter Schiphorst | Gravitational Waves | 2016 | live-elec, 1 group | 9:00:00 | orc, (elec) [Orchester] | collaboration with Uros Rojko; Orchesterbesetzung 7(I,II=picc).5.2corA.5.2bcl.5.2dbn-10.8.6.2btrbn.3-perc(6)-4harp-kbd-strings (20.20.18.18.12; Vertriebsgebiet: Dieses Werk ist erhältlich bei Boosey & Hawkes für Aufführungen in der ganzen Welt. | 04.08.2016 | Snape Maltings Concert Hall, Aldeburgh, National Youth Orchestra of GB / Edward Gardner | 0 | ||||||||
| 38201 | Iris | Ter Schiphorst | Hi Bill | 2005 | live-elec, 1 perf | 3:00:00 | b-cl [Klarinette] | PH 06018/ | 23/10/ 2007 | BKA Berlin | 0 | ||||||||
| 38187 | Iris | Ter Schiphorst | IN DEINER HAND? | 2016/2017 | Zuspiel, live-elec, 7 perf | sol perc (Pauke), 6 perc (räsonierende Donnerbleche) [Schlagzeug] | Ein Projekt zu Luther.… Konzertinstallation. ein Paukenspieler, sechs im Raum verteilte räsonierende Donnerbleche, vier räsonierende Blecheimer, eine "Quellpauke" an einem anderen Ort, sowie Zuspiele und Klangregie. |
Experimentalstudio für Akustische Kunst Freiburg | 29.05.2017 | Ljubljana Schloss, Slowenien beim Luther-Trugar-Projekt, Olaf Tzschoppe: Pauke, SWR Experimentalstudio Freiburg, Klangregie: Dominik Kleinknecht, Iris ter Schiphorst, Koproduktion: SWR Experimentalstudio Freiburg, Goethe-Institut Ljubljana, Ljubljana Schloß | 0 | ||||||||
| 38225 | Iris | Ter Schiphorst | La Coquille et le Clergyman | 2004 | Film, 12 perf | 40:00:00 | 12 ins [Instrument] | Musik zum gleichnamigen Film von Germaine Dulac, 1928 | 2005 | Amsterdam | 0 | ||||||||
| 38234 | Iris | Ter Schiphorst | “La tristesse durera…” | 2015 | live-elec, 1 perf, 1 group | 6:00:00 | orc, sam [computer, Orchester] | Staatstheater Cottbus | 11.20.2015 | Staatstheater Cottbus, Philharmonisches Orchester Cottbus, Dir. Clemens Schuldt, | 0 | ||||||||
| 38222 | Iris | Ter Schiphorst | Le chien andalou music | 2009 | Film, live-elec, 7 perf | 15:00:00 | tpt (picc-tpt b flat), trbn, vc, e-gui, p, 2 perc [Trompete, Posaune, Piano, Gitarre, Schlagzeug, Cello] | the same-named film of Louis Bunuel und Salvatore Dali (1929) | 8. 01. 2010 | Konzerthaus Berlin, Werner-Otto Saal, ens ascolta, Titus Engel | 0 | ||||||||
| 16710 | Iris | Ter Schiphorst | Liebesgeschwüre | 1991 | Radiokunst, 5 perf | 13:58 | V, fl, 2 vn, synt and sam [Stimme, Flöte, Violine, computer, synthesizer] | technical set-up of the keyboard-equipment of the original version: 2 casio-xampler (2 MB!), one as keyboard, the other as rack, synthesizer Roland D 50, yamaha 16 channel-mixing desk, yamaha-spx 90 |
ITS 225/ | Bleibeil St Berlin | Festival „Wie es ihr gefällt“ | 1991 | Berlin, Intrors: Gisburg Smialek-voice/flute, Susanne Schulz, Barbara Buchberger- vln, Iris ter Schiphorst synthesizer/sampler FP: Berlin, SO-36, Nov. 1991 |
1 | |||||
| 38188 | Iris | Ter Schiphorst | MAKE HIM TALK | 2016/2017 | live-elec, 4 perf | 3:30:00 | fl, vib, gui, sam (plus Verstärkung), (Hammer) [Flöte, Gitarre, Schlagzeug, computer] | zu ‚après „l’artisanat furieux“’ (aus ‘Le marteau sans maître’, VII) von Pierre Boulez | PHACE und Wiener Konzerthaus, | 13.06.2017 | Konzerthaus, Wien | 0 | |||||||
| 38193 | Iris | Ter Schiphorst | meine-keine lieder/die aufgabe von musik | 2014 | live-elec, 3 perf | amp fem V and perf, p and kbd, b-cl [Stimme, Klarinette, Piano, Keyboard, Performer] | Inge Müller | 03. 14. 2015 | Stuttgart, Salome Kammer, Akiko Okabe, Sebastian Manz | 0 | |||||||||
| 38197 | Iris | Ter Schiphorst | Miniaturen für Klarinette und Streichquartett | 2010 | live-elec, 5 perf | cl, str-qt [Klarinette, Streicher] | 19.9.2011 | Susaa Festival Denmark, Regine Müller with ‘ens 01? | 0 | ||||||||||
| 38208 | Iris | Ter Schiphorst | My Sweet Latin Lover | 2002 | live-elec, 9 perf | 14:00:00 | fl (plugged), kbd, 2 perc, 5 e-gui [Flöte, Keyboard, Gitarre, Schlagzeug] | musica viva/Munic | 7.6.2002 | München, musica viva. Sarah Hornsby -flute, Thomas Hell - Keyboard, Percussion Art Quartett and „Go Guitars“ | 0 | ||||||||
| 38207 | Iris | Ter Schiphorst | My Sweet Latin Lover II | 2002 | live-elec, 2 perf | 9:00:00 | fl (plugged), e-gui, (live-electronic) [Flöte, Gitarre] | 13.11.2002 | Concert of the „Forums Zeitgenössische Musik Leipzig“ and MDR. Sarah Hornsby- flute, Daniel Göritz, e-guitar | 0 | |||||||||
| 38214 | Iris | Ter Schiphorst | Nightdances | 1992 | live-elec, 6 perf | 8:00:00 | V, 2 vn, vc, e-bass, synt or sam [Stimme, Gitarre, Cello, Violine, computer, synthesizer] | 1994 | Berlin, Anna Clementi, intrors | 0 | |||||||||
| 38204 | Iris | Ter Schiphorst | No Sir | 2007 | live-elec, 2 perf | 9:00:00 | fl, rec (Paetzold) [Flöte] | 17.3.2007 | Museumsinsel Hombroich, Duo Neue Flöten (=Anne Horstmann und Dörthe Nienstedt). | 0 | |||||||||
| 38191 | Iris | Ter Schiphorst | ORPHEUS 2015/die Aufgabe von Musik | 2014/2015 | Zuspiel / Tonband, 1 perf | db-cl [Klarinette] | dedicated to Theo Nabicht | 02. 25. 2015 | Stadthalle Heidelberg | 0 | |||||||||
| 38236 | Iris | Ter Schiphorst | Passion 13 - Melodram | 2010 | live-elec, 1 perf, 1 group | 22:00:00 | fem V, orc [Stimme, Orchester] | Auftragswerk des Mendelssohn Kammerorchester Leipzig | 4.9. 2010 | Gewandhaus, Mendelssohn-Saal, Leipzig; Salome Kammer/Mendelssohn Kammerorchester Leipzig/Peter Bruns | 0 | ||||||||
| 38192 | Iris | Ter Schiphorst | polar-für Armin Köhler | 2015 | live-elec, 7 perf | 1:30:00 | bn, trbn, sam, 2 perc, p, db [Fagott, Posaune, Piano, Schlagzeug, Kontrabass, computer] | “Netzwerk Neue Musik Baden-Württemberg e. V.” in memoriam Armin Köhle, | 05.15. 2015 | Donaueschingen | 0 | ||||||||
| 38233 | Iris | Ter Schiphorst | SOMETIMES | 2015 | live-elec, 1 perf, 1 group | orc, sam, solo p [Piano, Orchester] | dedicated to Alexandra Dariescu | Staatstheater Cottbus, | 02.19.2016 | Alexandra Dariescu - Soloklavier, Dir. Ivo Hentschel, Philharmonisches Orchester Cottbus | 0 | ||||||||
| 38215 | Iris | Ter Schiphorst | SOMETIMES II | 2016/2017 | live-elec, 2 perf, 1 group | amp ens, sam, perc (4 Donnerbleche mit Transducern) [Schlagzeug, computer, Ensemble] | Kompositionsauftrag des Festivals ‚Heroines of Sound’ | 8.7. 2017 | Radialsystem-Berlin, Ensemble Mosaik, Dir: Christoph Breidler, Elektronik: Daniel Plewe | 0 | |||||||||
| 38262 | Iris | Ter Schiphorst | SOS - Odysseus | 2012/2013 | live-elec, 2 perf, 2 groups | orc, 2 actor, children ch [Schauspieler, Chor, Orchester] | Libretto Helga Utz. mit Uros Rojko | Kompositionsauftrag der KölnMusik | 8. 5. 2013 | Philharmonie Köln, Gürzenich-Orchster, Dir. Markus Stenz, Schauspieler: Renato Schuch, Tanja Haller | 0 | ||||||||
| 38194 | Iris | Ter Schiphorst | Studien zu Figuren/Serie A | 2010/2011 | live-elec, 8 perf | 22 | 7 amp V, sam [Stimme, computer] | NEOS 11214-16/ | 15.10.2011 | Donaueschinger Musiktage, Neue Vocalsolisten Stuttgart | 0 | ||||||||
| 38219 | Iris | Ter Schiphorst | The Fall of the House of Usher, music for the silent film by James Sibley Watson and Melville Webber 1928 | 2013/2014 | Film, live-elec, 1 perf, 1 group | large ens, solo-tpt [Trompete, Ensemble] | Collegium Novum Zürich and family Schneider | 2. 11. 2014 | Zürich, Collegium Novum Zürich, Dir. Jonathan Stockhammer, solo-trumpet Jörg Schneider | 0 | |||||||||
| 38205 | Iris | Ter Schiphorst | Und Pommernland ist abgebrannt / deutsches Schreiben | 2003 | Zuspiel, live-elec, 3 perf | 12:00:00 | ehn, b-fl, b-cl, (CD player, effect machine ad libitum) [Flöte, Klarinette, Oboe] | Klangwerkstatt Berlin | 9.11.2003 | Berlin Ballhaus Naunynstraße, Trio e-vent (Kirsten Reese, Birgit Schmieder, Erich Wagner) | 0 | ||||||||
| 16711 | Iris | Ter Schiphorst | UND WAS, WENN DIE SCHLANGE EIN SCHWEIN GEWESEN WÄRE. EIN STÜCK WIDER SPRÜCHE | 1993 | Radiokunst, 3 perf, 1 group | 21:42 | fem V, ch, synt, sam [Stimme, computer, synthesizer, Chor] | ITS 284/ | ORF Kunstradio | 1 | |||||||||
| 38263 | Iris | Ter Schiphorst | Vergiss Salome | 2012 | Zuspiel / Tonband, 1 perf | fem V [Stimme] | 4th of december 2013 | NDR-Studio Hamburg, Germany, Sarah Maria Sun | 0 | ||||||||||
| 38200 | Iris | Ter Schiphorst | Vielleicht gestern… | 2005 | live-elec, 1 perf | 2:00:00 | b-cl [Klarinette] | October/ 2006 | Dresden/Hellerau, 20. Dresdner Tage der zeitgenössischen Musik, Volker Hemken | 0 | |||||||||
| 38216 | Iris | Ter Schiphorst | Welcome to all the pleasures: TISA VISA WiTiO ZETA NAFTA TiTiAiPi (weiss ich doch nicht, was die Kunst kann…)! | 2014 | live-elec, 1 perf, 1 group | ens, Counter-T (with Ghettobluster) [Tenor, Ensemble] | 01.23.2015 | Heilig-Kreuz-Kirche, Berlin-Kreuzberg (Festival Ultraschall, Daniel Gloger / ens recherche) | 0 | ||||||||||
| 38206 | Iris | Ter Schiphorst | Wie einen Wasserfisch | 2003 | live-elec, 1 perf, 1 group | 14:00:00 | V, ens [Stimme, Ensemble] | Rendez-vous musique nouvelle /Forbach | 8.11.2003 | Forbach, Frankreich; Sigune von Osten, art point Ensemble | 0 | ||||||||
| 38189 | Iris | Ter Schiphorst | ZEICHENKASKADEN | 2015/2016 | live-elec, 3 perf | 7 | B and drum (Fassung für Bass mit Trommel), 2 db-cl [Bass, Klarinette, Schlagzeug] | dedicated to Andreas Fischer | 16.01.2016 | Andreas Fischer, bass / Ernesto Molinari & Theo Nabicht, doublebass cl, Theaterhaus, P1, Stuttgart, Germany | 0 | ||||||||
| 28570 | Iris | Ter Schiphorst | Zerstören I | 2006 | Zuspiel, live-elec, 18 perf | 10:35 | 6 | 17 ins, kbd and sam [Keyboard, Instrument, computer] | WD 2006, Wittener Tage Für Neue Kammermusik 2006/ | Kompositionsauftrag des WDR | 2006 | Wittener Tage für neue Kammermusik 2006 mit Asko Ensemble Amsterdam, Ltg. Hans Leenders, j. Panis (Klangregie) | 1 | ||||||
| 38186 | Iris | Ter Schiphorst | Zerstören II, Trading Area | 2006 | live-elec, 1 group | 25 | amp orc [Orchester] | 23.2.2007 | Leonhard-Gläser-Saal Siegen, Philharmonie Südwestfalen / Russell N. Harris | 1 | |||||||||
| 38248 | Iris, Helmut | Ter Schiphorst, Oehring | Als ob: SUITE | 2000 | audiovisuell, live-elec, 14 perf | 60:00:00 | 7 dancer, video, 7 ins [Instrument, Tanz] | music and dance project | 2000 | Dresden | 0 | ||||||||
| 38239 | Iris, Helmut | Ter Schiphorst, Oehring | Berlin: Symphonie einer Großstadt | 2001/2002 | Film, live-elec, 1 group | 70:00:00 | large orc, (film) [Orchester] | April 2002 | Staatsoper Berlin, Symphonierochester of SWR, Roland Kluttig, film directed by Thomas Schadt | 0 | |||||||||
| 38243 | Iris, Helmut | Ter Schiphorst, Oehring | Bernada Albas Haus | 1999 | live-elec, 12 perf | 90:00:00 | 7 dancer, deaf actress, male S, prep p or kbd, e-gui, db, (live-electronic) [Sopran, Piano, Keyboard, Gitarre, Kontrabass, Tanz] | 1999 | Basel/Rom/Berlin | 0 | |||||||||
| 38211 | Iris, Helmut | Ter Schiphorst, Oehring | Etius | 2001 | live-elec, 7 perf | 29:00:00 | db-rec, b-cl, e-gui, p and kbd, acc, 2 perc, (live-electronic) [Flöte, Klarinette, Piano, Keyboard, Akkordeon, Gitarre, Schlagzeug] | Ensemble version of dance-piece ‘Als ob: Suite’ | 2001 | Oldenburg, oh-ton-ensemble Oldenburg | 0 | ||||||||
| 38228 | Iris, Helmut | Ter Schiphorst, Oehring | im VORMONAT | 1998 | live-elec, 8 perf | 17:00:00 | 8 ins [Instrument] | 1998 | Saarbrücken | 0 | |||||||||
| 38212 | Iris, Helmut | Ter Schiphorst, Oehring | Mischwesen - la tristesse durera | 1998 | live-elec, 5 perf | 20:00:00 | deaf perf, 3 tpt, kbd [Trompete, Keyboard] | after a poem by Anne Sexton and text by Iris ter Schiphorst and Helmut Oehring, | Novembermusic | 21.11.1998 | Kunstcentrum Gent, Festival November Music Belgium/Netherlands. Christina Schönfeld, deaf soloist. ASKO Ensemble, cond Roland Kluttig | 0 | |||||||
| 38229 | Iris, Helmut | Ter Schiphorst, Oehring | Polaroids Melodram | 1996 | Zuspiel / Tonband, 14 perf | 22:00:00 | deaf perf (female), S (male), 12 ins [Sopran, Instrument] | 1996 | Donaueschingen | 0 | |||||||||
| 38213 | Iris, Helmut | Ter Schiphorst, Oehring | PRAE-SENZ (Ballet blanc II) | 1997 | live-elec, 3 perf | 35:00:00 | vn, vc, prep p and kbd [Piano, Keyboard, Cello, Violine] | ensemble ictus/Berliner Festwochen | 17.9.1997 | Berlin, Hebbeltheater, Ictis Ensemble | 0 | ||||||||
| 38226 | Iris, Helmut | Ter Schiphorst, Oehring | REQUIEM | 1998 | Zuspiel / Tonband, 15 perf | 55:00:00 | 3 counter-T, 12 ins [Tenor, Instrument] | 1998 | Paris/Donaueschingen/Brüssel | 0 | |||||||||
| 38209 | Iris, Helmut | Ter Schiphorst, Oehring | rumgammeln+warten | 2001 | live-elec, 2 perf, 1 group | 23:00:00 | V (female), deaf fem perf, ens [Stimme, Ensemble] | Europäischer Musikmonat, Basel | 7.11.2001 | Basel, Paul Sacher Halle, Basel (Europäischer Kulturmonat), Salome Kammer, Christina Schönfeld, Ensemble Aventure Freiburg | 0 | ||||||||
| 38242 | Iris, Helmut | Ter Schiphorst, Oehring | Silence moves | 1997 | audiovisuell, live-elec, 4 perf | 60:00:00 | V, vn, vc, e-bass, prep p and sam, (videoinstallation and live-electronic) [Stimme, Piano, Gitarre, Cello, Violine, computer] | 1997 | Dresden | 0 | |||||||||
| 36960 | Roberto | Terelle | Il Pianoceano | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 16712 | Group | Terf | Feal : att tala i tungor | Film | Björn Elison, Kent Tankred, | 0 | |||||||||||||
| 31992 | Daniel | Teruggi | Autumn Song | 2008 | Zuspiel / Tonband, 1 perf | 19:08 | p [Piano] | dedicated to Folkmar Hein | INA • GRM | 26.7.2008 | Elisabethkirche | 1 | 2008 | ||||||
| 26222 | Daniel | Teruggi | Birds | 2006 | fixed media, akusmatisch | 22:00 | Octo | INA • GRM, PS C. | 1 | 2008 | |||||||||
| 23766 | Daniel | Teruggi | Crystal Mirages | 1997 | Zuspiel / Tonband, 1 perf | 14:58 | Stereo | p [Piano] | 5 parts | SCD 28033 Sargasso/ | INA • GRM | Thames Valley University | 1 | ||||||
| 35530 | Daniel | Teruggi | Crystal-Mirages | 1998 | Zuspiel / Tonband, 1 perf | 14:57 | p [Piano] | 0 | |||||||||||
| 16714 | Daniel | Teruggi | E cosi via | 1985 | Zuspiel / Tonband, 1 perf | 14:16 | Stereo | p [Piano] | WER 2028; Computer Music Currents 8/ | INA • GRM | 17.6.1985 | Paris, Maison de Radio-France, Studio 106; Concert lecture; avec C. Roque | 1 | ||||||
| 31329 | Daniel | Teruggi | Eterea | 1984 | fixed media, akusmatisch | 26:19 | INA • GRM | 18.3.1985 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||||
| 16716 | Daniel | Teruggi | Etude I | 1980 | fixed media, akusmatisch | 8:00 | Stereo | INA • GRM | 0 | ||||||||||
| 16717 | Daniel | Teruggi | Etude II | 1980 | fixed media, akusmatisch | 13:00 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 23767 | Daniel | Teruggi | Fugitives Voix | 1997 | fixed media, akusmatisch | 16:10 | Stereo | 4 generations of tools used: 123 Software, Syter, GRM Tools 1.5, GRM Tools TDM Vol 1 & 2 | SCD 28033 Sargasso/ | INA • GRM | 1 | 1998 | |||||||
| 19245 | Daniel | Teruggi | Germinal, Léo le jour | 1985 | fixed media, akusmatisch | 2:16 | Stereo | Part of Project "Germinal", computer-pieces | WER 3025/ | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 1 | ||||||
| 24918 | Daniel | Teruggi | Gestes de l'écrit | 1994 | fixed media, akusmatisch | 11:00 | upic | mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | http://www.moderecords.com/catalog/098_9ccmix.html | ||||||||
| 28354 | Daniel | Teruggi | Gira, gira | 2000 | fixed media, akusmatisch | Stereo | INA • GRM | 0 | 2002 | ||||||||||
| 16719 | Daniel | Teruggi | Glocken Papageno | 1983 | fixed media, akusmatisch | 0:45 | Stereo | La nuit des oiseaux | INA • GRM | 1.10.1983 | France Musique | 0 | |||||||
| 23765 | Daniel | Teruggi | Images symphoniques | 1998 | fixed media, akusmatisch | 10:15 | Stereo | 5 parts | SCD 28033 Sargasso/ | INA • GRM | 1 | ||||||||
| 16720 | Daniel | Teruggi | Instants d'hiver | 1993 | fixed media, akusmatisch | 28:00 | Stereo | 10 parts. Syter | INA e 5002/ INA C 1034 27654 archives grm CD 4/5/ | INA • GRM | 1 | 1996 | |||||||
| 16721 | Daniel | Teruggi | L'oiseleur de Figaro | 1983 | fixed media, akusmatisch | 2:45 | Stereo | La nuit des oiseaux | INA • GRM | 1.10.1983 | France Musique | 0 | |||||||
| 16722 | Daniel | Teruggi | Le cercle | 1987 | Zuspiel / Tonband, 3 perf | 8:08 | Stereo | fl, cl, p [Flöte, Klarinette, Piano] | INA • GRM | 0 | |||||||||
| 16723 | Daniel | Teruggi | Montparnasse la nuit | 1982 | fixed media, akusmatisch | 14:25 | Stereo | (Paris Impressions 6'25); CL with duration 11:13! | Celia CL 9313/ | INA • GRM | 0 | ||||||||
| 16724 | Daniel | Teruggi | Musique espace #1 - #3 | 1990 | fixed media, akusmatisch | 17:04 | Stereo | INA • GRM | 0 | ||||||||||
| 16725 | Daniel | Teruggi | Saxtenuto | 1994 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | INA • GRM | 0 | 1996 | |||||||||
| 26224 | Daniel | Teruggi | Sounding Landscapes | 2007 | fixed media, akusmatisch | 15:00 | Octo | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | INA • GRM, PS C. | DAAD Berliner Künstlerprogramm | 21.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | ||||||
| 26085 | Daniel | Teruggi | Spaces of Mind | 2004 | fixed media, akusmatisch | 17:46 | Octo | daad 206-1 ISBN 3-89727-313-6 Pfau/ | INA • GRM, PS C. | 1 | 2005 | ||||||||
| 16726 | Daniel | Teruggi | Sphœra, Eterea Aquatica Focolaria Terra |
1984 - 1989, 1993 | fixed media, akusmatisch | audiovisuell |
42:24 | Quadro | revision 1993. Syter |
INA C 1014/ | INA • GRM | 1 | ||||||||
| 20821 | Daniel | Teruggi | Summer Band | 1996 | Zuspiel / Tonband, 1 perf | 14:10 | Stereo | bandoneon [Akkordeon] | INA e 5002/ | INA • GRM | 1 | ||||||||
| 26086 | Daniel | Teruggi | Symphonische Träume | 2000 | fixed media, akusmatisch | 26:00 | Octo | INA • GRM | WDR | 1 | 2005 | ||||||||
| 16727 | Daniel | Teruggi | SyrCus | 1992 | live-elec, 2 perf | 19:54 | perc, synt, (Syter, var sources) [Schlagzeug, synthesizer] | SYter and peRCUSsion | INA C 1014/ | INA • GRM | 1 | ||||||||
| 16728 | Daniel | Teruggi | Tempo lontano | 1982 | fixed media, akusmatisch | 18:25 | Stereo | INA • GRM | 30.5.1983 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 23768 | Daniel | Teruggi | The shining Space | 1999 | fixed media, akusmatisch | 17:05 | Stereo | SCD 28033 Sargasso/ | INA • GRM | 1 | |||||||||
| 20822 | Daniel | Teruggi | Variations morphologiques | 1995 | fixed media, akusmatisch | 22:18 | Stereo | Agon PV 725003/ | INA • GRM | 0 | |||||||||
| 23769 | Daniel | Teruggi | Voix légeres sur des flots | 2001 | Zuspiel / Tonband, 1 group | 15:00 | Stereo | children ch [Chor] | CDMC 27255 ACL2002 Aclama/ | INA • GRM, PS C. | l'ENMD de Chatres | 15.6.2001 | Chartres | 1 | http://www.cdmc.asso.fr/fr/compositeurs/biographies/teruggi_daniel | ||||
| 16729 | Daniel | Teruggi | Xatys | 1988 | Zuspiel, live-elec, 1 perf | 18:36 | Stereo | sax (b-sax, s-say, t-sax) [Saxophon] | SYTER | INA C 2000/ NMCD 5101/ | INA • GRM | Auszeichnung ars electronica | 1 | http://archive.aec.at/prix/showmode/22413/ | |||||
| 16730 | Dimitri | Terzakis | Ichochronos I | 1967 | fixed media, akusmatisch | 7:46 | Quadro | HfMT Köln | 0 | ||||||||||
| 16731 | Dimitri | Terzakis | Ichochronos III | 1970 | Zuspiel / Tonband, 7 perf | 1:35 | Stereo | 7 ins [Instrument] | HfMT Köln | 0 | |||||||||
| 16732 | Dimitri | Terzakis | Klytemnestra | 1969 | fixed media, akusmatisch | 7:15 | Stereo | HfMT Köln | 0 | ||||||||||
| 16733 | Dimitri | Terzakis | Nuances | 1971 | fixed media, akusmatisch | ≈ 8:00 | Stereo | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||
| 16734 | Dimitri | Terzakis | Träume | 1983 | Zuspiel / Tonband, 1 perf | 9:55 | V [Stimme] | ELektronik, Konkretmaterial | 0 | ||||||||||
| 16735 | Dimitri | Terzakis | X | 1971 | Zuspiel / Tonband, 2 groups | 15:00 | ch, ens [Ensemble, Chor] | EMI CSDG 66/ | 0 | ||||||||||
| 39585 | Anna | Terzaroli | Dark Path #2 | 2015 | fixed media, akusmatisch | 7:35:00 | Anna Terzaroli | 0 | |||||||||||
| 34654 | Anna | Terzaroli | Dark Path #6 | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 16736 | Roger | Tessier | Clair-Obscur | 1978 | live-elec, 4 perf | 13:32 | V, fl, hn, vc, (rm) [Stimme, Flöte, Horn, Cello] | Salabert SCD 8801/ HM 83/ | 1 | ||||||||||
| 26129 | Roger | Tessier | Hexade | 1973 | live-elec, 6 perf | 16:15 | 6 | 6 oma [synthesizer] | Adès 21.007/08/ | Jeanne Loriod | 1973 | Planetarium Paris | 1 | 1990 | |||||
| 16737 | Roger | Tessier | Judith | 1979 | Zuspiel / Tonband, 1 perf, 3 groups | 22:00 | 3 ch, fl [Flöte, Chor] | Salabert SCD 8801/ HM 83/ | 0 | ||||||||||
| 23771 | Roger | Tessier | Samsara | 2000 | Zuspiel / Tonband, 2 perf | 13:00 | Stereo | p, perc [Piano, Schlagzeug] | CDMC 27255 ACL2002 Aclama/ | INA • GRM | 1 | ||||||||
| 16738 | Roger | Tessier | Scène III | 1987 | Zuspiel / Tonband, 1 perf | 11:30 | vc [Cello] | Salabert SCD 8801/ HM 83/ | 0 | ||||||||||
| 16739 | Michel | Tétreault | … À MIDI, aux réseaux AM/FM | 1986 | Zuspiel, live-elec, 1 perf | 11:30 | Stereo | synt, (com) [synthesizer] | (MAO) Montréal | 0 | |||||||||
| 16740 | Michel | Tétreault | AL-UN | 1982 | fixed media, akusmatisch | 14:45 | Stereo | Uni Montréal | 0 | ||||||||||
| 16741 | Michel | Tétreault | Crux | 1987 | intermedia | 11:15 | 6 | installation | (MAO) Montréal | 0 | |||||||||
| 16742 | Michel | Tétreault | Crux (version en direct) | 1988 | live-elec, 1 perf | 11:15 | Stereo | com [computer] | Concordia Montréal, (MAO) Montréal | 0 | |||||||||
| 16743 | Michel | Tétreault | Fuzeï | 1983 | intermedia | 18:30 | 6 | installation tétraphonique | Uni Montréal | 0 | |||||||||
| 16744 | Michel | Tétreault | Locus | 1986 | intermedia | 14:30 | 14 Tracks | Uni Montréal | 0 | ||||||||||
| 16745 | Michel | Tétreault | Tayori | 1984 | intermedia | 22:45 | Quadro | installation | Uni Montréal | 0 | |||||||||
| 16746 | Michel | Tétreault | Tisser des spectres | 1983 | intermedia, 1 perf | 15:15 | Quadro | Sp [Sprecher] | tape, text, slides | Uni Montréal | 0 | ||||||||
| 16747 | Christian | Teuscher | Akute Momente | 1993/1994 | Tanz | 0 | |||||||||||||
| 16748 | Christian | Teuscher | Am Puls der Zeit | 1992 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16749 | Christian | Teuscher | Bruckner vs. Neumann I | 1989 | live-elec, | 0 | |||||||||||||
| 16750 | Christian | Teuscher | Bruckner vs. Neumann II | 1991 | fixed media, akusmatisch | 5:00 | PS C. | 0 | |||||||||||
| 16751 | Christian | Teuscher | EtCetera – Minimalistische Motive | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 16752 | Christian | Teuscher | Fadis Lazuli | 1977 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16753 | Christian | Teuscher | Inner Landscape | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 16754 | Christian | Teuscher | Kiss of the Succubus | 1991 | fixed media, akusmatisch | 5:00 | Stereo | GEM 9701/ | ELAK Wien | 1 | |||||||||
| 16755 | Christian | Teuscher | Klangsplitter | 1991 | fixed media, akusmatisch | 5:00 | PS C. | 0 | |||||||||||
| 16756 | Christian | Teuscher | Ludus Poenalis | 1982 | fixed media, akusmatisch | 19:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 16757 | Christian | Teuscher | Math-Beauty | 1989 | audiovisuell | Video "The beauty of math" | 0 | ||||||||||||
| 16758 | Christian | Teuscher | Nachtlaut | 1991 | fixed media, akusmatisch | 15:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 16759 | Christian | Teuscher | Network Composing Project | 1990 | intermedia | Meta-Komposition via Internet | PS C. | 0 | |||||||||||
| 16760 | Christian | Teuscher | Perl's Harbour | 1988 | live-elec, 1 perf | var ins [Instrument] | 0 | ||||||||||||
| 16761 | Christian | Teuscher | Pia con tado | 1977 | fixed media, akusmatisch | 16:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 16762 | Christian | Teuscher | Teilung und Entwicklung alias Nachtlaut | 1991 | live-elec, 1 perf | com [computer] | PS C. | 0 | |||||||||||
| 16763 | Christian | Teuscher | Zransig bis Zweißig Minudden | 1988 | live-elec, | 0 | |||||||||||||
| 34113 | Agustin | Texeira Borja | Oqiedad 645 | 2014 | fixed media, akusmatisch | 3:59 | FONAM Urugay/ | 0 | |||||||||||
| 16764 | Marc | Texier | Etude de Composition, Larmes de sirène | 1981 | fixed media, akusmatisch | 5:24 | Stereo | INA • GRM | 28.2.1983 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||||
| 37196 | Amir | Teymuri | N.N. | 2017 | fixed media, akusmatisch | 3:00:00 | Octo | HfM Frankfurt | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 38913 | Terre | Thaemlitz | Couture Cosmetique | 1999 | Performance, live-elec, | 19:46 | x-tract x-t 2002/ | 1999 | Podewil Berlin | 0 | |||||||||
| 38442 | Terre | Thaemlitz | Deproduction, Names have been changed Admit it’s killing you (and leave) |
2018 | live-elec, 10 perf | ≈ 90 | multichannel | p, cl and sax, trbn, 2 hn, perc, 2 vc, db, Sp (Zeitkratzer) [Sprecher, Klarinette, Saxophon, Horn, Posaune, Piano, Schlagzeug, Cello, Kontrabass] | 19.3.2018 | Haus der Berliner Festspiele, zeitkratzer, Ltg. Reinhold Friedl | 0 | https://www.berlinerfestspiele.de/en/aktuell/festivals/maerzmusik/programm_mm/mm18_programm_gesamt/mm18_veranstaltungsdetail_238118.php | |||||||
| 38456 | Terre | Thaemlitz | Down Home Kami-sakunobe 500 Years Orbit Sloppy 42nds Hobo Train Superbonus, Terre Thaemlitz & Zeitkratzer |
2007 | live-elec, 2 perf | 50:12 | 2 perf [Performer] | zkr 0003/ | 0 | ||||||||||
| 32999 | Terre | Thaemlitz | electronics | 2008 | live-elec, | 55:14 | zkr 0005/ | 1 | |||||||||||
| 38914 | Terre | Thaemlitz | Facilitator (Refacilitated) | 1999 | Performance, live-elec, | 8:51 | x-tract x-t 2002/ | 1999 | Podewil Berlin | 0 | |||||||||
| 33835 | Terre | Thaemlitz | Inelegant Implementations | live-elec, | 2:38 | ISAST LMJ 9/ | 0 | ||||||||||||
| 38444 | Terre | Thaemlitz | Lovebomb / ai no bakudan | 2004 | audiovisuell | com [computer] | 0 | https://www.berlinerfestspiele.de/en/aktuell/festivals/maerzmusik/programm_mm/mm18_programm_thaemlitz/mm18_veranstaltungsdetail_thaemlitz_239573.php | |||||||||||
| 38439 | Terre | Thaemlitz | Soulness in five cantos, Rosary novena for gender transitioning Traffic with the devil Pink sisters Two letters Meditation on wage labor and the death of the album |
2012 | audiovisuell, live-elec, 1 perf | Musikinstrument, keine EM, 1 perf |
1800 | p [Piano] | 17.3.2018 | Martin-Gropius-Bau Berlin Lichthof, with 7 pianists | 0 | |||||||||
| 26087 | Terre | Thaemlitz | Supersuperbonus | 2000 | live-elec, 1 group | 11:39 | ens [Ensemble] | zeitkratzer | x-tract x-t 2006/ | 1 | |||||||||
| 16765 | Werner | Thärichen | Anaximanders Ende | 1960 | Oper | Mono | 1 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | |||||||||||
| 16766 | Werner | Thärichen | Der 139. Psalm | 1968 | Oper | 10:00 | Stereo | A, ch, orc [Alt, Chor, Orchester] | am 24.10.1983 Auff. Philharmonie Berlin | TU Berlin | RIAS | 26.9.1968 | großer Sendesaal des SFB im Rahmen der Beriner Festwochen | 1 | |||||
| 16767 | Werner | Thärichen | Konzert auf Pauken | 1958 | Zuspiel / Tonband, 1 perf | 10:13 | perc [Schlagzeug] | Radio SFB | 1 | ||||||||||
| 20823 | Group | the Bifurcators | Gang of 2 | 1992 - 1994 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | ART 1012/ | CCM Mills | 0 | |||||||||
| 20824 | Group | the HUB | Hub Renga | 1989 | live-elec, 1 perf | 6:58 | Stereo | MIDI-ins [synthesizer] | ART 1008/ | CCM Mills | 0 | ||||||||
| 38864 | Group | the HUB | Multiple Issues | 2014 | audiovisuell | CMJ Vol 34, 2014/ | CCM Mills | 0 | |||||||||||
| 20825 | Group | the Residents | Beyond the Valley od a Day in the Life | 1977 | fixed media, akusmatisch | 3:52 | Stereo | MW 60/ | 0 | ||||||||||
| 41978 | Group | The Sons of God | To imbou fortitude and courage | 2018 | Performance | 0 | |||||||||||||
| 16768 | Paul | Théberge | 08 Dec. 1980 - In Memorium John Lennon | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 16769 | Paul | Théberge | Five Studies for Synthesizer | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 16770 | Paul | Théberge | Remembering | 1985 | Zuspiel / Tonband, 4 perf | 10:30 | Stereo | S, vc, p, perc, (delay) [Sopran, Piano, Schlagzeug, Cello] | 0 | ||||||||||
| 21156 | Christian | Theil | Fett in Trockenmasse | 1999 | fixed media, akusmatisch | 9:10 | 5 tracks | TU Berlin | 21.7.1999 | Parochialkirche Berlin | 1 | ||||||||
| 16771 | David | Theriault | One Room to Another | 1979 | fixed media, akusmatisch | 10:08 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 16772 | Jean-Luc | Therminarias | Le Poème Vorace | 1993 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | gui [Gitarre] | GMEM EI 09/ | GMEM Marseille | 0 | ||||||||
| 22702 | Jean-Luc | Therminarias | Le sommeil de la Raison engendre des Monstres | 1997 | fixed media, akusmatisch | 10:40 | GMEM El 10, Project'Son/ | GMEM Marseille | 1 | ||||||||||
| 16773 | Jean-Luc | Therminarias | Pantagrueline Prognostication | 1991 | Zuspiel / Tonband, | 70:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 16774 | Jean-Luc | Therminarias | Pièce pour bande et guitare sur bande | 1989 | fixed media, akusmatisch | 18:30 | Stereo | Inventionen 9.2.1992 AdK | GMEM Marseille | 1 | 1992 | ||||||||
| 16775 | Jean-Luc | Therminarias | Salades Mixtes | 1991 | Zuspiel / Tonband, 4 perf | 55:00 | Stereo | p, 3 gui [Piano, Gitarre] | GMEM Marseille | 0 | |||||||||
| 16776 | Jean-Luc | Therminarias | Songes Drolatiques De Pantagruel | 1991 | Zuspiel / Tonband, 3 perf | 70:00 | Stereo | Sp, p, gui [Sprecher, Piano, Gitarre] | GMEM Marseille | 0 | |||||||||
| 28158 | Jean-Luc | Therminarias | Un Cirque Horrifique | 1996 | live-elec, 2 perf | 23:00 | Stereo | p, V [Stimme, Piano] | GMEM EI 09/ | GMEM Marseille | 0 | ||||||||
| 26216 | Ilka | Theurich | Restored to Life | 2003 | fixed media, akusmatisch | 10:49 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | ||||||||
| 16777 | Christine | Thevenet | Eléphant de lune | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 16778 | Christine | Thevenet | Entremêle et miel | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 16779 | Christine | Thevenet | Etude No 1 | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 16780 | Christine | Thevenet | Faiences | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 16781 | Alain | Thibault | Concerto pour piano MIDI | 1989/1990 | Zuspiel, live-elec, 1 perf | 12:53 | MIDI p, (synt, sam) [Piano] | MIDI. 3 parts | IMED 9003/ | PS C. | Jacques Drouin with the assistance of the Canada Council | 8.11.1989 | concert of the Nouvel ensemble moderne (NEM) at the Chapelle historique du Bon-Pasteur in Montréal | 1 | |||||
| 16782 | Alain | Thibault | Déca-danse | 1983 | fixed media, akusmatisch | 11:00 | Stereo | McGill MR 2001-01-2 Disc 2; McGill Studio 35th Anniversary/ | McGill Montréal | 1 | |||||||||
| 16783 | Alain | Thibault | E.L.V.I.S. (Electro-lux, vertige illimité synthétique), ELVIS (Électro-lux, vertige illimité synthétique) | 1987 | Zuspiel / Tonband, 4 perf | 13:50 | Stereo | 4 sax [Saxophon] | Origin multimediawork | IMED 9003/ | Uni Montréal, Bruit Blanc Montréal | 15.08.1985 | 2nd Conference on Computer Art and Creativity, Digicon ’85 in Vancouver | 0 | |||||
| 16784 | Alain | Thibault | Incertitude Pourpre | 1991 | Zuspiel, live-elec, 1 perf | 7:03 | e-gui [Gitarre] | JTR 8440/ | 1 | ||||||||||
| 16785 | Alain | Thibault | Le soleil et l'acier | 1988 | Zuspiel / Tonband, 1 perf | 8:01 | Stereo | S [Sopran] | IMED 9003/ | PS C. | CEE with assistance of the Ontario Arts Council. | 22.02.1988 | Du Maurier Theatre in Toronto | 1 | |||||
| 16786 | Alain | Thibault | ne blâmez jamais les bédouins | 1992 | Oper, 1 perf | 74:30 | S [Sopran] | libretto by Dubois | IMSO 9202/ | 1 | |||||||||
| 16787 | Alain | Thibault | out, God’s Greatest Gift Nô-Where Impossible Orchestra OUT-Réalité |
1985 | fixed media, akusmatisch | 13:29 | Stereo | Fairlight. Origin is a Video-Opera (30 screens, video live proc.). 4 Parts: God’s Greatest Gift; Nô-Where; Impossible Orchestra; OUT-Réalité |
IMED 9003/ | Uni Montréal | 5.12.1985 | Spectrum de Montréal SMCQ | 1 | ||||||
| 16788 | Alain | Thibault | Quarks' Muzik | 1982 | fixed media, akusmatisch | 14:00 | Stereo | 0 | |||||||||||
| 16789 | Alain | Thibault | Sonergie | 1980 | fixed media, akusmatisch | 16:15 | Stereo | Bruit Blanc Montréal | 0 | ||||||||||
| 20826 | Alain | Thibault | Volt | 1987 | Zuspiel, live-elec, 4 perf | 13:37 | Stereo | synt, b-gui, MIDI-perc, mar [Gitarre, Schlagzeug, synthesizer] | MIDI | IMED 9003/ | PS C. | 4.04.1987 | Rivoli Club in Toronto | 0 | |||||
| 39734 | Dominic | Thibault | Inner_Wires | 2015 | fixed media, akusmatisch | 15:00:00 | Dominic Thibault | 0 | |||||||||||
| 42560 | Dominic | Thibault | L’instant en vain | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 27375 | Dominic | Thibault | Nuit noire, nuit grise | 2006 | fixed media, akusmatisch | 5:12 | CEC Cache 2007, PeP 012/ | JTTP-Winner 2007 1. prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 39397 | Jacob | Thiede | At any rate (take your time) | 2017 | audiovisuell | 0 | |||||||||||||
| 22073 | Johannes | Thielen | zeitgleich? | fixed media, akusmatisch | 5:59 | Von CD "Gezeiten/Acht Stücke über dei Zeit" | HBK Saar/ | HBK Saar | 1 | ||||||||||
| 16790 | Lalan van | Thienen | Danse #1 – #7 | 1956 - 1966 | Tanz | Mono | PS C. Mareil | 0 | |||||||||||
| 16791 | Lalan van | Thienen | Soundtracks to 14 Films | 1958 - 1966 | Film | Mono | PS C. Mareil | 0 | |||||||||||
| 16792 | Marcel van | Thienen | Danse des chats | 1965 | fixed media, akusmatisch | 16:00 | Mono | PS C. Mareil | 0 | ||||||||||
| 16793 | Marcel van | Thienen | De Profundis | 1957 | Zuspiel / Tonband, 1 perf | 12:00 | Mono | vn [Violine] | PS C. Mareil | 0 | |||||||||
| 16794 | Marcel van | Thienen | La Ralentie | 1951 | Zuspiel / Tonband, 1 perf | 20:00 | Mono | Sp [Sprecher] | PS C. Mareil | 0 | |||||||||
| 16795 | Marcel van | Thienen | Le Damné | 1962 | Zuspiel / Tonband, 3 groups | 45:00 | Mono | orc, ch, actors [Schauspieler, Chor, Orchester] | PS C. Mareil | Prix Italia 1962 | 0 | ||||||||
| 41488 | Benjamin | Thigpen | 0.95652173913 | 2005 | fixed media, akusmatisch | 21:45 | Octo | SR 317 sub rosa/ | French Ministry of Culture, 2005 | 23.4.2006 | Paris | 0 | |||||||
| 41495 | Benjamin | Thigpen | appel | 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 41494 | Benjamin | Thigpen | ashes,ashes | 1996 | fixed media, akusmatisch | 0 | |||||||||||||
| 41491 | Benjamin | Thigpen | balagan | 2001 | fixed media, akusmatisch | 15:34 | Octo | INA • GRM | Ina-GRM, 2001 | finalist in the contest CIMESP 2003. | 0 | ||||||||
| 41487 | Benjamin | Thigpen | brief candle | 2005 | fixed media, akusmatisch | 13:22 | 6 | SR 317 sub rosa/ | Djerassi, SCRIME Bordeaux, La Kitchen, PS C. | French Ministry of Culture and by SCRIME | 0 | ||||||||
| 21617 | Benjamin | Thigpen | Ce n'est pas ici | 1999 | fixed media, akusmatisch | 2:01 | CEC Presence 2/ | Dragon St Redwood city | 1 | ||||||||||
| 41496 | Benjamin | Thigpen | dédale | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 41493 | Benjamin | Thigpen | dust | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 41490 | Benjamin | Thigpen | espoir, nous n'avons qu'un espoir au monde | 2003 | fixed media, akusmatisch | 1 | Stereo | SR 317 sub rosa/ CPS 8744 Capstone/ | 0 | http://benjaminthigpen.net/pages/music/espoir.html | |||||||||
| 41497 | Benjamin | Thigpen | études au mouvant, 2e livre | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 41540 | Benjamin | Thigpen | flux | 2009 - 2015 | fixed media, akusmatisch | 0 | |||||||||||||
| 20857 | Benjamin | Thigpen | H | 1995 | fixed media, akusmatisch | 7:47 | Stereo | Acousmatica CD 1296/ | Musiques et Recherches Ohain | 1 | |||||||||
| 24888 | Benjamin | Thigpen | h | 1995 | fixed media, akusmatisch | 8:01 | EMF 031 „Florida EM Festival, Vol 1“/ EMF EM 152/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | ||||||||||
| 41484 | Benjamin | Thigpen | head transplant experiment | 2008 | live-elec, 1 perf | 15 | com [computer] | for solo computer | INA • GRM, STEIM | INA - GRM | 9.2.1008 | Radio France | 0 | ||||||
| 41489 | Benjamin | Thigpen | incandescence | 2003 | fixed media, akusmatisch | 8:36 | Stereo | for Iannis Xenakis | SR 317 sub rosa/ | finalist in the competition Musica Nova 2006 finalist VI International Contemporary Music Contest Città di Udine 2006. |
0 | ||||||||
| 41485 | Benjamin | Thigpen | malfunction30931 | 2007 | fixed media, akusmatisch | 14:50 | Surround 5.1 | SR 317 sub rosa/ | VICC Visby | 0 | |||||||||
| 41492 | Benjamin | Thigpen | not even the rain | 2000 | fixed media, akusmatisch | 9:48 | Octo | Musiques et Recherches Ohain | finalist in the contest Città di Udine 2002 | 0 | |||||||||
| 41480 | Benjamin | Thigpen | paths | 2011 | live-elec, 2 perf | vc, com [Cello, computer] | EMS Stockholm | French Ministry of Culture | may 2011 | EMS Studios, Stockholm; Interpreted and performed by Benjamin Carat, cello & Benjamin Thigpen, computer |
0 | ||||||||
| 41539 | Benjamin | Thigpen | pulse | 2015 | fixed media, akusmatisch | 0 | |||||||||||||
| 41483 | Benjamin | Thigpen | shift | 2009 | live-elec, 9 perf | 9 mus [Musiker] | 29.5.2009 | Paris, Les Voûtes, ens CLSI | 0 | http://benjaminthigpen.net/pages/music/shift.html | |||||||||
| 21616 | Benjamin | Thigpen | step, under | 1998 | fixed media, akusmatisch | 16 | Octo | MARS | CEC Presence 2/ Kiasma 1999/ HAG CD 02/ | INA • GRM | INA - GRM 1998 | mention in the contest Métamorphoses 2000 | 1 | ||||||
| 41482 | Benjamin | Thigpen | still | 2009 | Klangkunst, Installation | 6:52 | VICC Visby, EMS Stockholm, INA • GRM | INA - GRM Paris | April 2017 | Visby International Center for Composers | 0 | ||||||||
| 40878 | Benjamin | Thigpen | Thread0, thread zero | 2012 | fixed media, akusmatisch | 5:26 | SR 300 sub rosa/ | 0 | |||||||||||
| 41481 | Benjamin | Thigpen | turn | 2010 | live-elec, 1 perf | 13 | ins (TU-YO) [Instrument] | Totem Contemporain 2010 | 0 | ||||||||||
| 41486 | Benjamin | Thigpen | undertow | 2006 | live-elec, 2 perf | perc (4 vibrating metal plates), com (ins by J.-F. Laporte) [Schlagzeug, computer] | Totem Contemporain, Montréal | 1.9.2006 | Totem Contemporain, Montréal | 0 | http://benjaminthigpen.net/pages/music/undertow.html | ||||||||
| 33964 | Niclas | Thobaben | DARK & SEXY | 2015 | audiovisuell, live-elec, 1 perf | 10:30:00 | Quadro | S [Sopran] | Komposition für Sopran, Elektronik und Video | HfMT Köln | 0 | ||||||||
| 22051 | Randy | Thom | Ear Circus No. 1 | radiophon | 3:19 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 42755 | Elaine | Thomas-Freitas | the broken is the beautiful... | 2011 | live-elec, 1 perf | 7:50:00 | fl [Flöte] | Kelli Kathman, flute | September 2011 | Beijing Central Conservatory of Music, China | 0 | ||||||||
| 42561 | Elaine, Luke, Alexander | Thomas-Freitas, Hastilow, Wendt | Wall Ball [wc:l bc:l] | 2008 | Klangkunst, Installation | audiovisuell |
SA | 0 | ||||||||||||
| 16796 | Jean Christophe | Thomas | Rien trois fois | 1977 | fixed media, akusmatisch | 3:31 | Stereo | INA • GRM | 0 | ||||||||||
| 33871 | Jo | Thomas | Crystal Sounds of a Synchrotron, Crystal Diamond Light Source | 2012 | audiovisuell | 38 | Surround 5.1 | Prix ars electronica 2012/ | Auszeichnung ars electronica: Golden Nica 2012 | 1 | |||||||||
| 21085 | Jo | Thomas | Wolfi | 1999 | fixed media, akusmatisch | 1:38 | SAN 08/99 Sonic arts network/ | City Uni London | 1 | ||||||||||
| 28180 | Jörg | Thomasius | Tomato, 13 parts | 1988 | fixed media, akusmatisch | JTLP 01 Generations Unlimited/ | PS C. Berlin | 1 | |||||||||||
| 20854 | Jörg | Thomasius | Tonart Fünf: Auch ganz leer, Darada, Diplomatic Edition, Nullventor | 1995 | fixed media, akusmatisch | 25:00 | Stereo | with Voice | OS 005 offscale/ | PS C. Berlin | 1 | ||||||||
| 16797 | Jörg, Conrad | Thomasius, Schnitzler | Clock Face | 1991/1992 | fixed media, akusmatisch | Musical Tragedies/ | PS C. Berlin, PS Propeller Island Berlin | 0 | |||||||||||
| 16798 | Jörg, Conrad | Thomasius, Schnitzler | Tolling Toggle | 1992 | fixed media, akusmatisch | PS C. Berlin, PS Propeller Island Berlin | 0 | ||||||||||||
| 18878 | Jörg, Lars, André | Thomasius, Stroschen, Ruschkowski | Tonart Drei | 1993 | fixed media, akusmatisch | 13 Titel | OS 003 offscale/ | PS Tomato Berlin, PS Propeller Island Berlin | 1 | ||||||||||
| 18879 | Jörg, Lars, André | Thomasius, Stroschen, Ruschkowski | Tonart Vier — Akonie 1 | 1994 | fixed media, akusmatisch | 65:00 | Stereo | 10 Titel; Multimoog, Korg MS20, Synthi AKS | OS 004 offscale/ | PS Berlin | 1 | ||||||||
| 16799 | Jörg, Lars, Conrad | Thomasius, Stroschen, Schnitzler | Tonart Eins | 1992 | fixed media, akusmatisch | 60:00 | OS 001 offscale/ | PS C. Berlin, PS Propeller Island Berlin | 0 | ||||||||||
| 16800 | Jörg, Lars, Conrad | Thomasius, Stroschen, Schnitzler | Tonart Zwei | 1993 | fixed media, akusmatisch | OS 002 offscale/ | PS C. Berlin, PS Propeller Island Berlin | 0 | |||||||||||
| 16801 | Arthur | Thomassin | Presence 1 | 1991 | Zuspiel / Tonband, 1 perf | 8:50 | Stereo | vc [Cello] | LIEM CDMC Madrid | 0 | |||||||||
| 16802 | Arthur | Thomassin | Presence 2 | 1991 | Zuspiel / Tonband, 1 perf | 9:25 | Stereo | tuba [Tuba] | LIEM CDMC Madrid | 0 | |||||||||
| 16803 | Arthur | Thomassin | Retour - Ujana Sadhana | 1990 | Zuspiel / Tonband, 1 group | 8:08 | Stereo | ens [Ensemble] | LIEM CDMC Madrid | 0 | |||||||||
| 16804 | Diane | Thome | Anais | 1979 | Zuspiel / Tonband, 2 perf | Stereo | vc, p [Piano, Cello] | CRI SD 437/ | 0 | ||||||||||
| 20297 | Diane | Thome | Angels | intermedia | Stereo | virtual reality artwork; Biennale Paris | SMCC Seattle | 0 | |||||||||||
| 20295 | Diane | Thome | Bright Air / Brilliant Fire | 1996 | Zuspiel / Tonband, 1 perf | 10:58 | Stereo | fl [Flöte] | Kyma | CMJ Vol 22-4, 1998/ | SMCC Seattle | Sigma Alpha Iota | 1 | ||||||
| 16805 | Diane | Thome | Levadi | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | Opus One CD 136/ | 0 | |||||||||||
| 41912 | Diane | Thome | Masks of Eternity | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 20296 | Diane | Thome | Night Passage | 1996 | Theatermusik | intermedia |
Stereo | SMCC Seattle | 0 | |||||||||||
| 21855 | Diane | Thome | Ringing Stillness, Pearl Light | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Opus One CD 136/ | 0 | |||||||||||
| 16806 | Diane | Thome | Sunflower Space | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 16807 | Diane | Thome | The Ruins of the Heart | 1990 | Zuspiel / Tonband, 1 perf, 1 group | 17:50 | S, orc [Sopran, Orchester] | poem by Rumi | Centaur CRC 2144, CDCM Vol. 12/ | SMCC Seattle | 1 | ||||||||
| 16808 | Diane | Thome | To Search the Spacious Work | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 16809 | Diane | Thome | Veils | 1988 | fixed media, akusmatisch | Stereo | Opus One CD 136/ | 0 | |||||||||||
| 33431 | Joel | Thome | New York, New York | 1966 | Film | 17 | Stereo | Uni Philadelphia | 0 | ||||||||||
| 16810 | Olav Anton | Thommessen | Tibil | 1986 | live-elec, 2 perf | 11:00 | org, synt [Orgel, synthesizer] | NOTAM | 0 | ||||||||||
| 21582 | Derek | Thompson | sportster | 2000 | fixed media, akusmatisch | 9:25 | SCD 28034 Sargasso/ | BEAST | 1 | ||||||||||
| 39928 | John | Thompson | Accretion Flows | 2015 | fixed media, akusmatisch | 6:11:00 | John Thompson | 0 | |||||||||||
| 36592 | Michael | Thompson | Derailed | fixed media, akusmatisch | Stereo | Centaur CRC, CDMC Vol. 38/ | CEMI Denton | 0 | |||||||||||
| 20985 | Michael | Thompson | Klank | 1997 | fixed media, akusmatisch | 12:51 | Stereo | 4 parts | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | ||||||||
| 41927 | Robert Scott | Thompson | Elemental Folklore | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 40207 | Robert Scott | Thompson | Flora of Fynbos | 2015 | fixed media, akusmatisch | 14:42:00 | Robert Scott Thompson | 0 | |||||||||||
| 16811 | Robert Scott | Thopson | Scissors of the Mind | 1991 | fixed media, akusmatisch | 40:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 16812 | Patrik | Thorell | Högmod? | 1993 | Zuspiel / Tonband, 2 perf | 17:18 | Stereo | 2 V [Stimme] | FYCD 1006/ | EMS Stockholm | 1 | ||||||||
| 22728 | Patrik | Thorell | Ma | 1996 | fixed media, akusmatisch | 10:52 | Elektron EM 1001/ | EMS Stockholm | 1 | ||||||||||
| 16813 | Lasse | Thoresen | Les trois régénérations | 1985 | Zuspiel, live-elec, 5 perf | 32:00 | 2 vc, hp, 2 perc [Harfe, Schlagzeug, Cello] | NOTAM | Radio-France | 0 | |||||||||
| 16814 | Lasse | Thoresen | Marm | 1973 | fixed media, akusmatisch | 11:45 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 16815 | Lasse | Thoresen | Qudrat | 1987 | live-elec, 6 perf | 15:00 | 3 perc, 3 synt [Schlagzeug, synthesizer] | MIDI | NOTAM | 0 | |||||||||
| 16816 | Lasse | Thoresen | Skapelser | Musiktheater | 0 | ||||||||||||||
| 16817 | Lasse | Thoresen | Utstrømning | 1976 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 20855 | Helen | Thorington | Building a Universe: Rifts Absences and Omissions | 1987 | radiophon | 7:34 | Stereo | MW 53/ | 0 | ||||||||||
| 16818 | Helen | Thorington | In the Dark | 1990 | intermedia | 6:36 | AER 1992 / 5/ | 1 | |||||||||||
| 20856 | Helen | Thorington | Partial Perceptions | 1992 | radiophon | 20:28 | Stereo | WN 0013/ | 0 | ||||||||||
| 40243 | Seth | Thorn | Verdacht | 2017 | fixed media, akusmatisch | Seth Thorn | 0 | ||||||||||||
| 39494 | Seth Dominicus | Thorn | Windowless | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 16819 | Tim | Thorne | Skulpture | 1985 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 37247 | Örnólfur Eldon | Thórsson | Square without Corners | 2017 | live-elec, 2 perf | 7:00:00 | trbn, elec (Marie Nøkleby Hanssen Posaune, Örnólfur Eldon Thórsson Elektronik) [Posaune, elektronik] | Incontri HMTM Hannover | 09.02.2017 | Kunstverein Hannover, (Marie Nøkleby Hanssen Posaune, Örnólfur Eldon Thórsson Elektronik) | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||
| 16820 | John | Thrower | 3 pieces | 1976 | fixed media, akusmatisch | 15:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22969 | Group | THU20 | Eerste Schijf | Klangkunst, Installation | Midas Music R03/ | 1 | |||||||||||||
| 31614 | Steffen | Thum | Scherben | 2013 | live-elec, 1 perf | 6:00 | fl [Flöte] | next_generation 5.0 | HfM Trossingen | 0 | |||||||||
| 16821 | Joachim | Thurm | Moments musicaux 1965 | 1965 | Zuspiel, live-elec, 1 perf, 1 group | 14:11 | Stereo | Subharchord, orc [synthesizer, Orchester] | Subharchord | RFZ Berlin | Berliner Rundfunk | 0 | |||||||
| 24542 | Erik | Thygesen | Passions / Surfaces - for Cecilia Stam | 1969 | fixed media, akusmatisch | 11:40 | Text-Sound Composition | FYCD 1024 CD 5 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 43186 | Davide | TIDONI | A Balloon for …, A Balloon for Linz | 2011 | Performance | audiovisuell |
Performance, Soundwalk, Video | Auszeichnung ars electronica honorary mention 2011 | 0 | |||||||||||
| 38818 | Davide | TIDONI | Le son du bruit blanc | 2017 | radiophon | 9 | Prix Phonurgia nova 2017 special mention sound art | 0 | http://phonurgia.fr/contest/2017-awards/ | ||||||||||
| 38661 | Davide | TIDONI | White Noise | 2017 | radiophon | 9:00:00 | Prix Phonurgia nova | 0 | |||||||||||
| 16822 | Stefan | Tiedje | Einleitung, Wollten Sie nicht schon immer in einem Stück für 19-tönige Skalen mitspielen? | 1989 | live-elec, 1 perf | 40:00 | Stereo | com [computer] | 19-tönige Skalen | 1 | 1989 | ||||||||
| 16823 | Stefan | Tiedje | Hörtor | 1988 | Klangkunst, Installation | E88 Berlin | 0 | ||||||||||||
| 16825 | Stefan | Tiedje | Murmelmusik | 1988 | fixed media, akusmatisch | 20:00 | BAD 007/ | PS Christoph Franke | 1 | ||||||||||
| 16826 | Stefan | Tiedje | Polyria | 1988 | fixed media, akusmatisch | 24:15 | BAD 007/ | PS Christoph Franke | 1 | ||||||||||
| 16827 | Stefan | Tiedje | Polyrik | 1985 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16828 | Stefan | Tiedje | polyrisized "The Voice" | 1988 | fixed media, akusmatisch | 8:33 | BAD 007/ | PS Christoph Franke | 1 | ||||||||||
| 16829 | Stefan | Tiedje | Water you wave for | 1988 | fixed media, akusmatisch | 14:10 | BAD 007/ | PS Christoph Franke | 1 | ||||||||||
| 16824 | Stefan, Thomas | Tiedje, Seelig | Horror vacui | 1983 | fixed media, akusmatisch | 25:00 | Stereo | TU Berlin | 17.2.1984 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1984 | |||||||
| 16830 | Jukka | Tiensuu | P = Pinocchio ? | 1982 | Zuspiel, live-elec, 1 perf, 1 group | 22:00 | S, ens [Sopran, Ensemble] | IRCAM | 0 | ||||||||||
| 16831 | Jukka | Tiensuu | Solo 1976 | 1976 | live-elec, 1 perf | p [Piano] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 16832 | Jukka | Tiensuu | Tokko | 1987 | Zuspiel / Tonband, 1 group | 14:46 | ch [Chor] | FACD 402/ ODE 743/ | Yleisradio | 1 | |||||||||
| 35320 | Asmus | Tietchens | Abraum | 2009 | radiophon | WDR | 0 | ||||||||||||
| 18920 | Asmus | Tietchens | Bombenhund | 1993 | fixed media, akusmatisch | 4:53 | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | ||||||||||
| 35210 | Asmus | Tietchens | Sechs Heidelberger Studien | 2003 | radiophon | WDR | Karl-Sczuka-Preis 2003 | 0 | |||||||||||
| 34594 | Asmus | Tietchens | <Solo ohne Titel> | 2016 | live-elec, | SMC2016, concert II | 0 | ||||||||||||
| 36177 | Asmus | Tietchens | Teilmenge 24 | 2005 | audiovisuell | 7:16 | innova 121/ | 0 | |||||||||||
| 40867 | Asmus | Tietchens | Teilmenge 35 C | fixed media, akusmatisch | 4:40 | SR 220 sub rosa/ | 0 | ||||||||||||
| 35240 | Asmus | Tietchens | Trois Dryades | 2006 | radiophon | WDR | Karl-Sczuka-Preis 2006 | 0 | |||||||||||
| 36176 | Asmus, Frans de | Tietchens, Waard | Asmusmenge 1, after Asmus Tietchens | 2005 | fixed media, akusmatisch | 6:51 | innova 121/ | 0 | |||||||||||
| 18974 | Asmus, Achim, Giancarlo, Bernhard, Frans de | Tietchens, Wollscheid, Toniutti, Günter, Waard | Itineraire | 1995 | fixed media, akusmatisch | 69:00 | SCD016 Selektion/ | 1 | |||||||||||
| 40852 | Kalev | Tiits | Short and Gritty | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 18883 | Walter | Tilgner | Nachtigall | Klangkunst, Installation | 58:00 | natural sound | WER SM 9002 - 50/ | 1 | |||||||||||
| 18996 | Walter | Tilgner | Vogelstimmen - Naturklänge | 1991 | Klangkunst, Installation | 3:10 | natural sound | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | ||||||||||
| 16833 | Alec | Tilley | Ecstacy on a Fugal Entertainment | 1971 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 28482 | Hans | Timmermans | Aether | 2006 | fixed media, akusmatisch | 5:09 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://kmt.hku.nl/~hanst/ | ||||||||||
| 16834 | Hugo | Timner | Blokken | 1977 | STEIM | 0 | |||||||||||||
| 39497 | Sever | Tipei | Big Gizmo | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34659 | Sever | Tipei | Big Guizmo | fixed media, akusmatisch | SMC2016, Listening Room HAW | EMS UIUC | 0 | ||||||||||||
| 22970 | Sever | Tipei | Cuniculi | 1986 | computer generated score, 5 perf | 10:25 | Stereo | 5 tuba [Tuba] | Kompositionsprogramm MP1 | Centaur CRC 2045, CDCM Vol. 3/ | EMS UIUC | 1 | |||||||
| 42825 | Sever | Tipei | Figer | 2013 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 16835 | Sever | Tipei | Maiden Voyages | 1984 | intermedia, live-elec, 2 perf | 11:09 | perc, p [Piano, Schlagzeug] | slides | UIUC LC 84-743210/ | EMS UIUC | 1 | ||||||||
| 34660 | Sever | Tipei | Quilt | fixed media, akusmatisch | SMC2016, Listening Room HAW | EMS UIUC | 0 | ||||||||||||
| 34508 | Antoine | Tisne | Vide | live-elec, | Jeanne Loriod (OMa) | 1 | 1990 | ||||||||||||
| 33638 | Gaël | Tissot | Le temps d’un rivage | 2009 | fixed media, akusmatisch | 9:45 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 16836 | Steve | Tittle | Just Like Yr daddy done | 1983 | fixed media, akusmatisch | 10:00 | Stereo | Nerve 002/ | PS C., Uni Halifax | 0 | |||||||||
| 16837 | Steve | Tittle | (One of the) merely players | 1982 | fixed media, akusmatisch | 24:05 | Stereo | Nerve 002/ | PS C., Uni Halifax | 0 | |||||||||
| 16838 | Steve | Tittle | Only/Other/Always | 1988 | Zuspiel / Tonband, 1 perf | 11:02 | Stereo | ob [Oboe] | CMC CD 4793/ | PS C., Uni Halifax | 0 | ||||||||
| 16839 | Steve | Tittle | Salvation dharma band | 1981 | Zuspiel / Tonband, 1 perf | 8:56 | Stereo | Flügelhorn [Horn] | Nerve 002/ | PS C., Uni Halifax | 0 | ||||||||
| 38801 | Viktoria, Marcus | TKACZYK, GAMMEL | Europas Wahn | 2005 | radiophon | 13:53:00 | Prix Phonurgia nova | 0 | |||||||||||
| 31861 | Lukas | Tobiassen | Ja, machen wir’s ganz einfach | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 40034 | Lukas | Tobiassen | Kruschtkammer | 2017 | fixed media, akusmatisch | 16 Tracks | Lukas Tobiassen | 0 | |||||||||||
| 31863 | Lukas | Tobiassen | seeking druses | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31862 | Lukas | Tobiassen | Sinusstudie | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31860 | Lukas | Tobiassen | Transire | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 37199 | Lukas | Tobiassen | Zerstiebt | 2017 | audiovisuell | 6:41:00 | ICEM Essen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 21931 | Jouliana | Tochkova | Dvijenia | 1994 | fixed media, akusmatisch | 8:58 | IMEB Bourges | 0 | |||||||||||
| 16840 | George | Todd | Music for Synclavier | 1985 | fixed media, akusmatisch | Synclavier | Middlebury Coll | 1 | |||||||||||
| 20858 | George | Todd | Wordscapes | 1991 | fixed media, akusmatisch | 5:35 | Stereo | Synclavier | SEAMUS EAM 9401 Vol. 2/ | Middlebury Coll | 0 | ||||||||
| 16841 | Ladislao | Todoroff | Estudio 0 | 1966 | fixed media, akusmatisch | 5:00 | Stereo | LIPM B.Aires | 0 | ||||||||||
| 27379 | Todor | Todoroff | Around and Above, Weightless … | 2007 | audiovisuell | 3:27 | siehe Organised Sound Vol 14/3 / Ludger Brümmer: The ZKM; Video: Chr. Zartmann Excerpt |
Organised Sound Vol 14/3/ | ZKM Karlsruhe | 1 | |||||||||
| 24484 | Todor | Todoroff | Distant Voices | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19179 | Todor | Todoroff | Obsession | 1991 | fixed media, akusmatisch | 11:15 | Quadro | Composed for the Bunker 91 - Festival in Antwerp and illustrates the theme Eros-Thanatos. | CEC Presence 1/ NOR 02/ div 02/ | ARTeM | Public prize: 2 ième Prix International Noroit - Léonce Petitot 1991 de Composition Mususicale acousmatique | 0 | |||||||
| 41643 | Todor | Todoroff | Reflets / vitesse | 1995 | fixed media, akusmatisch | 7:58:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 21615 | Todor | Todoroff | Voices Part 1 | 1997 | fixed media, akusmatisch | 5:12 | MARS | CEC Presence 2/ | 1 | ||||||||||
| 22326 | Todor | Todoroff | Voices Part II - Distant voices | 1999 | fixed media, akusmatisch | 11:45 | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | 2002 | |||||||||
| 31600 | Raffael | Tönges | Versunkene Gipfel | 2013 | fixed media, akusmatisch | 2:51 | next_generation 5.0 | TU Berlin | 0 | ||||||||||
| 33136 | Kasper | Toeplitz | MSG#9 | 2003 | live-elec, 2 perf | 21:46:00 | str, perc, (elec) [Schlagzeug, Streicher] | for strings, percussion and live electronics | WJ 2003/ | 1 | |||||||||
| 27864 | Kasper | Toeplitz | Unfinished Metal Waves | 2005 | live-elec, 1 perf | grand tam-tam [Schlagzeug] | CRFMW Liège | 25.11.2005 | Liège, Festival Images Sonores | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 36580 | Kasper, Anna | Toeplitz, Zaradny | Jamais | live-elec, 2 perf | b-gui and com, sax and com [Saxophon, Gitarre, computer] | AR-LP 005/ | 0 | ||||||||||||
| 36581 | Kasper, Anna | Toeplitz, Zaradny | Never | 2015 | live-elec, | AR-LP 005/ | 0 | ||||||||||||
| 33726 | Thorsten | Töpp | Mystify | 2005 | live-elec, 1 perf | 8:10 | e-vn [Violine] | 5-saitige verstärkte Violine und Loop Delay | WER ARTS 8115/ | 1 | |||||||||
| 16842 | Massimo | Toffoletti | Experiment 1 | 1964 | fixed media, akusmatisch | 3:30 | Mono | Fonologia Milano | 0 | ||||||||||
| 16843 | Camillo | Togni | Recitativo | 1961 | fixed media, akusmatisch | 4:00 | Stereo, Quadro | SugMus ESZ 3/ | Fonologia Milano | ESZ 6378 | 1 | ||||||||
| 18982 | Ilkka | Toiviainen | Letters from the War | 1993 | radiophon | 12:35 | YLE CDY 134/ | Yleisradio, RAI | 1 | ||||||||||
| 16844 | Ilkka | Toiviainen | Living on an Island | 1995 | fixed media, akusmatisch | 10:45 | Yleisradio | 1 | |||||||||||
| 16845 | Mikio | Tojima | various compositions | 1961 | fixed media, akusmatisch | PS C. Tokyo | 0 | ||||||||||||
| 38662 | Claire | TOLAN | Always here for you | 2015 | radiophon | Klangkunst, Installation |
44:34 | 0 | ||||||||||||
| 33716 | Michael, Group | Tolson, Tentatively, A Convenience | Drying Clothes Made Entierly Of Zippers (Partial Cycle) | fixed media, akusmatisch | 17:47:00 | WN 00006/1991/ | 0 | ||||||||||||
| 39447 | Matteo | Tomasetti | Capriccio Of The Deep String | 2017 | live-elec, | 0 | |||||||||||||
| 22533 | Isao | Tomita | Daphnis & Chloé e.a. | fixed media, akusmatisch | Moog Synthesizer | RCA CCD 105/ | PS | 0 | |||||||||||
| 33040 | Isao, Modest | Tomita, Mussorgsky | Bilder einer Ausstellung | 1922, 1975 | fixed media, akusmatisch | diverse Moog-synt, Scape, Boat, Roland 700 etc. | RCA ARL1-0838/ Amiga 8 55 880/ | PS | 1 | ||||||||||
| 39952 | Joshua | Tomlinson | A Traveler’s Daydream | 2017 | fixed media, akusmatisch | Joshua Tomlinson | 0 | ||||||||||||
| 42884 | Joshua | Tomlinson | Audible Desserts | 2013 | fixed media, akusmatisch | 3:28:00 | 0 | ||||||||||||
| 39953 | Joshua | Tomlinson | Convergences | 2016 | fixed media, akusmatisch | Joshua Tomlinson | 0 | ||||||||||||
| 39415 | Joshua | Tomlinson | From Sacred Texts | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39954 | Joshua | Tomlinson | to be seen and heard | 2015 | fixed media, akusmatisch | 10:09:00 | Joshua Tomlinson | 0 | |||||||||||
| 16846 | Yasunao | Tone | Conversation | 1961 | fixed media, akusmatisch | Mono | PS C. Tokyo | 0 | |||||||||||
| 16847 | Yasunao | Tone | Costume | 1961 | fixed media, akusmatisch | Mono | PS C. Tokyo | 0 | |||||||||||
| 16848 | Yasunao | Tone | Days | 1962 | fixed media, akusmatisch | NHK Tokyo | 0 | ||||||||||||
| 43124 | Yasunao | Tone | Man'yo Wounded 2001 | 2002 | Performance | Auszeichnung ars electronica Golden Nica 2002 | 0 | ||||||||||||
| 16849 | Yasunao | Tone | Numbers | 1961 | fixed media, akusmatisch | Mono | PS C. Tokyo | 0 | |||||||||||
| 16850 | Yasunao | Tone | Piano Sound with Tape | 1961 | Zuspiel / Tonband, 1 perf | Mono | p [Piano] | PS C. Tokyo | 0 | ||||||||||
| 16851 | Yasunao | Tone | Waranin | 1961 | fixed media, akusmatisch | Mono | PS C. Tokyo | 0 | |||||||||||
| 39445 | Massimiliano | Tonelli | Abbasso Cadorna | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40069 | Massimiliano | Tonelli | Et in pulverem revertis | 2017 | fixed media, akusmatisch | Massimiliano Tonelli | 0 | ||||||||||||
| 40070 | Massimiliano | Tonelli | Vetri | 2017 | fixed media, akusmatisch | Massimiliano Tonelli | 0 | ||||||||||||
| 20859 | I Chun | Tong | Glück und Glas | 1994 | fixed media, akusmatisch | 9:05 | Stereo | EX 256/ | ELAK Wien | 0 | |||||||||
| 16852 | Giancarlo | Toniutti | epigènesi: tèndine lividissima cesòia, ethmos- crivèllo | 1986 | fixed media, akusmatisch | Edition Toniutti/ | 1 | ||||||||||||
| 33870 | Timo | Tools | Memopol-2 | 2012 | audiovisuell | Prix ars electronica 2012/ | Goldene Nica 2012 ars electronica | 1 | |||||||||||
| 40923 | David | Toop | music for mondophrenetic | 1999 | Performance | Klangkunst, Installation |
51 | elec [elektronik] | for Multimedia installation Mondophrenetic in Bruxelles | SR 163 sub rosa/ | 0 | https://www.subrosa.net/en/catalogue/electronics/david-toop.html | ||||||||
| 36840 | David | Toop | The howler monkeys the rain the willing vessel |
fixed media, akusmatisch | 0 | ||||||||||||||
| 34675 | Spencer | Topel | Vox Nihili | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW | 0 | |||||||||||
| 39315 | Brian | Topp | Ljós | 2017 | live-elec, 1 perf | s-sax [Saxophon] | 0 | ||||||||||||
| 19045 | Ana | Torfs | Il Combattimento di Tancredi e Clorinda | 1996 | Klangkunst, Installation | 0:30 | Sonambiente Ausstellung (1996) Katalog S.145 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 16853 | Ushio | Torikai | Go WHERE? | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 33853 | Ushio | Torikai | Sei | 1990 | fixed media, akusmatisch | EAR Magazine 2/ | 0 | ||||||||||||
| 16854 | Dieter | Torkewitz | Ein ALptraum | 1980 | Zuspiel / Tonband, 1 perf | 4:52 | alphorn [Horn] | 0 | |||||||||||
| 16855 | Dieter | Torkewitz | Klavierkonzert | 1981/1983 | Zuspiel / Tonband, 1 perf | 15:39 | p [Piano] | 0 | |||||||||||
| 16856 | Veljo | Tormis | Stimmen aus der Hirten-Kindheit | fixed media, akusmatisch | 0 | ||||||||||||||
| 16857 | Veljo | Tormis | Tammsaares | 1977 | Zuspiel / Tonband, 1 perf, 1 group | ch, perc [Schlagzeug, Chor] | 0 | ||||||||||||
| 24485 | Germán | Toro Perez | Aire, Aliento humedad |
1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21929 | Germán | Toro Perez | Inventario I: Puntos y Lineas | 1999 | fixed media, akusmatisch | 8:10 | IMEB Bourges | 0 | |||||||||||
| 21930 | Germán | Toro Perez | Inventario III | 2000 | Zuspiel / Tonband, 4 perf | p, hp, perc, str [Piano, Harfe, Schlagzeug, Streicher] | IMEB Bourges | 0 | |||||||||||
| 19360 | Germán | Toro Perez | Stichwörter (Improvisation) | 1996 | live-elec, 1 perf | 10:00 | b-cl [Klarinette] | GEM 9701/ | ELAK Wien | 0 | |||||||||
| 19691 | Joseba | Torre | Más libre y más cautivo | 1994 | Zuspiel / Tonband, 1 group | 10:20 | Stereo | ens [Ensemble] | LDC 278063/64 Cultures Electroniques 10/ | LIEM CDMC Madrid | 0 | ||||||||
| 19692 | Joseba | Torre | Recuerdos de un Vagabundo | 1994 | fixed media, akusmatisch | 10:20 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19693 | Joseba | Torre | Tiempo de Luces | 1995 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 27202 | Salvador | Torre | Bird | 1990 | Zuspiel / Tonband, 1 perf | 14:44 | a-sax [Saxophon] | 0 | |||||||||||
| 16859 | Raymond | Torres-Santos | Areyto | 1984 | Zuspiel / Tonband, 1 group | (chamber-) orc [Orchester] | CCRMA | 0 | |||||||||||
| 16858 | Francesco | Torres | Sonidos para 3 instalaciones | 1990 | Klangkunst, Installation | ≈ | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 39496 | Seth | Torres | Awake | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 16860 | Daniele | Torresan | Cardo | 1980 | fixed media, akusmatisch | 5:15 | Stereo | CSC Padova | 0 | ||||||||||
| 39515 | Tom | Torrisi | Nocturne No. 1 | 2017 | fixed media, akusmatisch | by Arthur Keegan-Bole | 0 | ||||||||||||
| 16861 | Klas | Torstensson | All thorough the day - everyday | 1975 | audiovisuell | 18:00 | Quadro | inss [Instrument] | Sonology Utrecht | 0 | |||||||||
| 16862 | Klas | Torstensson | Barstend Ijs | 1986 | audiovisuell, 25 perf | 24 V, perc, (slides, video, laser) [Stimme, Schlagzeug] | 0 | ||||||||||||
| 16863 | Klas | Torstensson | Into the Layers | 1975 | Zuspiel / Tonband, 1 group | 9:35 | Quadro | orc [Orchester] | Sonology Utrecht | 0 | |||||||||
| 16864 | Klas | Torstensson | Unmasking, Way Station | 1976 | Zuspiel / Tonband, 2 groups | 12:00 | Stereo | 2 ens [Ensemble] | Sonology Utrecht | 0 | |||||||||
| 16865 | Klas | Torstensson | Urban Songs | 1993 | live-elec, 1 perf, 1 group | 30:00 | S, ens [Sopran, Ensemble] | IRCAM | Donemus | 0 | |||||||||
| 38894 | Øyvind | Torvund | Abstraction in Folk Art | 2014 | Zuspiel, live-elec, 1 perf | audiovisuell, 1 perf |
8:57 | p, (elec: Kassettenrecorder, Projection) [Piano] | LabLabel LAB 002/ | 0 | ||||||||||
| 38886 | Øyvind | Torvund | Album No. 2 | 2003 | live-elec, 9 perf | fl, cl, b-cl, synt, 2 tpt, perc, 2 vc [Flöte, Klarinette, Trompete, Schlagzeug, Cello, synthesizer] | 0 | ||||||||||||
| 37587 | Øyvind | Torvund | Archaic Jam | 2017 | live-elec, 1 group | 10 | orc [Orchester] | Experimentalstudio für Akustische Kunst Freiburg | SWR, Norske Komponistenfonds | 20.10.2017 | Donaueschinger Musiktage 2017, SWR-Symphonieorchester, SWR-Experimentalstudio | 0 | |||||||
| 38888 | Øyvind | Torvund | Foredrag om ornament | 2004 | live-elec, 3 perf | a-fl, cl, Kbd, (Powerpoint-presentation) [Flöte, Klarinette, Keyboard] | 0 | ||||||||||||
| 38893 | Øyvind | Torvund | Forest Construction | 2012 | Zuspiel / Tonband, 7 perf | cl, tpt, 2 perc, gui, vn, vc (und verräumlichte Feldaufnahmen) [Klarinette, Trompete, Gitarre, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 38896 | Øyvind | Torvund | Idyllic Scenes | 2015 | live-elec, 1 group | 15 | orc [Orchester] | 0 | |||||||||||
| 38885 | Øyvind | Torvund | Intro | 2003 | live-elec, 7 perf | fl, 2 cl, synt, perc, 2 vc [Flöte, Klarinette, Schlagzeug, Cello, synthesizer] | 0 | ||||||||||||
| 38901 | Øyvind | Torvund | Krull quest | 2004 | live-elec, 1 perf | audiovisuell, live-elec, 1 perf |
5:33 | vc or vn or va [Viola, Cello, Violine] | 0 | |||||||||||
| 38881 | Øyvind | Torvund | Neon Forrest Space | 2009 | Zuspiel, live-elec, 4 perf | 11:12 | cl, e-gui and Radio, perc, vc [Klarinette, Gitarre, Schlagzeug, Cello] | ACD 5078 Aurora/ | 0 | ||||||||||
| 38895 | Øyvind | Torvund | Plans for an opera | 2015 | audiovisuell, 2 perf | 5 | V, gui, (elec: Kassettenrecorder, Dia-Projection) [Stimme, Gitarre] | 0 | |||||||||||
| 38884 | Øyvind | Torvund | Plastic Waves | 2013 | live-elec, 7 perf | 17:59 | vc, b-cl, e-gui, perc, p, w (Harmonika), elec (Rauschgenerator) [Klarinette, Piano, Gitarre, Schlagzeug, Cello, elektronik, Bläser] | ACD 5078 Aurora/ | 0 | ||||||||||
| 38887 | Øyvind | Torvund | Plus Plus | 2003 | live-elec, 6 perf | 2 tpt, hpd or Kbd, perc, 2 vc [Trompete, Keyboard, Cembalo, Schlagzeug, Cello] | 0 | ||||||||||||
| 38897 | Øyvind | Torvund | Sweet Pieces | 2016 | live-elec, 2 perf, 1 group | 20 | orc, synt, perc [Schlagzeug, synthesizer, Orchester] | 0 | |||||||||||
| 38898 | Øyvind | Torvund | The Exotica Album | 2016 | live-elec, 2 perf, 1 group | chamber-orc, synt, sax [Saxophon, synthesizer, Orchester] | 0 | ||||||||||||
| 38890 | Øyvind | Torvund | The Stacks | 2007 | live-elec, 2 perf | audiovisuell, live-elec, 2 perf |
9 | mar (Vierteltonmarimba) or vc, sam (mit Marc Bells paintings Projektionen) [Schlagzeug, Cello, computer] | Miniaturen | 0 | ||||||||||
| 38891 | Øyvind | Torvund | Transporting Rituals | 2008 | Klangkunst, Installation | Klang- und Video-Installation | 0 | ||||||||||||
| 38889 | Øyvind | Torvund | Tune Park | 2006 | live-elec, 7 perf | b-cl, e-gui, p {4 hands}, acc, vn, vc [Klarinette, Piano, Akkordeon, Gitarre, Cello, Violine] | 0 | ||||||||||||
| 38882 | Øyvind | Torvund | Willibald Motor Landscape | 2012 | live-elec, 5 perf | 14:50 | b-cl, Kbd, perc, gui, vc [Klarinette, Keyboard, Gitarre, Schlagzeug, Cello] | ACD 5078 Aurora/ | 0 | ||||||||||
| 38892 | Øyvind | Torvund | Winter Collage | 2010 | Zuspiel / Tonband, | fl-orc (Flöten-Orchester) [Orchester] | 0 | ||||||||||||
| 38883 | Øyvind | Torvund | Wolf Studies | 2006, 2014 | Zuspiel / Tonband, 7 perf | 14:25 | cl, trbn, gui, 2 perc, vn, vc [Klarinette, Posaune, Gitarre, Schlagzeug, Cello, Violine] | ACD 5078 Aurora/ | 0 | ||||||||||
| 16866 | Virgilio | Tosco | Complejo #2 | 1965 | live-elec, 3 perf | 2:30 | Mono | p, perc, fl [Flöte, Piano, Schlagzeug] | LME Uni Cordoba | 0 | |||||||||
| 16867 | Virgilio | Tosco | Homenaje à Poe | 1965 | fixed media, akusmatisch | 4:00 | Stereo | LME Uni Cordoba | 0 | ||||||||||
| 18558 | Daniel | Tosi | Messidor 89, suite la Révolution Française | 1989 | Zuspiel / Tonband, | 16:41 | IMEB Bourges | 0 | |||||||||||
| 20860 | Daniel | Tosi | Otto ti bou | 1993 | Zuspiel / Tonband, 1 perf | 23:05 | Stereo | rec [Flöte] | LDC 2781106/ | 0 | |||||||||
| 32950 | Daniel | Tosi | Phonic Design No. 2 | 2004 | fixed media, akusmatisch | 7:35 | 3 parts | Motus M 298004/ | 0 | ||||||||||
| 16868 | Daniel | Tosi | Que sera sarah | 1981 | Zuspiel / Tonband, 1 perf | 28:30 | Stereo | p [Piano] | INA • GRM | 4.5.1981 | Paris, Maison de Radio France, Gd. Auditorium | 0 | |||||||
| 16869 | Daniel | Tosi | Riffs | 1987 | Zuspiel / Tonband, 1 perf | 14:30 | db [Kontrabass] | IMEB Bourges | 0 | ||||||||||
| 18559 | Daniel | Tosi | Si ma prison brûlait | 1993 | Zuspiel / Tonband, 1 perf | 23:30 | young actor [Schauspieler] | IMEB Bourges | 0 | ||||||||||
| 16870 | Daniel | Tosi | Surimpressions No. 1 | 1981 | Zuspiel / Tonband, 3 perf | 15:55 | Stereo | 2 synt, tpt [Trompete, synthesizer] | INA • GRM | 24.5.1982 | Paris, Maison de Radio France, Gd Auditorium; avec D. Tosi : trompette et synthétiseur et S. Srawley : synthétiseur | 0 | |||||||
| 16871 | Daniel | Tosi | Vives, Noire Mi-teintes | 1991 | fixed media, akusmatisch | 19:10 | Stereo | INA • GRM | 0 | ||||||||||
| 21985 | Eilert | Tøsse | Hakkeloven | 1996 | fixed media, akusmatisch | Computer Music Animation | NOTAM | 1 | |||||||||||
| 16872 | Mikael | Tosti | Bryllup | 1990 | fixed media, akusmatisch | Stereo | DIEM Aarhus | 0 | |||||||||||
| 16873 | Mikael | Tosti | De 7 Årstider | 1991 | live-elec, 1 group | 40:00 | Stereo | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 16874 | Peter | Tóth | Budapest Syndrom | 1988 | fixed media, akusmatisch | 6:30 | MR Budapest | 0 | |||||||||||
| 28090 | Olivier | Toulemonde | Éclats de Mémoire | 1999 | audiovisuell | 28:00 | C&C Annecy | 0 | |||||||||||
| 40463 | Jean-Pierre | Toulier | Etroits sont les vaisseaux | 1962 | Film | Po`me de St. John-Perse | INA • GRM | 0 | |||||||||||
| 33372 | Jean-Pierre | Toulier | Etude sur l’enchainement des sons | 1965 | Studie | 2:40 | Quadro | INA • GRM | 0 | ||||||||||
| 33374 | Jean-Pierre | Toulier | Musique pour une exposition de peinture | 1963 | Klangkunst, Installation | 8:30 | Mono | Voix celestre, Préaux, Mazar, Allenet | PS C. | 0 | |||||||||
| 33371 | Jean-Pierre | Toulier | Porte grince | 1962 | Studie | 4 | Stereo | INA • GRM | 0 | ||||||||||
| 33373 | Jean-Pierre | Toulier | Wenceslas | 1957 - 1958 | Theatermusik | 5 | Mono | PS C. | 0 | ||||||||||
| 16875 | John | Toulmin | Crossing Borders | 1985 | fixed media, akusmatisch | Stereo | 8 parts | Henry's Garage | 0 | ||||||||||
| 16876 | Daniel | Toussaint | L'étude cynestestique des transmutations sonores | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 32926 | Daniel | Toussaint | La chasse au pougablunk boumeu | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 16877 | Daniel | Toussaint | La sonate desoxyribonucléique | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 36777 | Roelf | Toxopeus | Concrete Music | 1989 | Performance | 8:26 | Quadro | perf (7 tape recorders, bewegende luidsprekers) [Performer] | multimedia performance voor 4-sporen band, 7 tape recorders, bewegende luidsprekers | 0 | |||||||||
| 16878 | Michiko | Toyama | Aoi no Ue | 1960 | Zuspiel / Tonband, 1 perf | 6:50 | Mono | Sp [Sprecher] | FTS / | Uni Kyoto | 0 | ||||||||
| 16879 | Michiko | Toyama | Waka | 1959 | Zuspiel / Tonband, 1 perf | 6:25 | Mono | Sp [Sprecher] | FTS / | Col.Princ EMC | 0 | ||||||||
| 31755 | Livio | Tragtenberg | Valsa Baião do Ex-Quente, The Former Hit’s Baião-Waltz | 2003 | fixed media, akusmatisch | 4:18 | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | Sergio Motta Award Sao Paulo | 1 | ||||||||||
| 42674 | Dan | Tramte | Eight Gluons | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 42920 | Dan | Tramte | ®¡ng | 2013 | fixed media, akusmatisch | 8:04:00 | 0 | ||||||||||||
| 42697 | Dan | Tramte | The God Particle | 2012 | fixed media, akusmatisch | 8:34:00 | 0 | ||||||||||||
| 39703 | Daniel | Tramte | Fever Dream | 2017 | fixed media, akusmatisch | Daniel Tramte | 0 | ||||||||||||
| 16880 | Fanny | Tran | Grande fantaisie sur des airs de Chopaderzewski (pt.1) | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | Stereo | p, actors [Piano, Schauspieler] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 16881 | Fanny | Tran | Omaggio à Jo | 1984 | fixed media, akusmatisch | 7:00 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 19211 | Martino | Traversa | Bianco, ma non troppo | fixed media, akusmatisch | CMJ Vol 21, 1997/ | 1 | |||||||||||||
| 19081 | Mark | Trayle | Arcana 33 1/3 | 1996 | Performance | 0:38 | Sonambiente Ausstellung (1996); Parochialkirche Katalog S.139 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 20861 | Mark | Trayle | Basic Harmony | 1994 | live-elec, 1 perf | 16:03 | Stereo | data glove [elektronik] | ART 1010/ WER 20692/ | CCM Mills | 0 | ||||||||
| 26088 | Mark | Trayle | bitpool | 2004 | audiovisuell, live-elec, 4 perf | 4 ins [Instrument] | Jitter-Animation projeziert auf den Bühnenboden | 1 | 2004 | ||||||||||
| 20862 | Mark | Trayle | cc: BTWT | 1994 | fixed media, akusmatisch | 6:47 | Stereo | ART 1010/ | CCM Mills | 0 | |||||||||
| 20863 | Mark | Trayle | Crybaby | 1995 | live-elec, 1 perf | 4:23 | Stereo | MIDI [synthesizer] | ART 1008/ | CCM Mills | 0 | ||||||||
| 21560 | Mark | Trayle | Primitive Still Life (with Pairs) | 1995 | live-elec, 1 perf | 10:33 | elec [elektronik] | Centaur CRC 2490, CDCM Vol. 30/ | Calarts | 0 | |||||||||
| 20864 | Mark | Trayle | Seven Gates | 1994 | live-elec, 1 perf | 28:59 | Stereo | data glove [elektronik] | ART 1010/ | CCM Mills | 0 | ||||||||
| 16883 | Mark | Trayle | Simple Degradation (Border) | 1987 | live-elec, | 6:46 | Nonesuch 9 79235-2, Imaginary Landscapes/ ART 1002/ | UCSD, CCM Mills | 0 | ||||||||||
| 39162 | Ewa | Trebacz | ANC'L'SUNR | 2012, 2013 | live-elec, 1 group | Spazialisation: mul 3D | orc (spatial soundscape with orchestra in the foreground, 3D sound) [Orchester] | 0 | |||||||||||
| 39170 | Ewa | Trebacz | Augenblick | 2001 | live-elec, 3 perf, 1 group | w-ens (symphonic wind ensemble), 2 amp p [Piano, Bläser] | 0 | ||||||||||||
| 39168 | Ewa | Trebacz | Chordochromies | 2003 | Zuspiel / Tonband, 1 perf | hpd (computer-realized sound) [Cembalo] | 0 | ||||||||||||
| 39166 | Ewa | Trebacz | Curriculum Vitae | 2005 | audiovisuell | digital video | 0 | ||||||||||||
| 39163 | Ewa | Trebacz | Errai | 2009 | audiovisuell | immersive audiovisual space | 0 | ||||||||||||
| 39161 | Ewa | Trebacz | Iriviskia | 2015 | live-elec, 2 perf | Spazialisation: surround | vn, hn (computer-realized surround sound) [Horn, Violine] | 0 | |||||||||||
| 39172 | Ewa | Trebacz | Koncha | 1994 | Zuspiel / Tonband, 2 perf | ob, vc (electronic media) [Oboe, Cello] | 0 | ||||||||||||
| 39171 | Ewa | Trebacz | Larghetto | 1996 | live-elec, 3 perf | str-trio (electronics) [Streicher] | 0 | ||||||||||||
| 39160 | Ewa | Trebacz | Ligeia | 2016 | live-elec, 1 perf, 1 group | Spazialisation: surround | S (invisible), ens, (surround sound) [Sopran, Ensemble] | 0 | |||||||||||
| 39167 | Ewa | Trebacz | Limbo | 2003 | audiovisuell | digital video | 0 | ||||||||||||
| 39165 | Ewa | Trebacz | Minotaur | 2005 | live-elec, 1 perf | Spazialisation: Surround | hn [Horn] | 1 | |||||||||||
| 33147 | Ewa | Trebacz | Minotaur | 2005 | live-elec, 1 perf | 14:07 | hn [Horn] | for French horn and surround | WJ 2005 polmic 012/ | 1 | |||||||||
| 33133 | Ewa | Trebacz | Spinning Zone | 2002 | live-elec, 3 perf | 15:26:00 | 3 perc [Schlagzeug] | for computer-realised sound and percussion | WJ 2003/ | 1 | |||||||||
| 39169 | Ewa | Trebacz | Spinning Zone | 2002 | Zuspiel / Tonband, 3 perf | 3 perc (computer-realized sound) [Schlagzeug] | 1 | ||||||||||||
| 39164 | Ewa | Trebacz | things lost things invisible | 2007 | live-elec, 1 group | Spazialisation: Ambisonics | orc [Orchester] | 0 | |||||||||||
| 33168 | Ewa | Trebacz | things lost, things invisible | 2007 | live-elec, 1 group | 15:54 | Spazialisation: Ambisonics | orc [Orchester] | for ambisonic space and orchestra | WJ 2007 polmic 037/ | Warsaw Autumn | 22.9.2007 Warsaw | 1 | ||||||
| 16884 | Karl Ottomar | Treibmann | Der Preis | 1978 | Oper | 0 | |||||||||||||
| 16885 | Karl Ottomar | Treibmann | Scherz, Satire, Ironie, und tiefere Bedeutung | 1986 | Oper | 0 | |||||||||||||
| 16886 | Jean Ch. | Treille | Kobosphère | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 34084 | Charles-Philippe | Tremblay-Begin | Valsavia | 2014 | fixed media, akusmatisch | 7:30:00 | Stereo | JTTP 2015 | JTTP-Winner 2015 2. prize 2nd Prize in the SOCAN Awards for Young Composers |
0 | |||||||||
| 34824 | Paul | Tremblay-Tardif | Drag | 2016 | fixed media, akusmatisch | 7:34:00 | Stereo, Surround 5.1 | JTTP 2016 5. prize | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 36286 | Gilles | Tremblay | Centre-Élan | 1967 | fixed media, akusmatisch | 9:37 | Creel Pone 057/ | 0 | |||||||||||
| 36287 | Gilles | Tremblay | Dimension Soleils | 1970 | fixed media, akusmatisch | 4:47 | Creel Pone 057/ | 0 | |||||||||||
| 37150 | Jacques | Tremblay | Empathies entropiques, La petite Camille L’enfant d’Afrique Ganga Is Divine Lolita corps et âme Polonaise Tryptique russe Rêve libanais Haïti troubadour |
1998 - 2001 | fixed media, akusmatisch | 47:08 | Stereo | IMED 0897/ | PS C. | 12.12.2001 | Espace GO in Montréal, during the Rien à voir (10) concert series | 0 | |||||||
| 37148 | Jacques | Tremblay | Espresso espressivo | 2003 - 2004 | fixed media, akusmatisch | 12:30 | Stereo | IMED 0897/ | PS C. | Réseaux des arts médiatiques with support from CCA | 11.2.2004 | Rien à voir (15) concert series presented by Réseaux at Espace GO in Montréal. | 0 | ||||||
| 20308 | Jacques | Tremblay | Hérésie ou les bas-reliefs du dogme | 1990 | fixed media, akusmatisch | 21:31 | Stereo | IMED 9842/ Kiasma 1999/ | HfM Montreal | 05.1990 | Conservatoire de musique de Montréal. | Second Prize in the Hugh Le Caine Award of the SOCAN Foundation Awards for Young Composers in 1992 | 0 | ||||||
| 20312 | Jacques | Tremblay | Jeu d'ondes | 1994 | fixed media, akusmatisch | 3:03 | Stereo | IMED 9842/ | PS C. | Société Radio-Canada for the 20th anniversary of its FM network | 0 | ||||||||
| 37149 | Jacques | Tremblay | L’énigme anima, Faux lot de flots | 1997, 2001 | fixed media, akusmatisch | 9:22 | Stereo | IMED 0897/ | PS C. | ACREQ | 1.5.1997 | “Haute tension” presented by ACREQ at Usine C in Montréal | 0 | ||||||
| 20310 | Jacques | Tremblay | L'intrus au chapeau de spleen | 1992 | fixed media, akusmatisch | 12:00 | Stereo | IMED 9842/ | HfM Lyon, PS C. | 15.04.1992 | salle Rameau (Lyon, France) | 0 | |||||||
| 20313 | Jacques | Tremblay | La robe nue | 1995 | fixed media, akusmatisch | 14:06 | Stereo | 6 parts | IMED 9842/ | PS C. | Radio-Canada’s FM network [Chaîne culturelle] | 23.12.1995 | FM network [Chaîne culturelle] | selected for the 23rd Bourges International Electroacoustic Music Competition (France, 1996) | 0 | ||||
| 32924 | Jacques | Tremblay | Le vidoir | 1997 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 16887 | Jacques | Tremblay | Les cafards de Linos K. | 1989 | fixed media, akusmatisch | 9:25 | nor 01/ | HfM Montreal | Prix Prix Noroit 1989 | 1 | |||||||||
| 20309 | Jacques | Tremblay | Oaristys | 1991 | fixed media, akusmatisch | 14:36 | Stereo | 6 parts | IMED 9842/ | HfM Montreal | 05.1991 | Conservatoire de musique de Montréal | Second Prize in the Hugh Le Caine Award of the SOCAN 1991 First Prize in the electroacoustic music category as well as the Canada Council for the Arts for the Arts Grand Prize at the 10th CBC National Competition for Young Composers (1992) |
0 | |||||
| 20311 | Jacques | Tremblay | Rictus nocturne | 1992 | fixed media, akusmatisch | 11:38 | Stereo | IMED 9842/ | HfM Lyon, GMVL Lyon | 06.1992 | salle Rameau, Lyon, France | 0 | |||||||
| 20865 | Marc | Tremblay | … ceci est un message enregistré … | 1994 | fixed media, akusmatisch | 10:19 | Stereo | Musidisc 245752/ IMED 9949/ NOR 04/ | PS Daoust | ACREQ with the support of the Canada Council | spring 1994 | Montréal’s Redpath Hall | Honorable Mention at the 16th Luigi Russolo Competition 1994 preselected for the Prix international Noroit (Arras, France, 1995) |
1 | |||||
| 16888 | Marc | Tremblay | Conte sous la lune | 1991 | fixed media, akusmatisch | 15:19 | Stereo | 3 parts | IMED 9949/ | MR Budapest, HfM Montreal | fall 1991 | Montréal Planetarium | 0 | ||||||
| 21932 | Marc | Tremblay | Cowboy Fiction | 1998 | fixed media, akusmatisch | 13:23 | IMED 9949/ | IMEB Bourges | 2 June 1999 | IMEB’s Synthèse Festival in Bourges | 0 | ||||||||
| 16889 | Marc | Tremblay | Guitare Graffiti | 1992 | Zuspiel, live-elec, 1 perf | 12:42 | e-gui [Gitarre] | JTR 8445/ | 1 | ||||||||||
| 24659 | Marc | Tremblay | L’argent… toujours l’argent! | 1990 | fixed media, akusmatisch | 11:18 | IMED 9949/ | HfM Montreal | 1990 spring | conservatory Montreal | 1st prize Le Caine Award 1990 1st Prize CBC National Competition for Young Composers (1990), Residence Bourges 1990 |
0 | |||||||
| 24658 | Marc | Tremblay | Résidus (clip dadaïste) | 1995 | fixed media, akusmatisch | 4:58 | IMED 9949/ | PS Daoust | 12.1995 | Dadaist happening at the Chapelle historique du Bon-Pasteur in Montréal | 0 | ||||||||
| 24657 | Marc | Tremblay | Vroum | 1997 | fixed media, akusmatisch | 15:20 | IMED 9949/ IMED 0050/ | PS C. | 1 May 1997 | Usine C as part of ARCEQ’s Hautes tensions concert | 0 | ||||||||
| 34830 | Marie-Claude | Tremblay | Scordatura | 2016 | audiovisuell | 6:21:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 26966 | Pierre Alexandre | Tremblay | au Croisé, le silence, seul, tient lieu de parole, se faire [se] pourfendre (de la révélation) rester coi |
2000 | fixed media, akusmatisch | 15:00 | IMED 0680 Alter ego/ | PS C. | 2.03.2002 | Invisible Theatre, BEAST (Birmingham, England, UK) | 1 | http://www.electrocd.com/en/cat/imed_0680/pistes/ | |||||||
| 26964 | Pierre Alexandre | Tremblay | Autoportrait | 2001 | fixed media, akusmatisch | 10:40 | IMED 0680 Alter ego/ | BEAST | Réseaux des arts médiatiques, with support from the CCA | 13.12.2001 | Réseaux, Espace GO (Montréal, Québec) | 1 | http://www.electrocd.com/en/cat/imed_0680/pistes/ | ||||||
| 26967 | Pierre Alexandre | Tremblay | Binary (Virtual Rapper Remix) | 1998 - 2005 | fixed media, akusmatisch | 9:10 | IMED 0680 Alter ego/ | Uni Montréal, PS C., Uni Huddersfield | 1.11.1998 | Rien à voir (4), Réseaux, La Chapelle (Montréal, Québec) | 0 | http://www.electrocd.com/en/cat/imed_0680/pistes/ | |||||||
| 39481 | Pierre Alexandre | Tremblay | Bucolic & Broken | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 33628 | Pierre Alexandre | Tremblay | Ces énigmes lumineuse, These Radiant Enigmas | 2010 | fixed media, akusmatisch | 12:29:00 | Stereo, Surround 5.1 | IMED 11109/ | Miso Studio | Miso Music Portugal | September 23, 20 | 10, Música Viva 2010, Auditório Philippe Friedma, Instituto Franco-Português (Lisbon, Portugal) | 1 | ||||||
| 26962 | Pierre Alexandre | Tremblay | Cultiver l'oubli | 1996 | fixed media, akusmatisch | 7:00 | Octo | real-time algorithmic 8-channel composition | 0 | ||||||||||
| 33629 | Pierre Alexandre | Tremblay | For Ever Now Soon an End | 2010 | fixed media, akusmatisch | 17:48:00 | Stereo, Surround 5.1 | to Helena (to Berlin) | IMED 11109/ | TU Berlin | Technische Universität Berlin - Fachgebiet Audiokommunikation — Elektronisches Studios | January 21, 2011 | Ultraschall, Radialsystem V (Berlin, Germany) | 1 | |||||
| 26963 | Pierre Alexandre | Tremblay | Fugue; qui sent le temps?, déflation: fuite par le présent interlude: l’indispensable poussière déflexion: fuite par le futur interlude: le futile univers déflagration: fuite par le passé |
1997 | audiovisuell, live-elec, | 15:57 | 3 parts | IMED 0680 Alter ego/ | Uni Montréal, PS C. | 23.02.1997 | Rien à voir (3), Réseaux, La Chapelle (Montréal, Québec) | mention at the 25th Bourges International Electroacoustic Music and Sonic Art Competition (France, 1998) and was awarded the 3rd Prize at the 13th CBC National Competition for Young Composers in 1999 | 1 | ||||||
| 26965 | Pierre Alexandre | Tremblay | La cloche fêlée | 2003 - 2004 | fixed media, akusmatisch | 8:06 | Stereo | IMED 0680 Alter ego/ | PS C. | March 6, 2004 | De Natura Sonorum, BEAST (Birmingham, England, UK) | 1 | 2010 | www.pierrealexandretremblay.com | |||||
| 26968 | Pierre Alexandre | Tremblay | La rage, Les jeux sont faits Brûlé Incubation La rage |
2004 - 2005 | live-elec, 1 perf | 49:08 | Surround 5.1, Octo | perc (free jazz drummer) [Schlagzeug] | 4 Movements with a total of 30 parts | IMED 0999 DVD/ | Uni Montréal, PS C. | March 5, 2005 | Stefan Schneider • Maison de la culture Notre-Dame-de-Grâce (Montréal, Québec) | 1 | http://www.electrocd.com/en/cat/imed_0999/pistes/#imed_0999-1.1 | ||||
| 37064 | Pierre Alexandre | Tremblay | La rupture inéluctable, Vanitas vanitatum omnia vanitas Memento mori Timor mortis conturbat me Carpe diem quam minimum credula postero |
2010 - 2011 | Zuspiel, live-elec, 1 perf | 14:20 | multichannel | b-cl, (processing, interactive system, multitrack fixed medium) [Klarinette] | IMED 13123 IMED 13124/ |
PS C., Uni Huddersfield | Heather Roche, CCA | 3.11.2011 | concert live@CIRMMT: Ébène et métal in Montréal (Québec) by Heather Roche | 0 | |||||
| 37065 | Pierre Alexandre | Tremblay | Le tombeau des fondeurs, The Tomb of the Casters | 2008 | Zuspiel, live-elec, 1 perf | 17:02 | Stereo | p, (Baschet-Malbos piano, processing, interactive system, stereo fixed medium) [Piano] | IMED 13123 IMED 13124/ |
PS. C, Uni Huddersfield | Pierre Malbos | 18.11.2008 | Wilhem Latchoumia at Studio 4'33" in Ivry-sur-Seine (France) | 0 | |||||
| 35380 | Pierre Alexandre | Tremblay | Les pâleurs de la lune | 2013 - 2014 | live-elec, 4 perf | 19:23 | 4 sax [Saxophon] | CQB 1618/ | Quasar, with support from the CCA | March 26, 2014 | Quasar • De souffles et des machines, Music Multimedia Room — Pavillon de musique Elizabeth Wirth — Université McGill (Montréal, Québec) | 0 | |||||||
| 33630 | Pierre Alexandre | Tremblay | Les trois petits c…, The Three Little P… | 2010 | fixed media, akusmatisch | 13:09:00 | Stereo, Surround 5.1 | To Hilke | IMED 11109/ | Musiques et Recherches Ohain | Musiques & Recherches | May 25, 2011 | 3 visages des musiques électroacoustiques: musique électroacoustique et videomusique, Espace Senghor (Brussels, Belgium) | 1 | |||||
| 37066 | Pierre Alexandre | Tremblay | Mono no aware | 2013 | Zuspiel, live-elec, 1 perf | 17:23 | Stereo or multichannel | perf (Babel table, processing, interactive system, multitrack fixed medium Jean-François Laporte, Babel table) [Performer] | IMED 13123 IMED 13124/ |
PS. C, Uni Huddersfield | Productions Totem contemporain | 1.6.2013 | Totem électrique V in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||
| 34301 | Pierre Alexandre | Tremblay | nureinwortgenügtnicht4 (Tausch) | 2015 | live-elec, 2 perf | Octo | cl, acc [Klarinette, Akkordeon] | to Heather and Eva | TU Berlin | 0 | |||||||||
| 33627 | Pierre Alexandre | Tremblay | Reflets de notre société crépusculaire, Avortements (éclats de liberté) Rapports bruit / signal (éclats d’égalité) Seuls dans un désert d’homme (éclats de fraternité) |
2009 | fixed media, akusmatisch | 18:39:00 | Stereo, Surround 5.1 | 3 parts | IMED 11109/ | INA • GRM | Ina-GRM | December 6, 2009 | Multiphonies, Salle Olivier Messiaen Maison de Radio France (Paris, France) | 1 | |||||
| 37067 | Pierre Alexandre | Tremblay | Still, Again | 2012 -2013 | Zuspiel, live-elec, 1 perf | 14:07 | multichannel | S, (processing, interactive processing) [Sopran] | IMED 13123 IMED 13124/ |
PS. C, Uni Huddersfield | 26.11.2014 | Phipps Concert Hall during the Huddersfield Contemporary Music Festival, Peyee Chen | 0 | ||||||
| 26969 | Pierre Alexandre | Tremblay | Un Clou, son marteau et le béton | 2009 | fixed media, akusmatisch | IMED 13123 IMED 13124/ |
PS C., Uni Huddersfield | Sarah Nicolls | 6.3.2009 | Phipps Concert Hall of the Creative Arts Building of the University of Huddersfield | 0 | ||||||||
| 33020 | Pierre Alexandre | Tremblay | Un Tune I | 2014 | fixed media, akusmatisch | 12 Tracks | performed CTM Berlin 1.26.2015 HAU2 | 0 | |||||||||||
| 33631 | Pierre Alexandre | Tremblay | Walk That Way. Tuesday, Turn. | 2006 | audiovisuell | 10:34:00 | Stereo, Surround 5.1 | To Helena | IMED 11109/ | PS C. | June 3, 2006 | during a concert produced by BEAST at Vivid in Birmingham (UK) | Mention at the 35th Bourges International Electroacoustic Music Sonic Art Competition (France, 2008) |
1 | |||||
| 36307 | Marco | Trevisani | Frammenti e Variazioni su Aura | 1996 | fixed media, akusmatisch | 12:24 | CCRMA V 02/ | CCRMA | 0 | ||||||||||
| 33710 | Treiops | Treyfid | Shiny Things | fixed media, akusmatisch | 1:05:00 | alias „Triptic Of A Pastel Fern“. From „Crushing Evanescence“-Cassette |
WN 00006/1991/ | 1 | |||||||||||
| 16890 | Pierre-Marie | Trilloux | Le Songe | 1983 | fixed media, akusmatisch | GMU Pau | 0 | ||||||||||||
| 16891 | Gerald | Trimmel | disPLAY, disPLAY5.2.6.7 |
1988 | fixed media, akusmatisch | Stereo | ELAK Wien | 0 | |||||||||||
| 16893 | Gerald | Trimmel | Palimpsest 18 & 20 | 1985/1986 | fixed media, akusmatisch | 14:11 | Stereo | 4 versions | ELAK Wien | 0 | |||||||||
| 16894 | Gerald | Trimmel | Sbuf | 1985 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 16892 | Gerald, Peter | Trimmel, Böhm | Kinneret | 1989 | fixed media, akusmatisch | 8:42 | Stereo | Sonic Inertial Studio | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | ||||||||
| 19065 | Gerhard | Trimpin | Liquid Percussion | 1996 | Klangkunst, Installation | 3:48 | Sonambiente Ausstellung (1996) Katalog S.149 |
ISBN 3-7913-1699 (Prestel)/ | 0 | ||||||||||
| 34657 | Luong Hue | Trinh | Illusions | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 20866 | Group | Trio Collectif | La rivière de l'arc | 1994 | live-elec, 1 perf | 10:04 | Stereo | MIDI-ins [synthesizer] | Trappist 9604/ | 0 | |||||||||
| 40301 | Group | TRIONYS | Protuberanzen | 2015 | fixed media, akusmatisch | 25:00:00 | Group TRIONYS | 0 | |||||||||||
| 34953 | Group, Rainer, Martin, Günter | Trionys, Bürck, Bürck, Marx | Vector Alpha | 2002 | live-elec, 3 perf | 3 perf (perc, Kbd,Zeta-vn) [Performer] | Improvisations | ES 02001 Earsay/ | 0 | ||||||||||
| 20867 | Pierre | Trochu | Eros | 1975 | fixed media, akusmatisch | 12:27 | Stereo | CMC CD 3288/ | 0 | ||||||||||
| 31070 | Thomas A. | Troge | awejg ditemev | 1998 | live-elec, 3 perf | 2 perc, S [Sopran, Schlagzeug] | HfM Karlsruhe | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | ||||||||||
| 31066 | Thomas A. | Troge | cube | Klangkunst, Installation | HfM Karlsruhe | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | ||||||||||||
| 31067 | Thomas A. | Troge | Dekomposition | Klangkunst, Installation | HfM Karlsruhe | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | ||||||||||||
| 31068 | Thomas A. | Troge | Fragment X, 27.1.45 | 1993 | Zuspiel, live-elec, 1 perf | S [Sopran] | HfM Karlsruhe | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | ||||||||||
| 31073 | Thomas A. | Troge | Scene imaginaire Nr. 1 | 1999 | fixed media, akusmatisch | Quadro | HfM Karlsruhe | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | ||||||||||
| 31074 | Thomas A. | Troge | Scene imaginaire Nr.2 | 1999 | fixed media, akusmatisch | Octo | HfM Karlsruhe | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | ||||||||||
| 31071 | Thomas A. | Troge | srpm | 1992 | fixed media, akusmatisch | Sechs elektronische Klanglandschaften | HfM Karlsruhe | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | ||||||||||
| 31069 | Thomas A. | Troge | V | 1998 | live-elec, 2 perf | 2 mar, (24 virtuelle mar) [Schlagzeug] | HfM Karlsruhe | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | ||||||||||
| 31072 | Thomas A. | Troge | Virtual Quartett | 1997 | live-elec, 4 perf | (virtual) qt [Instrument] | HfM Karlsruhe | 1997 | 0 | http://www.hit-karlsruhe.de/hfm-ka/inmm/02-computerstudio/01-produktionen.htm | |||||||||
| 34958 | Jan | Trojan | El diario del peregrino, Pilgrim´s Diary | 2011 | radiophon | 17:01 | Radioateliér PremEdition is a premiere series for new experimental radio art. It is broadcast by Czech Radio 3 - Vltava at 0:05 AM every last Saturday of the month. These work are a selection of a programm in 2011 | degem-download/ | 0 | ||||||||||
| 24084 | Matias | Troncoso | Corpus | 2004 | fixed media, akusmatisch | 13:00 | Octubre 2004. Festival Ai-Maako. Santiago, Chile. | 0 | |||||||||||
| 24085 | Matias | Troncoso | Corpus V2 | 2004 | live-elec, 1 perf | ≈ 15:45 | fl [Flöte] | Noviembre 2004. Festival de Música Contemporánea de la Universidad Catolica de Chile. Santiago, Chile. | 0 | ||||||||||
| 24086 | Matias | Troncoso | En | 2004 | fixed media, akusmatisch | 6:00 | Diciembre 2004. Festival Punto de encuentro. Madrid, España. | 0 | |||||||||||
| 24087 | Matias | Troncoso | Kn-tha | fixed media, akusmatisch | 0 | ||||||||||||||
| 24081 | Matias | Troncoso | Letanía | fixed media, akusmatisch | 12:00 | 0 | |||||||||||||
| 24082 | Matias | Troncoso | Mitra | fixed media, akusmatisch | 6:00 | 0 | |||||||||||||
| 24083 | Matias | Troncoso | Muela cuerpo ropa camina | 2003 | Tanz | 42:00 | Obra para danza. Encargo de la compañía de danza Marcela Escobar y cia. Diciembre 2003, Sala Santa Elena, Santiago de Chile. |
0 | |||||||||||
| 24088 | Matias | Troncoso | Nimio | fixed media, akusmatisch | 6:00 | 0 | |||||||||||||
| 24080 | Matias | Troncoso | Vehasam | fixed media, akusmatisch | 6:00 | 0 | |||||||||||||
| 24079 | Matias | Troncoso | Will | fixed media, akusmatisch | 10:00 | 0 | |||||||||||||
| 22727 | Neal | Troum | Organ Nose | 1997 | fixed media, akusmatisch | 3:36 | Centaur CRC 2454, CDCM Vol 29/ | VCCM | 1 | ||||||||||
| 32887 | Barry | Truax | Aeolian Voices | 2013 | fixed media, akusmatisch | Octo | CSR CD-1401/ | SFU | 0 | ||||||||||
| 16895 | Barry | Truax | Aerial | 1979 | Zuspiel / Tonband, 1 perf | 9:30 | Quadro | hn [Horn] | CSR CD 8701/ WER 2017-50/ Melbourne SMLP 4042/43/ | SFU | 1 | ||||||||
| 23310 | Barry | Truax | Androgyne, Mon Amour | 1996 - 1997 | Musiktheater, 1 perf | 16:00 | Stereo | male db [Kontrabass] | Text: Tennessee Williams | CSR 0102/ | SFU | 0 | |||||||
| 23316 | Barry | Truax | Androgyne, Mon Amour | 2001 | audiovisuell, 2 perf | 16:00 | Stereo | dancer, male db [Kontrabass, Tanz] | Text: Tennessee Williams | Organised Sound Vol 8/ CSR CD 0102/ | SFU | 0 | |||||||
| 23320 | Barry | Truax | Androgyny | 1978 | fixed media, akusmatisch | 16:33 | Quadro | a spatial environment with four computer-synthesized soundtracks | CSR 0501/ Melbourne SMLP 4042/43/ | SFU | 0 | ||||||||
| 16896 | Barry | Truax | Arras | 1980 | fixed media, akusmatisch | 10:00 | Quadro | DMC-1000; PODX | CSR CD 9101/ ACM 37 CD 1-4/ Melbourne SMLP 4042/43/ | SFU | 1 | ||||||||
| 16897 | Barry | Truax | Ascendance | 1979 | fixed media, akusmatisch | 12:06 | Stereo | LDC 2781112/13/14 opus 30/ Melbourne SMLP 4042/43/ | IMEB Bourges | 1 | |||||||||
| 18947 | Barry | Truax | Bamboo, Silk and Stone | 1994 | Zuspiel / Tonband, 1 perf | 9:20 | Stereo | asian ins [Instrument] | asian ins: suling gambuh; guzheng; hun | CEC DISContact_2/ CSR CD 9601/ | SFU | 1 | |||||||
| 16898 | Barry | Truax | Basilica | 1992 | fixed media, akusmatisch | 11:50 | Stereo, Octo | CSR CD 9401/ CMJ Vol 19, 1995/ | SFU | 1 | |||||||||
| 20869 | Barry | Truax | Beauty and the Beast | 1989 | audiovisuell, 1 perf | 22:26 | Stereo | ob d'amore [Oboe] | with computer images by Theo Goldberg | CSR CD 9601/ | SFU | 1 | |||||||
| 36916 | Barry | Truax | BENEATH THE TOR | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 32885 | Barry | Truax | Chalice Well | 2009 | fixed media, akusmatisch | 14:23 | Octo | CSR CD-1401/ | SFU | 1 | |||||||||
| 23317 | Barry | Truax | Divan | 1985 | audiovisuell | 11:00 | Stereo | slides by Theo Goldberg | SFU | 0 | |||||||||
| 23302 | Barry | Truax | Dominion | 1991 | Zuspiel / Tonband, 1 group | 19:00 | Stereo | ens [Ensemble] | CMJ Vol 19, 1995/ CSR CD 0101/ | SFU | 0 | ||||||||
| 32888 | Barry | Truax | Earth and Steel | 2013 | fixed media, akusmatisch | 11 | Octo | CSR CD-1401/ | SFU | 2013 | Acoustic Ecology Symposium at the University of Kent, Chatham | 0 | |||||||
| 16899 | Barry | Truax | East wind | 1981 | Zuspiel / Tonband, 1 perf | 10:55 | Stereo, Quadro | rec [Flöte] | FM-Synthese | CSR CD 9101/ CSR 8501/ | SFU | 1 | |||||||
| 32894 | Barry | Truax | Enigma | 2012 | audiovisuell, 1 perf | T [Tenor] | the Life and Death of Alain Turing | SFU | 0 | ||||||||||
| 23303 | Barry | Truax | Etude | 1983 - 1984 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | vc [Cello] | SFU | 0 | |||||||||
| 20870 | Barry | Truax | Evening | 1992 | fixed media, akusmatisch | 2:57 | Stereo | CEC DISContact_2/ | SFU | 0 | |||||||||
| 32886 | Barry | Truax | Fire Spirits | 2010 | fixed media, akusmatisch | 11:59 | Octo | CSR CD-1401/ | SFU | 1 | |||||||||
| 32893 | Barry | Truax | From the unseen world | 2012 | Zuspiel / Tonband, 1 perf | 12:15 | 6 | p [Piano] | CSR CD-1401/ | SFU | 0 | ||||||||
| 23311 | Barry | Truax | Gilgamesh | 1972 - 1973 | Musiktheater, 1 perf, 1 group | 90:00 | Quadro, 12 tracks | singers [Stimme] | Text: William Maranda, a music theatre work for singers and 12 four-channel tape (90') Libretto: William Maranda. Letter to My Grandmother (1981), for soprano and tape, based on a poem by Norbert Ruebsaat (18') | Sonology Utrecht | 0 | ||||||||
| 28198 | Barry | Truax | Handbook for Acoustic Ecology, CD-ROM Edition Version 1.1 | 1999 | Lehre & Forschung | CD-ROM | CSR CDR 9901/ | SFU | 1 | www.sfu.ca/~truax/csr.html | |||||||||
| 20871 | Barry | Truax | Inside | 1995 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | b-ob [Oboe] | CSR CD 9601/ | SFU | 1 | ||||||||
| 23298 | Barry | Truax | Island | 2000 | fixed media, akusmatisch | 19:07 | Octo, 16 tracks | Soundscape Composition | CSR CD 0101/ | SFU | 1 | ||||||||
| 23321 | Barry | Truax | La Sera di Benevento | 1999 | fixed media, akusmatisch | 10:00 | Stereo | CSR CD 0101/ | SFU | 0 | |||||||||
| 23304 | Barry | Truax | Love Songs, The Words Origins of Song The Face | 1979 | Zuspiel / Tonband, 1 perf | 32:00 | Stereo | S [Sopran] | Text: Norbert Ruebsaat | Melbourne SMLP 4042/43/ | SFU | 0 | |||||||
| 16900 | Barry | Truax | Nautilus | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | perc [Schlagzeug] | POD | SMLP 4033/ | SFU | 0 | |||||||
| 23318 | Barry | Truax | Night of the Conjurer | 1992 | audiovisuell | 11:00 | Stereo | slides by Theo Goldberg. optional vc |
SFU | 0 | |||||||||
| 16901 | Barry | Truax | Nightwatch | 1982 | Zuspiel / Tonband, 1 perf | 13:27 | Quadro | mar [Schlagzeug] | POD | CSR 8501/ CSR CD 9401/ | SFU | 1 | |||||||
| 32896 | Barry | Truax | Orpheus ascending | 2006 | Oper | 26 | Octo | S, Bar [Sopran, Bariton] | adapted from Powers of Two. a one-act electroacoustic opera for two singers and eight digital soundtracks |
SFU | 0 | ||||||||
| 16902 | Barry | Truax | Pacific, Ocean Fog Harbour Dragon |
1990 | fixed media, akusmatisch | 36:46 | Quadro | DMC-1000; PODX; Granular-Synthese PACIFIC is where water covers a third of the earth's surface. PACIFIC is where volcanoes encircle a vast ocean. PACIFIC is where the Western flow of culture meets its Eastern face. PACIFIC is the new centre of an old consciousness. The work is in four movements: Ocean in whose deep currents one hears the voices of the unborn. Fog in whose caress one hears the voices of lovers. Harbour in whose cries one hears the voices of the old and wise. Dragon in whose fiery breath one hears the voices of the dead. |
CSR CD 9101/ CMJ Vol 19, 1995/ TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | SFU | 1 | ||||||||
| 23319 | Barry | Truax | Pacific Dragon | 1991 | audiovisuell | 14:00 | Quadro | slides by Theo Goldberg; part of "Pacific" | SFU | 0 | |||||||||
| 20872 | Barry | Truax | Pacific Fanfare | 1996 | Klangkunst, Installation | 2:58 | Stereo | CSR CD 9701/ ed. rz 290405/ CSR CD 0101/ | SFU | 1 | |||||||||
| 23305 | Barry | Truax | Pacific Fog | 1990 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | ehn [Oboe] | part of "Pacific" | SFU | 0 | ||||||||
| 23312 | Barry | Truax | Patterns | 1996 | Musiktheater, 1 perf | 6:11 | Stereo | fem Sp [Sprecher] | Text: Amy Lowell | CSR 0102/ CSR CD 0102/ | SFU | 0 | |||||||
| 22437 | Barry | Truax | Pendlerdrøm | 1997 | fixed media, akusmatisch | 12:00 | Stereo, Octo | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ CSR CD 0101/ Organised Sound Vol 13/3/ | SFU | 1 | ||||||||
| 23314 | Barry | Truax | Powers of two: Beyond, Act 4 | 1997 | Musiktheater, 6 perf | 22:00 | Octo | 4 V, 2 dancer, (video) [Stimme, Tanz] | Libretto: Barry Truax | CSR 0401/ | SFU | 0 | |||||||
| 24672 | Barry | Truax | Powers of two: Hymn to the Moon | 1997 | Musiktheater | 3:01 | CSR 0102/ | SFU | 0 | ||||||||||
| 24671 | Barry | Truax | Powers of two: In Memoriam A.H.H. | 1999 | Musiktheater | 4:13 | CSR 0102/ | SFU | 0 | ||||||||||
| 23315 | Barry | Truax | Powers of two: Repetition, Act 1 | 1999 | Musiktheater, 6 perf | 23:26 | Octo | 4 V, 2 dancer, (video) [Stimme, Tanz] | Libretto: Barry Truax | CSR 0401/ | SFU | 0 | |||||||
| 19115 | Barry | Truax | Powers of two: the artist, Act 3 | 1995 | Musiktheater, 3 perf | 24:00 | Octo | 2 V, dancer, (video) [Stimme, Tanz] | verschiedene Text-Vorlagen, Libretto Truax | CSR CD 9601/ CSR 0401/ | SFU | Banff Centre of the arts | 1 | ||||||
| 23313 | Barry | Truax | Powers of two: the Sibyl, Act 2 | 1997 | Musiktheater, 3 perf | 24:18 | Octo | 2 V, dancer, (video) [Stimme, Tanz] | CSR 0401/ | SFU | 0 | ||||||||
| 32882 | Barry | Truax | Prospero's Voyage | 2004 | fixed media, akusmatisch | 16 | Octo, 16 tracks | a soundscape composition for eight or sixteen digital soundtracks | CSR CD 0701/ | SFU | 0 | ||||||||
| 16903 | Barry | Truax | Riverrun | 1986/2004 | fixed media, akusmatisch | 19:45 | Quadro, Octo | Granular-Synthese | LDC 278055 Cultures Electroniques 6 Magisterium/ CSR CD 8701/ WER 2017-50/ | SFU | Biennale di Venezia | Auszeichnung ars electronica 1987 Magisterium Bourges 1991 |
Schott | 1 | |||||
| 18952 | Barry | Truax | Sequence of Earlier Heaven | 1998 | fixed media, akusmatisch | 13:50 | Quadro, Octo | PODX + DMX-1000 | CSR CD 9401/ CSR CD 0401/ | SFU | 0 | ||||||||
| 32899 | Barry | Truax | Sequence of later Heaven | 1993 | fixed media, akusmatisch | 14 | Quadro, Octo | CSR CD 9401/ CSR CD 0401/ | SFU | 1 | |||||||||
| 16904 | Barry | Truax | She, a solo | 1973 | Zuspiel / Tonband, 1 perf | 11:50 | Stereo | Mez [Mezzo] | SMLP 4033/ CSR 0102/ CSR CD 0102/ | Sonology Utrecht | 0 | ||||||||
| 32897 | Barry | Truax | Skin & Metal | 2004 | Musiktheater | perc [Schlagzeug] | 0 | ||||||||||||
| 16905 | Barry | Truax | Solar Ellipse | 1985 | fixed media, akusmatisch | 10:50 | Quadro | CSR 8501/ CSR CD 8701/ WER 2017-50/ | SFU | 1 | |||||||||
| 16906 | Barry | Truax | Song of Songs, Morning Afternoon Evening Night and Daybreak |
1992 | audiovisuell, 1 perf | 18:31 | Stereo | ob d'amore [Oboe] | computer graphic images by Theo Goldberg | CSR CD 9401/ | SFU | 1 | |||||||
| 16907 | Barry | Truax | Sonic Landscape No. 1 | 1970 | Zuspiel / Tonband, 1 perf | Stereo | hn [Horn] | MGE 21/ | Uni BC Vancouver | 0 | |||||||||
| 16908 | Barry | Truax | Sonic Landscape No. 3 | 1975 | fixed media, akusmatisch | 15:38 | Quadro | rev. 1977 | LDC 278065/66 Cultures Electroniques 11/ SMLP 4033/ | SFU | 1 | ||||||||
| 16909 | Barry | Truax | Sonic Landscape No. 4 | 1977 | Zuspiel / Tonband, 1 perf | 9:00 | Quadro | org [Orgel] | SFU | 0 | |||||||||
| 23306 | Barry | Truax | Steam | 2001 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | amp a-fl [Flöte] | CSR CD 0701/ | SFU | 0 | ||||||||
| 16910 | Barry | Truax | Tapes from Gilgamesh | 1972/1973 | fixed media, akusmatisch | 87:09 | Quadro | 2 versions (36:00 / 87:09) | Sonology Utrecht | 0 | |||||||||
| 23299 | Barry | Truax | Temple | 2002 | fixed media, akusmatisch | 15:32 | Octo, 16 tracks | choral soundscape work, source from a church in Italy; with soundhack, PODX, granular synthese | CSR CD 0701/ | SFU | 1 | ||||||||
| 16911 | Barry | Truax | The Blind Man | 1979 | fixed media, akusmatisch | 15:40 | Stereo | Granular; poem by Norbert Ruebsaat | Melbourne SMLP 4042/43/ CSR CD 8701/ WER 2017-50/ | IMEB Bourges | 1 | 1986 | |||||||
| 32895 | Barry | Truax | The ghostly moon | 2008 | Musiktheater | Stereo | 2 str (erhu, zheng), mar [Schlagzeug, Streicher] | 0 | |||||||||||
| 32883 | Barry | Truax | The Shaman Ascending | 2004 - 2005 | fixed media, akusmatisch | 15:49 | Octo, 16 tracks | CSR CD 0701/ IMED 09100 trans_canada/ | SFU | ZKM | 2.2005 | ZKM Karlsruhe | 1 | ||||||
| 16912 | Barry | Truax | The Wings of Nike, Album Ei Kleines The Illuminated Nike Coda |
1987 | fixed media, akusmatisch | 12:26 | Stereo, Octo | DMC-1000; PODX; Granular-Synthese: also version with slides by Theo Goldberg | CSR CD 9101/ CMJ Vol 19, 1995/ PNM 28/ CMJ Vol 18, 1994/ | SFU | 1 | ||||||||
| 32898 | Barry | Truax | THOU and I | 2003 | Zuspiel / Tonband, 2 perf | 10 | T, Bar [Tenor, Bariton] | SFU | 0 | ||||||||||
| 16913 | Barry | Truax | Tongues of Angels | 1988 | Zuspiel / Tonband, 1 perf | 13:15 | Quadro | ob d'amore or en-hn [Oboe] | CMC CD 4793/ | SFU | Lawrence Cherney with the assistance of the Canada Council | 0 | |||||||
| 23307 | Barry | Truax | Trigon | 1974 - 1975 | Zuspiel / Tonband, 3 perf | 16:00 | Stereo | Mez, a-fl, p [Mezzo, Flöte, Piano] | SMLP 4033/ | SFU | 0 | ||||||||
| 23308 | Barry | Truax | Twin Souls, Thou and I We are the Stars which sing | 1997 | Zuspiel / Tonband, 1 group | 14:00 | Stereo | ch [Chor] | CSR 0102/ CSR CD 0102/ | SFU | 0 | ||||||||
| 16914 | Barry | Truax | Wave edge | 1983 | fixed media, akusmatisch | 9:15 | Quadro | PODX | CSR 8501/ CSR CD 8701/ CSR 0102/ WER 2017-50/ | SFU | 1 | ||||||||
| 23309 | Barry | Truax | Wings of Fire | 1996 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | fem vc [Cello] | Text: Joy Kirstin | CSR CD 0102/ | SFU | 0 | |||||||
| 32884 | Barry, Randy | Truax, Raine-Reusch | The Way of the Spirit | 2005 - 2006 | Zuspiel / Tonband, 2 perf | Octo | ichigenkin, shakuhachi [Flöte] | CSR CD 0701/ | SFU | 0 | |||||||||
| 16915 | Pascale | Trudel | Alchimie | 1992 | fixed media, akusmatisch | 2:14 | CEC DISContact_1/ | Uni Montréal | 1 | ||||||||||
| 16916 | Pascale | Trudel | Dragons | 1988 | fixed media, akusmatisch | 5:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 19264 | Pascale | Trudel | Flamingo ! | 1996 | fixed media, akusmatisch | 3:00 | Aufnahmen aus dem Zoo | CEC Presence 1/ | PS Dragon Montréal | 1 | |||||||||
| 16917 | Pascale | Trudel | Intérieur | 1987 | fixed media, akusmatisch | 3:26 | Stereo | Concordia Montréal | 0 | ||||||||||
| 16918 | Pascale | Trudel | Intuition | 1987 | fixed media, akusmatisch | 10:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 16919 | Pascale | Trudel | Le Poisson Qui Cache l'Oiseau | 1995 | fixed media, akusmatisch | 2:53 | CEC DISContact_2/ | Uni Montréal | 1 | ||||||||||
| 16920 | Pascale | Trudel | Les oiseaux | 1988 | fixed media, akusmatisch | 7:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 23230 | Pascale | Trudel | Soleil qui inonde mes mains | 2000 | fixed media, akusmatisch | 4:20 | Cec Presence 3/ | 1 | |||||||||||
| 16921 | Pascale | Trudel | Voyage au pays des ombres | 1989 | fixed media, akusmatisch | 9:40 | Stereo | Concordia Montréal | 0 | ||||||||||
| 27778 | Jan | Trützschler | 991hPa | 2005 | fixed media, akusmatisch | 15:06 | -> Hecto Pascal | Sonology Den Haag | 1 | http://falkenst.sampleandhold.org/ | |||||||||
| 27780 | Jan | Trützschler | ctrl-t kmr | 2006 | live-elec, 1 perf | com [computer] | also on the CD is a improvisation with Diego Espinosa, Jan Trützschler, Miki Sugiura | Sonology Den Haag | 1 | http://falkenst.sampleandhold.org/ | |||||||||
| 27777 | Jan | Trützschler | Oxygen | 2004 | fixed media, akusmatisch | Sonology Den Haag | 1 | http://falkenst.sampleandhold.org/ | |||||||||||
| 27779 | Jan | Trützschler | The Age of Paper | 2005 | Performance, live-elec, 4 perf | 15:50 | perf, (paper-perf), vc, db, com, (video) [Cello, Kontrabass, Performer, computer] | supported by STEIM | Sonology Den Haag | 25.06.2005 | Korzo Theater Den Haag | 1 | http://falkenst.sampleandhold.org/ | ||||||
| 16922 | Richard | Truhlar | Music at the Edge of Time | 1987 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 16923 | Richard | Truhlar | Simulant | 1990 | fixed media, akusmatisch | 2:56 | Stereo | IMED 9004/ IMED 9604/ | 1 | ||||||||||
| 16924 | Josephine, Klaus | Truman, Schöning | Sdreamings | 1991 | radiophon | 27:17 | WER 6307-2/ | WDR SEM | 1 | ||||||||||
| 16925 | Balz | Trumpy | Wellenspiele | 1978 | live-elec, 1 perf, 1 group | 17:00 | p, ens [Piano, Ensemble] | IRCAM | Ricordi | 0 | |||||||||
| 36921 | Graeme | Truslove | concretisations | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 33633 | Graeme | Truslove | Portals | 2006 | fixed media, akusmatisch | 7:39 | MR 2010 Métamorphoses 2010/ | Jury prize Métamorphoses 2010 | 1 | ||||||||||
| 33307 | Gilbert | Trythall | A Vacuum Soprano | 1966 | Zuspiel / Tonband, 5 perf | 6:32 | Stereo | brass-qnt [Bläser] | Peabody Coll Nashville | 0 | |||||||||
| 33308 | Gilbert | Trythall | Alpha Rhythm | 1967 | Zuspiel / Tonband, 1 group | 3:24 | Stereo | jazz-ens [Ensemble] | Peabody Coll Nashville | 0 | |||||||||
| 33309 | Gilbert | Trythall | Entropy | 1967 | Zuspiel / Tonband, 5 perf, 1 group | 6 | Stereo | fl, hp, celesta, p {4 hands}, (stereo) brass group [Flöte, Piano, Harfe] | Peabody Coll Nashville | 0 | |||||||||
| 16926 | Richard | Trythall | Ommagio a Jerry Lee Lewis | 1975 | fixed media, akusmatisch | Tanz |
6:33 | Stereo | based upon Jerry Lee Lewis's performance of "Whole Lotta' Shakin' Goin' On", proved to be a forerunner of the ideas of "plunderphonics" and "remixing" which subsequently became popular in the 90's | ReR CMCD/ | 1 | |||||||||
| 16927 | Richard | Trythall | Salute to the 50s | live-elec, 1 perf | 14:00 | MIDI [synthesizer] | Crossover: Szeremeta, Pituch, Pilch | 1 | |||||||||||
| 32756 | Richard | Trythall | Suite, "Dialogo tra ragione e follia" for Harpsichord and Pre-recorded Sounds | 1973 | Zuspiel / Tonband, 1 perf | ≈ 12 | hpd [Cembalo] | on music by D. Scarlatti | 0 | ||||||||||
| 33111 | Richard | Trythall | Verse | 1972 | Performance | 100 | multimedia performance for slides, film and tape. 40 minute black and white film - Doors, made in 1968 in Italy by the American visual artist, Milton Cohen, a set of 36 color slides, and a 50 minute stereo tape composition which was completed in 1971. These are performed in strict synchronization beginning with a 10 minute prelude of slide projections and tape music. |
0 | |||||||||||
| 41836 | Eldad | Tsabary | Creatures of the Ice | 2008 | radiophon | 4:39:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 23079 | Manos | Tsangaris | Drei Spiele, Instant Khama Spiel für DVD, Raum 1 Spiele für Fadenorgel tempus perfectum |
2001 | Klangkunst, Installation | WDR 2001 | 2001 | Wittener Tage für neue Kammermusik | 0 | ||||||||||
| 32790 | Manos | Tsangaris | Glück macht mutig | 2004/2008 | Theater, live-elec, 1 perf | 34 | Sp [Sprecher] | Musica Viva des Bayerische Rundfunks | 2008 | München. Chor des Bayerischen Rundfunks, Leitung: Lothar Zagrosek, Simon Stockhausen - Klangregie | 0 | ||||||||
| 34770 | Manos | Tsangaris | groß und klein | 1998 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 10.7.-9.8.1998 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 32791 | Manos | Tsangaris | Ich bin nur scheintot | 2004/2005 | live-elec, 1 group | 80 | ch [Chor] | Kunststiftung NRW | 2005 | Schauspiel Köln; Danish National Choir und Hotel Pro Forma, Kopenhagen | 0 | ||||||||
| 32792 | Manos | Tsangaris | Mauersegler | 2013 | Performance | Vs, actors, hn, perc, (elec, Straßenbahn, Publikum) [Stimme, Horn, Schlagzeug, Schauspieler] | Hörfilm | Stadt Witten und des WDR | 2013 | Witten | 0 | ||||||||
| 28567 | Manos | Tsangaris | Nacht-Labor | 2005 | Performance | 7:11 | S, 2 Sp, acc, p, perc, (Objekte, Projektoren, Licht) [Sopran, Sprecher, Piano, Akkordeon, Schlagzeug] | WD 2005, Wittener Tage Für Neue Kammermusik 2005/ | Kompositionsauftrag der Stadt Witten & des Landes NRW | 2005 | Wittener Tage für neue Kammermusik 2005 mit Klangforum Wien, Trio Accanto, Trio Recherche | 1 | |||||||
| 32794 | Manos | Tsangaris | Relief, Die Buchstabenrevolte | 2000 | Performance | 40 | Sp, vn, S, hn, harmonium, sam, actor [Sopran, Sprecher, Horn, Orgel, Violine, Schauspieler, computer] | Raumdichtung | SWR | 2000 | Donaueschingen 2000 - mit Petra Torky, Freya Ritts-Kirby, Pi-hsien Chen, Franck Ollu, Simon Stockhausen und Martin Schmitz | 0 | |||||||
| 32793 | Manos | Tsangaris | Schwalbe | 2011 | Performance | S (Sp), Bar (Sp / jogger), hn, perc, actors [Sopran, Bariton, Horn, Schlagzeug, Schauspieler] | Hörfilm | Stadt Witten für die Wittener Tage für neue Kammermusik (WDR) | 2011 | open air river Ruhr. Wittener Tage für neue Kammermusik 2011. Maria Meckel - Sopran, Cornelius Uhle - Bariton, Thomas Meixner - Schlagzeug/Geräuschemacher, Axel Block - Klangregie | 0 | ||||||||
| 42292 | Manos | Tsangaris | Tafel 1 (Wiesers Werdetraum) | 1989 | Performance, live-elec, 3 perf | 3 perf (perc, lights, swinging loudspeakers, amp table) [Performer] | „für drei Spieler“ | 0 | |||||||||||
| 34166 | Manos | Tsangaris | winzig - Musiktheater-Miniaturen, Theater für ein Haus | 1993 | Musiktheater | Performance |
perfs (several performers) [Performer] | CD Recording from May 24 1998, Wittener Tage für neue Kammermusik. | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | 1 | ||||||||||
| 39526 | Yu Chung | Tseng | Autumn Expression | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 20984 | Yu-Chung | Tseng | A little Ying Yang | 1997 | Zuspiel / Tonband, 1 perf | 8:32 | Stereo | p [Piano] | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | ||||||||
| 33669 | Yu-Chung | Tseng | A reminiscence Of Pipa | 2005 | live-elec, 2 perf | 10:22 | fl, perc [Flöte, Schlagzeug] | ISCM Taiwan/ | Uni Taiwan | 2006 | Beijing | 1 | |||||||
| 33672 | Yu-Chung | Tseng | Cell…llo | 2010 | fixed media, akusmatisch | 6:58 | Octo | ISCM Taiwan/ | Uni Taiwan | 1 | |||||||||
| 40339 | Yu-Chung | Tseng | Fantasy | 2015 | fixed media, akusmatisch | 8:50:00 | Yu-Chung Tseng | 0 | |||||||||||
| 33671 | Yu-Chung | Tseng | Imaginary Landscape | 2005 | live-elec, 1 perf | 9:34 | p [Piano] | ISCM Taiwan/ | Uni Taiwan | 2005 | Beijing | 1 | |||||||
| 26121 | Yu-Chung | Tseng | Metascape I | 2008 | fixed media, akusmatisch | 7:17 | Stereo, Octo | MR 2008 Métamorphoses 2008/ ISCM Taiwan/ | Uni Taipei | 1 | |||||||||
| 33670 | Yu-Chung | Tseng | Metascape II | 2009 | fixed media, akusmatisch | 9:21 | Octo | inner voice of the Chinese Opera Cymbals | ISCM Taiwan/ | Uni Taiwan | 1 | ||||||||
| 33632 | Yu-Chung | Tseng | PianoForte | 2009 | fixed media, akusmatisch | 8:32 | Stereo, Octo | MR 2010 Métamorphoses 2010/ ISCM Taiwan/ | Uni Taiwan | 1 | |||||||||
| 42957 | Yu-Chung | Tseng | Points, Lines, Planes | 2013 | fixed media, akusmatisch | 4:05:00 | 0 | ||||||||||||
| 34624 | Yu-Chung | Tseng | Rhapsody | 2007 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | SMC2016 | 0 | |||||||||||
| 33673 | Yu-Chung | Tseng | Rhasopdy | 2007 | live-elec, 1 perf | 8:55 | cl [Klarinette] | ISCM Taiwan/ | Uni Taiwan | 2007 | Beijing | Pierre Schaeffer competition 2007 | 1 | ||||||
| 24210 | Yu-Chung | Tseng | River side in a Summer Afternoon | 2002 | fixed media, akusmatisch | 3:09 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 26089 | Yu-Chung | Tseng | The Inner Voice of Triangle | 2006 | fixed media, akusmatisch | 10:38 | Stereo | MR 2006 Métamorphoses 2006/ | Uni Taipei | Métamorphoses 2006 | 1 | ||||||||
| 33674 | Yu-Chung | Tseng | Ying Yang | 2003 | live-elec, 1 perf | 7:59 | p [Piano] | ISCM Taiwan/ Accademia Musicale Pescarese/ | Uni Taiwan | Pierre Schaeffer competition | 1 | ||||||||
| 42748 | YuChung | Tseng | Points of Departure, 2.17 vars. | 2012 | fixed media, akusmatisch | 7:40:00 | 0 | ||||||||||||
| 31390 | Andreas | Tsiartas | Androméda | 2008 | fixed media, akusmatisch | 5:46:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31436 | Andreas | Tsiartas | Karma | 2008 | live-elec, 1 perf | ≈ 17:30 | vn, (Max/MSP) [Violine] | HfM Dresden | 0 | ||||||||||
| 31392 | Andreas | Tsiartas | Sonic Gymnopaedia | 2009 | fixed media, akusmatisch | 5:05:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31454 | Andreas | Tsiartas | The Void | 2010 | audiovisuell, live-elec, 4 perf | Mez, fl, Bajan, db, (video) [Mezzo, Flöte, Kontrabass] | HfM Dresden | 0 | |||||||||||
| 38455 | Katsuhiro | Tsubonou | Requiem | 1978 | fixed media, akusmatisch | 13:38 | Stereo | OUOADM 0701/ | NHK Tokyo | 0 | |||||||||
| 36452 | Toshiya | Tsunoda | Peak To Peak | 2007 | radiophon | 5:00:00 | EDRM 417/ | 0 | |||||||||||
| 43157 | Toshiya | Tsunoda | Pieces of Air | 2003 | fixed media, akusmatisch | 15 field recordings | LK 016/ ARS 03/ | Auszeichnung ars electronica honorary mention 2003 | 0 | ||||||||||
| 36477 | Toshiya | Tsunoda | Similar Figure On Horizon | 2007 | radiophon | 6:01:00 | and 26/ | 0 | |||||||||||
| 25792 | Group | TU Berlin | I got involved in something I realize … | 2002 | Klangkunst, Installation | ∞ | 6 | staatsbankberlin 28.6. - 7.7.2002. | DAAD 205-1 ISBN 3-89727-259-8/ | TU Berlin | Inventionen 2002 | 28.6.2002. | Inventionen staatsbank Berlin | 1 | |||||
| 23017 | Group, Mario Bernd Ben Hanns-Holger Clemens Dugal Arnulf Hugo Fabian-Martin-Felix Georg Chrisitna Murschida Onnen Fabian Nicolai Karl-Philipp-Christian Yaeko Wilko André Folkmar Martina Rose |
TU Berlin, Verandi APB-Tools-Schönhaar Lauber Rutz Nachtmann McKinnon Herrmann Saldias - Klein Kubisch Alpana Bock - Zinke - Osono Trebbin Klauser Hein Hering-Motaleb Weingarten |
A-Line, o.T. Feuerwerk Nachtphase Cascade o.T. Debussy Earthquake Submarina Lauflicht Miniatur à 3 nah und fern Tarer Khela Propeller 50 Reverse Trapho Turning Steps The Bang You just walked through Ab-Zug Durchzug |
2001 | Klangkunst, Installation | 22:00 | 16 Tracks | 16 Speakers in a line; 20 short Pieces 1 Minute each. For the "Lange Nacht der Museen" Januar 2001 |
TU Berlin | 27.1.2001 | Foyer Mathematikgebäude TU Berlin | 1 | |||||||
| 16928 | Alexander | Tuchacek | smdk | 1983 | intermedia | Simulationsraum-Mosaik mobiler Datenklänge | 0 | ||||||||||||
| 16929 | Alexander | Tuchacek | So-Tu | 1987 | live-elec, 2 perf | synt, perc [Schlagzeug, synthesizer] | ELAK Wien | 0 | |||||||||||
| 16930 | Alexander | Tuchacek | WE | 1986 | live-elec, 4 perf | 15:00 | gui, b, perc, synt [Bass, Gitarre, Schlagzeug, synthesizer] | ELAK Wien | 0 | ||||||||||
| 27206 | Pedro | Tudon | Naturaleza acústica, Naturaleza eléctrica | live-elec, 1 perf | mar [Schlagzeug] | 1 | |||||||||||||
| 25454 | David | Tudor | Anima Pepsi | 1970 | Performance | 23:37 | perf [Performer] | Live Performance. Recordning from the Pepsi-Pavillon EXPO Osaka 1970 and EAT | EMF 054/ NWR 80737/ | 1970 | EXPO Osaka 1970 | Estate of David Tudor | 1 | ||||||
| 33622 | David | Tudor | Bandoneon ! (A Combine) | 1966 | live-elec, 1 perf | Lehre & Forschung |
14:15 | bandoneon [Akkordeon] | NWR 80737/ artpix/ | Estate of David Tudor | 0 | |||||||||
| 23057 | David | Tudor | Coefficient | 1991 | live-elec, 1 perf | perc [Schlagzeug] | für Frictional Percussion + Liveelec | WDR 1991 | 17.5.1991 | Funkhaus WDR Großer Sendesaal, Köln | 0 | ||||||||
| 16931 | David | Tudor | Dialects | 1984 | live-elec, | 4:02 | Nonesuch 9 79235-2, Imaginary Landscapes/ | City C. St NY | 1 | ||||||||||
| 24884 | David | Tudor | Dialects | 1984 | Performance, Zuspiel, live-elec, | 28:37 | (wire flowers) [] | Live Performance with wire flowers | EMF 154/ EMF 054/ | 1 | |||||||||
| 16932 | David | Tudor | experiments in sounds | fixed media, akusmatisch | Mono | Siemens | 0 | ||||||||||||
| 16933 | David | Tudor | Fluorescent Sound | 1964 | live-elec, 1 perf | var | multichannel | perf [Performer] | fluor. lights | PS Stony Point | 0 | ||||||||
| 33566 | David | Tudor | Neural Network Plus | 1992 | live-elec, 2 perf | Tanz, live-elec, 2 perf |
60:30 | 2 perf [Performer] | Electronics [Live] – David Tudor, Takehisa Kosugi Dance: Enter (1992) |
NWR 80712/ NWR 80737/ | Estate of David Tudor | 1 | ||||||||
| 16935 | David | Tudor | Neural Synthesis No. 2 | 1993 | live-elec, 1 group | 32:14 | ens [Ensemble] | Neural-Network Audio Synthesizer (Intel 80710NX) | ECD 1039 Ear-Rational Records/ | 1 | |||||||||
| 20873 | David | Tudor | Neural Synthesis No. 6 - 9 | 1994 | fixed media, akusmatisch | 32:00 | Stereo | LM- LCD 1602/ | 0 | ||||||||||
| 33624 | David | Tudor | Pepscillator | 1970 | Performance | 11:37 | perf [Performer] | Live Performance. Recordning from the Pepsi-Pavillon EXPO Osaka 1970 | NWR 80737/ | 1970 | EXPO Osaka 1970 | Estate of David Tudor | 1 | ||||||
| 33623 | David | Tudor | Pepsibird | 1970 | Performance | 18:25 | perf [Performer] | Live Performance. Recordning from the Pepsi-Pavillon EXPO Osaka 1970 | NWR 80737/ | 1970 | EXPO Osaka 1970 | Estate of David Tudor | 1 | ||||||
| 20874 | David | Tudor | Phonemes | 1981 | live-elec, 1 perf | Tanz, live-elec, 1 perf |
31:55 | Stereo | perf [Performer] | LM- LCD 1601/ NWR 80712/ NWR 80737/ | Merce Cunningham Dance Company | 24.3.1981 | City Center Theater | 1 | ||||||
| 20875 | David | Tudor | Pulsers | 1976 | live-elec, 1 perf | 20:26 | Stereo | vn [Violine] | with Takehisa Kosugi (vn) | LM- LCD 1601/ OMM 0046, The Kitchen Archives No.4 / Composers Inside Electronics/ | 1 | ||||||||
| 21547 | David | Tudor | Rainforest I | 1968 | live-elec, 3 perf | 21:47 | 3 perf [Performer] | with Behrman, Mumma. Com by Merce Cunningham Dance Company. Using "instrumental loudspeakers" | Ellipsis Arts 3672 - OHM: 02/ mode 64/ | 1 | http://www.moderecords.com/ | ||||||||
| 21747 | David | Tudor | Rainforest II | 1969 - 1970 | live-elec, 1 perf | perf [Performer] | only vocal inputs; feedback | NWR 80540-2/ | 0 | http://www.newworldrecords.org/linernotes/80540.pdf | |||||||||
| 21748 | David | Tudor | Rainforest III | 1972 | Zuspiel, live-elec, 1 perf | perf [Performer] | realized in Europe; using sounds also stored on tape | 0 | |||||||||||
| 16936 | David | Tudor | Rainforest IV, Sliding Pitches in the Rainforest In the Field | 1973 | live-elec, 6 perf | 47:00 | 6 perf [Performer] | GR-EB 1/ NWR 80737/ | Gruppe CIE, City C. St NY | Estate of David Tudor | 1 | ||||||||
| 16937 | David | Tudor | Rainforest IV, Sliding Pitches in the Rainforest In the Field | 1973 | Klanginstallation, live-elec, | ≈ 300:00 | multichannel | sound not from Sp | mode 64/ | 1 | http://www.moderecords.com/catalog/064tudor.html | ||||||||
| 28611 | David | Tudor | Rainforest IV | 1973 | Klanginstallation, live-elec, 1 perf, 1 group | ≈ | multichannel | mul perf [Performer] | Studenten des Nordic Sound Art Programms Kopenhagen im kleinen Wasserspeicher Prenzlauerberg, Leitung Matt Rogalsky vom 27.5. - 19.6.2011; ein Ohrenstrand-Projekt | 1 | http://www.moderecords.com/catalog/064tudor.html | ||||||||
| 33559 | David | Tudor | Sextet For Seven | 1982 | Tanz, live-elec, 1 perf | 18:15:00 | perf [Performer] | Electronics [Live] – David Tudor Dance: Quartet (1982) |
NWR 80712/ | 1 | |||||||||
| 20876 | David | Tudor | Toneburst, untitled 75/94 | 1975 | Zuspiel / Tonband, 1 perf | 14:10 | Stereo | p [Piano] | MW 69/ | 1 | |||||||||
| 25455 | David | Tudor | Toneburst | 1975 | Performance | Tanz, live-elec, 1 perf |
17:58 | perf [Performer] | Live Performance with feedback | EMF 054/ NWR 80712/ | Merce Cummingham Sounddance | 1 | ||||||||
| 25484 | David | Tudor | Untitled | 1972 | Performance, live-elec, 1 perf | 19:37 | Quadro | perf [Performer] | For simultaneous performance with John Cage's vocalization of his Mesotics re Merce Cunningam. Revived in 1982 and performed with vocals by Takehisa Kosugi. | LCD 1601/ | Airshaft St | 8.5.1972 | Radio Bremen (EBU Transmission), Pro Musica Nova | 1 | http://www.emf.org/tudor/Works/works.html | ||||
| 33564 | David | Tudor | Virtual Focus | 1990 | live-elec, 1 perf | Tanz, live-elec, 1 perf |
28:43 | perf [Performer] | Electronics [Live] – David Tudor Dance: Polarity (1990) |
NWR 80712/ NWR 80737/ | Estate of David Tudor | 1 | ||||||||
| 16938 | David | Tudor | Wave train (Behrman) | 1966 | Zuspiel, live-elec, 6 perf | 15:00 | Mono + Mono | 2 - 5 mus, str-ins, (mic) [Musiker, Streicher] | PS Stony Point | 0 | |||||||||
| 33558 | David | Tudor | Weatherings | 1978 | live-elec, 1 perf | Tanz, live-elec, 1 perf |
36:25 | perf [Performer] | Electronics [Live] – David Tudor Dance: Exchange (1978) |
NWR 80712/ NWR 80737/ | 1 | |||||||||
| 33562 | David | Tudor | Webwork | 1987 | Tanz, live-elec, 1 perf | perf [Performer] | Electronics [Live] – David Tudor Dance: Shards (1987) |
NWR 80712/ NWR 80737/ | Estate of David Tudor | 1 | |||||||||
| 25488 | David, John | Tudor, Cage | Rainforest II simultaneous with Mureau | 1972 | live-elec, 1 perf | 94:19 | perf [Performer] | A simultaneous performance of both pieces | NWR 80540-2/ | 5.05.1972 | Bremen Glocke, Germany | 1 | |||||||
| 16934 | David, Toshi | Tudor, Ichiyanagi | Music for Piano #4 | 1965 | live-elec, 1 perf | var | multichannel | p [Piano] | PS Stony Point | 0 | |||||||||
| 33574 | David, Takehisa | Tudor, Kosugi | Event — February 16, 1993, Red Wing, Minnesota | 1993 | Performance | 5:58:00 | 2 perf [Performer] | Electronics [Live] – David Tudor, Takehisa Kosugi | NWR 80712/ | 1 | |||||||||
| 16939 | Erkki-Sven | Tüür | Mythos | 1991 | Zuspiel / Tonband, 4 perf | 14:00 | Stereo | str-qt [Streicher] | ZKM Karlsruhe | 0 | |||||||||
| 16940 | Erkki-Sven | Tüür | Zwei Rituale | 1982 | live-elec, 1 perf, 1 group | (early-)ens, synt [synthesizer, Ensemble] | Erdenklang/ | 0 | |||||||||||
| 33139 | Toivo | Tulev | Swing Low | 2003 | live-elec, 7 perf | 9:20 | fl, cl, vn, vc, perc, p, synt [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine, synthesizer] | for flute/piccolo flute, clarinet/bass clarinet, violin, cello, percussion, and piano/synthesizer | WJ 2004/ | 1 | |||||||||
| 16941 | Raymond | Tullberg | Alfa | 1980 | fixed media, akusmatisch | 11:30 | Stereo | PS C., EMS Stockholm | 0 | ||||||||||
| 16942 | Raymond | Tullberg | Bakom spegeln | 1977 | fixed media, akusmatisch | 9:00 | Stereo | (Behind the mirror ) | PS C., EMS Stockholm | 0 | |||||||||
| 16943 | Raymond | Tullberg | Beta | 1980 | fixed media, akusmatisch | 11:00 | Stereo | PS C., EMS Stockholm | 0 | ||||||||||
| 16944 | Raymond | Tullberg | Dialoger | 1981 | fixed media, akusmatisch | 11:30 | Stereo | (Dialogues) | PS C., EMS Stockholm | 0 | |||||||||
| 16945 | Raymond | Tullberg | Dubbelt - ve | 1980 | fixed media, akusmatisch | 15:15 | Stereo | ( Dubbel - u ) | PS C., EMS Stockholm | 0 | |||||||||
| 16946 | Raymond | Tullberg | Jordens födelse | 1974 | fixed media, akusmatisch | 4:17 | Stereo | ( Birth of earth) | PS C., EMS Stockholm | 0 | |||||||||
| 16947 | Raymond | Tullberg | Vågorna | 1977 | fixed media, akusmatisch | 8:20 | Stereo | ( The waves ) | PS C., EMS Stockholm | 0 | |||||||||
| 16948 | Raymond | Tullberg | Vork | 1974 | fixed media, akusmatisch | 4:48 | Stereo | ( Work ) | PS C., EMS Stockholm | 0 | |||||||||
| 16949 | N'Guyen van | Tuong | Eventail, Concert Collectif | 1963 | fixed media, akusmatisch | Zuspiel/Tonband, 12 perf |
8:30 | Stereo | 12 ins [Instrument] | IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 0 | ||||||
| 40476 | N'Guyen van | Tuong | Japon | 1962 | Film | INA • GRM | 0 | ||||||||||||
| 40475 | N'Guyen van | Tuong | La vie est la | 1962 | Film | INA • GRM | 0 | ||||||||||||
| 16950 | N'Guyen van | Tuong | Ve nguon, Exposition Allégorie Angoisse Euphorie |
1974 | Zuspiel / Tonband, 1 perf, 1 group | 62:05 | Stereo | V, ens [Stimme, Ensemble] | INA • GRM | 1.2.1975 | Champigny, avec Tran Quang Hai, Ensemble 2E 2M | 0 | |||||||
| 40455 | N'Guyen van, Romuald | Tuong, Vandelle | Silence, concert collectif | 1962 | Zuspiel / Tonband, | 11:30 | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 40029 | Luca | Turchet | The beauty of fireflies in Central Park | 2017 | fixed media, akusmatisch | Luca Turchet | 0 | ||||||||||||
| 37035 | Roxanne | Turcotte | Alibi des voltigeurs, The Acrobats’ Alibi | 2012 - 2014 | Performance | 8:09:00 | 24 Tracks | narrator (processing, Laur Fugère) [Schauspieler] | IMED 14126/ | PS C. | 0 | ||||||||
| 36970 | Roxanne | Turcotte | Attractions, Aurore boréale Perséides Crépitements et tourments Profondeurs Souffles et alizés Tour de terre |
2003-05 | fixed media, akusmatisch | 17:38 | Surround 5.1 | IMED 11106/ | 0 | ||||||||||
| 37033 | Roxanne | Turcotte | Bestiaire | 2010 - 2011, 2014 | fixed media, akusmatisch | 10:01:00 | 16 Tracks | IMED 14126/ | PS C. | 3rd place at the 2nd Prix collégien de musique contemporaine 2009-10 organized by the Cégep de Sherbrooke (Québec) | 0 | ||||||||
| 36973 | Roxanne | Turcotte | Bourdons enjoués | 2004 | fixed media, akusmatisch | 4:08 | Stereo | IMED 11106/ | 0 | ||||||||||
| 36974 | Roxanne | Turcotte | Capharnaüm | 2004 | fixed media, akusmatisch | 4:37 | Stereo | IMED 11106/ | 0 | ||||||||||
| 37032 | Roxanne | Turcotte | De la fenêtre, From the Window | 2010 - 2012 | fixed media, akusmatisch | 11:08:00 | 16 Tracks | IMED 14126/ | PS C. | Étienne Lalonde | 10.3.2011 | concert Électro-chocs 4 | 0 | ||||||
| 36976 | Roxanne | Turcotte | Delirium | 2007 - 2008 | fixed media, akusmatisch | 5:00 | 16 Tracks | IMED 11106/ | 0 | ||||||||||
| 24661 | Roxanne | Turcotte | DMXnébula | 2000 - 2002 | Klangkunst, Installation | 7:15 | Stereo | 7 parts | IMED 0370/ | PS C. | Montreal Highlights Festival | 11.02.2000 | Place du Canada | 0 | |||||
| 16953 | Roxanne | Turcotte | l’amore | fixed media, akusmatisch | 0:52 | Stereo | Uni Montréal | Séducson | 0 | ||||||||||
| 16954 | Roxanne | Turcotte | L’inventaire (Goodbye) | fixed media, akusmatisch | 5:15 | Stereo | Uni Montréal | Séducson | 0 | ||||||||||
| 16955 | Roxanne | Turcotte | la rencontre | fixed media, akusmatisch | 0:34 | Stereo | Uni Montréal | Séducson | 0 | ||||||||||
| 37039 | Roxanne | Turcotte | Le piano d’Horowitz | 2014 | Klangkunst, Installation | 6:09:00 | Stereo | p (Roxanne Turcotte, piano) [Piano] | IMED 14126/ | PS C. | 0 | ||||||||
| 16956 | Roxanne | Turcotte | Les impréscisibles Trop tard | fixed media, akusmatisch | Stereo | Uni Montréal | Séducson | 0 | |||||||||||
| 36938 | Roxanne | Turcotte | Les yeux crevés du soleil | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 24660 | Roxanne | Turcotte | Libellune | 1999 - 2002 | Zuspiel / Tonband, 1 perf | 26:20 | Stereo | (etnic) w-inss [Bläser] | 8 parts | IMED 0370/ | PS C. | 28.08.1999 | Festival Futura (Crest, France) | 0 | |||||
| 16957 | Roxanne | Turcotte | Love You | fixed media, akusmatisch | 6:00 | Stereo | Uni Montréal | Séducson | 0 | ||||||||||
| 36972 | Roxanne | Turcotte | Mères et monde | 2003 | fixed media, akusmatisch | 4:07 | Stereo | IMED 11106/ | 0 | ||||||||||
| 24664 | Roxanne | Turcotte | Micro-trottoir | 1996 - 1997, 2002 | Klangkunst, Installation | 6:32 | Stereo | IMED 0370/ | PS C. | Séducson | 0 | ||||||||
| 16958 | Roxanne | Turcotte | Minisérie | 1990 | fixed media, akusmatisch | 3:05 | Stereo | IMED 9004/ IMED 9604/ | Séducson Montreal | 1 | |||||||||
| 36971 | Roxanne | Turcotte | Musée sonore, Est-ce que je rêve? Forêt enchantée Cloches rebelles Moteur, on tourne! Sur mon voilier Nuit masquée Étude renversée Cliquetiquetac Les tourne-disques Ustensiles futiles Télé réalité |
2003 - 2005 | fixed media, akusmatisch | 40:47 | Stereo | IMED 11106/ | 0 | ||||||||||
| 16959 | Roxanne | Turcotte | Oil-Ole | fixed media, akusmatisch | 6:14 | Stereo | Uni Montréal | Séducson | 0 | ||||||||||
| 16960 | Roxanne | Turcotte | Ole-Lea-Leo | fixed media, akusmatisch | 0 | ||||||||||||||
| 37036 | Roxanne | Turcotte | OVI (Objet volant identifié), Objet volant identifié | 2009 - 2014 | live-elec, 2 perf | Klangkunst, Installation |
10:49:00 | Surround 5.1 | mod e-guitar, amp gui [Gitarre] | IMED 14126/ | PS C. | 0 | ||||||||
| 36978 | Roxanne | Turcotte | Périple de l’eau | 2006 | fixed media, akusmatisch | 5:18 | Stereo | IMED 11106/ | 0 | ||||||||||
| 37034 | Roxanne | Turcotte | Petit ange, Smal Angel | 2012 - 2014 | live-elec, 5 perf | 4:08:00 | 5 ins (melodica) [Instrument] | Roxanne Turcotte, melodica | IMED 14126/ | PS C., La Muse | 0 | ||||||||
| 24665 | Roxanne | Turcotte | Poussière d’étoiles | 2002 | Klangkunst, Installation | 9:23 | Stereo | 3 parts | IMED 0370/ | PS C. | 06.2002 | composer’s website | Séducson | 0 | |||||
| 24663 | Roxanne | Turcotte | Rêveries absolues | 2000 | fixed media, akusmatisch | 4:35 | Stereo | IMED 0370/ | PS C. | 16.06.2000 | Festival Synthèse (Bourges, France) | 0 | |||||||
| 24662 | Roxanne | Turcotte | Sons et tintamarre | 1994 - 1995, 2002 | fixed media, akusmatisch | 11:20 | Stereo | 5 parts | IMED 0370/ | PS C. | fall of 1995 | Concertino series of the Jeunesses musicales du Canada | 0 | ||||||
| 36977 | Roxanne | Turcotte | Sous écoute! | 2007 - 2008 | fixed media, akusmatisch | 10:03 | Stereo | IMED 11106/ | 0 | ||||||||||
| 16961 | Roxanne | Turcotte | T’es le Fun Téléphone | fixed media, akusmatisch | 11:45 | Stereo | Uni Montréal | Séducson | 0 | ||||||||||
| 37038 | Roxanne | Turcotte | Tout en rouge | 2012 - 2014 | radiophon | 4:33:00 | IMED 14126/ | PS C. | 0 | ||||||||||
| 16962 | Roxanne | Turcotte | Y---OW | 1985/2002 | Klangkunst, Installation | 9:54 | Stereo | IMED 0370/ | Uni Montréal | Société Radio-Canada | 4.09.1985 | Festival Cent jours d’art contemporain de Montréal at the Powerhouse art gallery | Prix CAPAC Caine 1985 International New Music Composers Competition Awards (Florida, USA, 1990) |
Séducson | 0 | ||||
| 37037 | Roxanne | Turcotte | Zone d’exclusion | 2013, 2014 | fixed media, akusmatisch | 4:34:00 | shakuhachi (Michel Rakumon Dubeau, shakuhachi) [Flöte] | IMED 14126/ | PS C. | 0 | http://www.fukushima-open-sounds.net | ||||||||
| 16951 | Roxanne, Élise | Turcotte, Turcotte | Amore | 1988 - 1992 | fixed media, akusmatisch | 34:38 | Stereo | after "Lover´s Discours" by R. Barthers. 6 parts | IMED 9413/ | Uni Montréal, Séducson Montreal, Bruit bleu Montreal | 1 | ||||||||
| 36975 | Roxanne, Élise | Turcotte, Turcotte | Espace vital | 2004 - 2008 | Zuspiel / Tonband, 2 perf | 22:43 | Stereo | 2 p [Piano] | IMED 11106/ | 0 | |||||||||
| 23733 | Bor | Turel | Amarcord | 1990 | fixed media, akusmatisch | 11:31 | Stereo | 1. Movement "The golden Age" | Ed. DSS 200443/ | Radio Slowenia | 1 | ||||||||
| 24211 | Shane | Turner | Bedroom Apocalypse | 2002 | fixed media, akusmatisch | 3:55 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 24682 | Shane | Turner | fuzzy edge | 2003 | fixed media, akusmatisch | 5:27 | JTTP 2003 | CEC Cache 2003 CA/ | 1 | ||||||||||
| 16963 | Thomas | Turner | Music for Electrophones | 1962 | fixed media, akusmatisch | 5:00 | Mono | EMS UIUC | 0 | ||||||||||
| 39477 | Paul, Simon | Turowski, Hutchinson | Plurality Spring | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 16964 | Ewa | Turska | HIPOSTAZY | 1989 | fixed media, akusmatisch | 2:00 | Quadro | SME Krakow | 0 | ||||||||||
| 24175 | Hans | Tutschku | Abstrakte Diaphonie | 1987 | intermedia, live-elec, 1 group | ens, slides [Ensemble] | 0 | ||||||||||||
| 28320 | Hans | Tutschku | agitated slowness, unruhige Langsamkeit | 2010 | fixed media, akusmatisch | 33:00 | 24 Tracks, Spazialisation: Klangdom | dedicated to Annette Vande Gorne | EMPAC | EMPAC | 1.10.2010 | Festival Filament, EMPAC (Troy, NY) | 0 | http://www.tutschku.com/content/works-agitated-slowness.de.php | |||||
| 28318 | Hans | Tutschku | AILLEURS - INTERIEUR, anderswo - innen | 2009 | Klangkunst, Installation | 0 | http://www.tutschku.com/content/works-ailleurs-interieur.de.php | ||||||||||||
| 24171 | Hans | Tutschku | Ausbruch der Klänge | 1993 | intermedia | Lava Arena Mexico City | 0 | ||||||||||||
| 31081 | Hans | Tutschku | Behind the light | 2011 | live-elec, 4 perf | 15 | str-qt [Streicher] | November16, 2011 | Sanders Theatre, Cambridge MA, with Chiara Quartet |
honorary mention at the competition Musica Nova Prague 2012 | 0 | ||||||||
| 24166 | Hans | Tutschku | Brüder und Schwestern | 1991 | Film | 0 | |||||||||||||
| 31092 | Hans | Tutschku | Cinq espaces du crépuscule | 2004 | live-elec, 1 perf | org [Orgel] | 0 | ||||||||||||
| 24155 | Hans | Tutschku | Cito | 2002 | live-elec, 2 perf | Stereo | hn, p [Horn, Piano] | Klangprojekte Weimar | 0 | ||||||||||
| 31078 | Hans | Tutschku | clin d'oreille d'Avignon | 2012 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 35444 | Hans | Tutschku | codification-memory | 2016 | live-elec, 11 perf | 22 | S, perc, 9 ins [Sopran, Schlagzeug, Instrument] | HUSEAC Harvard | 4.3.2017 | Charlotte Mundy and the Talea Ensemble New York , Fromm Players Festival, Harvard University | 0 | ||||||||
| 34055 | Hans | Tutschku | collaboration | 2014 | Klangkunst, Installation | 10.3.2014 | Radcliffe Institute for Advanced Study, Cambridge, MA | 0 | |||||||||||
| 24150 | Hans | Tutschku | Das Bleierne Klavier | 1999 | live-elec, 1 perf | 12:00 | Stereo | p [Piano] | DMR Musik in Deutschland 1950 - 2000: Live-Elektronik/ | Klangprojekte Weimar | 1 | ||||||||
| 24151 | Hans | Tutschku | départs | 1998 | live-elec, 12 perf | 17:30 | Stereo | S, perc, 10 ins [Sopran, Schlagzeug, Instrument] | nach Gedichten von Karl Lubomirski | 1 | |||||||||
| 16965 | Hans | Tutschku | Der unsichtbare Hörturm | 1996 | Klangkunst, Installation | ∞ | 3 Versions: Tower of slot Montbéliard, tower of slot Weimar and Tower Uni Jena | Klangprojekte Weimar | 0 | ||||||||||
| 24160 | Hans | Tutschku | Die Kirche als Klangskulptur | 2003 | Klangkunst, Installation | 2 Versions: Friedenskirche Jena; 4 european towns | 0 | ||||||||||||
| 31091 | Hans | Tutschku | Die Süsse unserer traurigen Kindheit | 2005 | Musiktheater | music theatre based upon poems and letters by Georg Trakl | Forum Neues Musiktheater, Staatsoper Stuttgart | 0 | |||||||||||
| 16966 | Hans | Tutschku | Die zerschlagene Stimme | 1990/1991 | fixed media, akusmatisch | 10:14 | Quadro | DegeM CD 01/ IMED 9947/ | Klangprojekte Weimar | Hanns-Eisler-Prize of DeutschlandRadio Kultur 1991 | 1 | http://www.tutschku.com | |||||||
| 26090 | Hans | Tutschku | distance liquide | 2007 | fixed media, akusmatisch | 13:00 | Octo | Arizona University Recordings LLC, AUR CD 3134/ INA GRM G6050/59/ | INA • GRM, PS C. | INA • GRM 2006 | 13.1.2007 | Salle Olivier Messiaen, Maison de la Radio France | 1 | http://www.tutschku.com | |||||
| 16967 | Hans | Tutschku | Drei Traumgesichter | 1996 | Zuspiel / Tonband, 1 perf | 10:20 | Quadro | ehn [Oboe] | Klangprojekte Weimar | 0 | |||||||||
| 23268 | Hans | Tutschku | Durchdringung | 1987 | fixed media, akusmatisch | 6:40 | Stereo | Klangprojekte Weimar | 1 | ||||||||||
| 21103 | Hans | Tutschku | Eikasia | 1999 | fixed media, akusmatisch | 12:15 | Octo | Nutzung physikalischer Modelle | Arizona University Recordings LLC, AUR CD 3134/ | Klangprojekte Weimar | 1 | ||||||||
| 16968 | Hans | Tutschku | Ein Stall voller Schweine | 1989 | Theatermusik | text by Athol Fugard; Schichttheater Dresden | Klangprojekte Weimar | 0 | |||||||||||
| 31086 | Hans | Tutschku | Einst mit dir | 2007 | live-elec, 3 perf | 13 | S, vn, cl [Sopran, Klarinette, Violine] | HUSEAC Harvard | December 17, 2007 | Sanders Theatre | 0 | ||||||||
| 31079 | Hans | Tutschku | entwurzelt | 2012 | live-elec, 6 perf | 16 | 6 V [Stimme] | December 12 2012 | Theaterhaus Stuttgart | 0 | |||||||||
| 22438 | Hans | Tutschku | Epexergasia - Neun Bilder | 2000 | fixed media, akusmatisch | 12:00 | Quadro | LDC 2781119/ | IMEB Bourges | 1 | 2000 | ||||||||
| 22005 | Hans | Tutschku | … Erinnerung … | 1996 | fixed media, akusmatisch | 10:15 | Quadro | Antonio Bueno Tubia, Gedicht und Rezitation | IMED 9947/ electroNIquE / Uni Singapur/ IMED 0050/ | AdK Berlin | 1 | http://www.tutschku.com | |||||||
| 20204 | Hans | Tutschku | extrémités lointaines | 1998 | fixed media, akusmatisch | 15:26 | Octo | Cybele 960.204/ DegeM CD 04/ IMED 9947/ Prix Ars Electronica 98/ CEC Presence 2/ Kiasma 1999/ INA GRM G6050/59/ | INA • GRM | French Culture Ministry and Ina-GRM. | 23 February 1998 | Maison de Radio-France, Paris, Cycle acousmatique Son-Mu | Finalist in the Bourges International Electroacoustic Music Competition (France, 1998) Distinction Prix Ars Electronica 1998 |
1 | http://www.tutschku.com | ||||
| 28319 | Hans | Tutschku | Firmament-schlaflos | 2010 | fixed media, akusmatisch | 20:25 | 16 Tracks | dedicated to Omar Alvarez | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ IMED 15131/ | HUSEAC Harvard | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | http://www.tutschku.com/content/works-firmamentschlaflos.de.php | ||||
| 16969 | Hans | Tutschku | Flammenklang | 1996 | Performance | Tanz, live-elec, 1 perf, 1 group |
75:00 | ens, dancer, (16 Flammenwerfer) [Tanz, Ensemble] | open air perf | Klangprojekte Weimar | 0 | |||||||||
| 16970 | Hans | Tutschku | Flying Flute | 1994 | fixed media, akusmatisch | 4:44 | Stereo | after a text by Georg Trakl | IRCAM | 0 | |||||||||
| 16971 | Hans | Tutschku | Freibrief für einen Traum | 1995 | Zuspiel / Tonband, 4 perf | 12:30 | Octo | S, fl, vc, perc [Sopran, Flöte, Schlagzeug, Cello] | after a text by Karl Lubomirski | Klangprojekte Weimar | 1 | ||||||||
| 24169 | Hans | Tutschku | Geschenk am Fuß | 1996 | Performance, live-elec, 1 perf, 1 group | ens, dancer, (sensors) [Tanz, Ensemble] | 0 | ||||||||||||
| 24163 | Hans | Tutschku | Glockenklangfeld | 1999 | Klangkunst, Installation | Octo | for the Weltglockengeläut | 0 | |||||||||||
| 16972 | Hans | Tutschku | Hommage à Laszlo Moholy-Nagy | 1988 | fixed media, akusmatisch | 10:51 | Stereo | Klangprojekte Weimar | 1 | ||||||||||
| 31077 | Hans | Tutschku | hommage à Schwitters | 2012 | Klangkunst, Installation | interactive sound sculpture | December 6-20, 2012 | Carpenter Center for the Visual Arts, Sert Gallery Café | 0 | ||||||||||
| 21104 | Hans | Tutschku | human - space - factory | 1999 | fixed media, akusmatisch | 11:49 | Octo | Material: menschliche Stimme, Maschinengeräusche | Arizona University Recordings LLC, AUR CD 3134/ M&R L’Espace du son 2000/ | Musiques et Recherches Ohain | 1 | 2002 | |||||||
| 24172 | Hans | Tutschku | Imaginäre Räume 1 | 1991 | intermedia, live-elec, 1 group | ens [Ensemble] | lights | 0 | |||||||||||
| 34054 | Hans | Tutschku | Interlaced 1 | 2014 | live-elec, 1 perf | 9:30 | b-cl [Klarinette] | dedicated to Matthias Müller | ICST Zurich, Harvard University | 11.3.2014 | Swissnex Boston, Matthias Müller (b-cl) | 0 | |||||||
| 28321 | Hans | Tutschku | Irrgärten, Mazes | 2010 | live-elec, 2 perf | 24:00 | Quadro, 6, Octo | 2 p, (2 com iPhons ) [Piano] | dedicated to Baboni Schilingi | EMPAC, HUSEAC Harvard | 21.01.2011 | Klub Katarakt Festival - Hamburg, Jennifer Hymer und Bernhard Fograscher | Babelscores Paris https://www.babelscores.com/irrgarten | 0 | http://www.tutschku.com/content/works-irrgaerten.de.php | ||||
| 34048 | Hans | Tutschku | Issho ni, together | 2014 | fixed media, akusmatisch | 30:55 | Stereo, 16 tracks | dedicated to Sylvie Goursaud | IMED 15131/ | HUSEAC Harvard | 21.5.2014 3.5.2015 |
The International House of Japan, Tokyo Fenway Center Boston |
0 | ||||||
| 24159 | Hans | Tutschku | Klang der Stille | 2003 | Klangkunst, Installation | Russischer Ehrenfriedhof Weimar | 0 | ||||||||||||
| 24173 | Hans | Tutschku | Klang-Farbe-Bewegung | 1989 | intermedia, live-elec, 1 perf, 1 group | ens, dancer, (lights) [Tanz, Ensemble] | 0 | ||||||||||||
| 16973 | Hans | Tutschku | Klangbrücke | 1996 | Klangkunst, Installation | 15:00 | Quadro | eine Installation zum Hören | Klangprojekte Weimar | 0 | |||||||||
| 24164 | Hans | Tutschku | Klanghochspannung | 1998 | Klangkunst, Installation | 12 Tracks | 0 | ||||||||||||
| 24165 | Hans | Tutschku | Klanglabyrinth | 1997 | Klangkunst, Installation | 42 Tracks | Parkhöhlen Weimar | 0 | |||||||||||
| 31094 | Hans | Tutschku | Klangschmelze | 1999 | Klangkunst, Installation | ice cave Dachstein | 0 | ||||||||||||
| 24162 | Hans | Tutschku | Klangspirale | 2000 | Klangkunst, Installation | 16 Tracks | Neufert-Würfel Weimar | 0 | |||||||||||
| 24168 | Hans | Tutschku | Klangwald - Lichtgestein | 1999 | Performance, live-elec, 1 group | ens [Ensemble] | open-air Konzert with lights and slides | 0 | |||||||||||
| 31080 | Hans | Tutschku | Klaviersammlung, piano collection | 2011 | fixed media, akusmatisch | 9:58 | 16 Tracks | dedicated to Christoph von Blumröde | CMJ Vol 36, 2012/ IMED 15131/ | HUSEAC Harvard | October 28 2011 | Uni zu Köln | finalist at the competition Musica Nova Prague 2012 | 0 | |||||
| 23265 | Hans | Tutschku | La joie ivre | 2002 | fixed media, akusmatisch | 10:24 | Stereo | Arizona University Recordings LLC, AUR CD 3134/ | Klangprojekte Weimar | 1 | http://www.tutschku.com | ||||||||
| 16974 | Hans | Tutschku | Les Invisibles | 1996 | fixed media, akusmatisch | 12:30 | Octo | ISPW, Patchwork. After a poem by Karl Lubomirski | IMED 9947/ Musidisc 247982/ NOR 05/ | Klangprojekte Weimar | 3.06.1996 | Inventionen Parochialkirche Berlin | First Prize during the 5th Prix international Noroit-Léonce Petitot (Arras, France, 1997) | 1 | 1996 | http://www.tutschku.com | |||
| 42038 | Hans | Tutschku | Linien Texturen | 2018 | Performance | 16 | Octo | 4 player (four iPads, using the software ScorePlayer) [Performer] | November 08, 2018 | Ensemble für Intuitive Musik Weimar , Festival Tage Neuer Musik Weimar | 0 | http://www.tutschku.com/linien-texturen/ | |||||||
| 23266 | Hans | Tutschku | memory - fragmentation | 2000 | fixed media, akusmatisch | 11:42 | Octo | AdK Berlin | 1 | 2002 | |||||||||
| 23026 | Hans | Tutschku | Migration pétrée | 2001 | fixed media, akusmatisch | 13:35 | Octo | CDR Musica Nova 2001/ Arizona University Recordings LLC, AUR CD 3134/ CMJ Vol 23-4, 1999/ INA GRM G6050/59/ | INA • GRM | Ina-GRM and french state | prize Musica Nova 2001 | 1 | |||||||
| 42036 | Hans | Tutschku | moments before the eruption | 2018 | live-elec, 7 perf | 18:30 | fl, cl, trbn, perc, p, vn, vc and elec [Flöte, Klarinette, Posaune, Piano, Schlagzeug, Cello, Violine, elektronik] | dedicated to Ute Rätzer | HUSEAC Harvard | March 18, 2018 | Ensemble EMEX , Alte Feuerwache, Köln | Babelscores Paris https://www.babelscores.com/HansTutschku | 0 | ||||||
| 31085 | Hans | Tutschku | Monochord | 2008 | fixed media, akusmatisch | 12:14 | Stereo | INA GRM G6050/59/ | HUSEAC Harvard | 0 | http://www.iroise.ch/fondation-wiggli/ | ||||||||
| 16975 | Hans | Tutschku | Nachts | 1993/1994 | Zuspiel / Tonband, 3 perf | 15:00 | Quadro | b-cl, vc, perc [Klarinette, Schlagzeug, Cello] | after a text by Georg Trakl | IRCAM | Competition Musica Nova Prag 1994 | 1 | |||||||
| 42035 | Hans | Tutschku | nighttime songs from afar | 2017 | Klangkunst, Installation | 40 | HUSEAC Harvard | April 07, 2018 | The James Turrell Skyspace, Rice University Houston | 0 | |||||||||
| 24152 | Hans | Tutschku | NochDreiSekundenSchwarz | 2000 | audiovisuell | 11:30 | Stereo | Video: Kerstin Wagner | ZKM Karlsruhe | 1 | |||||||||
| 24153 | Hans | Tutschku | Object - obstacle | 2004 | fixed media, akusmatisch | 12:28 | Octo | dedicated to Folkmar Hein | EMF DVD 054/ | Klangprojekte Weimar | Folkmar Hein | 1 | 2004 | http://www.tutschku.com | |||||
| 42037 | Hans | Tutschku | percussion forest | 2018 | Klangkunst, Installation | Performance |
25 | 24 Tracks | (16 com perc mallets) [] | HUSEAC Harvard | May 06, 2018 | John Knowless Pain Concert Hall, Harvard University | 0 | http://www.tutschku.com/percussion-forest/ | ||||||
| 31084 | Hans | Tutschku | Polyvision | 2009 | Performance, live-elec, 1 perf, 1 group | dancer, ens [Tanz, Ensemble] | multimedia composition for dance, video projection and ensemble | 0 | |||||||||||
| 31088 | Hans | Tutschku | pour B | 2007 | fixed media, akusmatisch | 5 | Stereo | Klangprojekte Weimar | october 2007 | festival "Espace du son", Bruxelles | 0 | ||||||||
| 34051 | Hans | Tutschku | pressure-divided | 2015 | live-elec, 1 perf | 17 | Octo | vc [Cello] | dedicated to Séverine Ballon | HUSEAC Harvard | 26.9.2015 | AdK Berlin, degem-Konzert im Rahmen von „Kontakte“; Séverine Ballon (vc) | 0 | ||||||
| 37684 | Hans | Tutschku | Remembering Japan | 2016 | fixed media, akusmatisch | 9:56 | 16 Tracks | DegeM CD 15/ | PANaroma São Paulo | 25.06.2016 | PANaroma/Unesp – Teatro Sonoro, Brasilien | First prize at the competition KLANG! 2017 First prize 35th CIME-ICEM 2017 |
0 | ||||||
| 34052 | Hans | Tutschku | resonating lines | 2015 | live-elec, 4 perf | 15 | Octo | vn, vc, p, perc [Piano, Schlagzeug, Cello, Violine] | dedicated to Michael von Hintzenstern | HUSEAC Harvard | 3.12.2015 | Open_Music | 0 | ||||||
| 22439 | Hans | Tutschku | résorption - coupure | 2000 | fixed media, akusmatisch | 14:27 | Quadro | Klangprojekte Weimar | 1 | ||||||||||
| 24158 | Hans | Tutschku | Rituale | 2004/2007 | fixed media, akusmatisch | 15:00 | 16 Tracks, Spazialisation: WFS | 16-kanalig | Klangprojekte Weimar, TU Berlin | DAAD (Neufassung 2007 für die TU Berlin) | 17.9.2004 | Kino "Linden Lichtspiele" Ilmenau | 1 | http://www.tutschku.com | |||||
| 23526 | Hans | Tutschku | rojo | 2004 | fixed media, akusmatisch | 15:05 | Octo | Arizona University Recordings LLC, AUR CD 3134/ daad 206-1 ISBN 3-89727-313-6 Pfau/ | Klangprojekte Weimar | Ultraschall 2004 | 20.1.2004 | Sophiensäle Berlin | 1 | http://www.tutschku.com | |||||
| 31090 | Hans | Tutschku | Salut du Mexique | 2006 | fixed media, akusmatisch | 2:37 | Stereo | to the 80th birthday of Francis Dhomont | Klangprojekte Weimar | 0 | |||||||||
| 16976 | Hans | Tutschku | Sein wirkliches Herz | 1990 | radiophon | 9:15 | Stereo | text by Erich Fried | Klangprojekte Weimar | 1 | |||||||||
| 33026 | Hans | Tutschku | Shadow of bells | 2015 | live-elec, 1 perf | p [Piano] | dedicated to Amnon Wolman | HUSEAC Harvard | 5.2.2015 | Isabella Stewart Gardner Museum Boston, Paavali Jumppanen (p) | 0 | ||||||||
| 27384 | Hans | Tutschku | Shore | 2007 | live-elec, 1 perf | 11:19 | ob [Oboe] | live-recording July 7, 2007, festival Nuit Bleue (France), Christian Schmitt (ob) | Klangprojekte Weimar | Ecole Nationale de Music du Pays de Montbéliard (France) | 7.07.2007 | festival "Nuie bleue" Besançon (France) by Christian Schmitt | 1 | http://www.tutschku.com/content/works-Shore.en.php | |||||
| 16977 | Hans | Tutschku | Sieben Stufen | 1994/1995 | fixed media, akusmatisch | 13:00 | Quadro | after a text by Georg Trakl | PANaroma 199.000.954; CIMESP 1995/ IMED 9947/ | IRCAM, Klangprojekte Weimar | 2nd Prize CIMESP ’95 São Paulo | 1 | http://www.tutschku.com | ||||||
| 24157 | Hans | Tutschku | Similis | 2004 | fixed media, akusmatisch | Octo | Klangprojekte Weimar | 0 | |||||||||||
| 16978 | Hans | Tutschku | Sonja und Leo Tolstoi | 1990 | Theatermusik | text by Luise Rinser | 0 | ||||||||||||
| 16979 | Hans | Tutschku | Sound-Scapes | 1994 | Klangkunst, Installation | ∞ | 14 Tracks | 14 rooms at "Schwarzer Bär" Weimar | Klangprojekte Weimar | 0 | |||||||||
| 24154 | Hans | Tutschku | SprachSchlag | 1992 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | perc [Schlagzeug] | 1 | ||||||||||
| 31075 | Hans | Tutschku | Still Air 1 | 2013 | live-elec, 1 perf | 12 | b-cl [Klarinette] | HUSEAC Harvard | March 9, 2013 | Goethe-Institute Boston | 0 | ||||||||
| 34049 | Hans | Tutschku | Still Air 2 | 2014 | live-elec, 1 perf | 11:30 | ob [Oboe] | HUSEAC Harvard | 10.3.2014 | Radcliffe Institute for Advanced Study, Cambridge, MA, Elizabeth England (ob) | 0 | http://www.tutschku.com/still-air-2/ | |||||||
| 34050 | Hans | Tutschku | Still Air 3 | 2014 | live-elec, 2 perf | 11:30 | ob, b-cl [Klarinette, Oboe] | HUSEAC Harvard | 0 | ||||||||||
| 24161 | Hans | Tutschku | Stimmen-Zeichen | 2003 | Klangkunst, Installation | Pragsattel Stuttgart | 0 | ||||||||||||
| 31089 | Hans | Tutschku | TELL ME! … a secret … | 2007 | Klangkunst, Installation | audiovisuell |
interactive sound and video installation | March 8 - April 13, 2007 | Carpenter Center, Cambridge | 0 | ||||||||||
| 16980 | Hans | Tutschku | The Metal Voice | 1992 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | perc [Schlagzeug] | Klangprojekte Weimar | 1 | |||||||||
| 34053 | Hans | Tutschku | The other side | 2014 | Klangkunst, Installation | 29 | 10.3.2014 | Byerly Hall Gallery, Radcliffe Institute for Advanced Study | 0 | ||||||||||
| 31083 | Hans | Tutschku | Together, Terra infirma | 2009 | Tanz | music for a choreography by Larissa Douglas Koch | September 5, 2009 | Harvard Dance Center | 0 | ||||||||||
| 31093 | Hans | Tutschku | Trois structures | 2002 | live-elec, 1 perf | ins (Baschet Cristal) [Instrument] | 0 | ||||||||||||
| 16981 | Hans | Tutschku | Über unsere Gräber | 1993/1995 | Zuspiel / Tonband, 2 perf | 13:30 | Quadro | fl, perc [Flöte, Schlagzeug] | after a text by Georg Trakl | Klangprojekte Weimar | 1 | ||||||||
| 16982 | Hans | Tutschku | Übergänge | 1989 | fixed media, akusmatisch | 8:50 | Stereo | Klangprojekte Weimar | 21.5.1989 | tip Berlin bei 2. Werkstatttage (EM vom Laufband) | Mention 1989 Bourges | 1 | |||||||
| 24170 | Hans | Tutschku | Unbekannte Galaxien | 1993 | intermedia | für ein Planetarium | 0 | ||||||||||||
| 34056 | Hans | Tutschku | under | 2013 | live-elec, 9 perf | 14:40 | fl, ob, cl, 2 vn, ca, vc, perc, p [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Cello, Violine] | dedicated to my sister Ute | HUSEAC Harvard | 22.10.2013 | l'Ensemble les Amies, Electronic Musik Week Shanghai | 0 | http://www.tutschku.com/under/ | ||||||
| 31076 | Hans | Tutschku | unreal memories | 2012 | Klangkunst, Installation | December 4, 2012 - May 29 2013 | Carpenter Center, Cambridge MA, USA | 0 | |||||||||||
| 24156 | Hans | Tutschku | Verdichtung | 1997 | Zuspiel / Tonband, 2 groups | Stereo | 2 ch [Chor] | Klangprojekte Weimar | 0 | ||||||||||
| 23267 | Hans | Tutschku | Vibration décomposée | 2002 | fixed media, akusmatisch | 5:30 | Quadro | 1 | |||||||||||
| 42034 | Hans | Tutschku | Virtual Body | 2017 | live-elec, 1 perf | 14 | Octo | p (com) [Piano] | HUSEAC Harvard | March 27, 2018 | UNM, Keller Hall, University of New Mexico, Albuquerque; with the C. (p) | 0 | |||||||
| 24174 | Hans | Tutschku | Vom Klang der Sterne | 1988 | intermedia | für ein Planetarium | 0 | ||||||||||||
| 24167 | Hans | Tutschku | Wind sei stark | 1989 | Film | 0 | |||||||||||||
| 27164 | Hans | Tutschku | Winternacht | 2006 | live-elec, 2 perf | 13 | p, perc [Piano, Schlagzeug] | CIMESP 2007/ | Klangprojekte Weimar | 0 | |||||||||
| 27385 | Hans | Tutschku | Zellen Linien, Zellen - Linien | 2007 | live-elec, 1 perf | 19:30 | Octo, Spazialisation: WFS | p [Piano] | Klangprojekte Weimar | DAAD Berlin | 9.06.2007 | TU-Hauptgebäude WellenFeld Berlin, Lange Nacht der Wissenschaft, Sebastian Berweck | 1 | 2008 | http://www.tutschku.com/content/works-Zellen-Linien.en.php | ||||
| 16983 | Hans | Tutschku | Zu Abend mein Herz | 1988/1993 | Zuspiel / Tonband, 2 perf | 13:30 | Quadro | trbn, perc [Posaune, Schlagzeug] | after texts by Georg Trakl | Klangprojekte Weimar | 17.9.1993 | Brandenburg, Mike Svoboda (trbn), Andreas Boettger (perc) | 1 | ||||||
| 27163 | Hans | Tutschku | Zwei Räume | 2008 | fixed media, akusmatisch | 21:00 | 24 Tracks, Spazialisation: WFS | dedicated to Fokmar Hein | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | HUSEAC Harvard | Festival Inventionen | August 3, 2008 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 1 | 2008 | http://www.tutschku.com | |||
| 31097 | Hans, Michael von | Tutschku, Hintzenstern | Hochland oder der Nachhall der Steine, 'Highland' or 'The Reverberation of Stones' | 1995 | Tanz | 75 | music for the ballet "Hochland oder der Nachhall der Steine", choreography Joachim Schlömer | Deutsches Nationaltheater Weimar | 0 | ||||||||||
| 31095 | Hans, Michael von | Tutschku, Hintzenstern | Lissabon Projekt | 1998 | Tanz | 75 | music for the ballet "Lissabon-Projekt"; choreography Joachim Schlömer (theatre Basle) | 0 | |||||||||||
| 33795 | Anders | Tveit | Thick Wires | 2012 | fixed media, akusmatisch | 8:29:00 | Composing with Sounds/ | NOTAM | NOTAM | 1 | |||||||||
| 39991 | Kristian | Twombly | The Ship | 2015 | fixed media, akusmatisch | 8:23:00 | Kristian Twombly | 0 | |||||||||||
| 41853 | Laurie | Tyler | Maple Memory | 2008 | radiophon | 7:42:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 32551 | Jedrzej | Tymchuk | Twarz | 2011 | live-elec, 1 perf | Mono | fl [Flöte] | Incontri HMTM Hannover | 30.6.2011 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 26155 | Jaromir | Typlt | Podivni pratelé, Strange Friends | 2006 | radiophon | 5:40 | Stereo | radiocustica selected 2006 Cesky rozhlas/ | Czech Radio Prague | 1 | |||||||||
| 38920 | Jaromir, Dirk | Typlt, Huelstrunk | Totenklage | 2015 | radiophon | 7:03 | Czech Radio Prague | Prix Palma Ars Acustica 2017 | 0 | http://www.deutschlandfunkkultur.de/auszeichnung-fuer-klangkunst-palma-ars-acustica.1022.de.html?dram:article_id=351625 | |||||||||
| 20878 | Tristan, Marcel, Richard | Tzara, Janco, Hülsenbeck | L'amiral cherche une maison à louer | radiophon | 2:30 | Stereo | Futurism / DADA | SUB CD 012-19/ | 0 | ||||||||||
| 16984 | Katerina | Tzedaki | "9" | 1990 | intermedia | 15:00 | Stereo | KSYME | 0 | ||||||||||
| 16985 | Katerina | Tzedaki | Achordon | 1991 | Zuspiel / Tonband, 1 perf | 16:00 | Stereo | hn [Horn] | KSYME | 0 | |||||||||
| 16986 | Katerina | Tzedaki | Aurora Australis | 1993 | fixed media, akusmatisch | 9:00 | Stereo | KSYME | 0 | ||||||||||
| 16987 | Katerina | Tzedaki | En keno | 1990 | fixed media, akusmatisch | 25:00 | Stereo | KSYME | 0 | ||||||||||
| 16988 | Katerina | Tzedaki | Eternal return | 1989 | fixed media, akusmatisch | 15:00 | Stereo | KSYME | 0 | ||||||||||
| 16989 | Katerina | Tzedaki | lichtmix | 1992 | fixed media, akusmatisch | 5:00 | Stereo | KSYME | 0 | ||||||||||
| 33798 | Katerina | Tzedaki | Passing Through | 2012 | fixed media, akusmatisch | 2:57:00 | Composing with Sounds/ | NOTAM | 1 | ||||||||||
| 16990 | Katerina | Tzedaki | "So fliege ich danah" | 1992 | fixed media, akusmatisch | 10:09 | Stereo | KSYME | 0 | ||||||||||
| 16991 | Robert | Tzopa | Me and My PDP-11/23 #1 | 1985 | fixed media, akusmatisch | 4:05 | Stereo | Carleton ON | 0 | ||||||||||
| 16992 | Robert | Tzopa | The Process Project | 1986 | fixed media, akusmatisch | intermedia |
Stereo | painting | 0 | |||||||||||
| 24797 | Saburo | Ubukata | The Fragment of Glass | 2004 | fixed media, akusmatisch | 8:27 | MR 2004 Métamorphoses 2004/ | Métamorphoses 2004 | 1 | ||||||||||
| 42186 | Naoya, Wataru | Uchimura, Saito | Marathon | 1959 | radiophon | 58:19 | SWF, BR 1962 Beim Bayerischen Rundfunk wird eine Fassung mit einer Länge von 74'30" archiviert. |
NHK (Japan), SWF, BR | 2.7.1962 | Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4914110&vi=2&SID | |||||||
| 42675 | Chester | Udell | Brass Alchemist | 2010 | live-elec, 1 perf | 12 | trbn [Posaune] | Mark Hetzler | 27.3.2010 | NY Elebash Hall NYCEMF | 0 | ||||||||
| 43017 | Chester | Udell | Nearby Far | 2013 | fixed media, akusmatisch | 8:35:00 | 0 | ||||||||||||
| 42817 | Chester | Udell | Steel Golem | 2012 | fixed media, akusmatisch | 8:30:00 | 0 | ||||||||||||
| 39653 | Chet | Udell | Gjallarhorn | 2016 | fixed media, akusmatisch | Chet Udell | 0 | ||||||||||||
| 39654 | Chet | Udell | Jornetta Stream | 2015 | fixed media, akusmatisch | 11:00:00 | Chet Udell | 0 | |||||||||||
| 22525 | Stefan | Udell | Nolie noseblunt to backside tailslide | 2000 | fixed media, akusmatisch | 4:27 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | winner JTTP 2001 2. prize | 1 | ||||||||
| 43187 | Sohrab | Uduman | A hidden Place | 2011 | Performance | Auszeichnung ars electronica honorary mention 2011 | 0 | ||||||||||||
| 16993 | Sohrab | Uduman | Cassandra | 1992 | Zuspiel / Tonband, 1 perf | 16:00 | Stereo | V [Stimme] | BEAST | 0 | |||||||||
| 16994 | Sohrab | Uduman | Refrains | 1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | trbn [Posaune] | BEAST | 0 | |||||||||
| 36330 | Kazuo | Uehara | Chaos | 1973 | fixed media, akusmatisch | 17:32 | OPA 015/ | 0 | |||||||||||
| 36329 | Kazuo | Uehara | Condensation | 1973 | fixed media, akusmatisch | 18:31 | OPA 015/ | 0 | |||||||||||
| 36328 | Kazuo | Uehara | Diffusion | 1973 | fixed media, akusmatisch | 16:49 | OPA 015/ | 0 | |||||||||||
| 34522 | Kazuo | Uehara | Homage To Xenakis | 1983 | fixed media, akusmatisch | 4:51 | OPA 016 Edition Omega Point/ | 0 | |||||||||||
| 34520 | Kazuo | Uehara | Music For Contemporary Dance | 1975 | Tanz | 26:51 | Dedicate To Takao Kusuno | OPA 016 Edition Omega Point/ | 0 | ||||||||||
| 35756 | Kazuo | Uehara | Objets sonores III | 1983 | fixed media, akusmatisch | Stereo | EAC Tokyo | 0 | |||||||||||
| 36331 | Kazuo | Uehara | Revolution | 1973 | fixed media, akusmatisch | 16:49 | OPA 015/ | 0 | |||||||||||
| 34521 | Kazuo | Uehara | Science Technology Expo '85, Music For "Cell Universe" | 1985 | fixed media, akusmatisch | 3:32 | OPA 016 Edition Omega Point/ | 0 | |||||||||||
| 34519 | Kazuo | Uehara | Seoul 1982 | 1982 | fixed media, akusmatisch | 9:30 | Stereo | OPA 016 Edition Omega Point/ | NHK Tokyo | 0 | |||||||||
| 18994 | Kazuo | Uehara | Sohgu II | 1994 | live-elec, 1 perf | 8:58 | sensor hp [Harfe] | ISAST LMJ 5/ | 1 | ||||||||||
| 35755 | Kazuo | Uehara | Sound Work I | 1983 | fixed media, akusmatisch | Stereo | EAC Tokyo | 0 | |||||||||||
| 39979 | Ken | Ueno | Vedananupassana | 2016 | fixed media, akusmatisch | Ken Ueno | 0 | ||||||||||||
| 40016 | Liliya | Ugay | Drawn in the Fog | 2016 | fixed media, akusmatisch | Liliya Ugay | 0 | ||||||||||||
| 40018 | Liliya | Ugay | Nostalgia | 2014 | live-elec, 1 perf | 8:52:00 | p [Piano] | Lilya Ugay | 0 | ||||||||||
| 24217 | René | Uijlenhoet | Batalla | 2002 | fixed media, akusmatisch | 5:06 | Stereo | CV NEAR 14/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 28474 | René | Uijlenhoet | De Voorzienigheid | fixed media, akusmatisch | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 1994 First Prize in the 'studio' category at the 'Quadrivium' competition in Bourges. | 0 | ||||||||||||
| 24218 | René | Uijlenhoet | Dialogo sopra i due sistemi | 2003 | live-elec, 1 perf | 18:30 | Quadro | org [Orgel] | CV NEAR 14/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24219 | René | Uijlenhoet | Lichtgewicht | 2000 | fixed media, akusmatisch | 14:10 | Stereo, Quadro | CV NEAR 14/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 24220 | René | Uijlenhoet | Red Junction | 2001 | fixed media, akusmatisch | 13:37 | Stereo, Quadro | CV NEAR 14/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 24221 | René | Uijlenhoet | Vorst aan de grond | 2000 | Zuspiel / Tonband, 2 perf | 16:26 | Stereo | 2 Carillon, (ringing bells) [Keyboard] | performed in Utrecht | CV NEAR 14/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 17091 | René | Uijlenhoet | Wedge | 1994 | fixed media, akusmatisch | 11:16 | LDC 278058/59 Cultures Electroniques 8/ CV NEAR 14/ | PS C. | prize Bourges 1994 | 1 | |||||||||
| 31309 | René | Uijlenhoet | Zware Metalen | 1991 | Zuspiel / Tonband, 1 perf | 16:45 | carillon, (Läute-Glocken, elec) [Keyboard] | for the Carillon Utrecht cathedral | 0 | ||||||||||
| 34595 | Birgit, Gregory | Ulher, Büttner | Araripepipra | 2016 | live-elec, 1 perf | tpt, (com) [Trompete] | SMC2016 | HR 04/ | 0 | ||||||||||
| 16995 | Uljanich | The stars wind of Kassiopea | 1990 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||||
| 16996 | Jakob | Ullmann | Pianissimo | 1990/1994 | Zuspiel, live-elec, 1 perf | ≈ 45:00 | Quadro | va [Viola] | Vocoder, Filter, Transposition (IM 90), Zuspielphrasen von sm | TU Berlin, Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 36871 | Danil | Ulmashev | Binary abstractions | 2017 | fixed media, akusmatisch | 20:32:00 | 0 | ||||||||||||
| 16997 | Boris | Ulrich | Multiple Vision | 1971 | Zuspiel / Tonband, 1 group | 15:00 | Stereo + Stereo + Stereo | orc [Orchester] | EM ?? | 0 | |||||||||
| 16998 | Viktor | Ulyanich | Igra sveta (Game of Light) | 1987 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 16999 | Viktor | Ulyanich | The Starry Wind of Cassiopeia | 1990 | fixed media, akusmatisch | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||||
| 17000 | Luis | Uncillo | Au de la des portes d'ivoire | 1984 | fixed media, akusmatisch | 14:36 | txtcompo | 1 | |||||||||||
| 39327 | Chaz | Underriner | Program Notes | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 22771 | Group | Une Drame Musical instantané | 20000 Meilen unter dem Meer | 1988 | live-elec, 1 group | 27:00 | ens [Ensemble] | 5 parts | GRRR 2012/ | 1 | |||||||||
| 22775 | Group | Une Drame Musical instantané | au pied de la lettre | live-elec, 9 perf | 13:00 | 9 perf [Performer] | Drums, Remix – Steve Arguelles Guitar – Francis Gorgé, Philippe Deschepper Remix – Luigee Trademarq Synthesizer – Benoît Delbecq Synthesizer, Theremin, Video Editor – Jean-Jacques Birgé Trombone – Yves Robert Trumpet – Bernard Vitet Turntables – DJ Nem |
1 | |||||||||||
| 22772 | Group | Une Drame Musical instantané | Écarlate | 1988 | live-elec, 1 group | 20:00 | ens [Ensemble] | 5 parts | GRRR 2012/ | 1 | |||||||||
| 22773 | Group | Une Drame Musical instantané | Réveillez le somnambule | live-elec, 1 group | 11:00 | ens [Ensemble] | 6 parts | GRRR 2012/ | 1 | ||||||||||
| 22776 | Group | Une Drame Musical instantané | trop d'adrenaline nuit | fixed media, akusmatisch | 3:00 | 1 | |||||||||||||
| 20879 | Group | Une Drame Musical instantané | Zappeurs-Pompiers 2 | 1989 | live-elec, 4 perf | 8:39 | Stereo | MIDI, V, fl, gui [Stimme, Flöte, Gitarre, synthesizer] | l’empreinte digitales 13027/ | Un Drame Musical instantanée | 0 | ||||||||
| 17001 | Tamas | Ungvary | Akonel No. 1 | 1978 | fixed media, akusmatisch | 10:00 | Stereo | Software "Chor" | EMS Stockholm | 0 | |||||||||
| 17002 | Tamas | Ungvary | Akonel No. 2, Akonel 2 | 1978 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fl [Flöte] | COTEST | CAP 3019/ | EMS Stockholm | 1 | 1982 | ||||||
| 17003 | Tamas | Ungvary | Akonel No. 3 | 1979 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | bn [Fagott] | EMS Stockholm | 0 | |||||||||
| 17005 | Tamas | Ungvary | Alibiography | 1982 | Musiktheater | 16:35 | Stereo | includes : Fyra, Akonel, Ite missa est | EMS Stockholm | 0 | |||||||||
| 17006 | Tamas | Ungvary | Annons, Announce | 1973 | fixed media, akusmatisch | 7:00 | Stereo | txtcompo | CAP 60008/ | EMS Stockholm | 0 | ||||||||
| 17007 | Tamas | Ungvary | Apèro | 1973 | fixed media, akusmatisch | 4:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17008 | Tamas | Ungvary | Band-noire | 1973 | Hintergrundmusik | 5:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17009 | Tamas | Ungvary | Basic Barrier | 1973, 2007 | fixed media, akusmatisch | 7:35 | Stereo | Remix also 2007 | PSCD 41 Phono Suecia/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1973 | ISCM World New Music Days, 1973 | 1 | https://fst.se/tonsattare/tamas-ungvary | |||||
| 32595 | Tamas | Ungvary | Between 1 | 2000 | fixed media, akusmatisch | 6:34 | ELAK Wien | 0 | |||||||||||
| 32596 | Tamas | Ungvary | Between 2 | 2000 | fixed media, akusmatisch | 6:57 | ELAK Wien | 0 | |||||||||||
| 33519 | Tamas | Ungvary | Cal In-ter-s | 1973 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 17010 | Tamas | Ungvary | Der Traum des Einsamen | 1974 | fixed media, akusmatisch | 14:00 | Stereo | FYLP 1028/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1975 | ISCM World New Music Days | 0 | https://fst.se/tonsattare/tamas-ungvary | ||||||
| 17011 | Tamas | Ungvary | Dirigenten | 1984 | Fernsehen, | 17:25 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17012 | Tamas | Ungvary | Dis-Tanz | 1990 | Zuspiel / Tonband, 1 group | 10:00 | ens [Ensemble] | EMS Stockholm | Inventionen | 9.2.1991 | Inventionen Akademie der Künste Berlin Ensemble Modern | 1 | 1991 | ||||||
| 17013 | Tamas | Ungvary | Distraction | 1981 | Zuspiel / Tonband, 1 group | 10:00 | Stereo | low strs [Streicher] | EMS Stockholm | 0 | |||||||||
| 32594 | Tamas | Ungvary | Distween | 2000 | fixed media, akusmatisch | 6:07 | ELAK Wien | 0 | |||||||||||
| 33520 | Tamas | Ungvary | Ensam, seul | 1973 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 17014 | Tamas | Ungvary | Etude 83 | 1983 | fixed media, akusmatisch | 5:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22971 | Tamas | Ungvary | Fingerprint #2 | 1993 | live-elec, 1 perf | 3:13 | com (Centograph) [computer] | from the series Fingerprint No. 1 - 9 | CMJ Vol 19, 1995/ | ELAK Wien | 1 | ||||||||
| 17016 | Tamas | Ungvary | Gipsy Children's Giant Dance with Ili Fourier | 1986 | fixed media, akusmatisch | 18:00 | INFOGRAM 018/ WER 2032-2; Computer Music Currents 12/ | EMS Stockholm | 1st prize NEWCOMP 1987 | 1 | https://fst.se/tonsattare/tamas-ungvary | ||||||||
| 17017 | Tamas | Ungvary | GRATTIS med Epilog | 1994 | fixed media, akusmatisch | 10:58 | CAP 21467/ | ELAK Wien | Rikskonserter | 24.9.1994 | Stockholm Electronic Music Festival at Berwaldhallen „jubileumskonsert, EMS 30 år!“ | 1 | https://fst.se/tonsattare/tamas-ungvary | ||||||
| 17018 | Tamas | Ungvary | Incrementum | 1975 | fixed media, akusmatisch | 9:30 | Stereo, Quadro | EMS Stockholm | 0 | ||||||||||
| 17019 | Tamas | Ungvary | Incrementum II, Incrementum 2 | 1976 | fixed media, akusmatisch | 5:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17020 | Tamas | Ungvary | Interaction | 1978 | fixed media, akusmatisch | 24:00 | Stereo | HDP 1112 | EMS Stockholm | 0 | |||||||||
| 17021 | Tamas | Ungvary | Interaction No. 2 | 1979 | Zuspiel / Tonband, 1 perf | 14:56 | Stereo | org [Orgel] | FYLP 1028/ PSCD 31 Phono Suecia/ | EMS Stockholm | 1 | https://fst.se/tonsattare/tamas-ungvary | |||||||
| 17022 | Tamas | Ungvary | Istenem, Uram!, (O Gud, o min herre) | 1990 | fixed media, akusmatisch | 12:31 | "Farewell" to PDP-15, turned off August 1990 | FYCD 1003 / | EMS Stockholm | 1 | 1992 | ||||||||
| 17023 | Tamas | Ungvary | Ite, missa est | 1982 | fixed media, akusmatisch | 12:05 | Stereo | In memoriam Rudolf Maros; software CHOR | FYLP 1028/ | EMS Stockholm | 1 | ||||||||
| 17024 | Tamas | Ungvary | Kleben | 1974 | fixed media, akusmatisch | Quadro | EMS Stockholm | 0 | |||||||||||
| 17025 | Tamas | Ungvary | L'aube de flammes | 1984 | fixed media, akusmatisch | 13:45 | Stereo | PDP-15 IMPAC | CAP 21469 "Bits and Pieces / EMS 30 Years"/ HUN SLPX 12809/ CAP 21471 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 14.2.1984 | Inventionen TU-Gebäude Ackerstraße | 1 | 1984 | https://fst.se/tonsattare/tamas-ungvary | ||||
| 17026 | Tamas | Ungvary | Les Mouvements Mousseux | 1979 | fixed media, akusmatisch | 13:25 | Stereo | ExpSt Warsaw, EMS Stockholm | 0 | ||||||||||
| 17027 | Tamas | Ungvary | Melos No 1 | 1980 | fixed media, akusmatisch | 10:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17028 | Tamas | Ungvary | Melos No 2 | 1981 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | S [Sopran] | EMS Stockholm | 0 | |||||||||
| 17029 | Tamas | Ungvary | Melos No 3 | 1982 | Zuspiel / Tonband, 1 perf | 9:46 | Stereo | vn [Violine] | FYLP 1028/ | EMS Stockholm | 1 | ||||||||
| 32597 | Tamas | Ungvary | Melosix | 1997 | audiovisuell | 10 | ELAK Wien | 0 | |||||||||||
| 17032 | Tamas | Ungvary | Präludium | 1987 | Zuspiel / Tonband, 1 perf | 10:20 | Stereo | org [Orgel] | CHOR-program | EMS Stockholm | 0 | ||||||||
| 17033 | Tamas | Ungvary | Psalm 90:10, Psalm 90.10 | 1978 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | org [Orgel] | EMS Stockholm | Nürnberger Orgelwoche | 0 | ||||||||
| 27409 | Tamas | Ungvary | Recollection 2 | 2007 | fixed media, akusmatisch | 10:30 | Version original und Remix | ELAK Wien | 1 | http://www.mica.at/composerdb/details/Composer/composer25846EN.asp?cat=composer&letter=u | |||||||||
| 27410 | Tamas | Ungvary | Recollection 3 | 2007 | fixed media, akusmatisch | 14:17 | ELAK Wien | Sveriges Radio | 1 | http://www.mica.at/composerdb/details/Composer/composer25846EN.asp?cat=composer&letter=u | |||||||||
| 19118 | Tamas | Ungvary | Recollection I, Hågkomster | 1992 - 1996 | fixed media, akusmatisch | 14:00 | Benutzung des neuen Interfaces | ELAK Wien | Sthlm Electronic Music Festival XVIII | 1 | https://fst.se/tonsattare/tamas-ungvary | ||||||||
| 17034 | Tamas | Ungvary | Romeo und Julia | 1978 | Theatermusik | 10:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17037 | Tamas | Ungvary | Seul, Einsam | 1972 | fixed media, akusmatisch | radiophon |
21:00 | Stereo | EMS Stockholm | 1972 | ISCM World New Music Days 1972, Rejkjavik, Island | 0 | https://fst.se/tonsattare/tamas-ungvary | |||||||
| 17038 | Tamas | Ungvary | Seul 1979 | 1979 | fixed media, akusmatisch | 15:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17039 | Tamas | Ungvary | Sinus Coitus | 1979/1987 | Zuspiel / Tonband, 1 perf | ≈ 16:48 | Stereo | p [Piano] | EMS Stockholm | Reimers | 1 | ||||||||
| 17041 | Tamas | Ungvary | Solo | 1982 | fixed media, akusmatisch | Tanz |
8:40 | Stereo | choreoPeter Rajka | EMS Stockholm | 0 | |||||||||
| 17042 | Tamas | Ungvary | Sonologos, SONO-LOGOS | 1991 | computer generated score, 2 perf | 10:00 | Kbd, any ins [Keyboard, Instrument] | EMS Stockholm, PS C. | 0 | ||||||||||
| 17043 | Tamas | Ungvary | Stehaufmännchen | 1973 | fixed media, akusmatisch | 7:30 | Stereo | zurückgezogen | EMS Stockholm | 0 | |||||||||
| 32593 | Tamas | Ungvary | Svart Materia | 2006 | fixed media, akusmatisch | 12 | ELAK Wien | 0 | |||||||||||
| 17044 | Tamas | Ungvary | Toutevarie No 1 | 1984 | fixed media, akusmatisch | 25:00 | Octo | EMS Stockholm | 0 | ||||||||||
| 17045 | Tamas | Ungvary | Toutevarie No. 2 | 1984 | fixed media, akusmatisch | live-elec, |
25:00 | Octo | EMS Stockholm | 0 | ||||||||||
| 18880 | Tamas | Ungvary | Traum des Einsamen | 1974 | fixed media, akusmatisch | 14:10 | FYLP 1028/ | EMS Stockholm | 1 | ||||||||||
| 17046 | Tamas | Ungvary | Trio | 1982 | fixed media, akusmatisch | Tanz |
12:00 | Stereo | choreo P.Rajka | EMS Stockholm | 0 | |||||||||
| 17047 | Tamas | Ungvary | Un portrait | 1977 | fixed media, akusmatisch | 4:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17048 | Tamas | Ungvary | Vattendroppen | 1971 | fixed media, akusmatisch | 3:00 | Stereo | withdrawn | EMS Stockholm | 0 | |||||||||
| 17004 | Tamas, Folkmar | Ungvary, Hein | Akonel No. 4 | 1989 | fixed media, akusmatisch | 35:00 | Stereo + Stereo + Stereo | for open air concert | TU Berlin | 22.7.1989 | Hof des Rathauses Wilmersdorf im Rahmen der "quadrophonen Nachtmusik" | 1 | |||||||
| 17036 | Tamas, Peter | Ungvary, Lundén | Sentograffito-2, Sentograffito 2 | 1993 | live-elec, 1 perf | 20:00 | synt (Sentrograph) [synthesizer] | MIDI dedicated to Folkmar Hein |
KACOR | 2.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 | ||||||
| 18881 | Tamas, Peter | Ungvary, Lundén | Sentrograffito | 1993 | live-elec, 2 perf | ≈ 30:00 | 2 mus, (elec) [Musiker] | Sentrograph, MIDI | 0 | ||||||||||
| 17030 | Tamas, Paul | Ungvary, Pignon | Olarra | 1983 | Zuspiel / Tonband, 1 perf | 10:12 | Stereo | sax [Saxophon] | Software ILI | EMS Stockholm | 0 | ||||||||
| 17015 | Tamas, Michael | Ungvary, Smith | Etude No. 1- 2 | 1978 | fixed media, akusmatisch | 8:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17031 | Tamas, Michael | Ungvary, Smith | On the edges of light | 1978 | Tanz | 25:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17035 | Tamas, Michael | Ungvary, Smith | Sampsel | 1984 | Fernsehen, | 8:15 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17040 | Tamas, Michael | Ungvary, Smith | Sinus Concerto | 1979 | fixed media, akusmatisch | 24:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22972 | Group | UnknownmiX | Nightmare | 1993 | Klangkunst, Installation | 3:37 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 42676 | Yuta | Uozumi | biotope | 2009 | live-elec, 1 perf | 7 | com [computer] | 0 | |||||||||||
| 17049 | Jean-Pierre | Urbano | Cante Jondo | 1990 | fixed media, akusmatisch | Stereo | CRFMW Liège | 0 | |||||||||||
| 34145 | Alicia | Urreta | Convocatoria a un rito | fixed media, akusmatisch | 6:37 | 0 | |||||||||||||
| 17050 | Alicia | Urreta | L’Histoire véritable du petit chaperon rouge, (Natura mortis o la verdadera historia de caparucita roja) | 1969 | fixed media, akusmatisch | CIRM Paris | 0 | ||||||||||||
| 17051 | Alicia | Urreta | Ralenti | 1969 | fixed media, akusmatisch | CIRM Paris | 0 | ||||||||||||
| 17052 | Alicia | Urreta | Salmodia | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 34737 | Maia | Urstad | Meanwhile, in Shanghai…(berlin) | 1996 | Klangkunst, Installation | 10:15 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 26.4.-27.5.2012 | singuhr hoergalerie Berlin im Meinblau, Pfefferberg | 0 | http://singuhr.de/page.php?ID=710 | ||||||||
| 21986 | Maia | Urstad | Musikk til "Se luftskeppen" | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 17053 | Vladimir | Ussachevsky | A poem in cycles and bells | 1954 | Zuspiel / Tonband, 1 group | 14:00 | Mono | orc [Orchester] | material from "fantasy in space" by Otto Luening | CRi 112/ | 1 | http://www.seamusonline.org/vlad.html | |||||||
| 17056 | Vladimir | Ussachevsky | Composition | 1952 | fixed media, akusmatisch | Mono | FTX 6169/ | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17057 | Vladimir | Ussachevsky | Computer Piece No. 1 | 1968 | fixed media, akusmatisch | 3:42 | using sounds from a com by Bell Lab. Analog techniques | CRi CD 611/ NWCR 611/ CRI SD 268/ IDEAMA CD 063/ | Col.Princ EMC, Bell Lab | 1 | http://www.seamusonline.org/vlad.html | ||||||||
| 17060 | Vladimir | Ussachevsky | de Forrest Murmurs | 1960 | fixed media, akusmatisch | 4:34 | Mono | Col.Princ EMC | 0 | http://www.seamusonline.org/vlad.html | |||||||||
| 17061 | Vladimir | Ussachevsky | Experiment | 1952 | fixed media, akusmatisch | Mono | FTX 6169/ | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17062 | Vladimir | Ussachevsky | experiments in sound & composition | fixed media, akusmatisch | Mono | Siemens | 0 | http://www.seamusonline.org/vlad.html | |||||||||||
| 35777 | Vladimir | Ussachevsky | Four Miniatures with origins | 1968 | fixed media, akusmatisch | 6:48 | Creel Pone 056/ | 0 | |||||||||||
| 33652 | Vladimir | Ussachevsky | Gravesano-Etude 1 | 1957 | fixed media, akusmatisch | 6 | Scherchen Gravesano | 0 | |||||||||||
| 17063 | Vladimir | Ussachevsky | Improvisation 4711 | 1957 | fixed media, akusmatisch | 0:42 | Mono | SoN S 3/ Son Nova 3/ | SWF | 0 | http://www.seamusonline.org/vlad.html | ||||||||
| 17066 | Vladimir | Ussachevsky | Line of Apogee | 1967 | Film | 43:37 | Mono | NWR 80389/ NWR 80309/ | Col.Princ EMC | 1 | http://www.seamusonline.org/vlad.html | ||||||||
| 17067 | Vladimir | Ussachevsky | Linear contrasts | 1957 | fixed media, akusmatisch | 3:40 | Mono | Son Nova 3/ IDEAMA CD 061/ | SWF | 0 | http://www.seamusonline.org/vlad.html | ||||||||
| 17069 | Vladimir | Ussachevsky | Metamorphoses | 1957 | fixed media, akusmatisch | 5:23 | Mono | Son Nova 3/ Son Nova 3/ IDEAMA CD 062/ | 0 | http://www.seamusonline.org/vlad.html | |||||||||
| 17070 | Vladimir | Ussachevsky | Mourning Becomes Electra | 1967 | Oper | 0:20 | Stereo | for opera by Marvin Levy | CRi 227 USD/ | Col.Princ EMC | 0 | http://www.seamusonline.org/vlad.html | |||||||
| 17071 | Vladimir | Ussachevsky | No Exit | 1962 | Theatermusik | 90:00 | Mono | Suite from No Exit (1962), from the film of Sartre’s play No Exit | Col.Princ EMC | 0 | http://www.seamusonline.org/vlad.html | ||||||||
| 17072 | Vladimir | Ussachevsky | Nouvelle oeuvre | 1985 | fixed media, akusmatisch | Stereo | IMEB Bourges | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17074 | Vladimir | Ussachevsky | Of wood and brass | 1965 | fixed media, akusmatisch | 4:30 | CRi 227 USD/ | Col.Princ EMC | 1 | http://www.seamusonline.org/vlad.html | |||||||||
| 17075 | Vladimir | Ussachevsky | Piece for Tape Recorder, A Piece for Tape Recorder | 1956, 1967 | fixed media, akusmatisch | 5:38 | Mono, Quadro | 4-track version 1967 | CRi CD 611/ CRi 112/ Finna QD 9010/ NWCR 611/ CDCD 5067/ IDEAMA CD 063/ | 1 | http://thresholdofbeauty.com/music excerpts/A Piece for Tape Recorder excerpt.mp3 | ||||||||
| 17076 | Vladimir | Ussachevsky | Reverberation | 1952 | fixed media, akusmatisch | Mono | FTX 6169/ | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17078 | Vladimir | Ussachevsky | Sonic Contours | 1952 | fixed media, akusmatisch | 7:19 | Mono | feedback & speed variations, for piano on tape | CRi CD 611/ DC 6466/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | http://www.seamusonline.org/vlad.html | |||||||
| 17079 | Vladimir | Ussachevsky | Studies in Sound | 1959 | fixed media, akusmatisch | 6:00 | Stereo | rev., withdrawn | Col.Princ EMC | 0 | http://www.seamusonline.org/vlad.html | ||||||||
| 17080 | Vladimir | Ussachevsky | Study in Synthesized Sounds | 1961 | fixed media, akusmatisch | 5:00 | Stereo | Col.Princ EMC | 0 | http://www.seamusonline.org/vlad.html | |||||||||
| 17082 | Vladimir | Ussachevsky | Suite from no exit | 1962 | Film | 14:28 | Suite from No Exit (1962), from the film of Sartre’s play No Exit | NWR 80389/ | Col.Princ EMC | 1 | http://www.seamusonline.org/vlad.html | ||||||||
| 17083 | Vladimir | Ussachevsky | The Boy Who Saw Through | 1959 | Film | 4:54 | Mono | Col.Princ EMC | 0 | http://www.seamusonline.org/vlad.html | |||||||||
| 17059 | Vladimir | Ussachevsky | The Creation, Prologue Interlude Epilogue |
1960, 1973 | Zuspiel / Tonband, 1 perf, 4 groups | 21 | Quadro | 4 ch, Mez [Mezzo, Chor] | also named as „Prologue, Conflict, Epilogue“ | Mainstream MS 6566/ CRI CD 813/ NWR 80654/ | Col.Princ EMC | 1 | http://www.seamusonline.org/vlad.html | ||||||
| 17084 | Vladimir | Ussachevsky | To Catch a Thief | 1954 | Film | 1:00 | Mono | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17085 | Vladimir | Ussachevsky | Transposition | 1952 | fixed media, akusmatisch | Mono | FTX 6169/ | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17086 | Vladimir | Ussachevsky | Two Sketches for a Computer Piece | 1971 | fixed media, akusmatisch | 3:06 | using sounds from a com by Bell Lab, GROOVE, PDP 224. | CRi CD 611/ NWCR 611/ CRI SD 268/ IDEAMA CD 063/ | Col.Princ EMC, Bell Lab | 1 | http://www.seamusonline.org/vlad.html | ||||||||
| 17087 | Vladimir | Ussachevsky | Underwater Valse | 1952 | fixed media, akusmatisch | 1:05 | Mono | FTX 6169/ | 0 | http://www.seamusonline.org/vlad.html | |||||||||
| 17088 | Vladimir | Ussachevsky | Wireless fantasy | 1960 | fixed media, akusmatisch | 4:35 | CRi 227 USD/ Ellipsis Arts 3671 - OHM: 01/ CDCD 5067/ IDEAMA CD 061/ | Col.Princ EMC | 1 | http://www.seamusonline.org/vlad.html | |||||||||
| 17054 | Vladimir, Otto | Ussachevsky, Luening | Back to Methuselah | 1958 | Theatermusik | 10:00 | Mono | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17055 | Vladimir, Otto | Ussachevsky, Luening | Carlsbad Caverns | 1955 | fixed media, akusmatisch | 1:25 | Mono | RCA LPM 1280/ | 0 | http://www.seamusonline.org/vlad.html | |||||||||
| 17058 | Vladimir, Otto | Ussachevsky, Luening | Concerted piece for tape recorder and Orchestra | 1960 | Zuspiel / Tonband, 1 group | 9:00 | Stereo | orc [Orchester] | CRi 227 USD/ | Col.Princ EMC | 1 | http://www.seamusonline.org/vlad.html | |||||||
| 17064 | Vladimir, Otto | Ussachevsky, Luening | Incantation | 1953 | fixed media, akusmatisch | 2:32 | Mono | CRi CD 611/ NWCR 611/ SR 200 sub rosa/ IDEAMA CD 063/ | 1 | http://www.seamusonline.org/vlad.html | |||||||||
| 17065 | Vladimir, Otto | Ussachevsky, Luening | King Lear | 1956 | Theatermusik | 55:00 | Mono | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17068 | Vladimir, Otto | Ussachevsky, Luening | Mathematics | 1957 | Fernsehen, | 1:00 | Mono | 0 | http://www.seamusonline.org/vlad.html | ||||||||||
| 17073 | Vladimir, Otto | Ussachevsky, Luening | Of Identity | 1954 | Tanz | 10:00 | Mono | material from "fantasy in space" | 0 | http://www.seamusonline.org/vlad.html | |||||||||
| 17077 | Vladimir, Otto | Ussachevsky, Luening | Rhapsodic Variations | 1953 | Zuspiel / Tonband, 1 group | 17:00 | Mono | orc [Orchester] | Louisville 5455/ | 0 | http://www.seamusonline.org/vlad.html | ||||||||
| 17081 | Vladimir, Otto | Ussachevsky, Luening | Suite from King Lear | 1956 | fixed media, akusmatisch | 4:30 | Mono | CRi 112/ IDEAMA CD 062/ | 1 | http://www.seamusonline.org/vlad.html | |||||||||
| 40085 | Matthew | Ustaszewski | Velorium | 2015 | fixed media, akusmatisch | 8:10:00 | Matthew Ustaszewski | 0 | |||||||||||
| 17089 | Teo | Usuelli | Essay | 1993 | fixed media, akusmatisch | 3:35 | CRM Roma | 0 | |||||||||||
| 17090 | Teo | Usuelli | Sinite | 1992 | live-elec, 1 perf | 9:00 | S, (com) [Sopran] | Fly 10 | CRM Roma | 0 | |||||||||
| 20880 | Christian | Utz | Lichtung | 1993 | radiophon | 23:59 | Stereo | EX 256/ | ELAK Wien | 0 | |||||||||
| 17092 | Knut | Vaage | For havet | 1988 | Zuspiel / Tonband, 5 perf, 1 group | 39:00 | A, Narrator, fl, vn, hn, jazz-band [Alt, Flöte, Horn, Violine, Schauspieler, Ensemble] | NOTAM | 0 | ||||||||||
| 24149 | Fabio | Vacchi | Dioniso Germogliatore II (un recitar sinfonico) | 1997 | Zuspiel / Tonband, 1 perf, 1 group | 35:00 | Stereo | Sp, orc [Sprecher, Orchester] | Radio Version | Tempo Reale Firenze | Ricordi | 0 | |||||||
| 17093 | Peeter | Vähi | TAUMUS (Musikalischer Spass) | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 17094 | Johan, Bjarne | Vävare, Zan | Jazz | 1979/1980 | fixed media, akusmatisch | 5:14 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17095 | Johan, Bjarne | Vävare, Zan | Oredigerat ljudmaterial | 1981 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 17096 | Johan, Bjarne | Vävare, Zan | The rock | 1979/1980 | fixed media, akusmatisch | 4:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 24488 | Horacio | Vaggione | 24 variations | 2001 | fixed media, akusmatisch | audiovisuell |
10:11 | LJ CD 5232 ICMC 2002/ LDC 2781122/23/ | IMEB Bourges, CICM Paris | IMEB for the 2001 Bourges Synthèse Festival. | 2001 | Bourges Synthèse Festival, | Auszeichnung ars electronica honorary mention 2004 | 1 | ||||||
| 17097 | Horacio | Vaggione | 4 films | 1965 | Film | 8:00 | Stereo | for Industrias Kaiser | PS C. | 0 | |||||||||
| 21933 | Horacio | Vaggione | Agon | 1998 | fixed media, akusmatisch | 8:40 | Stereo | ICMC 2000/ CMJ Vol 24-4, 2000/ LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | |||||||||
| 17098 | Horacio | Vaggione | Ananke | 1962 | fixed media, akusmatisch | 9 | Stereo | PS C. | 1964 | Madrid, Sociedad Hispano-americana | 0 | ||||||||
| 32227 | Horacio | Vaggione | Arches | 2013 | fixed media, akusmatisch | 10 | Octo, Stereo | dedicated to Folkmar Hein | CMJ Vol 45, 2018/ | Musiques et Recherches Ohain, PS C. | Folkmar Hein | 11.2.2014 | Unerhörte Musik, BKA-Theater, Berlin | 0 | http://cicm.mshparisnord.org/ | ||||
| 25437 | Horacio | Vaggione | Arenas | 2007 | fixed media, akusmatisch | 15:34 | Stereo | INA G 6032/ | Musiques et Recherches Ohain | 1 | 2008 | ||||||||
| 17099 | Horacio | Vaggione | AS | 1988 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | CICM Paris | 0 | http://www.fondation-langlois.org/html/e/page.php?NumPage=560 | |||||||||
| 17100 | Horacio | Vaggione | Ash | 1990 | fixed media, akusmatisch | 16:00 | Stereo | Syter | INA C 1034 27654 archives grm CD 4/5/ INA G 6032/ | INA • GRM | 1 | ||||||||
| 17101 | Horacio | Vaggione | Cálimo | 1966 | fixed media, akusmatisch | 5:00 | Stereo | LME Uni Cordoba | 0 | ||||||||||
| 17102 | Horacio | Vaggione | Cantata I | 1961 | fixed media, akusmatisch | 9:00 | Mono | PS C. | 0 | ||||||||||
| 17103 | Horacio | Vaggione | Cantata II | 1964 | Zuspiel / Tonband, 2 perf | 5:00 | Stereo | S, p [Sopran, Piano] | PS C. | 0 | |||||||||
| 32217 | Horacio | Vaggione | Ceremonia | 1961 | fixed media, akusmatisch | 14 | PS C. | 1961 | Cordoba, Argentine; Radio universitaire | 0 | |||||||||
| 17104 | Horacio | Vaggione | Charybde | 1983 | fixed media, akusmatisch | 12:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17105 | Horacio | Vaggione | Comment le temps passe | 1977 | live-elec, 1 group | 20 | e-ens [Ensemble] | 0 | |||||||||||
| 32225 | Horacio | Vaggione | Consort for convolved Piano Sounds, PianoHertz | 2012 | fixed media, akusmatisch | 18:30 | 52 Tracks, Octo, Spazialisation: ZKM Klangdom | the work was known as Consort for Convolved Pianos until July 2017 when it took its definitive title PianoHertz | ZKM Karlsruhe | 20.11.2012 | ZKM Karlsruhe | 0 | |||||||
| 32226 | Horacio | Vaggione | Consort for convolved Violins, hommage à Max Mathews | 2011 | live-elec, 3 perf | 7:13 | Spazialisation: ZKM Klangdom | 3 vn [Violine] | IMED 17145/ | ZKM Karlsruhe | 15.6.2011 | 0 | https://www.electrocd.com/en/album/5839/horacio-vaggione/fluides | ||||||
| 17106 | Horacio | Vaggione | El Patio | 1963 | intermedia, 1 perf | 60:00 | Mono | ins [Instrument] | audiovisual | PS C. | 1963 | Cordoba, Argentine; Université | 0 | ||||||
| 17108 | Horacio | Vaggione | Ensayo sobra mezcla de sonidos | 1961 | fixed media, akusmatisch | 6:00 | Mono | PS C. Cordoba | 0 | ||||||||||
| 17109 | Horacio | Vaggione | Fausto | 1965 | Theatermusik | 60:00 | Stereo | LME Uni Cordoba | 0 | ||||||||||
| 32224 | Horacio | Vaggione | Fractal A | 1982 | fixed media, akusmatisch | 30 | 16 Tracks | 0 | |||||||||||
| 17110 | Horacio | Vaggione | Fractal C | 1984 | fixed media, akusmatisch | 14:00 | 16 Tracks | also version Fractal C/2 | IMED 17145/ | IRCAM, PS C. | French State (Music Office) | 12.6.1984 | IRCAM, Espace de Projection | 1 | 1985 | https://www.electrocd.com/en/album/5839/horacio-vaggione/fluides | |||
| 18560 | Horacio | Vaggione | Frayage | 1997 | fixed media, akusmatisch | 9:48 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17111 | Horacio | Vaggione | Gotan | 1988 | Zuspiel / Tonband, 5 perf | 15:00 | fl, cl, vn, vc, p [Flöte, Klarinette, Piano, Cello, Violine] | com gen score | CICM Paris | 0 | |||||||||
| 24491 | Horacio | Vaggione | Gymel | 2003 | fixed media, akusmatisch | 10:10 | IMEB Bourges | 06/2003 | 1 | ||||||||||
| 24490 | Horacio | Vaggione | Harrison variations | 2002 | fixed media, akusmatisch | 10 | EMF 053/ | IMEB Bourges | IMEB Bourges 2002 | 1 | |||||||||
| 17112 | Horacio | Vaggione | Hierro y espacio I | 1963 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 17113 | Horacio | Vaggione | Hierro y espacio II | 1964 | fixed media, akusmatisch | 5:00 | Stereo | PS C. | 0 | ||||||||||
| 17114 | Horacio | Vaggione | Holos | 1990 | Zuspiel / Tonband, 1 perf | 15:00 | perc [Schlagzeug] | CICM Paris | 0 | ||||||||||
| 32219 | Horacio | Vaggione | Inauguracion de la connexion | 1968 | fixed media, akusmatisch | 15 | ALEA Madrid | 1968 | Madrid, Spain; H. Vaggione & Group Alea | 0 | |||||||||
| 32220 | Horacio | Vaggione | Interfase | 1969 | fixed media, akusmatisch | 18 | ALEA Madrid | 1969 | Madrid, Spain; H. Vaggione & Group Alea | 0 | |||||||||
| 17115 | Horacio | Vaggione | Kálimo | 1971 | fixed media, akusmatisch | 15 | ALEA Madrid | 1971 | HR Frankfurt, Germany | 0 | |||||||||
| 17116 | Horacio | Vaggione | Kitab | 1992 | Zuspiel, live-elec, 3 perf | 13:41 | Stereo | b-cl, db, p, [Klarinette, Piano, Kontrabass] | Centaur CRC 2255, CDCM Vol. 21/ | CICM Paris | ICMA comm Award 1992 | 1 | |||||||
| 32221 | Horacio | Vaggione | La ascension de Euclides | 1970 | fixed media, akusmatisch | 15 | Uni Madrid | 1971 | Madrif, Spain; Group ALEA | 0 | |||||||||
| 17117 | Horacio | Vaggione | La Ciudad | 1962 | fixed media, akusmatisch | 4:00 | Mono | PS C. | 0 | ||||||||||
| 17118 | Horacio | Vaggione | La maquina de cantar | 1971 | fixed media, akusmatisch | 17:12 | Stereo | Cramps 5206 118/ ampere11/ | Uni Madrid | 0 | |||||||||
| 17119 | Horacio | Vaggione | Leph | 1993 | Zuspiel / Tonband, 1 perf | 15:30 | Stereo | p [Piano] | Centaur CRC 2255, CDCM Vol. 21/ LDC 2781102/ | CICM Paris, IMEB Bourges | 1 | ||||||||
| 17120 | Horacio | Vaggione | Lineal | 1965 | fixed media, akusmatisch | 5:40 | Stereo | LME Uni Cordoba | 0 | ||||||||||
| 37685 | Horacio | Vaggione | Mécanique des fluides | fixed media, akusmatisch | IMED 17145/ | 0 | https://www.electrocd.com/en/album/5839/horacio-vaggione/fluides | ||||||||||||
| 32222 | Horacio | Vaggione | Modelos de Universo II | 1970 | Zuspiel / Tonband, 1 perf | 12 | ins [Instrument] | Uni Madrid | 1971 | Madrid, Spain; Group ALEA | 0 | ||||||||
| 32223 | Horacio | Vaggione | Modelos de Universo III | 1970 | fixed media, akusmatisch | 12 | Uni Madrid | 1970 | Madrid, Spain; Group ALEA | 0 | |||||||||
| 17121 | Horacio | Vaggione | Música ceremonial | 1963 | fixed media, akusmatisch | 14:00 | Stereo | PS C. | 0 | ||||||||||
| 17122 | Horacio | Vaggione | Música electroacústica II | 1962 | fixed media, akusmatisch | 6:00 | Stereo | PS C. | 0 | ||||||||||
| 17123 | Horacio | Vaggione | Música electronica para Recital de Poesia Española | 1963 | Hintergrundmusik | 20:00 | Stereo | PS C. | 0 | ||||||||||
| 17124 | Horacio | Vaggione | Música para proyección de colores | 1966 | audiovisuell | 10:00 | Stereo | PS C. | 0 | ||||||||||
| 17129 | Horacio | Vaggione | Myr-S | 1996 | Zuspiel / Tonband, 1 perf | 7:50 | Stereo | vc [Cello] | CMJ Vol 24-4, 2000/ | IMEB Bourges | 1 | ||||||||
| 19294 | Horacio | Vaggione | Nodal | 1997 | fixed media, akusmatisch | 3:53 | CMJ Vol 24-4, 2000/ INA G 6032/ | INA • GRM | GRM | 1 | |||||||||
| 17125 | Horacio | Vaggione | Octuor | 1982 | fixed media, akusmatisch | 10:00 | Octo | IRCAM | 1 | ||||||||||
| 39280 | Horacio | Vaggione | PianoHertz, Consort for Convolved Piano Sounds | 2012 | fixed media, akusmatisch | 18:29 | the work was known as Consort for Convolved Pianos until July 2017 when it took its definitive title PianoHertz | IMED 17145/ | ZKM Karlsruhe | ZKM | 24.11.2012 | Imatronic Extended 2012 at the ZKM_Kubus of the ZKM | 0 | https://www.electrocd.com/en/album/5839/horacio-vaggione/fluides | |||||
| 31954 | Horacio | Vaggione | Points Critiques | 2011 | fixed media, akusmatisch | 16 | INA G 6032/ | 21.1.2011 | Paris, Auditorium Saint-Germain, Festival Akousma | 0 | |||||||||
| 32232 | Horacio | Vaggione | Points critiques, Ash Points critiques Nodal Phases |
2011 | audiovisuell | contens: Interviews video; Interview écrite; Notice du CD; Photos | INA G 6032/ | INA • GRM | 1 | ||||||||||
| 24486 | Horacio | Vaggione | Préludes suspendus | 2000 | fixed media, akusmatisch | 9:50 | IMEB Bourges | 1 | |||||||||||
| 39281 | Horacio | Vaggione | Préludes suspendus III | 2009, 2010 | fixed media, akusmatisch | 8:48 | IMED 17145/ | IMEB Bourges, PS C. | French State (Music Office) | 6.6.2009 | Synthèse Festival (Bourges) | Prix Ton Bruynèl 2010 (ex æquo) (Amsterdam, The Netherlands). | 0 | https://www.electrocd.com/en/album/5839/horacio-vaggione/fluides | |||||
| 35789 | Horacio | Vaggione | Presque bleu | 2006 | audiovisuell | Video by Vaggione | 4.11.2006 | HfMT Köln, GIMIK | 0 | ||||||||||
| 17126 | Horacio | Vaggione | Rechant | 1995 | fixed media, akusmatisch | Stereo | INA • GRM | 1 | |||||||||||
| 17127 | Horacio | Vaggione | Ritual | 1963 | fixed media, akusmatisch | 8:00 | Mono | PS C. | 0 | ||||||||||
| 17128 | Horacio | Vaggione | Salmo | 1964 | fixed media, akusmatisch | 6:10 | Stereo | LME Uni Cordoba | 1964 | Cordoba, Argentine; Université | 0 | ||||||||
| 18561 | Horacio | Vaggione | Schall | 1994 | fixed media, akusmatisch | 7:35 | Stereo | LDC 2781102/ CMJ Vol 21, 1997/ | IMEB Bourges | 1 | |||||||||
| 17130 | Horacio | Vaggione | Scir | 1988 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | db-fl [Flöte] | com M. | ISPV 181/ CMJ Vol 24-4, 2000/ ed. rz 20002/ | TU Berlin | 19.8.1988 | Kongresshalle Berlin, "Audiowerkstatt Berlin" | 1 | |||||
| 17131 | Horacio | Vaggione | Set | 1987 | Zuspiel / Tonband, 1 perf | 10:00 | amp bn [Fagott] | CICM Paris | 1 | ||||||||||
| 17132 | Horacio | Vaggione | Sonata II | 1965 | Zuspiel / Tonband, 1 perf | 4:25 | Stereo | p [Piano] | LME Uni Cordoba | 1965 | Cordoba, Argentine; Université (H. Vaggione, p) | 0 | |||||||
| 32218 | Horacio | Vaggione | Sonata III | 1965 | Zuspiel / Tonband, 1 perf | 5 | p [Piano] | LME Uni Cordoba | 1967 | Tucuman, Argentine | 0 | ||||||||
| 17133 | Horacio | Vaggione | Sonata IV | 1965 | Zuspiel / Tonband, 1 perf | 6 | Stereo | p [Piano] | JME-1/ | LME Uni Cordoba | 1966 | Cordoba (Argentina) | 0 | ||||||
| 19587 | Horacio | Vaggione | Strata | 1984 | fixed media, akusmatisch | 7:53 | Stereo | GME Cuenca | 0 | ||||||||||
| 17134 | Horacio | Vaggione | Tahil | 1992 | Musikinstrument, keine EM, 1 perf | 14:00 | Stereo | p [Piano] | comp score ED. Eastern Arts, Cambridge | LDC 2781102/ | CICM Paris | 1 | |||||||
| 31953 | Horacio | Vaggione | Taléas | 2004 | live-elec, 1 perf | 9:50 | db-rec [Flöte] | IMEB Bourges | 4/2004 | Lausanne, Antonio Politano | 0 | ||||||||
| 17135 | Horacio | Vaggione | Tar | 1987 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | b-cl [Klarinette] | com M. | FYCD 1001/ LDC 278046/47 Cultures Electroniques 3/ | TU Berlin | 23.9.1987 | Warschauer Herbst, Chopin-Musikhochschule | Bourges 1988 Newcomp |
1 | ||||
| 17136 | Horacio | Vaggione | Thema | 1985 | Zuspiel / Tonband, 1 perf | 10:05 | b-sax [Saxophon] | WER 2026; Computer Music Currents 6/ ADDA 581047/ | IRCAM | 1 | 1990 | ||||||||
| 17137 | Horacio | Vaggione | Tierra-Tierra | 1966 | fixed media, akusmatisch | 7 | Stereo | LME Uni Cordoba | 1967 | Cordoba (Argentina) | 0 | ||||||||
| 17138 | Horacio | Vaggione | Till | 1991/1992 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | p [Piano] | LDC 2781102/ | CICM Paris, IMEB Bourges | 1 | ||||||||
| 17139 | Horacio | Vaggione | Total Poetical | 1966 | Theatermusik | 40:00 | Stereo | lost | PS C. | 0 | |||||||||
| 17140 | Horacio | Vaggione | Xial | 1990 | fixed media, akusmatisch | 10:00 | Stereo | CICM Paris | 0 | ||||||||||
| 28444 | Peeter | Vahi | Fugue and Hymn | 1999 | fixed media, akusmatisch | 9:08 | Stereo | ELCD 013 Electroshock Records/ | 0 | ||||||||||
| 38821 | François | Vaillant | Sous le grand chêne | 2017 | radiophon | 9 | EBU Ars Acustica 2017 | 0 | |||||||||||
| 22273 | Claudio | Vaira | Batticuore | Zuspiel, live-elec, 1 perf | 7:12 | perc [Schlagzeug] | AG 275.1 AGORA/ | 1 | |||||||||||
| 17141 | János | Vajda | Das Wohltemperierte Comuter | 1986 | fixed media, akusmatisch | 8:20 | MR Budapest | 0 | |||||||||||
| 39422 | Kari | Vakeva | I kiss the Sky | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39972 | Kari | Vakeva | I saw eternity | 2017 | fixed media, akusmatisch | Kari Vakeva | 0 | ||||||||||||
| 39973 | Kari | Vakeva | Sundog ii | 2016 | fixed media, akusmatisch | Kari Vakeva | 0 | ||||||||||||
| 22667 | Hossein | Valamanesh | Klangskulptur | 1991 | Klangkunst, Installation | ∞ | Stereo | TU Berlin | 10.1991 | Künstlerhauses Bethanien | 1 | ||||||||
| 17142 | Edgar | Valcárcel | Cantata | 1967 | Zuspiel / Tonband, 1 group | Stereo | ch [Chor] | Col.Princ EMC | 0 | ||||||||||
| 24820 | Edgar | Valcárcel | Checán VI | 1974 | Zuspiel / Tonband, 3 perf | 5:25 | hn, trbn, p [Horn, Posaune, Piano] | eSP 9301 Shelan/ | Col.Princ EMC | 1 | |||||||||
| 17143 | Edgar | Valcárcel | Invención | 1966 | fixed media, akusmatisch | 5:25 | eSP 9301 Shelan/ | Col.Princ EMC | 1 | ||||||||||
| 17144 | Isidoro | Valcarel Medina | Viva Madrid, que es la corte | fixed media, akusmatisch | 12:00 | 0 | |||||||||||||
| 27203 | Mauricio | Valdes | Tientas | 2001 | fixed media, akusmatisch | 7:42 | 0 | ||||||||||||
| 17145 | Augusto | Valente | Landschaft mit Stahlbaum | 1990 | fixed media, akusmatisch | 7:37 | Quadro | HfMT Köln | 0 | ||||||||||
| 17146 | Augusto | Valente | Quand, dernier rameau de l'être... | 1991/1992 | fixed media, akusmatisch | 10:30 | Quadro | txtcompo | HfMT Köln | 0 | |||||||||
| 22526 | Augusto | Valente | Triptyque pour l‘avenir | 1994 | fixed media, akusmatisch | 18:20 | Quadro | Von CD5 der Reihe Elektronische Musik der HfMT Köln Sprachkomposition |
HfMT Köln CD5/ | HfMT Köln | Competition Musica Nova Prag 1995 | 0 | |||||||
| 34047 | Augusto | Valente | Voix oubliées, Nach Fragmenten aus Salomons Hohem Lied | 1996 | live-elec, 1 perf | 21:10 | Quadro | fem-V [Stimme] | Komposition für eine Sängerin und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 25452 | Mario | Valenti | Inside | 1999 | fixed media, akusmatisch | 6:22 | Stereo | EMF 047/ Russolo Pratella EF.ER.P 99/ | HfM Vincenzo Bellini Catania | Prize Russolo Varese 1999 | 1 | ||||||||
| 36936 | Victor | Valentim | Transgression of Being | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 34104 | Gonzalo | Valera | Henry’s Cowbel | 2013 | fixed media, akusmatisch | 5:04 | FONAM Urugay/ | 0 | |||||||||||
| 17147 | Gunnar | Valkare | Jag, en dag och du | 1967 | fixed media, akusmatisch | 9:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17148 | Gunnar | Valkare | Koreo - (skärvor) | 1968/1969 | Tanz | 11:30 | Mono | choreo Tyyne Talvo | EMS Stockholm | 0 | |||||||||
| 17149 | Gunnar, Bengt | Valkare, Ernryd | Operan | 1969 | Oper | 8:00 | Part I & II with Ernryd | 0 | |||||||||||
| 35738 | Victor | Vallés | Crónica de un viaje… anunciado | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 21934 | Gabriel | Valverde | Allycs o un Cuento lejano | 1983 | fixed media, akusmatisch | 13:40 | IMEB Bourges | 0 | |||||||||||
| 17150 | Gabriel | Valverde | Cumulos | 1988 | fixed media, akusmatisch | 10:10 | LDC 278051/52 Cultures Electroniques 5/ | LIPM B.Aires | 1 | ||||||||||
| 20881 | Gabriel | Valverde | Ek-Stasis | 1986 | Zuspiel / Tonband, 1 perf | 8:48 | Stereo | p [Piano] | mode 31/ | LIPM B.Aires | 0 | http://www.moderecords.com/ | |||||||
| 27527 | Gabriel | Valverde | Terra Incognita | 1992 - 1907 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | mode 94/ | 0 | |||||||||||
| 21935 | Gabriel | Valverde | Una Musica, un Rumor, un Symbolo | 1984 | fixed media, akusmatisch | 10:22 | IMEB Bourges | 0 | |||||||||||
| 21936 | Gabriel | Valverde | Y una Linea de Luz … | 1990 | fixed media, akusmatisch | 15:40 | IMEB Bourges | 0 | |||||||||||
| 13150 | Piet Hein | van de Poel | Sound to an exposition | 1970 | Klangkunst, Installation | 120 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17229 | Witte | van de Veen | Noise | 1990 | fixed media, akusmatisch | 6:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 17151 | Martin | Van de Ven | A Day in the life of Maggila Gorilla | 1982 | fixed media, akusmatisch | 7:05 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 17152 | Martin | Van de Ven | Allan Expressway Suite | 1984 | fixed media, akusmatisch | 54:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 17153 | Martin | Van de Ven | No Good Connection | 1983 | fixed media, akusmatisch | 8:12 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17154 | Martin | Van de Ven | Spellbinding | 1984 | fixed media, akusmatisch | 5:53 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 27766 | Aliocha | Van der Avoort | Anisotrope | 2001 | fixed media, akusmatisch | 13:00 | Octo | Musiques et Recherches Ohain | Musiques et Recherches Ohain | 0 | |||||||||
| 22200 | Aliocha | van der Avoort | Tropisme | 1998 | fixed media, akusmatisch | 7:33 | MR 2000 Métamorphoses 2000/ M&R, Mars 2000/ M&R L’Espace du son 2000/ | Musiques et Recherches Ohain | 1st biennial Acousmatic Composition Competition: 1st prize ex aequo | 1 | |||||||||
| 17228 | Jan Hendrik | van der Veen | Unvermeidliche Erzählung des Gegners | 1979 | fixed media, akusmatisch | 16:00 | Mono | Sonology Utrecht | 0 | ||||||||||
| 17438 | Frits | van der Waa | 29 Blunderbuss Antiques 29 | 1980 | Zuspiel / Tonband, 2 perf | 5:17 | Stereo | 2 p [Piano] | Sonology Utrecht | 4.12.1984 | Vredenburg | 0 | |||||||
| 17439 | Frits | van der Waa | Scylla en Charybdis | 1979 | fixed media, akusmatisch | 4:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17440 | Frits | van der Waa | To the point | 1979 | fixed media, akusmatisch | 1:26 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 27872 | Bert | Van Herck | Cantilena | 2004 | Zuspiel / Tonband, 1 perf | fl [Flöte] | CRFMW Liège | 13.10.2005 | Leuven, Lemmensinstituut | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 28487 | Robert | van Heumen | Stranger | fixed media, akusmatisch | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ CS 116, CREATIVE SOURCES/ | EMS Stockholm, STEIM | 0 | http://hardhatarea.com/stranger/ | |||||||||||
| 36731 | Joost | van Santen | geluid voor het Ravensbrück Monument | 1995 | Klangkunst, Installation | Sonology Den Haag | 0 | ||||||||||||
| 22315 | Xavier | van Wersch | Odysseia | fixed media, akusmatisch | 11:34 | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#acousmatrix | ||||||||||
| 17155 | Annette | Vande Gorne | Action / Passion | 1987 | Tanz | 43:56 | Stereo | choreo Patricia Kuypers | Musiques et Recherches Ohain | 0 | |||||||||
| 38105 | Annette | Vande Gorne | Aglavaine et Selysette | 1998 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 21618 | Annette | Vande Gorne | Amoroso: Vox Alia | 1998 | fixed media, akusmatisch | 4:53 | 2nd part; | CEC Presence 2/ | Musiques et Recherches Ohain | 0 | |||||||||
| 17156 | Annette | Vande Gorne | Architecture Nuit | 1988 | fixed media, akusmatisch | 20:09 | 16 Tracks | after 5 poems by W. Lambersy | IMSO 9504/ IMED 9839/ | Musiques et Recherches Ohain, INA • GRM, Paradoxe studio RTBF | RTBF | 27.01.1989 | 2nd festival of poetry Le meneur de lune at the Colisée in Roubaix (France) | finalist at the 17th Bourges International Electroacoustic Music Competition (France) in 1990. | Phi (Echternach, Luxembourg) in coproduction with Éditions du Noroît (Québec) and Les éperonniers (Bruxelles, Belgique) in 1992. | 1 | |||
| 38106 | Annette | Vande Gorne | Au-delà du Réel | 2014 | fixed media, akusmatisch | 11:25 | Musiques et Recherches Ohain | 0 | |||||||||||
| 38107 | Annette | Vande Gorne | Bruxelles bivoque | 1997 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 25784 | Annette | Vande Gorne | Ce qu’a vu le vent d’Est | 2003 | fixed media, akusmatisch | 7:59 | Stereo, Surround 5.1, Octo | To Hans Tutschku | IMED 0890/ Accademia Musicale Pescarese/ | Musiques et Recherches Ohain | Monumenti Pianistici (Cagliari, Sardinia) | 7.06.2003 | Monumenti Pianistici, Exma’ (Cagliari, Sardinia) | 2nd prize at the 4th Concorso Internazionale di Composizione Musicale Elettronica Pierre Schaeffer (Pescara, Italy, 2003) | 1 | ||||
| 27765 | Annette | Vande Gorne | Cosmographie | 2003 | Klangkunst, Installation | 12:00 | Stereo | pour une installation de Anne Liebhaberg | Musiques et Recherches Ohain | 0 | |||||||||
| 38108 | Annette | Vande Gorne | Déluges et autres péripéties | 2015 | fixed media, akusmatisch | 28:02 | Musiques et Recherches Ohain | 0 | |||||||||||
| 17157 | Annette | Vande Gorne | En avant, marche, étude pour synthétiseur | 1983 | fixed media, akusmatisch | 6:22 | VCS 3 | Musiques et Recherches Ohain, INA • GRM | 0 | ||||||||||
| 17158 | Annette | Vande Gorne | Energie / Matière | 1985 | fixed media, akusmatisch | 28:15 | Musiques et Recherches Ohain | prix SABAM 85 | 0 | ||||||||||
| 17159 | Annette | Vande Gorne | Exil, chant II | 1983/2006 | fixed media, akusmatisch | 22:35 | Stereo | after a poème de Saint-John Perse | IMED 0890/ | Musiques et Recherches Ohain | Ministère de la Communauté française de Belgique. | 30.07.1983 | Stalker (Brussels, Belgium) | 1 | |||||
| 17160 | Annette | Vande Gorne | Faisceaux | 1985, 2016 | Zuspiel / Tonband, 1 perf | 8:00 | p [Piano] | Musiques et Recherches Ohain | 0 | ||||||||||
| 25787 | Annette | Vande Gorne | Figures dèspace, Vide et Plein Texture Ritournelle 1 Vagues Ritournelle 2 Contrastes Ritournelle 3 |
2004 | fixed media, akusmatisch | 13:49 | Stereo, Surround 5.1 | Vide et Plein (1:21); Texture (2:19); Ritournelle 1 (0:38); Vagues (3:34); Ritournelle 2 (0:46); Contrastes (4:23); Ritournelle 3 (0:48) | IMED 0890/ | Musiques et Recherches Ohain, EMS Stockholm | Noise Watchers Unlimited | 19.11.2004 | Rainy Days, Villa Louvigny (Luxembourg, Luxembourg) | 1 | 2005 | ||||
| 25786 | Annette | Vande Gorne | Folie de Vincent | 1983 | fixed media, akusmatisch | 5:27 | Stereo | IMED 0890/ | Musiques et Recherches Ohain | Philippe Marannes. | 13.01.1984 | Stalker (Brussels, Belgium) | 1 | ||||||
| 17161 | Annette | Vande Gorne | Folies d'Henri | 1980 | Musiktheater | 10:30 | after a Pirandello-Piece | Musiques et Recherches Ohain | 0 | ||||||||||
| 17162 | Annette | Vande Gorne | Folies de Vincent | 1983 | Musiktheater | 17:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 25785 | Annette | Vande Gorne | Fragments de lettre à un habitant du Centre | 2002 | fixed media, akusmatisch | 12:13 | Surround 5.1 | text is excerpted from the book Fragments de lettre à un habitant du Centre / Brieffragmenten aan een inwoner van het Centrum by Kamal Ben Hameda | IMED 0890/ | Musiques et Recherches Ohain | Éveline Legrand with support from the Ministère de la Communauté française de Belgique | 1.10.2002 | festival L’Espace du son at the Théâtre Marni (Brussels, Belgium) | 1 | |||||
| 42450 | Annette | Vande Gorne | Haiku, Spring Hiver |
2016 | fixed media, akusmatisch | 14.1.2017 | ZKM Karlsruhe Kubus, Les Femmes de GRM III (Hiver / Winter) | 0 | |||||||||||
| 17163 | Annette | Vande Gorne | Lamento ou la délivrance du cercle | 1982 | fixed media, akusmatisch | 17:25 | Musiques et Recherches Ohain | 0 | |||||||||||
| 17164 | Annette | Vande Gorne | Le Ginkgo | 1994 | fixed media, akusmatisch | 14:43 | Stereo | after a nouvelle by W. Lambersy Syter |
IMSO 9504/ IMED 9839/ | Musiques et Recherches Ohain, GMEM Marseille | Année nouvelle (Université catholique de Louvain-la-Neuve) and Vincent Engel | 26.04.1994 | Louvain-la-Neuve (Belgium) | Competition Musica Nova Prag 1995 | 1 | http://www.musiques-recherches.be/home.php?lng=en | |||
| 27764 | Annette | Vande Gorne | Les écritures sur support, les énergies (43') les montages (42') les mélanges (48:30) les polyphonies (52:30) |
2003 - 2004 | radiophon | 190:00 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 38109 | Annette | Vande Gorne | Les Énergies | 2003 | radiophon | Musiques et Recherches Ohain | 0 | ||||||||||||
| 17165 | Annette | Vande Gorne | Noces Noires | 1986 | fixed media, akusmatisch | 34:14 | Stereo | after a poem by W. Lambersy | IMSO 9504/ IMED 9839/ | Musiques et Recherches Ohain | 2.10.1986 | Centre Pompidou | La table rase (France) and by Éditions du Noroît (Québec) | 1 | |||||
| 17166 | Annette | Vande Gorne | Paysage / Vitesse | 1986 | Tanz | 15:00 | Stereo | ballet "Nuit Hexoise" d' Odile Duboc | Musiques et Recherches Ohain | 0 | |||||||||
| 17173 | Annette | Vande Gorne | Tao, 5° élément "Terre" | 1990 | fixed media, akusmatisch | 26:00 | Octo, Stereo | Syter; stereo-version 1992, duration 27:00 with SYTER |
IMED 9311/ ASP 0966/ | INA • GRM, Musiques et Recherches Ohain | Ina-GRM | 30.01.1991 | Clair de terre series organized by the ACREQ at the Planétarium de Montréal | 1 | 2002 | ||||
| 17167 | Annette | Vande Gorne | Tao, 1° élément "Eau" | 1984 | fixed media, akusmatisch | 16:15 | Stereo | 1st version | Musiques et Recherches Ohain | 21.04.1984 | Violette Beaujeant at 1er Festival acousmatique at the Botanique in Brussels (Belgium) | 1 | 2002 | ||||||
| 17169 | Annette | Vande Gorne | Tao, 2° élément "Feu" | 1984 | fixed media, akusmatisch | 13:33 | Stereo | IMED 9311/ | Musiques et Recherches Ohain | 6.07.1986 | Synthèse Festival of experimental music in Bourges (France) | 1985 SABAM Special Prize of the Year of Music | 1 | 2002 | |||||
| 17170 | Annette | Vande Gorne | Tao, 3° élément "Bois" | 1986 | fixed media, akusmatisch | 12:27 | Stereo | IMED 9311/ IMED 0050/ | Musiques et Recherches Ohain | 14.08.1986 | Arles (France) | 1 | 2002 | ||||||
| 17171 | Annette | Vande Gorne | Tao, 4° élément "Metal" | 1983 | fixed media, akusmatisch | 14:42 | Stereo | 1st version 14:42 | Musiques et Recherches Ohain | 18.12.1983 | Café-théâtre Stalcker in Brussels (Belgium) | 1985 SABAM Special Prize of the Year of Music | 1 | 2002 | |||||
| 17172 | Annette | Vande Gorne | Tao, 4° élément "Metal" | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 11:04 | Stereo | cheng [Bläser] | new version | IMED 9311/ | Musiques et Recherches Ohain | 1 | 2002 | ||||||
| 17168 | Annette | Vande Gorne | Tao, 1° élément "Eau" | 1986 | Zuspiel / Tonband, 1 perf, 1 group | 15:33 | Stereo | cheng [Bläser] | new version | IMED 9311/ | Musiques et Recherches Ohain | 1 | 2002 | ||||||
| 17174 | Annette | Vande Gorne | Vox Alia, Giocoso Amoroso Innocentemente (4:16) Furioso (4:52) Parola Volante (1:56) |
1998 - 2000 | fixed media, akusmatisch | 21:22 | Stereo, Surround 5.1, Octo | Giocoso (5:00); Amoroso (4:54); Innocentemente; Furioso; Parola Volante | IMED 0890/ CEC Presence 2/ | Musiques et Recherches Ohain, INA • GRM | Ina-GRM | 9.09.2001 | Centre culturel de Rixensart (Genval, Belgium) - premiere of the whole piece! | 1 | 2002 | ||||
| 27755 | Annette | Vande Gorne | Yawar Fiesta (opéra) | 2006 - 2012 | fixed media, akusmatisch | 78:28 | Surround 7.1 + Mono, Surround 5.1, Stereo, Spazialisation: binaural | livret de Werner Lambersy. To Francis Dhomont |
wbm 168 b Electro AC Wallonie - Bruxelles/ IMED 17142/ | Musiques et Recherches Ohain | Service de la musique classique et contemporaine du Service de la Création artistique de la Fédération Wallonie-Bruxelles | October 28, 2012 | L’Espace du son 2012: Yawar Fiesta, Théâtre Marni (Brussels, Belgium) | 0 | http://www.electrocd.com/en/cat/imed_17142/ | ||||
| 17175 | Romuald | Vandelle | Crucifixion, Jesu antem flagellatum Et venerant in locum qui sicitur Golgata Tunc crucifixi sunt cum es duo latrones Eli Eli lamma sabacthani |
1960 | fixed media, akusmatisch | 11:24 | Mono | BAM LD 071/ BAM 5872/ IDEAMA CD 039/ | INA • GRM | 1 | |||||||||
| 17176 | Romuald | Vandelle | Fantaisie | 1962 | live-elec, 1 perf, 1 group | 12:20 | Stereo | p, ens [Piano, Ensemble] | INA • GRM | 15.2.1963 | Paris Salle des Conservatoire | 0 | |||||||
| 40482 | Romuald | Vandelle | Nicolas de Stael | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40456 | Romuald | Vandelle | Séquences gigognes | 1962 | Zuspiel / Tonband, 1 group | 9:45 | ens [Ensemble] | INA • GRM | 0 | ||||||||||
| 40457 | Romuald, N'Guyen van | Vandelle, Tuong | Les six jours de la creation | 1962 | Film | utilisation de „Sequences gigognes“ pour la film d’animation d’ Arie Mambouch | INA • GRM | 22.3.1965 | TV ORTF, 1. chaine | 0 | |||||||||
| 17177 | Fernand | Vandenbogaerde | Anschlag | 1969 | fixed media, akusmatisch | 10:11 | Stereo | CIRM Paris, Con Pantin | 0 | ||||||||||
| 17178 | Fernand | Vandenbogaerde | Bhinneka-Tunggal-Ika | 1975 | live-elec, | Con Pantin | 0 | ||||||||||||
| 17179 | Fernand | Vandenbogaerde | Brumes | 1972 | fixed media, akusmatisch | 14:38 | Stereo + Stereo + Stereo + Stereo | IPEM Gent | 0 | ||||||||||
| 17180 | Fernand | Vandenbogaerde | Cyclanes | 1983 | fixed media, akusmatisch | 15:00 | Stereo | LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||||
| 17181 | Fernand | Vandenbogaerde | Drei Nachdenken über Hymnen an die Nacht | 1971 | fixed media, akusmatisch | 35:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17182 | Fernand | Vandenbogaerde | Elégie II | 1972 | fixed media, akusmatisch | CIRM Paris | 0 | ||||||||||||
| 17183 | Fernand | Vandenbogaerde | Flux et Reflux | 1972 | Zuspiel / Tonband, 1 perf | fl [Flöte] | CIRM Paris | 0 | |||||||||||
| 17184 | Fernand | Vandenbogaerde | Hélicoïde | 1975 | Zuspiel / Tonband, 1 perf | microtonal p [Piano] | CIRM Paris | 0 | |||||||||||
| 17185 | Fernand | Vandenbogaerde | Im Anfang war das Wort! | 1972 | live-elec, 2 perf | va, tpt [Trompete, Viola] | CIRM Paris | 0 | |||||||||||
| 17186 | Fernand | Vandenbogaerde | Impavid Music | live-elec, | CIRM Paris, Con Pantin | 0 | |||||||||||||
| 17187 | Fernand | Vandenbogaerde | Itérations | 1973 | fixed media, akusmatisch | 21:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17188 | Fernand | Vandenbogaerde | Kaleidoscope | 1976 | fixed media, akusmatisch | Quadro | UEA Norwich, Con Pantin | 0 | |||||||||||
| 17189 | Fernand | Vandenbogaerde | Le temps d’un entretien | 1975 | live-elec, | CIRM Paris | 0 | ||||||||||||
| 34553 | Fernand | Vandenbogaerde | Métamorphoses | 1969 | fixed media, akusmatisch | 8:10 | CIRM Paris | 0 | |||||||||||
| 17190 | Fernand | Vandenbogaerde | Modifications I | 1970 | live-elec, 2 perf | hn, trbn [Horn, Posaune] | CIRM Paris | 0 | |||||||||||
| 17191 | Fernand | Vandenbogaerde | Modifications II | 1970 | live-elec, | CIRM Paris | 0 | ||||||||||||
| 17192 | Fernand | Vandenbogaerde | Modifications III | 1970 | fixed media, akusmatisch | 16:13 | CIRM Paris | 0 | |||||||||||
| 17193 | Fernand | Vandenbogaerde | Modifications IV | 1971 | live-elec, | CIRM Paris | 0 | ||||||||||||
| 17194 | Fernand | Vandenbogaerde | Musique planante | live-elec, | CIRM Paris, Con Pantin | 0 | |||||||||||||
| 17195 | Fernand | Vandenbogaerde | Musiques Dispersees (B), Métamorphoses | 1969 | Performance | 8:10 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 17196 | Fernand | Vandenbogaerde | Proliférations I | 1970 | live-elec, 1 perf | ins [Instrument] | CIRM Paris | 0 | |||||||||||
| 17197 | Fernand | Vandenbogaerde | Proliférations II | 1971 | fixed media, akusmatisch | CIRM Paris | 0 | ||||||||||||
| 17198 | Fernand | Vandenbogaerde | Quadripole actif | 1971 | fixed media, akusmatisch | 9:15 | Quadro, Stereo | INA • GRM | 26.2.1971 | Paris, Halles Baltard | 0 | ||||||||
| 18562 | Fernand | Vandenbogaerde | Quipo | 1971 | fixed media, akusmatisch | 45:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17199 | Fernand | Vandenbogaerde | Rouages | 1971 | fixed media, akusmatisch | 16:20 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17200 | Fernand | Vandenbogaerde | Stabile Instabile | 1970 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17201 | Fernand | Vandenbogaerde | T-E-M | 1974 | fixed media, akusmatisch | CIRM Paris | 0 | ||||||||||||
| 17202 | Jan | Vandenheede | Struktur I | 1991 | fixed media, akusmatisch | 8:00 | IRCAM | 0 | |||||||||||
| 39428 | Kyle | Vanderburg | Austerity | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39999 | Kyle | Vanderburg | Remnants of Creation | 2016 | fixed media, akusmatisch | Kyle Vanderburg | 0 | ||||||||||||
| 40000 | Kyle | Vanderburg | Reverie of Solitude | 2015 | fixed media, akusmatisch | 10:00:00 | Kyle Vanderburg | 0 | |||||||||||
| 40001 | Kyle | Vanderburg | Reverie of Solitude | 2015 | fixed media, akusmatisch | 10:00:00 | Kyle Vanderburg | 0 | |||||||||||
| 39998 | Kyle | Vanderburg | Tempest in a Teakettle | 2017 | fixed media, akusmatisch | Kyle Vanderburg | 0 | ||||||||||||
| 42804 | Roy | Vanegas | Finalestrinë | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 42677 | Dan | VanHassel | Lush Intrinsic | 2009 | live-elec, 1 perf | 10 | p [Piano] | Keith Kirchoff | 0 | ||||||||||
| 35779 | Bart | Vanhecke | Des cercles sur les eaux | 2003 | live-elec, 1 perf, 1 group | 15:05 | hp, ens, (elec) [Harfe, Ensemble] | Consuelo Giulianelli, harp - Ensemble Phoenix Basel - Jürg Henneberger, conductor | Musik Flamen/ | 1 | |||||||||
| 18392 | Sean | Varah | Slipping Image | 1995 | Zuspiel / Tonband, 4 perf | 4 ins [Instrument] | HCMC Harvard | 0 | |||||||||||
| 35540 | Edgar | Varcalcel | Invención | 1967 | fixed media, akusmatisch | 0 | |||||||||||||
| 43202 | Nicolás | Varchausky | La Biblioteca Ciega | 2011 | audiovisuell | Secretaría de Cultura de La Nación Argentina | December 4th, 2011 | Centro Nacional de la Música (Former National Library) – Sala Guastavino (México 564 – Buenos Aires) | Auszeichnung ars electronica honorary mention 2013 | 0 | http://www.varchausky.com.ar/la-biblioteca-ciega/ | ||||||||
| 17203 | Edgard | Varèse | Déserts, 3 interpolations pour bande | 1954, 1961 | Zuspiel/Tonband, 20 perf | audiovisuell |
9:46 | Mono, Stereo | 14 w (brass, ww), 5 perc, p [Piano, Schlagzeug, Bläser] | definitive version 61; Spatialization by Pierre Henry! Version 1954 as "Interpolation 1" with 3:00 Duration! |
CRi SD 268/ INA C 1031 27651 archives grm CD 1/5/ CBS BRG 72106/ CBS SERG 75106/ EMI C 061 L 0875/ CBS MS 6362/ CBS ML 5762/ Klett Stuttgart 08762/ Attacca Babel 9263-2 DDD/ IDEAMA CD 038 | INA • GRM, Col.Princ EMC, STEM Utrecht | 2.12.1954 | Paris, Th. des Champs Elysées; Orchestre National, Dir. H. Scherchen; Pierre Henry responsable for the tape-part. | 1 | https://en.wikipedia.org/wiki/Déserts | ||||
| 19302 | Edgard | Varèse | Ecuatorial | 1934 | live-elec, 19 perf, 1 group | 13:25 | B, male ch, 4 tpt, 4 trbn, p, org, 2 oma or theremin, 6 perc [Bass, Trompete, Posaune, Piano, Orgel, Schlagzeug, synthesizer, Chor] | HR-orc; Markowski; 2.9.1966; 50 Jahre Neue Musik in Darmstadt, Vol. 4 | col legno WWE 1CD 31897, 50 Jahre Neue Musik in Darmstadt, Vol. 4/ | 1 | |||||||||
| 17204 | Edgard | Varèse | Poème électronique | 1958 | fixed media, akusmatisch | Film |
8:00 | 3 tracks | organized sound with images by Le Corbussier; Philips Pavillon Brussels World´s Fair 1958 with 425 LS | Mainstream MS 6146/ Neuma 450-74/ PHI A 01494 L/ Ellipsis Arts 3671 - OHM: 01/ Attacca Babel 9263-2 DDD/ IDEAMA CD 066/ ACMEM 159CD/ Boomkat bundle_158/ BVHAAST CD 06/0701/ SR 190 sub rosa | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Le poeme electronique excerpt.mp3 | |||||||
| 25690 | Lucas | Vargas | Blind Accordionist | 2001 | Zuspiel / Tonband, 1 perf | 8:06 | Stereo | acc [Akkordeon] | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | ||||||||
| 17205 | Mike | Vargas | Messages | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 42678 | Jorge | Variego | “Now that you are here” | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 35626 | Jorge | Variego | Ornet | 2012 | Zuspiel / Tonband, 1 perf | 9:58 | cl [Klarinette] | 0 | |||||||||||
| 39939 | Jorge | Variego | The invisible hand | 2017 | fixed media, akusmatisch | Jorge Variego | 0 | ||||||||||||
| 39812 | Georgios | Varoutsos | Elongation | 2017 | fixed media, akusmatisch | Georgios Varoutsos | 0 | ||||||||||||
| 34840 | Georgios | Varoutsos | Reflection | 2016 | fixed media, akusmatisch | 8:00:00 | Stereo, Surround 5.1 | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 31602 | Peter | Vasil | Satellite sound | 2013 | fixed media, akusmatisch | 5:00 | Octo | next_generation 5.0 | TU Berlin | 0 | |||||||||
| 28433 | Artem | Vasiliev | Life in The Outside | fixed media, akusmatisch | 20:42 | 4 parts | ELCD 004 Electroshock Records/ | IMEB Bourges | 0 | ||||||||||
| 17206 | Amilcar | Vasques Dias | Raiz | 1977 | Zuspiel / Tonband, 2 perf | 13:00 | fl, p [Flöte, Piano] | EM ?? | 0 | ||||||||||
| 27714 | Harold | Vasquez | PRIMITIVA | 1997 | fixed media, akusmatisch | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 42877 | Juan | Vasquez | Collage 3 | 2013 | fixed media, akusmatisch | 9:18:00 | 0 | ||||||||||||
| 35783 | Juan Camilo | Vásquez | En el Alba | 2013 | live-elec, 1 perf | S [Sopran] | mention 4º concurso latinoamericano de composición electroacústica y electrónica Gustavo Becerra schmidt 2013 | 0 | |||||||||||
| 31612 | Juan Camilo | Vásquez | En los abismos (Etüde I) | 2013 | fixed media, akusmatisch | 7:00:00 | next_generation 5.0 | HfM Stuttgart | 0 | ||||||||||
| 39417 | Juan Carlos | Vasquez | A Chinese Triptych | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39958 | Juan Carlos | Vasquez | Collage 8 (after J. S. Bach) | 2015 | fixed media, akusmatisch | 4:14:00 | Juan Carlos Vasquez | 0 | |||||||||||
| 39957 | Juan Carlos | Vasquez | Sibelius Collage | 2016 | fixed media, akusmatisch | Juan Carlos Vasquez | 0 | ||||||||||||
| 20886 | Pierre | Vasseur | Lacertae | 1986 | fixed media, akusmatisch | 15:55 | Stereo | FWM 869193 Free Way Music/ | 0 | ||||||||||
| 20887 | Pierre | Vasseur | Le sens caché | 1991 | fixed media, akusmatisch | 32:50 | Stereo | FWM 869193 Free Way Music/ | 0 | ||||||||||
| 17207 | Pierre | Vasseur | Purple Frame | 1993 | fixed media, akusmatisch | 17:05 | Stereo | FWM 869193 Free Way Music/ | ZKM Karlsruhe | 0 | |||||||||
| 17208 | Pierre | Vasseur | Transparescence | 1984 | fixed media, akusmatisch | 10:30 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX, CNR Boulogne | 0 | |||||||||
| 17209 | Stephanos | Vassiliadis | Aima (Blood) | 1977 | Tanz | intermedia |
ch, dance [Tanz, Chor] | film | 0 | |||||||||||
| 17210 | Stephanos | Vassiliadis | E ri (3rd rev. 79) | 1979 | Zuspiel / Tonband, 1 perf | Octo | db, slides [Kontrabass] | 0 | |||||||||||
| 17211 | Stephanos | Vassiliadis | Oresteia | 1986 | Theatermusik | 90:00 | 0 | ||||||||||||
| 17212 | Stephanos | Vassiliadis | Pity (from Oresteia) | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 17213 | Stephanos | Vassiliadis | The Secret Songs of Silence | 1971 | fixed media, akusmatisch | EMI CSDG 65/ | 0 | ||||||||||||
| 41094 | Steina, Harald | Vasulka, Bode | Vocoder And | 2005 | audiovisuell, live-elec, 1 perf | perf [Performer] | Violin Improvisations | IEA 08/ | IEA Alfred Uni | 0 | |||||||||
| 37674 | Camilla, Alexandra | Vatne Barratt-Due, Cárdenas | Respire Tune | 2017 | Klangkunst, Installation | ∞ | Mono | performative Klanginstallation mit gefundenen Akkorden und ausgesonderten Akkordeons | 28.9.2017 - 1.10.2017 | Kontakte17 Festival, AdK Berlin, Glasgang | 0 | ||||||||
| 27376 | Elliot | Vaughan | Icely Unsect | 2007 | fixed media, akusmatisch | 7:58 | JTTP 2007 composer | CEC Cache 2007, PeP 012/ | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 17214 | Mike | Vaughan | Crosscurrents | 1990 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | hpd [Cembalo] | NMC D035/ | BEAST | Mention:Prix Ars Electronica 1994 | 1 | |||||||
| 17215 | Mike | Vaughan | Crosstalk | 1989 | fixed media, akusmatisch | 7:00 | Stereo | Phase Vocoder, CDP | AVTR 001/ | BEAST | CDP und der Keele University. | 1 | 1994 | ||||||
| 17216 | Mike | Vaughan | Ensphered | 1990 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | s-sax [Saxophon] | LDC 278053/54 Cultures Electroniques 6/ NMC D035/ | BEAST | Auszeichnung ars electronica 1992 | 1 | |||||||
| 17217 | Mike | Vaughan | It Moves... It Moves Not... | 1986 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | shakuhachi [Flöte] | BEAST | 0 | |||||||||
| 17218 | Mike | Vaughan | Knots | 1988/1995 | fixed media, akusmatisch | 17:00 | Stereo | BEAST | 0 | ||||||||||
| 41928 | Mike | Vaughan | Mélodie | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 39441 | Mark | Vaughn | The Curved Line in the Garden | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 17219 | Alain | Vaugier | Cave Sounds | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17220 | Alain | Vaugier | Elle eleveille l'alarme | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17221 | Alain | Vaugier | Esquisse | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17222 | David | Vayo | Time Elastic | 1987 | fixed media, akusmatisch | 6:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 19634 | Octavio | Vázquez Rodriguez | Mimolo | 1993 | fixed media, akusmatisch | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 20888 | Carlos | Vazquez | El encanto de la noche tropical I: El yunque | 1993 | fixed media, akusmatisch | 8:03 | Stereo | ISAST LMJ 4/ | PS C. | 0 | |||||||||
| 17223 | Carlos | Vazquez | Los Ciclos de Luisa | fixed media, akusmatisch | 0 | ||||||||||||||
| 22717 | Carlos | Vázquez | Saxofonia | 1997 | fixed media, akusmatisch | 1:25 | sax-sounds | CMJ Vol 23-4, 1999/ | 1 | ||||||||||
| 35616 | Jorge Diego | Vazquez | Kenko | 2007 | Zuspiel / Tonband, 6 perf | fl, cl, sax, vn, vc, perc [Flöte, Klarinette, Saxophon, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 17224 | Wolfango dalla | Vecchia | Atrocissime Tange | 1981 | Zuspiel / Tonband, 2 perf | 34:00 | Stereo | mime, perc [Schlagzeug, Schauspieler] | CSC Padova | 0 | |||||||||
| 17225 | Wybren | Veeman | Impuls | 1969 | fixed media, akusmatisch | 6:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17226 | Wybren | Veeman | Mixture | 1968 | fixed media, akusmatisch | 6:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17227 | Wybren | Veeman | "X" | 1968 | fixed media, akusmatisch | 5:55 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 41394 | Curt | Veeneman | A Song for Sarah’s Birthday | fixed media, akusmatisch | sonus.ca | 0 | https://www.ckcufm.com/ | ||||||||||||
| 41395 | Curt | Veeneman | Windmills | fixed media, akusmatisch | sonus.ca | 0 | https://www.ckcufm.com/ | ||||||||||||
| 17230 | Aurelio de la | Vega | Interpolación | 1965 | Zuspiel / Tonband, 1 perf | 6:00 | Stereo | cl [Klarinette] | Northridge Coll | 0 | |||||||||
| 17231 | Aurelio de la | Vega | Vectores | 1963 | fixed media, akusmatisch | 4:04 | Mono | Northridge Coll | 0 | ||||||||||
| 24998 | Henry | Vega | Idoru in Metals | 2003 | Zuspiel, live-elec, 4 perf | 6:23 | com (elec V), 3 V [Stimme, computer] | ICMC 2005 Barcelona | ICMC 2005, ars harmonica/ | 1 | http://www.henryvega.net/ | ||||||||
| 26091 | Henry | Vega | Light Dynamics | 2006 | fixed media, akusmatisch | 5:00 | Octo | SARC Belfast | 1 | 2006 | http://www.henryvega.net/ | ||||||||
| 26092 | Henry | Vega | Liquidus | 2005 | live-elec, 1 perf | 4:11 | perc, (com) [Schlagzeug] | The Electronic Hammer (perc: Diego Espinosa, computer: Henry Vega, Juan Parra). | EMF CD 067 „The Electronic Hammer“ How to philosophize with a hammer/ | 1 | http://www.henryvega.net/ | ||||||||
| 28480 | Henry | Vega | The Hallelujah Drones | live-elec, 6 perf | 6 V [Stimme] | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | Romain Bishoff of the VocaalLab Nederland and the Nederlands Fonds voor Podiumkunsten. | 0 | http://www.henryvega.net/music/hallelujah.php | ||||||||||
| 35146 | Mario de | Vega | absentia | 2012 - 2016 | Klangkunst, Installation | 2013 | Laboratorio Arte Alameda in Mexico City | 0 | |||||||||||
| 34082 | Mario de | Vega | Semicírculo | 2015 | Performance, live-elec, 1 perf | 30-40 | Octo | perf (tape, electronics, amp objects) [Performer] | action for tape, electronics and amplified objects | 0 | |||||||||
| 37594 | Mario de | Vega | vertical | 2017 | live-elec, | Quadro | (4-channel system, mixer, CO2, objects) [] | 25.8.2017 | mikromusic Berlin, BKP des DAAD | 0 | |||||||||
| 17232 | Pablo | Vega | Siempre | 1990 | fixed media, akusmatisch | 3:22 | bells | UM CD 7 Vol. I/ | 1 | ||||||||||
| 34388 | Pablo | Vega | Trastorno Bipolar. Ecos. IV | fixed media, akusmatisch | 7:13 | AMEE/ | 0 | ||||||||||||
| 38663 | Daniel | VELASCO | Der Humboldt-Effekt | 2001 | radiophon | 42:55:00 | 0 | ||||||||||||
| 43118 | Jacob Ter | Veldhuis | De Zuchten van Rameau | 1995 | audiovisuell | hpd, (slides) [Cembalo] | Auszeichnung ars electronica 1996 | 0 | |||||||||||
| 37557 | Peter | Velinkonja | Surfin | 1985 | live-elec, | 6:08:00 | Stereo | Synlab, Oboe | ICEM Essen | 0 | |||||||||
| 37558 | Peter | Velinkonja | Wait | 1985 | live-elec, | 4:38:00 | Stereo | Synlab | ICEM Essen | 0 | |||||||||
| 37559 | Peter | Velinkonja | You Haven't | 1985 | live-elec, | 2:37:00 | Stereo | Synlab, Oboe | ICEM Essen | 0 | |||||||||
| 21987 | Erik | Velldal | Formation of Unvoiced Sound | 1997 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 35739 | David | Vendrell | Contrapunto metálico | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 36688 | David | Vendrell | Versemblança | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 31864 | Axel | Vent | inside the wood of marimba | 2002 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31138 | Axel | Vent | Psycho-Active Channels | 2006 | fixed media, akusmatisch | NoiseworX Rec 009/ | 0 | ||||||||||||
| 40213 | Roberto | Ventimiglia | Ten Lilac Ghosts in the Dooryard Gloom | 2015 | fixed media, akusmatisch | Roberto Ventimiglia | 0 | ||||||||||||
| 35672 | Ricardo | Ventura | Desnudo de mujer sobre sofa azul | fixed media, akusmatisch | 10:03 | 0 | |||||||||||||
| 24089 | Santiago | Vera | Cirrus | fixed media, akusmatisch | 7:31 | 0 | |||||||||||||
| 17243 | Mario | Verandi | A través | 1991 | fixed media, akusmatisch | 4:30 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | ||||||||||
| 26093 | Mario | Verandi | Acariciando lo áspero | 2005 | Zuspiel / Tonband, 1 perf | 10:00 | carillon [Keyboard] | PS C. | INM Berlin | 3.7.2005 | Carillon im Tiergarten Berlin, Jeff Bossin | 1 | 2005 | ||||||
| 25039 | Mario | Verandi | Bellscape | 2004 | fixed media, akusmatisch | 19:20 | ZKM Karlsruhe | ZKM für Europäische Glockentage in Karlsruhe. | 26.09.2004 | European Bell Days Festival, Kubus at the ZKM, Karlsruhe | 1 | ||||||||
| 37607 | Mario | Verandi | Between the lines | 2017 | fixed media, akusmatisch | 12 | Octo | PS C., AdK Berlin | Folkmar Hein | 30.9.2017 | Akademie der Künste Berlin, Kontakte17 | 0 | https://vimeo.com/253574795 | ||||||
| 19984 | Mario | Verandi | Blues del Sepulturero Nervioso | 1991 | fixed media, akusmatisch | 8 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 31940 | Mario | Verandi | Chamamé − Gaucho Klänge aus Corrientes | 2006 | radiophon | radio documentary | WDR Köln | 2006 | SoundWorld / WDR | 0 | |||||||||
| 26094 | Mario | Verandi | Comme un jeu des images | 2006 | fixed media, akusmatisch | 12:45 | Dedicated to Folkmar Hein | ed. rz 10016 Inventionen 2005&06/ | PS C. | 28.5.2006 | Inventionen Villa Elisabeth Berlin | 1 | 2006 | http://www.marioverandi.de | |||||
| 31947 | Mario | Verandi | Constellations | 2010 | audiovisuell, live-elec, 2 perf | Sp, db-cl [Sprecher, Klarinette] | poems by Monika Rinck | Literaturwerkstatt Berlin | 7.6.2010 | International Poetry Festival Berlin, Akademie der Künste, Berlin | 0 | ||||||||
| 31938 | Mario | Verandi | Cumbia Villera. Social Protest with a Tropical Beat | 2004 | radiophon | 54 | radio documentary | WDR | 2005 | SoundWorld WDR Rundfunk | 0 | ||||||||
| 22527 | Mario | Verandi | Dancescape | 1996 | fixed media, akusmatisch | 7:15 | LNT113/ | BEAST | 28.09.1997 | ICMC97 Thessaloniki | 1 | http://www.marioverandi.de/works/dance.html | |||||||
| 31935 | Mario | Verandi | Das Herzstück | 2001 | radiophon | 9 | text by Marie von Kuck | PS C. | RBB | 7.6.2002 | RBB Rundfunksendung | 0 | |||||||
| 23654 | Mario | Verandi | De Voces, Dialogos y Ausencias | 2002 | fixed media, akusmatisch | 14:22 | PR 0083-1 SGAE/ | SGAE Electroacoustic Music (spain) | Mention Premio Internacional SGAE 2002 | 1 | |||||||||
| 31944 | Mario | Verandi | effected #1 | 2011 | Performance, live-elec, 3 perf | e-gui, acc, drum (bombo legüero) [Akkordeon, Gitarre, Schlagzeug] | Festival Ankunft Neue Musik | 3.9.2011 | Festival "Ankunft Neue Musik" in Berlin Hauptbahnhof; cesar nigro: electric guitar, live-electronics; jonas kocher: accordeon; mario verandi: bombo legüero, live-elektronics, direction | 0 | |||||||||
| 31942 | Mario | Verandi | effected #2 | 2012 | Performance, live-elec, 1 perf | drum (bombo legüero), (elec) [Schlagzeug] | 28.7.2012 | quietcue, Berlin | 0 | ||||||||||
| 31948 | Mario | Verandi | effected #3 | 2013 | Performance, live-elec, 1 perf | perc, (elec) [Schlagzeug] | Ankunft Neue Musik Festival Berlin | 29.8.2013 | Ankunft Neue Musik Festival Berlin Hauptbahnhof Berlin | 0 | |||||||||
| 31941 | Mario | Verandi | effected #3 (2013) | 2013 | live-elec, 1 perf | perc, (elec) [Schlagzeug] | Duo Thiele-Verandi: Nora Thiele: world percussion, Mario Verandi: live electronics | 29.8.2013 | Ankunft Neue Musik Festival at the Hauptbahnhof Berlin | 0 | |||||||||
| 22740 | Mario | Verandi | Evil Fruit | 2000 | fixed media, akusmatisch | 10:30 | ed. rz 10012 parallele 12 Inventionen 2000/ EMF CD 035/ EMF 135/ | TU Berlin | Festival Inventionen DAAD/TU 2000 | 1.7.2000 | Inventionen Parochialkirche Berlin | 1 | 2000 | http://www.marioverandi.de/works/fruit.html | |||||
| 22695 | Mario | Verandi | Faces and Intensities | 1996 | fixed media, akusmatisch | 11:30 | für die Video-Installation "Effected" von Ruth Honer. | EMF CD 035/ EMF 135/ | BEAST | 27.9.1997 | Futura 97, Festival of Acousmatic Art, Crest, France | Prize Musica Nova 1996 Prag Finalist Bourges 1998 |
1 | ||||||
| 17244 | Mario | Verandi | Figuras flamencas | 1995 | fixed media, akusmatisch | 12:30 | II SBC&M/ LDC 278060/61 Cultures Electroniques 9/ Prix ars electronica 97/ EMF 135/ innova 116 / Kiasma 1999/ | BEAST | 15.02.1997 | The Foyer, Queen Elizabeth Hall, London | Honorary Mention Prix Ars Electronica Awards 1997 (Linz)
Prize Bourges International Electroacoustic Music and Sound Art Awards (France) Competition Musica Nova Prag 1995 |
1 | |||||||
| 19278 | Mario | Verandi | Fréquences de Barcelone | 1997 | radiophon | 12:08 | La Muse en Circuit, 3. concours de création radiophonique/ EMF 135/ Kiasma 1998/ | La Muse, BEAST | III International Competition on Radiophonic Art organised by La Muse en Circuit/Sacem/Radio France. | 1 | |||||||||
| 31939 | Mario | Verandi | Geräusch des Monats | 2005 | radiophon | 12 short sound compositions | DRadio Kultur Berlin | January and December 2005 | DeutschlandRadio Kultur | 0 | http://www.dradio.de/dkultur/sendungen/geraeusch/beitrag/ | ||||||||
| 22694 | Mario | Verandi | Heartbreaker | 1996 | fixed media, akusmatisch | 10:00 | EMF CD 035/ EMF 135/ | BEAST | 27.09.1996 | Stockholm Electroacoustic Music Festival, Sweden | 1 | ||||||||
| 22440 | Mario | Verandi | Internal Friction | 2000 | Tanz | 30:00 | Octo | music for dance | TU Berlin | 1 | |||||||||
| 31936 | Mario | Verandi | Je ne suis pas d´ici, je suis de passage | 2001 | Klangkunst, Installation | ∞ | Octo | Césaré Studio de Creation | 16.11.2001 | Passage Subé, Reims, France | 0 | ||||||||
| 26095 | Mario | Verandi | Klang-Film | 2004 | audiovisuell, live-elec, 2 perf | 12:12 | 2 ins, (projection) [Instrument] | Projektion des Filmes "Arbeiter verlassen die Fabrik". Also available is a DVD-Version |
Inventionen 2004 | 26.6.2004 | Inventionen Sophiensäle Berlin | 1 | 2004 | ||||||
| 27535 | Mario | Verandi | Klangbuch der imaginären Wesen | 2007 | audiovisuell | Klangkunst, Installation || radiophon |
19:00 | Quadro | music and video installation. also Radio-version commissioned by DeutschlandRadio Kultur (2006) premiered 1.12.2006 |
TU Berlin | Südwestrunfunk (SWR) | 19.10.2007 | Donaueschinger Musiktage | 1 | http://www.marioverandi.de/works/klangbuchinstal.html | |||||
| 19982 | Mario | Verandi | MU | 1989 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | sax [Saxophon] | Phonos Barcelona | 22.07.1989 | Phonos Concerts, Fundación Joan Miró, Barcelona | 0 | |||||||
| 31945 | Mario | Verandi | Noise Networks | 2011 | radiophon | 16:30 | Stereo | Radioateliér PremEdition is a premiere series for new experimental radio art. It is broadcast by Czech Radio 3 - Vltava at 0:05 AM every last Saturday of the month. These work are a selection of a programm in 2011 | degem-download/ | 29.01.2011 | Czech National Radio | 0 | |||||||
| 27536 | Mario | Verandi | Paranormal Radio | 2007 | Klangkunst, Installation | 12 Tracks | PS C. | Radiovisionen Festival | 5.10.2007 | Kubus at TESLA Berlin | 0 | http://www.marioverandi.de/ | |||||||
| 22441 | Mario | Verandi | Plastic Water | 2000 | fixed media, akusmatisch | 8:00 | Octo | ed. rz 20002/ EMF CD 035/ EMF 135/ | TU Berlin | Klangwerkstatt Kreuzberg | 10.11.2000 | Künstlerhaus Bethanien Berlin, Klangwerkstatt 2000 | 1 | ||||||
| 26097 | Mario | Verandi | Prague - imaginary fragments | 2006 | radiophon | 12:35 | radiocustica selected 2006 Cesky rozhlas/ | PS C. | Radioatelier Czech Radio Michal Rataj | 24.6.2006 | Broadcastpremiere | 1 | |||||||
| 31946 | Mario | Verandi | Road to Backnang | 2010 | Klangkunst, Installation | multichannel | br-ens [Bläser] | multichannel sound installation | 2-10.10.2010 | Festival Zukunftsmusik, Backnanger Bürgerhaus, Fritz-Schweitzer-Saal, Germany. Iris König (Horn), Nicole Morryson (Trompet), Max Sczuka (Trombone), Sebastian Frömel (Tuba) with the participation of citizens of Backnang with migration background: a woman from Poland, a man from Guinea, a woman from Turkey, a man from Finnland, a woman from Mexico, a man from Greece, a woman from Russia, a man from Ireland, a woman from Letland, a man from Russia, a woman from Greece and a man from Portugal. |
0 | ||||||||
| 23231 | Mario | Verandi | Spuren und Schatten, Traces and Shadows | 2001 | radiophon | 53:20 | Texte von Giordano Bruno | TU Berlin | DeutschlandRadio Berlin | 25.1.2002 | DeutschlandRadio Kultur | 1 | |||||||
| 27533 | Mario | Verandi | Street Markets Remixed | 2008 | radiophon | 41:30 | Stereo or multichannel | acoustic art, stereo and multichannel installation version | WDR Studio Akustische Kunst | WDR | 5.12.2008 | WDR3 | 0 | http://www.marioverandi.de/ | |||||
| 31934 | Mario | Verandi | The Neighbouring Shore, …the ephemeral vibration of sounds echo a fragile presence | 1998 | Klangkunst, Installation | Octo | This piece consist of four sound postcards portraying four different locations in Argentina | 9-21.11.1998 | Latin American Art Show at the Bolivar Hall, London | 0 | http://www.argentine-embassy-uk.org/esp/openhouseexhibition.html | ||||||||
| 23530 | Mario | Verandi | Theatrum Sonorum | 2003 | radiophon | 48:30 | Stereo | TU Berlin | Deutschland Radio Berlin | 7.11.2003 | DeutschandRadio Berlin, Tuba: Robin Hayward | Mention Bourges 2003 | 1 | ||||||
| 22528 | Mario | Verandi | Three images of a fiction | 2000 | Zuspiel / Tonband, 2 perf | 11:00 | trbn,vc [Posaune, Cello] | Live-Recording vom Portals Festival Birmingham 3.6.2001 | BEAST | sonic arts network | 3.6.2001 | Birmingham | 1 | ||||||
| 27534 | Mario | Verandi | tour de trance | 2007 | audiovisuell | 10:00 | audiovisual composition | 11.10.2008 | ZEBRA International Poetry Film Festival at Babylon Cinema Berlin | 0 | http://www.marioverandi.de/works/trancevideo.html | ||||||||
| 27537 | Mario | Verandi | tour de trance | 2007/2012 | Performance | audiovisual performance / installation | PS C. | Literaturwerkstatt Berlin | 28.06.2007 | International Poetry Festival Berlin | 0 | http://www.marioverandi.de/ | |||||||
| 27532 | Mario | Verandi | unlike - untold | 2010 | fixed media, akusmatisch | 14:30 | Stereo | PS C., TU Berlin | INA•GRM | 27.2.2010 | Salle Olivier Messiaen, Maison de la Radio France Akousma | 1 | 2010 | http://www.marioverandi.de | |||||
| 31937 | Mario | Verandi | Urbano Milonga | 2003 | Performance, live-elec, 4 perf | 4 perf [Performer] | electro-tango | 22.3.2003 | MaerzMusik, Klang Nacht, Haus der Berliner Festspiele | 0 | |||||||||
| 19983 | Mario | Verandi | Visión | 1989 | fixed media, akusmatisch | 6:30 | Stereo | Audiovisuals de Sarria 29-1421/ | Phonos Barcelona | 0 | |||||||||
| 28586 | Mario | Verandi | Yguasu | 2011 | radiophon | ≈ 50 | Stereo | TU Berlin, PS C. | DRadio Kultur Berlin | 16.9.2011 | Deutschlandradio Kultur (Redaktion: Markus Gammel) | 0 | http://www.dradio.de/dkultur/sendungen/klangkunst/1524159/ | ||||||
| 31943 | Mario | Verandi | Yguasu | 2011 | live-elec, 2 perf | radiophon |
Stereo, Octo | hp (paraguayan harp), acc [Akkordeon, Harfe] | Deutschlandradio Kultur | 19.09.2011 | Deutschlandradio Kultur; paraguayan harp: Lorenzo Paris, accordeon: Alfonso Covarrubias | Nominated for the Prix Phonurgia Nova 2011, France | 0 | |||||||
| 18563 | François | Vercken | Après la mort de Louis…, suite la Révolution Française | 1989 | fixed media, akusmatisch | 13:20 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17245 | François | Vercken | Narcisse, sur les Chemins du Vent | 1984 | fixed media, akusmatisch | 41:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17246 | Barry | Vercoe | Synapse | 1976 | fixed media, akusmatisch | MIT Media Lab | 0 | ||||||||||||
| 17247 | Barry | Vercoe | Synthesism | 1970 | fixed media, akusmatisch | 4:35 | Music 360 (IBM 360) | nonesuch H 71245/ | Col.Princ EMC | 1 | |||||||||
| 27865 | Joris | Verdin | Affettuoso, Sopra lafafami, Codes un poco Faënza, Sequenza ma non troppo, Partita super Christus resurrexit | 2005 | fixed media, akusmatisch | org [Orgel] | CRFMW Liège | 22.02.2005 | Leuven, Lemmensinstituut, Concertcyclus Hedendaagse Muziek | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 17248 | Jolán | Veress | Pilgrim's Song | 1980 | fixed media, akusmatisch | 9:00 | Stereo | MR Budapest | 0 | ||||||||||
| 17249 | Jolán | Veress | Vision | 1977 | fixed media, akusmatisch | 4:46 | Stereo | MR Budapest | 0 | ||||||||||
| 24091 | Juan Carlos | Vergara | Almo | 1998 | fixed media, akusmatisch | Diciembre 1998 Sala del Centro Cultural del Banco del Estado. Santiago, Chile. | 0 | ||||||||||||
| 24090 | Juan Carlos | Vergara | Golpe de Luz | fixed media, akusmatisch | 5:03 | 0 | |||||||||||||
| 24092 | Juan Carlos | Vergara | TD Reciclados | fixed media, akusmatisch | 6:30 | 0 | |||||||||||||
| 24093 | Juan Carlos | Vergara | Tiempo real | fixed media, akusmatisch | 0 | ||||||||||||||
| 24094 | Juan Carlos | Vergara | Trance | 1998 | fixed media, akusmatisch | Enero 1998. XIII Festival de Música Chilena. Sala Isidora Zegers, Santiago, Chile. | 0 | ||||||||||||
| 20892 | Nicolas | Vérin | 11, avenue du MIDI | radiophon | 15:17 | Stereo | La muse En Circuit Hörspiele 2: Jeux Pour L'Oreille/ | 0 | |||||||||||
| 17250 | Nicolas | Vérin | Circuitio | 1993 | live-elec, 2 perf | 15:00 | Quadro | sax, perc [Saxophon, Schlagzeug] | QUATRON / PACOM | LIMCA Auch | 0 | ||||||||
| 17251 | Nicolas | Vérin | Cirios | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | ens, synt [synthesizer, Ensemble] | 0 | ||||||||||||
| 17252 | Nicolas | Vérin | Courant statique | fixed media, akusmatisch | 8:30 | Stereo | 0 | ||||||||||||
| 17253 | Nicolas | Vérin | Danses folles et sauvages | Tanz | 16:00 | Stereo | 5 dancer [Tanz] | 0 | |||||||||||
| 17254 | Nicolas | Vérin | Duo | Zuspiel / Tonband, 1 perf | ≈ 24:00 | Quadro + Quadro | db [Kontrabass] | 0 | |||||||||||
| 27873 | Nicolas | Vérin | finalisation de Solid Noid | 2004 | Zuspiel, live-elec, 2 perf | p, disklavier [Piano] | CRFMW Liège | 17.04.2005 | Paris, Festival L'Itinéraire de nuit | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 17255 | Nicolas | Vérin | In vino musica | 1992 | fixed media, akusmatisch | 19:30 | 6 | GMÉA MP 9201/ | 0 | ||||||||||
| 17256 | Nicolas | Vérin | Instabile | live-elec, 1 group | 17:00 | ens [Ensemble] | du Visage | 0 | |||||||||||
| 17257 | Nicolas | Vérin | La lueur et la fumée | 1993 | live-elec, 3 perf | 50:00 | 10 Tracks | actor, perc, synt [Schlagzeug, Schauspieler, synthesizer] | on poems by Beaudelaire, Le spleen de Paris, 2ème version | LIMCA Auch | 0 | ||||||||
| 17258 | Nicolas | Vérin | Le spleen de Paris, 1ère version | Zuspiel / Tonband, 3 perf | 25:00 | 10 Tracks | Sp, perc, synt [Sprecher, Schlagzeug, synthesizer] | Textes de Baudelaire | 0 | ||||||||||
| 24734 | Nicolas | Vérin | Mariposa clavada que medita su vuelo | 1996 | fixed media, akusmatisch | 17:20 | INA C 1022/ | INA • GRM | 0 | ||||||||||
| 17259 | Nicolas | Vérin | Metalmorphose | 1989 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | perc [Schlagzeug] | INA C 1022/ | INA • GRM | 0 | ||||||||
| 17260 | Nicolas | Vérin | Miroirs déformants | fixed media, akusmatisch | 9:00 | Quadro | version pour bande seule | INA • GRM | 0 | ||||||||||
| 17261 | Nicolas | Vérin | Miroirs déformants | 1988 - 1991 | Zuspiel / Tonband, 1 perf | 12:05 | Quadro | ob [Oboe] | INA C 1022/ | INA • GRM | 0 | ||||||||
| 17262 | Nicolas | Vérin | New piece | 1994 | live-elec, 5 perf | 35:00 | Octo | sax, perc, p, b, V [Bass, Stimme, Saxophon, Piano, Schlagzeug] | QUATRON / PACOM | LIMCA Auch | 0 | ||||||||
| 24735 | Nicolas | Vérin | P'hioni | 2000 | fixed media, akusmatisch | 16:32 | INA C 1022/ | INA • GRM | 0 | ||||||||||
| 17263 | Nicolas | Vérin | Péripéties | Zuspiel / Tonband, 4 perf | 14:30 | Quadro | fl-qt [Flöte] | 0 | |||||||||||
| 17264 | Nicolas | Vérin | Piano cru, piano cuit | Tanz | 10:00 | Stereo | 1 dancer [Tanz] | 0 | |||||||||||
| 17265 | Nicolas | Vérin | Pleine Lune | intermedia | 26:00 | Quadro | avec /with diapositives | 0 | |||||||||||
| 17266 | Nicolas | Vérin | Projections obliques | live-elec, 1 perf, 1 group | 23:00 | ens, MIDI p [Piano, Ensemble] | Jobert | 0 | |||||||||||
| 17267 | Nicolas | Vérin | Solo | fixed media, akusmatisch | 8:00 | Octo | 0 | ||||||||||||
| 17268 | Nicolas | Vérin | Transe metal | 1991 | fixed media, akusmatisch | 9:00 | Stereo | INA • GRM | 0 | ||||||||||
| 17269 | Nicolas | Vérin | Vibrations électriques | live-elec, 1 perf | 8:30 | MIDI-vib [Schlagzeug] | 0 | ||||||||||||
| 36841 | Ernst | Vermeulen | Stoomketel wint het van de mens in Val van Mussolini | 2000 | fixed media, akusmatisch | 0 | |||||||||||||
| 24192 | Irvine | Vernon | Hairpiece | 2002 | fixed media, akusmatisch | 3:52 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 38822 | Marc | Vernon | Lend an ear, leave a word, Audio archeology Volume 1 : Lisbon | 2017 | radiophon | 21 | EBU Ars Acustica 2017 | 0 | |||||||||||
| 26098 | Mike | Vernusky | flow | 2005 | audiovisuell | 4:34 | Surround 5.1 | Scott Nyerges (Video) | CMJ Vol 31-4, 2007/ | 1 | http://www.alasseis.com/ | ||||||||
| 27884 | Bob | Verschueren | Atomes de verdure | 2002 | live-elec, | sons de pétales de roses | CRFMW Liège | 12.2002 | Bruxelles, Atomium | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27832 | Bob | Verschueren | La Voix des Arbres | 2009 | fixed media, akusmatisch | CRFMW Liège | 9.05.2009 | Seneffe | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 27883 | Bob | Verschueren | Maïs Airlines, Les Cavaliers de Cynara, Les Tourments du Poireau, Psychanalyse d'un céleri, Mon Chou, mon Bijou, Maïs au Pays des Merveilles, La Botte secrète du Poireau, petites pièces | 2002 | Zuspiel / Tonband, 2 perf | va, p (et sons de plantes enregistrés) [Piano, Viola] | CRFMW Liège | 7.11.2002 | Bruxelles, Centre d'Art Chapelle de Boendael | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27843 | Bob | Verschueren | Nature et Sons | 2008 | Klangkunst, Installation | CRFMW Liège | 27.04.2008 | Seneffe | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 25146 | Serge | Verstockt | 60 M | 2000 | Klangkunst, Installation | 0 | |||||||||||||
| 25145 | Serge | Verstockt | Correlations | 1985 | fixed media, akusmatisch | 0 | |||||||||||||
| 25149 | Serge | Verstockt | In de schaduw van de klokken | 2002 | Klangkunst, Installation | SA at Brügge from 3 churches | 0 | ||||||||||||
| 25144 | Serge | Verstockt | Interfractions | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 25148 | Serge | Verstockt | Le pouvoir du temps | 1998 | Zuspiel / Tonband, 1 perf, 1 group | trbn, orc [Posaune, Orchester] | 0 | ||||||||||||
| 24991 | Serge | Verstockt | LOW | 2004 | live-elec, 1 perf | ins [Instrument] | archives Serie 03 Verstockt/ | Champ d’Action | 1 | http://www.champdaction.be | |||||||||
| 24992 | Serge | Verstockt | Noumena 1 | 2003 | live-elec, 1 perf | ins [Instrument] | archives Serie 03 Verstockt/ | Champ d’Action | 1 | http://www.champdaction.be | |||||||||
| 25147 | Serge | Verstockt | … que de … | 1991 | fixed media, akusmatisch | 0 | |||||||||||||
| 17270 | Maurice | Verstuyft | Passacaglia | 1975 | fixed media, akusmatisch | 10 | Stereo | Piece for low tone intermodulations | IPEM Gent | 0 | https://lib.ugent.be/en/catalog/rug01:002402045?i=0&q=%22Maurice+Verstuyft%22&search_field=author#library-services | ||||||||
| 32279 | Dziga | Vertov | Ein Sechstel der Erde | 1926 | Film | 0 | 1986 | ||||||||||||
| 32278 | Dziga | Vertov | Enthusiasm! The Dombass Symphony | 1930 | Film | 26 | Bookcontens: CD 1 & CD 2 with original documents and reconstructions of 72 Kew Works of Music, Poetry and Agitprop from the Russian Avantgardes 1908 - 1942 | ReR RAG 1&2/ Österreichisches Filmmuseum DVD/ | 0 | 1986 | |||||||||
| 32280 | Dziga | Vertov | Radio-Ear Radio-Pravda |
1925 | radiophon | 3 | ReR RAG 1&2/ SR 300 sub rosa/ | 0 | |||||||||||
| 37588 | Francesca | Verunelli | Man Sitting at a piano | 2017 | live-elec, 2 perf | fl, MIDI p, (elec) [Flöte, Piano] | 21.10.2017 | Donaueschinger Musiktage 2017, Ictus | 0 | ||||||||||
| 17271 | Edward | Vesala | Consolation | 1973 | fixed media, akusmatisch | SCAN, SLP 600/ | Yleisradio | 0 | |||||||||||
| 17272 | Edward | Vesala | The Waves | 1973 | fixed media, akusmatisch | SCAN, SLP 600/ | Yleisradio | 0 | |||||||||||
| 37229 | Juhani T. | Vesikkala | Exorcist for the perplexed mind | 2017 | Zuspiel / Tonband, 1 perf | 6:30:00 | fl (Hichiriki) [Flöte] | HfM Dresden | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 17273 | Marja | Vesterinen | Half-Synthetic Boxtrot | 1979 | Yleisradio | 0 | |||||||||||||
| 17274 | Marja | Vesterinen | Satumaisema | 1975 | Yleisradio | 0 | |||||||||||||
| 38664 | Michael | VETTER | An Baches Rand | 2009 | radiophon | 48:17:00 | 0 | ||||||||||||
| 38665 | Michael | VETTER | Faust Drei – Hörstück für Stimme und Gong | 2000 | radiophon | 51:32:00 | 0 | ||||||||||||
| 38666 | Michael | VETTER | Okyo | 2003 | radiophon | 44:30:00 | 0 | ||||||||||||
| 17275 | Sylvette | Vezin | Acumoncellements | 1990 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 17276 | Sylvette | Vezin | Cellule 28 | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 28164 | Sylvette | Vezin | Exils | Tanz | GMVL CD / | GMVL Lyon | 0 | ||||||||||||
| 28165 | Sylvette | Vezin | five for moving matter | Tanz | GMVL CD / | GMVL Lyon | 0 | ||||||||||||
| 34854 | Samuel | Vezina | Soundculpting 5.1 | 2016 | fixed media, akusmatisch | 5:44:00 | Stereo, Surround 5.1 | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 33751 | Els | Viaene | Forever Young | 2009 | radiophon | 14:50 | EBU Ars Acustica 2009/ | EBU Ars Acustica 2009 | 1 | ||||||||||
| 33388 | Riccardo | Vianello | M1 1/4 | 1966 | fixed media, akusmatisch | 5 | Stereo | SMET Torino | 0 | ||||||||||
| 19609 | Juan Carlos | Vicent Martinéz Fontana | Ich suchte | 1985 | fixed media, akusmatisch | 9:56 | Stereo | GME Cuenca | 0 | ||||||||||
| 19677 | José Manrique | Vicente | Cru | 1993 | fixed media, akusmatisch | 8:50 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19606 | José Manrique | Vicente | Eureca | 1991 | fixed media, akusmatisch | 8:27 | Stereo | GME Cuenca | 0 | ||||||||||
| 19607 | José Manrique | Vicente | Leve son | 1992 | fixed media, akusmatisch | 8:10 | Stereo | GME Cuenca | 0 | ||||||||||
| 19608 | José Manrique | Vicente | Scorrevole | 1992 | fixed media, akusmatisch | 10:17 | Stereo | GME Cuenca | 0 | ||||||||||
| 17283 | Gerard | Victory | Compensations | 1971 | Zuspiel / Tonband, 1 perf | ehn [Oboe] | EM ?? | RTE Dublin | 0 | ||||||||||
| 17284 | Gerard | Victory | The Orphans | 1957 | Theatermusik | RTE Dublin | 0 | ||||||||||||
| 42868 | Adam | Vidiksis | Stria [feather] remix | 2013 | fixed media, akusmatisch | 8:35:00 | 0 | ||||||||||||
| 42759 | Adam | Vidiksis | synapsecircuit | 2012 | fixed media, akusmatisch | 8:11:00 | 0 | ||||||||||||
| 39537 | Adam | Vidiksis | Things that Live in the Whirligig | 2015 | fixed media, akusmatisch | 6:41:00 | Adam Vidiksis | 0 | |||||||||||
| 17285 | László | Vidovszky | Die wiederholte Wiederholung | 1989 | fixed media, akusmatisch | 4:02 | Stereo | MR Budapest | 0 | ||||||||||
| 17286 | László | Vidovszky | Renograd | 1976 | fixed media, akusmatisch | 7:30 | Stereo | MR Budapest | 0 | ||||||||||
| 40220 | Rodolfo | Vieira | Chris Mercer, The Syntax of Constellations | 2017 | live-elec, 1 perf | for solo violin, iPads and virtual string orch. [Chor] | Rodolfo Vieira | 0 | |||||||||||
| 40314 | Virginie | Viel | Nyx | 2016 | fixed media, akusmatisch | Virginie Viel | Uni De Montfort | 0 | |||||||||||
| 41919 | Virginie | Viel | VI | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 17287 | Julio | Viera | Divertimento II (El reloj) | 1987 | fixed media, akusmatisch | 7:30 | Synclavier II | Tarka CD 701/ | LIPM B.Aires | 0 | |||||||||
| 20893 | Julio | Viera | Divertimento III | 1992 | Zuspiel / Tonband, 1 perf | 12:52 | Stereo | perc [Schlagzeug] | CCRMA/ | LIPM B.Aires | 0 | ||||||||
| 21157 | Arne | Vierck | Perturbation | 1999 | fixed media, akusmatisch | 3:20 | 5 tracks | TU Berlin | 21.7.1999 | Parochialkirche Berlin | 1 | ||||||||
| 38115 | Lois | Vierk | Io | 1998 | live-elec, 3 perf | amp fl, amp mar, e-gui [Flöte, Gitarre, Schlagzeug] | NWR 80665/ | 0 | |||||||||||
| 38114 | Lois | Vierk | Red Shift | 1989 | live-elec, 4 perf | 12:16 | vc, e-gui, synt, perc [Gitarre, Schlagzeug, Cello, synthesizer] | Tzadik 7056/ | expermental Intermedia | 0 | |||||||||
| 21859 | Lois | Vierk | Red Shift IV | 1991 | live-elec, 4 perf | tpt, e-gui, p and synt, perc [Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CRI CD 646/ EAR Magazine 3/ | 0 | |||||||||||
| 21860 | Lois | Vierk | Simoom, Go Guitars, Cirrus | 1992 | fixed media, akusmatisch | XI 102 Experimental Intermedia/ | 0 | ||||||||||||
| 38116 | Lois | Vierk | Timberline | 1991 | live-elec, 7 perf | fl, cl, bn, va, b-gui (str bass), p and synt, perc [Flöte, Klarinette, Fagott, Piano, Gitarre, Schlagzeug, Viola, synthesizer] | 0 | ||||||||||||
| 17288 | Anatol | Vieru | Giusto | 1989 | Zuspiel / Tonband, 1 perf, 1 group | 9:54 | sax, ens [Saxophon, Ensemble] | 1 | 1990 | ||||||||||
| 17289 | Anatol | Vieru | Joseph et ses frères | 1979 | Zuspiel / Tonband, 1 group | 22:10 | ch [Chor] | OCD 419 Olympia/ | 0 | ||||||||||
| 20894 | Anatol | Vieru | Metaksas | 1984 | Zuspiel / Tonband, 1 perf | 3:44 | Stereo | sax [Saxophon] | NMCD 5101/ | 0 | |||||||||
| 17290 | Anatol | Vieru | Nautilos | 1968 | Zuspiel / Tonband, 1 perf | 9:17 | p [Piano] | 0 | |||||||||||
| 17291 | Anatol | Vieru | Orgelspiele zum Steinland | 1973 | Zuspiel / Tonband, 1 perf | org [Orgel] | EM ?? | 0 | |||||||||||
| 17292 | Anatol | Vieru | Terra di pietra | fixed media, akusmatisch | 20:10 | RTR | 0 | ||||||||||||
| 17293 | Robert | Vigneault | Catharsist : Maelstrom | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 27741 | Franck | Vigroux | récolte | 2009 | Klangkunst, Installation | 40:00 | 9 parts | CD Eigenverlag/ | 1 | http://www.franckvigroux.com/ | |||||||||
| 19251 | Emil | Viklicky | Ignac v koridoru | 1994 | Zuspiel / Tonband, 1 perf | 8:25 | ob [Oboe] | (3. Teil von "Adventures of Ignaz P.") | KO 0004/ | Studio Plzen | Competition Musica Nova Prag 1994 | 0 | |||||||
| 41891 | Emil | Viklicky | Splín optimismu | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1993 | 0 | ||||||||||||
| 20895 | Knud | Viktor | Symphonie du Luberon | 1976 | Klangkunst, Installation | Stereo | MW 55/ | 0 | |||||||||||
| 33375 | Stéphane | Vilar | Pikon I | 1964 | fixed media, akusmatisch | 15 | Stereo | PS C. Paris | 0 | ||||||||||
| 17295 | Jesús | Villa-Rojo | Caminando por el sonido | 1991 | fixed media, akusmatisch | 4:15 | Stereo | UM CD 7 Vol. I/ | LIEM CDMC Madrid | 1 | |||||||||
| 19694 | Jesús | Villa-Rojo | El Clarinete actual II | 1993 | Zuspiel / Tonband, 1 perf | 60:00 | Stereo | cl [Klarinette] | LIEM CDMC Madrid | 0 | |||||||||
| 17296 | Jesús | Villa-Rojo | Juegos gráficos musicales VI | 1992 | Zuspiel / Tonband, 1 perf | 6:57 | Stereo | vn [Violine] | LIEM CDMC Madrid | 0 | |||||||||
| 17297 | Jesús | Villa-Rojo | Lamento | 1989 | Zuspiel / Tonband, 1 perf | 8:15 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | LIEM CDMC Madrid | 0 | ||||||||
| 19985 | Jesús | Villa-Rojo | Tonalidad dominante | 1985 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 17294 | Francesco | Villa | Trace | 1988/1989 | fixed media, akusmatisch | 9:30 | Stereo | CSC Padova | 0 | ||||||||||
| 35473 | Alberto | Villalpando | Bolivianos…! | 1973 | Zuspiel / Tonband, 1 perf, 1 group | 10:32 | Vs [Stimme] | 0 | |||||||||||
| 22722 | Alberto | Villalpando | De los Elementos | 1996 | fixed media, akusmatisch | 6:12 | CMJ Vol 23-4, 1999/ | 1 | |||||||||||
| 17298 | Edmundo | Villani-Côrtes | Divertimento 94 | 1994 | Zuspiel / Tonband, 7 perf | 5:42 | Stereo | 7 ins [Instrument] | PANaroma São Paulo | 0 | |||||||||
| 21080 | Miguel | Villanueva | el viaje de Lena | 1998 | fixed media, akusmatisch | 10:52 | LIEM CDMC Madrid | 1 | |||||||||||
| 18936 | Sergio | Villarreal | On The Other Shore | 1994 | fixed media, akusmatisch | 3:04 | CEC DISContact_2/ | London ON | 1 | ||||||||||
| 20896 | Francisco | Villarrubia | La cinta de moebio | Zuspiel / Tonband, 1 perf | 5:02 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | ||||||||||
| 17299 | Christian | Villeneuve | Trois Etudes | 1976 | fixed media, akusmatisch | 21:45 | Stereo | Étude de stage | INA • GRM | 1.6.1977 | Paris, Arc | 0 | |||||||
| 17300 | Alejandro | Viñao | Algebra on Fire | 1991 | live-elec, 1 group | 20:00 | ens [Ensemble] | IRCAM | 0 | ||||||||||
| 17301 | Alejandro | Viñao | Borges y el Espejo | 1991/1992 | Zuspiel / Tonband, 1 perf | 11:29 | Stereo | S [Sopran] | INA C 1015/ | IMEB Bourges | Auszeichnung ars electronica 1994 | 1 | |||||||
| 17302 | Alejandro | Viñao | Chant d'Ailleurs | 1992 | Zuspiel / Tonband, 1 perf | 16:47 | Stereo | V [Stimme] | SYTER; 3 parts | Prix ars electronica 92/ INA C 1015/ | INA • GRM | Auszeichnung ars electronica: Golden Nica 1992 | 1 | ||||||
| 17303 | Alejandro | Viñao | GO | 1979/1980 | fixed media, akusmatisch | 12:53 | Stereo, Octo | FYLP 1026/ INA C 1015/ | City Uni London | 1st Prize Bourges 1981 1st Prize Rostrum 1984 |
1 | 1985 | |||||||
| 17304 | Alejandro | Viñao | Hendrix Haze | 1982/1983 | fixed media, akusmatisch | 23:20 | Stereo, Quadro | City Uni London, EMS Stockholm | 0 | 1985 | |||||||||
| 18898 | Alejandro | Viñao | Hildegard´s Dream | 1994 | Zuspiel / Tonband, 1 perf | 12:28 | S [Sopran] | INA C 1015/ | PS Viñao | GRM | 1 | ||||||||
| 43117 | Alejandro | Viñao | Phrase & Fiction | 1995 | fixed media, akusmatisch | 20 | Auszeichnung ars electronica 1996 | 0 | |||||||||||
| 17305 | Alejandro | Viñao | Son Entero | 1988 | Zuspiel / Tonband, 4 perf | 22:18 | Stereo | 4 V [Stimme] | Fairlight II, MIDI 4 sections |
Prix ars electronica 89/ WER 2019-50/ | City Uni London, Crew St London | Auszeichnung ars electronica 1989 | 1 | ||||||
| 17306 | Alejandro | Viñao | Toccata del Maga | 1987 | Zuspiel / Tonband, 8 perf | 15:50 | Stereo | 8 str [Streicher] | WER 20312; Computer Music Currents 11/ | MIT Media Lab | 1 | ||||||||
| 17307 | Alejandro | Viñao | Triple Concerto, Development Piano Cadenza Flute Cadenza Cello Cadenza Finale |
1983/1984 | Zuspiel / Tonband, 3 perf | 26:30 | Stereo | fL, vc, p [Flöte, Piano, Cello] | WER 2019-50/ | City Uni London, Crew St London | Mention Bourges 1984 Mention Ars Electronica 1988 |
1 | http://archive.aec.at/prix/showmode/21004/ | ||||||
| 17308 | Alejandro | Viñao | Tumblers | 1989/1990 | Zuspiel / Tonband, 2 perf | 16:17:00 | vn, mar [Schlagzeug, Violine] | prix ars electronica 92/ | Crew St London, HSM Basel | 0 | |||||||||
| 17309 | Alejandro | Viñao | Una Orquesta Imaginaria | 1979 | fixed media, akusmatisch | 18:00 | Stereo, Quadro | City Uni London, RCM London | 2nd Prize Bourges 1979 | 1 | |||||||||
| 17310 | Ezequiel | Viñao | El simurgh, Book II "The seven Valleys" |
1992 | Zuspiel / Tonband, 1 perf | 15:22 | vn [Violine] | ICMC 1994, DIEM 001/ | 1 | ||||||||||
| 17311 | Ezequiel | Viñao | Sinfonia: "The Voices of Silence" | 1987 | fixed media, akusmatisch | 17:00 | Stereo | PS NY | 0 | ||||||||||
| 24212 | Michael | Vincent | Essence | 2002 | fixed media, akusmatisch | 2:45 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 24955 | Simon | Vincent | Butter Finger | 2005 | live-elec, 3 perf | 2:43 | 3 elec [elektronik] | trio zapruda (Vincent, Hellström, Bower) bei Fylkingen November 2005, Live-recording | 1 | ||||||||||
| 17312 | Simon | Vincent | Faceless | 1993 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 34692 | Simon | Vincent | … Falling Man, Rising Woman…: Conclusion | 2015 | live-elec, 1 perf | 4:00:00 | V [Stimme] | Für Solostimme und Live-Elektronik | for solo voice and live electronics | DegeM CD 14 escape/ | 0 | http://www.simon-vincent.com/ | ||||||||
| 24956 | Simon | Vincent | Shinkansen | 2000 | fixed media, akusmatisch | 16:15 | City Uni London | 1 | |||||||||||
| 24958 | Simon | Vincent | STATICS | 2001 | live-elec, 3 perf | 44:00 | 2 a-sax, db [Saxophon, Kontrabass] | Trio VHF = Simon Vincent, Graham Halliwell (a-sax), Simon H. Fell (db). Liveaufnahme Norfolk. 4 parts: S-9, G-15, S-12, V-10 (15 + 6:57 + 9:42 + 12:04) |
1 | ||||||||||
| 24957 | Simon | Vincent | Study Nr. 2 | 2002 | live-elec, 1 perf | 11:16 | a-sax [Saxophon] | Graham Hallwell and S. Vincent at London | 1 | ||||||||||
| 17313 | Simon | Vincent | Trio | 1991 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 23389 | Bill | Vine | Part 1 - 3 | 2002 | fixed media, akusmatisch | 6:10 | ARiADA 2003/ | UEA Norwich | 1 | ||||||||||
| 21635 | Anders | Vinjar | Adobe | 1989 | fixed media, akusmatisch | 18:20 | NOTAM | 0 | |||||||||||
| 21636 | Anders | Vinjar | Coil | 1996 | fixed media, akusmatisch | 14:05 | NOTAM | 0 | |||||||||||
| 21637 | Anders | Vinjar | Hvileskjær | 1993 | fixed media, akusmatisch | 2:30 | NOTAM | 0 | |||||||||||
| 21988 | Anders | Vinjar | Lost Faces | 1998 | fixed media, akusmatisch | 14:30 | ACD 5018 Aurora/ | NOTAM | 1 | ||||||||||
| 23232 | Anders | Vinjar | OIOI | 1997 | audiovisuell | Computeranimation | NOTAM | 1 | |||||||||||
| 21638 | Anders | Vinjar | Oppspent line | 1992 | fixed media, akusmatisch | 6:30 | NOTAM | 0 | |||||||||||
| 21990 | Anders | Vinjar | Paraphrase "Lykkehjul" | 1998 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21991 | Anders | Vinjar | Paraphrase "Solitaire" | 1998 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21639 | Anders | Vinjar | Plus/Minus | 1999 | Zuspiel / Tonband, 1 perf | 11:08 | perc [Schlagzeug] | NOTAM | NMI | 0 | |||||||||
| 21640 | Anders | Vinjar | Song Be | 1994 | Zuspiel / Tonband, 1 perf | 4:10 | p [Piano] | NOTAM | 0 | ||||||||||
| 21641 | Anders | Vinjar | Sublimis Deus (Them being human) | 1994 | Zuspiel / Tonband, 1 perf | 10:35 | org [Orgel] | NOTAM | 0 | ||||||||||
| 21992 | Anders | Vinjar | Transparence Coherence | 1997 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21993 | Anders | Vinjar | Ups-Downs-Ins-Outs vs. Popeyes | 1998 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 17314 | Jaap | Vink | Archaism | 1968 | fixed media, akusmatisch | 9:16 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 36842 | Jaap | Vink | En Dehors | fixed media, akusmatisch | 0 | ||||||||||||||
| 17315 | Jaap | Vink | Granule | 1979 | fixed media, akusmatisch | 9:05 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17316 | Jaap | Vink | Objects, Objets | 1969 | fixed media, akusmatisch | 10:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17317 | Jaap | Vink | Objets Distants | 1970 | fixed media, akusmatisch | 12:38 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 36843 | Jaap | Vink | Requiem | fixed media, akusmatisch | 1e versie | 0 | |||||||||||||
| 17318 | Jaap | Vink | Residuals | 1971 | fixed media, akusmatisch | 16:10 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 36844 | Jaap | Vink | Residuals I | 1971 | fixed media, akusmatisch | 16:10:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17319 | Jaap | Vink | Residuals II | 1971 | fixed media, akusmatisch | 17:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17320 | Jaap | Vink | Screen | 1968 | fixed media, akusmatisch | 7:30 | Stereo | PHI 6526004/ | Sonology Utrecht | 1 | |||||||||
| 17321 | Jaap | Vink | Stroma | 1982 | fixed media, akusmatisch | 12:16 | Stereo | Post Scriptum PS 001/ | Sonology Utrecht | 0 | |||||||||
| 17322 | Jaap | Vink | Tide '85 Tide ’84 |
1985 | fixed media, akusmatisch | 17:30 | Stereo | Versionen 1984 / 1985 | Sonology Den Haag | 0 | |||||||||
| 17323 | Jaap | Vink | Tide I | 1980 | fixed media, akusmatisch | 45:30 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17324 | Jaap | Vink | Tide II | 1980 | fixed media, akusmatisch | 18:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17325 | Denys | Vinzant | Andromaque | 1987 | fixed media, akusmatisch | 30:00 | pièce de Racine | GRAME Lyon | 0 | ||||||||||
| 17326 | Denys | Vinzant | Calice | 1995 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | children V [Stimme] | 0 | |||||||||||
| 17327 | Denys | Vinzant | Des millions d'oiseaux d'or | 1992 | live-elec, 2 perf | 18:00 | p, MIDI [Piano, synthesizer] | GRAME Lyon | 1 | ||||||||||
| 17328 | Denys | Vinzant | Eaux de la | 1994 | Klangkunst, Installation | 0 | |||||||||||||
| 17329 | Denys | Vinzant | Enluminures I | 1990 | live-elec, 1 perf | 11:00 | Stereo | com [computer] | GRAME Lyon | 0 | |||||||||
| 17330 | Denys | Vinzant | Enluminures II | 1991 | live-elec, 1 perf | 10:30 | Counter-T, (com) [Tenor] | GRAME Lyon | 0 | ||||||||||
| 17331 | Denys | Vinzant | Filigranes d'argent | 1991 | live-elec, 1 perf | 15:00 | perc (no) [Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 17332 | Denys | Vinzant | Inflorescences | 1989 | live-elec, 1 perf | 9:00 | com [computer] | 0 | |||||||||||
| 17333 | Denys | Vinzant | L'oiseau m'accorde | 1993 | live-elec, 2 perf | 10:30 | fl, disklavier [Flöte, Piano] | GRAME Lyon | 0 | ||||||||||
| 17334 | Denys | Vinzant | Le miroir de Galadriel | 1986 | live-elec, 1 perf | org [Orgel] | GRAME Lyon | 0 | |||||||||||
| 17335 | Denys | Vinzant | Lépidoptères | 1987 | live-elec, 1 perf | 11:00 | com [computer] | GRAME Lyon | 0 | ||||||||||
| 17337 | Denys | Vinzant | Mille Oiseaux nous aufront fascines | 1995 | Zuspiel / Tonband, 2 perf | 19:14 | 2 p [Piano] | 1 | |||||||||||
| 17338 | Denys | Vinzant | Pièce en forme de pomme | 1985 | live-elec, 1 perf | 12:00 | com [computer] | MIDI | GRAME Lyon | 0 | |||||||||
| 17336 | Denys, Françoise | Vinzant, Monneret | Lyon, côté jardins | 1984 | fixed media, akusmatisch | 45:00 | for diapo | GRAME Lyon | 0 | ||||||||||
| 33017 | Bill | Viola | Gong | 1977 | live-elec, 2 perf | 10:28:00 | 2 perf [Performer] | Improvisation, Performer – Bill Viola, Linda Fischer | OMM 0046, The Kitchen Archives No.4 / Composers Inside Electronics/ | 1 | |||||||||
| 19695 | Bill | Viola | sin titulo | 1993 | Klangkunst, Installation | 10:40 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 17339 | Zadis | Viola | Fascination | 1989 | Fernsehen, | Stereo | DIEM Aarhus | 0 | |||||||||||
| 17340 | Nicholas | Virgo | Domestic Blitz | 1990 | fixed media, akusmatisch | 14:00 | Stereo | BEAST | 1 | ||||||||||
| 17341 | Nicholas | Virgo | Gesualdo Purgatorio | 1991 | Musiktheater, 4 perf, 1 group | 35:00 | Stereo | 3 amp fem V, 1 amp male V, amp ens [Stimme, Ensemble] | BEAST | 0 | |||||||||
| 17342 | Nicholas | Virgo | Slap Happy Part III | 1986 | live-elec, 4 perf | 6:00 | Stereo | 4 amp V (with perc) [Stimme] | BEAST | 0 | |||||||||
| 17343 | Nicholas | Virgo | Thus Spoke | 1984 | fixed media, akusmatisch | 17:00 | Stereo | BEAST | 0 | ||||||||||
| 17344 | Jean-Claude | Vitau | A'lambre des tempes | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 17345 | Jean-Claude | Vitau | Duos de synthé | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 17346 | Jean-Claude | Vitau | Font leur remuent calme et prennent leur essor | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 17347 | Jean-Claude | Vitau | Ma nana spleen | 1984 | live-elec, 3 perf | 3 synt [synthesizer] | CNR Lyon | 0 | |||||||||||
| 17348 | Jean-Claude | Vitau | Notte anima ou le partage d 'eaux | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 17349 | Jean-Claude | Vitau | Rimmels et tachicardie | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 31543 | Florian | Vitez | The Dot and the Line | 2013 | audiovisuell, live-elec, 1 perf | 13:00 | cl, (elec) [Klarinette] | next_generation 5.0 | HfM Hamburg | 0 | |||||||||
| 17350 | Paolo | Vitiello | Expm4 | 1976 | fixed media, akusmatisch | Con Venezia | 0 | ||||||||||||
| 41077 | Stephen | Vitiello | Box Reflection | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41080 | Stephen | Vitiello | Circuit Tension | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41084 | Stephen | Vitiello | Circular Breathing | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41076 | Stephen | Vitiello | Collection | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 25510 | Stephen | Vitiello | Dogs in the Yard | 2005 | fixed media, akusmatisch | 4:59 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | ||||||||
| 41079 | Stephen | Vitiello | Dusty Flight | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 40855 | Stephen | Vitiello | Marfa Mix | fixed media, akusmatisch | 4:15 | SR 250 sub rosa/ | 0 | ||||||||||||
| 41081 | Stephen | Vitiello | Organ And Wind | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 36442 | Stephen | Vitiello | San Salvador | 2007 | radiophon | 5:01 | EDRM 416/ | 0 | |||||||||||
| 37483 | Stephen | Vitiello | Slow Rewind | 2003 | radiophon | 5:38 | LMJ 13 CD/ | 0 | |||||||||||
| 41078 | Stephen | Vitiello | Tone Roll Train | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41067 | Stephen | Vitiello | Untitled | 2000 | live-elec, 1 perf | elec (gui, elec) [elektronik] | IEA 01/ | IEA Alfred Uni | 0 | ||||||||||
| 41082 | Stephen | Vitiello | Vermont Pines | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 40262 | Stephen | Vitiello | Winds After Hurricane Floyd | 2016 | fixed media, akusmatisch | Stephen Vitiello | Diapason | 0 | |||||||||||
| 41074 | Stephen | Vitiello, Scanner | Hamburg | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 17351 | Harald | Viuff | Heart Break | 1990 | fixed media, akusmatisch | 20:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 17352 | Harald | Viuff | Wona Lirri | 1991 | fixed media, akusmatisch | 24:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 22203 | Bernat | Vivancos | Images | fixed media, akusmatisch | 11:35 | MR 2000 Métamorphoses 2000/ | CNRS Paris | 1st biennial Acousmatic Composition Competition: prize "students" | 1 | ||||||||||
| 20897 | Jean-Marc | Vivenza | Fondements bruitistes | 1984 - 1986 | fixed media, akusmatisch | 74:00 | Stereo | Drag & Drop 1995/ | 0 | ||||||||||
| 40856 | Jean-Marc | Vivenza | Simultanéité Aérienne | fixed media, akusmatisch | 8:52 | SR 250 sub rosa/ | 0 | ||||||||||||
| 17353 | Claude | Vivier | Hommage, Musique pour un vieux corse triste | 1972 | fixed media, akusmatisch | 27:30 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17355 | Claude | Vivier | Variation I | 1972 | fixed media, akusmatisch | 10:27 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17356 | Odile | Vivier | Sequences rythmiques | 1959 | fixed media, akusmatisch | 6:00 | Mono | Étude de stage | INA • GRM | 0 | |||||||||
| 17357 | Iannis | Vlachopoulos | Adiexos (Impasse) | 1977 | Zuspiel, live-elec, 7 perf | p, 2 perc, 4 synt [Piano, Schlagzeug, synthesizer] | 0 | ||||||||||||
| 34722 | Iannis | Vlachopoulos | Morphes II | fixed media, akusmatisch | 7:10 | Creel Pone 34/ | 0 | ||||||||||||
| 17358 | Roman | Vlad | Il Dottore di Vetro, der Doktor aus Glas | 1959 | Oper | 10:00 | Mono | Der Doktor aus Glas | PS C. Roma | Prix Italia 1959 | 1 | ||||||||
| 17359 | Roman | Vlad | Il Giardino dei Ciliegi | 1962 | Theatermusik | Mono | PS C. Roma | 0 | |||||||||||
| 17360 | Roman | Vlad | L'Età di Napoli | 1967 | Film | Mono | NIS Film Roma | 0 | |||||||||||
| 17361 | Roman | Vlad | La Fantarca | 1967 | Oper | Fernsehen, |
Fonologia Milano, NIS Film Roma | 0 | ||||||||||||
| 17362 | Roman | Vlad | La lunga notte di Medea | 1966 | Theatermusik | Mono | NIS Film Roma | 0 | |||||||||||
| 17363 | Roman | Vlad | La Ragazza in Vetrina | 1961 | Film | Mono | PS C. Roma | 0 | |||||||||||
| 17364 | Roman | Vlad | Per Firenze | 1966 | Fernsehen, | Mono | NIS Film Roma | 0 | |||||||||||
| 17365 | Roman | Vlad | Requiem for a Nun | 1958 | Theatermusik | Mono | PS C. Roma | 0 | |||||||||||
| 17366 | Roman | Vlad | Ricercare elettronico | 1961 | fixed media, akusmatisch | 6:16 | Stereo, Quadro | SugMus ESZ 3/ | Fonologia Milano | ESZ 5935 | 1 | ||||||||
| 17367 | Jan van | Vlijmen | Interpolations | 1969 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 17368 | Jan van | Vlijmen | Interpolations | 1968 | Zuspiel / Tonband, 1 group | orc [Orchester] | STEIM | 0 | |||||||||||
| 17369 | Jozef | Vlk | R.I.P | 1989 | fixed media, akusmatisch | 9:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 17370 | Fritz | Voegelin | Cardiopassion | 1981 | Zuspiel / Tonband, 1 group | 20:00 | orc [Orchester] | 0 | |||||||||||
| 38667 | Ludwig | VÖLKER | Der repetetiver Struwwelpeter | 2010 | radiophon | 24:42:00 | Bauhaus Uni Weimar | 0 | |||||||||||
| 38802 | Jürgen, Florian | VÖLKERT-Marten, FÜGER | Ausklinken | 2012 | radiophon | 0:58:00 | 0 | ||||||||||||
| 38803 | Jürgen, Florian | VÖLKERT-Marten, FÜGER | Ausklinken | 2012 | radiophon | 1:14:00 | 0 | ||||||||||||
| 19079 | Peter | Vogel | Berliner Klangwand | 1996 | Klangkunst, Installation | 0:38 | Sonambiente Ausstellung (1996); SFB-Foyer Katalog S.151 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 21539 | Peter | Vogel | Kleines fünfstimmiges Minimal Music Objekt | 1985 | Klangkunst, Installation | 6:30 | "sound-sculptures" | WER SM 1049/50/ | 1 | ||||||||||
| 34088 | Peter | Vogel | Schattenorchester III | 1998 | Klangkunst, Installation | Stereo | 13 Instrumente, 14 Photozellen, 1 Steuerpult, 1 Projektionslampe, 1 Vorverstärker, 1 Endverstärker, 2 Lautsprecherboxen | 0 | http://www.petervogel-objekte.de/InstOrchester.html | ||||||||||
| 34259 | Peter | Vogel | The Sound of Shadows | 2011 | Film | 42 | Dokumentarfilm | WER MV 08055/ | Uni Brighton | 0 | http://www.wergo.de/shop/de_DE/3/show,303973.html | ||||||||
| 17371 | Peter | Vogel | Version I, II, und III mit kybernetischen Türmen und Synthesizer | 1975 | Klangkunst, Installation | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 38960 | Erika | Vogt | Darker Imposter, Frieze Film | 2013 | Film | EMPAC | 2013 EMPAC | 0 | http://empac.rpi.edu/commissions/frieze-film | ||||||||||
| 38959 | Erika | Vogt | The Artist Theater Program | 2014 | Theatermusik | 10 perf [Performer] | EMPAC | 2014 EMPAC | 0 | http://empac.rpi.edu/events/2014/spring/artist-theater-program | |||||||||
| 17372 | Michael | Vogt | Homo ludens in Berlin | 1993 | Zuspiel / Tonband, 1 perf | 6:20 | Stereo | tuba [Tuba] | AdK Berlin | 0 | |||||||||
| 31533 | Raimund | Vogtenhuber | Offene Form 1 | 2013 | live-elec, 1 perf | ≈ 1 - 3 | Octo | perf [Performer] | next_generation 5.0 SuperCollider |
ICST Zürich | 26.6.2013 | ZKM | 0 | ||||||
| 20898 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | A spoonful of Tea in a Barrel Full of Honey | 1988 | live-elec, 1 perf, 1 group | 4:32 | Stereo | MIDI-ens [synthesizer] | Nonesuch 9 79235-2, Imaginary Landscapes/ | 0 | |||||||||
| 36379 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | Blow Up That Jetsam | 1990 | fixed media, akusmatisch | 8:03 | perc, 2 elec [Schlagzeug, elektronik] | Dexters Cigar DEX 04/ | 0 | ||||||||||
| 36383 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | Decoy The Switch | 1990 | fixed media, akusmatisch | 6:35 | perc, 2 elec [Schlagzeug, elektronik] | Dexters Cigar DEX 04/ | 0 | ||||||||||
| 20899 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | Earflash | 1989 | live-elec, 1 perf, 1 group | 2:42 | Stereo | MIDI-ens [synthesizer] | 7 pieces on the CD (named Earflash) Norbert Möslang, Andy Guhl |
Dexters Cigar DEX 04/ Drag City 1996/ | 0 | ||||||||
| 36380 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | Fluffy Dog | 1990 | fixed media, akusmatisch | 2:46 | perc, 2 elec [Schlagzeug, elektronik] | Dexters Cigar DEX 04/ | 0 | ||||||||||
| 34566 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | Horned Aerial Bull | 1990 | live-elec, 3 perf | 7:10 | perc, 2 elec [Schlagzeug, elektronik] | Dexters Cigar DEX 04/ | 0 | ||||||||||
| 22284 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | Just Another Thing | live-elec, 2 perf | 9:31 | 2 perf [Performer] | G. Norbert Möslang: cracked Everyday-Electronics. and Andy Guhl: Cracked Every-Day-Electronics. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 1 | ||||||||||
| 36382 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | Turn Table Wax | 1990 | fixed media, akusmatisch | 4:16 | perc, 2 elec [Schlagzeug, elektronik] | Dexters Cigar DEX 04/ | 0 | ||||||||||
| 36381 | Group, Norbert, Andy | Voice Crack, Möslang, Guhl | X-Ray Rally | 1990 | fixed media, akusmatisch | 10:13 | perc, 2 elec [Schlagzeug, elektronik] | Dexters Cigar DEX 04/ | 0 | ||||||||||
| 17373 | Dan Alexandru | Voiculescu | Reliefs | 1972 | fixed media, akusmatisch | 12:36 | Stereo | HfMT Köln | 0 | ||||||||||
| 17374 | Lothar | Voigtländer | 1. Klangspiel für Kinder (Umwelt und wir - Hellersdorf) | 1989 | Theatermusik | 31:00 | Stereo | szenisch-theatralische Realisation | PS C. | 3.6.1989 | Berlin | 0 | |||||||
| 17375 | Lothar | Voigtländer | 2. Klangspiel für Kinder (Schneeberg - ein Winterstück) | 1990 | Theatermusik | 20:00 | Stereo | szenisch-theatralische Realisation | PS C. | 23.3.1990 | Berlin | 0 | |||||||
| 17376 | Lothar | Voigtländer | Atemlos | 1995 | radiophon | 12:50 | LDC 278060/61 Cultures Electroniques 9/ | IMEB Bourges | IMEB Bourges | Grand Prix Bourges 1996 | 1 | ||||||||
| 31344 | Lothar | Voigtländer | attack | 2001 | fixed media, akusmatisch | AdK Berlin | 0 | ||||||||||||
| 17377 | Lothar | Voigtländer | Berlin-Report | 1987 | radiophon | 11:00 | Stereo | PS C. | Rundfunk der DDR | 3.10.1987 | Radio DDR 2 | Mention Bourges 1988 | 0 | ||||||
| 17378 | Lothar | Voigtländer | Danse macabre | 1985 | radiophon | 10:00 | Stereo | Radio Bremen | 1985 | Radio Bremen | 0 | ||||||||
| 17379 | Lothar | Voigtländer | De profundis, count down | 1987 | Zuspiel / Tonband, 5 perf | 12:00 | Stereo | 5 perc [Schlagzeug] | NOS Hilversum, PS C., AdK Berlin | 14.2.1986 | Hilversum, Schlahwerkgroup Den Haag | 1 | |||||||
| 17380 | Lothar | Voigtländer | Dialogue en cause | 1991 | radiophon | 9:20 | BFP 002292/ | IMEB Bourges | IMEB Bourges | 1 | |||||||||
| 17381 | Lothar | Voigtländer | Drei elektronische Studien | 1975 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | T, p [Tenor, Piano] | Text by Erich Arendt | Nova 885246/ | Radio DDR | 1976 | Berlin, Joachim Vogt (T) | Mention Bourges | 1 | ||||
| 17382 | Lothar | Voigtländer | Drei Gesänge nach Ketschua - Lyrik | 1982 | Zuspiel / Tonband, 1 perf, 1 group | 10:00 | Stereo | ch, perc [Schlagzeug, Chor] | PS C. | 18.2.1989 | Berlin; Universitätschor Berlin, Hermann Nehring (perc) | Edition Peters | 0 | ||||||
| 17383 | Lothar | Voigtländer | Drei Porträts mit Schatten | 1980 | Zuspiel, live-elec, 4 perf | 20:00 | Stereo | S, vc, vib, synt [Sopran, Schlagzeug, Cello, synthesizer] | Text after Garcia Lorca | Nova 885246/ | Experimentalstudio für Akustische Kunst Freiburg | 30.4.1981 | Berlin; Roswitha Trexler (S), H.-J. Lüdecke (vib), H.-J. Scheitzbach (vc), H. P. Haller | 1 | |||||
| 17384 | Lothar | Voigtländer | Ex voce | 1982 | radiophon | 9:55 | Stereo | radiophone Motette | MR Budapest, BR Nürnberg, PS C. | 2.10.1982 | Berlin | 0 | |||||||
| 17385 | Lothar | Voigtländer | Ex voce II | 1982 | radiophon | 9:55 | Stereo | radiophone Motette | Nova 885246/ | MR Budapest, Nürnberg | 1 | ||||||||
| 31343 | Lothar | Voigtländer | fanatic | 2001 | fixed media, akusmatisch | AdK Berlin | 0 | ||||||||||||
| 18564 | Lothar | Voigtländer | Fou avec contrebasse | 1996 | Zuspiel / Tonband, 1 perf | 13:20 | Stereo | db [Kontrabass] | IMEB Bourges | IMEB Bourges | 0 | ||||||||
| 31949 | Lothar | Voigtländer | Glasbauspiel I | 1995 | Performance | Raum- und Klangperformances für live-Interpreten, elektronische Tape-Zuspiele und Raum–Klang-Effekte | 0 | ||||||||||||
| 31950 | Lothar | Voigtländer | Glasbauspiel II | 1996 | Performance | Raum- und Klangperformances für live-Interpreten, elektronische Tape-Zuspiele und Raum–Klang-Effekte | 0 | ||||||||||||
| 32695 | Lothar | Voigtländer | Glockenspiele | 1983 | Zuspiel / Tonband, 1 perf | 10 | p [Piano] | PS C. | 1.10.1983 | Berlin; Bettina Otto (p) | 0 | ||||||||
| 17387 | Lothar | Voigtländer | Guillevic - Recital | 1986 | audiovisuell, live-elec, 3 perf | 3 Sp [Sprecher] | with slide-projection of paintings of Dieter Tucholke; after "Homage à un poète" | PS C. | 31.5.1986 | Dresden | 0 | ||||||||
| 17388 | Lothar | Voigtländer | Harmonics | 1975 | fixed media, akusmatisch | CECM Bratislava | 0 | ||||||||||||
| 17389 | Lothar | Voigtländer | Hommage à un poète | 1985 | fixed media, akusmatisch | 12:06 | Stereo | LDC 2781115/16/17 opus 30/ | IMEB Bourges | IMEB Bourges | 10.6.1985 | Bourges | 1 | ||||||
| 24492 | Lothar | Voigtländer | Lamentatio | 2000 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | IMEB Bourges | 0 | ||||||||||
| 17390 | Lothar | Voigtländer | Maikäfer flieg | 1985 | radiophon | 9:50 | Stereo | LDC 278046/47 Cultures Electroniques 3/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | PS C. | 14.6.1985 | Bourges | 1. Preis Bourges 1985, Bourges Goldene CD 1992 (Euphonie d’Or): beste Kompositionen der letzten 20 Jahre |
1 | ||||||
| 17391 | Lothar | Voigtländer | Meditations sur le temps | 1976 | radiophon | 12:45 | Stereo | after textby Eugene Guillevic | EM CD 002/ | CECM Bratislava | 1976 | Bourges | Mention Bourges 1976 | 1 | |||||
| 31345 | Lothar | Voigtländer | Missa Electroacoustica | 2000 | fixed media, akusmatisch | Tanz || audiovisuell |
Komposition aus attack, Hara, Lamentation, fanatic; 10 Jahre Lange Nacht der elektronischen Klänge | IMEB Bourges | IMEB Bourges | 0 | ||||||||||
| 17393 | Lothar | Voigtländer | Orgel-Spiele | 1978 | Zuspiel / Tonband, 1 perf | 12:00 | org [Orgel] | 3 parts (5:35, 3:15, 6:25) | Nova 885246/ | CECM Bratislava, MR Budapest | 25.2.1979 | Berlin; Christian Collum (org) | 1 | ||||||
| 17394 | Lothar | Voigtländer | Paysage sonore, Oú? - Wo? | 1988 | Hintergrundmusik | 10:00 | Stereo | also with projections (paintings from Dieter Tucholke). Hervorgegangen aus der Ausstellungsmusik Otto von Guericke |
PS C. | 24.2.1988 | Berlin, Eckehard Rödger (Ton) | 0 | |||||||
| 17395 | Lothar | Voigtländer | Portrait D. Tucholke | 1988 | fixed media, akusmatisch | 12:00 | Stereo | elektroakustisch - verbale Toncollage | PS C. | 5.11.1988 | Bergisch-Gladbach | 0 | |||||||
| 17396 | Lothar | Voigtländer | Raum-Musik Nr. 2 | 1980 | fixed media, akusmatisch | 35:00 | Stereo | für den Grafiker Dieter Tucholke | PS C. | 15.12.1980 | Berlin; Ausstellung Dieter Tucholke; Text zum Eröffnungsspektakel Dr. Werner | 0 | |||||||
| 17397 | Lothar | Voigtländer | Raum-Musik Nr. 3, (sonic landscape) | 1982 | fixed media, akusmatisch | 25:00 | Stereo | für Dieter Tucholke | PS C. | 5.5.1982 | Erfurt; zur Ausstellung Dieter Tucholke | 0 | |||||||
| 17398 | Lothar | Voigtländer | Raum-Musik Nr. 4, Die Musik an ihre Hörer | 1986 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | Sp [Sprecher] | Text: Frank Schneider | PS C. | 31.5.1986 | Dresden, Ernst Meincke (Sp), M. Mammitzsch & M. Kopf (Ton) | 0 | ||||||
| 31952 | Lothar | Voigtländer | Raum-Musik Nr. 6, KlangGlocke “sculpturen:klangumwandelt” | 1997 | Performance | 750 Jahre Dorf Kaulsdorf bei Berlin; Jesus-Kirche; Produktion mit Kunsthaus FLORA |
0 | ||||||||||||
| 32694 | Lothar | Voigtländer | Recital | 1980 | live-elec, 1 perf | 8 | Stereo | vib, (elec) [Schlagzeug] | 4.10.1980 | Berlin, R. J. Lüdecke (vib), L. Voigtländer (live-elec) | 0 | ||||||||
| 17400 | Lothar | Voigtländer | Russisch Roulett | 1990 | radiophon | 11:00 | Stereo | PS C., Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||||
| 17401 | Lothar | Voigtländer | Soundfiles 1 - … x | 1992 | Zuspiel / Tonband, 1 perf | 10:00 | hp [Harfe] | HSM Basel, PS C. | 1 | http://www.esbasel.ch/ | |||||||||
| 17402 | Lothar | Voigtländer | Structum I | 1977 | fixed media, akusmatisch | 11:55 | Stereo | CECM Bratislava | 16.12.1977 | Berlin | 0 | ||||||||
| 17403 | Lothar | Voigtländer | Variation und Collage | 1978 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | V [Stimme] | Text: Lorca | Nova 885197/ | CECM Bratislava | 20.2.1978 | Berlin. Joachim Vogt (T), L. Voigtländer Klangregie | Mention Bourges 1981 | 1 | ||||
| 31951 | Lothar | Voigtländer | VOICI-FEUERKLANG | 1995 | Performance | S, db, 2 perc [Sopran, Schlagzeug, Kontrabass] | Schloß Rheinsberg | 0 | |||||||||||
| 17404 | Lothar | Voigtländer | ... zu wissen die Drohung und doch zu dauern ... | 1984 | Zuspiel / Tonband, 5 perf | 12:00 | Stereo | V, 3 fl, p [Stimme, Flöte, Piano] | after poems by Eugéne Guillevic | PS C., Experimentalstudio für Akustische Kunst Freiburg | 4.4.1984 | Berlin; N. Bello (V); K. Meyer & W. Tast & H. Becher (fl), K. Kirbach (p) | 0 | ||||||
| 42737 | Scott | Voisey | Tranquility Blue | 2012 | fixed media, akusmatisch | 7:27:00 | 0 | ||||||||||||
| 31359 | Johannes | Voit | Elektronische Studie 3.0 | 2008 | fixed media, akusmatisch | 7:00:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31433 | Johannes | Voit | singling out | 2008 | Tanz, live-elec, 1 perf | ≈ 9:00 | com (Max/MSP) [computer] | HfM Dresden | 0 | ||||||||||
| 17405 | Kevin | Volans | Delay in Glass | 1978 | Zuspiel / Tonband, 1 group | 7:13 | Quadro | ens [Ensemble] | HfMT Köln | 0 | |||||||||
| 17406 | Kevin | Volans | Kwazulu Summer Landscape | 1979 | fixed media, akusmatisch | 64:30 | Quadro | HfMT Köln CD1/ | HfMT Köln | 1 | |||||||||
| 17407 | Kevin | Volans | Studies in Zulu History | 1979/1980 | fixed media, akusmatisch | 35:41 | Quadro | HfMT Köln | 0 | ||||||||||
| 22710 | Axel | Volmar | Frankophonie | 1999 | fixed media, akusmatisch | 33:27 | Quadro | sounds from Paris | PS C., TU Berlin | 1 | |||||||||
| 39986 | Kirsten | Volness | desangramiento | 2016 | Zuspiel / Tonband, 1 perf | 8 | va [Viola] | desangramiento • for viola and fixed media • 2016 • (8') | Third Practice Electroacoustic Festival | 0 | |||||||||
| 42998 | Kirsten | Volness | Nocturne | 2013 | live-elec, 1 perf | 12:00:00 | p [Piano] | Mary Prescott, piano | 0 | ||||||||||
| 39987 | Kirsten | Volness | River Rising | 2014 | Zuspiel, live-elec, 1 perf | 8:04:00 | vn [Violine] | River Rising • for violin, fixed media, and live electronics • 2014 • (8') available Music from SEAMUS Vol. 25 |
SEAMUS EAM Vol. 25/ | Cambridge Philhamonic Orchestra and String & Fader | 0 | ||||||||
| 42563 | Kirsten | Volness | Ultraviolet | 2008 | live-elec, 1 perf | cl [Klarinette] | Lisa Raschiatore, clarinet | ASCAP/SEAMUS and clarinetist Lisa Raschiatore | 0 | ||||||||||
| 33965 | Valerij | Voronow | Campani in Aria | 2003 | Zuspiel / Tonband, 1 perf | 16:50:00 | Quadro | tpt [Trompete] | HfMT Köln | 0 | |||||||||
| 33966 | Valerij | Voronow | Shivas Traum | 2004 | fixed media, akusmatisch | 11:05:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 33967 | Valerij | Voronow | Still Life | 2004 | fixed media, akusmatisch | 37:20:00 | Stereo, Quadro | HfMT Köln | 0 | ||||||||||
| 31562 | Andreas | Vorwerk | Respiro | 2013 | fixed media, akusmatisch | 10:37 | Stereo | next_generation 5.0 | MR 2014 Métamorphoses 2014/ | SEAM Weimar | 26.6.2013 | ZKM | 0 | ||||||
| 33707 | Group | Vosch | Tunnel At Down | fixed media, akusmatisch | 2:55:00 | Andrew Hollo (synt, tape treatments, effects), Dennis Janossich (synt, tape treatments, effects), Paul Janossich (str, gui, treatments) | WN 00006/1991/ | 1 | |||||||||||
| 17408 | Robert M. | Voss | Spiral Music | 1964 | fixed media, akusmatisch | 4:21 | Stereo | Uni Waltham | 0 | ||||||||||
| 17409 | Roger | Vossenaar | Elektrosolfège | 1973 | fixed media, akusmatisch | 17:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 17410 | Roger | Vossenaar | Interferenties | 1973 | fixed media, akusmatisch | 21:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 17411 | Roger | Vossenaar | Karree | 1973 | fixed media, akusmatisch | 21:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 17412 | Roger | Vossenaar | Meeting 1, 2 | 1973 | fixed media, akusmatisch | 21:00 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 17413 | Roger | Vossenaar | Miks | 1974 | Zuspiel / Tonband, | 14:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 17414 | Roger | Vossenaar | Projekt 3 | 1976 | fixed media, akusmatisch | IPEM Gent | 0 | ||||||||||||
| 17415 | Roger | Vossenaar | Reflekties | 1972 | fixed media, akusmatisch | 12:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 17416 | Roger | Vossenaar | Sin - Tees | 1975 | fixed media, akusmatisch | 6:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 17417 | Roger | Vossenaar | Stanza | 1973 | fixed media, akusmatisch | 15:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 17418 | Roger | Vossenaar | Struktuur | 1974 | Zuspiel / Tonband, | 10:12 | Stereo | IPEM Gent | 0 | ||||||||||
| 42187 | Wolf | Vostell | 100 x hören und spielen | 1969 | radiophon | WDR | 0 | ||||||||||||
| 17419 | Zbynek | Vostrák | Concomitances | 1970 | Zuspiel / Tonband, 1 perf | 13:04 | Stereo | perc [Schlagzeug] | Radio Plzen, Radio Plzen | 0 | |||||||||
| 17420 | Zbynek | Vostrák | Dve ohniska | 1969 | fixed media, akusmatisch | Stereo | (Two Foci) | Praha VÚRT | 0 | ||||||||||
| 18329 | Zbynek | Vostrák | Jedno ve vsem, one in everything | 1970 | fixed media, akusmatisch | Filmstudio Prague | 0 | ||||||||||||
| 17421 | Zbynek | Vostrák | Nezné pásky, které zavazují | 1977 | Zuspiel / Tonband, 1 perf | Stereo | tpt [Trompete] | Radio Plzen | 0 | ||||||||||
| 17422 | Zbynek | Vostrák | Obet scíce | 1974 | live-elec, 1 group | Stereo | ens [Ensemble] | Radio Plzen | 0 | ||||||||||
| 17423 | Zbynek | Vostrák | Promena II | 1974 | fixed media, akusmatisch | 11:15 | Stereo | Radio Plzen | 0 | ||||||||||
| 17424 | Zbynek | Vostrák | Sedm prahu | 1970 | fixed media, akusmatisch | 13:05 | Stereo | Radio Plzen | 0 | ||||||||||
| 17425 | Zbynek | Vostrák | Síto ticha | 1971 | fixed media, akusmatisch | 28:25 | Stereo | Radio Plzen | 0 | ||||||||||
| 17426 | Zbynek | Vostrák | Telepatie | 1969 | fixed media, akusmatisch | SUA 11007668/ | Praha VÚRT | 0 | |||||||||||
| 17427 | Zbynek | Vostrák | The gentle Ties which Bind, op. 56 | 1977 | fixed media, akusmatisch | 13:00 | Praha VÚRT | 0 | |||||||||||
| 17428 | Zbynek | Vostrák | The Net of Silence | 1971 | fixed media, akusmatisch | Praha VÚRT | 0 | ||||||||||||
| 17429 | Zbynek | Vostrák | Váhy svetla, Scales of Light Die Wagen des Lichtes |
1967 | fixed media, akusmatisch | 13:55 | Stereo | Supraphon 1 11 1423/ | Praha VÚRT | 6.10.1967 | Prag | 1 | |||||||
| 35219 | Antje | Vowinckel | 3 mal weekend 2006 | 2006 | radiophon | fixed media, akusmatisch |
Klangkompositionen | BR | 0 | |||||||||||
| 35218 | Antje | Vowinckel | Abkürzungen und Umwege | 2006 | radiophon | zehn “Wurfsendungen” | DeutschlandRadio | 0 | |||||||||||
| 35212 | Antje | Vowinckel | Call me yesterday | 2005 | radiophon | 50:03 | Call me yesterday, Text-Klangkomposition aus internationalen Sprachkursen, Autorenproduktion, DRS | DRS | 10.2.2006 | BR | Förderpreis des Karl-Sczuka-Preis 2005 Prix Ars Acustica 2005 |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1557233&vi=2&SID | ||||||
| 35239 | Antje | Vowinckel | Charlemagne, la vue attachée sur son lac de Constance, amoureux de l’âbime caché | 2003 | radiophon | fixed media, akusmatisch |
Nipps auf Charlemagne, la vue attachée sur son lac de Constance, amoureux de l’âbime caché cd bowindo 04 | 0 | ||||||||||||
| 35224 | Antje | Vowinckel | Daily Soap | 2000 | radiophon | Hörspiel nach einem Briefwechsel aus dem Health-Magazin | SWR | PRIX EUROPA 2000 | 0 | ||||||||||
| 35221 | Antje | Vowinckel | Die Zähler | 2004 | radiophon | O-Ton-Klangkomposition | WDR | 0 | |||||||||||
| 35230 | Antje | Vowinckel | Dry Run | 2014 | audiovisuell | 3 perf [Performer] | Klang-Videoperformance mit xlr-female | 5.6.2014 | Sophiensäle Berlin | 0 | |||||||||
| 35232 | Antje | Vowinckel | Folgen Sie mir pausenlos. Ein Speakview | 2012 | radiophon | 50:06:00 | Radiokomposition mit automatischen Sprechern (Ein Speakview mit automatischen Sprechern) | 8.6.2012 | Deutschlandradio Berlin | 0 | |||||||||
| 35228 | Antje | Vowinckel | Fragen im Scheinfrühling. Unmögliches Interview mit John Cage | 1996 | radiophon | SWF | 0 | ||||||||||||
| 41453 | Antje | Vowinckel | Galapagos-Kreuzblende, Galapagos Crossfade | 2018 | radiophon | Klangkunst, Installation |
33 | Octo | MDR Halle, SWR | 2018 3.6.2018 |
5.12.2017, SWR 2 Ars acustica DokKa-Festival Karlsruhe |
0 | ||||||||
| 35213 | Antje | Vowinckel | Goarse things, A spoken landscape | 2014 | radiophon | 14:36 | PS C. | 0 | |||||||||||
| 35227 | Antje | Vowinckel | Hier entlang zum Lizzard-King. Unmögliches Interview mit Jim Morrison | 1996 | radiophon | SWF | 0 | ||||||||||||
| 35234 | Antje | Vowinckel | Hier und da | 2009 | live-elec, 2 perf | 2 cl [Klarinette] | Klangkompositionen (mit Kai Fagaschinski und Michael Thieke, Klarinetten) | 0 | |||||||||||
| 35223 | Antje | Vowinckel | Nachricht aus Bastia (Bastia-Ruckzuck-Kawumm) | 2000 | radiophon | Autorenproduktion | PS C. | Medienpreis Plopp-Award | 0 | ||||||||||
| 35238 | Antje | Vowinckel | Neon 2003 | 2003 | Klangkunst, Installation | Installation in der UDK Berlin | UdK Berlin | 0 | |||||||||||
| 35225 | Antje | Vowinckel | Prim und Rund | 1999 | radiophon | O-Ton-Collage | SWR | 0 | |||||||||||
| 35222 | Antje | Vowinckel | Primfisch, dreigeteilt | 2002 | radiophon | SWR | 0 | ||||||||||||
| 35319 | Antje | Vowinckel | Prosodia | 2014 | radiophon | Klangkomposition mit verschwindenden europäischen Sprachen | 0 | ||||||||||||
| 35217 | Antje | Vowinckel | rochenununterbrochen. eine automatische stunde | 2007 | radiophon | WDR | Mention Phonurgia Nova 2007 | 0 | |||||||||||
| 35214 | Antje | Vowinckel | Roman im Glas | 2014 | radiophon | Türkische Klangvitrinen von Antje Vowinckel nach Motiven von Orhan Pamuk | HR, SWR | 15.1.2014 | HR2 / SWR | 0 | |||||||||
| 35226 | Antje | Vowinckel | Sei ein Frosch | 1996 | radiophon | WDR | 0 | ||||||||||||
| 35229 | Antje | Vowinckel | Sternenhimmel, 9 Uhr 26 | 1994 | radiophon | SWR | 0 | ||||||||||||
| 35233 | Antje | Vowinckel | Terra Prosodia, Rumansch Gutamal Provençal Wallis-Deutsch Provençal Gascon Gutamal Scottish-Gaelic |
2011 | radiophon | 35:06 | Serie von Klangkompositionen mit europäischen Dialekten | Gruen 125/ | 11.11.2011 | WDR | 0 | ||||||||
| 35235 | Antje | Vowinckel | the last thing you do | 2008 | fixed media, akusmatisch | szenische Komposition zum Feature „2% Gott. Schneidige Helden in L.A.“ | 0 | ||||||||||||
| 35216 | Antje | Vowinckel | Wir sagen Hallo | 2009 | radiophon | BR | 0 | ||||||||||||
| 35220 | Antje, Alessandro | Vowinckel, Bosetti | Steam. New York City Earshots | 2006 | radiophon | WDR | 0 | ||||||||||||
| 35215 | Antje, Chris | Vowinckel, Heenan | Wenn Sie mehr hören wollen | 2013 | radiophon | Wurfsendungen für Deutschland Radio | DeutschlandRadio | 0 | |||||||||||
| 24543 | Paul de | Vree | Stockholm Ode. April bei Sneuw | 1971 | fixed media, akusmatisch | 5:03 | Text-Sound Composition | FYCD 1024 CD 5 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 17430 | Jan | Vriend | Albedo | 1982 | fixed media, akusmatisch | 9:10 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 17431 | Jan | Vriend | Watermuziek | 1967 | Zuspiel / Tonband, 1 group | 6:25 | Mono | (school-)orc [Orchester] | Sonology Utrecht | 0 | |||||||||
| 27697 | Klaas de | Vries | A King, Riding | 1996 | Oper | oratorio scénique d'après The Waves de Virginia Woolf. Production du Théâtre Royal de la Monnaie. | CRFMW Liège | 21.05.1996 | Bruxelles, Kunsten FESTIVAL desArts | 0 | |||||||||
| 27704 | Klaas de | Vries | De Helling van de Oude Wijven | 2001 | Musiktheater, 2 perf | 2 V [Stimme] | CRFMW Liège | 14.03.2002 | Gand, Vooruit Geluid | 0 | |||||||||
| 27705 | Klaas de | Vries | Ghaf! | 2003 | live-elec, 1 group | ens [Ensemble] | CRFMW Liège | 3.10.2003 | La Haye, Festival dans le Ressac | 0 | |||||||||
| 17432 | Klaas de | Vries | Kwartet | 1973 | live-elec, 4 perf | 2 va, vc, db [Viola, Cello, Kontrabass] | 0 | ||||||||||||
| 17433 | François | Vuilleumier | Etude No 1 | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 17434 | François | Vuilleumier | Situations | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 17435 | Sorin | Vulcu | Cycloide III | 1972 | Zuspiel / Tonband, 1 perf | e-org [Keyboard] | EM ?? | 0 | |||||||||||
| 17436 | Sorin | Vulcu | Echo | 1973 | Zuspiel / Tonband, 3 perf | vn, vc, p [Piano, Cello, Violine] | EM ?? | 0 | |||||||||||
| 33402 | Martti | Vuorenjuuri | „Du sköna nya vörld“ | 1959 | radiophon | Mono | Yleisradio | 0 | |||||||||||
| 17437 | Harri | Vuori | Nagual | 1986 | fixed media, akusmatisch | 5:15 | ed. rz 3004 LP/ | Yleisradio | 1 | ||||||||||
| 36676 | Frans de | Waard | EARLabs | 1998 | fixed media, akusmatisch | 10 | Earlabs LM 002/ | 0 | |||||||||||
| 36677 | Frans de | Waard | Kapotte Muziek | 2005 | live-elec, 3 perf | ≈ 37 | 3 perf [Performer] | Earlabs LM 030/ | 0 | ||||||||||
| 23390 | Shigeto | Wada | FPEAK171102 | 2002 | live-elec, 2 perf | 11:40 | 2 perf [Performer] | Improvisation, MAX/MSP (fpeak) | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 36312 | Yoshi | Wada | Lament For The Rise And Fall Of The Elephantine Crocodile The Appointed Cloud Off The Wall Earth Horns With Electronic Drone |
1974 - 1987 | Performance | Klangkunst, Installation |
OP 0004/ OP 0005/ OP 0006/ OP 0007/ | 0 | ||||||||||||
| 17441 | Yoshi | Wada | on the hearing disfunction | 1984 | Performance, live-elec, 1 perf | 30:00 | perf (vacuum cleaner) [Performer] | 0 | |||||||||||
| 20902 | Steve | Wadhams | Harley | radiophon | 5:50 | Stereo | Innova 113/ | CBS experimental audio room | 1 | ||||||||||
| 17442 | Bartosz | Wadiak | HOMMAGE A D.LOCKWOOD | fixed media, akusmatisch | 8:25 | Quadro | SME Krakow | 0 | |||||||||||
| 17443 | Bartosz | Wadiak | SZEÍÇ CZARNYCH ÍCIAN | 1982/1983 | fixed media, akusmatisch | 14:55 | Stereo | SME Krakow | 0 | ||||||||||
| 42564 | Emmanuelle | Waeckerlé | A duet (virtually) | 2008 | live-elec, 2 perf | 2 V [Stimme] | Sebastien Lexer, Emannuelle Waeckerlé, vocals | 0 | |||||||||||
| 17444 | Karl | Wärneryd | 7 stycken, Ljuset Der Kanonen- Song ? Drottningholm ? Repet Gruvan |
1980/1981 | fixed media, akusmatisch | 30:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17445 | Karl | Wärneryd | Populärmusiksyntes | 1982 | fixed media, akusmatisch | ≈ 25:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 31550 | Thomas | Wagensommerer | Mesh Analysis | 2013 | live-elec, 1 perf | ≈ 10:00 | com [computer] | next_generation 5.0 | ICMT St. Pölten | 0 | |||||||||
| 26143 | Andreas | Wagner | Libethra 8.07 | 2007 | fixed media, akusmatisch | 4:00 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 33690 | Andreas | Wagner | Manga | 2012 | fixed media, akusmatisch | 8:31 | Stereo | MH-G7 012/ | PS C., | MH-G7 012 | 1 | ||||||||
| 31652 | Barb | Wagner | OBOWEQ | 1999 | Zuspiel, live-elec, 1 perf | 14:40 | sam [computer] | HSM Basel | 0 | ||||||||||
| 43048 | Thommy | Wahlström | 2014 Invention for E.A. no. 14 | 2014 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 40287 | Thommy | Wahlström | 2015 invention for EA no. 22 | 2016 | fixed media, akusmatisch | Thommy Wahlstrom | 0 | ||||||||||||
| 39512 | Thommy | Wahlström | invention no.11, excerpts and fork from old radio clip and a graphic score | 2017 | audiovisuell | for EA and video | 0 | ||||||||||||
| 40298 | Tommy | Wahlström | 2014 Invention for E.A. no. 14 | 2015 | fixed media, akusmatisch | 6:00:00 | Tommy Wahlström | 0 | |||||||||||
| 17446 | Karl Heinz | Wahren | 50 Welten fremder Entzückung | 1970 | Zuspiel / Tonband, 1 perf, 2 groups | Vs, orc [Stimme, Orchester] | 0 | ||||||||||||
| 17447 | Karl Heinz | Wahren | Albumblätter 1971 | 1971 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 17448 | Karl Heinz | Wahren | Du sollst nicht töten (Kantate) | 1969 | Zuspiel / Tonband, 1 perf, 2 groups | Sp, ch, jazz-ens [Sprecher, Ensemble, Chor] | 0 | ||||||||||||
| 17449 | Karl Heinz | Wahren | L’Art pour l’art | 1968 | Zuspiel / Tonband, 3 perf | fl, vc, p [Flöte, Piano, Cello] | 0 | ||||||||||||
| 17450 | Karl Heinz | Wahren | Permutationen | 1967 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 17451 | Karl Heinz | Wahren | Reversibel | 1969 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 17452 | Karl Heinz | Wahren | Zum Selbstmord des Genossen Sergej Jessenin | 1972 | Zuspiel / Tonband, 1 perf, 1 group | Sp, ens [Sprecher, Ensemble] | 0 | ||||||||||||
| 17453 | Michel | Waisvisz | ABrACADABrA | 1990 | live-elec, | STEIM | 0 | ||||||||||||
| 17454 | Michel | Waisvisz | BabyLon TempleRun | 1993 | live-elec, | STEIM | 0 | ||||||||||||
| 17455 | Michel | Waisvisz | Beat Concret | 1984 | live-elec, | STEIM | 0 | ||||||||||||
| 37812 | Michel | Waisvisz | Crackle revisited | 1977 | live-elec, 2 perf | perf, com (Datenhandschuh) [Performer, computer] | STEIM | 0 | |||||||||||
| 17456 | Michel | Waisvisz | De Electriciteit | 1974 | Musiktheater | STEIM | 0 | ||||||||||||
| 17457 | Michel | Waisvisz | De Slungels | 1981 | Musiktheater | STEIM | 0 | ||||||||||||
| 17458 | Michel | Waisvisz | Elektries Lied | 1977 | STEIM | 0 | |||||||||||||
| 21178 | Michel | Waisvisz | Faustos Schrei | 1994 | Tanz, live-elec, 2 perf | 34:00 | Stereo | dance, V [Stimme, Tanz] | for "The Hands" | WDR SEM, STEIM | 10.6.1994 | Köln | 0 | ||||||
| 17459 | Michel | Waisvisz | Hands for The Hands | 1994 | live-elec, 1 perf | com [computer] | „The Hands“-com | STEIM | 0 | ||||||||||
| 17460 | Michel | Waisvisz | Het Anarchistenbal | 1980 | live-elec, | Musiktheater |
STEIM | 0 | ||||||||||||
| 28478 | Michel | Waisvisz | Rupture | fixed media, akusmatisch | 12:27 | on basta-CD only the 3rd part! | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.steim.org/michel/media.html | ||||||||||
| 17461 | Michel | Waisvisz | Songs from The Hands | 1991 | live-elec, 1 perf | com [computer] | „The Hands“-com | STEIM | 0 | ||||||||||
| 17462 | Michel | Waisvisz | The Archaic Symphony, "… from the Global Village" | 1987 | live-elec, 1 perf | 38:20 | com (Datenhandschuh) [computer] | eine elektronische Symphonie indrei Sätzen. „The Hands“-com (Datenhandschuh) | STEIM, IMEB Bourges | 1 | 1989 | ||||||||
| 17463 | Michel | Waisvisz | The Hands | 1986 | live-elec, 1 perf | 7:24 | perf, (com) [Performer] | „The Hands“-com; WER: 2 excerpts |
WER 2010-50/ | STEIM | 1 | ||||||||
| 17464 | Michel | Waisvisz | The Mousicom Tree | 1985 | live-elec, | STEIM | 0 | ||||||||||||
| 17465 | Michel | Waisvisz | Touch Monkeys | 1986 | live-elec, | 38:00 | perf, (The Hands and 18 com mus ins) [Performer] | IRCAM | 0 | ||||||||||
| 17466 | Adam | Walacinski | Allaloa | 1970 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 17467 | Adam | Walacinski | Canzona | 1966 | Zuspiel / Tonband, 2 perf | vc, p [Piano, Cello] | 0 | ||||||||||||
| 27937 | Christian | Waldvogel | Average Windspeed in Knots | 1996 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27936 | Christian | Waldvogel | Ireland | 1991 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 40849 | Agnieszka | Waligorska | Reflections of a Fountain | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 39929 | John | Walker | Z | 2015 | fixed media, akusmatisch | 3:28:00 | John Walker | 0 | |||||||||||
| 20903 | William | Walker | The Linoleum Bachelors | 1993 | fixed media, akusmatisch | 5:47 | Stereo | EMS 9300/ | EMS UIUC | 0 | |||||||||
| 17468 | Donald | Wallace | Getallen | 1977 | fixed media, akusmatisch | 8:08 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17469 | Donald | Wallace | Traces | 1977 | fixed media, akusmatisch | 10:34 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17470 | Tom | Wallace | andRain | 1994 | fixed media, akusmatisch | 8:15 | UEA Norwich | 0 | |||||||||||
| 17471 | Tom | Wallace | givingup goingon | 1994 | fixed media, akusmatisch | 13:20 | UEA Norwich | 0 | |||||||||||
| 17472 | Tom | Wallace | Zach's Sack | 1994 | fixed media, akusmatisch | 3:00 | SAN 08/99 Sonic arts network/ | UEA Norwich | 1 | ||||||||||
| 17473 | Björn | Wallgren | City mechanics | 1981 | fixed media, akusmatisch | 7:45 | Stereo, Quadro | EMS Stockholm | 0 | ||||||||||
| 17474 | Björn | Wallgren | Fabrik I | 1979 | fixed media, akusmatisch | 21:05 | Quadro | EMS Stockholm | 0 | ||||||||||
| 17475 | Björn | Wallgren | Fiva | 1982 | Zuspiel / Tonband, 1 perf | 16:40 | Stereo, Quadro | e-gui [Gitarre] | 0 | ||||||||||
| 17476 | Björn | Wallgren | Förtvinad hed | 1978 | fixed media, akusmatisch | 10:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17477 | Björn | Wallgren | Hets och frenesi | 1977 | fixed media, akusmatisch | 10:05 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17478 | Björn | Wallgren | Mixtime | 1982 | fixed media, akusmatisch | 17:18 | Quadro | EMS Stockholm | 0 | ||||||||||
| 17479 | Björn | Wallgren | Moln | 1982 | fixed media, akusmatisch | 0 | |||||||||||||
| 17480 | Björn | Wallgren | Moln II | 1981 | fixed media, akusmatisch | 21:05 | Quadro | also introduction tape | EMS Stockholm | 0 | |||||||||
| 17481 | Björn | Wallgren | Muster | 1980 | fixed media, akusmatisch | Quadro | EMS Stockholm | 0 | |||||||||||
| 17482 | Rolf | Wallin | Apple Piece | 1984 | Tanz, 1 perf | 45:00 | Stereo | perc [Schlagzeug] | EMS Stockholm | 0 | |||||||||
| 17483 | Rolf | Wallin | Depart | 1986 | Zuspiel / Tonband, 1 perf | 12:00 | fl [Flöte] | fl-player acting | NOTAM | 0 | |||||||||
| 17484 | Rolf | Wallin | So far unchanged | 1988 | audiovisuell, 1 group | 50:00 | ch, (video) [Chor] | NOTAM | 0 | ||||||||||
| 23099 | Rolf | Wallin | Strøk | fixed media, akusmatisch | 7:23 | ACD 5018 Aurora/ | 1 | ||||||||||||
| 17485 | Rolf | Wallin | The Road Between Water and Thirst | 1987 | Musiktheater | 50:00 | 0 | ||||||||||||
| 21994 | Rolf | Wallin | Yo | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 17486 | Rolf | Wallin | Zur Psychopathologie des Alltagslebens | 1987 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | V, ens [Stimme, Ensemble] | 0 | |||||||||||
| 17487 | Philip | Walling | A Visit to the Doctor | 1979 | fixed media, akusmatisch | 3:12 | Stereo | PS C. Halifax | 0 | ||||||||||
| 17488 | Philip | Walling | Blood Brothers | 1985 | fixed media, akusmatisch | Stereo | PS C. Halifax | 0 | |||||||||||
| 17489 | Philip | Walling | Hwy 401: A Suite in 4 Parts | fixed media, akusmatisch | Stereo | Cruise Con / The Off Ramp / Country Bump / Restination… But You Cried in the Woods | PS C. Halifax | 0 | |||||||||||
| 17490 | Philip | Walling | Rememberance | fixed media, akusmatisch | Stereo | PS C. Halifax | 0 | ||||||||||||
| 17491 | Philip | Walling | Screaming Purple Hazel | fixed media, akusmatisch | Stereo | PS C. Halifax | 0 | ||||||||||||
| 27507 | Johannes | Wallmann | Glocken Requiem Dresden, Glocken Requiem XXI – raumklang-komposition für drei voneinander weitentfernte chorgruppen, 137 dresdner kirchenglocken, elektronische klänge, drei schreier und einen koranrezitator (1994–1995/2004–2006) | 1994 - 1995, 2004 - 2005 | live-elec, 4 perf, 3 groups | 3 ch, (137 church bells,) 3 perf (Schreier), Sp ( Koranrezitator) [Sprecher, Performer, Chor] | Texte in deutsch, hebräisch und hocharabisch, u. a. von Anne Frank, Karolina Lealovic, Bibel, H. Johannes Wallmann, Vokalisen. | DMR Musik in Deutschland 1950 - 2000: Komponierte Zeitgeschichte/ | PS Bartetzki | 12.2.1995 | Dresden | 1 | |||||||
| 32080 | Craig | Walsh | Pipeline Burst Cache | 1998 | fixed media, akusmatisch | 7:40 | Stereo | SEAMUS EAM Vol. 9/ Russolo Pratella EF.ER.P 99/ | Prize Russolo Varese 1999 | 0 | |||||||||
| 32140 | Craig | Walsh | Terma | 2003 | Zuspiel / Tonband, 1 perf | 7:20:00 | S [Sopran] | Stella Markou, soprano | SEAMUS EAM Vol. 14/ | 0 | |||||||||
| 34998 | Jennifer | Walshe | Language Ruins Everything | 2013 | live-elec, 2 perf, 1 group | counter-T, p, ch (DVD) [Tenor, Piano, Chor] | Chor ≈ „Freiwilligen-Chor“ | 0 | http://www.pgnm-festival.de/ | ||||||||||
| 32284 | Jennifer | Walshe | moving in / love song / city front garden with old men | 2013 | live-elec, 2 perf | 11:43 | V, p [Stimme, Piano] | after text by John McAuliffe | stock11 003/ | 0 | |||||||||
| 17492 | Ivor | Walsworth | Passacaglia | 1960 | fixed media, akusmatisch | 5:00 | Mono | PS Oramics | 0 | ||||||||||
| 17493 | Arnold, Harvey | Walter, Olnick | Indian Ballet | 1960 | Tanz | 10:55 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 42440 | Fried | Walter | Zwei Stücke für Trautonium und Orchester | 1942 | live-elec, 1 perf, 1 group | synt (Trautonium), orc [synthesizer, Orchester] | 0 | ||||||||||||
| 42679 | Andrew | Walters | Encroachment | 2009 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 32077 | Andrew | Walters | IN->EX | 1998 | fixed media, akusmatisch | SEAMUS EAM Vol. 9/ | 0 | ||||||||||||
| 42818 | Andrew | Walters | Pan’s Music Imparts Form to Primal Matter | 2012 | live-elec, 1 perf | 9:45:00 | cl [Klarinette] | David Wetzel, clarinet | 0 | ||||||||||
| 39578 | Andrew | Walters | Premonitions and Reverberations | 2017 | fixed media, akusmatisch | 16 Tracks | Andrew Walters | 0 | |||||||||||
| 32141 | Andrew | Walters | Pushing Buttons | 2005 | Zuspiel / Tonband, 1 perf | 5:34:00 | a-sax [Saxophon] | Idit Shner, alto saxophone | SEAMUS EAM Vol. 16/ | 0 | |||||||||
| 39579 | Andrew | Walters | Red Plastic Bell Abstract | 2016 | fixed media, akusmatisch | Andrew Walters | 0 | ||||||||||||
| 42951 | Andrew | Walters | Within and Without | 2013 | fixed media, akusmatisch | 4:35:00 | 0 | ||||||||||||
| 17494 | John | Walters | Before the Oil Ran out | fixed media, akusmatisch | 0 | ||||||||||||||
| 17495 | John | Walters | Random Music | fixed media, akusmatisch | 0 | ||||||||||||||
| 17496 | John | Walters | Roads | fixed media, akusmatisch | 0 | ||||||||||||||
| 17497 | John | Walters | Ub Iwerks | fixed media, akusmatisch | 0 | ||||||||||||||
| 39344 | Daniel A. | Walzer | Reflections on Harvard Square and Boott Mill | 2017 | live-elec, | 0 | |||||||||||||
| 31869 | Bo | Wang | Chinesische Elemente – Jin | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31871 | Bo | Wang | Chinesische Schrift Nr. 1 | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31867 | Bo | Wang | Das Lied von der Holzseele | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31868 | Bo | Wang | Die Chinesische Kalligraphie | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31865 | Bo | Wang | String Trio | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31866 | Bo | Wang | Studie 8 | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31870 | Bo | Wang | Xi Xia Stammeshäuptling | 2011 | audiovisuell | ICEM Essen | 0 | ||||||||||||
| 39655 | Chi | Wang | Ling Yin | 2017 | fixed media, akusmatisch | Chi Wang | 0 | ||||||||||||
| 39724 | Davide | Wang | Unfolding | 2016 | fixed media, akusmatisch | 6:13 | Davide Wang | CLS 160501/ | 0 | ||||||||||
| 41847 | Hong-Kai, Ben | Wang, Gerstein | Hsintein, Santa Barbara | 2008 | radiophon | 2:40:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 39519 | Hsiao Ti | Wang | Nature | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42754 | Jing | Wang | Brahmanda | 2012 | fixed media, akusmatisch | 11:54:00 | 0 | ||||||||||||
| 43014 | Jing | Wang | Wiretap | 2013 | fixed media, akusmatisch | 4:16:00 | 0 | ||||||||||||
| 17498 | Jun Jieh | Wang | chinese secret palace dishes | 1994 | Fernsehen, | 12:22 | Stereo | VHS | TU Berlin | Taipeh Fine Arts Museum | 1 | ||||||||
| 17499 | Jun Jieh | Wang | Spezial Tigerhoden-Suppe | 1992 | Fernsehen, | 6:00 | Stereo | TU Berlin | 1 | ||||||||||
| 20904 | Miao Wen | Wang | Berceuse de quatre saisons | radiophon | 11:10 | Stereo | La muse En Circuit Hörspiele 2: Jeux Pour L'Oreille/ | 0 | |||||||||||
| 20905 | Ming | Wang | 3 Nachtstücke | 1995 | radiophon | 14:02 | Stereo | EX 256/ | ELAK Wien | 0 | |||||||||
| 26099 | Ming | Wang | Sommernachtstraum 2002 | 2002 | fixed media, akusmatisch | 6:40 | EX 656 Elak Wien/ | ELAK Wien | 1 | ||||||||||
| 40248 | Shijie | Wang | The Oscillation | 2017 | fixed media, akusmatisch | Shijie Wang | 0 | ||||||||||||
| 43021 | Ting Yun | Wang | Scenery | 2013 | fixed media, akusmatisch | 6:30:00 | 0 | ||||||||||||
| 40302 | Tuo | Wang | IDB | 2016 | fixed media, akusmatisch | Tuo Wang | 0 | ||||||||||||
| 40326 | Xian | Wang | Baetylus II | 2017 | fixed media, akusmatisch | Xian Wang | 0 | ||||||||||||
| 33971 | Ying | Wang | Compass | 2010 | Zuspiel / Tonband, 4 perf | 11:30:00 | Quadro | sax, hn, vc, p [Saxophon, Horn, Piano, Cello] | Komposition für Saxophon, Horn, Cello, Klavier und Elektronik | HfMT Köln | 0 | ||||||||
| 33970 | Ying | Wang | Dopplung | 2009 | live-elec, 1 perf | Quadro | sax [Saxophon] | Frank Riedel, Saxophon | HfMT Köln | 0 | |||||||||
| 33968 | Ying | Wang | Schatten, durch den Klang III | 2008 | live-elec, 1 perf | 5:48:00 | Stereo | V [Stimme] | Komposition für Obertongesang und elektronische Klänge Fuzhu Meng (Bariton). |
HfMT Köln | 0 | ||||||||
| 34289 | Ying | Wang | Unlinked Innocence | 2016 | live-elec, 2 perf | cl, acc [Klarinette, Akkordeon] | 0 | ||||||||||||
| 33969 | Ying | Wang | Welle in D | 2008 | Zuspiel / Tonband, 1 perf | 9:40:00 | Stereo, Quadro | acc [Akkordeon] | Andrea Kiefer (Akkordeon) | HfMT Köln | 0 | ||||||||
| 23233 | Yueyang | Wang | Haiku | 1998 | Film | 3:32 | 1 | ||||||||||||
| 22544 | Yueyang | Wang | OELe! | 1997 | live-elec, 2 perf | 8:27 | V, p [Stimme, Piano] | 1 | |||||||||||
| 32157 | Yueyang | Wang | SI - II | 2001 | Musikinstrument, keine EM, 3 perf | 3:56:00 | vn, V, Zheng [Stimme, Violine, Streicher] | 1 | |||||||||||
| 22539 | Yueyang | Wang | Sounds in Cabaret - KDK 4.0 | 2000 | live-elec, 3 perf | 9:46 | 3 mus (Erhu, Xiao, Qing) [Musiker] | 1 | |||||||||||
| 22543 | Yueyang | Wang | Stop?! | 1999 | fixed media, akusmatisch | 9:58 | 1 | ||||||||||||
| 22541 | Yueyang | Wang | Utopia - Drei Kulturen | 2000 | fixed media, akusmatisch | 7:04 | 1 | ||||||||||||
| 22540 | Yueyang | Wang | Utopia - in die neue Zeit | 2000 | fixed media, akusmatisch | 15:30 | Quadro | 1 | |||||||||||
| 22542 | Yueyang | Wang | Utopia - Open End | 2000 | fixed media, akusmatisch | 6:46 | 1 | ||||||||||||
| 22546 | Yueyang | Wang | Vom Winde verweht | 1998 | fixed media, akusmatisch | 9:00 | Octo | 1 | |||||||||||
| 22545 | Yueyang | Wang | WYY | 1997 | fixed media, akusmatisch | 3:47 | 1 | ||||||||||||
| 40348 | Zong Hua | Wang | Wake | 2015 | fixed media, akusmatisch | 5:00:00 | Zong Hua Wang | 0 | |||||||||||
| 42565 | Steve | Wanna | (in)difference/s | 2008 | live-elec, 1 perf | perc [Schlagzeug] | Joe Fee, percussion | 0 | |||||||||||
| 43059 | Steve | Wanna | Meditation on Form and Measure | 2014 | Klangkunst, Installation | Location: Experimental Theater | 0 | ||||||||||||
| 17500 | David | Ward-Steinman | Piano Collage | 1961 | fixed media, akusmatisch | 7:00 | Mono | EMS UIUC | 0 | ||||||||||
| 18965 | Marcel | Wardenier | De wereldse Stad Amsterdam | 1995 | Klangkunst, Installation | 6:04 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | Utrecht | 1 | |||||||||
| 21995 | Rob | Waring | Glass | 1999 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 17501 | Rob | Waring | Shiva's dance | 1985 | Zuspiel / Tonband, 3 perf | 18:00 | 2 perc, perf (sound engineer) [Schlagzeug, Performer] | NOTAM | 0 | ||||||||||
| 17502 | Rob | Waring | Smithereens | 1992 | Zuspiel / Tonband, 1 perf | 7:45 | amp vib [Schlagzeug] | NOTAM | 0 | ||||||||||
| 21996 | Rob | Waring | Sonomatrix | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 42872 | Matthew | Warne | Awakening | 2013 | live-elec, 1 perf | 9:00:00 | cl [Klarinette] | Ken Thomson, clarinet | 0 | ||||||||||
| 17503 | Daniel | Warner | Delay in Glass | 1987 | fixed media, akusmatisch | 9:30 | CMUSIC | Neuma 450-73/ | 1 | ||||||||||
| 17504 | Alicyn | Warren | Contraption | 1988 | live-elec, 2 perf | 7:33 | Stereo | perc, sam [Schlagzeug, computer] | perc. Inner Voices, MIDI, sm, FM | Centaur CRC 2076, CDCM Vol. 5/ | Winham | 1 | |||||||
| 17505 | Alicyn | Warren | Longing for the light | 1991 | fixed media, akusmatisch | 20:00 | Stereo | LDC 278053/54 Cultures Electroniques 6/ | Winham | 2nd prize Bourges | 1 | ||||||||
| 23595 | Alicyn | Warren | Molly | 1998 | audiovisuell | 12:41 | Surround 5.1 | CMJ Vol 27-4, 2003/ | 1 | ||||||||||
| 22726 | Alicyn | Warren | Something Else Again | 1996 | Zuspiel / Tonband, 1 perf | 11:21 | p [Piano] | Centaur CRC 2454, CDCM Vol 29/ | VCCM | 1 | |||||||||
| 39426 | Kristina | Warren | Eight Paces | 2017 | audiovisuell | 0 | |||||||||||||
| 39992 | Kristina | Warren | Look the Other Way | 2015 | fixed media, akusmatisch | 7:37:00 | Kristina Warren | 0 | |||||||||||
| 40129 | Miles | Warrington | Across || Lines | 2016 | Performance | Miles Warrington | 0 | ||||||||||||
| 36245 | Brett | Wartchow | Eos | 2012 | live-elec, 1 perf | 10:25 | perc [Schlagzeug] | innova 967/ | 0 | ||||||||||
| 17506 | Rodney | Waschka II | A Noite, Porém, Rangeu E Quebrou | 1989 | Zuspiel, live-elec, 2 perf | 10:31 | Stereo | db, synt [Kontrabass, synthesizer] | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | ||||||||
| 42795 | Rodney | Waschka II | Diptych, Still Life with Castanets La Verdad |
2012 | fixed media, akusmatisch | 6:36:00 | 0 | ||||||||||||
| 17507 | Rodney | Waschka II | Help Me Remember | 1990 | Zuspiel, live-elec, 1 perf | 18:30 | Stereo | V, (com) [Stimme] | Centaur CRC 2170, CDCM Vol. 14/ | Dallas Sound Lab | 1 | ||||||||
| 17508 | Rodney | Waschka II | Last night | 1990 | computer generated score, 2 perf | 7:18 | p, sax [Saxophon, Piano] | Centaur CRC 2133, CDCM Vol. 11/ | 1 | ||||||||||
| 41525 | Rodney | Waschka II | Saint Ambrose | 1999 | Oper | 40:20 | sax and actor [Saxophon, Schauspieler] | CPS 8708 Capstone/ | Steve Duke | 0 | http://www.capstonerecords.org/CPS-8708.html | ||||||||
| 23235 | Rodney | Waschka II | Still Life with Castanets | 2000 | fixed media, akusmatisch | 3:04 | Cec Presence 3/ | NCSU | 1 | ||||||||||
| 20906 | Rodney | Waschka II | Visions of Habakuk | 1987 - 1996 | fixed media, akusmatisch | 8:20 | Stereo | Centaur CRC 2310, CDCM Vol. 24/ | Sonology Den Haag, Uni North Carolina | 1 | |||||||||
| 20976 | Rodney | Waschka II | Xuan Men | 1991 | computer generated score, 1 perf | 8:50 | vn [Violine] | Centaur CRC 2193, CDCM Vol. 16/ | 1 | ||||||||||
| 42188 | Sarah | Washington | One thought fills immensity | 2018 | radiophon | ORF, Radia network | 0 | ||||||||||||
| 31560 | Michael | Wassermann | Klangbrett | 2013 | fixed media, akusmatisch | 6:43 | next_generation 5.0 | SEM Salzburg | 0 | ||||||||||
| 28562 | Ute, Richard | Wassermann, Barrett | Histoires Naturelles | 2002 | live-elec, 1 perf | 8:23 | V [Stimme] | WD 2002, Wittener Tage Für Neue Kammermusik 2002/ | UA | 2002 | Wittener Tage für neue Kammermusik 2002 mit U. Wassermann (V), R. Barrett (Live-elec) | 1 | |||||||
| 32262 | Stephanos | Wassiliadis | Kouklokosmos, Puppenwelt, ein elektronisches Märchen | 1973 | fixed media, akusmatisch | 1977 | ISCM Bonn, Beethovenhalle | 0 | |||||||||||
| 37771 | Hiromi | Watanabe | Anamnese | 2016 | live-elec, | Honorable Mention MUSICA NOVA 2017 Cataegory B | 0 | ||||||||||||
| 17509 | Simon | Waters | AfterImage | 1993 | Zuspiel / Tonband, 1 perf | 8:30 | baroque fl [Flöte] | UEA Norwich | 0 | ||||||||||
| 17510 | Simon | Waters | Alive and Kicking | 1989 - 1990 | Zuspiel / Tonband, 3 perf | Mez, p, db [Mezzo, Piano, Kontrabass] | UEA Norwich | 0 | |||||||||||
| 17511 | Simon | Waters | Dangerous Liaisons | 1983 | fixed media, akusmatisch | 12:50 | Stereo | UEA Norwich | 0 | ||||||||||
| 17512 | Simon | Waters | Drift | 1991 | fixed media, akusmatisch | 11:57 | Stereo | NOR 02/ | UEA Norwich, EMS Stockholm, GES Vierzon | Prix Noroit 1991 | 1 | ||||||||
| 17513 | Simon | Waters | Frame | 1992 | Zuspiel / Tonband, 2 perf | 16:00 | Stereo | s-sax, b-cl [Klarinette, Saxophon] | UEA Norwich | 0 | |||||||||
| 17514 | Simon | Waters | Inside / Out | 1990 | fixed media, akusmatisch | 5:04 | Stereo | UEA Norwich | 0 | ||||||||||
| 17515 | Simon | Waters | Joculatore | 1990 | Theater, 1 group | 14:57 | actors (marionettes) [Schauspieler] | UEA Norwich | 0 | ||||||||||
| 17516 | Simon | Waters | Passages | 1980/1981 | fixed media, akusmatisch | 14:37 | UEA Norwich | 0 | |||||||||||
| 17517 | Simon | Waters | Plateau | 1989/1990 | fixed media, akusmatisch | 16:16 | (rev.-Duration 15:12 ) | UEA Norwich | 0 | ||||||||||
| 17518 | Simon | Waters | Suspended Animation 4 | 1986 | fixed media, akusmatisch | 11:37 | UEA Norwich | 0 | |||||||||||
| 17519 | Simon | Waters | Unearthing | 1993 | fixed media, akusmatisch | 22:40 | Stereo | UEA Norwich | 0 | ||||||||||
| 26101 | Chris | Watson | Ant-Steps | 2003 | Klangkunst, Installation | 3:22 | Wood Ant extract from the Vermilion Sounds radio program on ResonanceFM London | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 26102 | Chris | Watson | Blue Grass Music | 2005 | Klangkunst, Installation | 2:22 | Insect chorus | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 34570 | Chris | Watson | Hippopotamie | fixed media, akusmatisch | 0 | ||||||||||||||
| 43139 | Chris | Watson | Outside the Circle of Fire | 2000 | fixed media, akusmatisch | ARS 00/ TO 37/ | Auszeichnung ars electronica Award of Distinction 2000 | 0 | |||||||||||
| 43167 | Chris, Benny | Watson, Nilsen | Storm, No Man’s Land SIGWX Austrvegr |
2003 - 2004 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2007 | 0 | ||||||||||||
| 17520 | Tessa, Tim, Malcolm | Watt, Souster, Clarke | Soundmoney | radiophon | BBC | 0 | |||||||||||||
| 24493 | Yudane | Wayan | Etude A. E. | 2004 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 39462 | Mitch | Weakley | Critical Tension | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 27655 | Rob | Weale | The Bathroom Suite | 2005 | fixed media, akusmatisch | 9:30 | 8 parts | uh-label 020011006 sonic voyages/ | Uni De Montfort | 0 | |||||||||
| 27665 | Robert | Weale | Circles Of Strangers, Circle 3 | 2007 | fixed media, akusmatisch | 10:36 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | |||||||||
| 17521 | Carol Ann | Weaver | In Flight | 1987 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 42189 | James | Webb | The war of the worlds | 1938, 2017 | radiophon | 47:56 | SAVVY-Funk - Documenta 14, Dlf Kultur | 16.6.2017 | DeutschlandRadio Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4939963&vi=1&SID | ||||||||
| 40810 | Heinz | Weber | 3 pieces in April | 2004 | Tanz | piece with "LaborGras" dance company (Berlin) | 0 | ||||||||||||
| 40808 | Heinz | Weber | 88 | 2000 | Zuspiel, Performance, 1 perf | Octo + Octo | V [Stimme] | for two 8-track tape machines and voice (Sam Ashley) | 0 | ||||||||||
| 26295 | Heinz | Weber | bass 110, zum 10jährigen Jubiläum von MEX. Dortmund | 2002 | radiophon | Performance |
9:11 | 110 Bässe oder 1 Bass 110 mal addiert 1 – 110 identic basstones in microtemporary superimposition |
PS C. | 1 | ||||||||||
| 40800 | Heinz | Weber | Beethoven-Klaviersonate | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 40818 | Heinz | Weber | Cave – Blumenkohl | 2007 | Performance | perf [Performer] | live-performance (Nantes, Frankreich) | 0 | |||||||||||
| 40811 | Heinz | Weber | Come un forno | 2004 | Klangkunst, Installation | about "art in cooking" (8. Literaturfestival Mantova / Italy, September 2004) | 0 | ||||||||||||
| 40823 | Heinz | Weber | CrelleKlang | 2011 | Klangkunst, Installation | 29 Tracks | for 29 loudspeakers in a line of 200 m | 2. Juli until 31. December 2011 | Crellestr. 5 - 17, Berlin-Schöneberg | 0 | |||||||||
| 40806 | Heinz | Weber | Cruna | 1998 | Performance | with Lou Mallozzi (Chiesa die Battuti, Montegrosso d’Asti / Italy – PERCORSI-Festival) | 0 | ||||||||||||
| 26103 | Heinz | Weber | Das Salz zum Erden # 2 | 2000 | Performance | 11:04 | t-u-b-e 6.11.2003 acoustic phenomens of handling and basic physical processes |
WER ARTS 81015 t-u-b-e reloaded 2004/ | 1 | ||||||||||
| 40821 | Heinz | Weber | DEICHTOR HALLT! | 2010 | Klangkunst, Installation | im Aussenraum Hamburg, 25.4. - 21.5.2010 | 25.4. - 21.5.2010 | Aussenraum Hamburg | 0 | ||||||||||
| 40809 | Heinz | Weber | E v A | 2001 | Klangkunst, Installation | fem V [Stimme] | with female voice – installation (Poznan, Poland) | 0 | |||||||||||
| 26290 | Heinz | Weber | Hamburg am Wasser - ich höre Brücken, Hamburg on water – I hear bridges | 1997 | Klangkunst, Installation | radiophon |
7:11 | Stereo | für internationale digitale Radiokunst des SFB | PS C. | 16.3.1999 | SFB | 1 | |||||||
| 40819 | Heinz | Weber | Idas Werden | 2008 | Theatermusik | music for a theatre piece of the "Aktionstheater Donzdorf" (premiere 28.11.2008, Donzdorf) | 28.11.2008 | Aktionstheater Donzdorf | 0 | ||||||||||
| 40814 | Heinz | Weber | Ikarus A 4 | 2006 | Klangkunst, Installation | at the "sonambiente" Sound Art Festival, Berlin | 0 | ||||||||||||
| 26292 | Heinz | Weber | Italian Landscape | 1998 | Klangkunst, Installation | 7:11 | Castello di Rivara, Turin / Italy | PS C. | 1 | ||||||||||
| 40803 | Heinz | Weber | Klangbogen – aufrecht genast und umgekehrt – in großen Stellen verwaschen | 1997 | live-elec, 1 perf | org [Orgel] | music for organ and space acoustic, St Petri Church, Dortmund | 0 | |||||||||||
| 40816 | Heinz | Weber | Lauter Wasser | 2007 | Klangkunst, Installation | performed sound installation (6. Int. Theaterfestival Donzdorf) | 0 | ||||||||||||
| 40817 | Heinz | Weber | Microton science + sound, Entstehung von Wirbeln bei Wasserströmungen | 2007 | Film | music for a scientific film "Entstehung von Wirbeln bei Wasserströmungen" 1932-33 (23. Int. Kurzfilmfestival Hamburg) | 0 | ||||||||||||
| 40802 | Heinz | Weber | Musica Analogica | 1997 | Klangkunst, Installation | 0 | |||||||||||||
| 40805 | Heinz | Weber | Outside In | 1997 | Klangkunst, Installation | Chiesa die Battuti, Montegrosso d’Asti / Italy – PERCORSI-Festival | 0 | ||||||||||||
| 40822 | Heinz | Weber | Parcour II, Enden | 2011 | Klangkunst, Installation | 25.03.2011 | Christianskirche, Hamburg | 0 | |||||||||||
| 40801 | Heinz | Weber | Ponton Blankenese | 1996 | Klangkunst, Installation | 4 situations of an aural place in Hamburg | 0 | ||||||||||||
| 26291 | Heinz | Weber | Quiete Noice | 1998 | fixed media, akusmatisch | 7:11 | Quadro | PS C. | 1 | ||||||||||
| 40812 | Heinz | Weber | relay | 2005 | fixed media, akusmatisch | CD-release of 4 music pieces for exciting relaxation | 0 | ||||||||||||
| 40799 | Heinz | Weber | Revox B 77 MK II | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 40798 | Heinz | Weber | Room of Numbers, Raum der Zahlen | 1994 | Klangkunst, Installation | 0 | |||||||||||||
| 40804 | Heinz | Weber | Silenzio | 1997 | Performance | (Lier, Belgien) | 0 | ||||||||||||
| 40820 | Heinz | Weber | Spirit of Rice | 2009 | fixed media, akusmatisch | in 17 parts about Concentration and Non-understanding August - Dezember | 1 | ||||||||||||
| 26294 | Heinz | Weber | These Bergfalke | 2001 | Klangkunst, Installation | 8:11 | Stereo + Stereo + Stereo + Stereo, + Stereo | geometrisches Konstrukt. 5 pairs of loudspeakers |
PS C. | Künstlerhaus Weidenalle Hamburg | 1 | ||||||||
| 40815 | Heinz | Weber | touch | 2007 | Klangkunst, Installation | (Galerie "Kunstraum Ebene +14", Hamburg) | 0 | ||||||||||||
| 26289 | Heinz | Weber | TRAM S ATLANTIK | 1996 | Klangkunst, Installation | 7:43 | Quadro | Bandcollage für Live-Performance | PS C. | 1 | |||||||||
| 34960 | Heinz | Weber | Vom Klang der Dinge, Come un Forno bass 110 Westbound Passage 6-pack with interludes interludes (with snare-drum) Musica Analogica Parcour II (Enden) |
2002 - 2012 | fixed media, akusmatisch | 58 | Vom Klang der Dinge, Klangarbeiten von Heinz Weber | degem-download/ | PS C. | 1 | |||||||||
| 26293 | Heinz | Weber | Westbound Passage | 2000, 2002 | Klangkunst, Installation | 5:11 | Octo | basiert auf Logbucheinträgen des Columbus. 8-track live-installation |
PS C. | 1 | |||||||||
| 40813 | Heinz | Weber | Work on the "Schöneberger Lautsprecherkapelle" | 2005 | Performance, live-elec, | an instrumental system for sound prcessing to be played in improvisation music | 0 | ||||||||||||
| 40807 | Heinz, Lou | Weber, Mallozzi | The second line | 2000 | Performance, live-elec, 3 perf | V, perc, com [Stimme, Schlagzeug, computer] | with Lou Mallozzi "Trio for voice, percussion & sound processing"with Saadet Türkösz and Filipo Monico ("suoni & sound"-Festival, Elba / Italy) |
0 | |||||||||||
| 17522 | Joseph | Weber | Transformation of the Brothers into the Sun and Moon | 1990 | Performance, Zuspiel, live-elec, 1 perf | 11:25 | V, (com) [Stimme] | AER 1991 / 4/ | 1 | ||||||||||
| 27938 | Luzius | Weber | Akkordatur | 1996 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 25604 | Oliver | Weber | Kaufmann in Vinyl | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 26104 | Oliver | Weber | Miniaturen 1, 4, 3 | 2003 | fixed media, akusmatisch | 9:30 | EX 656 Elak Wien/ | ELAK Wien | 1 | ||||||||||
| 38804 | Peter, Michael | WEBER, WERTMÜLLER | Pilzfuge | 2007 | radiophon | 50:46:00 | 0 | ||||||||||||
| 17523 | Reinhold | Weber | Antimusik I und II | 1973 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 17524 | Reinhold | Weber | Elektronische Methamorphosen mit Herztönen | 1987 | fixed media, akusmatisch | Sound Star 205/ | TH Karlsruhe | 0 | |||||||||||
| 17525 | Reinhold | Weber | Eruptive Landschaft | 1986 | fixed media, akusmatisch | Sound Star 205/ | TH Karlsruhe | 0 | |||||||||||
| 17526 | Reinhold | Weber | Galaktischer Sternengesang | 1986 | fixed media, akusmatisch | Sound Star 205/ | TH Karlsruhe | 0 | |||||||||||
| 17527 | Reinhold | Weber | Gamma-Express | 1973 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 17528 | Reinhold | Weber | Glasperlenspiel | 1973 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 17529 | Reinhold | Weber | Glasperlenspiel II | 1985 | fixed media, akusmatisch | Sound Star 205/ | TH Karlsruhe | 0 | |||||||||||
| 17530 | Reinhold | Weber | Hexameron | 1991 | fixed media, akusmatisch | Sound Star 220/ | TH Karlsruhe | 0 | |||||||||||
| 17531 | Reinhold | Weber | Improvisationen | 1967 | fixed media, akusmatisch | TH Karlsruhe | 0 | ||||||||||||
| 17532 | Reinhold | Weber | Invasion 2000 | 1967 | fixed media, akusmatisch | TH Karlsruhe | 0 | ||||||||||||
| 17533 | Reinhold | Weber | Karneval in Venedig | 1989 | fixed media, akusmatisch | Sound Star 220/ | TH Karlsruhe | 0 | |||||||||||
| 17534 | Reinhold | Weber | Klangballett | 1982 | fixed media, akusmatisch | Sound Star 205/ | TH Karlsruhe | 0 | |||||||||||
| 17535 | Reinhold | Weber | Klangflächen | 1988 | fixed media, akusmatisch | Sound Star 220/ | TH Karlsruhe | 0 | |||||||||||
| 17536 | Reinhold | Weber | Klanghöhle | 1986 | fixed media, akusmatisch | Sound Star 205/ | TH Karlsruhe | 0 | |||||||||||
| 17537 | Reinhold | Weber | Klangrituale I & II | 1988 | fixed media, akusmatisch | Sound Star 220/ | TH Karlsruhe | 0 | |||||||||||
| 17538 | Reinhold | Weber | Klangspiel | 1988 | fixed media, akusmatisch | Sound Star 220/ | TH Karlsruhe | 0 | |||||||||||
| 17539 | Reinhold | Weber | Kosmische vision 1 | 1972 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 17540 | Reinhold | Weber | Kosmische vision 2 | 1973 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 17541 | Reinhold | Weber | Kosmische vision 3 mit Lichtsignalen | 1973 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 17542 | Reinhold | Weber | Missa fonetica | 1973 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 34714 | Reinhold | Weber | Musica Mundana | 1969 | fixed media, akusmatisch | 15:15 | Stereo | Creel Pone 009/ | TH Karlsruhe | 0 | |||||||||
| 17543 | Reinhold | Weber | Rauschetüde | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 17544 | Reinhold | Weber | Robotstraßenmusikanten | 1985 | fixed media, akusmatisch | Sound Star 205/ | TH Karlsruhe | 0 | |||||||||||
| 34713 | Reinhold | Weber | Schöpfung | 1968 | Zuspiel / Tonband, 1 perf | 26:40 | Stereo | V [Stimme] | Creel Pone 009/ | TH Karlsruhe | 0 | ||||||||
| 17545 | Reinhold | Weber | Signale: t = 3:28 mit Licht | 1973 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 17546 | Reinhold | Weber | Sinusetüde | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 17547 | Reinhold | Weber | Spektrales Continuum | 1968 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 17548 | Reinhold | Weber | Strahlenschauer über Seelandschaft | 1983 | fixed media, akusmatisch | Sound Star 205/ | TH Karlsruhe | 0 | |||||||||||
| 17549 | Reinhold | Weber | Synthetische Vögel | 1988 | fixed media, akusmatisch | Sound Star 220/ | TH Karlsruhe | 0 | |||||||||||
| 17550 | Reinhold | Weber | Versuchung | 1973 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 23236 | Andrew | Wedman | Breath | 2002 | fixed media, akusmatisch | 6:18 | JTTP 2002 | CEC Cache 2002/ | Con Toronto | 1 | |||||||||
| 17551 | Emmanuel van | Weerst | A Soulbridge for Ann Coeur | 1977 | intermedia | ≈ 12:00 | Mono | moment I | IPEM Gent | 0 | |||||||||
| 17552 | Emmanuel van | Weerst | Cybernetica | 1964 | Film | 25:00 | Mono | IPEM Gent | 0 | ||||||||||
| 17553 | Emmanuel van | Weerst | Cybernetica ( fragment) | 1964 | fixed media, akusmatisch | 12:30 | Mono | IPEM Gent | 0 | ||||||||||
| 17554 | Emmanuel van | Weerst | Hygiene | 1964 | fixed media, akusmatisch | 6:50 | Mono, Quadro | MEN/ ALPHA 5066-5/ | IPEM Gent | 0 | |||||||||
| 17555 | Emmanuel van | Weerst | Monochroom | 1965 | fixed media, akusmatisch | 6:20 | Mono | IPEM Gent | 0 | ||||||||||
| 17556 | Emmanuel van | Weerst | Soulbridge | 1977 | fixed media, akusmatisch | 8:00 | Mono | IPEM Gent | 0 | ||||||||||
| 17557 | Emmanuel van | Weerst | Sybaritmen | 1963 | fixed media, akusmatisch | 5:00 | Mono | IDEAMA CD 003/ | IPEM Gent | 0 | |||||||||
| 17558 | Bernd | Wefelmeyer | Protest, Studie Nr. 2 für elektronische Klänge und eine Altstimme | 1966 | fixed media, akusmatisch | 7:50 | Stereo | Subharchord; Teil der Diplomarbeit des Autors. Text nach Gedichten von Armin Müller und Hans Cibulka |
Nova 885111/ | RFZ Berlin | 1 | ||||||||
| 17559 | Hans Hendrik | Wehding | Concertino, Kleines Konzert für elektronische Klänge und Streichorchester | 1964 | Zuspiel, live-elec, 2 perf | 8:40 | Subharchord, str orc, perc [Schlagzeug, synthesizer, Orchester] | Subharchord | Eterna 720205/ | RFZ Berlin | 0 | ||||||||
| 17560 | Hans Hendrik | Wehding | Der erste Weltkrieg | 1964 | Film, 1 group | 14:30 | Mono | orc [Orchester] | Dokumentarfilm; Subharchord | RFZ Berlin | 0 | ||||||||
| 17561 | Hans Hendrik | Wehding | Der neue Weg, Die Mitrofanow-Methode | 1964 | Film | 17:20 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 26184 | Hans Hendrik | Wehding | Drei Kadenzen zur Orchesterballade | 1964 | fixed media, akusmatisch | 9:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 17562 | Hans Hendrik | Wehding | Elektronenstrahlmehrkammerofen | 1964 | Film | 22:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 17563 | Hans Hendrik | Wehding | Elektronik einmal anders | 1965 | Fernsehen, | 10:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 17564 | Hans Hendrik | Wehding | Erste und gegenseitige Hilfe nach Atomschädigungen | 1965 | Film | 11:20 | Mono | Film für die Volksarmee! Subharchord | RFZ Berlin | 0 | |||||||||
| 26186 | Hans Hendrik | Wehding | Evolution und Kadenzen | 1966 | Zuspiel, live-elec, 1 perf | 9:00 | Mono | Subharchord [synthesizer] | Subharchord | RFZ Berlin | 0 | ||||||||
| 17565 | Hans Hendrik | Wehding | Impressionen | 1965 | Zuspiel, live-elec, 1 perf, 1 group | 19:15 | Stereo | Subharchord, orc [synthesizer, Orchester] | Subharchord | RFZ Berlin | 0 | ||||||||
| 17566 | Hans Hendrik | Wehding | Jenapharm | 1964 | Film | 13:10 | Mono | Werbefilm; Subharchord | RFZ Berlin | 0 | |||||||||
| 17567 | Hans Hendrik | Wehding | Kohlemännchen | 1962 | Film | 12:00 | Mono | Werbefilm; Subharchord | RFZ Berlin | 0 | |||||||||
| 26187 | Hans Hendrik | Wehding | Konfrontation | 1965 | Zuspiel, live-elec, 1 perf, 1 group | Stereo | Subharchord, orc [synthesizer, Orchester] | Subharchord | RFZ Berlin | 0 | |||||||||
| 17568 | Hans Hendrik | Wehding | Mikro null | 1964 | Film | 14:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 17569 | Hans Hendrik | Wehding | Neuere Chemie | 1964 | Film | 8:00 | Mono | Dokumentarfilm; Subharchord | RFZ Berlin | 0 | |||||||||
| 17570 | Hans Hendrik | Wehding | Quartett für elektronische Klänge | 1963 | fixed media, akusmatisch | 5:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 17571 | Hans Hendrik | Wehding | Skizzen 1 - 15, Gruß an Bach | 1965 | Film | 32:00 | Mono | Wochenschau; Subharchord | RFZ Berlin | 0 | |||||||||
| 17572 | Hans Hendrik | Wehding | Sons | 1962 | Film | 2:02 | Mono | RFZ Berlin | 0 | ||||||||||
| 17573 | Hans Hendrik | Wehding | Variationen über ein Thema von R: Liebermann | 1964 | fixed media, akusmatisch | 7:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 17574 | Hans Hendrik | Wehding | Vorbereitungen zur Orchesterballade | 1964 | fixed media, akusmatisch | 38:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 17575 | Rainer | Wehinger | Reaktionen auf Georg Wötzers "Nachtmusik" | 1989 | fixed media, akusmatisch | HfM Stuttgart | 0 | ||||||||||||
| 17576 | Rainer | Wehinger | Rosen Schatten Rosen Exil | 1990 | Klangkunst, Installation | com-installation for Feßmann's M. Graphiken after I. Bachmann | HfM Stuttgart | 0 | |||||||||||
| 18976 | Ralf | Wehowsky | 14 Recordings from 1980 - 1993 | 1980 - 1993 | fixed media, akusmatisch | 51:00 | mit 14 Zeichnungen | SCD014 Selektion/ | 1 | ||||||||||
| 20907 | Ralf | Wehowsky | Atmosphere | 1995 | fixed media, akusmatisch | 72:59 | Stereo | Germanium/ | 0 | ||||||||||
| 20908 | Ralf | Wehowsky | Even Stockhausen knows when it's not Cage | 1993 | fixed media, akusmatisch | 8:24 | Stereo | Streamline 1008/ | 0 | ||||||||||
| 20909 | Ralf | Wehowsky | Hohe Mauern | 1991 | fixed media, akusmatisch | 2:42 | Stereo | SCD008 Selektion/ | 0 | ||||||||||
| 20910 | Ralf | Wehowsky | In Acht | 1992 | fixed media, akusmatisch | 8:16 | Stereo | SCD008 Selektion/ | 0 | ||||||||||
| 20911 | Ralf | Wehowsky | Is It? | 1992 | fixed media, akusmatisch | 6:08 | Stereo | SCD008 Selektion/ | 0 | ||||||||||
| 20912 | Ralf | Wehowsky | Kleine blaue Hybriden | 1992 | fixed media, akusmatisch | 7:17 | Stereo | SCD008 Selektion/ | 0 | ||||||||||
| 20914 | Ralf | Wehowsky | Maze | fixed media, akusmatisch | 20:14 | Stereo | V2 222/ | 0 | |||||||||||
| 20915 | Ralf | Wehowsky | Nameless Victims | 1994 - 1995 | fixed media, akusmatisch | 18:12 | Stereo | MK CD 020/ | 0 | ||||||||||
| 20913 | Ralf | Wehowsky | Restless Occlusion | 1992 | fixed media, akusmatisch | 8:05 | Stereo | SCD008 Selektion/ | 0 | ||||||||||
| 20917 | Ralf | Wehowsky | Silent Calculus | 1991 | fixed media, akusmatisch | 5:05 | Stereo | SCD008 Selektion/ | 0 | ||||||||||
| 20916 | Ralf | Wehowsky | Third Monolith | 1994 | fixed media, akusmatisch | 9:40 | Stereo | Streamline 1008/ | 0 | ||||||||||
| 20918 | Ralf | Wehowsky | Über den Plan | 1991 | fixed media, akusmatisch | 3:24 | Stereo | SCD008 Selektion/ | 0 | ||||||||||
| 20919 | Ralf | Wehowsky | Unworn Cellophane | 1993 | fixed media, akusmatisch | 9:37 | Stereo | Streamline 1008/ | 0 | ||||||||||
| 20920 | Ralf | Wehowsky | Waving goodbye to friendly Conceptualists | 1993 | fixed media, akusmatisch | 6:17 | Stereo | Streamline 1008/ | 0 | ||||||||||
| 20229 | Ralf, Jörg | Wehowsky, Günter | Pierre never made it | 1993 | fixed media, akusmatisch | 5:05 | Stereo | Streamline 1008/ | 0 | ||||||||||
| 20230 | Ralf, Jörg | Wehowsky, Günter | Strictly Untitled | 1992 | fixed media, akusmatisch | 6:40 | Stereo | Streamline 1008/ | 0 | ||||||||||
| 20231 | Ralf, Jörg | Wehowsky, Günter | Untitled Triptych | fixed media, akusmatisch | 18:25 | Stereo | 3 parts | V2 222/ | 0 | ||||||||||
| 41911 | Reynold | Weidenaar | Long River | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 33424 | Reynold | Weidenaar | One-Minute Invention No. 3 | 1965 | fixed media, akusmatisch | 1 | Stereo | PS IEMC Trumanburg | 0 | ||||||||||
| 17577 | Reynold | Weidenaar | The Thundering Scream of the Seraphim's Delight | 1966 | fixed media, akusmatisch | 6:09 | Stereo | UTEMS Toronto, PS IEMC Trumanburg | 0 | ||||||||||
| 26105 | Reynold | Weidenaar | Wavelines II | 1979 | audiovisuell | 8:01 | voice by Kathryn Stieler | CMJ Vol 29-4, 2005/ | 1 | ||||||||||
| 34690 | Georg | Weidinger | Requiem | 1995 | fixed media, akusmatisch | 9:51 | Stereo | Russolo Pratella EF.ER.P 96/ | Prize Russolo Varese 1996 | 0 | |||||||||
| 42190 | Marianne | Weil | Veb shortcuts | 2002 | radiophon | 107:13 | DLR | 12.4.2002 19.4.2002 |
DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1437238&vi=15&SID | ||||||||
| 17578 | Frits | Weiland | 14 Days After, Fourteen Days After | 1974 | fixed media, akusmatisch | 13:05 | Stereo | Radio Beograd | 0 | ||||||||||
| 17579 | Frits | Weiland | Abiquiu, (4 americ Pieces) | 1983 | fixed media, akusmatisch | 13:30 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 34554 | Frits | Weiland | About the dryness of Florence Arizona | 1990 | fixed media, akusmatisch | 12:20 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 34555 | Frits | Weiland | About the wetness of the Baltimore Aquarium | 1989 | fixed media, akusmatisch | 13:05 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17580 | Frits | Weiland | Arcosanti, (4 americ Pieces) | 1982/1983 | fixed media, akusmatisch | 29:40 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 17581 | Frits | Weiland | Basic Mechanisms in Neuro-Physiology | 1964 | Film | 10:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 17582 | Frits | Weiland | Begleitszene zu einer Lichtspielmusik, Begleitscene | 1975 | Film | 18:25 | Mono | 16 mm, after Schönbergs „Begleitmusik zu einer Lichtspielszene“ | Sonology Utrecht | 0 | |||||||||
| 6297 | Frits | Weiland | De Zwarte Bonenluis | 1962 | Film | 18:00 | Mono | text by Rens Groot | STEM Utrecht | Film en Wetenschap | Staats Filmprojs 1963 | 0 | |||||||
| 17592 | Frits | Weiland | Direct-Orient-Express | 1979 | fixed media, akusmatisch | 15:30 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17584 | Frits | Weiland | Filmproject 1 Filmproject een, investigation |
1969 | Film | 6:30 | Mono | Sonology Utrecht | 0 | ||||||||||
| 17585 | Frits | Weiland | Filmproject 2 | 1975 | Film | 20:00 | 16 mm | Sonology Utrecht | 0 | ||||||||||
| 34556 | Frits | Weiland | Four American Pieces | 1982 - 1984 | fixed media, akusmatisch | Sonology Utrecht | 0 | ||||||||||||
| 17587 | Frits | Weiland | Music for the Mesa - AM Music | 1986 | Musiktheater | 19:10 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 17588 | Frits | Weiland | Music for the Mesa - Night Music | 1986 | Musiktheater | 20:30 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 17589 | Frits | Weiland | Music for the Mesa - Noon Music | 1986 | Musiktheater | 16:10 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 17590 | Frits | Weiland | Music for the Mesa - PM Music | 1986 | Musiktheater | 18:30 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 17591 | Frits | Weiland | Nevers mon amour | 1985 | fixed media, akusmatisch | 21:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17593 | Frits | Weiland | Orient Express - Istanbul, Istanbul | 1977/1979 | fixed media, akusmatisch | 17:30 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17594 | Frits | Weiland | Orient Express - Istanbul Départ, Istanbul Départ | 1977/1979 | fixed media, akusmatisch | 16:15 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17595 | Frits | Weiland | Orient Express - Sava, Sava | 1979 | fixed media, akusmatisch | 17:30 | Stereo | 2 parts: 8:30 + 9:00 | Sonology Utrecht | 0 | |||||||||
| 34557 | Frits | Weiland | Oriental Express, Orient Express | 1977/1979 | fixed media, akusmatisch | 61:45 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17597 | Frits | Weiland | Spel zonder woorden | 1970 | Fernsehen, | 5:00 | Mono | Sonology Utrecht | 0 | ||||||||||
| 17598 | Frits | Weiland | Studie in lagen en impulsen | 1961 | fixed media, akusmatisch | 4:45 | Mono | Study in layers and Pulses | CV 7803/ SR 164 sub rosa/ Boomkat bundle_49/ BASTA 30-9182-2/ Creel Pone 10/ | STEM Utrecht | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 17599 | Frits | Weiland | Textuur | 1968 | fixed media, akusmatisch | 6:50 | Quadro | PHI 6526004/ | Sonology Utrecht | 1 | |||||||||
| 17600 | Frits | Weiland | The Art of Flying | 1985 | fixed media, akusmatisch | 17:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 37443 | Frits | Weiland | The Ocean | 1983 | Demo, Studie | Stereo | Buchla 300 | CalArts | 0 | ||||||||||
| 17601 | Frits | Weiland | Valencia CA and The Ocean | 1983 | fixed media, akusmatisch | 38:00 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 17583 | Frits, Lodewijk de | Weiland, Boer | Darts 1968, Darts | 1968 | Theatermusik | 12:45 | Mono | 3 perf [Performer] | Sonology Utrecht | 0 | |||||||||
| 17586 | Frits, Lodewijk de | Weiland, Boer | Lykensynode | 1968 | Theatermusik | 13:20 | Quadro | 2 perf [Performer] | Sonology Utrecht | 0 | |||||||||
| 17596 | Frits, Ernest | Weiland, Bresser | Sound-Sight | 1972 | Film | audiovisuell |
15:00 | 16 mm, (3 audiovis.Projekte) | Sonology Utrecht | 0 | ||||||||||
| 17602 | Jürgen | Weimer | Pausenmusik | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 18913 | Jean | Weinfeld | Performance | 1987 | intermedia, live-elec, 1 perf | 1:01 | perf (with "fonics") [Performer] | fonics = str- selfmade ins; played by M. Sadowski | Apollo ACD 019209/ | 1 | |||||||||
| 36956 | Michael | Weinstein Reiman | At the Beach | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 38805 | Tristan, Bärbel | WEIS, SETZEPFAND | Ausgenommen | 2012 | radiophon | 1:43:00 | 0 | ||||||||||||
| 38668 | Ward | WEIS | Cartoons oder: Das Raunen der Erde | 2000 | radiophon | 52:00:00 | 0 | ||||||||||||
| 17603 | Ward | Weis | Improvisatie voor Glas met Water | 1983 | fixed media, akusmatisch | 10:45 | Stereo | IPEM Gent | 0 | ||||||||||
| 17604 | Ward | Weis | September | 1984 | Hintergrundmusik | 22:50 | for a poem by Geo Milev | IPEM Gent | 0 | ||||||||||
| 17605 | Ward | Weis | Zonder Voet | 1983 | fixed media, akusmatisch | 10:35 | Stereo | IPEM Gent | 0 | ||||||||||
| 20921 | Christopher | Weise | Witness | 1993 | Zuspiel / Tonband, 1 perf | 7:15 | Stereo | A [Alt] | EMS 9300/ | EMS UIUC | 0 | ||||||||
| 17606 | Eberhard | Weise | Eistanz | 1965 | Film | Mono | RFZ Berlin | 0 | |||||||||||
| 43155 | Marc | WEISER | Director`s Cut, Gaujaq Totale Lye Tiefenschärfe Slate Bleichbadüberbrückung Nelson Reshoot Projektor Benshi Synchron 35mm Paramount Hommage Happy End Untitled |
2003 | fixed media, akusmatisch | MP 120/ ARS 03/ | Auszeichnung ars electronica honorary mention 2003 | 0 | http://archive.aec.at/prix/showmode/39144/ | ||||||||||
| 38806 | Marc, Nicolas T. | WEISER, WEISER | Ekstatische Konfessionen | 2009 | radiophon | 41:56:00 | 0 | ||||||||||||
| 40011 | Lee, Jonathan | Weisert, Kirk | Granular Wall | 2016 | Klangkunst, Installation | Lee Weisert & Jonathon Kirk | 0 | ||||||||||||
| 17607 | Elliot | Weisgarber | Changes: Interpolation for Shakuhachi | 1966 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | shakuhachi [Flöte] | Uni BC Vancouver | 0 | |||||||||
| 42291 | Steffi | Weismann | Generation S | 2018 | audiovisuell | V [Stimme] | 8.12.2018 | HAU 2, Festival heroines-of-sound | 0 | ||||||||||
| 41455 | Steffi, Özgür Erkök | Weismann, Moroder | Touch amplifiers #3 | 2017 | Performance | 2 perf [Performer] | Für schleifpapieranzüge und Kontaktmikrofone | 28.9.2018 | Dystopie Festival September 2018 Berlin, Kleiner Wasserspeicher | 0 | http://www.dystopie-festival.net/wp/?lang=en | ||||||||
| 38669 | Allen S. | WEISS | Glissando | 2010 | radiophon | 48:37:00 | 0 | ||||||||||||
| 38807 | Wendelin, Ralf | WEISSBACH, THENIOR | strasnban | 2012 | radiophon | 9:18:00 | 0 | ||||||||||||
| 17608 | Daniel | Weissberg | Der Schein (I) | 1986/1987 | live-elec, 6 perf | 16:00 | va, vc, fl, cl, perc, sam [Flöte, Klarinette, Schlagzeug, Viola, Cello, computer] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 17609 | Daniel | Weissberg | Der Schein (II) | 1992 | Zuspiel/Tonband, 11 perf | audiovisuell |
10 ins, Narrator [Instrument, Schauspieler] | with Videoprojektion | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 17610 | Daniel | Weissberg | Domgeflüster | 1978 | fixed media, akusmatisch | 12:00 | Quadro | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 17611 | Daniel | Weissberg | Duo? | 1985 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | fl, cl [Flöte, Klarinette] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 35291 | Daniel | Weissberg | Hausmusik für G. H. | live-elec, 1 perf | hp [Harfe] | CTS-M 137/ | 0 | ||||||||||||
| 17612 | Daniel | Weissberg | ... nach meinem Bilde... | 1988/1989 | Zuspiel / Tonband, 1 group | 14:00 | orc [Orchester] | after "das Geschöpf des Prometeus" by Tuccillo | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 17613 | Daniel, Claude | Weissberg, Karfiol | Woyzeck | 1978/1979 | radiophon | 45:00 | Quadro | after Georg Büchner | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 31369 | Lydia | Weißgerber | Zu Wasserflüssen Babels | 1997 | fixed media, akusmatisch | 11:02:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 28178 | Cosima | Weiter | Babil : n.m., 2010 Complement a l’Inventaire | fixed media, akusmatisch | 3:00 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 23621 | Andreas | Weixler | a crush on you | 2001 | audiovisuell, live-elec, 1 perf | 11:18 | Stereo | com (DSP) [computer] | CDR bka 03/ | 1 | |||||||||
| 17614 | Andreas | Weixler | Bloop7*3-08 | 1992 | fixed media, akusmatisch | 2:50 | St Access | 0 | |||||||||||
| 23619 | Andreas | Weixler | Broken Bowls 4 - Talk | 1999 | fixed media, akusmatisch | 2:39 | audiovisuelles interaktives Instrumentaltheater (Radio Kurzversion) | CDR bka 03/ | 1 | ||||||||||
| 17615 | Andreas | Weixler | Cmap 6 qd | 1993 | fixed media, akusmatisch | 4:30 | St Access | 0 | |||||||||||
| 17616 | Andreas | Weixler | Corresponding Methal | 1993 | Zuspiel / Tonband, 2 perf | 12:30 | Quadro | perc, p [Piano, Schlagzeug] | Ariadne GE 07/ | PS C. | 1 | ||||||||
| 17617 | Andreas | Weixler | CR-Ferenz / Taio Suru | 1994 | fixed media, akusmatisch | ELAK Wien, St Access | 1 | ||||||||||||
| 17618 | Andreas | Weixler | Cusafrim | 1990 | fixed media, akusmatisch | 3:53 | ELAK Wien | 0 | |||||||||||
| 23620 | Andreas | Weixler | Das Glück des Galeeren Sklaven | 2002 | live-elec, 1 perf | 17:07 | perf [Performer] | Literatur + DSP | CDR bka 03/ | 1 | |||||||||
| 23623 | Andreas | Weixler | Die gepflückte Lotus | 1997 | live-elec, 1 group | 6:01 | chamber-orc [Orchester] | algorithmische Komposition | CDR bka 03/ | 1 | |||||||||
| 42732 | Andreas | Weixler | Die Grenzen des Zufalls | 2012 | live-elec, 1 perf | 10:00:00 | com [computer] | 0 | |||||||||||
| 19361 | Andreas | Weixler | Eilene. 3 Studien zu Samt-ene Stimmen | 1996 | fixed media, akusmatisch | 3:54 | GEM 9701/ | SAMT Hagenberg | 1 | ||||||||||
| 17619 | Andreas | Weixler | Ex per IM | 1991 | fixed media, akusmatisch | 1:17 | St Access | 0 | |||||||||||
| 23625 | Andreas | Weixler | Glas Seel | 1996 | fixed media, akusmatisch | 5:54 | Octo | 1 | |||||||||||
| 17620 | Andreas | Weixler | IAJ | 1991 | fixed media, akusmatisch | 11:45 | 4 parts | ELAK Wien, St Access | 0 | ||||||||||
| 17621 | Andreas | Weixler | Idem I bis IV | 1991/1992 | fixed media, akusmatisch | 9:00 | ELAK Wien, St Access | 0 | |||||||||||
| 17622 | Andreas | Weixler | ILB | 1990/1991 | fixed media, akusmatisch | 13:00 | 3 parts | ELAK Wien | 0 | ||||||||||
| 19119 | Andreas | Weixler | Jade for orchestra on tape | 1996 | Zuspiel / Tonband, 1 group | 5:54 | orc [Orchester] | BEAST, UEA Norwich | 1 | ||||||||||
| 23628 | Andreas | Weixler | Lightingale | 2003 | audiovisuell, live-elec, 2 perf | 36:32 | db, p [Piano, Kontrabass] | audiovisuelle interaktive Improvisation. Mit Peter Herbert, Reinhard Micko | 1 | ||||||||||
| 23626 | Andreas | Weixler | MAIN!WAVES | 1998 | fixed media, akusmatisch | 5:50 | Octo | 1 | |||||||||||
| 17623 | Andreas | Weixler | Methabl 2.5 | 1992 | fixed media, akusmatisch | 4:30 | St Access | 0 | |||||||||||
| 17624 | Andreas | Weixler | Methabl 2C | 1991 | fixed media, akusmatisch | 1:11 | St Access | 0 | |||||||||||
| 19016 | Andreas | Weixler | Methabl 8.7 | 1992/1995 | fixed media, akusmatisch | 4:17 | MIDI | electronic access 95 - die andere saite Nr. 1/ | PS Weixler, IEM Graz | 1 | |||||||||
| 23632 | Andreas | Weixler | Ouroboros | 2000 | audiovisuell | 3:15 | Stereo | Video von getrude Moser-Wagner | 1 | ||||||||||
| 23624 | Andreas | Weixler | Plate du jour | 1996 | fixed media, akusmatisch | 3:00 | Octo | 1 | |||||||||||
| 17625 | Andreas | Weixler | Redonage | 1990 | fixed media, akusmatisch | 2:12 | ELAK Wien | 0 | |||||||||||
| 17626 | Andreas | Weixler | Scene Missing | 1991/1992 | audiovisuell | 2:54 | St Access | 0 | |||||||||||
| 23627 | Andreas | Weixler | Szin 8 Atem | 1998 | fixed media, akusmatisch | 2:02 | Octo | 1 | |||||||||||
| 17627 | Andreas | Weixler | UI-Ro | 1991 | fixed media, akusmatisch | 0:54 | St Access | 0 | |||||||||||
| 42887 | Andreas | Weixler | Virtuoso Chances – return home | 2013 | fixed media, akusmatisch | 7:23:00 | 0 | ||||||||||||
| 23622 | Andreas | Weixler | Waon | 2001 | audiovisuell, live-elec, 1 perf | 8:44 | Stereo | com (DSP) [computer] | audiovisuelle interaktive Improvisation; auch DVD-Video | CDR bka 03/ | 1 | ||||||||
| 23618 | Andreas, Se-Lien | Weixler, Chuang | running-figure-lantern | 2002 | audiovisuell, live-elec, | 6:04 | Rehearsal and Performance at ISEA (≈ 20 Minuten) | CDR bka 03/ | 2002 | ISEA 02 Japan | 1 | ||||||||
| 36246 | Chapman | Welch | Hummingbird Medicine | 2012 | live-elec, 1 perf | 7:05 | perc [Schlagzeug] | innova 967/ | Rice Uni | 0 | |||||||||
| 39326 | Chapman | Welch | Hummingbird Medicine | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 17628 | Karl-Erik | Welin | Copelius | 1968 | Tanz | 0 | |||||||||||||
| 17629 | Karl-Erik | Welin | Minos Palats | 1966 | fixed media, akusmatisch | 0 | |||||||||||||
| 17630 | Karl-Erik | Welin | The Dream Play | 1969 | Theatermusik | Quadro | 0 | ||||||||||||
| 42191 | Orson | Welles | The war of the worlds, Krieg der Welten | 1938, 1989 | radiophon | Phonurgia Nova 1989 | CBS, Phonurgia Nova | 0 | |||||||||||
| 40238 | Selena | Wellington | Flowers don’t do anything | 2016 | fixed media, akusmatisch | Selena Wellington | 0 | ||||||||||||
| 31180 | Anne | Wellmer | crackle noise light | 2007 | audiovisuell | works for audio controlled televsion sets, 3LD, nyc | 0 | ||||||||||||
| 31191 | Anne | Wellmer | dea ex macchina medea ex | 1996 | Performance | perf [Performer] | a solo for a woman in a space | royal conservatoire, den haag | 0 | ||||||||||
| 31178 | Anne | Wellmer | der steirerhörhut | 2008 | Klangkunst, Installation | the styrian listening hat, kiör, joanneum, graz, austria | joanneum, graz, austria | 0 | |||||||||||
| 31182 | Anne | Wellmer | dna antenna and | 2004 | Klangkunst, Installation | three love songs installed on window sills, hotel pupik, austria | hotel pupik, austria | 0 | |||||||||||
| 35897 | Anne | Wellmer | frozen voices | 2001 | Klangkunst, Installation | 15 | 0 | ||||||||||||
| 31179 | Anne | Wellmer | fwd:info[rec], T.(H.).A.T.(L.Q.)L.E.(T.E.) BCN2000 BCNnocoil needle sketch DKK130 - cold song pfff coney island |
2000 - 2007 | fixed media, akusmatisch | 61 | a collection of sound stories, a work in progress | Auszeichnung ars electronica honorary mention 2007 | 0 | ||||||||||
| 31181 | Anne | Wellmer | green piece | 2005 | live-elec, 1 perf | 23:52 | va (feedback, laptop, light) [Viola] | for viola feedback and light | Q-O2, happy new ears, kortrijk | 0 | http://www.nonlinear.demon.nl/GP/greens.html | ||||||||
| 35895 | Anne | Wellmer | hotel pupik | 2007 | Klangkunst, Installation | hotel pupik (2010) | 0 | ||||||||||||
| 31190 | Anne | Wellmer | metamorphozen | 1997 | Zuspiel / Tonband, 1 perf | V [Stimme] | a solo for voice, salt and tape | huis aan de werf, utrecht | 0 | ||||||||||
| 35900 | Anne | Wellmer | Mordgedanken | 1993 | fixed media, akusmatisch | 2:18 | 0 | ||||||||||||
| 31183 | Anne | Wellmer | my sruti box | 2003 | Performance | performance for story tellers, musicians, lamps, oscilloscopes and powerbooks | 0 | ||||||||||||
| 35894 | Anne | Wellmer | ’nieuwe’ geschiedenissen, 'new' histories | 2009 | Klangkunst, Installation | a soundtrackcity walk for IJburg | 0 | ||||||||||||
| 31185 | Anne | Wellmer | park | 2002 | Klangkunst, Installation | computer controlled sound installation, CCNOA, brussels | CCNOA, brussels | 0 | |||||||||||
| 35896 | Anne | Wellmer | piece of mind | 2005 | Zuspiel, live-elec, 1 perf | 12 | V (CD, elec) [Stimme] | STEIM | hotel pupik (2010) | 0 | |||||||||
| 35899 | Anne | Wellmer | reason resonance |
1998 | live-elec, 1 perf | 3:34 | V [Stimme] | 0 | |||||||||||
| 31188 | Anne | Wellmer | rondzingen | 1998 | Klangkunst, Installation | Performance |
a performance installation for a singing demolition ball | Theater a/h Spui, den haag | 0 | |||||||||||
| 31189 | Anne | Wellmer | souvenirs entomologiques | 1998 | Performance | V [Stimme] | a performance for video, soundtrack, and voice | 0 | |||||||||||
| 35893 | Anne | Wellmer | sparkles | 2010 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 35898 | Anne | Wellmer | tales of stillness | 2001 | live-elec, | 33 | 2 parts | 0 | |||||||||||
| 33834 | Anne | Wellmer | The Millenium Bug Or The Bald And The Beautiful | live-elec, | 1:47 | ISAST LMJ 9/ | 0 | ||||||||||||
| 31184 | Anne | Wellmer | time is liquid | 2003 | Klangkunst, Installation | for amplified tunnels and oscilloscopes, sound installation, wesleyan university | wesleyan university | 0 | |||||||||||
| 31186 | Anne | Wellmer | travelling barefoot | 2001 | Performance | an interactive audiovisual environment for musicians | Korzo Theater, den haag | 0 | |||||||||||
| 31177 | Anne | Wellmer | uit vogelvluchtperspectief | 2009 | Klangkunst, Installation | a sound walk for ijburg, soundtrackcity, amsterdam | soundtrackcity, amsterdam | 0 | |||||||||||
| 31187 | Anne, Justin | Wellmer, Bennett | technosphere | 1999 | Klangkunst, Installation | soundtrack for installation technosphere with justin bennett | national media museum, bradford, UK | 0 | |||||||||||
| 17631 | John | Wells | Disillusion | 1981 | fixed media, akusmatisch | 8:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 17632 | John | Wells | Early one Friday… | 1981 | fixed media, akusmatisch | 6:05 | Stereo | Concordia Montréal | 0 | ||||||||||
| 17633 | John | Wells | It's Elemental | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17634 | John | Wells | Keith's Conundrum | 1988 | live-elec, | Stereo | 0 | ||||||||||||
| 34894 | John | Wells | Panoramique moyen | 1986 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 17635 | John | Wells | Preview Maggies Workshop | 1983 | fixed media, akusmatisch | Stereo | Kaya M. Montréal | 0 | |||||||||||
| 17636 | John | Wells | Rock in the Water | 1979 | fixed media, akusmatisch | 2:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 17637 | John | Wells | Twelve Windows | 1983 | fixed media, akusmatisch | Stereo | Concordia Montréal, PS Wells | 0 | |||||||||||
| 42874 | Samuel | Wells | (dys)functions | 2013 | live-elec, 1 perf | 6:00:00 | tpt [Trompete] | Samuel Wells, trumpet | 0 | ||||||||||
| 40232 | Samuel | Wells | stringstrung | 2015 | fixed media, akusmatisch | 5:20:00 | Samuel Wells | 0 | |||||||||||
| 26127 | Thomas | Wells | Voci incontri | 1998 | fixed media, akusmatisch | 9:22 | Stereo | cmusic using folk music | Radio Beograd | 1 | |||||||||
| 17638 | Sylvia | Welman | John B. (chamber opera) | 1976 | Oper | EM ?? | 0 | ||||||||||||
| 36845 | Olaf | Wempe | Eat Me | 1995 | fixed media, akusmatisch | 8:50:00 | 0 | ||||||||||||
| 36846 | Olaf | Wempe | Painted Faces | 1993 | fixed media, akusmatisch | 1:48:00 | 0 | ||||||||||||
| 36847 | Olaf | Wempe | Tape | 1995 | fixed media, akusmatisch | 2:58:00 | 0 | ||||||||||||
| 36848 | Olaf | Wempe | Tiny Chant | 1993 | fixed media, akusmatisch | 1:46:00 | 0 | ||||||||||||
| 36849 | Olaf | Wempe | Untitled 13 | 1994 | fixed media, akusmatisch | 4:41:00 | 0 | ||||||||||||
| 36850 | Olaf | Wempe | What Keeps Ann Magnusson Going? | 1993 | fixed media, akusmatisch | 4:21:00 | 0 | ||||||||||||
| 36851 | Olaf | Wempe | What remains… | 1994 | fixed media, akusmatisch | 8:32:00 | 0 | ||||||||||||
| 42927 | Bihe | Wen | Latent Trace | 2013 | fixed media, akusmatisch | 4:48:00 | 0 | ||||||||||||
| 35402 | Bihe | Wen | Regression | 2013 - 2015 | fixed media, akusmatisch | 8:01:00 | Stereo | MR 2016 Métamorphoses 2016/ | finalist at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||||
| 35848 | Bihe | Wen | Vague Image | 2011 | fixed media, akusmatisch | 8:05 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 33675 | Larry | Wendt | Annabelle's Song | 1975 | fixed media, akusmatisch | 3:58:00 | Text-Sound Composition. Annabelle is a pig |
maat 035/ | 1 | ||||||||||
| 33683 | Larry | Wendt | Bakersfield | 1989 | fixed media, akusmatisch | 8:18:00 | Text-Sound Composition. | maat 035/ | 1 | ||||||||||
| 33676 | Larry | Wendt | How To Cook A Duck | 1976 | fixed media, akusmatisch | 4:44:00 | Text-Sound Composition. sounds from ducks |
maat 035/ | 1 | ||||||||||
| 33677 | Larry | Wendt | It Takes All Kinds | 1978 | fixed media, akusmatisch | 11:53:00 | Text-Sound Composition. | maat 035/ | 1 | ||||||||||
| 33680 | Larry | Wendt | Muffie | 1986 | fixed media, akusmatisch | 6:49:00 | Text-Sound Composition. | maat 035/ | 1 | ||||||||||
| 36852 | Larry | Wendt | New and Slightly Used Text | 1977 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 33678 | Larry | Wendt | San Jose Holiday | 1983 | fixed media, akusmatisch | 9:39:00 | Text-Sound Composition. | maat 035/ | 1 | ||||||||||
| 33682 | Larry | Wendt | Silicon Valley Love Story | 1986 | fixed media, akusmatisch | 6:17:00 | Text-Sound Composition. | maat 035/ | 1 | ||||||||||
| 33679 | Larry | Wendt | The Description Of France | 1984 | fixed media, akusmatisch | 14:43:00 | Text-Sound Composition. | maat 035/ | 1 | ||||||||||
| 33681 | Larry | Wendt | Toad Farming For Profit | 1986 | fixed media, akusmatisch | 3:46:00 | Text-Sound Composition. | maat 035/ | 1 | ||||||||||
| 36903 | Sebastian | Wendt | 3 Stücke für Klarinette und Mini-Drummer | 2014 | Musikinstrument, keine EM, 2 perf | cl, perc (Mini-Drummer) [Klarinette, Schlagzeug] | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 41385 | Sebastian | Wendt | Anima Husky | 2015 | live-elec, 1 perf | pic-fl and toy-p [Flöte, Piano] | 0 | ||||||||||||
| 32503 | Sebastian | Wendt | Durch Formen geschritten | 2011 | live-elec, 3 perf | 8 | Quadro | b-cl, V, db, (elec) [Stimme, Klarinette, Kontrabass] | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | |||||||
| 31590 | Sebastian | Wendt | Langzeittrommelröstung | 2013 | Musikinstrument, keine EM, 2 perf | 4:00 | cl, mini-drummer [Klarinette] | next_generation 5.0 | Incontri HMTM Hannover | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||
| 32528 | Sebastian | Wendt | Nirgendland | 2010 | live-elec, 1 perf | Quadro | cl [Klarinette] | Incontri HMTM Hannover | 10.6.2010 | Sprengel Museum, Hannover | 0 | ||||||||
| 32531 | Sebastian | Wendt | Phosphor | 2010 | live-elec, 1 perf | Quadro | cl [Klarinette] | Incontri HMTM Hannover | 10.6.2010 | Sprengel Museum, Hannover | 0 | ||||||||
| 32540 | Sebastian | Wendt | Sich verlieren | 2010 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 26.11.2010 | Altes Forsthaus Habichtshorst, Winsen | 0 | |||||||||
| 41386 | Sebastian | Wendt | ’to survive we must go extinct’ | 2017/2018 | Zuspiel / Tonband, 3 perf | fl, db-cl, p [Flöte, Klarinette, Piano] | 0 | ||||||||||||
| 17639 | Victor | Wentink | De kus van Tuin | 1977 | STEIM | 0 | |||||||||||||
| 17640 | Victor | Wentink | De sonate nr.1 | 1983 | Zuspiel / Tonband, 5 perf | 25:00 | 1 - 5 ins [Instrument] | 0 | |||||||||||
| 17641 | Victor | Wentink | De sonate nr.2 | 1983 | Musiktheater | audiovisuell |
p (actor pianist), (video) [Piano] | Con Den Haag | 0 | |||||||||||
| 17642 | Victor | Wentink | Discours | 1974/1976 | fixed media, akusmatisch | 13:20 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | STEIM | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 17643 | Victor | Wentink | Intrasonic | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 37434 | Victor | Wentink | Musica per Gruppi | 1971 | live-elec, | elec ens [Ensemble] | 0 | ||||||||||||
| 17644 | Victor | Wentink | Phenophonie, for instruments and tape | 1969 | Zuspiel / Tonband, | 30:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 17645 | Victor | Wentink | Raderwerk | 1973 | live-elec, 7 perf | 30:00 | 7 ins, (radio) [Instrument] | STEIM | 0 | ||||||||||
| 24214 | Richard | Wentk | Voice of 2002 | 2002 | fixed media, akusmatisch | 4:44 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 17646 | Lars Johan | Werle | Det himmelska djuret | 1975 | fixed media, akusmatisch | 0 | |||||||||||||
| 17647 | Lars Johan | Werle | Drömmen om Thérèse | 1964 | Oper | 0 | |||||||||||||
| 17648 | Lars Johan | Werle | Resan | 1969 | Oper | 0 | |||||||||||||
| 17649 | André | Werner | Basso in continuo II | 1989 - 1991 | Zuspiel / Tonband, 1 perf | 8:39 | Stereo | db-rec [Flöte] | first version withdrawn | TU Berlin | 26.5.1989 | British Council Berlin (mit Laila Schöneich) | 1 | ||||||
| 17650 | André | Werner | canti muti | 1988 | Zuspiel, live-elec, 4 perf | 13:10 | Octo | 4 Sp [Sprecher] | version for tape alone from 1987 | HdK Berlin, Experimentalstudio für Akustische Kunst Freiburg | 02.02.1989 | Inventionen Künstlerhaus Bethanien Berlin | 1 | 1989 | |||||
| 22674 | André | Werner | Dying Tiger | 1996 | Zuspiel / Tonband, 1 perf | 8:00 | Octo | Mez [Mezzo] | TU Berlin | 1 | |||||||||
| 17651 | André | Werner | Flugstück 3 | 1989 | Tanz | 14:00 | Stereo | 5 dancer [Tanz] | TU Berlin | 0 | |||||||||
| 17652 | André | Werner | Hamletmaschine / Hamlet | 1995 | Theater, live-elec, 5 perf | 89:00 | Octo | 2 actor, 3 V [Stimme, Schauspieler] | TU Berlin | Podewil / Ernst-Busch- Schule | 29.4.-5.2.1995 | Podewil Berlin | 0 | ||||||
| 17653 | André | Werner | III,1 | 1992 - 1995 | live-elec, 1 perf | 11:00 | Quadro | fl [Flöte] | WER 6540 DMR/ | TU Berlin | Werkstatttage | 5.12.1992 | AdK Berlin (5. Werkstatt Elektronische Musik) | 1 | |||||
| 17654 | André | Werner | …It wears, sir, as it grows… | 1992 | live-elec, 5 perf | 12:30 | Quadro | hp, p, 2 tpt, sub-db-fl [Flöte, Trompete, Piano, Harfe] | ISPV 181/ | TU Berlin | Festival Inventionen DAAD/TU 92 | 12.2.1992 | Inventionen Akademie der Künste Berlin | 1 | 1992 | ||||
| 17655 | André | Werner | Kammer-Musik 1995 | 1995 | Klangkunst, Installation | 12:00 | Stereo | Bilder / Objekte by Anna Tretter | TU Berlin | Kunstverein Aschaffenburg | 0 | ||||||||
| 28729 | André | Werner | Kammer-Musik 1996 | 1996 | Klangkunst, Installation | Stereo | Bilder / Objekte by Anna Tretter | TU Berlin | 27.11.-7.12.1996 | Podewil Berlin bei "Musik und Licht" der BGNM | 0 | ||||||||
| 17656 | André | Werner | Klang - Bild - Architektur 5 / VI 1992 | 1992 | Hintergrundmusik | radiophon |
∞ 45:00 | 5 tracks | Installation Klang – Bild – Architektur 5/VII von André Werner, Hörspiel Emotionelle Räume von Götz Naleppa im Rahmen des »el eco«-Projektes (Mathias Goeritz) in der Akademie der Künste Berlin | AdK Berlin/ | TU Berlin | 18.10.-6.12.1992 | AdK Berlin | 1 | ||||||
| 17657 | André | Werner | le son bas | 1989 | Zuspiel / Tonband, 8 perf | 13:00 | Octo | 8 mus [Musiker] | TU Berlin | AdK | 24.9.1989 | AdK Thomkins exhibition | 1 | ||||||
| 17658 | André | Werner | Notturno | 1993 | Theater, 1 perf | 23:23 | 5 tracks | Mez [Mezzo] | after H. von Kleist. Im Rahmen des Kleist-Projekts »Lieben-Schlachten« |
TU Berlin | 18.4.1993 | Theater- und Probensaal der HdK Berlin | 0 | ||||||
| 17659 | André | Werner | Siguiriya / Remate | 1990 | Zuspiel / Tonband, 7 perf | 14:42 | Quadro | gui, 3 ww, 3 str [Gitarre, Bläser, Streicher] | com M. | TU Berlin, AdK Berlin | 23.10.1990 | SIM Berlin bei "Studio Neue Musik" | 1 | ||||||
| 28195 | Andrè | Werner | II, 1, per stygia per manes vehor |
1993/1994 | live-elec, 1 perf | 13:57 | p [Piano] | WER 6540-2/ | 1 | ||||||||||
| 17662 | Hans-Ulrich | Werner | Metason | 1994 | Klangkunst, Installation | 15:15 | (Metamorphose — soundscape Madrid) | ZP 9501 ZwergProductions/ real ambient/ | WDR Studio Akustische Kunst | 1 | |||||||||
| 20922 | Hans-Ulrich | Werner | Vanscape Motion | 1996 | Klangkunst, Installation | 17:07 | Stereo | CSR CD 9701/ | 0 | ||||||||||
| 23564 | Hans-Ulrich, Daniel | Werner, Maggiolo | M(etaS)ontevideo | 2003 | fixed media, akusmatisch | 11:59 | Konzertfassung | 0 | |||||||||||
| 17661 | Hans-Ulrich, Michael | Werner, Rüsenberg | Lisboa! - a soundscape portrait | 1993 | radiophon | 54:00 | Synclavier | ZP 9401 ZwergProductions/ real ambient/ | WDR Studio Akustische Kunst | 1 | |||||||||
| 17660 | Hans-Ulrich, Uli | Werner, Tobinsky | Chicago City on the move | 1993 | Klangkunst, Installation | 3:03 | Klangwege (GHS Kassel) | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | ||||||||||
| 17663 | Sven Erik | Werner | Sorteper | 1988 | fixed media, akusmatisch | 3:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 17664 | Philip | Werren | Polish Wedding Music | 1967 | fixed media, akusmatisch | 14:50 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 38808 | Michael, Reinhard | WERTMÜLLER, JIRGL | Texte für nichts | 2014 | radiophon | 43:21:00 | 0 | ||||||||||||
| 22668 | Daniel | Werts | Symphony | fixed media, akusmatisch | (4 Ausschnitte) | 1 | |||||||||||||
| 21700 | Hans | Wesker | Große Ferne | 1997 | Klangkunst, Installation | ∞ | Stereo | als Dauerinstallation in der Telekomzentrale Frankfurt/Oder | PS C. | 0 | |||||||||
| 21701 | Hans | Wesker | Marrak – Große Reise | 1999 | Klangkunst, Installation | ∞ | Stereo | im Verein für künstlerische Auseinandersetzung, Brötzinger art e.V. in Pforzheim | PS C. | 0 | |||||||||
| 21702 | Hans | Wesker | Mauerflüstern | 2000 | Klangkunst, Installation | ∞ | Stereo | im Rahmen der Hörgänge 2000, Kunst und Begegnung Hermannshof e.V. in Springe | PS C. | 0 | |||||||||
| 21703 | Hans | Wesker | Randklänge | 2000 | Klangkunst, Installation | ∞ | Stereo | in der Krypta der Stiftskirche in Vreden | PS C. | 0 | |||||||||
| 21106 | Hans | Wesker | Verschollene Feste | 1999 | Klangkunst, Installation | ∞ | 10 Tracks | 10 Röhren | PS C., TU Berlin | Hauptkirche St. Jacobi Hamburg | 15.9.-17.10.1999 | Hauptkirche St. Jacobi Hamburg, anlässlich der 23. evangelischen Kirchbautagung | 1 | ||||||
| 23237 | Hans | Wesker | Zeitränder | 2001 | Klangkunst, Installation | 16:40 | Klanginstallation mit 6 Röhren und 2 Lautsprechern in Braunschweig vom 14.-18. Juni 2001, allgemeiner Konsumverein | TU Berlin | 1 | ||||||||||
| 17665 | John | Wesley-Barker | From B | 1994 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | bar-sax [Saxophon] | BEAST | 0 | |||||||||
| 17666 | Martin | Wesley-Smith | Duel | 1976 | live-elec, 4 perf | Quadro | hpd, sax, perc, p [Saxophon, Piano, Cembalo, Schlagzeug] | intuitive M. | Uni Surrey | 0 | |||||||||
| 17667 | Martin | Wesley-Smith | Grrr … | 1973 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 17668 | Martin | Wesley-Smith | Limina | 1975 | Film | Stereo | Uni Surrey | 0 | |||||||||||
| 17669 | Martin | Wesley-Smith | Media Music | 1972 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 17670 | Martin | Wesley-Smith | Narcissus | 1973 | Zuspiel / Tonband, 1 perf | mime [Schauspieler] | Uni York | 0 | |||||||||||
| 17671 | Martin | Wesley-Smith | The Austral-bloody-aise | 1972 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 17672 | David | Wessel | Antony | 1977 | fixed media, akusmatisch | 14:46 | WER 2030; Computer Music Currents 10/ | IRCAM | 1 | ||||||||||
| 17673 | David | Wessel | Contacts turbulents | 1986 | live-elec, 1 perf | 25:00 | Stereo | a-sax or s-sax [Saxophon] | a duo for alto and soprano saxophones and a computer controlled network of MIDI gear | IRCAM | 0 | ||||||||
| 17674 | David | Wessel | Go where ? | 1983 | Zuspiel / Tonband, 1 perf | 15:00 | perc (kin) [Schlagzeug] | (japanese bell) | IRCAM | 0 | |||||||||
| 17675 | Marcus Antonius | Wesselmann | Ballet Mécanique | 1989/1990 | Film | 16:35 | ICEM Essen | 0 | |||||||||||
| 17676 | Marcus Antonius | Wesselmann | Heimatlied | 1989 | fixed media, akusmatisch | 2:00 | mit Zitaten | ICEM Essen | 0 | ||||||||||
| 17677 | Marcus Antonius | Wesselmann | In the Mix | 1991 | radiophon | 14:00 | Stereo | Cybele 960.103/ | ICEM Essen | 1 | http://www.Cybele .de/shop/product_info.php?products_id=49 | ||||||||
| 17678 | Marcus Antonius | Wesselmann | Les Petits Elephants du Siècle | 1989 | Theater, 2 perf, 1 group | 10:12 | V, inss [Stimme, Instrument] | ICEM Essen | 0 | ||||||||||
| 37524 | Marcus Antonius | Wesselmann | Structure Pour Adeline | 1991 | Theatermusik | 17:00:00 | Quadro | p, hpd, bell, perc, (Schreibmschine) [Piano, Cembalo, Schlagzeug] | Klavier, Cembalo, Glocken, Schlagzeuge, Schreibmaschine | ICEM Essen | 0 | ||||||||
| 34851 | Travis | West | The Keyboard | 2016 | fixed media, akusmatisch | 4:47:00 | Stereo, Surround 5.1 | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 31426 | Alwyn | Westbrooke | Conjuration | 2004 | live-elec, 1 perf | 11:00:00 | vn, (Max/MSP) [Violine] | HfM Dresden | 0 | ||||||||||
| 17679 | Hildegard | Westerkamp | A walk through the city | 1981 | fixed media, akusmatisch | 16:05 | Stereo | with poem and reading by Norbert Ruebsaat | IMED 9631/ IMED 1031/ | SFU, CBC Vancouver | CBC Radio’s Two New Hours, in April, 1981 | 04.1981 | 1 | ||||||
| 31209 | Hildegard | Westerkamp | At the Edge of Wilderness | 2000 | Klangkunst, Installation | A sound installation about ghosttowns in British Columbia; with the collaboration of photographer Florence Debeugny. | the Western Front Society for the group show Industrial Ear | September 8-16, 2000 | Vancouver | 0 | |||||||||
| 31202 | Hildegard | Westerkamp | Attending to Sacred Matters | 2002 | fixed media, akusmatisch | 26:24 | Stereo | (long and short version) | ES 02002 Earsay/ | Association of Canadian Women Composers (ACWC) | January 27, 2002 | Then, Now and Beyond, A Festival of Music by Women, Ottawa (short version) | 0 | ||||||
| 20923 | Hildegard | Westerkamp | Banff Razzle Dazzle | 1994 | radiophon | Stereo | BCA 2/ | SFU | 0 | ||||||||||
| 17680 | Hildegard | Westerkamp | Beneath the forest floor | 1992 | fixed media, akusmatisch | 17:23 | Stereo | IMED 9631/ IMED 1031/ MK2 8345106112/ | CBC Toronto | 04.1992 | first broadcast on Two New Hours | 1 | |||||||
| 31198 | Hildegard | Westerkamp | Breaking News | 2002 | radiophon | 3:18 | Mono | CBC Radio | September 11, 2002 | CBC Radio One | 0 | ||||||||
| 17681 | Hildegard | Westerkamp | Breathing Room | 1990 | fixed media, akusmatisch | 2:33 | Stereo | IMED 9004/ IMED 9604/ AG 049/ IMED 0050/ IMED 9604/ | SFU | "Diffusion i MeDIA", Montreal, for the "Electro clips" CD | Nov. 2, 1990 | New Music America, Montreal. | 1 | ||||||
| 17682 | Hildegard | Westerkamp | Breathing Room II | 1990 | Klangkunst, Installation | 11:20 | Stereo | SFU | April 1990 | Surrey Arts Centre, Surrey,B.C. | 0 | ||||||||
| 17683 | Hildegard | Westerkamp | Breathing Room III - a self portrait | 1991 | Zuspiel / Tonband, 1 perf | 16 | Stereo | Sp [Sprecher] | SFU | 0 | |||||||||
| 17684 | Hildegard | Westerkamp | Composing | 1988 | live-elec, 1 perf, 1 group | 33:00 | Stereo | mx Vs [Stimme] | M. Gal Toronto | 0 | |||||||||
| 20924 | Hildegard | Westerkamp | Contours of Silence | 1994 | radiophon | Stereo | BCA 2/ | SFU | 0 | ||||||||||
| 17685 | Hildegard | Westerkamp | Convergence 1 & 2 | 1990 | fixed media, akusmatisch | ≈ 120:00 | Stereo | SFU | 0 | ||||||||||
| 17686 | Hildegard | Westerkamp | Cool Drool | 1983 | Zuspiel / Tonband, 1 perf | 14 | Stereo | Sp [Sprecher] | SFU | February 1984 | Vancouver East Cultural Centre, Hildegard Westerkamp, voice | 0 | |||||||
| 17687 | Hildegard | Westerkamp | Coon Bay | 1988 | Klangkunst, Installation | Stereo | west coast environment | PS C. Vancouver | 0 | ||||||||||
| 17688 | Hildegard | Westerkamp | Cordillera | 1980 | fixed media, akusmatisch | 45:00 | Quadro | text by N. Ruebsaat. an acoustic environment for four-channel tape on the poetry of Norbert Ruebsaat. Commissioned by the Western Front Gallery for the "Music from the New Wilderness Festival". Premiere: February 1980, Western Front Gallery, Vancouver. |
Inside The Soundscape Cassette/ | SFU | 0 | ||||||||
| 17689 | Hildegard | Westerkamp | Cricket Voice, Stille Inside the Soundscape |
1987 | Klangkunst, Installation | 11:00 | Stereo | Text by Norbert Ruebsaat | EAR Magazine 1/ IMED 9631/ IMED 1031/ ENG 02/ ACM 37/ | PS C. | 06.1987 | Community Arts Council in Vancouver | 1 | ||||||
| 31206 | Hildegard | Westerkamp | Dhvani | 1996 | fixed media, akusmatisch | 3:10 | Stereo | CD 1997 (20 Jahre Osnabrücker Komponisten)/ | November 10, 1996 | Vancouver East Cultural Centre | 0 | ||||||||
| 17690 | Hildegard | Westerkamp | École polytechnique | 1990 | Zuspiel / Tonband, 3 perf, 1 group | 19:30 | Stereo | b-cl, tpt, perc, (8 churchbells,) ch [Klarinette, Trompete, Schlagzeug, Chor] | SFU | Nov. 3, 1990 | École Polytechnique, University of Montreal. | 0 | |||||||
| 17691 | Hildegard | Westerkamp | Familie mit Pfiff (Theme and Variations) | 1976 | fixed media, akusmatisch | 9 | Stereo | SFU | Oct. 1976 | Osnabrück, Germany | 0 | ||||||||
| 31193 | Hildegard | Westerkamp | Fantasie for Horns I | 1978 | Zuspiel / Tonband, 1 perf | 12:50 | Stereo, Quadro | hn [Horn] | SFU | 1978 | Western Front Gallery, Vancouver | honourable mention at the 1979 International Competition of Electroacoustic Music in Bourges, France. | 0 | ||||||
| 17692 | Hildegard | Westerkamp | Fantasie for Horns II | 1979 | Zuspiel / Tonband, 1 perf | 12:50 | Quadro | hn [Horn] | IMED 9631/ IMED 1031/ | SFU | 10.1979 | Music Gallery in Toronto, James MacDonald | 1 | ||||||
| 17693 | Hildegard | Westerkamp | From the India Sound Journal | 1993 | Zuspiel / Tonband, 1 perf | 36:44 | Stereo | Sp [Sprecher] | SFU | 0 | |||||||||
| 31197 | Hildegard | Westerkamp | Für Dich - For You, trans_canada 1 | 2005 | fixed media, akusmatisch | radiophon |
20:56 | Octo | Part of „trans_canada 1“ (Deutschlandradio Kultur 2005, 53 Minuten) | IMED 09100 trans_canada/ | Zentrum für Kunst und Medien, ZKM, Germany | Febr. 11, 2005 | ZKM, Karlsruhe, Germany | 0 | ||||||
| 21938 | Hildegard | Westerkamp | Gently penetrating beneath the sounding Surface of another Place | 1997 | fixed media, akusmatisch | 14:00 | ES 02002 Earsay/ ES 98005 Earsay/ harangue II/ Prix Ars Electronica 98/ | IMEB Bourges | Institut International de Musique Electroacoustique/Bourges, France | honorary mention, Prix ars electronica competition in Linz Austria, 1998 | 0 | ||||||||
| 17694 | Hildegard | Westerkamp | Harbour Symphony | 1986 | fixed media, akusmatisch | 7:00 | Stereo | for over 100 boathorns in Vancouver Harbour, for opening of Canada Pavilion EXPO’86 | SFU | Canada Pavilion, EXPO '86, Vancouver. | May 1986 | Vancouver Harbour | 0 | ||||||
| 31192 | Hildegard | Westerkamp | Harbour Symphony | 1988 | Performance | 6 ship-hn | Inside The Soundscape Cassette/ | SFU | July 1988 | Sound Symposium, St. John's Harbour, Newfoundland | 0 | ||||||||
| 17695 | Hildegard | Westerkamp | His Master's Voice | 1985 | fixed media, akusmatisch | 4:40 | Stereo | SFU | 1 | ||||||||||
| 31204 | Hildegard | Westerkamp | Into the Labyrinth | 2000 | fixed media, akusmatisch | 15:06 | Octo | ES 02002 Earsay/ | New Adventures in Sound, Toronto | June 18, 2000 | Gibraltar Point Arts Centre, Toronto Island | 0 | |||||||
| 17696 | Hildegard | Westerkamp | Kits Beach Soundwalk | 1989 | Zuspiel / Tonband, 1 perf | 9:42 | Stereo | Sp [Sprecher] | IMED 9631/ IMED 1031/ Verlust der Stille / GhK Kassel/ Klang Wege (Akroama TSNE)/ | PS C. | 03.1989 | Vancouver Art Gallery, Hildegard Westerkamp, voice. | 1 | ||||||
| 36917 | Hildegard | Westerkamp | KlangTraumMusik or Dumky Dream | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 31196 | Hildegard | Westerkamp | Liebes-Lied, Love Song | 2005 | Zuspiel / Tonband, 1 perf | 22:24 | Octo | vc [Cello] | Open Ears Festival, Kitchener | April 30, 2005 | Open Ears Festival, Kitchener, Ontario, Canada. | 0 | |||||||
| 31200 | Hildegard | Westerkamp | Like a Memory | 2002 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Jamie Syer and the Valhalla Summer School of Music & Vancouver Foundation | August 16, 2002 | Valhalla Summer School of Music, Silverton, B.C. | 0 | ||||||||
| 17697 | Hildegard | Westerkamp | Moments of Laughter | 1988 | Zuspiel / Tonband, 1 perf | 19:00 | Stereo | fem V [Stimme] | PS C. Vancouver | Vancouver New Music Society | March 1988 | Vancouver, Meg Sheppard, voice | 0 | ||||||
| 31195 | Hildegard | Westerkamp | MotherVoiceTalk | 2008 | fixed media, akusmatisch | 15 | Stereo | Vancouver New Music, Canada | February 20, 2008 | Vancouver East Cultural Centre | 0 | ||||||||
| 17698 | Hildegard | Westerkamp | Music from the Zone of Silence, Desertwind Meditation The Truth is Acoustic |
1988 | Zuspiel / Tonband, 5 perf | 26:30 | Stereo | 1 - 4 V, rec [Stimme, Flöte] | PS C. Vancouver | July 1988 | Sound Symposium, St. John's, Nfld. | 0 | |||||||
| 17699 | Hildegard | Westerkamp | My horse and I | 1991 | fixed media, akusmatisch | 7:30 | Stereo | SFU | 0 | ||||||||||
| 31211 | Hildegard | Westerkamp | Nada - An Experience in Sound | 1998 | Klangkunst, Installation | A sound installation about listening; with the collaboration of Savinder Anand, Mona Madan, and Veena Sharma | Max Mueller Bhavan (Goethe Institut), Delhi | December 10-25, 1998 | Mati Ghar, Indira Gandhi National Centre for the Arts Janpath, New Delhi, India | 0 | |||||||||
| 31194 | Hildegard | Westerkamp | Once Upon A Time | 2012 | fixed media, akusmatisch | Stereo | Western Front, Vancouver | January 20, 2012 | the Western Front, Vancouver | 0 | |||||||||
| 17700 | Hildegard | Westerkamp | One Visitor's Portrait of Banff | 1992 | radiophon | Stereo | a series of radio pieces | SFU | Banff | March 12, 1992 | "Radio Rethink: Art Sound and Transmission", The Banff Centre, Banff, Alberta, Canada | 0 | |||||||
| 31212 | Hildegard | Westerkamp | Seascapes | 2008 | Klangkunst, Installation | a sound environment for Audrey Capel Doray's Electronic Seascape (mixed media sculpture). Shown as part of Idyll: Three Exhibitions | 16 May - 10 August, 2008 | The Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver | 0 | ||||||||||
| 31207 | Hildegard | Westerkamp | Sensitive Chaos | 1995 | fixed media, akusmatisch | 12:01 | Stereo | KlangWelten HörZeichen/ | Winnipeg New Music Festival | January 28, 1995 | Winnipeg | 0 | |||||||
| 31210 | Hildegard | Westerkamp | Soniferous Garden | 1998 | Klangkunst, Installation | a sound installation of the sacred sounds of India. A revised version of Part 4 of Nada-An Experience in Sound (1998) |
November 7-15, 2000 | Engine 27, New York | 0 | ||||||||||
| 17701 | Hildegard | Westerkamp | Streetmusic | 1982 | Zuspiel / Tonband, 1 perf | 27:00 | Stereo | (for any mobile) ins [Instrument] | a sound document about Vancouver's streetmusicians. Commissioned by CFRO, Vancouver Co-operative Radio and CBC Radio. First Broadcast: Spring 1982. | Inside The Soundscape Cassette/ | SFU | 0 | |||||||
| 31205 | Hildegard | Westerkamp | Talking Rain | 1997 | radiophon | 16 | Stereo | two-channel tape | ES 98001 Earsay/ MW 74/ | CBC Radio for Westcoast Performance | April 20, 1997 | CBC Radio | 0 | ||||||
| 17702 | Hildegard | Westerkamp | Türen der Wahrnehmung, Doors of Perception | 1989 | radiophon | 30 | Stereo | a radio environment | MK2 8345106112/ Radius 4/ | PS C. Vancouver | Östereichischer Rundfunk (ORF) for Ars Electronica '89 in Linz, Austria | Sept. 1989 | Ars Electronica '89, Linz, Austria | 0 | |||||
| 17703 | Hildegard | Westerkamp | Under the Flightpath | 1981 | radiophon | 19 | Stereo | sound document for a live near a airport | SFU | Hornby Collection, CBC Radio | January 1981 | CBC Radio | 0 | ||||||
| 17705 | Hildegard | Westerkamp | Whisper Study | 1975 | fixed media, akusmatisch | 11:30 | Stereo | CSR 0501/ ed. RZ 4004 Daad / 20 Jahre Inventionen 2/ Inside The Soundscape Cassette/ | SFU | 1975 | Western Front Gallery, Vancouver | 1 | 1986 | ||||||
| 17706 | Hildegard | Westerkamp | Windmusic | 1982 | Zuspiel / Tonband, 1 perf | Stereo | for any ww-ins [Bläser] | SFU | 0 | ||||||||||
| 17707 | Hildegard | Westerkamp | Women Voicing | 1985 | radiophon | Stereo | a sound document about women's music, for Musicworks 31, Toronto. | MW 31/ | SFU | 0 | |||||||||
| 42197 | Hildegard, Francis, Louis | Westerkamp, Dhomont, Dufort | trans_canada 1 | 2005 | radiophon | Deutschland Radio Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1489847&vi=1&SID | |||||||||||
| 31208 | Hildegard, Norbert | Westerkamp, Ruebsaat | The Deep Blue Sea | 1989 | Zuspiel / Tonband, 1 perf | 10:55 | Stereo | Sp [Sprecher] | collaboration with Norbert Ruebsaat, text by Brian Shein | March 30, 1989 | Vancouver Art Gallery, Norbert Ruebsaat, voice | 0 | |||||||
| 17704 | Hildegard, Norbert | Westerkamp, Ruebsaat | Voices For the Wilderness | 1985 | intermedia | 70:00 | Stereo | for the 1st stone-festival in BC a sound document of the first Stein Festival, held in the alpine meadows of the Stein watershed near Lytton, B.C., produced in collaboration with Norbert Ruebsaat |
Inside The Soundscape Cassette/ | SFU | Lytton, B.C. | 0 | |||||||
| 17708 | Hildegard, Norbert | Westerkamp, Ruebsaat | Zone of Silence Story, Music from the Zone of Silence | 1985 | fixed media, akusmatisch | 40:00 | Stereo | an acoustic environment | Inside The Soundscape Cassette/ | SFU | Dec. 1985 - Jan. 1986 | group exhibition of the "Zone of Silence Project" at the Museum of Quebec in Quebec City | 0 | ||||||
| 22529 | Lennart | Westman | Sweden | 2000 | fixed media, akusmatisch | 10:14 | CD: "a new Generation" at EMS / Eight Times Falling | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 42800 | Jeff | Weston | Line in/out | 2012 | fixed media, akusmatisch | 3:18:00 | 0 | ||||||||||||
| 17709 | Veryan | Weston | Woman in the Dunes | 1990 | fixed media, akusmatisch | 9:15 | Stereo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 38809 | Markus, Haris | WESTPHAL, SAHACIC | Gattschaft Bericht | 2008/09 | radiophon | 16:25:00 | 0 | ||||||||||||
| 20925 | Daniel | Weymouth | Another Violin | 1993 | live-elec, 1 perf | 5:38 | Stereo | MIDI-vn [Violine] | Todd Reynolds, MIDI-violin | SEAMUS EAM 9501 Vol. 4/ | 0 | ||||||||
| 20926 | Daniel | Weymouth | Rare Events | 1994 | Zuspiel / Tonband, 1 perf | 5:13 | Stereo | b-cl [Klarinette] | for bass clarinet and computer-altered tape | NWR 80468/ SEAMUS EAM Vol. 5/ | 0 | ||||||||
| 32142 | Daniel | Weymouth | Unexpected Things | 2006 | Zuspiel / Tonband, 2 perf | 11:58:00 | vn, p [Piano, Violine] | Minghuan Xu, violin and Winston Choi, piano | SEAMUS EAM Vol. 17/ | 0 | |||||||||
| 17714 | Group | White Stains | nela chela | 1990 | live-elec, 2 perf | 2 perf [Performer] | White Stains members: C. Abrahamsson, Th. Tibert | Anckarström S7/ | Reality St Stockholm | 1 | |||||||||
| 17715 | Group | White Stains | Pyramidos | 1990 | live-elec, 2 perf | 2 perf [Performer] | White Stains members: C. Abrahamsson, Th. Tibert | Anckarström S7/ | Reality St Stockholm | 1 | |||||||||
| 17716 | Group | White Stains | soft explosion | 1990 | live-elec, 2 perf | 2 perf [Performer] | White Stains members: C. Abrahamsson, Th. Tibert | Anckarström S7/ | Reality St Stockholm | 1 | |||||||||
| 17717 | Group | White Stains | the somewhat lost horizon | 1990 | live-elec, 2 perf | 2 perf [Performer] | White Stains members: C. Abrahamsson, Th. Tibert | Anckarström S7/ | Reality St Stockholm | 1 | |||||||||
| 17718 | Group | White Stains | Überwelt / Unterwelt | 1990 | live-elec, 2 perf | 2 perf [Performer] | White Stains members: C. Abrahamsson, Th. Tibert | Anckarström S7/ | Reality St Stockholm | 0 | |||||||||
| 17710 | Brian | White | Underground Chambers | 1993 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 27521 | Frances | White | A veil barely seen | 2000 | Zuspiel / Tonband, 1 perf | 13:26 | va [Viola] | mode 184/ | 0 | http://www.moderecords.com/catalog/184white.html | |||||||||
| 20927 | Frances | White | Birdwing | 1996 | Zuspiel / Tonband, 1 perf | 15:06 | Stereo | shakuhachi [Flöte] | Centaur CRC 2347, CDCM Vol. 25/ | Winham | ICMA-Commission-Award 96 | 1 | |||||||
| 27522 | Frances | White | Centre Bridge | 2000 | Zuspiel / Tonband, 2 perf | 12:02 | Stereo | 2 shakuhachi [Flöte] | mode 184/ | 0 | http://www.moderecords.com/catalog/184white.html | ||||||||
| 27523 | Frances | White | Centre Bridge (dark river) | 1999 | Zuspiel / Tonband, 4 perf | 11:54 | Stereo | str-qt [Streicher] | mode 184/ | 0 | http://www.moderecords.com/catalog/184white.html | ||||||||
| 24494 | Frances | White | Like the Lily | 1999 | Zuspiel / Tonband, 2 perf | va, db [Viola, Kontrabass] | mode 184/ | IMEB Bourges | 0 | ||||||||||
| 18565 | Frances | White | Nocturne | 1992 | fixed media, akusmatisch | 9:37 | Stereo | IMEB Bourges | 0 | ||||||||||
| 17711 | Frances | White | Ogni pensiero vola | 1985 | fixed media, akusmatisch | 13:48 | WER 2027; Computer Music Currents 7/ | Brooklyn Coll | 1 | ||||||||||
| 17712 | Frances | White | Still Life with Piano | 1989 | Zuspiel / Tonband, 1 perf | 15:35 | Stereo | p [Piano] | Inner Voices, Csound, Cmix | Centaur CRC 2076, CDCM Vol. 5/ LDC 278051/52 Cultures Electroniques 5/ | Winham, Col.Princ EMC | 1 | |||||||
| 20928 | Frances | White | Trees | 1992 | Zuspiel / Tonband, 3 perf | 25:57 | Stereo | 2 vn, va [Viola, Violine] | 3 parts | Centaur CRC 2302, CDCM Vol. 23/ | Winham | 1 | |||||||
| 17713 | Frances | White | Valdrada | 1988 | fixed media, akusmatisch | 16:40 | LDC 278051/52 Cultures Electroniques 5/ | Brooklyn Coll | 1 | ||||||||||
| 19153 | Frances | White | Walk Through "Resonant Landscape" #2 | 1992 | fixed media, akusmatisch | 9:58 | AER 1994 / 6/ mode 184/ | 1 | |||||||||||
| 24798 | Frances | White | Winter aconites | 1993 | Zuspiel / Tonband, 1 group | 15:00:00 | ens [Ensemble] | LDC 278063/64 Cultures Electroniques 10/ | Auszeichnung ars electronica 1994 | 0 | |||||||||
| 42680 | Philip | White | Quote the Ocean | 2009 | live-elec, 2 perf | 10 | vib, elec [Schlagzeug, elektronik] | 0 | |||||||||||
| 19038 | Red | White | Wall Flowers | 1996 | Klangkunst, Installation | 0:55 | Sonambiente Ausstellung (1996) Katalog S.153 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 37921 | Ruth | White | 7 Trumps From the Tarot Card and Pinions, Wheel Of Fortune Magician Hanged Man Sun Tower Lovers / World |
1968 | fixed media, akusmatisch | 21 | Creel Pone 072/ LS 86058/ | 0 | |||||||||||
| 37924 | Ruth | White | Evening Harmony, Flowers of Evil | 1969 | fixed media, akusmatisch | Creel Pone 047/ LS 86066/ Anticon/ | 0 | ||||||||||||
| 37923 | Ruth | White | Flowers of Evil, The Clock Evening Harmony Lover's Wine Owls Mists And Rains The Irremediable The Cat Spleen The Litanies Of Satan |
1969 | fixed media, akusmatisch | 32 | An electronic setting of the poems of Charles Baudelaire composed and realized by Ruth White | Creel Pone 047/ LS 86066/ | 0 | https://www.discogs.com/de/Ruth-White-Flowers-Of-Evil/master/563634 | |||||||||
| 37922 | Ruth | White | Pinions, Beginnings No Wings (Without Imagination / No Desire For Flight) Wings Clipped (Too Many External Involvements / Flight Stopped) Wanting Wings (Limited Capacity / No Flight Possible) Love Gives Wings (With Wings) |
1968 | fixed media, akusmatisch | 24 | Creel Pone 072/ | 0 | |||||||||||
| 39044 | Ruth | White | Short Circuits, The Flight Of The Bumblebee Gymnopédie No. 1 The Snow Is Dancing Variations On Couperin's Rondeau The Butterfly Anvil Chorus Tempo Di Ballo Etude In G Flat Solfeggietto Prelude In E Minor Polka From "The Age Of Gold" The Ball Sonata In G Asturias |
1970 | fixed media, akusmatisch | classical compositions new arranged by Ruth White | Angel Rec S-36042/ | 0 | https://www.discogs.com/de/Ruth-White-Short-Circuits/release/8623911 | ||||||||||
| 33711 | Gregory | Whitehead | It Makes Me Blush … | fixed media, akusmatisch | 3:53:00 | from „The Respirator“ and other outcasts | WN 00006/1991/ | 1 | |||||||||||
| 20929 | Gregory | Whitehead | Pressures of the Unspeakable | 1990 | radiophon | 27:09 | Stereo | WN 0014/ | 0 | ||||||||||
| 20930 | Gregory | Whitehead | The William S. Burroughs Tape Worm | 1991 | radiophon | 3:51 | Stereo | MW 53/ | 0 | ||||||||||
| 40995 | Richard, Andy, Iain, Michael, Jon, David, Peter, Antti | Whitelaw, Dollerson, Armstrong, Wolters, Aveyard, Berezan, Bachelor, Saario | Viewpoint, Norway Sweden (Bowen, On Skaggerak) Holmsland Klit, Denmark Germany Noordwijk, Holland Belgium (The Wall And De Panne) France (Vis-à-vis) England (G+T-swimmers) |
2003 | Klangkunst, Installation | Installations | SCD 28047 Sargasso/ | BEAST | 0 | ||||||||||
| 42843 | Benjamin | Whiting | FL | 2013 | fixed media, akusmatisch | 6:24:00 | 0 | ||||||||||||
| 39613 | Benjamin | Whiting | Illumina! Arabidopsis thaliana | 2015 | fixed media, akusmatisch | 9:19 | Octo | Benjamin Whiting | SEAMUS EAM Vol. 26/ | 0 | |||||||||
| 39614 | Benjamin | Whiting | Melodia sin melodia, Melodía sin melodía | 2015 | fixed media, akusmatisch | 7:40:00 | 5 tracks, Stereo | Benjamin Whiting | 0 | ||||||||||
| 17719 | James | Whitman | The Dance of Shiva | 1972/1973 | fixed media, akusmatisch | audiovisuell |
54:15 | 2 Versionen: mit Projektionen und ohne Projektionen | WDR SEM | WDR 1975 | 5.10.1973 21.2.1975 |
"Musik der Zeit" Düsseldorf "Musik der Zeit" Köln |
0 | |||||||
| 17720 | James | Whitney | Yantra | 1950 - 1957 | fixed media, akusmatisch | Mono | drawn soundtrack, synthetic sound | 0 | |||||||||||
| 17722 | John | Whitney | The Pedestrian | 1965 | fixed media, akusmatisch | 11:30 | Mono | PS C. Hollywood | 0 | ||||||||||
| 17723 | John | Whitney | The Veldt | 1965 | fixed media, akusmatisch | 6:30 | Mono | PS C. Hollywood | 0 | ||||||||||
| 17724 | John | Whitney | To the Chicago Abyss | 1965 | fixed media, akusmatisch | 5:00 | Mono | PS C. Hollywood | 0 | ||||||||||
| 17725 | John | Whitney | Variations | 1940 | fixed media, akusmatisch | Mono | drawn soundtrack, synthetic sound | 0 | |||||||||||
| 17721 | John, James | Whitney, Whitney | 5 film exercises | 1943/1945 | fixed media, akusmatisch | ≈ 20:00 | Mono | drawn synthetic sound | 1. prize international experimental film competition Belgium | 0 | |||||||||
| 17726 | Pete | Whittaker | Borders | 1991 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 17727 | Pete | Whittaker | Breaking | 1990 | Zuspiel / Tonband, 1 perf | p [Piano] | UEA Norwich | 0 | |||||||||||
| 17728 | Charles | Whittenberg | Electronic Study #2 | 1962 | Zuspiel / Tonband, 1 perf | 8:00 | Mono | db [Kontrabass] | Col.Princ EMC | 0 | |||||||||
| 17729 | Charles | Whittenberg | Event | 1964 | Zuspiel / Tonband, 1 group | 4:00 | Mono | orc [Orchester] | Col.Princ EMC | 0 | |||||||||
| 17730 | Hansjörg | Wicha | Reflection | 1968 | Film | 2:36 | Siemens | 0 | |||||||||||
| 28471 | Simon | Wickham-Smith | …Al Tempo Dei Dolci Sospiri | 2003 | Zuspiel / Tonband, 1 perf | 18:41 | V [Stimme] | ELCD 055 Electroshock Records/ | 0 | ||||||||||
| 28470 | Simon | Wickham-Smith | Három Denéver | Zuspiel / Tonband, 1 perf | 12:13 | V [Stimme] | ELCD 055 Electroshock Records/ | 0 | |||||||||||
| 28472 | Simon | Wickham-Smith | Jäätynyt, Aurinko | 2004 | fixed media, akusmatisch | 13:46 | ELCD 055 Electroshock Records/ | 0 | |||||||||||
| 28468 | Simon | Wickham-Smith | JusKidding | 2000 | Zuspiel / Tonband, 1 perf | 15:16 | V [Stimme] | ELCD 055 Electroshock Records/ | 0 | ||||||||||
| 28469 | Simon | Wickham-Smith | Songs & Dreams the Whalers Weave | 2001 | Zuspiel / Tonband, 1 perf | 9:19 | V [Stimme] | ELCD 055 Electroshock Records/ | 0 | ||||||||||
| 39482 | Pierre-Henri | Wicomb | Now for Triads | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40188 | Pierre-Henri | Wicomb | Solecism | 2016 | fixed media, akusmatisch | Pierre-Henri Wicomb | 0 | ||||||||||||
| 42192 | Roland | Widmer | Sali sali tschau tschau | 1999 | radiophon | klipp + klang | 0 | ||||||||||||
| 17731 | Peter | Wiegold | A Worthy Guest | 1973 | Theatermusik | Uni Durham | 0 | ||||||||||||
| 17732 | Peter | Wiegold | The Saving of the Sun | Uni Durham | 0 | ||||||||||||||
| 17733 | Peter | Wiegold | The Soft Complaining Flute | 1977 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Uni Durham | 0 | |||||||||||
| 22172 | Tadeusz | Wielecki | Egocentric Poem | 1995 | Zuspiel / Tonband, 1 perf | 31:20 | Stereo | p [Piano] | ExpSt Warsaw | 0 | |||||||||
| 33166 | Tadeusz | Wielecki | Hazard and Necessity | 2006 | Zuspiel / Tonband, 4 perf | 27:48 | str-qt [Streicher] | for string quartet and electronic media | WJ 2006 polmic 027/ | 1 | |||||||||
| 19323 | Tadeusz | Wielecki | The very true Story | 1995 | fixed media, akusmatisch | 14:57 | Warschauer Herbst '97, Vol. 9/ | Expst Warsaw | 1 | ||||||||||
| 42566 | Beth | Wiemann | Crows everywhere are equally black | 2008 | audiovisuell, live-elec, 2 perf | va, cl [Klarinette, Viola] | Anatole Wieck, viola; Beth Wiemann, clarinet | Maine Fulbright Association | 0 | ||||||||||
| 39615 | Beth | Wiemann | Jet Pack for One | 2016 | Zuspiel, live-elec, 1 perf | b-cl, (vocoder) [Klarinette] | Beth Wiemann | 0 | |||||||||||
| 17734 | Wolfgang | Wiemer | Kontexturen | 1973 | Zuspiel / Tonband, 5 perf | S, B, tpt, perc, org [Sopran, Bass, Trompete, Orgel, Schlagzeug] | 0 | ||||||||||||
| 17735 | Paul | Wieneke | A Garden for Orpheus | 1980 | fixed media, akusmatisch | 13:00 | Quadro | CCRMA | Mention Bourges 1981 | 0 | |||||||||
| 17736 | Paul | Wieneke | Attend | 1981 | fixed media, akusmatisch | 10:30 | Quadro | CCRMA | 0 | ||||||||||
| 17737 | Paul | Wieneke | Oracle-4am | 1978 | fixed media, akusmatisch | 7:30 | Stereo | CCRMA | 0 | ||||||||||
| 17738 | Hans Heinrich | Wiese | 4 Stücke | 1973 | live-elec, 2 perf | vn, synt [Violine, synthesizer] | PS C. | 0 | |||||||||||
| 17739 | Hans Heinrich | Wiese | Redox | 1964 | live-elec, 1 perf | 10:30 | Stereo | fl [Flöte] | "Komposition für Flöte mit Hoch-Tiefpass" | PS C., Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 29989 | Nicolas | Wiese | The Revolution Will Have Been YouTubed #1 | fixed media, akusmatisch | 6:24:00 | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 27797 | Nicolas | Wiese | Vertikalzeit | 2008 | fixed media, akusmatisch | 14:44 | JTTP 2009 | CEC Cache 2009, PeP 014 DE/ | JTTP-Winner 2009 german 4. prize | 1 | http://cec.concordia.ca/jttp/2009/index.html#winners | ||||||||
| 28430 | Knut | Wiggen | EMS on its Own, EMS för sig själv | 1975 | fixed media, akusmatisch | Quadro | MusicBox | EMS Stockholm | 0 | http://www.knut-wiggen.com/english/eng-works.php | |||||||||
| 28427 | Knut | Wiggen | Etude | 1972 | fixed media, akusmatisch | Quadro | Music Box | EMS Stockholm | 0 | http://www.knut-wiggen.com/english/eng-works.php | |||||||||
| 17740 | Knut | Wiggen | EX14C2 | 1974 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | http://www.knut-wiggen.com/english/eng-works.php | ||||||||||
| 28428 | Knut | Wiggen | Journey | 1972 | fixed media, akusmatisch | Quadro | MusicBox | EMS Stockholm | 1976 | ICMC Stockholm | 0 | http://www.knut-wiggen.com/english/eng-works.php | |||||||
| 17741 | Knut | Wiggen | Link 8 | 1974 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17742 | Knut | Wiggen | Live 8 | 1970 | fixed media, akusmatisch | 11:20 | Stereo | 1 | |||||||||||
| 17743 | Knut | Wiggen | Mass | 1974 | fixed media, akusmatisch | 5:30 | Quadro | EMS Stockholm | 1 | 2002 | |||||||||
| 23506 | Knut | Wiggen | Massa 300000 | 1970 | fixed media, akusmatisch | 6:00 | Stereo | EMS Stockholm | 1 | ||||||||||
| 17745 | Knut | Wiggen | Rega | 1970 | fixed media, akusmatisch | 9:30 | Stereo | 1 | |||||||||||
| 17746 | Knut | Wiggen | Resa | 1974 | fixed media, akusmatisch | 8:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 17747 | Knut | Wiggen | Skrik | 1974 | fixed media, akusmatisch | 3:40 | Quadro | 1 | |||||||||||
| 17748 | Knut | Wiggen | Sommarmorgon, Summer Morning | 1972 | fixed media, akusmatisch | 3:46 | Quadro | MusicBox | CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 0 | ||||||||
| 17749 | Knut | Wiggen | Sommarnatten | fixed media, akusmatisch | 0 | ||||||||||||||
| 17750 | Knut | Wiggen | Sommerworfen | 1970 | fixed media, akusmatisch | 3:45 | Stereo | 1 | |||||||||||
| 17751 | Knut | Wiggen | Space | 1974 | fixed media, akusmatisch | Quadro | EMS Stockholm | 0 | |||||||||||
| 28429 | Knut | Wiggen | Tornado | 1974 | fixed media, akusmatisch | Quadro | MusicBox | EMS Stockholm | 0 | http://www.knut-wiggen.com/english/eng-works.php | |||||||||
| 17752 | Knut | Wiggen | Två etyder | 1976 | fixed media, akusmatisch | 0 | |||||||||||||
| 17753 | John | Wiggins | All the Truth at Once | 1986 | fixed media, akusmatisch | Stereo | RRRecords LP 015 / | Uni Amherst | 0 | ||||||||||
| 17754 | John | Wiggins | ANAGENIC / pARTicle mUSic | 1985 | fixed media, akusmatisch | Stereo | RRRecords LP 015 / | Uni Amherst | 0 | ||||||||||
| 20931 | John | Wiggins | Masterpiecing | 1993 | fixed media, akusmatisch | 6:05 | Stereo | RRRecords CD 21/ | Uni Amherst | 0 | |||||||||
| 40829 | John | Wiggins | String II | 2016 | fixed media, akusmatisch | 4:34 | CLS 170902/ | 0 | |||||||||||
| 33701 | John | Wiggins | Timbre=Melody | fixed media, akusmatisch | 3:10:00 | WN 00006/1991/ | 1 | ||||||||||||
| 17755 | John | Wiggins | Whirl Without End | 1988 | fixed media, akusmatisch | Stereo | PS C. | 0 | |||||||||||
| 32880 | Oscar | Wiggli | Guarec, Guarec Eglev Tariel |
1998 | fixed media, akusmatisch | 42:21 | ARGOL Records Guarec/ | 1 | |||||||||||
| 20932 | Oscar | Wiggli | Nuages sonores | 1987 | fixed media, akusmatisch | Stereo | EUT 94901 Euterpe Music/ | 0 | |||||||||||
| 32881 | Oscar | Wiggli | SIO-KI-RA, SIO KI RA AIO |
2005 - 2007 | fixed media, akusmatisch | 27:26 | Oscar Wiggli and Kjell Keler - SIO-KI-RA | ARGOL Records SIO-KI-RA/ | 1 | ||||||||||
| 23357 | Friedrich | Wilckens | Dance in the moon | 1933 | live-elec, 2 perf | 2:43 | theremin, p [Piano, synthesizer] | Lydia Kavina (Theremin), Joshua Pierce (p). Erinnert an Debussy | mode 76/ | 1 | http://www.moderecords.com/ | ||||||||
| 17756 | Jacques | Wildberger | … die Stimme, die alte, schwächer werdende Stimme … | 1975 | Zuspiel / Tonband, 2 perf, 1 group | 22:00 | S, vc, orc [Sopran, Cello, Orchester] | 0 | |||||||||||
| 17757 | Jacques | Wildberger | Double refrain | 1972 | Zuspiel / Tonband, 3 perf | 15:00 | Stereo + Stereo | fl, ob, gui [Flöte, Oboe, Gitarre] | Bär 30 SL 1714/ | 0 | |||||||||
| 17758 | Jacques | Wildberger | Epitaph für Evariste Galois | 1965 | Zuspiel / Tonband, 3 perf, 2 groups | 65:00 | Quadro | S, Bar, Sp, ch, orc [Sopran, Bariton, Sprecher, Chor, Orchester] | Radio SFB, CRS Genève | 0 | |||||||||
| 17759 | Jacques | Wildberger | La Notte (Trittico) | 1967 | Zuspiel / Tonband, 6 perf | 9:00 | Mez, 5 ins [Mezzo, Instrument] | 0 | |||||||||||
| 17760 | Jacques, Hans Peter | Wildberger, Haller | Live-electronic mixed pickles | 1979 | live-elec, 1 group | 20:00 | ens [Ensemble] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 17761 | Raymond | Wilding-White | 8 cummings songs | 1967 | Zuspiel / Tonband, 3 perf | 10:00 | Mono | V, p, perc [Stimme, Piano, Schlagzeug] | CIT Cleveland | 0 | |||||||||
| 17762 | Raymond | Wilding-White | Bandmusic | 1966 | Zuspiel / Tonband, 1 group | 20:00 | Stereo | band [Ensemble] | CIT Cleveland | 0 | |||||||||
| 17763 | Raymond | Wilding-White | Ecce homo | 1965 | fixed media, akusmatisch | Film |
7:08 | CIT Cleveland | 1 | |||||||||||
| 17764 | Raymond | Wilding-White | Pavane | 1966 | Tanz | 8:17 | Stereo | CIT Cleveland | 0 | ||||||||||
| 17765 | Jens | Wilke | Atmen | 1978/1979 | fixed media, akusmatisch | 10:10 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17766 | Jens | Wilke | Im Waserspiegel | 1978/1979 | fixed media, akusmatisch | 5:53 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17767 | Jens | Wilke | Rauschgold | 1978/1979 | fixed media, akusmatisch | 6:37 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17768 | Jens | Wilke | Regenbogenfächer | 1978/1979 | fixed media, akusmatisch | 6:50 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17769 | Margaret Lucy | Wilkins | SCI - FI | 1972 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 17770 | Margaret Lucy | Wilkins | Stringsing | 1992 | Zuspiel / Tonband, 1 perf | hp [Harfe] | Uni Huddersfield | 0 | |||||||||||
| 17771 | Margaret Lucy | Wilkins | The Cello in my Life | 1989 | live-elec, 2 perf | 12:30 | vc, p [Piano, Cello] | 0 | |||||||||||
| 17772 | Marc | Wilkinson | Anathema | 1962 | Zuspiel / Tonband, 1 perf | 16:00 | Mono | Sp [Sprecher] | BBC | 0 | |||||||||
| 17773 | Marc | Wilkinson | Christmas Bells and Carols | 1962 | radiophon | 9:00 | Stereo | BBC | 0 | ||||||||||
| 17774 | Marc | Wilkinson | Improvisation K | 1957 | fixed media, akusmatisch | 2:35 | Mono | Fonologia Milano | 0 | ||||||||||
| 17775 | John | Wilks | Fiesta | 1962 | fixed media, akusmatisch | 4:00 | Stereo | Fonologia Milano | 0 | ||||||||||
| 17776 | I. | Willcock | Face | 1989 | fixed media, akusmatisch | 6:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 34558 | Tom | Willems | Loin d’ici | 1984 | fixed media, akusmatisch | 19:25 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 17777 | Tom | Willems | Super-straight is coming down | 1984 | Zuspiel / Tonband, 1 perf | 12:00 | trbn [Posaune] | EM ?? | 0 | ||||||||||
| 17778 | Robert | Willey | Saudades de Ouro Preto | fixed media, akusmatisch | 6:54 | II SBC&M/ | UCSD | 1 | |||||||||||
| 20464 | Robert, Diego | Willey, Losa | Un tiro de dados, A Roll Of Dice | 1993 | live-elec, 1 group | 10:58 | Stereo | ens [Ensemble] | CCRMA/ | 0 | |||||||||
| 17779 | N. Sean | William | Come Window Golds Coming | 1988 | live-elec, 1 perf | 9:40 | e-vc [Cello] | AER 1991 / 4/ | 1 | ||||||||||
| 17780 | Andrew | Williams | Earthly Delights | 1990 | fixed media, akusmatisch | 30:00 | UEA Norwich | 0 | |||||||||||
| 17781 | Andrew | Williams | Sigh | 1987 | fixed media, akusmatisch | 15:00 | UEA Norwich | 0 | |||||||||||
| 38670 | Christopher | WILLIAMS | A Treastise Remix | 2015 | radiophon | 46:24:00 | Nach Cornelius Cardew | 0 | |||||||||||
| 38810 | Christopher, Charlie | WILLIAMS, MORROW | Arcanum 17 | 2013 | radiophon | 42:11:00 | 0 | ||||||||||||
| 17782 | David E. | Williams | Cacophony | 1966 | fixed media, akusmatisch | 4:50 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 17783 | David E. | Williams | Driveration | 1966 | fixed media, akusmatisch | 15:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 17784 | David E. | Williams | Electronic study #3 | 1966 | fixed media, akusmatisch | 6:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 17785 | David E. | Williams | Here and there | 1966 | fixed media, akusmatisch | 10:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 17786 | David E. | Williams | Mood | 1966 | fixed media, akusmatisch | 10:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 17787 | David E. | Williams | This and that | 1966 | fixed media, akusmatisch | 2:30 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 17788 | David E. | Williams | Two electronic studies | 1965 | fixed media, akusmatisch | 10:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 39774 | Evan | Williams | Utterings | 2015 | fixed media, akusmatisch | 8:17:00 | Evan Williams | 0 | |||||||||||
| 42681 | Tom | Williams | Can | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 42782 | Tom | Williams | Dart | 2012 | live-elec, 1 perf | 15:00:00 | vc [Cello] | Madeleine Shapiro, cello | 2012 | “Water at the Tank” concert NY | 0 | ||||||||
| 40296 | Tom | Williams | Home (Breath Replaced) | 2016 | fixed media, akusmatisch | Tom Williams | 0 | ||||||||||||
| 40295 | Tom | Williams | Meditations on a Landscape | 2017 | fixed media, akusmatisch | Tom Williams | 0 | ||||||||||||
| 17789 | Tom | Williams | Screaming in the Sky | 1986 | Zuspiel / Tonband, 1 perf | 13:50 | a-sax [Saxophon] | AVTR 001/ | Uni Keele | 0 | |||||||||
| 17790 | Tom | Williams | Sunk Deep in the Night | 1988 | fixed media, akusmatisch | 8:18 | AVTR 001/ | Uni Keele | 0 | ||||||||||
| 32544 | Gordon | Williamson | Studie Eins: Les Grenouilles | 2009 | fixed media, akusmatisch | 4 | Octo | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 19194 | Garnet | Willis | Clusterflux | 1996 | live-elec, 1 perf | 9:40 | e-ins (clusterflux) [synthesizer] | clusterflux = el. instrument | LDC 278060/61 Cultures Electroniques 9/ | Prix Bourges 1996 | 1 | ||||||||
| 39457 | Mickie | WIllis | Canticles Derived | 2017 | fixed media, akusmatisch | from the Fragmentary Remains of the Journals of Commander Nemo Oz | 0 | ||||||||||||
| 40126 | Mickie | Willis | Corpora Nebulae | 2016 | fixed media, akusmatisch | Mickie Willis | 0 | ||||||||||||
| 36460 | Christopher | Willits | Plane | 2007 | radiophon | 6:40:00 | EDRM 417/ | 0 | |||||||||||
| 22530 | Roland | Willmann | Salve regina | 1978 | fixed media, akusmatisch | 7:52 | Quadro | Synthi AKS und Gregorianischer Gesang | TU Berlin | 1 | |||||||||
| 38671 | Mario | WILLMS | Luxusdiskussion | 2009 | radiophon | 50:25:00 | 0 | ||||||||||||
| 17791 | Andrew | Wilson | Childhood's End | 1971 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 23297 | Ben | Wilson | Googolplex | 2003 | fixed media, akusmatisch | 10:43 | Octo | SFU | 1 | ||||||||||
| 23296 | Ben | Wilson | Sediment | 2003 | fixed media, akusmatisch | 9:00 | Octo | JTTP 2004 | CEC Cache 2004, PeP 009/ | SFU | winner JTTP 2004 1. prize | 1 | |||||||
| 17792 | Charles M | Wilson | Electryptique | 1986 | fixed media, akusmatisch | 35:00 | Stereo | Uni Guelph ON | 0 | ||||||||||
| 33414 | George B. | Wilson | Fragment | 1964 | fixed media, akusmatisch | 2:09 | Stereo | Uni Ann Arbor | 0 | ||||||||||
| 17793 | Gordon | Wilson | Inchoate Study | 1962 | fixed media, akusmatisch | 3:00 | Mono | EMS UIUC | 0 | ||||||||||
| 34663 | Jonathan | Wilson | Rotations II. 720 | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 39932 | Jonathan | Wilson | Rotations III. 1080 | 2016 | fixed media, akusmatisch | Jonathan Wilson | 0 | ||||||||||||
| 38015 | Olly | Wilson | Cetus | 1967 | fixed media, akusmatisch | 9:15 | Turnabout 34301/ | winners of the First International Electronic Music Competition - Dartmouth College, 1968 | 0 | ||||||||||
| 36593 | Olly | Wilson | Piano Piece | 1969 | Zuspiel / Tonband, 1 perf | prep p [Piano] | Thomas Fosnocht, piano | Centaur CRC 2938, CDCM Vol. 37/ | Oberlin Col | 0 | |||||||||
| 33541 | Paul | Wilson | Air | 1996 | Zuspiel, live-elec, 1 perf | trbn, (com) [Posaune] | 0 | ||||||||||||
| 33529 | Paul | Wilson | Audley’s Light | 2010 | live-elec, 1 perf | a-fl, (com) [Flöte] | 0 | ||||||||||||
| 33528 | Paul | Wilson | Audley’s Window | 2011 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 33533 | Paul | Wilson | Beneath the Surface | 2007 | live-elec, 2 perf | fl, cl, (com) [Flöte, Klarinette] | 0 | ||||||||||||
| 33526 | Paul | Wilson | Brass in Botanic | 2012 | Klangkunst, Installation | the Belfast Sound Walks | 0 | ||||||||||||
| 33525 | Paul | Wilson | Dark Mission | 2013 | live-elec, 1 perf | b-cl, (com) [Klarinette] | 0 | ||||||||||||
| 26156 | Paul | Wilson | Four Memories | 2006 | live-elec, 4 perf | Stereo | str-qt [Streicher] | smith quartet | CMC CD 07 Contemporary Music from Ireland Vol 7/ | SARC Belfast | SARC | 1 | |||||||
| 24302 | Paul | Wilson | Genesis | 1998 | fixed media, akusmatisch | 13:16 | Stereo | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | |||||||||
| 33527 | Paul | Wilson | It Had to Be You | 2012 | live-elec, 1 perf | cl, (com) [Klarinette] | 0 | ||||||||||||
| 26970 | Paul | Wilson | Osin's Fall | 2005 | live-elec, 1 perf | p, (elec) [Piano] | SARC Belfast | 0 | |||||||||||
| 33540 | Paul | Wilson | Prometheus | 1999 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 33539 | Paul | Wilson | Spiritus | 2000 | live-elec, 1 perf | 12 | Stereo | S, (com) [Sopran] | Russolo Pratella EF.ER.P 02/ | Prize Russolo Varese 2002 | 0 | ||||||||
| 33537 | Paul | Wilson | System Failure | 2002 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 33531 | Paul | Wilson | The Tunning Machine | 2008 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 26106 | Paul | Wilson | Through the Rain | 2006 | fixed media, akusmatisch | 12:00 | Octo | ed. rz 10016 Inventionen 2005&06/ | SARC Belfast | 26.5.2006 | Inventionen Villa Elisabeth Berlin | 1 | 2006 | http://www.timbralmusic.com/ | |||||
| 33532 | Paul | Wilson | Trapped in Ice | 2007 | live-elec, 1 perf | vn, (com) [Violine] | 0 | ||||||||||||
| 33524 | Paul | Wilson | U.F.O. | 2015 | live-elec, 1 perf | pic-fl [Flöte] | 0 | ||||||||||||
| 33536 | Paul | Wilson | Without Words | 2003 | live-elec, 1 perf | mar, (com) [Schlagzeug] | 0 | ||||||||||||
| 33530 | Paul, Michael, P. | Wilson, Alcorn, Rebelo | Royal Victoria Hospital | 2009 | Klangkunst, Installation | Belfast (installation with M. Alcorn and P. Rebelo) | 0 | ||||||||||||
| 33538 | Paul, Barbara | Wilson, Freeman | As is When | 2001 | Klangkunst, Installation | installation with Artist, Barbara Freeman | 0 | ||||||||||||
| 33534 | Paul, Barbara | Wilson, Freeman | The Banks of The Bann | 2005 | Klangkunst, Installation | installation with Artist, Barbara Freeman | 0 | ||||||||||||
| 33535 | Paul, Barbara | Wilson, Freeman | Time Frames | 2004 | Klangkunst, Installation | installation with Artist, Barbara Freeman | 0 | ||||||||||||
| 35197 | Robert | Wilson | The tower of Babel | 2016 | radiophon | 71 | Stereo | ARD, BBC | ARD Hörspielpreis 2016 | 0 | |||||||||
| 28539 | Scott | Wilson | Böse | 2010 | fixed media, akusmatisch | 9:30 | 44 Tracks | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | BEAST | 31.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | http://soundcloud.com/shelly-knotts | |||||
| 36251 | Scott | Wilson | On the Impossibility of Reflection | 2011 | live-elec, 1 perf | 10:18:00 | p [Piano] | innova 874/ | Canada Council for the Arts | 0 | |||||||||
| 17794 | Gerhard | Wimberger | Automatic generation of Cantus Firmus in the style of Palestrina | computer generated score | Fortran-Programm | SEM Salzburg | 0 | ||||||||||||
| 17795 | Gerhard | Wimberger | Automatic generation of twelve-tone all interval series | computer generated score | Fortran-Programm | SEM Salzburg | 0 | ||||||||||||
| 26107 | Tonya | Wimmer | Scotian Shelf 1 & 2 | 2001 | Klangkunst, Installation | 4:01 | seismic survey, dolphins | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 17796 | Chris | Wind | crystalsphere | 1985 | fixed media, akusmatisch | 2:48 | Stereo | Part III of “triptych” | PS C. | 0 | |||||||||
| 17797 | Chris | Wind | dreaming of kaleidoscopes | fixed media, akusmatisch | 2:00 | Stereo | 0 | ||||||||||||
| 17798 | Chris | Wind | Electronic Pieces No 1 | 1984 | fixed media, akusmatisch | 3:26 | Stereo | Con Toronto | 0 | ||||||||||
| 17799 | Chris | Wind | Electronic Pieces No 2 | 1986 | fixed media, akusmatisch | 2:51 | Stereo | PS C. | 0 | ||||||||||
| 17800 | Chris | Wind | fernmist | 1985 | fixed media, akusmatisch | 4:33 | Stereo | PS C. | 0 | ||||||||||
| 17801 | Chris | Wind | I am Eve | 1984 | Zuspiel, live-elec, | 6:06 | Stereo | PS C. | 0 | ||||||||||
| 17802 | Chris | Wind | My brother | 1987 | fixed media, akusmatisch | 4:25 | Stereo | PS C. | 0 | ||||||||||
| 17803 | Chris | Wind | Nuclear Waste, the blast the heat the radiation |
fixed media, akusmatisch | 7:28 | Stereo | 0 | ||||||||||||
| 17804 | Chris | Wind | Paintings (1) | 1987 | fixed media, akusmatisch | 5:47 | Stereo | PS C. | 0 | ||||||||||
| 17805 | Chris | Wind | Pieces for piano, op 1 | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 17806 | Chris | Wind | Prelude 1 | fixed media, akusmatisch | 2:30 | Stereo | 0 | ||||||||||||
| 17807 | Chris | Wind | rerun | fixed media, akusmatisch | 1:21 | Stereo | 0 | ||||||||||||
| 17808 | Chris | Wind | Rocks | 1988 | fixed media, akusmatisch | 20:10 | Stereo | 0 | |||||||||||
| 17809 | Chris | Wind | … so beautiful it hurts... (The Beauty of Pain) | 1985 | Zuspiel / Tonband, 1 perf | 1:40 | Stereo | V [Stimme] | PS C. | 0 | |||||||||
| 17810 | Chris | Wind | Solo for Flute (3) | 1984 | fixed media, akusmatisch | 2:44 | Stereo | PS C. | 0 | ||||||||||
| 17811 | Chris | Wind | Some Enchanted Evening | fixed media, akusmatisch | 3:02 | Stereo | 0 | ||||||||||||
| 17812 | Chris | Wind | swirlstorm | 1985 | fixed media, akusmatisch | 3:40 | Stereo | Part II of “triptych” | PS C. | 0 | |||||||||
| 21619 | Chris | Wind | to be led | 1993 | fixed media, akusmatisch | 0:37 | CEC Presence 2/ | 1 | |||||||||||
| 17813 | Chris | Wind | Trees | 1988 | fixed media, akusmatisch | 19:01 | Stereo | 0 | |||||||||||
| 43129 | Jana | WINDEREN | Energy Field | 2011 | Klangkunst, Installation | Touch TO 73/ | Auszeichnung ars electronica: Golden Nica 2011 | 0 | |||||||||||
| 38672 | Jana | WINDEREN | Out of Range | 2014 | radiophon | 39:57:00 | 0 | ||||||||||||
| 31572 | Ekkehard | Windrich | BEA5 Compendium | 2012/2013 | fixed media, akusmatisch | ≈ 8 | 5 tracks | next_generation 5.0, excerpt | Sonology Den Haag | 0 | |||||||||
| 17814 | Philip | Windsor | Sound study No. 2 | 1963 | fixed media, akusmatisch | 10:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 19189 | Mark | Wingate | Klang, Kar und Melodie | 1996 | fixed media, akusmatisch | 7:30 | LDC 278060/61 Cultures Electroniques 9/ Prix ars electronica 97/ | PS | Auszeichnung ars electronica honorary mention 1997 | 1 | |||||||||
| 17815 | Mark | Wingate | La Nuit Sauvage | 1993 | fixed media, akusmatisch | 8:30 | Stereo | EMS Stockholm | Competition Musica Nova Prag 1994 | 0 | |||||||||
| 17816 | Mark | Wingate | Ode to the South-Facing Form | 1992 | fixed media, akusmatisch | 10:14 | Centaur CRC 2245, CDCM Vol. 20/ FYCD 1014/ | Uni of Texas at Austin | 1 | ||||||||||
| 32927 | Mark | Wingate | Pufferfish | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 17817 | Mark | Wingate | Savage Night | 1994 | fixed media, akusmatisch | 8:20 | 1 | ||||||||||||
| 17818 | Mark | Wingate | Sombras | live-elec, 1 perf | p, (dig effects) [Piano] | 0 | |||||||||||||
| 17819 | Mark | Wingate | Spirit of Prophecy | live-elec, 1 perf | fl, (dig effects) [Flöte] | 0 | |||||||||||||
| 17820 | John | Winiarz | A Little Suite | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17821 | John | Winiarz | Four Fragments and Epilogue | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17822 | John | Winiarz | Jack in a (Music) box | 1995 | Zuspiel / Tonband, 1 perf | 2:55 | acc [Akkordeon] | CEC DISContact_2/ | 0 | ||||||||||
| 17823 | John | Winiarz | Metamorphosis III | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17824 | John | Winiarz | Night Flower | 1984 | Zuspiel / Tonband, 2 perf | Stereo | fl, gui [Flöte, Gitarre] | 0 | |||||||||||
| 17825 | John | Winiarz | Prelude and Ode to the Critics | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17826 | John | Winiarz | Rays | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17827 | John | Winiarz | Selections | 1982 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17828 | John | Winiarz | Specks | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 17829 | Stefan | Winiger | In space no one can hear you scream | 1987 | fixed media, akusmatisch | 8:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 17832 | Gerhard | Winkler | Heimwärts | 1989 | live-elec, 2 perf | 19:55 | 2 mus (Hackbrett, Zither) [Musiker] | WW 90021/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 23058 | Gerhard | Winkler | Tropen zu Heimwärts | 1992 | Zuspiel / Tonband, 3 perf | 2 ins (zither, Hackbrett), gui [Gitarre, Instrument] | WDR SEM | WDR 1991 | 0 | ||||||||||
| 37572 | Gerhard E. | Winkler | Aussenhäute - gekrümmt | 1989 | live-elec, 4 perf | 9:00:00 | es-cl, bar-sax, vn, vc, (Live-electronic) [Klarinette, Saxophon, Cello, Violine] | 0 | |||||||||||
| 37571 | Gerhard E. | Winkler | Black Mirrors III, Phantasie Stück | 2013 | live-elec, 1 perf | cl [Klarinette] | 29.9.2017 | musica-viva München, Jörg Widman (cl) | 0 | ||||||||||
| 37575 | Gerhard E. | Winkler | Dünungen | 1994 | live-elec, 13 perf | 12:00:00 | fl, ob, cl, sx, tpt, trbn, tuba, p, mar, vn, va, vc, db, (live-elektronische Klangumformung) [Flöte, Klarinette, Oboe, Trompete, Posaune, Tuba, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 37574 | Gerhard E. | Winkler | emergent | 1993 | live-elec, 14 perf | 20:00:00 | 13 ins, com-con synt, (live-elektronische Klangumformung) [Instrument, synthesizer] | 0 | |||||||||||
| 37577 | Gerhard E. | Winkler | entrop, Interaktive Trilogie Teil III | 1994 - 1998 | live-elec, 2 perf | 7:00:00 | Quadro | fem V, ehn, (rea-time-scores, interaktive live-electronic, vor - und wieder-aufgenommene vierkanalige Soundfiles) [Stimme, Oboe] | 0 | ||||||||||
| 37573 | Gerhard E. | Winkler | Heimwärts (in memoriam Thomas Bernhard), Version a | 1989 | live-elec, 2 perf | 20:00:00 | 2 gui (Zither, Hackbrett), (live-elektronische Klangumformung) [Gitarre] | 0 | |||||||||||
| 37585 | Gerhard E. | Winkler | Hybride, Hybrid I . VIII | 1991 - 2010 | live-elec, 2 perf | ins or V, elec (Real-Time-Score und interaktive Live-Elektronik) [Stimme, Instrument, elektronik] | 0 | ||||||||||||
| 37584 | Gerhard E. | Winkler | Les Arbres, Les Arbres I - VII | 1989 - 2017 | live-elec, 1 group | ens, (interactive live-electronic) [Ensemble] | 0 | ||||||||||||
| 37576 | Gerhard E. | Winkler | Les chambres séparées, Interaktive Trilogie Teil I | 1994/1995 | live-elec, 3 perf | 21:00:00 | sax, p, perc, (real-time-scores, Licht - Farb-Steuerung, interaktive Live-Elektronik) [Saxophon, Piano, Schlagzeug] | 0 | |||||||||||
| 37582 | Gerhard E. | Winkler | Terra incognita | 2004 | live-elec, 8 perf | 40:00:00 | 7 perf, fem V, (real-time-scores, Videoprojektion, interaktive Interfaces, Publikum, Räume, Live-electronic) [Stimme, Performer] | Konzert - Installation | 0 | ||||||||||
| 37579 | Gerhard E. | Winkler | Tubuli | 1999/2002 | live-elec, 6 perf | 12:00:00 | w-qnt, (interaktive Klangsynthese), synt (SY99) [synthesizer, Bläser] | Morphe | 0 | ||||||||||
| 37580 | Gerhard E. | Winkler | Twins, Les arbres V.a | 2001/2002 | live-elec, 2 perf | 14:00:00 | gui (arabische Ud), e-vn, (real-time-scores, interaktive live-electronic) [Gitarre, Violine] | 0 | |||||||||||
| 37581 | Gerhard E. | Winkler | Twins’n’Towers, Les arbres V.b | 2001/2003 | live-elec, 2 perf, 1 group | 35:00:00 | gui (arabische Ud), e-vn, ens, (real-time-Scores, interaktive Live-electronic) [Gitarre, Violine, Ensemble] | 0 | |||||||||||
| 37578 | Gerhard E. | Winkler | Um - | Mit | - Welten, Les Arbres IVb | 1996 | live-elec, 3 perf | 60:00:00 | sax, p, perc, (realtime-scores, Räume, live-electronic) [Saxophon, Piano, Schlagzeug] | ein interaktives Environment | 0 | ||||||||||
| 37583 | Gerhard E. | Winkler | Vestiges | 1997/1998 | audiovisuell, live-elec, | eine interaktive Klang- /Video-Installation | 0 | ||||||||||||
| 18999 | Justin | Winkler | Bergtalrauschen | 1992 | Klangkunst, Installation | 9:00 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 17833 | Peter | Winkler | Agamemnon | 1966 | Theatermusik | 15:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 34160 | Stephan | Winkler | Überraschung | 2015 | Film, live-elec, 7 perf | 7 ins [Instrument] | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/donaueschinger-musiktage-2015-programm-06/-/id=2136962/did=15652820/nid=2136962/mkps9x/index.html | |||||||||||
| 33001 | Stephan | Winkler | vom durst nach dasein | 2005 | live-elec, | 16:56 | WER 6556/ | 1 | |||||||||||
| 33002 | Stephan | Winkler | zigzag, zigzag: pi mal r quadrat | 1999 | audiovisuell | 19:53 | WER 6556/ | 1 | |||||||||||
| 17834 | Todd | Winkler | Follow Play | 1992 | live-elec, 2 perf | e-bass, e-perc [Gitarre, Schlagzeug] | CCRMA | 0 | |||||||||||
| 17835 | Todd | Winkler | Looking Into a Face, 5 songs | 1988 | fixed media, akusmatisch | live-elec, 2 perf |
17:00 | S, synt (3 Yamaha TX 802, 1 Yamaha REV7) [Sopran, synthesizer] | CCRMA | 0 | ||||||||||
| 17836 | Todd | Winkler | Snake Charmer | 1992 | live-elec, 1 perf | cl [Klarinette] | CCRMA | 0 | |||||||||||
| 17837 | Todd | Winkler | Stomping the Ground | 1992 | live-elec, 1 perf | MIDI-perc [Schlagzeug] | CCRMA | 0 | |||||||||||
| 17838 | Todd | Winkler | Three Oboes | 1989 | live-elec, 2 perf | 10:30 | ob, synt (1 Yamaha DMP11, 1 Yamaha Rev7, 2 Yamaha TX802) [Oboe, synthesizer] | CCRMA | 0 | ||||||||||
| 36719 | Belia | Winnewisser | alUFOol | 2013 | audiovisuell | 7 | Quadro | Licht-Klang-Komposition / Lichtskulptur | 0 | http://www.extended-compositions.de/wordpress/?page_id=337&lang=en_US | |||||||||
| 22973 | Phil | Winsor | Anamorphoses | 1990 | Zuspiel / Tonband, 1 perf, 1 group | 12:40 | br-ens (tpt-ens) [Bläser] | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | |||||||||
| 17839 | Phil | Winsor | Dulcimer Dream | 1988 | live-elec, 1 perf | 6:02 | Stereo | amp p [Piano] | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | 1 | ||||||||
| 20982 | Phil | Winsor | Il Passaggio Spaziale | 1991 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | p [Piano] | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | ||||||||
| 17840 | Philip | Winsor | Sound Study I | 1961 | fixed media, akusmatisch | 6:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 17841 | Philip | Winsor | Sound Study III | 1966 | fixed media, akusmatisch | 15:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 17842 | Finch | Winter | Counting | fixed media, akusmatisch | Uni Cardiff | 0 | |||||||||||||
| 17843 | Finch | Winter | Rock and Roll | fixed media, akusmatisch | Uni Cardiff | 0 | |||||||||||||
| 17844 | Keith | Winter | Act without Words | fixed media, akusmatisch | Uni Cardiff | 0 | |||||||||||||
| 17845 | Keith | Winter | The Sinking of the Titanic | 1972 | Theatermusik | Uni Cardiff | 0 | ||||||||||||
| 17846 | Keith | Winter | Time Flowers | Zuspiel / Tonband, 1 perf, 1 group | jazz-mus, orc [Musiker, Orchester] | Uni Cardiff | 0 | ||||||||||||
| 17847 | Niels | Winther | Kranballet | 1989 | live-elec, 1 perf | intermedia |
15:00 | Stereo | P (amp objects) [Piano] | Cranes & Ships | DIEM Aarhus | 0 | ||||||||
| 23097 | Terje | Winther | BE | fixed media, akusmatisch | 14:27 | ACD 5018 Aurora/ | NOTAM | 1 | |||||||||||
| 17848 | Terje | Winther | Blekkhuset | 1986 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 17849 | Terje | Winther | Bor | 1991 | live-elec, 2 perf | ob, p, [Oboe, Piano] | NOTAM | 0 | |||||||||||
| 17850 | Terje | Winther | Bzz... | 1986 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 17851 | Terje | Winther | Femin | 1986 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 17852 | Terje | Winther | Impact - Crater | 1990 | Zuspiel, live-elec, 2 perf | ob, synt [Oboe, synthesizer] | NOTAM | 0 | |||||||||||
| 17853 | Terje | Winther | Messias | 1984 | Zuspiel / Tonband, 14 perf, 1 group | S, Bar, ch, 4 cl, 3 tpt, hn, b-trbn, balalaika, hp, perc [Sopran, Bariton, Klarinette, Horn, Trompete, Posaune, Gitarre, Harfe, Schlagzeug, Chor] | NOTAM | 0 | |||||||||||
| 17854 | Terje | Winther | Pre ... | 1986 | Zuspiel / Tonband, 8 perf | 25:00 | fl, cl, tpt, 2 perc, synt, va, vc [Flöte, Klarinette, Trompete, Schlagzeug, Viola, Cello, synthesizer] | NOTAM | 0 | ||||||||||
| 17855 | Terje | Winther | Respiral | 1985 | Zuspiel / Tonband, 6 perf | 24:00 | 2 cl, b-cl, tpt, hn, perc [Klarinette, Horn, Trompete, Schlagzeug] | NOTAM | 0 | ||||||||||
| 27419 | Bruce | Wise | Music for Three | 1963 | Zuspiel / Tonband, 2 perf | 29:30 | 2 p [Piano] | 2/26/64; R. Ashley & G. Mumma (p) | NWR 80567 „Music from the Once Festival“/ | 1 | http://www.newworldrecords.org/album.cgi?rm=view&album_id=80567 | ||||||||
| 17856 | James | Wishart | Angelsong | 1990 | Zuspiel / Tonband, 5 perf | 10:00 | Stereo | Mez, 4 fl [Mezzo, Flöte] | (doubling of pic-fl; a-fl; b-fl) | Coll Liverpool | 0 | ||||||||
| 17857 | James | Wishart | Elise's Song | 1983 | Zuspiel / Tonband, 1 perf | 17:00-19:00 | Stereo | p [Piano] | Coll Liverpool | 0 | |||||||||
| 17858 | James | Wishart | Oran Canaigh (Canna Song) | 1990 | live-elec, 2 perf | 10:00 | Stereo | 2 b-cl or cl [Klarinette] | Coll Liverpool | 0 | |||||||||
| 22751 | Trevor | Wishart | American Triptych | 1999 | fixed media, akusmatisch | 15:00 | EMF CD 029/ | PS | French Government for GRM | 01.2008 | Maison de Radio-France, Paris, Cycle acousmatique | 1 | http://www.trevorwishart.co.uk | ||||||
| 26108 | Trevor | Wishart | Angel | 2006 | fixed media, akusmatisch | 10:45 | with the voice of Mary Smith | OTP/ Organised Sound Vol 13/3/ | PS | Deep Wireless Festival Toronto | 1 | http://www.trevorwishart.co.uk | |||||||
| 17859 | Trevor | Wishart | Anna's magic garden | 1983 | fixed media, akusmatisch | 9:00 | AVTR 001/ EMF CD 029/ | UCSJ, Uni of Texas at Austin | 1 | http://www.trevorwishart.co.uk | |||||||||
| 17860 | Trevor | Wishart | Anticredos | 1980 | live-elec, 6 perf | 20:00 | 6 amp V [Stimme] | These Records London/ EMF CD 022/ OCT 001, October Music/ | UE | 1 | http://www.trevorwishart.co.uk | ||||||||
| 20933 | Trevor | Wishart | Aqualung | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 20934 | Trevor | Wishart | Ark | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 36301 | Trevor | Wishart | Audible Design | 1994 | Lehre & Forschung | OTP 002/ | 1 | ||||||||||||
| 20935 | Trevor | Wishart | Beach Singularity | 1977 | Zuspiel / Tonband, 2 perf | Stereo | V, ins [Stimme, Instrument] | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | |||||||||
| 22217 | Trevor | Wishart | Blue Tulips | 1992 | fixed media, akusmatisch | 2:50 | Stück über Träume alter Menschen (es gibt noch ein zweites) | EMF CD 029/ | PS | 1 | http://www.trevorwishart.co.uk | ||||||||
| 40358 | Trevor | Wishart | Dithyramb - Kepler 63c, The Secret Resonance of Things | 2014 | fixed media, akusmatisch | 10:47 | Stereo, Octo | suite of pieces celebrating, in musical form, our scientific understanding of the world | CMJ Vol 45, 2018/ | 0 | |||||||||
| 20936 | Trevor | Wishart | Dreamer | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 28305 | Trevor | Wishart | Encounters in the Republic of Heaven, Act 1 - 4 | 2006 - 2011 | fixed media, akusmatisch | 75:00 | Octo | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | PS C. | 31.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System, Act 1 | 1 | 2010 | http://www.trevorwishart.co.uk | |||||
| 26109 | Trevor | Wishart | Fabulous Paris | 2006 | fixed media, akusmatisch | 23:49 | With the Voices of Neil Armstrong, Pres. Kennedy, Adolf Hitler and other | OTP/ Organised Sound Vol 13/3/ | PS | SR & Rumours Festival | 1 | http://www.trevorwishart.co.uk | |||||||
| 20937 | Trevor | Wishart | Feeder | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 17861 | Trevor | Wishart | Fidelio | 1977 | intermedia, live-elec, 2 perf | 12:00 | fl, (6 CTRs, 6 suitcases,) mime [Flöte, Schauspieler] | Uni York | UE | 0 | http://www.trevorwishart.co.uk | ||||||||
| 24507 | Trevor | Wishart | Globalalia | 2004 | fixed media, akusmatisch | 29:00 | Stereo | EMF DVD 054/ Organised Sound Vol 13/3/ OTP 006/ | PS C. | Folkmar Hein | 2004 | Inventionen Berlin | 1 | 2004 | http://www.trevorwishart.co.uk | ||||
| 23394 | Trevor | Wishart | Imago, ".. the universe in a grain of sand.." | 2002 | fixed media, akusmatisch | 25:38 | für Jonty Harrisons 50sten Geburtstag; Methamorphosen | EMF 053/ | PS | AHRB Fellowship | 1 | http://www.trevorwishart.co.uk | |||||||
| 17862 | Trevor | Wishart | Journey into space | 1973 | Lehre & Forschung | 80:00 | Documentation | Uni York | 0 | http://www.trevorwishart.co.uk | |||||||||
| 17863 | Trevor | Wishart | MACHINE, an electronically-preserved dream | 1971 | fixed media, akusmatisch | 60:00 | Stereo | Documentation. 3 parts | YES, 2-4/ | Uni York | 0 | http://www.trevorwishart.co.uk | |||||||
| 26110 | Trevor | Wishart | Memories of Madrid | 2004 | fixed media, akusmatisch | Klangkunst, Installation |
7:00 | Part of the Project „Itinerarios del Sonido“ in Madrid 2004 (Bushaltestellen) | CMJ Vol 45, 2018/ | PS C. | 1 | http://www.trevorwishart.co.uk | ||||||||
| 17864 | Trevor | Wishart | Menagerie | 1976 | Zuspiel / Tonband, | 20:00 | Stereo | (assemblages) [] | These Records London PD 03/ | Uni York | 0 | http://www.trevorwishart.co.uk | |||||||
| 20938 | Trevor | Wishart | Musical Box | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 36300 | Trevor | Wishart | On Sonic Art | 1996 | Lehre & Forschung | ISBN 3-7186-5848-8 | hap 3-7186-5848-8/ ISBN 3-7186-5847-X/ ISBN 3-7186-5848-8/ | 0 | https://www.discogs.com/de/Trevor-Wishart-On-Sonic-Art/release/7621013 | ||||||||||
| 17865 | Trevor | Wishart | Pastorale | 1978 | Zuspiel / Tonband, 2 perf | Stereo | fl, tuba [Flöte, Tuba] | UE | 0 | http://www.trevorwishart.co.uk | |||||||||
| 17866 | Trevor | Wishart | Red Bird (A political prisoner's dream) | 1973/1977 | radiophon | 45:12 | Stereo | Documentation | These Records London/ YES 7 York Electronic Studios/ OCT 001, October Music/ EMF CD 022/ SRV 383 sub rosa/ LDC 278081 Cultures électroniques 19 2006/ | Uni York EMC | 0 | http://www.trevorwishart.co.uk | |||||||
| 20939 | Trevor | Wishart | Sardine Candle | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 40357 | Trevor | Wishart | Signatures of Chaos, The Secret Resonance of Things | 2013 | fixed media, akusmatisch | 7:23 | Stereo, Octo | suite of pieces celebrating, in musical form, our scientific understanding of the world | 0 | ||||||||||
| 36302 | Trevor | Wishart | Sound Composition | 2012 | Lehre & Forschung | … is a collection of writings with accompanying sound examples detailing the composition of musical works where the organisation of the sounds themselves is of primary importance. The book is based on various illustrative lectures originally presented by the author on the completion of particular compositional projects. Its focus is on the musical structuring of the works. (For more details of the technical processes involved, see Audible Design, and for a discussion of the philosophical framework in which these compositions were created, see On Sonic Art - both by the same author). | OTP book/ | 0 | |||||||||||
| 20940 | Trevor | Wishart | Spam Guitar | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 20941 | Trevor | Wishart | Still Life | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 40356 | Trevor | Wishart | Supernova, The Secret Resonance of Things | 2011 - 2012 | fixed media, akusmatisch | 9:17 | Stereo, Octo | suite of pieces celebrating, in musical form, our scientific understanding of the world | 0 | ||||||||||
| 23334 | Trevor | Wishart | The division of Labour | 2001 | fixed media, akusmatisch | 18:09 | 15 variations on a theme of Adam Smith | daad 206-1 ISBN 3-89727-313-6 Pfau/ Organised Sound Vol 13/3/ OTP/ | PS C. | 1 | http://www.trevorwishart.co.uk | ||||||||
| 39045 | Trevor | Wishart | The Secret Resonance of Things, Supernova Signatures of Chaos Dithyramb - Kepler 62e |
2014 | fixed media, akusmatisch | 27:40 | Stereo, Octo | suite of pieces celebrating, in musical form, our scientific understanding of the world | 0 | ||||||||||
| 17867 | Trevor | Wishart | Tongues of Fire | 1994 | fixed media, akusmatisch | 20:00 | Stereo | OTP 001/ CMJ Vol 24-4, 2000/ | PS C., IMEB Bourges | Prix ars electronica: Golden Nica 1995 | 1 | http://www.trevorwishart.co.uk | |||||||
| 17868 | Trevor | Wishart | Tuba Mirum | 1979 | Zuspiel / Tonband, 4 perf | Quadro | tuba, 3 mime [Tuba, Schauspieler] | UE | 0 | http://www.trevorwishart.co.uk | |||||||||
| 20288 | Trevor | Wishart | Two Women - Four Voiceprints, Siren Facets Stentor Angelus |
1998 | fixed media, akusmatisch | 14:08 | Stereo | ed. rz 10009/10 Inventionen 98/ EMF CD 029/ | PS C. | Festival Inventionen DAAD/TU 98 | 26.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | http://www.trevorwishart.co.uk | ||||
| 20942 | Trevor | Wishart | Visions | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 37467 | Trevor | Wishart | Vocalise | 1993 | live-elec, 1 perf | 9:30 | V [Stimme] | improvisation recorded in May, 1993 at the Sound Poetry Festival, Stockholm, Sweden. This recording has been made available to the publisher courtesy of the Swedish Broadcasting Corporation. | ISAST LMJ 3/ | SR Stockholm | 0 | ||||||||
| 17873 | Trevor | Wishart | Vox 5, la voix de shiva | 1986 | fixed media, akusmatisch | 6:06 | Stereo, Quadro | WER 2024-50, Computer Music Currents 4/ Virgin VC 7 91108/ WER 3024-2 NZ 5/1996 "Strom!"/ OTP 004/ CMJ Vol 30-4, 2006/ | IRCAM | IRCAM | Auszeichnung ars electronica 1988 | 1 | 2008 | http://www.trevorwishart.co.uk | |||||
| 17869 | Trevor | Wishart | Vox-1 | 1982 | Zuspiel, live-elec, 4 perf | 7:00 | 4 amp V [Stimme] | Virgin VC 7 91108/ OTP 004/ | Uni York | UE | 0 | http://www.trevorwishart.co.uk | |||||||
| 17870 | Trevor | Wishart | Vox-2 | 1984 | Zuspiel, live-elec, 4 perf | 13:00 | 4 amp V [Stimme] | Virgin VC 7 91108/ OTP 004/ | Uni York | UE | 0 | http://www.trevorwishart.co.uk | |||||||
| 17871 | Trevor | Wishart | Vox-3 | 1987 | live-elec, 1 perf, 1 group | Vs (sync-tracks) [Stimme] | Virgin VC 7 91108/ OTP 004/ | Uni York | 0 | http://www.trevorwishart.co.uk | |||||||||
| 17872 | Trevor | Wishart | Vox-4 | 1987 | Zuspiel, live-elec, 4 perf | 17:00 | 4 amp V [Stimme] | Virgin VC 7 91108/ OTP 004/ | Uni York | UE | 0 | http://www.trevorwishart.co.uk | |||||||
| 17874 | Trevor | Wishart | Vox-6 | 1988 | Zuspiel / Tonband, 4 perf | 13:21 | 4 V [Stimme] | CDP-ATARI | Virgin VC 7 91108/ OTP 004/ | BBC | 0 | http://www.trevorwishart.co.uk | |||||||
| 20943 | Trevor | Wishart | Window Box | 1974 | Hintergrundmusik | Stereo | PD 03 Paradigm/ | 0 | http://www.trevorwishart.co.uk | ||||||||||
| 43111 | Haimo | Wisser | Cordulas Schnu | 1987 | fixed media, akusmatisch | Auszeichnung ars electronica | 0 | ||||||||||||
| 17875 | Friedbert | Wissmann | Besinnung | 1984 | live-elec, 2 perf | 12:00 | Kbd, p [Piano, Keyboard] | 1.11.1984 | Dresden, Konzert experimenteller elektronischer Musik | 0 | |||||||||
| 17876 | Friedbert | Wissmann | Blitzdonnerschock - ein Stock | 1981 | live-elec, 1 perf, 1 group | Kbd, chamber-orc [Keyboard, Orchester] | 0 | ||||||||||||
| 17877 | Friedbert | Wissmann | Daß wir herauskommen | 1986 | live-elec, 4 perf | 11:00 | Stereo | 2 Kbd, S, perc [Sopran, Keyboard, Schlagzeug] | text after Pablo Neruda | Nov. 1985 | Dresden, Konzert experimenteller elektronischer Musik | 0 | |||||||
| 17878 | Friedbert | Wissmann | Evasion 2 | 1986 | live-elec, 2 perf | synt, perc [Schlagzeug, synthesizer] | MIDI | 0 | |||||||||||
| 17879 | Friedbert | Wissmann | Evolution | 1985 | live-elec, 1 perf | synt [synthesizer] | MIDI | 0 | |||||||||||
| 17880 | Friedbert | Wissmann | Intermezzo | 1987 | Tanz, live-elec, 2 perf | 10:00 | Stereo | sam, dancer [computer, Tanz] | HfM Dresden, IMEB Bourges | 5.10.1987 | Dresden, Konzert „Summation“ zu den ersten Dresdner Tage der zeitgenössischen Musik. Solotänzer: Hannes-Detlef Vogel, Romy Liebig | 0 | |||||||
| 17881 | Friedbert | Wissmann | Introduction, Introduktion | 1989 | live-elec, 1 perf | 12:00 | Stereo | synt, (com) [synthesizer] | MIDI | HfM Dresden | 21.5.1989 | Berlin, Konzert 2. Werkstatt EM | 0 | ||||||
| 28126 | Friedbert | Wissmann | Lear | 1989 | Oper, live-elec, | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Tanztheater / Motive Weltliteratur/ | 0 | ||||||||||||
| 17888 | Zbigniew | Wiszniewski | 3 postludia electrone, Three Electronic Postludes Trzy Postluda Elektroniczne 3 Postludes electroniques |
1962 | fixed media, akusmatisch | 3:00 | Mono | ExpSt Warsaw | 1 | ||||||||||
| 17882 | Zbigniew | Wiszniewski | Bourlesque | 1963 | fixed media, akusmatisch | 1:40 | Mono | ExpSt Warsaw | 1 | ||||||||||
| 17883 | Zbigniew | Wiszniewski | dB, Hz, S | 1962 | fixed media, akusmatisch | 2:54 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 17884 | Zbigniew | Wiszniewski | Kilka minut | 1961 | radiophon | Mono | ExpSt Warsaw | 0 | |||||||||||
| 17885 | Zbigniew | Wiszniewski | Noc pelna zaksofonow, La nuit pleine de saxophones | 1961 | radiophon | Mono | ExpSt Warsaw | 0 | |||||||||||
| 17886 | Zbigniew | Wiszniewski | Orphée | 1958 | Fernsehen, | Mono | ExpSt Warsaw | 0 | |||||||||||
| 23046 | Zbigniew | Wiszniewski | Pater noster | 1973 | radiophon | Funkoper | WDR SEM | WDR 1976 | 8.3.1976 | 0 | http://www.wdr.de/radio/orchester/rundfunkchor/urauffuehrung/urauffuehrung_r-z/wiszniewski_zbigniew.html | ||||||||
| 17887 | Zbigniew | Wiszniewski | Szachy | 1962 | radiophon | 7:00 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 17889 | Zbigniew | Wiszniewski | Wielka gra w Elzenberg | 1962 | radiophon | 8:50 | Mono | ExpSt Warsaw | 0 | ||||||||||
| 17890 | Zbigniew | Wiszniewski | Wynalazek | 1960 | radiophon | Mono | ExpSt Warsaw | 0 | |||||||||||
| 17891 | Helen | Witherington | Sea Change | 1975 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 37535 | Mathias | Wittekopf | "…" | 1981 | Zuspiel/Tonband, 4 perf | audiovisuell |
0:55:00 | Octo | str-qt [Streicher] | Streichquartett, Diaprojektor, Tonband | ICEM Essen | 0 | ||||||||
| 37536 | Mathias | Wittekopf | ! Geh deinen Weg, Onomatopoesien Jogging Hitparade |
1979 | Theatermusik | ≈ 60 | Stereo | V [Stimme] | Sprache | ICEM Essen | 0 | ||||||||
| 37539 | Mathias | Wittekopf | Präludium 1 | 1983 | Zuspiel / Tonband, 1 perf | 6 | ins [Instrument] | Soloinstrument und Tape | ICEM Essen | 0 | |||||||||
| 31554 | Emmanuel | Wittersheim | Nichts. Existiert. | 2012/2013 | fixed media, akusmatisch | 11:30 | Quadro | next_generation 5.0 | ICEM Essen | 26.6.2013 | ZKM | 0 | |||||||
| 17892 | Róbert | Wittinger | Confusione (Omaggio a Roma), op. 30 | 1975 | Zuspiel / Tonband, 1 perf | 21:00 | org [Orgel] | EM ?? | 0 | ||||||||||
| 17893 | Róbert | Wittinger | Confusione op. 25 | 1973 | fixed media, akusmatisch | 17:50 | 0 | ||||||||||||
| 37218 | André | Wittmann | Ab jetzt! | 2017 | fixed media, akusmatisch | HfM Lübeck | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 23238 | Emmanuel | Witzthum | Lounge Poetry | 2002 | audiovisuell | 12:00 | Computeranimation by Holger Mayer and Marcel Schobel | TU Berlin | Festival Inventionen DAAD/TU 2002 | 6.7.2002 | Inventionen Parochialkirche Berlin | 1 | 2002 | ||||||
| 40944 | Emmanuel | Witzthum | songs of love and loss | 2018 | Performance, live-elec, 1 perf | 38:24 | va and V and elec [Stimme, Viola, elektronik] | eilean 56/ | 0 | ||||||||||
| 17894 | Jannis | Wlachopoulos | Permutationen | 1967 | fixed media, akusmatisch | 7:36 | Quadro | HfMT Köln | 0 | ||||||||||
| 17895 | Joanna | Wnuk-Nazar | PRECZ ? | 1980 | fixed media, akusmatisch | 7:35 | Quadro | SME Krakow | 0 | ||||||||||
| 36171 | Rolf | Wöhrmann | We know | 2000 | fixed media, akusmatisch | 7:12 | innova 118/ | 0 | |||||||||||
| 31872 | Michael | Wöstefeld | In the Kitchen | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 17896 | David van de | Woestijne | Les Céphalopodes | 1962 | Film | 5:00 | Mono | IPEM Gent | 0 | ||||||||||
| 17897 | David van de | Woestijne | Variations sur un poème de Faulkner | 1958 | fixed media, akusmatisch | 8:00 | Mono | INR Bruxelles | 0 | ||||||||||
| 17898 | Georg | Wötzer | Echos | 1990 | live-elec, 3 perf | ob, vn, p, (conductor) [Oboe, Piano, Violine] | HfM Stuttgart | 0 | |||||||||||
| 17899 | Georg | Wötzer | Nachtmusik | 1988 | fixed media, akusmatisch | HfM Stuttgart | 0 | ||||||||||||
| 34945 | Georg | Wötzer | The Attack | 2003 | live-elec, 2 perf | 6:42 | vn, p [Piano, Violine] | Resonanz 2008 der HfM Stuttgart/ | 0 | ||||||||||
| 17900 | Georg | Wötzer | Wir | 1989 | live-elec, 3 perf | S, 2 perc [Sopran, Schlagzeug] | HfM Stuttgart | 0 | |||||||||||
| 35007 | Daniel | Wohl | radiance | 2016 | live-elec, 4 perf | str-qt [Streicher] | SWR | 15.10.2016 | Donaueschinger Musiktage, Donauhallen, Calderquartett, IRCAM | 0 | |||||||||
| 17901 | Yehuda | Wohl | Atmosphère | 1970 | Zuspiel / Tonband, 1 perf | org [Orgel] | 0 | ||||||||||||
| 17902 | René | Wohlhauser | Lemuria | 1978 | live-elec, 2 perf | 16:00 | 2 fl [Flöte] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 31653 | René | Wohlhauser | Lemuria | 1978 | fixed media, akusmatisch | HSM Basel | 0 | ||||||||||||
| 17903 | René | Wohlhauser | Modulaltica | 1978 | live-elec, 2 perf | 15:00 | a-fl, synt [Flöte, synthesizer] | Synthi AKS | 0 | ||||||||||
| 20852 | Hartmut | Wohlleber | Rundungen, weißgesiebt | 1997 | fixed media, akusmatisch | 10:02 | Stereo, Quadro | SynLab | ICEM Essen | 0 | |||||||||
| 17904 | Erling | Wold | Crash | 1987 | fixed media, akusmatisch | 5:52 | Synclavier | ISAST LMJ 1/ | 1 | ||||||||||
| 17905 | Erling | Wold | Duncan's long day | fixed media, akusmatisch | 0 | ||||||||||||||
| 42682 | Krzysztof | Wolek | Arguro | 2009 | live-elec, 1 perf | 11 | fl [Flöte] | 0 | |||||||||||
| 42424 | Krzysztof | Wolek | Mobile Variations | 2007 | fixed media, akusmatisch | 8:23 | LDC 278082-83 Cultures électroniques 20/ | Prix Trivium et Magisterium 2007, 34th International Electroacoustic Music and Sonic Art Competitions - Bourges - 2007 | 0 | ||||||||||
| 33171 | Krzysztof | Wolek | Un claro del tiempo (Clearing of Time / Przeswit czasu), Part 1 Clamor (Dzwony zalobne) Part 2 Droopy Watches (Miekkie zegary) Part 3 Claro de reloj (Pause of the Clock / Przeswit zegara) |
2008 | live-elec, 3 perf | 11:27 | fl, S, p [Sopran, Flöte, Piano] | for flutes, soprano, piano and electronics to the poems of Federico Garda Lorca | WJ 2008 polmic 042/ | Tempo Reale Firenze | 20.9.2008 | Warsaw autumn | 0 | ||||||
| 17915 | Veronika | Wolf-Cohen | Bat David | 1981 | fixed media, akusmatisch | 5:41 | FTS 33878/ | Uni Jerusalem | 0 | ||||||||||
| 17906 | Bryan | Wolf | kon - zen - trik | 1989 | live-elec, 1 perf | mar [Schlagzeug] | HfM Stuttgart | 0 | |||||||||||
| 17907 | Bryan | Wolf | Plays of lights | 1991 | fixed media, akusmatisch | HfM Stuttgart | 0 | ||||||||||||
| 17908 | Bryan | Wolf | Process-ism (Hammertanz) | 1989 | fixed media, akusmatisch | HfM Stuttgart | 0 | ||||||||||||
| 42193 | Friedrich | Wolf | Sos... Rao rao...foyn ‘Krassin rettet Italia’ | 1929 | radiophon | Funk-Stunde Berlin (RRG) | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1438316&vi=1&SID | |||||||||||
| 17909 | Jaroslav J. | Wolf | Ataraxeia | 1970 | fixed media, akusmatisch | 7:00 | Praha VÚRT | 0 | |||||||||||
| 17910 | Jaroslav J. | Wolf | Configurazioni I | 1966 | fixed media, akusmatisch | Mono | Praha VÚRT | 0 | |||||||||||
| 17911 | Jaroslav J. | Wolf | Configurazioni II | 1966 | fixed media, akusmatisch | Stereo | Praha VÚRT | 0 | |||||||||||
| 41885 | Jaroslav J. | Wolf | Configurazioni III | 1967 | fixed media, akusmatisch | Stereo | Praha VÚRT | Competition Musica Nova Prag 1969 | 0 | ||||||||||
| 17912 | Jaroslav J. | Wolf | Configurazioni IV | 1966 | fixed media, akusmatisch | Stereo | Praha VÚRT | 0 | |||||||||||
| 17913 | Ror | Wolf | Der Ball ist rund | 1979 | radiophon | 14:42 | ed. rz 9001 LP/ | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1521624&vi=1&SID | ||||||||||
| 35201 | Ror | Wolf | Leben und Tod des Kornettisten Bix Beiderbecke aus Nord-Amerika | 1988 | radiophon | SWF | Hörspielpreis der Kriegsblinden 1988 | 0 | |||||||||||
| 17914 | Ror | Wolf | Schwierigkeiten beim Umschalten | 1978 | radiophon | 17:48 | ed. rz 9001 LP/ | 1 | |||||||||||
| 42753 | Kristina | Wolfe | Ineffably Poignant Future Pastness | 2013 | fixed media, akusmatisch | 6:40 | 0 | ||||||||||||
| 37471 | Christian | Wolff | Exercise 10 | 1974 | live-elec, 5 perf | 3:38 | e-gui, perc, p, trbn, vn [Posaune, Piano, Gitarre, Schlagzeug, Violine] | ISAST LMJ 7/ | 0 | ||||||||||
| 33553 | Christian | Wolff | For 1, 2, or 3 People | 1964 | Tanz, live-elec, 1 perf | ≈ 25 | org, (elec) [Orgel] | Organ [Baroque], Electronics [Live] – David Tudor Dance: Tread (1970) |
NWR 80712/ NWR 80737/ | Peters N.Y. | 1 | ||||||||
| 17916 | Christian | Wolff | For Magnetic Tape, For Magnetic Tape I | 1952/1953 | fixed media, akusmatisch | Tanz |
21:00 | Mono + Mono + Mono + Mono | 4 parts | NWR 80712/ ISAST LMJ 7/ | PS Barron NY | 1 | ||||||||
| 17917 | Christian | Wolff | Mayday Materials | 1989 | fixed media, akusmatisch | 17:40 | Stereo | Roland & Synclavier; Wolff's 1st Tape-piece since 1953 | Centaur CRC 2052, CDCM Vol. 6/ | Bregman Dartmouth | 1 | ||||||||
| 33570 | Christian | Wolff | Or 4 People | 1994 | Tanz, live-elec, 4 perf | 4 perf [Performer] | Computer [Laptop] – Jim O'Rourke Electronics [Live], Violin, Harmonica – Takehisa Kosugi Piano, Melodica – Christian Wolff Trombone – Stuart Dempster Dance: Rune (1959) |
NWR 80712/ | 1 | ||||||||||
| 33579 | Christian, Takehisa | Wolff, Kosugi | Event — October 30, 2002, Munich | 2002 | Performance | 6:51:00 | 2 perf [Performer] | Piano, Melodica, Percussion – Christian Wolff Voice, Electronics [Live] – Takehisa Kosugi |
NWR 80712/ | 1 | |||||||||
| 17918 | Peter Daniel | Wolfkind | Metagrammatik | fixed media, akusmatisch | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||||
| 17919 | Erik | Wøllo | Buteo Buteo | 1986 | fixed media, akusmatisch | 10:00 | NOTAM | 0 | |||||||||||
| 17920 | Erik | Wøllo | Pre sense | 1989 | Zuspiel / Tonband, 4 perf | cl, tpt, 2 p [Klarinette, Trompete, Piano] | NOTAM | 0 | |||||||||||
| 17921 | Erik | Wøllo | Solar | 1987 | Zuspiel / Tonband, 5 perf | 10:00 | fl, ob, cl, bn, hn [Flöte, Klarinette, Oboe, Fagott, Horn] | NOTAM | 0 | ||||||||||
| 18971 | Achim | Wollscheid | last S.B.O.T.H.I. | 1989/1990 | fixed media, akusmatisch | Platte durchsichtig | SLP Selektion 017/ | FTF Frankfurt | 1 | ||||||||||
| 18969 | Achim | Wollscheid | memory a.a.O., den Bosch.sweet and useful | 1987 | fixed media, akusmatisch | Covermotiv besonders interessant (von Th. Markowic) | SLP Selektion 017/ | FTF Frankfurt | 1 | ||||||||||
| 20944 | Achim | Wollscheid | Moves | 1996 | live-elec, | Stereo | SCD020 Selektion/ | 0 | |||||||||||
| 18970 | Achim | Wollscheid | Screening II, O.T., Spiegelungen ausgestorbener Sprachen | fixed media, akusmatisch | Covermotiv besonders interessant (von Th. Markowic) | SLP Selektion 017/ | FTF Frankfurt | 1 | |||||||||||
| 18972 | Achim | Wollscheid | SLP - Titel 1 und Titel 2 | 1989 | fixed media, akusmatisch | 40:00 | CD rein grau; Kunstkopfaufnahme Leipzig; ausführliches Booklet großformatig | SHS Selektion CD 004/ | FTF Frankfurt | 1 | |||||||||
| 18975 | AchimMasami | Wollscheid, Merzbow, Akita | 11 live collaborations | 1992 | fixed media, akusmatisch | 59:00 | SCD010 Selektion/ | 1 | |||||||||||
| 36655 | Amnon | Wolman | , Picnic Site | 2000 | fixed media, akusmatisch | 9:21 | c74-004-c74-007/ c74-001-c74-008/ | 0 | |||||||||||
| 17922 | Amnon | Wolman | A Circle in the Fire | 1986 | Zuspiel / Tonband, 1 perf | 13:13 | Stereo | b-cl [Klarinette] | Dedicated to Harry Sparnaay | WER 2026; Computer Music Currents 6/ | CCRMA | 1986 | Harry Sparnaay on tour in Australia | 1st prize NewComp Finalist Luigi Russolo 1988 |
1 | ||||
| 17923 | Amnon | Wolman | and then she said | 1987 | intermedia, live-elec, 1 perf | 25:00 | Stereo | actress, (com-graphics) [Schauspieler] | CCRMA | 1987 | Stanford's Humanities Center Conference on Humans Animals, and Machines | 0 | |||||||
| 34559 | Amnon | Wolman | Conversations for Sound Engineer and tape | 1983 | fixed media, akusmatisch | 55 | Stereo | Created with Composite vosim generators, controlled with PILEM language. Score in library | Sonology Utrecht | 0 | |||||||||
| 17924 | Amnon | Wolman | Distant Images | 1990 | Zuspiel / Tonband, 1 perf | 26:00 | Stereo | ob [Oboe] | Dedicated to Heinz Holliger | CCRMA | April 1991 | Heinz Holliger in Basel / Switzerland | 0 | ||||||
| 17925 | Amnon | Wolman | Distorted Reflections | 1990 | Zuspiel / Tonband, 1 perf, 1 group | 13:00 | Stereo | ob, chamber-ens [Oboe, Ensemble] | CCRMA | April1991 | Heinz Holliger and ensemble in Basel Switzerland | 0 | |||||||
| 41934 | Amnon | Wolman | Edge Music III | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 17926 | Amnon | Wolman | Etude (Hommage à Bartok #2) | 1984 | fixed media, akusmatisch | 10:00 | Stereo | CCRMA | 1984 | Stanford Computer Music Festival 1984 | Finalist Luigi Russolo International Competition 1984 | 0 | |||||||
| 17927 | Amnon | Wolman | FOR JOHN | 1990 | fixed media, akusmatisch | 5:41 | Samson Box | ISAST LMJ 1/ CMJ Vol 16, 1992/ | CCRMA | 1 | |||||||||
| 34560 | Amnon | Wolman | Four Clowns, for Pianist/Actor and Tape | 1983 | Zuspiel / Tonband, 1 perf | 10:10 | Stereo | p (actor) [Piano] | Sonology Utrecht | 0 | |||||||||
| 34441 | Amnon | Wolman | Friends | 1983 | fixed media, akusmatisch | 6 | Stereo | created with PILEM com lamguage | Sonology Utrecht | 0 | |||||||||
| 17928 | Amnon | Wolman | Friends Two | 1983 | fixed media, akusmatisch | 17:10 | Stereo | VOSIM, PILEM | Sonology Utrecht | 0 | |||||||||
| 17929 | Amnon | Wolman | If Thorns… | 1985 | fixed media, akusmatisch | 14:00 | Stereo | CCRMA | 1986 | Minnesota Composers Forum, American Music Week Concert 1986 | 1 | ||||||||
| 17930 | Amnon | Wolman | Ladders and Plains | 1988 | fixed media, akusmatisch | 30:00 | Stereo | div 03/ | CCRMA | WestBeth Theater Center NY | 0 | ||||||||
| 17931 | Amnon | Wolman | M | 1986 | Zuspiel / Tonband, 1 group | ≈ 16 | Stereo | orc [Orchester] | CCRMA | 1986 | Stanford Chamber Orchestra, Jeanine Wager conducting | Finalist Luigi Russolo 1989 | 1 | ||||||
| 17932 | Amnon | Wolman | Man - Bridge | 1990 | fixed media, akusmatisch | 3 | Stereo | from "The day the bank came through" | IMED 9004/ IMED 9604/ | CCRMA, NCM Evanston | 1 | ||||||||
| 17933 | Amnon | Wolman | Medea | 1987 | fixed media, akusmatisch | 25:00 | Stereo | For four computer-procesed voices and computer generated sounds | div 03/ | CCRMA | WDR Germany | Auszeichnung ars electronica honorary mention 1987 | 0 | ||||||
| 17934 | Amnon | Wolman | MORA | 1985 | Zuspiel / Tonband, 4 perf | 16:00 | Stereo | S, Mez, ob, perc [Sopran, Mezzo, Oboe, Schlagzeug] | CCRMA | 1985 | Stanford Music Dept. Concert 1985 | Minnesota Composers Forum recording award, 1988 | 1 | ||||||
| 17935 | Amnon | Wolman | Nautilus | 1988 | Zuspiel / Tonband, 4 perf | 23:00 | Stereo | 2 S, T, perf (radio operator) [Sopran, Tenor, Performer] | CCRMA | August Coppola for the1988 Distinguished Artists Forum at San Francisco State University | 1988 | Distinguished Artists Forum at San Francisco State University | 0 | ||||||
| 17936 | Amnon | Wolman | perhaps, at last some such hours passed | 1985 | fixed media, akusmatisch | 8:40 | Quadro | CCRMA | 1985 | Stanford Music Dept. Concert 1985 | 1 | ||||||||
| 20945 | Amnon | Wolman | Planes | fixed media, akusmatisch | Stereo | div 03/ | 0 | ||||||||||||
| 17937 | Amnon | Wolman | Play by Samuel Beckett | 1988 | Hintergrundmusik | 30:00 | Stereo | CCRMA | July 1988 | Ed Isser at the Stanford Summer Theater, Stanford University | 0 | ||||||||
| 17938 | Amnon | Wolman | Reflections on Pedestals | 1989 | Zuspiel / Tonband, 1 group | 26:00 | Stereo | orc [Orchester] | CCRMA | 1991 | Jerusalem Symphony Orchestra | 0 | |||||||
| 17939 | Amnon | Wolman | Tantrom | 1983 | fixed media, akusmatisch | 10:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17940 | Amnon | Wolman | Ten Twitts | 1983 | fixed media, akusmatisch | 8:05 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 17941 | Amnon | Wolman | The Conventions Album | 1983 | Musiktheater | score | Sonology Utrecht | 0 | |||||||||||
| 17942 | Amnon | Wolman | the day the bank came through | 1989 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | narrator, perc [Schlagzeug, Schauspieler] | CCRMA | Computer Music Concerts at Stanford | 0 | ||||||||
| 17943 | Amnon | Wolman | The Many Faces of Marilyn's - 4 Requiems | 1990 | Zuspiel / Tonband, 1 group | 21:00 | Stereo | ens [Ensemble] | improvisation-group | CCRMA | 0 | ||||||||
| 35904 | Amnon | Wolman | Thomas and Beulah | 2002 | audiovisuell | innova 559/ | 0 | https://www.innova.mu/albums/amnon-wolman/rita-dove-thomas-and-beulah | |||||||||||
| 20946 | Amnon | Wolman | Yield | fixed media, akusmatisch | Stereo | div 03/ | Competition Musica Nova Prag 1995 | 0 | |||||||||||
| 17944 | Gil J. | Wolman | 2 textes pour "L'Anticoncepte" | 1950/1951 | fixed media, akusmatisch | 10:30 | Mono | Improvisations, txtcompo | Bellevue Paris | 0 | |||||||||
| 17945 | Gil J. | Wolman | 41,5 | 1950 | Film | 3:20 | Mono | soundtrack for "Le film est déjà commencé" | Bellevue Paris | 0 | |||||||||
| 17946 | Gil J. | Wolman | C'est la fin - mégapneumes | 1957 | fixed media, akusmatisch | 14:00 | Mono | txtcompo | PS C. Paris | 0 | |||||||||
| 17947 | Gil J. | Wolman | Improvisations - mégapneumes | 1963 | live-elec, 1 perf | 9:30 | Mono | mics [elektronik] | txtcompo | PS C. Paris, ORTF Paris, Radio Canada Paris | 0 | ||||||||
| 17948 | Gil J. | Wolman | L'homme sans voix et la femme sans tête | 1963 | live-elec, 1 perf | 7:30 | Mono | mics [elektronik] | ORTF Paris | 0 | |||||||||
| 17949 | Gil J. | Wolman | La fiancée du pirate - mégapneumes | 1959 | fixed media, akusmatisch | 12:00 | Mono | txtcompo | PS C. Paris | 0 | |||||||||
| 17950 | Gil J. | Wolman | La Pathétique de Wolman | 1963 | live-elec, 1 perf | 8:30 | Mono | mics [elektronik] | txtcompo | TNP Paris | 0 | ||||||||
| 17951 | Gil J. | Wolman | Le double doute - mégapneumes | 1954 | fixed media, akusmatisch | 14:00 | Mono | txtcompo | PS C. Paris | 0 | |||||||||
| 17952 | Gil J. | Wolman | Le monologue intérieur - mégapneumes | 1958 | fixed media, akusmatisch | 29:00 | Mono | txtcompo | PS C. Paris | 0 | |||||||||
| 37729 | Gil J. | Wolman | Mégapneumies, 24 Mars 1963 | 1950/1963 | fixed media, akusmatisch | 4:55 | SR 270 sub rosa/ | 0 | |||||||||||
| 17953 | Gil J. | Wolman | Un coup pour deux | 1965 | fixed media, akusmatisch | 5:00 | Mono | txtcompo | CBC Paris | 0 | |||||||||
| 17954 | Gil J. | Wolman | Un coup pour rien | 1965 | fixed media, akusmatisch | 4:20 | Mono | txtcompo | CBC Paris | 0 | |||||||||
| 17955 | Gil J. | Wolman | Vive l'Internationale | 1953 | fixed media, akusmatisch | 4:30 | PS C. Paris | 0 | |||||||||||
| 42194 | Wolf | Wondratschek | Paul oder die Zerstörung eines Hörbeispiels | 1969 | radiophon | 30 | WDR, BR, HR, SR | 6.11.1969 | Radio | Hörspielpreis der Kriegsblinden 1970 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1416470&vi=12&SID | |||||||
| 17956 | Albert | Wong | A Soliloquy is when… | fixed media, akusmatisch | 6:08 | Stereo | PS C. Regina | 0 | |||||||||||
| 17957 | Albert | Wong | Eclipse | fixed media, akusmatisch | 11:30 | Stereo | PS C. Regina | 0 | |||||||||||
| 17958 | Albert | Wong | Enlarged Sounds | 1985 | fixed media, akusmatisch | 12:00 | Stereo | PS C. Regina | 0 | ||||||||||
| 17959 | Albert | Wong | Fantasia for Marimba and Tape | 1986 | Zuspiel / Tonband, 1 perf | 2:19 | Stereo | mar [Schlagzeug] | PS C. Regina | 0 | |||||||||
| 17960 | Albert | Wong | Simultaneity | 1986 | fixed media, akusmatisch | 10:31 | Stereo | PS C. Regina | 0 | ||||||||||
| 17961 | Daryl | Wong | Replicant | 1992 | fixed media, akusmatisch | Uni Keele | 0 | ||||||||||||
| 19301 | James | Wood | Choroi kai thaliai | 1982 | Zuspiel, live-elec, 2 perf | S, perc [Sopran, Schlagzeug] | Stowe, Wood; 50 Jahre Neue Musik in Darmstadt, Vol. 3 | col legno WWE 1CD 31896, 50 Jahre Neue Musik in Darmstadt, Vol. 3/ | 1 | ||||||||||
| 20947 | James | Wood | Stoicheia | 1988 | Zuspiel / Tonband, 9 perf | 64:59 | Stereo | 8 perc, MIDI-ins [Schlagzeug, synthesizer] | WER 6194/ | 0 | |||||||||
| 28641 | James | Wood | USAS | 1989 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 27722 | Arthur | Woodbury | Velox | 1970 | live-elec, 1 perf | 10:15 | (com), Moog-synt [synthesizer] | performed by the C. with a PDP-10 and Moog-Synth | Source Records, SR 3/ Pogus 21050-2/ | PS C. | 1 | ||||||||
| 17962 | E. C. | Woodley | A Ward Of The Government | 1992 | fixed media, akusmatisch | 2:43 | CEC DISContact_1/ | 1 | |||||||||||
| 18931 | E. C. | Woodley | Abide With Me (New York #1) | 1994 | fixed media, akusmatisch | 2:42 | CEC DISContact_2/ | Con Toronto | 0 | ||||||||||
| 41809 | Cath | Woodman | Machine Age | 2001 | fixed media, akusmatisch | 1:55:00 | codemist ICMC2001/ | 0 | |||||||||||
| 33578 | James, Takehisa | Woodrow, Kosugi | Event — September 29, 2002, Oslo | 2002 | Performance | 4:12:00 | 2 perf [Performer] | Electric Guitar, Electronics [Live] – James Woodrow Electronics [Live], Percussion, Voice – Takehisa Kosugi |
NWR 80712/ | 1 | |||||||||
| 17963 | Chris | Woods | Fog | 1985 | fixed media, akusmatisch | 5:20 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 17964 | Robert | Worby | Socket Ghosts | 1994 | fixed media, akusmatisch | 8:24 | Stereo | BEAST | 0 | ||||||||||
| 17965 | Robert | Worby | The Heat Exchange (from Spontaneous Combustion) | 1993 | Tanz | 35:00 | Stereo | BEAST, PS C. | 0 | ||||||||||
| 17966 | Tara | Workman | Walking in the Streets | 1981 | fixed media, akusmatisch | 3:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 32087 | Daniel | Worley | freak Show | 2000 | fixed media, akusmatisch | SEAMUS EAM Vol. 10/ | ASCAP/SEAMUS | 0 | |||||||||||
| 39354 | David, Udo | Worrall, Rink | CORPO REAL: In-cooperation | 2017 | audiovisuell | 0 | |||||||||||||
| 43040 | Nicolai | Worsaae | Du hast gesagt | 2013 | live-elec, 1 perf | 7:00:00 | S [Sopran] | Catherine Hancock, soprano | 0 | ||||||||||
| 17967 | Matt | Woulle | Imitation Cheese Product | fixed media, akusmatisch | 8:45 | Col.Princ EMC | 1 | ||||||||||||
| 32326 | Joanna | Wozny | elf/vier | 2002 | fixed media, akusmatisch | 3:30 | December 2002 | IEM Cube Graz | Edition Juliane Klein | 0 | |||||||||
| 32327 | Joanna | Wozny | Medea-Projekt | 2001 | Klangkunst, Installation | 28 | Version Außenrauminstallation Version Innenrauminstallation |
2002 | Kunstuniversität Graz | Edition Juliane Klein | 0 | ||||||||
| 32328 | Joanna | Wozny | schweben wohin | 2002 | fixed media, akusmatisch | 48 | April 2003 | Mausoleumsturm Graz | Edition Juliane Klein | 0 | |||||||||
| 18932 | Wes R. D. | Wraggett | Chants of the Apocalypse | 1994 | fixed media, akusmatisch | 2:57 | CEC DISContact_2/ | Con Toronto | 1 | ||||||||||
| 17968 | Wes R. D. | Wraggett | Le jardin des larmes rouillés | 1991 | fixed media, akusmatisch | 2:58 | CEC DISContact_1/ | Con Toronto | 1 | ||||||||||
| 41926 | Wes R. D. | Wraggett | Party Talk | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 22974 | Group | Wreck's Progress | Transition infime IV | 1996 | live-elec, 3 perf | 13:59 | perc, synt, gui [Gitarre, Schlagzeug, synthesizer] | Musicworks MW 66/ | 1 | ||||||||||
| 39364 | Edward | Wright | Space to Think | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42719 | Maurice | Wright | A Fish’s Tale | 2012 | fixed media, akusmatisch | 7:30:00 | 0 | ||||||||||||
| 40086 | Maurice | Wright | Der Brunnen (The Well) | 2017 | fixed media, akusmatisch | Maurice Wright | 0 | ||||||||||||
| 42930 | Maurice | Wright | Domestic Tranquility | 2013 | fixed media, akusmatisch | 27:04:00 | 0 | ||||||||||||
| 17969 | Maurice | Wright | Electronic Composition | 1973 | fixed media, akusmatisch | 5:22 | Stereo | Odyssey AL 34139/ | Col.Princ EMC | 1 | |||||||||
| 42683 | Maurice | Wright | Soliloquies; echoes | 2009 | live-elec, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 40088 | Maurice | Wright | sweet; picturesque | 2015 | fixed media, akusmatisch | 7:40:00 | Maurice Wright | 0 | |||||||||||
| 40087 | Maurice | Wright | Wo Klingend? | 2016 | fixed media, akusmatisch | Maurice Wright | 0 | ||||||||||||
| 42793 | Justin | Writer | Home Works | 2012 | fixed media, akusmatisch | 3:55:00 | 0 | ||||||||||||
| 33972 | Jiayi | Wu | Copyright | 2013 | fixed media, akusmatisch | 6:48:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 37230 | Jiayi | Wu | D | 2017 | Zuspiel / Tonband, 2 perf | 7:30:00 | p, perc [Piano, Schlagzeug] | HfM Dresden | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 33973 | Jiayi | Wu | Flatrate | 2014 | fixed media, akusmatisch | 7:05:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 42054 | Jiayi | Wu | Salzwasser | 2018 | fixed media, akusmatisch | 3:46 | degem CD 16/ | 1 | |||||||||||
| 39416 | Jou-Hsuan | Wu | Silent Survivor | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39521 | Yi Chen | Wu | Constructing | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40334 | Yiheng | Wu | Relay/Replay | 2016 | fixed media, akusmatisch | Yiheng Wu | 0 | ||||||||||||
| 39522 | Chin Li | Wuan | Duet in Autumn | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42196 | Paul | Wühr | So eine Freiheit | 1992 | radiophon | 46:10 | SFB | 16.6.1992 | SFB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1377733&vi=2&SID | ||||||||
| 42195 | Paul, Enno | Wühr, Dugend | Preislied | 1971 | radiophon | 55:20 | BR, NDR | 4.6.1971 | BR, NDR | Hörspielpreis der Kriegsblinden 1972 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1440609&vi=11&SID | |||||||
| 17970 | Christoph | Wünsch | Cadence | 1989 | Zuspiel / Tonband, 1 perf | Stereo | clvd [Cembalo] | Zeitkreis 2/ | PS Klangwerkstatt | 1 | |||||||||
| 17971 | Christoph | Wünsch | Kaleidoskop | Klangkunst, Installation | 9:50 | "sound-sculptures" | WER SM 1049/50/ | 1 | |||||||||||
| 17972 | Hans | Wüthrich-Mathez | Das Glashaus | 1974/1975 | Musiktheater, 8 perf | 25:00 | 6 Sp, S, perc [Sopran, Sprecher, Schlagzeug] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 35292 | Hans | Wüthrich-Mathez | Peripherie und Mitte | live-elec, 2 perf | 2 perc [Schlagzeug] | CTS-M 137/ | 0 | ||||||||||||
| 17973 | Hans | Wüthrich-Mathez | Procuste deux étolles, Ein Psychoakustisches Portrait | 1980/1981 | fixed media, akusmatisch | 27 | Stereo | Psychoakustisches Portrait | pläne 88633/ | HSM Basel | Radio-Télévision Suisse Romande | 0 | http://www.esbasel.ch/ | ||||||
| 17974 | Sinta | Wullur | Mendung | 1986 | fixed media, akusmatisch | 13:00 | Stereo | Sweelinck | 0 | ||||||||||
| 31307 | Charles | Wuorinen | Bamboula Squared | 1984 | Zuspiel / Tonband, 28 perf | 16:30 | Quadro | 3 piccolo, 23 b-cl, str, p [Flöte, Klarinette, Piano, Streicher] | Col.Princ EMC | Commissioned for the American Composers Orchestra | 0 | ||||||||
| 31305 | Charles | Wuorinen | Beast 708 | 1980 | fixed media, akusmatisch | Zuspiel/Tonband, 10 perf |
4 | , Quadro | fl, cl, 2 hn, 2 trbn, vib, p, vn, db [Flöte, Klarinette, Horn, Posaune, Piano, Schlagzeug, Violine, Kontrabass] | Col.Princ EMC | Peters | 0 | ||||||||
| 17975 | Charles | Wuorinen | Consort from Voice and Instruments | 1960 | fixed media, akusmatisch | 9:00 | Mono | Col.Princ EMC | Peters | 0 | |||||||||
| 31306 | Charles | Wuorinen | New York Notes | 1982 | Zuspiel / Tonband, 6 perf | 20 | fl, cl, vn, vc, p, perc [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | Col.Princ EMC | New York New Music Ensemble | 0 | |||||||||
| 31304 | Charles | Wuorinen | Orchestral and Electronic Exchange | 1965 | Zuspiel / Tonband, 1 group | 15:30 | Quadro | orc [Orchester] | Col.Princ EMC | Peters | 0 | ||||||||
| 17976 | Charles | Wuorinen | Symphonia Sacra | 1960/1961 | Zuspiel / Tonband, 8 perf | 12:49 | Quadro | 3 V, 5 ins [Stimme, Instrument] | Col.Princ EMC | Peters | 0 | ||||||||
| 17977 | Charles | Wuorinen | Time's Encomium | 1969 | fixed media, akusmatisch | 31:40 | Stereo, Quadro | RCA Synthesizer | nonesuch H 71225/ IDEAMA CD 071/ | Col.Princ EMC | Pulitzer Prize 1970 | Peters | 1 | ||||||
| 32143 | Scott A. | Wyatt | A Road Beyond | 2007 | Zuspiel, live-elec, 1 perf | 8:15:00 | Octo | tpt, (elec) [Trompete] | Ronald Romm, trumpet | SEAMUS EAM Vol. 17/ | 0 | ||||||||
| 32064 | Scott A. | Wyatt | A Time of Being | 1996 | Zuspiel / Tonband, 1 perf, 1 group | mix ch, perc [Schlagzeug, Chor] | University of Illinois Concert Choir. Chester L. Alwes, conductor. Elaine Gary, percussion | SEAMUS EAM Vol. 6/ | 0 | ||||||||||
| 17978 | Scott A. | Wyatt | All for one | 1979 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Veriatza V 86-1/ LDC 278074/75 Cultures Electroniques 15/ | EMS UIUC | 1 | ||||||||||
| 18680 | Scott A. | Wyatt | Counterpoints | 1992 | Zuspiel, live-elec, 2 perf | 8:42 | Stereo | sax, MIDI [Saxophon, synthesizer] | WX-7; for s-sax w/ tape accompaniment/live processing. Debra Richtmeyer, sax | SEAMUS EAM 9402 Vol. 3/ | EMS UIUC | 0 | |||||||
| 17979 | Scott A. | Wyatt | Four for Flute | 1976 | Zuspiel / Tonband, | 17:40 | Veriatza Rec/ | EMS UIUC | 1 | ||||||||||
| 28136 | Scott A. | Wyatt | In the Arms of Peril | 2001 | fixed media, akusmatisch | 10:00 | Octo | CPS 8769 Capstone/ SEAMUS EAM Vol. 11/ | EMS UIUC | 0 | |||||||||
| 32101 | Scott A. | Wyatt | Night Visitors | 2002 | fixed media, akusmatisch | SEAMUS EAM Vol. 12/ | 0 | ||||||||||||
| 28137 | Scott A. | Wyatt | On a Roll | 2004 | fixed media, akusmatisch | 8:26 | Octo | CPS 8769 Capstone/ SEAMUS EAM Vol. 14/ | EMS UIUC | 0 | |||||||||
| 32075 | Scott A. | Wyatt | Private Play | 1997 | fixed media, akusmatisch | SEAMUS EAM Vol. 8/ | 0 | ||||||||||||
| 17980 | Scott A. | Wyatt | Real Illusion | 1987 | fixed media, akusmatisch | 8:43 | Veriatza Rec/ | EMS UIUC | 1 | ||||||||||
| 17981 | Scott A. | Wyatt | Soundets | 1987 | Zuspiel / Tonband, 1 perf | 11:36 | p [Piano] | Veriatza Rec/ | EMS UIUC | 1 | |||||||||
| 17982 | Scott A. | Wyatt | Still Hidden Laughs | 1988 | fixed media, akusmatisch | 8:24 | Stereo | Synclavier & MIDI; dedicated to H. Brün for his 70. birthday | Centaur CRC 2045, CDCM Vol. 3/ | EMS UIUC | 1 | ||||||||
| 17983 | Scott A. | Wyatt | Time Mark | 1983, 2000 | Zuspiel / Tonband, 1 perf | 8:45 | Octo | perc [Schlagzeug] | for solo percussion with tape accompaniment. Glenn Schaft, perc | Veriatza Rec/ SEAMUS EAM 9401 Vol. 2/ CPS 8769 Capstone/ | EMS UIUC | 1 | |||||||
| 17984 | Scott A. | Wyatt | Trans | 1983 | fixed media, akusmatisch | 8:59 | UIUC LC 84-743210/ | EMS UIUC | 1 | ||||||||||
| 17985 | Scott A. | Wyatt | Vignettes | 1989 | live-elec, 1 perf | 11:47 | MIDI [synthesizer] | WX-7 | Veriatza Rec/ | EMS UIUC | 1 | ||||||||
| 18681 | Scott A., François | Wyatt, Bayle | it, L'Expérience acoustique No. 3 | 1971 | fixed media, akusmatisch | 3:17 | Stereo | WX-7 | MGCB 5694/ SR 250 sub rosa/ | EMS UIUC | 1 | http://www.magison.org/ | |||||||
| 17986 | Marie-Jeanne | Wyckmans | A Dieu | 1986 | Tanz | 48:00 | Stereo | choreo Mark Vanrunxt | Musiques et Recherches Ohain | 0 | |||||||||
| 17987 | Marie-Jeanne | Wyckmans | Envols 1 | 1988 | fixed media, akusmatisch | 4:35 | Musiques et Recherches Ohain | 0 | |||||||||||
| 17988 | Marie-Jeanne | Wyckmans | L'absence du vide | 1987 | fixed media, akusmatisch | 9:25 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 17989 | Marie-Jeanne | Wyckmans | La Terre et le Ciel | 1989 | fixed media, akusmatisch | 7:30 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 17990 | Marie-Jeanne | Wyckmans | Le bain des grillons | 1987 | audiovisuell | 34:15 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 41596 | Marie-Jeanne | Wyckmans | Le parti flou des sons | 2017 | fixed media, akusmatisch | 8:29 | Musiques et Recherches Ohain | Fédération Wallonie-Bruxelles, service création artistique | 0 | ||||||||||
| 17991 | Marie-Jeanne | Wyckmans | Le vertige de l'oreille | 1986 | Theatermusik | 42:35 | Stereo | spectacle by Thierry Genicot | Musiques et Recherches Ohain | 0 | |||||||||
| 17992 | Marie-Jeanne | Wyckmans | Mécanique Battage | 1986 | Tanz | 26:04 | Stereo | choreo Mark Vanrunxt | Musiques et Recherches Ohain | 0 | |||||||||
| 27767 | Marie-Jeanne | Wyckmans | Mouvements browniens | 2004 | fixed media, akusmatisch | 9:00 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 41595 | Marie-Jeanne | Wyckmans | Paysages | 2016 | fixed media, akusmatisch | 8:29 | Musiques et Recherches Ohain | Fédération Wallonie-Bruxelles, service création artistique | 0 | ||||||||||
| 17993 | Marie-Jeanne | Wyckmans | Tableaux | 1990 | intermedia | 5:30 | Stereo | Musiques et Recherches Ohain | sélection à la TIME: Tribune internationale de musique électroacoustique, 1991 | 0 | |||||||||
| 17994 | Marie-Jeanne | Wyckmans | Trajets | 1991 | fixed media, akusmatisch | 10:40 | Stereo | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||
| 27768 | Marie-Jeanne | Wyckmans | Voyage | 2006 | fixed media, akusmatisch | 3:00 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 41597 | Marie-Jeanne | Wyckmans | Voyage-mirages | 2018 | fixed media, akusmatisch | 8:29 | Musiques et Recherches Ohain | Fédération Wallonie-Bruxelles, service création artistique | 0 | ||||||||||
| 17995 | Robert | Wykes | Transforms | 1965 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | Uni St. Louis | 0 | ||||||||||
| 20979 | Dan | Wyman | Through the Reed | 1997 | Zuspiel / Tonband, 1 perf | 9:46 | Stereo | va d'amore [Viola] | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | ||||||||
| 37473 | Daniel | Wyman | Wena Wendlovu | 2000 | Performance | 7:36 | perf [Performer] | ISAST LMJ 10/ | 0 | ||||||||||
| 41956 | James | Wyness | Maya | fixed media, akusmatisch | 0 | ||||||||||||||
| 41955 | James | Wyness | Metallurgy | fixed media, akusmatisch | 0 | ||||||||||||||
| 41837 | James | Wyness | Roug Cuts from a Harsh Land: Tarset | 2007 | radiophon | 11:35:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 19273 | John | Wynne | $75 CDN | 1996 | fixed media, akusmatisch | 0:57 | CEC Presence 1/ | 1 | |||||||||||
| 36397 | John | Wynne | James Kamutho Kimani | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 38673 | Jules | WYSOCKI | Ascenseur, Tour Sapporo | 2012 | radiophon | 11:25:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 27939 | Hannes | Wyss | Konkretisierung | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 17996 | Haris | Xanthoudakis | L’Allégorie des heures | 1987 | fixed media, akusmatisch | KSYME, PS C. | 1 | ||||||||||||
| 17997 | Haris | Xanthoudakis | " ... pas de harmonie, pas de melodies ... " | 1987 | fixed media, akusmatisch | 9:40 | MR Budapest | 0 | |||||||||||
| 17998 | Haris | Xanthoudakis | ViolonCelloStimmen | 1977 | live-elec, 3 perf | Quadro + Quadro + Quadro | vc, perc, synt [Schlagzeug, Cello, synthesizer] | 0 | |||||||||||
| 39651 | Charles | Xavier | Dollar Brand | 2016 | fixed media, akusmatisch | Charles Xavier | 0 | ||||||||||||
| 17999 | Iannis | Xenakis | A l'ile de Gorée | 1986 | live-elec, 13 perf | ≈ 14:00 | amp hpd, 12 mus [Cembalo, Musiker] | ERA 2292 45030/ | 04.07.1986 | Amsterdam, Elisabeth Chojnacka (clv), Xenakis Ensemble de Middleburg, Huub Kerstens (dir) | Salabert | 0 | http://www.iannis-xenakis.org/xen/index.html | ||||||
| 34069 | Iannis | Xenakis | Achorripsis | 1963 | Film | 7 | Mono | 21 mus [Musiker] | Klang-Lichtspielstudie über die gleichnamige Komposition von Iannis Xenakis, restauriert 2015 | Scherchen Gravesano | 20.07.1958 | Buenos Aires, Teatro Colón, Orchestre du Théâtre, Hermann Scherchen (dir) | Bote&Bock | 1 | |||||
| 18000 | Iannis | Xenakis | Analogique A + B | 1958/1959 | Zuspiel / Tonband, 9 perf | 6:50 | Stereo | 3 vn, 3 vc, 3 db [Cello, Violine, Kontrabass] | tape part is Analogique B | mode 152/ PHI A 00567 L/ PHI 835487 AY/ Accord 4804904/ IDEAMA CD 020/ VAN 0003/ | INA • GRM | 30.6.1960 | Salle Gaveau; Festival de la Recherche; Orch. de chambre de la RTF, dir. A. Girard | Salabert | 1 | http://www.iannis-xenakis.org/xen/index.html | |||
| 18001 | Iannis | Xenakis | Analogique B | 1958 | fixed media, akusmatisch | 2:38 | Mono, Stereo, (Quadro) | this is only the tape part for Analogique A + B (≈ 170) | IDEAMA CD 140/ | INA • GRM, Scherchen Gravesano | Herrmann Scherchen | 1959 | Festival de Gravesano, Orchestre du Festival, Hermann Scherchen (dir) | 0 | http://www.iannis-xenakis.org/xen/index.html | ||||
| 18002 | Iannis | Xenakis | Bohor | 1962, 1968 | fixed media, akusmatisch | 21:30 | Stereo + Stereo + Stereo + Stereo, Quadro, Octo | 2 Versions dedicated to P. Schaeffer |
EMF CD 003/ ERA STU 70530 LP/ CD 5119 ROUNDER Records/ ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ nonesuch H 71246/ Editions Mego (LP) Recollection GRM/ Ellipsis Arts 3694 - OHM DVD/ IDEAMA CD 029/ | INA • GRM | 15.12.1962 | Paris Salle des Conservatoire; 8 canaux (quadruple stéreo) | Salabert | 1 | 1982 | http://www.iannis-xenakis.org/xen/index.html | |||
| 18003 | Iannis | Xenakis | Concret PH | 1958, 1961, 1969 | fixed media, akusmatisch | 2:45 | Mono, Stereo, Quadro | for Philips Pavillon 1958 Bruxelles world fair; Prelude for "Poème électronique" by Edgard Varèse |
EMF CD 003/ INA C 1031 27651 archives grm CD 1/5/ PHI A 00567 L/ PHI 835 487 AY/ ERA STU 70530 LP/ BVHAAST 9149-9150/ nonesuch H 71246/ Accord 4804904/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 029 | INA • GRM | 10.1958 | Expo Bruxelles 1958, Philips Pavillon | INA-GRM | 0 | http://www.iannis-xenakis.org/xen/index.html | ||||
| 25591 | Iannis | Xenakis | Concret PH II | 1958 | fixed media, akusmatisch | 2:42 | Stereo | ERA SHZE 907 BL Hör Zu Black Label LP/ ERA STU 70530 LP/ BVHAAST CD 06/0701/ | INA • GRM | 1958 | Worldexhibition in Brussels (Philips Pavillon) | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||||
| 18004 | Iannis | Xenakis | Cyclic study | fixed media, akusmatisch | 2:30 | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||||||||||
| 18005 | Iannis | Xenakis | Diamorphoses | 1957, 1968, 1969 | fixed media, akusmatisch | Film |
6:50 | Mono, Stereo, Quadro | Also used in film "Fer Chaud" | EMF CD 003/ ERA STU 70530 LP/ BAM EX 242/ BAM LD 070/ nonesuch H-71246/ Klett Stuttgart 92422/ Klett Stuttgart 08762/ Accord 4804904/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 029 | INA • GRM | 5.10.1958 | Bruxelles Expo, french pavillon | 1 | http://www.iannis-xenakis.org/xen/index.html | |||||
| 18007 | Iannis | Xenakis | Eonta | 1963 | computer generated score, 6 perf | ≈ 18:00 | p, 2 tpt, 3 trbn [Trompete, Posaune, Piano] | Akea/ Teldec 2292 46442/ WD 02, Wittener Tage Für Neue Kammermusik 1991/ | 16.12.1964 | Paris, Domaine musical, Yuji Takahashi (pno), Ensemble du Domaine Musical, Pierre Boulez (dir) | B & H | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||||
| 28653 | Iannis | Xenakis | Formes Rouges, Continu - discontinu | 1961 | Film | 5:20 | Stereo | 7 ins [Instrument] | Short film „image par image“ | INA • GRM | 0 | ||||||||
| 18008 | Iannis | Xenakis | Gendy 3 | 1991 | fixed media, akusmatisch | 18:00 | Stereo | Musique de synthèse stochastique de sons à l’ordinateur réalisée au CEMAMu, Paris | Neuma 450-86/ | CEMAMu/ Ateliers Upic/ CCMIX | 17.11.1991 | Metz, Rencontres Internationales de Musique Contemporaine | 1 | http://www.iannis-xenakis.org/xen/index.html | |||||
| 18009 | Iannis | Xenakis | Hibiki Hana Ma | 1969/1970 | fixed media, akusmatisch | intermedia |
18:00 | 12 Tracks, Octo | Steel Pavilion Expo Osaka; with UPIC. contains only instrumental sounds. There is also a 5.1-Surround and stereo-Mix by Gerard Pape |
EMF CD 003/ Ellipsis Arts 3672 - OHM: 02/ mode 203 Xenakis Vol. 9/ | NHK Tokyo | Expo 1970 Osaka | 1970 | EXPO Osaka 1970 | 1 | http://www.moderecords.com/ | ||||
| 22442 | Iannis | Xenakis | Khoai | 1976 | live-elec, 1 perf | 15:15 | amp hpd [Cembalo] | FACD 357/ Neos 10707/ ERA 2292 45030/ | 05.05.1976 | Köln, WDR, Elisabeth Chojnacka | Salabert, EAS 17277 | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||||
| 18010 | Iannis | Xenakis | Komboi | 1981 | live-elec, 2 perf | ≈ 17:00 | amp hpd, perc [Cembalo, Schlagzeug] | ERA 2292 45030/ mode 171/ | 22.11.1981 | Metz, Festival de Rencontres Internationales de Musique Contemporaine, Elisabeth Chojnacka et Sylvio Gualda | 1 | http://www.iannis-xenakis.org/xen/index.html | |||||||
| 18011 | Iannis | Xenakis | Kraanerg | 1969 | Tanz, 1 group | ≈ 77:00 | Quadro | orc [Orchester] | 2007 restaurated (B&H) | KTC 1075/ mode 196/ ERA STU 70530 LP/ | Roland Petit (Ottawa) | 02.06.1969 | Ottawa, Inauguration du National Arts Centre, National Ballet Guild of Canada, chorégraphie : Roland Petit, décors : Victor Vasarely, Lukas Foss (dir) | B & H | 1 | http://www.moderecords.com/ | |||
| 18006 | Iannis | Xenakis | La Légend d'ER, (Le Diatope) | 1976/1977 | fixed media, akusmatisch | intermedia |
45:28 47:04 | 7 tracks | 1600 lights, 4 lasers, 400 mirrors, slides; (inaugoration Centre Pompidou). 2 Versions: 47 and 55 Minutes (WDR-Version 45 Minutes) |
MO 782058/ CMJ Vol 21, 1997/ mode 148/ MO 782144/ | WDR SEM, CEMAMu/ Ateliers Upic/ CCMIX | WDR 1978, Centre George Pompidou | 11.2.1978 | "Musik der Zeit" Bochum | Salabert | 1 | 1982 | http://www.moderecords.com/ | ||
| 18012 | Iannis | Xenakis | Morsima-Amorsima, (ST/4 2,030762) | 1956/1962 | computer generated score, 4 perf | ≈ 11:00 | p, vn, vc, db [Piano, Cello, Violine, Kontrabass] | Accord 4804904/ | 16.12.1962 | Athènes, Formation dirigée par Lukas Foss | B & H | 0 | http://www.iannis-xenakis.org/xen/index.html | ||||||
| 18013 | Iannis | Xenakis | Mycènes Alpha | 1978 | fixed media, akusmatisch | intermedia |
9:38 | Stereo | Upic; for Mycenae Polytope; with slides FIRST PIECE wITH tHE UPIC-SYSTEM |
Neuma 450-74/ CMJ Vol 05, 1981/ mode 98/99/ CMJ Vol 30-4, 2006/ | CEMAMu/ Ateliers Upic/ CCMIX | 02.08.1978 | Mycènes | 1 | 1982 | http://www.moderecords.com/ | ||||
| 18014 | Iannis | Xenakis | Naama | 1984 | live-elec, 1 perf | ≈ 15:00 | amp hpd [Cembalo] | ERA 2292 45030/ Neos 10707/ | 20.05.1984 | Luxembourg, Elisabeth Chojnacka | 1 | http://www.iannis-xenakis.org/xen/index.html | |||||||
| 18015 | Iannis | Xenakis | Orient - Occident, Orient Occident | 1960 | Film | 20:40 | Mono + Mono + Mono, Stereo, Quadro | IBM-Com | Editions Mego (LP) Recollection GRM/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ Accord 4804904/ ERA SHZE 907 BL Hör Zu Black Label LP/ ERA STU 70530 LP/ ACMEM 254CD/ | INA • GRM | UNESCO pour le film | May 1960 | Cannes Festival | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||
| 21627 | Iannis | Xenakis | Orient - Occident | 1960 | fixed media, akusmatisch | 11:09 | Stereo, Quadro | IBM-Com; 1. Version | PHI 836.897 DSY/ EMF CD 003/ ERA SHZE 907 BL Hör Zu Black Label LP/ Mercury SR2 9123/ nonesuch H-71246/ CDCD 5067/ PHI 835 485/86/ IDEAMA CD 029/ ACMEM 254CD/ | INA • GRM | UNESCO | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||||
| 18016 | Iannis | Xenakis | Persépolis | 1971 | fixed media, akusmatisch | ≈ 56:00 | Octo | new Mix by D. Teige 2006 | ed. rz 1015-16/ Fractal Records OX/ | Acousti Paris | 26.8.1971 | Persepolis, Iran (Schiraz) | 1 | http://www.iannis-xenakis.org/xen/index.html | |||||
| 18017 | Iannis | Xenakis | Polytope de Cluny | 1972 | fixed media, akusmatisch | intermedia |
28:30 | 7 tracks | 600 flashs, 3 laser, mirrors, projections. 2 versions: first version withdrawn (24'); new version 28:30 duration (not published) |
ed. rz 1015-16/ mode 98/99/ mode 203 Xenakis Vol. 9/ | Acousti Paris | 13.10.1972 | Paris, Musée de Cluny | 1 | http://www.moderecords.com/ | |||||
| 18018 | Iannis | Xenakis | Polytope de Montréal, Polytope | 1967 | Zuspiel/Tonband, 4 groups | intermedia |
6:12 | Stereo | 4 orc (11 ins) [Orchester] | Expo Montreal | Candide CE 31049/ ERA 9088/ ERA STU 70526 LP/ | INA • GRM | 1967 | Pavillon français de l'Exposition Universelle, Montréal, | B & H | 1 | http://www.iannis-xenakis.org/xen/index.html | |||
| 18019 | Iannis | Xenakis | Pour la paix | 1981 | Zuspiel/Tonband, 4 perf, 1 group | radiophon |
26:45 | Stereo | ch, 4 Sp [Sprecher, Chor] | Upic. text by Françoise Xenakis |
Fractal 015/ | INA • GRM, CEMAMu/ Ateliers Upic/ CCMIX | 23.4.1982 | Paris, Radio France, Studio 104,récitants : Danielle Delorme, Françoise Xenakis, Philippe Bardy, Maxence Mailfort et le Choeur de Radio France, Michel Tranchant (dir) | Salabert, partition : EAS 17729p, parties vocales : EAS 17729m | 0 | http://www.iannis-xenakis.org/xen/index.html | |||
| 18020 | Iannis | Xenakis | S. 709 | 1994 | fixed media, akusmatisch | 7:00 | Stereo | with the Gendy-N-Program | EMF CD 003/ | CEMAMu/ Ateliers Upic/ CCMIX | 02.12.1994 | Paris, Journées UPIC à Radio France | Salabert | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||
| 18022 | Iannis | Xenakis | ST/10 | 1956/1962 | computer generated score, 7 perf | ≈ 12:00 | cl, b-cl, 2 hn, hp, perc, str [Klarinette, Horn, Harfe, Schlagzeug, Streicher] | 10 ins | EMI C 063 1001/ | 0 | http://www.iannis-xenakis.org/xen/index.html | ||||||||
| 28652 | Iannis | Xenakis | ST/10 - 1,080262 | 1957/1962 | computer generated score, 10 perf | 12:00 | Stereo | cl, b-cl, 2 hn, hp, perc, 2 vn, va, vc (10 ins) [Klarinette, Horn, Harfe, Schlagzeug, Viola, Cello, Violine] | Adaption of ST/10 by Simonovic algorithme stochastique |
EMI C 063 1001/ | INA • GRM | May 1962 | Paris, IBM, Place Vendôme, Ensemble Instrumental de Musique Contemporaine, Constantin Simonovitch (dir) | 0 | |||||
| 18021 | Iannis | Xenakis | ST/4 1,080262 | 1956 - 1962 | computer generated score, 4 perf | ≈ 11:00 | str-qt [Streicher] | Gravesaner Blätter Nr. 17 / 18 | RCA SJV 1513/ Gravesaner Blätter ML 164/ EMI CV 20086/ HMV S-ASD 2441/ | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||||||
| 28651 | Iannis | Xenakis | ST/4-2, ST 4 - 2 | 1956 - 1962 | computer generated score, 4 perf | 11:00 | Stereo | str-qt [Streicher] | Transcription pour quatuor à cordes d’apres ST 10 | MO 782005/ MO 782137/ EMI CV 20086/ HMV S-ASD 2441/ | INA • GRM | 11.1.1963 | Paris, Salle des Conservatoires, Quatuor Parenin | Boosey&Hawkes | 0 | ||||
| 18023 | Iannis | Xenakis | ST/48 | 1962 | computer generated score, 48 perf | 11:00 | 48 mus [Musiker] | 1968 | Paris, Orchestre National de l’ORTF, Lukas Foss (dir) | B & H | 0 | http://www.iannis-xenakis.org/xen/index.html | |||||||
| 18024 | Iannis | Xenakis | Strategie, jeu pour deux orchesters | 1962 | computer generated score, 2 groups | var 10:00 | 2 orc (82 mus, 2 conductors) [Orchester] | RCA SJV 1513/ Colosseum 3447253/ | 25.04.1963 | Festival Venezia, Orchestre du Festival, Bruno Maderna et Constantin Simonovitch (dir) | B & H | 0 | http://www.iannis-xenakis.org/xen/index.html | ||||||
| 18025 | Iannis | Xenakis | Taurhiphanie | 1987/1988 | Zuspiel / Tonband, 1 perf | 10:45 | Stereo | perc [Schlagzeug] | Upic | Neuma 450-86/ | CEMAMu/ Ateliers Upic/ CCMIX | 13.07.1987 | Arènes d’Arles, Festival de Radio France à Montpellier | 1 | http://www.iannis-xenakis.org/xen/index.html | ||||
| 40409 | Iannis | Xenakis | Vasarely, NEG - ALE | 1960 | Film | sur l’exposition Vasarely, Galerie d. René | INA • GRM | juin 1960 | Paris, Salle des Agricultures | 0 | |||||||||
| 28654 | Iannis | Xenakis | Vassarely | 1960 | Film | 8:00 | Stereo | 4 ins [Instrument] | INA • GRM | 0 | |||||||||
| 18026 | Iannis | Xenakis | Voyage absolu des Unari vers Andromède | 1989 | fixed media, akusmatisch | 15:30 | Stereo | Upic; for temple in Osaka | PNM 28/ Fractal 015/ | CEMAMu/ Ateliers Upic/ CCMIX | 01.04.1989 | Himeji (Osaka), Temple Kamejama Hontokuji, Exposition Internationale des Cerfs-Volants, organisée par le Goethe Institut d’Osaka | 0 | http://www.iannis-xenakis.org/xen/index.html | |||||
| 18889 | Shuya | Xu | Taiyi | 1993 | Zuspiel / Tonband, 1 perf | 14:28 | fl [Flöte] | LDC 278056/57 Cultures Electroniques 7/ | CNRS Paris | 2. Preis Musique Electroacouste Mixte Bourges 93 | 1 | ||||||||
| 40347 | Zhixin | Xu | Three Movements | 2017 | live-elec, 1 perf | sax [Saxophon] | Zhixin Xu | 0 | |||||||||||
| 43030 | Chang Cheng | Ya | Baby | 2013 | fixed media, akusmatisch | 3:21:00 | 0 | ||||||||||||
| 19336 | Yoav | Yaacobi | My empty Ear | fixed media, akusmatisch | 1 | ||||||||||||||
| 19334 | Yoav | Yaacobi | Your Mind is dead | fixed media, akusmatisch | 1 | ||||||||||||||
| 26111 | Shahrokh | Yadegari | Garden of Lila | 2005 | Tanz | audiovisuell |
6:01 | Surround 5.1 | Yolande Snaith (Dance); Tara Knight (Animation), Danceperformance | CMJ Vol 31-4, 2007/ | 1 | |||||||||
| 23562 | Daniel | Yafalián | Bien vencidos | 1999 | fixed media, akusmatisch | 3:16 | 1 | ||||||||||||
| 23563 | Daniel | Yafalián | dic98 | 1998 | fixed media, akusmatisch | 2:32 | 1 | ||||||||||||
| 18028 | Alejandro | Yagüe | Todo lo cria la tierra | 1979/1982 | fixed media, akusmatisch | 20:05 | Quadro | HfMT Köln | 0 | ||||||||||
| 33974 | Guang | Yang | Die Mauer | 2015 | audiovisuell | 9:41:00 | Stereo | Sp [Sprecher] | Sprecher: Guo Yanwa, Wolfgang Schwarz, Kamera: Wei Lee | HfMT Köln | 0 | ||||||||
| 18029 | Lu | Yang | 3 Chinese Folksongs, Three Chinese Folksongs | 1990 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | for soprano and synthesized orchestra | CCRMA | 0 | |||||||||
| 31873 | Yong Joon | Yang | Breath | 2002 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 23040 | Yong Joon | Yang | Grau & Blau, Grau und Blau | 2000 | fixed media, akusmatisch | 9:28 | Quadro | Ex Machina 6 - die neunziger Jahre | Cybele 960.106, ex machina 6/ | ICEM Essen | 1 | ||||||||
| 18030 | Yehuda | Yannay | Coheleth | 1970 | live-elec, 1 group | Musiktheater |
var | ch [Chor] | 0 | |||||||||||
| 18031 | Yehuda | Yannay | Electronic Study 1.64 | 1964 | fixed media, akusmatisch | 6:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 18032 | Yehuda | Yannay | Electronic Study 2.65 | 1965 | fixed media, akusmatisch | 5:15 | Stereo | Uni Waltham | 0 | ||||||||||
| 18033 | Yehuda | Yannay | Photomontage | 1965 | fixed media, akusmatisch | 8:30 | Stereo | Uni Waltham | 0 | ||||||||||
| 18034 | Yehuda | Yannay | Study #3 | 1965 | fixed media, akusmatisch | 5:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 25508 | Chung-Han | Yao | By train in 5 mins | 2005 | fixed media, akusmatisch | 5:00 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | http://www.yaolouk.com | ||||||||
| 22705 | Dajuin | Yao | cinnabar red drizzle endless frustration words without a song grenn sofa story writing of sounds of writing warbling orioles returning garden of memories |
1998 - 1999 | Zuspiel, live-elec, 1 perf | V [Stimme] | poetically-incorrect electroacoustic mandarin musique concrète | JX 9901 (Juxiang Music Berkeley)/ | 0 | http://www.wdr.de | |||||||||
| 36410 | Dajuin | Yao | Garden of Memories | 1999 | fixed media, akusmatisch | Kiasma 1999/ | 0 | ||||||||||||
| 41819 | Dajuin | Yao | Gateless Gate | 2001 | fixed media, akusmatisch | 4:00:00 | codemist ICMC2001/ | 0 | |||||||||||
| 40870 | Dajuin | Yao | Satisfaction of Oscillation | fixed media, akusmatisch | 9:27 | SR 270 sub rosa/ | 0 | ||||||||||||
| 25509 | Dajuin | Yao | Wind Listening Taipei | 2005 | fixed media, akusmatisch | 4:59 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | http://www.wdr.de | ||||||||
| 40158 | Nobuaki | Yashima | Homage to Fantasy | 2016 | fixed media, akusmatisch | Nobuaki Yashima | 0 | ||||||||||||
| 37201 | Tamon | Yashima | grün, grün, grün… | 2017 | live-elec, 2 perf | ob, com (Tamon Yashima Oboe, Emanuel Wittersheim Elektronik) [Oboe, computer] | ICEM Essen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 141 | Akutagawa | Yasushi | Music for Microphone | 1952 | live-elec, | Mono | PS C. Tokyo | 0 | |||||||||||
| 42567 | Tolga | Yayalar | Peridrome II | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 18035 | Kathleen | Yearwood | [ ] | 1984 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 18036 | Kathleen | Yearwood | Blue (Azure) Part 1 | 1984 | fixed media, akusmatisch | 3:00 | Stereo | 0 | |||||||||||
| 18037 | Kathleen | Yearwood | Blue (Azure) Part 2 | 1984 | fixed media, akusmatisch | 3:00 | Stereo | 0 | |||||||||||
| 18038 | Kathleen | Yearwood | Knock Turn |
1984 | fixed media, akusmatisch | 18:00 | Stereo | 0 | |||||||||||
| 18039 | Kathleen | Yearwood | Krikits | 1984 | fixed media, akusmatisch | 25:30 | Stereo | 0 | |||||||||||
| 18040 | Kathleen | Yearwood | Song for Voices | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 18041 | Kathleen | Yearwood | Sparrows | 1984 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 32929 | Andrew | Yencken | Balanço | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 38674 | Andrew | YENCKEN | Boats of Paper | 2000 | radiophon | 20:46:00 | 0 | ||||||||||||
| 18984 | Andrew | Yencken | Metamorphoses I | 1993 | radiophon | 24:45 | EBU 1994/ | ABC, The Listening Room | EBU Ars Acustica 1994 | 1 | |||||||||
| 31235 | Ge-Suk | Yeo | biga oda - it's raining | 2006 | audiovisuell, live-elec, 1 perf | 17 | V, (elec) [Stimme] | January 2008 | Klappstuhlfest, Ort, Wuppertal, Germany | 0 | |||||||||
| 31219 | Ge-Suk | Yeo | Birds People Rain, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 5:16:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31217 | Ge-Suk | Yeo | Blue Fish, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 3:30:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31227 | Ge-Suk | Yeo | dal dol | 2009 | fixed media, akusmatisch | 20:31:00 | 0 | ||||||||||||
| 31242 | Ge-Suk | Yeo | DALBUKKI | 2004 | live-elec, 1 perf | 30:00:00 | V, (elec) [Stimme] | 0 | |||||||||||
| 31238 | Ge-Suk | Yeo | DALGADAG | 2006 | fixed media, akusmatisch | 5:02:00 | 0 | ||||||||||||
| 31220 | Ge-Suk | Yeo | Deng-Grang, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 3:00:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31222 | Ge-Suk | Yeo | Fishmoon, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 2:50:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31245 | Ge-Suk | Yeo | Five Sequences | 2004 | live-elec, 1 perf | 50:00:00 | perf (Vokalise) [Performer] | 0 | |||||||||||
| 31234 | Ge-Suk | Yeo | gang gang | 2006 | Zuspiel, live-elec, 2 perf | 5:33 | V, vc, (elec) [Stimme, Cello] | Vier Sequenzen | May 2007 | VideoDance Festival 2007, Athens, Greece | 0 | ||||||||
| 31243 | Ge-Suk | Yeo | Ilgob Sorigori | 2004 | live-elec, 1 perf | 49:00:00 | V [Stimme] | (Vokalise) | 0 | ||||||||||
| 31230 | Ge-Suk | Yeo | Klang Drang | 2009 | Zuspiel / Tonband, 1 perf | 22 | var ins [Instrument] | July 2009 | 6th Sound and Music Computing Conference 09, Casa da Música, Porto, Portugal | 0 | |||||||||
| 31218 | Ge-Suk | Yeo | Omog Omog, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 5:35:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31228 | Ge-Suk | Yeo | on 11 | 2009 | audiovisuell, live-elec, 4 perf | 9:55:00 | V, xyl, a-sax, synt [Stimme, Saxophon, Schlagzeug, synthesizer] | 0 | |||||||||||
| 31224 | Ge-Suk | Yeo | Pendulum 111 | 2009 | Zuspiel / Tonband, 4 perf | 18:05:00 | str-qt [Streicher] | 0 | |||||||||||
| 31223 | Ge-Suk | Yeo | Pulse, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 5:30:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31215 | Ge-Suk | Yeo | Pulse II, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 4:00:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31213 | Ge-Suk | Yeo | Silence, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 5:28:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31214 | Ge-Suk | Yeo | Sonolight, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 3:35:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31240 | Ge-Suk | Yeo | Sori Numgi II | 2005 | live-elec, 3 perf | 59:30:00 | V, perc, p [Stimme, Piano, Schlagzeug] | 0 | |||||||||||
| 31221 | Ge-Suk | Yeo | Sweet Bird, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 3:31:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31226 | Ge-Suk | Yeo | Tele Nachtigall | 2009 | live-elec, 1 perf | 10:02:00 | V, (com) [Stimme] | 0 | |||||||||||
| 31229 | Ge-Suk | Yeo | The fish and I | 2009 | audiovisuell, 1 perf | 6:55:00 | toy p [Piano] | 0 | |||||||||||
| 31246 | Ge-Suk | Yeo | The Talking Wall | 2004 | Klangkunst, Installation | audiovisuell |
30:00:00 | (Vokalise) [] | 0 | |||||||||||
| 31241 | Ge-Suk | Yeo | Time Sculptures I | 2006 | audiovisuell, live-elec, 2 perf | 23:41 | V, (Vokalise,) elec [Stimme, elektronik] | ART 011/ | May 2009 | WRO 09 13th Media Art Biennale, Wroclaw, Poland | 0 | ||||||||
| 31237 | Ge-Suk | Yeo | Time Sculptures II | 2006 | audiovisuell, live-elec, 2 perf | 20:05 | V, (Vokalise,) elec [Stimme, elektronik] | May 2009 | WRO 09 13th Media Art Biennale, Wroclaw, Poland | 0 | |||||||||
| 31232 | Ge-Suk | Yeo | Time Sculptures III | 2008 | live-elec, 2 perf | 20 | V, (Vokalise,) elec [Stimme, elektronik] | May 2009 | WRO 09 13th Media Art Biennale, Wroclaw, Poland | 0 | |||||||||
| 31244 | Ge-Suk | Yeo | Voice from afar | 2004 | Zuspiel / Tonband, 1 perf | 12:00:00 | S [Sopran] | 0 | |||||||||||
| 31231 | Ge-Suk | Yeo | Waterdrops | 2009 | Zuspiel / Tonband, 2 perf | 6:50:00 | toy p, perc [Piano, Schlagzeug] | 0 | |||||||||||
| 31216 | Ge-Suk | Yeo | Wheels, Sonolight | 2011 | audiovisuell, live-elec, 2 perf | 5:10:00 | V, (elec), com [Stimme, computer] | 0 | |||||||||||
| 31239 | Ge-Suk | Yeo | White Room | 2005 | live-elec, 2 perf | 45:00:00 | V, vc, (elec) [Stimme, Cello] | 0 | |||||||||||
| 31233 | Ge-Suk | Yeo | Zirpen (to chirp) | 2007 | fixed media, akusmatisch | 3:35:00 | 0 | ||||||||||||
| 28179 | Franck Christophe | Yeznikian | S’immisçant friable vers solubles, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 6:04 | Quadro | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | http://franck.yeznikian.free.fr | ||||||||
| 18042 | Xu | Yi | Tui | 1992 | live-elec, 1 perf | 10:00 | db [Kontrabass] | IRCAM | 0 | ||||||||||
| 18043 | Alan | Yim | Shiosai | 1984 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 39911 | Jing | Yin | Waiting | 2016 | fixed media, akusmatisch | Jing Yin | 0 | ||||||||||||
| 20948 | Hong Lei | Ying | Wasser | 1995 | radiophon | 4:30 | Stereo | EX 256/ | ELAK Wien | 0 | |||||||||
| 39304 | Austin | Yip | Miles Upon Miles | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40091 | Maximilian | Yip | Karin | 2017 | fixed media, akusmatisch | Maximilian Yip | 0 | ||||||||||||
| 42802 | Maximilian | Yip | Nature | 2012 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 40092 | Maximilian | Yip | Nightcall | 2016 | fixed media, akusmatisch | Maximilian Yip | 0 | ||||||||||||
| 39450 | Maximilian | Yip | uncertainty | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40843 | Jukka | Ylitalo | Hacking the Sky | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 39605 | Azumi | Yokomizo | In a Dream | 2016 | fixed media, akusmatisch | 7:27 | Azumi Yokomizo | CLS 160501/ | 0 | http://rmnmusic.com/electroacoustic-beyond/ | |||||||||
| 37182 | Chloe | Yoon | Harmonized | 2016 | Klangkunst, Installation | ∞ | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 38675 | Grace | YOON | Schrei der Seide | 2011 | radiophon | 46:09:00 | 0 | ||||||||||||
| 34661 | Ji Won, Woon Seung | Yoon, Yeo | Memorabilia 2016 | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 43207 | Otomo | Yoshihide | Between Music and Art | 2014 | Klangkunst, Installation | Performance |
0 | http://www.ntticc.or.jp/en/feature/2014/Between_Music_and_Art/index.html | ||||||||||||
| 28201 | Otomo | Yoshihide | Cathode #6 | 2003 | live-elec, 6 perf | 34:51 | Gagaku-ins, b-cl, sax-qt [Klarinette, Saxophon, Instrument] | Beilage NZ Heft 5/2003: "Transonic"- Festival des HdKdW Berlin | WER NZ 5/2003/ | 1 | |||||||||
| 19137 | Otomo | Yoshihide | Kiseru-Copenhagen to Shinjuku | 1995 | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | |||||||||||
| 33647 | Otomo | Yoshihide | The Night Before The Death Of The Sampling Virus | 1993 | live-elec, 3 perf | 53 | 3 perf [Performer] | Otomo Yoshide with Yamatsuka Eye & Tenko. 77 parts (≈ viruses) Human Voice 92,7%, additional sounds etc. 7,3% |
XCD 024 Extreme/ | 1 | |||||||||
| 37461 | Kiyotomi | Yoshizaki | Palace Of Green Space For Electronic Music | 1979 | fixed media, akusmatisch | 25:41 | Stereo | OUOADM 0801/ | NHK Tokyo | 0 | |||||||||
| 18044 | Kiyotomi, Rüdiger | Yoshizaki, Rüfer | Ein Haschen nach Wind | 1971 | Zuspiel / Tonband, 2 perf | 9:55 | Stereo | V, fl [Stimme, Flöte] | TU Berlin | 3.1972 | Gent | 1 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | ||||||
| 20949 | Motoharu | Yoshizawa | Empty Hats | 1994 | live-elec, 1 perf | 74:53 | Stereo | b-ins [Instrument] | (5 verticale strs) | PSFD-54 Modern Music/ | 0 | ||||||||
| 20950 | Motoharu | Yoshizawa | From the Faraway Nearby | 1991 | live-elec, | 53:33 | Stereo | PSFD-21 Modern Music/ | 0 | ||||||||||
| 39875 | Jaesong | You | Butoh Music | 2015 | fixed media, akusmatisch | 5:52:00 | Jaesong You | 0 | |||||||||||
| 42968 | Gayle | Young | Avalon Shorelines | 2013 | live-elec, 1 perf | 8:30:00 | vc [Cello] | Madeleine Shapiro, cello | 0 | ||||||||||
| 18045 | Gayle | Young | Flat Water | 1992 | fixed media, akusmatisch | 2:52 | Sound Tools, Konkret | CEC DISContact_1/ | Grimsby ON | 1 | |||||||||
| 22975 | Gayle | Young | Harmonium | 1988 | Zuspiel / Tonband, 4 perf | 8:40 | str-qt [Streicher] | ded- to Tenney | Musicworks MW 64/ | Music Gallery Toronto | 1 | ||||||||
| 27675 | John | Young | Allting Runt Omkring | 1998 | fixed media, akusmatisch | Octo | EMS Stockholm | 0 | http://www.mti.dmu.ac.uk/~jyoung/ | ||||||||||
| 27678 | John | Young | Arrivederci | 2005 | Zuspiel / Tonband, 7 perf | fl, cl, vn, vc, hp, perc, p [Flöte, Klarinette, Piano, Harfe, Schlagzeug, Cello, Violine] | IMED 0787/ | Uni De Montfort | Arts and Humanities Research Council | 20 July 2006 | Ilott Concert Chamber, Wellington Town Hall, New Zealand | 0 | http://www.mti.dmu.ac.uk/~jyoung/ | ||||||
| 39930 | John | Young | Brink | 2016 | fixed media, akusmatisch | John Young | Uni De Montfort | 0 | |||||||||||
| 21013 | John | Young | Inner | 1995 | fixed media, akusmatisch | 11:54 | Stereo | FYCD 1014/ IMED 0261/ | Uni Victoria | 23.02.1996 | Concordia University (Montréal) | first prize in the 1996 Stockholm Electronic Arts Award. | 1 | http://www.mti.dmu.ac.uk/~jyoung/ | |||||
| 33640 | John | Young | Lamentations | 2009 | fixed media, akusmatisch | 16:04 | based on 2 texts | MR 2010 Métamorphoses 2010/ | 1 | ||||||||||
| 21999 | John | Young | Liquid Sky | 1998 | fixed media, akusmatisch | 16:04 | Stereo | IMED 0261/ PANaroma 199013216/ | INA • GRM, EMS Stockholm | Ina-GRM | March 20, 2000 | Salle Olivier Messiaen, Maison de la Radio France Multiphonies concert series | 2nd Prize at CIMESP 2001 | 1 | http://www.mti.dmu.ac.uk/~jyoung/ | ||||
| 24666 | John | Young | Pythagoras’s Curtain | 2001 | fixed media, akusmatisch | 12:24 | IMED 0261/ | Uni De Montfort | 4.04.2001 | Concert Hall at the Conservatory of Music, University of Missouri-Kansas City (USA) | 0 | http://www.mti.dmu.ac.uk/~jyoung/ | |||||||
| 27677 | John | Young | Ricordiamo Forlì | 2005 | fixed media, akusmatisch | 53:31 | Surround 5.1 | IMED 0787/ LDC 278082-83 Cultures électroniques 20/ | Uni De Montfort | 25.6.2006 | Radio New Zealand’s ConcertFM | 1st Prize (Programme Music) at the 34th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2007) | 0 | http://www.mti.dmu.ac.uk/~jyoung/ | |||||
| 22096 | John | Young | Sju | 1999 | fixed media, akusmatisch | 7:22 | Stereo | MTI CD 001/2 Bouquet Of Sounds/ UWMD 1200 New Zealand Sonic Art 2000/ Accademia Musicale Pescarese/ | Uni Victoria | 4.02.2000 | BEAST, Birmingham, | 1 | http://www.mti.dmu.ac.uk/~jyoung/ | ||||||
| 22095 | John | Young | Time, Motion and Memory | 1997 | fixed media, akusmatisch | 15:33 | Stereo | IMED 0261/ | Uni Victoria | 26.02.1998 | Victoria University of Wellington (New Zealand) | 1 | http://www.mti.dmu.ac.uk/~jyoung/ | ||||||
| 27676 | John | Young | Tongue | 2001 | fixed media, akusmatisch | 13:47 | Created at Digital Arts Laboratory, De Montfort University | LJ CD 5232 ICMC 2002/ | Uni De Montfort | 14.12.2001. | Espace GO, Rien à Voir Festival, Montréal | 0 | http://www.mti.dmu.ac.uk/~jyoung/ | ||||||
| 27656 | John | Young | Trace | 2003 | live-elec, 1 perf | 13:06 | sax [Saxophon] | Jörgen Pettersson (sax) | uh-label 020011006 sonic voyages/ | Uni De Montfort | 0 | http://www.mti.dmu.ac.uk/~jyoung/ | |||||||
| 22082 | John | Young | Virtual | 1997 | fixed media, akusmatisch | 14:08 | Stereo | IMED 0261/ | Uni Victoria | 24.04.1997 | Victoria University of Wellington (New Zealand) | Auszeichnung ars electronica honorary mention 1997 | 1 | http://www.mti.dmu.ac.uk/~jyoung/ | |||||
| 36254 | John | Young | X | 2010 | Zuspiel / Tonband, 1 perf | 12:21:00 | p [Piano] | For Xenia Pestova | innova 874/ | 0 | |||||||||
| 18046 | LaMonte | Young | 2 sounds | 1960 | fixed media, akusmatisch | ≈ 15:00 | Mono + Mono | PS C. Berkeley | 0 | ||||||||||
| 37445 | LaMonte | Young | 23 VIII 64 2:50:45 - 3:11 AM 20:15 The Volga Delta, The Volga Delta | 1969 | Performance | 20:15 | 2 perf [Performer] | Edition X 1079/ | PS C. | 0 | |||||||||
| 37444 | LaMonte | Young | 31 VII 69 10:26 - 10:49 PM 23:00, 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals | 1969 | Performance | 23 | 2 perf [Performer] | Edition X 1079/ | 0 | ||||||||||
| 18047 | LaMonte | Young | Composition 1960 #9 | 1960 | fixed media, akusmatisch | var | Mono | hum Ampex 601 | PS Eternal M. NY | 0 | |||||||||
| 18049 | LaMonte | Young | Drift Study | 1966 - 1967 | live-elec, 1 perf | var | multichannel | perf (with 2 sine gen) [Performer] | 2 gen, micro … | Ellipsis Arts 3672 - OHM: 02/ | PS Eternal M. NY | 1 | |||||||
| 18050 | LaMonte | Young | Studies in the Bowed Disc | 1964 - 1965 | live-elec, 4 perf | var | multichannel | 2 - 4 perf (amp gong) [Performer] | PS Eternal M. NY | 0 | |||||||||
| 18051 | LaMonte | Young | The four Dreams of China | 1962 - 1965 | live-elec, 1 perf | var | multichannel | amp ins [Instrument] | PS Eternal M. NY | 0 | |||||||||
| 18052 | LaMonte | Young | The Tortois, his Dreams and Journeys | 1964 - 1965 | fixed media, akusmatisch | var | multichannel | more than 7 parts | PS Eternal M. NY | 0 | |||||||||
| 37439 | LaMonte, Marian | Young, Zazeela | B flat Dorian Blues | 1972 | radiophon | 13 | Radio Bremen | 0 | |||||||||||
| 18048 | LaMonte, Marian | Young, Zazeela | Dream House, Sound & Light Enviroment / Magenta Enviroment Eine Zeit-Installation, bemessen von einer Auswahl von andauernden Frequenzen in Klang und Licht |
1962 - 1992 | Klangkunst, Installation | ∞ | multichannel | Inventionen 2.2 - 8.3.1992 "Ruine der Künste" Berlin | 1 | 1992 | |||||||||
| 34561 | LaMonte, Marian | Young, Zazeela | Map of 49's dream. The Two Systems of Eleven Sets of Galactic Intervals | 1972 | radiophon | 32 | Ornamental Lightyears Tracery | Edition X 1079/ | Radio Bremen | 0 | |||||||||
| 34562 | LaMonte, Marian | Young, Zazeela | Sunday Morning Blues | 1972 | radiophon | 13 | Radio Bremen | 0 | |||||||||||
| 37440 | LaMonte, Marian | Young, Zazeela | The Well-Tuned Piano | 1972 | radiophon | 41 | Radio Bremen | 0 | |||||||||||
| 26977 | Michael | Young | agrophylax | 2004/2006 | live-elec, 2 perf | ≈ 21:00 | ob, com (interactive elec, Max/MSP) [Oboe, computer] | Oboe+: Berio and Beyond/ | Goldsmith London | 0 | http://www.michaelyoung.info/ | ||||||||
| 26972 | Michael | Young | au(or)a | 2006 | live-elec, 3 perf | ≈ 15:00 | ins, disklavier, impro com [Piano, Instrument, computer] | Music with real-time neural nets. | Goldsmith London | 0 | http://www.michaelyoung.info/ | ||||||||
| 26975 | Michael | Young | avatars | 2008 | live-elec, 2 perf | ≈ | V, interactive elec [Stimme, elektronik] | Goldsmith London | 0 | http://www.michaelyoung.info/ | |||||||||
| 26978 | Michael | Young | chatterbox | 1999 - 2001 | live-elec, 2 perf | 15:00 | fl, (Max/SMP,) synt [Flöte, synthesizer] | synt ≈ K2000 | Goldsmith London | 0 | http://www.michaelyoung.info/ | ||||||||
| 26976 | Michael | Young | ebbs- | 2006 | live-elec, 3 perf | ≈ 25:00 | vn, vc, com (interactive elec, Max/MSP) [Cello, Violine, computer] | Goldsmith London | 0 | http://www.michaelyoung.info/ | |||||||||
| 26974 | Michael | Young | flute_ prosthesis | 2009 | live-elec, 2 perf | ≈ 15:00 | fl, impro perf [Flöte, Performer] | Music with real-time neural nets. | Goldsmith London | 0 | http://www.michaelyoung.info/ | ||||||||
| 26971 | Michael | Young | oboe_ prosthesis | 2008 | live-elec, 1 perf | ≈ 15:00 | impro ob [Oboe] | Music with real-time neural nets. | Goldsmith London | 0 | http://www.michaelyoung.info/ | ||||||||
| 26973 | Michael | Young | piano_ prosthesis | 2007 | live-elec, 2 perf | ≈ 15:00 | p, impro com [Piano, computer] | Music with real-time neural nets. | Goldsmith London | 0 | http://www.michaelyoung.info/ | ||||||||
| 26979 | Michael, Paul | Young, Adderley | Exposure | 2008 | Klangkunst, Installation | ∞ | generative audiovisual installation (Max/MSP & Jitter) | Goldsmith London | 0 | http://www.michaelyoung.info/ | |||||||||
| 42740 | Nina C. | Young | Sun Propeller | 2012 | live-elec, 1 perf | 9:45:00 | vn [Violine] | Emily Westell, violin | 0 | ||||||||||
| 33658 | Phil | Young | Science and Industry | 1959 | fixed media, akusmatisch | 0:29 | CDCD 5067/ SILCD 1503/ | BBC | 1 | ||||||||||
| 37737 | Phil | Young | The artist speaks | radiophon | SILCD 1503/ | BBC | 0 | ||||||||||||
| 34853 | William | Young | Fire Inhales and Found Rhythms | 2015 | fixed media, akusmatisch | 7:36:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 18053 | Ysenboodt | Voedingsbodem met Uitwassen | 1973 | fixed media, akusmatisch | 9:20 | Stereo | IPEM Gent | 0 | |||||||||||
| 32969 | Alexandre | Yterce | Almagonie/Agonie, Les Sept Paroles En Croix | fixed media, akusmatisch | 19:40 | Motus M 306601/ | 0 | ||||||||||||
| 32973 | Alexandre | Yterce | Frises Majeures Des Levres + Clarte | fixed media, akusmatisch | 8:14 | Motus M 306601/ | 0 | ||||||||||||
| 32971 | Alexandre | Yterce | Guerres | fixed media, akusmatisch | 19:02 | Motus M 306601/ | 0 | ||||||||||||
| 32972 | Alexandre | Yterce | Intensites | fixed media, akusmatisch | 6:00 | Motus M 306601/ | 0 | ||||||||||||
| 32970 | Alexandre | Yterce | Le Cri De Meduse | fixed media, akusmatisch | 15:54 | Motus M 306601/ | 0 | ||||||||||||
| 18054 | Joji | Yuasa | A study in White, The Sea Darkens I've lost it |
1987 | fixed media, akusmatisch | 10:39 | WER 2027; Computer Music Currents 7/ | UCSD | 1 | ||||||||||
| 36317 | Joji | Yuasa | Andy Warhol: Re-Reproduction | 1974 | fixed media, akusmatisch | 19:41 | OPA 007/ | 0 | |||||||||||
| 18055 | Joji | Yuasa | Another World | 1953 | intermedia, live-elec, | 15:00 | Mono | (slides) [] | Sony Tokyo | 0 | |||||||||
| 18056 | Joji | Yuasa | Aoi no Ue | 1961 | Theatermusik | 27:00 | Quadro | M. concrète. Text: Noh Th | PS Sogetsu Tokyo | 0 | |||||||||
| 36318 | Joji | Yuasa | Autonomy | 1972 | fixed media, akusmatisch | 11:38 | OPA 007/ | 0 | |||||||||||
| 36327 | Joji | Yuasa | Background Sound In Textile Pavillion Of Expo '70, Music for 'Pattern-Slide Mon'yoh‘ Music for 'Colorful World' Music for 'White World' Voices of Dolls (Mixed Version Of Japanese, English And Portuguese) Voice of 'Raven' Objects Background Sound of Central Dome |
1970 | Klangkunst, Installation | intermedia |
Pieces composed for the Textile Pavilion (Sen'i Kan) at the Expo 70 event in Osaka | OPA 014/ | 0 | |||||||||||
| 18057 | Joji | Yuasa | Buyo Mitsu no Sekai | 1959 | Zuspiel / Tonband, 1 group | orc [Orchester] | concrète (Three Worlds - Dance music) | KRC Tokyo | 0 | ||||||||||
| 18058 | Joji | Yuasa | Comet Ikeya | 1966 | Zuspiel / Tonband, 2 perf | 59:00 | Stereo | V, ins [Stimme, Instrument] | NHK Tokyo | Prix Italia 1966 | 0 | ||||||||
| 36319 | Joji | Yuasa | Document Of The Long White Line | 1960 | fixed media, akusmatisch | 12:54 | OPA 007/ | 0 | |||||||||||
| 18059 | Joji | Yuasa | Eyes on Genesis | 1991 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 18060 | Joji | Yuasa | Ikon, <ICON> On The Source Of White Noise | 1967 | fixed media, akusmatisch | 12:30 | 5 tracks | source: white noise | OUOADM 0401/ | NHK Tokyo | 0 | ||||||||
| 18061 | Joji | Yuasa | Kiyo ga fuchi | 1960 | fixed media, akusmatisch | 27:00 | Mono | TBS Radio Tokyo | 0 | ||||||||||
| 18062 | Joji | Yuasa | Koega Kuru | 1960 | radiophon | Music for Radio Drama, Text by Shintaro Ishikawa; (Coming Voice) | 0 | ||||||||||||
| 18063 | Joji | Yuasa | Mirai no Eve | 1955 | fixed media, akusmatisch | (Eve in the future) | 0 | ||||||||||||
| 36314 | Joji | Yuasa | Mittsu No Sekai, 3 worlds | 1959 | Musiktheater | 21:42 | Mono | orc [Orchester] | OPA 004/ | PS Sogetsu Tokyo | 0 | ||||||||
| 18064 | Joji | Yuasa | Mobiiru to Vitoriinu | 1954 | Film | M. concrète. movie by Shozo Kitashiro, Seiji Onobe, Katsuhiro Yamagushi | 0 | ||||||||||||
| 36313 | Joji | Yuasa | Moment Grand-Guignolesques | 1962 | Musiktheater | 5:21 | OPA 002/ | 0 | |||||||||||
| 36325 | Joji | Yuasa | Music For A Cenotaph For Industrial Victims | 1972 | radiophon | 8:49 | OPA 012/ | 0 | |||||||||||
| 36326 | Joji | Yuasa | Music For The Main Pavillion Of The Okinawa Oceanic Expo | 1975 | Klangkunst, Installation | 10 | OPA 012/ | 0 | |||||||||||
| 37428 | Joji | Yuasa | My blue sky | 1976 | fixed media, akusmatisch | 15:50 | Stereo | OUOADM 0701/ | NHK Tokyo | 0 | |||||||||
| 36324 | Joji | Yuasa | Nadja, Twincling In Stars | 1963 | Zuspiel, live-elec, 3 perf | 15:17 | vn, p, vib [Piano, Schlagzeug, Violine] | OPA 012/ | NHK Tokyo | 0 | |||||||||
| 18065 | Joji | Yuasa | Nine Levels by Ze-Ami | 1988 | Zuspiel / Tonband, 1 group | 32:00 | ens [Ensemble] | IRCAM | Schott | 0 | |||||||||
| 18066 | Joji | Yuasa | Not I but the wind | live-elec, 2 perf | 7:00 | sax, synt [Saxophon, synthesizer] | UCSD | 1 | |||||||||||
| 18067 | Joji | Yuasa | Oen – a woman called "En" | 1963 | fixed media, akusmatisch | 40:00 | Mono | OPA 004/ | PS Sogetsu Tokyo | 0 | |||||||||
| 18068 | Joji | Yuasa | Projection Esemplastic for White Noise, Projection Esemplastic | 1964 | fixed media, akusmatisch | 7:30 | Mono | RCA JRZ 2104/ SJV 1515 Victor/ Ellipsis Arts 3672 - OHM: 02/ Neuma 450-92/ IDEAMA CD 089/ OUOADM 0401/ | NHK Tokyo | 1 | |||||||||
| 18069 | Joji | Yuasa | Resupyugu - Mishiranu Sekai no Hanashi | 1953 | fixed media, akusmatisch | intermedia |
(slides) [] | M. concrète with slides | Sony Tokyo | 0 | ||||||||||
| 18070 | Joji | Yuasa | Shinpan | 1963 | radiophon | Concrete M. for a Radio Drama. Text: Kobo Abe; (Judgment) | NHK Tokyo | 0 | |||||||||||
| 18071 | Joji | Yuasa | Shinsen Kurabu | 1961 | Musiktheater | Concrete M. for a Th | 0 | ||||||||||||
| 18072 | Joji | Yuasa | Shiroi Nagai Sen no Kiroku | 1960 | radiophon | M. concrète for a Documentary, Prod.: Toshio Matsumoto ; (Record of a long white Line) | Film St Tokyo | 0 | |||||||||||
| 18073 | Joji | Yuasa | Shusaku 1 | 1955 | fixed media, akusmatisch | (study 1) | 0 | ||||||||||||
| 19113 | Joji | Yuasa | The Sea Darkens | 1987 | fixed media, akusmatisch | 3:13 | von einem gelesenen Haiku | WER 3024/ | UCSD | 1 | |||||||||
| 18074 | Joji | Yuasa | Towards ’The Midnight Sun’ - Homage to Ze-Ami | 1984 | Zuspiel / Tonband, 1 perf | 19:17 | Quadro | p [Piano] | WER 2029; Computer Music Currents 9/ | UCSD | 0 | ||||||||
| 18075 | Joji | Yuasa | Two Space Fiction for Radio | 1960 | radiophon | radio drama, text by Shuntaro Tanikawa, 1.Broadcasting at Radio Tokyo, 1960 | 0 | ||||||||||||
| 36770 | Joji | Yuasa | Voices coming | 1969 | fixed media, akusmatisch | 20:50 | OUOADM 0501/ | NHK Tokyo | 0 | ||||||||||
| 18962 | Juiz | Yudo | Dag ! | 1986/1995 | Klangkunst, Installation | 6:46 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | 1 | ||||||||||
| 42820 | Bo | Yue | Small Change | 2012 | fixed media, akusmatisch | 8:29:00 | Bo Yue (Maggie) | 0 | |||||||||||
| 34742 | Miki | Yui | Atem | 2006 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 1.6.-16.7.2006 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 33032 | Miki | Yui | Fffax | Performance | 2:38 | btc 04/ | 1 | ||||||||||||
| 34743 | Miki | Yui | Innerest | 2006 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 1.6.-16.7.2006 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 39525 | Yasuko | Yui | 33 lights | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 18076 | Yuri | Yukechev | Electronic Symphony no.1 | fixed media, akusmatisch | Novosibirsk | 0 | |||||||||||||
| 18077 | Yuri | Yukechev | Electronic Symphony no.2 | fixed media, akusmatisch | 0 | ||||||||||||||
| 18078 | Yuri | Yukechev | Electronic Symphony no.3 | fixed media, akusmatisch | 0 | ||||||||||||||
| 18079 | Jacqui | Yule | Payroll | 1994 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 18080 | Iraida | Yusupova | The Spring. Mefisto-Garden. The Seasons | 1994 | Zuspiel / Tonband, 13 perf | 13:42 | 12 ins, V [Stimme, Instrument] | SLR 0044, Theremin Center/ | Theremin C. Moscou | 1 | |||||||||
| 18081 | R. | Yvanez | Sables | 1984 | Zuspiel / Tonband, | 15:00 | 0 | ||||||||||||
| 21841 | Pamela | Z | Echolocation, Echolocation Black Rubber Raincoats Badagada Pop Titles "you" I Know In The Other World An In Scaff Scivi Gno |
1988 | live-elec, 1 perf | Stereo | V [Stimme] | PZ C 1 Oliveros Foundation/ Z Music 001/ | 0 | https://www.discogs.com/de/Pamela-Z-Echolocation/release/6507662 | |||||||||
| 20951 | Pamela | Z | Geekspeak (from Parts of Speech), Parts of Speech | 1995 | radiophon | 7:32 | Stereo | Innova 113/ ST 213, Starkland/ | 0 | ||||||||||
| 20952 | Pamela | Z | In Tymes of Olde, Bone Music Badagada Number 3 Pop Titles 'You' In Tymes Of Olde The MUNI Section NEMIZ Geekspeak Questions 50 Feral Obsession, Addiction, And The Aristotelian Curve |
1991 | fixed media, akusmatisch | 5:46 | Stereo | ST 203, Starkland/ ST 213, Starkland/ | Gotham NY | 0 | |||||||||
| 20953 | Pamela | Z | Obsession, Addition and the Aristotelian Curve | 1991 | Zuspiel / Tonband, 2 perf | 5:06 | Stereo | V, hp [Stimme, Harfe] | ST 203, Starkland/ ST 213, Starkland/ | Gotham NY | 0 | ||||||||
| 43175 | Pamela | Z | Timepiece Triptych | 2008 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2008 | 0 | ||||||||||||
| 18082 | Mia | Zabelka | 4 string space | 1994 | live-elec, 3 perf | MIDI-vc, V, vn(-robot) [Stimme, Cello, Violine] | + "Elastic-Space-Machine" | 0 | |||||||||||
| 18083 | Mia | Zabelka | Ardo | 1989 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 18084 | Mia | Zabelka | Aura | 1986 | live-elec, 1 perf | 15:46 | vn [Violine] | ed. rz 10002 Parallèle 2/ | 1 | ||||||||||
| 18085 | Mia | Zabelka | bewegt-erstarrt | 1988 | intermedia, live-elec, 1 perf | perf [Performer] | 0 | ||||||||||||
| 18086 | Mia | Zabelka | Brennpunkte | 1989 | live-elec, 2 perf | 14:11 | vn, V [Stimme, Violine] | 1 | |||||||||||
| 18089 | Mia | Zabelka | Die Hunde | 1990 - 1991 | live-elec, 3 perf | Sp, vn, ins [Sprecher, Violine, Instrument] | 0 | ||||||||||||
| 18090 | Mia | Zabelka | Drahtvenuskörper | 1989 | Zuspiel / Tonband, 4 perf | 55:00 | Quadro + Stereo | 4 Akteure [Schauspieler] | Synclavier | TU Berlin | inventionen | 28.1.1990 | Inventionen Akademie der Künste Berlin | 1 | 1990 | ||||
| 18088 | Mia | Zabelka | durchsichtig bewegt | 1988 | fixed media, akusmatisch | 8:45 | Quadro | Plagiat von Mandolini | HfMT Köln | 0 | |||||||||
| 18091 | Mia | Zabelka | Herr Ober zahlen bitte | 1990 | live-elec, 4 perf | Sp, vn, sam, drum [Sprecher, Schlagzeug, Violine, computer] | 0 | ||||||||||||
| 18092 | Mia | Zabelka | Landung auf Aphrodite Terra | 1985 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 18093 | Mia | Zabelka | Nachtmusik | 1987 | Zuspiel, live-elec, 2 perf | Stereo | sax, synt [Saxophon, synthesizer] | 0 | |||||||||||
| 18094 | Mia | Zabelka | One-Woman-Symphony | 1989 | intermedia, live-elec, 1 perf | perf [Performer] | 0 | ||||||||||||
| 18095 | Mia | Zabelka | Organarie | 1987 | fixed media, akusmatisch | 1:47 | ed. rz 10002 Parallèle 2/ | 0 | |||||||||||
| 18096 | Mia | Zabelka | Paradox paradise | 1994 | live-elec, 10 perf | 4 V, vn, trbn, cl, e-gui, perc, MIDI [Stimme, Klarinette, Posaune, Gitarre, Schlagzeug, Violine, synthesizer] | 0 | ||||||||||||
| 18097 | Mia | Zabelka | Phonische Fische | 1991 | Klangkunst, Installation | 6 telephones | 0 | ||||||||||||
| 18098 | Mia | Zabelka | Play Mozart | 1990 - 1991 | Klangkunst, Installation | comp. ctrl. violins | 0 | ||||||||||||
| 18099 | Mia | Zabelka | Pneuma | 1986 | fixed media, akusmatisch | 4:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 18102 | Mia | Zabelka | Space Bodies | 1991 | Musiktheater | elektropneumatische Violine | 0 | ||||||||||||
| 18103 | Mia | Zabelka | Streichquartett im Cyberspace | 1992 | Klanginstallation, 3 perf | vn, va, vc [Viola, Cello, Violine] | violin-robot | 0 | |||||||||||
| 18104 | Mia | Zabelka | Ströme | 1987 | Zuspiel / Tonband, 1 perf | 10:40 | Quadro | vn [Violine] | ed. rz 10002 Parallèle 2/ | ELAK Wien | 0 | ||||||||
| 18105 | Mia | Zabelka | The Solar Violin | 1991 | Klangkunst, Installation | Sonnenenergiegesteuerte Violine | 0 | ||||||||||||
| 18106 | Mia | Zabelka | The virtual violin | 1994 | live-elec, 1 perf | perf (datasuit, sam, synt) [Performer] | 0 | ||||||||||||
| 18107 | Mia | Zabelka | Zungenschläge | 1988 | Zuspiel / Tonband, 16 perf | 8 V, 8 ins [Stimme, Instrument] | 0 | ||||||||||||
| 18087 | Mia, Giselher | Zabelka, Smekal | Brücken | 1987 | Zuspiel / Tonband, 2 perf | 10:07 | vn, sax [Saxophon, Violine] | ed. rz 10002 Parallèle 2/ | 0 | ||||||||||
| 18100 | Mia, Giselher | Zabelka, Smekal | Sandstrahlentrost, Drei Klangbilder | 1987 | Zuspiel, live-elec, 1 perf | 12:00 | Stereo | amp vn [Violine] | amadeo 427040 Oesterreichische Musik Der Gegenwart: Elektronische Musik 2/ ed. rz 10002 Parallèle 2/ | ELAK Wien, ORF Kunstradio | Auszeichnung ars electronica 1988 | 1 | |||||||
| 18101 | Mia, Giselher | Zabelka, Smekal | Somateme - Körperklänge | 1987 | intermedia | 0 | |||||||||||||
| 41826 | Alvaro Herra | Zacarias | Rechin | 2001 | fixed media, akusmatisch | 1:40:00 | codemist ICMC2001/ | 0 | |||||||||||
| 41992 | Gerd, Juan | Zacher, Allende-Blin | 75 Event(ualitie)s, Siebeneinhalb Dezennien | 1987 | Zuspiel / Tonband, 1 perf | org [Orgel] | zum 75. Geburtstag von John Cage | 0 | |||||||||||
| 31582 | Michael | Zacherl | scivolo-mmxiii.vi | 2013 | fixed media, akusmatisch | 7:00 | Stereo | next_generation 5.0 | ELAK Wien | 29.6.2013 | ZKM | 0 | |||||||
| 18109 | Horst | Zachmann | dröhnende Einfalt | 1984 | fixed media, akusmatisch | 8:40 | ELAK Wien | 0 | |||||||||||
| 41389 | Christos | Zachos | Five Miniatures | fixed media, akusmatisch | CIME 2008 | 0 | https://www.ckcufm.com/ | ||||||||||||
| 18111 | Enore | Zaffiri | Living Synthi no.7 | 1973 | live-elec, 1 perf | synt [synthesizer] | SMET Torino | 0 | |||||||||||
| 34536 | Enore | Zaffiri | Q/110 | 1967 | fixed media, akusmatisch | 1:50 | Stereo | SMET Torino | 0 | ||||||||||
| 18112 | Enore | Zaffiri | Q/64 I, #a - #c, Q/64 I | 1965 - 1966 | fixed media, akusmatisch | ≈ 4:00 | Stereo | DS 2 Die Schachtel/ | SMET Torino | 0 | |||||||||
| 18113 | Enore | Zaffiri | Q/64 II | 1966 | fixed media, akusmatisch | 2:00 | Stereo | 254 versions | DS 2 Die Schachtel/ | SMET Torino | 0 | ||||||||
| 18114 | Enore | Zaffiri | Tr/e 54 I Tr/e 54 II Tr/e 54 III Tr/e 54 IV |
1964 - 1965 | fixed media, akusmatisch | ≈ 9:00 | Stereo | DS 2 Die Schachtel/ | SMET Torino | 0 | |||||||||
| 18115 | Enore | Zaffiri | Tr/e 54 V, #a - #g, Tr/e 54 V | 1966 | fixed media, akusmatisch | ≈ 3:00 | Stereo | after Tr/e54 Va; con Q/64 II | SMET Torino | 0 | |||||||||
| 18116 | Peter | Zagar | Hudba zo studia | 1991 | fixed media, akusmatisch | Tanz |
12:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 18117 | Peter | Zagar | Music | 1988 | Zuspiel / Tonband, 1 group | 8:00 | ens [Ensemble] | 0 | |||||||||||
| 18118 | Peter | Zagar | Music from the Studio | 1991 | Zuspiel / Tonband, 1 perf | 8:28 | p [Piano] | EM CD 003/ | CECM Bratislava | 1 | |||||||||
| 18119 | Peter | Zagar | Salva Me | fixed media, akusmatisch | 0 | ||||||||||||||
| 18120 | Peter | Zagar | Sen (dream) | 1985 | fixed media, akusmatisch | 5:22 | Stereo | CECM Bratislava | 0 | ||||||||||
| 22688 | Sergei | Zagny | Authems | fixed media, akusmatisch | 3:00 | Theremin C. Moscou | 1 | ||||||||||||
| 22689 | Sergei | Zagny | Requiem | fixed media, akusmatisch | 3:00 | Theremin C. Moscou | 1 | ||||||||||||
| 21997 | Øyvind | Zahlsen | Meningitt | 1997 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 18121 | Zbigniew | Zajac | grazioso | 1978 | fixed media, akusmatisch | 6:54 | Quadro | SME Krakow | 0 | ||||||||||
| 18122 | Zbigniew | Zajac | requiem in nominatum | 1978 | fixed media, akusmatisch | 22:00 | Stereo | SME Krakow | 0 | ||||||||||
| 18123 | Edward M. | Zajda | Desolation | 1966 | Zuspiel / Tonband, 1 perf | ≈ 13:00 | Stereo | e-p [Piano] | PS C. Cicero | 0 | |||||||||
| 18124 | Edward M. | Zajda | Do not attempt to defeat the interlock | 1964 | fixed media, akusmatisch | 6:00 | Stereo | PS C. Cicero | 0 | ||||||||||
| 18125 | Edward M. | Zajda | Memories of St. Anthony | 1964 | Zuspiel / Tonband, 2 perf | 6:00 | Stereo | p, cl [Klarinette, Piano] | PS C. Cicero | 0 | |||||||||
| 18126 | Edward M. | Zajda | New Memories of St. Anthony | 1964 | Zuspiel / Tonband, 2 perf | 6:00 | Stereo | p, cl [Klarinette, Piano] | PS C. Cicero | 0 | |||||||||
| 18127 | Edward M. | Zajda | Study #1 - 3 | 1963 - 1964 | fixed media, akusmatisch | 14:00 | Stereo | Creel Pone 15/ | PS C. Cicero | 0 | |||||||||
| 18128 | Edward M. | Zajda | Study #7, 10, 11 | 1965 - 1966 | Zuspiel / Tonband, 1 perf | ≈ 27:00 | Stereo | p or ins [Piano, Instrument] | Creel Pone 15/ | PS C. Cicero | 0 | ||||||||
| 18129 | Edward M. | Zajda | … then kissed her lips … | 1965 | fixed media, akusmatisch | 5:00 | Stereo | PS C. Cicero | 0 | ||||||||||
| 43010 | Mark | Zaki | canzona quello non é là | 2013 | fixed media, akusmatisch | 8:45:00 | 0 | ||||||||||||
| 24215 | Mark | Zaki | Down every Company of Dreams | 2002 | fixed media, akusmatisch | 4:51 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 42684 | Mark | Zaki | Everything We Say is Deformed | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 39443 | Mark | Zaki | Masks | 2017 | audiovisuell | 0 | |||||||||||||
| 40060 | Mark | Zaki | no one can hear you dream | 2017 | fixed media, akusmatisch | Mark Zaki | 0 | ||||||||||||
| 42568 | Mark | Zaki | On Reflection | 2008 | live-elec, 1 perf | vn [Violine] | Mark Zaki, violin | 0 | |||||||||||
| 40062 | Mark | Zaki | reFRACTion | 2015 | fixed media, akusmatisch | 7:38:00 | Mark Zaki | 0 | |||||||||||
| 40061 | Mark | Zaki | Windows | 2016 | fixed media, akusmatisch | Mark Zaki | 0 | ||||||||||||
| 27397 | Edson | Zampronha | Listening Beyond | fixed media, akusmatisch | 14:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 23271 | Edson | Zampronha | Modelagem XI | 1999 | fixed media, akusmatisch | 7:24 | SBME 002, Musica el. Brasileira Vol 2/ | LIEM CDMC Madrid | 1 | ||||||||||
| 35541 | Edson | Zampronha | Sentimiento Plastico | 2004 | fixed media, akusmatisch | 08:40 | 0 | ||||||||||||
| 31756 | Edson | Zampronha | Trama Nudo Flujo | 2000 | fixed media, akusmatisch | 8:14 | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | |||||||||
| 40214 | Roberto | Zanata | Basia | 2016 | fixed media, akusmatisch | Roberto Zanata | 0 | ||||||||||||
| 40215 | Roberto | Zanata | GYPSUM | 2015 | fixed media, akusmatisch | 4:08:00 | Roberto Zanata | 0 | |||||||||||
| 43016 | Roberto | Zanata | Spectrum | 2013 | fixed media, akusmatisch | 2:15:00 | 0 | ||||||||||||
| 40216 | Roberto, Silvia | Zanata, Pepe | Cygnus Loop | 2015 | fixed media, akusmatisch | 5:24:00 | Roberto Zanata and Silvia Pepe | 0 | |||||||||||
| 42569 | Peter van | Zandt Lane | Aeromancer | 2008 | live-elec, 1 perf | bn [Fagott] | Peter Van Zandt Lane, bassoon | 2008 | BEAMS/Hartt collaborative concert in Hartford Connecticut | 0 | |||||||||
| 31993 | Christian | Zanesi | Tours et détours en 78 tours | 2008 | fixed media, akusmatisch | 14:46:00 | Octo | INA • GRM | 1 | 2008 | |||||||||
| 32271 | Christian | Zanési | Audio Visage | 2004 | fixed media, akusmatisch | INA • GRM | 0 | ||||||||||||
| 18131 | Christian | Zanési | Comptine Etude à la cithare |
1977 | fixed media, akusmatisch | 9:48 | Stereo | Etude de stage | INA • GRM | 0 | |||||||||
| 24737 | Christian | Zanési | Constructions métalliques | 2001 | fixed media, akusmatisch | 15:30 | INA C 2018/ | INA • GRM | 0 | ||||||||||
| 18132 | Christian | Zanési | Courir | 1989 | fixed media, akusmatisch | 15:14 | INA C 2001/ | INA • GRM | 1 | ||||||||||
| 18133 | Christian | Zanési | D'un Jardin à l'autre | 1982 | fixed media, akusmatisch | 16:30 | Stereo | INA C 1000/ | INA • GRM | 1 | |||||||||
| 18134 | Christian | Zanési | Eclisses | 1978 | fixed media, akusmatisch | 7:00 | Stereo | INA • GRM | 5.8.1980 | Perugia, Italy | 0 | ||||||||
| 18135 | Christian | Zanési | Germinal, Zéro un | 1985 | fixed media, akusmatisch | 4:11 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 18136 | Christian | Zanési | Grand Bruit | 1990 | fixed media, akusmatisch | 20:55 | Stereo | MK CD 011/ INA C 2018/ | INA • GRM | 1 | |||||||||
| 18137 | Christian | Zanési | Granit-verre | 1987 | fixed media, akusmatisch | 6:00 | Stereo | INA • GRM | 0 | ||||||||||
| 18138 | Christian | Zanési | Inerieur - Nuit | 1991 | fixed media, akusmatisch | 20:00 | Stereo | INA • GRM | 0 | ||||||||||
| 18139 | Christian | Zanési | L'intime | 1985 | fixed media, akusmatisch | 18:03 | Stereo | INA • GRM | 24.2.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 18140 | Christian | Zanési | La nuit rebis | 1979 | fixed media, akusmatisch | 14:45 | Quadro, Stereo | INA • GRM | INA • GRM | 0 | |||||||||
| 18142 | Christian | Zanési | La traversée | 1983/1986 | fixed media, akusmatisch | 15:00 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 28.12.1983 (20 - 22:30h) 2.10.1986 |
France-Culture Paris, ACNAV, Salle du Puits qui parle |
0 | |||||||
| 18141 | Christian | Zanési | La traversée | 1986 | fixed media, akusmatisch | 9:25 | Stereo | (Version Concert) | INA • GRM | 0 | |||||||||
| 24736 | Christian | Zanési | Le paradoxe de la femme poisson, Trio des sirènes Adagio 1 Jardin sous l'eau Solo d'un marin Marseille 1 Marseille 2 Adagio 2 |
1998 | fixed media, akusmatisch | 39:30 | INA k 198/ | INA • GRM | 1 | ||||||||||
| 20954 | Christian | Zanési | Les mots de Stockhausen, Arkheion | 1994 - 1996 | fixed media, akusmatisch | 16:24 | Stereo | INA e 5001/ | INA • GRM | 1 | |||||||||
| 20955 | Christian | Zanési | Les voix de Pierre Schaeffer, Arkheion | 1994 - 1996 | fixed media, akusmatisch | 16:48 | Stereo | INA e 5001/ Organised Sound Vol 12/3/ | INA • GRM | 1 | 2002 | ||||||||
| 18143 | Christian | Zanési | Profil - Désir | 1988 | fixed media, akusmatisch | 21:50 | Stereo | INA C 2001/ | INA • GRM | prize Rostrum 1988 | 1 | ||||||||
| 20282 | Christian | Zanési | Saphir, sillons, silences | 1998 | fixed media, akusmatisch | 18:10 | Stereo | CD F.T.M. 002 B 50 Jahre GRM | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 2018/ | INA • GRM | 1 | 1998 | |||||||
| 24333 | Christian | Zanési | sonal voyageurs Ratp | 1996 | Hintergrundmusik | 0:04 | for the RATP-Transport authority ("light") | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 1 | |||||||||
| 18144 | Christian | Zanési | Stop! l'horizon | 1983 | fixed media, akusmatisch | 18:09 | Stereo | INA C 2001/ INA ACM 1995/ | INA • GRM | 26.3.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | |||||||
| 18145 | Christian | Zanési | Trois devinettes a ecouter pendant l'orage, un objet un élément un lieu |
1980 | radiophon | 10:30 | Stereo | Jeu musical pour enfants. Voix de Fraçoise Bourgoin | INA • GRM | Radio France | 0 | ||||||||
| 36428 | Christian | Zanési | Un Portrait Sans Visage | 2003 | fixed media, akusmatisch | 9:03 | Césaré 10/ | 0 | |||||||||||
| 40063 | Mark | Zanter | Persistence of Memory | 2012 | fixed media, akusmatisch | Mark Zanter | 0 | ||||||||||||
| 42570 | Mark | Zanter | s2 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 18146 | Helmut | Zapf | 2 : 1 | 1990 | Zuspiel / Tonband, 3 perf | 17:28 | b-cl, sax, trbn [Klarinette, Saxophon, Posaune] | WER 6528 DMR/ | AdK Berlin | 1 | |||||||||
| 21711 | Helmut | Zapf | ach B | 2000 | Zuspiel / Tonband, 1 perf | 13 | Stereo | vn [Violine] | PS C., STEAM Berlin | 2000 | 0 | ||||||||
| 21710 | Helmut | Zapf | Albedo | 2000 | Zuspiel / Tonband, 1 perf | fl or pic-fl or b-fl [Flöte] | UA: Carin Levine | PS C., STEAM Berlin | 0 | ||||||||||
| 18147 | Helmut | Zapf | Anklang, op. 35 | 1987 | fixed media, akusmatisch | 9:30 | Stereo | AdK Berlin | 7.10.1987 | Henriette-Schütz-Haus Bad Köstritz (Schütz-Festtage) | 0 | ||||||||
| 21704 | Helmut | Zapf | approximation | 1996 | Tanz, 5 perf | str-trio, e-gui, dancer [Gitarre, Streicher, Tanz] | PS C., STEAM Berlin | 0 | |||||||||||
| 18148 | Helmut | Zapf | Arpeggio | 1988 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | hp [Harfe] | Aca 8502/ | SCCM, PS Voigtländer, AdK Berlin | 21.5.1989 | theater im palast TIP Berlin, 2. Werkstatt-Tage; Katharina Hanstedt (Harfe) | 1 | ||||||
| 31253 | Helmut | Zapf | Bakkuda | 2011 | live-elec, 2 perf | 20:00:00 | gui, db, (elec) [Gitarre, Kontrabass] | 0 | |||||||||||
| 31258 | Helmut | Zapf | Baustelle II | 2009 | live-elec, 1 perf | 15:00:00 | perf, (elec) [Performer] | 0 | |||||||||||
| 31260 | Helmut | Zapf | Brecht ab den Sang der Maschinen. Brecht auf. | 2006 | Zuspiel / Tonband, 10 perf | 12:00:00 | fl, ob, cl, hn, vn, vc, db, perc, S, p [Sopran, Flöte, Klarinette, Oboe, Horn, Piano, Schlagzeug, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 19291 | Helmut | Zapf | Canto del Aria | 1996 | Zuspiel / Tonband, 1 perf | 12:55 | ob [Oboe] | Cybele 960.203/ DegeM CD 03/ | PS C., STEAM Berlin | 1 | 2002 | ||||||||
| 18149 | Helmut | Zapf | Canzone da gran Cassa | 1993 | live-elec, 1 perf | perc [Schlagzeug] | (große Trommel) | Experimentalstudio für Akustische Kunst Freiburg | 9.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 | |||||||
| 18151 | Helmut | Zapf | Concertino | 1992 - 1993 | Zuspiel / Tonband, 1 perf | 17:00 | Quadro | acc [Akkordeon] | AdK Berlin | 1993 | Kreuzberger Klangwerkstatt | 0 | |||||||
| 26255 | Helmut | Zapf | Das Goldene Kalb | 2006 | Tanz, 13 perf | 90:00 | Stereo | fl, ob, cl, tpt, trbn, vn, va, 2 vc, db, 2 perc, S [Sopran, Flöte, Klarinette, Oboe, Trompete, Posaune, Schlagzeug, Viola, Cello, Violine, Kontrabass] | NCA 60197; Doppel-SACD/ | PS | 1 | ||||||||
| 31263 | Helmut | Zapf | DD und zurück | 1994 | live-elec, 9 perf | 20:00:00 | fl, b-fl, ob, hn, vn, va, vc, acc, p, (elec) [Flöte, Oboe, Horn, Piano, Akkordeon, Viola, Cello, Violine] | 0 | |||||||||||
| 21707 | Helmut | Zapf | Denstedter Klanglandschaften II | 1998 | Zuspiel / Tonband, 3 perf | vn, org, perc [Orgel, Schlagzeug, Violine] | PS C., STEAM Berlin | 0 | |||||||||||
| 26259 | Helmut | Zapf | Der Tod | 2008 | fixed media, akusmatisch | 9:00 | Quadro | PS | 0 | ||||||||||
| 18152 | Helmut | Zapf | Epilog | 1991 | Zuspiel / Tonband, 1 perf | 15:20 | Stereo | db [Kontrabass] | AdK Berlin | 0 | |||||||||
| 31250 | Helmut | Zapf | evening song | 2012 | live-elec, 2 perf | 20:00:00 | tpt, p, (elec) [Trompete, Piano] | 0 | |||||||||||
| 26253 | Helmut | Zapf | … fast zwanzig … | 2005 | Zuspiel / Tonband, 1 perf | 8:50 | Stereo | trbn [Posaune] | Tape = CD | PS | 0 | ||||||||
| 31251 | Helmut | Zapf | fuga in circulum vitiosus | 2012 | Zuspiel / Tonband, 33 perf | 25:00:00 | Quadro | 28 V, 4 Sp, trbn [Sprecher, Stimme, Posaune] | 0 | ||||||||||
| 26256 | Helmut | Zapf | Harmony du soir | 2006 | fixed media, akusmatisch | 10:00 | Quadro | PS | 0 | ||||||||||
| 21708 | Helmut | Zapf | Hommage | 1999 | Zuspiel / Tonband, 2 perf | vn, org [Orgel, Violine] | PS C., STEAM Berlin | 0 | |||||||||||
| 31249 | Helmut | Zapf | Klangfetzen | 2012 | live-elec, 9 perf | 15:00:00 | str-qt, sax, tpt, e-gui, b-gui, perc [Saxophon, Trompete, Gitarre, Schlagzeug, Streicher] | 0 | |||||||||||
| 18153 | Helmut | Zapf | Komposition, op. 30 | 1986 | live-elec, 9 perf | 12:00-15:00 | fl, hn, bn, vn, va, vc, 2 perc, p, (rm) [Flöte, Fagott, Horn, Piano, Schlagzeug, Viola, Cello, Violine] | hn with rm, filter, reverb, delay | TIP Berlin | 17.2.1987 | TIP Berlin-Bienale, Solo-Horn Dallmann; live-elec E. Rödger | Breitkopf & Härtel | 0 | ||||||
| 31247 | Helmut | Zapf | Kreis im Quadrat | 2013 | live-elec, 2 perf | 15:00:00 | vn, (with V), elec [Violine, elektronik] | 0 | |||||||||||
| 31261 | Helmut | Zapf | … lass mich hören…nach Psalm 51 | 2002 | fixed media, akusmatisch | 15:00:00 | Stereo, Quadro, Octo | 0 | |||||||||||
| 31248 | Helmut | Zapf | LIED rechenschaft | 2012 | Zuspiel / Tonband, 1 perf | 7:00:00 | S [Sopran] | 0 | |||||||||||
| 21709 | Helmut | Zapf | Lilith | 1999 - 2000 | Tanz, 7 perf, 1 group | S, B, 3 Sp, 2 dancer, (video), ens [Sopran, Bass, Sprecher, Tanz, Ensemble] | szenisches Oratorium für Sopran, Bariton und Kammerensemble (Fl.Ob.Kl.Va.Vc.Kb. 2xPerc.Piano und Harmonium) 2 Tänzer, 3 Sprecher sowie ein Elektroakustisches Zuspiel und eine Videoprojektion. |
PS C., STEAM Berlin | Musikakademie Rheinsberg | 2000 | Musikakademie Rheinsberg für das neue Schloßtheater anläßlich der Pfingstwerkstatt | Ortus | 0 | ||||||
| 31255 | Helmut | Zapf | LUD aus Partita II - Lydia | 2010 | fixed media, akusmatisch | 10:00:00 | vn or va, (elec ad lib) [Viola, Violine] | 0 | |||||||||||
| 26258 | Helmut | Zapf | Migration I | 2007 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | Stereo | ch, a-sax [Saxophon, Chor] | 4 - 8 stimmiger ch | PS | Klangwerkstatt Kreuzberg 2007 | 2007 | Klangwerkstatt Kreuzberg | 0 | |||||
| 31254 | Helmut | Zapf | Miriam | 2011 | live-elec, 1 perf | 25:00:00 | fl or pic-fl, (elec ad lib) [Flöte] | Suite in 6 Sätzen | 0 | ||||||||||
| 18154 | Helmut | Zapf | Motette | 1991 | radiophon | 17:00 | Stereo | zur 500-Jahrfeier der Entdeckung Amerikas | Funkhaus Berlin | 0 | |||||||||
| 21705 | Helmut | Zapf | ombre per organo | 1997 | Zuspiel / Tonband, 1 perf | org [Orgel] | Tape = Kassettenrecorder | PS C., STEAM Berlin | 0 | ||||||||||
| 26252 | Helmut | Zapf | ombre per organo II | 2004 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | org [Orgel] | Tape = CD | PS | 0 | ||||||||
| 24288 | Helmut | Zapf | parish-music | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 22603 | Helmut | Zapf | Partita | 1991 | Zuspiel / Tonband, 3 perf | vn, va, perc (Flexaton) [Schlagzeug, Viola, Violine] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 31256 | Helmut | Zapf | Partita II - Lydia - | 2010 | Zuspiel, live-elec, 1 perf | 32:00:00 | vn or va [Viola, Violine] | Diese Komposition besteht aus 5 Sätzen: Solo 1 für Violine oder Viola ; Solo 2 Elektronik solo ; Solo 3 für Violine oder Viola und Live-Elektronik und Zuspiel ; Solo 4 Elektronik solo ; Solo 5 für Violine oder Viola und Live-Elektronik und Zuspiel |
0 | ||||||||||
| 18155 | Helmut | Zapf | Psaume | 1990 | live-elec, 2 perf | Stereo | fl, hp [Flöte, Harfe] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 26257 | Helmut | Zapf | Randspiel | 2006 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | perc [Schlagzeug] | PS | 0 | |||||||||
| 18156 | Helmut | Zapf | Schütz- Musik | 1987 | fixed media, akusmatisch | 15:00 | also with slide-projections | AdK Berlin | 0 | ||||||||||
| 26254 | Helmut | Zapf | Skelett | 2006 | Zuspiel / Tonband, 3 perf | 20:00 | Stereo | cl, db, acc [Klarinette, Akkordeon, Kontrabass] | PS | 0 | |||||||||
| 21706 | Helmut | Zapf | square | 1998 | Zuspiel / Tonband, 4 perf | 30:00 | Quadro | vn, db, tpt, b-cl [Klarinette, Trompete, Violine, Kontrabass] | Tape = 4 Kassetrecorder or 4-channel-tape | PS C., STEAM Berlin | 0 | ||||||||
| 31257 | Helmut | Zapf | Störung | 2009 | Zuspiel / Tonband, 3 perf | 15:00:00 | p, 2 perc [Piano, Schlagzeug] | ICEM NovemberMusic 2009/ | 1 | ||||||||||
| 22604 | Helmut | Zapf | strumento del arco | 1994 | Zuspiel / Tonband, 3 perf | 18:00 | vn, va, perf [Viola, Violine, Performer] | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 31262 | Helmut | Zapf | Trio im Quadrat | 1998 | live-elec, 5 perf | 15:00:00 | 2 vn, vc, gui, acc, (elec) [Akkordeon, Gitarre, Cello, Violine] | 0 | |||||||||||
| 18157 | Helmut | Zapf | Wandlungen II, op. 32b | 1986 | Zuspiel / Tonband, 1 perf | 13:12 | trbn [Posaune] | BFP 002292/ WER 6528 DMR/ | AdK Berlin, PS Voigtländer | 18.11.1986 | Günter Heinz in der AdK der DDR (Kontakte IV) | 1 | 1990 | ||||||
| 31252 | Helmut | Zapf | wie im Himmel, also auch auf Erden | 2011 - 2012 | fixed media, akusmatisch | 18:00:00 | 12 Tracks, Spazialisation: Ambisonics | ICST Zürich | 20. Januar 2011 | Zürich | 0 | ||||||||
| 26260 | Helmut | Zapf | Zwischenzeit | 2008 | fixed media, akusmatisch | 17:00 | Stereo, Quadro | PS | 0 | ||||||||||
| 26113 | Group | Zapruda Trio | magic numbah | 2005 | live-elec, 3 perf | 3 elec [elektronik] | trio zapruda (Vincent, Hellström, Bower) bei Fylkingen November 2005, Live-Aufnahme | 0 | |||||||||||
| 35740 | Juan Pablo | Zaragoza | Church Voices | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 21081 | Zaraski | Noche cerrada | 1998 | fixed media, akusmatisch | 6:14 | LIEM CDMC Madrid | 0 | ||||||||||||
| 42685 | Richard | Zarou | Ad Vitam Aeternam | 2009 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 18158 | Franz | Zaunschirm | SOCA - Blutige Erde | 1994 | Film | 10:00 | SEM Salzburg | 0 | |||||||||||
| 36873 | Vanessa | Zaurrini | Living Spaces | 2017 | fixed media, akusmatisch | 5:23:00 | 0 | ||||||||||||
| 34848 | Vanessa, Jessica | Zaurrini, Turcotte | Silhouette | 2016 | audiovisuell | 5:26:00 | Stereo | JTTP 2016 participant | 0 | https://vimeo.com/165781716 | |||||||||
| 22443 | Ivan | Zavada | Realation Diplomatik | 2000 | fixed media, akusmatisch | 6:48 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 18159 | Anna | Zawadzka | A DUE | 1980 | fixed media, akusmatisch | 10:40 | Quadro | SME Krakow | 0 | ||||||||||
| 18160 | Anna | Zawadzka | Girare | 1985 | Zuspiel / Tonband, 1 perf | 11:34 | Stereo | perc [Schlagzeug] | 2 versions: for tape alone and for tape + perc | SX 2464/ polmic 008/ | ExpSt Warsaw, SME Krakow | 0 | 1990 | ||||||
| 22173 | Anna | Zawadzka | Glissbigliando | 1997 | Zuspiel / Tonband, 1 perf | 11:45 | Stereo | ob [Oboe] | ExpSt Warsaw | 0 | |||||||||
| 18161 | Barbara | Zawadzka | Ecce Homo | 1978 | fixed media, akusmatisch | 12:20 | Quadro | SME Krakow | 0 | ||||||||||
| 18162 | Barbara | Zawadzka | Esperanza | 1984 | fixed media, akusmatisch | 8:33 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 18163 | Barbara | Zawadzka | Greya | 1987 | fixed media, akusmatisch | 13:30 | Stereo | WJ 2000/ | ExpSt Warsaw | 1988 | Posen | Auszeichnung ars electronica 1988 | 1 | 1990 | http://archive.aec.at/prix/showmode/20870/ | ||||
| 18164 | Barbara | Zawadzka | Horizontal and vertical games | 1993 | Zuspiel / Tonband, 4 perf | Stereo | S, cl, sax, vc [Sopran, Klarinette, Saxophon, Cello] | GRAME Lyon | 0 | ||||||||||
| 38148 | Barbara | Zawadzka | Little Games | 2009 | live-elec, 1 perf, 1 group | 18:27 | inss [Instrument] | SME 2010/ | 0 | ||||||||||
| 18165 | Barbara | Zawadzka | Sources | 1987 | fixed media, akusmatisch | 37:33 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 18166 | Gustav | Zazel | Geburttag im ZOO | 1980 | fixed media, akusmatisch | 8:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 20956 | Michel | Zbar | La nuit d'Hermès | 1981 | fixed media, akusmatisch | 25:32 | Stereo | INA C 1017/ | INA • GRM | 0 | |||||||||
| 18167 | Michel | Zbar | Le vol d'Icare | Zuspiel / Tonband, 2 perf | oma, synt [synthesizer] | 0 | |||||||||||||
| 18168 | Michel | Zbar | Liber Duodecim Portarum | 1983 | fixed media, akusmatisch | 24:50 | Stereo | CD-Version 19:25 | INA C 1017/ INA ACM 1995/ | INA • GRM | INA.GRM | 30.5.1983 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||
| 20957 | Michel | Zbar | Novum Organum | 1993 | fixed media, akusmatisch | 22:15 | Stereo | INA C 1017/ | INA • GRM | 0 | |||||||||
| 18169 | Günther | Zechberger | die farbe der nacht | live-elec, 3 perf | a-sax, trbn, perc [Saxophon, Posaune, Schlagzeug] | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||||
| 18170 | Günther | Zechberger | Scopello | live-elec, 2 perf | bar-sax, trbn, [Saxophon, Posaune] | GEM 9701/ | 1 | ||||||||||||
| 18171 | Ruth | Zechlin | Vision zu Lilo Hermann | 1980 | Film | 4:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 18172 | Friedrich | Zehm | Tripelmusik | 1974 | Zuspiel / Tonband, 3 perf, 1 group | vn, Kbds, perc [Keyboard, Schlagzeug, Violine] | 0 | ||||||||||||
| 18173 | Ludwig | Zeininger | Etude für Sampler I | 1992 | fixed media, akusmatisch | 4:05 | ELAK Wien | 0 | |||||||||||
| 35244 | Zeitblom | Biomorph | 2003 | Klangkunst, Installation | ZKM Karlsruhe | November 2003 | TAT Frankfurt | 0 | |||||||||||
| 35247 | Zeitblom | Bioplex in Delay, to Begin Story Melody End |
2000 | Performance | 108 | TICK 1/ | 0 | ||||||||||||
| 35243 | Zeitblom | Bioskop | 2006 | Klangkunst, Installation | audiovisuell |
Kino-Installation | 2006 | Tesla Berlin | 0 | |||||||||||
| 35245 | Zeitblom | In die feuchten Wälder gehen | 1997 | Performance | 50 | acc, gui, 2 V [Stimme, Akkordeon, Gitarre] | 13 parts | mm yves 01962 monochrome music/ |
September 1997 | Klangwerkstatt Berlin | 0 | ||||||||
| 35248 | Zeitblom | Sophisticated Building by blind bulldozing | 2001 | audiovisuell | 45 | TICK 3/ | 0 | ||||||||||||
| 35246 | , Christian | Zeitblom, Fennesz, Rantasa | Music for an Isolation Tank | 1999 | Performance | 56 | RHIZ 007 P1.0/ | 0 | |||||||||||
| 35249 | , Kalle | Zeitblom, Laar | Das Warheads-Oratorium | 2001 | radiophon | 10:28 | Text by Michael Farin, Romuald Karmakar | intermedium rec 006/ | BR München | 0 | |||||||||
| 36496 | Group | Zeitkratzer | Performance, live-elec, | DUX 0811/ | 0 | ||||||||||||||
| 18174 | Istvan | Zelenka | Ein Zwischenspiel | 1960 | Oper | Mono | ELAK Wien | 0 | |||||||||||
| 18175 | Istvan | Zelenka | Psalmus | 1962 | fixed media, akusmatisch | 3:10 | Mono | ELAK Wien | 0 | ||||||||||
| 18176 | Ilja | Zeljenka | 65 miliónov | 1961 | Film | 21:00 | Mono | Radio Bratislava | 0 | ||||||||||
| 18177 | Ilja | Zeljenka | Altamira II | 1993 | fixed media, akusmatisch | 5:08 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 33338 | Ilja | Zeljenka | Dáma v ciernom | 1962 | Film | 4 | Mono | Radio Bratislava | 0 | ||||||||||
| 33343 | Ilja | Zeljenka | Den sv. Ladislava | 1963 | Film | 3:10 | Radio Bratislava | 0 | |||||||||||
| 33348 | Ilja | Zeljenka | Kazdy tyzden 7 dni | 1965 | Film | 8:10 | Radio Bratislava | 0 | |||||||||||
| 18178 | Ilja | Zeljenka | Kozmos | 1963 | Tanz | Fernsehen, |
5:52 | Mono | Radio Bratislava | 0 | ||||||||||
| 33347 | Ilja | Zeljenka | Muzi vo vyskach | 1964 | Film | 3:20 | Radio Bratislava | 0 | |||||||||||
| 33344 | Ilja | Zeljenka | Muzi z Gaderskej doliny | 1963 | Film | 4:50 | Radio Bratislava | 0 | |||||||||||
| 33342 | Ilja | Zeljenka | Nezabudnutá dedina | 1963 | Film | Radio Bratislava | 0 | ||||||||||||
| 33341 | Ilja | Zeljenka | Operácia X | 1963 | Film | 6 | Radio Bratislava | 0 | |||||||||||
| 18179 | Ilja | Zeljenka | Polymetria II | 1993 | fixed media, akusmatisch | 8:05 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 18180 | Ilja | Zeljenka | Polymetricka hudba | 1992 | fixed media, akusmatisch | 12:47 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 33339 | Ilja | Zeljenka | Slnko v sieti | 1962 | Film | 10:30 | Radio Bratislava | 0 | |||||||||||
| 33346 | Ilja | Zeljenka | Stretnutie | 1964 | Film | Radio Bratislava | 0 | ||||||||||||
| 18181 | Ilja | Zeljenka | Stúdia 0,2, Stúdia 0,3 | 1962 | fixed media, akusmatisch | 7:45 | Mono | Radio Bratislava | 0 | ||||||||||
| 18182 | Ilja | Zeljenka | Study 0, 3 | 1967 | fixed media, akusmatisch | 2:50 | Mono | SUA 10951/ Creel Pone 39/ SUA DV 6221/ | CECM Bratislava | 1 | |||||||||
| 33340 | Ilja | Zeljenka | Voda a práca | 1963 | Film | 9:15 | Radio Bratislava | 0 | |||||||||||
| 33345 | Ilja | Zeljenka | Vstupujeme do doby atomovej | 1964 | Film | 2:10 | Radio Bratislava | 0 | |||||||||||
| 18183 | Ilja | Zeljenka | Zotrvacnost | 1965 | Film | 3:00 | Mono | Radio Bratislava | 0 | ||||||||||
| 41644 | Jean-Baptiste | Zellal | Metroïd | 2018 | fixed media, akusmatisch | 11:37:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 39524 | Xenia | Zemskaja | BUTTERFLY IN A JAR | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 18184 | Hans | Zender | Animula | 1988 | Zuspiel / Tonband, 9 perf, 1 group | 11:00 | fem ch, 9 ins [Instrument, Chor] | 0 | |||||||||||
| 18185 | Hans | Zender | Bremen Wodu | 1968 | fixed media, akusmatisch | 6:25 | Quadro | with A. Feußer (sp) | HfMT Köln | 0 | |||||||||
| 18186 | Hans | Zender | Canto III (Der Mann von La Mancha) | 1968 | live-elec, 3 perf, 1 group | 15:00 | S, T, Bar, ens [Sopran, Tenor, Bariton, Ensemble] | 0 | |||||||||||
| 18187 | Hans | Zender | Don Quijote | 1993 | Oper, live-elec, | 130:00 | Experimentalstudio für Akustische Kunst Freiburg, HfM Frankfurt | Oper Stuttgart & Donaueschinger Musiktage | 0 | ||||||||||
| 34991 | Hans | Zender | Don Quijote de la Mancha - 19 Theatralische Abenteuer | 1989 - 1994 | Musiktheater | ch, orc, 2 V [Stimme, Chor, Orchester] | Experimentalstudio für Akustische Kunst Freiburg, Frankfurt LAB | 8.12.2016 | Frankfurt LAB, UA der Frankfurter Fassung | 0 | |||||||||
| 18188 | Hans | Zender | Elemente | 1976 | fixed media, akusmatisch | 25:00 | Stereo | 0 | |||||||||||
| 18189 | Hans | Zender | HÖLDERLIN LESEN II | 1987 | live-elec, 2 perf | 14:00 | Sp, va [Sprecher, Viola] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 18190 | Hans | Zender | Stephen Climax | 1985 | Zuspiel / Tonband, 3 groups | ch, children ch, orc [Chor, Orchester] | edel 0085007 ACA/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 42826 | Jinghong | Zhang | Karma | 2013 | fixed media, akusmatisch | 6:35:00 | 0 | ||||||||||||
| 43045 | Jinghong | Zhang | (Xuanyang Esoterica) Another World | 2014 | fixed media, akusmatisch | 7:48:00 | 0 | ||||||||||||
| 39451 | Mengtai | Zhang | Touched Mute | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 39452 | Mengtai, Yingjia | Zhang, Guo | Transplantation | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 32541 | Nan | Zhang | Souveräne Nonchalance | 2009 | Klangkunst, Installation | 5 tracks | Kopfhörer an Statuen | Incontri HMTM Hannover | 15.8.2009 | Herrenhäuser Gärten, Hannover, Musik21 Festival | 0 | ||||||||
| 32550 | Nan | Zhang | Trotz Symmetrie-Miniatur eines verfontänten Barockgartens | 2009 | Klangkunst, Installation | Quadro | 4 Mikrofone, 4 Lautsprecher an 4 Fontänen und 4 Sitzbänken | Incontri HMTM Hannover | 15.8.2009 | Herrenhäuser Gärten, Hannover, Musik21 Festival | 0 | ||||||||
| 40346 | Zhaoyu | Zhang | Night Snow | 2016 | fixed media, akusmatisch | Zhaoyu Zhang | 0 | ||||||||||||
| 39736 | Dong | Zhou | Grinding | 2014, 2016 | live-elec, 1 perf | vn (elec) [Violine] | Dong Zhou | 02.07.2016 | Hamburg University of Music and Drama Violin: Meifan Jiang |
0 | https://youtu.be/gSwIQrd9JCg | ||||||||
| 37260 | Dong | Zhou | Jia | 2017 | Performance, live-elec, 1 perf | 8:00:00 | vn and actor (elec) [Violine, Schauspieler] | ZM4 Hamburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 34623 | Dong | Zhou | Schizophonic | 2016 | audiovisuell, live-elec, 1 perf | b-cl (elec, live video) [Klarinette] | SMC2016 | 0 | https://soundcloud.com/shimo_zhou/schizophonic2016 | ||||||||||
| 42033 | Dong | Zhou | Tube Song | 2018 | fixed media, akusmatisch | 7:34 | 0 | https://soundcloud.com/shimo_zhou/tube-song-2018 | |||||||||||
| 18191 | Mara | Zibens | Nocturne (White Streak on Film) | 1986 | fixed media, akusmatisch | 2:51 | CEC DISContact_1/ CEC Presence 1/ | Con Toronto | 0 | ||||||||||
| 18798 | Mara | Zibens | Siquppalavuk/It Sounds Like Breathing | 1994 | fixed media, akusmatisch | 2:40 | Stereo | CEC DISContact_2/ | Con Toronto | 1 | |||||||||
| 18799 | Mara | Zibens | Whiteout | 1996 | fixed media, akusmatisch | 2:51 | Stereo | CEC DISContact_2/ | Con Toronto | 1 | |||||||||
| 18192 | David | Zicarelli | The Sound of America Screaming | 1987 | live-elec, 1 perf | 6:23 | perf, (interactive composition environment, MIDI) [Performer] | CCRMA | 0 | ||||||||||
| 23239 | Brett | Ziegler | Graveyard Shift | 2001 | fixed media, akusmatisch | 6:23 | JTTP 2002 | CEC Cache 2002/ | SFU | winner JTTP 2002 2. prize | 1 | ||||||||
| 39431 | Lidia | Zielinska | 53 Breaths | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 18193 | Lidia | Zielinska | Artificial Cult | 1985 | Musiktheater | audiovisuell |
tape, video tape, neons and visual | 0 | ||||||||||||
| 39098 | Lidia | Zielinska | Atlas of Polish sound symbols | 2000 | radiophon | 0 | |||||||||||||
| 39095 | Lidia | Zielinska | Ballad sopra Ballata | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 39106 | Lidia | Zielinska | Conrad’s Seven Isles | 2007 | live-elec, 10 perf | 10 amp ins [Instrument] | 0 | ||||||||||||
| 39101 | Lidia | Zielinska | dumchrzquii | 2004 | fixed media, akusmatisch | 0 | |||||||||||||
| 18194 | Lidia | Zielinska | Eh Joe (monodrama) | 1978 | Zuspiel / Tonband, 1 perf, 1 group | mime, orc [Schauspieler, Orchester] | 0 | ||||||||||||
| 33063 | Lidia | Zielinska | Expandata | 1997 | Zuspiel / Tonband, 1 perf | 7:13:00 | snare-drum [Schlagzeug] | WJ 2000/ polmic 008/ WJ 2000/ | HfM Krakow, PS C. | 1 | |||||||||
| 39096 | Lidia | Zielinska | Expandata | 1997 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 1 | ||||||||||||
| 38139 | Lidia | Zielinska | Fago | 1992 | Zuspiel / Tonband, 4 perf | 14:00 | Stereo | bn, db, acc, kbd [Fagott, Keyboard, Akkordeon, Kontrabass] | 0 | ||||||||||
| 18195 | Lidia | Zielinska | Feature Piece | 1987 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | sax [Saxophon] | ExpSt Warsaw | 0 | |||||||||
| 39105 | Lidia | Zielinska | From the Garden of Sciences | 2006 | live-elec, 1 group | ch [Chor] | to the text from the Book of Kohelet | 0 | |||||||||||
| 38138 | Lidia | Zielinska | Graphic 2 | 1991 | live-elec, 10 perf | 10 ins [Instrument] | 0 | ||||||||||||
| 18196 | Lidia | Zielinska | Heldenleben, Overheard and Spied on | 1986 | Musiktheater | audiovisuell |
audio tape, video tape and shadowgraph | 0 | ||||||||||||
| 39104 | Lidia | Zielinska | It’s Happened Before | 2006 | Klangkunst, Installation | 0 | |||||||||||||
| 38144 | Lidia | Zielinska | Just too many words | 2001 | fixed media, akusmatisch | Au.diom.at/ | 0 | https://www.discogs.com/de/Various-Resonance-Cime/release/5975714 | |||||||||||
| 38141 | Lidia | Zielinska | Like These White Mice | 1996 | radiophon | 0 | |||||||||||||
| 39103 | Lidia | Zielinska | Lunches in Rejowiec 1965-1565 | 2006 | fixed media, akusmatisch | 0 | |||||||||||||
| 39097 | Lidia | Zielinska | Motetus universalis | 1997 | Klangkunst, Installation | installation | 0 | ||||||||||||
| 18197 | Lidia | Zielinska | Mrs. Koch | 1981 | Oper, 1 perf, 2 groups | V, ch, ens [Stimme, Ensemble, Chor] | 0 | ||||||||||||
| 38137 | Lidia | Zielinska | Musica humana or How Symphonies Are Born | 1989 | radiophon | 0 | |||||||||||||
| 18198 | Lidia | Zielinska | Musique pour Stanislaw Wypianski | 1985 | fixed media, akusmatisch | 22:12 | IPEM Gent | 0 | |||||||||||
| 39099 | Lidia | Zielinska | Nobody is Perfect | 2004 | live-elec, 17 perf | 17 ins [Instrument] | 1 | ||||||||||||
| 18199 | Lidia | Zielinska | Polish Dances | 1986 | fixed media, akusmatisch | 9:11 | Stereo | According to Priest Baka | ExpSt Warsaw | 0 | |||||||||
| 18200 | Lidia | Zielinska | PRELUDIUM i FUGA | 1981 | Zuspiel / Tonband, 1 perf | 22:02 | Quadro | fl [Flöte] | SME Krakow | 0 | |||||||||
| 39100 | Lidia | Zielinska | Rhapsody | 2004 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 22910 | Lidia | Zielinska | Schon wieder diese weißen Mäuse | 1996 | fixed media, akusmatisch | 8:47 | Elektron EM 1001/ | 1 | |||||||||||
| 18201 | Lidia | Zielinska | Short Piece | 1992 | live-elec, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 38140 | Lidia | Zielinska | Short piece | 1992 | live-elec, 1 perf | fl, (com) [Flöte] | flute and computer or computer and tape | 0 | |||||||||||
| 18202 | Lidia | Zielinska | STUDIUM I | 1979 | fixed media, akusmatisch | 4:05 | Quadro + Mono | SME Krakow | 0 | ||||||||||
| 39102 | Lidia | Zielinska | The Cases of Mr von K. ("Die Fälle des Herrn von K.") | 2005 | Tanz | a full-spectacle ballet | 0 | ||||||||||||
| 38143 | Lidia | Zielinska | The eighth island | 2008 | fixed media, akusmatisch | 0 | https://www.discogs.com/de/Various-UND%C3%86/release/4652658 | ||||||||||||
| 38142 | Lidia, Aleksandra | Zielinska, Korejwo | AKO | 1986 | Performance | cartoon, mixed media | 0 | ||||||||||||
| 33146 | Maciej | Zielinski | Fallen Angel | 2003 | Zuspiel / Tonband, 1 perf | 11:32 | perc [Schlagzeug] | for percussion and tape | WJ 2004/ | PWM | 1 | ||||||||
| 37672 | Elena | Zieser | Wiederaufnahme | 2017 | Klangkunst, Installation | loop 10 | Octo | Klanginstallation mit acht Lautsprechern, 10 Minuten im Loop. | 28.9.2017 - 1.10.2017 | Kontakte17 Festival, AdK Berlin, Studiofoyer | 0 | ||||||||
| 37872 | Michael | Ziffels | Das erfolgreiche Bestreben, perfekt zu sein | fixed media, akusmatisch | 9:50 | ICEM Essen | 0 | ||||||||||||
| 37544 | Michael | Ziffels | Komposition 1 | 1986 | live-elec, | 6:50:00 | Quadro | Synlab | ICEM Essen | 0 | |||||||||
| 37545 | Michael | Ziffels | Lumis In | 1984 | live-elec, | 6:51:00 | Stereo | Synlab: Computer | ICEM Essen | 0 | |||||||||
| 18203 | Michael | Ziffels | Selbstportrait mit Brille | 1987 | intermedia | 15:03 | Quadro | with light and objects | ICEM Essen | 0 | |||||||||
| 24495 | Daniel | Zimbaldo | A palo seco | 2000 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 21620 | Daniel | Zimbaldo | Au-delà du miroir | 1998 | fixed media, akusmatisch | 3:01 | CEC Presence 2/ | 1 | |||||||||||
| 19188 | Daniel | Zimbaldo | Cartas desde el real hospital de lunaticos | 1982 | Zuspiel / Tonband, 1 perf, 1 group | 21:41 | S, ens [Sopran, Ensemble] | LDC 278060/61 Cultures Electroniques 9/ | LIEM CDMC Madrid, ELAK Wien | Prix Bourges 1996 | 1 | ||||||||
| 18204 | Daniel | Zimbaldo | Estudio sobre una configuración fractal | 1992 | fixed media, akusmatisch | 12:13 | Stereo | CEC Presence 1/ | LIEM CDMC Madrid | CDMC-Fundaciõn Cajamadrid | Competition Musica Nova Prag 1994 | 1 | |||||||
| 21940 | Daniel | Zimbaldo | Introspeccion | 1985 | fixed media, akusmatisch | 9:55 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18205 | Daniel | Zimbaldo | La llave de Cristal | 1990 | fixed media, akusmatisch | 6:12 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 18206 | Daniel | Zimbaldo | Las Escaleras del Diablo | 1992 | Zuspiel / Tonband, 1 perf | 6:10 | Stereo | p [Piano] | LIEM CDMC Madrid, GME Cuenca | 0 | |||||||||
| 18567 | Daniel | Zimbaldo | Le cri étouffée | 1997 | fixed media, akusmatisch | 8:10 | Stereo | música electroacústica española 1/ | IMEB Bourges | 1 | |||||||||
| 18207 | Daniel | Zimbaldo | Naturaleza Muerta | 1984 | fixed media, akusmatisch | 7:50 | Stereo | CBA 5 Musica electroacustica española 3/ | LIEM CDMC Madrid, IMEB Bourges | 1 | |||||||||
| 18951 | Daniel | Zimbaldo | Ritual of the Rose | 1994 | fixed media, akusmatisch | 0:31 | CEC DISContact_2/ | 1 | |||||||||||
| 26114 | Daniel | Zimbaldo | Sonata Opus 10 | 2003 | fixed media, akusmatisch | 22:30 | LDC 2781132 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 18566 | Daniel | Zimbaldo | Voz maleva | 1993 | fixed media, akusmatisch | 10:52 | Stereo | IMEB Bourges | Competition Musica Nova Prag 1995 | 0 | |||||||||
| 33405 | Roger | Zimmerman | Anti-dance 1 | 1966 | fixed media, akusmatisch | Mono | radar-room: audio derived from radar patterns | UCLA | 0 | ||||||||||
| 18208 | Bernd Alois | Zimmermann | Die Soldaten | 1958 - 1960, 1963 | Oper, live-elec, 62 perf, 1 group | ≈ 135 | Quadro | 20 actor and singer, 4 fl, 3 ob, 4 cl, a-sax, 3 bn, 5 hn, 4 tpt, 1 b-tpt, 4 trbn, tuba, tim, perc, 2 hp, gui, celesta, hpd, str, (On stage) tim, perc, 2 e-org, jazz-combo (cl, tpt, e-gui, db) [Stimme, Flöte, Klarinette, Oboe, Saxophon, Fagott, Horn, Trompete, Posaune, Tuba, Piano, Gitarre, Harfe, Schlagzeug, Schauspieler, Ensemble] | Oper in 4 Akten. Auch als Vokalsinfonie für sechs Solisten und Orchester. Libretto vom Komponisten nach dem Schauspiel „Die Soldaten“ von Jakob Lenz (1775) |
WER 60030/ DMR 1007-09/ | Oper Köln | 15.2.1965 | Köln, Oper | Schott Music | 1 | http://bernd-alois-zimmermann-gesellschaft.org/werkverzeichnis.htm | |||
| 28119 | Bernd Alois | Zimmermann | Melusine | 1956 | radiophon | 8:50 | (Ivan Goll) | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | WDR SEM | 1 | |||||||||
| 18882 | Bernd Alois | Zimmermann | Musique pour les soupers du roi Ubu | 1966 | Tanz | orc [Orchester] | after „König Ubu“ by Alfred Jarry | DMR 1013-15/ | 1 | ||||||||||
| 18209 | Bernd Alois | Zimmermann | Requiem für einen jungen Dichter, Prolog Requiem I Requiem II Rappresentazione Elegia Tratto Lamento Dona nobis pacem |
1967/1969 | Zuspiel / Tonband, 5 perf, 5 groups | 65:27 73:08 | Stereo, Quadro, Octo | 2 Sp, S, Bar, 3 ch, orc, jazz-combo, org [Sopran, Bariton, Sprecher, Orgel, Ensemble, Chor, Orchester] | Lingual (lingua & ritual); after textes by diverse poets, Berichten und Reportagen | Cybele SACD 860.501/ Sony 61995/ WER 60180-50/ | WDR SEM | WDR 1969 | 11.12.1969 | Düsseldorf Rheinhalle | 1 | ||||
| 18210 | Bernd Alois | Zimmermann | Tratto I, Tratto | 1967 | fixed media, akusmatisch | 15:01 | Quadro | Komposition für elektronische Klänge in Form einer choreographischen Studie (1965-1967). Prof. Heinz Schroeter, Direktor der Staatlichen Hochschule für Musik in Köln, und Prof. Dr. Herbert Eimert, Leiter der elektronischen Studios der Kölner Musikhochschule, in Dankbarkeit zugeeignet. |
WER 60031/ IDEAMA CD 016/ | HfMT Köln | 29.11.1967 | HfMT Köln | Schott | 1 | |||||
| 18211 | Bernd Alois | Zimmermann | Tratto II | 1969 | fixed media, akusmatisch | 12:11 | Quadro | Archiv of the TU-Berlin holds the only original quadro-copy of this piece on magnetic film (35mm Magnetfilm) | WER 60062/ WER 67762/ | HfMT Köln | Arbeitsgemeinschaft IMAG-NOWEA für die deutsche Beteiligung an der Weltausstellung „Expo ‘70“ in Osaka |
14.3.1970 | EXPO Osaka 1970 | 1 | |||||
| 18212 | Heinz Werner | Zimmermann | Agnus dei | 1973 | Zuspiel / Tonband, | 4:23 | Stereo | TU Berlin | 1 | ||||||||||
| 18213 | Rolf | Zimmermann | Die Schüssel | 1965 | radiophon | 20:00 | Mono | RFZ Berlin | 0 | ||||||||||
| 18214 | Rolf | Zimmermann | Ehering in der Westentasche | 1965 | Fernsehen, | 10:00 | Mono | Subharchord | RFZ Berlin | 0 | |||||||||
| 18215 | Udo | Zimmermann | Der Schuhu und die fliegende Prinzessin | 1975 | Oper | Text: Peter Hacks | 0 | https://de.wikipedia.org/wiki/Der_Schuhu_und_die_fliegende_Prinzessin_(Oper) | |||||||||||
| 18216 | Walter | Zimmermann | Akkord-Arbeit | Zuspiel / Tonband, 1 perf, 1 group | p, orc [Piano, Orchester] | 0 | |||||||||||||
| 27528 | Walter | Zimmermann | Ursache und Vorwitz | 1993 - 1994 | Zuspiel / Tonband, 5 perf | 13:37 | hn, vn, vc, p, perc [Horn, Piano, Schlagzeug, Cello, Violine] | mode 111/ | 0 | http://www.moderecords.com/catalog/111zimmermann.html | |||||||||
| 21721 | Carlos | Zingaro Alves | BLOOD POOL | 1997 | live-elec, 2 perf | 5:30 | com, (proc live acoustics,) vn [Violine, computer] | HHH 001 AnAnAnA CD Portugal/ | PS C. ZNGR-Nature Morte | 0 | |||||||||
| 21733 | Carlos | Zingaro Alves | BODY PARTS | fixed media, akusmatisch | 4:18 | 0 | |||||||||||||
| 21732 | Carlos | Zingaro Alves | CAGE OF SAND | fixed media, akusmatisch | 4:45 | 0 | |||||||||||||
| 21736 | Carlos | Zingaro Alves | CLUSTER #5 | 1997 | live-elec, 4 perf, 2 groups | 5:07 | vn, gui, Vs, Kbds [Stimme, Keyboard, Gitarre, Violine] | AudEo CD0197 Portugal/ | PS C. ZNGR-Nature Morte | 0 | |||||||||
| 21727 | Carlos | Zingaro Alves | DESESPERO RITUAL | fixed media, akusmatisch | 5:23 | 0 | |||||||||||||
| 21731 | Carlos | Zingaro Alves | DEVIL ANGEL | fixed media, akusmatisch | 6:10 | 0 | |||||||||||||
| 21724 | Carlos | Zingaro Alves | DRAFTS | 2000 | Tanz, live-elec, 2 perf | 75:00 | com, (proc live acoustics,) vn [Violine, computer] | for live dance performance | Schaubühne Leipzig | 0 | |||||||||
| 21722 | Carlos | Zingaro Alves | HAIKUS URBAINS 15/41 | 1997 | live-elec, 2 perf | com, (proc live acoustics,) vn [Violine, computer] | Cave CD12D02 Switzerland/ | PS C. ZNGR-Nature Morte | 0 | ||||||||||
| 21735 | Carlos | Zingaro Alves | INCORRECTO | fixed media, akusmatisch | 5:51 | 0 | |||||||||||||
| 21725 | Carlos | Zingaro Alves | MITOS, SONHOS, REALIDADES | 1997 | Klanginstallation, live-elec, 3 perf | 15:00 | vn, db, cl [Klarinette, Violine, Kontrabass] | Portugal Pavillion at 1998 Expo Lisbon | PS C. ZNGR-Nature Morte | 0 | |||||||||
| 21734 | Carlos | Zingaro Alves | OPEN SERIES | fixed media, akusmatisch | 4:33 | 0 | |||||||||||||
| 21718 | Carlos | Zingaro Alves | PERIFERIA | live-elec, 5 perf, 1 group | 3:56 | vn, (elec), a-sax or b- sax, prep p, db, Vs [Stimme, Saxophon, Piano, Violine, Kontrabass] | InSitu IS 164/ | 0 | |||||||||||
| 21719 | Carlos | Zingaro Alves | PREPARATIONS | 1993 | live-elec, 3 perf | 8:11 | vn, (elec), a-sax or b-sax, prep p [Saxophon, Piano, Violine] | InSitu IS164/ BASTA/ | CCAM Vandoeuvre-Les-Nancy | 0 | |||||||||
| 21729 | Carlos | Zingaro Alves | RELEASE FROM TENSION | fixed media, akusmatisch | 5:47 | 0 | |||||||||||||
| 21720 | Carlos | Zingaro Alves | RIVISITAZIONE dELLA STORIA | 1998 | live-elec, | Real Ambient Vol.1 CD NW5101-2 Germany/ | PS C. ZNGR-Nature Morte | 0 | |||||||||||
| 21726 | Carlos | Zingaro Alves | TRAÇOS | fixed media, akusmatisch | 4:00 | 0 | |||||||||||||
| 21728 | Carlos | Zingaro Alves | UNTITLED #3 | fixed media, akusmatisch | 4:26 | 0 | |||||||||||||
| 21730 | Carlos | Zingaro Alves | WAY OUT | fixed media, akusmatisch | 3:14 | 0 | |||||||||||||
| 21723 | Carlos | Zingaro Alves | X.RAY | 1999 | Tanz, live-elec, 2 perf | 70:00 | com, (proc live acoustics,) vn [Violine, computer] | for live dance performance | PS C. ZNGR-Nature Morte | 0 | |||||||||
| 21738 | Carlos, Daunik | Zingaro Alves, Lazro | AIRES | fixed media, akusmatisch | 14:48 | 0 | |||||||||||||
| 21740 | Carlos, Daunik | Zingaro Alves, Lazro | FLÈCHES VERS LE SOLEIL 1 | 1995 | live-elec, 2 perf | 5:55 | vn, a-sax or b-sax [Saxophon, Violine] | Potlatch CD P498 France/ | GRIM-Cité de La Musique / Marseille | 0 | |||||||||
| 21737 | Carlos, Daunik | Zingaro Alves, Lazro | GRAVIR LA MONTAGNE 1 | fixed media, akusmatisch | 5:18 | 0 | |||||||||||||
| 21739 | Carlos, Daunik | Zingaro Alves, Lazro | NINHOS DA ÁGUIA | fixed media, akusmatisch | 9:40 | 0 | |||||||||||||
| 21741 | Carlos, Richard | Zingaro Alves, Teitelbaum | AGORA NADA | 1987 | live-elec, 2 perf | 9:18 | vn, synt, (com) [Violine, synthesizer] | 0 | |||||||||||
| 21743 | Carlos, Richard | Zingaro Alves, Teitelbaum | GOLEM SKETCHES | 1987 | fixed media, akusmatisch | 23:38 | Victo CD 03/ | SRC Radio Canada | 0 | ||||||||||
| 21746 | Carlos, Richard | Zingaro Alves, Teitelbaum | THE GHOSTS OF SREBRENICA | 1992 | live-elec, 3 perf | 3:35 | vn, (com), Kbd, p [Piano, Keyboard, Violine] | Victo CD 03/ | ACARTE Gulbenkian Foundation Lisbon | 0 | |||||||||
| 21742 | Carlos, Richard | Zingaro Alves, Teitelbaum | THE SEA BETWEEN | 1987 | live-elec, 2 perf | 13:07 | vn, synt, (com) [Violine, synthesizer] | Victo CD 03/ | 0 | ||||||||||
| 37259 | Rica, Mathias, Stefan, Oliver | Zinn, Josefson, Troschka, Frei | WiiNet | 2016 | live-elec, 4 perf | 7:00:00 | 4 com (Wii-Controller) [computer] | ZM4 Hamburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 18217 | Peter | Zinovieff | A Lollipop for Papa, A Lollipop for Papa Haydn | 1968 | fixed media, akusmatisch | 7 | Stereo | {2x Haydn ident?}. A MUSYS Programme | EMS_London | 0 | |||||||||
| 18218 | Peter | Zinovieff | Agnus Dei | 1966 | fixed media, akusmatisch | 20:00 | Stereo | EMS_London, PS Delta Plus London | 0 | ||||||||||
| 18219 | Peter | Zinovieff | Concourse (part 1 of M-Piriform) | 1969 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | EMS_London | 0 | ||||||||||
| 18220 | Peter | Zinovieff | December Hollow | 1968 | fixed media, akusmatisch | Stereo | {= Dec. Quartet?} | EMS_London | 0 | ||||||||||
| 18221 | Peter | Zinovieff | December Quartet | 1967 | fixed media, akusmatisch | 10:00 | Stereo | {= Dec. Hollow?} | EMS_London | 0 | |||||||||
| 18222 | Peter | Zinovieff | Four Sacred April Rounds | 1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 18223 | Peter | Zinovieff | Haydn Variations | 1969 | fixed media, akusmatisch | Stereo | EMS demo disc/ | EMS_London | 0 | ||||||||||
| 18224 | Peter | Zinovieff | January tensions | 1968 | fixed media, akusmatisch | 10:30 | Stereo | AUS 012000/ | EMS_London | 0 | http://en.wikipedia.org/wiki/Electronic_Music_Studios | ||||||||
| 18225 | Peter | Zinovieff | July Twentieth | 1969 | fixed media, akusmatisch | 7:00:00 | Stereo | EMS_London | 0 | ||||||||||
| 18227 | Peter | Zinovieff | Partita for Unattended Computer | 1968 | live-elec, | 7:00 | EMS_London | 0 | |||||||||||
| 18228 | Peter | Zinovieff | Tarantella | 1966 | fixed media, akusmatisch | 5:00 | Stereo | EMS_London, PS Delta Plus London | 0 | ||||||||||
| 18226 | Peter, Alan | Zinovieff, Sutcliffe | March Probabilistic | 1968 | fixed media, akusmatisch | 8:00 | Stereo | EMS_London | 0 | ||||||||||
| 18229 | Peter, Alan | Zinovieff, Sutcliffe | ZASP | 1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 18230 | Gérard | Zinstag | Artifices I | 1982/1983 | Zuspiel, live-elec, 1 perf, 1 group | 20:00 | Stereo + Stereo | ens, synt [synthesizer, Ensemble] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||
| 18231 | Gérard | Zinstag | Artifices II | 1988 | Zuspiel, live-elec, 1 group | Stereo + Stereo | ens [Ensemble] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 18232 | Gérard | Zinstag | Tatastenfelder | 1975 | Musiktheater, 4 perf | 12:00 | 3 perf (typewriters), p [Piano, Performer] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 36434 | Stefan | Zintel | Inner / Outer Circle | 2010 | Klangkunst, Installation | 4:57:00 | Besenkammer bb 03/ | 0 | |||||||||||
| 22075 | Stefan | Zintel | Zeit-Raum-Bewegung | fixed media, akusmatisch | 4:29 | Von CD " Gezeiten/Acht Stücke über die Zeit" | HBK Saar/ | HBK Saar | 1 | ||||||||||
| 18233 | Pawel | Ziolo | Aequora solis | 1978 | Zuspiel / Tonband, 1 perf | 10:20 | Stereo | A [Alt] | SME Krakow | 0 | |||||||||
| 18234 | Pawel | Ziolo | Sonata gregoriana | 1979 | Zuspiel / Tonband, 1 perf | 14:32 | Quadro | org [Orgel] | SME Krakow | 0 | |||||||||
| 18235 | Zagorka | Zivkovic | Den frånvarande strukturen | 1985 | radiophon | 36:00 | Stereo | txtcompo | EMS Stockholm | 0 | |||||||||
| 18236 | Zagorka | Zivkovic | Extension I | 1982 | fixed media, akusmatisch | 9:02 | Stereo | EMS Stockholm | 1 | 1983 | |||||||||
| 18237 | Zagorka | Zivkovic | Extension II | 1983 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 18238 | Zagorka | Zivkovic | Kommunicerande Kärl | 1981 | Film | EMS Stockholm | 0 | ||||||||||||
| 18239 | Zagorka | Zivkovic | The Raw and the cooked | 1984 | Zuspiel / Tonband, | EMS Stockholm | 0 | ||||||||||||
| 18240 | Wilhelm | Zobl | Ändere die Welt, sie braucht es | 1973 | fixed media, akusmatisch | 15:00 | Stereo | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ LDC 278055 Cultures Electroniques 6 Magisterium/ | ExpSt Warsaw | Karl-Sczuka-Preis 1973 | 1 | ||||||||
| 18241 | Wilhelm | Zobl | Barbarella landet auf Uranus | 1970 | fixed media, akusmatisch | 5:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 18242 | Wilhelm | Zobl | Böhmen liegt am Meer | Musiktheater | ELAK Wien | 0 | |||||||||||||
| 18243 | Wilhelm | Zobl | Gastroenteroanastomase | 1971 | fixed media, akusmatisch | 12:40 | Stereo | Version I/2 | ELAK Wien | 0 | |||||||||
| 18244 | Wilhelm | Zobl | Gegenstimme, (concert version of "Böhmen liegt am Meer") | 1978/1979 | Zuspiel / Tonband, 2 perf | V, vc [Stimme, Cello] | ELAK Wien | 0 | |||||||||||
| 18245 | Wilhelm | Zobl | O Amor Brasileiro Nr. 2 | 1989 | fixed media, akusmatisch | 11:09 | Stereo | Cactus 8006/ Ha Ha CD 1015/ | ELAK Wien | 1 | |||||||||
| 18246 | Wilhelm | Zobl | Vaelihuone | 1971 | fixed media, akusmatisch | 15:20 | Stereo | ELAK Wien | 0 | ||||||||||
| 18247 | Wilhelm | Zobl | Zwischenraum | 1971 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 38811 | Veronika, Felix | ZOTT, KUBIN | Art´s Birthday 2011 - testest | 2011 | radiophon | 26:41:00 | 0 | ||||||||||||
| 18248 | Vit | Zouhar | Bewegungen | 1994 | live-elec, 1 perf | com [computer] | ISPW | IEM Graz | 0 | ||||||||||
| 18249 | Vit | Zouhar | Wide Crossing | 1994 | fixed media, akusmatisch | ISPW | IEM Graz | Competition Musica Nova Prag 1995 | 0 | ||||||||||
| 38812 | Sabine, François | ZOVIGHIAN, PéRACHE | De guerre en fils | 2017 | radiophon | 6:00:00 | 6 parts | Prix Phonurgia nova 2017 francophone fictions award | 0 | https://www.arteradio.com/serie/de_guerre_en_fils | |||||||||
| 39110 | Agata | Zubel | Between | 2008 | Tanz, live-elec, 1 perf, 1 group | ≈ 51 | V, dancers [Stimme, Tanz] | 0 | |||||||||||
| 39107 | Agata | Zubel | Bildbeschreibung | 2016 | Oper | ≈ 100 | 2 V, ens [Stimme, Ensemble] | Klangforum Wien and Adam Mickiewicz Institute | 0 | ||||||||||
| 35028 | Agata | Zubel | Not I | 2010 | live-elec, 1 perf, 1 group | ≈ 21 | V, ens [Stimme, Ensemble] | text after Beckett, Monolog | 2012 | Klang Forum Wien, Zubel (V) | 0 | ||||||||
| 39109 | Agata | Zubel | Oresteia | 2011 | Oper | ≈ 80 | mus, actors, ch, perc [Schlagzeug, Musiker, Schauspieler, Chor] | dramopera | Teatr Wielki - National Opera in Warsaw | 0 | |||||||||
| 39108 | Agata | Zubel | Shades of Ice | 2011 | live-elec, 2 perf | ≈ 9 | cl, vc [Klarinette, Cello] | London Sinfonietta | 0 | ||||||||||
| 26115 | Agata | Zubel | Streichquartett Nr. 1 | 2007 | live-elec, 4 perf | 14:47 | 4 vc (computer) [Cello] | Celli: Anna Carewe, Christoph Hampe, Jan Peter Kuschel, Boram Lie | Ultraschall | 23.1.2007 | Ultraschallkonzert Sophiensäle | 1 | |||||||
| 25687 | Paulo von | Zuben | Labirintos Circulares | 1997 - 1998 | fixed media, akusmatisch | 8:27 | Quadro | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | |||||||||
| 25583 | Joshua | Zubot | Land of the Bowl | 2006 | fixed media, akusmatisch | 7:01 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | 1 | |||||||||
| 40344 | Zachariah W. | Zubow | 423: Mathematics in Art and Music | 2017 | Klangkunst, Installation | Zachariah W. Zubow | 0 | ||||||||||||
| 18250 | Marino | Zuccheri | Parete 67 | 1967 | fixed media, akusmatisch | 30:00 | Fonologia Milano | 0 | |||||||||||
| 18251 | Ewa | Zuchowicz | ETIUDA | 1983 | fixed media, akusmatisch | 3:55 | Quadro | SME Krakow | 0 | ||||||||||
| 18987 | Ilana | Zuckerman | Il Dolce Suono | 1993 | radiophon | 13:27 | EBU 1994/ | Israel Broadcasting Authorities | EBU Ars Acustica 1994 | 1 | |||||||||
| 41405 | Mori | Zuiten | FTW | fixed media, akusmatisch | Soundcloud | 0 | https://www.ckcufm.com/ | ||||||||||||
| 21941 | Claudio | Zulian | Balla Balla | 1984 | fixed media, akusmatisch | 9:35 | IMEB Bourges | 0 | |||||||||||
| 19986 | Claudio | Zulian | La Historia que … | 1980 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 18252 | Claudio | Zulian | La vida es sueno (Teil 5,6) | 1985 | fixed media, akusmatisch | 0 | |||||||||||||
| 19588 | Claudio | Zulian | Primer Reportaje | 1993 | audiovisuell | 10:00 | Stereo | UM CD 7 Vol. I/ | GME Cuenca | 0 | |||||||||
| 18253 | Claudio | Zulian | San Claudio vive solo | 1985 | fixed media, akusmatisch | IMEB Bourges | 1 | ||||||||||||
| 19696 | Claudio | Zulian | Telediario | 1994 | Oper | Stereo | LIEM CDMC Madrid | 0 | |||||||||||
| 18254 | Claudio | Zulian | Variazione angelica | fixed media, akusmatisch | 5:24 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | |||||||||||
| 18255 | André | Zumbach | C'est arrivé l'année prochaine | 1958 | radiophon | 38:00 | Mono | CRS Genève | 0 | ||||||||||
| 18256 | André | Zumbach | Cent ans d'histoire | 1963 | radiophon | 20:18 | Mono | CRS Genève | 0 | ||||||||||
| 18257 | André | Zumbach | Conciliation | 1970 | fixed media, akusmatisch | CRS Genève | 0 | ||||||||||||
| 18258 | André | Zumbach | Cris | 1970 | Zuspiel / Tonband, 3 perf | 15:18 | Bar, fl, perc [Bariton, Flöte, Schlagzeug] | CTS 44/ | CRS Genève | 0 | |||||||||
| 18259 | André | Zumbach | Etude | 1959 | fixed media, akusmatisch | 7:20 | Mono | Fonologia Milano | 0 | ||||||||||
| 18260 | André | Zumbach | Expo 64 | 1964 | Film | 3:00 | Mono | CRS Genève | 0 | ||||||||||
| 18261 | André | Zumbach | Fond 31 | 1960 | radiophon | 42:00 | Mono | CRS Genève | 0 | ||||||||||
| 18262 | André | Zumbach | J'ai vu Dieu face à face | 1961 | Radiokunst, 1 perf, 2 groups | 38:42 | Mono | V, ch, orc [Stimme, Chor, Orchester] | CRS Genève | 0 | |||||||||
| 18263 | André | Zumbach | L'entreprise de la Vega | 1960 | radiophon | Mono | CRS Genève | 0 | |||||||||||
| 18264 | André | Zumbach | La Ponctualité | 1966 | Film | 18:00 | Mono | CRS Genève | 0 | ||||||||||
| 18265 | André | Zumbach | Le balcon du ciel | 1959 | radiophon | 68:08 | Mono | CRS Genève | 0 | ||||||||||
| 18266 | André | Zumbach | Le monde de l'image | 1964 | Film | 8:00 | Mono | pour exposition Lausanne | CRS Genève | 0 | |||||||||
| 18267 | André | Zumbach | Le pendu insolite | 1960 | radiophon | 25:00 | Mono | CRS Genève | 0 | ||||||||||
| 18268 | André | Zumbach | Le porche du silence | 1957 | radiophon | 25:08 | Mono | CRS Genève | 0 | ||||||||||
| 18269 | André | Zumbach | Le Temps | 1962 | radiophon | 38:06 | Mono | CRS Genève | 0 | ||||||||||
| 18270 | André | Zumbach | Miroirs solitaires | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | CRS Genève | 0 | |||||||||||
| 18272 | André | Zumbach | Nuit sur Ajax | 1963 | radiophon | 50:00 | Mono | CRS Genève | 0 | ||||||||||
| 18273 | André | Zumbach | Quelques-uns parmi d'autres | 1965 | Film | 24:00 | Mono | CRS Genève | 0 | ||||||||||
| 18275 | André | Zumbach | Tempora | 1974 | radiophon | 6:00 | CRS Genève | 0 | |||||||||||
| 18276 | André | Zumbach | Un lion vous attend | 1966 | radiophon | 48:05 | Mono | CRS Genève | 0 | ||||||||||
| 18271 | André, Werner | Zumbach, Kaegi | musique électronique du pavillon suisse (Osaka) | 1970 | Hintergrundmusik | expo Osaka 1970 | CRS Genève | 0 | |||||||||||
| 18274 | André, Bernard | Zumbach, Schulé | Strom aus dem Berg | 1962 | Film | 14:00 | Mono | CRS Genève | 0 | ||||||||||
| 34563 | Ramon | Zupko | Fluxus I | fixed media, akusmatisch | 6 | Stereo | Uni Western Michigan | 0 | |||||||||||
| 18277 | Ramon | Zupko | Metacycles | 1966 | fixed media, akusmatisch | 9:10 | Quadro | STEM Utrecht, CEM Bilthoven | 1 | ||||||||||
| 18278 | Ramon | Zupko | Transients | 1966 | fixed media, akusmatisch | 8:24 | Quadro | STEM Utrecht, CEM Bilthoven | 1 | ||||||||||
| 26116 | Lenka | Zupkova | Nadrazi | 2005 | live-elec, 1 perf | 11:50 | Stereo | vn [Violine] | Lenka Zupkova (vn) | 1 | |||||||||
| 33725 | Lenka | Zupkova | Strepy | 2005 | live-elec, 1 perf | 7:03 | Quadro | e-vn [Violine] | 5-saitige E-Violine, Live-Elektronik und 4-Kanal-Zuspielband | WER ARTS 8115/ | 1 | ||||||||
| 18279 | Menachem | Zur | Chants | 1974 | fixed media, akusmatisch | 3:55 | Stereo | Odyssey AL 34139/ | Col.Princ EMC | 1 | |||||||||
| 18280 | Menachem | Zur | Horizons | fixed media, akusmatisch | FTS 33878/ | Uni Jerusalem | 0 | ||||||||||||
| 31413 | Vito | Zuraj | Pianofonics | 2002 | Zuspiel / Tonband, 1 perf | 12:00:00 | p [Piano] | HfM Dresden | 0 | ||||||||||
| 32789 | Vito | Zuraj | Round-robin | 2014 | live-elec, 1 perf | 12 | acc [Akkordeon] | AdK Berlin | ZKM & AdK Berlin | 22.10.2014 | AdK Berlin, Theodoro Anzelotti (acc) | 0 | |||||||
| 34582 | Rutger | Zuydervelt | Measure Tape | 2013 | fixed media, akusmatisch | 42:34 | Brian Rec 014/ | 0 | |||||||||||
| 34581 | Rutger | Zuydervelt | Stroomtoon | 2011 | Performance | 45 | synt (analog gen, Korg Monotron, effects) [synthesizer] | NUUN 11/ | 0 | ||||||||||
| 18281 | Jos | Zwaanenburg | Voice without a Mouth | 1986 - 1993 | live-elec, 2 perf | 12:00 | fl, V [Stimme, Flöte] | PS C., Sweelinck | 0 | ||||||||||
| 18888 | Tommy | Zwedberg | and it killed him twice | 1991 - 1992 | fixed media, akusmatisch | 10:01 | PSCD 82 Phono Suecia/ | Hjernet Stockholm | 1 | ||||||||||
| 18282 | Tommy | Zwedberg | Bavarde | 1986 | fixed media, akusmatisch | 10:25 | Stereo | PSCD 41 Phono Suecia/ | EMS Stockholm, IMEB Bourges | 1 | |||||||||
| 18283 | Tommy | Zwedberg | Big brass | 1981 | fixed media, akusmatisch | 4:58 | PSLP 11 Phono Suecia/ | EMS Stockholm | 1 | ||||||||||
| 18284 | Tommy | Zwedberg | Den magiske dansaren | 1980 | Musiktheater | 24:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 18285 | Tommy | Zwedberg | Departementet | 1981 | Film | 27:00 | Mono | EMS Stockholm | 0 | ||||||||||
| 18286 | Tommy | Zwedberg | Duett | 1981/1982 | Zuspiel / Tonband, 5 perf | 8:50 | Stereo | ww-qnt [Bläser] | EMS Stockholm | 1 | |||||||||
| 18287 | Tommy | Zwedberg | Entre nos Èspaces | 1993 | Tanz | Koreograf Efva Lilja | 0 | ||||||||||||
| 18288 | Tommy | Zwedberg | Exmex | 1981 | Zuspiel, live-elec, 2 perf | 8:26 | Stereo | synt, tpt, (delay), (harm) [Trompete, synthesizer] | PSLP 11 Phono Suecia/ INFOGRAM 009/ | EMS Stockholm | 1 | ||||||||
| 18289 | Tommy | Zwedberg | Face the music | 1977 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | tpt [Trompete] | CAP 3019/ | HfM Stockholm | 1 | 1983 | |||||||
| 18290 | Tommy | Zwedberg | Gir | 1990 | Zuspiel / Tonband, 1 perf | Stereo | gui [Gitarre] | PSCD 82 Phono Suecia/ | EMS Stockholm | 1 | |||||||||
| 18291 | Tommy | Zwedberg | Hanging | 1979 | fixed media, akusmatisch | 15:55 | Stereo | PSCD 82 Phono Suecia/ LDC 278043 Cultures Electroniques 1/ FYLP 1030/ Soot Records DJ/rupture/ | HfM Stockholm | 1 | |||||||||
| 18292 | Tommy | Zwedberg | Homestead | 1993 | Tanz | 0 | |||||||||||||
| 18293 | Tommy | Zwedberg | Kosmikon | 1982 | intermedia | 36:00 | Stereo | Picture text-sound play | EMS Stockholm | 0 | |||||||||
| 18294 | Tommy | Zwedberg | Like mother like child | 1978/1979 | Film | 7:25 | Mono | HfM Stockholm | 1 | 1982 | |||||||||
| 18295 | Tommy | Zwedberg | Maktbalansen | 1977 | fixed media, akusmatisch | 9:00 | HfM Stockholm | 0 | |||||||||||
| 18296 | Tommy | Zwedberg | Memorandum | 1981 | fixed media, akusmatisch | 3:24 | PSLP 11 Phono Suecia/ | EMS Stockholm | 1 | ||||||||||
| 18297 | Tommy | Zwedberg | Merz 2 | 1982 | fixed media, akusmatisch | 10:18 | Stereo | PSCD 82 Phono Suecia/ | EMS Stockholm | 1 | |||||||||
| 18298 | Tommy | Zwedberg | Mutation | 1983 | live-elec, 11 perf | 10:00 | Stereo | str-qt, ww, 6 perc [Schlagzeug, Bläser, Streicher] | EMS Stockholm | 0 | |||||||||
| 18299 | Tommy | Zwedberg | Orda - ögats rum | 1989 | Tanz | Stereo | choreo Efva Lilja | EMS Stockholm | 0 | ||||||||||
| 18300 | Tommy | Zwedberg | Ores | 1987 | Tanz | Stereo | choreo Efva Lilja | EMS Stockholm | 0 | ||||||||||
| 18301 | Tommy | Zwedberg | Poco á Poco | 1975 | fixed media, akusmatisch | 6:50 | Stereo | HfM Stockholm | 0 | ||||||||||
| 18302 | Tommy | Zwedberg | Pro memoria | 1981 | fixed media, akusmatisch | 0:38 | PSLP 11 Phono Suecia/ | EMS Stockholm | 1 | ||||||||||
| 18303 | Tommy | Zwedberg | Respass | 1991 | Tanz | 20:00 | Koreograf Efva Lilja | 0 | |||||||||||
| 18304 | Tommy | Zwedberg | Röstband | 1982/1983 | Zuspiel / Tonband, 3 perf | 14:00 | Stereo | Mez, trbn, perc [Mezzo, Posaune, Schlagzeug] | EMS Stockholm | 0 | |||||||||
| 18305 | Tommy | Zwedberg | Senza mezzi | 1981 | fixed media, akusmatisch | 5:26 | Stereo | PSLP 11 Phono Suecia/ | EMS Stockholm | 1 | |||||||||
| 23241 | Tommy | Zwedberg | Slow Reflection | 2002 | Zuspiel / Tonband, 2 perf | 17:16 | trbn, perc [Posaune, Schlagzeug] | 30.6.2002 | Inventionen kleiner Sendesaal Sender Freies Berlin | 1 | 2002 | ||||||||
| 18307 | Tommy | Zwedberg | Sub officio | 1981 | fixed media, akusmatisch | 8:11 | PSLP 11 Phono Suecia/ | EMS Stockholm | 1 | ||||||||||
| 18308 | Tommy | Zwedberg | Through Water | 1995 | fixed media, akusmatisch | 10:30 | SR Stockholm | 1 | |||||||||||
| 18309 | Tommy | Zwedberg | Tjänstemässa | 1981 | fixed media, akusmatisch | 5:05 | Stereo | PSLP 11 Phono Suecia/ | EMS Stockholm | 1 | |||||||||
| 18310 | Tommy | Zwedberg | Utlöga | 1986 | Tanz | Stereo | 6 dancer [Tanz] | choreo Efva Lilja | EMS Stockholm | 0 | |||||||||
| 18311 | Tommy | Zwedberg | Vana Språng | 1987 | Tanz | Stereo | choreo Efva Lilja | EMS Stockholm | 0 | ||||||||||
| 18312 | Tommy | Zwedberg | Xerxes Sigurd Zäta - kom! | 1981 | fixed media, akusmatisch | 3:01 | PSLP 11 Phono Suecia/ | EMS Stockholm | 1 | ||||||||||
| 18306 | Tommy, Pär | Zwedberg, Lindgren | Storstadsdjungel | 1977 | Film | 5:00 | HfM Stockholm | 0 | |||||||||||
| 25804 | Florian | Zwissler | Doppelbrunn | 2004/2005 | fixed media, akusmatisch | 8:56 | Quadro | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | ICEM Essen | 1 | |||||||||
| 31269 | Florian | Zwissler | Every Computer is Red | 2005 | Musiktheater | 0 | |||||||||||||
| 42443 | Florian | Zwissler | Hainsystem 2 | 2018 | fixed media, akusmatisch | Weltmusiktage 2019 Tallinn | 0 | ||||||||||||
| 31265 | Florian | Zwissler | Kontextklänge I: stullbapf | 2004 | live-elec, 1 perf | laptop [computer] | Laptop-Performance | 0 | |||||||||||
| 31267 | Florian | Zwissler | oil on canvas | 2005/2006 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 31264 | Florian | Zwissler | the great non-semantic | 2003/2004 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 31268 | Florian | Zwissler | woodw | 2005/2006 | live-elec, 1 perf | impro elec [elektronik] | 0 | ||||||||||||
| 31270 | Florian | Zwissler | zu Fuß von a nach b | 2006 | fixed media, akusmatisch | elektronische Miniatur | WER crosscut-edition/ | 0 | |||||||||||
| 18313 | Otto | Zykan | Singers Nähmaschine ist die Beste | 1966 | Musiktheater | 7:50 | Stereo | ELAK Wien | 0 | ||||||||||
| 18314 | Federico | Zypce | Exacción | 1993 | fixed media, akusmatisch | St 735 B.Aires | 0 |