| SN | firstname. | surname. | Titels | year | Genre_de | durations | tracksZahl | Besetzung | comments | Labels | Studios. | Commission | Premiere_Datum | Premiere_Ort | Prize | Publisher_Edition | TUlib | Inventionen | URL_StudComp |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 33875 | CYberArts 2012 | 2012 | audiovisuell | Programm und Preise | Prix ars electronica 2012/ | 2012 | alles 2012 ars electronica | Hatje Cantz Verlag | 0 | ||||||||||
| 28332 | Funkausstellung 1932, Neobechstein, Hellertion, El. Orchester, Theremin, Martenot | 1932 | Lehre & Forschung | Funkausstellung 1932 mit Kommentaren von Leithäuser. Neo-Bechstein-p, Hellertion, Elektrisches orc, theremin, oma, mtr |
1932 | 0 | http://www.oskar-sala.de/oskar-sala-fonds/trautonium/rvs-trautonium/weiterentwicklung/ | ||||||||||||
| 37932 | Horizontal Radio | 1996 | radiophon | Netzmusik |
ORF 583583/ | ORF Kunstradio | 0 | |||||||||||||
| 22803 | Group, Veronica, Arnd | 440 Hertz, Kupzog, Sprung | Vom Winde zersägt, update city ozone vision dynamo Joe 1951 waterproof shock the fly slightly scratched Mrs. overdrive Cybermaria'n'jesus |
1996 | radiophon | fixed media, akusmatisch |
19:46 | WestPark Music Köln, WP 47011/ | 440 hertz | 1 | ||||||||||
| 1 | Group, Veronica, Arnd | 440 Hertz, Kupzog, Sprung | Zeitspiele, Wolferl 200 Ode an die Nachgeburten Gesang vom Bunkerblock Walhalla "Lebt der noch?" Purée De Medusa |
1991 | radiophon | 74:55 | ARIS 883 782-907/ | 440 hertz | WDR | 1 | |||||||||
| 38677 | Group, Patrick, Ulrich, Siegfried | 48nord, SCHIMANSKI, MÜLLER, RÖSSERT | Die Ankunft der schwachen Impulse | 2014 | radiophon | 52:00:00 | 0 | ||||||||||||
| 2 | Group | 8 | Oktabus I & II | 1969 | fixed media, akusmatisch | 46:35 | Stereo | Teil 1: 23:19 Teil 2: 23:15 |
HfMT Köln | 0 | |||||||||
| 4 | Svend | Aaquist Johansen | Skyggedanse | 1989 | live-elec, 1 group | 15:00 | Quadro | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 23798 | Juan Pablo | Abalo | El Milagro del Insectario | 2005 | live-elec, 2 perf | 12:05 | 2 vn [Violine] | Marzo 2005, Instituto Goethe. Santiago, Chile. | Marzo 2005 | Instituto Goethe. Santiago, Chile | 0 | ||||||||
| 38468 | Deena | ABDELWAHED | All Hail Mother Internet | 2016 | radiophon | 38:50:00 | 0 | ||||||||||||
| 5 | Kyoko | Abe | Metamorphose 1 | 1977 | Zuspiel / Tonband, 2 perf | 11:25 | Stereo | rec, hpd [Flöte, Cembalo] | ELAK Wien | 0 | |||||||||
| 6 | Kyoko, Mayako | Abe, Kubo | Welche Rolle spielt für sie elektronische Musik? | 1977 - 1978 | fixed media, akusmatisch | 8:30 | Stereo | ARP-synt | ELAK Wien | 0 | |||||||||
| 34703 | Arsalan | Abedian | "\a" | 2016 | fixed media, akusmatisch | 4:04:00 | DegeM CD 14 escape/ | 0 | |||||||||||
| 36883 | Arsalan | Abedian | All the requirements for becoming Werewolf! | 2014 | live-elec, 1 perf | ob [Oboe] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | |||||||||
| 36884 | Arsalan | Abedian | Autopsie | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 37785 | Arsalan | Abedian | CITStück | 2015 | live-elec, 1 perf | Stereo | fl, (elec) [Flöte] | Incontri HMTM Hannover | 13.02.2015 | Sparkassen-Forum hannover | 0 | ||||||||
| 31592 | Arsalan | Abedian | CStück Nr. 1 | 2012 | fixed media, akusmatisch | 7:00 | Octo | next_generation 5.0 | Incontri HMTM Hannover | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||
| 36882 | Arsalan | Abedian | CStück Nr. 1.1 | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 06.11.2014 | Kestnergesellschaft | 0 | |||||||||
| 34058 | Arsalan | Abedian | Cstück Nr.2 | 2015 | fixed media, akusmatisch | 5:04:00 | degem CD 13/ | 0 | |||||||||||
| 37801 | Arsalan | Abedian | Elektroakustische Szenen | 2016 | fixed media, akusmatisch | 10 Tracks | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | |||||||||
| 32510 | Arsalan | Abedian | FrühAkusmatikStück | 2013 | live-elec, 1 perf | 10:00-12:00 | Spazialisation: var 2-8 | perf (Küchengeräte und Live-Elektronik) [Performer] | Incontri HMTM Hannover | 3.6.2013 | HMTMH | 0 | |||||||
| 32515 | Arsalan | Abedian | Herrenhäuser Mosaike | 2013 | live-elec, 3 perf | 4:40 | Quadro | fl, cl, perc, (elec) [Flöte, Klarinette, Schlagzeug] | Incontri HMTM Hannover | KunsFestSpiele | 2.6.2013 | Herrenhäuser Gärten, Hannover | 0 | ||||||
| 37802 | Arsalan | Abedian | Hör_regi(e)_ON! | 2016 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 02.02.2016 | Hannover Congress Centrum | 0 | |||||||||
| 32521 | Arsalan | Abedian | Klänge der Plätze der Weltausstellung | 2013 | fixed media, akusmatisch | 10:00 | 16 Tracks | Incontri HMTM Hannover | Musik 21 Festival | 16.8.2013 | Platz der Weltausstellung, Hannover | 0 | |||||||
| 36877 | Arsalan | Abedian | Pain Killer | 2015 | fixed media, akusmatisch | Klangkunst, Installation |
Octo | for an installation of Lorna Mills | Incontri HMTM Hannover | 21.04.2015 | Kunstverein Hannover | 0 | ||||||||
| 37795 | Arsalan | Abedian | Painkiller 0.3.1 | 2016 | live-elec, 2 perf | Quadro | 2 santur, (elec) [Streicher] | Incontri HMTM Hannover | 05.11.2016 | Faust Warenannahme Hannover | 0 | ||||||||
| 7 | George | Abend | Organic Triangle | 1957 | fixed media, akusmatisch | 2:48 | Mono | PS C. SanFran | 0 | ||||||||||
| 8 | Peter | Abfal | Fugue…euguF | 1987 | fixed media, akusmatisch | 7:35 | Stereo | Brock Uni ON | 0 | ||||||||||
| 9 | Rob | Ablenas | fermata via media | 1990 | fixed media, akusmatisch | 21:25 | Stereo | SFU | 0 | ||||||||||
| 10 | Rob | Ablenas | How to get there | 1985 | fixed media, akusmatisch | 1:55 | Stereo | 0 | |||||||||||
| 11 | Rob | Ablenas | Line Lining | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 23100 | Peter | Ablinger | Instrumente und ElektroAkustisch Ortsbezogene Verdichtung, (Nerz und Campari) | 1998 | Klanginstallation, live-elec, 4 perf | 64:00 | a-sax, vc, fl, hn [Flöte, Saxophon, Horn, Cello] | Maria de Alvear World Edition 0008/ | IEM Graz | 1 | |||||||||
| 23340 | Peter | Ablinger | Red on Maroon | 1995/1999 | live-elec, 1 perf | 16:01 | fl [Flöte] | Kirsten Reese (fl), Thomas Seelig (com); 12.9.2003 Podewil | 1 | ||||||||||
| 28571 | Peter | Ablinger | Voices and Piano | 1998 - 2007 | Zuspiel / Tonband, 1 perf | 9:25 | Stereo | p [Piano] | WD 2007, Wittener Tage Für Neue Kammermusik 2007/ | Kompositionsuaftrag der Stadt Witten | 2007 | Wittener Tage für neue Kammermusik 2007 mit Nicolas Hodges (p) | 1 | ||||||
| 22866 | Peter | Ablinger | Weiss / Weisslich 12 | 1999 | Klangkunst, Installation | TU Berlin | 1 | ||||||||||||
| 19363 | Peter | Ablinger | Weiss / Weisslich 22a (Haydn, Mozart, Beethoven, Schubert, Bruckner, Mahler) | 1996 | fixed media, akusmatisch | 4:00 | GEM 9701/ | IEM Graz | 0 | ||||||||||
| 23016 | Peter | Ablinger | Weiss/weisslich (für Robert Ranke-Graves") 18A (Birke, Eberesche, Esche, Erle, Weide, Weißdorn, Eiche) 18B (Steineiche, Hasel, Wein, Efeu, Schlehe, Hollunder) 18C (Tanne, Ginster, Heide, Pappel, Eibe) |
1986 - 1997 | fixed media, akusmatisch | 12:00 | Stereo | Maria de Alvear World Edition 0008/ | TU Berlin, IEM Graz | 0 | |||||||||
| 12 | Peter | Ablinger | WEISS/WEISSLICH 15A und 15B (Installation und Hinweis) | 1995 | Klangkunst, Installation | ∞ | 20 Tracks | 5 rooms with 4 speakers | TU Berlin, IEM Graz | Steirischer Herbst | 5.10.1995 | Graz, Steirischer Hrbst | 0 | ||||||
| 38678 | Peter, Götz | ABLINGER, NALEPPA | Quadraturen-Annhäherungen an Peter Ablinger | 2005 | radiophon | 51:16:00 | 0 | ||||||||||||
| 31557 | Ludwig | Abraham | Live in Moscow 91 | 2012 | fixed media, akusmatisch | ≈ 9:00 | next_generation 5.0 | ICEM Essen | 0 | ||||||||||
| 13 | John | Abram | Nature Pieces | 1985 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 39249 | Juan Manuel | Abras | De coelesti hierarchia | 2002 | Zuspiel / Tonband, 3 perf, 1 group | male ch, vib, org, vc [Orgel, Schlagzeug, Cello, Chor] | 0 | ||||||||||||
| 39250 | Juan Manuel | Abras | Diálogos franciscano(n)s | 2012 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 39251 | Juan Manuel | Abras | Pentecostés (Veni Sancte Spiritus) | 2007 | Zuspiel / Tonband, 1 group | ch [Chor] | 0 | ||||||||||||
| 39252 | Juan Manuel | Abras | Pésame (Actus contritionis) | 2006 | Zuspiel / Tonband, 1 perf, 2 groups | narrator, ch, cham ens [Schauspieler, Ensemble, Chor] | 0 | ||||||||||||
| 39253 | Juan Manuel | Abras | Sitwa Raymi (Oración primera al Hacedor) | 2014 | Zuspiel / Tonband, 1 group | mix ch [Chor] | 0 | ||||||||||||
| 39254 | Juan Manuel | Abras | Un réquiem lorquiano, Balada de la placeta | 2009 | fixed media, akusmatisch | 4:20 | CLS 170901/ | 0 | |||||||||||
| 24683 | Matthew | Abrey | F5v.6 | 2003 | fixed media, akusmatisch | 5:20 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 40945 | Freida | Abtan | carnival lights | 2003 | fixed media, akusmatisch | 4:10 | 0 | ||||||||||||
| 40946 | Freida | Abtan | even small things break (into smaller things) | 2004 | fixed media, akusmatisch | 5:23 | JTTP 2005 | 0 | |||||||||||
| 40947 | Freida | Abtan | heartstrings | 2004 | fixed media, akusmatisch | 3:48 | 0 | ||||||||||||
| 40948 | Freida | Abtan | insignificant or worse | 2002 | fixed media, akusmatisch | 2 | DISContact! III competition | 0 | |||||||||||
| 24694 | Freida | Abtan | lightness (and weight) | 2004 | fixed media, akusmatisch | 6:40 | JTTP 2004 | CEC Cache 2004, PeP 009/ | Concordia Montreal | 0 | |||||||||
| 25815 | Vito | Acconci | Viraphone | 2004 | Klangkunst, Installation | "Itinerarios del Sonido“ in Madrid 2004 | 1 | ||||||||||||
| 27172 | Guillermo | Acevedo | Punto de Partida | 2002 | fixed media, akusmatisch | 7:54 | IRD 002 Irradia/ | 0 | |||||||||||
| 23341 | Isidor | Achron | Improvisation | 1945 | live-elec, 2 perf | 3:48 | theremin, p [Piano, synthesizer] | Lydia Kavina (Theremin), Joshua Pierce (p) | mode 76/ | 1 | http://www.moderecords.com/ | ||||||||
| 40280 | Taylor D. | Ackley | Fantasy for Buchla No. 1 | 2016 | fixed media, akusmatisch | Taylor D. Ackley | 0 | https://www.taylorackleymusic.com/more-music | |||||||||||
| 31884 | Rodolfo | Acosta | Cada día es un principio cada principio un final |
2007 | live-elec, 1 perf | ≈ 20 | gui [Gitarre] | uiachii. guitarra y electrónica | April 2007 | La Voragine Theater, Villavicencio, Colombia | 0 | ||||||||
| 31882 | Rodolfo | Acosta | Doft | 2000 | live-elec, 2 perf | ≈ 22 | b-cl, perc [Klarinette, Schlagzeug] | Contemporánea, Copenhagen Electroacoustic Music Ensemble | November 2000 | Danish National Radio, Copenhagen, Denmark | 0 | ||||||||
| 31878 | Rodolfo | Acosta | El silencio de la ausencia | 2004 | Tanz | 51:53 | Sandrine Legendre | June 2004 | Jorge Eliecer Gaitán Municipal Theater, Bogotá | 0 | |||||||||
| 21861 | Rodolfo | Acosta | In Abyssus Humanæ Conscientinæ | 1996 | fixed media, akusmatisch | 31:09 | Stereo | IMEB Bourges | 0 | ||||||||||
| 31885 | Rodolfo | Acosta | La espiral mística | 2009 | live-elec, 1 perf | > 7 | db-cl (reverb) [Klarinette] | composed for Mauricio Salguero | October 2010 | Urban Culture Project, Kansas City | 0 | ||||||||
| 31883 | Rodolfo | Acosta | loas, Luciano Berio in memoriam | 2003 - 2004 | Zuspiel, live-elec, 1 perf | ≈ 24 | S [Sopran] | September 2004 | Beatriz Elena Martínez (V) and Rodolfo Acosta R. (elecs.), Delia Zapata Olivella Theater, Bogotá | 0 | |||||||||
| 31875 | Rodolfo | Acosta | Si tan solo fuéramos libres … | 1993 | fixed media, akusmatisch | 8:04:00 | November 1993 | Alberto Lleras Auditorium, University of Los Andes, Bogotá | 0 | ||||||||||
| 31881 | Rodolfo | Acosta | SUSPENSION 1 | 1995 - 1998 | Zuspiel, live-elec, 1 perf | ≈ 22 | fl [Flöte] | April 1997 | Santiago Sierra (fl.) and Rodolfo Acosta R. (elecs.), Luis Ángel Arango Library, Bogotá | 0 | |||||||||
| 31877 | Rodolfo | Acosta | Todas las noches, el cielo arde sobre Bogotá | 2004 | fixed media, akusmatisch | 11:33:00 | Ana María Romano | 2004 | Fête de la Musique '04, Genève, Switzerland | 0 | |||||||||
| 31886 | Rodolfo | Acosta | Transmutaciones | 2010 | live-elec, 1 perf | sax, (ad lib elec) [Saxophon] | Josetxo Silguero | November 2010 | Josetxo Silguero (bar. sax.) and Rodrigo Cádiz (elecs.), Centro Cultural Gabriela Mistral, Santiago, Chile | 0 | |||||||||
| 31876 | Rodolfo | Acosta | Us a calm mystery? | 2000 | fixed media, akusmatisch | 10:08:00 | May 2001 | Jornadas 2001 de música electroacústica, Montevideo, Uruguay | 0 | ||||||||||
| 31880 | Rodolfo | Acosta | Wash | 2010 | Klangkunst, Installation | 13:19:00 | Octo | Ricardo Arias | September 2010 | Diapason Gallery, New York City | 0 | ||||||||
| 31879 | Rodolfo | Acosta | Y aún así | 2008 | fixed media, akusmatisch | 4:58:00 | La Distritofónica | October 2008 | Roberto Rollié Hall, National University of La Plata, La Plata, Argentina | 0 | |||||||||
| 18572 | Frédéric | Acquaviva | Sens unique(s), hörspiele | 1995 | Radiokunst, 3 perf | 59:19 | Stereo | V, vn, e-gui [Stimme, Gitarre, Violine] | Casus Belli 09495/ | 0 | |||||||||
| 14 | Group | Ad Hoc | Brute Force | 1983 | live-elec, 4 perf | Stereo | sax, perc, synt, V [Stimme, Saxophon, Schlagzeug, synthesizer] | ad hoc: + Duchow | 0 | ||||||||||
| 15 | Group | Ad Hoc | Friday Night Live | 1983 | live-elec, 1 perf | Stereo | sax [Saxophon] | 0 | |||||||||||
| 16 | Group | Ad Hoc | La tempête | 1983 | live-elec, 2 perf | Stereo | sax, perc [Saxophon, Schlagzeug] | 0 | |||||||||||
| 17 | Group | Ad Hoc | Palinurus | 1989 | Zuspiel / Tonband, 1 group | 20:00 | Stereo | ens [Ensemble] | 0 | ||||||||||
| 18 | Group | Ad Hoc | Paysage | 1983 | live-elec, 1 perf | Stereo | sax [Saxophon] | 0 | |||||||||||
| 19 | Group | Ad Hoc | Relative Silence | 1986 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | 0 | |||||||||||
| 20 | Group | Ad Hoc | Songs of Life and Love | 1987 | live-elec, 1 group | Stereo | ens [Ensemble] | ad hoc: + Cale, Abdelali | 0 | ||||||||||
| 38469 | Tomomi | ADACHI | Art´s Birthday 2016 MAVOtek (Part II) |
2016 | radiophon | 30:12:00 | Konzertmitschnitt vom 17. Januar aus der Schaubühne Lindenfels, Leipzig | 0 | |||||||||||
| 36222 | Tomomi | Adachi | Collection of self-made instruments and interfaces, Tomoring Voice, The Right Hand Tomominsynthesizer II Tomoring II Tomomin II (resonating in mouth) Voice, Infrared Sensor Shirt Tomoring II 4 VCOs Tomomin, Tomomin II |
2005 - 2011 | Performance, live-elec, 1 perf | 67 | perf and V, (com, synt, self-made ins) [Stimme, Performer] | naya 0004/ | 0 | http://www.purple.dti.ne.jp/naya/contens/records/0004/index.html | |||||||||
| 36233 | Tomomi | Adachi | Gestures | 2016 | live-elec, | elec ens [Ensemble] | elektronisches Kammerensemble | 0 | |||||||||||
| 36226 | Tomomi | Adachi | How to learn to talk 2U | 2013 | live-elec, 2 perf | V, synt (talking machine) [Stimme, synthesizer] | Martine Riches' Talking Machine, Stimme, Gestik und Elektronik | 0 | |||||||||||
| 28399 | Tomomi | Adachi | KANA | 2005 | Performance | 5:09 | recorded at Künstlerhaus Dortmund | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | http://mitpress2.mit.edu/e-journals/Leonardo/lmj/index.html | |||||||||
| 36232 | Tomomi | Adachi | Let's Mikrophonie | 2016 | live-elec, 5 perf | 4 V, perf (electronic operator) [Stimme, Performer] | vier Sänger und einen Elektronik-Operator | 0 | |||||||||||
| 36225 | Tomomi | Adachi | Odorinbisha | 2009 | live-elec, 2 perf, 1 group | Vs, lute (shamisen) [Stimme, Gitarre] | 0 | ||||||||||||
| 36227 | Tomomi | Adachi | Relationship among Goats, Frogs and the Girls | 2014 | Tanz, live-elec, 5 perf | Stereo + 5 tracks | 5 dancer (with 5 boomboxes ≈ Kofferradios) [Tanz] | Stereo-PA-System, fünf Boomboxes und fünf Tänzer | 0 | ||||||||||
| 39047 | Tomomi | Adachi | The Love for Forty-six Oranges | 2018 | live-elec, 1 perf | 20 | Quadro | V and Subharchord [Stimme, synthesizer] | für Subharchord-Prototyp mit 4-Kanal Live-Elektronik und Stimme | AdK Berlin | 11.7.2018 | Akademie der Künste Berlin EM4 (13), Subharchord, Live-Elektronik, Stimme: Tomomi Adachi | 0 | ||||||
| 36231 | Tomomi | Adachi | Things seen by the right band and the left hand (with glasses) | 2016 | audiovisuell | 2 p [Piano] | zwei Klaviere mit zwei Videokameras und zwei Projektoren | 0 | |||||||||||
| 36228 | Tomomi | Adachi | Torturing Twitter | 2014 | Performance | interaktive Radio /Internet Performance | 0 | ||||||||||||
| 36229 | Tomomi | Adachi | Ursonate 2 | 2014 | fixed media, akusmatisch | Surround 5.1 | Lautpoesie | 0 | |||||||||||
| 36343 | Tomomi | Adachi | Violin & Electronics Improvisations | 1994 | live-elec, 1 perf | 10:45 | vn [Violine] | OPX 003/ | 0 | ||||||||||
| 36342 | Tomomi | Adachi | Voice & Electronics Improvisations | 1996 | live-elec, 1 perf | 17:50 | V [Stimme] | OPX 003/ | August 1996 | Akagi Dream House | 0 | ||||||||
| 36224 | Tomomi | Adachi | Voice and Infrared Sensor Shirt | 2004-2011 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 36230 | Tomomi | Adachi | Where Does the Gap Between the Poor and Rieb Come From? | 2015 | live-elec, 1 perf | org [Orgel] | 0 | ||||||||||||
| 21 | Sotiria | Adam | Aymar | 1992 | fixed media, akusmatisch | 9:15 | Stereo | KSYME | 0 | ||||||||||
| 22 | Sotiria | Adam | KER | 1993 | fixed media, akusmatisch | 9:10 | Stereo | KSYME | 0 | ||||||||||
| 23 | Milan | Adamciak | Capriccio | 1983 | fixed media, akusmatisch | 8:04 | Stereo | CECM Bratislava | 0 | ||||||||||
| 24 | Milan | Adamciak | Dalila | 1993 | fixed media, akusmatisch | 5:05 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 25 | Milan | Adamciak | Mala uspavanka pre neznu | 1993 | fixed media, akusmatisch | 11:50 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 26152 | Jiri | Adamek | Tiká tiká politika, Tick Tock Politics | 2006 | radiophon | 18:44 | Stereo | radiocustica selected 2006 Cesky rozhlas/ | Czech Radio Prague | Radioatelier Czech Radio Michal Rataj | 1 | ||||||||
| 24791 | Ondrej | Adamek | Cercle des rythmes vitaux | 2003 | fixed media, akusmatisch | 15:22 | MR 2004 Métamorphoses 2004/ | Musiques et Recherches Ohain | Métamorphoses 2004 | 1 | |||||||||
| 24781 | Ondrej | Adamek | Un souffle, une ombre, un rien | 2001 | fixed media, akusmatisch | 10:56 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 1. prize | 1 | |||||||||
| 26 | Michael | Adamis | Apocalypsis, Sixth Seal | 1967 | Zuspiel / Tonband, 2 perf, 1 group | Stereo + Stereo | Sp, ch, p [Sprecher, Piano, Chor] | EMI CSDG 62/ | 0 | ||||||||||
| 27 | Michael | Adamis | Baby Cry | 1968 | fixed media, akusmatisch | 0 | |||||||||||||
| 28 | Michael | Adamis | Canon | 1965 | fixed media, akusmatisch | 3:42 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 29 | Michael | Adamis | Electronic Piece | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 30 | Michael | Adamis | Electronic Piece 1966 | 1966 | fixed media, akusmatisch | 5:00 | Stereo | PS C. | 0 | ||||||||||
| 34577 | Michael | Adamis | Endon | 2001 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 31 | Michael | Adamis | Genesis | 1968 | Zuspiel / Tonband, 1 perf, 3 groups | Sp, 3 ch [Sprecher, Chor] | EMI SCXG 57/ | 0 | |||||||||||
| 34575 | Michael | Adamis | Glaros II, | 1977/2006 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 34579 | Michael | Adamis | Ifigenia In Aulis | 1970 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 32 | Michael | Adamis | Iketirion | 1971 | Zuspiel / Tonband, 1 perf, 1 group | fem ch, perc [Schlagzeug, Chor] | 0 | ||||||||||||
| 33 | Michael | Adamis | Kratema | 1971/2001 | Zuspiel / Tonband, 3 perf | 10:48 | Sp, ob, tuba [Sprecher, Oboe, Tuba] | EMI CSDG 63/ rekem 03/ Creel Pone 057/ | 0 | ||||||||||
| 34576 | Michael | Adamis | Lament | 1970 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 34 | Michael | Adamis | Metallika Glypta III | 1972 | fixed media, akusmatisch | 5:45 | Creel Pone 34/ | PS C. | 0 | ||||||||||
| 35 | Michael | Adamis | Metaschematismoi, Trans- formations | 1967 | fixed media, akusmatisch | Quadro + Quadro | 0 | ||||||||||||
| 34574 | Michael | Adamis | Minyrismos | 1966 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 36 | Michael | Adamis | Moiroloi, Lamentation | 1970 | Zuspiel / Tonband, 5 perf | 4 V, perc [Stimme, Schlagzeug] | 0 | ||||||||||||
| 37 | Michael | Adamis | Orestie | 1972 | Zuspiel / Tonband, 2 perf | Bar, perc [Bariton, Schlagzeug] | 0 | ||||||||||||
| 34578 | Michael | Adamis | Paegma | 1976 | Zuspiel / Tonband, | rekem 03/ | 0 | ||||||||||||
| 38 | Michael | Adamis | Paramythi | 1977 | Zuspiel, live-elec, 5 perf | Quadro | Sp, 4 ins [Sprecher, Instrument] | 0 | |||||||||||
| 39 | Michael | Adamis | Piece one | 1964 | fixed media, akusmatisch | 3:40 | Stereo | rekem 03/ | Uni Waltham | 0 | |||||||||
| 40 | Michael | Adamis | Piece two | 1964 | fixed media, akusmatisch | 7:30 | Stereo | rekem 03/ | Uni Waltham | 0 | |||||||||
| 41 | Michael | Adamis | Proschemata, Pretexts | 1964 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
6:27 | Stereo | Sp [Sprecher] | rekem 03/ | Uni Waltham | 0 | ||||||||
| 42 | Michael | Adamis | Teletestai | 1971 | Zuspiel / Tonband, 2 perf, 1 group | Sp, ch, bells [Sprecher, Schlagzeug, Chor] | 0 | ||||||||||||
| 36969 | Mathew | Adkins | [60] Project, Abstract / Ambient Concrète / Instrumental Concrète / Experimental Sea Soundscape Urban Soundscape Ambient Instrumental Noise Study Extended Vocal |
2008 | fixed media, akusmatisch | 60 | Stereo | 66 contributors | IMED 0898/ | PS C., INA • GRM | Huddersfield Contemporary Music Festival (HCMF) | November 28, 2008 | Huddersfield Contemporary Music Festival | 0 | |||||
| 40943 | Mathew | Adkins | A year at ushers hill, Alone An Eden Within Shifting Ground Small Steps Radiant Moon In Memoriam Jacques Hamel Ushers Hill Before Sleep Solstice Burnt Sun Under A Luna Sky |
2017 | live-elec, 2 perf | 12:52 | p, celesta and org and elec [Piano, Orgel, elektronik] | eilean 28/ | 0 | https://soundcloud.com/eilean_rec/monty-adkins-a-year-at-ushers-hill-album-preview | |||||||||
| 37159 | Mathew | Adkins | Aerial | 2002 | fixed media, akusmatisch | 9:40 | Stereo, Surround 5.1 | IMED 0679/ | INA • GRM | 7.3.2003 | 20th anniversary concerts of the Birmingham Electroacoustic Sound Theatre (BEAST) “20/20 Re:Vision” at the CBSO Centre (Birmingham, UK) | Honorary Mention in the Musica Nova 2002 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | ||||||
| 37018 | Mathew | Adkins | Anisoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 10:00:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 40941 | Mathew | Adkins | Clothed in the Soft Horizon | 1994 | fixed media, akusmatisch | 13:27 | Competition Musica Nova Prag 1994 | 0 | |||||||||||
| 37162 | Mathew | Adkins | Cortex | 2004 -2005 | fixed media, akusmatisch | 9:05 | Stereo | IMED 0679/ | INA • GRM | INA-GRM | 17.2.2005 | Présences “électronique” festival in the Salle Olivier Messiaen of the Maison de Radio France (Paris, France) | 0 | ||||||
| 37160 | Mathew | Adkins | Deepfield | 2000 | fixed media, akusmatisch | 12:22 | Stereo, Surround 5.1 | IMED 0679/ | Césaré St | Césaré and the Planétarium de Reims (France) | 24.10.2000 | Planétarium de Reims (France). | honorary mentions at the 23rd Luigi Russolo International Competition (Varese, Italy, 2001) and the Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2002). | 0 | |||||
| 37019 | Mathew | Adkins | Ephemeroptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 10:41:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 45 | Mathew | Adkins | Flow | 1994 | fixed media, akusmatisch | 2:45 | Stereo | BEAST | 0 | ||||||||||
| 46 | Mathew | Adkins | L'arche | 1994 | fixed media, akusmatisch | 12:00 | Stereo | BEAST | 0 | ||||||||||
| 37016 | Mathew | Adkins | Lepidoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 8:13:00 | Stereo | rec [Flöte] | [movement] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | |||||
| 21084 | Mathew | Adkins | Liquid Neon | 1999 | fixed media, akusmatisch | 3:07 | SAN 08/99 Sonic arts network/ | 1 | |||||||||||
| 22010 | Mathew | Adkins | Mapping | 1995, 1997 | fixed media, akusmatisch | 14:19 | Stereo, Surround 5.1 | Musidisc 247982/ NOR 05/ Kiasma 1999/ IMED 0679/ | EMS Stockholm, UEA Norwich, PS C. | 29.5.1995 | Artothek (Vienna, Austria) | 1st Prize at the Hungarian Radio’s EAR’95 International Competition of Electroacoustic Music (Budapest, Hungary, 1995) finalist at the 5th Prix international Noroit-Léonce Petitot (Arras, France, 1998) finalist 26th Bourges International Electroacoustic Music and Sonic Art Competition (France, 1999). |
1 | ||||||
| 47 | Mathew | Adkins | Melt | 1994 | fixed media, akusmatisch | 11:44 | Stereo, Surround 5.1 | FYCD 1014/ IMED 0679/ | BEAST | 1995 | Synthèse Festival in Bourges (France) | Prix Résidence at the 22nd Bourges International Electroacoustic Music Competition (France, 1994) First prize of the Stockholm Electronic Arts Award (Sweden, 1995). Competition Musica Nova Prag 1995 |
1 | ||||||
| 24818 | Mathew | Adkins | Noumena | 2001 | Zuspiel / Tonband, 1 perf | 10:40 | vc [Cello] | LDC 278074/75 Cultures Electroniques 15/ Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 tape + ins | 0 | |||||||||
| 24799 | Mathew | Adkins | Pagan Circus | 1996 | fixed media, akusmatisch | 14:33 | LDC 278063/64 Cultures Electroniques 10/ | Competition Musica Nova Prag 1996 | 0 | ||||||||||
| 48 | Mathew | Adkins | Phoenix Games | 1993 | fixed media, akusmatisch | 13:00 | Stereo | BEAST | 0 | ||||||||||
| 37017 | Mathew | Adkins | Saturniid, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 8:41:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 27246 | Mathew | Adkins | Silk to steel | 2005 | fixed media, akusmatisch | 10:32 | Stereo, Surround 5.1 | LDC 2781138 Compendium 2005/ IMED 0679/ | IMEB Bourges | IMEB Bourges | 4.6.2005 | Synthèse, the 35th Bourges International Electronic Music and Creation Festival (France) | mention at the 32nd Bourges International Electroacoustic Music and Sonic Art Competition (France, 2005). | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | ||||
| 37161 | Mathew | Adkins | Still Time | 2001 | Zuspiel / Tonband, 1 perf | 8:52 | Stereo | fl (processing; Alejandro Escuer, flute) [Flöte] | IMED 0679/ | PS C. | flutist Alejandro Escuer | 28.6.2002 | Festival Internacional de Arte Sonoro (Mexico City, Mexico) | 2nd Prize at the Hungarian Radio’s EAR’03 International Competition of Electroacoustic Music (Budapest, Hungary, 2003). | 0 | ||||
| 40942 | Mathew | Adkins | Surfacing | 2003 | fixed media, akusmatisch | 9:03 | 0 | ||||||||||||
| 36179 | Mathew | Adkins | Symbiont | 2002 | audiovisuell | 9:15 | Stereo, Surround 5.1 | innova 121/ IMED 0679/ | PS C., INA • GRM | Huddersfield Contemporary Music Festival, INA-GRM, Sonic Arts Network | 24.11.2002 | Huddersfield Contemporary Music Festival (UK) | finalist at the 30th Bourges International Electroacoustic Music Competition (France, 2003). | 0 | |||||
| 37015 | Mathew | Adkins | Zygoptera, Lepidoptera | 2015 | Zuspiel / Tonband, 1 perf | 4:12:00 | Stereo | rec [Flöte] | IMED 16136/ | Uni Huddersfield | 23.2.2016 | Bradford, Fuse Art Space (uk) | 0 | ||||||
| 42953 | Monty | Adkins | Clockwork Cities | 2013 | fixed media, akusmatisch | 7:13:00 | 0 | ||||||||||||
| 42452 | Monty | Adkins | Five Panels no. 1 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42453 | Monty | Adkins | Five Panels no. 5 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42695 | Monty | Adkins | Four Shibusa (no.4—Permutations) | 2012 | live-elec, 1 perf | 9:00:00 | cl [Klarinette] | Heather Roche, clarinet | 0 | ||||||||||
| 42572 | Monty | Adkins | veil | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 49 | Tommy, Jörgen | Adolfsson, Adolfsson | Glaciär : Musik till dans | 1990 | Tanz, live-elec, 3 perf | 20:00 | fl, synt, (octapad,) perc [Flöte, Schlagzeug, synthesizer] | Koreograf Kenneth Kvarnström | 0 | ||||||||||
| 50 | Tommy, Jörgen | Adolfsson, Adolfsson | Som ung blev hon skrämd: Musik till dans | 1991 | Tanz | Koreograf Kenneth Kvarnström | 0 | ||||||||||||
| 51 | Tommy, Jörgen | Adolfsson, Adolfsson | Trio, duo, solo : Musik till dans | 1991 | Tanz | Koreograf Kenneth Kvarnström | 0 | ||||||||||||
| 26392 | Peter | Adriaansz | 43 Three Quartets | 2009 | live-elec, 12 perf | 26:00 | str-qt, sax-qt, perc-qt, (sinewaves) [Saxophon, Schlagzeug, Streicher] | 0 | |||||||||||
| 26390 | Peter | Adriaansz | Enclosures | 2008 | live-elec, 3 perf | 20:00 | V, va, (microtonal) Kbd, (sinewaves) [Stimme, Keyboard, Viola] | 0 | |||||||||||
| 26391 | Peter | Adriaansz | Music for Sines, eBows, Percussion & Variable Ensemble | 2008 | live-elec, 7 perf | 30:00 | rec, cl, trbn, vn, db, p, perc [Flöte, Klarinette, Posaune, Piano, Schlagzeug, Violine, Kontrabass] | 0 | |||||||||||
| 26388 | Peter | Adriaansz | Prana I - V | 2007 | live-elec, 3 perf, 1 group | 63:00 | e-gui-ens, perc, fem V [Stimme, Gitarre, Schlagzeug] | Output festival 2007 | 2007 | Output festival | 0 | ||||||||
| 26387 | Peter | Adriaansz | Structures I - XVI | 2005 | live-elec, 1 group | 400:00 | any ens, (elec delay) [Ensemble] | 0 | |||||||||||
| 26389 | Peter | Adriaansz | Waves 5 - 13 | 2007 - 2008 | live-elec, 1 group | 62:00 | var ens, (elec delay, sinetones subsonic waves) [Ensemble] | 0 | |||||||||||
| 52 | Paul | Adriaenssens | A Short Walk with Karl F. | 1979 | fixed media, akusmatisch | 5:00 | SEM Antwerpen | 0 | |||||||||||
| 53 | Paul | Adriaenssens | Current Affairs | 1988 | fixed media, akusmatisch | 7:45 | SEM Antwerpen | 0 | |||||||||||
| 54 | Paul | Adriaenssens | Dinaou | 1982 | Zuspiel / Tonband, 1 perf | 11:40 | ob (bombard) [Oboe] | PS C. | 0 | ||||||||||
| 55 | Paul | Adriaenssens | Levels II | 1984/1985 | Zuspiel / Tonband, 1 perf | ins [Instrument] | PS C. | 0 | |||||||||||
| 56 | Paul | Adriaenssens | Steps | 1981 | live-elec, 2 perf | intermedia |
16:00 | fl, synt [Flöte, synthesizer] | slides | PS C. | 0 | |||||||||
| 57 | Paul | Adriaenssens | Strange Attractors | 1983 | Zuspiel / Tonband, 1 perf | synt, (com) [synthesizer] | PS C. | 0 | |||||||||||
| 58 | Paul | Adriaenssens | Three Easy Ways to Slice an Egg | 1982 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 59 | Aertgeerts | Didactische montages | 1976 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | ||||||||||||
| 60 | Aertgeerts | Drie Fabels | 1967 | fixed media, akusmatisch | 9:50 | Mono | IPEM Gent | 0 | |||||||||||
| 67 | Group | AfEM | Isotopenmesstechnik | 1967 | Film | Mono | 16 mm Film | TU Berlin | 1 | ||||||||||
| 71 | Group | AfEM | Persische Sinnsprüche | 1963 | fixed media, akusmatisch | 5:32 | Mono, Quadro | 3 parts; txtcompo | TU Berlin | 1 | |||||||||
| 28721 | Group | AfEM | Spacio vocale e instrumentale | 1964 | fixed media, akusmatisch | Stereo | TU Berlin | 3.2.1964 | Zürich (Pro Musica) | 0 | http://www2.ak.tu-berlin.de/Geschichte/chrono/chronoindex.html | ||||||||
| 22892 | Christina | Agamanolis | Aftermath | 1998 | fixed media, akusmatisch | 5:33 | innova 116/ | Oberlin Col | 1 | ||||||||||
| 74 | Klaus | Ager | Bibyké | 1991 | fixed media, akusmatisch | intermedia |
14:00 | with movebal bicycles | SEM Salzburg | 0 | ||||||||||
| 75 | Klaus | Ager | CLB512 | 1983 | Zuspiel / Tonband, 1 perf | 12:00 | cl [Klarinette] | die mühle A 850191/ | Colgate Hamilton | 1 | |||||||||
| 76 | Klaus | Ager | es esta la muerte | 1972/1976 | Zuspiel / Tonband, 5 perf | 20:00 | cl, trbn, perc, p, vn [Klarinette, Posaune, Piano, Schlagzeug, Violine] | INA • GRM | 0 | ||||||||||
| 77 | Klaus | Ager | Glastraum | 1978 | Zuspiel / Tonband, 2 perf | 12:00 | cl, synt [Klarinette, synthesizer] | 0 | |||||||||||
| 78 | Klaus | Ager | Hölderlin Fragmente | 1987 - 1989 | Zuspiel / Tonband, 1 perf | ≈ 10:00 | ob [Oboe] | com gen tape | SEM Salzburg | 0 | |||||||||
| 79 | Klaus | Ager | HOSHI | 1974/1975 | Zuspiel / Tonband, 5 perf | 20:00 | br-qnt [Bläser] | SEM Salzburg | 0 | ||||||||||
| 80 | Klaus | Ager | I remember a bird | 1976 | Zuspiel / Tonband, 5 perf | 14:00 | cl, trbn, gui, perc, p [Klarinette, Posaune, Piano, Gitarre, Schlagzeug] | SEM Salzburg | 0 | ||||||||||
| 81 | Klaus | Ager | Immer klingen die weißen Mauern der Stadt | 1988 | fixed media, akusmatisch | 12:00 | amadeo 427041 Oesterreichische Musik Der Gegenwart: Elektronische Musik 3/ Polygram/ | SEM Salzburg | 1 | dc.relation | |||||||||
| 82 | Klaus | Ager | l'arbre de la tristesse | 1976 | fixed media, akusmatisch | ≈ 9:00 | SEM Salzburg | 0 | |||||||||||
| 83 | Klaus | Ager | Métaboles III | 1977 | fixed media, akusmatisch | 7:00 | 0 | ||||||||||||
| 84 | Klaus | Ager | ORC17 | 1981 | fixed media, akusmatisch | ≈ 9:00 | com gen tape | Colgate Hamilton | 0 | ||||||||||
| 85 | Klaus | Ager | Poèmes | 1976 | fixed media, akusmatisch | 28:00 | SEM Salzburg | 0 | |||||||||||
| 86 | Klaus | Ager | Silence V | 1972 | fixed media, akusmatisch | 10:00 | INA • GRM | 0 | |||||||||||
| 87 | Klaus | Ager | Silences VII | 1973 | live-elec, 2 perf | 8:00 | amp p {4 hands} [Piano] | 0 | |||||||||||
| 88 | Klaus | Ager | Silences VIII | 1972 | fixed media, akusmatisch | 15:00 | Centro Americano Studio Paris | 0 | |||||||||||
| 89 | Klaus | Ager | Silences XI | 1974 | Zuspiel, live-elec, 1 perf | 15:00 | amp cl [Klarinette] | INA • GRM | 0 | ||||||||||
| 90 | Klaus | Ager | Sole Shadow Shows | 1990 | Zuspiel / Tonband, 1 perf | 14:00 | db [Kontrabass] | SEM Salzburg | 0 | ||||||||||
| 91 | Klaus | Ager | sondern die sterne sind’s | 1974/1976 | fixed media, akusmatisch | 19:00 | AUL 53544/ | EMS Stockholm, SEM Salzburg | 0 | ||||||||||
| 92 | Klaus | Ager | spirale silencieuse | 1971 | fixed media, akusmatisch | 11:00 | INA • GRM | 0 | |||||||||||
| 93 | Klaus | Ager | Tristan for Lucinda | 1981 | fixed media, akusmatisch | 10:00 | SEM Salzburg | 0 | |||||||||||
| 94 | Klaus | Ager | Wandering around | 1987/1993 | fixed media, akusmatisch | 22:00 | SEM Salzburg | 0 | |||||||||||
| 38937 | Savannah | Agger | Berlin/Stockholm | 2009 - 2010 | Theatermusik | Orionteatern | 2010 | Orionteatern Stockholm | 0 | ||||||||||
| 38929 | Savannah | Agger | Brücken/Inseln | 2012 | live-elec, 1 group | ens [Ensemble] | Brücken/Inseln is a part of the project "Delar av någonting större" with music of Savannah Agger, Joakim Sandgren, Tomas Hulenvik and Ylva Lund Bergner for Gageego and visuals with the artist Carolina Falkholt | Ensemble Gageego and support Konstnärsnämnden, Sweden | 12.5.2012 | Gothenburg Festival GAS | 0 | ||||||||
| 38930 | Savannah | Agger | Brücken/Inseln II | 2015 | fixed media, akusmatisch | 1.5.2015 | BEAST, Birmingham | 0 | |||||||||||
| 36708 | Savannah | Agger | Extended terminations | 2009 | fixed media, akusmatisch | 9:25 | Surround 8.1 | 2009 | Fylkingen Stockholm | 0 | https://soundcloud.com/sajoau/extended-terminations-excerpt | ||||||||
| 38928 | Savannah | Agger | Guiame los Pasos | 2011 | fixed media, akusmatisch | 10:00:00 | TU Berlin, BEAST | EMS/Rikskonserter | 12.4.2011 | SR Swedish Radio P2 | 0 | ||||||||
| 36710 | Savannah | Agger | In Nihilo | 2008 | live-elec, 1 perf | db, (com, 2 metal plates) [Kontrabass] | IRCAM | 2008 | IRCAM, Espace de Projection, Charlotte Testu | 0 | http://savannahagger.com/sound/In_Nihilo_excerpt.aif | ||||||||
| 38935 | Savannah | Agger | Inaff | 2006 | Tanz | Composition for contemporary dance (tape) | Kompani Raande-Vo and Lena Josefsson | 2006 | Örebro | 0 | |||||||||
| 25816 | Savannah | Agger | Metal degrees | 2007 | Zuspiel, live-elec, 1 perf | 15:00 | 12 Tracks | perf (4 metal plates) [Performer] | für 12-kanalige Zuspielung, liveelektronisches Prozessing der von 4 Metallplatten abgenommen Kläng, die durch 4 Transducer indirekt in Schwingung gesetzt werden. | TU Berlin | summer 2007 | Karlsruhe, ZKM, next generation | 1 | ||||||
| 38933 | Savannah | Agger | Mor Courage och hennes barn Barnkorståget |
2010 | Theatermusik | 4 V (electric quartet, singers) [Stimme] | music for Bertold Brechts “Mutter Courage…” | 5.2.2010 | Orionteatern Stockholm | 0 | |||||||||
| 38934 | Savannah | Agger | Pluoto la Vie | 2007 - 2008 | Tanz | Composition for contemporary dance (tape) | HfM Stockholm | 0 | |||||||||||
| 31995 | Savannah | Agger | Terminations | 2008 | fixed media, akusmatisch | 5:16:00 | Stereo + Octo, Spazialisation: WFS | using the reactable | TU Berlin | 3.8.2008 | Inventionen 2008, TU Berlin, WellenFeld | 1 | 2008 | ||||||
| 34629 | Savannah | Agger | Undercurrents | 2016 | fixed media, akusmatisch | 10:06 | Octo | SMC2016 | TU Berlin, EMS Stockholm | 0 | |||||||||
| 36709 | Savannah | Agger | Untitled Requiem | 2010 | fixed media, akusmatisch | Surround 8.1 | TU Berlin, BEAST | 10.11.2010 | Audiorama Stockholm, Sound of Stockholm | 0 | |||||||||
| 38931 | Savannah | Agger | Vacuum | 2013 | fixed media, akusmatisch | Surround 17.4 | 3rd part in the trilogy ”Transit” by S.Agger, Hanna Hartman and Ylva Betancor. | Statensmusikverk | 23. August 2013 | Audiorama in Stockholm | 0 | ||||||||
| 38932 | Savannah | Agger | Venus | 2014 | Theatermusik | Orionteatern | 15.3.2014 | Orionteatern Stockholm | 0 | ||||||||||
| 38936 | Savannah, Frederik | Agger, Iversen | Roundabout | 2005 | Theater, live-elec, 4 perf, 2 groups | trbn, Vs, acc, Kbds [Stimme, Posaune, Keyboard, Akkordeon] | HfM Stockholm | 2005 | Kanonhallen Copenhagen, directed by Annesophie Bergman-Steen | 0 | |||||||||
| 32009 | Laurent | Aglat | Pays sages | 2007 | fixed media, akusmatisch | 3:50 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 96 | Michael | Agnello | Music for Silent Movies | 1967 | Film | Mono | PS LA | 0 | |||||||||||
| 97 | Michael | Agnello | Scream | 1966 | Film | Mono | PS LA | 0 | |||||||||||
| 100 | Udo | Agnesen | le cheval au soleil | 1988 | fixed media, akusmatisch | 12:00 | Stereo | com M. | TU Berlin | 12.8.1988 | Berlin | 1 | |||||||
| 99 | Udo, Fabio | Agnesen, Biasio | Guidos Reise | 1995 | intermedia, live-elec, 3 perf | 20:00 | p, synt, vc [Piano, Cello, synthesizer] | PS C. | 0 | ||||||||||
| 98 | Udo, Marcus | Agnesen, Waibel | Das neue Universum | 1989 | fixed media, akusmatisch | 13:27 | Stereo | HdK CD 008/ | TU Berlin | 1 | |||||||||
| 22547 | Andrea | Agostini | Funus | 2001 | fixed media, akusmatisch | 12:13 | nur aus Pianoklängen | miso records mcd 013/014/ | Con Martini Bologna | Einreichung Prix Noroit 2002 | 1 | ||||||||
| 22188 | Andrea | Agostini | Thurston Moore | 1999 | fixed media, akusmatisch | Stereo | Con Martini Bologna | 0 | |||||||||||
| 18372 | Celso | Aguiar | All blue, I write with a blue pencil, on a blue sky | 1996 | fixed media, akusmatisch | Quadro | CLM | CCRMA | 0 | ||||||||||
| 18351 | Celso | Aguiar | Ayahuasca | 1994 | fixed media, akusmatisch | SMS, CLM and CM, awarded"Premio Sao Paulo '95" | CCRMA | 0 | |||||||||||
| 18373 | Celso | Aguiar | Monologue for Two | 1993/1997 | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | CCRMA | 0 | ||||||||||
| 101 | Celso | Aguiar | Piece of Mind | 1994 | fixed media, akusmatisch | 7:45 | II SBC&M/ PANaroma 199.000.954/ | CCRMA | 1 | ||||||||||
| 22893 | Javier | Aguilar | Chimenea del Absurdo | 1998 | fixed media, akusmatisch | 1:25 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 27173 | Sergio | Aguilar | Broken Time | 1999 | fixed media, akusmatisch | 6:24 | 0 | ||||||||||||
| 19625 | Francisco | Aguilera Zarapuz | Tema Luz | 1991 | live-elec, 3 perf | Stereo | vn, synt, p [Piano, Violine, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 19659 | Juan de Dios | Aguilera | Acre | 1995 | fixed media, akusmatisch | 8:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19658 | Juan de Dios | Aguilera | Evolo | 1993 | fixed media, akusmatisch | 9:50 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19597 | Juan de Dios | Aguilera | Teatro de Sombras | 1995 | fixed media, akusmatisch | 11:10 | Stereo | GME Cuenca | 0 | ||||||||||
| 102 | Antonio, Fernando | Agúndez, Palacios | No, No, No | fixed media, akusmatisch | 7:24 | UM CD 7 Vol. I/ | 1 | ||||||||||||
| 28308 | Coriun | Aharonián | Llueve sobre el Rio de la Plata | 2000 | live-elec, 1 perf | 16:00 | gui [Gitarre] | GRABACION DEFECTUOSA. Christoph Jäggin (gui). | 1 | ||||||||||
| 28309 | Coriun | Aharonián | Lorenzaccio, para 9 solistas (4 de ellos amplificados), orquesta de arcos y 3 percusionistas | 1968 | live-elec, 50 perf | 11:00 | 9 ins (amp str-qt), 38 str, 3 perc [Schlagzeug, Instrument, Streicher] | GRABACION DEFECTUOSA. Orquesta Filarmonica de Montevideo, dir. Roberto Garcia Mareco | 1 | ||||||||||
| 103 | Coriún | Aharonián | Apruebo el Sol | 1984 | fixed media, akusmatisch | 10:00 | Stereo | Tacuabé T/E 25 CD/ | EMS Stockholm | 0 | |||||||||
| 104 | Coriún | Aharonián | Esos silencios | 1978 - 1981 | fixed media, akusmatisch | Mono | Tacuabé T/E 25 CD/ | ELAC Montevideo | 0 | ||||||||||
| 105 | Coriún | Aharonián | Gran Tiempo | 1974 | fixed media, akusmatisch | 15:24 | Stereo | Tacuabé T/E 25 CD/ | IMEB Bourges | 0 | 1984 | http://www.latinoamerica-musica.net/index.html | |||||||
| 106 | Coriún | Aharonián | Hecho 2 | 1966 | Musiktheater, 11 perf | 6 | 6 actor, 5 ins [Instrument, Schauspieler] | 0 | |||||||||||
| 107 | Coriún | Aharonián | Homenaje a la flecha clavada en el pecho de Don Juan Diaz de Solis | 1974 | fixed media, akusmatisch | 13:30 | Stereo | Tacuabé T/E 8/ Tacuabé T/E 25 CD/ | IMEB Bourges | 1 | |||||||||
| 108 | Coriún | Aharonián | Música para aluminios, El Progresso DE - Música para Aluminios | 1967 | Zuspiel / Tonband, 3 perf | Stereo | 3 perc [Schlagzeug] | Tacuabé T/E 25 CD/ | SODRE Montevideo | 0 | |||||||||
| 109 | Coriún | Aharonián | Que | 1969 | fixed media, akusmatisch | Stereo | Tacuabé T/E 25 CD/ | Tella B.Aires | 0 | ||||||||||
| 110 | Coriún | Aharonián | Salvad los niños ! | 1976 | fixed media, akusmatisch | Stereo | Tacuabé T/E 25 CD/ | ELAC Montevideo | 0 | ||||||||||
| 111 | Coriún | Aharonián | Secas las pilas de todos los timbres | 1995, 1997 | radiophon | 13:14 | Stereo, Octo | DegeM CD 02/ Tacuabe 35 CD/ | AdK Berlin | 1 | |||||||||
| 42981 | Iddo | Aharony | lost between | 2013 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 39395 | Iddo | Aharony | Occupation | 2017 | audiovisuell | 0 | |||||||||||||
| 112 | Bengt | Åhlin | Termodynamikens andra huvudsats | 1981 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 113 | David | Ahlstrom | Anthem #1, #3, #4 | 1963 - 1965 | Zuspiel / Tonband, 2 perf, 1 group | 16:00 | Stereo | S, org, ch [Sopran, Orgel, Chor] | PS C. Dallas | 0 | |||||||||
| 114 | David | Ahlstrom | Recitative, Aria and Cadenza | 1963 | Zuspiel / Tonband, 1 perf | 4:00 | Mono | p [Piano] | PS C. Dallas | 0 | |||||||||
| 115 | David | Ahlstrom | Suite #3 | 1964 | Theatermusik | 10:00 | Mono | PS C. Dallas | 0 | ||||||||||
| 116 | David | Ahlstrom | Symphony #2 | 1964 | Zuspiel / Tonband, 8 perf | 20:00 | Mono | 6 dancer, e-p, perc, (opt ins) [Piano, Schlagzeug, Tanz] | PS C. Dallas | 0 | |||||||||
| 117 | David | Ahlstrom | Symphony #3 - No Exit | 1965 | Musiktheater | 38:00 | Stereo | PS C. Dallas | 0 | ||||||||||
| 24971 | Doo Jin | Ahn | Bicheon | 2000 | Zuspiel / Tonband, 2 perf | 8:04 | b-cl, perc [Klarinette, Schlagzeug] | KEAMS 10th Anniversary/ | 1 | ||||||||||
| 42454 | Jean | Ahn | Berkeley Arirang | 2008 | live-elec, 1 perf | p [Piano] | Marcel Rominger, piano | 0 | |||||||||||
| 43052 | Sang Mi | Ahn | Metabolism | 2014 | fixed media, akusmatisch | 3:44:00 | 0 | ||||||||||||
| 39507 | Su Kyoung | Ahn | Extension | 2017 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 40848 | Tom | Ahola | Deep Sea Tribe | 1999 | fixed media, akusmatisch | Charm of Sound CSR 0199/ | 1 | ||||||||||||
| 22350 | Marc | Aigner | Dreaming Hills | 1995 | fixed media, akusmatisch | 15:00 | Von CD "Sonic Circuits 4". Musica Nova Award 1995. C-Sound with granular synthesis, VSP |
innova 113/ | PS | 1 | |||||||||
| 16882 | James, Armando | Aikman, Tranquilino | Tragoida / Komoidia | 1987 | fixed media, akusmatisch | 9:05 | LDC 278046/47 Cultures Electroniques 3/ | 1 | |||||||||||
| 37831 | Marc | Ainger | 1956 | fixed media, akusmatisch | part one | 0 | |||||||||||||
| 24993 | Marc | Ainger | Annotations | 2003 | Zuspiel / Tonband, 1 perf | 4:43 | fl [Flöte] | ICMC 2005 Barcelona; Ann Stimson (flute) | ICMC 2005, ars harmonica/ | 2005 | ICMC Barcelona; Ann Stimson (flute) | 1 | |||||||
| 41924 | Marc | Ainger | Dreaming Hills | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 42894 | Marc | Ainger | Kitchen Landscapes | 2013 | fixed media, akusmatisch | 10:30:00 | 0 | ||||||||||||
| 40041 | Marc | Ainger | Scribbles and Smears in Space | 2017 | fixed media, akusmatisch | Marc Ainger | 0 | ||||||||||||
| 22205 | Marc | Ainger | Shatter | 1998 | fixed media, akusmatisch | 8:00 | ICMC 2000/ Kiasma 1999/ | PS | 1 | ||||||||||
| 40042 | Marc | Ainger | Windswept | 2016 | fixed media, akusmatisch | Marc Ainger | 0 | ||||||||||||
| 42731 | Mark | Ainger | 13forLucky | 2012 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 33874 | Agnes | Aistleitner | state of revolution | 2012 | audiovisuell | Prix ars electronica 2012/ | HBLA Linz | Goldene Nica 2012 ars electronica | 1 | ||||||||||
| 118 | Marcello, Francesco | Aitiani, Giomi | NAVE DI LUCE | 1990 | intermedia, live-elec, 1 perf, 1 group | audiovisuell |
30:00 | ch, org [Orgel, Chor] | telematic artwork involving visual installations; communication via video, phone, com line | CNUCE Firenze | 0 | |||||||||
| 119 | Robert | Aitken | Composition for flute and tape recorder | 1963 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fl [Flöte] | UTEMS Toronto | 0 | |||||||||
| 120 | Robert | Aitken | Noesis | 1963 | fixed media, akusmatisch | 6:00 | Stereo + Stereo | FMS 33436/ | UTEMS Toronto | 1 | |||||||||
| 121 | Robert | Aitken | Soliloquy | 1962 | fixed media, akusmatisch | 8:20 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 122 | Robert | Aitken | Suite from music for Hamlet | 1964 | fixed media, akusmatisch | Theatermusik |
8:55 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 43131 | Nelo | Akamatsu | Chijikinkutsu | 1013 - 2015 | Klangkunst, Installation | Auszeichnung ars electronica: Golden Nica 2015 | 0 | ||||||||||||
| 33005 | Lars | Akerlund | Acoustic Mirror | fixed media, akusmatisch | 15:24 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33007 | Lars | Akerlund | Additive | fixed media, akusmatisch | 16:32 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33006 | Lars | Akerlund | No Room No Shadow | fixed media, akusmatisch | 11:54 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33004 | Lars | Akerlund | Slow, Horizontal | fixed media, akusmatisch | 12:12 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 33003 | Lars | Akerlund | White Shade | fixed media, akusmatisch | 9:25 | CD Xenon | FER 1090/ | 1 | |||||||||||
| 23667 | Lars | Åkerlund | Rivers of Mercury | 1998 | Tanz, live-elec, 2 perf | 22:26 | Stereo | dancer, perc [Schlagzeug, Tanz] | FER 1025 Firework Edition Records/ | EMS Stockholm | 1 | ||||||||
| 130 | Lars | Åkerlund | Strupens följder | 1987 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | e-gui [Gitarre] | EMS Stockholm | 0 | |||||||||
| 28109 | Lars | Åkerlund | Ur | 1998 | fixed media, akusmatisch | Tanz |
29:30 | Stereo | Originally composed for a choreography by Per Jonsson | FYCD 1028/ | EMS Stockholm | Finnish National Opera | 1 | |||||||
| 23668 | Lars | Åkerlund | Via Styx | 1996 | Tanz, live-elec, 2 perf | 45:20 | Stereo | dancer, perc [Schlagzeug, Tanz] | FER 1025 Firework Edition Records/ | EMS Stockholm | 1 | ||||||||
| 28110 | Lars | Åkerlund | Volt | 2004 | fixed media, akusmatisch | Tanz |
36:47 | Stereo | Originally composed for a choreography by Björn Elisson | FYCD 1028/ | EMS Stockholm | EMS/Rikskonserter with support from Stiftelsen Framtidens Kultur | 1 | |||||||
| 131 | Lars | Åkerlund | Welcome to lucky people center | 1991/1993 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 123 | Lars, Mikael | Åkerlund, Pauli | Bars | 1983 | Hintergrundmusik | 90:00 | Stereo | 0 | |||||||||||
| 124 | Lars, Mikael | Åkerlund, Pauli | Datorstycke | 1982 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 125 | Lars, Mikael | Åkerlund, Pauli | In - out | 1982/1984 | Hintergrundmusik | 26:30 | Quadro | EMS Stockholm | 0 | ||||||||||
| 126 | Lars, Mikael | Åkerlund, Pauli | Magoma | 1983 | intermedia | 20:00 | Stereo | slides | 0 | ||||||||||
| 127 | Lars, Mikael | Åkerlund, Pauli | Ngamiani band | 1980 | Hintergrundmusik | 28:00 | Stereo | 0 | |||||||||||
| 128 | Lars, Mikael | Åkerlund, Pauli | Nocturne | 1981 | fixed media, akusmatisch | 9:00 | Stereo | 0 | |||||||||||
| 129 | Lars, Mikael | Åkerlund, Pauli | Plumber Fundi Bomba | 1981 | Hintergrundmusik | 5:20 | Stereo | EMS Stockholm | 0 | ||||||||||
| 132 | Sonja, Jarl | Åkesson, Hammarberg | Frågar du vad vi håller på med? | 1968 | fixed media, akusmatisch | radiophon |
11:55 | Quadro | FYCD 1024 CD 2 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 133 | Kuniharu | Akiyama | 2 hiki no sanma | 1960 | Film | 20:00 | Mono | PS Sogetsu Tokyo | 0 | ||||||||||
| 36316 | Kuniharu | Akiyama | 'Demonstration' Of Nissei Theater | 1963 | fixed media, akusmatisch | 16:01 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 134 | Kuniharu | Akiyama | Enviromental mechanical Orchestra #1 | 1966 | fixed media, akusmatisch | ∞ 19:32 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 29221 | Kuniharu | Akiyama | Études | 1952 | fixed media, akusmatisch | Mono | ? first japanese EM-Piece? | NHK Tokyo | 0 | ||||||||||
| 135 | Kuniharu | Akiyama | Hi ho 19 | 1960 | Zuspiel / Tonband, 5 perf, 1 group | 20:00 | Mono | ch, 5 perf [Performer, Chor] | PS Sogetsu Tokyo | 0 | |||||||||
| 136 | Kuniharu | Akiyama | Ikoi no tame no ongaku | 1964 | Hintergrundmusik | 30:00 | Mono | for the Tokio Olympic Games | PS Sogetsu Tokyo | 0 | |||||||||
| 137 | Kuniharu | Akiyama | Ishi no Uta | 1963 | fixed media, akusmatisch | Film |
28:00 | Mono | PS Sogetsu Tokyo, TBS Radio Tokyo | 0 | ||||||||||
| 36337 | Kuniharu | Akiyama | Music For Eating | 1964 | Klangkunst, Installation | intermedia |
30:46 | OPA 021/ | 0 | |||||||||||
| 36315 | Kuniharu | Akiyama | Music for H. Bomb | 1971 | fixed media, akusmatisch | 10:50 | Mono | OPA 006/ | PS C. | 0 | |||||||||
| 36336 | Kuniharu | Akiyama | Music For Resting | 1964 | Klangkunst, Installation | intermedia |
30:37 | OPA 021/ | 0 | |||||||||||
| 138 | Kuniharu | Akiyama | Poem | 1960 | Fernsehen, | 6:00 | Mono | txtcompo | NHK Tokyo | 0 | |||||||||
| 139 | Kuniharu | Akiyama | Shokuji no tame no ongaku | 1964 | Hintergrundmusik | 30:00 | Mono | for the Tokio Olympic Games | PS Sogetsu Tokyo | 0 | |||||||||
| 140 | Kuniharu | Akiyama | Tonari no Yaro | 1965 | Film | 15:00 | Mono | PS Sogetsu Tokyo | 0 | ||||||||||
| 41822 | Cem | Akkan | Doors | 2001 | fixed media, akusmatisch | codemist ICMC2001/ | 0 | ||||||||||||
| 22844 | Jana | Aksenova | The Gesture of Memory | fixed media, akusmatisch | 8:00 | Theremin C. Moscou | 1 | ||||||||||||
| 35782 | César | Alarcón | Recover | 2013 | fixed media, akusmatisch | mention 4º concurso latinoamericano de composición electroacústica y electrónica Gustavo Becerra schmidt 2013 | 0 | ||||||||||||
| 20998 | David | Alarcón | Analisis y Fantasia sobre Saltar | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||||
| 18397 | David | Alarcón | Ausencia 11 | 1997 | fixed media, akusmatisch | 13:06 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18396 | David | Alarcón | Ausencia 9 | 1994 | fixed media, akusmatisch | 16:40 | Stereo | IMEB Bourges | Competition Musica Nova Prag 1995 | 0 | |||||||||
| 19526 | David | Alarcón | Ausencia n° 1 | 1991 | fixed media, akusmatisch | 2:34 | Stereo | GME Cuenca | 0 | ||||||||||
| 27399 | David | Alarcón | Ausencia No. 12 | fixed media, akusmatisch | 15:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 19640 | David | Alarcón | Ausencia No. 8 | 1994 | fixed media, akusmatisch | 9:50 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 34377 | David | Alarcón | Azote | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 19527 | David | Alarcón | El Rapto de Gaby (2, 3) | 1989 | fixed media, akusmatisch | 5:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19529 | David | Alarcón | Grito No. 3 | 1992 | fixed media, akusmatisch | 12:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19641 | David | Alarcón | Hymnomada | 1995 | fixed media, akusmatisch | 17:00 | Stereo | horizontal radio | LIEM CDMC Madrid | 0 | |||||||||
| 142 | David | Alarcón | INDEMU | 1992 | fixed media, akusmatisch | 7:20 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 19308 | David | Alarcón | Olvidar Pedro, Homenaje a Pierre Schaeffer | fixed media, akusmatisch | 6:03 | música electroacústica española 1/ | 1 | ||||||||||||
| 19796 | David | Alarcón | Requiem | fixed media, akusmatisch | Stereo | PS Digimedia | 0 | ||||||||||||
| 19528 | David | Alarcón | Témporas | 1989 | fixed media, akusmatisch | 3:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19530 | David, Anna | Alarcón, Mayor | La Cinta de Krapp | 1990 | fixed media, akusmatisch | 6:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 27673 | Ximena | Alarcón | A to Z | 1998 | fixed media, akusmatisch | 3:24 | Stereo | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | ||||||||
| 40949 | Ximena | Alarcón | Beat | 2002 | fixed media, akusmatisch | 3:47 | DISContact III | 0 | |||||||||||
| 37662 | Wilma | Alba Cal | Hej! | 2012 | audiovisuell | 6:16 | elektroakustische Klänge, voraufgenommenes Cello und Video |
ICAP Habana | 0 | ||||||||||
| 143 | A. | Alberts | Haké | 1992 | Zuspiel / Tonband, 1 group | Stereo | gamelan-ens [Ensemble] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 38470 | Armeno | ALBERTS | Le chant du cygne | 2003 | radiophon | 5:09:00 | Prix Phonurgia nova | 0 | |||||||||||
| 32858 | Alejandro | Albornoz | Ciento Veinte Millones | 2005 - 2006 | fixed media, akusmatisch | 10:44 | inspired by writer Eduardo Galeano (Urugay) | Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 23799 | Alejandro | Albornoz | Eeeh…jercicio | fixed media, akusmatisch | 2:54 | 0 | |||||||||||||
| 144 | William | Albright | Sphaera | 1985 | Zuspiel / Tonband, 1 perf | 12:44 | Stereo | p [Piano] | WER 2029; Computer Music Currents 9/ | MIT Media Lab | 1 | ||||||||
| 145 | Luna | Alcalay | In Memoriam Ossip Mandelstam | 1973 | Zuspiel / Tonband, 1 perf, 1 group | 16:00 | Sp, orc [Sprecher, Orchester] | EM ?? | 0 | ||||||||||
| 23800 | Andrés | Alcalde | Añoranza | Zuspiel / Tonband, 1 perf | ob [Oboe] | 0 | |||||||||||||
| 146 | Jose Antonio | Alcaraz | Fonologia | 1964 | Zuspiel / Tonband, 1 perf, 1 group | 12:00 | p, orc [Piano, Orchester] | 0 | |||||||||||
| 147 | Jose Antonio | Alcaraz | Mutis | 1986 | Zuspiel / Tonband, 2 perf | V, fl [Stimme, Flöte] | 0 | ||||||||||||
| 148 | Jose Antonio | Alcaraz | Tablada | 1984 | Zuspiel / Tonband, 2 perf | V, ins [Stimme, Instrument] | 0 | ||||||||||||
| 22894 | Antonio | Alcazar Aranda | Letania | 1998 | fixed media, akusmatisch | 3:04 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 19534 | Antonio | Alcázar Aranda | Materia: Piedras | 1995 | fixed media, akusmatisch | 7:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19533 | Antonio | Alcázar Aranda | Transformaciones | 1994 | fixed media, akusmatisch | 15:56 | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||
| 149 | Michael | Alcorn | A Slow Dance | 1992 | Zuspiel, live-elec, 4 perf | 17:15 | S, A, T, B [Sopran, Alt, Tenor, Bass] | Tape Version: NeXT with ISPW Text by Montague |
ICMC 1993, LMCD 1375/ | SARC Belfast | New Macnaghten Concerts & London Arts Board | 22.20.1992 | London with Singcircle | 1 | |||||
| 25082 | Michael | Alcorn | Caoine | 1996 | live-elec, 1 perf | 10:00 | str [Streicher] | ISPW | Uni Limerick | 31.10.1996 | Sionna Festival Limerick | 0 | |||||||
| 24298 | Michael | Alcorn | Crossing the Threshold | 2001 | live-elec, 1 perf | 9:17 | vn [Violine] | SARCCD 001 Vol. 1/ CMC CD 06 Contemporary Music from Ireland Vol 6/ | SARC Belfast | 1 | |||||||||
| 25086 | Michael | Alcorn | Double Escapement | 1992 | Zuspiel / Tonband, 1 perf | 9:00 | p [Piano] | 20.7.1995 | Frost (USA) | 0 | |||||||||
| 25087 | Michael | Alcorn | Hanging Stones | 1985 | intermedia, | 34:00 | (slides) [] | SARC Belfast | 27.4.1995 | Belfast | 0 | ||||||||
| 25085 | Michael | Alcorn | Jubilate | 1986 - 1987 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | 01.1987 | Dublin | 0 | |||||||||
| 25088 | Michael | Alcorn | Patina | 1998 | fixed media, akusmatisch | 15:00 | SARC Belfast | Sonorities Festival & Arts Council of Northern Ireland | 14.5.1998 | Belfast | 0 | ||||||||
| 22297 | Michael | Alcorn | Resonant air | 2000 | fixed media, akusmatisch | 10:51 | SIDO 010/ | SARC Belfast | Galways Arts Festival & Arts Counci of Ireland | 22.6.2000 | Galway | 1 | |||||||
| 25084 | Michael | Alcorn | The Old Woman of Beare | 1994 | live-elec, 4 perf | 20:00 | str-qt [Streicher] | ISPW | Kyoto International Music Festival | 23.11.1994 | Kobe | 0 | |||||||
| 25083 | Michael | Alcorn | Voyager | 1990 | Zuspiel, live-elec, 9 perf | 13:00 | 4 - 9 ins, slides [Instrument] | Arts council of Northern Ireland for Young Arts Festiva | 24.1.1990 | Enniskillen | 0 | ||||||||
| 150 | Anthony | Aldridge | Pericles | 1991/1992 | Musiktheater | Stereo, Octo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 18580 | Brian | Ales | Low Cloud | 1989 | fixed media, akusmatisch | 4:46 | Stereo | BCA 1/ | Banff C. | 0 | |||||||||
| 37609 | Patricia | Alessandrini | à mon seul désir | 2001 | live-elec, 1 perf, 1 group | S, ens [Sopran, Ensemble] | 0 | ||||||||||||
| 37603 | Patricia | Alessandrini | Adagio pour l’absence | 2011 | audiovisuell, live-elec, 3 perf | 3 mus [Musiker] | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | |||||||||||
| 37606 | Patricia | Alessandrini | Adagio sans quatuor | 2010 | Klangkunst, Installation | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37611 | Patricia | Alessandrini | Arrangement in Gray and Black | 2005 | live-elec, 8 perf | 8 ins [Instrument] | 0 | ||||||||||||
| 37622 | Patricia | Alessandrini | Bodied Chambers | 2014 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 37604 | Patricia | Alessandrini | Conversations with changes | 2010 | audiovisuell | 2 sax [Saxophon] | 0 | https://www.youtube.com/watch?v=tRnssFzPMdc | |||||||||||
| 37614 | Patricia | Alessandrini | De profundis clamavi (Hommage à Alban Berg) | 2007 | live-elec, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 37615 | Patricia | Alessandrini | Funeral Sentences | 2008 | live-elec, 4 perf | vn, vc, gui, perc [Gitarre, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 37602 | Patricia | Alessandrini | Gurre-Klänge | 2012 | audiovisuell, live-elec, 14 perf | S, fl (singing), 12 ins, (resonating objects) [Sopran, Flöte, Instrument] | 0 | https://vimeo.com/57261081 | |||||||||||
| 35009 | Patricia | Alessandrini | Leçons de ténèbres | 2016 | live-elec, 1 group | ens [Ensemble] | Experimentalstudio für Akustische Kunst Freiburg | SWR | 16.10.2016 | Donaueschinger Musiktage, Donauhallen, ensemble recherche | 0 | ||||||||
| 37616 | Patricia | Alessandrini | menus morceaux par un autre moi réunis | 2009, 2013 | live-elec, 1 perf | gui [Gitarre] | 4 miniatures | 0 | |||||||||||
| 37618 | Patricia | Alessandrini | Mismoded | 2011 | audiovisuell, live-elec, 3 perf | S, gui, perc, (live-ele, interactive video) [Sopran, Gitarre, Schlagzeug] | 4 versions | 0 | |||||||||||
| 37600 | Patricia | Alessandrini | Mondgewächse | 2013 | audiovisuell, live-elec, 1 group | ens [Ensemble] | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | |||||||||||
| 37623 | Patricia | Alessandrini | Nachtgewächse | 2014 | live-elec, 7 perf | fl, cl, vn, vc, p, perc, kbd (Melodica), (live-elec) [Flöte, Klarinette, Piano, Keyboard, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 37617 | Patricia | Alessandrini | Nani | 2009 - 2010 | fixed media, akusmatisch | 4 versions | 0 | ||||||||||||
| 37624 | Patricia | Alessandrini | Parlour Sounds | 2016 | live-elec, 1 perf, 1 group | fem V, ens [Stimme, Ensemble] | Monodrama | 0 | |||||||||||
| 37621 | Patricia | Alessandrini | Pastorale (Hommage à Schnittke) | 2014 | Klanginstallation, live-elec, 5 perf | p, str-qt [Piano, Streicher] | 0 | ||||||||||||
| 37619 | Patricia | Alessandrini | Schattengewächse | 2013 | Klanginstallation, live-elec, 1 perf | toy p [Piano] | 0 | ||||||||||||
| 37613 | Patricia | Alessandrini | Soliloque (c’est ce parfait et pur amour …) | 2007 | live-elec, 1 perf | vc [Cello] | 0 | ||||||||||||
| 37608 | Patricia | Alessandrini | Sospiri | 2000 | live-elec, 3 perf | 3 S [Sopran] | 0 | ||||||||||||
| 37601 | Patricia | Alessandrini | The Yellow Ones Are Mine | 2013 | audiovisuell | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37605 | Patricia | Alessandrini | They think therefore I am | 2010 | audiovisuell | 0 | http://www.gold.ac.uk/music/staff/alessandrini/ | ||||||||||||
| 37625 | Patricia | Alessandrini | Tracer la lune | 2017 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 37610 | Patricia | Alessandrini | Trio (d’après Schoenberg) | 2004 | live-elec, 3 perf | cl, vc, p [Klarinette, Piano, Cello] | 0 | ||||||||||||
| 37612 | Patricia | Alessandrini | When David Heard | 2005 | live-elec, 2 perf | db, perc [Schlagzeug, Kontrabass] | 0 | ||||||||||||
| 37620 | Patricia, Freida | Alessandrini, Abtan | Orpheus Machines | 2014 | Klanginstallation, live-elec, | 0 | |||||||||||||
| 151 | Magnus | Alexanderson | FU | 1991 | fixed media, akusmatisch | 32:00 | Elektron EM 1010/ | EMS Stockholm | 0 | ||||||||||
| 28098 | Magnus | Alexanderson | Melting Points | 1997 | live-elec, 1 perf | MIDI-gui [Gitarre] | with MIDI-gui | Elektron EM 1010/ | EMS Stockholm | 0 | |||||||||
| 28099 | Magnus | Alexanderson | Stretched in Dark | 2000 | fixed media, akusmatisch | Elektron EM 1010/ | EMS Stockholm | 0 | |||||||||||
| 152 | Minas | Alexiadis | Domestic Variations | 1989 | fixed media, akusmatisch | 9:05 | Stereo | Spectrum | 0 | ||||||||||
| 153 | Minas | Alexiadis | Hydrophonie | 1984 | fixed media, akusmatisch | 10:05 | Stereo | HfM Düsseldorf | 0 | ||||||||||
| 154 | Minas | Alexiadis | Life after life | 1988 | Tanz | 21:20 | Stereo | Spectrum | 0 | ||||||||||
| 155 | Minas | Alexiadis | Nyktoor | 1989 | Zuspiel / Tonband, | 5:30 | Stereo | Spectrum | 0 | ||||||||||
| 156 | Minas | Alexiadis | Prayers | 1986 | fixed media, akusmatisch | 11:35 | Stereo | Spectrum, PS C. | 0 | ||||||||||
| 157 | Minas | Alexiadis | Soul journey | 1987 | Hintergrundmusik | 10:35 | Stereo | Spectrum, PS C. | 0 | ||||||||||
| 158 | Minas | Alexiadis | Tostohream Chant | 1990 | Tanz | 16:42 | Stereo | Spectrum | 0 | ||||||||||
| 159 | Blagomir | Alexiev | For tape only | 1992 | fixed media, akusmatisch | 8:45 | 0 | ||||||||||||
| 23102 | Blagomir | Alexiev | In the end of the Road | 2001 | radiophon | Karl Sczuka Förderpreis 2001 | Radio Sofia | 1 | |||||||||||
| 38471 | Rodolphe | ALEXIS | Dry, wet, evergreen | 2013 | radiophon | 15:27:00 | Prix Phonurgia nova | 0 | |||||||||||
| 35339 | Rodolphe | Alexis | The Glittering Thing On The Mountain, Cicada of the dusk The hill was sinking into the night, some frogs were playing the harp Rice field interlude Megabats party in the backyard Morning whispers, Urauchi River Chatting around midday Gentle breeze on the forest edge interlude Early morning for Mudskippers Night’s Calling |
2014 | fixed media, akusmatisch | 48:58 | 9 parts, fieldrecordings | Gruen 158/ | 0 | http://www.gruenrekorder.de/?page_id=14303 | |||||||||
| 40269 | Susan | Alexjander | Portal/Black Holes White Holes | 2015 | fixed media, akusmatisch | 10:00:00 | Susan Alexjander | 0 | |||||||||||
| 39432 | Luzilei | Aliel | Wysoccan: between men and gods | 2017 | live-elec, | 0 | |||||||||||||
| 34769 | Simo | Alitalo | … but where does it come from? | 1998 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 21.8.-13.9.1998 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 160 | Simo, Jouko | Alitalo, Koivusaari | Virtual Wetlands — wish you were here | 1995 | radiophon | 6:00 | Yleisradio | 1 | |||||||||||
| 18581 | Thierry | Alla | Spot | 1993 | fixed media, akusmatisch | 10:13 | Stereo | OC 951/ | 0 | ||||||||||
| 42573 | Andrew S. | Allen | Leaflet | 2009 | live-elec, 2 perf | 3 | p, fl [Flöte, Piano] | 0 | |||||||||||
| 42899 | Clay | Allen | Aqueous | 2013 | fixed media, akusmatisch | 8:08:00 | 0 | ||||||||||||
| 161 | J Peter | Allen | Sundance | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 162 | J Peter | Allen | Sundance III | fixed media, akusmatisch | 13:10 | Stereo | 0 | ||||||||||||
| 18582 | Terry | Allen | Bleeder | 1990 | radiophon | 27:07 | Stereo | WN 0013/ | 0 | ||||||||||
| 41994 | Juan | Allende-Blin | Gegenträume / contre-rêves | 2003 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 28365 | Juan | Allende-Blin | Les voies de la voix | 1984 | radiophon | Stereo | WDR Studio Akustische Kunst | 0 | |||||||||||
| 41993 | Juan | Allende-Blin | Magnetfelder | Zuspiel / Tonband, 3 perf | p, cl, db [Klarinette, Piano, Kontrabass] | 0 | |||||||||||||
| 1857 | Juan | Allende-Blin | Rapport sonore / Relato sonoro / Klangbericht, Das Märchen Krieg Ausschau Reise Situationen |
1983 | radiophon | 24:00 | Stereo | 5 parts. Inventionen 7.2.85 Ackerstr. |
WDR Studio Akustische Kunst, CERM Metz | Centre Européen pour la Recherche Musicale Metz; Studio Akustische Kunst WDR Köln | Karl-Sczuka-Preis 1983 | 1 | 1985 | ||||||
| 41997 | Juan | Allende-Blin | Traumräume | 2007 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 41996 | Juan | Allende-Blin | Wandlungen | 2005 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 41995 | Juan | Allende-Blin | Wunde am Ende der Zeit | 2003 | radiophon | radiophone Klangcollage | 0 | ||||||||||||
| 42202 | Juan, Filippo Tommaso | Allende-Blin, Marinetti | Fünf Klanghörspiele | 1988 | radiophon | 21:30 | WDR | 24.5.1988 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1445977&vi=2&SID | ||||||||
| 163 | Kristi | Allik | Alambic Rhythms | 1987 | audiovisuell | 23:00 | Stereo | Video transfer of multi-image (Images: Robert Mulder) | Luminart London ON, Uni Western ON | 0 | |||||||||
| 40975 | Kristi | Allik | Anooee-Intersection (Shananditti) | 1987 | audiovisuell | 50:00:00 | Theatre of mixed-means for eight-track electroacoustic tape, dancers, soprano, and 360° surround image projection. | 0 | |||||||||||
| 164 | Kristi | Allik | Cometose | 1986 | audiovisuell | intermedia |
27:00 | Stereo | 6 com con slide projectors and dig sound | Luminart London ON | 0 | |||||||||
| 40960 | Kristi | Allik | Cool Jazz | 1982 | Zuspiel / Tonband, 2 perf | 10:00:00 | vn, vc [Cello, Violine] | 0 | |||||||||||
| 40964 | Kristi | Allik | Electronic Purgatory, Berlin Version | 1997 | audiovisuell, live-elec, | 31:00:00 | Digital music-theatre work inspired by Dante's Divine Comedy in a contemporary look at heaven and hell. | 0 | |||||||||||
| 40968 | Kristi | Allik | Electronic Purgatory, Linz Version | 1991 | Theater, live-elec, | 78:00:00 | Digital Music-theatre work inspired by Dante's Divine Comedy in a contemporary look at the big bang, heaven, hell and purgatory. | Linz | 0 | ||||||||||
| 40970 | Kristi | Allik | Electronic Purgatory, Oslo Version | 1989 - 1992 | Theater, live-elec, 1 perf | 32:00:00 | p [Piano] | Digital Music-theatre work inspired by Dante's Divine Comedy in a contemporary look at the heaven, hell and purgatory. | 0 | http://www3.sympatico.ca/robmulder/elecpurg.htm | |||||||||
| 40959 | Kristi | Allik | Four Steps to a Layer Cake | 1983 | radiophon | 8:00:00 | radio broadcast. | 0 | |||||||||||
| 40961 | Kristi | Allik | Fragrances of Time and Space | 2001 | Klangkunst, Installation | Interactive multimedia soundscape installation | Arts Ontario Conference, May 2001 | 0 | |||||||||||
| 40962 | Kristi | Allik | ~infoweaver | 2000 | audiovisuell | 100:00:00 | multichannel | Digital music-theatre work. A multi-media work | 0 | ||||||||||
| 166 | Kristi | Allik | Integra | 1986 | audiovisuell | 10:00 | Stereo | 6 com con slide projectors and dig sound | Luminart London ON, Queens Uni Kingston | 1 | |||||||||
| 40955 | Kristi | Allik | Integra | 1987 | Zuspiel / Tonband, 1 perf | 11:00:00 | s-sax [Saxophon] | 1 | |||||||||||
| 167 | Kristi | Allik | Introspection | 1983 | fixed media, akusmatisch | 7:00 | Stereo | 'Introspections' explores the boundary between harmonic and inharmonic electroacoustic timbres. | Uni Western ON | 0 | |||||||||
| 40977 | Kristi | Allik | Loom Sword River | 1982 | Oper | 120:00:00 | V, chamber-orc [Stimme, Orchester] | (Chamber opera). For solo vocalists and chamber orchestra. | 0 | ||||||||||
| 23103 | Kristi | Allik | Machine Symphony | 2000 | fixed media, akusmatisch | 3:03 | Cec Presence 3/ | Queens Uni Kingston | 1 | ||||||||||
| 40957 | Kristi | Allik | Meditation | 1984 | Zuspiel / Tonband, 2 perf | 15:00:00 | vn, vc [Cello, Violine] | 0 | |||||||||||
| 40953 | Kristi | Allik | Nel Mezzo del Cammin di Nostra Vita | 1995 | live-elec, 2 perf | 12:54:00 | S, gui [Sopran, Gitarre] | 0 | |||||||||||
| 40971 | Kristi | Allik | Pentaprism | 1989 | Theater, live-elec, | 16:00:00 | Digital Music-theatre work.. | 0 | |||||||||||
| 40973 | Kristi | Allik | Pentaprism | 1988 | audiovisuell, live-elec, | 11:00:00 | Digital Music-theatre for theatre, video, electroacoustics and virtual realty system. | 0 | |||||||||||
| 168 | Kristi | Allik | Rhapsody | 1986 | Zuspiel / Tonband, 1 perf | 12 | cl [Klarinette] | 'Rhapsody' is inspired by the first musical gesture in George Gershwin's 'Rhapsody in Blue' | Auszeichnung ars electronica 1992 | 1 | |||||||||
| 40976 | Kristi | Allik | Rhythm and Culture | 1986 | audiovisuell | 45:00:00 | perf, perc [Schlagzeug, Performer] | Theatre of Mixed-means for electroacoustic tape, performer, percussion and multi-image projection. | 0 | ||||||||||
| 40958 | Kristi | Allik | Riddim | 1984 | Zuspiel, live-elec, 4 perf | 10:00:00 | 4 synt [synthesizer] | 0 | |||||||||||
| 169 | Kristi | Allik | Rondeau | 1985 | audiovisuell | 22:00 | Stereo | 6 com con slide projectors and dig sound | Uni Western ON | 0 | |||||||||
| 24176 | Kristi | Allik | Sea Spirits | 2002 | fixed media, akusmatisch | 5:00 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 40951 | Kristi | Allik | Shadow of the Wolf | 1997 | Zuspiel / Tonband, 1 perf | 7:43:00 | en-hn [Oboe] | 0 | |||||||||||
| 40956 | Kristi | Allik | Silicon Sidewinder | 1985 | Zuspiel / Tonband, 2 perf | 10:00:00 | 2 perc [Schlagzeug] | 0 | |||||||||||
| 40969 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part I | 1991 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40965 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part II | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40966 | Kristi | Allik | Skyharp: Eulogy for an Elmtree Part III | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40963 | Kristi | Allik | Skyharp: Icestorm | 2000 | Klangkunst, Installation | Interactive audio-visual installation/performance. | 0 | ||||||||||||
| 40952 | Kristi | Allik | Skyharp: The Skyline Variations | fixed media, akusmatisch | environmentally generated music | 0 | |||||||||||||
| 40967 | Kristi | Allik | Skyharp: The Skyline Variations | 1992 | Klangkunst, Installation | Interactive audio-visual installation/performance, | 0 | ||||||||||||
| 40950 | Kristi | Allik | Songs of Auyuittuq | 1997 | Zuspiel / Tonband, 1 group | 10:04:00 | fem ch [Chor] | 0 | |||||||||||
| 40974 | Kristi | Allik | Until Rust Do Us Part | 1988 | Klanginstallation, live-elec, | 15:00:00 | Installation for electroacoustic tape, computer controlled 3-D multi-image projection, and sculptural kinetics. Visuals by Robert Mulder. | 0 | |||||||||||
| 40972 | Kristi | Allik | Vitamin B52 | 1989 | audiovisuell, live-elec, 1 perf | 25:00:00 | perf [Performer] | Digital Music-theatre for live performer, electroacoustic tape and computer controlled multi-image projection. Visuals by Robert Mulder. | 0 | ||||||||||
| 40954 | Kristi | Allik | Xanthé | 1988 | Zuspiel / Tonband, 1 perf | 11:00:00 | cl [Klarinette] | 0 | |||||||||||
| 165 | Kristi, Bentley | Allik, Jarvis | Electronic Zen Garden | 1984, 2005 | audiovisuell | 70 | Stereo | 0 | |||||||||||
| 38815 | Clara | Alloing | Nous somme | radiophon | 19:41 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | ||||||||||||
| 19309 | José | Alloza Escudero | 28 Diapasones | fixed media, akusmatisch | 7:57 | música electroacústica española 1/ | 1 | ||||||||||||
| 3 | Daniel, Gerald, Art, Wolfgang, Thomas, Gunnar, Roland, Balz, Daniel, | Almada, Bennett, Clay, Heiniger, Kessler, Kristinsson, Moser, Trümpy, Weissberg, | Klanglabyrinth | 1991 | fixed media, akusmatisch | nach Beethoven´s Ouverture"Die Weihe des Hauses". Group: Daniel Alejandro Almada, Gerald Bennett, Art Clay, Wolfgang Heiniger, Heinz Holliger, Thomas Kessler, Gunnar Kristinsson, Roland Moser, Balz Trümpy, Daniel Weissberg | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 171 | Daniel Alejandro | Almada | Interferencia | 1992 | fixed media, akusmatisch | 10:30 | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 172 | Daniel Alejandro | Almada | Presion Suburbana | 1992 | live-elec, 3 perf | 13:30 | p, Kbd, sam, (Elektronische Hände) [Piano, Keyboard, computer] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 170 | Daniel Alejandro, Art, Olaf, Gunnar | Almada, Clay, Järmann, Kristinsson | 44°15' auf 40° West | 1990 | live-elec, 1 group | 12:30 | ens [Ensemble] | Inventionen 4.2.1991 AdK | HSM Basel | 1 | 1991 | http://www.esbasel.ch/ | |||||||
| 25465 | Pedro | Almeida | In Rota | fixed media, akusmatisch | 10:51 | miso records mcd 016.07/ | 2005 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | |||||||||||
| 38679 | Pablo Sanz, Francesco, Katrin, Konrad, Group, Stefan, Group, Etienne, Tamer Fahri, Thomas | ALMOGUERA, GIOMI, Emler, KORABIEWSKI, LA COSA PREZIOSA, MALESEVIC, SOFTDAY, NOISEAU, ÖZGÖNENC, KÖNER | Europa – ein Klangpanorama (2) | 2011 | radiophon | 25:56:00 | 0 | ||||||||||||
| 33335 | André | Almuro | Androgyne Asiatique Adolescent | 1966 | radiophon | 5:40 | after own texts | PS C. Paris | 0 | ||||||||||
| 173 | André | Almuro | Arcadie | 1964 | fixed media, akusmatisch | 7:30 | Mono | PS C. Paris | 0 | ||||||||||
| 174 | André | Almuro | Artefact | 1981 | fixed media, akusmatisch | 25:54 | Stereo | INA • GRM | 28.3.1983 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||||
| 175 | André | Almuro | Emportez-moi | 1957 | radiophon | 1:30 | Mono | text by Michaux | Club d'Essai Paris | 0 | |||||||||
| 33333 | André | Almuro | Garde à vous au couchant | 1966 | radiophon | 2:30 | Mono | after words by Olivier Larronde | PS C. Paris | 0 | |||||||||
| 176 | André | Almuro | Grafitti – Poème Electronique II | 1957/1961 | fixed media, akusmatisch | 17:00 | Mono | new version of "de la nature" | PS C. Paris | 0 | |||||||||
| 177 | André | Almuro | L'enfant poète (Oratorio) | 1950 | fixed media, akusmatisch | 25:00 | Mono | PS C. Paris | 0 | ||||||||||
| 178 | André | Almuro | L’Envol | 1968 | fixed media, akusmatisch | BAM LD 60-18/ | 0 | ||||||||||||
| 179 | André | Almuro | Le condamné à mort | 1967 | fixed media, akusmatisch | 30:00 | Mono | after words by Jean Genèt | PS C. Paris | 0 | |||||||||
| 180 | André | Almuro | Le grand combat | 1957 | radiophon | 1:00 | Mono | text by Michaux | Club d'Essai Paris | 0 | |||||||||
| 181 | André | Almuro | Lévogyre | 1973 | fixed media, akusmatisch | 22:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 182 | André | Almuro | Opèra de corail – Poème Electronique IV | 1964 | fixed media, akusmatisch | 28:00 | Mono | with photos by N. Doyon, sculptures by L. Stoskopf | PS C. Paris | 0 | |||||||||
| 183 | André | Almuro | Opium | 1957 | radiophon | 29:12 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 184 | André | Almuro | Phonolite #1, #2 | 1966 | fixed media, akusmatisch | 11:00 | Mono | Mau/ | PS C. Paris | 0 | |||||||||
| 185 | André | Almuro | Réflexes | 1960 | fixed media, akusmatisch | 12:20 | Mono | PS C. Paris | 0 | ||||||||||
| 186 | André | Almuro | Sable memorial | 1985 | radiophon | 28:40 | Stereo | INA • GRM | Radio-France | 5.7.1986, 20h | France Culture | 0 | |||||||
| 188 | André | Almuro | several Radiophonic works | 1954 - 1960 | radiophon | Mono | Maison des Lettres Paris, CERT Paris | 0 | |||||||||||
| 189 | André | Almuro | Stratification – Poème Electronique V | 1967 | Performance | Klangkunst, Installation |
Mono | with films and sculptures | PS C. Paris | 0 | ||||||||||
| 33334 | André | Almuro | Structure rouge | 1966 | Demo, Studie | 28 | Mono | structures sonores pour des textes dits et chantés par Colette Magny | PS C. Paris | 0 | |||||||||
| 190 | André | Almuro | The Creation of the Animals | 1958 | radiophon | 19:50 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 191 | André | Almuro | The Ox and the Ass | 1958 | radiophon | 45:00 | Mono | BBC, Maison des Lettres Paris | 0 | ||||||||||
| 192 | André | Almuro | Transhumances – Poème Electronique III | 1963 | fixed media, akusmatisch | 28:30 | Mono | with photos by N. Doyon | PS C. Paris | 0 | |||||||||
| 193 | André | Almuro | Va et vient | 1966 | fixed media, akusmatisch | 4:35 | Mono | Mau/ | PS C. Paris | 0 | |||||||||
| 36288 | André, Colette | Almuro, Magny | Bura Bura | 1967 | fixed media, akusmatisch | 3:14 | Creel pone 057/ | 0 | |||||||||||
| 194 | Avelino | Alonso Rodriguez | Canciu de Seronda | 1985 | Zuspiel / Tonband, 1 perf | 24:15 | Quadro | a-rec [Flöte] | Sonology Utrecht | 0 | |||||||||
| 19532 | Avelino | Alonso Rodriguez | La Flor del Agua II | 1986 | fixed media, akusmatisch | 6:11 | Stereo | GME Cuenca | 0 | ||||||||||
| 19531 | Avelino | Alonso Rodriguez | Naira | 1986 | fixed media, akusmatisch | 13:05 | Stereo | GME Cuenca | 0 | ||||||||||
| 36426 | Edith | Alonso | Acerca de Tus Palabras | 2010 | fixed media, akusmatisch | lus_44 Luscinia/ | 0 | ||||||||||||
| 35718 | Edith | Alonso | Cicuit Messe | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 36679 | Edith | Alonso | Una Estancia Breve | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 34650 | Hara | Alonso | Resonance virtuel du piano corporel V. 2.0 | 2016 | live-elec, 1 perf | (imaginary) p [Piano] | SMC2016 | 03.2016 | Lyon | 0 | |||||||||
| 34651 | Hara, Anneke | Alonso, Kleimann | Saturn Rings, The City Composing | 2016 | live-elec, 1 perf | var mus [Musiker] | SMC2016 | 0 | |||||||||||
| 18583 | Juan Manuel | Alonso | Sine nomine | Zuspiel / Tonband, 1 perf | 5:46 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | ||||||||||
| 42785 | Max | Alper | peacenoisefarrockaway | 2012 | fixed media, akusmatisch | 4:06:00 | 0 | ||||||||||||
| 39599 | Ariadna | Alsina | “Closca KC” | 2017 | fixed media, akusmatisch | Ariadna Alsina | 0 | ||||||||||||
| 20750 | Carlos Roqué | Alsina | Entre vents et marées | 1994 | fixed media, akusmatisch | 12:11 | Stereo | INA C 2009/ | INA • GRM | 1 | |||||||||
| 195 | Carlos Roqué | Alsina | Etudes | 1978 | Zuspiel, live-elec, 1 group | 18:11 | Stereo | orc [Orchester] | 7 Ètudes | INA • GRM | Commande de l'Etat et de l'INA·GRM | 17.11.1979 | Metz, 8. Rencontres int., NOP, dir. G. Amy | 0 | |||||
| 196 | Carlos Roqué | Alsina | Harmonies | 1983 | Zuspiel / Tonband, 1 perf, 2 groups | 9:50 | Stereo | S, ch, orc [Sopran, Chor, Orchester] | INA • GRM | 0 | |||||||||
| 197 | Carlos Roqué | Alsina | Hinterland | 1982 | Zuspiel / Tonband, 2 perf | 26:03 | Stereo | p, perc [Piano, Schlagzeug] | INA C 2009/ | INA • GRM | Commande du Ministère de la Culture et de l'INA.GRM | 22.2.1982 | Paris, Maison de Radio France, Gd. Auditorium. C. Roque-Alsina (p), G. Sylvestre (perc) | 1 | |||||
| 198 | Carlos Roqué | Alsina | Hommage | 1984 | Zuspiel / Tonband, 1 perf | 21:16 | Stereo | p [Piano] | INA • GRM | Radio France | June 1984 | Toulouse | 0 | ||||||
| 20749 | Carlos Roqué | Alsina | Klavierstück VI, Hommage à Bach | 1984 | Zuspiel / Tonband, 1 perf | 20:53 | Stereo | p [Piano] | INA C 2009/ | INA • GRM | 1 | 2008 | |||||||
| 43057 | Birgitte | Alstead | Ice and Us | 2014 | Klangkunst, Installation | Location: Underground Theater | 0 | ||||||||||||
| 199 | Birgitte | Alsted | Growth | fixed media, akusmatisch | 0 | ||||||||||||||
| 19367 | Birgitte | Alsted | Sorgsang II (Lament II) | 1995 | fixed media, akusmatisch | 21:10 | Carsten Hobolt (Stimme) | dacapo 8.224083/ | DIEM Aarhus | Planetarium-concert-series | 0 | ||||||||
| 39616 | Birgitte | Alsted | WOANDERS (elsewhere) | 2015 | fixed media, akusmatisch | 20:10:00 | Birgitte Alsted | 0 | |||||||||||
| 200 | André | Altagör, Vernier | Métapoesie | 1952 | fixed media, akusmatisch | Mono | txtcompo with M. concrète | Club d'Essai Paris | 0 | ||||||||||
| 39498 | Siana | Altiise | Hypnagogia: The Space Between | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39787 | Francesco | Altilio | Aaktr | 2015 | fixed media, akusmatisch | 15:12:00 | Francesco Altilio | 0 | |||||||||||
| 23801 | Boris | Alvarado | Shu-Shu | fixed media, akusmatisch | 5:30 | 0 | |||||||||||||
| 201 | Eduardo Guimarães | Álvares | Estórias | 1987 | Zuspiel/Tonband, 1 perf | Musiktheater |
5:00 | Stereo | trbn [Posaune] | PS Bemol | 0 | |||||||||
| 202 | Eduardo Guimarães | Álvares | Nocturnal | 1991 | Zuspiel / Tonband, 1 perf | 4:50 | Stereo | a-sax [Saxophon] | PS Bemol | 0 | |||||||||
| 33975 | Paulo | Álvares | Pirlimpsiquice | 1993 | Zuspiel / Tonband, 1 perf | 13:02 | Quadro | va [Viola] | HfMT Köln | 0 | |||||||||
| 203 | Paulo | Álvares | Zero | 1991/1992 | fixed media, akusmatisch | 17:26 | Quadro | HfMT Köln | 0 | ||||||||||
| 204 | Paulo | Álvares | Zero II, ...fugatos magnificos, legatissimo... | 1993 | Zuspiel / Tonband, 1 perf | 7:00 | Quadro | p [Piano] | Komposition für Tasteninstrumente und quadrophones Tonband | HfMT Köln CD5/ | HfMT Köln | 1 | |||||||
| 34079 | Javier | Alvarez | A puro chanfle | 2006 | fixed media, akusmatisch | 8:39:00 | Quadro | 0 | |||||||||||
| 205 | Javier | Alvarez | Acuerdos por diferencia | 1989 | Zuspiel / Tonband, 1 perf | 11:29 | Stereo | hp [Harfe] | CD-SDL 390/ | City Uni London | Park Lane Group | 1989 | Hugh Webb, Purcell Room, London | Mention Bourges 1989 | 0 | ||||
| 206 | Javier | Alvarez | Appearance | 1989 | Tanz, 2 perf | Stereo | perc, MIDI [Schlagzeug, synthesizer] | City Uni London | 0 | ||||||||||
| 207 | Javier | Alvarez | Asi el acero | 1988 | Zuspiel / Tonband, 2 perf | 9:10 | Stereo | steel-drum, T [Tenor, Schlagzeug] | CD-SDL 390/ | City Uni London | Simon Limbrick with funds provided by the 1988 London Percussion Festival | 1988 | London Percussion Festival, London | 0 | |||||
| 23773 | Javier | Alvarez | Cactus géométries | 2002 | fixed media, akusmatisch | 19:22 | Stereo, Quadro | INA e 5015/ | INA • GRM | Groupe de Récherches Musicales with funds provided by the French Ministry of Arts | 2002 | Salle Olivier Messian, Radio France, Paris | 1 | ||||||
| 34127 | Javier | Alvarez | Calacas Imaginarias | 1994 | Zuspiel / Tonband, 1 group | 24 | mx ch [Chor] | New London Cahmber Choir with funds provided by Leicester Arts | 1994 | St. Mary de Castro, Leicester (New London Chamber Choir) | Auszeichnung ars electronica 1995 | 0 | |||||||
| 208 | Javier | Alvarez | Chak | 1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | MIDI [synthesizer] | MIDI | City Uni London | 0 | ||||||||
| 34130 | Javier | Alvarez | cylinder clouds/ | 2002 | fixed media, akusmatisch | Klangkunst, Installation |
24:00:00 | 3 fl [Flöte] | Installation for three flutes & electroacoustic sounds | the Scottish Flute Trio with funds provided by the Scottish Arts Council. | 2002 | The Scottish Flute Trio, The Lighthouse Art Centre, Glasgow Scotland | 0 | |||||||
| 34133 | Javier | Alvarez | De tus manos brotan pájaros | 2010 | Zuspiel / Tonband, 1 perf | 13:00:00 | bn [Fagott] | Wendy Holdaway | 2010 | Wendy Holdaway, Festival Cervantino, Mexico | 0 | ||||||||
| 34131 | Javier | Alvarez | Le repas du Serpent & Retour a la Raison | 2004 | audiovisuell, 1 perf | 9:00:00 | vc [Cello] | Ictus Ensemble | 2002 | François Deppe, Opera de Lille, France | 0 | ||||||||
| 210 | Javier | Alvarez | Luz Caterpilar | 1985/1986 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | p [Piano] | City Uni London | Mention Bourges 1986 | 0 | ||||||||
| 211 | Javier | Alvarez | Mambo à la Braque | 1990 | fixed media, akusmatisch | 3:02 | Stereo | IMED 9004/ IMED 0050/ IMED 9604/ | City Uni London | 1991 | Purcell Room, London | 1 | |||||||
| 34125 | Javier | Alvarez | Mambo Vinko | 1993 | Zuspiel / Tonband, 1 perf | 15 | trbn [Posaune] | INA • GRM | GRM with funds provided by the French Ministry of Arts | 1993 | Salle Olivier Messian, Radio France, Paris (Vinko Globockar) | 0 | |||||||
| 212 | Javier | Alvarez | Mannam | 1992 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | str (kayagum) [Streicher] | CD-SDL 390/ | IMEB Bourges | Projects Uk/ Newcastle upon Tyne | 1992 | Purcell Room, London (Inok Paek) | Auszeichnung ars electronica honorary mention 1993 | 0 | ||||
| 34132 | Javier | Alvarez | Negro Fuego y Cruzado | 2008 | audiovisuell, 2 perf | 11:00:00 | 2 b-cl [Klarinette] | Two bass clarinets, video and electroacoustic sounds | Festival Cervantino for Fernando Dominguez and Harry Spaarnay | 2008 | Fernando Dominguez and Harry Sparnaay, Festival Cervantino, Mexico | 0 | |||||||
| 23774 | Javier | Alvarez | Offrande | 2000 | Zuspiel / Tonband, 2 perf | 18:26 | Stereo | S, vc (cello-steel-pans) [Sopran, Cello] | INA e 5015/ | INA • GRM | Groupe de Récherches Musicales with funds provided by the French Ministry of Arts | 2000 | Salle Olivier Messian, Radio France, Paris (Florent Jodelet & Simon Limbrick) | 1 | |||||
| 34128 | Javier | Alvarez | Overture | 1995 | fixed media, akusmatisch | 1:00:00 | the 1995 Skinskateberg Electronic Music Festival | 1995 | Galleri Astley, Skinskateberg, Sweden | 0 | |||||||||
| 214 | Javier | Alvarez | Papalotl, Butterfly | 1987 | Zuspiel / Tonband, 1 perf | 13:13 | Stereo | p [Piano] | Fairlight | LDC 278044/45 Cultures Electroniques 2/ CD-SDL 390/ IRD 002 Irradia/ | City Uni London | September 1987 | Queen Elisabeth Hall, London (Philip Mead) | Prize Bourges 1987, Prize Prix Ars electronica 1988 |
1 | ||||
| 215 | Javier | Alvarez | Puerta sin pertas | 1990 | Zuspiel / Tonband, 1 perf | Stereo | str (kayagum) [Streicher] | City Uni London | 0 | ||||||||||
| 34126 | Javier | Alvarez | Pyramid | 1996 | Zuspiel / Tonband, 1 perf, 1 group | ≈ 7 | (any number of) inss [Instrument] | Sonic Arts Network Education | 1996 | Huddersfiled Festival | 0 | ||||||||
| 216 | Javier | Alvarez | Quemar las Naves | 1988 | live-elec, 1 group | 14:00 | ens [Ensemble] | ens | City Uni London | 0 | |||||||||
| 34129 | Javier | Alvarez | Recylce loops | 2002 | Zuspiel / Tonband, 1 perf, 1 group | perc-ens [Schlagzeug] | young percussion players | the Aldebourgh Fetival Education | 2002 | Aldebourgh Fetival.April | 0 | ||||||||
| 217 | Javier | Alvarez | Shekere | 2001 | live-elec, 4 perf | 11:00 | Stereo | 4 V [Stimme] | City Uni London | August 1995 | Dartington Hall, Devon (Simon Limbrick) | 0 | |||||||
| 218 | Javier | Alvarez | Temazcal | 1984 | Zuspiel / Tonband, 1 perf | 8:45 | Stereo | maracas [Schlagzeug] | CD-SDL 390/ | RCM London | 24.1.1984 | EMAS (Sonic Arts) series London | Mention Bourges 85 | 1 | 1994 | ||||
| 220 | Javier | Alvarez | The right mark | 1984 | Tanz | Stereo | CD-SDL 390/ | RCM London | 0 | ||||||||||
| 209 | Javier, Ian | Alvarez, Dearden | Edge Dance | 1987 | fixed media, akusmatisch | 4:00 | Stereo | BBC | November 1987 | University of East Anglia, Norwich | 0 | ||||||||
| 213 | Javier, Ian | Alvarez, Dearden | On Going On | 1987 | Zuspiel / Tonband, 1 perf | 11:11 | Stereo | bar-sax [Saxophon] | or WX7 | AVTR 001/ | City Uni London | Stephen Cottrell with fund provided by Estearn Arts Association | 1987 | University of East Anglia, Norwich (Stephen Cottrell) | 0 | ||||
| 219 | Javier, Ian | Alvarez, Dearden | The Panama Files | 1985 | fixed media, akusmatisch | Film |
4:00 | Stereo | City Uni London | Purcell Room, London October 1986 | October 1986 | Purcell Room, London | 0 | |||||||
| 28396 | Luis A., Christian, Ludger, Ludger, Hanns-Holger, Manfred, Otto, Markus | Alvarez, Fischer, Hennig, Kisters, Rutz, May, Vincze, Schlaffke | Einschluss 2 | 2006 | Klangkunst, Installation | 50 | Untertitel „Gefangenschaft hören“ - Werke für die ehemalige Untersuchungshaftanstalt des Ministeriums für Stattssicherheit Erfurt - Andreasstr., Audio-Katalog der Veranstaltung Juni - September 2006. Konzeptleitung M. May. Klangkonzepte für die Räume 102 bis 149 | Ausstellungsproduktion Erfurt | SEAM Weimar | 1 | |||||||||
| 25059 | Miguel | Alvarez | Estudio dobre Armónicos | fixed media, akusmatisch | 4:46 | 1 | |||||||||||||
| 25060 | Miguel | Alvarez | Octava Plaga | fixed media, akusmatisch | 4:04 | 1 | |||||||||||||
| 25061 | Miguel | Alvarez | Primera Plaga | fixed media, akusmatisch | 5:09 | 1 | |||||||||||||
| 38461 | Miguel | Alvarez | Representación, algunas cuestiones | 2005 - 2006 | Performance, Zuspiel, live-elec, 2 perf | 17 | tuba, actor, (elec, lights) [Tuba, Schauspieler] | TU Berlin, LIEM CDMC Madrid | 0 | https://vimeo.com/10672114 | |||||||||
| 25062 | Miguel | Alvarez | Triptico (parte 3) | fixed media, akusmatisch | 3:31 | 0 | |||||||||||||
| 25063 | Miguel, Sandra | Alvarez, Santana | Voyelles | fixed media, akusmatisch | 7:53 | lus_44 Luscinia/ | 1 | ||||||||||||
| 23803 | Pedro | Alvarez | Bahari II | 2004 | live-elec, 4 perf | fl, b-cl, va, vc [Flöte, Klarinette, Viola, Cello] | Premiere Noviembre 2004. XIV Festival de música contemporánea de la Universidad Católica. Santiago, Chile. | 0 | |||||||||||
| 23802 | Pedro | Alvarez | Tripali | 2005 | live-elec, 2 perf | 11:15 | S, va [Sopran, Viola] | Marzo 2005, Instituto Goethe. Santiago, Chile. | 0 | ||||||||||
| 33031 | Maria de | Alvear | The Inner | Performance | 9:45 | btc 04/ | 1 | ||||||||||||
| 33030 | Maria de | Alvear | Trueno | Performance | 3:49 | btc 04/ | 1 | ||||||||||||
| 35390 | Lucas Felipe | Alves de Oliveira | The Relentless Hole | 2013 | fixed media, akusmatisch | 7:18:00 | MR 2014 Métamorphoses 2014/ | 0 | |||||||||||
| 25817 | Bill | Alves | aleph | 2002 | audiovisuell | 9:37 | realized with POV-Ray, CSound | CMJ Vol 29-4, 2005/ | 1 | http://www.billalves.com/aleph.html | |||||||||
| 31682 | Bill | Alves | At First Light | 2012 | audiovisuell, live-elec, 1 group | 10:00:00 | ens, (video) [Ensemble] | 0 | |||||||||||
| 31707 | Bill | Alves | B. Bob Major | 1984 | fixed media, akusmatisch | 4:00:00 | 0 | ||||||||||||
| 31699 | Bill | Alves | Bending Space | 1988 | fixed media, akusmatisch | 7:00:00 | EMF/ | 0 | |||||||||||
| 31684 | Bill | Alves | Breath of the Compassionate | 2009 | audiovisuell, live-elec, 1 group | 9:00:00 | gamelan-ens, (video) [Ensemble] | 0 | |||||||||||
| 31686 | Bill | Alves | Celestial Dance | 2006 | audiovisuell, live-elec, 1 group | 11:00:00 | orc, (video) [Orchester] | Ins: 2222/4221/4 perc/cel/hp/str | 0 | ||||||||||
| 31690 | Bill | Alves | Collateral Damage | 1992 | audiovisuell, live-elec, 1 perf | 7:00:00 | com, (video) [computer] | Competition Musica Nova Prag 1994 | 0 | ||||||||||
| 31702 | Bill | Alves | Consort Music | 1987 | live-elec, 3 perf | 8:00:00 | 2 MIDI-Kbd, perc [Keyboard, Schlagzeug] | 0 | |||||||||||
| 31696 | Bill | Alves | Dream and Toccata | 1992 | live-elec, 1 perf | 6:00:00 | vc [Cello] | 0 | |||||||||||
| 31693 | Bill | Alves | Etude for MicroZone | 2003 | live-elec, 1 perf | 6:00:00 | (MicroZone microtonal) Kbd (controller) [Keyboard] | 0 | |||||||||||
| 31689 | Bill | Alves | Hiway 70 | 1997 | audiovisuell, live-elec, 1 perf | 11:00:00 | com, (video) [computer] | 0 | |||||||||||
| 21089 | Bill | Alves | In-yo | 1998 | Zuspiel / Tonband, 1 perf | 13:45 | shakuhachi [Flöte] | Csound | ICMC 1999/ The HMC American Gamelan/ | 1 | http://www.billalves.com/inyo.html | ||||||||
| 31695 | Bill | Alves | Late Breaking News | 2001 | live-elec, 1 perf | 8:00:00 | Sp [Sprecher] | 0 | |||||||||||
| 31683 | Bill | Alves | Liminal Landscape | 2012 | audiovisuell, live-elec, 1 group | 10:00:00 | ens, (video) [Ensemble] | 0 | |||||||||||
| 31694 | Bill | Alves | Mass Destruction | 2002 | Zuspiel, live-elec, 1 perf | 7:00:00 | (Retuned elec) va or vc, (CD) [Viola, Cello] | 0 | |||||||||||
| 31705 | Bill | Alves | Music for Lost (short film) | 1986 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 31701 | Bill | Alves | Music for Somatic Extensions (short film) | 1987 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 31706 | Bill | Alves | Redundant I | 1985 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31697 | Bill | Alves | Rubber Time | 1991 | live-elec, 4 perf | 9:00:00 | tpt, e-perc, perc, synt [Trompete, Schlagzeug, synthesizer] | 0 | |||||||||||
| 31698 | Bill | Alves | Spectral Motion | 1988 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31687 | Bill | Alves | Static Cling | 2000 | audiovisuell, live-elec, 1 perf | 8:00:00 | com, (video) [computer] | 0 | |||||||||||
| 31685 | Bill | Alves | Stellation | 2008 | audiovisuell, live-elec, 4 perf | 12:00:00 | str-qt, (video) [Streicher] | 0 | |||||||||||
| 31692 | Bill | Alves | The Geometry of Time | 2011 | fixed media, akusmatisch | 13:00:00 | com [computer] | 0 | |||||||||||
| 31704 | Bill | Alves | The Question Mark's Black Ink | 1986 | Zuspiel / Tonband, 2 perf | 17:00:00 | p, perc [Piano, Schlagzeug] | EMF/ | 0 | ||||||||||
| 31703 | Bill | Alves | The Terrain of Possibilities | 1987 | fixed media, akusmatisch | 6:00:00 | EMF/ | 0 | |||||||||||
| 31688 | Bill | Alves | The Web Mandala | 1998 | Klangkunst, Installation | com (Web art) [computer] | 0 | ||||||||||||
| 31700 | Bill | Alves | Time Auscultations | 1987 | Zuspiel, live-elec, 1 perf | Tanz |
9:00:00 | robot, [computer] | robot choreography | EMF/ | 0 | |||||||||
| 31691 | Bill | Alves | Time Resonances | 2012 | live-elec, 1 perf | 7:30 | S [Sopran] | 0 | |||||||||||
| 221 | Akram | Alyasiri | Der Tanz der Schlange | 1980 | fixed media, akusmatisch | 5:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 222 | Magnar | Åm | Air ... av ande er du komen, til ande skal du bli ... | 1987 | Zuspiel, live-elec, 1 perf | 9:00 | db [Kontrabass] | kassett (til framføring), spolebånd (ikkje til framføring) | NOTAM | 0 | |||||||||
| 223 | Maryanne | Amacher | Adjacencies 1965 | 1965 | live-elec, 2 perf | var -60:00 | Quadro | 2 perc [Schlagzeug] | EMS UIUC | 0 | http://www.maryanneamacher.org | ||||||||
| 224 | Maryanne | Amacher | City Links, City Links WBFO Buffalo | 1967 | Klangkunst, Installation | var | Mono | including radio broadcast | Radio Buffalo, PS C. | 0 | http://www.maryanneamacher.org | ||||||||
| 33878 | Maryanne | Amacher | GLIA | 2006 | live-elec, 1 group | ens [Ensemble] | 2006 | TESLA Berlin, ens Zwischentöne | 0 | http://zkm.de/event/2012/05/maryanne-amacher-glia | |||||||||
| 27501 | Maryanne | Amacher | Gravity, Music for Sound-joined Rooms | 2006 | Klangkunst, Installation | 90:00 | 16 Tracks | Kehrer Verlag ISBN 978-3-939583-23-3/ | singuhr hörgalerie in der Parochialkirche Berlin-Mitte | 21.9.2006 | singuhr hoergalerie Berlin | 1 | 1985 | http://www.singuhr.de/page.php?ID=530 | |||||
| 38909 | Maryanne | Amacher | IMAfiction, portrait 06 | 2012 | Film | 30 | IMA portrait 06/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/portrait-08-electric-indigo/ | |||||||||
| 24838 | Maryanne | Amacher | KARYON Sound Character | 1996 | fixed media, akusmatisch | 15:31 | ASP 0966 / | 0 | http://www.maryanneamacher.org | ||||||||||
| 21551 | Maryanne | Amacher | Music for Sound-Joined Rooms, Living Sound, Patent Pending | 1979 | fixed media, akusmatisch | Ellipsis Arts 3673 - OHM: 03/ | 1 | 1985 | http://www.maryanneamacher.org | ||||||||||
| 27500 | Maryanne | Amacher | Petra, Variations for 2 Pianos | 1991 | Musikinstrument, keine EM, 2 perf | 40 | 2 p [Piano] | ISCM Zürich 1991 | 0 | http://www.maryanneamacher.org/Amacher_Archive_Project/Entries/2009/10/24_notes_on_Petra_%281991%29_variations_for_two_pianos_for_iscm_zurich.html | |||||||||
| 18584 | Maryanne | Amacher | PLAYTHING Sound Character | 1996 | fixed media, akusmatisch | 6:22 | Stereo | ASP 0966 / | 0 | http://www.maryanneamacher.org | |||||||||
| 26961 | Maryanne | Amacher | Sound Characters, making the third ear Music for Sound Joined Rooms |
1992 - 1995 | fixed media, akusmatisch | 58:00 | Stereo, Octo | "Sound Characters For Large Spaces, Architecturally Staged | Tzadik 7043 sound characters/ ARS 00/ | Auszeichnung ars electronica honorary mention 2000 (for the CD Tzadik 7043) | 1 | http://www.tzadik.com/index.php?catalog=7043 | |||||||
| 226 | Maryanne | Amacher | Stain, The Music Rooms | 1988 | live-elec, 1 perf | 3:56 | perf [Performer] | Kitchen 88, live | Nonesuch 9 79235-2, Imaginary Landscapes/ ASP 979235/ | 1 | http://www.straebel.de/gate/amacher.html | ||||||||
| 27681 | Maryanne | Amacher | TEO! | 2006 | Klangkunst, Installation | 56:00 | 48 Tracks | sound installation Mexico: plaza de Palacio de las Bellas Artes | Tzadik 8055 sound characters 2/ | Auszeichnung ars electronica: Golden Nica 2005 | 1 | ||||||||
| 28333 | Maryanne | Amacher | the critical band | 1980/1985 | Klangkunst, Installation | Festival Inventionen-85 | 0 | 1985 | |||||||||||
| 227 | Maryanne | Amacher | The House of Amacher | 1966 | fixed media, akusmatisch | ≈ 660:00 | Stereo | home or public use | EMS UIUC | 0 | http://www.maryanneamacher.org | ||||||||
| 18586 | Maryanne | Amacher | The Levi-Montalcini Variations | fixed media, akusmatisch | 19:36 | Stereo | Prix ars electronica 97/ | Auszeichnung ars electronica honorary mention 1997 | 0 | http://www.maryanneamacher.org | |||||||||
| 225 | Maryanne | Amacher | The Music rooms, Stain The Screen Dreams A Step Into It Supreme Connections |
1986 | intermedia | 25:00 | Stereo | part of the series. Under the same title Amacher had "a mini sound series" in the daad-galery Kurfürstenstraße from 20.2. - 15.3.1987 |
TU Berlin | DAAD (Musik im Februar) | 2.1987 | daad galerie Kurfürstenstraße | 0 | http://www.maryanneamacher.org | |||||
| 28422 | Maryanne | Amacher | Torse, Remainder | 1977 | Tanz, 1 group | 32 | Stereo | dancers [Tanz] | Simultanprojektion des Films (Charles Atlas "Torse" (Left Screen) and "Torse" (Right Screen)) nach der Choreographie von Merce Cunningham mit der Musik von Maryanne Amacher, 1977 (gespielt am 11.2.2010 in der Villa Elisabeth im Rahmen der Gedenkveranstaltung für Maryanne). | 1 | |||||||||
| 228 | Daniel Alejandro | Amada | Abrazos | 1993 | Zuspiel, live-elec, 1 perf | 13:00 | db [Kontrabass] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 40278 | Talia | Amar | Mutamorphosis | 2015 | fixed media, akusmatisch | 7:00:00 | Talia Amar | 0 | |||||||||||
| 21750 | Pedro | Amaral | Organa | 2001 | live-elec, 8 perf | 20:00 | 8 ins [Instrument] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 26393 | Pedro | Amaral | Réflexes I | 1996 | live-elec, 1 perf | 21:00 | bn [Fagott] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21751 | Pedro | Amaral | Script | 2003 | live-elec, 1 perf | 26:00 | perc [Schlagzeug] | Max/MSP | PS C. | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21749 | Pedro | Amaral | Transmutations | 1999 - 2000 | live-elec, 1 perf | 18:00 | p [Piano] | Max/MSP | IRCAM | 0 | http://www.pedro-amaral.eu/works | ||||||||
| 21862 | Michelle | Ambrosetti | Etude 1 (étude de stage) | 1970 | fixed media, akusmatisch | 5:08 | IMEB Bourges | 0 | |||||||||||
| 229 | Claudio | Ambrosini | Aula 104 | 1977 | Zuspiel / Tonband, 1 perf | ins (cromorno) [Instrument] | Con Venezia | 0 | |||||||||||
| 230 | Claudio | Ambrosini | Cadenza estesa e Coda | 1981 | Zuspiel / Tonband, 1 perf | 17:20 | Stereo | fl [Flöte] | CSC Padova | Biennale Venezia | 0 | ||||||||
| 24095 | Claudio | Ambrosini | Il Giudizio Universale | 1996 | Oper, 18 perf | ≈ 45:00 | Actor, 2 V, 15 ins [Stimme, Instrument, Schauspieler] | (opera buffa) | Tempo Reale Firenze | 0 | |||||||||
| 28378 | Claudio | Ambrosini | Rondo di forza | 1982 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 23810 | Juan | Amenábar | Amacatá | fixed media, akusmatisch | 8:55 | 0 | |||||||||||||
| 23814 | Juan | Amenábar | Cántigas en el Umbral | 1997 | fixed media, akusmatisch | 6:21 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 23812 | Juan | Amenábar | Contratempo, senzatempo | fixed media, akusmatisch | 16:18 | 0 | |||||||||||||
| 23805 | Juan | Amenábar | Feed Back | 1984 | Zuspiel / Tonband, 1 perf | vn [Violine] | Encargada por Pedro D'Andurian. 1984. Jornadas Mundiales de la SIMC. Toronto, Canadá. Sergio Polizzi, violin. |
0 | |||||||||||
| 23813 | Juan | Amenábar | Juegos | fixed media, akusmatisch | 5:42 | 0 | |||||||||||||
| 23806 | Juan | Amenábar | Klésis | fixed media, akusmatisch | 18:19 | 0 | |||||||||||||
| 23804 | Juan | Amenábar | Los Peces | 1956 | fixed media, akusmatisch | 3:03 | IDEAMA CD 057/ | 0 | |||||||||||
| 23811 | Juan | Amenábar | Ludus Vocalis | fixed media, akusmatisch | 6:30 | 0 | |||||||||||||
| 23807 | Juan | Amenábar | Música Contínua | fixed media, akusmatisch | 0 | ||||||||||||||
| 23808 | Juan | Amenábar | Preludio en High Key | fixed media, akusmatisch | 0 | ||||||||||||||
| 23809 | Juan | Amenábar | Sueño de un niño | fixed media, akusmatisch | 4:50 | 0 | |||||||||||||
| 231 | Frank | Amey | Variations I | 1960 | Zuspiel / Tonband, 1 perf | prep p [Piano] | Cage 1958 | PS C. NY | 0 | ||||||||||
| 36520 | Charles | Amirkhanian | Audience | 1971 - 1979 | fixed media, akusmatisch | 11:44:00 | Edition S Press 36/ | 0 | |||||||||||
| 233 | Charles | Amirkhanian | Bajanoom | 1990 | fixed media, akusmatisch | 3:02 | Stereo | Synclavier | IMED 9004/ IMED 9604/ | CCM Mills | 1 | http://www.ubu.com/sound/amir.html | |||||||
| 36524 | Charles | Amirkhanian | Dutiful Ducks | 1971 - 1979 | fixed media, akusmatisch | 2:00:00 | Edition S Press 36/ | 0 | |||||||||||
| 234 | Charles | Amirkhanian | Dzarim bess ga khorim | 1972 | fixed media, akusmatisch | 5:17 | text by Victor Bedoian | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 235 | Charles | Amirkhanian | Hypothetical moments | 1982 | radiophon | txtcompo | FYLP 1027/ | 1 | |||||||||||
| 42216 | Charles | Amirkhanian | Im Frühling | 1990 | radiophon | 39:55 | WDR Studio Akustische Kunst | 19.6.1990 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1375296&vi=5&SID | ||||||||
| 34402 | Charles | Amirkhanian | Just | 1972 | fixed media, akusmatisch | 4:30 | text-sound-composition | Edition S Press 36/ | SR Stockholm | 0 | |||||||||
| 232 | Charles | Amirkhanian | Mental Radio, nine text-sound compositions | 1980 - 1982 | fixed media, akusmatisch | 45 | text sound compositions | CRi SD 523/ | EMS Stockholm | 0 | |||||||||
| 34404 | Charles | Amirkhanian | Mugic, (for Francois Dufrêne) | 1973 | Performance | 5:27 | Stereo + Stereo + Stereo | text-sound-composition | Edition S Press 36/ | 0 | |||||||||
| 236 | Charles | Amirkhanian | Pas de voix - Homage to Samuel Beckett, Pas de voix | 1988 | radiophon | 16:35 | EBU 1991/ WER 6307-2/ PNM 26/ | WDR Studio Akustische Kunst | WDR / Studio Akustische Kunst | EBU Ars Acustica | 1 | ||||||||
| 42215 | Charles | Amirkhanian | Pianola, Pas de mains | 2001 | radiophon | 39:55 | WDR Studio Akustische Kunst, BEAMS | 31.3.2001 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436733&vi=4&SID | ||||||||
| 18587 | Charles | Amirkhanian | Politics as Usual | 1988 | fixed media, akusmatisch | 25:43 | Stereo | Centaur CRC 2194/ | 0 | ||||||||||
| 34401 | Charles | Amirkhanian | Radii | 1970/1972 | fixed media, akusmatisch | 2:03 | text-sound-composition | Edition S Press 36/ | SR Stockholm | 0 | |||||||||
| 36521 | Charles | Amirkhanian | Ray Man Ray | 1971 - 1979 | fixed media, akusmatisch | 2:01:00 | Edition S Press 36/ | 0 | |||||||||||
| 34403 | Charles | Amirkhanian | Roussier (Not Rouffier), (for Jim Rosenberg) | 1973 | fixed media, akusmatisch | 4 | text-sound-composition | Edition S Press 36/ | VPRO Radio | 0 | |||||||||
| 34405 | Charles | Amirkhanian | Seatbelt Seatbelt, (for Bernard Heidsieck) | 1973 | fixed media, akusmatisch | 14:58 | text-sound-composition | Edition S Press 36/ | 1750 Arch Street Concerts | 0 | |||||||||
| 36522 | Charles | Amirkhanian | Spolit Music | 1971 - 1979 | fixed media, akusmatisch | 4:38:00 | Edition S Press 36/ | 0 | |||||||||||
| 36523 | Charles | Amirkhanian | The Type without Time | 1971 - 1979 | fixed media, akusmatisch | 9:01:00 | Edition S Press 36/ | 0 | |||||||||||
| 18588 | Charles | Amirkhanian | Vers les Anges | 1990 | fixed media, akusmatisch | Stereo | ST 203, Starkland/ | Gotham NY | 0 | ||||||||||
| 34567 | Group | AMM | Later During A Flaming Riviera Sunset After Rapidly Circling The Plaza |
1967 | Performance | 41:34 | 5 perf [Performer] | Elektra EUK 256/ | 0 | ||||||||||
| 36290 | Group | AMM | Live at the Royal College of Art | 2001 | live-elec, 1 group | 6:24 | ens [Ensemble] | EMF CD 036 LMJ Vol 11/ |
0 | ||||||||||
| 238 | Benno | Ammann | "Esveha" | 1976 | fixed media, akusmatisch | 17:17 | Stereo | IPEM Gent | 0 | ||||||||||
| 239 | Benno | Ammann | Inventus | 1974 | Zuspiel / Tonband, 2 perf | 22:00 | trbn, p [Posaune, Piano] | 0 | |||||||||||
| 240 | Benno | Ammann | Les ailes de l'oiseau | 1982 | Fernsehen, | 9:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 241 | Benno | Ammann | Mouvements | 1976 | fixed media, akusmatisch | 8:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 242 | Benno | Ammann | Mutations | 1977 | Zuspiel / Tonband, 1 perf | 8:00 | S ad lib [Sopran] | 0 | |||||||||||
| 243 | Benno | Ammann | Périphériques | 1977 | fixed media, akusmatisch | 7:11 | Stereo | IPEM Gent | 0 | ||||||||||
| 244 | Benno | Ammann | Poemetto | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 245 | Benno | Ammann | Punti di Partenza, Points de départ | 1969 | Zuspiel / Tonband, 1 perf | 7:49 | Mono | b-cl [Klarinette] | Studio R7 | 0 | |||||||||
| 246 | Benno | Ammann | Reflets des Ondes | 1977 | fixed media, akusmatisch | 12:25 | Stereo + Stereo | IPEM Gent | 0 | ||||||||||
| 247 | Benno | Ammann | Refrain Lointain | 1979 | Zuspiel / Tonband, 1 perf | 6:26 | Stereo | tpt [Trompete] | IPEM Gent | 0 | |||||||||
| 248 | Benno | Ammann | Souffles du Désert, Breath of the Desert | 1974 | fixed media, akusmatisch | 18:25 | Quadro | Text: Reinhard Johannes Sorge | Sonology Utrecht | 0 | |||||||||
| 249 | Benno | Ammann | Splendeurs nocturnes | 1976, 1978 | Zuspiel / Tonband, 1 group | 26:15 | Quadro | orc [Orchester] | 2 versions: parts 1-2 (29 min), parts 1-8 (36 min) | Sonology Utrecht, Col.Princ EMC | 17.10.1977 | Utrecht, Gertekeerk | 0 | ||||||
| 250 | Benno | Ammann | Sumerian Song | 1971 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | S [Sopran] | Text: Sumerisches Kultlied aus altbabylonischer Zeit | Sonology Utrecht | 0 | ||||||||
| 251 | Benno | Ammann | The Gonm's Memory | 1979 | Zuspiel / Tonband, 1 perf | 11:44 | Stereo | tuba [Tuba] | IPEM Gent | 0 | |||||||||
| 252 | Benno | Ammann | Wanderings Strophe | 1979 | fixed media, akusmatisch | 7:54 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 253 | Benno | Ammann | Waterplants | 1974 | Zuspiel / Tonband, 2 perf | 12:04 | Quadro | V, p [Stimme, Piano] | Sonology Utrecht | 0 | |||||||||
| 237 | Benno | Ammann | Zwoelf Fasen, 12 Phasen | 1970 | Zuspiel / Tonband, 1 perf | ≈ 18:15 | Stereo | gui [Gitarre] | Synket-synt | Studio R7 | 5.5.1973 | Salzburg, Werner Raditschning | 0 | ||||||
| 42066 | Andreas, Roman | Ammer, Bunka | Benjamin loops, Die Benjamin Loops | 1992 | radiophon | 54:32 | BR | 15.7.1992 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1377520&vi=12&SID | |||||||||
| 42068 | Andreas | Ammer, Console | Loopspool | 1998 | radiophon | 22:48 | BR | 18.11.1998 | BR | 0 | |||||||||
| 38680 | Andreas, Group | AMMER, FM Einheit | Crashing Aeroplanes | 2001 | radiophon | 51:00:00 | 0 | ||||||||||||
| 42067 | Andreas, Group | Ammer, FM Einheit | Kaiser Wilhelm overdrive, Original-Sound-Fragmente vom deutschen Weltkrieg 1914 | 1991 | radiophon | 20:25 | Kurzhörspiel | BR | 20.3.1991 | BR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1372719&vi=23&SID | |||||||
| 37235 | William | Amsler | Agoraphobia | 2017 | fixed media, akusmatisch | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 254 | Gilbert | Amy | Cette etoile enseigne a s'incliner | 1970, 1976 | Zuspiel / Tonband, 2 perf, 1 group | 17:42 | Stereo | male Vs, ins [Stimme, Instrument] | INA • GRM | avril 1970 | Royan Festival, France. avec l'Ensemble du Domaine Musical et un groupe choral de l'ORTF, dir. M. Tabachnik | Heugel | 0 | ||||||
| 255 | Gilbert | Amy | Diaphonies | 1962 | Zuspiel / Tonband, 12 perf | 7:45 | Stereo | 12 ins (2 ens) [Instrument] | INA • GRM | 15.2.1963 | Paris, Salle des Conservatoires | 0 | |||||||
| 256 | Gilbert | Amy | L'enfer | ≈ 1964 | Film | Mono | Spielfilm, H: Clouzot | Siemens | 0 | ||||||||||
| 40486 | Gilbert | Amy | La femme sauvage | 1963 | Theatermusik | Pièce de Kateb Yacine. | INA • GRM | avril 1963 | Paris, Th. Récamier | 0 | |||||||||
| 257 | Gilbert | Amy | La variation ajoutée | 1984 | Zuspiel / Tonband, 1 group | 18:00 | ens [Ensemble] | IRCAM | 0 | ||||||||||
| 40498 | Gilbert | Amy | Miserable miracle | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40459 | Gilbert | Amy | Travelling, Variations | 1962 | Film | INA • GRM | 0 | ||||||||||||
| 259 | Gilbert | Amy | Une saison en enfer, Jadis si je me souviens bien… Mauvais Sang Soli piano Nuit de l'Enfer Nuite de l'Enfer (Suite) Délires 1 "Vierge folle" Délires 2 "Alchimie du Verbe" Ô Saisons, Ô châteux… |
1980 | Zuspiel / Tonband, 8 perf | 44:27 | Octo, Quadro, Stereo | S, s-V, p, perc, 4 V [Sopran, Stimme, Piano, Schlagzeug] | Text after A. Rimbaud. «Jadis si je me souviens bien…», Mauvais Sang, Nuit de l'Enfer, Nuite de l'Enfer (Suite), Délires 1 "Vierge folle", Délires 2 "Alchimie du Verbe", «Ô Saisons, Ô châteux…» |
INA C 2004/ Coll GRM AM 855.13/ INA ACM 1995/ | INA • GRM | Commande de l'Etat, de Radio France (ACR) et de l'INA.GRM. | 19.5.1980 | Paris, Maison de Radio France, Gd. Auditorium, avec C. Roque Alsina, J. P. Drouet, Hélène Garetti, solistes de la Maîtrise des Chœurs de Radio France, dir. G. Amy | 1 | ||||
| 40528 | Gilbert, Bernard | Amy, Parmegiani | Inferno | Film | INA • GRM | 0 | |||||||||||||
| 26218 | Chengbi | An | Aurore | 2004 | fixed media, akusmatisch | 21:08 | Surround 5.1 | INA • GRM | french state | 0 | http://www.anchengbi.com | ||||||||
| 25432 | Chengbi | An | Aurore II | 2004 | fixed media, akusmatisch | 15:31 | Surround 5.1 | INA • GRM | french state | 1 | http://www.anchengbi.com | ||||||||
| 26221 | Chengbi | An | Gediao | 2006 | Zuspiel / Tonband, 1 perf | 11:43 | Surround 5.1 | p [Piano] | INA • GRM | INA-GRM 2006 | 8.06.2008 | Maison de Radio-France, Paris | 0 | http://www.anchengbi.com | |||||
| 26220 | Chengbi | An | Hyun.Oh, Le rêve d'un poisson au fond de la mer son désir de lumière. |
1998 | Zuspiel / Tonband, 2 perf | 16:04 | Stereo | p, perc [Piano, Schlagzeug] | INA • GRM | Association Paris-Seoul | Second prize of the 17th International Electronic Music Competition, International Center of New Musical Sources ICONS, Italy. June. 1999 | 0 | http://www.anchengbi.com | ||||||
| 25433 | Chengbi | An | Moo.Nui, Moirés | 2002 | Zuspiel / Tonband, 1 perf | 17:59 | va [Viola] | INA • GRM | GRM | 1 | http://www.anchengbi.com | ||||||||
| 26219 | Chengbi | An | New Millenium Sunrise | 1999 | fixed media, akusmatisch | 15:09 | Stereo | INA • GRM | Sungsan New Millennium Sunrise Festival 2000 | 0 | http://www.anchengbi.com | ||||||||
| 25435 | Chengbi | An | Saek.Gong, L’espace des couleurs | 2002 | Zuspiel / Tonband, 5 perf | 21:25 | a-fl, str-qt [Flöte, Streicher] | INA • GRM | french state | 1 | http://www.anchengbi.com | ||||||||
| 25434 | Chengbi | An | Sin.Woon, Le mouvement mystique | 2001 | Zuspiel / Tonband, 1 perf | 16:07 | Stereo | cl [Klarinette] | INA • GRM | GRM | 1 | http://www.anchengbi.com | |||||||
| 25436 | Chengbi | An | The combination of Cells | 2007 | fixed media, akusmatisch | 13:20 | Surround 5.1 | INA • GRM | Shanghai PuJiang Project | 1 | http://www.anchengbi.com | ||||||||
| 39342 | Damian | Anache | Velo | 2017 | Performance, live-elec, | Live Electronics Performane Submission | 0 | ||||||||||||
| 260 | Johnny | Analog | 1000 Instant Crushes | 1985 | fixed media, akusmatisch | 3:20 | Stereo | 0 | |||||||||||
| 261 | Johnny | Analog | ECM2 | 1985 | fixed media, akusmatisch | 4:30 | Stereo | 0 | |||||||||||
| 262 | M. | Anastase | Né du Néant | 1992 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 32857 | Francesca | Ancarola | A | 1991 | fixed media, akusmatisch | 5:41 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 263 | Francesca | Ancarola | Arena | 1994 | fixed media, akusmatisch | Stereo | Uni Santiago | Ganadora de la categoría "Residencias" Bourges. | 0 | ||||||||||
| 23815 | Francesca | Ancarola | Loop | fixed media, akusmatisch | 0 | ||||||||||||||
| 40978 | James | Andean | Between the Leaves | 2012 | fixed media, akusmatisch | 5:14 | JTTP 2013 | 0 | |||||||||||
| 39878 | James | Andean | Déchirure | 2016 | fixed media, akusmatisch | James Andean | Uni De Montfort | 2nd Prize, 2013 Presque Rien Competition | 0 | ||||||||||
| 42765 | James | Andean | Hyvät matkustajat, The Good Travellers | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 40979 | James | Andean | Maledetta | 2011 | fixed media, akusmatisch | 6:48 | JTTP 2012 | 0 | |||||||||||
| 40980 | James | Andean | Medusan Torso | 2011 | fixed media, akusmatisch | 10:38 | JTTP 2011 | 0 | |||||||||||
| 264 | Carl-Olof | Anderberg | Dubbelspel | 1971 | Zuspiel / Tonband, 5 perf | S, Bar, cl, vc, p [Sopran, Bariton, Klarinette, Piano, Cello] | 0 | ||||||||||||
| 265 | Carl-Olof | Anderberg | Music for Piano, Winds and Tape | 1970 | Zuspiel / Tonband, 2 perf | p, w-ins [Piano, Bläser] | 0 | ||||||||||||
| 30896 | Torsten | Anders | bohren. knappern. raspeln. lecken. | 2000 | Klangkunst, Installation | permanent | Stereo | Stiftung Deutsches Gartenbaumuseum Erfurt, Germany | Deutsches Gartenbaumuseum Erfurt (Erfurt, Germany), permanent exhibition. | 0 | |||||||||
| 30904 | Torsten | Anders | Das grosse C | 1996 | fixed media, akusmatisch | 22 | Stereo | Liszt School of Music Weimar | 0 | ||||||||||
| 30895 | Torsten | Anders | Echospiele | 2001 | Klangkunst, Installation | 10:48 | Förderband Kulturbüro Berlin | Exhibition Reservoir V – Aerotektura. Grosser Wasserspeicher, Prenzlauer Berg (Berlin) | 0 | ||||||||||
| 30898 | Torsten | Anders | Farbklang | 1999 | Klangkunst, Installation | Design Zentrum Thüringen (Germany) | Pfrschblüt & Cyberblau: Goethe. Farbe. Raum. Kornspeicher Weimar | 0 | |||||||||||
| 30893 | Torsten | Anders | Harmony Studies | 2009 | fixed media, akusmatisch | Stereo | 2009 | Peninsula Arts Contemporary Music Festival (Plymouth) | 0 | ||||||||||
| 30897 | Torsten | Anders | Klavierkreisel | 1999 | fixed media, akusmatisch | 13:02 | Octo | Danish Institute of Electroacoustic Music (Copenhagen, Denmark) | 0 | ||||||||||
| 30901 | Torsten | Anders | Kunststoff. Fünf Variationen | 1998 | fixed media, akusmatisch | Octo | TU Berlin | 0 | |||||||||||
| 30903 | Torsten | Anders | livelets | 1998/1999 | Klangkunst, Installation | radiophon |
7:18 | Stereo, Octo | Radio sound installation (1999 octophonic concert version) | ‘Radio Dario’ of the Bauhaus-Universität Weimar, Liszt School of Music Weimar | 0 | |||||||||
| 30902 | Torsten | Anders | Longing | 1997 | Klangkunst, Installation | fixed media, akusmatisch |
Stereo, Octo | TU Berlin | 0 | |||||||||||
| 30905 | Torsten | Anders | Pfeifenspiel | 2012 | live-elec, 1 perf | org (MIDI) [Orgel] | SEAM Weimar | 16.11.2012 | HfM Weimar | 0 | |||||||||
| 30900 | Torsten | Anders | Piepser | 1999 | Klangkunst, Installation | Quadro | Municipal Atelierhaus of Weimar City (Germany). | open day of the Atelierhaus | 0 | ||||||||||
| 30892 | Torsten | Anders | Three Demos of MOTU’s Instrument Ethno 2 | 2010 | Demo, Studie | 11 | in collaboration with L’Atelier d’Exploration Harmonique (Le Thoronet, France). | Mark of the Unicorn (MOTU) | 0 | ||||||||||
| 30894 | Torsten | Anders | With Shifting Joints | 2003 | fixed media, akusmatisch | Octo | Thüringer Komponistenverband (Composers Society of Thuringia, Germany) | Conservatorio de Morelia (Morelia, Mexico) | 0 | ||||||||||
| 39586 | Anne Sophie | Andersen | Teru Teru | 2016 | fixed media, akusmatisch | Anne Sophie Andersen | 0 | ||||||||||||
| 37904 | Martin Stig | Andersen | Sleepdriver | 2003 | fixed media, akusmatisch | 8:05 | elek 001/ | 0 | |||||||||||
| 39530 | Aaron | Anderson | Studio Study No. 1 | 2015 | fixed media, akusmatisch | 6:37:00 | Aaron Anderson | 0 | |||||||||||
| 266 | Barry | Anderson | Arc | 1987 | Zuspiel / Tonband, 5 perf | 12:00 | b-cl, str-qt [Klarinette, Streicher] | CCD 1009 Continuum Records/ | IRCAM | 1 | |||||||||
| 267 | Barry | Anderson | Domingus | 1978 | Zuspiel / Tonband, 1 perf | 22:15 | Stereo | Sp [Sprecher] | after a poem by Paul Hylands | CCD 1009 Continuum Records/ | BBC, West Square London | 1 | |||||||
| 269 | Barry | Anderson | Electroacustic Fanfare | 1983 | fixed media, akusmatisch | 1:26 | CCD 1009 Continuum Records / | IRCAM | 1 | ||||||||||
| 268 | Barry | Anderson | En face de … II | 1977 | Zuspiel, live-elec, 2 perf | Quadro | S, db, (delay) [Sopran, Kontrabass] | West Square London | 0 | ||||||||||
| 270 | Barry | Anderson | Fanfarewell | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 271 | Barry | Anderson | Mask | 1976/1985 | fixed media, akusmatisch | Zuspiel, live-elec, 3 perf |
40:30 | fl, perc, Sp [Sprecher, Flöte, Schlagzeug] | No.1 tape-version ; No. 2 amp p; No. 3 with kbd and synt | CCD 1008 Continuum Records/ | IRCAM, West Square London | 1 | ||||||||
| 272 | Barry | Anderson | Piano Piece No. 1, 2, 3 | 1969/1974 | Zuspiel, live-elec, 2 perf | 33:00 | Stereo | p or amp p or synt, Kbd [Piano, Keyboard, synthesizer] | No.1 with tape; No 2 amp p; No. 3 synt Kbd | CCD 1009 Continuum Records/ | 1 | ||||||||
| 273 | Barry | Anderson | Piano Pieces I - III | 1973 | Zuspiel, live-elec, 1 perf | p, (rm) [Piano] | CCD 1009 Continuum Records/ | West Square London | 0 | ||||||||||
| 274 | Barry | Anderson | Proscenium | 1978/1979 | Zuspiel, live-elec, 1 perf | 20:12 | perc [Schlagzeug] | 0 | |||||||||||
| 275 | Barry | Anderson | Sound the tucket sonance and the note to mount | 1980 | Zuspiel / Tonband, 1 perf | 10:26 | trbn [Posaune] | CCD 1008 Continuum Records/ | 1 | ||||||||||
| 276 | Barry | Anderson | The Sun-Tamer | 1974 | Zuspiel, live-elec, 3 perf | Sp, proc p, perc [Sprecher, Piano, Schlagzeug] | Polynesian creation myths, storys-teller | West Square London | 0 | ||||||||||
| 277 | Barry | Anderson | Topograph | 1973 | live-elec, 3 groups | 3 group of perc, (elec) [Schlagzeug] | elec (Filter; rm) | West Square London | 0 | ||||||||||
| 278 | Dennis | Anderson | TIME AND THE WINGS OF SPARROWS | 1979/1980 | fixed media, akusmatisch | 10:13 | Quadro | SME Krakow | 0 | ||||||||||
| 35408 | Elizabeth | Anderson | … and Beyond, Solar Winds… and Beyond | 2012 | fixed media, akusmatisch | 9:37 | Octo | IMED 14127/ | Musiques et Recherches Ohain | October 4, 2014 | International Conference of Electroacoustic CIME / ICEM 2014, Denton, Texas | First Prize in the Musica Nova 2015 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | ||||||
| 41601 | Elizabeth | Anderson | Brussele | 1998 | fixed media, akusmatisch | 9:15:00 | Musiques et Recherches Ohain | M&R | 0 | ||||||||||
| 22319 | Elizabeth | Anderson | Chat noir | 1997 - 1999 | fixed media, akusmatisch | 9:59 | M&R, Mars 2000/ NOR 05/ | Musiques et Recherches Ohain | Prix du public du concours Noroit 1997 et parution sur CD Noroît vol 5 1998 | 1 | |||||||||
| 27756 | Elizabeth | Anderson | Ether | 2001 | fixed media, akusmatisch | 13:45 | Octo | IMED 14127/ | Musiques et Recherches Ohain, City Uni London, Akousma Soignies, CEMAMu/ Ateliers Upic/ CCMIX | Musiques et Recherches Ohain | October 3, 2001 | L’Espace du son 2001: Rue Schaeffer et Rue Schafer, Théâtre Marni (Brussels, Belgium) | Sélection à la TIME (tribune internationale de musique électroacoustique) en 2002 | 0 | 2002 | ||||
| 41599 | Elizabeth | Anderson | L'art de la guerre | 1997 | radiophon | 45:00:00 | (sur un texte radiophonique de Thierry Génicot) | Musiques et Recherches Ohain | 0 | ||||||||||
| 21777 | Elizabeth | Anderson | L'Eveil | 1998 | fixed media, akusmatisch | 10:02 | Musidisc 247982/ NOR 05/ | INA • GRM, Musiques et Recherches Ohain | 1 | ||||||||||
| 41603 | Elizabeth | Anderson | L'heure bleue: renaître du silence | 2016 | fixed media, akusmatisch | 16:38 | Octo | Musiques et Recherches Ohain | INA-GRM (avec l'aide dde la Fédération Wallonie-Bruxelles, service création artistique) | 0 | |||||||||
| 41600 | Elizabeth | Anderson | La Zone Dorée | 1998 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 24794 | Elizabeth | Anderson | Les Forges de l’invisible | 2002 - 2003 | fixed media, akusmatisch | 13:50 | MR 2004 Métamorphoses 2004/ IMED 14127/ | Métamorphoses 2004 | 1 | ||||||||||
| 279 | Elizabeth | Anderson | Mimoyecques | 1994 | fixed media, akusmatisch | 14:11 | Stereo | PANaroma 199.000.954/ IMED 14127/ | Musiques et Recherches Ohain | Zjuul Devens, Jozef Moerloos | June 4, 1994 | Fortress of Mimoyecques | Sélection Synthèse 94 Sélection au 1er concours international de musique électroacoustique de Sao Paulo CIMESP, 1995 Parution sur CD Maximal Music Vol. 2 |
1 | |||||
| 27748 | Elizabeth | Anderson | Protopia / Tesseract | 2005 - 2007 | fixed media, akusmatisch | 13:56 | Octo | wbm 168 b Electro AC Wallonie - Bruxelles/ IMED 14127/ | Musiques et Recherches Ohain, City Uni London, Akousma Soignies | May 8, 2007 | Electroacoustic Concert 5, City University London (London, England, UK) | First Prize at the Musica Nova 2008 Int. Competition of Electroacoustic Music (Prague) Honorary Mention at the Concurso Int. de Música Eletroacústica de São Paulo (CIMESP ’07, Brazil). |
1 | ||||||
| 35407 | Elizabeth | Anderson | Solar Winds, Solar Winds… and Beyond | 2012 | fixed media, akusmatisch | 9:37 | Octo | IMED 14127/ | Musiques et Recherches Ohain | Musiques & Recherches | October 27, 2012 | UNAM Campus Morelia (Morelia, Mexico) | First Prize in the Musica Nova 2015 International Competition of Electroacoustic Music (Prague, Czech Republic). | 0 | |||||
| 41602 | Elizabeth | Anderson | Tesseract | 2003 - 2005 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 41598 | Elizabeth | Anderson | The Beast | 1995 | fixed media, akusmatisch | 10:00:00 | Musiques et Recherches Ohain | M&R | 0 | ||||||||||
| 280 | Elizabeth | Anderson | Transfiguration | 1994 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 39931 | Jon | Anderson | Lati | 2016 | fixed media, akusmatisch | Jon Anderson | 0 | ||||||||||||
| 42738 | Jon | Anderson | luft am morgen | 2012 | fixed media, akusmatisch | 6:19:00 | 0 | ||||||||||||
| 40989 | Joseph | Anderson | Change’s Music, ChAnGe’S MUSIC | 1996 | fixed media, akusmatisch | 26:00:00 | Spazialisation: Ambisonics | SCD 28046 Sargasso/ | BEAST | 2008 | Mexican Center for Music and Sonic Arts: Concert Series (Morelia, Mexico, 2008) · Transparent Tape Music Festival (Berkeley, USA, 2002) · Music Under the Stars (Palo Alto, USA, 2000) | 0 | https://joseph-anderson.org/works/ | ||||||
| 40981 | Joseph | Anderson | études d’image | 2006 | fixed media, akusmatisch | 13:07:00 | Spazialisation: Ambisonics | 2007 | Sounds Electric (Dundalk, Ireland, 2007) · San Francisco Tape Music Festival (San Francisco, USA, 2006) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 18589 | Joseph | Anderson | in mosaic | 1992 | fixed media, akusmatisch | 10:00 | Stereo | SEAMUS EAM 9402 Vol. 3/ | 0 | ||||||||||
| 40986 | Joseph | Anderson | Kyai Pranaja | 1998 | fixed media, akusmatisch | 19:45:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2010 | DXARTS Presents (Seattle, USA, 2010) · Sounds Electric (Dundalk, Ireland, 2007) · UnBalanced Connection (Gainesville, USA, 2007) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40992 | Joseph | Anderson | Loch Lomond | 1995 | fixed media, akusmatisch | 8:30:00 | Spazialisation: Ambisonics | 2009 | Soundings… (Edinburgh, UK, 2009) · Big Sur Experimental Music Festival (Big Sur, USA, 2000) · State of the Nation (London, UK, 1997) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40984 | Joseph | Anderson | Mpingo | 2009 | fixed media, akusmatisch | 23:20:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2009 | DXARTS Presents (Seattle, USA, 2010) · Ambisonic Symposium 2009 (Graz, Austria, 2009) · Habitación del Ruido (Mexico City, MEX, 2008) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40985 | Joseph | Anderson | Pacific Slope | 2002 | fixed media, akusmatisch | 26:15:00 | Spazialisation: Ambisonics | SCD 28056 Sargasso/ | 2010 | DXARTS Presents (Seattle, USA, 2010) · Ambisonic Symposium 2010 (Paris, France, 2010) · Sounds Electric (Dundalk, Ireland, 2007) | 0 | https://joseph-anderson.org/works/ | |||||||
| 40982 | Joseph | Anderson | Rodeo Beach | 2005 | fixed media, akusmatisch | 3:15:00 | Spazialisation: Ambisonics | 2005 | San Francisco Tape Music Festival (San Francisco, USA, 2005) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40987 | Joseph | Anderson | Standing Waves at Christchurch Spitalfields | 1998 | Klangkunst, Installation | 1998 | Spitalfields Festival (London, UK, 1998) | 0 | https://joseph-anderson.org/works/ | ||||||||||
| 40988 | Joseph | Anderson | Standing Waves at Manchester Town Hall | 1998 | Klangkunst, Installation | 1998 | New Music ’98 ISCM World Music Days (Manchester, UK, 1998) | 0 | https://joseph-anderson.org/works/ | ||||||||||
| 40990 | Joseph | Anderson | the 7GATES of thebes | 1995 | fixed media, akusmatisch | 12:20:00 | Spazialisation: Ambisonics | 2002 | BEAST: Industry (Birmingham, UK, 2002) · 9th International Audio Visual Experimental Festival (Arnhem, Netherlands, 1995) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40983 | Joseph | Anderson | Train in Jack London Square | 2005 | fixed media, akusmatisch | 3:21:00 | Spazialisation: Ambisonics | 2005 | San Francisco Tape Music Festival (San Francisco, USA, 2005) | 0 | https://joseph-anderson.org/works/ | ||||||||
| 40991 | Joseph, Mathew, Rose, Jonty, Joseph, Alistair, Mario | Anderson, Adkins, Dodd, Harrison, Hyde, MacDonald, Verandi | Web | 1995 | Klangkunst, Installation | 21:40:00 | 1996 | 220 Volt, De Concertzender (Netherlands, 1996) · Hear and Now, BBC Radio 3 (UK, 1996) | 0 | https://joseph-anderson.org/works/ | |||||||||
| 281 | Laurie | Anderson | Automotive | 1972 | Klangkunst, Installation | live-elec, 1 perf |
∞ | vn [Violine] | PS C. | 0 | http://www.laurieanderson.com/ | |||||||||
| 21771 | Laurie | Anderson | Big Science | 1982 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 3674/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 21772 | Laurie | Anderson | Bright Red | 1995 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 45534/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 35060 | Laurie | Anderson | Handphone Table | 1978 | Klangkunst, Installation | ∞ | 2 user (wooden table, amp, elec box, 2 seats) [] | 0 | |||||||||||
| 33055 | Laurie | Anderson | Home of the brave, Smoke Rings White Lily Late Show Talk Normal Language Is A Virus Radar Sharkey's Night Credit Racket |
1986 | Film, live-elec, 5 perf | 34 | perc, gui, Kbd, sax, V [Stimme, Saxophon, Keyboard, Gitarre, Schlagzeug] | Warner 925 400/ | 1 | ||||||||||
| 21773 | Laurie | Anderson | Mister Heartbreak, Sharkey's Day Langue D'Amour Gravity's Angel Kokoku Excellent Birds Blue Lagoon Sharkey's Night |
1984 | live-elec, 9 perf | V, perc, vn, synt, str (kayagum), gui, perc (Linn-drum), sax, synclavier [Stimme, Saxophon, Gitarre, Schlagzeug, Violine, synthesizer, Streicher] | Warner 25077/ Warner 925077/ | 1 | http://www.laurieanderson.com/ | ||||||||||
| 282 | Laurie | Anderson | New York Social Life | 1977 | live-elec, 2 perf | 3:21 | Stereo | tambura, V and perf [Stimme, Performer, Streicher] | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ | PS C. | 1 | http://www.laurieanderson.com/ | |||||||
| 21774 | Laurie | Anderson | Puppet Motel | 1995 | live-elec, | CD-ROM | Voyager Company CPUPPM/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 22756 | Laurie | Anderson | Radar, Home of the brave | 1986 | fixed media, akusmatisch | 2:03 | Nuova atlantide (Beilage Buch)/ | 1 | http://www.laurieanderson.com/ | ||||||||||
| 21775 | Laurie | Anderson | Strange Angels | 1989 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 25900/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 283 | Laurie | Anderson | Time to go | 1977 | live-elec, 2 perf | 2:56 | Stereo | gui and org, V and vn [Stimme, Orgel, Gitarre, Violine] | for Diego | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ | PS C. | 1 | http://www.laurieanderson.com/ | ||||||
| 21776 | Laurie | Anderson | United States Live | 1983 | live-elec, 2 perf | V, ins [Stimme, Instrument] | Warner 25192/ | 0 | http://www.laurieanderson.com/ | ||||||||||
| 19035 | Laurie | Anderson | Whirlwind | 1996 | Klangkunst, Installation | 2:25 | Sonambiente Ausstellung (1996) Katalog S.35 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.laurieanderson.com/ | |||||||||
| 284 | Ruth | Anderson | Points | 1973 - 1974 | fixed media, akusmatisch | 5:25 | Stereo | Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ Infiné IF 4002/ | Hunter Coll | 1 | |||||||||
| 22060 | Scott | Anderson | Boing farewell | fixed media, akusmatisch | 4:13 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 285 | Viki | Anderson | Endgame | 1995 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 286 | Åke | Andersson | Brown Autumn | 1979 | Yleisradio | 0 | |||||||||||||
| 287 | Åke | Andersson | Lapinkylä jää Tchojärven alle | 1977 | Yleisradio | 0 | |||||||||||||
| 288 | Åke, Antero | Andersson, Honkanen | Reidar's Electric Pictures | 1975 | fixed media, akusmatisch | Yleisradio | 0 | ||||||||||||
| 37221 | Klara | Andersson | My love is a dot on a line I don't know | 2017 | Zuspiel, live-elec, | 10:00:00 | Live-Elektronik und Zuspiel | UdK Berlin | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 289 | Magnus F | Andersson | Utan att passera | 1990 | fixed media, akusmatisch | 12:00 | 0 | ||||||||||||
| 26112 | Zhang, Zhang | Anding, Zafka | When HK Narbours London | 2005 | fixed media, akusmatisch | 11:40 | Surround 5.1 | a.k.a. Zhang Anding | CMJ Vol 31-4, 2007/ | 0 | |||||||||
| 18590 | Yasufumi | Ando | Incantation | 1994/1995 | fixed media, akusmatisch | 5:17 | Stereo | EX 256 ELAK (1995)/ | 0 | ||||||||||
| 290 | Michael | Andrade | Evolution | 1992 | live-elec, 1 perf, 1 group | 9:00 | Stereo | w-ens [Bläser] | CREAM | 0 | |||||||||
| 291 | Michael | Andrade | Fear Not Your Enemies | 1993 | fixed media, akusmatisch | 8:40 | Stereo | CREAM | 0 | ||||||||||
| 292 | Michael | Andrade | Umbrae | 1992 | fixed media, akusmatisch | 8:30 | Stereo | 1992 Eva Thompson Philips Award | CREAM | 0 | |||||||||
| 293 | Michael | Andrade | Urban Sonorities | 1995 | fixed media, akusmatisch | 40:00 | Stereo | CREAM | 0 | ||||||||||
| 32557 | Mark | Andre | … 22,13…, … Das O… (After „The Seventh Seal“ by Ingmar Bergman) … Der Letzte … … Das Ende … |
2011 | Musiktheater | 87 | Surround 5.1 | V, ins, (elec) [Stimme, Instrument] | work in progress | Neos 11122 SACD/ Neos 11067-68 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||
| 32879 | Mark | Andre | …22,13…, Das O (Nach dem Siebenten Siegel von Ingmar Bergman) Der Letzte Das Ende |
2004 | Oper, live-elec, 1 perf, 1 group | ≈ | Stereo, Surround 5.1 | ch, ins [Instrument, Chor] | work in progress. A Music-Theatrical Passion |
NEOS 11067-68 SACD/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||
| 22303 | Mark | Andre | AB II | 1996 | live-elec, 5 perf | 24:55 | db-cl, vc, cymbalom, perc, p [Klarinette, Piano, Schlagzeug, Cello, Streicher] | Endemble Recherche: Uwe Möckel, cl; Lucas Fels, vc; Françoise Rivalland, Cymbalon; Christian Dierstein, perc; Klaus Steffes-Holländer, p; Musikinformatik: Kent Celland Klangregie der Aufführung: André Richard, Experimentalstudio Freiburg Konzertmitschnitt ind Mischung: Christian Venghaus, ZKM |
WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ | Experimentalstudio für Akustische Kunst Freiburg | 07.11.1997 | ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe | 1 | http://brahms.ircam.fr/mark-andre | |||||
| 32574 | Mark | Andre | … als … II | 2001 | live-elec, 3 perf | db-cl, vc, p [Klarinette, Piano, Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32728 | Mark | Andre | … auf …,, Triptych for large orchestra | 2008 - 2013 | live-elec, 1 group | orc, (elec) [Orchester] | NEOS 10826/ WER 73222/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 32576 | Mark | Andre | hij2 | 2012 | live-elec, 1 group | ch [Chor] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32727 | Mark | Andre | Hoc | 2006 | live-elec, 1 perf | vc, (elec) [Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 38848 | Mark | Andre | … SELIG SIND … | 2018 | live-elec, 1 perf | 26 | multichannel | cl [Klarinette] | Zwischenräume des Entschwindens für Klarinette und Elektronik. Der Klarinettist „wandert“ von Raum zu Raum (14 Positionen), man hört „entfernte“ und direkte Klänge von ihm und Zuspielungen. |
Experimentalstudio für Akustische Kunst Freiburg | 28.4.2018 | Wittener Tage für neue Kammermusik 2018, Jörg Widmann, Märkisches Museum | 0 | https://www1.wdr.de/mediathek/av/video-mark-andre-ueber-seine-komposition-selig-sind-100.html | |||||
| 32575 | Mark | Andre | üg | 2008 | live-elec, 1 group | orc [Orchester] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 32586 | Mark | Andre | wunderzaichen | 2014 | Oper | orc [Orchester] | siehe auch „Ringen um die Gegenwart“ (ein Film von Uli Aumüller). | Experimentalstudio für Akustische Kunst Freiburg | Staatsoper Stuttgart | 2.3.2014 | Staatsoper Stuttgart, Ltg. S. Cambreling | 0 | |||||||
| 294 | Gjermund | Andreassen | Requiem | 1986 | Zuspiel / Tonband, 7 perf, 1 group | ch, S, T, str-qt, p [Sopran, Tenor, Piano, Streicher, Chor] | NOTAM | 0 | |||||||||||
| 295 | Riccardo | Andreoni | 3C / FRP | 1965 | fixed media, akusmatisch | 30:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 296 | Riccardo | Andreoni | 4 PS | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 297 | Riccardo | Andreoni | F 3 A | 1965 | fixed media, akusmatisch | 60:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 31553 | Simon Ole | Andresen | …immer, rückwärts… | 2013 | live-elec, 2 perf | ≈ 8:00 | 2 perc [Schlagzeug] | next_generation 5.0 | HfM Lübeck | 26.6.2013 | ZKM | 0 | |||||||
| 40156 | Nicoletta | Andreuccetti | Living Voices | 2016 | Performance | Nicoletta Andreuccetti | 0 | ||||||||||||
| 39470 | Nicoletta | Andreuccetti | Notturno Sole | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39634 | Bruce, Michael | Andrews, Schumacher | Unintending | 2016 | fixed media, akusmatisch | Bruce Andrews and Michael Schumacher | Diapason | 0 | |||||||||||
| 40100 | Michael | Andrews | Creatures in the Gears | 2016 | fixed media, akusmatisch | Michael Andrews | 0 | ||||||||||||
| 24863 | Jurriaan | Andriessen | Overture to Orpheus | 1982 | Zuspiel / Tonband, 1 perf | 12:04 | hpd [Cembalo] | Spiteri | SNE 542/ | 0 | |||||||||
| 298 | Jurriaan | Andriessen | Pasticcio-Finale | 1974 | Zuspiel / Tonband, 2 groups | orc, jazz-band [Ensemble, Orchester] | 0 | ||||||||||||
| 299 | Jurriaan | Andriessen | The Cave | 1976 | Zuspiel / Tonband, 17 perf | vc, 12 w, 4 Kbd [Keyboard, Cello, Bläser] | 0 | ||||||||||||
| 300 | Louis | Andriessen | Il duce | 1977 | fixed media, akusmatisch | Stereo | CV 7702/ | Sonology Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 301 | Louis | Andriessen | In Memoriam | 1971 | fixed media, akusmatisch | 5:06 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 302 | Louis | Andriessen | Suite for recorders | 1964 | fixed media, akusmatisch | 8:00 | Mono | CEM Bilthoven | 0 | ||||||||||
| 34439 | Louis, Frits | Andriessen, Weiland | De Tuin der Lusten | 1969 | Theatermusik | 15 | Mono | Sonology Utrecht | 0 | ||||||||||
| 38472 | Elise | ANDRIEU | Parmi les oiseaux | 2009 | radiophon | 28:20:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 39866 | Ioannis | Andriotis | Shades of Life: Negative Space | 2015 | fixed media, akusmatisch | 2:59:00 | Ioannis Andriotis | 0 | |||||||||||
| 303 | Donald | Andrus | Electronic Study | 1963 | fixed media, akusmatisch | 3:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 304 | Donald | Andrus | Macbeth | 1964 | Theatermusik | 45:00 | Mono | EMS UIUC | 0 | ||||||||||
| 305 | Donald | Andrus | Study | 1964 | fixed media, akusmatisch | 4:00 | Mono | STEM Utrecht | 0 | ||||||||||
| 306 | Leif | Andruszkow | Disparity m. v. | 1988 | live-elec, | 20:00 | DIEM Aarhus | 0 | |||||||||||
| 307 | Malgorzata | Andziak | Der Wald | 1972 | fixed media, akusmatisch | 7:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 308 | Malgorzata, Camilla | Andziak, Söderberg | Sphärenklänge | 1972 | fixed media, akusmatisch | 11:45 | Stereo | Raumadaption über einen Walzer von Josef Strauss | ELAK Wien | 0 | |||||||||
| 309 | Louis | Angelini | Derivazioni No. 5 | 1963 | fixed media, akusmatisch | 4:30 | Stereo | Fonologia Milano | 0 | ||||||||||
| 34239 | Klaus | Angermann | La Paloma | 1986 | Klangkunst, Installation | 45 | 6 Kassettenrecorder | Edition Giannozzo/ | Galerie Giannozzo | 1.-22.2.1986 | Galerie Giannozzo Berlin | 0 | |||||||
| 310 | István | Anhalt | Cento on Eldon Grier's "An Ecstasy" | 1966 | Zuspiel / Tonband, 12 perf | 10:50 | Stereo | 12 V [Stimme] | McGill MR 2001-01-2 Disc 1/ | McGill Montréal | 0 | ||||||||
| 311 | István | Anhalt | Electronic Composition No. 1 | 1959 | fixed media, akusmatisch | 6:08 | Stereo | sine nomine #1 | NRC Ottawa | 0 | |||||||||
| 312 | István | Anhalt | Electronic Composition No. 2 | 1959 | fixed media, akusmatisch | 8:48 | Stereo | sine nomine #2 | IDEAMA CD 091/ | NRC Ottawa | 0 | ||||||||
| 313 | István | Anhalt | Electronic Composition No. 3 "Birds & Bells" | 1960 | fixed media, akusmatisch | 11:00 | Stereo | IDEAMA CD 091/ | NRC Ottawa | 0 | |||||||||
| 314 | István | Anhalt | Electronic Composition No. 4 | 1961 | fixed media, akusmatisch | 11:20 | Stereo | IDEAMA CD 091/ | NRC Ottawa, Col.Princ EMC | 0 | |||||||||
| 31521 | Elena | Anisimova | Halimede S/2002 N 1 | 2013 | live-elec, 1 perf | ≈ 5 | Spazialisation: Zirkonium | theremin [synthesizer] | next_generation 5.0 | HfM Karlsruhe | 0 | ||||||||
| 28489 | Thomas | Ankersmit | Kleinere Zwerm | fixed media, akusmatisch | 3:11 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.thomasankersmit.net/ | |||||||||||
| 38681 | Thomas, Valerio | ANKERSMIT, TRICOLI | Echelon Teufelsberg | 2010 | radiophon | fixed media, akusmatisch |
48:34:00 | Auszeichnung ars electronica honorary mention 2011 | 0 | http://www.dradio.de/dkultur/sendungen/klangkunst/1293817/ | ||||||||||
| 43195 | Thomas, Valerio | ANKERSMIT, TRICOLI | Forma II, Zwerm Voor Tithonus Brent Mini Hunt Plague #7 Takht-e Tâvus |
2010 | fixed media, akusmatisch | 45 | (Serge Analogue Modular Synthesizer, Alto Saxophone, Guitar Pickups, Holosonic Speakers, Revox Tape Recorder, Walkman, Computer) [] | P-A 16/ | Auszeichnung ars electronica honorary mention 2012 | 0 | https://p-a-n.org/releases/ | ||||||||
| 18591 | Harri | Ansorge | Atmo stargd731X96 abends | 1996 | fixed media, akusmatisch | 73:34 | Stereo | (7 mouvements) | e. C. 500/147/ | 0 | |||||||||
| 36622 | Linda | Antas | A River from the Walls | 1999 | Zuspiel / Tonband, 1 perf | 10:12 | fl [Flöte] | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | 0 | |||||||||
| 40020 | Linda | Antas | All that Glitters and Goes Bump in the Night | 2015 | fixed media, akusmatisch | 7:39:00 | Linda Antas | 0 | |||||||||||
| 43033 | Linda | Antas | Iridescence | 2013 | fixed media, akusmatisch | 6:50:00 | 0 | ||||||||||||
| 315 | George | Antheil | Ballet mécanique | 1924, 1999 | live-elec, 26 perf | 30:51 | 3 xyl, 4 b-drums, tam tam, 2 p, (siren, 7 bells, 3 airplane propellors,) 16 player p [Piano, Schlagzeug] | after Fernand Léger. several Versions in 1926, 1927, 1953 | EMF 120/ Columbia ML 4956/ EMF 020/ EMF 160/ CDCD 5067/ | 1 | |||||||||
| 18592 | Group | Antimatter | Flyback transformer | 1996 | fixed media, akusmatisch | 5:16 | Stereo | ASP 0966 / | 0 | ||||||||||
| 23816 | Fernando | Antireno | Música para los ojos | 1985 | audiovisuell | Con video de pInturas Octubre de 1985, Festival Anacrusa. Santiago, Chile. |
0 | ||||||||||||
| 23817 | Fernando | Antireno | Stratus | live-elec, 1 perf | 6:16 | gui [Gitarre] | Luis Orlandini, guitarra | 0 | |||||||||||
| 316 | Theodore | Antoniou | Events III | 1969 | Zuspiel/Tonband, 1 group | intermedia |
ens, (slides) [Ensemble] | 0 | ||||||||||||
| 317 | Theodore | Antoniou | Heterophony | 1966 | fixed media, akusmatisch | 10:00 | Mono | Siemens | 0 | ||||||||||
| 318 | Theodore | Antoniou | Ich bin ein Gastarbeiter | 1964 | Film | 20:00 | Mono | Kurzfilm | Siemens | 0 | |||||||||
| 319 | Theodore | Antoniou | Kassandra | 1969 | Oper | 0 | |||||||||||||
| 320 | Theodore | Antoniou | Katharsis | 1968 | Zuspiel / Tonband, 1 perf, 1 group | fl, ens [Flöte, Ensemble] | EMI SCXG 56/ | 0 | |||||||||||
| 321 | Theodore | Antoniou | Klytemnestra | 1968 | Musiktheater, 3 groups | actors, dancers, ens [Schauspieler, Tanz, Ensemble] | 0 | ||||||||||||
| 322 | Theodore | Antoniou | OP overture | 1966 | Zuspiel / Tonband, 1 group | 4:00 | 3 tracks | orc [Orchester] | Siemens | Bärenreiter | 0 | ||||||||
| 323 | Theodore | Antoniou | Otan oi Atreides | 1964 | Theatermusik | 35:00 | Stereo | Siemens | 1964 | 0 | |||||||||
| 325 | Theodore | Antoniou | Parastasis I | 1977 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 326 | Theodore | Antoniou | Protest II | 1971 | Zuspiel / Tonband, | EMI CSDG 66/ | 0 | ||||||||||||
| 327 | Theodore | Antoniou | Schwerkraft | 1966 | Film | 7:00 | Mono | Industriefilm | Siemens | 0 | |||||||||
| 328 | Theodore | Antoniou | Synthesis | 1971 | live-elec, 8 perf | ob, org, perc, db, 4 synt [Oboe, Orgel, Schlagzeug, Kontrabass, synthesizer] | 0 | ||||||||||||
| 329 | Theodore | Antoniou | The Rhinoceros | 1962 | Theatermusik | 25:00 | Mono | PS C. | 0 | ||||||||||
| 42455 | Steve | Antosca | One becomes Two | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 330 | Anna | Antoszkiewicz | The Phoenix | 1975 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 35608 | Jesús | Antruejo | Contraposición de eventos | 2002 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 32566 | Jorge | Antunes | 3 evenements de la lumiere blanche | 1967 | Zuspiel / Tonband, 3 perf | 180 | str orc, fl, S, perc [Sopran, Flöte, Schlagzeug, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 31758 | Jorge | Antunes | Anaphore Symphocéanique | 2004 | fixed media, akusmatisch | 17:42 | Octo | SBME 008 Coletânea de Música Eletroacústica Brasileira/ | INA • GRM | 1 | |||||||||
| 331 | Jorge | Antunes | Auto-Retrato Sobre Paisaje Porteño | 1969/1970 | fixed media, akusmatisch | 14:50 | Stereo | Sistrum CD ST 001/ Musica el. periodo do pioneirismo/ E.S.Mangione LP.15003/ | Tella B.Aires | 1 | |||||||||
| 19482 | Jorge | Antunes | Ballade Dure | 1995 | fixed media, akusmatisch | 20:30 | Stereo | Sistrum CD ST 004/ | INA • GRM | Competition Musica Nova Prag 1996 | 1 | ||||||||
| 23285 | Jorge | Antunes | Canto do Pedeiro | 1968 | fixed media, akusmatisch | 4:11 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 32570 | Jorge | Antunes | Canto esthereofônico | 1978 | Zuspiel / Tonband, 7 perf | 14 | cl, bn, hn, va, vc, db, perc [Klarinette, Fagott, Horn, Schlagzeug, Viola, Cello, Kontrabass] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 23283 | Jorge | Antunes | Canto Selvagem, Savage Song | 1967 | fixed media, akusmatisch | 2:52 | Stereo | first piece made in the Villa-Lobos-Institut | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | Center for Chromo-Musical Research, Villa-Lobos Institut | 1 | ||||||||
| 33856 | Jorge | Antunes | Catastrofe Ultra-Violeta | 1974 | Zuspiel / Tonband, 2 groups | 20:10 | ch, orc [Chor, Orchester] | SISTRUM LPS 3001/ | 0 | ||||||||||
| 332 | Jorge | Antunes | Cinta Cita | 1969 | fixed media, akusmatisch | 4:55 | Stereo | first piece not at his private studio | Sistrum CD ST 001/ Musica el. periodo do pioneirismo/ E.S.Mangione LP.15003/ | Tella B.Aires | 1 | ||||||||
| 32567 | Jorge | Antunes | Concertatio I | 1969 | Zuspiel / Tonband, 5 perf, 1 group | 6 | 3 V, e-gui, perc, orc [Stimme, Gitarre, Schlagzeug, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 19199 | Jorge | Antunes | Contrapunctus contra Contrapunctus | 1965 | fixed media, akusmatisch | 4:16 | Stereo | E.S.Mangione LP.15003/ Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 33859 | Jorge | Antunes | Cromofonetica | 1980 | fixed media, akusmatisch | SISTRUM LPS 3002/ | 0 | ||||||||||||
| 33858 | Jorge | Antunes | Elegia Violeta para Monsenhor Romero | 1980 | fixed media, akusmatisch | SISTRUM LPS 3002/ | 1 | ||||||||||||
| 23361 | Jorge | Antunes | FlautatualF | 1972 | Zuspiel, live-elec, 1 perf | 12:45 | fl, (mic, bottle) [Flöte] | UnB CD 350010/ | Suvini Zerboni | 1 | |||||||||
| 23281 | Jorge | Antunes | Fluxo Luminoso para Sons Brancos I, Luminous flow for white sounds I | 1964 | fixed media, akusmatisch | 2:29 | Stereo | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | |||||||||
| 19197 | Jorge | Antunes | Historia de un Pueblo (BRLXX3) | 1970 | fixed media, akusmatisch | 15:50 | Stereo | some words ("General") was cutted by politicians 4 parts |
E.S.Mangione LP.15003/ ELCD 026 Electroshock Records/ | Tella B.Aires | 0 | ||||||||
| 23286 | Jorge | Antunes | Historia de un Pueblo por Nacer ou Carta Abierta a Vassili Vasilikos y a todos los Pesimista | 1970 | fixed media, akusmatisch | 15:50 | Stereo | 4 parts | Musica el. periodo do pioneirismo/ ELCD 027 Electroshock Records/ E.S.Mangione LP.15003/ IDEAMA CD 059/ | Tella B.Aires | 1 | ||||||||
| 23272 | Jorge | Antunes | Hombres tristes y sin titulo rodeados de pájaros en noche amarilla, violeta y naranja | 1998 | fixed media, akusmatisch | 8:46 | SBME 002, Musica el. Brasileira Vol 2/ ELCD 020 Electroshock Records/ | LIEM CDMC Madrid | 1 | ||||||||||
| 333 | Jorge | Antunes | Interlude No 1 pour Olga | 1993 | fixed media, akusmatisch | 3:13 | Stereo | Upic; excerpt from the Opera "Olga" | Sistrum CD ST 001/ SBME 001, Musica el. Brasileira Vol 1/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | ||||||||
| 32571 | Jorge | Antunes | Invocation en defense de la machine | 1968 | Zuspiel / Tonband, 4 perf | 9 | 4 perc [Schlagzeug] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 33857 | Jorge | Antunes | Isomerism | 1974 | Zuspiel / Tonband, 1 group | 10:40 | orc [Orchester] | SISTRUM LPS 3001/ | 0 | ||||||||||
| 31738 | Jorge | Antunes | João da Silva | 1966 | Musiktheater | ≈ 60 | Also short concertversion (on CD SBME 5:16) after the same stageplay by Emanuel de Moraes. | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 18400 | Jorge | Antunes | La beauté indiscrète d'une note violette | 1995 | fixed media, akusmatisch | 2:00 | Stereo | CEC Presence 2/ | IMEB Bourges | 1 | |||||||||
| 334 | Jorge | Antunes | Le cru et le cuit | 1993 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 32568 | Jorge | Antunes | Le Papillon bleu | 1969 | Oper, 9 perf | 22 | S, Mez, T, 2 actor, va, vc, p, perc [Sopran, Mezzo, Tenor, Piano, Schlagzeug, Viola, Cello, Schauspieler] | Mini-Opera for children | 0 | http://www.americasnet.com.br/antunes/index2.htm | |||||||||
| 23342 | Jorge | Antunes | Mixolydia | 1995 | Zuspiel, live-elec, 1 perf | 11:24 | theremin [synthesizer] | Lydia Kavina (Theremin). Mixolydische Tonart | mode 76/ | INA • GRM | 1 | http://www.moderecords.com/ | |||||||
| 23284 | Jorge | Antunes | Movimento Browniano | 1968 | fixed media, akusmatisch | 3:59 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 23280 | Jorge | Antunes | Música para Varreduras de Frequência | 1963 | fixed media, akusmatisch | 2:33 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 32573 | Jorge | Antunes | Nsubstituivel segunda | 1967 | Zuspiel / Tonband, 1 perf | 6 | vc [Cello] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 32564 | Jorge | Antunes | Olga | 1987/1997 | Oper, 2 perf, 2 groups | 120 | V, orc, ch, dancer [Stimme, Tanz, Chor, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 335 | Jorge | Antunes | Para nascer aqui | 1971 | fixed media, akusmatisch | 24:55 | Quadro | Sistrum CD ST 002/ | Sonology Utrecht | 1 | http://www.latinoamerica-musica.net/quienes/de.html | ||||||||
| 23279 | Jorge | Antunes | Pequena peça para mi bequadro e harmônicos, short piece for E matural and harmonics | 1961 | fixed media, akusmatisch | 3:46 | Stereo | first EM piece by Antunes (made in Rio de Janeiro: Center for Chromo-Musical Research) | Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | ||||||||
| 336 | Jorge | Antunes | Proudhonia | 1972 | Zuspiel / Tonband, 12 perf | 10:19 | Stereo | 12 V [Stimme] | Sistrum LP 002/ Paulinas Comep/ SISTRUM LPS 3002/ | INA • GRM | 26.8.1972 | München, Haus der Kunst, Olympics; avec les solistes des chœurs de l’ORTF, dir. M. Courad | 1 | ||||||
| 32565 | Jorge | Antunes | Qorpo Santo | 1983 | Oper, 2 perf, 2 groups | 180 | V, orc, ch, actor, (2 tapes) [Stimme, Schauspieler, Chor, Orchester] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 23543 | Jorge | Antunes | Rituel Violet | 1999 | Zuspiel / Tonband, 1 perf | 5:47 | t-sax [Saxophon] | Daniel Kientzy | CD 11807-9/ Pogus 21067/ | 1 | |||||||||
| 32572 | Jorge | Antunes | Serie enfants | 1987 | Zuspiel / Tonband, 1 perf | 17 | vn [Violine] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 32569 | Jorge | Antunes | Sinfonia das diretas | 1984 | Zuspiel, Performance, 6 perf, 1 group | 44 | sax, e-gui, e-b, e-p, perc, Sp, ch [Bass, Sprecher, Saxophon, Piano, Gitarre, Schlagzeug, Chor] | 0 | http://www.americasnet.com.br/antunes/index2.htm | ||||||||||
| 25818 | Jorge | Antunes | Source | 1974 | Zuspiel, live-elec, 6 perf | 24:10 | A, fl, va, vc, p, synt AKS [Alt, Flöte, Piano, Viola, Cello, synthesizer] | GeMunB Brasilia | UnB CD 350010/ | 1 | |||||||||
| 23282 | Jorge | Antunes | Três Estudos Cromofônicos: Estudio para Circulos Verdes e Vermelhos Estudio para Espirais Azuis e Laranjas Estudio para Pontos Amarelos e Violetas |
1966 | fixed media, akusmatisch | 8:12 | Stereo | Musica el. periodo do pioneirismo/ | Center for Chromo-Musical Research | 1 | |||||||||
| 19198 | Jorge | Antunes | Valsa Sideral, Sideral Waltz | 1962 | fixed media, akusmatisch | 3:04 | Stereo | first electronic music work composed in Brazil (Center for Chromo-Musical Research ≈ his private Studio) | E.S.Mangione LP.15003/ Musica el. periodo do pioneirismo/ SBME 004 Coletânea de Música Eletroacústica Brasileira/ CMJ Vol 23-4, 1999/ | PS C. | 1 | ||||||||
| 18399 | Jorge | Antunes | Vitraux MCMXCY - hommage au huitième centenaire de la Cathédrale de Bourges | 1995 | fixed media, akusmatisch | 19:26 | Stereo | ELCD 026 Electroshock Records/ | IMEB Bourges | 0 | |||||||||
| 23363 | Jorge | Antunes | Vivaldia MCMLXXV | 1975 | Oper, live-elec, 8 perf | 21:18 | V, dancer, fl, ehn, hn, va, vc, p [Stimme, Flöte, Oboe, Horn, Piano, Viola, Cello, Tanz] | GeMunB Brasilia. Opéra-bouffe de chambre |
UnB CD 350010/ | Sistrum | 1 | ||||||||
| 31739 | Jorge | Antunes | Xadrez Especial | 1968 | Musiktheater | 3:27 | also excerpt for concert (CD SBME 3:27), after the stageplay „Special hoosegow“ by Alfredo Gerhardt. Last piece made at Villa-Lobos-Institut | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 31570 | Siamak | Anvari | Gereh | 2013 | fixed media, akusmatisch | 7:30 | next_generation 5.0 | Sonology Den Haag | 0 | ||||||||||
| 43145 | Ted | Apel | Potential Difference | 2001 | Klangkunst, Installation | Auszeichnung ars electronica honorary mention 2001 | 0 | ||||||||||||
| 23585 | Ted | Apel | Surface Osculations | 1998 | Klangkunst, Installation | 7:07 | Surround 5.1 | Sounds from large Metal-Plates returned back | CMJ Vol 27-4, 2003/ | UCSD | 1 | ||||||||
| 33463 | Theodore R. | Apel | Inverse Music Box | 2005 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33462 | Theodore R. | Apel | Irresonance | 2004 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33465 | Theodore R. | Apel | Negated Music Series | 2008 | audiovisuell | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 33464 | Theodore R. | Apel | Whiteout | 2007 | Klangkunst, Installation | part of „Negation Based Sound Works“ Series | UCSD | 0 | |||||||||||
| 28577 | Georges | Aperghis | Dans le mur | 2007 | Zuspiel / Tonband, 1 perf | 18:25 | p [Piano] | IRCAM, S. Roux, Nicolas Hodges (p); Strobelstiftung | WD 2009, Wittener Tage Für Neue Kammermusik 2009/ | IRCAM, Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 337 | Georges | Aperghis | Entretiens | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 338 | Georges | Aperghis | Music for an Orange-Girl | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EMI SCXG 59/ | 0 | |||||||||||
| 339 | Georges | Aperghis | Sports et rebondissements | 1974 | Zuspiel / Tonband, 10 perf | 25 | 6 V, 2 trbn, tuba, perc [Stimme, Posaune, Tuba, Schlagzeug] | 30.6.1974 | Festival La Rochelle | Salabert | 0 | http://brahms.ircam.fr/textes/c00000002/n00004562/ | |||||||
| 40672 | Georges | Aperghis | Thinking Things, machine trilogy | 2017 | live-elec, 4 perf | 4 perf (robotische Erweiterungen, Video, Licht, Elektronik) [Performer] | last part of „machine trilogy“ (Machinations, 2000; Luna Park 2011) | IRCAM | 20.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, IRCAM | 0 | ||||||||
| 28572 | Georges | Aperghis | Zeugen | 2007 | Performance | 9:35 | V, actor, Sp, b-cl, a-sax, acc, cymbalom, p, (Live-video) [Sprecher, Stimme, Klarinette, Saxophon, Piano, Akkordeon, Schauspieler, Streicher] | WD 2007, Wittener Tage Für Neue Kammermusik 2007/ | Kompositionsuaftrag des WDR, der HdK Bern, Stadt Witten | 2007 | Wittener Tage für neue Kammermusik 2007mit Aperghis Ensemble, Ltg. Zsolt Nagy; S. Kammer (V), Chr. Widauer (Puppenspieler) | 1 | |||||||
| 340 | Aphrodita | Aphrodita | Dream | 1983 | fixed media, akusmatisch | 8:53 | Radio Sofia | 0 | |||||||||||
| 341 | Aphrodita | Aphrodita | Nirvana | 1987 | fixed media, akusmatisch | 11:00 | Radio Sofia | 0 | |||||||||||
| 342 | Aphrodita | Aphrodita | Observation of City Life | 1988 | fixed media, akusmatisch | 5:08 | Radio Sofia | 0 | |||||||||||
| 21942 | Nicolay, Kjell | Apollyon, Johnsen | BassOrganics | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 343 | Nicolay, Kjell | Apollyon, Johnsen | Cellorganics | 1994 | live-elec, 1 perf | vc [Cello] | NOTAM | 0 | |||||||||||
| 21943 | Nicolay, Kjell | Apollyon, Johnsen | Esquisse | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21944 | Nicolay, Kjell | Apollyon, Johnsen | Extended Noise II | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21945 | Nicolay, Kjell | Apollyon, Johnsen | Fractal Circles | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 344 | Nicolay, Kjell | Apollyon, Johnsen | Garden of Delight | 1990 | Zuspiel / Tonband, 1 perf | 18:25 | V [Stimme] | Rostrum 90 Oslo | PS IACS, NRK Oslo | 1 | |||||||||
| 345 | Nicolay, Kjell | Apollyon, Johnsen | Hommage à César Franck | 1990 | Zuspiel / Tonband, 1 perf | org [Orgel] | NOTAM | 0 | |||||||||||
| 346 | Nicolay, Kjell | Apollyon, Johnsen | Jeu aux grands jeux II | 1992 | Zuspiel / Tonband, 1 perf | 17:00 | org [Orgel] | NOTAM | 0 | ||||||||||
| 347 | Nicolay, Kjell | Apollyon, Johnsen | Liquescence | 1994 | Zuspiel / Tonband, 1 perf, 1 group | 30:00 | Bar, ens [Bariton, Ensemble] | IACS | 0 | ||||||||||
| 348 | Nicolay, Kjell | Apollyon, Johnsen | Mura-Iki | 1990 | live-elec, 1 perf | 17:25 | fl [Flöte] | (c-fl; a-fl; pic-fl) | LDC 278051/52 Cultures Electroniques 5/ | PS C. | 1 | ||||||||
| 349 | Nicolay, Kjell | Apollyon, Johnsen | Ram of Tides | 1992 | live-elec, 6 perf | S, fl, ob, cl, hn, vc, (elec ad lib) [Sopran, Flöte, Klarinette, Oboe, Horn, Cello] | NOTAM | 0 | |||||||||||
| 21946 | Nicolay, Kjell | Apollyon, Johnsen | Sora-Iki | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21947 | Nicolay, Kjell | Apollyon, Johnsen | Tachyon | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 350 | Nicolay, Kjell | Apollyon, Johnsen | Transmutations | 1994 | Zuspiel / Tonband, 1 group | 15:00 | orc [Orchester] | NMI | AURORA 4979/ | 0 | |||||||||
| 33225 | Rafael | Aponte-Ledée | Cuídense de los ángeles que caen | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 33224 | Rafael | Aponte-Ledée | Estravagario | 1973 | fixed media, akusmatisch | 0 | |||||||||||||
| 33227 | Rafael | Aponte-Ledée | In Memoriam Salvador Allende | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | |||||||||||||
| 33226 | Rafael | Aponte-Ledée | Los huevos de Pandora | 1974 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 351 | Rafael | Aponte-Ledée | Presagio de pájaros muertos | 1966 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | Sp [Sprecher] | LIPM B.Aires | 0 | |||||||||
| 33228 | Rafael | Aponte-Ledée | Tentativas | Zuspiel / Tonband, 1 perf, 1 group | vn, orc [Violine, Orchester] | 0 | |||||||||||||
| 39290 | Alex | Appel | Great White, Sweetness | 2017 | fixed media, akusmatisch | Movement II | 0 | ||||||||||||
| 352 | Karel | Appel | Le cavalier blanc | 1961 | Film | 28:00 | Mono | PHI 99954/ | STEM Utrecht | 0 | |||||||||
| 353 | Karel | Appel | Musique Barbare, Paysage électronique Poème barbare Orgue de Barbarie et percussion |
1961 | Film | 28:00 | Mono | PHI 99954/ SR 420 sub rosa/ | STEM Utrecht | 0 | http://thresholdofbeauty.com/music excerpts/Musique barbare excerpt.mp3 | ||||||||
| 354 | Karel | Appel | Paysage electronique | 1961 | Film | 28:00 | Mono | PHI 99954/ | STEM Utrecht | 0 | |||||||||
| 18593 | Jacki | Apple | Voices in the Dark | 1988/1990 | radiophon | 25:26 | Stereo | WN 0014/ | 0 | ||||||||||
| 355 | Louis, Gustav | Applebaum, Ciamaga | Ottawa 1967 | 1966 | Theatermusik | 15:00 | Mono | outdoor th | UTEMS Toronto | 0 | http://www.markapplebaum.com/ | ||||||||
| 18594 | Mark | Applebaum | 16 Things | 1995 - 1996 | live-elec, | 0:35 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27152 | Mark | Applebaum | Aphoristic Fragment | fixed media, akusmatisch | 1:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 18595 | Mark | Applebaum | Bow:Tam Trees | 1995 - 1996 | live-elec, | 9:12 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27157 | Mark | Applebaum | Catastrophe | fixed media, akusmatisch | 4:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 22891 | Mark | Applebaum | Dead White Males ReMix, The Janus Remixes | 1998 | fixed media, akusmatisch | 6:05 | Stereo | from „The Janus Remixes“ | innova 532/ innova 116 / | 1 | http://www.markapplebaum.com | ||||||||
| 27145 | Mark | Applebaum | Echolalia | Zuspiel, Performance, 2 perf | 4:00 | 2 perf [Performer] | 22 amplified Dadaist rituals, electronically transformed and diffused by a second performer | 0 | http://www.markapplebaum.com | ||||||||||
| 27153 | Mark | Applebaum | Feldhausen | fixed media, akusmatisch | 5:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 27144 | Mark | Applebaum | Ferneyhough ReMix (Affection Aphorism 1) | Zuspiel / Tonband, 2 perf | 2:25 | Stereo | 2 perc [Schlagzeug] | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 27147 | Mark | Applebaum | Glass Bead Game | live-elec, 1 perf | 4:00 | roboter (orc) [computer] | for the LOGOS Foundation (Gent, Belgium). robot orc: piperola, ake, pianola, vibi, tubi, klung, troms, thunderwood, springers, drippers |
0 | http://www.markapplebaum.com | ||||||||||
| 27151 | Mark | Applebaum | Licensed to Fail | Zuspiel, Performance, 1 perf | 5:00 | ins (quadrachord) (2 sound-sculptures) [Instrument] | with Paul Dresher (quadrachord) | 0 | http://www.markapplebaum.com | ||||||||||
| 27150 | Mark | Applebaum | Mouseketier Praxis | Zuspiel, Performance, 4 perf | 25:35 | 4 perf (4 mouseketier; electroacoustic sound-sculpture) [Performer] | improvisations with live electronics | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 27148 | Mark | Applebaum | Mousetrap Music | fixed media, akusmatisch | 69:00 | a CD of electroacoustic sound-sculpture improvisations | 0 | http://www.markapplebaum.com | |||||||||||
| 18596 | Mark | Applebaum | Pluck: Koto | 1995 - 1996 | live-elec, | 3:18 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27146 | Mark | Applebaum | Plundergraphic | live-elec, 1 perf | 4:43 | Octo | 1 ins [Instrument] | for 1 or more acoustic instruments with live electronics, 8-channel tape, and live sound diffusion | innova 602/ | 0 | http://www.markapplebaum.com | ||||||||
| 27341 | Mark | Applebaum | Pre-Composition | 2003 | fixed media, akusmatisch | 13:27 | Octo | innova 602/ SEAMUS EAM Vol. 13/ | Electronic Music Midwest 2002 | 1 | 2008 | http://www.markapplebaum.com | |||||||
| 18597 | Mark | Applebaum | S-tog | 1993 | live-elec, 1 perf | 90:00 | Stereo | dancer [Tanz] | piece named "sound-sculptures". also version for any number of players (Improvisation) |
Innova 511/ | 0 | http://www.markapplebaum.com | |||||||
| 18598 | Mark | Applebaum | Salmagundi | 1995 - 1996 | live-elec, | 15:03 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27158 | Mark | Applebaum | Sandman | fixed media, akusmatisch | 5:00 | Stereo | 0 | http://www.markapplebaum.com | |||||||||||
| 27140 | Mark | Applebaum | Sargasso ReMix, The Janus Remixes | 1998 | fixed media, akusmatisch | 5:14 | Stereo | from „The Janus Remixes“ | innova 532/ | 0 | http://www.markapplebaum.com | ||||||||
| 27143 | Mark | Applebaum | Scipio Wakes Up and Smells the Coffee, The Janus Remixes | live-elec, 6 perf | 12:47 | vn, bn, 2 Kbd, e-perc, e-mar, (6 electroacoustic sound-sculptures (cross-listed above in "chamber")) [Fagott, Keyboard, Schlagzeug, Violine] | six players performing | innova 602/ | 0 | http://www.markapplebaum.com | |||||||||
| 18599 | Mark | Applebaum | Scrape: Threaded Rods | 1995 - 1996 | live-elec, | 3:56 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27156 | Mark | Applebaum | Skeletons in the Closet | fixed media, akusmatisch | var | Octo | 0 | http://www.markapplebaum.com | |||||||||||
| 27141 | Mark | Applebaum | Snagglepuss ReMix | 1998 | fixed media, akusmatisch | 3:00 | Stereo | a remix of John Zorn's/Naked City's "Snagglepuss" | Tzadik/ | 1 | http://www.markapplebaum.com | ||||||||
| 18602 | Mark | Applebaum | Storke: Nails | 1995 - 1996 | live-elec, | 4:57 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 18600 | Mark | Applebaum | Strike: 3/2+5: Groove | 1995 - 1996 | live-elec, | 3:14 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 18601 | Mark | Applebaum | Strike: Dulcimer Groove | 1995 - 1996 | live-elec, | 1:10 | Stereo | Innova 511/ | 0 | http://www.markapplebaum.com | |||||||||
| 27154 | Mark | Applebaum | Suicides | 1956, 1970 | fixed media, akusmatisch | 3:00 | Stereo | 0 | http://www.markapplebaum.com | ||||||||||
| 27159 | Mark | Applebaum | That Brainwave Chick | Performance | collaboration with Paras Kaul involving the transformation of neural activity into sound in live performance | 0 | http://www.markapplebaum.com | ||||||||||||
| 27149 | Mark | Applebaum | The Janus ReMixes, Narcissus Remix Mt. Moriah Remix Dead White Males Remix Triple Remix Anesthesia Remix Elegy Remix Sargasso Remix Scipio Remix Tlon Remix Chameleon Remix Janus Remix |
1998 | fixed media, akusmatisch | 61:00 | a CD of digital remixes of original acoustic works | innova 532/ | 1 | http://www.markapplebaum.com | |||||||||
| 27155 | Mark | Applebaum | Variations on Variations on a Theme by Mozart | fixed media, akusmatisch | 6:00 | Quadro | 0 | http://www.markapplebaum.com | |||||||||||
| 27142 | Mark | Applebaum | Zero-One | Klangkunst, Installation | 7:00 | mousetrap, an electroacoustic sound-sculpture | 0 | http://www.markapplebaum.com/zero.gif | |||||||||||
| 356 | Mary Jeanne van | Appledorn | Freedom of Youth | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 357 | Mary Jeanne van | Appledorn | Liquid Gold | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 358 | Mary Jeanne van | Appledorn | Matrices | 1979 | fixed media, akusmatisch | Stereo | Texas Composers Guild Award, 1980 | 0 | |||||||||||
| 359 | Jon | Appleton | 2 melodrams for Synclavier : Tale of W. Mariner; Snow Queen | 1982 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 37470/ | 1 | ||||||||||
| 360 | Jon | Appleton | Apolliana | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ IDEAMA CD 064/ | Bregman Dartmouth | 1 | |||||||||
| 361 | Jon | Appleton | Borrego Springs | fixed media, akusmatisch | 0 | ||||||||||||||
| 362 | Jon | Appleton | Boum Sha Boom | 1983 | fixed media, akusmatisch | 5:33 | Stereo | Darthmouth Archive DA10/ | IMEB Bourges | 0 | |||||||||
| 363 | Jon | Appleton | Brush Canyon | 1983 | fixed media, akusmatisch | 12:50 | Stereo | Synclavier | Centaur CRC 2052, CDCM Vol. 6/ | Bregman Dartmouth | 1 | ||||||||
| 364 | Jon | Appleton | C.C.C.P., in memoriam: Anatoly Kuznetsov | 1969 | radiophon | 5:10 | Stereo | Synclavier II (in memoriam: Anatoly Kuznetsov) |
FTS 33437/ IMED 9635/ Darthmouth Archive DA02/ Darthmouth Archive DA05/ | Bregman Dartmouth | 1 | ||||||||
| 33688 | Jon | Appleton | Ce Que Signifie La Déclaration Des Droits De L'Homme Et Du Citoyen De 1798, Pour Les Hommes Et Les Citoyens Des Îles Marquises | 1989 | fixed media, akusmatisch | 10:10 | 200. anniversary french constitution | maat 034/ | IMEB Bourges | 1 | |||||||||
| 18605 | Jon | Appleton | Chef d'oeuvre | 1967 | fixed media, akusmatisch | 2:23 | Stereo | IMED 9635/ Darthmouth Archive DA02/ IDEAMA CD 064/ | Bregman Dartmouth | 1 | |||||||||
| 366 | Jon | Appleton | Degitaru Ongaku | 1983 | fixed media, akusmatisch | 14:37 | Stereo | Synclavier | Centaur CRC 2052, CDCM Vol. 6/ Darthmouth Archive DA10/ | Bregman Dartmouth | 1 | ||||||||
| 19483 | Jon | Appleton | Dima dobralasa domoy | 1993 | fixed media, akusmatisch | 7:15 | Stereo | IMED 9635/ | Col.Princ EMC | 0 | |||||||||
| 367 | Jon | Appleton | Dr. Quisling in Stockholm | 1969 | fixed media, akusmatisch | CAP 60008/ | SR Stockholm | 0 | |||||||||||
| 368 | Jon | Appleton | Georganna's Fancy | 1966 | fixed media, akusmatisch | 2:30 | Stereo | IMED 9635/ Darthmouth Archive DA02/ Darthmouth Archive DA06/ | Col.Princ EMC | 0 | |||||||||
| 28157 | Jon | Appleton | Georganna's Farewell | 1975 | fixed media, akusmatisch | 6:10 | Stereo | one the first four pieces made with "The Dartmouth Digital Synthesizer" | FTS 33442/ | Bregman Dartmouth | 0 | ||||||||
| 370 | Jon | Appleton | Homage to Orpheus | 1967/1973 | fixed media, akusmatisch | Hintergrundmusik |
3:10 | Stereo | Synclavier II | FTS 33437/ IMED 9635/ | Bregman Dartmouth | 0 | ||||||||
| 369 | Jon | Appleton | Homenaje a Milanés | 1987 | fixed media, akusmatisch | 5:26 | Synclavier | Centaur CRC 2133, CDCM Vol. 11/ | 1 | ||||||||||
| 371 | Jon | Appleton | Human music | fixed media, akusmatisch | 1 | ||||||||||||||
| 376 | Jon | Appleton | In Deserto | 1977 | live-elec, 1 perf | 10:02 | synt [synthesizer] | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | ||||||||
| 18613 | Jon | Appleton | In medias res | 1978 | fixed media, akusmatisch | 9:46 | Stereo | IMED 9635/ | 0 | ||||||||||
| 372 | Jon | Appleton | Infantasy | 1965 | fixed media, akusmatisch | 2:56 | Stereo | FDS 103 Flying Dutchman/ Darthmouth Archive DA01/ | Col.Princ EMC | 0 | |||||||||
| 373 | Jon | Appleton | Kamuela, (Return to Waimea) | 1983 | fixed media, akusmatisch | 7:50 | Stereo | Darthmouth Archive DA10/ | EMS Stockholm | 0 | |||||||||
| 374 | Jon | Appleton | Kapingamarangi | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 375 | Jon | Appleton | Kungsgatan 8 | 1970 | fixed media, akusmatisch | 4:35 | EMS Stockholm | 0 | |||||||||||
| 34931 | Jon | Appleton | Mussems Sang | 1976 | live-elec, | 7:45 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ CAP 60008/ | Bregman Dartmouth | 0 | |||||||||
| 33685 | Jon | Appleton | Narita Airport Rock | 2002 | fixed media, akusmatisch | 7:01 | maat 034/ | IAMAS | 1 | ||||||||||
| 22351 | Jon | Appleton | Nevsehir | 1967/1973 | fixed media, akusmatisch | Synclavier II | FTS 33437/ | Bregman Dartmouth | 1 | ||||||||||
| 18612 | Jon | Appleton | Newark Airport Rock | 1968 | fixed media, akusmatisch | 2:12 | Stereo | IMED 9635/ Darthmouth Archive DA02/ maat 034/ | Bregman Studios Dartmouth | 1 | |||||||||
| 381 | Jon | Appleton | Nukuoro | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 382 | Jon | Appleton | Ofa atu Tonga | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ | Bregman Dartmouth | 1 | |||||||||
| 383 | Jon | Appleton | Oskuldens Dröm | 1985 | fixed media, akusmatisch | 8:20 | Stereo | Darthmouth Archive DA11/ | EMS Stockholm | 0 | |||||||||
| 384 | Jon | Appleton | Otahiti | 1974 | fixed media, akusmatisch | 9:07 | Stereo | Darthmouth Archive DA05/ maat 034/ | IMEB Bourges | 1 | |||||||||
| 18608 | Jon | Appleton | Pacific Rimbombo | 1992 | fixed media, akusmatisch | 5:46 | Stereo | Mathews / Boie Radio Drum and Radio Baton | Centaur CRC 2190, CDCM Vol. 15/ | Bregman Dartmouth | 1 | ||||||||
| 385 | Jon | Appleton | Primary Experience | 1965 | fixed media, akusmatisch | 3:00 | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | |||||||||
| 18611 | Jon | Appleton | San Francisco Airport Rock | 1996 | fixed media, akusmatisch | 3:23 | Stereo | IMED 9635/ maat 034/ Kiasma 1998/ | Bregman Studios Dartmouth | 1 | |||||||||
| 386 | Jon | Appleton | Sashasonjon | 1979/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier I & II | FTS 37461/ Darthmouth Archive DA09/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||||
| 32104 | Jon | Appleton | Sheremetyevo Airport Rock | 2003 | fixed media, akusmatisch | 5:19 | SEAMUS EAM Vol. 13/ Darthmouth Archive DA15/ maat 034/ | Theremin Center Moscou | 1 | ||||||||||
| 387 | Jon | Appleton | Sones de San Blas | 1967/1973 | live-elec, 1 perf | synt [synthesizer] | Synclavier II | FTS 33437/ Darthmouth Archive DA05/ | Bregman Dartmouth | 1 | |||||||||
| 18610 | Jon | Appleton | Spuyten Duyvil | 1967 | fixed media, akusmatisch | 2:58 | Stereo | IMED 9635/ Darthmouth Archive DA02/ | Uni Ann Arbor | 0 | |||||||||
| 388 | Jon | Appleton | Stereopticon | 1972 | fixed media, akusmatisch | 8:15 | Stereo | Synthi 100 | LDC 278053/54 Cultures Electroniques 6/ | Bregman Dartmouth | 2nd prize Bourges | 1 | |||||||
| 389 | Jon | Appleton | Study #1 | 1963 | fixed media, akusmatisch | 6:00 | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | |||||||||
| 21496 | Jon | Appleton | Study #2 | 1963 | fixed media, akusmatisch | Stereo | Darthmouth Archive DA01/ | Uni Eugene | 0 | ||||||||||
| 390 | Jon | Appleton | Study #3 (Columbia Etude I) | 1965 | fixed media, akusmatisch | 1:55 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 34928 | Jon | Appleton | Syntrophia | 1977 | live-elec, | 9:02 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 391 | Jon | Appleton | The Sweet dreams of Miss Pamela Beach | 1979/1981 | live-elec, 1 perf | 11:30 | Stereo | synt [synthesizer] | Synclavier I & II | FTS 37461/ Darthmouth Archive DA09/ hap vol 18 - 3/ | EMS Stockholm, Bregman Dartmouth | 1 | |||||||
| 34929 | Jon | Appleton | The Sydsing Camklang | 1976 | live-elec, | 6:45 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 394 | Jon | Appleton | Times Square Times Ten | 1969 | fixed media, akusmatisch | 9:02 | Stereo | FDS 103 Flying Dutchman/ FTS 33437/ IMED 9635/ Darthmouth Archive DA02/ IDEAMA CD 064/ | Col.Princ EMC, Bregman Dartmouth | 1 | |||||||||
| 33684 | Jon | Appleton | Tu Vas Très Bien, Madame Risset | 2004 | fixed media, akusmatisch | 7:32 | maat 034/ | Bregman Studios Dartmouth | 1 | ||||||||||
| 33687 | Jon | Appleton | Yamanote To Ko | 1997 | fixed media, akusmatisch | 8:30 | maat 034/ | 1 | |||||||||||
| 33686 | Jon | Appleton | Yuri Goes To America | 2004 | fixed media, akusmatisch | 4:14 | maat 034/ | Theremin Center Moscou | 1 | ||||||||||
| 34930 | Jon | Appleton | Zoetrope | 1974 | live-elec, | 5:17 | Synclavier I „Music for Synclavier and other Digital Systems“ |
FTS 33445/ | Bregman Dartmouth | 0 | |||||||||
| 392 | Jon, Georges | Appleton, Boeuf | Synclavier Connection | 1978 | live-elec, 1 perf | 20:00 | Stereo | synt [synthesizer] | GMEM Marseille | 0 | |||||||||
| 39977 | Katsuyuki | Araki | The Stream – Nagare – | 2017 | fixed media, akusmatisch | Katsuyuki Araki | 0 | ||||||||||||
| 40996 | David | Arango Valencia | Burundanga | 2013 | fixed media, akusmatisch | 10:26 | 0 | ||||||||||||
| 32001 | David | Arango Valencia | Canción de Otraparte, Chanson d'ailleurs | 2011 | fixed media, akusmatisch | 12:04 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 2. prize | 1 | |||||||||
| 34351 | David | Arango Valencia | To Foglets | 2012 | fixed media, akusmatisch | 11:13:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 1. prize | 0 | |||||||||
| 40997 | David | Arango Valencia | Trompe | 2012 | fixed media, akusmatisch | 10:34 | JTTP 2013 | 0 | |||||||||||
| 36469 | Naoyuki | Arashi | From Scene 99 To The End - Kohayagawa-ke No Aki | 2007 | radiophon | 1:34:00 | and 26/ | 0 | |||||||||||
| 28379 | George | Arasimowicz | Bohater | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 395 | George | Arasimowicz | Extensions | 1985 | live-elec, 1 perf | Stereo | fl, (extensions) [Flöte] | Out to pasture | 0 | ||||||||||
| 396 | George | Arasimowicz | Resonances/Dissonances | 1986 | audiovisuell | 10:50 | Stereo | 0 | |||||||||||
| 397 | George | Arasimowicz | Vai | 1984 | fixed media, akusmatisch | 11:22 | Stereo | 0 | |||||||||||
| 398 | Delphina | Araujo | Vision Conformiste | 1976 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 399 | Sergio | Araujo | Delirium Tremens | 1976 | fixed media, akusmatisch | 20:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 40998 | Frederic | Arbour | Invocation | 2009 | fixed media, akusmatisch | 10:29 | 0 | ||||||||||||
| 32006 | Frederic | Arbour | Vortexed | 2008 | fixed media, akusmatisch | 9:51 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 32902 | Cory | Arcangel | Music for Stereos | 2010 | Performance | ∞ | 30.11.2010 - 1.5.2011 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | ||||||||||
| 40022 | Loredana | Arcaro | F_for_G#_T_Studio n. 3 | 2015 | fixed media, akusmatisch | 4:20:00 | Loredana Arcaro | 0 | |||||||||||
| 25819 | Mikel | Arce Sagarduy | *.WAV | 2004 | Klangkunst, Installation | 3:23:00 | Dokumentation einer Klanginstallation mit 4 bewegten / angeregten Metallplatten, KEIN Ton! | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2004 | 1 | |||||||||
| 400 | Aluizio | Arcela | /cartas/rs95.car | 1995 | fixed media, akusmatisch | 4:25 | II SBC&M/ | Uni Brasília sala 24 | 1 | ||||||||||
| 24337 | Phil | Archer | CD err | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21087 | Phil | Archer | Kung Fu | 1999 | fixed media, akusmatisch | 3:40 | SAN 08/99 Sonic arts network/ | 1 | |||||||||||
| 23364 | Phil | Archer | Study No. 36 - swing piano | 2002 | fixed media, akusmatisch | 3:37 | ARiADA 2003/ | UEA Norwich | 1 | ||||||||||
| 401 | Violet | Archer | Episodes | fixed media, akusmatisch | 8:40 | WM- SMLP 4024/ | Con Toronto | 1 | |||||||||||
| 402 | Serge | Arcuri | Chronaxie | 1983/1984 | Zuspiel / Tonband, 1 perf | 12:05 | Stereo | perc [Schlagzeug] | IMED 9310/ Centrediscs CMC 2786 Canadian Music Center/ | Uni Saskatoon, Uni Montréal | Mention Bourges 87 | 1 | |||||||
| 403 | Serge | Arcuri | Errances | 1992 | Zuspiel / Tonband, 2 perf | 14:00 | Stereo | ob d'amore, hp [Oboe, Harfe] | IMED 9310/ | Info-MIDI Montreal | Mention Bourges 1993 | 1 | |||||||
| 404 | Serge | Arcuri | La porte des sables | 1989 | live-elec, 3 perf | 11:30 | Stereo | ob, perc, synt [Oboe, Schlagzeug, synthesizer] | IMED 9310/ | 1 | |||||||||
| 406 | Serge | Arcuri | Lueurs | 1987 | Zuspiel / Tonband, 2 perf | 12:27 | Stereo | hn, perc [Horn, Schlagzeug] | IMED 9310/ | Info-MIDI Montreal, St 605 Montréal | 1 | ||||||||
| 407 | Serge | Arcuri | Murmure | 1989 | fixed media, akusmatisch | 12:26 | Stereo | MIDI | IMED 9310/ ACM 37 CD 1-4/ | PS Bruit vert Montreal | 1 | ||||||||
| 408 | Serge | Arcuri | Prélude aux Méandres | 1985 | fixed media, akusmatisch | 3:29 | Stereo | Jupiter 8, Fairlight II | IMED 9310/ | Uni Montréal | 1 | ||||||||
| 409 | Serge | Arcuri | Résurgence | 1982 | fixed media, akusmatisch | 6:42 | Stereo | IMED 9310/ | HfM Montreal | 1 | |||||||||
| 37181 | Alfredo | Ardia | Metamorfosi | 2016 | Klangkunst, Installation | ∞ | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||||||
| 43071 | Alfredo | Ardia | Metamorfosi | 2016 | Klangkunst, Installation | SEAM Weimar | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | |||||||||||
| 23329 | Bülent | Arel | Capriccio for TV | 1969 | fixed media, akusmatisch | 6:06 | Stereo | Opus one 59/ | Col.Princ EMC | 1 | |||||||||
| 410 | Bülent | Arel | Electronic Music No. 1 | 1960 | fixed media, akusmatisch | 8:44 | Mono | one of the first piece of RCA-synzhesizer Mark II | CRi S 356/ Son Nova 3/ SR 300 sub rosa/ SR 431 sub rosa/ | Col.Princ EMC | 0 | ||||||||
| 23328 | Bülent | Arel | Fantasy of Dance | 1973 | Zuspiel / Tonband, 5 perf | 8:02 | Stereo | 5 va [Viola] | Col.Princ EMC | 1 | |||||||||
| 23326 | Bülent | Arel | Mimiana I : Flux | 1968 | Tanz | 10:38 | Stereo | Finna SR 9020/ IDEAMA CD 064/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 411 | Bülent | Arel | Mimiana II : Frieze | 1969 | Tanz | 12:57 | Mono | CRi SD 300/ Finna SR 9020/ IDEAMA CD 064/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 23327 | Bülent | Arel | Mimiana III : 6 - 7, Mimiana III : Six & Seven | 1973 | Tanz | 12:14 | Stereo | Finna SR 9020/ SR 431 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 415 | Bülent | Arel | Music for a Sacred Service, Prelude and Postlude | 1961 | Film | 6:49 | Stereo | Son Nova 3/ NWR 80521/ | Col.Princ EMC | 0 | |||||||||
| 412 | Bülent | Arel | Music for string Quartet and electronic Oscillator | 1957 | live-elec, 5 perf | 9:00 | Mono | str-qt, elec (oscillator) [elektronik, Streicher] | Col.Princ EMC, Radio Ankara | 0 | |||||||||
| 413 | Bülent | Arel | Music for String Quartet and electronic Sound | 1957, 1962 | Zuspiel / Tonband, 4 perf | 10:00 | Mono | str-qt [Streicher] | rev. from M. for string quartet and elec Oscillator (59) | Opus one 59/ | Col.Princ EMC | 0 | |||||||
| 414 | Bülent | Arel | Postlude, from music for a sacred service | 1961 | fixed media, akusmatisch | 3:57 | Mono | SoN S 3/ SR 390 sub rosa/ | Col.Princ EMC | 1 | |||||||||
| 416 | Bülent | Arel | Stereo Electronic Music No. 1 | 1961 | fixed media, akusmatisch | 10:28 | Stereo | one of the first piece of RCA-synzhesizer Mark II | SR 431 sub rosa/ CRI SD 268/ Mainstream MS 6566/ NWCR 611/ | Col.Princ EMC | 1 | ||||||||
| 417 | Bülent | Arel | Stereo Electronic Music No. 2 | 1970 | fixed media, akusmatisch | 14:18 | Stereo | siehe CRI SD 268 | CRi CD 611/ Finna QD 9010/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | ||||||||
| 419 | Bülent | Arel | The Scapegoat Suite | 1961 | fixed media, akusmatisch | 28:54 | Mono | Col.Princ EMC | 0 | ||||||||||
| 418 | Bülent | Arel | The Scapegoat, a Fragment | 1961 | fixed media, akusmatisch | 1:23 | Mono | Son Nova 3/ | Col.Princ EMC | 0 | |||||||||
| 420 | Bülent | Arel | Wall Street Impressions | 1961 | Film | 3:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 22936 | Bülent, Daria | Arel, Semegen | Out of Into | 1972 | fixed media, akusmatisch | 16:32 | NWR 80521/ SR 431 sub rosa/ | Col.Princ EMC | 1 | ||||||||||
| 35637 | Mario | Arenas | Busqueda y retorno | 1998 | fixed media, akusmatisch | 8:23 | Uni de la serena 1/ | 0 | |||||||||||
| 23818 | Mario | Arenas | Fuego fatuo | 2000 | fixed media, akusmatisch | 4:00 | software "Punto y Tono" | 07.2000 | Sala SCD, Santiago, Chile. | 0 | |||||||||
| 23819 | Mario | Arenas | Fuego fatuo II | fixed media, akusmatisch | 0 | ||||||||||||||
| 21863 | Daniel | Arfib | Fragments complets | 1998 | fixed media, akusmatisch | 11:15 | IMEB Bourges | 0 | |||||||||||
| 421 | Daniel | Arfib | L'approche de la lumière | 1980 | fixed media, akusmatisch | 13:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 422 | Daniel | Arfib | Le Souffle du Doux | 1978 | fixed media, akusmatisch | 10:22 | Stereo | WER 2022-50, Computer Music Currents 2/ | CNRS Marseille | 1 | |||||||||
| 423 | Daniel | Arfib | Tre de Dos | 1984 | fixed media, akusmatisch | 22:10 | Stereo | 1st prize Bourges | 0 | ||||||||||
| 424 | Daniel | Arfib | Voyelles d'éveil | 1977 | fixed media, akusmatisch | 8:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 25015 | Steve | Argüelles | Metro Mix | 2001 | fixed media, akusmatisch | 5:52 | Beats und anderes | real ambient vol. 4/ | PS | 1 | |||||||||
| 34852 | Matthew, Kvanç | Ariaratnam, Tatar | Oblique Strategies | 2016 | fixed media, akusmatisch | 17:00:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 425 | Javier | Arias Bal | Limiar | 1991 | live-elec, 1 perf | 11:00 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 42892 | Ricardo | Arias | Eight Bells | 2013 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 42456 | Christopher | Ariza | demiurgic ecstasy whispering in streets of ear | 2008 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 32109 | Christopher | Ariza | onomatopoeticized | 2004 | fixed media, akusmatisch | 8:31:00 | SEAMUS EAM Vol. 15/ | 0 | |||||||||||
| 19282 | Javier | Ariza | Low Level | 1997 | radiophon | 11:56 | La Muse en Circuit, 3. concours de création radiophonique/ | GME Cuenca | 1 | ||||||||||
| 18616 | Manuel | Ariza | The West End | 1997 | Zuspiel / Tonband, 1 perf | 5:47 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | |||||||||
| 37257 | Anna | Arkushyna | Ihearyou | 2016 | fixed media, akusmatisch | IEM Graz | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||||
| 426 | Paul | Arma | 7 variations spatiophoniques | 1959 | fixed media, akusmatisch | 22:00 | Mono | IDEAMA CD 020/ | PS C. Paris | 0 | |||||||||
| 427 | Paul | Arma | Concerto pour bande magnétique | 1959 | fixed media, akusmatisch | 38:30 | Mono | with text by Jaime Torres | ORTF Paris | 0 | |||||||||
| 428 | Paul | Arma | Grille d’azur et de menthe | 1967 | fixed media, akusmatisch | 90:00 | oratorio pour bande magnetique; (texte de Pablo Picasso) | ORTF Paris | 0 | ||||||||||
| 429 | Paul | Arma | L'Oiseau-qui-n'existe-pas | 1964 | fixed media, akusmatisch | 6:00 | Mono | after a poem by Claude Aveline | PS C. Paris | 0 | |||||||||
| 430 | Paul | Arma | Musique de chambre | 1966 | fixed media, akusmatisch | 21:50 | 0 | ||||||||||||
| 431 | Paul | Arma | Quand la mesure est pleine – cantate pour bande magnetique | 1962 | fixed media, akusmatisch | 47:45 | Mono | with text by Michel Seuphor | ORTF Paris | 0 | |||||||||
| 432 | Paul | Arma | Quatre transparences | 1967 | fixed media, akusmatisch | 16:30 | ORTF Paris | 0 | |||||||||||
| 433 | Paul | Arma | Suite pour bande magnetique | 1960 | fixed media, akusmatisch | 21:30 | Mono | Radio Luxembourg Paris | 0 | ||||||||||
| 39943 | Joshua | Armenta | Tres Gritos Para Mi Patria | 2016 | fixed media, akusmatisch | Joshua Armenta | 0 | ||||||||||||
| 19724 | Eduardo | Armenteros | Danzas Clónicas y Fractales | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 18617 | Eduardo | Armenteros | El granito gegra extrañas vibraciones ( 3 mouvements) | Zuspiel / Tonband, 1 perf | 7:57 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | 0 | ||||||||||
| 19719 | Eduardo | Armenteros | El Planeta Verde | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19722 | Eduardo | Armenteros | El Secuenciario anacreóntico | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 19720 | Eduardo | Armenteros | El Sueño de la Razón produce Monstruos | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19717 | Eduardo | Armenteros | Formación de un Tríptico | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19718 | Eduardo | Armenteros | Las Pinturas negras de Goya | 1983 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 19723 | Eduardo | Armenteros | Mil Novecientos y d"OMS" | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | ||||||||||
| 19721 | Eduardo | Armenteros | Preludios ómnicos I & II | 1986 | Zuspiel / Tonband, 1 perf | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | PS C. San Lorenzo | 0 | |||||||||
| 434 | Eduardo | Armenteros | Tres piezas en forma de tríptico, (Apparition Strates Rituel) |
1983 | fixed media, akusmatisch | CIRM Nice | 0 | ||||||||||||
| 28550 | Iain | Armstrong | Matchine | 2005 | fixed media, akusmatisch | 6:20 | Stereo | BEAST | 1 | 2010 | www.iainarmstrong.net | ||||||||
| 21579 | Iain | Armstrong | set adrift in stolen moments | 1999 | fixed media, akusmatisch | 12:45 | SCD 28034 Sargasso/ | BEAST | 1 | 2000 | www.iainarmstrong.net | ||||||||
| 40999 | Iain | Armstrong | Transcriptions électroniques | fixed media, akusmatisch | 12:01 | 0 | |||||||||||||
| 31601 | Sebastian | Arnold | Public Static Void | 2013 | fixed media, akusmatisch | 5:00 | 5 tracks | next_generation 5.0 | TU Berlin | 0 | |||||||||
| 33429 | Thomas | Aronis | Electronic Study | 1965 | fixed media, akusmatisch | 3:30 | Stereo | Uni Philadelphia | 0 | ||||||||||
| 33430 | Thomas | Aronis | Poor Bitos | 1966 | Theatermusik | 10 | Mono | Uni Philadelphia | 0 | ||||||||||
| 435 | Thomas | Arras | A.B.C. | 1968 | fixed media, akusmatisch | 8:33 | Quadro | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | PS Raaijmakers | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 436 | Thomas | Arras | FRS, 'n ode aan atoombom 2 or the next one | 1971/1972 | fixed media, akusmatisch | 60:00 | Quadro | on 2 tapes | Sonology Utrecht | 0 | |||||||||
| 437 | Thomas | Arras | Gamma No. III | 1970 | fixed media, akusmatisch | 26:53 | Quadro, Stereo | Sonology Utrecht | 0 | ||||||||||
| 39661 | Chris | Arrell | Altamira 1b | 2017 | fixed media, akusmatisch | Chris Arrell | 0 | ||||||||||||
| 39329 | Chris | Arrell | Creme 21 | 2017 | live-elec, | (music for) | 0 | ||||||||||||
| 39662 | Chris | Arrell | Mutations | 2015 | fixed media, akusmatisch | 7:38:00 | Chris Arrell | 0 | |||||||||||
| 23821 | Jorge | Arriagada | A4 | fixed media, akusmatisch | 0 | ||||||||||||||
| 438 | Jorge | Arriagada | Arena y mas allá | 1974 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 23822 | Jorge | Arriagada | Chile 1970 | Zuspiel / Tonband, 9 perf | str-octet, mus [Musiker, Streicher] | 0 | |||||||||||||
| 439 | Jorge | Arriagada | Chile 1973 | 1973 | fixed media, akusmatisch | 19:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 23820 | Jorge | Arriagada | Concierto para violín y cinta | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | |||||||||||||
| 23823 | Jorge | Arriagada | Cuatro momentos musicales | fixed media, akusmatisch | 0 | ||||||||||||||
| 440 | Jorge | Arriagada | Etude | 1972 | fixed media, akusmatisch | 9:15 | Stereo | Pueblo Nuevo PN.CD.001/ | IMEB Bourges | IMEB Bourges | 0 | ||||||||
| 441 | Jorge | Arriagada | Indio | 1972 | fixed media, akusmatisch | 13:00 | Stereo | LDC 2781126 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 442 | Girolamo | Arrigo | 2 studios | 1963 | fixed media, akusmatisch | 5:50 | Mono | Fonologia Milano | 0 | ||||||||||
| 443 | Girolamo | Arrigo | Etude | 1959 | fixed media, akusmatisch | 3:30 | Mono | Etude de stage | INA • GRM | 0 | |||||||||
| 31658 | Pelayo F. | Arrizabalaga | Atravesando un Cuadro | 1998 | fixed media, akusmatisch | 6:00:00 | Quadro | HSM Basel | 0 | ||||||||||
| 31641 | Pelayo F. | Arrizabalaga | Die gelbe Schlage – Azufre es serpiente | 1999 | live-elec, 3 perf | 7:20:00 | Counter-T, cl, b-cl, (elec) [Tenor, Klarinette] | HSM Basel | 0 | ||||||||||
| 31659 | Pelayo F. | Arrizabalaga | Pieza Metallica | 1997 | fixed media, akusmatisch | 4:30:00 | HSM Basel | 0 | |||||||||||
| 444 | Diodato | Arru | Endura | 1991 | live-elec, 2 perf | V, va [Stimme, Viola] | CRM Roma, CERM Sassari | 0 | |||||||||||
| 27351 | Mathieu | Arsenault | Edges | 2008 | fixed media, akusmatisch | 5:35 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 5. prize | 1 | http://cec.concordia.ca/jttp | ||||||||
| 41000 | Mathieu | Arsenault | Portrait | 2009 | fixed media, akusmatisch | 5:50 | JTTP 2009 | 0 | |||||||||||
| 42069 | Antonin | Artaud | Pour en finir avec le jugement de dieu | 1947 - 1948 | radiophon | RDF | 0 | ||||||||||||
| 445 | Pierre-Yves | Artaud | Soleil noir | 1991 | Zuspiel / Tonband, 1 perf | 10:40 | Stereo | fl [Flöte] | INA • GRM | 0 | |||||||||
| 19798 | Alex | Arteaga | Daimon | 1994 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 32559 | Alex | Arteaga | Espacio Vibrado | 1998 | Klangkunst, Installation | MACBA Barcelona | 0 | ||||||||||||
| 32560 | Alex | Arteaga | Klangspur | 2001 | Klangkunst, Installation | Oberlinhaus Potsdam | 0 | ||||||||||||
| 22805 | Alex | Arteaga | Lob des Schattens | 1997 | Zuspiel / Tonband, 14 perf | 14 ins [Instrument] | TU Berlin | 1 | |||||||||||
| 25820 | Alex | Arteaga | Modul 2 | 2001 | Zuspiel / Tonband, 8 perf | 8 fl [Flöte] | TU Berlin | 26.4.2001 | Barcelona | 1 | |||||||||
| 32558 | Alex | Arteaga | schwankende Räume | 2000 | Klangkunst, Installation | Mies van der Rohe Haus (“Haus Lemke“) Berlin | TU Berlin | 0 | |||||||||||
| 34731 | Alex | Arteaga | sururb.wasserspeicher | 2010 | Klangkunst, Installation | Performance |
9:10 | 3 perf [Performer] | Kehrer Verlag ISBN 978-3-86828-493-5/ | 3.6.-13.7.2010 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=684 | |||||||
| 19799 | Alex | Arteaga | Témenos | 1996 | Zuspiel / Tonband, 1 perf | 6:40 | Stereo | rec [Flöte] | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||
| 21139 | Alex | Arteaga | Über das Wandern | 1999 | Zuspiel / Tonband, 1 perf | 13:00 | Octo | Sp [Sprecher] | TU Berlin | 1 | |||||||||
| 21122 | Alex | Arteaga | Übergang | 1998 | fixed media, akusmatisch | 23:00 | 14 Tracks | nach einer architektonischen Idee des Japaners Tadao Andos | TU Berlin | 0 | |||||||||
| 18618 | Gilles | Arteau | Kes que C/que C Q/kes que G | 1989/1992 | Zuspiel / Tonband, | 8:00 | Stereo | OBZ 001/ | 0 | ||||||||||
| 18619 | Gilles, Louis | Arteau, Ouellet | G di sa | 1989/1992 | Zuspiel / Tonband, | 13:37 | Stereo | OBZ 001/ | 0 | ||||||||||
| 18620 | Gilles, Louis | Arteau, Ouellet | Saragosse/Quèbec | 1989/1992 | Zuspiel / Tonband, | 18:34 | Stereo | OBZ 001/ | 0 | ||||||||||
| 451 | Artemiy | Artemiev | I would like to return | 1993 | fixed media, akusmatisch | 11:24 | LDC 2781115/16/17 opus 30/ ELCD 005 Electroshock Records/ | IMEB Bourges | 0 | ||||||||||
| 28435 | Artemiy | Artemiev | Space Distortion Evening in the Country |
fixed media, akusmatisch | 9:00 | ELCD 005 Electroshock Records/ | 0 | ||||||||||||
| 446 | Eduard | Artemiev | 12 glimpses on the world of sound, 12 Looks at the world of sound | 1969 | fixed media, akusmatisch | 12:52 | ANS - synt. | Melody S60 30721/ ELCD 011 Electroshock Records/ IDEAMA CD 012/ CTEPEO C60 30721/ | Muzei Skryabina Moskva | 1 | |||||||||
| 447 | Eduard | Artemiev | A man by the fireside | 1977 | fixed media, akusmatisch | 10:00 | Stereo | a poem for rock group & phonogram | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 448 | Eduard | Artemiev | Crime and punishment (Raskolnikow) | 1987 | Oper | Dostoyevsky | Melody S60 30721/ | PS C. | 0 | ||||||||||
| 449 | Eduard | Artemiev | Etyud | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 450 | Eduard | Artemiev | Glossolalie | 1972 | Zuspiel / Tonband, 2 perf, 2 groups | Mono | V, ch, orc, synt [Stimme, synthesizer, Chor, Orchester] | Muzei Skryabina Moskva | 0 | ||||||||||
| 452 | Eduard | Artemiev | Impertire tempus cogitatio | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 453 | Eduard | Artemiev | In outer space | 1961 | fixed media, akusmatisch | 4:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 454 | Eduard | Artemiev | Man at the Fireside | 1977 | Zuspiel / Tonband, 1 group | 10:00 | Mono | rock-ens [Ensemble] | Muzei Skryabina Moskva | 0 | |||||||||
| 455 | Eduard | Artemiev | Metamorphoses | 1976 | fixed media, akusmatisch | 10:00 | Stereo | elec interpretation of classic M.; synthi 100 | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 456 | Eduard | Artemiev | Metchte navstrechu (Meeting the Dream) | 1961 | Film | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 457 | Eduard | Artemiev | Mood-pictures, suite for synthi-100 | 1974 | fixed media, akusmatisch | 40:00 | Stereo | synthi 100 | Melody S60 30721/ Melody S10 21077/ | Muzei Skryabina Moskva | 0 | ||||||||
| 458 | Eduard | Artemiev | Mosaic | 1967 | fixed media, akusmatisch | 4:00 | ANS - synt. | Melody S60 30721/ ELCD 011 Electroshock Records/ CTEPEO C60 30721/ | Muzei Skryabina Moskva | 1 | |||||||||
| 461 | Eduard | Artemiev | music for Electronics Pavilion, Moscow | 1962 | Hintergrundmusik | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 462 | Eduard | Artemiev | music for Soviet Space Technology Pavilion, London | 1962 | Hintergrundmusik | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 463 | Eduard | Artemiev | Perpetual motion | 1987 | fixed media, akusmatisch | 5:00 | Stereo | Melody S60 30721/ | PS C. | 0 | |||||||||
| 464 | Eduard | Artemiev | Requiem (Credo) | 1987 | live-elec, 1 perf, 1 group | 3:00 | ch, synt [synthesizer, Chor] | 0 | |||||||||||
| 465 | Eduard | Artemiev | Ritual | 1980 | intermedia | 40:00 | Stereo | for olympic games (rock-music) | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 466 | Eduard | Artemiev | Sibiriada | 1978 | Film | LDX 74719 Le chant du monde/ | Muzei Skryabina Moskva | 0 | |||||||||||
| 467 | Eduard | Artemiev | Solaris / The mirror / Stalker | 1972 - 1978 | Film | 80:00 | Stereo | see "Cycle of 12 Pieces from Films by Tarkovsky" 1989, CD | Melody S60 30721/ ELCD 012 Electroshock Records/ | PS C. | 0 | ||||||||
| 468 | Eduard | Artemiev | Star nocturne | 1961 | fixed media, akusmatisch | 5:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 469 | Eduard | Artemiev | The Ocean (in memory of Andrei Tarkovski) | 1987 | fixed media, akusmatisch | 5:00 | 0 | ||||||||||||
| 470 | Eduard | Artemiev | The seven gates into the world of Satori | 1974 | fixed media, akusmatisch | 40:00 | Stereo | ANS - synt | Melody S60 30721/ | Muzei Skryabina Moskva | 0 | ||||||||
| 471 | Eduard | Artemiev | The warmth of the earth | 1988 | Oper | 120:00 | Melody S60 30721/ | PS C. | 0 | ||||||||||
| 472 | Eduard | Artemiev | Three glimpses on the revolution | 1989 | fixed media, akusmatisch | 15:00 | Stereo | to french revol. | Melody S60 30721/ | PS C. | 0 | ||||||||
| 473 | Eduard | Artemiev | Three poems, White Dove Vision summer |
1982 | live-elec, 3 perf | 33:00 | Stereo | S, vn, synt [Sopran, Violine, synthesizer] | words by Sigitus Gedda | Melody S60 30721/ ELCD 005 Electroshock Records/ | PS C. | 0 | |||||||
| 475 | Eduard | Artemiev | Val’s konsertnyi | 1964 | fixed media, akusmatisch | Mono | Muzei Skryabina Moskva | 0 | |||||||||||
| 476 | Eduard | Artemiev | Zvezdnyi noktyurn (Starry Nocturne) | 1964 | Zuspiel / Tonband, 1 group | Mono | ch [Chor] | IDEAMA CD 049/ | Muzei Skryabina Moskva | 0 | |||||||||
| 460 | Eduard, Yu. | Artemiev, Bogdanov | Motion | 1980 | fixed media, akusmatisch | 8:35 | Synthi 100 | Melody S60 30721/ C 10 13889-90/ | PS C. | 1 | |||||||||
| 474 | Eduard, Stanislav | Artemiev, Kreitchi | V kosmose, Cosmos | 1961 | Film | 12:15 | Mono | Film Music, ANS - synt | Melodiya D-25631-32/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 0 | ||||||||
| 40393 | Philippe | Arthuys | 1956 | Film | film de Gruel (Argos film) | INA • GRM | 0 | ||||||||||||
| 478 | Philippe | Arthuys | Boite à musique | 1955, 1957 | fixed media, akusmatisch | 2:52 | Mono | rev. | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1032 27652 archives grm CD 2/5/ Ducretet-Thomson 320 C 100, Panorama de la musique concrète No. 1, 1955/ Klett Stuttgart 92422, 1974/ IDEAMA CD 038/ CND 15-16/ | INA • GRM | 5.10.1958 | Bruxelles Expo, french Pavillon | 1 | ||||||
| 479 | Philippe | Arthuys | Etude chinoise | 1956 | fixed media, akusmatisch | 3:00 | Stereo | INA • GRM | 0 | ||||||||||
| 480 | Philippe | Arthuys | Galaxie | 1965 | fixed media, akusmatisch | 15:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40388 | Philippe | Arthuys | Ils recolteront la tempête | 1956 | Theatermusik | 40 | Cantata dramatique. Text de P. Arthuys, dit par M. Bouquet et J. L. Barrault | INA • GRM | 0 | ||||||||||
| 481 | Philippe | Arthuys | India | 1958 | Film | 50:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 482 | Philippe | Arthuys | Jardin de corail | 1958 | Film | 12:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 483 | Philippe | Arthuys | La Cage de Verre | 1965 | intermedia | 25:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 484 | Philippe | Arthuys | La demoiselle de coeurs | 1963 | intermedia | 26:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 485 | Philippe | Arthuys | La machine et l'homme | 1957 | Film | 30:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40389 | Philippe | Arthuys | La machine humaine | 1956 | Film | INA • GRM | 0 | ||||||||||||
| 40396 | Philippe | Arthuys | La malaria | 1957 | Film | INA • GRM | 0 | ||||||||||||
| 486 | Philippe | Arthuys | La tâche des hommes | 1957 | Film | 50:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 487 | Philippe | Arthuys | Le crabe qui jouait avec la mer, Illustration musicale d'un conte pour enfants de R. Kipling | 1955 | fixed media, akusmatisch | Musiktheater |
25:05 | Mono | 2 Versions: Musiktheater und Konzert | BAM LD 305/ Creel Pone 19/ | INA • GRM | 31.12.1955 | Paris | 0 | ||||||
| 40395 | Philippe | Arthuys | Le personnage combattant | 1957 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40398 | Philippe | Arthuys | Les Astronautes | 1957 | radiophon | Emission dramatique radio diffusée | INA • GRM | 0 | |||||||||||
| 488 | Philippe | Arthuys | Les carabiniers | 1963 | Film | 10:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 489 | Philippe | Arthuys | Les eaux sauvages | 1959 | Film | 8:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 490 | Philippe | Arthuys | Les iles enchantées | 1966 | Film | 13:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 40392 | Philippe | Arthuys | Les sources de la nuit, sont baignées de lumière | 1956 | radiophon | Sur um poème de Desnos, dit par G. Blin | INA • GRM | 0 | |||||||||||
| 491 | Philippe | Arthuys | Monsieur Tête | 1959 | Film | 10:00 | Mono | Tadie Cinema Paris | 0 | ||||||||||
| 492 | Philippe | Arthuys | Nature morte a la guitare | 1957 | fixed media, akusmatisch | 6:54 | Stereo | IDEAMA CD 038/ | INA • GRM | 3.2.1958 | Radio Paris IV | 0 | |||||||
| 28634 | Philippe | Arthuys | Nature morte au vibraphone | 1956 | fixed media, akusmatisch | 9:10 | Stereo | Manipulation à partir d’un seul son de vibraphone. Duration 6:00 ? |
INA • GRM | 0 | |||||||||
| 493 | Philippe | Arthuys | Paris nous appartient | 1959 | Film, 2 groups | 35:00 | Mono | ens, ch [Ensemble, Chor] | Tadie Cinema Paris | 0 | |||||||||
| 494 | Philippe | Arthuys | Pau amma, Le crabe qui jouait avec la mer | 1955 | fixed media, akusmatisch | 12:00 | Mono | version concert du "le crabe …" | IDEAMA CD 038/ | INA • GRM | 0 | ||||||||
| 40391 | Philippe | Arthuys | Portee de chats | 1956 | Performance | Musique pour un spectacle avec des dessins de Siné, réalisés sur plaques de verre | INA • GRM | 0 | |||||||||||
| 40397 | Philippe | Arthuys | Sheherazade | 1957 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 495 | Philippe | Arthuys | Tu auras nom … Tristan - 1963 | 1963 | Tanz | 90:00 | Mono | décor sonore pour Ballet de Jef Maes | Tadie Cinema Paris | 0 | |||||||||
| 40386 | Philippe | Arthuys | Voila l’Homme | 1955 | Tanz | texte by A. Kenan; décors A. Fabra | INA • GRM | 6.2.1956 | Paris, Fontaine des Quatre Saisons | 0 | |||||||||
| 477 | Philippe, Ivo | Arthuys, Malec | Avant le petit déjeuner | 1958 | Tanz | Mono | Tadie Cinema Paris | 0 | |||||||||||
| 40399 | Philippe, Ivo | Arthuys, Malec | Le bateau | 1958 | Film | INA • GRM | 0 | ||||||||||||
| 40394 | Philippe, Ivo | Arthuys, Malec | Svjetionik, Le phare | 1956 | Theatermusik | 25 | INA • GRM | 0 | |||||||||||
| 496 | Group | Artmix | Vingt minutes pour salle, table et rideau | 1984 | Musiktheater | CNR Lyon | 0 | ||||||||||||
| 41439 | Selcuk | Artut | Estranged Music | 2018 | Klangkunst, Installation | 21.9.2018 | Dystopie Festival September 2018 Berlin, Kleiner Wasserspeicher | 0 | http://www.dystopie-festival.net/wp/?lang=en | ||||||||||
| 497 | Jacques | Arveiller | Paire de lacs | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 498 | Jacques | Arveiller | Stuckstock pour piano à 4 mains | 1975 | fixed media, akusmatisch | (programme Putervalle) | GAIV Paris | 0 | |||||||||||
| 499 | Jacques | Arveiller | Timpoes | 1975 | live-elec, 2 perf | perc, synt, (com) [Schlagzeug, synthesizer] | CICM Paris | 0 | |||||||||||
| 500 | Per | Arvidsson | Dreams of Sleeplessness | 1990 | fixed media, akusmatisch | 9:00 | 0 | ||||||||||||
| 501 | David | Arzouman | Precipitation | 1991 | fixed media, akusmatisch | 10:25 | Stereo | LDC 278053/54 Cultures Electroniques 6/ | Brooklyn Coll | 2nd prize Bourges | 1 | ||||||||
| 18401 | Patrick | Ascione | A la mémoire de…? | 1980 | fixed media, akusmatisch | 14:45 | IMEB Bourges | 0 | |||||||||||
| 41604 | Patrick | Ascione | Barcarolle pour studio et bande | 2003 | fixed media, akusmatisch | 12:30:00 | Octo | Musiques et Recherches Ohain | M&R | 0 | |||||||||
| 502 | Patrick | Ascione | Bleus et formes | 1980 | fixed media, akusmatisch | 16:10 | Stereo | INA • GRM | 0 | ||||||||||
| 21865 | Patrick | Ascione | Bolero Picasso | 1999 | fixed media, akusmatisch | 13:10 | IMEB Bourges | 0 | |||||||||||
| 18403 | Patrick | Ascione | Cet extrême silence des couleurs | 1995 | fixed media, akusmatisch | 12:10 | IMEB Bourges | 0 | |||||||||||
| 24338 | Patrick | Ascione | Divertissement | 2001 | fixed media, akusmatisch | 13:44:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 503 | Patrick | Ascione | Espaces paradoxes | 1989 | fixed media, akusmatisch | 30:30 | Stereo | INA e 5012/ | INA • GRM | INA GRM | Auszeichnung ars electronica 1994 | 1 | |||||||
| 21864 | Patrick | Ascione | Et puis l'oubli | 1997 | fixed media, akusmatisch | 10:10 | IMEB Bourges | 0 | |||||||||||
| 41605 | Patrick | Ascione | Figures de style: Ascionerie n°2 | 2006 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 31323 | Patrick | Ascione | Images | 1980 | fixed media, akusmatisch | 16:32 | INA • GRM | INA • GRM | 0 | ||||||||||
| 504 | Patrick | Ascione | Lune Noire, Polyphonie / Polychrome 3 | 1987 - 1989 | fixed media, akusmatisch | 25:08 | 3rd version of "Polyphonie-Polychrome" | nor 01/ IMED 9522/ INA ACM 1995/ | INA • GRM | 1 | |||||||||
| 505 | Patrick | Ascione | Métamorphose d'un jaune citron | 1979 | fixed media, akusmatisch | 14:10 | Metamorphose einer Zitrone | LDC 278058/59 Cultures Electroniques 8/ MK CD 014/ | IMEB Bourges | Prize Bourges 1994 | 1 | ||||||||
| 18402 | Patrick | Ascione | Orlanda | 1981 | fixed media, akusmatisch | 14:00 | IMEB Bourges | 0 | |||||||||||
| 18621 | Patrick | Ascione | Primitive | 1995 | fixed media, akusmatisch | 15:01 | Stereo | Prix ars electronica 97/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA e 5012/ | INA • GRM | INA GRM | Auszeichnung ars electronica honorary mention 1997 | 1 | |||||||
| 40786 | Patrick | Ascione | Quantique musique | 1998 | fixed media, akusmatisch | 16:10 | Stereo | INA • GRM | 23.2.1998 | Paris, Maison de la Radio, Salle Olivier Messiaen | 0 | ||||||||
| 506 | Patrick | Ascione | Soleil Baroque | 1977 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 41922 | Patrick | Ascione | Suite blanche pour les temps nouveaux, White Suite for the New Age | 1995 | fixed media, akusmatisch | 18:14 | Competition Musica Nova Prag 1995 Auszeichnung ars electronica 1995 |
0 | |||||||||||
| 18622 | Patrick | Ascione | Sur champ d'azur | 1986 | fixed media, akusmatisch | 20:42 | Stereo | (extrait) | IMED 9522/ | 0 | |||||||||
| 507 | Patrick | Ascione | Sur champ d'azur II, Polyphonie / Polychrome 1 | 1984/1986 | fixed media, akusmatisch | 24:40 | Stereo | Version I realized at IMEB (GMEB), Version II realized at INA.GRM | INA • GRM, IMEB Bourges | 24.3.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 508 | Patrick | Ascione | Valeurs d'ombre, Polyphonie / Polychrome 2 | 1986 | fixed media, akusmatisch | 25:19 | Stereo | IMED 9522/ | INA • GRM | 21.1.1987 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 39505 | Steven | Ashby | glass and trolley I | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 509 | Nils Henrik | Asheim | In between | 1985 | live-elec, 1 perf | 7:00 | ob, (dig delay) [Oboe] | NOTAM | 0 | ||||||||||
| 510 | Nils Henrik | Asheim | Som Ringer I Vann | 1984 | Zuspiel / Tonband, 4 perf | 11:25 | 4 perc [Schlagzeug] | Sweelinck | 0 | ||||||||||
| 511 | Robert | Ashley | A closer Look | 1961 | Musiktheater | 9:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 512 | Robert | Ashley | A Gathering of Seasons | 1961 | Musiktheater | 25:00 | Stereo | CSEM Ann Arbor | 0 | ||||||||||
| 513 | Robert | Ashley | A Slice of Life | 1961 | fixed media, akusmatisch | 45:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 18623 | Robert | Ashley | Automatic Writing | 1979 | fixed media, akusmatisch | 46:00 | Stereo | LM- LCD 1002/ Ellipsis Arts 3673 - OHM: 03/ ISAST LMJ 8/ EMF CD 012 ISAST 8/ |
1 | ||||||||||
| 514 | Robert | Ashley | Big Danger in 5 parts | 1961 | fixed media, akusmatisch | 1:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 515 | Robert | Ashley | Boxes | 1960 | Musiktheater | 8:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 516 | Robert | Ashley | Boxes IV | 1962 | fixed media, akusmatisch | 2:40 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 517 | Robert | Ashley | Chunk | 1962 | fixed media, akusmatisch | var | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 518 | Robert | Ashley | Detroit Divided | 1962 | Musiktheater | 60:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 519 | Robert | Ashley | Eimert Plays Basie | 1961 | fixed media, akusmatisch | 9:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 520 | Robert | Ashley | eL / Aficionado | 1991 | Oper, 9 perf | 90:00 | 7 actor, 2 p [Piano, Schauspieler] | LM- CD 1004/ | Mutable Music Productions für Thomas Buckner | 1 | 1992 | http://www.ubu.com/sound/ashley.html | |||||||
| 33042 | Robert | Ashley | Flying Saucer Dialogue, Atalanta (Acts of God) | 1985 | live-elec, 2 perf | 7:14 | V, Kbd [Stimme, Keyboard] | MC 001 Mills College/ | CCM Mills | 1 | http://www.ubu.com/sound/mills.html | ||||||||
| 521 | Robert | Ashley | Four Ways | 1967 | Zuspiel, live-elec, 1 perf | var | multichannel | perf [Performer] | CSEM Ann Arbor | 0 | |||||||||
| 522 | Robert | Ashley | Frogs | 1967 | Zuspiel, live-elec, 6 perf | 20:00 | Stereo + Stereo | amp narrator, 2 amp Sp, 3 dancer [Sprecher, Schauspieler, Tanz] | CSEM Ann Arbor | 0 | |||||||||
| 18624 | Robert | Ashley | Giving Love Away | 1990 | fixed media, akusmatisch | 3:30 | Stereo | CIRM (1991)/ | 0 | ||||||||||
| 523 | Robert | Ashley | Heat | 1961 | fixed media, akusmatisch | 8:30 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 524 | Robert | Ashley | I Love You Do Not Be Afraid | 1963 | Film | 1:40 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 525 | Robert | Ashley | I Must See You Regarding a Matter of the Utmost Urgency | 1963 | Film | 2:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 526 | Robert | Ashley | Improvement (Don leaves Linda) | 1984/1991 | Oper, 7 perf | 90:00 | 7 actor [Schauspieler] | CCM Mills | 0 | ||||||||||
| 527 | Robert | Ashley | Interlude for Space Theatre | 1964 | Musiktheater | var | Quadro | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 528 | Robert | Ashley | Issues for Milton Cohen, Good Intention The Spy Hum The 4th of July |
1960 | Musiktheater | 55:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 529 | Robert | Ashley | Jennie and the Poet | 1963 | Film | 37:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 530 | Robert | Ashley | Lecture Series | 1965 | live-elec, 1 perf | 45:00 | Mono | MIDI [synthesizer] | CSEM Ann Arbor | 0 | |||||||||
| 27682 | Robert | Ashley | Music with Roots in the Aether, Landscape With Robert Ashley | What She Thinks (It's History) 57:40 The Music Of Robert Ashley | Title Withdrawn 45:00 |
1976 | audiovisuell | 840:00 | Stereo | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. Produced and directed by Robert Ashley. Philip Makanna, Director and Camera; Maggi Payne, Audio Recordist; Jerry Pearsall, Video Recordist and Technical Director. Seven 2-hour NTSC |
DV 7707 Lovely Music/ LVHS 7/ Music with Roots in the Aether/ | 1 | http://www.lovely.com/titles/dvdroots.html | ||||||||
| 531 | Robert | Ashley | My May | 1964 | Film | 27:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 532 | Robert | Ashley | News | 1961 | Musiktheater | 10:00 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 533 | Robert | Ashley | Public Opinion Descends Upon the Demonstrators | 1961 | Zuspiel / Tonband, | max 26:30 | Quadro | CSEM Ann Arbor | 0 | ||||||||||
| 534 | Robert | Ashley | Purposeful Lady Slow Afternoon | 1968 | Zuspiel / Tonband, | 10:14 | Mainstream MS 5010 Earle Brown Contemporary Sound Series Vol 13/ LM LCD 1002/ WER 6940/ | CSEM Ann Arbor | 0 | ||||||||||
| 35039 | Robert | Ashley | She was a visitor | 1967 | live-elec, 1 group | 5:46 | ch (synt, vocoder) [Chor] | Odyssey 32160156/ | 0 | ||||||||||
| 535 | Robert | Ashley | Something for Clarinet, Pianos and Tape | 1962 | Zuspiel / Tonband, 1 perf | var | Mono | jazz-mus [Musiker] | CSEM Ann Arbor | 0 | |||||||||
| 536 | Robert | Ashley | The Bottleman | 1960 | Film | 43:00 | Mono | Manupelli ; also 2 other versions | CSEM Ann Arbor | 0 | |||||||||
| 25695 | Robert | Ashley | The Fourth of July | 1960 | fixed media, akusmatisch | 18:37 | Stereo | Music from the Once Festival 1961 | NWR 80567 „Music from the Once Festival“/ | CSEM Ann Arbor | 1 | ||||||||
| 537 | Robert | Ashley | The Fox | 1966 | radiophon | 5:00 | Mono | CSEM Ann Arbor | 0 | ||||||||||
| 538 | Robert | Ashley | The House | 1961 | Film | 10:30 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 539 | Robert | Ashley | The Image in Time | 1958 | Film | 13:00 | Mono | Manupelli | CSEM Ann Arbor | 0 | |||||||||
| 540 | Robert | Ashley | The Wolfman | 1964 | Zuspiel / Tonband, 1 perf | 15:33 | Mono | amp V [Stimme] | Ashley (V); G. Mumma (elec) | eSP 1009 Shelan/ Source Records, SR 13/ Pogus 21050-2/ IDEAMA CD 077/ | CSEM Ann Arbor | 1967 | first festival of Live-Elec Music 1967, UC at Davis | 1 | |||||
| 541 | Robert | Ashley | The Wolfman Motor City Revue | 1968 | live-elec, | CSEM Ann Arbor | 0 | ||||||||||||
| 542 | Robert | Ashley | Untitled Mixes | 1965 | Zuspiel / Tonband, 3 perf | 5:05 | Mono | jazz-trio [Instrument] | eSP 1009 Shelan/ | CSEM Ann Arbor | 0 | ||||||||
| 27331 | Robert | Ashley | What she thinks (it’s history) | 1976 | Performance | 4:00 | Performing Ashley, Mimi Johnson, DeMarinis, Tyranny excerpt |
Ellipsis Arts 3694 - OHM DVD/ | 0 | ||||||||||
| 18625 | Robert, Ben | Ashley, Azarm | Unititeld 2 | 1995 | Zuspiel / Tonband, | 21:37 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 18626 | Robert, Ben, Bob, Jim | Ashley, Azarm, Gonsalves, Horton | <p;r 362 | 1995 | Zuspiel / Tonband, | 16:33 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 34841 | Alyssa | Aska | City of Marbles | 2014 | audiovisuell | 9:12:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 21948 | Bjørn | Askefoss | Music for installasjonen"two/too/you" | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21949 | Bjørn | Askefoss | No voice, Intermezzo for "AV-Quintet Plus many" | 1998 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 543 | Carroline | Askew | Sleeping in the forest | 1993 | Zuspiel / Tonband, 4 perf | fl, 2 perc, S [Sopran, Flöte, Schlagzeug] | CCD 1008 Continuum Records/ | Uni Huddersfield | 0 | ||||||||||
| 31361 | Anton | Aslamas | Aus alten Zeiten | 2010 | fixed media, akusmatisch | 3:37:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 19304 | Bernd | Asmus | malang mujur | 1995 | live-elec, 1 perf | 17:29 | p [Piano] | Kiebler, Richard | 2e2m Collection 1014/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 36952 | Gilberto | Assis Rosa | The Arrow | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 544 | Vito | Asta | A Volte | 1980 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 22062 | Tiina | Aste | Go,go away | fixed media, akusmatisch | 1:54 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 23824 | Jose Vicente | Asuar | Dúo Concreto | 1957 | fixed media, akusmatisch | Obra descatalogada por el autor. | 0 | ||||||||||||
| 545 | José Vicente | Asuar | 3 Ambientes sonoros para música electrónica, Catedral Divertimento Caleidoscopio |
1967 | fixed media, akusmatisch | 18:00 | Quadro | parts: Catedral, Divertimento (7:06), Caleidoscopio | Uni Catholic Santiago | 1 | |||||||||
| 546 | José Vicente | Asuar | Affaires des oiseaux | 1976 | fixed media, akusmatisch | 23:26 | Stereo | LDC 2781112/13/14 opus 30/ Pueblo Nuevo PN.CD.008/ | IMEB Bourges | IMEB Bourges | 1 | ||||||||
| 547 | José Vicente | Asuar | Amanecer | 1978 | fixed media, akusmatisch | 8:07 | Stereo | Pueblo Nuevo PN.CD.008/ | TU Berlin | 1 | |||||||||
| 23826 | José Vicente | Asuar | Buffalo 1971 | 1972 | fixed media, akusmatisch | 12:00 | Compuesta en el estudio de música electrónica de la Universidad de Nueva York. 1972 (?) Festival de Música Contemporánea del Instituto de Música de la Universidad Católica. |
Pueblo Nuevo PN.CD.008/ | SUNY Buffalo | 0 | |||||||||
| 32863 | José Vicente | Asuar | Caleidoscopio | 1968 | fixed media, akusmatisch | 5:33 | Quadro | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | Municipal de Caracas, Venezuela | 0 | ||||||||
| 32861 | José Vicente | Asuar | Catedral | 1968 | audiovisuell | 7:01 | Quadro | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | St Caracas | Municipal de Caracas, Venezuela | Caracas | 0 | ||||||
| 23834 | José Vicente | Asuar | Cuatro Piezas Instrumentales | 1989 | fixed media, akusmatisch | 17:30 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23830 | José Vicente | Asuar | Diálogos | 1985 | fixed media, akusmatisch | 12:12 | Pueblo Nuevo PN.CD.008/ | October 1985 | Festival Anacrusa. Sala Goethe. Santiago, Chile | 0 | |||||||||
| 32862 | José Vicente | Asuar | Divertimento | 1968 | fixed media, akusmatisch | 7:04 | Stereo | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ IDEAMA CD 058/ | St Caracas | Municipal de Caracas, Venezuela | 1st prize Dartmouth Computer Music Contest | 0 | ||||||
| 23829 | José Vicente | Asuar | Elegía, COMDA 5 | 1982 | fixed media, akusmatisch | 16:25 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23832 | José Vicente | Asuar | En el Infinito, COMDA 8 | 1987 | fixed media, akusmatisch | 9:22 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23831 | José Vicente | Asuar | En el Jardín, COMDA 7 | 1985 | fixed media, akusmatisch | 12:05 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 23833 | José Vicente | Asuar | Erase una vez en Francia | 1989 | fixed media, akusmatisch | 11:30 | Pueblo Nuevo PN.CD.008/ | 0 | |||||||||||
| 548 | José Vicente | Asuar | Estudio aleatorio | 1961 | fixed media, akusmatisch | 5:23 | Stereo | unfinished | Pueblo Nuevo PN.CD.008/ | TH Karlsruhe | 0 | ||||||||
| 549 | José Vicente | Asuar | Guararia repano | 1968 | fixed media, akusmatisch | 14:21 | LDC 278051/52 Cultures Electroniques 5/ Pueblo Nuevo PN.CD.008/ | INCIBA Caracas | 1st Prize Bourges 1975 | 1 | |||||||||
| 23825 | José Vicente | Asuar | Imágen de Caracas, Catedral Divertimento Caleidoscopio La noche II |
1967 - 1968 | audiovisuell | 150:00 | Obra comisionada por el consejo Municipal de Carácas en conmemoracion del cuatricentenario de la ciudad. | Municipal de Caracas, Venezuela | 0 | ||||||||||
| 550 | José Vicente | Asuar | In the garden | 1985 | fixed media, akusmatisch | 12:05 | (COMDA 7) | PS Comdasuar | 1 | ||||||||||
| 551 | José Vicente | Asuar | La noche II | 1967 | fixed media, akusmatisch | 27:00 | part of „Imagen de Caracas“ | Pueblo Nuevo PN.CD.008/ | INCIBA Caracas | 0 | |||||||||
| 23827 | José Vicente | Asuar | Partita Electronica | 1974 | fixed media, akusmatisch | 20:00 | 0 | ||||||||||||
| 552 | José Vicente | Asuar | Preludio "La noche" | 1961 | fixed media, akusmatisch | Tanz |
4:00 | Mono | Pueblo Nuevo PN.CD.008/ IDEAMA CD 060/ | Radio HR Frankfurt, TH Karlsruhe | May 1964 | Santiago de Chile | 0 | |||||||
| 553 | José Vicente | Asuar | Serenata para mi voz y sonidos sinusoidales | 1961 | fixed media, akusmatisch | 6:00 | Stereo | unfinished (“out of catalog“) | Pueblo Nuevo PN.CD.008/ | Radio HR Frankfurt, TH Karlsruhe | 0 | ||||||||
| 554 | José Vicente | Asuar | Sonata | 1985 | fixed media, akusmatisch | 12:14 | PS Comdasuar | 1 | |||||||||||
| 23828 | José Vicente | Asuar | Una Flauta en el camino (COMDA 2) | 1988 | fixed media, akusmatisch | 2:48 | duration 3:54 ?? | 0 | |||||||||||
| 555 | José Vicente | Asuar | Variaciones Espectrales | 1959 | fixed media, akusmatisch | Tanz |
12:48 | Mono | first electroacoustic music in Chile! | Pueblo Nuevo PN.CD.001/ Pueblo Nuevo PN.CD.008/ IDEAMA CD 058/ | Uni Catholic Santiago | May 1964 | Santiago de Chile | 0 | ||||||
| 556 | K. | Atchley | Don Giovanni, Act I | 1989 | fixed media, akusmatisch | 5:59 | 68000 com, MIDI | ISAST LMJ 1/ | 1 | ||||||||||
| 18627 | K., Ben | Atchley, Azarm | Parada 7 | 1982 | Zuspiel / Tonband, | 5:46 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 557 | Blas | Atehortúa | Syrigma I | 1966 | fixed media, akusmatisch | 8:00 | Stereo | LIPM B.Aires | 0 | ||||||||||
| 38682 | Group | Atelier Kaye Mortley | 280, Rhône | 2002 | radiophon | 13:34:00 | 0 | ||||||||||||
| 38683 | Group | Atelier Kaye Mortley | Anne- Marie (portrait n° 2, réaliste) | 2011 | radiophon | 9:00:00 | 0 | ||||||||||||
| 38684 | Group | Atelier Kaye Mortley | Arles : quartier d'été/passages | 2009 | radiophon | 32:54:00 | 0 | ||||||||||||
| 38685 | Group | Atelier Kaye Mortley | Attentes | 2010 | radiophon | 5:04:00 | 0 | ||||||||||||
| 38686 | Group | Atelier Kaye Mortley | Au bout de la rue | 2015 | radiophon | 18:56:00 | 0 | ||||||||||||
| 38687 | Group | Atelier Kaye Mortley | C'est moi qui pars | 2010 | radiophon | 8:29:00 | 0 | ||||||||||||
| 38688 | Group | Atelier Kaye Mortley | C'est un secret | 2010 | radiophon | 12:45:00 | 0 | ||||||||||||
| 38689 | Group | Atelier Kaye Mortley | Ce jour-là | 2011 | radiophon | 27:42:00 | 0 | ||||||||||||
| 38690 | Group | Atelier Kaye Mortley | Clarines | 1990 | radiophon | 14:39:00 | 0 | ||||||||||||
| 38691 | Group | Atelier Kaye Mortley | Débordement(s) | 2012 | radiophon | 16:19:00 | 0 | ||||||||||||
| 38692 | Group | Atelier Kaye Mortley | Des murs | 1992 | radiophon | 18:07:00 | 0 | ||||||||||||
| 38693 | Group | Atelier Kaye Mortley | Effet Papillon | 2015 | radiophon | 19:41:00 | 0 | ||||||||||||
| 38694 | Group | Atelier Kaye Mortley | En suspension | 2013 | radiophon | 19:13:00 | 0 | ||||||||||||
| 38695 | Group | Atelier Kaye Mortley | Et les tables cà vous intéresse | 2014 | radiophon | 13:44:00 | 0 | ||||||||||||
| 38696 | Group | Atelier Kaye Mortley | Et où s'en va la nuit | 2013 | radiophon | 19:04:00 | 0 | ||||||||||||
| 38697 | Group | Atelier Kaye Mortley | Faîtes venir le piano | 2006 | radiophon | 19:40:00 | 0 | ||||||||||||
| 38698 | Group | Atelier Kaye Mortley | Fil blanc | 2003 | radiophon | 15:37:00 | 0 | ||||||||||||
| 38699 | Group | Atelier Kaye Mortley | Herbier sonore | 2009 | radiophon | 6:01:00 | 0 | ||||||||||||
| 38700 | Group | Atelier Kaye Mortley | Histoires de clefs 1,2,3,4 | 2007 | radiophon | 16:08:00 | 0 | ||||||||||||
| 38701 | Group | Atelier Kaye Mortley | Il y a quelque chose qui cloche | 2003 | radiophon | 13:23:00 | 0 | ||||||||||||
| 38702 | Group | Atelier Kaye Mortley | Impressions | 2010 | radiophon | 8:14:00 | 0 | ||||||||||||
| 38703 | Group | Atelier Kaye Mortley | Jonathan (portrait n° 1, en creux) | 2011 | radiophon | 11:12:00 | 0 | ||||||||||||
| 38704 | Group | Atelier Kaye Mortley | L'arlésienne | 1996 | radiophon | 16:57:00 | 0 | ||||||||||||
| 38705 | Group | Atelier Kaye Mortley | L'habitation | 1998 | radiophon | 22:33:00 | 0 | ||||||||||||
| 38706 | Group | Atelier Kaye Mortley | L'heure du bain | 1994 | radiophon | 21:01:00 | 0 | ||||||||||||
| 38707 | Group | Atelier Kaye Mortley | La bergère | 2006 | radiophon | 14:24:00 | 0 | ||||||||||||
| 38708 | Group | Atelier Kaye Mortley | Le cri de la tarasquette | 2004 | radiophon | 7:55:00 | 0 | ||||||||||||
| 38709 | Group | Atelier Kaye Mortley | Liberté Lumière | 2005 | radiophon | 12:08:00 | 0 | ||||||||||||
| 38710 | Group | Atelier Kaye Mortley | Lost property | 2010 | radiophon | 11:44:00 | 0 | ||||||||||||
| 38711 | Group | Atelier Kaye Mortley | Lucien C. (portrait n° 3, ironique) | 2011 | radiophon | 11:16:00 | 0 | ||||||||||||
| 38712 | Group | Atelier Kaye Mortley | Many Roads | 2007 | radiophon | 16:13:00 | 0 | ||||||||||||
| 38713 | Group | Atelier Kaye Mortley | Ne toquer pas trop fort | 2012 | radiophon | 21:03:00 | 0 | ||||||||||||
| 38714 | Group | Atelier Kaye Mortley | Oedipos (portrait n° 4, pêle-mêle) | 2011 | radiophon | 9:37:00 | 0 | ||||||||||||
| 38715 | Group | Atelier Kaye Mortley | Où est passé Gaspard? | 2005 | radiophon | 16:29:00 | 0 | ||||||||||||
| 38716 | Group | Atelier Kaye Mortley | Pas nés en 68 | 2008 | radiophon | 14:07:00 | 0 | ||||||||||||
| 38717 | Group | Atelier Kaye Mortley | Plein comme un oeuf | 2004 | radiophon | 11:02:00 | 0 | ||||||||||||
| 38718 | Group | Atelier Kaye Mortley | Quatremobetdemie | 2009 | radiophon | 4:06:00 | 0 | ||||||||||||
| 38719 | Group | Atelier Kaye Mortley | Rien que des rues | 1993 | radiophon | 23:34:00 | 0 | ||||||||||||
| 38720 | Group | Atelier Kaye Mortley | Sans bruit la rue meurt | 2015 | radiophon | 15:23:00 | 0 | ||||||||||||
| 38721 | Group | Atelier Kaye Mortley | Sis dessous, ci-dessous | 1989 | radiophon | 19:13:00 | 0 | ||||||||||||
| 38722 | Group | Atelier Kaye Mortley | Sonarles | 2009 | radiophon | 12:20:00 | 0 | ||||||||||||
| 38723 | Group | Atelier Kaye Mortley | Stéphane (portrait n° 5, musical) | 2011 | radiophon | 6:53:00 | 0 | ||||||||||||
| 38724 | Group | Atelier Kaye Mortley | Traverser le pont | 2012 | radiophon | 14:43:00 | 0 | ||||||||||||
| 38725 | Group | Atelier Kaye Mortley | Un aller simple | 2010 | radiophon | 6:54:00 | 0 | ||||||||||||
| 38726 | Group | Atelier Kaye Mortley | Une nuit | 2005 | radiophon | 23:06:00 | 0 | ||||||||||||
| 38727 | Group | Atelier Kaye Mortley | Variations sur une chambre | 2014 | radiophon | 20:56:00 | 0 | ||||||||||||
| 558 | Nikos | Athinaios | Crisis | 1977 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 33425 | Dennis | Atkinson | Collage | 1962 | fixed media, akusmatisch | Uni Eugene | 0 | ||||||||||||
| 559 | Simon | Atkinson | Babble | 1991 | fixed media, akusmatisch | Stereo | UEA Norwich | 0 | |||||||||||
| 27659 | Simon | Atkinson | Nocturne | 2001 | fixed media, akusmatisch | 8:38 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | http://www.mti.dmu.ac.uk/ | |||||||||
| 41920 | Simon | Atkinson | Touching Edges | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 41852 | Wendy | Atkinson | Summer BBQ | 2008 | radiophon | 1:19:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 560 | Richard | Attree | City at Night | fixed media, akusmatisch | 16:10 | Stereo, Quadro | City Uni London | 0 | |||||||||||
| 561 | Richard | Attree | Dun-Dun | 1981/1983 | fixed media, akusmatisch | intermedia |
22:30 | Stereo, Quadro | slides | City Uni London | 0 | |||||||||
| 562 | Richard | Attree | Mirooo | radiophon | BBC | 0 | |||||||||||||
| 42070 | Gilles, Robert | Aubry, Millis | The gramophone effect | 2017 | radiophon | 44:30 | SAVVY-Funk - Documenta 14, Dlf Kultur | 18.8.2017 | Deuschlandfunk Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4942667&vi=2&SID | ||||||||
| 38728 | Gilles, Robert, Tarek, Charbel, Marcus, Hayden | AUBRY, MILLIS, ATOUI, HABER, SCHMICKLER, CHISHOLM | Art´s Birthday 2015 // Konzertmitschnitte vom 16. Januar 2015 im Berghain Berlin | 2015 | radiophon | 72:00:00 | 0 | ||||||||||||
| 21866 | Philippe | Auclair | 3 Visage pour un Regard | 1990 | fixed media, akusmatisch | 10:10 | IMEB Bourges | 0 | |||||||||||
| 24340 | Philippe | Auclair | Aphorisme XX | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21868 | Philippe | Auclair | Blac Lilac and New Life | 1988 | fixed media, akusmatisch | 8:10 | IMEB Bourges | 0 | |||||||||||
| 24339 | Philippe | Auclair | "..bruit qui pense"(tombeau schaffer 1996) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18407 | Philippe | Auclair | Canto de l'Oustal I | 1992 | fixed media, akusmatisch | 4:05 | IMEB Bourges | 0 | |||||||||||
| 24341 | Philippe | Auclair | Diabolus in campanile | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24345 | Philippe | Auclair | Ginnungagap | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24346 | Philippe | Auclair | Hiranyagarbha (l'?uf d'or de l'Inde) | 2001 | fixed media, akusmatisch | 12:08 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 21869 | Philippe | Auclair | Jeanne Duval dite Liberte | 1988 | fixed media, akusmatisch | 15:50 | IMEB Bourges | 0 | |||||||||||
| 24347 | Philippe | Auclair | Kaars lichtjes in Limburg | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24342 | Philippe | Auclair | L'Anachorète de Sainte-Agathe | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 27239 | Philippe | Auclair | Le creux de l'enfer | 2006 | fixed media, akusmatisch | 10:10 | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18405 | Philippe | Auclair | Le renard du nord - suite de concert | 1992 | fixed media, akusmatisch | 8:30 | IMEB Bourges | 0 | |||||||||||
| 18404 | Philippe | Auclair | M et T danse cabalistique | 1990 | fixed media, akusmatisch | 11:15 | IMEB Bourges | 0 | |||||||||||
| 24348 | Philippe | Auclair | Railways sounwalk enigma | 2003 | fixed media, akusmatisch | 11:29 | LDC 2781125/ | IMEB Bourges | 0 | ||||||||||
| 18409 | Philippe | Auclair | Rêve blanc | 1995 | fixed media, akusmatisch | 16:10 | IMEB Bourges | 0 | |||||||||||
| 24344 | Philippe | Auclair | Rumeur dans les combrailles (pour saxo alto et bande) | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21867 | Philippe | Auclair | Sous les Murs de Boismorand | 1989 | fixed media, akusmatisch | 10:16 | IMEB Bourges | 0 | |||||||||||
| 18406 | Philippe | Auclair | Spirale | 1992 | fixed media, akusmatisch | 5:55 | LDC 278068/69 Cultures Electroniques 12/ | IMEB Bourges | 0 | ||||||||||
| 24343 | Philippe | Auclair | Toccata per sonare XXI | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18408 | Philippe | Auclair | Vitrail culanesque | 1992 | fixed media, akusmatisch | 17:33 | IMEB Bourges | 0 | |||||||||||
| 42071 | Knut | Aufermann | Changing the guard | 2016 | radiophon | PS C. für Radio Revolten | 0 | ||||||||||||
| 28227 | Knut, Ivo, Hiroki, Jobina, Ge-Suk | Aufermann, Bol, Nishino, Tinnemans, Yeo | Resonanz117,5fm The Gasometer Universe Oberhausen Requiem Shakespeare und Heckenschere Windgeflüster |
2007 | fixed media, akusmatisch | audiovisuell |
Mono | Projekt „MONO“, Elektronische Musik im Gasometer Oberhausen 2007 | degem Projekt Mono im Gasometer Oberhausen | 1 | ||||||||||
| 35902 | Knut, Sarah | Aufermann, Washington | Tonic Train | 2005 | Performance | 13 | WER ARTS 8102 5/ | 0 | |||||||||||
| 38473 | Oliver | AUGST | Alle Toten 1914 | 2014 | radiophon | 52:58:00 | 0 | ||||||||||||
| 38729 | Oliver, Rüdiger, Sven-Åke | AUGST, CARL, JOHANSSON | Kippenberger hören | 2008 | radiophon | 51:59:00 | 0 | ||||||||||||
| 42072 | Oliver, Christoph | Augst, Korn | Modell Volksliedmaschine | 2002 | radiophon | 46:46 | HR /Intermedium 2, ZKM | 19.6.2002 | HR | 0 | |||||||||
| 33128 | Rafal | Augustyn | Long Island Rail Road from Pennsylvania Station, N. Y. C. to Port Jefferson, Suffolk, L. I. (eastbound); Change at Huntington or From Nathan Milstein to Paul Zukofsky for Solo Violin for LASROM TYCHY | 1984 | audiovisuell | live-elec, 1 perf |
13:33:00 | vn [Violine] | audiovisual composition for violin and accompanying objects | WJ 2002/ | 0 | |||||||||
| 563 | Rafal | Augustyn | THE LONG ISLAND | 1985 | fixed media, akusmatisch | 1:42 | Stereo | SME Krakow | 0 | ||||||||||
| 19092 | Sam | Auinger | Flugstunden | 1995 | radiophon | 41:56 | FlugMotorenOrchester; 3 Teile | ORF Kunstradio 10007280/ | PS Linz | 1 | |||||||||
| 30886 | Sam | Auinger | Grundklang Bonn | 2010 | Klangkunst, Installation | permanent | Projekt „stadtklangkünstler“ | bonn hoeren | 10.10.2010 | Bonn Bahnhofsvorplatz | 0 | http://www.bonnhoeren.de/?page_id=18 | |||||||
| 29992 | Sam | Auinger | Rheinharfe | fixed media, akusmatisch | 5:02:00 | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 38474 | Sam | AUINGER | sechs uhr läuten | 2008 | radiophon | 52:04:00 | WDR Studio Akustische Kunst | 4.7.2008 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1525163&vi=7&SID | ||||||||
| 38730 | Sam, Peter, Bruce, Stella, Josef Maria, Budhaditya, Hannes | AUINGER, CUSACK, ODLAND, LUNCKE, SCHÄFERS, CHATTOPADHYAY, STROBL | Cage100 - Slouch Hat Comeback 1 | 2012 | radiophon | 58:00:00 | 0 | ||||||||||||
| 28387 | Sam, Rupert | Auinger, Huber | ain't that a shame! | 1997/2000 | Performance | PS | 24.6.2000 | Inventionen Sophiensäle Berlin | 1 | 2000 | |||||||||
| 19358 | Sam, Rupert | Auinger, Huber | Berliner Theorie Hauskonzerte | 1997/1998 | live-elec, 1 perf | 74:00 | MIDI [synthesizer] | Audio-CD mit 11 Tracks; Gäste auch Richard Dorfmeister, Isabella Bordoni, Markus Binder, Toshi Nakamuro, Bruce Odland, Sergio Messina CD-ROM : programmed am futurlab 1997/98 |
DAAD / fa. huber musik / sam Auinger/ | PS C. | 23.4.-26.9.1997 | internet http://www.kgw.tu-berlin.de/~bt | 1 | ||||||
| 22103 | Sam, Rupert | Auinger, Huber | brucewillis | fixed media, akusmatisch | 5:13 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Berlin | 1 | ||||||||||
| 38731 | Sam, Rupert | AUINGER, HUBER | Herzschlagsonate | 1998 | radiophon | 49:50:00 | DLR Berlin | 32-1-1998 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1394991&vi=9&SID | ||||||||
| 22102 | Sam, Rupert | Auinger, Huber | intro | fixed media, akusmatisch | 12:40 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Berlin | 1 | ||||||||||
| 23258 | Sam, Rupert | Auinger, Huber | mantilla matador | Klangkunst, Installation | 9:16 | Produktion bei "format 5" der singuhr - hoergalerie in parochial. berliner theorie = Sam Auinger + Rupert Huber | Tick 02 tourette - Format 5/ | PS | 1 | ||||||||||
| 22101 | Sam, Rupert | Auinger, Huber | Miles | fixed media, akusmatisch | 6:08 | "berlinertheorie live" | STCD 152 staalplaat/ | PS C. Linz | 1 | ||||||||||
| 20283 | Sam, Rupert | Auinger, Huber | Shining | 1998 | Performance, live-elec, 1 perf | Stereo | MIDI [synthesizer] | PS C. | Inventionen 1998 | 25.9.1998 | Inventionen Parochialkirche Berlin | 0 | 1998 | ||||||
| 19037 | Sam, Bruce | Auinger, Odland | Balance | 1996 | Klangkunst, Installation | 1:19 | Sonambiente Ausstellung (1996) Katalog S.37 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.stadtmusik.org | |||||||||
| 23078 | Sam, Bruce | Auinger, Odland | Box 30/70 | 2001 | Klangkunst, Installation | umgebauter Bürocontainer | Tick 7 tourette/ Kehrer Verlag ISBN 978-3-939583-23-3/ | WDR 2000 | 2.-22.42001 26.4.-6.5.2001 |
Siemenserk Berlin-Spandau Wittener Tage für neue Kammermusik, Hauptbahnhof Witten |
1 | ||||||||
| 23104 | Sam, Bruce | Auinger, Odland | box 30/70 - nullform/hive | 2001 | Klangkunst, Installation | 4:32 | Produktion bei "format 5" der singuhr - hoergalerie in parochial. o + a = bruce odland + sam auinger | Tick 02 tourette - Format 5/ | 1 | ||||||||||
| 23365 | Sam, Bruce | Auinger, Odland | Garten der Zeiträume, Time Venus Erde Merkur Jupiter Mond Sonne Himmel und Sterne Mars Kepler Raum Unendlich |
1990 | Klangkunst, Installation | Klanginstallation bei OÖ. Landesausst. 1990 "Mensch und Kosmos" Schloss Linz (Österreich) | LC 7280 CD 0401/ | 1 | |||||||||||
| 34765 | Sam, Bruce | Auinger, Odland | Motet R | 1999 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 5.8.-5.9.1999 | singuhr hoergalerie Berlin | 0 | http://www.stadtmusik.org | |||||||||
| 25821 | Sam, Bruce | Auinger, Odland | Requiem for fossil fuels | 2004 | fixed media, akusmatisch | 48:00 | 9 tracks | Installation = Einstündiger Zyklus. Für 8 Lautsprecher + 1 subwoofer, ferngesteuerte Orgel, DVD-Projektion. Second Version: with VOXNOVA quartet: kata hajnal (soprano), sabine neumann (mezzo-soprano), paul hörmann (tenor), nicholas isherwood (bass) at st.elisabeth church, invaliden strasse 3, berlin mitte, wednesday july, 23rd at 8:00 pm |
LC 07280 SWAP 0702/ | Inventionen 2004 für Sophienkirche Berlin Mitte | 23.06.2004 | Inventionen Sophienkirche Berlin | 1 | 2004 | http://www.samauinger.de/page.php?ID=267 | ||||
| 2008 | |||||||||||||||||||
| 23105 | Sam, Bruce | Auinger, Odland | Resonance, Weather Yampa R4-Cities (Rom, Salzburg, Berlin, NY) The Letter F Stones Water Raga Infrastructure Harmonics Coremeltz |
1995 | Klangkunst, Installation | CD O+A 002/ | 1 | ||||||||||||
| 38463 | Sam, Bruce | Auinger, Odland | Ten Thousand Shells | 2017 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 42217 | Sam, Bruce, Johannes | AUINGER, Odland, Strobl | The Planet Earth Gallery Radioshow | 2001 | radiophon | 52:04:00 | RBB | 16.3.2001 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436631&vi=8&SID | ||||||||
| 38732 | Sam, Hannes | AUINGER, STROBL | 10439 Berlin | 2004 | radiophon | 53:02:00 | 0 | ||||||||||||
| 25049 | Sam, Hannes | Auinger, Strobl | Berlin 10439 | 2004 | radiophon | 53:00 | 1 | ||||||||||||
| 26276 | Sam, Hannes | Auinger, Strobl | Besenbahn Mauerpark Sunseeker 0-from Living harmnies |
2001 - 2006 | Performance | Klangkunst, Installation || audiovisuell |
excerpts and videostudies Sam Auinger and friends! |
Offenes Kulturhaus/ | 1 | 2008 | http://www.samauinger.de | |||||||||
| 24764 | Uli | Aumüller | Anniversaire | 2000 | radiophon | IFSS 23/ | Inpetto Berlin | 0 | |||||||||||
| 25079 | Uli | Aumüller | "Auf der Suche nach noch nie gehörten Klängen", 4 Arten den Computer zu beschreiben | 2001 | audiovisuell | 60:00 | Siemens Studio München, Hans Tutschku, Luigi Ceccarelli, Hanspeter Kyburz | Inpetto Berlin | 1 | ||||||||||
| 24763 | Uli | Aumüller | Berlin 1999 | 1999 | radiophon | IFSS 22/ | Inpetto Berlin | 0 | |||||||||||
| 24743 | Uli | Aumüller | Bürgerablage | 2003 | radiophon | IFSS 02/ | Inpetto Berlin | 0 | |||||||||||
| 24748 | Uli | Aumüller | Canadian Spring | radiophon | IFSS 07/ | Inpetto Berlin | 0 | ||||||||||||
| 24752 | Uli | Aumüller | Dannenwalder Mühle | radiophon | IFSS 12/ | Inpetto Berlin | 0 | ||||||||||||
| 24767 | Uli | Aumüller | Das Bedeutende der Nicht-Musik | 1999 | radiophon | Radioessay über Helmut Lachenmann | IFSS 27/ | Inpetto Berlin | 0 | ||||||||||
| 24766 | Uli | Aumüller | dein Kuss von göttlicher Natur | radiophon | Radiosendung zum gleichnamigen Filmprojekt (on DVD) | IFSS 26/ | Inpetto Berlin | 1 | |||||||||||
| 25078 | Uli | Aumüller | Die Adorno-Sonate oder Das Selbstbewusstsein von der Nichtigkeit | 1994 | radiophon | 44:00 | Produktion: DLF 1994 | Inpetto Berlin | 0 | ||||||||||
| 25077 | Uli | Aumüller | Ein unendliches Lied von der Liebe | 1997 | radiophon | 18:00 | Produktion: SDR 1997 | Inpetto Berlin | 0 | ||||||||||
| 24754 | Uli | Aumüller | Eine Art von Ordnung, die Muster erzeugt | radiophon | Radioessay for BR; to music by Feldman | IFSS 13/ | Inpetto Berlin | 0 | |||||||||||
| 25076 | Uli | Aumüller | Freitag Nacht in Kairo | 1997 | radiophon | 30:00 | Produktion: SDR Stuttgart | Inpetto Berlin | 0 | ||||||||||
| 24755 | Uli | Aumüller | Freitagsgebet | radiophon | Al Aksha mosque in Cairo | IFSS 14/ | Inpetto Berlin | 0 | |||||||||||
| 24765 | Uli | Aumüller | Fürst Pückler Park | radiophon | IFSS 25/ | Inpetto Berlin | 0 | ||||||||||||
| 24768 | Uli | Aumüller | Gebenedeit sei dein Leib (Katholischer Gottesdienst Hanoi 1995) | 1995 | radiophon | IFSS 28/ | Inpetto Berlin | 0 | |||||||||||
| 24757 | Uli | Aumüller | Gewitter in Kärnten | 2005 | radiophon | IFSS 16/ | Inpetto Berlin | 0 | |||||||||||
| 24770 | Uli | Aumüller | Grillen | radiophon | IFSS 30/ | Inpetto Berlin | 0 | ||||||||||||
| 24751 | Uli | Aumüller | Grunewald | radiophon | IFSS 10/ | Inpetto Berlin | 0 | ||||||||||||
| 24762 | Uli | Aumüller | Guten Morgen, Liebling! | radiophon | IFSS 21/ | Inpetto Berlin | 0 | ||||||||||||
| 24746 | Uli | Aumüller | Hadra | 1999 | radiophon | IFSS 05/ | Inpetto Berlin | 0 | |||||||||||
| 24744 | Uli | Aumüller | Hochhörndlinger Hütte (Almrauschen) | radiophon | IFSS 03/ | Inpetto Berlin | 0 | ||||||||||||
| 24756 | Uli | Aumüller | Hörndlinger Graben | radiophon | IFSS 15/ | Inpetto Berlin | 0 | ||||||||||||
| 24771 | Uli | Aumüller | Im Affenhaus | radiophon | IFSS 31/ | Inpetto Berlin | 0 | ||||||||||||
| 24774 | Uli | Aumüller | Ist Hinhören schon Komposition? | 2005 | radiophon | 60:00 | Radioessay for BR | IFSS 35/ | Inpetto Berlin | 0 | http://www.inpetto-filmproduktion.de | ||||||||
| 24749 | Uli | Aumüller | Leittoenen 2 | radiophon | IFSS 08/ | Inpetto Berlin | 0 | ||||||||||||
| 24759 | Uli | Aumüller | Marktkauf | radiophon | IFSS 18/ | Inpetto Berlin | 0 | ||||||||||||
| 24772 | Uli | Aumüller | Morgenstunde | radiophon | IFSS 32/ | Inpetto Berlin | 0 | ||||||||||||
| 25080 | Uli | Aumüller | Musik für 1000 Finger: Der Komponist Conlon Nancarrow | 1997 | audiovisuell | 45:00 | Gespräche mit Jürgen Hocker (am Schluss auch Spiel seines neueren Pianolas), Ligeti (er erzählt lange!), Ch. Amirkhanian (sein Plattenkonzern) und Nancarrow (mit Lebenslauf, man sieht auch die Stanze, die Werkstatt), Carlos Sandoval, Ivar Mikashof, Anna Lara Studie Nr. 21 gefilmt, auch Nr. 37, 26 |
Inpetto Berlin | BR | 1 | |||||||||
| 24742 | Uli | Aumüller | Nachtigall | radiophon | IFSS 01/ | Inpetto Berlin | 0 | ||||||||||||
| 24747 | Uli | Aumüller | Ostseerauschen | radiophon | 80:00 | IFSS 06/ | Inpetto Berlin | 0 | |||||||||||
| 24761 | Uli | Aumüller | Parisiana Club Cairo | radiophon | IFSS 20/ | Inpetto Berlin | 0 | ||||||||||||
| 24750 | Uli | Aumüller | Pflegeleicht 60° | radiophon | 80:00 | IFSS 09/ | Inpetto Berlin | 0 | |||||||||||
| 24753 | Uli | Aumüller | Rudower See | radiophon | IFSS 11/ | Inpetto Berlin | 0 | ||||||||||||
| 25075 | Uli | Aumüller | Siemens Luftgeräusche unpluggrd, Luftgeräusche | 2000, 2006 | radiophon | 79:00 | Phonoskopie aus der Welt der Produktion | Inpetto Berlin, WDR Studio Akustische Kunst | 11.1.2000 | 0 | |||||||||
| 24745 | Uli | Aumüller | Sommer | radiophon | IFSS 04/ | Inpetto Berlin | 0 | ||||||||||||
| 24758 | Uli | Aumüller | Stare und Schwalben / Krakau | radiophon | IFSS 17/ | Inpetto Berlin | 0 | ||||||||||||
| 24760 | Uli | Aumüller | Suhum St. Cecilia Choir | radiophon | IFSS 19/ | Inpetto Berlin | 0 | ||||||||||||
| 24769 | Uli | Aumüller | Unter dem Kirschbaum | radiophon | IFSS 29/ | Inpetto Berlin | 0 | ||||||||||||
| 25067 | Uli | Aumüller | Versuch über einen Kirschbaum | 2002 | radiophon | 58:00 | 39 Teile, Philosophie des Klanges und Hörens. Sprecher: der Autor | Inpetto Berlin | 1 | ||||||||||
| 24773 | Uli | Aumüller | Windmühle | radiophon | IFSS 33/ | Inpetto Berlin | 0 | ||||||||||||
| 24842 | Uli, Francis, Paul | Aumüller, Dhomont, Lansky | My Cinema for the Ears | 2000 | audiovisuell | 52:51 | The musique concrète of Francis Dhomont and Paul Lansky | BRIDGE 9117 DVD/ | Inpetto Berlin | 0 | |||||||||
| 32577 | Uli, Sebastian | Aumüller, Rausch | Im Wald, Under the trees | 2012 | audiovisuell | 103 | Stereo | 8 Studien über animiertes Stillleben und Musik. Konzertinstallation. Teil 01&02: Der Atem des Waldes (Ludger Kisters) Teil 04: Entre les deux rives du printemps (Gilles Gobeil) Teil 07: Nachtlicht (Gilles Gobeil) |
Arthaus 102174/ | 0 | |||||||||
| 564 | Uli, Frank | Aumüller, Schweizer | Der Blick in den Kühlschrank | 1992 | radiophon | 58:00 | Stereo | Koproduktion mit dem BR | ZKM Karlsruhe | 0 | |||||||||
| 27770 | Jonathan | Aussens | Distilation du Do3 | 2006 | live-elec, 1 perf | vc [Cello] | CRFMW Liège | 12.6.2006 | Liège Con | 0 | |||||||||
| 21950 | Siri | Austeen | Laridae Lunaire, (performance piece | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 567 | Kevin | Austin | Bonsai Watermelon | 1982 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 568 | Kevin | Austin | By'ou in the morning | 1983 | fixed media, akusmatisch | 14:45 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 569 | Kevin | Austin | Canada Unlimited Number Two (2nd movement) | 1970 | fixed media, akusmatisch | 9:40 | Stereo | McGill Montréal | 0 | ||||||||||
| 570 | Kevin | Austin | CutieGrey d'un | 1986 | live-elec, 1 perf, 1 group | Stereo | mul Kbds, (elec delay) [Keyboard] | 0 | |||||||||||
| 571 | Kevin | Austin | CutieGrey deux | 1986 | live-elec, 1 perf, 1 group | Stereo | mul Kbds, (elec delay) [Keyboard] | 0 | |||||||||||
| 41001 | Kevin | Austin | Dancers | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 572 | Kevin | Austin | Deer Barks | 1984 | Zuspiel, live-elec, | 9:00 | Stereo | (delay) [] | 0 | ||||||||||
| 573 | Kevin | Austin | Dipper Turn | 1983 | fixed media, akusmatisch | 45:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 36950 | Kevin | Austin | Doggy Trot (4KK) | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 574 | Kevin | Austin | DX-ture (I-XII), Gamut Spectr B Brime Hues Granul NASA A NASA TS Steve I Steve II Chroma Plenum Spectr A |
1985 | fixed media, akusmatisch | 150 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 41002 | Kevin | Austin | Eagles | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 576 | Kevin | Austin | Epitaph for a Fisherman (JamesText VII) | 1983 | live-elec, 1 perf | Stereo | proc V [Stimme] | 0 | |||||||||||
| 577 | Kevin | Austin | Family Games (I) | 1983 | fixed media, akusmatisch | 4:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 579 | Kevin | Austin | Formant Pulses | 1987 | fixed media, akusmatisch | Stereo | Uni Saskatoon | 0 | |||||||||||
| 41003 | Kevin | Austin | Four Arts | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 580 | Kevin | Austin | France Lafleur (I) | 1982 | Zuspiel, live-elec, 1 perf | intermedia |
Stereo | synt, slides [synthesizer] | 0 | |||||||||||
| 581 | Kevin | Austin | Free Running Clocks (I) | 1983 | fixed media, akusmatisch | 4:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 582 | Kevin | Austin | Froggy Bits | 1984 | fixed media, akusmatisch | 29:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 41004 | Kevin | Austin | Girl Lying | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 41005 | Kevin | Austin | High Moon | 2003 | Zuspiel / Tonband, 1 perf | 8:47 | zheng [Streicher] | 0 | |||||||||||
| 41006 | Kevin | Austin | Hockey | 1977 | fixed media, akusmatisch | 8:47 | 0 | ||||||||||||
| 583 | Kevin | Austin | I've a Notion it's the Sea | 1984 | fixed media, akusmatisch | 19:10 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 584 | Kevin | Austin | injections enChanté | 1986 | live-elec, 2 perf | intermedia |
Stereo | (elec-extended) V, (synthetic ambiences,) synt [Stimme, synthesizer] | 0 | |||||||||||
| 41007 | Kevin | Austin | King Bob’s Fanrasy Variations | 1970 | fixed media, akusmatisch | 8:47 | 0 | ||||||||||||
| 586 | Kevin | Austin | Konzert Tone #2, [ reveriesenvisioned ] | 1986 | Zuspiel, live-elec, 3 perf, 1 group | intermedia |
Stereo | hn, Kbds, proc V, slides [Stimme, Horn, Keyboard] | 0 | |||||||||||
| 585 | Kevin | Austin | Konzert Tone 1 | 1984 | Zuspiel / Tonband, 3 perf | Stereo | db, perc, V, (extensions) [Stimme, Schlagzeug, Kontrabass] | 0 | |||||||||||
| 587 | Kevin | Austin | KonzertTone #3 | 1988 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 588 | Kevin | Austin | Light Cycle | 1986 | Zuspiel / Tonband, 1 perf | Stereo | Kbd [Keyboard] | 0 | |||||||||||
| 589 | Kevin | Austin | March Storm | 1985 | Zuspiel, live-elec, | Stereo | (delay) [] | MetaM. Montréal | 0 | ||||||||||
| 41008 | Kevin | Austin | Masks, Mirrors and Shadows | 2006 | fixed media, akusmatisch | 8:47 | eContact! 9.2 | 0 | |||||||||||
| 590 | Kevin | Austin | Midsummer Night Solstice | 1984 | fixed media, akusmatisch | 5:00 | Quadro | 0 | |||||||||||
| 41009 | Kevin | Austin | Moonlight Night | 2003 | Zuspiel / Tonband, 1 perf | 8:47 | zheng [Streicher] | eContact! 9.2 | 0 | ||||||||||
| 591 | Kevin | Austin | Mozart in the Hatteras | 1984 | fixed media, akusmatisch | Stereo | MetaM. Montréal | 0 | |||||||||||
| 592 | Kevin | Austin | N.U.S. | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41010 | Kevin | Austin | Na Dia Sto Matos | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 593 | Kevin | Austin | Onde | 1980 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo, Octo | p, (rings) [Piano] | MetaM. Montréal | 0 | |||||||||
| 594 | Kevin | Austin | Ot'n'Umid (Saturdaze) | 1982 | fixed media, akusmatisch | 40:00 | Stereo, Octo | MetaM. Montréal | 0 | ||||||||||
| 41011 | Kevin | Austin | Piece for Four-Track Tape Recorder Canada Unlimited Number Two, Sam McGee | 1970 | fixed media, akusmatisch | 55:00:00 | Quadro | 0 | |||||||||||
| 595 | Kevin | Austin | Rigeaud Sinfonietta | 1977 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 599 | Kevin | Austin | Sectional Overtones - Aphorisms for voice and keyboards | 1985 | live-elec, 2 perf, 1 group | Stereo | V, Kbds [Stimme, Keyboard] | 0 | |||||||||||
| 41012 | Kevin | Austin | Seven Concrete Studies in Nine Movements | 2008 | fixed media, akusmatisch | 18:54:00 | 0 | ||||||||||||
| 601 | Kevin | Austin | Spheres, Chains, Corridors and Passage | 1980 | Zuspiel, live-elec, | 24:00 | Stereo | McGill Montréal, Uni NY Potsdam | 0 | ||||||||||
| 602 | Kevin | Austin | Sporas | 1985 | Zuspiel / Tonband, 1 group | Octo | chamb-ch [Chor] | 0 | |||||||||||
| 41013 | Kevin | Austin | Stadium | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 603 | Kevin | Austin | Star Wink | 1983 | fixed media, akusmatisch | 45:00 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 604 | Kevin | Austin | Static Gesture Ir - III - I | 1987 | fixed media, akusmatisch | Stereo | Uni Saskatoon | 0 | |||||||||||
| 19266 | Kevin | Austin | Static Gestures II (Formant Pulses) | 1987 | fixed media, akusmatisch | 10:00 | CEC Presence 1/ | Concordia Montréal | 0 | ||||||||||
| 605 | Kevin | Austin | String Mobiles | 1983 | live-elec, 1 perf | Stereo | str, (delay) [Streicher] | 0 | |||||||||||
| 606 | Kevin | Austin | SUN | 1982 | Zuspiel, live-elec, | 40:00 | Stereo | eContact! 9.2 — Canadian Regions: The Prairies | MetaM. Montréal | 0 | |||||||||
| 18632 | Kevin | Austin | Tears of Early Morning Rain and Cat Fade Away | 1983 | fixed media, akusmatisch | 10:15 | Stereo | ACM 37 CD 1-4/ | MetaM. Montréal | 0 | |||||||||
| 608 | Kevin | Austin | The Expansion of an Infinitely Large Point (JamesText III) | 1983 | live-elec, | Stereo | 0 | ||||||||||||
| 41015 | Kevin | Austin | Three Zheng Études, version 1 | 2003 | fixed media, akusmatisch | 13:08:00 | 0 | ||||||||||||
| 41016 | Kevin | Austin | Three Zheng Études, version 2 | 2003 | fixed media, akusmatisch | 13:46:00 | 0 | ||||||||||||
| 41017 | Kevin | Austin | Titles, MMFA-SAD presents Kevin Austin | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 609 | Kevin | Austin | Toy Symphony (FJ Haydn) | 1977 | Zuspiel / Tonband, | 11:00 | Stereo | (audience participation) [] | MetaM. Montréal | 0 | |||||||||
| 610 | Kevin | Austin | Tweazlling Snarls | 1981 | Performance | 150:00 | Quadro | 0 | |||||||||||
| 611 | Kevin | Austin | Vortex | 1981 | fixed media, akusmatisch | 23:45 | Stereo | Concordia Montréal, MetaM. Montréal | 0 | ||||||||||
| 41018 | Kevin | Austin | Wait Too! | 1982 | fixed media, akusmatisch | 19:45:00 | CECG/GEC | 0 | |||||||||||
| 41019 | Kevin | Austin | Wait! | 1982 | fixed media, akusmatisch | 21:45:00 | CECG/GEC | 0 | |||||||||||
| 612 | Kevin | Austin | Waiting for James (JamesText I) | 1983 | live-elec, 1 perf | intermedia |
Stereo | Narrator, slides [Schauspieler] | 0 | |||||||||||
| 613 | Kevin | Austin | Wave Link One | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 614 | Kevin | Austin | Wave Link Too | 1985 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41020 | Kevin | Austin | Waves and Tides of Time | 2004 | fixed media, akusmatisch | 13:51:00 | 0 | ||||||||||||
| 41021 | Kevin | Austin | Window on World | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 600 | Kevin, Joan, Illana | Austin, Baller, Steele | Snow Peas | 1984 | live-elec, 2 perf | Stereo | fl, cl, [Flöte, Klarinette] | 0 | |||||||||||
| 615 | Kevin, Joan, Illana | Austin, Baller, Steele | X-Flu-Toot | 1985 | live-elec, 2 perf | Stereo | fl, cl, [Flöte, Klarinette] | 0 | |||||||||||
| 565 | Kevin, Jill | Austin, Bedoukian | Aux nørd du Kédbèk | 1985 | Zuspiel, live-elec, | 10:17 | Stereo | MetaM. Montréal | 0 | ||||||||||
| 566 | Kevin, Jill | Austin, Bedoukian | Bog the Frog | 1983 | fixed media, akusmatisch | 17:00 | Stereo, Quadro | MetaM. Montréal | 0 | ||||||||||
| 578 | Kevin, Jill | Austin, Bedoukian | Florida Sweet | 1983 | fixed media, akusmatisch | 20:30 | Stereo, Quadro | MetaM. Montréal | 0 | ||||||||||
| 598 | Kevin, Ej | Austin, Brulé | San-Denis Blues | 1986 | live-elec, 1 perf | Stereo | V, (extensions) [Stimme] | 0 | |||||||||||
| 41014 | Kevin, Chih-Lin | Austin, Chou | Temple (for zheng and electroacoustic sounds) | 2003 | Zuspiel / Tonband, 1 perf | 7:16:00 | zheng [Streicher] | 0 | |||||||||||
| 596 | Kevin, Shawn | Austin, Hill | Ritual for a Noisy gong / Subjoctive | 1985 | Zuspiel / Tonband, 2 perf | Stereo | e-bass, synt [Gitarre, synthesizer] | 0 | |||||||||||
| 597 | Kevin, Shawn | Austin, Hill | Sabre Dancers | 1986 | live-elec, 1 perf | Stereo | synt (delay) [synthesizer] | 0 | |||||||||||
| 575 | Kevin, Doris | Austin, May | Earthy Delights | 1984 | intermedia, | Stereo | (slides) [] | tape, slides | 0 | ||||||||||
| 616 | Larry | Austin | Accidents | 1967 | Zuspiel, Performance, 1 perf | 26:48 | prep p, (rm) [Piano] | David Tudor (elec prep p), UC at Davis 1967; Synt = Buchla 100 | Centaur CRC 2219, CDCM Vol. 19/ Source Records, SR 13/ Pogus 21050-2/ | Col.Princ EMC | 1967 | MEV Rom; 2. P: UC at Davis 1967 |
1 | http://cemi.music.unt.edu/larry_austin | |||||
| 18808 | Larry | Austin | Accidents Two | 1992 | live-elec, 1 perf | 14:27 | p [Piano] | Centaur CRC 2219, CDCM Vol. 19/ | PS Austin | Montague / Mead Piano Plus | 1993 | London | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 26396 | Larry | Austin | Adagio: Convolutions on a Theme by Mozart | 2005 | Zuspiel / Tonband, 1 perf | 10:00 | cl [Klarinette] | Centaur CRC 2830, CDCM Vol. 35/ | Gerard Errante | 27.10.2005 | 26th annual new music & art festival Ohio | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 36606 | Larry | Austin | Art is Self-Alteration is Cage is … | 1982 - 1983, 1993 | Zuspiel / Tonband, 1 perf | 8:04 | db (15 recorded db on tape) [Kontrabass] | Centaur CRC 2830, CDCM Vol. 35/ | 0 | ||||||||||
| 618 | Larry | Austin | Bass | 1966 | Theater, 2 perf | 10:30 | Stereo | db, mus, (film) [Kontrabass, Musiker] | SanFran Tape M. C. | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 619 | Larry | Austin | Beachcombers | 1991 | Zuspiel / Tonband, 4 perf | 10:13 | Stereo | 4 ins [Instrument] | Centaur CRC 2078, CDCM Vol. 9/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 18628 | Larry | Austin | BluesAx | 1995/1996 | Zuspiel / Tonband, 1 perf | 18:30 | Stereo | sax [Saxophon] | 7 parts; NeXT with Csound & Cmix | LDC 278062 Cultures Electroniques 9 Magisterium/ Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton | Magisterium Bourges 1996 | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 620 | Larry | Austin | Canadian Coastlines Canonic Fractals for musicians and computer band |
1981 | Zuspiel / Tonband, 1 group | 10:10 | ens [Ensemble] | Synclavier (andere Zeitangaben 12:28) |
FTS 37475/ Centaur CRC 2219, CDCM Vol. 19/ | CEMI Denton | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 621 | Larry | Austin | Caritas | 1969 | Klangkunst, Installation | fixed media, akusmatisch |
20:00 | 9 tracks, Stereo | Caritas, in two versions, 9-channel tape for installation, 90 minutes and stereo tape concert version; 20 minutes, 1969. [created during the first summer workshop PDP10, Music V) |
Source Records, SR 17/ Source Records, SR 3/ Pogus 21050-2/ | CCRMA | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26399 | Larry | Austin | Catalogog Sonoro - 'Narcisso' | 1978 | fixed media, akusmatisch | 10:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 622 | Larry | Austin | Catharsis | 1965 | Zuspiel/Tonband, 1 group | Tanz |
8:00 | Quadro | ens [Ensemble] | improvisation | SanFran Tape M. C. | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 623 | Larry | Austin | Changes, open style for trombone and tape | 1965 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | trbn [Posaune] | UC Davis | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 24905 | Larry | Austin | Djuro's Tree | 1997 | radiophon | 12:30 | Octo | EMF 139/ | Borik Press | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 624 | Larry | Austin | Hybrid Musics | 1980 | live-elec, | IRIDA 0022/ | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 27726 | Larry | Austin | John Explains | 2007 | fixed media, akusmatisch | 10:00 | Octo | 0 | |||||||||||
| 625 | Larry | Austin | La Barbara: The Name, The Sounds, The Music | 1991 | Zuspiel / Tonband, 1 perf | 23:00 | V [Stimme] | Centaur CRC 2166, CDCM Vol. 13/ | Dallas Sound Lab | Joan La Barbara | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26395 | Larry | Austin | Les flûtes de Pan, Hommage à Debussy | 2006 | Zuspiel / Tonband, 1 perf, 1 group | 7:30 | Octo | fl, dancers [Flöte, Tanz] | Centaur CRC 2830, CDCM Vol. 35/ | Jacqueline Martelle | 15.03.2007 | exp. Media Fdt. NY | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 626 | Larry | Austin | Life Pulse Prelude, Based on skethes and plans for percusiion orch. music from a portion of Charles Ive's Universe Symphony | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 24:08 | perc-ens [Schlagzeug] | Centaur CRC 2133, CDCM Vol. 11/ | 1 | http://cemi.music.unt.edu/larry_austin | |||||||||
| 26402 | Larry | Austin | Ludus Fractalis | 1984 | audiovisuell | 11:00 | Deep Listening DL LA-V-VHS Deep Listening video cassette, stereo sound, 1990/ | 0 | http://cemi.music.unt.edu/larry_austin/ | ||||||||||
| 19484 | Larry | Austin | Max Mathews Episode | 1989 | Zuspiel, live-elec, 2 perf, 1 group | 11:06 | Stereo | ch, Kbd, MIDI [Keyboard, synthesizer, Chor] | Mathews / Boie Radio Drum and Radio Baton | Centaur CRC 2190, CDCM Vol. 15/ | CCRMA | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 627 | Larry | Austin | Montage | 1985 | Zuspiel / Tonband, 1 perf | 13:17 | Stereo | vn [Violine] | Themes and Variations | Centaur CRC 2110, CDCM Vol. 10/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 628 | Larry | Austin | Morton Subotnick Episode from Transmission II | 1990 | live-elec, 3 perf, 1 group | 6:15 | ch, Kbd, celletto, perc [Keyboard, Schlagzeug, Cello, Chor] | ISAST LMJ 1/ | 1 | http://cemi.music.unt.edu/larry_austin | |||||||||
| 26406 | Larry | Austin | Nineteen seventy-six | 1972 | fixed media, akusmatisch | 16:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 36605 | Larry | Austin | Ottuplo! | 1998 - 2000 | Zuspiel / Tonband, 4 perf | 11:42 | str-qt [Streicher] | Centaur CRC 2830, CDCM Vol. 35/ | 0 | ||||||||||
| 26405 | Larry | Austin | Phoenix | 1974 | fixed media, akusmatisch | 10:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26401 | Larry | Austin | Prelude and Postlude to Plastic Surgery | 1971 | Film, live-elec, 2 perf | 15:00 | Kbd, p [Piano, Keyboard] | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26408 | Larry | Austin | Primal Hybrid | 1972 | fixed media, akusmatisch | 11:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26404 | Larry | Austin | Protoforms | 1980 | fixed media, akusmatisch | 10:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26407 | Larry | Austin | Quadrants | 1972 | fixed media, akusmatisch | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ CRC 2219/ IRIDA 0022/ LDC 278062 Cultures Electroniques 9 Magisterium/ | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 629 | Larry | Austin | Quadrants Event / Complex No. 4 and No. 9 |
1972/1994 | Zuspiel, live-elec, 2 perf | 8:49 | disklavier, perc [Piano, Schlagzeug] | delay - system | Centaur CRC 2219, CDCM Vol. 19/ LDC 278062 Cultures Electroniques 9 Magisterium/ | CCM Mills, Lunetta St Sacramento | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 20981 | Larry | Austin | Quadrants: Event / Complex No. 1 | 1972/1994 | Zuspiel / Tonband, 1 perf, 1 group | 8:38 | Stereo | w-ens [Bläser] | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | |||||||
| 26400 | Larry | Austin | Quadrants: Event / Complex No. 11, 10, 9, 8, 7, 6, 4, 3 | 1977 | Zuspiel / Tonband, 9 perf | db, trbn, perc, va, fl, cl, vc, p, vn [Flöte, Klarinette, Posaune, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | performed singly or in any combination, but always with Quadrants tape, respectively, db, trbn, perc, va, fl, cl, vc, pno, vn; ACE; 9' | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||||
| 26409 | Larry | Austin | Quartet Four | 1971 | fixed media, akusmatisch | 8:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26410 | Larry | Austin | Quartet Three | 1971 | fixed media, akusmatisch | 12:00 | 0 | http://cemi.music.unt.edu/larry_austin | |||||||||||
| 26394 | Larry | Austin | Redux | 2007 | fixed media, akusmatisch | 7:30 | Octo | Centaur CRC 3219 Vol. 39/ |
CEMI Denton | Patricia Strange | 14.05.2007 | Uni of Maryland, Baltimore | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 28069 | Larry | Austin | RomaDue, A Theater Piece in Open Style for Improvisation Ensemble, Dancers and Tape | 1965, 1997 | fixed media, akusmatisch | 16:00 | Stereo | Improvisation | Centaur CRC 2830, CDCM Vol. 35/ | American Academy Roma | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 18629 | Larry | Austin | ;Rompido!, GraniteHarp - ThunderStone - SteleMusic | 1993 | fixed media, akusmatisch | 24:07 | Stereo | 3 parts; Csound, Soundworks, cmix, rt | Centaur CRC 2310, CDCM Vol. 24/ | PS gaLarry Denton | copyright Borik Press 1993 | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 20989 | Larry | Austin | Shin-Edo: CityscapeSet | 1994 - 1996 | fixed media, akusmatisch | 19:41 | Stereo | 5 parts | Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton, Kunitachi Tokyo | Borik Press | Competition Musica Nova Prag 1996 | 1 | http://cemi.music.unt.edu/larry_austin | |||||
| 631 | Larry | Austin | Sinfonia Concertante: A Mozartean Episode | 1988 | live-elec, 1 perf, 2 groups | 16:47 | Stereo | ch, ens, Sp [Sprecher, Ensemble, Chor] | Synclavier | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||
| 24904 | Larry | Austin | Singing! … the music of my own time | 1998 | live-elec, 1 perf | 25:00 | Octo | V [Stimme] | EMF 139/ | BEAST, IMEB Bourges, PS C. | Thomas Buckner | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 632 | Larry | Austin | Sonata Concertante | 1984 | Zuspiel / Tonband, 1 perf | 11:55 | Stereo | p [Piano] | Mandelbrot-Fractale | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | Bob Houston for Sound Source | 1984 | Buffalo | 1 | http://cemi.music.unt.edu/larry_austin | |||
| 18630 | Larry | Austin | SoundPoemSet | 1991 | fixed media, akusmatisch | 18:07 | Stereo | Centaur CRC 2029, CDCM Vol. 1/ CRC 2193/ Centaur CRC 2193, CDCM Vol. 16/ | PS gaLarry Denton | 1 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 26403 | Larry | Austin | Stars | 1982 | fixed media, akusmatisch | 8:00 | Deep Listening DL "Computer Music on Tape: Five Pieces by Larry Austin," Deep Listening Publications/ | CEMI Denton | 0 | http://cemi.music.unt.edu/larry_austin/ | |||||||||
| 26397 | Larry | Austin | Tableaux: Convolutions on a Theme | 2003 | live-elec, 1 perf | 16:00 | Octo | a-sax [Saxophon] | Centaur CRC 2830, CDCM Vol. 35/ | Stephen Duke | 10.022004 | DeKalb | 0 | http://cemi.music.unt.edu/larry_austin | |||||
| 24903 | Larry | Austin | ;Tarogató! | 1998 | live-elec, 1 perf | Octo | cl (tarogato) [Klarinette] | EMF 139/ | NY new music and dance ens | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 630 | Larry | Austin | The Maze, A Theater Piece in Open Style for Three Percussionists, Dancer, Tapes, Machines, and Projections | 1966 | Tanz, 4 perf | Musiktheater, 4 perf |
31:00 | Stereo | 3 perc, dancer (lights) [Schlagzeug, Tanz] | LA | 0 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 26398 | Larry | Austin | Threnos | 2001 - 2002 | Zuspiel / Tonband, | 7:30 | Octo | b-cl (1 or 2 or 4 or 8 cl) [Klarinette] | for real and virtual b-cl. Michael Lowenstern, bass clarinetorton |
SEAMUS EAM Vol. 13/ Centaur CRC 2830, CDCM Vol. 35/ | Michael Lowenstern | 30.01.2003 | New York | 0 | http://cemi.music.unt.edu/larry_austin | ||||
| 634 | Larry | Austin | Transmission II : the great excursion | 1990 | Zuspiel, live-elec, 1 perf, 1 group | 107:00 | ch, (radio drum,) celletto [Cello, Chor] | [Recorded material, Xavier Serra's SANSY program, LM2] | ISAST LMJ 1/ Centaur CRC 1994/ ISAST 1/ | CCRMA | 0 | http://cemi.music.unt.edu/larry_austin | |||||||
| 20988 | Larry | Austin | Variations … beyond Pierrot | 1993 - 1995 | Zuspiel, live-elec, 6 perf | 30:30 | S, 5 ins, [Sopran, Instrument] | Centaur CRC 2428, CDCM Vol. 28/ | PS gaLarry Denton, Banff C., Kunitachi Tokyo | 1 | http://cemi.music.unt.edu/larry_austin | ||||||||
| 24349 | Larry | Austin | Williams(re)mix(ed) | 2000 | fixed media, akusmatisch | 19:23 | Octo | after Cage's piece from 1952. Williams [re]Mix[ed] (1997-2000), for octophonic computer music system (ADAT), based on John Cage's Williams Mix (1951-53), for eight magnetic tapes: The Theme Restored; Six Short Variations: A-city sounds, B-country sounds, C-electronic sounds, D-manually produced sounds, E-wind produced sounds, F-small sounds; The Nth Realization; commissioned by the International Institute for Electroacoustic Music, Bourges, France, with sponsorship and support from the John Cage Trust and C. F. Peters Corporation; LAM, duration, 19 to 23 minutes |
EMF 139/ | IMEB Bourges | IMEB Bourges | 0 | http://cemi.music.unt.edu/larry_austin | ||||||
| 40072 | Massimo | Avantaggiato | ATLAS OF UNCERTAINTY | 2017 | fixed media, akusmatisch | Massimo Avantaggiato | 0 | ||||||||||||
| 34658 | Massimo | Avantaggiato | Penumbra | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 40071 | Massimo | Avantaggiato | Vana Imago | 2016 | Performance | Massimo Avantaggiato | 0 | ||||||||||||
| 39446 | Massimo vito | Avantaggiato | THREE MINIATURES | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 38733 | Peter, Iris | AVAR, DISSE | Das Herz der Tänzer – El corazon de los bailarines | 2003 | radiophon | 54:00:00 | 0 | ||||||||||||
| 43116 | Ron | Averill | gdod kreasi baru | 1990 | live-elec, 5 perf | 4 trbn, p [Posaune, Piano] | 0 | ||||||||||||
| 36621 | Ron | Averill | painting legs on the snake, (Curtain Opens To Reveal), The Dark Continent Monk Wandering Westerly Prelude (Fade To Black) |
1993 | fixed media, akusmatisch | 16:13 | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | Mention Bourges 1994 Auszeichnung ars electronica 1995 |
0 | |||||||||
| 41606 | Jon | Aveyard | Mis | 2003 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 635 | Tzvi | Avni | Collage | 1967 | Zuspiel / Tonband, 3 perf | V, fl, perc [Stimme, Flöte, Schlagzeug] | 0 | ||||||||||||
| 636 | Tzvi | Avni | Gilgulim (Reincarnations) | 1973 | Radiokunst, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 637 | Tzvi | Avni | Lyric Episodes | 1972 | Tanz, 2 perf | S, ob [Sopran, Oboe] | FTS 33878/ | 0 | |||||||||||
| 638 | Tzvi | Avni | Retrospections | 1975 | Zuspiel / Tonband, 2 perf | vc, perc [Schlagzeug, Cello] | 0 | ||||||||||||
| 639 | Tzvi | Avni | Study for the "Tower of Babel" | 1964 | fixed media, akusmatisch | 6:40 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 640 | Tzvi | Avni | Synchromotrask | 1976 | Musiktheater, 1 perf | actor [Schauspieler] | 0 | ||||||||||||
| 641 | Tzvi | Avni | Vocalise | 1964 | fixed media, akusmatisch | 5:47 | Stereo | Soprano Vocals – Pnina Avni | TV 34004S/ SR 290 sub rosa/ | Col.Princ EMC | 0 | ||||||||
| 32277 | Arseny | Avraamov | Symphony of Sirenes, Sinfoniya Gudkov | 1922 | Performance | 28 | > 1000 V, (foghorns, artillery batteries, mul infantry regiments, hydroplanes, 25 steam locomotives, all factory sirenes in the city) [Stimme] | Bookcontens: CD 1 & CD 2 with original documents and reconstructions of 72 Kew Works of Music, Poetry and Agitprop from the Russian Avantgardes 1908 - 1942 | ReR RAG 1&2/ | 1922 | Baku | 0 | |||||||
| 38408 | Ana-Maria | Avram | Anamorphosis | live-elec, | 12:20 | EDMN 1012/ | 0 | ||||||||||||
| 18711 | Ana-Maria | Avram | Icarus | 1993 | fixed media, akusmatisch | 13:22 | Stereo | EDMN 1006/ | 0 | ||||||||||
| 18712 | Ana-Maria | Avram | Ikarus II | 1993 | Zuspiel / Tonband, 1 perf | 13:35 | Stereo | p [Piano] | EDMN 1008/ | 0 | |||||||||
| 18713 | Ana-Maria | Avram | On the Abolition of the Soul | Zuspiel / Tonband, 1 group | 20:21 | Stereo | ens [Ensemble] | ensemble instrumental | EDMN 1008/ | 0 | |||||||||
| 18714 | Ana-Maria | Avram | Signum Gemini | 1989 | Zuspiel / Tonband, 1 group | 12:30 | Stereo | ens [Ensemble] | ensemble instrumental | EDMN 1008/ EDMN 1002/ | 0 | ||||||||
| 642 | Ana-Maria | Avram | Zodiaque | Zuspiel / Tonband, 2 perf | prep p, perc [Piano, Schlagzeug] | EDMN 1003/ | 0 | ||||||||||||
| 643 | Ana-Maria | Avram | Zodiaque III | fixed media, akusmatisch | 16:10 | EDMN 1002/ | 0 | ||||||||||||
| 43152 | Ana-Maria, Iancu | Avram, Dumitrescu | Oiseaux Céléstes II / Traces, Sillons, Sillages II | 2002 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2002 | 0 | ||||||||||||
| 644 | Freddy | Awad | Ragdong | 1978 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 645 | Freddy | Awad | Ritmofonia per due | 1978 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 646 | Freddy | Awad | Sun I | 1980 | fixed media, akusmatisch | 13:20 | Stereo | CRM Roma | 0 | ||||||||||
| 36943 | Kwesi | Awotwi | Trip Hop Double'O'Zero | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 25688 | Mauricio | Ayer | Répétitions - drama sonoro | 1997 - 1998 | fixed media, akusmatisch | 7:58 | Stereo | Text by Fernando Pessoa | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | ||||||||
| 41855 | Lydia | Ayers | Glassminute | 2005 | radiophon | 0:56:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 18633 | Ben | Azarm | Unclassified | 1982 | fixed media, akusmatisch | 3:34 | Stereo | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | |||||||||
| 18634 | Ben, Brian | Azarm, Reinbolt | P boone | 1983 | live-elec, 1 perf | 4:07 | Stereo | MIDI [synthesizer] | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | ||||||||
| 18635 | Ben, Brian, John | Azarm, Reinbolt, Bischoff | X X 1 | 1983 | Zuspiel / Tonband, 1 perf | 3:23 | Stereo | MIDI [synthesizer] | ART 1018 Ben Azarm - Neoapplictana/ | CCM Mills | 0 | ||||||||
| 21763 | Miguel | Azguime | 96 digital Bells | 1993 | fixed media, akusmatisch | 21:00 | Miso Studio | Centro Cultural de Belém | 1993 | Lisboa Centro Belém | 0 | http://www.misoensemble.com/miguelazguime/english/works/electromusic.html | |||||||
| 21752 | Miguel | Azguime | ÁGUA ou MARÉ - NOME de PEDRA | 1991 | Zuspiel, live-elec, 3 perf | 18:00 | pic-fl, b-fl, perc, (water, mós de pedra) [Flöte, Schlagzeug] | PS C. | Câmara Municipal do Seixal | 0 | http://www.misomusic.com | ||||||||
| 33523 | Miguel | Azguime | Aguas Marinhas | 2005 | live-elec, 14 perf | 14:21 | fl, ob, cl, bn, hn, tpt, trbn, perc, p, 2 vn, va, vc, db, (elec) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | miso records mcd 035.13/ | Miso Studio | JSCM (Japanese Society for Contemporary Music) | 0 | ||||||||
| 21764 | Miguel | Azguime | COMUNICAÇÕEs, Communications | 1998 | fixed media, akusmatisch | Klangkunst, Installation |
7:54 | 94 Tracks | miso records mcd 027.11/ | Miso Studio | Lisbon World Fair Expo'98 | November 1998 | Lisboa, Music in November, Culturgest | 1 | http://www.misomusic.com | |||||
| 33522 | Miguel | Azguime | Conver(say)tions | 2011 | live-elec, 3 perf | 13:06 | vn, p, perc, (elec) [Piano, Schlagzeug, Violine] | miso records mcd 035.13/ | Miso Studio | The California EAR Unit | 0 | ||||||||
| 21759 | Miguel | Azguime | DE L'ÉTANT QUI LE NIE | 1997 | live-elec, 1 perf | 16:00 | p [Piano] | piano with midi triggering system and real-time processing and spacialization system | miso records mcd 017.07/ | Miso Studio | Ministério da Cultura | 11.1998 | 1 | http://www.misomusic.com | |||||
| 33521 | Miguel | Azguime | De Part et d'Autre | 2011 | live-elec, 5 perf | 17:53 | fl, cl, vn, va, p, (elec) [Flöte, Klarinette, Piano, Viola, Violine] | miso records mcd 035.13/ | Miso Studio | French Ministry of Culture | 0 | ||||||||
| 23487 | Miguel | Azguime | Derrière son double | 2001 | live-elec, 6 perf | 25:00 | Stereo | fl, cl, vn, va, vc, p [Flöte, Klarinette, Piano, Viola, Cello, Violine] | miso records mcd 021.09/ sond’ar-TE Vol. 1/ miso records mcd 035.13/ | Miso Studio | Porto 2001 / Casa da Música | 1 | http://www.misomusic.com | ||||||
| 25649 | Miguel | Azguime | Des cercles en cercle | 2007 - 2008 | fixed media, akusmatisch | 15:09 | Stereo | Dedicated to Folkmar Hein | miso records mcd 027.11/ | TU Berlin, PS C. | 25.01.2008 | Ultraschall-Festival, Berlin, Radial System | 1 | http://www.misomusic.com | |||||
| 21755 | Miguel | Azguime | DU NÉANT DE L'ÉTANT | 2000 | live-elec, 1 perf | 6:00 | vib [Schlagzeug] | Miso Studio | 0 | http://www.misomusic.com | |||||||||
| 21758 | Miguel | Azguime | DU NÉANT QUI LE CROIT | 1994 | live-elec, 1 perf | 15:00 | bn [Fagott] | miso records mcd 017.07/ | Miso Studio | Fundação das Casas de Fronteira e Alorna | 1 | http://www.misomusic.com | |||||||
| 23488 | Miguel | Azguime | EIO-IN ou les Modßeles de l'Indifférence | 2001 | live-elec, 3 perf | Stereo | vn, trbn, p [Posaune, Piano, Violine] | Miso Studio | 1 | http://www.misomusic.com | |||||||||
| 27549 | Miguel | Azguime | Itinerário do Sal | 2006 | audiovisuell | Performance, live-elec, 1 perf |
≈ 60:00 | Octo | actor [Schauspieler] | miso records mdvd 001.07/ | Miso Studio | Inventionen 2006 | 1 | 2006 | http://www.misomusic.com | |||||
| 28599 | Miguel | Azguime | L … | 2010 | fixed media, akusmatisch | 6:09 | with the voices (singing and improvising) of Frances M. Lynch and David Moss; composed for a project named "Erotic Sound Fictions". | miso records mcd 027.11/ | 17.04.2010 | 25th anniversary of Miso Musik, Franco-Portuguese Institut Lisbon | 1 | http://www.misomusic.com | |||||||
| 23785 | Miguel | Azguime | Le dicible enfin fini | 2003 | fixed media, akusmatisch | 8:47 | Stereo | Text-Sound Composition | CAP 22057/ miso records mcd 027.11/ miso records mcd 013/014/ EBU Ars Acustica 2009/ | Miso Studio | 06.2004 | Bourges Synthese Festival | EMS Prize 2003 EBU Ars Acustica 2009 |
1 | http://www.misomusic.com | ||||
| 28600 | Miguel | Azguime | Liquidus Sonorus Luminaris | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
16:12 | Stereo | Work originally written for the cyber fountain at Parque dos Príncipes (Oeiras, Portugal) which may be performed per se. However there is a MIDI sequence to control the water jets than can be adapted to similar fontains. | miso records mcd 027.11/ | EMS Stockholm | Oeiras Municipality in Portugal | 25.06.2005 | Oeiras, Portugal, Musica Viva Festival, Poet’s Park | 1 | http://www.misomusic.com | ||||
| 21765 | Miguel | Azguime | Música e Texturas Sonoras | 1998 | Klangkunst, Installation | 7:59 | 94 Tracks | music and sound installation in 94 audio channels (±300 loudspeakers) for the exhibition at the "Pavilhão do Conhecimento dos Mares" by the atelier ARX Portugal Lisboa - Pavilhão do Conhecimento dos Mares da Expo'98 | Miso Studio | 0 | http://www.misomusic.com | ||||||||
| 21766 | Miguel | Azguime | Nave | 1998 | Klangkunst, Installation | 10:00 | Miso Studio | 0 | http://www.misomusic.com | ||||||||||
| 33796 | Miguel | Azguime | Notes on Books | 2012 | fixed media, akusmatisch | 8:41:00 | Composing with Sounds/ | INA-GRM | 1 | ||||||||||
| 21761 | Miguel | Azguime | O CENTRO DO EXCÊNTRICO DO CENTRO DO MUNDO | 1999 | live-elec, 18 perf | 30:00 | 16 V, 2 dichter [Stimme, Performer] | sung in Latin and Portuguese through Pedro Nunes' texts (XVIth Century) | miso records mcd 015.06/ | Miso Studio | Fundação Calouste Gulbenkian | 1 | http://www.misomusic.com | ||||||
| 21756 | Miguel | Azguime | PARFAIRE LE BLEU | 1996/1998 | live-elec, 3 perf | 25:00 | fl, hpd or cl, p [Flöte, Klarinette, Piano, Cembalo] | fl, hpd (Version 1) / cl; p (Version 2) | Miso Studio | Fundação Calouste Gulbenkian | 0 | http://www.misomusic.com | |||||||
| 21753 | Miguel | Azguime | PULSE CODE MODULATION: uma história industrial | 1996 | Zuspiel, live-elec, 3 perf | 18:00 | fl, b-fl, perc [Flöte, Schlagzeug] | miso records 2001/ | Miso Studio | Câmara Municipal do Seixal | 0 | http://www.misomusic.com | |||||||
| 27547 | Miguel | Azguime | Sobreposições | 2000 | fixed media, akusmatisch | 9:17 | Miso Studio | 2000 | Lisboa, Festival Musica Viva | 0 | http://www.misomusic.com | ||||||||
| 27548 | Miguel | Azguime | Uniusombadiudubi | 2003/2004 | fixed media, akusmatisch | Miso Studio | 0 | http://www.misomusic.com | |||||||||||
| 21760 | Miguel | Azguime | YUAN ZHI YUAN, (de origem em origens) | 1998 | live-elec, 8 perf, 1 group | 30:40 | S, T, 6 (traditional chinese) ins, chamber-ch [Sopran, Tenor, Instrument, Chor] | miso records mcd 015.06/ | Fundação Oriente | 1 | http://www.misomusic.com | ||||||||
| 21762 | Miguel, Paula | Azguime, Azguime | DÉPOSER LA FORÊT | 1990 | fixed media, akusmatisch | 7:33 | Miso Studio | 1993 | Santiago de Compostela | 1 | http://www.misomusic.com | ||||||||
| 25470 | Miguel, Paula | Azguime, Azguime | Escrituras | 2002 | Zuspiel, live-elec, 2 perf | 14:57 | fl, perc [Flöte, Schlagzeug] | Miguel Azguime (perc), Paula Azguime (fl) Live-recording at Teatro do Campo Allegre, Porto, P on 16.12.2002 |
miso records mcd 017.07/ | Miso Studio | Ministério Da Cultura / IPAE | 1 | http://www.misomusic.com | ||||||
| 21754 | Miguel, Paula | Azguime, Azguime | NÓNIO | 1998 - 2002 | live-elec, 2 perf | 17:02 | fl, perc [Flöte, Schlagzeug] | miso records mcd 017.07/ | Miso Studio | Ministério da Cultura / IPAE | May 1999 | Lisbon, Grande Auditório, Fundação Calouste Gulbenkian | 1 | http://www.misomusic.com | |||||
| 25822 | Kinan | Azmeh | Iraq Re-visited, from the Gilgamesh Project | 2005 | audiovisuell | 10:00 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 1 | ||||||||||
| 42574 | Kinan | Azmeh | Walls and Towers | 2010 | audiovisuell, live-elec, 4 perf | 10 | cl, vn, va, vc [Klarinette, Viola, Cello, Violine] | Juilliard school’s Beyond the Ma- chine festival 2010 | 0 | ||||||||||
| 39837 | Hanae | Azuma | In the Bay I | 2017 | fixed media, akusmatisch | 16 Tracks | Hanae Azuma | 0 | |||||||||||
| 39836 | Hanae | Azuma | In the Bay II | 2017 | fixed media, akusmatisch | Hanae Azuma | 0 | ||||||||||||
| 39838 | Hanae | Azuma | watercolor painting | 2016 | fixed media, akusmatisch | Hanae Azuma | 0 | ||||||||||||
| 39387 | Hanae | Azuma | Where am I in the Universe? | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24852 | Georges | Azzaria | Concret | 2002 | fixed media, akusmatisch | Stereo | AVTR 031/ | 0 | |||||||||||
| 18636 | Georges | Azzaria | ET/Ou | 1989/1992 | fixed media, akusmatisch | 9:01 | Stereo | OBZ 001/ | 0 | ||||||||||
| 24849 | Georges | Azzaria | Monopole | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 24851 | Georges | Azzaria | National-local | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 24850 | Georges | Azzaria | Nul ist prophet en su patria | fixed media, akusmatisch | Stereo | AVTR 028/ | 0 | ||||||||||||
| 26210 | Marije | Baalman | Beuerskrach | 2003 | fixed media, akusmatisch | 3:28 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Electrofringe | 1 | ||||||||
| 26211 | Marije | Baalman | Pollock's Sprechwunsch | 2003 | fixed media, akusmatisch | 6:32 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | ||||||||
| 26209 | Marije | Baalman | Scratch | 2004 | fixed media, akusmatisch | 24 Tracks, Spazialisation: WFS | TU Berlin | 2004 | LAC 2004 ZKM | 0 | |||||||||
| 39385 | Girilal | Baars | Mother’s War | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 41976 | Younes | Baba-Ali | Tic Nerveux | 2018 | audiovisuell | Klangkunst, Installation |
3-channel Videoinstallation | 19.10.2018 | Donaueschingen (Donaueschinger Musiktage) 2018, Heinrich-Feuerstein-Schule, Turnhalle | 0 | ||||||||||
| 38734 | Younes, Anna | BABA-ALI, RAIMONDO | Carroussa Sonore | 2013 | radiophon | 51:53:00 | 0 | ||||||||||||
| 36289 | Milton | Babbitt | Arie da capo | 1974 | fixed media, akusmatisch | 12:46 | PNM 26/ | CalArts | Walter W. Naumburg Foundation | 0 | |||||||||
| 647 | Milton | Babbitt | Composition for Synthesizer | 1961 | fixed media, akusmatisch | 10:36 | Quadro | one of the first piece of RCA-synzhesizer Mark II | Mainstream MS 6566/ IDEAMA CD 066/ | Col.Princ EMC | 1 | ||||||||
| 648 | Milton | Babbitt | Ensembles for Synthesizers | 1964 | fixed media, akusmatisch | 10:39 | Quadro | RCA-Synthesizer Mark II | Finna QD 9010/ Columbia MS 7051/ SICC 78/ IDEAMA CD 066/ | Col.Princ EMC | 1 | ||||||||
| 649 | Milton | Babbitt | Philomel | 1964 | Zuspiel / Tonband, 1 perf | 18:27 | S [Sopran] | RCA-Synthesizer Mark II ; text by Ovid | Neuma 450-74/ NWR 80466/ Ellipsis Arts 3671 - OHM: 01/ IDEAMA CD 067/ | Col.Princ EMC | 1 | http://www.furious.com/perfect/ohm/columbiaprinceton.html | |||||||
| 650 | Milton | Babbitt | Phonemena | 1969 | Zuspiel / Tonband, 1 perf | 4:11 | Stereo, Quadro | S [Sopran] | RCA-Synthesizer Mark II there is another version for S & p |
NWR 209/ Neuma 450-74/ NWR 80466/ IDEAMA CD 066/ | Col.Princ EMC | 1 | |||||||
| 651 | Milton | Babbitt | Reflections | 1975 | Zuspiel / Tonband, 1 perf | 10:16 | p [Piano] | NWR 209/ NWR 80466/ DIDX 022920/ | Col.Princ EMC | 1 | |||||||||
| 652 | Milton | Babbitt | Vision and Prayer | 1961 | Zuspiel / Tonband, 1 perf | 14:30 | Quadro | S [Sopran] | text by Dylan Thomas | CRi SD 268/ CRi CD 521/ IDEAMA CD 067/ | Col.Princ EMC | 1 | |||||||
| 35834 | Andrew | Babcock | Anagoge | 2012 | fixed media, akusmatisch | 9:48 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 42962 | Andrew | Babcock | Pianolanche | 2013 | fixed media, akusmatisch | 5:32:00 | 0 | ||||||||||||
| 42718 | Andrew | Babcock | Reconstruction | 2012 | fixed media, akusmatisch | 7:20:00 | 0 | ||||||||||||
| 39575 | Andrew | Babcock | Transformations | 2015 | fixed media, akusmatisch | 9:26:00 | Andrew Babcock | 0 | |||||||||||
| 39574 | Andrew | Babcock | Ventriloquy | 2016 | fixed media, akusmatisch | Andrew Babcock | 0 | ||||||||||||
| 43044 | Jacopo | Baboni Schilingi | Für Hans_sonata | 2014 | fixed media, akusmatisch | 25:00:00 | 0 | ||||||||||||
| 39874 | Jacopo | Baboni Schilingi | Reflexions | 2015 | live-elec, | Jacopo Baboni Schilingi | 0 | ||||||||||||
| 25823 | Ignacio | Baca Lobera | Creaturas secundarias | 2007 | fixed media, akusmatisch | Stereo | 1 | ||||||||||||
| 25824 | Ignacio | Baca Lobera | Questionable tone | 2007 | fixed media, akusmatisch | Stereo | 1 | ||||||||||||
| 27174 | Ignacio | Baca Lobera | Recall | 2001 | Zuspiel / Tonband, 1 perf | 8:36 | gui [Gitarre] | 0 | |||||||||||
| 655 | Antonio | Bacchelli | E 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 653 | Grazyna | Bacewicz | Pozdanie (Desire) | 1968 | Tanz, 1 group | 84:00 | orc [Orchester] | 0 | |||||||||||
| 654 | Michael | Bach | One13 | 1993 | Zuspiel / Tonband, 1 perf | 28:00 | Stereo | vc [Cello] | ZKM Karlsruhe | 0 | |||||||||
| 656 | Jan | Backstuber | EH - 50 | 1989 | fixed media, akusmatisch | 8:35 | Stereo | CECM Bratislava | 0 | ||||||||||
| 657 | Jan | Backstuber | Lamento per 25 000 | 1988 | fixed media, akusmatisch | 8:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 658 | Jan | Backstuber | Stop | 1990 | fixed media, akusmatisch | 12:32 | Stereo | CECM Bratislava | 0 | ||||||||||
| 42458 | Alexis | Bacon | Cowboy Song | live-elec, 1 perf | perc [Schlagzeug] | dedicated to Greg Beyer | ASCAP/SEAMUS | 0 | |||||||||||
| 32110 | Alexis | Bacon | Cradle | 2005 | Zuspiel / Tonband, 1 perf | 8:29:00 | a-sax [Saxophon] | Dan Puccio, alto saxophone | SEAMUS EAM Vol. 18/ | 0 | |||||||||
| 39554 | Alexis | Bacon | Ojibwe Song | 2017 | fixed media, akusmatisch | Alexis Bacon | 0 | ||||||||||||
| 659 | Krzysztof | Baculewski | Quartier Latin | 1981 | fixed media, akusmatisch | 13:34 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 22121 | Krzysztof | Baculewski | Voyage a'travers le Paysage Metaphysique | fixed media, akusmatisch | 14:50 | Stereo | ExpSt Warsaw | 0 | |||||||||||
| 660 | Henk | Badings | 3 Lucebert-songs | 1963 | Zuspiel / Tonband, 1 group | 15:00 | Stereo | male ch [Chor] | based on poems by the dutch artist Lucebert (1924-1994) | STEM Utrecht | 0 | ||||||||
| 661 | Henk | Badings | 3 Schwärmereien | 1963 | Zuspiel / Tonband, 1 group | 13:10 | Stereo | mx ch [Chor] | version of 3 Lucebert-songs | STEM Utrecht | 0 | ||||||||
| 662 | Henk | Badings | Armageddon | 1968 | Zuspiel / Tonband, 1 perf | S, w orc [Sopran, Orchester] | PPC KP101 Point Park College/ | 0 | |||||||||||
| 663 | Henk | Badings | Asterion | 1957 | radiophon | 75:00 | Mono | Radio Johannesburg | 0 | ||||||||||
| 664 | Henk | Badings | Ballade van die bloeddorstige jagter (Cantata VII) | 1970 | Zuspiel / Tonband, 1 perf, 3 groups | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 665 | Henk | Badings | Capriccio, Introduzione Lento Allegro |
1959 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | vn [Violine] | first piece in the Netherlands for tape & instrument | PHI 835056/ BC 1118/ LS 86055/ IDEAMA CD 015/ BASTA 30-9172-2/ | Philips Laboratories Eindhoven | August 8, 1959 | Gravesano, Joke Vermeulen (vn) | 0 | http://thresholdofbeauty.com/music excerpts/Capriccio excerpt.mp3 | ||||
| 666 | Henk | Badings | Chaconne | 1965 | Zuspiel / Tonband, 1 perf | 12:00 | tpt [Trompete] | 0 | |||||||||||
| 667 | Henk | Badings | Concert | 1964 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | ww-ins [Bläser] | STEM Utrecht | 0 | |||||||||
| 668 | Henk | Badings | Concertino | 1967 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | 0 | |||||||||||
| 669 | Henk | Badings | De gravin Catalene | 1952 | radiophon | 20:00 | Mono | W.B. Yeats | NRU Hilversum | 0 | |||||||||
| 670 | Henk | Badings | De Hoorschelp | 1958 | radiophon | 20:00 | Mono | acousticon | NRU Hilversum | 0 | |||||||||
| 671 | Henk | Badings | De Nacht van Morgen | 1956 | Fernsehen, | 15:00 | Mono | NRU Hilversum, AVRO-Studio | AVRO | 0 | |||||||||
| 672 | Henk | Badings | De Spreekcel | 1959 | radiophon | 40:00 | Mono | words : Ab van Eyk | Philips Laboratories Eindhoven | 0 | |||||||||
| 673 | Henk | Badings | De Vliegende Hollander | 1957 | Film | 45:00 | Mono | NRU Hilversum, VARA | Cinetone | 0 | |||||||||
| 674 | Henk | Badings | Dialogues for man and machine | 1958 | Zuspiel / Tonband, 1 perf | 20:00 | Quadro | V [Stimme] | text by Ramses Shaffy | BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 1 | |||||||
| 675 | Henk | Badings | Die Frau von Andros The Woman of Andros, Andros Introduction Interrupted Dinner Party Solo Glycerium Milieu Pamphilus Guest Meal Pas De Deux Meeting Of Pamphilus And Glycerium Solo Chrysis Farewell Chrysis Death Of Chrysis |
1959 | Tanz | 45:00 | Quadro | in 10 scenes | BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 0 | ||||||||
| 676 | Henk | Badings | Electronic Ballet music III | 1959 | Tanz | 22:00 | Stereo | Philips Laboratories Eindhoven | 0 | ||||||||||
| 677 | Henk | Badings | Electronic music | 1957 | fixed media, akusmatisch | 75:00 | Mono | PHI 09959/ | Philips Laboratories Eindhoven | 0 | |||||||||
| 678 | Henk | Badings | Elektromagnetische Klankfiguren | 1959 | fixed media, akusmatisch | 5:00 | Quadro | Philips Laboratories Eindhoven | August 8, 1959 | planed un Gravesano, but canceled | 0 | ||||||||
| 679 | Henk | Badings | Elektronische Sonatine | 1954 | fixed media, akusmatisch | 5:00 | Mono | NRU Hilversum | 0 | ||||||||||
| 40928 | Henk | Badings | Evolutionen | 1956 | Tanz | Philips Laboratories Eindhoven | Ballett Hannover | 1 | |||||||||||
| 680 | Henk | Badings | Evolutionen Evolutions - Ballet Suite, Overture Air Ragtime Intermezzo Waltz Finale |
1958 | Tanz | 13:37 | Mono | 6 parts (Overture, Air, Ragtime, Intermezzo, Waltz, Finale). Sometimes played together with an orchestra |
PHI 835056/ BC 1118/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ LS 86055/ | Philips Laboratories Eindhoven | 1958 | Hanover Opera Ballet (choreogr. Georgi) | 1 | ||||||
| 681 | Henk | Badings | Geluid der werkwlijkheid, Sound of reality | 1958 | Theatermusik | radiophon |
90:00 | Quadro | illustration | Philips Laboratories Eindhoven | Jan 1958 | opening of the new auditorium at the Rijksakademie voor Beeldende Kunsten Amsterdam | 0 | |||||||
| 682 | Henk | Badings | Genese, Genesis | 1958 | Zuspiel / Tonband, 6 perf, 1 group | 15:00 | Quadro | T, Bar, male ch, 4 perc [Tenor, Bariton, Schlagzeug, Chor] | words : A. Saffy. Music for five Audio-Frequency oscillators | PHI 835056/ BC 1118/ IDEAMA CD 043/ BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Genese excerpt.mp3 | ||||||
| 684 | Henk | Badings | Jonah | 1963 | Zuspiel / Tonband, 3 perf, 1 group | 20:00 | Stereo | Sp, 2 male V, ch [Sprecher, Stimme, Chor] | NRU Hilversum | 0 | |||||||||
| 685 | Henk | Badings | Kain und Abel, Introduction / Dance / Dance Of The Destructive Forces Conflict Conclusion Transition Passacaglia Arioso Conflict Reprise (Arioso) Conflict Finale |
1956 | Tanz | 17:30 | Stereo | Electronic Ballet Music, (choreography by Zielstra). Composition divided in 2 Episodes. 1. Episode with 2 parts, 2. Episode 4 parts |
PHI 400036/ PHI 099597/ IDEAMA CD 016/ CV 7803/ BASTA 30-9182-2/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ Creel Pone 10/ | Philips Laboratories Eindhoven | Dutch National Ballet at Hollandfestival 1956 | June 22 1956 July 9, 1956 |
Koninklijke Schouwburg The Hague Stadtsschouwburg Amsterdam |
1 | |||||
| 687 | Henk | Badings | Martin Korda D.P. | 1960 | Oper | 18:00 | Mono | act III, scene I on BASTA-CD text by Ab van Eyk |
BASTA 30-9172-2/ | Philips Laboratories Eindhoven | 0 | ||||||||
| 688 | Henk | Badings | Mens en Machine in Eindhoven | 1958 | fixed media, akusmatisch | 14:00 | Mono | Suite | Philips Laboratories Eindhoven | 0 | |||||||||
| 689 | Henk | Badings | Music | 1972 | Zuspiel / Tonband, 1 perf | org [Orgel] | 0 | ||||||||||||
| 690 | Henk | Badings | Op het tweede gehoor | 1957 | intermedia | 20:00 | Mono | acousticon | NRU Hilversum | 0 | |||||||||
| 691 | Henk | Badings | Orestes, Prologue Fantasmagoria Episode |
1954 | radiophon | 54:00 | Mono | This is the second electronic piece realized in the Netherlands! Radiophonic Opera with text by Jan Starink |
NRU Hilversum, AVRO-Studio | NRU | 1954 | Florenz | Prix Italia 1954 | 0 | http://thresholdofbeauty.com/music%20excerpts/Orestes%20excerpt.mp3 | ||||
| 692 | Henk | Badings | Pauzeteken | 1959 | fixed media, akusmatisch | 0:20 | Mono | for NRU | Philips Laboratories Eindhoven | 0 | |||||||||
| 693 | Henk | Badings | Polly Picklenose | 1971 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 694 | Henk | Badings | Salto mortale | 1959 | Fernsehen, | 50:00 | Mono | TV opera ; Salzburg TV com. 3. price | Philips Laboratories Eindhoven | Prix Italia 1954 | 1 | ||||||||
| 695 | Henk | Badings | Sigmund Freud: the Secret Passion | 1962 | Film | 0 | |||||||||||||
| 696 | Henk | Badings | St. Mark Passion | 1971 | Zuspiel / Tonband, 1 perf, 3 groups | 45:00 | Vs, male ch, orc [Stimme, Chor, Orchester] | 0 | |||||||||||
| 32210 | Henk | Badings | The Countess Cathleen | 1952 | radiophon | 54 | Mono | after William Butler’s „Yeats’“ 1892. This is the first el. piece realized in the Netherlands! |
KRO Hilversum | KRO (Katholieke Radio Omroep) | Dezember 1952 | KRO | 0 | ||||||
| 697 | Henk | Badings | Toccata I | 1964 | fixed media, akusmatisch | 3:00 | Stereo | STEM Utrecht | 0 | ||||||||||
| 698 | Henk | Badings | Toccata II | 1964 | fixed media, akusmatisch | 4:00 | Quadro | BASTA 30-9172-2/ | STEM Utrecht | 0 | |||||||||
| 699 | Henk | Badings | Triple Concerto no. 2 | 1970 | Zuspiel / Tonband, 4 perf, 1 group | 3 hn, ww-orc [Horn, Bläser] | 0 | ||||||||||||
| 700 | Henk | Badings | Tune | 1958 | Hintergrundmusik | 0:30 | Mono | NRU Hilversum | 0 | ||||||||||
| 701 | Henk | Badings | Variations électroniques | 1957 | Film | 9:58 | Mono | advertising film | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 2/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Variations electroniques excerpt.mp3 | |||||||
| 686 | Henk, Helmut | Badings, Schoell | Kontrapunkte | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 702 | Nikolai | Badinski | A ' S | 1974 | Zuspiel / Tonband, 2 groups | 2 ens [Ensemble] | 0 | ||||||||||||
| 703 | Nikolai | Badinski | Ab-stand, Ab-seits; Werste, Weiten… | 1988 | Zuspiel / Tonband, 1 perf | 9:55 | Stereo | vn [Violine] | after "Für Boris Pasternak" by Marina Zwetajewa | AB 2232, ABAN/ | TU Berlin | 1 | |||||||
| 704 | Nikolai | Badinski | Begegnungen von Unendlichkeiten | 1982 | Zuspiel, live-elec, 1 perf | 21:46 | Stereo | amp ins [Instrument] | HfMT Köln | 0 | |||||||||
| 705 | Nikolai | Badinski | Berührung mit der Orpheus–Sage | 1979/1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 706 | Nikolai | Badinski | Cantico di San Francesco | 1981/1982 | Zuspiel / Tonband, 1 perf | Bar [Bariton] | 0 | ||||||||||||
| 707 | Nikolai | Badinski | Decipio Nr.3 | 1977/1978 | Zuspiel / Tonband, 1 perf | p [Piano] | 1978 | Bergamo/Brescia | 0 | ||||||||||
| 708 | Nikolai | Badinski | Decipio Nr.3b | 1977/1978 | Zuspiel / Tonband, 2 perf | 2 p [Piano] | 0 | ||||||||||||
| 709 | Nikolai | Badinski | Decipio Nr.4 | 1978 | Zuspiel / Tonband, 1 perf | trbn [Posaune] | 0 | ||||||||||||
| 710 | Nikolai | Badinski | Dostoevsky Reflections | 1979 | fixed media, akusmatisch | 1981 | Musica verticale, Rom | 0 | |||||||||||
| 711 | Nikolai | Badinski | Friedenspsalm | 1983 | fixed media, akusmatisch | 11:12 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 712 | Nikolai | Badinski | Gaidi, Bagpipes | 1983/1984 | Theatermusik | 20:12 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 713 | Nikolai | Badinski | ...GEGEN - und MIT-EINANDER | 1991 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | hp [Harfe] | TU Berlin | BGNM | 1 | ||||||||
| 714 | Nikolai | Badinski | Hommage à Kafka | 1979 | fixed media, akusmatisch | 0 | |||||||||||||
| 715 | Nikolai | Badinski | Kukeri | 1983/1984 | Theatermusik | 22:12 | Quadro | a rites-scene | Sonology Utrecht | 0 | |||||||||
| 716 | Nikolai | Badinski | Phönixe | 1974 | fixed media, akusmatisch | 0 | |||||||||||||
| 717 | Nikolai | Badinski | Ritualgesang | 1983 | fixed media, akusmatisch | 10:55 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 718 | Nikolai | Badinski | ro–ma–vil–la–mas–si–mo | 1981 | fixed media, akusmatisch | 1981 | Rom | 0 | |||||||||||
| 719 | Nikolai | Badinski | Rotation / In memory of a cosmonaut/ | 1974 | fixed media, akusmatisch | May 1977 | Lautenbacher Pfingst–Musiktage | 0 | |||||||||||
| 720 | Nikolai | Badinski | Sevtopolis | 1974/1983 | fixed media, akusmatisch | 10:10 | Stereo | Neufassung 1983 | Sonology Utrecht | 0 | |||||||||
| 722 | Nikolai | Badinski | Steigende Figur | 1983 | fixed media, akusmatisch | 7:03 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 723 | Nikolai | Badinski | Traumvisionen | 1982 | fixed media, akusmatisch | 62:53 | Quadro | HfMT Köln | Deutsche Oper, Berlin | 1983 | Deutsche Oper Berlin | 0 | |||||||
| 724 | Nikolai | Badinski | Tre espressioni | 1981 | Zuspiel / Tonband, 1 perf | S [Sopran] | n. Texten von R. Malkowski, R. Philombe, K.A. Wolken | 1981 | Musica verticale, Rom | 0 | |||||||||
| 725 | Nikolai | Badinski | Trio imaginable | 1980 | live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 726 | Nikolai | Badinski | Water Music | 1984 | fixed media, akusmatisch | 21:05 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 727 | Sven-Erik | Bäck | Annus Solaris | 1980 | Zuspiel / Tonband, 1 perf | 12:10 | S [Sopran] | FYLP 1025/ | EMS Stockholm, Sonology Utrecht | 1 | |||||||||
| 728 | Sven-Erik | Bäck | Aux faux-penseur, ou, Trugschlüsse aus der Musik in Geschichte und Gegenwart, oder Thou shalt reach Jordan in the end, or... | 1975 | fixed media, akusmatisch | 7:36 | Stereo | EMS Stockholm | 0 | ||||||||||
| 729 | Sven-Erik | Bäck | Bronsporten | 1972 | fixed media, akusmatisch | 5:00 | 0 | ||||||||||||
| 730 | Sven-Erik | Bäck | Ekvator | 1988 | Zuspiel / Tonband, 1 perf, 1 group | V, orc [Stimme, Orchester] | 0 | ||||||||||||
| 731 | Sven-Erik | Bäck | Fem skisser för Saluki | 1976 | Zuspiel / Tonband, 2 perf | 8:00 | org, va [Orgel, Viola] | 0 | |||||||||||
| 27956 | Sven-Erik | Bäck | Genom Jorden Genom Havet, Through the Earth Through the Sea | 1972 | Tanz | 24:00 | Ballet in 8 scenes; here are 4 parts: Prolog (8:14), Parken (4:40), A Domen Maltiden (6:13), Museet (4:54) | FYLP 1021/ | AB Nordiska Musikforlaget | 1 | |||||||||
| 733 | Sven-Erik | Bäck | Hommage aux grands faux | 1975 | fixed media, akusmatisch | 7:35 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 734 | Sven-Erik | Bäck | "In Principio" (I Begynnelsen) | 1969 | fixed media, akusmatisch | 14:14 | Stereo | PSCD 41 Phono Suecia/ CAP 60008 Beilage Buch Sanne Krogh Groth/ IDEAMA CD 047/ |
EMS Stockholm | 0 | |||||||||
| 735 | Sven-Erik | Bäck | Mur och port | 1971 | fixed media, akusmatisch | 15:00 | 0 | ||||||||||||
| 736 | Sven-Erik | Bäck | Murar, Walls | 1972 | Zuspiel / Tonband, | 15:00 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 737 | Sven-Erik | Bäck | Music to "Choreography - for the Churches" | 1971 | Tanz | 30:00 | Mono | 0 | |||||||||||
| 738 | Sven-Erik | Bäck | Nox Lucebit (Psalm 139) | 1972 | fixed media, akusmatisch | 11:45 | Stereo | EMS Stockholm | SR | 0 | |||||||||
| 739 | Sven-Erik | Bäck | Orgelfjäril | 1975 | fixed media, akusmatisch | 5:50 | Stereo | FYLP 1021/ | EMS Stockholm | 1 | |||||||||
| 740 | Sven-Erik | Bäck | Porten | 1969 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 741 | Sven-Erik | Bäck | Time present II | 1975 | Zuspiel / Tonband, 2 perf | 13:50 | 2 vn [Violine] | 0 | |||||||||||
| 742 | Sven-Erik | Bäck | Tollo II | 1975 | Zuspiel / Tonband, 2 perf | 10:00 | 2 p [Piano] | 0 | |||||||||||
| 743 | Karl-Otto | Bäder | Fünf Tage im Leben des Hamilton D. Brown | 1978 | live-elec, 1 group | jazz-ens [Ensemble] | Lyrik, Jazz und Live-Elektronic | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 42905 | Yoomee, Jaeseong | Baek, You | Dance Music 16 | 2013 | fixed media, akusmatisch | 7:20:00 | 0 | ||||||||||||
| 744 | Anton | Bagatov | Music | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 745 | Mauro | Bagella | Come un esercizio per intermedia | 1987 | Zuspiel / Tonband, 5 perf | 11:00 | Stereo | 3 V, synt, db [Stimme, Kontrabass, synthesizer] | CRM Roma, STREAM Roma | 0 | |||||||||
| 746 | Mauro | Bagella | Della fatica e del suono | Zuspiel, live-elec, 1 perf | 17:23 | perc [Schlagzeug] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | |||||||||
| 747 | Mauro | Bagella | Fotografia di un arabesco | 1984 | Zuspiel / Tonband, 6 perf | 10:00 | Stereo | fl, ob, cl, bn, hn, trbn [Flöte, Klarinette, Oboe, Fagott, Horn, Posaune] | STREAM Roma | 0 | |||||||||
| 748 | Mauro | Bagella | Negativo di Fotografia di un Arabesco | 1984 | Zuspiel / Tonband, 6 perf | 19:30 | Stereo | 6 str [Streicher] | CRM Roma, STREAM Roma | 0 | |||||||||
| 749 | Mauro | Bagella | Per legno e metallo sottile | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | prep p [Piano] | STREAM Roma | 0 | |||||||||
| 750 | Mauro | Bagella | Pocco prima della notte | 1988 | fixed media, akusmatisch | 10:35 | Stereo | Fonit Cetra CDC 43/ | STREAM Roma | 0 | |||||||||
| 751 | Mauro | Bagella | Proporzioni | 1980 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fl [Flöte] | CRM Roma | 0 | |||||||||
| 752 | Mauro | Bagella | Un canto lontano | 1985 | Zuspiel / Tonband, 6 perf | 12:30 | Stereo | 6 ww-ins [Bläser] | CRM Roma, STREAM Roma | 0 | |||||||||
| 753 | Mauro | Bagella | Zone di memoria | 1986 | Zuspiel / Tonband, 9 perf | 12:00 | Stereo | 9 ins [Instrument] | CRM Roma, STREAM Roma | 0 | |||||||||
| 41391 | Joan | Bages i Rubi | Calida Construccio | fixed media, akusmatisch | CIME 2008 | 0 | https://www.ckcufm.com/ | ||||||||||||
| 26122 | Joan | Bagés | Deux poissons japonais électroacoustique | 2008 | fixed media, akusmatisch | 11:30 | Stereo | MR 2008 Métamorphoses 2008/ AMEE 60 Aniversario/ | Catalunya Creation Scholarship | 1. prix ex aequo Métamorphoses 2008 | 1 | ||||||||
| 39913 | Joan | Bagés | HOLOFONIA v1 | 2017 | fixed media, akusmatisch | Joan Bagés | 0 | ||||||||||||
| 18410 | Guido | Baggiani | A piu voci nell'ombra | 1990 | fixed media, akusmatisch | 16:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 754 | Guido | Baggiani | Accordo presunto | 1973 | Zuspiel / Tonband, 6 perf | Stereo | 6 ins [Instrument] | CRM Roma | 0 | ||||||||||
| 755 | Guido | Baggiani | Anabasi | 1985/1986 | live-elec, 9 perf | 4 V, 2 fl, 2 cl, vib [Stimme, Flöte, Klarinette, Schlagzeug] | CRM Roma | 0 | |||||||||||
| 756 | Guido | Baggiani | Profili | 1987/1988 | live-elec, 1 group | chamber-orc [Orchester] | CRM Roma | 0 | |||||||||||
| 758 | Guido | Baggiani | Senza voci 3 | 1985 | fixed media, akusmatisch | 15:34 | Quadro | PAN PRC S20-18/ | CSC Padova | Biennale Venezia | 1 | ||||||||
| 759 | Guido | Baggiani | Twins | 1972 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | p, (rm) [Piano] | CRM Roma | 0 | |||||||||
| 757 | Guido, Giorgio | Baggiani, Nottoli | Senza voci 2 | 1978/1979 | fixed media, akusmatisch | 6:53 | Stereo, Quadro | PAN 20-15/ | CSC Padova | 1 | |||||||||
| 21202 | Guido, Giorgio, Vito | Baggiani, Nottoli, Asta | Senza voci 1 | 1978/1979 | fixed media, akusmatisch | 12:40 | Stereo | PAN 20-15/ | CSC Padova | 0 | |||||||||
| 38735 | Serge, Boris | BAGHDASSARIANS, BALTSCHUN | Audioguide | 2010 | radiophon | 44:39:00 | 0 | ||||||||||||
| 38736 | Serge, Boris | BAGHDASSARIANS, BALTSCHUN | memorandum of understanding | 2013 | radiophon | 38:57:00 | 0 | ||||||||||||
| 42901 | Gry | Bagøien | Kairos | 2013 | fixed media, akusmatisch | 7:16:00 | 0 | ||||||||||||
| 39905 | Jeremy | Baguyos | Chindogu | 2015 | fixed media, akusmatisch | 2:56:00 | Jeremy Baguyos | 0 | |||||||||||
| 760 | Junsang | Bahk | Elektronische Musik | 1970 | fixed media, akusmatisch | 7:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 761 | Junsang | Bahk | Parodie für Flöte und drei Ringmodulatoren | 1970 | fixed media, akusmatisch | 13:10 | Stereo | ELAK Wien | 0 | ||||||||||
| 39691 | Curtis, Thomas | Bahn, Ciufo | Sonic Constructions | 2017 | fixed media, akusmatisch | Curtis Bahn and Thomas Ciufo | EMPAC | 0 | |||||||||||
| 39670 | Christopher | Bailey | Composition | 2016 | live-elec, 1 perf | p, (S#|++¥) [Piano] | Christopher Bailey | 0 | |||||||||||
| 42459 | Christopher | Bailey | Mergurs ehd ffleweh bq nsolst | 2008 | live-elec, 1 perf | V [Stimme] | Sukato, vocals | 0 | |||||||||||
| 42880 | Christopher | Bailey | Microtonal Miniatures | 2013 | fixed media, akusmatisch | 2:17:00 | 0 | ||||||||||||
| 35505 | Christopher | Bailey | Ow my head | 1996 | fixed media, akusmatisch | 7:29 | ICMC | 0 | |||||||||||
| 40255 | Stephen | Bailey | The Uncurling Nautilus | 2015 | fixed media, akusmatisch | 6:52:00 | Stephen Bailey | 0 | |||||||||||
| 41562 | Joanna | Bailie | Analogue | 2011 | Zuspiel / Tonband, 3 perf | 25 | amp str-trio, (camera obscura) [Streicher] | 0 | |||||||||||
| 41560 | Joanna | Bailie | Artificial Enviroments No. 7 | 2012 | Zuspiel / Tonband, 6 perf | 12 | 2 S, 2 A, T, B [Sopran, Alt, Tenor, Bass] | Exaudi | 0 | ||||||||||
| 41558 | Joanna | Bailie | Artificial Enviroments No. 8 | 2013 | Zuspiel / Tonband, 1 perf | 16 | p [Piano] | 0 | |||||||||||
| 35322 | Joanna | Bailie | Artificial Enviroments Nos. 1 - 5, Artificial Enviroment 1 | 2011, 2014 | Zuspiel / Tonband, 5 perf | 21 | cl, vn, va, vc, perc (fl, cl, p, vn, va) [Klarinette, Schlagzeug, Viola, Cello, Violine] | az 7 another timbre/ | 0 | ||||||||||
| 41564 | Joanna | Bailie | Long slow sweep | 2016 | Film | 7 | 3 tracks | three-channel video installation | 0 | http://joannabailie.com/index.php/films/ | |||||||||
| 35004 | Joanna | Bailie | Music from Public Places | 2016 | Zuspiel / Tonband, 28 perf | 24 | 6 S, 6 A, 6 T, 6 B, str-qt [Sopran, Alt, Tenor, Bass, Streicher] | Donaueschingen Musiktage 2016 | 14.10.2016 | Donaueschinger Musiktage, Christuskirche, mit SWR Vokalensemble Stuttgart, Améi Quartett. Ltg. Marcus Creed | 0 | ||||||||
| 41559 | Joanna | Bailie | On and Off 2 | 2008 | live-elec, 6 perf | 8 | 6 perf (3 radios, 3 radio/CD players) [Performer] | 0 | |||||||||||
| 41561 | Joanna | Bailie | Symphony-Street-Souvenir | 2010 | Zuspiel / Tonband, 7 perf | 13 | fl, cl and b-cl, p, vn, va, vc, db [Flöte, Klarinette, Piano, Viola, Cello, Violine, Kontrabass] | 0 | |||||||||||
| 41565 | Joanna | Bailie | The Grand Tour | 2013 - 2015 | Film | 15 | 0 | http://joannabailie.com/index.php/films/ | |||||||||||
| 41563 | Joanna | Bailie | The place you can see and hear | 2012 - | Klangkunst, Installation | audio-video installation | 0 | http://joannabailie.com/index.php/i/ | |||||||||||
| 41940 | Daria | Baiocchi | Plasma | fixed media, akusmatisch | 0 | ||||||||||||||
| 762 | Rick | Baitz | Kaleidocycles | 1985 | fixed media, akusmatisch | 9:54 | Stereo | Synclavier | Centaur CRC 2039, CDCM Vol. 2/ | iEAR Rensselaer | 1 | ||||||||
| 25446 | Mario | Bajardi | Bjm Violin Studio 7 | 2001 | fixed media, akusmatisch | 6:38 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 42073 | Zvonimir | Bajsić | Janus oder das Programm der Zukunft | 1987 | radiophon | 45:20 | SWF, SFB | 29.9.1987 | 0 | ||||||||||
| 42074 | Zvonimir | Bajsić | Slike iz zivota jednog radiodramaturga | 1987 | radiophon | RTV Zagreb | 0 | ||||||||||||
| 763 | Robert | Baker | CSX-1 Study | 1963 | fixed media, akusmatisch | 2:00 | Stereo | com M. | EMS UIUC | 0 | |||||||||
| 764 | Ruth | Bakke | (fragments d')un homme moderne | 1985 | Zuspiel, live-elec, 3 perf | 15:50 | Bar, perc, synt [Bariton, Schlagzeug, synthesizer] | NOTAM | 0 | ||||||||||
| 765 | Osvaldas | Balakauskas | Do nata | 1982 | Zuspiel / Tonband, 1 perf | va [Viola] | 0 | ||||||||||||
| 766 | Osvaldas | Balakauskas | Notes | 1983 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 33332 | Nanni | Balestrini | Un Istante con Figure | 1962 | fixed media, akusmatisch | 12 | Mono | text sound composition | Fonologia Milano | 0 | |||||||||
| 36376 | Xavier | Balfegó | Noelius | 1989 | fixed media, akusmatisch | 4:20 | Audiovisuals de Sarria 29-1421/ | 0 | |||||||||||
| 767 | Jon | Balke | Kvartett | 1988 | live-elec, 3 perf | tpt, perc, p, [Trompete, Piano, Schlagzeug] | MIDI | NOTAM | 0 | ||||||||||
| 40480 | Claude | Ballif | Double Trio | 1963 | Zuspiel / Tonband, 3 perf | 7:35 | trio [Instrument] | INA • GRM | 15.2.1962 | Paris, Salle des Conservatoires | 0 | ||||||||
| 768 | Claude | Ballif | Points Mouvements, Points-Mouvements | 1962 | fixed media, akusmatisch | 10:08 | Quadro, Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 035/ SR 270 sub rosa/ | INA • GRM | 15.12.1962 | Paris Salle des Conservatoire; 8 canaux | 1 | |||||||
| 43097 | Vykintas | Baltakas | Music of falling sounds | 2015 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 28568 | Vykintas | Baltakas | Ouroboros-Zyklus 1, Ouroboros I (d)ou(ble) (co)ro(na) |
2005 | Zuspiel / Tonband, 1 perf, 1 group | 26:59 | S, ens [Sopran, Ensemble] | WD 2005, Wittener Tage Für Neue Kammermusik 2005/ | Kompositionsuaftrag des WDR | 2005 | Wittener Tage für neue Kammermusik 2005 mit Klangforum Wien, Rita Balta, Johannes Kalitzke | 1 | |||||||
| 43096 | Vykintas | Baltakas | Pasaka | 1995 - 1997 | live-elec, 1 perf | p [Piano] | 0 | ||||||||||||
| 41936 | Vykintas | Baltakas | Pažeistas šešelis | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 38826 | Vykintas | Baltakas | Sandwriting | 2018 | live-elec, 2 perf | 15 | 2 Kbd [Keyboard] | Experimentalstudio für Akustische Kunst Freiburg | WDR | 28.4.2018 | Wittener Tage für neue Kammermusik 2018, Piano-Duo GrauSchumacher (Andreas Grau, Götz Schumacher) | 0 | http://www.baltakas.net/work/sandwriting | ||||||
| 33714 | Bill, Jim, Group | Baltitas, White, Collapse/Relapse | Webs | 1990 | fixed media, akusmatisch | 1:12:00 | WN 00006/1991/ | 1 | |||||||||||
| 35242 | Boris, Serge | Baltschun, Baghdassarians | Bodybuilding | 2012 | radiophon | 55:51:00 | Karl-Sczuka-Preis 2012 | 0 | |||||||||||
| 34735 | Boris, Serge | Baltschun, Baghdassarians | maßnahmepaket | 2010 | Klangkunst, Installation | 10:08 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 25.8.-12.9.2010 | singuhr hoergalerie Berlin im Meinblau, Pfefferberg | 0 | |||||||||
| 37590 | Boris, Serge | Baltschun, Baghdassarians | who cooks for you? | 2017 | Klanginstallation, live-elec, | für präparierte Streifenkauzeier, Lautsprecher und Infraschall | SWR | 19.-22.10.2017 | Donaueschinger Musiktage 2017, Fürstlich Fürstenbergische Sammlungen | 0 | |||||||||
| 769 | Roumen | Balyosov | Preludio, Aria and Toccata | 1981 | fixed media, akusmatisch | 10:35 | Radio Sofia | 0 | |||||||||||
| 770 | Klaus | Balzer | Musica Planetaria 1 "Mozart" | 1990 | Zuspiel / Tonband, 1 group | 17:50 | Stereo | orc [Orchester] | PS C. | 0 | |||||||||
| 771 | Klaus | Balzer | Musica Planetaria 2 "Kepler" | 1990 | fixed media, akusmatisch | 27:30 | 10 Tracks | PS C. | 0 | ||||||||||
| 772 | Christian | Banasik | Baumblütenzeit in Werder / AFSTS 1 | 1929, 1992 | Film, live-elec, 2 perf | 10:00 | MIDI p, sam [Piano, computer] | with Software AFSTS | HfM Düsseldorf | 0 | |||||||||
| 28859 | Christian | Banasik | Begegnung I | 1985/1986 | Zuspiel / Tonband, 2 perf | a-sax, va [Saxophon, Viola] | PS Banasik | 0 | |||||||||||
| 28860 | Christian | Banasik | Begegnung II | 1992 | live-elec, 1 perf | ob [Oboe] | PS Banasik | 0 | |||||||||||
| 28861 | Christian | Banasik | Begegnung III | 1992 | live-elec, 1 perf | bn [Fagott] | PS Banasik | 0 | |||||||||||
| 20201 | Christian | Banasik | Begegnung VI | 1996 | Zuspiel / Tonband, 1 perf | 13:07 | acc [Akkordeon] | Edwin A. Buchholz | Cybele 960.204/ DegeM CD 04/ | PS Banasik | 1 | ||||||||
| 28862 | Christian | Banasik | Begegnung VII | 1992 | audiovisuell | fl, cl, bn, p, str-qt, elec, (Videoproj) [Flöte, Klarinette, Fagott, Piano, elektronik, Streicher] | (über die Begegnungen von Robert Schumann und Frédéric Chopin 1835/36) | PS Banasik | 0 | ||||||||||
| 39664 | Christian | Banasik | Begegnung VIII | 2017 | fixed media, akusmatisch | Christian Banasik | 0 | ||||||||||||
| 773 | Christian | Banasik | Begrenzte Sicht | 1991 | Film, 1 perf | 11:00 | Stereo | a-sax [Saxophon] | (Filmmusik, ein Film von Christian Schumacher) | HfM Düsseldorf | 0 | ||||||||
| 24257 | Christian | Banasik | Glass Cutter | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ NAISA Deep Wireless 4/ VOX NOVUS 2007/ | 1 | |||||||||||
| 42739 | Christian | Banasik | I see a voice (ver. 2), I see a voice | 2012 | fixed media, akusmatisch | 7:15:00 | 0 | ||||||||||||
| 775 | Christian | Banasik | Igor's Smile | 1993 | radiophon | 15:00 | Stereo | with soundsamples by Strawinski-M. (Feuervogel, Le sacre…); Synclavier | Russolo Pratella EF.ER.P 93/ | HfM Frankfurt | Prize Russolo Varese 1993 | 1 | |||||||
| 42575 | Christian | Banasik | Ihr Fassen nach Wind | 2003/2005 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 39667 | Christian | Banasik | Ik’ | 2015 | fixed media, akusmatisch | 9:03:00 | Christian Banasik | 0 | |||||||||||
| 776 | Christian | Banasik | Im Zentrum ohne Worte I | 1986/1987 | live-elec, 10 perf | 13:00 | Stereo | S, ob, cl, 3 tim, hp, 2 vn, sam [Sopran, Klarinette, Oboe, Harfe, Schlagzeug, Violine, computer] | HfM Düsseldorf | 0 | |||||||||
| 777 | Christian | Banasik | Im Zentrum ohne Worte II | 1991 | live-elec, 3 perf | 16:00 | Stereo | 3 high fem V (sam) [Stimme] | für drei hohe Frauenstimmen und computergesteuerten Sampler mit Texten aus der aktuellen Tagespresse | HfM Düsseldorf | 0 | ||||||||
| 39665 | Christian | Banasik | Kontaktanzeigen/Personals (I Am) | 2016 | fixed media, akusmatisch | qnt [Instrument] | Christian Banasik | 0 | |||||||||||
| 778 | Christian | Banasik | La sonrisa de Igor | fixed media, akusmatisch | 0 | ||||||||||||||
| 42926 | Christian | Banasik | Last Gestures of Open Mouths | 2013 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 23779 | Christian | Banasik | …letzte Gebärde offener Münder | 1998/1999 | radiophon | 15:41 | Stereo | Hörstück / elektroakustische Musik nach Texten von Michael Wüstefeld | CAP 22057/ Kiasma 1999/ | emsPrize 2001 | 1 | ||||||||
| 41388 | Christian | Banasik | METROPOLITAN 2 | 2018 | Musiktheater, live-elec, 4 perf, 1 group | Performance |
S, acc, org, mix ch, elec (portable electronic devices) [Sopran, Orgel, Akkordeon, elektronik, Chor] | music theater - performance, art in public spaces | 22.9.2018 | Düsseldorf, Kirchplatz subway station (start) St. Peter Church, Irene Kurka, soprano; Marko Kassl, accordion; Alexander Herren, organ; The DIVA Choir / Barbara Beckmann; Frederik Goeke, director | 0 | |||||||||
| 39330 | Christian | Banasik | scenes from life fragments | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 779 | Christian | Banasik | Tanz | 1987/1988 | Performance, live-elec, 1 perf | 20:00 | Stereo | dancer, (com, sam) [Tanz] | zur Skulptur von Andreas Dettloff | HfM Düsseldorf | 0 | ||||||||
| 39666 | Christian | Banasik | Tree Blossoms II | 2016 | fixed media, akusmatisch | Christian Banasik | 0 | ||||||||||||
| 780 | Christian | Banasik | Uriel | 1993 | Film | 32:00 | com-con p, vn [Piano, Violine] | Filmmusik, ein Film von Christian Schumacher | HfM Düsseldorf | 0 | |||||||||
| 24350 | Jean-Christophe | Banaszak | Dilaton | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 781 | Alain | Bancquart | Lento | 1981 | fixed media, akusmatisch | 21:30 | Stereo | INA • GRM | Commande INA.GRM et Radio-France | 29.1.1981 | Paris, Maison de Radio France, Studio 105 | 0 | |||||||
| 18642 | Ellen | Band | Railroad Gamelan | 1992 | fixed media, akusmatisch | 9:37 | Stereo | AER 1994 / 6/ | 0 | ||||||||||
| 18643 | Ros | Bandt | Genesis | 1983 | Zuspiel / Tonband, | 9:27 | Stereo | NA 028/ | 0 | ||||||||||
| 41365 | Ros | Bandt | Isobue | 2008 | radiophon | 117 | SG 0801/ | ABC | ABC Radio eye | 0 | |||||||||
| 41366 | Ros | Bandt | Jaara Jaara Seasons | 2013 | Klangkunst, Installation | Performance |
∞ | Surround 5.1 | ens (hp and V, sheng, fl, …) [Ensemble] | SG 1361/ | Sunday November 3rd 2013 | Fryerstown, Central Victoria | 0 | http://hearingjaarajaara2013.wordpress.com | ||||||
| 22054 | Ros | Bandt | Mungo | radiophon | 2:00 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 42218 | Ros | Bandt | Thrausmata, Sieben akustische Vignetten | 1996 | radiophon | 24:14 | WDR Studio Akustische Kunst | 30.5.1998 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1403986&vi=15&SID | ||||||||
| 782 | Jacques | Bank | Thomas | 1975 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 783 | Gyula | Bánkövi | Hydrofónia | 1990 | fixed media, akusmatisch | 8:05 | Stereo | MR Budapest | 0 | ||||||||||
| 38737 | Gyula, Janós | BANKÖVI, DECSENYI | Hungarian Soundscapes II – Klanglandschaften aus Ungarn | 1996 | radiophon | 54:29:00 | 0 | ||||||||||||
| 784 | Don | Banks | Batucada amenazante para los que huyen | 1969 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 785 | Don | Banks | Equation, part 1 digitalisation of live performance of instrumental work |
1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 786 | Don | Banks | Intersections | 1969 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | Goldsmith London, PS Banks | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 34406 | Rick | Banks | Assez dans la dock de le Pays Bas | 1979 | fixed media, akusmatisch | 12:33 | Mono | Study with PILE and analog FM | Sonology Utrecht | 0 | |||||||||
| 787 | Rick | Banks | Betsy | 1979 | fixed media, akusmatisch | 7:20 | Stereo | computer music | Sonology Utrecht | 0 | |||||||||
| 788 | Rick | Banks | Disco I & II, Rob Carol Dave and Alice fade out at the disco Disk Goes |
1979 | fixed media, akusmatisch | 4:35 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 36779 | Rick | Banks | Improvisations | fixed media, akusmatisch | 18:05:00 | 0 | |||||||||||||
| 789 | Rick | Banks | Priscilla hits the street | 1979 | fixed media, akusmatisch | 7:20 | Quadro | Study with PR1 | Sonology Utrecht | 0 | |||||||||
| 21594 | Alastair | Bannerman | In th'air or th'earth | 1997/1999 | fixed media, akusmatisch | 10:52 | CEC Presence 2/ | BEAST | 1 | ||||||||||
| 21621 | Alastair | Bannerman | Intermediations | 2000 | fixed media, akusmatisch | 14:23 | CD 786 is the tape part only! | BEAST | 1 | ||||||||||
| 21622 | Alastair | Bannerman | Transparent Being | 1999 | fixed media, akusmatisch | 17:00 | BEAST | 1 | |||||||||||
| 790 | Árpád | Barabás | Lilac Vision | 1987 | fixed media, akusmatisch | 6:45 | Stereo | MR Budapest | 0 | ||||||||||
| 791 | Antonio G. | Barata | Cantes Rojos y Negros | 1983 | Zuspiel / Tonband, 1 perf | 6:40 | S [Sopran] | UIUC LC 84-743210/ | EMS UIUC | 1 | |||||||||
| 792 | Roberto | Barbanti | Specchi | 1981 | fixed media, akusmatisch | 14:29 | electronikaruna "musiche sole"/ | Fonologia Firenze | 1 | ||||||||||
| 793 | Pierre | Barbaud | Der Damm | 1964 | Film | 20:00 | Mono | Kurzfilm, V. Kristl. Real-Film | Siemens | 0 | |||||||||
| 794 | Llorenç | Barber | Vivos voco | Zuspiel / Tonband, 1 perf | ≈ 12:00 | bells [Schlagzeug] | bells | 0 | |||||||||||
| 40077 | Matthew | Barber | Call it What You Will, in Memoriam Milton Babbitt | 2017 | fixed media, akusmatisch | Matthew Barber | 0 | ||||||||||||
| 795 | Alvaro, Valerio | Barbi, Barbi | S V 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 27737 | Alejandro | Barbot | El túnel | 2008 | fixed media, akusmatisch | 5:38 | 1 | 1 | |||||||||||
| 34158 | Mark | Barden | aMass | 2015 | live-elec, 1 group | amp ens [Ensemble] | 17.10.2015 | Donaueschingen, Donauhalle, Ensemble Mosaik | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/donaueschinger-musiktage-2015-programm-06/-/id=2136962/did=15652820/nid=2136962/mkps9x/index.html | |||||||||
| 39046 | Mark | Barden | Study for Subharchord and Soloist | 2018 | Zuspiel / Tonband, 1 perf | 7 | Quadro | tpt, (Subharchord) [Trompete] | AdK Berlin | 11.7.2018 | Akademie der Künste Berlin EM4 (13), Nathan Plante (tpt) | 0 | |||||||
| 34648 | Elad | Bardes | Manual | 2016 | Tanz, live-elec, 1 perf | dance [Tanz] | multi-channel soundtrack for dancers / performed by Kerem Shemi. SMC2016 |
0 | |||||||||||
| 34649 | Elad | Bardes | Shunum Sunum | 2016 | live-elec, 2 perf | 2 gui [Gitarre] | SMC2016 | 0 | |||||||||||
| 43039 | Miriam Montañana | Barea | Fear the Piano | 2013 | fixed media, akusmatisch | 3:32:00 | 0 | ||||||||||||
| 796 | Robin | Bargar | To the Distant Observer | 1989 | fixed media, akusmatisch | 6:20 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 797 | Zbigniew | Bargielski | Ein Zimmer | 1972 | Zuspiel / Tonband, 5 perf | cl, vc, trbn, p, Sp [Sprecher, Klarinette, Posaune, Piano, Cello] | 0 | ||||||||||||
| 798 | Zbigniew | Bargielski | Nature morte II | 1972 | Zuspiel / Tonband, 4 perf | vn, va, vc, hp [Harfe, Viola, Cello, Violine] | 0 | ||||||||||||
| 40146 | Navid | Bargrizan | Lava Illogica | 2016 | fixed media, akusmatisch | Navid Bargrizan | 0 | ||||||||||||
| 18644 | Bernard | Baritaud | La voix des sables | 1995 | fixed media, akusmatisch | 8:45 | Stereo | OC 951/ | 0 | ||||||||||
| 36348 | Jan | Bark | Ach Chamberlin | 1965 | Performance, live-elec, | 5:51 | KD 006/ | SanFran Tape M. C. | 0 | ||||||||||
| 34709 | Jan | Bark | Bar | 1967 | fixed media, akusmatisch | 10:32 | Stereo | PSLP 002/ KD 006/ | EMS Stockholm | 0 | |||||||||
| 799 | Jan | Bark | Eko | 1962 | Zuspiel/Tonband, 10 perf | intermedia |
Stereo + Mono + Mono + Mono | 10 perf [Performer] | PS C. Stockholm | 0 | ||||||||||
| 801 | Jan | Bark | Gift for Jones | 1963 | Zuspiel/Tonband, 7 perf | intermedia |
Mono + Mono + Mono | p, V, e-p, 4 perf [Stimme, Piano, Performer] | PS C. Stockholm | 0 | ||||||||||
| 36349 | Jan | Bark | Memoria In Memoriam | 1975 | Performance | 17:20 | KD 006/ | Fylkingen | May 1975 | Fylkingen Stockholm | 0 | ||||||||
| 800 | Jan, Thord | Bark, Normann | Flottemusik II | 1990 | intermedia | Film |
10:30 | 16mm-film, slides | KD 006/ | 0 | ||||||||||
| 36780 | Michael H. | Barker | Configurations I | 1989 | live-elec, 1 perf | db-rec (MIDI) [Flöte] | Sonology Den Haag | 0 | |||||||||||
| 802 | Paul | Barker | The Six-Daies World | 1984 | fixed media, akusmatisch | 7:10 | Uni Durham | 0 | |||||||||||
| 37679 | Clarence | Barlow | 13C2=∫ φn, fünf dodekaphone Stücke | 2016 | fixed media, akusmatisch | 8:40 | 12 Tracks | Aussprache „2 aus 13 Stephan“ or pronounced “2 out of 13 Stephan” | DegeM CD 15/ | 0 | |||||||||
| 40698 | Clarence | Barlow | Amaludus | 1995 | Klangkunst, Installation | 2 com, 2 player p [Piano, computer] | live computer installation | 0 | |||||||||||
| 27731 | Clarence | Barlow | Approximating π, Approximating Pi | 2007 | Klangkunst, Installation | 8, 15, 74 7:30 | Stereo, Quadro, Octo, Spazialisation: , 16 | Approximating Pi, 2-, 4-, 8- or 16- track [various versions 8’, 15’, 74’] |
CMJ Vol 33-4, 2009/ | 1 | |||||||||
| 803 | Clarence | Barlow | CCU | 1979/1980 | radiophon | 48:00 | Stereo | Feedback | 0 | http://en.wikipedia.org/wiki/Clarence_Barlow | |||||||||
| 22043 | Clarence | Barlow | CCU. Metropolis Calcutta | radiophon | 3:21 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 804 | Clarence | Barlow | Cogluotobüsisletmesi | 1975 - 1979 | fixed media, akusmatisch | 30:00 | Stereo, Quadro | 1. Version 1980 PDP-10; 2. Quadro-Version 1982 mit 4X, PDP-11 3. Version für vier Klaviere (cybele SACD!) |
Cybele SACD 960.308/ WER 60098/ CMJ Vol 30-4, 2006/ CMJ Vol 09, 1985/ | IRCAM | 27.7.1980 | 1 | |||||||
| 805 | Clarence | Barlow | Deutscher Sang | 1970 | radiophon | 30:00 | Stereo | Radio HR Frankfurt | 1 | 1986 | |||||||||
| 806 | Clarence | Barlow | Documissa '87 | 1987 | live-elec, 1 perf, 1 group | 30:00 | Stereo | ch, org [Orgel, Chor] | DMR Musik in Deutschland 1950 - 2000 74321 73533 2/ | PS C. Amsterdam | Feedback | 1 | http://genterstr.hypermart.net/f_comps/barlow.html | ||||||
| 39680 | Clarence | Barlow | )ertur( | 2016 | audiovisuell, live-elec, 5 perf | fl, cl, vn, vc, p [Flöte, Klarinette, Piano, Cello, Violine] | Clarence Barlow | 0 | |||||||||||
| 23064 | Clarence | Barlow | Farting Quietly in Church - Vortrag über Haiku | 1994 | Musiktheater | 40:00 | Bar, player p, 6 com [Bariton, Piano, computer] | WDR 1994 | 10.6.1994 | Köln | Feedback | 0 | |||||||
| 807 | Clarence | Barlow | Fruitti D'Amore | 1988 | live-elec, 1 perf | ≈ 25:00 | Stereo | vc [Cello] | Diskette ATARI. e, ffedb | WDR SEM | WDR 1988 | 23.10.1988 | Den Haag | Feedback | 0 | ||||
| 810 | Clarence | Barlow | ƒLvXv$: A time and attentionstudy, His Masters Voice | 1992 | live-elec, 1 perf | 17:00 | Stereo | ins (taperecoder) [Instrument] | mit Talkmaster's-Stereo-Tonband ≈ Talkmaster's Choice |
30.5.1992 | Skinnskatteberg | Feedback | 0 | ||||||
| 808 | Clarence | Barlow | Im Januar am Nil | Zuspiel/Tonband, 1 group | computer generated score |
ens [Ensemble] | CMJ Vol 09, 1985/ Koch Schwann 350371/ | 1 | ||||||||||||
| 26363 | Clarence | Barlow | Klavierkonzert Nr. 2, aux fins des quelques siècles | 1961 - 1998 | live-elec, 1 perf, 1 group | 16:00 | Quadro | p, orc [Piano, Orchester] | 3.4.1998 | Amsterdam | Feedback | 0 | http://genterstr.hypermart.net/f_comps/barlow.html | ||||||
| 809 | Clarence | Barlow | Konzert für Kladiophon, Grammophon und Magnetophon | 1973 | live-elec, 1 perf | 12:00 | Stereo | ins (kladiophon, Grammophon, Magnetophon) [Instrument] | Feedback | 0 | |||||||||
| 811 | Clarence | Barlow | Milly van Illik (Stopt niet in de vink) | 1991 | fixed media, akusmatisch | 17:00 | Stereo | Sonology Den Haag | Feedback | 0 | |||||||||
| 812 | Clarence | Barlow | OTOdeBLU | 1990 | live-elec, 1 perf | 4:00 | Stereo | e-p [Piano] | CMJ Vol 19, 1995/ CMJ Vol 16, 1992/ | 15.11.1990 | Chicago | Feedback | 1 | ||||||
| 22801 | Clarence | Barlow | Pandora | 1989 | fixed media, akusmatisch | 7:30 | Sampler-Realisation des Klavierstückes von Michael Manion | Feedback Studio Köln / HerMit/ | Feedback St | 1 | |||||||||
| 813 | Clarence | Barlow | Reidosklopädie? Enzykloskoport? | 1972/1976 | fixed media, akusmatisch | 88:00 | Stereo | Feedback | 0 | ||||||||||
| 814 | Clarence | Barlow | Relationships for Melody Instruments | 1986 | Zuspiel, live-elec, 3 perf | 10:00 | b-cl, perc, p [Klarinette, Piano, Schlagzeug] | Barlow, Riessler (Basskl.), Liebezeit (Perc.) | WER 2010-50/ | 1 | |||||||||
| 40700 | Clarence | Barlow | resonancia flautomática | 2008 | live-elec, 2 perf | 8 | ins (melody instrument), com [Instrument, computer] | 0 | |||||||||||
| 816 | Clarence | Barlow | SF 2 | 1972/1973 | fixed media, akusmatisch | 25:25 | Octo | HfMT Köln, EMS Stockholm | 0 | ||||||||||
| 817 | Clarence | Barlow | Sinophonie I | 1969/1970 | fixed media, akusmatisch | 10:16 | Quadro | geänderte Fassung in stereo (von A. Hoppenrath) | DMR Musik in Deutschland 1950 - 2000, Musik für Tonband 74321 73503 2/ Feedback Studio Köln CD 2/ | HfMT Köln | 1.7.1971 | Köln | Feedback | 1 | |||||
| 818 | Clarence | Barlow | Sinophonie II | 1969 - 1972 | fixed media, akusmatisch | 23:37 | Octo | Lesepartitur | EMS Stockholm | 2.4.1973 | Köln | Feedback | 0 | ||||||
| 40697 | Clarence | Barlow | Six Fugues on the Name Cage after Six Fugues on the Name Bach Op. 60 by Robert Schumann | 1973, 1992 | live-elec, 1 perf | 10 | Kbd and com [Keyboard, computer] | 0 | |||||||||||
| 40701 | Clarence | Barlow | Songbird’s Hour, Songbird’s Hour Octasected | 2011, 2013 | fixed media, akusmatisch | 60 | Mono, Octo | 0 | |||||||||||
| 819 | Clarence | Barlow | Talkmaster's Choice | 1992 | Klangkunst, Installation | 18 | Stereo | 4 com [computer] | also 2-track version as fLvXv$: A Time and Attention Study, or His Master’s Voice, 1992) |
25.9.1992 12.5.1993 |
Berlin, Festival SprachTonArt der BGNM im Podewil Klosterstraße 68 Rotterdam |
Feedback | 0 | ||||||
| 37736 | Clarence | Barlow | … until … | 1980/1981 | live-elec, 1 perf | 3 | Stereo | gui [Gitarre] | some versions available | 0 | |||||||||
| 21493 | Clarence | Barlow | Urahnen meiner Oma | fixed media, akusmatisch | 26:00 | Stereo | 1 | ||||||||||||
| 820 | Clarence | Barlow | Variazioni e un Pianoforte Meccanico | 1986 | live-elec, 1 perf | 24:00 | Stereo | Pianocorda or disklavier [Piano] | MIDI; Ausleihe beim Feedb | STEIM | ICMC 1986 | 23.10.1986 | Den Haag | 0 | |||||
| 821 | Clarence | Barlow | Verhältnisse | 1974 | live-elec, 3 perf | 17:00 | Stereo | p, b-cl, perc [Klarinette, Piano, Schlagzeug] | 6. Version Version 5 with Pianola |
WDR 1985 | Feedback | 1 | |||||||
| 37735 | Clarence | Barlow | Vier ISIS-Studien, Four ISIS Studies | 2003 - 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 822 | Clarence | Barlow | Was uns blüht | 1979 | Zuspiel / Tonband, 15 perf, 1 group | 100:00 | Stereo | fem Sp, 3 male Sp, S, Bar, tpt, trbn, sax, cl, vib, db, p, vn, org, ch [Sopran, Bariton, Sprecher, Klarinette, Saxophon, Trompete, Posaune, Piano, Orgel, Schlagzeug, Violine, Kontrabass, Chor] | Feedback | 0 | |||||||||
| 40699 | Clarence | Barlow | Zero Crossing | 2001 | radiophon | 41 | Stereo, Quadro | WDR Studio Akustische Kunst | WDR | 28.4.2001 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1436737&vi=16&SID | ||||||
| 823 | Clarence | Barlow | Zwölf Variationen für Klavier und Reivalk | 1968 | fixed media, akusmatisch | 4:00 | Stereo | Feedback | 0 | ||||||||||
| 42852 | Shaun | Barlow | Halos | 2013 | live-elec, 1 perf | 5:00:00 | fl [Flöte] | Shaun Barlow, flute | 0 | ||||||||||
| 824 | Wayne B. | Barlow | Quintet, Study in electronic sound | 1965 | fixed media, akusmatisch | 6:25 | Stereo | STEM Utrecht | 0 | ||||||||||
| 825 | Wayne B. | Barlow | Toccata | 1965 | Zuspiel / Tonband, 1 perf | Mono | perc [Schlagzeug] | PS Apelac | 0 | ||||||||||
| 20992 | David | Barnes | Panic in Legoland | live-elec, 3 perf | 5:10 | Stereo | w (didgeridoo), sax, com [Saxophon, computer, Bläser] | innova 115/ | 1 | ||||||||||
| 42733 | Dave | Barnett | Crypticdes | 2012 | fixed media, akusmatisch | 21:58:00 | 0 | ||||||||||||
| 28392 | Matthew | Barney | Der Körper der Matrix | 2002 | Fernsehen, | 1 | |||||||||||||
| 826 | Michael | Barolsky | Apocalypse | 1976 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 827 | Michael | Barolsky | Cries and Whispers | 1975 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 828 | Michael | Barolsky | Dakar | 1972 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | 0 | ||||||||||||
| 829 | Michael | Barolsky | Piccolo Stück | 1983 | Zuspiel / Tonband, 1 perf | pic-fl [Flöte] | 0 | ||||||||||||
| 830 | Michael | Barolsky | Pranah | 1976 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 831 | Michael | Barolsky | Stück aus der Nacht | 1978/1979 | Theater, 1 perf | 15:00 | Stereo | mime [Schauspieler] | HfMT Köln | 0 | |||||||||
| 832 | Michael | Barolsky | Stück-Mund-Stück | 1983 | Zuspiel/Tonband, 1 perf | audiovisuell |
trbn [Posaune] | 0 | ||||||||||||
| 833 | Michael | Barolsky | Sublimatio | 1975 | Zuspiel / Tonband, 5 perf | fl, vc, 2 p, perc [Flöte, Piano, Schlagzeug, Cello] | 0 | ||||||||||||
| 834 | Michael | Barolsky | Synagogalien | 1978 | Zuspiel / Tonband, 1 perf | 13:00 | org [Orgel] | 0 | |||||||||||
| 835 | Michael | Barolsky | Tonus | 1981 | fixed media, akusmatisch | 10:00 | Quadro | HfMT Köln CD3/ | HfMT Köln | 1 | |||||||||
| 836 | Mario | Baroni | ß t(S>Q) | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 33360 | Jean | Baronnet | Le Horla | 1966 | Film | 47 | Mono | Aura Films Paris | 0 | ||||||||||
| 837 | Jean | Baronnet | Sonate | 1962 | fixed media, akusmatisch | 15:00 | Stereo | PS Apsome | 0 | ||||||||||
| 838 | Jean, François | Baronnet, Dufrêne | U47 | 1960 | fixed media, akusmatisch | 3:30 | Stereo | PHI 835 485/86/ Mercury SR2 9123/ | PS Apsome | 0 | |||||||||
| 24096 | Patrizio | Barontini | Illusione del doppio | 2004 | Zuspiel / Tonband, 1 perf | 8:03 | Stereo | sax [Saxophon] | Tempo Reale Firenze | 1 | |||||||||
| 839 | Jean | Barraqué | Etude | 1953 / 1961 | fixed media, akusmatisch | Film |
5:02 | Mono | INA C 1031 27651 archives grm CD 1/5/ Barclay 89005/ IDEAMA CD 001/ | INA • GRM | 1 | |||||||||
| 28403 | Vincent, Jacques | Barras, Denmierre | OOA | 2005 | Performance | 3:42 | recorded at Genf | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 41814 | Stephen | Barrass | Secret Men's Musik! | 2001 | fixed media, akusmatisch | 0:52:00 | codemist ICMC2001/ | 0 | |||||||||||
| 840 | Jacques | Barreau | Mouvements | 1985 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | MIM Marseille | 0 | |||||||||
| 841 | Jacques, Armand | Barreau, Pialat | Samba Syter | 1988 | live-elec, 2 perf | e-gui, synt [Gitarre, synthesizer] | Syter | MIM Marseille | 0 | ||||||||||
| 842 | Marc | Barreca | Messier Crosses the Blue Line | 1989 | live-elec, 2 perf | 5:32 | synt, sam [computer, synthesizer] | AER 1991 / 3/ | 1 | ||||||||||
| 35509 | Daniel | Barreiro | Interferências | Zuspiel / Tonband, 1 perf | 10:04 | vc [Cello] | 0 | ||||||||||||
| 25825 | Daniel | Barreiro | Maresia | 2005 - 2006 | fixed media, akusmatisch | 11:55 | Stereo, Octo | MR 2006 Métamorphoses 2006/ | BEAST | Métamorphoses 2006 Mention Bourges 2006 |
1 | 2010 | |||||||
| 28245 | Daniel | Barreiro | Open Field | fixed media, akusmatisch | 9:05 | Octo | BEAST | 1 | http://www.beast.bham.ac.uk/ | ||||||||||
| 25826 | Daniel | Barreiro | Percursos Enredados | 2004 | fixed media, akusmatisch | 17:54 | Octo | LDC 278080 Cultures électroniques 19 2006/ | BEAST | 1 | |||||||||
| 28244 | Daniel | Barreiro | Sons Adentro | fixed media, akusmatisch | 15:27 | Octo | BEAST | 1 | http://www.beast.bham.ac.uk/ | ||||||||||
| 19637 | Luis de la | Barrera | Hibernia | 1994 | live-elec, | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 37119 | Natasha | Barrett | A Soundwalk through Shanghai | 2014 | fixed media, akusmatisch | 8:35:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 25827 | Natasha | Barrett | Abemolpas, Avoid being eaten by mimicking other less palatable species | 2004 | fixed media, akusmatisch | 13:00 | 6 | IMED 10104/ | 1 | 2006 | |||||||||
| 23095 | Natasha | Barrett | Angels and Devils | 2002 | fixed media, akusmatisch | 12:22 | Voice- Sounds | ACD 5018 Aurora/ | 1 | ||||||||||
| 37125 | Natasha | Barrett | Animalcules | 2010 | fixed media, akusmatisch | 5:03:00 | Stereo, Spazialisation: Ambisonics | Ambisonics, stereo and various multi-channel formats. Commissioned for the Pierre Schaeffer-jubileum, Grönland Kammermusikkfestival (Nymusikk / Notam) | Pierre Schaeffer-100 Year- jubileum | 0 | |||||||||
| 37111 | Natasha | Barrett | Barely, Rhizaria Gentle Sediment The Barely Project |
2007 - 2008 | fixed media, akusmatisch | 60 | IMED 10104/ | PS C. | 4.11.2008 | Numusic Festival 2008 in Stavanger (Norway) | 0 | ||||||||
| 22630 | Natasha | Barrett | Bindu | 1996 | Tanz | 20:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 28100 | Natasha | Barrett | Black Bile Extempore | 2009 | Zuspiel, live-elec, 2 perf | lute, a-gui [Gitarre] | Elektron EM 1012/ | NOTAM, HfM Malmö, EMS Stockholm | 0 | ||||||||||
| 22615 | Natasha | Barrett | Buoyant Charm | 1997 | Zuspiel / Tonband, 1 group | 25:00 | Stereo | amp ens [Ensemble] | NB 980101M Nota Bene/ | BEAST | 0 | ||||||||
| 22626 | Natasha | Barrett | Caressing Eternity | 1994 | Zuspiel / Tonband, 1 perf | 14:35 | Stereo | amp gui [Gitarre] | BEAST | 0 | |||||||||
| 38977 | Natasha | Barrett | Dark Flight with Luminescence | 2018 | fixed media, akusmatisch | Spazialisation: Ambisonics | 8.7.2018 | Villa Elisabeth Berlin | 0 | ||||||||||
| 28605 | Natasha | Barrett | Deep Layer | fixed media, akusmatisch | 11:54 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 24585 | Natasha | Barrett | Displaced:Replaced, Fog, light wind Wet and gusty Gathering wind |
2001 | intermedia | 6:38 | Octo, Spazialisation: Ambisonics | IMED 0262/ | PS C., NOTAM | Ilios Contemporary Music Festival in Harstad (Norway) | 1.02.2001 | Galleri Nord-Norge in Harstad (Norway) | 0 | ||||||
| 22621 | Natasha | Barrett | Earth Haze | 1995 | fixed media, akusmatisch | 13:53 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 24841 | Natasha | Barrett | Exploratio Invisibilis | 2003 | fixed media, akusmatisch | 27:30 | Surround 5.1 | ACD 5037 Aurora/ CMJ Vol 31-4, 2007/ | Ultima Festival | 1 | |||||||||
| 24839 | Natasha | Barrett | … fetters… | 2002 | live-elec, | 14:40 | Surround 5.1 | ACD 5037 Aurora/ CMJ Vol 31-4, 2007/ | NRK | 1 | |||||||||
| 22629 | Natasha | Barrett | First Whispers | 1996 | Tanz | 30:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 37120 | Natasha | Barrett | Flammepunkt | 2014 | Performance | 15:30:00 | multichannel | Multichannel. Commission by Metrofon for the 200th anniversary of the Norwegian Constitution (Grunnlovsjubileet 1814-2014) | Metrofon for the 200th anniversary of the Norwegian Constitution | 0 | |||||||||
| 37121 | Natasha | Barrett | Flammepunkt Miniatures, Megaphone and Fire Drumming up the crowd Flow with the crowd |
2014 | fixed media, akusmatisch | 15:30:00 | Stereo | 22 short stereo composisions. Commission by Metrofon for the 200th anniversary of the Norwegian Constitution (Grunnlovsjubileet 1814-2014) | Metrofon for the 200th anniversary of the Norwegian Constitution | 0 | |||||||||
| 22627 | Natasha | Barrett | Gourmet | 1997 | Tanz | 64:00 | Stereo | choreo | BEAST | 0 | |||||||||
| 37113 | Natasha | Barrett | He slowly fell and transformed into the terrain | 2016 | fixed media, akusmatisch | 24:00:00 | Spazialisation: Ambisonics | Higher-order ambisonics (full 3D 6th order HOA; Large hemisphere through to stereo and binaural versions are available). Commissioned by Electric Audio Unit (EAU) with funding from the Norwegian Cultural Council. | CMJ Vol 41, 2017/ | Electric Audio Unit (EAU) | 0 | ||||||||
| 37122 | Natasha | Barrett | Hidden Values, The Umbrella The Lock Optical Tubes |
2012 | fixed media, akusmatisch | 22:00:00 | Spazialisation: Ambisonics | High order ambisonics (full 3D, from 7th order down to stereo). Composed at IRCAM with support from Norsk Komponistfond and IRCAM | 0 | ||||||||||
| 22623 | Natasha | Barrett | Imago | 1995 | Zuspiel / Tonband, 2 perf | 14:30 | Stereo | amp cl, vc [Klarinette, Cello] | NB 970101M Nota Bene/ | BEAST | 0 | ||||||||
| 23025 | Natasha | Barrett | Industrial Revelations | 2001 | fixed media, akusmatisch | 11:32 | CDR Musica Nova 2001/ IMED 0262/ | PS C. | 18.11.2001 | concert celebrating the relocation of NoTAM | 1st prize Musica Nova 2001 honorable mention at IV CIMESP, São PauloBrazil, 2001 |
1 | |||||||
| 26229 | Natasha | Barrett | Interference | 1996 - 2000 | Zuspiel / Tonband, 1 perf | 10:00 | db-cl [Klarinette] | ELISION | 0 | ||||||||||
| 37112 | Natasha | Barrett | Involuntary Expression | 2017 | fixed media, akusmatisch | 17:00:00 | Spazialisation: Ambisonics | Higher-order ambisonics (full 3D 6th order HOA; Large hemisphere through to stereo and binaural versions are available). Commissioned by Notam with funding from the Norwegian Cultural Council. | 11.9.2017 | Ultima Festival. Marmorsalen, Sentralen, Oslo | 0 | ||||||||
| 22614 | Natasha | Barrett | Jinn | 1995 | fixed media, akusmatisch | 13:00 | Stereo | BEAST | Competition Musica Nova Prag 1994 | 1 | |||||||||
| 37128 | Natasha | Barrett | Kernel Expansion | 2009 | fixed media, akusmatisch | 14:26:00 | Spazialisation: Ambisonics | Ambisonics for 3D domed array, stereo and various multi-channel formats. Commissioned by ZKM. | ZKM Karlsruhe | 0 | |||||||||
| 22616 | Natasha | Barrett | Little Animals | 1997 | fixed media, akusmatisch | 12:00 | Stereo | CMJ Vol 24-4, 2000/ Musidisc 247982/ LDC 278065/66 Cultures Electroniques 11/ NOR 05/ NB 980101M Note Bene/ Prix Ars Electronica 98/ | BEAST | Auszeichnung ars electronica honorary mention 1998 | 1 | ||||||||
| 21951 | Natasha | Barrett | Microclimate I, Snow and Instability | 1998 | Zuspiel / Tonband, 3 perf | 17:20 | perc, db, a-fl [Flöte, Schlagzeug, Kontrabass] | Centaur CRC 2552, CDCM Vol. 32/ | NOTAM | ICMA Commission Awards 1997-99 | 0 | ||||||||
| 25789 | Natasha | Barrett | Microclimate III - VI, Glacial Loop Wet Face Water Fall Remote Gale |
2007 | fixed media, akusmatisch | 23:32 | 16 Tracks | CMJ Vol 31-4, 2007/ IMED 10104/ | NOTAM | 0 | https://www.discogs.com/de/Natasha-Barrett-Bouteilles-De-Klein/release/3037268 | ||||||||
| 28607 | Natasha | Barrett | Migration | fixed media, akusmatisch | 6:15 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28604 | Natasha | Barrett | Mobilis In Mobili | 2006 | fixed media, akusmatisch | 9:01 | ACD 5056 Aurora CD / SACD/ IMED 10104/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | ||||||||||
| 28608 | Natasha | Barrett | Nordfjorden Shore | fixed media, akusmatisch | 1:56 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28603 | Natasha | Barrett | Open Ocean | fixed media, akusmatisch | 14:25 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 28601 | Natasha | Barrett | Opening | fixed media, akusmatisch | 3:04 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 37117 | Natasha | Barrett | OSSTS Route no.1 | 2014 | fixed media, akusmatisch | 22:38:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 28606 | Natasha | Barrett | Planctonic Float | fixed media, akusmatisch | 2:19 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 24840 | Natasha | Barrett | Prince Prospero’s Party | 2002 | fixed media, akusmatisch | 16:05 | Surround 5.1 | ACD 5037 Aurora/ | Practice Music Festival at Richmond | 0 | |||||||||
| 22625 | Natasha | Barrett | Puzzle Wood | 1994 | fixed media, akusmatisch | 13:54 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 22620 | Natasha | Barrett | Racing Through | 1996 | fixed media, akusmatisch | 3:00 | Stereo | IMED 0050/ | BEAST | 0 | |||||||||
| 22619 | Natasha | Barrett | Racing Unseen | 1996 | fixed media, akusmatisch | 20:10 | Stereo | NB 970101M Nota Bene/ IMED 9837/ | BEAST | 0 | |||||||||
| 37124 | Natasha | Barrett | Reality and Secrets no. 2 | 2010 | fixed media, akusmatisch | 18:45:00 | Stereo, Spazialisation: Ambisonics | Ambisonics for 3D domed array, stereo and various multi-channel formats. Commissioned by Notam. | Notam | 0 | |||||||||
| 22624 | Natasha | Barrett | Receive | 1995 | Film | 9:00 | Stereo | BEAST | 0 | ||||||||||
| 24586 | Natasha | Barrett | Red snow, Microclimate II | 1998 | fixed media, akusmatisch | 15:39 | IMED 0262/ NB 980101M Nota Bene/ | NOTAM | 26.05.1999 | Music Factory Contemporary Music Festival in Bergen (Norway) | 0 | ||||||||
| 844 | Natasha | Barrett | Searching for perspectives | 1994 | Klanginstallation, live-elec, 2 perf | 24:00 | Stereo | (4 taperecorder,) sam, com [computer] | Gal installation | BEAST | 0 | ||||||||
| 37118 | Natasha | Barrett | Sound Exposure in Peru (six sections) | 2014 | fixed media, akusmatisch | 33:00:00 | Spazialisation: B-Format | B-format ambisonics (3D, stereo and binaural). | 0 | ||||||||||
| 22618 | Natasha | Barrett | St Paul's Descending into the Autumn Mist | 1996 | fixed media, akusmatisch | 2:50 | Stereo | BEAST | 0 | ||||||||||
| 37110 | Natasha | Barrett | Sub Terra Cycle | 2007 - 2008 | Klangkunst, Installation | 35:30 | IMED 10104/ | PS C. | 4.11.2008 | Numusic Festival 2008 in Stavanger (Norway) | 0 | ||||||||
| 28602 | Natasha | Barrett | Submerged | fixed media, akusmatisch | 3:14 | ACD 5056 Aurora CD / SACD/ | Notam (NOrwegian network for Technology, Acoustic and Music) | 0 | |||||||||||
| 22617 | Natasha | Barrett | Surf | 1997 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | amp gui [Gitarre] | NB 980101M Nota Bene/ | BEAST | 0 | ||||||||
| 22622 | Natasha | Barrett | Swaying to See | 1995 | fixed media, akusmatisch | 15:20 | Stereo | NB 970101M Nota Bene/ | BEAST | 0 | |||||||||
| 22628 | Natasha | Barrett | Sweet Sensations | 1997 | Tanz | 40:00 | Stereo | BEAST | 0 | ||||||||||
| 24588 | Natasha | Barrett | The Utility of Space | 2000 | fixed media, akusmatisch | 13:25 | Spazialisation: Ambisonics | IMED 0262/ LDC 278074/75 Cultures Electroniques 15/ | PS C., NOTAM | NICEM | 7.10.2000 | Space Escape NICEM | First Prize at the 28th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2001) | 0 | |||||
| 24351 | Natasha | Barrett | Three Fictions, In the Rain Midnight Sun: Midday Moon Outside Snow Falls |
2000 | fixed media, akusmatisch | 10:34 | IMED 0262/ LDC 2781119/ | IMEB Bourges, PS C. | IMEB | 06.2000 | Synthèse Festival Bourges | 0 | |||||||
| 37115 | Natasha | Barrett | Topology Chamber 1 | 2015 | fixed media, akusmatisch | 12:00:00 | Spazialisation: Ambisonics | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). | 0 | ||||||||||
| 37114 | Natasha | Barrett | Topology Chamber 2 | 2015 | fixed media, akusmatisch | 13:22 | Spazialisation: Ambisonics | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). | 0 | ||||||||||
| 25790 | Natasha | Barrett | Trade Winds | 2006 | fixed media, akusmatisch | Surround 5.1 | CMJ Vol 31-4, 2007/ | NOTAM | 1 | ||||||||||
| 845 | Natasha | Barrett | Trompe l'oeil | 1994 | Zuspiel / Tonband, 1 perf | 23:40 | Stereo | amp fl [Flöte] | BEAST | 0 | |||||||||
| 37123 | Natasha | Barrett | Untitled 3, Crush project | 2011 | fixed media, akusmatisch | 14:50:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. Composed during a grant from the Norwegian Composer's remuneration fund. | 0 | ||||||||||
| 37127 | Natasha | Barrett | Untitled One | 2010 | fixed media, akusmatisch | 4:50:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. | 0 | ||||||||||
| 37126 | Natasha | Barrett | Untitled Two | 2010 | fixed media, akusmatisch | 7:43:00 | Stereo, Spazialisation: B-Format | B-format for decoding, stereo and multichannel formats. | 0 | ||||||||||
| 24587 | Natasha | Barrett | Viva la Selva! | 1999 | fixed media, akusmatisch | 17:28 | IMED 0262/ | HfM Tromsø | NICEM | 2.10.1999 | NICEM | Prix SCRIME 2000 (Bordeaux, France) 1999 Ciber@RT Valencia |
0 | ||||||
| 37116 | Natasha | Barrett | Volvelle 1 | 2015 | fixed media, akusmatisch | 20:34:00 | Spazialisation: Ambisonics, WFS | High order ambisonics (full 3D 5th order HOA, full hemisphere through to stereo and binaural versions are available). Composed during a Norwegian Cultural Council artists grant. | 0 | ||||||||||
| 43134 | Natasha, Anthony | Barrett, Rowe | We Are Not Alone | 2017 | Performance | Spazialisation: Ambisonics, WFS, ultrasonic sound.beam | Auszeichnung ars electronica honorary mention 2017 | 0 | |||||||||||
| 26411 | Richard | Barrett | Adrift | 2004 - 2007 | live-elec, 1 perf | p, (elec) [Piano] | 0 | ||||||||||||
| 846 | Richard | Barrett | alba | 1987 | live-elec, 1 perf | bn [Fagott] | 0 | ||||||||||||
| 23343 | Richard | Barrett | Dark Matter, Pralaya The Empire of Lights Transmission I bis III Ars Magna Mucis et Umbræ Transmission V und VI Katasterismoi Sounds |
2003 | Performance, live-elec, 21 perf | Oper, live-elec, 21 perf |
116:37 | 5 cl, sax, 2 perc, p and synt, e-gui, gui, 2 vn, vn (hardingfele), va, 2 vc, db, 2 V, elec [Stimme, Klarinette, Saxophon, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine, Kontrabass, elektronik, synthesizer] | PS | 2003 | Maerzmusik Festival | 1 | ||||||||
| 28341 | Richard | Barrett | Duo M87 (Solo) |
2002 | live-elec, 1 perf | 28:00 | sax, (elec) [Saxophon] | Inventionen 2002 | 5.7.2002 | Inventionen staatsbank Berlin mit Richard Barrett (el), Evan Parker (sax) | 1 | 2002 | |||||||
| 26413 | Richard | Barrett | Involuntary 2 | 2002 | audiovisuell | 3:00 | PS C. | 6.05.2005 | Berlin | 0 | |||||||||
| 22312 | Richard | Barrett | Katasterismoi | 1998 - 1999 | fixed media, akusmatisch | 10:05 | Tape piece from "Dark Matter" | BVHAAST CD 06/0701/ | Sonology Den Haag | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#acousmatrix | ||||||||
| 26412 | Richard | Barrett | Landschaft mit Umenwesen | 1997 | fixed media, akusmatisch | Sonology Den Haag, STEIM | 0 | ||||||||||||
| 847 | Richard | Barrett | Open and Close | 1988 | live-elec, 4 perf | amp str-qt [Streicher] | 0 | ||||||||||||
| 28534 | Richard | Barrett | SIMORGH | 2010 | fixed media, akusmatisch | 10:59 | Octo | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | PS C. | Inventionen 2010 / DAAD | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||
| 848 | Richard | Barrett | Temptation | 1986 | live-elec, 5 perf | 12:00 | sax, tpt, vc, synt, perc [Saxophon, Trompete, Schlagzeug, Cello, synthesizer] | 0 | |||||||||||
| 34367 | Richard | Barrett | Tendril | 2013 | live-elec, 1 perf | 13:34 | hp [Harfe] | Post Scriptum PS 001/ | Sonology Den Haag | 17.1.2016 | Belgrade Philharmonic Hall, Ivan Brusic, Richard Barrett | 0 | |||||||
| 849 | Richard | Barrett | The Unthinkable | 1988/1995 | fixed media, akusmatisch | 6:48 | Upic | CMJ Vol 26, 2002/ | CEMAMu/ Ateliers Upic/ CCMIX, STEIM | 27.01.1989 | London | 0 | |||||||
| 28342 | Richard | Barrett | Tutti 1 und Tutti 2 und Zugabe | 2002 | live-elec, 4 perf | 45:00 | perc, vc, va, sax, (elec) [Saxophon, Schlagzeug, Viola, Cello] | Richard Barrett (elec), Miachael Griener (perc), Sebastian Hilken (vc), Aleksander Kolkowski (vn, va), Evan Parker (sax) | 5.7.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 23366 | Richard, Jonathan, Evan | Barrett, Impett, Parker | IBP3 | 2001 | live-elec, 3 perf | 15:16 | Kbd, trbn, tpt [Trompete, Posaune, Keyboard] | Improvisation Hybrids Festival Norwich. Software: LiSa, metatrumpet | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 32003 | Guillaume | Barrette | Parasite | 2011 | fixed media, akusmatisch | 10 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 4. prize | 1 | |||||||||
| 34361 | Guillaume | Barrette | Résurgence | 2012 | live-elec, 1 perf | 8:55:00 | gui [Gitarre] | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 6. prize | 0 | ||||||||
| 28029 | Guillaume | Barrette | Syncrétisme | 2009 | fixed media, akusmatisch | 7:28 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | JTTP-Winner 2009 canadian 4. prize | 1 | |||||||||
| 850 | Brendan | Barrie | Missa | fixed media, akusmatisch | Uni Cardiff | 0 | |||||||||||||
| 27236 | Françoise | Barrière | 3 modes de lamentations | 2006 | Zuspiel / Tonband, 1 perf | 18:55 | acc [Akkordeon] | (Claudio JACOMUCCI, accordéon) | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||
| 24355 | Françoise | Barrière | Accélération | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 851 | Françoise | Barrière | Actuelles TV | 1981 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 852 | Françoise | Barrière | Au paradis des assassins | 1973 | fixed media, akusmatisch | 16:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 853 | Françoise | Barrière | Aujourd'hui | 1975 | fixed media, akusmatisch | 18:53 | Stereo | LDC 2781089/ | IMEB Bourges | 0 | |||||||||
| 24358 | Françoise | Barrière | Cérémonie | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 854 | Françoise | Barrière | Chant à la mémoire des Aurignaciens | 1977 | fixed media, akusmatisch | 25:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18413 | Françoise | Barrière | Chant de consonnes | 1987 | fixed media, akusmatisch | 9:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 855 | Françoise | Barrière | Conversations enfantines | 1991 | Zuspiel / Tonband, 1 perf | Stereo | (actions,) small ins [Instrument] | CRFMW Liège | 0 | ||||||||||
| 856 | Françoise | Barrière | Cordes-ci, Cordes-ça | 1971 | Zuspiel / Tonband, 2 perf | 22:52 | Stereo | vn, ins (barrel - Drehleier) [Violine, Instrument] | 3 parts (9:56, 7:18, 5:38) | Marconi 2C 05312112/ Creel Pone 173/ | IMEB Bourges | 0 | |||||||
| 18411 | Françoise | Barrière | Dessus la Mer | 1997 | fixed media, akusmatisch | 26:36 | Stereo | LDC 2781111/ | IMEB Bourges | 1 | |||||||||
| 18417 | Françoise | Barrière | Equus, Carnet d'esquisses | 1993 | fixed media, akusmatisch | 24:03 | Stereo | derived from a 4-seconds recording of the steps of a horse | LDC 2781111/ | IMEB Bourges | 1 | ||||||||
| 868 | Françoise | Barrière | Fresque Montagnarde - Echos d'une ville | 1976 | fixed media, akusmatisch | 15:32 | Stereo | Tour de France pour deux Enfants | IMEB Bourges | 0 | |||||||||
| 857 | Françoise | Barrière | Java Rosa | 1972 | fixed media, akusmatisch | 17:00 | Stereo | LDC 2781127 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 18415 | Françoise | Barrière | L'envers des mots | 1990 | fixed media, akusmatisch | 16:57 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18412 | Françoise | Barrière | L'Or | 1987 | fixed media, akusmatisch | 21:00 | Stereo | LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | |||||||||
| 24353 | Françoise | Barrière | La marche nuptiale ou les bébés | 1972 | Musiktheater | IMEB Bourges | 0 | ||||||||||||
| 858 | Françoise | Barrière | Le Mesel et la Harpe | 1973 | fixed media, akusmatisch | 15:10 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18414 | Françoise | Barrière | Le tombeau de Robespierre, suite la Révolution Française | 1989 | fixed media, akusmatisch | 33:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24361 | Françoise | Barrière | Les messages | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24352 | Françoise | Barrière | Les murs ont des oreilles | 1971 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24360 | Françoise | Barrière | Les parfums dans le soir | 2002 | fixed media, akusmatisch | 17:37 | LDC 2781129 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 21871 | Françoise | Barrière | Macbeth | 1988 | Theatermusik | 50:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 859 | Françoise | Barrière | Mémoires enfuies | 1981 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 860 | Françoise | Barrière | Musique pour le Temps de Noël | 1979 | Zuspiel / Tonband, 4 perf | 16:16 | Stereo | A, vc, sax, perc [Alt, Saxophon, Schlagzeug, Cello] | GMEB 84007/ LDC 2781089/ | IMEB Bourges | 1 | ||||||||
| 861 | Françoise | Barrière | Musiques Dispersees (D), Code Pénal | 1969 | Performance | 3:57 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 18419 | Françoise | Barrière | Musiques gelées | 1995 | fixed media, akusmatisch | 9:45 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18416 | Françoise | Barrière | Nos petits Monstres musiciens | 1992 | Zuspiel / Tonband, 1 perf | 35:30 | Stereo | young actrice [Schauspieler] | Poudre d'escampette | IMEB Bourges | 0 | ||||||||
| 862 | Françoise | Barrière | Ode à la Terre Marine | 1970 | fixed media, akusmatisch | 18:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 35785 | Françoise | Barrière | Oriental | 2006 | live-elec, 4 perf | str-qt [Streicher] | 3.11.2006 | HfMT Köln | 0 | ||||||||||
| 21870 | Françoise | Barrière | Othello | 1973 | Theatermusik | Stereo | IMEB Bourges | 0 | |||||||||||
| 863 | Françoise | Barrière | Par temps calme et ensoleillé I | 1983 | Zuspiel / Tonband, 1 perf | 15:41 | Stereo | p [Piano] | LDC 2781089/ | IMEB Bourges | 0 | ||||||||
| 864 | Françoise | Barrière | Par temps calme et ensoleillé II | 1985 | Zuspiel / Tonband, 1 perf | 17:33 | Stereo | vc [Cello] | LDC 2781089/ | IMEB Bourges | 0 | ||||||||
| 865 | Françoise | Barrière | Paysages d'Enfance | 1978 | fixed media, akusmatisch | 19:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24357 | Françoise | Barrière | Petite Musique de nuit cubaine - casque d'or danse avec Juan | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18418 | Françoise | Barrière | Quand Philippe de Macédoine… ? | 1994 | fixed media, akusmatisch | 12:20 | Stereo | LDC 2781105/ | IMEB Bourges | 0 | |||||||||
| 24359 | Françoise | Barrière | Ritratto di Fanciula | 2001 | fixed media, akusmatisch | 14:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 866 | Françoise | Barrière | Ritratto di Giovane, Le Vieux Clown Et Le Jour Et La Nuit La Leçon De Musique Samba Compiégnoise A La Jeunesse |
1972 | Zuspiel / Tonband, 1 perf | 31:00 | Stereo | p [Piano] | Creel Pone 194/ | IMEB Bourges | 0 | ||||||||
| 24356 | Françoise | Barrière | S'y sont baignés | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 867 | Françoise | Barrière | Scènes des Voyages d'Ulysse | 1981 | fixed media, akusmatisch | 21:45 | Stereo | created as incidental music for a production of The Odyssey | GMEB 84007/ LDC 2781111/ | IMEB Bourges | 1 | ||||||||
| 24354 | Françoise | Barrière | Thinking of? (hommage à Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 869 | Françoise | Barrière | Variations hydrophilusiennes | 1972 | fixed media, akusmatisch | 25:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 95 | Françoise, Jacques | Barrière, Beaujean | Musiques Eclatees, Les végétaux la nuit | 1969 | Performance | 9:28 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 25072 | Jean-Baptiste | Barrière | 100 Objets pour représenter le monde | 1997 | Oper, 5 perf | 70:00 | 5 V [Stimme] | a Prop-Opera by peter Greenaway | IRCAM Collection/ | IRCAM | 1997 | Salzburg | 0 | ||||||
| 870 | Jean-Baptiste | Barrière | Chréode I | 1983 | fixed media, akusmatisch | 10:00 | dedicated to the CHANT/FORMES project and to Kaija Saariaho. Siehe Programmbuch „SprachTonArt“ der BGNM (Martin Supper) Seite 143 (french version 1984 in Machover). Software: CHANT, FORMES by IRCAM |
WER 2024-50, Computer Music Currents 4/ | IRCAM | Prix de la Musique Numerique of Bourges 1983 | 1 | http://www.music.columbia.edu/masterpieces/notes/barriere/index.html | |||||||
| 871 | Jean-Baptiste | Barrière | Epigénèse | 1986 | Zuspiel, live-elec, 1 perf, 1 group | 16:00 | str-ens [Streicher] | IRCAM | 0 | ||||||||||
| 872 | Jean-Baptiste | Barrière | Hybris | 1988 | fixed media, akusmatisch | 10:45 | Stereo | IRCAM 0002 F, Creations IRCAM/ | IRCAM | 1 | |||||||||
| 25071 | Jean-Baptiste | Barrière | Le Messager | 1995 | fixed media, akusmatisch | 11:00 | IRCAM | 0 | |||||||||||
| 35475 | Ana | Barrio | Aglaura | 2001 | Zuspiel / Tonband, 2 perf | vn, b-cl [Klarinette, Violine] | 0 | ||||||||||||
| 35476 | Ana | Barrio | In the middle | 2000 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 35477 | Ana | Barrio | Recreo op. 1 | 1999 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 873 | Bebe | Barron | Bridges | 1959 | Film | 8:00 | Mono + Mono + Mono | PS C. NY | 0 | ||||||||||
| 37916 | Bebe | Barron | Elegy for a Dying Planet | 1982 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 874 | Bebe | Barron | Firstborn | 1958 | Theatermusik | 11:00 | Mono | PS C. NY | 0 | ||||||||||
| 37913 | Bebe | Barron | For an Electronic Nervous System | 1954 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 37912 | Bebe | Barron | Heavenly Menagerie | 1951 - 1952 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 878 | Bebe | Barron | Jazz of Lights | 1955 | Film | 15:00 | Mono + Mono | PS C. NY | 0 | ||||||||||
| 879 | Bebe | Barron | Legend | 1955 | Tanz | 15:00 | Mono + Mono + Mono | PS C. NY | 0 | ||||||||||
| 880 | Bebe | Barron | Miramagic | 1954 | Film | 9:00 | Mono | PS C. NY | 0 | ||||||||||
| 37911 | Bebe | Barron | Mixed Emotions | 2000 | fixed media, akusmatisch | 1:27 | AUD 04612/ | PS C. NY | 0 | ||||||||||
| 882 | Bebe | Barron | Music & the Senses | 1965 | fixed media, akusmatisch | 11:00 | Stereo + Stereo + Stereo + Stereo | PS C. LA | 0 | ||||||||||
| 881 | Bebe | Barron | Music of Tomorrow | 1960 | Hintergrundmusik | 5:00 | Stereo + Stereo + Stereo + Stereo | lights | PS C. NY | 0 | |||||||||
| 37914 | Bebe | Barron | Space Boy | 1971, 1973 | fixed media, akusmatisch | Film |
PS C. NY | 0 | ||||||||||||
| 37915 | Bebe | Barron | The Circe Circuit | 1982 | fixed media, akusmatisch | PS C. NY | 0 | ||||||||||||
| 885 | Bebe | Barron | The Happiest Girl in the World | 1961 | Theatermusik | 8:00 | Stereo + Stereo | PS C. NY | 0 | ||||||||||
| 886 | Bebe | Barron | Visit to a Small Planet | 1957 | Theatermusik | 12:00 | Stereo + Stereo + Stereo + Stereo | PS C. NY | 0 | ||||||||||
| 884 | Bebe, Louis | Barron, Barron | The Bells of Atlantis | 1952 | Film | 10:00 | Mono | STJ 104/ SR 300 sub rosa/ | PS C. NY | 0 | |||||||||
| 33657 | Bebe, Louis | Barron, Barron | The Monster Pursues / Morbius is overcome | 1958 | fixed media, akusmatisch | 5:47 | CDCD 5067/ | 1 | |||||||||||
| 887 | Louis, Bebe | Barron, Barron | For an Electronic Nervous System #1 | 1953 | fixed media, akusmatisch | 4:00 | Mono + Mono + Mono + Mono | Ava/ | PS Barron NY | 0 | |||||||||
| 876 | Louis, Bebe | Barron, Barron | Forbidden Planet | 1956 | Film | 55:20 | Mono, Quadro | deutsche Fassung "Alarm im Weltall". Produktion MGM. Erster Science-Fiction-Film mit EM |
Ellipsis Arts 3671 - OHM: 01/ GNP Crescendo PR 001/ IDEAMA CD 137/ PRD 001/ | PS C. NY | 1 | ||||||||
| 877 | Louis, Bebe | Barron, Barron | Heavenly Menagerie | 1951 | fixed media, akusmatisch | 7:20 | Mono | Ava/ | PS C. NY | 0 | |||||||||
| 889 | Louis, Bebe | Barron, Barron | Progressive Beta | 1956 | fixed media, akusmatisch | 3:10 | Mono + Mono + Mono + Mono | Ava/ | PS Barron NY | 0 | |||||||||
| 42576 | Edgar | Barroso | ACU | 2009 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 25828 | Edgar | Barroso | CYT | 2005 - 2007 | fixed media, akusmatisch | 8:00 | 5 tracks | Phonos Barcelona | 1 | ||||||||||
| 26117 | Edgar | Barroso | DUX | 2005 - 2007 | fixed media, akusmatisch | 7:45 | 5 tracks | Phonos Barcelona | 1 | ||||||||||
| 25829 | Edgar | Barroso | ODD | 2006 | fixed media, akusmatisch | 10:36 | Octo | ed. rz 10016 Inventionen 2005&06/ | Phonos Barcelona | Inventionen 2006 | 28.5.2006 | Inventionen Villa Elisabeth Berlin | 1 | 2006 | |||||
| 26118 | Edgar | Barroso | TAU | 2005 - 2007 | fixed media, akusmatisch | 5:40 | 5 tracks | Uni de la serena/ | Phonos Barcelona | 1 | |||||||||
| 890 | Sergio | Barroso | 2 Scenes from "The House of Bernarda Alba" | 1969 | fixed media, akusmatisch | Stereo | Egrem St Habana | 0 | |||||||||||
| 891 | Sergio | Barroso | Béisbol (Baseball) | 1970 | fixed media, akusmatisch | 5:30 | Stereo | Egrem St Habana | 0 | ||||||||||
| 892 | Sergio | Barroso | Canzona | 1988 | fixed media, akusmatisch | 12:21 | MIDI | IMED 9628/29/ SNE 556/ | IREME Vancouver | 1988 | Vancouver Art Gallery | 1 | |||||||
| 18647 | Sergio | Barroso | Charangas Delirantes | 1993 | Zuspiel, live-elec, 1 perf | 16:07 | Stereo | kbd [Keyboard] | IMED 9628/29/ | IREME Vancouver | Canadian Electronic Ensemble (CEE) with the financial assistance of the Canada Council | 17.06.1995 | Music Gallery in Toronto | 0 | |||||
| 893 | Sergio | Barroso | Concerto for Pianos, Percussion, & Audience | 1968 | fixed media, akusmatisch | Stereo | Egrem St Habana | 0 | |||||||||||
| 18648 | Sergio | Barroso | Crònicas de Ultrasueño |
1992 | live-elec, 2 perf | 12:51 | Stereo | ob, kbd [Oboe, Keyboard] | IMED 9628/29/ CMC CD 4793/ | IREME Vancouver | León Biriotti with the financial assistance of the Canada Council | 06.1992 | León Biriotti in Vancouver. | IREM (Helsinki, Finland, 1994) | 0 | ||||
| 894 | Sergio | Barroso | D'ici et là | 1970 | fixed media, akusmatisch | 7:35 | Stereo | Egrem St Habana | 0 | ||||||||||
| 18649 | Sergio | Barroso | En Febrero Mueren Las Flores, In February the Flowers Die | 1987 | Zuspiel / Tonband, 1 perf | 15:28 | Stereo | vn [Violine] | IMED 9628/29/ | IREME Vancouver | Manuel Enríquez | 01.1988 | Mexico City International Electroacoustic Music Festival En Torno a los Sonidos Electrónicos | 0 | |||||
| 896 | Sergio | Barroso | Four Cuban Colonial Dances | 1984 | fixed media, akusmatisch | Stereo | IREME Vancouver | 0 | |||||||||||
| 897 | Sergio | Barroso | íreme | 1985 | Zuspiel / Tonband, 2 perf | 11:48 | Stereo | S or T, perc [Sopran, Tenor, Schlagzeug] | SFU | 0 | |||||||||
| 18650 | Sergio | Barroso | La Fiesta |
1989 | Zuspiel / Tonband, 1 perf | 9:52 | Stereo | kbd [Keyboard] | IMED 9628/29/ AMC 37 CD 1-4/ | IREME Vancouver | 10.1989 | South Bank Centre (London) | IREM (Oslo, Norway, 1990) | 0 | |||||
| 898 | Sergio | Barroso | Nocturnal | 1988 | Zuspiel / Tonband, | Stereo | IREME Vancouver | 0 | |||||||||||
| 899 | Sergio | Barroso | Soledad | 1988 | live-elec, 1 perf | 23:45 | Kbd [Keyboard] | SNE 556/ | IREME Vancouver | 1 | |||||||||
| 18651 | Sergio | Barroso | Sonatada |
1992 | live-elec, 1 perf | 13:46 | Stereo | MIDI-Kbd [Keyboard] | MIDI | IMED 9628/29/ | IREME Vancouver | Canadian pianist Kathleen Solose with the financial assistance of the Canada Council | 05.1993 | Brussels (Belgium) | 0 | ||||
| 900 | Sergio | Barroso | Tablao | 1990 | fixed media, akusmatisch | 10:32 | CÉC 1Z/M (extrait) 2:36 | IMED 9628/29/ CEC DISContact_2/ | LIEM CDMC Madrid, IREME Vancouver | Flores Chaviano with the financial assistance of the Canada Council | February, 1992 | Madrid | 1 | ||||||
| 18652 | Sergio | Barroso | Viejas voce |
1993 - 1995 | Zuspiel / Tonband, 1 perf | 9:28 | Stereo | va [Viola] | IMED 9628/29/ | IREME Vancouver | 17.05.1996 | Music Gallery in Toronto, Laura Wilcox | 0 | ||||||
| 901 | Sergio | Barroso | Yantra IV | 1975 | Zuspiel, live-elec, 1 perf | Stereo | fl [Flöte] | Concert recording | Egrem St Habana | 0 | |||||||||
| 902 | Sergio | Barroso | Yantra IX | 1979 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | a-sax or s-sax [Saxophon] | Egrem St Habana | 0 | |||||||||
| 903 | Sergio | Barroso | Yantra VI | 1979 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Egrem St Habana | 0 | ||||||||||
| 18653 | Sergio | Barroso | Yantra X , De Profundis |
1982 | Zuspiel / Tonband, 1 perf | 16:29 | Stereo | bn [Fagott] | IMED 9628/29/ | Uni BC Victoria | Jesse Read with the financial assistance of the Canada Council | 05.1982 | Utrecht Conservatorium | 0 | |||||
| 905 | Jiří, L. | Bárta, Faltus | Kvadriga | fixed media, akusmatisch | 6:42 | Radio Brno | 0 | ||||||||||||
| 906 | David | Barteaux | Time Basing | 1985 | fixed media, akusmatisch | 4:25 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 28866 | Andre | Bartetzki | durchschlagend | 2007 | fixed media, akusmatisch | 5:30 | Stereo | PS C. | Randspiele in Zepernick | 0 | |||||||||
| 28867 | Andre | Bartetzki | Jazvuk | 2007 | radiophon | 19:30 | Stereo | NAISA Deep Wireless 5/ | PS C. | PremEdice Radioatelier | 1 | ||||||||
| 28868 | Andre | Bartetzki | Klangkunst | 1997 - 2012 | Klangkunst, Installation | PS C. | 0 | http://www.bartetzki.de/de/soundart.html | |||||||||||
| 26151 | Andre | Bartetzki | L‘eco d‘Orfeo | 2007 | fixed media, akusmatisch | 6:07 | Stereo | Cybele 960.209/ DegeM CD 09/ | PS C. | 1 | |||||||||
| 25830 | André | Bartetzki | agrajag | 2007 | fixed media, akusmatisch | 12:30 | 16 Tracks | PS C. | 20.9.2007 | kl. Wasserspeicher Berlin, Projekt 5+1 | 1 | http://www.bartetzki.de/ | |||||||
| 25831 | André | Bartetzki | Einklang | 2004 | audiovisuell | fixed media, akusmatisch |
20:10 | Octo | Die Originalfassung besteht aus 8 Audiotracks und 7 DVD-Videos. | ZKM Karlsruhe | 2004 | Europäische Glockentage 2004 in Karlsruhe | 1 | |||||||
| 28614 | André | Bartetzki | encounters | 2008 | fixed media, akusmatisch | 13:14 | + Octo | PS C. | 0 | ||||||||||
| 26206 | André | Bartetzki | Expression | 2006 | fixed media, akusmatisch | 11:30 | Octo | PS C. | 2007 | TESLA Berlin, LAC | 0 | ||||||||
| 42031 | André | Bartetzki | Heavy Metal | 2018 | Performance, live-elec, | 8 | (perc, com) [] | für Windgong und Live-Elektronik | 0 | ||||||||||
| 28863 | André | Bartetzki | Hrönir | 2009 | fixed media, akusmatisch | 15:10 | Octo | PS C. | 0 | ||||||||||
| 34283 | André | Bartetzki | Insideout, The Incredible Journey of Yoriko, Andreas, Lea Rahel, Jean-Claude and Friedemann on a Moebius Strip as seen by Andre at the mixing desk and from various other perspectives | 2015 | live-elec, 5 perf | audiovisuell |
p, perc, str-trio [Piano, Schlagzeug, Streicher] | PS C. | 0 | |||||||||||
| 28738 | André | Bartetzki | Momentum | 2012 | live-elec, 4 perf | audiovisuell |
Octo | fl, vn, trbn, db [Flöte, Posaune, Violine, Kontrabass] | PS C. | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte, ens unitedberlin | 0 | ||||||||
| 28864 | André | Bartetzki | neoZoen | 2009 | fixed media, akusmatisch | 6:55 | Quadro | PS C. | 0 | ||||||||||
| 26201 | André | Bartetzki | Reale Existenz | 2007 | fixed media, akusmatisch | 14 | Quadro, Spazialisation: WFS | Tonband für WFS (32 Klangquellen auf 840 Kanäle) | TU Berlin, PS C. | 1 | |||||||||
| 25833 | André | Bartetzki | Responsorium | 1999/2001 | fixed media, akusmatisch | 12:50 | Octo | STEAM Berlin | 1 | ||||||||||
| 25834 | André | Bartetzki | Rondeaux Trouvés | 2000 | fixed media, akusmatisch | 14:40 | Octo | PANaroma 199013216/ | STEAM Berlin | 1 | |||||||||
| 28865 | André | Bartetzki | Sprachspiel | 2008 | fixed media, akusmatisch | 14 | Octo | PS C. | 0 | ||||||||||
| 25835 | André | Bartetzki | String-Theory | 2005 | live-elec, 1 perf | ≈ 13:00 | Stereo | e-vn [Violine] | Župková Lenka (vn) | WER ARTS 8115/ | 2005 | GRIM, Marseille, Violine: Lenka Župková | 1 | ||||||
| 34090 | André | Bartetzki | ton-technik | 2011 - 2015 | Klangkunst, Installation | elektromechanische Klanginstallation mit Blumentöpfen, Hubmagneten, Arduino und SuperCollider | 0 | ||||||||||||
| 27605 | André | Bartetzki | Z0 | 2010 | fixed media, akusmatisch | 12 | Spazialisation: WFS | TU Berlin | 27.7.2010 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 0 | 2010 | http://www.bartetzki.de/de/index.html | ||||||
| 25836 | André | Bartetzki | Zungenschlag | 2003 | fixed media, akusmatisch | 13:40 | Octo | PS C. | 1 | ||||||||||
| 28343 | André, Robin, Dieter, Group | Bartetzki, Minard, Kemter, SEAM Weimar | RUMOR | 2002 | Klangkunst, Installation | ∞ | DAAD 205-1 ISBN 3-89727-259-8 | SEAM Weimar | Inventionen 2002 | 27.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | ||||||
| 22584 | André, Thomas | Bartetzki, Noll | Die Bibliothek von Babel | 1997 | Klangkunst, Installation | 120:00 | 6 | CD-Player, Video . 1997, Wasserturm Torgau und singuhr hoergalerie Berlin |
Kehrer Verlag ISBN 978-3-939583-23-3/ | STEAM Berlin | Juni 1997 22.8.-14.9.1997 |
Torgau Wasserturm singuhr hoergalerie Berlin |
0 | http://www.bartetzki.de/de/bio.html | |||||
| 25832 | André, Yueyang | Bartetzki, Wang | LàiQu… | 2001 | live-elec, 1 perf | 12:05 | Stereo | Zheng [Streicher] | Yueyang Wang (Zheng) | 1 | |||||||||
| 907 | Dominique | Barthassat | Ephémérides | 1989 | Zuspiel / Tonband, 3 perf | 30:00 | Stereo | prep p, gui, S [Sopran, Piano, Gitarre] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 908 | Dominique | Barthassat | Les Nuits de Christian FARGEON | 1989 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 909 | Dominique | Barthassat | No si volta chi a stella è fisso | 1988 | Zuspiel / Tonband, 4 perf | 40:00 | Stereo | prep p, V, perc, ins [Stimme, Piano, Schlagzeug, Instrument] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 35393 | Maxine | Barthélemy | Bleu, Blanche, Rouges | 2014 | fixed media, akusmatisch | 6:05:00 | Writer: Dana Mbé | MR 2014 Métamorphoses 2014/ | Con Paris | March 3, 2014 | Musique à réaction 5.3, Auditorium — Conservatoire à rayonnement régional de Paris (Paris, France) | 0 | |||||||
| 910 | Pierre | Bartholomée | Cantate aux alentours | 1966 | Zuspiel / Tonband, 1 perf, 2 groups | 25:00 | Stereo | Vs, ens [Stimme, Ensemble] | PS Apelac | 0 | |||||||||
| 27769 | Pierre | Bartholomée | Passacaille | 2005 | live-elec, 1 perf | mar [Schlagzeug] | CRFMW Liège | 26.11.2005 | Liège | 1 | |||||||||
| 912 | Pierre, Henri | Bartholomée, Pousseur | Stravinsky au futur | fixed media, akusmatisch | BASF 20 21554-7/ | CRFMW Liège | 0 | ||||||||||||
| 911 | Pierre, Paul | Bartholomée, Uyttebrouck | Les Etrusques | 1964 | Film | 30:00 | Mono | IPEM Gent | 0 | ||||||||||
| 913 | Martin | Bartlett | Composition | 1965 | Zuspiel / Tonband, 1 perf | 4:00 | Mono | actor [Schauspieler] | Uni BC Vancouver | 0 | |||||||||
| 914 | Martin | Bartlett | Hexachords | 1985 | live-elec, 1 perf | Stereo | rec [Flöte] | 0 | |||||||||||
| 18639 | Martin | Bartlett | New Leaves | 1983 | Zuspiel / Tonband, | 14:13 | Stereo | MW 69/ | 0 | ||||||||||
| 18640 | Martin | Bartlett | Pythagora's Ghost | 1990 | Zuspiel / Tonband, | 26:32 | Stereo | FRONT 001/ | 0 | ||||||||||
| 18641 | Martin | Bartlett | The Arrival of Sir John Franklin in Paradise | 1988 | Zuspiel / Tonband, | 13:09 | Stereo | FRONT 001/ | 0 | ||||||||||
| 915 | Wende | Bartley | Ellipsis | 1989 - 1993 | Zuspiel / Tonband, 1 perf | 14:31 | S [Sopran] | Synclavier II | IMED 9414/ | Gerr Elec. Toronto, McGill Montréal | 10.11.1989 | Banff Centre for the Arts | 1 | ||||||
| 916 | Wende | Bartley | IceBreak | 1992 | fixed media, akusmatisch | 14:22 | Klänge des Gamelan-Instrumentes Kyai Madu Sari | IMED 9414/ | Banff C., PS Randall Smith Toronto | 8.07.1992 | The Banff Centre for the Arts | 1 | |||||||
| 917 | Wende | Bartley | Mi Homo | fixed media, akusmatisch | 7:00 | Stereo | 0 | ||||||||||||
| 918 | Wende | Bartley | Ocean of Ages Revealed | 1991 | fixed media, akusmatisch | 13:21 | PODX granular synthesis | IMED 9414/ | SFU, M. Gal Toronto, PS Randall Smith Toronto | David Olds for Transfigured Night on CKLN FM radio in Toronto | 28.01.1991 | CKLN FM radio in Toronto | 1 | ||||||
| 18654 | Wende | Bartley | Radio>>Perspectives>>1 | 1991 | fixed media, akusmatisch | 9:40 | Stereo | CEC DISContact_1/ | 0 | ||||||||||
| 919 | Wende | Bartley | Rising Tides of Generations Lost | 1985 - 1993 | fixed media, akusmatisch | 15:01 | Stereo | txtcompo; Synclavier II | IMED 9414/ | McGill Montréal, Banff C. | 4.04.1985. | Pollack Hall in Montréal | 1 | ||||||
| 41022 | Wende | Bartley | Sound Dreaming, Stone Mysteries Sirens of the Deep Sounding Dream Woman Serpentine Dance Temple Muses Into The Hypogeum |
2012 | fixed media, akusmatisch | 55 | Stereo, Surround 5.1 | 0 | |||||||||||
| 920 | Stefan | Bartling | Finale oder Ich, das sind wir und wir, das sind die anderen | 1988 | Zuspiel / Tonband, | 15:03 | 0 | ||||||||||||
| 921 | Stefan | Bartling | quasi scherzo | 1988 | Zuspiel / Tonband, 4 perf | 21:30 | vc, 2 b-tuba, S [Sopran, Tuba, Cello] | 0 | |||||||||||
| 922 | Stefan | Bartling | Vom Geheimnis, den Sternen zuzuhören | 1988 | fixed media, akusmatisch | 10:45 | Stereo | ICEM Essen | 0 | ||||||||||
| 923 | Stefan | Bartling | World Between | 1986 | Zuspiel / Tonband, 1 perf | 14:44 | vn [Violine] | 0 | |||||||||||
| 43028 | Scott | Barton | Figure-Ground | 2013 | fixed media, akusmatisch | 2:39:00 | 0 | ||||||||||||
| 924 | Wolfgang | Bartsch | Melancholie in Sinustönen | fixed media, akusmatisch | 11:00 | Mono | Study | Sonology Utrecht | 0 | ||||||||||
| 34407 | Wolfgang | Bartsch | Studie in continu spectra | fixed media, akusmatisch | 11:00 | Mono | Study | Sonology Utrecht | 0 | ||||||||||
| 925 | Vidmantas | Bartulis | Sound Life | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 18656 | Gray | Barwin | Down to the Middle and Back Again | 1992 | Zuspiel / Tonband, 1 perf | 9:22 | Stereo | V [Stimme] | MW 60/ | 0 | |||||||||
| 28024 | Adam | Basanta | a glass is not a glass | 2009 | fixed media, akusmatisch | 18:55 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ MR 2010 Métamorphoses 2010/ | JTTP-Winner 2010 2. prize 1. prize Metamorphoses 2010 (student category) |
1 | http://cec.concordia.ca/jttp | ||||||||
| 41030 | Adam | Basanta | A line listening to itself | 2016 | Klangkunst, Installation | Sound sculpture | 0 | ||||||||||||
| 41035 | Adam | Basanta | A Room Listening to Itself | 2015 | Klangkunst, Installation | Sound installation | Canada Council for the Arts. | 0 | |||||||||||
| 41028 | Adam | Basanta | A Truly Magical Moment | 2016 | Klangkunst, Installation | Interactive kinetic sculpture | Canada Council for the Arts and The Agosto Fondation | 0 | |||||||||||
| 41023 | Adam | Basanta | All We'd Ever Need Is One Another | 2018 | Klangkunst, Installation | Mixed media installation | 0 | http://adambasanta.com/allwedeverneed | |||||||||||
| 41033 | Adam | Basanta | Closer then farther away | 2015 | Klangkunst, Installation | Kinetic sound sculpture | 0 | http://adambasanta.com/closerfarther | |||||||||||
| 41026 | Adam | Basanta | Curtain (white) | 2016 | Klangkunst, Installation | 24 Tracks | Canada Council for the Arts and The Agosto Foundation. | 0 | |||||||||||
| 41039 | Adam | Basanta | Écologie matérielle | 2008 | fixed media, akusmatisch | 9:07 | Deep Wireless 6 (New Adventures in Sound Art), 1, 10 | 0 | |||||||||||
| 41040 | Adam | Basanta | Free / Association | 2009 | fixed media, akusmatisch | JTTP 2009 | 0 | ||||||||||||
| 41032 | Adam | Basanta | Listening through a small plastic box | 2015 | Klangkunst, Installation | Sound installation | 0 | ||||||||||||
| 41034 | Adam | Basanta | Message Past Future | 2015 | Klangkunst, Installation | Sound installation | 0 | ||||||||||||
| 41036 | Adam | Basanta | Pirouette | 2015 | Klangkunst, Installation | 7 tracks | Sound installation | 0 | |||||||||||
| 41029 | Adam | Basanta | Plugs (the most important thing is) | 2016 | Klangkunst, Installation | Mixed media installation | Canada Council for the Arts and The Agosto Fondation | 0 | |||||||||||
| 41031 | Adam | Basanta | Positive Vibes | 2015 | Performance | audiovisuell |
Public intervention, video and sculptural documentation | 0 | ||||||||||||
| 41025 | Adam | Basanta | Sectioning | 2016 | Klangkunst, Installation | Quadro | Sound and mixed media installation | POP Montreal Festival with the assistance of Canada Council for the Arts. | 0 | ||||||||||
| 41041 | Adam | Basanta | Shiva Creates, Destroy | 2008 | fixed media, akusmatisch | 1 | 60x60 | 60X60 Canada 2008–09 | 0 | |||||||||||
| 41024 | Adam | Basanta | Sounds Not Heard | 2017, | Klangkunst, Installation | Sculpture series | 0 | http://adambasanta.com/soundsnotheard | |||||||||||
| 41042 | Adam | Basanta | The fine line between Civility and the Truth | 2007 | fixed media, akusmatisch | 7:59 | JTTP 2007 | 0 | |||||||||||
| 41037 | Adam | Basanta | The loudest sound in the room experienced very quietly | 2015 | Klangkunst, Installation | Sound installation | 0 | http://adambasanta.com/loudestsound | |||||||||||
| 34352 | Adam | Basanta | Three Myths of Liberalism | 2012 | fixed media, akusmatisch | 17:34:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 2. prize | 0 | |||||||||
| 27361 | Adam | Basanta | Transients And Resonance | 2008 | fixed media, akusmatisch | 8:27 | JTTP 2008 | CEC Cache 2008, PeP 013/ | 1 | http://cec.concordia.ca/jttp | |||||||||
| 41027 | Adam | Basanta | Triad | 2017 | Klangkunst, Installation | Permanent outdoor sculpture | The DAIMON Centre | 0 | |||||||||||
| 41038 | Adam | Basanta | Vessel | 2015 | Klangkunst, Installation | Kinetic sound sculpture | 0 | ||||||||||||
| 926 | Florence | Baschet | Alma Luvia | 1993 | live-elec, 4 perf | 7:00 | Mez, cl, va, ins (Baschet Cristal) [Mezzo, Klarinette, Viola, Instrument] | IRCAM | 0 | ||||||||||
| 927 | Florence | Baschet | Mai Mia | 1990 | Zuspiel, live-elec, 3 perf | 9:30 | ins (Baschet Cristal), p, mar [Piano, Schlagzeug, Instrument] | SONVS Lyon | 0 | ||||||||||
| 928 | Florence | Baschet | Nuraghe | 1991 | Zuspiel, live-elec, 6 perf | 9:15 | ins (Baschet Cristal), va, vc, db, mar, p [Piano, Schlagzeug, Viola, Cello, Kontrabass, Instrument] | SONVS Lyon | 1 | ||||||||||
| 929 | Florence | Baschet | Nuraghe | 1991 | Zuspiel / Tonband, 3 perf | 9:15 | Stereo | str, hpd, ins (Baschet Cristal)t [Tenor, Cembalo, Streicher] | SONVS Lyon | 1 | |||||||||
| 34634 | Constantin | Basica | Tell Me What to Do | 2013 | audiovisuell, live-elec, 2 perf | cl, conductor (Kinect) [Klarinette, Performer] | SMC2016 | 0 | |||||||||||
| 22448 | Nicolas | Basque | Polyèdres | 2000 | fixed media, akusmatisch | 7:50 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | winner JTTP 2001 5. prize | 1 | ||||||||
| 41043 | Nicolas, Andrew | Basque, Watson | 16.10.03 Room 209 | 2004 | fixed media, akusmatisch | 3:11:00 | 0 | ||||||||||||
| 41044 | Nicolas, Andrew | Basque, Watson | 23.11.2003 Room 207 | 2004 | fixed media, akusmatisch | 5:53:00 | 0 | ||||||||||||
| 41045 | Nicolas, Andrew | Basque, Watson | 25.09.2003 Room 209 | 2004 | fixed media, akusmatisch | 5:15:00 | 0 | ||||||||||||
| 41046 | Nicolas, Andrew | Basque, Watson | 29.10.2003 11:23 AM Room 209 | 2003 | fixed media, akusmatisch | 5:39:00 | JTTP 2004 | 0 | |||||||||||
| 41047 | Nicolas, Andrew | Basque, Watson | Chairdrone | 2004 | fixed media, akusmatisch | 2:23:00 | 0 | ||||||||||||
| 41048 | Nicolas, Andrew | Basque, Watson | Crécelles | 2004 | fixed media, akusmatisch | 4:47:00 | 0 | ||||||||||||
| 41049 | Nicolas, Andrew | Basque, Watson | Disco | 2004 | fixed media, akusmatisch | 5:41:00 | 0 | ||||||||||||
| 41050 | Nicolas, Andrew | Basque, Watson | Instrumental I | 2004 | fixed media, akusmatisch | 2:32:00 | 0 | ||||||||||||
| 41051 | Nicolas, Andrew | Basque, Watson | Instrumental II | 2004 | fixed media, akusmatisch | 2:40:00 | 0 | ||||||||||||
| 41052 | Nicolas, Andrew | Basque, Watson | Mozart vs McGill | 2004 | fixed media, akusmatisch | 4:34:00 | 0 | ||||||||||||
| 41053 | Nicolas, Andrew | Basque, Watson | Phone Ambient | 2004 | fixed media, akusmatisch | 10:52:00 | 0 | ||||||||||||
| 41054 | Nicolas, Andrew | Basque, Watson | Pour Christian | 2004 | fixed media, akusmatisch | 10:43:00 | 0 | ||||||||||||
| 41055 | Nicolas, Andrew | Basque, Watson | Tangential Japanese Bathroom | 2004 | fixed media, akusmatisch | 2:11:00 | 0 | ||||||||||||
| 41056 | Nicolas, Andrew | Basque, Watson | Travelling Sounds | 2004 | fixed media, akusmatisch | 3:15:00 | 0 | ||||||||||||
| 37052 | Dominique | Bassal | Babylone, les regrets | 2013 | fixed media, akusmatisch | 8:25:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37054 | Dominique | Bassal | Broto et sa z’complice | 2013 | fixed media, akusmatisch | 12:40:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37050 | Dominique | Bassal | Choraal: frontière Nord | 2012 | fixed media, akusmatisch | 9:28:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 37053 | Dominique | Bassal | Conséquences des gaz à effet de serre | 2012 | fixed media, akusmatisch | 13:37:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 25.10.2012 | Elektramusic at Musée d’art moderne et contemporain (Strasbourg, France) | 0 | |||||||
| 930 | Dominique | Bassal | Espoirs et illusions d'une société rugueuse | 1979 | fixed media, akusmatisch | 30:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 35536 | Dominique | Bassal | L'inénarrable Nout | 2002 | fixed media, akusmatisch | 18:53 | Surround 5.1 | IMED 09101/ | 0 | ||||||||||
| 37051 | Dominique | Bassal | La main visible | 2014 | fixed media, akusmatisch | 17:48:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 931 | Dominique | Bassal | La rencontre de Zoé et du carnassier | 1977 | fixed media, akusmatisch | 11:16 | Stereo | Concordia Montréal | 0 | ||||||||||
| 932 | Dominique | Bassal | Le Cacanome | 1978 | fixed media, akusmatisch | 14:08 | Stereo | Concordia Montréal | 0 | ||||||||||
| 933 | Dominique | Bassal | Le troupeau à midi | 1977 | fixed media, akusmatisch | 8:19 | Stereo | Concordia Montréal | 0 | ||||||||||
| 35537 | Dominique | Bassal | Mont des borgnes | 2002 | fixed media, akusmatisch | 12:52 | Surround 5.1 | IMED 09101/ | 0 | ||||||||||
| 35538 | Dominique | Bassal | Noyade en magma | 2001 | fixed media, akusmatisch | 10 | Surround 5.1 | eContact! 8.3 — Harvest Moon and Other Festivals, Conferences | IMED 09101/ | 0 | |||||||||
| 37049 | Dominique | Bassal | Poupées mathématiques | 2013 | fixed media, akusmatisch | 12:23:00 | Surround 7.1, Surround 5.1, Stereo | IMED 14130/ | PS C. | 5.12.2013 | Électrochoc 3 in Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 23106 | Dominique | Bassal | Rites d'oiseaux pensants | 2001 | fixed media, akusmatisch | 7:59 | Surround 5.1 | JTTP 2002 | CEC Cache 2002/ IMED 09101/ | winner JTTP 2002 4. prize | 0 | ||||||||
| 934 | Stefano | Bassanese | Nulla | 1980 | fixed media, akusmatisch | Con Venezia | 0 | ||||||||||||
| 31139 | Alexandra von | Bassen | Marseille, ma ville | 2010 | Klangkunst, Installation | 5:26 | Stereo, Spazialisation: binaural | Headscapes, Kompositionen für Kopfhörer – CD (Besenkammer, Germany) 2010; Framework Seasonal Issue #1 Autumn 2011 – CDR (Framework Radio, Estonia) | Besenkammer bb 03/ | 24.5.2010 | Besenkammer, Saarbrücken, Germany, 2010 | 0 | |||||||
| 42075 | Ulrich | Bassenge | Shashlyk for paik | 2007 | radiophon | BR | 0 | ||||||||||||
| 42076 | Ulrich, Philip | Bassenge, Stegers | Sirius FM, Expedition an den Bandtellerrand | 2017 | radiophon | WDR, DLF, SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4933464&vi=1&SID | |||||||||||
| 33412 | Leslie | Bassett | Triform | 1966 | fixed media, akusmatisch | Uni Ann Arbor | 0 | ||||||||||||
| 22299 | J. | Bassetti | Station Hill | 2000 | fixed media, akusmatisch | 8:18 | Station Hill is dedicated to dermot Furlong and Cian, Written January 2001. | SIDO 010/ | 1 | ||||||||||
| 28088 | Alain | Basso | Ab Irato | 1999 | fixed media, akusmatisch | Stereo | C&C Annecy | 0 | |||||||||||
| 28086 | Alain | Basso | Excocet | 1988 | fixed media, akusmatisch | Stereo | Collectif & Cie C 02/ | C&C Annecy | 0 | ||||||||||
| 935 | Alain | Basso | Le Contrat | 1986 | fixed media, akusmatisch | Collectif & Cie C 01/ | C&C Annecy | 1 | |||||||||||
| 18655 | Alain | Basso | Nemesis | fixed media, akusmatisch | 9:43 | Stereo | Collectif & Cie 12/ | C&C Annecy | 0 | ||||||||||
| 936 | René | Bastien | Avers | 1975/1976 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 937 | René | Bastien | Extra-systoles | 1972 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 938 | René | Bastien | Le bain du dinosaure | 1971/1972 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 939 | René | Bastien | Les Archanges au galop | 1973 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 940 | René | Bastien | Régressions 1-3 | 1975/1976 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 38475 | Caroline | BASTIN | Casa Nostra | 2009 | radiophon | 37:48:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 941 | Ernest | Bastin | Ghost Sonata | 1965 | fixed media, akusmatisch | 4:00 | Mono | EMS UIUC | 0 | ||||||||||
| 27668 | Peter | Batchelor | Kaleidoscope, Fissure Arcade |
2004 | fixed media, akusmatisch | 9:40 | Stereo, Octo, 12 tracks | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | 1 | 2010 | http://www.peterbatchelor.com | |||||||
| 41057 | Peter | Batchelor | Reel | 1997 | fixed media, akusmatisch | 13 | 0 | 2000 | |||||||||||
| 21584 | Peter | Batchelor | steamin' | 2000 | fixed media, akusmatisch | 3:00 | SCD 28034 Sargasso/ | BEAST | sonic arts Network | 1 | |||||||||
| 21593 | Peter | Batchelor | Velocity | 1996 | fixed media, akusmatisch | 9:57 | CEC Presence 2/ | BEAST | 1 | ||||||||||
| 942 | Trevor | Batten | Audio-Visual III | 1979 | audiovisuell | 5:00 | UMATIC | Sonology Utrecht | 0 | ||||||||||
| 943 | Trevor | Batten | Cross-Media Mapping, Composition I Stockholm Circuit I Pulse Demonstration |
1974/1976 | audiovisuell | 25 | Mono | Sonology Utrecht | 0 | ||||||||||
| 39623 | Bret | Battey | Clonal Colonies I | 2016 | fixed media, akusmatisch | Bret Battey | 0 | ||||||||||||
| 33867 | Bret | Battey | On the presencs of water | 1997 | fixed media, akusmatisch | audiovisuell |
8:35 | Prix Ars Electronica 98/ | Prix Ars Electronica 1998 | 0 | ||||||||||
| 36620 | Bret | Battey | Pater Nosters Tricyclic Companion | 1998 | Zuspiel / Tonband, 1 perf | 7:52 | fl [Flöte] | Centaur CRC 2512, CDCM Vol. 31/ | Uni Washington CARTAH | 0 | |||||||||
| 27670 | Bret | Battey | Retrocoagulant Vox | 2001 | Zuspiel / Tonband, 1 perf | 11:34 | Stereo | b-trbn [Posaune] | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | Chad Kirby | 1 | http://www.mti.dmu.ac.uk/~bbattey/ | ||||||
| 33778 | Marc | Battier | Audioscan | 2010 | fixed media, akusmatisch | audiovisuell |
6:02:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 10.2006 | Musicacoustica, Beijing (China) | 1 | ||||||||
| 944 | Marc | Battier | Composition en Bleu (bande) | 1976 | fixed media, akusmatisch | VCS-3 | GAIV Paris | 0 | |||||||||||
| 28737 | Marc | Battier | Constellations | 2012 | Zuspiel / Tonband, 1 perf | Octo | koto [Streicher] | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte | 0 | |||||||||
| 33771 | Marc | Battier | D99_14 | 2010 | fixed media, akusmatisch | 10:18:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 33775 | Marc | Battier | D99_3 | 2010 | fixed media, akusmatisch | 6:07:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 945 | Marc | Battier | Encre sur Polyester | 1984 | Zuspiel / Tonband, 5 perf | 13:00 | Quadro | br-qnt [Bläser] | IRCAM | 0 | |||||||||
| 946 | Marc | Battier | Géométrie d'hiver | 1977 | fixed media, akusmatisch | 12:00 | Stereo | CNRS Marseille | 0 | ||||||||||
| 18657 | Marc | Battier | Ink on Polyester | 1984 | fixed media, akusmatisch | 5:22 | Stereo | (extrait) | ISAST LMJ 1/ | PS Stars nova international | 1 | ||||||||
| 33772 | Marc | Battier | Invasion Of The Night | 2010 | fixed media, akusmatisch | 9:02:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 27098 | Marc | Battier | L'oiseau de la capitale | 2008 | Zuspiel / Tonband, 1 perf | 14:00 | Octo | shakuhachi [Flöte] | INA • GRM | INA - GRM | 8 June 2008 | Salle Olivier Messiaen, Maison de la Radio France | 0 | ||||||
| 27101 | Marc | Battier | Le monde de Kiyoshi Takahashi | 1982 | fixed media, akusmatisch | 30:00 | Stereo | K. Takahashi | 0 | ||||||||||
| 33776 | Marc | Battier | Mercury Rimbaud | 2010 | fixed media, akusmatisch | 4:19:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 27100 | Marc | Battier | Mixed Media | 1989 - 1991 | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | de l'Etat francais pour le GERM | 11.1989 | Porte de la Suisse, Paris | 0 | ||||||||
| 947 | Marc | Battier | Re cosa materiale | 1976 | fixed media, akusmatisch | live-elec, 2 perf |
2 synt [synthesizer] | CICM Paris | 0 | |||||||||||
| 948 | Marc | Battier | Ritratto a Memoria | 1982 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 33777 | Marc | Battier | The Earth Is A Man | 2010 | fixed media, akusmatisch | 14:11:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 949 | Marc | Battier | Toca | 1993 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | mar [Schlagzeug] | PS Stars nova international | 1 | |||||||||
| 18886 | Marc | Battier | transparence | 1995 | fixed media, akusmatisch | ≈ 60:00 | Stereo | Sprachverarbeitung. nach einem audio-poem von Henry Chopin in 16 Teilen |
BRCD 9595 Bond Age/ | PS Battier | 1 | ||||||||
| 33770 | Marc | Battier | Tu Laisses La Nuit T'Envahir | 2010 | fixed media, akusmatisch | 4:28:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu. |
maat 011/ | 1 | ||||||||||
| 33774 | Marc | Battier | Untitled 1938 | 2010 | fixed media, akusmatisch | 3:44:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 950 | Marc | Battier | Verbes comme cueillir | 1980 | live-elec, 1 perf | 12:20 | Stereo | com [computer] | INA • GRM | 0 | |||||||||
| 33773 | Marc | Battier | Winds | 2010 | fixed media, akusmatisch | 2:42:00 | AudioScans from works of Roberto Matta, Music by Marc Battier Preface by Jean-Yves Bousseur; Poems by Zeno Bianu |
maat 011/ | 1 | ||||||||||
| 39545 | Alba | Battista | Interférence | 2017 | fixed media, akusmatisch | 16 Tracks | Alba Battista | 0 | |||||||||||
| 39546 | Alba | Battista | Les Axiomes de la Tentation | 2016 | fixed media, akusmatisch | Alba Battista | 0 | ||||||||||||
| 952 | Tonio | Battista | Body and Sound | live-elec, 3 perf | 12:49 | 3 ins [Instrument] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | |||||||||
| 28353 | Tonio | Battista | C'est ça, c'est tout | 2000 | fixed media, akusmatisch | CRM Roma | 0 | ||||||||||||
| 951 | Tonio, Maurizio | Battista, Giri | Amoebhius | 1987 | Zuspiel / Tonband, 2 perf | Stereo | cl, db [Klarinette, Kontrabass] | CRM Roma | 0 | ||||||||||
| 953 | Giorgio | Battistelli | Frau Frankenstein | 1993 | Theatermusik | CSC Padova | 0 | ||||||||||||
| 24097 | Giorgio | Battistelli | Il Principe Costante | 2002 | Theater, live-elec, | ≈ 240:00 | Octo | Tempo Reale Firenze | 0 | ||||||||||
| 954 | Giorgio | Battistelli | Ostinato, Großstadtnovelle | 1986 | Zuspiel/Tonband, 21 perf | intermedia |
20:00 | 20 Sp, perc [Sprecher, Schlagzeug] | 20 languages | 1.3.1986 | Inventionen, Berlin, Ackerstr. | 1 | 1986 | |||||||
| 24098 | Giorgio | Battistelli | The Cenci | 1997 | Musiktheater, live-elec, 18 perf | 80:00 | 4 V, fl, 2 cl, b-cl, 3 vc, db, fl, trbn, tuba, sam, 2 perc [Stimme, Flöte, Klarinette, Posaune, Tuba, Schlagzeug, Cello, Kontrabass, computer] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 24099 | Giorgio | Battistelli | Tre Voci | 1996 | live-elec, | 38:00 | Tempo Reale Firenze | Ricordi | 0 | ||||||||||
| 955 | Peter | Battisti | Camapu - 13 Bilder | 1983/1984 | fixed media, akusmatisch | 66:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 25837 | Pascal | Battus | Sound Massages | 2005 | Klangkunst, Installation | 6:14 | Binaural Rec. Sonore Festival Albi | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 42460 | Jay C. | Batzner | Carnival Daring-Do | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 38371 | Carola | Bauckholt | 2 Trichter | 1987/1988 | audiovisuell, live-elec, 10 perf | ≈ 16:00:00 | fl, bn, tpt, tuba, va, e-gui, 4 perc [Flöte, Fagott, Trompete, Tuba, Gitarre, Schlagzeug, Viola] | 1989 | Bonn | Thürmchen Verlag Köln | 0 | ||||||||
| 38387 | Carola | Bauckholt | 3 Sätze für Blechbläserquintett | 1989 | live-elec, 5 perf | ≈ 10:00:00 | 5 brass [Bläser] | 1991 | Mönchengladbach | Thürmchen Verlag Köln | 0 | ||||||||
| 38392 | Carola | Bauckholt | Cellotrio | 2002 | live-elec, 3 perf | ≈ 12:00:00 | 3 vc [Cello] | 2002 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38847 | Carola | Bauckholt | Doppelbelichtung | 2016 | live-elec, 1 perf | 12 | 5 tracks | vn (5 vn with transducers) [Violine] | „Kampf“ zwischen vogelartig gespieltem Geigenklang und den mit Transducern angeregten 5 hängenden Geigen. | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 38372 | Carola | Bauckholt | erinnern vergessen | 1990/1991 | audiovisuell, 7 perf | 30:00:00 | fl, bn, vc, db, perc, Objekte, Diaprojektion [Flöte, Fagott, Schlagzeug, Cello, Kontrabass] | 1991 | Wuppertal | Thürmchen Verlag Köln | 0 | ||||||||
| 38373 | Carola | Bauckholt | Galopp | 1996 | audiovisuell, live-elec, 5 perf | ≈ 3:00:00 | fl, sax, vc, e-gui, perc [Flöte, Saxophon, Gitarre, Schlagzeug, Cello] | 1996 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38399 | Carola | Bauckholt | Gegenwind | 2004 | live-elec, 1 perf | ≈ 8:00:00 | org [Orgel] | 2004 | Kassel | Thürmchen Verlag Köln | 0 | ||||||||
| 38365 | Carola | Bauckholt | Geräusche | 1992 | Zuspiel / Tonband, 2 perf | ≈ 3 | 2 mus [Musiker] | ETH 9832 Thürmchen/ | 1992 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38393 | Carola | Bauckholt | Geräuschtöne | 2003 | live-elec, 3 perf | ≈ 12:00:00 | vn, vc, perc [Schlagzeug, Cello, Violine] | 2003 | München | Thürmchen Verlag Köln | 0 | ||||||||
| 38407 | Carola | Bauckholt | Hellhörig | 2009 | live-elec, 11 perf, 1 group | Bar, Mez, S, 3 vc, ens, 4 perc, p, [Sopran, Mezzo, Bariton, Piano, Schlagzeug, Cello, Ensemble] | COV 61009/ | 0 | |||||||||||
| 38395 | Carola | Bauckholt | Hirn & Ei | 2010/2011 | live-elec, 4 perf | 10:00:00 | 4 perc [Schlagzeug] | 2011 | Hamburg | Thürmchen Verlag Köln | 0 | ||||||||
| 38379 | Carola | Bauckholt | Humus | 2011 | audiovisuell, live-elec, 9 perf | 12:00:00 | b-fl, b-cl, hn, 6 Orgelpfeifen [Flöte, Klarinette, Horn] | 2011 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38405 | Carola | Bauckholt | Im inneren Ohr | 1983 | Zuspiel, Performance, 1 perf | ≈ 17:00:00 | actor [Schauspieler] | 1983 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38401 | Carola | Bauckholt | In gewohnter Umgebung I | 1991 | audiovisuell, live-elec, 2 perf | ≈ 15:00:00 | 2 perc, (Objekte, Diaprojektion) [Schlagzeug] | 1992 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38402 | Carola | Bauckholt | In gewohnter Umgebung III | 1994 | audiovisuell, live-elec, 2 perf | ≈ 17:00:00 | vc, p (oder Espérou, Video) [Piano, Cello] | 1994 | Vandoeuvre | Thürmchen Verlag Köln | 0 | ||||||||
| 38374 | Carola | Bauckholt | Keil | 2000 | audiovisuell, live-elec, 8 perf | ≈ 15:00:00 | fl, cl, vn, va, vc, db, perc, p [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 2L 116 SABD/ | 2001 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38388 | Carola | Bauckholt | Klarinettentrio | 1993 | live-elec, 3 perf | ≈ 10:00:00 | cl, vc, p [Klarinette, Piano, Cello] | 1994 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||||
| 38404 | Carola | Bauckholt | Kohle, Kreide | 2012 | Film, live-elec, 2 perf | ≈ 5:00:00 | Mez, vc, (Film mit Susanne Walter) [Mezzo, Cello] | 2012 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38391 | Carola | Bauckholt | Kugel | 2002 | Zuspiel / Tonband, 3 perf | ≈ 18:00:00 | 3 vc [Cello] | 2003 | Witten | Thürmchen Verlag Köln | 0 | ||||||||
| 38384 | Carola | Bauckholt | Kurbel, Wolke | 1986/1987 | live-elec, 2 perf | ≈ 12:00:00 | 2 hn [Horn] | 1987 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 21779 | Carola | Bauckholt | Langsamer als ich dachte | 1990 | audiovisuell | ≈ 3 | vc, perc (Diaprojektion) [Schlagzeug, Cello] | ETH 9832 Thürmchen/ | 1990 | Stuttgart | Thürmchen Verlag Köln | 0 | |||||||
| 38380 | Carola | Bauckholt | Laufwerk | 2011 | audiovisuell, 1 group | ens [Ensemble] | 2L 116 SABD/ | 0 | |||||||||||
| 38397 | Carola | Bauckholt | Lichtung | 2011 | live-elec, 4 perf | ≈ 10:00:00 | str-qt [Streicher] | 2012 | Venedig | Thürmchen Verlag Köln | 0 | ||||||||
| 38378 | Carola | Bauckholt | Liebeslied | 2010 | audiovisuell, live-elec, 8 perf | ≈ 5:00:00 | fl, ob, cl, vn, va, vc, perc, p [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Viola, Cello, Violine] | 2010 | Freiburg | Thürmchen Verlag Köln | 0 | ||||||||
| 38368 | Carola | Bauckholt | Luftwurzeln | 1993 | live-elec, 4 perf | ≈ 10 | fl, cl, va, vc [Flöte, Klarinette, Viola, Cello] | WER 6538/ | 1994 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 38389 | Carola | Bauckholt | Maulwurf | 1993 | Zuspiel / Tonband, 3 perf | ≈ 8:00:00 | 2 bn, b-bn [Fagott] | 1994 | Darmstadt | Thürmchen Verlag Köln | 0 | ||||||||
| 38370 | Carola | Bauckholt | mehr oder weniger | 1991 | audiovisuell | ≈ 12 | fl, ob, cl, vn, va, vc, db, perc, p [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 5 parts (3:24 + 2:06 + 1:14 + 0:56 + 5:56) | WER 6538/ | 1991 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||
| 38394 | Carola | Bauckholt | Myzel | 2009 | live-elec, 2 perf | ≈ 10:00:00 | 2 p (in der Präparation von John Cages „Three Dances“) [Piano] | 2009 | Stuttgart | Thürmchen Verlag Köln | 0 | ||||||||
| 38390 | Carola | Bauckholt | Nestwärme | 2000 | live-elec, 3 perf | ≈ 7:00:00 | 3 b-rec [Flöte] | 2002 | Donaueschingen | Thürmchen Verlag Köln | 0 | ||||||||
| 38400 | Carola | Bauckholt | ohne Worte | 2011 | Zuspiel / Tonband, 1 perf | vc [Cello] | 2012 | Florenz | Köln: Thürmchen Verlag | 0 | |||||||||
| 38396 | Carola | Bauckholt | ohne worte 2 | 2011 | Zuspiel, live-elec, 2 perf | vc, db-cl [Klarinette, Cello] | Köln: Thürmchen Verlag | 0 | |||||||||||
| 38383 | Carola | Bauckholt | Polizeitrieb | 1985 | live-elec, 2 perf | ≈ 10:00:00 | 2 perc [Schlagzeug] | 1986 | Bonn-Beuel | Thürmchen Verlag Köln | 0 | ||||||||
| 38398 | Carola | Bauckholt | Polsch | 1989 | live-elec, 1 perf | ≈ 6:00:00 | p [Piano] | 1989 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38386 | Carola | Bauckholt | Quintett | 1989 | live-elec, 1 perf | ≈ 15:00:00 | var ins [Instrument] | 1989 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38406 | Carola | Bauckholt | scala mòbile“ | 1988 | fixed media, akusmatisch | ≈ 4:00:00 | Siebzehnton-Studie für Computer | 1991 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38377 | Carola | Bauckholt | Schlammflocke | 2010 | audiovisuell, live-elec, 1 group | 20:00:00 | ens [Ensemble] | 2010 | Köln | Thürmchen Verlag Köln | 0 | ||||||||
| 38382 | Carola | Bauckholt | Schlammflocke II | 2012 | audiovisuell, live-elec, 10 perf | fl, cl, bn, tpt, vn, va, vc, db, perc, p [Flöte, Klarinette, Fagott, Trompete, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 2012 | Amsterdam | Thürmchen Verlag Köln | 0 | |||||||||
| 38369 | Carola | Bauckholt | sottovoce | 1988 | live-elec, 2 perf | ≈ 9 | 2 vc [Cello] | WER 6538/ | 1989 | Rom | Thürmchen Verlag Köln | 0 | |||||||
| 38375 | Carola | Bauckholt | streicheln | 2001 | audiovisuell, live-elec, 9 perf | ≈ 11:00:00 | fl, cl, bn, hn, trbn, vc, db, perc, p [Flöte, Klarinette, Fagott, Horn, Posaune, Piano, Schlagzeug, Cello, Kontrabass] | 2002 | Paris | Thürmchen Verlag Köln | 0 | ||||||||
| 38367 | Carola | Bauckholt | Streichtrio | 1994 | live-elec, 3 perf | ≈ 10:30 | vn, va, vc [Viola, Cello, Violine] | WER 6538/ | 1994 | Köln | Thürmchen Verlag Köln | 0 | |||||||
| 21780 | Carola | Bauckholt | Treibstoff | 1995 | audiovisuell | ≈ 10 | fl, cl, vn, va, vc, db, p, perc [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | WER 6538/ 2L 116 SABD/ | 1995 | Dresden | Thürmchen Verlag Köln | 0 | |||||||
| 38385 | Carola | Bauckholt | Trio | 1988/1989 | live-elec, 3 perf | ≈ 17:00:00 | 2 vc, p [Piano, Cello] | 1989 | New York | Thürmchen Verlag Köln | 0 | ||||||||
| 38403 | Carola | Bauckholt | vertraute Rätsel | 1995/1996 | audiovisuell, live-elec, 8 perf | ≈ 25:00:00 | (Video) fl, cl, vn, va, vc, db, p, perc [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello, Violine, Kontrabass] | 1996 | Dresden | Thürmchen Verlag Köln | 0 | ||||||||
| 38376 | Carola | Bauckholt | Vormittagsspuk | 2008 | Film, live-elec, 7 perf | 10:00:00 | tpt, trbn, vc, gui, p, 2 perc, (Musik zum gleichnamigen Film von Hans Richter) [Trompete, Posaune, Piano, Gitarre, Schlagzeug, Cello] | 2008 | Dresden | Thürmchen Verlag Köln | 0 | ||||||||
| 38366 | Carola | Bauckholt | Zopf | 1992, 1994 | live-elec, 3 perf | ≈ 8 | fl, ob, cl [Flöte, Klarinette, Oboe] | WER 6538/ | 1993 | Freiburg | Thürmchen Verlag Köln | 0 | |||||||
| 38381 | Carola | Bauckholt | Zugvögel | 2011/2012 | audiovisuell, live-elec, 5 perf | ≈ 15:00:00 | ob, cl, a-sax, b-cl, bn [Klarinette, Oboe, Saxophon, Fagott] | 2012 | Witten | Thürmchen Verlag Köln | 0 | ||||||||
| 27757 | Roald | Baudoux | Ici et lá | 2003 | fixed media, akusmatisch | 17:00 | 16 Tracks, Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 27749 | Roald | Baudoux | Improglio | 2005 | fixed media, akusmatisch | 10:50 | wbm 168 b Electro AC Wallonie - Bruxelles/ | Musiques et Recherches Ohain | 1 | ||||||||||
| 41058 | Roald | Baudoux | La violence | 2001 | fixed media, akusmatisch | 2:45 | 0 | ||||||||||||
| 22325 | Roald | Baudoux | Vitesse / Critique | fixed media, akusmatisch | 7:00 | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||||
| 41607 | Roald, Christophe | Baudoux, Peterfalvy | Yin Yang | 1998 | fixed media, akusmatisch | 10:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 37241 | Alexander | Bauer | "der tag ist der käfig, die nacht ist die freiheit" | 2017 | live-elec, 1 perf | 7:00:00 | Quadro | b-fl (Live-Elektronik) [Flöte] | SEM Salzburg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 43133 | Zorah Man | Bauer | Volkslieder für gemischte Stimmen & Sampler | 1989/1990 | live-elec, | 8:36 | Auszeichnung ars electronica honorary mention 1990 | 0 | |||||||||||
| 956 | Herbert | Baumann | Elektra | 1954 | Theatermusik | 29:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 957 | Herbert | Baumann | Nach Damaskus | 1956 | Theatermusik | 15:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 958 | Herbert | Baumann | Penthesilea | 1957 | Theatermusik | 60:00 | Mono | MTR | PS Sala | 0 | |||||||||
| 31440 | Martin | Baumgärtel | a-t-e-m Var2 | 2010 | Zuspiel, live-elec, 4 perf | 45/60 | S, Mez, fl, org [Sopran, Mezzo, Flöte, Orgel] | Biegewellenlautsprecher | HfM Dresden | 0 | |||||||||
| 31404 | Martin | Baumgärtel | atem Gottes (Studie) | 2009 | fixed media, akusmatisch | 12 Tracks | HfM Dresden | 0 | |||||||||||
| 31406 | Martin | Baumgärtel | Enna - Klangstruktur Nr. 7 | 2011 | fixed media, akusmatisch | 7:15:00 | 6 | HfM Dresden | 0 | ||||||||||
| 31391 | Martin | Baumgärtel | Fragmente 3/4 | 2008 | fixed media, akusmatisch | Quadro | HfM Dresden | 0 | |||||||||||
| 31405 | Martin | Baumgärtel | Klangstruktur Nr. 6 | 2010 | fixed media, akusmatisch | 6, Octo | HfM Dresden | 0 | |||||||||||
| 31455 | Martin | Baumgärtel | Linie Blau | 2013 | radiophon | 21:27 | Stereo | HfM Dresden, Radio HR Frankfurt | 30.4.2013 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3645141&vi=123&SID | |||||||
| 31547 | Martin | Baumgärtel | Segmente II | 2013 | fixed media, akusmatisch | 8:00 | next_generation 5.0 | HfM Dresden | 26.6.2013 | ZKM | 0 | ||||||||
| 31439 | Martin | Baumgärtel | WO-MAN…? | 2009 | Zuspiel, live-elec, 3 perf | Sp, fl, vc [Sprecher, Flöte, Cello] | HfM Dresden | 0 | |||||||||||
| 31767 | Jan | Baumgart | LautRiss | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31766 | Jan | Baumgart | Warp and Wooves | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 959 | Herwig, Alexander | Baumgartner, Eberhard | Circulation and Concentration, Hommage an John Cage | 1994 | intermedia | ELAK Wien | 0 | ||||||||||||
| 960 | Herwig, Alexander, Klaus, Michael, Nicolaj, Katharina, Andreas, Igor, Heinrich, Wolfgang | Baumgartner, Eberhard, Filip, Kieslinger, Kirisitz, Klement, Lichtenfels, Lintz-Maués, Mader, Musil | Sigharting-Projekt | 1992 | intermedia | 60:00 | Kollektivkomposition; other composer: Horst Zachmann | ELAK Wien | 0 | ||||||||||
| 38947 | Walter | Baumgartner | Wunder der Verwandlung | 1962 | Film | 11:51 | Siemens | Sandoz- AG Basel und Unternehmensverband Ruhrbergbau Essen | 0 | ||||||||||
| 25456 | Jürg | Baur | Konzert für Mixturtrautonium und Streichquartett | 1956 | live-elec, 5 perf | mtr, str-qt [synthesizer, Streicher] | 1 | ||||||||||||
| 20014 | Eduardo | Bautista | El Aroma del Copal | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20016 | Eduardo | Bautista | Guernika | Tanz | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20015 | Eduardo | Bautista | Las Huellas del Lince | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20013 | Eduardo | Bautista | Memoria del Agua | fixed media, akusmatisch | Stereo | PS C. MIDIPolis | 0 | ||||||||||||
| 20012 | Eduardo | Bautista | Vientos de España | 1992 | fixed media, akusmatisch | Stereo | Expo 92 | PS C. MIDIPolis | 0 | ||||||||||
| 961 | F. | Bayer | Propositions VII | 1988 | fixed media, akusmatisch | 13:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 962 | François | Bayle | Aêr | 1986 | intermedia | 34:50 | avec lumière | IRCAM | 0 | http://www.magison.org/ | |||||||||
| 963 | François | Bayle | Aéroformes | 1984 | fixed media, akusmatisch | 67:30 | 16 parts | IRCAM | 0 | http://www.magison.org/ | |||||||||
| 32241 | François | Bayle | Arc, pour Gérard Grisey | 1999 | fixed media, akusmatisch | 8:02 | pour Gérard Grisey | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 0 | |||||||||
| 40740 | François | Bayle | Blockzeit | 1974 | Hintergrundmusik | INA • GRM | Airport Wien | 0 | |||||||||||
| 40468 | François | Bayle | Calabardin | 1962 | Film | film „image par image“. Texte d’ A. Voisin | INA • GRM | 11.1.1965 | TV ORTF, 2. chaine | 0 | |||||||||
| 964 | François | Bayle | Camera lucida, Camera Oscura, part 1 | 1979 | Tanz | 28:00 | Stereo | INA • GRM | 4.11.1979 | Paris | 0 | http://www.magison.org/ | |||||||
| 965 | François | Bayle | Camera oscura, Sept préludes Labyrinthe |
1976 | Tanz | Performance |
40:42 | Stereo, 3 tracks | 7 préludes et un "labyrinthe", Vol 14 | MGCB 1400/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Commande de l'Etat et de l'INA·GRM | 19.11.1976 | Theâtre de Metz; 5. Rencontres Int. de Musique Contemporaine; Chor. et mise en scène J. Babilée. Soliste C. Imbert | 1 | http://www.magison.org/ | ||||
| 26164 | François | Bayle | Cinq dessins en rosace | 1973 | fixed media, akusmatisch | 14:00 | Stereo | INA • GRM | 18.2.1978 | Bern | 0 | http://www.magison.org/ | |||||||
| 966 | François | Bayle | cinq thèmes sons | 1970 | fixed media, akusmatisch | 1:55 | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | |||||||||
| 40730 | François | Bayle | Coeur de secours | 1973 | Film | 9 | INA • GRM | Dragon d'argent du Festival de Cracovie 1973 Prix spécial du Festival d'Annecy 1973 |
0 | ||||||||||
| 40425 | François | Bayle | Comme Si | 1961 | fixed media, akusmatisch | partition graphique à partir du poème de Mallarmé | INA • GRM | 0 | |||||||||||
| 967 | François | Bayle | Cristal | 1972 | fixed media, akusmatisch | 19:30 | Stereo | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 968 | François | Bayle | Cristal | 1977 | live-elec, 11 perf | 22:00 | 11 Tracks, Quadro, Stereo | 11 ens, syter [synthesizer, Ensemble] | Syter | CRF 043, Cassette Radio France/ | INA • GRM | Radio France | 16.3.1977 | Paris, Maison de la Radio, Gd. Auditorium; avec le NOP, dir. Lukas Vis et Syter, dir. J.-F. Allouis | 0 | http://www.magison.org/ | |||
| 969 | François | Bayle | D'une Boite a musique | 1981 | fixed media, akusmatisch | 4:02 | Stereo | CIRM (1991)/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 32244 | François | Bayle | Déplacements, horizontal - vertical spiral |
2012 | fixed media, akusmatisch | 25:30 | Concert-Surprise pour Ch.von Blumröder ≈ 3 minutes | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 28.10.2011 12.10.2012 |
Köln Paris |
0 | |||||||
| 37902 | François | Bayle | Diabolus in Musica | 2009 | fixed media, akusmatisch | MGLD 1908/ | 0 | ||||||||||||
| 40410 | François | Bayle | Echiquier | 1960 | live-elec, 1 group | 7:55 | ens [Ensemble] | INA • GRM | 17.12.1962 | Paris, Salle des Conservatoires, dir. K. Simonovic | 0 | ||||||||
| 970 | François | Bayle | Electrucs, Sophistication Train noir Voltage stomp Crépuscule Quadrille Arpegiatto Mélodie zèbre Saccades La «chose» Ennemi intime |
1974 | fixed media, akusmatisch | 22:02 | Stereo | 10 parts | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 974 | François | Bayle | Erosphère, Eros bleu La fin du bruit |
1979 - 1980 | fixed media, akusmatisch | 34:50 | Stereo | première partie | Coll GRM 9108 BA/ INA C 3002/ INA T 9501/ INA C 1000/ MGLD 2009/ INA C 1033 27653 archives grm CD 3/5/ MGCB 1705/ MGLD 2009/ Coll GRM G 101 BA | INA • GRM | Commande de l’Etat (pour La Fin du bruit) | 21.1.1980 | Paris, Maison de Radio-France, Gd. Auditorium "Cycle Acousmatique 1980" |
1 | 1984 | http://www.magison.org/ | |||
| 1998 | |||||||||||||||||||
| 28656 | François | Bayle | Erosphère, Eros rouge Tremblement de terre très doux Eros noir Toupie dans le ciel Eros noir fin |
1979 - 1980 | fixed media, akusmatisch | 62:25 | Stereo | deux. partie trois. partie |
Coll GRM 9108 BA/ INA C 3002/ INA T 9501/ INA C 1000/ Coll GRM 9101 BA / INA C 1033 27653 archives grm CD 3/5/ MGCB e102/ MGCB 1705/ MGLD 2009/ Coll GRM G 101 BA | INA • GRM | 21.1.1980 | Maison de Radio-France, Paris | 1 | 1984 | http://www.magison.org/ | ||||
| 28657 | François | Bayle | Erosphère, 3 Éros Eros bleu Eros rouge Eros noir |
1979 - 1980 | Zuspiel, live-elec, 1 perf | 27:14 | Stereo | com [computer] | suite tirée d'Erosphère | Coll GRM 9108 BA/ MGLD 2009/ INA T 9501/ INA C 1000/ Coll GRM G 101 BA / INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | 5.10.1980 | Budapest, Salle Semmelweis | 1 | 1984 | http://www.magison.org/ | |||
| 975 | François | Bayle | Espaces inhabitables, Jardin de rien Géophonie Hommage à Robur le bleu du ciel Amertumes |
1967 | fixed media, akusmatisch | Tanz |
17:41 | Stereo | 1972 choreografie in the opera Lyon | Coll GRM 9101 BA/ WER 30252/ MGCB 1400/ PHI 836.895 DSY/ INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 027/ INA-GRM 9101 ba Gramme/ | INA • GRM | 30.05.67 | Paris, Maison de la Radio, Studio 105 | 1 | http://www.magison.org/ | |||||
| 40729 | François | Bayle | Etes-vous a Côte Mister Vibes?, l'espace décousu l'espace des images les êtres nocturnes les êtres diurnes |
1973 | radiophon | 115:17 | INA • GRM | ORTF pour Atelier de Création Radiophonique | 23.1.1973 | ORTF France-Culture | 0 | ||||||||
| 976 | François | Bayle | Exercices Sons, No. 1 No. 2 No. 3 |
1972 - 1974 | fixed media, akusmatisch | 26:30 | Stereo | first serie number 1 - 3 (1972 - 73; 27'); second serie number 4 - 5 (1974; 22') |
INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 31320 | François | Bayle | Exercices Sons, No. 4 No. 5 |
1972/1974 | Tanz | 21:48 | Stereo | first serie number 1 - 3 (1972 - 73; 27'); second serie number 4 - 5 (1974; 22') |
INA • GRM | novembre 1972 | 0 | http://www.magison.org/ | |||||||
| 978 | François | Bayle | Fabulæ, fabula onoma nota sonora |
1990/1991 | fixed media, akusmatisch | 56:45 | Stereo | MGCB 0493/ MGCB 0498/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Ina-GRM and french state | 10.11.1992 | Perpignan | 1 | http://www.magison.org/ | |||||
| 18667 | François | Bayle | Fabulæ, …nota | 1991 | fixed media, akusmatisch | 10:18 | Stereo | 3. part | MGCB 5694/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 18668 | François | Bayle | Fabulæ, …onoma | 1990 | fixed media, akusmatisch | 15:55 | Stereo | 2. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 18669 | François | Bayle | Fabulæ, …sonora | 1992 | fixed media, akusmatisch | 15:37 | Stereo | 4. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 37899 | François | Bayle | Fabulæ, …Fabula | 1991 | fixed media, akusmatisch | 14:28 | Stereo | 1. part | MGCB 0493/ | INA • GRM | Ina-GRM and french state | 1 | http://www.magison.org/ | ||||||
| 40509 | François | Bayle | Fautrier l’enragé | 1964 | Film | INA • GRM | 1964 | Venedig | Prix Lion St. Marc | 0 | |||||||||
| 979 | François | Bayle | Franchir l'espace | 1986 | fixed media, akusmatisch | 30:00 | Stereo | Text by Michel Butor | INA • GRM | Cité des Sciences et de l’Industrie | 6.10.1986 | Paris, La Villette ≈ spectacle inaugural du Planétarium | 0 | http://www.magison.org/ | |||||
| 980 | François | Bayle | Galaxie | 1964 | Film | 7:34 | Stereo | Pour un film de P. Kamler | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1964 | Bergamo Festival | 0 | http://www.magison.org/ | |||||
| 981 | François | Bayle | Germinal, feux d'eau | 1985 | fixed media, akusmatisch | 5:53 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | http://www.magison.org/ | ||||||
| 40491 | François | Bayle | Graine de rien | 1963 | Film | 4 | texte d’ A. Voisin | INA • GRM | 0 | ||||||||||
| 982 | François | Bayle | Grande Polyphonie, Appel Aux lignes actives Aux notes répétées Au jardin Figures doubles Grande polyphonie Rappel |
1974 - 1975 | fixed media, akusmatisch | 36:32 | Stereo, Quadro | 7 parts | MGCB 0392/ Coll GRM AM 227.04/ | INA • GRM | 7.4.1975 | Paris, Maison de la Radio, Studio 104 | 1 | http://www.magison.org/ | |||||
| 984 | François | Bayle | Histoire agitée | 1978 | Demo, Studie | 3:40 | Stereo | Composition pédagogique pour un ouvrage de Rudolf Frisius | Klett Stuttgart 92422/ | INA • GRM | Edition Klett | 0 | http://www.magison.org/ | ||||||
| 985 | François | Bayle | Histoire calme | 1979 | Lehre & Forschung | 1:20 | Stereo | Composition pédagogique pour un ouvrage de R. Frisius | WER 30252/ Klett Stuttgart 92422/ | INA • GRM | Edition Klett | 1 | http://www.magison.org/ | ||||||
| 40707 | François | Bayle | Ici Radio Elements, Jeîta | 1970 | radiophon | 60:25 | INA • GRM | 30.11.1970 | ORTF France-Culture | 0 | |||||||||
| 40783 | François | Bayle | Indicatif in A | 1980 | audiovisuell | 0:30 | INA • GRM | 0 | |||||||||||
| 18659 | François | Bayle | intervalles, Son Vitesse-Lumière | 1971 | fixed media, akusmatisch | 6:53 | Stereo | Pour l’audition complète de „Son Vitesse-Lumière“, ces intervalles s’intercalent entre les mouvements | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 987 | François | Bayle | Jeita ou horloge de sang, Jeîta ou murmure des eaux | 1970, 1985 | fixed media, akusmatisch | 26:30 | Stereo, Quadro | new Version with 4 tracks (voir 1970, No. 584) 17 parts |
INA • GRM | 20.5.1985 | Maison de Radio France | 1 | http://www.magison.org/ | ||||||
| 988 | François | Bayle | Jeita ou murmure des eaux, Murmure des eaux Cloches fossiles Murmure des abeilles de pierre Bouche d'ombre Rêverie de la multiplication Le vaisseau Nadir Oracle Murmure des eaux L'eau verticale Ailleurs Rêverie de la résonance «Eau forte» Murmure des dentelles d'eau Intervalles d'eau Ecriture murmurées Oracles Murmure des eaux |
1970, 1985 | fixed media, akusmatisch | 40:12 | Stereo | 17 parts; new version 1985 | MGCB 1399/ PHI 6521.016/ Klett Stuttgart 92422/ INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 101/ | INA • GRM | Conseil National du Tourisme au Liban | 19.11.1970 4.2.1971 |
Bordeaux Alhambra, Sigma 6 (Version 8 Mvts.) Paris, Halles Baltard (version integrale) |
Prix Italia | 1 | http://www.magison.org/ | |||
| 22007 | François | Bayle | Jeita-retour, Oracle des eaux 1 Oracles des eaux 2 |
1985 - 1999 | fixed media, akusmatisch | 5:23 | Stück in zwei Sätzen: Oracle des eaux 1, Oracles des eaux 2 | MGCB 1399/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 989 | François | Bayle | Journal, L'Expérience acoustique No. 2 | 1969 | fixed media, akusmatisch | 6:30 | Stereo | 1. Version | INA • GRM | 27.2.1969 | Paris, Maison de la Radio, Studio 105 | 1 | http://www.magison.org/ | ||||||
| 18660 | François | Bayle | Journal, L'Expérience Acoustique 2 | 1971 | fixed media, akusmatisch | 3:10 | Stereo | (II.7) | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | |||||||
| 990 | François | Bayle | L'Archipel, Légers balancements Cadence, libre mais rigoureusements contenu. Pliages. Objets enfin immobliles |
1963, 1967 | Zuspiel / Tonband, 4 perf | 18:00 | Stereo | str-qt [Streicher] | zurückgezogen / withdrawn | PHI 836.895 DSY/ IDEAMA CD 027/ | INA • GRM | 11.1.1963 | Paris Salle des Conservatoire, avec le Quatuor Parenin | 0 | http://www.magison.org/ | ||||
| 40711 | François | Bayle | L’Avenir a Reculsons | 1970 | Musikinstrument, keine EM, 1 perf | 180 | org [Orgel] | INA • GRM | 17.2.1971 | Paris, Eglise St. Séverin | 0 | ||||||||
| 40652 | François | Bayle | L’enfant de la haute mer | 1968 | Film | INA • GRM | 21.12.1968 | TV ORTF, 2. chaine | 0 | ||||||||||
| 33882 | François | Bayle | L'Expérience acoustique | 1969 - 1972 | fixed media, akusmatisch | 130 | version with 16 parts: 01:55 + 10:04 + 04:57 + 02:15 + 12:45 + 00:35 + 10:26 + 07:28 + 03:10 + 10:12 + 06:53 + 03:49 + 07:22 + 03:17 + 24:45 + 08:55 |
MGLD 2113/ IDEAMA CD 102-103/ | INA • GRM | 3.8.1972 | Avignon | 0 | |||||||
| 992 | François | Bayle | L'Expérience acoustique No. 1 L'Aventure du cri, ...l’inconscient de la forme Match nul Solitioude |
1969 | fixed media, akusmatisch | 17:23 | Stereo | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 12.5.1970 25.2.1971 |
Gulbekian Festival Lisboa Paris, Halles Baltard (Création avec „Le langage des fleurs“ sous le titre „L’expérience acoustique“) |
1 | http://www.magison.org/ | ||||||
| 993 | François | Bayle | L'Expérience acoustique No. 2, Le langage des fleurs Substance du signe Métaphore Métaphore / Ligne et points Journal |
1971 | fixed media, akusmatisch | Film |
34:37 | 4 parts | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | de l'Etat | 26.2.1971 | Paris, Halles Baltard "Cinq Journées Rencontres 1971" |
1 | http://www.magison.org/ | |||||
| 991 | François | Bayle | L'Expérience acoustique No. 4 L'Épreuve par le son, transparence du purgatoire |
1971 | fixed media, akusmatisch | 33 | 1 part: (No. 13) transparence du purgatoire | MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 996 | François | Bayle | L'Expérience acoustique No. 5 La philosophie du non, Energie libre, énergie liée |
1972 | fixed media, akusmatisch | 9:00 | Stereo | Energie libre, énergie liée. Conclut la première série de „L'Expérience acoustique“ |
MGCB 5694/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 3.8.1972 | Avignon, dans l’intégrale de „L’expérience acoustique“ (1. série) | 1 | http://www.magison.org/ | |||||
| 18662 | François | Bayle | …l'inconscient de la forme, L'Expérience acoustique No. 1 part 1 |
1970 | fixed media, akusmatisch | 10:04 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 22006 | François | Bayle | L’infini du bruit | 1980 - 1999 | fixed media, akusmatisch | 10:55 | MGCB 1399/ | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 40470 | François | Bayle | L’objét captif | 1962 | Film | 3:24 | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 22352 | François | Bayle | L'Oiseau chanteur | 1963 | Film | 3:26 | Stereo | Beilage NZ 5/97 zum Artikel von Rolf Frisius (konkrete Musik); "Klang Welten". For the film "3 portraits d'un Oiseau-Qui-N'Existe-Pas". This is the first EM-Piece by Bayle! |
WER 30252/ Fratello Fabri Editori 103/ Candide CE 31025/ PHI 836.895 DSY/ Klett Stuttgart 92422/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 32242 | François | Bayle | L’Oreille étonée, L’Oreille étonée (in memoriam O. Messiaen) | 2006 | fixed media, akusmatisch | 19:20 | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 12.10.2007 | Köln | 0 | ||||||||
| 40641 | François | Bayle | La belle cerebrale | 1968 | Film | INA • GRM | 1968 | Cannes Festival | Grand Prix du Festival de Cork 1968 | 0 | |||||||||
| 24741 | François | Bayle | La forme de l’esprit est un papillon, Ombrages et trouées Couleurs inventées |
2002 - 2004 | fixed media, akusmatisch | 35:35 | MGCB 1804/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 9.10.2004 | Köln | 0 | http://www.magison.org/ | |||||||
| 24740 | François | Bayle | La forme du temps est un cercle, concrescence si loin, si proche… tempi allures cercles |
1999 - 2001 | fixed media, akusmatisch | 59:20 | Octo | last part cercle: 13:25 Minutes | MGCB 1501/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | INA - GRM Paris | 12.1.2002 | Salle Olivier Messiaen of Maison de Radio France | Magison | 1 | http://www.magison.org/ | |||
| 18664 | François | Bayle | la langue inconnue, L'Expérience acoustique No. 3 part 8 |
1971 | fixed media, akusmatisch | 10:14 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 997 | François | Bayle | La Main Vide, bâton de pluie la fleur future Inventions |
1993/1995 | fixed media, akusmatisch | 42:41 | Stereo | bâton de pluie, la fleur future, Inventions | MGCB 0896/ MGCB 0807/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1 | 1996 | http://www.magison.org/ | ||||||
| 998 | François | Bayle | La philosophie du non, énergie libre énergie liée |
1972 | fixed media, akusmatisch | 8:55 | -> L'Expérience acoustique Chapter 5: La philosophie du non | MGCB 5694/ | INA • GRM | 3.8.1972 | Avignon, dans l’intégrale de „L’expérience acoustique“ (1. série) | 1 | http://www.magison.org/ | ||||||
| 40619 | François | Bayle | La Plaie et le Couteau | 1967 | Fernsehen, | INA • GRM | novembre 1967 | TV ORTF | 0 | ||||||||||
| 40714 | François | Bayle | La verite difficile | 1971 | Film | INA • GRM | 10.11.1971 | TV ORTF | 0 | ||||||||||
| 40469 | François | Bayle | Le chevalier de la Charette | 1962 | Theatermusik | Marionetten Theater | INA • GRM | Avril 1962 | Paris | 0 | |||||||||
| 40718 | François | Bayle | Le jardin des fleurs vivantes | 1971 | radiophon | 39 | Prodisc PS 17346/ | INA • GRM | 1.11.1971 | ORTF France-Culture | 0 | ||||||||
| 40458 | François | Bayle | Le regard | 1962 | Tanz | INA • GRM | 1962 | Lyon, Opéra | 0 | ||||||||||
| 1000 | François | Bayle | Les couleurs de la nuit, Sept moments enchaînés: animé plus animé trois andantes: couleurs froissées, lune floue, bouffées nuit noire nuit blanche nuit dénouée |
1982 | fixed media, akusmatisch | 38:03 | Stereo | INA C 1001/ Coll GRM 9117 BA/ INA G 6033-47 | 50 ans d'acousmatique/ SR 371 sub rosa/ | INA • GRM | 15.3.1983 | Paris, IRCAM Espace de projection | 1 | 1984 | http://www.magison.org/ | |||||
| 40620 | François | Bayle | Levi Strauss | 1967 | Fernsehen, | INA • GRM | 2.11.1968 | TV ORTF, 1. chaine | 0 | ||||||||||
| 22757 | François | Bayle | Liaison 17, Concert Collectif | 1962 | Zuspiel / Tonband, 17 perf | 8:23 | 17 ins [Instrument] | unvollständig | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40452 | François | Bayle | Liaison 8 Liaison 4 |
1962 | Zuspiel / Tonband, 12 perf | 8 | Mono | 2 perc, 10 ins [Schlagzeug, Instrument] | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||
| 1001 | François | Bayle | Lignes et Points | 1966 | Film | 6:20 | Stereo, Quadro | 5 parts | PHI 836.895 DSY/ | INA • GRM | April 1966 | 3rd Festival Royan | 1 | 1998 | http://www.magison.org/ | ||||
| 40420 | François | Bayle | Llanto | 1961 | Tanz | 18 | Poème de F. G. Lorca | INA • GRM | décembre 1961 | Frankfurt | 0 | ||||||||
| 40664 | François | Bayle | M… E…, Musique eclatées | 1969 | fixed media, akusmatisch | 39:30 | Spectacle musical à partir de 16 séquences des MUSIQUES ECLATEES. | INA • GRM | 24.10.1969 | Paris, Maison de la Radio, Studio 104, SMIP 1969, avec Rufus et le Bel Canto Choir de Stockholm | 0 | ||||||||
| 18665 | François | Bayle | match nul, L'Expérience acoustique No. 1 part 2 |
1970 | fixed media, akusmatisch | 4:57 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40501 | François | Bayle | Mensonges | 1963 | Film | pour le film „Rebecca“ de P. Vecchiali | INA • GRM | 0 | |||||||||||
| 18666 | François | Bayle | Métaphore | 1970 | fixed media, akusmatisch | 10:26 | Stereo | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 1003 | François | Bayle | Métaphore + lignes et points, L'expérience acoustique | 1970, 1971 | Film | intermedia |
7:30 | Quadro | MGCB 5694/ | INA • GRM | December 1970 | Saint-Etienne, Maison de la Culture | 0 | http://www.magison.org/ | ||||||
| 40523 | François | Bayle | Meurtre | 1964 | Film | 3:30 | d’après Franz Kafka | INA • GRM | 19.1.1965 | Frankfurt, Musica Viva | 0 | ||||||||
| 1004 | François | Bayle | Mimaméta | 1989, 2004 | fixed media, akusmatisch | 11:02 | Syter. Rev. 2004 | MGCB 0291/ Agon PV 725001/ INA C 1034 27654 archives grm CD 4/5/ MGCB 1804/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 25.11.1989 | São Paulo | 1 | http://www.magison.org/ | ||||||
| 1005 | François | Bayle | Mon daimon de recherche | 1971 | radiophon | 11:15 | Stereo | pour un poème de F. Billetdou | INA • GRM | ORTF | 17.1.1971 26.8.1971 27.8.1971 |
ORTF France-Culture Menton, Festival Chantiers Navals |
0 | http://www.magison.org/ | |||||
| 1006 | François | Bayle | Monde 73 | 1973 | fixed media, akusmatisch | 3:32 | Stereo | Final du spectacle „Page Noire“ | INA • GRM | 14.4.1973 | Paris, Espace Cardin | 0 | http://www.magison.org/ | ||||||
| 24739 | François | Bayle | Morceaux de ciels | 1997 | fixed media, akusmatisch | 25:27 | dedicated to Stockhausen (zum 70. Geburtstag) | MGCB 1298/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 1007 | François | Bayle | Motion - Émotion | 1985 | fixed media, akusmatisch | 22:01 | Stereo | INA C 1001/ INA e 5009/ INA G 6033-47 | 50 ans d'acousmatique/ MGCB 0000/ | INA • GRM | 27.1.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 1 | 1998 | http://www.magison.org/ | |||||
| 1008 | François | Bayle | Nadir, Jeita ou murmure des eaux | 1968 | live-elec, 7 perf | Stereo | S, T, B, b-cl, gui, oma, perc [Sopran, Tenor, Bass, Klarinette, Gitarre, Schlagzeug, synthesizer] | INA • GRM | 1 | http://www.magison.org/ | |||||||||
| 40443 | François | Bayle | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | INA • GRM | 0 | ||||||||||||
| 37900 | François | Bayle | Opus 100, Deviner-devenir | 2013 - 2014 | fixed media, akusmatisch | 23:50 | 0 | ||||||||||||
| 37901 | François | Bayle | Ouïr, Figures sans origine | 2015 - 2017 | fixed media, akusmatisch | 40 | PS C. | 0 | |||||||||||
| 1011 | François | Bayle | Personnage et intervalles bleus, Personnage intervalles bleus |
1976 | Theatermusik | 18:40 | Stereo | MGCB 5694/ | INA • GRM | 23.02.1976 | Théâtre Récamier, Paris; avec Catherine Imbert et Paul de Laminat | 0 | http://www.magison.org/ | ||||||
| 1012 | François | Bayle | Pluriel, Concert Collectif | 1963 | Zuspiel / Tonband, 17 perf | 8:23 | Stereo | 17 ins [Instrument] | PHI 836.895 DSY/ IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck. (Version définitive du c.c., cf. 1962 Nr. 216, neuf séquences de base) | 0 | http://www.magison.org/ | |||||
| 40405 | François | Bayle | Points critiques | 1960 | live-elec, 1 group | 5:30 | Stereo | ens [Ensemble] | enregistrement de EIMCP, dir. K. Simonovic | INA • GRM | 1961 | Paris, Biennale | Prix Biennale de Paris 1961 | 0 | |||||
| 1013 | François | Bayle | Portrait poeme pour Leonor Fini | 1968 | Fernsehen, | 27:00 | Stereo | INA • GRM | 25.1.1968 | TV ORTF, 2. chaine | 0 | http://www.magison.org/ | |||||||
| 40621 | François | Bayle | Portrait poème pour Leonor Fini | 1967 | Fernsehen, | INA • GRM | 25.1.1968 | TV ORTF, 2. chaine | 0 | ||||||||||
| 1014 | François | Bayle | Profane, Portrait-poème pour Léonor Fini | 1968 | Tanz | 25:10 | Stereo | INA • GRM | 31.1.1969 | Amiens, Maison de la Culture | 0 | http://www.magison.org/ | |||||||
| 40537 | François | Bayle | Psaumes et versets | 1964, 1967 | Film | INA • GRM | 0 | ||||||||||||
| 1015 | François | Bayle | Purgatoire, Cantique électronique | 1972 | Zuspiel/Tonband, 4 perf | Tanz |
72:15 | Stereo | V, perc, cl, hpd [Stimme, Klarinette, Cembalo, Schlagzeug] | d'après la Divine Comedie di Dante; prologue, 10 "Chiffres". 2 Versions! |
MGCB 0795/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | Commande de l’Etat | 5.2.1973 28.3.1973 31.3.1976 |
Paris, Th. Récamier (version concert) dito (proj. disp. des Botticell) Lyon, Auditorium Maurice Ravel (Chor. de V. Biagi; Décors: R. Allio) |
1 | http://www.magison.org/ | |||
| 40584 | François | Bayle | Quatre savants une sciénce | 1966 | Film | INA • GRM | 20.11. & 18.12.1966 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40757 | François | Bayle | Raga du matin | 1975 | radiophon | 58 | INA • GRM | 18.8.1975 | ORTF France-Culture | 0 | |||||||||
| 1016 | François | Bayle | Rébus | 1968 | live-elec, 3 perf | 12:00 | Stereo | S, Sp, oma [Sopran, Sprecher, synthesizer] | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 32243 | François | Bayle | Rien n’est réel, sensations perceptions |
2009 - 2010 | fixed media, akusmatisch | 25:30 | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 0 | ||||||||||
| 40550 | François | Bayle | Six comediens sans personnage | 1965 | Film | sequences de clavecin | INA • GRM | 9.5.1965 | TV ORTF, 1. chaine | 0 | |||||||||
| 1018 | François | Bayle | Solitioude, L’expérience acoustique No. 1 | 1969 | fixed media, akusmatisch | 6:35 | Stereo | 1. version | PHI 6526003/ MGCB 5694/ PHI 6585 007/ PHI 6740 001/ Klett Stuttgart 98762/ | INA • GRM | 1 | http://www.magison.org/ | |||||||
| 1019 | François | Bayle | Son vitesse-lumière, version F.A.U.S.T. Grandeur Nature Paysage, Personnage, Nuage Voyage au centre de la tête Le sommeil d'Euclide Lumière ralentie |
1986 | fixed media, akusmatisch | radiophon |
122:00 | Stereo | Text by H. Michaux | INA G 6033-47 | 50 ans d'acousmatique/ MGLD 2216/ | INA • GRM | 26.10.1986 | Toulouse, Halle aux Grains; Luminographie: J. Rouveyrollis; Lasers: P. Richard; Pour le premier Forum des Arts et Univers Scientifique et Technique (F.A.U.S.T.) | 1 | http://www.magison.org/ | |||||
| 22290 | François | Bayle | Son Vitesse-Lumière, Grandeur nature Paysage, personnage, nuage |
1980 - 1983 | fixed media, akusmatisch | 57:30 | MGCB 9097/ SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musicisc 247392/ MGCB 91097/ | INA • GRM | INA • GRM | 23.3.1981 | Paris, Maison de Radio France, Gd. Auditorium | 1 | http://www.magison.org/ | ||||||
| 31324 | François | Bayle | Son Vitesse-Lumière, Voyage au centre de la Tète | 1982 | fixed media, akusmatisch | 20:30 | 3. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | Commande d'Etat et de l'INA.GRM | 23.4.1982 | Paris, Maison de Radio France, Gd. Auditorium | 1 | http://www.magison.org/ | |||||
| 31326 | François | Bayle | Son Vitesse-Lumière, Le sommeil d'Euclide | 1983 | fixed media, akusmatisch | intermedia |
20:30 | 4. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | Ministère de la Culture | 18.11.1983 | Metz, Palais des Sports, 12. Rencontres Internationales de Musique Contemporaine de Metz | 1 | http://www.magison.org/ | |||||
| 31327 | François | Bayle | Son Vitesse-Lumière, Lumière ralentie | 1983 | fixed media, akusmatisch | intermedia |
34 | 5. part | SC 658 CD/ WER 2023-50, Computer Music Currents 3/ Musidisc 247392/ MGCB 91097/ | INA • GRM | 18.11.1983 | Metz, Palais des Sports | 1 | http://www.magison.org/ | ||||||
| 18670 | François | Bayle | substance du singe, L'Expérience acoustique No. 2 part 4 |
1971 | fixed media, akusmatisch | 12:45 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 1020 | François | Bayle | Tests projectifs sonores | 1971 | fixed media, akusmatisch | 27:52 | Stereo | ORTF - SR2 3 LP/ | INA • GRM | 0 | http://www.magison.org/ | ||||||||
| 1021 | François | Bayle | Théâtre d’Ombres, derrière l'image ombres blanches |
1988 | fixed media, akusmatisch | 39:37 | Stereo | 12 tracks / parts | Prix ars electronica 89/ MGCB 0291/ MGCB 1298/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 06.07.89 | Festival MANCA-CIRM | Auszeichnung ars electronica 1989 | 0 | http://www.magison.org/ | ||||
| 24738 | François | Bayle | Thèmes-sons, L'Expérience acoustique | 1970 - 1973 | fixed media, akusmatisch | 1:55 | MGCB 5694/ | INA • GRM | 0 | http://www.magison.org/ | |||||||||
| 40592 | François | Bayle | Titan, Andromede | Film | 3:15 | Musique pour l’Image MPI/LP 105/ | INA • GRM | 8.9.1968 | TV ORTF, 2. chaine | 0 | |||||||||
| 40525 | François | Bayle | Tournoi | 1964 | Film | 9 | texte A. Voisin | INA • GRM | 0 | ||||||||||
| 31322 | François | Bayle | Tremblement de terre très doux, Suite Erosphère part 2 |
1978 | fixed media, akusmatisch | 28:11 | Coll GRM 9101 BA/ | INA • GRM | INA • GRM | 19.3.1979 | Paris, Maison de Radio France, Gd. Auditorium | 0 | |||||||
| 1023 | François | Bayle | Trois rêves d'oiseau, l'oiseau moqueur l'oiseau triste l'oiseau Zen |
1963, 1971 | fixed media, akusmatisch | audiovisuell |
9:58 | Stereo | exemplaire d'archive numéroté, 11/50 | Coll GRM 9101 BA/ Agon PV 725001/ MGCB 1804/ INA-GRM 9101 ba Gramme/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 6.2.1972 October 1979 |
Paris, Musée Guimet ACIC Paris, Sacem |
1 | http://www.magison.org/ | |||||
| 1024 | François | Bayle | Trois-portraits-d'un-oiseau-qui-n'existe-pas, Oiseau carnassier Oiseau mouche Oiseau chanteur |
1963, 1971 | Film | 7:22 | Stereo | ob, hp, hn, hpd, vib [Oboe, Horn, Harfe, Cembalo, Schlagzeug] | INA G 6033-47 | 50 ans d'acousmatique/ IDEAMA CD 027/ | INA • GRM | 22.12.1963 | Knokke-le-Zoute Festival | 0 | http://www.magison.org/ | |||||
| 18671 | François | Bayle | uirapuru, L'Expérience acoustique No. 3 part 10 |
1971 | fixed media, akusmatisch | 3:49 | Stereo | MGCB 5694/ | INA • GRM | 1 | http://www.magison.org/ | ||||||||
| 40725 | François | Bayle | Un geant sur la mer | 1972 | Film | 11:20 | INA • GRM | 30.6.1972 | TV ORTF, 1. chaine | 0 | |||||||||
| 28707 | François | Bayle | Univers nerveux, Univers nerveux in memoriam K. Stockhausen | 2005 | fixed media, akusmatisch | 21:49 | Stereo, Octo | INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 11.10.2007 | Universität zu Köln | 1 | 2008 | http://www.amirapress.com/tag/wdr3-studio-elektronische-musik-franois-bayle-univers-nerveux-2006 | |||||
| 1025 | François | Bayle | Vapeur | 1961, 1966 | Film | 5:12 | Stereo, Quadro | Vorversion von "Lignes et points" | BAM LD 071/ | INA • GRM | 18.7.1962 | Ranelagh Paris, Expérience 62 | 0 | http://www.magison.org/ | |||||
| 1026 | François | Bayle | Vibrations composées, rosace 1 Respiration rosace 2 Texture rosace 3 rosace 4 Polyrythmie Petite polyphonie rosace 5 |
1973 | fixed media, akusmatisch | 37:20 | Stereo | 9 (?) parts in two series | MGCB 0392/ INA R 9501/ Ellipsis Arts 3672 - OHM: 02/ INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 12.2.1972 7.10.1975 |
Paris, Espace Cardin (1. Serie) Paris, Grand Amphitheâtre de la Sorbonne (both Series) |
1 | http://www.magison.org/ | |||||
| 40618 | François | Bayle | Voyage interieur | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 40784 | François | Bayle | Zen - Atlan | 1980 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 32762 | François, Edgardo, Philippe, Luc, François-Bernard, Ivo, Jean-Etienne, Bernard, N'Guyen van, | Bayle, Canton, Carson, Ferrari, Mâche, Malec, Marie, Parmegiani, Tuong, | Concert Collectif, Pluriel Liaison 17 D'un bout á l'autre Collages Phonologie 6 pour 4 Compose-composite Synergies Tutti L'experience ambigue Alternances Eventail |
1962 - 1963 | fixed media, akusmatisch | Zuspiel/Tonband, 20 perf |
Stereo, Quadro | 12 - 20 ins [Instrument] | INA • GRM | 18.3.1963 | Paris, Salle des Conservatoires, dir. Ch. Bruck | 1 | ||||||||
| 31275 | François, Edgardo, Luc, Ivo, Bernard | Bayle, Canton, Ferrari, Malec, Parmegiani | Operabus, Concert Collectif II | 1965 | Theatermusik | 36:16 | 4 actor, ens [Schauspieler, Ensemble] | IDEAMA-Durations: 6:58 + 5:14 + 7:24 + 7:06 + 9:34 | IDEAMA CD 051/ | INA • GRM | May 1965 | Zagreb Biennale; dir. Ch. Bruck | 0 | ||||||
| 40412 | François, Beatriz | Bayle, Ferreyra | Ereignis | 1960 | live-elec, 1 group | 7 | Mono, Stereo | ens [Ensemble] | INA • GRM | 18.6.1964 | Paris, Maison de l’Etudiant | 0 | |||||||
| 40731 | François, Bernard | Bayle, Parmegiani | La divine comedie | 1973 | Film | 27:10 | INA • GRM | 26.3.1973 26.3.1973 |
Paris, Théâtre Récamier TV ORTF, 1. chaine |
0 | |||||||||
| 1009 | François, Bernard | Bayle, Parmegiani | Paradis | 1974 | Zuspiel, live-elec, 2 perf | Tanz |
22 | Mono + Mono + Mono + Mono, Quadro | 2 synt [synthesizer] | 4 taperecorders. First GRM-work with Synt in real time |
INA G 6033-47 | 50 ans d'acousmatique/ | INA • GRM | 30.1.1974 31.3.1976 |
Paris, Eglise St. Séverin Lyon, Audit. Maurice Ravel; Choré. de V. Biagi; Décor: R. Allio |
1 | http://www.inagrm.com/sites/default/files/mini-sites/parmegiani/co/Bernard_Parmegiani.html | ||||
| 31319 | François, Bernard | Bayle, Parmegiani | Paradis, Écriture | 1974 | fixed media, akusmatisch | 19:30 | INA • GRM | 30.1.1974 31.3.1976 |
Paris, Eglise St. Séverin Lyon, Audit. Maurice Ravel; Choré. de V. Biagi; Décor: R. Allio |
1 | |||||||||
| 40728 | François, Bernard, Keith | Bayle, Parmegiani, Jarrett | Page noire | 1972, 1973 | Theatermusik | Film || Tanz |
100 | Spectacle musical multi media avec chorégraphie, projection film, diapositives et film d'animation de H. Bettiol. Textes de S. Leclaire, L. Caroll, B. Noël, Black Panthers, A. Jouffroy. |
INA • GRM | novembre 1972 | Bordeaux Sigma 8 | 0 | ||||||||
| 1017 | François, Guy | Bayle, Reibel | Rumeurs, Ailleurs 1 Gesang Ailleurs 2 La leçonde musique Monde et fin Echappée 2 Bloc choral Continuo |
1968 | Zuspiel / Tonband, 21 perf, 2 groups | 31:08 | Stereo | 3 V, oma, p, 2 perc, 2 ch, 6 large ch, 9 conductor [Stimme, Piano, Schlagzeug, Performer, synthesizer, Chor] | 5 parts (Bayle; 06:30 + 05:34 + 05:04 + 05:36 + 07:49 = 31:08 min) + 3 parts (Reibel; 21min) Scénario de François Bayle 6 large ch ≈ 6000 V at 9 chefs |
IDEAMA CD 031/ | INA • GRM | Commande d’Etat | 10.8.1968 | Vaison la Romaine, A. Savouret, S. Caillat, R. Boesch (3 conductors) avec J. Higelin | 1 | http://www.magison.org/ | |||
| 994 | François, Robert | Bayle, Wyatt | L'Expérience acoustique No. 3 La Preuve par le son, La langue inconnue intervalles bleus Uirapuru L'écriture acoustique it |
1971 | fixed media, akusmatisch | Theatermusik |
32:15 | Stereo | 5 Parts with Number 8. - 12. | MGCB 5694/ INA C 1035 27655 archives grm CD 5/5/ INA G 6033-47 | 50 ans d'acousmatique/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 26.8.1971 18.6.1971 17.5.1872 |
Menton, Festival Chantiers Navals Bourges dans la cour Jacques Cœur Paris, Musée Guimet (chorégraphie: V. Biagi avec C.Imbert &C.Richet, images du "Bread and Puppet Theater" par M.Tréguer) |
1 | http://www.magison.org/ | |||||
| 1028 | Oscar | Bazán | Simbiosis I | 1964 | Zuspiel, live-elec, 2 perf | 6:00 | Stereo | e-org, perc [Keyboard, Schlagzeug] | 5 parts | LIPM B.Aires | 0 | ||||||||
| 1029 | Oscar | Bazán | Simbiosis II | 1965 | fixed media, akusmatisch | 6:20 | Mono | LME Uni Cordoba | 0 | ||||||||||
| 1030 | Miro | Bázlik | Adieu | 1970 | fixed media, akusmatisch | 6:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1031 | Miro | Bázlik | Arie | 1970 | fixed media, akusmatisch | 10:55 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1032 | Miro | Bázlik | Balada | 1987 | fixed media, akusmatisch | 10:55 | Stereo | MR Budapest | 0 | ||||||||||
| 1033 | Miro | Bázlik | Balada o dreve (Ballade über das Holz) | 1987 | fixed media, akusmatisch | 10:58 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1034 | Miro | Bázlik | Concertino | 1972 | fixed media, akusmatisch | 9:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1035 | Miro | Bázlik | Epoche | 1984 | Zuspiel / Tonband, | 32:10 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 1036 | Miro | Bázlik | Epoché II | 1994 | Zuspiel / Tonband, 1 perf | 17:21 | vc [Cello] | EM CD 003/ | CECM Bratislava | 1 | |||||||||
| 1037 | Miro | Bázlik | Ergodicka kompozicia | 1980 | fixed media, akusmatisch | 17:30 | Stereo, Quadro | CECM Bratislava | 0 | ||||||||||
| 1038 | Miro | Bázlik | Imersion | 1975 | fixed media, akusmatisch | 5:30 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1039 | Miro | Bázlik | Pieta | 1972 | fixed media, akusmatisch | 8:55 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1040 | Miro | Bázlik | Simple electronic symphony, Sonata Cantus firmus Madrigal Giaccona |
1975 | fixed media, akusmatisch | 22:13 | Stereo | EM CD 001/ | CECM Bratislava | 1 | |||||||||
| 1041 | Miro | Bázlik | Spektra | 1970 - 1974 | Zuspiel / Tonband, | 120:00 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1042 | Miro | Bázlik | Triptych | 1971 | fixed media, akusmatisch | 19:10 | Stereo | CECM Bratislava | 0 | ||||||||||
| 1044 | Group | BBC Radiophonic workshop | Adventure Playground | 1962 | Fernsehen, | 15:00 | Mono | BBC | 0 | ||||||||||
| 33329 | Group | BBC Radiophonic workshop | Ape ans Essence | 1966 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 1045 | Group | BBC Radiophonic workshop | Choice | 1964 | radiophon | 0:40 | BBC | 1 | |||||||||||
| 33318 | Group | BBC Radiophonic workshop | Death of a Jelly Baby | 1963 | radiophon | 90 | Mono | BBC | 0 | ||||||||||
| 1046 | Group | BBC Radiophonic workshop | Embers | 1959 | radiophon | 60:00 | Mono | BBC | 0 | ||||||||||
| 1047 | Group | BBC Radiophonic workshop | Exploding stomach | 1964 | radiophon | 0:10 | BBC | 1 | |||||||||||
| 1048 | Group | BBC Radiophonic workshop | Family car | 1964 | Fernsehen, | 1:08 | BBC | 1 | |||||||||||
| 1049 | Group | BBC Radiophonic workshop | Free Fall | 1959 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1050 | Group | BBC Radiophonic workshop | Gravel | 1964 | radiophon | 8:00 | BBC | 1 | |||||||||||
| 1051 | Group | BBC Radiophonic workshop | Orpheus | 1962 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1052 | Group | BBC Radiophonic workshop | Poetry of Ernst Jandl "Laut und Leise" | 1965 | radiophon | Mono | BBC | 0 | |||||||||||
| 33324 | Group | BBC Radiophonic workshop | Secret fo the Chasm | 1964 | Fernsehen, | 30 | BBC | 0 | |||||||||||
| 33328 | Group | BBC Radiophonic workshop | Shadow in the clouds | 1966 | Fernsehen, | 60 | Mono | BBC | 0 | ||||||||||
| 1053 | Group | BBC Radiophonic workshop | Sono-Montage | 1965 | Hintergrundmusik | 30:00 | Mono | background for poetry recital, with kinetic art | BBC, Stagesound London | 0 | |||||||||
| 33325 | Group | BBC Radiophonic workshop | The Building of the Bomb | 1964 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 33323 | Group | BBC Radiophonic workshop | The caves of steel | 1964 | Fernsehen, | 75 | Mono | BBC | 0 | ||||||||||
| 33321 | Group | BBC Radiophonic workshop | The Dark Ages | 1964 | radiophon | 125 | Mono | BBC | 0 | ||||||||||
| 1057 | Group | BBC Radiophonic workshop | The Ocean | 1958 | radiophon | 90:00 | Mono | BBC | 0 | ||||||||||
| 1058 | Group | BBC Radiophonic workshop | Under the Loofah Tree | 1958 | radiophon | 45:00 | Mono | BBC | 0 | ||||||||||
| 33322 | Group, Barry | BBC Radiophonic workshop, Bermange | Amor dei | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | http://www.novars.manchester.ac.uk/research/delia/english_html/img8.html | ||||||||
| 1054 | Group, Barry | BBC Radiophonic workshop, Bermange | The After-Life | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | |||||||||
| 1055 | Group, Barry | BBC Radiophonic workshop, Bermange | The dreams | 1964 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 1 | http://www.novars.manchester.ac.uk/research/delia/english_html/img8.html | ||||||||
| 1056 | Group, Barry | BBC Radiophonic workshop, Bermange | The Evenings of Certain Lives | 1965 | radiophon | 45:00 | Mono | Invention for radio by Barry Bermange | BBC | 0 | |||||||||
| 33326 | Group, Peter Maxwell | BBC Radiophonic workshop, Davies | The Pagoda Fugue | 1966 | radiophon | 60 | Mono | orc-music by P. M. Davies | BBC | 0 | |||||||||
| 33319 | Group, John | BBC Radiophonic workshop, Grainer | Giants of Steam | 1963 | Fernsehen, | 40 | Mono | BBC | 0 | ||||||||||
| 22758 | Group, Ron | BBC Radiophonic workshop, Grainer | Dr. Who | 1964 | radiophon | Fernsehen, |
2:20 | Pop | BBC | 1 | ||||||||||
| 33317 | Group, Brion | BBC Radiophonic workshop, Gysin | Permutated Poems, Pistol Poem I am that I am |
1960 | fixed media, akusmatisch | 30 | Mono | text sound poem | BBC | 0 | |||||||||
| 33320 | Group, Humphrey | BBC Radiophonic workshop, Searle | The Photo of the Colonel | 1964 | radiophon | 10 | Mono | BBC | 0 | ||||||||||
| 1060 | Janet | Beat | A springtime pillow book | 1990 | Zuspiel, live-elec, 3 perf | 21:00 | Mez, fl, a-fl, (synt, con synt) [Mezzo, Flöte] | PS C. | 0 | ||||||||||
| 1061 | Janet | Beat | A vision of the unseen No. 1 | 1988 | Zuspiel / Tonband, 3 perf | 20:00 | Stereo | impro trio [Instrument] | PS C. | 0 | |||||||||
| 1062 | Janet | Beat | A vision of the unseen No. 2 | 1988 | fixed media, akusmatisch | 17:40 | Stereo | BPEM 01/ | PS C. | 0 | |||||||||
| 1063 | Janet | Beat | A willow swept by rain | 1982 | Zuspiel / Tonband, 1 perf | 12:08 | Stereo | gui [Gitarre] | PS C. | 0 | |||||||||
| 1064 | Janet | Beat | Apollo and Marsyas | 1972/1973 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | cl [Klarinette] | PS C. | 0 | |||||||||
| 1065 | Janet | Beat | Aztec myth | 1987 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | Mez [Mezzo] | PS C. | 0 | |||||||||
| 1066 | Janet | Beat | Beating around the bush | 1990 | live-elec, | 10:00-12:00 | BPEM 01/ | PS C. | 0 | ||||||||||
| 1067 | Janet | Beat | Cezanne & Poussin | 1990 | Film | elec film score | PS C. | 0 | |||||||||||
| 1068 | Janet | Beat | Cross currents and reflections (in 2 volumes ) | 1981/1982 | Zuspiel / Tonband, 2 perf | 25:00 | Stereo | p and e-p, synt [Piano, synthesizer] | Vol. 1 for sol p can be played on its own. Vol. 2 can only be played along with Vol. 1 |
PS C. | 0 | ||||||||
| 1069 | Janet | Beat | Dancing on moonbeams | 1980 | fixed media, akusmatisch | 9:44 | Stereo | elec fantasy. | SSC 001 Scottish Society of Composers/ | PS C. | 0 | ||||||||
| 1070 | Janet | Beat | Dreamscapes | 1980 | Zuspiel / Tonband, 1 perf | 12:33 | Stereo | bn [Fagott] | PS C. | 0 | |||||||||
| 1071 | Janet | Beat | Echoes from Bali | 1987 | live-elec, 1 perf | ≈ | MIDI [synthesizer] | BPEM 01/ | PS C. | 0 | |||||||||
| 1072 | Janet | Beat | Graphic video : As one opened her eyes .. | 1990 | Film | elec film score | PS C. | 0 | |||||||||||
| 1073 | Janet | Beat | Hunting horns are memories | 1977 | Zuspiel / Tonband, 1 perf | 21:50 | Stereo | hn [Horn] | PS C. | 0 | |||||||||
| 1074 | Janet | Beat | Hunza Aubade | 1987 | Zuspiel / Tonband, 1 perf | 6:47 | Stereo | t-rec [Flöte] | PS C. | 0 | |||||||||
| 1075 | Janet | Beat | Intermezzo | 1988 | live-elec, | ≈ | PS C. | 0 | |||||||||||
| 1076 | Janet | Beat | Journey of a letter | 1986 | fixed media, akusmatisch | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1077 | Janet | Beat | Kist d'Ayres | 1989 | Zuspiel, live-elec, 4 perf | 7:00-8:00 | V, fl, lute, con synt [Stimme, Flöte, Gitarre, synthesizer] | PS C. | 0 | ||||||||||
| 1078 | Janet | Beat | Lydian mix | 1989 | live-elec, 1 perf | ≈ | Stereo | (con mul timbral) synt [synthesizer] | BPEM 01/ | PS C. | 0 | ||||||||
| 1079 | Janet | Beat | Mandala | 1990 | fixed media, akusmatisch | Zuspiel, live-elec, 2 perf |
10:00 | Stereo | fl, perc (tibetian monestary bells, MIDI) [Flöte, Schlagzeug] | WX 7 | PS C. | 0 | ||||||||
| 1080 | Janet | Beat | Memories of Java | 1990 | Zuspiel, live-elec, 2 perf | 7:00 | Stereo | gender panerus, MIDI [synthesizer] | PS C. | 0 | |||||||||
| 1081 | Janet | Beat | Ongaku | 1981 | Zuspiel / Tonband, 1 perf | 17:48 | Stereo | hpd [Cembalo] | PS C. | 0 | |||||||||
| 1082 | Janet | Beat | Pastore d'Aria | 1979 | Zuspiel / Tonband, 3 perf | 13:04 | Stereo | ob, ob d´amore, ehn [Oboe] | PS C. | 0 | |||||||||
| 1083 | Janet | Beat | Piangam | 1978/1979 | Zuspiel / Tonband, 1 perf | 17:26 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 1084 | Janet | Beat | Puspawarna | 1988/1990 | fixed media, akusmatisch | live-elec, 3 perf |
≈ | V, perc (low gong), con synt [Stimme, Schlagzeug, synthesizer] | PS C. | 0 | ||||||||||
| 1085 | Janet | Beat | Second glance : Clocks, times past | 1983 | Film | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1086 | Janet | Beat | Second glance : Lighthouses | 1983 | Film | 15:00 | Stereo | PS C. | 0 | ||||||||||
| 1087 | Janet | Beat | The cranes call | 1981 | fixed media, akusmatisch | 4:30 | Stereo | elec tone poem | PS C. | 0 | |||||||||
| 1088 | Janet | Beat | The Gossamer web | 1975 | Zuspiel / Tonband, 3 perf | 28:30 | Stereo | S, p, perc [Sopran, Piano, Schlagzeug] | PS C. | 0 | |||||||||
| 39419 | Julien | Beau | La perle noire | 2017 | audiovisuell | 0 | |||||||||||||
| 1089 | James | Beauchamp | Study #5 | 1965 | fixed media, akusmatisch | 2:40 | Stereo | EMS UIUC | 0 | ||||||||||
| 1090 | Thierry | Beaucoup | Un souffle... | 1993 | Zuspiel, live-elec, 2 perf | vib, vc [Schlagzeug, Cello] | SONVS Lyon | 0 | |||||||||||
| 24177 | Paul | Beaudoin | Lamentus | 2002 | fixed media, akusmatisch | 3:30 | for robert kogan and pozzi escot | Discontact! III 2003 PeP 007/ | 1 | ||||||||||
| 24319 | Samuel | Beaudoin | ékhôs | 2004 | fixed media, akusmatisch | 8:00 | JTTP 2004 | CEC Cache 2004, PeP 009/ | 1 | ||||||||||
| 25838 | Samuel | Beaudoin | N'importe quoi | 2005 | fixed media, akusmatisch | 8:00 | Stereo | JTTP 2005 | CEC Cache 2005, PeP 010/ | winner JTTP 2005 4. prize | 0 | ||||||||
| 1092 | Olivier | Beaufils | Nach Constantinopolis | 1992 | Zuspiel, live-elec, 8 perf | 5 V, p, cl, perc [Stimme, Klarinette, Piano, Schlagzeug] | SONVS Lyon | 0 | |||||||||||
| 1091 | Olivier, Adrian | Beaufils, Russovich | Indo | 1991 | Film | SONVS Lyon | 0 | ||||||||||||
| 1093 | Jacques | Beaujean | Musiques Dispersees (C), Interlude | 1969 | Performance | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | ||||||||
| 24589 | Yves | Beaupré | Humeur de facteur, Prélude démesuré Beauséjour La Laurendeau La Pelots Point La DDB Péroraison |
1998 - 1999 | fixed media, akusmatisch | 54:13 | Stereo | IMED 0160/ | PS C. | 0 | |||||||||
| 32765 | Paul, Bernard L. | Beaver, Krause | The Nonesuch Guide to Electronic Music | 1967 | Demo, Studie | included: 2 LPs, scores | Nonesuch HC 73018/ | 0 | |||||||||||
| 33404 | Paul, Alexander | Beaver, Laszlo | Atomic Submarine | 1960 | Film | Mono | EMC Los Angeles | 0 | |||||||||||
| 23107 | Daniel | Beban | Herakles | 1999 | fixed media, akusmatisch | 8:33 | UWMD 1201 New Zealand Sonic Art Vol. 2/ | 1 | |||||||||||
| 1095 | Egils | Bebris | Hockey Night In Opera | 1995 | fixed media, akusmatisch | 2:26 | CEC DISContact_2/ | 1 | |||||||||||
| 1096 | Egils | Bebris | Immersion | 1992 | fixed media, akusmatisch | 2:55 | human voice | CEC DISContact_1/ | Con Toronto | 1 | |||||||||
| 1097 | Egils | Bebris | Process Piano | 1989 | fixed media, akusmatisch | 9:39 | Stereo | PS C. | 0 | ||||||||||
| 42461 | Géraud | Bec | Buzzz | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 23835 | Gustavo | Becerra | 2da Sinfonía | 1958 | live-elec, 1 group | 20:00 | orc, (osc, moving sound) [Orchester] | El oscilador empleado estaba programado para emitir una onda sinusoidal y luego una diente de sierra. Noviembre 1958. Teatro Astor, Santiago de Chile. |
11.1958 | Teatro Astor, Santiago de Chile | 0 | ||||||||
| 23854 | Gustavo | Becerra | Balistocata | 1982 | fixed media, akusmatisch | 3:10 | Obra de música computacional: el computador controla modulos de sonido periféricos mediante un diagrama de flujo realizado por el compositor. Existe una transcripción para piano solo. | WDR SEM | 01.1982 | WDR | 0 | ||||||||
| 23853 | Gustavo | Becerra | Batallas para Allende | fixed media, akusmatisch | 9:46 | Forma parte de la cantata “Allende”, compuesta para Quilapayún. Textos de Eduardo Carrasco. | 0 | ||||||||||||
| 23842 | Gustavo | Becerra | Batuque | fixed media, akusmatisch | 4:14 | Materiales sonoros reformulados en "Corvalán". | 0 | ||||||||||||
| 23861 | Gustavo | Becerra | Concierto para 4 pianos sampleados | 2004 | fixed media, akusmatisch | 17:56 | Estreno organizado por Mario Arenas con empleo de su programa "Punto y Tono". Es posible confiar algunas partes a pianos acústicos | 11.2004 | Sala el Pentágono, Universidad de La Serena, Chile. | 0 | |||||||||
| 23846 | Gustavo | Becerra | Cornos Volantes | fixed media, akusmatisch | 22:00 | Materiales sonoros reformulados en "Corvalán". | 0 | ||||||||||||
| 23847 | Gustavo | Becerra | Corvalán | 1975 | Zuspiel / Tonband, 1 perf | 41:07 | Sp [Sprecher] | Carla Cristi, Recitante. Luigi Nono, proyección sonora. Versión original con texto en aleman. 1975. Teatro Benedetto Marcello. Bienal de Venecia, Italia. Estreno parcial. |
0 | ||||||||||
| 23851 | Gustavo | Becerra | Cuando | Zuspiel / Tonband, 1 perf | 16:08 | Sp [Sprecher] | 0 | ||||||||||||
| 23849 | Gustavo | Becerra | Das Neue Wort | Zuspiel / Tonband, 1 perf | 10:00 | V [Stimme] | Versión electrónica de la obra original para voz y clarinete Bajo. La cinta que contiene la parte electrónica esta extraviada. | 0 | |||||||||||
| 23859 | Gustavo | Becerra | Das Schweigen | 1987 | Musiktheater, 1 perf | 22:46 | Contra-A [Alt] | Monodrama. Ilse Zahn Wienands, contralto. Texto de Gertrud Meyer. Como todas las obras electroacústicas o con electroacústica de Becerra, estan abiertas de acuerdo a las posibilidades de reproducción, a la intervención de "live electronics". 1a Versión: Febrero 1987, Hamburgo. 2a Versión: Junio 1987, Bremen, Alemania. |
0 | ||||||||||
| 23856 | Gustavo | Becerra | Exposición Concertante | 1981 | audiovisuell | 03.1981 | Kuntsverein Oldenburgo | 0 | |||||||||||
| 23844 | Gustavo | Becerra | Historia de una provocación | 1972 | Zuspiel / Tonband, 1 perf, 1 group | 20:17 | Bar, ens [Bariton, Ensemble] | Estreno bajo la dirección del autor con Fernando Lara, barítono y la orquesta filarmónica de la UNESCO. Septiembre 1972 palacio de la UNESCO en Paris. Francia. |
0 | ||||||||||
| 23860 | Gustavo | Becerra | Interior | fixed media, akusmatisch | 16:14 | Obra de música computacional: el computador controla modulos de sonido periféricos (tres Yamaha DX7 en este caso) mediante un diagrama de flujo realizado por el compositor. "Dedicada a mi padre". | 0 | ||||||||||||
| 23836 | Gustavo | Becerra | Juegos | 1966 | Zuspiel / Tonband, 14 perf | p, 12 perf (pelotas de ping-pong), 1 ladrillo [Piano, Performer] | La parte electrónica consistía en la grabación de parte del concierto la que luego debía ser reproducida simultáneamente con la continuación de la obra 1966, Auditorium de la Biblioteca Nacional. Santiago, Chile |
0 | |||||||||||
| 23841 | Gustavo | Becerra | Lénin | 1970 | Zuspiel / Tonband, 1 perf | 16:52 | V [Stimme] | Como voz recitante actúa el propio autor. 1970, Bonn, Alemania. |
0 | ||||||||||
| 23838 | Gustavo | Becerra | Lord Cochrane de Chile | Zuspiel, live-elec, 2 perf, 2 groups | 25:00 | Sp, V, ch, amp orc [Sprecher, Stimme, Chor, Orchester] | 0 | ||||||||||||
| 23845 | Gustavo | Becerra | Nocturno | fixed media, akusmatisch | 15:25 | Parte de la ópera "La muerte de Rodrigo" no estrenada. | 0 | ||||||||||||
| 23840 | Gustavo | Becerra | Oda al alambre de púa | 1970 | Zuspiel / Tonband, 2 perf, 1 group | 24:00 | S, prep p, orc [Sopran, Piano, Orchester] | Encargo del festival de Guanabara. Texto basado en el poema homónimo de Pablo Neruda. La cinta ha sido extraviada. Mayo 1970, II Festival de música de Guanabara. Rio de Janeiro, Brasil. |
0 | ||||||||||
| 23858 | Gustavo | Becerra | Oda al mar | 1987 | fixed media, akusmatisch | 14:10 | Musica de Fondo para la obra homonima de Pablo Neruda. Junio de 1987. Sala de actos y exposiciones de la biblioteca central de la U. de Oldenburgo. |
0 | |||||||||||
| 23837 | Gustavo | Becerra | Oratorio Macchu Picchu | Zuspiel, live-elec, 4 perf, 2 groups | 38:00 | S, 2 Sp, ch, osc, orc [Sopran, Sprecher, elektronik, Chor, Orchester] | Textos de Pablo Neruda: Alturas de Macchu Picchu y Canto II del Canto General. | 0 | |||||||||||
| 23857 | Gustavo | Becerra | Ossietzky Oratorium | 1985 | Zuspiel / Tonband, 9 perf, 2 groups | 75:00 | 2 S, 2 A, T, 2 Bar, B, ch, perc, orc [Sopran, Alt, Tenor, Bariton, Bass, Schlagzeug, Chor, Orchester] | Encargo de la Universidad de Oldemburgo. Febrero de 1985, Oldemburgo, Alemania. |
0 | ||||||||||
| 23843 | Gustavo | Becerra | Parsifae | Oper, 3 perf | 2 actor, mime [Schauspieler] | Texto de Tobías Barros Alonso. | 0 | ||||||||||||
| 23848 | Gustavo | Becerra | Progresiones | 1977 | audiovisuell, | 23:50 | (film, slides) [] | 1977, Maracaibo, Venezuela. | 0 | ||||||||||
| 23852 | Gustavo | Becerra | Quipus | fixed media, akusmatisch | 3:04 | 0 | |||||||||||||
| 23850 | Gustavo | Becerra | Strukturen | 1978 - 1980 | fixed media, akusmatisch | 11:05 | 0 | ||||||||||||
| 23839 | Gustavo | Becerra | Tres piezas para clavecín y cinta magnética | 1968 | Zuspiel / Tonband, 1 perf | 5:12 | hpd [Cembalo] | Las piezas son: 1-Morula 2- Gastrula 3-Blastula Ruby Ried, Clavecin. Noviembre 1968. Teatro IEM. Santiago, Chile. |
0 | ||||||||||
| 23855 | Gustavo | Becerra | Variationen über Balistocata von G. Becerra Scmidt | 1982 | fixed media, akusmatisch | 9:36 | Compuesta en conjunto con Wolfgang Marin Stroth. existe una transcripción para piano solo Enero de 1982 at WDR |
0 | |||||||||||
| 1098 | László | Beck | Canon | 1959 | fixed media, akusmatisch | Mono | Qualiton Budapest | 0 | |||||||||||
| 40256 | Stephen | Beck | Vale Veneto Remix | 2016 | fixed media, akusmatisch | Stephen Beck | 0 | ||||||||||||
| 18709 | Stephen David | Beck | Improvisation on Strange Attractors v1.Ob | 1990 | live-elec, 1 perf | 10:23 | Stereo | bn [Fagott] | for bassoon and Virtual Instrument Paradigm. William Ludwig (bn) | CEC DISContact_1/ SEAMUS EAM 9301 Vol. 1/ | 0 | ||||||||
| 42999 | Stephen David | Beck | inChuck | 2013 | live-elec, | 10:00:00 | laptop orc [Orchester] | Laptop Orchestra of Louisiana (the LOLs) | 0 | ||||||||||
| 18710 | Stephen David | Beck | Lov's Not Time's Fool | 1992 | live-elec, 1 perf | 8:08 | Stereo | com [computer] | MIDI; for wind controller, Yamaha TX802 synthesizer and computer. Griffin Campbell, wind controller | SEAMUS EAM 9402 Vol. 3/ CEC DISContact_1/ | 0 | ||||||||
| 37832 | Stephen David | Beck | Oh, No! (Music for Kenneth) | fixed media, akusmatisch | 0 | ||||||||||||||
| 24886 | Stephen David | Beck | Sarah-nade (After Brahms) | 1995 | fixed media, akusmatisch | 3:30 | after Brahms. KYMA and Audiosculpt |
EMF 031 „Florida EM Festival, Vol 1“/ | 0 | ||||||||||
| 42717 | Stephen David | Beck | Unhinged | 2012 | fixed media, akusmatisch | 7:43:00 | 0 | ||||||||||||
| 40257 | Stephen David, Edgar | Beck, Berdahl | Quartet for Strings | 2017 | fixed media, akusmatisch | Stephen David Beck and Edgar Berdahl | 0 | ||||||||||||
| 33888 | Thomas Taxus | Beck | Brandopfer am Sonntag | 2002 | radiophon | 31:20:00 | Stereo | (Leopold von Verschuer,) Sp [Sprecher] | Hörstück nach einer Erzählung von Jacques Hamelink | HfMT Köln CD7/ | HfMT Köln, WDR Studio Akustische Kunst | WDR | Prix Ars Acustica 2003 | 0 | |||||
| 33887 | Thomas Taxus | Beck | Hackordnung (überhühner Nr. 9) | 2000 | Zuspiel / Tonband, 1 perf | 23:50:00 | Quadro | Sp [Sprecher] | Groteske für Sprecher und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 33886 | Thomas Taxus | Beck | Monosom | 1999 | fixed media, akusmatisch | 16:36:00 | Quadro | HfMT Köln, WDR Studio Akustische Kunst | 0 | ||||||||||
| 33889 | Thomas Taxus | Beck | . punkt um. punkt, 5 Texte von Ernst Jandl | 2003 | Zuspiel / Tonband, 2 perf | 14:46:00 | Quadro + Mono | Mez, Bar, (CD-Player) [Mezzo, Bariton] | Komposition für tragbaren CD-player, Mezzosopran, Bariton und elektron. Klänge | HfMT Köln | 0 | ||||||||
| 33890 | Thomas Taxus | Beck | this guy | 2005 | radiophon | 42:30:00 | Stereo, Quadro | Hörstück über ein englisches Volksmärchen Tom Zahner, Sprecher, Stimmen von 12 englischsprachigen Personen |
HfMT Köln, WDR Studio Akustische Kunst | 0 | |||||||||
| 18809 | Rüdiger | Beckemeier | Wohlverwahrt - Essener Elegie | 1991 | intermedia | 8:43 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records/ | 1 | |||||||||
| 26414 | Daniel | Becker | Revolution | 2004 | live-elec, 1 perf | disklavier [Piano] | 0 | ||||||||||||
| 37427 | Frank W. | Becker | Incursion | 1972 | fixed media, akusmatisch | 7:50 | Stereo | NHK Tokyo | 0 | ||||||||||
| 1099 | Günther | Becker | Aktionen für Tänzer | 1971 | Zuspiel, live-elec, 1 group | Tanz |
25:00 | ens [Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1100 | Günther | Becker | Apeiron | 1972 | Zuspiel, live-elec, 2 groups | 30:00 | Quadro | ch, ens [Ensemble, Chor] | HfM Düsseldorf | 0 | |||||||||
| 26182 | Günther | Becker | Aus Alpbachs Hain und Flur | 1975/1976 | fixed media, akusmatisch | 8:55 | Cybele SACD 960.401/ | HfM Düsseldorf | 0 | ||||||||||
| 1101 | Günther | Becker | Correspondances III | 1969 | live-elec, 2 perf | 10:00 | va, db [Viola, Kontrabass] | HfM Düsseldorf | 0 | ||||||||||
| 1102 | Günther | Becker | Epiklesis Alpha | 1976 | Zuspiel / Tonband, 6 perf | 11:00 | Stereo | 6 ins [Instrument] | HfM Düsseldorf | 0 | |||||||||
| 1103 | Günther | Becker | Ferrophonie | 1973 | fixed media, akusmatisch | 21:17 | Cybele SACD 960.401/ | HfM Düsseldorf | 0 | ||||||||||
| 1105 | Günther | Becker | Hz | 1971 | live-elec, 1 perf | ob [Oboe] | HfM Düsseldorf | 0 | |||||||||||
| 1106 | Günther | Becker | Ihre Bosheit wird die ganze Erde zu einer Wüste machen | 1978 | Zuspiel / Tonband, 1 perf, 2 groups | 25:00 | Vs, ens [Stimme, Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1107 | Günther | Becker | Magnum Mysterium - Zeugenaussagen zur Auferstehung | 1979/1980 | Zuspiel / Tonband, 1 perf, 2 groups | 70:00 | Vs, ens [Stimme, Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1108 | Günther | Becker | Meteoron | 1969 | Zuspiel / Tonband, 2 perf | 14:05 | Stereo | org, perc [Orgel, Schlagzeug] | Koch 3-5037-2/ | HfM Düsseldorf | Kantorei St. Martin Kassel | 10.4.1969 | Kassel | 0 | |||||
| 1109 | Günther | Becker | Oboenkonzert | 1973/1974 | live-elec, 1 perf, 1 group | ob, orc [Oboe, Orchester] | HfM Düsseldorf | 0 | |||||||||||
| 1110 | Günther | Becker | Odyssee | 1977 | Film | film | HfM Düsseldorf | 0 | |||||||||||
| 1111 | Günther | Becker | Oh, Mr. Dolby, what a terrible noise | 1990 | Zuspiel / Tonband, 1 perf | 10:00 | b-cl [Klarinette] | HfM Düsseldorf | 0 | ||||||||||
| 1112 | Günther | Becker | Passagen | 1975/1976 | live-elec, 2 perf, 2 groups | 22:45 | Vs, ens, perc [Stimme, Schlagzeug, Ensemble] | für Sprachklänge, Tasteninstr., Schlagzeug und elektr. Modulationsgeräte | Cybele SACD 960.401/ | ICEM Essen | WDR 1976 | 0 | |||||||
| 1113 | Günther | Becker | Rigolo | 1967 | Zuspiel / Tonband, 6 perf | 8:00 | V, 5 ins [Stimme, Instrument] | HfM Düsseldorf | 0 | ||||||||||
| 1114 | Günther | Becker | Scanning | 1970 | Zuspiel / Tonband, 5 perf | Stereo | 2 tpt, hn, 2 trbn [Horn, Trompete, Posaune] | HfM Düsseldorf | Stadt Witten | 25.4.1970 | Witten, Wittener Tage für Neue Kammermusik | 0 | |||||||
| 1115 | Günther | Becker | Schnickschnack | 1969 | Zuspiel, live-elec, 1 perf | Quadro | db, slides [Kontrabass] | zurückhezogen | HfM Düsseldorf | 0 | |||||||||
| 1116 | Günther | Becker | Serie 8 | 1972 | Zuspiel, live-elec, 1 group | 35:00 | ens [Ensemble] | HfM Düsseldorf | 0 | ||||||||||
| 1117 | Günther | Becker | Transformationen | 1969/1970 | Zuspiel, live-elec, 2 groups | 23:00 | ens, orc [Ensemble, Orchester] | HfM Düsseldorf | 0 | ||||||||||
| 1104 | Günther, Dirk | Becker, Reith | Ferrosound | 1970 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||||||
| 38738 | Hannes, Julia | BECKER, VORKEFELD | 31 mechanische Tiere treten auf | 2011 | radiophon | 3:37:00 | 0 | ||||||||||||
| 1118 | John | Beckwith | Electronic composition #1 — #3 | 1965 | fixed media, akusmatisch | ≈ 10:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 37058 | Martin | Bédard | Champs de fouilles | 2008 | fixed media, akusmatisch | 10:40 | Stereo | IMED 13121/ | PS C. | Erreur de type 27 (E27) | 11.5.2008 | Chapelle du Musée de l’Amérique française in Québec | Second Prize at the 7th Prix collégien de musique contemporaine 2014-15 (Sherbrooke, Québec) Second Prize at the Sound in Space competition (Boston, USA, 2011) mention at Prix Ars Electronica (Linz, Austria, 2010) First Prize at Computer Space (Sofia, Bulgaria, 2010) Honorable mention at Prix Ton Bruynèl (Amsterdam, The Netherlands, 2010) First Prize at the 2nd International Electroacoustic Music Contest (CEMVA) (Varginha, Brazil, 2008 |
0 | |||||
| 24673 | Martin | Bédard | Check-point | 2003 | fixed media, akusmatisch | 14:08 | JTTP 2003 | CEC Cache 2003 CA/ MR 2004 Métamorphoses 2004/ | winner JTTP 2003 1. prize Métamorphoses 2004 |
1 | |||||||||
| 31986 | Martin | Bédard | Excavations | 2008 | fixed media, akusmatisch | 10:00:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 1 am 1.8.2008 18h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
Québec City 400th anniversary (1608-2008) celebrations | 2008 | 1 | 2008 | ||||||||
| 37055 | Martin | Bédard | Grand dehors, Great Outside | 2011 | fixed media, akusmatisch | 9:53 | Stereo | IMED 13121/ | PS C. | E27 | 28.1.2011 | Espaces de mémoires presented by Erreur de type 27 (E27) at Musée national des beaux-arts du Québec | 0 | ||||||
| 35701 | Martin | Bédard | Kissland | 2016 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 37057 | Martin | Bédard | Métal fatigue | 2012 | fixed media, akusmatisch | 12:43 | Stereo | IMED 13121/ | PS C. | Honorable mention at the Musicacoustica competition (Beijing, China, 2012) | 0 | ||||||||
| 37056 | Martin | Bédard | Push & Pull | 2010 | fixed media, akusmatisch | 16:00 | Stereo | IMED 13121/ | PS C. | Réseaux des arts médiatiques | 28.10.2010 | festival Akousma (7), at the Studio Hydro-Québec of the Monument-National (Montréal, Québec) | Second Prize at the Musicacoustica competition (Beijing, China, 2012) | 0 | |||||
| 25559 | Martin | Bédard | Topographie de la noirceur | 2004 | fixed media, akusmatisch | 3:57 | JTTP 2005 | CEC Cache 2005, PeP 010/ IMED 13121/ | winner JTTP 2005 2. prize | 1 | |||||||||
| 35383 | Martin, Marie-Hélène | Bédard, Breault | Replica | 2013 | fixed media, akusmatisch | 119:22 | MR 2014 Métamorphoses 2014/ Taukay 156/ | March 13, 2013 | Espaces mixtes II, Salle Multi — Méduse (Quebec City, Québec) | 0 | |||||||||
| 1119 | Roger | Bedard | Studie I, (über einen einzigen Klang) | 1972 | fixed media, akusmatisch | 15:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 1120 | Rafael, Ulrich | Bedaux, Stranz | Rhapsodie | 1974 | fixed media, akusmatisch | 10:05 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 33860 | David | Bedford | Come in here child | 1968 | live-elec, 2 perf | 8:24 | S, amp p [Sopran, Piano] | WER 6931/ | 0 | ||||||||||
| 1121 | David | Bedford | Piece 1 | 1962 | fixed media, akusmatisch | 5:00 | Stereo | non-existent | Fonologia Milano | 0 | |||||||||
| 1122 | David | Bedford | Piece 2 | 1963 | fixed media, akusmatisch | 8:00 | Stereo | withdrawn | PS C. London | 0 | |||||||||
| 24696 | David | Bednarczyk | Out of Focus | 2004 | fixed media, akusmatisch | 7:58 | JTTP 2004 | CEC Cache 2004, PeP 009/ | 1 | ||||||||||
| 41059 | David | Bednarczyk | Rape me | 2005 | fixed media, akusmatisch | 7:58 | JTTP 2005 | 1 | |||||||||||
| 1123 | Jill | Bedoukian | En Train Un | 1985 | fixed media, akusmatisch | 12:12 | Stereo | Concordia Montréal | 0 | ||||||||||
| 1124 | Jill | Bedoukian | Living Water | 1985 | fixed media, akusmatisch | 8:20 | Stereo | Concordia Montréal | 0 | ||||||||||
| 1125 | Jill | Bedoukian | Nullarbor | 1985 | live-elec, 2 perf, 1 group | Stereo | V, Kbds [Stimme, Keyboard] | 0 | |||||||||||
| 1126 | Jill | Bedoukian | Trenholme Park after Dark | 1984 | fixed media, akusmatisch | Stereo | MetaM. Montréal | 0 | |||||||||||
| 1127 | Joshua, Tabitha | Bedoukian, Bedoukian | Clipperfix—Super song | 1983 | fixed media, akusmatisch | Stereo, Quadro | MetaM. Montréal | 0 | |||||||||||
| 36506 | Franck | Bedrossian | Digital | 2003 | live-elec, 2 perf | 12:30 | db, perc [Schlagzeug, Kontrabass] | sismal Records SR 003/ | IRCAM | Festival MANCA | 1.11.2003 | Nice, théâtre Francis Gag, CIRM-festival MANCA, par Jean Geoffroy: percussion et Didier Meu : contrebasse, de l'ensemble Court-Circuit. | Billaudot | 0 | |||||
| 36513 | Franck | Bedrossian | Division | 2006 | live-elec, 20 perf | 16:00:00 | b-cl, trb, db, fl, ob, 2 cl, bn, hn, tpt, trbn, p, 3 vn, 2 va, 2 vc, db [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Piano, Viola, Cello, Violine, Kontrabass] | IRCAM | Françoise et Jean-Philippe Billarant | 17.6.2006 | festival Agora, Centre-Pompidou, grande salle, par Alain Billard : clarinette, Benny Sluchin : trombone, Frédéric Stochl : contrebasse | Billaudot | 0 | ||||||
| 38827 | Franck | Bedrossian | Epigram I - III | 2012 - 2018 | live-elec, 12 perf | computer generated score |
38 | S, 11 ins [Sopran, Instrument] | Texts by Emily Dickkinson There is also a film by Véronique Caye and Philippe Langlois about the piece (“Images of a Work No. 24) |
IRCAM | WDR, Manifeste 2018 | 28.4.2018 | Wittener Tage für neue Kammermusik 2018, Klangforum Wien, Ltg Emilio Pomarico; Donatienne Michel-Dansac (Sopran), Peter Böhm (Klangregie) | 0 | ||||||
| 33544 | Franck | Bedrossian | Epigram II | 2014 | live-elec, 12 perf | computer generated score |
9:04:00 | S, 11 ins [Sopran, Instrument] | Klangforum Wien, Ltg Emilio Pomarico | WD 2014, Wittener Tage Für Neue Kammermusik 2014/ | IRCAM | UA, Auftrag WDR und IRCAM | 10.5.2014 | Wittener Tage für neue Kammermusik 2018, | 1 | |||||
| 36514 | Franck | Bedrossian | Lamento | 2007 | live-elec, 1 perf | 10:00:00 | fem V [Stimme] | IRCAM | Ircam / Printemps des Arts de Monaco | 7.4.2007 | Monaco, festival Printemps des Arts, par Françoise Klüber | Billaudot | 0 | ||||||
| 36508 | Franck | Bedrossian | Procession | 2006 | live-elec, 1 perf | 16:00:00 | va [Viola] | IRCAM | GRAME | 10.2006 | Lyon, Biennale Musiques en Scènes, par Christophe Desjardins, alto. | Billaudot | 0 | ||||||
| 36511 | Franck | Bedrossian | Propaganda | 2008 | live-elec, 4 perf | 4 sax [Saxophon] | CIRM | 4.3.2008 | Lyon, Opéra, Biennale Musiques en scène du GRAME, par le Quatuor Habanera. | 0 | |||||||||
| 36512 | Franck | Bedrossian | Swing | 2009 | live-elec, 11 perf | fl, b-cl, bar-sax, perc, gui, p, 2 vn, va, vc, db [Flöte, Klarinette, Saxophon, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine, Kontrabass] | IRCAM | SWR für die Donaueschinger Musiktage 2009 | 18.10.2009 | Donaueschingen, festival, par l'ensemble Ictus, direction : Georges-Elie Octors | 0 | ||||||||
| 36509 | Franck | Bedrossian | The Edges are no longer Parallel | 2013 | live-elec, 1 perf | 12:00:00 | p [Piano] | IRCAM | GRAME | Billaudot | 0 | ||||||||
| 36510 | Franck | Bedrossian | The Spider as an Artist | 2014 | live-elec, 1 perf | 8:00:00 | amp vc [Cello] | IRCAM | 23.11.2014 | Berlin, Faithful Festival, par Sévérine Ballon, violoncelle | Verlag Neue Musik | 0 | |||||||
| 36507 | Franck | Bedrossian | Transmission | 2002 | live-elec, 1 perf | 10:32 | bn [Fagott] | sismal Records SR 003/ | IRCAM | 17.10.2002 | IRCAM, Espace de Projection, par Brice Martin | Billaudot | 0 | ||||||
| 35010 | Franck | Bedrossian | Twist | 2016 | live-elec, 32 perf, 1 group | 11 | 3 fl, 3 cl, 3 bn, 4 sax, 4 hn, 3 tpt, 3 tbn, tuba, tim, 3 perc, prep p, Kbd (e-p, MIDI, synt), acc, e-gui, strs [Flöte, Klarinette, Saxophon, Fagott, Horn, Trompete, Tuba, Piano, Keyboard, Akkordeon, Gitarre, Schlagzeug, Streicher] | IRCAM | SWR, IRCAM | 16.10.2016 | Donaueschingen (Donaueschinger Musiktage) 2016, l'Orchestre symphonique de la SWR, Alejo Pérez, direction |
0 | http://brahms.ircam.fr/works/work/39207/ | ||||||
| 1128 | Norma | Beecroft | From Dreams of Breath | 1964 | Zuspiel / Tonband, 2 perf, 2 groups | 15:55 | Stereo | narrator, S, ch, orc [Sopran, Schauspieler, Chor, Orchester] | Col.Princ EMC | 0 | |||||||||
| 1129 | Norma | Beecroft | The Dissipation of Purely Sound | 1988 | fixed media, akusmatisch | 17:30 | Stereo | 0 | |||||||||||
| 1130 | Paul | Beelaerts | Banden bij "Maartse Buien" | 1983 | Oper | Stereo | 4 operas for children | IPEM Gent | 0 | ||||||||||
| 26417 | Burton | Beerman | Conversations | 2004 | live-elec, 2 perf | p, Kyma [Piano, computer] | 0 | ||||||||||||
| 36591 | Burton | Beerman | Dayscapes | live-elec, 1 perf | cl [Klarinette] | Centaur CRC, CDMC Vol. 38/ | 0 | ||||||||||||
| 42577 | Burton | Beerman | INVISIBLE IMAGES | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 41937 | Burton | Beerman | Jesus´ Daughter | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 41932 | Burton | Beerman | Wind Whispers,Sounds... | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 40503 | Philippe | Beetz | Amelia | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 32764 | Philippe | Beetz | Ballade du cosmonaute | 1976 | fixed media, akusmatisch | partie concrète d’une chanson de M. Amont | Polydor 46152/ | INA • GRM | 0 | ||||||||||
| 40588 | Philippe | Beetz | Barbe | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 40502 | Philippe | Beetz | Captain Cap | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40546 | Philippe | Beetz | Demandez le Programme | 1965 | Hintergrundmusik | 1 | Génerique | INA • GRM | 0 | ||||||||||
| 33364 | Philippe | Beetz | Exposition de Lausanne | 1963 | Hintergrundmusik | 30 | Mono | PS C. Paris | 0 | ||||||||||
| 40494 | Philippe | Beetz | Fando et Lis | 1963 | Theatermusik | Pièce de Arrabal | INA • GRM | 0 | |||||||||||
| 40495 | Philippe | Beetz | Haschich | 1963 | Film | Pièce de Arrabal | INA • GRM | 0 | |||||||||||
| 40512 | Philippe | Beetz | Itineraire pour demain soir | 1964 | Theatermusik | Pièce de Paliard | INA • GRM | 0 | |||||||||||
| 33365 | Philippe | Beetz | L’atome | 1963 | Film | 30 | Mono | PS C. Paris | 0 | ||||||||||
| 40520 | Philippe | Beetz | La Revolution | Theatermusik | Pièce de Paliard | INA • GRM | 0 | ||||||||||||
| 40521 | Philippe | Beetz | Les Mauvais rêves | 1964 | Theatermusik | Pièce de Paliard | INA • GRM | 0 | |||||||||||
| 40485 | Philippe | Beetz | Les pellerins d’Hellenkraus | 1963 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40559 | Philippe | Beetz | Les Shadoks | 1965 | Film | 5 | INA • GRM | 0 | |||||||||||
| 40589 | Philippe | Beetz | Les Trucages | 1966 | Film | INA • GRM | 22.1.1967 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40538 | Philippe | Beetz | Mac Doodle et les 7 Merveilles du Monde | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 40492 | Philippe | Beetz | Magazine No. 3 | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40531 | Philippe | Beetz | Max l’Explorateur | 1964 | Musikinstrument, keine EM, | INA • GRM | 0 | ||||||||||||
| 40543 | Philippe | Beetz | Pif le Chien | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 40493 | Philippe | Beetz | Tricycle | 1963 | Theatermusik | Pièce de Arrabal | INA • GRM | 0 | |||||||||||
| 40530 | Philippe | Beetz | Triennale de Milan | 1964 | Musikinstrument, keine EM, | INA • GRM | 0 | ||||||||||||
| 40552 | Philippe | Beetz | Une histoire de la mer | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 40558 | Philippe | Beetz | Venezuela | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 1131 | Franco | Befani | CF 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 1132 | Gerhard | Behles | Silicea | 1994 | fixed media, akusmatisch | 7:45 | Stereo | Cybele 960.203/ DegeM CD 03/ | TU Berlin | 1 | |||||||||
| 1133 | Gerhard, Penko | Behles, Stoitschev | Wonga, offene Komposition | 1994 | fixed media, akusmatisch | Klangkunst, Installation |
11:00 | Quadro | TU Berlin | 28.9.-2.10.1994 | UdK Berlin, Kongress "Zeichen der Zeit" der ELIA | 1 | ||||||||
| 28914 | Marc | Behrens | <0 | 2001 | fixed media, akusmatisch | 2:06 | Stereo | Crónica 008/ | 2007 | Frankfurt, Germany | 0 | ||||||||
| 28915 | Marc | Behrens | >0 | 2001 | fixed media, akusmatisch | 7:00 | Stereo | mu-label 003-004/ | 0 | ||||||||||
| 29147 | Marc | Behrens | 20 Zonen | 2010 | fixed media, akusmatisch | 40 | Stereo | Hessen Hören | AATP 35/ | 1990 | Frankfurt, Germany | 0 | |||||||
| 29174 | Marc | Behrens | 3 Winged Zones | 2007 | fixed media, akusmatisch | 10:17 | Stereo | EDRM 417/ | 0 | ||||||||||
| 42254 | Marc | Behrens | 4a Signals, 4b Flowers | 1991 | fixed media, akusmatisch | 5:01:00 | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | ||||||||||
| 29190 | Marc | Behrens | A Disco Boy | 2004 | fixed media, akusmatisch | 2:47 | Stereo | Crónica 017/ | 0 | ||||||||||
| 29191 | Marc | Behrens | A Disco Boy (long version) | 2004 | fixed media, akusmatisch | 3:11 | Stereo | 0 | |||||||||||
| 29170 | Marc | Behrens | A Holiday Landscape | 2008 | radiophon | 5:01 | Stereo | Audible Geography – CD (Room 40, Australia) 2008 | EDRM 416/ | 0 | |||||||||
| 29213 | Marc | Behrens | A Music of Birth and Death in Ramallah (live version) | 2003 | fixed media, akusmatisch | 25 | Stereo | 1989 | Darmstadt, Germany | 0 | |||||||||
| 29160 | Marc | Behrens | A Narrow Angle: Game Parlour Saint Fun | 2008 - 2009 | fixed media, akusmatisch | 16:06 | Stereo | Entr’acte E71/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1531667&vi=21&SID | ||||||||
| 29169 | Marc | Behrens | A Narrow Angle: Taipei Metro Easycard 500 NT$ | 2008 | fixed media, akusmatisch | 18:17 | Stereo, Quadro | Entr’acte E71/ | 0 | ||||||||||
| 29161 | Marc | Behrens | A Narrow Angle: Temple Drink Vending Machine | 2008 - 2009 | fixed media, akusmatisch | 20:56 | Stereo | Entr’acte E71/ | 0 | ||||||||||
| 29090 | Marc | Behrens | A Pin-up of the Pope: Excerpt from Paranoise | 1990 | fixed media, akusmatisch | 2:00 | Stereo | 0 | |||||||||||
| 29088 | Marc | Behrens | A Pin-up of the Pope: Faint Hearts | 1990 | fixed media, akusmatisch | 5:26 | Stereo | Kbd [Keyboard] | 0 | ||||||||||
| 29089 | Marc | Behrens | A Pin-up of the Pope: Hormony, Hormony | 1990 | fixed media, akusmatisch | 3:12 | Stereo | Kbd [Keyboard] | published as Hormony on: aa 10 live show "A Pin-up Of The Pope" and video by Psy-D-Light and Animal Art. |
Animal Art aa 010/ | 1993 | Darmstadt, Germany | 0 | ||||||
| 29087 | Marc | Behrens | A Pin-up of the Pope: Pope, Pope | 1990 | fixed media, akusmatisch | 4:36 | Stereo | Kbd, b-gui [Keyboard, Gitarre] | [published as Pope on:] Kombinat M Live Kompilation – cassette tape (in ZKZ, D) 1991 | ZKZ, D 1991/ | 1993 | Darmstadt, Germany | 0 | ||||||
| 29086 | Marc | Behrens | A Pin-up of the Pope: Prescape | 1990 | fixed media, akusmatisch | 2:10 | Stereo | Kbd, b-gui [Keyboard, Gitarre] | 1994 | Frankfurt, Germany | 0 | ||||||||
| 29070 | Marc | Behrens | A Special Second | 1990 | fixed media, akusmatisch | 4:24 | Stereo | 1996 | Zürich, Switzerland | 0 | |||||||||
| 28988 | Marc | Behrens | Addition | 1996 | fixed media, akusmatisch | 11:19 | Stereo | Crónica 041/ | 0 | ||||||||||
| 28995 | Marc | Behrens | Advanced Environmental Control 1 | 1995 | fixed media, akusmatisch | 12:26 | Stereo | TOC 952/ | 0 | ||||||||||
| 28996 | Marc | Behrens | Advanced Environmental Control 2 | 1995 | fixed media, akusmatisch | 8:51 | Stereo | TOC 952/ | 0 | ||||||||||
| 28997 | Marc | Behrens | Advanced Environmental Control 3 | 1995 | fixed media, akusmatisch | 11:59 | Stereo | TOC 952/ | 0 | ||||||||||
| 29112 | Marc | Behrens | Adventurers | 1989 | live-elec, 2 perf | 3:16 | Stereo | V, perc [Stimme, Schlagzeug] | Animal Art aa 003/ | 1993 | Bochum, Germany | 0 | |||||||
| 28944 | Marc | Behrens | Animistic | 1999 | fixed media, akusmatisch | Quadro | 2004 | Darmstadt, Germany | 0 | ||||||||||
| 29209 | Marc | Behrens | Animistic [for Donatella] | 2003 | fixed media, akusmatisch | 29:54 | Stereo | Marc Behrens: Animistic [for Donatella] – CD (Auf Abwegen, Germany) 2004 | AATP 14/ | 0 | |||||||||
| 29051 | Marc | Behrens | Another Race, Unexpected | 1991 | fixed media, akusmatisch | 4:51 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 29237 | Marc | Behrens | APPARATUS | 2010 | Klangkunst, Installation | Stereo + Stereo | two channels via open headphones, two via ceiling speakers. Marc Behrens: Apparatus – CDR (ΑΓΧΙΒΑΤΕΙΝ, Greece) 2011 |
Agxivatein – 08/ ala 012/ | 0 | ||||||||||
| 28847 | Marc | Behrens | Architectural Commentaries and Untitled Songs | 2005 | live-elec, 1 perf | Quadro | com [computer] | 0 | |||||||||||
| 29192 | Marc | Behrens | Architectural Commentaries, [fragment] | 2002 - 2004 | fixed media, akusmatisch | 3:05 | Stereo | Entr’acte E45/ | Deutschlandradio Berlin | 0 | |||||||||
| 42298 | Marc | Behrens | Architectural Commentaries, [Hamburg fragment] | 2016 | fixed media, akusmatisch | 3:30 | Stereo | Marc Behrens: Architectural Commentaries – digital (Availabel) 2016 | ala 016/ | 0 | |||||||||
| 28911 | Marc | Behrens | Architectural Commentary 1 | 2001 | fixed media, akusmatisch | 14:38 | Stereo | Entr’acte/ CMR 2/ ala 016/ | 0 | ||||||||||
| 28912 | Marc | Behrens | Architectural Commentary 2 | 2001 | fixed media, akusmatisch | 7:49 | Stereo | Entr’acte/ CMR 2/ ala 016/ | 0 | ||||||||||
| 28913 | Marc | Behrens | Architectural Commentary 3 | 2001 | fixed media, akusmatisch | 7:46 | Stereo | Entr’acte/ CMR 2/ ala 016/ | 0 | ||||||||||
| 29194 | Marc | Behrens | Architectural Commentary 4 | 2002 - 2004 | fixed media, akusmatisch | 24:17 | Stereo | Entr’acte E45/ | Deutschlandradio Berlin | 0 | |||||||||
| 29193 | Marc | Behrens | Architectural Commentary 5: Some Models for Resonant Behaviour | 2005 | fixed media, akusmatisch | 23:55 | Stereo | Entr’acte E45/ | Deutschlandradio Berlin | 0 | |||||||||
| 29113 | Marc | Behrens | Art Start (version 1) | 1989 | fixed media, akusmatisch | 2:30 | Stereo | 0 | |||||||||||
| 29114 | Marc | Behrens | Art Start (version 2) | 1989 | live-elec, 1 perf | 2:13 | Stereo | com and Kbd [Keyboard, computer] | Animal Art aa 003/ | 0 | |||||||||
| 29157 | Marc | Behrens | Att Imm Mut | 2009 | live-elec, 1 perf | 38:20 | com [computer] | 0 | |||||||||||
| 42258 | Marc | Behrens | Att Imm Mut (Bergen) | 2018 | live-elec, 1 perf | 27:38 | Stereo, Quadro | com [computer] | AATP 46/ | B-Movie, Hamburg, Germany, Dampfzentrale, Bern; and Shedhalle, Zürich, Switzerland |
0 | ||||||||
| 29254 | Marc | Behrens | BLACK BOX / LIGHT BOX | 1996 | Klangkunst, Installation | light and sound installation | 0 | ||||||||||||
| 29185 | Marc | Behrens | Blindenampeln | 2004 | fixed media, akusmatisch | 5:00 | Stereo | 1990 | Darmstadt, Germany | 0 | |||||||||
| 29105 | Marc | Behrens | Brutalism Disco | 1990 | live-elec, 1 perf | 3:24 | Stereo | Kbd [Keyboard] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29151 | Marc | Behrens | Bush | 2009 | fixed media, akusmatisch | 10:07 | Stereo | 1990 | Frankfurt, Germany | 0 | |||||||||
| 29098 | Marc | Behrens | C64 Noise | 1990 | fixed media, akusmatisch | 2:45 | Stereo | 1993 | Herford, Germany | 0 | |||||||||
| 29097 | Marc | Behrens | C64 Voice | 1990 | fixed media, akusmatisch | 2:21 | Stereo | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Herford, Germany | 0 | |||||||
| 28971 | Marc | Behrens | ccdeinnorsttu | 1997 | fixed media, akusmatisch | 9:42 | Stereo | Crónica 041/ | 0 | ||||||||||
| 28920 | Marc | Behrens | Central Invariance | 2001 | fixed media, akusmatisch | 4:03 | Stereo | sirr 2004/ | 0 | ||||||||||
| 28919 | Marc | Behrens | Central Matches | 2001 | fixed media, akusmatisch | 13:12 | Stereo | sirr 2004/ | 2006 | Taipei, Taiwan | 0 | ||||||||
| 42299 | Marc | Behrens | Central Matches (Dortmund version) | 2014 | fixed media, akusmatisch | 11:04 | Quadro | 0 | |||||||||||
| 29106 | Marc | Behrens | Chiba City | 1990 | live-elec, 2 perf | 3:21 | Stereo | Kbd, e-gui [Keyboard, Gitarre] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29256 | Marc | Behrens | CIRCLE | 1996 | Klangkunst, Installation | Version 1: B-Movie, Hamburg, Germany, Version 1.1: Dampfzentrale, Bern; and Shedhalle, Zürich, Switzerland) |
2010 | IMO, Copenhagen, Denmark | 0 | ||||||||||
| 28991 | Marc | Behrens | Circle v1.0 | 1996 | Performance | Stereo | 2001 | Bratislava, Slovak Republic | 0 | ||||||||||
| 28989 | Marc | Behrens | Circle v1.1 Bern | 1996 | Performance | Stereo | 2002 | Frankfurt, Germany | 0 | ||||||||||
| 28990 | Marc | Behrens | Circle v1.1 Zürich | 1996 | Performance | Stereo | 0 | ||||||||||||
| 28794 | Marc | Behrens | Clould (1st Movement) | 2011 | fixed media, akusmatisch | 13:25 | Stereo, Quadro, Octo | 2.3.2012 | WDR3, Cologne, Germany | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3304651&vi=20&SID | ||||||||
| 42297 | Marc | Behrens | Clould (2nd Movement) | 2013 | fixed media, akusmatisch | 5:35 | Stereo, Quadro, Octo | DegeM CD 15/ | 0 | ||||||||||
| 28796 | Marc | Behrens | Clould (3rd Movement) | 2011 | Performance | audiovisuell |
11:58 | Stereo, Quadro, Octo | 14.09.2011 | Culturgest, Lisbon, Portugal | 0 | |||||||||
| 28795 | Marc | Behrens | Clould (4th Movement) | 2011 | fixed media, akusmatisch | 6:14 | Stereo, Quadro, Octo | 14.09.2011 | Culturgest, Lisbon, Portugal | 0 | |||||||||
| 29184 | Marc | Behrens | Coincident (Behrens) | 2005 | live-elec, 1 perf | 4:00 | Stereo | perf (wooden table, com) [Performer] | Marc Behrens / Dave Phillips / Cheapmachines / Keith Berry: Coincident – CD (Entr’acte, U.K.) 2005 | Entr’acte/ | 1990 | Darmstadt, Germany | 0 | ||||||
| 29134 | Marc | Behrens | Collage Nr. 5 Crack | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29133 | Marc | Behrens | Collage Nr. 7 | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29132 | Marc | Behrens | Collage Nr. 8 Die Abstrakte Oper | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 28993 | Marc | Behrens | Compressed Location 1, Compressed Location | 1995 | fixed media, akusmatisch | 8:35 | Stereo | Location – cassette tape (Fich Art, D) 1996; Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | FICH 035/ Edition … 028/ | 0 | |||||||||
| 28994 | Marc | Behrens | Compressed Location 2, Compressed Location | 1995 | fixed media, akusmatisch | 8:42 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | FICH 035/ Edition … 028/ | 0 | |||||||||
| 29240 | Marc | Behrens | CONTINUUM | 2007 | intermedia | Ultima, Oslo, Norway | 0 | ||||||||||||
| 29124 | Marc | Behrens | Crack | 1989 | live-elec, 5 perf | 7:24 | Stereo | Kbd, synt, e-b-gui, t-sax, b-sax [Saxophon, Keyboard, Gitarre, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 1992 | Wiesbaden, Germany | 0 | ||||||
| 29127 | Marc | Behrens | Crack Reprise | 1989 | live-elec, 3 perf | 3:08 | Stereo | Kbd, synt, db, (turntables) [Keyboard, Kontrabass, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 0 | ||||||||
| 28793 | Marc | Behrens | Crowd | 2012 | radiophon | 52:04 | Stereo | WDR Studio Akustische Kunst | 02.05.2012 | Fábrica ASA, Guimarães, Portugal | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3304651&vi=20&SID | |||||||
| 29081 | Marc | Behrens | Deadlock | 1990 | fixed media, akusmatisch | 2:20 | Stereo | Kbd, (radio) [Keyboard] | 1994 | Frankfurt, Germany | 0 | ||||||||
| 28958 | Marc | Behrens | Decaying Study 1 | 1999 | fixed media, akusmatisch | 10:43 | Stereo | Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 0 | |||||||||
| 28957 | Marc | Behrens | Decaying Study 2 | 1999 | fixed media, akusmatisch | 7:43 | Stereo | Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 0 | |||||||||
| 29210 | Marc | Behrens | Decaying Study 3 | 2003 | fixed media, akusmatisch | 11:30 | Stereo | Marc Behrens: Animistic [for Donatella] – CD (Auf Abwegen, Germany) 2004 | AATP 14/ | 0 | |||||||||
| 28937 | Marc | Behrens | Decaying Study 4 | 2000 | fixed media, akusmatisch | 7:48 | Stereo | Crónica 041/ | 2006 | Deutschlandradio, Berlin | 0 | ||||||||
| 29043 | Marc | Behrens | Der Raum | 1992 | fixed media, akusmatisch | audiovisuell |
11:00 | Stereo | ala 016/ CMR 2/ | 0 | ||||||||||
| 29152 | Marc | Behrens | Desert | 2009 | fixed media, akusmatisch | 22:05 | Stereo | 1990 | Frankfurt, Germany | 0 | |||||||||
| 29125 | Marc | Behrens | Die Freiheitsstatue | 1989 | live-elec, 7 perf | 9:03 | Stereo | e-gui, e-b-gui, t-sax, b-sax, s-sax, p, db [Saxophon, Piano, Gitarre, Kontrabass] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 1991 | Wiesbaden, Germany | 0 | ||||||
| 29115 | Marc | Behrens | Disintegration | 1989 | live-elec, 2 perf | 2:13 | Stereo | Kbd, e-gui [Keyboard, Gitarre] | Animal Art aa 003/ | 1992 | Frankfurt, Germany | 0 | |||||||
| 29074 | Marc | Behrens | Doppler | 1990 | fixed media, akusmatisch | 2:25 | Stereo | Featuring Boche | Animal Art aa 000/ | 1996 | Hamburg, Germany | 0 | |||||||
| 29073 | Marc | Behrens | Edgar Cayce | 1990 | fixed media, akusmatisch | 1:57 | Stereo | Animal Art aa 000/ | 1996 | Hamburg, Germany | 0 | ||||||||
| 28801 | Marc | Behrens | eeaiooaeieeaiooaei | 2011 | fixed media, akusmatisch | 6:42 | Stereo | 0 | |||||||||||
| 28981 | Marc | Behrens | Elapsed Time 1: 1939 | 1996 | fixed media, akusmatisch | 8:58 | Stereo | INT 017/ ala 007/ | 2002 | Münster, Germany | 0 | ||||||||
| 28982 | Marc | Behrens | Elapsed Time 2: 1940 | 1996 | fixed media, akusmatisch | 8:20 | Stereo | INT 017/ ala 007/ | 2002 | Münster, Germany | 0 | ||||||||
| 28983 | Marc | Behrens | Elapsed Time 3: 1941 | 1996 | fixed media, akusmatisch | 6:17 | Stereo | INT 017/ ala 007/ | 2002 | Münster, Germany | 0 | ||||||||
| 28984 | Marc | Behrens | Elapsed Time 4: 1942 | 1996 | fixed media, akusmatisch | 8:30 | Stereo | INT 017/ ala 007/ | 0 | ||||||||||
| 28985 | Marc | Behrens | Elapsed Time 5: 1943 | 1996 | fixed media, akusmatisch | 9:47 | Stereo | INT 017/ ala 007/ | 0 | ||||||||||
| 28986 | Marc | Behrens | Elapsed Time 6: 1944 | 1996 | fixed media, akusmatisch | 6:27 | Stereo | INT 017/ ala 007/ | 0 | ||||||||||
| 28987 | Marc | Behrens | Elapsed Time 7: 1945 | 1996 | fixed media, akusmatisch | 9:34 | Stereo | INT 017/ ala 007/ | 0 | ||||||||||
| 29071 | Marc | Behrens | Emme Ya | 1990 | fixed media, akusmatisch | 2:57 | Stereo | Animal Art aa 000/ | 1996 | Hamburg, Germany | 0 | ||||||||
| 42253 | Marc | Behrens | Engineer | 1991 | fixed media, akusmatisch | 5:01:00 | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 1998 | G-Werk Ost, Frankfurt, Germany) | 0 | ||||||||
| 29053 | Marc | Behrens | Enjoy The Screws, Assault Me | 1991 | fixed media, akusmatisch | 3:39 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 28961 | Marc | Behrens | Entity INM | 1998 | Klangkunst, Installation | ∞ | Quadro | Sound recordings of the server room in the institute were processed and played back in shifting layers over a six-channel speaker system distributed over two and a half building floors. A sound entity that overlaps the actual physical space in at least four dimensions. | 2003 | Ramallah, West Bank | 0 | ||||||||
| 28960 | Marc | Behrens | Entity INM, NSE | 1998 | fixed media, akusmatisch | 7:46 | Stereo | TOC 992/ | 0 | ||||||||||
| 28959 | Marc | Behrens | Entity INM, TNE | 1998 | fixed media, akusmatisch | 8:37 | Stereo | TOC 992/ | 2003 | Topolò, Italy | 0 | ||||||||
| 29243 | Marc | Behrens | ENTITY K | 2002 | Klangkunst, Installation | Stereo | Simple sound installation. Sound playback controlled by a motion detector accompanying a jewellery exhibition | 0 | |||||||||||
| 29241 | Marc | Behrens | ENTITY MÜLHEIM | 2005 | Klangkunst, Installation | Stereo + Stereo | 7th annual SOUNDplay Festival, Theatre Centre, Toronto, Canada | AATP 22/ | 0 | ||||||||||
| 29182 | Marc | Behrens | Entity Mülheim (Deutsch Almanca German) | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
28:43 | Stereo | AATP 22/ | 1990 | Darmstadt, Germany | 0 | ||||||||
| 29183 | Marc | Behrens | Entity Mülheim (Türkisch Türkçe Turkish) | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
30:35 | Stereo | AATP 22/ | 1990 | Darmstadt, Germany | 0 | ||||||||
| 29052 | Marc | Behrens | Environmental Control | 1991 | fixed media, akusmatisch | 5:01 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 29246 | Marc | Behrens | EXPERIMENT IN SCALE | 1999 | Klangkunst, Installation | audiovisuell |
Quadro | 0 | ||||||||||||
| 28905 | Marc | Behrens | Experiment in Scale (documentary version) | 2001 | fixed media, akusmatisch | 5:19 | Stereo | 2008 | Deutschlandradio, Berlin | 0 | |||||||||
| 29084 | Marc | Behrens | Extracts from the Housewife | 1990 | fixed media, akusmatisch | Stereo | perc [Schlagzeug] | German Noise – cassette tape (Animal Art, Germany) 1990 | Animal Art/ | 1994 | Frankfurt, Germany | 0 | |||||||
| 29067 | Marc | Behrens | Fairly False Metronome | 1990 | fixed media, akusmatisch | 4:58 | Stereo | 1996 | Vienna, Austria | 0 | |||||||||
| 29116 | Marc | Behrens | Feet or Fist | 1989 | live-elec, 3 perf | 2:14 | Stereo | Kbd, perc, (unidentified bamboo) w-inss [Keyboard, Schlagzeug] | Animal Art aa 003/ | 1992 | Frankfurt, Germany | 0 | |||||||
| 29139 | Marc | Behrens | Fernsehn | 1986 | live-elec, 4 perf | Stereo | com, perc, e-gui, V [Stimme, Gitarre, Schlagzeug, computer] | Animal Art aa 001/ | 0 | ||||||||||
| 42032 | Marc | Behrens | Fever | 2015 | fixed media, akusmatisch | 9:11 | Stereo | 0 | |||||||||||
| 29076 | Marc | Behrens | Flesh Echo | 1990 | fixed media, akusmatisch | 1:19 | Stereo | Animal Art aa 000/ | 0 | ||||||||||
| 29196 | Marc | Behrens | For Dimitris | 2004 | fixed media, akusmatisch | 6:29 | Stereo | Crónica 041/ | 0 | ||||||||||
| 29055 | Marc | Behrens | For Hannes 1 | 1991 | fixed media, akusmatisch | 2:25 | Stereo | private tape for Hannes Jacoby | 0 | ||||||||||
| 29056 | Marc | Behrens | For Hannes 2 | 1991 | fixed media, akusmatisch | 2:46 | Stereo | private tape for Hannes Jacoby | 0 | ||||||||||
| 28887 | Marc | Behrens | For the Further Consequences of Reinterpretation | 2003 | fixed media, akusmatisch | 9:11 | Stereo | Splitting Bits, Closing Loops, Sound on Sound – CD insert for Leonardo Music Journal Vol. 13, «Groove, Pit and Wave: Recording, Transmission and Music»; (The MIT Press, USA) 2003 | LMJ 13 CD/ | HR2 | 27.11.2010 | HR2, Germany | 0 | ||||||
| 28916 | Marc | Behrens | Fringe 1 | 2001 | fixed media, akusmatisch | 4:46 | Stereo | sirr 2004/ | 0 | ||||||||||
| 28921 | Marc | Behrens | Fringe 2 | 2001 | fixed media, akusmatisch | 7:59 | Stereo | sirr 2004/ | 0 | ||||||||||
| 29061 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Blutrausch (Splatterdance II), Splatterdance | 1990 | fixed media, akusmatisch | 4:55 | Stereo | published as Splatterdance on: aa 010 performance soundtrack for „Im Kranz der Wälder“ |
Animal Art aa 010/ | 1996 | Vienna, Austria | 0 | |||||||
| 29062 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Clubmoral I, Clubmoral I | 1990 | fixed media, akusmatisch | 1:32 | Stereo | published as Clubmoral I on: aa 010 performance soundtrack for „Im Kranz der Wälder“ |
Animal Art aa 010/ | 1996 | Vienna, Austria | 0 | |||||||
| 29063 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Clubmoral II (Blutbahn), Clubmoral II | 1990 | fixed media, akusmatisch | 3:40 | Stereo | published as Clubmoral II on: aa 010 performance soundtrack for „Im Kranz der Wälder“ |
Animal Art aa 010/ | 1996 | Vienna, Austria | 0 | |||||||
| 29059 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Einfallquote | 1990 | fixed media, akusmatisch | 1:34 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 0 | ||||||||||
| 29058 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Extern | 1990 | fixed media, akusmatisch | 3:13 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 0 | ||||||||||
| 29066 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Intern | 1990 | fixed media, akusmatisch | 1:50 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 1996 | Vienna, Austria | 0 | ||||||||
| 29065 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Periode des Jammers | 1990 | fixed media, akusmatisch | 2:38 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 1996 | Vienna, Austria | 0 | ||||||||
| 29064 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Ski Zoo | 1990 | fixed media, akusmatisch | 2:31 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 1996 | Vienna, Austria | 0 | ||||||||
| 29060 | Marc | Behrens | Fuenf Schoene Taenzerinnen: Splittertanz | 1990 | fixed media, akusmatisch | 1:08 | Stereo | performance soundtrack for „Im Kranz der Wälder“ | 0 | ||||||||||
| 28883 | Marc | Behrens | Further Consequences of Reinterpretation, add0 | 2003 | fixed media, akusmatisch | 2:27 | Stereo | Crónica 008/ | 0 | ||||||||||
| 28885 | Marc | Behrens | Further Consequences of Reinterpretation, addaube 1 | 2003 | fixed media, akusmatisch | 1:06 | Stereo | Crónica 008/ | 0 | ||||||||||
| 28886 | Marc | Behrens | Further Consequences of Reinterpretation, addaube 2 | 2003 | fixed media, akusmatisch | 1:15 | Stereo | Crónica 008/ | 27.05.2010 | Besenkammer, Saarbrücken, Germany | 0 | http://galeriebesenkammer.wordpress.com/ruckblick/ | |||||||
| 28884 | Marc | Behrens | Further Consequences of Reinterpretation, addhudak | 2003 | fixed media, akusmatisch | 0:38 | Stereo | Crónica 008/ | 5.11.2010 | Auditório Serralves, Porto, Portugal | 0 | ||||||||
| 29214 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 1 | 2003 | fixed media, akusmatisch | 1:58 | Stereo | Crónica 008/ | 1989 | Darmstadt, Germany | 0 | ||||||||
| 29215 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 2 | 2003 | fixed media, akusmatisch | 2:17 | Stereo | Crónica 008/ | 1989 | Darmstadt, Germany | 0 | ||||||||
| 29216 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 3 | 2003 | fixed media, akusmatisch | 0:29 | Stereo | Crónica 008/ | 1989 | Darmstadt, Germany | 0 | ||||||||
| 29217 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 4 | 2003 | fixed media, akusmatisch | 3:57 | Stereo | Crónica 008/ | 1989 | Darmstadt, Germany | 0 | ||||||||
| 29218 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 5 | 2003 | fixed media, akusmatisch | 1:18 | Stereo | Crónica 008/ | 0 | ||||||||||
| 28882 | Marc | Behrens | Further Consequences of Reinterpretation, Lisboa 6 new | 2003 | fixed media, akusmatisch | 1:14 | Stereo | Crónica 008/ | 0 | ||||||||||
| 29238 | Marc | Behrens | GGAAFFISEC | 2009 | Klangkunst, Installation | Octo | 0 | ||||||||||||
| 33782 | Marc | Behrens | Grace | 2013 | fixed media, akusmatisch | 7:00 | Stereo | DegeM CD 12 Seltene Erden/ | Weißfrauen Diakoniekirche, Frankfurt am Main, Germany | 1 | |||||||||
| 29163 | Marc | Behrens | Guangzhou, September 2008 | 2008 | fixed media, akusmatisch | 0:55 | Stereo | 0 | |||||||||||
| 29188 | Marc | Behrens | I was never | 2004 | fixed media, akusmatisch | 2:15 | Stereo | Crónica 017/ | 0 | ||||||||||
| 29189 | Marc | Behrens | I was never (long version) | 2004 | fixed media, akusmatisch | 2:25 | Stereo | 0 | |||||||||||
| 29122 | Marc | Behrens | If only you could be possible… Miss America! | 1989 | live-elec, 5 perf | 3:21 | Stereo | fem Sp, perc, e-b-gui, synt, Kbd [Sprecher, Keyboard, Gitarre, Schlagzeug, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 1992 | Frankfurt, Germany | 0 | ||||||
| 42257 | Marc | Behrens | Imm (A) | 2018 | live-elec, 1 perf | 12:12 | Stereo, Quadro | com [computer] | AATP 46/ | Path. Anat. Bundesmuseum Narrenturm, Vienna, Austria) | 0 | ||||||||
| 29176 | Marc | Behrens | Immersion | 2006 | fixed media, akusmatisch | 30 | Quadro | 1990 | Darmstadt, Germany | 0 | |||||||||
| 29175 | Marc | Behrens | Immersion (excerpt) | 2007 | fixed media, akusmatisch | 5:18 | Stereo | Atlantic Waves 2007 festival sampler – double CD (Calouste Gulbenkian Foundation, U.K.), in association with THE WIRE 25, enclosed in THE WIRE November 2007 issue | 1990 | Darmstadt, Germany | 0 | ||||||||
| 28953 | Marc | Behrens | Infiltration | 1999 | fixed media, akusmatisch | 7:46 | Stereo | TOC 992/ | 2001 | Rüsselsheim, Germany | 0 | ||||||||
| 28967 | Marc | Behrens | Infiltration (Environment) | 1998 | Klangkunst, Installation | 6:00 | Stereo | 2003 | Lisbon, Portugal | 0 | |||||||||
| 29117 | Marc | Behrens | Inner City Demons | 1989 | live-elec, 3 perf | 7:33 | Stereo | b-gui, db, t-sax [Saxophon, Gitarre, Kontrabass] | Animal Art aa 003/ | 0 | |||||||||
| 28933 | Marc | Behrens | Integracija Ljubljana | 2000 | fixed media, akusmatisch | 17:28 | Quadro | 0 | |||||||||||
| 28925 | Marc | Behrens | Integració Alacant | 2001 | fixed media, akusmatisch | 28:22 | Quadro | 0 | |||||||||||
| 28926 | Marc | Behrens | Integració Barcelona, (excerpt from) Integració Barcelona | 2001 | fixed media, akusmatisch | 3:09 | Stereo | Metrònom 2000·2001 – book + double DVD (Metrònom Fundaciò Rafael Tous d'Art Contemporani, ES) 2001 | 2005 | Zürich, Switzerland | 0 | ||||||||
| 28927 | Marc | Behrens | Integració Barcelona | 2001 | fixed media, akusmatisch | 28:22 | Quadro | 2005 | Deutschlandradio, Berlin | 0 | |||||||||
| 28932 | Marc | Behrens | Integration Hamburg | 2000 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 28924 | Marc | Behrens | Integration London | 2001 | fixed media, akusmatisch | Quadro | 2005 | Cologne, Germany | 0 | ||||||||||
| 28918 | Marc | Behrens | Integration of Silence | 2001 | fixed media, akusmatisch | 12:40 | Stereo | sirr 2004/ | 2006 | Taipei, Taiwan | 0 | ||||||||
| 28923 | Marc | Behrens | Integrazione Roma | 2001 | fixed media, akusmatisch | Quadro | kulturbunker muelheim e.v. as part of the festival muelheim klingt in 2005 | 2005 | Cologne, Germany | 0 | |||||||||
| 28934 | Marc | Behrens | Integrazione Topolò | 2000 | fixed media, akusmatisch | Quadro | 2006 | Deutschlandradio, Berlin | 0 | ||||||||||
| 28992 | Marc | Behrens | Intermatter | 1995 | fixed media, akusmatisch | 8:38 | Stereo | A Fault in the Nothing, Double CD, Ash International 1996; Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | KREV Greece 2002/ Ash International ASH 2.6/ | 2006 | Stuttgart, Germany | 0 | |||||||
| 29143 | Marc | Behrens | Irregular Characters | 2010 | fixed media, akusmatisch | 19:41 | Stereo, Quadro, 10 tracks | ala 002/ | 0 | ||||||||||
| 29107 | Marc | Behrens | Kabuki Hairdryer | 1990 | live-elec, 2 perf | 5:20 | Stereo | synt, e-gui [Gitarre, synthesizer] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29247 | Marc | Behrens | KEYHOLES | 1999 | Klangkunst, Installation | 19:31 | Octo | TOC 992/ | 0 | ||||||||||
| 28952 | Marc | Behrens | Keyholes (installation version) | 1999 | Klangkunst, Installation | ∞ 19:18 | Stereo | 2001 | Rüsselsheim, Germany | 0 | |||||||||
| 28910 | Marc | Behrens | Khabul Rubble | 2001 | fixed media, akusmatisch | 9:00 | Stereo | Crónica 041/ | 2008 | Deutschlandradio, Berlin | 0 | ||||||||
| 29249 | Marc | Behrens | Komunikazijski instrument za ohranjanje stika z izginulimi | 1998 | intermedia | installation | 7.3.2011 | «Paivascapes #1», Paiva river at Espiunca, Arouca, Portugal | 0 | ||||||||||
| 28940 | Marc | Behrens | Kosovski Rekvijem 1 – Dialectic | 1999 | fixed media, akusmatisch | 6:21 | Stereo | ala 010/ | 2006 | Deutschlandradio, Berlin | «Broadcasting Art I» (Museo de Arte Contemporáneo de Castilla y Léon, MUSAC & Radio Nacional de España – Radio 3), 2006 | 0 | |||||||
| 28941 | Marc | Behrens | Kosovski Rekvijem 2 – Incentive | 1999 | fixed media, akusmatisch | audiovisuell |
9:28 | Stereo | ala 010/ | 2004 | Hull, U.K. | 0 | ||||||||
| 28942 | Marc | Behrens | Kosovski Rekvijem 3 – Cerebral | 1999 | fixed media, akusmatisch | 5:38 | Stereo | ala 010/ | 0 | ||||||||||
| 42055 | Marc | Behrens | Kupari Odradek Drug Party (Megamix 2018) | 2018 | fixed media, akusmatisch | 6:39 | Stereo | degem CD 16/ | 1998 | «Transverzala Utrinkov», Strzišce, Znojile and Kal, Slovenia | 1 | ||||||||
| 29171 | Marc | Behrens | L’Attesa | 2008 | fixed media, akusmatisch | 8:44 | Stereo | 0 | |||||||||||
| 28970 | Marc | Behrens | L’Eco di un Esplosione che non ha mai avuto Luogo | 1998 | Klangkunst, Installation | ∞ | Quadro | sound and film installation | 0 | ||||||||||
| 28969 | Marc | Behrens | L’Eco di un Esplosione che non ha mai avuto Luogo (exterior parts) | 1998 | fixed media, akusmatisch | 7:22 | Stereo | TOC 992/ | 0 | ||||||||||
| 28968 | Marc | Behrens | L’Eco di un Esplosione che non ha mai avuto Luogo (interior parts) | 1998 | fixed media, akusmatisch | 1:13 | Stereo | TOC 992/ | 2003 | Lisbon, Portugal | 0 | ||||||||
| 28964 | Marc | Behrens | La Coscienza dell’Altoparlante | 1998 | live-elec, 1 perf | 18:00 | Quadro | elec [elektronik] | 2003 | Lisbon, Portugal | 0 | ||||||||
| 29172 | Marc | Behrens | La Mutazione | 2008 | fixed media, akusmatisch | 6:24 | Stereo, Quadro | Michelangelo Antonioni: Trilogy And Epilogue – double CD (and/OAR, USA) 2010 | and 25/ | 0 | |||||||||
| 29137 | Marc | Behrens | Langeweile | 1986 | live-elec, 2 perf | Stereo | e-gui, perc [Gitarre, Schlagzeug] | 0 | |||||||||||
| 29154 | Marc | Behrens | Le Combinazioni | 2009 | live-elec, 2 perf | 22:30 | Octo | com, perc [Schlagzeug, computer] | 0 | ||||||||||
| 28802 | Marc | Behrens | Le train muet | 2011 | fixed media, akusmatisch | 4:17 | Stereo | remix of «Le train muet» by hama Yôko (Yôko Higashi). hamaYôko vu par… - CD (Entr’acte, B) forthcoming |
Entr’acte/ | 27.06.2011 | The Bakery, Perth, Australia | 0 | |||||||
| 29007 | Marc | Behrens | Lfdbk 1 | 1993 | fixed media, akusmatisch | 8:53 | Stereo | 2001 | Budapest, Hungary | 0 | |||||||||
| 29008 | Marc | Behrens | Lfdbk 1 (short version) | 1993 | fixed media, akusmatisch | 7:53 | Stereo | WP 05/ | 2001 | Frankfurt, Germany | 0 | ||||||||
| 29009 | Marc | Behrens | Lfdbk 2 | 1993 | fixed media, akusmatisch | 7:08 | Stereo | 2001 | Rome, Italy | 0 | |||||||||
| 29010 | Marc | Behrens | Lfdbk 2 (short version) | 1993 | fixed media, akusmatisch | 4:16 | Stereo | WP 05/ | 2001 | London, U.K. | 0 | ||||||||
| 29011 | Marc | Behrens | Lfdbk 3 | 1993 | fixed media, akusmatisch | 4:07 | Stereo | 2001 | Alicante, Spain | 0 | |||||||||
| 29012 | Marc | Behrens | Lfdbk 4 | 1993 | fixed media, akusmatisch | 5:48 | Stereo | 2001 | Barcelona, Spain | 0 | |||||||||
| 28922 | Marc | Behrens | Liedgut | 2001 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 42261 | Marc | Behrens | Live At Natal Dos Experimentais 2011 | 2011 | Performance, live-elec, 1 perf | 15:15 | Mono | synt, (tape machine) [synthesizer] | Recorded live at Passos Manuel, Porto, 16 December 2011 | Crónica 090/ | 26.09.2015 | Akademie der Künst, Berlin | 0 | ||||||
| 29024 | Marc | Behrens | Location Recordings - Inbetween | 1993 | fixed media, akusmatisch | 8:13 | 1999 | Zürich, Switzerland | 0 | ||||||||||
| 29022 | Marc | Behrens | Location Recordings - Inside | 1993 | fixed media, akusmatisch | 7:08 | Stereo, Quadro | TOC 952/ | 0 | ||||||||||
| 29025 | Marc | Behrens | Location Recordings - Supplement Programme 1 | 1993 | fixed media, akusmatisch | 1:11 | Stereo, Quadro | TOC 952/ | 1999 | Zürich, Switzerland | 0 | ||||||||
| 29026 | Marc | Behrens | Location Recordings - Supplement Programme 2 | 1993 | fixed media, akusmatisch | 1:49 | Stereo, Quadro | TOC 952/ | 1999 | Leipzig, Germany | 0 | ||||||||
| 29027 | Marc | Behrens | Location Recordings - Supplement Programme 3 | 1993 | fixed media, akusmatisch | 1:20 | Stereo, Quadro | TOC 952/ | 0 | ||||||||||
| 29028 | Marc | Behrens | Location Recordings - Supplement Programme 4 | 1993 | fixed media, akusmatisch | 1:39 | Stereo, Quadro | TOC 952/ | 1999 | Hamburg, Germany | 0 | ||||||||
| 29029 | Marc | Behrens | Location Recordings - Supplement Programme 5 | 1993 | fixed media, akusmatisch | 1:40 | Stereo, Quadro | TOC 952/ | 1999 | Hamburg, Germany | 0 | ||||||||
| 29030 | Marc | Behrens | Location Recordings - Supplement Programme 6 | 1993 | fixed media, akusmatisch | 3:53 | Stereo, Quadro | 1999 | Hamburg, Germany | 0 | |||||||||
| 29023 | Marc | Behrens | Location Recordings – Outside | 1993 | fixed media, akusmatisch | 8:47 | Stereo, Quadro | TOC 952/ | 1999 | Zürich, Switzerland | 0 | ||||||||
| 29042 | Marc | Behrens | Macht/Struktur | 1992 | live-elec, 1 perf | 25 | Stereo | synt [synthesizer] | 1998 | «Salon Vireal», INM-Institut für Neue Medien, Frankfurt, Germany) | 0 | ||||||||
| 29036 | Marc | Behrens | Magnet I | 1992 | fixed media, akusmatisch | 22:29 | Stereo | 1999 | Udine, Italy | 0 | |||||||||
| 29037 | Marc | Behrens | Magnet II | 1992 | fixed media, akusmatisch | 8:19 | Stereo | 1999 | Udine, Italy | 0 | |||||||||
| 29038 | Marc | Behrens | Magnet III | 1992 | fixed media, akusmatisch | 6:16 | Stereo | 0 | |||||||||||
| 29162 | Marc | Behrens | Mamori | 2008 | fixed media, akusmatisch | 10:13 | Stereo | Agxivatein – 08/ ala 012/ | 0 | ||||||||||
| 29078 | Marc | Behrens | Matrix of Pain | 1990 | fixed media, akusmatisch | 10:24 | Stereo | Featuring Boche | Animal Art aa 000/ | 0 | |||||||||
| 28792 | Marc | Behrens | Maybe Rise | 2012 | fixed media, akusmatisch | 41:27 | Stereo, Quadro | Crónica 076/ | 19.12.2012 | Deutschlandradio Kultur, Berlin | Freibank Musikverlag | 0 | |||||||
| 28965 | Marc | Behrens | Memetic Junk | 1998 | fixed media, akusmatisch | 10:02 | Stereo | Crónica 041/ | 2003 | Lisbon, Portugal | 0 | ||||||||
| 29148 | Marc | Behrens | Mobilization of Ecstasy | 2009 | fixed media, akusmatisch | 9:38 | Stereo | Istanbul Split – CD (Hochschule der Bildenden Künste Saar, Germany) | 1990 | Frankfurt, Germany | 0 | ||||||||
| 29251 | Marc | Behrens | MODEL fOR a wHITE OUT | 1998 | Klangkunst, Installation | Mono + Mono | Two shelves in an industrial shelving system housing a group exhibition, embraced a neon tube. A transparent text print (an excerpt on attack tactics under difficult weather situations) was glued onto the tube. A peep-hole permitted view to some rice grains in motion on the membrane of a hidden speaker, immersed in intense red light. A high static crackling on a second speaker parasited another artist’s sculpture nearby. | 0 | |||||||||||
| 25798 | Marc | Behrens | Multiplication | 2005 | fixed media, akusmatisch | 10:33 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | Crónica 041/ | 1 | www.marcbehrens.com | ||||||||
| 28800 | Marc | Behrens | Mut Att Narc Imm | 2011 | live-elec, 1 perf | 30:45 | Stereo, Quadro | com [computer] | 0 | ||||||||||
| 42259 | Marc | Behrens | Mut Att Narc Imm (Córdoba) | 2018 | live-elec, 1 perf | 27:32 | Stereo, Quadro | com [computer] | AATP 46/ | 0 | |||||||||
| 28797 | Marc | Behrens | Neighbour 3F | 2011 | fixed media, akusmatisch | 5:47 | Stereo | Crónica 061/ | 05.12.2013 | Parque Cultural de Valparaíso, Valparaíso, Chile, 2013 | 0 | ||||||||
| 28798 | Marc | Behrens | Neighbour GS | 2011 | fixed media, akusmatisch | 3:37 | Stereo | Crónica 061/ | 14.09.2011 | Culturgest, Lisbon, Portugal | 0 | ||||||||
| 28799 | Marc | Behrens | Neighbour J*J*J | 2011 | fixed media, akusmatisch | 1:49 | Stereo | Crónica 061/ | 0 | ||||||||||
| 29080 | Marc | Behrens | Nerve, No | 1990 | fixed media, akusmatisch | 1:45 | Stereo | 1994 | Frankfurt, Germany | 0 | |||||||||
| 29072 | Marc | Behrens | Nerve, No Beat | 1990 | fixed media, akusmatisch | 2:32 | Stereo | Animal Art aa 000/ | 1996 | Hamburg, Germany | 0 | ||||||||
| 29129 | Marc | Behrens | Now! Now! | 1988 | live-elec, 6 perf | 19:53 | Stereo | V, synt, s-sax, e-gui, db, perc [Stimme, Saxophon, Gitarre, Schlagzeug, Kontrabass, synthesizer] | Animal Art aa 001/ | 0 | |||||||||
| 28908 | Marc | Behrens | nterpretation of a Reinterpretation of a Rei | 2001 | fixed media, akusmatisch | 6:00 | Stereo | DLRadio | 25.7.2008 | Deutschlandradio, Berlin | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | |||||||
| 28907 | Marc | Behrens | ntrprttnfrntrprttnfr | 2001 | fixed media, akusmatisch | 4:28 | Stereo | DLRadio | 25.7.2008 | Deutschlandradio, Berlin | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | |||||||
| 29195 | Marc | Behrens | Of Mouths and Explosions | 2004 | fixed media, akusmatisch | audiovisuell |
12:12 | Stereo | fem Sp, 2 male Sp, (com) [Sprecher] | 0 | ||||||||||
| 28936 | Marc | Behrens | One Minute | 2000 | fixed media, akusmatisch | 1:00 | Stereo | Crónica 041/ ala 016/ | 0 | ||||||||||
| 42226 | Marc | Behrens | Our Tongues in Your Ears | 2018 | radiophon | 36:10 | Stereo | HR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4949063&vi=122&SID | |||||||||
| 29142 | Marc | Behrens | Paiva Players | 2011 | fixed media, akusmatisch | 9:56 | Stereo | 0 | |||||||||||
| 29079 | Marc | Behrens | Paranoise | 1990 | fixed media, akusmatisch | 3:37 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | Animal Art aa 000/ CAT-no. 062/ | 1994 | Frankfurt, Germany | 0 | |||||||
| 28917 | Marc | Behrens | Peripheral Molds | 2001 | fixed media, akusmatisch | 6:04 | Stereo | sirr 2004/ | 2006 | Berlin, Germany | 0 | ||||||||
| 29033 | Marc | Behrens | Political/Statement 1 | 1993 | fixed media, akusmatisch | 6:32 | Stereo | Keine Einzelgänger *6*, tape, Cat Kiiier 1994, Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 1999 | Frankfurt, Germany | 0 | |||||||
| 29034 | Marc | Behrens | Political/Statement 2 | 1993 | fixed media, akusmatisch | 5:25 | Stereo | Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 0 | |||||||||
| 28904 | Marc | Behrens | Power Station | 2002 | live-elec, 1 perf | 24:25 | Stereo | elec [elektronik] | 2008 | Mamori Artlab, Brazil | 0 | ||||||||
| 29135 | Marc | Behrens | Primadonna | 1987 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 38478 | Marc | Behrens | Progress | 2013 | radiophon | 52 | Stereo | 2000 | ICC InterCommunication Center, Tokyo, Japan; INM-Institut für Neue Medien, Frankfurt, Germany; «Hörgänge», Hermannshof Völksen, Germany; Galerie t-u-b-e, Munich, Germany; «Erlanger Hörkunstfestival», Markgraphentheater, Erlangen, Germany; «b!as Sound Art Exhibition», Taipei Fine Arts Museum, Taiwan | 0 | |||||||||
| 28972 | Marc | Behrens | Quersumme rlw | 1997 | fixed media, akusmatisch | 11:17 | Stereo | Crónica 041/ CMR 2/ Selektion SCD 024/ ala 016/ | 0 | ||||||||||
| 29158 | Marc | Behrens | Rabies | 2009 | live-elec, 13 perf | 12:06 | Quadro | 12 V (ch), com [Stimme, computer] | 0 | ||||||||||
| 29153 | Marc | Behrens | Rainforest | 2009 | fixed media, akusmatisch | 19:48 | Stereo | 1990 | Frankfurt, Germany | 0 | |||||||||
| 29054 | Marc | Behrens | Re-shaping | 1991 | fixed media, akusmatisch | 2:30 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 28909 | Marc | Behrens | Real Player fucked my Netscape Settings | 2001 | fixed media, akusmatisch | 1:00 | Stereo | Crónica 041/ | DLRadio | 25.7.2008 | Deutschlandradio, Berlin | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||
| 29236 | Marc | Behrens | RECURRENT | 2011 | Klangkunst, Installation | 43 | Quadro | iHab 094/ | 0 | ||||||||||
| 42302 | Marc | Behrens | Recurrent II | 2014 | fixed media, akusmatisch | 9:49 | Stereo | iHab 094/ | 0 | ||||||||||
| 42303 | Marc | Behrens | Recurrent III | 2014 | fixed media, akusmatisch | 12:36 | Stereo | iHab 094/ | 0 | ||||||||||
| 42300 | Marc | Behrens | Recurrent, Recurrent 0 | 2014 | fixed media, akusmatisch | 11:45 | Stereo | iHab 094/ | 17.3.2018 | hr2-kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4949063&vi=122&SID | |||||||
| 42301 | Marc | Behrens | Recurrent, Recurrent I | 2014 | fixed media, akusmatisch | 9:19 | Stereo | iHab 094/ | 0 | ||||||||||
| 29108 | Marc | Behrens | Retina | 1990 | live-elec, 1 perf | 3:33 | Stereo | Kbd [Keyboard] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29020 | Marc | Behrens | Revelation | 1993 | fixed media, akusmatisch | 7:10 | Stereo | Crónica 041/ INT 013/ | 2000 | Topolò, Italy | 0 | ||||||||
| 29118 | Marc | Behrens | Right Off The Output 1 | 1989 | live-elec, 1 perf | 2:53 | Stereo | perf (radio) [Performer] | Animal Art aa 003/ | 0 | |||||||||
| 29119 | Marc | Behrens | Right Off The Output 2 | 1989 | live-elec, 1 perf | 3:18 | Stereo | perf (radio) [Performer] | German Noise – cassette tape (Animal Art, Germany) 1990 | Animal Art/ | 1992 | Herford, Germany | 0 | ||||||
| 28963 | Marc | Behrens | Robots | 1998 | fixed media, akusmatisch | 30 | Quadro | 2003 | Lisbon, Portugal | 0 | |||||||||
| 29181 | Marc | Behrens | Samma No Aji | 2006 | fixed media, akusmatisch | 7:20 | Stereo | Yasujiro Ozu: Hitokomakura – double CD (and/oar, USA) 2007 | and 26/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 28973 | Marc | Behrens | Scene Nr. 1 | 1996 | fixed media, akusmatisch | 6:10 | Stereo | CDR 13/ | 0 | ||||||||||
| 28974 | Marc | Behrens | Scene Nr. 2 | 1996 | fixed media, akusmatisch | 10:37 | Stereo | CDR 13/ | 0 | ||||||||||
| 28975 | Marc | Behrens | Scene Nr. 3 | 1996 | fixed media, akusmatisch | 2:40 | Stereo | CDR 13/ | 2002 | Frankfurt, Germany | 0 | ||||||||
| 28976 | Marc | Behrens | Scene Nr. 4 | 1996 | fixed media, akusmatisch | 4:07 | Stereo | CDR 13/ | 2002 | Darmstadt, Germany | 0 | ||||||||
| 28977 | Marc | Behrens | Scene Nr. 5 | 1996 | fixed media, akusmatisch | 10:05 | Stereo | CDR 13/ | 0 | ||||||||||
| 28978 | Marc | Behrens | Scene Nr. 6 | 1996 | fixed media, akusmatisch | 5:53 | Stereo | CDR 13/ | 0 | ||||||||||
| 28979 | Marc | Behrens | Scene Nr. 7 | 1996 | fixed media, akusmatisch | 12:39 | Stereo | CDR 13/ | 0 | ||||||||||
| 28946 | Marc | Behrens | Scenes for Contraction, part 1 | 1999 | fixed media, akusmatisch | 5:12 | Stereo | DNCD 006 Digital Narcis/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 28947 | Marc | Behrens | Scenes for Contraction, part 2 | 1999 | fixed media, akusmatisch | 4:17 | Stereo | DNCD 006 Digital Narcis/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 28948 | Marc | Behrens | Scenes for Contraction, part 3 | 1999 | fixed media, akusmatisch | 8:25 | Stereo | DNCD 006 Digital Narcis/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 28949 | Marc | Behrens | Scenes for Contraction, part 4 | 1999 | fixed media, akusmatisch | 6:03 | Stereo | DNCD 006 Digital Narcis/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 28950 | Marc | Behrens | Scenes for Contraction, part 5 | 1999 | fixed media, akusmatisch | 2:17 | Stereo | DNCD 006 Digital Narcis/ | 2001 | Rüsselsheim, Germany | 0 | ||||||||
| 28956 | Marc | Behrens | Scrutto, Insects/Frogs/Cars | 1997 - 1999 | fixed media, akusmatisch | 11:20 | Stereo | DNCD 006 Digital Narcis/ | 0 | ||||||||||
| 28954 | Marc | Behrens | Scrutto, Shakuhachi/Insects | 1997 - 1999 | fixed media, akusmatisch | 4:10 | Stereo | DNCD 006 Digital Narcis/ | 0 | ||||||||||
| 28955 | Marc | Behrens | Scrutto, Shakuhachi/Insects/Frogs | 1997 - 1999 | fixed media, akusmatisch | 8:08 | Stereo | DNCD 006 Digital Narcis/ | 2003 | Porto, Portugal | 0 | ||||||||
| 28980 | Marc | Behrens | Secret Scene: Gesture 1 | 1996 | fixed media, akusmatisch | 9:03 | Stereo | CDR 13/ | 2002 | Münster, Germany | 0 | ||||||||
| 28962 | Marc | Behrens | Secular Air | 1998 | fixed media, akusmatisch | 11:08 | Stereo | DNCD 006 Digital Narcis/ | 2003 | Lisbon, Portugal | 0 | ||||||||
| 29128 | Marc | Behrens | Seelendekor | 1989 | live-elec, 2 perf | 7:16 | Stereo | Kbd, synt [Keyboard, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 0 | ||||||||
| 29120 | Marc | Behrens | Seriousness of Laughter | 1989 | live-elec, 3 perf | 5:09 | Stereo | e-gui, (glass) hp, perc [Gitarre, Harfe, Schlagzeug] | Animal Art aa 003/ | 1992 | Herford, Germany | 0 | |||||||
| 29013 | Marc | Behrens | Sfdbk 1 | 1993 | fixed media, akusmatisch | 5:38 | Stereo | 2001 | Barcelona, Spain | 0 | |||||||||
| 29014 | Marc | Behrens | Sfdbk 2 | 1993 | fixed media, akusmatisch | 3:39 | Stereo | WP 05/ | 0 | ||||||||||
| 29015 | Marc | Behrens | Sfdbk 3 | 1993 | fixed media, akusmatisch | 2:43 | Stereo | 0 | |||||||||||
| 29016 | Marc | Behrens | Sfdbk 4 | 1993 | fixed media, akusmatisch | 4:08 | Stereo | 2000 | Mühltal, Germany | 0 | |||||||||
| 29017 | Marc | Behrens | Sfdbk 5 | 1993 | fixed media, akusmatisch | 3:36 | Stereo | 0 | |||||||||||
| 29018 | Marc | Behrens | Sfdbk 6 | 1993 | fixed media, akusmatisch | 6:38 | Stereo | 2000 | Hamburg, Germany | 0 | |||||||||
| 29019 | Marc | Behrens | Sfdbk 6 (short version) | 1993 | fixed media, akusmatisch | 6:26 | Stereo | WP 05/ | 2000 | Ljubljana, Slovenia | 0 | ||||||||
| 29121 | Marc | Behrens | Shogoin Palace | 1989 | live-elec, 2 perf | 2:43 | Stereo | Kbd, perc [Keyboard, Schlagzeug] | Animal Art aa 003/ | 0 | |||||||||
| 29075 | Marc | Behrens | Shstthstst | 1990 | fixed media, akusmatisch | 2:40 | Stereo | Featuring Andreas K. | Animal Art aa 000/ | 0 | |||||||||
| 34068 | Marc | Behrens | Sin and Temper | 2015 | Performance, live-elec, 1 perf | 40 | Quadro | synt, (taperecorder) [synthesizer] | Liveset mit Synthesizern und Tonbandgeräten | 2007 | «Sleppet», Galleri 3,14, Bergen, Norway | 0 | |||||||
| 29159 | Marc | Behrens | Site for a Numb | 2009 | fixed media, akusmatisch | 9:54 | Stereo | Rui Costa and Friends: Sightseeing for the Blind – CD (1000füssler, Germany) 2009 | 0 | ||||||||||
| 29099 | Marc | Behrens | Six Metal Samples: Metal Sample 1 | 1990 | fixed media, akusmatisch | 1:57 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 0 | |||||||||
| 29100 | Marc | Behrens | Six Metal Samples: Metal Sample 2 | 1990 | fixed media, akusmatisch | 3:36 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Herford, Germany | 0 | |||||||
| 29101 | Marc | Behrens | Six Metal Samples: Metal Sample 3 | 1990 | fixed media, akusmatisch | 5:11 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 0 | |||||||||
| 29102 | Marc | Behrens | Six Metal Samples: Metal Sample 4 | 1990 | fixed media, akusmatisch | 6:10 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Frankfurt, Germany | 0 | |||||||
| 29103 | Marc | Behrens | Six Metal Samples: Metal Sample 5 | 1990 | fixed media, akusmatisch | 2:33 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Frankfurt, Germany | 0 | |||||||
| 29104 | Marc | Behrens | Six Metal Samples: Metal Sample 6 | 1990 | fixed media, akusmatisch | 1:59 | Mono | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 1993 | Frankfurt, Germany | 0 | |||||||
| 42256 | Marc | Behrens | Skeleton | 1991 | fixed media, akusmatisch | 5:01:00 | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | Selektion, Frankfurt, Germany | 0 | |||||||||
| 29212 | Marc | Behrens | Sketch for Bagdad é em Lisboa | 2003 | fixed media, akusmatisch | 1:00 | Stereo | 60 sound artists protest the war – CD (Atak, JP) 2003 | Crónica 041/ | 1989 | Darmstadt, Germany | 0 | |||||||
| 29044 | Marc | Behrens | Slaughterhouse | 1992 | fixed media, akusmatisch | 8:46 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 [excerpt] | 1998 | Zürich, Switzerland | 0 | ||||||||
| 29165 | Marc | Behrens | Sleppet (1) Seagulls and Cattle, Sleppet | 2008 | fixed media, akusmatisch | radiophon |
10:09 | Stereo, Quadro | Crónica 046/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||||
| 29166 | Marc | Behrens | Sleppet (2–3) Avalanches, Water and Stones, Sleppet | 2008 | fixed media, akusmatisch | radiophon |
9:35 | Stereo, Quadro, Octo | Crónica 046/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||||
| 29167 | Marc | Behrens | Sleppet (4) Glacier, Sleppet | 2008 | fixed media, akusmatisch | radiophon |
10:00 | Stereo, Quadro, Octo | Crónica 046/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||||
| 29168 | Marc | Behrens | Sleppet (5) Sheep and Industry, Sleppet | 2008 | fixed media, akusmatisch | radiophon |
11:06 | Stereo, Quadro | Crónica 046/ | DLR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | ||||||||
| 29077 | Marc | Behrens | Squealing Wheat People | 1990 | fixed media, akusmatisch | 2:03 | Stereo | Animal Art/ | 0 | ||||||||||
| 29021 | Marc | Behrens | Statics | 1993 | fixed media, akusmatisch | 6:26 | Stereo | Marc Behrens: Transition – double 3″CD (edition…, USA) 2001 | Edition … 017/ | 0 | |||||||||
| 42255 | Marc | Behrens | Strength | 1991 | fixed media, akusmatisch | 5:01:00 | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | Galerie Fruchtig, Frankfurt, Germany) | 0 | |||||||||
| 28411 | Marc | Behrens | Summation 0.3 | 2005 | audiovisuell | 3:45 | Stereo | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | ||||||||
| 29150 | Marc | Behrens | Sustained Revolution | 2009 | fixed media, akusmatisch | 30:45 | Stereo, Quadro | Overlapcast – podcast/mp3 (Overlap.org, Australia) 2010 | 1990 | Frankfurt, Germany | 0 | ||||||||
| 28892 | Marc | Behrens | That which is the | 2002 | fixed media, akusmatisch | 6:49 | Stereo | Crónica 041/ | 02.10.2009 | WDR3, Cologne, Germany | Produktionspreis des Kulturradios WDR 3, 2010 | 0 | |||||||
| 29005 | Marc | Behrens | The Aesthetics of Censorship, Harpsichord 1 | 1994 | fixed media, akusmatisch | 5:00 | Stereo | WP 05/ ala 014/ | 09.11.2014 | Radio Depot, Dortmund | 0 | ||||||||
| 29006 | Marc | Behrens | The Aesthetics of Censorship, Harpsichord 2 | 1994 | fixed media, akusmatisch | 3:50 | Stereo | ala 014/ | 0 | ||||||||||
| 28999 | Marc | Behrens | The Aesthetics of Censorship, Piano 1 | 1994 | fixed media, akusmatisch | 5:14 | Stereo | ala 014/ | 2001 | Budapest, Hungary | 0 | ||||||||
| 29000 | Marc | Behrens | The Aesthetics of Censorship, Piano 2 | 1994 | fixed media, akusmatisch | 8:23 | Stereo | WP 05/ ala 014/ | 2001 | Budapest, Hungary | 0 | ||||||||
| 29001 | Marc | Behrens | The Aesthetics of Censorship, Piano 3 | 1994 | fixed media, akusmatisch | 2:06 | Stereo | WP 05/ ala 014/ | 0 | ||||||||||
| 29002 | Marc | Behrens | The Aesthetics of Censorship, Violin 1 | 1994 | fixed media, akusmatisch | 7:00 | Stereo | WP 05/ ala 014/ | 0 | ||||||||||
| 29003 | Marc | Behrens | The Aesthetics of Censorship, Violin 2 | 1994 | fixed media, akusmatisch | 5:24 | Stereo | WP 05/ ala 014/ | 0 | ||||||||||
| 29004 | Marc | Behrens | The Aesthetics of Censorship, Violin 3 | 1994 | fixed media, akusmatisch | 3:33 | Stereo | ala 014/ | 0 | ||||||||||
| 29085 | Marc | Behrens | The Housewife | 1990 | fixed media, akusmatisch | Stereo | perc [Schlagzeug] | 1994 | Frankfurt, Germany | 0 | |||||||||
| 29083 | Marc | Behrens | The Housewife as a Woman (Whoosh, there it Went and I Forgot all about the Metal) | 1990 | fixed media, akusmatisch | Stereo | perc [Schlagzeug] | Animal Art aa 007/ | 1994 | Frankfurt, Germany | 0 | ||||||||
| 29082 | Marc | Behrens | The Housewife Working Alone (with the Vacuum Cleaner on, Full Blast) | 1990 | fixed media, akusmatisch | Stereo | perc [Schlagzeug] | Animal Art aa 007/ | 1994 | Frankfurt, Germany | 0 | ||||||||
| 38975 | Marc | Behrens | The Religion of Toxins | 2015 | Klangkunst, Installation | 23:00 | Mono + Mono | double mono sound installation. 3 parts |
ala 011/ | 1999 | INM-Institut für Neue Medien, Frankfurt, Germany | 0 | https://marcbehrens.bandcamp.com/album/the-religion-of-toxins | ||||||
| 28895 | Marc | Behrens | The Unknown (CD version), part 1 | 2002 | fixed media, akusmatisch | 4:08 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | Edition … 028/ | 02.10.2009 | WDR3, Cologne, Germany | Produktionspreis des Kulturradios WDR 3, 2010 | 0 | ||||||
| 28896 | Marc | Behrens | The Unknown (CD version), part 2 | 2002 | fixed media, akusmatisch | 6:21 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | Edition … 028/ | 05.07.2009 | Cologne, Germany | 0 | |||||||
| 28897 | Marc | Behrens | The Unknown (CD version), part 3 | 2002 | fixed media, akusmatisch | 4:10 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | Edition … 028/ | 0 | |||||||||
| 28898 | Marc | Behrens | The Unknown (CD version), part 4 | 2002 | fixed media, akusmatisch | 4:33 | Stereo | Marc Behrens: Security Vs. Freedom – double 3″CD (edition…, USA) 2003 | Edition … 028/ | 11.04.2009 | Karben, Germany | 0 | |||||||
| 28906 | Marc | Behrens | The Unknown (version Bratislava) | 2001 | Klangkunst, Installation | ∞ 15:45:00 | Quadro | DLRadio | 25.7.2008 | Deutschlandradio, Berlin | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1530087&vi=22&SID | |||||||
| 29187 | Marc | Behrens | The Unknown (version Valencia) | 2004 | Klangkunst, Installation | ∞ 22:56:00 | Quadro | 0 | |||||||||||
| 42304 | Marc | Behrens | Thorns/Seeds | 2018 | live-elec, 1 perf | 1:20 | synt [synthesizer] | 17.05.2018 | Port25, Mannheim | 0 | |||||||||
| 34061 | Marc | Behrens | To Break an Elephant's Leg | 2015 | fixed media, akusmatisch | 5:00 | Stereo | degem CD 13/ | 2008 | «Farewell to Post-Colonialism. The Third Guangzhou Triennial», Time Museum/Guangdong Museum of Art, Guangzhou, China | 0 | ||||||||
| 29245 | Marc | Behrens | TOKYO CIRCLE | 2000 - 2005 | Klanginstallation, live-elec, | 6 | «Sound Art – Sound as Media» | 0 | |||||||||||
| 25498 | Marc | Behrens | Tokyo Circle, Symbol Survey | 1999 | fixed media, akusmatisch | 5:40 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ Crónica 041/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | ||||||||
| 29253 | Marc | Behrens | TOP DOWN/BOTTOM UP | 1997 | Klangkunst, Installation | Linked to the discovery of the ‹up›/‹down› and ‹top›/‹bottom› quarks, the latter only observed in short-lived matter. Rice grains on the membranes of three bass speakers’ membranes mounted under the planks of a wooden walkway jumped up when sounds occurred on the speakers, affected by wind intensity. | 0 | ||||||||||||
| 29035 | Marc | Behrens | Transmission | 1992 | fixed media, akusmatisch | 21:45 | Stereo | 1999 | Udine, Italy | 0 | |||||||||
| 29068 | Marc | Behrens | Trembling Spy | 1990 | fixed media, akusmatisch | 6:04 | Stereo | 0 | |||||||||||
| 29069 | Marc | Behrens | Twilight (dry) | 1990 | fixed media, akusmatisch | 2:30 | Stereo | 1996 | Bern, Switzerland | 0 | |||||||||
| 29057 | Marc | Behrens | Twilight’s Last Gleaming | 1991 | fixed media, akusmatisch | 5:40 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | CAT-no. 062/ | 0 | |||||||||
| 28931 | Marc | Behrens | Two Leipzig Zones | 2000 | fixed media, akusmatisch | 6:11 | Stereo | Crónica 041/ | 0 | ||||||||||
| 28945 | Marc | Behrens | Two Zones | 1999 | fixed media, akusmatisch | 5:50 | Stereo | Crónica 041/ | 2004 | Darmstadt, Germany | 0 | ||||||||
| 29144 | Marc | Behrens | Unit, CD version | 2010 | fixed media, akusmatisch | 42:40 | Stereo | Marc Behrens: Unit – CD (and/OAR, USA) 2012 | and 41/ | 1990 | Frankfurt, Germany | 0 | |||||||
| 29239 | Marc | Behrens | UNIT | 2008 | Klangkunst, Installation | 5 tracks | 0 | ||||||||||||
| 29208 | Marc | Behrens | Untitled (for Lida) | 2003 | fixed media, akusmatisch | 7:00 | Stereo | Crónica 041/ afro 2019/ | 0 | ||||||||||
| 29046 | Marc | Behrens | Untitled 1 [Organ] | 1991 | fixed media, akusmatisch | 4:25 | Stereo | 0 | |||||||||||
| 29047 | Marc | Behrens | Untitled 2 [Orchestra] | 1991 | fixed media, akusmatisch | 6:46 | Stereo | Marc Behrens: Skeleton, Engineer, Strength, Works pt.1 – cassette tape (Cat Killer, Germany) 1993 | 1998 | rraum, Frankfurt, Germany | 0 | ||||||||
| 29048 | Marc | Behrens | Untitled 3 [Orchestra, Feedback] | 1991 | fixed media, akusmatisch | 7:53 | Stereo | 0 | |||||||||||
| 29049 | Marc | Behrens | Untitled 4 [Feedback] | 1991 | fixed media, akusmatisch | 2:25 | Stereo | 0 | |||||||||||
| 29050 | Marc | Behrens | Untitled 5 [Wet Feedback] | 1991 | fixed media, akusmatisch | 2:06 | Stereo | 1998 | Topolò, Italy | 0 | |||||||||
| 29110 | Marc | Behrens | Untitled Fast | 1990 | live-elec, 2 perf | 3:19 | Stereo | synt, Kbd [Keyboard, synthesizer] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 28998 | Marc | Behrens | Untitled Fdbk 95-1 | 1995 | fixed media, akusmatisch | 8:56 | Stereo | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 0 | |||||||||
| 28929 | Marc | Behrens | Untitled Fdbk 95–2 | 2001 | fixed media, akusmatisch | 11:06 | Stereo | Marc Behrens: Selected Minimalist Concerns – CDR (Absurd / research center for the definition of happiness / KREV Greece) 2002 | absurd/ | 2004 | Valencia, Spain | 0 | |||||||
| 29109 | Marc | Behrens | Untitled Sequencer Piece | 1990 | live-elec, 1 perf | 1:44 | Stereo | synt [synthesizer] | 1993 | Frankfurt, Germany | 0 | ||||||||
| 29111 | Marc | Behrens | Untitled Slow | 1990 | live-elec, 2 perf | 3:27 | Stereo | Kbd, synt [Keyboard, synthesizer] | 1993 | Bochum, Germany | 0 | ||||||||
| 29186 | Marc | Behrens | [Untitled Song] | 2004 | fixed media, akusmatisch | 6:50 | Stereo | Crónica 041/ | 0 | ||||||||||
| 29123 | Marc | Behrens | Virgo Analyse | 1989 | live-elec, 3 perf | 2:53 | Stereo | Kbd, synt, db [Keyboard, Kontrabass, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 1992 | Mainz, Germany | 0 | ||||||
| 28928 | Marc | Behrens | Website | 2001 | fixed media, akusmatisch | 8:47 | Stereo | Crónica 032/ | 2005 | Weimar, Germany | 0 | ||||||||
| 29146 | Marc | Behrens | Yes, China | 2010 | fixed media, akusmatisch | 9:54 | Spazialisation: binaural | Headscapes, Kompositionen für Kopfhörer – CD (Besenkammer, Germany) 2010; Framework Seasonal Issue #1 Autumn 2011 – CDR (Framework Radio, Estonia) | Besenkammer bb 03/ | 1990 | Frankfurt, Germany | 0 | http://galeriebesenkammer.wordpress.com/ruckblick/ | ||||||
| 29126 | Marc | Behrens | Zazou | 1989 | live-elec, 2 perf | 2:29 | Stereo | Kbd, synt, (turntables) [Keyboard, synthesizer] | Marc Behrens: Virgo – cassette tape (Animal Art, Germany) 1989 | Animal Art aa 002/ | 0 | ||||||||
| 29031 | Marc, Jörg | Behrens, Eberle | Scanning, part 1 | 1993 | live-elec, 2 perf | 28:32 | Stereo | sam, elec [computer, elektronik] | 1999 | Hamburg, Germany | 0 | ||||||||
| 29032 | Marc, Jörg | Behrens, Eberle | Scanning, part 2 | 1993 | live-elec, 2 perf | 16:28 | Stereo, Quadro | elec, perc [Schlagzeug, elektronik] | 1999 | Hamburg, Germany | 0 | ||||||||
| 29041 | Marc, Lukas | Behrens, Ernst | Instant Movie Instance III | 1992 | fixed media, akusmatisch | 24:40 | Stereo | Human Factor (Lukas Ernst) and Animal Art (Marc Behrens) soundtrack for the film "Instant Movie". This version is a transformed version of the original performance. |
Animal Art aa 010/ | 0 | |||||||||
| 29149 | Marc, Cem | Behrens, Güney | Mouth to Mouse | 2009 | fixed media, akusmatisch | 6:54 | Stereo | Crónica 050/ | 1990 | Frankfurt, Germany | 0 | ||||||||
| 29255 | Marc, Bernhard | Behrens, Günter | VIENNA INSTALLATION | 1996 | Klangkunst, Installation | Octo | A sound installation was implanted into several cells of the circular museum building. A stereo source was distributed to 8 channels and manipulated with long delays to create a sound entity moving through the building. | 0 | |||||||||||
| 29211 | Marc, Nikolaus | Behrens, Heyduck | Concerto a Topolò (Pioggia di Topolò) | 2003 | Performance | ∞ 22:00 | Stereo | 1989 | Darmstadt, Germany | 0 | |||||||||
| 28930 | Marc, Nikolaus | Behrens, Heyduck | Kunststoffklänge | 2000 | fixed media, akusmatisch | 33:30 | 10 Tracks | Plastic 1 - 4 | afro 2030/ | 0 | |||||||||
| 28891 | Marc, Nikolaus | Behrens, Heyduck | Material performance [Metal] | 2002 | Performance | 36:47 | Quadro | Metal 1 - 10 | afro 2031/ | 14.10.2009 | Casa da Música, Porto, Portugal | 0 | |||||||
| 29197 | Marc, Nikolaus | Behrens, Heyduck | Metal 1 | 2004 | fixed media, akusmatisch | 2:47 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 36492 | Marc, Nikolaus | Behrens, Heyduck | Metal 10 | 2004 | fixed media, akusmatisch | Stereo | afro 2031/ | 0 | |||||||||||
| 29198 | Marc, Nikolaus | Behrens, Heyduck | Metal 2 | 2004 | fixed media, akusmatisch | 2:42 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 29199 | Marc, Nikolaus | Behrens, Heyduck | Metal 3 | 2004 | fixed media, akusmatisch | 4:08 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 29200 | Marc, Nikolaus | Behrens, Heyduck | Metal 4 | 2004 | fixed media, akusmatisch | 7:39 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 29201 | Marc, Nikolaus | Behrens, Heyduck | Metal 5 | 2004 | fixed media, akusmatisch | 3:40 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 29202 | Marc, Nikolaus | Behrens, Heyduck | Metal 6 | 2004 | fixed media, akusmatisch | 3:47 | Stereo, Quadro | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2031/ | 0 | |||||||||
| 36489 | Marc, Nikolaus | Behrens, Heyduck | Metal 7 | 2004 | fixed media, akusmatisch | Stereo | afro 2031/ | 2005 | «Mülheimer Profile 2005/Mülheim klingt», Kulturbunker Mülheim, Cologne, Germany | 0 | |||||||||
| 36490 | Marc, Nikolaus | Behrens, Heyduck | Metal 8 | 2004 | fixed media, akusmatisch | Stereo | afro 2031/ | 2003 | «Stazione di Topolò – Postaja Topolove», Topolò, Grimacco/UD, Italy | 0 | http://www.behrensheyduck.de | ||||||||
| 36491 | Marc, Nikolaus | Behrens, Heyduck | Metal 9 | 2004 | fixed media, akusmatisch | Stereo | afro 2031/ | 2002 | Schmuckmanufaktur Kneist, Darmstadt, Germany) | 0 | |||||||||
| 29242 | Marc, Nikolaus | Behrens, Heyduck | Pioggia di Topolò – Topolovski Daž – Rain of Topolò | 2003 | Klangkunst, Installation | Stereo | sound installation with rain | 0 | |||||||||||
| 29203 | Marc, Nikolaus | Behrens, Heyduck | Plastic 1 | 2003 | fixed media, akusmatisch | 11:29 | Stereo | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2030/ | 0 | |||||||||
| 29204 | Marc, Nikolaus | Behrens, Heyduck | Plastic 2 | 2003 | fixed media, akusmatisch | 4:39 | Stereo | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2030/ | 0 | |||||||||
| 29205 | Marc, Nikolaus | Behrens, Heyduck | Plastic 3 | 2003 | fixed media, akusmatisch | 6:47 | Stereo | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2030/ | 0 | |||||||||
| 29206 | Marc, Nikolaus | Behrens, Heyduck | Plastic 4 | 2003 | fixed media, akusmatisch | 10:35 | Stereo | Behrens Heyduck: Plastic Metal – CD (Antifrost, Greece) 2004 | afro 2030/ | 0 | |||||||||
| 29173 | Marc, Nikolaus | Behrens, Heyduck | Tape Disk | 2007 | Zuspiel, live-elec, 4 perf | audiovisuell |
40:06 | Stereo + Stereo | 2 com, 2 elec (2 tape machines, video) [computer, elektronik] | 0 | ||||||||||
| 29156 | Marc, Yôko | Behrens, Higashi | Queendom | 2009 | live-elec, 1 perf | 8:07 | V and com [Stimme, computer] | (Featuring Yôko Higashi); Voice – Yôko Higashi | Crónica 076/ | 0 | |||||||||
| 29091 | Marc, Chris | Behrens, Keller | Junta 1 | 1990 | fixed media, akusmatisch | 7:32 | Stereo | 1993 | Darmstadt, Germany | 0 | |||||||||
| 29092 | Marc, Chris | Behrens, Keller | Junta 2 | 1990 | fixed media, akusmatisch | 3:25 | Stereo | 1993 | Darmstadt, Germany | 0 | |||||||||
| 29093 | Marc, Chris | Behrens, Keller | Junta 3 | 1990 | fixed media, akusmatisch | 3:15 | Stereo | 1993 | Herford, Germany | 0 | |||||||||
| 29094 | Marc, Chris | Behrens, Keller | Junta 4, Soundtrack for Original Torture Performance | 1990 | fixed media, akusmatisch | 8:59 | Stereo | [published as Soundtrack for Original Torture Performanceon:] Power to Destroy – double cassette tape (Lebensborn, UK) | 1993 | Herford, Germany | 0 | ||||||||
| 29095 | Marc, Chris | Behrens, Keller | Junta 5 | 1990 | fixed media, akusmatisch | 1:47 | Stereo | 1993 | Herford, Germany | 0 | |||||||||
| 28888 | Marc, Francisco | Behrens, López | A Szellem Álma · FL | 2002 | fixed media, akusmatisch | 73:42 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 16.10.2010 | Radio Grenouille, Marseille, France | 0 | |||||||
| 28899 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 1 | 2002 | fixed media, akusmatisch | 17:57 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 04.04.2009 | Casa da Música, Porto, Portugal | 0 | |||||||
| 28900 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 2 | 2002 | fixed media, akusmatisch | 14:56 | Stereo, Quadro | 12 V, (12 Voices in Space, 4 tracks elec) [Stimme] | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 24.03.2009 | London, U.K. | 0 | ||||||
| 28901 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 3 | 2002 | fixed media, akusmatisch | 12:33 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 0 | |||||||||
| 28902 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 4 | 2002 | fixed media, akusmatisch | 8:51 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | DeutschlandRadio | 25.7.2008 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1531667&vi=21&SID | ||||||
| 28903 | Marc, Francisco | Behrens, López | A Szellem Álma · MB 5 | 2002 | fixed media, akusmatisch | 10:23 | Stereo | Marc Behrens & Francisco López: A Szellem Álma – double CD (.absolute. [koblenz], Germany) 2004 | .absolute./ | 0 | |||||||||
| 38974 | Marc, Julia, Annesley | Behrens, Mihály, Black | hyperMOODbox | 2018 | Klangkunst, Installation | Octo | 1999 | «Projekt: Medusa» Kunst.verladehalle, Rüsselsheim, Germany | 0 | ||||||||||
| 29096 | Marc, Christoph | Behrens, Nees | Pentagon | 1990 | live-elec, 2 perf | 11:26 | Stereo | Kbd, t-sax [Saxophon, Keyboard] | 1993 | Herford, Germany | 0 | ||||||||
| 29039 | Marc, Michael | Behrens, Northam | Organic Feedback part I | 1992 | live-elec, 2 perf | 3:26 | Stereo | 2 elec [elektronik] | Neuklang II – double cassette tape (Fich Art, D) 1992 | 2000 | Tokyo, Japan | 0 | |||||||
| 29040 | Marc, Michael | Behrens, Northam | Organic Feedback part II | 1992 | live-elec, 2 perf | 5:03 | Stereo | 2 elec [elektronik] | Neuklang II – double cassette tape (Fich Art, D) 1992 | 0 | |||||||||
| 29177 | Marc, Paulo | Behrens, Raposo | Hades 1 Gate | 2006 | fixed media, akusmatisch | 8:05 | Stereo | Marc Behrens, Paulo Raposo: Hades – CD (and/oar, USA) 2006 | and 25/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 29178 | Marc, Paulo | Behrens, Raposo | Hades 2 Crossing Into | 2006 | fixed media, akusmatisch | 21:30 | Stereo | Marc Behrens, Paulo Raposo: Hades – CD (and/oar, USA) 2006 | and 25/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 29179 | Marc, Paulo | Behrens, Raposo | Hades 3 Gate | 2006 | fixed media, akusmatisch | 5:08 | Stereo | Marc Behrens, Paulo Raposo: Hades – CD (and/oar, USA) 2006 | and 25/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 29180 | Marc, Paulo | Behrens, Raposo | Hades 4 Crossing Out Of | 2006 | fixed media, akusmatisch | 21:49 | Stereo | Marc Behrens, Paulo Raposo: Hades – CD (and/oar, USA) 2006 | and 25/ | 1990 | Darmstadt, Germany | 0 | |||||||
| 29207 | Marc, Paulo, Jeremy | Behrens, Raposo, Bernstein | Post-Architectural Commentaries | 2003 | audiovisuell, live-elec, 3 perf | Quadro | 3 com [computer] | 0 | |||||||||||
| 28791 | Marc, Uwe | Behrens, Schmidt, Atom™ | Bauteile | 2012 | radiophon | 52:01 | Stereo | Uwe Schmidt alias Atom™ | eMEGO 184/ | 0 | |||||||||
| 28894 | Marc, Tobias | Behrens, Schmitt | Chair | 2002 | live-elec, 2 perf | 2:31 | Stereo | (office chair,) 2 com [computer] | Syntax Error – Magazine + CD («Failure» issue of CABINET Magazine, USA) 2002 | 02.10.2009 | WDR3, Cologne, Germany | Produktionspreis des Kulturradios WDR 3, 2010 | 0 | ||||||
| 29045 | Marc, Ho. | Behrens, Turner | Instant Movie | 1991 | fixed media, akusmatisch | audiovisuell |
58:21 | Quadro | 1998 | Zürich, Switzerland | 0 | |||||||||
| 28889 | Marc, Achim | Behrens, Wollscheid | - | 2002 | fixed media, akusmatisch | 2:00 | Stereo, Octo | Frequencies [Hz] – CD (Schirn Kunsthalle Frankfurt, D) 2003 | 0 | ||||||||||
| 21498 | David | Behrman | A Migratory Tale | 1977 | live-elec, 2 perf | 2 perf, (com) [Performer] | LCD 1042/ | 1 | 1989 | ||||||||||
| 18715 | David | Behrman | A Traveller's Dream Journal, Berlin-NY | 1967 | Zuspiel / Tonband, 1 perf | 18:42 | Stereo | p [Piano] | interactiv; 2 parts | LCD 1042/ | PS C. NY | 0 | |||||||
| 21499 | David | Behrman | All Thumbs | 1977 | live-elec, 2 perf | 2 ins (mbiras) [Instrument] | LCD 1042/ | 1 | 1989 | ||||||||||
| 1134 | David | Behrman | Etuder | 1960 | fixed media, akusmatisch | 3:00 | Mono | PS Apelac | 0 | ||||||||||
| 1135 | David | Behrman | Figure in a Clearing | 1977 | live-elec, 1 perf | 19:12 | vc, (com) [Cello] | LML 1041/ | Mills Col | 1 | 1989 | ||||||||
| 23108 | David | Behrman | Homemade Synthesizer Music with Sliding Pitches | 1972/2002 | live-elec, 1 perf | 21:20 | vc [Cello] | 1 | 2002 | ||||||||||
| 1136 | David | Behrman | Interspecies Smalltalk | 1984 | Performance, live-elec, 1 perf | 21:32 | vn, (elec) [Violine] | interactiv, 2 Scenes | LCD 1042/ MC 001 Mills College/ | CCM Mills | Merce Cunningham's dance "Pictures" | 1 | 1989 | ||||||
| 36678 | David | Behrman | Landscape with David Behrman | 1987 | Fernsehen, | 57:40 | LVHS 1/ | 0 | |||||||||||
| 18716 | David | Behrman | Leapday Night | 1983/1986 | Zuspiel, live-elec, 1 perf | 32:37 | Stereo | tpt [Trompete] | interactiv; 3 parts | LCD 1042/ | 1 | 1989 | |||||||
| 33572 | David | Behrman | Long Throw | 2007 | Tanz, live-elec, 3 perf | (com), e-vn, e-gui, prep p [Piano, Gitarre, Violine] | Computer [Laptop] – David Behrman Electric Guitar, Viola – John King Piano [Prepared] – Christian Wolff Violin [Electric] – Takehisa Kosugi Dance: eyeSpace (2007) |
NWR 80712/ | 1 | ||||||||||
| 1137 | David | Behrman | Milwaukee Combination | 1964 | Zuspiel / Tonband, 4 perf | 11:00 | Mono + Mono + Mono + Mono | 4 ins [Instrument] | Uni Waltham | 0 | |||||||||
| 25839 | David | Behrman | Music with Melody-Driven Electronics | 1975 | audiovisuell | 57:40 | 4 perf [Performer] | Performing Behrman, Cardoza, Denman, Morton 1975 | Ellipsis Arts 3694 - OHM DVD/ LVHS 1/ | 1 | |||||||||
| 32162 | David | Behrman | Music with Roots in the Aether, Landscape with David Behrman (57:40) The Music of David Behrman (57:40) |
1975 | Fernsehen, | Oper |
115 | Music with Melody-Driven Electronics. Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. |
DV 7701 Lovely Music/ LVHS 1/ Music with Roots in the Aether/ | 1 | ||||||||||
| 18717 | David | Behrman | On the Other Ocean | 1977 | Zuspiel, live-elec, 2 perf | 23:31 | Stereo | fl, bn [Flöte, Fagott] | interactiv | LML 1041/ Ellipsis Arts 3673 - OHM: 03/ | Mills Col | 1 | |||||||
| 1138 | David | Behrman | Oracolo | 1983 | live-elec, 1 perf | 10:20 | Quadro | com [computer] | 4i real-time system | CSC Padova | 0 | ||||||||
| 23109 | David | Behrman | Pen Light, View Finder | 1998 - 2001 | Klangkunst, Installation | DAAD 205-1 ISBN 3-89727-259-8/ Prix Ars Electronica 98/ Kehrer Verlag ISBN 978-3-939583-23-3/ | Auszeichnung ars electronica honorary mention 1998 | 1 | 2002 | ||||||||||
| 2002 | |||||||||||||||||||
| 1139 | David | Behrman | Players with circuits | 1966 | live-elec, 3 perf | 12:00 | Mono | str (zither), gui, p, (oscillator, rm) [Piano, Gitarre, Streicher] | PS C. NY | 0 | |||||||||
| 18718 | David | Behrman | Refractive Light | fixed media, akusmatisch | 4:22 | Stereo | interactiv | Nova Era CD 2002/ NWCR 807/ | 0 | ||||||||||
| 18719 | David | Behrman | Refractive Light | live-elec, | 11:40 | Stereo | interactiv; (3 mouvements) | XI 105 experimental intermedia/ | 0 | ||||||||||
| 1140 | David | Behrman | runthrough | 1967, 1998 | live-elec, 2 perf | 12:00-18:00 11:54 | Stereo | 2 mus (psalter, kalimba), (rm) [Musiker] | Centaur CRC 2490, CDCM Vol. 30/ Mainstream MS 5010 Earle Brown Contemporary Sound Series Vol 13/ WER 6940/ IDEAMA CD 077/ | PS C. NY, Calarts | 1 | ||||||||
| 18720 | David | Behrman | Unforeseen Events | Zuspiel, live-elec, 1 perf | 37:52 | Stereo | tpt [Trompete] | (4 mouvements) | XI 105 experimental intermedia/ | 0 | |||||||||
| 27345 | David | Behrman | View Finder | 1972 - 1973 | Klangkunst, Installation | DAAD 205-1 ISBN 3-89727-259-8/ | November 2001 | Valerian Maly’s gallery Köln | 1 | 2002 | |||||||||
| 1141 | David | Behrman | Wave Train | 1966 | live-elec, 1 perf | 15:31 | Mono | amp ins, (rm) [Instrument] | feedback. performed by D. Berhman & G. Mumma | Source Records, SR 13/ Pogus 21050-2/ | PS C. NY | Center of the Creative Arts, Buffalo, NY | 1 | ||||||
| 33575 | David, Fast, Takehisa | Behrman, Forward, Kosugi | Event — September 14, 1996, Annemasse, France | 1996 | Performance | 5:53:00 | 3 perf [Performer] | Computer [Laptop], Percussion – David Behrman Percussion [Steel Pan], Performer [Objects] – Fast Forward Violin [Electric], Electronics [Live] – Takehisa Kosugi |
NWR 80712/ | 1 | |||||||||
| 33580 | David, John, Ikue | Behrman, King, Mori | Event — December 14, 2004, New York City | 2004 | Performance | 3:54:00 | 3 perf [Performer] | Computer [Laptop], Violin, Psaltery – David Behrman Electric Guitar, Electronics [Live] – John King Trombone, Computer [Laptop] – Ikue Mori |
NWR 80712/ | 1 | |||||||||
| 33585 | David, John, Christian | Behrman, King, Wolff | Event — June 23, 2007, New Canaan, Connecticut | 2007 | Performance | 3:09 | 3 perf [Performer] | Computer [Laptop], Recorder, Guitar – David Behrman Electric Guitar, Electronics [Live] – John King Electric Guitar, Melodica – Christian Wolff |
NWR 80712/ | 1 | |||||||||
| 33576 | David, Steve, Takehisa | Behrman, Lacy, Kosugi | Event — June 5, 1997, Frankfurt | 1997 | Performance | 7:30:00 | 3 perf [Performer] | Computer [Laptop], Voice – David Behrman Soprano Saxophone – Steve Lacy Violin [Electric] – Takehisa Kosugi |
NWR 80712/ | 1 | |||||||||
| 28773 | Michael | Beil | along | 2011 | Zuspiel / Tonband, 1 perf | 10:00 | e-gui [Gitarre] | 2011 | Tel Aviv, Yaron Deutsch (gui) | 0 | http://www.michael-beil.com/ | ||||||||
| 28777 | Michael | Beil | Aus EIns Mach Zehn | 2001 | Zuspiel / Tonband, 1 group | 10:00 | orc [Orchester] | 2002 | Stuttgart, SWR orchestra, Ltg. Robert HP Platz | 0 | http://www.michael-beil.com/ | ||||||||
| 28778 | Michael | Beil | Aus Fünf | 2001 | Zuspiel / Tonband, 3 perf | 11:33 | cl, bn, acc [Klarinette, Fagott, Akkordeon] | trio basso | 2001 | Berlin Klangwerkstatt | 0 | http://www.michael-beil.com/ | |||||||
| 28776 | Michael | Beil | Batterie | 2003 | audiovisuell, 1 perf | 14:13 | perc-drumset [Schlagzeug] | 2003 | Berlin Staatsoper unter den Linden, Michael Wertmueller | 0 | http://www.michael-beil.com/ | ||||||||
| 28774 | Michael | Beil | Beleuchter | 2004 | Zuspiel / Tonband, 3 perf | 6:04 | fl, vn, vc [Flöte, Cello, Violine] | 2004 | Rostock, ensemble mosaik | 0 | http://www.michael-beil.com/ | ||||||||
| 28786 | Michael | Beil | belle nuit | 2009 | audiovisuell, 4 perf | 13 | S, vn, va, vc [Sopran, Viola, Cello, Violine] | 2009 | Berlin Konzerthaus, ens united, Katja Guedes | 0 | http://www.michael-beil.com/ | ||||||||
| 28784 | Michael | Beil | BLACKJACK | 2012 | audiovisuell, 17 perf | 17 | 17 ins [Instrument] | 2012 | Köln, ens musikFabrik | 0 | http://www.michael-beil.com/ | ||||||||
| 28775 | Michael | Beil | Die Zwei | 2004 | audiovisuell, 2 perf | 10:30 | fl, p [Flöte, Piano] | Berliner Kultur-Senat | 2004 | Berlin Podewil, Bettina Junge, Ernst Surberg | 0 | http://www.michael-beil.com/ | |||||||
| 37597 | Michael | Beil | exit to enter | 2013 | audiovisuell, live-elec, 1 group | ens (live video & audio) [Ensemble] | 0 | ||||||||||||
| 28788 | Michael | Beil | Karaoke Rebrang! | 2006 | audiovisuell, 4 perf | 10 | sax, perc, p, va [Saxophon, Piano, Schlagzeug, Viola] | 2006 | Hamburg, ens intégrales | 0 | http://www.michael-beil.com/ | ||||||||
| 37599 | Michael | Beil | Key Jack | 2017 | audiovisuell, live-elec, 1 perf | perf (live video & audio) [Performer] | 0 | ||||||||||||
| 28789 | Michael | Beil | Mach Sieben | 2000 | audiovisuell, 1 perf | 21:11 | p [Piano] | 2001 | Berlin Sophiensäle, Ernst Surberg (p) | 0 | http://www.michael-beil.com/ | ||||||||
| 28783 | Michael | Beil | Nexus | 1995 | Zuspiel / Tonband, 2 perf | 11:42 | 2 p [Piano] | 1995 | Crailsheim, Klavierduo Schumacher - Grau | 0 | http://www.michael-beil.com/ | ||||||||
| 28785 | Michael | Beil | open source | 2008 | audiovisuell, 4 perf | 13 | 3 str, fl [Flöte, Streicher] | 0 | http://www.michael-beil.com/ | ||||||||||
| 41983 | Michael | Beil | Sugar Water | 2015 | audiovisuell, live-elec, 7 perf | 7 perf (live video & audio) [Performer] | 29.11.2015 | cresc. Biennale für Moderne Musik Frankfurt | 0 | ||||||||||
| 37598 | Michael | Beil | SWAP | 2014 | audiovisuell, live-elec, 3 perf | fl, cl, ob, (live video & audio) [Flöte, Klarinette, Oboe] | 0 | ||||||||||||
| 28349 | Michael | Beil | und Acht | 2000 | Zuspiel / Tonband, 1 perf | 11:27 | Stereo | acc [Akkordeon] | optional mit Video | 1999 | Podewil Berlin, Gerhard Scherer | 0 | 2002 | http://www.michael-beil.com/ | |||||
| 28782 | Michael | Beil | Und Neun ist Eins | 1998 | Zuspiel / Tonband, 4 perf | 11:04 | S, sax, perc, p [Sopran, Saxophon, Piano, Schlagzeug] | 2001 | Berlin Sophiensäle, ensemble mosaik | 0 | http://www.michael-beil.com/ | ||||||||
| 28779 | Michael | Beil | Und Sechs | 2000 | Zuspiel / Tonband, 6 perf | 10 | fl, cl, p, vn, va, vc [Flöte, Klarinette, Piano, Viola, Cello, Violine] | Modern Art Sextett | 2000 | Braunschweig, Modern Art Sextett | 0 | http://www.michael-beil.com/ | |||||||
| 28781 | Michael | Beil | Und Zehn ist keins | 1998 | Zuspiel / Tonband, 8 perf | 10:07 | S, 2 va, 4 vc, db, (2 CD-Starter) [Sopran, Viola, Cello, Kontrabass] | 1998 | Berlin Klangwerkstatt | 0 | http://www.michael-beil.com/ | ||||||||
| 28787 | Michael | Beil | Verlier die Vier | 2006 | audiovisuell, 2 perf | 6 | perc, p [Piano, Schlagzeug] | 2006 | Thun, Ernst Surberg, Michael Wertmüller | 0 | http://www.michael-beil.com/ | ||||||||
| 28630 | Michael, Elmar | Beil, Fasshauer | Tonbandmaschine, Elektronische Musik in Deutschland | 2011 | Film | 102 | 5 tracks | Volker Müller (SEM WDR), Folkmar Hein & André Bartetzki (TU Berlin), André Richard und Detlef Heusinger (Exp.Studio des SWR Freiburg), Ludger Brümmer (ZKM Karlsruhe) | HfMT Köln, KHM Köln | 1 | |||||||||
| 36456 | Burkhard | Beins | Tarmac Berlin Edit | 2007 | radiophon | 8:40:00 | EDRM 417/ | 0 | |||||||||||
| 1142 | Robert J. | Beirer | Wenn alles eins wäre | 1985 | fixed media, akusmatisch | 18:48 | ELAK Wien | 0 | |||||||||||
| 1143 | Siavash | Beizai | Klang der Wasserschritte | fixed media, akusmatisch | 30:00 | Stereo | 2 versions | ICEM Essen | 0 | ||||||||||
| 24645 | Mauricio | Bejarano | D’or et de lumière | 1998 - 2000 | Zuspiel / Tonband, 1 perf | 8:46 | Stereo | gui [Gitarre] | with Arturo Parra (gui) | IMED 0264/ | 0 | ||||||||
| 1144 | Mauricio | Bejarano | Despliegue | 1992 | fixed media, akusmatisch | 13:00 | INGESON Bogota | 1 | |||||||||||
| 18682 | Mauricio | Bejarano | Jagua(r) | 1995 | fixed media, akusmatisch | 8:01 | Stereo | Musidisc 245752/ NOR 04/ | INGESON Bogota | 0 | |||||||||
| 1145 | Jacques | Bekaert | Pop Corner | 1969 | Zuspiel / Tonband, 1 perf | e-gui [Gitarre] | 0 | ||||||||||||
| 1146 | Jacques | Bekaert | The Day After | 1969 | fixed media, akusmatisch | 7:08 | OU 38-39/ | 0 | |||||||||||
| 33392 | István | Bélai | A harmadik | 1964 | Film | 8 | Mono | Pannónia Filmgyártó Vállalat Budapest | 0 | ||||||||||
| 33390 | István | Bélai | Elzett lakat | 1960 | Film | 2:15 | Mono | Pannónia Filmgyártó Vállalat Budapest | 0 | ||||||||||
| 33393 | István | Bélai | Kaleidoszkope | 1965 | Film | 10 | Mono | Pannónia Filmgyártó Vállalat Budapest | 0 | ||||||||||
| 33391 | István | Bélai | Párbas | 1962 | Film | 2 | Mono | Pannónia Filmgyártó Vállalat Budapest | 0 | ||||||||||
| 34823 | Samuel | Béland | Biodôme | 2016 | fixed media, akusmatisch | 8:49:00 | Stereo | JTTP 2016 4. prize | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 36868 | Samuel | Béland | Naïca | 2017 | audiovisuell | 7:35:00 | Con Montreal | prize JTTP 2017 | 0 | ||||||||||
| 24674 | Olivier | Bélanger | Douce tempête du matin | 2003 | fixed media, akusmatisch | 7:59 | JTTP 2003 | CEC Cache 2003 CA/ | winner JTTP 2003 4. prize | 1 | |||||||||
| 1147 | Louis-Noël | Belaubre | Dialogue | 1984 | live-elec, 2 perf | p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 39626 | Brian | Belet | Ion Trails (Cloud Chamber Storms) | 2016 | fixed media, akusmatisch | Brian Belet | 0 | ||||||||||||
| 42747 | Brian | Belet | Summer Phantoms: Nocturne | 2012 | live-elec, 1 perf | 11:00:00 | p [Piano] | Andrea Lodge, piano | 0 | ||||||||||
| 1148 | Brian | Belét | [BASS]ically Harmless | 1994 | Zuspiel / Tonband, 1 perf | 5:00 | e-bass [Gitarre] | CREAM | 0 | ||||||||||
| 1150 | Brian | Belét | Discourse {GUTs 2a} | fixed media, akusmatisch | 0 | ||||||||||||||
| 1151 | Brian | Belét | [MUTE]ation | 1994/1997 | live-elec, 1 perf | 8:46 | Stereo | com [computer] | Kyma | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | |||||||
| 1152 | Brian | Belét | Quanta affected by Observation | 1983 | fixed media, akusmatisch | 4:53 | 25th An.St. Urb/Illi. | UIUC LC 84-743210/ | EMS UIUC | 1 | |||||||||
| 1149 | Brian, William | Belét, Walker | Cross-town Traffic | 1995 | live-elec, 2 perf | Stereo | 2 disklavier [Piano] | CREAM | 0 | ||||||||||
| 1153 | Alfonso | Belfiore | Antica Parola | 1991 | live-elec, 1 perf | 10:00 | db [Kontrabass] | CNUCE Pisa | 0 | ||||||||||
| 1154 | Alfonso | Belfiore | Don Chisciotte | 1994 | Musiktheater, live-elec, | CNUCE Pisa | 0 | ||||||||||||
| 1155 | Alfonso | Belfiore | For Electra | 1990 | Musiktheater, live-elec, 1 perf | 70:00 | Sp [Sprecher] | CNUCE Pisa | 0 | ||||||||||
| 1156 | Alfonso | Belfiore | La città sommersa | 1994 | Musiktheater, live-elec, | CNUCE Pisa | 0 | ||||||||||||
| 39292 | Alfonso | Belfiore | Quanti di luce e suono | 2017 | audiovisuell, live-elec, 1 perf | cl (tarogato) [Klarinette] | 0 | ||||||||||||
| 1157 | Alfonso | Belfiore | Teneri Mormorii degli astri | 1989 | Musiktheater, live-elec, 1 perf | 63:00 | V, (com) [Stimme] | CNUCE Firenze | 0 | ||||||||||
| 1158 | Alfonso | Belfiore | The waste land | 1988 | Musiktheater, 2 perf | 50:00 | V, perc [Stimme, Schlagzeug] | CNUCE Pisa | 0 | ||||||||||
| 35974 | Erik | Belgum | Blooder | 1998 | fixed media, akusmatisch | innova 527/ | 0 | https://www.discogs.com/de/Erik-Belgum-Blooder/release/3795125 | |||||||||||
| 27444 | Erik | Belgum | Dick Tracy All Over His Body | 1987 | Performance | 5:25 | performance | AER 1991 / 4/ | 1 | ||||||||||
| 18683 | Erik | Belgum | Life's Big Dream Home | 1995 | radiophon | 5:53 | Stereo | Innova 113/ | IPEM Gent, STEIM | 1 | |||||||||
| 35944 | Erik | Belgum | Strange Neonatal Cry | 2000 | radiophon | 58:31 | Stereo | spoken word | Innova 560/ | 0 | https://itunes.apple.com/us/album/strange-neonatal-cry/id371766866?i=371766898&ign-mpt=uo%3D4 | ||||||||
| 1160 | Sergei | Belimov | I solntse v nochn | 1985/1987 | live-elec, 2 perf | V, synt [Stimme, synthesizer] | 0 | ||||||||||||
| 1163 | Alan | Belkin | Night Labyrinth, Adagio I Adagio III |
1987/1988 | live-elec, 3 perf | 80:00 | Stereo | MIDI-trio [synthesizer] | MIDI | PS C. | 0 | ||||||||
| 1166 | André van | Belle | 7 Koans traitant de l'Incertitude | 1980 | fixed media, akusmatisch | 8:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 1167 | André van | Belle | Chronomorphoses d'Orphée | 1987 | fixed media, akusmatisch | 20:46 | Musiques et Recherches Ohain | 0 | |||||||||||
| 1168 | André van | Belle | Exorcisme | 1984 | fixed media, akusmatisch | 12:51 | Musiques et Recherches Ohain | 0 | |||||||||||
| 1169 | André van | Belle | La nuit verte | 1984 | fixed media, akusmatisch | 18:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 1170 | André van | Belle | Le Bouddha exile: boat people, Nocturne, Cauchemar, Sutra, Nostalgie | 1985 | fixed media, akusmatisch | 32:04 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 1171 | André van | Belle | Les Ninôs de Almagno | 1987 | fixed media, akusmatisch | 6:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 1172 | André van | Belle | Paysage nocturne | 1988 | fixed media, akusmatisch | 17:45 | (3° part: l'animal endormi; 4° part : L'ile – tortue) | Musiques et Recherches Ohain | 0 | ||||||||||
| 1173 | André van | Belle | Taishan | 1983 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Musiques et Recherches Ohain | 0 | |||||||||||
| 1174 | Guy van | Belle | Concession à Perpetuité | 1985 | intermedia | 9:10 | with H.v.Sompel, P.v.Keymeulen | IPEM Gent | 0 | ||||||||||
| 1175 | Ricardo, José | Belles, Iges | Ludus Ecuatorialis | 1991 | radiophon | 7:00 | EBU 1991/ | RNE | EBU Ars Acustica 1991 | 1 | |||||||||
| 39287 | Alessandro | Belli | Noisy Eye | 2017 | audiovisuell | 0 | |||||||||||||
| 42875 | Angelo | Bello | CAUARC | 2013 | fixed media, akusmatisch | 10:50:00 | 0 | ||||||||||||
| 39583 | Angelo | Bello | Lorem Ipsum | 2016 | fixed media, akusmatisch | Angelo Bello | 0 | ||||||||||||
| 39298 | Angelo | Bello | Maya | 1997 | live-elec, | 0 | |||||||||||||
| 39581 | Angelo | Bello | Pilgrimage | 2017 | fixed media, akusmatisch | Angelo Bello | 0 | ||||||||||||
| 39584 | Angelo | Bello | Ricercar a GENDYN | 2015 | fixed media, akusmatisch | 10:43:00 | Angelo Bello | 0 | |||||||||||
| 39582 | Angelo | Bello | UPIC Etudes | 2017 | fixed media, akusmatisch | Angelo Bello | 0 | ||||||||||||
| 22928 | Enrique | Belloc | Dos piezas acusmáticas: poieo - ónoma, poieo ónoma |
1999 | fixed media, akusmatisch | 8:39 | 1 | ||||||||||||
| 22550 | Enrique | Belloc | Estudio en Triptico | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 22551 | Enrique | Belloc | Faber Farven | 1985 | fixed media, akusmatisch | 0 | |||||||||||||
| 22552 | Enrique | Belloc | Homenaje a Pierre Schaeffer | 1989 | live-elec, 2 perf | sam, synt [computer, synthesizer] | 0 | ||||||||||||
| 35567 | Enrique | Belloc | O Mors inevitabilis | 2004 | fixed media, akusmatisch | 05:16 | 0 | ||||||||||||
| 22553 | Enrique | Belloc | Objetos Reencontrados | 1997 | fixed media, akusmatisch | INA • GRM | 0 | ||||||||||||
| 35462 | Enrique | Belloc | Para Bla - Un Saludo A Barbara Belloc | 2000 | fixed media, akusmatisch | 5:57 | Uni de la serena 1/ | 0 | |||||||||||
| 23012 | Enrique | Belloc | Triptico de Bahia Blanca | 2000 | fixed media, akusmatisch | 7:22 | CMJ Vol 25-4, 2001/ | Town Council of Bahia Blanca | 1 | ||||||||||
| 33977 | Miguel | Bellusci | Comme une lointaine sonnerie de cors… | 1995 | Zuspiel / Tonband, 5 perf | 16:04 | Quadro | w-qnt [Bläser] | Komposition für Bläserquintett und Tonband | HfMT Köln | 0 | ||||||||
| 33976 | Miguel | Bellusci | Inconsequenza | 1993 | Zuspiel / Tonband, 1 perf | 8:36 | Stereo | fem V [Stimme] | HfMT Köln | 0 | |||||||||
| 22449 | Miguel | Bellusci | Kölnisch Wasser | 1994 | fixed media, akusmatisch | 12:00 | Quadro | HfMT Köln CD1/ | HfMT Köln | 1 | |||||||||
| 1176 | Miguel | Bellusci | Unzeiten | 1992/1993 | Zuspiel / Tonband, 10 perf | 26:00 | Quadro | 7 vc, 3 trbn [Posaune, Cello] | HfMT Köln | 0 | |||||||||
| 1177 | Ferenc | Belohorszky | A la recherche des melodies perdues | 1973 | fixed media, akusmatisch | 15:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1178 | Ferenc | Belohorszky | Alea jacta est… | 1972 | fixed media, akusmatisch | intermedia |
11:00 | Stereo | slide | EMS Stockholm | 0 | |||||||||
| 1180 | Ferenc | Belohorszky | Elegi (Piéce électronique) | 1970 | fixed media, akusmatisch | 11:15 | Stereo | 0 | |||||||||||
| 1183 | Ferenc | Belohorszky | Meditation | 1973 | fixed media, akusmatisch | 13:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1184 | Ferenc | Belohorszky | Piéce électronique | 1970 | fixed media, akusmatisch | 11:15 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1185 | Ferenc | Belohorszky | “Qui, quae, goud… Warum kannst du…“ | 1969 | fixed media, akusmatisch | 9:00 | Mono | EMS Stockholm | 0 | ||||||||||
| 1186 | Ferenc | Belohorszky | Tre elektroniska etyder | 1969 | fixed media, akusmatisch | 7:45 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1188 | Ferenc | Belohorszky | Variazioni (Variációk) | 1973 | fixed media, akusmatisch | 8:00 | Stereo | 0 | |||||||||||
| 1187 | Ferenc | Belohorszky | Variazioni umoristiche e seriose | 1972 | fixed media, akusmatisch | 13:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1189 | Ferenc | Belohorszky | “Wir sind die Elite …“ | 1968 | fixed media, akusmatisch | 7:00 | PS C. Kiel | 0 | |||||||||||
| 1179 | Ferenc, Åke | Belohorszky, Erikson | Contra … | 1971 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 1182 | Ferenc, Ralph, Sten, Ulf, Roberta | Belohorszky, Lundsten, Hanson, Grahn, Settels | Landskapsmusik 1973 | 1973 | fixed media, akusmatisch | 20:00 | Stereo | Fylkingen | 0 | ||||||||||
| 23655 | Rafael | Beltrán | Cuarteto 189 | 2002 | fixed media, akusmatisch | 17:25 | PR 0083-2 SGAE/ | 1. prize Premio Internacional SGAE 2003 | 1 | ||||||||||
| 22845 | Valery | Beluntsov | Bitter Milk | fixed media, akusmatisch | 7:00 | Theremin C. Moscou | 1 | ||||||||||||
| 22846 | Valery | Beluntsov | Lieders | fixed media, akusmatisch | 3:00 | Theremin C. Moscou | 1 | ||||||||||||
| 1190 | Valery | Beluntsov | Lzy | fixed media, akusmatisch | 0 | ||||||||||||||
| 1191 | Valery | Beluntsov | Sine Nomine | 1995 | Zuspiel / Tonband, 1 perf | 10:50 | fl [Flöte] | SLR 0044, Theremin Center/ | Theremin C. Moscou | 0 | |||||||||
| 40160 | Oded | Ben-Tal | Mitslalim | 2017 | audiovisuell | Oded Ben-Tal | 0 | ||||||||||||
| 40161 | Oded | Ben-Tal | Soliloquy | 2017 | fixed media, akusmatisch | Oded Ben-Tal | 0 | ||||||||||||
| 1192 | Francoise | Benassy | Etude No. 1 | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 1193 | Greg | Bendick | The Moods of Nebulus | fixed media, akusmatisch | 9:26 | Stereo | 0 | ||||||||||||
| 1194 | Maurice | Benhamou | 6 pièces pour Percussions | 1985 | fixed media, akusmatisch | 40:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1195 | Maurice | Benhamou | Chants | 1978 | Zuspiel / Tonband, 3 perf | 16:00 | Stereo | fl, hp, A [Alt, Flöte, Harfe] | IMEB Bourges | 0 | |||||||||
| 1196 | Maurice | Benhamou | Cordes Plus | 1973/1974 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | A [Alt] | IMEB Bourges | 0 | |||||||||
| 1197 | Maurice | Benhamou | Kaddish | 1971 | Zuspiel / Tonband, 1 group | 17:00 | Stereo | ens [Ensemble] | IMEB Bourges | 0 | |||||||||
| 1198 | Maurice | Benhamou | Lo Tirtsakh | 1971 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | S [Sopran] | IMEB Bourges | 0 | |||||||||
| 1199 | Maurice | Benhamou | Mouvements | 1979 | Zuspiel / Tonband, 1 group | 22:17 | Stereo | ens [Ensemble] | IMEB Bourges | 0 | |||||||||
| 18420 | Maurice | Benhamou | Nevel II |
1987 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | hp [Harfe] | IMEB Bourges | 0 | |||||||||
| 1200 | Maurice | Benhamou | Pièces | 1979 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | sax [Saxophon] | IMEB Bourges | 0 | |||||||||
| 18421 | Maurice | Benhamou | Prélude - Requiem d'Aqhmatova postlude |
1991 | Zuspiel / Tonband, 1 perf | 21:16 | Stereo | V [Stimme] | IMEB Bourges | 0 | |||||||||
| 1201 | Maurice | Benhamou | Psaume 130 | 1982 | Zuspiel / Tonband, 1 perf | 16:15 | Stereo | S [Sopran] | IMEB Bourges | 0 | |||||||||
| 1202 | Maurice | Benhamou | T R B | 1971 | Zuspiel / Tonband, 1 perf | 25:00 | Stereo | trbn [Posaune] | IMEB Bourges | 0 | |||||||||
| 28532 | Garfield | Benjamin | Re:# akou a sema | 2010 | fixed media, akusmatisch | 13:13 | Stereo | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||||
| 1203 | George | Benjamin | Antara | 1987 | live-elec, 4 perf | 24:00 | 2 fl, 2 Kbd [Flöte, Keyboard] | ISPW | NI 5167/ IRCAM 0002 F, Creations IRCAM/ | IRCAM | Faber Music | 1 | |||||||
| 25073 | George | Benjamin | Tape | 1985 | fixed media, akusmatisch | 3:00 | NI 5167/ | IRCAM | 0 | ||||||||||
| 1204 | David | Benke | Splutter | 1989 | fixed media, akusmatisch | 10:00 | Stereo | BEAST | 0 | ||||||||||
| 25104 | Ed | Bennett | I Need This | 2001 | fixed media, akusmatisch | 0 | |||||||||||||
| 25840 | Ed | Bennett | Monster | 2005 | Zuspiel / Tonband, 1 perf | 5:40 | b-cl [Klarinette] | Paul Roe (cl). | CMC CD 06 Contemporary Music from Ireland Vol 6/ | Uni Bangor | Paul Roe | 1 | |||||||
| 25105 | Ed | Bennett | String Factory | 2001 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 22227 | Ed | Bennett | You're always right | 2000 | Zuspiel, live-elec, 1 perf | 12:22 | S [Sopran] | Janet Halfyard (S) | 1 | ||||||||||
| 34525 | Gerald | Bennett | A Glass of the Earth | 1976 | Zuspiel / Tonband, 6 perf, 1 group | S, T, Bar, 3 cl, ch [Sopran, Tenor, Bariton, Klarinette, Chor] | IRCAM | 0 | |||||||||||
| 1205 | Gerald | Bennett | Aber die Namen der seltnen Orte und alles Schöne hatt' er behalten | 1979 | Zuspiel / Tonband, 1 perf, 1 group | 21:00 | Stereo | Bar, ens [Bariton, Ensemble] | IRCAM | 0 | |||||||||
| 1206 | Gerald | Bennett | Chances are | 1978 | fixed media, akusmatisch | 23:00 | Stereo | IRCAM | 0 | ||||||||||
| 1207 | Gerald | Bennett | Diese Blätter wirst Du wohl etwas… | 1985 | Zuspiel / Tonband, 1 perf | 12:50 | Stereo | S [Sopran] | IMEB Bourges | IMEB Bourges | 0 | ||||||||
| 27895 | Gerald | Bennett | Im Eismeer | 1997 | fixed media, akusmatisch | Stereo | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 21873 | Gerald | Bennett | Kitt (Suite Suisse) | 1982 | fixed media, akusmatisch | 27:40 | Stereo | 0 | |||||||||||
| 1208 | Gerald | Bennett | Kyotaku | 1987 | Zuspiel / Tonband, 1 perf | 22:51 | Stereo | shakuhachi [Flöte] | WER 2029; Computer Music Currents 9/ | HSM Basel, SCCM | 1 | ||||||||
| 1209 | Gerald | Bennett | Les rayons de la liberté: une fantaisie | 1989 | fixed media, akusmatisch | 9:35 | Stereo | SCCM, HSM Basel | 0 | http://www.computermusic.ch/ | |||||||||
| 19051 | Gerald | Bennett | Limericks | fixed media, akusmatisch | CMJ Vol 20, 1996/ | 1 | |||||||||||||
| 1210 | Gerald | Bennett | Offertorium: Confirma hoc | 1986 | Zuspiel / Tonband, 1 perf | 9:50 | Stereo | va [Viola] | Jecklin 617/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||
| 1211 | Gerald | Bennett | Rainstick | 1993 | fixed media, akusmatisch | 13:15 | Stereo | LDC 2781115/16/17 opus 30/ CMJ Vol 32-4, 2008/ | IMEB Bourges | 1 | |||||||||
| 24362 | Gerald | Bennett | Vêpres vénitiennes | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 1212 | Gerald | Bennett | Weißt du es noch? | 1990 | Zuspiel / Tonband, 1 perf | 13:45 | Stereo | cl [Klarinette] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 1213 | Gerald | Bennett | Wie auf schwanker Halme Bogen | 1984 | fixed media, akusmatisch | 11:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1214 | Gerald | Bennett | Winter (1980) | 1980 | fixed media, akusmatisch | 22:00 | Stereo | IRCAM | 0 | ||||||||||
| 40861 | Justin | Bennett | Ovipool | fixed media, akusmatisch | 3:25 | SR 220 sub rosa/ | 0 | ||||||||||||
| 34537 | Justin | Bennett | Resonant System | 1989 | live-elec, 1 perf | 7:20 | perc [Schlagzeug] | Sonology Den Haag | 27.4.1989 | Schoenbergzaal KC den Haag | 0 | ||||||||
| 34375 | Justin | Bennett | Shotgun Architecture | 2008 | fixed media, akusmatisch | Klangkunst, Installation |
10:14 | Post Scriptum PS 001/ OMP 27 Onomatopee/ | Sonology Den Haag | 0 | ||||||||||
| 28493 | Justin | Bennett | The Well | fixed media, akusmatisch | 5:53 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.justinbennett.net/ | |||||||||||
| 33840 | Justin, Kaffe, AnneNicolasRobin | Bennett, Matthews, Wellmer, Scanner, Collins, Zeitblom, Rimbaud | Fiber Jelly | 2000 | live-elec, | 55:39 | Surround 5.1 | WER 2058 5/ | ZKM Karlsruhe | 8.1.2000 | ZKM Karlsruhe | 0 | |||||||
| 40138 | Nathan | Bennett | Letter | 2017 | fixed media, akusmatisch | Nathan Bennett | 0 | ||||||||||||
| 33645 | William | Bennett | WHITEHOUSE, Munkisi Munkondi Nzambi La Lufua Scapegoat Fairground Muscle Twitcher Bia Mintatu The Avalanche |
2009 | live-elec, 10 perf | 27:15 | 10 amp ins (cl, tpt, trbn, p, hp, perc, vn, vc, db, elec) [Instrument] | all pieces composed by William Bennett, arranged by Reinhold Friedl played by Zeitkratzer. Recorded live at Festival Les Musiques, GMEM, Marseille, France, May 14, 2009 |
zkr 0007/ | GMEM Marseille | 1 | ||||||||
| 32011 | Group | Benoît and the Mandelbrots | Ad-liBerlin | 2010 | live-elec, 1 perf, 1 group | laptop-ens [computer] | SC-Symposium 2010, Sunday 26. September 18h, .HBC - Laptop Ensembles | 1 | http://www.the-mandelbrots.de | ||||||||||
| 43193 | Group | Benoît and the Mandelbrots | Benoît and the Mandelbrots, Live Coding @ OK-Night | 2012 | live-elec, 4 perf | 4 com (laptop orc) [computer] | Auszeichnung ars electronica honorary mention 2012 | 0 | |||||||||||
| 42077 | Ylya | Bentancor | World disorder | 2017 | radiophon | SAVVY Funk – documenta14, Dlf Kultur | 0 | ||||||||||||
| 1215 | Andrew | Bentley | Carillon | 1976 | fixed media, akusmatisch | PS C., Uni York | 0 | ||||||||||||
| 1216 | Andrew | Bentley | Kanashikere | 1973 | Theatermusik | with puppetry | Uni York | 0 | |||||||||||
| 1217 | Andrew | Bentley | MOAN | 1973 | fixed media, akusmatisch | YES, 2-4/ | Uni York | 0 | |||||||||||
| 34408 | Andrew | Bentley | Modulo | 1978 | fixed media, akusmatisch | 18:45 | Stereo | Yleisradio | 0 | ||||||||||
| 1218 | Andrew | Bentley | Portrait | 1978 | Zuspiel / Tonband, 1 group | 9:00 | ch [Chor] | Yleisradio | 0 | ||||||||||
| 1219 | Andrew | Bentley | Telephones | 1974 | Theatermusik | with th of animation | Uni York | 0 | |||||||||||
| 1220 | Andrew | Bentley | The Naked Light Show | 1975 | Film | intermedia, 1 perf |
mime [Schauspieler] | Uni York | 0 | |||||||||||
| 21585 | James | Bentley | bruit | 1997 - 1998 | fixed media, akusmatisch | 10:00 | eContact 8.3 | SCD 28034 Sargasso/ | BEAST | 1 | 2000 | ||||||||
| 23110 | James | Bentley | double exposure | 2001 | fixed media, akusmatisch | 9:00 | eContact! 8.3 | Cec Presence 3/ | BEAST | 1 | |||||||||
| 41060 | James | Bentley | In Broken Images | 2004 | fixed media, akusmatisch | 17:22 | eContact! 8.3 | 0 | |||||||||||
| 41061 | James | Bentley | Short Wave Fantasy | 1998 | fixed media, akusmatisch | 17:08 | eContact! 8.3 | 0 | |||||||||||
| 41062 | James | Bentley | Trace Element | 2003 | fixed media, akusmatisch | 14:52 | eContact! 8.3 | 0 | |||||||||||
| 1221 | Pascal | Bentoiu | Hamlet op. 18 | 1969 | Oper, 1 perf, 3 groups | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 1222 | Pascal | Bentoiu | Jertfirea Ifigeniei (The Immolation of Iphigeneia) | 1968 | radiophon | 0 | |||||||||||||
| 1223 | Arrigo | Benvenuti | omaggio a S 2F M | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 37909 | Cathy | Berberian | Morsicat(h)y | 1969 | Zuspiel / Tonband, | Fonologia Milano | 0 | ||||||||||||
| 37908 | Cathy | Berberian | Stripsody | 1966 | Zuspiel / Tonband, | 3:15 | Fonologia Milano | 0 | https://www.youtube.com/watch?v=0dNLAhL46xM | ||||||||||
| 39744 | Edgar | Berdahl | Kublai Kobra | 2017 | fixed media, akusmatisch | Edgar Berdahl | 0 | ||||||||||||
| 39361 | Edgar | Berdahl | Miniatures in Chaos | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39745 | Edgar | Berdahl | rorrirmirror | 2016 | fixed media, akusmatisch | Edgar Berdahl | 0 | ||||||||||||
| 39746 | Edgar | Berdahl | thROW | 2016 | fixed media, akusmatisch | Edgar Berdahl | 0 | ||||||||||||
| 18723 | José Manuel | Berenguer | A La Selva | 1997 | live-elec, | 9:47 | Stereo | NE 2004/ | 0 | ||||||||||
| 19802 | José Manuel | Berenguer | A-Parecidos 1 - 2 | 1982/1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 19761 | José Manuel | Berenguer | Aigua, Aigua, Aigua | 1992 | audiovisuell | Stereo | PS Coclea | 0 | |||||||||||
| 19768 | José Manuel | Berenguer | Assimptotic | 1993 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 18724 | José Manuel | Berenguer | Aventura | Zuspiel, live-elec, 1 perf | 9:10 | Stereo | gui [Gitarre] | NE 2004/ | 0 | ||||||||||
| 19762 | José Manuel | Berenguer | Bala de Palla | 1992 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 1224 | José Manuel | Berenguer | Buleria | 1988 | intermedia | Phonos Barcelona, PS Coclea | 0 | ||||||||||||
| 19800 | José Manuel | Berenguer | Buleria de Menorca | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 19805 | José Manuel | Berenguer | Buleria XV | 1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 19760 | José Manuel | Berenguer | Caracoles, Fractales y Transformaciones | 1992 | Performance | Stereo | PS Coclea | 0 | |||||||||||
| 19765 | José Manuel | Berenguer | Ciclop | 1993 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 19536 | José Manuel | Berenguer | Citas discretas y emergentes | 1994 | fixed media, akusmatisch | 10:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 18725 | José Manuel | Berenguer | Cocuprenant de Quaresme | 1994 | fixed media, akusmatisch | 13:13 | Stereo | LDC 2781106/ | , PS Coclea | 0 | |||||||||
| 19754 | José Manuel | Berenguer | Concierto Multimedia | 1989 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 19766 | José Manuel | Berenguer | Constel.Lacions | 1993 - 1994 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 19764 | José Manuel | Berenguer | Contrapunto espiral | 1993 - 1994 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 18726 | José Manuel | Berenguer | D'Altra Manera | 1993 | Zuspiel, live-elec, 1 perf | 6:48 | Stereo | cl [Klarinette] | NE 2004/ | 0 | |||||||||
| 18423 | José Manuel | Berenguer | Discontinuo | 1995 | fixed media, akusmatisch | 9:25 | IMEB Bourges | 0 | |||||||||||
| 19756 | José Manuel | Berenguer | Don Quichotte | 1991 | Performance | Stereo | PS Coclea | 0 | |||||||||||
| 21877 | José Manuel | Berenguer | Dur | 1999 | fixed media, akusmatisch | 10:35 | IMEB Bourges | 0 | |||||||||||
| 21874 | José Manuel | Berenguer | El Pensamiento que se Trabaja Hacia la Luz | 1984 | fixed media, akusmatisch | 23:41 | Stereo | IMEB Bourges | 0 | ||||||||||
| 21876 | José Manuel | Berenguer | El Ponent excessiv (una de cal y otra de Arena) | 1985 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24363 | José Manuel | Berenguer | Entre Brive et Cahors | 1984 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19535 | José Manuel | Berenguer | Es un Pájaro Ámbar | 1989 | fixed media, akusmatisch | 10:31 | Stereo | GME Cuenca | 0 | ||||||||||
| 1225 | José Manuel | Berenguer | Espace trouvé | 1987 | fixed media, akusmatisch | CIEJ Barcelona | 0 | ||||||||||||
| 19753 | José Manuel | Berenguer | Fuego | 1990 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 19770 | José Manuel | Berenguer | Horizontal Radio | 1995 | Performance | Stereo | ORF-Project | PS Coclea | 0 | ||||||||||
| 18728 | José Manuel | Berenguer | In Fractando | 1993 | Zuspiel, live-elec, 1 perf | 4:26 | Stereo | cl [Klarinette] | cl (M. Gaspa) | Nova Era CD 2002/ | 0 | ||||||||
| 19755 | José Manuel | Berenguer | IOD Ghimmel I - III | 1990 - 1991 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 19763 | José Manuel | Berenguer | Klänge | 1993 | intermedia | Stereo | PS Coclea | 0 | |||||||||||
| 19804 | José Manuel | Berenguer | La Lógica de la Sorpresa | 1984 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 1226 | José Manuel | Berenguer | La perla estranya I | 1986 | fixed media, akusmatisch | 14:00 | Stereo | ICMC 2000/ | IMEB Bourges | 0 | |||||||||
| 21875 | José Manuel | Berenguer | La perla estranya II, III | 1986 | fixed media, akusmatisch | 20:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1227 | José Manuel | Berenguer | La Relojérià de Tio Paco | 1985 | fixed media, akusmatisch | 11:56 | Stereo | IMEB Bourges | 0 | ||||||||||
| 19801 | José Manuel | Berenguer | Lo Que Fue | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 19759 | José Manuel | Berenguer | Mancha: Linde, Tajo | 1991 | audiovisuell | Stereo | PS Coclea | 0 | |||||||||||
| 18424 | José Manuel | Berenguer | Maquina 2 | 1996 | fixed media, akusmatisch | 10:00 | IMEB Bourges | 0 | |||||||||||
| 19757 | José Manuel | Berenguer | Metamorfora I - III | 1991 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 19767 | José Manuel | Berenguer | Metronomia I - | 1993 | Performance | intermedia |
Stereo | PS Coclea | 0 | |||||||||||
| 19803 | José Manuel | Berenguer | Montardo 1 - 2 | 1982/1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS Coclea | 0 | |||||||||||
| 1228 | José Manuel | Berenguer | MU | 1994 | fixed media, akusmatisch | 10:00 | hyCD-24 / | IMEB Bourges, PS Coclea | 1 | ||||||||||
| 1229 | José Manuel | Berenguer | Musica en la noche | 1984 | fixed media, akusmatisch | 12:00 | Stereo | CBA 5 Musica electroacustica española 3/ | IMEB Bourges | 1 | |||||||||
| 18422 | José Manuel | Berenguer | Ob-Iectum | 1992 | fixed media, akusmatisch | 8:55 | NE 2004/ LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | ||||||||||
| 24364 | José Manuel | Berenguer | On nothing | 2003 | fixed media, akusmatisch | 13:21 | LDC 2781132 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 35627 | José Manuel | Berenguer | Pass'e Mezzo | fixed media, akusmatisch | 3:28 | 0 | |||||||||||||
| 27232 | José Manuel | Berenguer | Plasma Waves | 2006 | fixed media, akusmatisch | 12:45 | LDC 2781139 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18425 | José Manuel | Berenguer | R.N.A. Session | 1997 | fixed media, akusmatisch | 9:12 | IMEB Bourges | 0 | |||||||||||
| 19769 | José Manuel | Berenguer | SOL | 1994 | Performance | Stereo | PS Coclea | 0 | |||||||||||
| 1230 | José Manuel | Berenguer | Solo | fixed media, akusmatisch | 4:00 | Stereo | UM CD 7 Vol. I/ | LIEM CDMC Madrid | 1 | ||||||||||
| 18729 | José Manuel | Berenguer | T'Ai Chi Time | 1993 | live-elec, | 10:46 | Stereo | NE 2004/ | , PS Coclea | 0 | |||||||||
| 18730 | José Manuel | Berenguer | Toke | 1993 | live-elec, | 7:11 | Stereo | NE 2004/ | 0 | ||||||||||
| 19758 | José Manuel | Berenguer | Transcursus finis terrae I - II | 1990 - 1991 | Performance | Stereo | PS Coclea | 0 | |||||||||||
| 37648 | José Manuel, Pilar | Berenguer, Subirá | Bienen, @bienenVolk | 2017 | Klangkunst, Installation | Performance |
loop 30 | 16 Tracks | perc [Schlagzeug] | AdK Berlin | 30.9.2017 | 0 | ||||||||
| 37061 | David | Berezan | Badlands | 2008 | fixed media, akusmatisch | 10:35 | Surround 5.1 | IMED 13122/ | IMEB Bourges | IMEB Borges | 30.5.2008 | festival Synthèse at the Grand théâtre de la Maison de la culture à Bourges (France) | 1 | ||||||
| 25841 | David | Berezan | Baoding | 2002 | fixed media, akusmatisch | 7:20 | Octo | LDC 278076/77 Cultures Electroniques 16/ IMED 0896/ | BEAST | March 2, 2002 | Invisible Theatre (Birmingham, England, UK) | Trivium Category of the 29th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2002) | 1 | ||||||
| 37059 | David | Berezan | Buoy | 2011 | fixed media, akusmatisch | 9:40 | Surround 5.1 | IMED 13122/ | VICC Visby, EMS Stockholm | 19.3.2011 | Akusmatisk Magi at the Kulturkiosken of the Institutet för Digitala Konstarter (IDKA) in Gävle (Sweden) | Prize in the Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2012) | 0 | ||||||
| 23112 | David | Berezan | Close In Distant Cold Light | 2001 | fixed media, akusmatisch | 7:05 | Octo | Cec Presence 3/ | BEAST | 0 | |||||||||
| 37145 | David | Berezan | Cyclo | 2003 | fixed media, akusmatisch | 10:41 | Stereo | IMED 0896/ | BEAST | 8.3.2003 | “20/20 Re:Vision” series of concerts celebrating the 20th anniversary of BEAST | Second Prize at the 5th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’03, Brazil) | 0 | ||||||
| 34683 | David | Berezan | Dioramaphone | 2001 | fixed media, akusmatisch | 14:04 | Octo | Russolo Pratella EF.ER.P 02/ | Prize Russolo Varese 2002 | 0 | |||||||||
| 37062 | David | Berezan | Galungan | 2010 | fixed media, akusmatisch | 10:24 | Octo | IMED 13122/ | Uni Manchester NOVARS | 8.10.2010 | Ai-maako at the Teatro Municipal Lord Cochrane in Valdivia (Chile) | 0 | |||||||
| 22354 | David | Berezan | Gathering | 2000 | fixed media, akusmatisch | 5:01 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | JTTP 2000 winner 2. prize | 1 | ||||||||
| 37147 | David | Berezan | Hannibal | 2005 | fixed media, akusmatisch | 10:55 | Stereo | IMED 0896/ | HSM Basel, Uni Manchester | 17.11.2006 | Museum Tinguely in Basel (Switzerland) | 0 | |||||||
| 37146 | David | Berezan | Hoodoos | 2007 | fixed media, akusmatisch | 19:11 | Stereo | IMED 0896/ | Banff C., ZKM Karlsruhe, INA • GRM | 2.11.2007 | MANTIS Festival 2007: Novars Launch in the Cosmo Rodewald Concert Hall of the Martin Harris Centre of The University of Manchester (UK) | 0 | |||||||
| 27322 | David | Berezan | In a Cold Light | 2001 | fixed media, akusmatisch | 2:59 | Cec Presence 3/ | BEAST | 1 | ||||||||||
| 37063 | David | Berezan | Nijō | 2009 | fixed media, akusmatisch | 12:57 | Octo | IMED 13122/ | Uni Tamagawa, Uni Manchester | 30.10.2009 | MANTIS Festival at the Cosmo Rodewald Concert Hall of the Martin Harris Centre of The University of Manchester (UK) | 0 | |||||||
| 41589 | David | Berezan | Offshore | fixed media, akusmatisch | 0 | ||||||||||||||
| 39352 | David | Berezan | Pivot | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34364 | David | Berezan | Running - Dawn: Microcosm | 1999 | fixed media, akusmatisch | 5:35 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | JTTP 2000 winner 4. prize | 0 | ||||||||
| 24994 | David | Berezan | Styal | 2003 | fixed media, akusmatisch | 13:57 | Stereo | ICMC 2005 Barcelona | ICMC 2005, ars harmonica/ IMED 0896/ | Uni Manchester NOVARS | 15.10.2004 | MANTIS Festival Manchester | 1 | ||||||
| 37060 | David | Berezan | Thumbs | 2011 | fixed media, akusmatisch | 11:57 | Octo | IMED 13122/ | CMMAS Morelia, Uni Calgary, Uni Montréal | 12.8.2011 | Places for our ears to go… during the Sound Travels Festival of Sound Art at Wychwood Theatre in Toronto (Canada) | 0 | |||||||
| 19267 | David | Berezan | Zirkus Zirkus | 1996 | fixed media, akusmatisch | 3:01 | CEC Presence 1/ CEC DISContact_2/ | Uni Calgary | 1 | http://www.electrocd.com/en/bio/berezan_da/ | |||||||||
| 23570 | Christoffer | Berg | The Pond | 2003 | Klangkunst, Installation | 2:37 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 1231 | Jerry | Berg | A Variation of Six Notes | 1983 | live-elec, 1 perf | 8:00 | Stereo | V, (com) [Stimme] | 0 | ||||||||||
| 1233 | Jerry | Berg | I'll Get It In My Lunch | 1984 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 1234 | Jerry | Berg | Motivate Y'rself | fixed media, akusmatisch | 3:00 | Stereo | 0 | ||||||||||||
| 1235 | Jerry | Berg | My machine's a rock'n'roll cynic | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 1236 | Jerry | Berg | Trumpet Solo | 1984 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 1237 | Jerry | Berg | Upon Closer Inspection | 1985 | fixed media, akusmatisch | 25:00 | Stereo | 0 | |||||||||||
| 1232 | Jerry, Bentley | Berg, Jarvis | Fanfare | 1985 | fixed media, akusmatisch | 4:00 | Stereo | 0 | |||||||||||
| 1238 | Josef | Berg | Euphrides Before the Gates of Tymenas | 1964 | Oper, 3 perf, 1 group | 30:00 | actor, T, dancers, tuba [Tenor, Tuba, Schauspieler, Tanz] | Serenus 12078/ | Radio Plzen | 0 | |||||||||
| 1239 | Paul | Berg | I never knew you cared | 1978 | fixed media, akusmatisch | 13:00 | Stereo | score, programmed with PILE | Sonology Utrecht | 0 | |||||||||
| 1240 | Paul | Berg | Locks and Dams | 1977 | Zuspiel / Tonband, 1 perf | 4:20 | Stereo + Stereo | trbn [Posaune] | programmed with PILE | Sonology Utrecht | 0 | ||||||||
| 25842 | Paul | Berg | Mandolin | 1979 | fixed media, akusmatisch | 15:20 | Quadro | programmed with SSP | Sonology Utrecht | 1 | |||||||||
| 1241 | Paul | Berg | Many people looked at Iran and Saw Desert | 1975 | fixed media, akusmatisch | 5:50 | Stereo | ASP | Sonology Utrecht | 0 | |||||||||
| 1242 | Paul | Berg | Merriweather's guide to plants and people | 1975 | fixed media, akusmatisch | 7:11 | Stereo, Quadro | PDP-15, ASP | Post Scriptum PS 001/ | Sonology Utrecht | 0 | ||||||||
| 1243 | Paul | Berg | Reportage | 1975 | fixed media, akusmatisch | 11:50 | Stereo | ASP | Sonology Utrecht | 0 | |||||||||
| 1244 | Paul | Berg | Six loaves to feed a family of five for a Week | 1974 | fixed media, akusmatisch | 10:30 | Stereo | all sounds generated with POD 5 | Sonology Utrecht | 0 | |||||||||
| 1245 | Paul | Berg | To each his own | 1984 | Zuspiel / Tonband, 6 perf | 12:00 | 6 ins [Instrument] | EM ?? | 0 | ||||||||||
| 1246 | Reinhard von | Berg | Studie I und II | 1969 | fixed media, akusmatisch | 1:40 | Mono | Studie I (1'); Studie II (0'40) | HfMT Köln | 0 | |||||||||
| 1247 | Håkon | Berge | Kitairon | 1985 | Zuspiel / Tonband, 1 group | 5:40 | ch [Chor] | choir: T T B B | NOTAM | 0 | |||||||||
| 1248 | Håkon | Berge | Primitiv / Kjærlighet | 1983 | Zuspiel / Tonband, 6 perf, 1 group | Narrator, 5 V, chamber-orc [Stimme, Schauspieler, Orchester] | NOTAM | 0 | |||||||||||
| 1249 | Håkon | Berge | Vinduer | 1986 | Zuspiel / Tonband, 1 group | 22:00 | ch [Chor] | NOTAM | 0 | ||||||||||
| 1250 | Sigurd | Berge | Delta | 1970 | Zuspiel / Tonband, 3 perf | jazz-trio [Instrument] | PS C. | 0 | |||||||||||
| 1251 | Sigurd | Berge | Eruption | fixed media, akusmatisch | PHI 6507034/ | PS C. | 0 | ||||||||||||
| 1252 | Sigurd | Berge | Gaudeamus | 1968 | fixed media, akusmatisch | 5:30 | PS C. | 0 | |||||||||||
| 1253 | Sigurd | Berge | Humoresque | fixed media, akusmatisch | PHI 6507034/ | PS C. | 0 | ||||||||||||
| 1254 | Sigurd | Berge | I Harnessed my Boot | fixed media, akusmatisch | PHI 6507034/ | PS C. | 0 | ||||||||||||
| 1255 | Sigurd | Berge | Jew’s Harp | fixed media, akusmatisch | PHI 6507034/ | PS C. | 0 | ||||||||||||
| 1256 | Sigurd | Berge | Kor i kor | 1988 | Zuspiel / Tonband, 1 group | 8:00 | ch [Chor] | NOTAM | 0 | ||||||||||
| 1257 | Sigurd | Berge | Moon Landscape | 1971 | fixed media, akusmatisch | 3:00 | PHI 6507034/ | PS C. | 0 | ||||||||||
| 1258 | Sigurd | Berge | Ostinato | 1968 | fixed media, akusmatisch | 3:00 | PS C. | 0 | |||||||||||
| 1259 | Sigurd | Berge | Regndråppostludiet (Raindrop Postlude) | 1968 | fixed media, akusmatisch | 3:15 | PS C. | 0 | |||||||||||
| 1260 | Sigurd | Berge | Til Lise | 1989 | fixed media, akusmatisch | 23:00 | NOTAM | 0 | |||||||||||
| 1261 | Gilius van | Bergeijk | Chili | 1972 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 1262 | Gilius van | Bergeijk | D. E. S. | 1967 | fixed media, akusmatisch | 7:46 | CV 7903/ BASTA 30-9183-2/ X-OR 07/ Creel Pone 020/021/ Boomkat bundle_49/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 20882 | Gilius van | Bergeijk | De Roep | 1981 - 1982 | fixed media, akusmatisch | 9:16 | Stereo | X-OR 07/ | Con Den Haag | 0 | |||||||||
| 1263 | Gilius van | Bergeijk | Drie stukken voor instrumenten en electriciteit: Telefoontje, Ballade | 1970 | live-elec, 6 perf | w-qnt, perc [Schlagzeug, Bläser] | Con Den Haag | 0 | |||||||||||
| 20883 | Gilius van | Bergeijk | Een Lied van Schijn en Weezen | 1992 - 1993 | fixed media, akusmatisch | 12:50 | Stereo | X-OR 07/ | 0 | ||||||||||
| 34552 | Gilius van | Bergeijk | Feest voor Luidsprekers | 1970 | fixed media, akusmatisch | 23:10 | Quadro | Con Den Haag | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 1265 | Gilius van | Bergeijk | Het leven van Rosa Luxemburg | 1971 | Zuspiel / Tonband, 5 perf | 35:00 | 5 ins [Instrument] | Con Den Haag, NOS Hilversum | 0 | ||||||||||
| 1266 | Gilius van | Bergeijk | Over de dood en de tijd | 1980 | Zuspiel / Tonband, 2 perf | 29:27 | V, p [Stimme, Piano] | CV 8203/ | NOS Hilversum | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 36732 | Gilius van | Bergeijk | P.O.P. | 1966 | fixed media, akusmatisch | 5:00 | Stereo | Con Den Haag | 0 | ||||||||||
| 1268 | Gilius van | Bergeijk | Pro Juventute | 1984 | fixed media, akusmatisch | 11:00 | X-OR 07/ | Con Den Haag | 0 | ||||||||||
| 20884 | Gilius van | Bergeijk | Sinfonie der Duizend (alphabetisch) | 1990 - 1993 | fixed media, akusmatisch | 10:26 | Stereo | X-OR 07/ | 0 | ||||||||||
| 1269 | Gilius van | Bergeijk | Sonate | 1970 | live-elec, 2 perf | ehn, p [Oboe, Piano] | Con Den Haag | 0 | |||||||||||
| 20885 | Gilius van | Bergeijk | Vier Stukken voor Draaiorgel | 1976 | live-elec, | 4:38 | Stereo | 4 parts | X-OR 07/ | 0 | |||||||||
| 36734 | Gilius van, Victor | Bergeijk, Wentink | Het Leven van Rosa Luxemburg | 1971 | Theatermusik | Con Den Haag, NOS Hilversum | 0 | ||||||||||||
| 24809 | Michael Jude | Bergeman | Hershe tube rundown | 1993 | fixed media, akusmatisch | 2:43 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 36722 | Gary | Berger | ctrl + alt + delete | 2009 | audiovisuell, live-elec, 1 perf | 32 | sax [Saxophon] | Audio-visual composition for three-channel video, electronic and saxophone | 0 | ||||||||||
| 21663 | Gary | Berger | doppelte Wendung | 2000 | Zuspiel, live-elec, 2 perf | 6:00 | Quadro | V, perc [Stimme, Schlagzeug] | PS | 0 | |||||||||
| 18348 | Gary | Berger | Elastische Studie | 1996 | fixed media, akusmatisch | 8:15 | Stereo | AMEG CD II/ | SCCM | Prix CIMESP 1999 | 0 | http://www.computermusic.ch/ | |||||||
| 18349 | Gary | Berger | im selben raum | 1997 | fixed media, akusmatisch | 5:18 | Stereo | ASM - 004 STV Schweizerischer Tonkünstlerverband/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 1270 | Gary | Berger | Instants d'hiver | 1994/1995 | Zuspiel / Tonband, 1 perf | 9:41 | Stereo | Mez [Mezzo] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 1271 | Gary | Berger | Konglomerat für Tonband | 1993 | fixed media, akusmatisch | 7:32 | Stereo | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 21660 | Gary | Berger | Kryptogramm | 1999 | Zuspiel, live-elec, 2 perf | 11:00 | Stereo | b-sax, s-sax [Saxophon] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 21658 | Gary | Berger | Langsam | 1999 | Zuspiel, live-elec, 1 perf | 6:00 | Stereo | perc [Schlagzeug] | PS | 0 | |||||||||
| 21662 | Gary | Berger | lichtempfindliche Erinnerungen | 2000 | Zuspiel, live-elec, 5 perf | 6:00 | Quadro | b-fl, a-sax, va, gui, perc [Flöte, Saxophon, Gitarre, Schlagzeug, Viola] | PANaroma 199013216/ | PS | 1 | ||||||||
| 21656 | Gary | Berger | LINK | 1998 | Zuspiel, live-elec, 1 perf | 5:00 | Stereo | a-sax [Saxophon] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 21661 | Gary | Berger | strung | 2000 | fixed media, akusmatisch | 5:35 | Stereo | PS | 0 | ||||||||||
| 1272 | Gary | Berger | Transition | 1995 | fixed media, akusmatisch | 7:04 | Stereo | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 21657 | Gary | Berger | unknüpfbar zerrissen | 1999 | fixed media, akusmatisch | 5:05 | Stereo | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 18350 | Gary | Berger | Zeitrisse | 1998 | fixed media, akusmatisch | 3:00 | Stereo | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 21659 | Gary | Berger | Zellen | 1999 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | t-sax [Saxophon] | PS | 0 | |||||||||
| 1273 | Jonathan | Berger | A Pocketful of Posies | 1983 | fixed media, akusmatisch | 12:00 | Quadro | CCRMA | 2nd prize Bourges 1984 | 0 | |||||||||
| 1276 | Jonathan | Berger | An Island of Tears, Island of Tears | 1985 | fixed media, akusmatisch | 9:18 | Quadro | Samson_Box, PLA | Neuma 450-75/ | CCRMA | Mention Bourges 1985 | 1 | |||||||
| 1274 | Jonathan | Berger | Chalice | 1988 | fixed media, akusmatisch | 13:00 | SAIL | CCRMA | 0 | ||||||||||
| 1275 | Jonathan | Berger | Diptych | 1984 | Zuspiel / Tonband, 5 perf | 12 | Stereo | str-qt, Mez [Mezzo, Streicher] | EdSnd on Samson_Box, PLA; after 3 poems from the spanish civil war | Centaur CRC 2091, CDCM Vol. 8/ | CCRMA | 1 | |||||||
| 1277 | Jonathan | Berger | Meteora | 1987 | fixed media, akusmatisch | 8:51 | Stereo | Samson_Box | LDC 278044/45 Cultures Electroniques 2/ Centaur CRC 2091, CDCM Vol. 8/ | CCRMA | 2nd prize Bourges 1987 | 1 | |||||||
| 23055 | Jonathan | Berger | The Lead Plates of the Rom Press | 1990 | live-elec, 1 perf | vc [Cello] | WDR 1990 | 0 | |||||||||||
| 18374 | Jonathan | Berger | The Voice Within the Hammer | 1997 | Zuspiel / Tonband, 5 perf | fl, cl, perc, db, p [Flöte, Klarinette, Piano, Schlagzeug, Kontrabass] | 2 Versions | CCRMA | 0 | ||||||||||
| 1278 | Jonathan | Berger | To the lost history of hope | 1981 | fixed media, akusmatisch | 8:00 | Quadro | CCRMA | 1 | ||||||||||
| 38479 | Ludwig | BERGER | 1959 | 2012 | radiophon | 19:59:00 | 0 | ||||||||||||
| 31565 | Ludwig | Berger | Cuyo | 2013 | radiophon | 5:00 | Stereo | next_generation 5.0 (gekürzte Fassung) |
SEAM Weimar | 27.6.2013 | ZKM | 0 | |||||||
| 1279 | Roman | Berger | Analógia | 1965 | Film | 3:50 | Mono | Radio Bratislava | 0 | ||||||||||
| 1280 | Roman | Berger | De Profundis | 1981 | fixed media, akusmatisch | 54:20 | Stereo | CECM Bratislava | 0 | ||||||||||
| 18685 | Roman | Berger | Diptych | 1986 | Zuspiel / Tonband, 1 perf | 12:54 | Stereo | S [Sopran] | CECM Bratislava | 0 | |||||||||
| 1281 | Roman | Berger | Elegia in memoriam Ján Rucka | 1969 | fixed media, akusmatisch | 14:00 | Stereo | IDEAMA CD 046/ | CECM Bratislava | 0 | |||||||||
| 1282 | Roman | Berger | en passant | 1979 | fixed media, akusmatisch | 9:35 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 1283 | Roman | Berger | Epitaph for Nicolaus Copernicus | 1973 | fixed media, akusmatisch | 19:26 | Stereo, Quadro | EM CD 001/ | CECM Bratislava | prize Bourges | 1 | ||||||||
| 1285 | Roman | Berger | Kam nechodi inspektor | 1964 | Film | 10:40 | Mono | Radio Bratislava | 0 | ||||||||||
| 1286 | Roman | Berger | Opustena zem | 1962 | Film | Mono | Radio Bratislava | 0 | |||||||||||
| 1287 | Roman | Berger | Po 17 rokoch | 1963 | Film | 4:00 | Mono | Radio Bratislava | 0 | ||||||||||
| 1288 | Roman | Berger | Transgressus I | 1993 | Zuspiel / Tonband, 1 perf | 13:38 | vn [Violine] | EM CD 003/ | CECM Bratislava | 1 | |||||||||
| 33351 | Roman | Berger | Tri spomienky | 1965 | Film | Radio Bratislava | 0 | ||||||||||||
| 1289 | Roman | Berger | Vzbúra na ulici Sycamore | 1963 | Fernsehen, | 12:20 | Mono | Radio Bratislava | 0 | ||||||||||
| 1284 | Roman, Ilja | Berger, Zeljenka | Etude #1 — #3 | 1958 | fixed media, akusmatisch | 12:00 | Mono | PS C. Bratislava | 0 | ||||||||||
| 1290 | Roxane du | Berger | Un son… une pensée | 1987 | fixed media, akusmatisch | 9:46 | Stereo | Concordia Montréal | 0 | ||||||||||
| 38480 | Sophie | BERGER | Loire | 2013 | radiophon | 50:44:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 37847 | Tristan | Berger | Recognizer | 2015 | audiovisuell | Quadro | 3-kanaliges Video | 27.10.2017 | Folkwang Hochschule Aula | 0 | |||||||||
| 1291 | José | Berghmans | Krokou | 1983 | fixed media, akusmatisch | 11:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1292 | José | Berghmans | Vendredi ou les Limbes du Pacifique | 1982 | fixed media, akusmatisch | Tanz |
101:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1293 | Bo | Bergkvist | Ängel på b | 1978 | fixed media, akusmatisch | 4:40 | Stereo | 0 | |||||||||||
| 1294 | Bo | Bergkvist | Clarsynt | 1981 | live-elec, | 12:00 | Stereo | 0 | |||||||||||
| 1295 | Bo | Bergkvist | Okexas | 1981 | live-elec, | 10:00 | Stereo | 0 | |||||||||||
| 1296 | Bo | Bergkvist | Sag - o - ljud | 1981 | Zuspiel / Tonband, | 11:30 | Stereo | 0 | |||||||||||
| 1297 | Erik | Bergman | In Springtime | 1981 | fixed media, akusmatisch | 15:00 | Yleisradio | 0 | |||||||||||
| 22330 | Johannes | Bergmark | Gråtande barn | fixed media, akusmatisch | 4:19 | Infogram 045/1/ | 1 | ||||||||||||
| 22450 | Johannes | Bergmark | Saw Octet | 1999 | fixed media, akusmatisch | 12:12 | CD: "a new Generation" at EMS / Eight Times Falling | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 22334 | Johannes | Bergmark | Validitetsprincipen | fixed media, akusmatisch | 1:49 | Infogram 045/1/ | 1 | ||||||||||||
| 42881 | Andreas | Bergsland | Jeu de Modes | 2013 | live-elec, 4 perf | 8:00:00 | V, 3 dance [Stimme, Tanz] | Robert Wechsler, Choreography Fang-Hao, singer; Jossia Clement, Annika Dörr, Teoma Naccarato, dancers | 0 | ||||||||||
| 42912 | Andreas | Bergsland | La Danse II | 2013 | live-elec, 4 perf | 8:00:00 | vc, 3 dance [Cello, Tanz] | Madeleine Shapiro, cello; Robert Wechsler, choreography Jossia Clement, Annika Dörr, Teoma Naccarato, dancers | 0 | ||||||||||
| 33498 | Leif | Bergström | Ödeskorpen | 1972 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 33499 | Leif, Peter | Bergström, Björck | Opus 1 | 1972 | fixed media, akusmatisch | 12 | EMS Stockholm | 0 | |||||||||||
| 33500 | Leif, Peter | Bergström, Björck | Sacrae Morte | 1972 | fixed media, akusmatisch | 6 | EMS Stockholm | 0 | |||||||||||
| 1298 | Carl | Bergstrøm | De elktroniske humlebiers dans | 1990 | fixed media, akusmatisch | 30:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 1299 | Carl | Bergstrøm | Omdrejniger | 1989 | Zuspiel / Tonband, 6 perf | 16:00 | Stereo | 6 perc [Schlagzeug] | DIEM Aarhus | 0 | |||||||||
| 1300 | Carl | Bergstrøm | Sammenføjninger | 1988 | live-elec, | 45:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 34919 | Luciano | Berio | a - ronne | 1974 | radiophon | 5 actor [Schauspieler] | a radiophonic documentary for five actors. Also version with 8 singers Text by Karl Marx |
0 | |||||||||||
| 34920 | Luciano | Berio | Agnus | 1971 | live-elec, 6 perf | 2 S, 3 cl, e-org [Sopran, Klarinette, Keyboard] | a Flora e Giorgio Bloch. Language: Latin |
1971 | Indiana. Scheurer, Sambuco (S) | 0 | |||||||||
| 24100 | Luciano | Berio | Altra Voce | 1999 | Zuspiel, live-elec, 2 perf | 15:00 | a-fl, Mez [Mezzo, Flöte] | Tempo Reale Firenze | Universal | 0 | |||||||||
| 1301 | Luciano | Berio | Chants paralleles | 1975 | fixed media, akusmatisch | 23:30 | Quadro, Stereo | INA • GRM | UER (Union Européenne de Radiodiffusion) et GRM | 7.4.1975 | Paris, Maison de Radio France, Grand Auditorium; Perspectives du XX. siècle | 0 | |||||||
| 1302 | Luciano | Berio | Chemins V, su Sequenza XI | 1992 | live-elec, 1 perf, 1 group | 17:00 | gui, chamber orc [Gitarre, Orchester] | IRCAM | 23/09/1992 | Bonn. Eliot Fisk, Orchester der Beethovenhalle, Luciano Berio | UE | 0 | |||||||
| 24101 | Luciano | Berio | Cronaca del Luogo | 1999 | live-elec, 10 perf, 3 groups | ≈ 86:00 | 8 V, 2 actor, 2 ch, orc [Stimme, Schauspieler, Chor, Orchester] | Azione musicale | Tempo Reale Firenze | 24/07/1999 | Salzburger Festspiele. Sylvain Camberling; Claus Guth (stage direction); Cast: Hildegard Behrens, Frode Olsen, Matthias Klink, David Moss, Monica Bacelli, Urban Malmberg; Arnold Schönberg Chor and Tölzer Knabenchor. Orchestral soloists: Gabriele Cassone, Christian Lindberg, Michele Marasco, Ernesto Molinari, David Moss, Igor Polesitsky, Georg Schulz, Foloco Vichi. Klangforum Wien and Tempo Reale | Ricordi | 0 | ||||||
| 1303 | Luciano | Berio | Diario immaginario, Imaginary Diary | 1975 | radiophon | 31:10 | Radio-Opera. Text (after Molière) by Vittorio Sermonti, Luigi Diemoz | DS 22 Die Schachtel/ | Fonologia Milano | 1975 | Florence. Cathy Berberian, Orchestra Sinfonica della RAI, Luciano Berio | Prix Italia 1975 | Universal Edition, Wien | 1 | |||||
| 1304 | Luciano | Berio | Differences | 1959 | Zuspiel / Tonband, 5 perf | 17:25 | Stereo | fl, hp, cl, va, vc [Flöte, Klarinette, Harfe, Viola, Cello] | PHI 839 323/ Tim/ WER 6931/ | Fonologia Milano, INA • GRM | 14.03.1959 | Paris, Domaine Musical, Leitung Pierre Boulez Paris | UE | 1 | 1994 | ||||
| 34921 | Luciano | Berio | Duo | 1982 | Fernsehen, 3 perf | Bar, 2 vn, (ch, orc pre-recorded on tape) [Bariton, Violine] | RAI, Radiotelevisione Italiana | First Prize in XXXIV Premio Italia; preparatory study for Un re in ascolto. | 0 | http://www.lucianoberio.org/en/node/1786 | |||||||||
| 1306 | Luciano | Berio | Esposizione | 1963 | Zuspiel/Tonband, 18 perf | Tanz |
12:00 | Quadro | 3 V, 14 ins, dancer [Stimme, Instrument, Tanz] | withdrawn ? ; new Version: "Laborintus II" ? | Fonologia Milano | 18/04/1963 | Venice, Festival di musica contemporanea della Biennale di Venezia. Performers: John Graham, Ann Halprin, A.A. Leath, Daia Lurie, Lynne Palmer, Rana Schuman; MS: Cathy Berberian; white voices: Massimo Monti, Roberto Gavirati | UE | 0 | |||||
| 40653 | Luciano | Berio | Generique d’Appel | 1969 | Theatermusik | 1:40 | Pour le Théâtre de la Ville Paris | INA • GRM | 0 | ||||||||||
| 24102 | Luciano | Berio | Geografia - installazione sonora | 2000 | Klangkunst, Installation | ≈ | 12 Tracks | Installation conceived by Berio for the Italian Pavilion at EXPO 2000 | Tempo Reale Firenze | 0 | |||||||||
| 1307 | Luciano | Berio | Il mito del buon selvaggio | 1957 | radiophon | 20:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 1308 | Luciano | Berio | Il Professor Taranne | 1959 | radiophon | (Adamov) | Fonologia Milano | 0 | |||||||||||
| 1309 | Luciano | Berio | Johnny e il Pescecane | 1960 | radiophon | (Rossi) | Fonologia Milano | 0 | |||||||||||
| 1310 | Luciano | Berio | La bella del bosco | 1958 | radiophon | (Supervielle) | Fonologia Milano | 0 | |||||||||||
| 1311 | Luciano | Berio | La fanciulla di neve | 1958 | radiophon | (Ostrovskij) | Fonologia Milano | 0 | |||||||||||
| 1312 | Luciano | Berio | La Loira | 1957 | radiophon | (Obey) | Fonologia Milano | 0 | |||||||||||
| 1313 | Luciano | Berio | La voix des voies | 1977 | fixed media, akusmatisch | IRCAM | UE | 0 | |||||||||||
| 1314 | Luciano | Berio | Laborintus | 1965 | radiophon | Zuspiel/Tonband, 2 perf, 2 groups |
30:45 | Mono | orc, Vs, perc [Stimme, Schlagzeug, Orchester] | mono, 2 Versions texte de E. Sanguinetti and Berio |
IDEAMA CD 026/ | INA • GRM | ORTF hommage à Dante | 26.9.1965 25.1.1966 |
Radio France Culture (mono) Maison de la Radio studio 105 (Bande orchestre, voix et percussion) |
Prix italia 1966 Prix de la RAI 1966 |
Universal Edition | 0 | ||
| 1315 | Luciano | Berio | Laborintus 2 | 1965 | Zuspiel/Tonband, 5 perf, 1 group | Theatermusik |
35 | 2 S, Contra-A, Sp, ch, ins [Sopran, Alt, Sprecher, Instrument, Chor] | 2nd version, done after his turn to the states; continued of the withdrawn "Esposizione". Text by Edoardo Sanguineti |
HMA 55764/ | Col.Princ EMC, Fonologia Milano | ORTF Paris | 26/09/1965 | Paris. ORTF, Luciano Berio | UE | 1 | http://www.lucianoberio.org/node/1510?872698753=1 | |||
| 1316 | Luciano | Berio | Le diciotto misure cantate del Corno Unno | 1958 | radiophon | (Tsai-Yen) | Fonologia Milano | 0 | |||||||||||
| 1317 | Luciano | Berio | Les Châteaux de la Loire | 1957 | Film | 20:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 34922 | Luciano | Berio | Memory | 1969/1973 | live-elec, 2 perf | 13 | e-p, e-hp [Piano, Harfe] | dedicated to Peter Serkin | UE | 0 | http://www.lucianoberio.org/en/node/1786 | ||||||||
| 1318 | Luciano | Berio | Mimusique #1 | 1953 | radiophon | 4:00 | Mono | withdrawn | Fonologia Milano | 0 | |||||||||
| 1319 | Luciano | Berio | Momenti | 1959 | fixed media, akusmatisch | 7:25 | Quadro | BVHAAST 9109/ PHI 835 485/86/ PHI 836.897/ Mercury SR2 9123/ IDEAMA CD 098/ | Fonologia Milano | 1.12.1960 05/04/1961 |
NDR Hamburg Milano, Congresso della Gioventù musicale |
1 | |||||||
| 1320 | Luciano | Berio | Musica di scena No. 9 | 1958 | radiophon | 40:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 1321 | Luciano | Berio | Mutazioni | 1955/1956 | fixed media, akusmatisch | 3:30 | Mono | RAI/ IDEAMA CD 010/ | Fonologia Milano | 24.5.1957 | Milan | Edizioni Suvini Zerboni Milano | 1 | ||||||
| 1322 | Luciano | Berio | Ofanim | 1988 - 2004 | live-elec, 1 perf, 4 groups | 30 | 2 children ch, 2 ens, fem V [Stimme, Ensemble, Chor] | Texts from the Old Testament: the Book of Ezekiel (1, 19) and Sons of Songs (4, 5). Dedicated to Rivi Pecker |
Tempo Reale Firenze | 25/06/1988 | Prato, inauguration Museo d'arte contemporanea. Esti Kenan, Finchley Children's Music Group, Musicus Concentus, Luciano Berio. Première first revised version (in memoriam Rivi Pecker): 11/11/1992, Jerusalem, dedication of the Supreme Court Building. Esti Kenan-Ofri, Ankor Children's Choir, Tempo Reale, Jerusalem Symphony Orchestra, David Shalon | UE | 1 | ||||||
| 1323 | Luciano | Berio | offaneme | 1987 | Zuspiel / Tonband, | Octo | 0 | ||||||||||||
| 1325 | Luciano | Berio | Orféo II | 1984 | Zuspiel / Tonband, 1 perf, 1 group | V, orc [Stimme, Orchester] | IRCAM | UE | 0 | ||||||||||
| 24103 | Luciano | Berio | Outis, azione musicale in due parti | 1996 - 1999 | live-elec, 1 perf, 2 groups | ≈ 130:00 | V, ch, orc, (elec) [Stimme, Chor, Orchester] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 34923 | Luciano | Berio | Per la dolce memoria di quel giorno | 1974 | fixed media, akusmatisch | Tanz |
80 | dedicated to Marina and Stefano Berio. electronic and instrumental sounds on tape |
Italian Television | 09/07/1974 | Florence. Ballet du XXe siècle: choreography: Maurice Béjart | UE | 0 | |||||||
| 1326 | Luciano | Berio | Perspectives | 1957 | fixed media, akusmatisch | 7:00 | Stereo | SugMus ESZ 3/ IDEAMA CD 010/ | Fonologia Milano | ESZ 5994 | 1 | http://www.lucianoberio.org/ | |||||||
| 1327 | Luciano | Berio | Peter Pan | 1958 | radiophon | 7:00 | (Barrie) | Fonologia Milano | 0 | ||||||||||
| 1328 | Luciano | Berio | Questo vuol dire che …… | 1969 | Zuspiel / Tonband, 4 perf, 1 group | 3 fem V, Sp, ch [Sprecher, Stimme, Chor] | per 3 voci femminili, piccolo gruppo vocale e musica elettronica | Fonologia Milano | RAI | 04/04/1969 | Festival du Royan. Voices: Cathy Berberian, Christiane Legrand, Sandra Mantovani; speaker: Henri Pousseur | RAI | 0 | ||||||
| 1305 | Luciano | Berio | Santa Giovanna | 1956 | radiophon | (Molière) ? ≈ Diario immaginario ? |
Fonologia Milano | 0 | |||||||||||
| 24104 | Luciano | Berio | Tempo Libero (Auditorium 2002) | 2002 | Klangkunst, Installation | ∞ | Installation conceived by Berio for the opening ceremony of the auditorium in Rome | Tempo Reale Firenze | 0 | ||||||||||
| 1330 | Luciano | Berio | Thema (Omaggio a Joyce), Thema - Omaggio a Joyce | 1958, 1995 | fixed media, akusmatisch | Film |
8:10 | Stereo | film "sirènes" 1961. Revision 1995 at Tempo Reale. |
BVHAAST 9109/ PHI 835 485/86/ PHI 836.897/ TV 34177/ BMG 09026-68302-2/ Mercury SR2 9123/ IDEAMA CD 098/ Columbia OW 7613 VX/ SR 300 sub rosa/ | Fonologia Milano, Tempo Reale Firenze | 1958 | Napoli | Edizioni Suvini Zerboni Milano | 0 | |||||
| 1331 | Luciano | Berio | Visage, Visage – racconto radiofonico | 1961/1981/1990 | radiophon | 21:10 | Stereo | based on the voice of Cathy Berberian rev. 1981 rev. 1990 at Tempo Reale |
BVHAAST 9109/ RCA 61079/ IDEAMA CD 008/ TV 34046 S/ BMG 09026-68302-2/ BOS/ Soot Records DJ/rupture/ | Fonologia Milano, Tempo Reale Firenze | 1961 | Milan | UE, Not available as a score. The tape is available on request for radio broadcast only. | 1 | https://www.universaledition.com/luciano-berio-54/works/visage-5685 | ||||
| 24105 | Luciano | Berio | Vor, während, nach Zaide, commento a Zaide di W. A. Mozart | 1995 | live-elec, 5 perf, 2 groups | 40:00 | 5 V, orc, ch [Stimme, Chor, Orchester] | Tempo Reale Firenze | Ricordi | 0 | |||||||||
| 1324 | Luciano, Umberto | Berio, Eco | Omaggio a Joyce (documentario), Omaggio a Joyce. Documenti sulla qualità onomatopeica del linguaggio poetico | 1958 | radiophon | 42:02 | Mono | cooperation with Umberto Ecco. Documentary Radiofonico (Radio Work). Voices: Cathy Berberian, Furio Colombo, Umberto Eco, Ruggero De Daninos, Marise Flach, Nicoletta Rizzi |
Fonologia Milano | 0 | |||||||||
| 1329 | Luciano, Bruno, Roberto | Berio, Maderna, Leydi | Ritratto di città, Studio per una rappresentazione radiofonica | 1955/1967/1979 | radiophon | 26:00 | Mono | first piece produced in Fonologia Milano (SFU founded June 1955!). First technical director Alfredo Lietti (until 1962); Tonmeister Mario Zuccheri. 1967 renewed. Last production 1979. |
Fonologia Milano | Prix Italia 1955 | 0 | ||||||||
| 32301 | Luciano, Jocy de | Berio, Oliveira | Berio sem Censura | 2012 | Musiktheater | 120 | S, actors, narrator, vc, vn, va, ob, cl, b-cl, sax, fl, gui, tambura, perc, bandoneon, p, (elec), orc ad libitum [Sopran, Flöte, Klarinette, Oboe, Saxophon, Piano, Akkordeon, Gitarre, Schlagzeug, Viola, Cello, Violine, Schauspieler, Streicher, Orchester] | Concept, script and general direction by Jocy de Oliveira | Brookfield, Brazil, SESC SP | August 2012 | Theatro Municipal Rio de Janeiro; Ens Jocy de Oliveira, orc sinfônica brasileira | 0 | |||||||
| 1332 | Ernest | Berk | 0 52, op. 129 | 1970 | fixed media, akusmatisch | 5:50 | Stereo | first production in studio 52 Dorset str. | PS C. London | 0 | |||||||||
| 1333 | Ernest | Berk | 126, op. 126 | 1969 | fixed media, akusmatisch | 1:45 | Stereo | PS C. London | 0 | ||||||||||
| 1334 | Ernest | Berk | 127, op. 127 | 1969 | fixed media, akusmatisch | 1:45 | Stereo | elec pop | PS C. London | 0 | |||||||||
| 1335 | Ernest | Berk | 128, op. 128 | 1969 | fixed media, akusmatisch | 1:10 | Stereo | elec pop | PS C. London | 0 | |||||||||
| 1336 | Ernest | Berk | "13th", longish item for improvisation, op. 193, 7 sections | 1975 | fixed media, akusmatisch | 18:00 | Stereo | PS C. London | 0 | ||||||||||
| 1337 | Ernest | Berk | "1936" (In commemoration of the Spanish Civil War), op. 56 | 1965 | Tanz | 12:00 | Stereo | PS C. London | 0 | ||||||||||
| 1338 | Ernest | Berk | "28b Camden Street" Magic Garden, op. 62 | 1965 | Film | 18:00 | Stereo | 3 sections: Magic Garden, Breakdown, Nostalgia | PS C. London | 0 | |||||||||
| 1339 | Ernest | Berk | 400, op. 148 | 1972 | fixed media, akusmatisch | 6:15 | Stereo | PS C. London | 0 | ||||||||||
| 1340 | Ernest | Berk | "567", op. 98 | 1967 | fixed media, akusmatisch | 4:37 | Stereo | PS C. London | 0 | ||||||||||
| 1341 | Ernest | Berk | A Group of Sound Samples, Master II, op. 61 | 1965 | fixed media, akusmatisch | 9:30 | Stereo | made for CBS Sound Library USA | PS C. London | 0 | |||||||||
| 1342 | Ernest | Berk | A little Bit of Gold said Jump, op. 33 | 1963 | Fernsehen, | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1343 | Ernest | Berk | Adagio and Rondo, op. 26 | 1961 | fixed media, akusmatisch | 12:00 | Stereo | PS C. London | 0 | ||||||||||
| 1344 | Ernest | Berk | Against 7 / 4, op. 105 | 1967 | fixed media, akusmatisch | 6:52 | Stereo | made for LP disk | PS C. London | 0 | |||||||||
| 1345 | Ernest | Berk | Analysis, op. 188 | 1975 | Tanz | intermedia, 7 perf |
67:00 | Stereo | 6 dancer, taped V [Stimme, Tanz] | slides & film. copy of act I now called "Oedipus" | PS C. London | 0 | ||||||||
| 1346 | Ernest | Berk | Anecdote I, op. 28 | 1960/1961 | fixed media, akusmatisch | 8:12 | Stereo | finger on wine glasses | PS C. London | 0 | |||||||||
| 1347 | Ernest | Berk | Anecdote II, op. 99 | 1967 | fixed media, akusmatisch | 4:03 | Stereo | shorted version of Anecdote I op. 28 | PS C. London | 0 | |||||||||
| 1348 | Ernest | Berk | Answer to french music concrete, op. 23 | 1962 | fixed media, akusmatisch | Stereo | made just for fun | PS C. London | 0 | ||||||||||
| 1349 | Ernest | Berk | Anthem, op. 164 | 1973 | fixed media, akusmatisch | 2:43 | Stereo | PS C. London | 0 | ||||||||||
| 1350 | Ernest | Berk | Apparition, op. 54 | 1963 | fixed media, akusmatisch | 4:30 | Stereo | after "Nachtstück" by P. Hindemith | PS C. London | 0 | |||||||||
| 1351 | Ernest | Berk | Avarium, op. 206A | 1977 | fixed media, akusmatisch | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1352 | Ernest | Berk | Bacchae, op. 151 | 1971 | Theatermusik | ≈ 23:00 | Stereo | PS C. London | 0 | ||||||||||
| 1353 | Ernest | Berk | Balachites, op. 36 | 1963 | Theatermusik | 20:00 | Stereo | PS C. London | 0 | ||||||||||
| 1354 | Ernest | Berk | Ballad, op. 55 | 1964 | fixed media, akusmatisch | 10:00 | Stereo | PS C. London | 0 | ||||||||||
| 1356 | Ernest | Berk | Bamboo, op. 96 | 1967 | fixed media, akusmatisch | 3:31 | Stereo | PS C. London | 0 | ||||||||||
| 1357 | Ernest | Berk | Bandido, op. 166 | 1973 | fixed media, akusmatisch | 1:24 | Stereo | never perf; extracted from op. 165 | PS C. London | 0 | |||||||||
| 1358 | Ernest | Berk | Barbara Benjamin, op. 206 | 1977 | fixed media, akusmatisch | 25:00 | Stereo | PS C. London | 0 | ||||||||||
| 1359 | Ernest | Berk | Beirut to Bagdad, op. 74 | 1966 | fixed media, akusmatisch | 1:45 | Stereo | commercial (for a Porno) | PS C. London | 0 | |||||||||
| 1360 | Ernest | Berk | Beyond Suez, op. 74 | 1966 | Film | 1:12 | Stereo | PS C. London | 0 | ||||||||||
| 1361 | Ernest | Berk | Black Death, op. 147 | 1972 | Tanz | 12:26 | Stereo | for Robert Wilson | PS C. London | 0 | |||||||||
| 1362 | Ernest | Berk | Boomf Beat Breakage, op. 17 | 1959 | fixed media, akusmatisch | 3:20 | Stereo | PS C. London | 0 | ||||||||||
| 1363 | Ernest | Berk | Candlelight, op. 134 | 1970 | fixed media, akusmatisch | 0:51 | Stereo | PS C. London | 0 | ||||||||||
| 1364 | Ernest | Berk | Cataclysm, op. 18 | 1959 | fixed media, akusmatisch | 5:00 | Stereo | elec clock in echoing hall at Stanhope | PS C. London | 0 | |||||||||
| 1366 | Ernest | Berk | Chigger sound, op. 121 | 1968 | fixed media, akusmatisch | 9:00 | Stereo | elec pop. Compo I 2'40; Compo II 2'38; Compo III 3'15 | PS C. London | 0 | |||||||||
| 1365 | Ernest | Berk | Chigger Sound Composition III, IV, V, op. 123 | 1968 | fixed media, akusmatisch | 10:00 | Stereo | PS C. London | 0 | ||||||||||
| 1367 | Ernest | Berk | Chord composition I - V, op. 4 - op. 8 | 1958 | fixed media, akusmatisch | 14:00 | Stereo | made out of loops of piano echo chords | PS C. London | 0 | |||||||||
| 1368 | Ernest | Berk | Chrai, op. 177 | 1974 | fixed media, akusmatisch | 7:53 | Stereo | PS C. London | 0 | ||||||||||
| 1369 | Ernest | Berk | Chub-Chub, op. 115 or op. 68A | 1967 | fixed media, akusmatisch | 1:26 | Stereo | PS C. London | 0 | ||||||||||
| 1370 | Ernest | Berk | Clanger, op. 135 | 1970 | fixed media, akusmatisch | 0:26 | Stereo | 2 versions | PS C. London | 0 | |||||||||
| 1371 | Ernest | Berk | Class, op. 214 | 1979 | Theater, 1 perf | Stereo | mime [Schauspieler] | E. Dorman | PS C. London | 0 | |||||||||
| 1372 | Ernest | Berk | Cold Turkey (Opium-Diary of a Cure), op. 183 | 1974/1975 | Tanz | ≈ 20:00 | Stereo | words by Jean Cocteau, spoken by C. Sounders | PS C. London | 0 | |||||||||
| 1373 | Ernest | Berk | Collage, op. 141 | 1971 | Tanz | 5:35 | Stereo | PS C. London | 0 | ||||||||||
| 1374 | Ernest | Berk | Commercial series A. to E., op. 132. bis op. 132: Living Feeling Alonzo and Henry Lonely dea Burn Baby Burn California Shoeshine |
1970 | fixed media, akusmatisch | 19:00 | Stereo | PS C. London | 0 | ||||||||||
| 1375 | Ernest | Berk | Coyote, op. 215 | 1979 | Tanz | 6:50 | Stereo | dance for J. Springer | PS C. London | 0 | |||||||||
| 1376 | Ernest | Berk | Creator and Creation, op. 72 | 1966 | Tanz | 6:45 | Stereo | PS C. London | 0 | ||||||||||
| 1377 | Ernest | Berk | Crossing, op. 213 | 1978 | Tanz | Stereo | Ballet for Tara | PS C. London | 0 | ||||||||||
| 1378 | Ernest | Berk | Crucible, op. 111 A | 1967 | Film | 1:48 | Stereo | PS C. London | 0 | ||||||||||
| 1379 | Ernest | Berk | D 's Diversion, op. 202: March, Undergrowth, on air | 1976 | Tanz | 18:42 | Stereo | PS C. London | 0 | ||||||||||
| 1380 | Ernest | Berk | Daguerreo types, op. 32 and op. 32 B (remade) | 1963/1972 | fixed media, akusmatisch | 30:00 | Stereo | PS C. London | 0 | ||||||||||
| 1381 | Ernest | Berk | De Profundis, op. 44 | 1963 | fixed media, akusmatisch | 6:00 | Stereo | PS C. London | 0 | ||||||||||
| 1382 | Ernest | Berk | Death of a chicken, op. 69 | 1963 | Film | 9:04 | Stereo | PS C. London | 0 | ||||||||||
| 1383 | Ernest | Berk | Desert Village, op. 114 | 1967 | fixed media, akusmatisch | 1:23 | Stereo | see op. 74 | PS C. London | 0 | |||||||||
| 1384 | Ernest | Berk | Diaken, op. 171 | 1973 | fixed media, akusmatisch | 3:26 | Stereo | PS C. London | 0 | ||||||||||
| 1385 | Ernest | Berk | Dirge for a new Sunrise, op. 58 | 1965 | Tanz | 4:00 | Stereo | PS C. London | 0 | ||||||||||
| 1386 | Ernest | Berk | Disintegration, op. 10 | 1958 | fixed media, akusmatisch | 8:30 | Stereo | aus op. 2 & op. 9 | PS C. London | 0 | |||||||||
| 1387 | Ernest | Berk | Dissolve of 9 / 8, op. 130 | 1970 | fixed media, akusmatisch | 2:35 | Stereo | PS C. London | 0 | ||||||||||
| 1388 | Ernest | Berk | Diversed Mind, op. 109 | 1967 | fixed media, akusmatisch | 10:30 | Stereo | original made for 1st major English elec M. Concert | PS C. London | 0 | |||||||||
| 1389 | Ernest | Berk | Dotts and Patterns, op. 117 | 1968 | Studie | 1:33 | Stereo | for education | PS C. London | 0 | |||||||||
| 1390 | Ernest | Berk | Dream Sequence, op. 111 | 1968 | fixed media, akusmatisch | 16:19 | Stereo | for SPNM, in 6 sections | PS C. London | 0 | |||||||||
| 1391 | Ernest | Berk | Drips, op. 209 | 1977 | Tanz | 7:30 | Stereo | PS C. London | 0 | ||||||||||
| 1392 | Ernest | Berk | Duet for Beccy | 1976 | Tanz | Stereo | PS C. London | 0 | |||||||||||
| 1393 | Ernest | Berk | Duet for Nigel Burke, op. 211 | 1977 | Tanz | 5:30 | Stereo | PS C. London | 0 | ||||||||||
| 1394 | Ernest | Berk | Duett, op. 143 | 1971 | Tanz | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1395 | Ernest | Berk | Dust, op. 144 | 1971 | Film | 10:00 | Stereo | PS C. London | 0 | ||||||||||
| 1396 | Ernest | Berk | Eastern Poem, op. 41; or: Sparklers | 1963 | Tanz | 2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1397 | Ernest | Berk | Egoplasm, op. 21 | 1961 | Tanz | 10:45 | Stereo | PS C. London | 0 | ||||||||||
| 1399 | Ernest | Berk | Eloquy, op. 118 | 1968 | fixed media, akusmatisch | 11:33 | Stereo | made for conference Florenz | PS C. London | 0 | |||||||||
| 1400 | Ernest | Berk | Emanti, op. 170 | 1973 | fixed media, akusmatisch | 6:25 | Stereo | PS C. London | 0 | ||||||||||
| 1401 | Ernest | Berk | End of the World (or: where do we go from here), op. 1 | 1957 | fixed media, akusmatisch | 4:14 | Stereo | PS C. London | 0 | ||||||||||
| 1402 | Ernest | Berk | Entre deux mers, op. 200 | 1976 | fixed media, akusmatisch | 31:20 | Stereo | PS C. London | 0 | ||||||||||
| 1403 | Ernest | Berk | "Episode", op. 184 | 1975 | Zuspiel / Tonband, 1 perf | 7:32 | Stereo | trbn [Posaune] | PS C. London | 0 | |||||||||
| 1404 | Ernest | Berk | Escapeless Escape (Psychedelic), op. 83 | 1967 | fixed media, akusmatisch | 4:40 | Stereo | PS C. London | 0 | ||||||||||
| 1405 | Ernest | Berk | Eternal Triangel, op. 154 | 1972 | Tanz | Stereo | drumming extracted from op. 82 | PS C. London | 0 | ||||||||||
| 1406 | Ernest | Berk | Etude A, op. 174 | 1974 | fixed media, akusmatisch | 6:21 | Stereo | PS C. London | 0 | ||||||||||
| 1407 | Ernest | Berk | Etude G | 1975 | fixed media, akusmatisch | 5:10 | Stereo | for Titch | PS C. London | 0 | |||||||||
| 1408 | Ernest | Berk | Etudes B, C, D, E, & F, op. 190 | 1974 | fixed media, akusmatisch | 15:00 | Stereo | PS C. London | 0 | ||||||||||
| 1409 | Ernest | Berk | Euthenasia (or: who is to judge), op. 108 | 1967 | Tanz | 6:15 | Stereo | PS C. London | 0 | ||||||||||
| 1410 | Ernest | Berk | Fall and Pride (or: Pride and Fall), op. 50 | 1962 | Tanz | 20:00 | Stereo | PS C. London | 0 | ||||||||||
| 1411 | Ernest | Berk | Fatema, op. 113 | 1967 | fixed media, akusmatisch | 1:21 | Stereo | see op. 114, op. 74 | PS C. London | 0 | |||||||||
| 1412 | Ernest | Berk | Fermentation (Non - Parallel Path), op. 79 | 1966 | fixed media, akusmatisch | 6:45 | Stereo | PS C. London | 0 | ||||||||||
| 1413 | Ernest | Berk | For Carol (Partridge), op. 156 | 1972 | fixed media, akusmatisch | 6:30 | Stereo | PS C. London | 0 | ||||||||||
| 1414 | Ernest | Berk | For Improvisation I, op. 180 | 1973 | live-elec, | 50:00 | Stereo | PS C. London | 0 | ||||||||||
| 1415 | Ernest | Berk | For Improvisation II, op. 228 | 1979 | Tanz | intermedia |
45:00 | Stereo | PS C. London | 0 | ||||||||||
| 1416 | Ernest | Berk | Forgotten (s-h-i-t), op. 192 | 1975 | fixed media, akusmatisch | Stereo | PS C. London | 0 | |||||||||||
| 1417 | Ernest | Berk | Fragments I and II, op. 131 - op. 131A | 1970 | Tanz | 18:30 | Stereo | for Rebecca Wilson | PS C. London | 0 | |||||||||
| 1418 | Ernest | Berk | Frame 9, Path I | 1976 | fixed media, akusmatisch | 3:45 | Stereo | from Etude G for Titch | PS C. London | 0 | |||||||||
| 1419 | Ernest | Berk | Free Variations, op. 168 | 1973 | fixed media, akusmatisch | 10:06 | Stereo | PS C. London | 0 | ||||||||||
| 1420 | Ernest | Berk | Futile Span, op. 19 | 1960 | fixed media, akusmatisch | 3:45 | Stereo | accelerations of circular saw blades ringing | PS C. London | 0 | |||||||||
| 1422 | Ernest | Berk | Gemini (les Amies), op. 52 | 1962 | Tanz | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1421 | Ernest | Berk | "Gemini 71", op. 140 | 1971 | Tanz | 19:07 | Stereo | PS C. London | 0 | ||||||||||
| 1423 | Ernest | Berk | Gong - Drum - Humming, op. 12 | 1958 | fixed media, akusmatisch | Stereo | PS C. London | 0 | |||||||||||
| 1424 | Ernest | Berk | Greedy Brothers, op. 38 | 1963 | fixed media, akusmatisch | 12:08 | Stereo | PS C. London | 0 | ||||||||||
| 1425 | Ernest | Berk | Group Dance III, op. 85 | 1967 | fixed media, akusmatisch | 10:00 | Stereo | spoken by Jerome Willis words: I, in my Intricate Image (by D. Thomas) |
PS C. London | 0 | |||||||||
| 1426 | Ernest | Berk | Group Dance No. I (Boschesque), op. 81 | 1966 | fixed media, akusmatisch | 6:40 | Stereo | PS C. London | 0 | ||||||||||
| 1427 | Ernest | Berk | Group Dance No. II = Functional, op. 82 | 1967 | Tanz | 4:40 | Stereo | PS C. London | 0 | ||||||||||
| 1428 | Ernest | Berk | Here and Now, op. 30 | 1963 | Fernsehen, | Tanz |
5:10 | Stereo | PS C. London | 0 | ||||||||||
| 1429 | Ernest | Berk | Hours, op. 51 | 1962 | Tanz | 4:00 | Stereo | PS C. London | 0 | ||||||||||
| 1430 | Ernest | Berk | Hughie and Others, op. 34 | 1963 | Theatermusik | 25:00 | Stereo | by Eugene O'Neill; Backgroundmusic | PS C. London | 0 | |||||||||
| 1431 | Ernest | Berk | Humouresque, op. 124 | 1968 | fixed media, akusmatisch | 1:57 | Stereo | PS C. London | 0 | ||||||||||
| 1432 | Ernest | Berk | I saw your shadow, op. 217 | 1979 | fixed media, akusmatisch | 6:30 | Stereo | PS C. London | 0 | ||||||||||
| 1433 | Ernest | Berk | Icelandic Melody, op. 222 | 1981 | Film | Stereo | PS C. London | 0 | |||||||||||
| 1434 | Ernest | Berk | Improvisation II, op. 228 | 1979 | fixed media, akusmatisch | ≈ 45:00 | Stereo | PS C. London | 0 | ||||||||||
| 1435 | Ernest | Berk | In Your Image, op. 43 | 1963 | fixed media, akusmatisch | 2:50 | Stereo | PS C. London | 0 | ||||||||||
| 1436 | Ernest | Berk | Incidence of Gaia Frequences, op. 227 | 1984 | fixed media, akusmatisch | 16:35 | Stereo | Incidence = Angle of ReflectionGaia = Personification of earth | PS C. London | 0 | |||||||||
| 1437 | Ernest | Berk | Initiation, op. 139 | 1971 | fixed media, akusmatisch | 20:07 | Stereo | PS C. London | 0 | ||||||||||
| 1438 | Ernest | Berk | Inside of the Outside (for Titch for Sadlers Wells), op. 191 | 1975 | Tanz | 9:02 | Stereo | PS C. London | 0 | ||||||||||
| 1439 | Ernest | Berk | Interaction I, op. 150 | 1972 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
11:26 | Stereo | trbn [Posaune] | PS C. London | 0 | |||||||||
| 1440 | Ernest | Berk | Interaction II, op. 152 | 1972 | Zuspiel / Tonband, 2 perf | 13:00 | Stereo | perc, p or other ins [Piano, Schlagzeug, Instrument] | PS C. London | 0 | |||||||||
| 1441 | Ernest | Berk | Jacob's Ladder, op. 53 | 1961/1967 | fixed media, akusmatisch | 3:15 | Stereo | shorted 67 to 2'48 | PS C. London | 0 | |||||||||
| 1442 | Ernest | Berk | Janet calls it Blue Ribbon, op. 160 | 1972 | Tanz | 9:54 | Stereo | = overture + note sequ. + part of op. 143 | PS C. London | 0 | |||||||||
| 1443 | Ernest | Berk | Jazz I, attempt, op. 73 | 1965 | fixed media, akusmatisch | Stereo | with Basil Kirchin | PS C. London | 0 | ||||||||||
| 1444 | Ernest | Berk | Jazz II, op. 77 | 1966 | fixed media, akusmatisch | 1:45 | Stereo | PS C. London | 0 | ||||||||||
| 1445 | Ernest | Berk | Job: KJA34, op. 142 | 1971 | fixed media, akusmatisch | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1446 | Ernest | Berk | Joss Beat, op. 39 | 1964 | fixed media, akusmatisch | 2:15 | Stereo | concrete | PS C. London | 0 | |||||||||
| 1447 | Ernest | Berk | Kali Yuga, op. 20 | 1962 | fixed media, akusmatisch | 7:25 | Stereo | PS C. London | 0 | ||||||||||
| 1448 | Ernest | Berk | Kaligraph, op. 15 | 1959 | fixed media, akusmatisch | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1449 | Ernest | Berk | Karma, op. 11 | 1958 | Theatermusik | Stereo | PS C. London | 0 | |||||||||||
| 1450 | Ernest | Berk | Knell, op. 110 | 1967 | fixed media, akusmatisch | 2:13 | Stereo | PS C. London | 0 | ||||||||||
| 1451 | Ernest | Berk | Legend, op. 46 & 46 B | 1963/1967 | intermedia | 6:15 | Stereo | shorted and cleaned 67 to 6' | PS C. London | 0 | |||||||||
| 1452 | Ernest | Berk | Lotte's Dance for Ailsa, op. 165 | 1973 | Tanz | 9:00 | Stereo | never perf | PS C. London | 0 | |||||||||
| 1453 | Ernest | Berk | Lower Grass, op. 22 | 1962 | fixed media, akusmatisch | 3:45 | Stereo | mostly feedback | PS C. London | 0 | |||||||||
| 1454 | Ernest | Berk | Machines, op. 136 | 1970 | fixed media, akusmatisch | 2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1456 | Ernest | Berk | ME ME ME, op. 167 | 1973 | Tanz | fixed media, akusmatisch |
11:08 | Stereo | PS C. London | 1 | ||||||||||
| 1457 | Ernest | Berk | Meander 2-3-7-9, op. 216 | 1979 | fixed media, akusmatisch | 24:45 | Stereo | PS C. London | 0 | ||||||||||
| 1458 | Ernest | Berk | Miasma (Triad ) (Water Spirit), op. 42 | 1963 | fixed media, akusmatisch | 3:47 | Stereo | PS C. London | 0 | ||||||||||
| 1459 | Ernest | Berk | Moon Courtship, op. 95 | 1967 | fixed media, akusmatisch | 2:17 | Stereo | PS C. London | 0 | ||||||||||
| 1460 | Ernest | Berk | Moon Crater I - VI, op. 86 - op. 91 | 1967 | fixed media, akusmatisch | 19:00 | Stereo | PS C. London | 0 | ||||||||||
| 1461 | Ernest | Berk | Moon Music | 1972 | fixed media, akusmatisch | 8:29 | Stereo | adding together of several moon pieces | PS C. London | 0 | |||||||||
| 1462 | Ernest | Berk | Moon Shimmer I, II, III, op 92 - op. 94 | 1967 | fixed media, akusmatisch | 7:30 | Stereo | PS C. London | 0 | ||||||||||
| 1463 | Ernest | Berk | Moon storm, op. 80 | 1966 | fixed media, akusmatisch | 2:50 | Stereo | PS C. London | 0 | ||||||||||
| 1464 | Ernest | Berk | Music for Trolius and Cressida, op. 122 | 1968 | Theatermusik | 8:00 | Stereo | by Shakespeare | PS C. London | 0 | |||||||||
| 1465 | Ernest | Berk | music to film ?, op. 175 | 1974 | Film | Stereo | PS C. London | 0 | |||||||||||
| 1466 | Ernest | Berk | Night and Day, op. 45 | 1962 | fixed media, akusmatisch | 1:00 | Stereo | in coop. with John Becket | PS C. London | 0 | |||||||||
| 1467 | Ernest | Berk | No Fish, op. 29 – or: Oh Mr. Bard | 1963 | Film | 9:08 | Stereo | PS C. London | 0 | ||||||||||
| 1468 | Ernest | Berk | Nocturn (while I was asleep), op. 163 | 1972 | fixed media, akusmatisch | 8:00-10:00 | Stereo | concert version : 12' | PS C. London | 0 | |||||||||
| 1469 | Ernest | Berk | One of the Family, op. 70 – (or: one of the Family) | 1964 | Film | 24:00 | Stereo | spastic children | PS C. London | 0 | |||||||||
| 1470 | Ernest | Berk | "op. 201", (Combat, Uneasy Truce, Combat 2) | 1976 | fixed media, akusmatisch | 9:45 | Stereo | PS C. London | 0 | ||||||||||
| 1471 | Ernest | Berk | op. 218, in 6 constrasting movements | 1979 | fixed media, akusmatisch | 21:21 | Stereo | PS C. London | 0 | ||||||||||
| 1472 | Ernest | Berk | Opening, op. 64 | 1965 | Theatermusik | 2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1473 | Ernest | Berk | Osterglocken, op. 221 | 1980 | fixed media, akusmatisch | 15:31 | Stereo | PS C. London | 0 | ||||||||||
| 1474 | Ernest | Berk | Pam-Time, op. 189 | 1974 | fixed media, akusmatisch | 10:00 | Stereo | (a clock composition) | PS C. London | 0 | |||||||||
| 1475 | Ernest | Berk | Peace, ballet for Ernest, op. 182 | 1974 | Tanz | 15:08 | Stereo | 5 or 6 dancers [Tanz] | PS C. London | 0 | |||||||||
| 1476 | Ernest | Berk | Peacock, op. 196 | 1975 | fixed media, akusmatisch | ≈ 60:00 | Stereo | PS C. London | 0 | ||||||||||
| 1477 | Ernest | Berk | Piano & Glasses | 1958 | fixed media, akusmatisch | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1478 | Ernest | Berk | Picasso Trial I - II, op. 101 - 102 bzw. op. 103 - 104 | 1967 | fixed media, akusmatisch | Stereo | with drum from op. 100 (auch: 3. and 4. Picasso exhibition and impression) |
PS C. London | 0 | ||||||||||
| 1479 | Ernest | Berk | Piraparana, op. 57 | 1964 | Film | 25:00 | Stereo | with tape-loops from one note on panpipes and native M. | PS C. London | 0 | |||||||||
| 1480 | Ernest | Berk | Pixy Jazz (RSS), op. 133 | 1970 | fixed media, akusmatisch | 1:50 | Stereo | PS C. London | 0 | ||||||||||
| 1481 | Ernest | Berk | Plastic Wasteland, op. 185 | 1975 | fixed media, akusmatisch | 5:13 | Stereo | PS C. London | 0 | ||||||||||
| 1482 | Ernest | Berk | Prometheus, op. 112 | 1968 | Tanz | 20:00 | Stereo | in 3 scenes made for Rebecca Wilson; also concert version (9') | PS C. London | 0 | |||||||||
| 1483 | Ernest | Berk | Prossession, op. 159 | 1972 | fixed media, akusmatisch | 9:33 | Stereo | PS C. London | 0 | ||||||||||
| 1484 | Ernest | Berk | Pseudopodia, op. 176 | 1974 | Tanz | 6:21 | Stereo | uses part of op. 62 | PS C. London | 0 | |||||||||
| 1485 | Ernest | Berk | Psorias, op. 178 | 1974 | fixed media, akusmatisch | 13:00 | Stereo | PS C. London | 0 | ||||||||||
| 1486 | Ernest | Berk | Psychic Experience, op. 100 | 1967 | fixed media, akusmatisch | 25:00 | Stereo | for lecture "open way" | PS C. London | 0 | |||||||||
| 1487 | Ernest | Berk | Rainbow, op. 157 | 1972 | fixed media, akusmatisch | 6:30 | Stereo | as 2nd section of op. 158 | PS C. London | 0 | |||||||||
| 1488 | Ernest | Berk | Reactions (or: Resonances), op. 67 | 1966 | Tanz | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1489 | Ernest | Berk | Recognition, op. 59 | 1965 | Tanz | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1490 | Ernest | Berk | Ritual, op. 204 | 1976 | Tanz | 10:41 | Stereo | PS C. London | 0 | ||||||||||
| 1491 | Ernest | Berk | Ror Cherry | 1972 | Tanz | 4:00 | Stereo | PS C. London | 0 | ||||||||||
| 1492 | Ernest | Berk | Rotation, op. 66 – (or: Dance II) | 1965 | Tanz | 3:30 | Stereo | extracted from Magic Garden | PS C. London | 0 | |||||||||
| 1493 | Ernest | Berk | Rubish Composition, op. 49 | 1965 | fixed media, akusmatisch | 4:42 | Stereo | PS C. London | 0 | ||||||||||
| 1495 | Ernest | Berk | Sad Moon, op. 84 | 1966 | Film | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1496 | Ernest | Berk | Sans | 1977/1978 | fixed media, akusmatisch | Tanz |
Stereo | PS C. London | 0 | |||||||||||
| 1497 | Ernest | Berk | Scrapologie, op. 25A & 25B | 1961/1971 | fixed media, akusmatisch | 3:30 | Stereo | PS C. London | 0 | ||||||||||
| 1498 | Ernest | Berk | Seci (psychodellic performance), op. 158 | 1972 | fixed media, akusmatisch | 45:00 | Quadro | 2 tapes played simultaneous. part 2 = op. 157. stage prod. for large group in the round | PS C. London | 0 | |||||||||
| 1499 | Ernest | Berk | Second world, op. 106 | 1967 | fixed media, akusmatisch | 2:40 | Stereo | made for LP disk | PS C. London | 0 | |||||||||
| 1500 | Ernest | Berk | Sensitive Chaos | 1977 | Musiktheater | Tanz |
25:00 | Stereo | PS C. London | 0 | ||||||||||
| 1501 | Ernest | Berk | Shangrila, op. 16 | 1959 | fixed media, akusmatisch | 4:00 | Stereo | made together with P. &. S. Ury. later used as 2nd part of "Symphony" | PS C. London | 0 | |||||||||
| 1502 | Ernest | Berk | Shapes, op. 107 | 1967 | fixed media, akusmatisch | 3:40 | Stereo | PS C. London | 0 | ||||||||||
| 1503 | Ernest | Berk | Short Overture, op. 220 | 1976 | fixed media, akusmatisch | Musiktheater |
2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1504 | Ernest | Berk | Signature Tune Mark "MO1", op. 146 | 1971 | fixed media, akusmatisch | 20:00 | Stereo | lost ? | PS C. London | 0 | |||||||||
| 1505 | Ernest | Berk | Sisairos, op. 197 | 1976 | fixed media, akusmatisch | 9:08 | Stereo | see op. 178 | PS C. London | 0 | |||||||||
| 1506 | Ernest | Berk | Slide Tape No. I, op. 2 | 1958 | intermedia | 41:00 | Stereo | slides | PS C. London | 0 | |||||||||
| 1507 | Ernest | Berk | Soledad Brothers "10th June 1970" George Jackson, quotation: if yourt skin is black you are doomed!, op. 149 | 1972 | fixed media, akusmatisch | Tanz |
24:00 | Stereo | PS C. London | 0 | ||||||||||
| 1508 | Ernest | Berk | Solidad, op. 149 | 1972 | fixed media, akusmatisch | 17:16 | PS C. London | 1 | |||||||||||
| 1509 | Ernest | Berk | Sonambulist, op. 3 | 1958 | fixed media, akusmatisch | 6:40 | Stereo | extracted from op. 2 | PS C. London | 0 | |||||||||
| 1510 | Ernest | Berk | Soundscape I, op. 172 | 1974 | Zuspiel / Tonband, 1 group | 22:45 | Stereo | orc [Orchester] | (Tape for improvising orchestra) | PS C. London | 0 | ||||||||
| 1511 | Ernest | Berk | Soundscape II, op. 173 | 1974 | Zuspiel / Tonband, 1 group | 13:42 | Stereo | orc [Orchester] | (Tape for improvising orchestra) | PS C. London | 0 | ||||||||
| 1512 | Ernest | Berk | Spell for Sarah, op. 153 | 1972 | Tanz | Stereo | PS C. London | 0 | |||||||||||
| 1513 | Ernest | Berk | Spring Morning, op. 24 | 1961 | fixed media, akusmatisch | 2:30 | Stereo | PS C. London | 0 | ||||||||||
| 1514 | Ernest | Berk | Steps and Landing, op. 226 | 1983 | fixed media, akusmatisch | 5:38 | Stereo | PS C. London | 0 | ||||||||||
| 1515 | Ernest | Berk | Study, op. 47 | 1963 | fixed media, akusmatisch | 2:00 | Stereo | PS C. London | 0 | ||||||||||
| 1516 | Ernest | Berk | Suite No. I, op. 155 | 1972 | fixed media, akusmatisch | 18:00 | Stereo | 4 parts: Mechanical, Erotica, Mysticism, Power | PS C. London | 0 | |||||||||
| 1518 | Ernest | Berk | Symphony, op. 18A | 1959 | fixed media, akusmatisch | 35:00 | Stereo | see also op. 16 | PS C. London | 0 | |||||||||
| 1517 | Ernest | Berk | Synchrome, op. 120 | 1968 | fixed media, akusmatisch | 15:03 | Stereo | compo for Berlin M. Festival | PS C. London | 1 | |||||||||
| 1519 | Ernest | Berk | Synthetic Suite : Opening, PVC, Interlude Machines, Foam Rubber, Interlude Steam, Polystyrene, wild cog wheels, Tin foil, op. 162 und op. 162A (cut dance version) | 1973 | fixed media, akusmatisch | 32:00 | Stereo | PS C. London | 0 | ||||||||||
| 1520 | Ernest | Berk | Taigon, op. 35 | 1963 | Theatermusik | 15:00 | Stereo | M. to a play | PS C. London | 0 | |||||||||
| 1521 | Ernest | Berk | Tears on a Ladder, op. 145 | 1971 | fixed media, akusmatisch | 6:30 | Stereo | PS C. London | 0 | ||||||||||
| 1523 | Ernest | Berk | Thalassic song, op. 179 | 1973 | Theatermusik | Stereo | PS C. London | 0 | |||||||||||
| 1524 | Ernest | Berk | That's Queer?, op. 138 | 1970 | fixed media, akusmatisch | 3:17 | Stereo | also used as part of op. 203 (What's up?) | PS C. London | 0 | |||||||||
| 1535 | Ernest | Berk | The Emperor and the Nightingale, op. 60 | 1965 | Theatermusik | Tanz |
35:00 | Stereo | PS C. London | 0 | ||||||||||
| 1525 | Ernest | Berk | The Emporor & the Nightingale | 1961 | Tanz | 30:00 | Stereo | PS C. London | 0 | ||||||||||
| 1526 | Ernest | Berk | The Great Beyond, op. 195 | 1976 | Theatermusik | 10:00 | Stereo | PS C. London | 0 | ||||||||||
| 1527 | Ernest | Berk | The Kill, op. 205 | 1976 | Tanz | 7:26 | Stereo | Ballet for Nina Falese | PS C. London | 0 | |||||||||
| 1528 | Ernest | Berk | The Sculptor, op. 13 | 1958 | fixed media, akusmatisch | 3:30 | Stereo | PS C. London | 0 | ||||||||||
| 1530 | Ernest | Berk | The Shield of Achilles, op. 119 | 1968 | Tanz | 6:40 | Stereo | a poem by W. H. Auden | PS C. London | 0 | |||||||||
| 1531 | Ernest | Berk | The Spider, op. 9 | 1958 | fixed media, akusmatisch | 6:30 | Stereo | PS C. London | 0 | ||||||||||
| 1532 | Ernest | Berk | The Tameing of: Der Hund, das Knistertier & die Peitsche, op. 224 | 1983 | fixed media, akusmatisch | 5:52 | Stereo | PS C. London | 0 | ||||||||||
| 1533 | Ernest | Berk | The Wall, op. 137 | 1971 | Tanz | 16:15 | Stereo | Ballet for Rebecca Wilson | PS C. London | 0 | |||||||||
| 1534 | Ernest | Berk | The year of the plague '1348 ', op. 207 | 1977 | fixed media, akusmatisch | 8:00 | Stereo | out of Black Death | PS C. London, sound St Diorama | 0 | |||||||||
| 1536 | Ernest | Berk | Things Past, op. 40 | 1964 | fixed media, akusmatisch | 9:00 | Stereo | PS C. London | 0 | ||||||||||
| 1537 | Ernest | Berk | Three Worlds, op. 65 | 1965 | Tanz | 11:45 | Stereo | PS C. London | 0 | ||||||||||
| 1538 | Ernest | Berk | Totentanz (von Basel), op. 161 | 1973 | fixed media, akusmatisch | 15:28 | Stereo | PS C. London | 0 | ||||||||||
| 1539 | Ernest | Berk | Trance, op. 210 | 1977 | fixed media, akusmatisch | 39:00 | Stereo | demonstartion at "Many ways of moving" | PS C. London | 0 | |||||||||
| 1540 | Ernest | Berk | Trilogy (Duo - Trio - Duo), op. 181 | 1973 | Tanz | 17:00 | Stereo | from op. 48, new bridge, Gemini I shorter, new bridge and new 3rd section | PS C. London | 0 | |||||||||
| 1541 | Ernest | Berk | Trollop, op. 186 | 1975 | fixed media, akusmatisch | 3:33 | Stereo | PS C. London | 0 | ||||||||||
| 1542 | Ernest | Berk | Tumbleweed, op. 225 | 1983 | fixed media, akusmatisch | 11:00 | Stereo | PS C. London | 0 | ||||||||||
| 1543 | Ernest | Berk | Two Dreamsongs by J. Fairfax, op. 125 | 1969 | fixed media, akusmatisch | audiovisuell |
2:20 | Stereo | also Video "Stay just a moment" by Baethe 1990 | PS C. London | 0 | |||||||||
| 1544 | Ernest | Berk | Undertown, op. 48 | 1962 | fixed media, akusmatisch | 5:00 | Stereo | PS C. London | 0 | ||||||||||
| 1522 | Ernest | Berk | Unidentified Object (or. U. O.), op. 97 | 1965 | fixed media, akusmatisch | 5:06 | Stereo | old title: Tempest | PS C. London | 0 | |||||||||
| 1545 | Ernest | Berk | untitled Ballet for Anita Shore, op. 187 | 1975 | Tanz | 10:17 | Stereo | PS C. London | 0 | ||||||||||
| 1546 | Ernest | Berk | Variant I, op. 68 | 1963 | fixed media, akusmatisch | 1:54 | Stereo | see op. 115 | PS C. London | 0 | |||||||||
| 1547 | Ernest | Berk | Variant II, op. 75 | 1966 | fixed media, akusmatisch | 1:45 | Stereo | rhythm with pixiphone | PS C. London | 0 | |||||||||
| 1548 | Ernest | Berk | Variant III, op. 76 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | rhythm with pixiphone | PS C. London | 0 | |||||||||
| 1549 | Ernest | Berk | Variant IV, op. 78 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | PS C. London | 0 | ||||||||||
| 1550 | Ernest | Berk | Vibram, op. 169 | 1973 | fixed media, akusmatisch | 10:00 | Stereo | new version with stereo-effects | PS C. London | 0 | |||||||||
| 1551 | Ernest | Berk | Vielstimmig, op. 219 | 1979 | fixed media, akusmatisch | 10:56 | Stereo | PS C. London | 0 | ||||||||||
| 1552 | Ernest | Berk | Vignette for Victor Jara, op. 198 | 1976 | Tanz | 3:40 | Stereo | made for Titch, words selected from Jara songs spoken by Titch, danced by Titch | PS C. London | 0 | |||||||||
| 1553 | Ernest | Berk | Weird, op. 208 | 1977 | fixed media, akusmatisch | 8:00 | Stereo | PS C. London | 0 | ||||||||||
| 1554 | Ernest | Berk | Welding, op. 116 | 1967 | fixed media, akusmatisch | 1:18 | Stereo | PS C. London | 0 | ||||||||||
| 1555 | Ernest | Berk | What's up?, op. 203 | 1976 | Tanz | 13:48 | Stereo | made out of : op. 128, Etude A, That's queer, Etude F, part of Trollop, a bit of Etude A | PS C. London | 1 | |||||||||
| 1557 | Ernest | Berk | Wiley, op. 31 | 1963 | Theatermusik | 18:00 | Stereo | to a play by Mark McCorrmeck | PS C. London | 0 | |||||||||
| 1558 | Ernest | Berk | Wings Over the Valley of Death, op. 37 | 1960/1961 | fixed media, akusmatisch | 5:30 | Stereo | PS C. London | 0 | ||||||||||
| 1559 | Ernest | Berk | Winterstale, op. 223 | 1983 | fixed media, akusmatisch | ≈ 12:46 | Stereo | PS C. London | 1 | ||||||||||
| 1560 | Ernest | Berk | Witches | 1972 | fixed media, akusmatisch | Stereo | PS C. London | 0 | |||||||||||
| 1561 | Ernest | Berk | Women and Mouse, op. 71 | 1966 | Theatermusik | 6:45 | Stereo | words by Dylan Thomas | PS C. London | 0 | |||||||||
| 1562 | Ernest | Berk | "X7 (palindromic frame)", op. 212 | 1978 | fixed media, akusmatisch | 21:09 | Stereo | PS C. London | 0 | ||||||||||
| 1398 | Ernest, John | Berk, Tilbury | Electronic Storm, op. 63 | 1965 | fixed media, akusmatisch | 3:15 | Stereo | made with John Tilbury (better backwards) | PS C. London | 0 | |||||||||
| 1563 | Pierre van | Berkel | Gesprek | 1979 | Film | 15:00 | 16 mm | Sonology Utrecht | 0 | ||||||||||
| 1564 | Pierre van | Berkel | Heegothe | 1983/1984 | fixed media, akusmatisch | 8:28 | Quadro | Sonologie Rotterdam, Sonology Utrecht | 0 | ||||||||||
| 1565 | Pierre van | Berkel | Tjaktjakai | 1983 | Musiktheater, 1 perf | 7:00 | Quadro | V [Stimme] | Sonology Utrecht | 0 | |||||||||
| 25843 | Michael | Berkowski | Gesture Lesson | 2003 | audiovisuell | 3:04 | Cinema 4D animation software, Kyma, Tassman physical modeling synthesizer. Regis Ferguson Collective: Michael Berkowski & Greg Scranton (Video) |
CMJ Vol 29-4, 2005/ | 1 | ||||||||||
| 41063 | Michael | Berkowski | Noise-space | 2002 | fixed media, akusmatisch | 1:14 | DISContact III competition | 0 | |||||||||||
| 41511 | Michael | Berkowski | PLSR 2003 | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 1566 | Mario | Berlendis | comb I / SB | 1966 | fixed media, akusmatisch | 3:00 | Mono + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 35205 | Barry | Bermange | Metropolis oder Radioville London | 1987 | radiophon | Karl-Sczuka-Preis 1987 | 0 | ||||||||||||
| 28120 | Barry | Bermange | Mirage Kino | 1998 | radiophon | 6:44 | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | Prix ars Acustica 1998 | 0 | |||||||||
| 22030 | Barry | Bermange | SOS | radiophon | 2:13 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 35207 | Barry | Bermange | Topophonia - Hörwerk Nr. 19 | 1999 | radiophon | Karl-Sczuka-Preis 1999 | 0 | ||||||||||||
| 35719 | Alberto | Bernal | La réalité, Schaeffer, sa trace et la musique | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 1567 | Guy | Bernard | Guernica | 1950 | Film, 1 perf | 10:00 | Mono | ins [Instrument] | PS C. Paris | 0 | |||||||||
| 1568 | Guy | Bernard | Les Algues | 1953 | Tanz | Mono | PS C. Paris | 0 | |||||||||||
| 42985 | Marie Hélène | Bernard | A Swallow in the Nostril of the Great Buddha | 2013 | fixed media, akusmatisch | 9:50:00 | 0 | ||||||||||||
| 37895 | Marie-Hélène | Bernard | Alice au pays des Succubes | 2001 | fixed media, akusmatisch | 8:58 | Acousmatica CD 1200/ | 0 | |||||||||||
| 37891 | Marie-Hélène | Bernard | BOA Sr | 2017 | fixed media, akusmatisch | Surround 5.1 | Selection to world music days Peking 2018 | 0 | |||||||||||
| 37892 | Marie-Hélène | Bernard | Les Ruelles de Beijing | 2005 | fixed media, akusmatisch | 6:30 | Revue&Corrigée Issue 69/ | 0 | |||||||||||
| 1569 | Pierre | Bernard | Accident personnel | 1986 | Tanz | PS Solstice | 0 | ||||||||||||
| 1570 | Pierre | Bernard | Alliage rituel | 1990 | fixed media, akusmatisch | Musiktheater |
60:00 | Upic | CEMAMu/ Ateliers Upic/ CCMIX, PS Solstice | 0 | ||||||||||
| 1571 | Pierre | Bernard | Arbre de Jean et Marie | 1983 | fixed media, akusmatisch | 3:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 1572 | Pierre | Bernard | Assis face au ciel je contemple | 1982 | fixed media, akusmatisch | 15:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1573 | Pierre | Bernard | Au siuvant | 1984 | Tanz | PS Solstice | 0 | ||||||||||||
| 1574 | Pierre | Bernard | Cendres | 1981 | fixed media, akusmatisch | 10:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1575 | Pierre | Bernard | Chant 1 | 1978 | fixed media, akusmatisch | 7:20 | Stereo | PS Solstice | 0 | ||||||||||
| 1576 | Pierre | Bernard | Clair-obscure | 1980 | Tanz | PS Solstice | 0 | ||||||||||||
| 1577 | Pierre | Bernard | Concret 1 | 1977 | fixed media, akusmatisch | 3:40 | Stereo | PS Solstice | 0 | ||||||||||
| 1578 | Pierre | Bernard | Cristal | 1983 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 1579 | Pierre | Bernard | Dalles | 1983 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | |||||||||
| 1580 | Pierre | Bernard | Danse des ombres attardées | 1984 | fixed media, akusmatisch | 20:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1581 | Pierre | Bernard | Deroulement | 1974 | fixed media, akusmatisch | 17:20 | Stereo | PS Solstice | 0 | ||||||||||
| 1582 | Pierre | Bernard | Derriere la cour | 1978 | Film | 50:00 | Mono | PS Solstice | 0 | ||||||||||
| 1583 | Pierre | Bernard | Deux lacs l'un sur l'autre se reposent | 1979 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | fl [Flöte] | PS Solstice | 0 | |||||||||
| 1584 | Pierre | Bernard | Developpement | 1990 | Fernsehen, | Mono | de Ph. Missotte | PS Solstice | 0 | ||||||||||
| 1585 | Pierre | Bernard | du Rock | 1983 | fixed media, akusmatisch | Stereo | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||||
| 1586 | Pierre | Bernard | Eclipse | 1985 | intermedia | PS Solstice | 0 | ||||||||||||
| 1587 | Pierre | Bernard | Etude en Ecailles | 1983 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 1588 | Pierre | Bernard | Exil | 1987 | Zuspiel / Tonband, 1 perf | 45:00 | Stereo | Sp [Sprecher] | de Perse | PS Solstice | 0 | ||||||||
| 1589 | Pierre | Bernard | Fleur de snas | 1985 | Tanz | PS Solstice | 0 | ||||||||||||
| 1590 | Pierre | Bernard | Ham Sa | 1983 | fixed media, akusmatisch | 12:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 1591 | Pierre | Bernard | Holos | 1988 | fixed media, akusmatisch | 8:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1592 | Pierre | Bernard | Inde du nord | 1976 | intermedia | slide projection | PS Solstice | 0 | |||||||||||
| 1593 | Pierre | Bernard | Instantané | 1981 | fixed media, akusmatisch | 10:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1594 | Pierre | Bernard | Jeremie | 1972 | fixed media, akusmatisch | 17:30 | Stereo | PS Solstice | 0 | ||||||||||
| 1595 | Pierre | Bernard | Kanake | 1975 | Theatermusik | 9:12 | de G. Dobbelaere, J. M. Tjbaou | PS Solstice | 0 | ||||||||||
| 1596 | Pierre | Bernard | Kanake | 1982 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | sax [Saxophon] | Logovision 590070/ | PS Solstice | 0 | ||||||||
| 1597 | Pierre | Bernard | Kiran | 1992 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 1598 | Pierre | Bernard | L'Adoration perpetuelle | 1984 | Theatermusik | de Proust | PS Solstice | 0 | |||||||||||
| 1599 | Pierre | Bernard | L'héritage de la chouette | 1989 | Fernsehen, | Mono | pour la "7 de Chris Marker | PS Solstice | 0 | ||||||||||
| 1600 | Pierre | Bernard | La charte | 1988 | Fernsehen, | Mono | de Ph. Missotte | PS Solstice | 0 | ||||||||||
| 1601 | Pierre | Bernard | La croisade des enfants | 1983 | Theatermusik | de B. Brecht | PS Solstice | 0 | |||||||||||
| 1602 | Pierre | Bernard | La foire a la ferraille | 1976 | fixed media, akusmatisch | 5:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1603 | Pierre | Bernard | La vie a des oreilles profitions - en | 1980 | Musiktheater | PS Solstice | 0 | ||||||||||||
| 1604 | Pierre | Bernard | La vie au feminin | 1974 | Film | 40:00 | Mono | PS Solstice | 0 | ||||||||||
| 1605 | Pierre | Bernard | Les 7 anneaux | 1986 | live-elec, 3 perf, 1 group | Theatermusik |
30:00 | Stereo | perc, str, ch, fl [Flöte, Schlagzeug, Streicher, Chor] | Upic | CEMAMu/ Ateliers Upic/ CCMIX, PS Solstice | 0 | ||||||||
| 1606 | Pierre | Bernard | Les Desert | 1990 | Theatermusik | de B. Onfroy | PS Solstice | 0 | |||||||||||
| 1607 | Pierre | Bernard | Les fenetres s'ouvrent de l'interieur | 1975 | fixed media, akusmatisch | 12:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1608 | Pierre | Bernard | Les grandes heures de Guillaume | 1987 | Theatermusik | de Dobbelaere | PS Solstice | 0 | |||||||||||
| 1609 | Pierre | Bernard | Les sypres sont si loin | 1986 | Tanz | PS Solstice | 0 | ||||||||||||
| 1610 | Pierre | Bernard | Matinée chez la Princesse de Guermantes | 1983 | Theatermusik | de Proust | PS Solstice | 0 | |||||||||||
| 1611 | Pierre | Bernard | Meltemie | 1975 | Tanz | PS Solstice | 0 | ||||||||||||
| 1612 | Pierre | Bernard | Miroir | 1976 | Theatermusik | with M. Puig | PS Solstice | 0 | |||||||||||
| 1613 | Pierre | Bernard | Musique du present | 1977 | Tanz | intermedia |
perc, dancers, (lights) [Schlagzeug, Tanz] | PS Solstice | 0 | |||||||||||
| 1615 | Pierre | Bernard | Obsession d'hiver | 1973 | Film | de C. Hauvette | PS Solstice | 0 | |||||||||||
| 1616 | Pierre | Bernard | Or sujet | 1989 | Tanz | PS Solstice | 0 | ||||||||||||
| 1617 | Pierre | Bernard | Organ | 1971 | fixed media, akusmatisch | 8:20 | Stereo | INA • GRM | 26.2.1971 | Paris, Halles Baltard | 0 | ||||||||
| 1618 | Pierre | Bernard | Ouverture | 1980 | fixed media, akusmatisch | 6:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1619 | Pierre | Bernard | Piano d'ombre | 1974 | Zuspiel/Tonband, 1 perf | Tanz |
18:50 | Stereo | p [Piano] | PS Solstice | 0 | |||||||||
| 1620 | Pierre | Bernard | Plein soleil sur la mer | 1989 | fixed media, akusmatisch | 33:20 | Stereo | Logovision 590070/ | INA • GRM | 0 | |||||||||
| 1621 | Pierre | Bernard | Pour se perdre | 1978 | Film | 18:15 | Stereo | PS Solstice | 0 | ||||||||||
| 1622 | Pierre | Bernard | Pourrait faire mieux | 1976 | Film | 45:00 | Mono | PS Solstice | 0 | ||||||||||
| 1623 | Pierre | Bernard | Quotidien | 1976 | intermedia | Film |
∞ | concert reportage,+ films | PS Solstice | 0 | ||||||||||
| 1624 | Pierre | Bernard | Racines | 1982 | Zuspiel / Tonband, 4 perf | 10:00 | Stereo | 4 congas [Schlagzeug] | Logovision 590070/ | PS Solstice | 0 | ||||||||
| 1625 | Pierre | Bernard | Regarde au fond de la mer | 1983 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 1626 | Pierre | Bernard | Regarder au dedans | 1975 | Zuspiel / Tonband, 1 perf | 17:30 | Stereo | V [Stimme] | PS Solstice | 0 | |||||||||
| 1627 | Pierre | Bernard | Reve, Cauchemard, Aurore | 1976 | Tanz | PS Solstice | 0 | ||||||||||||
| 1628 | Pierre | Bernard | Rumeur | 1982 | fixed media, akusmatisch | 8:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1629 | Pierre | Bernard | Siddha Yoga Meditation | 1979 | Film | 30:00 | Mono | PS Solstice | 0 | ||||||||||
| 1630 | Pierre | Bernard | Solar | 1981 | fixed media, akusmatisch | 19:30 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 1631 | Pierre | Bernard | Soleil sous la neige | 1979 | Tanz | PS Solstice | 0 | ||||||||||||
| 1632 | Pierre | Bernard | Solstice | 1982 | fixed media, akusmatisch | 11:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1633 | Pierre | Bernard | Souffle | 1972 | fixed media, akusmatisch | 24:10 | Stereo | dedicated to the painter Reigl | PS Solstice | 0 | |||||||||
| 1634 | Pierre | Bernard | Temps réel | 1989 | fixed media, akusmatisch | 12:00 | Stereo | Upic Logovision 590070: Dauer 4:45 |
Logovision 590070/ | CEMAMu/ Ateliers Upic/ CCMIX, GMVL Lyon | 0 | ||||||||
| 1635 | Pierre | Bernard | Trace | 1979 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | cl [Klarinette] | PS Solstice | 0 | |||||||||
| 1636 | Pierre | Bernard | Traversée | 1976 | fixed media, akusmatisch | 12:00 | Stereo | PS Solstice | 0 | ||||||||||
| 1637 | Pierre | Bernard | Trois instants qui se suivent | 1977 | Zuspiel/Tonband, 1 perf | Tanz |
9:15 | Stereo | perc [Schlagzeug] | PS Solstice | 0 | |||||||||
| 1638 | Pierre | Bernard | Un jour en FlandreArc en ciel | 1985 | Theatermusik | de Dobbelaere | PS Solstice | 0 | |||||||||||
| 1639 | Pierre | Bernard | Ushuaia | 1991 | Fernsehen, | Mono | pour TF1 | PS Solstice | 0 | ||||||||||
| 1640 | Pierre | Bernard | Version Concert Eclipse | 1985 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 1641 | Pierre | Bernard | Vision d'azur | 1982 | fixed media, akusmatisch | 3:30 | Stereo | PS Solstice | 0 | ||||||||||
| 1642 | Pierre | Bernard | W. A. O. | 1984 | Theatermusik | de Dobbelaere | PS Solstice | 0 | |||||||||||
| 1643 | Nicola | Bernardini | Angeuto, o il Teatro del segni | 1982 | live-elec, 1 perf | 10:06 | V [Stimme] | 1 | http://www.nicolabernardini.info | ||||||||||
| 1644 | Nicola | Bernardini | D'Altro Canto | 1988 - 1989 | live-elec, 5 perf | 10:00 | 5 fem V [Stimme] | Elec: A. Brown, L. Colbert, C. Murtas, C. Schaller, A. Talamonti | Tempo Reale Firenze | 0 | http://www.nicolabernardini.info | ||||||||
| 24106 | Nicola | Bernardini | D'Altro Canto Altro | 1989 | live-elec, 6 perf, 1 group | ≈ 14:30 | 5 fem V, ch, 1 perc (bell) [Stimme, Schlagzeug, Chor] | Tempo Reale Firenze | 0 | ||||||||||
| 22806 | Nicola | Bernardini | Partita | fixed media, akusmatisch | 3:39 | CMJ Vol 21, 1997/ | 1 | http://www.nicolabernardini.info | |||||||||||
| 1645 | Nicola | Bernardini | Prière du Matin | 1983 | live-elec, 1 perf | 6:21 | V [Stimme] | 1 | http://www.nicolabernardini.info | ||||||||||
| 26163 | Nicola | Bernardini | Recordare | 1999 - 2000 | fixed media, akusmatisch | 6:30 | madrigale recitato for processed sounds | 1 | 2000 | http://www.nicolabernardini.info | |||||||||
| 1646 | Nicola | Bernardini | Tre pezzi con voce femminile, Ho Parlato in Sogno, Java; Partita | 1984 - 1987 | Zuspiel / Tonband, 1 perf | Stereo | fem V [Stimme] | CRM Roma | 0 | http://www.nicolabernardini.info | |||||||||
| 1647 | Nicola | Bernardini | Une fugue, no. 2 | 1982 | live-elec, | 9:53 | 1 | http://www.nicolabernardini.info | |||||||||||
| 1648 | Richard | Bernas | Almanac for April / September | 1975 | Zuspiel, live-elec, 1 perf | Quadro | p [Piano] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 1649 | Richard | Bernas | Tuning a Cymbal | 1975 | fixed media, akusmatisch | Audio Arts/ | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 19054 | G. | Berndtsson | Kyrie | fixed media, akusmatisch | CMJ Vol 20, 1996/ | 1 | |||||||||||||
| 42078 | Christian, Frank | Berner, Schültge | Wurfsendung: Herr Behrlich – Radio | 2004 | radiophon | DLR Berlin | 0 | ||||||||||||
| 39293 | Alice | Berni | Con sola azione | 2017 | live-elec, | amp fl (solo flute, contact mic and micro amplifier) [Flöte] | 0 | ||||||||||||
| 35709 | Nicolas | Bernier | Antithèse électronique | 2011 | fixed media, akusmatisch | 1:00 | Surround 3.1 | IMED 12114/ | PS C. | 0 | |||||||||
| 35710 | Nicolas | Bernier | Dans le ventre de la machine | 2010 | fixed media, akusmatisch | 10:40 | Surround 5.1 | IMED 12114/ | PS C. | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2011 | 0 | ||||||||
| 43130 | Nicolas | Bernier | frequencies (a), _frequencies (a)* | 2013 | Klangkunst, Installation | Auszeichnung ars electronica: Golden Nica 2013 | 0 | ||||||||||||
| 35711 | Nicolas | Bernier | Les chambres de l’atelier | 2008, 2011 | fixed media, akusmatisch | 10:48 | Stereo | IMED 12114/ | PS C., Uni Montréal | 14.4.2008 | Pulsar *3 presented by Réseaux des arts médiatiques at the Planétarium de Montréal (Québec) | 0 | |||||||
| 35649 | Nicolas | Bernier | Liaisons Mécaniques | 2007 | fixed media, akusmatisch | 10:04 | unesp Sao Paulo musica maximalista/ IMED 12114/ | Uni Montréal, Musiques et Recherches Ohain | CALQ | 2nd prize (ex æquo) at CIMESP 2007 (Brazil) mentions at Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2007) Digital Art Awards (Japan, 2007) 34th Bourges International Electroacoustic Music and Sonic Art Competition (France, 2007) |
0 | ||||||||
| 24697 | Nicolas | Bernier | … sans quoi les imperméables jaunes existeront… | 2004 | fixed media, akusmatisch | 8:08 | JTTP 2004 | CEC Cache 2004, PeP 009/ MR 2004 Métamorphoses 2004/ | Métamorphoses 2004 winner JTTP 2004 2. prize |
1 | |||||||||
| 24675 | Nicolas | Bernier | Tous les parapluies sont à Madagascar | 2003 | fixed media, akusmatisch | 6:39 | JTTP 2003 | CEC Cache 2003 CA/ | winner JTTP 2003 2. prize | 1 | |||||||||
| 32916 | Nicolas | Bernier | Writing Machine | 2005 | fixed media, akusmatisch | 15:29 | Octo | IMED 09100 trans_canada/ IMED 12114/ | Uni Montréal, ZKM Karlsruhe | ZKM Karlsruhe, CALQ | 10.2.2005 | trans_canada festival in the ZKM_Kubus in Karlsruhe (Germany | 0 | ||||||
| 1650 | Alec | Bernstein | Reflex hammers | fixed media, akusmatisch | 1 | ||||||||||||||
| 1651 | Jacques | Berrocal | postcard rock'n roll station, 12 little pieces | 1976 | fixed media, akusmatisch | 5:00 | 0 | ||||||||||||
| 36478 | Keith | Berry | Hatsu Yume | 2007 | radiophon | 6:57:00 | and 26/ | 0 | |||||||||||
| 1652 | Ragnhild | Berstad | Hvordan hvalen fikk sin trange hals | 1993 | Zuspiel / Tonband, 6 perf | 11:30 | Narrator, cl, 2 perc, vn, vc [Klarinette, Schlagzeug, Cello, Violine, Schauspieler] | NOTAM | 0 | ||||||||||
| 1653 | Ragnhild | Berstad | Respiro | 1994 | live-elec, 1 perf | 9:30 | amp cl [Klarinette] | NOTAM | 0 | ||||||||||
| 34734 | Pierre | Berthet | Extended Drops | 2010 | Klangkunst, Installation | 10:41 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 0 | http://singuhr.de/page.php?ID=690 | ||||||||||
| 27834 | Pierre | Berthet | Nature et Sons | 2008 | Klangkunst, Installation | CRFMW Liège | 27.04.2008 | Seneffe | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 38481 | Julie | BERTHIER | On ne va pas épiloguer | 2013 | radiophon | 25:22:00 | Prix Phonurgia nova | 0 | |||||||||||
| 1654 | Armin | Berthold | Schrittmacher | 1989 | audiovisuell | ELAK Wien | 0 | ||||||||||||
| 18731 | Yves | Bertin | Alors leurs yeux s'ouvrirent | 1992 | fixed media, akusmatisch | 15:15 | Stereo | DA 01 CD Disques Daphnis/ | 0 | ||||||||||
| 18732 | Yves | Bertin | Cantiques de guerre | 1991 | fixed media, akusmatisch | 25:50 | Stereo | DA 01 CD Disques Daphnis/ | 0 | ||||||||||
| 18733 | Yves | Bertin | Distractions | 1990 | fixed media, akusmatisch | 16:30 | Stereo | DA 01 CD Disques Daphnis/ | 0 | ||||||||||
| 18734 | Yves | Bertin | Messes pour Chloè: Musique pour un culte oe cumènique èlectroacustique | 1989 | fixed media, akusmatisch | 8:20 | Stereo | DA 01 CD Disques Daphnis/ | 0 | ||||||||||
| 18689 | Harry | Bertoia | #1032 Here and Now | Klangkunst, Installation | Stereo | PSFD-32 Modern Music/ | 0 | http://www.moderecords.com/ | |||||||||||
| 1655 | Harry | Bertoia | All and more | Klangkunst, Installation | sonambient F/W 1027/ | 1 | |||||||||||||
| 1656 | Harry | Bertoia | Bush 1964 | 1964 | Klangkunst, Installation | sonambient LPS 10570/ | 1 | ||||||||||||
| 1657 | Harry | Bertoia | Contimuum | Klangkunst, Installation | sonambient F/W 1029/ | 1 | |||||||||||||
| 1658 | Harry | Bertoia | Energizing | Klangkunst, Installation | sonambient F/W 1028/ | 1 | |||||||||||||
| 1659 | Harry | Bertoia | Gong Gong | Klangkunst, Installation | sonambient F/W 1026/ | 1 | |||||||||||||
| 1660 | Harry | Bertoia | Here and now | Klangkunst, Installation | sonambient F/W 1032/ | 1 | |||||||||||||
| 18690 | Harry | Bertoia | Here and Now Part II | Klangkunst, Installation | Stereo | PSFD-32 Modern Music/ | 0 | http://www.moderecords.com/ | |||||||||||
| 1661 | Harry | Bertoia | Ocean mysteries | Klangkunst, Installation | sonambient F/W 1031/ | 1 | |||||||||||||
| 1662 | Harry | Bertoia | Space voyage | Klangkunst, Installation | sonambient F/W 1023/ | 1 | |||||||||||||
| 1663 | Harry | Bertoia | Swift sounds | Klangkunst, Installation | sonambient F/W 1024/ | 1 | |||||||||||||
| 1664 | Harry | Bertoia | Swinging bars | Klangkunst, Installation | sonambient F/W 1030/ | 1 | |||||||||||||
| 1665 | Harry | Bertoia | Unfolding | Klangkunst, Installation | sonambient F/W 1025/ PSFD-32 Modern Music/ | 1 | http://www.moderecords.com/ | ||||||||||||
| 1667 | Agnel | Bertola | Musiques Eclatees, Episode | 1969 | Performance | 4:55 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 27078 | Eduardo | Bértola | Dilemas para un sintetizador | 1981 | live-elec, 1 perf | Stereo | synt [synthesizer] | 0 | |||||||||||
| 1666 | Eduardo | Bértola | Dynamus I | 1970 | fixed media, akusmatisch | 3:00 | Tacuabe T/E 33 CD/ | PS | 1 | ||||||||||
| 21203 | Eduardo | Bértola | Dynamus II | 1970 | fixed media, akusmatisch | 3:00 | Stereo | Tacuabé T/E 4/ | PS | 0 | |||||||||
| 27070 | Eduardo | Bértola | Elictros | 1972 | fixed media, akusmatisch | Stereo | PS C. B. Aires | 0 | |||||||||||
| 27071 | Eduardo | Bértola | Gomecito contra la Siemens, o El diablo de San Agustin | 1973 | fixed media, akusmatisch | Stereo | CICMAT, PS C. B. Aires | 0 | |||||||||||
| 27076 | Eduardo | Bértola | Historias para un movimiento imaginario | 1977 | fixed media, akusmatisch | Stereo | PS C. B. Aires | 0 | |||||||||||
| 27073 | Eduardo | Bértola | Mecanica | 1974 | fixed media, akusmatisch | Stereo | CICMAT | 0 | |||||||||||
| 27068 | Eduardo | Bértola | Mimesis | 1967 | fixed media, akusmatisch | Stereo | PS | 0 | |||||||||||
| 27072 | Eduardo | Bértola | Moiré | 1973 | fixed media, akusmatisch | Stereo | CICMAT | 0 | |||||||||||
| 1668 | Eduardo | Bértola | Penetraciones I | 1970/1971 | fixed media, akusmatisch | 5:35 | Tacuabe T/E 33 CD/ | PS C. Paris, PS C. B. Aires | 1 | 1984 | |||||||||
| 21204 | Eduardo | Bértola | Penetraciones II | 1970/1971 | fixed media, akusmatisch | Stereo | Tacuabe T/E 33 CD/ | PS C. Paris, PS C. B. Aires | 1 | ||||||||||
| 1669 | Eduardo | Bértola | Pexoa | 1971 | fixed media, akusmatisch | ORTF Paris, PS C. | 0 | ||||||||||||
| 27074 | Eduardo | Bértola | Respiraciones y voces | 1974 | fixed media, akusmatisch | Stereo | CICMAT | 0 | |||||||||||
| 1671 | Eduardo | Bértola | Rouges | 1969 | fixed media, akusmatisch | ORTF Paris, PS C. | 0 | ||||||||||||
| 27069 | Eduardo | Bértola | Signaux | 1969 | fixed media, akusmatisch | Stereo | PS | 0 | |||||||||||
| 27075 | Eduardo | Bértola | Tramos | 1975 | fixed media, akusmatisch | Stereo | Tacuabe T/E 33 CD/ | PS C. B. Aires | 1 | ||||||||||
| 27077 | Eduardo | Bértola | Trovas, cronicas y epigramas I - VII | 1977 | fixed media, akusmatisch | Stereo | PS C. B. Aires | 0 | |||||||||||
| 1672 | Lucien | Bertolina | Aller Simple | 1982 | Zuspiel / Tonband, 1 perf | 17:55 | Stereo | vc [Cello] | GMEM Marseille | 0 | |||||||||
| 1673 | Lucien | Bertolina | Au-Delà Du Rivage | 1987 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | gui [Gitarre] | GMEM Marseille | 0 | |||||||||
| 1674 | Lucien | Bertolina | Etude | 1974 | fixed media, akusmatisch | 6:30 | Stereo | GMEM Marseille | 0 | ||||||||||
| 1676 | Lucien | Bertolina | La Femme Du Prisonnier | 1983 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 1677 | Lucien | Bertolina | Les Etablissements Griffet | 1975 | radiophon | Stereo | GMEM Marseille | 0 | |||||||||||
| 1679 | Lucien | Bertolina | Musique Pour Les Roses A | 1972 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 1683 | Lucien | Bertolina | Un Eté Aux Amandiers | 1985 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 1684 | Lucien | Bertolina | Un Groupe d'Enfants De La ZUP n°1 à Marseille | 1980 | radiophon | 10:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 1685 | Lucien | Bertolina | Vorticosamente | 1984 | Zuspiel / Tonband, 1 perf | 15:50 | Stereo | vc [Cello] | GMEM Marseille | 0 | |||||||||
| 1680 | Lucien, Georges | Bertolina, Boeuf | Retour A Marseille | 1979 | Zuspiel/Tonband, | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 1681 | Lucien, Claude | Bertolina, Colon | Sequence I | 1971 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | GMEM Marseille | 0 | ||||||||||
| 1682 | Lucien, Claude | Bertolina, Colon | Séquence II | 1972 | Zuspiel / Tonband, 1 perf | Stereo | hn [Horn] | GMEM Marseille | 0 | ||||||||||
| 1675 | Lucien, Patrick | Bertolina, Portella | L'Echelle | 1981 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 1678 | Lucien, Patrick | Bertolina, Portella | Les Voyages Du Chateau | 1981 | fixed media, akusmatisch | Film |
Stereo | GMEM Marseille | 0 | |||||||||||
| 28329 | Mario | Bertoncini | Chain Reaction | 1973 | Klanginstallation, live-elec, 1 perf | 12:38 | äolian hp [Harfe] | with pictures by Peter Sedgley | DS 15 Die Schachtel/ | PS C. | 1973 | Haus am Waldsee Berlin | 0 | ||||||
| 1686 | Mario | Bertoncini | Chanson pour instruments à vent | 1974 | live-elec, 1 perf | 12:07 | äolian hp [Harfe] | DS 15 Die Schachtel/ | PS C. | 1 | 1982 | http://www.mariobertoncini.com/works/discography.html | |||||||
| 32591 | Mario | Bertoncini | Epitaffio in memoria d’un concerto | 1968 | Performance, live-elec, 3 perf | ≈ 20 | 3 perf [Performer] | 3 sound sources (sound sculptures) and tape-delay system | 1968 | Galeria d’ Arte moderna, Roma | 0 | http://www.mariobertoncini.com/works/epitaffioENG.html | |||||||
| 1687 | Mario | Bertoncini | Focus | 1974 | Tanz, live-elec, 2 perf | 5 tracks | perc, dancer [Schlagzeug, Tanz] | theatrical piece; five channels pre-recorded phonic material (gongs) modulated by the gestures of a dancer | TU Berlin | MetaMusik Festival | 28.9.1974 | Neue Nationalgalerie Berlin bei „MetaMusik-Festival“, mit Mitsutaka Ishii | 1 | ||||||
| 28330 | Mario | Bertoncini | Fuochi | 1982 | Zuspiel, live-elec, 8 perf | Octo | 8 w-ins [Bläser] | some tapesounds from "Venti" (1982) | DS 15 Die Schachtel/ | PS C. | 0 | ||||||||
| 1688 | Mario | Bertoncini | Illegonda | 1968 | Musiktheater, 2 perf | S, p [Sopran, Piano] | theatrical piece for solo soprano, sound environment and tape | 0 | |||||||||||
| 28328 | Mario | Bertoncini | Instantanee !, II, III | 1995 - 2006 | live-elec, 1 perf | 32:00 | äolian hp [Harfe] | DS 15 Die Schachtel/ | PS C. | 2006 | Trebnitz | 0 | |||||||
| 32592 | Mario | Bertoncini | Scratch-a-matic | 1971 | Performance, live-elec, 1 perf | var | p, (9 DC-motors, tape-delay) [Piano] | for piano (strings) and 9 DC motors + tape-delay with speed variation | 1973 | AdK Berlin | 0 | http://www.mariobertoncini.com/works/epitaffioENG.html | |||||||
| 1689 | Mario | Bertoncini | Vele, Listen to the wind | 1973 | live-elec, 3 perf | ∞ | (windharp,) 3 V [Stimme] | Aeolsharpe in the open air | MetaMusik Festival | 28.9.1974 | Neue Nationalgalerie Berlin bei „MetaMusik-Festival“ | 0 | |||||||
| 1690 | Mario | Bertoncini | Venti | 1982 | live-elec, 42 perf | (20 windharps,) 40 perf, 2 conductor [Performer] | PS C. | 1 | 1985 | ||||||||||
| 1691 | Thierry | Besche | Musique klaxon | 1982 | fixed media, akusmatisch | GME Albi | 0 | ||||||||||||
| 18691 | Thierry, Jean-Marc | Besche, Padovani | Fermentation | 1992 | Zuspiel / Tonband, 1 perf | 3:04 | Stereo | sax [Saxophon] | GMÉA MP 9201/ | GME Albi | 0 | ||||||||
| 18692 | Thierry, Jean-Marc | Besche, Padovani | Inox 3614 | 1992 | Zuspiel / Tonband, 1 perf | 12:57 | Stereo | sax [Saxophon] | GMÉA MP 9201/ | GME Albi | 0 | ||||||||
| 18693 | Thierry, Marc | Besche, Pichelin | Cinquième saveur "sucrè" | fixed media, akusmatisch | 3:03 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18698 | Thierry, Marc | Besche, Pichelin | Deuxième saveur "acide" | fixed media, akusmatisch | 3:16 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18694 | Thierry, Marc | Besche, Pichelin | Paysage sonore 1 | 1992 | fixed media, akusmatisch | 1:19 | Stereo | GMÉA MP 9201/ | GME Albi | 0 | |||||||||
| 18695 | Thierry, Marc | Besche, Pichelin | Paysage sonore 2 | 1992 | fixed media, akusmatisch | 4:08 | Stereo | GMÉA MP 9201/ | GME Albi | 0 | |||||||||
| 18696 | Thierry, Marc | Besche, Pichelin | Paysage sonore 3 | 1992 | fixed media, akusmatisch | 1:31 | Stereo | GMÉA MP 9201/ | GME Albi | 0 | |||||||||
| 18697 | Thierry, Marc | Besche, Pichelin | Première saveur "salè" | fixed media, akusmatisch | 2:52 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18699 | Thierry, Marc | Besche, Pichelin | Quatrième saveur "piquant" | fixed media, akusmatisch | 2:52 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18700 | Thierry, Marc | Besche, Pichelin | Rumeur | fixed media, akusmatisch | 0:37 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18701 | Thierry, Marc | Besche, Pichelin | Rumeur double | fixed media, akusmatisch | 0:45 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18702 | Thierry, Marc | Besche, Pichelin | Rumeur finale | fixed media, akusmatisch | 0:25 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18703 | Thierry, Marc | Besche, Pichelin | Rumeur, suite | fixed media, akusmatisch | 0:28 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 18704 | Thierry, Marc | Besche, Pichelin | Troisième saveur "amer" | fixed media, akusmatisch | 5:12 | Stereo | GMÉA OD 9301/ | GME Albi | 0 | ||||||||||
| 39971 | Kari | Besharse | Omphalos | 2015 | fixed media, akusmatisch | 12:58:00 | Kari Besharse | 0 | |||||||||||
| 41064 | Kari | Besharse | Small Things | 2001 | fixed media, akusmatisch | 10:32 | 0 | ||||||||||||
| 42850 | Kari | Besharse | The Anemone Fragments | 2013 | live-elec, 1 perf | 14:30:00 | vc [Cello] | Craig Hultgren, cello | 0 | ||||||||||
| 42079 | Alfred, Friedrich, Klaus Dieter | Bester, Scholz, Mäurich | Demolition, The Demolished Man | 1973 | radiophon | Spazialisation: Kunstkopf | RIAS, BR, WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1376714&SID | ||||||||||
| 36386 | Charles | Bestor | Into the Labyrinth | 1998 | radiophon | Stereo | Kiasma 1998/ | 0 | |||||||||||
| 1692 | Charles | Bestor | Suite from "Pathways from the Dream Spell Series" | 1987 | fixed media, akusmatisch | 16:35 | Stereo | 0 | |||||||||||
| 43032 | Carl | Bettendorf | Souvenir | 2013 | live-elec, 2 perf | 9:00:00 | va, com [Viola, computer] | Miranda Cuckson, viola; Nina C. Young, live electronics | 0 | ||||||||||
| 25844 | Marc | Beugnies | De Revolutionibus Orbium Coelestium | 2004 | fixed media, akusmatisch | 14:26 | LDC 2781134 Compendium 2004/ | IMEB Bourges | 1 | ||||||||||
| 38482 | Isabella | BEUMER | Im Ton des Wassers | 2008 | radiophon | 53:11:00 | 0 | ||||||||||||
| 24289 | Isabella | Beumer | new cut | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 38739 | Isabella , Isabella |
BEUMER, BORDONI | Circonferenze Kreislinien | 2000 | radiophon | 51:14:00 | 0 | ||||||||||||
| 1693 | Jürgen | Beurle | VARIABLE REALIsATIONEN | 1977 | fixed media, akusmatisch | 7:40 | Stereo | SME Krakow | 0 | ||||||||||
| 28869 | Marcus | Beuter | auguries of innocence | fixed media, akusmatisch | Stereo | DegeM CD 10 Replace/ | 1 | ||||||||||||
| 28880 | Marcus | Beuter | celebration dub | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28875 | Marcus | Beuter | eisen | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28876 | Marcus | Beuter | fragments of new york | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28877 | Marcus | Beuter | im namen der lippischen rose | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28878 | Marcus | Beuter | keep it clean and tidy | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28873 | Marcus | Beuter | kelimutu | 2011 | fixed media, akusmatisch | 13:33 | Stereo | NoiseFloor Festival 2011 | 0 | ||||||||||
| 28879 | Marcus | Beuter | letzte nacht | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28871 | Marcus | Beuter | rhetororio | fixed media, akusmatisch | 2:59 | Stereo | 0 | ||||||||||||
| 28874 | Marcus | Beuter | robert | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 33790 | Marcus | Beuter | schmerz | 2013 | fixed media, akusmatisch | 6:56 | DegeM CD 12 Seltene Erden/ | 1 | |||||||||||
| 28870 | Marcus | Beuter | sitting in a glass house – skimming stones | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 28881 | Marcus | Beuter | spiegelungen – bilder einer klangreise | audiovisuell | Stereo | 0 | |||||||||||||
| 28872 | Marcus | Beuter | überdruck | fixed media, akusmatisch | Octo | 0 | |||||||||||||
| 41446 | Katharina | Bévand | Bardo, བར་དོ་ | 2016 | Klangkunst, Installation | loop | 3 tracks | 2016 | Crematory Südstern, Berlin | 0 | |||||||||
| 41441 | Katharina | Bévand | Grid | 2018 | Klangkunst, Installation | 30 | Quadro | 2018 | Exhibition „Grabenblicke“, Bärenzwinger am Märkischen Museum Berlin | 0 | |||||||||
| 41442 | Katharina | Bévand | Metamorphosaic | 2018 | Performance | dance [Tanz] | 2018 | Performing Arts Festival at Schiller Bibliothek Berlin | 0 | ||||||||||
| 41451 | Katharina | Bévand | Monolith | 2016 | Performance | 3 tracks | 3 fem perf (with 3 portable systems) [Performer] | 2016 | KM Gallery, Smaragd Bar and abc Berlin | 0 | http://burgundtbrandt.com/MONOLITH | ||||||||
| 41443 | Katharina | Bévand | Polyphonic Birds | 2017 | Klangkunst, Installation | 20 | Quadro | 2017 | Klangtour, Kottbuser Tor Berlin | 0 | https://katharinabevand.com/2017/09/04/polyphonic-birds/ | ||||||||
| 41450 | Katharina | Bévand | Raster Textures I | 2018 | Performance | ≈ | Surround 2.1 | 2018 | Petersburg Art Space, Berlin | 0 | |||||||||
| 41444 | Katharina | Bévand | Resonor | 2017, 2018 | Performance | 30 | Quadro | 2017 2018 |
Großer Wasserspeicher Berlin Exhibition Resonor Großer Wasserspeicher Berlin |
0 | |||||||||
| 41448 | Katharina | Bévand | Sonic Convexities | 2018 | Performance | 25…35 | 15 Tracks | 3 perf (wearable loudspeaker) [Performer] | 2018 | Sudhaus of the former Kindl Brewery Berlin | 0 | ||||||||
| 41447 | Katharina | Bévand | Soundaltar | 2017 | Klangkunst, Installation | 20 | 3 tracks | 2017 | Crematory Südstern Berlin | 0 | |||||||||
| 41449 | Katharina | Bévand | Soundbody | 2018 | Performance | 20…30 | 5 tracks | perf (wearable loudspeakers) [Performer] | 2018 | Erbil citadel, Autonomous Region of Kurdistan in Iraq | 0 | https://katharinabevand.com/2018/05/03/soundbody/ | |||||||
| 41452 | Katharina | Bévand | Sun in your head | fixed media, akusmatisch | Soundcomposition with fieldrecordings | 0 | |||||||||||||
| 41445 | Katharina | Bévand | Transorchestra | 2016 | Klangkunst, Installation | loop | 10 Tracks | 2016 | 48 Stunden Neukölln Festival Berlin | 0 | |||||||||
| 36876 | Daniel, Robin, Danil | Bevc, Schmidt, Ulmashev | Triptych | 2017 | fixed media, akusmatisch | 12:27:00 | Concordia Montréal | prize JTTP 2017 | 0 | ||||||||||
| 1694 | Brian | Bevelander | Castle Music | 1982 | Zuspiel, live-elec, 4 perf | 8:30 | Stereo | 2 perc, 2 p, (tape-delay) [Piano, Schlagzeug] | opus one 137/ | IPEM Gent, Heidelberg Coll Ohio | 1 | ||||||||
| 1695 | Brian | Bevelander | Rhythmic Sonorities | 1984 | fixed media, akusmatisch | 10:08 | IPEM Gent | 0 | |||||||||||
| 40283 | Thomas | Beverly | Dancing Tree | 2016 | fixed media, akusmatisch | Thomas Beverly | 0 | ||||||||||||
| 42934 | Thomas | Beverly | Ocotillo | 2013 | live-elec, 1 perf | 10:00:00 | perc [Schlagzeug] | Wannapha Yannavit, percussion | 0 | ||||||||||
| 40284 | Thomas | Beverly | Telepresent Storm: Rita | 2015 | fixed media, akusmatisch | 6:43:00 | Thomas Beverly | 0 | |||||||||||
| 42883 | José | Bevia | Cenzias y Fuego | 2013 | live-elec, 2 perf | 8:30:00 | hp, perc [Harfe, Schlagzeug] | Arielle, harp; June Hahn, percussion | 0 | ||||||||||
| 1696 | Frank Michael | Beyer | Schwebung | 1977 | fixed media, akusmatisch | 6:05 | Stereo | TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | 1 | http://www2.ak.tu-berlin.de/Geschichte/personen/Beyer-Nachruf.html#Anchor-Der-49575 | |||||||
| 32111 | Greg | Beyer | Bahian Counterpoint (Homage to Steve Reich) Mvt. 3 | 2002 | live-elec, 1 perf | 5:21:00 | mus (Berimbau, caxixi) [Musiker] | composition for Berimbau, caxixi and electroacoustic music, performed by Greg Beyer | SEAMUS EAM Vol. 14/ | 0 | |||||||||
| 1697 | Hermann | Beyer | “50” | 1972 | Zuspiel, live-elec, 2 perf | prep p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 1698 | Hermann | Beyer | Meditation II & III | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 37907 | Johanna Magdalena | Beyer | Dissonant Counterpoint | 1931 - 1934 | fixed media, akusmatisch | 0 | |||||||||||||
| 1699 | Johanna Magdalena | Beyer | Music of the Spheres, Status quo | 1938 | live-elec, 3 perf | 5:57 | Stereo | 3 elec (3 synt) (perc ≈ triangel) [elektronik] | Music of the Spheres ist Teil der Oper „Status quo“ (siehe Programmbuch Ultraschall 2019 Seite 56). – Bei Ultraschall 2019 wird das Werk für 2 Synthesizer angekündigt. Historische Angaben: Electronics [Frequency Shifting], Mixed By – Donald Buchla Electronics [Pulse Control] – Brenda Hutchinson Ensemble – The Electric Weasel Ensemble Recorded By – Robert Shumaker Synthesizer [Music Easel]–Allen Strange, David Morse, Stephen Ruppenthal Triangle – Charles Amirkhanian |
Arch Records S-1765 LP/ CRi CD 728/ NWR 80653-2/ Infiné IF 4002/ SR 200 sub rosa/ | Elec. Weas. | 1 | |||||||
| 38483 | Patrick | BEYER | Mir | 2016 | radiophon | 12:39:00 | 0 | ||||||||||||
| 1700 | Robert, Herbert | Beyer, Eimert | Klang im unbegrenzten Raum | 1952 | fixed media, akusmatisch | 10:23 | Mono | 3 parts. | BVHAAST 9106/ IDEAMA CD 097/ | WDR SEM | 1 | ||||||||
| 1701 | Robert, Herbert | Beyer, Eimert | Klangstudie I, Klangstudie 1 | 1952 | fixed media, akusmatisch | 3:50 | Mono | BVHAAST 9106/ IDEAMA CD 097/ | WDR SEM | 1 | |||||||||
| 1702 | Robert, Herbert | Beyer, Eimert | Klangstudie II, Klangstudie 2 | 1952 | fixed media, akusmatisch | 4:30 | Mono | BVHAAST 9106/ Ellipsis Arts 3671 - OHM: 01/ SR 220 sub rosa/ IDEAMA CD 097/ | WDR SEM | 1 | |||||||||
| 1703 | Robert, Herbert | Beyer, Eimert | Klangstudie III, Klangstudie 3 | 1952 | fixed media, akusmatisch | 2:55 | Mono | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||
| 1704 | Robert, Herbert | Beyer, Eimert | Ostinate Figuren und Rhythmus, 1. Version | 1952 | fixed media, akusmatisch | 3:20 | Mono | version 1 | IDEAMA CD 030/ | WDR SEM | 0 | ||||||||
| 1705 | Robert, Herbert | Beyer, Eimert | Ostinate Figuren und Rhythmus, 2. Version | 1952 | fixed media, akusmatisch | 3:45 | Mono | version 2 | IDEAMA CD 030/ | WDR SEM | 0 | ||||||||
| 23081 | Robert, Herbert | Beyer, Eimert | Spiel | 1952 | fixed media, akusmatisch | 4:30 | Melochord | DMR Musik in Deutschland 1950 - 2000: Studio des WDR Köln/ | WDR SEM | WDR | ohne Nachweis | 0 | http://cec.sonus.ca/econtact/13_4/rhea_bode_melodium.html | ||||||
| 1706 | Peter | Beyls | A Quiet Disturbance | 1984 | fixed media, akusmatisch | 14:30 | IPEM Gent | 0 | http://hala.be/portfolio/?cat=19 | ||||||||||
| 1707 | Peter | Beyls | Alea Iacta Est | 1973 | intermedia, 2 perf | Stereo + Stereo | 2 actor [Schauspieler] | slides | IPEM Gent | 0 | |||||||||
| 1708 | Peter | Beyls | Asleep at the switch | 1980 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | |||||||||||
| 1709 | Peter | Beyls | Burning Bright | 1974 | Theatermusik | 20:06 | Stereo | ( De Wilde, Steinbeck ) | IPEM Gent | 0 | |||||||||
| 1710 | Peter | Beyls | Dialogue for 2 sound stations and tape transport | 1974 | Zuspiel, live-elec, 2 perf | ≈ 20:00 | Stereo + Stereo | 2 synt [synthesizer] | IPEM Gent | 0 | |||||||||
| 1711 | Peter | Beyls | Ego | 1973 | Film | 9:21 | Stereo | IPEM Gent | 0 | ||||||||||
| 1712 | Peter | Beyls | Inexorable Evolution and Human Ecology | 1976 | fixed media, akusmatisch | 11:00 | Stereo | Radio Beograd | 0 | ||||||||||
| 1713 | Peter | Beyls | It always takes a short time | 1975 | live-elec, | Quadro + Stereo | IPEM Gent | 0 | |||||||||||
| 1714 | Peter | Beyls | Prints | 1974 | fixed media, akusmatisch | 9:25 | Stereo | IPEM Gent | 0 | ||||||||||
| 1715 | Peter | Beyls | Rothko | 1977 | fixed media, akusmatisch | 18:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1716 | Peter | Beyls | Ruimtelijk 1 | 1973 | fixed media, akusmatisch | 10:35 | Stereo | IPEM Gent | 0 | ||||||||||
| 1717 | Peter | Beyls | Ruimtelijk 2 | 1973 | fixed media, akusmatisch | 14:14 | Stereo | IPEM Gent | 0 | ||||||||||
| 1718 | Peter | Beyls | Sea Air | 1976 | live-elec, | IPEM Gent | 0 | ||||||||||||
| 1719 | Peter | Beyls | Similis 1 | 1974 | Hintergrundmusik | 56:00 | Stereo + Stereo | also version of 2 x 56 minutes, 2Tr | IPEM Gent | 0 | |||||||||
| 1720 | Peter | Beyls | Similis 2 | 1974 | live-elec, 2 perf | 10:00-20:00 | Stereo | trbn, synt [Posaune, synthesizer] | IPEM Gent | 0 | |||||||||
| 1721 | Peter | Beyls | Slow motion | 1974 | Tanz | 8:40 | IPEM Gent | 0 | |||||||||||
| 1722 | Peter | Beyls | Stapeling | 1976 | audiovisuell | 15:00 | Mono | video-tape by Erik De Volder | IPEM Gent | 0 | |||||||||
| 1723 | Peter | Beyls | Studie I | 1972 | fixed media, akusmatisch | 24:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1724 | Peter | Beyls | Syrtis | 1974 | fixed media, akusmatisch | 21:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 1725 | Peter | Beyls | The girl beyond the gates of time | 1974 | Film | 4:48 | IPEM Gent | 0 | |||||||||||
| 1726 | Peter | Beyls | Transformation | 1974 | intermedia | 40:00 | Stereo + Stereo | IPEM Gent | 0 | ||||||||||
| 1727 | Etienne | Beyst | Aguirro | 1974 | fixed media, akusmatisch | 17:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 1728 | Etienne | Beyst | Aleph | 1967 | fixed media, akusmatisch | 14:00 | Mono | IPEM Gent | 0 | ||||||||||
| 1729 | Etienne | Beyst | Apokatastasis | 1968 | intermedia, 1 group | actors [Schauspieler] | slides | IPEM Gent | 0 | ||||||||||
| 1730 | Etienne | Beyst | Ekresis | 1965 | fixed media, akusmatisch | 4:37 | Mono | IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 1731 | Etienne | Beyst | Empedokles' Dood | 1974 | fixed media, akusmatisch | 52:00 | Mono | IPEM Gent | 0 | ||||||||||
| 43074 | Etienne | Beyst | Ptysis | 1965 | fixed media, akusmatisch | Quadro | IPEM Gent | 0 | |||||||||||
| 1732 | Etienne | Beyst | Spasis | 1965 | fixed media, akusmatisch | 16:20 | Mono | IPEM Gent | 0 | ||||||||||
| 21781 | Emily | Bezar | Grandfather's Tea Leaves | 1993 | live-elec, 2 perf | V, Kbd [Stimme, Keyboard] | ORD 599/ | CCRMA | 0 | ||||||||||
| 1733 | Emily | Bezar | Madame's Reverie | 1992 | Zuspiel / Tonband, 1 perf | 12:00 | S [Sopran] | CCRMA | 0 | ||||||||||
| 1734 | Emily | Bezar | Tuneless Circles | 1988 | Zuspiel / Tonband, 1 perf | 9:00 | S [Sopran] | CCRMA | 0 | ||||||||||
| 38484 | Sandeep | BHAGWATI | Dhvanivala | 2016 | radiophon | 54:09:00 | 0 | ||||||||||||
| 41839 | Sandeep | Bhagwati | All Over Again | 2008 | radiophon | 0:59:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 38740 | Sandeep, Ulrike | BHAGWATI, DRAESNER | Cliff! | 2004 | radiophon | 26:45:00 | 0 | ||||||||||||
| 42578 | Ranjit | Bhatnagar | Closing Doors | 2009 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 42462 | Ranjit | Bhatnagar | Storyteller | 2008 | fixed media, akusmatisch | 7:14 | 0 | ||||||||||||
| 1735 | Günter | Bialas | Es regnet in mein Haus | 1964 | radiophon | 45:00 | Mono | Paul Willems / H. v. Cube | Siemens | 0 | |||||||||
| 35285 | Oscar | Bianchi | Crepuscolo | 2004 | live-elec, 1 perf | 10:52 | Quadro | db-fl (Paetzold) [Flöte] | MGB CTS-M 138 Musique Suisses/ |
IRCAM | 18.4.2012 | US premiere of CREPUSCOLO, Festival MATA, NYC; Susanne Fröhlich | 0 | ||||||
| 35288 | Oscar | Bianchi | Matra | 2007 | live-elec, 3 perf, 2 groups | 33:30 | ch, ens, db-fl (Paetzold), db-sax, b-fl [Flöte, Saxophon, Ensemble, Chor] | cantata | CYP 4502/ | Pro-Helvetia (Swiss Art Council) | 12 Oct 2007 | Festival Musica Strasbourg, Neuevocalsolisten Stuttgart, ICTUS ensemble, Susanne Fröhlich: Peatzold (contrabass) recorder; Rico Gübler: Tubax (contrabass saxophone); Michael Schmid: bass flute; George-Elie Octors conductor | 0 | http://www.oscarbianchi.com/compositions/matra/ | |||||
| 35287 | Oscar | Bianchi | Mezzogiorno | 2005 | live-elec, 11 perf | 11 ins [Instrument] | Dedicated to the memory of Fausto Romitelli | 08 mars 2005 | Paris, IRCAM Centre-Pompidou; Ensemble l’Itinéraire – Marc Foster | 0 | |||||||||
| 35286 | Oscar | Bianchi | Permeability | 2013 | live-elec, 19 perf | 19 ins [Instrument] | Ensemble Modern with support by Kulturfonds Frankfurt RheinMain, Casa da Música – Porto, and Namascae Lemanic Modern Ensemble with support of Archipel Festival, Geneva | 14 may 2013 | Alte Oper Frankfurt. Ensemble Modern, Stefan Asbury conductor | 0 | http://www.oscarbianchi.com/compositions/permeability/ | ||||||||
| 1736 | Laura | Bianchini | Awakening | live-elec, 8 perf | 11:00 | Stereo | 8 fem V [Stimme] | in preparation (autumn 93) | CRM Roma | 0 | |||||||||
| 1737 | Laura | Bianchini | Fiaba | 1994 | live-elec, 1 perf | com [computer] | Fly 30 | CRM Roma | 0 | ||||||||||
| 27539 | Laura | Bianchini | Formanti | fixed media, akusmatisch | Rumori Barbari/ CEMAT/ | CRM Roma | 0 | ||||||||||||
| 1738 | Laura | Bianchini | Happening | 1989 | live-elec, 2 perf | 11:00 | S, perc [Sopran, Schlagzeug] | Fly 10 | CRM Roma | 4.2.1990 | Inventionen Akademie der Künste Berlin | 0 | 1990 | ||||||
| 1739 | Laura | Bianchini | Hybris | 1982 | fixed media, akusmatisch | 11:00 | Stereo | CRM Roma | 0 | ||||||||||
| 1740 | Laura | Bianchini | Immobile e Doppio | 1994 | Theater, 1 perf | Stereo | Fly com [computer] | PAN CD 3055/ | CRM Roma, Edison St Roma | 1 | |||||||||
| 1741 | Laura | Bianchini | Metexis | 1981 | fixed media, akusmatisch | 8:00 | Stereo | CRM Roma | 0 | ||||||||||
| 1742 | Laura | Bianchini | Mutazione | 1983 | fixed media, akusmatisch | 9:00 | Stereo | CRM Roma | 0 | ||||||||||
| 27538 | Laura | Bianchini | Nell' aria o sulla terra?, Nell'aria o sulla terra | fixed media, akusmatisch | 8:40 | Rumori Barbari/ CEMAT/ | CRM Roma | 1 | |||||||||||
| 1743 | Laura | Bianchini | NO. DI. - Note difference | 1987 | Zuspiel / Tonband, 1 perf | 9:38 | sax [Saxophon] | CRM Roma | 1 | 1990 | |||||||||
| 1744 | Laura | Bianchini | Opposti polari | 1993 | live-elec, 2 perf | 10:16 | 2 p, (com) [Piano] | fly30 | PAN CD 3055/ | CRM Roma | 1 | ||||||||
| 1745 | Laura | Bianchini | Presente continuo | 1985 | Zuspiel / Tonband, 1 perf | 11:30 | Stereo | cl [Klarinette] | CRM Roma | 0 | |||||||||
| 1746 | Laura | Bianchini | Primarie relazioni | 1986/1987 | live-elec, 1 perf | 10:00 | com [computer] | Fly 10 | CRM Roma | 0 | |||||||||
| 1747 | Laura | Bianchini | Rifrazione | 1984 | live-elec, 1 perf | 10:00 | amp cl [Klarinette] | CRM Roma | 0 | ||||||||||
| 1748 | Laura | Bianchini | Risveglio della terra | 1991 | Zuspiel, live-elec, 3 perf | 10:53 | 3 perc, (com) [Schlagzeug] | fly30 | Musica Verticale 101/ PAN CD 3055/ | CRM Roma | 1 | ||||||||
| 27540 | Laura | Bianchini | Rivoli | fixed media, akusmatisch | Rumori Barbari/ CEMAT/ | CRM Roma | 0 | ||||||||||||
| 27541 | Laura | Bianchini | Soste | fixed media, akusmatisch | Rumori Barbari/ CEMAT/ | CRM Roma | 0 | ||||||||||||
| 27542 | Laura | Bianchini | Stormi | fixed media, akusmatisch | Rumori Barbari/ CEMAT/ | CRM Roma | 0 | ||||||||||||
| 1749 | Laura | Bianchini | Tra le voci | 1991 | Zuspiel, live-elec, 4 perf | 11:07 | Stereo | 4 sax [Saxophon] | fly10 & fly30 | PAN CD 3055/ | CRM Roma | 1 | |||||||
| 1750 | Laura | Bianchini | Universi aperti | 1992 | live-elec, 1 perf | 12:00 | p, (com) [Piano] | Fly 30 | CRM Roma | 0 | |||||||||
| 1751 | Laura | Bianchini | Voci | 1990 | audiovisuell | Theatermusik |
3:57 | Stereo | CRM Roma | 0 | ||||||||||
| 28355 | Laura | Bianchini | Voix d'ailleurs | 2000 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | 2002 | ||||||||||
| 1752 | Laura | Bianchini | Yin | 1992 | fixed media, akusmatisch | 3:35 | Stereo | CRM Roma | 0 | ||||||||||
| 28202 | Laura, Luigi , Mauro, Fabio Cifariello, Enrico, Fabrizio, Maria Cristina, Giuseppe, Walter, Alessandro |
Bianchini, Ceccarelli, Cardi, Ciardi, Cocco, Casti, De Amicis, di Giugno, Prati, Cipriani | Nell' aria o sulla terra? Dall' alto Alba Altri Passaggi Le antichissime … Trasparenze impossibili Estremi Intersezionen 01 A nice Day Quadro |
2003 | fixed media, akusmatisch | excerpts | CEMAT Promo 2004/ | 1 | |||||||||||
| 35673 | Riccardo | Bianchini | Canciones para las estrellas | fixed media, akusmatisch | 7:21 | Uni de la serena/ | 0 | ||||||||||||
| 1753 | Riccardo | Bianchini | Haiku | 1976 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | p [Piano] | CRM Roma, Fonologia Milano | 1 | 1990 | ||||||||
| 1754 | Riccardo | Bianchini | Klimt | 1991 | Zuspiel / Tonband, 7 perf | 10:50 | Stereo | fl, ob, cl, p, vn, va, vc [Flöte, Klarinette, Oboe, Piano, Viola, Cello, Violine] | RCA CCD 3001/ | CSC Padova | 1 | ||||||||
| 1755 | Riccardo | Bianchini | La principessa senza tempo | 1985 | Zuspiel / Tonband, 1 perf | 14:02 | Stereo | fl [Flöte] | CRM Roma | 0 | |||||||||
| 1756 | Riccardo | Bianchini | Novitá | 1988 | live-elec, | live elec | CRM Roma | 0 | |||||||||||
| 1757 | Riccardo | Bianchini | Our Faust | 1987 | live-elec, 3 perf | trbn, cl, db [Klarinette, Posaune, Kontrabass] | CRM Roma | 1 | |||||||||||
| 35674 | Riccardo | Bianchini | Sottovoce | 2000 | fixed media, akusmatisch | 06:01 | 0 | ||||||||||||
| 40329 | Xin | Biao | Time Capsule | 2017 | fixed media, akusmatisch | Xin Biao | 0 | ||||||||||||
| 39709 | Daria | Biaocchi | Plasma | 2015 | fixed media, akusmatisch | 6:40:00 | Daria Biaocchi | 0 | |||||||||||
| 1758 | Fabio | Biasio | 8 Studien | fixed media, akusmatisch | 1 | ||||||||||||||
| 19023 | Michele | Biasutti | Tavola IV | 1993 | live-elec, 1 perf | 11:31 | vn or va [Viola, Violine] | Russolo Pratella EF.ER.P 94/ | CSC Padova | Prize Russolo Varese 1994 | 1 | ||||||||
| 36384 | Michele | Biasutti | Tavola VII | 1995 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 19202 | Michele | Biasutti | Trasparenze | 1989 | Zuspiel, live-elec, 1 perf | 9:58 | fl [Flöte] | Tabachin (fl) | CRR 9610 Rivoalto/ | CSC Padova | 1 | ||||||||
| 1759 | Antonio | Bibalo | Cantico | 1983 | Zuspiel / Tonband, 1 perf | 13:55 | Mez [Mezzo] | ARCD 1919/ | NOTAM | 0 | |||||||||
| 1760 | Gilian | Bibby | AIE | 1975 | fixed media, akusmatisch | 17:51 | Quadro | HfMT Köln | 0 | ||||||||||
| 38485 | Andreas | BICK | Fire Pattern | 2007 | radiophon | 25:55:00 | 0 | ||||||||||||
| 38486 | Andreas | BICK | Fire Pattern | 2008 | radiophon | 25:55:00 | Prix Phonurgia nova | 0 | |||||||||||
| 38487 | Andreas | BICK | Frost Pattern | 2006 | radiophon | 26:48:00 | 0 | ||||||||||||
| 38488 | Andreas | BICK | Frost Pattern | 2008 | radiophon | 26:48:00 | Prix Phonurgia nova | 0 | |||||||||||
| 38489 | Andreas | BICK | Windscapes | 2001 | radiophon | 33:14:00 | 0 | ||||||||||||
| 1761 | Norbert | Biedermann | A und O | 1982 | fixed media, akusmatisch | 1:15 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1762 | Norbert | Biedermann | Allüren | 1983 | fixed media, akusmatisch | 12:50 | Stereo | ELAK Wien | 0 | ||||||||||
| 1763 | Norbert | Biedermann | Davon geht die Welt nicht unter | 1982 | fixed media, akusmatisch | 6:05 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1764 | Norbert | Biedermann | Die verlorene Symphonie | 1983 | fixed media, akusmatisch | 1:30 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1765 | Norbert | Biedermann | Ohne Titel 1 | 1981 | fixed media, akusmatisch | 3:35 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1766 | Norbert | Biedermann | Ohne Titel 2 | 1982 | fixed media, akusmatisch | 3:05 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1767 | Norbert | Biedermann | Ohne Titel 3 | 1983 | fixed media, akusmatisch | 4:40 | Stereo | from "Miniaturensammlung". | ELAK Wien | 0 | |||||||||
| 1768 | Michael von | Biel | Book for three | 1961 | live-elec, 3 perf | ∞ | 3 p [Piano] | mikrophonierte Pianos, 3 p-player | Cybele 960.303/ DegeM CD 06/ Feedback CD3/ | Feedback St | 1962 | Darmstadt | Feedback | 1 | |||||
| 1769 | Michael von | Biel | Cellokonzert | 1971 | fixed media, akusmatisch | ≈ 40:00 | Feedback 25 Jahre/ Feedback Studio Köln CD 6/ | Feedback St | Feedback | 1 | |||||||||
| 1770 | Michael von | Biel | Deklination | 1965 | live-elec, 1 perf, 1 group | ≈ 15:00 | amp ens, A [Alt, Ensemble] | dedicated to C Beberian | Radio Bremen | 1971 | Den Haag | Feedback | 0 | ||||||
| 1771 | Michael von | Biel | Deutsche Landschaften | 1970 | fixed media, akusmatisch | ≈ 40:00 | Feedback Studio Köln CD 6/ | Feedback St | Feedback | 0 | |||||||||
| 1772 | Michael von | Biel | Fassung | 1964 | fixed media, akusmatisch | 13:34 | 5 tracks, Octo | „Fassung für fünf Lautsprechergruppen“ | ed. rz 2002/ DMR Musik in Deutschland 1950 - 2000: Studio des WDR Köln/ IDEAMA CD 011/ | WDR SEM | WDR 1965 | 11.6.1965 | "Musik der Zeit" Köln | Feedback | 1 | ||||
| 1773 | Michael von | Biel | Grill Piece | 1965 | Performance, live-elec, 3 perf | var | Mono | 3 perf (3 barbecue grills, motors, mic) [Performer] | 0 | ||||||||||
| 1774 | Michael von | Biel | Jagdstück für Bläserinstrumentalisten und Live-Elektronik | 1966 | Zuspiel, live-elec, 1 group | ≈ 28:12 | ens, (elec amp gartengrills) [Ensemble] | ed. rz 2002/ | WDR SEM | 1968 | Düsseldorf | 1 | |||||||
| 23050 | Michael von | Biel | Neunzehn Stücke | 1985 | live-elec, 5 perf | gui, p, perc (bell), perc, synt [Piano, Gitarre, Schlagzeug, synthesizer] | WDR SEM | WDR 1985 | 0 | ||||||||||
| 1775 | Michael von | Biel | Übungsstück für Cello | 1971 | live-elec, 1 perf | ≈ 25:00 | elec [elektronik] | feedback filtered | Feedback St | 1971 | Saarbrücken | Feedback | 0 | ||||||
| 1776 | Michael von | Biel | Violoncellomusik II | 1972 | fixed media, akusmatisch | ≈ 20:00 | Feedback St | HR | Feedback | 0 | |||||||||
| 1777 | Michael von | Biel | Violoncellomusik III | 1972 | fixed media, akusmatisch | ≈ 20:00 | Feedback St | WDR | Feedback | 0 | |||||||||
| 1778 | Helmut | Bieler-Wendt | Eros und Thanatos | 1991 | Musiktheater | Stereo | ZKM Karlsruhe | 0 | |||||||||||
| 1779 | Helmut | Bieler-Wendt | Stimme über den Saiten | 1974 | Zuspiel, live-elec, 3 perf | S, fl, clvd [Sopran, Flöte, Cembalo] | 0 | ||||||||||||
| 1780 | Helmut | Bieler-Wendt | The Naked Lunch | 1992 | fixed media, akusmatisch | Zuspiel/Tonband, 2 perf |
90:00 | Stereo | 2 vn [Violine] | ZKM Karlsruhe | 0 | |||||||||
| 38146 | Mateusz | Bien | Retroplexis | 1991 | fixed media, akusmatisch | Stereo | SME 1973-2003/ | CECM Bratislava | 0 | ||||||||||
| 33129 | Mateusz | Bien | Sinfony II | 2002 | fixed media, akusmatisch | 10:23:00 | WJ 2002/ | HfM Krakow | 1 | ||||||||||
| 1781 | Mateusz | Bien | Turdedae | 1992 | fixed media, akusmatisch | 6:50 | Stereo | SME 2010/ | CECM Bratislava | 0 | |||||||||
| 1782 | Andrzej | Biezan | Archangel's Sword | 1980 | fixed media, akusmatisch | 8:30 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 1783 | Andrzej | Biezan | Isn't it? | 1983 | fixed media, akusmatisch | 12:30 | Stereo | polmic 008/ SX 2462/ | ExpSt Warsaw | 0 | |||||||||
| 28358 | Andrzej, Krzysztof, Stanislaw, Mieczyslaw, Andrzej, Pawel, Lydia | Biezan, Knittel, Krupowicz, Litwinski, Mitan, Szymanski, Zelinska | United Space Between |
1983 | Performance, Zuspiel, live-elec, 8 perf | var | Quadro | 8 perf [Performer] | Improvisation | 11.2.1983 | Inventionen TU-Gebäude Ackerstraße Berlin | 0 | 1983 | ||||||
| 1983 | |||||||||||||||||||
| 35592 | Gonzalo | Biffarella | Estudios y arpegios | 1996 | Zuspiel / Tonband, 1 perf | 7:50 | p [Piano] | 0 | |||||||||||
| 18735 | Gonzalo Javier | Biffarella | Ca, c'est Bourges | 1996 | fixed media, akusmatisch | 3:55 | Stereo | LDC 2781108/ | IMEB Bourges | 0 | |||||||||
| 24366 | Gonzalo Javier | Biffarella | Entre dos Mundos | 2000 | Zuspiel / Tonband, 1 perf | vc [Cello] | IMEB Bourges | 0 | |||||||||||
| 18736 | Gonzalo Javier | Biffarella | Homenaje a E.C. | 1994 | Zuspiel, live-elec, 2 perf | 6:35 | Stereo | 2 gui [Gitarre] | LDC 2781108/ | 0 | |||||||||
| 27238 | Gonzalo Javier | Biffarella | La maquina de picar memoria | 2006 | fixed media, akusmatisch | 12:43 | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18426 | Gonzalo Javier | Biffarella | La rue de la Cage Verte | 1994 | Zuspiel / Tonband, 1 perf | 8:27 | Stereo | gui [Gitarre] | IMEB Bourges | 0 | |||||||||
| 18738 | Gonzalo Javier | Biffarella | Mestizaje | 1993/1994 | fixed media, akusmatisch | 8:11 | Stereo | LDC 2781108/ | 0 | ||||||||||
| 18739 | Gonzalo Javier | Biffarella | Origenes | 1995/1996 | fixed media, akusmatisch | 8:10 | Stereo | LDC 2781108/ | 0 | ||||||||||
| 18427 | Gonzalo Javier | Biffarella | Plegaria | 1995 | fixed media, akusmatisch | 9:12 | Stereo | LDC 2781108/ | IMEB Bourges | 0 | |||||||||
| 18740 | Gonzalo Javier | Biffarella | Rastros | 1996 | fixed media, akusmatisch | 7:50 | Stereo | LDC 2781108/ | 0 | ||||||||||
| 24365 | Gonzalo Javier | Biffarella | Requiem AR.02 | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 39671 | Christopher | Biggs | Contraposition | 2016 | fixed media, akusmatisch | Christopher Biggs | 0 | ||||||||||||
| 39672 | Christopher | Biggs | decoherence | 2015 | fixed media, akusmatisch | 10:00:00 | Christopher Biggs | 0 | |||||||||||
| 41459 | Joshua | Biggs | scake | 2017 | fixed media, akusmatisch | Quadro | featuring 27 players | 0 | |||||||||||
| 41458 | Joshua | Biggs | splat | 2018 | fixed media, akusmatisch | 0 | |||||||||||||
| 24784 | Laurent | Bigot | Sur le môle | 2001 | fixed media, akusmatisch | 10:04 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 | 1 | |||||||||
| 18742 | Laurent, François | Bigot, Raulin | Vue sur Tower Bridge (Fragment) | 1992 | Zuspiel / Tonband, 3 perf | 8:10 | Stereo | MIDI, p, sax [Saxophon, Piano, synthesizer] | l’empreinte digitales 13027/ | 0 | |||||||||
| 18428 | Bruno | Billaudeau | Piqûre d'insecte |
1990 | Zuspiel / Tonband, 1 perf | 11:48 | Stereo | sax [Saxophon] | IMEB Bourges | 0 | |||||||||
| 18429 | Bruno | Billaudeau | Spoliami | 1996 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1785 | Guillaume | Billaux | EDS | 1987 | fixed media, akusmatisch | 10:00 | Stereo | CICM Paris | 0 | ||||||||||
| 1786 | Jaques | Billion | Etude No 1 | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 18743 | Phillip | Bimstein | Garland Hirschi's Cows | 1990 | fixed media, akusmatisch | 11:58 | Stereo | ST 203, Starkland/ | Gotham NY | Auszeichnung ars electronica 1990 | 0 | ||||||||
| 42463 | Reid, Colin | Bingham, Challender | Alchemy | 2009 | audiovisuell | 0 | |||||||||||||
| 18744 | Group | Biota | Almost Never | 1992 | Zuspiel, live-elec, 2 perf | 52:11 | Stereo | hn, perc [Horn, Schlagzeug] | ReR BCD3/ | 0 | |||||||||
| 18747 | Group | Biota | Bellowing Room | 1987 | Zuspiel / Tonband, | 27:36 | Stereo | ReR BCD3/ | 0 | ||||||||||
| 18745 | Group | Biota | Object Holder | 1995 | Zuspiel, live-elec, 3 perf | 70:16 | Stereo | hn, perc, gui, [Horn, Gitarre, Schlagzeug] | ReR BCD3/ | 0 | |||||||||
| 18746 | Group | Biota | Tinct | 1987 | Zuspiel, live-elec, | 29:38 | Stereo | ReR BCD3/ | 0 | ||||||||||
| 1787 | Catherine | Bir | Chant des nuits desertes, L’ecume fantôme Eclats de solitude Gouffre d’ombre inverse Des semblants engourdis de paupières La rive pleurée |
1968 | fixed media, akusmatisch | 24:30 | Stereo | INA • GRM | 14.2.1968 | Bourges, Maison de la Culture | 0 | ||||||||
| 1788 | Catherine | Bir | L'astre ouvert | 1968 | fixed media, akusmatisch | 4:30 | Stereo | INA • GRM | 0 | ||||||||||
| 1789 | Catherine | Bir | La priere engloutie | 1968, 1969 | fixed media, akusmatisch | 10:30 | Stereo | Etude de stage | INA • GRM | 10.3.1969 29.5.1969 |
Sussex University Paris, Maison de la Radio, Studio 105 |
0 | |||||||
| 40649 | Catherine | Bir | Les creatures Le Chevalier d’Ouragan |
1968 | Film | 13:45 | INA • GRM | 0 | |||||||||||
| 40643 | Catherine, Francis | Bir, Regnier | Votre silence cooper | 1968 | Theatermusik | INA • GRM | Bourges, Maison de la Culture | 0 | |||||||||||
| 1791 | Jeremy | Birchall | Crystallized Ginger | 1974 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 1790 | Jeremy, Matthew | Birchall, Doyle | Cavil's End | 1976 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 1792 | Jeremy, Matthew | Birchall, Doyle | Pizz | 1973 | intermedia | Film |
mime, str, (lights) [Schauspieler, Streicher] | Uni Durham | 0 | |||||||||||
| 25570 | Steve | Bird | Eve’s Solace | 2006 | audiovisuell | 11:33 | Stereo, Surround 5.1 | Infinity/ | PS C. | 1 | http://www.soundmangler.co.uk/ | ||||||||
| 40263 | Steve | Bird | One | 2017 | audiovisuell | Steve Bird | 0 | ||||||||||||
| 25569 | Steve | Bird | Outsourced | 2006 | audiovisuell | 11:41 | Stereo, Surround 5.1 | Infinity/ | PS C. | 1 | http://www.soundmangler.co.uk/ | ||||||||
| 18925 | León | Biriotti | Prélude à l'aprés-MIDI d´un dinosaure | 1988 | live-elec, 1 perf | 4:11 | ob [Oboe] | Compositores del Uruguay, Vol. 4/ | 1 | ||||||||||
| 18748 | León | Biriotti | Self-Portrait | 1994 | Zuspiel / Tonband, 1 perf | 11:18 | Stereo | ob [Oboe] | ISAST LMJ 4/ | Estudio Buenos Aires | 0 | ||||||||
| 21180 | Jörg | Birkenkötter | Spiel / Abbruch | 1993 - 1994 | Zuspiel / Tonband, 1 perf, 1 group | 23:25 | Quadro | inss [Instrument] | WER 6536-2/ | WDR SEM | WDR 1994 | 14.6.1994 | Köln | 0 | |||||
| 38490 | Hervé | BIROLINI | Hudson Street | 2008 | radiophon | 34:39:00 | 0 | ||||||||||||
| 38491 | Hervé | BIROLINI | Silent Celullo | 2008 | radiophon | 49:56:00 | 0 | ||||||||||||
| 1793 | Harrison | Birtwistle | Brand | 1978 | Theatermusik | EMS_London | 0 | ||||||||||||
| 1794 | Harrison | Birtwistle | Chanson de Geste | 1973 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | (sustaining) ins [Instrument] | WITHDRAWN, but performed | EMS_London | 1 | 1996 | |||||||
| 1795 | Harrison | Birtwistle | Chronometer | 1971 | fixed media, akusmatisch | 24:17 | Quadro + Quadro | MUSYS | Argo ZRG 790/ Creel Pone 058/ | EMS_London | 0 | ||||||||
| 1796 | Harrison | Birtwistle | Four Interludes from a Tragedy | 1969 | Zuspiel / Tonband, 1 perf | 12:00 | b-cl [Klarinette] | MUSYS; withdrawn | DSLO 17/ | EMS_London | 0 | ||||||||
| 1797 | Harrison | Birtwistle | Linoi II | 1968/1969 | Zuspiel / Tonband, 3 perf | 15:00 | Stereo | bassett-hn, p, dancer [Klarinette, Piano, Tanz] | WITHDRAWN | EMS_London | 0 | ||||||||
| 1798 | Harrison | Birtwistle | Medusa, (two later revs.) | 1969/1970 | Zuspiel / Tonband, 6 perf | 41:00 | Stereo | 6 ins [Instrument] | EMS_London | 0 | |||||||||
| 1799 | Harrison | Birtwistle | Oresteia | 1979 | Theatermusik | EMS_London | 0 | ||||||||||||
| 1800 | Harrison | Birtwistle | Orpheus | 1976 | Oper | Stereo | abandoned; original version of "Mask of Orpheus" | EMS_London | 0 | ||||||||||
| 1801 | Harrison | Birtwistle | Signals | 1970 | Zuspiel / Tonband, 1 perf | 45:00 | Stereo | cl, (drone) [Klarinette] | withdrawn | EMS_London | 0 | ||||||||
| 1802 | Harrison | Birtwistle | The Mask of Orpheus | 1986 | Zuspiel / Tonband, 1 perf, 1 group | 210:00 | V, orc [Stimme, Orchester] | IRCAM | UE | 0 | |||||||||
| 1803 | Jean-Robert | Bisaillon | Ethanol by the Liver | 1985 | fixed media, akusmatisch | 8:53 | Stereo | Concordia Montréal | Suicides Montréal | 0 | |||||||||
| 1804 | Jean-Robert | Bisaillon | The Weird Entertainer #1 | 1985 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 1805 | Daniel | Bisbau | La nuit est un Ruisseau | 1984 | fixed media, akusmatisch | 30:00 | Stereo | GMU Pau | 0 | ||||||||||
| 1806 | Daniel | Bisbau | Le Journal d'un Fou | 1985 | Musiktheater | 30:00 | Stereo | GMU Pau | 0 | ||||||||||
| 1807 | Daniel | Bisbau | Objets inanimes | 1981 | fixed media, akusmatisch | 10:00 | Stereo | GMU Pau | 0 | ||||||||||
| 1808 | Daniel | Bisbau | Sans mobile Apparent I | 1982 | intermedia | 8:43 | Stereo | pictures by Dominique Piollet | GMU Pau | 0 | |||||||||
| 1809 | Daniel, Agnès | Bisbau, Poisson | Sans mobile Apparent II | 1983 | intermedia | 7:22 | Stereo | GMU Pau | 0 | ||||||||||
| 42080 | Friedrich | Bischoff | Das Hörspiel vom Hörspiel | 1931 | radiophon | Berliner Funk-Stunde (RRG) | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3604893&vi=2&SID | |||||||||||
| 42081 | Friedrich | Bischoff | Hallo! Hier Welle Erdball! | 1928 | radiophon | Schlesische Funkstunde (RRG) | 0 | ||||||||||||
| 42208 | Friedrich, Walter, Gabi, Christina, Jan, Sam, Emeka | Bischoff, Ruttmann, Schaffner, Kubisch, Jelinek, Auinger, Ogboh | Das Hörspiel vom Hörspiel 2012 | 2012 | radiophon | 54:34 | Werke aus dem Wettbewerb um den Karl-Sczuka-Preis | SWR | Karl-Sczuka-Preis für Kennen Sie Otahiti? 2012 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3604893&vi=2&SID | ||||||||
| 18749 | John | Bischoff | Artificial Horizon | 1992 | fixed media, akusmatisch | Tanz |
8:57 | Stereo | Choreographie | ART 1003/ | CCM Mills | 0 | ||||||||
| 18750 | John | Bischoff | Audio Wave | 1992 | fixed media, akusmatisch | 10:35 | Stereo | ART 1003/ | CCM Mills | 0 | |||||||||
| 18751 | John | Bischoff | Drift | 1993 | fixed media, akusmatisch | 12:50 | Stereo | ART 1014/ | CCM Mills | 0 | |||||||||
| 18752 | John | Bischoff | Next Tone, Please | live-elec, | 6:46 | Stereo | ART 1003/ | CCM Mills | 0 | ||||||||||
| 1812 | John | Bischoff | Perry Mason in East Germany | 1988 | live-elec, | 5:13 | ART 1002/ | CCM Mills | 1 | ||||||||||
| 31973 | John | Bischoff | Sidewalk Chatter (Redux) | 2009/2010 | fixed media, akusmatisch | 14:50:00 | Spazialisation: WFS | Wave Field Synthesis hall H104, TU-Berlin 2010 Thursday 23. September, 19h Kunstkopfaufnahme |
SC Symposium 2010 | 0 | |||||||||
| 18754 | John | Bischoff | Surface 11, 2, 5 | 1995 | live-elec, | 3:00 | Stereo | ART 1014/ | CCM Mills | 0 | |||||||||
| 1813 | John | Bischoff | The Glass Hand | 1992 | fixed media, akusmatisch | 8:00 | Centaur CRC 2195, CDCM Vol. 17/ ART 1014/ ART 1008/ | CCM Mills | 1 | ||||||||||
| 18755 | John | Bischoff | The Industrial Revolution | 1990 | live-elec, | 12:42 | Stereo | ART 1014/ | CCM Mills | 0 | |||||||||
| 18756 | John | Bischoff | The Web of Fascination | 1994 | live-elec, | 13:52 | Stereo | ART 1014/ | CCM Mills | 0 | |||||||||
| 1810 | John, Chris, Tom, Maggi | Bischoff, Brown, Erbe, Payne | CCM Flotsam | 1993 | fixed media, akusmatisch | 4:40 | Centaur CRC 2195, CDCM Vol. 17/ | CCM Mills | 1 | http://www.maggipayne.com/ | |||||||||
| 18757 | John, Tim | Bischoff, Perkis | Happy Trails | fixed media, akusmatisch | 6:23 | Stereo | ART 1003/ | CCM Mills | 0 | ||||||||||
| 1811 | John, Tim, Mark | Bischoff, Perkis, Trayle | Dovetail | 1988 | live-elec, | 5:05 | ART 1002/ | CCM Mills | 1 | ||||||||||
| 34674 | Daniel, Jan, Tobias, Philippe, Marcus, Martin | Bisig, Schacher, Gerber, Kocher, Maeder, Neukom | Aggregat (2015) | 2016 | Klangkunst, Installation | ∞ | 16 Tracks | SMC2016, HAW | Uni Zürich | 0 | |||||||||
| 1814 | Yayoi | Bitô | Beyond the gleam | 1982 | fixed media, akusmatisch | 10:00 | Quadro | 1 | |||||||||||
| 26424 | Marcus | Bittencourt | Chimaera | 1999 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26425 | Marcus | Bittencourt | Embroidery | 1998 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26422 | Marcus | Bittencourt | KA | 2002 | radiophon | Radio-Opera in 9 scenes | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | |||||||||||
| 26421 | Marcus | Bittencourt | Lupanar | 2002 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26418 | Marcus | Bittencourt | Malédiction | 2001 | live-elec, 1 perf, 1 group | p, ens [Piano, Ensemble] | for piano and unmanned ensemble (automated live electronics controlled by the pianist) | 0 | |||||||||||
| 26419 | Marcus | Bittencourt | Mifune | 2004 | live-elec, 1 perf, 1 group | p, ens [Piano, Ensemble] | for piano and unmanned ensemble (automated live electronics controlled by the pianist) | 0 | |||||||||||
| 26426 | Marcus | Bittencourt | Processional | 1997 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26420 | Marcus | Bittencourt | Rabo-de-Arraia | 2004 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26427 | Marcus | Bittencourt | Scorching Sun | 1996 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 26423 | Marcus | Bittencourt | Three Vignettes | 1999 - 2000 | fixed media, akusmatisch | 0 | http://www.music.columbia.edu/~alessi/compositions2.html | ||||||||||||
| 39816 | Gina | Biver | The Cellar Door | 2016 | fixed media, akusmatisch | Gina Biver | 0 | ||||||||||||
| 1815 | Thomas | Bjelkeborn | Bilad | 1990 | fixed media, akusmatisch | 21:30 | 0 | ||||||||||||
| 22880 | Thomas | Bjelkeborn | catch and run | 1999 | fixed media, akusmatisch | 10:32 | EMS Stockholm | 1 | |||||||||||
| 1816 | Thomas | Bjelkeborn | Do it again | 1991 | fixed media, akusmatisch | 10:00 | Elektron EM 1003/ | Rikskonserter | 1 | ||||||||||
| 22881 | Thomas | Bjelkeborn | drop and run | 1999 | fixed media, akusmatisch | 13:02 | EMS Stockholm | 1 | |||||||||||
| 1817 | Thomas | Bjelkeborn | Duores Bokte | 1985 | fixed media, akusmatisch | 6:50 | EMS Stockholm | 1 | |||||||||||
| 1818 | Thomas | Bjelkeborn | El-Azraq | 1988 | fixed media, akusmatisch | 11:10 | FYCD 1002/ | EMS Stockholm | 1 | ||||||||||
| 1819 | Thomas | Bjelkeborn | El-Azraq II | 1992 | fixed media, akusmatisch | 11:00 | Stereo | EMS Stockholm | Svenska ICEM | 0 | |||||||||
| 1820 | Thomas | Bjelkeborn | Enklang - ljudligheter | 1991 | fixed media, akusmatisch | 0 | |||||||||||||
| 22072 | Thomas | Bjelkeborn | Ex | 1988 | fixed media, akusmatisch | 16:50 | Stereo | Von CD " PAST TIME" | Elektron EM 1003/ INFOGRAM/ | EMS Stockholm | 1 | ||||||||
| 1822 | Thomas | Bjelkeborn | Melquiades | 1987 | fixed media, akusmatisch | 10:30 | INFO 018; (extrait - 5:50) | Elektron EM 1003/ INFOGRAM 018/ | EMS Stockholm | 1 | |||||||||
| 1823 | Thomas | Bjelkeborn | Nageltoo, Nästing och Repsnagel. | 1989/1991 | intermedia | 52:00 | Stereo | EMS Stockholm | Fylkingen | 0 | |||||||||
| 1824 | Thomas | Bjelkeborn | Oken | 1986 | fixed media, akusmatisch | 11:50 | EMS Stockholm | 1 | |||||||||||
| 1825 | Thomas | Bjelkeborn | On yer nose | 1991 | fixed media, akusmatisch | 9:00 | Rikskonserter | 0 | |||||||||||
| 1826 | Thomas | Bjelkeborn | Opus corpus | 1991 | fixed media, akusmatisch | 52:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1827 | Thomas | Bjelkeborn | Organic Vibes | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | org [Orgel] | EMS Stockholm | 1 | ||||||||||
| 22882 | Thomas | Bjelkeborn | other options | 1999 | fixed media, akusmatisch | 13:26 | EMS Stockholm | 1 | |||||||||||
| 22071 | Thomas | Bjelkeborn | TOF daugther | 1996 | fixed media, akusmatisch | 11:00 | Von CD " PAST TIME" | Elektron EM 1003/ | EMS Stockholm | 1 | |||||||||
| 1828 | Thomas | Bjelkeborn | Wind jumping | 1991 | fixed media, akusmatisch | 8:30 | Elektron EM 1003/ | 1 | |||||||||||
| 1829 | Thomas | Bjelkeborn | Within without | 1993 | fixed media, akusmatisch | 12:30 | INFO 018 - (extrait; 3:49) | Elektron EM 1003/ INFOGRAM 018/ | EMS Stockholm | 1 | |||||||||
| 1830 | Thomas | Bjelkeborn | Without a cause | 1992 | fixed media, akusmatisch | 20:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 33501 | Peter | Björck | Meta Reflex | 1972 | fixed media, akusmatisch | 12 | EMS Stockholm | 0 | |||||||||||
| 22451 | Marc | Bjorknas | Anahata Nad (unstruck sound) | 2000 | fixed media, akusmatisch | 4:53 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | 0 | |||||||||
| 1832 | Boris | Blacher | Ariadne, Duodrama für zwei Sprecher und Elektronik nach einem Text von Friedrich Wilhelm Gotter | 1968 | Theater, 2 perf | 33:00 | Quadro | 2 Sp [Sprecher] | Melodrama | TU Berlin | 11.10.1968 | TU Berlin bei "Internationale Woche für experimentelle Musik"; only excerpt! The whole piece was premiered in June 1975 | Bote&Bock | 1 | 1986 | ||||
| 42082 | Boris | Blacher | Die Flut | 1946 | radiophon | Berliner Rundfunk | 0 | https://de.wikipedia.org/wiki/Die_Flut_(Oper) | |||||||||||
| 25788 | Boris | Blacher | Fanfare | 1967 | Zuspiel / Tonband, 1 perf | 2:35 | Quadro | br [Bläser] | 6 tpt | TU Berlin | 24.11.1967 | AudiMax der TU Berlin bei „Rektoratsübergabe“ inkl. Übergabe des Neubaues des TU-Hauptgebäudes durch Senator Schwedler | 1 | ||||||
| 65 | Boris | Blacher | Glissierende Deviationen, Elektronische Studie über ein Posaunenglissando | 1958 - 1962 | fixed media, akusmatisch | 5:29 | Mono | 4 Teile, Studie über einen Posaunenklang, auch als "op. 1" bezeichnet | TU Berlin | 1 | |||||||||
| 1833 | Boris | Blacher | Musik für Osaka, Große Kugelkomposition | 1969 | fixed media, akusmatisch | 11:00 | Stereo, 7 tracks, 50 tracks | für Kugelpavillon Expo 1970 Osaka | EMF DVD 054/ | TU Berlin | Staat / für den deuschen Kugelpavillon der Expo Osaka 1970 | 15.3.1970 | Osaka Expo (DE am 19.6.1972 in der TU Berlin) | Bote&Bock | 1 | ||||
| 23439 | Boris | Blacher | Raum-Musik IV | 1960 | Zuspiel, live-elec, 1 perf | p, (Tonmühle) [Piano] | not archived. Particell Archive AdK Berlin | TU Berlin | 0 | ||||||||||
| 22348 | Boris | Blacher | Sinuston-Studien | 1960 | fixed media, akusmatisch | Mono | TU Berlin | 1 | |||||||||||
| 1834 | Boris | Blacher | Skalen 2:3:4 | 1964 | fixed media, akusmatisch | 4:42 | Quadro | DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ EMF DVD 054/ | TU Berlin | Bote&Bock | 1 | ||||||||
| 23440 | Boris | Blacher | Studie für drei Klangfarben und schlagzeugartige Klänge | 1960 | Zuspiel / Tonband, 1 perf | ins [Instrument] | not archived. score Archive AdK Berlin | TU Berlin | 0 | ||||||||||
| 70 | Boris | Blacher | Studie in Schwarz (Negro-Spiritual) | 1962 | Zuspiel / Tonband, 1 perf | 2:35 | Quadro | S [Sopran] | TU Berlin | 0 | |||||||||
| 1836 | Boris | Blacher | Zwischenfälle bei einer Notlandung, Reportage von Heinz von Cramer in zwei Phasen und 14 Situationen | 1965 | Oper | 56:18 | Stereo + Quadro | 1. Teil: Bilder I - VII; 2. Teil: Bilder VIII - XIV Bild XI = Maschinensturm (nur Lautsprechermusik!) |
DMR Musik in Deutschland 1950 - 2000: Zerbrochene Idyllen (1966-1973) 74321 73541/ | TU Berlin | Hamburgische Staatsoper, Rolf Liebermann | 4.2.1966 | Hamburgische Staatsoper | Bote&Bock | 1 | http://www.spiegel.de/spiegel/print/d-46265619.html | |||
| 63 | Boris, Group | Blacher, AfEM | Der Astronaut | 1963 | fixed media, akusmatisch | 6:14 | Quadro | deutsch und englische Fassung; zum Raumflug Major Coopers am 16.5.63 | TU Berlin | 1 | 1986 | ||||||||
| 22347 | Boris, Group | Blacher, AfEM | Der Astronaut, (Fassung 1968) | 1968 | fixed media, akusmatisch | 6:21 | Quadro | neue Fassung; zum Raumflug Major Coopers am 16.5.63 | TU Berlin | 1 | 1986 | ||||||||
| 68 | Boris, Group | Blacher, AfeM | Kaktus | 1973/1978 | Film | 12:40 | Mono | 16 mm Farbe | TU Berlin | 18.2.1973 | AdK Berlin (Abschluss der Blacher-Ausstellung) | Premio di Qualita ltalia 1981 Prädikat besonders wertvoll | 0 | http://www.ruefer.de/ | |||||
| 69 | Boris, Group | Blacher, AfeM | Multiple Raumperspektiven, Moderato Moderato Presto Moderato |
1962 | Zuspiel / Tonband, 1 perf | 7:34 | 3 tracks | p [Piano] | The only recording exists on Videodocumentation SFB "Musik im technischen Zeitalter" (Kongresshalle) 1964 by Hans Heinz Stuckenschmidt Also played at Kontakte-Festival AdK Berlin with Benjamin Kobler (p)f |
TU Berlin | 3.10.1962 | Akademie der Künste Berlin Hanseatenweg, mit Gerty Herzog (p) | 1 | http://www2.ak.tu-berlin.de/Geschichte/personen/AfEM.html | |||||
| 61 | Boris, Rüdiger | Blacher, Rüfer | Aleph | 1968 | Film | 12:00 | Mono | 16 mm S/W, Figurenspiel Michael Schwarze | TU Berlin | 10.10.1968 | TU Berlin bei "Internationale Woche für experimentelle Musik" | Prädikat wertvoll | 1 | ||||||
| 22420 | Boris, Rüdiger | Blacher, Rüfer | Reihe im Zerrspiegel | 1972 | Zuspiel, live-elec, 2 perf | 5:25 | Mono | p, hpd [Piano, Cembalo] | Musik für Tasteninstrumente und Elektronik in C | TU Berlin | 19.6.1972 Vorauff. | TU Berlin (65. Geburtstag Fritz Winckel) | 1 | ||||||
| 1835 | Boris, Rüdiger | Blacher, Rüfer | Suite | 1967 | Zuspiel / Tonband, 3 perf | 12:00 | Stereo, Quadro | vc, Bar, perc [Bariton, Schlagzeug, Cello] | TU Berlin | 29.11.1967 | MIT Boston; mit William Conable, Cello; Rafael Lebron, Bariton; Peter Canady, Percussion | Bote&Bock | 1 | ||||||
| 62 | Boris, Rüdiger, Group | Blacher, Rüfer, AfeM | Androclos und der Löwe, Improvisation: Friedensmelodie Urwaldmusik Barrabas Fucikmarsch Improvisationen: Walzer, Jazz, Fanfare |
1965 | fixed media, akusmatisch | 10:44 | Mono | 7 Teile: Improvisation (Friedensmelodie); Urwaldmusik ; Barrabas; Fucikmarsch; Walzer; Jazz; Fanfaren | TU Berlin | 1 | |||||||||
| 29234 | Annesley | Black | 4238 De Bullion | 2007/2008 | audiovisuell, live-elec, 1 perf | p, (elec) [Piano] | für Klavier, liveelektronische Klang- und Videobearbeitung | HfM Freiburg | 09.11.2008 | Klangwerkstatt Berlin, Rei Nakamura (Klavier) | Edition Juliane Klein | 0 | |||||||
| 29235 | Annesley | Black | aorko | 2009 | live-elec, 1 perf | 18 | 3 tracks | va, (elec) [Viola] | WER 65902/ | 04.05.2009 | Dr. Hochs Konservatorium, Frankfurt a.M., Jessica Rona, Violine | Edition Juliane Klein | 0 | ||||||
| 29231 | Annesley | Black | Don't spray snow on the other person's grave | 2009/2010 | Klangkunst, Installation | 45 | 16 Tracks | AdK Berlin | 16.04.2010 | Expo-Gelände, Hannover | Edition Juliane Klein | 0 | |||||||
| 32580 | Annesley | Black | Humans In Motion | 2013 | live-elec, 1 group | ens [Ensemble] | WER 65902/ | 0 | |||||||||||
| 32583 | Annesley | Black | Misinterpreting The 2008 South Sudanese Budget Reform For The Orchestra | 2013 | live-elec, 1 group | ens [Ensemble] | WER 65902/ | 0 | |||||||||||
| 29233 | Annesley | Black | smooche de la rooche II, für 3 athletisch begabte Schlagzeuger | 2007 | Performance, live-elec, 3 perf | 18 | 3 perc, (elec) [Schlagzeug] | HfM Freiburg | 4.7.2007 | Hochschule für Musik, Freiburg, Johannes Knopp, Peer Kaliss und Kevin Sims (Schlagzeug) | Edition Juliane Klein | 0 | |||||||
| 32582 | Annesley | Black | Smooche De La Rooche II, variations on a theme by Hazel Meyer) | 2013 | live-elec, 1 group | ens [Ensemble] | WER 65902/ | 0 | |||||||||||
| 32581 | Annesley | Black | Tender Pink Descender | 2013 | live-elec, 1 group | ens [Ensemble] | WER 65902/ | 0 | |||||||||||
| 32584 | Annesley | Black | This feels great, 4 computer games | 2013 | Spiel | computer games specially developed for Annesley Black's portrait CD "no use in a centre" by Andreas Schönau, Jairo Gutiérrez, Jonas Hansen and Milan Grajetzki from the Academy of Media Arts Cologne. |
WER 65902/ | 0 | http://this-feels-great.musikrat.de/files/GREAT-mac.dmg | ||||||||||
| 41990 | Annesley | Black | Tolerance Stacks | 2016 | Performance | 0 | |||||||||||||
| 29232 | Annesley, Sophie | Black, Narr | pull the plug - Las Vegas and Venice, a comparative study | 2009/2010 | Klangkunst, Installation | audiovisuell |
19 | Sound- und Videoinstallation mit Sophie Narr | AdK Berlin | 12.03.2010 | AdK Berlin | Edition Juliane Klein | 0 | |||||||
| 32910 | Chris | Black | Marvel Q | 2009 | fixed media, akusmatisch | 9:07 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 | 1 | |||||||||
| 38492 | Colin | BLACK | Alien in the Landscape | 2007 | radiophon | 40:37:00 | 0 | ||||||||||||
| 38493 | Colin | BLACK | Kilian’s Antipodean Dream | 2010 | radiophon | 51:42:00 | 0 | ||||||||||||
| 38494 | Colin | BLACK | Sonic Reflections | 2016 | radiophon | 51:30:00 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4916054&vi=3&SID | ||||||||||
| 1837 | Lynne | Black | Umbilical Chord | 1994 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | March 22, 1995 at discoveries xiii | 0 | |||||||||
| 18764 | Robert, Amy | Black, Knoles | Big and Cheap | 1990 | Zuspiel, live-elec, 2 perf | 7:07 | Stereo | db, MIDI [Kontrabass, synthesizer] | OO Discs 14/ | 0 | |||||||||
| 23262 | Robert, Richard | Black, Zvonar | Massif | 1995 | fixed media, akusmatisch | 9:44 | Cec Presence 3 / | Banff C. | 1 | ||||||||||
| 20958 | Robert, Richard | Black, Zvonar | The Banff Sessions, Two in the Hands Trio Quartet Noage |
1993 | Zuspiel, live-elec, 2 perf | 7:32 | Stereo | db, MIDI [Kontrabass, synthesizer] | OO Discs 14/ | 0 | |||||||||
| 36967 | Manuella | Blackburn | Cajón! | 2008 | fixed media, akusmatisch | 8:59 | Stereo | IMED 12117/ | LEC Lisboa | Miso music portugal | 23.9.2008 | Musica Viva 2008, Lisboa, Portugal | 3rd Prize at the Centre for Computational Musicology and Computer Music (Limerick, Ireland, 2008) Honorary Mention at Visiones Sonoras organised by the Centro Mexicano para la Música y Artes Sonoras (CMMAS, Morelia, Mexico, 2008). |
0 | |||||
| 25468 | Manuella | Blackburn | Casual Impacts | 2006 | fixed media, akusmatisch | 7:00 | miso records mcd 016.07/ | 10.05.2006 | Sonic Skylines Festival, Machester | 2006 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | ||||||||
| 39033 | Manuella | Blackburn | Ice breaker | 2015 | fixed media, akusmatisch | 7:10 | Stereo | IMED 17147/ | PS C. | 23.10.2015 | L’Espace du son festival at Théâtre Marni in Brussels (Belgium) | 2nd prize at the SIME International Electroacoustic Music Competition (Lille, France, 2016). Selection, Concorso Internazionale di Composizione Città di Udine 2016, Udine (Italy) |
0 | ||||||
| 38971 | Manuella | Blackburn | Javaari | 2013 | fixed media, akusmatisch | 10:19 | Stereo | IMED 17147/ | 4.4.2013 | NYCEMF ’13: Concert 10, Segal Theatre — Graduate Center — City University of New York | 0 | https://www.electrocd.com/en/album/5606/manuella-blackburn/petites-etincelles | |||||||
| 36966 | Manuella | Blackburn | Karita Oto | 2009 | fixed media, akusmatisch | 14:42 | Octo | IMED 12117/ | Uni Manchester | 31.10.2009 | MANTIS Festival Manchester | pre-selected in the 3rd Destellos Electroacoustic Composition Competition (Mar Del Plata, Argentina, 2010) | 0 | ||||||
| 28243 | Manuella | Blackburn | Kitchen Alchemy | 2007 | fixed media, akusmatisch | 11:34 | Stereo | IMED 12117/ | Uni Manchester | 11.3.2007 | MANTIS Festival Manchester | Grand Prize at the Digital Arts Awards (Tokyo, Japan, 2007) Honorary Mention at the Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’07, Brazil). |
1 | ||||||
| 38972 | Manuella | Blackburn | New Shruti | 2013 | fixed media, akusmatisch | 11:58 | Stereo | with Dr. Rajeeb Chakraborty, Sarod | IMED 17147/ | 1.5.2015 | BEAST FEaST 2015 | 0 | |||||||
| 31990 | Manuella | Blackburn | Origami | 2008 | fixed media, akusmatisch | 5:10:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | ||||||||||
| 39034 | Manuella | Blackburn | Snap happy | 2016 - 2017 | fixed media, akusmatisch | 8:45 | Stereo | IMED 17147/ | PS C. | 4.3.2017 | MANTIS Festival March 2017 at the John Thaw Studio Theatre of the Martin Harris Centre for Music and Drama at The University of Manchester (England, UK) | 1st prize Computer and Electronic Music, Computer Space 2017, Sofia (Bulgaria) | 0 | ||||||
| 25845 | Manuella | Blackburn | Sonidos Bailables | 2006 | Tanz | 11:17 | Surround 5.1 | sounds to dance to | CMJ Vol 31-4, 2007/ | 1 | |||||||||
| 36968 | Manuella | Blackburn | Spectral Spaces | 2008 | fixed media, akusmatisch | 10:35 | IMED 12117/ | Uni Manchester | Denis Smalley, Mike Vernusky, Damian O’Riain | 21.2.2010 | MANTIS Festival Manchester | 0 | |||||||
| 35837 | Manuella | Blackburn | Switched on | 2012 | fixed media, akusmatisch | 7:58 | Stereo | MR 2012 Métamorphoses 2012/ IMED 12117/ | Uni Hope Liverpool, EMS Stockholm | 10.6.2011 | MANTIS Festival Manchester | First Prize at the 7th Biennial Acousmatic Composition Competition, Métamorphoses 2012 (Ohain, Belgium) | 0 | ||||||
| 38961 | Manuella | Blackburn | Time will tell | 2013 | fixed media, akusmatisch | 8:24 | Stereo | IMED 17147/ CMJ Vol 45, 2018/ | EMPAC, Uni Hope Liverpool | 2013 EMPAC | 22.11.2013 | EMPAC Troy | 1st prize, Musica Nova 2014 — Category A (fixed medium), Prague (Czech Republic) | 0 | http://empac.rpi.edu/events/2013/fall/manuella-blackburn | ||||
| 39279 | Manuella | Blackburn | Two sides of Delia | 2017 | fixed media, akusmatisch | 13:51 | Honouring the 80th Birthday of Electronic Music Pioneer Delia Derbyshire | 0 | |||||||||||
| 34918 | Manuella | Blackburn | Vista points | 2009 | fixed media, akusmatisch | 10:06 | Stereo | miso records mcd 023.10/ IMED 12117/ | Uni Manchester | 8.8.2009 | Orford, Québec (ca) | Musica Viva Competition Prize 2009 | 0 | ||||||
| 1838 | Maurice | Blackburn | A Phantasy | 1952 | Zuspiel / Tonband, 1 perf | 7:15 | Mono | sax [Saxophon] | drawn sound on film | AN 27005-6 Analekta/ | NFBC Montréal | 0 | |||||||
| 18758 | Maurice | Blackburn | Blinkity Blank | 1955 | fixed media, akusmatisch | 4:55 | Stereo | ACM 37 CD 1-4/ | NFBC Montréal | 0 | |||||||||
| 18759 | Maurice | Blackburn | Cinè-crime | 1968 | fixed media, akusmatisch | 4:55 | Stereo | Audio-visuel | AN 27005-6 Analekta/ | NFBC Montréal | 0 | ||||||||
| 1839 | Maurice | Blackburn | Je | 1961 | Tanz | Film |
15:11 | Mono | AN 27005-6 Analekta/ | NFBC Montréal | 0 | |||||||||
| 18760 | Maurice | Blackburn | Jour aperès jour | 1962 | radiophon | 27:44 | Stereo | AN 27005-6 Analekta/ | NFBC Montréal | 0 | |||||||||
| 18761 | Maurice | Blackburn | L'eau+ | 1967 | fixed media, akusmatisch | 9:03 | Stereo | audio-visuel | AN 27005-6 Analekta/ | NFBC Montréal | 0 | ||||||||
| 18762 | Maurice | Blackburn | Twirligig | 1952 | audiovisuell | 3:22 | Stereo | audio-visuel | AN 27005-6 Analekta/ | NFBC Montréal | 0 | ||||||||
| 18763 | Maurice | Blackburn | Verbèration | 1969/1970 | Zuspiel / Tonband, | 22:21 | Stereo | AN 27005-6 Analekta/ | NFBC Montréal | 0 | |||||||||
| 39479 | Philip | Blackburn | Melody | 2017 | Zuspiel / Tonband, 1 perf | org or vib or p [Piano, Orgel, Schlagzeug] | 0 | ||||||||||||
| 18430 | Philippe | Blackford | Interiors… Inward turns the ivory key | 1990 | fixed media, akusmatisch | 18:48 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1840 | Ivo | Bláha | Ta láska (oh Love) | 1977 | Zuspiel / Tonband, 4 perf | 11:30 | Stereo | Sp, fl, ob, cl [Sprecher, Flöte, Klarinette, Oboe] | Radio Plzen | 0 | |||||||||
| 1841 | Franz | Blaimschlein | Animalisation | 1967 | fixed media, akusmatisch | 20:00 | Mono | ELAK Wien | 0 | ||||||||||
| 1842 | Franz | Blaimschlein | Studie I | 1967 | fixed media, akusmatisch | 11:00 | Mono | ELAK Wien | 0 | ||||||||||
| 1843 | Michael | Blake | Decomposition Mark #1 | 1959 | Theatermusik | 10:00 | Mono | PS Grant London | 0 | ||||||||||
| 1844 | Michael | Blake | Decomposition Mark #2 – #IV | 1963 | Theatermusik | 30:00 | Mono | Theâtre Champs Elysées Paris | 0 | ||||||||||
| 1845 | Michael | Blake | Decomposition Mark #V | 1965 | Theatermusik | 13:00 | Mono | PS C. Geneve | 0 | ||||||||||
| 1846 | Michael | Blake | Decomposition of William Burroughs | 1966 | fixed media, akusmatisch | 35:00 | Mono | txtcompo | Theâtre Champs Elysées Paris | 0 | |||||||||
| 38741 | William, Kai | BLAKE, GREHN | Die Hochzeit von Himmel und Hölle | 1998 | radiophon | 52:10:00 | 0 | ||||||||||||
| 38742 | William, Ilinka Colic | BLAKE, JOVANOVIC | La Parata | 1997 | radiophon | 20:46:00 | 0 | ||||||||||||
| 18766 | Philippe | Blanchard | Brasse coulèe | 1989 | fixed media, akusmatisch | 28:00 | Stereo | Blanchard = Lieutenant Caramel | MK CD 001/ | C&C Annecy | 1 | ||||||||
| 24814 | Philippe | Blanchard | Casimir | 1993 | fixed media, akusmatisch | 12:15 | LDC 278068/69 Cultures Electroniques 12/ | PS C. | 0 | ||||||||||
| 18767 | Philippe | Blanchard | Danseuses Etoiles | 1987 | fixed media, akusmatisch | 4:10 | Stereo | Blanchard = Lieutenant Caramel | MK CD 001/ | C&C Annecy | 1 | ||||||||
| 18768 | Philippe | Blanchard | Escalier de service | 1987 | fixed media, akusmatisch | 17:04 | Stereo | Blanchard = Lieutenant Caramel | MK CD 001/ Collectif & Cie C 02/ | C&C Annecy | 1 | ||||||||
| 1847 | Philippe | Blanchard | Et sonner les coucous | fixed media, akusmatisch | 18:30 | Blanchard = Lieutenant Caramel | Stèphane Santini CD 02/ | C&C Annecy | 0 | ||||||||||
| 19413 | Philippe | Blanchard | J'ai dix doigts | 1993 | fixed media, akusmatisch | 20:05 | Stereo | Blanchard = Lieutenant Caramel | SFCR CD 006/ | C&C Annecy | 0 | ||||||||
| 1848 | Philippe | Blanchard | L'Enfer est un petit dèbut | 1994 | fixed media, akusmatisch | 21:20 | Blanchard = Lieutenant Caramel | SFCR CD 006/ | C&C Annecy | 1 | |||||||||
| 18769 | Philippe | Blanchard | La boite de Pandore | 1992 | fixed media, akusmatisch | 10:30 | Stereo | Blanchard = Lieutenant Caramel | Collectif & Cie C 01/ | C&C Annecy | 1 | ||||||||
| 19414 | Philippe | Blanchard | La primitive | 1991 | Tanz | 17:03 | Stereo | Blanchard = Lieutenant Caramel | SFCR CD 006/ | C&C Annecy | 0 | ||||||||
| 18770 | Philippe | Blanchard | Planète blue | fixed media, akusmatisch | 10:00 | Stereo | Blanchard = Lieutenant Caramel | Collectif & Cie 12/ | C&C Annecy | 0 | |||||||||
| 18771 | Philippe | Blanchard | Presse - bouilles | 1988 | fixed media, akusmatisch | 8:30 | Stereo | Blanchard = Lieutenant Caramel | Collectif & Cie 12/ | C&C Annecy | 1 | ||||||||
| 22016 | Philippe | Blanchard | Variation sur un horizon perdu | 1997 | fixed media, akusmatisch | 14:38 | Musidisc 247982/ NOR 05/ | PS C. | 1 | ||||||||||
| 18772 | Philippe, Nicolas | Blanchard, Fraix | Un dimanche idèal | 1997 | radiophon | 12:09 | Stereo | Blanchard = Lieutenant Caramel | La Muse en Circuit, 3. concours de création radiophonique/ | C&C Annecy | 1 | ||||||||
| 1849 | Juan | Blanco | Ambitos | 1984 | fixed media, akusmatisch | 9 | ICAP Habana | 0 | |||||||||||
| 1850 | Juan | Blanco | Children's Suite | 1984 | fixed media, akusmatisch | 24:07 | Stereo | IMEB Bourges | 0 | ||||||||||
| 35969 | Juan | Blanco | Cirkus Toccata | 1983 | Zuspiel/Tonband, 2 perf | Film |
12:46 | Stereo | 2 perc [Schlagzeug] | innova 248/ EGREM LD 4211/ | ICAP Habana | 0 | ||||||||
| 35971 | Juan | Blanco | Ella | 1983 | fixed media, akusmatisch | 15:39 | innova 248/ | ICAP Habana | 0 | ||||||||||
| 22904 | Juan | Blanco | Espacios V | 1993 | Zuspiel / Tonband, 1 perf | 11:40 | sax [Saxophon] | CMJ Vol 23-4, 1999/ innova 248/ | ICAP Habana | 1 | |||||||||
| 34410 | Juan | Blanco | Fantasia | 1984 | fixed media, akusmatisch | 13:15 | ICAP Habana | 0 | |||||||||||
| 35973 | Juan | Blanco | Galaxia M-50 | 1979 | fixed media, akusmatisch | 9:02 | innova 248/ | ICAP Habana | 0 | ||||||||||
| 34411 | Juan | Blanco | Galileo Galilei | 1985 | fixed media, akusmatisch | 10:50 | ICAP Habana | 0 | |||||||||||
| 34412 | Juan | Blanco | Hvellas | 1983 | fixed media, akusmatisch | 20 | ICAP Habana | 0 | |||||||||||
| 35972 | Juan | Blanco | Loops | 1991 | fixed media, akusmatisch | 9:28 | computer music | innova 248/ | ICAP Habana | 0 | |||||||||
| 35970 | Juan | Blanco | Música para Danza | 1961 | fixed media, akusmatisch | 5:27 | first piece by Blanco | innova 248/ | ICAP Habana | 1964 | Union Nacional de Escritores y Artistas de Cuba, in Havana | 0 | |||||||
| 34413 | Juan | Blanco | Revelaciones | 1982 | fixed media, akusmatisch | 8 | ICAP Habana | 0 | |||||||||||
| 34409 | Juan | Blanco | Rituel | 1984 | fixed media, akusmatisch | 9:36 | ICAP Habana | 0 | |||||||||||
| 1851 | Juan | Blanco | Tañidos | 1983 | fixed media, akusmatisch | 12:00 | Stereo | ICAP Habana | 0 | ||||||||||
| 40101 | Michael | Blandino | Guest Dimensions | 2017 | fixed media, akusmatisch | Michael Blandino | 0 | ||||||||||||
| 40123 | Michael V. | Blandino | Boundless Filament | 2017 | audiovisuell | Michael V. Blandino | 0 | ||||||||||||
| 39297 | Andrew | Blanton | WAVEGUIDE | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 1852 | Oskar Gottlieb | Blarr | Autophoneumen, Gebete wegen der Verbrennungsmotoren | 1973 | Zuspiel / Tonband, 4 perf, 1 group | 4 V, ch [Stimme, Chor] | 0 | ||||||||||||
| 40098 | Mercedes | Blasco | Electronic Improvisations with Lobatus and Espongina | 2015 | fixed media, akusmatisch | 15:00:00 | Mercedes Blasco | 0 | |||||||||||
| 1853 | Antonio de | Blasio | Studio I - Simmetrie | 1959 | fixed media, akusmatisch | 5:10 | Mono | Stato Roma | 0 | ||||||||||
| 1854 | Antonio de | Blasio | Studio II - Energia e tempo | 1960 | fixed media, akusmatisch | 3:55 | Mono | Stato Roma, Poste Roma | 0 | ||||||||||
| 1855 | Antonio de | Blasio | Tensioni | 1963 | fixed media, akusmatisch | 7:45 | Mono | basato su "Studio II" | Stato Roma | 0 | |||||||||
| 1856 | Antonio de | Blasio | Volumi e cristalli | 1961 | fixed media, akusmatisch | 7:40 | Mono | basato su "Studio I" | Stato Roma | 0 | |||||||||
| 39233 | Wojtek | Blecharz | assonance | 2004 | fixed media, akusmatisch | 0 | |||||||||||||
| 34279 | Wojtek | Blecharz | DFRGMNTD, I flow | 2011 | live-elec, 4 perf | 2 p, 2 perc [Piano, Schlagzeug] | 0 | ||||||||||||
| 39234 | Wojtek | Blecharz | edge | 2009 | live-elec, 3 perf | cl, e-gui, p [Klarinette, Piano, Gitarre] | 0 | ||||||||||||
| 39235 | Wojtek | Blecharz | -onym | 2011 | live-elec, 5 perf | b-fl, b-cl, vn, vc, perc [Flöte, Klarinette, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 35032 | Wojtek | Blecharz | who’s afraid of sol la ti? (invention I) | 2016 | audiovisuell, live-elec, 1 perf | fl [Flöte] | Ari Benjamin Meyers hat eine Serie von ‚Meta-Partituren’ entwickelt, inspiriert von Sol LeWitts „Instruction Pieces“, die täglich neu in der Ausstellung in den Rieckhallen vom Komponisten Wojtek Blecharz und der Flötistin Susanne Fröhlich übersetzt und gespielt werden. Am 13. November 2016, dem letzten Tag der Ausstellung, werden sämtliche vor Ort entstandenen und einstudierten Interpretationen aus der Erinnerung heraus vorgetragen. | 0 | http://www.smb.museum/museen-und-einrichtungen/hamburger-bahnhof/ausstellungen/detail/musikwerke-bildender-kuenstler.html | ||||||||||
| 19362 | Markus | Bless | The Door - Entrance to the Image | 1995 | fixed media, akusmatisch | 6:09 | GEM 9701/ | SAMT Hagenberg | 1 | ||||||||||
| 40078 | Matthew | Blessing | Granular Quartet | 2017 | fixed media, akusmatisch | Matthew Blessing | 0 | ||||||||||||
| 39448 | Matthew | Blessing | Musical Chairs | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 35703 | Daniel | Blinkhorn | a place the night crashes against the sun | 2016 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 33470 | Daniel | Blinkhorn | and they threw his singing head into the sea | 2007 | Klangkunst, Installation | 17 | Surround 5.1, Spazialisation: var 5 - 12 | Commissioned as act III of the opera 'iOrpheus' - iPod Opera by William Duckworth and Nora Farrell | 31.08.2009 | Act III iOrpheus Opera, Southbank precinct, Brisbane | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-and-they-threw-his-singing-head-into-the-sea/22917 | |||||||
| 33473 | Daniel | Blinkhorn | Anthozoa | 2011 | fixed media, akusmatisch | 12 | Surround 5.1, Stereo | VICC Visby | 2011 | Musica Viva Festival Portugal | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-anthozoa/25965 | |||||||
| 33472 | Daniel | Blinkhorn | at a slight angle | 2008 | fixed media, akusmatisch | 5 | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-at-a-slight-angle/23301 | |||||||||||
| 33469 | Daniel | Blinkhorn | balanfô | 2006 | fixed media, akusmatisch | 14 | Surround 5.1, Stereo | Australia Council. | 15.11.2006 | ICMC - International Computer Music Conference, New Orleans, USA | Finalist - 33e Concours Internationaux de Musique et d'Art Sonore Electroacoustiques de Bourges, France | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-balanfo/22916 | ||||||
| 33467 | Daniel | Blinkhorn | built environment | 2008 | fixed media, akusmatisch | audiovisuell |
6 | Surround 5.1, Stereo | 26.10.2008 | DEAF - Dublin Electronic Arts Festival, Ireland | 2nd Prize - Diffusion 2008 International Electroacoustic Composition Competition, Centre for Computational Musicology and Computer Music, Ireland. | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-built-environment/22891 | |||||||
| 38819 | Daniel | Blinkhorn | Cradle Caldera | 2017 | radiophon | 17 | EBU Ars Acustica 2017 | 0 | |||||||||||
| 33477 | Daniel | Blinkhorn | frostbYte: cHatTer | 2012 | fixed media, akusmatisch | 10 | Surround 5.1, Stereo | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-frostbyte-chatter/27433 | ||||||||||
| 33478 | Daniel | Blinkhorn | frostbYte: red sound | 2012 | fixed media, akusmatisch | 14 | Surround 5.1, Stereo | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-frostbyte-red-sound/27435 | ||||||||||
| 33471 | Daniel | Blinkhorn | gossima collective | 2009 | fixed media, akusmatisch | 12 | EuCuE XXVIII, Université Concordia, Salle Oscar Peterson Concert Hall, Montréal, QC | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-gossima-collective/23300 | ||||||||||
| 33468 | Daniel | Blinkhorn | In situ bacia | 2009 | Radiokunst, live-elec, 1 perf | 16 | Surround 5.1, Stereo | cl [Klarinette] | Radiophonic, Videophonic, Hörspiel The work can be presented as a radiophonic composition (Hörspiel), or videophonic composition in surround sound (with or without live perfomer). |
La Muse en Circuit, France | 26.3.2009 | Archipel Festival Des Musiques D'Aujourd'Hui, Geneva | Winner - the 8th International Competition d'art Radiophonique Pour Sons Fixés et Instrument - Luc Ferrari, presented by LA MUSE EN CIRCUIT, Centre National de Création Musicale, France in 2008. | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-in-situ-bacia/22892 | ||||
| 28272 | Daniel | Blinkhorn | Jeu fabriqué | 2007 | fixed media, akusmatisch | audiovisuell |
10:00 | miso records mcd 023.10/ | Musica Viva Lisboa 2008 winner SMC08 Berlin winner |
1 | 2008 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-jeu-fabrique/26462 | ||||||||
| 37767 | Daniel | Blinkhorn | Kibuyu | 2016 | fixed media, akusmatisch | Honorable Mention 35th CIME-ICEM 2017 | 0 | ||||||||||||
| 33474 | Daniel | Blinkhorn | le son de la lumière | 2011 | fixed media, akusmatisch | 14 | Surround 5.1, Stereo | Dedicated to the memory of the composer Luc Ferrari | Prix Presque Rien - La Muse en Circuit, Paris | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-le-son-de-la-lumiere/25966 | ||||||||
| 33479 | Daniel | Blinkhorn | shudder | 2013 | Tanz | 23 | 2 dancer [Tanz] | DirtyFeet, chronology arts. | 8.10.2013 | 'Vitality', Reginald Theatre, Seymour Centre, Sydney | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-shudder/28561 | |||||||
| 33466 | Daniel | Blinkhorn | Squeak ('n bubble) | 2006 | fixed media, akusmatisch | 10 | acousmatic | 16.11.2006 | Daghdha Space, John's Square Limerick | 2nd prize - 'Diffusion 2006 International Electroacoustic Composition Competition', Centre for Computational Musicology and Computer Music and RTÉ Lyric FM, Ireland | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-squeak-n-bubble/21637 | |||||||
| 33475 | Daniel | Blinkhorn | Terra subfónica, Seascape Triptych – I Subfón – Monochrome I Sub Chron I Seascape Triptych – II Hermetica Corpus Sanus – Computare (Sub)Urban Mantra Corpus Sanus – Hominis Geste Sonore Relatively Loud Tones Tape Junk Seascape Triptych – III Cnidaria Sub Chron II Voix Sous Norse Hamn (Norse Harbor) Toy Bagatelle – I Toy Bagatelle – II (Glass Ear) – Monochrome Toy Bagatelle – Section III Intersections Place / Space Threnody |
2010 | radiophon | 55 | Stereo | 20 parts | Gruen 117/ | ABC Radio. | 10.11.2010 | ABC Radio National | 0 | http://www.australianmusiccentre.com.au/workversion/blinkhorn-daniel-terra-subfonica/25967 | |||||
| 31419 | Thomas | Bloch-Bonhof | Deiner Tränen | 1995 | live-elec, 1 perf | 10:40:00 | MIDI p, (Max/SMP, sam) [Piano] | HfM Dresden | 0 | ||||||||||
| 1858 | Augustyn | Bloch | Anenaiki | 1979 | live-elec, 16 perf | 16 V [Stimme] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 1859 | Augustyn | Bloch | The Voice of Silence | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 1860 | Augustyn | Bloch | Zwierciadlo (The Looking Glass) | 1975 | Tanz | 0 | |||||||||||||
| 1861 | G. | Bloch | o.T. | 1990 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX, Straßburg | 0 | ||||||||||
| 1862 | G. | Bloch | Tribouletage | 1984 | Zuspiel / Tonband, 1 perf | 5:38 | Stereo | vc [Cello] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||
| 1863 | G. | Bloch | Tribuni A | 1983 | fixed media, akusmatisch | 4:55 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 42083 | Martin | Block | The make-believe ballroom | 1935 | radiophon | WNEW, New York, Voice of America | 0 | ||||||||||||
| 32112 | Per | Bloland | Elsewhere is a Negative Mirror, Part I | 2005 | live-elec, 1 perf | 10:43:00 | p [Piano] | for piano with electromagnets, Chryssie Nanou, piano | SEAMUS EAM Vol. 15/ | 0 | |||||||||
| 26428 | Per | Bloland | Graveshift | 2004 | audiovisuell | 5:00 | CMJ Vol 33-4, 2009/ | 1 | http://www.stanford.edu/~bloland/compositions.html | ||||||||||
| 36237 | Per | Bloland | Shadows of the Electric Moon | 2013 | live-elec, 1 perf | 12:11 | perc [Schlagzeug] | dedicated to Patti Cudd | innova 967/ | Uni Miami | 0 | ||||||||
| 26429 | Per | Bloland | The Wondrous Delight of Profound Ineptitude | 2003 | fixed media, akusmatisch | 6:53 | first prize in the ASCAP/SEAMUS | 0 | http://www.stanford.edu/~bloland/compositions.html | ||||||||||
| 26430 | Per | Bloland | Underwater | 2001 | fixed media, akusmatisch | 8:36 | 0 | http://www.stanford.edu/~bloland/compositions.html | |||||||||||
| 18812 | Karl-Heinz | Blomann | Menschen unter dem Mond | 1991 | fixed media, akusmatisch | 17:00 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records ART CD 001/ | 1 | |||||||||
| 18813 | Karl-Heinz, Georg | Blomann, Gräwe | Hymne an das Ruhrgebiet | 1991 | intermedia | 4:35 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records ART CD 001/ | 1 | |||||||||
| 1864 | Karl-Birger | Blomdahl | Altisonans | 1966 | fixed media, akusmatisch | Film || Fernsehen |
18:55 | Mono, Quadro | LPD 2, SR - Dokumentation 2/ | SR Stockholm | 1 | |||||||||
| 1865 | Karl-Birger | Blomdahl | Aniara, (a Review of Man in Time and Space) | 1959 | Oper | 120 | Stereo | 2 Acts (7 scenes), a space Opera. Text by Erik Lindegren from Harry Martinon's verse epic. Elec are the "Mima-Tapes" and "the Blibd Poetess" (Arie der Blinden) | CAP 22016/ MS 7176/ IDEAMA CD 099/ | SR Stockholm | 31.5.1959 | Royal Opera Stockholm | 1 | ||||||
| 28106 | Karl-Birger | Blomdahl | Mimamusik | 1959 | fixed media, akusmatisch | 13:11 | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | 0 | |||||||||||
| 1866 | Anders | Blomqvist | Akrobat 0.1 | 1988 | Zuspiel / Tonband, 1 perf | 10:50 | Stereo | V [Stimme] | EMS Stockholm | Rikskonserter | 0 | ||||||||
| 1867 | Anders | Blomqvist | Akrobat 02 | 1989 | fixed & Dias | 8:00 | Stereo | + 6 Diaprojektoren (Bildspel) | TU Berlin | 5.2.1989 | Inventionen1989, Künstlerhaus Bethanien Berlin Studio 1 | 1 | 1989 | ||||||
| 1868 | Anders | Blomqvist | Bertrand R | 1980 | fixed media, akusmatisch | 10:09 | Stereo | 0 | |||||||||||
| 1869 | Anders | Blomqvist | Blockbuster | 1982 | fixed media, akusmatisch | 3:20 | Stereo | 0 | |||||||||||
| 1870 | Anders | Blomqvist | Carpe Diem | 1981 | fixed media, akusmatisch | 13:28 | IMPAC | CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | |||||||||
| 28348 | Anders | Blomqvist | Cincere | 1989 | intermedia | Stereo | slide show (Josef Doukkali) | EMS Stockholm | 0 | ||||||||||
| 1871 | Anders | Blomqvist | Delta A | 1993 | fixed media, akusmatisch | 8:58 | FYCD 1003 / | EMS Stockholm | 1 | ||||||||||
| 1872 | Anders | Blomqvist | Eldon | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 1873 | Anders | Blomqvist | Hästkadaver | 1978 | fixed media, akusmatisch | 8:56 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1874 | Anders | Blomqvist | IOPS 3 | 1994 | fixed media, akusmatisch | CAP 21467/ | EMS Stockholm | 24.9.1994 | Stockholm Electronic Music Festival at Berwaldhallen „jubileumskonsert, EMS 30 år!“ | 1 | |||||||||
| 1875 | Anders | Blomqvist | Jaguar Revisited | 1983 | intermedia | 15:54 | Stereo | slide show (Josef Doukkali) | FYCDR 2001/ Infogram 045/1/ | EMS Stockholm | 1 | 2002 | |||||||
| 1876 | Anders | Blomqvist | Lag | 1986 | fixed media, akusmatisch | 12:59 | Stereo | INFO 009; (extrait- 5:05) | PSCD 41 Phono Suecia/ INFOGRAM 009/ | EMS Stockholm | 1 | ||||||||
| 1877 | Anders | Blomqvist | Ljuset | 1977 | fixed media, akusmatisch | 12:10 | Stereo | EMS Stockholm, SÄMUS | 0 | ||||||||||
| 22909 | Anders | Blomqvist | Spårar, Traces | 1997 | fixed media, akusmatisch | 9:10 | Elektron EM 1001/ | Växjö | MEDIA ARTES and SVENSKA RIKSKONSERTER | 1 | |||||||||
| 23113 | Anders | Blomqvist | Tass | 1999 | Zuspiel / Tonband, 1 perf | 9:40 | mar [Schlagzeug] | 1 | 2002 | ||||||||||
| 1880 | Anders | Blomqvist | … under a Rest | 1992/1993 | Zuspiel / Tonband, 1 perf | 11:30 | Stereo | p [Piano] | PSCD 91-2 Phono Suecia/ | EMS Stockholm | 1 | ||||||||
| 1881 | Anders | Blomqvist | Vinterljus | 1984 | Tanz | 60:00 | Stereo | Zarouki Dance Troupe | 0 | ||||||||||
| 1879 | Anders, William | Blomqvist, Brunson | Soundscape | 1982 | fixed media, akusmatisch | Hintergrundmusik |
300:00 | 26 Tracks | the AM version: 59' | HfM Stockholm | 0 | |||||||||
| 1878 | Anders, Josef | Blomqvist, Doukkali | Sincere | 1990 | fixed & Dias | Bildspel | EMS Stockholm | 0 | 2002 | ||||||||||
| 19286 | Anders, Åke | Blomqvist, Parmerud | Tangent | 1989 | live-elec, 1 perf | 7:30 | synt, (com) [synthesizer] | PSCD 91-2 Phono Suecia/ | 1 | 1992 | http://www.parmerud.com/MediaArtist/Home.html | ||||||||
| 37816 | Julia | Blondeau | Namenlosen | 2017 | live-elec, 4 perf, 1 group | 4 mus (solo), ens [Musiker, Ensemble] | IRCAM | 0 | |||||||||||
| 28351 | Thierry | Blondeau | Étude au Doppler | 2002 | fixed media, akusmatisch | swinging loudspeaker | Inventionen 2002 | 6.7.2002 | Inventionen Parochialkirche Berlin | 0 | 2002 | ||||||||
| 19171 | Thierry | Blondeau | Ici et là I | Zuspiel / Tonband, 1 perf | 8:27 | cl [Klarinette] | MFA 216013/ | 1 | |||||||||||
| 19172 | Thierry | Blondeau | Ici et là II | Zuspiel / Tonband, 1 perf | 7:39 | fl [Flöte] | MFA 216013/ | 1 | |||||||||||
| 23114 | Thierry | Blondeau | Klang | 1992 | fixed media, akusmatisch | 10:24 | 1 | ||||||||||||
| 42426 | Thierry | Blondeau | Last Week-End on Mars | 2013 | Zuspiel / Tonband, 2 perf | 7 | 2 vn or vc (mindestens 2 Violinen und Zuspiel-CD) [Cello, Violine] | mindestens zwei Violinen und Zuspiel-CD. Eine Fassung für Celli existiert auch. Violinen und Celli können auch zusammen spielen | Éditions François Dhalmann (www.dhalmann.fr) | 0 | |||||||||
| 28097 | Thierry | Blondeau | Lieu IV | live-elec, 2 perf, 1 group | ob, cl, ens [Klarinette, Oboe, Ensemble] | Collectif & Cie mts 07/ | Musiques Tracées | 0 | |||||||||||
| 33805 | Maria | Blondeel | A40 Ruhr | 2010 | audiovisuell | Klangkunst, Installation |
57 | Stereo, Surround 5.1 | SD DVD / 56:12 / 29.97 fps / 16:9. DVD mit Poster (Auflage: 500 Exemplare) |
VAF & onomato DVD/ | 1 | http://users.telenet.be/MariaBlondeel/site/s_v.htm | ||||||||
| 1882 | Rudi | Blondia | Hybrid experiment for Bourges | 1980 | fixed media, akusmatisch | 18:56 | Stereo | IPEM Gent | 0 | ||||||||||
| 32167 | Jaap | Blonk | der minister I | 1985 | Performance | 1:10:00 | V [Stimme] | Jaap Blonk (V) | WD 2000, Wittener Tage Für Neue Kammermusik 2000/ | 2000 | Wittener Tage für neue Kammermusik 2000 | 1 | |||||||
| 32166 | Jaap | Blonk | Rhotic, Doe phonetische Etüde Nr. 1 | 1992 | Performance | 3:32:00 | V [Stimme] | Jaap Blonk (V) | WD 2000, Wittener Tage Für Neue Kammermusik 2000/ | 2000 | 1 | ||||||||
| 18783 | Jaap, Rudolf | Blonk, Blümner | Ango Laina | Performance | 4:24 | Stereo | V [Stimme] | poésie sonore | 0 | ||||||||||
| 18785 | Jaap, Dick | Blonk, Higgins | glasslass | Zuspiel, Performance, 1 perf | 2:07 | Stereo | V [Stimme] | poésie sonore | Staalplaat STCD 046/ | PS C. NY | 0 | ||||||||
| 27348 | Jean-François | Blouin | Catacombes | 2007 | fixed media, akusmatisch | 10:01 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 2. prize | 1 | http://www.myspace.com/jeanfrancoisblouin | ||||||||
| 42891 | Andrew | Bluff | Colony | 2013 | fixed media, akusmatisch | 6:52:00 | 0 | ||||||||||||
| 42722 | Andrew | Bluff | The Post-Industrial Frogscape | 2012 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41865 | Thom | Blum | Combustible | 2008-2009 | fixed media, akusmatisch | 9:30 | electroacoustic composition consisting of lots and lots of micro edits | 0 | |||||||||||
| 41863 | Thom | Blum | Couplings | 2012 | fixed media, akusmatisch | 6:35:00 | 0 | ||||||||||||
| 41867 | Thom | Blum | Cycle | 2004 | fixed media, akusmatisch | 7:22 | electroacoustic composition mixing orchestral instrument samples, synthesized and processed sounds | 0 | http://theremin.music.uiowa.edu/ | ||||||||||
| 41861 | Thom | Blum | Emancipation | 2013 | fixed media, akusmatisch | 7:30:00 | Stereo | dedicated to George Steeley III | 0 | ||||||||||
| 41873 | Thom | Blum | five haiku | 2000 | fixed media, akusmatisch | based on computer-generated sound and processed field recordings ofurban hikes in San Francisco, California | 0 | ||||||||||||
| 41875 | Thom | Blum | In or Out | 1997 | fixed media, akusmatisch | based on computer-generated sound and live-processed sound of Radish Festival, Oaxaca, Mexico and Christmas festival, San Miguel de Allenda,Mexico | 0 | ||||||||||||
| 41872 | Thom | Blum | J-Wake | 2001 | fixed media, akusmatisch | 12:45 | based on computer-generated sound and processed field recordings ofCalifornian and Mexican Pacific coastlines | 0 | |||||||||||
| 41878 | Thom | Blum | Japanese Postcard | 1995 | fixed media, akusmatisch | 14:18 | audio postcard based on computer-processed field recordings of Tokyo, Hamamatsu, and Kyoto | 0 | |||||||||||
| 41874 | Thom | Blum | Maroc | 1998 | fixed media, akusmatisch | audio postcard based on computer-processed field recordings of Fez,Tanjer, Marrakesh, and Chefchaouen, Morocco | 0 | ||||||||||||
| 41876 | Thom | Blum | Musk | 1997 | fixed media, akusmatisch | based on computer-generated sound and live-processed sound of soukin Marrakesh, Morocco | 0 | ||||||||||||
| 41870 | Thom | Blum | nomen plaid | 2003 | fixed media, akusmatisch | 8 | electroacoustic composition | 0 | |||||||||||
| 41869 | Thom | Blum | Note from Patzcuaro | 2003 | fixed media, akusmatisch | 4:17 | audio postcard based on computer-processed field recordings of Patzcuaro, Mexico | 0 | |||||||||||
| 41862 | Thom | Blum | Post from Rajasthan | 2005, 2011 | fixed media, akusmatisch | audio postcard | 0 | ||||||||||||
| 41858 | Thom | Blum | Rajasthan Post | 2000 | radiophon | 5:48:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 41866 | Thom | Blum | Squelch | 2005-2006 | fixed media, akusmatisch | 14:10 | electroacoustic composition mixing raw and processed field recordings; waveshaping is the primary processing technique in this piece | 0 | |||||||||||
| 41871 | Thom | Blum | Things Frankie Heard | 2002 | fixed media, akusmatisch | 12:23 | based on computer-generated sound and processed field recordingsof Desolation Wilderness, California | 0 | |||||||||||
| 41879 | Thom | Blum | Three Studies for Pedal Steel | 1995 | fixed media, akusmatisch | 9:07 | based on heavily computer-processed recordings of pedal steel guitar | 0 | |||||||||||
| 41864 | Thom | Blum | TimePiece (Berlin, September, 2010) | 2010 | Klangkunst, Installation | 640 | Ohrenhoch der Geräuschladen, for 8 playback devices with remote controls | 0 | |||||||||||
| 41877 | Thom | Blum | To My Son Parker, Asleep in the Next Room | 1996 | fixed media, akusmatisch | 9:34 | setting of poem of same title by the late Bob Kaufman, computer-generated sound and processed voice | 0 | |||||||||||
| 41880 | Thom, Erling | Blum, Wold | Survival of the Fit Enough: The Galapagos Project | 2003 | Tanz | by Deborah Slater Dance Theater | 0 | ||||||||||||
| 41868 | Thom, Erling | Blum, Wold | Trio | 2004 | Tanz | music for choreography by Deborah Slater Dance Theater, co-composed with Erling Wold | 0 | ||||||||||||
| 38820 | Felix | BLUME | Fuga | 2017 | radiophon | 7 | EBU Ars Acustica 2017 | 0 | |||||||||||
| 38495 | Felix | BLUME | Los Gritos de Mexico | 2015 | radiophon | 29:12:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 41065 | Bruno | Bocca | D.Re | 1998 | fixed media, akusmatisch | 5:57 | 0 | ||||||||||||
| 18788 | Bruno | Bocca | Faux mouvements | 1989 | fixed media, akusmatisch | 15:47 | Stereo | Acousmatica CD 1296/ | CICM Paris | 0 | |||||||||
| 1883 | Bruno | Bocca | Iconoclastie | 1993 | fixed media, akusmatisch | 10:00 | Stereo | CICM Paris | 0 | ||||||||||
| 1884 | Bruno | Bocca | L'escrutateur et l'infini | 1991/1992 | fixed media, akusmatisch | 10:00 | Stereo | CICM Paris | 0 | ||||||||||
| 1885 | Christian | Bock | Akustiska rum och mekaniska filter | 1982 | fixed media, akusmatisch | 9:00 | Stereo | Infogram 045/1/ | EMS Stockholm | 1 | |||||||||
| 1886 | Christian | Bock | Bosse i bitar | 1982 | fixed media, akusmatisch | radiophon |
3:55 | Stereo | CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | |||||||||
| 1887 | Christian | Bock | Duchamp | 1981 | fixed media, akusmatisch | 1:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1888 | Christian | Bock | Klippt Hyland | 1979 | fixed media, akusmatisch | 1:16 | CAP 21469 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | ||||||||||
| 22332 | Christian | Bock | The Washington Trials | 1996 | fixed media, akusmatisch | 3:19 | Infogram 045/1/ | 1 | |||||||||||
| 1889 | Christian | Bock | Transportsträcka | 1979 | fixed media, akusmatisch | 3:30 | Stereo | EMS Stockholm | 0 | ||||||||||
| 42841 | John | Bock | One Nation Under God | 2013 | fixed media, akusmatisch | 9:12:00 | 0 | ||||||||||||
| 24268 | Onnen | Bock | Fragmentierung, Studie 1 | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 25013 | Onnen, Manfred | Bock, Klauß | Was Noch Was | 2004 | fixed media, akusmatisch | 12:37 | Klangorganisation unter Verwendung von „55 similar sounds - 2 drummers drumming“ von B. Schlothauer und „bisherigori“ von A. Gillis | x-tract x-t 2006/ | 1 | ||||||||||
| 32173 | Onnen, Joachim | Bock, Roedelius | Fragen, Los geht’s Auf der Alm Zartbitter Wurzelwelt Fünf nach eins Haste Töne Josef Z. |
2011 | live-elec, 2 perf | 39 | 2 perf (elec, sam, com) [Performer] | BB 076/ | PS C. | 1 | |||||||||
| 32172 | Onnen, Joachim | Bock, Roedelius | Rufen, Live bei More Ohr Less in Lunz Live in Schönberg I, II, III |
2010 | live-elec, 2 perf | 47 | 2 perf (elec, sam, com) [Performer] | BB 075/ | PS C. | 1 | |||||||||
| 1890 | Thomas | Bocklenberg | Interview mit Autofluk | 1986 | fixed media, akusmatisch | 20:03 | Quadro | ICEM Essen | 0 | ||||||||||
| 1891 | Thomas | Bocklenberg | Ricercar 2 | 1989 | fixed media, akusmatisch | 8:00 | Synlab, Player (SC2) | 0 | |||||||||||
| 1892 | Florentijn | Boddendijk | Hotel Continuity | 1991 | fixed media, akusmatisch | 8:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 1893 | Florentijn | Boddendijk | Micro | 1988 | Zuspiel, live-elec, 1 perf | 6:00 | Stereo | com [computer] | Sonology Den Haag | 0 | |||||||||
| 1894 | Florentijn | Boddendijk | Porno Stereo | 1989 | Zuspiel, live-elec, | 8:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 1895 | Florentijn | Boddendijk | Special damage | 1989 | fixed media, akusmatisch | 2:32 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 1896 | Florentijn | Boddendijk | Virus | 1988 | live-elec, 1 perf | 5:50 | Quadro | com [computer] | A. B. live computermuziek, Olivia Trotman: Atari mega st.4 serie nv A1783001251 | Sonology Den Haag | 0 | ||||||||
| 1897 | Ian | Boddy | Jade | fixed media, akusmatisch | 0 | ||||||||||||||
| 41096 | Harald | Bode | Bell Zither | Lehre & Forschung | 1:09:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41097 | Harald | Bode | Formant Spiels 1 & 2 | Lehre & Forschung | 3:31:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41091 | Harald | Bode | Geklebte Musik Experiment | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41098 | Harald | Bode | Happy 2 | Lehre & Forschung | 2:55:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41090 | Harald | Bode | Kowloon | 2005 | Performance, live-elec, 1 perf | perf [Performer] | Moog Synt | IEA 08/ | IEA Alfred Uni | 0 | https://econtact.ca/13_4/images/bode_score_kowloon-p1.jpg | ||||||||
| 41099 | Harald | Bode | More with 2 Barberpoles | Lehre & Forschung | 7:41:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41100 | Harald | Bode | Phase 4-2 | Lehre & Forschung | 4:04:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41101 | Harald | Bode | Phase 6 | Lehre & Forschung | 19:05:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41102 | Harald | Bode | Rainbow Suite | Lehre & Forschung | 2:50:00 | eContact! 13.4 | IEA Alfred Uni | 0 | https://econtact.ca/13_4/index.html | ||||||||||
| 41093 | Harald | Bode | Sequence Three | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41089 | Harald | Bode | Two Barber Poles | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41066 | Harald, Stephen, Andrew, Peer | Bode, Vitiello, Deutsch, Bode | Autumn Light | live-elec, 3 perf | 70 | 3 elec (Electronics, Sampler, Vocoder, Frequency Shifter, Barberpole Phaser) [elektronik] | Harald-Bode-Equipment | IEA 04/ | IEA Alfred Uni | 0 | https://www.discogs.com/de/Vitiello-Bode-Deutsch-Autumn-Light/release/1296704 | ||||||||
| 1898 | Lars-Gunnar | Bodin | A soundscape of Europe (Stockholm) | 1979 | fixed media, akusmatisch | 2:05 | Stereo | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 1899 | Lars-Gunnar | Bodin | Anima | 1984/1987 | Zuspiel / Tonband, 1 perf | 7:29 | Stereo | S [Sopran] | WER 2027; Computer Music Currents 7/ | 1 | |||||||||
| 24367 | Lars-Gunnar | Bodin | Anna | 1999 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 21494 | Lars-Gunnar | Bodin | Clouds | 1976 | intermedia | fixed media, akusmatisch |
44:38 | Stereo | 12 parts | FYLP 1020/ FYCD 1023/ | 1 | |||||||||
| 1901 | Lars-Gunnar | Bodin | Cybo I | 1967 | fixed media, akusmatisch | 15:40 | Mono, Quadro | txtcompo | EMS Stockholm | 0 | |||||||||
| 1902 | Lars-Gunnar | Bodin | Cybo II | 1967 | fixed media, akusmatisch | 5:00 | Mono | txtcompo | PSCD 63 Phono Suecia/ CAP 60008 Beilage Buch Sanne Krogh Groth/ IDEAMA CD 047/ |
EMS Stockholm | 1 | ||||||||
| 1903 | Lars-Gunnar | Bodin | Dedicated to you II | 1971 | fixed media, akusmatisch | 3:00 | Stereo | CAP 1035 LP/ | EMS Stockholm | 1 | |||||||||
| 1904 | Lars-Gunnar | Bodin | Divertimento för Dalle | 1991 | fixed media, akusmatisch | 15:00 | FER 1061 Firework Edition Rec/ | Rikskonserter | 1 | ||||||||||
| 18789 | Lars-Gunnar | Bodin | Dizcour: Royal Martin | 1987 | fixed media, akusmatisch | 15:36 | Stereo | INFO 009 (extrait 6:34) | INFOGRAM 009/ PSCD 50 Phono Suecia/ | EMS Stockholm, Bregman Dartmouth, IMEB Bourges | 1 | ||||||||
| 1906 | Lars-Gunnar | Bodin | Dizkus | 1986 | Zuspiel / Tonband, 5 perf | 13:40 | Stereo | w-qnt [Bläser] | 26 passages | PSCD 91-1 Phono Suecia/ | EMS Stockholm | 1 | |||||||
| 1907 | Lars-Gunnar | Bodin | Dizkus III | 1988 | fixed media, akusmatisch | 11:07 | Stereo | EMS Stockholm | 0 | ||||||||||
| 1908 | Lars-Gunnar | Bodin | En aptitretare - inga hundar i Kina | 1966 | fixed media, akusmatisch | 10:00 | Stereo | txtcompo | 0 | ||||||||||
| 1909 | Lars-Gunnar | Bodin | Enbart för Kerstin | 1979 | Zuspiel/Tonband, 1 perf | radiophon |
12:50 | Stereo | S [Sopran] | PSCD 63 Phono Suecia/ | 1 | |||||||||
| 1910 | Lars-Gunnar | Bodin | Epilogue - Rhapsodie de la seconde récolte | 1980 | fixed media, akusmatisch | 11:29 | Stereo | FYLP 1025/ PSCD 50 Phono Suecia/ LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||||
| 1911 | Lars-Gunnar | Bodin | Fikonsnackarna | 1966 | fixed media, akusmatisch | 4:45 | Stereo | txtcompo | EMS Stockholm | 0 | |||||||||
| 1912 | Lars-Gunnar | Bodin | For Jon I, Fragments of a time to come | 1977 | radiophon | 32:00 | Stereo | FTS 33443/ LDC 278062 Cultures Electroniques 9 Magisterium/ | 1 | ||||||||||
| 1913 | Lars-Gunnar | Bodin | For Jon II, retrospective episodes (3 parts) | 1983/1989 | fixed media, akusmatisch | 32:15 | Stereo | new version 1989 PSCD 63 (1-2); Part I (extrait 6:19) |
PSCD 63 Phono Suecia/ FYCD 1023/ | EMS Stockholm | 1 | ||||||||
| 1914 | Lars-Gunnar | Bodin | For Jon III; They extricated their extremities | 1982 | fixed media, akusmatisch | 10:35 | Stereo | txtcompo Inventionen 2.3.1986 Ackerstr. |
FYLP 1029/ PSCD 63 Phono Suecia/ | EMS Stockholm | 1 | ||||||||
| 1915 | Lars-Gunnar | Bodin | Från början till slut | 1973 | fixed media, akusmatisch | 9:35 | Stereo | 0 | |||||||||||
| 1916 | Lars-Gunnar | Bodin | … from any point to any other point | 1968 | Tanz | 8:55 | Quadro | RELP 1073/ FYCD 1024 CD 1 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 1900 | Lars-Gunnar | Bodin | From Clouds | 1971 | intermedia | 90:00 | Stereo, Quadro, Octo | PSCD 50 (extrait-8:28) | PSCD 50 Phono Suecia/ | 1 | |||||||||
| 1917 | Lars-Gunnar | Bodin | God jul '92 | 1992 | Zuspiel, live-elec, 1 perf | 14:06 | Stereo | ww [Bläser] | PS C., EMS Stockholm | 0 | |||||||||
| 25846 | Lars-Gunnar | Bodin | Gyzo | 1997 | fixed media, akusmatisch | 16:13 | FER 1061 Firework Edition Rec/ | PS Semikolon Gnesta | CDMC Madrid | 1 | |||||||||
| 1918 | Lars-Gunnar | Bodin | Hälsnigar från syrenbersån | 1994 | fixed media, akusmatisch | 11:32 | CAP 21467/ LDC 278062 Cultures Electroniques 9 Magisterium/ | EMS Stockholm | 24.9.1994 | Stockholm Electronic Music Festival at Berwaldhallen „jubileumskonsert, EMS 30 år!“ | 1 | ||||||||
| 1919 | Lars-Gunnar | Bodin | Händelser och handlingar | 1971 | Fernsehen, | Tanz || fixed media, akusmatisch |
Mono, Stereo | 0 | ||||||||||||
| 1920 | Lars-Gunnar | Bodin | Images | 1975 | fixed media, akusmatisch | 10:19 | Stereo | one the first four pieces made with "The Dartmouth Digital Synthesizer" | FTS 33442/ | Bregman Dartmouth | 0 | ||||||||
| 22452 | Lars-Gunnar | Bodin | Jenseits von Licht und Dunkel | 2001 | fixed media, akusmatisch | 17:40 | PS | 1 | |||||||||||
| 25847 | Lars-Gunnar | Bodin | Mare Atlantica | 1997 | fixed media, akusmatisch | 17:10 | FER 1061 Firework Edition Rec/ | PS Semikolon Gnesta | Ultima Festival | 1 | |||||||||
| 1921 | Lars-Gunnar | Bodin | Mémoires du temps d'avant la Destruction | 1982 | fixed media, akusmatisch | 19:15 | Stereo | Inventionen 14.2.1984 Ackerstr. | GMEB 84004/ PSCD 50 Phono Suecia/ | IMEB Bourges | 1 | ||||||||
| 1922 | Lars-Gunnar | Bodin | My world - is your world | 1966 | Zuspiel / Tonband, 1 perf | 16:00 | Quadro | org [Orgel] | EMS Stockholm | 0 | |||||||||
| 1923 | Lars-Gunnar | Bodin | Nästan | 1977 | fixed media, akusmatisch | 1:10 | Stereo | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ | HfM Stockholm | 1 | |||||||||
| 1924 | Lars-Gunnar | Bodin | Nattens ljud | 1970 | Film | 2:30 | Mono | Animated film for children | 0 | ||||||||||
| 1925 | Lars-Gunnar | Bodin | Notturno alla prima | 1991 | fixed media, akusmatisch | 10:30 | 0 | ||||||||||||
| 1926 | Lars-Gunnar | Bodin | On speaking terms | 1984 | Zuspiel / Tonband, 1 perf | 29:45 | Stereo | trbn [Posaune] | 5 poems | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||
| 1927 | Lars-Gunnar | Bodin | On speaking terms II | 1986 | fixed media, akusmatisch | 7:00 | Stereo | txtcompo in 4 parts | PSCD 63 Phono Suecia/ | 1 | |||||||||
| 18791 | Lars-Gunnar | Bodin | On speaking terms II: Poem n°5 | 1986 | fixed media, akusmatisch | 1:00 | Stereo | txtcompo in 4 parts | PSCD 63 Phono Suecia/ | 0 | |||||||||
| 18790 | Lars-Gunnar | Bodin | On speaking terms II:Poem n°4 | 1986 | fixed media, akusmatisch | 2:27 | Stereo | txtcompo in 4 parts | PSCD 63 Phono Suecia/ | 0 | |||||||||
| 1928 | Lars-Gunnar | Bodin | Place of plays | 1967 | Tanz | 34:00 | Quadro | CAP 1035 LP/ IDEAMA CD 046/ | EMS Stockholm | 1 | |||||||||
| 22759 | Lars-Gunnar | Bodin | Plus | 1977 | fixed media, akusmatisch | 1:15 | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ | HfM Stockholm | 1 | ||||||||||
| 18431 | Lars-Gunnar | Bodin | Pour traverser la membrane de l'espace/temps | 1992 | fixed media, akusmatisch | 15:35 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1930 | Lars-Gunnar | Bodin | Primary Structures | 1976 | Zuspiel / Tonband, 1 perf | 5:35 | bn [Fagott] | FYLP 1011/ | 1 | ||||||||||
| 1931 | Lars-Gunnar | Bodin | Prolog | 1976 | fixed media, akusmatisch | 9:00 | Stereo | EMS Stockholm, Bregman Dartmouth | 1 | ||||||||||
| 22760 | Lars-Gunnar | Bodin | Seeings | 1973 | fixed media, akusmatisch | 13:12 | Bregman Dartmouth | 1 | |||||||||||
| 1932 | Lars-Gunnar | Bodin | Semicolon, Seance 4 | 1965 | fixed media, akusmatisch | 10:27 | CAP 21469 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | ||||||||||
| 1933 | Lars-Gunnar | Bodin | Semikolon, Den heter ingenting den heter nog Seans 2 | 1966 | fixed media, akusmatisch | 16:01 | Mono | txtcompo | FYCD 1027 Forerunners - Swedish Electronic and Concrete Music 1955-65/ | EMS Stockholm | 0 | ||||||||
| 1934 | Lars-Gunnar | Bodin | Syner | 1973 | fixed media, akusmatisch | 13:00 | Stereo | FYCD 1023/ | 1 | ||||||||||
| 34583 | Lars-Gunnar | Bodin | The Lipton Voice Machinery | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 1935 | Lars-Gunnar | Bodin | Toccata | 1969 | fixed media, akusmatisch | 15:39 | Stereo | PSCD 50 Phono Suecia/ IDEAMA CD 045/ | SR Stockholm | SR (Swedish Radio) | 1 | ||||||||
| 1936 | Lars-Gunnar | Bodin | Traces I | 1970 | fixed media, akusmatisch | 6:57 | Mono | PSCD 41 Phono Suecia/ IDEAMA CD 047/ | EMS Stockholm | 1 | |||||||||
| 1937 | Lars-Gunnar | Bodin | Traces II | 1971 | fixed media, akusmatisch | 12:25 | Mono | EMS Stockholm | 0 | ||||||||||
| 1938 | Lars-Gunnar | Bodin | Winter events - for M | 1967 | fixed media, akusmatisch | 15:30 | Quadro | LPD 3, SR - Dokumentation 3/ | SR Stockholm | 1 | |||||||||
| 25848 | Lars-Gunnar | Bodin | Winter Nightfall | 2000 | fixed media, akusmatisch | 12:30 | FER 1061 Firework Edition Rec/ | PS C. | 1 | ||||||||||
| 1939 | Lars-Gunnar | Bodin | Wonder - void | 1990 | fixed media, akusmatisch | intermedia, 5 perf |
33:00 | Stereo | T, Mez, 3 actor [Mezzo, Tenor, Schauspieler] | Synclavier | PSCD 50 Phono Suecia/ | Bregman Dartmouth | anounced to Prix Italia 1990 | 1 | ||||||
| 1940 | Svante | Bodin | Smoothing | 1970 | fixed media, akusmatisch | 12:55 | Stereo, Quadro | FYCD 1024 CD 1 Text-Sound Compositions/ | SR Stockholm | 1 | |||||||||
| 1942 | Svante | Bodin | Transition to Majorana Space | 1969 | fixed media, akusmatisch | 11:00 | Stereo, Quadro | RELP 1072/ FYCD 1024 CD 1 Text-Sound Compositions/ | SR Stockholm, EMS Stockholm | 1 | |||||||||
| 1941 | Svante, G. | Bodin, Bengtsson | The Doppler Case | 1967 | radiophon | 20:00 | Mono | SR Stockholm | 0 | ||||||||||
| 1943 | Gábor | Bodnár | Process | 1983 | fixed media, akusmatisch | 8:50 | Stereo | MR Budapest | 0 | ||||||||||
| 1944 | Karl-Emil | Bodraeus | Musik till "Relief" | 1967 | fixed media, akusmatisch | Stereo | EMS Stockholm | SR (Swedish Radio) TV | 0 | ||||||||||
| 1946 | Jack | Body | Duets and Choruses | 1978 | fixed media, akusmatisch | 11:50 | Stereo | IMEB Bourges | 0 | ||||||||||
| 27248 | Jack | Body | Intimate History n°1 Intimate History n°2, Yono |
1976 | fixed media, akusmatisch | 13:33 | LDC 2781138 Compendium 2005/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | |||||||||
| 1945 | Jack | Body | Jangkrik Genggong | fixed media, akusmatisch | Uni Wellington | 0 | |||||||||||||
| 32844 | Jack | Body | Kryptophones | 1973 | fixed media, akusmatisch | 10:04 | Kiwi SLD-46/ SLD 44-45-46/ | Uni Wellington | 0 | ||||||||||
| 1947 | Jack | Body | Musik Anak Anak | 1978 | fixed media, akusmatisch | 13:15 | Stereo | LDC 2781112/13/14 opus 30/ | IMEB Bourges | 1 | |||||||||
| 19008 | Jack | Body | Musik Dari Jalan | 1976 | fixed media, akusmatisch | 8:20 | John-Stanley ≈ Jack | LDC 278043 Cultures Electroniques 1/ LDX 78044/ | Uni Wellington | Preis Bourges 1976 | 1 | ||||||||
| 18432 | Jack | Body | Musik Mulut | 1989 | fixed media, akusmatisch | 11:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 1949 | Jack | Body | Silence and me | 1970 | fixed media, akusmatisch | 9:20 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 18792 | Jack | Body | Suara | 1993 | fixed media, akusmatisch | 66:55 | Stereo | 0 | |||||||||||
| 22090 | Jack | Body | Vox Humana | radiophon | 1:19 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 1954 | Peter | Böhm | eseau topoi | 1987 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 1957 | Peter | Böhm | Illegal Direct | 1986 | Film | PS C. | 0 | ||||||||||||
| 1958 | Peter | Böhm | KRIMI | 1992 | Film | PS C. | 0 | ||||||||||||
| 1962 | Peter | Böhm | Palotin | 1991 | fixed media, akusmatisch | 8:00 | Stereo | PS C. | 0 | ||||||||||
| 1963 | Peter | Böhm | PLOT | 1988 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 1964 | Peter | Böhm | Protuberanzen | 1987 | Film | PS C. | 0 | ||||||||||||
| 1965 | Peter | Böhm | realisation of Roman Haubenstock-Ramati: Unruhiges Wohnen | fixed media, akusmatisch | ELAK Wien | 0 | |||||||||||||
| 1966 | Peter | Böhm | Redundant Air | 1993 | live-elec, 2 perf | 12:06 | p, t-sax [Saxophon, Piano] | ISPW | electronic access 95 - die andere saite Nr. 1/ | PS C. | 1 | ||||||||
| 1967 | Peter | Böhm | Stenimals | 1989 | live-elec, 3 perf | vn, vc, t-sax [Saxophon, Cello, Violine] | PS C. | 0 | |||||||||||
| 1968 | Peter | Böhm | Stenimals II | 1991 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 1970 | Peter | Böhm | Synapsen | 1991 | Film | PS C. | 0 | ||||||||||||
| 1971 | Peter | Böhm | Videoman-Spiegelraub | 1994 | Klangkunst, Installation | PS C. | 0 | ||||||||||||
| 1956 | Peter, Carol | Böhm, Morgan | Gremnite Basalt QWS Keysel | 1993 | live-elec, 1 perf | p [Piano] | PS C. | 0 | |||||||||||
| 1951 | Peter, Gerald | Böhm, Trimmel | Bewegung | 1991 | live-elec, 1 perf | 50:00 | com [computer] | PS C. | 0 | ||||||||||
| 1952 | Peter, Gerald | Böhm, Trimmel | Der versprochene Raum | 1988 | intermedia | 45:30 | PS C. | 0 | |||||||||||
| 1953 | Peter, Gerald | Böhm, Trimmel | Ein Schock, der quer ums Matterhörndl sich legt | 1990 | live-elec, 1 perf | 15:00 | com [computer] | PS C. | 0 | ||||||||||
| 1955 | Peter, Gerald | Böhm, Trimmel | Fast Lautlos | 1989 | Zuspiel, live-elec, 1 perf | 22:40 | V, (soundpen) [Stimme] | PS C. | 0 | ||||||||||
| 1960 | Peter, Gerald | Böhm, Trimmel | Palimpsest / B | 1991 | live-elec, 1 perf | 20:00 | com [computer] | PS C. | 0 | ||||||||||
| 1961 | Peter, Gerald | Böhm, Trimmel | Palimpsest / C | 1993 | live-elec, | 40:00 | PS C. | 0 | |||||||||||
| 1969 | Peter, Gerald | Böhm, Trimmel | Stepsofaliena | 1989 | Zuspiel, live-elec, 1 perf | 50:00 | (com), vn [Violine] | PS C. | 0 | ||||||||||
| 1950 | Peter, Gerald, Klaus | Böhm, Trimmel, Hollinetz | a sumatra l"art amusa" | 1987 | live-elec, | 14:50 | PS C. | 0 | |||||||||||
| 1959 | Peter, Gerald, Klaus | Böhm, Trimmel, Hollinetz | Network 7 | 1987 | Klangkunst, Installation | 15:30 | PS C. | 0 | |||||||||||
| 36706 | Tatjana | Böhme-Mehner | Milonga. Stadt. Klang | fixed media, akusmatisch | elek 003/ | 0 | |||||||||||||
| 1972 | Frank | Böhme | Konturen | 1991 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | gui [Gitarre] | AdK Berlin | 0 | |||||||||
| 1973 | Frank | Böhme | Out of Town | 1990 | Film | 15:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 1974 | Konrad | Boehmer | Apocalipsis cum figuris | 1983/1984 | Zuspiel / Tonband, 9 perf | 37:48 | Quadro | 4 perc, 2 p, 3 V [Stimme, Piano, Schlagzeug] | BVHAAST 9011/ BVHAAST 0206/ | SVEM / NOS | NOS (Nederlandse Omroepprogramma Stichting, Hilversum) | 20.10.1984 | Donaueschingen (Donaueschinger Musiktage) 1984. (Slagwerkgroep Den Haag; Gunilde Cramer + Yukiko Sugawara, piano, Jan Hendriks, Ernst Jansz + Henny Vrienten, voices; Cond.: Konrad Boehmer) | 1 | http://www.kboehmer.nl/ | ||||
| 1975 | Konrad | Boehmer | Aspekt | 1966 - 1967 | fixed media, akusmatisch | 15:15 | Stereo, Quadro | serielle Arbeit | BVHAAST 9011/ SR 164 sub rosa/ BVHAAST 0206/ Post Scriptum PS 001/ SR 190 sub rosa/ | Sonology Utrecht | 27.2.1967 27.3.1967 7.10.1967 |
Utrecht Stedelijk Museum, Amsterdam (integral) Musikfest München (DE) |
Price of the 5th Biennale of Paris in 1968 EDISON in 1993 |
1 | http://www.kboehmer.nl/ | ||||
| 1976 | Konrad | Boehmer | Cry of this earth, Schrei dieser Erde Schreeuw van deze aarde |
1978 | Zuspiel / Tonband, 1 perf | 14:50 | Stereo, Quadro | perc [Schlagzeug] | BVHAAST 9011/ BVHAAST 0206/ | PS de Boer Amsterdam | 17.11.1979 | Stedelijk Museum, Amsterdam, Solistin: Willy Goudswaard | 1 | http://www.kboehmer.nl/ | |||||
| 36781 | Konrad | Boehmer | De Schreeuw van Deze Aarde | 1978 | fixed media, akusmatisch | 14:50:00 | PS Raaijmakers, PS de Boer Amsterdam | 0 | |||||||||||
| 1977 | Konrad | Boehmer | Der Tänzer unserer lieben Frau | 1963 | Tanz | 59:24 | Stereo | Ballett von Erich Walter und Heinrich Wendel | WDR SEM | Wuppertaler Ballet Company | 30.1.1964 | Wuppertaler Bühnen, Solisten: Inge Koch, André Doutreval | 0 | http://www.kboehmer.nl/ | |||||
| 32768 | Konrad | Boehmer | Echelon | 2001 | Zuspiel / Tonband, 6 perf | Stereo | 3 gui, b-gui, 2 perc [Gitarre, Schlagzeug] | Holland Festival & 'Fonds voor de Scheppende Toonkunst' | 13.6.2001 | Municipal Theatre (Stadsschouwburg) Amsterdam; Performers: Sonic Youth | 0 | ||||||||
| 37429 | Konrad | Boehmer | Jugend | 1966/1967 | radiophon | 21 | Stereo | Text by Ferdinand Kriwet | RB | 0 | |||||||||
| 1978 | Konrad | Boehmer | Korteks | 1968 | radiophon | 40:00 | Stereo | Text by Gerrit Pleitner | Sonology Utrecht, NCRV Hilversum | 0 | http://www.kboehmer.nl/ | ||||||||
| 22314 | Konrad | Boehmer | Logos Protos | 1998 - 1999 | Zuspiel / Tonband, 4 perf | 20:51 | Octo | 4 mime (2 vocals?) [Schauspieler] | 3. Teil eines "Tryptikons", zu dem auch Nomos Protos und Kronos Protos gehören | BVHAAST CD 06/0701/ | Sonology Den Haag | 12.2.2000 | Felix Meritis, Amsterdam, Ensemble Perlon (Terza Prattica Festival) | 1 | http://www.kboehmer.nl/ | ||||
| 32769 | Konrad | Boehmer | Orpheus unplugged | 1999 - 2000 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Text by Albert Ostermaier. | BVHAAST 0901/ | PS C., Sonology Den Haag | 30.6.2000 | Landsberg am Lech, Solist: Nicolas Hodges | 0 | ||||||
| 1979 | Konrad | Boehmer | Position | 1960 - 1962 | Zuspiel / Tonband, 1 perf, 2 groups | 15:50 | Quadro | Vs, orc [Stimme, Orchester] | please read comments of „Reflexe“; Text by Ferdinand Kriwet | BVHAAST 0504/ IDEAMA CD 043/ | WDR SEM | 12.1.1963 | 'Musik der Zeit', Kölner Rundfunk-Sinfonieorchester; Dir.: Bruno Maderna | 0 | http://www.kboehmer.nl/ | ||||
| 32770 | Konrad | Boehmer | Reflexe | 1958 - 1959 | fixed media, akusmatisch | 0:24 | Stereo | PEM CD 1(available @ MCN Amsterdam)/ | WDR SEM | 0 | https://soundcloud.com/imd-summer-course/nachruf-konrad-boehmer | ||||||||
| 18433 | Konrad | Boehmer | Sainte Justine - Etre suprême, suite la Révolution Française | 1989 | fixed media, akusmatisch | 17:46 | Stereo | IMEB Bourges | 9.6.1990 | Musée Estève, Bourges | 0 | http://www.kboehmer.nl/ | |||||||
| 32771 | Konrad | Boehmer | Sensor | 2007 | Musiktheater, 8 perf | 6 | 3 actor, p, cl, 2 perc, conductor [Klarinette, Piano, Schlagzeug, Performer, Schauspieler] | Text by Albert Ostermaier. „Elektrisches Musiktheater“ |
Sonology Den Haag | 23.1.2016 | Deutsche Oper Berlin, Schreinerei | 0 | http://www.deutscheoperberlin.de/de_DE/calendar/sensor.13002923# | ||||||
| 28401 | Christian | Bök | Mushroom Clouds | 2005 | Performance | 1:32 | recorded at Calgary | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | ||||||||||
| 28409 | Christian | Bök | Synth Loops | 2005 | Performance, live-elec, | 2:11 | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | |||||||||||
| 1981 | Dieter | Boekle | Incisions | 1971 | Zuspiel / Tonband, 3 perf | cl, vc, p [Klarinette, Piano, Cello] | 0 | ||||||||||||
| 42209 | Heinrich, Fritz | Böll, Maldener | Doktor Murkes gesammeltes Schweigen, Dr. Murkes gesammeltes Schweigen | 1986 | radiophon | SR | 28.4.1965 | SR Saarbrücken | 0 | ||||||||||
| 42084 | Heinrich, Rolf-Hans | Böll, Müller | Doktor Murkes gesammeltes Schweigen, Dr. Murkes gesammeltes Schweigen | 1986 | radiophon | Der Hörverlag 2006/ | SWR, SR | 20.1.1987 | SWR | Radio-Eins-Hörspielkino-Publikumspreis 2004 Goldener Bobby 1988 für Udo Schuster |
0 | ||||||||
| 23115 | Georg | Bönn | 36 samples of harmony | 1995 | Zuspiel / Tonband, 7 perf | 8:00 | b-fl, ob, hn, tpt, vn, va, db [Flöte, Oboe, Horn, Trompete, Viola, Violine, Kontrabass] | Ensemble Modern. 1. Nachwuchsforum 1996 der GNM | WER NZ 5/2002/ | ZKM Karlsruhe | 27.1.1996 | Frankfurt, Ensemble Modern | 1 | ||||||
| 29265 | Georg | Bönn | CLONES | 1997/1998 | live-elec, 5 perf | 60 | (high) S, 2 perc, db-cl, elec [Sopran, Klarinette, Schlagzeug, elektronik] | Radio Bremen, HdK Bremen | 1.5.1998 | Lichthaus, Bremen, Festival pro musica nova, Radio Bremen, Petra Hoffmann and Angelika Luz, sopranos, Beate Zelinsky, contrabass clarinet, Françoise Rivalland und Christian Dierstein, percussion, Georg Boenn: Live-electronics | 0 | ||||||||
| 29264 | Georg | Bönn | DARK MATTER | 1998 | Klangkunst, Installation | Performance || audiovisuell |
65 | perfs (metal plate, b-pump, feedback, CD, video and tv-sets) [Performer] | September 1998 | Hamburg, Group exhibition in the Museum of Time | 0 | |||||||||
| 19276 | Georg | Bönn | fallout | 1995 | fixed media, akusmatisch | 15:45 | WER 2051 2/ zkm edition 1/ | ZKM Karlsruhe | 8.11.1995 | Institut Français, Bremen | 1 | ||||||||
| 29259 | Georg | Bönn | Genova VII 2001 | 2001/2002 | fixed media, akusmatisch | 16 | revised version (2002) | 9.11.2002 | pgnm festival, Bremen | 0 | |||||||||
| 29260 | Georg | Bönn | Genova VII 2001 | 2001 | Klangkunst, Installation | 11 | Installation / Digital Audio | 15.10.2001 | Hahnöfer Sand, Hamburg | 0 | |||||||||
| 29266 | Georg | Bönn | micro&megaphonia | 1997 | Zuspiel, live-elec, 3 perf | 28 | 3 perf (megaphones, tapes, spatializer) [Performer] | HdK Bremen | 27.6.1997 | Überseemuseum Bremen, dacapo-concerts, with Lilian van Haußen, Rüdiger Meyer and Christoph Ogiermann: megaphones, Georg Boenn: Live-electronics | 0 | ||||||||
| 29267 | Georg | Bönn | Piano-Fever | 1996 | audiovisuell, live-elec, 1 perf | 11 | com p [Piano] | for Player-Piano and Video | HdK Bremen | 30.5.1996 | Hochschule für Künste Bremen | 0 | |||||||
| 29268 | Georg | Bönn | protophonie 3 | 1994 | Zuspiel / Tonband, 1 perf | 14 | cl [Klarinette] | IRCAM | 14.1.1995 | IRCAM, Paris, Pierre Dutrieu, clarinet | 0 | ||||||||
| 29261 | Georg | Bönn | The Barbed-Wired Piano | 1999 | live-elec, 6 perf | 11 | Mez, fl or b-fl, hp, Kbd, p, com (Max/MSP) [Mezzo, Flöte, Piano, Keyboard, Harfe, computer] | 6.7.1999 | Musica Viva 1999 Lissabon, Institut Franco Portugais, Ensemble WireWorks, Ltg. Georg Hajdu | 0 | |||||||||
| 29258 | Georg | Bönn | The Yellow Sound | fixed media, akusmatisch | work in progress, Electronic Music after Kandinsky | 0 | |||||||||||||
| 29263 | Georg | Bönn | Trees and Pipes | 1998 | live-elec, 2 perf | 15 | fl or b-fl, perc (wood board, b-pump, feedbacks) [Flöte, Schlagzeug] | musicaphon, Kassel, M 55712/ | 27.4.1999 | Musikhochschule Trossingen, Südwestrundfunk with Carin Levine, Flutes and Georg Boenn, Electronics | 0 | ||||||||
| 29262 | Georg | Bönn | Volatile Songs | 1998 | Zuspiel / Tonband, 1 perf | 20 | rec [Flöte] | for Recorder (Ganassi) & tape | 29.4.1999 | Saarländischer Rundfunk, Saarbrücken, Städtische Galerie, with Julia Whybrow (Recorder) and Georg Boenn (Electronics) | 0 | ||||||||
| 1982 | Jan | Boerman | Alchemie, Alchemie 1961 | 1960 - 1961 | fixed media, akusmatisch | 13:32 | Mono | study in timbre-movement; used for a Dance by Dantzig | CV 7701/ CV NEAR 04/ IDEAMA CD 015/ | STEM Utrecht, TH Delft | 1 | http://thresholdofbeauty.com/music excerpts/Alchemie 1961 excerpt.mp3 | |||||||
| 1983 | Jan | Boerman | Alliage | 1960 | fixed media, akusmatisch | 13:06 | Mono | Musique concrète | CV NEAR 04/ | TH Delft | 1 | http://thresholdofbeauty.com/music excerpts/Alliage excerpt.mp3 | |||||||
| 1987 | Jan | Boerman | Composition 1972 | 1961 | fixed media, akusmatisch | 12:44 | Quadro | after the "Goldener Schnitt" | CV 7701/ CV NEAR 05/ | Con Den Haag | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 1985 | Jan | Boerman | Composition 1974 | 1974 | fixed media, akusmatisch | Con Den Haag | 0 | ||||||||||||
| 1986 | Jan | Boerman | Composition 1979 | 1979 | fixed media, akusmatisch | 19:45 | 5 parts | CV 9603/ CV NEAR 05/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 1988 | Jan | Boerman | De touwen van de tijd (The Ropes of Time) | 1970 | Tanz | (based on De Zee) | PS Raaijmakers | 0 | |||||||||||
| 1989 | Jan | Boerman | de Zee | 1964 - 1965 | fixed media, akusmatisch | 25:30 | Quadro | Musique concrète in 12 parts, using „golden raio“ / Fibonacci sequence | CV 7701/ CV NEAR 04/ IDEAMA CD 016/ | PS Raaijmakers, PS C. | 1 | http://thresholdofbeauty.com/music excerpts/De zee excerpt.mp3 | |||||||
| 1990 | Jan | Boerman | de Zee - tweede versie | 1968 | fixed media, akusmatisch | 18:30 | Stereo, Quadro | 2nd version | PS Raaijmakers | 0 | |||||||||
| 1991 | Jan | Boerman | Die Vögel | 1989 | Zuspiel / Tonband, 4 perf, 1 group | Quadro | ch, br-qt [Bläser, Chor] | 0 | |||||||||||
| 1993 | Jan | Boerman | Etude sonore, Alchemie 1961 | 1961 | fixed media, akusmatisch | 2:00 | Quadro | from Alchemie 1961 | Con Den Haag | 0 | |||||||||
| 1984 | Jan | Boerman | Kompositie 1972 | 1972 | fixed media, akusmatisch | 12:44 | Octo | CV 9603/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24245 | Jan | Boerman | Kompositie 1989 | 1989 | fixed media, akusmatisch | 18:45 | CV NEAR 06/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 24248 | Jan | Boerman | Kringloop I | 1994 | fixed media, akusmatisch | 15:26 | CV NEAR 08/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 24249 | Jan | Boerman | Kringloop II | 1995 | fixed media, akusmatisch | 19:27 | CV NEAR 08/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 1994 | Jan | Boerman | Les Bâtisseurs d‘Empire, The Empire Builders | 1964 | Theatermusik | 30:00 | Mono | PS Raaijmakers | Van Iersel | May 1964 | Holland Festival (?) | 0 | |||||||
| 1995 | Jan | Boerman | Monument voor een gestorven jongen | 1965 | Tanz | 50:00 | Mono | PS Raaijmakers | 19.6.1965 | Holland Festival Amsterdam | 0 | ||||||||
| 1996 | Jan | Boerman | Musique Concrète | 1959 | fixed media, akusmatisch | 3:04 | Mono | first elec work of Boerman | CV 7803/ CV NEAR 04/ BASTA 30-9182-2/ Creel Pone 10/ | TH Delft | 1 | http://thresholdofbeauty.com/music excerpts/Musique concrete excerpt.mp3 | |||||||
| 24243 | Jan | Boerman | Muziek voor het Maasproject I / II | 1988/1995 | Zuspiel, live-elec, 7 perf | 34:00 | 16 Tracks | 6 br, Fairlight [computer, Bläser] | Verions without brass under the Titel "Klank, Ruimte, Beweging". The CD-Production is also a reduction in time and without brass and in soundmovings |
CV NEAR 06/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 1997 | Jan | Boerman | Negen varianten | 1970 | fixed media, akusmatisch | Con Den Haag | 0 | ||||||||||||
| 1998 | Jan | Boerman | Ontketening I | 1983 | Zuspiel / Tonband, 2 perf | Stereo + Stereo | 2 perf [Performer] | 3 aluminium plates | Con Den Haag | 0 | |||||||||
| 1999 | Jan | Boerman | Ontketening II | 1984 | Zuspiel, live-elec, 4 perf | 28:41 | 4 perc [Schlagzeug] | CV 9603/ CV NEAR 05/ | Con Den Haag | Slagwerkgroep Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2000 | Jan | Boerman | Prisma | 1987 | Zuspiel, live-elec, 1 perf | com [computer] | Maasprojekt; Fairlight | 0 | |||||||||||
| 2001 | Jan | Boerman | Rinoceros | 1960 | Theatermusik | 35:00 | Mono | Text: Ionesco | TH Delft | Toneelwerkgroep Test | 0 | ||||||||
| 24250 | Jan | Boerman | Ruine | 1997 | fixed media, akusmatisch | 16:13 | CV NEAR 08/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 24246 | Jan | Boerman | Tellurisch | 1991 | fixed media, akusmatisch | 32:15 | CV NEAR 07/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||||
| 34414 | Jan | Boerman | Toon - Ruis, Uitwerking van een methode | 1971 | fixed media, akusmatisch | 7 | Stereo + Stereo | Con Den Haag | 0 | ||||||||||
| 24241 | Jan | Boerman | Variant IV | 1967 - 1970 | fixed media, akusmatisch | 7:01 | Stereo | from Negen Varianten | CV NEAR 04/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24242 | Jan | Boerman | Variant IX | 1967 - 1970 | fixed media, akusmatisch | 7:01 | Stereo | from Negen Varianten | CV NEAR 05/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24244 | Jan | Boerman | Vlechtwerk | 1988 | fixed media, akusmatisch | 12:52 | Octo | CV NEAR 06/ | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 24247 | Jan | Boerman | Vocalise 1994 | 1994 | fixed media, akusmatisch | 64:30 | CV NEAR 07/ | Pijper-Prize 1997 of the Wagenaar Stichting | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 2002 | Jan | Boerman | Vocalise-voorstudie | 1976 | fixed media, akusmatisch | Con Den Haag | 0 | ||||||||||||
| 24253 | Jan | Boerman | Voor de Fabriek | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 2003 | Jan | Boerman | Weerstand | 1981 | Zuspiel / Tonband, 1 group | (special) ens [Ensemble] | 0 | ||||||||||||
| 24252 | Jan | Boerman | Zonnesteen | 1968 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 24251 | Jan, Dick | Boerman, Raaijmakers | De bouwers van het rijk | 1964 | Theatermusik | Stereo | The Empire Builders (1957) by Boris Vian | PS Raaijmakers | 0 | ||||||||||
| 1992 | Jan, Dick | Boerman, Raaijmakers | Een groot dood dier | 1964 | Theatermusik | Stereo | Text: Bert Schierbeck | PS Raaijmakers | 0 | http://v2.nl/archive/articles/chronology-work-and-life-of-dick-raaymakers#top | |||||||||
| 2004 | Daniel | Börtz | Monologhi 4 | 1970/1976 | fixed media, akusmatisch | 11:00 | Stereo | rev. 1976 | 0 | ||||||||||
| 2005 | Daniel | Börtz | Muren-Vägen-Ordet | 1972 | Oper, 1 group | 45:00 | Stereo | orc [Orchester] | Akt I, II, III | EMS Stockholm | 0 | ||||||||
| 2006 | Daniel | Börtz | Pastorale | 1974 | fixed media, akusmatisch | 11:05 | Stereo | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 2007 | Daniel | Börtz | Voces | 1968 | Zuspiel / Tonband, 3 perf, 1 group | 4:34 | Stereo | orc, 3 S [Sopran, Orchester] | EMS Stockholm | 0 | |||||||||
| 2008 | Rainer | Boesch | ***, Suite II | 1988 | fixed media, akusmatisch | 11:53 | Stereo | AMEG - CD 01/ | C&C Annecy | 1 | |||||||||
| 22585 | Rainer | Boesch | à propos de quelques sons très doux | 1992 | Zuspiel / Tonband, 5 perf | gui, str-qt [Gitarre, Streicher] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 22586 | Rainer | Boesch | Bilder | 1989 | Zuspiel / Tonband, 1 perf | fl [Flöte] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 40616 | Rainer | Boesch | Camus | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 27305 | Rainer | Boesch | Cantagruelle aux enfers … | 1993 | fixed media, akusmatisch | 19:54 | LDC 2781105/ | IMEB Bourges | 0 | ||||||||||
| 2009 | Rainer | Boesch | Cantus | 1987 | fixed media, akusmatisch | 8:44 | Stereo | SZCM 01/ | C&C Annecy, CSMI Genève, SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 2010 | Rainer | Boesch | Chant dans la nuit | 1967 | fixed media, akusmatisch | 6:30 | Stereo | Etude de stage | INA • GRM | 10.3.1969 29.5.1969 |
Sussex University Paris, Maison de la Radio, Studio 105 |
0 | |||||||
| 2011 | Rainer | Boesch | Clavirissima | 1987 | live-elec, 1 perf | 10:29 | Stereo | p [Piano] | WER 2028; Computer Music Currents 8/ | SCCM | 1 | http://www.computermusic.ch/ | |||||||
| 2012 | Rainer | Boesch | Désagrégation | 1968 | Zuspiel / Tonband, 1 group | 16:28 | Stereo | ens [Ensemble] | INA • GRM | 30.1.1969 | Paris, Maison de la Radio | 0 | |||||||
| 35793 | Rainer | Boesch | Erinnerungen an Veränderungen für Logos-Automaten | 2006 | live-elec, | 4.11.2006 | HfMT Köln | 0 | |||||||||||
| 2013 | Rainer | Boesch | Fêtes | 1972 | Zuspiel/Tonband, 2 perf, 1 group | fixed media, akusmatisch |
28:18 | Stereo + Stereo, Quadro | ch, rec, ins [Flöte, Instrument, Chor] | INA • GRM | 11.8.1972 19.3.1973 |
Vaison-la-Romain, Th. Antique; dir. B. de Vinogradov Paris, Th. Récamier |
0 | |||||||
| 22587 | Rainer | Boesch | Kreise | 1986 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 24368 | Rainer | Boesch | Les deuxmilledeuxpattes se sont décidés à bouger, enfin ! | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18794 | Rainer | Boesch | Mécaniques | 1992 | fixed media, akusmatisch | 14:15 | Stereo | Collectif & Cie, AMEG CD 02/ | SCCM | 0 | http://www.computermusic.ch/ | ||||||||
| 2014 | Rainer | Boesch | Miniatures | 1983 | fixed media, akusmatisch | 0 | |||||||||||||
| 40622 | Rainer | Boesch | Monsieur Fugue | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 18434 | Rainer | Boesch | Pierres | 1990 | fixed media, akusmatisch | 12:45 | LDC 2781115/16/17 opus 30/ | IMEB Bourges | 1 | ||||||||||
| 2015 | Rainer | Boesch | Quatuor | 1982 | live-elec, 2 perf | intermedia || Tanz |
30:00 | Quadro | 2 dancer [Tanz] | QUATRON | LIMCA Auch | 0 | ||||||||
| 22588 | Rainer | Boesch | Sonneries citadines | 1986 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 18435 | Rainer | Boesch | Trajectoires, encore ! | 1996 | fixed media, akusmatisch | 9:02 | IMEB Bourges | 0 | |||||||||||
| 22589 | Rainer | Boesch | trois fois | 1992 | Zuspiel / Tonband, 3 perf | 3 mus [Musiker] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 2016 | Philippe | Boesmans | Adorable Vampire | 1964 | radiophon | 30:00 | Mono | IPEM Gent | 0 | ||||||||||
| 2017 | Philippe | Boesmans | Day dreams | 1991 | live-elec, 1 perf | 27:52 | mar [Schlagzeug] | live MIDI system | RIC 115096/ | CRFMW Liège | 0 | ||||||||
| 24369 | Pierre | Boeswillwald | Au fond la mer est belle | 1999 | fixed media, akusmatisch | 15:51 | LDC 2781135/ | IMEB Bourges | 1 | ||||||||||
| 18437 | Pierre | Boeswillwald | Comme un léger glissement | 1995 | fixed media, akusmatisch | 16:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24372 | Pierre | Boeswillwald | De l'abus de la juste mesure | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 2018 | Pierre | Boeswillwald | Fantaisie (ch'tengratt) | 1975 | fixed media, akusmatisch | 12:15 | Stereo | IMEB Bourges | 0 | ||||||||||
| 21879 | Pierre | Boeswillwald | Ha ! J'Ouis | 1998 | fixed media, akusmatisch | 15:10 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2019 | Pierre | Boeswillwald | Homo dixit solliloque… te | 1977 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | actor [Schauspieler] | IMEB Bourges | 0 | |||||||||
| 2021 | Pierre | Boeswillwald | La Chèvre de Monsieur Seguin - Enfance | 1978 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2022 | Pierre | Boeswillwald | Là où les roses sont froissée | 1971 | fixed media, akusmatisch | 13:15 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 25428 | Pierre | Boeswillwald | La prommenade du Dimanche | 1969 | fixed media, akusmatisch | 7:50 | LDC 2781135/ | PS C. | 1 | ||||||||||
| 24371 | Pierre | Boeswillwald | Le crépuscule des Sphéres | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21878 | Pierre | Boeswillwald | Le livre des morts ordinaires - Page 1, L'Instant d'Après | 1987 | fixed media, akusmatisch | 17:00 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 18795 | Pierre | Boeswillwald | Le livre des morts ordinaires - Page 2, La belle vie, quelle angoisse | 1990 | fixed media, akusmatisch | 19:15 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 24370 | Pierre | Boeswillwald | Le piano joue la caravane passe | 2000 | fixed media, akusmatisch | 15:15 | LDC 2781135/ LDC 2781119/ | IMEB Bourges | 1 | ||||||||||
| 2023 | Pierre | Boeswillwald | Les Cercles hermétiques | 1980 | fixed media, akusmatisch | 17:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18438 | Pierre | Boeswillwald | Les tribulations d'une idée fixe | 1997 | fixed media, akusmatisch | 14:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18796 | Pierre | Boeswillwald | Les tympanes syncopées | 1993 | fixed media, akusmatisch | 17:51 | Stereo | va (viola de rueda) [Viola] | LDC 2781106/ | 0 | |||||||||
| 2025 | Pierre | Boeswillwald | Nuisances | 1971 | fixed media, akusmatisch | 7:15 | Stereo | Editions Mego (LP) Recollection GRM/ | INA • GRM | February 26th, 1971 | Paris, Halles Baltard | 0 | |||||||
| 18436 | Pierre | Boeswillwald | Pathos ad libitum | 1993 | fixed media, akusmatisch | 16:00 | Stereo | LDC 2781135/ | IMEB Bourges | 1 | |||||||||
| 2026 | Pierre | Boeswillwald | Sonomachie | 1984 | fixed media, akusmatisch | 14:00 | Stereo | 0 | |||||||||||
| 2027 | Pierre | Boeswillwald | Suite Charybde | 1979 | fixed media, akusmatisch | 13:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2028 | Pierre | Boeswillwald | Sur les chemins de Venise | 1983 | fixed media, akusmatisch | 19:50 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 24373 | Pierre | Boeswillwald | The right sound in the right silence | 2003 | fixed media, akusmatisch | 12:09 | LDC 2781132 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 2029 | Pierre | Boeswillwald | Toccatanne no 1 | 1973 | fixed media, akusmatisch | 20:55 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2030 | Pierre | Boeswillwald | Toccatanne no 2 - Qui est la? | 1974 | fixed media, akusmatisch | 15:01 | Stereo | LDC 2781112/13/14 opus 30/ LDC 2781135/ | IMEB Bourges | 1 | |||||||||
| 2031 | Pierre | Boeswillwald | Toccatanne no 3 - Ouverture vers une Fête | 1975 | fixed media, akusmatisch | 9:45 | Stereo | LDC 2781100/ | IMEB Bourges | 0 | |||||||||
| 2032 | Pierre | Boeswillwald | Toccatanne no 5 - Je vais vous dire | 1978 | fixed media, akusmatisch | 14:50 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2033 | Pierre | Boeswillwald | Tour de France pour deux Enfants / Les Vosges et le Creusot | 1976 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 2034 | Pierre | Boeswillwald | Un mannequin nu | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 2024 | Pierre, Jacques | Boeswillwald, Lejeune | Musiques eclatées, Un téléphone | 1969 | Performance | 8:25 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 2035 | Georges | Boeuf | Abyssi Symphonia | 1980 | fixed media, akusmatisch | 25:10 | Stereo | GMEM EI 01 / GMEM AL 01 LP/ | GMEM Marseille | 1 | |||||||||
| 2036 | Georges | Boeuf | Champs | 1975 | fixed media, akusmatisch | 24:00 | Stereo | GMEM AL 01 LP/ | GMEM Marseille | 0 | |||||||||
| 2037 | Georges | Boeuf | Du Coté Du Miroir | 1977 | fixed media, akusmatisch | Theatermusik |
13:25 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2038 | Georges | Boeuf | Etude | 1985 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | fl [Flöte] | GMEM Marseille | 0 | |||||||||
| 2039 | Georges | Boeuf | … FIL … | 1981 | fixed media, akusmatisch | 7:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2040 | Georges | Boeuf | Grey Cat | 1974 | fixed media, akusmatisch | 6:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2041 | Georges | Boeuf | Jusqu'au lever du jour | 1977 | fixed media, akusmatisch | 11:40 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2042 | Georges | Boeuf | Le Chant De La Terre | 1993 | fixed media, akusmatisch | 102:00 | Octo | GMEM Marseille | 0 | ||||||||||
| 2043 | Georges | Boeuf | Le Départ Pour La Lune | 1972 | Zuspiel / Tonband, 1 perf | 13:11 | Stereo | org [Orgel] | GMEM Marseille | 0 | |||||||||
| 2044 | Georges | Boeuf | Le Sang Des Uns | 1973 | fixed media, akusmatisch | 21:40 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2045 | Georges | Boeuf | Les filles du sommeil | 1987 | fixed media, akusmatisch | 30:34 | Stereo | GMEM EI 01/ | GMEM Marseille | 1 | |||||||||
| 2046 | Georges | Boeuf | Mémoire | 1972 | fixed media, akusmatisch | 26:41 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2047 | Georges | Boeuf | Nocturne, Aux portes de la nuit Les heures insoumises Vers le jour |
1986 | Zuspiel, live-elec, 1 perf | 18:15 | Stereo | p, (MIDI-p, sam) [Piano] | GMEM Marseille | 1 | 1992 | ||||||||
| 2048 | Georges | Boeuf | Phrases II | 1981 | Zuspiel / Tonband, 1 perf | 16:00 | Stereo | s-sax [Saxophon] | GMEM Marseille | 0 | |||||||||
| 2049 | Georges | Boeuf | Que La Vie | 1982 | fixed media, akusmatisch | Tanz |
40:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2050 | Georges | Boeuf | Six Chants Pour La Terre | 1991 | Zuspiel / Tonband, 6 perf | 30:00 | Stereo | 6 perc [Schlagzeug] | GMEM Marseille | 0 | |||||||||
| 2051 | Georges | Boeuf | Solidarnosc | 1981 | fixed media, akusmatisch | Film |
90:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 2052 | Georges | Boeuf | Trois Etudes Avec Synthetiseur | 1974 | fixed media, akusmatisch | 11:10 | Stereo | GMEM Marseille | 0 | ||||||||||
| 19348 | Georges, Patrick, Christian | Boeuf, Portella, Calon | Le Chant de la Nature, Milieux marins | 1996 | fixed media, akusmatisch | Klangkunst, Installation |
71:00 | musique pour la Grande Galerie du Muséum National d'Histoire Naturelle Marseille; 15 parts | GMEM EI 05/ | GMEM Marseille | 1 | |||||||||
| 18800 | Mara | Boeuf | Nocturne | 1986 | Zuspiel / Tonband, 1 perf | 21:00 | Stereo | p [Piano] | GMEM EI 04/ | GMEM Marseille | 0 | ||||||||
| 22895 | Anna | Bofill | Punto y Seguido, Punto y Aparte | 1998 | fixed media, akusmatisch | 5:31 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 34109 | Santiago | Bogacz | Una era actual - una era antigua | 2013 | fixed media, akusmatisch | 4:27 | FONAM Urugay/ | 0 | |||||||||||
| 41608 | Mark | Bogaerts | Bamboo Manipulations | 1988 | fixed media, akusmatisch | 12:22:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 2053 | Mark | Bogaerts | Comp Guitare | 1988 | fixed media, akusmatisch | 12:04 | Musiques et Recherches Ohain | 0 | |||||||||||
| 2054 | Mark | Bogaerts | Comp Saxo | 1988 | fixed media, akusmatisch | 12:04 | Musiques et Recherches Ohain | 0 | |||||||||||
| 41609 | Mark | Bogaerts | String Journey | 1988 | fixed media, akusmatisch | 12:56:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 40134 | Nancy | Bogen | Of Wandering Forever | 2017 | audiovisuell | Nancy Bogen | 0 | ||||||||||||
| 40135 | Nancy, Hubert | Bogen, Howe | Sunday Inharmonic | 2015 | fixed media, akusmatisch | 19:41:00 | Nancy Bogen and Hubert Howe | 0 | |||||||||||
| 2055 | Natasa | Bogojevic | Full Moon Circle of Ground | 1986/1987 | Zuspiel / Tonband, 1 group | 9:00 | Stereo | fem ch [Chor] | Radio Beograd | 0 | |||||||||
| 42085 | Hermann | Bohlen | Angriff ist die beste Verteidigung | 2009 | radiophon | 54:25 | Ein von Ror Wolf vorgelassenes Hörspiel von Hermann Bohlen | SWR | 3.7.2009 | SWR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1528831&vi=6&SID | |||||||
| 42086 | Hermann | Bohlen | Onager | 2004 | radiophon | Eine dreiteilige Entdeckungsreise in die Welt der 50er Jahre | RB | Radio Bremen / Rudolf-Alexander-Schröder-Stiftung 2004 | 23.7.2004 | Radio Bremen | Hörspiel des Monats Juli 2004 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1470821&vi=20&SID | ||||||
| 42087 | Hermann | Bohlen | Prozedur 7.7.0 | 1995 | radiophon | 38:32 | SFB | Hörspielpreis "Lautsprecher" 1997 2. Platz Kurd Laßwitz-Preis 1997 |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1386175&vi=35&SID | |||||||||
| 38743 | Hermann, Frieder | BOHLEN, BUTZMANN | Die Wauwautheorie | 1995 | radiophon | 52:28:00 | 0 | ||||||||||||
| 39624 | Bret | Bohmann | Traces | 2016 | fixed media, akusmatisch | Bret Bohmann | 0 | ||||||||||||
| 39879 | James | Bohn | Pantone for Theremin and video | 2017 | audiovisuell, live-elec, 1 perf | Theremin [synthesizer] | James Bohn | 0 | |||||||||||
| 19642 | François | Bohy | Notas Fugaces | 1995 | Zuspiel / Tonband, 1 group | 10:00 | Stereo | ens [Ensemble] | LIEM CDMC Madrid | 0 | |||||||||
| 2056 | Paul | Boisselet | Le Chant des Hommes, poème radiophonique | 1950 | radiophon | 40:00 | Mono | ondes Martenot, gen | PS C. Paris | 0 | |||||||||
| 2057 | Paul | Boisselet | Le Robot | 1954 | Tanz, 6 perf | 25:00 | Mono + Mono | p, V, hpd, str, perc, mime [Stimme, Piano, Cembalo, Schlagzeug, Schauspieler, Streicher] | SFP/ | PS C. Paris | 0 | ||||||||
| 2058 | Paul | Boisselet | Melina | 1967 | live-elec, 4 perf | 15:00 | Mono + Mono + Mono + Mono | V, Kbd, tim, perc [Stimme, Keyboard, Schlagzeug] | PS C. Paris | 0 | |||||||||
| 2059 | Paul | Boisselet | Symphonie jaune (#2) | 1964 | live-elec, 4 perf, 1 group | 15:00 | Mono + Mono | tim, perc, orc, hpd, acc [Akkordeon, Cembalo, Schlagzeug, Orchester] | SFP/ Creel Pone 36/ | PS C. Paris | 0 | ||||||||
| 2060 | Paul | Boisselet | Symphonie noire (#3) | 1966 | Zuspiel / Tonband, 1 group | 15:00 | Mono + Mono + Mono + Mono | ch [Chor] | PS C. Paris | 0 | |||||||||
| 2061 | Paul | Boisselet | Symphonie rouge (#1) | 1949 | Zuspiel / Tonband, 3 perf, 1 group | 50:00 | Mono + Mono | orc, p, oma, hp [Piano, Harfe, synthesizer, Orchester] | SFP/ Creel Pone 36/ | PS C. Paris | 0 | ||||||||
| 2062 | Michèle | Bokanowski | 3 chambres d'inquiétude, trois chambres d'inquiétude | 1975 | fixed media, akusmatisch | 27:10 | Stereo | trAce 028/ | IMEB Bourges, PS C. | 0 | |||||||||
| 38006 | Michèle | Bokanowski | Chant d’ombre | 2004 | fixed media, akusmatisch | 24:30 | dedicated to Éliane Radigue | Optical Sound OS 055/ | PS C. | 0 | |||||||||
| 19377 | Michèle | Bokanowski | Cirque, Allegro Andante Scherzo Galop Finale (Parade) |
1994 | Tanz | fixed media, akusmatisch |
36:46 | Stereo | 5 parts: Allegro, Andante, Scherzo, Galop, Finale | IMED 9525/ Motus M 314017/ | Kira BM Films, Les Musiques de la Boulangère | 23.05.1994 | Socar factory in Crest, Futura | 0 | ||||||
| 32980 | Michèle | Bokanowski | Enfance | 2011 | fixed media, akusmatisch | 27:04 | Motus M 314017/ | 1.4.2012 | Présences «électronique», Salle 400 — Centquatre (Paris, France) | 0 | |||||||||
| 2063 | Michèle | Bokanowski | Kore | 1972 | Zuspiel / Tonband, 12 perf | 7:00 | Stereo | 12 V [Stimme] | partie bande: 7:00 | INA • GRM | 26.8.1972 | München, Haus der Kunst, Olympics; avec les solistes des chœurs de l’ORTF, dir. M. Courad | 0 | ||||||
| 24705 | Michèle | Bokanowski | L’étoile absinthe | 2000 | fixed media, akusmatisch | 20:00 | Stereo | MK CD 031/ Optical Sound OS 055/ | PS C. | 10.3.2001 | Maison de Radio-France, Paris | 0 | |||||||
| 38005 | Michèle | Bokanowski | Phone Variations | 1986 - 1988 | fixed media, akusmatisch | 23:45 | trAce 028/ | , PS C. | 0 | ||||||||||
| 2064 | Michèle | Bokanowski | Pour un pianiste | 1974 | Zuspiel / Tonband, 1 perf | 17:35 | Stereo | p [Piano] | trAce 021/ | IMEB Bourges, PS C. | 28.5.1974 | Bourges (Frankreich) | 0 | ||||||
| 2065 | Michèle | Bokanowski | Suite pour l’Ange | 1979 | Film | 63:20 | vn and va, vc, db [Viola, Cello, Violine, Kontrabass] | 10 parts | trAce 017/ | PS C. | 0 | ||||||||
| 2066 | Michèle | Bokanowski | Tabou | 1984 | fixed media, akusmatisch | 16:12 | Stereo | MK CD 003/ trAce 028/ | IMEB Bourges, PS C. | 1 | |||||||||
| 2067 | Vladimir | Bokes | Lied ohne Worte Opus 34. | 1993 | fixed media, akusmatisch | 7:37 | Stereo | PS Jakub Bratislava | 0 | ||||||||||
| 2068 | Vladimir | Bokes | Tri letne preludia (3 summer Preludes) | 1982 | fixed media, akusmatisch | 14:09 | Stereo | CECM Bratislava | 0 | ||||||||||
| 25849 | Sinan | Bokesoy | Imprints | 2005 | fixed media, akusmatisch | 7:12 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 2005 | Is Sanat Hall in Istanbul | 1 | ||||||||
| 31414 | Georgios | Bokos | Dreselechtris | 2003 | Zuspiel / Tonband, 1 perf | 13:00:00 | e-gui [Gitarre] | HfM Dresden | 0 | ||||||||||
| 32805 | César | Bolaños | Alpha-Omega | 1967 | Performance | experimental audio-viual cantata | Tella B.Aires | 0 | |||||||||||
| 32803 | César | Bolaños | Canción sin Palabras, ESEPCO II | 1970 | Zuspiel / Tonband, 2 perf | 14:04:00 | 2 p [Piano] | ESEPCO ≈ Computer Sound-Expressive Structure (Homage to the unpronounced words), com-music | Pogus Productions P21053/ | Tella B.Aires | 20.12.1970 | Instituto di Tella Buenos Aires (Edgar Valcarcel, César Bolaños, p) | 0 | ||||||
| 2069 | César | Bolaños | Dos en el Mundo | 1965 | Film | 90:00 | Mono | Tella B.Aires | 0 | ||||||||||
| 2070 | César | Bolaños | El Ombú | 1965 | Tanz | 30:00 | Stereo | Tella B.Aires | 0 | ||||||||||
| 32800 | César | Bolaños | Flexum | 1969 | Zuspiel / Tonband, 3 perf, 1 group | 13:50:00 | ww-inss, str, perc [Schlagzeug, Bläser, Streicher] | Pogus Productions P21053/ | Tella B.Aires | 23.09.1969 | Instituto di Tella Buenos Aires | 0 | |||||||
| 32801 | César | Bolaños | I-10-AIFG/Rbt-1 | 1968 | Zuspiel, live-elec, 10 perf | 9:27 | 3 perf, hn, trbn, e-gui, 2 perc, 2 perf (for projections, 9 slide projectors) [Horn, Posaune, Gitarre, Schlagzeug, Performer] | Pogus Productions P21053/ | Tella B.Aires | 26.10.1968 | Instituto di Tella Buenos Aires | 0 | |||||||
| 2071 | César | Bolaños | Intensidad y Altura | 1964 | fixed media, akusmatisch | 5:15 | Stereo | after a poem de César Vallejo this seems to be the first work of Studio Di Tella |
Pogus Productions P21053/ Tacuabé T/E 3/ IDEAMA CD 057/ | Tella B.Aires | 21.11.1964 | Instituto di Tella Buenos Aires | 0 | 1984 | |||||
| 2072 | César | Bolaños | Interpolaciones | 1966 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | e-gui [Gitarre] | Pogus Productions P21053/ | Tella B.Aires | 16.09.1966 | Instituto di Tella Buenos Aires (Julio Martin Viera) | 0 | ||||||
| 2073 | César | Bolaños | Las Paredes | 1966 | Theatermusik | 90:00 | Stereo | Tella B.Aires | 0 | ||||||||||
| 2074 | César | Bolaños | Lutero | 1965 | Theatermusik | 90:00 | Stereo | Tella B.Aires | 0 | ||||||||||
| 32804 | César | Bolaños | Ñacahuasu | 1970 | live-elec, 1 perf, 1 group | 20:47:00 | orc, amp Sp [Sprecher, Orchester] | Text: Diary of Che Guevara | Pogus Productions P21053/ | Tella B.Aires | Radio Bremen | 27.05.1970 | Bremen, Pro Musica Nova, Radio Bremen Orchester, dir. Klaus Bernbacher | 0 | |||||
| 32802 | César | Bolaños | Sialoecibi, ESEPCO I | 1970 | live-elec, 2 perf | 9:19:00 | p, Sp [Sprecher, Piano] | ESEPCO ≈ Computer Sound-Expressive Structure (Homage to the unpronounced words), com-music | Pogus Productions P21053/ | Tella B.Aires | 29.10.1970 | Instituto di Tella Buenos Aires, Norberto Campos Sp, Gerardo Gandini, p) | 0 | ||||||
| 2075 | César | Bolaños | Transformaciones sobre un tema de Alberto Williams | 1966 | Hintergrundmusik | 15:00 | Mono | Tella B.Aires | 0 | ||||||||||
| 35503 | Cèsar | Bolaños | Canciò sin palabras, esepco II | 1970 | Zuspiel / Tonband, 1 perf | 14:34 | p [Piano] | 0 | |||||||||||
| 35504 | Cèsar | Bolaños | Canciòn sin palabras, esepco II | 1970 | Zuspiel / Tonband, 1 perf | 14:34 | p [Piano] | 0 | |||||||||||
| 25850 | Balint | Bolcso | Bird eye | 2003 | fixed media, akusmatisch | 5:03 | with inss | EX 656 Elak Wien/ | ELAK Wien | 1 | |||||||||
| 25609 | Balint | Bolcso | French Mirror | 2006 | fixed media, akusmatisch | Stereo | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. | Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | |||||||||
| 24107 | Stefano | Bollani | La casa subito dopo il ponte | 2005 | Zuspiel, live-elec, 3 perf | 25:02 | 9 tracks | jazz-trio [Instrument] | Tempo Reale Firenze | 0 | |||||||||
| 28498 | Jan-Bas | Bollen | De Karmellenberg | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 28497 | Jan-Bas | Bollen | Looking for Peter | 1996 | fixed media, akusmatisch | 0 | |||||||||||||
| 28496 | Jan-Bas | Bollen | Sync | 1995 | live-elec, | 0 | |||||||||||||
| 28491 | Jan-Bas | Bollen | Walker | fixed media, akusmatisch | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | |||||||||||||
| 19378 | Ross | Bolleter | Nallan Void | 1987 | live-elec, 1 perf | 11:24 | Stereo | p [Piano] | NA 028/ | 0 | |||||||||
| 2076 | Christian | Bollmann | Elemente, Feuer - Wasser - Erde - Luft | 1981/1982 | Musiktheater | intermedia |
12:08 | Quadro | Ein Spiel mit Musik, Bewegung und Bildern | HfMT Köln | 0 | |||||||||
| 2077 | Letizia | Bolognesi | Sinusie | 1985 | fixed media, akusmatisch | 5:40 | electronikaruna "musiche sole"/ | Fonologia Firenze, CNUCE Pisa, SMET Torino | 1 | ||||||||||
| 32523 | Balint | Bolsco | lautlos | 2009 | live-elec, 1 perf | 8:31 | Stereo | V, (elec) [Stimme] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | |||||||
| 32536 | Balint | Bolsco | Ruhezone | 2009 | Klangkunst, Installation | Incontri HMTM Hannover | 15.8.2009 | Herrenhäuser Gärten, Hannover, Musik21 Festival | 0 | ||||||||||
| 43042 | Jason | Bolte | Black (W)hole | 2014 | fixed media, akusmatisch | 10:25:00 | 0 | ||||||||||||
| 42579 | Jason | Bolte | Noises Everywhere | 2009 | fixed media, akusmatisch | 8 | ASCAP/SEAMUS Student Commission Competition 2008 | 0 | |||||||||||
| 42916 | Jason | Bolte | Puttn Around | 2013 | fixed media, akusmatisch | 5:33:00 | 0 | ||||||||||||
| 42464 | Jason | Bolte | Scrap Metal | live-elec, 1 perf | p [Piano] | Juraj Kojs (SofIA Ensemble), piano | Music Teachers National Association and the Missouri Music Teachers Association | 0 | |||||||||||
| 28275 | Jason L. | Bolte | And Death … | 2007 | fixed media, akusmatisch | 4:00 | miso records mcd 023.10/ | Musica Viva Lisboa 2008 winner | 1 | http://www.misomusic.com/port/cria/concomp/2008_main.htm | |||||||||
| 39400 | Jason L. | Bolte | AridFlow | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39886 | Jason L. | Bolte | Black (W)hole | 2015 | fixed media, akusmatisch | 10:25:00 | Jason L. Bolte | 0 | |||||||||||
| 39885 | Jason L. | Bolte | swish-swoosh | 2016 | fixed media, akusmatisch | Jason L. Bolte | 0 | ||||||||||||
| 2078 | André | Bon | Fragments | 1984 | live-elec, 3 perf | 25:00 | Quadro | sax, 2 hp [Saxophon, Harfe] | QUATRON / PACOM | LIMCA Auch | 0 | ||||||||
| 2079 | André | Bon | Histoire | 1977 | fixed media, akusmatisch | 13:00 | UEA Norwich | 0 | |||||||||||
| 2080 | André | Bon | L'image des sons | 1973 | fixed media, akusmatisch | 15:00 | INA • GRM | 0 | |||||||||||
| 2081 | Luisa | Bon | Herz aus Stein | 1983/1984 | fixed media, akusmatisch | 5:00 | Stereo | CSC Padova | 0 | ||||||||||
| 2082 | Luisa | Bon | Laguna | 1981 | fixed media, akusmatisch | 8:10 | Stereo | CSC Padova | 0 | ||||||||||
| 2083 | Luisa | Bon | Shift of Emphasis | 1983 | fixed media, akusmatisch | 8:25 | Stereo | CSC Padova | 3. prize Russolo Varese 1983 | 0 | |||||||||
| 2084 | Luisa | Bon | Tarot | 1981 | fixed media, akusmatisch | 7:30 | Stereo | CSC Padova | 0 | ||||||||||
| 2085 | Luisa | Bon | Transient | 1984 | fixed media, akusmatisch | 8:30 | Stereo | CSC Padova | 0 | ||||||||||
| 37251 | Mattia | Bonafini | Atmen | 2015 | fixed media, akusmatisch | 16:00:00 | HfK Bremen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 42917 | Alain | Bonardi | Pianotronics 2 | 2013 | live-elec, 1 perf | 7:15:00 | p [Piano] | Francesco Prode, piano | 0 | ||||||||||
| 39592 | Antonio | Bonazzo | Violin Shake | 2016 | fixed media, akusmatisch | Antonio Bonazzo | 0 | ||||||||||||
| 36923 | Daryn | Bond | Harmonic Hypercube [6-8-9-12] | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 21953 | Hans Christian | Bonden | Music for theatre performance | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 2086 | Jaques | Bondon | Themes de Orient, Quatuor | live-elec, 4 perf | 20:00 | 4 oma [synthesizer] | popular Ondes Martenot | Pyral, L´echo du monde/ | 1 | ||||||||||
| 43038 | Oren | Boneh | Eclipse | 2013 | live-elec, 1 perf | 11:46:00 | tpt [Trompete] | Daniel D’Addio, trumpet | 0 | ||||||||||
| 34667 | Núria | Bonet | Sonification Of Dark Matter | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW | 0 | |||||||||||
| 2087 | Markus | Bongartz | Autobus S | 1991 | live-elec, 7 perf | 11:00 | Stereo | es-cl, cl, bar-sax, trbn, 2 perc, Kbd [Klarinette, Saxophon, Posaune, Keyboard, Schlagzeug] | ICEM Essen | 0 | |||||||||
| 2088 | Markus | Bongartz | bousculade persistante | 1993 | fixed media, akusmatisch | 32:00 | 0 | ||||||||||||
| 2089 | Markus | Bongartz | Loplop | 1991 | fixed media, akusmatisch | 11:45 | Quadro | ICEM Essen | 0 | ||||||||||
| 2090 | Markus | Bongartz | RHYTHMEN | 1992 | audiovisuell | 7:30 | Kunstakademie | 0 | |||||||||||
| 37526 | Markus | Bongartz | Trio décentral | 1997 | Zuspiel / Tonband, 2 perf | Stereo | fl, S [Sopran, Flöte] | ICEM Essen | 0 | ||||||||||
| 2091 | Ian | Bonighton | De Quartuor Vigilia Noctis | 1974 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 2092 | Ian | Bonighton | Three Perspectives | 1974 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 40310 | Valerio de | Bonis | Arsi Meccanica | 2015 | fixed media, akusmatisch | 5:00:00 | Valerio de Bonis | 0 | |||||||||||
| 42465 | Valerio de | Bonis | Un cadeau pour… | 2008 | audiovisuell | 0 | |||||||||||||
| 2093 | Bernard, Gisèle | Bonnier, Ricard | Une autre création du monde | 1982 | fixed media, akusmatisch | 30:00 | Stereo | Amaryllie Québec | 0 | ||||||||||
| 2094 | Bernard van den | Boogaard | Kameleon | 1970/1971 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EM ?? | 0 | |||||||||||
| 2095 | Bernard van den | Boogaard | Kosmoi | 1975 | Zuspiel / Tonband, 1 perf | 14:00 | ob [Oboe] | 0 | |||||||||||
| 2096 | Bernard van den | Boogaard | Military Games | 1970 | Zuspiel / Tonband, 2 perf | 11:00 | 2 p [Piano] | 0 | |||||||||||
| 2097 | Bernard van den | Boogaard | Ogme | 1978 | live-elec, 1 group | Tanz |
90:00 | ens [Ensemble] | 0 | |||||||||||
| 38459 | Adam | Boome | bambang | 1990, 2017 | audiovisuell | 9 | Stereo + Stereo | Videoinstallation with 2 U-Matic synchron | TU Berlin, Atelier Medienkunst Berlin, WKBC London | 1990 | AdK Berlin | 1 | https://vimeo.com/channels/medienkunst/256328598 | ||||||
| 2098 | Adam | Boome | Excuse music | 1988 | audiovisuell, live-elec, 1 perf | 8:00 | Stereo | perf [Performer] | Regie Adam Boome | TU Berlin | 1 | ||||||||
| 2099 | Adam | Boome | MHTYHRRYTHM | fixed media, akusmatisch | 1 | ||||||||||||||
| 2100 | Adam | Boome | MMMMMusik | 1990 | fixed media, akusmatisch | 5:00 | Stereo | 2 Versionen (live, com); txtcompo | KüHa Beth/ | TU Berlin | 1 | ||||||||
| 2101 | Adam | Boome | Slide Musik | 1990 | intermedia | ∞ | 6 | Installation mit sm + 6 slide projectors | TU Berlin | 1.-3.3.1990 | Künstlerhaus Bethanien | 1 | |||||||
| 22789 | Adam | Boome | sprung eight | 1987 | Klanginstallation, live-elec, 1 perf | 4:28 | perc machine [Schlagzeug] | "Four Piece Percussion Installation" play Adam Booms "sprung eight"; perc-machine by Martin Riches | Apollo ACD 019209/ | PS | 1 | ||||||||
| 2102 | Adam | Boome | TWOSCORESBYADAMBOOME | fixed media, akusmatisch | 1 | ||||||||||||||
| 2103 | Charles | Boone | A cool glow of Radiation | 1966 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | fl [Flöte] | CCM Mills | 0 | |||||||||
| 2104 | Jo van den | Booren | Spiel I für Oboe und Rückkopplung | 1969 | live-elec, 1 perf | ob [Oboe] | 0 | ||||||||||||
| 39320 | Carolyn | Borcherding | Tangled Illusions in a Twisting Dream | 2017 | Zuspiel / Tonband, 1 perf | 7:27 | koto [Streicher] | 0 | |||||||||||
| 42794 | James | Borchers | Talking Drum | 2012 | live-elec, 1 perf | 7:00:00 | drum [Schlagzeug] | James Borchers, drum | 0 | ||||||||||
| 42580 | James, John | Borchers, Hulsey | 26 Years:1 Week:72 Hours | 2009 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 42088 | Wolfgang, Werner | Borchert, Haentjes | Draussen vor der Tür | 1947 | radiophon | 79:15 | weitere Produktionen durch Radio München (1948), NWDR (1952), NDR (1965, gekürzt), Deutsche Welle (1985) | Der Hörverlag 2005/ Ernst-Klett-Verlag Kassette/ | NWDR | 13.2.1947 | NWDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1348761&vi=7&SID | ||||||
| 38496 | Isabella | BORDONI | Da wo der Schatten erscheint, Lì dove l’ombra appare | 2005 | radiophon | 44:34:00 | 0 | ||||||||||||
| 38497 | François | BORDONNEAU | Récréation Sonore | 2015 | radiophon | 49:57:00 | 0 | ||||||||||||
| 2105 | Dominic | Boreham | Transduction | 1979 | fixed media, akusmatisch | 17:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 31283 | Benjamin | Boretz | Black /Noise I | 1998 | fixed media, akusmatisch | for computer | Col.Princ EMC | 0 | |||||||||||
| 31284 | Benjamin | Boretz | Black /Noise II | 1998 | audiovisuell | video images, computer | Col.Princ EMC | 0 | |||||||||||
| 31278 | Benjamin | Boretz | Elie: The Dance | 1986 | fixed media, akusmatisch | Quadro | Col.Princ EMC | 0 | |||||||||||
| 31279 | Benjamin | Boretz | forM (a music) | 1986 | fixed media, akusmatisch | Quadro | Col.Princ EMC | 0 | |||||||||||
| 31282 | Benjamin | Boretz | gendermusic | 1994 | fixed media, akusmatisch | for computer | Col.Princ EMC | 0 | |||||||||||
| 31276 | Benjamin | Boretz | Group Variations II | 1972/1994/2005 | fixed media, akusmatisch | IDEAMA CD 061/ | Col.Princ EMC | 0 | |||||||||||
| 31277 | Benjamin | Boretz | Language, as a music | 1978 | Zuspiel / Tonband, 2 perf | Sp, p [Sprecher, Piano] | six marginal pretexts for composition for speaker, piano, prerecorded tape | Col.Princ EMC | 0 | ||||||||||
| 31280 | Benjamin | Boretz | to open I | 1986 | fixed media, akusmatisch | Quadro | Col.Princ EMC | 0 | |||||||||||
| 31281 | Benjamin | Boretz | to open II | 1987 | Zuspiel / Tonband, 1 perf, 1 group | p, ens [Piano, Ensemble] | Col.Princ EMC | 0 | |||||||||||
| 32500 | David | Borges | distInct oNe | 2009 | Klangkunst, Installation | audiovisuell |
Octo | (dance?) [] | Incontri HMTM Hannover | 8.11.2009 | Sprengel Museum, Hannover | 0 | ||||||||
| 32506 | David | Borges | ent_wicklungTM | 2010 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 26.11.2010 | Altes Forsthaus Habichtshorst, Winsen | 0 | |||||||||
| 32508 | David | Borges | Er und Sie | 2008 | live-elec, 2 perf | Quadro | p, V, (elec) [Stimme, Piano] | Incontri HMTM Hannover | 22.11.2007 | HMTMH | 0 | ||||||||
| 32517 | David | Borges | In der Fremde | 2008 | live-elec, 2 perf | Quadro | p, V, (elec) [Stimme, Piano] | Incontri HMTM Hannover | 22.11.2007 | HMTMH | 0 | ||||||||
| 32518 | David | Borges | In der Nacht | 2008 | live-elec, 2 perf | Quadro | p, V, (elec) [Stimme, Piano] | Incontri HMTM Hannover | 22.11.2007 | HMTMH | 0 | ||||||||
| 32525 | David | Borges | Metamorphosis | 2009 | live-elec, 1 perf | Octo | trbn, (elec) [Posaune] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 32529 | David | Borges | oscil]o | 2009 | audiovisuell | 8 | Stereo | Film und Klang | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | |||||||
| 32539 | David | Borges | Schumann und der Wahnsinn / In der Fremde | 2007 | live-elec, 3 perf | Quadro | S, T, p, (elec) [Sopran, Tenor, Piano] | Sopran, Tenor, Klavier und Live-Elektronik | Incontri HMTM Hannover | 22.11.2007 | HMTMH | 0 | |||||||
| 32497 | David, Damian, Kostia | Borges, Marhulets, Rapoport | dak-Tilde "ma-Tilde" | 2008 | fixed media, akusmatisch | 3 tracks | synt, kbd, (turntable), elec [Keyboard, elektronik, synthesizer] | Incontri HMTM Hannover | 2.7.2008 | Sprengel Museum, Hannover | 0 | ||||||||
| 32526 | David, Damian, Kostia | Borges, Marhulets, Rapoport | Miniatouren | 2009 | live-elec, 3 perf | 3 tracks | synt, kbd, (turntable), elec [Keyboard, elektronik, synthesizer] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 32556 | David, Damian, Kostia | Borges, Marhulets, Rapoport | Whose Line Is It Anyway? | 2009 | live-elec, | 7:08 | Incontri HMTM Hannover | 0 | |||||||||||
| 2106 | Matz, Thomas | Borgström, Sjöland | The inner mounting grand piano | 1978 | fixed media, akusmatisch | Stereo | EMS Stockholm | 0 | |||||||||||
| 38498 | Benoît | BORIES | Une quête | 2017 | radiophon | 47:00:00 | Prix Phonurgia nova 2017 Human word archives award | 0 | |||||||||||
| 2107 | Carsten | Borkowski | Check the lyrics | 1994 | fixed media, akusmatisch | 6:12 | Stereo | EMS Stockholm | 21.4.1995 | 0 | http://www.carsten-borkowski.de | ||||||||
| 19537 | José Antonio | Bornay Linares | Rakid al Nahr | 1991 | fixed media, akusmatisch | 10:12 | Stereo | GME Cuenca | 0 | ||||||||||
| 19538 | José Antonio | Bornay Linares | Triptico Homenaje a Jackson Pollock | 1993 | fixed media, akusmatisch | 12:00 | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||
| 2108 | Matthias | Bornemann | Studie über 5 Klänge | 1990 | fixed media, akusmatisch | 5:27 | Stereo | HfMT Köln | 0 | ||||||||||
| 37493 | Achim Christian | Bornhöft | Alfried's schönste Stunde | 1993 | radiophon | 7:30:00 | Stereo | konkretes Material, (Tonbänder von Alfried Krupp ) | ICEM Essen | 0 | |||||||||
| 29280 | Achim Christian | Bornhöft | Aquarum? | 2000 | Tanz | 10 | Stereo | fem dancer [Tanz] | ICEM Essen | 1.4.2000 | Danzon, Tübingen Tanz: Katja Büchtemann | 0 | |||||||
| 2109 | Achim Christian | Bornhöft | artificial clichés | 1991 | fixed media, akusmatisch | 6:54 | Quadro | Synlab | Cybele 960.103/ | 20.6.1991 | Goethe-Institut Hongkong | 1 | http://www.Cybele .de/shop/product_info.php?products_id=49 | ||||||
| 37494 | Achim Christian | Bornhöft | Aus den Auren | 1993 | fixed media, akusmatisch | Stereo | konkretes Material | ICEM Essen | 0 | ||||||||||
| 29284 | Achim Christian | Bornhöft | Bannbullen | 2007 | fixed media, akusmatisch | 2:03 | Mono | perc [Schlagzeug] | Südwestrundfunk, Donaueschinger Musiktage | 19.1.2007 | Donaueschingen | 0 | |||||||
| 29286 | Achim Christian | Bornhöft | Bannwald, Soundscape Project | 2004 | Zuspiel / Tonband, 14 perf | 74 | Stereo | 7 vc, 7 p [Piano, Cello] | 12 parts | CD Der Grindenschwarzwald/ | 0 | ||||||||
| 2116 | Achim Christian | Bornhöft | Brentano, Wiegenlied, Wiegenlied, Brentano | 1993 | Zuspiel / Tonband, 1 group | 13:42 | Stereo | ch [Chor] | choir ≈ 16 V Das Tonband für -Wiegenlied, Brentano- ist 2kanalig. Auf Kanal 4 ist eine Synchronisationsclickspur für den Dirigenten. |
ICEM Essen | 10.12.1993 | Sacred Heart Church Melbourne, Australien, Astra Choir | Auswahl für die Weltmusiktage 1995 | 0 | http://icem.folkwang-hochschule.de/~born/de/doc/txt/brentano.htm | ||||
| 2110 | Achim Christian | Bornhöft | Cabotina | 1992 | Tanz | 17:30 | Quadro | MIDI Die Choreographie -Cabotina- entstand in Zusammenarbeit mit den Choreographen Olimpia Scardi und Stefan Hilterhaus an der Folkwanghochschule im Frühjahr 1992 |
ICEM Essen | 26.6.1992 | Folkwang Hochschule, Essen | 0 | |||||||
| 2111 | Achim Christian | Bornhöft | Chant up | 1992 | fixed media, akusmatisch | 6:50 | Stereo, Quadro | Chant, Patchwork | Szombatbely Ungarn, ICEM Essen | 23.7.1992 | Kulturzentrum Szombathely, Ungarn | 0 | |||||||
| 2112 | Achim Christian | Bornhöft | Cinema Color | 1993 | Zuspiel / Tonband, 4 perf | 5:20 | Stereo | 4 perc (Mundharmonika) [Schlagzeug] | ICEM Essen | Cooperativa Neue Musik, Bielefeld | 27.11.1993 | Matthäuskirche, Bielefeld, Düsseldorfer Schlagzeugquartett | 0 | ||||||
| 24290 | Achim Christian | Bornhöft | Courage | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | degem | 1 | ||||||||||
| 29269 | Achim Christian | Bornhöft | Elektronische Lesung I | 1995 | fixed media, akusmatisch | 9:09 | Stereo | Dr. Ulrich Maske, Cooperativa Neue Musik | 6.1.1996 | Matthäuskirche, Bielefeld | 0 | ||||||||
| 29270 | Achim Christian | Bornhöft | Elektronische Lesung II | 1995 | fixed media, akusmatisch | 8:30 | Stereo | 6.6.1997 | Wasserturm Viersen | 0 | |||||||||
| 29279 | Achim Christian | Bornhöft | Ellis Is. | 1999 | Tanz | 70 | Stereo | 3 male dancer, 3 fem dancer, ch [Tanz, Chor] | ICEM Essen | Arbeitskreis Kunst und Medien des Ministeriums für Wissenschaft und Forschung, NRW, Fonds Darstellende Künste e.V., Dresdner Zentrum für zeitgenössische Musik, Stadt Essen | 7.10.1999 | Festspielhaus Hellerau, Dresden Tanz: Laura Delfino, Francesco Pedone, Annelise Soglio, Elvira Salomone, Carlos Sampaio, Roman Vittinghoff Chor: Kantorei der Kreuzeskirche, Essen, Ltg. Eckard Manz |
0 | ||||||
| 29271 | Achim Christian | Bornhöft | Floot | 1995 | Tanz | 60 | Stereo | 5 dancer [Tanz] | ICEM Essen | 14.10.1995 | Folkwang Hochschule, Essen Tanz: Olatz Arabaolaza, Alice Cerrato, Paolo Granello, Tanja Latarjet, Giorgia Maddamma | 0 | |||||||
| 2113 | Achim Christian | Bornhöft | Germania 7, Germania | 1993 | radiophon | 144 | Stereo | Material aus der Alfried Krupp Sammlung part 1 14:00; part 2 66:00 |
ICEM Essen | 26.9.1993 | Zeche Zollverein Essen | 0 | |||||||
| 29272 | Achim Christian | Bornhöft | hologram rose | 1996 | fixed media, akusmatisch | 10:37 | Stereo, 6 | ICEM Essen | Verein für Kunst und Kultur, Universität Bielefeld | 5.7.1996 | Uni Bielefeld | 0 | |||||||
| 29278 | Achim Christian | Bornhöft | Infrarot - vision impossible | 1999 | Zuspiel / Tonband, 4 perf | 14 | Stereo | 4 perc [Schlagzeug] | ICEM Essen | 5.6.1999 | Musikhochschule Freiburg | 0 | |||||||
| 37495 | Achim Christian | Bornhöft | Krupp Sammlung | 1993 | radiophon | konkretes Material, (Tonbänder von Alfried Krupp) | ICEM Essen | 0 | |||||||||||
| 29277 | Achim Christian | Bornhöft | Lumen B | 1996 | Tanz | 70 | Stereo | 3 male dancer, 2 fem dancer, tim [Schlagzeug, Tanz] | ICEM Essen | Arbeitskreis Kunst und Medien des Ministeriums für Wissenschaft und Forschung, NRW | 1.12.1998 | Maschinenhaus, Essen Tanz: Ivaldo Castro, Francesco Pedone, Annelise Soglio, Elvira Salomone, Carlos Sampaio Pauken: Michael Pattmann |
0 | ||||||
| 29283 | Achim Christian | Bornhöft | Naturell | 2010 | fixed media, akusmatisch | 7 | Stereo | perc [Schlagzeug] | 0 | ||||||||||
| 29282 | Achim Christian | Bornhöft | Nirvana DC | 2000/2002/2008 | Zuspiel / Tonband, 1 perf | 14:32 | Stereo | perc [Schlagzeug] | Dr. Ulrich Maske / Feldkirch Festival 2002 / On/Off Limburg, Kompaktfestival Elektroakustischer Musik | 13.1.2002 | Rudolf-Steiner-Schule Bielefeld | 0 | |||||||
| 29276 | Achim Christian | Bornhöft | Reigen | 1998 | Theatermusik | 36:30 | Stereo | Prinzregenttheater, Bochum | 13.2.1998 | Prinzregenttheater, Bochum Regie: Sibylle Broll-Pape |
0 | ||||||||
| 2114 | Achim Christian | Bornhöft | ... Siehe SOMMER Folgende ... | 1991 | Performance | 45:00 | 42 Akteure [Schauspieler] | Happenigs im Freibad Kamen | 1. Kamener Komponistenforum | 9.12.1990 | Freibad, Kamen-Mitte | 0 | |||||||
| 2115 | Achim Christian | Bornhöft | Spirale, Tabu / Alter, Zigeuener, Cabotina | 1993 | Tanz | 10:00 | Quadro | choreo (zu Cabotina) Olimpia Scardi & Stefan Hilterhaus. Die Choreographie -Cabotina- entstand in Zusammenarbeit mit den Choreographen Olimpia Scardi und Stefan Hilterhaus an der Folkwanghochschule im Frühjahr 1992 |
ICEM Essen | 0 | |||||||||
| 29285 | Achim Christian | Bornhöft | Stummer Ort (k2h-bridge) | 2006 | fixed media, akusmatisch | 2:48 | Stereo | perc [Schlagzeug] | WER 6599 2/ | 0 | |||||||||
| 29281 | Achim Christian | Bornhöft | Venedig privat - venice in private parts | 2000 | Zuspiel / Tonband, 1 perf | 11 | Stereo | perc [Schlagzeug] | 12.10.2000 | Hochschule für Musik Freiburg, Viatcheslav Stakhov | 0 | ||||||||
| 29275 | Achim Christian | Bornhöft | virtual string | 1997 | fixed media, akusmatisch | 14:36 | Stereo | stcd1 sumtone / | 6.6.1997 | Wasserturm Viersen | 0 | ||||||||
| 29274 | Achim Christian | Bornhöft | vongrâlswegen | 1997 | fixed media, akusmatisch | 10:13 | Stereo | Theater Total | 0 | ||||||||||
| 37487 | Achim Christian | Bornhöft | Wiegenlied, Brentano-nahe zu fern | 1993 | fixed media, akusmatisch | 24:45 | Octo | 0 | |||||||||||
| 29273 | Achim Christian, Eckard | Bornhöft, Koltermann | invar | 1996 | Tanz | 50 | Stereo | male dancer, fem dancer, cl, prep p, e-gui, (elec) [Klarinette, Piano, Gitarre, Tanz] | ICEM Essen | Kultursekretariat NRW, ex tempore Festival | 17.10.1996 | Schauspielhaus Recklinghausen Tanz: Katja Büchtemann, Stefan Hilterhaus Bassklarinette (Klarinette): Eckard Koltermann; Klavier, E-Gitarre: Achim Bornhoeft |
0 | ||||||
| 28167 | Stephane | Borrel | Fou-rire, 2010 Complement a l’Inventaire | 2010 | fixed media, akusmatisch | 3:55 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | |||||||||
| 2117 | Dick | Borstlap | Tremors | 1982 | Film | film | Con Den Haag | 0 | |||||||||||
| 2118 | Sam | Borsuk | SIB 2248 | 1983 | fixed media, akusmatisch | 7:35 | Stereo | Concordia Montréal | 0 | ||||||||||
| 2119 | Sam | Borsuk | Watch It | 1982 | fixed media, akusmatisch | 1:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 33130 | Marcin | Bortnowski | Pieces of light | 2003 | live-elec, 2 perf | 9:10:00 | acc, hpd, (com) [Akkordeon, Cembalo] | WJ 2003/ | 1 | ||||||||||
| 2120 | Mauro | Bortolotti | Concatenazioni | 1975 | Tanz | 0 | |||||||||||||
| 32741 | Mauro | Bortolotti | L'attesa | 1980 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 32760 | Mauro | Bortolotti | Mottetto | 1971 | live-elec, 1 perf | V, (com) [Stimme] | 0 | ||||||||||||
| 2121 | Stefan | Borum | Musik gang en halv | 1988 | fixed media, akusmatisch | 3:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 22356 | Nicolas | Borycki | Le Diable au Teint Orayeux | 2000 | fixed media, akusmatisch | 4:13 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | JTTP 2000 winner 1. prize | 1 | ||||||||
| 43120 | Peter, Simone | Bosch, Simons | Electric Swaying Orchestra | 1997 | Performance | Auszeichnung ars electronica mention 1992 | 0 | ||||||||||||
| 43119 | Peter, Simone | Bosch, Simons | Krachtgever | 1997 | Performance | ARS 98/ | 0 | ||||||||||||
| 28492 | Peter, Simone | Bosch, Simons | Ultimo Esfuerzo Rural | 1998 | fixed media, akusmatisch | 3:26 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.boschsimons.com | ||||||||||
| 19190 | Francesco | Boschetto | Trasumanar | 1995 | Zuspiel / Tonband, 1 perf | 11:17 | vn [Violine] | Anna Lindal (vn) | LDC 278060/61 Cultures Electroniques 9/ Prix ars electronica 96/ | EMS Stockholm | Auszeichnung ars electronica honorary mention 1996 | 1 | 2000 | ||||||
| 23783 | Francesco | Boschetto | Your heart ia a Red Train | 1994/1995 | fixed media, akusmatisch | 12:21 | Stereo | CAP 22057/ | Stockholm Electronic Arts Award honorable mention 1995 | 1 | |||||||||
| 38499 | Alessandro | BOSETTI | 636 | 2012 | radiophon | 24:44:00 | Prix Phonurgia nova | 0 | |||||||||||
| 36493 | Alessandro | Bosetti | Advice | 2011 | Performance | 10 | afro 2055/ | 0 | https://www.discogs.com/de/Alessandro-Bosetti-Coaxial/release/3280495 | ||||||||||
| 38500 | Alessandro | BOSETTI | African Feedback | 2006 | radiophon | 45:38:00 | 0 | ||||||||||||
| 38501 | Alessandro | BOSETTI | arcoparlante | 2009 | radiophon | 51:28:00 | DeutschlandRadio | 3.7.2009 | DeutschlandRadio | 0 | |||||||||
| 36494 | Alessandro | Bosetti | Coaxial | 2011 | Performance | 10 | afro 2055/ | 0 | https://www.discogs.com/de/Alessandro-Bosetti-Coaxial/release/3280495 | ||||||||||
| 38503 | Alessandro | BOSETTI | Gesualdo Translations | 2007 | radiophon | 45:11:00 | 0 | ||||||||||||
| 27772 | Alessandro | Bosetti | Il Fiore della Bocca | 2003 | radiophon | 48:55 | Stereo | RS 025 Rossbin/ | DeutschlandRadio Kultur | 24.10.2003 | DeutschlandRadio Kultur | 1 | http://www.melgun.net/soundtextsound.html | ||||||
| 38504 | Alessandro | BOSETTI | Il fiore della bocca, Mundblume | 2003 | radiophon | 48:58:00 | 1 | ||||||||||||
| 38505 | Alessandro | BOSETTI | Minigolf | 2014 | radiophon | 47:56:00 | 0 | ||||||||||||
| 38922 | Alessandro | Bosetti | Regular Measures | 2018 | radiophon | 54:30 | Hörstück über eine Welt ohne Bilder | DeutschlandRadio Kultur | 29.6.2018 | DeutschlandRadio Kultur | 0 | ||||||||
| 38506 | Alessandro | BOSETTI | Spinoza und der Fisch | 2011 | radiophon | 48:40:00 | 0 | ||||||||||||
| 27771 | Alessandro | Bosetti | The Whistling Republic | 2003 | radiophon | 25:00 | Surround 5.1 | about the whistleing-"Language" in Gomera with the name "El Silbo" | WDR Studio Akustische Kunst | WDR Studio Akustische Kunst | 1 | http://www.melgun.net/soundtextsound.html | |||||||
| 33748 | Alessandro | Bosetti | Zahre, Noise of the Month January 2006 „Zwölf Zungen“ | 2006 | radiophon | 4:42 | Stereo | EBU Ars Acustica 2009/ | DeutschlandRadio Kultur | January 2006 | DRadio Kultur | EBU Ars Acustica 2009 | 1 | ||||||
| 18959 | Hannah | Bosma | Stadsvogels | 1995 | Klangkunst, Installation | 7:09 | Soundscape Amsterdam; audio-essay | Ssccd 001 Soundscape Amsterdam/ | Uni Amsterdam | 1 | |||||||||
| 33833 | Hannah, Boris | Bosma, Nieuwenhuijzen | Hoor Je Dat?! | 1999 | live-elec, | 5 | ISAST LMJ 9/ | 0 | |||||||||||
| 2122 | Jean-Yves | Bosseur | Mains gauches | 1972 | Zuspiel / Tonband, 1 group | strs [Streicher] | SMECA Paris | 0 | |||||||||||
| 2123 | Jean-Yves | Bosseur | Metro | 1989 | fixed media, akusmatisch | Stereo | CRFMW Liège | 0 | |||||||||||
| 26153 | Andres | Bosshard | DVRK - Space | 2006 | radiophon | 8:00 | Stereo | radiocustica selected 2006 Cesky rozhlas/ | Czech Radio Prague | Radioatelier Czech Radio Michal Rataj | 1 | ||||||||
| 25661 | Andres | Bosshard | Klangbrücke Bern, Condensation | 1990 | Klangkunst, Installation | Zuspiel, live-elec, 10 perf |
16:10 | Stereo | 3 trbn, hn, vc, vn, 2 V, 2 drum, (elec) [Stimme, Horn, Posaune, Schlagzeug, Cello, Violine] | For 4 Ears CD 305/ | 1 | |||||||||
| 25662 | Andres | Bosshard | Klangbrücke Bern, telemusic | 1990 | Klangkunst, Installation | Zuspiel, live-elec, 10 perf |
16:01 | Stereo | 3 trbn, hn, vc, vn, 2 V, 2 drum, (elec) [Stimme, Horn, Posaune, Schlagzeug, Cello, Violine] | For 4 Ears CD 305/ | 1 | |||||||||
| 25663 | Andres | Bosshard | Klangbrücke Bern, Conducting | 1990 | Klangkunst, Installation | Zuspiel, live-elec, 10 perf |
8:46 | Stereo | 3 trbn, hn, vc, vn, 2 V, 2 drum, (elec) [Stimme, Horn, Posaune, Schlagzeug, Cello, Violine] | For 4 Ears CD 305/ | 1 | |||||||||
| 25664 | Andres | Bosshard | Klangbrücke Bern, The Bridge | 1990 | Klangkunst, Installation | Zuspiel, live-elec, 10 perf |
26:23 | Stereo | 3 trbn, hn, vc, vn, 2 V, 2 drum, (elec) [Stimme, Horn, Posaune, Schlagzeug, Cello, Violine] | For 4 Ears CD 305/ | 1 | |||||||||
| 28573 | Andres | Bosshard | La Puta, Klangbaustelle mit konzertanter Aktion für Vierteltonziehharmonika und Live-Elec | 2007 | Klanginstallation, live-elec, 1 perf | 2:56 | acc [Akkordeon] | S. Vukasinovitch (1/4-ton-Ziehharmonika), A. Bosshard (live-elec) | WD 2008, Wittener Tage Für Neue Kammermusik 2008/ | Kompositionsauftrag der Stadt Witten | 2008 | Wittener Tage für neue Kammermusik 2008 mit S. Vukasinovitch (1/4-ton-Ziehharmonika), A. Bosshard (live-elec) | 1 | ||||||
| 34754 | Andres | Bosshard | Rotophonia | 2003 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 37.-10.8.2003 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 42089 | Andres | Bosshard | Telefonia | 1992 | radiophon | Grammo Records Bern | 0 | ||||||||||||
| 19063 | Andres, Christof, Peter | Bosshard, Cargnelli, Szely | Manandarbandr | 1996 | Klangkunst, Installation | 1:37 | Sonambiente Ausstellung (1996) Katalog S.41 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 2124 | Andres, Mia, Tamas | Bosshard, Zabelka, Ungvary | s. a. t. t. (small and tough tech) - pocket version | 1994 | live-elec, | 60:00 | 0 | ||||||||||||
| 39790 | Francesco | Bossi | First I was Afraid #8 | 2015 | fixed media, akusmatisch | 8:01:00 | Francesco Bossi | 0 | |||||||||||
| 39788 | Francesco | Bossi | Modus | 2017 | fixed media, akusmatisch | Francesco Bossi | 0 | ||||||||||||
| 39378 | Francesco | Bossi | Patterns from the chaos | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39789 | Francesco | Bossi | Urban Landscape – Fractures – Milano | 2016 | fixed media, akusmatisch | Francesco Bossi | 0 | ||||||||||||
| 28233 | Jeffrey | Bossin | Electronic Ringing | 2009 | fixed media, akusmatisch | 1:05 | Stereo | PS C. | 1 | ||||||||||
| 2125 | Jeffrey | Bossin | Studie 1, Piercing the Barrier | 1975 | fixed media, akusmatisch | 6:00 | Stereo, Quadro | TU Berlin | 9.3.1976 | Theater- und Probensaal der HdK Berlin | 1 | http://www.carillon-berlin.de/ | |||||||
| 2126 | Jeffrey | Bossin | Umweltklänge | 1977 | fixed media, akusmatisch | 12:00 | Stereo | TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | 1 | ||||||||
| 43026 | Paul, Jon | Botelho, Appleton | N’air sur le lit | 2013 | live-elec, 2 perf | 7:35:00 | V, p [Stimme, Piano] | Paul Botelho, voice Jon Appleton, piano | 0 | ||||||||||
| 42581 | Paul J., Russell J. | Botelho, Chartier | CONFINED-10-01-2 | 2009 | fixed media, akusmatisch | 4 | 0 | ||||||||||||
| 23574 | Paul | Bothén | Oh Lord | 2003 | Klangkunst, Installation | 5:55 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 2127 | Will | Bottje | Black Jelly Beans | 1966 | fixed media, akusmatisch | 3:15 | Stereo | UI Carbondale | 0 | ||||||||||
| 2128 | Will | Bottje | Collage #1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | UI Carbondale | 0 | ||||||||||
| 34526 | Will | Bottje | Conversation with Miro | 1966 | fixed media, akusmatisch | 3:00 | Stereo | UI Carbondale | 0 | ||||||||||
| 2129 | Will | Bottje | Dissent-Illusion | 1963 | Tanz | 11:00 | Mono | STEM Utrecht, UI Carbondale | 0 | ||||||||||
| 2130 | Will | Bottje | Elektronic piece, intuitive impulse | 1963 | fixed media, akusmatisch | 5:40 | Mono | STEM Utrecht | 0 | ||||||||||
| 2131 | Will | Bottje | Four etudes for Wind Quintet and Tape, Etude in 3rds Etude with Piano Etude from Undertones Etude in Accelerando |
1963 | Zuspiel / Tonband, 5 perf | 22:00 | Mono | w-qnt [Bläser] | STEM Utrecht | 0 | |||||||||
| 2132 | Will | Bottje | In the Hours of Darkness | 1966 - 1967 | fixed media, akusmatisch | 18:00 | Stereo + Stereo | 3 parts | UI Carbondale | 0 | |||||||||
| 34527 | Will | Bottje | Night Rush | 1966 | fixed media, akusmatisch | 3:30 | Stereo | UI Carbondale | 0 | ||||||||||
| 2133 | Will | Bottje | Six Monochromes | 1965 | fixed media, akusmatisch | 15:30 | Mono, Stereo | UI Carbondale | 0 | ||||||||||
| 2134 | Will | Bottje | Studies in Equal Temperament | 1966 | fixed media, akusmatisch | 11:00 | Stereo | 6 parts | UI Carbondale | 0 | |||||||||
| 2135 | Will | Bottje | Variations | 1963 | Zuspiel / Tonband, 1 perf | 14:00 | Mono | perc [Schlagzeug] | STEM Utrecht, UI Carbondale | 0 | |||||||||
| 24595 | Christian | Bouchard | Angle mort | 2001 - 2002 | fixed media, akusmatisch | 14:01 | Stereo | IMED 0474/ MR 2002 Métamorphoses 2002/ | PS C. | 30.10.2002 | Tentacules.03 | Métamorphoses 2002 | 1 | ||||||
| 35373 | Christian | Bouchard | Broken Ground, Linear Elasticity Intergranular Attack Hysteresis Kinetic Friction Voids Patterns Resistant Materials Ideal Strength Low Cycle Fatigue Recycling Cumulative Damage Atomic Bonds Condensed State of Matter | 2011 - 2012, 2013 | fixed media, akusmatisch | 57:50 | Stereo | IMED 17141/ | PS C. | Derek Besant | 11.2.2012 | exhibition Broken Ground by Derek Besant at Phoenix Brighton in Brighton (England, UK) | 0 | http://www.electrocd.com/en/cat/imed_17141/pistes/ | |||||
| 37093 | Christian | Bouchard | Impasto, Impasto 46 Impasto 128 Impasto finale |
2006 - 2008 | fixed media, akusmatisch | 45:46:00 | Stereo | IMED 11108/ | PS C. | 0 | |||||||||
| 37095 | Christian | Bouchard | Objet menacé | 2010 | fixed media, akusmatisch | 13:25:00 | Stereo | IMED 11108/ | PS C. | 25.11.2010 | concert Électro-chocs 2 celebrating the 20th anniversary of empreintes DIGITALes in the Salle multimédia of the Conservatoire de musique de Montréal (Québec) | 0 | |||||||
| 24597 | Christian | Bouchard | Parcelles 1 | 2002 | fixed media, akusmatisch | 15:19 | Stereo | IMED 0474/ | PS C. | 14.02.2004 | Réseaux at Espace GO, in Montreal | 1 | |||||||
| 24598 | Christian | Bouchard | Parcelles 2 | 2003 | fixed media, akusmatisch | 14:21 | Stereo | IMED 0474/ | PS C. | Réseaux with the help of the Conseil des arts et des lettres du Québec | 18.10.2003 | Réseaux at Espace GO, Montreal | 1 | ||||||
| 37094 | Christian | Bouchard | Parcelles 21, Ersatz | 2008 | fixed media, akusmatisch | 14:19:00 | Stereo | IMED 11108/ | PS C. | 12.12.2008 | Akousma (5) presented by Réseaux des arts médiatiques at the Monument-National’s Studio Hydro-Québec in Montréal (Québec) | 0 | |||||||
| 22355 | Christian | Bouchard | tonicité | 2000 | fixed media, akusmatisch | 4:06 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 0 | |||||||||
| 24596 | Christian | Bouchard | Trois miniatures en suite | 1997 | fixed media, akusmatisch | 10:09 | Stereo | IMED 0474/ | HfM Montreal | 29.01.1999 | ACREQ at the Usine C in Montreal | First Prize of the Hugh-Le Caine Award 1998 | 0 | ||||||
| 2136 | Pierre | Bouchard | Dextrose-live | 1986 | live-elec, 1 perf | Stereo | com con synt [synthesizer] | 0 | |||||||||||
| 2137 | Pierre | Bouchard | Dextrose-Too (Live) | 1986 | live-elec, 1 perf | Stereo | com con synt [synthesizer] | 0 | |||||||||||
| 2138 | Pierre | Bouchard | Mécanique de la foudre | 1988 | fixed media, akusmatisch | 9:30 | Stereo | Concordia Montréal, GES Vierzon, Uni Montréal | 0 | ||||||||||
| 2139 | Pierre | Bouchard | Movements in Trans-Art | 1984 | fixed media, akusmatisch | 8:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 2140 | Pierre | Bouchard | Sensored | 1985 | fixed media, akusmatisch | 2:22 | Stereo | Concordia Montréal | 0 | ||||||||||
| 2141 | Pierre | Bouchard | Sentir numéro X | 1987 | fixed media, akusmatisch | 10:30 | Stereo | 0 | |||||||||||
| 2142 | Pierre | Bouchard | Yearning this Quarternion Beast | 1986 | Zuspiel / Tonband, 1 perf, 1 group | 11:50 | Stereo | synts, (com) [synthesizer] | Concordia Montréal | 0 | |||||||||
| 34892 | Pierre, Eric | Bouchard, Brown | Panoramique lent | 1986 | live-elec, 4 perf | 4 synt [synthesizer] | Concordia Montréal | 0 | |||||||||||
| 2143 | Georges | Bouché | A 2 | 1984 | Zuspiel, live-elec, 1 perf | 8:10 | fl [Flöte] | IPEM Gent | 0 | ||||||||||
| 2144 | Georges | Bouché | Antipode | 1983 | fixed media, akusmatisch | 117:00 | Quadro | IPEM Gent | 0 | ||||||||||
| 2145 | Georges | Bouché | Genèse | 1984 | Zuspiel / Tonband, 1 perf | 8:05 | gui, (com) [Gitarre] | IPEM Gent | 0 | ||||||||||
| 40130 | Miriam | Boucher | Cités | 2015 | fixed media, akusmatisch | 11:00:00 | Miriam Boucher | 0 | |||||||||||
| 34085 | Myriam | Boucher | Cités | 2015 | audiovisuell | 10:34:00 | Stereo | JTTP 2015 | JTTP-Winner 2015 4. prize | 0 | |||||||||
| 34820 | Myriam | Boucher | Nuées | 2016 | audiovisuell | 10:02:00 | Stereo | JTTP 2016 1. prize | 0 | http://vimeo.com/user20638366 | |||||||||
| 19380 | Pierre | Bouchet | Horizon paté croûte | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 19381 | Pierre | Bouchet | Non, je n'ai pas d'idée | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 19382 | Pierre | Bouchet | On tombe dans le Baudelaire | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 19383 | Pierre | Bouchet | Vous l'aurez pas ma vraie voix ! | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 25461 | André | Boucourechliev | Concerto pour Piano et Orchestre | 1977 | Zuspiel / Tonband, 1 perf, 1 group | 19:48 | p, orc [Piano, Orchester] | Claude Helffer (p), Orchestre National de France, conductor Ivo Malec |
INA C 2025/ | 25.04.1977 | Radio France | 1 | |||||||
| 2146 | André | Boucourechliev | Etude 1 | 1956 | fixed media, akusmatisch | 4:25 | Stereo | Fonologia Milano | 0 | ||||||||||
| 2147 | André | Boucourechliev | Le nom d'Oedipe | 1978 | Oper | 16:00 | Stereo | 2 V [Stimme] | sur un texte d’Hélène Cixous | INA • GRM | 27.5.1978 26-30.7.1978 |
Paris, Maison de Radio France, Gd. Auditorium; Voix: Sigune von Osten, Claude Méloni; Direction: Y. Prin Avignon, 32. Festival |
0 | ||||||
| 2148 | André | Boucourechliev | Texte 1, Texte I | 1958 | fixed media, akusmatisch | 6:20 | Stereo | 2 tapes | PHI 835 485/86/ INA C 2025/ Mercury SR2 9123/ | Fonologia Milano | 08.1956 | International Exposition, Brussels | 1 | ||||||
| 2149 | André | Boucourechliev | Texte 2 | 1959 | fixed media, akusmatisch | 4:36 | Stereo + Mono | Œuvre aléatoire. Création au premier concert utilisant un magnétophone 2 pistes et un magnétophone 1 piste | BAM LD 071/ INA C 1031 27651 archives grm CD 1/5/ INA C 2025/ BAM 5872/ IDEAMA CD 038/ SR 270 sub rosa/ | INA • GRM, Fonologia Milano | 01.06.59 | Salle Gaveau, Paris | 1 | ||||||
| 2150 | André | Boucourechliev | Thrène | 1974 | radiophon | 31:01 | Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 2025/ | INA • GRM | ORTF | 21.12.1974 1.12.1975 |
ORTF France Musique Paris, Centre Culturel du Marais |
1 | ||||||
| 40401 | André | Boucourechliev | Tic Tac | 1959 | Film | Mono | INA • GRM | June 1959 | Paris, Salle Gaveau | 0 | |||||||||
| 36858 | Léa | Boudreau | Dementia | 2017 | fixed media, akusmatisch | 5:10:00 | 0 | ||||||||||||
| 24881 | Michelle | Boudreau | Charnièr | 1986 - 2000 | fixed media, akusmatisch | Charnièr - 5 parts | MB CH/ MB CHMM/ | 0 | |||||||||||
| 2151 | Michelle | Boudreau | Le magasin pittoresque | 1986 | fixed media, akusmatisch | audiovisuell |
11:15 | Stereo | tape or video | McGill Montréal | 0 | |||||||||
| 24880 | Michelle | Boudreau | Ma Magie | 1992 | fixed media, akusmatisch | 4:24 | MB MM/ MB CHMM/ | 0 | |||||||||||
| 40933 | Robert Austin | Boudreau | Concerto | 1964 | Zuspiel / Tonband, 1 perf, 1 group | w-ens [Bläser] | STEM Utrecht | 0 | |||||||||||
| 40934 | Robert Austin | Boudreau | Toccata I | 1964 | fixed media, akusmatisch | STEM Utrecht | 0 | ||||||||||||
| 40935 | Robert Austin | Boudreau | Toccata II | 1964 | fixed media, akusmatisch | STEM Utrecht | 0 | ||||||||||||
| 2152 | Walter, Raôul | Boudreau, Duguay | Golgat(h)a | 1990 | Radiokunst, live-elec, 14 perf | 31:07 | 2 tpt, 2 hn, 2 trbn, 1 tuba, sam, org, 5 perc [Horn, Trompete, Posaune, Tuba, Orgel, Schlagzeug, computer] | IMSO 9201/ | CBC Montréal | Société Radio-Canada | 20.03.1991 | broadcast Musique actuelle of the FM Network of Radio-Canada | Grand Prix Paul Gilson from the Community of French Language Radios in Paris (France, March 1991) | 0 | |||||
| 25560 | Nicolas | Bougaieff | Noise at 6 | 2004 | fixed media, akusmatisch | 6:08 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 2153 | Rachel | Boughton | Pigeon Fantasies | 1985 | Film | CCRMA | 0 | ||||||||||||
| 2155 | Ned | Bouhalassa | Attraction | 1992 | fixed media, akusmatisch | 10:04 | CEC DISContact_1/ Russolo Pratella EF.ER.P 93/ IMED 9840/ | Concordia Montréal | Fall of 1993 | Concordia University | 3rd Prize 15th Luigi Russolo International Competition | 1 | |||||||
| 20303 | Ned | Bouhalassa | Bouffée délirante | 1990 | fixed media, akusmatisch | 8:22 | Stereo | IMED 9840/ | Concordia Montréal | 1990 spring | Concordia University | 2nd prize Le Caine Award 1990 | 0 | ||||||
| 20305 | Ned | Bouhalassa | Constamment | 1997 | fixed media, akusmatisch | 13:29 | Stereo | autoportrait | IMED 9840/ | PS C. | Réseaux with the help of the Canada Council | 12.11.1997 | Rien à voir (2) concert series produced by Réseaux in Montréal | 0 | |||||
| 32933 | Ned | Bouhalassa | Éclipse | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 37142 | Ned | Bouhalassa | Impulse | 1999 | fixed media, akusmatisch | 13:59 | Stereo | IMED 0895/ | PS C., Western Front’s studio | 8.3.2000 | Ex-Centris in Montréal during the Rien à voir (7) concert series presented by Réseaux | 0 | |||||||
| 21083 | Ned | Bouhalassa | Impulse (edit) | 1998/1999 | fixed media, akusmatisch | 3:40 | SAN 08/99 Sonic arts network/ | 0 | |||||||||||
| 2156 | Ned | Bouhalassa | Insomnia, Insomnie | 1987 | fixed media, akusmatisch | 4:10 | Stereo | Concordia Montréal | 0 | ||||||||||
| 20304 | Ned | Bouhalassa | Jets | 1996 - 1998 | fixed media, akusmatisch | 10:01 | Stereo | IMED 9840/ IMED 0050/ | PS C., STC-Studios | 0 | |||||||||
| 25016 | Ned | Bouhalassa | Le choeur de la Défense | 2003 | fixed media, akusmatisch | 6:49 | Beats und anderes | real ambient vol. 4/ | PS | 1 | |||||||||
| 37144 | Ned | Bouhalassa | mOrpheus, Orpheus’ First Dream Orpheus Wakes Up The Train Station Alexanderplatz |
2003 | fixed media, akusmatisch | 15:42 | Surround 5.1 | IMED 0895/ | PS C. | 15.11.2003 | Elektra at Usine C (Montréal) | 0 | |||||||
| 2157 | Ned | Bouhalassa | Move 1 | 1993 | fixed media, akusmatisch | 11:39 | CEC DISContact_2/ IMED 9840/ Musidisc 245752/ NOR 04/ Asphodel 0953/ | Uni Montreal | 04.1995 | 4th Contemporary Music Festival (Santafé de Bogotá, Columbia) | 1 | ||||||||
| 37143 | Ned | Bouhalassa | Songe errant | 2005 | fixed media, akusmatisch | 5:50 | Surround 5.1 | IMED 0895/ | PS C. | Réseaux des arts médiatiques with support from CCA | 10.12.2005 | Akousma (2), presented by Réseaux at Espace GO in Montréal | 0 | ||||||
| 41103 | Ned | Bouhalassa | Sound Traces 1 - 6 | fixed media, akusmatisch | 360 | 0 | |||||||||||||
| 37140 | Ned | Bouhalassa | The Lighthouse | 2005 | audiovisuell | 6:41 | Surround 5.1 | IMED 0895/ | PS C. | Réseaux des arts médiatiques with support from CCA | 10.12.2005 | Akousma (2), presented by Réseaux at Espace Go in Montréal | 0 | ||||||
| 41104 | Ned | Bouhalassa | Traces Sonores 1 - 6 | fixed media, akusmatisch | 360 | 0 | |||||||||||||
| 37141 | Ned, Fortner | Bouhalassa, Anderson | Urban Cuts, Montréal 1 Montréal 2 Las Vegas Berlin 1 Berlin 2 |
2005 | Zuspiel / Tonband, 3 perf | 34:06 | Surround 5.1 | perf, vc, perc (drum kit) [Schlagzeug, Cello, Performer] | IMED 0895/ | PS C. | Sabine Breitsameter of the Akademie der Künste, Berlin, Andreas Hagelüken of RBB/Klanggalerie. | 19.11.2005 | Berlin | 0 | |||||
| 2154 | Ned, Pierre, Kurt | Bouhalassa, de Gagné, Heimbach | Absolument pas | 1989 | fixed media, akusmatisch | 3:40 | Stereo | Équipe «sprint» | Concordia Montréal | 0 | |||||||||
| 2158 | Annelore | Bouillet | Blanc | 1975 | Film | 2:16 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2159 | Richard | Boulanger | from Temporal Silence | live-elec, 2 perf | 13:32 | cl, synt [Klarinette, synthesizer] | in two movements | Neuma 450-73/ | 1 | ||||||||||
| 26330 | Richard | Boulanger | Solemn Song for Evening | live-elec, 1 perf | 12:48 | S, (Radio Baton) [Sopran] | MIDI | CMJ Vol 32-4, 2008/ | 1 | ||||||||||
| 38507 | Théo | BOULENGER | Tu voudras vivre | 2010 | radiophon | 25:03:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 28143 | Pierre | Boulez | Anthèmes 2 | live-elec, 1 perf | vn [Violine] | IRCAM | 0 | ||||||||||||
| 2160 | Pierre | Boulez | Dialogue de l'ombre double | 1985 | Zuspiel, live-elec, 1 perf | 18:00 | cl [Klarinette] | IRCAM 0002 F, Creations IRCAM/ DGG 457605/ | IRCAM | UE | 1 | ||||||||
| 2161 | Pierre | Boulez | Étude I, sur un son | 1951 | fixed media, akusmatisch | 2:25 | Mono | Étude sérielle sur un son | INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 001/ | INA • GRM | 31.3.1952 | Radio-Paris, chaine nationale | 1 | ||||||
| 2162 | Pierre | Boulez | Étude II, sur sept sons | 1951 | fixed media, akusmatisch | 2:41 | Mono | Étude sérielle sur sept sons | Barclay 89005/ INA C 1031 27651 archives grm CD 1/5/ IDEAMA CD 001/ | INA • GRM | 21.5.1952 | Paris, Salle de l'Ancien Conservatoire | 1 | ||||||
| 2163 | Pierre | Boulez | experiments in sounds | ? 1963 | fixed media, akusmatisch | Mono | Siemens | 0 | |||||||||||
| 2164 | Pierre | Boulez | …explosante fixe… | 1972/1985 | live-elec, 8 perf | 18:52 | 8 ins [Instrument] | Inventionen 3.2.1989 - Künstlerhaus Bethanien (Version Donaueschingen 1985) | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 2165 | Pierre | Boulez | ...explosante fixe... | 1993 | live-elec, 3 perf, 1 group | 30:00 | ( MIDI-) fl, 2 fl, ens [Flöte, Ensemble] | ISPW | IRCAM Les Années 90/ | IRCAM | UE | 1 | |||||||
| 2166 | Pierre | Boulez | …explosante fixe… | 1986 | live-elec, 1 perf | vib [Schlagzeug] | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||||
| 2167 | Pierre | Boulez | Poésie pour Pouvoir | 1958 | Zuspiel / Tonband, 1 perf, 3 groups | 18:40 | Stereo, 5 tracks | 3 orc, Sp [Sprecher, Orchester] | withdrawn after the première Text: „Je rame“ by Henri Michaux’s three „Poèmes pour piuvoir“ |
SWF | 19.10.1958 | Donaueschinger Musiktage, orc SWF, Hans Rosbaud & Pierre Boulez; Technik: Ludwig Heck | 0 | http://thresholdofbeauty.com/music excerpts/Poesie pour pouvoir excerpt.mp3 | |||||
| 2168 | Pierre | Boulez | Répons | 1981 - 1984 | live-elec, 6 perf, 1 group | 42:00 | Stereo | 6 mus, ens [Musiker, Ensemble] | 4X | IRCAM 0002 F, Creations IRCAM/ DGG 457605/ | IRCAM | 18.10.1981 | Donaueschinger Musiktage, Soloists: Michel Cerutti, Vincent Bauer, Daniel Ciampolini, Pierre-Laurent Aimard, Alain Neveux, Marie-Claire Jamet | UE | 1 | ||||
| 2169 | Pierre | Boulez | Symphonie mécanique | 1955 | Film | 14:21 | Mono | Version 1: 14:21 Version 2: 10:50 |
ACM 2 / GRM/ NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ IDEAMA CD 034/ | Club d'Essai Paris, INA • GRM | 0 | ||||||||
| 2170 | Denys | Bouliane | Une Soirée Vian | 1990/1991 | live-elec, 8 perf | 81:00 | Stereo | 2 V, 6 ins [Stimme, Instrument] | Meta-Kabarett | col legno 31888/ | WDR SEM | 10.5.1991 | Rheinisches Musikfest Köln | 0 | |||||
| 34345 | Xavier | Bourassa | Catachresis | 2013 | fixed media, akusmatisch | 7:58 | CEC Cache 2013, PeP 018/ | Winner JTTP 2013 2. prize | 0 | http://econtact.ca/16_1/index.html#xavierbourassa | |||||||||
| 19643 | Patrick | Bourgan | Rosaces | 1994 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | gui [Gitarre] | LIEM CDMC Madrid | 0 | |||||||||
| 2171 | Yves | Bourget | I'got the blues | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2172 | Yves | Bourget | Lézomnès | 1990 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2173 | Françoise | Bourgoin | Soliloque | 1978 | fixed media, akusmatisch | 3:25 | Stereo | Étude de stage | INA • GRM | 5.8.1980 | Perugia, Italy | 0 | |||||||
| 33421 | Craig | Bourne | In Mirkwood | 1966 | fixed media, akusmatisch | 1:30 | Mono | CIT Cleveland | 0 | ||||||||||
| 33880 | Rodolphe | Bourotte | 110110 | 2012 | fixed media, akusmatisch | 7 | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 28369 | François | Bousch | Cristal | 1990 | live-elec, 1 perf | oma [synthesizer] | Jeanne Loriod (OMa) | 27.1.1990 | Inventionen Akademie der Künste Berlin | 1 | 1990 | ||||||||
| 2174 | François | Bousch | Espace temps | 1983 | live-elec, 2 perf | bn, synt [Fagott, synthesizer] | 0 | ||||||||||||
| 2175 | François | Bousch | Résonances suspensives | 1985 | Zuspiel, live-elec, 3 perf | 12:00 | oma, p, perc [Piano, Schlagzeug, synthesizer] | 0 | |||||||||||
| 2176 | François | Bousch | Soleil memoire | 1989 | Zuspiel / Tonband, 2 perf | 17:00 | Stereo | fl, hp [Flöte, Harfe] | SYTER | INA • GRM | 0 | ||||||||
| 2177 | Olivier | Bousquet | P3BO§ | 1987 | fixed media, akusmatisch | ∞ | direct perf | CICM Paris | 0 | ||||||||||
| 2180 | Olivier | Bousquet | Suite inachavée | 1987 | fixed media, akusmatisch | 6:00 | Stereo | CICM Paris | 0 | ||||||||||
| 2178 | Olivier, Anne | Bousquet, Sédes | Périple II | 1989 | fixed media, akusmatisch | ∞ | CICM Paris | 0 | |||||||||||
| 2179 | Olivier, Anne | Bousquet, Sédes | Six mois et après quoi? | 1987 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 2181 | Olivier, Anne | Bousquet, Sédes | YAX | 1988 | live-elec, 1 perf | ∞ | perf [Performer] | direct perf | CICM Paris | 0 | |||||||||
| 2182 | Thomas | Boutilier | Masks | 1966 | fixed media, akusmatisch | 11:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 2183 | Thomas | Boutilier | Pococurante | 1967 | fixed media, akusmatisch | 11:10 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 2184 | François | Bouttier | Fantaisie | 1985 | Zuspiel / Tonband, 1 perf | Stereo | gui [Gitarre] | INA • GRM | 0 | ||||||||||
| 2185 | François | Bouttier | Jeux de phonèmes, Coincidences | 1980 | fixed media, akusmatisch | 11:30 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 2186 | François | Bouttier | Suite en 3 Mvts: Invitation au voyage | 1989 | fixed media, akusmatisch | 19:45 | Stereo | INA • GRM | 0 | ||||||||||
| 26124 | Pôm | Bouvier | Spuxis | 2007 | fixed media, akusmatisch | 6:00 | Stereo | MR 2008 Métamorphoses 2008/ | prix etudiant Métamorphoses 2008 | 1 | |||||||||
| 39895 | Jeffrey | Bowen | Ignition/Convection | 2011 | fixed media, akusmatisch | 8 | Jeffrey Bowen | 0 | |||||||||||
| 39894 | Jeffrey | Bowen | What Will Sound was already sound | 2016 | live-elec, 1 perf | 15 | vn [Violine] | Jeffrey Bowen | 10.6.2016 | Chapel Performance Space at the Good Shepherd Center, Seattle; Premiered by Luke Fitzpatrick | 0 | ||||||||
| 40140 | Nathan | Bowen | Elevator Inspection | 2016 | fixed media, akusmatisch | Nathan Bowen | 0 | ||||||||||||
| 40141 | Nathan | Bowen | Fluctuations | 2015 | fixed media, akusmatisch | 7:22:00 | Nathan Bowen | 0 | |||||||||||
| 42466 | Nathan | Bowen | Gotham Swift | 2009 | fixed media, akusmatisch | 0 | |||||||||||||
| 39464 | Nathan | Bowen | Ice Machine at the Hotel 6 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42582 | Nathan | Bowen | Iron Rod | 2009 | live-elec, 1 perf | 10 | trbn [Posaune] | 0 | |||||||||||
| 40139 | Nathan | Bowen | Rift | 2017 | fixed media, akusmatisch | Nathan Bowen | 0 | ||||||||||||
| 23367 | John, Graham | Bowers, Halliwell | BH2 | 2002 | live-elec, 2 perf | 13:35 | mics, sax [Saxophon, elektronik] | studio imrovisation | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 33709 | Stanley Keith, Group | Bowsza, Minoy | Sspress | 1991 | fixed media, akusmatisch | 3:21 | WN 00006/1991/ | 1 | |||||||||||
| 21880 | Marilyne | Boyd Dereggi | En ecartant les Branches du Berry | 1991 | Zuspiel / Tonband, 4 perf | 14:00 | fl, V, 2 ins [Stimme, Flöte, Instrument] | IMEB Bourges | 0 | ||||||||||
| 2187 | Darijan | Bozic | Kriki (Cries) | 1966 | Zuspiel / Tonband, 6 perf | Sp, br-qnt [Sprecher, Bläser] | 0 | ||||||||||||
| 2188 | Darijan | Bozic | Requiem, (to the Memory of a Murdered Soldier - My Father) | 1969 | Zuspiel / Tonband, 1 perf, 2 groups | Sp, ch, ens [Sprecher, Ensemble, Chor] | 0 | ||||||||||||
| 2189 | Darijan | Bozic | Trije dnevni Ane Frank (Three Days of Anne Frank) | 1963 | Zuspiel / Tonband, 2 perf | 2 Sp [Sprecher] | 0 | ||||||||||||
| 38744 | Marija, J. G. | BOZINOVSKA JONES, BIBERKOPF | GAD Technologies | 2016 | radiophon | 28:05:00 | 0 | ||||||||||||
| 34415 | Eric | Brabant | Adagio | 1970 | fixed media, akusmatisch | 14:01 | Mono, Stereo | Sonology Utrecht | 0 | ||||||||||
| 2190 | Eric | Brabant | Cantata Profana Niagara | 1971 | Fernsehen, | ≈ 120:00 | Mono + Mono + Mono | also short version ≈ 44:35, 1 track | Sonology Utrecht | 0 | |||||||||
| 2191 | Eric | Brabant | Élegie aux couleurs | 1971 | Musiktheater | 30:02 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2192 | Eric | Brabant | Figure H.C.M. | 1971 | fixed media, akusmatisch | 14:50 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 2193 | Eric | Brabant | Figure T.R. | 1971 | fixed media, akusmatisch | 6:47 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2194 | Eric | Brabant | Figure WiBr | 1974 | fixed media, akusmatisch | Sonology Utrecht | 0 | ||||||||||||
| 2195 | Eric | Brabant | Moderato | 1971 | fixed media, akusmatisch | 15:43 | Mono, Stereo | Sonology Utrecht | 0 | ||||||||||
| 2196 | Eric | Brabant | Musiques Dispersees (C), Moments | 1969 | Performance | 12:17 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 2197 | Eric | Brabant | Scherzo 1 | 1971 | fixed media, akusmatisch | 7:25 | Stereo | 1st version | Sonology Utrecht | 0 | |||||||||
| 2198 | Eric | Brabant | Scherzo 2 | 1971 | fixed media, akusmatisch | 5:10 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 33779 | Joachim | Brackx | {G}rayns | 2000 | live-elec, 6 perf | 11 | b-cl, va, vc, gui, p, perc [Klarinette, Piano, Gitarre, Schlagzeug, Viola, Cello] | 0 | |||||||||||
| 27835 | Joachim | Brackx | Pour vos beaux yeux (Henri Storck) | 2008 | Zuspiel / Tonband, 1 group | ens [Ensemble] | CRFMW Liège | 21.01.2009 | Bruxelles, Beursschouwburg, | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 33698 | Ric E. | Braden | Columbus Ave. 10pm | fixed media, akusmatisch | 3:35:00 | from URBANITIES for 4-channel sound, visuals and narrative. | WN 00006/1991/ | 1 | |||||||||||
| 41499 | Steve | Bradley | stomach lounge | 2002 | fixed media, akusmatisch | 4:59 | HAG CD 02/ | 0 | |||||||||||
| 19268 | Steve | Bradley | Tape Measure | 1996 | fixed media, akusmatisch | 5:27 | CEC Presence 1/ | 1 | |||||||||||
| 21595 | Steve | Bradley | volalle melodie vi to trot / fowl melody to trot | 1999 | fixed media, akusmatisch | 3:30 | CEC Presence 2/ | UMBC | 1 | ||||||||||
| 36398 | Steve | Bradley | Wire Music | 1999 | radiophon | Kiasma 1999/ | 0 | ||||||||||||
| 2199 | Graham | Bradshaw | Tribute to a Dancing Lady | 1975/1976 | fixed media, akusmatisch | Morley Coll, Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 24845 | Tim | Brady | 10 Collaborations | 2000 | fixed media, akusmatisch | Brady, Peyton-Jones, Bartley, Murail, Otani, Wraggett, Gundersen | JTR 8484/5/ | 0 | |||||||||||
| 19384 | Tim | Brady | Collapsing Possibility Wave | 1996 | Zuspiel, live-elec, 1 perf | 10:36 | Stereo | e-gui [Gitarre] | MW 67/ JTR 8464/ | 0 | |||||||||
| 2200 | Tim | Brady | Colorless green ideas sleep furiously | 1993 | live-elec, 1 perf | 7:59 | e-gui [Gitarre] | JTR 8445/ | 1 | ||||||||||
| 19385 | Tim | Brady | Dead of Winter | 1991 | Zuspiel, live-elec, 1 perf | 11:00 | Stereo | e-gui [Gitarre] | JTR 8440/ | 1 | |||||||||
| 19386 | Tim | Brady | Difference Engine #1, #2, #3 | 1997 | Zuspiel, live-elec, 1 perf | 13:22 | Stereo | e-gui [Gitarre] | JTR 8464/ | 0 | |||||||||
| 19387 | Tim | Brady | Doubling | 1988 | live-elec, 1 perf | 5:29 | Stereo | hpd [Cembalo] | J&W CD 931/ | 0 | |||||||||
| 19388 | Tim | Brady | Imaginary Guitars | 1991 | Zuspiel, live-elec, 1 perf | 8:37 | Stereo | e-gui [Gitarre] | JTR 8440/ | 1 | |||||||||
| 19389 | Tim | Brady | Linear Projection in a Jump Cut World | 1996 | Zuspiel, live-elec, 1 perf | 3:44 | Stereo | e-gui [Gitarre] | 2 versions | MW 67/ JTR 8464/ | 0 | ||||||||
| 19390 | Tim | Brady | Loud Solo | 1993 | Zuspiel, live-elec, 1 perf | 7:01 | Stereo | e-gui [Gitarre] | JTR 8445/ | 1 | |||||||||
| 19391 | Tim | Brady | Memory Riot | 1997 | Zuspiel, live-elec, 1 perf | 19:04 | Stereo | e-gui [Gitarre] | JTR 8464/ | 0 | |||||||||
| 19392 | Tim | Brady | Minimal Surface | 1997 | Zuspiel, live-elec, 1 perf | 4:34 | Stereo | e-gui [Gitarre] | JTR 8464/ | 0 | |||||||||
| 19393 | Tim | Brady | Pandomenium Architecture | 1997 | Zuspiel, live-elec, 1 perf | 11:23 | Stereo | e-gui [Gitarre] | JTR 8464/ | 0 | |||||||||
| 24865 | Tim | Brady | Reaching Past | 1986 | Zuspiel / Tonband, 1 perf | 14:22 | hpd [Cembalo] | Spiteri | SNE 542/ | 0 | |||||||||
| 19394 | Tim | Brady | Revolutionary Songs | 1993/1994 | Zuspiel, live-elec, 2 perf | 7:54 | Stereo | e-gui, S [Sopran, Gitarre] | MW 61/ | 1 | |||||||||
| 2201 | Tim | Brady | Symphony in Two Parts | 1989 - 1992 | Zuspiel, live-elec, 1 perf | 15:33 | e-gui [Gitarre] | JTR 8440/ | 1 | ||||||||||
| 19395 | Tim | Brady | Time Lapse Exposure | 1992 | Zuspiel, live-elec, 1 perf | 8:58 | Stereo | e-gui [Gitarre] | JTR 8440/ | 1 | |||||||||
| 2202 | Thüring | Bräm | Fragments for a War Poem | 1973 | fixed media, akusmatisch | 9:00 | Quadro | 0 | |||||||||||
| 2203 | Jürgen | Bräuninger | Panta Rhei | 1978 | fixed media, akusmatisch | 11:40 | HfM Stuttgart | 0 | |||||||||||
| 2204 | Jürgen | Bräuninger | The Tam Tam Tape | 1980 | Zuspiel / Tonband, 1 perf | 7:53 | perc [Schlagzeug] | Ornament CH 7.921/ | HfM Stuttgart | 1 | |||||||||
| 22453 | Glenn | Branca | Symphonie No. 3 (Gloria) | 1982 | live-elec, | 55:00 | TWI 151/ | 0 | |||||||||||
| 28278 | Walter | Branchi | Cento giorni dopo … | 2008 | Zuspiel / Tonband, 1 perf | 13:35 | Stereo | fl [Flöte] | 1 | http://www.walter-branchi.com/ | |||||||||
| 2205 | Walter | Branchi | Dall’angola di una nuvola | 1981 | fixed media, akusmatisch | 0 | |||||||||||||
| 2206 | Walter | Branchi | Intero - Modi di relazione di un sistema sonore | 1979/1980 | fixed media, akusmatisch | 12:13 | Stereo | PAN PRC S20-15/ | CSC Padova | 1 | |||||||||
| 2207 | Walter | Branchi | Le ali di Angelico | 1984 | fixed media, akusmatisch | 0 | http://www.walter-branchi.com/ | ||||||||||||
| 28279 | Walter | Branchi | Ora, di terra | fixed media, akusmatisch | 8:12 | Stereo | 1 | http://www.walter-branchi.com/ | |||||||||||
| 2208 | Walter | Branchi | Synergy | 1973 | live-elec, 3 perf | 12:00 | 2 actor, prep trbn [Posaune, Schauspieler] | CRM Roma | 0 | ||||||||||
| 2209 | Walter | Branchi | Thin | 1969 | fixed media, akusmatisch | 16:00 | 6 lights | CRM Roma | 0 | ||||||||||
| 28280 | Walter | Branchi | Traluce | fixed media, akusmatisch | 9:20 | Stereo | 1 | http://www.walter-branchi.com/ | |||||||||||
| 19154 | Ellen | Brand | Railroad Gamelan | 1992 | fixed media, akusmatisch | 9:37 | AER 1994 / 6/ | 1 | |||||||||||
| 26135 | Jens | Brand | evros | 2007 | fixed media, akusmatisch | 3:24 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 43163 | Jens | Brand | G-Player | 2005 | Klangkunst, Installation | GIMA, gallery for international media art | Auszeichnung ars electronica honorary mention 2005 | 0 | |||||||||||
| 25851 | Jens | Brand | HUM 4:3:5+1 | 2003 | Klangkunst, Installation | 7:59 | t-u-b-e 20.11.2003 | WER ARTS 81015 t-u-b-e reloaded 2004/ | 1 | ||||||||||
| 34746 | Jens | Brand | In Mitte (der Welt) | 2005 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 10.8.-18.9.2005 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 2210 | Max | Brand | Automation | 1965/1966 | fixed media, akusmatisch | 1:28 | PS C. Hollis | 0 | |||||||||||
| 2211 | Max | Brand | Baby-Doll | 1961 | fixed media, akusmatisch | 1:10 | PS C. Hollis | 0 | |||||||||||
| 2212 | Max | Brand | Bx-A bis Bx-U | 1959/1966 | fixed media, akusmatisch | Stereo | PS C. Hollis | 0 | |||||||||||
| 2213 | Max | Brand | Cerberus 1 | 1964 | fixed media, akusmatisch | 2:14 | PS C. Hollis | 0 | |||||||||||
| 2214 | Max | Brand | Cerberus 2 | 1964 | fixed media, akusmatisch | 2:20 | PS C. Hollis | 0 | |||||||||||
| 2215 | Max | Brand | Challenge and Descend | 1960 | fixed media, akusmatisch | 3:08 | PS C. Hollis | 0 | |||||||||||
| 2216 | Max | Brand | Contemplation | 1961 | fixed media, akusmatisch | 2:30 | PS C. Hollis | 0 | |||||||||||
| 2217 | Max | Brand | Die Astronauten | 1962 | Zuspiel / Tonband, 2 perf | 20:00 | narrator, V [Stimme, Schauspieler] | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ | PS C. Hollis | 1 | |||||||||
| 2218 | Max | Brand | Drums of Africa | 1959 | fixed media, akusmatisch | 2:45 | PS C. Hollis | 0 | |||||||||||
| 2219 | Max | Brand | Elegy A | 1960 | fixed media, akusmatisch | 2:45 | PS C. Hollis | 0 | |||||||||||
| 2220 | Max | Brand | Elegy B | 1960 | fixed media, akusmatisch | 4:00 | PS C. Hollis | 0 | |||||||||||
| 2221 | Max | Brand | Engines | 1965/1966 | fixed media, akusmatisch | 1:45 | PS C. Hollis | 0 | |||||||||||
| 2222 | Max | Brand | Four French Folksongs | 1962 | Zuspiel / Tonband, 1 perf | 6:11 | V [Stimme] | PS C. Hollis | 0 | ||||||||||
| 2223 | Max | Brand | Illian #1, #2 | 1965/1968 | fixed media, akusmatisch | 8:25 | PS C. Hollis | 0 | |||||||||||
| 2224 | Max | Brand | Jungle Drums | 1959 | fixed media, akusmatisch | 1:10 | PS C. Hollis | 0 | |||||||||||
| 2225 | Max | Brand | Meditation | 1960 | fixed media, akusmatisch | 3:50 | PS C. Hollis | 0 | |||||||||||
| 2226 | Max | Brand | Nocturno Brasileiro | 1960 | Tanz | 2:38 | PS C. Hollis | 0 | |||||||||||
| 2227 | Max | Brand | Rhinoceros | 1960 | Theatermusik | 2:24 | PS C. Hollis | 0 | |||||||||||
| 2228 | Max | Brand | Signals and Manipulated Voices | 1964 | fixed media, akusmatisch | 2:12 | PS C. Hollis | 0 | |||||||||||
| 2229 | Max | Brand | Study | 1964 | fixed media, akusmatisch | 2:10 | PS C. Hollis | 0 | |||||||||||
| 2231 | Max | Brand | Three Faces of Eve | 1961 | Tanz | 2:45 | PS C. Hollis | 0 | |||||||||||
| 2232 | Max | Brand | Three Pieces for Dance Group | 1963 | Tanz | 13:53 | PS C. Hollis | 0 | |||||||||||
| 2233 | Max | Brand | Three Pieces to Gordon Brown's "Transparencies in Motion" | 1961 | Theatermusik | 15:15 | PS C. Hollis | 0 | |||||||||||
| 2234 | Max | Brand | Triptych | 1967/1968 | fixed media, akusmatisch | 8:00 | PS C. Hollis | 0 | |||||||||||
| 41975 | Martin | Brandlmayr | Vive les fantômes | 2018 | radiophon | 53:22 | SWR | 5.6.2018 | SWR 2 | Karl-Sczuka-Preis 2018 | 0 | https://www.swr.de/swr2/programm/sendungen/hoerspiele/swr2-ars-acustica-vive-les-fantomes/-/id=660014/did=21599866/nid=660014/g4erw8/index.html | |||||||
| 2235 | Theo | Brandmüller | La nuit de paques | 1980 | live-elec, 1 perf | org [Orgel] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 39566 | Amy | Brandon | Artificial Light & War Games | 2017 | fixed media, akusmatisch | 3:40 | Amy Brandon | 0 | |||||||||||
| 2236 | Robert | Brandstetter | Schutz vor Heimat | 1995 | live-elec, | 12:00 | SEM Salzburg | 0 | |||||||||||
| 36775 | Daniel | Brandt | Dreaming in color | 1989 | live-elec, 1 perf | MIDI (voor Atari computer, MIDIlocica en elektronishc slagwerk) [synthesizer] | Sonology Den Haag | 0 | |||||||||||
| 19138 | Jakob | Brandt | 9/10 | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | ||||||||||||
| 18805 | Jakob, Chantal | Brandt, Dumas | La tour du vent | 1994 | radiophon | 12:00 | Stereo | MEC 02/ | 0 | ||||||||||
| 22038 | Johannes | Brandt | To cold down the fire | 1998 | fixed media, akusmatisch | 9:41 | Von CD All Ears: All Ears is a sound-object exhibition directed equally at ears and eyes. It is the product of a unique collaboration between the producer Fargfabriken, the curators Leif Elggren, Ulf Stenberg and Kent Tankred, and twelve artists from different parts of the world (Germany, Britain, Japan USA, France, South Africa, Estonia, Greenland and Italy) who all have a special interest in sound as object. | FER 1012 Firework Edition Records/ | 1 | ||||||||||
| 2237 | Markus | Brandt | Soon or Ever | audiovisuell | 0 | ||||||||||||||
| 2238 | Jean Louis | Brau | Concerto de Janvier | 1952 | live-elec, | 5:00 | Mono | (mic) [] | ORTF Paris | 0 | |||||||||
| 2239 | Jean Louis | Brau | Ebreda | 1951 | fixed media, akusmatisch | 6:30 | Mono | Clichy Paris | 0 | ||||||||||
| 2240 | Jean Louis | Brau | Instrumentation verbale | 1964 - 1965 | live-elec, 1 perf | Mono | mics [elektronik] | 3 versions; text-sound composition | Ach/ | CBC Paris | 0 | ||||||||
| 2241 | Gerhard | Braun | Monologe I | 1971 | Zuspiel / Tonband, 1 perf | a-rec [Flöte] | 0 | ||||||||||||
| 42090 | Peter Leonhard | Braun | 8 Uhr 15, Operationssaal III Hüftplastik, 8 Uhr 15, OP III, Hüftplastik - Aus dem Alltag eines Operationsteams | 1970 | radiophon | 51:20 | SFB | 24.11.1970 | SFB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4917861&vi=6&SID | ||||||||
| 2242 | Peter Michael | Braun | Ereignisse, Hommage a Edgar Varèse | 1966/1968 | fixed media, akusmatisch | 17:25 | Quadro | HfMT Köln | 0 | ||||||||||
| 2243 | Peter Michael | Braun | Essay | 1971 | Zuspiel / Tonband, 1 perf | ≈ 8:00 | Quadro | ob [Oboe] | WDR SEM | 1972 | Tokio | 0 | |||||||
| 2244 | Peter Michael | Braun | Klangsonden | live-elec, | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||||
| 2245 | Peter Michael | Braun | Nocturne | 1967 | fixed media, akusmatisch | 6:43 | Quadro | HfMT Köln | 0 | ||||||||||
| 2246 | Peter Michael | Braun | Pole 1,2,3 | 1965 | fixed media, akusmatisch | 11:20 | Mono | HfMT Köln | 0 | ||||||||||
| 2247 | Peter Michael | Braun | Spuren, Improvisation und Collage | 1972 | Zuspiel / Tonband, 4 perf | fl, vn, p, str [Flöte, Piano, Violine, Streicher] | 0 | ||||||||||||
| 2248 | Peter Michael | Braun | Transfer | 1969 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 2249 | Anthony | Braxton | Composition No. 107 | 1982 | Zuspiel / Tonband, 3 perf | 7:07 | Stereo | sax, p, perc [Saxophon, Piano, Schlagzeug] | HMSL (Hierarchical M. Specification Language) | Centaur CRC 2110, CDCM Vol. 10/ | CalArts | 1 | |||||||
| 33043 | Anthony | Braxton | Composition No. 62 (+30 +96) | 1976 | live-elec, 2 perf | 5:48 | s-sax, synt [Saxophon, synthesizer] | MC 001 Mills College/ | CCM Mills | 0 | http://www.ubu.com/sound/mills.html | ||||||||
| 2250 | Martha | Brech | Natürliches Ergebnis | 1985 | fixed media, akusmatisch | 6:59 | Stereo | Collage aus "Versprechern" | TU Berlin | 8.3.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1986 | ||||||
| 22036 | George | Brecht | Das Hsin Hsin Ming des Seng Ts´an | radiophon | 2:38 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 2251 | Reiner | Bredemeyer | Cello Tonband Sprecher | 1971 | Zuspiel / Tonband, 2 perf | Sp, vc [Sprecher, Cello] | EM ?? | 0 | |||||||||||
| 25670 | Reiner | Bredemeyer | Der gute Gott von Manhattan von Ingeborg Bachmann | 1977 | Radiokunst, 7 perf | Stereo | fl, acc, sax, ob, bn, p, tpt [Flöte, Oboe, Saxophon, Fagott, Trompete, Piano, Akkordeon] | DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio, 74321 73521 2/ | WDR Studio Akustische Kunst | 11.11.1977 | 1 | ||||||||
| 34586 | Reiner | Bredemeyer | Kontakte suchen | 1977 | Zuspiel / Tonband, 2 perf | fl, ob [Flöte, Oboe] | 0 | ||||||||||||
| 2252 | Reiner | Bredemeyer | Stück für Klavier und Tonband | 1962 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 34585 | Reiner | Bredemeyer | Synchronisiert: Asynchron (cantos americanos) | 1975 | Zuspiel / Tonband, 1 perf | S [Sopran] | 0 | ||||||||||||
| 39571 | Andre | Brégégère | Outtake | 2016 | Zuspiel / Tonband, 1 perf | p [Piano] | Andre Brégégère | 0 | |||||||||||
| 42797 | André | Brégégère | Against the Grain | 2012 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 2254 | Michel-Georges | Brégent | atlantide | 1985 | radiophon | 29:12 | 7 sections | IMSO 9201/ | CBC Montréal | Société Radio-Canada | 8.09.1985 | FM network of Radio-Canada | First Mention and the Special Jury Prize at the Italia Prize (Cagliari, Italy, 1985) | 1 | |||||
| 2255 | Martin | Breindl | Ornamentale Reise | 1991 | fixed media, akusmatisch | 21:00 | ORF Kunstradio | 0 | |||||||||||
| 31512 | Peter | Breitenbach | Synapsis | 2013 | Klangkunst, Installation | ∞ | 6 | next_generation 5.0 | HfM Trossingen | 0 | |||||||||
| 29287 | Roland | Breitenfeld | Ageha-Chõ | 2007 | live-elec, 1 perf | ≈ 7:00 | acc, (elec) [Akkordeon] | 0 | |||||||||||
| 29288 | Roland | Breitenfeld | Annunciazione | 2005 | live-elec, 2 perf | ≈ 19:00 | org, perc, (elec) [Orgel, Schlagzeug] | nach dem gleichnamigen Bild von Leonardo da Vinci Zsigmond Szathmary und Olaf Tzschoppe gewidmet |
0 | ||||||||||
| 2256 | Roland | Breitenfeld | automats | 1990 | intermedia | audiovisuell |
≈ 15:00 | Octo | synt, com, (harm) [computer, synthesizer] | Atari com, TX802, video-graphics ad lib. | HfM Freiburg | 0 | ||||||||
| 29289 | Roland | Breitenfeld | Bambus 11 | 2011 | live-elec, 2 perf | 11:00 | 2 mus (Bambusrohre, Daegeum, elec) [Musiker] | 0 | |||||||||||
| 29329 | Roland | Breitenfeld | Café Finsternis: eine live-performance | radiophon | ≈ 21:00 | com, synt, (elec) [computer, synthesizer] | Hörspiel von Siegfried Sabert und Thomas Lehner elec ≈ "interaktiver Klangtisch", Publikum (Sehende und Blinde) |
0 | |||||||||||
| 21655 | Roland | Breitenfeld | Das Testament gestürzter Tannen | 1999 | live-elec, 3 perf | 25:15 | Octo | fl, vc, p, (harm, Mars, Matrix-Mixer) [Flöte, Piano, Cello] | txt: P. Huchel "Traum im Tellereisen" | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 21642 | Roland | Breitenfeld | Deine Kinder sind nicht deine Kinder | 1997 | live-elec, 10 perf | 7:30 | Quadro | 2 Sp, 2 S, 2 A, 2 T, 2 B, (harm) [Sopran, Alt, Tenor, Bass, Sprecher] | txt: K. Gibran | PS C. | 0 | ||||||||
| 29290 | Roland | Breitenfeld | Der ferne Klang des Echos | 2007 | live-elec, 1 perf | ≈ 22:00 | 6 | acc, (elec) [Akkordeon] | Alois Müller gewidmet | 0 | |||||||||
| 29311 | Roland | Breitenfeld | Der Königssohn vom Schwarzwald | 1996 | Performance, live-elec, 3 perf | ≈ 150:00 | Octo + Stereo | sax or trbn, hp, perc [Saxophon, Posaune, Harfe, Schlagzeug] | ein Fantasy-(Hör)Spiel ; Text: Thomas Lehner | 0 | |||||||||
| 29322 | Roland | Breitenfeld | Der Königssohn vom Schwarzwald | 1996 | Radiokunst, live-elec, 3 perf | ≈ 128:00 | Octo + Stereo | sax or trbn, hp, perc, (elec) [Saxophon, Posaune, Harfe, Schlagzeug] | ein Fantasy-(Hör)Spiel - Text von Thomas Lehner | 0 | |||||||||
| 21654 | Roland | Breitenfeld | Die Sternenreuse | 2000 | live-elec, 5 perf | 11:20 | Octo | Mez, Sp, fl, 2 vc, (Halaphon, 4 harm, Mars, Filterseq, EMT-Verz., Matrix-Mixer) [Mezzo, Sprecher, Flöte, Cello] | txt: P. Huchel | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 21643 | Roland | Breitenfeld | Echos eines Engramms | 1994 | Zuspiel, live-elec, 2 perf | 17:15 | Quadro | ob, cl, (4 harm) [Klarinette, Oboe] | PS C. | 0 | |||||||||
| 29323 | Roland | Breitenfeld | Effi’s Nacht | Radiokunst, live-elec, 2 perf | ≈ 5:00 | ob, cl, (elec) [Klarinette, Oboe] | Hörspiel nach dem Monolog von Rolf Hochhuth Hörspielbearbeitung und Regie: Gerwig Epkes |
0 | |||||||||||
| 29292 | Roland | Breitenfeld | Einblick II | live-elec, 2 perf | ≈ 7:00 | vc, trbn, (elec) [Posaune, Cello] | Version mit Live-Elektronik | 2003 | Wien | 0 | |||||||||
| 29293 | Roland | Breitenfeld | Einblick II | live-elec, 2 perf | ≈ 7:00 | acc, trbn, (elec) [Posaune, Akkordeon] | 2003 | 0 | |||||||||||
| 29294 | Roland | Breitenfeld | Einblick II "ryu-house-version" | 2011 | Zuspiel / Tonband, 2 perf | ≈ 7:00 | 2 mus (Gayageum, Daegeum) [Musiker] | 2011 | Cheongpyeong, Südkorea, Ryu-House-Gallery | 0 | |||||||||
| 29295 | Roland | Breitenfeld | Einblick III | live-elec, 8 perf | 10:00 | 7 str, hpd, (elec) [Cembalo, Streicher] | 0 | ||||||||||||
| 2257 | Roland | Breitenfeld | Engramm reagiert.. | 1989 | live-elec, 2 perf | ≈ 17:00 | Quadro, 6 | fl, (rm), synt, (4 harm) [Flöte, synthesizer] | HfM Freiburg | 0 | |||||||||
| 21644 | Roland | Breitenfeld | Ereignisse I | 1997 | Zuspiel, live-elec, 4 perf, 1 group | 27:00 | 10 Tracks | fl, ob, cl, hpd, orc, (2 rm, synt, 8 harm) [Flöte, Klarinette, Oboe, Cembalo, Orchester] | PS C. | 0 | |||||||||
| 29296 | Roland | Breitenfeld | Ereignisse II | 2009 | Zuspiel, live-elec, 2 perf | ≈ 17:00 | perc, p or hpd, (elec) [Piano, Cembalo, Schlagzeug] | und 2 Sprechstimmen auf Tonband (mit einem Text von Albert Einstein) [Sprechstimmen auf dem Tonband: Simon Breitenfeld und Sophie Brenner] |
0 | ||||||||||
| 29297 | Roland | Breitenfeld | Ereignisse IV | 2011 | Zuspiel / Tonband, 1 perf | ≈ 16:00 | hpd [Cembalo] | 0 | |||||||||||
| 2258 | Roland | Breitenfeld | Faktor Nr.1 | 1989 | Zuspiel, live-elec, 1 perf | ≈ 17:00 | Quadro | amp fl, (3 harm) [Flöte] | HfM Freiburg | 0 | |||||||||
| 29298 | Roland | Breitenfeld | Flying leaf | 2011 | Zuspiel / Tonband, 2 perf | ≈ 11:00 | Janggo, perc [Schlagzeug] | nach einem Gedicht von Young-Ae Chon | 0 | ||||||||||
| 21645 | Roland | Breitenfeld | ganz nah eine stimme | 1995 | intermedia | Zuspiel, live-elec, 6 perf |
150:00 | 6 | fl, ob, cl, p, com, synt, (3 harm, gate) [Flöte, Klarinette, Oboe, Piano, computer, synthesizer] | Dia-Proj. ad lib; Sp on tape | PS C., Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 29299 | Roland | Breitenfeld | Halbe Zeiten | 2006 | Zuspiel / Tonband, 2 perf | ≈ 8:00 | tpt, perc [Trompete, Schlagzeug] | perc (2 grosse Tom-toms; 2 Hi-hat) | 0 | ||||||||||
| 29312 | Roland | Breitenfeld | Heyri Music no. 1 | 2006 | fixed media, akusmatisch | ≈ 20:00 | Stereo, Quadro, Octo | für die Klang-Installation von Donoung Lee ; Tape-version | 1.-30. September 2006 | Heyri (Süd-Korea) in der Galerie MOA | 0 | ||||||||
| 29300 | Roland | Breitenfeld | Heyri Music no. 2 | 2008 | Zuspiel / Tonband, 1 perf | ≈ 9:00 | Quadro | perc [Schlagzeug] | [Olaf Tzschoppe gewidmet] Schlaginstrumente auf dem Tonband: Olaf Tzschoppe |
0 | |||||||||
| 29324 | Roland | Breitenfeld | Hm97 | 1997 | radiophon | ≈ 19:00 | vn, vc, (elec) [Cello, Violine] | Musik zum Hörspiel “Programm Hirnmord” von Thomas Knecht | 0 | ||||||||||
| 21646 | Roland | Breitenfeld | HM98 | 1998 | Zuspiel, live-elec, 2 perf | 11:30 | Octo | vn, com, (harm) [Violine, computer] | PS C., Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 2259 | Roland | Breitenfeld | Imaginäre Szene Nr. 1, ein Hörstück | 1987 | radiophon | 30:00 | Stereo | Text by M. Wiemer | HfM Freiburg | 0 | |||||||||
| 21647 | Roland | Breitenfeld | Imaginäre Szene Nr.2: Die Wanderer | 1993 | intermedia | Zuspiel, live-elec, 8 perf |
28:00 | 6 | A, Sp, fl, acc, w (didgeridoo), perc, com, synt, (4 harm) [Alt, Sprecher, Flöte, Akkordeon, Schlagzeug, computer, synthesizer, Bläser] | instrumentale Szene txt: M. Wiemer, Hiob. Sp on tape | PS C. | 0 | ||||||||
| 2260 | Roland | Breitenfeld | Imaginäre SzeneNr. 1: sicher- unser Leben | 1987 | Zuspiel, live-elec, 8 perf | 30:00 | Quadro | ob, rec, 4 trbn, 2 perc [Flöte, Oboe, Posaune, Schlagzeug] | HfM Freiburg | 0 | |||||||||
| 29301 | Roland | Breitenfeld | In den Gärten der Persephone | 2007 | live-elec, 3 perf | 9:00 | db-rec, sopranino, perc-ins [Flöte, Schlagzeug] | [Solo aus: "Imaginäre Szene Nr. 3"] | 0 | ||||||||||
| 21648 | Roland | Breitenfeld | …it will be in peace | 1995 | Zuspiel, live-elec, 4 perf | 24:00 | Octo | Mez, trbn, perc, synt, (3 harm) [Mezzo, Posaune, Schlagzeug, synthesizer] | txt: M. Wiemer, D. Loughrey | PS C., Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 29302 | Roland | Breitenfeld | Jasmintee | 2011 | live-elec, 1 perf | ≈ 11:00 | mus (Gayageum), (elec) [Musiker] | nach dem Gedicht "Einladung zu einer Tasse Jasmintee" von Reiner Kunze in der koreanischen Übersetzung von Young-Ae Chon |
0 | ||||||||||
| 29303 | Roland | Breitenfeld | Katharina-Kanon | live-elec, 1 perf | ≈ 9:00 | hpd, (elec) [Cembalo] | 0 | ||||||||||||
| 29304 | Roland | Breitenfeld | Katharina-Kanon | 2001 | live-elec, 3 perf | ≈ 9:00 | hpd, vn, vc, (elec) [Cembalo, Cello, Violine] | 0 | |||||||||||
| 29305 | Roland | Breitenfeld | Kesho | live-elec, 1 perf | ≈ 16:00 | Sho, (elec) [Bläser] | 0 | ||||||||||||
| 29325 | Roland | Breitenfeld | Krieger 01 | radiophon | ≈ 45:00 | V, vc, perc, com, synt, (elec) [Stimme, Schlagzeug, Cello, computer, synthesizer] | Hörspielmusik. Hörspiel von Thomas Lehner nach dem Kriminalroman von Gilles Mebes. Buch: Sonne, Mond und Sterne Verlag, Wiesbaden 1998, ISBN: 3-932284-100) | 0 | |||||||||||
| 21651 | Roland | Breitenfeld | Le Pouldu | 1999 | Zuspiel, live-elec, 5 perf | 12:35 | Octo | Mez, Sp, perc, 2 p, (Halaphon, 3 harm, Mars, Filterseq, EMT-Verz., Matrix-Mixer) [Mezzo, Sprecher, Piano, Schlagzeug] | txt: P. Huchel | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||
| 29306 | Roland | Breitenfeld | "les couluers du midi no. 3 - aventure" | 2006 | Zuspiel / Tonband, 6 perf | 4:00 | fl or pic-fl, ob, cl, bn, perc, db [Flöte, Klarinette, Oboe, Fagott, Schlagzeug, Kontrabass] | [für das ensemble aventure] | 0 | ||||||||||
| 29307 | Roland | Breitenfeld | "les couluers du midi no. 4" | 2006 | live-elec, 2 perf | audiovisuell, live-elec, 2 perf |
≈ 14:00 | vn, str (zither), (water, elec) [Violine, Streicher] | [Hubertus Kirchgäßner gewidmet] auch mit Video-Film von Hubertus Kirchgäßner |
0 | ||||||||||
| 29308 | Roland | Breitenfeld | "les couluers du ryu" | 2006 | live-elec, 2 perf | ≈ 7:00 | vn, str (zither), (water, elec) [Violine, Streicher] | (ohne Video-Film) | 0 | ||||||||||
| 29309 | Roland | Breitenfeld | Licht rodet Kälte | 2007 | live-elec, 2 perf | 14:00 | Octo | b-fl, b-cl, (elec) [Flöte, Klarinette] | nach dem Gedicht: "Wintermorgen in Irland" von Peter Huchel (2007) [Martina Roth und Walter Ifrim gewidmet] (aus: "Von Stimmen umwittert..." : Liederzyklus nach Gedichten von Peter Huchel) |
0 | |||||||||
| 21649 | Roland | Breitenfeld | Metall98 | 1998 | fixed media, akusmatisch | 25:41 | Stereo | Metallskulpturen von M. Sauer ("Tonspur", Museum für Neue Kunst Freiburg) | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 29318 | Roland | Breitenfeld | Moments of darkness | live-elec, 1 perf | 11:00 | b-trbn, (elec) [Posaune] | Solo aus 'Einblick I' | 0 | |||||||||||
| 29326 | Roland | Breitenfeld | Musik zu Briefen Käthe Vordtriedes | radiophon | ≈ 31:00 | vn, perc, (elec) [Schlagzeug, Violine] | Feature von Thomas Lehner nach dem Buch „Mir ist es noch wie ein Traum, dass mir diese Flucht gelang...“ – Briefe von Käthe Vordtriede | 0 | |||||||||||
| 21650 | Roland | Breitenfeld | OTETH | 1998 | fixed media, akusmatisch | 5:40 | Stereo | Metallskulpturen von E. Thomann ("Tonspur", Museum für Neue Kunst Freiburg) | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 29314 | Roland | Breitenfeld | Realax, - elektronische musik zur musiktherapie | fixed media, akusmatisch | ≈ 66:00 | 0 | |||||||||||||
| 21652 | Roland | Breitenfeld | Sand und Schaum | 1997 | live-elec, 10 perf | 5:10 | Quadro | 2 Sp, 2 S, 2 A, 2 T, 2 B, (harm) [Sopran, Alt, Tenor, Bass, Sprecher] | txt: K. Gibran | PS C. | 0 | ||||||||
| 29319 | Roland | Breitenfeld | Seide 11 | 2011 | live-elec, 2 perf | 8:00 | 2 mus (Seide, Gayageum, Haegeum, elec) [Musiker] | 0 | |||||||||||
| 29328 | Roland | Breitenfeld | Soharas Reise | radiophon | ≈ 23:00 | vn, (elec) [Violine] | Hörspiel nach der gleichnamigen Erzählung von Barbara Honigmann; Hörspielbearbeitung: Gerwig Epkes | 0 | |||||||||||
| 29315 | Roland | Breitenfeld | Stand by | audiovisuell, live-elec, | ≈ 120:00 | computergesteuerte Klänge (und Live-Malerei ad lib.) | 0 | ||||||||||||
| 21653 | Roland | Breitenfeld | Steine98 | 1998 | fixed media, akusmatisch | 20:56 | Stereo | Steinskulpturen von Kubach-Wilmsen und Kubach&Kropp ("Tonspur", Museum für Neue Kunst Freiburg) | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 29320 | Roland | Breitenfeld | Stones of tranquillity | 2002 | Klangkunst, Installation | 23:00 | Steinskulpturen, (elec) [] | Steinskulpturen von Livia Kubach & Michael Kropp | 0 | ||||||||||
| 29327 | Roland | Breitenfeld | Tod im Monte Kalino | radiophon | ≈ 22:00 | mdl, perc, (elec) [Gitarre, Schlagzeug] | Hörspiel von Klaus Amann | 0 | |||||||||||
| 29316 | Roland | Breitenfeld | Tonspur | 1998/1999 | fixed media, akusmatisch | ∞ 480:00 | 1998/99 | Museum für Neue Kunst, Freiburg | 0 | ||||||||||
| 22357 | Roland | Breitenfeld | Von Stimmen umwittert… (Teil 1): Le Pouldu, In den stacheligen Grannen…, Das Testament gestürzter Tannen, Die Sternenreuse | 1999 - 2000 | live-elec, 6 perf | 74:00 | Mez, Sp, perc, p, vc, fl, [Mezzo, Sprecher, Flöte, Piano, Schlagzeug, Cello] | after poems by Peter Huchel. Aufnahme SWR 2000 | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 2261 | Roland | Breitenfeld | W… | 1990 | live-elec, 1 perf | 15:00 | Stereo, Quadro, Octo | synt, (com) [synthesizer] | Atari com, TX802,SPX90, computercontrolled elec. machines | HfM Freiburg | 0 | ||||||||
| 29317 | Roland | Breitenfeld | Water | 2009 | Klangkunst, Installation | 480:00 | 2009 | MOA - Museum of Art, Seoul National University, Seoul, Südkorea | 0 | ||||||||||
| 29321 | Roland | Breitenfeld | Zeitläuf(t)e | live-elec, 4 perf | 18:00 | str-qt, (elec) [Streicher] | 2003 | Freiburg | 0 | ||||||||||
| 29313 | Roland, Donoung | Breitenfeld, Lee | Illusion | audiovisuell, live-elec, | ≈ 46:00 | with com-con Videografik | 0 | ||||||||||||
| 29310 | Roland, Siegfried, Thomas | Breitenfeld, Sabert, Lehner | Café Finsternis: eine live-performance | 1997 | Performance, live-elec, 2 perf | 480:00 | com, synt, (elec) [computer, synthesizer] | (kontinuierlicher Einlaß und Führung durch Blinde - Führungsdauer ca. 1 h). elec ≈ "interaktiver Klangtisch", Publikum (Sehende und Blinde) |
11.-13.12.1997 | Verein Blinde und Kunst Köln | 0 | ||||||||
| 19396 | Sabine | Breitsameter | The hidden Tune | 1996 | Klangkunst, Installation | 14:16 | Stereo | CSR CD 9701/ | 0 | ||||||||||
| 36887 | Roni | Brenner | Back to Basic Clarinet | 2014 | live-elec, | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||||
| 36888 | Roni | Brenner | Back to Basic Clarinet | 2014 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 2262 | Martin | Bresnick | Fragment (for John) | 1970 | fixed media, akusmatisch | 5:00 | Stereo | PDP6, SCORE ; 1st implementation of Chownings moving sound sources work | CCRMA | 0 | |||||||||
| 2263 | Martin | Bresnick | Lady Neil's Dumpe? | 1987 | fixed media, akusmatisch | 11:56 | Stereo | MIDI | Centaur CRC 2039, CDCM Vol. 2/ | iEAR Rensselaer | 1 | ||||||||
| 2264 | Martin | Bresnick | Musica | 1972 | computer generated score, 9 perf | 9:00-22:00 | Stereo | 9 ins [Instrument] | PDP10, Fortran | CCRMA | 1972 | San Francisco Symphony, conducted by Niklaus Wyss | 0 | ||||||
| 2265 | Martin | Bresnick | PCOMP | 1968 | fixed media, akusmatisch | 1:00 | Stereo | PDP6, Music V | CCRMA | spring 1970 | Wien, America House | 0 | |||||||
| 2266 | Martin | Bresnick | Pour | 1969 | Film | 7:00 | Stereo | PDP6, SCORE | CCRMA | 0 | |||||||||
| 2267 | Hyman | Bress | Fantasy | 1961 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | vn, p [Piano, Violine] | FTS / | NRC Ottawa | 0 | ||||||||
| 29360 | Frank | Bretschneider | Kippschwingungen | 2007/2011 | live-elec, 1 perf | 37 | synt (Subharchord) and synt [synthesizer] | 8 parts | Line 057/ | klangFarBe | 2007 | Tesla Werkstatt | 0 | ||||||
| 23116 | Frank | Bretschneider | round | 2001 | Klangkunst, Installation | 18:00 | Produktion bei "format 5" der singuhr - hoergalerie in parochial. | Tick 02 tourette - Format 5/ | 1 | ||||||||||
| 26282 | Frank, Frank | Bretschneider, Hermann | Summasummarum | 2004 | Klangkunst, Installation | audiovisuell |
∞ | 3 VHS-Recorder, 3 Beamer, Lautsprecher | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2004 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 38745 | Frank, Thomas, Moritz von | BRETSCHNEIDER, RITSCHEL, RAPPARD | Hörgang Bautzen II | 2012 | radiophon | 51:53:00 | 0 | ||||||||||||
| 33027 | Frank, Steve | Bretschneider, Roden | Suite Nuit | 2004 | live-elec, | 22:06 | LINE 068/ | Parochial Church „Suite 2004“ | 2004 | Parochial Church Berlin | 1 | ||||||||
| 2268 | Wolfgang | Breuer | Balance | 1973 | Zuspiel / Tonband, 1 perf | vib [Schlagzeug] | 0 | ||||||||||||
| 2269 | Markus | Breuss | An Urban Meeting | 1991 | fixed media, akusmatisch | 8:55 | GR 01 Geometric Rec/ | 1 | |||||||||||
| 27401 | Markus | Breuss | Lost and Hidden Items | fixed media, akusmatisch | 15:00 | 6 | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 2270 | Rose | Breuss | Ein Wasserhahn in Amerika | 1991 | Tanz | 0 | |||||||||||||
| 39548 | Alejandro | Brianza | Mikrokosmika | 2016 | fixed media, akusmatisch | Alejandro Brianza | 0 | ||||||||||||
| 19397 | Tom | Brigham | Foci | Tanz | 6:18 | Stereo | SC 658 CD / Festival FAUST/ | 0 | |||||||||||
| 39705 | Danny | Bright | Fracterruptions | 2017 | fixed media, akusmatisch | Danny Bright | 0 | ||||||||||||
| 42919 | Danny | Bright | Ghosting Wilderness Threshold Shift | 2013 | fixed media, akusmatisch | 4:16:00 | 0 | ||||||||||||
| 2271 | Erik-Gustaf | Brilioth | Årstiderna | 1991 | fixed media, akusmatisch | 14:00 | percussion sound | 0 | |||||||||||
| 2272 | Nicolae | Brîndus | Antifonia | 1970 | Zuspiel / Tonband, 1 group | 11:03 | chamb-ch [Chor] | ECE 02947/ | 1 | ||||||||||
| 2273 | Nicolae | Brîndus | Archeusis – Eufonia | fixed media, akusmatisch | 20:00 | RTR, IRCAM | 0 | ||||||||||||
| 33222 | Nicolae | Brîndus | Bizarmonia | 1993 | Zuspiel, Performance, 6 perf | 60 | 6 perf [Performer] | instrumental theatre | 1998 | Bucharest, PRO Musica Nova Group, Raluca Ianegic – choreography, Laurentia Barbu – dancer, Alexandru Tocilescu – stage director | 0 | ||||||||
| 18439 | Nicolae | Brîndus | Ekstastis | 1997 | fixed media, akusmatisch | 13:30 | IMEB Bourges | 0 | |||||||||||
| 2274 | Nicolae | Brîndus | Inscriptie | 1969 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 2275 | Nicolae | Brîndus | Kitsch-N | 1974 | Musiktheater, 1 perf | cl [Klarinette] | ECE 01693/ | September 1979 | "Warsaw Autumn" (Florian Popa clarinetto) | 0 | |||||||||
| 2276 | Nicolae | Brîndus | Match - Monodie and polofonie | 1973 | Zuspiel / Tonband, 1 group | 18:45 | chamber-orc [Orchester] | ECE 02947/ | September 1973 | "Warsaw Autumn" by Ars Nova chamber orchestra of Cluj-Napoca (conducted by Cornel Taranu) | 1 | ||||||||
| 33223 | Nicolae | Brîndus | Oratorio | 1998 | Oper, 2 perf, 1 group | male ch, T, S [Sopran, Tenor, Chor] | instrumental theatre | 2002 | Bucharest, Male Choir of the Romanian Radio (conducted by Dan Goia; soloists Liana Podlovski & Marian Somesan) | 0 | |||||||||
| 33221 | Nicolae | Brîndus | Ouvedennerode | 1993 | Zuspiel, Performance, 2 perf | 12 | sax, db [Saxophon, Kontrabass] | based on the Ion Barbu poem | 0 | ||||||||||
| 33220 | Nicolae | Brîndus | SIN EU PHONIA I, symphony for tapes, 2 organs & orchestra | 1986 - 1987 | Zuspiel / Tonband, 2 perf, 1 group | 32 | 2 org, orc [Orgel, Orchester] | April 1994 | Festival of New Music, Philharmonic Orchestra of Chisinau (conducted by Dorel Pascu-Radulescu) | 0 | |||||||||
| 2277 | Nicolae | Brîndus | Soliloque 1 | 1971 | Zuspiel / Tonband, 1 group | 7:47 | chamber-orc [Orchester] | ECE 02947/ | 1 | ||||||||||
| 2278 | Nicolae | Brîndus | Soliloque 4 | 1984 | Zuspiel / Tonband, 1 group | 9:00 | chamber-orc [Orchester] | ECE 02947/ | 1 | ||||||||||
| 2279 | Nicolae | Brîndus | Strigoii (The Ghosts) | 1966 | Zuspiel / Tonband, 1 perf, 2 groups | Stereo | V, ch, ens [Stimme, Ensemble, Chor] | EM ?? | 0 | ||||||||||
| 2280 | Desmond | Briscoe | A Beginning | 1965 | Film | 25:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2281 | Desmond | Briscoe | Accident | 1960 | Tanz | Film |
5:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2282 | Desmond | Briscoe | All that fall | 1957 | radiophon | 69:10 | Mono | Samuel Beckett | BBC | 0 | |||||||||
| 2283 | Desmond | Briscoe | Approaching Automation | 1966 | Film | 20:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2284 | Desmond | Briscoe | Chemistry of Fire | 1966 | Film | 6:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2285 | Desmond | Briscoe | Children of the Damned | 1964 | Film | 14:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2286 | Desmond | Briscoe | Electronic Sound Picture | 1966 | Demo, Studie | 25:00 | Mono | HMW/ | PS C. Staines | 0 | |||||||||
| 2287 | Desmond | Briscoe | Ipcress File | 1965 | Film | 12:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2288 | Desmond | Briscoe | Moonscape | 1960 | Film | 12:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2289 | Desmond | Briscoe | Morning Departure | 1959 | Theatermusik | 20:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2291 | Desmond | Briscoe | Stirling | 1961 | Hintergrundmusik | 6:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2292 | Desmond | Briscoe | The Disagreeable Oyster | 1957 | radiophon | 44:45 | Mono | BBC | 0 | ||||||||||
| 2293 | Desmond | Briscoe | The Haunting | 1963 | Film | 18:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2294 | Desmond | Briscoe | Time Shift - 2066 | 1966 | Hintergrundmusik | 28:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2295 | Desmond | Briscoe | Time-Base Poem | 1966 | Tanz | 3:00 | Mono | PS C. Staines | 0 | ||||||||||
| 2296 | Desmond | Briscoe | Venus Theme | 1966 | Oper | 4:00 | Mono | opera by Ph. Cannon | PS C. Staines | 0 | |||||||||
| 2290 | Desmond, Daphne | Briscoe, Oram | Private Dreams and Public Nightmares | 1957 | radiophon | 13:40 | Mono | BBC | 0 | http://daphneoram.org/ | |||||||||
| 37815 | Desmond, Daphne | Briscoe, Oram | Quartermass and the Pit | radiophon | 0:37 | Mono | SILCD 1503/ | BBC | 0 | http://daphneoram.org/ | |||||||||
| 39710 | Darien | Brito | Granite | 2015 | fixed media, akusmatisch | 9:52:00 | Surround 4.1 | Darien Brito | 0 | ||||||||||
| 22937 | Aldo | Brizzi | de la Trasmutazione de metalli | 1987 | Zuspiel / Tonband, | CSC Padova | 1 | ||||||||||||
| 37476 | Aldo | Brizzi | L'Epreuve Du Labyrinthe | fixed media, akusmatisch | 6:48 | ISAST LMJ 10/ | CSC Padova | 0 | |||||||||||
| 23866 | Gabriel | Brncic | Acuerdate, ha muerto… | 1967 | Zuspiel / Tonband, 2 perf | 7:00 | cl, vn [Klarinette, Violine] | 1967. CLAEM, Buenos Aires. | 0 | ||||||||||
| 23867 | Gabriel | Brncic | Acuerdate, ha muerto…(versión 2) | 1969 | Zuspiel / Tonband, 4 perf | 7:00 | ob, cl, vn, va [Klarinette, Oboe, Viola, Violine] | 1969. Montevideo. | 0 | ||||||||||
| 19841 | Gabriel | Brncic | Adagio Scherzo | 1991 - 1996 | fixed media, akusmatisch | 6:50 | Stereo | AH ars harmonica/ | Phonos Barcelona | 0 | |||||||||
| 23877 | Gabriel | Brncic | Agua | 1981 | fixed media, akusmatisch | 5:00 | 1981. Barcelona. | 0 | |||||||||||
| 23892 | Gabriel | Brncic | Amico ai vinto | Zuspiel / Tonband, 3 perf | ≈ 3:00 | hn, 2 va [Horn, Viola] | Texto de L. Tasso | 0 | |||||||||||
| 19814 | Gabriel | Brncic | Aria y Pasacalle | 1981 | Zuspiel / Tonband, 4 perf | 14:00 | Stereo | fl, cl, db, gui [Flöte, Klarinette, Gitarre, Kontrabass] | Phonos Barcelona | 0 | |||||||||
| 23879 | Gabriel | Brncic | Arpegios | fixed media, akusmatisch | 17:00 | 0 | |||||||||||||
| 19820 | Gabriel | Brncic | Bach y las Monedas | 1982 | Theatermusik | 8:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 2297 | Gabriel | Brncic | Batucada, Batucada 1970 | 1973 | fixed media, akusmatisch | 29:00 | IDEAMA CD 059/ | LIPM B.Aires | 0 | ||||||||||
| 2298 | Gabriel | Brncic | Batucada amenazante para los que huyen | 1968 | fixed media, akusmatisch | 28:35 | LIPM B.Aires | 0 | |||||||||||
| 19818 | Gabriel | Brncic | Canciones con Sintetizador | 1981 | fixed media, akusmatisch | 18:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 2299 | Gabriel | Brncic | Chile fertil provincia | 1975 - 1983 | Zuspiel / Tonband, 4 perf | 23:40 | perc, db, V, congas [Stimme, Schlagzeug, Kontrabass] | 2 versions | LDC 278076/77 Cultures Electroniques 16/ | Phonos Barcelona | 0 | ||||||||
| 19812 | Gabriel | Brncic | Cielo | 1980 | Zuspiel / Tonband, 4 perf | 20:00 | Stereo | 4 va [Viola] | AH ars harmonica/ | Phonos Barcelona | 0 | ||||||||
| 19539 | Gabriel | Brncic | Ciudad encantada | 1987 | fixed media, akusmatisch | 19:52 | Stereo | Encargo del Laboratorio de Cuenca 1987. Cuenca, España. |
GME Cuenca | 0 | |||||||||
| 2300 | Gabriel | Brncic | Clarinen Tres | 1986 | Zuspiel / Tonband, 1 perf | 8:16 | va (b-cl) [Viola] | a Bárbara Brncic Monsegur | Phonos 1CMO 295/ | Phonos Barcelona | 1 | ||||||||
| 23890 | Gabriel | Brncic | Clarinet Concert para Harry Sparnaay | 1999 | Zuspiel / Tonband, 1 perf | 15:23 | b-cl [Klarinette] | Existe una versión para clarinete en Sib 1999. Festival de música contemporánea de Alicante. España |
0 | ||||||||||
| 19836 | Gabriel | Brncic | Composicion de 1989 | 1989 | fixed media, akusmatisch | 12:46 | Stereo | Phonos Barcelona | 1 | ||||||||||
| 2301 | Gabriel | Brncic | Concierto - Gótico | 1985 | fixed media, akusmatisch | 26:48 | Stereo | CBA 5 Musica electroacustica española 3/ | IMEB Bourges | 1 | |||||||||
| 19847 | Gabriel | Brncic | Constanza (La casa del Viento 1) | 1996 | fixed media, akusmatisch | 6:12 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 35446 | Gabriel | Brncic | Contrabajo (concert) | Zuspiel / Tonband, 1 perf | 15:41 | db-cl [Klarinette] | Phonos 1CMO 295/ | 0 | |||||||||||
| 19813 | Gabriel | Brncic | Coral - Retrato | 1985 | Zuspiel / Tonband, 3 perf | 13:00 | Stereo | T, va, cl [Tenor, Klarinette, Viola] | Phonos Barcelona | 0 | |||||||||
| 23891 | Gabriel | Brncic | Coreútica | 1999 | Zuspiel / Tonband, 1 perf | 8:30 | va [Viola] | 1999. Teatro alla Scala. Milán, Italia. | 0 | ||||||||||
| 19811 | Gabriel | Brncic | Cuando comenzamos…? | 1979 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 23878 | Gabriel | Brncic | Cuarteto (Versión 2) | Zuspiel / Tonband, 3 perf | vn, 2 va [Viola, Violine] | 0 | |||||||||||||
| 35445 | Gabriel | Brncic | Cueca Para La Exaltación De Jorge Peña Hen | 1976 | Zuspiel / Tonband, 1 perf | 15:41 | gui [Gitarre] | Phonos 1CMO 295/ | 0 | ||||||||||
| 19827 | Gabriel | Brncic | Des Étre, (a Oscar Masotta) | 1986 | live-elec, 3 perf | 12:50 | Stereo | 2 va, synt, [Viola, synthesizer] | AH ars harmonica/ | Phonos Barcelona | 1 | ||||||||
| 19810 | Gabriel | Brncic | Destierro | 1979 | fixed media, akusmatisch | 24:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 2302 | Gabriel | Brncic | Dialexis | 1966 | Zuspiel / Tonband, 12 perf | 12:00 | Stereo | 11 perc, p [Piano, Schlagzeug] | LIPM B.Aires | 0 | |||||||||
| 23876 | Gabriel | Brncic | Donald Blues | fixed media, akusmatisch | 4:00 | 0 | |||||||||||||
| 19543 | Gabriel | Brncic | Dos Esbozos para antiguos instrumentos electronicos | 1994 | fixed media, akusmatisch | 14:40 | Stereo | Partes 1- Marcha por la calle de Alfonso VIII de Cuenca en submarino azul y con revuelo de angeles. Partes 2- Líricas del filtro Mágico o Magia del filtro lírico |
Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 07.1994 | LIEM-CDMC, dedicado al GME, Auditorio de Madrid, España | 1 | ||||||
| 19837 | Gabriel | Brncic | Dulcián-Concert | 1989 | Zuspiel / Tonband, 2 perf | Stereo | va, bn [Fagott, Viola] | Phonos Barcelona | 0 | ||||||||||
| 23873 | Gabriel | Brncic | El Túnel (a Jorge Sabato) | 1970 | fixed media, akusmatisch | 13:15 | 1997. Gran Canaria. Festival Punto de Encuentro | Pueblo Nuevo PN.CD.001/ | CLAEM, Tella B.Aires | 0 | |||||||||
| 23893 | Gabriel | Brncic | Ergon Rondeau | 2000 | Zuspiel, live-elec, 5 perf | 3:00 | 4 tpt, amp vc [Trompete, Cello] | Proyección de imágenes, pinturas y dibujos de Gabriela Vargas. Paisajes sonoros de Luis Barrie 2000. Festival RiverMusica. Barcelona, España. |
0 | ||||||||||
| 19829 | Gabriel | Brncic | Ese Mar | 1987 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | trompa or tuba [Tuba] | Existe una versión para tuba 1987. Festival de Música Contemporánea. Málaga, España. |
Phonos Barcelona | 0 | ||||||||
| 19541 | Gabriel | Brncic | Estilos | 1993 | fixed media, akusmatisch | 86:00 | Stereo | de Estilos para Guitarra, 1986 | GME Cuenca | 0 | |||||||||
| 19542 | Gabriel | Brncic | Estudio para un concierto de Arpa | 1993 | fixed media, akusmatisch | 4:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 23862 | Gabriel | Brncic | Génesis | 1964 | Tanz | Grabación Perdida. 1964. Santiago de Chile. |
0 | ||||||||||||
| 19815 | Gabriel | Brncic | Grisalla | 1981/1982 | fixed media, akusmatisch | 90:00 | Stereo | 2 Versions | Phonos Barcelona | 0 | |||||||||
| 19833 | Gabriel | Brncic | Historia de dos Ciudades | 1988 | fixed media, akusmatisch | 31:00 | Stereo | Concierto sincronizado: vln, vlc con tratamiento electrónico en Madrid y 4 perc en Barcelona | Phonos Barcelona | 1988 | Radio 2 Radio Nacional de España RNE | 0 | |||||||
| 19838 | Gabriel | Brncic | Kientzy-Concert | 1989 | Zuspiel, live-elec, 1 perf | 13:00 | Stereo | t-sax [Saxophon] | Phonos Barcelona | 0 | |||||||||
| 22900 | Gabriel | Brncic | La Casa del Vent | 1998 | Zuspiel / Tonband, 4 perf | 13:46 | fl, cl, vn, vc [Flöte, Klarinette, Cello, Violine] | 3 Versions: Version 2 a Barbara; Verion 3 a Teresa Monsegur (str-qt!) | Phonos 1CMO 295/ | Phonos Barcelona | 1 | ||||||||
| 23882 | Gabriel | Brncic | Las Afinidades electivas | live-elec, 2 perf | 2 PolyMoog [synthesizer] | No estrenada | 0 | ||||||||||||
| 23863 | Gabriel | Brncic | Máquinas | 1964 | Tanz | Grabación Perdida. 1964. Santiago de Chile. |
0 | ||||||||||||
| 19817 | Gabriel | Brncic | Memorias | 1981 | Zuspiel / Tonband, 2 perf | 25:00 | Stereo | perc, vn [Schlagzeug, Violine] | Phonos Barcelona | 0 | |||||||||
| 23880 | Gabriel | Brncic | Música de 1973 | 1973 | Zuspiel, live-elec, 3 perf | 10:00 | p, va, synt [Piano, Viola, synthesizer] | 1973. Buenos Aires. | 0 | ||||||||||
| 19831 | Gabriel | Brncic | Música de cámara III | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 1 | |||||||||||
| 19819 | Gabriel | Brncic | Música de las Apariencias | 1982 | Zuspiel / Tonband, 1 perf | 28:00 | Stereo | vn [Violine] | Dedicada a Francisco Kröpfl | Phonos Barcelona | 0 | ||||||||
| 19816 | Gabriel | Brncic | Nuestra América | 1981 | Zuspiel / Tonband, 1 perf | 26:00 | Stereo | perc [Schlagzeug] | 2 Versions | Phonos Barcelona | 0 | ||||||||
| 23883 | Gabriel | Brncic | Opera Rotas | 1993 | Oper, 16 perf, 1 group | 40:00 | 16 V, chamber-orc [Stimme, Orchester] | Opera de Cámara. 1993. Universidad de Barcelona, España. (Introducción). |
0 | ||||||||||
| 23886 | Gabriel | Brncic | Partita para Oboe | 1991 | Zuspiel / Tonband, 5 perf | ≈ 10:00 | ob, V, cl, vn, va [Stimme, Klarinette, Oboe, Viola, Violine] | Interprete: J Blanch. 1991. Bruselas, Bélgica. |
0 | ||||||||||
| 23885 | Gabriel | Brncic | Passacaglia | 1988 | live-elec, 2 perf | 2 synt [synthesizer] | 1988. Duo Eclat. Barcelona, España. | 0 | |||||||||||
| 19822 | Gabriel | Brncic | Polifonia de Barcelona | 1983 | live-elec, 1 group | 15:16 | Stereo | ens (live elec) [Ensemble] | Transformaciones en tiempo real : Jose Manuel Berenguer, Juan Jose Ordinas y Claudio Zulián. | Phonos 1CMO 295/ | Phonos Barcelona | 1983 | ICMC. Ensemble 2e2m Paris | 1 | |||||
| 19845 | Gabriel | Brncic | Polifonia de la Lluvia | 1993 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19821 | Gabriel | Brncic | Polifonia de Venecia | 1983 | fixed media, akusmatisch | 10:47 | Stereo | AMEE/ | Phonos Barcelona | 0 | |||||||||
| 23875 | Gabriel | Brncic | Preludio de Cristal | 1971 | fixed media, akusmatisch | 10:00 | Parte del espectáculo "Mecano visuales" 1971. Buenos Aires |
0 | |||||||||||
| 23874 | Gabriel | Brncic | Preludio de Madera | 1971 | fixed media, akusmatisch | 14:00 | 1971. Buenos Aires | 0 | |||||||||||
| 23872 | Gabriel | Brncic | Puerto Montt | fixed media, akusmatisch | 23:00 | No ha sido estrenada | 0 | ||||||||||||
| 19846 | Gabriel | Brncic | …que no desorganitza Cap Murmurl | 1995 | Zuspiel / Tonband, 1 perf | 11:41 | Stereo | fl [Flöte] | dedicada a Joan Brossa | Colección Phonos 5/ | Phonos Barcelona | 1996 | Sala Manuel de Falla, SGAE, Festival Punto de Encuentro. Madrid, España. | 1 | |||||
| 23864 | Gabriel | Brncic | Quodlibet II | live-elec, 1 perf | 8:00 | synt [synthesizer] | Existe solo la Partitura. | 0 | |||||||||||
| 19540 | Gabriel | Brncic | Quodlibet IV | 1976 - 1989 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | acc [Akkordeon] | GME Cuenca, Phonos Barcelona | 0 | |||||||||
| 23881 | Gabriel | Brncic | Quodlibet IV (Versiòn 2) | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | Dedicado a Carles Santos. 1976. Barcelona. Palacio de la música/ festival HispanoMexicano de México. |
0 | ||||||||||
| 19826 | Gabriel | Brncic | Quodlibet IV, Version III | 1984 | Zuspiel / Tonband, 3 perf | 16:00 | Stereo | 3 V [Stimme] | Phonos Barcelona | 0 | |||||||||
| 23888 | Gabriel | Brncic | Quodlibet VII (Versión 2) | 1998 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Dedicada a Pilar Sobirá. 1998. Barcelona, España. |
0 | |||||||||||
| 23869 | Gabriel | Brncic | Quodlibet VIII | 1968 | Zuspiel / Tonband, 2 perf | 7:00 | ob, en-hn [Oboe] | 1968. Buenos Aires. | 0 | ||||||||||
| 23870 | Gabriel | Brncic | Quodlibet VIII (Versión 2) | 1970 | Zuspiel / Tonband, 3 perf | 7:00 | fl, db, en-hn [Flöte, Oboe, Kontrabass] | 1970. Buenos Aires. | 0 | ||||||||||
| 23871 | Gabriel | Brncic | Quodlibet VIII (Versión 3) | 1971 | Zuspiel / Tonband, 2 perf | 7:00 | fl, va [Flöte, Viola] | 1971. Buenos Aires | 0 | ||||||||||
| 23894 | Gabriel | Brncic | Ronde-Bosse | 2002 | Zuspiel, live-elec, 2 perf | 24:00 | va, hp [Harfe, Viola] | Encargo del INA-GRM 2002. GRM-Multiphonies. Maison de Radio France. París, Francia. |
INA • GRM | 0 | |||||||||
| 19806 | Gabriel | Brncic | Salvat-Papasseit i la seva Epoca | 1976 | Theatermusik | 60:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 19830 | Gabriel | Brncic | Scirocco | 1987 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19834 | Gabriel | Brncic | Sexteto para Violas | 1988 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | va [Viola] | Phonos Barcelona | 0 | |||||||||
| 19840 | Gabriel | Brncic | Siete Conciertos para Saxofón solista | 1990 - 1995 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19832 | Gabriel | Brncic | Sinfonia concertante | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 23884 | Gabriel | Brncic | Tres Estilos | 1993 | live-elec, 1 perf | gui [Gitarre] | 1993. Cuenca, España. | 0 | |||||||||||
| 19823 | Gabriel | Brncic | Triunfo por las Madres de Plaza de Mayo | 1983 | Zuspiel / Tonband, 2 perf | Stereo | gui, V [Stimme, Gitarre] | Phonos Barcelona | 1983 | Palau de la Musica. Barcelona, España | 0 | ||||||||
| 19809 | Gabriel | Brncic | un Dia en el Jardin del Gigante | 1978 | Zuspiel, live-elec, 2 perf | 60:00 | Stereo | p, perc [Piano, Schlagzeug] | Phonos Barcelona | 0 | |||||||||
| 19808 | Gabriel | Brncic | un Jardin para todos | 1977 | Theatermusik | 60:00 | Stereo | Phonos Barcelona | 0 | ||||||||||
| 19835 | Gabriel | Brncic | Uno y mil efectos de la Libertad | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | IMEB Bourges | 0 | ||||||||||
| 2303 | Gabriel | Brncic | Vade retro (a Luigi Nono), Diálogo 4 | 1990 | fixed media, akusmatisch | 12:30 | Diálogo 4 | UM CD 7 Vol. I/ | Phonos Barcelona | 0 | |||||||||
| 19807 | Gabriel | Brncic | Variaciones 1, Variacións | 1977 | fixed media, akusmatisch | 13:25 | Stereo | Phonos 1CMO 295/ | Phonos Barcelona | 0 | |||||||||
| 23887 | Gabriel | Brncic | Variaciones sobre Organo | 1996 | Zuspiel, live-elec, 1 perf | org [Orgel] | 1996. Barcelona, España. | 0 | |||||||||||
| 19825 | Gabriel | Brncic | Variaciones sobre Sonatas e Interludios | 1984 | Zuspiel, live-elec, 2 perf | 27:00 | Stereo | va, e-gui [Gitarre, Viola] | Existen Versiones con diferentes efectivos instrumentales. 1984. Barcelona, España. |
Phonos Barcelona | 0 | ||||||||
| 19839 | Gabriel | Brncic | Viaje al Invierno | 1990 | Zuspiel / Tonband, 1 perf | Stereo | fl [Flöte] | Phonos Barcelona | 0 | ||||||||||
| 19842 | Gabriel | Brncic | Viola Concert | 1992 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | va [Viola] | Phonos Barcelona | 0 | |||||||||
| 19844 | Gabriel | Brncic | Violin Concert | 1993 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | Phonos Barcelona | 0 | ||||||||||
| 19843 | Gabriel | Brncic | Violoncello Concert | 1992 | Zuspiel / Tonband, 1 perf | Stereo | vc [Cello] | Phonos Barcelona | 0 | ||||||||||
| 23865 | Gabriel | Brncic | Volveremos a las Montañas | 1966 | fixed media, akusmatisch | 10:00 | 1966. Buenos Aires. | 0 | |||||||||||
| 23868 | Gabriel | Brncic | Volveremos a las Montañas (Versión 2) | 1968 | fixed media, akusmatisch | 17:00 | 1968. New York. (Alcídez Lanza, director). | 0 | |||||||||||
| 23889 | Gabriel | Brncic | Vuelta de Paseo | Zuspiel / Tonband, 2 perf | ≈ 4:00 | S, hp [Sopran, Harfe] | Texto de F. Garcia Lorca Festival Músicas Contemporáneas. Barcelona, España. |
0 | |||||||||||
| 19824 | Gabriel | Brncic | Wagner-Wagner | 1983 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 2304 | Group, Rudolf | Brno, Ruzicka | Capriccio | 1974 | fixed media, akusmatisch | 10:25 | Radio Brno | 0 | |||||||||||
| 2309 | Group, Rudolf | Brno, Ruzicka | Peripeteias | 1968 | Zuspiel / Tonband, 1 group | 17:00 | orc [Orchester] | Radio Brno | 0 | ||||||||||
| 2310 | Group, Rudolf | Brno, Ruzicka | Private View of Voices | 1969 | Zuspiel / Tonband, 2 perf, 1 group | 28:00 | S, Bar, orc [Sopran, Bariton, Orchester] | Radio Brno | 0 | ||||||||||
| 2311 | Group, Rudolf | Brno, Ruzicka | Silence of the Little Birds in the Wood | 1970 | fixed media, akusmatisch | 14:00 | Radio Brno | 0 | |||||||||||
| 2312 | Jonas | Broberg | Buccharelli's Lamento | 1992/1993 | fixed media, akusmatisch | 6:48 | Stereo | FYCD 1003 / INFOGRAM 018/ | EMS Stockholm | 1 | |||||||||
| 19169 | Jonas | Broberg | Conversation in Cadaqués | 1996 | fixed media, akusmatisch | 8:56 | FYCD 1009/ LDC 278065/66 Cultures Electroniques 11/ | EMS Stockholm | 1 | ||||||||||
| 19170 | Jonas | Broberg | Her scent | 1995 | fixed media, akusmatisch | 2:35 | FYCD 1009/ | EMS Stockholm | 1 | ||||||||||
| 24374 | Jonas | Broberg | La fenêtre vers mes souvenirs | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 19167 | Jonas | Broberg | Locations | 1994 | fixed media, akusmatisch | 8:53 | FYCD 1009/ | EMS Stockholm | 1 | ||||||||||
| 19168 | Jonas | Broberg | Minutes between Seconds | 1995 | fixed media, akusmatisch | 5:34 | FYCD 1009/ | EMS Stockholm | 1 | ||||||||||
| 22358 | Jonas | Broberg | The Drama Within | 1999 | fixed media, akusmatisch | 5:38 | CSCD 00027 Media Artes + Chamber Sound/ | PS | Media Artes | 1 | |||||||||
| 27852 | Cécile | Broché | B51@Paris | 2006 | fixed media, akusmatisch | sons de Paris et live music | CRFMW Liège | 18.11.2006 | Mazy (Gembloux), Jazz 8 | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27888 | Cécile | Broché | Violin@New-York | 2000 | live-elec, 1 perf | e-vn [Violine] | CRFMW Liège | 19.03.2001 | Bruxelles, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 2313 | Eugen | Brochier | Africa | 1985 | intermedia | ELAK Wien | 0 | ||||||||||||
| 2315 | Eugen | Brochier | Some Minutes for M. | 1986 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 2316 | Eugen | Brochier | track 5 | 1985 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 2314 | Eugen, Gregor | Brochier, Jasch | Faschingsschwank aus Wien | 1984 | fixed media, akusmatisch | 5:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 2317 | Anders | Brødsgaard | Katalog | 1991 | fixed media, akusmatisch | Stereo | DIEM Aarhus | 0 | |||||||||||
| 41110 | James | Brody | 7-1-7... | 1995 | fixed media, akusmatisch | 7:07 | 0 | http://staff.washington.edu/seymour/altvw104.html | |||||||||||
| 41114 | James | Brody | A Glance into the Garden | 1998 | fixed media, akusmatisch | 3:25 | Baltimore Composers Forum | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||
| 41107 | James | Brody | Background Count | 1997 | Zuspiel / Tonband, 1 perf | 8:06 | perc [Schlagzeug] | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||
| 41112 | James | Brody | Barzakh | 1983 | fixed media, akusmatisch | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||||
| 41108 | James | Brody | Entrainments | 1995 | fixed media, akusmatisch | 6:01 | 0 | http://staff.washington.edu/seymour/altvw104.html | |||||||||||
| 41113 | James | Brody | Miralia | 1967 | fixed media, akusmatisch | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||||
| 41111 | James | Brody | Salat | 1970 | fixed media, akusmatisch | 0 | http://staff.washington.edu/seymour/altvw104.html | ||||||||||||
| 41105 | James | Brody | Syllepsis, Hommage a Iannis Xenakis | 2000 | fixed media, akusmatisch | 15 | 0 | ||||||||||||
| 41106 | James | Brody | Theta Ticker | 1996 | fixed media, akusmatisch | 8:04 | 0 | ||||||||||||
| 41109 | James | Brody | Turning | 1999 | fixed media, akusmatisch | 7:19 | 0 | http://staff.washington.edu/seymour/altvw104.html | |||||||||||
| 22454 | Alois | Bröder | Im Irrenhaus | 1996 - 1998 | fixed media, akusmatisch | 14:49 | Quadro | Von CD6 der Reihe Elektronische Musik der HfMT Köln Sprachkomposition |
HfMT Köln CD6/ | HfMT Köln | 1 | ||||||||
| 33979 | Alois | Bröder | …keine Stille… | 1998 | Zuspiel / Tonband, 1 perf, 1 group | 9:21 | Stereo | gui-ens [Gitarre] | HfMT Köln | 0 | |||||||||
| 33980 | Alois | Bröder | Klospruch | 1998 | fixed media, akusmatisch | 3:33 | Stereo | HfMT Köln | 0 | ||||||||||
| 33978 | Alois | Bröder | Pizzflaggliss | 1995 | Zuspiel / Tonband, 1 perf | 8:40 | Quadro | vc [Cello] | HfMT Köln | 0 | |||||||||
| 33981 | Alois | Bröder | Traumgefieder | 2000 | fixed media, akusmatisch | 13:40:00 | Quadro | HfMT Köln | 0 | ||||||||||
| 40007 | Lars | Bröndum | Double Helix Staircase | 2015 | fixed media, akusmatisch | 10:20:00 | Lars Bröndum | 0 | |||||||||||
| 40006 | Lars | Bröndum | Encircled | 2017 | fixed media, akusmatisch | Lars Bröndum | 0 | ||||||||||||
| 23586 | Benjamin | Broening | (after), Night's Black Bird (after Dowland) Beata Viscera (after Byrd) |
2003 | fixed media, akusmatisch | 5:10 | Quadro | CMJ Vol 27-4, 2003/ | 0 | ||||||||||
| 33482 | Benjamin | Broening | Lamentation Alphabet: Aleph | 2006 | fixed media, akusmatisch | 5 | Quadro | after Tallis | 0 | ||||||||||
| 32103 | Benjamin | Broening | Nocturne/Doubles | 2001 | live-elec, 1 perf | 7 | p, (com) [Piano] | Daniel Koppelman, piano | SEAMUS EAM Vol. 13/ | 0 | http://benjaminbroening.net/works.html | ||||||||
| 42583 | Benjamin | Broening | Radiance | 2009 | live-elec, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 33481 | Benjamin | Broening | Traces (i & ii) | 2010 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 33480 | Benjamin | Broening | Traces (iii & iv) | 2014 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 42467 | Benjamin | Broening | Trembling Air | 2007 | live-elec, 1 perf | fl [Flöte] | Jane Rigler, flute | 0 | |||||||||||
| 42779 | Benjamin | Broening | Twilight Shift | 2012 | live-elec, 1 perf | 6:38:00 | fl [Flöte] | Jane Rigler, flute | 0 | ||||||||||
| 33483 | Benjamin | Broening | Via Negativa: The Cloud of Forgetting | 1994 - 1995 | fixed media, akusmatisch | 5 | Stereo | 0 | |||||||||||
| 33801 | Éric | Broitmann | Nocturne | 2012 | fixed media, akusmatisch | 7:30:00 | Composing with Sounds/ | 1 | |||||||||||
| 35749 | Éric | Broitmann | Rouge sang | 2010 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2010 | 0 | ||||||||||||
| 2318 | Sten | Broman | Musica Cathedralis | 1973 | Zuspiel / Tonband, 1 perf, 2 groups | V, ch, orc [Stimme, Chor, Orchester] | 0 | ||||||||||||
| 2319 | Sten | Broman | Sententia crevit | 1968 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 2320 | Sten | Broman | Symphony no. 7, Symfoni no. 7 | 1971 | Zuspiel / Tonband, 1 group | orc [Orchester] | EMS Stockholm | 0 | |||||||||||
| 2321 | Eleanor | Brook | Riptide | 1995 | fixed media, akusmatisch | 3:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 43031 | Taylor | Brook | Coil | 2013 | fixed media, akusmatisch | 5:56:00 | 0 | ||||||||||||
| 36954 | Arnold | Brooks | Increate 51 | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 39686 | Cody | Brookshire | Rationalize | 2017 | fixed media, akusmatisch | Cody Brookshire | 0 | ||||||||||||
| 42840 | Cody | Brookshire | To Hear before Going to Sleep | 2013 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 42991 | José Jesus | Broseta Monzo | Sonorous Impressions | 2013 | fixed media, akusmatisch | 3:34:00 | 0 | ||||||||||||
| 2322 | Chris | Brown | Chain Reaction | 1991 | Zuspiel, live-elec, 2 perf | 13:09 | MIDI p, t-sax, [Saxophon, Piano] | Centaur CRC 2195, CDCM Vol. 17/ | CCM Mills | 1 | |||||||||
| 26416 | Chris | Brown | Retrospectacles | 2003 | live-elec, 1 perf | p, (com) [Piano] | CCM Mills | 0 | |||||||||||
| 2324 | Chris | Brown | Rol'em | 1988 | live-elec, | 7:48 | ART 1002/ | CCM Mills | 1 | ||||||||||
| 26415 | Chris | Brown | Shuffle | 2004 | live-elec, 1 perf | p, (com) [Piano] | CCM Mills | 0 | |||||||||||
| 43137 | Chris | Brown | Talking Drum | 1996 | Netzmusik | Auszeichnung ars electronica honorary mention 1996 | 0 | ||||||||||||
| 19400 | Chris, Tim, Phil | Brown, Perkis, Stone | Duo | 1990 | Zuspiel / Tonband, 2 perf | 29:12 | Stereo | perc, tpt [Trompete, Schlagzeug] | 3 parts, MIDI | ART 1016/ | CCM Mills | 0 | |||||||
| 19401 | Chris, Tim, Phil | Brown, Perkis, Stone | Hall of Mirrors | 1987 | Zuspiel, live-elec, 1 perf | 10:58 | Stereo | p [Piano] | MIDI | ART 1001/ | CCM Mills | 0 | |||||||
| 19402 | Chris, Tim, Phil | Brown, Perkis, Stone | Hot Lunch | 1995 | fixed media, akusmatisch | 8:34 | Stereo | MIDI | ART 1016/ | CCM Mills | 0 | ||||||||
| 2323 | Chris, Tim, Phil | Brown, Perkis, Stone | Hot pigs | 1988 | live-elec, 1 perf | 8:49 | MIDI-Kbd [Keyboard] | MIDI | ART 1002/ | CCM Mills | 1 | ||||||||
| 19403 | Chris, Tim, Phil | Brown, Perkis, Stone | Iceberg | 1985 | Radiokunst, live-elec, 1 perf | 17:35 | Stereo | perc [Schlagzeug] | MIDI | ART 1001/ | CCM Mills | 0 | |||||||
| 19404 | Chris, Tim, Phil | Brown, Perkis, Stone | Parkula | 1995 | fixed media, akusmatisch | 6:54 | Stereo | MIDI | ART 1016/ | CCM Mills | 0 | ||||||||
| 19405 | Chris, Tim, Phil | Brown, Perkis, Stone | Post Mortem | 1986 | live-elec, 1 perf | 9:35 | Stereo | p [Piano] | MIDI | ART 1001/ | CCM Mills | 0 | |||||||
| 19406 | Chris, Tim, Phil | Brown, Perkis, Stone | Snakecharmer | 1987 | live-elec, 1 perf | 10:00 | Stereo | V [Stimme] | MIDI | ART 1001/ | CCM Mills | 0 | |||||||
| 19407 | Chris, Tim, Phil | Brown, Perkis, Stone | Sync of Swing | 1996 | live-elec, 1 perf | 9:44 | Stereo | perc [Schlagzeug] | MIDI | ART 1016/ | CCM Mills | 0 | |||||||
| 19408 | Chris, Tim, Phil | Brown, Perkis, Stone | Urge | 1981 - 1996 | live-elec, 1 perf | 7:21 | Stereo | MIDI-Kbd [Keyboard] | MIDI | ART 1016/ | CCM Mills | 0 | |||||||
| 19409 | Chris, Tim, Phil | Brown, Perkis, Stone | Wheelies | 1993 | live-elec, 1 perf | 10:07 | Stereo | MIDI-Kbd [Keyboard] | MIDI | ART 1008/ | CCM Mills | 0 | |||||||
| 23117 | Chris Cree | Brown | Under Erebus | 2000 | fixed media, akusmatisch | 14:42 | Aufnahmen aus der Antarktis | UWMD 1201 New Zealand Sonic Art Vol. 2/ | 1 | ||||||||||
| 43064 | Courtney | Brown | Blown Away | 2014 | Klangkunst, Installation | Location: Playhouse Lobby | 0 | ||||||||||||
| 42468 | Courtney | Brown | losing love in magnetic time | 2008 | Zuspiel / Tonband, 2 perf | mar, vib [Schlagzeug] | Adam Forman, Derek Kwan, percussion | 0 | |||||||||||
| 25485 | Earle | Brown | December 1952, Folio | 1952 | Zuspiel / Tonband, 2 perf | 6:08 | p, com, (elec) [Piano, computer] | Part of FOLIO, Brown's collection of graphic compositions. | NWR 80650-2/ Thorofon MTH 224/ CRI SD 330/ | 1 | 1986 | ||||||||
| 2002 | |||||||||||||||||||
| 2325 | Earle | Brown | Four Systems, Folio | 1954 | Zuspiel / Tonband, 1 perf | var 4:22 | var ins [Instrument] | Part of FOLIO, Brown's collection of graphic compositions. Indeterminate length and instrumentation |
Mainstream MS 7139/ EMI C 065 02469/ NWR 80650-2/ WER 67452/ ed. rz 1002/ | EMS UIUC | 1 | 1986 | |||||||
| 2002 | |||||||||||||||||||
| 32795 | Earle | Brown | Music for the Stadler Galerie | 1964 | Klangkunst, Installation | Quadro | Sound installation for four tape loops. Composed for an exhibit of paintings by David Budd and original text by William S. Burroughs. | 1964 | Stadler Galerie New York | 0 | |||||||||
| 2326 | Earle | Brown | Octet I | 1953 | Zuspiel / Tonband, 1 perf | 3:25 | Stereo, 8*1 tracks | ins [Instrument] | A manuscript of Octet I exists in the archive of the Earle Brown Music Foundation (in 2013 the 8 mono-tapes are discovered). | CRi SD 330/ NWR 80650-2/ mode 179/ | PS Barron NY | Project for Music for Magnetic Tape (Cage) | March 1953 | University of Illinois Arts Festival | 0 | 2008 | http://closetcurios2.blogspot.com | ||
| 26236 | Earle | Brown | Octet II | 1954 | fixed media, akusmatisch | 4:00 | Octo | Earle Brown did not make a realization of Octet II. However, his manuscript of Octet II is in the archive of the Earle Brown Music Foundation. Volker Straebel and Thomas Seelig created a realization for the Maerz Musik Festival für aktuelle Musik Berlin March 28, 2009. | 29.3.2009 | Kino Arsenal Potsdamer Platz Berlin | 0 | http://www.straebel.de/praxis/index.html | |||||||
| 2327 | Earle | Brown | Times Five | 1963 | Zuspiel / Tonband, 5 perf | 15:17 | Stereo + Stereo, Stereo | fl, trbn, hp, vn, vc [Flöte, Posaune, Harfe, Cello, Violine] | CRi SD 330/ NWR 80650-2/ BAM LD 072/ BAM LD 5072/ CRi SD 336/ IDEAMA CD 035/ | INA • GRM | ORTF, Service de la Recherche | 15.2.1963 | Paris Salle des Conservatoire | Edition Peters | 1 | 1985 | |||
| 2328 | Earle | Brown | Tracer | 1985 | Zuspiel / Tonband, 6 perf | 3:10 | Quadro | fl, cl, b-cl, vn, vc, db [Flöte, Klarinette, Cello, Violine, Kontrabass] | mode 179/ | 08.02.1985 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1985 | http://www.moderecords.com/ | |||||
| 32796 | Earle | Brown | Wikiup | 1979 | Klangkunst, Installation | ∞ | 6 | Sound installation for four tape loops. Composed for an exhibit of paintings by David Budd and original text by William S. Burroughs. | ICI New York for „Supershow“ (travelling exhibition) | Edition Peters | 0 | ||||||||
| 2329 | Eric | Brown | 99 Southbound | fixed media, akusmatisch | 12:30 | Stereo | Concordia Montréal | 0 | |||||||||||
| 2330 | Eric | Brown | Bird Flap Turn | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 2331 | Eric | Brown | Duet3 | 1986 | live-elec, 2 perf | Stereo | 2 synt [synthesizer] | 0 | |||||||||||
| 2333 | Eric | Brown | It's all in your Head | 1986 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | 0 | |||||||||||
| 2334 | Eric | Brown | Purple Shoes | 1986 | live-elec, 1 perf | Stereo | com con synt [synthesizer] | 0 | |||||||||||
| 2335 | Eric | Brown | Purple Shoes Three | 1986 | live-elec, 1 perf | 4:28 | Stereo | com con synt [synthesizer] | 0 | ||||||||||
| 2336 | Eric | Brown | Rain rain | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds, (com) [Keyboard] | 0 | |||||||||||
| 2337 | Eric | Brown | Sand/Water | 1984 | fixed media, akusmatisch | 12:17 | Stereo | 0 | |||||||||||
| 2338 | Eric | Brown | Sequence Call | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | 0 | |||||||||||
| 2339 | Eric | Brown | Sequence Call II | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | 0 | |||||||||||
| 34893 | Eric | Brown | Stewart Hall | 1986 | live-elec, 1 perf | Stereo | synt [synthesizer] | Concordia Montréal | 0 | ||||||||||
| 2340 | Eric | Brown | The Old Country (Music for PS, Part 2, Section V) | 1988 | live-elec, 1 perf | 6:30 | Stereo | com con synt [synthesizer] | 0 | ||||||||||
| 2341 | Eric | Brown | Unspiked Purple Shoes | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | 0 | |||||||||||
| 2332 | Eric, Jean-François | Brown, Denis | Fréquents passages | 1987 | live-elec, 2 perf | 10:00 | Stereo | 2 DX7 [synthesizer] | ACM 37 CD 1-4/ | 0 | |||||||||
| 2342 | Frank, Geneviève | Brown, Klein | Terra ignota | 1975 | fixed media, akusmatisch | EM ?? | 0 | ||||||||||||
| 39802 | Galen | Brown | God is a Killer | 2016 | fixed media, akusmatisch | Galen Brown | 0 | ||||||||||||
| 34549 | George | Brown | Prisms | fixed media, akusmatisch | RCM London | 0 | |||||||||||||
| 2343 | Henry | Brown | Prima Materia | 1989 | fixed media, akusmatisch | 12:00 | Stereo | BEAST | 0 | ||||||||||
| 39858 | Hunter | Brown | IO | 2016 | fixed media, akusmatisch | Hunter Brown | 0 | ||||||||||||
| 39859 | Hunter, Leah, Christiana | Brown, Newman, Rose | Rope Study | 2017 | Klangkunst, Installation | Hunter Brown, Leah Newman & Christiana Rose | 0 | ||||||||||||
| 2344 | Steve | Browning | Lunar New-Year | fixed media, akusmatisch | 7:22 | Stereo | Queens Uni Kingston | 0 | |||||||||||
| 2345 | Daniel | Brozák | Panychida za Dmitrije Sostakovice | 1975 | fixed media, akusmatisch | 14:36 | Stereo | Radio Plzen | 0 | ||||||||||
| 41892 | Daniel | Brozák | Patologie, op. 100 | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1993 | 0 | ||||||||||||
| 2346 | Daniel | Brozák | Rigorosum | 1975 | fixed media, akusmatisch | 11:30 | Stereo | Radio Plzen | 0 | ||||||||||
| 41898 | Daniel | Brozák | Zvěřinec | 1994 | fixed media, akusmatisch | Competition Musica Nova Prag 1994 | 0 | ||||||||||||
| 2347 | Rudolf | Bruci | Ptice (Birds) | 1974 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EM ?? | 0 | |||||||||||
| 2348 | Ludger | Brümmer | Ambre, Lilac | 1994 | fixed media, akusmatisch | 21:45 | Quadro | CLM, CM | WER 2051 2/ zkm edition 1/ | ZKM Karlsruhe | 17.5.1995 | ZKM Karlsruhe | 1 | 1996 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||
| 29337 | Ludger | Brümmer | black | 2007 | fixed media, akusmatisch | ZKM Karlsruhe | 0 | ||||||||||||
| 29333 | Ludger | Brümmer | Carlo | 2004 | fixed media, akusmatisch | Quadro | ZKM Karlsruhe | 0 | |||||||||||
| 26433 | Ludger | Brümmer | CredoXrequiem | 2001 | fixed media, akusmatisch | Quadro | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||||
| 19231 | Ludger | Brümmer | CRI | 1995 | fixed media, akusmatisch | 19:28 | Stereo, Quadro, Octo | edel 0014522 TLR, the listening room/ | AdK Berlin | Akademie der Künste Berlin | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 23418 | Ludger | Brümmer | de la nuit | 1999 | fixed media, akusmatisch | 18:12 | Quadro | Multichannelversionen Dolby Digital und DTS | WER 2059 5/ zkm edition 9/ | ZKM Karlsruhe | Kryptonale 1999 | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 38849 | Ludger | Brümmer | Deconstructing Double District | 2017 | fixed media, akusmatisch | 4:53 | INA GRM G6050/59/ | 0 | |||||||||||
| 19030 | Ludger | Brümmer | Dele! | 1995 | fixed media, akusmatisch | 17:49 | Stereo, Quadro | phase vocoder | Cybele 960.102/ | AdK Berlin | Akademie der Künste Berlin | 1 | http://www.Cybele .de/shop/product_info.php?products_id=48 | ||||||
| 2349 | Ludger | Brümmer | Etüden über Projekt 1 von G.M.Koenig | 1986/1987 | fixed media, akusmatisch | 5:59 | Quadro | Synlab | 0 | http://de.wikipedia.org/wiki/Ludger_Br%C3%BCmmer | |||||||||
| 24299 | Ludger | Brümmer | Gestalt | 2002 | fixed media, akusmatisch | 5:09 | Quadro | For Francois Bayles’ 70th birthday | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | 2006 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 29332 | Ludger | Brümmer | Gesualdo | 2003 | fixed media, akusmatisch | Quadro | ZKM Karlsruhe | 0 | |||||||||||
| 25852 | Ludger | Brümmer | Glasharfe | 2006 | fixed media, akusmatisch | 19:01 | Stereo, 16 tracks | ed. rz 10016 Inventionen 2005&06/ INA GRM G6050/59/ | ZKM Karlsruhe | 1 | 2006 2008 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 29330 | Ludger | Brümmer | HiAnLo | 1993/1994 | Zuspiel / Tonband, 1 perf, 1 group | Quadro | (ungewöhnliche) inss [Instrument] | ICEM Essen | 0 | ||||||||||
| 22360 | Ludger | Brümmer | Inferno der Stille | 2000 | fixed media, akusmatisch | 23:30 | Octo | LS-Verteilung im Kreis (1 -> lf) 3 Versionen mit unterschiedlichem Dithering |
WER 2059 5/ zkm edition 9/ | ZKM Karlsruhe, TU Berlin | Folkmar Hein | 1 | 2002 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||
| 2350 | Ludger | Brümmer | La Cloche sans vallées | 1992/1998 | fixed media, akusmatisch | Tanz, 1 perf |
22:08 | Quadro | dancer [Tanz] | versions for solo-tape and solo-dancer and tape | Cybele 960.101/ | CCRMA | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 19094 | Ludger | Brümmer | Le Temps s'ouvre, Thrill | 1994 - 1999 | Tanz, 2 perf | 33:19 | Quadro | dancer, p [Piano, Tanz] | Carmen Luz Yanez (choroeg.) | edel 0014522 TLR, the listening room/ WER 2059 5/ zkm edition 9/ | ICEM Essen | 1 | 1998 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||
| 2351 | Ludger | Brümmer | Le Tombeau de Maurice | 1992 | fixed media, akusmatisch | 17:08 | Stereo | NeXT | CCRMA V 02/ | CCRMA | 1992 | CCRMA | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||
| 37643 | Ludger | Brümmer | Lichtspiel Op. 2 | 1921 / 2007 | audiovisuell, 1 group | 1:20 | Mono | ens [Ensemble] | after Ruttmann’s op. 2 | 0 | |||||||||
| 23417 | Ludger | Brümmer | Lizard Point | 1997 | fixed media, akusmatisch | audiovisuell |
20:19 | Quadro | zwei Versionen: ohne und mit Video; Video von Silke Braemer, Produktion INTERARTES Essen. Nutzung der physikalischen Modelle mithilfe von "Genesis" des ACROE/IMAG Grenoble |
Centaur CRC 2552, CDCM Vol. 32/ WER 2059 5/ zkm edition 9/ | ZKM Karlsruhe | ICMA für ICMC 1997 Saloniki | 1997 | ICMC Saloniki | ICMA Commission Awards 1997-99 | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||
| 26266 | Ludger | Brümmer | Medusa | 2003 | Zuspiel/Tonband, 2 perf | audiovisuell |
22:00 | Quadro, 5 tracks | 2 perc [Schlagzeug] | Genesis | WER 2058 5/ zkm edition 8/ | ZKM Karlsruhe | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 25554 | Ludger | Brümmer | Move, Triptychon für Klavier, Live-Elektronik und Video | 2006 | Zuspiel, live-elec, 1 perf | audiovisuell |
17:04 | p [Piano] | ZKM / | ZKM Karlsruhe | 1 | 2008 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 29331 | Ludger | Brümmer | Musica di Angelo | 2003 | fixed media, akusmatisch | Quadro | ZKM Karlsruhe | 0 | |||||||||||
| 24375 | Ludger | Brümmer | Nyx | 2001 | fixed media, akusmatisch | 27:30 | Octo | LDC 278074/75 Cultures Electroniques 15/ | IMEB Bourges | IMEB Bourges | Grand prix Bourges | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 29338 | Ludger | Brümmer | Opus II - Etüde zu Walter Ruttmans Film | 1921, 2007 | Zuspiel, live-elec, 4 perf | audiovisuell |
3:22 | p, vn, va, vc, (elec) [Piano, Viola, Cello, Violine] | ZKM Karlsruhe | 0 | ||||||||||
| 2352 | Ludger | Brümmer | Painted Time with fractaled Ravel | 1989 | fixed media, akusmatisch | 20:50 | Quadro | Yamaha TX16W Sampler, Abmischung Steinberg24 | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||
| 26435 | Ludger | Brümmer | Particles | 2000 | Klangkunst, Installation | von Christian Möller mit interaktiven Klängen von Ludger Brümmer (London) | Science Museum London | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||||
| 2353 | Ludger | Brümmer | Pas Moi! | 1991 | Zuspiel / Tonband, 1 perf | 25:35 | Quadro | perc [Schlagzeug] | also possible without perc | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 22911 | Ludger | Brümmer | Phrenos | 1997 | fixed media, akusmatisch | 18:40 | Quadro | CLM | WER 2059 5/ LDC 278063/64 Cultures Electroniques 10/ zkm edition 9/ | ZKM Karlsruhe | ZKM | 8.11.1997 | ZKM Karlsruhe | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||
| 25853 | Ludger | Brümmer | Repetitions | 2005 | fixed media, akusmatisch | 21:40 | 20 Tracks, Quadro | 1 | 2006 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||
| 29335 | Ludger | Brümmer | Repl(a)y | 2005 | audiovisuell | Klangkunst, Installation |
Quadro | ZKM Karlsruhe | 0 | |||||||||||
| 2354 | Ludger | Brümmer | Resi's Trance | 1989 | Zuspiel / Tonband, 6 perf | 25:00 | 6 (or 3) fl [Flöte] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||||
| 2355 | Ludger | Brümmer | Ruhrort | 1991 | Tanz | 55:00 | Quadro | choreo Susanne Linke | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||
| 26431 | Ludger | Brümmer | Schatten | 2002 | Zuspiel / Tonband, 1 perf | 17:50 | p [Piano] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/fol.html | ||||||||||
| 26432 | Ludger | Brümmer | Senza molti Emotioni | 1984 | live-elec, 5 perf | 8:30 | 3 e-org, 2 synt [Keyboard, synthesizer] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/fol.html | ||||||||||
| 27380 | Ludger | Brümmer | Shine, Speed | 2007 | audiovisuell | 12:00 | Quadro | siehe Organised Sound Vol 14/3 / Ludger Brümmer: The ZKM; 2 Excerpts from P „Remembering Newtopia - Creating our Future“ |
Organised Sound Vol 14/3/ | ZKM Karlsruhe | 1 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 26434 | Ludger | Brümmer | Sound Garden | 1997 | Klangkunst, Installation | von Christian Möller mit interaktiven Klängen von Ludger Brümmer. (Tokio und Lissabon) | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||||
| 26436 | Ludger | Brümmer | Soundingout | 2000 | Klangkunst, Installation | von Christian Möller mit interaktiven Klängen von Ludger Brümmer (London) | Science Museum London | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||||
| 37766 | Ludger | Brümmer | Spin | 2014 | fixed media, akusmatisch | audiovisuell |
Octo, Spazialisation: binaural | also 3D-Video by Bernd Lintermann | INA GRM G6050/59/ CMJ Vol 41, 2017/ | ZKM Karlsruhe | 0 | |||||||||
| 26437 | Ludger | Brümmer | Surfaces | 2001 | audiovisuell, 5 perf | 16:00 | Quadro | vn, va, fl, cl, p [Flöte, Klarinette, Piano, Viola, Violine] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||||
| 2356 | Ludger | Brümmer | Swing! Erst- und Zweithörversion | 1985, 1986 | Zuspiel / Tonband, 1 perf | 11:50 | Quadro | perc [Schlagzeug] | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||
| 29336 | Ludger | Brümmer | temps du miroir | 2004/2005 | live-elec, 1 perf | audiovisuell, live-elec, 1 perf |
p, (com) [Piano] | opt AV | ZKM Karlsruhe | 0 | ||||||||||
| 2357 | Ludger | Brümmer | The Gates of H. | 1992 | fixed media, akusmatisch | 18:50 | Stereo | DegeM CD 01/ Prix ars electronica 94/ edel 0014522 TLR, the listening room/ | CCRMA | Prix ars electronica: Golden Nica 1994 Competition Musica Nova Prag 1994 |
1 | 2000 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 20275 | Ludger | Brümmer | Thrill, Le Temps souvre | 1998 | fixed media, akusmatisch | audiovisuell |
19:12 | Quadro | CLM. Phys. Models! Same music to the Video "Le temps souvre'" |
WER 2059 5/ DMR Musik in Deutschland 1950 - 2000: Studioproduktionen 74321 73564 2/ zkm edition 9/ | ZKM Karlsruhe | ZKM | 25.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||
| 23034 | Ludger | Brümmer | TroTropf Ort | 1987 | fixed media, akusmatisch | 12:26 | Quadro | Ex Machina 5 - die achtziger Jahre. mit SynLab produziert |
Cybele 960.105, ex machina 5/ | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | |||||||
| 2359 | Ludger | Brümmer | Umordnung, senza molti Emotioni | 1984 | live-elec, 5 perf, 1 group | ≈ 8:30 | 3 e-org, 2 synts [Keyboard, synthesizer] | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||||
| 25854 | Ludger | Brümmer | Xronos | 2002 | audiovisuell | 17:54 | 16 Tracks | Elektroakutische Komposition und Video-Tryptichon. Tanz: Nick Haffner, Katja Büchtermann | INA GRM G6050/59/ | ZKM Karlsruhe | 1 | 2006 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||
| 2360 | Ludger | Brümmer | Zu spät | 1990 | Theater, 2 perf | 57:00 | Stereo | V, MIDI [Stimme, synthesizer] | ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~ludi/ | ||||||||
| 22886 | Herbert | Brün | A Mere Ripple, Sawdust 4 | 1979 | fixed media, akusmatisch | 11:44 | Stereo, Quadro | other name "SAWDUST Nr. 4" mit Programm SAWDUST (76-81); 56-malige Wiederholung! |
EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 2362 | Herbert | Brün | Anepigraphe, Anepigraphie | 1958 | fixed media, akusmatisch | 7:42 | Stereo, Quadro | BVHAAST 9106/ AVRS 5006/ EMF CD 00614/ CDCD 5067/ IDEAMA CD 097/ | Siemens, WDR SEM | WDR | 14.12.1959 | "Musik der Zeit" Köln | 1 | http://www.herbertbrun.org/ | |||||
| 2364 | Herbert | Brün | auf und ab und zu | 1978 | fixed media, akusmatisch | 3:00 | Quadro | EMF DVD 054/ | TU Berlin | 1 | http://www.herbertbrun.org/ | ||||||||
| 2365 | Herbert | Brün | Dust, Sawdust 1 | 1976 | fixed media, akusmatisch | 9:30 | Quadro | other name "SAWDUST Nr. 1" | EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 18815 | Herbert | Brün | Dustiny, Sawdust 3 | 1978 | fixed media, akusmatisch | 5:30 | Stereo, Quadro | other name "SAWDUST Nr. 3" | EMF CD 00644/ non sequitur 1/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 2366 | Herbert | Brün | Faust I | 1956 | Theatermusik | 16:55 | Mono | WDR SEM | 0 | http://www.herbertbrun.org/ | |||||||||
| 2367 | Herbert | Brün | Futility 1964 | 1964 | fixed media, akusmatisch | 8:00 | Stereo | prerecorded speaker | EMF CD 00614/ HE HS 25047 LP/ non sequitur 3/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 2368 | Herbert | Brün | i toLD You so! | 1981 | fixed media, akusmatisch | 12:57 | Stereo | Centaur CRC 2045, CDCM Vol. 3/ EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||||
| 25797 | Herbert | Brün | Infraudibles | 1967 | fixed media, akusmatisch | 4:13 | Stereo | 3 versions | Orphica critica „Über Musik und zum Computer“ Beilage Vinyl/ IDEAMA CD 068/ | EMS UIUC | 1968 | London | 1 | http://www.herbertbrun.org/ | |||||
| 2369 | Herbert | Brün | Infraudibles II, Infraudible with quintet | 1968 | Zuspiel / Tonband, 1 group | 8:30 | Stereo | ens [Ensemble] | IDEAMA CD 069/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 22884 | Herbert | Brün | Infraudibles with Percussion | 1968 - 1984 | Zuspiel / Tonband, 1 perf | 10:17 | Stereo | perc [Schlagzeug] | Tonband mit Computer erstellt; der Instrumentalteil läuft ganz unabhängig davon (ein Analogie zum Band!) und ist nicht mit dem Computer erstellt. | EMF CD 00624/ IDEAMA CD 069/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||
| 28204 | Herbert | Brün | Interlude CSX-1, (für Sonoriferous Loops) | 1964 | Demo, Studie | 1:00 | Einspielband zu Sonoriferous Loops | orphica critica „Über Musik und zum Computer“ Beilage Vinyl/ | EMS UIUC | 1 | |||||||||
| 2370 | Herbert | Brün | Klänge unterwegs, Wayfaring Sounds | 1961 | fixed media, akusmatisch | 4:10 | Stereo | zwei Teile: - eine Einführung in die elektronische Komposition und ihre Arbeitsmethoden - das Werk |
AVRS 5006/ EMF CD 00624/ DMR Musik in Deutschland 1950 - 2000: Studioproduktionen/ Siemens AG/ IDEAMA CD 013/ Earlabs LC 007/ | Siemens | BR | 28.4.1961 | Bayerischer Rundfunk | 1 | http://www.herbertbrun.org/ | ||||
| 2371 | Herbert | Brün | König Lear | 1958 | radiophon | 10:30 | Mono | WDR SEM | 0 | http://www.herbertbrun.org/ | |||||||||
| 22885 | Herbert | Brün | More Dust, Sawdust 2 | 1977 | fixed media, akusmatisch | 12:42 | Quadro | other name "SAWDUST Nr. 2" mit Programm SAWDUST (76-81) |
EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | |||||||
| 22888 | Herbert | Brün | More Dust with percussion | 1977 | Zuspiel / Tonband, 3 perf | 13:16 | Stereo, Quadro | 3 perc [Schlagzeug] | mit Programm SAWDUST (76-81). | EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||
| 2372 | Herbert | Brün | Mutatis Mutandis 13 | 1968 | fixed media, akusmatisch | 4:10 | Stereo | Version also for Piano or musician(s) | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||||
| 2373 | Herbert | Brün | Non Sequitur VI | 1966 | Zuspiel / Tonband, 6 perf | 13:15 | Stereo | fl, vc, hp, p, 2 perc [Flöte, Piano, Harfe, Schlagzeug, Cello] | With help of computers IBM 7094 and Illiac II in Department of Computer Science, University of Illinois | EMF CD 00624/ Vinyl non sequitur 3/ orphica critica „Über Musik und zum Computer“ Beilage Vinyl/ IDEAMA CD 068/ | EMS UIUC | Radio Bremen | 1966 | Bremen | 1 | http://www.herbertbrun.org/ | |||
| 2361 | Herbert | Brün | Piece of Prose | 1972 | fixed media, akusmatisch | 20:00 | Stereo | EMF CD 00614/ non sequitur 2/ | ExpSt Warsaw | polish radio | 1 | http://www.herbertbrun.net/ | |||||||
| 2376 | Herbert | Brün | S endendes N wo O pen W ide (SNOW) | 1984 | fixed media, akusmatisch | 10:55 | UIUC LC 84-743210/ EMF CD 00624/ | EMS UIUC | 0 | http://www.herbertbrun.org/ | |||||||||
| 2375 | Herbert | Brün | Sendezeichen für Sonderprogramm des BR | 1961 | Hintergrundmusik | 0:10 | Mono | Siemens | 0 | http://www.herbertbrun.org/ | |||||||||
| 2377 | Herbert | Brün | Sonoriferous Loops | 1964 | Zuspiel / Tonband, 6 perf | 14:12 | Stereo | fl, tpt, db, 3 perc [Flöte, Trompete, Schlagzeug, Kontrabass] | With help of computer IBM 7694, IBM 1401 and CSX-1. There is a "Interlude CSX-1" with a duration of 1 Minute (Tape only) |
EMF CD 00624/ non sequitur 2/ orphica critica „Über Musik und zum Computer“ Beilage Vinyl/ IDEAMA CD 067/ | EMS UIUC | 1965 | University of Illinois | 1 | http://www.herbertbrun.net/ | ||||
| 22887 | Herbert | Brün | U-Turn-To | 1980 | fixed media, akusmatisch | 5:39 | mit Programm SAWDUST (76-81) | EMF CD 00644/ | EMS UIUC | 1 | http://www.herbertbrun.org/ | ||||||||
| 2378 | Claudius | Brüse | Der Weg so weit | 1986 | fixed media, akusmatisch | 15:30 | Quadro | ICEM Essen | 0 | ||||||||||
| 2379 | Claudius | Brüse | Kapitel 80 | 1987 | fixed media, akusmatisch | 16:05 | Quadro | Analog/Digitalsynthese | Cybele 960.105, ex machina 5/ | PS C., ICEM Essen | 1 | ||||||||
| 37513 | Claudius | Brüse | Plötzlich | 1985 | fixed media, akusmatisch | 11:04:00 | Stereo, Octo | Synlab | ICEM Essen | 0 | |||||||||
| 33757 | Anton | Bruhin | Reittier | 2009 | radiophon | 14:05 | Stereo | EBU Ars Acustica 2009/ | WDR Studio Akustische Kunst | EBU Ars Acustica 2009 | 1 | ||||||||
| 2380 | Ej | Brulé | Ej Brulé Live | live-elec, 1 perf | Stereo | V, (extensions) [Stimme] | 0 | ||||||||||||
| 42716 | George | Brunner | La Nuit dans le Marais | 2012 | fixed media, akusmatisch | 9:29:00 | 0 | ||||||||||||
| 42971 | George | Brunner | The Call | 2013 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 2381 | Norbert | Brunner | Heilige Mörder im Tabernakel | 1978 | fixed media, akusmatisch | 10:30 | Stereo | after a poem by J. Genet "Der zum Tode verurteilte." | ELAK Wien | 0 | |||||||||
| 2382 | Norbert | Brunner | Konkav-Konvex (Kedorg) | 1978 | fixed media, akusmatisch | 10:30 | Stereo | after a poem by G. Trakl "Grodek". | ELAK Wien | 0 | |||||||||
| 2383 | Norbert | Brunner | Schlafe falsche Flasche | 1979 | fixed media, akusmatisch | 3:20 | Stereo | after a poem by Priessnitz. | ELAK Wien | 0 | |||||||||
| 2384 | Norbert | Brunner | Sur-le-pont | 1980 | fixed media, akusmatisch | 5:20 | Stereo | ELAK Wien | 0 | ||||||||||
| 27393 | Stefan | Brunner | 1000 Nadeln | fixed media, akusmatisch | 10:16 | Stereo, Octo | Kopien liegen vor: 8 ch und stereo | ELAK Wien | 1 | ||||||||||
| 27394 | Stefan | Brunner | Ein Spiel | fixed media, akusmatisch | 5:38 | Stereo, Quadro | Kopien liegen vor: 4 ch und stereo | ELAK Wien | 1 | ||||||||||
| 32161 | Stefan, Michael, Daniel | Brunner, Wilhelm, Lercher | Vollkontakt Konzert, Full Contact Concert | 2006 | Performance, live-elec, 2 perf | 15 | 2 perf [Performer] | eine Art Boxkampf, wo die Bewegungen der Kämpfer zum Erklingen kommen via Sensoren. | ELAK Wien | 1 | |||||||||
| 2385 | William | Brunson | A is for a apple | 1976 | fixed media, akusmatisch | 5:00 | Stereo | HfM Stockholm | 0 | ||||||||||
| 23784 | William | Brunson | Creature Comforts | 1998 | fixed media, akusmatisch | 17:13 | Stereo | Elektron EM 1008/ CAP 22057/ | HfM Stockholm | EMS Prize 2001 | 1 | ||||||||
| 2387 | William | Brunson | Evidence of Things Unseen | 1987 | fixed media, akusmatisch | intermedia |
14:00 | Stereo | slides by J. Doukkali | HfM Stockholm | 0 | |||||||||
| 2388 | William | Brunson | Exile and Life Close to the Horizon | 1990 | fixed media, akusmatisch | 10:00 | INFOGRAM 009/ Elektron EM 1008/ | EMS Stockholm, HfM Stockholm | 1 | ||||||||||
| 2390 | William | Brunson | Inside Pandora's box | 1991 | fixed media, akusmatisch | 17:30 | txtcompo | INFOGRAM 018/ Elektron EM 1008/ LDC 278068/69 Cultures Electroniques 12/ | HfM Stockholm | 2nd prize Bourges 1993 | 1 | ||||||||
| 2391 | William | Brunson | Page 16, From the manual for Interdimensional Travel | 1984 | fixed media, akusmatisch | 10:00 | Stereo, Quadro | HfM Stockholm | 0 | ||||||||||
| 28155 | William | Brunson | Tapestry I | 1975 | fixed media, akusmatisch | 7:33 | one the first four pieces made with "The Dartmouth Digital Synthesizer" | FTS 33442/ | Bregman Dartmouth | 0 | |||||||||
| 2392 | William | Brunson | Tapestry II | 1981 | fixed media, akusmatisch | 9:01 | CAP 21471 "Bits and Pieces / EMS 30 Years"/ FYLP 1026/ | Col.Princ EMC, EMS Stockholm | 1 | 1982 | |||||||||
| 24714 | William | Brunson | The Lute of Pythagoras | 1996 | fixed media, akusmatisch | intermedia |
14:35 | with slides (Josef Doukkali) | Elektron EM 1008/ | HfM Stockholm | 1 | 2002 | ||||||||
| 2393 | William | Brunson | Too Pooped to Pomp | 1984 | fixed media, akusmatisch | 9:30 | Stereo, Quadro | HfM Stockholm | 0 | ||||||||||
| 2394 | William | Brunson | two topologies | 1988 | intermedia | slides (Josef Doukkali) | HfM Stockholm | 0 | |||||||||||
| 2389 | William, Leo, Nino | Brunson, Nilsson, Monastra | Harmonius Interpenetrating Mix-up | 1984 | audiovisuell | 12:00 | Stereo | Video for 5 monitors. | HfM Stockholm | 0 | |||||||||
| 2386 | William, Peter | Brunson, Schuback | Double Stop | 1983 | live-elec, 1 perf | 15:00 | Quadro | ("mute") vc [Cello] | HfM Stockholm | 0 | |||||||||
| 2395 | Leif | Brush | Terrain Instruments Are Activated | 1990 | Performance | 8:34 | terrain instruments | AER 1991 / 4/ | 1 | ||||||||||
| 18806 | Karsten | Brustad | Intarsia: Degrees of Simplicity | 1991 | Zuspiel / Tonband, 2 perf | Stereo | sax, gui [Saxophon, Gitarre] | Origo Sound OCD 9103/ | 0 | ||||||||||
| 2396 | Group | Brut | Midgard | 1989 | radiophon | 45:00 | Stereo | AdK Berlin | 0 | ||||||||||
| 2397 | Thomas | Bruttger | Entre Chiens et Loups | 1985 | fixed media, akusmatisch | 7:45 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 2398 | Thomas | Bruttger | Speaker Francese | 1987 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 2399 | Jan | Bruyndonckx | 7 poèmes de Paul de Vree (fonetische bewerking) | 1963 | fixed media, akusmatisch | 4:00 | Mono | txtcompo | OU/ | PS C. | 0 | ||||||||
| 2400 | Jan | Bruyndonckx | Amen | 1962 | Film | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2401 | Jan | Bruyndonckx | Black Magic | 1960 | fixed media, akusmatisch | 2:20 | Mono | PS C. | 0 | ||||||||||
| 2402 | Jan | Bruyndonckx | Cesar en Jezebel | 1966 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 2403 | Jan | Bruyndonckx | De Obool | 1964 - 1965 | Film | 30:00 | Mono | PS C. | 0 | ||||||||||
| 2404 | Jan | Bruyndonckx | Diamant | 1964 | Film | 12:00 | Mono | PS C. | 0 | ||||||||||
| 2405 | Jan | Bruyndonckx | Een Roos a rose | 1966 | fixed media, akusmatisch | 0:40 | Mono | text compo after Paul de Vree | OU/ | PS C. | 0 | ||||||||
| 2406 | Jan | Bruyndonckx | Electriciteit voor U | 1963 | Film | 22:00 | Mono | PS C. | 0 | ||||||||||
| 2407 | Jan | Bruyndonckx | Essentieel | 1964 | Film | 18:00 | Mono | poem by de Vree | PS C. | 0 | |||||||||
| 2408 | Jan | Bruyndonckx | Het Huis | 1964 | Theatermusik | 30:00 | Mono | PS C. | 0 | ||||||||||
| 2409 | Jan | Bruyndonckx | In de laatste Minuut | 1966 | Theatermusik | 22:00 | Mono | PS C. | 0 | ||||||||||
| 2410 | Jan | Bruyndonckx | Kilometer 94 | 1963 | Film | 5:00 | Mono | PS C. | 0 | ||||||||||
| 2411 | Jan | Bruyndonckx | Kleine Caroli | 1964 | fixed media, akusmatisch | 0:54 | Mono | txtcompo after de Vree | OU/ Btz/ | PS C. | 0 | ||||||||
| 2412 | Jan | Bruyndonckx | Kompromis | 1959 | Film | 12:00 | Mono | PS C. | 0 | ||||||||||
| 2413 | Jan | Bruyndonckx | Le Canard géométrique | 1965 | Film | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2414 | Jan | Bruyndonckx | Mijn Evanaaste | 1963 | Film | 12:00 | Mono | txtcompo after de Vree | PS C. | 0 | |||||||||
| 2415 | Jan | Bruyndonckx | Nocturne voor twee | 1959 | fixed media, akusmatisch | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2416 | Jan | Bruyndonckx | Parallel | 1964 | Film | 8:00 | Mono | PS C. | 0 | ||||||||||
| 2417 | Jan | Bruyndonckx | Pater Noster | 1961 | fixed media, akusmatisch | 3:42 | Mono | PS C. | 0 | ||||||||||
| 2418 | Jan | Bruyndonckx | Rails | 1958 | fixed media, akusmatisch | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2419 | Jan | Bruyndonckx | The Flower and the Umbrella | 1963 | Film | 7:00 | Mono | PS C. | 0 | ||||||||||
| 2420 | Jan | Bruyndonckx | Varieties voor voetstappen en gitaar | 1960 | fixed media, akusmatisch | 4:00 | Mono | PS C. | 0 | ||||||||||
| 2421 | Jan | Bruyndonckx | Verloren Paradijs | 1961 | fixed media, akusmatisch | 6:00 | Mono | PS C. | 0 | ||||||||||
| 2422 | Jan | Bruyndonckx | Vertigo gli | 1964 | fixed media, akusmatisch | 1:51 | Mono | txtcompo after de Vree | OU/ Btz/ | PS C. | 0 | ||||||||
| 2423 | Ton | Bruynèl | Adieu petit prince | 1983 | fixed media, akusmatisch | 18:50 | Stereo | Text: A. de Saint Exupéry | PS C. | 0 | |||||||||
| 2424 | Ton | Bruynèl | Arc, voor orgel en vier elektronische klanksporen | 1966 | Zuspiel / Tonband, 1 perf | 12:00 | Quadro | org [Orgel] | DAVS 7172 - 1/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 24225 | Ton | Bruynèl | Ascolta | 1988 | audiovisuell | Oper |
10:51 | T, ch [Tenor, Chor] | part from Video-Opera "Non sono un uccello" | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2425 | Ton | Bruynèl | Autoportrait du Diable | 1964 | Film | 5:00 | Mono | PS C. | 0 | ||||||||||
| 24229 | Ton | Bruynèl | Brouillard | 1994 | Zuspiel / Tonband, 1 perf | 8:54 | p [Piano] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2426 | Ton | Bruynèl | Chatarra | 1990 | Zuspiel / Tonband, 1 perf | 6:55 | hpd [Cembalo] | "Schrootsonate" | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2427 | Ton | Bruynèl | Chicharras | 1985 | Zuspiel / Tonband, 1 perf | 12:29 | male V [Stimme] | Text: Schierbeck | CV NEAR 12/ LDC 278065/66 Cultures Electroniques 11/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2428 | Ton | Bruynèl | Collage resonance II | 1963 | radiophon | 16:52 | Mono | Texts / Lyrics by Gerrit Kouwenaar, 4 parts | EFC 2501 LP/ CV NEAR 12/ | PS C. | NCRV television (nl) | 1964 | Stedelijk Museum Amsterdam | 1 | http://thresholdofbeauty.com/music excerpts/Collage Resonance II excerpt.mp3 | ||||
| 24224 | Ton | Bruynèl | Continuation | 1985 | Zuspiel / Tonband, 1 group | 10:23 | ch [Chor] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24231 | Ton | Bruynèl | Cours des nuages | 1998 | Zuspiel / Tonband, | 18:28 | str orc [Orchester] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2429 | Ton | Bruynèl | Cubes Project | 1969/1970 | intermedia | 80 Tracks, 80 tracks | PS C. | 0 | |||||||||||
| 2430 | Ton | Bruynèl | Das Gemälde | 1965 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 2431 | Ton | Bruynèl | De Televisie - Beeldbuis (TV- Tube) | 1963 | Film | 20:00 | Mono | industrial film (the television cathode ray tube) | PS C. | Philips | 0 | ||||||||
| 2432 | Ton | Bruynèl | Decor | 1967 | Tanz | 8:32 | Stereo | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2433 | Ton | Bruynèl | Denk mal das Denkmal | 1984 | Zuspiel / Tonband, 1 perf | 7:24 | Bar [Bariton] | Text J. Paagiviströmn | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2434 | Ton | Bruynèl | Dialogue I | 1975 | Zuspiel, live-elec, 1 perf | 8:43 | Stereo | b-cl, (rm) [Klarinette] | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2435 | Ton | Bruynèl | Diode III | 1962 | Film | 7:00 | Mono | PS C. | Philips | 0 | |||||||||
| 2436 | Ton | Bruynèl | Diode IV | 1962 | Film | 6:00 | Mono | PS C. | Philips | 0 | |||||||||
| 2437 | Ton | Bruynèl | Dust | 1992 | Zuspiel / Tonband, 1 perf | 7:51 | org [Orgel] | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2438 | Ton | Bruynèl | Elegy | 1972 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | fem V ad lib [Stimme] | fem V ad libitum | DF 9004 LP/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 2439 | Ton | Bruynèl | Farbentelevisie | 1966 | Film | 6:00 | Mono | PS C. | 0 | ||||||||||
| 2440 | Ton | Bruynèl | Frame | 1965 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 24234 | Ton | Bruynèl | Freem | 1966 | Film | 10:00 | Stereo | PS C. | 0 | ||||||||||
| 2441 | Ton | Bruynèl | From the Tripod | 1981 | Zuspiel / Tonband, 1 group | 15:27 | ch [Chor] | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24230 | Ton | Bruynèl | Imker I | 1995 | Zuspiel / Tonband, 4 perf | 8:41 | 4 fl [Flöte] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24236 | Ton | Bruynèl | Imker II | 1996 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | a-cl [Klarinette] | PS C. | 0 | |||||||||
| 24235 | Ton | Bruynèl | Ingredients | 1970 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 2442 | Ton | Bruynèl | Intra | 1971/1989 | Zuspiel / Tonband, 1 perf | 10:20 | Stereo, Mono | b-cl, (rm) [Klarinette] | rev. 1989 | DF 9004 LP/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 2443 | Ton | Bruynèl | Kolom | 1987 | Zuspiel / Tonband, 1 perf | 11:27 | org [Orgel] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24238 | Ton | Bruynèl | La caduta | 1990 | audiovisuell | Oper |
7:00 | T, b-Bar, ch [Tenor, Bariton, Chor] | part from Video-Opera "Non sono un uccello", Text Schierbeck | PS C. | 0 | |||||||||
| 24240 | Ton | Bruynèl | La dernière pavane | 1989 | Zuspiel / Tonband, 1 group | 6:00 | Stereo | ch [Chor] | PS C. | 0 | |||||||||
| 24237 | Ton | Bruynèl | La vertigine | 1989 | audiovisuell | Oper |
7:00 | T, b-Bar, ch [Tenor, Bariton, Chor] | part from Video-Opera "Non sono un uccello", Text Schierbeck | PS C. | 0 | |||||||||
| 24228 | Ton | Bruynèl | Le Jardin | 1993 | Zuspiel / Tonband, 3 perf | 13:00 | fem V, a-fl, hpd [Stimme, Flöte, Cembalo] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24233 | Ton | Bruynèl | Le temps tricheur | 1994 | Zuspiel / Tonband, 1 group | 7:45 | ch [Chor] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2444 | Ton | Bruynèl | Listening Landscape | 1977 | fixed media, akusmatisch | 15:50 | Stereo | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2445 | Ton | Bruynèl | Looking Ears | 1972 | Zuspiel / Tonband, 2 perf | 8:57 | Stereo | b-cl, p [Klarinette, Piano] | DF 9004 LP/ BVHAAST 9215/ CV NEAR 12/ | Sonology Utrecht, PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2446 | Ton | Bruynèl | Mecanique ’67, Mekaniek '67 Mecanique for wind quintet and 2 sound tracks |
1967 | Zuspiel / Tonband, 5 perf | 10:00 | Stereo | w-qnt [Bläser] | PS C. | 0 | |||||||||
| 2447 | Ton | Bruynèl | Melmgren | 1963 | radiophon | 10:00 | Mono | PS C. | 0 | ||||||||||
| 2448 | Ton | Bruynèl | Milieu - April '66, Milieu | 1966 | Film | 10:00 | Mono | film music for organ and 2 soundtracks | PS C. | 0 | |||||||||
| 2450 | Ton | Bruynèl | Mobile | 1965 | fixed media, akusmatisch | 4:00 | Stereo | first version | BVHAAST 9215/ | PS C. | 1 | ||||||||
| 24232 | Ton | Bruynèl | Mobile II | 1971 | fixed media, akusmatisch | 6:33 | 2nd version from „Mobile“, 1965, 4:00 | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2451 | Ton | Bruynèl | Muziek voor piano en twee geluidssporen, Music for piano and two sound tracks | 1961 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo, Quadro | p [Piano] | STEM Utrecht | 0 | |||||||||
| 2452 | Ton | Bruynèl | Nocturno en Pedraza | 1988 | Zuspiel / Tonband, 1 perf | 8:00 | fl [Flöte] | PS C. | 0 | ||||||||||
| 24226 | Ton | Bruynèl | Non sono un uccello | 1989 | audiovisuell | Oper |
38:00 | T, b-Bar, ch [Tenor, Bariton, Chor] | Video-Opera, Text Schierbeck | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2453 | Ton | Bruynèl | Phases | 1974 | Zuspiel / Tonband, 1 group | 18:40 | Quadro | orc [Orchester] | CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2454 | Ton | Bruynèl | Rain | 1982 | Zuspiel / Tonband, 4 perf | 9:22 | p {4 hands}, p {4 hands} [Piano] | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 18707 | Ton | Bruynèl | Reflexes, Reflexen | 1961 | fixed media, akusmatisch | 4:40 | Stereo + Stereo | first version 1961, 4:34, mono sound material Burmese drum |
BVHAAST 9214/ CV NEAR 12/ SR 164 sub rosa/ BASTA 30-9182-2/ CV 7803/ IDEAMA CD 100/ Creel Pone 10/ | PS C., STEM Utrecht | 1962 | Mood engineering society | 1 | http://thresholdofbeauty.com/music excerpts/Reflexes excerpt.mp3 | |||||
| 2456 | Ton | Bruynèl | Relief, Reliëf | 1964 | Zuspiel/Tonband, 1 perf | fixed media, akusmatisch |
11:00 | Quadro | org (plus 3 assistants) [Orgel] | 2 versions (mix for tape; tape and organ) | EFC 2501 LP/ CV NEAR 12/ IDEAMA CD 008/ | STEM Utrecht, PS C. | 1 | http://www.tonbruynel.nl/notes/relief.htm | ||||||
| 2457 | Ton | Bruynèl | Resonance I | 1962 | Tanz | Klangkunst, Installation |
14:00 | Stereo | (sculpture) [] | also including an amplified sculpture by Shinkichi Tajiri (1923-2009) | CV NEAR 12/ | PS C., TH Delft | 14.11.1962 | De Lantaren | 1 | http://thresholdofbeauty.com/music excerpts/Resonance I excerpt.mp3 | ||||
| 2458 | Ton | Bruynèl | Save the Whale | 1992 | Zuspiel / Tonband, | 9:21 | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 2460 | Ton | Bruynèl | Serène | 1978 | Zuspiel / Tonband, 1 perf | 5:52 | fl [Flöte] | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 2461 | Ton | Bruynèl | Signs | 1968/1969 | Zuspiel / Tonband, 5 perf | 11:53 | Stereo | w-qnt [Bläser] | for wind quintet and 2 electronic sound tracks | Staalplaat RL 222/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 2462 | Ton | Bruynèl | Soft Song | 1974 | Zuspiel / Tonband, 1 perf | 8:12 | Quadro | ob [Oboe] | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 24222 | Ton | Bruynèl | Studie | 1959 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | p [Piano] | first production in Bruynel’s home studio | CV NEAR 12/ | PS C. | 1 | http://thresholdofbeauty.com/music excerpts/Studie excerpt.mp3 | ||||||
| 2463 | Ton | Bruynèl | Tarde | 1991 | Zuspiel / Tonband, | BVHAAST 9215/ | PS C. | 0 | |||||||||||
| 2464 | Ton | Bruynèl | Televisie Draaggolf | 1965 | Film | 20:00 | Mono | PS C. | 0 | ||||||||||
| 2465 | Ton | Bruynèl | Televisie Pauzeteken | 1966 | Hintergrundmusik | 0:15 | Mono | PS C. | 0 | ||||||||||
| 2466 | Ton | Bruynèl | Toccare | 1979 | Zuspiel / Tonband, 1 perf | 10:17 | Stereo | p [Piano] | 2nd Version with hpd (rev 1988) | BVHAAST 9214/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||
| 2467 | Ton | Bruynèl | Translucent I | 1976 | Zuspiel / Tonband, 4 perf | 8:00 | str-qt [Streicher] | PS C. | 0 | ||||||||||
| 2468 | Ton | Bruynèl | Translucent II | 1977/1978 | Zuspiel / Tonband, | 9:44 | str orc [Orchester] | BVHAAST 9215/ CV NEAR 12/ | PS C. | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 24239 | Ton | Bruynèl | Tropico | 1990 | audiovisuell | Oper |
4:00 | T, b-Bar, ch [Tenor, Bariton, Chor] | part from Video-Opera "Non sono un uccello", Text Schierbeck | PS C. | 0 | |||||||||
| 2469 | Joanna | Bruzdowicz | A Claire Voix | 1973 | Zuspiel / Tonband, 2 perf, 1 group | ≈ 7:00 | Stereo + Stereo | p, ww, ch [Piano, Bläser, Chor] | IPEM Gent | 0 | |||||||||
| 2470 | Joanna | Bruzdowicz | "An der schönen blauen Donau" | 1973 | Zuspiel / Tonband, 1 perf | p [Piano] | IPEM Gent | 0 | |||||||||||
| 2471 | Joanna | Bruzdowicz | Andromeda | 1980 | Zuspiel / Tonband, 1 perf | 7:50 | Stereo | fem V [Stimme] | IPEM Gent | 0 | |||||||||
| 2472 | Joanna | Bruzdowicz | Bartok - Aglia | 1980 | fixed media, akusmatisch | 11:45 | Stereo | IPEM Gent | 0 | ||||||||||
| 2473 | Joanna | Bruzdowicz | D'Amour et de Mort (H. F. IV) | 1975 | fixed media, akusmatisch | 9:52 | Stereo | IPEM Gent | 0 | ||||||||||
| 2474 | Joanna | Bruzdowicz | Elektronische Ouverture | 1984 | fixed media, akusmatisch | 26:23 | for the opera "Les portes du Paradis" | IPEM Gent | 0 | ||||||||||
| 2475 | Joanna | Bruzdowicz | Epitaph | 1973 | Zuspiel / Tonband, 1 perf | hpd [Cembalo] | IPEM Gent | 0 | |||||||||||
| 2476 | Joanna | Bruzdowicz | Inner Space | 1978 | fixed media, akusmatisch | Zuspiel/Tonband, |
23:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 2477 | Joanna | Bruzdowicz | La Sérénité, (Homo Faber III ) | 1975 | fixed media, akusmatisch | 9:48 | Stereo | IPEM Gent | 0 | ||||||||||
| 2478 | Joanna | Bruzdowicz | La Solitude | 1972 | fixed media, akusmatisch | 10:00 | Stereo, Quadro | (Homo Faber, 2) | IPEM Gent | 0 | |||||||||
| 2479 | Joanna | Bruzdowicz | Le Petit Prince | 1976 | Tanz | 68:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 2480 | Joanna | Bruzdowicz | Le Souffle | 1971 | fixed media, akusmatisch | 8:15 | Stereo, Quadro | (Homo Faber, 1) | IPEM Gent | 0 | |||||||||
| 2481 | Joanna | Bruzdowicz | Les Troyennes | 1972 | Oper, 1 perf, 2 groups | Stereo | V, ch, orc [Stimme, Chor, Orchester] | IPEM Gent | 0 | ||||||||||
| 2482 | Joanna | Bruzdowicz | Marlos Grosso Brasilieras | 1980 | Zuspiel / Tonband, 3 perf | 12:00 | Stereo | fl, vn, clvd [Flöte, Cembalo, Violine] | IPEM Gent | 0 | |||||||||
| 2484 | Joanna | Bruzdowicz | Neue Kinderszenen | 1980 | fixed media, akusmatisch | 20:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 2485 | Joanna | Bruzdowicz | Outer Space | 1978 | fixed media, akusmatisch | Zuspiel/Tonband, |
14:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 2486 | Joanna | Bruzdowicz | Salto | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 2483 | Joanna, Elzbieta | Bruzdowicz, Sikora | Musiques Dispersees (B), Echo du corps | 1969 | Performance | 4:38 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 2487 | Allan | Bryant | Bang-Bang | 1967 | live-elec, 1 perf | 12:00 | Quadro | e-org [Keyboard] | MEV Roma | 0 | |||||||||
| 2488 | Allan | Bryant | Impulses | 1967 | live-elec, 2 perf | 15:00 | 6 | perc, (special) ins [Schlagzeug, Instrument] | MEV Roma | 0 | |||||||||
| 2489 | Allan | Bryant | Masses | 1967 | live-elec, 2 perf, 1 group | 19:00 | Quadro | org, ch, str (steel-str-ins) [Orgel, Streicher, Chor] | MEV Roma | 0 | |||||||||
| 2490 | Allan | Bryant | out of the air | 1967 | fixed media, akusmatisch | 10:00 | Stereo | MEV Roma | 0 | ||||||||||
| 27720 | Allan | Bryant | Pitch Out | 1967 | live-elec, 3 perf | 17:43 | 3 gui, (elec) [Gitarre] | Barbara Bryant, C. Plantamura, F. Rzewski (gui), A. Bryant (elec), MEV Roma | Source Records, SR 13/ Pogus 21050-2/ | 1 | |||||||||
| 2491 | Allan | Bryant | Quadruple Play | 1966 | live-elec, 4 perf | 20:00 | Quadro | 4 perf, (lights) [Performer] | MEV Roma | 0 | |||||||||
| 2492 | Allan | Bryant | X-es, Sex | 1967 | live-elec, 4 perf | 40:00 | Quadro | 4 perf, (lights) [Performer] | MEV Roma | 0 | |||||||||
| 40079 | Matthew | Bryant | shift.smear | 2017 | audiovisuell | Matthew Bryant | 0 | ||||||||||||
| 31768 | Jacek | Brzozowski | Olymp-sphere | 2011 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31769 | Jacek | Brzozowski | Umme Ecke ist halt Castrop | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 2493 | Valentino | Bucchi | Girotondo | 1960 | fixed media, akusmatisch | 2:44 | Mono | Fonologia Milano | 0 | ||||||||||
| 42855 | Jason Thorpe | Buchanan | Asymptotic Flux: First Study in Entropy | 2013 | live-elec, 4 perf | 7:30:00 | b-cl, vn, va, vc [Klarinette, Viola, Cello, Violine] | the Switch~ Ensemble: Madison Greenstone, bass clarinet; Hanna Hurwitz, violin; Alyssa Roggow, viola; T.J. Borden, cello | 0 | ||||||||||
| 2494 | Donald | Buchla | Electric Laugh | 1966 | live-elec, 1 perf | 9:00 | 5 tracks | synt [synthesizer] | Buchla | SanFran Tape M. C., PS C. Berkeley | 0 | ||||||||
| 2495 | Gunnar | Bucht | Fanfar 68 | 1968 | fixed media, akusmatisch | 1:10 | Stereo | 0 | |||||||||||
| 2496 | Gunnar | Bucht | Jerikos murar | 1970 | fixed media, akusmatisch | Fernsehen, |
23:25 | Mono | SR Stockholm | 0 | ||||||||||
| 2497 | Gunnar | Bucht | Symphonie pour la musique libérée | 1969 | fixed media, akusmatisch | 12:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 22122 | Magdalena | Buchwald | Angorum Catena | 2001 | fixed media, akusmatisch | 10:03 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 41591 | Alex | Buck | Fantasia Essata | 2018 | fixed media, akusmatisch | finaliste du dixième concours international de composition "Métamorphoses" | 0 | ||||||||||||
| 2498 | Boudewijn | Buckinx | De violoncel van Hertog Blauwbaard | 1969 | Zuspiel / Tonband, 1 perf | 7:00 | Mono + Stereo | vc [Cello] | contactmicrophone | IDEAMA CD 004/ | IPEM Gent | 0 | |||||||
| 2499 | Boudewijn | Buckinx | Doden om te Leven | 1967 | Film | 5:25 | Mono | IPEM Gent | 0 | ||||||||||
| 2500 | Boudewijn | Buckinx | Ouverture | 1966 | fixed media, akusmatisch | 9:15 | Mono | IPEM Gent | 0 | ||||||||||
| 2501 | Boudewijn | Buckinx | Rara B | 1966 | Zuspiel / Tonband, 3 perf | 2:03 | Mono | actor, Sp, V [Sprecher, Stimme, Schauspieler] | IPEM Gent | 0 | |||||||||
| 2502 | Boudewijn | Buckinx | Scorpio | 1972 | intermedia | Mono + Mono + Mono + Mono | IPEM Gent | 0 | |||||||||||
| 2503 | Boudewijn | Buckinx | Simparolo | 1967 | Film | 5:25 | IPEM Gent | 0 | |||||||||||
| 2504 | Boudewijn | Buckinx | Slojd | 1966 | fixed media, akusmatisch | intermedia |
5:40 | Mono | IDEAMA CD 002 / | IPEM Gent | 0 | |||||||||
| 2506 | Boudewijn | Buckinx | Vier Augustus A en B | 1966 | Zuspiel / Tonband, 4 perf | 1:06 | Mono | actor, ins, V, cymbal [Stimme, Schlagzeug, Instrument, Schauspieler] | IPEM Gent | 0 | |||||||||
| 2507 | Boudewijn | Buckinx | Voor Tom heb ik het verhaltje van Saartje | 1967 | Film | 16:00 | Mono | IPEM Gent | 0 | ||||||||||
| 2505 | Boudewijn, Mia | Buckinx, Loose | Studie | 1965 | fixed media, akusmatisch | 2:00 | Mono | IPEM Gent | 0 | ||||||||||
| 42469 | Irene, Mike | Buckley, Hannon | Evolution of close double stars | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 25855 | Linda | Buckley | Do you remember the planets? | 2004 | Zuspiel / Tonband, 1 perf | 6:44 | va [Viola] | K. Dervan (va) | CMC CD 06 Contemporary Music from Ireland Vol 6/ | 1 | |||||||||
| 39966 | Julius | Bucsis | In the Interest of Time | 2015 | fixed media, akusmatisch | 3:57:00 | Julius Bucsis | 0 | |||||||||||
| 39965 | Julius | Bucsis | Stories from an Alien Pond | 2016 | fixed media, akusmatisch | Julius Bucsis | 0 | ||||||||||||
| 39964 | Julius | Bucsis | The Dawn of Memory – Awakening of the Ancients | 2017 | fixed media, akusmatisch | Julius Bucsis | 0 | ||||||||||||
| 40831 | Julius | Bucsis | The Message | 2013 | fixed media, akusmatisch | 2:38 | CLS 170902/ | 0 | |||||||||||
| 22123 | Pawel | Buczynski | Nascitur Mors | 1995 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | perc [Schlagzeug] | ExpSt Warsaw | 0 | |||||||||
| 23402 | Osvaldo | Budón | … para el trato con el desierto | 1992 | fixed media, akusmatisch | 11:17 | McGill MR 2001-01-2 Disc 2; McGill Studio 35th Anniversary/ | McGill Montréal | 1. prize Le Caine Award 1994 | 1 | |||||||||
| 23403 | Osvaldo | Budón | Territorios | 1990 | Zuspiel/Tonband, 4 perf | audiovisuell |
15:33 | 4 perc [Schlagzeug] | multimedia Fotos by Bocha Budón ist auf dem Datenteil der CD zu sehen. GEMS McGill | ISBN 7717-0537-9/ | McGill Montréal | 1 | ||||||||
| 19589 | Julio | Bueno | De Tú a Tú | 1990 | fixed media, akusmatisch | 9:35 | Stereo | GME Cuenca | 0 | ||||||||||
| 2508 | Fred, Ludwig | Bürck, Heck | Das kalte Licht | 1955 | Fernsehen, | 3:25 | Mono | SWF | 0 | ||||||||||
| 2509 | Fred, Ludwig | Bürck, Heck | Von den unglücklichen Lebensbedingungen der Thunfische | 1956 | radiophon | 12:20 | Mono | SWF | 0 | ||||||||||
| 29359 | Rainer | Bürck | ABBYS | 2002 - 2008 | live-elec, 1 perf | gui, (elec) [Gitarre] | 0 | ||||||||||||
| 29356 | Rainer | Bürck | Alleluja | 1999/2000 | fixed media, akusmatisch | 12:12 | 0 | ||||||||||||
| 37637 | Rainer | Bürck | Alleluja | 2001 - 2016 | fixed media, akusmatisch | 13 | Octo | 31. Januar 2001 | Stanford | 0 | |||||||||
| 2510 | Rainer | Bürck | Des Ombres de la Nuit | 1994 | fixed media, akusmatisch | 13:35 | 0 | ||||||||||||
| 29339 | Rainer | Bürck | Electronic Studies VOL 1-X | 1988/1989 | fixed media, akusmatisch | 0 | |||||||||||||
| 2511 | Rainer | Bürck | Elpia I | 1991/1992 | live-elec, 2 perf | 16:00 | 2 p, (com) [Piano] | 0 | |||||||||||
| 2512 | Rainer | Bürck | Elpia IIa | 1994 | live-elec, 1 perf | 12:15 | p, (com) [Piano] | fmw - 02.95 Skywalk Records/ | 1 | ||||||||||
| 29354 | Rainer | Bürck | Flautando | 1997/1998 | live-elec, 1 perf | fl, (com) [Flöte] | 0 | ||||||||||||
| 2513 | Rainer | Bürck | Fluktuationen A | 1989 | fixed media, akusmatisch | 11:00 | 0 | ||||||||||||
| 2514 | Rainer | Bürck | Hommage a S... pour S... | 1996 | fixed media, akusmatisch | 3:04 | 0 | ||||||||||||
| 29353 | Rainer | Bürck | Improvisation PCV | 1997 | fixed media, akusmatisch | 0 | |||||||||||||
| 2515 | Rainer | Bürck | Metallophonia | 1994 | fixed media, akusmatisch | 12:00 | fmw - 02.95 Skywalk Records/ | 1 | |||||||||||
| 29355 | Rainer | Bürck | …ohne Schrecken | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 2516 | Rainer | Bürck | Re-Aktionen | 1992 | Zuspiel / Tonband, 5 perf | 15:00 | br-qnt [Bläser] | 0 | |||||||||||
| 29350 | Rainer | Bürck | STRINGendo | 1995 | live-elec, 1 perf | 8:45 | Stereo | vn, (com) [Violine] | ES 98005 Earsay/ | 1995 | Berlin, Günter Marx (vn) | 0 | |||||||
| 29358 | Rainer | Bürck | Stromlinien | 2002/2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 2518 | Rainer | Bürck | Ta-ju | 1993 | Zuspiel / Tonband, 1 perf | 11:00 | rec [Flöte] | 0 | |||||||||||
| 29357 | Rainer | Bürck | Tausend Quellen - ein Fluss | 2001 | Klangkunst, Installation | 0 | |||||||||||||
| 2519 | Rainer | Bürck | tenant en haleine | Zuspiel / Tonband, 1 perf | 15:00 | rec [Flöte] | 0 | ||||||||||||
| 2520 | Rainer | Bürck | Transformation K | 1991 | fixed media, akusmatisch | 14:00 | Stereo | 1 | |||||||||||
| 2521 | Rainer | Bürck | Trombone Spheres | 1990 | Zuspiel / Tonband, 1 perf | 11:25 | Stereo | trbn [Posaune] | fmw - 02.95 Skywalk Records/ | 1 | |||||||||
| 2522 | Rainer | Bürck | Tuba Spheres | 1992 | Zuspiel / Tonband, 1 perf | 9:05 | tuba [Tuba] | 0 | |||||||||||
| 35290 | Alex | Buess | Ghosts of Schizophonia, Phylum II | live-elec, 1 group | ens [Ensemble] | CTS-M 110/ | 0 | ||||||||||||
| 33161 | Alex | Buess | Khat | 2003 | live-elec, 2 perf | 8:29 | fl, perc [Flöte, Schlagzeug] | for flute, percussion and live electronics | WJ 2006 polmic 025/ | 1 | |||||||||
| 41610 | François | Buffet | Holos | 2017 | fixed media, akusmatisch | 14:01:00 | Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 19141 | Per | Buhl | Pendul | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | ||||||||||||
| 2523 | Klaus | Buhlert | Aphrodite Arsionoe Philadelphos | 1987 | radiophon | radio play by Irina Liebmann | PS C. | 0 | |||||||||||
| 2524 | Klaus | Buhlert | Brut | 1989 | radiophon | radio play by Matthias Zschokke | PS C. | 0 | |||||||||||
| 2525 | Klaus | Buhlert | Das Totenfloss | 1986 | radiophon | 118:00 | radio play by Harald Müller | PS C. | 0 | ||||||||||
| 2526 | Klaus | Buhlert | Das Verhör | 1984 | Theatermusik | play by Istvan Eörsi | PS C. | 0 | |||||||||||
| 2527 | Klaus | Buhlert | Der Karakal | 1988 | radiophon | radio play by Judith Herzberg | PS C. | 0 | |||||||||||
| 2528 | Klaus | Buhlert | Die Minderleister | 1989 | radiophon | radio play by Peter Turini | PS C. | 0 | |||||||||||
| 2529 | Klaus | Buhlert | Die Troerinnen des Euripides | 1985 | Theatermusik | play by walter Jens | PS C. | 0 | |||||||||||
| 2530 | Klaus | Buhlert | Drei Sätze in den Wind | 1985 | Zuspiel, live-elec, | Stereo | PS C. | 0 | |||||||||||
| 2531 | Klaus | Buhlert | El Salvator | 1989 | Theatermusik | play by Rafael Lima | PS C. | 0 | |||||||||||
| 2532 | Klaus | Buhlert | Erste Nacht, letzte Nacht | radiophon | 89:50 | radioplay by G.Tabori and J.Jannings | RIAS Berlin, PS C. | 1 | |||||||||||
| 2533 | Klaus | Buhlert | Frauenbad in Dieppe | 1989 | radiophon | radio play by Stefan Dähnert | PS C. | 0 | |||||||||||
| 2534 | Klaus | Buhlert | Geselliebe | 1990 | radiophon | radio play by Maerta Tikkanen | PS C. | 0 | |||||||||||
| 2535 | Klaus | Buhlert | Jerschalaim - Jerusalem | 1991 | radiophon | radio play by Michail Bulgakow | PS C. | 0 | |||||||||||
| 2536 | Klaus | Buhlert | Jolan und die Männer | 1985 | radiophon | radio play by Istvan Eörsi | PS C. | 0 | |||||||||||
| 2537 | Klaus | Buhlert | Kindheit | 1987 | radiophon | radio play by Natalie Sarraute | PS C. | 0 | |||||||||||
| 2538 | Klaus | Buhlert | März - Berlin | 1990 | radiophon | radio play by Irina Liebmann | PS C. | 0 | |||||||||||
| 2540 | Klaus | Buhlert | Mein Kampf | 1988 | radiophon | radio play by George Tabori | PS C. | 0 | |||||||||||
| 2541 | Klaus | Buhlert | Meine Lieder singt man nicht, The Pound Project | Musiktheater, 3 perf | Stereo | 2 actor, bar-sax [Saxophon, Schauspieler] | PS C. | 0 | |||||||||||
| 2542 | Klaus | Buhlert | Nachtflug auf dem Trommelpferd | 1988 | Musiktheater | PS C. | 0 | ||||||||||||
| 2543 | Klaus | Buhlert | Nathans Tod | 1991 | Theatermusik | play by George Tabori | PS C. | 0 | |||||||||||
| 36585 | Klaus | Buhlert | Rule Number One Rule Number Two Rule Number Three |
2001 | radiophon | 4 | intermedium rec 006/ | 0 | |||||||||||
| 2544 | Klaus | Buhlert | Stalin | 1988 | Theatermusik | play by Gaston Salvatore | PS C. | 0 | |||||||||||
| 2545 | Klaus | Buhlert | Totenfloß | 1986 | radiophon | 120:00 | radio play by Harald Müller | PS C., Radio HR Frankfurt | 1 | ||||||||||
| 2546 | Klaus | Buhlert | Tragödien | 1991 | radiophon | radio play by Claude Prin | PS C. | 0 | |||||||||||
| 2547 | Klaus | Buhlert | UND / ODER | 1990 | radiophon | radio play by Judith Herzberg | PS C. | 0 | |||||||||||
| 2548 | Klaus | Buhlert | Wie man glücklich wird ohne sich zu verausgaben | 1991 | radiophon | radio play by George Tabori | PS C. | 0 | |||||||||||
| 2539 | Klaus, Georg | Buhlert, Jannings | Massenbach, historische Revue | 1986 | radiophon | 85:00 | ( 1. part ) by A.Schmidt | NDR Hamburg, PS C. | 1 | ||||||||||
| 2549 | Tim, Felix, Group | Buhre, Knoth, Klangkrieg | 38 cbm | 1993 | Klangkunst, Installation | 15:00 | Stereo | Hörstück für einen Container | ZKM Karlsruhe | 0 | |||||||||
| 34711 | Tim, Felix, Group | Buhre, Knoth, Klangkrieg | Klangkrieg | 1993 | fixed media, akusmatisch | 57 | Gruppe Klangkrieg = Felix Knoth & Tim Buhre; Methode "Scanning ≈ audio-mikroskop"; experimenteller DAT-Umgang von Industrie-Klang | FünfUndVierzig 65/ | PS | 0 | https://www.discogs.com/de/artist/74874-Klangkrieg | ||||||||
| 22790 | Tim, Felix, Group | Buhre, Knoth, Klangkrieg | Ortung | 1994 | fixed media, akusmatisch | 6:31 | Gruppe Klangkrieg = Felix Knoth & Tim Buhre; Methode "Scanning ≈ audio-mikroskop"; experimenteller DAT-Umgang von Industrie-Klang | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | https://www.discogs.com/de/artist/74874-Klangkrieg | ||||||||
| 33792 | Vera, Laura, Evelyn, Wei-Ju, Giacomo, Ilya, Matteo | Buhß, Aragoneses, Saylor, Shen, Gianetta, Selikhov, Spanò | Sounds for a while, 1. Mögen die Türen sich öffnen [Vera's doors) 2. Stühle rücken 3. Unser Publikum 4. Didos [ugly lamento) 5. Im Wald und auf der Heide 6. [Vorsicht) Sirenen 7. In der Halle des Werkkönigs [Wasser) . 8. The Tempest - mit Geist 9. Atmen 10. Siri - Orakel 11. Karusselfiestick 12. Drei Arien 13. Ganz schön klingende Kassettenrecorder mit Batteriebetrieb 14. Ganz kurzer Mord 15. Rührende Hirschin, röhrend 16. Im Knast, mit Ärger 17. Haushaltsartikel "in concert" 18. Knochen und Weichteile 19. Snaregesang 20. Die Opfergabe [tape mach in es] |
2015 | Performance, live-elec, 2 perf, 2 groups | 60 | multichannel | (diverse) inss, mul perf [Instrument, Performer] | Eine Musiktheaterinstallation von Studierenden des Masterstudienganges „Sound Studies“ der Universität der Künste Berlin. | UdK Berlin | Deutsche Oper | 25.6.2015 | Deutsche Oper Berlin, Schreinerei | 0 | |||||
| 28432 | Taras | Bujevski | Vox Unius Awakening Ciao, Antonio |
fixed media, akusmatisch | 35:00 | ELCD 004 Electroshock Records/ | 0 | ||||||||||||
| 33359 | Viliam | Bukovy | Rozkaz, Der Befehl - Hiroshima | 1962 | Tanz | 30 | Mono | PS C. Praha | 0 | ||||||||||
| 42584 | Ivica Ico | Bukvic | derelicts of time | 2009 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 2550 | Alan | Bullard | Study on D minor | 1971 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 2551 | John | Buller | Kommos | 1982 | live-elec, 4 perf | 12:00 | S, A, T, B [Sopran, Alt, Tenor, Bass] | SARC Belfast | 0 | ||||||||||
| 2552 | John | Buller | Le Terrazze | 1974 | Zuspiel / Tonband, 13 perf | 22:00 | fl, ob, cl, bn, 2 hn, trbn, tpt, perc, vn, va, vc, db [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Schlagzeug, Viola, Cello, Violine, Kontrabass] | SARC Belfast | 0 | ||||||||||
| 2553 | John | Buller | Towards Aquarius | 1983 | Zuspiel / Tonband, 15 perf | 18:00 | 15 ins [Instrument] | SARC Belfast | 0 | ||||||||||
| 21586 | Jamie | Bullock | *eclipse* | 2000 | fixed media, akusmatisch | 8:20 | SCD 28034 Sargasso/ | BEAST | 1 | ||||||||||
| 26438 | Jamie | Bullock | Variations | 2007 | live-elec, 1 perf | p [Piano] | BEAST | 0 | |||||||||||
| 2554 | Oleg | Buloshkin | Sacrament | 1970 | fixed media, akusmatisch | 3:34 | ANS - synt | CTEPEO C60 30721/ ELCD 011 Electroshock Records/ | Muzei Skryabina Moskva | 1 | |||||||||
| 2555 | Oleg | Buloshkin | Secret | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 37651 | Loise | Bulot | Radio-Laria | 2017 | fixed media, akusmatisch | 14:30 | Octo | AdK Berlin | 30.9.2017 | AdK Berlin, Kontakte 17 Festival Heroines of Sound | 0 | ||||||||
| 28541 | Eric | Bumstead | BlckWnd | 2009 | fixed media, akusmatisch | 9:53 | 10 Tracks | BEAST | 1 | 2010 | |||||||||
| 38508 | Arturas | BUMSTEINAS | Epiloghi - Sei modi di dire Zangtumbtumb | 2013 | radiophon | 44:18:00 | 0 | ||||||||||||
| 38509 | Arturas | BUMSTEINAS | Sleep (an attempt at trying) | 2011 | radiophon | 54:30:00 | 0 | ||||||||||||
| 18802 | Paul | Bunger | Mirrors | 1978 | Zuspiel / Tonband, 1 perf | 9:22 | Stereo | p [Piano] | 0 | ||||||||||
| 23404 | Richard | Bunger | Mirrors | 1978 | Zuspiel / Tonband, 1 perf | 9:22 | amp p [Piano] | Alcides Lanza (p); delay ("for pianist and tape recordist") | eSP 9401 Shelan/ | McGill Montréal | 1 | ||||||||
| 36252 | Lou | Bunk | Being and Becoming | 2010 | live-elec, 1 perf | 13:47:00 | toy p [Piano] | innova 874/ | 0 | ||||||||||
| 36918 | Lou | Bunk | Em see Pea | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 40024 | Lou | Bunk | Luna | 2016 | fixed media, akusmatisch | Lou Bunk | 0 | ||||||||||||
| 40023 | Lou | Bunk | Study for Bowed Cardboard | 2017 | fixed media, akusmatisch | Lou Bunk | 0 | ||||||||||||
| 23118 | Martin | Burckhardt | Die Offenbarung des Daniel Paul Schreber | 1997 | radiophon | 58:40 | Konzept, Realisation und Klang Design: Martin Burckhardt, Produktion BR, Hörspiel und Medienkunst 1996 | Kadmos audiophil, ISBN 3-931659-04-6/ | BR München | 1 | |||||||||
| 38746 | Toby, Tilman, Kai-Uwe, Kai | BURDON, FÜRSTENAU, KOHLSCHMIDT, GREHN | Thors Hammer | 1996 | radiophon | 41:00:00 | 0 | ||||||||||||
| 42945 | Rick | Burkhardt | Audition | 2013 | live-elec, 1 perf | 14:19:00 | sax [Saxophon] | Rhonda Taylor, saxophone | 0 | ||||||||||
| 2556 | Martin | Burlas | Deti (Children) | 1980 | fixed media, akusmatisch | 10:27 | Stereo | CECM Bratislava | 0 | ||||||||||
| 2557 | Martin | Burlas | Hudba pre modry dom (Music for the blue house) | 1979 | fixed media, akusmatisch | 13:50 | Stereo | CECM Bratislava | prize Russolo Varese | 0 | |||||||||
| 2558 | Martin | Burlas | Koda | 1979 | fixed media, akusmatisch | 3:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 2559 | Martin | Burlas | Kriz a kruh (the cross and the circle) | 1989 | fixed media, akusmatisch | Zuspiel/Tonband, 2 perf |
16:19 | Stereo | 2 tpt [Trompete] | RèR 401 (1994); (extrait 5: 41) | EM CD 002/ | CECM Bratislava | 0 | |||||||
| 33829 | Martin | Burlas | Monika Vypovedá | fixed media, akusmatisch | 4:20 | Stereo | LMJ 12 CD/ | 0 | |||||||||||
| 2560 | Martin | Burlas | Oaza | 1984 | fixed media, akusmatisch | 14:45 | Stereo | CECM Bratislava | 0 | ||||||||||
| 2561 | Martin | Burlas | Plac stromov (the cry of the trees) | 1980 | fixed media, akusmatisch | Zuspiel/Tonband, |
12:47 | Stereo | CECM Bratislava | 0 | ||||||||||
| 2562 | David | Burnand | Acumen | 1991 | Film | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 2563 | David | Burnand | Constellations | 1976 | Zuspiel / Tonband, 1 group | large ens [Ensemble] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 2564 | David | Burnand | Hoi Polloi | 1990 | Film | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 2565 | David | Burnand | Songlines v 2.1 | 1989 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 36279 | Christopher | Burns | Escuela | 1999 | live-elec, 1 perf | p [Piano] | for piano and electronics | 0 | |||||||||||
| 36277 | Christopher | Burns | Fabrication | 2000 | live-elec, 1 perf | tpt [Trompete] | for trumpet and electronics | 0 | |||||||||||
| 36270 | Christopher | Burns | Fetish Object | 2010 | fixed media, akusmatisch | Stereo | stereo audio | 0 | |||||||||||
| 36262 | Christopher | Burns | Fieldwork | 2011 | audiovisuell, live-elec, 2 perf | 2 perf [Performer] | multimedia improvisation environment | 0 | |||||||||||
| 36274 | Christopher | Burns | Hero and Leander | 2003 | fixed media, akusmatisch | Octo | eight-channel audio | 0 | |||||||||||
| 36272 | Christopher | Burns | Hinge: Process | 2008 | fixed media, akusmatisch | 8:59 | Surround 5.1 | 5.1 surround audio | innova 761/ | 0 | |||||||||
| 36273 | Christopher | Burns | Hinge: Spiral | 2008 | fixed media, akusmatisch | 7:08 | Stereo | stereo audio | innova 761/ | 0 | |||||||||
| 36269 | Christopher | Burns | Jacquard | 2011 | fixed media, akusmatisch | 4:24:00 | Stereo, Octo | stereo / eight-channel audio | 0 | http://unrulymusic.tumblr.com/tagged/Jacquard | |||||||||
| 36267 | Christopher | Burns | Kepler's Monsters | 2006 | live-elec, 1 perf | perf [Performer] | audio improvisation environment | 0 | |||||||||||
| 36268 | Christopher | Burns | Lattice | 2004 | live-elec, 1 perf | perf [Performer] | audio improvisation environment | 0 | |||||||||||
| 36241 | Christopher | Burns | Newton’s Rings, Reflection Dark Bands Chromatic Dispersion Double Refraction Cloud Iridescence |
2012 | live-elec, 1 perf | 11:07 | perc [Schlagzeug] | innova 967/ | Uni Wisconsin | Patti Cudd | 0 | ||||||||
| 36266 | Christopher | Burns | Periodic Table | 2006 | live-elec, 1 perf | perf [Performer] | audio improvisation environment | 0 | |||||||||||
| 36265 | Christopher | Burns | Pipe Dream | 2007 | live-elec, 1 perf | perf [Performer] | audio improvisation environment | 0 | |||||||||||
| 36281 | Christopher | Burns | Quartet | 2007 | Klangkunst, Installation | generative sound installation | 0 | ||||||||||||
| 36278 | Christopher | Burns | Questions and Fissures | 2000 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | for saxophone and fixed media | 0 | |||||||||||
| 36263 | Christopher | Burns | Sawtooth | 2009 | audiovisuell, live-elec, 1 perf, 1 group | 7 | mul perf [Performer] | multimedia improvisation environment | 0 | ||||||||||
| 36264 | Christopher | Burns | Sonar | 2008 | live-elec, 5 perf | 5 laptop [computer] | laptop quintet | 0 | |||||||||||
| 36275 | Christopher | Burns | Strain | 1999 | fixed media, akusmatisch | Quadro | quadraphonic audio | 0 | |||||||||||
| 36276 | Christopher | Burns | The Mutiny of Rivers | 2010 | live-elec, 1 perf | 15 - 25 | 6 | ehn, (elec) [Oboe] | for English horn and electronics | 0 | |||||||||
| 36280 | Christopher | Burns | Tuning | 2008 | Klangkunst, Installation | generative sound installation | 0 | ||||||||||||
| 36261 | Christopher | Burns | Xenoglossia | 2013 | live-elec, 2 perf | 2 or more perf [Performer] | audio improvisation environment | 0 | http://unrulymusic.tumblr.com/tagged/Xenoglossia | ||||||||||
| 36271 | Christopher, David | Burns, Dinnel | Before The Seiche | 2010 | audiovisuell | Surround 5.1 | video and 5.1 surround audioEcoSono DVD Agents Against Agency | EcoSono DVD Agents Against Agency/ | 0 | ||||||||||
| 23587 | Kristine H. | Burns | Copper Islands | 2003 | audiovisuell | 9:18 | Surround 5.1 | metal sounds | CMJ Vol 27-4, 2003/ | PS Florida | 1 | ||||||||
| 2566 | Robert | Burns | Environmental Disorder | 1985 | fixed media, akusmatisch | 28:30 | Stereo | 0 | |||||||||||
| 2568 | Robert, Tamas | Burns, Cseke | Interactive Tape Loops & Electronics II | 1987 | live-elec, | 23:00 | Stereo | (tape-loops) [] | 0 | ||||||||||
| 2569 | William | Burroughs | Call Me Buroughs | 1965 | Zuspiel / Tonband, 1 perf | 40:00 | Mono | Sp [Sprecher] | readings from "Naked Lunch", "The Soft Machine", "Nova Express" | EnB/ | PS C. London | 0 | |||||||
| 2570 | William | Burroughs | St. Valentine's Day | 1965 | fixed media, akusmatisch | 35:00 | Mono | PS C. London | 0 | ||||||||||
| 2571 | George | Burt | Composition | 1964 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | fl, p [Flöte, Piano] | PS C. Northampton | 0 | |||||||||
| 18705 | George | Burt | Three Inverse Genera | 1989 | Zuspiel / Tonband, | 11:28 | Stereo | NA 028/ | PS C. Northampton | 0 | |||||||||
| 41345 | Warren | Burt | 11 Anagrammatic Chance Poems” - | 2008 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 41140 | Warren | Burt | 12 Hour Piece | 1977 | Tanz | 720:00:00 | 1977 | Eva Karczag, Nan Hassall, Les Gilbert, Bill Fontana, WB, Melbourne | 0 | ||||||||||
| 41260 | Warren | Burt | 13 Terpander Melodies | 1994 | radiophon | 12:00:00 | 0 | ||||||||||||
| 41336 | Warren | Burt | 15-17-19, 15, 17 and 19 tone) | 2004 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 41337 | Warren | Burt | 18 New Fuguing Tunes For Henry Cowell, Pocket Calculator Music III | 2005 | fixed media, akusmatisch | 63:00:00 | 0 | ||||||||||||
| 41354 | Warren | Burt | 20 Sounds for Kenneth Gaburo, After Herbert Brun’s Mutatis Mutandis | 2011 | Performance, live-elec, | 2:00:00 | 0 | ||||||||||||
| 41272 | Warren | Burt | 3 Movements for Movement Controlled Sound | 1995 | live-elec, 1 perf | 15:00:00 | sam [computer] | 0 | |||||||||||
| 41189 | Warren | Burt | 37 Views of the Zahir for David Dunn | 1986 | fixed media, akusmatisch | 37:00:00 | Stereo | 0 | |||||||||||
| 19213 | Warren | Burt | 39 Dissonant Études, Two Dissonant Études | 1993, 1994 | fixed media, akusmatisch | 3:16 | music for microtonal piano sounds | CMJ Vol 21, 1997/ TP 093 Tall Poppies/ | 1 | ||||||||||
| 41201 | Warren | Burt | 4'33" for a Radiothon | 1987 | fixed media, akusmatisch | 4:33:00 | Stereo | 0 | |||||||||||
| 41343 | Warren | Burt | 6 Irrational Improvisations | 2006 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41301 | Warren | Burt | 6 Short Pieces for Two Electronic Keyboards | 1997 | live-elec, 1 perf | 20:00:00 | synt [synthesizer] | 0 | |||||||||||
| 41294 | Warren | Burt | 64 Golden Chords | 1997 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41269 | Warren | Burt | A Book of Symmetries for Loretta Goldberg", Music for Microtonal Piano Sounds, Part 4) | 1995 | live-elec, 1 perf | 5:00:00 | Midi-p and sam [Piano, computer] | 0 | |||||||||||
| 41187 | Warren | Burt | A Didactic Gas Piece | 1986 | live-elec, 1 perf | 10:00:00 | actor [Schauspieler] | 0 | |||||||||||
| 41131 | Warren | Burt | A Guided Tour to the Caves of Uranus | 1974 | audiovisuell | 23:00:00 | UCSD | 0 | |||||||||||
| 41309 | Warren | Burt | A Little Lullaby for Lev and Clara Re-United in Heaven | 1998 | live-elec, 3 perf | 5:00:00 | Sp, theremin, elec [Sprecher, elektronik, synthesizer] | 0 | |||||||||||
| 41212 | Warren | Burt | A Musical Fractal | 1988 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41288 | Warren | Burt | A Post-Colonialist Poem on the English Language | 1996 | radiophon | 19:00:00 | 0 | ||||||||||||
| 41243 | Warren | Burt | A Simple Historical Interaction | 1992 | Klanginstallation, live-elec, 1 perf | theremin [synthesizer] | 0 | ||||||||||||
| 41191 | Warren | Burt | A Simple Patch | 1986 | live-elec, 1 perf | 9:00:00 | com [computer] | 0 | |||||||||||
| 41241 | Warren | Burt | A Small Statement on Aesthetics | 1992 | Zuspiel / Tonband, 1 perf | 5:00:00 | Sp [Sprecher] | 0 | |||||||||||
| 41314 | Warren | Burt | A Thick Sound for Imola | 1999 | fixed media, akusmatisch | 2:00:00 | 0 | ||||||||||||
| 41194 | Warren | Burt | A Treasury of New Zealand Birds | 1987 | Zuspiel / Tonband, 6 perf | 17:00:00 | Stereo | 6 e-gui [Gitarre] | 0 | ||||||||||
| 41198 | Warren | Burt | A Treasury of New Zealand Birds, Vol. 2 | 1987 | live-elec, 1 perf | 8:00:00 | sam [computer] | 0 | |||||||||||
| 41133 | Warren | Burt | Aardvarks IV, Hot Tire Islands.... Tussling with the Checkered Demon and a few of his buddies... Jabberwockies/Bite for Pietro Grossi |
1972-1975 | fixed media, akusmatisch | 72:00:00 | Quadro | Aardvark 04/ | UCSD | 0 | |||||||||
| 41170 | Warren | Burt | Aardvarks IX - part 1 | 1982-1983 | live-elec, 1 perf | fixed media, akusmatisch |
60:00:00 | Stereo | elec [elektronik] | La Trobe | 0 | |||||||||
| 41173 | Warren | Burt | Aardvarks IX - part 2 | 1984 | live-elec, 1 perf | fixed media, akusmatisch |
70:00:00 | Stereo | com [computer] | 0 | ||||||||||
| 41142 | Warren | Burt | Aardvarks V: Study for Symphony | 1977 | fixed media, akusmatisch | 15:00:00 | Stereo | Move Records/ | 0 | ||||||||||
| 41361 | Warren | Burt | Abstract Voyages” | 2015 | fixed media, akusmatisch | 80:00:00 | 0 | ||||||||||||
| 41242 | Warren | Burt | Accompaniments for Eva Karczag | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 60:00:00 | V, ens [Stimme, Ensemble] | 0 | |||||||||||
| 41168 | Warren | Burt | Acoustic Music | 1983 | radiophon | 20:00:00 | elec [elektronik] | CD Burt/ | ABC Radio Sydney | 0 | |||||||||
| 41225 | Warren | Burt | After Cicero: The Dream of Scipio Africanus | 1989-1990 | Zuspiel / Tonband, 1 perf | 13:00:00 | Stereo | opt vn [Violine] | 0 | ||||||||||
| 41340 | Warren | Burt | After Sea Pieces” | 2005 | live-elec, 1 group | 15:00:00 | ch [Chor] | 0 | |||||||||||
| 41349 | Warren | Burt | Algorithmic Demos | 2009 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 41324 | Warren | Burt | Alternations Around Zero - Water | 2000 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 41213 | Warren | Burt | An Electronic Realization of John Cage's Writing for the Second Time through Finnegan's Wake | 1988 | fixed media, akusmatisch | 10:00:00 | Stereo | 0 | |||||||||||
| 41259 | Warren | Burt | An Harmonic and Subharmonic Summer | 1993 | Klangkunst, Installation | 0 | |||||||||||||
| 41185 | Warren | Burt | Angela | 1985 | Zuspiel / Tonband, 1 perf | 11:00:00 | Stereo | vn [Violine] | 0 | ||||||||||
| 41147 | Warren | Burt | Another Son of Syntactic Switches | 1978 | Performance | 20:00:00 | V [Stimme] | 0 | |||||||||||
| 41222 | Warren | Burt | anyway you can always put language down to experience | 1989 | audiovisuell, live-elec, | 38:00:00 | 0 | ||||||||||||
| 41123 | Warren | Burt | Apres Jane Fonda" and "Cheesepuffs | 1973 | live-elec, 3 perf | 30:00:00 | 3 perf [Performer] | CALArts | 0 | ||||||||||
| 41318 | Warren | Burt | April 9th Tape | 1999 | fixed media, akusmatisch | 60:00:00 | 0 | ||||||||||||
| 41167 | Warren | Burt | Arsenal of Democracy | 1982 | audiovisuell | 20:00:00 | Stereo | 0 | |||||||||||
| 41160 | Warren | Burt | Artificial Languages | 1981 | Zuspiel / Tonband, 1 group | 10:00:00 | ch [Chor] | 0 | |||||||||||
| 41330 | Warren | Burt | Australian Mega-Mix | 2001 | radiophon | 30:00:00 | 0 | ||||||||||||
| 41172 | Warren | Burt | Australian Memories for Iowa | 1984 | live-elec, 1 perf | 60:00:00 | com [computer] | 0 | |||||||||||
| 41121 | Warren | Burt | Balloon Raga | 1972 | live-elec, 1 perf | 10:00:00 | Stereo | synt [synthesizer] | 0 | ||||||||||
| 41353 | Warren | Burt | Before, During and After The Port | 2011 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 41326 | Warren | Burt | Belusov-Zhabotinsky Double Exposure | 2000 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 41129 | Warren | Burt | Bobo the Clone..... | 1974 | live-elec, 1 perf | 55:00:00 | com [computer] | 0 | |||||||||||
| 41357 | Warren | Burt | Brisbane Nocturne Revisited | 1992-2012 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 41130 | Warren | Burt | Burial of the Dead | 1974 | live-elec, 6 perf | 25:00:00 | 4 Kbd, perc (bell), V [Stimme, Keyboard, Schlagzeug] | SUNY Albany | 1974 | Albany, NY | 0 | ||||||||
| 41137 | Warren | Burt | Canonic Variations/Remove | 1976 | fixed media, akusmatisch | 10:00:00 | Stereo | 0 | |||||||||||
| 41231 | Warren | Burt | Chaotic Research Music-1st Part: More Than Mere Dabbling; 2nd Part: Questioning Chaos | 1989-1990 | live-elec, 1 perf | 90:00:00 | com [computer] | 0 | |||||||||||
| 41322 | Warren | Burt | Charles Ives' 125th Birthday | 1999 | live-elec, 1 perf | 30:00:00 | com [computer] | 0 | |||||||||||
| 41348 | Warren | Burt | Collaboration with Josephine Truman | 2009 | live-elec, 1 perf | 15:00:00 | V [Stimme] | 0 | |||||||||||
| 41203 | Warren | Burt | Collaboration" with Amanda Stewart | 1987 | fixed media, akusmatisch | 24:22:00 | Stereo | 0 | |||||||||||
| 41266 | Warren | Burt | Combinations | 1994 | audiovisuell | 38:00:00 | 0 | ||||||||||||
| 41319 | Warren | Burt | Composed in Bed with David Tolley's Sounds | 1999 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41157 | Warren | Burt | Computer Dance Video | 1980-1981 | audiovisuell | 9:00:00 | 0 | ||||||||||||
| 41245 | Warren | Burt | Continuously Retitled | 1992 | audiovisuell, live-elec, | 20:00:00 | 0 | ||||||||||||
| 41117 | Warren | Burt | CREDO" - from "Mass Medium | 1970-1971 | live-elec, 1 perf, 1 group | 26:00:00 | Vs [Stimme] | SUNY Albany | 0 | ||||||||||
| 41122 | Warren | Burt | Crustaceana (String Quartet #2) | 1973 | live-elec, 4 perf | 21:00:00 | str-qt [Streicher] | UCSD | 0 | ||||||||||
| 41192 | Warren | Burt | Cynthia, Elaine, and Warren - Improvisation Tapes | 1986 | Zuspiel, live-elec, 1 perf | 15:00:00 | Stereo | ins [Instrument] | 0 | ||||||||||
| 41303 | Warren | Burt | Daisy Feeds the Temporal Piano Attractor | 1997 | live-elec, 1 perf | 12:00:00 | sam [computer] | 0 | |||||||||||
| 41178 | Warren | Burt | Dance Accompaniment for John McLaughlin | 1985 | fixed media, akusmatisch | 25:00:00 | Stereo | 0 | |||||||||||
| 41263 | Warren | Burt | Dance Suites for Eva Karczag's "Horizon Rerun" | 1994 | Tanz | 0 | |||||||||||||
| 41262 | Warren | Burt | Dense Room | 1993-1994 | Klangkunst, Installation | 0 | |||||||||||||
| 41300 | Warren | Burt | Diversity | 1996-1998 | Theatermusik | 1:00:00 | 0 | ||||||||||||
| 41346 | Warren | Burt | Do You Suppose He Didn't Know What He Was Doing? | 2008 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 41256 | Warren | Burt | Does It Stay Pastoral? | 1993 | Zuspiel, live-elec, 1 perf | 15:00:00 | w [Bläser] | 0 | |||||||||||
| 41156 | Warren | Burt | Dr. Burt's Disco-Fat Arkestra Plays Their Greatest Hits | 1981 | fixed media, akusmatisch | 12:00:00 | Stereo | 0 | |||||||||||
| 41268 | Warren | Burt | Drones 1994 | 1994 | fixed media, akusmatisch | 20:00:00 | Five just intonation computer music pieces | 0 | |||||||||||
| 41171 | Warren | Burt | Drones for Christine Boshier's Sculpture | 1984 | Klangkunst, Installation | Stereo | 0 | ||||||||||||
| 41182 | Warren | Burt | Drones for Joan Brassil | 1985 | Klangkunst, Installation | Stereo | 0 | ||||||||||||
| 41138 | Warren | Burt | Drowning | 1977 | live-elec, 1 perf | 16:00:00 | Stereo | va or vc [Viola, Cello] | 0 | ||||||||||
| 41356 | Warren | Burt | Dry Ice Metal Mix | 2011 | fixed media, akusmatisch | 19:00:00 | 0 | ||||||||||||
| 41223 | Warren | Burt | e'nuff said | 1989 | live-elec, 3 perf | 11:00:00 | 3 V [Stimme] | 0 | |||||||||||
| 41186 | Warren | Burt | Easy Rounds and Folk Dances | 1985 | radiophon | 40:00:00 | Stereo | UCLA, SUNY Albany, EMPAC | 1986 | broadcast KPFA, Berkeley; KPFK, Los Angeles; KUNI, Cedar Rapids | 0 | ||||||||
| 41234 | Warren | Burt | Electronic Soundscape | 1990 | fixed media, akusmatisch | 30:00:00 | 0 | ||||||||||||
| 41299 | Warren | Burt | Elwood Evening Improvisations | 1997 | audiovisuell | 16:00:00 | 0 | ||||||||||||
| 41239 | Warren | Burt | Emanzipation | 1992 | Tanz, live-elec, | 10:00:00 | 0 | ||||||||||||
| 41210 | Warren | Burt | Entrance Music for Expo 88 | 1988 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41344 | Warren | Burt | Experience of Marfa: A Book of Drones | 2007 | fixed media, akusmatisch | 256:00:00 | 0 | ||||||||||||
| 41165 | Warren | Burt | Explorations of 31 | 1981-1982 | Klangkunst, Installation | 60:00:00 | 0 | ||||||||||||
| 41208 | Warren | Burt | Fantasias, Quartets and Nocturnes | 1986-1988 | fixed media, akusmatisch | 90:00:00 | Stereo | SUNY Albany | 0 | ||||||||||
| 41273 | Warren | Burt | Five Bursts for Leif Brush | 1995 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41290 | Warren | Burt | Five Chaotic Monuments for David Tudor | 1996 | Zuspiel, live-elec, 1 perf | 57:00:00 | synt [synthesizer] | 0 | |||||||||||
| 41320 | Warren | Burt | Five for the Coming of Spring, algorithmic etudes in square root scales | 1999 | live-elec, 1 perf | 15:00:00 | com [computer] | 0 | |||||||||||
| 41179 | Warren | Burt | Five Part Inventions with Lyrebird | 1985 | Performance, live-elec, 1 perf | 15:00:00 | ins (taped lyrebird, wind up duck, performance art) [Instrument] | 0 | |||||||||||
| 41127 | Warren | Burt | Flying Pickle Music for Donald Roller Wilson | 1974 | Klangkunst, Installation | 240:00:00 | 0 | ||||||||||||
| 41125 | Warren | Burt | for Charlemagne Palestine | 1973 | fixed media, akusmatisch | 15:00:00 | Stereo | UCSC | 0 | ||||||||||
| 41267 | Warren | Burt | for orchestra and live electronics | 1994 | live-elec, 1 perf, 1 group | 12:00:00 | orc, elec [elektronik, Orchester] | Macalester Col | 0 | ||||||||||
| 41282 | Warren | Burt | for Roman Verostko; Themes without Variations) | 1995 | fixed media, akusmatisch | 8:00:00 | com, sam [computer] | 0 | |||||||||||
| 41246 | Warren | Burt | for two acoustic or electronic microtonal pianos (We haven't even yet BEGUN to emancipate the dissonance!) | 1992 | Zuspiel/Tonband, 2 perf | fixed media, akusmatisch |
10:00:00 | 2 p [Piano] | 0 | |||||||||||
| 41298 | Warren | Burt | Four Enharmonics For Al's | 1997 | live-elec, 1 perf | 20:00:00 | sam [computer] | 0 | |||||||||||
| 41161 | Warren | Burt | Four Pieces for Synthesizer 1981 | 1981 | fixed media, akusmatisch | 60:00:00 | Stereo | 0 | |||||||||||
| 41135 | Warren | Burt | Four Quartets and a Canon | 1976 | fixed media, akusmatisch | 75:00:00 | Quadro | La Trobe | 0 | ||||||||||
| 41327 | Warren | Burt | Four Short Microtonal Pieces | 2001 | fixed media, akusmatisch | 7:00:00 | 0 | ||||||||||||
| 41216 | Warren | Burt | Fractals (Harangue) | 1988 | Zuspiel, live-elec, 4 perf | 15:00:00 | Quadro | pic-fl, en-hn, trbn, Sp [Sprecher, Flöte, Oboe, Posaune] | 0 | ||||||||||
| 41351 | Warren | Burt | Frankston Beach / Illawarra Rainforest” | 2010 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 41261 | Warren | Burt | Fria Improvisation | 1994 | live-elec, 1 perf | 17:00:00 | Kbd [Keyboard] | 0 | |||||||||||
| 41155 | Warren | Burt | From the Dreambooks | 1980-1981 | fixed media, akusmatisch | 30:00:00 | Stereo | 0 | |||||||||||
| 41278 | Warren | Burt | Funny Fruits Tunes | 1995 | Netzmusik | 13:00:00 | 0 | ||||||||||||
| 41207 | Warren | Burt | Ghosting William Buckley | 1988 | radiophon | 70:00:00 | 0 | ||||||||||||
| 41308 | Warren | Burt | Glynis Drone | 1998 | fixed media, akusmatisch | 8:04:00 | 0 | ||||||||||||
| 41333 | Warren | Burt | Graphic Descriptions” | 2003 | fixed media, akusmatisch | 9:11:00 | 0 | ||||||||||||
| 41128 | Warren | Burt | Harmonia Mundane | 1974 | fixed media, akusmatisch | 89:00:00 | Stereo | UCSD | 0 | ||||||||||
| 41362 | Warren | Burt | Harmonic Colour Fields | 1996 - 1997 | fixed media, akusmatisch | 68 | 5 movements (13 mins, 11 mins, 13 mins, 16 mins, 15 mins) | Pogus 21028/ | 0 | ||||||||||
| 41307 | Warren | Burt | Harry Said... | 1998 | fixed media, akusmatisch | 2:00:00 | 0 | ||||||||||||
| 41316 | Warren | Burt | Heat Wave | 1999 | Performance, Zuspiel, live-elec, 4 perf | 10:00:00 | 4 ins [Instrument] | Ensemble in New York | 0 | ||||||||||
| 41180 | Warren | Burt | Heaven/Below | 1985 | live-elec, 4 perf | 35:00:00 | p, acc, perc, elec [Piano, Akkordeon, Schlagzeug, elektronik] | 0 | |||||||||||
| 41296 | Warren | Burt | Henry Stories | 1997 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 41332 | Warren | Burt | Herbert and Arun go to Homer | 2002 | Zuspiel / Tonband, 1 perf | 8:00:00 | any str [Streicher] | 0 | |||||||||||
| 41253 | Warren | Burt | Homage to Jas Duke" by Pete Spence- electronic realization by Warren Burt | 1993 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41175 | Warren | Burt | If/Then | 1985 | audiovisuell | 4:00:00 | Stereo | 0 | |||||||||||
| 41350 | Warren | Burt | Illawarra: The Lake in Winter | 2008 - 2010 | audiovisuell | 0 | |||||||||||||
| 41265 | Warren | Burt | Improvisation for Accordion and Electronics | 1994 | live-elec, 3 perf | 30:00:00 | acc, synt, elec [Akkordeon, elektronik, synthesizer] | 0 | |||||||||||
| 41277 | Warren | Burt | Improvisation for Microtonal Piano Samples and Disclavier | 1995 | live-elec, 1 perf | 6:00:00 | sam [computer] | Yamaha Studios, New York City | 0 | ||||||||||
| 41232 | Warren | Burt | Improvisation with Al Wunder | 1990 | Zuspiel, live-elec, 1 perf | com [computer] | 0 | ||||||||||||
| 41279 | Warren | Burt | Improvisation with Ernie Althoff; Was the Trilobite an Early Precursor of the Dalkon Shield?) | 1995 | live-elec, 2 perf | sam, cymbal [Schlagzeug, computer] | 0 | ||||||||||||
| 41302 | Warren | Burt | Improvisation with Ros Bandt | 1998 | live-elec, 1 perf | 10:00:00 | w (MIDI wind controller) [Bläser] | 0 | |||||||||||
| 41306 | Warren | Burt | In Delicacy There is Hope | 1998 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 41162 | Warren | Burt | In Memoriam Bill Evans | 1982 | audiovisuell | 25:00:00 | 0 | ||||||||||||
| 41358 | Warren | Burt | In Memoriam William Duckworth | 2012 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41252 | Warren | Burt | Incidental Music for "The Brotherhood, Suite on the death of Pythagoras) | 1993 | radiophon | 9:00:00 | 0 | ||||||||||||
| 41291 | Warren | Burt | Incomputence" and "The Return of the Grapefruit | 1996 | live-elec, 4 perf | 16:00:00 | 4 synt [synthesizer] | 0 | |||||||||||
| 41321 | Warren | Burt | Installation for Three Laptops, Remembering Kenneth's Lemons) | 1999 | live-elec, 3 perf | 5:00:00 | 3 com [computer] | 0 | |||||||||||
| 41236 | Warren | Burt | Jazzmaze | 1991 | Klangkunst, Installation | 0 | |||||||||||||
| 41328 | Warren | Burt | John Cleese Noise Study | 2001 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41174 | Warren | Burt | Justice, Equality and Beatings 2A & 2B | 1985 | fixed media, akusmatisch | 50:00:00 | Stereo | 0 | |||||||||||
| 41227 | Warren | Burt | Justice, Equality and Beatings 7 | 1990 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 41202 | Warren | Burt | Justice, Equality and Beatings IV | 1987 | live-elec, 1 perf | 21:00:00 | sam [computer] | 0 | |||||||||||
| 20990 | Warren | Burt | La Strega Bianca della Luna II ( the white witch of the moon 2) | 1998 | Klangkunst, Installation | var 8:00 | org or synt [Orgel, synthesizer] | 12 tones in 5 simultaneous temperaments | innova 115/ Kiasma 1999/ | Warrnambool Art Gallery Victoria | Nov. 1998 | Switzerland | 0 | ||||||
| 41276 | Warren | Burt | Lament for Lost Cultures, String Quartet #5) | 1995 | live-elec, 4 perf | 21:00:00 | amp str-qt [Streicher] | 0 | |||||||||||
| 41153 | Warren | Burt | Leather Disco | 1980 | fixed media, akusmatisch | 15:00:00 | Stereo | 0 | |||||||||||
| 41116 | Warren | Burt | Lopsided Symmetries | 1969 | fixed media, akusmatisch | 3:00:00 | SUNY Albany | 0 | |||||||||||
| 41311 | Warren | Burt | Lovecraftian Vivisection Sound Poem | 1998 | Zuspiel / Tonband, 2 perf | 5:00:00 | 2 V [Stimme] | 0 | |||||||||||
| 41124 | Warren | Burt | Lullabies II | 1973 | live-elec, 1 perf | 30:00:00 | perf (tape delay) [Performer] | 0 | |||||||||||
| 41154 | Warren | Burt | Mass | 1980 | fixed media, akusmatisch | 25:00:00 | Stereo | 0 | |||||||||||
| 41204 | Warren | Burt | Mayakovsky, Tatlin, Malevich, El Lissitsky | 1987 | live-elec, 1 perf | 7:30:00 | synt [synthesizer] | 0 | |||||||||||
| 41218 | Warren | Burt | Meat Market Music | 1988 | Klangkunst, Installation | 0 | |||||||||||||
| 41305 | Warren | Burt | Miss Furr and Miss Skene | 1998 | Zuspiel, live-elec, 1 perf | 16:00:00 | com [computer] | 0 | |||||||||||
| 41219 | Warren | Burt | More 3DIS Patches | 1988 | Klangkunst, Installation | 0 | |||||||||||||
| 41254 | Warren | Burt | Music for Charles Roberts | 1993 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41247 | Warren | Burt | Music for Microtonal Piano Sounds, Music for Microtonal Piano Sounds, Part 1 | 1992 | Zuspiel / Tonband, 1 perf | 43:00:00 | p [Piano] | 0 | |||||||||||
| 41211 | Warren | Burt | Musical Chaology | 1988 | 10:00:00 | Stereo | 0 | ||||||||||||
| 41244 | Warren | Burt | Mutual Interactions | 1992 | live-elec, 4 perf | 10:00:00 | 2 V, 2 sam [Stimme, computer] | 0 | |||||||||||
| 37470 | Warren | Burt | My Monodies II | 1996 | live-elec, 1 perf | 7:21 | e-gui [Gitarre] | ISAST LMJ 7/ | Bregman Dartmouth | 0 | |||||||||
| 41287 | Warren | Burt | My Monodies III | 1996 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41169 | Warren | Burt | Natural Rhythm | 1983 | radiophon | 20:00:00 | CD Burt/ | ABC Radio Sydney | 0 | ||||||||||
| 41238 | Warren | Burt | New Work | 1991 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 41310 | Warren | Burt | Nocturnal Ribbons | 1998 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41347 | Warren | Burt | Noisy Lullabies | 2008 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 41215 | Warren | Burt | Not for Public Consumption, Unused Sounds from Expo 88) | 1988 | fixed media, akusmatisch | 21:00:00 | Quadro + Stereo | 0 | |||||||||||
| 41217 | Warren | Burt | of course, with extracts from Bonaparte, a neo-rationalist mechanical operetta | 1988 | Zuspiel, live-elec, 1 group | 50:00:00 | Quadro | ens [Ensemble] | 0 | ||||||||||
| 2572 | Warren | Burt | Parts of Speech | 1992 | fixed media, akusmatisch | 5:14 | ACMA/ | March 1991 | ACMA concert, Elm St. Hall, North Melbourne | 0 | |||||||||
| 41143 | Warren | Burt | Pastorale | 1977-1978 | fixed media, akusmatisch | 60:00:00 | Stereo | 0 | |||||||||||
| 41214 | Warren | Burt | Philadelphia Harmonies | 1988 | live-elec, 1 perf | 20:00:00 | ins (treble tuning forks) [Instrument] | 0 | |||||||||||
| 41363 | Warren | Burt | Poems of Rewi Alley | 2003 | radiophon | 40 | 19 poems / parts; Sp: John Britton | SG 0601/ | 0 | ||||||||||
| 41313 | Warren | Burt | Point King Beach Memories | 1999 | radiophon | 10:00:00 | 0 | ||||||||||||
| 41205 | Warren | Burt | Portrait of Miriam | 1987 | fixed media, akusmatisch | 6:30:00 | Stereo | 0 | |||||||||||
| 41177 | Warren | Burt | Portraits and Homages | 1985 | fixed media, akusmatisch | 27:00:00 | Stereo | 0 | |||||||||||
| 41352 | Warren | Burt | Prime Subharmonics Starting from 17 | 2010 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 41335 | Warren | Burt | Pythagoras’ Babylonian Bathtub | 2003 | Klangkunst, Installation | 150:00:00 | 0 | ||||||||||||
| 41188 | Warren | Burt | Pythagorean Gas Dances | 1986 | live-elec, 1 perf | 25:00:00 | com [computer] | 0 | |||||||||||
| 41248 | Warren | Burt | Racter and Eliza- A Computer Opera of Mistakes) | 1986-1993 | Oper | 23:00:00 | 0 | ||||||||||||
| 41341 | Warren | Burt | Radio Namings | 2005 | radiophon | 35:00:00 | 0 | ||||||||||||
| 41120 | Warren | Burt | Real Science Comix Funnies nr. 1 - John Lilly Meets the Dolphins | 1972 | fixed media, akusmatisch | 8:00:00 | Stereo | UCSD | 0 | ||||||||||
| 41304 | Warren | Burt | Reality Check | 1997 | Klangkunst, Installation | 0 | |||||||||||||
| 41226 | Warren | Burt | Recycled Mother Stories | 1990 | live-elec, 2 perf | 14:00:00 | V, sam [Stimme, computer] | 0 | |||||||||||
| 41224 | Warren | Burt | Remembering Griffes | 1989 | Zuspiel / Tonband, 1 perf | 14:00:00 | Stereo | fl [Flöte] | 0 | ||||||||||
| 41281 | Warren | Burt | Remembering Griffes II - An Evocation: Speculating, as if... | 1995 | live-elec, 1 perf | 17:00:00 | com [computer] | 0 | |||||||||||
| 41195 | Warren | Burt | Responses and Compressions | 1987 | Zuspiel, live-elec, 5 perf | 45:00:00 | 5 ins [Instrument] | 0 | |||||||||||
| 41292 | Warren | Burt | Return of the Grapefruit | live-elec, 1 perf | vn [Violine] | 0 | |||||||||||||
| 41220 | Warren | Burt | Riffs for Ross | 1988 | radiophon | 13:00:00 | 0 | ||||||||||||
| 41184 | Warren | Burt | Robert and Catherine | 1985 | Zuspiel / Tonband, 2 perf | 11:00:00 | Stereo | b-cl, a-fl [Flöte, Klarinette] | 0 | ||||||||||
| 41145 | Warren | Burt | Salt 81:80:63 | 1978 | audiovisuell | 6:00:00 | 0 | ||||||||||||
| 41200 | Warren | Burt | Samba Dodecaphonica for Charlie Buel | 1987 | fixed media, akusmatisch | 2:13:00 | Stereo | 0 | |||||||||||
| 41249 | Warren | Burt | Same Place, Later | 1993 | live-elec, 2 perf | 15:00:00 | V, elec [Stimme, elektronik] | 0 | |||||||||||
| 41197 | Warren | Burt | Samples for Orchestra I Samples for Orchestra II: Ravel Homage, Samples for Orchestra III |
1987 | live-elec, 1 perf | 8:00:00 | com [computer] | Samples II For Orchestra (Ravel Homage) (That Which Is Neither A Deconstruction Nor An Appropriation, Neither Bricollage Nor Post-Modern) | CD Burt/ | ABC Radio Melbourne | 0 | ||||||||
| 41257 | Warren | Burt | Scenes from the Jungle of Intonational Injustice | 1993 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 41240 | Warren | Burt | Scherbenkonzert | 1992 | Klangkunst, Installation | 0 | |||||||||||||
| 36385 | Warren | Burt | Scraps from the Lab Floor | 1995 | radiophon | 5 | Kiasma 1998/ | 22 July 1995 | Newsense Intermedium, Tacoma, WA | 0 | |||||||||
| 41228 | Warren | Burt | Sea Birds in the Trees | 1990 | live-elec, 4 perf | com, sam, 2 ins (gender players) [Instrument, computer] | 0 | ||||||||||||
| 41151 | Warren | Burt | Sea Pieces | 1979 | Zuspiel / Tonband, 1 group | 25:00:00 | Quadro | ch [Chor] | 0 | ||||||||||
| 41221 | Warren | Burt | Second Bluebell Rhapsody | 1988 | live-elec, 1 group | 10:00:00 | ens [Ensemble] | 0 | |||||||||||
| 41209 | Warren | Burt | Sensus/3DIS Installation | 1988 | Klangkunst, Installation | 0 | |||||||||||||
| 41325 | Warren | Burt | Shaman: In Memoriam Terrence McKenna | 2000 | Klangkunst, Installation | 7:00:00 | 0 | ||||||||||||
| 41342 | Warren | Burt | Silliac Piece for Stephen Jones | 2006 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 41258 | Warren | Burt | Sine Waves/Harbour Waves | 1993 | Klangkunst, Installation | 0 | |||||||||||||
| 41148 | Warren | Burt | Sir Gawain and the Green Knight | 1978-1979 | Stereo | Sp [Sprecher] | 0 | ||||||||||||
| 41199 | Warren | Burt | Six Short Inventions on Six Ancient Greek Modes | 1987 | live-elec, 1 perf | 8:00:00 | sam [computer] | La Trobe | 0 | ||||||||||
| 41315 | Warren | Burt | Six Short Movements Backwards in Time from Dorian to Lespugue | 1999 | live-elec, 1 perf | 13:00:00 | com [computer] | SUNY Albany | 13 Feb. 1999 | Synaesthesia Records, Prahran | 0 | ||||||||
| 41233 | Warren | Burt | Six Soundtracks in Search of a Visual, An Assemblage) | 1990 | live-elec, 1 perf | 40:00:00 | com [computer] | 0 | |||||||||||
| 41119 | Warren | Burt | Sketches of Scenes and Seasons from Upstate New York, Afternoon, Late Spring In The Taconics; Between West Copake, N.Y. & Salisbury, CT. Moist Days In Mid-Winter; The Helderbergs Between Know Cave And Thacher Park Rain At Dawn, Late Autumn; Saranac Lake |
1971-1972 | fixed media, akusmatisch | 34:00:00 | Stereo | Aardvark 02/ | UCSD | 0 | |||||||||
| 41158 | Warren | Burt | Snodger Lip Lap | 1981 | fixed media, akusmatisch | 12:00:00 | Stereo | 0 | |||||||||||
| 41339 | Warren | Burt | Someone Moved in a Room | 2005 | fixed media, akusmatisch | 64:00:00 | 0 | ||||||||||||
| 41193 | Warren | Burt | Sonata in Memoriam Don Banks | 1987 | fixed media, akusmatisch | 12:00:00 | Stereo | 0 | |||||||||||
| 41159 | Warren | Burt | Sound Garden | 1975-1981 | Klangkunst, Installation | 0 | |||||||||||||
| 41312 | Warren | Burt | Sounding the Space | 1998 | live-elec, 1 perf | 6:00:00 | Sp [Sprecher] | 0 | |||||||||||
| 41289 | Warren | Burt | Soundings About The Erie Canal | 1995-1996 | radiophon | 34:00:00 | 0 | ||||||||||||
| 41359 | Warren | Burt | Soundtrack for Dragonfold | 2014 | Film | 7:00:00 | 0 | ||||||||||||
| 41264 | Warren | Burt | Soundtrack for Visual Haiku by Robert Randall | 1994 | Netzmusik | 64:00:00 | 0 | ||||||||||||
| 41144 | Warren | Burt | Soundtrack to Venus Reclining | 1978 | live-elec, 2 perf | 35:00:00 | V, p [Stimme, Piano] | 0 | |||||||||||
| 41229 | Warren | Burt | Speaker Swinging | 1990 | live-elec, 5 perf | com, 4 perf [Performer, computer] | 0 | ||||||||||||
| 41334 | Warren | Burt | Stretti | 2003 | fixed media, akusmatisch | 15:13:00 | 0 | ||||||||||||
| 41166 | Warren | Burt | Studies for Synthesizer | 1982 | fixed media, akusmatisch | 35:00:00 | Stereo | 0 | |||||||||||
| 41152 | Warren | Burt | Suite for Cheap Technology | 1980 | fixed media, akusmatisch | 26:00:00 | Stereo | 0 | |||||||||||
| 41317 | Warren | Burt | Sun Reflections | 1999 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 41139 | Warren | Burt | Syntactic Switches | 1977 | live-elec, 1 perf | 35:00:00 | V [Stimme] | 0 | |||||||||||
| 41149 | Warren | Burt | Tenebrae | 1979 | live-elec, 3 perf | 80:00:00 | org, w (didgeridoo), Sp [Sprecher, Orgel, Bläser] | 0 | |||||||||||
| 41163 | Warren | Burt | Texts | 1982 | radiophon | 10:00:00 | Stereo | CD Burt/ | ABC Radio Sydney | 0 | |||||||||
| 41284 | Warren | Burt | The 18'12" Suite | 1996 | fixed media, akusmatisch | 18:00:00 | 0 | ||||||||||||
| 41329 | Warren | Burt | The Air of Other Worlds" and "Bossa Noise | 2001 | fixed media, akusmatisch | 2:03:00 | 0 | ||||||||||||
| 41364 | Warren | Burt | The Animation of Lists and the Archytan Transpositions, The Animation of Lists and the Archytan Transpositions |
2004 - 2005 | Performance | 120 | 2 perf [Performer] | XI 130 Experimental Intermedia/ | 0 | ||||||||||
| 41338 | Warren | Burt | The Collage of Cardinal’s | 2005 | fixed media, akusmatisch | 21:00:00 | 0 | ||||||||||||
| 41283 | Warren | Burt | The Memory Palace of Chris Wallace-Crabbe etrachords in Well-Temperament) | 1995 | fixed media, akusmatisch | 15:00:00 | 0 | ||||||||||||
| 41237 | Warren | Burt | The Mysterious Baths | 1991 | radiophon | 0 | |||||||||||||
| 41183 | Warren | Burt | The Perspecta Tapes | 1985 | fixed media, akusmatisch | 25:00:00 | 0 | ||||||||||||
| 41355 | Warren | Burt | The Shape of the Voice I: Milton Babbitt” | 2011 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 41251 | Warren | Burt | The Syd Fish Themesong, Fish Tales) | 1993 | radiophon | 3:00:00 | 0 | ||||||||||||
| 41297 | Warren | Burt | This Versions For... | 1997 | live-elec, 1 perf | 10:00:00 | ins [Instrument] | 0 | |||||||||||
| 41285 | Warren | Burt | Three Bicycles | 1996 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 41181 | Warren | Burt | Three Environmental Compositions | 1984-1985 | fixed media, akusmatisch | 150:00:00 | Stereo | 0 | |||||||||||
| 41206 | Warren | Burt | Three Identical Chains of Harmonies of 5 & 7 Rhythmically Related by 29, 30 and 31 | 1987 | 8:50:00 | Stereo | elec [elektronik] | 0 | |||||||||||
| 41255 | Warren | Burt | Three Improvisations for Movements, Concrete and Electronic Sounds | 1993 | Radiokunst, live-elec, 2 perf | 18:00:00 | sam, synt [computer, synthesizer] | 0 | |||||||||||
| 41134 | Warren | Burt | Three Music Boxes for the Golden Hills Food Co-op | 1975 | Klangkunst, Installation | 0 | |||||||||||||
| 41146 | Warren | Burt | Three Studies for the Sydney Con | 1978 | fixed media, akusmatisch | 30:00:00 | Stereo | 0 | |||||||||||
| 41235 | Warren | Burt | Tram Piece | 1991 | Film | 14:00:00 | 0 | ||||||||||||
| 41274 | Warren | Burt | Transcribing Silence for Noise II, Artists are the Roadkill of the Information Superhighway) | 1995 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41271 | Warren | Burt | Transcribing Silence for Noise, On Information; After Chris Mann and John Cage got thru with it))) | 1995 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41360 | Warren | Burt | Triangle Mix April 21 | 2014 | fixed media, akusmatisch | 1:00:00 | 0 | ||||||||||||
| 41118 | Warren | Burt | Trilobites and Aardvarks | 1969 - 1971 | fixed media, akusmatisch | 60:00:00 | Stereo | Aardvark 01/ | SUNY Albany | 0 | |||||||||
| 41250 | Warren | Burt | Triptych for Sandra Perrin | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 41176 | Warren | Burt | Two Dance Accompaniments for Eva Karczag | 1985 | Zuspiel, live-elec, 1 perf | 40:00:00 | elec [elektronik] | 0 | |||||||||||
| 41323 | Warren | Burt | Two Japanese Pictures | 1999-2000 | fixed media, akusmatisch | 9:03:00 | 0 | ||||||||||||
| 41293 | Warren | Burt | Two Mann-glings, Homage to Jackson Mac Low, and 'why not sneeze an airy silverspeckled green square cloud with a pendulum of blue smoke?' | 1996 | fixed media, akusmatisch | 4:03:00 | 0 | ||||||||||||
| 41150 | Warren | Burt | Two New York Drones | 1979 | fixed media, akusmatisch | 90:00:00 | Stereo | 0 | |||||||||||
| 41141 | Warren | Burt | Two Nocturnals- A-3:5:9 and B-4:6:7 | 1977 | audiovisuell | 37:38:00 | La Trobe | 0 | |||||||||||
| 41286 | Warren | Burt | Two Solo Interactions | 1996 | live-elec, 2 perf | 10:00:00 | Sp, synt [Sprecher, synthesizer] | 22 June, 1996 | Canberra School of Art Gallery | 0 | |||||||||
| 41230 | Warren | Burt | untitled | 1990 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 41331 | Warren | Burt | Variations on a Quote from Henry Cowell | 2002 | fixed media, akusmatisch | 5:22:00 | 0 | ||||||||||||
| 41270 | Warren | Burt | Variations on Sounds of Leif Brush | 1994-1995 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41132 | Warren | Burt | Very Smart Microbes | 1975 | audiovisuell | 25:00:00 | UCSD | 0 | |||||||||||
| 41280 | Warren | Burt | Vingt Enflures sur L'Enfant Melvin | 1995 | fixed media, akusmatisch | 20:00:00 | 0 | ||||||||||||
| 41136 | Warren | Burt | We Can't Call it Prelude to Naples | 1976 | live-elec, 1 perf | 20:00:00 | synt [synthesizer] | Mills Col | 0 | ||||||||||
| 41126 | Warren | Burt | WEB | 1974 | live-elec, 1 perf | 60:00:00 | com [computer] | UCSC | 0 | ||||||||||
| 41275 | Warren | Burt | Wedding Bells for Anne Kirker and Bob Elliott | 1995 | fixed media, akusmatisch | 1:30:00 | 0 | ||||||||||||
| 41295 | Warren | Burt | Wedge in Memoriam Robert Erickson | 1997 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 41190 | Warren | Burt | What It's Like to be in Los Angeles | 1986 | live-elec, 1 perf, 1 group | 3:00:00 | Vs [Stimme] | 0 | |||||||||||
| 41115 | Warren | Burt | Wintermusic | 1969 | Zuspiel / Tonband, 1 perf | 12:00:00 | cl [Klarinette] | SUNY Albany | 1969 | perf. Linda King, State University of NY, Albany | 0 | ||||||||
| 41164 | Warren | Burt | Wires | 1982 | radiophon | 16:00:00 | CD Burt/ | ABC Radio Sydney | 0 | ||||||||||
| 41196 | Warren | Burt | Words and Sounds in the Australian Landscape | 1985-1987 | Radiokunst, live-elec, 5 perf | 112:00:00 | V, 4 mus [Stimme, Musiker] | ABC-FM/Australian Bicentennia | 0 | ||||||||||
| 36031 | Matthew | Burtner | A’aa | 2009 | live-elec, 2 perf | 9:00:00 | fl, cl, (amp lava rocks, elec) [Flöte, Klarinette] | 0 | |||||||||||
| 36032 | Matthew | Burtner | Aes/Aer | 2005 | live-elec, 1 perf | 12:00:00 | trbn, (com-sound) [Posaune] | 0 | |||||||||||
| 36033 | Matthew | Burtner | Animus/Anima | 2001 | live-elec, 1 perf | 12:00:00 | V, (elec) [Stimme] | 0 | |||||||||||
| 36034 | Matthew | Burtner | Anugi Unipkaaq | 2001 | live-elec, 4 perf | 6:00:00 | perc-qt, (recorded wind, optional video) [Schlagzeug] | 0 | |||||||||||
| 36035 | Matthew | Burtner | Broken Drum | 2003 | live-elec, 1 perf | 6:00:00 | perc (brake-drum), (com) [Schlagzeug] | 0 | |||||||||||
| 36036 | Matthew | Burtner | Cezanne Study | 1996 | live-elec, 1 perf | 6:00:00 | sol p [Piano] | 0 | |||||||||||
| 36037 | Matthew | Burtner | Circles | 1994 | live-elec, 4 perf | 25:00:00 | cl, b-cl, p, perc (with noise gen) [Klarinette, Piano, Schlagzeug] | 0 | |||||||||||
| 36038 | Matthew | Burtner | Citlaltepetl Vertex | 2011 | live-elec, 1 perf | 15:00:00 | (acoustic) gui, (elec) [Gitarre] | 0 | |||||||||||
| 36039 | Matthew | Burtner | Cloudprints | 2008 - 2012 | live-elec, | 20:00:00 | ins-ens, com-ens [Ensemble] | 0 | |||||||||||
| 36040 | Matthew | Burtner | Coral Attraction | 2010 | live-elec, 3 perf | S, b-ins, (coral) perc, (recorded reef sounds, elec ) [Sopran, Schlagzeug, Instrument] | 0 | ||||||||||||
| 36027 | Matthew | Burtner | (dis)Appearances | 2003 | live-elec, 3 perf | 8:00:00 | 1-3 vn (acoustic-, elec- com-vn, 1-3 players) [Violine] | 0 | |||||||||||
| 36028 | Matthew | Burtner | (dis)Integrations | 2004 | live-elec, 2 perf | 13:00:00 | vc, p, (com) [Piano, Cello] | 0 | |||||||||||
| 36029 | Matthew | Burtner | (dis)Locations | 2007 | audiovisuell, live-elec, 2 perf | 13:00:00 | 1-2 sax, (com-sound, video) [Saxophon] | EcoSono DVD Agents Against Agency/ | 0 | ||||||||||
| 36030 | Matthew | Burtner | (dis)Sensus, Dissensus Sxape Modification 1 [vio]Lens Modification 2 ianopianop Sensus |
2008 | live-elec, 4 perf | 16:08 | vn, a-sax, p, perc, (com-interaction) [Saxophon, Piano, Schlagzeug, Violine] | innova 871/ | 0 | ||||||||||
| 36041 | Matthew | Burtner | Ecotones | 2013 | live-elec, 1 perf | perc, (elec) [Schlagzeug] | 0 | ||||||||||||
| 36042 | Matthew | Burtner | Endprint | 2004 | live-elec, 9 perf | 10:00:00 | 9 t-sax or t-sax, (8 pre-recorded t-sax) [Saxophon] | innova 620/ | 0 | ||||||||||
| 22104 | Matthew | Burtner | Fern | 1997 | fixed media, akusmatisch | 8:42 | innova 526/ | Peabody Con Baltimore | 1 | ||||||||||
| 36043 | Matthew | Burtner | Flute Code | 2013 | live-elec, 2 perf | 8:00:00 | fl, laptop [Flöte, computer] | 0 | |||||||||||
| 36044 | Matthew | Burtner | Fragments from Cold | 2006 | live-elec, 1 perf | 8:00:00 | vc, (recorded snow sounds, elec) [Cello] | 0 | |||||||||||
| 22108 | Matthew | Burtner | Glass Phase | 1998 | fixed media, akusmatisch | 9:57 | com [computer] | Verwendung von MAX/MSP (for com polyrhythmicon / electronics) | innova 526/ | Peabody Con Baltimore | 1 | ||||||||
| 36045 | Matthew | Burtner | Golden Sparrow | 2012 | live-elec, 1 perf | 6:00:00 | tpt, (light, elec) [Trompete] | 0 | |||||||||||
| 36046 | Matthew | Burtner | Iceprints | 2010 | live-elec, 3 perf | 24:00:00 | 1-3 p, (elec) [Piano] | 0 | |||||||||||
| 36047 | Matthew | Burtner | Incantation 1 | 1994 | live-elec, 1 perf | 11:00:00 | vc, (com-gen sound) [Cello] | 0 | |||||||||||
| 36048 | Matthew | Burtner | Incantation 2 | 1994 | fixed media, akusmatisch | com-gen sound | 0 | ||||||||||||
| 22107 | Matthew | Burtner | Incantation S4 | 1997 | Zuspiel, live-elec, 1 perf | 11:53 | amp t-sax [Saxophon] | Verwendung von MAX/MSP | innova 526/ | Peabody Con Baltimore | 1 | ||||||||
| 36049 | Matthew | Burtner | Kuik (Aria) | 2006 | audiovisuell, live-elec, 3 perf | 13:00:00 | S, (com-sound, video with) optional narrator, perc [Sopran, Schlagzeug, Schauspieler] | 0 | |||||||||||
| 36050 | Matthew | Burtner | Kunikluk | 1999 | live-elec, 6 perf | 10:00:00 | pic-fl, b-cl, vn, vc, p, perc, (noise-gen, optional video) [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | 0 | |||||||||||
| 36051 | Matthew | Burtner | Microplastic PET | 2012 | live-elec, 2 perf | 3:30:00 | V, perc, (plastics, com) [Stimme, Schlagzeug] | 0 | |||||||||||
| 22106 | Matthew | Burtner | Mists | 1996 | live-elec, 1 perf | 4:28 | com ("3 stones") [computer] | Verwendung von MAX/MSP; "for computer noise controller and stone trio" | innova 526/ | Peabody Con Baltimore | 1 | ||||||||
| 23588 | Matthew | Burtner | Noisegate 67 | 1999 | Zuspiel / Tonband, 1 perf | 10:38 | Surround 5.1 | meta-sax [Saxophon] | CMJ Vol 27-4, 2003/ innova 620/ | 1 | |||||||||
| 36052 | Matthew | Burtner | Polyrhythmicana, Metal XY Split/Joined Diamonds (in Wood) C Acceleration Phase Slow 2:3 (in Noise) Melody Triangles |
2002 | live-elec, 4 perf | 15:00:00 | fl, vc, gui, perc, (4-channel click track) [Flöte, Gitarre, Schlagzeug, Cello] | innova 871/ | 0 | ||||||||||
| 41367 | Matthew | Burtner | Prayer (for John Pierce) | 2002 | fixed media, akusmatisch | 1:23 | DISContact! III | 0 | |||||||||||
| 36053 | Matthew | Burtner | Prismic Generations | 2003 | audiovisuell, live-elec, 1 perf | 10:00:00 | ins, (for struck & bowed pitched ins),( com-sound, video) [Instrument] | 0 | |||||||||||
| 36054 | Matthew | Burtner | Pulling in the Light | 2006 | live-elec, 7 perf | 13:00:00 | mdl, 2 vn, cl, vc, trbn, drum [Klarinette, Posaune, Gitarre, Schlagzeug, Cello, Violine] | 0 | |||||||||||
| 36055 | Matthew | Burtner | Signal Ruins | 2000 | live-elec, 3 perf | p, 1-2 opt perf, (com-sound) [Piano, Performer] | 0 | ||||||||||||
| 36056 | Matthew | Burtner | Siknik Unipkaaq | 2001 | live-elec, 1 perf | 9:00:00 | perc, ins-ens, (com-sound, optional video) [Schlagzeug, Ensemble] | 0 | |||||||||||
| 36057 | Matthew | Burtner | Siku Unipkaaq | 2001 | live-elec, 4 perf | 6:00:00 | 4 perc (on two glockenspiel, com-sound, optional video) [Schlagzeug] | 0 | |||||||||||
| 36058 | Matthew | Burtner | Six Ambient Extensions | 2010 | live-elec, 1 perf, 1 group | 30:00:00 | perc-ens, (elec) [Schlagzeug] | 0 | |||||||||||
| 36059 | Matthew | Burtner | Six Ecoacoustic Quintets | 2009 | live-elec, 5 perf | 33:00:00 | perc-qnt, (elec) [Schlagzeug] | 0 | |||||||||||
| 36060 | Matthew | Burtner | Snowprints | 2001 | audiovisuell, live-elec, 3 perf | 15:32 | fl, vc, p, (elec, video) [Flöte, Piano, Cello] | innova 871/ | 0 | ||||||||||
| 36061 | Matthew | Burtner | Somata/Asomata | 2002 | live-elec, 4 perf | 8:00:00 | str-qt, (com-sound) [Streicher] | 0 | |||||||||||
| 36062 | Matthew | Burtner | Song for Low Tree | 2011 | live-elec, 1 perf | 13:00:00 | perc, (elec) [Schlagzeug] | 0 | |||||||||||
| 36063 | Matthew | Burtner | Spectral Arctic Ice Triangulations | 2010 | live-elec, 1 perf | 12:00:00 | (amp water-) perc (with com-sound) [Schlagzeug] | 0 | |||||||||||
| 36234 | Matthew | Burtner | Spectral For 0 | 2004 | fixed media, akusmatisch | 4:42 | innova 120/ | Jerome Foundation | 0 | ||||||||||
| 36235 | Matthew | Burtner | Spectral For 60 | 2004 | fixed media, akusmatisch | 4:27 | innova 120/ | 0 | |||||||||||
| 22105 | Matthew | Burtner | Split Voices | 1999 | Zuspiel, live-elec, 1 perf | 18:18 | amp sax [Saxophon] | innova 526/ | Peabody Con Baltimore | 1 | |||||||||
| 36064 | Matthew | Burtner | Sxueak | 2006 | live-elec, 1 perf | 6:00:00 | perf (squeaky toys, com) [Performer] | 0 | |||||||||||
| 36065 | Matthew | Burtner | Syntax of Snow | 2011 | live-elec, 4 perf | 7:00:00 | 1-4 perc (glockenspiel, amp snow) [Schlagzeug] | 0 | |||||||||||
| 36066 | Matthew | Burtner | Taruyamaarutet | 1995 | live-elec, 4 perf | 10:00:00 | S, b-cl, mar, perc, (com polyrhythmicon) [Sopran, Klarinette, Schlagzeug] | 0 | |||||||||||
| 36067 | Matthew | Burtner | That which is bodiless is reflected in bodies | 2004 | Zuspiel / Tonband, | 12:00:00 | Octo | perc (Tibetan bowl or perc setup), (8-channel com-gen sound) [Schlagzeug] | 0 | ||||||||||
| 36068 | Matthew | Burtner | The Ceiling Floats Away | 2016 | fixed media, akusmatisch | 13 poems by Rita Dove | NEA Art Works Grant | 2016 | Atlas Center for Performing Arts in Washington DC | 0 | |||||||||
| 36069 | Matthew | Burtner | Tingnikvik | 2001 | audiovisuell, live-elec, 3 perf | 9:00:00 | va, a-sax, p, (noise-gens, video) [Saxophon, Piano, Viola] | 0 | |||||||||||
| 36070 | Matthew | Burtner | Wooden Dance in Fourteen Time | 2013 | live-elec, 1 perf | 7:00:00 | va, (elec) [Viola] | 0 | |||||||||||
| 36071 | Matthew | Burtner | You Sink Into the Singing Snow | 2012/2013 | live-elec, 1 perf | 7:00:00 | V, (elec) [Stimme] | 0 | |||||||||||
| 2573 | Edward | Bury | De timpani a tutti, (Symphony no. 4) | 1966 - 1967 | Zuspiel / Tonband, 1 perf, 2 groups | B, ch, orc [Bass, Chor, Orchester] | EM ?? | 0 | |||||||||||
| 37231 | Eric | Busch | Knolle | 2017 | Performance | 13:00:00 | perc (Rahmentrommel & Performance, 1 Spieler, Live-Elektronik) [Schlagzeug] | HfM Leipzig | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 37180 | Eric | Busch | reduce, reuse, recycle | Klangkunst, Installation | ∞ | HfMT Leipzig | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | |||||||||||
| 31567 | Eric | Busch | trio mécanique | 2013 | Performance, Zuspiel, live-elec, 1 perf | 6:00 | perf [Performer] | next_generation 5.0 1. Satz |
HfM Leipzig | 27.6.2013 | ZKM | 0 | |||||||
| 31634 | Markus | Buser | madrigal | 1996 | live-elec, 2 perf | 9:00:00 | S, perc, (elec) [Sopran, Schlagzeug] | HSM Basel | 0 | ||||||||||
| 43020 | Jeremy Van | Buskirk | The Noise he Used to Paint | 2013 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 24108 | Nicola | Buso | Passio et mors secundum Lukacs | 2001 | live-elec, 1 perf | 10:57 | tim [Schlagzeug] | Tempo Reale Firenze | 0 | ||||||||||
| 28741 | Nicola | Buso | Wassersprache | 2010 | live-elec, 1 perf | com [computer] | 1 | ||||||||||||
| 2574 | Michael | Bussière | Hypothesis of Memory | 1988 | fixed media, akusmatisch | 15:00 | Stereo | 0 | |||||||||||
| 2575 | Michael | Bussière | The Complicated Art of Solar War | 1989 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 36782 | Sylvano | Bussotti | mit einem gewissen sprechenden Ausdruck | 1961 - 1963 | radiophon | 15:00:00 | HR Hessischer Rundfunk | 0 | |||||||||||
| 34258 | Natalia, Daniel, Stefan, Jesper, Joen | Bustamante, Franke, Matussek, Ryom, Szmidt | The Auditive Peculiarities of Khôra | 2015 | Klangkunst, Installation | 96 Tracks, Spazialisation: WFS | WFS-Klanginstallation | UdK Berlin | 25.9.2015 | Kontakte-Festival AdK Berlin, Garten vor der Akademie Hanseatenweg | 0 | ||||||||
| 18801 | John | Butcher | Shrinkdown | 1996 | Zuspiel / Tonband, 1 perf | 7:34 | Stereo | sax [Saxophon] | BRD 026/ | 0 | |||||||||
| 2576 | P. | Butin | Ixnos | 1992 | Zuspiel / Tonband, 1 group | Stereo | chamber-orc [Orchester] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 2577 | Dave | Butler | Limbic Rotatory | 1985 | fixed media, akusmatisch | 6:30 | Stereo | Cedar ON | 0 | ||||||||||
| 2578 | Martin | Butler | American Dream | 1991 | Zuspiel / Tonband, 4 perf | 15:00 | str-qt [Streicher] | Uni Sussex | 0 | ||||||||||
| 2579 | Martin | Butler | Capistrano Song | 1984 | Zuspiel / Tonband, 1 perf | 8:00 | cl [Klarinette] | Uni Sussex | 0 | ||||||||||
| 2580 | Martin | Butler | Graffiti | 1989 | fixed media, akusmatisch | 16:00 | 0 | ||||||||||||
| 2581 | Martin | Butler | Night Machines | 1987 | fixed media, akusmatisch | 9:48 | Stereo | Inner Voices, MIDI | Centaur CRC 2076, CDCM Vol. 5/ | Winham | 1 | ||||||||
| 2582 | Martin | Butler | Piano Piano | 1988 | live-elec, 2 perf | 20:00 | 2 p [Piano] | Uni Sussex | 0 | ||||||||||
| 42960 | Paul | Butler | Acousmatism 4 | 2013 | fixed media, akusmatisch | 3:53:00 | 0 | ||||||||||||
| 2583 | Roger | Butler | Stigma | 1971 | fixed media, akusmatisch | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||||
| 41503 | Matt | Butt | Dilemma, a w f 5 c a 2 c b d I |
2005 | fixed media, akusmatisch | HAG CD 08/ | 0 | ||||||||||||
| 41501 | Matt | Butt | Missing | fixed media, akusmatisch | 3:04 | HAG CD 16/ | 0 | ||||||||||||
| 28071 | Max | Butting | Die Lühengeschichte vom schwarzen Pferd, op. 71 | 1949 | live-elec, 2 perf, 2 groups | V, ch, orc, mtr [Stimme, synthesizer, Chor, Orchester] | after a tail by A. Eckener | 0 | |||||||||||
| 38510 | Frieder | BUTZMANN | Alethes Soundbeams | 2006 | radiophon | 51:09:00 | 0 | ||||||||||||
| 26213 | Frieder | Butzmann | Bunte Flügel | 2003 | fixed media, akusmatisch | 6:33 | 24 Tracks, Spazialisation: WFS | TU Berlin | 2003 | Club Transmediale | 1 | ||||||||
| 38511 | Frieder | BUTZMANN | Burtt’s Family Combo | 2011 | radiophon | 50:17:00 | 0 | ||||||||||||
| 38512 | Frieder | BUTZMANN | Das Spunkkrachlexikon – Vom, zum und über das Hören | 2001 | radiophon | 53:24:00 | 0 | ||||||||||||
| 38513 | Frieder | BUTZMANN | juHrop | 2009 | radiophon | 52:06:00 | 0 | ||||||||||||
| 33831 | Frieder | Butzmann | Music for Salomé, Who Was That, Who Cried Out? I Have Slipped Dance Of The 7 Veils Give Me The Head Of Jokanaan |
1998 | Performance | 6:54 | (selfmade) ins, V [Stimme, Instrument] | ISAST LMJ 8/ EMF CD 012 ISAST 8/ |
PS C. | 0 | |||||||||
| 2584 | Frieder, Marie | Butzmann, Goyette | Transatlantique | 1993 | radiophon | 53:00 | Stereo | Koproduktion mit dem SFB | ZKM Karlsruhe | 0 | |||||||||
| 2585 | Frieder, Thomas | Butzmann, Kapielski | Vampyroteuthis infernalis Giovanni | 1989 | Performance, Zuspiel, live-elec, 3 perf | 47:30 | Stereo | 2 Sp, (ventilator, film loops,) Kbd [Sprecher, Keyboard] | 1 | 1989 | |||||||||
| 38747 | Frieder, Wolfgang | BUTZMANN, RÖHRER | Ewigkeitsendeteufelgott Walla | 1997 | radiophon | 55:18:00 | 0 | ||||||||||||
| 2586 | William | Buxton | For dance | 1975 | fixed media, akusmatisch | 12:05 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 2587 | William | Buxton | Musica de Camera | 1974 | intermedia | 9:40 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 42470 | Monique | Buzzarté | Subtle Winds | 2007 | live-elec, 1 perf | 8 | trbn [Posaune] | Monique Buzzarté, trombone | Downtown Ensemble’s Flexible Orchestra | 0 | |||||||||
| 37250 | Nicolas | Buzzi | Focus on the behavior of Daniel V. Keller | 2016 | Performance, live-elec, 2 perf | 15:00:00 | perf, com (Türglocken und Live-Elektronik, Daniel V. Keller Performance, Nicolas Buzzi Live-Elektronik) [Performer, computer] | ICST Zürich | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 2588 | Joseph | Byrd | Prism | 1963 | Zuspiel / Tonband, 4 perf | 6:00 | Mono | fl, vib, mar, prep p [Flöte, Piano, Schlagzeug] | PS LA | 0 | |||||||||
| 2589 | Joseph | Byrd | Requiem and Selective Service | 1967 | Klangkunst, Installation | audiovisuell |
∞ | Mono | PS LA | 0 | ||||||||||
| 2590 | Joseph | Byrd | The Year of the Quiet Sun | 1964 | audiovisuell | 9:00 | Stereo | withdrawn | PS LA | 0 | |||||||||
| 2591 | Joseph | Byrd | Water Music | 1963 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | PS LA | 0 | |||||||||||
| 40036 | Madelyn | Byrne | Northern Flight | 2016 | fixed media, akusmatisch | Madelyn Byrne | 0 | ||||||||||||
| 19592 | Ignacio | Cabello Albendea | Maza y Cincel | 1994 | fixed media, akusmatisch | 11:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19591 | Ignacio | Cabello Albendea | Metrónomo | 1993 | fixed media, akusmatisch | 15:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19590 | Ignacio | Cabello Albendea | Ofrenda a Mercurio | 1992 | fixed media, akusmatisch | 6:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19593 | Ignacio | Cabello Albendea | Quincalla azul | 1994 | fixed media, akusmatisch | 9:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 34114 | Federico | Cabeza | B-S-K | 2014 | fixed media, akusmatisch | 4:24 | FONAM Urugay/ | 0 | |||||||||||
| 19595 | Nicolás | Cabrera Daza | Li (lo aherente, el fuego) | 1990 | fixed media, akusmatisch | 3:28 | Stereo | GME Cuenca | 0 | ||||||||||
| 35543 | Eduard | Caceres | Tres Momentos, Audaz, cauteloso y obsesivo Cauteloso, obsesivo y audaz Obsesivo, audaz y cauteloso |
Zuspiel / Tonband, 1 perf | 5:18 | gui [Gitarre] | 0 | ||||||||||||
| 23896 | Eduardo | Caceres | Amadeus…líbranos del mal | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | |||||||||||||
| 23895 | Eduardo | Caceres | Encuentros para un fin de siglo | fixed media, akusmatisch | 9:05 | 0 | |||||||||||||
| 23901 | Eduardo | Caceres | Leruleru…là | fixed media, akusmatisch | 6:56 | 0 | |||||||||||||
| 23900 | Eduardo | Caceres | Metalmambo | fixed media, akusmatisch | 5:06 | 0 | |||||||||||||
| 23897 | Eduardo | Caceres | Súdala | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | |||||||||||||
| 23899 | Eduardo | Caceres | Timo | live-elec, 1 perf | V, (DSP) [Stimme] | 0 | |||||||||||||
| 23898 | Eduardo | Caceres | Tubular II, los pensamientos. | Zuspiel / Tonband, 1 perf | pan-fl (Zampoña cromática baja) [Flöte] | 0 | |||||||||||||
| 34902 | Juan-Pablo | Cáceres | Give a man an orchestra and he doesn’t become us | 2007 | live-elec, 1 perf, 1 group | coms [computer] | November 30, 2007 | CCRMA Modulations - San Francisco | 0 | ||||||||||
| 34915 | Juan-Pablo | Cáceres | La ´ultima morada del … | 2001 | live-elec, 3 perf | bar-sax, trbn, tim [Saxophon, Posaune, Schlagzeug] | 0 | ||||||||||||
| 34912 | Juan-Pablo | Cáceres | la cuerda | 2004 | fixed media, akusmatisch | 4:04 | innova 213/ | 0 | |||||||||||
| 34910 | Juan-Pablo | Cáceres | la multiplicidad | 2005 | fixed media, akusmatisch | 9:22 | innova 213/ | 0 | |||||||||||
| 34907 | Juan-Pablo | Cáceres | la orquesta | 2005 | audiovisuell | 3:56 | innova 213/ | 0 | |||||||||||
| 34911 | Juan-Pablo | Cáceres | lo gaseoso | 2004 | fixed media, akusmatisch | 3 | innova 213/ | 0 | |||||||||||
| 34909 | Juan-Pablo | Cáceres | lo metálico | 2005 | fixed media, akusmatisch | 5:36 | innova 213/ | 0 | |||||||||||
| 34908 | Juan-Pablo | Cáceres | lo tenido | 2005 | fixed media, akusmatisch | 6:26 | innova 213/ | 0 | |||||||||||
| 34895 | Juan-Pablo | Cáceres | Perkussionista | 2010 | live-elec, 2 perf | p, (virtual) perc [Piano, Schlagzeug] | 2010 | MiTo Festival,Milan | 0 | ||||||||||
| 34913 | Juan-Pablo | Cáceres | [sic] | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 34914 | Juan-Pablo | Cáceres | SINTOME+ | 2002 | live-elec, 3 perf | ob, vn, S [Sopran, Oboe, Violine] | 0 | ||||||||||||
| 34896 | Juan-Pablo, Robert | Cáceres, Hamilton | Canned Bits Mechanics | 2009 | live-elec, 3 perf | audiovisuell |
p, 2 disklavier [Piano] | 2009 | MiTo Festival,Milan | 0 | ||||||||||
| 34897 | Juan-Pablo, Robert | Cáceres, Hamilton | Dei DueMondi | 2009 | live-elec, | 0 | |||||||||||||
| 34898 | Juan-Pablo, Fernando | Cáceres, López Lezcano | CAT bits mechanics, Study Num. 1 | 2009 | live-elec, 2 perf | p, (com), disklavier [Piano] | Net vs. Net Network Collective | 0 | |||||||||||
| 34900 | Juan-Pablo, Fernando, Alain | Cáceres, López Lezcano, Renaud | The Dinosaur at War | 2008 | live-elec, 3 perf | Quadro | 3 synt [synthesizer] | One Acoustic Network of Four Channels. Net vs. Net Network Collective | 0 | ||||||||||
| 34903 | Juan-Pablo, Alain | Cáceres, Renaud | Divertimento Ritmico | 2007 | live-elec, 2 perf | 2 synt [synthesizer] | two Locations, and one acoustic network of four channels. Net vs. Net Network Collective | November 9, 2007 | CCRMA Fall Concert (+ SARC) - Stanford | 0 | |||||||||
| 34899 | Juan-Pablo, Alain, Justin | Cáceres, Renaud, Yang | NET:DISTURBANCES | 2008 | live-elec, 2 perf | Quadro | synt, a-sax, (com) [Saxophon, synthesizer] | One Acoustic Network of Four Channels. Net vs. Net Network Collective | 0 | ||||||||||
| 34905 | Juan-Pablo, Bruno | Cáceres, Ruviaro | If You Insist | 2006 | live-elec, 2 perf | 2 sax (with com) [Saxophon] | February 3, 2006 | Columbia Music Scholarship Conference 2006 | 0 | ||||||||||
| 34904 | Juan-Pablo, Bruno | Cáceres, Ruviaro | If You Insist II | 2006 | live-elec, 1 perf, 1 group | coms [computer] | aka “Pressure Pan” | April 29, 2006 | CCRMA Newstage - Celebration of 20 years of CCRMA at The Knoll | 0 | |||||||||
| 34906 | Juan-Pablo, Bruno | Cáceres, Ruviaro | Insistency of The Late Half-Hour | 2005 | live-elec, 1 perf, 1 group | coms [computer] | July 21, 2005 | CCRMA, DigitalMusic Under The Stars - Stanford University, Frost Amphitheater | 0 | ||||||||||
| 34901 | Juan-Pablo, Franziska, Alain | Cáceres, Schröder, Renaud | Drony Feeds Back | 2008 | live-elec, 3 perf | synt (com), S, sax, (delay) [Sopran, Saxophon, synthesizer] | Net vs. Net Network Collective | 0 | |||||||||||
| 23907 | Rodrigo | Cádiz | ePiano | 2001 | fixed media, akusmatisch | 11:15 | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||||
| 23903 | Rodrigo | Cádiz | G-3 | live-elec, 3 perf | 6:34 | 3 gui [Gitarre] | 0 | ||||||||||||
| 23905 | Rodrigo | Cádiz | ID-Fusiones | audiovisuell | 8:54 | 0 | |||||||||||||
| 23906 | Rodrigo | Cádiz | Particles | live-elec, 1 perf | 10:38 | trbn [Posaune] | 0 | ||||||||||||
| 23902 | Rodrigo | Cádiz | Transposiciones | fixed media, akusmatisch | 5:10 | 0 | |||||||||||||
| 23904 | Rodrigo | Cádiz | Yuga | fixed media, akusmatisch | 7:57 | 0 | |||||||||||||
| 2592 | Michael | Caesar | Connections | 1971 | fixed media, akusmatisch | 3:16 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2593 | Michael | Caesar | Requiem for Vietnam | 1971 | fixed media, akusmatisch | 7:30 | Mono | Sonology Utrecht | 0 | ||||||||||
| 2594 | Rodolfo | Caesar | A carne da pedra | 1989 | Hintergrundmusik | 14:00 | Stereo | UEA Norwich | 0 | ||||||||||
| 2595 | Rodolfo | Caesar | A descida | 1986 | fixed media, akusmatisch | 22:30 | Stereo | ESt da Glória Rio | 1 | ||||||||||
| 2596 | Rodolfo | Caesar | A noite em concha, The Night in a Shell | 1994 | fixed media, akusmatisch | 16:00 | Stereo | LAMI 008/ | PS C. | arts council of uk | 1 | ||||||||
| 2597 | Rodolfo | Caesar | A paisagem, TOPOGRAFIAS | 1986 | fixed media, akusmatisch | 5:30 | Stereo | SBME 006 Coletânea de Música Eletroacústica Brasileira/ | ESt da Glória Rio | 1 | |||||||||
| 2598 | Rodolfo | Caesar | A paisagem vista de la | 1991 | fixed media, akusmatisch | 18:00 | Stereo | INA • GRM | 0 | ||||||||||
| 2599 | Rodolfo | Caesar | A princesa branca | 1988 | Theatermusik | Stereo | ESt da Glória Rio | 0 | |||||||||||
| 2600 | Rodolfo | Caesar | Antigonos | 1987 | Tanz | 60:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 2602 | Rodolfo | Caesar | Arcos (versão II) | 1990 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | vc [Cello] | UEA Norwich | 0 | |||||||||
| 2601 | Rodolfo | Caesar | Arcos I | 1989 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | vc [Cello] | UEA Norwich | 0 | |||||||||
| 2603 | Rodolfo | Caesar | Ariadne | 1991 | Theatermusik | Stereo | UEA Norwich | 0 | |||||||||||
| 2604 | Rodolfo | Caesar | Botafogo | 1983 | intermedia, live-elec, | 10:00 | Mono | (slides) [] | ESt da Glória Rio | 0 | |||||||||
| 2605 | Rodolfo | Caesar | Candomblet | 1981 | Tanz | 9:00 | Stereo | PS VDL, ESt da Glória Rio | 0 | ||||||||||
| 2606 | Rodolfo | Caesar | Canibali | 1991 | computer generated score, 3 perf | 8:00 | 3 perc [Schlagzeug] | PS C. | 0 | ||||||||||
| 2607 | Rodolfo | Caesar | Canon / Chaos | 1991 | fixed media, akusmatisch | 20:41 | Stereo | UEA Norwich | 0 | ||||||||||
| 2608 | Rodolfo | Caesar | Canto | 1990 | fixed media, akusmatisch | 13:35 | Stereo | 3. part of Norfolk Flint | UEA Norwich | 0 | |||||||||
| 31709 | Rodolfo | Caesar | Circulos ceifados | 1997 | fixed media, akusmatisch | 17:51 | LAMI 008/ | VITAE | 1 | http://www.lamut.musica.ufrj.br/cropsite/crops.htm | |||||||||
| 31714 | Rodolfo | Caesar | Clips | 2002 | audiovisuell | 2:30:00 | CD+video Estúdio domiciliar, Rio de Janeiro | PS C. | 1 | ||||||||||
| 2609 | Rodolfo | Caesar | Curare | 1975 | fixed media, akusmatisch | 5:55 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 2610 | Rodolfo | Caesar | Curare II | 1978 | fixed media, akusmatisch | 7:00 | Stereo | INA • GRM, Rádio Globo Rio | 0 | ||||||||||
| 2611 | Rodolfo | Caesar | Divertimento I | 1985 | live-elec, 1 perf | 5:00 | Stereo | synt [synthesizer] | MIDI | ESt da Glória Rio | 0 | ||||||||
| 2612 | Rodolfo | Caesar | Divertimento II (A peste) | 1986 | live-elec, 1 perf | 11:00 | Stereo | synt [synthesizer] | MIDI | ESt da Glória Rio | 0 | ||||||||
| 31721 | Rodolfo | Caesar | Divertimento III.X | 1998 | live-elec, 1 perf | 6:00:00 | synt [synthesizer] | sintetizador Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | |||||||||
| 31720 | Rodolfo | Caesar | Divertimento Iv | 1999 | live-elec, 1 perf | 6:00:00 | synt [synthesizer] | sintetizador Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | |||||||||
| 31713 | Rodolfo | Caesar | Domingo | 2003 | audiovisuell | (segunda parte de 3 CLIPS), CD+video (c/ Liliza Mendes) Estúdio domiciliar, Rio de Janeiro. | PS C. | 1 | |||||||||||
| 31715 | Rodolfo | Caesar | Dueto 1 + I | 2002 | audiovisuell, 1 perf | 7:00:00 | p [Piano] | Piano+CD+video Estúdio domiciliar, Rio de Janeiro (Composta c/ Vania Dantas Leite para obra de Milton Machado) | PS C. | 0 | |||||||||
| 2613 | Rodolfo | Caesar | Eguas da noite | 1987 | Theatermusik | Stereo | ESt da Glória Rio | 0 | |||||||||||
| 2614 | Rodolfo | Caesar | Espiral | 1982 | live-elec, 2 perf | 9:00 | Stereo | 2 synt [synthesizer] | PS VDL, ESt da Glória Rio | 0 | |||||||||
| 2615 | Rodolfo | Caesar | Estudo para Volta Redonda | 1991 - 1992 | fixed media, akusmatisch | 15:00 | Stereo | UEA Norwich, INA • GRM | 0 | ||||||||||
| 2616 | Rodolfo | Caesar | Estudos de causa e efeito I, II, III | 1986 | Zuspiel / Tonband, 1 perf | Stereo | vc [Cello] | vc playing only in part 3 | ESt da Glória Rio | 0 | |||||||||
| 2617 | Rodolfo | Caesar | Fragmentos do paraíso | 1980 | fixed media, akusmatisch | intermedia |
25:00 | Stereo + Stereo | (slides) [] | ESt da Glória Rio | 0 | |||||||||
| 2618 | Rodolfo | Caesar | Harmonia dos mistos | 1982 | intermedia | 5 tracks | several media | ESt da Glória Rio, PS VDL | 0 | ||||||||||
| 2619 | Rodolfo | Caesar | Heavy Metal | 1986 | Hintergrundmusik | 7:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 2620 | Rodolfo | Caesar | Hi-Fi | 1987 | Hintergrundmusik | 11:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 31716 | Rodolfo | Caesar | Ho Ho Ho | 2002 | audiovisuell | 6:50:00 | CD+video (c/ Simone Michelin) Estúdio domiciliar, Rio de Janeiro | PS C. | 1 | ||||||||||
| 2622 | Rodolfo | Caesar | Introduction to the Stone, Norfolk flint | 1989 | fixed media, akusmatisch | 8:50 | Stereo | 1. part of Norfolk Flint | UEA Norwich | 1989 vom Composers Desktop Project | 1 | 1994 | |||||||
| 2623 | Rodolfo | Caesar | Les deux saisons | 1975 | fixed media, akusmatisch | 6:46 | Stereo | Étude de stage | RC 8859 a arte dos sons/ Editions Mego (LP) Recollection GRM/ | INA • GRM | 27.8.1976 | Paris, Festival Estival, Th. Récamier | 0 | ||||||
| 2624 | Rodolfo | Caesar | Moema | 1995 | Theatermusik | Stereo | PS C. | 0 | |||||||||||
| 2625 | Rodolfo | Caesar | Mosaic blues | 1983 | fixed media, akusmatisch | 18:54 | Stereo | INA • GRM | 28.1.1985 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 2626 | Rodolfo | Caesar | Neolitica | 1990 | fixed media, akusmatisch | 7:10 | Stereo | 2. part of Norfolk Flint | UEA Norwich | 0 | |||||||||
| 2627 | Rodolfo | Caesar | Niemietoia | 1994 | fixed media, akusmatisch | 11:09 | Stereo | RD003 MEB Rioarte/ | PS C. | 0 | |||||||||
| 2628 | Rodolfo | Caesar | Norfolk Flint, Introduction to the Stone Neolitica Canto |
1989/1990 | fixed media, akusmatisch | 30:00 | UEA Norwich | 1 | 1994 | ||||||||||
| 2629 | Rodolfo | Caesar | O deserto | 1987 | fixed media, akusmatisch | 23:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 2630 | Rodolfo | Caesar | O sopro… | 1988 | audiovisuell | Mono | ESt da Glória Rio | 0 | |||||||||||
| 2631 | Rodolfo | Caesar | Penelope | 1995 | Theatermusik | Stereo | PS C. | 0 | |||||||||||
| 31710 | Rodolfo | Caesar | Pernas Vazias | 2003 | fixed media, akusmatisch | Trilha musical para a peça de Regina Miranda. | 0 | ||||||||||||
| 2632 | Rodolfo | Caesar | Presença | 1988 | Zuspiel / Tonband, 1 perf | 40:00 | Stereo | vc [Cello] | ESt da Glória Rio | 0 | |||||||||
| 31719 | Rodolfo | Caesar | Ranap-Gaô | 2000 | fixed media, akusmatisch | 9:00:00 | CD Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | ||||||||||
| 31717 | Rodolfo | Caesar | RANAP-GAÔ (V.2) | 2001 | audiovisuell | 9:00:00 | CD+video (c/ Simone Michelin) Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | ||||||||||
| 2621 | Rodolfo | Caesar | Revoluções industriais, Industrial revolutions | 1993 | fixed media, akusmatisch | 16:40 | Stereo | MIDI | CMJ Vol 23-4, 1999/ LAMI 008/ | PS C. | INA • GRM | 1 | |||||||
| 2633 | Rodolfo | Caesar | Ricercare-Fuga | 1985 | Tanz | 22:00 | Stereo | 2 dancer [Tanz] | ESt da Glória Rio | 0 | |||||||||
| 31718 | Rodolfo | Caesar | Rupestre | 2000 | fixed media, akusmatisch | 20:00:00 | CD Estúdio domiciliar, Rio de Janeiro | PS C. | 0 | ||||||||||
| 2634 | Rodolfo | Caesar | Sinfonia | 1986 | Tanz | 30:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 31712 | Rodolfo | Caesar | Steve Lá, 3 CLIPS | 2003 | audiovisuell | (terceira parte de 3 CLIPS), CD+video (c/ Larissa Pschetz) Estúdio domiciliar, Rio de Janeiro. | PS C. | 1 | |||||||||||
| 2635 | Rodolfo | Caesar | Tempo real | 1986 | Hintergrundmusik | 120:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 31711 | Rodolfo | Caesar | Tinnitus, O LIVRO BRASILEIRO DOS MORTOS | 2003 | fixed media, akusmatisch | (segunda parte d'O LIVRO BRASILEIRO DOS MORTOS), CD, Estúdio domiciliar, Rio de Janeiro. | PS C. | 0 | |||||||||||
| 2637 | Rodolfo | Caesar | Tremola impresso | 1981 | fixed media, akusmatisch | 17:00 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 2638 | Rodolfo | Caesar | Tutti Frutti | 1976 | Theatermusik | 18:00 | Stereo | RC 8859 a arte dos sons/ | INA • GRM | 27.8.1976 | Paris, Th. Récamier | 0 | |||||||
| 2639 | Rodolfo | Caesar | Vibrata | 1982 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | perc [Schlagzeug] | ESt da Glória Rio | 0 | |||||||||
| 2640 | Rodolfo | Caesar | Vivo (Diabolus in machina) | 1984 - 1988 | fixed media, akusmatisch | 18:00 | Quadro | 2 Versions | ESt da Glória Rio | 10.10.1984 | 0 | ||||||||
| 2641 | Rodolfo | Caesar | Volta Redonda | 1992 | fixed media, akusmatisch | 19:24 | Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ LAMI 008/ | UEA Norwich, INA • GRM | INA • GRM | 1 | ||||||||
| 2636 | Rodolfo, Peter | Caesar, Schuback | Tramontata e la luna | fixed media, akusmatisch | 0 | ||||||||||||||
| 34110 | Santiago | Caetano Grau | Riga | 2013 | fixed media, akusmatisch | 4:27 | FONAM Urugay/ | 0 | |||||||||||
| 33456 | John | Cage | 0’00’’ | 1962 | live-elec, 1 perf, 1 group | 2:36 | perfs (amp objects), (amp action) [Performer] | „In a situation provided with maximum amplification (no feedback), perform a disciplined action… Fullfilling in whole or part an obligation to others“ (sr 361). | SR 361, Early Electronic and Tape Music/ | 1 | |||||||||
| 2642 | John | Cage | A Dip in the Lake | 1978 | live-elec, 1 perf | 1 or more perf [Performer] | 0 | ||||||||||||
| 2643 | John | Cage | Alla ricerca del silenzio perduto | 1977 | Performance, Zuspiel, live-elec, | (mic) [] | for trains, played also on the stations | 0 | |||||||||||
| 2644 | John | Cage | Antic Meet | 1961 | Tanz, live-elec, 1 perf | var | multichannel | p [Piano] | dance version of "solo for piano" 1958 | PS Stony Point | 0 | ||||||||
| 2645 | John | Cage | Aria with Fontana mix, Fontana mix with aria Aria |
1958 | Zuspiel, live-elec, 1 perf | S [Sopran] | Earle Brown Contemporary Sound Series with Cathy Berberian. „Aria, to be used alone or with Fontana Mix.“ (sr 361) |
Mainstream MS 5005 Earle Brown Contemporary Sound Series Vol 4/ WER 6934/ OP 009/ ACMEM 254CD/ | 0 | ||||||||||
| 2646 | John | Cage | Atlas Eclipticalis | 1961 | live-elec, 1 group | ≈ 40:00 | var ens [Ensemble] | contact mic mode 3/6 = simultaneous performance of Atlas Eclipticalis (ens) with winter music (3 p) |
Asphodel 2000/ mode 3/6/ WER 69512/ MW 52/ | PS Stony Point | 0 | http://www.straebel.de/praxis/text/t-atlas_sax.htm | |||||||
| 2647 | John | Cage | Bird Cage | 1972 | Zuspiel / Tonband, 12 perf | 12 perf (taperecorders) [Performer] | EMF 113/ EMF 013/ | 1 | |||||||||||
| 2648 | John | Cage | But what about the noise of crumpling paper which he used to do in order to paint the sries of "papiers froissés" or tearing up paper to make "papiers déchirés"? Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests | 1985 | live-elec, 11 perf | 39:44 | 3 - 10 perc, perc (waterdrum) [Schlagzeug] | Inventionen 25.1.1992, les perc Strassb. | 1 | ||||||||||
| 2649 | John | Cage | Carillon Piece No. 4 | 1961/1966 | Zuspiel, live-elec, 1 perf | 10:00 | carillon [Keyboard] | delay, effects | PS Stony Point | 1 | |||||||||
| 2650 | John | Cage | Cartridge Music, Duet for cymbal Piano Duet |
1960 | live-elec, 1 perf, 1 group | ≈ 20:43 | mul perf (Phonograph cartridges, auxiliary sounds) [Performer] | „For amplified ,small sounds’. A cartridge is an ordinary phonograph pick-up in wich customarily a playing needle is inserted“ | ed. rz 1002/ Mainstream MS 5015 Earle Brown Contemporary Sound Series Vol 16/ SR 361, Early Electronic and Tape Music/ ACMEM 254CD/ | PS Stony Point | 1 | 1984 | |||||||
| 2651 | John | Cage | Child of Tree / Branches | 1975 | live-elec, 1 perf | amp perc, (plants) [Schlagzeug] | BVHAAST 0503/ | 0 | |||||||||||
| 2652 | John | Cage | Concerto grosso | 1979/1980 | intermedia, live-elec, 4 perf | 4 perf (tv-players, 12 radios) [Performer] | 0 | ||||||||||||
| 2653 | John | Cage | Diary: how to improve the world (you will only make matters worse) | 1966 | live-elec, 1 perf | 30:00-60:00 | 6, or more | amp V, (elec equipment) [Stimme] | WER 3022-2/ | PS Stony Point | 0 | ||||||||
| 2654 | John | Cage | electronic music for piano | 1964 | live-elec, 1 perf | var | multichannel | amp p [Piano] | PS Stony Point | 0 | |||||||||
| 42203 | John | Cage | Empty Words | 2012 | radiophon | 50 | WDR Studio Akustische Kunst | 12.10.2012 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3304660&vi=6&SID | ||||||||
| 2655 | John | Cage | Etcetera | 1973 | Tanz, 3 perf, 1 group | ens, 3 conductor [Performer, Ensemble] | 0 | ||||||||||||
| 2656 | John | Cage | Etcetera 2 / 4 Orchestras | 1985 | Zuspiel / Tonband, 4 groups | 4 orc [Orchester] | 0 | ||||||||||||
| 28031 | John | Cage | Europera 3 | 1990 | Performance, Zuspiel, live-elec, 8 perf | 70:00 | 6 V, 2 p, (record-players, "Truckera" tape) [Stimme, Piano] | mode 38/39/ | 0 | ||||||||||
| 28032 | John | Cage | Europera 4 | 1990 | Performance, Zuspiel, live-elec, 3 perf | 30:00 | 2 V, p, (record-players, "Truckera" tape) [Stimme, Piano] | mode 38/39/ | 0 | ||||||||||
| 2657 | John | Cage | Europera 5 | 1991 | Performance, Zuspiel, live-elec, 3 perf | 60:00 | 2 V, p, (sound-machines) [Stimme, Piano] | sound-machines (78-rpm victrola; "Truckera" tape) | mode 36/ MW 52/ | 0 | |||||||||
| 2659 | John | Cage | Five Stone Wind | 1988 | Tanz, live-elec, 1 perf | 55:02 | 1 mus (with drum, feedback) [Musiker] | mode 24/ | 0 | http://www.moderecords.com/ | |||||||||
| 2660 | John | Cage | Fontana mix, Fontana mix with aria Aria with Fontana mix |
1958 | live-elec, 2 perf | 11:39 | Mono + Mono + Mono + Mono | (radio, 2 open-reel tape machines,) synt, V [Stimme, synthesizer] | "can be combined with "Solo for piano", "Aria", "Solo for Voice 2"; var number of tapes. „The use of this materila is not limited to tape music but may be used freely for instrumental, vocal and theatrical purpose“. - „Aria, to be used alone or with Fontana Mix.“ |
MAS M 133/ FTS / Tim/ TV 34046S turnabout/ Columbia OW 7613 VX/ mode 222/ SR 361, Early Electronic and Tape Music/ IDEAMA CD 069/ IDEAMA CD 070/ | Fonologia Milano, Sonology Utrecht | 1 | http://www.straebel.de/praxis/index.html | ||||||
| 33565 | John | Cage | Four3 | 1991 | Tanz, live-elec, 4 perf | 4 perf [Performer] | Piano, Rainstick – David Tudor, Michael Pugliese Rainstick – John D.S. Adams Rainstick, Electronics [Oscillator] – Takehisa Kosugi Dance: Beach Birds (1991) |
NWR 80712/ | 1 | ||||||||||
| 33568 | John | Cage | Four6 | 1992 | Tanz, live-elec, 4 perf | 4 perf [Performer] | Computer [Laptop] – Jim O'Rourke, Paul DeMarinis Percussion, Tape, Electronics [Live], Voice – Takehisa Kosugi Trombone – Stuart Dempster Dance: Rondo (1996) |
NWR 80712/ | 1 | ||||||||||
| 2662 | John | Cage | Hymns and Variations | 1979 | live-elec, 12 perf | 12 amp V [Stimme] | after W. Billings | 0 | |||||||||||
| 2663 | John | Cage | Imaginary Landscape No. 1 | 1939 | live-elec, 4 perf | 6:00 | p, perc, 2 perf. [Piano, Schlagzeug, Performer] | record-players (Testton-Schallplatten) with var speed | KOBY 1501-04/ WER 286247-2/ WER 6247-2/ IDEAMA CD 071/ | 1 | |||||||||
| 2664 | John | Cage | Imaginary Landscape No. 2, Imaginary Landscape No. 2 (March No. 1) | 1940/1942 | live-elec, 5 perf | 5 perc [Schlagzeug] | record-players with var speed, amp "small sounds" with transducers | KOBY 1501-04/ | May 7, 1940 | Seattle | 1 | 1994 | http://johncage.org/pp/John-Cage-Works.cfm | ||||||
| 2665 | John | Cage | Imaginary Landscape No. 3 | 1942, 1965 | Zuspiel / Tonband, 6 perf | 3:34 | Mono | 6 perc [Schlagzeug] | elec & mech. devices | Siemens AG/ Earlabs LC 007/ | Siemens | 1 | 1994 | ||||||
| 2666 | John | Cage | Imaginary Landscape No. 4 | 1951 | live-elec, 25 perf | 4 | (12 radios,) 24 perf, 1 conductor [Performer] | KOBY 1501-04/ | 1 | ||||||||||
| 2667 | John | Cage | Imaginary Landscape No. 5 | 1952, 1986 | fixed media, akusmatisch | 4:00 | Mono | The score is for making a recording on tape, using as material any 42 phonograph records | SR 361, Early Electronic and Tape Music/ | CSC Padova, PS Barron NY | 1 | ||||||||
| 2668 | John | Cage | Improvisation I - IV | 1977 - 1982 | Tanz | 0 | |||||||||||||
| 2669 | John | Cage | Indeterminacy, new aspect of form in instrumental and electronic music | 1959 | Zuspiel, live-elec, | 90:00 | SF 40804 / 5/ FTS 3704/ | 1 | |||||||||||
| 33557 | John | Cage | Inlets | 1977 | Tanz, 4 perf | 4 perf [Performer] | Conch Shells With Water – John Cage, Mel Mercier, Paeder Mercier Horn [Foghorn], Tape – John David Fullemann Dance: Inlets (1977) |
NWR 80712/ | 1 | ||||||||||
| 2670 | John | Cage | Instances of Silence | 1982 | Klangkunst, Installation | 0 | |||||||||||||
| 2671 | John | Cage | Letter(s) to Erik Satie | 1978 | live-elec, 1 perf | V, (tape-loops) [Stimme] | 0 | ||||||||||||
| 2672 | John | Cage | Muoyce, Writing for the fifth time through Finnegans Wake | 1984 | radiophon | 113:34 | WER 6307-2/ | WDR Studio Akustische Kunst | 12.6.1984 | WDR | 1 | ||||||||
| 2673 | John | Cage | Mureau (Music of Thoreau, Mureau) | 1970 | Zuspiel, live-elec, 1 perf | 67:00 | Sp [Sprecher] | eine improvisierte Litanei eines Textes, der eine Buchstabe-Silbe-Wort-Phrase-Satz-Mischung aller thoreau’schen Bemerkungen über Töne und Musik ist. MU ist die erste Silbe des Wortes Musik und REAU die letzte Silbe von Thoreau (aus: MetaMusik 1972 1. Konzert) | ed. rz 9006/07/ Edition S Press ISBN 3-924215-14-6/ S Press 14/ | 0 | |||||||||
| 2674 | John | Cage | Music for amplified Toy Pianos | 1960 | live-elec, 1 perf, 1 group | var no of toy p [Piano] | PS Stony Point | 0 | |||||||||||
| 28033 | John | Cage | Music walk | 1958 | Performance, Zuspiel, live-elec, 2 perf | 20:00 | 1 or more p, single p, (radio and/or recordings) [Piano] | mode 47/ | 0 | http://www.johncage.info/index1.html | |||||||||
| 2675 | John | Cage | One = 4'33 | 1952 | Performance, live-elec, | 4:33 | (amp hall) [] | 0 | |||||||||||
| 2676 | John | Cage | Paragraphs of Fresh Air | 1979 | live-elec, 5 perf | (radiostation with 11 soundsources,) 4 technician, V [Stimme, Performer] | 0 | ||||||||||||
| 27330 | John | Cage | Paying Attention, From Zero | audiovisuell | 6:19 | excerpt from the larger film „From Zero“ | Ellipsis Arts 3694 - OHM DVD/ mode 130/ | 1 | |||||||||||
| 2677 | John | Cage | Radio Music | 1956 | live-elec, 8 perf | 1 - 8 (radio) player [Performer] | KOBY 1501-04/ CRSLP 6101/ | 0 | |||||||||||
| 2678 | John | Cage | Roaratorio, an Irish Circus on "Finnegans Wake" | 1981 | Zuspiel/Tonband, 2 perf, 1 group | Tanz |
65:00 | 62 Tracks, Spazialisation: Kunstkopf | Sp, perf, ens (Bagpipe, Bodhrán, Fiddle, Flute, Performer, Vocal) [Sprecher, Performer, Ensemble] | with 62 track tape | mode 28/29/ WER 6303/ WER 286303/ ISBN 3-7610-8185-5/ | IRCAM, WDR Studio Akustische Kunst | 22.10.1979 | WDR 3 | Karl-Sczuka-Preis 1979 | Peters | 1 | http://www.moderecords.com/ | ||
| 22094 | John | Cage | Roaratorio, Ein Irischer Circus über Finnegans Wake | 1979 | radiophon | 60:30 | WER 6307-2/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst, IRCAM | 22.10.1979 | WDR | Karl-Sczuka-Preis 1980 für John Cage | 1 | |||||||
| 2679 | John | Cage | Rocks | 1986 | Performance, live-elec, | (var soundsources are radio, tv, fan) [] | 0 | ||||||||||||
| 2680 | John | Cage | Rozart Mix | 1965 | live-elec, 1 group | fixed media, akusmatisch |
>90 | 12 Tracks | var ens (88 tape loops, 12 tapes) [Ensemble] | SR 190 sub rosa/ EMI 50999 2 34454 2 0/ EMI 1C 165-28 954-57 Y/ EMI EAC 80226/ | Uni Waltham | May 1965 | Waltham, Mass. | Peters | 0 | |||||
| 28035 | John | Cage | Ryoanji | 1985 | Zuspiel, Performance, 1 perf | 23:00 | octobass-fl (also V-version) [Flöte] | Neuma 450-77/ NWR 80456/ WER 69512/ OPX 013/ | 0 | http://www.johncage.info/index1.html | |||||||||
| 2681 | John | Cage | Score (40 Drawings by Thoreau) and 23 Parts: 12 Haiku | 1974 | Zuspiel, live-elec, 2 perf | var ins, V [Stimme, Instrument] | 0 | ||||||||||||
| 28034 | John | Cage | Sculptures Musicales | 1989 | Performance, live-elec, 3 perf | Tanz, live-elec, 3 perf |
33:00 | 3 perf, (amp objects) [Performer] | Dance: Inventions (1989) | mode 223/ NWR 80712/ | 1 | http://www.johncage.info/index1.html | ||||||||
| 2682 | John | Cage | Silent Environment | 1979/1980 | Klangkunst, Installation | 0 | |||||||||||||
| 2684 | John | Cage | solo for voice II, solos for voice 2 | 1966 | live-elec, 3 perf | var 12:52 | multichannel | 3 perf [Performer] | also electronic realization (on CD Odyssey 32160156), with David Tudor, Gordon Mumma | CBS S34 61066/ Odyssey 32160156/ | PS Stony Point | 0 | |||||||
| 2685 | John | Cage | Song Books I + II | 1974 | live-elec, 1 perf | V [Stimme] | WER 60074/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||||
| 2686 | John | Cage | Sounds of Venice, Fontana Mix | 1959 | Fernsehen, | 3:00 | Mono + Mono + Mono + Mono | Fonologia Milano, Sonology Utrecht | 1 | ||||||||||
| 2687 | John | Cage | Telephones and Birds | 1977 | live-elec, 3 perf | 3 perf [Performer] | 0 | ||||||||||||
| 2688 | John | Cage | The Beatles 1962-1970 | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 2689 | John | Cage | Theatre Piece (Fontana Mix) | 1960 | fixed media, akusmatisch | 0 | |||||||||||||
| 33550 | John | Cage | Variation V | 1965 | Tanz, live-elec, 3 perf | 3 perf [Performer] | Electronics [Live] – David Tudor, Gordon Mumma, John Cage Dance: Variations V (1965) |
NWR 80712/ | 1 | ||||||||||
| 21205 | John | Cage | Variations I | 1958 | Zuspiel, live-elec, 2 perf | 8:50 | Stereo | 2 perf, (any ins like record player, cassette tape, radio, Sp, 3 perf) [Performer] | „Parts to be prepared from the score, with or wothout the extra materilas; any number of players, any kind and number of instruments“ | col legno WWE 1CD 31895, 50 Jahre Neue Musik in Darmstadt, Vol. 2/ S 34 61064/ Neos 11213/ SR 361, Early Electronic and Tape Music/ | PS Stony Point | 1 | |||||||
| 2690 | John | Cage | Variations II | 1963 | Zuspiel, live-elec, 1 perf | ≈ 20 | Mono + Mono + Mono | p or ins [Piano, Instrument] | realized also by Vaggione & Echarte in Cordoba (Argentina) | JME-1/ WER 69512/ Columbia MS 7051/ SICC 78/ NWR 80737/ OP 0008/ | PS Stony Point | Peters N.Y. | 1 | ||||||
| 2691 | John | Cage | Variations III | 1963 | live-elec, 1 perf, 1 group | var | multichannel | var no of perf [Performer] | also perf simultaneously with Variations II | PS Stony Point | 0 | ||||||||
| 2692 | John | Cage | Variations IV | 1964 | Zuspiel, live-elec, 1 perf, 1 group | ≈ 180:00 | multichannel | var no of mus [Musiker] | PS Stony Point | 0 | |||||||||
| 2693 | John | Cage | Variations V | 1965 | Tanz | intermedia, live-elec, 1 group |
≈40:00 | 6-16 Tracks | dancers, (radio) [Tanz] | slides, M. Mathews 96-ch-mixer, opto-trigger, triggering of tapes by dancers. Soundsystem designed by David Tudor |
PS Stony Point | 23.7,1965 | NY Philharmonic hall | 0 | ||||||
| 2694 | John | Cage | Variations VII, 9 evenings: Theatre & Engineering | 1966 | Performance, live-elec, 39 perf | var 85:59 | 17 Tracks | 10 artist, 30 perf (engineers and scientists from Bell Lab) [Performer] | telephone lines, micro, materials, gen, Geiger-counter etc.; photocells trigger sounds off and on | E.A.T. & ARTPIX/ ISBN 978-0-9668010-8-8/ | PS Stony Point | October 13-23, 1966 | 69th Regiment Armony, New York | 1 | |||||
| 2695 | John | Cage | Voiceless Essay | 1986 | Tanz | Dance: Points in Space (1986) | EMF CD 012/ NWR 80712/ ISAST LMJ 8/ | 1 | |||||||||||
| 2696 | John | Cage | Water walk, Fontana Mix | 1959 | Fernsehen, | 3:00 | Mono | IDEAMA CD 113/ | Fonologia Milano, Sonology Utrecht | Peters | 1 | ||||||||
| 2697 | John | Cage | WBAI, (Fontana Mix) | 1960 | live-elec, 4 perf | 7 | 4 perf (Sine Wave Oscillator, record player, synt, radio) [Performer] | SR 361, Early Electronic and Tape Music/ | 0 | ||||||||||
| 2698 | John | Cage | Where Are We Going? And What Are We Doing? | 1960 | Zuspiel / Tonband, 1 perf | Sp, (4 tape rec) [Sprecher] | 0 | ||||||||||||
| 2699 | John | Cage | Williams Mix | 1952 | fixed media, akusmatisch | 4:15 | Octo | score for 8 tapes and 8 taperecorders. Perhaps the first 8-channel-performance | Ava/ WER 286247-2/ Ellipsis Arts 3671 - OHM: 01/ EMF CD 039/ IDEAMA CD 070/ Boomkat bundle_158/ | PS Barron NY | 28.10.1952 | Museum of Modern Art NY | 1 | ||||||
| 2700 | John | Cage | Wintermusic | 1957 | live-elec, 12 perf | ≈ 75:00 | 1 - 12 p [Piano] | Asphodel 2000/ ed. RZ 1018-1019/ EMI EAC 85015/ EMI EAC 60154/ Finna QD 9006/ | PS Stony Point | 0 | |||||||||
| 27465 | John, Maryanne | Cage, Amacher | empty words / close up | 1978 - 1985 | Zuspiel, Performance, | ≈ 600:00 | WER 60074/ | 1979 | Bonn | 0 | http://www.maryanneamacher.org | ||||||||
| 33804 | John, Werner, Valerio | Cage, Dafeldecker, Tricoli | Williams Mix Extended | 1952, 2011 - 2012 | fixed media, akusmatisch | 32 | Performer: Werner Dafeldecker and Valerio Tricoli. Support by: Goethe Institut, MAERZ-Musik, Elektronisches Studio TU Berlin, ZKM Karlsruhe |
QB 28/ | Studio Beige Berlin | 4.5.2012 | DeutschlandRadio | 1 | |||||||
| 2683 | John, Clytus, Josef Anton | Cage, Gottwald, Riedl | solo for voice I | 1958 | Zuspiel / Tonband, 1 perf | Mono | V [Stimme] | excerpt from "Komposition für elektronische Klänge Nr. 2" | Siemens, ARD | 0 | http://de.wikipedia.org/wiki/Josef_Anton_Riedl | ||||||||
| 2661 | John, Lejaren | Cage, Hiller | HPSCHD | 1967 - 1969 | Performance, live-elec, 58 perf | audiovisuell, 58 perf |
1 to 5 hours 300 | 59 Tracks | 1 - 7 hpd (208 tapes {4 copies of each of the 52}), 52 player (tape-players,13 stations with 4 each), (59 amp, 6400 slides {5000 from NASA}, 64 slide-projectors, 40 films, 8 motion picture projectors, 11100 x 40 foot silk screens and a 340 foot circumference circular screen made by Calvin Sumsion) [Cembalo, Performer] | Multi-Media event. For Antoinette Vischer. later version "KNOBS" (1971) different Twenty-Minute-Solos. |
nonesuch H 71224/ EMF 038/ IDEAMA CD 069/ | Antoinette Vischer | 16.05.1969 | Assembly Hall, Uni of Illinois at Urbana-Champaign | C. F. Peters | 1 | http://library.buffalo.edu/music/exhibits/hillerexhibitsummary.pdf | |||
| 22761 | John, Kenneth | Cage, Patchen | The City Wears A Slouch Hat | 1942 | radiophon | ?; Columbia Radio Workshop | 1 | ||||||||||||
| 22455 | John, Volker | Cage, Straebel | Urban Circus on Berlin Alexanderplatz | 1979/2001 | Zuspiel, live-elec, 1 perf | 71:05 | Sp [Sprecher] | Einführungsvortrag 23.1.2001 im IfNM der HdK, im Rahmen des Ultraschallfestivals. Sprecher: Hanns Zischler. Produktion ursprünglich am IRCAM, wo das Konzept "Circus on, means for translating any book into a performance without actors, a performance which is both literary and musical or one or the other". Vorhanden: die genaue Anweisung von Volker Straebel. |
Radio SFB | 24.1.2001 | gr. Sendesaal des SFB | 1 | |||||||
| 2658 | John, David | Cage, Tudor | experiments in sounds, Klangexperimente | 1963 | fixed media, akusmatisch | Mono | Siemens-CD ≈ 1:48 | Siemens AG/ Earlabs LC 007/ | Siemens | 0 | |||||||||
| 33625 | John, David | Cage, Tudor | Mesostics re Merce Cunningham / Untitled | 1972 | Performance | 55:17 | V, perf [Stimme, Performer] | [simultaneous performance] John Cage, voice; David Tudor, live electronics | NWR 80737/ | Peters NY Estate of David Tudor |
1 | ||||||||
| 28036 | John, David, Gordon | Cage, Tudor, Mumma | 52/3 | 1972 | Performance, live-elec, 3 perf | p, 2 perf [Piano, Performer] | NWR 80712/ | 1 | http://www.johncage.info/index1.html | ||||||||||
| 2701 | Robert | Cahen | Craie | 1971 | fixed media, akusmatisch | 4:50 | Stereo | INA • GRM | 24.9.1971 | Paris Biennale | 0 | ||||||||
| 40734 | Robert | Cahen | Elle a une vision | 1973 | Film | INA • GRM | 0 | ||||||||||||
| 40732 | Robert | Cahen | Images du Carnaval de Bâle | 1973 | Film | INA • GRM | 19.3.1973 | TV ORTF, 2. chaine | 0 | ||||||||||
| 40722 | Robert | Cahen | L’Oeil du Miroir | 1971 | audiovisuell | Musique électronique pour un essai video. | INA • GRM | 0 | |||||||||||
| 2702 | Robert | Cahen | La nef des fous | 1974 | fixed media, akusmatisch | 12:00 | Stereo | INA • GRM | 26.1.1976 | Paris, Th. Récamier | 0 | ||||||||
| 40724 | Robert | Cahen | La vie q comme quotidienne | 1972 | radiophon | Texte de Amette | INA • GRM | ORTF pour Atelier de Création Radiophonique | 6.2.1972 | ORTF France Musique | 0 | ||||||||
| 40723 | Robert | Cahen | Masques | 1972 | Film | 13 | INA • GRM | 19.5.1972 | Paris, Musée Guimet | 0 | |||||||||
| 2703 | Robert | Cahen | Masques 2 | 1973 | fixed media, akusmatisch | 9:00 | Stereo | Suite tirée de la version film | INA • GRM | 19.3.1973 | Paris, Th. Récamier | 0 | |||||||
| 2704 | Robert | Cahen | Passe compose | 1971 | fixed media, akusmatisch | 5:23 | Stereo | INA • GRM | 0 | ||||||||||
| 2705 | Robert | Cahen | Persona | 1971 | fixed media, akusmatisch | 8:27 | Stereo | INA • GRM | 24.9.1971 | Paris Biennale | 0 | ||||||||
| 2706 | Robert | Cahen | Plurielles | 1971 | Film | 8:30 | Stereo | INA • GRM | 24.9.1971 | Paris, Biennale | 0 | ||||||||
| 40721 | Robert | Cahen | Signe | 1971 | Hintergrundmusik | 0:33 | Indicatifs (0:33 & 0:29) | INA • GRM | 0 | ||||||||||
| 18440 | Roland | Cahen | A faire peur | 1988 | fixed media, akusmatisch | 9:30 | IMEB Bourges | 0 | |||||||||||
| 18448 | Roland | Cahen | Attention mutations | 1995 | fixed media, akusmatisch | 25:00 | IMEB Bourges | 0 | |||||||||||
| 32024 | Roland | Cahen | COUNT-BASIS | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 18442 | Roland | Cahen | Dans un jardin la nuit | 1990 | fixed media, akusmatisch | 21:00 | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | IMEB Bourges | GMEB | 0 | |||||||||
| 18449 | Roland | Cahen | Deux exercices de pensée concrète | 1995 | fixed media, akusmatisch | 3:00 | IMEB Bourges | 0 | |||||||||||
| 32015 | Roland | Cahen | eTUDES SYMPHONIQUES | 1991 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18446 | Roland | Cahen | Génération Brouillard | 1992 | fixed media, akusmatisch | 24:00 | une des études symphoniques 1992 | IMEB Bourges | 0 | ||||||||||
| 2708 | Roland | Cahen | Hymne a la lumière | 1981 | fixed media, akusmatisch | 31:54 | Stereo | INA • GRM | 1982 | Paris, Cité Universitaire | 0 | ||||||||
| 2709 | Roland | Cahen | Iguanc Café | 1992 | Tanz | 40:00 | CNR Amiens | 0 | |||||||||||
| 2710 | Roland | Cahen | Job | 1987 | Musiktheater | 90:00 | CNR Amiens | 0 | |||||||||||
| 32014 | Roland | Cahen | LA DISPARITION dE RANDOLPH CARTER, Pomort: LA DISPARITION dE RANDOLPH CARTER | 1989 | fixed media, akusmatisch | 19 | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | GRM | 0 | ||||||||||
| 2711 | Roland | Cahen | La légende de Cerf Berr | 1989 | radiophon | Musiktheater |
28:00 | created for Bourges “suite pour la Révolution Francaise“; version R: 19:00 | CNR Amiens, IMEB Bourges | 0 | ||||||||||
| 2712 | Roland | Cahen | La mesure du rêve | 1985 | fixed media, akusmatisch | 34:30 | Stereo | INA • GRM | January 1987 | Paris, Cité Universitaire | 0 | ||||||||
| 2713 | Roland | Cahen | La Mort de Danton, ou Murs | 1988 | fixed media, akusmatisch | 9:35 | Stereo | INA • GRM | 0 | ||||||||||
| 2714 | Roland | Cahen | La Mort de Danton | 1989 | Musiktheater | 40:00 | CNR Amiens | 0 | |||||||||||
| 2715 | Roland | Cahen | Lautanes Magiques | 1991 | intermedia | Film |
60:00 | CNR Amiens | 0 | |||||||||||
| 32018 | Roland | Cahen | LE COMPLEXE DU SIMPLE | 1995 | fixed media, akusmatisch | version 95 de Rapsodie Donc | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | 0 | |||||||||||
| 18445 | Roland | Cahen | Le jardinier maréchal | 1992 | fixed media, akusmatisch | 16:30 | IMEB Bourges | 0 | |||||||||||
| 18443 | Roland | Cahen | Les modems de Hameln | 1991 | fixed media, akusmatisch | 8:10 | IMEB Bourges | 0 | |||||||||||
| 32013 | Roland | Cahen | LIGNE OUVERTE | 1982 | fixed media, akusmatisch | HSM Basel | 0 | ||||||||||||
| 2716 | Roland | Cahen | Métabole No. 1, ou Rendevouz des Artistes | 1983 | fixed media, akusmatisch | 7:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 18441 | Roland | Cahen | Murs | 1989 | fixed media, akusmatisch | 6:45 | IMEB Bourges | 0 | |||||||||||
| 2717 | Roland | Cahen | Murs et murmures | 1997 | fixed media, akusmatisch | 20:30 | IMEB Bourges | GMEB Bourges | Mention Bourges 1988 | 0 | |||||||||
| 32020 | Roland | Cahen | Nocturnes electronique 1 - 2 - 3 | 2003 | fixed media, akusmatisch | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | 0 | ||||||||||||
| 32021 | Roland | Cahen | Nocturnes electronique 5 | 2004 | fixed media, akusmatisch | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | 0 | ||||||||||||
| 32733 | Roland | Cahen | Plain jeu | 2009 | Tanz | 6:10 | music for dancers | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | PS C. | 0 | |||||||||
| 18447 | Roland | Cahen | Pluies à New York | 1993 | fixed media, akusmatisch | 9:00 | IMEB Bourges | 0 | |||||||||||
| 21881 | Roland | Cahen | Presentation | 1985 | fixed media, akusmatisch | 22:00 | IMEB Bourges | 0 | |||||||||||
| 32017 | Roland | Cahen | RAPSODIE… DONC, Le Complexe du Simple | 1994 | fixed media, akusmatisch | La Muse | Mention Concours. Internat. Bourges 94 | 0 | |||||||||||
| 2718 | Roland | Cahen | Rencontre | 1984 | fixed media, akusmatisch | Musiktheater |
17:00 | CNR Amiens | 0 | |||||||||||
| 32022 | Roland | Cahen | ROTATIONS, Gestes | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 32023 | Roland | Cahen | ROTATIONS II | 2006 | fixed media, akusmatisch | 20 | 0 | ||||||||||||
| 18450 | Roland | Cahen | Suite Calliste | 1997 | fixed media, akusmatisch | 33:00 | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ | IMEB Bourges | GMEB Bourges | 0 | |||||||||
| 18444 | Roland | Cahen | Synthéphonie | 1992 | fixed media, akusmatisch | 6:10 | IMEB Bourges | 0 | |||||||||||
| 2719 | Roland | Cahen | Tango | 1992 | Tanz | 17:00 | CNR Amiens | 0 | |||||||||||
| 32019 | Roland | Cahen | TANGO AD LIB | 1997 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | l’ENM de Montbéliard | 0 | |||||||||||
| 2720 | Roland | Cahen | Tonmeister ORPHEUS, Orphée Tonmeister | 1997 | Theatermusik | 36:00 | IMEB Bourges | 0 | |||||||||||
| 2721 | Roland | Cahen | Turquie 1917 - 1924 | 1984 | Film | 35:00 | Film for the collection Albert Kahn | CNR Amiens | 0 | ||||||||||
| 2722 | Roland | Cahen | Tutti media devenir du Tutti médiatique | 1989 | fixed media, akusmatisch | 32:30 | Stereo | INA • GRM | 0 | ||||||||||
| 32016 | Roland | Cahen | Va t’en rêve | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 24377 | Roland | Cahen | Wind's wings (enchaîné), Wings Winds | 2000 | fixed media, akusmatisch | https://itunes.apple.com/fr/artist/roland-cahen/id322479568/ LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 2707 | Roland, Etienne | Cahen, Saur | Concert des Arbres de la Liberté | 1989 | fixed media, akusmatisch | Performance |
90:00 | CNR Amiens | Ville d'Amiens & ai | 0 | ||||||||||
| 24684 | Thomas | Cahill-Jones | Bounce Exe (Study in Marbles) | 2003 | fixed media, akusmatisch | 6:11 | JTTP 2003 | CEC Cache 2003 UK/ | Musica Viva Competition Prize 2003 | 0 | |||||||||
| 24785 | Thomas | Cahill-Jones | DeLeTE ’e’ Unit | 2000 | fixed media, akusmatisch | 10:06 | Stereo | MR 2002 Métamorphoses 2002/ | Métamorphoses 2002 student | 1 | |||||||||
| 2723 | Thaddeus | Cahill | sound works in telephone lines | 1901 | Klangkunst, Installation | Dynamophone | 0 | ||||||||||||
| 2724 | Antonio | Caimari | Peça per a museu | fixed media, akusmatisch | 3:11 | UM CD 7 Vol. I/ | 1 | ||||||||||||
| 24109 | Carlos | Caires | Quattro | 2005 | live-elec, 4 perf | 13:50 | 4 perc [Schlagzeug] | Tempo Reale Firenze | 0 | ||||||||||
| 2725 | Elizabeth | Cairns | Akimbo | 1991 | Zuspiel / Tonband, 1 perf | 4:30 | Stereo | perc, (tabla) [Schlagzeug] | BEAST | 0 | |||||||||
| 2726 | Elizabeth | Cairns | Dark Light | 1993 | Zuspiel / Tonband, 4 perf | 6:30 | Stereo | amp S, A, T, Bar [Sopran, Alt, Tenor, Bariton] | BEAST | 0 | |||||||||
| 2727 | Elizabeth | Cairns | Decadenza | 1993 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | perc [Schlagzeug] | BEAST | 1 | 1994 | ||||||||
| 2728 | Elizabeth | Cairns | Exstreams of Consciousness | 1991 | fixed media, akusmatisch | 14:30 | Stereo | BEAST | 0 | ||||||||||
| 25445 | Cesare Rosa | Calamaro | Ludus | 2000 | fixed media, akusmatisch | 5:29 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 2729 | Geneviève | Calame | L’Homme miroir | 1980 | Zuspiel / Tonband, 1 group | 27:00 | ens [Ensemble] | 0 | |||||||||||
| 2730 | Geneviève | Calame | Le son qui fut mille | 1978 | Zuspiel / Tonband, 1 perf, 1 group | ≈ | ch, perc [Schlagzeug, Chor] | 0 | |||||||||||
| 2731 | Stephen | Calder | A Certain Place | 1985 | fixed media, akusmatisch | 3:57 | Stereo | PS C. | 0 | ||||||||||
| 2732 | Stephen | Calder | Piece for Guitar | 1981 | fixed media, akusmatisch | 2:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 2733 | Stephen | Calder | Rhythm Study | 1982 | fixed media, akusmatisch | 10:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 42965 | Caterina | Calderoni | Pebbles 1 for cello and digital track | 2013 | live-elec, 1 perf | 8:30:00 | vc [Cello] | Madeleine Shapiro, cello | 0 | ||||||||||
| 23119 | James | Caldwell | Mechanism II | 1997 | fixed media, akusmatisch | 6:00 | Cec Presence 3/ | WIU Macomb | 1 | ||||||||||
| 27836 | Geert | Callaert | Monsieur Fantômas (Ernst Moerman) | 2008 | fixed media, akusmatisch | CRFMW Liège | 21.01.2009 | Bruxelles, Beursschouwburg | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 27826 | Geert | Callaert | The Sea Beast (Millard Webb) | 2009 | Zuspiel / Tonband, 1 group | ens [Ensemble] | CRFMW Liège | 28.11.2009 | Ostende, Hermetica-festival, | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 33406 | Michael | Callahan | Y | 1963 | Film | 12 | Mono | SanFran Tape M. C. | 0 | ||||||||||
| 19853 | Lluis | Callejo | A Pitàgores [en do] | 1985 | Zuspiel / Tonband, | 5:07 | Stereo | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 23480 | Lluis | Callejo | A Pitàgores [en re] | 1985 | Zuspiel / Tonband, | 10:31 | Stereo | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 19850 | Lluis | Callejo | Caleidoscopi | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19849 | Lluis | Callejo | Dibuixos | 1984 | Zuspiel / Tonband, 1 perf | 8:20 | Stereo | perc [Schlagzeug] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | ||||||||
| 2734 | Lluis | Callejo | Espai sonor I | 1976 | Zuspiel / Tonband, 1 perf | 5:12 | ob [Oboe] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 23483 | Lluis | Callejo | Espai sonor II | 1979 | Zuspiel / Tonband, 1 perf | ob [Oboe] | Phonos Barcelona | 0 | |||||||||||
| 19851 | Lluis | Callejo | Estructures 6502 | 1982 | fixed media, akusmatisch | 7:29 | Stereo | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 19852 | Lluis | Callejo | Paisatges | 1983 | fixed media, akusmatisch | 11:27 | Stereo | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 19987 | Lluis | Callejo | Stokos 4 | 1976 | Klanginstallation, live-elec, 1 perf, 1 group | 2:12 | Quadro | inss (Stokos) [Instrument] | ambientació; concert homeatge 1995 | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||
| 2735 | Lluis | Callejo | Téxtils | 1984 | Zuspiel / Tonband, 1 perf | 4:40 | cl [Klarinette] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | |||||||||
| 23482 | Lluis | Callejo | Trio | 1975 | Zuspiel / Tonband, 3 perf | 4:31 | Stereo | fl, ob, cl [Flöte, Klarinette, Oboe] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | ||||||||
| 19848 | Lluis | Callejo | Triptic I | 1977 | Zuspiel / Tonband, 2 perf | 3:37 | Stereo | fl, cl [Flöte, Klarinette] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | ||||||||
| 23481 | Lluis | Callejo | Triptic III | 1977 | Zuspiel / Tonband, 2 perf | 3:32 | Stereo | fl, cl [Flöte, Klarinette] | AH 128 Ars Harmonica/ | Phonos Barcelona | 1 | ||||||||
| 28168 | Alice | Calm | Rêverie, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 5:19 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 2736 | Christian | Calon | Abysses | 1994 | Klangkunst, Installation | 30:00 | 6 | Paris Museum. For diffusion on 6 groups of LS | GMEM Marseille | 0 | |||||||||
| 2737 | Christian | Calon | CONSTELLATIONS, Surface-Nuage Terre Ressac |
1992 - 1994 | fixed media, akusmatisch | intermedia |
22:12 | polymorphous “Work in project” | PS C. | 0 | ||||||||||
| 34161 | Christian | Calon | Continental divide, Atlantique Arctique et de la Baie d’Hudson Pacifique |
2012 - 2014 | radiophon | audiovisuell |
89 | Stereo, Surround 5.0 | film-installation (90 min) and Radio-play (2012, 52:00 min): 1 Atlantique 18:51; 2 Arctique 11:51; 3 Pacifique 20:37 |
DeutschlandRadio Kultur, WDR Studio Akustische Kunst, PRIM Montréal | Conseil des arts du Canada, Deutschlandradio Kultur, WDR - Studio Akustische Kunst (Köln), PRIM | 2.3.2012 2013 |
Deutschlandradio Kultur (Red.: M. Gammel) Cinémathek Québécoise Montreal |
0 | http://www.klong.ca/proj/cdiv0.html | |||||
| 26202 | Christian | Calon | East, Atlas-Project 3 | 2007 | fixed media, akusmatisch | Spazialisation: WFS | PS C., TU Berlin | Inventionen DAAD & Canada Council | 22.3.2007 | TU Berlin | 0 | ||||||||
| 18950 | Christian | Calon | En vol | 1994 | fixed media, akusmatisch | 3:00 | CEC DISContact_2/ | GMEM Marseille | 1 | ||||||||||
| 2738 | Christian | Calon | Hockey? O.K.! | 1991 | Tanz | 40:00 | Stereo | PS C. | 0 | ||||||||||
| 2739 | Christian | Calon | La disparition, Présentation 1er mouvement 2e mouvement Le sommeil Totem La mort Épilogue |
1988 | fixed media, akusmatisch | 20:46 | Stereo | ACM 37 CD 1-4/ IMED 9001/ | GMEM Marseille, PS C. | GMEM and the Canada Council | June 17th, 1988 | Jardin des Vestiges, Marseille | 2nd prize NEWCOMP ISCM selected 1989 |
1 | 1992 | ||||
| 2740 | Christian | Calon | La voisine | 1989 | Tanz | 25:00 | Stereo | PS C. | 0 | ||||||||||
| 2741 | Christian | Calon | La voisine | 1995 | audiovisuell | 7:00 | Stereo | remix from a dance-piece to video | TU Berlin | 0 | |||||||||
| 2742 | Christian | Calon | Le déjeuner sur l'herbe | 1990 | fixed media, akusmatisch | radiophon |
1:01 | Stereo | PS C. | 0 | ||||||||||
| 2743 | Christian | Calon | Le soleil | 1990 | fixed media, akusmatisch | radiophon |
1:06 | Stereo | PS C. | 0 | ||||||||||
| 2744 | Christian | Calon | Les corps éblouis | 1992 - 1993 | fixed media, akusmatisch | 22:46 | Stereo | for multipoint spatialization perf. | LDC 278058/59 Cultures Electroniques 8/ Prix ars electronica 97/ IMED 9838/ | INA • GRM | Ina-GRM and french state | June, 1993 | Salle Olivier Messiaen, Maison de la Radio France by Francis Dhomont | 2nd Prize Bourges 1994 Distinctions at the Prix Ars Electronica (Linz, Austria, 1995, 97). |
1 | ||||
| 2745 | Christian | Calon | Lettre à M. | 1995 | radiophon | 11:00 | Stereo | für CBC-Programm "History of EM" | TU Berlin, Musiques et Recherches Ohain | 0 | |||||||||
| 2746 | Christian | Calon | Littoral | 1994 | Klangkunst, Installation | 30:00 | 6 | Paris Museum. For diffusion on 6 groups of LS | GMEM Marseille | 0 | |||||||||
| 2747 | Christian | Calon | Men, Women, Train | 1995 | radiophon | 8:00 | Stereo | TU Berlin | 1 | ||||||||||
| 2748 | Christian | Calon | Minuit, Prologue Minuit (Midnight) Immémorial |
1990 | fixed media, akusmatisch | 40:01 | Stereo | LDC 278049/50 Cultures Electroniques 4/ IMED 9001/ | PS C., INA • GRM, GMEM Marseille | January 31st, 1990 | Maison de la culture Frontenac in Montréal | Newcomp Comp prize; Bourges competition 1st prize 1989 |
1 | ||||||
| 26205 | Christian | Calon | North, Atlas-Project 1 | 2006 | fixed media, akusmatisch | 15:00 | Octo | SARC Belfast | Sonic Arts Network | 29.4.2006 | sonorities Festival Belfast | 0 | |||||||
| 2749 | Christian | Calon | Paradis | 1984 | fixed media, akusmatisch | 19:50 | Stereo | PS C. | 0 | ||||||||||
| 2751 | Christian | Calon | Portrait d'un visiteur | 1985 | fixed media, akusmatisch | 17:07 | Stereo | for multipoint spatialization perf, 4 fragments | IMED 9001/ IMED 0050/ | GMEM Marseille, PS Calon, McGill Montréal | 26.09.1985 | Pollack Hall, Montréal | 1st prize Russolo Varese 1985 | 1 | |||||
| 2753 | Christian | Calon | Ressac, Constellations 3 | 1992 | fixed media, akusmatisch | 6:50 | Stereo | for multipoint spatialization perf (in “Constellations”) | PS C. | 0 | |||||||||
| 34163 | Christian | Calon | South, Atlas-Project 4 | 2007 | fixed media, akusmatisch | 18.10.2007 | L’Espace du son (Brussels, Belgium) | 0 | http://www.electrocd.com/en/bio/calon_ch/oeuvres/ | ||||||||||
| 2754 | Christian | Calon | Surface-Nuage, Constellations 1 | 1992 | fixed media, akusmatisch | 7:14 | Stereo | for multipoint spatialization perf (in “Constellations”) | PS C. | 0 | |||||||||
| 2755 | Christian | Calon | Temps incertains | 1990 | fixed media, akusmatisch | radiophon |
3:00 | Stereo | IMED 9004/ IMED 9604/ | PS C. | 1 | |||||||||
| 2756 | Christian | Calon | Terre, Constellations 2 | 1994 | fixed media, akusmatisch | 8:08 | Stereo | for multipoint spatialization perf (in “Constellations”) | PS C. | 0 | |||||||||
| 2757 | Christian | Calon | The standing man | 1995 - 1996 | fixed media, akusmatisch | 42:10 | 24 Tracks | multichannel spatialization | TU Berlin | Festival Inventionen DAAD/TU 96 | 6.06.1996 | Inventionen Ballhaus Naunynstraße Berlin | Competition Musica Nova Prag 1996 | 1 | 1996 | ||||
| 22930 | Christian | Calon | The Ulysses Project, Les Hommes Invocation Ouverture Le récit Jupiter Circé Bloom HMS Calypso / Tempête 1 + Calypso La langue — le vent Héliosphère Le rêve Hauteur des simulacres Le parking Le contour du réel La frontière Au travers du livre + Deuxième voyage Les sanglots + Tempête 2 Dieu fait le ménage L’homme et Dieu Premier regard d’Ulysse sur la patrie Les retrouvailles |
1996 - 2001 | radiophon | fixed media, akusmatisch |
54:00 | Stereo, Surround 5.1 | 21 parts | IMED 11107/ | DeutschlandRadio, Radio Canada, PRIM Montréal, INA • GRM, PS C. | 4.12.1998 | Radio | Victor Martyn Lynch-Staunton Award (Canada Council for the Arts (CCA), 1996) Grand Prix Marulic (Hrvatska radiotelevizija (HRT), Croatia, 1999). |
1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1412765&vi=53&SID | ||||
| 25856 | Christian | Calon | Time well, Part of the Atlas-Project: immobilitè arrivées résorption lignes accélérées |
2006 | fixed media, akusmatisch | 17:00 | 1 | 2006 | |||||||||||
| 24178 | Christian | Calon | Vers les Oiseaux | 2002 | fixed media, akusmatisch | 4:54 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 34162 | Christian | Calon | West, Atlas-Project 2 | 2006 | fixed media, akusmatisch | 15 | Réseaux des arts médiatiques | 4.11.2006 | Akousma Montreal | 0 | http://www.electrocd.com/en/bio/calon_ch/oeuvres/ | ||||||||
| 38514 | Christian | CALON | Z/S Zeit/Spiegel | 2001 | radiophon | 53:36:00 | 0 | ||||||||||||
| 2758 | Christian | Calon | Zones Pélagiques | 1994 | Klangkunst, Installation | 30:00 | 6 | Paris Museum. For diffusion on 6 groups of LS | GMEM Marseille | 0 | |||||||||
| 27744 | Christian, Christian, Mario, Monique | Calon, Bouchard, Gauthier, Jean | theresa transistor, Espace critique Au bord de l’espace Espace nuisible Espace du dedans Espace composé Espace vécu Espace libre Espace littéraire Manque d’espace |
2010 | fixed media, akusmatisch | 60:00 | ohm 052 / | 1 | http://www.electrocd.com/en/cat/ohm_052/ | ||||||||||
| 23542 | Christian, Chantal | Calon, Dumas | 2 radio roadmovies: The little man in the Ear Surface Documents, Documents de surface |
2000 - 2002 | radiophon | 109:00 | Doppel-CD; Dauern: 57 + 52 Minuten. Fahrt durch Canadas Norden; Natürgeräusche; Tiere, Pflanzen etc. | 326 006 / 007 326music/ | PS C., DeutschlandRadio | 1 | |||||||||
| 2750 | Christian, Claude | Calon, Schryer | Pêche | 1990 | radiophon | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 2752 | Christian, Claude | Calon, Schryer | Prochaine station | 1990 | fixed media, akusmatisch | radiophon |
3:00 | Stereo | IMED 9004/ IMED 9604/ | PS C. | 1 | |||||||||
| 2759 | Charo | Calvo | Blind Dog | 1994 | Tanz | 8:15 | Stereo | PS C. | 1 | ||||||||||
| 22318 | Charo | Calvo | Cette blessure | fixed media, akusmatisch | 9:44 | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||||
| 27759 | Charo | Calvo | Entretemps | 2008 | fixed media, akusmatisch | Stereo | Musiques et Recherches Ohain | 0 | |||||||||||
| 41614 | Charo | Calvo | Les bains de la Perche | 1998 | fixed media, akusmatisch | 8:06:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 41612 | Charo | Calvo | Musique pour "Seven for a secret", Seven for a secret | 1997 | Tanz | 9:30:00 | chorégraphie de Wim Vandekeybus | Musiques et Recherches Ohain | 0 | ||||||||||
| 41611 | Charo | Calvo | Narcisse | 1997 | fixed media, akusmatisch | 9:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 37593 | Charo | Calvo | not my sorrow | 2017 | fixed media, akusmatisch | Octo | 25.8.2017 | mikromusic Berlin, BKP des DAAD | 0 | ||||||||||
| 37646 | Charo | Calvo | Qualia | 2017 | radiophon | 44:25 | Stereo | radiophonic work using several languages | ACSR, PS C., Musiques et Recherches Ohain | Phonurgia Nova International Radio Competition (France) in 2017 „Sound Art“ award | 0 | ||||||||
| 27758 | Charo | Calvo | So Real | 2001, 2017 | fixed media, akusmatisch | 13:20 | Quadro | Musiques et Recherches Ohain | Musiques et Recherches Ohain | 0 | |||||||||
| 38976 | Charo | Calvo | The Grass | 2018 | fixed media, akusmatisch | Quadro | 8.7.2018 | Villa Elisabeth Berlin | 0 | ||||||||||
| 38467 | Charo | Calvo | UM | 2018 | radiophon | audiovisuell |
20 | A Radio Play about numbers, poetry and hope, with the voice of Boris Filanovsky and Natalia Pschenitschnikowa based on a letter by the Russian poet Velimir Khlebnikov | TU Berlin | 19.4.2018 | DAAD Galerie Berlin | 0 | ||||||||
| 41613 | Charo | Calvo | Wild Track / Ulan Bator | 1997 | fixed media, akusmatisch | 6:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 2760 | Miguel Angel | Calzón | La vida perdurable | 1993 | fixed media, akusmatisch | 7:19 | MIDI, SY77, TG77 | Tarka CD 701/ | PS C. | 1 | |||||||||
| 24378 | Miguel Angel | Calzón | Prélèvements | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 2761 | Miguel Angel | Calzón | SLant | 1990 | fixed media, akusmatisch | 3:00 | NeXT | CCRMA | 0 | ||||||||||
| 19410 | Miguel Angel | Calzón | Three Winters | 1991 | Zuspiel / Tonband, 2 perf | 8:39 | Stereo | cl or b-cl, vc [Klarinette, Cello] | CCRMA/ | LIPM B.Aires | 0 | ||||||||
| 33303 | Robert | Cambier | Dernier feu d’artifice | 1959 | Film | 5 | „drawn sound“ on film | SIS Paris | 0 | ||||||||||
| 33306 | Robert | Cambier | Fantasie sur 4 cordes | 1957 | Film | 4 | „drawn sound“ on film | PS Marignan Paris | 0 | ||||||||||
| 2762 | Robert | Cambier | Jeune fille et l'etoile | 1958 | Film | 10:00 | Mono | SIS Paris | 0 | ||||||||||
| 2764 | Robert | Cambier | Marée Basse | 1959 | Film | 12:00 | Mono | SIS Paris | 0 | ||||||||||
| 33304 | Robert | Cambier | Nocturne Party | 1960 | Film | 5 | „drawn sound“ on film | SIS Paris | 0 | ||||||||||
| 33302 | Robert | Cambier | Space Dance | 1966 | Film | 5 | „drawn sound“ on film | Société C Paris | 0 | ||||||||||
| 2766 | Robert | Cambier | Surprise Boogie 57 | 1957 | Film | 5:00 | Mono | Marignan Paris | 0 | ||||||||||
| 2767 | Robert | Cambier | Un Nommé Z | 1960 | Film | 15:00 | Mono | SIS Paris | 0 | ||||||||||
| 2763 | Robert, Pierre | Cambier, Girard | La Main Gantée | 1963 | Film | 15:00 | Mono | SIS Paris | 0 | ||||||||||
| 2765 | Robert, Pierre | Cambier, Girard | Opération Dodo | 1962 | Film | 15:00 | Mono | SIS Paris | 0 | ||||||||||
| 33305 | Robert, Pierre | Cambier, Girard | Un Amour de Chat | 1962 | Film | 5 | „drawn sound“ on film | SIS Paris | 0 | ||||||||||
| 22940 | Allison | Cameron | Unknown Leaves | 1993 | live-elec, 1 perf, 1 group | 10:25 | ens, gui [Gitarre, Ensemble] | Musicworks MW 63/ | Music Gallery Toronto | 1 | |||||||||
| 2768 | Edwin, Group | Cameron, The Lone Stars | My Little Sister | 1985 | fixed media, akusmatisch | 3:06 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 41368 | Cédric | Camier | Groover | 2009 | live-elec, 1 perf | 4:18 | perc [Schlagzeug] | JTTP 2011 | 0 | ||||||||||
| 34348 | Cédric | Camier | Paf Gravitas | 2012 | fixed media, akusmatisch | 7:58 | CEC Cache 2013, PeP 018/ | Winner JTTP 2013 5. prize | 0 | http://econtact.ca/16_1/index.html#guillaumecliche | |||||||||
| 2769 | Lelio | Camilleri | Alda's adventures in Wonderland | 1982 | fixed media, akusmatisch | 13:20 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 19411 | Lelio | Camilleri | Apostrophe | 1995 | fixed media, akusmatisch | 8:22 | Stereo | Musidisc 245752/ NOR 04/ | CNUCE Firenze | Competition Musica Nova Prag 1995 | 1 | ||||||||
| 2770 | Lelio | Camilleri | Arcades | 1994 | fixed media, akusmatisch | Stereo | CNUCE Firenze | 0 | |||||||||||
| 2771 | Lelio | Camilleri | Blast | 1985 | Zuspiel / Tonband, 1 perf | 5:00 | cl [Klarinette] | software by the author | CNUCE Firenze | 0 | |||||||||
| 36399 | Lelio | Camilleri | Bossa no Chance | 1999 | radiophon | Kiasma 1999/ | 0 | ||||||||||||
| 2772 | Lelio | Camilleri | Come close and sleep now | 1983 | fixed media, akusmatisch | 13:45 | Quadro | IPEM Gent | 0 | ||||||||||
| 2773 | Lelio | Camilleri | Dedicated to youbut you aren't listening | 1992 - 1994 | fixed media, akusmatisch | Stereo | CNUCE Firenze | 0 | |||||||||||
| 2774 | Lelio | Camilleri | Eine Reise nach Klagenfurt | 1990 | fixed media, akusmatisch | 15:00 | Stereo | CNUCE Firenze | 0 | ||||||||||
| 2775 | Lelio | Camilleri | Gesine | 1990 | computer generated score, 1 perf | 8:00 | p [Piano] | com assisted compo | CNUCE Firenze | 0 | |||||||||
| 2776 | Lelio | Camilleri | Lines | 1988/1989 | Zuspiel / Tonband, 2 perf | 7:00 | p, cl [Klarinette, Piano] | TELETAU software package | CNUCE Firenze | 0 | |||||||||
| 2777 | Lelio | Camilleri | MEMORY LAIN … | 1992 | fixed media, akusmatisch | 10:00 | Stereo | CNUCE Firenze | 0 | ||||||||||
| 24110 | Lelio | Camilleri | Musica per il video su Palazzo Medici-Riccardi | 2000 | Klangkunst, Installation | ∞ | Tempo Reale Firenze | 0 | |||||||||||
| 2778 | Lelio | Camilleri | o.T. | 1991 | Zuspiel / Tonband, 7 perf | ≈ 9:00 | ob, fl, vib, cl, vn, va, vc [Flöte, Klarinette, Oboe, Schlagzeug, Viola, Cello, Violine] | TELETAU and other software | CNUCE Firenze | 0 | |||||||||
| 2779 | Lelio | Camilleri | Overfall | 1983 | fixed media, akusmatisch | 14:53 | Stereo | IPEM Gent | 0 | ||||||||||
| 24111 | Lelio | Camilleri | Parallel | 2000 | fixed media, akusmatisch | 14:33 | Stereo | Tempo Reale Firenze | 1 | ||||||||||
| 2781 | Lelio | Camilleri | Profile | 1987 | Zuspiel / Tonband, 1 perf | 6:40 | p [Piano] | TELETAU software | PAN PRC S20-54/ | CNUCE Firenze | 1 | ||||||||
| 2782 | Lelio | Camilleri | Tess in Stonehenge | 1983 | fixed media, akusmatisch | 9:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 2784 | Lelio | Camilleri | Underdub | 1991 | Zuspiel / Tonband, 1 perf | 8:00 | p [Piano] | TELETAU and other software | CNUCE Firenze | 0 | |||||||||
| 2786 | Lelio | Camilleri | Web | 1988 | fixed media, akusmatisch | 9:06 | Stereo | PAN PRC S20-54/ | CNUCE Firenze | 1 | |||||||||
| 36783 | Lelio, Guido | Camilleri, Bresaola | Esterno/Interno | fixed media, akusmatisch | 0 | ||||||||||||||
| 41370 | Guto | Caminhoto | 5 Minutos-19/04/2001 | 2001 | fixed media, akusmatisch | 5:14 | 01/2004 | Rádio Universidade FM 107.9 MHz, UEL, Londrina, Brazil | 0 | ||||||||||
| 41371 | Guto | Caminhoto | Bandejas | 1997 | fixed media, akusmatisch | 7:20 | eContact! 2.1 — Latin America | 0 | |||||||||||
| 41369 | Guto | Caminhoto | Frosta | 1996 | fixed media, akusmatisch | 7:23 | Uni Glasgow | 0 | |||||||||||
| 19412 | Guto | Caminhoto | Momento angular | 1995 | fixed media, akusmatisch | 5:17 | Stereo | RD003 MEB Rioarte/ | 0 | ||||||||||
| 36400 | Guto | Caminhoto | Paisagens Londrinenses 1, Paisagens Londrinenses 2 | 1997, 1999 | fixed media, akusmatisch | 6:29 | Stereo | duration: 6:29 + 11:47 | Kiasma 1999/ | 0 | |||||||||
| 35720 | Javier | Campaña | Etudes des messages à la gare | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 2787 | José Luis | Campana | Ely | 1983 | fixed media, akusmatisch | 21:00 | Stereo | INA • GRM | 14.5.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 2788 | José Luis | Campana | Insight | 1988 | Zuspiel / Tonband, 6 perf | 14:20 | Stereo | 5 ins, syter [Instrument, synthesizer] | INA • GRM | 0 | |||||||||
| 2789 | Tony van | Campen | Hoorspel | 1976 | STEIM | 0 | |||||||||||||
| 2790 | Tony van | Campen | Krètsz | 1972 | live-elec, | 18:00 | Stereo + Stereo | material for Krètsz - reportage | IPEM Gent | 0 | |||||||||
| 2791 | Tony van | Campen | Sintering | 1977 | fixed media, akusmatisch | 9:55 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Sonology Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||||
| 2792 | Tony van, Dick | Campen, Borstlap | The Speech | 1977 | STEIM | 0 | |||||||||||||
| 34349 | Guillaume | Campion | Arboreal | 2012 | fixed media, akusmatisch | 10:04 | JTTP 2013 | CEC Cache 2013, PeP 018/ | 0 | ||||||||||
| 34087 | Guillaume | Campion | Littorale | 2015 | radiophon | 45:02:00 | Stereo | acousmatic documentary JTTP 2015 |
JTTP-Winner 2015 3. prize | 0 | |||||||||
| 32004 | Guillaume | Campion | Neige cendre | 2011 | fixed media, akusmatisch | 11:22 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 5. prize | 1 | |||||||||
| 27801 | Guillaume | Campion | Quadriforis | 2010 | fixed media, akusmatisch | 10:00 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP-Winner 2010 4. prize | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 32783 | Alberto de | Campo | Day One of the New War | 2003 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 32785 | Alberto de | Campo | Imaon | 1999 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 32782 | Alberto de | Campo | Metacontrol Studies | 2014 | Performance | 0 | |||||||||||||
| 37760 | Alberto de | Campo | Navegar é Preciso | 2006 | fixed media, akusmatisch | multichannel | 2006 | ICAD conference | 0 | ||||||||||
| 32786 | Alberto de | Campo | RBRR | 2000 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 31976 | Alberto de | Campo | Reversing Pendulum Music | 2010 | fixed media, akusmatisch | 11:48:00 | Spazialisation: WFS | Wave Field Synthesis hall H104, TU-Berlin 2010 Thursday 23. September, 19h Kunstkopfaufnahme |
TU Berlin | 2010 | SuperCollider Symposium Berlin | 1 | |||||||
| 32784 | Alberto de | Campo | Transcrypt | 1993 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 19343 | Jorge | Campos | Kon-Tiki | 1996 | live-elec, 1 perf | 6:22 | com (ovaloid) [computer] | for processed ovaloid | Theremin C. Moscou | 1 | |||||||||
| 2793 | Jorge | Campos | Yaravi | 1993 | Zuspiel / Tonband, 2 perf | 11:24 | fl, perc [Flöte, Schlagzeug] | SLR 0044, Theremin Center/ | Theremin C. Moscou | 1 | |||||||||
| 33178 | Jorge E. | Campos | Bora-Bora | 1996 | Zuspiel / Tonband, 2 perf | 7:52 | b-cl, perc [Klarinette, Schlagzeug] | for bass clarinet, percussion and tape | WJ 2008 polmic 046/ | 1 | |||||||||
| 39807 | Gemma | Camps | ”Gestalt” | 2017 | fixed media, akusmatisch | Gemma Camps | 0 | ||||||||||||
| 2794 | Jean Christophe | Camps | Au bord du volcan | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2795 | Jean Christophe | Camps | Carnet de voyage | 1990 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2796 | Jean Christophe | Camps | Clap sur " Hors - saison " | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2797 | Anselmo | Cananzi | Epigenesi | 1982 | fixed media, akusmatisch | 10:40 | Stereo | CSC Padova | 0 | ||||||||||
| 23909 | José Miguel | Candela | Azul | 1995 | live-elec, 2 perf | 6:30 | 2 p [Piano] | Bárbara Perelmann y Cecilia García, intérpretes. Mayo 1995. Sala Elena Waiss (Escuela Moderna de Música). Santiago, Chile. |
0 | ||||||||||
| 23915 | José Miguel | Candela | Bajan gritando ellos | 2000 | Zuspiel / Tonband, 1 perf | 6:47 | Sp [Sprecher] | Basado en el poema homónimo de Leonel Lienlaf, quien además recita. Dedicada al pueblo mapuche en su lucha por la recuperación de sus tierras y de su dignidad. Marzo 2000. VIII Festival Internacional de Música Electroacústica de La Habana – Cuba. | Pueblo Nuevo PN.CD.001/ | CMT | 0 | ||||||||
| 23916 | José Miguel | Candela | Ciclo DJ. (A la manera de Ahmed Malek) | 2001 | fixed media, akusmatisch | 23:00 | 0 | ||||||||||||
| 35459 | José Miguel | Candela | Ciclo electroacústico | 2009 | fixed media, akusmatisch | 8 parts | Pueblo Nuevo/ | 0 | |||||||||||
| 23917 | José Miguel | Candela | Contenedor | 2003 | fixed media, akusmatisch | 60:00 | Música para la coreografía homónima de Claudia Vicuña y Alejandro Cáceres. 2003. Sala Matucana 100, Santiago. Chile. |
0 | |||||||||||
| 23910 | José Miguel | Candela | Dame un Loop | 1996 | fixed media, akusmatisch | 8:32 | 1996, 6º Festival de Música Contemporánea Chilena organizado por el IMUC. Santiago, Chile. | 0 | |||||||||||
| 23918 | José Miguel | Candela | Delta | 2002 | Tanz | 4:04 | La obra es parte de la música para la coreografía “Lapsos Vitales” del chileno Rodrigo Fernández, estrenada por el Ballet Nacional Chileno en 2002 (Teatro de la Universidad de Chile, Santiago). Luego fue modificada para ser presentada en formato de concierto. 2002, EMEC del ISA, La Habana, Cuba. |
Uni de la serena/ RedASLA 2/ | 0 | ||||||||||
| 23908 | José Miguel | Candela | El Pentágono | 1993 | Zuspiel / Tonband, 4 perf | 5:00 | str-qt [Streicher] | 1993. Sala Isidora Zegers. Santiago, Chile. | 0 | ||||||||||
| 23914 | José Miguel | Candela | Goethe, la humanidad de un genio | 1999 | Tanz | 15:00 | Música para la coreografía homónima de Nelson Avilés. 1999. Sala América, Biblioteca Nacional. Santiago, Chile. |
0 | |||||||||||
| 23913 | José Miguel | Candela | La Variante | 2003 | fixed media, akusmatisch | 22:00 | Música para la coreografía homónima de Claudia Vicuña. 2003.Sala FECH, Santiago, Chile. |
0 | |||||||||||
| 23911 | José Miguel | Candela | Las Huellas del Pequeño Venado | 1997 | fixed media, akusmatisch | 6:36 | Dedicado a la cultura huichol (México). 1997, Sala SCD Barrio Bellavista. Santiago, Chile. |
0 | |||||||||||
| 35460 | José Miguel | Candela | Micro-ciclo un camino | 2009 | fixed media, akusmatisch | 5:16 | 4 parts | Pueblo Nuevo/ | 0 | ||||||||||
| 23919 | José Miguel | Candela | TTK 81 micropiezas | 2004 | Zuspiel / Tonband, 1 perf | 79:53 | sax [Saxophon] | Obra estrenada y dedicada al saxofonista cubano Miguel Villafruela. La obra puede ser escuchada en combinaciones de micropiezas de cualquier orden y número (por lo tanto, la duración varía dependiendo de la versión). Enero 2004, Sala SCD-Barrio Bellavista, Santigo, Chile. |
0 | ||||||||||
| 23912 | José Miguel | Candela | Venus y Adonis | 1999 | Tanz | 10:17 | Música para la coreografía homónima de Nelson Avilés.Co-compuesta con Cecilka García-Gracia. 1999. Sala América, Biblioteca Nacional, Santiago, Chile. |
0 | |||||||||||
| 31611 | Remmy | Canedo | Abstract Quartet | 2012 | live-elec, 1 perf | ≈ 8-14 | V [Stimme] | next_generation 5.0 | HfM Stuttgart | 0 | |||||||||
| 33982 | Remmy | Canedo | Bipolar crash | 2012 | live-elec, 2 perf | 7:25:00 | Quadro | 2 euphonium [Horn] | Komposition für 2 Euphonien und Live-Elektronik | HfMT Köln | 0 | ||||||||
| 33983 | Remmy | Canedo | Iterative phase elimination | 2012 | live-elec, 1 perf | 14:00:00 | Octo | hp [Harfe] | HfMT Köln | 0 | |||||||||
| 33984 | Remmy | Canedo | ROT 47 | 2011 | live-elec, 1 perf | 18:17:00 | Octo | sax [Saxophon] | HfMT Köln | 0 | |||||||||
| 2798 | Corrado | Canepa | Rioffrire l'offerta | 1986 | fixed media, akusmatisch | DIST Genova | 0 | ||||||||||||
| 2799 | Richard | Cann | Bonnylee | 1972 | fixed media, akusmatisch | 1:25 | Stereo | IBM 360/91 | Odyssey AL 34139/ | Col.Princ EMC | 1 | ||||||||
| 25103 | Rob | Canning | An Maighdean Mhara | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 25102 | Rob | Canning | Continuum | 2000 | Zuspiel, live-elec, 1 perf | amp b-cl [Klarinette] | Galway Arts Festival | 0 | |||||||||||
| 22225 | Rob | Canning | Costruzione lllegittima | 2001 | live-elec, 1 perf | 12:00 | Quadro | cl [Klarinette] | Paul Rose (cl), Rob Canning (electronics) | 1 | |||||||||
| 25101 | Rob | Canning | Out of Line | 2001 | live-elec, 2 perf | e-vn, p, (elec) [Piano, Violine] | 0 | ||||||||||||
| 40640 | Edgardo | Canton | 4 x 10 | 1968 | Film | INA • GRM | 11.5.1969 | TV ORTF, 2. chaine | 0 | ||||||||||
| 2800 | Edgardo | Canton | A cheval vers la lune s'en va lagune | 1970 | fixed media, akusmatisch | 14:25 | Stereo | Le titre de l'oeuvre est tiré du poème "Faust" de E. Stanislas del Campo (1866) | MN 12006/ | INA • GRM | 4.2.1971 | Paris, Halles Baltard | 0 | ||||||
| 2801 | Edgardo | Canton | Alto y falto | 1977 | fixed media, akusmatisch | 14:10 | Stereo | INA • GRM | INA • GRM | 0 | |||||||||
| 2802 | Edgardo | Canton | Animal Animal | 1962/1968 | fixed media, akusmatisch | 6:10 | Stereo | Nepless CO 981 2004/ MN 12006/ | INA • GRM | 15.12.1962 19.3.1968 |
Paris Salle des Conservatoire ORTF, studio 105 |
1 | |||||||
| 40432 | Edgardo | Canton | Axel | 1962 | Theatermusik | INA • GRM | janvier 1962 | Paris, Studio des Champs Elysées | 0 | ||||||||||
| 40518 | Edgardo | Canton | Casse tete | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 40519 | Edgardo | Canton | Chamson | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 40612 | Edgardo | Canton | Concerto pour 2 Nations et Percussion | 1967 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 2804 | Edgardo | Canton | D'un bout á l'autre, Concert Collectif | 1963 | Zuspiel / Tonband, 16 perf | 6:45 | Stereo | 16 ins [Instrument] | IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 1 | ||||||
| 40453 | Edgardo | Canton | D'un bout á l'autre, concert collectif | 1962 | Zuspiel / Tonband, 1 group | 5:18 | ens [Ensemble] | Version provisoire du concert collectif, même titre | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 1 | |||||||
| 40573 | Edgardo | Canton | Demenagement tragique | 1965 | Film | 4 | Texte de Cami | INA • GRM | 21.7.1970 | TV ORTF, 2. chaine | 0 | ||||||||
| 40551 | Edgardo | Canton | Don Juan et Faust | 1965 | Theatermusik | INA • GRM | 1965 | Paris, Theâtre 347 | 0 | ||||||||||
| 40416 | Edgardo | Canton | Douce Amère | 1961 | Film | INA • GRM | 1961 | Tours | 0 | ||||||||||
| 2805 | Edgardo | Canton | Edith Pitch play Voltage Stop | 1977 | fixed media, akusmatisch | 23:40 | Stereo | INA • GRM | 25.5.1977 | Paris, UNESCO, Tribune des Compositeurs | 0 | ||||||||
| 2806 | Edgardo | Canton | Etude | 1963 | fixed media, akusmatisch | 2:30 | Stereo | IDEAMA CD 036/ | Fonologia Milano | 0 | |||||||||
| 40623 | Edgardo | Canton | Etude de Rythme | 1967 | Theatermusik | 3:50 | INA • GRM | 0 | |||||||||||
| 43088 | Edgardo | Canton | Friction 60 | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 40488 | Edgardo | Canton | Fukyro maru | 1963 | Theatermusik | INA • GRM | 15.6.1963 | Paris, Hôtel de Sully, pour la Cie de St. Etienne | 0 | ||||||||||
| 40450 | Edgardo | Canton | Gilda appelle MAE-West | 1962 | Theatermusik | Pièce de M. Parent. Mise en scène J. M. Serreau. Théâtre à scènes multiples et simultanées. |
INA • GRM | juillet 1962 | Dijon, Nuits de Bourgogne | 0 | |||||||||
| 2807 | Edgardo | Canton | I Palpiti | 1966 | fixed media, akusmatisch | 7:35 | Quadro, Stereo | MN 12006/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 025/ | INA • GRM | 25.5.1966 | Paris, Maison de la Radio. studio 105. „Exposition des Musiques Expérimentales 1966" | 0 | |||||||
| 40414 | Edgardo | Canton | Impression de Andes | 1961 | Film | film de Vic Towas, images peintes sur la pellicule | MN 12006/ | INA • GRM | 0 | ||||||||||
| 40575 | Edgardo | Canton | L’Esclave | Film | INA • GRM | 0 | |||||||||||||
| 40603 | Edgardo | Canton | L’Oeil | 1967 | Film | INA • GRM | 21.4.1968 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40466 | Edgardo | Canton | La Dormeuse | 1962 | Film | INA • GRM | 12.7.1965 | TV ORTF, 2. chaine, pour une émission TV de M. Pons | 0 | ||||||||||
| 40617 | Edgardo | Canton | La mouette verte | 1967 | Film | INA • GRM | 11.8.1970 | TV ORTF, 2. chaine | 0 | ||||||||||
| 40497 | Edgardo | Canton | La seconde chance | 1963 | Film | science fiction film, text by Mac Intosh, adaption de Barthélmy | INA • GRM | 0 | |||||||||||
| 2808 | Edgardo | Canton | Langue agile, oiseau d'argile | 1973 | fixed media, akusmatisch | 16:10 | Stereo, Quadro | Entièrement réalisée par synthétiseur | INA • GRM | 25.2.1975 | Paris, Th. de la Cité des Arts | 0 | |||||||
| 40472 | Edgardo | Canton | Le Barbier de Seville | 1962 | Theatermusik | INA • GRM | 1963 | Paris, Theâtre Sarah Bernhart | 0 | ||||||||||
| 40624 | Edgardo | Canton | Le Bossu, Vitromagie | radiophon | INA • GRM | 0 | |||||||||||||
| 40632 | Edgardo | Canton | Le lion | 1968 | Theatermusik | vc [Cello] | INA • GRM | Le Havre, Maison de la Culture | 0 | ||||||||||
| 40561 | Edgardo | Canton | Le metro fantôme | 1965 | Theatermusik | Pièce de A. Bourseiller | INA • GRM | 1965 | Paris, Theâtre de Poche | 0 | |||||||||
| 40604 | Edgardo | Canton | Le Mur | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 40484 | Edgardo | Canton | Le petit prince | 1963 | Theatermusik | pour le texte de St. Exupéry | INA • GRM | 1963 | Paris | 0 | |||||||||
| 40532 | Edgardo | Canton | Le roi Christophe | 1964 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40536 | Edgardo | Canton | Les extra-terrestres | 1964 | Film | TV de DesMoulins | INA • GRM | 0 | |||||||||||
| 40548 | Edgardo | Canton | Liberte j’ecris ton nom | 1965 | Theatermusik | Pièce de Ph. Mercier | INA • GRM | 1865 | Rennes, Centre dramatique | 0 | |||||||||
| 23923 | Edgardo | Canton | Los Sueños de Attar | 2002 | fixed media, akusmatisch | 10:39 | LIEM CDMC Madrid | 2002 | museo Reina Sofia. Madrid, España. | 0 | |||||||||
| 23920 | Edgardo | Canton | Lovecraft | 1996 | fixed media, akusmatisch | 6:00 | La Muse, Con Paris | 1996 | Sala SCD, Santiago, Chile. | 0 | |||||||||
| 2809 | Edgardo | Canton | Manges par une espèce de Serpent | 1967, 1969 | fixed media, akusmatisch | 7:30 | Quadro, Stereo | MN 12006/ | INA • GRM | 30.5.1967 29.1.1973 |
Paris, Maison de la Radio, studio 105 Paris, Théâtre Récamier |
0 | |||||||
| 23922 | Edgardo | Canton | Memorias de los Andes | 1998 | fixed media, akusmatisch | 10:48 | LIPM B.Aires | 1998 | Concierto sala Universidad Pompeus Fabra. de Barcelona, España. | 0 | |||||||||
| 40444 | Edgardo | Canton | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | 7:45 | INA • GRM | 0 | |||||||||||
| 40473 | Edgardo | Canton | Phares et Balises | 1962 | Zuspiel / Tonband, 1 group | 6:05 | ens [Ensemble] | INA • GRM | 19.12.1962 | Paris, Salle des Conservatoires | 0 | ||||||||
| 2810 | Edgardo | Canton | Pi-ouit | 1966 | Theatermusik | 6:34 | Chanson concrète . Paroles A. Jarr | IDEAMA CD 036/ | INA • GRM | 0 | |||||||||
| 22272 | Edgardo | Canton | Promenade d'été d'Ulis Nasa | 1984 | fixed media, akusmatisch | 43:00 | Nepless CO 981 2004/ | INA • GRM | 1 | ||||||||||
| 24332 | Edgardo | Canton | Rengaine à pleurer | 1967 | Theatermusik | 2:51 | Text: Jean Tardieu; Singer: Mouloudji | INA C 1035 27655 archives grm CD 5/5/ | INA • GRM | 1 | |||||||||
| 23921 | Edgardo | Canton | Saint Michel en carretera nocturna | 1995 | fixed media, akusmatisch | 7:00 | La Muse, Con Paris | 1995 | Sala Escuela Moderna de Música. Santiago, Chile. | 0 | |||||||||
| 40439 | Edgardo | Canton | Seattle | 1962 | Hintergrundmusik | 6 | Sonorisation de l’exposition | INA • GRM | 1962 | Seattle, Expo internationale du XXIé s | 0 | ||||||||
| 40417 | Edgardo | Canton | Sensemaya | 1961 | Film | Tanz |
11:25 | INA • GRM | 24.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||||
| 40605 | Edgardo | Canton | Sentimientos | 1967 | radiophon | 10 | INA • GRM | 0 | |||||||||||
| 40508 | Edgardo | Canton | Sillage | 1964 | Film | INA • GRM | 1964 | Cannes Festival | 0 | ||||||||||
| 2811 | Edgardo | Canton | The big Baby's Gang | 1972 | Theatermusik | Zuspiel/Tonband, 5 perf |
40:00 | Stereo | 3 V, 2 narrator [Stimme, Schauspieler] | version spectacle | INA • GRM | Commande d’Etat | 29.1.1973 | Paris, Th. Récamier, avec K. Kowalski, T. et M. de Wint (voix), A. Campo et Ch. Zappa comédiens | 0 | |||||
| 2812 | Edgardo | Canton | Tout finit par tomber dans le même trou | 1963 | fixed media, akusmatisch | 6:20 | Stereo | Fonologia Milano | 0 | ||||||||||
| 40448 | Edgardo | Canton | Transparence, Friction 60 | 1962 | Film | fixed media, akusmatisch |
4:42 | Mono, Stereo | INA • GRM | 21.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||
| 40540 | Edgardo | Canton | Un Appetit d’Oiseau | 1965 | Film | 8 | animations film | INA • GRM | 0 | ||||||||||
| 40483 | Edgardo | Canton | Un chant de Pierre | 1963 | Theatermusik | radiophon |
6 | INA • GRM | février 1963 | Paris, UNesco | 0 | |||||||||
| 40631 | Edgardo | Canton | Un froid de chien | 1968 | Theatermusik | INA • GRM | Le Havre, Maison de la Culture | 0 | |||||||||||
| 22271 | Edgardo | Canton | Une espèce de serpent | 1969 | fixed media, akusmatisch | 8:10 | Nepless CO 981 2004/ | INA • GRM | 1 | ||||||||||
| 40514 | Edgardo | Canton | Velodrame | 1964 | Film | 6:30 | INA • GRM | 0 | |||||||||||
| 40408 | Edgardo | Canton | Vert Paradis | 1960 | Film | INA • GRM | 0 | ||||||||||||
| 40496 | Edgardo | Canton | Ville nouvelle | 1963 | Film | Reklamefilm, relisiert von Bardinet | INA • GRM | Peugeot | 0 | ||||||||||
| 2813 | Edgardo | Canton | Voix Inouies | 1965, 1966 | fixed media, akusmatisch | 10:20 | Stereo, Quadro | Nepless CO 981 2004/ ME 1/ PHI 6521006/ MN 12006/ Klett Stuttgart 92422/ IDEAMA CD 025/ | INA • GRM | 25.5.1966 | Paris, Maison de la Radio, „Exposition des Musiques Expérimentales 1966“ | 1 | |||||||
| 19736 | Mercé | Capdevila | A BAO A QU | 1986 | live-elec, 2 perf | 13:00 | Stereo | 2 V [Stimme] | Audio-Visuals Sarria Barcelona 1991/ | PS C. | 0 | ||||||||
| 19751 | Mercé | Capdevila | … a Chillida | 1997 | live-elec, 1 perf | 16:30 | Stereo | sax [Saxophon] | PS C. | 0 | |||||||||
| 19742 | Mercé | Capdevila | Alegries de Comedia | 1991 | live-elec, 1 perf | 13:00 | Stereo | MIDI [synthesizer] | PS C. | 0 | |||||||||
| 19730 | Mercé | Capdevila | Baobab | 1986 | live-elec, 1 perf | 9:00 | Stereo | amp gui [Gitarre] | delay | Audio-Visuals Sarria Barcelona 1991/ | PS C. | 0 | |||||||
| 19741 | Mercé | Capdevila | Bolero de Ravel per Salomé | 1991 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 19732 | Mercé | Capdevila | Concert de Música electroacústica y Rayos Laser | 1985 | intermedia | 75:00 | Stereo | Laser | PS C. | 0 | |||||||||
| 19737 | Mercé | Capdevila | D'un Castell a un Altre | 1989 | intermedia | 30:00 | Stereo | Laser | PS C. | 0 | |||||||||
| 19746 | Mercé | Capdevila | Desde mi Luz rosa hasta la Constelación Orión | 1994 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | perc [Schlagzeug] | PS C. | 0 | |||||||||
| 19855 | Mercé | Capdevila | Deshill, Holes, Emaus | 1982 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS C. | 0 | |||||||||||
| 19745 | Mercé | Capdevila | Estos Pétalos se Harán rosa en otras rosas | 1992 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | carillon [Keyboard] | PS C. | 0 | |||||||||
| 19729 | Mercé | Capdevila | Gramatges | 1983 | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | Audio-Visuals Sarria Barcelona 1991/ | Phonos Barcelona, PS C. | 0 | |||||||||
| 19740 | Mercé | Capdevila | Gran Finál, Salomé | 1991 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 19854 | Mercé | Capdevila | Intermezzo 23F | 1981 | fixed media, akusmatisch | Stereo | Phonos Barcelona, PS C. | 0 | |||||||||||
| 19747 | Mercé | Capdevila | Lingam-Yoni | 1994 | fixed media, akusmatisch | 14:30 | Stereo | PS C. | 0 | ||||||||||
| 19743 | Mercé | Capdevila | Mercuri | 1991 | live-elec, 2 perf | 12:15 | Stereo | V, MIDI [Stimme, synthesizer] | PS C. | 0 | |||||||||
| 19731 | Mercé | Capdevila | Música de Molt Aprop | 1985 | fixed media, akusmatisch | 11:00 | Stereo | PS C. | 0 | ||||||||||
| 2814 | Mercé | Capdevila | Nu | 1990 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | Dino Classics 1992/ | Phonos Barcelona, PS C. | 0 | ||||||||||
| 19752 | Mercé | Capdevila | Peine del Viento (Chillida) | 1997 | Zuspiel / Tonband, 1 perf | 12:15 | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 19749 | Mercé | Capdevila | Petita Peça | 1996 | live-elec, 1 perf | 7:00 | Stereo | org [Orgel] | PS C. | 0 | |||||||||
| 19744 | Mercé | Capdevila | Pierrot and Flappy the Parrot | 1992 | Zuspiel / Tonband, 2 perf | 7:00 | Stereo | cl, fl [Flöte, Klarinette] | PS C. | 0 | |||||||||
| 19733 | Mercé | Capdevila | Primer Artifici | 1985 | Zuspiel / Tonband, 4 perf | 20:00 | Stereo | vn, vc, db, gui [Gitarre, Cello, Violine, Kontrabass] | Audio-Visuals Sarria Barcelona 1991/ | PS C. | 0 | ||||||||
| 19750 | Mercé | Capdevila | Racc | 1996 | fixed media, akusmatisch | 10:15 | Stereo | PS C. | 0 | ||||||||||
| 2815 | Mercé | Capdevila | Risonanza | 1990 | fixed media, akusmatisch | 3:00 | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | ||||||||||
| 19735 | Mercé | Capdevila | Segón Artifici dos | 1986 | intermedia | 13:00 | Stereo | PS C. | 0 | ||||||||||
| 19734 | Mercé | Capdevila | Segón Artifici I - II | 1986 | fixed media, akusmatisch | Zuspiel/Tonband, 2 perf |
20:00 | Stereo | db, fl [Flöte, Kontrabass] | PS C. | 0 | |||||||||
| 19738 | Mercé | Capdevila | Varas de Mafril | 1990 | live-elec, 13 perf | 10:00 | Stereo | 12 ins, Kbd [Keyboard, Instrument] | PS C. | 0 | |||||||||
| 19748 | Mercé | Capdevila | Zoom | 1995 | live-elec, 1 perf | 16:05 | Stereo | MIDI p [Piano] | PS C. | 0 | |||||||||
| 40097 | Mercè | Capdevila | Fons de Mar | 2003 | Zuspiel / Tonband, 2 perf | 8:47:00 | hn, org [Horn, Orgel] | Mercé Capedevila | 10.5.2003 | Fürth | 0 | ||||||||
| 38445 | Lucio | Capece | Space tuning conditional music | 2017 | Performance, live-elec, 1 perf | sax, (flying speakers, analogue elec, sine waves) [Saxophon] | 0 | ||||||||||||
| 38515 | Daniel | CAPEILLE | Le silence sur un fil | 2017 | radiophon | 43:00:00 | Prix Phonurgia nova 2017, Field recording award | 0 | |||||||||||
| 41615 | Bruno | Capelle | D'infimes infinités intimes | 2009 | fixed media, akusmatisch | 23:43:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 28169 | Bruno | Capelle | Pic-vert(ical), 2010 Complement a l’Inventaire | fixed media, akusmatisch | 5:20 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | http://capellebruno.e-monsite.com | |||||||||
| 2816 | Bruno | Capelle | Plume de bon sens | 1993 | Zuspiel / Tonband, 4 perf | vocal-qt [Stimme] | GRAME Lyon | 0 | |||||||||||
| 2817 | Bruno | Capelle | Tercet Secret | 1993 | fixed media, akusmatisch | GRAME Lyon | 0 | ||||||||||||
| 27845 | Mireille | Capelle | Annello di sè, Anello Naga Sunyata Artempo Academia In-finitum |
2007 | Klangkunst, Installation | vc, fl, hp, perc, va, V [Stimme, Flöte, Harfe, Schlagzeug, Viola, Cello] | 3 Sonic Architectures | audioMER 006/ | CRFMW Liège | 29.06.2007 | Venise, Biennale | 0 | http://www.crfmw.be/index1.htm | ||||||
| 27827 | Mireille | Capelle | Bonshô | 2009 | Klangkunst, Installation | CRFMW Liège | 7.06.2009 | Venise, 53e Biennale | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 27867 | Mireille | Capelle | Kinesis Akinetos | 2004 | Zuspiel / Tonband, 1 perf | V [Stimme] | CRFMW Liège | 10.03.2004 | Wijnegem (Anvers), Inspiratum | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27837 | Mireille | Capelle | La Perle | 2008 | Film | l'unique film d'Henri d'Ursel | CRFMW Liège | 21.01.2009 | Bruxelles, Beursschouwburg | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27857 | Mireille | Capelle | Nephesh | 2005 | Zuspiel / Tonband, 1 perf | V [Stimme] | montage sonore | CRFMW Liège | 17.02.2005 | Wijnegem (Anvers), Inspiratum | 0 | http://www.crfmw.be/index1.htm | |||||||
| 27858 | Mireille | Capelle | Ruach | 2005 | Zuspiel / Tonband, 2 perf | V, grand tam-tam [Stimme, Schlagzeug] | montage sonore | CRFMW Liège | 27.11.2005 | Liège, Festival Images Sonores | 0 | http://www.crfmw.be/index1.htm | |||||||
| 27846 | Mireille | Capelle | Varuni | 2007 | Klangkunst, Installation | CRFMW Liège | 2007 | Amsterdam, exposition de l'artiste peintre Gertrud J. M. Derksen | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 38423 | Mireille, Group | Capelle, HERMESensemble | Aurum | 2015 | Klangkunst, Installation | 75:21 | vc, fl, cl, p, perc, va [Flöte, Klarinette, Piano, Schlagzeug, Viola, Cello] | Architecture Sonore | Inspiratum/ | 0 | |||||||||
| 25450 | Gabriele | Cappellani | Cool Training | 2001 | fixed media, akusmatisch | 7:59 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 2818 | Sergio | Cappuccio | Tra le Quinte | 1984 | fixed media, akusmatisch | 8:05 | Stereo | CSC Padova | 0 | ||||||||||
| 2819 | Alberto | Caprioli | Intermedio I | 1988 | Zuspiel / Tonband, 1 perf | 8:32 | Quadro | fl [Flöte] | CSC Padova | 0 | |||||||||
| 2820 | Alberto | Caprioli | Per lo dolce silentio de la notte | 1987 | Zuspiel / Tonband, 1 perf | 15:00 | Quadro | p [Piano] | CSC Padova | 0 | |||||||||
| 32742 | Elisabetta | Capurso | Microstructures | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | |||||||||||||
| 2821 | Gillian | Carcas | In the Glow of the inner light | 1992 | fixed media, akusmatisch | BEAST | 0 | ||||||||||||
| 2822 | Cornelius | Cardew | 1st Exercise, first Exercise (Transpositions) | 1958 | fixed media, akusmatisch | 7:00 | Mono | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||
| 31285 | Cornelius | Cardew | 2nd Exercise, second Exercise | 1958 | fixed media, akusmatisch | 1:25 | Mono | WDR SEM | WDR | ohne Nachweis | 0 | ||||||||
| 34568 | Cornelius, Group | Cardew, AMM | Treatise | 1963 - 1967, 2002 | Performance, live-elec, 9 perf | computer generated score |
45:57 | 9 perf (com, B, theremin, gui, perc, sax, perf, elec, p) [Performer] | graphical score 193 oages | fibrr 006/ fibrr 002/ fibrr 004/ | Festival Musique Action | 0 | ||||||||
| 42220 | Cornelius, Christopher | Cardew, Williams | A Treatise Remix | 2015 | radiophon | 46:24 | DeutschlandRadio | 14.8.2015 | DeutschlandRadio Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4826540&vi=56&SID | ||||||||
| 34882 | Mauro | Cardi | A Poison Pen | 1995 | Performance | 5:10 | e-gui, mus, ens (Sax. Tr. Perc. Ch.el. Vc. Banda ≈ 3 Fl. Cl.picc. Cl.I Cl.II Cl.b. Sax S. Sax A. Sax T. Sax B. Tr.in Sib Trbn.ten. Tb. Perc.(G.C. P.tti)) [Gitarre, Musiker, Ensemble] | 13/12/1995 | Roma, Air Terminal, Progetto Musica 95, Interpreti: Freon ensemble, Banda della SPMT, direttore Silverio Cortesi | Edizioni Ricordi | 0 | ||||||||
| 33244 | Mauro | Cardi | Alba | 2002 | live-elec, 1 perf | ≈ 10:50 | zarb [Schlagzeug] | LFDL 19401/ RTP 0090/ | 21/11/2002 | Roma, Sala Casella, "Edison Studio Crossings". Interpreti: Mahamad Ghavi-Helm | Edizioni RAI Trade / CNI | 1 | http://www.edisonstudio.it/portfolio-items/alba/ | ||||||
| 34887 | Mauro | Cardi | Altrove con il suo nome | 2000 | Performance | 14:35 | actrice [Schauspieler] | Edizioni RAI Trade DVD/ | Edison St Roma | 12/12/2000 | Roma, Sala Casella, "Edison Studio / Incontri"; Interpreti: Sonia Bergamasco | 0 | |||||||
| 34891 | Mauro | Cardi | Bianco 2.0 | 2007 | live-elec, 1 perf | 10 | e-gui [Gitarre] | 23/10/2007 | Birmingham, Conservatoire, Interpreti: Stefano Cardi, Regia del suono Mauro Cardi | 0 | |||||||||
| 33239 | Mauro | Cardi | Breath | 2007 | live-elec, 1 perf | ≈ 7 | acc [Akkordeon] | Nuovi Eventi Musicali – Firenze | 7/7/2007 | Fiesole, Teatro Romano, "60.a Estate Fiesolana". Interpreti: Francesco Gesualdi, fisarmonica. Regia del suono Mauro Cardi | 0 | ||||||||
| 33236 | Mauro | Cardi | Caro cara | 2007 | audiovisuell | 7:30 | 2 V [Stimme] | 07/11/2007 | Roma, RAI, sala A, Via Asiago, "Radio Tre Suite". Interpreti: Sonia Bergamasco, Pasquale Panella, voci su nastro, Regia del suono Mauro Cardi | Edizioni RAI Trade | 0 | ||||||||
| 34888 | Mauro | Cardi | Das Papier | 1998 | live-elec, 6 perf | 10 | S, Bar, str-qt [Sopran, Bariton, Streicher] | Fondazione Malipiero | 11/02/1999 | Venezia, Teatro Fondamenta Nuove, "Ritorni 1947-1999 - Rätsel von Mozart"; Interpreti: soprano Sonia Visentin, baritono Nicholas Isherwood, Quartetto Paul Klee, direttore Giovanni Mancuso | Edizioni Ricordi | 0 | |||||||
| 34890 | Mauro | Cardi | E la notte rischiarava la notte | 1993 | live-elec, 3 perf | 8:30 | 3 elec (MIDI) [elektronik] | CRMCD 1053 Ricordi/ | Agon | Agon - Centro Studi Armando Gentilucci | 3/5/1993 | Milano, Teatro Lirico; Interpreti: tastiere MIDI Marisella De Carli, Maria Bodini, Maria Grazia Bellocchio, direttore Luca Francesconi | Edizioni Ricordi | 0 | |||||
| 34881 | Mauro | Cardi | Eikon | 2004 | Performance, live-elec, 1 group | 10 | ens [Ensemble] | CRM Roma | Centro Ricerche Musicali - Roma | 02/03/2004 | Roma, Teatro Palladium, "Identità e forme sonore", Interpreti: Banda dell’Aeronautica Militare, direttore Patrizio Esposito | 0 | |||||||
| 33230 | Mauro | Cardi | En Dirigeable sur le champs de bataille | 2014 | live-elec, | Film |
0 | |||||||||||||
| 33240 | Mauro | Cardi | I Piatti della Bilancia | 2006 | Zuspiel / Tonband, 1 perf | ≈ 6 | actrice [Schauspieler] | 0 | |||||||||||
| 33234 | Mauro | Cardi | Inferno | 2008 | fixed media, akusmatisch | Film |
64 | DVD 2011 Il cinema ritrovato, DVD-Booklet, Cineteca di Bologna/ | Ravenna Festival | 05/07/1008 | Ravenna, Rocca Brancaleone, Ravenna Festival. Interpreti: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani | 0 | ||||||||
| 34879 | Mauro | Cardi | La mia puntualita’ fu un capolavoro | Radiokunst, 2 perf | 100 | 2 V [Stimme] | RAI Milano | RAI RadioTre | 26/8/1996 | RAI, RadioTre. Interpreti: voci recitanti Giancarlo Dettori, Elena Stancanelli | Edizioni Ricordi | 0 | |||||||
| 34885 | Mauro | Cardi | Le Parole da sola | 2007 | live-elec, 5 perf | ≈ 9 | V, tpt, e-gui, perc, db [Stimme, Trompete, Gitarre, Schlagzeug, Kontrabass] | 07/11/2007 | Roma, RAI, sala A, Via Asiago, "Radio Tre Suite"; Interpreti: Sonia Bergamasco, Freon Ensemble (Massimo Bartoletti, Stefano Cardi, Rodolfo Rossi, Carla Tutino), Regia del suono Mauro Cardi | Edizioni RAI Trade | 0 | ||||||||
| 34886 | Mauro | Cardi | Le parole e il sale | 2003 | live-elec, 2 perf | 6:30 | V, e-gui [Stimme, Gitarre] | 4/4/2003 | Terni, Accademia Musicale Umbra; Interpreti: Sonia Bergamasco voce, Stefano Cardi chitarra | Edizioni RAI Trade | 0 | ||||||||
| 34889 | Mauro | Cardi | Manao tupapau | 1996 | Zuspiel, live-elec, 2 perf | 8:48 | fl (Ott. Fl. In Sol), perc (Mar. G.C. Djambé Wind chimes Bamboo chimes Wood chimes) [Flöte, Schlagzeug] | CRMCD 1053 Ricordi/ | Gramma L'Aquila | 9/12/1996 | Roma, Acquario Romano, Progetto Musica 96, Interpreti: Giuseppe Pelura, Rodolfo Rossi; Regia del suono Mauro Cardi | Finalista al 24° Electroacustique Music Competition di Bourges | Edizioni Ricordi | 0 | |||||
| 33235 | Mauro | Cardi | Medea incontra Norma | 2008 | live-elec, | Musiktheater |
60 | Liberamente tratto da Medea di L. Cherubini e Norma di V. Bellini | Ravenna Festival | 25/06/1008 | Ravenna, Rocca Brancaleone, Ravenna Festival. Interpreti: Medea Tiziana Fabbricini, Norma Laila Martinelli, percussioni Antonio Caggiano, viola Luca Sanzò, pianoforte Claudio Veneri, rielaborazione musicale e live electronics Luigi Ceccarelli e Mauro Cardi | 0 | ||||||||
| 2823 | Mauro | Cardi | Natura morta | live-elec, 1 perf | 12:00 | p [Piano] | CRM Roma | 0 | |||||||||||
| 34878 | Mauro | Cardi | Nessuna Coincidenza | 1995 | Musiktheater, live-elec, 5 perf, 1 group | 32 | 2 S, T, actor, ens (Fl. (Ott.) Cl. Fg. Trb. Trbn. Perc. (Mar. Vibr. G.C. Octapad T.tom T.tam Cmp.tbl. S.chimes), Tastiera MIDI Chit. MIDI Vl. Vla. Vc. Cb.), elec [Sopran, Tenor, Schauspieler, elektronik, Ensemble] | Accademia Filarmonica Romana | 25/5/1995 | Roma, Teatro Olimpico, Stagione Accademia Filarmonica Romana. Interpreti: soprani Margherita Pace, Christine Marano, tenore Luigi Petroni, gruppo strumentale Musica d'oggi, direttore Fabio Maestri; Scene e costumi Emanuele Luzzati; Regia Tonino Conte | Edizioni Ricordi | 0 | |||||||
| 33238 | Mauro | Cardi | Noi siamo la materia che sussulta | 2007 | audiovisuell | Performance |
≈ 12 | V, trbn, e-gui, perc, db [Stimme, Posaune, Gitarre, Schlagzeug, Kontrabass] | 07/11/2007 | Roma, RAI, sala A, Via Asiago, "Radio Tre Suite". Interpreti: Sonia Bergamasco, Freon Ensemble (Massimo Bartoletti, Stefano Cardi, Rodolfo Rossi, Carla Tutino), Regia del suono Mauro Cardi | Edizioni RAI Trade | 0 | ||||||||
| 33233 | Mauro | Cardi | Oggetto d’amore | 2008 | live-elec, 2 perf, 1 group | Musiktheater |
62 | V, inss [Stimme, Instrument] | RTC 023 2009 - RAI Trade/ |
Edison St Roma | 52.a Biennale di Venezia | 11/10/2008 | Venezia, 11/10/2008, Biennale di Venezia, Teatro alle Vergini - Arsenale Interpreti: Sonia Bergamasco, Freon Ensemble (Massimo Bartoletti, Stefano Cardi, Rodolfo Rossi, Carla Tutino), Regia del suono Mauro Cardi |
Edizioni RAI Trade | 0 | |||||
| 34884 | Mauro | Cardi | Pastelli sul Pack 2 | 2011 | live-elec, 1 perf | ≈ 7 | fl, (elec) [Flöte] | 22 Dicembre 2011 | Roma, Discoteca di Stato, Intermedia Edison 2011, Interpreti: Manuel Zurria, flauto; Mauro Cardi, live electronics | 0 | |||||||||
| 33242 | Mauro | Cardi | Polvere di luna | 2003 | live-elec, 1 perf | 6:30 | V [Stimme] | 19/12/2003 | Roma, Goethe Institut. Interpreti: Sonia Bergamasco | 0 | |||||||||
| 2824 | Mauro | Cardi | Quattro illustrazioni | live-elec, 1 perf | p [Piano] | sound spazialization with CRM dig systems | CRM Roma | 0 | |||||||||||
| 34880 | Mauro | Cardi | Temperatura esterna | 1994 | Radiokunst, 3 perf | 29 | V, fl, perc, (MIDI) [Stimme, Flöte, Schlagzeug] | RAI Milano | RAI RadioTre | 6/12/1994 | RAI, RadioTre, Interpreti: voce recitante Paolo Bonacelli, flauto Manuel Zurria, percussioni Gianluca Ruggeri | Edizioni Ricordi | 0 | ||||||
| 33237 | Mauro | Cardi | Un gioco a incastro | 2007 | live-elec, 5 perf | Musiktheater |
≈ 4:30 | V, tpt, e-gui, perc, db [Stimme, Trompete, Gitarre, Schlagzeug, Kontrabass] | 07/11/2007 | Roma, RAI, sala A, Via Asiago, "Radio Tre Suite". Interpreti: Sonia Bergamasco, Freon Ensemble (Massimo Bartoletti, Stefano Cardi, Rodolfo Rossi, Carla Tutino). Regia del suono Mauro Cardi | Edizioni RAI Trade | 0 | ||||||||
| 34883 | Mauro | Cardi | Zone 2.0 | 2014 | live-elec, 1 perf | a-sax, (elec) [Saxophon] | Accademia Nazionale di Santa Cecilia | 24 ottobre 2014 | Roma, Sala Accademica del Conservatorio Santa Cecilia, nell’ambito della 7a Edizione dell’ EMUFest - “Festival Internazionale di Musica Elettroacustica del Conservatorio Santa Cecilia”, Enzo Filippetti sax, Mauro Cardi live electronics | 0 | |||||||||
| 33232 | Mauro, Luigi, Fabio Cifariello | Cardi, Ceccarelli, Ciardi | I luoghi comuni non sono segnati sulle carte | 2012 | live-elec, 8 perf | 54 | hn, vn, db, p, 3 perf, dancer [Horn, Piano, Violine, Kontrabass, Performer, Tanz] | Società dei Concerti B.Barattelli | 25 Luglio 2012 | L’Aquila, Basilica di Collemaggio, “I cantieri dell'immaginario”. Interpreti: Geremia Iezzi, corno; Marco Rogliano, violino; Daniele Roccato, contrabbasso; Ciro Longobardi, pianoforte. Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, regia del suono. Coreografia di Roberto Zappalà |
0 | ||||||||
| 33231 | Mauro, Luigi, Fabio Cifariello, Alessandro | Cardi, Ceccarelli, Ciardi, Cipriani | Blackmail, Blackmail Project | 2013 | live-elec, 1 perf | Film |
72 | trbn [Posaune] | live computer soundtrack per il film omonimo del 1929 di Alfred Hitchcock (2013) | Società dei Concerti “B.Barattelli” – L’Aquila 2013 | 7 Aprile 2013 | L’Aquila; Ridotto del Teatro Comunale - Stagione della Società Aquilana dei Concerti “B.Barattelli”. Live electronics: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani Angelo Benedetti regia del suono |
0 | |||||||
| 34876 | Mauro, Luigi, Fabio Cifariello, Alessandro | Cardi, Ceccarelli, Ciardi, Cipriani | Gli ultimi giorni di Pompei | 2001 | Film, live-elec, 4 perf | 54 | 4 perf [Performer] | Edison St Roma | Fondazione MM&T | 16/11/2001 | Milano, Palazzina Liberty, Rassegna “Senza parole”. Interpreti: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani | 0 | |||||||
| 33243 | Mauro, Luigi, Fabio Cifariello, Alessandro | Cardi, Ceccarelli, Ciardi, Cipriani | The Cabinet of Dr.Caligari, Das Cabinet des Dr.Caligari | 2003 | Film, live-elec, 4 perf | 83 | 4 perf [Performer] | Edison St Roma | 02/10/2003 | Singapore, ICMC 2003, NUS University. Interpreti: Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi, Alessandro Cipriani | 0 | ||||||||
| 34877 | Mauro, Maria Cristina, Michelangelo, Alessandro, Roberta | Cardi, De Amicis, Lupone, Sbordoni, Vacca | C’era una volta… la principessa dispettosa | 2000 | Performance, live-elec, 1 perf | Musiktheater |
≈ 50 | V [Stimme] | Accademia Nazionale di Santa Cecilia, Gramma L'Aquila | Accademia Nazionale Santa Cecilia | 12/05/2000 | Roma, Teatro Greco, “Santa Cecilia per i bambini”. Interpreti: voce recitante Daniele Fracassi, elettronica Istituto Gramma | 0 | |||||||
| 33241 | Mauro, Roberta | Cardi, Vacca | Trash | 2004 | fixed media, akusmatisch | Musiktheater |
65 | 3 perf [Performer] | MTh for children. musicalopera per attori, cantanti e elettronica |
Accademia Nazionale di Santa Cecilia | 07/03/2004 | Roma, Parco della Musica, Sala Sinopoli, Rassegna “Tutti a Santa Cecilia”. Interpreti: Anna Clementi, Bruno Zeni, BurattinMusica. Regia del suono Mauro Cardi. Regia Francesca Angeli | Edizioni RAI Trade | 0 | ||||||
| 36726 | Janet | Cardiff | The Forty Part Motet | 2001 | fixed media, akusmatisch | loop 14:40 | 40 Tracks | A reworking of “Spem in Alium”, by Thomas Tallis 1556 | Field Art Projects | 2001 | Salisbury Festival, The New Art Gallery Walsall | 0 | |||||||
| 35061 | Janet, George Bures | Cardiff, Miller | Cabinet of Curiousness | 2010 | Klangkunst, Installation | (Karteischrank, Lautsprecher) [] | Sound Installation Galerie Barbara Weiss Berlin | 0 | |||||||||||
| 32903 | Janet, George Bures | Cardiff, Miller | The Murder of Crows | 2009 | Klangkunst, Installation | ∞ | Mixed Media Sound Installation | 13.3.2009 | „Musikwerke bildender Künstler“ im Hamburger Bahnhof Berlin | 0 | |||||||||
| 39499 | Simone | Cardini | Amber sapwood | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40251 | Simone | Cardini | Potlach (electric) | 2015 | fixed media, akusmatisch | 9:24:00 | Simone Cardini | 0 | |||||||||||
| 39610 | Benjamin | Carey | iambic | 2015 | fixed media, akusmatisch | 6:12:00 | Benjamin Carey | 0 | |||||||||||
| 42471 | Jeff | Carey | Structural Unit II | 2007 | fixed media, akusmatisch | 0 | |||||||||||||
| 42472 | Jeff, Robert van, Bas van | Carey, Heumen, Koolwijk | SKIF++ | 2008 | audiovisuell | perf [Performer] | 0 | ||||||||||||
| 18375 | Joanne D. | Carey | Adventures on a Theme | 1997 | live-elec, 2 perf | fl, perf (radio Baton) [Flöte, Performer] | 3 parts | CCRMA | 0 | ||||||||||
| 2825 | Joanne D. | Carey | Cloud's Lament | 1988 | fixed media, akusmatisch | 11:00 | Stereo | PLA, Samson_Box | CCRMA | 0 | |||||||||
| 2826 | Joanne D. | Carey | gamalan R-gong gong | 1984 | fixed media, akusmatisch | PLA, Samson_Box | CCRMA | 0 | |||||||||||
| 18352 | Joanne D. | Carey | Gracias - La Soledad - Aqui (Trilogy) | 1992/1993 | fixed media, akusmatisch | inspired by Flamenco & poetry of Pablo Neruda; DMIX | CCRMA | 0 | |||||||||||
| 2827 | Joanne D. | Carey | Intonations of Wind | 1990 | fixed media, akusmatisch | 15:00 | PLA, Samson_Box | CCRMA | 0 | ||||||||||
| 2828 | Gene | Carl | What the River Said | 1982 | fixed media, akusmatisch | 23:33 | 0 | ||||||||||||
| 2829 | Gene | Carl | Words And Music By | 1976 | fixed media, akusmatisch | 7:25 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 2830 | Robert | Carl | Roundabout | 1985 | Zuspiel / Tonband, 1 perf | 6:35 | Stereo | db [Kontrabass] | Synclavier | opus one 137/ | CCEM Hartford | 1 | |||||||
| 38748 | Rüdiger, Sven-Åke | CARL, JOHANSSON | Dschungelmusik mit Perkussion und Gesang | 2004 | radiophon | 54:22:00 | 0 | ||||||||||||
| 24179 | Massimo | Carlentini | Granular Leaves | 2002 | fixed media, akusmatisch | 4:57 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 33190 | Massimo | Carlentini | Mutamenti | 2000 | Zuspiel / Tonband, 1 perf | 7:14 | db [Kontrabass] | Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 tape + ins | 0 | |||||||||
| 23028 | Massimo | Carlentini | Recycling recycled | 2001 | Zuspiel / Tonband, 1 perf | 10:22 | fl [Flöte] | CDR Musica Nova 2001/ EMF 047/ | HfM Vincenzo Bellini Catania | prize Musica Nova 2001 Category B | 1 | ||||||||
| 2831 | José Luis | Carles | Aquellos objetos | 1991 | fixed media, akusmatisch | 15:05 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 2832 | José Luis | Carles | El ruido y la furia de Madrid | fixed media, akusmatisch | 12:00 | Stereo | 0 | ||||||||||||
| 2833 | José Luis | Carles | Ese sentido Delicioso | 1992 | Zuspiel / Tonband, 1 perf | 15:05 | Stereo | V [Stimme] | LIEM CDMC Madrid | 0 | |||||||||
| 25857 | José Luis | Carles | L ‘onde | 2003 | fixed media, akusmatisch | 19:53 | Octo | LDC 278080 Cultures électroniques 19 2006/ | 1 | ||||||||||
| 19013 | José Luis, Isabel | Carles, López Barrio | Latidos, Escenas sonoras de Madrid (Soundscape Madrid) | 1994 | Klangkunst, Installation | 13:14 | Herzschläge. Akustische Szenen aus Madrid | ZP 9501 ZwergProductions/ real ambient/ | 1 | ||||||||||
| 34850 | Gian Tenio | Carlone | L'homme qui n'a jamais pleuré | 2015 | fixed media, akusmatisch | 10:06:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 41372 | Gian Tenio | Carlone | La Salle de l’Esprit et du Temps | 2014 | fixed media, akusmatisch | 10:06:00 | JTTP 2014 participant | 0 | http://econtact.ca/19_1/pieces.html | ||||||||||
| 34416 | Wendy | Carlos | A Clockwork Orange, Timesteps | 1972 | Film | ESD 81362/ | Trans-Elecronic Music | 0 | |||||||||||
| 2834 | Wendy | Carlos | Composition for 4 LS | 1963 | fixed media, akusmatisch | 11:00 | Quadro | Col.Princ EMC | 0 | ||||||||||
| 2835 | Wendy | Carlos | Dialogues, Dialogues For Piano And Two Loudspeakers | 1963 | Zuspiel / Tonband, 1 perf | 4:05 | Stereo | p [Piano] | TV 34004S/ | Col.Princ EMC | 0 | ||||||||
| 2836 | Wendy | Carlos | Epitaph for Man | 1964 | fixed media, akusmatisch | 8:00 | Quadro | Col.Princ EMC | 0 | ||||||||||
| 2837 | Wendy | Carlos | Image | 1964 | Film, 1 perf | 10:30 | Mono, Quadro | ins [Instrument] | Col.Princ EMC | 0 | |||||||||
| 37952 | Wendy | Carlos | Land of the Midnight Sun, Aurora Borealis Midnight Sun |
1972 | fixed media, akusmatisch | 39:52 | ESD 81372/ | 0 | |||||||||||
| 2838 | Wendy | Carlos | Noah | 1965 | Oper | 60:50 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 2839 | Wendy | Carlos | Pomposities | 1965 | Zuspiel / Tonband, 1 perf | 8:00 | Quadro | narrator [Schauspieler] | Col.Princ EMC | 0 | |||||||||
| 2840 | Wendy | Carlos | Sacred Sonorities | 1963 | Zuspiel / Tonband, | 3:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 37951 | Wendy | Carlos | Sonic Seasonings, Spring Summer Fall Winter Winter Out-take |
1972 | fixed media, akusmatisch | 92:51 | ESD 81372/ Infiné IF 4002/ | 0 | |||||||||||
| 21784 | Wendy | Carlos | Switched on Bach | 1967 | live-elec, 1 perf | synt [synthesizer] | CBS CD MK 7194/ SK 53789 Sony Classical/ | 0 | |||||||||||
| 21785 | Wendy | Carlos | The Well-Tempered Synthesizer | 1969 | live-elec, 1 perf | synt [synthesizer] | Mainstream MS 7286/ CBS S63656/ | 0 | |||||||||||
| 2841 | Wendy | Carlos | Variations, Variations For Flute And Electronic Sound | 1964 | Zuspiel / Tonband, 1 perf | 4:00 | Stereo | fl [Flöte] | original title "Motif & Metaphor" | TV 34004S/ | Col.Princ EMC | 0 | |||||||
| 21783 | Wendy | Carlos | Wendy Carlos by Request | 1975 | live-elec, 1 perf | synt [synthesizer] | LP MT 32088/ | 0 | |||||||||||
| 21782 | Wendy | Carlos | Wendy Carlos' Digital Moonscapes | 1984 | live-elec, 1 perf | synt [synthesizer] | CBS MK 39340/ | 0 | |||||||||||
| 2842 | Morten | Carlsen | Die Menschmaschine | 1989 | Zuspiel / Tonband, 1 group | 60:00 | Stereo | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 22257 | Morten | Carlsen | Iliad 5-8 | fixed media, akusmatisch | 13:12 | dacapo 8.224198/ | DIEM Aarhus | 1 | |||||||||||
| 2843 | Morten | Carlsen | Kutbay | 1990 | live-elec, 1 perf | 15:00 | Stereo | fl [Flöte] | DIEM Aarhus | 0 | |||||||||
| 2844 | Morten | Carlsen | Musik til kunstudstilling | 1990 | fixed media, akusmatisch | Stereo | DIEM Aarhus | 0 | |||||||||||
| 2845 | Morten | Carlsen | Noise Control | 1989 | live-elec, 1 group | 20:00 | Stereo | ens [Ensemble] | DIEM Aarhus | 0 | |||||||||
| 2846 | Morten | Carlsen | Tin Can Polka | 1989 | live-elec, 1 perf | 20:00 | Stereo | sax [Saxophon] | DIEM Aarhus | 0 | |||||||||
| 23575 | Lars | Carlsson | Pavers | 2003 | Klangkunst, Installation | 1:05 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 42821 | Oliver | Carman | Electric Strings | 2012 | fixed media, akusmatisch | 11:31:00 | 0 | ||||||||||||
| 42585 | Oliver | Carman | Metamorphosis I | 2009 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 2847 | Giuseppe, Amelia | Carmassi, Mangione | AG 126 | 1966 | fixed media, akusmatisch | 3:00 | Mono + Stereo + Stereo | Fonologia Firenze | 0 | ||||||||||
| 23925 | Oscar | Carmona | Cygnus X-1 | 2003 | Zuspiel / Tonband, 1 perf | 7:22 | p [Piano] | Noviembre 2003.XIII Festival de Música Contemporánea. Santiago, Chile. | 0 | ||||||||||
| 23924 | Oscar | Carmona | Kinesis | fixed media, akusmatisch | 17:45 | La Habana, Cuba. | 0 | ||||||||||||
| 22762 | Daniel | Carney | Ecstatic research | 1985 | fixed media, akusmatisch | 3:00 | ICMC 1986 Den Haag | 1 | |||||||||||
| 18963 | David | Caron | Boottocht | 1995 | Klangkunst, Installation | 6:55 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | Sonology Den Haag | 1 | |||||||||
| 2848 | Paolo | Carosi | Sciarada | 1989 | live-elec, 1 perf | 10:00 | fl [Flöte] | CNUCE Pisa | 0 | ||||||||||
| 2849 | Paolo | Carosi | Synapsis | 1991 | live-elec, 3 perf | 13:00 | fl, ob, ehn, (light baton) [Flöte, Oboe] | CNUCE Pisa | 0 | ||||||||||
| 2850 | Paolo | Carosi | Waki | 1989 | live-elec, 1 perf | 10:00 | fl [Flöte] | CNUCE Firenze | 0 | ||||||||||
| 28552 | James | Carpenter | Tangle | 2010 | fixed media, akusmatisch | 9:50 | Octo | BEAST | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin | 1 | 2010 | ||||||
| 2851 | Cioni | Carpi | Chromogrammes 1 — 3 | 1961 | Film | intermedia |
7:00 | Mono | PS C. Montréal | 0 | ||||||||||
| 2852 | Cioni | Carpi | I will I shan't | 1962 | Film | intermedia |
4:00 | Mono | PS C. Montréal | 0 | ||||||||||
| 2853 | Cioni | Carpi | L'oiseau Maya | 1961 | Film | intermedia |
3:00 | Mono | PS Marko Montréal | 0 | ||||||||||
| 2854 | Cioni | Carpi | Point and Counterpoint | 1960 | Film | intermedia |
5:00 | Mono | PS Marko Montréal | 0 | ||||||||||
| 33387 | Fiorenzo | Carpi | Un jour un avion | 1963 | Film | 6 | Mono | NIS Film Roma | 0 | ||||||||||
| 23926 | Fernando | Carrasco | ajar.cl | fixed media, akusmatisch | 8:27 | 0 | |||||||||||||
| 23927 | Fernando | Carrasco | Nilnovisubsole | fixed media, akusmatisch | 5:06 | 0 | |||||||||||||
| 40167 | Pablo | Carrascosa | “Rush” | 2017 | fixed media, akusmatisch | Pablo Carrascosa | 0 | ||||||||||||
| 22456 | Patrice | Carré | Igor Wagner has gone to the Races | 2000 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory; Teil CD-ROM, Teil Audio-CD; Windows und Mac | MF 0002-2/ | Mattress Factory | 1 | ||||||||||
| 19269 | Rémy | Carré | La Trace du Souffle | 1989 - 1996 | fixed media, akusmatisch | 9:26 | CEC Presence 1/ | GMVL Lyon | GMVL | 1 | |||||||||
| 19415 | Rémy | Carré | La vallèe | 1993 | fixed media, akusmatisch | 6:00 | Stereo | e. Cactus 002/ | GMVL Lyon | GMVL | 0 | ||||||||
| 18452 | Rémy | Carré | Le bruit des ailes | 1996 | fixed media, akusmatisch | 13:15 | Stereo | IMEB Bourges | 0 | ||||||||||
| 19416 | Rémy | Carré | Le territoire | 1993 | fixed media, akusmatisch | 8:55 | Stereo | e. Cactus 002/ | GMVL Lyon | 0 | |||||||||
| 18451 | Rémy | Carré | Le train des invisibles | 1992 | fixed media, akusmatisch | 15:17 | Stereo | IMEB Bourges | 0 | ||||||||||
| 19417 | Rémy | Carré | Le voile gris | 1994 | radiophon | 11:16 | Stereo | MEC 02/ | GMVL Lyon | 0 | |||||||||
| 2855 | Rémy | Carré | Les allées de sable | 1987 | fixed media, akusmatisch | 18:45 | Stereo | INA • GRM | 0 | ||||||||||
| 19418 | Rémy | Carré | Les appels | 1993 | fixed media, akusmatisch | 2:34 | Stereo | e. Cactus 002/ | GMVL Lyon | 0 | |||||||||
| 2856 | Rémy | Carré | Les taureaux | 1990 - 1991 | fixed media, akusmatisch | 34:55 | Stereo | Version Concert 18:00 | INA • GRM, GME Cuenca | 0 | |||||||||
| 2857 | Rémy | Carré | Mira | 1991 | fixed media, akusmatisch | 17:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 2858 | Rémy | Carré | Reportage | 1987 | fixed media, akusmatisch | 18:10 | Stereo | GES Vierzon | 0 | ||||||||||
| 2859 | Rémy | Carré | Toros | 1990 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 36771 | Ulises | Carrión | Aritmética | 1977 | fixed media, akusmatisch | 5:19 | Sonology Utrecht | 0 | |||||||||||
| 36743 | Ulises | Carrión | Hamlet | 1977 | Musikinstrument, keine EM, 2 perf | 15:36 | 2 V [Stimme] | Sonology Den Haag | 0 | ||||||||||
| 40155 | Nicole | Carroll | Everything in its Place | 2015 | fixed media, akusmatisch | 13:00:00 | Nicole Carroll | 0 | |||||||||||
| 40154 | Nicole | Carroll | Hand of Marseilles | 2016 | fixed media, akusmatisch | Nicole Carroll | 0 | ||||||||||||
| 22300 | Roy | Carroll | I'm born again | 2000 | fixed media, akusmatisch | 3:15 | SIDO 010/ | 1 | |||||||||||
| 41373 | Vanessa | Carroll | Novum Sonus et Veteres Traditiones | 2012 | fixed media, akusmatisch | 5:06 | JTTP 2012 | 0 | |||||||||||
| 2860 | Philippe | Carson | Bx | 1962 | fixed media, akusmatisch | 7:55 | Quadro, Stereo | perc [Schlagzeug] | IDEAMA CD 026/ | INA • GRM | 0 | ||||||||
| 2861 | Philippe | Carson | Collages, Concert Collectif | 1963 | Zuspiel / Tonband, 16 perf | 5:57 | Stereo | 16 ins [Instrument] | IDEAMA CD 050/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 0 | ||||||
| 40423 | Philippe | Carson | Composition, Danse 2 | 1961 | Film | 3:45 | film by P. Kamler „Composition“ | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||
| 43089 | Philippe | Carson | Danse II | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 40454 | Philippe | Carson | Decoupages | 1962 | Zuspiel / Tonband, 1 group | 4:35 | Mono | ens [Ensemble] | INA • GRM | 0 | |||||||||
| 43090 | Philippe | Carson | Exposition de Stuyvesant | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 40524 | Philippe | Carson | La belle epoque | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 40500 | Philippe | Carson | Le Manteau | 1963 | Film | INA • GRM | 0 | ||||||||||||
| 40428 | Philippe | Carson | Les dents du singe | 1961 | Film | pour film „image par image“ de R. Laloux | INA • GRM | 0 | |||||||||||
| 40440 | Philippe | Carson | Les nuages fous | 1962 | Film | animations film | INA • GRM | 0 | |||||||||||
| 40477 | Philippe | Carson | Litterature orale | 1963 | radiophon | générique émission radio | INA • GRM | 0 | |||||||||||
| 40403 | Philippe | Carson | Monsieur Bonhomme et les Incendiaires | 1960 | Theatermusik | Piece de Max Frisch | INA • GRM | 1960 | Saint-Etienne | 0 | |||||||||
| 2862 | Philippe | Carson | Phonologie, Concert Collectif | 1962 | fixed media, akusmatisch | 6:53 | Quadro | Variations sur le timbre des voyelles (voix de X. Depraz) | INA C 1032 27652 archives grm CD 2/5/ IDEAMA CD 025/ | INA • GRM | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | 1 | ||||||
| 40513 | Philippe | Carson | Traite du bonheur | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 2863 | Philippe | Carson | Turmac | 1961 | fixed media, akusmatisch | 9:43 | Stereo | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ BAM LD 972/ BAM LD 5072/ Klett Stuttgart 92422/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 025/ | INA • GRM | January 1962 | Amsterdam, Musée d'Art Moderne | 1 | |||||||
| 2864 | Philippe | Carson | Une semaine en france | 1961 | Film | 15:45 | INA • GRM | 1960 | Moscou | Prix de l’UNIATEC 1962 | 0 | ||||||||
| 40522 | Philippe, Claude | Carson, Arrieu | Noces de papier | 1964 | Film | INA • GRM | 0 | ||||||||||||
| 36904 | John | Carter | Encounters | 2008 | live-elec, 5 perf | 9:19 | cl, perc, (com), p, trbn, V [Stimme, Klarinette, Posaune, Piano, Schlagzeug] | sound check three | UCSD/ | 1 | ||||||||||
| 22031 | Paul | Carter | 7448. Eine kolumbianische Phantasie | radiophon | 2:26 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 19162 | Paul | Carter | The Calling to Come | 1995 | Performance | ISAST LMJ 6/ | 1 | ||||||||||||
| 40223 | Ryan | Carter | On the limits of a system and the consequences of my decisions | 2016 | live-elec, 1 perf | 10 | p [Piano] | Ryan Carter | 0 | ||||||||||
| 39732 | Diogo | Carvalho | Reveal | 2017 | fixed media, akusmatisch | Diogo Carvalho | 0 | ||||||||||||
| 31748 | Guilherme | Carvalho | Existence Appartenance | 2007 | fixed media, akusmatisch | 7:20 | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 1 | |||||||||||
| 2865 | Reginaldo | Carvalho | A Menina e o Vento | 1964 | Tanz | Theatermusik |
20:00 | Quadro | PS C. Brasilia | 0 | ||||||||||
| 2866 | Reginaldo | Carvalho | A pulseirinha | 1966 | fixed media, akusmatisch | 1:38 | Mono | PS C. Rio | 0 | ||||||||||
| 2867 | Reginaldo | Carvalho | A tesourinha | 1966 | fixed media, akusmatisch | 2:20 | Stereo | PS C. Rio | 0 | ||||||||||
| 2868 | Reginaldo | Carvalho | Alegria de Natal, Joy of Christmas | 1963/1964 | Zuspiel / Tonband, 1 group | 4:00 | Stereo | ch [Chor] | PS C. Brasilia | 0 | |||||||||
| 2869 | Reginaldo | Carvalho | Androcles e o leão | 1966 | Theatermusik | 15:46 | Mono | PS C. Rio | 0 | ||||||||||
| 2870 | Reginaldo | Carvalho | As interferências | 1966 | Theatermusik | 15:00 | Mono | PS C. Rio | 0 | ||||||||||
| 2871 | Reginaldo | Carvalho | Caleidoscópio I | 1966 | Film | 10:00 | Quadro | PS C. Rio | 0 | ||||||||||
| 2872 | Reginaldo | Carvalho | Caleidoscópio II | 1966 | Tanz | Film |
44:00 | Stereo + Stereo + Stereo | PS C. Rio | 0 | ||||||||||
| 2873 | Reginaldo | Carvalho | Caleidoscópio III | 1967 | Tanz | 10:00 | Stereo | PS C. Rio | 0 | ||||||||||
| 31741 | Reginaldo | Carvalho | Caleidoscópio IV, Semáforos Cleta Pontuações Luminosas |
1968 - 1969 | Film | 7:17 | 1. Semáforos 1:29 2. Cleta 2:33 3. Pontuações Luminosas (69) 4:34 |
SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. Rio | 1 | |||||||||
| 31742 | Reginaldo | Carvalho | Cemiterio sem Flores, Cemetery without flowers | 1969 | fixed media, akusmatisch | 4:34 | after a poem by Ivan Setta | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 2874 | Reginaldo | Carvalho | Cleta (poesia) | 1966 | fixed media, akusmatisch | 2:15 | Stereo | PS C. Rio | 0 | ||||||||||
| 31740 | Reginaldo | Carvalho | Estudo de martelo com piano destemperado, Hammer study with distempered piano | 1957 | fixed media, akusmatisch | 2:00 | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. Rio | 1 | ||||||||||
| 2875 | Reginaldo | Carvalho | Estudo I | 1958 | fixed media, akusmatisch | ≈ 1:00 | Mono | PS C. Rio | 0 | ||||||||||
| 31735 | Reginaldo | Carvalho | Estudo II | 1959 | fixed media, akusmatisch | PS C. Rio | 0 | ||||||||||||
| 2876 | Reginaldo | Carvalho | Estudo III (agua), Study III: water | 1963/1964 | fixed media, akusmatisch | 1:26 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2877 | Reginaldo | Carvalho | Estudo Incoerente (piano suspresa #2) | 1965 | fixed media, akusmatisch | 2:00 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2878 | Reginaldo | Carvalho | Estudo IV : plastico | 1964 | fixed media, akusmatisch | 2:18 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2879 | Reginaldo | Carvalho | Fumaça : resonancias, Smoke: Ressonances | 1964 | fixed media, akusmatisch | 2:00 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2880 | Reginaldo | Carvalho | In Memoriam: a morte do homem que quiz ser livre, In Memoriam: the death of the man who wanted to be free | 1967 | Tanz | 15:46 | Mono | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | PS C. Rio | 1 | |||||||||
| 2881 | Reginaldo | Carvalho | Negócio | 1959 | Tanz | 2:42 | Mono | PS C. Rio | 0 | ||||||||||
| 2882 | Reginaldo | Carvalho | O apêlo da montanha | 1966 | fixed media, akusmatisch | Tanz |
4:00 | Quadro + Stereo + Stereo + Stereo | PS C. Rio | 0 | ||||||||||
| 2883 | Reginaldo | Carvalho | O camaleão na lua | 1967 | Theatermusik | 20:00 | Stereo | PS C. Rio | 0 | ||||||||||
| 2884 | Reginaldo | Carvalho | Os inimigos não mandam flôres | 1964 | Theatermusik | 7:00 | Mono | PS C. Brasilia | 0 | ||||||||||
| 2885 | Reginaldo | Carvalho | Papai, pobre papaisinho, mamãe te pendurou… | 1966 | Theatermusik | 28:50 | Mono | PS C. Rio | 0 | ||||||||||
| 2886 | Reginaldo | Carvalho | Piano Surpresa Nr. 1 | 1964 | fixed media, akusmatisch | 5:17 | Mono | SBME 004 Coletânea de Música Eletroacústica Brasileira/ | Paris | 1 | |||||||||
| 2887 | Reginaldo | Carvalho | Primeiro acho, depois procuro | 1966 | Hintergrundmusik | 40:00 | Stereo | PS C. Rio | 0 | ||||||||||
| 2888 | Reginaldo | Carvalho | Si Bemol, B flat | 1956 | fixed media, akusmatisch | 1:13 | Mono | first brazilian work Musique concrète | RD003 MEB Rioarte/ | PS C. Rio | 0 | ||||||||
| 2889 | Reginaldo | Carvalho | Temática, theme | 1956 | fixed media, akusmatisch | 1:03 | Mono | com piano | PS C. Rio | 0 | |||||||||
| 2890 | Reginaldo | Carvalho | Tensão | 1966 | Tanz | 1:15 | Mono | PS C. Rio | 0 | ||||||||||
| 2891 | Reginaldo | Carvalho | Troco I, Things I | 1956 | fixed media, akusmatisch | 0:57 | Mono | com piano | PS C. Rio | 0 | |||||||||
| 2892 | Reginaldo | Carvalho | Troco II, Things II | 1957 | fixed media, akusmatisch | 1:12 | Mono | PS C. Rio | 0 | ||||||||||
| 2893 | Reginaldo | Carvalho | Vozes das nuvens | 1965 | fixed media, akusmatisch | Tanz |
3:15 | Stereo | PS C. Brasilia | 0 | ||||||||||
| 38516 | Ric | CARVALHO | Avolition | 2010 | radiophon | 2:39:00 | Prix Pierre Schaeffer | 0 | |||||||||||
| 23929 | Antonio | Carvallo | 02_être_02_alors_02 | fixed media, akusmatisch | 7:07 | 0 | |||||||||||||
| 23928 | Antonio | Carvallo | Nuevamente | live-elec, 1 perf | 2:20 | Sp, (elec) [Sprecher] | 0 | ||||||||||||
| 23930 | Antonio | Carvallo | (Post) Desde que (no) somos un dialogo | fixed media, akusmatisch | 5:46 | 0 | |||||||||||||
| 32859 | Antonio | Carvallo | Vacio | 2006 | live-elec, 1 perf | 4:08 | V [Stimme] | Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 2894 | Tristram | Cary | 3 4 5 | 1967 | fixed media, akusmatisch | 6:52 | Stereo | A Study in Limited Resources for Stereo Tape. Used Frequecies are 3, 4 and 4 Hz and their multiples |
Galaxy 4006/ TP 139 Tall Toppies Records Australia/ IDEAMA CD 072/ | PS C. Fressingfield | January 15 1968 | Queen Elizabeth Hall | 1 | ||||||
| 2895 | Tristram | Cary | Birth is Life is Power is Death is God is …, Birth is Life is Power is God is … | 1967 | fixed media, akusmatisch | 8:46 | Stereo | revision of a sound track | TP 139 Tall Toppies Records Australia/ IDEAMA CD 072/ | PS C. Fressingfield | January 15 1968 | Queen Elizabeth Hall | 1 | ||||||
| 25440 | Tristram | Cary | Black, White & Rose | 1991 | Zuspiel / Tonband, 1 perf | 21:47 | Stereo | perc (mar, gongs, woodblocks) [Schlagzeug] | mar with 5 octaves | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | Ryszard Pusz | 03.1992 | 1 | |||||
| 2897 | Tristram | Cary | Continuum | 1969 | fixed media, akusmatisch | 13:26 | Stereo | analog synthesizer | TP 139 Tall Toppies Records Australia/ IDEAMA CD 072/ | PS C. Fressingfield | Cheltenham Festival | July 6 1969 | Cheltenham Colleg Chapel | 1 | |||||
| 2898 | Tristram | Cary | Divertimento | 1973 | fixed media, akusmatisch | 4:07 | Stereo | MOVE MS 3017/ | EMS_London, PS C. | 0 | |||||||||
| 2899 | Tristram | Cary | East of the sun and west of the moon | 1959 | radiophon | 15:00 | Mono | PS C. London | 0 | http://www.timesonline.co.uk/tol/comment/obituaries/article3834649.ece | |||||||||
| 2901 | Tristram | Cary | Film Music | 1959 - 1962 | Film | Mono | PS C. London | 0 | |||||||||||
| 2902 | Tristram | Cary | Hall Music | 1967 | Hintergrundmusik | 4:05 | Stereo | British Pavillon EXPO 67 | PS C. | 0 | |||||||||
| 2903 | Tristram | Cary | Illness and Ghosts at the West | 1965 | radiophon | 10:00 | Mono | PS C. | 0 | ||||||||||
| 2904 | Tristram | Cary | January Piece | 1967 | fixed media, akusmatisch | Mono | 0 | ||||||||||||
| 2905 | Tristram | Cary | Leviathan '99 | 1968 | radiophon | Stereo | concert suite: 71 | 0 | |||||||||||
| 2906 | Tristram | Cary | Music for Light | 1968 | fixed media, akusmatisch | with light show | 0 | ||||||||||||
| 2908 | Tristram | Cary | Narcissus | 1968 | live-elec, 1 perf | 8:00 | Stereo | fl, (2 Tape Recorders) [Flöte] | Concert suite: 71. Version also for IRCAM-Worjstation at RCM. | Galliard GAL4007/ TP 139 Tall Toppies Records Australia/ IDEAMA CD 072/ | PS C. Fressingfield | 2.10.1969 | Queen Elizabeth Hall with Edward Walker (fl) | Galliard 1970 | 1 | ||||
| 2909 | Tristram | Cary | Nonet | 1979 | fixed media, akusmatisch | 9:03 | Quadro | SCORE, Samson_Box | TP 139 Tall Toppies Records Australia/ | CCRMA | 1 | ||||||||
| 2910 | Tristram | Cary | Romantic Interiors | 1975 | Zuspiel / Tonband, 2 perf | 13:00 | vn, vc [Cello, Violine] | PS C. Fressingfield, UEA Norwich | 0 | ||||||||||
| 25439 | Tristram | Cary | Sine City II | 1979/1996 | fixed media, akusmatisch | 6:20 | Stereo | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | |||||||||
| 25438 | Tristram | Cary | Soft Walls | 1979/1980 | fixed media, akusmatisch | 7:31 | Quadro | with Synclavier I | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | ||||||||
| 36745 | Tristram | Cary | Sog | 1969 | fixed media, akusmatisch | PS C. Fressingfield | 0 | ||||||||||||
| 2911 | Tristram | Cary | Steam Music | 1978 | fixed media, akusmatisch | 9:21 | Quadro | former "Steam Music I"! | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | ||||||||
| 27333 | Tristram | Cary | Suite, The Children of Lir | 1959, 1996 | radiophon | 8:40 | Mono | this is an excerpt of the piece "The Children of Lir" (Duration 8:40) in 7 parts | TP 139 Tall Toppies Records Australia/ | PS C. London | 1 | ||||||||
| 2912 | Tristram | Cary | Suite - Leviathan '99 | 1972 | fixed media, akusmatisch | 16:10 | Stereo | after the radioplay "Leviathan '99" (premiered 1968 by BBC). | TP 139 Tall Toppies Records Australia/ | PS C. Fressingfield | May 22 1972 | Queen Elizabeth Hall | 1 | ||||||
| 27334 | Tristram | Cary | Suite - The Japanese Fisherman | 1955 | radiophon | 15:00 | Stereo | story about the H-bomb test series 1954 where fisherman sailed in the danger zone. The suite is an excerpt of The Japanese Fisherman" | TP 139 Tall Toppies Records Australia/ | PS C. London | 1 | http://list.waikato.ac.nz/mailman/listinfo/acma-l | |||||||
| 2913 | Tristram | Cary | The Children of Lir | 1959, 1996 | radiophon | 30:00 | Mono | An excerpt is the piece "Suite - The Children of Lir" (Duration 8:40) in 7 parts | TP 139 Tall Toppies Records Australia/ | PS C. London | 9.18.1959 | BBC | 0 | ||||||
| 38112 | Tristram | Cary | The Daleks, Devils' Planets | 1963 - 1970 | radiophon | BBC Records 300880/ | BBC | 0 | |||||||||||
| 2914 | Tristram | Cary | The End of Fear | 1960 | radiophon | 15:00 | Mono | PS C. London | 0 | ||||||||||
| 2915 | Tristram | Cary | The Ha-Ha | 1963 | radiophon | 20:00 | Mono | PS C. London | 0 | ||||||||||
| 25443 | Tristram | Cary | The Impossible Piano (Homage to CN) | 1994 | live-elec, 1 perf | 14:37 | sam [computer] | CN = Conlon Nancarrow. a piece for Sequencer and Sampled Piano. Contens: 7 excerpts under titels "Counterpoints", "Power Bounces", "Cross-Accents" | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 0 | ||||||||
| 2916 | Tristram | Cary | The Infernal Machine | 1960 | radiophon | 20:00 | Mono | PS C. London | 0 | ||||||||||
| 2917 | Tristram | Cary | The Japanese Fisherman | 1955 | radiophon | 15:00 | Stereo | story about the H-bomb test series 1954 where fisherman sailed in the danger zone. A "Suite - The Japanese Fisherman" is the tape version! |
TP 139 Tall Toppies Records Australia/ | PS C. London | BBC | 9.3.1955 | (first EM-Play at BBC!) | 0 | |||||
| 2918 | Tristram | Cary | The Killer | 1964 | radiophon | 10:00 | Mono | PS C. | 0 | ||||||||||
| 2919 | Tristram | Cary | The Rhyme of the Flying Bomb | 1964 | Zuspiel / Tonband, 7 perf | 28:00 | Mono | 2 Sp, 5 ins [Sprecher, Instrument] | PS C. | 0 | |||||||||
| 2920 | Tristram | Cary | The Sirens | 1966 | radiophon | 7:00 | Mono | PS C. | 0 | ||||||||||
| 25441 | Tristram | Cary | Three Clockpieces | 1983/1996 | fixed media, akusmatisch | 4:10 | Stereo | recompilation from material 1983 from "Timepieces" | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | ||||||||
| 25442 | Tristram | Cary | Trellises | 1984 | fixed media, akusmatisch | 12:02 | Quadro | original created for a Duration of a week continuously | TP 139 Tall Toppies Records Australia/ | Adelaide Uni | 1 | ||||||||
| 2921 | Tristram | Cary | Winter Song | 1969 | fixed media, akusmatisch | 0 | |||||||||||||
| 2900 | Tristram, Peter | Cary, Zinovieff | Exercise for a Passing Cloud | 1973 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 31286 | Pedro | Caryeschi | Analogias Paraboloides | 1970 | fixed media, akusmatisch | 10:21 | IDEAMA CD 060/ | Tella B.Aires | 0 | ||||||||||
| 38517 | Amandine | CASADAMONT | Zone de Silence | 2015 | radiophon | 56:27:00 | Prix Phonurgia nova | 0 | |||||||||||
| 20999 | Daniel | Casado | Otr@s Niñ@s, UNICEF 3.1 | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 23368 | David | Casal | Boosound | 2002 | Performance, live-elec, 1 perf | 3:00 | (com), perf [Performer] | Improvisation, Boodler | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 35281 | Emanuele | Casale | 11 | 2008 | live-elec, 14 perf | ca. 16:30:00 | fl, ob, cl, bn, hn, tpt, trbn, 2 perc, p, st-qt, (elec) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Piano, Schlagzeug] | 2009 | Grame, Lyon; Ensemble Orchestral Contemporain, Mark Foster, conductor; Recording: MDI ensemble. Yoichi Sughyiama, conductor |
Edizioni Ricordi – Milan | 0 | ||||||||
| 24379 | Emanuele | Casale | 5 | 2003 | Zuspiel / Tonband, 2 perf | ≈ 8:13 | fl, cl (electronics) [Flöte, Klarinette] | STR 33750/ | IMEB Bourges | 9.3.2003 | Festival Musica Nova, Helsinki; Manuel Zurria (fl), Paolo Ravaglia (cl) | Edizioni Nuova Stradivarius – Milan | 0 | ||||||
| 35283 | Emanuele | Casale | Allegro con bocca | 2011 | live-elec, 14 perf | ca. 11:00:00 | fl, ob, cl, bn, hn, tpt, trbn, 2 perc, 2 vn, va, vc, db (elec) [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Schlagzeug, Viola, Cello, Violine, Kontrabass] | december 2011 | Oslo, Grønland Kammermusikkfestival, Dramatikkens Hus; Dramatikkens Hus, Oslo Sinfonietta, Christian Eggen, conductor | Edizioni Ricordi – Milan | 0 | ||||||||
| 35280 | Emanuele | Casale | Composizione per quattro | 2000 | live-elec, 4 perf | ca. 4:30:00 | fl, V, trbn, perc (elec) [Stimme, Flöte, Posaune, Schlagzeug] | STR 33750/ | 29/11/2000 | Cemat, Roma; Mario Caroli, flute; Anna Clementi, voice; Maurizio Persia, trombone, Antonio Caggiano, percussions | Edizioni Nuova Stradivarius – Milan | 0 | |||||||
| 35282 | Emanuele | Casale | Conversazioni con Chomsky | 2010, 2013 | Theatermusik | audiovisuell |
ca. 80:00:00 | 2 fl, 2 cl, b-cl, perc, 2 vn, va, vc, db, (elec, video), [Flöte, Klarinette, Schlagzeug, Viola, Cello, Violine, Kontrabass] | October 2010 January 2014 |
Fondazione I Teatri di Reggio Emilia; REC – I Teatri, Reggio Emilia; Icarus Ensemble/MDI Ensemble, Yoichi Sughiyama, conductor; Cristina Zavalloni, voice; Francesco Micheli, director; Luca Scarzella, video; Fondazione Musica per Roma, Auditorium Parco della Musica, Rome, January 2014 Ensemble PMCE, Tonino Battista, conductor; Diana Torto, voice; Noam Chomsky – Simone Gozzano, spoken voices; Fabio Cherstich, director; Igor Renzetti, video |
Edizioni Ricordi – Milan | 0 | ||||||||
| 35284 | Emanuele | Casale | Questo è un gruppo e pace | 2014 | Zuspiel, live-elec, 4 perf | 14:00:00 | vn, va, vc, p, (elec) [Piano, Viola, Cello, Violine] | november 2014 | Milano Musica, MDI ensemble | Edizioni Ricordi – Milan | 0 | ||||||||
| 24805 | Emanuele | Casale | Studio, Studio 1 | 1997 | Zuspiel / Tonband, 1 perf | 3:48 | hn [Horn] | LDC 278065/66 Cultures Electroniques 11/ EMF 047/ STR 33750/ | HfM Vincenzo Bellini Catania | prix GMEB 25. concours | 1 | ||||||||
| 35279 | Emanuele | Casale | Studio No. 2a, Studio No. 2b | 2000 | Zuspiel / Tonband, 1 perf | ≈ 4:30 | b-rec (Paetzold) [Flöte] | 2 versions | STR 33750/ | 7.2.2000 | Galleria Chagall, Nice | Edizioni Nuova Stradivarius, Milan | 0 | ||||||
| 42822 | Alejandro | Casales | Adsem Varien | 2013 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 26120 | Alejandro | Casales | History of Nothing | 2008 | fixed media, akusmatisch | 11:24 | Stereo | MR 2008 Métamorphoses 2008/ | 1 | ||||||||||
| 42725 | Alejandro | Casales | Nymphaeas | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 19515 | Rafel, Josep Maria, Xavier | Casasempere, Saperas, Dolç | Compuflutegram / de la Mort a L'Artic | 1995 | intermedia, live-elec, 2 perf | 55:00 | Stereo | fl, Kbd [Flöte, Keyboard] | Aula Barcelona | 0 | |||||||||
| 28424 | Kim | Cascone | Anti-Musical Celestial Forces | 2009 | Klangkunst, Installation | 27:48 | with a long text (spoken by G. R. Weisberg); recordings from Istanbul, Hamburg, Berlin, Aberdeen, Cordoba; Monterey... |
str 006 störung/ | 1 | http://www.storung.com/index.php?section=releases&lang=es&a=str006 | |||||||||
| 36164 | Kim | Cascone | Dust Theories 1 Dust Theories 2 |
2001 | live-elec, | 40 | cycling74 001/ cycling74 004/ c74-001-c74-008/ c74-004-c74-007/ | 0 | https://www.discogs.com/de/Various-001-008/release/2180985 | ||||||||||
| 36165 | Kim | Cascone | Edgeboundaries 123 | 2003 | live-elec, | 10 | cycling74 001/ cycling74 004/ c74-001-c74-008/ | 0 | https://www.discogs.com/de/Various-001-008/release/2180985 | ||||||||||
| 28311 | Kim | Cascone | Music For Dagger And Guitar | 2008 | Klangkunst, Installation | 37:25 | field recordings | TRRN 0203/ | 1 | ||||||||||
| 36166 | Kim | Cascone | ResidueBondage (DJ4'33" Anagram Mix) | 2000 | fixed media, akusmatisch | 10 | cycling74 004/ | 0 | |||||||||||
| 28312 | Kim | Cascone | The Language Of Ghosts (Monologue) | 2008 | Klangkunst, Installation | 6:13 | field recordings | TRRN 0203/ | 0 | ||||||||||
| 40859 | Kim | Cascone | Zephirum Scan | 2002 | fixed media, akusmatisch | 4:58 | SR 200 sub rosa/ | 0 | |||||||||||
| 35721 | Pedro Vicente | Caselles | Hi ha trens que tan sols passen una volta | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 35628 | Juan Manuel | Càseres | Buenos Aires Implosiòn | fixed media, akusmatisch | 4:31 | Uni de la serena/ | 0 | ||||||||||||
| 40151 | Nicola | Casetta | Piano Simulacrum | 2012 | fixed media, akusmatisch | 10:41:00 | acousmatic composition for grandpiano elaborated sounds | 0 | |||||||||||
| 41411 | Ciaran | Casey | A Few Jars | 2003 | fixed media, akusmatisch | EA from Queen’s U Belfast | 0 | https://www.ckcufm.com/ | |||||||||||
| 2922 | Mike | Casey | View from the Third I | 1990 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 39347 | Dario | Casillo | Ordinary Trip Report | 2017 | live-elec, | 0 | |||||||||||||
| 2923 | John | Casken | A Belle Pavine | 1980 | Zuspiel / Tonband, 1 perf | 12:00 | vn [Violine] | Uni York | 0 | ||||||||||
| 2924 | John | Casken | Piper’s Linn | 1983/1984 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | bagpipes [Bläser] | Uni Durham | 0 | ||||||||||
| 2925 | John | Casken | Quatédrale | 1980 | fixed media, akusmatisch | Quadro | Uni York | 0 | |||||||||||
| 2926 | John | Casken | Soul Catcher | 1986 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 2927 | John | Casken | The Golem | 1989 | Oper | Virgin 667 759 028/ | Uni Durham | 0 | |||||||||||
| 2928 | Michael | Cassells | Mercurian Clouds | 1989 | fixed media, akusmatisch | 16:23 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 2929 | Michael | Cassells | Submerged | 1989 | fixed media, akusmatisch | 10:05 | Stereo | 0 | |||||||||||
| 41779 | Lawrence | Casserley | ALLOTROPY | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41790 | Lawrence | Casserley | BROWN, GRAY AND RED RELIEF/EVERYTHING AND NOTHING | fixed media, akusmatisch | 12:22 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41788 | Lawrence | Casserley | CARDBOARD WITH KNOTTED ROPE | fixed media, akusmatisch | 9:36 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41778 | Lawrence | Casserley | CRYSTALLINE MATERIALS | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41783 | Lawrence | Casserley | CRYSTALLINE SYNTHESIS | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41781 | Lawrence | Casserley | DIFFERENT KINDS OF SNOW | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41785 | Lawrence | Casserley | GREY RELIEF IN FOUR PARTS | fixed media, akusmatisch | 8:41 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41787 | Lawrence | Casserley | INFINIT | fixed media, akusmatisch | 6:14 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41791 | Lawrence | Casserley | LABYRINTH | fixed media, akusmatisch | 21:20 | SCD 28030 Sargasso/ | 0 | ||||||||||||
| 41780 | Lawrence | Casserley | LATENT HEAT OF FUSION | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41774 | Lawrence | Casserley | Lost Wax | 2007 | fixed media, akusmatisch | 6:23 | SCD 28057 Sargasso/ | 0 | |||||||||||
| 41782 | Lawrence | Casserley | QUARTZITE | fixed media, akusmatisch | 8:50 | SCD 28061 Sargasso/ | 0 | ||||||||||||
| 41784 | Lawrence | Casserley | RAGNAROK | fixed media, akusmatisch | 10:31 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 2931 | Lawrence | Casserley | Solos, Commentaries and Integrations | 1969 | Zuspiel / Tonband, 2 perf | Stereo | cl, perc [Klarinette, Schlagzeug] | RCM London, EMS_London | 0 | ||||||||||
| 41792 | Lawrence | Casserley | THE GARDEN OF FORKING PATHS | fixed media, akusmatisch | 20:40 | Syllabic Music - The Pavilion of the Limpid Solitude - The Labyrinth of Time | SCD 28030 Sargasso/ | 0 | |||||||||||
| 41793 | Lawrence | Casserley | THE MONKS PRAYER | fixed media, akusmatisch | 10:35 | SCD 28030 Sargasso/ | 0 | ||||||||||||
| 2932 | Lawrence | Casserley | Transformations I | 1970 | fixed media, akusmatisch | 12:00 | RCM London | 0 | |||||||||||
| 41794 | Lawrence | Casserley | VISTA CLARA | fixed media, akusmatisch | 13:29 | SCD 28030 Sargasso/ | 0 | ||||||||||||
| 41786 | Lawrence | Casserley | X | fixed media, akusmatisch | 4:18 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 41789 | Lawrence | Casserley | Y | fixed media, akusmatisch | 10:02 | SCD 28042 Sargasso/ | 0 | ||||||||||||
| 2930 | Lawrence, Bob | Casserley, Cobbing | 15 Shakespeare Kaku | 1973 | Zuspiel / Tonband, 1 perf | 7:00 | V [Stimme] | SMS, Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 19419 | Lawrence, Evan | Casserley, Parker | Coyolxauhqui | 1997 | live-elec, 1 perf | 9:49 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 19420 | Lawrence, Evan | Casserley, Parker | Epicycles | live-elec, 1 perf | 13:03 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | |||||||||
| 19421 | Lawrence, Evan | Casserley, Parker | Pachacamac | 1997 | live-elec, 1 perf | 11:37 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 19422 | Lawrence, Evan | Casserley, Parker | Solar Wind | 1997 | live-elec, 1 perf | 8:23 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 19423 | Lawrence, Evan | Casserley, Parker | The Central Region | 1997 | live-elec, 1 perf | 18:23 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 19424 | Lawrence, Evan | Casserley, Parker | Tlaloc | 1997 | live-elec, 1 perf | 4:03 | Stereo | s-sax [Saxophon] | Touch TO 35/ | RCM London | 0 | ||||||||
| 2933 | Group | Cassiber | A face we all know | 1988/1989 | live-elec, 5 perf | 45:00 | Stereo | V, Kbd, gui, b, perc [Bass, Stimme, Keyboard, Gitarre, Schlagzeug] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth | AdK Berlin, PS Goebbels | 0 | ||||||||
| 28263 | Group | CASSIBER | Chor der Gefangenen | 1982 | live-elec, 7 perf | 4:46 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28269 | Group | CASSIBER | Die Verunreinigung des Flusses ist gerade noch erträglich | 1982 | live-elec, 7 perf | 6:32 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28268 | Group | CASSIBER | Django vergibt | 1982 | live-elec, 7 perf | 3:05 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28267 | Group | CASSIBER | Man or Monkey | 1982 | live-elec, 7 perf | 16:35 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28261 | Group | CASSIBER | Not me | 1982 | live-elec, 7 perf | 3:34 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28265 | Group | CASSIBER | O Cure Me | 1982 | live-elec, 7 perf | 5:47 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text aus der Bach-Kantate „Ach Herr, mich armen Sünder“ 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28264 | Group | CASSIBER | Our colourful Culture | 1982 | live-elec, 7 perf | 3:00 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth; mit Peter Prochir (drums) Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28262 | Group | CASSIBER | Red shadow | 1982 | live-elec, 7 perf | 3:43 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28270 | Group | CASSIBER | Sag mir, wo die Blumen sind? | 1982 | live-elec, 7 perf | 2:40 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 28266 | Group | CASSIBER | This Core | 1982 | live-elec, 7 perf | 4:12 | V, synt, e-gui, perc, p, sax, tpt [Stimme, Saxophon, Trompete, Piano, Gitarre, Schlagzeug, synthesizer] | CASSIBER: Christoph Anders; Chris Cutler; Heiner Goebbels; Alfred Haarth. Inprovisation, Live Recording. Text von Chris Cutler 2 LP-Set mit 45 rpm! (eine Seite max ca. 17 Minuten!) |
riskant 4005/ | 08.1982 | sunrise studios Kirchberg (CH) | 1 | |||||||
| 39531 | Aaron | Cassidy | APOFIR-REDUX | 2015 | fixed media, akusmatisch | 8:40:00 | Aaron Cassidy | 0 | |||||||||||
| 33399 | Alvaro | Cassuto | Verão Coincidente | 1963 | Film | 10 | Mono | PS Lisboa | 0 | ||||||||||
| 22926 | Sebastian | Castagna | Con la mano de Dios (murguera) | fixed media, akusmatisch | 12:00 | 0 | |||||||||||||
| 22924 | Sebastian | Castagna | Intemperie | fixed media, akusmatisch | 10:00 | 1 | |||||||||||||
| 32274 | Sebastian | Castagna | Mare Marginis | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 22925 | Sebastian | Castagna | Procesión | fixed media, akusmatisch | 8:00 | 1 | |||||||||||||
| 22923 | Sebastian | Castagna | Tango | Zuspiel / Tonband, 5 perf | 5:00 | str-qnt [Streicher] | 1 | ||||||||||||
| 2934 | Giulio | Castagnoli | Action music | 1990 | live-elec, 1 perf | 11:00 | Stereo | trbn [Posaune] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 28252 | Giulio | Castagnoli | Cantico Notturno | 1997 | live-elec, 13 perf | 11:29 | 12 V, perc [Stimme, Schlagzeug] | Corale Polifonica di Milano; M. Ben Omar (perc), Walter Prati (elec) | STR 33858 Stradivarius „Missa Sancti Evasii“/ | 1 | |||||||||
| 20284 | Giulio | Castagnoli | Isole | 1998 | Zuspiel / Tonband, 1 perf | 24:30 | Stereo | vc [Cello] | TR-CD 001, Tempo Reale/ | TU Berlin | Festival Inventionen DAAD/TU 98 | 26.9.1998 | Inventionen Parochialkirche Berlin, Francesco Dillon (vc) | 1 | 1998 | ||||
| 19303 | Giulio | Castagnoli | oltre lo stretto vuoto | live-elec, 1 perf | 8:45 | amp p [Piano] | alter ego | RCA 74321-16229-2/ | 1 | ||||||||||
| 18331 | Giulio | Castagnoli | quattro poemetti | 1993 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | vc [Cello] | INA • GRM | 0 | |||||||||
| 27645 | Giulio | Castagnoli | Tre Canti Pisani | 2004 | Zuspiel / Tonband, 7 perf | 12:30 | 7 tracks | 6 V, perc [Stimme, Schlagzeug] | after Canti Pisani di Ezra Pound. Extract from the opera „Un dragone in gabbia“ (2004) | STR 33858 Stradivarius „Missa Sancti Evasii“/ | TU Berlin | 1 | |||||||
| 23520 | Giulio | Castagnoli | Un dragone in gabbia | 2003 | Oper, 6 perf | 18:00 | Octo | V, 4 perc, actor [Stimme, Schlagzeug, Schauspieler] | eine Oper in 3 Akten nach den "Pisan Cantos" von Ezra Pound; Aufführung Torino 20.-21.5. 2004 | TU Berlin | 05.2004 | Teatro Regio in Torino | 1 | ||||||
| 34074 | Alejandro | Castaños | Fisuras | 2014 | fixed media, akusmatisch | 11:10:00 | Octo | 0 | |||||||||||
| 19425 | Hervé | Castellani | Le long silence de Février | 1995 | fixed media, akusmatisch | 9:00 | Stereo | MK CD 022/ | 0 | ||||||||||
| 19426 | Hervé | Castellani | Silence de Mai | 1992 | fixed media, akusmatisch | 9:00 | Stereo | MK CD 022/ | 0 | ||||||||||
| 31757 | Luiz Eduardo | Castelões | Estudo de Plágio Nr. 1: no limbo da polimusicas, Study of Plagiarism: on the border of polymusic | 2003 | fixed media, akusmatisch | 4:43 | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | 1 | http://cdmd.mcu.es | ||||||||||
| 35634 | Luiz Eduardo | Castelões | Estudos de plágio No. I: no limbo da Polimusicas | 2003 | fixed media, akusmatisch | 4:48 | 0 | ||||||||||||
| 2935 | Fabrizio | Casti | Hai un sangue | 1992 | Zuspiel / Tonband, | Spaziomusica Cagliari | 0 | ||||||||||||
| 2936 | Fabrizio | Casti | Le rovine | 1992 | live-elec, 1 perf | ≈ 12:00 | p, (live) [Piano] | filtered p-sounds with Music V | CRM Roma, CERM Sassari | 0 | |||||||||
| 33810 | Niccolò | Castiglioni | Attraverso Lo Specchio | 1961 | radiophon | 45:58:00 | Opera radiofonica after „Alice in Wonderland“ and „Through the Looking-Glass“ by Lewis Carroll | DS 22 Die Schachtel/ | Fonologia Milano | 1.10.1961 | RAI | Prix Italia 1961 (sezione „opere musicali“) | 1 | ||||||
| 18816 | Niccolò | Castiglioni | Divertimento | 1960 | fixed media, akusmatisch | 2:36 | Mono, Quadro | SugMus ESZ 3/ IDEAMA CD 048/ | Fonologia Milano | ESZ 6000 | 1 | ||||||||
| 24380 | Graciela | Castillo | Alma Mia | 2000 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 2938 | Graciela | Castillo | Concreción 1966 | 1966 | fixed media, akusmatisch | 6:30 | Mono | LME Uni Cordoba | 0 | ||||||||||
| 40194 | Ramon | Castillo | Junk Jam | 2017 | fixed media, akusmatisch | Ramon Castillo | 0 | ||||||||||||
| 22980 | Peter | Castine | 3 Fragments from 'Ophelia und die Wörter' | 1979 | Zuspiel / Tonband, 7 perf | 11:00 | fl, gui, vc, perc, 2 p, S [Sopran, Flöte, Piano, Gitarre, Schlagzeug, Cello] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 31765 | Peter | Castine | 6.500.00 Samples (for FH) | 2009 | fixed media, akusmatisch | 1:14 | Stereo | dedicated to FH. Duration 1:13,696 Minutes | PS C. | 8.2.2009 | Pfefferberg Berlin | 0 | |||||||
| 22976 | Peter | Castine | Aperiodic Onetime Pointer | 1999 | intermedia | 90:06 | Stereo | A Ceremony | 4-15 Music & Technology/ | PS C. 4-15 | 0 | ||||||||
| 22977 | Peter | Castine | Aperture | 2001 | computer generated score, 6 perf | 12:00 | fl or a-fl or pic-fl, str-qt, str [Flöte, Streicher] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22982 | Peter | Castine | Bach Process Delta | 1999 | Zuspiel / Tonband, 1 perf | 3:00 | Octo | sub-db-fl [Flöte] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | ||||||||
| 22983 | Peter | Castine | Cargo Upkeeper Land | 2000 | fixed media, akusmatisch | 55:00 | Octo | 4-15 Music & Technology/ | PS C. 4-15, TU Berlin | 0 | |||||||||
| 22981 | Peter | Castine | Eli'zur | 2002 | live-elec, 1 perf | 8:00 | vn [Violine] | 4-15 Music & Technology/ | PS C. 4-15 | 20 May 2002 | "Kulturelle Landpartie" (Satemin/Lüchow), performed by Theodore Flindell. | 0 | |||||||
| 2939 | Peter | Castine | Entwicklung einer Stimme | 1977 | fixed media, akusmatisch | 7:50 | Stereo, Quadro | TU Berlin | 17.10.1977 | Theater- und Probensaal der HdK Berlin, im Rahmen der Berliner Festwochen | 1 | ||||||||
| 22986 | Peter | Castine | Fireworks for G & G | 1999 | fixed media, akusmatisch | 15:00 | Stereo | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22978 | Peter | Castine | g'alswonos | 1980 | computer generated score, 4 perf | 12:00 | cl, vc, perc, p [Klarinette, Piano, Schlagzeug, Cello] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22786 | Peter | Castine | Introduction, Theme and Variations | 1988 | live-elec, 3 perf | 13:00 | Stereo | p, perc (Glockenspiel), MIDI con synt and sam [Piano, Schlagzeug, computer] | MIDI | 4-15 Music & Technology/ | TU Berlin | 17.8.1988 | TU Berlin, Foyer Hauptgebäude (im Rahmen von E88) | 1 | |||||
| 22979 | Peter | Castine | Lineae fractae | 1985 - 1986 | computer generated score, 2 perf | 7:00 | vn, p [Piano, Violine] | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22987 | Peter | Castine | Minutes from an Installation | 1999 | fixed media, akusmatisch | 7:00 | Stereo | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 2940 | Peter | Castine | Ophelia und die Wörter | 1981 | Oper, 24 perf | 45:00 | 5 tracks | 21 mus, S, 2 actress (mute actresses) [Sopran, Musiker, Schauspieler] | Ein Bühnenstück; Text von Gerhard Rühm | TU Berlin | 28.5.1981 | Künstlerhaus Bethanien, "back to Shakespeare" der berlin arts company | Verlag der Autoren | 1 | |||||
| 35326 | Peter | Castine | Overnight Sensation | 2005 | radiophon | 1200 | Radio Copernikus | 24.-25.12.2005 | Radio Kopernikus | 0 | |||||||||
| 35792 | Peter | Castine | PNPLYR VI & VIII | 2006 | live-elec, | PS C. 4-15 | 0 | ||||||||||||
| 41810 | Peter | Castine | The Door Has Yellow Handles | 2001 | fixed media, akusmatisch | 2:48:00 | codemist ICMC2001/ | 0 | |||||||||||
| 22985 | Peter | Castine | The Door: Six Lines, The Door: 6 Lines | 2001 | fixed media, akusmatisch | 17:48 | Stereo | 4-15 Music & Technology/ | PS C. 4-15 | 0 | |||||||||
| 22984 | Peter | Castine | The Door: Theme, Lines, Canon | 2001 | fixed media, akusmatisch | 16:14 | Octo | 4-15 Music & Technology/ | PS C. 4-15, BEK, Lydiket | 0 | |||||||||
| 35652 | Otto | Castro | Transurbano | 2004 | fixed media, akusmatisch | 3:09 | 0 | ||||||||||||
| 18817 | Jacob B. | Cats | Cadence ’67, Cadence ’67 | 1967 | fixed media, akusmatisch | 6:10 | Quadro | realized cursus 1966-67 | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Sonology Utrecht | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | |||||||
| 2942 | Jacob B. | Cats | Lux | 1968 | fixed media, akusmatisch | 6:55 | Quadro | PHI 6526004/ | Sonology Utrecht | 1 | |||||||||
| 2943 | Jacob B. | Cats | Prediction | 1969 | fixed media, akusmatisch | 8:45 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 2944 | Jacob B. | Cats | Psalm 135 | 1969 | fixed media, akusmatisch | 6:55 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 25448 | Vincenzo | Cavalli | Idea | 2000 | fixed media, akusmatisch | 6:52 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 2945 | Bernard | Cavanna | Goutte d'or blues | 1985 | Zuspiel / Tonband, 1 perf | 6:26 | Stereo | sax [Saxophon] | instead of the tape also version for 1 sax plus 12 saxs | ADDA 581047/ | Salabert | 1 | 1990 | ||||||
| 41670 | Peter | Cavell | 4'33: Dance Remix | 2005 | fixed media, akusmatisch | 4:33 | 0 | ||||||||||||
| 41669 | Peter | Cavell | Ariadne's Lament | 2008 | fixed media, akusmatisch | 1 | project 60x60 | 0 | |||||||||||
| 41667 | Peter | Cavell | Chipmunk Choir, Attempting to Forestall the Impending Apocalypse, Sings Bravely | 2009 | fixed media, akusmatisch | 1 | 0 | ||||||||||||
| 41668 | Peter | Cavell | Click It Like You Mean It | 2008 | fixed media, akusmatisch | 1 | A celebration of audio distortion. Projekt 60x60 |
0 | |||||||||||
| 41671 | Peter | Cavell | not an y thing ? | 2005 | Zuspiel / Tonband, 1 perf | 4 | narrator [Schauspieler] | JTTP 2008 | 0 | ||||||||||
| 41672 | Peter | Cavell | Toast Music | 2002 | fixed media, akusmatisch | 5 | 0 | ||||||||||||
| 42091 | Gion Mathias | Cavelty | Die Andouillette | 2014 | radiophon | SRF | 0 | ||||||||||||
| 2946 | Jean-François | Cavro | Casanova's Chinese Restaurant | 1991 | Zuspiel, live-elec, 2 perf | fl, vib [Flöte, Schlagzeug] | SONVS Lyon | 0 | |||||||||||
| 19181 | Jean-François | Cavro | Fission | 1991 | fixed media, akusmatisch | 3:20 | CEC Presence 1/ div 02/ | CNSM | 1 | ||||||||||
| 2947 | Jean-François | Cavro | Fracture | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2948 | Jean-François | Cavro | Géronimo | 1990 | Zuspiel, live-elec, 1 perf | 4:00 | fl [Flöte] | SONVS Lyon | 0 | ||||||||||
| 23778 | Jean-François | Cavro | K | 2002 | fixed media, akusmatisch | 7:29 | Stereo | CAP 22057/ | emsPrize 2003 | 1 | |||||||||
| 2949 | Jean-François | Cavro | L'aube sublime de la tyrannie | 1992 | Zuspiel, live-elec, 5 perf | 17:00 | 5 ww [Bläser] | SONVS Lyon | Auszeichnung ars electronica 1994 | 1 | |||||||||
| 2951 | Jean-François | Cavro | Ma vie dans l.brouse d. fantômes | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2952 | Jean-François | Cavro | Playtime | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2953 | Jean-François | Cavro | Silicone carne | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2954 | Jean-François | Cavro | Un matin au sortir d'un rêve agité | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 2955 | Roger | Cawkwell | Technicolour Yawn | 1971 | fixed media, akusmatisch | Morley Coll | 0 | ||||||||||||
| 2956 | Jean | Cébron | I am alone with the beating of my heart Poem Danse ambiguous monster Receuil |
1993 | Tanz | 50:00 | M. by Jay Watt, Edgar Varése, Jean Cébron, Juan Allende-Blin | 0 | |||||||||||
| 2963 | Alberto | Ceccarelli | MF 4R | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 21882 | Luigi | Ceccarelli | A propos de la Chambre a coucher de Philippe II dans l'Eglise de L'Escorial | 1998 | fixed media, akusmatisch | 10:27 | Stereo | IMEB Bourges | 0 | ||||||||||
| 2957 | Luigi | Ceccarelli | Abominable A | 1979 | fixed media, akusmatisch | 12:00 | Stereo | CRM Roma | 0 | ||||||||||
| 2958 | Luigi | Ceccarelli | Anima di metallo | live-elec, 1 perf | 14:18 | perc, (com) [Schlagzeug] | Fly-Computer | Musica Verticale 101/ | CRM Roma | 1 | |||||||||
| 19187 | Luigi | Ceccarelli | Birds | 1995 | Zuspiel / Tonband, 1 perf | 9:25 | b-cl [Klarinette] | D. Keberle | LDC 278060/61 Cultures Electroniques 9/ | CRM Roma | prix Bourges 96 | 1 | |||||||
| 27240 | Luigi | Ceccarelli | Cadenza Esplosa | 2006 | fixed media, akusmatisch | 10:39 | LDC 2781140 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 18453 | Luigi | Ceccarelli | De Zarb à Daf | 1997 | Zuspiel / Tonband, 1 perf | 16:40 | Stereo | zarb [Schlagzeug] | Prix Ars Electronica 98/ | IMEB Bourges | IMEB Borges | Auszeichnung ars electronica honorary mention 1998 | 0 | ||||||
| 19428 | Luigi | Ceccarelli | Exsultet | fixed media, akusmatisch | 2:30 | Stereo | Prix ars electronica 97/ | CRM Roma | Auszeichnung ars electronica honorary mention 1997 | 1 | 2000 | ||||||||
| 32758 | Luigi | Ceccarelli | Incontro con Rama | live-elec, 1 perf | tpt [Trompete] | 0 | |||||||||||||
| 24381 | Luigi | Ceccarelli | Inferi | 2000 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 2960 | Luigi | Ceccarelli | Koramachine | 1981 | live-elec, 8 perf | (modulated) vn, 4 str, 3 ww [Violine, Bläser, Streicher] | CRM Roma | 0 | |||||||||||
| 2961 | Luigi | Ceccarelli | La guerra dei dischi | 1994 | Theatermusik | Stereo | Edison St Roma | 0 | |||||||||||
| 2962 | Luigi | Ceccarelli | La naturale condizione del moto | 1986 | live-elec, 1 perf | db [Kontrabass] | Live elaboration | CRM Roma | 0 | ||||||||||
| 25858 | Luigi | Ceccarelli | Live | 2002 | Tanz | audiovisuell |
7:22:00 | Dokumentation einer Performance, in der ein Tänzer auch abgefilmt und auf einer Leinwand projeziert wird | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2003 | 1 | |||||||||
| 2964 | Luigi | Ceccarelli | Titanic & Icarus | 1984 | live-elec, 10 perf | 14:00 | perc, 9 ins [Schlagzeug, Instrument] | CRM Roma | 0 | ||||||||||
| 2959 | Luigi, M. | Ceccarelli, Federici | Etaoin shdrlu | 1985 | live-elec, | CRM Roma | 0 | ||||||||||||
| 2968 | Group | CECG/GEC | All Worked Out Lite Wurk | 1986 | Zuspiel, live-elec, 2 perf, 1 group | 23:00 | Stereo | Kbds, e-b, (tape-delay) [Bass, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2975 | Group | CECG/GEC | Aural Spectrum | 1987 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2976 | Group | CECG/GEC | Called ‘What 4’ | 1986 | live-elec, 1 perf, 1 group | 16:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2977 | Group | CECG/GEC | Circle with Lines (I) | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2978 | Group | CECG/GEC | Circumflex | 1984 | Zuspiel, live-elec, 13 perf | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2979 | Group | CECG/GEC | Clap-click | 1984 | live-elec, 2 perf | Stereo | mics, synt [elektronik, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2980 | Group | CECG/GEC | Click-clap | 1984 | live-elec, 2 perf | Stereo | mics, synt [elektronik, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2981 | Group | CECG/GEC | Clocks Too | 1982 | Zuspiel / Tonband, 1 perf, 1 group | Stereo | Vs [Stimme] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2982 | Group | CECG/GEC | Cybernacht | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2983 | Group | CECG/GEC | Diamond Star | 1984 | live-elec, 13 perf | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2984 | Group | CECG/GEC | Dreams of Summer Dreams | 1986 | Zuspiel / Tonband, 1 perf | 18:00 | Stereo | ins [Instrument] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2985 | Group | CECG/GEC | Dual Concertone, Stuffed Guppie Farcé | 1983 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2989 | Group | CECG/GEC | Fierce Competition | 1986 | live-elec, 1 perf, 1 group | 27:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2992 | Group | CECG/GEC | Five to Play | 1983 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2994 | Group | CECG/GEC | Fore Ground | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2995 | Group | CECG/GEC | Foreplay | 1983 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2996 | Group | CECG/GEC | Fragments | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2998 | Group | CECG/GEC | Freed Images (I) | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2999 | Group | CECG/GEC | Frozen White Bog | 1986 | Zuspiel / Tonband, 1 perf | Stereo | ins [Instrument] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3002 | Group | CECG/GEC | Fugue | 1983 | live-elec, 1 group | Stereo | e-ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3003 | Group | CECG/GEC | Gandor | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3008 | Group | CECG/GEC | It's cz | 1986 | live-elec, 2 perf, 1 group | Stereo | 2 synt, synthetic orc [synthesizer, Orchester] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3011 | Group | CECG/GEC | Krow | 1986 | live-elec, 1 perf, 1 group | 40:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3012 | Group | CECG/GEC | Last Night Revel (I) | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3013 | Group | CECG/GEC | Last Night Revel (II) | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3014 | Group | CECG/GEC | Last Toon | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3015 | Group | CECG/GEC | Last Toot-Too | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3016 | Group | CECG/GEC | Latitudes - Peking at 40 | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3017 | Group | CECG/GEC | le gang !! | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3018 | Group | CECG/GEC | Li | 1986 | live-elec, 2 perf, 1 group | 22:00 | Stereo | Kbds, b [Bass, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3019 | Group | CECG/GEC | Light Werke | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3020 | Group | CECG/GEC | Lights Out | 1986 | live-elec, 1 perf, 1 group | 18:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3023 | Group | CECG/GEC | Music Around (Circle with Lines II) | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3029 | Group | CECG/GEC | One Around | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3030 | Group | CECG/GEC | Ot'n'Umid (Frydaze) | 1982 | fixed media, akusmatisch | 40:00 | Quadro, Octo | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | MetaM. Montréal | 0 | |||||||||
| 3031 | Group | CECG/GEC | Ot'n'Umid (Sundaze) | 1982 | fixed media, akusmatisch | 40:00 | Stereo, Octo | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | MetaM. Montréal | 0 | |||||||||
| 3032 | Group | CECG/GEC | Panoramique lent | 1986 | live-elec, 1 group | 16:18 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3038 | Group | CECG/GEC | Porter | 1985 | live-elec, 1 perf, 1 group | 19:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3042 | Group | CECG/GEC | Quick Step | 1986 | live-elec, 1 perf | Stereo | synt (delay) [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3043 | Group | CECG/GEC | Reiteration | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3045 | Group | CECG/GEC | Secret Musics I | 1984 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3047 | Group | CECG/GEC | Seven (Phew) to Play | 1984 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3046 | Group | CECG/GEC | Seven minus One to Play | 1983 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3048 | Group | CECG/GEC | Six to Play | 1983 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3049 | Group | CECG/GEC | Son-a-tré | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3053 | Group | CECG/GEC | Spectral Sightings | 1987 | live-elec, 1 group | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3054 | Group | CECG/GEC | Spectral Song | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3055 | Group | CECG/GEC | Spring Around the Corner | 1985 | Zuspiel, live-elec, 2 perf | Stereo | synt, V [Stimme, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3056 | Group | CECG/GEC | Star de Light | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3057 | Group | CECG/GEC | Star Song | 1984 | live-elec, 13 perf | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3058 | Group | CECG/GEC | Stranded | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3059 | Group | CECG/GEC | Stream Line | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3060 | Group | CECG/GEC | String So Long | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3061 | Group | CECG/GEC | Strings'n'Things | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3062 | Group | CECG/GEC | Strung Out and Up | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3063 | Group | CECG/GEC | Thread Bare | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3064 | Group | CECG/GEC | Thread Carefully | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3065 | Group | CECG/GEC | Three, For Play | 1983 | live-elec, 1 group | Stereo | e-ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3066 | Group | CECG/GEC | Tidy-Up Musics | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3067 | Group | CECG/GEC | To Be Around | 1984 | live-elec, 2 perf | Stereo | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3068 | Group | CECG/GEC | toot !! | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3069 | Group | CECG/GEC | Tôt-ronto | 1986 | live-elec, 4 perf | 18:00 | Stereo | 4 synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3070 | Group | CECG/GEC | TransPorter | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3071 | Group | CECG/GEC | Tree Around | 1984 | live-elec, 2 perf | Quadro | str, synt [synthesizer, Streicher] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3072 | Group | CECG/GEC | Trio Sonata | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3075 | Group | CECG/GEC | Wait Too! | 1982 | Zuspiel, live-elec, 13 perf | 19:45 | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | MetaM. Montréal | 0 | ||||||||
| 3074 | Group | CECG/GEC | Wait! | 1982 | Zuspiel, live-elec, 13 perf | 21:45 | Stereo | 13 perf [Performer] | Group CECG/GEC Montreal: Austin, Bedoukian, Hell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | MetaM. Montréal | 0 | ||||||||
| 3076 | Group | CECG/GEC | Warp | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3077 | Group | CECG/GEC | Weave | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3079 | Group | CECG/GEC | When Last It's Over | 1986 | live-elec, 1 perf, 1 group | 21:00 | Stereo | mul Kbds, (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3080 | Group | CECG/GEC | Whirls A Part | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3082 | Group | CECG/GEC | Woof | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3083 | Group | CECG/GEC | Work | 1986 | live-elec, 1 perf, 1 group | 45:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3086 | Group | CECG/GEC | Zang Gesang | 1985 | Zuspiel, live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2986 | Group, Kevin | CECG/GEC, Austin | Echorex | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3005 | Group, Kevin | CECG/GEC, Austin | Hot Corns | 1985 | live-elec, 2 perf, 1 group | Stereo | proc V, Kbds [Stimme, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3050 | Group, Kevin | CECG/GEC, Austin | Sonars | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3051 | Group, Kevin | CECG/GEC, Austin | Sonars II | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3052 | Group, Kevin | CECG/GEC, Austin | Sonorous Strands | 1986 | live-elec, 2 perf, 1 group | Stereo | Kbds, proc V [Stimme, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2988 | Group, Kevin, Eric, Jean-François, Dave, John | CECG/GEC, Austin, Brown, Denis, Lindsay, Wells | En couleur | 1987 | live-elec, 1 group | 22:00 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Hill, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3035 | Group, Kevin, Jean-François, John | CECG/GEC, Austin, Denis, Wells | periphratic pleonasm | 1987 | live-elec, 5 perf | 18:20 | Stereo | 4 synt, b-gui [Gitarre, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3006 | Group, Jill | CECG/GEC, Bedoukian | Humble Dumpling | 1985 | live-elec, 1 perf, 1 group | Stereo | Vs [Stimme] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2971 | Group, Pierre | CECG/GEC, Bouchard | Anatole's Atolls | 1985 | live-elec, 4 perf | 8:41 | Stereo | 4 Kbd [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2972 | Group, Pierre | CECG/GEC, Bouchard | Anatole's Toes At All | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2993 | Group, Pierre | CECG/GEC, Bouchard | Flamenco Bossom | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3010 | Group, Pierre | CECG/GEC, Bouchard | Just Another Pulse | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3044 | Group, Pierre | CECG/GEC, Bouchard | Repression of the Sequential Realm | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3024 | Group, Jean-François | CECG/GEC, Denis | News Song | 1985 | live-elec, 1 perf, 1 group | 18:00 | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3027 | Group, Jean-François | CECG/GEC, Denis | Not Just Another Pulse | 1985 | live-elec, 1 perf, 1 group | 9:30 | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3036 | Group, Jean-François | CECG/GEC, Denis | Piexe | 1985 | live-elec, 2 perf, 1 group | 16:00 | Stereo | Kbds, proc V [Stimme, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3084 | Group, Jean-François | CECG/GEC, Denis | Worked Out Lite Wurk | 1986 | Zuspiel / Tonband, 2 perf, 1 group | 18:00 | Stereo | Kbds, e-bass, (delay) [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2967 | Group, Normand | CECG/GEC, Gendron | A-LiveJive | 1985 | live-elec, 3 perf, 1 group | Stereo | Kbds, gui, fl [Flöte, Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2987 | Group, Normand | CECG/GEC, Gendron | Eclectic Shrock | 1985 | live-elec, 3 perf, 1 group | Stereo | b, gui, Kbds [Bass, Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3000 | Group, Shawn | CECG/GEC, Hill | Fryer | 1985 | live-elec, 3 perf, 1 group | Stereo | V, db, Kbds [Stimme, Keyboard, Kontrabass] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3001 | Group, Shawn | CECG/GEC, Hill | Fryer II | 1985 | live-elec, 3 perf, 2 groups | Stereo | Vs, db, Kbds [Stimme, Keyboard, Kontrabass] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3009 | Group, Shawn | CECG/GEC, Hill | Just Another Metaphor | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3026 | Group, Shawn | CECG/GEC, Hill | NonPulsed | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3034 | Group, Shawn | CECG/GEC, Hill | Panoramique rapide | 1986 | live-elec, 1 group | 16:06 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3078 | Group, Shawn | CECG/GEC, Hill | What Another Metaphor? | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3081 | Group, Shawn | CECG/GEC, Hill | White | 1985 | live-elec, 1 perf | Stereo | synt [synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2966 | Group, Dave | CECG/GEC, Lindsay | A Work Called Work | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2974 | Group, Dave | CECG/GEC, Lindsay | Another Pulse | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2997 | Group, Dave | CECG/GEC, Lindsay | Free Flying | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3004 | Group, Dave | CECG/GEC, Lindsay | Guitar's Song | 1985 | live-elec, 2 perf, 1 group | Stereo | e-gui, Kbds [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3021 | Group, Dave | CECG/GEC, Lindsay | Lite Wurk | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3073 | Group, Dave | CECG/GEC, Lindsay | Un Arm A Leg | 1985 | live-elec, 2 perf, 1 group | Stereo | gui, Kbds [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3085 | Group, Dave | CECG/GEC, Lindsay | You Know the Name | 1986 | live-elec, 2 perf, 1 group | Stereo | e-gui, Kbds [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3007 | Group, Dave, Jean-François | CECG/GEC, Lindsay, Denis | Imdaborse | 1987 | live-elec, 2 perf, 1 group | 13:00 | Stereo | V, synts [Stimme, synthesizer] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3041 | Group, Dave | CECG/GEC, Linsday | Pulse'Ong | 1985 | live-elec, 1 perf, 1 group | Zuspiel, live-elec, 1 perf, 1 group |
Stereo | Kbds [Keyboard] | optional tape. Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells |
Concordia Montréal | 0 | |||||||||
| 2990 | Group, Jean | CECG/GEC, Séguin | Fine'r'Fire | 1985 | live-elec, 2 perf, 1 group | 15 | Stereo | db, Kbds [Keyboard, Kontrabass] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2973 | Group, James | CECG/GEC, Tallon | Another One | 1986 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3025 | Group, James | CECG/GEC, Tallon | No Pulse | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3039 | Group, James | CECG/GEC, Tallon | Presently | 1985 | Zuspiel, live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2965 | Group, John | CECG/GEC, Wells | A Piece Called Piece | 1986 | live-elec, 3 perf, 1 group | 20:00 | Stereo | Kbds, proc V, ehn [Stimme, Oboe, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 2969 | Group, John | CECG/GEC, Wells | Along a Line | 1986 | Zuspiel, live-elec, 2 perf, 1 group | Stereo | Kbds, e-b, (delay) [Bass, Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2991 | Group, John | CECG/GEC, Wells | Fire Fly | 1985 | live-elec, 2 perf, 1 group | Stereo | db, Kbds [Keyboard, Kontrabass] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3022 | Group, John | CECG/GEC, Wells | Lone Song | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3028 | Group, John | CECG/GEC, Wells | Off the Map | 1985 | live-elec, 2 perf, 1 group | Stereo | gui, Kbds [Keyboard, Gitarre] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3033 | Group, John | CECG/GEC, Wells | Panoramique moyen | 1986 | live-elec, 1 group | 14:15 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 3037 | Group, John | CECG/GEC, Wells | Place'Ong | 1985 | Zuspiel, live-elec, 1 perf, 1 group | Stereo | Kbds [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 3040 | Group, John | CECG/GEC, Wells | Pulse | 1985 | live-elec, 1 perf, 1 group | Stereo | Kbds (delay) [Keyboard] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | |||||||||
| 2970 | Group, John, Kevin | CECG/GEC, Wells, Austin | anacoluthic catachresic circumlocutions | 1987 | live-elec, 1 group | 27:25 | Stereo | ens [Ensemble] | Group CECG/GEC Montreal: Austin, Bedoukian, Bell, Bouchard, Brown, Denis, Feist, Lindsay, Olivier, Séguin, Tallon, Tzopa, Wells | Concordia Montréal | 0 | ||||||||
| 29425 | Werner | Cee | After All the Jets Are in Their Boxes and the Clowns Have All Gone to Bed | Klangkunst, Installation | Interimgalerie München; Kraftwerk Chemnitz; ZKM Karlsruhe | Interimgalerie München; Kraftwerk Chemnitz; ZKM Karlsruhe | 0 | ||||||||||||
| 28425 | Werner | Cee | Agon | 2010 | radiophon | 53 | Stereo, Octo, Spazialisation: WFS | PS C. | Deutschlandradio Kultur, Redaktion Marcus Gammel | 21.10.2010 | TU-Hauptgebäude WellenFeld Berlin | 1 | http://www.wernercee.com | ||||||
| 29416 | Werner | Cee | Am Anfang der See | 2009 | radiophon | Klangkunst, Installation |
53 | DeutschlandRadio Kultur | Deutschlandradio Kultur, Götz Naleppa | 0 | ||||||||||
| 20276 | Werner | Cee | Berlin indoors (slow motion) | 1998 | fixed media, akusmatisch | 12:00 | 32 Tracks, Octo | ed. rz 10009/10 Inventionen 98/ | TU Berlin, PS Cee | Festival Inventionen DAAD/TU 98 | 25.9.1998 | Inventionen Parochialkirche Berlin | 0 | http://www.wernercee.com | |||||
| 32779 | Werner | Cee | Cages | 2006 | Klangkunst, Installation | Deutscher Klangkunst-Preis 2006 | 0 | ||||||||||||
| 25571 | Werner | Cee | Der Mann mit der Kamera | 1929, 2005 | Film | fixed media, akusmatisch |
67:00 | Stereo | Soundtrack composed for the silent movie "Der Mann mit der Kamera" by Dziga Vertov (1929). | ARTE / absolut MEDIEN / | Biennale Bern, Hochschule der Künste Bern, 2005 | 1 | http://www.wernercee.com | |||||||
| 22863 | Werner | Cee | Die Kunde vom Müll, Die Kunde vom Müll - live | 1999 | radiophon | 52:36 | private CD/ | Radio HR Frankfurt | Hessischer Rundfunk, Christoph Buggert | 21.4.1999 7.6.2000 |
HR Radio | 1 | http://www.wernercee.com | ||||||
| 28587 | Werner | Cee | Die Kunde von den Klängen, The Lore of Sounds | 2011 | radiophon | 47:18 | Stereo | PS Cee | Studio Akustische Kunst WDR3, Markus Heuger | 7.10.2011 | WDR3 | 1 | http://www.wernercee.com | ||||||
| 28589 | Werner | Cee | Die Zeit weht - Ränder der Musik | 2007 | radiophon | 48 | Stereo | PS Cee, DLR | DeutschlandRadio Kultur, Götz Naleppa | 1.6.2007 | DeutschlandRadio | 1 | http://www.wernercee.com | ||||||
| 42222 | Werner | Cee | Dis-Placed | 2005 | radiophon | 40:42 | HR Hessischer Rundfunk | HR Hessischer Rundfunk | 20.4.2005 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1489512&vi=62&SID | |||||||
| 22361 | Werner | Cee | Drift | 2001 | radiophon | 38:45 | Octo | on the CD excerpt "Citie's Drift" | Cybele 960.207 DegeM CD 07/ |
HR 2, TU Berlin, RNE | Hessischer Rundfunk, Christoph Buggert | 27.6.2001 | HR Radio | 1 | http://www.wernercee.com | ||||
| 18891 | Werner | Cee | Droptrap | 1993 | fixed media, akusmatisch | Klangkunst, Installation |
25:59 | Musik für 6 Wassertropfen Klanginstallation für Wassertropfen |
LDC 278056/57 Cultures Electroniques 7/ | 2.Preis Musique Electroacoustique de Studio Bourges 93 | 1 | http://www.wernercee.com | ||||||||
| 38518 | Werner | CEE | Dry Haze | 2013 | radiophon | 47:31:00 | Das Jahr ohne Sommer. Nach dem Gedicht „Darkness“ von Lord Byron, Auszügen aus dem US Patentregister, und „Cloud Songs“ von Juna Robin | 0 | |||||||||||
| 19185 | Werner | Cee | Elegien | 1997 | Radiokunst, 1 perf | 45:00 | sax or b-cl [Klarinette, Saxophon] | mit Peter Brötzmann | WER 6307-2/ | WDR Studio Akustische Kunst | WDR Studio akustische Kunst (Schöning) | 11.2.1997 | WDR | 1 | http://www.wernercee.com | ||||
| 29423 | Werner | Cee | Feedback | 1990 | Klangkunst, Installation | Akademie Schloss Solitude | Akademie Schloss Solitude | 0 | |||||||||||
| 29417 | Werner | Cee | Fire and Forget | 2005 | radiophon | 54 | WDR Studio Akustische Kunst | WDR Studio Akustische Kunst, Markus Heuger | 2.7.2005 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1475117&vi=61&SID | |||||||
| 37877 | Werner | Cee | Fires of the Earth, The Anthropocene | 2012 | radiophon | part 1 of The Anthropocene | SWR2 | 0 | http://www.redworks.info/WernerCee/radio/fires-of-the-earth/ | ||||||||||
| 34091 | Werner | Cee | I Misteri, Eine sizilianische Trilogie | 2015 | radiophon | SWR | SWR Baden Baden | 0 | |||||||||||
| 28588 | Werner | Cee | Istanbul Crescendo | 2002 | radiophon | Klangkunst, Installation |
41:18 | Stereo | Radio HR Frankfurt | Hessischer Rundfunk, Christoph Buggert | 0 | http://www.wernercee.com | ||||||||
| 34092 | Werner | Cee | Klima | Anlage | 2015 | Klangkunst, Installation | ≈ 50 | 5 tracks | Konzeption: Kathi Vogt, Thomas Hermann, Werner Cee Programmierung: Hanns Holger Rutz, Sukandar Kartadinata Produktion: Deutschlandradio Kultur / iem Graz / CITEC Bielefeld 2015 |
DeutschlandRadio Kultur, IEM Graz, CITEC Bielefeld | 17.9.2015 | Glashalle Deutschlandradio Kultur, Berlin | 0 | http://www.deutschlandradiokultur.de/klangminiaturen-klima-anlage.1387.de.html?dram:article_id=329999 | ||||||
| 19196 | Werner | Cee | Leben sie wohl, so wohl sich's in Gießen leben läßt | 1997 | Klangkunst, Installation | 47:00 | Hörstück in 6 Teilen | Stadt Gießen ?/ | PS | 1 | http://www.wernercee.com | ||||||||
| 29424 | Werner | Cee | Lost | 1992 | Klangkunst, Installation | Badischer Kunstverein Karlsruhe | Badischer Kunstverein Karlsruhe | 0 | |||||||||||
| 19356 | Werner | Cee | Luftbrücke | 1998 | Klangkunst, Installation | 53:00 | Octo | TU Berlin, PS Cee | Tagung 50 Jahre Luftbrücke | 3.6.1998 | TU Berlin, Innenhof 1 Hauptgebäude | 1 | http://www.wernercee.com | ||||||
| 37875 | Werner | Cee | Lumen | 2017 | Performance, live-elec, 1 perf | e-chin [Gitarre] | Solo for electroacoustic Chin, performed by Dark Ambient Orchestra werner CEE (DAO CEE) | 0 | https://soundcloud.com/user2494832/sets/dao-cee-lumen | ||||||||||
| 23604 | Werner | Cee | Maschinerie der Polarlandschaft | 2004 | radiophon | 46 | Mit Cee (e-chin), Vlado Djambazov (hn), Gerald Eckert (vc), B. Wagner (fl) | DeutschlandRadio | DeutschlandRadio Kultur, Götz Naleppa | 1 | 2005 | http://www.wernercee.com | |||||||
| 29420 | Werner | Cee | Monochrom | 2002 | radiophon | 48:11:00 | DeutschlandRadio | DeutschlandRadio Kultur, Götz Naleppa | 2.8.2002 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1444947&vi=65&SID | |||||||
| 29419 | Werner | Cee | Out of Area | 2003 | radiophon | Klangkunst, Installation |
43 | HR | Hessischer Rundfunk, Manfred Hess | 0 | ||||||||||
| 29418 | Werner | Cee | Repercusión oder Die Hände de Che | 2003 | radiophon | 41 | DeutschlandRadio | DeutschlandRadio Kultur, Götz Naleppa | 4.7.2003 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1447010&vi=63&SID | |||||||
| 37592 | Werner | Cee | Sol y Sombra | 2017 | Klangkunst, Installation | radiophon |
49:52 | SWR2, DLR | SWR | 19.-22.10.2017 26.10.2017 |
Donaueschinger Musiktage 2017, Fürstlich Fürstenbergische Parkanlage Radio |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4943039&vi=58&SID | |||||||
| 33035 | Werner | Cee | The Anthropocene, Fire of the Earth Dry Haze The Accidental Paradise |
2012 - 2013 | Radiokunst, live-elec, 4 perf | Klangkunst, Installation || audiovisuell |
180 | V, e-gui, perc, e-chin [Stimme, Gitarre, Schlagzeug] | Triptych part 1 - 3 | priv Label/ | SWR, DeutschlandRadio Kultur | SWR & Deutschlandradio Kultur | 0 | http://www.redworks.info/WernerCee/radio/ | ||||||
| 37876 | Werner | Cee | Tod und Frühling, I Misteri La Mattanza Die Rückkehr der Proserpina |
2016 | radiophon | 149 | SWR2 | 31.03.2016 22.03 Uhr 03.04.2016 15.03 Uhr 05.04.2016 23.03 Uhr |
SWR2 | 0 | http://www.redworks.info/WernerCee/radio/sizilianische-trilogie/ | ||||||||
| 29421 | Werner | Cee | Ton der Luft | 2002 | radiophon | 50 | WDR Studio Akustische Kunst, PS C. | WDR Studio Akustische Kunst, Markus Heuger | 28.12.2002 | WDR | Prix Ars Acustica 2001 | 0 | |||||||
| 37874 | Werner | Cee | Torrent | 2017 | Performance, live-elec, 4 perf | perc (tamburello), e-gui, actor, gui (e-chin) [Gitarre, Schlagzeug, Schauspieler] | Currents of Sound and Torrent Tales Norway, Sicily, Germany in a melting pot | 0 | http://www.redworks.info/WernerCee/music/torrent/ | ||||||||||
| 22802 | Werner | Cee | Very slow blues | 1996 | fixed media, akusmatisch | 5:30 | elec. Ch'in | 1 | http://www.wernercee.com | ||||||||||
| 29422 | Werner | Cee | Wetter | 1999 | radiophon | 50 | DeutschlandRadio | DeutschlandRadio Kultur, Götz Naleppa | 0 | ||||||||||
| 28254 | Werner | Cee | Winterreise, featuring Schuberts Winterreise | 2010 | radiophon | 53:15 | Stereo, Surround 5.1 | HR Hessischer Rundfunk | 2010 | HR | Prix Italia 2010 | 1 | http://www.wernercee.com | ||||||
| 29426 | Werner | Cee | Wolfsrausch | Film | Dokumentarfilm aus Rinchnach / Bayrischer Wald | 0 | |||||||||||||
| 38521 | Werner | CEE | Zeit weht – Ränder der Musik | 2007 | radiophon | 47:50:00 | 0 | ||||||||||||
| 3087 | Robert | Ceely | Coition-Intuition-Fruition | 1968 | fixed media, akusmatisch | 15:00 | Stereo | PS C. Boston, PS IEMC Trumanburg | 0 | ||||||||||
| 3088 | Robert | Ceely | Elegia | 1964 | fixed media, akusmatisch | 5:00 | Quadro | non-existent | Fonologia Milano | 0 | |||||||||
| 3089 | Robert | Ceely | Hayati | 1966 | fixed media, akusmatisch | 8:00 | Stereo | PS C. Boston | 0 | ||||||||||
| 3090 | Robert | Ceely | Strati | 1963 | fixed media, akusmatisch | 4:20 | Mono | Fonologia Milano | 0 | ||||||||||
| 19429 | Linda | Ceff | Persephone's Transistion | fixed media, akusmatisch | 6:25 | Stereo | 0 | ||||||||||||
| 18985 | Joseph | Celli | World Soundprint : Pacific | 1994 | radiophon | 25:33 | EBU 1994/ | New American Radio | EBU Ars Acustica 1994 | 1 | |||||||||
| 3091 | John | Celona | Cordes de nuit | 1986 | fixed media, akusmatisch | 8:00 | Stereo | ACM 37 CD 1-4/ | PS C. | 0 | |||||||||
| 3092 | John | Celona | Élan B | 1988 | live-elec, | 14:00 | Stereo | PS C. | 0 | ||||||||||
| 3093 | John | Celona | Emerald Soft | 1986 | fixed media, akusmatisch | 11:03 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3094 | John | Celona | Hermosa | 1988 | live-elec, 5 perf | 20:00 | Stereo | 3 perc, Kbd, sam [Keyboard, Schlagzeug, computer] | PS C. | 0 | |||||||||
| 3095 | John | Celona | L'air du temps | 1988 | Zuspiel / Tonband, 1 perf | 9:15 | Stereo | MIDI-sax [Saxophon] | PS C. | 0 | |||||||||
| 3096 | John | Celona | La Jolla Shores | 1985 | fixed media, akusmatisch | 8:00 | Stereo | Uni BC Victoria | 0 | ||||||||||
| 3097 | John | Celona | Music in Circular Motions | fixed media, akusmatisch | 10:00 | Synclavier | FTS 37475/ | Uni BC Victoria | 1 | ||||||||||
| 3098 | John | Celona | Pacific Rims | 1987 | fixed media, akusmatisch | 9:16 | Stereo | PS C. | 0 | ||||||||||
| 3099 | John | Celona | Player Piano | 1978 | Zuspiel / Tonband, 1 perf | 13:47 | Stereo | p [Piano] | on tape: pre-recorded pianos | eSp 9601 Shelan/ | McGill Montréal | 1 | |||||||
| 3100 | John | Celona | Possible Orchestras (at the 21st harmonic) | 1984 | fixed media, akusmatisch | 12:41 | Stereo | Yamaha DX7 | 0 | ||||||||||
| 3101 | John | Celona | Primitive Cool | 1986 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | perc [Schlagzeug] | see also «To Drive in L.A.» | 0 | |||||||||
| 3102 | John | Celona | Srivox Filonga | 1988 | live-elec, | 15:22 | Stereo | PS C. | 0 | ||||||||||
| 3103 | John | Celona | To Drive in L.A. | 1987 | fixed media, akusmatisch | Stereo | Jersey St / Midnite Auto / Boomer / Emerald Soft / Primitive Cool (Suite): Primitive Cool, Spatial Triangles, Imaging East, To Drive in L.A. / Glassbowls (Sal Ferreras, perc) | Miramar MRS-101/ | 0 | ||||||||||
| 34640 | Leng | Censong | Jiang Xue | 2014 | audiovisuell, live-elec, 1 perf | Octo | str (yang qin) [Streicher] | SMC2016 | 0 | ||||||||||
| 40012 | Leng | Censong | Jiang Xue (Snowy River) | 2015 | fixed media, akusmatisch | 6:59:00 | Leng Censong | 0 | |||||||||||
| 41710 | Hector | Centeno | Bell | 2005 | fixed media, akusmatisch | 15:27:00 | eContact! 10.3 — TES 2007 | 0 | |||||||||||
| 41711 | Hector | Centeno | Hwadu | 2006 | fixed media, akusmatisch | 5:52:00 | eContact! 10.3 — TES 2007 | 0 | |||||||||||
| 41712 | Hector | Centeno | What is it? | 2007 | fixed media, akusmatisch | 9:24:00 | eContact! 10.3 — TES 2007 | 0 | |||||||||||
| 41713 | Hector | Centeno | Zocalo | 2008 | fixed media, akusmatisch | 1:00:00 | 60x60 | 60X60 Canada 2008–09 | 0 | |||||||||||
| 24382 | Carlos | Cerana | Anacronismos o el recordamento de zeus | 1998 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 3105 | Carlos | Cerana | Fall | 1993 | fixed media, akusmatisch | 9:55 | CCRMA/ | CCRMA | 0 | ||||||||||
| 3106 | Carlos | Cerana | Huellas digitales | 1991 | live-elec, 2 perf | 10:41 | cl, sam [Klarinette, computer] | Prophet 2002 | Tarka CD 701/ | PS CEM (Rapp) | 1 | ||||||||
| 3104 | Carlos, Diego | Cerana, Losa | Electrocañas I | 1995 | Zuspiel / Tonband, 1 perf | 7:10 | cl [Klarinette] | 2 versions | II SBC&M/ | 1 | |||||||||
| 40038 | Maja, Liubo | Cerar, Borissov | Autopoesis | 2016 | fixed media, akusmatisch | Maja Cerar and Liubo Borissov | 0 | ||||||||||||
| 3107 | Jacques | Cerf | Flamenco obsesso op. 68 | 1969 | Tanz | 13:30 | 0 | ||||||||||||
| 3108 | Friedrich | Cerha | Spiegel I | 1960/1961 | Zuspiel/Tonband, 1 group | Tanz |
orc [Orchester] | ELAK Wien | 0 | |||||||||||
| 3109 | Friedrich | Cerha | Spiegel V | 1964/1965 | Zuspiel / Tonband, 1 group | orc [Orchester] | ELAK Wien | 0 | |||||||||||
| 3110 | Friedrich | Cerha | Spiegel VII | 1971 | Zuspiel / Tonband, 1 group | orc [Orchester] | WWE 2CD 20006 col legno/ | ELAK Wien | 0 | ||||||||||
| 3111 | Friedrich | Cerha | Und Du | 1963 | Radiokunst, 1 perf | 23:00 | Mono | Sp [Sprecher] | Text: Günther Anders | ELAK Wien, ORF Kunstradio | 0 | ||||||||
| 19645 | Emiliano del | Cerro | Caligraphic Clustering | 1992 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | perc [Schlagzeug] | LIEM CDMC Madrid | 0 | |||||||||
| 22818 | Emiliano del | Cerro | Earth Gods | live-elec, 5 perf | 12:50 | fl, V, Bar, gui, perc [Bariton, Stimme, Flöte, Gitarre, Schlagzeug] | HyCD-24/ | SUNY Buffalo | 1 | ||||||||||
| 19646 | Emiliano del | Cerro | Hipérbole de mi Memoria | 1995 | fixed media, akusmatisch | 13:20 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 34378 | Emiliano del | Cerro | Punto de Des / Encuentro | 2007 | fixed media, akusmatisch | MMV-003/ | 0 | ||||||||||||
| 3112 | Emiliano del | Cerro | Quejumbroso Metal | 1992 | Zuspiel / Tonband, 1 perf | 12:15 | Stereo | sax [Saxophon] | LIEM CDMC Madrid | 0 | |||||||||
| 3113 | Emiliano del | Cerro | Ritirata | 1990 | fixed media, akusmatisch | 17:55 | RTVE 65009 (CD)/ | SUNY Buffalo | 0 | ||||||||||
| 19644 | Emiliano del | Cerro | Unexpected Reflexion | 1993 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 35527 | Daniel Sergio | Cervantes | Aeternitas: La inmovilidad de sus actos | 2004 | Zuspiel / Tonband, 1 perf | 06:48 | fl (flauta dulce bajo) [Flöte] | 0 | |||||||||||
| 35528 | Daniel Sergio | Cervantes | Analogia e Identidad | 2002 | fixed media, akusmatisch | 06:40 | 0 | ||||||||||||
| 35529 | Daniel Sergio | Cervantes | Cristal al Sur | 2006 | fixed media, akusmatisch | 07:10 | 0 | ||||||||||||
| 35653 | Pablo | Cetta | Todo se vuelve presagio | 1996 | Zuspiel / Tonband, 1 perf | 7:55 | p [Piano] | 0 | |||||||||||
| 18454 | Pablo | Cetta | … y sin embargo te quiero | 1996 | fixed media, akusmatisch | 11:20 | IMEB Bourges | 0 | |||||||||||
| 3114 | Pablo | Cetta | … You did me wrong (…que me hiciste mai …), …que me hiciste mai … | 1992 | fixed media, akusmatisch | 8:00 | CARL-software | LDC 278058/59 Cultures Electroniques 8/ CCRMA/ | UCSD | prize Bourges 1994 | 0 | ||||||||
| 3115 | Corneliu | Cezar | Movimento scenico I | fixed media, akusmatisch | 7:50 | RTR | 0 | ||||||||||||
| 3116 | Corneliu | Cezar | Roata | fixed media, akusmatisch | 10:00 | RTR | 0 | ||||||||||||
| 39833 | Gustavo | Chab | Blending Birds | 2017 | fixed media, akusmatisch | 8:20 | Gustavo Chab | 0 | |||||||||||
| 41380 | Gustavo | Chab | Dedálico | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 41377 | Gustavo | Chab | Drawings I | fixed media, akusmatisch | 0 | ||||||||||||||
| 41378 | Gustavo | Chab | Drawings II | 2010 - 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 41375 | Gustavo | Chab | Espacios ausentes | 2015 | audiovisuell, live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 39834 | Gustavo | Chab | etérea ethereal | 2016 | Zuspiel, live-elec, 1 perf | vn [Violine] | Gustavo Chab | 0 | |||||||||||
| 39386 | Gustavo | Chab | Fluxion | 2017 | Zuspiel, live-elec, 1 perf | fixed media, akusmatisch |
8:20 | hn (flügelhorn) [Horn] | 0 | |||||||||||
| 41381 | Gustavo | Chab | La evolución suave / Stereopoema | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 41379 | Gustavo | Chab | Lever-k | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 3117 | Gustavo | Chab | Mirada roja | 1993 | fixed media, akusmatisch | 7:51 | after a painting by Schönberg; MIDI, Synclavier II | Tarka CD 701/ | LIPM B.Aires | 1 | |||||||||
| 41374 | Gustavo | Chab | Mixtures | 2018 | fixed media, akusmatisch | 0 | |||||||||||||
| 41376 | Gustavo | Chab | Pulsar | 2014 | fixed media, akusmatisch | 8:30 | 0 | ||||||||||||
| 22362 | Joel | Chadabe | 8 Improvisations, Valentine Many Mornings, Many Moods A Touch of Africa You Echoes of Brazil Another Approach to Rhythms Elusive Lady Spring |
1986 - 1994 | live-elec, 1 perf | 56:28 | perc, (elec) [Schlagzeug] | with "M", TX 816; Jan Williams (perc) | Deep Listening DL 1 1995 CD/ | 1 | |||||||||
| 3118 | Joel | Chadabe | albanymusic2 | 1966 | fixed media, akusmatisch | 4:58 | Mono | SUNY Albany | 0 | ||||||||||
| 3119 | Joel | Chadabe | albanymusic3 | 1967 | fixed media, akusmatisch | 4:30 | Mono | SUNY Albany | 0 | ||||||||||
| 3120 | Joel | Chadabe | Canzona Veneziana | 1983 | Zuspiel, live-elec, 1 perf | 9:20 | Quadro | com [computer] | CSC Padova | Biennale Venezia | 0 | ||||||||
| 3121 | Joel | Chadabe | Echoes | 1972 | live-elec, 1 perf | gui [Gitarre] | CP2 Recordings/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 3122 | Joel | Chadabe | Follow me softly | 1984 | live-elec, 1 perf | 16:17 | perc [Schlagzeug] | Synclavier improvisation | Centaur CRC 2310, CDCM Vol. 24/ | 1 | |||||||||
| 26877 | Joel | Chadabe | Ideas of Movement at Bolton Landing | 1971 | fixed media, akusmatisch | Opus One Recordings 17/ | 0 | ||||||||||||
| 3123 | Joel | Chadabe | Modalities | 1988 | fixed media, akusmatisch | 7:24 | Stereo | MIDI (M-Programm) | Centaur CRC 2047, CDCM Vol. 7/ | iEAR Rensselaer | 1 | ||||||||
| 32766 | Joel | Chadabe | Mona Lisa II | 1967 | audiovisuell | SUNY Albany | 0 | ||||||||||||
| 35787 | Joel | Chadabe | One World 1 | 2006 | live-elec, | 4.11.2006 | HfMT Köln | 0 | |||||||||||
| 3124 | Joel | Chadabe | Rhythms | 1980 | Zuspiel, live-elec, 2 perf | 37:00 | perc, synt [Schlagzeug, synthesizer] | Synclavier | LM VR 1301/ | 1 | |||||||||
| 3125 | Joel | Chadabe | Scenes from Stevens | 1979 | live-elec, 1 perf | 12:00 | synt [synthesizer] | Synclavier I | 1 | 1985 | |||||||||
| 26876 | Joel | Chadabe | Settings for Spirituals | 1977 | Zuspiel / Tonband, 1 perf | V [Stimme] | Synclavier | LM VR 1302/ | Uni Albany | 0 | http://www.lovely.com/albumnotes/notes1302.html | ||||||||
| 3126 | Joel | Chadabe | Solo | 1978/1981 | live-elec, 1 perf | 9:13 | com [computer] | Synclavier | LM VR 1302/ | PS C. Albany | 1 | ||||||||
| 24887 | Joel | Chadabe | Spring | 1995 | Zuspiel / Tonband, 1 perf | 6:38 | perc [Schlagzeug] | from After some songs | EMF 031 „Florida EM Festival, Vol 1“/ Deep Listening DL 1 1995 CD/ | 1 | |||||||||
| 26878 | Joel | Chadabe | Street Scene | 1967 | Zuspiel / Tonband, 1 perf | ehn [Oboe] | Opus One Recordings 16/ | 0 | |||||||||||
| 3127 | Joel | Chadabe | Tape Miniature #1, #2 | 1966 | fixed media, akusmatisch | 1:50 | Mono | SUNY Albany | 0 | ||||||||||
| 33416 | Joel | Chadabe | The Memorandum | 1966 | Theatermusik | 15 | Mono | SUNY Albany | 0 | ||||||||||
| 3128 | Joel | Chadabe | Twenty - three Go | 1985 | live-elec, 1 perf | 11:29 | trbn [Posaune] | Synclavier I | 10.2.85 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1985 | |||||||
| 3129 | Gordon | Chadwick | Musique Concrète #1 | 1965 | fixed media, akusmatisch | 5:40 | Stereo | UI Carbondale | 0 | ||||||||||
| 3130 | Gordon | Chadwick | Musique Concrète #2 | 1966 | fixed media, akusmatisch | 5:15 | Stereo | UI Carbondale | 0 | ||||||||||
| 3131 | Gordon | Chadwick | Variations on a Quarter Tone Theme | 1966 | fixed media, akusmatisch | 10:20 | Stereo | UI Carbondale | 0 | ||||||||||
| 3132 | Chris | Chafe | Backtrace | 1988 | live-elec, 1 perf | 8:45 | Stereo | celletto [Cello] | MIDI-Lisp | CRC 2514/ | CCRMA | 0 | |||||||
| 3133 | Chris | Chafe | El Zorro | 1991 | live-elec, 1 perf | 12:00 | br-ins [Bläser] | also version for shells | hap vol 18 - 3/ | CCRMA | 0 | ||||||||
| 3134 | Chris | Chafe | Free Motion, Mesh Rubbing Capture & Release |
1990 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | sol str [Streicher] | MIDI-LISP, STUDIO 440 sampler, DMPU, DYAXIS | CRC 2514/ hap vol 18 - 3/ | CCRMA | 0 | |||||||
| 3136 | Chris | Chafe | In a Word | 1982 | Zuspiel / Tonband, 1 perf | 9:21 | Stereo | vc [Cello] | PLA, Samson_Box, F2 | WER 2016-50/ | CCRMA | Mention Bourges 1984 | 0 | ||||||
| 3137 | Chris | Chafe | Marienbad | 1980 | Zuspiel / Tonband, 3 perf | 17:00 | Stereo | vn, pic-fl, tuba (Vn, Pc, Tb) [Flöte, Tuba, Violine] | PDP10, Samson_Box, SAIL | CCRMA | 0 | ||||||||
| 3138 | Chris | Chafe | Neriage | 1983 | fixed media, akusmatisch | Stereo | PLA, Samson_Box, F4 | CCRMA | 0 | ||||||||||
| 38865 | Chris | Chafe | Polartides | 2014 | audiovisuell | CMJ Vol 34, 2014/ | 0 | ||||||||||||
| 18376 | Chris | Chafe | Push Pull | 1995 | live-elec, 1 perf | 9:11 | celletto [Cello] | CRC 2514/ | CCRMA | 0 | |||||||||
| 3139 | Chris | Chafe | Quadro | 1987 | Zuspiel / Tonband, 3 perf | 14:33 | Stereo | p, vn, vc [Piano, Cello, Violine] | PLA, Samson_Box, F4 | Centaur CRC 2091, CDCM Vol. 8/ | CCRMA | 1 | |||||||
| 3140 | Chris | Chafe | Remote Control | 1991 | live-elec, 2 perf | 10:00 | synt, (gui-con) celletto [Cello, synthesizer] | CCRMA | 0 | ||||||||||
| 39663 | Chris | Chafe | Siren Cloud | 2015 | Zuspiel / Tonband, 1 perf | 10:00:00 | p [Piano] | Chris Chafe | 0 | ||||||||||
| 3141 | Chris | Chafe | Solera | 1981 | fixed media, akusmatisch | 12:20 | Stereo | PLA, Samson_Box | WER 2026; Computer Music Currents 6/ | CCRMA | 2nd prize Bourges 1982 | 1 | |||||||
| 25740 | Chris | Chafe | Tomato Quintet, Tomato Music Speed Ripenning |
2007 | fixed media, akusmatisch | 15 Tracks | CCRMA | 0 | |||||||||||
| 36295 | Chris | Chafe | Transect | fixed media, akusmatisch | 12:23 | Stereo | CRC 2514/ | CCRMA | 0 | ||||||||||
| 3142 | Chris | Chafe | Vanishing Point, Punto de fuga | 1989 | fixed media, akusmatisch | 10:29 | Stereo | MIDI-LISP, STUDIO 440 sampler, DMP-11, DYAXIS | CCRMA/ CRC 2514/ hap vol 18 - 3/ | CCRMA | 0 | ||||||||
| 3143 | Chris | Chafe | Virga | 1987 | live-elec, 1 perf | Stereo | hp (and e-hp-sythesis) [Harfe] | DATON, MIDI-Score in Max’s Language | CCRMA | 0 | |||||||||
| 18378 | Chris, Fred | Chafe, Malouf | Between the Sheets | 1997 | live-elec, 3 perf | e-gui, t-sax, celletto, [Saxophon, Gitarre, Cello] | CCRMA | 0 | |||||||||||
| 22763 | Chris, Dexter | Chafe, Morrill | Duo Improvisation | 1988 | live-elec, 2 perf | 6:32 | celletto, tpt [Trompete, Cello] | MIDI-LISP, Celletto, MIDI-Trumpet, MIDI-LIVE, DMP11 | Centaur CRC 2133, CDCM Vol. 11/ | CCRMA | 1 | ||||||||
| 18377 | Chris, Scott | Chafe, Walton | Triage | 1997 | live-elec, 2 perf | celletto, disklavier [Piano, Cello] | CCRMA | 0 | |||||||||||
| 3144 | Paulo | Chagas | Air up into the silence | 1981 | Zuspiel / Tonband, 1 perf | Stereo | fem V [Stimme] | text by E.E. Cummings | CRFMW Liège | 0 | http://composers21.com/compdocs/chagaspc.htm | ||||||||
| 26455 | Paulo | Chagas | Artaud, Fremd im eigenen Körper: Auswanderungen zu Antonin Artaud | 1997 | Tanz | Stereo | ballet music, choreography by Ismael Ivo | 0 | |||||||||||
| 3145 | Paulo | Chagas | Ashe | 1984 | Zuspiel / Tonband, 4 perf | 21:30 | Quadro | 4 perc [Schlagzeug] | ("Phantomband"). Also version only for 4 perc | HfMT Köln | 1 | ||||||||
| 26444 | Paulo | Chagas | Ave Maria | 2001 | live-elec, 3 perf | Surround 5.1 | 3 fem V, (com) [Stimme] | sound space motet | Romanischer Sommer Köln | 21.6.2001 | Festival “Romanischer Sommer Köln”, St. Severin | 0 | |||||||
| 26447 | Paulo | Chagas | Baiser | 1985 | Musiktheater, 2 perf | 8:25 | Stereo | 2 actor [Schauspieler] | HfMT Köln | 0 | |||||||||
| 19430 | Paulo | Chagas | Birth | Tanz | 2:16 | Stereo | Klang Studio C 9401/ | 0 | |||||||||||
| 3146 | Paulo | Chagas | Blutige Tränen | 1986 | Musiktheater, 1 perf | 14:10 | Stereo | fem V [Stimme] | Monodram | HfMT Köln | 0 | ||||||||
| 26458 | Paulo | Chagas | Bonfim | 1994 | Zuspiel / Tonband, 2 perf | Octo | 2 perc [Schlagzeug] | 0 | |||||||||||
| 26456 | Paulo | Chagas | Canções dos olhos | 2005 | Tanz, live-elec, 1 perf | fem dancer, (film) [Tanz] | choreography by Veronica Endo | 0 | |||||||||||
| 26454 | Paulo | Chagas | Capivara | 1997 | Tanz | Stereo | ballet music, choreography by Lina do Carmo | 0 | |||||||||||
| 29364 | Paulo | Chagas | Cine Città | 2009 | Klanginstallation, live-elec, | ears UCR | February 25 - March 22, 2009 | Katherine E. Nash Galley, University of Minnesota, Minneapolis, USA | 0 | ||||||||||
| 29363 | Paulo | Chagas | Corpo, Carne e Espirito, Body, Flesh and Spirit | 2008 | Musiktheater, live-elec, 8 perf | 75 | S, Counter-T, Bar, str-qt, perc [Sopran, Tenor, Bariton, Schlagzeug, Streicher] | ears UCR | 9 th FIT, International Theater Festival of Belo Horizonte, Brazil | 0 | |||||||||
| 26452 | Paulo | Chagas | Der Fluss, Rio Intermezzo 3 |
1994 | Oper, 12 perf | Octo | Mez, Bar, B, 3 Sp, actor, perc, str-qt [Mezzo, Bariton, Bass, Sprecher, Schlagzeug, Schauspieler, Streicher] | text by Simone Rist, after João Cabral de Melo Neto. one section may be performed separately as a concert work: Rio, Intermezzo 3! |
0 | ||||||||||
| 26448 | Paulo | Chagas | Du bist ein Schwein | 1985 | Musiktheater, 2 perf | Stereo | actress-V, perc (drumkit) [Stimme, Schlagzeug] | 0 | |||||||||||
| 24271 | Paulo | Chagas | Einblick II | 2002 | fixed media, akusmatisch | 1:30 | Stereo | Cybele 960.208/ DegeM CD 08/ | 1 | ||||||||||
| 3147 | Paulo | Chagas | Ellipse | 1986 | Theater, 2 perf | 14:10 | Stereo | mime, dancer [Schauspieler, Tanz] | Elektronische Musik für pantomimische Darstellung | HfMT Köln CD4/ | HfMT Köln | 9.12.1987 | Aula Musikhochschule Köln | 1 | |||||
| 3148 | Paulo | Chagas | Eshu | 1984 | Musiktheater, 10 perf | 20:30 | Quadro | 4 actor, dancer, bar-sax, 4 perc, slides [Saxophon, Schlagzeug, Schauspieler, Tanz] | dieses Einspielband ist auch für "Ashe" vorgesehen | HfMT Köln | 0 | ||||||||
| 3149 | Paulo | Chagas | Eshu: La porte des enfers, Eshu: the Gates of Hell | 1983 | Zuspiel / Tonband, 1 perf, 2 groups | 8:15 | Quadro | orc, (afro-amerik) perc-ens [Schlagzeug, Orchester] | HfMT Köln | „Jeunesses Musicales de Liège", Belgium | 22.12.1983 | Liège with Gomma Perc-ens, orc philharmonique de Liège | 0 | ||||||
| 26439 | Paulo | Chagas | Fais-moi peur | 1985 | Performance | section of Peep Show; may be performed separately as a concert work | 0 | ||||||||||||
| 26460 | Paulo | Chagas | Festa do Bonfim | 1997 | Zuspiel / Tonband, 3 perf | Octo | 3 perc [Schlagzeug] | 0 | |||||||||||
| 19431 | Paulo | Chagas | Foolish King, Francis Bacon | 1993 | Tanz | 2:08 | Stereo | part of Francis Bacon! | Klang Studio C 9401/ | 0 | |||||||||
| 26442 | Paulo | Chagas | Francis Bacon, Film Dance with Blanket Men's Love Blanket Handicapped 2 Meat George Dyer Distortion/Self-portrait Pope Empty Space Birthing Prison Men's Love Knife/Violation Lonely/Two Bodies Shaving Scotchtape 1 Scotchtape 2 Flowers Handicapped 1 Handicapped 3 Sitting Love Foolish King |
1993 | Tanz, 8 perf | Stereo | S, Counter-T, Bar, perc, str-qt [Sopran, Tenor, Bariton, Schlagzeug, Streicher] | texts by Francis Bacon, T.S. Eliot, choreography by Johann Kresnik, Ismael Ivo | Klang Studio C: C9401/ | Theaterhaus Stuttgart | 18.12.1993 | Theaterhaus Stuttgart, Hans Kresnek / Ismael Ivo (chor.) | 0 | ||||||
| 26446 | Paulo | Chagas | In-sein / Ausser-sein | 2003 | fixed media, akusmatisch | 8:45 | Stereo, Octo | 0 | |||||||||||
| 19432 | Paulo | Chagas | Knife/Violation | Tanz, 1 perf | 8:44 | Stereo | V [Stimme] | Klang Studio C 9401/ | 0 | ||||||||||
| 19433 | Paulo | Chagas | Love, Francis Bacon | 1993 | Tanz, 1 perf | 3:07 | Stereo | S [Sopran] | part of Francis Bacon! | Klang Studio C 9401/ | 0 | ||||||||
| 3151 | Paulo | Chagas | Magisches Auge, Fais-moi peur Computer I Computer II Computer III |
1985 | Musiktheater, 2 perf | 8:25 | Stereo | actress, actor [Schauspieler] | (St. Mühle, Voice) | Peccata Mundi: 110/ | HfMT Köln | 0 | |||||||
| 21186 | Paulo | Chagas | Migration | 1995 - 1997 | Zuspiel, live-elec, 1 perf, 1 group | 28:06 | 12 Tracks | MIDI p, ens, (elec) [Piano, Ensemble] | MAX. also version for 12-channel-tape alone. Organised Sound Vol 13/3 -> 12 channels |
Organised Sound Vol 13/3/ | WDR SEM | WDR 1997 | 14.6.1997 | MusikTriennale Köln | 0 | ||||
| 37858 | Paulo | Chagas | Migration | 1995 - 1996 | fixed media, akusmatisch | 24:20 | 12 Tracks | Organised Sound Vol 13/3 -> 12 channels | WDR SEM | 26.6.1998 | Köln | 0 | |||||||
| 26461 | Paulo | Chagas | Migration II | 1998 - 1999 | live-elec, 1 perf | vn, (com) [Violine] | 0 | ||||||||||||
| 26459 | Paulo | Chagas | Mutações | 1996 | Zuspiel / Tonband, 2 perf | Octo | 2 perc [Schlagzeug] | 0 | |||||||||||
| 26453 | Paulo | Chagas | Observation Suite | 1996 | Tanz, live-elec, | computer animation by Aeldrik Pander, Jelske Kloppenburg | 0 | ||||||||||||
| 3152 | Paulo | Chagas | Oddort | 1989 | Oper, 14 perf | 18:07 | Quadro | T, 2 Bar, B, actress, actor, sax, tpt, trbn, vn, db, p, 2 perc [Tenor, Bariton, Bass, Saxophon, Trompete, Posaune, Piano, Schlagzeug, Violine, Kontrabass, Schauspieler] | libretto by the composer, after Louis-Ferdinand Céline | HfMT Köln | 0 | ||||||||
| 29366 | Paulo | Chagas | Orbital Studies | 2008 | live-elec, 1 perf | p [Piano] | 5 etudes | ears UCR | 14.9.2008 | Festival Música Nova, SESC Vila Mariana, São Paulo, Brazil with Caio Pagano, piano Nathan Wolek, live-electronics Paulo C. Chagas, sound projection |
0 | ||||||||
| 3153 | Paulo | Chagas | Peep Show, Fais-moi peur Computer I - III |
1985/1986 | Musiktheater, 4 perf, 1 group | 41:48 | Stereo | S, actor, T, mime, ens [Sopran, Tenor, Schauspieler, Ensemble] | slides | HfMT Köln | 0 | ||||||||
| 23090 | Paulo | Chagas | Projektion | 1999 - 2001 | fixed media, akusmatisch | Klangkunst, Installation |
17:28 | Stereo, Octo, 12 tracks | last purely electroacoustic production at the WDR SEM | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | WDR SEM | City of Witten, Germany | 9.2.2001 4.5.2001 |
Köln Wittener Tage für neue Kammermusik (Klanginstallation) |
1 | |||||
| 29365 | Paulo | Chagas | Pulsing Knots | 2009 | fixed media, akusmatisch | 51:23 | 12 etudes for electronic music | ears UCR | 0 | ||||||||||
| 27709 | Paulo | Chagas | Racines circulaires | 2003 | audiovisuell, live-elec, 1 perf | vn, (video) [Violine] | CRFMW Liège | 16.03.2004 | Bruxelles, Festival Ars Musica | 0 | |||||||||
| 26451 | Paulo | Chagas | Raptus | 1992 | Tanz, 2 perf | Quadro | 2 perc [Schlagzeug] | choreography by Cláudio Bernardo | 0 | ||||||||||
| 21193 | Paulo | Chagas | RAW, Vom Kriege II | 1999 | Oper, live-elec, 12 perf | 73:00 | Stereo, Surround 6.1 | 2 S, Mez, T, Bar, 3 MIDI-Kbd, 3 MIDI-DrumPads, (12 synt, sam), dancer [Sopran, Mezzo, Tenor, Bariton, Keyboard, Tanz] | Techno- Oper | WDR SEM | Oper Bonn | 30.5.1999 | Opernhaus Bonn | 0 | |||||
| 19434 | Paulo | Chagas | Scotch Tape, Francis Bacon | 1993 | Tanz, 1 perf | 2:33 | Stereo | V [Stimme] | part of Francis Bacon! | Klang Studio C 9401/ | 0 | ||||||||
| 3154 | Paulo | Chagas | Shango Kultmusik | 1989 | Tanz, 2 perf | 61:03 | Quadro | 2 perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 19435 | Paulo | Chagas | Shaving, Francis Bacon | 1993 | Tanz | 4:47 | Stereo | part of Francis Bacon! | Klang Studio C 9401/ | 0 | |||||||||
| 26450 | Paulo | Chagas | Sodoma, Leçon des voyelles Sal Découverte du corps (Atabaques) |
1991 | Tanz, 24 perf | 7 tracks | 5 V, 3 perc, 16 str [Stimme, Schlagzeug, Streicher] | text from the Bible, choreography by Cláudio Bernardo). a concert suite was arranged; three sections may be performed separately as concert works: Leçon des voyelles; Sal; Découverte du corps; also concert versions of four sections: Atabaques, 3 percussion; Garotos, 4 percussion; Pas de deux, violin, cello |
SUBCD 026-48/ | Theater Atelier Saint-Anne, Belgium | 29.10.1991 | Bruxelles | 0 | ||||||
| 26445 | Paulo | Chagas | Streaming | 2001 | fixed media, akusmatisch | intermedia |
20:33:00 | Stereo | version with Laser-Installation by Rainer Plum | RAG-Informatik | 8.11.2001 | Gelsenkirchen, Germany, Arena AufSchalke | 0 | |||||||
| 26443 | Paulo | Chagas | Transe | 1997 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 26457 | Paulo | Chagas | Transparência | 1992 | Zuspiel / Tonband, 3 perf | Stereo | 3 tpt [Trompete] | 0 | |||||||||||
| 26440 | Paulo | Chagas | Visions machine | 2000 | Tanz, 2 perf | Octo + Octo | mime, perc [Schlagzeug, Schauspieler] | 0 | |||||||||||
| 26449 | Paulo | Chagas | Vom Kriege I | 1984 - 1990 | Oper, 2 perf | 20:44 | Quadro | Bar, p [Bariton, Piano] | libretto by the composer, Bettina Zacher, after Ernst Jünger | HfMT Köln | 0 | ||||||||
| 3155 | Paulo | Chagas | Vom Kriege III | 1984 - 1989 | Oper, 8 perf, 1 group | 42:00 | Quadro | Bar, actor, dancer, 2 perc, 2 e-perc, p, ch [Bariton, Piano, Schlagzeug, Schauspieler, Tanz, Chor] | (chamber opera, libretto by the composer, Bettina Zacher, after Ernst Jünger, Filippo Tommaso Marinetti) | HfMT Köln | 0 | ||||||||
| 3150 | Paulo, Henri | Chagas, Pousseur | La passion selon guignol, The Passion According to Punch | 1982 | Zuspiel / Tonband, 4 perf, 1 group | 27:53 | Stereo | 4 amp V, orc, (4 rm, reverb) [Stimme, Orchester] | texts by Johann Wolfgang von Goethe, Gérard de Nerval, Christopher Marlowe, William Blake, Michel Butor | CRFMW Liège | Electric Phoenix, London, UK | 24.2.1983 | Liège, Belgium, Conservatory Hall; Electric Phoenix: Judith Rees, soprano, Linda Hirst, mezzo-soprano, Daryl Runswick, tenor, Terry Edwards, bass; John Whiting, sound projection. - Orchestre Philharmonique de Liège conducted by Pierre Bartholomée | 0 | |||||
| 3156 | Luciano | Chailly | Il Mantello | 1959 | Oper | 3:00 | Mono | Fonologia Milano | 0 | ||||||||||
| 23369 | Mike | Challis | Right Foot lower than the left | 2002 | Klangkunst, Installation | 9:27 | recordings from a sound walk | ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 3157 | Patrice | Challuleau | Chasseurs d'épave | 1988 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | MIDI [synthesizer] | MIDI | MIM Marseille | 0 | ||||||||
| 3158 | Patrice | Challuleau | Méditerranéennes | 1988 | live-elec, 2 perf | 15:00 | gui, synt [Gitarre, synthesizer] | synt (1/3-ton) | MIM Marseille | 0 | |||||||||
| 3159 | Mireille | Chamass-Kyrou | L'Étude No. 1, Etude 1 | 1960 | fixed media, akusmatisch | 5:13 | Mono, Stereo | INA C 1032 27652 archives grm CD 2/5/ PHI A. 00567/ PHI 835 487 AY/ Editions Mego (LP) Recollection GRM/ IDEAMA CD 035/ Infiné IF 4002/ | INA • GRM | 13.6.1960 | Salle Gaveau, Paris | 1 | |||||||
| 40407 | Mireille | Chamass-Kyrou | La chute d’Icare | 1960 | Film | INA • GRM | juin 1960 | Paris, Salle des Agricultures | 0 | ||||||||||
| 40422 | Mireille | Chamass-Kyrou | Remanence | 1960 | Film | INA • GRM | 19.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||||
| 43091 | Mireille | Chamass-Kyrou | Rimoirs | 1961 | Film | INA • GRM | 0 | ||||||||||||
| 3160 | Caroline | Chamberlin | Moments in Dessication | 1976 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 19024 | Evan | Chambers | Upper Midwestern Apologia | 1993 | radiophon | 12:38 | Russolo Pratella EF.ER.P 94/ | mention Russolo 94 | 1 | ||||||||||
| 39658 | Chin Ting | Chan | Of Metals and Electrons | 2017 | fixed media, akusmatisch | 4:02 | 16 Tracks | Chin Ting Chan | CLS 170902/ | 0 | |||||||||
| 39659 | Chin Ting | Chan | Rituals | 2016 | fixed media, akusmatisch | Chin Ting Chan | 0 | ||||||||||||
| 39660 | Chin Ting | Chan | tempora mutantur | 2015 | fixed media, akusmatisch | 8:27:00 | Chin Ting Chan | 0 | |||||||||||
| 42967 | Chin Ting | Chan | time, forward | 2013 | live-elec, 1 perf | 6:00:00 | p [Piano] | Francesco Prode, piano | 0 | ||||||||||
| 39328 | Chin Ting | Chan | Whispers of Time | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 19436 | Kam-Biu | Chan | The Everlasting Voices | 1979 | Zuspiel / Tonband, 2 perf, 1 group | 9:00 | Stereo | perc-ens, S [Sopran, Schlagzeug] | CMC CD 3288/ | 0 | |||||||||
| 3161 | Kam-Biu | Chan | Unknown Journey | 1992 | fixed media, akusmatisch | 9:34 | MIDI; ICMC Tokyo | ICMC 1993, LMCD 1375/ | Uni Hong Kong | 1 | |||||||||
| 42734 | Vincent | Chan | Wire | 2012 | fixed media, akusmatisch | 4:39:00 | 0 | ||||||||||||
| 42707 | Christopher | Chandler | a thing of dream and mist | 2012 | live-elec, 1 perf | 8:20:00 | perf and sax [Saxophon, Performer] | Zach Herchen, also saxophone | 0 | ||||||||||
| 42846 | Christopher | Chandler | Smoke and Mirrors | 2013 | live-elec, 6 perf | 7:30:00 | fl, cl, vn, perc, vc, p [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | the Switch~ Ensemble: Shaun Barlow, flute, Madison Greenstone, clarinet, Hanna Hurwitz, violin, Megan Arns, percussion; T.J. Borden, cello, Wei-Han Wu, piano | 0 | ||||||||||
| 42586 | Christopher | Chandler | The Spark of Opposites | 2009 | live-elec, 1 perf | 10 | vc [Cello] | 0 | |||||||||||
| 34179 | Arun | Chandra | A Bit, A Curve, Alas, A Wave! | fixed media, akusmatisch | 8:20:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/aBitACurveAlasAWave.wav | |||||||||||
| 34181 | Arun | Chandra | An Appropriate Response (JDAM) | Zuspiel / Tonband, 4 perf | 9:59:00 | Stereo | 4 V [Stimme] | For four voices and 2-channel playback | 0 | http://ada.evergreen.edu/~arunc/Compositions/jdam.wav | |||||||||
| 34177 | Arun | Chandra | An Untitled Poem in 16 Stanzae by Keith Moore | fixed media, akusmatisch | 13:30:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/untitledPoem.wav | |||||||||||
| 34175 | Arun | Chandra | Blood on my Thumb | fixed media, akusmatisch | 6:42:00 | Stereo | texts by George Jackson and Raymond Chandler | 0 | http://ada.evergreen.edu/~arunc/Compositions/blood.wav | ||||||||||
| 34176 | Arun | Chandra | Crocker | Zuspiel / Tonband, 3 perf | 8:18:00 | Stereo | 3 perc [Schlagzeug] | for 3 percussionists and 2-channel playback, after a poem by Chris Mann | 0 | http://ada.evergreen.edu/~arunc/Compositions/crocker.wav | |||||||||
| 34183 | Arun | Chandra | drift, sentence --- burst | fixed media, akusmatisch | 11:13:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/driftSentenceBurst.wav | |||||||||||
| 34171 | Arun | Chandra | Lament | 1992 | fixed media, akusmatisch | 5:56:00 | Stereo | after a poem by Alice Thorner | 0 | http://ada.evergreen.edu/~arunc/Compositions/lament.wav | |||||||||
| 34172 | Arun | Chandra | Mann in the Middle | fixed media, akusmatisch | 1:08:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/mannInTheMiddle.wav | |||||||||||
| 34184 | Arun | Chandra | on the tip of my tongue | fixed media, akusmatisch | 11:30:00 | Octo | 0 | http://ada.evergreen.edu/~arunc/Compositions/onTheTipOfMyTongue.mp3 | |||||||||||
| 34185 | Arun | Chandra | Seven poems by David Wolach | fixed media, akusmatisch | 10:30:00 | Octo | 0 | http://ada.evergreen.edu/~arunc/Compositions/sevenPoems.mp3 | |||||||||||
| 34173 | Arun | Chandra | smear pulse no sneer | fixed media, akusmatisch | 9:45:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/smearPulseNoSneer.wav | |||||||||||
| 34182 | Arun | Chandra | Sunday Drives | fixed media, akusmatisch | 8:40:00 | Stereo | after a poem by Mary Margaret Fondriest | 0 | http://ada.evergreen.edu/~arunc/Compositions/sundayDrives.wav | ||||||||||
| 34180 | Arun | Chandra | the gift of gab | fixed media, akusmatisch | 6:48:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/theGiftOfGab.wav | |||||||||||
| 34174 | Arun | Chandra | to get to the other side | fixed media, akusmatisch | 5:15:00 | Stereo | 0 | http://ada.evergreen.edu/~arunc/Compositions/toGetToTheOtherSide.wav | |||||||||||
| 34178 | Arun | Chandra | We Wear the Mask | fixed media, akusmatisch | 6:44:00 | Stereo | after a poem by Paul Laurence Dunbar | 0 | http://ada.evergreen.edu/~arunc/Compositions/weWearTheMask.wav | ||||||||||
| 28170 | Chris | Chanet | Les Greux doux, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 4:33 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 39652 | Cheng-Ya | Chang | Dishes Ensemble | 2015 | fixed media, akusmatisch | 5:55:00 | Cheng-Ya Cheng | 0 | |||||||||||
| 34417 | Gary K. | Chang | When the Time Comes | 1976 | fixed media, akusmatisch | 10:45 | Quadro | CalArts | 0 | ||||||||||
| 42587 | Jen-Kuang | Chang | Drishti III | 2008 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 40013 | Leo | Chang | St. Louis Blues | 2017 | fixed media, akusmatisch | Leo Chang | 0 | ||||||||||||
| 33415 | Won Hyuk, Jack, Abby | Chang, Cordova, Millikan | Piece No. 1 | 1966 | fixed media, akusmatisch | 3 | Mono | Barlow Sch Amenia | 0 | ||||||||||
| 37569 | Young-Goo | Chang | remember? | 1998 | fixed media, akusmatisch | 10:01:00 | Stereo | Csound, Samplitude-Studio (IBM-PC), Plug Ins "Wave Native Power Pack" | ICEM Essen | 0 | |||||||||
| 27175 | Carole | Changeron | Agnioetiomix | 2000 | fixed media, akusmatisch | 6:49 | 0 | ||||||||||||
| 34134 | Esteban | Chapela | Populated Topographies | fixed media, akusmatisch | 16:43 | Stereo | 0 | ||||||||||||
| 34073 | Esteban | Chapela | Requiem | 2013 | fixed media, akusmatisch | audiovisuell |
8:53:00 | Octo | 0 | |||||||||||
| 33794 | Duncan | Chapman | …but the kitchen sink | 2012 | fixed media, akusmatisch | 5:03:00 | Composing with Sounds/ | 1 | |||||||||||
| 27377 | Owen | Chapman | Improvisation with Ice Xylophone, Ondes Martenot, Laptop and Guitar | 2007 | Zuspiel, Performance, 6 perf | 7:35 | 4 perf (with Ice), oma, gui [Gitarre, Performer, synthesizer] | excerpts; siehe Organised Sound Vol 14/1 with Chapman, Binet Audet, Audet, Madden |
Organised Sound Vol 14/3/ | Concordia Montréal | 1 | http://www.icebreaker.opositive.ca/ | |||||||
| 28420 | Owen | Chapman | The Icebreaker, Frozen Puddle / The Ice Xylophone | 2007 | Klangkunst, Installation | Performance |
5:40 | perf, (Ice) [Performer] | excerpts; siehe Organised Sound Vol 14/1 | Organised Sound Vol 14/3/ | Concordia Montréal | 1 | http://www.icebreaker.opositive.ca/ | |||||||
| 39829 | Guillaume | Chappez | Forêt-Noire | 2016 | fixed media, akusmatisch | Guillaume Chappez | 0 | ||||||||||||
| 3162 | Jeanine | Charbonnier | Homotopies | 1970 | Zuspiel / Tonband, 1 group | orc [Orchester] | CIRM Paris | 0 | |||||||||||
| 19707 | Augustin | Charles | Convex | 1992 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 3163 | Augustin | Charles | Convex II | 1990 | Zuspiel / Tonband, 1 perf | 10:08 | Stereo | vc [Cello] | AH ars harmonica/ | LIEM CDMC Madrid | 0 | ||||||||
| 3164 | Augustin | Charles | Duo | 1991 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | sax [Saxophon] | LIEM CDMC Madrid | 0 | |||||||||
| 19705 | Augustin | Charles | Modular I - II | 1992 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 19708 | Augustin | Charles | Particella | 1992 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 19706 | Augustin | Charles | Sombra Obscura | 1992 | fixed media, akusmatisch | Stereo | Lab Saragoza | 0 | |||||||||||
| 41816 | Carlos Lopez | Charles | Componiendo la puerta | 2001 | fixed media, akusmatisch | 2:22:00 | codemist ICMC2001/ | 0 | |||||||||||
| 36450 | Christophe | Charles | Airport Symphony: A Brief Life | 2007 | radiophon | 9:38:00 | EDRM 417/ | 0 | |||||||||||
| 42838 | Jason | Charney | Pratîtya | 2013 | live-elec, 1 perf | 7:00:00 | perf [Performer] | Jason Charney, Tibetan prayer bowl | 0 | ||||||||||
| 3165 | Arthur | Charpentier | AJA | 1966 | fixed media, akusmatisch | 4:58 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3166 | Arthur | Charpentier | Alchemy | 1966 | fixed media, akusmatisch | 13:05 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3167 | Arthur | Charpentier | December 17th | 1965 | fixed media, akusmatisch | 5:42 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 33039 | Jacques | Charpentier | Lalita | live-elec, 6 perf | 9:50 | oma, 5 perc [Schlagzeug, synthesizer] | ERA STU 70102/ | 1 | |||||||||||
| 3168 | Jacques | Charpentier | Quatuor pour ondes Martenot | 1958 | live-elec, 1 perf | 20:00 | oma [synthesizer] | Adès 14.036/ | 1 | ||||||||||
| 34506 | Jacques | Charpentier | Suite Karnatique | live-elec, | Jeanne Loriod (OMa); Inventionen 27.1.1990 AdK | 0 | 1990 | ||||||||||||
| 36446 | Richard | Chartier | Retrieval Path | 2007 | radiophon | 11:26:00 | EDRM 417/ | 0 | |||||||||||
| 43146 | Richard | Chartier | Series | 2001 | Klangkunst, Installation | Auszeichnung ars electronica honorary mention 2001 | 0 | ||||||||||||
| 26478 | Pierre | Charvet | 222, Camille's day | 1990 | Zuspiel / Tonband, 13 perf | 16:00 | 12 gui, db-gui [Gitarre] | 0 | |||||||||||
| 26468 | Pierre | Charvet | And death | 2005 | live-elec, 1 perf | 20:00 | A [Alt] | l’Etat pour La Muse en circuit. | 7.10.2006 | Radio France, Sébastien-Luigi Lévy, alto solo | 0 | ||||||||
| 26462 | Pierre | Charvet | And it was done | 2008 | Zuspiel / Tonband, 1 perf | 12:00 | fl [Flöte] | HfM Manhattan | Gionata Sgambaro | 22.04.2008 | Théâtre de Chartres, par Gionata Sgambaro | 0 | |||||||
| 26474 | Pierre | Charvet | Brandenburg | 1995 | live-elec, 1 perf | 12:00 | vn [Violine] | Accord Universal Classics/ | 1996 | New York, Manhattan School, par Schmulik Katz | 0 | ||||||||
| 26463 | Pierre | Charvet | Come away | 2008 | live-elec, 1 perf | 10:00 | ins (balafon chromatique et électronique) [Instrument] | Diffusion sur France Musique. | festival Juventus | 11.07.2008 | Festival Juventus par Ba Banga Nyeck, balafon | 0 | |||||||
| 26469 | Pierre | Charvet | Copla | 2004 | live-elec, | 10:00 | str orc [Orchester] | 4.04.2004. | Les Siècles, dirigé par François-Xavier Roth, au Théâtre de Paris | 0 | |||||||||
| 26485 | Pierre | Charvet | Études pour 3 magnétophones | 1986 | fixed media, akusmatisch | 5:00 | 1987 | Nîmes | 0 | ||||||||||
| 26473 | Pierre | Charvet | L'Invitation au voyage | 1995 | live-elec, 3 perf | 10:00 | 3 V [Stimme] | sur un poème de Charles Baudelaire | Accord Universal Classics/ | 1996 | New York, Manhattan School par Stacey Fraser, Holly Weinheimer et Rebecca Plack | 0 | |||||||
| 26471 | Pierre | Charvet | L'Ombre de la lune | 2001 | live-elec, 1 perf | 7:00 | V [Stimme] | sur un poème de Frédéric Jacques Temple. | Accord Universal Classics/ | 3.11.2001 | Julie Hassler, Théâtre du Hangar Montpellier | 0 | |||||||
| 26466 | Pierre | Charvet | La chasse infinie | 2006 | live-elec, 1 group | 8:00 | ch [Chor] | pour l’ensemble vocal « A Filetta », sur un poème de Frédéric Jacques Temple. | 0 | ||||||||||
| 26481 | Pierre | Charvet | Manhattan | 1988 | fixed media, akusmatisch | 10:00 | 1988 | Nîmes | 0 | ||||||||||
| 26472 | Pierre | Charvet | Neuf Études aux deux mondes | 2000 | live-elec, 1 perf | 18:00 | p [Piano] | Accord Universal Classics/ | INA • GRM | INA-GRM | 2000 | Maison de Radio-France, Paris, Michael Abramovich | 0 | ||||||
| 26470 | Pierre | Charvet | Petite suite au paradis perdu | 2001 | live-elec, 2 perf | 5:00 | p, vc [Piano, Cello] | 3.11.2001 | Anne Pagès et Romain Cambis au Théâtre du Hangar Montpellier | 0 | |||||||||
| 3169 | Pierre | Charvet | Qohèlèt | 1993 | live-elec, 2 perf | 10:00 | Mez, perc [Mezzo, Schlagzeug] | ISPW. | IRCAM | IRCAM | 1993 | Paris à l'IRCAM, Françoise Kubler et Roland Auzet | 0 | ||||||
| 26465 | Pierre | Charvet | Regardez-le ! | 2006 | live-elec, 1 group | 15:00 | orc [Orchester] | l’aide d’une bourse de la Sacem « pour l’écriture d’une œuvre nouvelle ». | 8.07.2006 | l’orchestre « Les Siècles », dirigé par François-Xavier Roth au Festival Juventus | 0 | ||||||||
| 26467 | Pierre | Charvet | Sonko | 2006 | live-elec, 3 perf | 8:00 | p, vn, vc [Piano, Cello, Violine] | 23.09.2006 | Philippe Graffin, violon, Seung-Won Jun, violoncelle et Denis Pascal, piano. Création au Festival Consonances de Saint Nazaire | 0 | |||||||||
| 26464 | Pierre | Charvet | Stella Maris | 2009 | live-elec, 1 group | 11:00 | ch, (elec) [Chor] | sur un poème de Frédéric Jacques Temple. | Claire Marchand à l'occasion du 25e anniversaire de son choeur Intermezzo, avec l'aide de la mpaa. | 6.03.2009 | l'Eglise des Billettes, Paris. | 0 | |||||||
| 26482 | Pierre | Charvet | Sur les rives de la Néva | 1988 | fixed media, akusmatisch | 5:00 | hommage à Alexandre Pouchkine | 1988 | Nîmes | 0 | |||||||||
| 26476 | Pierre | Charvet | The Same Spot (Not I) | 1991 | live-elec, 1 perf | 20:00 | Mez [Mezzo] | d'après Samuel Beckett | 1991 | New York, Borden Auditorium, | 0 | ||||||||
| 26484 | Pierre | Charvet | Über dieser Fuge | 1987 | fixed media, akusmatisch | 8:00 | 1987 | Nîmes | 0 | ||||||||||
| 26479 | Pierre | Charvet | Villa Marguerite II | 1990 | live-elec, 9 perf | 20:00 | Quadro | 4 sax, 3 perc, 2 synt [Saxophon, Schlagzeug, synthesizer] | sur un poème de F.-J. Temple | 1991 | New York, Borden Auditorium | 0 | |||||||
| 26480 | Pierre | Charvet | Villa Marguerite III | 1989 | Zuspiel, live-elec, 2 perf | 20:00 | vc, disklavier [Piano, Cello] | 1989 | Nîmes, Temple de Diane | 0 | |||||||||
| 41690 | Eric | Chasalow | And it flew upside-down | 1994 | fixed media, akusmatisch | 3:20 | Computer generated sound | BEAMS | Watertown Cultural Council. | 0 | |||||||||
| 41677 | Eric | Chasalow | Are You Radioactive, Pal? | 2010 | live-elec, 1 perf | 11:30 | a-sax [Saxophon] | In three movements. | BEAMS | 0 | |||||||||
| 39760 | Eric | Chasalow | As A Kind of Knowing | 2017 | fixed media, akusmatisch | Eric Chasalow | 0 | ||||||||||||
| 41687 | Eric | Chasalow | Crossing Boundaries | 2000 | fixed media, akusmatisch | 9:43 | Stereo, Quadro | BEAMS | Bates College for the millenium. | 0 | |||||||||
| 41685 | Eric | Chasalow | Dream Songs | 2001 | Zuspiel / Tonband, 1 group | orc [Orchester] | on poems of John Berryman | BEAMS | Boston Modern Orchestra Project. Boston Symphony Hall premiere. | 0 | |||||||||
| 41683 | Eric | Chasalow | Due (Cinta)mani | 2002 | Zuspiel / Tonband, 1 perf | p [Piano] | BEAMS | Vicki Ray. PianoSphere LA series. | 0 | ||||||||||
| 42588 | Eric | Chasalow | Due (Cinta)mani | 2002 | p [Piano] | Vicki Ray | 0 | ||||||||||||
| 19438 | Eric | Chasalow | Fast Forward | 1988 | Zuspiel / Tonband, 2 perf | 6:30 | Stereo | 2 perc [Schlagzeug] | Arthur Jarvinen and Amy Knoles, perc | SEAMUS EAM 9402 Vol. 3/ NWR 80440/ | BEAMS | 0 | |||||||
| 19439 | Eric | Chasalow | Hanging in the Balance | 1983 | Zuspiel / Tonband, 1 perf | 6:17 | Stereo | vc [Cello] | NWR 80440/ | BEAMS | 0 | ||||||||
| 41674 | Eric | Chasalow | I’m Just Sayin’ | 2012 | live-elec, 4 perf | str-qt [Streicher] | BEAMS | The Lydian String Quartet | 0 | ||||||||||
| 41686 | Eric | Chasalow | In a Manner of Speaking | 2000 | Zuspiel / Tonband, 1 perf | b-cl [Klarinette] | BEAMS | Guido Arbonelli. | 0 | ||||||||||
| 41676 | Eric | Chasalow | Incident and Scatter | 2011 - 2012 | live-elec, 6 perf | fl, cl, vn, vc, perc, p [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | BEAMS | Talea Ensemble and the Barlow Endowment for Music | 0 | ||||||||||
| 41680 | Eric | Chasalow | Into Your Ears | 2004 | fixed media, akusmatisch | 4:01 | Dedicated to Mario Davidovsky at 70 | BEAMS | 0 | ||||||||||
| 36387 | Eric | Chasalow | Left to his own Devices | 1996 | radiophon | 5:58 | CD of music from 1994-2001 New World Records 2003 Dedicated to Milton Babbitt at 80 |
Kiasma 1998/ | 0 | ||||||||||
| 41675 | Eric | Chasalow | On That Swirl of Ending Dust | 2011 | live-elec, 6 perf | fl, cl,vn, vc, perc, p [Flöte, Klarinette, Piano, Schlagzeug, Cello, Violine] | In four movements. | BEAMS | New York New Music Ensemble and Chamber Music America | 0 | |||||||||
| 41689 | Eric | Chasalow | Out of Joint | 1994 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | BEAMS | for Mauro Maur by Nuova Consonanza. | 0 | ||||||||||
| 19440 | Eric | Chasalow | Over the Edge | 1986 | Zuspiel / Tonband, 1 perf | 5:54 | Stereo | fl [Flöte] | Patricia Spencer (fl) | SEAMUS EAM 9501 Vol. 4/ NWR 80440/ | BEAMS | National Endowment for the Arts | 0 | ||||||
| 39761 | Eric | Chasalow | Scuffle and Snap | 2010, 2015 | Zuspiel / Tonband, 1 perf | 5:46:00 | vn [Violine] | Eric Chasalow | 0 | ||||||||||
| 41688 | Eric | Chasalow | ‘Scuse Me | 1998 | Zuspiel, live-elec, 1 perf | 5:41 | e-gui [Gitarre] | BEAMS | Tim Brady. | 0 | |||||||||
| 41691 | Eric | Chasalow | Seven Variations on Three Spaces | 1998 | fixed media, akusmatisch | 11 | durations: 1:01 + 0:57 + 1:36 + 1:09 + 0:54 + 3:36 + 1:54 | BEAMS | 0 | ||||||||||
| 41673 | Eric | Chasalow | Shatter and Glide | 2012 - 2013 | live-elec, 3 perf | str-trio [Streicher] | In three movements. | BEAMS | Network for New Music | 0 | |||||||||
| 32096 | Eric | Chasalow | Suspicious Motives | 1999 | Zuspiel / Tonband, 4 perf | fl, cl, vn, vc [Flöte, Klarinette, Cello, Violine] | Susan Gall, flute; Jennifer Lucht, cello; Willian Kirkley, clarinet; Sarah Thornblade, violin; Michael Adelson, conductor | SEAMUS EAM Vol. 11/ | 0 | ||||||||||
| 41678 | Eric | Chasalow | Symphony of Popular Misconceptions | 2008 - 2010 | fixed media, akusmatisch | Surround 5.1 | multiple movements, on-going | BEAMS | 0 | ||||||||||
| 19441 | Eric | Chasalow | The Furies, The fury of beatifull bone The fury of Cooks The fury of guitars and sopranos The fury of Hating Eyes |
1984 | Zuspiel / Tonband, 1 perf | 13:01 | Stereo | S [Sopran] | Four poems of Anne Sexton. In four movements | NWR 80440/ | BEAMS | National Endowment for the Arts | 0 | ||||||
| 35570 | Eric | Chasalow | The fury of beatifull bone, The Furies | 1984 | Zuspiel / Tonband, 1 perf | 4:03 | S [Sopran] | NWR 80440/ | 0 | ||||||||||
| 35571 | Eric | Chasalow | The fury of Cooks, The Furies | 1984 | Zuspiel / Tonband, 1 perf | 1:29 | S [Sopran] | NWR 80440/ | 0 | ||||||||||
| 35572 | Eric | Chasalow | The fury of guitars and sopranos, The Furies | 1984 | Zuspiel / Tonband, 1 perf | 3:31 | S [Sopran] | NWR 80440/ | 0 | ||||||||||
| 35573 | Eric | Chasalow | The fury of Hating Eyes, The Furies | 1984 | Zuspiel / Tonband, 1 perf | 3:58 | S [Sopran] | NWR 80440/ | 0 | ||||||||||
| 19442 | Eric | Chasalow | The Fury of Rainstorms | 1992 | fixed media, akusmatisch | 1:57 | Stereo | text sound comp; Text by Anne Sexton | RRRecords CD 21/ NWR 80440/ | BEAMS | 0 | ||||||||
| 41679 | Eric | Chasalow | The Puzzle Master | 2007 | Oper | 60 | 5 V, kbd [Stimme, Keyboard] | text by F.D. Reeve. One-hour multimedia opera for five singers, keyboard, electronics and video. | BEAMS | 0 | |||||||||
| 18818 | Eric | Chasalow | This Way Out | 1991 | fixed media, akusmatisch | 4:25 | rock music | ICMC 1992, PRDC 1300/ | BEAMS | 1 | |||||||||
| 41681 | Eric | Chasalow | Trois Espaces du Son | 2004 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | BEAMS | Miroglio-Aprodu duo, Paris. | 0 | ||||||||||
| 41684 | Eric | Chasalow | What is Danced…(and what is not) | 2002 | Zuspiel / Tonband, 1 perf | hp [Harfe] | BEAMS | Lucia Bova (Rome). | 0 | ||||||||||
| 41682 | Eric | Chasalow | Wolpe Variations | 2003 | fixed media, akusmatisch | BEAMS | Stefan Wolpe Society to mark the Wolpe Centennial year. | 0 | |||||||||||
| 19444 | Rick | Chatham | Constellations | 1992 | Zuspiel / Tonband, 1 perf | 9:26 | Stereo | ww [Bläser] | Centaur CRC 2193, CDCM Vol. 16/ | 1 | |||||||||
| 28408 | Anne-James | Chaton | Extraordinary Voyages | 2005 | Performance | 6:12 | EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | 1 | |||||||||||
| 40288 | Tim | Chatwood | Flicker | 2016 | live-elec, | vib (Light and Effect) [Schlagzeug] | Tim Chatwood | 0 | |||||||||||
| 3171 | Cécile | Chaunier | As - tu gonflé ta bouée ? | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3172 | Cécile | Chaunier | Des bètes de la difficulté d'être compositeur | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3173 | Cécile | Chaunier | Hilnoukose | 1990 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 35651 | Oscar | Chaves | Estudio sobre mi gatita | 2005 | fixed media, akusmatisch | 02:27 | 0 | ||||||||||||
| 3174 | Juan | Chavez | Interseccion | 1988 | Zuspiel, live-elec, 1 perf | 17:00 | Stereo | vib [Schlagzeug] | HfM Freiburg | 0 | |||||||||
| 37809 | Daria | Cheikh-Sarraf | Perception | 2017 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 27.05.2017 | HMTM Hannover | 0 | |||||||||
| 3175 | Mikhail | Chekalin | Sinkreticheskaya kompozitsiya | 1987 | fixed media, akusmatisch | 0 | |||||||||||||
| 3176 | Mikhail | Chekalin | The Ropes of Time | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 21495 | Hans | Chemin-Petit | Symphonische Kantate | 1966 | Zuspiel / Tonband, 1 group | 18:20 | Stereo | orc [Orchester] | Thorofon MTH 164/ | TU Berlin | 1 | ||||||||
| 32494 | Cheng-Wen | Chen | Ching-Ko-Chi (Canzona III) | 2011 | live-elec, 1 perf | 6:01 | Octo | b-fl, (elec) [Flöte] | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | |||||||
| 31574 | Cheng-Wen | Chen | Der Nebel, der Vogel und der Prophet | 2013 | fixed media, akusmatisch | ≈ 6 | next_generation 5.0 | HfM Bremen | 0 | ||||||||||
| 32505 | Cheng-Wen | Chen | emotion recollected in tranquillity | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 32524 | Cheng-Wen | Chen | listen to Hearing | 2012 | fixed media, akusmatisch | 6 | 6 mobile loudspeakers in train | Incontri HMTM Hannover | 0 | ||||||||||
| 32554 | Cheng-Wen | Chen | Wasserspiegelung | 2011 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 0 | |||||||||||
| 41697 | Chin-Chin | Chen | Oceangreen of Shadow | 2002 | fixed media, akusmatisch | 8:34 | DISContact! III competition | 0 | |||||||||||
| 41692 | Chin-Chin | Chen | Points of Arrival | 1998 | fixed media, akusmatisch | 8:34 | 0 | ||||||||||||
| 41693 | Chin-Chin | Chen | Points of Departure | 1996 | fixed media, akusmatisch | 8:27 | 0 | ||||||||||||
| 21596 | Chin-Chin | Chen | Points of No Return | 1997 | fixed media, akusmatisch | 7:29 | CEC Presence 2/ Russolo Pratella EF.ER.P 97/ Kiasma 1998/ | EMS UIUC | Prize Russolo Varese 1997 | 1 | |||||||||
| 41694 | Chin-Chin | Chen | Snow of Ages | 2002 | fixed media, akusmatisch | 2:12 | 0 | ||||||||||||
| 41695 | Chin-Chin | Chen | The Turning Point | 2000 | fixed media, akusmatisch | 7:50 | 0 | ||||||||||||
| 41696 | Chin-Chin | Chen | Waft Through an Open Door | 2002 | fixed media, akusmatisch | 7:08 | 0 | ||||||||||||
| 32056 | Kwok Ping | Chen | Ring Shades | 1990 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | Heung-Wing Lung, perc | SEAMUS EAM 9301 Vol. 1/ | 0 | |||||||||
| 40017 | Lily | Chen | Hypochondraisis | 2015 | fixed media, akusmatisch | 10:48:00 | Lily Chen | 0 | |||||||||||
| 3177 | Manliany | Chen | Nocturne | 1983 | fixed media, akusmatisch | 4:15 | Stereo | ELAK Wien | 0 | ||||||||||
| 3178 | Qigang | Chen | Rêve d'un solitaire | 1993 | live-elec, 1 group | 21:00 | ens [Ensemble] | Billaudot | IRCAM | 0 | |||||||||
| 42724 | Ying-Jung | Chen | Deconstruction of the Piano | 2012 | fixed media, akusmatisch | 3:30:00 | Stereo | 0 | |||||||||||
| 43019 | Ying-Jung | Chen | Fluctuation | 2013 | fixed media, akusmatisch | 6:47:00 | 0 | ||||||||||||
| 40335 | Ying-jung | Chen | Mirage | 2015 | fixed media, akusmatisch | 4:30:00 | Ying-jung Chen | 0 | |||||||||||
| 3179 | Roz | Cheney | The Listening Room | 1988 | radiophon | 6:35 | "A sonic fantasy" | EBU 1991/ | ABC | EBU Ars Acustica 1991 | 1 | ||||||||
| 43051 | Cheng-Ya | Cheng | Dishes Ensemble | 2014 | fixed media, akusmatisch | 5:55:00 | 0 | ||||||||||||
| 25859 | Chien Wen | Cheng | Samsara | 2005 | audiovisuell | 6:37 | Surround 5.1 | CMJ Vol 31-4, 2007/ | 1 | ||||||||||
| 35507 | Corey | Cheng | Woods | 1996 | fixed media, akusmatisch | 2:03 | ICMC | 0 | |||||||||||
| 43192 | Xu | Cheng | Scape-Sequencer | 2010 | audiovisuell, live-elec, | Auszeichnung ars electronica Award of Distinction 2012 | 0 | ||||||||||||
| 39527 | Yu-Ting | Cheng | Haya | 2017 | live-elec, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 3180 | Brian | Cherney | Death of tragedy | 1966 | fixed media, akusmatisch | 6:35 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3181 | Brian | Cherney | Doshchyk | 1966 | fixed media, akusmatisch | 7:45 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3182 | Brian | Cherney | Night music | 1966 | fixed media, akusmatisch | 11:10 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 31594 | Daniel | Chernov | Vincent Black Shadow | 2013 | live-elec, 1 perf | ≈ 4 - 5 | p [Piano] | next_generation 5.0 | HfM Freiburg | 29.6.2013 | ZKM | 0 | |||||||
| 3183 | Igor | Chernyavsky | Weerstand | fixed media, akusmatisch | Erdenklang/ | 0 | |||||||||||||
| 19446 | David | Chesworth | Composition Number Five for Silicon Valley | 1988 | fixed media, akusmatisch | 5:33 | Stereo | ACMA/ | 0 | ||||||||||
| 43112 | David | Chesworth | Southgate | 1992 | fixed media, akusmatisch | 7:50 | Stereo | ACMA/ | Auszeichnung ars electronica honorary mention 1993 | 0 | http://archive.aec.at/prix/showmode/27709/ | ||||||||
| 31989 | Ka-Ho | Cheung | FishyBahn | 2008 | fixed media, akusmatisch | 9:48:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | |||||||||||
| 25584 | Ka-Ho | Cheung | Isle Zero West | 2007 | fixed media, akusmatisch | 6:22 | Stereo | Uni Manchester NOVARS | 1 | ||||||||||
| 28242 | Ka-Ho | Cheung | Torsion | 2008 | fixed media, akusmatisch | 14:18 | Octo | Uni Manchester | 1 | ||||||||||
| 28421 | Ka-Ho | Cheung | Victoriescabossanova, Les séries sonores 51 | 2007 | Klangkunst, Installation | 50:19 | inpetto Les séries sonores 51/ | Uni Manchester | 1 | http://www.inpetto-filmproduktion.de | |||||||||
| 3184 | Raymond | Chevreuille | D'un Diable de Briquet | 1950 | radiophon | 40:00 | Mono | INR Bruxelles | Prix Italia 1950 | 0 | |||||||||
| 39325 | Chang Hsin | Chia | Aquiver | 2017 | live-elec, | 0 | |||||||||||||
| 25505 | Li Wei | Chiang | Asylum Atad | 2005 | fixed media, akusmatisch | 5:49 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | ||||||||
| 37554 | Paul | Chiara | Logs für Kontrabaß und Tonband | 1970 | Zuspiel / Tonband, 1 perf | 10:00:00 | Stereo | db (Thorsten Drees) [Kontrabass] | ICEM Essen | 8.2.1994 | Folkwang Hochschule Aula | 0 | |||||||
| 39300 | Antonino | Chiaramonte | Harry Smith’s Early Abstractions, No.7: Color Study | 1950 - 1952 | audiovisuell | 0 | |||||||||||||
| 39301 | Antonino | Chiaramonte | Into the Volcano | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42423 | Antonino | Chiaramonte | Riflessioni | 2006 | fixed media, akusmatisch | 10:19 | LDC 278082-83 Cultures électroniques 20/ | Prix Trivium et Magisterium 2007, 34th International Electroacoustic Music and Sonic Art Competitions - Bourges - 2007 | 0 | ||||||||||
| 3185 | Giuseppe | Chiari | 25 crepitacoli | 1963 | fixed media, akusmatisch | ≈ | Mono | PS C. | 0 | ||||||||||
| 3186 | Giuseppe | Chiari | 3 Studi, (sull 'attrito sul barcollare sull'acqua) |
1963 | fixed media, akusmatisch | ≈ | Mono | PS C. | 0 | ||||||||||
| 3187 | Giuseppe | Chiari | Etager–sistro, Sparpagliare, Analisi fisiologica | 1964 | live-elec, | ≈ | Mono | (contact mic) [] | PS C. | 0 | |||||||||
| 3188 | Giuseppe | Chiari | Il cielo e la terra | 1966 | live-elec, | 6:00 | Mono | (contact mic) [] | Klang-Aktion | PS C. | 0 | ||||||||
| 3190 | Giuseppe | Chiari | Il silencio - musica verità | 1966 | fixed media, akusmatisch | 180:00 | Mono | PS C. | 0 | ||||||||||
| 3191 | Giuseppe | Chiari | La Traviata en 322 minuti secondi | 1963 | fixed media, akusmatisch | ≈ 5:00 | Mono | RAI Firenze | 0 | ||||||||||
| 3192 | Giuseppe | Chiari | Omaggio a René Clair | 1966 | live-elec, | 4:00 | Mono | (contact mic) [] | Klang-Aktion | PS C. | 0 | ||||||||
| 3193 | Giuseppe | Chiari | Percussioni multiple d'urto | 1963 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 3194 | Giuseppe | Chiari | Pezzo per mani | 1966 | live-elec, | ≈ | Mono | (contact mic) [] | PS C. | 0 | |||||||||
| 3195 | Giuseppe | Chiari | pezzo per muro | 1966 | live-elec, | ≈ | Mono | (contact mic) [] | PS C. | 0 | |||||||||
| 3196 | Giuseppe | Chiari | quando il cinema è lontano | 1966 | live-elec, | 14:00 | Mono | (contact mic) [] | Klang-Aktion | PS C. | 0 | ||||||||
| 3197 | Giuseppe | Chiari | Rompere | 1963 | fixed media, akusmatisch | 5:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 3198 | Giuseppe | Chiari | Su una lastra rovente | 1965 | live-elec, | ≈ | Mono | (contact mic) [] | drop of water on a hot plate | PS C. | 0 | ||||||||
| 3199 | Giuseppe | Chiari | Woody | 1966 | live-elec, | 5:00 | Mono | (contact mic) [] | Klang-Aktion | PS C. | 0 | ||||||||
| 3189 | Giuseppe, Michele | Chiari, Borelli | Il silencio | 1967 | fixed media, akusmatisch | 0 | |||||||||||||
| 3200 | Jean-François | Chicoine | A Day in Harry's Life | 1986 | fixed media, akusmatisch | 9:03 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3201 | Jean-François | Chicoine | Dart Raider goes to Earth to… | 1986 | fixed media, akusmatisch | 2:33 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3202 | Jean-François | Chicoine | Un autre jeu (II) | 1987 | fixed media, akusmatisch | 1:05 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3203 | Alain | Chignier | Alice est une chic fille | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3204 | Alain | Chignier | Patterns corsaires | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3205 | Alain | Chignier | Peace in | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3206 | Peter | Child | Ensemblance | 1982 | Zuspiel / Tonband, 1 group | 11:30 | ch [Chor] | MUSIC11, C-Sound | Neuma 450-75/ | MIT Media Lab | 1 | ||||||||
| 19445 | Mary Ellen | Childs | Ruler Etude: a work in progress | 1992 | fixed media, akusmatisch | 2:15 | Stereo | Tellus 26/ | EMS UIUC | 0 | |||||||||
| 3207 | Mary Ellen | Childs | Standpoints | 1984 | Tanz | 9:16 | UIUC LC 84-743210/ | EMS UIUC | 1 | ||||||||||
| 42092 | Charles | Chilton | Journey into space: operation luna | 1953 - 1954 | radiophon | BBC | 0 | ||||||||||||
| 35654 | Pablo | Chimenti | Kaften, Altare Privilegiatum | 2009 | fixed media, akusmatisch | 12:05 | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 37887 | Unsuk | Chin | Akrostichon-Wortspiel | live-elec, | 0 | ||||||||||||||
| 3209 | Unsuk | Chin | Allegro ma non troppo | 1994 | fixed media, akusmatisch | 13:02 | Quadro | DegeM CD 02/ EMF DVD 054/ | TU Berlin | Folkmar Hein | 2.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 1998 | |||||
| 34284 | Unsuk | Chin | Allegro ma non troppo | 1998 | Zuspiel / Tonband, 1 perf | 13:02 | Quadro | perc [Schlagzeug] | ed. rz 10009/10 Inventionen 98/ | TU Berlin | Folkmar Hein & Inventionen 1998 | 25.9.1998 | Parochialkirche Berlin Inventionen 98, Thierry Miroglio (perc) | 1 | 1994 1998 | ||||
| 25860 | Unsuk | Chin | Double Bind? | 2006/2007 | Zuspiel, live-elec, 1 perf | 16:28 | vn [Violine] | Hae Sun Kang (vn) | IRCAM | 1 | |||||||||
| 3210 | Unsuk | Chin | El Aliento de la Sombra | 1992 | fixed media, akusmatisch | 17:54 | Quadro | com M. | edel 0085102 ACA/ | TU Berlin | Festival Inventionen DAAD/TU 92 | 12.2.92 | Inventionen Akademie der Künste Berlin | 1 | 1992 | ||||
| 33378 | Unsuk | Chin | Fanfare chimérique | 2011 | live-elec, 1 perf, 1 group | 16:28 | 2 br-ens [Bläser] | IRCAM | 15.4.2011 | Centre Pompidou, Ensemble intercontemporain, Patrick Davin | 0 | ||||||||
| 22349 | Unsuk | Chin | Gradus ad infinitum I | 1989 | fixed media, akusmatisch | 10:20 | Quadro | eight 20-tönig tuned pianos. VAX-production. first Version | SKCD C-0383 Pan-Music-Festival/ | TU Berlin | 6.9.1989 | worldmusicdays of the IGNM Amsterdam | 1 | 1990 | |||||
| 3211 | Unsuk | Chin | Gradus ad infinitum II | 1989/1990 | fixed media, akusmatisch | 10:20 | Quadro | eight 20-tönig tuned pianos. VAX-production | TU Berlin | 1 | 2008 | ||||||||
| 3212 | Unsuk | Chin | ParaMetaString | 1996 | Zuspiel / Tonband, 4 perf | 20:38 | Stereo + Stereo | str-qt [Streicher] | TU Berlin | Kronos-qt | 1 | ||||||||
| 21628 | Unsuk | Chin | Spectres - spéculaires | 2000 | Zuspiel, live-elec, 1 perf | 20:07 | 6 | vn [Violine] | MAX/MSP | WD 2000, Wittener Tage Für Neue Kammermusik 2000/ | TU Berlin, WDR SEM | WDR 2000 | 5.5.2000 | Witten, Wittener Tage für Neue Kammermusik | 1 | ||||
| 21123 | Unsuk | Chin | Xi, pour ensemble et électronique | 1998 | Zuspiel, live-elec, 18 perf | 22:53 | 12 Tracks | fl, ob, cl, bn or contra-bn, hn, tpt, trbn, tuba, hp, p, 2 perc, str-qt, db, sam [Flöte, Klarinette, Oboe, Fagott, Horn, Trompete, Posaune, Tuba, Piano, Harfe, Schlagzeug, Kontrabass, computer, Streicher] | DGG 00289 477 5118/ ICEM NovemberMusic 2009/ | TU Berlin | Ensemble Intercontemporaine, David Robertson | 24.2.1999 | Citè de la Musique Paris | 1 | |||||
| 3213 | Michel | Chion | 24 Préludes à la vie, Vingt-quatre préludes à la vie | 1989 | fixed media, akusmatisch | 42:17 | Stereo | Text: Christiane Sacco-Zagaroli | IMED 9523/ | INA • GRM | State commission+ INA GRM | 31.05.90 | GMVL, Villa Gillet, Lyon | 1 | |||||
| 3214 | Michel | Chion | Berceuse | 1989 | fixed media, akusmatisch | 26:47 | Stereo | From the texts of Martine Beck and Victor Hugo Michel Chion, Anne-Marie Marsaguet (vs) |
INA • GRM | 20.12.89 | GRM série "Studio 116" | 0 | |||||||
| 3215 | Michel | Chion | Crayonnes ferroviaires | 1991 | fixed media, akusmatisch | Stereo | Text: Michel Chion (v) | MCE 001/ | INA • GRM | INA GRM | 10.02.1992 | Maison de Radio-France,Paris | 1 | ||||||
| 3216 | Michel | Chion | Credo mambo | 1992 | fixed media, akusmatisch | 20:00 | MK CD 004/ M&R L’Espace du son 2000/ | Musiques et Recherches Ohain | Musiques et Recherches | 10.06.92 | Brussels | 1 | |||||||
| 3217 | Michel | Chion | Diktat, Réveil L'Amour La Gloire La Vierge Folle Le Travail Les Vacances Nuit |
1979 | fixed media, akusmatisch | 50:00 | Stereo | GMEM Marseille | Groupe de Musique Expérimentale de Marseille | 30.10.79 | Chapelle des Pénitents Blancs, Avignon | 0 | |||||||
| 3218 | Michel | Chion | Dix etudes de Musique Concrete, Toucher-Présence Phrases Mots Rêverie Craquements Rixe (Hommage to Schaeffer and Henry) Fonte Ménage Manèges Cantique |
1987 | fixed media, akusmatisch | 31:51 | Stereo | MCE 001/ | INA • GRM | INA GRM | 25.01.88 | Maison de Radio-France, GRM | 1 | ||||||
| 24706 | Michel | Chion | Dix-sept minutes | 2000 | fixed media, akusmatisch | 17:14 | MK CD 032/ | INA • GRM | INA GRM | 20.03.2000 | Salle Olivier Messiaen, Maison de la Radio France | 0 | |||||||
| 3219 | Michel | Chion | Etude d'apres Beethoven, Foetus en queue de pie | 1971 | fixed media, akusmatisch | 3:27 | Stereo | Etude de stage | MCE 001/ | INA • GRM | 02.04.71 | Maison de la Culture André Malraux, Reims | 1 | ||||||
| 3220 | Michel | Chion | Gloria | 1994 | fixed media, akusmatisch | 20:28 | Dedicated to Robert Cahen | MK CD 015/ | INA • GRM | INA GRM | 06.06.94 | Salle Olivier Messiaen, Maison de la Radio France | 1 | 1996 | |||||
| 25460 | Michel | Chion | Hymne d'enfant à son réveil | 1997 | fixed media, akusmatisch | 11:00 | Stereo | Dedicated to Association Réseaux | MCE 001/ | 22.02.97 | Théâtre La Chapelle, Réseaux, Montréal | 1 | www.michelchion.com | ||||||
| 40755 | Michel | Chion | Jeux de societé | 1975 | radiophon | 58 | INA • GRM | 11.8.1975 | ORTF France-Culture | 0 | |||||||||
| 24777 | Michel | Chion | L'Art des sons fixés, ou La Musique concrètement | 1991 | fixed media, akusmatisch | META 1991-06/ | 0 | ||||||||||||
| 25458 | Michel | Chion | La danse de l’ épervier | 1984 | audiovisuell | Tanz |
13:00 | Stereo | Music for a video by Robert Cahen based on a choreography by Hideyuki Yano | MCE 001/ | INA • GRM | INA Octet | 1 | www.michelchion.com | ||||||
| 3221 | Michel | Chion | La machine à passer le temps | 1972 | fixed media, akusmatisch | 5:20 | Stereo | Coll GRM 9114 CH/ INA e 5005/ | INA • GRM | Commande d’Etat | 25.03.72 | Festival de Royan | 1 | ||||||
| 3222 | Michel | Chion | La ronde, Pensées du matin Ariette L'été Playtime La vierge folle Les mots Pour Lucienne Jardins jadis Prière Pensées du soir |
1982 | fixed media, akusmatisch | 24:08 | Stereo | Voices of Lanie Goodman (1,5,10) and Ellen Larsen (6); p: Michel Chion | INA C 2002/03/ INA C 1000/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ Coll GRM 9114 CH/ | INA • GRM | 22.02.1982 3.10.1986 |
Paris, Maison de Radio-France, Gd. Auditorium Paris, ACNAV, Salle du Puits qui parle |
1 | ||||||
| 3223 | Michel | Chion | La tentation de Saint Antoine, Prologue (Ennoïa) Le Désert Le Prêcheur Le Nil La Cité humaine L'oubli Le Trésor La Reine de Saba La Terre La Soif |
1984 | fixed media, akusmatisch | 94:26 | Stereo | d'après Flaubert. Two parts; Prologue and 9 mouvements (Tableau) | INA C 2002/03/ NUUN 7/ | INA • GRM | Ministère de la Culture, INA-GRM, Atelier de Création Radiophonique de France-Culture | 04.06.84 | Maison de Radio-France, Paris | 1 | 1986 | ||||
| 40762 | Michel | Chion | Le diel secondaire | 1976 | Theatermusik | INA • GRM | 19.1.1977 | Paris, Arc | 0 | ||||||||||
| 3224 | Michel | Chion | Le prisonnier du son | 1972 - 1991 | fixed media, akusmatisch | 34:35 | Stereo | Mélodrame en 2 parties; Texte de M. Chion, Citation de „Visage“ de L. Berio | IMED 9523/ | INA • GRM | INA GRM | 19.5.1972 | Paris, Musée Guimet | 1 | |||||
| 3225 | Michel | Chion | Le Tricot de la Parque | 1986 | fixed media, akusmatisch | 60:00 | Stereo | Version définitive de „TU“ | INA • GRM | 1.3.1986 | Arras, Centre Noroit | 0 | |||||||
| 3226 | Michel | Chion | Nuit noire, La roue Cycle du quotidien |
1979 - 1985 | fixed media, akusmatisch | 22:14 | Stereo | Mélodrame; Dedicated to Philip K. Dick | IMED 9312/ | INA • GRM, GMEM Marseille | 24.03.86 | Salle Olivier Messiaen, Maison de la Radio France | 1 | ||||||
| 3227 | Michel | Chion | On N'arrête pas le regret La roue, cycle du quotidien, Coup de soleil sur un vitrail Cris et babils Mondnacht Ronde "Notre Dame du Regret“ Cauchemar rose |
1975 | fixed media, akusmatisch | 12:47 | Stereo | 5 parts | Coll GRM 9114 CH/ INA e 5005/ | INA • GRM | 22.3.1975 | Paris, Maison de la Radio, Studio 104 | 1 | ||||||
| 25459 | Michel | Chion | Perpetuum Kyrie | 1997 | fixed media, akusmatisch | 28:40 | Stereo | Michel Chion (v); Text: Catholic lithurgy | MCE 001/ | INA • GRM | 16.06.1997 | Salle Olivier Messiaen, Maison de la Radio France | 1 | www.michelchion.com | |||||
| 3228 | Michel | Chion | Requiem, Requiem aeternam Kyrie Eleïson Epître Dies Irae Offertoire Evangile Sanctus Pater noster - Agnus Dei Lux aeterna Libera me |
1973 | fixed media, akusmatisch | 37:16 | Stereo, Quadro | 2 sections with 10 parts | IMED 9312/ Coll GRM AM 689.05/ INA ACM 1995/ Klett Stuttgart 92422/ IMED 0050/ SR 220 sub rosa/ | INA • GRM | INA GRM | 19.03.73 | Théâtre Récamier, Paris | 1 | 1984 | ||||
| 3229 | Michel | Chion | Sambas pour jour de pluie, La roue cycle du quotidien |
1985 | fixed media, akusmatisch | 14:40 | Stereo | Hommage to Debussy. First version mixed in the studios of GMEB Bourges. |
INA e 5005/ | INA • GRM, IMEB Bourges | IMEB Bourges | 16.06.85 | IMEB Bourges, Festival | 1 | |||||
| 3230 | Michel | Chion | Sonate en trois movements, Allegro Andante Rondo |
1990 | fixed media, akusmatisch | 10:00 | Stereo | MCE 001/ | INA • GRM | State commission | 07.03.90 | Caen | 1 | ||||||
| 3231 | Michel | Chion | Suite volatile, Elégie Berceuse à la poule Galop des coqs |
1983 | Zuspiel / Tonband, 3 perf | 10:25 | Stereo | V, fl, prep p [Stimme, Flöte, Piano] | Dedicated to Christian Zanési La nuit des oiseaux |
MCE 001/ | INA • GRM | INA GRM | 20.04.84 | Brussels, Botanique Festival „L’Espace du son“ | 1 | ||||
| 3232 | Michel | Chion | TU, Prologue Nocturne 1 Veilleuse Nocturne 2 Crise Portrait Rendez-vous |
1977 | Theatermusik | 34:20 | Stereo | mélodrame en deux actes; first version; 7 parts after Text „Die Zauberflöte“ by Schikaneder |
Coll GRM 9114 CH/ | INA • GRM | Commande de l'Etat et de l'INA·GRM |
5.2.1977 | Paris, Th. Récamier | 1 | http://www.michelchion.com | ||||
| 3233 | Michel | Chion | TU, Le secret Poésie Robot Maternel Interruptions La loi des pères Veilleuse Dans la nuit Au bout du labyrinthe Tu Liebst du mich nicht mehr? |
1981 | fixed media, akusmatisch | 39:30 | Stereo | 2nd version, 10 parts | MCE 001/ Coll GRM 9114 CH/ | INA • GRM | Commande INA.GRM | 25.5.1981 | Paris, Maison de la Radio | 1 | |||||
| 3234 | Michel | Chion | Valse-innovation | 1985 | fixed media, akusmatisch | 11:00 | Stereo | Dedicated to Vincent Laborey | INA • GRM | Anvar | 20.04.1984 | Botanique de Bruxelles | 0 | ||||||
| 3235 | Michel | Chion | Variations | 1990, 2003 | fixed media, akusmatisch | 10:02 | Stereo | IMED 9312/ | INA • GRM | Ina-GRM and french state | 07.03.90 | Caen | 1 | ||||||
| 42265 | Michel, Lionel, Jérôme | Chion, Marchetti, Noetinger | Les 120 Jours | 1997/1998 | fixed media, akusmatisch | Fringes Archive 03/ | Festival Musique Action | 16 May 1998 | Vandoeuvre-lès-Nancy, France | 0 | https://www.discogs.com/de/Michel-Chion-Lionel-Marchetti-J%C3%A9r%C3%B4me-Noetinger-Les-120-Jours/release/300044 | ||||||||
| 21598 | Jef | Chippewa | DUO | 1997 - 1998 | fixed media, akusmatisch | 2:42 | CEC Presence 2/ | Concordia Montréal | 1 | 2008 | |||||||||
| 41698 | Jef | Chippewa | footscapes: march [marcha / марш] | 2013 | fixed media, akusmatisch | 2:16 | 0 | ||||||||||||
| 41699 | Jef | Chippewa | footscapes: one | 2013 | fixed media, akusmatisch | 2:05 | 0 | ||||||||||||
| 39374 | Feliciano | Chiriaco | Vacuus | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 31558 | Yen-Ning | Chiu | In der Eischale… | 2013 | fixed media, akusmatisch | ≈ 9:00 | next_generation 5.0 | SEM Salzburg | 26.6.2013 | ZKM | 0 | ||||||||
| 3236 | Derek | Chivers | A Room with a Blues | 1992 | fixed media, akusmatisch | 11:45 | Uni York | 0 | |||||||||||
| 3237 | Derek | Chivers | Cymbell | 1980 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 28215 | Rilo | Chmielorz | A La Escucha De Un Archivo | 2000 | fixed media, akusmatisch | 21:00 | CDMC | 18.9.2000 | Archivo Municipal Alicante | 1 | |||||||||
| 24256 | Rilo | Chmielorz | ff (floor + feet) | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 0 | |||||||||||
| 38522 | Rilo | CHMIELORZ | Maze | 2009 | radiophon | 46:29:00 | 0 | ||||||||||||
| 38749 | Rilo, Ulrich, Pedro | CHMIELORZ, LAND, LOPEZ | Sprache, die schreitet so tönend – Hölderlin, eine Klangpoesie im Turm | 2005 | radiophon | 51:13:00 | 0 | ||||||||||||
| 3238 | Song-On | Cho | Monolith | 1987 | fixed media, akusmatisch | 18:32 | Quadro | ICEM Essen | 0 | ||||||||||
| 3239 | Song-On | Cho | Mu Ah | 1984 | fixed media, akusmatisch | Theatermusik |
13:50 | Stereo | Koch 3-5037-1/ | ICEM Essen | 0 | |||||||||
| 3240 | Song-On | Cho | Schattenbild | 1987 | fixed media, akusmatisch | 25:15 | Quadro | ICEM Essen | 0 | ||||||||||
| 3241 | Song-On | Cho | Verbrannt | 1986 | fixed media, akusmatisch | 15:00 | Quadro | ICEM Essen | 0 | ||||||||||
| 32492 | Woosung | Cho | Cages Mix | 2012 | Zuspiel / Tonband, 1 group | Quadro | ens [Ensemble] | Incontri HMTM Hannover | 20.9.2012 | Staatsoper, Hannover | 0 | ||||||||
| 42589 | Yen-Ting, Edgar | Cho, Barroso | Kapsis | 2009 | audiovisuell | 8 | 0 | ||||||||||||
| 37568 | Young Youn | Cho | Sori 1 | 1987 | live-elec, | 4:33:00 | Stereo | Synlab | ICEM Essen | 0 | |||||||||
| 37222 | Alexander | Choeb | Subtle Shifts May Cause Seismic Effects | 2017 | fixed media, akusmatisch | 8:30 | Spazialisation: Klangdom | UdK Berlin | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 23370 | Elise | Chohan | Speechmarks | 2002 | Klangkunst, Installation | 4:55 | extract. Software: PD, Cool Edit Pro | ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 39647 | Chang Seok | Choi | Initium | 2015 | fixed media, akusmatisch | 5:19:00 | Chang Seok Choi | 0 | |||||||||||
| 32502 | Hye-Yeon | Choi | Durch | 2012 | Klangkunst, Installation | 5 tracks | perfs (eine Lichtquelle, Spiegel, Sensoren, elektronische Klänge und Publikum) [Performer] | Incontri HMTM Hannover | 24.9.2012 | Staatsoper, Hannover | 0 | ||||||||
| 43065 | Hye-Yeon | Choi | Durch | 2014 | Klangkunst, Installation | Location: Dressing Room #1 | 0 | ||||||||||||
| 37779 | Hye-Yeon | Choi | Paper Concerto | 2013 | fixed media, akusmatisch | 12 Tracks | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 36889 | Hye-Yeon | Choi | Spuren | 2014 | live-elec, 3 perf | Quadro | ob, b-cl, hpd, (elec) [Klarinette, Oboe, Cembalo] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 32552 | Hye-Yeon | Choi | Usm | 2011 | Zuspiel / Tonband, 1 perf | 5 | Stereo | perc (Djembe) [Schlagzeug] | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | |||||||
| 38416 | Insook | Choi | Coney Island | 1999 | Performance | with Machine Child | 0 | ||||||||||||
| 19451 | Insook | Choi | Lit | 1992 - 1993 | fixed media, akusmatisch | 18:00 | Stereo | Centaur CRC 2302, CDCM Vol. 23/ | EMS UIUC | 1 | |||||||||
| 38409 | Insook | Choi | The frog in a machine | 1998 | fixed media, akusmatisch | 9:52 | Neuma 450-99/ | 0 | |||||||||||
| 38415 | Insook | Choi | Unfolding Time in Manifold | 1996 | Performance | with Machine Child | 0 | ||||||||||||
| 38417 | Insook | Choi | Voices in Ruins | 2000 | Performance | with Machine Child | 0 | ||||||||||||
| 42933 | Kyong Mee | Choi | Ceaseless Cease | 2013 | live-elec, 1 perf | 7:00:00 | cl [Klarinette] | Esther Lamneck, clarinet | 0 | ||||||||||
| 32113 | Kyong Mee | Choi | It only needs to be seen | 2007 | Zuspiel / Tonband, 1 perf | 7:05:00 | gui [Gitarre] | Timothy Ernest Johnson, acoustic guitar | SEAMUS EAM Vol. 17/ | 0 | |||||||||
| 25861 | Kyong Mee | Choi | Onomatopoetic Mimesis | 2004 | fixed media, akusmatisch | 7:00 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 35753 | Kyong Mee | Choi | Photogene | 2009 | fixed media, akusmatisch | mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2009 | 0 | ||||||||||||
| 40002 | Kyong Mee | Choi | rare yet soft | 2017 | fixed media, akusmatisch | Kyong Mee Choi | 0 | ||||||||||||
| 25862 | Kyong Mee | Choi | Rumi | 2004 | fixed media, akusmatisch | 7:45 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 35632 | Kyong Mee | Choi | Sublimation | 2004 | Zuspiel / Tonband, 1 perf | 7:03 | mar [Schlagzeug] | unesp Sao Paulo musica maximalista/ | 0 | ||||||||||
| 42777 | Kyong Mee | Choi | To Unformed | 2012 | live-elec, 1 perf | 8:05:00 | p [Piano] | Marcel Rominger, piano | 0 | ||||||||||
| 42473 | Kyong Mee | Choi | Tranquility | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42742 | Young-Shin | Choi | Pamuk for gayageum and electronics | 2012 | live-elec, 1 perf | 7:57:00 | gui (gayageum) [Gitarre] | Young-Shin Choi, gayageum | 0 | ||||||||||
| 42959 | Young-Shin | Choi | Slow Walk | 2013 | fixed media, akusmatisch | 4:58:00 | 0 | ||||||||||||
| 42590 | Young-Shin | Choi | UJO IMU III | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 3242 | Marek | Choloniewski | A Beethoven / Synthiblage / | 1977 | fixed media, akusmatisch | 9:30 | Quadro | SME Krakow | 1 | ||||||||||
| 25159 | Marek | Choloniewski | Assemblage | 1975 | Zuspiel / Tonband, 1 perf | Stereo | concrete perf [Performer] | 0 | |||||||||||
| 24296 | Marek | Choloniewski | aus Silber | 1996 | fixed media, akusmatisch | 11:35 | SME Krakow | 1 | |||||||||||
| 25169 | Marek | Choloniewski | Beauty and the Beast | 1992 | live-elec, 1 perf | V, (com) [Stimme] | SME Krakow | 0 | |||||||||||
| 3243 | Marek | Choloniewski | …BLANK… | 1976 | fixed media, akusmatisch | 4:42 | Stereo | SME Krakow | 0 | ||||||||||
| 3244 | Marek | Choloniewski | Citroblage | 1975 | fixed media, akusmatisch | 21:00 | Stereo | for earphones | 0 | ||||||||||
| 3245 | Marek | Choloniewski | Das Buch | 1987 | live-elec, 2 perf, 1 group | V, ens, synt [Stimme, synthesizer, Ensemble] | SME Krakow | 1 | |||||||||||
| 25185 | Marek | Choloniewski | Dizzy Kinetics | 2005 | audiovisuell, live-elec, 1 perf | com [computer] | interactiv video | 0 | |||||||||||
| 25171 | Marek | Choloniewski | Doubles | 1993 | audiovisuell, live-elec, 1 perf | V, (lights) [Stimme] | SME Krakow | 0 | |||||||||||
| 25165 | Marek | Choloniewski | Ears, Eyes, Nose | 1988 | Klangkunst, Installation | Stereo | together with Marek Chlanda | 0 | |||||||||||
| 24292 | Marek | Choloniewski | Follow me II | 1987 | live-elec, 1 perf | 13:56 | synt, (com) [synthesizer] | SME 1973-2003/ | SME Krakow | 1 | |||||||||
| 25163 | Marek | Choloniewski | Follow Salzach | 1988 | Performance, live-elec, 1 perf | Stereo | ins, (Enviroment) [Instrument] | 0 | |||||||||||
| 25164 | Marek | Choloniewski | Follow, Follow | 1988 | live-elec, 4 perf, 1 group | Stereo | 4 ob, orc [Oboe, Orchester] | 0 | |||||||||||
| 25160 | Marek | Choloniewski | Global Mix | 1998 | live-elec, 1 perf, 1 group | Stereo | coms [computer] | Internetwork | 0 | ||||||||||
| 25175 | Marek | Choloniewski | GPS-Art Internet Project | 2000 - 2005 | Klanginstallation, live-elec, 1 perf, 1 group | coms [computer] | audiovisuell map of Kracow for listeners in cars and Internet | 0 | |||||||||||
| 25174 | Marek | Choloniewski | GPS-Trans | 2000 | live-elec, 1 perf, 1 group | coms [computer] | GPS- & Internetwork | 0 | |||||||||||
| 25176 | Marek | Choloniewski | GPS-Trans 1 | 2000 | Klanginstallation, live-elec, 1 perf, 1 group | coms [computer] | Internetradio; with 16 Mobiles | 0 | |||||||||||
| 25177 | Marek | Choloniewski | GPS-Trans 2 | 2001 | Klanginstallation, live-elec, 1 perf, 1 group | coms [computer] | sounding map of Kracow | 0 | |||||||||||
| 25178 | Marek | Choloniewski | GPS-Trans 3 | 2002 | Klanginstallation, live-elec, 1 perf, 1 group | coms [computer] | sounding map of Kracow | 0 | |||||||||||
| 25179 | Marek | Choloniewski | GPS-Trans 4 | 2003 | Klanginstallation, live-elec, 2 perf, 2 groups | coms, ens, dancer [computer, Tanz, Ensemble] | sounding map of Kracow | 0 | |||||||||||
| 25182 | Marek | Choloniewski | GPS-Trans 5 Net Bridge | 2005 | Klanginstallation, live-elec, 9 perf | 9 perf (coms, nonett, interactiv Systems) [Performer] | sounding map of Kracow & Luxembourg | 0 | |||||||||||
| 25184 | Marek | Choloniewski | GPS-Trans 6 | 2005 | Performance, live-elec, 1 perf, 1 group | perfs (com, 4 LS, Car, Action in Warsaw) [Performer] | 0 | ||||||||||||
| 25162 | Marek | Choloniewski | Here and There | 1986 | live-elec, 2 perf | Stereo | p, synt, (com) [Piano, synthesizer] | 0 | |||||||||||
| 24295 | Marek | Choloniewski | Hypermeable Objects | 1995 | fixed media, akusmatisch | 11:16 | SME Krakow | 1 | |||||||||||
| 3250 | Marek | Choloniewski | Kadencja | 1983 | Zuspiel, live-elec, 2 perf | Stereo | va da gamba, synt [Cello, synthesizer] | SME Krakow | 0 | ||||||||||
| 3251 | Marek | Choloniewski | La Cumparsita (hki 290880) | 1980 | fixed media, akusmatisch | Stereo | SME Krakow | 0 | |||||||||||
| 19319 | Marek | Choloniewski | Lighting 2 | 1997 | audiovisuell, live-elec, 1 perf | 20:12 | perf [Performer] | Choloniewski | Warschauer Herbst '97, Vol. 8/ | 1 | |||||||||
| 24293 | Marek | Choloniewski | Like Breathing | 1991 | live-elec, 1 perf, 1 group | 9:20 | inss [Instrument] | SME Krakow | 1 | ||||||||||
| 25180 | Marek | Choloniewski | Nortus Farae | 2004 | audiovisuell, live-elec, 1 perf | vc, (video), [Cello] | 0 | ||||||||||||
| 25181 | Marek | Choloniewski | Physical Modelling | 2004 | live-elec, 1 perf | 7:23 | fl [Flöte] | SME 2010/ | 0 | ||||||||||
| 25170 | Marek | Choloniewski | Picture Reading | 1993 | Performance | interactiv | SME Krakow | 0 | |||||||||||
| 3254 | Marek | Choloniewski | Proces - for K. | 1980 | fixed media, akusmatisch | 10:00 | Quadro | ExpSt Warsaw | 0 | ||||||||||
| 25161 | Marek | Choloniewski | Rag, Rag, Rag | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 3252 | Marek | Choloniewski | RED | 1976 | fixed media, akusmatisch | 10:10 | Stereo | SME Krakow | 0 | ||||||||||
| 25173 | Marek | Choloniewski | River Dart | 1995 | intermedia, live-elec, 2 perf | V, (lights), str [Stimme, Streicher] | SME Krakow | 0 | |||||||||||
| 3248 | Marek | Choloniewski | Same Fire for all | 1985 | fixed media, akusmatisch | 8:11 | SME Krakow | 1 | |||||||||||
| 24294 | Marek | Choloniewski | sha'ba del 'mana | 1994 | fixed media, akusmatisch | 7:00 | SME Krakow | 1 | |||||||||||
| 25172 | Marek | Choloniewski | Silber | 1994 | intermedia, live-elec, 3 perf, 1 group | ww, ens, dancer, (lights), com [computer, Bläser, Tanz, Ensemble] | SME Krakow | 0 | |||||||||||
| 3253 | Marek | Choloniewski | Swinging parameters | 1984 | Zuspiel, live-elec, 3 perf | ob, vn, synt [Oboe, Violine, synthesizer] | SME Krakow | 1 | |||||||||||
| 25167 | Marek | Choloniewski | Switched Off … | 1990 | live-elec, 1 perf, 1 group | Stereo | inss [Instrument] | 0 | |||||||||||
| 25166 | Marek | Choloniewski | Switched On … | 1990 | Klanginstallation, live-elec, 1 perf | Stereo | (objects), com [computer] | 0 | |||||||||||
| 25168 | Marek | Choloniewski | Two Suns | 1990 | live-elec, 1 perf, 1 group | Stereo | inss [Instrument] | 0 | |||||||||||
| 25183 | Marek | Choloniewski | Wieliczka Salt Mine | 2005 | Klangkunst, Installation | for Expo 2005 | 0 | ||||||||||||
| 22124 | Marek | Choloniewski | Wysig | 1989 | audiovisuell, live-elec, 1 perf | 11:20 | Stereo | (lights), com [computer] | ExpSt Warsaw | 0 | |||||||||
| 3249 | Marek, Roman | Choloniewski, Haubenstock-Ramati | Interpolation | 1957, 1981 | Zuspiel / Tonband, 1 perf | 6:55 | Stereo | fl [Flöte] | SME Krakow | 0 | http://www2.ak.tu-berlin.de/Geschichte/personen/Gastkomponisten.html | ||||||||
| 3246 | Marek, Boguslaw | Choloniewski, Schaeffer | Electroblage | 1977 | Film | 22:10 | Stereo | tape to "ALGORITHMS" | SME Krakow | 0 | |||||||||
| 3247 | Marek, Boguslaw | Choloniewski, Schaeffer | Free FormI | 1978 | fixed media, akusmatisch | 32:00 | Stereo | SME Krakow | 0 | ||||||||||
| 3255 | Th., Al. | Chondros, Katsiani | Dimosioypalliliko retrire, Kinos Nus, 3rd part | 1990 | fixed media, akusmatisch | 9:56 | ano kato 020/ | Graffiti St Larissa | 1 | ||||||||||
| 3257 | Henri | Chopin | Audiopoems, Le soleil est mecanique Espaces et gestes indicatif I & II la fusee interplanetaire la peur le bruit du sang l'energie sommeil le rirw et debout les mandibules du dejeuner sur l'hebre mes bronches new departure play leap-frog pluralite sol air vibrespace 2500, ou les grenouilles d'aristrophane |
1960 - 1963 | fixed media, akusmatisch | audiopoems; txtcompo | PS C. Paris | 1 | |||||||||||
| 3258 | Henri | Chopin | Définition des Lettres Suivantes | 1975 | fixed media, akusmatisch | 5:35 | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 1 Text-Sound Compositions/ | PS C. | 1 | ||||||||||
| 24529 | Henri | Chopin | Hoppa Bock | 1970 | fixed media, akusmatisch | 5:57 | Text-Sound Composition | FYCD 1024 CD 1 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 25588 | Henri | Chopin | La Digestion | 1972 | fixed media, akusmatisch | 14:06 | Stereo | Alga Marghen plana-C 5VocSon012/ | PS C. Ingatestone | 1 | |||||||||
| 24528 | Henri | Chopin | Le bruit du sang | 1969 | fixed media, akusmatisch | 8:03 | Text-Sound Composition | FYCD 1024 CD 1 Text-Sound Compositions/ | PS C. Ingatestone | 1 | |||||||||
| 36526 | Henri | Chopin | Le Cri | 1971 | radiophon | 7:08 | Homage To Marcel Janco | S Press 22/ ISBN 3-924215-22-7/ | 0 | ||||||||||
| 3259 | Henri | Chopin | Le Fond de la Gorge | 1977 | fixed media, akusmatisch | 9:06 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 3260 | Henri | Chopin | Le Palais enchanté d'années 80 | 1982 | fixed media, akusmatisch | 10:00 | Quadro | IPEM Gent | 0 | ||||||||||
| 3261 | Henri | Chopin | Le Temps Aujour d'hui | 1977 | fixed media, akusmatisch | 7:52 | Stereo | IPEM Gent | 0 | ||||||||||
| 36525 | Henri | Chopin | Le Voyage Labiovelaire | 1971 | radiophon | 11:42 | S Press 22/ | 0 | |||||||||||
| 25589 | Henri | Chopin | Les Pirouettes Vocales pour les Pirouettements Vocaux | 1995 | fixed media, akusmatisch | 5:41 | Stereo | Alga Marghen plana-C 5VocSon012/ | PS C. Paris | 1 | |||||||||
| 25590 | Henri | Chopin | Les Souffles des Tempêtes | 1993 | fixed media, akusmatisch | 14:15 | Quadro | This audiopoem is dedicated "aux Suédois". | Alga Marghen plana-C 5VocSon012/ | Fylkingen | 1 | ||||||||
| 37468 | Henri | Chopin | Les Souffles et la Lange | 1993 | live-elec, 1 perf | 10:46 | V [Stimme] | ISAST LMJ 3/ | 0 | ||||||||||
| 3256 | Henri, Arthur | Chopin, Petronio | Aérythme | 1963 | fixed media, akusmatisch | 3:00 | txtcompo | PS Petronio Paris | 0 | ||||||||||
| 19447 | Henri, Arthur | Chopin, Petronio | Echos de bouche | 1991 | fixed media, akusmatisch | 9:55 | Stereo | txtcompo | Nepless PS 9611001/ | 0 | |||||||||
| 19448 | Henri, Arthur | Chopin, Petronio | Fresque de l'impalapable voix | 1990 | fixed media, akusmatisch | 15:56 | Stereo | txtcompo | Nepless PS 9611001/ | 0 | |||||||||
| 19449 | Henri, Arthur | Chopin, Petronio | Frises majeures des lèvres | 1994 | fixed media, akusmatisch | 13:04 | Stereo | txtcompo | Nepless PS 9611001/ | 0 | |||||||||
| 19450 | Henri, Arthur | Chopin, Petronio | Le Corpsbis | 1983 | fixed media, akusmatisch | 36:19 | Stereo | txtcompo | Nepless PS 9611001/ WER 6307-2/ | WDR Studio Akustische Kunst | 1 | ||||||||
| 3262 | Daniel | Chorzempa | Sonett | 1978 | fixed media, akusmatisch | 13:40 | Quadro | txtcompo. | HfMT Köln CD1/ | HfMT Köln | 1 | 1986 | |||||||
| 3263 | Daniel | Chorzempa | Studie I | 1971 | fixed media, akusmatisch | 7:32 | Stereo | HfMT Köln | 0 | ||||||||||
| 42898 | HsinYu | Chou | somewhere I have never travelled | 2013 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 32501 | Yi-an | Chou | Drehduett | 2009 | Klangkunst, Installation | audiovisuell |
Quadro | Klanginstallation/Video | Incontri HMTM Hannover | 15.8.2009 | Herrenhäuser Gärten, Hannover, Musik21 Festival | 0 | ||||||||
| 32507 | Yi-an | Chou | Episode | 2009 | Zuspiel / Tonband, 1 perf | Octo | va [Viola] | Incontri HMTM Hannover | 7.5.2009 | Kestnergesellschaft, Hannover | 0 | ||||||||
| 3264 | Jean-Marc | Chouvel | Dialoge avec l'echo | 1992 | fixed media, akusmatisch | 12:55 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 28209 | John | Chowning | Computer Music Journal (CMJ) Sound and Video Anthology, Disc two, Volume 31, 2007 (siehe Notes!) Stria |
2007 | Demo, Studie | 17:35 | Quadro | CMJ Vol 31-4, 2007/ | IRCAM | 1977 | Luciano Berio's exhibition of electroacoustic music | 0 | |||||||
| 3265 | John | Chowning | Kaleidoscope | 1993 | live-elec, 2 perf | 2 p (Kbd) [Piano] | CCRMA | 0 | |||||||||||
| 3266 | John | Chowning | Phoné | 1981 | fixed media, akusmatisch | 12:33 | Quadro | FM-Synthesis with SCDS. Lenght also ≈ 14 min |
WER 2012-50/ CMJ Vol 32-4, 2008/ | CCRMA | 1 | ||||||||
| 3267 | John | Chowning | Sabelithe II, Sabelithe | 1966/1971 | fixed media, akusmatisch | 6:23 | Quadro | Sabelithe I from 1966 was the first version (for sound & 3 perf) and was never perf. 1st FM-piece, SCORE und MUSIC10, Samson -Box | WER 2012-50/ | CCRMA | 1 | ||||||||
| 3268 | John | Chowning | Stria | 1977 | fixed media, akusmatisch | 16:57 | Quadro | FM-Synthesis, MUSIC10, 12-Bit | WER 2012-50/ Ellipsis Arts 3673 - OHM: 03/ CMJ Vol 31-4, 2007/ Ellipsis Arts 3694 - OHM DVD/ | CCRMA | IRCAM | october 1977 | Paris, IRCAM | 1 | |||||
| 3269 | John | Chowning | Turenas | 1972 | fixed media, akusmatisch | 9:59 | Quadro | SCORE, MUSIC10, Samson-box | WER 2012-50/ CMJ Vol 32-4, 2008/ | CCRMA | 1 | 2008 | |||||||
| 32787 | John | Chowning | Voices | 2005 | live-elec, 1 perf | Quadro | S [Sopran] | MaxMSP | 0 | ||||||||||
| 3270 | Louis | Chretiennot | Arrêt sur image | 1982 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3271 | Louis | Chretiennot | Des nombres et des mots | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3272 | Chris | Christensen | untitled | 1984 | fixed media, akusmatisch | Quadro | CCRMA | 0 | |||||||||||
| 35163 | Christian Winther | Christensen | Hymns & Spectral Songs | 2016 | live-elec, 8 perf | amp 8 mus [Musiker] | 0 | ||||||||||||
| 28219 | Ulrich | Christians | Good Mourning, Alpheos | fixed media, akusmatisch | 55:00 | seichte EM | 1 | ||||||||||||
| 3273 | Henning | Christiansen | "als die Sprache platzte und die Musik abfuhr - und der Mond erscheint" Orakel |
1985 | Performance | 60:00 | 3 perf [Performer] | 1.3.1986 | Inventionen TU-Gebäude Ackerstraße Berlin, Christiansen, Durand, Nørgaard, und Geister | 0 | 1986 | ||||||||
| 19088 | Henning | Christiansen | Lagerplatz - Beuys Pit- 75 Jahre - Walhalla | 1996 | Performance | 0:29 | Sonambiente Ausstellung (1996); Berliner Prater Katalog S.39 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 3274 | Henning | Christiansen | Umwälzung: fluxorum organum - EURASIENSTAB ist immer noch Angelpunkt | 1989 | Zuspiel, live-elec, 5 perf | intermedia |
60:00 | 5 perf [Performer] | dedicated to Joseph Beuys | PS C. | 9.2.1990 | Inventionen Ballhaus Naunynstraße Berlin | 1 | 1990 | ||||||
| 28647 | Svend | Christiansen | Pyramider | 1978 | fixed media, akusmatisch | 11:04 | Stereo | LJUD 006 CD2 n©b/ | 1 | ||||||||||
| 3275 | Svend | Christiansen | Urværk | 1976 | fixed media, akusmatisch | 12:00 | Uni Aarhus | 0 | |||||||||||
| 3277 | Günther, Paul, H. R. | Christmann, Lovens, Sonderburg | in actu | 1992 | audiovisuell | 15:00 | Stereo | Video "Malerei und Musik" | ZKM Karlsruhe | 0 | |||||||||
| 3276 | Günther, Detlef | Christmann, Schoenenberg | Harvest Work | 1979 | live-elec, 2 perf | trbn, perc [Posaune, Schlagzeug] | Improvisation | SCK 70356/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | |||||||||
| 40333 | Yiannis | Christofides | Odas | 2016 | Performance | Yiannis Christofides | 0 | ||||||||||||
| 3278 | Jani | Christou | Anaparastasis III, (The Pianist) | 1968/1969 | Zuspiel / Tonband, 2 perf, 1 group | 11:00 | p, ens, actor [Piano, Schauspieler, Ensemble] | Hinweis auf einen Film "Anaparastasis: Life & Work of Jani Christou", 2012; (ein Filmporträt) | ed. rz 1006/ | 1 | |||||||||
| 3279 | Jani | Christou | Dance Music | 1964/1965 | Tanz | ∞ | Stereo | PS C. Athen | 0 | ||||||||||
| 3280 | Jani | Christou | Lapidation | 1967 | Musiktheater, 1 perf, 2 groups | 10:00 | Stereo | ch, ins, actors [Instrument, Schauspieler, Chor] | PS C. Athen | 0 | |||||||||
| 3281 | Jani | Christou | Lecture I | 1968 | Zuspiel / Tonband, 1 perf | Sp [Sprecher] | 0 | ||||||||||||
| 3282 | Jani | Christou | Mysterion | 1965/1966 | Zuspiel / Tonband, 1 perf, 2 groups | 25:00 | Sp, ch, orc [Sprecher, Chor, Orchester] | (Prolog und Sprechertext, Zuspielbänder) | ed. RZ 1006/ ed. RZ 1013/ IDEAMA CD 053/ | 0 | |||||||||
| 3283 | Jani | Christou | Oedipus Rex | 1969 | Theatermusik | 0 | |||||||||||||
| 3284 | Jani | Christou | Prologue to Mysterion | 1969 | fixed media, akusmatisch | 5:00 | ed. rz 1006/ | 0 | |||||||||||
| 3285 | Jani | Christou | Prometheus Bound | 1963 | Theatermusik | Fernsehen, 1 perf |
6:00 | Mono | ins [Instrument] | PS C. Athen | 0 | |||||||||
| 3286 | Jani | Christou | The frogs | 1966 | Theatermusik | 10:00 | Mono | PS C. Athen | 0 | ||||||||||
| 3287 | Jani | Christou | The Persians | 1965 | Theatermusik | 10:00 | Mono | PS C. Athen | 0 | ||||||||||
| 3288 | Jani | Christou | The Strychnine Lady | 1967 | Musiktheater, 6 perf, 1 group | 7:00 | Mono | 5 actor, va, ens [Viola, Schauspieler, Ensemble] | PS C. Athen | 0 | 1992 | ||||||||
| 3289 | Jani | Christou | Tongues of Fire | 1964 | Zuspiel / Tonband, 1 perf, 2 groups | ch, orc, mus [Musiker, Chor, Orchester] | PS C. Athen | 0 | |||||||||||
| 18820 | Magdalena | Chrostek | Quarens | 1977 | fixed media, akusmatisch | SME Krakow | 1 | ||||||||||||
| 31970 | Thanos | Chrysakis | INSCAPES 11-10 | 2005 | fixed media, akusmatisch | 10:20:00 | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 2 am 1.8.2008 22:30h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | ||||||||||
| 23613 | Se-Lien | Chuang | Algotetrix | 2002 | fixed media, akusmatisch | 3:00 | algorithmische Komposition | 1 | |||||||||||
| 19120 | Se-Lien | Chuang | bow | 1996 | fixed media, akusmatisch | 2:49 | GRMTools | UEA Norwich | 1 | ||||||||||
| 23610 | Se-Lien | Chuang | cave | 1999 | fixed media, akusmatisch | 10:47 | 1 | ||||||||||||
| 32657 | Se-Lien | Chuang | Das Kichern der silbernen Flöte | 2006 | audiovisuell, live-elec, 1 perf | ≈ 12 | fl [Flöte] | 06.11.2006 | Great Hall, Goldswithhs College, London | 0 | |||||||||
| 32653 | Se-Lien | Chuang | „… demonstrandum“ | 2007 | live-elec, 1 perf | 30 | p, (com) [Piano] | Improvisation für Arco-piano und Computer System | 20..04.2007 | ESC labor/ Graz in series of des V:NM Festivals 07 | 0 | ||||||||
| 23616 | Se-Lien | Chuang | ec-lipse | 1999 | fixed media, akusmatisch | 5:40 | Uni Sussex | 1 | |||||||||||
| 23629 | Se-Lien | Chuang | Erinnerung in jedem Laut | 2005 | audiovisuell, live-elec, 1 perf | ≈ 15 | Stereo | ins, (DSP) [Instrument] | for live instrument, live electronic and inetraktiv visuals | 5.9.2005 | Sky Media Loft, AEC - Ars Electronica Centre Linz, Ars Electronica | 1 | |||||||
| 32652 | Se-Lien | Chuang | for Reynolds | 2007 | audiovisuell, live-elec, 1 perf | ≈ 12 | vn, (com) [Violine] | 8.06.2007 | NIME 07, Frederick Loewe Theater, NYU/ New York | 0 | |||||||||
| 23606 | Se-Lien | Chuang | fujpair | 1997 | Zuspiel / Tonband, 1 perf | 6:30 | Octo | prep p [Piano] | 1 | ||||||||||
| 19122 | Se-Lien | Chuang | greedy game | 1996 | fixed media, akusmatisch | 4:40 | GRMTools, Mac | UEA Norwich | 1 | ||||||||||
| 23612 | Se-Lien | Chuang | Horch! Der Duft der Blüten läutet nach | 2003 | fixed media, akusmatisch | 15:20 | Octo | 1 | |||||||||||
| 23614 | Se-Lien | Chuang | In der Mitte der Hängebrücke erreichte mich der Ruf des Kuckucks | 2002 | fixed media, akusmatisch | 5:12 | Octo | IEM Graz | 1 | ||||||||||
| 23615 | Se-Lien | Chuang | In die Weite eines flüsternden Gebetes blicken | 2000 | fixed media, akusmatisch | 7:36 | 1 | ||||||||||||
| 23605 | Se-Lien | Chuang | Launenspiel | 1996/1997 | fixed media, akusmatisch | 6:43 | 1 | ||||||||||||
| 23608 | Se-Lien | Chuang | Lebens-lauf | 2001 | audiovisuell | 0:45 | mit Joseph Taucher | 1 | |||||||||||
| 23611 | Se-Lien | Chuang | MetaDancer | 1999 | fixed media, akusmatisch | 3:10 | 1 | ||||||||||||
| 42768 | Se-Lien | Chuang | Of which your soul was constituted | 2012 | live-elec, 1 perf | 14:05:00 | vc [Cello] | Andrew Borkowski, cello | 0 | ||||||||||
| 19123 | Se-Lien | Chuang | oszi-chord | 1996 | fixed media, akusmatisch | 5:04 | GRMTools, Mac | BEAST | 1 | ||||||||||
| 19121 | Se-Lien | Chuang | parame | 1996 | fixed media, akusmatisch | 3:36 | GRMTools, Mac | BEAST | 1 | ||||||||||
| 32644 | Se-Lien | Chuang | Secret Momentum | 2012 | Performance, live-elec, 2 perf | ≈ 11 | 2 perf, (elec) [Performer] | Interaktion | 12.10.2012 | violin: Barbara Lüneburg, bass recorder, vocals: Se-Lien Chuang, multichannel audio processing: Andreas Weixler, Favoriten Modern - musicale | 0 | ||||||||
| 32650 | Se-Lien | Chuang | SpectraSonic VNM + Sarcastic System | 2009 | audiovisuell, live-elec, 2 perf | 2 ins, (elec) [Instrument] | audiovisual interaction | 14. April 2009 | IEM / Graz, opening concert 7. V:NM Festival, Graz 16.-18. April 2009 | 0 | |||||||||
| 32651 | Se-Lien | Chuang | who is who | 2007 | Zuspiel / Tonband, 1 perf | 6:05:00 | db [Kontrabass] | 27.10.2007 | Kulturzentrum Minoriten/ Graz, in concert series of d.a.s.(Verein zur Förderung neuer Musik in Graz/ Austria) | 0 | |||||||||
| 24908 | Se-Lien | Chuang | zum Kirschblütenfest | 2005 | fixed media, akusmatisch | 10:26 | Octo | TU Berlin | 5.5.2005 | Hidden Museum Fraxern / Feldkirch - Kirschblütenfest | 1 | ||||||||
| 32646 | Se-Lien, Jodi, Andreas, Xenia | Chuang, Rose, Weixler, Pestova | in and out | 2012 | Performance, live-elec, 2 perf | ≈ 60 | (singing bridge,) toy p, elec [Piano, elektronik] | 12.04.2012 | Bridgemasters House, Menai Suspension Bridge, INTER/actions symposium, Bangor, UK | 0 | |||||||||
| 23630 | Se-Lien, Andreas | Chuang, Weixler | Blue Elephant | 2000 | audiovisuell | 2:00 | Stereo | 1 | |||||||||||
| 23633 | Se-Lien, Andreas | Chuang, Weixler | CIC | 2000 | audiovisuell | 5:10 | Stereo | 1 | |||||||||||
| 32645 | Se-Lien, Andreas | Chuang, Weixler | for slowind | 2012 | live-elec, 5 perf | 15:10 | ww-qnt, (elec) [Bläser] | 11.09. 2012 | Kino Siska, Laibach in series of the ICMC - International computer Music Conference Non-Cochlear Sound (09.09. - 14.09. 2012) | 0 | |||||||||
| 32649 | Se-Lien, Andreas | Chuang, Weixler | Fügung | 2009 | audiovisuell, live-elec, 3 perf | ≈ 15 | 3 p [Piano] | 05. Mai 2009 | concert series Soand and Vision 3 - double concert - electronics <--> 3 pnos, Kleiner Saal, Anton Bruckner Privat University, Linz | 0 | |||||||||
| 32654 | Se-Lien, Andreas | Chuang, Weixler | Hetz | 2007 | audiovisuell, live-elec, 1 perf | 4:26:00 | p [Piano] | 11.04-13.04.2007 | Juilliard Electric ensemble (Director: Edward Bilous) at the Juilliard Music Technology Center NYC | 0 | |||||||||
| 23634 | Se-Lien, Andreas | Chuang, Weixler | Infinity op. 1 - op. 4 | 2003 | audiovisuell | 23:00 | Stereo | 1 | |||||||||||
| 32647 | Se-Lien, Andreas | Chuang, Weixler | Jade f.o.o.t. | 1996/2012 | audiovisuell | 5:40 | BEAST | 29.10.2012 | intermedial computer music concert series with emphesis on BEAST at DeepSpace des AEC - Ars Electronica Centre Linz | 0 | |||||||||
| 23609 | Se-Lien, Andreas | Chuang, Weixler | Lauf-auf | 2000 | audiovisuell | 0:55 | Stereo | 1 | |||||||||||
| 23607 | Se-Lien, Andreas | Chuang, Weixler | Lini-en | 1998 | audiovisuell | 4:31 | Octo | 1 | |||||||||||
| 23617 | Se-Lien, Andreas | Chuang, Weixler | living cave | 2001 | audiovisuell, live-elec, 2 perf | 67:00 | vc, vn [Cello, Violine] | interactive audio visual installation. with Kuwayama Kiyoharu and Kijima Rina. 7 parts | 1 | ||||||||||
| 32648 | Se-Lien, Andreas | Chuang, Weixler | Momentum BEAST | 2010 | audiovisuell, live-elec, 7 perf | ≈ 12 | 7 ins [Instrument] | 29.10.2012 | intermedial computer music concert series with emphesis on BEAST at DeepSpace des AEC - Ars Electronica Centre Linz | 0 | |||||||||
| 43041 | Se-Lien, Andreas | Chuang, Weixler | Momentum NYCEMF | 2013 | audiovisuell, live-elec, 3 perf | 12:00:00 | vn, b-rec, elec [Flöte, Violine, elektronik] | Adrianna Mateo, violin; Se-Lien Chuang, bass recorder, interactive visuals; Andreas Weixler, multi-channel audio processing | 0 | ||||||||||
| 34620 | Se-Lien, Andreas | Chuang, Weixler | Momentum TonArt_SMC | 2016 | audiovisuell, live-elec, 1 group | ens [Ensemble] | SMC2016 | 0 | |||||||||||
| 32658 | Se-Lien, Andreas | Chuang, Weixler | The Colours Of A Wooden Flute | 2006 | audiovisuell, live-elec, 1 perf | ≈ 10 | b-rec [Flöte] | 06.11.2006 | Great Hall, Goldswithhs College, London | 0 | |||||||||
| 24907 | Se-Lien, Andreas | Chuang, Weixler | Trilogie für Pi und für Io, for Pi Interlude for Pi and for Io for Io |
2005 | fixed media, akusmatisch | audiovisuell, live-elec, |
18:00 | Octo | Se-Lien Chuang (arco-Piano), Andreas Weixler (multi channel granular synthesis). Drei Teile: „für Pi“ von Andreas Weixler; „Interlude für Pi und für Io“ audiovisuelle interaktive Improvisation Weixler & Chuang; „für Io“ von Se-Lien Chuang |
TU Berlin | 17.1.2005 | Ultraschall Sophiensäle (for Io) | 1 | |||||||
| 23631 | Se-Lien, Andreas | Chuang, Weixler | Trinity | 2000 | audiovisuell | 2:47 | Stereo | 1 | |||||||||||
| 43002 | Miguel | Chuaqui | Arioso | 2013 | live-elec, 1 perf | 8:00:00 | a-rec [Flöte] | Lisa Chaufty, alto recorder | 0 | ||||||||||
| 42474 | Miguel | Chuaqui | Mareas | 2008 | live-elec, 1 perf | fl [Flöte] | Jane Rigler, flute | 0 | |||||||||||
| 42591 | Miguel | Chuaqui | Saturniana | 2009 | live-elec, 1 perf | 9 | b-trbn [Posaune] | 0 | |||||||||||
| 42774 | Miguel | Chuaqui | Trance | 2012 | live-elec, 1 perf | 10:20:00 | vc [Cello] | Madeleine Shapiro, cello | 0 | ||||||||||
| 42903 | Nicholas | Chuaqui | Antagonism Constellation Factory | 2013 | fixed media, akusmatisch | 5:29:00 | 0 | ||||||||||||
| 39469 | Nicolas | Chuaqui | Footprints I | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 31639 | Sundo | Chung | Dong Chang Yi | 1998 | live-elec, 3 perf | 12:00:00 | S, 2 cymbal, (elec) [Sopran, Schlagzeug] | HSM Basel | 0 | ||||||||||
| 31646 | Sundo | Chung | Uff der Lyss | 1999 | live-elec, 3 perf | 3 perc, (elec) [Schlagzeug] | HSM Basel | 0 | |||||||||||
| 31644 | Sundo | Chung | Wake Up The Drummer | 1999 | Zuspiel, live-elec, 1 perf | perc, (elec) [Schlagzeug] | HSM Basel | 0 | |||||||||||
| 41714 | Ian | Chuprun | Adam's song | 1997 | fixed media, akusmatisch | 3:00:00 | 0 | ||||||||||||
| 3290 | Ian | Chuprun | Duet | 1993 | fixed media, akusmatisch | 2:45 | for headphones | CEC DISContact_2/ | Concordia Montréal | 1 | |||||||||
| 23120 | Ian | Chuprun | "I was very safe … in my dream" | 1998 | radiophon | 3:00 | Cec Presence 3/ | Concordia Montreal | 1 | ||||||||||
| 21599 | Ian | Chuprun | Reading Allowed (PA 11) | 1998 | fixed media, akusmatisch | 1:51 | CEC Presence 2/ | BEAST | 0 | ||||||||||
| 41715 | Ian | Chuprun | Releasing Enclosed Spaces | fixed media, akusmatisch | 9:02:00 | 0 | |||||||||||||
| 41716 | Ian | Chuprun | Sky | fixed media, akusmatisch | 9:22:00 | 0 | |||||||||||||
| 21597 | Ian | Chuprun | to many moments passed | 1998 | fixed media, akusmatisch | 7:11 | part of "Under the Playground" | CEC Presence 2/ | BEAST | 1 | |||||||||
| 41717 | Ian | Chuprun | Under the Playground | 1998 | fixed media, akusmatisch | 13:21:00 | eContact! 4.4 — ÉuCuE | 0 | |||||||||||
| 41718 | Ian | Chuprun | Vaguely Reminiscient of a place | fixed media, akusmatisch | 9:02:00 | 0 | |||||||||||||
| 41720 | Ian | Chuprun | Whither shall ye wander? | 1998 | fixed media, akusmatisch | 12:03:00 | JTTP 2000 | 0 | |||||||||||
| 41719 | Ian, Dugal, David, Antti | Chuprun, McKinnon, Prior, Saario | Ways of Hearing | 1998 | fixed media, akusmatisch | 30:06:00 | 1 | ||||||||||||
| 3291 | Gustav | Ciamaga | It's about time again | 1992 | fixed media, akusmatisch | 1:45 | CEC DISContact_1/ | Con Toronto | 1 | ||||||||||
| 3293 | Gustav | Ciamaga | Mosaic | 1966 | Film | 8:00 | Mono | UTEMS Toronto | 0 | ||||||||||
| 3294 | Gustav | Ciamaga | One part invention | 1965 | fixed media, akusmatisch | 2:33 | Stereo | Uni Toronto | 0 | ||||||||||
| 3296 | Gustav | Ciamaga | Possible Spaces 1 | 1995 | fixed media, akusmatisch | 2:42 | CEC DISContact_2/ | 0 | |||||||||||
| 24180 | Gustav | Ciamaga | Possible Spaces 6 | 2001 | fixed media, akusmatisch | 4:02 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 3297 | Gustav | Ciamaga | Pour M: | 1987 | live-elec, | 5:38 | Stereo | ACM 37 CD 1-4/ | 0 | ||||||||||
| 3298 | Gustav | Ciamaga | Scherzo | 1966 | fixed media, akusmatisch | 1:45 | Stereo | new version | UTEMS Toronto | 0 | |||||||||
| 3299 | Gustav | Ciamaga | Two part invention #1, Two part invention No. 1 | 1965 | fixed media, akusmatisch | 2:03 | Stereo | Uni Toronto | 0 | ||||||||||
| 3300 | Gustav | Ciamaga | Two part invention #2, Two part invention No. 2 | 1966 | fixed media, akusmatisch | 1:30 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3301 | Gustav | Ciamaga | Two part invention #3, Two part invention No. 3 | 1966 - 1967 | fixed media, akusmatisch | 4:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 34544 | Gustav | Ciamaga | Two part invention #6, Two part invention No. 6 | 1966 - 1967 | fixed media, akusmatisch | 4:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 3302 | Gustav | Ciamaga | Two part invention #8, Two part invention No. 8 | 1970 | fixed media, akusmatisch | 7:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 3303 | Gustav | Ciamaga | Upon Hearing the First Koto in Spring | 1987 | live-elec, | 7:30 | Stereo | PS C. | 0 | ||||||||||
| 3295 | Gustav, Lowell | Ciamaga, Cross | Phone-Phugue | 1965 | Fernsehen, | 4:00 | Mono | UTEMS Toronto | 0 | ||||||||||
| 3292 | Gustav, Anthony | Ciamaga, Gnazzo | Margaree | 1966 | Fernsehen, | 14:00 | Mono | UTEMS Toronto | 0 | ||||||||||
| 38019 | Suzanne | Ciani | 13 Voice: and all dreams are not for sale | 1970 | fixed media, akusmatisch | Infiné IF 4002/ | 0 | ||||||||||||
| 37920 | Suzanne | Ciani | Paris | 1971 | fixed media, akusmatisch | 7:35 | AUD 04612/ Infiné IF 4002/ | 0 | |||||||||||
| 27955 | Fabio Cifariello | Ciardi | Ab | 2007 | live-elec, 9 perf | 9 ins [Instrument] | Organised Sound Vol 13/3/ | 0 | |||||||||||
| 27952 | Fabio Cifariello | Ciardi | Altri Passaggi | 2005 | live-elec, 2 perf | zarb, daf [Schlagzeug] | Organised Sound Vol 13/3/ | 1 | |||||||||||
| 24383 | Fabio Cifariello | Ciardi | Altri richiami | 2001 | Zuspiel / Tonband, 2 perf | daf, zarb [Schlagzeug] | IMEB Bourges | 0 | |||||||||||
| 3304 | Fabio Cifariello | Ciardi | Finzioni | 1991/1992 | Zuspiel, live-elec, 1 perf | 12:38 | Quadro | vn [Violine] | ICMC 1993, LMCD 1375/ | IRCAM | Competition Musica Nova Prag 1993 | 1 | |||||||
| 19232 | Fabio Cifariello | Ciardi | Games | 1995 | Zuspiel, live-elec, 1 perf | 13:02 | db [Kontrabass] | LDC 278065/66 Cultures Electroniques 11/ | Edison St Roma | 1 | |||||||||
| 38904 | Fabio Cifariello | Ciardi | voci vicine | 2014 | audiovisuell, live-elec, 1 perf, 1 group | actor (journalist), ens [Schauspieler, Ensemble] | Passion in 4 parts | 0 | |||||||||||
| 3305 | Franz | Cibulka | Kontinuum | Zuspiel / Tonband, 3 perf | 8:46 | Stereo | acc, gui, perc [Akkordeon, Gitarre, Schlagzeug] | IEM Graz | 0 | ||||||||||
| 43106 | Franz | Cibulka | Synthese II | 1987 | live-elec, 1 perf | 8:46 | Stereo | cl [Klarinette] | IEM Graz | Auszeichnung ars electronica 1987 | 0 | ||||||||
| 39430 | Leo | Cicala | Atman | 2017 | live-elec, | 0 | |||||||||||||
| 34607 | Leo | Cicala | Khoisan | 2015 | fixed media, akusmatisch | SMC2016 | 0 | ||||||||||||
| 40014 | Leonardo | Cicala | Ideogrammi ad Anello | 2016 | fixed media, akusmatisch | Leonardo Cicala | 0 | ||||||||||||
| 17233 | Rodrigo | Cicchelli Velloso | 15° Harmônico | 1994 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | p [Piano] | UEA Norwich | 0 | |||||||||
| 17234 | Rodrigo | Cicchelli Velloso | A consistência da prata | 1991 | fixed media, akusmatisch | 7:05 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 17236 | Rodrigo | Cicchelli Velloso | Cymbals, Ostinato Reminiscência |
1993 | fixed media, akusmatisch | 15:00 | Stereo | Russolo Pratella EF.ER.P 93/ | UEA Norwich | Prize Russolo Varese 1993 selected at the 5th International Rostrum of Electroacoustic Music (IREM) in Helsinki (1994) |
1 | ||||||||
| 17237 | Rodrigo | Cicchelli Velloso | Entangled Latitudes, Latitudes Emaranhadas | 1993 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | vc [Cello] | UEA Norwich | Prize Russolo Varese 1993 | 1 | ||||||||
| 17235 | Rodrigo | Cicchelli Velloso | Espaço de Outono, Autumn Space | 1992 | fixed media, akusmatisch | 10:30 | Stereo | SBME 006 Coletânea de Música Eletroacústica Brasileira/ | UEA Norwich | 1 | |||||||||
| 22794 | Rodrigo | Cicchelli Velloso | Latitudes Emaranhadas | 1992/1993 | Zuspiel / Tonband, 1 perf | 14:23 | vc [Cello] | Russolo Pratella EF.ER.P 94/ | UEA Norwich | 1st prize em+ins Russolo Varese 1994 | 1 | ||||||||
| 17238 | Rodrigo | Cicchelli Velloso | Multiple Reeds | 1994 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | s-sax [Saxophon] | RD003 MEB Rioarte/ | UEA Norwich | 0 | ||||||||
| 17239 | Rodrigo | Cicchelli Velloso | Ostinato | 1993 | fixed media, akusmatisch | 7:45 | Stereo | UEA Norwich | 0 | ||||||||||
| 17240 | Rodrigo | Cicchelli Velloso | Quando despertamos de entre os mortos | 1990 | fixed media, akusmatisch | 8:30 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 17241 | Rodrigo | Cicchelli Velloso | Quando nós, os mortos, despertarmos | 1991 | Theater, 1 perf | 20:00 | Stereo | a-sax [Saxophon] | text by Ibsen | ESt da Glória Rio | 0 | ||||||||
| 17242 | Rodrigo | Cicchelli Velloso | Tider | 1989 | fixed media, akusmatisch | 7:30 | Stereo | ESt da Glória Rio | 0 | ||||||||||
| 41553 | Marko | Ciciliani | 40mpH | 1991 | fixed media, akusmatisch | 3:30 | for computer | 1992 | conservatory in Hamburg/Germany | 0 | |||||||||
| 32275 | Marko | Ciciliani | 81 matters in elemental order | 2007 | live-elec, | 60 | (no-input mixer) [] | 0 | |||||||||||
| 41546 | Marko | Ciciliani | Corrosion | 2009 | live-elec, 1 perf | 13:00:00 | synt (laser reflections) [synthesizer] | for analog synthesizer and laser reflections | April 14 2009 | Los Angeles/USA. | 0 | ||||||||
| 41552 | Marko | Ciciliani | Empathy | 1994 | live-elec, | ≈ 5 | rock band [Ensemble] | 0 | |||||||||||
| 41554 | Marko | Ciciliani | Heterotopolis | 2011 | live-elec, 3 perf | 12:56:00 | 49 Tracks, Spazialisation: Klangdom | vn, synt, bar-gui and bass [Gitarre, Violine, synthesizer] | ZKM Karlsruhe | November 10, 2012 | 0 | ||||||||
| 41547 | Marko | Ciciliani | home | 2003 | Klangkunst, Installation | ∞ | 6 | 0 | |||||||||||
| 41541 | Marko | Ciciliani | Intersection | 2013 | audiovisuell, live-elec, | 9:00:00 | for live-electronics and live-video | February 5, 2013 | UCSD in San Diego | 0 | |||||||||
| 28485 | Marko | Ciciliani | Map of Marble | 2004 - 2005 | live-elec, 2 perf | 26 | V, perc, (live-electronics, computer generated light) [Stimme, Schlagzeug] | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | ||||||||||
| 41548 | Marko | Ciciliani | Mask | 2002 | live-elec, | 25:00:00 | for no-input mixer | 0 | |||||||||||
| 41543 | Marko | Ciciliani | muzART | 2010 / 2012 | audiovisuell | 20 | (solo version) for the Wendy Carlos Revival Orchestra, live electronics, lighting and video, |
0 | |||||||||||
| 41557 | Marko | Ciciliani | My Ultradeep I | 2007 | live-elec, 6 perf | 70:00:00 | e-gui, e-bass, vn and va, s-sax, w (didgeridoo), perc [Saxophon, Gitarre, Schlagzeug, Viola, Violine, Bläser] | 0 | |||||||||||
| 41545 | Marko | Ciciliani | Planetary Runway | 2009 | Klangkunst, Installation | ∞ | Octo | audiovisual installation for 8 speakers and 8 light diodes (LED) | 0 | ||||||||||
| 41544 | Marko | Ciciliani | Pop Wall Alphabet | 2011 | fixed media, akusmatisch | 270:00:00 | 26 sections | December 2011 | Experimental Intermedia Foundation in NYC | 0 | |||||||||
| 41550 | Marko | Ciciliani | Rota | 1997 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 41555 | Marko | Ciciliani | Suicidal Self Portraits, Crash Going to Hell All of Yesterday's Parties Screaming my Simian Line |
2007 - 2012 | live-elec, 3 perf | 60:00:00 | V and e-vn, perc, e-gui [Stimme, Gitarre, Schlagzeug, Violine] | Deutschlandfunk | 0 | ||||||||||
| 41549 | Marko, Michael | Ciciliani, Blank | Apfelsuite | 2001 | fixed media, akusmatisch | ≈ 10 | 0 | ||||||||||||
| 41551 | Marko, Jeff | Ciciliani, Kowalkowski | got don like describe | 1995 | fixed media, akusmatisch | ≈ 7 | 1996 | Hamburg | 0 | ||||||||||
| 41542 | Marko, Yannis | Ciciliani, Kyriakides | 8'66" (or everything that is irrelevant) | 2012, 2013 | audiovisuell | 9:00:00 | 6 perf (with iPads) [Performer] | collaborative composition with Yannis Kyriakides, for video and 6 iPads | 0 | ||||||||||
| 41556 | Marko, Terre | Ciciliani, Thaemlitz | Jeanne of the Dark | 2008 | live-elec, 3 perf | 65:00:00 | e-gui and e-bass, e-vn, perc [Gitarre, Schlagzeug, Violine] | 0 | |||||||||||
| 22125 | Wieslaw | Cienciala | Lumbercase | 1995 | fixed media, akusmatisch | 14:04 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 42847 | Taylan | Cihan | Satyricon 4 | 2013 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 38432 | Luciano | Cilio | Dialoghi del presente | 1977 | fixed media, akusmatisch | DS 7 Die Schachtel/ | Fonologia Padova | 0 | |||||||||||
| 3306 | Francesco, Valentino | Cipolla, Pellegrini | 3 M / RB 1 | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 21090 | Alessandro | Cipriani | Al Nur, La Luce | 1998 | fixed media, akusmatisch | 17:14 | Csound, Scorex | ICMC 1999/ Organised Sound Vol 13/3/ | Edison St Roma | 1 | |||||||||
| 25863 | Alessandro | Cipriani | Angelus | 1999 | Zuspiel / Tonband, 1 perf, 1 group | 9:37 | V, ch [Stimme, Chor] | gregorianischer Gesang | Edison/ | Edison St Roma | 1 | ||||||||
| 31983 | Alessandro | Cipriani | aqua sapientiae | 1996 | Zuspiel / Tonband, 1 perf | V [Stimme] | Konzert „Kantores 99“ mit dem Ensemble Kantores 99 unter der Leitung von Mauricio Verde: Letizia Butterin, Silvia Anniballi, Patrizia Polia, Blazenko Juracic, Mauricio Verde Alessandro Cipriani & Luigi Ceccarelli (electronic) |
EDISON Rom | 1 | 2000 | |||||||||
| 27949 | Alessandro | Cipriani | In the world if Silence | audiovisuell | Stereo | Bild: Giulio Latini | Organised Sound Vol 13/3/ | 0 | |||||||||||
| 19452 | Alessandro | Cipriani | Quadro | 1993 | Zuspiel / Tonband, 4 perf | 10:38 | Stereo | qt [Instrument] | Quartetto Arianna | ICMC 1995, ICMA PRCD 1600/ | 1 | ||||||||
| 27950 | Alessandro | Cipriani | Sonografia no.1: Catania | fixed media, akusmatisch | Stereo | Organised Sound Vol 13/3/ | RAI Radio-3 | 0 | |||||||||||
| 27948 | Alessandro | Cipriani | The Return of Tuuli | audiovisuell | Stereo | Bild: Giulio Latini, Di Domenico, Rovetto | Organised Sound Vol 13/3/ | 0 | |||||||||||
| 40219 | Roc Jimenez de | Cisneros | Hands in the Air, Reach for the Laser | 2016 | fixed media, akusmatisch | Roc Jimenez de Cisneros | Diapason | 0 | |||||||||||
| 25533 | Nicola | Cisternino | Xöömij | 1997 | Zuspiel / Tonband, 1 perf | 11:57 | Stereo | B [Bass] | From Le vie dei canti (Hommage to Bruce Chatwin). For bass voice and UPIC. |
mode 98/99/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | http://www.moderecords.com/ | ||||||
| 42888 | Pasquale | Citera | Joshka | 2013 | fixed media, akusmatisch | 15:00:00 | 0 | ||||||||||||
| 42756 | Thomas | Ciufo | Fragments | 2012 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 26496 | Thomas | Ciufu | Three Meditations | 2002 | live-elec, 1 perf | prep p, (com) [Piano] | Brown Uni | 0 | |||||||||||
| 41390 | Jakub | Ciupinski | Makyo | fixed media, akusmatisch | CIME 2008 | 0 | https://www.ckcufm.com/ | ||||||||||||
| 19229 | Martina | Cizek | Augustverlust | 1997 | fixed media, akusmatisch | 10:03 | Octo | Bergdonner, Tuba, Zither, Auto-Radio | TU Berlin | 1 | |||||||||
| 19227 | Martina | Cizek | Aussicht | 1997 | fixed media, akusmatisch | 11:50 | Octo | TU Berlin | 30.5.1997 | Alte Schmiede Wien | 1 | ||||||||
| 3309 | Martina | Cizek | Brandung: Flügelsaiten in 3 Teilen | 1994 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 19224 | Martina | Cizek | DAS I | 1997 | Zuspiel, live-elec, 2 perf | 10:10 | Stereo, Octo | 2 fl [Flöte] | Material von Saxophonen & Flöten, Störgeräusche 10.6.97 Ballhaus Naunynstr. |
TU Berlin | 30.5.1997 | Alte Schmiede Wien | 1 | ||||||
| 3310 | Martina | Cizek | Die Komponistin: ein Klangvortrag | 1993 | fixed media, akusmatisch | 9:30 | 0 | ||||||||||||
| 23121 | Martina | Cizek | Ionische Fraktate | 2001 | Oper, 5 perf | 62:00 | V, 4 Sp [Sprecher, Stimme] | Gesang K. Norderval. Sprecher: Pechriggl, Steinle, Blau, Müllner Herausgeber: Kunsthistorisches Museum der Satdt Wien, H&H |
zeisig rec z 21 / | PS | 1 | ||||||||
| 21124 | Martina | Cizek | Jan | 1998 | fixed media, akusmatisch | 6:40 | Stereo | TU Berlin | 1 | ||||||||||
| 19226 | Martina | Cizek | Juniflug | 1997 | fixed media, akusmatisch | 16:16 | Octo | Material von Bassflöte (Reese) | TU Berlin | 1 | |||||||||
| 19225 | Martina | Cizek | Maibad | 1997 | fixed media, akusmatisch | 15:39 | Octo | Material von Kontrabass (Leandre) und Regen aus Lietzen; 14.6.97 Parochialkirche Berlin | TU Berlin | 30.5.1997 | Alte Schmiede Wien | 1 | |||||||
| 3316 | Martina | Cizek | Mercedes: Für Dieselmotor und Effektgerät | 1993 | fixed media, akusmatisch | 8:00 | 0 | ||||||||||||
| 3318 | Martina | Cizek | Morgen: Gesang: Zeisig | 1994 | fixed media, akusmatisch | 4:20 | 0 | ||||||||||||
| 3320 | Martina | Cizek | Ohne Antwort | 1994 | live-elec, 2 perf | 9:00 | V, sam [Stimme, computer] | 0 | |||||||||||
| 19228 | Martina | Cizek | Peric | 1997 | fixed media, akusmatisch | 20:00 | Octo | perkussive Holzklänge | TU Berlin | 30.5.1997 | Alte Schmiede Wien | 1 | |||||||
| 3321 | Martina | Cizek | Postkreds | 1994 | fixed media, akusmatisch | 3:40 | 0 | ||||||||||||
| 19222 | Martina | Cizek | Synlab II (analoge Klangergüsse für Puristen) | 1997 | fixed media, akusmatisch | 7:40 | Octo | mit SynLab | TU Berlin | 30.5.1997 | Alte Schmiede Wien | 0 | |||||||
| 41933 | Martina | Cizek | Von anderen Sonnen II. | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 19223 | Martina | Cizek | Wasser und Muhezin | 1997 | fixed media, akusmatisch | 6:25 | Octo | Wassergeräusche und Obertongesänge | TU Berlin | 1 | |||||||||
| 21125 | Martina | Cizek | What is | 1998 | fixed media, akusmatisch | 5:33 | Stereo | Weihnachtlicher Ausklang mit Diebstahl | TU Berlin | 0 | |||||||||
| 3330 | Martina | Cizek | Zug für Eisenbahn und H-3000 | 1994 | fixed media, akusmatisch | 2:00 | 0 | ||||||||||||
| 23371 | Martina | Cizek | Zyklus Lichtschriften: Licht 3-5, Licht 7, Nordlicht, Remix, Bassaxo, Finale | 2003 | fixed media, akusmatisch | 45:06 | Produktionen von März-April | TU Berlin | 2.4.2003 | SalonFrauFabelhaft Berlin | 1 | ||||||||
| 3317 | Martina, Hildegund | Cizek, Berghold | Monoton | 1989 | audiovisuell | ELAK Wien | 0 | ||||||||||||
| 3314 | Martina, Inge | Cizek, Morgenroth | Heute | 1994 | live-elec, 2 perf | 4:00 | 2 perf (schüttelrohr, e-bass, mundstück) [Performer] | 0 | |||||||||||
| 19220 | Martina, Wolfgang | Cizek, Musil | BlasRohr | 1997 | Zuspiel, live-elec, 1 perf | 6:30 | Octo | w (BlasRohr) [Bläser] | TU Berlin | 17.4.1997 | EMhören TU-Studio "Kometenmusik" | 1 | |||||||
| 19221 | Martina, Wolfgang | Cizek, Musil | Synlab I | 1997 | fixed media, akusmatisch | 8:40 | Octo | mit SynLab | TU Berlin | 1 | |||||||||
| 3307 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Auf Gegenkurs | 1994 | live-elec, 2 perf | 6:00 | p, bar-sax [Saxophon, Piano] | 0 | |||||||||||
| 3308 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Aufgang | 1994 | live-elec, 2 perf | 7:00 | p, bar-sax [Saxophon, Piano] | 0 | |||||||||||
| 3311 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Durchsicht | 1994 | live-elec, 1 perf | 5:00 | e-bass, (Saiten, Gläser) [Gitarre] | 0 | |||||||||||
| 3313 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Glissanthemen | 1994 | live-elec, 2 perf | 10:00 | p, tpt [Trompete, Piano] | 0 | |||||||||||
| 3322 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Puls | 1994 | live-elec, 1 perf | 5:00 | e-bass, (Klaviersaiten) [Gitarre] | 0 | |||||||||||
| 3325 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Ruhendlich | 1994 | live-elec, 3 perf | 10:00 | (tasten, saiten, stoff,) fl, 2 perf [Flöte, Performer] | 0 | |||||||||||
| 3326 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Tenofluktus | 1994 | live-elec, 2 perf | 6:00 | (mundstück-) fl, melodika [Flöte] | 0 | |||||||||||
| 3329 | Martina, Wolfgang, Silvia | Cizek, Musil, Bruckner | Zeitlose Zeit | 1994 | live-elec, 3 perf | 11:00 | p, fl, sam [Flöte, Piano, computer] | 0 | |||||||||||
| 3324 | Martina, Wolfgang, Christian | Cizek, Musil, Klein | Radio freies Albemuth | 1991 | live-elec, 3 perf | V, fl, sax [Stimme, Flöte, Saxophon] | Text: Christian Loidl | 0 | |||||||||||
| 3315 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | Hört ihr es, Knollen unter dem Schnee?: JHVH spricht | 1992 | live-elec, 4 perf | V, fl, sax, db [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3319 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | mortu tombu miyi | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 3323 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | R.A.U.M. | 1992 | live-elec, 4 perf | V, fl, sax, db [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3327 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | Vom künstlichen Himmel | 1992 | live-elec, 4 perf | V, fl, sax, db [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3328 | Martina, Wolfgang, Christian, Christian | Cizek, Musil, Klein, Loidl | Welle | 1992 | live-elec, 4 perf | V, fl, sax, db [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3312 | Martina, Wolfgang, Christian | Cizek, Musil, Loidl | Falsche Prophezeihungen | 1993 | live-elec, 4 perf | V, fl, sax, db, [Stimme, Flöte, Saxophon, Kontrabass] | 0 | ||||||||||||
| 3331 | Mats, Tor | Claesson, Halmrast | Inter | 1987 | live-elec, 1 perf | 14:00 | sax [Saxophon] | HfM Oslo | 0 | ||||||||||
| 19485 | Paula, Steven | Claire, Paxton | Phos Phor, Orbiting Junk What Kind Of Astronaut Are You? |
1986 | fixed media, akusmatisch | 5:07 | Stereo | ISAST LMJ 1/ | 0 | ||||||||||
| 3332 | Richard | Clairoux | Nowhere Man in Nowhere Land | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 19486 | David | Claman | '70 | radiophon | 10:20 | Stereo | Innova 113/ | 1 | |||||||||||
| 42475 | David | Claman | Mandeville Pentacle | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 3333 | Charles | Clapaud | Ecritures | 1976 | fixed media, akusmatisch | 9:05 | Stereo | INA • GRM | 19.1.1977 | Paris, Th. Récamier | 0 | ||||||||
| 3334 | Charles | Clapaud | Mouvements et formes | 1979 | fixed media, akusmatisch | 16:28 | 0 | ||||||||||||
| 3335 | Charles | Clapaud | Ruptures | 1978 | fixed media, akusmatisch | 15:05 | Quadro, Stereo | Editions Mego (LP) Recollection GRM/ | INA • GRM | INA • GRM | 19.6.1979 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||
| 3336 | Charles | Clapaud | Trimobile, Rhombe Arabesque fleuries Equilibre instable |
1983 | fixed media, akusmatisch | 15:10 | Stereo | INA • GRM | 30.1.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 3338 | Ramsay | Clark | Mass Hysteria | 1993 | fixed media, akusmatisch | 5:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 20987 | Thomas | Clark | LIGHTFORMS 2: Star Spectra | 1993 | fixed media, akusmatisch | 7:22 | Stereo | Centaur CRC 2407, CDCM Vol. 27/ | CEMI Denton | 1 | |||||||||
| 3337 | Thomas | Clark | Peninsula | 1988 | Zuspiel / Tonband, 1 perf | 8:23 | Stereo | p [Piano] | Synclavier | Centaur CRC 2029, CDCM Vol. 1/ | CEMI Denton | 1 | |||||||
| 36588 | Thomas | Clark | The fourth Angel | 2007 | fixed media, akusmatisch | Stereo | Centaur CRC 3219 Vol. 39/ |
CEMI Denton | 0 | ||||||||||
| 3339 | Bruce | Clarke | An Orchid Whose Velocity is Sculptoral | 1966 | fixed media, akusmatisch | Mono | PS C. | 0 | |||||||||||
| 39863 | Ian | Clarke | The Laws of Nature | 2016 | fixed media, akusmatisch | Ian Clarke | 0 | ||||||||||||
| 41721 | Martin | Clarke | bell tourist factory | 2000 | fixed media, akusmatisch | 7:39:00 | 0 | ||||||||||||
| 41722 | Martin | Clarke | Postcards from Siberia | 2003 | fixed media, akusmatisch | 12:45:00 | 0 | ||||||||||||
| 41700 | Martin | Clarke | Sleep Birmingham Sleep | 2009 | fixed media, akusmatisch | 8:69 | 0 | ||||||||||||
| 41723 | Martin | Clarke | Stranger Things Happen at Sea | 2004 | fixed media, akusmatisch | 6:18:00 | 0 | ||||||||||||
| 26493 | Michael | Clarke | Constellations | live-elec, 2 perf | p, perc [Piano, Schlagzeug] | Verblendung Festival Belgium | 0 | ||||||||||||
| 26494 | Michael | Clarke | Enmeshed | 2005 | fixed media, akusmatisch | 2005 | Sonorities Festival Belfast | 0 | |||||||||||
| 42729 | Michael | Clarke | Enmeshed 3 | 2012 | live-elec, 1 perf | 9:00:00 | vc [Cello] | 0 | |||||||||||
| 26495 | Michael | Clarke | Enmeshed II | 2007 | live-elec, 1 perf | p, (com) [Piano] | 0 | ||||||||||||
| 26491 | Michael | Clarke | Epicycle | fixed media, akusmatisch | 12:13 | MPS CD 003/ | EMS Stockholm | 0 | |||||||||||
| 3340 | Michael | Clarke | Esmés Garden | 1984 | fixed media, akusmatisch | 15:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 26490 | Michael | Clarke | Mälarsäng | fixed media, akusmatisch | 14:22 | MPS CD 003/ | EMS Stockholm | 0 | |||||||||||
| 26492 | Michael | Clarke | Prism and Cascade | live-elec, 1 perf | tpt [Trompete] | 0 | |||||||||||||
| 26489 | Michael | Clarke | Refractions | fixed media, akusmatisch | 10:51 | MPS CD 003/ | EMS Stockholm | 0 | |||||||||||
| 3341 | Michael | Clarke | Soundings | 1982 | Zuspiel / Tonband, 1 perf | 10:00 | vc [Cello] | Uni Durham | prize Bourges 1983 | 0 | |||||||||
| 3342 | Michael | Clarke | Strophes & Dances | fixed media, akusmatisch | Uni Durham | 0 | |||||||||||||
| 26488 | Michael | Clarke | Tim(br)e | 1996 | fixed media, akusmatisch | Octo | 0 | ||||||||||||
| 42476 | Michael | Clarke | Tim(br)e II | 2008 | fixed media, akusmatisch | 25 Tracks | 0 | ||||||||||||
| 3343 | Michael | Clarke | Uppvaknande, Awakening | 1983 | fixed media, akusmatisch | 11:00 | Quadro | MPS CD 003/ | EMS Stockholm | Chandos Prize at Musica Nova in Glasgow | 0 | ||||||||
| 3344 | Susan | Clarkson | Listening is not a Hearing | 1986 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 3345 | Susan | Clarkson | Time Piece | 1985 | fixed media, akusmatisch | 5:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3346 | Susan | Clarkson | Variations on a Common Theme | 1986 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 23931 | Samuel | Claro | Estudio N°1 | 1960 | fixed media, akusmatisch | 3:37 | Compuesta a partir de un encargo para un documental sobre el acero en chile. Realizada en el Laboratorio de Acústica de la UC y finalizada en el departamento de grabaciones del Instituto de Extension Musical de la Universidad de Chile. | Uni Santiago | 0 | ||||||||||
| 3347 | Sergio, Oscar | Claros, Garcia | Es Zas | fixed media, akusmatisch | 0 | ||||||||||||||
| 22019 | Carlfriedrich | Claus | Lautaggregat | radiophon | 1:24 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 3348 | Tilmann | Claus | …dieses Lautsein vergleiche mit jener endlosen Stillheit | 1989 | Zuspiel / Tonband, 4 perf | 12:30 | Quadro | Mez, a-fl, b-cl, db [Mezzo, Flöte, Klarinette, Kontrabass] | HfMT Köln | 0 | |||||||||
| 33884 | Tilmann | Claus | …Woraus Bewegung fließt…Giordano Bruno | 1991 - 1992 | live-elec, 1 perf | 12:59 | Quadro | V [Stimme] | txtcompo | cybele 960.205/ HfMT Köln CD4/ DegeM CD 05/ | HfMT Köln | 0 | |||||||
| 39944 | Joshua | Clausen | History is going to change | 2017 | fixed media, akusmatisch | Joshua Clausen | 0 | ||||||||||||
| 42974 | Joshua | Clausen | Neither Here nor There | 2013 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 42477 | Joshua | Clausen | she quietly enters and leaves the fray | 2008 | live-elec, 1 perf | p [Piano] | Marcel Rominger, piano | 2008 | International Computer Music Conference (ICMC) in Belfast, Ireland | 0 | |||||||||
| 42592 | Joshua | Clausen | There was a whole, there was beginning, begin there | 2009 | live-elec, 1 perf | 10 | p [Piano] | 0 | |||||||||||
| 40066 | Martina | Clausen | dots&lines | 2016 | fixed media, akusmatisch | Martina Clausen | 0 | ||||||||||||
| 40067 | Martina | Clausen | Flashback and Fairy Tale | 2017 | fixed media, akusmatisch | 16 Tracks | Martina Claussen | 0 | |||||||||||
| 39444 | Martina | Claussen | [connected]1 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 3350 | Art | Clay | Auto–Bio–Graphy | 1993 | audiovisuell, live-elec, 1 perf | perf [Performer] | 0 | ||||||||||||
| 3351 | Art | Clay | Balloon Music | 1989 | live-elec, | (ballons) [] | 0 | ||||||||||||
| 3352 | Art | Clay | Clouds of Unknowing | 1991 | live-elec, 3 perf, 1 group | 10:00 | 2 tim, rms [Schlagzeug, synthesizer] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 3353 | Art | Clay | Erratum Musical | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 3354 | Art | Clay | Melopoeme, Erato, Polymnie | 1992 | Zuspiel / Tonband, 1 perf | va da gamba [Cello] | 0 | ||||||||||||
| 3355 | Art | Clay | Message of Love | 1989 | live-elec, 1 perf | e-gui [Gitarre] | 0 | ||||||||||||
| 3356 | Art | Clay | Rilke Songs | 1988 | live-elec, 1 perf | V [Stimme] | 0 | ||||||||||||
| 3357 | Art | Clay | Same Blues | 1989 | live-elec, 3 perf | V, fl, perc (tambourin) [Stimme, Flöte, Schlagzeug] | 0 | ||||||||||||
| 3358 | Art | Clay | Seven Teas for Seven Strings | 1992 | live-elec, 1 perf | va da gamba [Cello] | 0 | ||||||||||||
| 3359 | Art | Clay | Tu m' | 1993 | live-elec, 1 perf | va da gamba [Cello] | 0 | ||||||||||||
| 3360 | Art | Clay | We Talked until Two | 1993 | Zuspiel / Tonband, 1 perf | va da gamba [Cello] | 0 | ||||||||||||
| 36430 | Siobhán | Cleary | Diamorphine | 2005 | live-elec, | 6:46 | CMC CD 06 Contemporary Music from Ireland Vol 6/ | 1 | |||||||||||
| 22226 | Siobhán | Cleary | Petering Out | 2000 | live-elec, 1 perf | 10:19 | rec [Flöte] | Peter Wells(rec), Roy Carroll (technician) | "Mostly Modern" | 9.3.2000 | Dublin | 1 | |||||||
| 3361 | Tim, Mychael | Clement, Danna | A Gradual Awakening | 1980 | fixed media, akusmatisch | 36:07 | Stereo | PS C. | 0 | ||||||||||
| 3362 | Tim, Mychael | Clement, Danna | Akasha | 1983 | fixed media, akusmatisch | 5:00 | Stereo | 0 | |||||||||||
| 3363 | Tim, Mychael | Clement, Danna | Hyenas | 1985 | fixed media, akusmatisch | 5:43 | Stereo | PS C. | 0 | ||||||||||
| 3364 | Tim, Mychael | Clement, Danna | Persia | 1985 | fixed media, akusmatisch | 5:26 | Stereo | 0 | |||||||||||
| 3365 | Tim, Mychael | Clement, Danna | Stars & Spells | 1985 | fixed media, akusmatisch | 9:27 | Stereo | 0 | |||||||||||
| 3366 | Tim, Mychael | Clement, Danna | The Garden | 1985 | fixed media, akusmatisch | 10:38 | Stereo | 0 | |||||||||||
| 3367 | Tim, Mychael | Clement, Danna | To the land beneath the Waves | 1985 | fixed media, akusmatisch | 25:12 | Stereo | 0 | |||||||||||
| 3368 | Tim, Mychael | Clement, Danna | Under August Sun | 1985 | fixed media, akusmatisch | 5:17 | Stereo | 0 | |||||||||||
| 3369 | Aldo | Clementi | Collage 2 | 1960 | fixed media, akusmatisch | 5:15 | Quadro | SugMus ESZ 3/ IDEAMA CD 048/ | Fonologia Milano | ESZ 6035 | 1 | ||||||||
| 3370 | Aldo | Clementi | Collage 3, (Dies Irae) | 1967 | fixed media, akusmatisch | 26:00 | Fonologia Milano | 0 | |||||||||||
| 34924 | Aldo | Clementi | Collage 4, Nel mio sangue – Jesu, meine Freude | 1977 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 3371 | Aldo | Clementi | Fantasia su roBErto FABbriCiAni | 1982 | Zuspiel / Tonband, 1 perf | 17:10 | Stereo | fl [Flöte] | CSC Padova | Biennale Venezia | 0 | ||||||||
| 3372 | Aldo | Clementi | Parafrasi | 1981 | fixed media, akusmatisch | 19:30 | Stereo | CSC Padova | Biennale Venezia | 0 | |||||||||
| 24112 | Aldo | Clementi | Passacaglia (ultima versione) | 1996/1999 | Zuspiel / Tonband, 1 perf | 10:57 | Stereo | fl [Flöte] | tape with fl, ottavino in do, reg by Fabbriciani | Tempo Reale Firenze | Suvini Zerboni | 0 | |||||||
| 40102 | Michael, John Paul | Clemow, Schlegelmilch | Waver: Analemma… | 2016 | fixed media, akusmatisch | Michael Clemow and John Paul Schlegelmilch | 0 | ||||||||||||
| 3373 | Patrick de | Clerck | Lovesong | 1979 | fixed media, akusmatisch | Zuspiel/Tonband, |
12:03 | Stereo | IPEM Gent | 0 | ||||||||||
| 3374 | Patrick de | Clerck | Papiers machés | 1981 | Film | 3:45 | Mono | IPEM Gent | 0 | ||||||||||
| 24181 | Philippe | Clérin | Dérèglement | 2002 | fixed media, akusmatisch | 3:39 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 3375 | Lars, Thomas | Cleveman, Hammar | Splittra upp och marschera | 1977/1978 | fixed media, akusmatisch | 49:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 34347 | Guillaume | Cliche | Métal miette | 2012 | fixed media, akusmatisch | 9:12 | CEC Cache 2013, PeP 018/ | Winner JTTP 2013 3. prize | 0 | http://econtact.ca/16_1/index.html#guillaumecliche | |||||||||
| 34353 | Guillaume | Cliche | Tape | 2011 | fixed media, akusmatisch | 7:40:00 | JTTP 2012 | CEC Cache 2012/ | winner JTTP 2012 3. prize mention Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 |
0 | |||||||||
| 3376 | Jonathan | Clifford | Musica da Camera | 1973 | Zuspiel/Tonband, 1 perf | intermedia |
Stereo | p [Piano] | slides | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 26197 | Ricardo | Climent | 1666: Annus Horribilies | 2006 | fixed media, akusmatisch | 7:00 | Surround 5.1 | Techniques of Spectral Diffusion. Published by www.everglade.org DVD Stereo and 5.1 |
everglade/ | SARC Belfast | Third Practice Festival, Virgina | 0 | http://www.electro-acustica.com/ | ||||||
| 26195 | Ricardo | Climent | ca.AD | 2000 | audiovisuell | 7:00 | Stereo | SARC Belfast | 0 | http://www.electro-acustica.com/ | |||||||||
| 25014 | Ricardo | Climent | DéjaVu88 | 2001 | live-elec, 1 perf | 4:22 | prep p [Piano] | Simon Mawhinney (p) | PMV actual 003/ | SARC Belfast | 1 | http://www.electro-acustica.com/ | |||||||
| 25043 | Ricardo | Climent | e_RRATUM | 2001/2007 | fixed media, akusmatisch | 10:09 | SARC Belfast | 1st SGAE Electroacoustic Competition in December 2001. | 1 | http://www.electro-acustica.com/ | |||||||||
| 24301 | Ricardo | Climent | etude in_Cierto | 2002 | live-elec, 2 perf | 10:37 | bar-sax, vc [Saxophon, Cello] | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | http://www.electro-acustica.com/ | ||||||||
| 26199 | Ricardo | Climent | Für Leslie | 2008 | fixed media, akusmatisch | 5:48 | Surround 5.1 | Collection of miniatures for mixed media in 5.1 surround dedicated to Folkmar Hein |
Uni Manchester NOVARS | 8.02.2009 | Berlin | 0 | http://www.novars.manchester.ac.uk/indexdocs/pgnotesFurLEslie.pdf | ||||||
| 27102 | Ricardo | Climent | H`ô, eine akustische Entdeckungsreise nach Vietnam | 2009 | Klangkunst, Installation | ∞ | PS C. | 27.08.2009 | 0 | http://www.electro-acoustic.com | |||||||||
| 26196 | Ricardo | Climent | Mimesis5a | 2000 | fixed media, akusmatisch | 5:00 | Stereo | Soundwalk North Ireland | SARC Belfast | 0 | http://www.electro-acustica.com/ | ||||||||
| 26194 | Ricardo | Climent | Nyse | 1998 | fixed media, akusmatisch | 8:00 | Stereo | Csound Score using 100 years of Standard & Poor statistics | SARC Belfast | 0 | http://www.electro-acustica.com/ | ||||||||
| 37762 | Ricardo | Climent | Oxidising the Spectrum | 2004 | live-elec, | live Game-Audio | 0 | ||||||||||||
| 42593 | Ricardo | Climent | Russian Disco | 2009 | fixed media, akusmatisch | The Tornado Project | 0 | ||||||||||||
| 23652 | Ricardo | Climent | Silent Era, La Era del Silencio | 2002 | fixed media, akusmatisch | 10:57 | PR 0083-1 SGAE/ | 4. price Premio Internacional SGAE 2002 | 1 | ||||||||||
| 26198 | Ricardo | Climent | Sir George | 2008 | fixed media, akusmatisch | 8:47 | Octo | Based on 1960 British Pop (Building upon the 5th Beatle; Producer Sir George Martin) | 0 | http://www.electro-acustica.com/ | |||||||||
| 23656 | Ricardo | Climent | Sonic Tsunami | 2003 | fixed media, akusmatisch | 9:44 | PR 0083-2 SGAE/ | 2. prize Premio Internacional SGAE 2003 | 1 | http://www.electro-acustica.com/ | |||||||||
| 25044 | Ricardo | Climent | The last Castrati | 2005 | fixed media, akusmatisch | 9:03 | Based on Gramphone Recordings from Alessandro Moreschi. Published by ICMC'05, CMC- Ireland Vol IV,SGAE EA competition and IVM- Patrimonio Musical V. | ICMC 2005, ars harmonica/ CMC CD 05/ PMV actual 003/ SGAE/ | SARC Belfast | 2004 | SGAE-Madrid | 1 | http://www.electro-acustica.com/ | ||||||
| 26193 | Ricardo | Climent | VCS3++ | 1999 | fixed media, akusmatisch | 9:20 | Stereo | 1st Prize at Ciber@rt Festival in year 2000, National Category. | 0 | http://www.electro-acustica.com/ | |||||||||
| 24910 | Ricardo | Climent | Wall-Woodpeckers, Wallwoodpeckers | 2005 | fixed media, akusmatisch | 9:11 | 12 Tracks | ed. rz 10016 Inventionen 2005&06/ | TU Berlin, SARC Belfast | 2005 | Kunitachi Hall, Tokyo | 1 | 2006 | http://www.electro-acustica.com/ | |||||
| 40149 | Nicholas | Cline | water-witching | 2016 | fixed media, akusmatisch | Nicholas Cline | 0 | ||||||||||||
| 41724 | Jeff | Cloke | Alone 25Apr04 | 2004 | fixed media, akusmatisch | 8:56:00 | 0 | ||||||||||||
| 41725 | Jeff | Cloke | Arthouse 25Jan04 | 2004 | fixed media, akusmatisch | 4:24:00 | 0 | ||||||||||||
| 41726 | Jeff | Cloke | Arthouse 30May04 | 2004 | fixed media, akusmatisch | 5:16:00 | 0 | ||||||||||||
| 41727 | Jeff | Cloke | Garage 12Feb04 | 2004 | fixed media, akusmatisch | 6:24:00 | 0 | ||||||||||||
| 41728 | Jeff | Cloke | Hornsey Pumphouse | 2004 | fixed media, akusmatisch | 17:08:00 | 0 | ||||||||||||
| 41729 | Jeff | Cloke | Lewisham Arthouse | 2004 | fixed media, akusmatisch | 17:55:00 | 0 | ||||||||||||
| 41730 | Jeff | Cloke | Making Words 21Sep04 | 2004 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 41731 | Jeff | Cloke | OP Extract 1 | 2003 | fixed media, akusmatisch | 4:26:00 | 0 | ||||||||||||
| 41732 | Jeff | Cloke | OP Extract 2 | 2003 | fixed media, akusmatisch | 5:18:00 | 0 | ||||||||||||
| 41733 | Jeff | Cloke | Pumphouse 24Sep04 | 2004 | fixed media, akusmatisch | 5:12:00 | 0 | ||||||||||||
| 41734 | Jeff | Cloke | Red Rose 15Aug04 | 2004 | fixed media, akusmatisch | 8:23:00 | 0 | ||||||||||||
| 41735 | Jeff | Cloke | Red Rose 23Sep04 | 2004 | fixed media, akusmatisch | 3:55:00 | 0 | ||||||||||||
| 41736 | Jeff | Cloke | St Pauls Hall Huddersfield | 2004 | fixed media, akusmatisch | 14:52:00 | 0 | ||||||||||||
| 41737 | Jeff | Cloke | Utterance 28Mar04 | 2004 | fixed media, akusmatisch | 5:59:00 | 0 | ||||||||||||
| 3377 | Jacques | Clos | Fresques à la Mémoire de Mon Père | 1978 | fixed media, akusmatisch | 9:50 | UEA Norwich | 0 | |||||||||||
| 22862 | Jean-Louis | Clot | La Journée d'un Musicien | live-elec, | 10:03 | GMEM El 10, Project'Son/ | GMEM Marseille | 1 | |||||||||||
| 28159 | Jean-Louis | Clot | La Réponse D'Élise | 1997 | live-elec, 1 perf | 20:00 | p [Piano] | GMEM El 07/ | GMEM Marseille | 0 | |||||||||
| 33179 | Jean-Louis | Clot | Le Flâneur | 2006 | live-elec, 4 perf | 55 | S, Mez, Bar, B [Sopran, Mezzo, Bariton, Bass] | Poème électronique en cinq séquences pour voix et électronique | GMEM Marseille | Etat/GMEM | 0 | ||||||||
| 19489 | Jean-Louis | Clot | Lointain intérieur | Zuspiel / Tonband, | 15:58 | Stereo | GMEM Marseille | 0 | |||||||||||
| 19490 | Jean-Louis | Clot | Mélodies archaïques | Zuspiel / Tonband, 1 perf | 12:44 | Stereo | cl [Klarinette] | GMEM Marseille | 0 | ||||||||||
| 19491 | Jean-Louis | Clot | Souffle d' Ebéne | Zuspiel / Tonband, | 12:58 | Stereo | GMEM Marseille | 0 | |||||||||||
| 19488 | Steve | Clot | Palimpseste | Zuspiel / Tonband, | 15:05 | Stereo | e. C./ | 0 | |||||||||||
| 41701 | Paul | Clouvel | Arc | 2001 | fixed media, akusmatisch | 11:06 | 0 | ||||||||||||
| 36698 | Paul | Clouvel | Canranc | 2000 | fixed media, akusmatisch | 11:47 | elek 001/ | 0 | |||||||||||
| 41702 | Paul | Clouvel | Eléments | 1998 | fixed media, akusmatisch | 11:06 | 0 | ||||||||||||
| 24182 | Paul | Clouvel | Etude Rostock | 2002 | fixed media, akusmatisch | 3:40 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 36699 | Paul | Clouvel | Speech | 2005 | fixed media, akusmatisch | 7:20 | elek 001/ | 0 | |||||||||||
| 18461 | Christian | Clozier | 118 et 21 ans après - suite "Le Chêne des Etats-Unis d'Europe" |
1990 | fixed media, akusmatisch | 31:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3378 | Christian | Clozier | 22 août | 1972/1974 | fixed media, akusmatisch | 20:00 | Stereo | LDC 2781128 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 3379 | Christian | Clozier | A la prochaine la taupe | 1978 | fixed media, akusmatisch | 35:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3380 | Christian | Clozier | A Vie | 1971 | Oper | 110:00 | Stereo | (concert-opéra) | IMEB Bourges | 0 | |||||||||
| 18455 | Christian | Clozier | Ainsi passant des siècles la longueur surmontera la haulteur des estoilles | 1986 | fixed media, akusmatisch | 35:27 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3381 | Christian | Clozier | Aporie et Apocope | 1979 | fixed media, akusmatisch | 22:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3382 | Christian | Clozier | Cash-flow | 1977 | fixed media, akusmatisch | Stereo | IMEB Bourges | 0 | |||||||||||
| 18456 | Christian | Clozier | Cerfs vous avez franchi l'espace millénaire des ténèbres du roc aux caresses de l'air | 1987 | fixed media, akusmatisch | 45:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18458 | Christian | Clozier | Chambord, et chaque pierre fée se sent un poids nouveau qui vers l'azur délire |
1988 | fixed media, akusmatisch | 38:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 24386 | Christian | Clozier | Clarissophone | 2001 | fixed media, akusmatisch | 19:35:00 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 24384 | Christian | Clozier | Dans le langage des choses | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24385 | Christian | Clozier | De la grève, au loin | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18462 | Christian | Clozier | Démotique | 1997 | fixed media, akusmatisch | 16:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3383 | Christian | Clozier | Dichotomie | 1969 | fixed media, akusmatisch | 4:33 | Marconi 2C 06111632/ Creel Pone 073/ IDEAMA CD 053/ | IMEB Bourges, INA • GRM | 0 | ||||||||||
| 3384 | Christian | Clozier | En | 1970 | fixed media, akusmatisch | 7:30 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3385 | Christian | Clozier | Etude Administrative | 1987 | fixed media, akusmatisch | 10:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 3386 | Christian | Clozier | La Discordatura | 1970 | fixed media, akusmatisch | 23:36 | Stereo | 7 parts | Marconi 2C 05312112/ LDC 2781112/13/14 opus 30/ Creel Pone 173/ | IMEB Bourges | 1 | ||||||||
| 18460 | Christian | Clozier | Le bonheur, une idée neuve en Europe, suite la Révolution Française | 1989 | fixed media, akusmatisch | 24:05 | Stereo | IMEB Bourges | 0 | ||||||||||
| 27241 | Christian | Clozier | Le fait électrique | 2005 | fixed media, akusmatisch | 20:50 | LDC 2781137 Compendium 2005/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&product_id=44&flypage=flypage.tpl&pop=0&option=com_virtuemart&Itemid=1&lang=en&vmcchk=1&Itemid=1 | |||||||||
| 24388 | Christian | Clozier | Le père, le fils | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 3387 | Christian | Clozier | Le Phlogiston I | 1975 | fixed media, akusmatisch | 9:03 | Stereo | IMEB Bourges | 0 | ||||||||||
| 21883 | Christian | Clozier | Le Phlogiston II | 1975 | fixed media, akusmatisch | 22:05 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18459 | Christian | Clozier | Le temps scintille et le songe est savoir | 1988 | fixed media, akusmatisch | 38:58 | Stereo | LDC 2781104/ | IMEB Bourges | 0 | |||||||||
| 3388 | Christian | Clozier | Les Accords d'Helsinki | 1980 | fixed media, akusmatisch | 7:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3389 | Christian | Clozier | Lettre a une demoiselle, brouillon ratures post-scriptum |
1969 | fixed media, akusmatisch | 14:12 | Stereo | 3 parts: 06:20 + 04:45 + 04:07 | EMI C 061-11.632/ Marconi 2C 06111632/ IDEAMA CD 113/ Creel Pone 073/ | INA • GRM, IMEB Bourges | 0 | ||||||||
| 3390 | Christian | Clozier | Loin La Lune | 1973 | fixed media, akusmatisch | 18:48 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3391 | Christian | Clozier | Malice | 1973 | fixed media, akusmatisch | 13:45 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3392 | Christian | Clozier | Markarian 205 | 1981 | fixed media, akusmatisch | 30:00 | Stereo | 3 parts (7:54 + 7:42 + 7:31) on CD | LDC 2781090/ | IMEB Bourges | 0 | ||||||||
| 3393 | Christian | Clozier | Même | 1970 | fixed media, akusmatisch | 7:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 18457 | Christian | Clozier | Mon nom sous le soleil est France j'amènerai la liberté |
1987 | fixed media, akusmatisch | 35:07 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3394 | Christian | Clozier | Musiques Eclatees, En avant la zizique | 1969 | Performance | 8:15 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 24387 | Christian | Clozier | Ont été | 2002 | fixed media, akusmatisch | 17 | LDC 2781129 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 3395 | Christian | Clozier | Par Pangloss gymnopède | 1984 | fixed media, akusmatisch | 35:00 | Stereo | LDC 2781104/ | IMEB Bourges | 0 | |||||||||
| 3396 | Christian | Clozier | Popov à Branly | 1982 | fixed media, akusmatisch | 60:00 | Stereo | Spectacle | IMEB Bourges | 0 | |||||||||
| 3397 | Christian | Clozier | Quasars 1 - 6, Quasars | 1980 | fixed media, akusmatisch | 46:00 | Stereo | GMEB 84005/ LDC 2781090/ | IMEB Bourges | 1 | |||||||||
| 27231 | Christian | Clozier | Sous l'hêtre l'étang, grenouille rient | 2006 | fixed media, akusmatisch | 8:20 | LDC 2781139 Compendium 2006/ | IMEB Bourges | 1 | http://www.mnemosyne-musique.com/index.php?page=shop.product_details&flypage=flypage.tpl&product_id=45&category_id=6&option=com_virtuemart&Itemid=1&lang=en | |||||||||
| 3398 | Christian | Clozier | Symphonie pour un enfant seul | 1972/1974 | fixed media, akusmatisch | 60:00 | Stereo | 4 parts | Creel Pone 194/ | IMEB Bourges | 0 | ||||||||
| 3399 | Christian | Clozier | Tour de France pour deux Enfants | 1976 | fixed media, akusmatisch | 27:00 | Stereo | Spectacle | IMEB Bourges | 0 | |||||||||
| 34066 | Group, Julia, Felix | CLUBbleu, Mihaly, Leuschner | charsiewbao | 2015 | fixed media, akusmatisch | 4:57:00 | degem CD 13/ | 0 | |||||||||||
| 3400 | Ilja | Cmiral | Hetta II | 1982 | fixed media, akusmatisch | 6:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 3401 | Ilja | Cmiral | Nemesis - del II | 1984/1985 | fixed media, akusmatisch | 40:00 | Stereo | EMS Stockholm | Riksteatern | 0 | |||||||||
| 3402 | Ilja | Cmiral | Resan | 1985 | Film | 6:00 | Stereo | EMS Stockholm | Sandell Film | 0 | |||||||||
| 3403 | Ilja | Cmiral | Shaman | 1986 | Tanz | 48:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 38419 | Gloria | Coates | Fiori | 1988 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 38420 | Gloria | Coates | Fiori and the Princess | 1988 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 3404 | Gloria | Coates | Fonté | 1976, 1984 | Zuspiel / Tonband, 1 group | orc [Orchester] | 1 | ||||||||||||
| 38421 | Gloria | Coates | Neptune Odyssey | 1975 | fixed media, akusmatisch | musique concrète | 0 | ||||||||||||
| 38418 | Gloria | Coates | The Force for Peace in War | 1988 | Zuspiel / Tonband, 1 perf, 1 group | S, orc [Sopran, Orchester] | Cantata da Requiem | 0 | |||||||||||
| 3405 | Gloria | Coates | Transitions | 1984 | Zuspiel / Tonband, 1 group | orc [Orchester] | Naxos 8.559371/ | 1 | |||||||||||
| 24531 | Bob | Cobbing | As Easy | 1970 | fixed media, akusmatisch | 7:10 | Text-Sound-Composition. Voice of Kerstin Lundberg | FYCD 1024 CD 2 Text-Sound Compositions/ | SR Stockholm | 1 | |||||||||
| 24530 | Bob | Cobbing | Chamber Music | 1968 | fixed media, akusmatisch | 8:59 | Text-Sound Composition. Voice of Susanne Feingold and the Author. | FYCD 1024 CD 1 Text-Sound Compositions/ | EMS Stockholm | 1 | |||||||||
| 3410 | Bob | Cobbing | Portrait of Robin Crozier | 1976 | fixed media, akusmatisch | 4:55 | FYLP 1010, 10 Years Text-Sound Festival/ FYCD 1024 CD 2 Text-Sound Compositions/ | Fylkingen | 1 | ||||||||||
| 3411 | Bob | Cobbing | Swarf Process U.A.L. (Paper) 10 | 1985 | fixed media, akusmatisch | 16:16 | Stereo | EMS Stockholm | 0 | ||||||||||
| 3412 | Bob | Cobbing | Whisper Pieces | 1969 | fixed media, akusmatisch | 7:57 | Quadro | 4th part: Whissippi | FYCD 1024 CD 2 Text-Sound Compositions/ | SR Stockholm | 1 | ||||||||
| 3413 | Bob | Cobbing | Worm | 1966 | fixed media, akusmatisch | 1:11 | Stereo | poesie | PS C. London | 0 | |||||||||
| 3406 | Bob, Group | Cobbing, BBC Radiophonic workshop | An ABC in sound | 1966 | fixed media, akusmatisch | text sound compositions | BBC | 0 | |||||||||||
| 3407 | Bob, Annea | Cobbing, Lockwood | Are your children safe in the sea? | 1966 | fixed media, akusmatisch | 0:47 | Mono | poesie | PS C. London | 0 | |||||||||
| 3408 | Bob, Annea | Cobbing, Lockwood | Ata Matuma Mamuta | 1966 | Performance | 12:45 | Mono | happening | PS C. London | 0 | |||||||||
| 3409 | Bob, Annea | Cobbing, Lockwood | Kurrirrurriri | 1966 | fixed media, akusmatisch | 2:45 | Stereo | poesie | PS C. London | 0 | |||||||||
| 19544 | Adrian | Cobo Gómez | Reditus II | 1990 | fixed media, akusmatisch | 8:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19639 | Luis Miguel | Cobo | Heterofonia deportiva | 1995 | live-elec, | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 19638 | Luis Miguel | Cobo | No más Muerte | 1994 | live-elec, | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 24113 | Lamberto | Coccioli | Antidotes - Red-earth | 1997 | Zuspiel, live-elec, 1 perf | ≈ 8:00 | Stereo | tpt [Trompete] | Version with tape or Live elec | Tempo Reale Firenze | 0 | ||||||||
| 24114 | Lamberto | Coccioli | Magma | 1998 | Musiktheater, live-elec, 1 perf, 1 group | ≈ 45:00 | V, ens [Stimme, Ensemble] | Tempo Reale Firenze | 0 | ||||||||||
| 3414 | Enrico | Cocco | Equilibri per versi | 1990/1991 | Zuspiel / Tonband, 2 perf | 25:00 | V, perc [Stimme, Schlagzeug] | CRM Roma, CERM Sassari | 0 | ||||||||||
| 3415 | Enrico | Cocco | Falso sguardo (del tempo) | 1984 | fixed media, akusmatisch | 12:00 | Stereo | CRM Roma, STREAM Roma | 0 | ||||||||||
| 3416 | Enrico | Cocco | I stinti verso… | 1985 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 3417 | Enrico | Cocco | L'Assurda ragione | 1986 | Zuspiel / Tonband, 9 perf | 10:00 | Stereo | 9 ins [Instrument] | CRM Roma, STREAM Roma | 0 | |||||||||
| 3418 | Enrico | Cocco | Materia intelligente | 1987 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | p [Piano] | CRM Roma, STREAM Roma | 0 | |||||||||
| 3419 | Enrico | Cocco | Materia Intelligente II | 1990 | Zuspiel / Tonband, 1 perf | 11:20 | p [Piano] | STREAM Roma | 5.2.90 | Inventionen Akademie der Künste Berlin | 1 | 1990 | |||||||
| 3420 | Enrico | Cocco | Un poetico e notturno silenzio | 1992 | Zuspiel, live-elec, 7 perf | ≈ 17:00 | Stereo | tpt, hn, trbn, tuba, cl, perc, p, (risonante) [Klarinette, Horn, Trompete, Posaune, Tuba, Piano, Schlagzeug] | CRM Roma, CERM Sassari | 0 | |||||||||
| 3421 | Franco | Cocco | Inferni di fiumi d'oriente | 1992 | Zuspiel / Tonband, | Spaziomusica Cagliari | 0 | ||||||||||||
| 3422 | Franco | Cocco | Simple Music | 1991 | Zuspiel, live-elec, 1 perf, 1 group | 13:45 | Stereo | ens, Kbd [Keyboard, Ensemble] | mit Proteus-realtime-Gerät | RCA CCD 3001/ | 1 | ||||||||
| 3423 | Roger | Cochini | Alap | 1971 | fixed media, akusmatisch | 4:33 | Stereo | Etude de stage | INA • GRM | 2.4.1971 | Reims, Maison de la Culture | 0 | |||||||
| 3424 | Roger | Cochini | Case 9 | 1981 | Tanz | 50:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3425 | Roger | Cochini | Chansons de gestes | 1977 | fixed media, akusmatisch | 10:30 | Stereo | LDC 2781103/ | IMEB Bourges | 0 | |||||||||
| 19453 | Roger | Cochini | Chaste fleur, mon capitaine…chaste fleur! | 1993 | fixed media, akusmatisch | 4:00 | Stereo | LDC 2781103/ | 0 | ||||||||||
| 3426 | Roger | Cochini | Eva ou les yeux fermés | 1975 | fixed media, akusmatisch | 18:30 | Stereo | LDC 2781103/ | IMEB Bourges | 0 | |||||||||
| 19454 | Roger | Cochini | L'ouie lumière | 1994 | fixed media, akusmatisch | 9:13 | Stereo | LDC 2781103/ | IMEB Bourges | 0 | |||||||||
| 23013 | Roger | Cochini | La Schiuma dei Rumori | 2000 | fixed media, akusmatisch | 11:00 | CMJ Vol 25-4, 2001/ | IMEB Bourges | 1 | ||||||||||
| 3427 | Roger | Cochini | Lullaby | 1979 | fixed media, akusmatisch | 10:14 | Stereo | LDC 2781103/ | IMEB Bourges | 0 | |||||||||
| 3428 | Roger | Cochini | Remparts d'ainay | 1972 | fixed media, akusmatisch | 15:30 | Stereo | INA • GRM | 19.5.1972 | Paris, Musée Guimet | 0 | ||||||||
| 33800 | Roger | Cochini | Retour aux Sources | 2012 | fixed media, akusmatisch | 5:28:00 | Composing with Sounds/ | INA-GRM | 1 | ||||||||||
| 3429 | Roger | Cochini | Sables | 1974 | fixed media, akusmatisch | 22:15 | Stereo | INA • GRM | 25.2.1975 | Paris, Cité des Arts | 0 | ||||||||
| 3430 | Roger | Cochini | Tour de France pour deux Enfants / Le Voyage en Provence | 1976 | fixed media, akusmatisch | 10:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 22554 | Roger | Cochini | Tout est bon dans le poulet (homage à Pierre Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 40720 | Roger, Michel | Cochini, Chion | Quand on parle musique on n’en voit jamais la queue | 1971 | radiophon | 38:25 | INA • GRM | 6.12.1971 | ORTF France-Culture | 0 | |||||||||
| 25447 | Vincenzo | Coco | Endo-M | 1998 | fixed media, akusmatisch | 7:12 | Stereo | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | |||||||||
| 34418 | Daniel | Cody | In Between | 1972 | fixed media, akusmatisch | 7:30 | Quadro | stereo and mono versions not permitted! | Sonology Utrecht | 0 | |||||||||
| 3431 | David | Cody | In Between | 1972 | fixed media, akusmatisch | 7:30 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 31744 | Rodolfo | Coelho de Souza | Construção Eletrônica | 1989 | fixed media, akusmatisch | 7:53 | 80 Tracks | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | 20. Sao Paulo Arts Biennial | Sao Paulo Arts Biennial outdoor | 1 | ||||||||
| 23269 | Rodolfo | Coelho de Souza | Metropolis | fixed media, akusmatisch | 9:45 | Stereo | SBME 001, Musica el. Brasileira Vol 1/ | 1 | |||||||||||
| 23275 | Rodolfo | Coelho de Souza | O que acontece embaixo da cama enquanto Janis está dormindo | 1997 | fixed media, akusmatisch | 7:48 | SBME 002, Musica el. Brasileira Vol 2/ | Uni Austin | 1 | ||||||||||
| 19594 | Emilio | Coello Cabrera | Lux | 1992 | fixed media, akusmatisch | 9:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 32743 | Massimo | Coen | C'era una volta… | Performance | audiovisuell |
vn, mime [Violine, Schauspieler] | 0 | |||||||||||||
| 42594 | Ted | Coffey | Blue Cycle: Noise | 2008 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 24395 | Yves | Coffy | Chaman | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24396 | Yves | Coffy | Conversations | 2002 | fixed media, akusmatisch | 11:06 | LDC 2781131 Compendium 2003/ | IMEB Bourges | 1 | ||||||||||
| 24394 | Yves | Coffy | In-extenso | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24397 | Yves | Coffy | L'effet Mac Gurk ou comment le cortex visuel peut-il entendre les sons | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24391 | Yves | Coffy | La mer floue : six éléments d'avant la décohérence | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21884 | Yves | Coffy | La Voix de Son Maitre | 1998 | fixed media, akusmatisch | 16:45 | IMEB Bourges | 0 | |||||||||||
| 24393 | Yves | Coffy | Laver la vaisselle | 2000 | fixed media, akusmatisch | LDC 2781119/ | IMEB Bourges | 0 | |||||||||||
| 24389 | Yves | Coffy | Le sentiment de la perle (hommage à Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24390 | Yves | Coffy | Prise de sens | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18463 | Yves | Coffy | Quant à elle | 1998 | fixed media, akusmatisch | 15:00 | IMEB Bourges | 0 | |||||||||||
| 24392 | Yves | Coffy | Sons d'gosses | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18464 | Yves | Coffy | Tentations gazeuses | 1999 | fixed media, akusmatisch | 15:00 | IMEB Bourges | 0 | |||||||||||
| 24813 | Yves | Coffy | Ys | 1993 | fixed media, akusmatisch | 8:42 | LDC 278068/69 Cultures Electroniques 12/ | IMEB Bourges | 0 | ||||||||||
| 38523 | Joaquin | COFRECES | Hamoni Lapude Anan | 2008 | radiophon | 47:48:00 | 0 | ||||||||||||
| 38524 | Joaquin | COFRECES | The Last Voice | 2009 | radiophon | 7:21:00 | Prix Phonurgia nova | 0 | |||||||||||
| 40598 | Robert | Cohen-Solal | A vous de Jouer | 1967 | Hintergrundmusik | 0:50 | INA • GRM | 0 | |||||||||||
| 32740 | Robert | Cohen-Solal | Délicieuse Catastrophe | 1970 | Film | 11:22 | NEEMC 01 New England Electric Music Company, Musique concrète Soundtracks to experimental Short films 1956-78/ | INA • GRM | Prix Emile Cohl 1971. Prix du Festival deNew-York 1972 Prix du Festival de Grenoble 1972 |
0 | |||||||||
| 40625 | Robert | Cohen-Solal | Jeu des enigmes | radiophon | INA • GRM | 0 | |||||||||||||
| 40654 | Robert | Cohen-Solal | L’Empereur et la Courtisane | 1969 | Film | INA • GRM | 0 | ||||||||||||
| 40599 | Robert | Cohen-Solal | La forte Terre | 1967 | Film | 1:05 | INA • GRM | 24.8.1967 | TV ORTF, 2. chaine | 0 | |||||||||
| 40593 | Robert | Cohen-Solal | La Syrie, 5000 ans de civilisation | 1966 | Film | 22 | INA • GRM | 2.4.1967 | TV ORTF, 1. chaine | 0 | |||||||||
| 3434 | Robert | Cohen-Solal | Lapsus | 1970 | fixed media, akusmatisch | 12:00 | Quadro, Stereo | IDEAMA CD 024/ | INA • GRM | Commande d’Etat | 25.2.1971 | Paris, Halles Baltard | 0 | ||||||
| 40650 | Robert | Cohen-Solal | Le Perroquet | 1968 | Film | 6:15 | oma (Ondes Martenot) [synthesizer] | INA • GRM | 22.9.1970 | TV ORTF, 2. chaine | 0 | ||||||||
| 40642 | Robert | Cohen-Solal | Le Trou | 1968 | Film | 2:19 | INA • GRM | 8.9.1968 | TV ORTF, 2. chaine | 0 | |||||||||
| 40596 | Robert | Cohen-Solal | Les Majorettes | 1966 | Film | 16 | INA • GRM | 17.10.1967 | TV ORTF, 1. chaine | 0 | |||||||||
| 3435 | Robert | Cohen-Solal | Les Shadoks | 1968 | Film | 8 | Stereo | Version concert | Coll GRM sans le savoir/ | INA • GRM | Oct.-Dec. 1968 20.2.1968 |
TV-ORTF, 1. chaine (Un épisode par jour) Paris, Maison de la Radio, Studio 105 |
1 | ||||||
| 3436 | Robert | Cohen-Solal | Les Shadoks | 1968 | Zuspiel / Tonband, 1 perf | 45:40 | Stereo | V [Stimme] | Version Disque | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ INA C 1035 27655 archives grm CD 5/5/ Barclay 80380/ PHI 6521 006/ Klett Stuttgart 08762/ Klett Stuttgart 92422/ IDEAMA CD 024/ | INA • GRM | 1 | |||||||
| 40704 | Robert | Cohen-Solal | Les Shadoks, 2ème Série | 1970 | Film | INA • GRM | 1970 | TV ORTF, 1. chaine | 1 | ||||||||||
| 40595 | Robert | Cohen-Solal | Les Zlops | 1966 | Film | 20 | INA • GRM | 0 | |||||||||||
| 40635 | Robert | Cohen-Solal | Lissajeux | 1968 | Film | 2:33 | INA • GRM | 1968 | TV ORTF | 0 | |||||||||
| 40634 | Robert | Cohen-Solal | Perception visuelle | 1968 | Film | INA • GRM | 19.6.1968 | TV ORTF, 1. chaine | 0 | ||||||||||
| 40609 | Robert | Cohen-Solal | Pour une vie, pour une ville | 1967 | Film | INA • GRM | 0 | ||||||||||||
| 40615 | Robert | Cohen-Solal | SYDNEY VA CONNAITRE DES JOURS DE TROUBLE |
1967 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 40590 | Robert | Cohen-Solal | Vallée de la Colombie | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 40581 | Robert | Cohen-Solal | Vol en Montagne | 1966 | Film | INA • GRM | 0 | ||||||||||||
| 42094 | Andrea | Cohen | Sports et divertissements d’erik satie | 2002 | radiophon | France Culture (Radio France), GRM (RTF) | 0 | ||||||||||||
| 42093 | Andrea, Diego | Cohen, Losa | Pour la radio, making off d’une radio performance | 2018 | radiophon | France Culture (Radio France) | 0 | ||||||||||||
| 19455 | Denis | Cohen | Extraneous Noise | 1993 | fixed media, akusmatisch | 8:12 | Stereo | EMS 9300/ | IRCAM | 0 | |||||||||
| 3432 | Denis | Cohen | Jeux | 1990 | live-elec, 1 perf | 37:00 | MIDI p [Piano] | ISPW | Adès 203652/ | IRCAM | 0 | ||||||||
| 3433 | Denis | Cohen | Monologue de Leyda | 1993 | live-elec, 4 perf | 16:00 | S, vn, perc, MIDI p [Sopran, Piano, Schlagzeug, Violine] | IRCAM | 0 | ||||||||||
| 38964 | Jem | Cohen | We Have An Anchor | 2012 | Film | EMPAC | 2012 EMPAC | 0 | http://empac.rpi.edu/events/2012/spring/quote-unquote/we-have-anchor | ||||||||||
| 3437 | Nellu | Cohn | Face A Face, Trois Etudes des Visages | 1981 | Zuspiel, live-elec, 3 perf | 9:54 | Stereo | vn, 2 synt [Violine, synthesizer] | INA • GRM | 0 | |||||||||
| 3438 | Nellu | Cohn | Franges de souvenir | 1982/1986 | fixed media, akusmatisch | 25:29 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 3439 | Robert | Coinel | Un Pays De Collines Bleues | 1983 | Zuspiel / Tonband, 2 perf | 21:30 | Stereo | 2 gui [Gitarre] | GMEM Marseille | 0 | |||||||||
| 42783 | Giulio | Colangelo | Thauma | 2012 | live-elec, 2 perf | 4:25:00 | 2 perc [Schlagzeug] | Pat Kennedy and Dorian Costanza, percussion | 0 | ||||||||||
| 42897 | Guilio | Colangelo | Perception Synesthetique 5 | 2013 | fixed media, akusmatisch | 7:15:00 | 0 | ||||||||||||
| 33502 | Henrik | Colding-Jørgensen | Jeg ved det godt | 1973 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 39562 | Amanda | Cole | Vibraphone Theories | 2016 | fixed media, akusmatisch | Amanda Cole | 0 | ||||||||||||
| 42859 | Andrew | Cole | Sanctuary to Sea | 2013 | fixed media, akusmatisch | 9:28:00 | 0 | ||||||||||||
| 3440 | John | Cole | Buchla Preludes | 1977 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 39333 | Christopher | Coleman | śūnyatā, emptiness | 2017 | fixed media, akusmatisch | from Caves of Dunhuang (Triptych III) | 0 | ||||||||||||
| 39332 | Christopher | Coleman | “…the liquid mountains of the sky…” | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 28200 | Gene | Coleman | Yago | 2003 | live-elec, 5 perf | 30:48 | Gagaku-ins, sax-qt, (video) [Saxophon, Instrument] | Beilage NZ Heft 5/2003: "Transonic"- Festival des HdKdW Berlin | WER NZ 5/2003/ | 1 | |||||||||
| 42478 | Paul | Coleman | Gathering | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 42030 | Henrik von | Coler | Discount | 2017 - 2018 | Performance | computer generated score |
Collage auf 30 Seiten | 0 | ||||||||||||
| 3441 | Christian | Colere | Chromes | 1980 | fixed media, akusmatisch | (sysCol) | GAIV Paris | 0 | |||||||||||
| 3442 | Christian | Colere | déconcertante | 1979 | fixed media, akusmatisch | GAIV Paris | 0 | ||||||||||||
| 3443 | Dominique | Collardey | Etude de Composition | 1976 | fixed media, akusmatisch | 8:15 | Stereo | INA • GRM | 27.8.1976 | Paris, Th. Récamier | 0 | ||||||||
| 19493 | Group | Collège de Saint-Marcellin | Bleu, rouge, jaune … nouvelles! | 1994 | fixed media, akusmatisch | 8:35 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19494 | Group | Collège de Saint-Marcellin | Correspondances | 1994 | fixed media, akusmatisch | 15:26 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19495 | Group | Collège de Saint-Marcellin | Couleurs | 1994 | fixed media, akusmatisch | 8:49 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19496 | Group | Collège de Saint-Marcellin | Gestes d'ici et d'ailleurs | 1994 | fixed media, akusmatisch | 7:07 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19497 | Group | Collège de Saint-Marcellin | Je te rencontre, je me souviens de toi | 1994 | fixed media, akusmatisch | 13:12 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19498 | Group | Collège de Saint-Marcellin | Mouvements (extraits) | 1994 | fixed media, akusmatisch | 1:51 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19499 | Group | Collège de Saint-Marcellin | Suivant la ligne | 1994 | fixed media, akusmatisch | 16:36 | Stereo | SÀS 1/ | Collège de Saint-Marcellin | 0 | |||||||||
| 19501 | Group | Collège Revesz Long | Dimanche Matin | 1995 | fixed media, akusmatisch | 16:36 | Stereo | Motus M 197001/ | 0 | ||||||||||
| 19502 | Group | Collège Revesz Long | Leçon rigole | 1995 - 1996 | fixed media, akusmatisch | 22:00 | Stereo | Motus M 197001/ | 0 | ||||||||||
| 43166 | Joe | Colley | psychic stress soundtracks | 2006 | Klangkunst, Installation | ARS 06/ | Auszeichnung ars electronica Award of Distinction 2006 | 0 | |||||||||||
| 3444 | Gerry, Chris | Collins, Meloche | Final Approach | 1986 | fixed media, akusmatisch | 6:30 | Stereo | EMAC London ON | 0 | ||||||||||
| 3445 | Gerry, Chris | Collins, Meloche | Klang | 1986 | fixed media, akusmatisch | 7:48 | Stereo | Rough Cut St | 0 | ||||||||||
| 19456 | Nicolas | Collins | Broken Light, I Corelli | fixed media, akusmatisch | 4:52 | Stereo | TE 1013/ nt 6730/ Nova Era CD 2002/ | 0 | |||||||||||
| 3446 | Nicolas | Collins | Devil's Music | 1985 | fixed media, akusmatisch | 12:00 | Stereo | Devil's Music One (18':47) / Devil's Music Two (17: 34) | TE 1013/ nt 6730/ | 0 | |||||||||
| 23075 | Nicolas | Collins | Nachtlicht | 1999 | Klangkunst, Installation | WD 99, Wittener Tage Für Neue Kammermusik 1999/ | Kompositionsauftrag der Stadt Witten | 1999 | Wittener Tage für neue Kammermusik | 1 | |||||||||
| 26287 | Nicolas | Collins | Pea Soup, Pea Soup II | 1974/2005 | Klangkunst, Installation | ∞ 23:12 | Stereo | 2 Mikros, 2 Lautsprecher; feedback | Voxxx 2003-2005 mit Katalog/ Kehrer Verlag ISBN 978-3-939583-23-3/ WER ARTS 8102 5/ | Voxxx Chemnitz | 2005 | Voxxx Chemnitz | 1 | 2005 | http://www.voxxx.de/projekte/soundart.htm | ||||
| 2005 | |||||||||||||||||||
| 3447 | Nicolas | Collins | Real Electronic Music | 1989 | live-elec, | 6:26 | Nonesuch 9 79235-2, Imaginary Landscapes/ | Airshaft St | 1 | http://www.straebel.de/praxis/index.html?/praxis/text/t-collins_portrait.htm | |||||||||
| 34612 | Nicolas | Collins | Roomtone Variations | 2013 - 2014 | live-elec, 1 group | ens [Ensemble] | TonArt ensemble SMC2016 |
0 | |||||||||||
| 23372 | Nicolas | Collins | Sled Dog | 2002 | Performance | 9:19 | Improvisation. Recordings from a Performance | ARiADA 2003/ | UEA Norwich | 1 | |||||||||
| 3448 | Nicolas | Collins | Tobabo Fonio | 1989 | live-elec, 1 perf | 7:45 | trbn [Posaune] | AER 1991 / 3/ | 1 | ||||||||||
| 19071 | Nicolas | Collins | When John Henry Was a Little Baby | 1996 | Klangkunst, Installation | 1:30 | Sonambiente Ausstellung (1996) Katalog S.45 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 41846 | Paul, Jean-Jacques | Collins, Palix | End of Dinner | 2004 | radiophon | 3:51:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 42595 | Rob | Collins | pizz collide | 2007 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 19368 | Sarah | Collins | Forest Piece | 1990 | fixed media, akusmatisch | 9:31 | NMC D036, sonic arts collection 2/ | 1 | |||||||||||
| 3449 | Sarah | Collins | Ultrasound | live-elec, 5 perf | 12:30 | fl, pic-fl, vib, mar, perc [Flöte, Schlagzeug] | 0 | ||||||||||||
| 3450 | Claude | Colon | Diastasis | 1977 | fixed media, akusmatisch | 15:34 | Stereo | GMEM Marseille | 0 | ||||||||||
| 3451 | Claude | Colon | Edifice | 1977 | fixed media, akusmatisch | 11:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 3452 | Claude | Colon | La Langue Obscure | 1976 | fixed media, akusmatisch | 11:11 | Stereo | GMEM Marseille | 0 | ||||||||||
| 3453 | Claude | Colon | Musique Pour Les Roses B | 1972 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 32946 | Jérôme | Combier | Pays de vent | 2004 | fixed media, akusmatisch | 76 | 12 parts | Motus M 204007/ | 0 | ||||||||||
| 39753 | Elizabeth | Comninellis | White Birds | 2015 | fixed media, akusmatisch | 4:06:00 | Elizabeth Comninellis | 0 | |||||||||||
| 3455 | John | Compton | The Cry | 1966 | fixed media, akusmatisch | 4:00 | Mono | after the painting by Munch | Barlow Sch Amenia | 0 | |||||||||
| 3454 | John, James | Compton, O’Connel | Steel "Variation" | 1967 | fixed media, akusmatisch | Barlow Sch Amenia | 0 | ||||||||||||
| 3456 | Peter | Con | Vita | 1990 | fixed media, akusmatisch | 11:50 | Stereo | CECM Bratislava | 0 | ||||||||||
| 38525 | Sheila | CONCARI | Bad Children | 2008 | radiophon | 34:39:00 | 0 | ||||||||||||
| 23932 | Francisco | Concha | La llave de vidrio | 2005 | live-elec, 4 perf | 15:00 | 4 fl [Flöte] | Marzo 2005, Instituto Goethe. Santiago, Chile. | 0 | ||||||||||
| 3457 | Gérard | Condé | Le Mont des Oliviers | 1988 | Zuspiel / Tonband, 2 perf | 13:00 | V, hn [Stimme, Horn] | GRAME Lyon | 0 | ||||||||||
| 39316 | Briay | Conditt | Sculpture of a Horn Player, I. drink more | 2017 | live-elec, 1 perf | hn [Horn] | 0 | ||||||||||||
| 19240 | Fernando | Condon | En familia | 1988 | fixed media, akusmatisch | 14:13 | tacuabé T/E 28 CD/ | 1 | |||||||||||
| 19239 | Fernando | Condon | Suiana Wanka | 1981 - 1982 | fixed media, akusmatisch | 15:47 | tacuabé T/E 28 CD/ | ELAC Montevideo | 1 | ||||||||||
| 24398 | Nicolas | Conge | B P M | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 3458 | David | Congo | 10 Tape Music pieces | 1978 - 1985 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 41520 | David | Congo | Voyage, Prelude [Summer ’95] Prelude [Winter ’95] Mosaic The creation Midi Variations Voyage Nocturne Fantasy |
2005 | fixed media, akusmatisch | 66:37 | CPS 8772 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8772.html | ||||||||||
| 42710 | Patrick, Christina | Conlon, Giacona | Retro Rhapsody | 2012 | live-elec, 1 perf | 10:25:00 | cl [Klarinette] | Christina Giacona, clarinet | 0 | ||||||||||
| 39627 | Brian | Connolly | Critical Bands | 2017 | fixed media, akusmatisch | Brian Connolly | 0 | ||||||||||||
| 3461 | Justin | Connolly | Obbligati II, op. 13 | 1969 | Zuspiel / Tonband, 5 perf | 12:00 | Stereo | fl, cl, vn, p, vc [Flöte, Klarinette, Piano, Cello, Violine] | EMS_London | 0 | |||||||||
| 3462 | Justin | Connolly | Poems of Wallace Stevens III | 1970 | Zuspiel / Tonband, 2 perf | Stereo | S, p [Sopran, Piano] | WITHDRAWN | EMS_London | 0 | |||||||||
| 3463 | Justin | Connolly | Tesserae D, op. 15 | 1971 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | tpt [Trompete] | Soma 781/ | EMS_London | 0 | ||||||||
| 3464 | Justin | Connolly | Tetramorph, op. 18 | 1971 | Zuspiel / Tonband, | 15:00 | Stereo | str orc [Orchester] | WITHDRAWN ? | EMS_London | 0 | ||||||||
| 3465 | Justin | Connolly | Triad IV, op. 12 | 1969 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | fl, perc [Flöte, Schlagzeug] | EMS_London | 0 | |||||||||
| 3466 | Justin | Connolly | Triad VI, op. 21 | 1973 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | va, p [Piano, Viola] | EMS_London | 0 | |||||||||
| 3467 | Justin | Connolly | Variations | 1968 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 3459 | Justin, Peter | Connolly, Zinovieff | Intercourse, part 3 of M-Piriform | 1968 | Zuspiel / Tonband, 3 perf | Stereo | S, vn, fl [Sopran, Flöte, Violine] | EMS_London | 0 | ||||||||||
| 3460 | Justin, Peter | Connolly, Zinovieff | M-Piriform, op. 10 | 1968 | Zuspiel / Tonband, 4 perf | 10:00 | Stereo | S, vn, fl, cl [Sopran, Flöte, Klarinette, Violine] | rev. for S, 3 cl | EMS_London | 0 | ||||||||
| 42095 | Martin | Conrad | Gleich stürmen, alle schlafen (weekend remix) | 2006 | radiophon | BR | 0 | ||||||||||||
| 3468 | Tony | Conrad | Flaming Creatures | 1963 | Film | 48:00 | Mono | PS C. NY | 0 | ||||||||||
| 3469 | Tony | Conrad | The Flicker | 1965 | Film | 30:00 | Stereo | PS C. NY | 0 | ||||||||||
| 3470 | Tony | Conrad | Three Loops | 1961 | Zuspiel / Tonband, 1 perf | ∞ | Mono + Mono | perf [Performer] | PS C. NY | 0 | |||||||||
| 38750 | Tony, Keren, Dani, Achim, Natascha | CONRAD, CYTTER, GAL, LENGERER, SADR HAGHIGHIAN | Screen Off | 2011 | radiophon | 35:31:00 | 0 | ||||||||||||
| 33369 | Marius | Constant | Le joueur de flûte | 1952 | radiophon | 60 | Mono | ballet radiophinique pour basse, narrateur, choeur et orchestre | INA • GRM | Prix Italia 1952 | 0 | ||||||||
| 3471 | Maurice | Constant | Moulins à Prière | 1979 | fixed media, akusmatisch | 4:10 | Stereo | SME Krakow | 0 | ||||||||||
| 3472 | Maurice | Constant | Précis de décomposition | 1982 | Zuspiel / Tonband, 7 perf | 7 ins [Instrument] | EM ?? | 0 | |||||||||||
| 3473 | Dan | Constantinescu | Musiques structurées | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 3474 | Barry | Conyngham | Electroacoustic elements | 1975 | Oper | Stereo | CNRS Marseille | 0 | |||||||||||
| 39334 | Christopher | Cook | Gamaka | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39673 | Christopher | Cook | Prowler | 2017 | fixed media, akusmatisch | Christopher Cook | 0 | ||||||||||||
| 42878 | Christopher | Cook | Rocket | 2013 | live-elec, 1 perf | 8:30:00 | p [Piano] | Mary Hellman, piano | 0 | ||||||||||
| 42698 | Christopher | Cook | Siren Song | 2012 | live-elec, 1 perf | 7:30:00 | S [Sopran] | Rachel Holland, soprano | 0 | ||||||||||
| 39674 | Christopher | Cook | The Blue Marble | 2016 | Performance | Christopher Cook | 0 | ||||||||||||
| 23589 | Perry | Cook | DigitalDoo2003 | 2003 | fixed media, akusmatisch | 9:07 | Surround 5.1 | digitaldoo from an elec. Didgeridoo | CMJ Vol 27-4, 2003/ | iEAR Rensselaer | 1 | ||||||||
| 3475 | Antony | Coolman | Jetset | 1991 | Zuspiel/Tonband, 2 perf, 1 group | radiophon |
45:00 | Stereo | V, inss [Stimme, Instrument] | AdK Berlin | 0 | |||||||||
| 23591 | Paul | Coonce | Free Reeds | 2002 | fixed media, akusmatisch | 10:13 | Surround 5.1 | CMJ Vol 27-4, 2003/ | 1 | ||||||||||
| 36612 | Robert | Cooper | Cymbolic | 1995 | fixed media, akusmatisch | 5:54:00 | Centaur CRC 2605, CDCM Vol. 33/ | Uni Kanss City iMPACT | 0 | ||||||||||
| 3476 | Roy | Cooper | A Night at the Opera | 1967 | Hintergrundmusik | 15:00 | Mono + Mono + Mono + Mono | PS C. Chapelthorpe | 0 | ||||||||||
| 3477 | David | Cope | Extensions | Zuspiel / Tonband, 1 perf | 11:00 | Quadro | tpt [Trompete] | tpt-player must produce the tape | 0 | ||||||||||
| 3478 | David | Cope | Krap | Zuspiel / Tonband, | Quadro | 0 | |||||||||||||
| 3479 | David | Cope | Weeds | Zuspiel / Tonband, | Quadro | 0 | |||||||||||||
| 3480 | Darren | Copeland | A Sketch for Prometheus Bound | 1989 | fixed media, akusmatisch | 8:25 | Stereo | 0 | |||||||||||
| 22788 | Darren | Copeland | Always becoming somebody else | 1992 | Klangkunst, Installation | 9:21 | Stereo, Surround 5.1 | "collage", soundscape | Musicworks MW 60, Death of the Masterpiece/ IMED 0683/ | SFU | 11.1993 | Vancouver New Music at the Vancouver East Cultural Centre | honorable mention in the 1993 Vancouver New Music Young Composers Competition Competition Musica Nova Prag 1994 |
1 | |||||
| 3481 | Darren | Copeland | Amnesia | 1988 | fixed media, akusmatisch | 6:32 | Stereo | PS C., Beam Toronto | 0 | ||||||||||
| 41703 | Darren | Copeland | Bats & Elephants | 2011 | fixed media, akusmatisch | 36:06 | November 2011 | New Adventures in Sound Art’s SOUNDplay festival in Toronto | Harry Freedman Recording Award | 0 | http://www.darrencopeland.net/web2/?page_id=78 | ||||||||
| 18944 | Darren | Copeland | Darkness Colours | 1994 | fixed media, akusmatisch | 2:57 | CEC DISContact_2/ | SFU | 1 | ||||||||||
| 41704 | Darren | Copeland | Ear of Plenty | 2010 | fixed media, akusmatisch | 2:57 | 0 | http://www.darrencopeland.net/web2/?page_id=218 | |||||||||||
| 37167 | Darren | Copeland | Early Signals | 2001 | radiophon | 4:27 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | CBC Radio One | 11.12.2001 | CBC Radio One | 0 | ||||||
| 37169 | Darren | Copeland | Faith-Annihia | 1991 | fixed media, akusmatisch | 8:55 | Stereo, Surround 5.1 | IMED 0683/ | SFU | 29.11.1991 | Sonic Boom Festival of BC Composers produced by Vancuver Pro Musica in Vancouver (Canada). | 0 | |||||||
| 32917 | Darren | Copeland | Let Me Out | 2006 | radiophon | 34:59 | IMED 09100 trans_canada/ | 0 | |||||||||||
| 3482 | Darren | Copeland | Living It Out-In The Dead Air-Space | 1988 | fixed media, akusmatisch | 52:00 | Stereo | Elec. Circus St | 0 | ||||||||||
| 3483 | Darren | Copeland | Mahwje's Outlook | 1985 | Zuspiel / Tonband, 4 perf | Stereo | synt, perc, cl, proc V [Stimme, Klarinette, Schlagzeug, synthesizer] | Cherry Beach Toronto | 0 | ||||||||||
| 41705 | Darren | Copeland | Memory | 1997 - 1998 | fixed media, akusmatisch | 7 | EMS Stockholm | 0 | http://www.darrencopeland.net/web2/?page_id=153 | ||||||||||
| 20307 | Darren | Copeland | Night Camera | 1993 - 1996 | fixed media, akusmatisch | 24:41 | Stereo | IMED 9841/ | SFU | 12.1993 | Vancouver during Journées Électro-Radio Days (JERD) | 0 | |||||||
| 37168 | Darren | Copeland | On a Strange Road | 2003 | fixed media, akusmatisch | 10:55 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | 10.2004 | Tone Deaf Series at the Modern Fuel gallery in Kingston (Canada). | 0 | |||||||
| 37166 | Darren | Copeland | On Schedule | 2003 | live-elec, 2 perf | 12:22 | Stereo, Surround 5.1 | 2 perf [Performer] | IMED 0683/ | PS C. | 16.12.2003 | The Ambient Ping concert series at Club Nia in Toronto (Canada), performed by DreamState (Scott MacGregor Moore, Jamie Todd) | 0 | ||||||
| 3484 | Darren | Copeland | Pilgrimace | 1989 | fixed media, akusmatisch | 11:22 | Stereo | 0 | |||||||||||
| 19457 | Darren | Copeland | Reaching for Tomorrow | 1995 | fixed media, akusmatisch | 9:50 | Stereo | ASP 0966 / IMED 9841/ | SFU | 09.1995 | ISEA95 in Montréal | mention in the Luigi Russolo International Competition (Varese, Italy, 1995) | 0 | ||||||
| 19506 | Darren | Copeland | Recharting the Senses | 1996 | Klangkunst, Installation | 7:53 | Stereo | CSR CD 9701/ | SFU | 0 | |||||||||
| 20306 | Darren | Copeland | Rendered Visible | 1995 | fixed media, akusmatisch | 5:43 | Stereo | IMED 9841/ | 09.1995 | ISEA95 in Montréal | 0 | ||||||||
| 41706 | Darren | Copeland | River Valley Snapshots | fixed media, akusmatisch | 8:02 | Stereo, Spazialisation: Ambisonics | 0 | http://www.darrencopeland.net/web2/?page_id=224 | |||||||||||
| 37164 | Darren | Copeland | Streams of Whispers | 2002 | fixed media, akusmatisch | 12:41 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | 17.10.2002 | Bowling Green New Music and Art Festival (Bowling Green, OH, USA) | 0 | |||||||
| 3485 | Darren | Copeland | The Three Faces | 1986 | fixed media, akusmatisch | Stereo | An Introduction / The Three Faces / Colour In Motion / Spirits Danse / The Be-wild-erness (The World They Live In) / The Faces In Movement / Oe Tere (Their Minds Were Ruined) | Cherry Beach Toronto, Elec. Circus St, Beam Toronto | 0 | ||||||||||
| 37165 | Darren | Copeland | The Wrong Mistakes | 2003 | fixed media, akusmatisch | 4:34 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | 10.2004 | Tone Deaf Series at the Modern Fuel gallery in Kingston (Canada). | 0 | |||||||
| 37163 | Darren | Copeland | They’re Trying to Save Themselves | 2002 | radiophon | 3:53 | Stereo, Surround 5.1 | IMED 0683/ | PS C. | CBC Radio | 11.9.2002 | CBC Radio One | 0 | ||||||
| 3486 | Darren | Copeland | This Morning of Wet Streets | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 41707 | Darren | Copeland | Under Falls And Creak – Fish Chorus at St. Anne’s Church | 2012 | fixed media, akusmatisch | 2:17 | 0 | ||||||||||||
| 3487 | Darren | Copeland | Zero and One: Stations and Directions | 1992 | fixed media, akusmatisch | 3:13 | CEC DISContact_1/ | SFU | 1 | ||||||||||
| 41708 | Darren, Alex | Copeland, Bulmer | Life Unseen | 1996 - 1997 | radiophon | 70 | 0 | http://www.darrencopeland.net/web2/?page_id=145 | |||||||||||
| 38751 | Darren, Andreas | COPELAND, KAHRE | The Other Night Underwater | 2008 | radiophon | 50:41:00 | 0 | ||||||||||||
| 27760 | Dimitri | Coppe | en déploiement | 2001 | fixed media, akusmatisch | 12:45 | Octo | Musiques et Recherches Ohain | Musiques et Recherches Ohain | 0 | |||||||||
| 41618 | Dimitri | Coppe | Hg 80 | 1999 | fixed media, akusmatisch | 19:40:00 | Octo | Musiques et Recherches Ohain | 0 | ||||||||||
| 3488 | Dimitri | Coppe | Lieu clos | 1995 | fixed media, akusmatisch | 10:00 | GMEM El 10, Project'Son/ | Musiques et Recherches Ohain | Musiques & Recherches | prix phonurgia nova 1995 (Hungaria) Prix spécial de la Radio hongroise, 1995 Mention d'honneur au concours Russolo, 1998 |
1 | ||||||||
| 41616 | Dimitri | Coppe | Loco | 1996 | fixed media, akusmatisch | 8:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 22323 | Dimitri | Coppe | S/M > A - E/I > C | 1997 | fixed media, akusmatisch | 7:56 | Octo | M&R, Mars 2000/ | Musiques et Recherches Ohain | 1 | |||||||||
| 28350 | Dimitri | Coppe | Transparence-Déhiscence | 2000 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 41617 | Dimitri | Coppe | Zwangsneurose | 1997 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 3489 | Claude A. | Coppens | The Horn of Plenty | 1979 | Zuspiel / Tonband, 2 perf | 18:45 | Stereo | perc, hn [Horn, Schlagzeug] | IPEM Gent | 0 | |||||||||
| 25691 | Leandro | Coradini | Sqrings | 2002 - 2003 | fixed media, akusmatisch | 9:49 | Stereo | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | |||||||||
| 3490 | Peter | Coraggio | Assimilation | 1967 | fixed media, akusmatisch | Mono | Uni Hawaii | 0 | |||||||||||
| 3491 | Peter | Coraggio, Hai-Luen | Opus 3*4 | 1967 | Tanz, live-elec, 1 perf | Mono | hp [Harfe] | a dance for Aeolian Harp, tape recorder and pedaphonic Dansomat (additional sounds activated by dancer’s movement) | Uni Hawaii | 0 | |||||||||
| 41406 | Maxime | Corbeil-Perron | Anti | fixed media, akusmatisch | Katharsis | 0 | https://www.ckcufm.com/ | ||||||||||||
| 42987 | Maxime | Corbeil-Perron | ANTI | 2013 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 32007 | Maxime | Corbeil-Perron | Atomes | 2010 | fixed media, akusmatisch | 11:40 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 31979 | Maxime | Corbeil-Perron | Fragments | 2011 | fixed media, akusmatisch | 9:52 | JTTP 2011 | CEC Cache 2011/ | JTTP 2011 winner 1. prize 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2012 |
1 | |||||||||
| 41709 | Maxime | Corbeil-Perron | Vertiges | 2012 | live-elec, 1 perf | 10:50 | org [Orgel] | 2012 | Montreal | 0 | |||||||||
| 24115 | Alessandra | Corbelli | …custode delle ombre… | 2001 | live-elec, 11 perf | 8:48 | 2 fl, 2 cl, p, celesta, str-qt, perc [Flöte, Klarinette, Piano, Schlagzeug, Streicher] | Tempo Reale Firenze | 0 | ||||||||||
| 25005 | Ian | Corbett | Conversation | 2000 | fixed media, akusmatisch | 8:06 | miso records mcd 013/014/ | Uni Kanss City iMPACT | Musica Viva Competition Prize 2002 | 1 | |||||||||
| 3492 | Frank | Corcoran | Balthasars Traum | 1980 | fixed media, akusmatisch | 12:57 | Quadro | "Balthasar's Dream" | WWE 1CD 20214 col legno/ | TU Berlin | 7.4.1981 | Lichthof der Technischen Universität Berlin, „stimmen 4“ | 1 | ||||||
| 23325 | Frank | Corcoran | Joycespeak - Musik | 1995 | fixed media, akusmatisch | 10:00 | Stereo | 0 | |||||||||||
| 23122 | Frank | Corcoran | Quasi Una Missa | 1999 | radiophon | 19:44 | WWE 1CD 20214 col legno/ CAP 22057/ | WDR Studio Akustische Kunst | WDR | emsPrize for Text-Sound-Composition 2002. | 1 | ||||||||
| 22809 | Frank | Corcoran | Sweeney's letztes Gedicht, Sweeney's Farewell (Sweeney's Last Poem) | 1997/1998 | fixed media, akusmatisch | 5:03 | WWE 1CD 20214 col legno/ | TU Berlin | 0 | ||||||||||
| 19163 | Frank | Corcoran | Sweeney's Vision | 1997 | fixed media, akusmatisch | 20:38 | Stereo | BBM 1026/ LDC 278070/71 Cultures Electroniques 13/ WER 6307-2/ | TU Berlin | WDR Studio akustische Kunst (Schöning) | 1 | ||||||||
| 23522 | Frank | Corcoran | Tradurre - Tradire | 2004 | fixed media, akusmatisch | radiophon |
24:01 | Stereo | Titelübersetzung = Verfälschung | TU Berlin, DeutschlandRadio | DeutschlandRadio Kultur Hörspiel (Götz Naleppa) | 1 | http://www.frankcorcoran.com | |||||||
| 28171 | Raphael | Corday | Comme je la vois, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 6:00 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 40142 | Nathan | Corder | Seppuku | 2015 | Zuspiel / Tonband, 1 perf | 8:12:00 | gui [Gitarre] | Nathan Corder | 0 | ||||||||||
| 19507 | Eric |
Cordier | Houlque | 1994 - 1996 | fixed media, akusmatisch | 51:12 | Stereo | 8 mouvements | LGF 003/ | 0 | |||||||||
| 19508 | Eric |
Cordier | Stéllaire Holostée | 1994 - 1996 | fixed media, akusmatisch | 21:21 | Stereo | 2 mouvements | LGF 003/ | 0 | |||||||||
| 38752 | Eric, Jean Luc, Eric, Götz | CORDIER, GUIONNET, LA CASA, NALEPPA | Afflux | 1998 | radiophon | 51:48:00 | 0 | ||||||||||||
| 42816 | Vicenzo, Fabio | Core, Scacchioli | Miss Candace Hilligoss’ flickering halo | 2012 | fixed media, akusmatisch | 13:45:00 | 0 | ||||||||||||
| 3493 | Azio | Corghi | Sinfonia dell'esercito di arlecchino | 1982 | Zuspiel / Tonband, 1 group | 8:00 | ens [Ensemble] | S.Zerboni | IRCAM | 0 | |||||||||
| 24116 | Azio | Corghi | . . . sotto l'ombra che il bambino solleva | 1999 | live-elec, 1 perf, 1 group | ≈ 30:00 | Stereo | V, orc [Stimme, Orchester] | Radi Version | Tempo Reale Firenze | Ricordi | 0 | |||||||
| 23934 | Rolando | Cori | Bailecitos con la Novia | Zuspiel / Tonband, 2 perf | 8:25 | V, gui [Stimme, Gitarre] | 0 | ||||||||||||
| 3494 | Rolando | Cori | Fiesta | 1988 | fixed media, akusmatisch | 8:33 | Stereo | HfM Freiburg | 0 | ||||||||||
| 23933 | Rolando | Cori | Trozo Experimental | 1981 | Zuspiel / Tonband, 2 perf | vib, gui [Gitarre, Schlagzeug] | 1981. Sala Isidora Zegers. Santiago, Chile. | 0 | |||||||||||
| 3495 | Miguel Angel | Coria | Collage | 1966 - 1967 | fixed media, akusmatisch | ALEA Madrid | 0 | ||||||||||||
| 23935 | Sergio | Cornejo | Arsis y Thesis | 1983 | fixed media, akusmatisch | Compuesta con motivo del XV aniversario de la carrera de Tecnología del Sonido. Agosto 1983. Sala Isidora Zegers. Santiago, Chile. |
0 | ||||||||||||
| 32114 | Gregory | Cornelius | Earth and Green | 2006 | fixed media, akusmatisch | 6:15:00 | SEAMUS EAM Vol. 18/ Centaur CRC, CDMC Vol. 38/ | 0 | |||||||||||
| 3496 | Klaus | Cornell | Passacaglia 1975 | live-elec, | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||||
| 3497 | Klaus | Cornell | Vigilia | 1973 | Zuspiel / Tonband, 1 group | 20:00 | ens [Ensemble] | 0 | |||||||||||
| 3498 | Klaus | Cornell | Wasser-Turm-Musik | 1977/1978 | Zuspiel, live-elec, 1 perf, 1 group | 23:00 | perc, ens [Schlagzeug, Ensemble] | 0 | |||||||||||
| 3499 | Phil | Corner | as pure to begin | 1965 | live-elec, 1 perf | var | Mono | p, (random noise, amp) [Piano] | PS C. NY | 0 | |||||||||
| 3500 | Phil | Corner | ATTEMTING WHITENESSES | 1979 | Zuspiel / Tonband, 1 perf | 15:20 | Stereo | bn [Fagott] | SME Krakow | 0 | http://www.ubu.com/historical/corner/index.html | ||||||||
| 3501 | Phil | Corner | Beach at Newport (Rhode Island) | fixed media, akusmatisch | ∞ | Mono | PS C. NY | 0 | |||||||||||
| 36532 | Phil | Corner | Break | radiophon | br [Bläser] | S Press 89/ | 0 | ||||||||||||
| 3502 | Phil | Corner | Composition with / or without Beverly | 1961 | Zuspiel / Tonband, 2 perf | var | Mono | perf, perc [Schlagzeug, Performer] | PS C. NY | 0 | |||||||||
| 3503 | Phil | Corner | "DO", for (with) (to?) Maxfeed AM (stereo)…FM, AM/FM | 1966 | live-elec, | var | multichannel | realization of "Maxfeed" by Max Neuhaus | PS C. NY | 0 | |||||||||
| 36533 | Phil | Corner | Dum De Dum De Dum | radiophon | V [Stimme] | S Press 89/ | 0 | ||||||||||||
| 3504 | Phil | Corner | from Thais | 1962 | Musiktheater, 1 perf | var | Mono | perf, (slides, actions) [Performer] | PS C. NY | 0 | |||||||||
| 36531 | Phil | Corner | Gamelan XII | radiophon | S Press 89/ | 0 | |||||||||||||
| 3505 | Phil | Corner | Gong/Ear | 1991 | intermedia | 11:48 | AER 1992 / 5/ | 1 | |||||||||||
| 3506 | Phil | Corner | High Contrast | 1961 | live-elec, | var | multichannel | (amp) [] | PS C. NY | 0 | |||||||||
| 3507 | Phil | Corner | Lexington Avenus Subway, 86th Street to 125th Street | fixed media, akusmatisch | var | Mono | PS C. NY | 0 | |||||||||||
| 3508 | Phil | Corner | Lucinda's Pastime | 1962 | fixed media, akusmatisch | 17:30 | Mono | 3 parts | PS C. NY | 0 | |||||||||
| 3509 | Phil | Corner | Memories: Performances | 1964 | Zuspiel / Tonband, 1 perf | ≈ 18:00 | Mono | perf [Performer] | assemblage | PS C. NY | 0 | ||||||||
| 3510 | Phil | Corner | Oracle | 1962 | fixed media, akusmatisch | ≈ 20:00 | Quadro | tape to be perf in var versions such as "Cantata on Images of War", Marches of Oracle", "Strike Week Version" | PS C. NY | 0 | |||||||||
| 3511 | Phil | Corner | Projects for outdoor seance | 1961 - 1966 | live-elec, | multichannel | (amp) [] | PS C. NY | 0 | ||||||||||
| 22093 | Phil | Corner | Satie's Rose Cross as a Revelation | radiophon | 1:41 | WER 6307-2/ | WDR Studio Akustische Kunst | 1 | |||||||||||
| 3512 | Phil | Corner | Solo Music and More | 1961 - 1966 | live-elec, 1 perf | multichannel | any no of amp ins [Instrument] | PS C. NY | 0 | ||||||||||
| 3513 | Phil | Corner | Strata, ——— - Second Layers (at least a solo) | 1965 | live-elec, 1 perf | var | Mono | p (sound transformation) [Piano] | PS C. NY | 0 | |||||||||
| 3514 | Phil | Corner | The Piece of Reality for Today | fixed media, akusmatisch | var | Mono | PS C. NY | 0 | |||||||||||
| 39590 | Anthony | Cornicello | Breathing time as fishes breathe water… | 2015 | fixed media, akusmatisch | 8:00:00 | Anthony Cornicello | 0 | |||||||||||
| 42596 | Anthony | Cornicello | Spiral Jetty | 2006 | fixed media, akusmatisch | 13 | Meet The Composer/ Commissioning Music/USA 2005 | 0 | |||||||||||
| 26498 | James | Correa | Dances & Intermezzi | 2001 | Zuspiel / Tonband, 1 perf | p [Piano] | 38972604-7 Brasil/ | SUNY Buffalo | 1 | http://www.acsu.buffalo.edu/~jcsoares/index.html | |||||||||
| 26501 | James | Correa | Kyrie for Beslan | 2003 | fixed media, akusmatisch | SUNY Buffalo | 0 | http://www.acsu.buffalo.edu/~jcsoares/index.html | |||||||||||
| 26497 | James | Correa | O Jardim dos Caminhos que se Bifurcam, The Garden of the Forked Paths | 2001 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | SUNY Buffalo | 1 | http://www.acsu.buffalo.edu/~jcsoares/index.html | ||||||||||
| 39880 | James | Correa | The Italo Calvinbo Cities I: cities and the memory | 2016 | Performance | James Correa | 0 | ||||||||||||
| 26499 | James | Correa | When I Drift into my Thoughts | 2000 | fixed media, akusmatisch | SUNY Buffalo | 1 | http://www.acsu.buffalo.edu/~jcsoares/index.html | |||||||||||
| 26500 | James | Correa | Winter Études | 1999 | fixed media, akusmatisch | SUNY Buffalo | 0 | http://www.acsu.buffalo.edu/~jcsoares/index.html | |||||||||||
| 3515 | Enrique | Correggia | From the Dark Thrown to Bright Light | 1976 | Zuspiel / Tonband, 6 perf | 2 V, 4 ins [Stimme, Instrument] | 0 | ||||||||||||
| 41941 | Sara | Corry | Aftersong | fixed media, akusmatisch | 0 | ||||||||||||||
| 25006 | Nuno | Côrte-Real | Noa - Noa, tribute to Gauguin op. 3 | 1995 | fixed media, akusmatisch | 6:34 | miso records mcd 013/014/ | Musica Viva Competition Prize 2000 | 1 | ||||||||||
| 19509 | Juan Manuel | Cortés | Alas de Seda | Zuspiel / Tonband, 2 perf | 5:44 | Stereo | sax, S [Sopran, Saxophon] | 4 mouvements | 0 | ||||||||||
| 36962 | Mark | Corwin | Spelunkextract | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 3516 | Annechien | Cosijn | Qui Vive / Mikado | 1985 | Theater, 1 perf | 5:00 | Stereo | Clown [Schauspieler] | voor clown en band | Sonology Utrecht | 0 | ||||||||
| 3518 | Giovanni | Cospito | Il Canto | 1993 | live-elec, | LIM Milano | 0 | ||||||||||||
| 25007 | Gustavo | Costa | Colagens, Fluxus e Fuidos | 1999 | fixed media, akusmatisch | 5:37 | miso records mcd 013/014/ | Musica Viva Competition Prize 2000 | 1 | ||||||||||
| 33797 | Simao | Costa | DeCerto SerraMu | 2012 | fixed media, akusmatisch | 15:27:00 | Composing with Sounds/ | DMU/MTI | 1 | ||||||||||
| 39823 | Giovanni | Costantini | il battito del respiro | 2015 | fixed media, akusmatisch | 7:00:00 | Giovanni Costantini | 0 | |||||||||||
| 39821 | Giovanni | Costantini | Seclusion | 2017 | fixed media, akusmatisch | Giovanni Costantini | 0 | ||||||||||||
| 39384 | Giovanni | Costantini | Shatte-red Dreams | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39822 | Giovanni | Costantini | Traccia sospesa | 2016 | fixed media, akusmatisch | Giovanni Costantini | 0 | ||||||||||||
| 33705 | Jean-Louis Garnick Philippe | Costes | Oh Fortuna | fixed media, akusmatisch | 2:42:00 | WN 00006/1991/ | 1 | ||||||||||||
| 39639 | Carlos | Cotallo Solares | El Arzobispo de Constantinopla | 2017 | fixed media, akusmatisch | 16 Tracks | Carlos Cotallo Solares | 0 | |||||||||||
| 41738 | Guillaume | Côté | Étude hypermoderniste pour banjo en sol majeur | 2012 | fixed media, akusmatisch | 6:34:00 | JTTP 2012 | 0 | |||||||||||
| 41739 | Guillaume | Côté | Gaza | 2011 | fixed media, akusmatisch | 6:02:00 | JTTP 2011 | 0 | |||||||||||
| 34346 | Guillaume | Côté | Il n’y a que blanc | 2013 | fixed media, akusmatisch | 8:26 | CEC Cache 2013, PeP 018/ | Winner JTTP 2013 4. prize | 0 | http://econtact.ca/16_1/index.html#guillaumecote | |||||||||
| 34358 | Guillaume | Côté | La gerçure des alentours | 2014 | fixed media, akusmatisch | 9:22:00 | JTTP 2014 | CEC Cache 2014/ | JTTP-Winner 2014 3. prize | 0 | |||||||||
| 32005 | Guillaume | Côté | La statique dans le ciel masque l’horizon | 2010 | fixed media, akusmatisch | 6:43 | JTTP-Teilnehmer 2010 | 1 | |||||||||||
| 19458 | Michel | Côtè | Quelques hypocampes | 1994 | fixed media, akusmatisch | 3:35 | Stereo | AM 031 CD/ | 0 | ||||||||||
| 19459 | Michel, Diane | Côtè, Labrosse | Duo deconstructiviste, 6 pieces | 1994 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | electro-rock | AM 031 CD/ | 0 | |||||||||
| 3519 | David | Cottle | Enoch | 1989 | fixed media, akusmatisch | 4:44 | UI 718/ | EMS UIUC | 1 | ||||||||||
| 28021 | Jeremy | Coubrough | The Spectre of The Delusion of The Fury | 2010 | fixed media, akusmatisch | 6:18 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP 2010 winner 3. prize australasian | 1 | http://cec.concordia.ca/jttp/2010/ | ||||||||
| 28551 | Rosalyn | Coull | Stress Vs Piece 2: Ambivalence | 2010 | fixed media, akusmatisch | 10:10 | Octo | Inventionen 2010, 29.7.2010 Elisabethkirche | BEAST | 1 | 2010 | ||||||||
| 3521 | Micheline | Coulombe Saint-Marcoux | Arksalalartôq | 1971 | fixed media, akusmatisch | 6:45 | Stereo | version with ins; with Alcides Lanza and Meg Sheppard made 1976 | eSp 9601 Shelan/ IMED 0159/ ACM 18/ | INA • GRM | GRM | February 26th, 1971 | Paris, Halles Baltard | 1 | |||||
| 3522 | Micheline | Coulombe Saint-Marcoux | Bernavir | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 3523 | Micheline | Coulombe Saint-Marcoux | Constellations I | 1981 | fixed media, akusmatisch | 18:45 | Stereo | two versions: a concertversion and a version for dance (1983) | LDC 2781112/13/14 opus 30/ IMED 0159/ ACM 18/ | IMEB Bourges | GMEB | June 9th 1982 | Synthèse Festival | 1 | |||||
| 24600 | Micheline | Coulombe Saint-Marcoux | Contrastances | 1971 | fixed media, akusmatisch | 6:34 | Stereo | IMED 0159/ | PS | 1.04.1971 | Musée d’art moderne, in Paris (France) | 0 | |||||||
| 3525 | Micheline | Coulombe Saint-Marcoux | Miroirs | 1975 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | hpd [Cembalo] | Spiteri | SNE 542/ ACM 18/ | IPEM Gent | 0 | |||||||
| 3526 | Micheline | Coulombe Saint-Marcoux | Moustières | 1971 | fixed media, akusmatisch | 9:45 | Stereo | IMED 0159/ | INA • GRM | GMEB | June 17th, 1971 | Palais Jacques-Cœur during the festival “Dans Bourges ancien musiques d’aujourd’hui” in Bourges | 0 | ||||||
| 3527 | Micheline | Coulombe Saint-Marcoux | Regards | 1978 | Zuspiel / Tonband, 9 perf | 7:37 | Stereo | 9 ins [Instrument] | IPEM Gent, EMS Stockholm | 0 | |||||||||
| 3528 | Micheline | Coulombe Saint-Marcoux | Trakadie | 1970 | Zuspiel / Tonband, 1 perf | 11:00 | perc [Schlagzeug] | RM CD 222/ QCS 1189/ | 0 | ||||||||||
| 24599 | Micheline | Coulombe Saint-Marcoux | Zones | 1971 - 1972 | fixed media, akusmatisch | 9:02 | Stereo | IMED 0159/ Creel Pone 14/ RCI 373/ ACM 18/ QCS 1189/ | SFU | 25.03.1972 | Festival international d’Art contemporain (Royan, France) | 0 | http://www.thecanadianencyclopedia.ca/en/article/capac-emc/index.cfm | ||||||
| 35397 | John | Coulter | While the Sun Shines | 2013 - 2016 | fixed media, akusmatisch | 15:42:00 | multichannel | MR 2016 Métamorphoses 2016/ | finalist at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||||
| 39924 | John | Coulter | While the Sun Shines | 2015 | fixed media, akusmatisch | 12:00:00 | John Coulter | 0 | |||||||||||
| 21888 | Pierre | Couprie | Entre terre et mer ou que de rêves égarés | 1999 | fixed media, akusmatisch | 13:50 | IMEB Bourges | 0 | |||||||||||
| 27660 | Pierre | Couprie | Jukurrpa - Quatre rêves | 2001/2007 | fixed media, akusmatisch | 10:52 | version 2007 | MTI CD 001/2 Bouquet Of Sounds/ | Uni De Montfort | INA GRM | 1 | http://www.mti.dmu.ac.uk/ | |||||||
| 21886 | Pierre | Couprie | Tel un Miroir bleu … | 1996 | fixed media, akusmatisch | 14:30 | IMEB Bourges | 0 | |||||||||||
| 21887 | Pierre | Couprie | Un Soufflé … la Voix | 1996 | fixed media, akusmatisch | 13:45 | IMEB Bourges | 0 | |||||||||||
| 3529 | Mireille | Courdeau | Upsalogie | 1969 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 19510 | John | Cousins | Edit for Pauline | 1983 | fixed media, akusmatisch | 23:16 | Stereo | MANU 1436/ | Uni Wellington | 0 | |||||||||
| 19511 | John | Cousins | Parade | 1982 | fixed media, akusmatisch | 14:00 | Stereo | MANU 1436/ | Uni Wellington | 0 | |||||||||
| 19512 | John | Cousins | Sleep Exposure | 1979 | fixed media, akusmatisch | 10:39 | Stereo | MANU 1436/ | Uni Wellington | 0 | |||||||||
| 22457 | John | Cousins | Ssaufhapt | 1996 | fixed media, akusmatisch | 13:48 | Stereo | Uni Wellington | eContact 3.2 _ ACMA | 1 | |||||||||
| 19513 | John | Cousins | Tense Test | 1986 | fixed media, akusmatisch | 25:00 | Stereo | MANU 1436/ | Uni Wellington | 0 | |||||||||
| 22458 | Guillaume | Couto Dumont | Arianne Secret | 2000 | fixed media, akusmatisch | 6:30 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | 1 | |||||||||
| 3530 | Jacques | Coutu | Étude d'attaques et de résonnances | 1983 | fixed media, akusmatisch | 4:00 | Stereo | 0 | |||||||||||
| 3531 | Jacques | Coutu | Étude de comportement et d'expression mélodique | 1984 | fixed media, akusmatisch | 6:00 | Stereo | 0 | |||||||||||
| 41807 | Grant Chu | Covell | Durchschnitt | 2001 | fixed media, akusmatisch | 3:52 | codemist ICMC2001/ | 0 | |||||||||||
| 23123 | Grant Chu | Covell | Octet with Puzzle | 2001 | fixed media, akusmatisch | 2:53 | Cec Presence 3/ | 1 | |||||||||||
| 3532 | Henry | Cowell | Pulse | 1939 | Zuspiel / Tonband, 6 perf | 4:20 | Stereo | 6 perc [Schlagzeug] | NWR 80405-2 DIDX-008612/ | 1 | 1992 | ||||||||
| 3533 | Henry | Cowell | Rhythmicana | 1971 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | originally for "Rhythmicon" | CCRMA | 0 | |||||||||
| 40872 | Henry | Cowell | The Banshee | 1957 | fixed media, akusmatisch | 2:23 | SR 290 sub rosa/ | 1 | |||||||||||
| 42696 | Geoff | Cox | Voicing Deconstruction | 2012 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 40217 | Robin | Cox | Ghost of Time | 2017 | fixed media, akusmatisch | Robin Cox | 0 | ||||||||||||
| 40218 | Robin | Cox | START | 2016 | fixed media, akusmatisch | Robin Cox | 0 | ||||||||||||
| 39637 | Bryce | Craig | Crystal Ballet | 2016 | fixed media, akusmatisch | Bryce Craig | 0 | ||||||||||||
| 3534 | Heinz von | Cramer | Das große Ebenbild | 1962 | radiophon | Mono | Text by Dino Buzzatti | Siemens | NDR Hörspiel | 5.12.1962 | NDR Hamburg | 0 | |||||||
| 3535 | Heinz von | Cramer | Kreisverkehr | 1962 | radiophon | Mono | Rundfunkmusik | Siemens | 0 | ||||||||||
| 3536 | Heinz von | Cramer | Museum | 1962 | radiophon | Mono | Rundfunkmusik | Siemens | 0 | ||||||||||
| 33440 | Peter | Crane | Composition Number One | 1966 | fixed media, akusmatisch | 2 | Stereo | Uni Madison | 0 | ||||||||||
| 19479 | Noah | Creshevsky | Borrowed Time | 1992 | fixed media, akusmatisch | 11:43 | Stereo | Centaur CRC 2194/ | 0 | ||||||||||
| 19480 | Noah | Creshevsky | Coup d'ètat | 1993 - 1994 | fixed media, akusmatisch | 8:27 | Stereo | Centaur CRC 2194/ | 0 | ||||||||||
| 19481 | Noah | Creshevsky | Private Lives | 1993 - 1994 | fixed media, akusmatisch | Stereo | Centaur CRC 2194/ | 0 | |||||||||||
| 41505 | Noah | Creshevsky | Try | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 3537 | Lyell | Cresswell | Our Day begins at midnight | 1985 | Zuspiel / Tonband, 3 perf | 50:00 | a-sax, p, Sp [Sprecher, Saxophon, Piano] | Uni Glasgow | 0 | ||||||||||
| 3538 | Frank | Crijns | Pes | 1989 | live-elec, 1 perf | e-p [Piano] | Vorsetzer | Sweelinck | 0 | ||||||||||
| 3539 | Rob | Criuckshank | Starting From the House | 1995 | fixed media, akusmatisch | 2:48 | CEC DISContact_2/ | 1 | |||||||||||
| 23555 | Leonardo | Croatto | Digital Nr. 1 | 1985 | fixed media, akusmatisch | 5:21 | Sonus Montevideo | 1 | |||||||||||
| 23556 | Leonardo | Croatto | Digital Nr. 2 | 1985 | fixed media, akusmatisch | 6:01 | Sonus Montevideo | 1 | |||||||||||
| 24399 | Teodoro | Cromberg | De avarici Alchimia | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22858 | Teodoro | Cromberg | Marimbágenes | 1996 | Zuspiel / Tonband, 1 perf | 8:00 | mar [Schlagzeug] | Pogus Productions P21015-2/ | School ORT´s studio of Buenos Aires | 1 | |||||||||
| 3540 | Helmut | Cromm | Raumspiel | 1971 | Zuspiel / Tonband, 4 perf | Quadro | 4 ins [Instrument] | 0 | |||||||||||
| 42938 | James | Croson | Circular Logic | 2013 | live-elec, 1 perf | 8:39:00 | vc [Cello] | Andrew Borkowski, cello | 0 | ||||||||||
| 39881 | James | Croson | We Interrupt This Breaking News | 2015 | fixed media, akusmatisch | 6:23:00 | James Croson | 0 | |||||||||||
| 3541 | Janet | Cross | Pleasant Tasks | 1995 | fixed media, akusmatisch | 2:56 | CEC DISContact_2/ | 1 | |||||||||||
| 3542 | Lowell | Cross | After long silence | 1964 | Zuspiel / Tonband, 1 perf | 5:38 | Quadro | S [Sopran] | om a poem of Yeats | Coll Lubbock | 0 | ||||||||
| 3543 | Lowell | Cross | Antiphonies | 1964 | fixed media, akusmatisch | 4:30 | Quadro | Coll Lubbock | 0 | ||||||||||
| 3544 | Lowell | Cross | Decaphonics | 1963 | fixed media, akusmatisch | 6:12 | Stereo | Coll Lubbock | 0 | ||||||||||
| 3545 | Lowell | Cross | Four random studies | 1961 | fixed media, akusmatisch | 5:00 | Stereo | Coll Lubbock | 0 | ||||||||||
| 27724 | Lowell | Cross | Musica Instrumentalis: Video II (B)/(C)/(L) | 1965 | audiovisuell, live-elec, | 15:24 | images & sound produced simultaneously & interdependently | Pogus 21050-2/ Source Records, SR 17/ | Uni Toronto | 0 | |||||||||
| 3546 | Lowell | Cross | Three etudes for Hugh LeCaine | 1965 | fixed media, akusmatisch | 6:00 | Quadro | Uni Toronto | 0 | ||||||||||
| 3547 | Lowell | Cross | Video II (B) | 1965 | fixed media, akusmatisch | 31:17 | Stereo | special TV-techniques: visual patterns activated by the sound track | UTEMS Toronto | 0 | |||||||||
| 3548 | Allan | Crossman | Dances of Wind and Shade | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 3549 | Allan | Crossman | Dream Cycle | 1972 | Zuspiel, live-elec, | 18:00 | Stereo | 0 | |||||||||||
| 3550 | Allan | Crossman | Gretchen am Komputer | live-elec, 2 perf | Stereo | V, Kbd [Stimme, Keyboard] | 0 | ||||||||||||
| 3551 | Allan | Crossman | The Comedy of Errors | 1984 | Hintergrundmusik | 27:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 40245 | Shawn | Crouch | Pocket Life | 2015 | Zuspiel / Tonband, 1 perf | 7:05:00 | hn [Horn] | Shawn Crouch | 0 | ||||||||||
| 19478 | Rob | Cruickshank | Starting From the House, Working outwards | 1996 | fixed media, akusmatisch | 2:48 | Stereo | CEC DISContact_1/ | 0 | ||||||||||
| 3552 | George | Crumb | Black Angels, (13 Bilder des Dunklen Landes) | 1970 | live-elec, 4 perf | 20:45 | amp str-qt [Streicher] | Nonesuch 7559-79242/ | Uni Michigan | 1 | 1989 | ||||||||
| 37589 | George | Crumb | Metamorphoses, Book I | 2017 | live-elec, 4 perf, 1 group | amp p, toy p, inss, V [Stimme, Piano, Instrument] | 21.10.2017 | Donaueschinger Musiktage 2017, Margaret Leng Tan | 0 | ||||||||||
| 3553 | Zulema de la | Cruz | Canto a Europa | 1992 | Zuspiel / Tonband, 1 perf | 16:42 | Stereo | V [Stimme] | LIEM CDMC Madrid | 0 | |||||||||
| 19649 | Zulema de la | Cruz | Eridano | 1994 | Zuspiel / Tonband, 1 perf | 9:25 | Stereo | a-sax [Saxophon] | D.L.:M-19.1990-1996/ | LIEM CDMC Madrid | 0 | ||||||||
| 3554 | Zulema de la | Cruz | FUGAZ (fugace) | 1990 | fixed media, akusmatisch | 11:00 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 3555 | Zulema de la | Cruz | La sombra del ciprés es alargada | fixed media, akusmatisch | 4:30 | UM CD 7 Vol. I/ | LICEO Madrid | 1 | |||||||||||
| 3556 | Zulema de la | Cruz | PULSARES | 1990 | Zuspiel / Tonband, | 10:36 | Stereo | RNE/ BCD/ | LIEM CDMC Madrid | 0 | |||||||||
| 3557 | Zulema de la | Cruz | So far, so near | 1987 | fixed media, akusmatisch | 7:00 | CCRMA | prize in spain | 0 | ||||||||||
| 19648 | Zulema de la | Cruz | Soluna | 1993 | Zuspiel / Tonband, 6 perf | 16:42 | Stereo | sax-qt, p, perc [Saxophon, Piano, Schlagzeug] | LIEM CDMC Madrid | 0 | |||||||||
| 19650 | Zulema de la | Cruz | Triangulo de Verano | 1994 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | ob, p [Oboe, Piano] | LIEM CDMC Madrid | 0 | |||||||||
| 25607 | Ajtony | Csaba | overtone impromtus | 2006 | fixed media, akusmatisch | 13 | Quadro | Klasse für Elektroakustische Komposition, Universität für Musik und Darstellende Kunst, Wien. basierend auf "Zigid" |
Selbstverlag Uni Wien 2006/ | Uni Wien | 1 | ||||||||
| 25864 | Ajtony | Csaba | Zigid | 2003 | Zuspiel, live-elec, 1 perf | 11:12 | Octo | p [Piano] | EX 656 Elak Wien/ | ELAK Wien | 6.3.2003 | Uni für Musik Wien | 1 | ||||||
| 19477 | Luis Carlos | Csekö | Sound | 1982 | Zuspiel / Tonband, 1 perf | 3:40 | Stereo | V [Stimme] | RD003 MEB Rioarte/ | 0 | |||||||||
| 3558 | Miklós | Csemiczky | Meditatio mortis | 1980 | fixed media, akusmatisch | 10:10 | Stereo | HUN SLPX 12371/ | MR Budapest | 1 | |||||||||
| 3559 | Miklós | Csemiczky | Versus | 1982 | fixed media, akusmatisch | 12:15 | Stereo | MR Budapest | 0 | ||||||||||
| 3560 | Károly | Cserepes | Gamelan - 8 | 1986 | fixed media, akusmatisch | 6:50 | Stereo | MR Budapest | 0 | ||||||||||
| 27914 | Matyas | Csillagi | Objets | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 3561 | István | Csont | Awaking | 1989 | fixed media, akusmatisch | 15:10 | Stereo | MR Budapest | 0 | ||||||||||
| 41931 | Carlos Garcia | Cuéllar | Canción en el aire | 1995 | fixed media, akusmatisch | Competition Musica Nova Prag 1995 | 0 | ||||||||||||
| 21001 | Carlos Garcia | Cuéllar | La Ciudad de la Roca | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | |||||||||||
| 42950 | Yiyi | Cui | Beijing Impression | 2013 | fixed media, akusmatisch | 12:45:00 | 0 | ||||||||||||
| 41829 | Lyndall | Culbertson | Alarming | 2007 | fixed media, akusmatisch | 3:51:00 | 0 | ||||||||||||
| 41830 | Lyndall | Culbertson | Aural Spiral #1 | 2007 | fixed media, akusmatisch | 5:12:00 | 0 | ||||||||||||
| 41831 | Lyndall | Culbertson | Black Shred | 2012 | fixed media, akusmatisch | Klangkunst, Installation |
3:36:00 | 0 | ||||||||||||
| 41832 | Lyndall | Culbertson | Gridlock | 2006 | fixed media, akusmatisch | 4:04:00 | Sonic Channels series at LMCC Swing Space and the Aqua Sound Broadcast at Miami Basel. | 0 | |||||||||||
| 41833 | Lyndall | Culbertson | Hydrophonic Hymn | 2010 | fixed media, akusmatisch | 4:06:00 | 0 | ||||||||||||
| 41834 | Lyndall | Culbertson | Subharmonics | 2010 | radiophon | 4:27:00 | Deep Wireless 8 (New Adventures in Sound Art), 2, 6 | NAISA Deep Wireless 8/ | 0 | ||||||||||
| 41835 | Lyndall | Culbertson | White Shred | 2009 | fixed media, akusmatisch | 5:08:00 | Aug. 21 – Nov. 22, 2015 | Miller Gallery at Carnegie Mellon University | 0 | ||||||||||
| 3562 | Conrad | Cummings | Beast Songs | 1979 | Zuspiel / Tonband, 1 perf, 1 group | ens, S [Sopran, Ensemble] | IRCAM | 0 | |||||||||||
| 36595 | Conrad | Cummings | Zephyr’s Lesson | 1984 | Zuspiel / Tonband, 3 perf | fl, vc, perc [Flöte, Schlagzeug, Cello] | Elise Roy, flute, Steuart Pincombe, violoncello, Jennifer Torrence, percussion | Centaur CRC 2938, CDCM Vol. 37/ | Oberlin Col | 0 | |||||||||
| 3563 | Paul | Cundren-White | Electronic Music I and II | 1975 | fixed media, akusmatisch | Uni Durham | 0 | ||||||||||||
| 3564 | Laurent | Cuniot | Cinq pieces pour Hamlet | 1987 | Zuspiel / Tonband, 1 group | Stereo | ens [Ensemble] | INA • GRM | 0 | ||||||||||
| 3565 | Laurent | Cuniot | Diabolus games Paris | 1983 | fixed media, akusmatisch | 13:50 | Stereo | (Paris Impressions 6'25) | INA • GRM | 28.12.1983 | France-Culture | 0 | |||||||
| 3566 | Laurent | Cuniot | Jeux sur jeux | 1978 | fixed media, akusmatisch | 4:36 | Stereo | INA • GRM | 6.3.1979 | Paris, SACEM | 0 | ||||||||
| 3567 | Laurent | Cuniot | L'exil au miroir | 1984 | Zuspiel / Tonband, 1 group | Stereo | ch [Chor] | INA • GRM | Rdio France | 14.5.1984 | Paris, Maison de Radio-France, Studio 105, Concert lecture; avec l’ensemble Sei Voci | 0 | |||||||
| 3568 | Laurent | Cuniot | Par Jeux | 1979 | Zuspiel, live-elec, 3 perf | 14:50 | Stereo | 3 synt [synthesizer] | INA • GRM | 28.11.1979 | Lille, Festival Palais Rihour, avec le Trio GRM.PLUS (Cuniot, Dufour, Geslin) | 0 | |||||||
| 18822 | Laurent | Cuniot | quatuor | 1983 | Zuspiel, live-elec, 4 perf | 18:00 | 2 synt, vn, vc [Cello, Violine, synthesizer] | Trio TM+: 2 Synth.,Vl. & Vcl | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 1 | ||||||||
| 3569 | Laurent, Denis, Yann | Cuniot, Dufour, Geslin | Situations de jeu | 1981 | Zuspiel, live-elec, 3 perf | 12:00 | 2 synt, vn [Violine, synthesizer] | Trio TM+ | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 1 | 1984 | |||||||
| 39687 | Corey | Cunningham | Bind up my Wounds | 2016 | fixed media, akusmatisch | Corey Cunningham | 0 | ||||||||||||
| 3570 | James | Cunningham | Suite in the Form of a Mushroom | 1958 | fixed media, akusmatisch | 5:00 | Quadro | Universal Rec Chicago | 0 | ||||||||||
| 3571 | James | Cunningham | The Promise | 1967 | Film | Mono | Glennview Chicago | 0 | |||||||||||
| 3572 | James | Cunningham | Tic Toc Fugue | 1958 | fixed media, akusmatisch | 2:40 | Stereo | Dun/ | Universal Rec Chicago | 0 | |||||||||
| 3573 | James | Cunningham | Time Longs for Eternity | 1962 | Tanz | Stereo | Universal Rec Chicago | 0 | |||||||||||
| 40267 | Stuart | Cunningham | LSD No. 2 | 2015 | fixed media, akusmatisch | 1:04:00 | Stuart Cunningham | 0 | |||||||||||
| 40266 | Stuart | Cunningham | Noise without Noise | 2016 | fixed media, akusmatisch | Stuart Cunningham | 0 | ||||||||||||
| 39506 | Stuart | Cunningham | Titan | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 33830 | Vapori del | Cuore | Great Dance | fixed media, akusmatisch | 4 | Stereo | LMJ 12 CD/ | 0 | |||||||||||
| 22292 | Conor | Curran (CJC) | In between | 2000 | Zuspiel / Tonband, 1 perf | 5:47 | V [Stimme] | Vocals: susan spratt | SIDO 010/ | 1 | |||||||||
| 3574 | Alvin | Curran | A Day in the Country | 1967/1967 | fixed media, akusmatisch | 0 | http://www.alvincurran.com | ||||||||||||
| 3575 | Alvin | Curran | Animal Behavior | 1992 | fixed media, akusmatisch | 13:00 | Centaur CRC 2195, CDCM Vol. 17/ TZ 7001/ | CCM Mills | 1 | http://www.alvincurran.com | |||||||||
| 3576 | Alvin | Curran | Après le déjeuner sur l'Herbe | 1993 | Klangkunst, Installation | mobil soundinstallation | 0 | http://www.alvincurran.com | |||||||||||
| 3577 | Alvin | Curran | Canti e vedute del giardino magnetico, Songs and Views of the magnetic Garden | 1973 | Zuspiel, live-elec, 1 perf | 50 | 1 perf (V, Flügelhorn, synt) [Performer] | Catalyst CD 09026 61823/ NWR 80713/ | PS C. | 1 | http://www.alvincurran.com | ||||||||
| 3578 | Alvin | Curran | Canti illuminati | 1977 | Zuspiel, live-elec, 3 perf, 1 group | 45:19 | V, synt, p, ch [Stimme, Piano, synthesizer, Chor] | Fore/ Ellipsis Arts 3673 - OHM: 03/ NWR 80713/ Fringes Archive 02/ | PS C. | 1 | http://www.alvincurran.com | ||||||||
| 3579 | Alvin | Curran | Cartoline Romane | 1986 | fixed media, akusmatisch | 0 | http://www.alvincurran.com | ||||||||||||
| 19465 | Alvin | Curran | Crystal Aires | 1973 | Radiokunst, 3 perf, 1 group | 11:00 | Stereo | V, synt, (div) inss [Stimme, Instrument, synthesizer] | BMG 09026 618232 Catalyst/ | RAI Roma | 0 | http://www.alvincurran.com | |||||||
| 3580 | Alvin | Curran | Crystal Psalms - a radio concert | 1988 | Radiokunst, 9 perf, 6 groups | 13:00 | 6 ch, 6 ins, perc, acc, hn (shofar) [Horn, Akkordeon, Schlagzeug, Instrument, Chor] | 6 radio-stations | EBU 1991/ NA 067/ | RAI Roma | EBU Ars Acustica 1991 | 1 | http://www.alvincurran.com | ||||||
| 22020 | Alvin | Curran | erat verbum, Alpha Bravo Charlie Delta Echo Finale John |
1990 - 1997 | radiophon | multi-part radio work for natural sounds and live electronics (see Erat Verbum Alpha, Bravo, Charlie, Delta, Echo, Finale, John) | WER 6307-2/ | WDR Studio Akustische Kunst | WDR | 1 | http://www.alvincurran.com | ||||||||
| 33742 | Alvin | Curran | Fiori Chiari Fiori Oscuri, Light Flowers Dark Flowers | 1974 | live-elec, 1 perf | 51 | perf [Performer] | 2 parts | NWR 80713/ | RCA Roma | 1 | ||||||||
| 3581 | Alvin | Curran | Fiori chiari, fiori oscuri | 1974 | Zuspiel, live-elec, 3 perf | 90:00 | p, fl (Okarina), synt [Flöte, Piano, synthesizer] | Ananda 4/ | 0 | http://www.alvincurran.com | |||||||||
| 3582 | Alvin | Curran | For four or more | 1986 | live-elec, 5 perf | str-qt, synt [synthesizer, Streicher] | 0 | http://www.alvincurran.com | |||||||||||
| 3583 | Alvin | Curran | For Julian | 1987 | radiophon | 5:20 | WER 6307-2/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | 1 | http://www.alvincurran.com | |||||||||
| 19466 | Alvin | Curran | From a Room on the Piazza | 1973 | live-elec, 1 perf | 3:30 | Stereo | perc [Schlagzeug] | MEV Roma | BMG 09026618232/ | Am.A. Roma | 0 | http://www.alvincurran.com | ||||||
| 19078 | Alvin | Curran | In Hora Mortis | 1996 | Musiktheater | 0:50 | Sonambiente Ausstellung (1996); Hebbeltheater Katalog S.159 |
ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.alvincurran.com | |||||||||
| 3584 | Alvin | Curran | Inner Cities | 1994 | Zuspiel / Tonband, 1 perf, 1 group | sax, actors (people) [Saxophon, Schauspieler] | 0 | http://www.alvincurran.com | |||||||||||
| 38526 | Alvin | CURRAN | Living Room Music | 2009 | radiophon | 51:27:00 | 0 | ||||||||||||
| 3585 | Alvin | Curran | Love Songs | 1984 | Zuspiel, live-elec, 1 perf | mus [Musiker] | 0 | http://www.alvincurran.com | |||||||||||
| 3586 | Alvin | Curran | Madonna and Child | 1970 | Zuspiel / Tonband, 1 perf, 2 groups | 20:00 | Vs, ens [Stimme, Ensemble] | 0 | http://www.alvincurran.com | ||||||||||
| 3587 | Alvin | Curran | Memory Banx | 1991 | Zuspiel / Tonband, 7 perf | p, 5 br, perc [Piano, Schlagzeug, Bläser] | 0 | http://www.alvincurran.com | |||||||||||
| 34245 | Alvin | Curran | Natural History | 1983 | fixed media, akusmatisch | 45 | Edition Giannozzo/ | 0 | http://www.discogs.com/Alvin-Curran-Natural-History/release/1880526 | ||||||||||
| 3588 | Alvin | Curran | On my Satin Harp | 1974 | Zuspiel / Tonband, 1 perf | 19:55 | gui [Gitarre] | BMG 09026618232/ | 0 | http://www.alvincurran.com | |||||||||
| 38527 | Alvin | CURRAN | On the Roads | 2007 | radiophon | 47:52:00 | 0 | ||||||||||||
| 3589 | Alvin | Curran | One Step Too | 1991 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | http://www.alvincurran.com | |||||||||||
| 3590 | Alvin | Curran | Rounds | 1969 | Zuspiel / Tonband, 1 perf | 20:00 | V [Stimme] | 0 | http://www.alvincurran.com | ||||||||||
| 23054 | Alvin | Curran | Shofar | 1990 | live-elec, 1 perf | ins [Instrument] | WDR 1990 | 0 | http://www.alvincurran.com | ||||||||||
| 3591 | Alvin | Curran | The Electric Rags | 1985 | live-elec, 1 perf | 66:00 | p [Piano] | from "Grand Piano" | NA 027/ | 1 | 1986 | http://www.alvincurran.com | |||||||
| 38466 | Alvin | Curran | The Irrawaddy Blues | 2017 | radiophon | 47:30 | DeutschlandRadio Kultur | DeutschlandRadio Kultur & documenta 14 | 0 | http://www.deutschlandfunkkultur.de/klangportraet-myanmars-von-alvin-curran-the-irrawaddy-blues.1022.de.html?dram:article_id=409845 | |||||||||
| 3592 | Alvin | Curran | The Magic Carpet | 1970 | Performance | ∞ 14:50 | 2 rooms? recording Gallery Arco D'Alibert Rome |
Source Records, SR 3/ Pogus 21050-2/ | 1 | http://www.alvincurran.com | |||||||||
| 33743 | Alvin | Curran | The works | 1976/1980 | live-elec, 1 perf | 45 | perf [Performer] | 2 parts | NWR 80713/ | 1 | |||||||||
| 3593 | Alvin | Curran | Tufo Muto Il parte – Opera Rock | 1990 | Oper, 9 perf, 1 group | 37:00 | Kbd, 3 perc, 5 sax, rock-band [Saxophon, Keyboard, Schlagzeug, Ensemble] | ROMAEUROPA - ARTE SONORA 93 | 0 | http://www.alvincurran.com | |||||||||
| 38528 | Alvin | CURRAN | Un altro ferragosto (Ein Tag im August) | 2002 | radiophon | 51:45:00 | 0 | ||||||||||||
| 3594 | Alvin | Curran | Under the Fig Tree | 1970 | Zuspiel, live-elec, 1 perf | 20:00 | synt [synthesizer] | 0 | http://www.alvincurran.com | ||||||||||
| 3595 | Alvin | Curran | Variations on a Scene | 1989 | intermedia | installation for Joan Jonas | 0 | http://www.alvincurran.com | |||||||||||
| 3596 | Alvin | Curran | VSTO - Alvin for Giacinto | 1988 | live-elec, 4 perf | 18 | str-qt [Streicher] | CRI 668/ | Mills Col | 23.1.1989 | Inventionen Akademie der Künste Berlin, Nicola Bernardini | 1 | 1989 | http://www.alvincurran.com | |||||
| 19467 | Alvin | Curran | Walked the Way Home | 1973 | live-elec, 1 perf | 10:30 | Stereo | perf [Performer] | MEV Roma | BMG 09026618232/ | Am.A. Roma | 0 | http://www.alvincurran.com | ||||||
| 3597 | Alvin | Curran | Walls of Jericho | 1993 | live-elec, 1 perf | w (Rams-hn) [Bläser] | 0 | http://www.alvincurran.com | |||||||||||
| 3598 | Alvin | Curran | Water Works | 1987 | Klangkunst, Installation | 22 ship-hn | 0 | http://www.alvincurran.com | |||||||||||
| 3599 | Alvin | Curran | Watercolormusic | 1966 | Performance, live-elec, | ≈ 45:00 | Mono | (19 Devices) [] | MEV Roma | Am.A. Roma | 0 | http://www.alvincurran.com | |||||||
| 19514 | Alvin, Group | Curran, the HUB | Electric Rags II | 1993 | live-elec, 1 perf | 7:53 | Stereo | MIDI [synthesizer] | ART 1008/ | CCM Mills | 0 | ||||||||
| 28172 | Curtet | Curtet | Taillanderie (from Y viré !), 2010 Complement a l’Inventaire | fixed media, akusmatisch | 5:31 | Octo | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | |||||||||
| 36946 | Mitch | Curtis | Spare Time | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 3600 | Peter | Cusack | 8 short Improvisations | 1989 | live-elec, 1 perf | 10:19 | trbn [Posaune] | worlds most beautiful melodies - Nicolas Collins | TE 1018/ | 0 | |||||||||
| 3601 | Peter | Cusack | A Dutch Landscape | 1977 | fixed media, akusmatisch | 5:31 | Stereo | BEAD 5/ | Sonology Utrecht | 0 | |||||||||
| 36784 | Peter | Cusack | African Piece | 1983 | fixed media, akusmatisch | 10:35:00 | Spectr Sound Studio Newcastle-upon-Tyne | 0 | |||||||||||
| 38464 | Peter | Cusack | Aral Sea Stories, Aral Sea Thoughts | 2017 | Klangkunst, Installation | 0 | |||||||||||||
| 3602 | Peter | Cusack | Bird Jumps into Wood | 1984 | Zuspiel / Tonband, | 4:00 | BEAD 22/ | 0 | |||||||||||
| 3609 | Peter | Cusack | Bird Piece | 1994 | fixed media, akusmatisch | 4:00 | Stereo | MW 59/ | 0 | ||||||||||
| 3603 | Peter | Cusack | Dandelion Clock | 1989 | live-elec, 2 perf | 5:52 | trbn, gui [Posaune, Gitarre] | AER 1991 / 3/ | 1 | ||||||||||
| 3604 | Peter | Cusack | Doors and Windows | 1977 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 3605 | Peter | Cusack | Maarseveenseplassen | 1977 | fixed media, akusmatisch | 13:10 | Stereo | BEAD 5/ | Sonology Utrecht | 0 | |||||||||
| 36785 | Peter | Cusack | Muziek en Omgevingingsgeluid | 1979 | fixed media, akusmatisch | Spectr Sound Studio Newcastle-upon-Tyne | 0 | ||||||||||||
| 22765 | Peter | Cusack | Nightjars Squabble Bird piece |
1991 | Klangkunst, Installation | 11:00 | Naturaufnahmen | Musicworks MW 59/ | 0 | ||||||||||
| 19470 | Peter | Cusack | Nightjars (Close Up) | 1991 | fixed media, akusmatisch | 1:35 | Stereo | MW 59/ | 0 | ||||||||||
| 19469 | Peter | Cusack | Nightjars and Rœ Deer |
1991 | fixed media, akusmatisch | 2:06 | Stereo | MW 59/ | 0 | ||||||||||
| 3606 | Peter | Cusack | North South | 1983 | fixed media, akusmatisch | 12:00 | Spectro Newcastle | 0 | |||||||||||
| 19471 | Peter | Cusack | Squaabble | 1991 | fixed media, akusmatisch | 1:29 | Stereo | MW 59/ | 0 | ||||||||||
| 3608 | Peter | Cusack | This Year in Holland | 1977 | fixed media, akusmatisch | STEIM | 0 | ||||||||||||
| 41440 | Peter, Katharina | Cusack, Bévand | Dystopic Mirage | 2018 | Klangkunst, Installation | Quadro | 21.9.2018 | Dystopie Festival September 2018 Berlin,Galerie meinblau | 0 | http://www.dystopie-festival.net/wp/?lang=en | |||||||||
| 37886 | Peter, Nicolas | Cusack, Collins | Hazlitt | 1999 | Performance, live-elec, 2 perf | 13:13 | 2 perf [Performer] | PL 07/ | STEIM, TU Berlin | 0 | |||||||||
| 37885 | Peter, Nicolas | Cusack, Collins | Ichor | 1999 | Performance, live-elec, 2 perf | 14:51 | 2 perf [Performer] | PL 07/ | STEIM, TU Berlin | 0 | |||||||||
| 37884 | Peter, Nicolas | Cusack, Collins | Stoyan | 1999 | Performance, live-elec, 2 perf | 21:46 | 2 perf [Performer] | PL 07/ | STEIM, TU Berlin | 0 | |||||||||
| 3607 | Peter, Max | Cusack, Eastley | Peepshow | 1983 | fixed media, akusmatisch | 9:00 | Hunt St | 0 | |||||||||||
| 38753 | Peter, Milos | CUSACK, VOJTECHOVSKY | Favourite Sounds of Prague | 2009 | radiophon | 46:47:00 | 0 | ||||||||||||
| 23647 | Tiago | Cutileiro | para modulador de frequencia | fixed media, akusmatisch | 12:30 | Octo | PS C. | 1 | |||||||||||
| 38529 | Chris | CUTLER | There and back again – Twice around the Earth | 2006 | radiophon | 50:37:00 | 0 | ||||||||||||
| 19473 | Chris, Fred | Cutler, Frith | Artcore |
1991 | Zuspiel / Tonband, 2 perf | 21:37 | Stereo | perc, gui [Gitarre, Schlagzeug] | ReR CCFF2/ | 0 | |||||||||
| 19474 | Chris, Fred | Cutler, Frith | Meltdown | 1979 | Zuspiel / Tonband, 1 perf | 10:21 | Stereo | perc [Schlagzeug] | ReR CCFF2/ | 0 | |||||||||
| 19475 | Chris, Fred | Cutler, Frith | Webcore | 1991 | Zuspiel / Tonband, 2 perf | 14:50 | Stereo | perc, gui, [Gitarre, Schlagzeug] | ReR CCFF2/ | 0 | |||||||||
| 19476 | Chris, Fred | Cutler, Frith | You Might Hear Some Traffic's Noise | 1991 | Zuspiel / Tonband, | 14:01 | Stereo | ReR CCFF2/ | 0 | ||||||||||
| 43135 | Krzysztof | Cybulski | Acoustic Additive Synthesizer | 2016 | Lehre & Forschung | Auszeichnung ars electronica honorary mention 2017 | 0 | ||||||||||||
| 3610 | Miklós | Czemiczky | Versus | 1982 | fixed media, akusmatisch | 12:15 | MR Budapest | 0 | |||||||||||
| 38323 | Chaya | Czernowin | A map of a recurrent dream | 1994 | Zuspiel / Tonband, 1 perf | sho [Bläser] | 0 | ||||||||||||
| 38322 | Chaya | Czernowin | HIDDEN | 2013 - 2014 | live-elec, 4 perf | str-qt, (elec) [Streicher] | 0 | ||||||||||||
| 38317 | Chaya | Czernowin | Infinite now | 2016-2017 | Oper, live-elec, 13 perf, 1 group | ≈ 150 | 6 V, 6 actor, solo-ins, orc, (elec) [Stimme, Instrument, Schauspieler, Orchester] | IRCAM | Vlaamse opera Antwerp and Ghent, Belgium, Mannheim Stadttheater, Germany, and IRCAM Paris | 0 | |||||||||
| 38321 | Chaya | Czernowin | Knights of the Strange | live-elec, 2 perf | e-gui, acc [Akkordeon, Gitarre] | duo version | 0 | ||||||||||||
| 38320 | Chaya | Czernowin | Maim, strange water, stolen water | 2001 - 2007 | live-elec, 5 perf, 1 group | large orc, 5 solo-mus (with tubas as pre-recorded main soloist, elec) [Musiker, Orchester] | 0 | ||||||||||||
| 23533 | Chaya | Czernowin | Shu Hai in an orchestral setting, Shu Hai | 2001 | live-elec, 1 perf, 1 group | 30:00 | orc, V [Stimme, Orchester] | Ute Wassermann (V), Basel Sinfonietta mit J. Kalitzke (Ltg), Strobelstiftung des SWR (Richard) 4 parts Dedicated to Dieter Schnebel |
mode 117/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | http://www.moderecords.com/ | |||||||
| 23534 | Chaya | Czernowin | Shu Hai mitamen behatalat kidon | 1997 | live-elec, 1 perf | 32:00 | V [Stimme] | Ute Wassermann (V), Strobelstiftung des SWR (Richard) 2 parts dedicated to Ute Wassermann |
mode 117/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | http://www.moderecords.com/ | |||||||
| 38319 | Chaya | Czernowin | Winter Songs III: Roots | 2003 | live-elec, 11 perf | 7 ins, sam, 3 amp perc, (IRCAM-elec) [Schlagzeug, Instrument, computer] | 0 | ||||||||||||
| 38318 | Chaya | Czernowin | Wintersongs I: Pending light | 2003 | live-elec, 8 perf | 7 ins, sam, (IRCAM-elec) [Instrument, computer] | 0 | ||||||||||||
| 3611 | Marek | Czeszek | Songs from the Edge of the World | 1987 | fixed media, akusmatisch | 28:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 3612 | Andrew | Czink | Canto | 1985 | Zuspiel / Tonband, 1 perf | 17:05 | Stereo | V [Stimme] | SFU | 0 | |||||||||
| 3613 | Andrew | Czink | Devour | 1987 | fixed media, akusmatisch | Stereo | ES 98005 Earsay/ | SFU | 0 | ||||||||||
| 36559 | Andrew | Czink | Mind's Rose | 1997 | fixed media, akusmatisch | 11:44:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 36562 | Andrew | Czink | Organic Delirium | 1997 | fixed media, akusmatisch | 9:25:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 36561 | Andrew | Czink | Paranoid Toetap | 1997 | fixed media, akusmatisch | 7:23:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 3614 | Andrew | Czink | Pear of / bowlers / in her setting | 1983 | fixed media, akusmatisch | Stereo | SFU | 0 | |||||||||||
| 3615 | Andrew | Czink | shadeless...peopled... | 1986 | fixed media, akusmatisch | 9:40 | Stereo | ES 98001 Earsay/ | SFU | Mention Bourges 1987 | 0 | ||||||||
| 3616 | Andrew | Czink | Stand Dwelling Persistent Surround | 1983 | fixed media, akusmatisch | 16:00 | Stereo | SFU | 0 | ||||||||||
| 36557 | Andrew | Czink | Strange Attractor Part 1 | 1997 | fixed media, akusmatisch | 12:09:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 36558 | Andrew | Czink | Strange Attractor Part 2 | 1997 | fixed media, akusmatisch | 6:55:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 3617 | Andrew | Czink | Strawberry Sermon | 1984 | fixed media, akusmatisch | 16:00 | Stereo | SFU | 0 | ||||||||||
| 36560 | Andrew | Czink | Surfaces & Depths | 1997 | fixed media, akusmatisch | 9:16:00 | ES 98002 Earsay/ | 0 | |||||||||||
| 21548 | Holger | Czukay | Boat-Woman-Song | 1969 | Hintergrundmusik | 10:00 | Ellipsis Arts 3672 - OHM: 02/ | 1 | |||||||||||
| 25865 | Holger | Czukay | Floatspace | audiovisuell | 3:14 | Performance by the C.; Film bei der Frankfurter Musikmesse, ARP Odyssee Synthesizer | Ellipsis Arts 3694 - OHM DVD/ | 1 | |||||||||||
| 3631 | Group | D K | Turnout Tourniquet | 1984 | fixed media, akusmatisch | 5:55 | Stereo | 0 | |||||||||||
| 43 | Daniel Augusto | d' Adamo | Altazor, chroniques d'un voyage en parachute | 1993 | Zuspiel, live-elec, 3 perf | p, vib, perc [Piano, Schlagzeug] | SONVS Lyon | 0 | |||||||||||
| 3620 | Bruno | d' Auzon | Des arbres de rencontre | 1978 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 3621 | Bruno | d' Auzon | Par la fenêtre entr’ouverte | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 3622 | Bruno | d' Auzon | Triade 1 | 1977 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 3623 | Bruno | d' Auzon | Triade 2 | 1978 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 3624 | Bruno | d' Auzon | Une ombre à peine contournée | 1984 | live-elec, 3 perf | 3 synt [synthesizer] | 0 | ||||||||||||
| 3625 | Fiammetta | d' Emilio | Ogni cose che cresce | 1987 | Zuspiel / Tonband, 1 perf | 16:00 | Mono | org [Orgel] | CSC Padova, CRM Roma | 0 | |||||||||
| 3626 | Fiammetta | d' Emilio | Untitled | 1987 | fixed media, akusmatisch | 8:30 | Mono | CSC Padova | 0 | ||||||||||
| 33385 | Corrado | D’Agostini | 3 S B | 1966 | fixed media, akusmatisch | 3 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 32058 | Greg | D’Alessio | Reflections on a Poem by e.e. cummins | 1994 | Zuspiel / Tonband, 1 perf | ehn [Oboe] | Mark Hill, English Horn | SEAMUS EAM Vol. 5/ | 0 | ||||||||||
| 39593 | Antonio | D’Amato | Körper | 2017 | fixed media, akusmatisch | Antonio D’Amato | 0 | ||||||||||||
| 39594 | Antonio | D’Amato | Opus III | 2016 | fixed media, akusmatisch | Antonio D’Amato | 0 | ||||||||||||
| 39302 | Antonio | D’Amato | Organica | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39595 | Antonio | D’Amato | Sphere within a Sphere | 2015 | fixed media, akusmatisch | 3:15:00 | Antonio D’Amato | 0 | |||||||||||
| 34350 | Simone | D’Ambrosio | Villusions - Les saisons | 2012 | fixed media, akusmatisch | 19:20 | JTTP 2013 | CEC Cache 2013, PeP 018/ | 0 | http://econtact.ca/16_1/index.html#simoned%E2%80%99ambrosio | |||||||||
| 3619 | Matteo | D’Amico | Studio per "Lorenzo il Magnifico" | 1992 | Zuspiel / Tonband, 1 group | 16:00 | ens [Ensemble] | CRM Roma | 0 | ||||||||||
| 33720 | Julio | d'Escrivan | Carrizos de Porra | 2007 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 33717 | Julio | d'Escrivan | Ensayo sobre la bicicleta | 2007 | Klangkunst, Installation | ‘live code essays’ / works of live 'tweaking' sound art | 0 | ||||||||||||
| 33718 | Julio | d'Escrivan | Ensayo Sobre La Torpeza | 2007 | Klangkunst, Installation | for Live Code tweaking | 0 | ||||||||||||
| 33721 | Julio | d'Escrivan | fusil, fusil fusil vert espectral tokyo nocturnal mundo |
2011 | live-elec, 3 perf | Stereo, Spazialisation: binaural | sax, cl, S, (elec) [Sopran, Klarinette, Saxophon] | Proyecto FUSIL Iñigo Ibaibarriaga (sax), Gareth Stuart (cl), Aihoa Merzero (S), Julio d’ Escriván (elec, arreglos, producción). Cabeza binaural cortesia de Digital Performance |
ZigZag Music Productions/ | Lab @ Anglia Ruskin Uni | 1 | http://descrivan.net/proyecto-fusil/ | |||||||
| 3627 | Julio | d'Escrivan | Lover's Leap and Clown | 1987 | fixed media, akusmatisch | Tanz |
14:00 | Stereo | City Uni London | 0 | ||||||||||
| 33719 | Julio | d'Escrivan | Recuerdos del Alambre | 2005 | live-elec, 1 perf | gui (theorbo) [Gitarre] | for Theorbo and soundfile player | 0 | |||||||||||
| 3628 | Julio | d'Escrivan | Salto Mortal | 1988/1989 | fixed media, akusmatisch | 8:05 | Stereo | LDC 278049/50 Cultures Electroniques 4/ | City Uni London | 2nd Prize Bourges 1989 | 1 | ||||||||
| 3629 | Julio | d'Escrivan | Sin Medida | 1989/1990 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | S [Sopran] | City Uni London | 0 | |||||||||
| 3630 | Julio | d'Escrivan | Sin ti por el Alma Adentro | 1987 | Zuspiel / Tonband, 1 perf | 11:50 | Stereo | fl [Flöte] | Ruffer | LDC 278044/45 Cultures Electroniques 2/ | City Uni London, INCIBA Caracas | 1st Prize Bourges 1987 | 1 | ||||||
| 42694 | Julio | d’Escrivan | aguas tranquilas corren profundo, Still waters run deep | 2012 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 38530 | Irvic | D'OLIVIER | Birdless | 2013 | radiophon | 18:09:00 | Prix Phonurgia nova | 0 | |||||||||||
| 39453 | Micael Antunes | da Silva | CLUSTER! Without cohesion | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 32488 | Jie | Da | Bar | 2012 | live-elec, 1 perf | Stereo | MIDI-kbd [Keyboard] | Incontri HMTM Hannover | 20.9.2012 | 0 | |||||||||
| 32520 | Jie | Da | Jys | 2011 | fixed media, akusmatisch | 6 | Quadro | Incontri HMTM Hannover | 19.6.2011 | ZKM, Karlsruhe | 0 | ||||||||
| 39901 | Jelena | Dabic | silk_road_reloaded | 2016 | fixed media, akusmatisch | Jelena Dabic | 0 | ||||||||||||
| 38136 | Werner, Lawrence | Dafeldecker, English | Echoes of Humanity | 2016 | radiophon | 41:18 | SWR | 0 | |||||||||||
| 33879 | Werner, Valerio | Dafeldecker, Tricoli | Williams Mix Extended | 1952, 2012 | Performance, live-elec, 2 perf | 32 | 2 perf [Performer] | ZKM Karlsruhe | 0 | ||||||||||
| 3633 | Peter | Dahlhoff | Weinen | 1978 | fixed media, akusmatisch | 6:56 | txtcompo | 0 | |||||||||||
| 33837 | Kurt | Dahlke | Brontologik 3.44 | fixed media, akusmatisch | 3:11 | ISAST LMJ 10/ | 0 | ||||||||||||
| 18917 | Kurt | Dahlke | Shimmering II | 1994 | live-elec, 1 perf | 6:29 | synt [synthesizer] | "Lightning" von Don Buchla | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | ||||||||
| 22908 | Palle | Dahlstedt | Gummi | 1996 | fixed media, akusmatisch | 11:30 | Elektron EM 1001/ | 1 | |||||||||||
| 19283 | Palle | Dahlstedt | Je te prête l'oreille | 1997 | radiophon | 12:02 | La Muse en Circuit, 3. concours de création radiophonique/ | 1 | |||||||||||
| 21885 | Palle | Dahlstedt | Tjuta | 1998 | fixed media, akusmatisch | 19:30 | IMEB Bourges | 0 | |||||||||||
| 40316 | Wei | Dai | If I’m Lost Now | 2015 | fixed media, akusmatisch | 5:20:00 | Wei Dai | 0 | |||||||||||
| 40341 | Yue | Dai | Rush Pantoum–Fixed Media | 2017 | fixed media, akusmatisch | Yue Dai | 0 | ||||||||||||
| 3634 | Robert | Daigneault | Flute Collage | 1973 | fixed media, akusmatisch | 11:25 | WM- SMLP 4024/ | Con Toronto | 0 | ||||||||||
| 22766 | Robert | Daigneault | Flute Collage No. " | 1973 | fixed media, akusmatisch | 11:25 | WM- SMLP 4024/ | Con Toronto | 1 | ||||||||||
| 22857 | Ricardo | Dal Farra | Ashram | 1991 | Zuspiel / Tonband, 1 perf | 9:21 | w (mukha veena) [Bläser] | mukha veena: indisches Doppelrohrblattinstr. | Pogus Productions P21015-2/ | 1 | |||||||||
| 3636 | Ricardo | Dal Farra | Audiciones | 1983 | live-elec, 1 perf | 5:10 | Stereo | ins [Instrument] | ESt B.Aires | 0 | |||||||||
| 24336 | Ricardo | Dal Farra | Civilizaciones | 2003 | live-elec, 6 perf | 15:00 | 6 perc [Schlagzeug] | CalArts New Century Players | 1 | ||||||||||
| 37436 | Ricardo | Dal Farra | Clones | 1986 | live-elec, 1 perf | 7:42 | gui [Gitarre] | Arturo Gervasoni (gui) | IRCO 31 C/ | 1 | |||||||||
| 37435 | Ricardo | Dal Farra | Double | 1986 | live-elec, 1 perf | 5:28 | gui [Gitarre] | Arturo Gervasoni (gui) | IRCO 31 C/ | 1 | |||||||||
| 35668 | Ricardo | Dal Farra | Doueble | 1986 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 3637 | Ricardo | Dal Farra | … Due Giorni Dopo | 1988 | fixed media, akusmatisch | 3:00 | Quadro | Pogus Productions P21015-2/ EMF 058 - Leonardo Music Journal Vol 15 „Vox ex Machina“/ ISAST 15/ | CSC Padova | 1 | |||||||||
| 37438 | Ricardo | Dal Farra | Estudio Sobre Ritmo Y Espacio | 1986 | fixed media, akusmatisch | 1:03 | IRCO 31 C/ | 0 | |||||||||||
| 37437 | Ricardo | Dal Farra | G, Gravitacional Inercial |
1986 | live-elec, 1 perf | 8:45 | gui [Gitarre] | Arturo Gervasoni (gui) | IRCO 31 C/ | 0 | |||||||||
| 3638 | Ricardo | Dal Farra | Integrados | 1986 | live-elec, 1 perf | ≈ 7:53 | gui [Gitarre] | Arturo Gervasoni (gui) | IRCO 31 C/ | 1 | |||||||||
| 3639 | Ricardo | Dal Farra | Karma | 1986 | fixed media, akusmatisch | 5:53 | Quadro | IRCO 31 C/ | CCRMA | Prize "Tribuna Nat de Compo 1986" | 1 | ||||||||
| 20058 | Ricardo | Dal Farra | Memorias | 1992 | fixed media, akusmatisch | 5:33 | Stereo | ISAST LMJ 4/ | CCRMA | 0 | |||||||||
| 3640 | Ricardo | Dal Farra | Mixolydia | 1992 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | theremin [synthesizer] | 0 | ||||||||||
| 3642 | Ricardo | Dal Farra | Para Todos Ellos | 1987 | live-elec, 1 perf | 9:40 | Stereo | MIDI [synthesizer] | ESt B.Aires | 0 | |||||||||
| 35669 | Ricardo | Dal Farra | SP4 | 1989 | fixed media, akusmatisch | 0 | |||||||||||||
| 20059 | Ricardo | Dal Farra | Tierra y Sol | 1996 | fixed media, akusmatisch | 10:30 | Stereo | Centaur CRC 2347, CDCM Vol. 25/ | PS C. BA | ICMA-Commission-Award 96 | ICMA-Commission-Award 96 | 1 | |||||||
| 22905 | Ricardo | Dal Farra | Words through the Worlds | 1997 | fixed media, akusmatisch | 1:04 | CMJ Vol 23-4, 1999/ | 1 | |||||||||||
| 19148 | Ricardo | Dal Farra | Xastock | 1989 | live-elec, 1 perf | 8:04 | sax, (DSP) [Saxophon] | HfM Stockholm | AER 1994 / 6/ | 1 | |||||||||
| 3635 | Ricardo, Jorge | Dal Farra, Cumbo | Ancestros | 1986 | live-elec, 3 perf | 9:12 | 3 fl (antara, quena, quenacho) [Flöte] | IRCO 31 C/ | ESt B.Aires | 1 | |||||||||
| 3641 | Ricardo, Jorge, Arturo | Dal Farra, Cumbo, Gervasoni | Musica electracústica en tiempo real | 1987 | live-elec, | Stereo | Estudio Sobre Ritmo y Espacio; Ancestros; Integrados; Double; Clones; G (Gravitacional; Inercial) | 0 | |||||||||||
| 3643 | Marc-André | Dalbavie | Diadèmes | 1986 | live-elec, 1 perf, 1 group | 22:00 | va, ens [Viola, Ensemble] | Adès CD 0002/ IRCAM 0002 F, Creations IRCAM/ Adés 2005 202/ Accord 465313/ | IRCAM | Ensemble Itinéraire | Auszeichnung ars electronica 1987 | 1 | 1992 | http://archive.aec.at/prix/showmode/20508/ | |||||
| 3644 | Marc-André | Dalbavie | Impressions, mouvements | 1989 | live-elec, 2 groups | 42:00 | ch, ens [Ensemble, Chor] | Jobert | IRCAM | 0 | |||||||||
| 3645 | Marc-André | Dalbavie | Interludes | 1988 | live-elec, 1 perf | 40:00 | vn [Violine] | Jobert | IRCAM | 0 | |||||||||
| 3646 | Marc-André | Dalbavie | Seuils | 1992 | live-elec, 1 perf, 1 group | 45:00 | S, ens [Sopran, Ensemble] | Jobert | IRCAM Les Années 90/ Adès/ | IRCAM | 0 | ||||||||
| 3647 | Renzo, Marino | Dall'Oglio, Zuccheri | Plastico | 1960 | fixed media, akusmatisch | 5:45 | Stereo | Fonologia Milano | 0 | ||||||||||
| 22920 | Michele | Dall'Ongaro | Grimoire | Zuspiel / Tonband, 2 perf | 12:05 | S, vn [Sopran, Violine] | 1 | ||||||||||||
| 3648 | Diego | Dall'Osto | In effetti | 1992 | Zuspiel, live-elec, 1 perf | ≈ 15:00 | p [Piano] | CRR 9610, Rivoalto/ | CRM Roma, CERM Sassari | 1 | |||||||||
| 3649 | Gilbert | Dalmasso | Boîte écho-logique | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 3650 | Gilbert | Dalmasso | Boulevard de Port-Royal | 1975 | fixed media, akusmatisch | (pour DEC-Computerlab et VCS3) | GAIV Paris | 0 | |||||||||||
| 3651 | Gilbert | Dalmasso | Dépilostère | 1976 | fixed media, akusmatisch | CICM Paris | 0 | ||||||||||||
| 3652 | Gilbert | Dalmasso | En France avec des piles | 1975 | live-elec, 2 perf | 2 ins [Instrument] | with Patrick Greussay | GAIV Paris | 0 | ||||||||||
| 3653 | Gilbert | Dalmasso | Impropaires | 1978 | live-elec, | GAIV Paris | 0 | ||||||||||||
| 3654 | Gilbert | Dalmasso | Matières et métaux | 1982 | live-elec, 1 perf | synt [synthesizer] | Synclavier | CICM Paris | 0 | ||||||||||
| 3655 | Gilbert | Dalmasso | Nocturne des Hamadryades I et II | 1980 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3656 | Gilbert | Dalmasso | Nomades #1 et #2 | 1979 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3657 | Gilbert | Dalmasso | Nouveaux Nuages | 1979 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3658 | Gilbert | Dalmasso | Old Hendrix | 1981 | live-elec, | GAIV Paris | 0 | ||||||||||||
| 3659 | Gilbert | Dalmasso | Ouverture | 1982 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3660 | Gilbert | Dalmasso | Pièce pour vibraphone et bande | 1974 | Zuspiel / Tonband, 1 perf | vib [Schlagzeug] | GAIV Paris | 0 | |||||||||||
| 3661 | Gilbert | Dalmasso | Série continue | 1980 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 3662 | Gilbert | Dalmasso | Sonate pour 2 vibraphones | 1975 | Zuspiel / Tonband, 2 perf | 2 vib [Schlagzeug] | GAIV Paris | 0 | |||||||||||
| 3663 | Gilbert | Dalmasso | Synthos viderunt | 1975 | fixed media, akusmatisch | (pour DEC-Computerlab et VCS3) | GAIV Paris | 0 | |||||||||||
| 3664 | Gilbert | Dalmasso | Trio pour Synthis | fixed media, akusmatisch | GAIV Paris | 0 | |||||||||||||
| 42290 | Lucrecia | Dalt | Dada | 1936, 2018 | Film | heroines-of-sound | 8.12.2018 | HAU 2, Festival heroines-of-sound | 0 | ||||||||||
| 22295 | Patrick | Daly | Com-plex | 2000 | fixed media, akusmatisch | 2:55 | SIDO 010/ | 1 | |||||||||||
| 27853 | Cédric | Dambrain | Blazek | 2006 | live-elec, 4 perf | 2 e-tpt, e-vc, p [Trompete, Piano, Cello] | CRFMW Liège | 25.03.2006 | Bruxelles, Festival Ars Musica, 19 mars 2006, et Lille, Opéra, Scène ouverte aux jeunes talents | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27868 | Cédric | Dambrain | Pure | 2004 | live-elec, 1 perf | vc [Cello] | nouvelle version | CRFMW Liège | 20.11.2004 | Bruges, Concertgebouw, | 0 | http://www.crfmw.be/index1.htm | |||||||
| 31591 | Clemens | Damerau | espace | 2013 | fixed media, akusmatisch | 4:00 | Stereo | next_generation 5.0 | Incontri HMTM Hannover | 29.7.2013 | ZKM Karlsruhe bei „next generation“ 5 | 0 | |||||||
| 39288 | Alessia | Damiani | Ora che tempo | 2017 | live-elec, | 0 | |||||||||||||
| 3665 | Klaus | Damm | Herzgift | 1984 | fixed media, akusmatisch | 4:42 | AudioProcessorSystem (APS) Microcontrol | 0 | |||||||||||
| 3666 | Klaus | Damm | Pilzmusik | 1977 | Zuspiel / Tonband, 2 perf | 11:07 | fl, va, (Filter, rm) [Flöte, Viola] | WDR - Produktion | 0 | ||||||||||
| 3667 | Klaus | Damm | Rosengarten | 1977/1978 | fixed media, akusmatisch | 18:00 | tape version with sp, Spieluhr, elec | 0 | |||||||||||
| 34106 | Jorge | Damseaux | Taitunga | 2011 | fixed media, akusmatisch | 3:03 | FONAM Urugay/ | 0 | |||||||||||
| 3668 | Debbie | Danbrook | Techno-PANT | 1985 | fixed media, akusmatisch | 13:00 | Stereo | Concordia Montréal, MetaM. Montréal | 0 | ||||||||||
| 20060 | Judd G. | Danby | Twelve can play that Game | 1993 | fixed media, akusmatisch | 8:54 | Stereo | EMS 9300/ | EMS UIUC | 0 | |||||||||
| 34957 | Andrea, Michal | Dancer, Kindernay | Walking Sound | 2011 | radiophon | 19:31 | Radioateliér PremEdition is a premiere series for new experimental radio art. It is broadcast by Czech Radio 3 - Vltava at 0:05 AM every last Saturday of the month. These work are a selection of a programm in 2011 | degem-download/ | 0 | ||||||||||
| 3669 | Liviu | Dandara | Affectus memoria | 1973 | fixed media, akusmatisch | 8:45 | Stereo | CECM Bratislava | 0 | ||||||||||
| 3670 | Liviu | Dandara | Cas ktery se zastavil | 1971 | fixed media, akusmatisch | 9:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 3671 | Liviu | Dandara | Fresca | 1973 | fixed media, akusmatisch | 9:20 | Stereo | Radio Plzen | 0 | ||||||||||
| 3672 | Liviu | Dandara | Quadriforium | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 3673 | Liviu | Dandara | Timpul suspendat | 1970 | fixed media, akusmatisch | 9:00 | Stereo | Radio Plzen | 0 | ||||||||||
| 3674 | Keith | Daniel | Suite #1 from "The Songs a Metal Child Would Sing" | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 3675 | Keith | Daniel | Suite #2 from "The Songs a Metal Child Would Sing" | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 19354 | Irlando | Danieli | Ninne Nanne di Vivian | 1990 | live-elec, 1 perf | 11:06 | V [Stimme] | Galizia, Bellucci | PAN 3035/ | Studio ES Milano | 1 | ||||||||
| 3676 | Mychael | Danna | Nova Persei | 1983 | fixed media, akusmatisch | 6:45 | Stereo | PS C. | 2nd prize CAPAC 1983 | 0 | |||||||||
| 3677 | Mychael | Danna | Open • Sky • Window • Light | 1985 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 1st Prize CAPAC 1985 | 0 | |||||||||
| 3678 | George | Danova | E T Picture Show (Escape II) | 1984 | fixed media, akusmatisch | 5:20 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3679 | George | Danova | Hyperspace | 1985 | fixed media, akusmatisch | 7:09 | Stereo | McGill Montréal | 0 | ||||||||||
| 3680 | George | Danova | O D (The Escape III) | 1984 | fixed media, akusmatisch | 7:30 | Stereo | McGill Montréal | 0 | ||||||||||
| 3681 | George | Danova | The Escape | 1983 | fixed media, akusmatisch | 7:30 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3682 | George | Danova | The Sea and the Sky | 1986 | fixed media, akusmatisch | Stereo | Concordia Montréal, PS C. | 0 | |||||||||||
| 20061 | Vânia | Dantas Leite | Di-stances | 1982 | fixed media, akusmatisch | 10:30 | Stereo | SBME 001, Musica el. Brasileira Vol 1/ | PS SRSEA | 1 | |||||||||
| 3683 | Vânia | Dantas Leite | L'Indien et l'Ovni | 1986 | fixed media, akusmatisch | 14:12 | Musiques et Recherches Ohain | 0 | |||||||||||
| 20062 | Vânia | Dantas Leite | Sforzatto/piano | 1994 | fixed media, akusmatisch | 7:34 | Stereo | RD003 MEB Rioarte/ | ESt da Glória Rio | 0 | |||||||||
| 3684 | Wolfgang | Danzmayr | En face/profil | 1975 | Zuspiel / Tonband, 1 perf | 6:30 | Stereo | p [Piano] | ELAK Wien | 0 | |||||||||
| 3685 | Wolfgang | Danzmayr | Hommage a Camilla | 1973 | fixed media, akusmatisch | 2:57 | Stereo | ELAK Wien | 0 | ||||||||||
| 3686 | Wolfgang | Danzmayr | Monolith | 1974 | fixed media, akusmatisch | 12:25 | Stereo | ELAK Wien | 0 | ||||||||||
| 3687 | Wolfgang | Danzmayr | Roulette | 1973 | fixed media, akusmatisch | 2:11 | Stereo | ELAK Wien | 0 | ||||||||||
| 3688 | Wolfgang | Danzmayr | Vier kleine elektroakustische Stücke | 1976 | fixed media, akusmatisch | 2:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 37106 | Yves | Daoust | About Time | 2005 | fixed media, akusmatisch | 8:32:00 | Stereo | IMED 11113/ | PS C. | CBC radio | 27.5.2005 | Deep Wireless festival produced by NAISA at The Drake Hotel in Toronto (Canada) | 0 | ||||||
| 3689 | Yves | Daoust | Adagio | 1986 | Zuspiel / Tonband, 1 perf | 14:34 | Stereo | fl [Flöte] | 192 Zitaten virtuoser Flötenmusik verknüpft mit Mozart´s Flötenquartett KV 285 | IMED 9106/ ACM 37 CD 1-4/ | PS C. | Lise Daoust and realized with the assistance of the Canada Council | 19.04.1987 | festival Musiques actuelles Nice/Côte d’Azur (MANCA, France), Lise Daoust | 1 | ||||
| 21890 | Yves | Daoust | Bruits | 1997 - 2001 | fixed media, akusmatisch | 29:46 | Stereo | 3 Parts: Children’s Corner (14:57); Nuit (6:09, made at GMEB); Fête (6:09) | IMED 0156/ | PS C., IMEB Bourges | Sonic Arts Network | 0 | |||||||
| 3690 | Yves | Daoust | Carnaval | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 37109 | Yves | Daoust | Chorals ornés | 2007 - 2008, 2009 | Zuspiel / Tonband, 1 perf | 42:08:00 | Stereo | org [Orgel] | IMED 11113/ | PS C. | Orgue et couleurs and Réseaux des arts médiatiques | 2.10.2008 | Orgue et couleurs, as part of their Festival d’automne at Église Saint-Nom-de-Jésus in Montréal, Régis Rousseau, organ, Yves Daoust, mixing | 0 | |||||
| 24606 | Yves | Daoust | Fantaisie | 1986 | fixed media, akusmatisch | 14:00 | IMED 9843/ | PS C. | Société Radio-Canada | 09.1986 | Radio-Canada’s FM | 0 | |||||||
| 24602 | Yves | Daoust | Il était une fois…, conte sans paroles | 1986 | fixed media, akusmatisch | 15:45 | IMED 9843/ LDC 2781115/16/17 opus 30/ | IMEB Bourges | GMEB | 06.1987 | Synthèse Festival Bourges | 1 | |||||||
| 20315 | Yves | Daoust | Impromptu | 1995 | Zuspiel, live-elec, 3 perf | 16:19 | Stereo | p, synt, sam [Piano, computer, synthesizer] | version without ins also available | IMED 0156/ | PS C. | SMCQ with the assistance of CALQ | 30.01.1996 | Salle Pierre-Mercure in Montréal | 0 | ||||
| 24601 | Yves | Daoust | Impromptu | 1994 | fixed media, akusmatisch | 10:09 | second version with ins | IMED 9843/ | PS C. | ACREQ with the help of the Canada Council | 06.1994 | Montréal | 0 | ||||||
| 3693 | Yves | Daoust | Joie | 1992 | fixed media, akusmatisch | 2:38 | bell-sounds | CEC DISContact_1/ | Uni Montréal | 1 | |||||||||
| 3694 | Yves | Daoust | L'Entrevue | 1991 | Zuspiel / Tonband, 1 perf | 9:11 | Stereo | acc [Akkordeon] | IMED 9106/ | PS C. | Joseph Petric and realized with the assistance of the Canada Council | 24.04.1991 | Théâtre Les Loges in Montréal | 1 | |||||
| 3695 | Yves | Daoust | La gamme | 1980/2000 | fixed media, akusmatisch | 14:55 | Stereo | IMED 0156/ | IMEB Bourges | GMEB | June 1981 | Synthèse Festival Bourges | 0 | ||||||
| 37108 | Yves | Daoust | Le temps fixé, Fixed Time | 2004 | fixed media, akusmatisch | 9:17:00 | Stereo | IMED 11113/ | PS C. | Réseaux des arts médiatiques | 14.2.2004 | Espace GO in Montréal | 0 | ||||||
| 20063 | Yves | Daoust | Maurice Blackburn, ou un portrait d'un inconnu | 1982 - 1995 | Zuspiel / Tonband, 1 perf | 27:25 | Stereo | V [Stimme] | AN 27005-6 Analekta/ | 0 | |||||||||
| 3696 | Yves | Daoust | Mi bémol | 1990 | fixed media, akusmatisch | 2:59 | Stereo | IMED 9004/ EAR Magazine 1/ IMED 9843/ IMED 9604/ | 1 | ||||||||||
| 24400 | Yves | Daoust | Objets trouvés | 2004 | fixed media, akusmatisch | 9:05 | Stereo | LDC 2781125/ IMED 11113/ | IMEB Bourges | 0 | |||||||||
| 37107 | Yves | Daoust | Objets trouvés | 2002 | fixed media, akusmatisch | 9:05:00 | Stereo | IMED 11113/ | IMEB Bourges | IMEB Bourges | 8.6.2003 | Synthèse, the 33th Bourges International Electronic Music and Creation Festival (France) at the Palais Jacques-Cœur in Bourges (France) | 0 | ||||||
| 24607 | Yves | Daoust | Ouverture | 1989 | fixed media, akusmatisch | 14:55 | Stereo | IMED 0156/ | PS C. | GMEB for the Bicentenaire de la Révolution française | 06.1989 | Synthèse Festival Bourges | 0 | ||||||
| 21889 | Yves | Daoust | Paris: Les grands Magasins | 1976 | Theatermusik | 30:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 3697 | Yves | Daoust | Petite musique sentimentale | 1984 | Zuspiel / Tonband, 1 perf | 10:11 | Stereo | p [Piano] | IMED 9106/ | PS C. | Belgium National Radio | 01.1985 | Grand Auditorium of Radio France in Paris, Anne Barteletti | 1 | |||||
| 3699 | Yves | Daoust | Quatuor | 1979 | fixed media, akusmatisch | Film |
18:43 | Stereo | also Filmmusik-Version | IMED 9106/ LDC 278043 Cultures Electroniques 1/ | PS C. | 08.04.1979 | Conventum in Montréal in a concert produced by ACREQ | 1st prize Bourges 1980 and the 1980 CIME Grand Prize | 1 | |||||
| 24604 | Yves | Daoust | Résonances | 1992 | fixed media, akusmatisch | 10:40 | IMED 9843/ | IMEB Bourges | GMEB | 06.1992 | Synthèse Festival Bourges | 0 | |||||||
| 3700 | Yves | Daoust | Suite Baroque, Toccata «Qu’ai-je entendu?» Les «Agrémens» L’Extase |
1989 | fixed media, akusmatisch | 19:12 | Stereo | Toccata, "Qu'ai-je entendu?", Les "Agréments", L'Extase | IMED 9106/ IMED 0050/ | PS C. | Catherine Perrin | 02.1989 | Obscure in Québec City | 1 | |||||
| 24605 | Yves | Daoust | Water Music | 1991 | fixed media, akusmatisch | 12:55 | IMED 9843/ | PS C. | David Olds (for Toronto’s CKLN FM program Transfigured Night) with the help of the Canada Council | 0 | |||||||||
| 3701 | Akis | Daoutis | Crystal Forest | 1986 | fixed media, akusmatisch | 3:00 | Stereo | CCRMA | 0 | ||||||||||
| 3702 | Akis | Daoutis | Fullmoon | 1990 | Zuspiel / Tonband, | 5:00 | Stereo | EMI 7243 8 8031967/ | In | 0 | |||||||||
| 3703 | Akis | Daoutis | Giant Step | 1989 | fixed media, akusmatisch | 5:00 | Stereo | PS C. | 0 | ||||||||||
| 3704 | Akis | Daoutis | Healer | 1989 | Zuspiel / Tonband, | 8:09 | Stereo | MBI 40 473/ | In | 0 | |||||||||
| 3705 | Akis | Daoutis | Illusion | 1988 | Zuspiel / Tonband, | 3:40 | Stereo | MBI 40 473/ | Omega | 0 | |||||||||
| 3706 | Akis | Daoutis | Images | 1988 | Zuspiel / Tonband, | 4:00 | Stereo | MBI 40 473/ | In | 0 | |||||||||
| 3707 | Akis | Daoutis | Into the Light | 1987 | intermedia | 9:30 | Stereo | MBI 40 473/ | Emphasis | 0 | |||||||||
| 3708 | Akis | Daoutis | Movement | 1988 | Zuspiel / Tonband, | 8:00 | Stereo | Omega | 0 | ||||||||||
| 3709 | Akis | Daoutis | New Age rising | 1988 | fixed media, akusmatisch | 40:00 | Stereo | PS C. | 0 | ||||||||||
| 3710 | Akis | Daoutis | Paradise | 1990 | fixed media, akusmatisch | 9:00 | Stereo | In | 0 | ||||||||||
| 3711 | Akis | Daoutis | Parallel Spaces | 1988 | fixed media, akusmatisch | 9:00 | Stereo | CCRMA, Omega | 0 | ||||||||||
| 3712 | Akis | Daoutis | Phoenix | 1989 | fixed media, akusmatisch | 8:00 | Stereo | CCRMA | 0 | ||||||||||
| 3713 | Akis | Daoutis | Solar Rain | 1987 | fixed media, akusmatisch | 13:00 | Stereo | CCRMA | 0 | ||||||||||
| 3714 | Akis | Daoutis | Space, time and beyond | 1986 | Zuspiel / Tonband, | 7:04 | Stereo | MBI 40 473/ | In | 0 | |||||||||
| 3715 | Akis | Daoutis | The Land beyond | 1988 | Zuspiel / Tonband, | 6:00 | Stereo | Omega | 0 | ||||||||||
| 3716 | Akis | Daoutis | Vision | 1990 | Zuspiel / Tonband, | 5:00 | Stereo | In | 0 | ||||||||||
| 3717 | Akis | Daoutis | Voyage | 1989 | Zuspiel / Tonband, | 6:42 | Stereo | MBI 40 473/ | In | 0 | |||||||||
| 3718 | Moniek | Darge | AlviCeba | 1989 - 1990 | Zuspiel / Tonband, 1 group | 4:16 | orc [Orchester] | XI 117 experimental intermedia/ | Logos | 1 | |||||||||
| 35648 | Moniek | Darge | Man-Mo | 1988 | Zuspiel / Tonband, 2 perf | 18:25 | perc, ins (instrumentos etnicos) [Schlagzeug, Instrument] | 1 | |||||||||||
| 20064 | Moniek | Darge | ShSh | 1992 | Zuspiel / Tonband, 1 perf | 3:34 | Stereo | perc [Schlagzeug] | XI 117 experimental intermedia/ | Logos | 1 | ||||||||
| 3719 | Moniek | Darge | Turkish Square | 1984 - 1985 | fixed media, akusmatisch | 9:10 | Logos | 0 | |||||||||||
| 3720 | Hans | Darmstadt | Media Vita | live-elec, 2 perf, 1 group | (elec modulated) Vs, ins [Stimme, Instrument] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 3721 | Ivor | Darreg | Automation March | 1961 | Theatermusik | 5:00 | Stereo | PS C. LA | 0 | ||||||||||
| 3722 | Ivor | Darreg | Compound Counterpoint | 1965 | fixed media, akusmatisch | ≈ 10:00 | Stereo | PS C. LA | 0 | ||||||||||
| 3723 | Ivor | Darreg | The Endopsychic Quartet | 1966 | fixed media, akusmatisch | 15:00 | Stereo | PS C. LA | 0 | ||||||||||
| 33024 | Robert | Darroll | The Taiwanese Trilogy, Things fall apart How technology saved the world What ghosts like more |
2011 | audiovisuell | music after Pierre Henry (Lointaine) | iotaCenter DVD/ | Ming Chuan Uni | 0 | ||||||||||
| 3724 | Gábor | Darvas | Antiphon | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 3725 | Gábor | Darvas | Cachot colitaire | 1978 | fixed media, akusmatisch | 9:00 | Stereo | MR Budapest | 0 | ||||||||||
| 3726 | Gábor | Darvas | Etude | 1974 | fixed media, akusmatisch | 2:11 | Quadro | MR Budapest | 0 | ||||||||||
| 3727 | Gábor | Darvas | Poèmes électroniques | 1983 | fixed media, akusmatisch | 36:40 | Stereo | MR Budapest | 0 | ||||||||||
| 3728 | Gábor | Darvas | Reminiscences | 1979 | fixed media, akusmatisch | 8:40 | Quadro | MR Budapest | 0 | ||||||||||
| 32261 | Janos | Darvas | Hörfilm, audiovisuelles Environement für Tonband, Multivision und Kopfhörer | 1976/1977 | audiovisuell | 20.5.1977 | world music days ISCM Bonn, Beethovenhalle; Experimentalstudio der Heinrich Strobel-Stiftung | 0 | |||||||||||
| 32012 | Group | Das IMM-Rundfunkorchester | Extractions Pt. I | 2010 | live-elec, 1 perf, 1 group | laptop-ens [computer] | SC-Symposium 2010, Sunday 26. September 18h, .HBC - Laptop Ensembles | 1 | |||||||||||
| 42096 | Anshuman, Sanchayan | Dasgupta, Ghosh | Short waves transit tales, Short Waves’ Transit Tales | 2017 | radiophon | 45:07 | SAVVY-Funk - Documenta 14, Dlf Kultur | 16.6.2017 | Deutschlandfunk Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4939959&vi=1&SID | ||||||||
| 3729 | James | Dashow | A Way Of Staying | 1977 | Zuspiel / Tonband, 1 perf | 10:25 | Stereo | S [Sopran] | PAN 20-05/ | CSC Padova | 0 | ||||||||
| 3730 | James | Dashow | Archimede, scena II | 1988 | Oper, 3 perf, 3 groups | 75:00 | Quadro or multichannel | chamber-orc, Vs, ch, mime, dancer [Stimme, Schauspieler, Tanz, Chor, Orchester] | dance. laser, com graphics | WER 2018-50/ | CSC Padova | 0 | |||||||
| 18823 | James | Dashow | Archimedes | 1988 | audiovisuell, live-elec, 1 perf | 16:00 | Stereo | mime [Schauspieler] | lasers, computer graphics & electronic stagecraft | WER 2018-50/ | CSC Padova | 1 | |||||||
| 3731 | James | Dashow | At Delphi | 1973 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | PS SCIADONI | Michiko Hirayama | 0 | |||||||||
| 22116 | James | Dashow | …at other times, the distances | 2000 | fixed media, akusmatisch | 12:40 | Quadro | LDC 278072/73 Cultures Electroniques 14/ CPS 8769 Capstone/ | PS | Bourges 2000 | 1 | ||||||||
| 3732 | James | Dashow | BURST! | 1971 | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | text by Jack Kerouac. First piece PS Sciadoni | PS SCIADONI | 0 | |||||||||
| 3733 | James | Dashow | Conditional Assemblies | 1980 | fixed media, akusmatisch | 19:52 | Quadro | PAN 20-12/ | CSC Padova | Biennale Venezia | 2. prize Bourges 1981 | 0 | |||||||
| 3734 | James | Dashow | Disclosures | 1989 | Zuspiel / Tonband, 1 perf | 14:45 | Stereo | vc [Cello] | MUSIC360 | Neuma 450-75/ | CSC Padova | 5.2.1990 (DE) | Inventionen Akademie der Künste Berlin | 1 | 1990 | ||||
| 3735 | James | Dashow | Effetti Collaterali | 1976 | Zuspiel / Tonband, 1 perf | 9:50 | Stereo | cl [Klarinette] | PAN 20-12/ | PS SCIADONI, CSC Padova | 1 | ||||||||
| 41532 | James | Dashow | First Tangent to the Given Curve | 1995 | live-elec, 1 perf | p, (com) [Piano] | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 41533 | James | Dashow | First Tangent to the Given Curve | 1995 | live-elec, 1 perf | p, (com) [Piano] | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 3736 | James | Dashow | Il Piccolo Principe | 1982 | fixed media, akusmatisch | 10:00 | Quadro | CSC Padova | Rockefeller Foundation & Biennale Venezia | 0 | |||||||||
| 3737 | James | Dashow | In Winter Shine | 1983 | Zuspiel / Tonband, | 11:50:00 | Quadro | MIT-CD/ PAN 006/ LDC 278072/73 Cultures Electroniques 14/ | MIT Media Lab | 1 | |||||||||
| 34421 | James | Dashow | La Planta da Livio | 1974 | fixed media, akusmatisch | 7 | Stereo | PS SCIADONI | 0 | ||||||||||
| 20065 | James | Dashow | Le Trace di Kronos, i Passi | 1995 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | cl [Klarinette] | Music30 | Centaur CRC 2310, CDCM Vol. 24/ | PS SCIADONI | 1 | |||||||
| 33876 | James | Dashow | Mappings | 1991 | Zuspiel / Tonband, 1 perf | 15:55 | Stereo | vc [Cello] | ProViva ISPV 177/ | PS SCIADONI | 0 | ||||||||
| 42479 | James | Dashow | MATHEMATICS III, ARCHIMEDES | fixed media, akusmatisch | a planetarium opera | 1 | |||||||||||||
| 20066 | James | Dashow | Media Survival Kit | 1996 | fixed media, akusmatisch | 20:39 | Stereo | 3 parts | Prix ars electronica 96/ | PS SCIADONI | 0 | ||||||||
| 28135 | James | Dashow | Messages from Ortiga | Zuspiel / Tonband, 4 perf | 17:07 | 6 | b-fl and a-fl, b-cl, va, hp [Flöte, Klarinette, Harfe, Viola] | CPS 8769 Capstone/ | PS | Harvard mus ass of Boston | 0 | ||||||||
| 3738 | James | Dashow | Mnemonics | 1985 | Zuspiel / Tonband, 1 perf | 14:20 | Quadro | vn [Violine] | WER 2018-50/ | CSC Padova | nat Endowment for the Arts | 1 | |||||||
| 3739 | James | Dashow | Morfologie | 1993 | Zuspiel / Tonband, 3 perf | 14:03 | Stereo | hn, tpt, Flügelhorn [Horn, Trompete] | MUSIC30, tpt-player (cor; tpt in D; Flügelhorn) | RCA 74321-16825/ | PS SCIADONI | 1 | |||||||
| 3740 | James | Dashow | Oro, Argento e Legno | 1987 | Zuspiel / Tonband, 1 perf | 17:04 | Quadro | fl [Flöte] | WER 2018-50/ | CSC Padova | 1 | ||||||||
| 3741 | James | Dashow | Partial Distances | 1978 | fixed media, akusmatisch | 16:40 | Stereo | PAN 20-12/ | PS SCIADONI | 0 | |||||||||
| 3742 | James | Dashow | Reconstructions | 1992 | Zuspiel / Tonband, 1 perf | 13:40 | Stereo | hp [Harfe] | MUSIC30 | ProViva ISPV 177/ | PS SCIADONI | 1 | |||||||
| 3743 | James | Dashow | Ritorno a Delfi | 1991 | Zuspiel / Tonband, 1 perf | Stereo | a-fl [Flöte] | some tape-parts from "At Delphi" | PS SCIADONI | 0 | |||||||||
| 3744 | James | Dashow | Second Voyage | 1978 | Zuspiel / Tonband, 1 perf | 17:45 | Stereo | T [Tenor] | CRi SD 456/ | CSC Padova | nat Endowment for the Arts | 0 | |||||||
| 3745 | James | Dashow | Sequence Symbols | 1984 | fixed media, akusmatisch | 14:20 | Quadro | WER 2010-50/ | CSC Padova | 1 | |||||||||
| 42781 | James | Dashow | Soundings in Pure Duration 4 | 2012 | live-elec, 1 perf | 11:30:00 | va [Viola] | Nick Revel, viola | 0 | ||||||||||
| 42597 | James | Dashow | Soundings in Pure Duration N. 2a | 2009 | fixed media, akusmatisch | 13 | 0 | ||||||||||||
| 42997 | James | Dashow | Soundings in Pure Duration n. 6 | 2013 | fixed media, akusmatisch | 14:17:00 | 0 | ||||||||||||
| 39883 | James | Dashow | Soundings in Pure Duration no. 2b | 2015 | fixed media, akusmatisch | 12:26:00 | James Dashow | 0 | |||||||||||
| 39882 | James | Dashow | Soundings in Pure Duration no. 7 | 2016 | fixed media, akusmatisch | James Dashow | 0 | ||||||||||||
| 39398 | James | Dashow | Soundings in Pure Duration No. 8 | 2017 | fixed media, akusmatisch | Octo | b-Bar [Bariton] | 0 | |||||||||||
| 3746 | James | Dashow | Whispers out of time | 1976 | fixed media, akusmatisch | 11:17 | Stereo | LDC 278055 Cultures Electroniques 6 Magisterium/ | PS SCIADONI | 1. prize Bourges 1977 | 1 | ||||||||
| 36931 | Douglas | DaSilva | camp de feuilles | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 29374 | Martin | Daske | AquAria 2008 | 2008 | Performance, live-elec, 2 perf | V, perc, (elec) [Stimme, Schlagzeug] | Unterwassergesang | 2008 | Liquidrom, Berlin; mit Claudia Herr, Gesang - Claudia Sgarbi, Percussion, Martin Daske, Elektronik | 0 | |||||||||
| 29405 | Martin | Daske | backbord ein kolibri | 1996 | radiophon | Klangkunst, Installation |
Radio SFB | 0 | ||||||||||||
| 29401 | Martin | Daske | Berlin Taxi | 2000 | Film | 0 | |||||||||||||
| 3748 | Martin | Daske | Der Stein | 1991 | radiophon | 54:00 | Stereo | Koproduktion mit SFB | WER 2052 2/ zkm edition 2/ | ZKM Karlsruhe | 1 | ||||||||
| 29390 | Martin | Daske | Der Zahlenteufel | 2006 | radiophon | hr/Hörverlag | 0 | ||||||||||||
| 29408 | Martin | Daske | Die Bibelschmugglertheorie | 1994 | Radiokunst, live-elec, | live-Hörstück im Bremer Dom für "pro musica nova" | Radio SFB, SFB | pro musica nova | 0 | ||||||||||
| 29393 | Martin | Daske | Fangkunst" - Symphonie aus Fischtönen | 2004 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 38878 | Martin | Daske | Fish and other birds | 2018 | radiophon | WDR Studio Akustische Kunst | 19.5.2018 | WDR 3 open sounds | 0 | ||||||||||
| 29375 | Martin | Daske | Flammaria | 2008 | Performance, live-elec, 2 perf | V, perc, (elec) [Stimme, Schlagzeug] | 2008 | Augsburg. Claudia Herr, Gesang - Roland Neffe, Percussion, Martin Daske, Elektronik; Lange Nacht der Museen, Augsburg |
0 | ||||||||||
| 3749 | Martin | Daske | Foliant 2b | 1989 | live-elec, 2 perf | 6:14 | 2 gui [Gitarre] | 1 | 1990 | ||||||||||
| 3750 | Martin | Daske | Foliant 6 | 1987 | live-elec, 1 perf | 4:00 | Kbd [Keyboard] | 1 | 1990 | ||||||||||
| 29369 | Martin | Daske | Folianten 1-31, für diverse Instrumente | 1986 - 2010 | Klangkunst, Installation | 0 | http://www.tribordstudio.de/Folianten.html | ||||||||||||
| 29406 | Martin | Daske | horizontal radio | 1995 | Klangkunst, Installation | Radio SFB, ORF | 0 | ||||||||||||
| 29373 | Martin | Daske | Hyaden I - III | 2009 | live-elec, | tribord st | 2009 | Internationales Klangkunstfestival 2009_tiefKLANG, Berlin | 0 | ||||||||||
| 29394 | Martin | Daske | in großer angst geschrieben | 2003 | radiophon | Hörspiel mit einem Text von Unica Zürn | WDR Studio Akustische Kunst | 0 | |||||||||||
| 29386 | Martin | Daske | Je voudrais être légère | 2008/2009 | Tanz | Musik für Tanztheater, Text: Elfriede Jelinek. | compagnie "lalage", "Théâtre Les Bernardines", Marseille | 0 | |||||||||||
| 29376 | Martin | Daske | KulinAria, für kochende Sängerin und Elektronik | 2004 | Performance, live-elec, 1 perf | V, (elec) [Stimme] | tribord st | 2004 | Claudia Herr; Unerhörte Musik, BKA-Theater, Berlin | 0 | http://www.tribordstudio.de/Folianten.html | ||||||||
| 29389 | Martin | Daske | Lunik | 2006 | Film | ≈ 90 | 0 | ||||||||||||
| 3751 | Martin | Daske | mada.nces 1-7 | 1993 | radiophon | 51:00 | Stereo | 4 Sp, (elec) [Sprecher] | Koproduktion mit SFB, France culture Metz | ZKM Karlsruhe | 1993 | Metz, Frankreich | 0 | ||||||
| 29382 | Martin | Daske | manchmal doch kein bach | 1989 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | tribord st | 1989 | Unerhörte Musik, BKA-Theater, Berlin | 0 | |||||||||
| 29385 | Martin | Daske | mémoiren eines echonebels | 2010 | radiophon | Klangkunst, Installation |
0 | |||||||||||||
| 29402 | Martin | Daske | mémoires d´un siècle, Teil 2: Totale Zerstörungen | 1999 | radiophon | Klangkunst, Installation |
41:28 | DeutschlandRadio | 0 | |||||||||||
| 29403 | Martin | Daske | mémoires d´un siècle, Teil 1: Der verlorene Horizont | 1998 | radiophon | Klangkunst, Installation |
52:17 | DeutschlandRadio | 0 | |||||||||||
| 29399 | Martin | Daske | mit-ihm-zig-hosen | 2001 | radiophon | DeutschlandRadio | 0 | ||||||||||||
| 23124 | Martin | Daske | Molch, ein versunkenes Schachspiel betrachtend | 2002 | radiophon | tribord st | 1 | ||||||||||||
| 29391 | Martin | Daske | no barking at any time | 2005 | radiophon | 51:31:00 | DeutschlandRadio | DeutschlandRadio | 4.11.2005 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1489846&vi=96&SID | |||||||
| 29372 | Martin | Daske | notensetzen I | 2009 | live-elec, 2 perf | cl, acc, (elec) [Klarinette, Akkordeon] | tribord st | 2010 | Berlin, Matthias Badczong, Christine Paté, Martin Daske | 0 | http://www.tribordstudio.de/Notensetzen.html | ||||||||
| 29387 | Martin | Daske | Polyplay | 2008 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 29413 | Martin | Daske | Preußens Arkadien | 1989 | radiophon | Radio SFB | 0 | ||||||||||||
| 29378 | Martin | Daske | readings | 2000 | Zuspiel / Tonband, 3 perf | V, 2 fl [Stimme, Flöte] | tribord st | 2001 | trio soli sono; Klangbrücke Aachen | 0 | |||||||||
| 29370 | Martin | Daske | Retour | 2012 | live-elec, 2 perf | p, perc, (elec) [Piano, Schlagzeug] | tribord st | 2012 | Martin Schneuing, Ewa Korolzcyk, M. Daske | 0 | |||||||||
| 29414 | Martin | Daske | Scheinwürfe | 1990 | radiophon | Radio SFB | 0 | ||||||||||||
| 29381 | Martin | Daske | Sisaxason | 1992 | Zuspiel / Tonband, 4 perf | 4 sax [Saxophon] | tribord st | 1992 | Saxophonquartett Berlin-Bordeaux; Bordeaux, Frankreich | 0 | |||||||||
| 29380 | Martin | Daske | Steinwind | 1991 | Zuspiel / Tonband, 1 perf | fl [Flöte] | tribord st | 1991 | Carin Levine; Aachen | 0 | |||||||||
| 29392 | Martin | Daske | tiere des monats, 12 x 5 min. | 2004 | radiophon | alle "geräusche des monats" auf dlr berlin | DeutschlandRadio | 0 | |||||||||||
| 29379 | Martin | Daske | tribouret | 1996 | fixed media, akusmatisch | tribord st | 1996 | SFB | 0 | ||||||||||
| 29388 | Martin | Daske | Tupolew 134 | 2007 | fixed media, akusmatisch | SWR Baden-Baden | 0 | ||||||||||||
| 29384 | Martin | Daske | … und er zerdrückte weinend das Wölkchen der Zeit | 2012 | radiophon | 0 | |||||||||||||
| 29411 | Martin | Daske | … und immer bin ich voller mond. | 1992 | radiophon | DeutschlandRadio, WDR Studio Akustische Kunst | 0 | ||||||||||||
| 29371 | Martin | Daske | Unwritten | 2010 | live-elec, 1 perf | 5:56 | Stereo, Surround 5.1 | perf [Performer] | 8 akusmatische Miniaturen | tribord st | 0 | ||||||||
| 29395 | Martin | Daske | white crocodile being drowned by an old-fashioned rattle-snake | 2003 | radiophon | Surround 5.1 | 0 | ||||||||||||
| 3747 | Martin, Olf | Daske, Dziadek | Abfahrt | 1992 | radiophon | 26:42 | Stereo | Koproduktion mit dem SFB | ZKM Karlsruhe | 0 | |||||||||
| 23260 | Martin, Martine | Daske, Ketelbuters | Unten schweigt das Radio…, Lisbon revisited, nachts minus zwanzig, Unruhe | radiophon | 52:00 | nach Textfragmenten von Fernando Pessoa, Ricardo Reis, Alvaro de Campos und Alberto Caeiro | CDR Daske/ | tribord st | 1 | ||||||||||
| 29407 | Martin, Carine | Daske, Limbosch | Land des tödlichen Schweigens | 1995 | radiophon | Radio HR Frankfurt | 0 | ||||||||||||
| 29404 | Martin, Carine | Daske, Limbosch | Wenn Du da bist, sieht man nichts | 1997 | radiophon | Hörcompany Hamburg/ | Radio HR Frankfurt, BR, WDR Studio Akustische Kunst | 0 | |||||||||||
| 38754 | Martin, Thomas | DASKE, LIMELOH | mit-ihm-zig-hosen oder Mollys Wortwanderung | 2001 | radiophon | 53:15:00 | 0 | ||||||||||||
| 29400 | Martin, Irmgard | Daske, Maenner | Köln HBF | 2000 | radiophon | ≈ 55 | Feature | DeutschlandRadio | 0 | ||||||||||
| 29398 | Martin, Rainer | Daske, Rudloff | Die Klangschlürfer | 2001 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 29377 | Martin, Janne | Daske, Saksala | DOUBLE-BASE | 2000/2001 | live-elec, 1 perf | db [Kontrabass] | tribord st | 2001 | Unerhörte Musik, BKA-Theater, Berlin | 0 | |||||||||
| 29415 | Martin, Farah | Daske, Syed | Nächster Bahnhof: Phonologischer Garten | 1989 | radiophon | WDR Studio Akustische Kunst | 0 | ||||||||||||
| 38755 | Julia, Stefanie | DATHE, HEIM | Parkour 1 | 2011 | radiophon | 5:54:00 | 0 | ||||||||||||
| 37893 | Yannick | Dauby | Cigales vs Autoroute | 2005 | fixed media, akusmatisch | 8:17 | Revue&Corrigée Issue 69/ | 0 | |||||||||||
| 33192 | Yannick | Dauby | Noophonie | 2000 | radiophon | 14:30 | Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 radio | 0 | ||||||||||
| 25503 | Yannick | Dauby | Sanguine | 2005 | fixed media, akusmatisch | 4:53 | Stereo | on: «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | www.kalerne.net | ||||||||
| 25866 | Yannick | Dauby | Taiwanese Animal Phonography | 2005 | Klangkunst, Installation | 6:46 | Frogs, Insects | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 3752 | Wolfgang | Dauner | Et Cetera | 1972 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 27729 | Gerhard | Daurer | add.value 5 more | audiovisuell | 5:28 | CMJ Vol 33-4, 2009/ | 1 | ||||||||||||
| 3753 | Jean-Pierre | Dautricourt | SPELLS | 1983 | fixed media, akusmatisch | 12:00 | Quadro | CCRMA | 0 | ||||||||||
| 3754 | Guillermo | Davalos | A dúo | 1983 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | Fibonacci | PS C. Guadalajara | 0 | ||||||||||
| 3755 | Guillermo | Davalos | Astral | 1985 | Tanz | PS C. Guadalajara | 0 | ||||||||||||
| 3756 | Guillermo | Davalos | Diálogos | 1984 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Fibonacci | PS C. Guadalajara | 0 | ||||||||||
| 3767 | Joe | Davido | Orchestrations I & II | 1979 | fixed media, akusmatisch | 8:40 | Stereo | Yleisradio | 0 | ||||||||||
| 3757 | Mario | Davidovsky | Electronic study No. 1 | 1960 | fixed media, akusmatisch | 5:15 | one of the first piece of RCA-synzhesizer Mark II | Mainstream MS 6566/ | Col.Princ EMC | 1 | |||||||||
| 3758 | Mario | Davidovsky | Electronic study No. 2 | 1960 | fixed media, akusmatisch | CRi S 356/ Son Nova 3/ | Col.Princ EMC | 0 | |||||||||||
| 3759 | Mario | Davidovsky | Electronic study No. 3 | 1965 | fixed media, akusmatisch | 5:20 | Quadro | in memoriam Varese | Finna QD 9010/ | Col.Princ EMC | 1 | ||||||||
| 3760 | Mario | Davidovsky | Synchronisms No. 1 | 1963 | Zuspiel / Tonband, 1 perf | 4:15 | fl [Flöte] | for flute & recorded electronic sound | CRi SD 204/ Nonesuch H 71289/ | Col.Princ EMC | 1 | ||||||||
| 20067 | Mario | Davidovsky | Synchronisms No. 10 | 1992 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | gui [Gitarre] | BCD 9042/ | Col.Princ EMC | 0 | ||||||||
| 3761 | Mario | Davidovsky | Synchronisms No. 2 | 1964 | Zuspiel / Tonband, 4 perf | 5:45 | fl, cl, vn, vc [Flöte, Klarinette, Cello, Violine] | CRi SD 204/ | Col.Princ EMC | 1 | |||||||||
| 3762 | Mario | Davidovsky | Synchronisms No. 3 | 1965 | Zuspiel / Tonband, 1 perf | 4:45 | vc [Cello] | CRi SD 204/ | Col.Princ EMC | 1 | |||||||||
| 3763 | Mario | Davidovsky | Synchronisms No. 4 | 1967 | Zuspiel / Tonband, 1 perf, 1 group | 6:00 | Stereo | boys V, mx ch [Stimme, Chor] | Col.Princ EMC | 0 | |||||||||
| 3764 | Mario | Davidovsky | Synchronisms No. 5 | 1969 | Zuspiel / Tonband, 1 perf, 1 group | 8:32 | perc-ens [Schlagzeug] | "Klangfarben Melodie" | CRi CD 611/ CRi SD 268/ NWCR 611/ IDEAMA CD 063/ | Col.Princ EMC | 1 | ||||||||
| 3765 | Mario | Davidovsky | Synchronisms No. 6 | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | TV 34487/ | Col.Princ EMC | 0 | ||||||||||
| 3766 | Mario | Davidovsky | Synchronisms No. 9 | 1988 | Zuspiel / Tonband, 1 perf | 8:46 | vn [Violine] | WER 2022-50, Computer Music Currents 2/ | Col.Princ EMC, MIT Media Lab | 1 | |||||||||
| 34550 | Howard | Davidson | Omega Centauri | fixed media, akusmatisch | RCM London | 0 | |||||||||||||
| 3768 | Lyle | Davidson | Fibonacci Rehearsed | 1965 | fixed media, akusmatisch | 6:34 | Stereo | Uni Waltham | 0 | ||||||||||
| 3769 | Lyle | Davidson | Semandron | 1964 | fixed media, akusmatisch | 6:12 | Stereo | Uni Waltham | 0 | ||||||||||
| 20068 | Matthew | Davidson | #5 | 1991 | fixed media, akusmatisch | 6:07 | Stereo | CPS 8675 Capstone/ | 0 | ||||||||||
| 20069 | Matthew | Davidson | Between the Lines | 1988 | fixed media, akusmatisch | 8:00 | Stereo | CPS 8675 Capstone/ | 0 | ||||||||||
| 20070 | Matthew | Davidson | Sirnor Grinderino | 1990 | fixed media, akusmatisch | 7:39 | Stereo | CPS 8675 Capstone/ | 0 | ||||||||||
| 20071 | Matthew | Davidson | The Minute Passacaglia | 1990 | fixed media, akusmatisch | 1:00 | Stereo | CPS 8675 Capstone/ | 0 | ||||||||||
| 39808 | Gemma | Davies | Emerald Haze | 2017 | audiovisuell | Gemma Davies | 0 | ||||||||||||
| 3770 | Hugh | Davies | At Home | 1978 | live-elec, 1 perf | Musiktheater |
≈ 18:00 | Quadro | perf, (invented inss) [Performer] | rev. 1981 | PS C. | 0 | ||||||||
| 3771 | Hugh | Davies | Blind Man's Cry | 1989 | Zuspiel / Tonband, 1 perf | Stereo | w (khene) [Bläser] | new version | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 3772 | Hugh | Davies | Celeritas | 1987 | fixed media, akusmatisch | 8:36 | Stereo | Created on Fairlight Series IIx Computer music instrument in microtonal tuning. | Ants AG04/ | Goldsmith London | 1 | http://www.gold.ac.uk/ems/davies/ | |||||||
| 3773 | Hugh | Davies | Dialogues | 1989 | Tanz, 2 perf, 1 group | 22:00 | Quadro | perf, (inv) inss [Instrument, Performer] | based on "Tapestries" and "Strata" | Goldsmith London, PS Davies | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||
| 3774 | Hugh | Davies | Ex Una Voce | 1979 | live-elec, 3 perf | 12:00 | Stereo | perf, T, synt [Tenor, Performer, synthesizer] | rev. 1981 | PS C. | 0 | ||||||||
| 25599 | Hugh | Davies | From trees and rocks | 2000 | fixed media, akusmatisch | 9:48 | Stereo | Guide for the Diözesanmuseum exhibition "Walkmen". | Ants AG04/ | Diözesanmuseum, Cologne, D | 1 | ||||||||
| 3775 | Hugh | Davies | Gentle Springs | 1973 | live-elec, 5 perf | ≈ 12:00 | 5 tracks | 5 perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3776 | Hugh | Davies | H. D. Breadbins | 1972 | live-elec, 5 perf | ≈ 10:00 | 5 tracks | 5 perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3777 | Hugh | Davies | I Have A Dream | 1984/1985 | Musiktheater, 2 perf, 1 group | ≈ 20:00 | Quadro | dancer, (inv) inss, slides [Instrument, Tanz] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 3779 | Hugh | Davies | Interfaces | 1967/1968 | Zuspiel, live-elec, 6 perf | 20:00 | Quadro | 6 perf, (invented ins) [Performer] | 2 tapes | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||
| 3780 | Hugh | Davies | Madame Sin | 1971 | Film | 12:00 | Mono | PS C. | 0 | ||||||||||
| 3781 | Hugh | Davies | Mobile with Differences | 1973 | live-elec, 5 perf | ≈ 20:00 | Stereo | 5 perf [Performer] | rev. 1982 | PS C. | 0 | ||||||||
| 3782 | Hugh | Davies | Multimorphosis | 1986 | live-elec, 1 perf | 8:00 | Quadro | perf, (invented inss) [Performer] | PS C. | 0 | |||||||||
| 3783 | Hugh | Davies | Music for Bowed Diaphragms | 1973 | live-elec, 1 perf | ≈ 7:30 | Quadro | perf, (invented inss) [Performer] | rev. 1979 | FMP SAJ 36/ at 11 another timbre/ at r01 another timbre/ | PS C. | 0 | |||||||
| 36292 | Hugh | Davies | Music for Three Springs | 1979 | live-elec, 1 perf | 7:00 | Quadro | perf [Performer] | EMF CD 036/ at 11 another timbre/ at r01 another timbre/ | PS C. | 0 | ||||||||
| 3784 | Hugh | Davies | Music for Two Springs | 1977 | live-elec, 1 perf | ≈ 7:00 | Quadro | perf, (invented inss) [Performer] | rev. 1981 | at 11 another timbre/ at r01 another timbre/ | PS C. | 0 | |||||||
| 3785 | Hugh | Davies | My Spring Collection | 1975 | live-elec, 1 perf | ≈ 30:00 | Quadro | perf, (invented inss) [Performer] | rev. 1981 | PS C. | 0 | ||||||||
| 3787 | Hugh | Davies | Natural Images | 1976, 1992 | Zuspiel, live-elec, 1 perf | 13:00 | Stereo | perf, (invented inss) [Performer] | rev. 1992 | Ants AG04/ | PS C. | 1 | |||||||
| 25600 | Hugh | Davies | Natural Images | 1992/1976 | fixed media, akusmatisch | 12:46 | Stereo | Concert version for solo-tape. Previous versions of the same piece are existing for Ballet. |
Ants AG04/ | 1992 | Sound Symposium, Newfoundland, CDN | 1 | |||||||
| 3788 | Hugh | Davies | Pentaptych | 1990 | fixed media, akusmatisch | 5:00 | Stereo | Goldsmith London, PS Davies | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 3789 | Hugh | Davies | Quintet | 1967/1968 | live-elec, 5 perf | 12:00 | 6 | 5 perf [Performer] | SR 200 sub rosa/ | PS C. | 0 | ||||||||
| 3790 | Hugh | Davies | Salad, For Egg- & Vegetable Slicers | 1977 | live-elec, 1 perf | ≈ 8:00 | Quadro | perf, (invented inss) [Performer] | rev. 1981 | FMP SAJ 36/ at r01 another timbre/ | PS C. | 0 | |||||||
| 3792 | Hugh | Davies | Shozyg I (live elec version) | 1968 | live-elec, 1 perf | ≈ 8:00 | Stereo | perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3793 | Hugh | Davies | Shozyg I (Version 1) | 1968 | live-elec, 1 perf | ≈ 8:00 | Stereo | perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3794 | Hugh | Davies | Shozyg I (Version 2) | 1968 | live-elec, 2 perf | ≈ 10:00 | Quadro | 2 perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3795 | Hugh | Davies | Shozyg I (Version 3) | 1968 | live-elec, 3 perf | ≈ 9:00 | 6 | 3 perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3791 | Hugh | Davies | Shozyg I + II | 1968 | live-elec, 2 perf | ≈ 10:00 | Quadro | 2 perf, (invented ins ≈ Hugh Davies, Richard Orton) [Performer] | OU 36-37/ az 21 another timbre/ at r01 another timbre/ | PS C. | 0 | ||||||||
| 3796 | Hugh | Davies | Shozyg II | 1968 | live-elec, 1 perf | ≈ 9:00 | Stereo | perf, (invented ins) [Performer] | PS C. | 0 | |||||||||
| 3797 | Hugh | Davies | Shozyg Sequence No. 1 | 1971 | live-elec, 1 perf | ≈ 25:00 | Quadro | perf, (invented inss) [Performer] | FMP SAJ 36/ | PS C. | 0 | ||||||||
| 3798 | Hugh | Davies | Shozyg Sequence No. 2 | 1977 | live-elec, 1 perf | ≈ 30:00 | Quadro | perf, (invented inss) [Performer] | rev. 1980 | PS C. | 1 | ||||||||
| 3799 | Hugh | Davies | Shozyg Sequence No. 3 | 1990/1992 | live-elec, 1 perf | ≈ 22:00 | Quadro | perf, (invented inss) [Performer] | PS C. | 0 | |||||||||
| 3800 | Hugh | Davies | Solel | 1986 | live-elec, 2 perf | ≈ 10:00 | Quadro | 1 - 2 perf [Performer] | rev. from 1971 | PS C. | 0 | ||||||||
| 41569 | Hugh | Davies | Solo at Ronnie Scott’s | 1975 | live-elec, 1 perf | 24:33 | perf, (invented ins) [Performer] | at r01 another timbre/ | 0 | ||||||||||
| 3801 | Hugh | Davies | Spring Song | 1970 | live-elec, 1 perf | ≈ 10:00 | Stereo | perf, (invented ins) [Performer] | rev. 1979 | FMP SAJ 36/ | PS C. | 1 | |||||||
| 3802 | Hugh | Davies | Strata | 1987 | Zuspiel, live-elec, 2 perf | 12:00 | Quadro | perf, (inv) ins [Instrument, Performer] | Goldsmith London, PS Davies | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||
| 3803 | Hugh | Davies | Suite | 1963 | fixed media, akusmatisch | Tanz |
5:37 | Mono | Uni Oxford | 0 | ||||||||||
| 3804 | Hugh | Davies | Tapestries | 1982/1983 | fixed media, akusmatisch | Tanz |
8:25 | Stereo | Ballet music for Modern Dance group „Dancers Anonymos“. | Ants AG04/ | Goldsmith London | Dancers Anonymos, GB | 1 | http://www.gold.ac.uk/ems/davies/ | ||||||
| 3806 | Hugh | Davies | The Scarecrow | 1963 | Theatermusik | 7:49 | Mono | PS Edinburgh | 0 | ||||||||||
| 3807 | Hugh | Davies | The Search for the Music of the Spheres | 1978 | Musiktheater, live-elec, 5 perf | ≈ 30:00 | Quadro | 5 perf, (invented ins), slides [Performer] | PS C. | 0 | |||||||||
| 3808 | Hugh | Davies | Three Nightmare Sequences | 1964 | Theatermusik | 6:33 | Mono | for "Hang down your head and die" | Uni Oxford | 0 | |||||||||
| 3809 | Hugh | Davies | Vision | 1984 - 1985, 1987 | fixed media, akusmatisch | 16:56 | Quadro | Based on "I have a Dream". Was created on the Fairlight Series IIx Computer Musical Instrument. |
Ants AG04/ | Goldsmith London | Nov. 1990 | Bratislava, CZ | 1 | http://www.gold.ac.uk/ems/davies/ | |||||
| 13547 | Hugh, Ferdinand, Hans-Karsten | Davies, Försch, Raecke | Drahtgestalten | 1988 | live-elec, | 30:30 | 1 | ||||||||||||
| 3805 | Hugh, Alec | Davies, Hill | The Dream of Peter Mann | 1963 | Theatermusik | 2:10 | Mono | Uni Oxford | 0 | ||||||||||
| 3810 | Martin | Davies | SALM Y GENEDL | 1980 | fixed media, akusmatisch | 8:20 | Quadro | SME Krakow | 0 | ||||||||||
| 43206 | Michaela | Davies | Duty | 2014 | Performance | 7 perf [Performer] | Sonic Social | 2014 | Museum of Contemporary Art Australia | Auszeichnung ars electronica honorary mention 2015 | 0 | http://www.michaeladavies.net/duty.html | |||||||
| 22459 | Robin | Davies | Weather or Not | 2000 | fixed media, akusmatisch | 4:00 | JTTP 2001 | CEC Cache 2001/ | Concordia Montreal | 1 | |||||||||
| 20072 | Sheila | Davies | What is the Matter in Amy Glennon | 1988 | radiophon | 25:17 | Stereo | WN 0013/ | 0 | ||||||||||
| 3811 | Stephen | Davies | Wake up | 1990 | fixed media, akusmatisch | 8:00 | Stereo | Uni Southampton | 0 | ||||||||||
| 36375 | Benjamin | Davis | Vuelta | 1989 | fixed media, akusmatisch | 10:10 | Audiovisuals de Sarria 29-1421/ | 0 | |||||||||||
| 20073 | Bob, Jon | Davis, Raskin | Poison Hotel | 1988 | Zuspiel / Tonband, 1 perf | 3:52 | Stereo | V [Stimme] | sound poetry | AER 1990 / 2 / | 1 | ||||||||
| 42940 | D. Edward | Davis | coo coo | 2013 | live-elec, 1 perf | 7:15:00 | vn [Violine] | Mari Kimura, violin | 0 | ||||||||||
| 33872 | Joe | Davis | Bacterial Radio | 2012 | audiovisuell | Prix ars electronica 2012/ | Goldene Nica 2012 ars electronica | 1 | |||||||||||
| 1094 | Michael, Egils | Davis, Bebris | Beach Party | 1984 | fixed media, akusmatisch | 7:50 | Stereo | Uni York EMC | 1st prize Procan Award 1984 | 0 | |||||||||
| 35006 | Nathan | Davis | Echeia | 2016 | live-elec, 4 perf | 16 | str-qt [Streicher] | SWR, Camargo Foundation | 15.10.2016 | Donaueschinger Musiktage, Donauhallen, Calderquartett, IRCAM | 0 | ||||||||
| 40240 | Seth | Davis | Crystal Ball | 2016 | fixed media, akusmatisch | Seth Davis | 0 | ||||||||||||
| 3812 | Sydney | Davis | Star Axis | 1991 | Zuspiel / Tonband, 1 perf | 4:50 | p [Piano] | AER 1992 / 5/ | 1 | ||||||||||
| 3813 | Ted | Dawson | Concerto Grosso I | 1974 | fixed media, akusmatisch | 15:00 | Stereo | UTEMS Toronto, McGill Montréal | 0 | ||||||||||
| 3814 | Ted | Dawson | Portraits in a landscape | 1988 | fixed media, akusmatisch | 20:00 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 3815 | Ted | Dawson | The Land of Nurr | 1975 | fixed media, akusmatisch | 9:00 | Stereo | McGill Montréal, Uni Toronto | 0 | ||||||||||
| 19647 | Nicolás | Daza | El Cielo y la Tierra | 1993 | fixed media, akusmatisch | 7:10 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 3816 | Gualtiero | Dazzi | Wozzeck | 1987 | Theatermusik | 40:00 | Stereo | CICM Paris | 0 | ||||||||||
| 35670 | Ricardo | de Armas | Música de Bolsillo | 2005 | Zuspiel / Tonband, 1 perf | 3:20 | p [Piano] | 0 | |||||||||||
| 3817 | Marie-Claude | de Chevigny | Compositions pour groupes, Musique électroacoustique | fixed media, akusmatisch | Stereo | M-C-Mon | 0 | ||||||||||||
| 3818 | Marie-Claude | de Chevigny | El Corazon I & II | 1985 | fixed media, akusmatisch | 9:32 | Stereo | PS C. | M-C-Mon | 0 | |||||||||
| 3819 | Marie-Claude | de Chevigny | Sing-Sing | 1985 | fixed media, akusmatisch | 2:55 | Stereo | PS C. | 0 | ||||||||||
| 3820 | Marie-Claude | de Chevigny | Tiger | 1985 | fixed media, akusmatisch | 4:50 | Stereo | PS C. | M-C-Mon | 0 | |||||||||
| 3821 | Christophe | de Coudenhove | Un coup de dés jamais n'abolira le hasard | 1992 | live-elec, 1 perf | 10:00 | cl [Klarinette] | ISPW | IRCAM | 0 | |||||||||
| 27287 | Alain | De Filippis | Le songe d'Athanasius | 2003 | fixed media, akusmatisch | 4:35 | Stereo | Oreille au Vent Monts/ | 0 | ||||||||||
| 20074 | Alain | De Filippis | Ton Dieu ne s'appelle-t-il pas égo? | 1993 | fixed media, akusmatisch | 15:03 | Stereo | 8 parts | MK CD 013/ | 0 | |||||||||
| 3822 | Pierre | de Gagné | Le monde d'Alain Proviste | 1987 | fixed media, akusmatisch | 7:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 28495 | Huba | De Graaff | De dood van Poppaea | 2006 | Oper | CD: PPPouverture | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.hubiware.nl/Hnewbio.html | ||||||||||
| 22087 | Benjamin | de la Fuente | Ce doux nectar fleurant le miel… | 1994 | fixed media, akusmatisch | 11:06 | Stereo | Musidisc 245752/ NOR 04/ | CNR Toulouse | 1 | |||||||||
| 24401 | Benjamin | de la Fuente | Le vertige du papillon | 2003 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 28447 | Christopher | De Laurenti | Let me tell you about Tiger Tiger | 1999 | fixed media, akusmatisch | 9:58 | Stereo | ELCD 013 Electroshock Records/ | 0 | ||||||||||
| 39381 | Gerardo | De Pasquale | del dolore e altre passioni, lamento I | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24117 | Fabrizio | De Rossi Re | Il Dottor Semmelweis | 2002 | Theatermusik | 53:00 | Tempo Reale Firenze | 0 | |||||||||||
| 24118 | Francesco | De Rossi Re | Cesare Lombroso | 2001 | Theatermusik | ≈ 100:00 | Preparazione nastro per spettacolo su "Lombroso" | Tempo Reale Firenze | 0 | ||||||||||
| 3829 | Frederic | De Vreese | De geboorte | 1969 | Film, 1 group | 20:00 | ens [Ensemble] | IPEM Gent | 0 | ||||||||||
| 3830 | Frederic | De Vreese | De stemmer | 1971 | Theater, 1 group | 15:00 | ens [Ensemble] | IPEM Gent | 0 | ||||||||||
| 3831 | Frederic | De Vreese | De vreemde ruiter | 1969 | Fernsehen, | 30:00 | Mono | (M. de Ghelderode) | IPEM Gent | 0 | |||||||||
| 3832 | Frederic | De Vreese | La ville à voile | 1968 | Theatermusik | 15:00 | IPEM Gent | 0 | |||||||||||
| 3833 | Frederic | De Vreese | Paul Klee | 1957 | Film, 1 perf | 25:00 | perc [Schlagzeug] | IPEM Gent | 0 | ||||||||||
| 3834 | Frederic | De Vreese | Victor | 1969 | Theater, 1 group | 9:00 | ens [Ensemble] | IPEM Gent | 0 | ||||||||||
| 3835 | Frederic | De Vreese | Willem van Saeftinge | 1965 | Fernsehen, | 10:00 | Mono | IPEM Gent | 0 | ||||||||||
| 18897 | Harry | de Wit | Song for the Pigeons | 1993 | Zuspiel / Tonband, 4 perf, 1 group | 20:56 | prep p, hn, tpt, inss [Horn, Trompete, Piano, Instrument] | für Multimediale 3 | Walpurgis WPR - 005/ | ZKM Karlsruhe | 1 | http://on1.zkm.de/zkm/artists/Wit | |||||||
| 3836 | Harry | De Wit | Studie I | 1966 | fixed media, akusmatisch | Stereo | IPEM Gent | 0 | |||||||||||
| 18896 | Harry | de Wit | Sweeney Astray | 1994 | intermedia | Theatermusik |
24:49 | cl, (selfmade) inss, V [Stimme, Klarinette, Instrument] | Joan Jonas | Walpurgis WPR - 005/ | 1 | http://on1.zkm.de/zkm/artists/Wit | ||||||||
| 3837 | Csaba | Deák | Etyd om våren | 1970 | Tanz | 11:00 | Mono | Tape privately owned. | EMS Stockholm | 0 | |||||||||
| 3838 | Csaba | Deák | Fäderna | 1968 | Oper | 30:00 | Stereo | Owner of the tape: IRK | EMS Stockholm | 0 | |||||||||
| 34710 | Csaba | Deák | Klarinettofoni | 1967 | fixed media, akusmatisch | 9:39 | Stereo | PSLP 002/ | EMS Stockholm | 0 | |||||||||
| 3839 | Csaba | Deák | Macbeth | 1968 | Theatermusik | 30:00 | Stereo | Owner of the tape: Roglands Th, Stavanger. Norway | EMS Stockholm | 0 | |||||||||
| 3840 | Csaba | Deák | Musik och rörelse | 1973 | Zuspiel / Tonband, 2 perf, 1 group | 10:00 | Stereo | children ch, ins, mime [Instrument, Schauspieler, Chor] | EMS Stockholm | 0 | |||||||||
| 32732 | Brett | Dean | Electric Preludes | 2011 - 2012 | live-elec, 1 perf, 1 group | 25 | e-vn, orc [Violine, Orchester] | electric violin with 6 cords | 10.9.2012 | Union Hall, Maribor, Richard Tognetti (vn) | B & H | 0 | http://www.boosey.com/pages/cr/catalogue/cat_detail.asp?site-lang=en&musicid=57840&langid=1 | ||||||
| 34362 | Michael | Dean | #422AEF9E | 2014 | fixed media, akusmatisch | 9:51 | JTTP 2014 | CEC Cache 2014/ | 0 | ||||||||||
| 19215 | Anne | Deane | Positive Thinking | live-elec, 1 perf | fl [Flöte] | CMJ Vol 21, 1997/ | CREATE | 1 | |||||||||||
| 3841 | Ian | Dearden | Airtight | 1988 | Zuspiel, live-elec, 1 group | 13:00 | ens [Ensemble] | City Uni London | 0 | ||||||||||
| 3842 | Ian | Dearden | Ensnared | 1989 | Zuspiel / Tonband, 1 perf | 9:00 | Stereo | snare-drum [Schlagzeug] | City Uni London | 0 | |||||||||
| 3843 | Ian | Dearden | Kinesis | 1984 | fixed media, akusmatisch | 11:20 | UEA Norwich | 0 | |||||||||||
| 3844 | Ian | Dearden | Lilt | 1987 | Zuspiel / Tonband, 1 perf | 9:40 | Stereo | s-sax [Saxophon] | AVTR 001/ | City Uni London | 0 | ||||||||
| 3845 | Ian | Dearden | Shuffle | 1986 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | shakuhachi [Flöte] | City Uni London | 0 | |||||||||
| 3846 | Ian | Dearden | The Glass Tower | 1986 | Zuspiel / Tonband, 1 perf, 2 groups | 60:00 | Stereo | children ch, inss [Instrument, Chor] | City Uni London | 0 | |||||||||
| 3847 | Fernand | Debats | Kollage | 1972 | fixed media, akusmatisch | 20:00 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 3848 | Fernand | Debats | Tennessee | 1972 | fixed media, akusmatisch | 2:32 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 3849 | Louis | Debras | Klankstrukturen | 1964 | fixed media, akusmatisch | 6:22 | Quadro | IPEM Gent | 0 | ||||||||||
| 3850 | Louis | Debras | Studie I | 1964 | fixed media, akusmatisch | 7:25 | Mono | IPEM Gent | 0 | ||||||||||
| 3851 | Louis | Debras | Studie II | 1964 | fixed media, akusmatisch | 9:00 | Mono | IPEM Gent | 0 | ||||||||||
| 3632 | Krzesimir | Debski | Motet | 1986 | fixed media, akusmatisch | 15:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 3852 | Jean | Debuffet | Musical Experiences | 1961 | live-elec, 1 perf | perf [Performer] | source: 6 records; tape-manipulation | 0 | |||||||||||
| 35192 | Claude, Hans Peter | Debussy, Kuhn | Le Martyre de Saint Sebastian | 1988 | Theatermusik | Text by Gabriele d’Annunzio | 1988 | Opera de Paris, Metropolitan Opera New York | 0 | ||||||||||
| 27329 | Rudy, Manuel | Decelière, Schwuchtig | Mille mètres sur terre | 2003 | Klangkunst, Installation | DVD-Video (PAL, 4/3) von Festival „Archipel“ vom 30.3.-6.4.2003 (Genf) 2004. DVD-Titel: The Third Ear |
archipel the third ear/ | 1 | |||||||||||
| 42928 | Brad, Zlatko | Decker, Cosic | basso images | 2013 | audiovisuell, live-elec, 1 perf | 10:00:00 | B [Bass] | Brad Decker, bass | 0 | ||||||||||
| 3853 | Georges de | Decker | Abraxas | 1976 | Tanz | 6:50 | Stereo | IPEM Gent | 0 | ||||||||||
| 3854 | Georges de | Decker | Hakanai | 1983 | fixed media, akusmatisch | 5:07 | Stereo | IPEM Gent | 0 | ||||||||||
| 3855 | Georges de | Decker | Lineas y puntos | 1979 | Zuspiel / Tonband, 1 group | orc [Orchester] | 0 | ||||||||||||
| 3856 | Georges de | Decker | Modulatude I | 1978 | fixed media, akusmatisch | 5:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 3857 | Georges de | Decker | Omtrete HeeCee | 1979 | Zuspiel / Tonband, 3 perf | 11:40 | Stereo | t-trbn, b-cl, db [Klarinette, Posaune, Kontrabass] | IPEM Gent | 0 | |||||||||
| 3858 | Georges de | Decker | Rest in Piece | 1981 | Zuspiel / Tonband, 5 perf | 2 V, gui, b-cl, db [Stimme, Klarinette, Gitarre, Kontrabass] | 0 | ||||||||||||
| 3860 | Georges de | Decker | Tribute to Vaslav Fomitch | 1980 | Zuspiel / Tonband, 1 perf | bar-sax [Saxophon] | 0 | ||||||||||||
| 3861 | Georges de | Decker | Turn Me Upside Down ... | 1983 | Zuspiel/Tonband, 13 perf | audiovisuell |
V, 11 ins, dancer [Stimme, Instrument, Tanz] | 0 | ||||||||||||
| 3862 | Georges de | Decker | White Suited Men in a Park 84 | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 3859 | Georges de | Decker, Galle | Timelessness | 1977 | fixed media, akusmatisch | 10:10 | Stereo | IPEM Gent | 0 | https://lib.ugent.be/en/catalog/rug01:002402152?i=0&q=%22Galle%22&search_field=author&type=audio#library-services | |||||||||
| 3863 | Max, Norbert | Decker, Baumgartner | Flötenstudie 88 | 1988 | fixed media, akusmatisch | 8:00 | Stereo | ELAK Wien | 0 | ||||||||||
| 3864 | Michel | Decoust | 7.854.693.286 | 1972 | fixed media, akusmatisch | 20:00 | Octo | 0 | |||||||||||
| 3865 | Michel | Decoust | Aentre | 1971 | Zuspiel / Tonband, 3 perf | 12:00 | hn, tpt, trbn [Horn, Trompete, Posaune] | 0 | |||||||||||
| 3866 | Michel | Decoust | C.H.9.A.M.J | 1971 | live-elec, 8 perf | 15:00 | ww, perc, oma, hp, A, vib, db, e-gui [Alt, Gitarre, Harfe, Schlagzeug, Kontrabass, synthesizer, Bläser] | 0 | |||||||||||
| 3867 | Michel | Decoust | Interphone | 1977 | fixed media, akusmatisch | 12:33 | Music V, realization Daniel Arfib, Text: Claude Minière | WER 2024-50, Computer Music Currents 4/ | IRCAM | 1 | |||||||||
| 3868 | Michel | Decoust | Ion | 1973 | Zuspiel / Tonband, 1 perf | 24:00 | Octo | S [Sopran] | EAS 18465/ | 0 | |||||||||
| 3869 | Michel | Decoust | L'Enterreur | 1971 | live-elec, 2 perf | 75:00 | db, p, (radio) [Piano, Kontrabass] | 0 | |||||||||||
| 3870 | Michel | Decoust | Marbres | 1986 | fixed media, akusmatisch | 12:00 | Quadro | EAS 18465/ | CERM Metz | 0 | |||||||||
| 3871 | Michel | Decoust | Olos | 1983 | live-elec, 1 perf | 14:00 | t-sax [Saxophon] | 10. 84, Zagreb, Daniel Kientzy | PAR 5304/ EAS 18008/ | 0 | |||||||||
| 3872 | Michel | Decoust | Solstice | 1968 | Hintergrundmusik | projet pour la M. alisation du foyer B, ORTF | 0 | ||||||||||||
| 3873 | János | Decsényi | Birds of the cathedral | 1991 | fixed media, akusmatisch | 14:07 | Stereo | MR Budapest | 0 | ||||||||||
| 3874 | János | Decsényi | Concertino | 1989 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | Zimbal [Streicher] | PDP-15 with IMPAC | MR Budapest | 0 | ||||||||
| 3875 | János | Decsényi | Prospero's Island | 1989 | fixed media, akusmatisch | 14:20 | MR Budapest | 0 | |||||||||||
| 3876 | János | Decsényi | Stones | 1987 | fixed media, akusmatisch | 11:40 | MR Budapest | 0 | |||||||||||
| 3877 | János | Decsényi | Three concert-Etudes | 1988 | fixed media, akusmatisch | 13:00 | Stereo | PDP-15 with IMPAC | EMS Stockholm | 0 | |||||||||
| 38756 | Dickson, Sainkho, Wu | DEE, NAMTCHYLAK, WEI | Art´s Birthday 2011 - Ch’a Ching | 2011 | radiophon | 42:52:00 | 0 | ||||||||||||
| 3878 | René | Defossez | Le Pecheur et son Ame | 1965 | radiophon | 5:00 | Mono | IPEM Gent | 0 | ||||||||||
| 5355 | William | DeFotis | Piece for flute with tape accomp. | 1980 | Zuspiel / Tonband, 1 perf | 10:47 | fl [Flöte] | Inventionen 8.2.1990 AdK | EMS UIUC | 1 | 1990 | ||||||||
| 27886 | Paula | Defresne | Leurres-Croyances | 2001 | live-elec, 3 perf | trbn, vn, p [Posaune, Piano, Violine] | CRFMW Liège | 12.03.2002 | Bruxelles, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 3879 | Bruno | Degazio | Amphibian | 1983 | fixed media, akusmatisch | 3:20 | Stereo | PS C. | 0 | ||||||||||
| 3880 | Bruno | Degazio | Ave Maris Stella | 1987 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 3881 | Bruno | Degazio | Duet | 1986 | live-elec, 2 perf | 4:20 | Stereo | sax, hpd [Saxophon, Cembalo] | PS C. | 0 | |||||||||
| 3882 | Bruno | Degazio | Fractal Jam | 1986 | fixed media, akusmatisch | 2:00 | Stereo | PS C. | 0 | ||||||||||
| 3883 | Bruno | Degazio | Fractal Study I | 1986 | fixed media, akusmatisch | 4:15 | Stereo | PS C. | 0 | ||||||||||
| 3884 | Bruno | Degazio | Heat Noise | 1987 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | perc [Schlagzeug] | ACM 37 CD 1-4/ | PS C. | 0 | ||||||||
| 3885 | Bruno | Degazio | Humoresque 901534 | 1990 | fixed media, akusmatisch | 3:01 | Stereo | Fraktale Musik | IMED 9004/ IMED 9604/ | 1 | |||||||||
| 3886 | Bruno | Degazio | Jolly | 1995 | Zuspiel / Tonband, 1 perf | 2:15 | e-vn [Violine] | CEC DISContact_2/ | 1 | ||||||||||
| 3887 | Bruno | Degazio | On Growth and Form | 1988 | Zuspiel, live-elec, 1 group | 11:41 | ens [Ensemble] | Fibonacci; ICMC 1992 | ICMC 1992, PRDC 1300/ | Banff C. | 1 | ||||||||
| 3888 | Bruno | Degazio | Spiral | 1983 | fixed media, akusmatisch | 18:00 | Stereo | PS C. | 0 | ||||||||||
| 3889 | Bruno | Degazio | Strange Attractions | 1986 | fixed media, akusmatisch | 7:30 | Stereo | PS Wind | 0 | ||||||||||
| 3890 | Bruno | Degazio | Tesla's Dream | 1992 | fixed media, akusmatisch | 2:38 | excerpt from multimedia opera "NT: The Man Who Invented the 20th Century" | CEC DISContact_1/ | Con Toronto | 1 | |||||||||
| 3891 | Bruno | Degazio | The Road to Chaos | 1986 | fixed media, akusmatisch | 6:30 | Stereo | PS C. | 0 | ||||||||||
| 39635 | Bruno, Christos | Degazio, Hatzis | Harmonia | 2016 | fixed media, akusmatisch | Bruno Degazio and Christos Hatzis | 0 | ||||||||||||
| 3892 | Peter | Dege | going down | 1992 | fixed media, akusmatisch | 13:40 | Stereo | com M. | TU Berlin | Competition Musica Nova Prag 1994 | 1 | ||||||||
| 25868 | Basilio | del Boca | Fragotado | fixed media, akusmatisch | 9:23 | Octo | LDC 278081 Cultures électroniques 19 2006/ | 1 | |||||||||||
| 35496 | Basilio | del Boca | Viscuap | 2008 | fixed media, akusmatisch | 6:04 | CMMAS CD 020/ | 1. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2008 | 0 | ||||||||||
| 3893 | Robert | del Buono | Harmonica | 1995 | fixed media, akusmatisch | 2:51 | CEC DISContact_2/ | 1 | |||||||||||
| 3894 | Robert | del Buono | Solarsystemless | 1992 | fixed media, akusmatisch | 2:51 | CEC DISContact_1/ | 1 | |||||||||||
| 41645 | Sophie | Delafontaine | gris souris | 2017 | fixed media, akusmatisch | 10:03 | 0 | ||||||||||||
| 41582 | Sophie | Delafontaine | Le bruant | 2018 | fixed media, akusmatisch | création mondiale | 0 | ||||||||||||
| 41646 | Sophie | Delafontaine | Le Creux-du-Van | 2014 | fixed media, akusmatisch | 12 | 0 | ||||||||||||
| 41647 | Sophie | Delafontaine | Ondiésop | 2015 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 35744 | Sophie | Delafontaine | Respire, marche pars va-t-en | 2012 | fixed media, akusmatisch | 10:02 | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2013 | 0 | |||||||||||
| 35395 | Sophie | Delafontaine | Ressort spiral | 2016 | fixed media, akusmatisch | 10:49:00 | Stereo | MR 2016 Métamorphoses 2016/ | March 23, 2016 | ÉlectroBelge, Espace Senghor (Brussels, Belgium) | Public Prize ex æquo at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||
| 41648 | Sophie | Delafontaine | Tout ça à cause de Junon | 2013 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 27366 | Valérie | Delaney | Different Shades of Blue | 2007 | fixed media, akusmatisch | 7:56 | JTTP 2007 composer | CEC Cache 2007, PeP 012/ | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 28018 | Valérie | Delaney | La cité de verre | 2009 | fixed media, akusmatisch | 8:05 | JTTP 2010 – CEC & ACMA (canadian & australasian) | CEC Cache 2010/ | JTTP-Winner 2010 5. prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | ||||||||
| 26157 | Gordon | Delap | ahu-akiva | 2007 | fixed media, akusmatisch | 4:52 | Stereo | CMC CD 07 Contemporary Music from Ireland Vol 7/ | NUI Maynooth | 1 | |||||||||
| 25058 | Gordon | Delap | Beowulf & Grendel | 2004 | live-elec, 1 perf | 49:28 | narrator [Schauspieler] | Lesung in Altenglisch von Hugh Magennis | SARC Belfast | 1 | |||||||||
| 41477 | Gordon | Delap | I dreamt that I died and came back as a moth trapped in a practice room piano | 2018 | fixed media, akusmatisch | finaliste l’espace du son 2018 BruxellesFinalist | 0 | ||||||||||||
| 25869 | Gordon | Delap | Light Body Corpuscles | 2005 | audiovisuell | 6:21 | Antonin De Bernels (Video) | CMJ Vol 29-4, 2005/ | SARC Belfast | 1 | 2006 | ||||||||
| 28287 | Gordon | Delap | Lost Horizon | 2008 | fixed media, akusmatisch | 5:21 | Stereo | physical models | Maynooth | 1 | http://www.cmc.ie/composers/composer.cfm?composerID=173 | ||||||||
| 24304 | Gordon | Delap | Mercurious | 2000 | fixed media, akusmatisch | 7:58 | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | ||||||||||
| 25057 | Gordon | Delap | Pathless Desert | 2004 | fixed media, akusmatisch | 14:15 | akusmatisch | SARC Belfast | 1 | ||||||||||
| 25416 | Gordon | Delap | Schlesinger’s Forge | 2006 | fixed media, akusmatisch | 11:00 | Octo | together with Stefan Bilbao (physical Model) | TU Berlin | funded by the Arts Council of Northern Ireland | 1 | ||||||||
| 3895 | José Luis de | Delás | Aube | 1971 | fixed media, akusmatisch | 11:55 | Mono | Sonology Utrecht | 0 | ||||||||||
| 3896 | José Luis de | Delás | Cinco sellos | 1972 | Zuspiel / Tonband, 1 group | 9:00 | ens [Ensemble] | 0 | |||||||||||
| 3897 | José Luis de | Delás | Conjuntos | 1975/1976 | Zuspiel / Tonband, 1 group | 22:00 | ens [Ensemble] | 0 | |||||||||||
| 23049 | José Luis de | Delás | Drumphony | 1981 | live-elec, 1 perf, 1 group | perc, orc [Schlagzeug, Orchester] | WDR SEM | WDR 1981 | 0 | ||||||||||
| 3898 | José Luis de | Delás | Eilanden | 1968 | Zuspiel / Tonband, 10 perf | 13:30 | 10 ins [Instrument] | WDR | 0 | ||||||||||
| 3899 | José Luis de | Delás | Episoden des Tages und der Nacht | 1970 | Zuspiel / Tonband, 1 group | 19:35 | orc [Orchester] | 0 | |||||||||||
| 3900 | José Luis de | Delás | Gesualdo | Fernsehen, | TV-film of the SWF | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 3901 | José Luis de | Delás | Nubes | 1969 | fixed media, akusmatisch | 18:03 | Stereo, Quadro | Sonology Utrecht | 0 | ||||||||||
| 34422 | José Luis de | Delás | textes | 1967 | fixed media, akusmatisch | 13:40 | Mono | with the Soprano Margarita Sabartés | Radio Bremen | 0 | |||||||||
| 23048 | José Luis de | Delás | Tres nocturnos | 1981 | Zuspiel / Tonband, 7 perf | 14:19 | Mono | 4 perc, vn, va, vc [Schlagzeug, Viola, Cello, Violine] | Koch 3-5037-1/ | WDR SEM | WDR 1981 | 18.9.1981 | "Musik der Zeit" Köln | 0 | |||||
| 36701 | Chris | DeLaurenti | Glyph | fixed media, akusmatisch | elek 002/ | 0 | |||||||||||||
| 25870 | Chris | DeLaurenti | Our Streets! | 2004 | Klangkunst, Installation | 7:41 | protest NY | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 41856 | Christopher | DeLaurenti | Les deux eglises de Montmorillon, 9pm | 2008 | radiophon | 5:01:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 25017 | Benoit | Delbecq | Mots volés | 2003 | fixed media, akusmatisch | 2:07 | real ambient vol. 4/ | PS | 1 | ||||||||||
| 3902 | Lex van | Delden | Icarus (oratorio) | 1963 | Zuspiel, live-elec, 1 perf, 3 groups | radiophon |
45:00 | Vs, ch, orc [Stimme, Chor, Orchester] | 0 | |||||||||||
| 38531 | Christophe | DELEU | Vers le Nord | 2010 | radiophon | 53:55:00 | Prix Phonurgia nova | 0 | |||||||||||
| 41621 | Laurent | Delforge | Avant les tigres | 2016 - 2017 | fixed media, akusmatisch | 8:40:00 | T.1 2016, T.2, 2017 | Musiques et Recherches Ohain | 0 | ||||||||||
| 32806 | Laurent | Delforge | Dragonfly | fixed media, akusmatisch | INA • GRM | 0 | |||||||||||||
| 27750 | Laurent | Delforge | Palimpseste sur souvenir | 2007 | fixed media, akusmatisch | 6:34 | wbm 168 b Electro AC Wallonie - Bruxelles/ | Musiques et Recherches Ohain | Sélection jeune compositeur à la TIME 2007 | 1 | |||||||||
| 23537 | Carlos | Delgado | alone at the edge | 2001 | Zuspiel / Tonband, 1 perf | 10:42 | fl [Flöte] | B. G. Schmitt (fl). | ISPV 191 CD ProViva Flöte und Computer 2/ | PS | 1 | ||||||||
| 39318 | Carlos | Delgado | Prelude to the Sixth Sun | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39832 | Gustavo Adolfo | Delgado | Permanente e transitorio | 2017 | fixed media, akusmatisch | Gustavo Adolfo Delgado | 0 | ||||||||||||
| 39831 | Gustavo Adolfo | Delgado | SaxOut! | 2017 | fixed media, akusmatisch | Gustavo Adolfo Delgado | 0 | ||||||||||||
| 35722 | Jaime | Delgado | Hommenage sans titre | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 3903 | Raoul | Delgado | Primelectropus | 1976 | Theatermusik | 5:35 | Stereo | INA • GRM | 27.8.1976 | Paris, Th. Récamier | 0 | ||||||||
| 41529 | Thomas | DeLio | ...a different liquid | 1996 | fixed media, akusmatisch | 3:37 | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 3823 | Thomas | DeLio | Against the silence | 1986 | Zuspiel / Tonband, 6 perf | 20:08 | Quadro | 5 perc, p [Piano, Schlagzeug] | WER 2029; Computer Music Currents 9/ | 1 | |||||||||
| 22934 | Thomas | DeLio | "because the…" | 1995 | fixed media, akusmatisch | 2:21 | Neuma 450-92/ | 1 | |||||||||||
| 38413 | Thomas | DeLio | M,nce | 1998 | fixed media, akusmatisch | 1:57 | Neuma 450-99/ | 0 | |||||||||||
| 22933 | Thomas | DeLio | Pine, Bamboo, Plum | 1994 | fixed media, akusmatisch | 2:16 | Neuma 450-92/ | 1 | |||||||||||
| 38414 | Thomas | DeLio | Pinh,h | 1998 | fixed media, akusmatisch | 2:42 | Neuma 450-99/ | 0 | |||||||||||
| 41527 | Thomas | DeLio | so again | 1994 | fixed media, akusmatisch | 2:08 | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 28132 | Thomas | DeLio | think on parch | 1995 | fixed media, akusmatisch | 17:17 | 4 songs for tape | CPS 8693 Capstone/ | 0 | ||||||||||
| 41531 | Thomas | DeLio | though, on | 1996 | fixed media, akusmatisch | 5:33 | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 41530 | Thomas | DeLio | to make / -as / in- | 1995 | fixed media, akusmatisch | 5:33 | CPS 8645 Capstone/ | 0 | http://www.capstonerecords.org/CPS-8645.html | ||||||||||
| 41619 | Ana | Dell'Ara-Majek | La chandelle des illusions | 2007 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 41620 | Ana | Dell'Ara-Majek | Xylocopa Ransbecka | 2017 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 42977 | Ana | Dell’Ara-Majek | Akheta’s Blues | 2013 | fixed media, akusmatisch | 9:13:00 | 0 | ||||||||||||
| 3904 | Etienne | Delmas | D'un ciel à l'autre | 1987 | fixed media, akusmatisch | 20:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | SACEM | 0 | ||||||||
| 3905 | Etienne | Delmas | Le monde à l'envers | 1992 | Film | 90:00 | Stereo | ZKM Karlsruhe | 0 | ||||||||||
| 35843 | Brice | Deloose | Le temps de l’oubli | 2012 | fixed media, akusmatisch | 8:20 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 42598 | Erik | DeLuca | In | 2009 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 19158 | Sherre | DeLys | Transpoes: a digital sketch of Australian Mimicry | 1996 | Klangkunst, Installation | ISAST LMJ 6/ | 1 | ||||||||||||
| 3906 | Christoph | Delz | Im Dschungel | 1984 | Zuspiel / Tonband, 1 group | 0:46 | Stereo | orc [Orchester] | HfMT Köln | 0 | |||||||||
| 3907 | Christoph | Delz | Kölner Messe | 1981 | Zuspiel / Tonband, 2 groups | 24:14 | Quadro | ch, boys ch [Chor] | HfMT Köln | WDR 1983 | 0 | ||||||||
| 36761 | Norman | DeMarco | Fantasia electronica | fixed media, akusmatisch | Sonology Utrecht | 0 | |||||||||||||
| 36760 | Norman | DeMarco | Music for an abstract film | Film | Sonology Utrecht | 0 | |||||||||||||
| 36742 | Norman | DeMarco | Sonic Etude | fixed media, akusmatisch | Sonology Utrecht | 0 | |||||||||||||
| 36762 | Norman | DeMarco | Sonic flight | fixed media, akusmatisch | Sonology Utrecht | 0 | |||||||||||||
| 26844 | Paul | DeMarinis | A Light Rain | 2004 | Klangkunst, Installation | in collaboration with Rebecca Cummins. Viewers take an umbrella, walk into the rainbow, and hear music played by water streams. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26850 | Paul | DeMarinis | According to Scripture | 2002 | Klangkunst, Installation | Sounds from before the age of the recording. An installation of large digital prints of sound traces made before the invention of the phonograph, accompanied by sound samples derived from these graphic traces by computer processing of line images into sound files. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26866 | Paul | DeMarinis | Alien Voices | 1988 | Klangkunst, Installation | Visitors enter two antique wood and glass telephone booths engage in conversation, hearing the melody of their voices translated into music or changed into whispers, robotic monotones or alien melodies. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26865 | Paul | DeMarinis | An Unsettling Matter | 1991 | Klangkunst, Installation | An autobiographical work incorporating family photos, projected panoramic desert landscapes, a small leaden hut, a geiger counter and a radio from which emanate voices telling stories about radioactive contamination spread across the Nevada desert . On the floor is a harmless but noticeable powder which spreads by clinging to visitors as it contaminates the environs. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 34732 | Paul | DeMarinis | Around the world | 2010 | Klangkunst, Installation | 4:12 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 2.7.-12.9.2010 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=688 | ||||||||
| 26862 | Paul | DeMarinis | Chaotic Jumpropes | 1994 | Klangkunst, Installation | Bright vibrating cords and motors comprise a dynamic system that moves between order and chaos. Tracked by computers, these motions are translated into musical sounds, allowing interactive exploration of chaos as sight, sound and touch. Internet access provides online control of the chaotic systems. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 3824 | Paul | DeMarinis | Eeenie Meenie Chillie Beenie | 1984 | live-elec, | 5:00 | 1 | ||||||||||||
| 26845 | Paul | DeMarinis | Firebirds | 2004 | Klangkunst, Installation | Oracular flames kept captive within birdcages recite speeches of some political leaders of the twentieth century. Gas flames, suitably modulated by electrical fields can be made to act as omnidirectional loudspeakers of surprising clarity and amplitude. | Kehrer Verlag ISBN 978-3-939583-23-3/ | 24.6.-1.8.2004 | singuhr hoergalerie Berlin | Auszeichnung ars electronica honorary mention 2005 | 0 | 2004 | http://www.well.com/~demarini/ | ||||||
| 25871 | Paul | Demarinis | Fireflies Alight on the Abacus of Al-Farabi | 1989 | audiovisuell | 1:16 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | http://www.stanford.edu/~demarini/ | |||||||||
| 26864 | Paul | DeMarinis | Fireflies Alight on the Abacus of Al-Farabi | 1989 | Klangkunst, Installation | A 60 foot long music wire with little dancing loops of monofilament is stretched in a dark room and illumined by an emerald laser beam. The loops dance on the harmonic nodes of the wire, producing flickering points of light and aeolian harp-like sounds. | ETAT Taiwan/ | 1 | http://www.well.com/~demarini/ | ||||||||||
| 26854 | Paul | DeMarinis | Four Foxhole Radios | 2000 | Klangkunst, Installation | A series of working radios constructed from unlikely materials such as chewing gum wrappers, broken light bulbs and rusty nails offers proof of technology in its absence. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26861 | Paul | DeMarinis | Gray Matter | 1995 | Klangkunst, Installation | Interactive electrified objects that produce sound and sensation when stroked with the hand. | ISBN 3-7913-1699 (Prestel)/ | 1 | http://www.well.com/~demarini/ | ||||||||||
| 26858 | Paul | DeMarinis | Grind Snaxe Blind Apes ( A Study for Pomeroy's Tomb) | 1997 | Klangkunst, Installation | A room constructed of cardboard storage boxes. Inside, a wire cage encloses a mechanized monkey's paw that draws the face of the deceased in light on a slowly rotating phosphorescent drum, accompanied by the sound of his snoring. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26841 | Paul | DeMarinis | Hypnica | 2007 | Klangkunst, Installation | A series of talking metronomes that use the voices of hypnotists to lull the listener into a sonic trance. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 3825 | Paul | DeMarinis | I want you / Kokole | 1986 | fixed media, akusmatisch | live-elec, |
9:45 | Music&Arts CD 276/ | 1 | |||||||||||
| 26859 | Paul | DeMarinis | Living with Electricity | 1997 | Klangkunst, Installation | Three domestic settings, each containing a throw rug, a lamp, a transduced rocking chair and a sound making device fitted with actuators. The three areas are interconnected via local area network so that rocking in one chair produces movement and sound in a different one. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26851 | Paul | DeMarinis | Moondust Memories | 2001 | Klangkunst, Installation | Little autonomous rovers explore the dark side of the moon, leaving behind luminous traces; accompanied by outer space sounds, occasionally punctuated by alien giggles. Installation 15 ft. x 15 ft. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26840 | Paul | DeMarinis | Music as a second Language, Leçon par l'aiguille Fonetica Francese Odd Evening An Appeal The Sand Clock Cincinnati 1830-1850 The Power of Suggestion Beneath the Numbered Sky |
1991 | fixed media, akusmatisch | LM- 3011/ | 0 | http://www.lovely.com/titles/cd3011.html | |||||||||||
| 26868 | Paul | DeMarinis | Music Room / Faultless Jamming | 1982 | Klangkunst, Installation | A multi-player interactive music system consisting of five touch-sensitive guitars connected to a computer which allows people with no previous musical training to engage in a lively musical dialog. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26856 | Paul | DeMarinis | RainDance / Musica Acuatica | 1998 | Klangkunst, Installation | Twenty falling streams of water, modulated with audio signals, create music and sound when intercepted by visitors' umbrellas. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26843 | Paul | DeMarinis | re-Titled | 2006 | Klangkunst, Installation | site-specific installation in a bridge tunnel over the Rhine. A series of 28 sound-sensitive lights responds to the acoustic pressure waves reverbrating in the tunnel to display sound as light and shadow in motion. | 2006 | ScoreCologne, Köln | 0 | http://www.well.com/~demarini/ | |||||||||
| 26848 | Paul | DeMarinis | Rebus | 2003 | Klangkunst, Installation | Public interactive sound and art project made in collaboration with Enrique Chagoya for entrance to underground parking garage at Stanford Medical Center, opened April 2003. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26842 | Paul | DeMarinis | Rome to Tripoli | 2006 - 2008 | Klangkunst, Installation | Based on a recreation of the 1908 radio transmitter of Majorana, high voltage and a stream of vitriolic acid convene to broadcast distorted sounds of western culture (Mozart, Verdi, Bavarian Waltzes and Futurist poetry) toward unwilling ears. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26869 | Paul | DeMarinis | Sound Fountain | 1982 | Klangkunst, Installation | In collaboration with David Behrman. Touch sensitive sticks make music and move computer generated creatures around a video screen. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26860 | Paul | DeMarinis | Sound Waves and Scan-O-Vision | 1996 | Klangkunst, Installation | Two large scale public interactive installations commissioned by Swatch for their Pavilion at the 1996 Olympic Games in Atlanta. Timing devices and sensors developed for Olympic competitions are used as input and display devices allowing members of the public to trigger sounds, rhythms and create time motion images of themselves in playful and engaging ways. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26870 | Paul | DeMarinis | Sounds and the Shadows of Sounds | 1979 | Klangkunst, Installation | A computer quietly listens to the sounds in the environment for a while, analyses what it hears, then plays the spectral "shadows" of its memories as slowly shifting patterns of filtered white noise from the interchannel hash of a police scanner. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26863 | Paul | DeMarinis | The Edison Effect | 1989 - 1993 | Klangkunst, Installation | Ancient phonograph records, wax cylinders and holograms are scanned with lasers to produce music at once familiar and distant, like some faintly remembered melody running through the head. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26855 | Paul | DeMarinis | The Lecture of Comrade Stalin…, The Lecture Of Comrade Stalin At The Extraordinary 8th Plenary Congress About The Draft Concept Of The Constitution Of The Soviet Union On November 25, 1936 | 1999 - 2002 | Klangkunst, Installation | 7:06 | The voices of Joseph Stalin, Elvis Presley, Spike Jones and Lady Macbeth of Mtsensk mingle and converse in the ether and are received and made audible by four ancient shortwave radios. | ISAST LMJ 8/ EMF CD 012 ISAST 8/ |
0 | http://www.well.com/~demarini/ | |||||||||
| 26857 | Paul | DeMarinis | The Messenger | 1998 - 2005 | Klangkunst, Installation | Email messages received over the internet are displayed letter by letter on three alphabetic telegraph receivers: a large array of 26 talking washbasins, each intoning a letter of the alphabet in Spanish; a chorus line of 26 dancing skeletons and a series of 26 electrolytic jars with metal electrodes in the form of the letters A to Z that oscillate and bubble when electricity is passed through them. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 34733 | Paul | DeMarinis | The Probable Flight Path of AF 447 | 2010 | Klangkunst, Installation | 6:01 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 2.7.-12.9.2010 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=688 | ||||||||
| 26853 | Paul | DeMarinis | The Products of Our Industry | 2000 | Klangkunst, Installation | Site specific three story high text piece commissioned for exterior museum wall. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26871 | Paul | DeMarinis | The Pygmy Gamelan | 1973 | Klangkunst, Installation | Five to ten little electronic circuits respond to electrical fluctuations in the galaxy by improvising around five-note phrases. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26847 | Paul | DeMarinis | (Tommy Franks) Dérive Quebec | 2003 | Klangkunst, Installation | Kinetic object and video projection. A 48" diameter wooden disk moves and tilts unpredictably. Inside a small robotic tank roams algorithmically over a fancifully rearranged map of Quebec City, transmitting video of its location via a wireless video link to the projector. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26846 | Paul | DeMarinis | Tongues of Fire | 2004 | Klangkunst, Installation | Film recordings of vibrating flames represent the articulations of speech, based on 19th century manometric flame devices. | 0 | 2004 | http://www.well.com/~demarini/ | ||||||||||
| 3826 | Paul | DeMarinis | Untiteld Work | 1985 | live-elec, | 17:00 | 1 | ||||||||||||
| 26867 | Paul | DeMarinis | Voice Creatures | 1986 | Klangkunst, Installation | A series of synthetic personalities, including two radio-genies and a sewer-saint who respond to visitors' voices with phrases, moans, and secret codes. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26852 | Paul | DeMarinis | Walls in the Air | 2001 | Klangkunst, Installation | A postwar Polish radio set receives messages from the programs of Radio Free Europe mingled with contemporaneous AM broadcasts. Created to accompany a historical show on Radio Free Europe. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 26849 | Paul | DeMarinis | Wavescape | 2003 | Klangkunst, Installation | A permanent interactive sound installation for the Ft. Lauderdale International Airport, opened January 2003. | 0 | http://www.well.com/~demarini/ | |||||||||||
| 3827 | Paul | DeMarinis | Yellow Yankee | 1984 | live-elec, | 5:00 | 1 | ||||||||||||
| 26514 | Inouk | Demers | Chambre, vue | 2007 | audiovisuell, live-elec, 1 perf | 16:00 | amp p, (Max/MSP) [Piano] | For Heather O'Donnell | Hauptstadtkulturfonds Berlin and Tesla | 26.1.2007 | Ultraschall Festival, Berlin | 0 | |||||||
| 26515 | Inouk | Demers | Contributing Properties | 2007 | audiovisuell, live-elec, 1 perf | 16:00 | amp p, (Max/MSP) [Piano] | For Heather O'Donnell. | Hauptstadtkulturfonds Berlin and Tesla | 18.10.2008 | Sinus-Ton Festival Magdeburg, | 0 | |||||||
| 26513 | Inouk | Demers | Ville frontalière, 11 août | 2007 | fixed media, akusmatisch | 10:00 | 0 | ||||||||||||
| 43165 | Louis-Philippe | Demers | The Mechanized Eccentric Series | 2005 | audiovisuell | 39 | Auszeichnung ars electronica honorary mention 2005 | 0 | |||||||||||
| 22796 | Louis-Philippe, Bill | Demers, Vorn | The Frenchman Lake | 1996 | Klangkunst, Installation | 1:25 | Sonambiente Ausstellung (1996) Katalog S.49 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 3828 | Charles | DeMestral | Panchromatic Souvenirs | 1984 | fixed media, akusmatisch | ≈ | Stereo | 1 | |||||||||||
| 3908 | Patrick | Demeyer | Musiques Eclatees, Alinea | 1969 | Performance | 2:16 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 24811 | Henri | Demilecamps | Manèges blues | 1993 | fixed media, akusmatisch | 2:21 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 39576 | Andrew | Demirjian | Color Yourself Inspired | 2016 | Klangkunst, Installation | Andrew Demirjian | 0 | ||||||||||||
| 19043 | Gunter | Demnig | Drei schwarze Türme | 1996 | Klangkunst, Installation | 2:10 | Sonambiente Ausstellung (1996) Katalog S.51 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 20083 | Darren | Dempster | Maritime Vision | 1996 | Klangkunst, Installation | 5:39 | Stereo | ASP 0966 / | 0 | ||||||||||
| 20084 | Stuart | Dempster | Morning Light | 1995 | Zuspiel / Tonband, 1 perf | 9:40 | Stereo | trbn [Posaune] | ASP 0966 / | CCRMA | 0 | ||||||||
| 3909 | Stuart | Dempster | Standing Waves | 1978 | Zuspiel / Tonband, 1 perf | Quadro | trbn [Posaune] | CCRMA | 0 | ||||||||||
| 27652 | Stuart, Bret | Dempster, Battey | Retrocoagulant Vox | 2001 | fixed media, akusmatisch | 11:34 | uh-label 020011006 sonic voyages/ | Uni De Montfort | Chad Kirby | 1 | |||||||||
| 42772 | Thomas | Dempster | 10 Roentgens | 2012 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 36912 | Thomas | Dempster | basking in the copper look | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 40286 | Thomas | Dempster | Congaree Voices | 2015 | fixed media, akusmatisch | 10:55:00 | Thomas Dempster | 0 | |||||||||||
| 42480 | Thomas | Dempster | contact clusters | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 40285 | Thomas | Dempster | melt | 2016 | fixed media, akusmatisch | Thomas Dempster | 0 | ||||||||||||
| 3910 | Group, Bracha, Alexander | Denam, Eden, Tamir | Contrasts | 1963 | Zuspiel / Tonband, 2 perf | 5:00 | Stereo | 2 p [Piano] | PS C. Jerusalem | 0 | |||||||||
| 3911 | Group, Bracha, Alexander | Denam, Eden, Tamir | Experiments in Space | 1964 | Tanz | 17:00 | Stereo | PS C. Jerusalem | 0 | ||||||||||
| 3912 | Group, Bracha, Alexander | Denam, Eden, Tamir | Radiophonie | 1966 | Radiokunst, 3 perf | 6:00 | Quadro | xyl, hpd, org [Orgel, Cembalo, Schlagzeug] | PS C. Jerusalem | 0 | |||||||||
| 3913 | Group, Bracha, Alexander | Denam, Eden, Tamir | Suite on modern themes | 1962 | Tanz | 15:00 | Mono | PS C. Jerusalem | 0 | ||||||||||
| 3914 | Helmut | Dencker | Bruchstücke aus stylus phantasticus | 1992/1993 | fixed media, akusmatisch | 12:58 | Stereo | PS C. | Competition Musica Nova Prag 1993 | 1 | |||||||||
| 3915 | Helmut | Dencker | Current Loops | 1982 | fixed media, akusmatisch | 20:30 | Stereo | WP Steir. Herbst / IGNM Festival 82 | electronic access 95 - die andere saite Nr. 1/ | IEM Graz | 1 | ||||||||
| 3916 | Helmut | Dencker | Im Puls | 1974/1975 | fixed media, akusmatisch | 2:37 | Stereo | IEM Graz | 0 | ||||||||||
| 3917 | Helmut | Dencker | Juxtaposition | 1974 | fixed media, akusmatisch | 9:48 | Stereo | Steir. Herbst 76 | IEM Graz | 0 | |||||||||
| 3918 | Helmut | Dencker | Natté | 1989 | fixed media, akusmatisch | 11:50 | Stereo | PS C. | 0 | ||||||||||
| 3919 | Helmut | Dencker | Revolutionsständchen 89 | 1989 | fixed media, akusmatisch | 10:35 | Stereo | PS C. | 0 | ||||||||||
| 3920 | Helmut | Dencker | Stylus phantasticus I | 1990/1993 | fixed media, akusmatisch | 30:58 | Octo | Ariadne GE 07/ | PS C. | 1 | |||||||||
| 3921 | Helmut | Dencker | Variationen über … | 1974/1975 | fixed media, akusmatisch | 9:30 | Stereo | IEM Graz | 0 | ||||||||||
| 3922 | Lionel | Dendievel | Etude contrastic, Ode à la soirée d'im Magnétophone | 1990 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 3923 | Lionel | Dendievel | Le cri | 1991 | fixed media, akusmatisch | 8:00 | CNR Amiens | 0 | |||||||||||
| 3924 | Patrick | Dendievel | Etude | 1988 | Zuspiel / Tonband, 1 perf | 9:00 | sax [Saxophon] | CNR Amiens | 0 | ||||||||||
| 3925 | Patrick | Dendievel | Fando et Lis | 1989 | Theatermusik | var | CNR Amiens | 0 | |||||||||||
| 36433 | Runxia | Deng | Nachher | 2010 | Klangkunst, Installation | 1:15:00 | Besenkammer bb 03/ | 0 | |||||||||||
| 3926 | Michael | Denhoff | Poco a poro, Monolog III für Baßföte (und Tonband ad lib.) | 1989 | Zuspiel / Tonband, 1 perf | 4:40 | Stereo | b-fl [Flöte] | HfMT Köln | Möck | 0 | ||||||||
| 3927 | Michael | Denhoff | Traumgesicht | 1981 | Zuspiel / Tonband, 3 perf | 12:04 | Quadro | vc, p, tam-tam [Piano, Schlagzeug, Cello] | HfMT Köln CD5/ | HfMT Köln | Br&Hä | 1 | |||||||
| 20085 | Group | Denier du Culte | Deguenille | 1989 | fixed media, akusmatisch | 3:51 | Stereo | electro rock Members: Alain Basso, Philippe Blanchard, Sylvie Loquet |
Collectif & Cie 12/ | C&C Annecy | 0 | ||||||||
| 3928 | Anargyros | Deniosos | 13*5 | 1984/1991 | Zuspiel, live-elec, 2 perf | Hintergrundmusik |
∞ | 3 tracks | (score,) str, hpd [Cembalo, Streicher] | PS C. | 0 | |||||||||
| 3929 | Anargyros | Deniosos | 15 pieces for a brass player | 1987 | live-elec, 15 perf | 15:00 | Quadro | 15 br [Bläser] | KSYME | 0 | |||||||||
| 3930 | Anargyros | Deniosos | 4 X 4 | 1987 | Zuspiel/Tonband, 3 perf | Musiktheater |
11:00 | Stereo | pic-fl, tpt, p [Flöte, Trompete, Piano] | KSYME | 0 | |||||||||
| 3931 | Anargyros | Deniosos | A leaf fallls | 1989 | computer generated score, 2 perf | 18:00 | str, fl [Flöte, Streicher] | IRMA | 0 | ||||||||||
| 3932 | Anargyros | Deniosos | Box | 1988 | Hintergrundmusik | ∞ | Stereo | com | PS C. | 0 | |||||||||
| 3933 | Anargyros | Deniosos | Flavor pieces | 1992 | computer generated score, 1 perf | 18:00 | ins [Instrument] | IRMA | 0 | ||||||||||
| 3934 | Anargyros | Deniosos | Folksongs I | 1984 | fixed media, akusmatisch | 45:00 | Stereo, Quadro | songs from Thracea | PS C. | 0 | |||||||||
| 3935 | Anargyros | Deniosos | Folksongs II | 1985 | Zuspiel / Tonband, 1 perf | 32:00 | Quadro | var str-ins [Streicher] | songs from Cretae | PS C. | 0 | ||||||||
| 3936 | Anargyros | Deniosos | hologramms | 1984/1993 | computer generated score, 1 group | ∞ | Quadro | (com), ens [Ensemble] | IRMA | 0 | |||||||||
| 3937 | Anargyros | Deniosos | Kagel Collage | 1987 | live-elec, 1 perf | 18:00 | Quadro | tpt [Trompete] | PS C. | 0 | |||||||||
| 3938 | Anargyros | Deniosos | La marée de lys du mare: Time fractals | 1992 | Hintergrundmusik | ∞ | Stereo | com, p | IRMA | 0 | |||||||||
| 3939 | Anargyros | Deniosos | Light | 1986 | Zuspiel / Tonband, 6 perf | 18:00 | Stereo | fl, cl, tpt, db, p, perc [Flöte, Klarinette, Trompete, Piano, Schlagzeug, Kontrabass] | KSYME | 0 | |||||||||
| 3940 | Anargyros | Deniosos | Light Sculptures | 1990 | Hintergrundmusik | ∞ | Quadro | Com, synt | IRMA | 0 | |||||||||
| 3941 | Anargyros | Deniosos | Madrigal | 1986 | fixed media, akusmatisch | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 3942 | Anargyros | Deniosos | NETS: LEGEND I-V | 1989/1992 | intermedia | Musiktheater || Film |
∞ | Stereo | var ens [Ensemble] | IRMA | 0 | |||||||||
| 3943 | Anargyros | Deniosos | Piano Pieces | 1988/1993 | computer generated score | ∞ | IRMA | 0 | |||||||||||
| 3944 | Anargyros | Deniosos | pieces of a invented youth | 1984/1993 | computer generated score, 1 group | ∞ | (com), ens [Ensemble] | IRMA | 0 | ||||||||||
| 3945 | Anargyros | Deniosos | Strange Attractors | 1991 | Zuspiel / Tonband, 1 perf | 20:00 | Stereo | p [Piano] | IRMA | 0 | |||||||||
| 3946 | Anargyros | Deniosos | ..Strangeness and charm and colour … | 1982/1992 | computer generated score, 5 perf | 12:00 | fl, b-cl, vn, db, p [Flöte, Klarinette, Piano, Violine, Kontrabass] | IRMA | 0 | ||||||||||
| 3947 | Anargyros | Deniosos | Vitrail | 1985 | Zuspiel / Tonband, 1 perf | ∞ | Stereo | p [Piano] | PS C. | 0 | |||||||||
| 3948 | Anargyros | Deniosos | Walls of sound | 1988 | Hintergrundmusik | ∞ | Stereo | com | PS C. | 0 | |||||||||
| 3949 | Anargyros | Deniosos | Weave world | 1992 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | (com), p [Piano] | IRMA | 0 | |||||||||
| 27859 | Claudine | Denis | adaptation de son mannequin "préparé" | 2005 | fixed media, akusmatisch | CRFMW Liège | 9.02.2006 | spectacle Meufs marinées, Bruxelles, KVS | 0 | http://www.crfmw.be/index1.htm | |||||||||
| 3950 | Didier | Denis | Trois partout | 1972 | Zuspiel / Tonband, 4 perf | 17:03 | S, oma, p, perc [Sopran, Piano, Schlagzeug, synthesizer] | 0 | |||||||||||
| 20086 | Jean-François | Denis | 4 Images | 1990 | fixed media, akusmatisch | 6:48 | Stereo | MW 53/ | 0 | ||||||||||
| 3951 | Jean-François | Denis | A Horse with Blinders | 1985 | Zuspiel, live-elec, 1 perf | 9:30 | Stereo | carillon [Keyboard] | Antenna | 0 | |||||||||
| 3952 | Jean-François | Denis | Africo-rythme | 1982 | fixed media, akusmatisch | 19:10 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3953 | Jean-François | Denis | An Iceman with a Horse with Blinders | 1985 | Zuspiel, live-elec, 2 perf | 13:30 | Stereo | perc (tambours), carillon [Keyboard, Schlagzeug] | Antenna | 0 | |||||||||
| 3954 | Jean-François | Denis | Expression d'un rêve | 1983 | fixed media, akusmatisch | 14:41 | Stereo | CCM Mills | 0 | ||||||||||
| 3955 | Jean-François | Denis | Fall | 1988 | fixed media, akusmatisch | 18:30 | Stereo | Concordia Montréal, PS Denis | 0 | ||||||||||
| 3956 | Jean-François | Denis | I like eggs (too) | 1986 | live-elec, 1 perf | 8:00 | Stereo | synt (MIDI) [synthesizer] | Concordia Montréal, PS Denis | 0 | |||||||||
| 3957 | Jean-François | Denis | Influences | 1986 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
14:51 | Stereo | V [Stimme] | MIDI | MetaM. Montréal | 0 | ||||||||
| 3958 | Jean-François | Denis | Limit(e)s | 1986 | live-elec, 2 perf | 15:00 | Stereo | V, synt [Stimme, synthesizer] | Concordia Montréal | 0 | |||||||||
| 3959 | Jean-François | Denis | Limit(e)s maxima(les) | 1987 | Zuspiel, live-elec, 2 perf | 12:02 | Stereo | V or narrator, synt, (com) [Stimme, Schauspieler, synthesizer] | Concordia Montréal | 0 | |||||||||
| 3961 | Jean-François | Denis | Nobody wants to hear from your t-shirt, anyway | 1985 | Zuspiel / Tonband, 1 perf | 9:20 | Stereo | e-bass [Gitarre] | CCM Mills | 0 | |||||||||
| 3962 | Jean-François | Denis | Ondes, six pianos | 1983 | intermedia, live-elec, 1 perf | 31:00 | Stereo, 6 | p, (multi-images) [Piano] | CCM Mills | 0 | |||||||||
| 3963 | Jean-François | Denis | Pièces détachées | 1988 | fixed media, akusmatisch | 24:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3964 | Jean-François | Denis | Point-virgule | 1990 | fixed media, akusmatisch | 3 | Stereo | IMED 9004/ EAR Magazine 1/ IMED 9604/ | C&C Annecy | 1 | |||||||||
| 3965 | Jean-François | Denis | Seul à la plage | 1981 | fixed media, akusmatisch | 12:08 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3966 | Jean-François | Denis | Sometimes it rains only under the trees | 1984 | fixed media, akusmatisch | Zuspiel/Tonband, 5 perf |
10:00 | Stereo | str-qt, perc [Schlagzeug, Streicher] | Antenna | 0 | |||||||||
| 3967 | Jean-François | Denis | Stonehenge | 1983 | fixed media, akusmatisch | 12:05 | Stereo | CCM Mills | 0 | ||||||||||
| 3968 | Jean-François | Denis | Trajectoires | 1988 | live-elec, 1 perf | 10:11 | Stereo | synt [synthesizer] | MIDI | SNE 556/ | IREME Vancouver | 1 | |||||||
| 3969 | Jean-François | Denis | Trajectoires parallèles | 1988 | live-elec, 1 perf | 12:45 | Stereo | com con synt [synthesizer] | PS C. | 0 | |||||||||
| 3970 | Jean-François | Denis | Tri-cycles | 1983 | fixed media, akusmatisch | 17:40 | Stereo | Concordia Montréal | 0 | ||||||||||
| 3971 | Jean-François | Denis | Variations pour la Saint-Jean-Baptiste | 1984 | fixed media, akusmatisch | 2:15 | Stereo | 0 | |||||||||||
| 3960 | Jean-François, Shawn, John | Denis, Hill, Wells | Métamorphose pour trois | 1987 | live-elec, 3 perf | 14:45 | Stereo | elec trio [elektronik] | 0 | ||||||||||
| 3972 | Edison | Denisov | Chant d'Oiseaux, Bird's Singing | 1969 | fixed media, akusmatisch | 5:05 | ANS - synt | CTEPEO C60 30721/ ELCD 011 Electroshock Records/ IDEAMA CD 013/ | Muzei Skryabina Moskva | 1 | |||||||||
| 3973 | Edison | Denisov | Sur la nappe d'un étang glacé | 1992 | Zuspiel / Tonband, 1 group | 15:00 | Octo | ens [Ensemble] | Le Chant du Monde | IRCAM | 0 | ||||||||
| 3974 | Arteom | Denissov | 6 kurze Gedichte nach Velemir Klebnikov | 1994 | fixed media, akusmatisch | 11:00 | SEM Salzburg | 0 | |||||||||||
| 25872 | Maywa | Denki | Nonsense Musical Instruments of Maywadenki | 2005 | audiovisuell | 3:30 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) | ETAT Taiwan/ | 1 | http://www.maywadenki.com/ |
|||||||||
| 43174 | Jim | Denley | Through Fire, Crevice and the Hidden Valley | 2006 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2008 | 0 | ||||||||||||
| 3975 | Jim, Amanda, Chris, Rik, Shane, Stevie | Denley, Stewart, Mann, Rue, Fahey, Wishart | Changing the Subject | 1991 | intermedia, live-elec, 3 perf | 9:53 | sax or fl, V, sam [Stimme, Flöte, Saxophon, computer] | AER 1992 / 5/ | 1 | ||||||||||
| 25092 | Donnacha | Dennehy | Counting | 2000 | Zuspiel / Tonband, 4 perf | 12:00 | Quadro | str-qt [Streicher] | Sligo Country Council | 30.4.2000 | Sligo Country Council, Vogler Quartet | 0 | |||||||
| 25095 | Donnacha | Dennehy | Curves | 1997 | Zuspiel, live-elec, 1 perf | 7:00 | amp hp [Harfe] | Maria Cleary & Arts Council | 25.11.1999 | Dublin, Cliona Doris | 0 | ||||||||
| 25090 | Donnacha | Dennehy | derailed | 2000 | Zuspiel / Tonband, 6 perf | 14:00 | fl, cl, vn, vc, db, hpd [Flöte, Klarinette, Cembalo, Cello, Violine, Kontrabass] | Project Arts Centre Dublin | 27.2.2000 | Dublin, Crash Ensemble | 0 | ||||||||
| 25096 | Donnacha | Dennehy | Du Temps Perdu | 1994 | fixed media, akusmatisch | 5:00 | EMS UIUC | 10.1994 | Uni of Illinois | 0 | |||||||||
| 25091 | Donnacha | Dennehy | Ecsrasis, full stop | 1999 | live-elec, 4 perf | 5:00 | str-qt [Streicher] | RTE | 1.1.2000 | RTE Vanbrugh Quartet | 0 | ||||||||
| 25098 | Donnacha | Dennehy | GUBU | 1995 | fixed media, akusmatisch | 7:00 | EMS 9700 waveFORMation/ | EMS UIUC | 1.5.1995 | Uni of Illinois | 0 | ||||||||
| 25089 | Donnacha | Dennehy | Junk Box Fraud | 1997 | audiovisuell, 6 perf | 17:00 | cl, trbn, 2 perc, 2 Sp, (video) [Sprecher, Klarinette, Posaune, Schlagzeug] | 23.10.1997 | Dublin | 0 | |||||||||
| 25097 | Donnacha | Dennehy | Metropolis Mutabilis | 1995 | fixed media, akusmatisch | 6:00 | EMS 9700 waveFORMation/ | EMS UIUC | 7.3.1996 | Uni of Illinois | 3rd prize Luigi Russolo 1996 | 0 | |||||||
| 22294 | Donnacha | Dennehy | pAt | 2000 | Zuspiel / Tonband, 1 perf | 10:51 | p [Piano] | Piano: joanna mac gregor | SIDO 010/ | 1 | |||||||||
| 25093 | Donnacha | Dennehy | Swerve | 1998 | Zuspiel / Tonband, 1 perf | 8:00 | fl [Flöte] | 22.5.1996 | Stadtgalerie Saarbrücken, Camilla Hoitenga | 0 | |||||||||
| 25094 | Donnacha | Dennehy | Voitures | 1996 | Zuspiel / Tonband, 1 perf | 5:00 | ob [Oboe] | EMS UIUC | 23.3.1996 | Uni of Illinois, Melissa Peña | 0 | ||||||||
| 3976 | Brian | Dennis | Bongo | 1966 | Zuspiel / Tonband, 1 perf | 5:00 | Stereo | perc [Schlagzeug] | for school children | PS C. London | 0 | ||||||||
| 3977 | Brian | Dennis | Expansion of a Module | 1967 | Zuspiel / Tonband, 1 perf | 2:00-20:00 | Stereo + Mono + Mono + Mono | perc (chimes bars) [Schlagzeug] | PS C. London | 0 | |||||||||
| 3978 | Brian | Dennis | Melopoeia | 1965 | Zuspiel / Tonband, 4 perf | 12:00 | Stereo | Sp, cl, p, tuba [Sprecher, Klarinette, Tuba, Piano] | PS C. London | 0 | |||||||||
| 3979 | Brian | Dennis | Music for percussion and tape | 1965 | Zuspiel / Tonband, 1 perf | 11:30 | Stereo | perc [Schlagzeug] | PS C. London | 0 | |||||||||
| 3980 | Brian | Dennis | Phanopoeia | 1964/1965 | Zuspiel / Tonband, 2 perf | 11:00 | Stereo | vib, perc [Schlagzeug] | PS C. London | 0 | |||||||||
| 3981 | Brian | Dennis | Study for Tape with Piano | 1962 | fixed media, akusmatisch | 4:00 | Mono | PS C. London | 0 | ||||||||||
| 31985 | Georg | Dennis | Electric Sheep | 2008 | fixed media, akusmatisch | 5:04:00 | Spazialisation: WFS | Inventionen 2008 & SMC08 TU Hörsaal 0104 Konzert SMC08-Presentation 1 am 1.8.2008 18h Nutzung folgender Lautsprechersysteme: Klangkuppel / Klangdom; GRM-Akusmonium; WFS |
1 | 2008 | |||||||||
| 28273 | George | Dennis | Electric Sheep | 2008 | fixed media, akusmatisch | 5:00 | miso records mcd 023.10/ | Musica Viva Lisboa 2008 winner SMC08 Berlin winner |
0 | http://www.misomusic.com/port/cria/concomp/2008_main.htm | |||||||||
| 3982 | Jean | Derbès | Araignée géante | 1970 | fixed media, akusmatisch | 19:00 | 0 | ||||||||||||
| 3983 | Jean | Derbès | Frères du feu | 1970 | fixed media, akusmatisch | 20:00 | 0 | ||||||||||||
| 3984 | Jean | Derbès | L’Inferno interno | 1970 | fixed media, akusmatisch | 16:00 | 0 | ||||||||||||
| 3985 | Jean | Derbès | Maldoror | 1971 | Tanz | 30:00 | CRS Genève | 0 | |||||||||||
| 3986 | Jean | Derbès | Solitude devant la Mort | 1968 | Zuspiel / Tonband, 1 group | ens [Ensemble] | EM ?? | 0 | |||||||||||
| 32773 | Delia | Derbyshire | Amor Dei | 1966 | fixed media, akusmatisch | 15:00 | PS London, PS Delta Plus London | 0 | |||||||||||
| 37741 | Delia | Derbyshire | Bach’s Air | radiophon | BBC | 0 | |||||||||||||
| 37950 | Delia | Derbyshire | Blue Veils and Golden Sands | 1967 | fixed media, akusmatisch | Fernsehen, |
3:26 | SIL 71458/ | BBC | 0 | ||||||||||
| 37740 | Delia | Derbyshire | Calestial Cabtabile | radiophon | BBC | 0 | |||||||||||||
| 37745 | Delia | Derbyshire | Dance from Noah | radiophon | BBC | 0 | |||||||||||||
| 37917 | Delia | Derbyshire | Delia’s Psychadelian Waltz | 1968 | fixed media, akusmatisch | 0:39 | AUD 04612/ | 0 | |||||||||||
| 37739 | Delia | Derbyshire | Depression | radiophon | BBC | 0 | |||||||||||||
| 37948 | Delia | Derbyshire | Dr. Who, Tardis - Dr. Who | 1963 - | Fernsehen, | BBC | 0 | ||||||||||||
| 37746 | Delia | Derbyshire | Falling - From the Dreams | 1964 | radiophon | BBC | 0 | ||||||||||||
| 37744 | Delia | Derbyshire | Great Zoos of the World | radiophon | SILCD 1503/ | BBC | 0 | ||||||||||||
| 37742 | Delia | Derbyshire | Mattachin | radiophon | BBC | 0 | |||||||||||||
| 3989 | Delia | Derbyshire | Pot-pourri | 1966 | fixed media, akusmatisch | 3:00 | Stereo | PS London, PS Delta Plus London | 0 | ||||||||||
| 37949 | Delia | Derbyshire | The Delian Mode | 1968 | fixed media, akusmatisch | Fernsehen, |
5:32 | SIL 71458/ | BBC | 0 | ||||||||||
| 37743 | Delia | Derbyshire | Ziwzih Ziwzih OO-OO-OO | 1967 | radiophon | BBC | 0 | ||||||||||||
| 3987 | Delia, Ron | Derbyshire, Grainer | Mouse on the Moon | 1963 | Film | 10:00 | Mono | realization of a score by Ron Grainer | PS London, PS Delta Plus London | 0 | http://www.novars.manchester.ac.uk/research/delia/index.html | ||||||||
| 3988 | Delia, Ron | Derbyshire, Grainer | On the Level | 1966 | Oper | 10:00 | Mono | PS London, PS Delta Plus London | 0 | ||||||||||
| 37747 | Delia, Anthony | Derbyshire, Newley | Moogies Bloogies | radiophon | BBC | 0 | |||||||||||||
| 3990 | Delia, Peter | Derbyshire, Zinovieff | Random Together I | 1966 | fixed media, akusmatisch | 20:00 | Stereo | PS London, PS Delta Plus London | 0 | ||||||||||
| 3991 | Heinz | Derdack | B 58 | 1971 | fixed media, akusmatisch | 1:52 | Mono | HfMT Köln | 0 | ||||||||||
| 19345 | Andrey | Dergachev | Ban | 1997 | fixed media, akusmatisch | 23:15 | Theremin C. Moscou | 1 | |||||||||||
| 19344 | Andrey | Dergachev | Just What I Feel | 1996 | fixed media, akusmatisch | 8:49 | Theremin C. Moscou | 1 | |||||||||||
| 24406 | Andrey | Dergachev | Places I have never seen | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22907 | Brad | Derrick | Odd Waves | 1995 | fixed media, akusmatisch | 13:38 | Centaur CRC 2454, CDCM Vol 29/ | VCCM | 1 | ||||||||||
| 42097 | Lucas, Meinard | Derycke, Kraak | Screener | 2016 | radiophon | 43:47 | WDR | 17.5.2016 | WDR | ARD Online Award 2016 Hörspielpreis der Kriegsblinden 2017 |
0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4918875&vi=6&SID | |||||||
| 38532 | René | DESALMAND | Le miroir qui revient qui revient | 2012 | radiophon | 50:18:00 | 0 | ||||||||||||
| 3992 | Bruno | Deschênes | Ne riez pas | 1977 | fixed media, akusmatisch | 8:00 | Stereo | 0 | |||||||||||
| 20087 | Marcelle | Deschênes | Big Bang II | 1987 | intermedia | 7:40 | Stereo | music for the multimedia installation by George Dyens. rev 1995 |
ACM 37 CD 1-4/ IMED 0681/ | Bruit Blanc Montréal | 1989 | Images du futur, Cité des arts et des nouvelles technologies de Montréal (Montréal, Québec) | 1 | ||||||
| 25783 | Marcelle | Deschênes | Big Bang III | 1992 | intermedia | 2:38 | Stereo | music for the multimedia installation by George Dyens | IMED 0681/ | Bruit Blanc Montréal | 1992 | Images du futur, Cité des arts et des nouvelles technologies de Montréal (Montréal, Québec) | 1 | ||||||
| 3993 | Marcelle | Deschênes | deUs irae | fixed media, akusmatisch | Stereo | 0 | |||||||||||||
| 25873 | Marcelle | Deschênes | Die Dyer | 1999 | audiovisuell | 4:53:00 | französischer Sprecher | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2002 | 1 | |||||||||
| 25780 | Marcelle | Deschênes | Indigo, Peur apprivoisée Trame de tension |
2000 | fixed media, akusmatisch | 10:40 | Stereo | recomposed from "Musique défilè (1999) | IMED 0681/ MW 86/ | Bruit Blanc Montréal | 31.10.2000 | Réseaux, Salle Beverley Webster Rolph — Musée d'art contemporain de Montréal (Montréal, Québec) | 1 | ||||||
| 3994 | Marcelle | Deschênes | Jour «J», (Éco-Fable-Atomique) | 1984 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 25781 | Marcelle | Deschênes | Le bruit des ailes | 2000 | fixed media, akusmatisch | 10:54 | Stereo | recomposed in 2002 from Musique défilé | IMED 0681/ MW 86/ | Bruit Blanc Montréal | 2.11.2002 | Festival des musiques sacrées de Québec, Église Notre-Dame-de-Jacques-Cartier (Quebec City, Québec) | finalist at the 5th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’03, Brazil). | 1 | |||||
| 3995 | Marcelle | Deschênes | Les arrivées sont des départs | 1988 | live-elec, 1 perf | Stereo | MIDI [synthesizer] | Uni Montréal | 0 | ||||||||||
| 25782 | Marcelle | Deschênes | Lux | 1985 | fixed media, akusmatisch | 23:16 | Stereo | IMED 0681/ | Bruit Blanc Montréal | 5.12.1985 | (S)pace, SMCQ, Spectrum (Montréal, Québec) | 1 | |||||||
| 20088 | Marcelle | Deschênes | Lux aeterna | fixed media, akusmatisch | 19:42 | Stereo | UMM 101/ | 0 | |||||||||||
| 3996 | Marcelle | Deschênes | Moll, opéra lilliput pour 6 roches molles, Naissance des roches molles, Puce: Zig!… Zig! Zig!… Tu es là?… Es-tu blessé? — Zig: Je ne crois pas. Je suis tombé sur une chose molle. [«Zig et Puce»], Insectes secs — bâiller aux corneilles, Étoile variable, Insectes «amertubes»: boire la mer avec une paille, Étoile double, Jeu: vers une synchronisation, Si by the Sea, Sirènes, J’ai perdu le si de ma clarinette, Comme la lune se lève rouge [«Wozzeck»], Supernova et étoiles pulsantes, Vaisseaux fantômes, London Bridge is Falling Down, Le monde est une bulle d’air, | 1976 | Zuspiel / Tonband, 9 perf | 22:54 | Stereo | 2 cl, 3 trbn, 4 perc, (toys), (Pierre Langevin, clarinets; Réjean Marois, trombones; René Joly, Raynald Lévesque, Robert Pelletier, Robert Leroux, percussion & toys) [Klarinette, Posaune, Schlagzeug] | LDC 278056/57 Cultures Electroniques 7/ IMED 0681/ | Université Laval | SMCQ, with support from the CCA | 18.3.1976 | Concert 75, SMCQ Université McGill (Montréal, Québec) | 1. prize Bourges 1978. "Euphonie d'Or" Bourges 1992 |
1 | ||||
| 3997 | Marcelle, Alain | Deschênes, Thibault | Pot pourri | 1984 | fixed media, akusmatisch | 23:00 | Stereo | 0 | |||||||||||
| 3998 | Jean Christian | Desert | Déviance | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 3999 | Jean Christian | Desert | Vibul | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 36536 | Gianluca | Deserti | Tierra II | 2014 | fixed media, akusmatisch | 6:34:00 | Taukay 156/ | 0 | |||||||||||
| 41860 | Martin | Desloovere | The Sands of Memory | 2008 | radiophon | binaural recordings | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 36866 | Louis-Olivier | Desmarais | Abbaye | 2017 | radiophon | 12:18:00 | UdeM | prize JTTP 2017 | 0 | ||||||||||
| 4000 | J. Ch. | Desnoux | L'Inhumaine | 1986 | Film | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 33869 | Jeff | Desom | Rear Window Loop | 2012 | audiovisuell | Prix ars electronica 2012/ | Goldene Nica 2012 ars electronica | 1 | |||||||||||
| 4001 | Alain | Despres | Flots | 1981 | Zuspiel / Tonband, 1 perf | Stereo | com [computer] | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 4002 | Alain | Despres | Haïkus | 1986 | fixed media, akusmatisch | 7:50 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 4003 | Alain | Despres | Par instants | fixed media, akusmatisch | Stereo | UPIC | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||||
| 4004 | Alain | Despres | Sommitude II | 1988 | fixed media, akusmatisch | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 4005 | Alain | Despres | Statues Statiques | 1982 | fixed media, akusmatisch | Stereo | Upic | A.R.M. | 0 | ||||||||||
| 4006 | Paul | Dessau | Einstein | 1972 | Oper | 0 | |||||||||||||
| 4007 | Paul | Dessau | Lanzelot | 1969 | Oper | 0 | |||||||||||||
| 4008 | Paul | Dessau | Lukullus | 1964 | Musiktheater | 3:00 | Mono | Eterna 8 20 423-4/ | RFZ Berlin | 0 | |||||||||
| 40925 | Paul | Dessau | Orpheus | 1930/1931 | radiophon | „musikalisches Hörspiel“, text by Robert Seitz | Juni 1930 | Berliner Funkstunde | 0 | https://de.wikipedia.org/wiki/Funkoper | |||||||||
| 33352 | Paul | Dessau | Russisches Wunder | 1962 | Film | Studie |
2:30 | Radio Bratislava | 0 | |||||||||||
| 27860 | Jean-Paul | Dessy | O clock | 2005 | live-elec, 12 perf | 2 vn, 2 va, 2 vc, db, p, perc, trbn, cl, e-gui [Klarinette, Posaune, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine, Kontrabass] | CRFMW Liège | 0 | http://www.crfmw.be/index1.htm | ||||||||||
| 4009 | Dubravko | Detoni | Bajka, Fable | 1973 | Zuspiel / Tonband, 1 group | 19:10 | ens [Ensemble] | Radio Beograd | 0 | ||||||||||
| 4010 | Dubravko | Detoni | d | 1971 | Zuspiel / Tonband, 1 perf | hp [Harfe] | 0 | ||||||||||||
| 4011 | Dubravko | Detoni | Graphie 3 | 1970 | Zuspiel / Tonband, 2 groups | 16:00 | ch, ens [Ensemble, Chor] | PHI 6521028/ | 1 | ||||||||||
| 4012 | Dubravko | Detoni | La voix de silence | 1972 | Zuspiel / Tonband, 1 perf, 1 group | 20:00-60:00 | Stereo + Stereo + Stereo + Stereo, Mono | Sp, ens [Sprecher, Ensemble] | 0 | ||||||||||
| 4013 | Dubravko | Detoni | Music, or Tractate on the Superfluous, Muzika ili Traktat o suvisnom | 1973 | Zuspiel / Tonband, 2 groups | 21:10 | ens, orc [Ensemble, Orchester] | EM ?? | Radio Zagreb | 0 | |||||||||
| 4014 | Dubravko | Detoni | Notturni | 1970 | Zuspiel / Tonband, 2 perf, 2 groups | 15:00-20:00 | T, B, ch, orc [Tenor, Bass, Chor, Orchester] | 0 | |||||||||||
| 4015 | Dubravko | Detoni | Phonomorphia I | 1967 | fixed media, akusmatisch | 4:09 | Stereo | PHI 6521028/ Croatia Rec 6072965/ Croatia Rec 5783428/ | Radio Beograd, ExpSt Warsaw | 1 | |||||||||
| 4016 | Dubravko | Detoni | Phonomorphia II | 1968 | Zuspiel / Tonband, 1 perf | 7:18 | Stereo | p [Piano] | PHI 6521028/ Croatia Rec 6072965/ Croatia Rec 5783428/ | Radio Beograd, ExpSt Warsaw | 1 | ||||||||
| 4017 | Dubravko | Detoni | Phonomorphia III | 1969 | Zuspiel / Tonband, 1 perf, 1 group | Stereo | V, ens [Stimme, Ensemble] | PHI 6521028/ | Radio Beograd, ExpSt Warsaw | 1 | |||||||||
| 4018 | Dubravko | Detoni | Sifre | 1967 | Zuspiel / Tonband, 1 perf | p [Piano] | EM ?? | 0 | |||||||||||
| 4019 | Dubravko | Detoni | Taboo | 1975 | Musiktheater, 1 group | 40:00-60:00 | ens [Ensemble] | 0 | |||||||||||
| 4020 | Dubravko | Detoni | Tzigane | 1975 | Zuspiel / Tonband, 2 perf, 1 group | 10:00-15:00 | 2 p, orc [Piano, Orchester] | 0 | |||||||||||
| 31531 | Felix | Deufel | Home Sweet Home | 2013 | fixed media, akusmatisch | 5:10 | Surround 8.1 | next_generation 5.0 | H Darmstadt | 26.6.2013 | ZKM | 0 | |||||||
| 34766 | Matthias | Deumlich | Die spröde Flut | 1999 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 24.6.-25.7.1999 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 36449 | Taylor | Deupree | Fear Of Flying | 2007 | radiophon | 6:12:00 | EDRM 417/ | 0 | |||||||||||
| 37198 | Nina | Deuse | Biohazard | 2017 | audiovisuell | 5:20:00 | ICEM Essen | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||||
| 4021 | Pieter van | Deusen | Flight | 1958 | fixed media, akusmatisch | Tanz |
10:00 | Mono | PS C. SanFran | 0 | ||||||||||
| 41095 | Andrew | Deutsch | Ocean Phase | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41085 | Andrew | Deutsch | Trans-Parent Directory | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 4022 | Herbert | Deutsch | A Little Night Music | 1966 | fixed media, akusmatisch | 3:56 | Stereo | PS C. Huntington | 0 | ||||||||||
| 4023 | Herbert | Deutsch | Contours and Improvisation | 1963 | Zuspiel / Tonband, 1 perf | 8:51 | Stereo | perc [Schlagzeug] | with sculptur by J. Seley | PS C. Huntington | 0 | ||||||||
| 4024 | Herbert | Deutsch | Divertimento | 1967 | fixed media, akusmatisch | 3:27 | Stereo | PS C. Huntington | 0 | ||||||||||
| 4025 | Herbert | Deutsch | Good Friday | 1962 | Zuspiel / Tonband, 4 perf, 1 group | 6:13 | Stereo | ch, br-qt [Bläser, Chor] | PS C. Huntington | 0 | |||||||||
| 4026 | Herbert | Deutsch | Improvisation in Three Movements | 1965 | live-elec, 2 perf | Mono | impro ins, synt [Instrument, synthesizer] | Moog-Synt | PS C. Huntington | 0 | |||||||||
| 4027 | Herbert | Deutsch | Reri Velocitatem | 1965 | live-elec, 3 perf | 4:00 | Mono | cl, vib, synt [Klarinette, Schlagzeug, synthesizer] | Moog-Synt | PS C. Huntington | 0 | ||||||||
| 4028 | Herbert | Deutsch | The Road | 1964 | fixed media, akusmatisch | 5:51 | Stereo | Homage to Ives | PS C. Huntington | 0 | |||||||||
| 4029 | Herbert | Deutsch | The Seasons | 1964 | fixed media, akusmatisch | 10:55 | Stereo | PS C. Huntington | 0 | ||||||||||
| 4030 | Herbert | Deutsch | Variable Studies | 1965 | Film | 5:50 | Mono | PS C. Huntington | 0 | ||||||||||
| 41812 | Johanna C. | Devaney | Door Vinaigrettes | 2001 | fixed media, akusmatisch | 2:55:00 | codemist ICMC2001/ | 0 | |||||||||||
| 36786 | Natko | Devcic | Columbia | 1968 | fixed media, akusmatisch | 3:20:00 | Music Information Centre Zagreb | 0 | |||||||||||
| 4031 | Natko | Devcic | Columbia 68 | 1968 | fixed media, akusmatisch | 3:20 | Croatia Rec 6072965/ | Col.Princ EMC | 0 | ||||||||||
| 4032 | Natko | Devcic | Entre nous | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 4033 | Natko | Devcic | Igra Rijeci I, Play on words I | 1969 | Zuspiel / Tonband, 3 perf, 1 group | 10:00 | Stereo | 1 ch, 2 Sp, ins [Sprecher, Instrument, Chor] | JUGT LSY 61202/ | Radio Beograd | 0 | ||||||||
| 4034 | Natko | Devcic | Igra Rijeci II, Play on words II | 1974 | Zuspiel / Tonband, 3 perf, 1 group | 10:00 | Stereo | ch, 2 Sp, ins [Sprecher, Instrument, Chor] | Radio Beograd | 0 | |||||||||
| 4035 | Natko | Devcic | Sonata | 1973 | fixed media, akusmatisch | 6:10 | Stereo | RTB 2513/ Croatia Rec 6072965/ | Radio Beograd | 1 | |||||||||
| 36787 | Natko | Devcic | World Play II | 1974 | Zuspiel / Tonband, 1 group | 10:32:00 | ens (mixed ens) [Ensemble] | Music Information Centre Zagreb | 0 | ||||||||||
| 4037 | Kent | Devereaux | Study #3, Study #3 for Septet | 1984 | fixed media, akusmatisch | Zuspiel/Tonband, 7 perf |
septet [Instrument] | 2 versions | CCRMA | 0 | ||||||||||
| 4038 | Jean-Baptiste | Devillers | Hypnos | Zuspiel / Tonband, 1 perf | 9:30 | vc [Cello] | GRAME Lyon | 0 | |||||||||||
| 4039 | Group | DEZIBEL | A day tour – under pressure | 1993 | fixed media, akusmatisch | 36:00 | 6 parts Hampi, Senra, Tomat, Philadelphy |
TRANSIT for ROMAEUROPA 1993 | 0 | ||||||||||
| 32964 | Jean-Louis | Dhermy | Douze Miniatures | fixed media, akusmatisch | 46:07 | text by J. E. Bencheikh | Motus M 306010/ | 0 | |||||||||||
| 23373 | Jean-Louis | Dhermy | Espérance élancée | 2000 | Zuspiel, live-elec, 1 perf | 12:39 | sax [Saxophon] | Daniel Kientzy (sax's) | NMCD 5114/ | GRAME Lyon | 1 | ||||||||
| 32963 | Jean-Louis | Dhermy | La Memoire du Son | fixed media, akusmatisch | 22:51 | Tableau 1 - 4 | Motus M 306010/ | 0 | |||||||||||
| 37130 | Francis | Dhomont | À propos de K | 2006 | fixed media, akusmatisch | 21:37 | Stereo | IMED 09102/ | PS C. | French State (Music Office) | 11.11.2006 | Ina-GRM concert celebrating the 80th birthday of the composer at the Salle Olivier Messiaen of the Maison de Radio France in Paris (France) | 0 | ||||||
| 4040 | Francis | Dhomont | Artifices, Chroniques De La Lumière | 1989 | fixed media, akusmatisch | 10:32 | Stereo | ICMC 1994, DIEM 001/ IMED 0682/ | 1 | ||||||||||
| 24609 | Francis | Dhomont | AvatArsSon, Cycle du son, 3 Cycle du son |
1998 | fixed media, akusmatisch | 18:11 | Stereo | 6 parts: Fondation; Avatars; Voix; Aventures; Paysages; À suivre… | IMED 0158/ | INA • GRM, PS C. | Ministère de la Culture (France) and of Ina-GRM for the 50th anniversary of musique concrète | May 11th, 1998 | Salle Olivier Messiaen, Maison de la Radio France Cycle acousmatique | first prize at the 2nd Pierre Schaeffer International Computer Music Competition (Concorso Internazionale di Composizione Musicale Elettronica Pierre Schaeffer) (Pescara, Italy, 1999) and, in a shorter version (14:20), the second prize at Musica Nova (Prague, Czech Republic, 1998) | 0 | ||||
| 24952 | Francis | Dhomont | Brief an den Vater | 2002 | fixed media, akusmatisch | 17:37 | Stereo | Text by Franz Kafka. Voice of Martin Engler | IMED 09100 trans_canada/ IMED 09102/ | PS C. | ZKM | 12.02.2005 | trans_canada festival in the ZKM_Kubus of the Zentrum für Kunst und Medientechnologie Karlsruhe (ZKM) | 1 | http://gutenberg.spiegel.de/buch/brief-an-den-vater-169/1 | ||||
| 4041 | Francis | Dhomont | Chiaroscuro | 1987 | fixed media, akusmatisch | 17:38 | BVHAAST 9108/ LDC 278048 Cultures Electroniques 3/ IMED 9107/08/ Prix ars electronica 92/ IMED 9608/ BVHAAST 0206/ | PS C. | Les Événements du Neuf and realized with the assistance of the Canada Council [for the Arts]. | 10.04.1987 | Montréal | 1st Magisterium of the 16th Bourges International Electroacoustic Music Competition (France, 1988) Auszeichnung ars electronica 1992 |
1 | ||||||
| 4042 | Francis | Dhomont | Chroniques de la lumière, Miroitements Artifices Météores |
1989 | fixed media, akusmatisch | 32:47 | Stereo | UMM 101/ IMED 0682/ | Akousma Montréal | 1 | |||||||||
| 24953 | Francis | Dhomont | Corps et âme | 2002 | fixed media, akusmatisch | 7:41 | Stereo | IMED 0682/ | PS C. | Florence & Alexandre Yterce (Magazine Sonopsys) | 13.1.2002 | Maison de Radio-France, GRM | 1 | ||||||
| 19136 | Francis | Dhomont | Cph Pendler Music | 1995 | fixed media, akusmatisch | documentation concerning Skraep's "Odyssey for Ears" | ncb Skraep/ | 1 | |||||||||||
| 4043 | Francis | Dhomont | Drôles d'Oiseaux | 1986/2001 | fixed media, akusmatisch | 14:51 | Stereo | rev. 2001 | IMED 0365/ | IMEB Bourges, PS C. | l’État (France) & GMEB | 2 June 1985 | Synthèse Festival Bourges | 1 | |||||
| 23763 | Francis | Dhomont | En cuerdas | 1998 | fixed media, akusmatisch | 11:25 | Stereo | IMED 0365/ BRIDGE 9117/ innova 117/ Kiasma 1999/ | PS C. | Arturo Parra | 15 May 1998 | Festival international de musique actuelle de Victoriaville (Québec) | First Prize at the Hungarian Radio’s EAR’99 International Competition of Electroacoustic Music (Budapest, Hungary, 1999) prizewinner at the competition Città di Udine (Italy, 1998) |
1 | |||||
| 4044 | Francis | Dhomont | Espace / Escape | 1989 | fixed media, akusmatisch | 19:24 | Stereo | BVHAAST 9107/ INA ACM 1995/ IMED 9607/ IMED 9107/08/ IMED 0050/ BVHAAST 0206/ | PS C. | Claude Schryer for The Banff Centre for the Arts and realized with the assistance of the Canada Council | 11.11.1989 | Canadian Electroacoustic Community (CEC) event, the 2nd CEC Electroacoustic Days, >convergence<, at The Banff Centre for the Arts | selected for ICMC’91 in Montréal Auszeichnung ars electronica honorary mention 1993 |
1 | |||||
| 4045 | Francis | Dhomont | Etude aux trois objets | 1966 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 19114 | Francis | Dhomont | Forêt profonde, Chambre d’enfants À l’orée du conte Chambre interdite Il cammin di nostra vita Les enchantements de l’imagination Antichambre La muraille d’épines Chambre des ténèbres Forêt furieuse Musique de chambre Sortilèges Chambre de lumière Fantasme, mode d’emploi |
1994 - 1996 | fixed media, akusmatisch | 58:32 | mit Texten in franz. Sprache von Andersen, Aulnoy, Bettelheim, Dante, Dobsinski, Grimm, Parra, Perault, Shakespeare. 13 Sections. | IMED 9634/ | PS C., INA • GRM | French government and by the Ina-GRM and Canada Council | 16.06.1994 | Maison de Radio-France, Paris, Cycle acousmatique | 1 | ||||||
| 20089 | Francis | Dhomont | Frankenstein Symphony | 1997 | fixed media, akusmatisch | 63:49 | Stereo | Used EM by Bouhalassa, Calon, Daoust, Dufort, Gobeil, Leduc, Normandeau, Rodrigue, Roy, Schryer, Smith, Turcotte, Vande Gorne | ASP 0978/ | PS C. | Juni 1997 | Parochialkirche Berlin im Rahmen der Klangmesse 1997 | 0 | ||||||
| 24954 | Francis | Dhomont | Here and There | 2003 | fixed media, akusmatisch | 10:09 | Stereo, Octo | IMED 0682/ Accademia Musicale Pescarese/ | PS C. | Florence & Alexandre Yterce (Magazine Sonopsys) | 13.1.2002 | Maison de Radio-France, GRM | 5º/4º Concorso Internazionale di Composizione Elettronica “Pierre Schaeffer” | 1 | |||||
| 24405 | Francis | Dhomont | Je te salue, vieil océan! | 1999 | fixed media, akusmatisch | 14:54 | Stereo | IMED 0682/ | IMEB Bourges | 0 | |||||||||
| 4046 | Francis | Dhomont | L'électro | 1990 | fixed media, akusmatisch | 1:06 | Stereo | voices | CEC DISContact_2/ IMED 0365/ | PS C. | 30.08.1995 | Futura (Crest, France) | 1 | ||||||
| 34186 | Francis | Dhomont | Le cri du Choucas, Cycle des profondeurs | 2014/2015 | fixed media, akusmatisch | 70 | IMED 16138/ | PS C. | Musiques & Recherches | 15.10.2014 | L’Espace du son 2014: Création mondiale de Francis Dhomont, Théâtre Marni | 0 | http://www.electrocd.com/fr/oeuvres/select/?id=37466 | ||||||
| 23764 | Francis | Dhomont | Les moirures du temps | 1999 - 2000 | fixed media, akusmatisch | 15:24 | Stereo | IMED 0365/ | INA • GRM, PS C. | Canadian Arts council | 20 February 1999 | Rien à voir (5) concert series produced by Réseaux | First Prize at the Musica Nova (Prague, Czech Republic, 1999). | 1 | |||||
| 4047 | Francis | Dhomont | Les travail du rêve | 1986/2010 | fixed media, akusmatisch | 17:13 | Stereo | ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | Akousma Montréal | INA-GRM | 2009 | Festival de Radio France Montpellier, Salle Pasteur / Le Corum | 1 | 2010 | http://www.electrocd.com/en/bio/dhomont_fr/ | ||||
| 20090 | Francis | Dhomont | Lettre de Sarajevo | 1995 - 1996 | fixed media, akusmatisch | 14:35 | Stereo | with syter | Innova 113/ IMED 0365/ | INA • GRM, PS C. | État (France) for the Festival d’art acousmatique Futura (Crest, France) | 22 February 1996 | Salle Olivier Messiaen, Maison de la Radio France Festival Présences | 1 | |||||
| 4048 | Francis | Dhomont | Mais laisserons-nous mourir Arianna? | 1979 | fixed media, akusmatisch | 16:00 | Stereo | Uni Montréal, PS Dhomont, GMEM Marseille | Mention Bourges 1979 | 0 | |||||||||
| 4049 | Francis | Dhomont | Météores, Chroniques De La Lumière | 1989, 2005 | fixed media, akusmatisch | 10:43 | Stereo | SYTER | BVHAAST 9108/ IMED 9107/08/ IMED 9608/ UMM C 101)/ IMED 0682/ BVHAAST 0206/ | PS C. | SMCQ and realized with the assistance of the Canada Council | 26.04.1989 | Doppler Concert of the Société de musique contemporaine du Québec (SMCQ) at the Spectrum in Montréal | selected for ISCM 1990 in Oslo | 1 | ||||
| 37906 | Francis | Dhomont | Miroitements, Chroniques De La Lumière | 1989 | fixed media, akusmatisch | 8:05 | IMED 0682/ | 0 | |||||||||||
| 4050 | Francis | Dhomont | …mourir un peu, Marine Cartographie liminaire Un certain embarquement Thème de la fuite Transfert I En abîme Transfert II Palimpseste Il ritorno |
1984, 1987 | fixed media, akusmatisch | 44:52 | Stereo | 9 MOVEMENTS | BVHAAST 9107/ IMED 9107/08/ ASP 0966/ IMED 9607/ ACM 37/ BVHAAST 0206/ | PS C., GMEM Marseille | French government (Direction de la musique) and the GMEM | 21.06.1984 | Jardins des vestiges in Marseille | 4. part "Thème de la fuite" at 2nd IREM in Stockholm selected to ICMC ’86 Den Haag |
1 | ||||
| 4051 | Francis | Dhomont | Novars, Cycle du son, 2 Cycle du son |
1989 | fixed media, akusmatisch | 19:13 | Stereo | BVHAAST 9108/ IMED 9107/08/ INA C 1033 27653 archives grm CD 3/5/ IMED 9608/ IMED 0158/ BVHAAST 0206/ | INA • GRM, PS C. | Ina-GRM | May 29th, 1989 | 11th GRM Acousmatic Concert Series at the Grand Auditorium of Rthe Maison Radio France | This piece was selected by the 1990 International Computer Music Conference (ICMC’90) in Glasgow (Scotland), and by the International Society for Contemporary Music (ISCM) for the 1991 World Music Days in Zürich (Switzerland). The jury of the 1991 Stockholm Electronic Arts Award also selected it for performance at its award concert in Stockholm (Sweden) | 1 | 1996 | ||||
| 24608 | Francis | Dhomont | Objets retrouvés, Cycle du son, 1 Cycle du son |
1996 | fixed media, akusmatisch | 5:20 | Stereo | Tombeau de Pierre Schaeffer | IMED 0158/ | IMEB Bourges, PS C. | 31.05.1996 | Bourges | 0 | ||||||
| 37890 | Francis | Dhomont | Phoenix XXI | 2017 | fixed media, akusmatisch | PS C. | Selection to world music days Peking 2018 | 0 | |||||||||||
| 20277 | Francis | Dhomont | Phonurgie, Cycle du son, 4 Cycle du son |
1998 | fixed media, akusmatisch | 12:43 | Stereo | IMED 0158/ ed. rz 10009/10 Inventionen 98/ CIMESP 1999 disc (CD 199008708/ | INA • GRM | Inventionen 1998, Deutscher Akademischer Austauschdienst (DAAD) | September 25th, 1998 | Inventionen Parochialkirche Berlin | First Prize at CIMESP 1999 (São Paulo, Brazil) First Prize at CibertArt 1999 (Valencia, Spain) |
1 | 1998 | ||||
| 4052 | Francis | Dhomont | Poe-Debussy, Autour de la maison Usher | 1988 | Theatermusik | 41:00 | Stereo | Akousma Montréal | 0 | ||||||||||
| 4053 | Francis | Dhomont | Points de fuite, Vanishing Points | 1982 | fixed media, akusmatisch | 12:21 | Stereo | in 10 Teilen ; mit umfangreichen Buch "Mouvances ≈ Métaphores" ; Cycle de l'Errance | BVHAAST 9107/ IMED 9107/08/ IMED 9607/ IMED 9107/08/ BVHAAST 0206/ | PS C. | 13.06.1982 | Bourges | 2nd prize Bourges 1984 ; 1st prize Brock Uni 1985; selected for the 1984 World Music Days in Montréal |
1 | |||||
| 37131 | Francis | Dhomont | Premières traces du Choucas | 2006 | fixed media, akusmatisch | 15:00 | Stereo | IMED 09102/ | PS C. | Réseaux des arts médiatiques Canada Council for the Arts (CCA), Musiques & Recherches (Belgium) | 21.10.2006 | 13th International Acousmatic Festival L’Espace du son (Brussels, Belgium) | Pubic Prize at the 7th Concurso Internacional de Música Eletroacústica de São Paulo (CIMESP ’07, Brazil) finalist for the “Premiere of the Year” at the 11th Prix Opus 2006-07 of the Conseil québécois de la musique (CQM) |
0 | |||||
| 4054 | Francis | Dhomont | Qui est là ? | 1990 | fixed media, akusmatisch | 3 | Stereo | IMED 9004/ IMED 9604/ | Uni Montréal | 1 | |||||||||
| 4055 | Francis | Dhomont | Signé Dionysos | 1986/1989/1991 | fixed media, akusmatisch | 28:22 | SYTER | BVHAAST 9108/ IMED 9107/08/ IMED 9608/ BVHAAST 0206/ | PS C., INA • GRM | Jean-Étienne Marie for the CIRM | 1.02.1986 | festival Musiques actuelles Nice/Côte d’Azur (MANCA, France) | 1 | ||||||
| 24646 | Francis | Dhomont | Sol y sombra … L’Espace des spectres | 1998 - 2000 | Zuspiel / Tonband, 1 perf | 11:49 | Stereo | gui [Gitarre] | with Arturo Parra (gui) | IMED 0264/ ICMC 2005, ars harmonica/ | 1 | ||||||||
| 4056 | Francis | Dhomont | Sous le regard d'un soleil noir, Pareil à un voyageur perdu Engloutissement Arrête! Arrête! Elle me tue Explosion Le moi divisé Citadelle intérieure Pétrification Le message quand vient le soir |
1981 | fixed media, akusmatisch | 51:31 | Stereo | 8 Sections | GRAMME 9109dh/ IMED 9633/ Coll GRM 9109 DH/ | INA • GRM, Uni Montréal | Ina-GRM | 28.4.1983 | Paris, Maison de Radio France, Gd. Auditorium | 1er prize Bourges, 1981 | 1 | ||||
| 4057 | Francis | Dhomont | Studio de nuit | 1992 | fixed media, akusmatisch | 3:00 | Stereo | CEC DISContact_1/ IMED 0365/ | PS C. | David Olds for the program Transfigured Night, on CKLN-FM in Toronto | 2 September 1995 | Festival international d’art acousmatique Futura | 1 | ||||||
| 20091 | Francis | Dhomont | Thème de la fuite | 1982 | fixed media, akusmatisch | 8:55 | Stereo | ACM 37 CD 1-4/ | 0 | ||||||||||
| 4058 | Francis | Dhomont | Transits élémentaires 2 | 1983 | fixed media, akusmatisch | 16:35 | Stereo | PS C. | 0 | ||||||||||
| 23752 | Francis | Dhomont | Un autre Printemps | 2000 | audiovisuell | 6:11 | Stereo | based on Vivaldi - 4 Jahreszeiten, also only-tape-version | ed. rz 290405/ IMED 0365/ BRIDGE 9117/ | PS C. | Uli Aumüller for the film "Mein Kino für die Ohren" | 14.03.2001 | ARTE-ZDF | 2nd prize at the „Ear01“ Radio Budapest Vontest (Hungary) | 1 | http://www.iotacenter.org/program/publication/darroll/statements | |||
| 23762 | Francis | Dhomont | Vol d'Arondes, trans_canada 1 | 1999/2002 | fixed media, akusmatisch | 11:25 | Stereo, Octo | rev. 2001. Part of „trans_canada 1“ (Deutschlandradio Kultur 2005, 53 Minuten) |
IMED 0365/ | Musiques et Recherches Ohain | Musiques & Recherches | 21 November 1999 | hall of the XL-Théâtre du Grand Midi (Brussels, Belgium) | 1 | 2006 | ||||
| 24951 | Francis | Dhomont | Voyage-miroir, Voyage-mirror | 2004 | fixed media, akusmatisch | 14:50 | Stereo | IMED 0682/ | PS C. | Réseaux | 1 | 2005 | |||||||
| 23470 | Agostino | Di Scipio | 2 di 1, Due di uno | 2002 - 2003 | live-elec, 2 perf | 8:00 | pic-rec, vn, (DSP) [Violine] | IMEB Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 23456 | Agostino | Di Scipio | 2 pezzi muti su Hans Richter | 1998 | fixed media, akusmatisch | audiovisuell |
6:00 | Stereo | Sonorisation of a 1922-1923 film | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 23466 | Agostino | Di Scipio | 2 remix | 2002 | fixed media, akusmatisch | 6:00 | Stereo | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 23476 | Agostino | Di Scipio | 30 oggetti sonori | 1996 | Klangkunst, Installation | Stereo | Created for the Art exhibition by Ennio de Vincenzo. | PS L'Aquila | 1996 | L'Aquila, Spanish Castle, Italy | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23472 | Agostino | Di Scipio | 30 second piece | 2003 | fixed media, akusmatisch | 0:30 | 5 audio tracks for DVD | IMEB Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 23474 | Agostino | Di Scipio | 4 esquisses de surveillance et de controle | 2003 - 2004 | live-elec, 5 perf | 15:00 | str-qt, w-duo, (DSP) [Streicher] | withdrawn | PS L'Aquila | Harmoniques Lausanne | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23447 | Agostino | Di Scipio | 4 variazioni sul ritmo del vento, Version A | 1995 | live-elec, 1 perf | 10:00 | Stereo | db-rec, (DSP) [Flöte] | Cavalli Records CCD 274 2005/ | PS L'Aquila, Sibelius AC Helsinki | 1995 | Sibelius Academy, Helsinki | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 25653 | Agostino | Di Scipio | 4 variazioni sul ritmo del vento, Version A & B | 1995 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | db-rec, (tape) [Flöte] | PS L'Aquila, Sibelius AC Helsinki | 1995 | Sibelius Academy, Helsinki | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23459 | Agostino | Di Scipio | 5 interazioni cicliche alle differenze sensibili | 1998 | Zuspiel, live-elec, 4 perf | 12:00 - 16:00 11 | Octo | str-qt, (DSP) [Streicher] | ICMC 2000/ PanAroma Vol 6/ CEMAT 1/ ed. rz 10015 / | PS L'Aquila, Gramma L'Aquila | CEMAT | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23451 | Agostino | Di Scipio | 5 piccoli ritmi | 1996 | Zuspiel, live-elec, 1 perf | 6:00 | Quadro | com (tape, DSP) [computer] | based on a poem by H. Maturana | Neuma 450-99/ | Uni L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23449 | Agostino | Di Scipio | 6 studi "dalla muta distesa delle cose" | 1996 - 1997 | Zuspiel, live-elec, 1 perf | 8:00 - 12:00 | Quadro | p, (DSP) [Piano] | PS L'Aquila | 1996 | L'Aquila; Milano La Scala, 1999 (complete work) | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23446 | Agostino | Di Scipio | 7 piccole variazioni sul freddo, 7 short improvisations on the cold | 1994 - 1995 | Zuspiel, live-elec, 1 perf | 4:50 | Stereo | tpt (blowing), (DSP) [Trompete] | Prix ars electronica 95/ | PS L'Aquila | 1995 | Banff, CDN | Honorary mention Ars Electronica Linz, 1995 | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||
| 23468 | Agostino | Di Scipio | Audible EcoSystemics n. 1, Impulse Response Study | 2002 | live-elec, 1 perf | 8:16 | com (DSP) [computer] | solo live electronics (room dependent) mit Kyma |
ed. rz 10015/ | PS L'Aquila | 1 | 2004 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23473 | Agostino | Di Scipio | Audible EcoSystemics n. 2a, Feedback Study | 2003 | live-elec, 1 perf | 5:00 - 8:00 5:50 | com (DSP) [computer] | solo live electronics (room dependent) | ICMC 2005, ars harmonica/ ed. rz 10015 / | PS L'Aquila, Gramma L'Aquila | 1 | 2004 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 25795 | Agostino | Di Scipio | Audible EcoSystemics n. 2b, Feedback Study with vocalresonances | 2003 | live-elec, 1 perf | 5:00 - 8:00 4:40 | perf (DSP, mouth) [Performer] | solo live electronics (room dependent); Uni Mainz | ed. rz 10015 / | PS L'Aquila, Gramma L'Aquila | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23478 | Agostino | Di Scipio | Audible EcoSystemics n. 3a, background noise Study | 2005 | live-elec, 1 perf | 5:00 - 12:00 6:55 | 6 | (Live-elec) com [computer] | ed. rz 10015 / | PS Berlin | DAAD, Germany | 2005 | Tesla Berlin | 1 | 2005 | http://xoomer.virgilio.it/adiscipi/ | |||
| 25796 | Agostino | Di Scipio | Audible EcoSystemics n. 3b, background noise Study with mouth performer | 2005 | live-elec, 1 perf | 5:00 - 12:00 8:42 | 6 | (Live-elec) mus, (mouth) [Musiker] | ed. rz 10015 / | PS Berlin, TU Berlin | Berliner Künstlerprogramm des DAAD | 1 | 2005 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 23467 | Agostino | Di Scipio | Craquelure | 2002 | fixed media, akusmatisch | 10:01 | Stereo | 2 pezzi silenti, a Giuliano | ed. rz 10015 / | PS L'Aquila | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23453 | Agostino | Di Scipio | Dissequentia | 1997 | Zuspiel, live-elec, 1 perf | 8:00 | Octo | 1 actress [Schauspieler] | sonic desconstruction of E. Sanguineti's poems concerning L. Berio's Sequenzas | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23469 | Agostino | Di Scipio | eBss (e-Book Sound Supplement) | 2002 | fixed media, akusmatisch | 8:59 | Stereo | internet audio material | LDC 2781130/ | IMEB Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 4059 | Agostino | Di Scipio | Essai du Vide (Schweigen) | 1993 | fixed media, akusmatisch | 14:50 | Stereo | SFU | Competition Musica Nova Prag 1994 | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 4060 | Agostino | Di Scipio | Estensioni, Studio n.2 sul valore formante della durata | 1988 | fixed media, akusmatisch | 12:00 | Stereo | Digital Synthesis with Music360. Score available from the composer. |
CSC Padova | 1989 | Synthèse, Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 4061 | Agostino | Di Scipio | Event | 1990 | Zuspiel, live-elec, 2 perf | 10:00 | Quadro | fl, cl [Flöte, Klarinette] | Soloists of the Artisanat Furieux Ensemble Electronics = Comb Filters |
PS L'Aquila | Festival Musica Verticale, Roma, Italy | Galleria Nationale di Arte Moderna, Roma, Italy | Finalist in the Irino Prize, Tokyo | BMG | 0 | http://xoomer.virgilio.it/adiscipi/ | |||
| 4062 | Agostino | Di Scipio | Fractus | 1990 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | va [Viola] | CSC Padova | 1990 | Hans van Dijk, L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 4063 | Agostino | Di Scipio | Hy-Lur | 1987 | Zuspiel / Tonband, 1 perf | 12:50 | Stereo | tpt [Trompete] | withdrawn | Con L'Aquila | 1987 | Conservatory of Foggia, Italy | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 26269 | Agostino | Di Scipio | Il silencio di Fedro, für eine beliebige Anzahl von Spielern und Elektronik | 2007/2008 | Zuspiel / Tonband, 1 perf, 1 group | 13:00 | Octo | fl-ens [Flöte] | performance 29.5.2008 UdK Berlin with PRIME (Paetzold Recorder Investigation for Music with Electronics) | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 22921 | Agostino | Di Scipio | Install QRTT | 1998 | Klangkunst, Installation | Octo | requires simultaneous performance of "5 interazioni cicliche alle differenze sensibili" and "Kairos Qrtt" | Gramma L'Aquila, PS L'Aquila | Cemat | 1989 | Roma | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 4064 | Agostino | Di Scipio | Kairòs | 1991 - 1992, 2006 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | s-sax [Saxophon] | First Version Enzo Filippetti (s-sax) rev 2006 at ZKM |
PS L'Aquila, ZKM Karlsruhe | 1992 | GRAME, Lyon, France | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 25598 | Agostino | Di Scipio | Kairòs | 2007 | Zuspiel, live-elec, 1 perf | 11:00 | multichannel | s-sax, (com) [Saxophon] | Second Version | PS L'Aquila, ZKM Karlsruhe | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23455 | Agostino | Di Scipio | Kairòs Qrtt | 1997 - 1998 | Zuspiel, live-elec, 1 perf | Klangkunst, Installation |
Stereo | perf [Performer] | room-dependent live signal processing, also known as Studio 1997 | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 25553 | Agostino | Di Scipio | Modes of Interference No. 1 | 2005 - 2006 | live-elec, 1 perf | 10:08 | Stereo | tpt [Trompete] | Für autonomes Feedback-System mit Trompete und Elektronik Marco Blaauw (tr) |
ZKM / | ZKM Karlsruhe | ZKM | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 26274 | Agostino | Di Scipio | Modes of Interference No. 2 | 2005 - 2006 | live-elec, 1 perf | Stereo | sax [Saxophon] | (Pedro Bittencourt, sax) | ZKM / WER 20742/ | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 26272 | Agostino | Di Scipio | Modes of Interference No. 3, autonomous feedback system, with electric guitars, combo amps, computer | 2007 | live-elec, 3 perf | ∞ | 3 gui [Gitarre] | CD-Rom enthält die gesamte Dokumentation über das Werk, auch Klangbeispiel aus dem Kloster der Musikhochschule Neapel 2007 | ZKM / | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 4065 | Agostino | Di Scipio | N/Tropics | 1989 | Zuspiel / Tonband, 9 perf | 8:10 | Stereo | 9 ww-ins [Bläser] | CSC Padova | By the Festival | 1989 | Palazzo della Cancelleria, Festival Musica Verticale, Roma, Italy | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 23460 | Agostino | Di Scipio | Natura allo specchio | 1998 - 2000 | Zuspiel, live-elec, 2 perf | 8:00 | Octo | 2 or more perc, (DSP) [Schlagzeug] | room-dependent live signal processing. Performed independent of "Sound & Fury" | BUG 108 BufRecords Melbourne/ CMJ Vol 26, 2002/ DVD Recombinant Art Toronto/ CMJ Vol 26, 2002/ | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23477 | Agostino | Di Scipio | Oggetti sonori per Verde Utopia | 1997 | Klangkunst, Installation | for a country place | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||||
| 23465 | Agostino | Di Scipio | Os, oris, schizzi dell'aria che manca | 2002 | live-elec, 1 perf | 10:00 | trbn, (DSP) [Posaune] | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 23461 | Agostino | Di Scipio | Paesaggio storico n. 2 (Berlin, bad sampling) | 2000 | fixed media, akusmatisch | 2:10 | Stereo, Octo | based on recordings of Berlin-related political speeches (Kennedy, DDR Politbüro,..) | LDC 2781130/ | PS L'Aquila | HR; Deutschlandradio | 0 | http://xoomer.virgilio.it/adiscipi/ps.htm | ||||||
| 26271 | Agostino | Di Scipio | Paesaggio storico n. 4 (New York, Background Media Noise) | 2005 | fixed media, akusmatisch | 14:30 | Octo | LDC 2781130/ | IMEB Bourges, PS C. Berlin | IMEB, Bourges | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23471 | Agostino | Di Scipio | Paesaggio storico No. 3, Paris, la robotique des Lumières | 2003 | fixed media, akusmatisch | 14:07 | Octo, 16 tracks | Based on early Gramophone Recordings | LDC 2781130/ | IMEB Bourges | IMEB Bourges | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23458 | Agostino | Di Scipio | Paesaggio storico nr. 1 (Roma, Cantor set), Paysage Historique n. 1 (Roma, Cantor Set) | 1998, 2005 | fixed media, akusmatisch | 7:53 | Stereo, Octo | in cooperation with M. Rüsenberg | Real Ambient Vol. 1 CD NW 5101-2 Colonia/ LDC 2781130/ | PS L'Aquila | Goethe-Institut Rom | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23464 | Agostino | Di Scipio | Per la meccanica dei flauti | 2001 | live-elec, 1 perf | 15:00 | fl, (DSP) [Flöte] | also known as "Book of flute dynamics (5 Chapters, 4 Appendixes)" | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 23442 | Agostino | Di Scipio | Plex | 1991 | Zuspiel / Tonband, 1 perf | 16:00 | Quadro | db [Kontrabass] | Stefano Scodanibbio (db) Composer's own computer program Music5, Music360 |
CSC Padova, PS L'Aquila | Festival Musica Verticale, Roma, Italy | 1991 | Palazzo delle Esposizioni, Roma, Italy | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||
| 23454 | Agostino | Di Scipio | pp.528-529 | 1997 | Klanginstallation, live-elec, | (slides) [] | audiovideo installation with 1 or 2 CD-Players, based on an excerpt of Schönbergs Harmonielehre | PS L'Aquila | Itinerari Armonici | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 23475 | Agostino | Di Scipio | Pulse code (on wood) | 2002 - 2004 | Zuspiel, live-elec, 1 perf | 14:00 | Octo | perc, (DSP) [Schlagzeug] | CMJ Vol 29-4, 2005/ | IMEB Bourges, CEMAMu/ Ateliers Upic/ CCMIX | CCMIX | 2004 | Paris | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||
| 23441 | Agostino | Di Scipio | Punti di tempo, Studio n.1 sul valore formante della durata | 1987 - 1988 | fixed media, akusmatisch | 4:00 | Stereo | Analog Synthesis controlled by computer (Granular Synthesis). Score available from the composer. |
PS L'Aquila | 1997 | Cordoba (Argentina) | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23457 | Agostino | Di Scipio | SCHBRT LIED | 1998 | fixed media, akusmatisch | 9:00 | Stereo | (2 CD-player) [] | text fragments from Goethe, Müller, Heine and other German poets used by Schubert in his Lieder. | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 23443 | Agostino | Di Scipio | Schizzo discreto della nuvola MXIX | 1993 | fixed media, akusmatisch | Stereo | SFU | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||||
| 23444 | Agostino | Di Scipio | Some strings quiet, some strings cry | 1993/2000 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | hp [Harfe] | for Maria di Giulio; revision 2000 | SFU | 1993 | Vancouver | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||
| 23448 | Agostino | Di Scipio | Sound & Fury, Towards a theatre of noise, sounds, and sometimes voices | 1995 - 1998 | Theater, live-elec, 4 perf | 55:00 | Octo | 2 actor, 2 perc, (DSP), slides [Schlagzeug, Schauspieler] | excerpts from "the tempest" (Shakespeare), the mirror and the sea (Auden), lyrics by Eu. Tescione. Includes: Natura allo specchio (98), L'Isola (95), Intermezzo-Intermittence (98), Caliban (97), Specchio alla natura (96) |
PS L'Aquila, Sibelius AC Helsinki | 2000 | Evora, Portugal | 0 | http://xoomer.virgilio.it/adiscipi/Sound&Fury.htm | |||||
| 23445 | Agostino | Di Scipio | Texture-Multiple | 1993, 1997 - 2002 | Zuspiel, live-elec, 6 perf | 10:00-15:00 12:25 | 6 | 3 - 6 ins, (room-dependent live) (DSP) [Instrument] | rev 2000 for Ensemble 2000 Aarhus; rev 2002 for Ensemble Mosaik Berlin | ed. rz 10015 / | PS L'Aquila | 1994 | Roma, Goethe-Institut | 1 | 2002 | http://xoomer.virgilio.it/adiscipi/ | |||
| 26273 | Agostino | Di Scipio | Texture-Residue | 2006 | Performance | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||||||
| 23450 | Agostino | Di Scipio | Three | 1996 | Zuspiel / Tonband, 3 perf | Stereo | fem V, 1 - 2 db-rec [Stimme, Flöte] | based on a poem by G. Corso | PS L'Aquila | 1996 | Villa Medici, Roma, | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||
| 23462 | Agostino | Di Scipio | Tiresia | 2000 - 2001 | Zuspiel, live-elec, 2 perf | 25:00 | 6, Octo | 2 V [Stimme] | Text by Giuliano Mesa | CPS 8693 Capstone/ | PS L'Aquila | 2001 | L'Aquila, Italy | 0 | 2005 | http://xoomer.virgilio.it/adiscipi/ | |||
| 25874 | Agostino | Di Scipio | Untitled 2001, (sound synthesis, October '01) | 2001 | fixed media, akusmatisch | 6:35 | Stereo | Mutation of a Rome-soundscape by means of an algorithmic process following the Cantor's mathematical set (Cantor's powder). Version of 2003. Also known as "Untitled 2001" or "3 untitled" |
LDC 2781130/ | PS L'Aquila | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 25064 | Agostino | di Scipio | Untitled 2004 | 2004 | live-elec, 1 perf | Kyma [computer] | recorded July 31 alte Mensa Uni Mainz; Text von Pieter Verstraete, gelesen von Workshopteilnehmern in verschiedenen Sprachen (flämisch, amerikanisches Englisch, griechisch, deutsch, italienisch) | 1 | http://xoomer.virgilio.it/adiscipi/ | ||||||||||
| 25875 | Agostino | di Scipio | Untitled 2005, Ecosytemic Sound Installation in Small Reverberant Space (at the DAAD-Galery Zimmerstraße) | 2005 | Klangkunst, Installation | ∞ | Quadro, or more | DAAD Berliner Künstlerprogramm | 1 | http://xoomer.virgilio.it/adiscipi/ | |||||||||
| 26270 | Agostino | di Scipio | Untitled 2008, Ecosytemic Sound Installation in Abandoned or Dismantled Rooms | 2008 | Klangkunst, Installation | ∞ | Octo | DAAD Berliner Künstlerprogramm für Inventionen 2008 | 24.7.2008 | Inventionen Villa Elisabeth Berlin | 0 | http://www.inventionen.de/Inventionen_08/Notes/Scipio-Notes-en.html | |||||||
| 23479 | Agostino, Mario, Mariano, Annamaria | Di Scipio, Lunetta, Baino, Giancarli | Improvviso-Polifonico-Poetronico | 1998 | Klanginstallation, live-elec, 4 perf | 15:00 | 3 poets, e-gui, (DSP) [Gitarre] | poetry reading and mixing | PS L'Aquila | 0 | http://xoomer.virgilio.it/adiscipi/ | ||||||||
| 23452 | Agostino, Manilio | Di Scipio, Prignano | Interactive Island | 1996 | Klangkunst, Installation | Octo | audio-video-Installation | PS L'Aquila | 1996 | Nettuno, Italy | 0 | http://xoomer.virgilio.it/adiscipi/ | |||||||
| 4066 | Hilda | Dianda | a - 7 | 1966 | Zuspiel / Tonband, 1 perf | 14:35 | Stereo + Stereo + Stereo | vc [Cello] | MCBA, 0010 (Municipalidad de la Ciudad de Buenos Aires)/ Creel Pone 068/ | Northridge Coll | 0 | ||||||||
| 4067 | Hilda | Dianda | Dos estudios en oposicion | 1959 | fixed media, akusmatisch | 6:30 | Stereo | MCBA, 0010 (Municipalidad de la Ciudad de Buenos Aires)/ Creel Pone 068/ | Fonologia Milano | 0 | |||||||||
| 28359 | Hilda | Dianda | … y después el silencio | 1976 | fixed media, akusmatisch | 15:00 | Stereo | Tacuabé T/E 12/ | CICMAT | 0 | 1984 | ||||||||
| 37666 | Humberto, Sunlay | Diaz, Almeida Rodriguez | Body Symphony | 2017 | Performance | 7:30 | ICAP Habana | 1.10.2017 | AdK Berlin, Kontakte 17 Festival | 0 | |||||||||
| 19790 | Rafael | Diaz | A propósito de … | Zuspiel / Tonband, 1 perf | Stereo | cl [Klarinette] | PS C. Malaga | 0 | |||||||||||
| 33252 | Rafael | Diaz | Amor Pelirrojo | Oper, 4 perf | 70:00 | 4 V, (Ópera electroacústica, 4 Cantantes) [Stimme] | 0 | ||||||||||||
| 19791 | Rafael | Diaz | Ascolta, Seyor Granados | Zuspiel / Tonband, 1 perf | Stereo | db [Kontrabass] | PS C. Malaga | 0 | |||||||||||
| 33251 | Rafael | Diaz | Bolero de Concierto | Zuspiel / Tonband, 5 perf | 8:00 | vn, va, cl, t-sax, p [Klarinette, Saxophon, Piano, Viola, Violine] | 0 | ||||||||||||
| 33249 | Rafael | Diaz | Cuasi un viaje | Zuspiel / Tonband, 4 perf | 8:00 | 4 sax [Saxophon] | 0 | ||||||||||||
| 33253 | Rafael | Diaz | Diálogo con Manuel Castillo | Zuspiel / Tonband, 1 perf | 7:00 | gui [Gitarre] | 0 | ||||||||||||
| 33248 | Rafael | Diaz | Dual | live-elec, 1 perf | 8:00 | Interpret [Performer] | 2 Saxos tocados simultáneamente por un solo interprete y electrónica en vivo | 0 | |||||||||||
| 33259 | Rafael | Diaz | El misterio del pasodoble | fixed media, akusmatisch | 6:00:00 | MMV-003/ | 0 | ||||||||||||
| 4068 | Rafael | Diaz | Entrada de Luigi Nono en el Olimpo | 1992 | fixed media, akusmatisch | 4:15 | UM CD 7 Vol. I/ | PS C. Malaga | 1 | ||||||||||
| 19792 | Rafael | Diaz | ;Hola, Señor Albeniz! | Zuspiel / Tonband, 4 perf | Stereo | 4 sax [Saxophon] | PS C. Malaga | 0 | |||||||||||
| 33247 | Rafael | Diaz | Inerte | Zuspiel / Tonband, 1 perf | 8:00 | perc [Schlagzeug] | 0 | ||||||||||||
| 19789 | Rafael | Diaz | La Elipse del Grito | Zuspiel / Tonband, 1 perf | Stereo | trbn [Posaune] | PS C. Malaga | 0 | |||||||||||
| 19782 | Rafael | Diaz | La Fiesta nacional | fixed media, akusmatisch | 28 | Stereo | PS C. Malaga | 0 | |||||||||||
| 19783 | Rafael | Diaz | Li - Po | fixed media, akusmatisch | 25 | Stereo | PS C. Malaga | 0 | |||||||||||
| 33256 | Rafael | Diaz | Misa de Andalucía | fixed media, akusmatisch | 38 | 0 | |||||||||||||
| 19794 | Rafael | Diaz | Misa Flamenca | Zuspiel / Tonband, 2 groups | Stereo | 2 ch [Chor] | PS C. Malaga | 0 | |||||||||||
| 19795 | Rafael | Diaz | ;pasodoble! | Zuspiel / Tonband, 1 perf | Stereo | p [Piano] | PS C. Malaga | 0 | |||||||||||
| 19785 | Rafael | Diaz | Perfil de la blanca Luna | Zuspiel / Tonband, 1 perf | Stereo | va [Viola] | PS C. Malaga | 0 | |||||||||||
| 19784 | Rafael | Diaz | Perfil de Mujer que Baila | Zuspiel / Tonband, 1 perf | Stereo | gui [Gitarre] | PS C. Malaga | 0 | |||||||||||
| 19786 | Rafael | Diaz | Perfil de un Poema | Zuspiel / Tonband, 2 perf | Stereo | vn, db [Violine, Kontrabass] | PS C. Malaga | 0 | |||||||||||
| 19788 | Rafael | Diaz | Perfil del Agua, Perfil del Viento | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | PS C. Malaga | 0 | |||||||||||
| 19787 | Rafael | Diaz | Perfil rn Azul | Zuspiel / Tonband, 1 perf | 7 | Stereo | cl [Klarinette] | PS C. Malaga | 0 | ||||||||||
| 33255 | Rafael | Diaz | ¡ Picassoooh ! | fixed media, akusmatisch | 35 | 0 | |||||||||||||
| 33257 | Rafael | Diaz | Por, Para; hacia… | fixed media, akusmatisch | 18 | 0 | |||||||||||||
| 33258 | Rafael | Diaz | Reality show | fixed media, akusmatisch | 6:00:00 | AMEE/ | 0 | ||||||||||||
| 33250 | Rafael | Diaz | Segundo movimiento de…(homenaje a José Andreu) | Zuspiel / Tonband, 1 perf | 8:00 | vc [Cello] | 0 | ||||||||||||
| 19651 | Rafael | Diaz | Silenzio ondulado | 1993 | Zuspiel, live-elec, 1 perf | 10:00 | Stereo | cl [Klarinette] | LIEM CDMC Madrid, PS C. Malagad | 0 | |||||||||
| 33246 | Rafael | Diaz | Smile | Zuspiel / Tonband, 1 perf | 9:00 | gui [Gitarre] | 0 | ||||||||||||
| 33254 | Rafael | Diaz | Sobre Pájaros y Flores (DVD) | Zuspiel / Tonband, 1 perf | 9:00 | tpt [Trompete] | 0 | ||||||||||||
| 33245 | Rafael | Diaz | Soy | live-elec, 2 perf | cl, MIDI [Klarinette, synthesizer] | 0 | |||||||||||||
| 19793 | Rafael | Diaz | Yo, Amadeo | Zuspiel / Tonband, 1 group | Stereo | ch [Chor] | PS C. Malaga | 0 | |||||||||||
| 23936 | Sergio, Alfonso | Diaz, Feeley | Biósfera | 1983 | fixed media, akusmatisch | Compuesta con motivo del XV aniversario de la carrera de Tecnología del Sonido. Agosto 1983. Sala Isidora Zegers. Santiago, Chile. |
0 | ||||||||||||
| 40043 | Marco | Dibeltulu | C’era una volta | 2015 | fixed media, akusmatisch | 6:20:00 | Marco Dibeltulu | 0 | |||||||||||
| 41407 | Marco | Dibeltulu | Nello spazio sommerso | fixed media, akusmatisch | Sguardo Contemporaneo | 0 | https://www.ckcufm.com/ | ||||||||||||
| 42876 | Marco | Dibeltulu | Sguardo contemporaneo | 2013 | fixed media, akusmatisch | 7:35:00 | 0 | ||||||||||||
| 39805 | Gary | DiBenedetto | Battle | 2016 | fixed media, akusmatisch | Gary DiBenedetto | 0 | ||||||||||||
| 39803 | Gary | DiBenedetto | “Exploitation” (A VIDEO SYNOPSIS) | 2017 | audiovisuell | Gary DiBenedetto | 0 | ||||||||||||
| 39806 | Gary | DiBenedetto | Improvisation on A Drop in the Bucket | 2015 | fixed media, akusmatisch | 5:00:00 | Gary DiBenedetto | 0 | |||||||||||
| 41811 | Gary | DiBenedetto | Knock and the Door Shall Be Opened | 2001 | fixed media, akusmatisch | 4:00:00 | codemist ICMC2001/ | 0 | |||||||||||
| 39804 | Gary | DiBenedetto | Pinball machine | 2017 | Klangkunst, Installation | Gary DiBenedetto | 0 | ||||||||||||
| 43062 | Gary | DiBenedetto | Spool Winder | 2013 | Klangkunst, Installation | Location: Onsite Spool Winder has a kinetic component, powered manually | 0 | ||||||||||||
| 36401 | Paul | Dibley | Thalis | 1999 | fixed media, akusmatisch | Kiasma 1999/ | 0 | ||||||||||||
| 24183 | Paul | Dibley | The Ciné Projector | 2002 | fixed media, akusmatisch | 4:44 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 38816 | Sebastian | Dicenaire | Pamela Episode 1 | 2015 | radiophon | 10:35 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | |||||||||||
| 38817 | Sebastian | Dicenaire | Pamela Episode 2 | 2015 | radiophon | 11:44 | Phonurgia Nova International Radio Competition (France) in 2016 | 0 | |||||||||||
| 21140 | Leo | Dick | Faites vos jeux…: … rien ne va plus! | 1999 | fixed media, akusmatisch | 5:30 | 5 tracks | TU Berlin | 21.7.1999 | Parochialkirche Berlin | 1 | ||||||||
| 4069 | Peter | Dickinson | Sonatas for piano & tape | 1987 | Zuspiel / Tonband, 1 perf | 20:00 | p [Piano] | 0 | |||||||||||
| 4070 | Stephen | Dickman | Variations on Impermanence | 1966 | fixed media, akusmatisch | Stereo | Uni Waltham | 0 | |||||||||||
| 40249 | Simon | Dickopf | Spheroid | 2017 | audiovisuell | Simon Dickopf | 0 | ||||||||||||
| 4071 | Yann | Diederichs | ASbr | 1976 | fixed media, akusmatisch | 22:30 | IPEM Gent | 0 | |||||||||||
| 4072 | Yann | Diederichs | Aux levres du nid, le silence | 1984 | fixed media, akusmatisch | 8:00 | Stereo | INA • GRM | 0 | ||||||||||
| 4073 | Yann | Diederichs | Ervuzyon | 1976 | fixed media, akusmatisch | 18:00 | IPEM Gent | 0 | |||||||||||
| 4074 | Yann | Diederichs | It should not be forgotten | 1981 | fixed media, akusmatisch | 6:14 | Stereo | IPEM Gent | 0 | ||||||||||
| 4075 | Yann | Diederichs | La memoire des Voutes | 1986 | fixed media, akusmatisch | 15:08 | Stereo | INA • GRM | 0 | ||||||||||
| 4076 | Yann | Diederichs | Servéné | 1984 | Zuspiel / Tonband, 1 perf | 4:48 | vn [Violine] | IPEM Gent | 0 | ||||||||||
| 4077 | Yann | Diederichs | Thought -sound-from Kashgar | 1976 | fixed media, akusmatisch | 19:00 | IPEM Gent | 0 | |||||||||||
| 4078 | Yann | Diederichs | Trois Interpolations | 1981 | fixed media, akusmatisch | 8:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 4079 | Yann | Diederichs | Uzyon | 1976 | fixed media, akusmatisch | 7:52 | IPEM Gent | 0 | |||||||||||
| 4080 | Yann | Diederichs | Vi 47 R | 1974 | fixed media, akusmatisch | 23:20 | Stereo + Stereo | IPEM Gent | 0 | ||||||||||
| 31770 | Gregor | Diekmann | GD_03_RE_08 | 2009 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31771 | Gregor | Diekmann | TorchonChiffonCarpette | 2009 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31772 | Gregor | Diekmann | Unterbrochen Abgelöst | 2009 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 42336 | Natacha | Diels | Das msuic for lonely people | 2019 | live-elec, 5 perf | fl, cl, hp, perc, elec [Flöte, Klarinette, Harfe, Schlagzeug, elektronik] | Deutschlandfunk Kultur | 19.1.2019 | Ultraschall Berlin 2019 Radialsystem V, Ensemble Adapter | 0 | |||||||||
| 4081 | Christian | Diendorfer | tell plurabell | 1987 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
10:30 | Stereo | p [Piano] | txtcompo. Synclavier | TU Berlin | Auszeichnung ars electronica 1987 | 1 | http://archive.aec.at/prix/showmode/20510/ | ||||||
| 4082 | Glen | Diener | Quatre images sur le nom de Bach | 1982 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 4083 | Jacques | Diennet | 211 Jours Après Le Printemps | 1991 | fixed media, akusmatisch | Film |
16:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 25876 | Jacques | Diennet | Arrêt sur image-moment 1 | 2004 | fixed media, akusmatisch | 18:43 | LDC 2781133 Compendium 2004/ | IMEB Bourges | 1 | ||||||||||
| 4084 | Jacques | Diennet | Aubrac-Les-Quatre-Canaux | 1984, 1985 | Zuspiel/Tonband, 1 perf | live-elec, 1 perf |
20:15 | Stereo | perc [Schlagzeug] | Synclavier | GMEM AL 03 LP/ | GMEM Marseille | 0 | |||||||
| 4085 | Jacques | Diennet | Aubrac-Sur-Maguelonne | 1982, 1985 | Zuspiel/Tonband, 2 perf | live-elec, 2 perf |
29:55 | Stereo | perc, Kbd [Keyboard, Schlagzeug] | Synclavier | GMEM AL 03 LP/ | GMEM Marseille | 0 | |||||||
| 4086 | Jacques | Diennet | Création Mondiale | 1978 | fixed media, akusmatisch | 10:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4087 | Jacques | Diennet | De La Musique Pour Le Feu | 1989 | intermedia | 20:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4088 | Jacques | Diennet | Drame Banal | 1981 | fixed media, akusmatisch | Tanz, live-elec, |
60:00 | Stereo | Synclavier | GMEM Marseille | 0 | |||||||||
| 4089 | Jacques | Diennet | Espace réel, espace virtual | 1976 | fixed media, akusmatisch | GMEM Marseille | 0 | ||||||||||||
| 4090 | Jacques | Diennet | Etoffe | 1979 | fixed media, akusmatisch | GMEM Marseille | 0 | ||||||||||||
| 4091 | Jacques | Diennet | Facile Pour Cécile | 1984 | Zuspiel/Tonband, 3 perf | live-elec, 3 perf |
16:00 | Stereo | Sp, p, mar, [Sprecher, Piano, Schlagzeug] | Synclavier | HA 2035/ ART 2035/ | GMEM Marseille | 0 | |||||||
| 4092 | Jacques | Diennet | La Paix Des Etoiles | 1982 | Zuspiel/Tonband, 1 perf | live-elec, 1 perf |
41:00 | Stereo | fl [Flöte] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4093 | Jacques | Diennet | Le Pré De Madame Carle | 1989 | fixed media, akusmatisch | Film |
14:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4094 | Jacques | Diennet | Mante | 1983 | Zuspiel/Tonband, 5 perf | live-elec, 5 perf |
38:00 | Stereo | ap, S, hn, b-cl, gui [Sopran, Klarinette, Horn, Gitarre] | Synclavier | HA 2035/ ART 2035/ | GMEM Marseille | 0 | |||||||
| 4095 | Jacques | Diennet | Métaphores Echouées | 1991 | fixed media, akusmatisch | Film |
16:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4096 | Jacques | Diennet | Noces De Sang | 1988 | fixed media, akusmatisch | Theatermusik |
43:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4097 | Jacques | Diennet | Nuit Presque Noire | 1991 | live-elec, 5 perf | 43:00 | Stereo | 2 db, p, disklavier, perc [Piano, Schlagzeug, Kontrabass] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4098 | Jacques | Diennet | Palmyre | 1980 | live-elec, 1 perf | 11:00 | Stereo | com [computer] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4099 | Jacques | Diennet | Panta Rei | 1984 | fixed media, akusmatisch | live-elec, 1 perf |
29:00 | Stereo | com [computer] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4100 | Jacques | Diennet | Penché Au Bord De La Côte Escarpée | 1987 | fixed media, akusmatisch | Tanz |
18:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4102 | Jacques | Diennet | Suite Concertante | 1980 | fixed media, akusmatisch | live-elec, 1 perf |
18:00 | Stereo | com [computer] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4103 | Jacques | Diennet | Ubris-Tropiques | 1987 | Zuspiel/Tonband, 2 perf | live-elec, 2 perf |
40:00 | Stereo | p, db [Piano, Kontrabass] | Synclavier | GMEM Marseille | 0 | ||||||||
| 4104 | Jacques | Diennet | Un Avion Presque Au Milieu Du Lac | 1988 | fixed media, akusmatisch | Tanz |
21:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 4101 | Jacques, Frank | Diennet, Royon Le Mée | Soap Opera / Opera Soupe | 1979 | Musiktheater | 45:00 | Stereo | GMEM Marseille, CIRM Nice | 0 | ||||||||||
| 36551 | Christof | Dienz | AMPLIFLY | 2007 | live-elec, 6 perf | 12:33 | a-sax, vn, db, p, perc, amp gui [Saxophon, Piano, Gitarre, Schlagzeug, Violine, Kontrabass] | WWE 1CD 20280 / | 0 | ||||||||||
| 4105 | Joel | Diermaier | SUBITO | 1993 | Zuspiel / Tonband, 1 perf | 10:00 | perc [Schlagzeug] | SEM Salzburg | 0 | http://joeldiermaier.com/src/web/composer/front/index.php?i_ca_id=294 | |||||||||
| 24119 | Joel | Diermaier | Waterside Trio, op. 31 | 1998/2004 | Zuspiel / Tonband, 3 perf | ≈ 15:00 | Octo | fl, vc, prep p [Flöte, Piano, Cello] | Tempo Reale Firenze | 0 | |||||||||
| 37591 | Bill | Dietz | L‘école de la claque | 2017 | Performance | SWR | 19.-22.10.2017 | Donaueschinger Musiktage 2017, Stadtbibliothek Donaueschingen | 0 | ||||||||||
| 25877 | Santiago | Diez Fischer | Krytalis | 2004 | fixed media, akusmatisch | 7:52 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 34400 | Santiago | Diez Fischer | No Clarinet Input | 2011 | live-elec, 1 perf | 6:02 | cl [Klarinette] | CMMAS/ | 0 | ||||||||||
| 35685 | Santiago | Díez Fischer | El cuarto en espiral | 2007 | fixed media, akusmatisch | 11:08 | 0 | ||||||||||||
| 35686 | Santiago | Díez Fischer | La caja Lucida | 2006 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 35687 | Santiago | Díez Fischer | Le bruit involuntaire | 2009 | Zuspiel / Tonband, 1 perf | 09:13 | vc [Cello] | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | |||||||||
| 35688 | Santiago | Díez Fischer | Memorias | 2006 | fixed media, akusmatisch | 6:29 | 0 | ||||||||||||
| 35689 | Santiago | Díez Fischer | Sombras Blancas | 2006 | fixed media, akusmatisch | 10 | 0 | ||||||||||||
| 25466 | Santiago | Díez Fischer | Tynajas | 2004 - 2005 | fixed media, akusmatisch | 11:33 | miso records mcd 016.07/ | 2005 Música Viva Festival’s Electroacoustic Composition Competition (Portugal) | 1 | ||||||||||
| 19622 | Consuelo | Diez | El Azul está prohibido | 1990 | Zuspiel / Tonband, 1 perf | Stereo | V [Stimme] | LINCE-CAM Madrid | 0 | ||||||||||
| 19652 | Consuelo | Diez | IRO | 1994 | Zuspiel / Tonband, 4 perf | 8:12 | Stereo | cl, va, gui, p [Klarinette, Piano, Gitarre, Viola] | LIEM CDMC Madrid | 0 | |||||||||
| 19653 | Consuelo | Diez | Isla de Fuego | 1995 | Zuspiel / Tonband, 6 perf | 13:10 | Stereo | 4 sax, p, perc [Saxophon, Piano, Schlagzeug] | LIEM CDMC Madrid | 0 | |||||||||
| 22815 | Consuelo | Diez | Jungle city | 1986 | fixed media, akusmatisch | 9:10 | Synthesizers | HyCD-11/ | CCEM Hartford | 1 | |||||||||
| 22814 | Consuelo | Diez | Milenium | 1987 | fixed media, akusmatisch | 2:20 | Synclavier II | HyCD-11/ | CCEM Hartford | 1 | |||||||||
| 19306 | Consuelo | Diez | RIo IRo | 1995 | fixed media, akusmatisch | 2:22 | música electroacústica española 1/ | LIEM CDMC Madrid | 1 | ||||||||||
| 4106 | Consuelo | Diez | S.Q. | 1990 | fixed media, akusmatisch | 10:47 | Stereo | hyCD-11/ | LIEM CDMC Madrid | 1 | |||||||||
| 22817 | Consuelo | Diez | Sabor a Cristal, Mujeres Olvido interno Maternidad Finale |
1991/1992 | fixed media, akusmatisch | 38:00 | 4 parts: 1. Mujeres (14:27), 2. Olvido interno (7:55), 3. Maternidad (13:05), 4. Finale (2.20) | HyCD-11/ | LIEM CDMC Madrid | 1 | |||||||||
| 20092 | Consuelo | Diez | Saxo, mentiras y cinta de audio | 1995 | Zuspiel / Tonband, 1 perf | 4:18 | Stereo | sax [Saxophon] | D.L.:M-19.1990-1996/ | LIEM CDMC Madrid | 0 | ||||||||
| 22816 | Consuelo | Diez | Script | 1987 | fixed media, akusmatisch | 6:20 | Synclavier II (Script!) | HyCD-11/ | CCEM Hartford | 1 | |||||||||
| 22813 | Consuelo | Diez | Tu y yo (from Sabor a cristal ) | 1987 | fixed media, akusmatisch | 3:17 | Synclavier II | HyM-1, Hyades Arts, New Intrumental Music from Spain Vol.1/ HYCD-11/ | CCEM Hartford | 0 | |||||||||
| 4107 | Consuelo | Diez | Vida (Homage à Luigi Nono) | 1990 | fixed media, akusmatisch | 5:32 | UM CD 7 Vol. I/ | LIEM CDMC Madrid | 0 | ||||||||||
| 4108 | James | Dillon | Introïtus | 1990 | Zuspiel, live-elec, 1 group | 27:00 | ens [Ensemble] | IRCAM | Peters | 0 | |||||||||
| 4109 | Apostolos | Dimitrakopoulos | Chordae in vitro | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 32744 | Jannis | Dimitrescu | Solara | Zuspiel / Tonband, 2 perf | b-tuba, db [Tuba, Kontrabass] | 0 | |||||||||||||
| 4110 | Georgi | Dimitriev | Adagio | 1990 | fixed media, akusmatisch | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||||
| 4111 | Bojidar | Dimov | Continuum III, …und Frieden und Krieg und Frieden und… | 1981 | fixed media, akusmatisch | 13:15 | Quadro | HfMT Köln CD6/ | HfMT Köln | 1 | |||||||||
| 27784 | Thomas | Dimuzio | 4 Poles | 1997 | fixed media, akusmatisch | 3:58 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 20093 | Thomas | Dimuzio | Baby-Push | 1997 | fixed media, akusmatisch | 4:17 | Stereo | MIDI, industrielle | OS CD 20/ | 0 | http://www.thomasdimuzio.com/ | ||||||||
| 27791 | Thomas | Dimuzio | Don’t shop my skulls | fixed media, akusmatisch | 0:20 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | ||||||||||
| 27788 | Thomas | Dimuzio | Hinge Map Ridge | 1994 | fixed media, akusmatisch | 7:12 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27786 | Thomas | Dimuzio | Lightswitch | 1990 | fixed media, akusmatisch | 12:40 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27792 | Thomas | Dimuzio | M375 | 2004 | fixed media, akusmatisch | 4:00 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27789 | Thomas | Dimuzio | Monaural | 1999 | fixed media, akusmatisch | 3:10 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27781 | Thomas | Dimuzio | Never Steven | 1993 | fixed media, akusmatisch | 5:42 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27782 | Thomas | Dimuzio | Radiotraces | 1999 | fixed media, akusmatisch | 5:18 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27790 | Thomas | Dimuzio | Turnkey (Onionhouse) | 2001 | fixed media, akusmatisch | 1:00 | Stereo | RER TD2 "SLEW" GENCH/ | 0 | http://www.thomasdimuzio.com/ | |||||||||
| 27783 | Thomas | Dimuzio | Usher Substart | 1994 | fixed media, akusmatisch | 4:20 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 27787 | Thomas | Dimuzio | Yard | 1994 | fixed media, akusmatisch | 2:45 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 20094 | Thomas | Dimuzio | Zero Tolerance | 1997 | fixed media, akusmatisch | 6:02 | Stereo | MIDI, industrielle | RRRecords CD 21/ | 1 | http://www.thomasdimuzio.com/ | ||||||||
| 27785 | Thomas | Dimuzio | Zosz | 1991 | fixed media, akusmatisch | 7:10 | Stereo | RER TD2 "SLEW" GENCH/ | 1 | http://www.thomasdimuzio.com/ | |||||||||
| 4112 | Violeta | Dinescu | New Rochelle I, II, III, IV, V, VI, VII | 1984 | live-elec, 1 perf | Stereo | synt [synthesizer] | GES Vierzon | 0 | ||||||||||
| 41806 | Violeta | Dinescu | Quasaar Paal 2 | 1985 | live-elec, 1 perf | vc, (com) [Cello] | 0 | ||||||||||||
| 41805 | Violeta | Dinescu | SELF REFLECTIONS I & II, Reflections I/II | 1996 - 1997 | Zuspiel / Tonband, 1 perf | 12:22 | p [Piano] | SCD 28040 Sargasso/ | 0 | ||||||||||
| 39357 | Chen | Ding-Lian | Tumble | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 29427 | Hendrik | Dingler | Cats lost in Space | 2012 | Film | Eva Münnich | 0 | ||||||||||||
| 29434 | Hendrik | Dingler | Crunchy Snow | 2010 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 29437 | Hendrik | Dingler | Luftangriff | 2006 | Klangkunst, Installation | Stereo | Darmstadt | 0 | |||||||||||
| 29428 | Hendrik | Dingler | nicht gerendert | 2010 | audiovisuell | Stereo | 0 | http://vimeo.com/24262948 | |||||||||||
| 29436 | Hendrik | Dingler | Planet C.A.M.E.L. | 2006 | Film | (Judith Shu Ritter, 2006, Gewinner der CAMEL.CREATIV.CHALLENGE) | 0 | ||||||||||||
| 29430 | Hendrik | Dingler | Rrumpff tillff toooo? | 2011 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 29429 | Hendrik | Dingler | Ruhrlautsonate | 2010 | Zuspiel, live-elec, 6 perf | Quadro | 6 Sp, (elec) [Sprecher] | Text und Inszenierung: Bruno Klimek | 0 | ||||||||||
| 29435 | Hendrik | Dingler | Suite No. 2 Op. 64c & ein Zwerg der linkisch auf missgestalteten Beinen herum hüpft, “Suite No. 2 Op. 64c & a dwarf, who jumps around bumbling on amorphic legs” | 2009 | Performance | Quadro | 3 perf (Schallplattenspieler, Turntablist) [Performer] | 0 | |||||||||||
| 29432 | Hendrik, Kerim | Dingler, Karaoglu | Quadrangle A/V | 2010 | Klangkunst, Installation | (Griduo, Sebastian Neitsch, Kerim Karaoglu und Hendrik Dingler, 2010) | ICEM Essen | SANAA Gebäude (Weltkulturerbe Zollverein/Essen). | 0 | ||||||||||
| 29431 | Hendrik, Kerim | Dingler, Karaoglu | Quadrangle-Ouvertüre | 2010 | fixed media, akusmatisch | Quadro | Kerim Karaoglu und Hendrik Dingler | 0 | |||||||||||
| 29433 | Hendrik, Jürgen H. | Dingler, Stutzinger | Hast Du Töne | 2010 | fixed media, akusmatisch | Quadro | (Jürgen H. Stutzinger und Hendrik Dingler, 2010) | 0 | |||||||||||
| 40055 | Marissa | DiPronio | Eukaryote | 2017 | fixed media, akusmatisch | Marissa DiPronio | 0 | ||||||||||||
| 4113 | Gerardo | Dirie | Tu casa o este oceano | fixed media, akusmatisch | 0 | ||||||||||||||
| 34424 | Tom | Dissevelt | Checkpoints, Fantasy in Orbit | 1964 | fixed media, akusmatisch | 42 | Mono | 14 parts. Working Title is Checkpoints. Published Title is Fantasy in Orbit. | PHI 633302/ | STEM Utrecht | Philips Phonographic Industries | 0 | |||||||
| 34442 | Tom | Dissevelt | El. Amusementsmuziek Nr. I El. Amusementsmuziek Nr. II El. Amusementsmuziek Nr. III El. Amusementsmuziek Nr. IV, Amusementsmuziek Electronische Amusementsmuziek |
1958/1959 | fixed media, akusmatisch | Mono | few versions with popular music! | Philips Laboratories Eindhoven | 0 | ||||||||||
| 4114 | Tom | Dissevelt | Electronic movements Nr. I - IV, Whirling Syncopation Drifting Vibration |
1958 - 1959 | fixed media, akusmatisch | 12:00 | Mono | partly popular Music, also dodecaphonic! Whirling was the first el. piece by Dissevelt. ≈ „El. Amusementsmuziek“ |
PHI 430736 PE/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | Philips Laboratories Eindhoven | 1 | http://thresholdofbeauty.com/music excerpts/Syncopation excerpt.mp3 | |||||||
| 36788 | Tom | Dissevelt | Electronische Muziek | fixed media, akusmatisch | Philips Laboratories Eindhoven | 0 | |||||||||||||
| 4115 | Tom | Dissevelt | Fantasy in Orbit, Ignition Atlantic Spearhead Zanzi Anchor Vhains Tropicolour Gamelan Woomerangs Waltzing Mathilda Pacific Dawn Gold and Lead Mexican Mirror Seconds to Eternity Re-Entry |
1963 | fixed media, akusmatisch | 42:48 | Mono | 14 parts. Release on Philips LP „… marked the end of Philips involvement in electronic music production in the Netherlands“ (Tazelaar „On the Threshold of Beauty“ page 229). |
PHI 840233/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 3/ PHS 600-189/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ Boomkat bundle_49/ PHI 633302/ | STEM Utrecht | Philips Phonographic Industries | 1 | http://thresholdofbeauty.com/music excerpts/Ignition excerpt.mp3 | ||||||
| 4117 | Tom | Dissevelt | Intersection, Twilight Ozone | 1961 | Zuspiel / Tonband, 1 group | 5:30 | Mono | ens (jazz orc) [Ensemble] | „fantasy for electronic sound and jazz orchestra“. Included in this piece is a 12-tone Composition for "The Skymasters Orchestra". There is also an early Version (6:45) Last appearance of Raaijmaker’s Kid Baltan |
Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 1/ Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ PHI 430791/ | Philips Laboratories Eindhoven, STEM Utrecht | AVRO radio | 1 | http://thresholdofbeauty.com/music excerpts/Intersection excerpt.mp3 | |||||
| 13419 | Tom | Dissevelt | Quiz Tune for VARA Television | 1958 | intermedia | 0:30 | Mono | Pausenzeichen | Basta 30.9141.2 Early Dutch EM from Philips Lab, Vol. 4/ | Philips Laboratories Eindhoven | 1 | ||||||||
| 34443 | Tom | Dissevelt | Skymasters Tape and Band, Stuk voor Electronische Klanken in Skymasters |
1958/1959 | fixed media, akusmatisch | 5:25 | Mono | popular music! | Philips Laboratories Eindhoven, STEM Utrecht | 0 | |||||||||
| 34425 | Tom | Dissevelt | Stuk I - VIII, Stuk I Stuk II Stuk III Stuk IV Stuk V Stuk VI Stuk VII Stuk VIII |
1963 | fixed media, akusmatisch | 24 | Philips Laboratories Eindhoven, STEM Utrecht | 0 | |||||||||||
| 40927 | Tom | Dissevelt | Whirling | 1958 | fixed media, akusmatisch | popular music | Philips Laboratories Eindhoven | 1 | |||||||||||
| 4118 | Paul-Heinz | Dittrich | Action - Reaction | 1975 - 1976 | Zuspiel, live-elec, 2 perf | 15:15 | Stereo | ob, synt [Oboe, synthesizer] | Synthi AKS | WER 62692/ | ExpSt Warsaw, PS Rödger, Radio DDR Leipzig | 10.10.1975 | Berlin Apollo-Saal, B. Glaetzner, E. Rödger | Breitkopf & Härtel | 1 | 1990 | http://www.scheinschlag.de/archiv/2003/04_2003/texte/20.html | ||
| 32703 | Paul-Heinz | Dittrich | Bruch-Stücke | 1987 | Zuspiel / Tonband, 1 perf | 10 | Stereo | trbn [Posaune] | TIP Berlin | 27.1.1987 | Halle; Schenker & Rödger | DVfM | 0 | ||||||
| 4119 | Paul-Heinz | Dittrich | Cantus II, unum necessarium | 1977 | Zuspiel, live-elec, 2 perf, 1 group | ≈ 25:00 | Quadro | S, vc, orc, (synt) [Sopran, Cello, Orchester] | nach Texten von Paul Eluard, Ralph Winkler. | WDR SEM | WDR 1977 | 30.9.1977 | WDR Köln, Roswitha Trexler, Otto Liesmann, RSO Köln, Ltg. Eötvös | UE | 0 | ||||
| 4120 | Paul-Heinz | Dittrich | Die anonyme Stimme | 1971 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | ob, trbn [Oboe, Posaune] | after texts by S. Beckett (wie es ist) | Akademie der Wissenschaften Berlin | 3.11.1972 | Stuttgart, Holliger, Globokar | UE | 0 | |||||
| 4121 | Paul-Heinz | Dittrich | Engführung, Kammermusik 4. Fassung | 1981 | Zuspiel, live-elec, 14 perf, 1 group | 60:00 | Stereo | S, 6 V, 6 ins, synt, orc [Sopran, Stimme, Instrument, synthesizer, Orchester] | nach Texten von Paul Celan, Paul-Heinz Dittrich. Ein Werk über den Holocaust | edel 0013052 BC Berlin Classics/ DMR Musik in Deutschland 1950 - 2000; Neue Musik in der DDR/ | Experimentalstudio für Akustische Kunst Freiburg | 16.10.1981 | Donaueschingen; S. v. Osten, SWF-Orc, schola cantorum | Peters | 0 | ||||
| 4122 | Paul-Heinz | Dittrich | Kammermusik I | 1970 | Zuspiel / Tonband, 5 perf | 15:00 | Stereo | fl, ob, cl, bn, p [Flöte, Klarinette, Oboe, Fagott, Piano] | HfM Hanns Eisler, Akademie der Wissenschaften Berlin | 18.2.1971 | Berlin, Apollo-Saal, 3. Bienale | UE | 0 | ||||||
| 22767 | Paul-Heinz | Dittrich | Kammermusik II | 1973 | Zuspiel / Tonband, 3 perf | 25:00 | ob, vc, p [Oboe, Piano, Cello] | Nova 885111/ | ExpSt Warsaw | 15.5.1974 | Berlin, Apollo-Saal, Glaetzner, Weber, Erber (aulos-trio) | UE | 1 | ||||||
| 4123 | Paul-Heinz | Dittrich | Kammermusik IV | 1977 | live-elec, 9 perf | 25:00 | Quadro | S, fl, cl, vc, vn, gui, p, perc, synt [Sopran, Flöte, Klarinette, Piano, Gitarre, Schlagzeug, Cello, Violine, synthesizer] | text after Paul Celan | TIP Berlin | 4.2.1978 | Berlin, DDR-Musiktage; R. Trexler, Tast, Schramm, Scheitzbach, Däunert, Rumstig, Altendorf, Rödger | Breitkopf & Härtel | 0 | |||||
| 4124 | Paul-Heinz | Dittrich | Kammermusik IX, … Und ihr gedenket meiner … | 1989 | Zuspiel / Tonband, 6 perf | 25:00 | Stereo | fl, cl, vc, hpd, perc, Sp [Sprecher, Flöte, Klarinette, Cembalo, Schlagzeug, Cello] | text from Hölderlin, J. Teboul | TIP Berlin, AdK Berlin | DVfM | 0 | |||||||
| 4126 | Paul-Heinz | Dittrich | Kammermusik V | 1976/1977 | live-elec, 6 perf | 20:00 | fl, ob, cl, hn, bn, synt [Flöte, Klarinette, Oboe, Fagott, Horn, synthesizer] | synt EMS | Nova 885151/ | TIP Berlin | 11.6.1977 | Berlin, Apollo-Saal; Bläservereinigung Berlin, Rödger | Peters | 1 | |||||
| 4127 | Paul-Heinz | Dittrich | Konzert Nr. 3 | 1978 | Zuspiel, live-elec, 2 perf | ins, synt [Instrument, synthesizer] | Radio DDR | 0 | |||||||||||
| 4128 | Paul-Heinz | Dittrich | Menetekel | 1993 | Zuspiel / Tonband, 17 perf | 40:00 | S, T, Sp, 2 tpt, 2 trbn, perc, org, 8 V [Sopran, Tenor, Sprecher, Stimme, Trompete, Posaune, Orgel, Schlagzeug] | AdK Berlin | 0 | ||||||||||
| 4129 | Paul-Heinz | Dittrich | Motette | 1980 | Zuspiel / Tonband, 2 perf | 17:00 | Quadro | 2 gui [Gitarre] | Nova 885262/ | TIP Berlin | 17.11.1980 | TIP Berlin; Richter, Rumstig, Rödger | Verlag Neue Musik Berlin | 1 | |||||
| 4130 | Paul-Heinz | Dittrich | Musik | 1972 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 4131 | Paul-Heinz | Dittrich | qua-sie | 1971 | Zuspiel / Tonband, 5 perf | 14:00 | 2 Sp, cl, vc, p [Sprecher, Klarinette, Piano, Cello] | 0 | |||||||||||
| 27509 | Paul-Heinz | Dittrich | SA-UM, Dialogue imaginary für Flöte und Live-Elektronik | 2000 | live-elec, 1 perf | 12:46 | fl [Flöte] | DMR Musik in Deutschland 1950 - 2000: Experimentalstaudio SWR/ | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 4132 | Paul-Heinz | Dittrich | Schlagzeilen | 1970/1971 | Zuspiel / Tonband, 4 perf | 20:00 | Stereo | 2 p, 2 perc [Piano, Schlagzeug] | PS Rödger | 27.4.1972 | Boswil (Schweiz); J. Wyttenbach, Wyttenbach | Breitkopf & Härtel | 0 | ||||||
| 4133 | Paul-Heinz | Dittrich | Spiel | 1986 | live-elec, 16 perf | Stereo | 3 Sp, 3 V, 9 ins, synt [Sprecher, Stimme, Instrument, synthesizer] | TIP Berlin | 17.11.1987 | Berliner Ensemble | 0 | ||||||||
| 4134 | Paul-Heinz | Dittrich | Streichquartett I | 1972 | Zuspiel / Tonband, 4 perf | 18:00 | Stereo | str-qt [Streicher] | AdK Berlin, Akademie der Wissenschaften Berlin | April 1972 | Witten; Gaudeamus-Quartett Hilversum | UE | 0 | ||||||
| 4135 | Paul-Heinz | Dittrich | the - m | 1982 | live-elec, 2 perf | 15:00 | Stereo | bn, synt [Fagott, synthesizer] | nach einem Epigramm von Cummings. Use of long tape-delays; Synthi AKS |
TIP Berlin | 17.12.1982 | TiP Berlin; D. Hähnchen, Rödger | DVfM | 0 | |||||
| 4136 | Paul-Heinz | Dittrich | Vokalblätter | 1973 | Zuspiel / Tonband, 15 perf | S, 12 V, fl, ob [Sopran, Stimme, Flöte, Oboe] | 0 | ||||||||||||
| 33793 | diverse | Composing with Sounds | 2011 - 2013 | Demo, Studie | Works made by students and composers from France, Germany, Greece, Norway, Portugal and the United Kingdom. Contens Container ≈ Program of the 2 CD’s |
Composing with Sounds/ | Uni De Montfort | 0 | http://www.ears2.dmu.ac.uk/ | ||||||||||
| 40924 | diverse | Fantasia | 1940, 1942, 1982 | Film | 124 | Mono or multichannel | with classical music (Bach, Tschaikowksi, Dukas, Strawinski, Beethoven, Ponchieööi, Mussorgsky, Schubert, …) | Walt Disney | 13.11.1940 | Broadway Theater New York, Philadelphia Orchestra, Leopold Stokowski | 0 | https://de.wikipedia.org/wiki/Fantasia | |||||||
| 33873 | diverse | Syrian People Know Their Way | 2012 | audiovisuell | Prix ars electronica 2012/ | Goldene Nica 2012 ars electronica | 0 | ||||||||||||
| 22787 | Group | diverse | Soundscape Brasilia (7 pieces by 12 young composers) | 1994 | fixed media, akusmatisch | 51:00 | im Rahmen eines Projektes des Goethe Instituts unter der Ltg. von H. Westerkamp; Technik von NOS (M. Fahres, van de Poel) | Goethe Institut Brasilia/ | NOS Hilversum | 0 | |||||||||
| 3208 | Group | diverse | Voices End Abruptly | 1985 | fixed media, akusmatisch | Stereo | Blind Hunters: Obscure Japanese Monster Movie / Coda 3 DR AMA: Heap / Convulsive Trance: Birds / Debasement: Starkweather / Fuoku: Kiddin' Carolyn / Human Remains: Life Pours In / Quite Ridiculous Nonsense: Very Loud Silence / Redshift Subunit: Face of the Country / The Haters: Rubber-Gag Poem / The Haters: Winnnak / Words of Anger: Central Station Bombing | CC 007, Chimik Productions/ | 0 | ||||||||||
| 42839 | Greg | Dixon | Cedar Forest | 2013 | fixed media, akusmatisch | 6:00:00 | 0 | ||||||||||||
| 24303 | Jason | Dixon | Strong words, softly spoken | 2001 | fixed media, akusmatisch | 8:30 | SARCCD 001 Vol. 1/ | SARC Belfast | 1 | ||||||||||
| 20095 | , Paul D. | DJ Spooky, Miller | In the Valley of the Shadow … | 1996 | Klangkunst, Installation | 2:23 | Stereo | ASP 0966 / | 0 | ||||||||||
| 38676 | , Paul D. | DJ Spooky, Miller | Terra Nullius | 2010 | radiophon | 51:41 | 0 | ||||||||||||
| 4360 | Vladimir | Djambazov | Dialogu, Dialog | 1981 | Zuspiel / Tonband, 1 perf | 12:00 | Quadro | hn [Horn] | ICEM Essen | 1 | |||||||||
| 4361 | Vladimir | Djambazov | Drum X-tett | 1995 | Zuspiel / Tonband, 1 perf | Stereo | perc [Schlagzeug] | PS C. | 0 | ||||||||||
| 4362 | Vladimir | Djambazov | Microsonica, Pizzicati Answer to the Question Barbaro |
1989 | fixed media, akusmatisch | 4:00 | aus dem Zyklus Microsonica | 0 | |||||||||||
| 21168 | Vladimir | Djambazov | MiniMicria for 4 | 1989 | live-elec, 4 perf | Stereo | 2 mar, 2 p [Piano, Schlagzeug] | 0 | |||||||||||
| 4363 | Vladimir | Djambazov | No Contact I | 1986 | fixed media, akusmatisch | 6:53 | Stereo | PS C. | 0 | ||||||||||
| 4364 | Vladimir | Djambazov | No Contact II | 1987 | fixed media, akusmatisch | 6:36 | Stereo | PS C. | 0 | ||||||||||
| 4365 | Vladimir | Djambazov | No Contact III | 1989 | fixed media, akusmatisch | 10:40 | Quadro | mit SynLab produziert | Cybele 960.105, ex machina 5/ | ICEM Essen | 1 | ||||||||
| 21169 | Vladimir | Djambazov | Piano Computrato | 1996 | live-elec, 1 perf | 13:15 | Stereo | p [Piano] | p player | 1 | |||||||||
| 21170 | Vladimir | Djambazov | Praying | 1998 | fixed media, akusmatisch | 13:05 | Stereo | 1998 | Musica Nova Sofia | 1 | |||||||||
| 21167 | Vladimir | Djambazov | …Stillstand der Zeit.. | 1989 | fixed media, akusmatisch | Stereo | speech composition | 0 | |||||||||||
| 27113 | Vladimir | Djambazov | The secret Life of a Can | 2002 | fixed media, akusmatisch | 11:15 | Stereo | LMJ 12 CD/ | PS C. | 0 | |||||||||
| 21171 | Vladimir | Djambazov | The secret Life of a French Horn | 1999 | fixed media, akusmatisch | 11:51 | Stereo | PS C. | 1999 | Musica Nova Sofia | 1 | ||||||||
| 24909 | Vladimir | Djambazov | The Secret Life of a Snare Drum | 2005 | fixed media, akusmatisch | 11:09 | 7 tracks | ed. rz 10016 Inventionen 2005&06/ | TU Berlin | Festival Inventionen DAAD/TU 2005 | 18.6.2005 | Völkerschlachtdenkmal Leipzig Inventionen Villa Elisabeth Berlin |
1 | 2005 | |||||
| 21556 | Vladimir | Djambazov | The secret Life of a Violin | 2000 | fixed media, akusmatisch | 9:52 | PS C. | 1 | |||||||||||
| 4137 | Bogdan | Dlugosz | Etiuda studencka | 1976 | fixed media, akusmatisch | 2:40 | Stereo | SME Krakow | 0 | ||||||||||
| 4138 | Bogdan | Dlugosz | INICJAÒ | 1977 | fixed media, akusmatisch | 5:05 | Quadro | SME Krakow | 0 | ||||||||||
| 4139 | Bogdan | Dlugosz | SHIFT I | 1977 | fixed media, akusmatisch | 7:35 | Stereo | SME Krakow | 1 | ||||||||||
| 4140 | Bogdan | Dlugosz | SHIFT II | 1977 | fixed media, akusmatisch | 10:30 | Quadro | SME Krakow | 0 | ||||||||||
| 33163 | Magdalena | Dlugosz | Abamus | 2003 - 2004 | Zuspiel / Tonband, 1 perf | 13:37 | vc [Cello] | for cello and electroacoustic layer | WJ 2006 polmic 026/ | 1 | |||||||||
| 22126 | Magdalena | Dlugosz | And So And No | fixed media, akusmatisch | 9:10 | Stereo | ExpSt Warsaw | 0 | |||||||||||
| 39051 | Magdalena | Dlugosz | At the source | 1990 - 1991 | fixed media, akusmatisch | 0 | |||||||||||||
| 39060 | Magdalena | Dlugosz | Beyond Silence | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 39050 | Magdalena | Dlugosz | Both Yes and No | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 39054 | Magdalena | Dlugosz | Burlata | 2001 | live-elec, 2 perf | mar, synt [Schlagzeug, synthesizer] | marimbaphon, synthesiser and electronics | 0 | |||||||||||
| 39061 | Magdalena | Dlugosz | DesAcordaR | 2008 | Zuspiel / Tonband, 6 perf | acc, 4 trbn, perc [Posaune, Akkordeon, Schlagzeug] | accordion, 4 trombones, percussion and electroacoustic layer | 0 | |||||||||||
| 4141 | Magdalena | Dlugosz | GEJ, Gay | 1978 | fixed media, akusmatisch | 13:05 | Quadro | 1st version | SME Krakow | 0 | |||||||||
| 4142 | Magdalena | Dlugosz | GEJ, Gay | 1979 | fixed media, akusmatisch | 11:58 | Stereo | 2nd version | SME Krakow | 0 | |||||||||
| 33167 | Magdalena | Dlugosz | Gemisatos | 2005 - 2006 | Zuspiel / Tonband, 1 perf, 1 group | 15:14 | orc, perc [Schlagzeug, Orchester] | for orchestra, percussion and electroacoustic layer | WJ 2007 polmic 037/ SME 2010/ | 1 | |||||||||
| 39058 | Magdalena | Dlugosz | How far...? | 2005 | radiophon | to the poetry of Father Jan Twardowski | 0 | ||||||||||||
| 39052 | Magdalena | Dlugosz | Lenyon | 1994 - 1995 | fixed media, akusmatisch | 0 | |||||||||||||
| 4143 | Magdalena | Dlugosz | Mictlan I | 1987 | fixed media, akusmatisch | 12:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 4144 | Magdalena | Dlugosz | Mictlan II | 1987 | Zuspiel, live-elec, 2 perf | 14:20 | Stereo | acc, synt [Akkordeon, synthesizer] | SX 2740/ | ExpSt Warsaw, SME Krakow | 1 | 1990 | |||||||
| 4145 | Magdalena | Dlugosz | Modus | 1979 | fixed media, akusmatisch | 10:23 | Stereo, Quadro | ExpSt Warsaw | 0 | ||||||||||
| 39057 | Magdalena | Dlugosz | Nemini molestus | 2004 - 2005 | radiophon | to the texts by Miko?aj Rej | 0 | ||||||||||||
| 41468 | Magdalena | Dlugosz | Obrarchetto | 2003 | fixed media, akusmatisch | 11 | 0 | ||||||||||||
| 39055 | Magdalena | Dlugosz | Ombraggio | 2002 - 2003 | Zuspiel / Tonband, | violin and electroacoustic layer | 0 | ||||||||||||
| 39056 | Magdalena | Dlugosz | Ombrarchetto | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 19321 | Magdalena | Dlugosz | Patjan | 1997 | Zuspiel / Tonband, 1 perf | 15:29 | perc [Schlagzeug] | Pilch | Warschauer Herbst '97, Vol. 9/ | 1 | |||||||||
| 4146 | Magdalena | Dlugosz | Pulsations, Pulsacje | 1983 | fixed media, akusmatisch | 9:41 | Stereo | SX 2462/ | EMS Stockholm | 0 | |||||||||
| 4147 | Magdalena | Dlugosz | Quarens | 1977 | fixed media, akusmatisch | 9:10 | Quadro | SME Krakow | 0 | ||||||||||
| 33160 | Magdalena | Dlugosz | Silent Asphodels | 2006 | live-elec, 2 perf | 19:39 | fl, vc [Flöte, Cello] | for flutes, cello and electronics | WJ 2006 polmic 025/ | Polish Radio 2 | 26.9.2006 | Warsaw autumn | 1 | ||||||
| 39049 | Magdalena | Dlugosz | Spatial Arrangement | 1980 | live-elec, | small orc [Orchester] | small orchestra and electronic devices | 0 | |||||||||||
| 39053 | Magdalena | Dlugosz | Tabama | 1997 - 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 22127 | Magdalena | Dlugosz | TaBar | 1998 - 2000 | Zuspiel, live-elec, 1 perf | 14:07 | Stereo | db [Kontrabass] | for electronically transformed double-bass and computer sound layer | WJ 2002/ | ExpSt Warsaw | 1 | |||||||
| 39059 | Magdalena | Dlugosz | to Józef, as a Farewell - 26.X.2005 | 2005 | fixed media, akusmatisch | 0 | |||||||||||||
| 4148 | Magdalena | Dlugosz | U Zrodla (at the roots) | 1991 | fixed media, akusmatisch | 12:09 | Stereo | EM CD 002/ | CECM Bratislava | 0 | |||||||||
| 4149 | Magdalena | Dlugosz | VISUS | 1977 | Zuspiel / Tonband, 5 perf | 16:30 | Stereo | 5 ins [Instrument] | SME Krakow | 0 | |||||||||
| 33141 | Magdalena | Dlugosz | Zakopane Liryki | 2000 | Zuspiel, live-elec, 1 perf | 12:16 | sax [Saxophon] | for saxophone and computer sound layer. 2 Versions |
WJ 2004/ polmic 008/ SME 1973-2003/ | 1 | |||||||||
| 4150 | Roberto | Doati | 70 viti da legno | 1990/1991 | fixed media, akusmatisch | 5:00 | Stereo | com | PS C. | Competition Musica Nova Prag 1994 | 0 | ||||||||
| 4151 | Roberto | Doati | Deve essere tenuto lontano da fronti di luce | 1985/1986 | fixed media, akusmatisch | 9:00 | Stereo | com | CSC Padova | 0 | |||||||||
| 4152 | Roberto | Doati | Donna che si copre le orecchie per proteggersi dal rumore del tuono | 1992 | Zuspiel/Tonband, 1 perf | computer generated score |
9:30 | Stereo | fl [Flöte] | com | Spaziomusica Cagliari | Auszeichnung ars electronica honorary mention 1993 | 0 | |||||||
| 23292 | Roberto | Doati | Felix Regula IV | 2000 | fixed media, akusmatisch | 13:33 | Stereo | auch andere Versionen mit Instrumenten. | Cybele 960.207 DegeM CD 07/ |
CRFMW Liège | 1 | ||||||||
| 4153 | Roberto | Doati | Gioco di Velocita | 1980/1981 | fixed media, akusmatisch | 6:55 | Stereo | PAN PRC S20-16/ | CSC Padova | RAI | 1 | ||||||||
| 4155 | Roberto | Doati | Una pulce da sabbia | 1981/1982 | fixed media, akusmatisch | 8:00 | Stereo | com | CSC Padova | 0 | |||||||||
| 4156 | Roberto | Doati | Una Storia chimica | 1987/1989 | fixed media, akusmatisch | 15:00 | Stereo | com | CSC Padova | 0 | |||||||||
| 4154 | Roberto, Gianantonio, Daniele | Doati, Patella, Torresan | La materia è sorda | 1983/1984 | radiophon | 14:14 | Stereo | com | CSC Padova | 0 | |||||||||
| 20096 | Tzvetan | Dobrev | Folk Sketches | fixed media, akusmatisch | 30:00 | Stereo | 99202/ | Radio Sofia | 0 | ||||||||||
| 4157 | Tzvetan | Dobrev | Il canto dei Ropodi | 1986 | fixed media, akusmatisch | 13:10 | Radio Sofia | 0 | |||||||||||
| 4158 | Tzvetan | Dobrev | Metamorfosi | 1983 | fixed media, akusmatisch | 20:18 | 99202/ Russolo Pratella EF.ER.P 99/ | Radio Sofia | Prize Russolo Varese 1999 | 0 | |||||||||
| 20097 | Christopher | Dobrian | Entropy | 1991 | fixed media, akusmatisch | 10:15 | Stereo | com con p [Piano] | MIDI | CCRMA/ | 0 | ||||||||
| 4159 | Andrzej | Dobrowolski | Music for Magnetic Tape and Oboe Solo | 1965 | Zuspiel / Tonband, 1 perf | 9:01 | Stereo | ob [Oboe] | Record Muza Z-SN- 567 contains only the tape part and a version oboe + tape. | Muza Z-SN- 567/ PHI 6526006/ IDEAMA CD 016/ Creel Pone 056/ | ExpSt Warsaw | April 1966 22.9.1966 |
Berlin Warsaw autumn |
PWM Edition Krakow 1966, copyright assigned to ZAIKS, Warszawa | 1 | ||||
| 4160 | Andrzej | Dobrowolski | Music for Magnetic Tape and Piano Solo | 1972 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | p [Piano] | Record Muza Z-SN- 568 contains only the tape part and a version piano together with tape. | Muza Z-SN- 568/ BR ES09 bolt Blanc et Rouge/ | ExpSt Warsaw | 21.2.1972 | Warsaw, Andrzej Dutkiewicz (p) | PWM Edition Krakow 1973 (Poland …) & Moeck Verlag Celle 1973 for FRG and rest of the western world | 1 | ||||
| 4161 | Andrzej | Dobrowolski | Music for Magnetic Tape No 1 | 1962 | fixed media, akusmatisch | 5:43 | Mono | Muza ZL. 428/ BR ES09 bolt Blanc et Rouge/ IDEAMA CD 012/ Creel Pone 056/ | ExpSt Warsaw | 1 | |||||||||
| 4162 | Andrzej | Dobrowolski | Music for Strings, 2 Groups of Wind Instruments and 2 LS | 1966 | Zuspiel / Tonband, 1 perf, 3 groups | 4:30 | Stereo | 2 ww-ens, strs [Bläser, Streicher] | ExpSt Warsaw | 0 | |||||||||
| 33165 | Andrzej | Dobrowolski | Music for Strings, Two Groups of Wind I nstruments and Two Loudspeakers | 1967 | Zuspiel / Tonband, 2 perf | 6:41 | Stereo | str, w-ins [Bläser, Streicher] | WJ 2006 polmic 026/ | PWM | 1 | ||||||||
| 4163 | Andrzej | Dobrowolski | Musik für Tonband und Bassklarinette solo | 1980 | Zuspiel / Tonband, 1 perf | 7:52 | Stereo | b-cl [Klarinette] | WP 9.3.1988 Wien | amadeo 427040 Oesterreichische Musik Der Gegenwart: Elektronische Musik 2/ | IEM Graz | 1 | |||||||
| 4164 | Andrzej | Dobrowolski | Musik für Tonband und Kontrabass solo | 1977 | Zuspiel / Tonband, 1 perf | 10:55 | Stereo | db [Kontrabass] | Aspekte 78 Salzburg | IEM Graz | 0 | ||||||||
| 22941 | Andrzej | Dobrowolski | Musik für Tonband und Tuba | 1973 | Zuspiel / Tonband, 1 perf | 12:05 | tuba [Tuba] | Muza SX 1806/ | 1 | ||||||||||
| 4166 | Andrzej | Dobrowolski | Passacaglia für TX 816 | 1988/1989 | fixed media, akusmatisch | 16:00 | Stereo | IEM Graz | 0 | ||||||||||
| 4165 | Andrzej | Dobrowolski | Passacaglia na 40 z 5 | 1959 | fixed media, akusmatisch | 3:30 | Mono | ExpSt Warsaw | 1 | ||||||||||
| 4167 | Andrzej | Dobrowolski | S for S, S za S | 1973 | fixed media, akusmatisch | 6:15 | Stereo | original title "Study for Synthi" | Radio Beograd CD 431333, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | ||||||||
| 4168 | Andrzej | Dobrowolski | Z Przeszlosci (Du bassé) | 1961 | fixed media, akusmatisch | PWM/ | 0 | ||||||||||||
| 4169 | Tod | Dockstader | 8 Electronic Pieces | 1959 - 1960 | fixed media, akusmatisch | 35:27 | Mono | FM 3434/ Locust Music L 36/ | Gotham NY | 0 | |||||||||
| 28039 | Tod | Dockstader | Aerial project, Aerial 1 Aerial 2 Aerial 3 |
2001 - 2003 | fixed media, akusmatisch | 240 | the whole project on 3 CDs SR 223, SR 228, SR 233 SR 200 sub rosa ≈ „Song“ (12:52) |
SR 223 sub rosa/ SR 228 sub rosa/ SR 233 sub rosa/ SR 200 sub rosa/ | Gotham NY | 0 | |||||||||
| 4170 | Tod | Dockstader | Apocalypse, Two Fragments From Apocalypse | 1961 | fixed media, akusmatisch | 19:10 | Stereo | "2 fragments of Apocalypse" (First and Second Fragment) on ST 202 | ST 202, Starkland/ Ellipsis Arts 3671 - OHM: 01/ ORLP 7/ ORLP 6/ | Gotham NY | 1 | http://www.starkland.com/st202/index.htm | |||||||
| 4171 | Tod | Dockstader | Drone | 1962 | fixed media, akusmatisch | 13:25 | Stereo | ST 202, Starkland/ ORLP 7/ | Gotham NY | 0 | |||||||||
| 20098 | Tod | Dockstader | Four Telemetry Tapes | 1965 | fixed media, akusmatisch | 13:14 | Stereo | ST 202, Starkland/ | Gotham NY | 0 | |||||||||
| 42307 | Tod | Dockstader | From the Archives | 2005 - 2008 | fixed media, akusmatisch | 65:50 | ST 226 Starkland/ | 0 | |||||||||||
| 34715 | Tod | Dockstader | Jigjag, and other EM | fixed media, akusmatisch | 1:11 | Stereo | 23 parts | Creel Pone 12/ | 0 | ||||||||||
| 4172 | Tod | Dockstader | Luna Park | 1961 | fixed media, akusmatisch | 11:27 | Stereo | ST 202, Starkland/ ST 203, Starkland/ ORLP 6/ | Gotham NY | 0 | |||||||||
| 4173 | Tod | Dockstader | Quatermass, Song and Lament Tango Parade Flight Second Song |
1964 | fixed media, akusmatisch | 45:55 | Stereo | ST 201, Starkland/ ORLP 8/ Boomkat bundle_158/ | Gotham NY | 0 | http://www.starkland.com/st201/index.htm | ||||||||
| 4174 | Tod | Dockstader | Traveling Music | 1960 | fixed media, akusmatisch | 9:12 | Stereo | ST 202, Starkland/ ORLP 6/ | Gotham NY | 0 | |||||||||
| 42308 | Tod | Dockstader | Two Moons of Quatermass, First Moon Second Moon |
1964 | fixed media, akusmatisch | 8:59 | ST 201, Starkland/ | 0 | |||||||||||
| 4175 | Tod | Dockstader | Water Music | 1963 | fixed media, akusmatisch | 18:05 | Stereo | 6 parts (2:26 + 2:56 + 3:32 + 2:21 + 3:08 + 3:11) | ST 201, Starkland/ ORLP 7/ | Gotham NY | 0 | ||||||||
| 42306 | Tod, David Lee | Dockstader, Myers | Pond | 2004 | fixed media, akusmatisch | ReR TDDM 1/ | 0 | ||||||||||||
| 42305 | Tod, James | Dockstader, Reichert | Omniphony 1 | 1966 | fixed media, akusmatisch | 45 | 5 movements (10:27, 9:40, 2:30, 6:30, 15:30) | ORLP 11/ ReR TODD 1/ | 0 | ||||||||||
| 36543 | Omar | Dodaro | Dialogue in Nature | 2005 | fixed media, akusmatisch | Accademia Musicale Pescarese/ | 0 | ||||||||||||
| 40162 | Omar | Dodaro | Verso | 2017 | fixed media, akusmatisch | Omar Dodaro | 0 | ||||||||||||
| 21086 | Rose | Dodd | Kinderspel | 1996 | fixed media, akusmatisch | 3:00 | SAN 08/99 Sonic arts network/ | 1 | |||||||||||
| 34688 | Rose | Dodd | Transient | 1995 | fixed media, akusmatisch | 7:15 | Stereo | Russolo Pratella EF.ER.P 96/ | Prize Russolo Varese 1996 Competition Musica Nova Prag 1995 |
0 | |||||||||
| 23125 | Carey | Dodge | Sound for "Emporter du Naufrage" | 2001 | Tanz | 5:15 | Quadro | JTTP 2002 | CEC Cache 2002/ | 1 | |||||||||
| 34426 | Charles | Dodge | A Postcard of SONOLOGY, A Postcard from the Volcano | 1986 | Zuspiel / Tonband, 1 perf | 2 | S [Sopran] | ICMC 1986 | Sonology Den Haag, NOS Hilversum | 0 | |||||||||
| 4176 | Charles | Dodge | Any resemblance is purely coincidental | 1980 | Zuspiel / Tonband, 1 perf | 8:01 | Stereo | p [Piano] | voice of Caruso | WER 20312; Computer Music Currents 11/ FTS 37475/ CMJ Vol 07, 1983/ FYLP 1025/ NA 043/ CMJ Vol 30-4, 2006/ | Brooklyn Coll | 1 | |||||||
| 4177 | Charles | Dodge | Changes | 1969 | fixed media, akusmatisch | 15:44 | Fortran-Version of Muisc IVB | nonesuch H 71245/ IDEAMA CD 061/ | Col.Princ EMC | 1 | |||||||||
| 4178 | Charles | Dodge | Earth's Magnetic Field | 1970 | fixed media, akusmatisch | nonesuch H 71250/ NWR 80521/ IDEAMA CD 061/ | Col.Princ EMC | 1 | |||||||||||
| 4179 | Charles | Dodge | Extensions | 1973 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | CRi SD 300/ | Col.Princ EMC | 0 | ||||||||||
| 21891 | Charles | Dodge | Fades, Dissolves, Fizzles | 1996 | fixed media, akusmatisch | 14:00 | LDC 2781115/16/17 opus 30/ | IMEB Bourges, EMS Stockholm, SFU, PS C. | 1 | ||||||||||
| 21550 | Charles | Dodge | He destroyed her Image | 1972 | fixed media, akusmatisch | 2:00 | Ellipsis Arts 3673 - OHM: 03/ | 1 | |||||||||||
| 4180 | Charles | Dodge | In Celebration | 1975 | fixed media, akusmatisch | 8:21 | Centaur CRC 2213, CDCM Vol. 18/ CRi SD 348/ | Columbia Uni Nevis Lab | 1 | ||||||||||
| 4181 | Charles | Dodge | Profile | 1984 | fixed media, akusmatisch | 6:57 | Fraktalen | Neuma 450-73/ | Brooklyn Coll | 1 | |||||||||
| 4182 | Charles | Dodge | Reciprocals | 1967 | Zuspiel / Tonband, 2 perf | 11:40 | Mono | 2 perc [Schlagzeug] | Fortran-Version of Muisc IVB | Col.Princ EMC | 0 | ||||||||
| 4183 | Charles | Dodge | Roundelay | 1985 | Zuspiel / Tonband, | 14:17 | WER 2024-50, Computer Music Currents 4/ | Brooklyn Coll | 1 | ||||||||||
| 4184 | Charles | Dodge | Speech Songs | 1973 | fixed media, akusmatisch | 6:59 | txtcompo | CRi SD 348/ NA 043/ | Col.Princ EMC | 0 | |||||||||
| 20099 | Charles | Dodge | The Waves | Zuspiel / Tonband, 1 perf | 12:42 | Stereo | S [Sopran] | NA 043/ | 0 | ||||||||||
| 20100 | Charles | Dodge | Viola Elegy | Zuspiel / Tonband, 1 perf | 16:18 | Stereo | vn [Violine] | NA 043/ | 0 | ||||||||||
| 4185 | John | Dodge | Cymbal Simon | 1989 | fixed media, akusmatisch | 7:45 | Stereo | Concordia Montréal | 0 | ||||||||||
| 4186 | John | Dodge | Piano, 2X5 | 1988 | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | |||||||||||
| 37765 | Luc | Döbereiner | Auflösung | 2017 | live-elec, 1 perf | vc [Cello] | bgnm | 28.10.2017 | Villa Elisabeth Berlin, Festival Sonification, Kairos-Quartett | 0 | |||||||||
| 28735 | Luc | Döbereiner | inexistent | 2012 | live-elec, 1 group | Octo | ens [Ensemble] | 31.8.2012 | Kirche St. Elisabeth Berlin-Mitte | 0 | |||||||||
| 32209 | Luc | Döbereiner | K2 | 2009 | live-elec, 1 perf | 9 | p (com) [Piano] | Sonology Den Haag | 0 | ||||||||||
| 42098 | Alfred | Döblin | Die Geschichte vom Franz Biberkopf | 1930 | radiophon | nach dem Roman „Berlin Alexanderplatz“ | Berliner Funk-Stunde (RRG) | 0 | |||||||||||
| 42099 | Alfred, Kai-Uwe | Döblin, Kohlschmidt | Die Geschichte vom Franz Biberkopf | 2007 | radiophon | 81:45 | Patmos Verlag 2007/ | SWR, BR, RBB | 24.6.2007 | SWR | Hörspiel des Monats Juni 2007 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1523081&vi=6&SID | ||||||
| 4187 | Friedhelm | Döhl | Anna K. (Mikrodrama) | 1973/1974 | Zuspiel / Tonband, 3 perf | 15:00 | Quadro | Sp, b-drum, vc [Sprecher, Schlagzeug, Cello] | 0 | ||||||||||
| 4188 | Friedhelm | Döhl | Klang-Szene I | 1970 | live-elec, 1 perf | intermedia |
30:00-120:00 | Stereo | Hammond-org, (lights) [Orgel] | 0 | ||||||||||
| 4189 | Friedhelm | Döhl | Klang-Szene II | 1971 | live-elec, 5 groups | intermedia |
150:00 | 5 ens, (lights) [Ensemble] | 0 | |||||||||||
| 4190 | Friedhelm | Döhl | Medea | 1989/1990 | Oper | EM ?? | 0 | ||||||||||||
| 4191 | Friedhelm | Döhl | Odradek | 1976 | live-elec, 2 perf | 2 p [Piano] | EM ?? | 0 | |||||||||||
| 4192 | Friedhelm | Döhl | Süll | 1972 | Zuspiel / Tonband, 2 perf | 10:00 | Sp, fl [Sprecher, Flöte] | EM ?? | 0 | ||||||||||
| 31773 | Federico | Dörries | Undichte Stellen stopfen | 2003 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31775 | Frederico | Dörries | Bichillos intergalácticos | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31774 | Frederico | Dörries | Der intratranssuborgasmischer U-boot | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31777 | Frederico | Dörries | Gabe – Dos | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31776 | Frederico | Dörries | Violencia Orgánica | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 25813 | Frederico | Dörries | Ya Casi | 2005 | audiovisuell | 8:48 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 0 | ||||||||||
| 31561 | Marco | Döttlinger | jeux-III-B: Ich habe gerade Dinge | 2012/2013 | Performance | ≈ 4-5 | next_generation 5.0 | SEM Salzburg | 26.6.2013 | ZKM | 0 | ||||||||
| 22919 | Douglas | Doherty | Heart of the City | 1997 | fixed media, akusmatisch | 21:38 | Privat Mjumbo CD 071/ MPSCD 022/ | PS | 1 | ||||||||||
| 4193 | Douglas | Doherty | Impact | 1984 | Zuspiel / Tonband, 2 perf | 14:00 | p, V [Stimme, Piano] | Uni Newcastle | 0 | ||||||||||
| 22916 | Douglas | Doherty | Light Fantastic | 1994 | fixed media, akusmatisch | 17:30 | Privat Mjumbo CD 071/ MPSCD 022/ | PS | 1 | ||||||||||
| 22915 | Douglas | Doherty | Neptune's Children (on the edge of chaos) | 1993 | fixed media, akusmatisch | 12:55 | Privat Mjumbo CD 071/ MPSCD 022/ | PS | 0 | ||||||||||
| 22918 | Douglas | Doherty | On the toon in the Toon on the Tyne | 1996 | fixed media, akusmatisch | 3:03 | Privat Mjumbo CD 071/ MPSCD 022/ | PS | 1 | ||||||||||
| 22917 | Douglas | Doherty | Pacific 462 | 1995 | fixed media, akusmatisch | 8:50 | Privat Mjumbo CD 071/ MPSCD 022/ Kiasma 1999/ | PS | 1 | ||||||||||
| 41857 | Françoise | Doherty | Windowsill | 2008 | radiophon | 1:37:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 33357 | Jan | Dolák | Vredy | 1965 | Film | 6:10 | Mono | Radio Bratislava | 0 | ||||||||||
| 27693 | Hugo | Dolden | Eschazoopsie | 1999 | fixed media, akusmatisch | Le Caine Award 1999 | 0 | ||||||||||||
| 4194 | Paul | Dolden | Asthenosphere | 1981 | fixed media, akusmatisch | 10:40 | Stereo | SFU | 0 | ||||||||||
| 37013 | Paul | Dolden | BeBop Baghdad | 2013 | Zuspiel, live-elec, 1 perf | 18:03:00 | Stereo | e-gui [Gitarre] | Maurizio Grandinetti, electric guitar | IMED 17143/ | 0 | ||||||||
| 4209 | Paul | Dolden | Below the walls of Jericho | 1989/2002 | fixed media, akusmatisch | 14:33 | Stereo | Walls Cycle #1 | TRD 0190, Tronia Toronto/ LDC 278051/52 Cultures Electroniques 5/ ACM 37 CD 1-4/ IMED 0369/ | PS C. | Trevor Tureski with the support of the Canada Council | 12.11.1989 | CEC Electroacoustic Days | 1st prize in the Electroacoustic category of the Bourges International Electroacoustic Music Competition (Bourges, France, 1990) | 1 | ||||
| 4211 | Paul | Dolden | Beyond the Walls of Jericho | 1991/1992 | fixed media, akusmatisch | 16:25 | Stereo | Walls Cycle #3 | IMED 9418/ IMED 0318/ | PS C. | 5.02.1992 | ACREQ - Clair de terre concert series at the Planétarium de Montréal | 1 | ||||||
| 4196 | Paul | Dolden | Caught in an octagon of unaccustomed light | 1988 | fixed media, akusmatisch | 16:01 | Stereo | TRD 0190, Tronia Toronto/ IMED 0369/ | PS C. | David Olds (for Toronto’s CKLN FM program Transfigured Night) | 15.05.1988 | Bathurst Street Theatre in Toronto | Luigi Russolo International Competition (Varese, Italy, 1988) | 1 | |||||
| 4210 | Paul | Dolden | Dancing on the Walls of Jericho | 1990/2002 | fixed media, akusmatisch | 16:14 | Stereo | "Revolution" | IMED 9417/ IMED 0317/ | PS C. | Montréal musiques actuelles/New Music America festival with assistance from the Canada Council | 1.11.1990 | Les Loges theatre during the Montréal musiques actuelles/New Music America festival | 1 | |||||
| 24612 | Paul | Dolden | Entropic Twilights, Twilight’s Nomadic Desire I & II Twilight’s Sleep Twilight’s Ritual Incantations |
1997/2004 | fixed media, akusmatisch | 49:00 | Stereo | 4 Parts: Twilight’s Nomadic Desire; Twilight’s Sleep; Twilight’s Ritual Incantations | IMED 0577/ | PS C. | ACREQ with support from the Canada Council / New Adventures in Sound Art / Réseaux | 15.09.2000 | Usine C in Montreal | 0 | |||||
| 4199 | Paul | Dolden | In the natural Doorway…I crouch | 1986/1987 | fixed media, akusmatisch | 15:00 | Stereo | metal strings, wind inss. redone 2001-02 |
TRD 0190, Tronia Toronto/ LDC 278046/47 Cultures Electroniques 3/ IMED 0369/ | IMEB Bourges, EMS Stockholm, SFU, PS C. | GMEB and Vancouver New Music Society | 31.01.1988 | international festival En Torno a Los Sonidos Electronicos in Mexico City | 1st prize in the Electroacoustic category of the Bourges International Electroacoustic Music Competition (Bourges, France, 1988) | 1 | ||||
| 4200 | Paul | Dolden | L'ivresse de la vitesse | 1992/1993 | fixed media, akusmatisch | 15:47 | Stereo | IMED 9417/ nor 03/ MW 64/ IMED 0317/ IMED 0050/ | PS C. | 28.05.1994 | 3rd Annual Festival of Experimental Music organized by the London Musicians’ Collective | 2nd prize Noroit 1994 1st Prize in the Musica Nova Competition (Prague, Czeck Republic, 1994); 1st Mention in the Stockholm Electronic Arts Award (Sweden, 1994); Jean A Chalmers Award for Musical Composition (Toronto, Canada, 1995). |
1 | ||||||
| 4201 | Paul | Dolden | Measured Opalescence | 1988 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | p, perc [Piano, Schlagzeug] | PS C. | 0 | |||||||||
| 37012 | Paul | Dolden | Music of Another Present Era, Marsyas’ Melodies Shango’s Funkiness Entr’acte Air of The Rainbow Robe and Feathered Skirt The Cosmic Circle Dance |
2013 - 2016 | fixed media, akusmatisch | 44:18:00 | Stereo | IMED 17143/ | 0 | ||||||||||
| 4202 | Paul | Dolden | Physics of Seduction. Invocation #1 | 1991/2002 | Zuspiel / Tonband, 1 perf | 15:46 | Stereo | e-gui [Gitarre] | JTR 8440/ IMED 9418/ IMED 0318/ | PS C. | Tim Brady with assistance from the Canada Council | 1.05.1991 | Music Gallery in Toronto, Tim Brady | 1 | |||||
| 4203 | Paul | Dolden | Physics of Seduction. Invocation #2 | 1991 | Zuspiel / Tonband, 1 perf | 13:18 | Stereo | hpd [Cembalo] | IMED 9417/ CEC DISContact_1/ J&W CD 931/ IMED 0317/ | PS C. | 1 | ||||||||
| 4204 | Paul | Dolden | Physics of Seduction. Invocation #3 | 1992/2002 | Zuspiel / Tonband, 1 perf | 18:28 | Stereo | vc [Cello] | IMED 9417/ IMED 0317/ | PS C. | Richard Armin with assistance from the Canada Council | 5.4.1992 | Montréal | 1 | |||||
| 4205 | Paul | Dolden | Resonance #1, In a Bed Where the Moon was Sweating | 1993/2002 | Zuspiel / Tonband, 1 perf | 9:02 | Stereo | cl [Klarinette] | "sex" | IMED 9418/ IMED 0318/ | PS C. | François Houle with assistance from the Canada Council | 7.11.1993 | Vancouver, François Houle | 1 | ||||
| 4206 | Paul | Dolden | Resonance #2, Revenge of the Repressed | 1993/2002 | Zuspiel / Tonband, 1 perf | 7:10 | Stereo | s-sax [Saxophon] | "violence" | IMED 9417/ IMED 0317/ | PS C. | François Houle with assistance from the Canada Council | 7.11.1993 | Vancouver, François Houle | 1 | ||||
| 24614 | Paul | Dolden | Resonance #3, The Heart Tears itself Apart with the Power of its own Muscle | 1995/1997 | Zuspiel / Tonband, 11 perf | 14:44 | Stereo | fl, 4 vn, 2 va, 2 vc, 2 db [Flöte, Viola, Cello, Violine, Kontrabass] | IMED 0577/ | PS C. | SMCQ (Société de musique contemporaine du Québec) with support form the Canada Council | 8.06.1995 | Salle Pierre-Mercure in Montréal | 0 | |||||
| 24611 | Paul | Dolden | Resonance #4, The Vertigo of Ritualized Frenzy | 1996 | Zuspiel / Tonband, 1 perf | 13:17 | Stereo | reed ins or p [Piano] | IMED 0369/ | PS C. | 0 | ||||||||
| 24613 | Paul | Dolden | Resonance #5, The Gravity of Silence | 1995 | Zuspiel / Tonband, 1 perf | 13:42 | Stereo | fl [Flöte] | IMED 0577/ | PS C. | Nancy Ruffer with the support of the Canada Council | 23.03.1996 | Conway Hall in London | 0 | |||||
| 24610 | Paul | Dolden | Resonance #6, Gravity’s Stillness | 1996 - 2002 | Zuspiel / Tonband, 1 perf | 14:36 | Stereo | vn or va [Viola, Violine] | IMED 0369/ | PS C. | Rivka Golani with the support of the Canada Council | 11.06.1999 | Julie-Anne Derome | 0 | |||||
| 37014 | Paul | Dolden | Show Tunes in Samarian Starlight | 2012 | Zuspiel / Tonband, 1 perf | 16:32:00 | Stereo | tpt [Trompete] | Lukasz Gothszalk, B-flat trumpet | IMED 17143/ | 0 | ||||||||
| 4207 | Paul | Dolden | The melting Voice through Mazes Running | 1984 | fixed media, akusmatisch | 20:40 | Stereo | TRD 0190, Tronia Toronto/ | SFU | 1st prize NEWCOMP 1985, 1st prize Bourges 1984, 2nd prize 6th Russolo Varese, prize 1984 CBC, Gold Award, 1984 CAPAC Le Caine Award; 1987 CAPAC Saint-Marcoux Comp |
1 | ||||||||
| 4208 | Paul | Dolden | Veils, Introduction Section A Section B |
1984/1985 | fixed media, akusmatisch | 28:32 | Stereo | cross-synthesis, 180 - 280 tracks; microtonal tuning | IMED 9418/ ASP 0966/ IMED 0318/ | PS C., SFU | 19.08.1985 | ICMC’85 in Vancouver | 1st prize Bourges 86; 1st Prize of the Luigi Russolo International Competition (Varese, Italy, 1986); ICMC 85 |
1 | |||||
| 42599 | Andy | Dolphin | ilinx | 2009 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 42713 | Andy | Dolphin | Mint Cascade | 2012 | fixed media, akusmatisch | 10:00:00 | Octo | 0 | |||||||||||
| 4212 | Hanus | Domansky | Chvala Zivota (Praise on Life) | 1988 | fixed media, akusmatisch | 11:22 | Stereo | CECM Bratislava | 0 | ||||||||||
| 4213 | Hanus | Domansky | Pre klavir (only for piano) | 1989 | fixed media, akusmatisch | Zuspiel/Tonband, |
10:20 | Stereo | CECM Bratislava | 0 | ||||||||||
| 32781 | Florian | Dombois | angeschlagene Moderne | 2008 | Klangkunst, Installation | Deutscher Klangkunst-Preis 2008 | 0 | ||||||||||||
| 37755 | Florian | Dombois | Circum Pacific 5.1 | 2003 | Klangkunst, Installation | ∞ | Surround 5.1 | Florian Dombois „Circum Pacific 5.1“ (2001), | 0 | http://floriandombois.net/works/circum-pacific.html | |||||||||
| 31514 | Daniel | Dominguez | Fünf kurze Videostudien | 2013 | audiovisuell | ∞ | next_generation 5.0 | HfM Hamburg | 27.-29.6.2013 | ZKM | 0 | ||||||||
| 31515 | Daniel | Dominguez | Study_V | 2013 | audiovisuell, live-elec, 1 perf | ∞ | disklavier [Piano] | next_generation 5.0 | HfM Hamburg | 28.6.2013 | ZKM | 0 | |||||||
| 4214 | François | Donato | Annam | 1993 | fixed media, akusmatisch | 20:06 | Stereo | INA e 5003/ | INA • GRM | 1 | 1996 | ||||||||
| 22927 | François | Donato | Corps de Compassion | 1999 - 2000 | fixed media, akusmatisch | 15:45 | ed. rz 10012 parallele 12 Inventionen 2000/ | INA • GRM, TU Berlin | Festival Inventionen DAAD/TU 2000 | 1.7.2000 | Inventionen Parochialkirche Berlin | 1 | 2000 | ||||||
| 4215 | François | Donato | Eros illumine | 1987 | fixed media, akusmatisch | 18:50 | Stereo | GMU Pau | 0 | ||||||||||
| 4216 | François | Donato | L'ange ebloui | 1991 | fixed media, akusmatisch | 20:10 | Stereo | INA • GRM | 0 | ||||||||||
| 19248 | François | Donato | Rhythmus, (aus "Annam Servam") | 1996 | fixed media, akusmatisch | 2:42 | Beilage NZ 5/97 zum Artikel von Frisius (konkrete Musik); "Klang Welten" | WER 3025/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 1 | |||||||||
| 20279 | François | Donato | Sept Jours | 1998 | fixed media, akusmatisch | 10:36 | Stereo | ed. rz 10009/10 Inventionen 98/ | INA • GRM | Festival Inventionen DAAD/TU 98 | 25.9.1998 | Inventionen Parochialkirche Berlin | 1 | 1998 | |||||
| 4217 | François | Donato | Stare - Libra - Onis | 1989 | fixed media, akusmatisch | 15:50 | nor 01/ INA ACM 1995/ | INA • GRM | 1 | ||||||||||
| 25878 | François | Donato | The Lights of B. | 2004 | fixed media, akusmatisch | 15:00 | INA • GRM | Ina-GRM | 1 | 2005 | |||||||||
| 4218 | Franco | Donatoni | Atem | 1985 | fixed media, akusmatisch | Theatermusik |
Stereo | CSC Padova | 0 | |||||||||||
| 36579 | Franco | Donatoni | L’Ultima Sera | 1989 | live-elec, | 22:11 | RIC 073052/ | Radio France | 0 | ||||||||||
| 4219 | Franco | Donatoni | Quartetto III | 1961 | fixed media, akusmatisch | 5:00 | Quadro | SugMus ESZ 3/ | Fonologia Milano | Edizioni Suvini Zerboni Milano SugarMusic: ESZ 5824, ESZ 6001 |
1 | 2008 | |||||||
| 18966 | Dyane | Donck | De 4 Daggetijden | 1995 | Klangkunst, Installation | 11:09 | Soundscape Amsterdam | Ssccd 001 Soundscape Amsterdam/ | Breda | 1 | |||||||||
| 18354 | Kui | Dong | Cess, after Turandot | 1995 - 1996 | Oper, 18 perf | 8 V, 10 ins [Stimme, Instrument] | CCRMA | 0 | |||||||||||
| 18355 | Kui | Dong | Cycles | 1996 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | CCRMA | 0 | |||||||||||
| 18353 | Kui | Dong | Flying Apples | 1994 | fixed media, akusmatisch | 10:14 | DMIX | SEAMUS EAM Vol. 8/ CCRMA V 02/ Kiasma 1999/ | CCRMA | Auszeichnung ars electronica 1996 | 0 | ||||||||
| 18379 | Kui | Dong | YOULAN: Long Winding Valley | 1997 | fixed media, akusmatisch | CCRMA | 0 | ||||||||||||
| 4220 | Kevin | Donlon | Emoscape | 1992 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 4221 | Kevin | Donlon | untitled | 1992 | audiovisuell, live-elec, 1 perf | com, (video, slides) [computer] | CCRMA | 0 | |||||||||||
| 4222 | Henrik Otto | Donner | Esther | 1963 | fixed media, akusmatisch | 5:30 | Mono | CEM Bilthoven | 0 | ||||||||||
| 43087 | Henrik Otto | Donner | For Emmy 2 | 1963 | fixed media, akusmatisch | Mono | CEM Bilthoven | 0 | |||||||||||
| 4223 | Henrik Otto | Donner | Ideogramme I | 1962 | Zuspiel / Tonband, 4 perf | 5:08 | Mono | fl, cl, trbn, perc [Flöte, Klarinette, Posaune, Schlagzeug] | Uni Helsinki | 0 | |||||||||
| 4224 | Henrik Otto | Donner | Ideogramme II | 1963 | Zuspiel / Tonband, 20 perf | 8:50 | Mono | 20 ins [Instrument] | Uni Helsinki | 0 | |||||||||
| 4225 | Henrik Otto | Donner | Kaksi kanaa | 1962 | Film | 5:00 | Mono | Uni Helsinki | 0 | ||||||||||
| 4226 | Liliane | Donskoy | 6 pieces | 1984 | Zuspiel / Tonband, 1 perf | 12:03 | vn [Violine] | pour violon et bande | IPEM Gent | 0 | |||||||||
| 4227 | Liliane | Donskoy | D ' après Lorca | 1982 | fixed media, akusmatisch | 7:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 4228 | Liliane | Donskoy | D 'après Rumi | 1984 | fixed media, akusmatisch | 8:13 | IPEM Gent | 0 | |||||||||||
| 4229 | Liliane | Donskoy | Gigognes de sang et d'aube du Monde | 1979 | fixed media, akusmatisch | 32:15 | Stereo | IPEM Gent, IMEB Bourges | 0 | ||||||||||
| 4230 | Liliane | Donskoy | La Légende des Merveilles | 1978 | fixed media, akusmatisch | 17:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 4231 | Liliane | Donskoy | Musique d'Autonome | 1984 | Zuspiel / Tonband, 1 perf | 3:15 | trbn [Posaune] | IPEM Gent | 0 | ||||||||||
| 4232 | Bernard | Donzel-Gargand | A l'orée d'une réponse | 1989 | Tanz | 12:50 | C&C Annecy | 0 | |||||||||||
| 4233 | Bernard | Donzel-Gargand | Alphonse DESBRUMES | 1990 | fixed media, akusmatisch | 16:45 | C&C Annecy | 0 | |||||||||||
| 4234 | Bernard | Donzel-Gargand | Ambivalence | 1984 | fixed media, akusmatisch | 10:30 | Stereo | C&C Annecy | 1 | ||||||||||
| 4235 | Bernard | Donzel-Gargand | Arcane 11 | 1990 | fixed media, akusmatisch | 10:10 | Collectif & Cie 12/ | C&C Annecy | 0 | ||||||||||
| 4236 | Bernard | Donzel-Gargand | Bal masqué | 1987 | Zuspiel / Tonband, 4 perf | 15:00 | Quadro | 4 acc [Akkordeon] | C&C Annecy | 0 | |||||||||
| 4237 | Bernard | Donzel-Gargand | Boîte en musique | 1984 | Zuspiel, live-elec, 3 perf | 24:00 | trio [Instrument] | trio de M. médiévale et traitements elec boîtes à M. | C&C Annecy | 0 | |||||||||
| 4239 | Bernard | Donzel-Gargand | Chroniques | 1988 | fixed media, akusmatisch | 12:00 | AMEG - CD 01/ | C&C Annecy | 1 | ||||||||||
| 20102 | Bernard | Donzel-Gargand | Coquillage | fixed media, akusmatisch | 12:33 | Stereo | Collectif & Cie, AMEG CD 02/ | C&C Annecy | 0 | ||||||||||
| 4240 | Bernard | Donzel-Gargand | Dialogue | 1985 | fixed media, akusmatisch | 12:30 | Collectif & Cie C 01/ | C&C Annecy | 1 | ||||||||||
| 4241 | Bernard | Donzel-Gargand | Dispersion | 1981 | fixed media, akusmatisch | 14:30 | C&C Annecy | 1 | |||||||||||
| 4242 | Bernard | Donzel-Gargand | Et noire | 1989 | intermedia, live-elec, 2 perf | 9:10 | synt, com, (lights) [computer, synthesizer] | C&C Annecy | 0 | ||||||||||
| 4243 | Bernard | Donzel-Gargand | Improvisation n°1 | 1988 | live-elec, 1 perf | 13:30 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 4244 | Bernard | Donzel-Gargand | Improvisation n°2 | 1989 | live-elec, 1 perf | 12:00 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 4245 | Bernard | Donzel-Gargand | Ingénuité | 1989 | Tanz | 5:30 | C&C Annecy | 0 | |||||||||||
| 4247 | Bernard | Donzel-Gargand | Irisation II | 1989 | audiovisuell, 2 perf | 14:20 | cl, synt [Klarinette, synthesizer] | C&C Annecy | 0 | ||||||||||
| 4248 | Bernard | Donzel-Gargand | Jeux dithyrambiques | 1983 | Zuspiel / Tonband, 5 perf | 18:00 | 4 perc, prep p [Piano, Schlagzeug] | C&C Annecy | 1 | ||||||||||
| 4249 | Bernard | Donzel-Gargand | Jeux dithyrambiques n° 2 | 1988 | Zuspiel / Tonband, 3 perf | 10:50 | 3 ins [Instrument] | C&C Annecy | 0 | ||||||||||
| 4250 | Bernard | Donzel-Gargand | Joy | 1990 | fixed media, akusmatisch | 1:07 | C&C Annecy | 0 | |||||||||||
| 37896 | Bernard | Donzel-Gargand | L’Olivier | 2000 | fixed media, akusmatisch | 6:17 | Acousmatica CD 1200/ | C&C Annecy | 0 | ||||||||||
| 4251 | Bernard | Donzel-Gargand | Le chant d'Hu/Ba/Re | 1979 | fixed media, akusmatisch | 7:00 | C&C Annecy, ESPACE Genève | 1 | |||||||||||
| 4252 | Bernard | Donzel-Gargand | Matière sonore | 1982 | Zuspiel, live-elec, 2 perf | 15:00 | 2 tim, (divers perc) [Schlagzeug] | C&C Annecy | 0 | ||||||||||
| 4253 | Bernard | Donzel-Gargand | Mémoires diaphanes | 1989 | Tanz | 9:50 | C&C Annecy | 0 | |||||||||||
| 27896 | Bernard | Donzel-Gargand | Mise en ciel d'un scarabée | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 4254 | Bernard | Donzel-Gargand | Points cardinaux | 1988 | fixed media, akusmatisch | 21:30 | C&C Annecy | 0 | |||||||||||
| 4255 | Bernard | Donzel-Gargand | Pour une fin | 1990 | fixed media, akusmatisch | 59:00 | C&C Annecy | 0 | |||||||||||
| 4256 | Bernard | Donzel-Gargand | Promenade rurale | 1987 | fixed media, akusmatisch | 30:00 | C&C Annecy | 0 | |||||||||||
| 4257 | Bernard | Donzel-Gargand | Rocking | 1989 | Tanz | 16:55 | C&C Annecy | 0 | |||||||||||
| 4258 | Bernard | Donzel-Gargand | Snow game | 1988 | live-elec, 1 perf | 7:50 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 4259 | Bernard | Donzel-Gargand | Spirale | 1988 | Zuspiel / Tonband, 1 perf | 6:30 | woodblocks [Schlagzeug] | C&C Annecy | 0 | ||||||||||
| 4260 | Bernard | Donzel-Gargand | Transparence | 1987 | Zuspiel/Tonband, 4 perf | intermedia |
17:10 | 4 perc [Schlagzeug] | MIDI, texte, slides (Kandinski) | Collectif & Cie C 02/ | C&C Annecy | 0 | ||||||||
| 4262 | Bernard | Donzel-Gargand | Volume III | 1987 | Zuspiel, live-elec, 1 perf | 22:00 | tim [Schlagzeug] | C&C Annecy | 0 | ||||||||||
| 11468 | Bernard, Philippe | Donzel-Gargand, Moënne-Loccoz | Cellules | 1989 | live-elec, 1 perf | 7:00 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 11496 | Bernard, Philippe | Donzel-Gargand, Moënne-Loccoz | Tutti | 1989 | live-elec, 1 perf | 16:20 | synt [synthesizer] | C&C Annecy | 0 | ||||||||||
| 4263 | Frans van | Doorn | Minnuet | 1968 | fixed media, akusmatisch | 9:10 | Stereo | CV 7903/ BASTA 30-9183-2/ Creel Pone 020/021/ | Con Den Haag | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 4264 | Frans van | Doorn | Pastourelle | 1969 | fixed media, akusmatisch | 9:20 | Quadro | Music for the little horses of the sea | Con Den Haag | 0 | |||||||||
| 24900 | Paul | Doornbusch | act5 | live-elec, 1 perf | bn [Fagott] | EMF 143/ | 0 | ||||||||||||
| 24899 | Paul | Doornbusch | Continuity 2 | live-elec, 4 perf | 4 rec [Flöte] | EMF 143/ | 0 | ||||||||||||
| 24898 | Paul | Doornbusch | Continuity 3 | live-elec, 1 perf | perc [Schlagzeug] | EMF 143/ | 0 | ||||||||||||
| 24901 | Paul | Doornbusch | g4 | fixed media, akusmatisch | EMF 143/ | 0 | |||||||||||||
| 24902 | Paul | Doornbusch | strepidus somnus | 1996 | live-elec, 1 perf | V [Stimme] | EMF 143/ | Competition Musica Nova Prag 1996 | 0 | ||||||||||
| 27915 | Olivier | Doret | Rythmes | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 4265 | Joseph | Dorfman | Cantillorio | 1982 | Zuspiel / Tonband, 5 perf, 3 groups | S, Bar, 2 ch, 3 perc, orc [Sopran, Bariton, Schlagzeug, Chor, Orchester] | Uni Tel Aviv | 0 | |||||||||||
| 4266 | Joseph | Dorfman | Coloro | 1981 | Zuspiel / Tonband, 1 perf | hp [Harfe] | Uni Tel Aviv | 0 | |||||||||||
| 4267 | Joseph | Dorfman | De Profundis | 1977 | fixed media, akusmatisch | FTS 33878/ | Uni Tel Aviv | 0 | |||||||||||
| 4268 | Joseph | Dorfman | Games of Enchanted Masks | 1983 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 4269 | Joseph | Dorfman | The Dragon | 1984 | Zuspiel / Tonband, 1 perf, 3 groups | ch, orc, Vs [Stimme, Chor, Orchester] | Uni Tel Aviv | 0 | |||||||||||
| 4270 | Joseph | Dorfman | The Stones of Jerusalem | 1978 | fixed media, akusmatisch | Uni Tel Aviv | 0 | ||||||||||||
| 34616 | Gil | Dori | Desert Stroll | 2013 | live-elec, 1 perf | cl [Klarinette] | SMC2016 | 0 | |||||||||||
| 39814 | Gil | Dori | Linea/Punto | 2017 | fixed media, akusmatisch | Gil Dori | 0 | ||||||||||||
| 39815 | Gil | Dori | Phase One | 2015 | fixed media, akusmatisch | 4:40:00 | Gil Dori | 0 | |||||||||||
| 34655 | Gil | Dori | Proportarum | fixed media, akusmatisch | SMC2016, Listening Room HAW | 0 | |||||||||||||
| 4271 | Jérôme | Dorival | Blason du corps | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 10:00 | children ch, ins [Instrument, Chor] | GRAME Lyon | 0 | ||||||||||
| 4272 | Jérôme | Dorival | Boréales | 1992 | Zuspiel / Tonband, 1 group | 6:00 | ens [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 4277 | Jérôme | Dorival | Le son des choses dans les ténèbres | 1993 | Zuspiel / Tonband, 4 perf | 10:00 | S, vc, cl, b [Sopran, Bass, Klarinette, Cello] | CD en cours/ | GRAME Lyon | 1 | |||||||||
| 4278 | Jérôme | Dorival | Respirations | 1986 | live-elec, 3 perf | 7:00 | fl, cl, bn [Flöte, Klarinette, Fagott] | GRAME Lyon | 0 | ||||||||||
| 4280 | Jérôme | Dorival | Spirations | 1987 | Zuspiel, live-elec, 3 perf | 7:00 | fl, cl, bn [Flöte, Klarinette, Fagott] | GRAME Lyon | 0 | ||||||||||
| 4275 | Jérôme, James | Dorival, Giroudon | Double 1 | 1985 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | cl [Klarinette] | GRAME Lyon | 0 | |||||||||
| 4276 | Jérôme, James | Dorival, Giroudon | Double 2 | 1986 | Zuspiel / Tonband, 4 perf | 8:00 | Stereo | br-qt [Bläser] | GRAME Lyon | 0 | |||||||||
| 4273 | Jérôme, Yann | Dorival, Orlarey | Divin chaos | 1990 | live-elec, 1 group | 22:00 | Stereo | orc [Orchester] | 2 versions | GRAME Lyon | comm | 0 | |||||||
| 4274 | Jérôme, Yann | Dorival, Orlarey | Divin chaos II | 1991 | live-elec, 5 perf | 12:00 | ww-qnt [Bläser] | GRAME Lyon | 0 | ||||||||||
| 4279 | Jérôme, Yann | Dorival, Orlarey | Rhétorique des doigts | 1991 | live-elec, 1 perf | 13:00 | p [Piano] | GRAME Lyon | 0 | ||||||||||
| 4281 | Jérôme, Yann | Dorival, Orlarey | Traits et lignes | 1993 | live-elec, 1 perf | 14:00 | ob [Oboe] | GRAME Lyon | 0 | ||||||||||
| 4282 | Finn | Dornby | Pibemusik I & II | 1972 | fixed media, akusmatisch | 0 | |||||||||||||
| 4283 | Antonio | Doro | di pacata dolcezza, di calma, di strappi laceranti | 1990 | live-elec, 1 perf | ≈ 14:00 | p [Piano] | CRM Roma | 0 | ||||||||||
| 4284 | Antonio | Doro | il lavoro…il maggio | 1990/1991 | live-elec, 2 perf | ≈ 13:00 | S, vn or va [Sopran, Viola, Violine] | CRM Roma | 0 | ||||||||||
| 4285 | Patrick | Dorobisz | Contrepoint | 1985 | fixed media, akusmatisch | 14:30 | IPEM Gent | 0 | |||||||||||
| 4286 | Patrick | Dorobisz | Les échos du silence | 1988 | fixed media, akusmatisch | audiovisuell |
14:26 | IMEB Bourges | 0 | |||||||||||
| 4287 | Patrick | Dorobisz | Souprematika | 1985 | fixed media, akusmatisch | 0 | |||||||||||||
| 31447 | Hartmut | Dorschner | Nahur | 1995 | audiovisuell | 6:06:00 | Soundgrafik | HfM Dresden | 0 | ||||||||||
| 31421 | Hartmut | Dorschner | Prießnitz | 1997 | live-elec, 1 perf | 13:30:00 | sax, (Cubase + MARS-Workstation) [Saxophon] | HfM Dresden | 0 | ||||||||||
| 4288 | Pierre | Dostie | 23/1/88 | 1988 | fixed media, akusmatisch | 16:00 | Stereo | 0 | |||||||||||
| 4289 | Pierre | Dostie | 6/2/88 | 1988 | fixed media, akusmatisch | 17:00 | Stereo | 0 | |||||||||||
| 4290 | Pierre | Dostie | Amazones | 1988 | intermedia | 10:00 | Stereo | installation | PS C. | 0 | |||||||||
| 4291 | Pierre | Dostie | Derrière le regard du désir | 1988 | intermedia | 21:00 | Stereo | installation | PS C. | 0 | |||||||||
| 4292 | Pierre | Dostie | Étoile exigue | 1983 | fixed media, akusmatisch | 11:00 | Stereo | Thirty Miles of Tape | 0 | ||||||||||
| 4293 | Pierre | Dostie | Photon IV | 1988 | Zuspiel / Tonband, 1 perf | 30:00 | Stereo | Kbd [Keyboard] | PS C. | 0 | |||||||||
| 4294 | Pierre | Dostie | Prismes nus | 1988 | intermedia | 23:00 | Stereo | installation | PS C. | 0 | |||||||||
| 4295 | Pierre | Dostie | Songe d'un chamane en exil | 1988 | fixed media, akusmatisch | 16:00 | Stereo | Concordia Montréal, PS Dostie | 0 | ||||||||||
| 4296 | Pierre | Dostie | Zénith sur la place de la mairie | 1988 | intermedia | 20:00 | Stereo | installation | PS C. | 0 | |||||||||
| 42481 | Matthew | Dotson | Left Unsaid | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 40321 | William | Dougherty | Nyuijd | 2015 | fixed media, akusmatisch | 7:04:00 | William Dougherty | 0 | |||||||||||
| 4297 | Robert | Douglas | La Sphère Frissonnante | 1988 | Zuspiel / Tonband, 1 perf | 9:28 | trbn [Posaune] | Sonology Den Haag | 0 | ||||||||||
| 22329 | Josef | Doukkali | Ferrochrome | fixed media, akusmatisch | 5:07 | Infogram 045/1/ | 1 | ||||||||||||
| 42600 | Robert | Dow | Uncertain Memory | 2009 | fixed media, akusmatisch | Curated by Robert Dow | EMS Stockholm, Uni Edinburgh | 0 | |||||||||||
| 25879 | Robert J. | Dow | Black Ice | 2003 | fixed media, akusmatisch | 14:08 | Stereo | TU Berlin, Uni Edinburgh | 27.6.2004 | Inventionen Sophiensäle Berlin | 1 | ||||||||
| 4298 | Robert J. | Dow | Flight from the Assembly | 1989 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 4299 | Robert J. | Dow | Glass, Water: Enthalpy of Solution | 1990 | fixed media, akusmatisch | 11:00 | Stereo | BEAST | 1 | ||||||||||
| 4300 | Robert J. | Dow | Klavier | 1990 | fixed media, akusmatisch | 11:00 | Stereo | BEAST | 1 | ||||||||||
| 4301 | Robert J. | Dow | L'esprit conforme | 1994 | fixed media, akusmatisch | 10:00 | SCD 28046 Sargasso/ | BEAST | 0 | ||||||||||
| 4302 | Robert J. | Dow | Le Léthé | 1992 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | fl [Flöte] | BEAST | 0 | |||||||||
| 4303 | Robert J. | Dow | Les Stupra I | 1989 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 4304 | Robert J. | Dow | Les Stupra II | 1989 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 4305 | Robert J. | Dow | Les Stupra III | 1990 | fixed media, akusmatisch | 8:00 | Stereo | BEAST | 1 | ||||||||||
| 4306 | Robert J. | Dow | Prelude | 1989 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 42482 | Robert J. | Dow | Steel Blue | 2002 | fixed media, akusmatisch | 2003 | Lemon Tree Theatre, Aberdeen | 0 | |||||||||||
| 4307 | Robert J. | Dow | The Infinite Roots of Unity | 1988 | fixed media, akusmatisch | Stereo | Uni Edinburgh | 0 | |||||||||||
| 40993 | Robert J. | Dow | When all is silent | fixed media, akusmatisch | 12:50 | SCD 28046 Sargasso/ | BEAST | 0 | |||||||||||
| 4308 | Andy | Dowden | Cheyenne | 1987 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4309 | Andy | Dowden | Dress Code | 1987 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4310 | Andy | Dowden | From Taqasim | 1987 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4311 | Andy | Dowden | He Man | 1985 | fixed media, akusmatisch | 2:48 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 4312 | Andy | Dowden | Peace | 1985 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4313 | Andy | Dowden | Prime Time Video Commercials on Hold | 1983 | fixed media, akusmatisch | Stereo | 1) What Floyd Said To Mr Plinkin; 2) Mr Arcade is Here / The Love Song (1981) / Lexicon Overkill (1983) / Bomb Dangerous (Brdar/Dowden, 1982) | 0 | |||||||||||
| 4314 | Andy | Dowden | Self-Hypnosis | 1985 | fixed media, akusmatisch | 3:48 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 4315 | Andy | Dowden | Seven of Hearts | 1983 | fixed media, akusmatisch | Stereo | Uni Halifax | 0 | |||||||||||
| 4316 | Andy | Dowden | What I Feel | 1984 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 4317 | Andy | Dowden | You | 1986 | fixed media, akusmatisch | Stereo | C.fAT Halifax | 0 | |||||||||||
| 20103 | David | Downes | A green Piece | 1989 | fixed media, akusmatisch | 8:20 | Stereo | MANU 1435/ | 0 | ||||||||||
| 32853 | David | Downes | Death Defying | fixed media, akusmatisch | 5:15 | David Downes „Death Defying“/ | 0 | ||||||||||||
| 32852 | David | Downes | Descending | 1997 | fixed media, akusmatisch | 14 | Stereo | David Downes „Death Defying“/ | 0 | ||||||||||
| 20104 | David | Downes | Disquiet | 1989 | fixed media, akusmatisch | 5:00 | Stereo | MANU 1435/ | 0 | ||||||||||
| 32855 | David | Downes | Generation | 2003 | audiovisuell | computer-generated ‘visual music’ | NZ Festival of the Arts 2004 | 2004 | NZ Festival of the Arts 2004 | Cinanima 2004 | 0 | ||||||||
| 20105 | David | Downes | Insolent River | 1988 | fixed media, akusmatisch | 15:00 | Stereo | MANU 1435/ | 0 | ||||||||||
| 32854 | David | Downes | Ironlung | 1997 | fixed media, akusmatisch | 4 | David Downes „Death Defying“/ | 0 | |||||||||||
| 20106 | David | Downes | Paperweight | 1989 | fixed media, akusmatisch | 5:00 | Stereo | MANU 1435/ | 0 | ||||||||||
| 20107 | David | Downes | Saltwater | 1989 | fixed media, akusmatisch | 10:00 | Stereo | MANU 1435/ | 0 | ||||||||||
| 20108 | David | Downes | Valley Mine | 1992 | fixed media, akusmatisch | 9:21 | Stereo | MANU 1435/ | 0 | ||||||||||
| 18824 | Roger | Doyle | An Hour of Light | 1982 - 1988 | radiophon | Speech; Miniatures from 1983 - 88 8 compositions |
1 | ||||||||||||
| 4319 | Roger | Doyle | Blue light and alpha waves | 1981 | fixed media, akusmatisch | 4:00 | Stereo | PS C. | 0 | ||||||||||
| 25100 | Roger | Doyle | Budawanny | 1986 | Film, 1 group | 70:00 | ens [Ensemble] | ATL 001/ | Bob Quinn | 3.2.1990 | Dublin | 0 | |||||||
| 18468 | Roger | Doyle | Charlotte Corday et les lamentations de Louis XVI | 1989 | fixed media, akusmatisch | 24:30 | suite la Révolution Française | DOM BW 04/ | IMEB Bourges | IMEB Bourges | 12.6.1989 | Bourges | 0 | ||||||
| 24827 | Roger | Doyle | Contents of the Pay-Jar | 1983 - 1988 | fixed media, akusmatisch | 70:00 | Fairlight | SIDO 009/ | PS C. | 0 | |||||||||
| 4321 | Roger | Doyle | Fin-estra, Estra | 1977 | fixed media, akusmatisch | 24:30 | Stereo | United Dairies UD 11/ United Dairies UD 011 CD/ SIDO 013/ | Sonology Utrecht, Yleisradio | 1978 | Stedelijk Museum Amsterdam | 0 | |||||||
| 4323 | Roger | Doyle | Light Years | 1983 - 1988 | fixed media, akusmatisch | OTT 462 Operating Theatre Tapes/ | PS C. | 0 | |||||||||||
| 4324 | Roger | Doyle | Miss Mauger | 1981 | Zuspiel / Tonband, 1 perf | 4:00 | p [Piano] | PS C. | 0 | ||||||||||
| 4325 | Roger | Doyle | Mist of Real, Rapid eye Movements | 1979 | fixed media, akusmatisch | 13:00 | Stereo | UD 011 CD/ LDC 278082-83 Cultures électroniques 20/ | Sonology Utrecht | Prix Trivium et Magisterium 2007, 34th International Electroacoustic Music and Sonic Art Competitions - Bourges - 2007 | 0 | ||||||||
| 21892 | Roger | Doyle | Mr. Foley's final Moment | 1998 | fixed media, akusmatisch | 10:03 | IMEB Bourges | 0 | |||||||||||
| 4326 | Roger | Doyle | Obstinato | 1971 | fixed media, akusmatisch | ∞ 2:00 | Stereo | PS C. | 0 | ||||||||||
| 4327 | Roger | Doyle | Oizzo No | 1974 | fixed media, akusmatisch | 10:00 | LP/ SIDO 012/ | PS C. | 0 | ||||||||||
| 4328 | Roger | Doyle | Ordained for Grave Dancing | 1986 | fixed media, akusmatisch | 4:00 | PS C. | 0 | |||||||||||
| 26158 | Roger | Doyle | Passades, 9 sets | 2002 - 2005 | fixed media, akusmatisch | 20:05 | the 9nth set of Passades is an own composition (duration 67'). BVHaast have 2 Volumes! |
CMC CD 07 Contemporary Music from Ireland Vol 7/ BVHAAST 0505/ BVHAAST 0304/ LDC 278082-83 Cultures électroniques 20/ | PS C. | 2007 | Magisterium Bourges | Magisterium Bourges 2007 | 1 | http://www.xs4all.nl/~wbk/BV_cat_list.html#0505 | |||||
| 4329 | Roger | Doyle | Physical Missing | 1983/1985 | fixed media, akusmatisch | 4:00 | PS C. | 0 | |||||||||||
| 24831 | Roger | Doyle | Piano Suite | 1968 - 1969 | fixed media, akusmatisch | 9:00 | SIDO 013/ | 0 | |||||||||||
| 4330 | Roger | Doyle | Pilar | 1983/1985 | fixed media, akusmatisch | 4:00 | PS C. | 0 | |||||||||||
| 4331 | Roger | Doyle | Rampwalk | 1981 | Zuspiel / Tonband, 1 perf | 4:00 | V [Stimme] | PS C. | 0 | ||||||||||
| 24833 | Roger | Doyle | Rapid Eye Movements | 1978 - 1980 | fixed media, akusmatisch | 30:00 | SIDO 013/ United Dairies UD 11/ United Dairies UD 011 CD/ | Sonology Utrecht | 4.1.1980 | Dublin | mention Bourges 1981 | 0 | |||||||
| 4332 | Roger | Doyle | Say Yes to the Nice Lady | 1983/1985 | fixed media, akusmatisch | 6:00 | Stereo | PS C. | 0 | ||||||||||
| 4333 | Roger | Doyle | Solar Eyes | 1975 | fixed media, akusmatisch | 12:20 | Stereo | CBS LP 61813/ DOM BW 04/ | Sonology Utrecht | 9.1975 | Dublin | 0 | |||||||
| 24802 | Roger | Doyle | Spirit Levels I - IV | 1993 - 1997 | fixed media, akusmatisch | 14:00 | LDC 278063/64 Cultures Electroniques 10/ IMED 9837/ | 10.5.1997 | Malmö | Prize Bourges 1997 | 0 | ||||||||
| 4334 | Roger | Doyle | Steer the Cranes | 1985 | fixed media, akusmatisch | 3:00 | PS C. | 0 | |||||||||||
| 4336 | Roger | Doyle | Thalia | 1976 | Film | 27:15 | Stereo | new length due to small changes made on 11/10/1976: 27:15 Original length 31:45 |
DOM BW 04/ CBS 61813/ SIDO 012/ | Sonology Utrecht | 10.1976 | Utrecht | 0 | ||||||
| 28196 | Roger | Doyle | the Babel Project / Bitmap, KBBL - the morning show The stairwell Entry Level XI Temple Music - Cantilena Concert Music - Pagoda Charm Mansard The Stairwell Beautiful Day The Room of Rhetoric, KBBL - The Nightshow |
1990 - 1994 | fixed media, akusmatisch | 77:34 | the whole Babelproject: 371:51 | circa 1 Circa Art Magazine/ | PS | 1 | |||||||||
| 21100 | Roger | Doyle | The Babel Project 1, The Morning Show The Entertainment & Leisure Pursuits Show |
1988 - 1995 | radiophon | 75:00 | short version | SIDO 001/ | PS Doyle, Banff C., SFU, Sonology Den Haag | 1 | |||||||||
| 24821 | Roger | Doyle | The Babel Project 1, Concert Music - Pagoda Charm Mansard Temple Music - Cantilena |
1991 | fixed media, akusmatisch | 66:00 | the whole Babelproject: 371:51 | SIDO 003/ circa 1/ | PS Doyle, IMEB Bourges | 1 | |||||||||
| 21101 | Roger | Doyle | The Babel Project 2, Entry Level I Mr. Brady's Room Temple Music - Earth to Earth Yunnus Entry Level II The Dressing Room Concert Music - Pagoda Charm Mansard Squat |
1991 - 1995 | Radiokunst, 1 perf, 1 group | 77:00 | inss [Instrument] | short version | SIDO 002/ | PS Doyle | 1 | ||||||||
| 24822 | Roger | Doyle | The Babel Project 2, Chambers & Spirit Levels | fixed media, akusmatisch | 77:09 | SIDO 004/ | PS Doyle | 1 | |||||||||||
| 24823 | Roger | Doyle | The Babel Project 3, Delusional Architecture | fixed media, akusmatisch | 76:26 | SIDO 005/ | PS Doyle | 0 | |||||||||||
| 24824 | Roger | Doyle | The Babel Project 4, The Morning Show Surface du monde |
1992 - 1998 | live-elec, 4 perf | 69:00 | Kbd, 3 V [Stimme, Keyboard] | SIDO 006/ | PS Doyle | 06.1999 | Radio Dublin, A. Livia | 0 | |||||||
| 24825 | Roger | Doyle | The Babel Project 5, The Entertainment and Leisure Pursuits Show The Nightshow |
1992 - 1993 | fixed media, akusmatisch | 77:00 | SIDO 007/ | PS Doyle | 0 | ||||||||||
| 22302 | Roger | Doyle | The idea and its shadow | 2000 | fixed media, akusmatisch | 5:05 | Text and voice: Kevin O'connell | SIDO 010/ | PS C. | 1 | |||||||||
| 24826 | Roger | Doyle | The Love of Don Perlimplin and Belisa in the Garden | 1983 - 1988 | Oper, 4 perf | 67:00 | 4 actor [Schauspieler] | SIDO 008/ OTT 461 Operating Theatre Tapes/ | PS C. | 12.1984 | Dublin | 0 | |||||||
| 4339 | Roger | Doyle | These Unsolved Mysteries | 1987 | Radiokunst, 2 groups | 25:00 | actors, orc [Schauspieler, Orchester] | A Sonata for Radio | PS C. | RTE as entry for Prix Italia 1987 | 9.1987 | RTE | 0 | ||||||
| 4340 | Roger | Doyle | Trapeze in Full-Moon Nights | 1988 | fixed media, akusmatisch | 16:00 | OTT 462 Operating Theatre Tapes/ SIDO 007/ | PS C. | 25.5.1991 | Ystad Sweden | 0 | ||||||||
| 19195 | Roger | Doyle | Under the Green Time | 1995 | fixed media, akusmatisch | 6:28 | text sound comp. | CMC CD 02 Contemporary Music from Ireland Vol 2/ | PS | 1 | |||||||||
| 24832 | Roger | Doyle | Why is Kilkenny so Good? | 1971 - 1974 | fixed media, akusmatisch | 11:00 | SIDO 013/ | 0 | |||||||||||
| 26517 | Sascha | Dragicevic | Autogamie | 2006 | live-elec, 1 perf | bn [Fagott] | 7 versions! | 25-jährigen Jubiläum des Ensemble Modern | 0 | http://www.sascha-dragicevic.com/ | |||||||||
| 22460 | Sascha | Dragicevic | Dal Legno e metallo | 1997 | Zuspiel / Tonband, 2 perf | 7:18 | Stereo | 2 perc [Schlagzeug] | arcus Walder, Pr. Fiolek (perc) | HfMT Köln CD6/ | HfMT Köln | 0 | http://www.sascha-dragicevic.com/ | ||||||
| 26516 | Sascha | Dragicevic | Quarks, Aus: "Strom fliehender Zeiträume" Version 1 | 2001 | live-elec, 1 perf | 9:55:00 | Quadro | p [Piano] | HfMT Köln CD8/ | HfMT Köln | 6.11.2004 | Räume des Bundesverbandes Bildender Künstler, Köln | 0 | http://www.sascha-dragicevic.com/ | |||||
| 4342 | Ivan | Dragolov | Etude für bedingte Montage | 1992 | fixed media, akusmatisch | 8:10 | 0 | ||||||||||||
| 4343 | Willem | Dragstra | Cités | live-elec, 2 perf | V, vc [Stimme, Cello] | Sonology Den Haag | 0 | ||||||||||||
| 33134 | David | Dramm | Zero Roll | 2003 | Zuspiel, live-elec, 1 perf, 1 group | 22:02:00 | e-gui, amp ens, (elec) [Gitarre, Ensemble] | for solo electric guitar, amplified ensemble, live electronics and soundtrack | WJ 2003/ | 1 | |||||||||
| 31338 | David, Michèl, Yannis, Agostino | Dramm, Koenders, Kyriakides, Di Scipio | Blue Dog | 2011 | live-elec, 2 perf | 60:07 | tpt, synt [Trompete, synthesizer] | Marco Blaauw (tpt), Dominik Blum (org, synt) | WER 20632 Edition ZKM/ | ZKM Karlsruhe | 0 | ||||||||
| 4344 | Milimir, Miodrag | Draskovic, Lazarov | Tempo dinamico | 1982 | fixed media, akusmatisch | 10:00 | Stereo | with Miodrag Lazarov | Radio Beograd | 0 | |||||||||
| 21789 | Ingrid | Drese | Abime | 1999 | fixed media, akusmatisch | from Papillon, Abîme, Nuit | MR 2000 Métamorphoses 2000/ | Musiques et Recherches Ohain | 0 | ||||||||||
| 21787 | Ingrid | Drese | Amaryllis | 1996 | fixed media, akusmatisch | 13:34 | Stereo | Musidisc 247982/ NOR 05/ IMED 10103/ | Musiques et Recherches Ohain | July 1996 | Conservatoire royal de Mons (Belgium) | Prix Irène Fuerison de l'Académie Royale de Belgique, 1996 Second prix Noroit de Musique Acousmatique 1997 Parution sur CD Noroît vol 5 1998 |
1 | http://www.electrocd.com/en/oeuvres/select/?id=20378 | |||||
| 35364 | Ingrid | Drese | Bleu miroir | 1998 | Zuspiel / Tonband, 1 perf | 10:03 | Stereo | p [Piano] | LEM 002/ | July 13, 1998 | Concert, Conservatoire royal de Mons (Mons, Belgium); Thérèse Malengreau, piano | 0 | |||||||
| 35369 | Ingrid | Drese | Brisures | 2012 | fixed media, akusmatisch | 4:03 | Stereo | 0 | http://www.electrocd.com/en/bio/drese_in/oeuvres/ | ||||||||||
| 35370 | Ingrid | Drese | C’est tel | 2010 | fixed media, akusmatisch | 3:13 | Stereo | 0 | http://www.electrocd.com/en/bio/drese_in/oeuvres/ | ||||||||||
| 41624 | Ingrid | Drese | Cadrans solaires | 1998 | Zuspiel / Tonband, 1 perf | p [Piano] | Musiques et Recherches Ohain | 0 | |||||||||||
| 35371 | Ingrid | Drese | Cri de Merlin | 2013 | fixed media, akusmatisch | 17:30 | 0 | http://www.electrocd.com/en/bio/drese_in/oeuvres/ | |||||||||||
| 35372 | Ingrid | Drese | Horloge à feu | 1998 | fixed media, akusmatisch | 11:52 | Octo | 8 parts | IMED 10103/ | 0 | http://www.electrocd.com/en/bio/drese_in/oeuvres/ | ||||||||
| 4345 | Ingrid | Drese | Im Nebel | 1994 | fixed media, akusmatisch | 6 | Stereo | Musiques et Recherches Ohain | 0 | ||||||||||
| 35368 | Ingrid | Drese | Io | 2011 | fixed media, akusmatisch | 12:14 | Stereo | 0 | |||||||||||
| 41623 | Ingrid | Drese | L'horloge à feu | 1998 | fixed media, akusmatisch | Octo | Musiques et Recherches Ohain | 0 | |||||||||||
| 22201 | Ingrid | Drese | Papillon, Abîme, Nuit | 1999 | fixed media, akusmatisch | 12:06 | Stereo | 1st biennial Acousmatic Composition Competition | MR 2000 Métamorphoses 2000/ IMED 10103/ | Musiques et Recherches Ohain | Sélection finaliste du prix métamorphoses 2000 Parution sur CD Métamorphoses 2000 |
1 | |||||||
| 27761 | Ingrid | Drese | Paysage avec miroir | 2006 | audiovisuell | 6:46 | Stereo | Wickmann (Video) | IMED 10103/ | Musiques et Recherches Ohain | 0 | ||||||||
| 35365 | Ingrid | Drese | Plis de la nuit | 2008 | fixed media, akusmatisch | 11:38 | Stereo | IMED 10103/ | 0 | ||||||||||
| 35366 | Ingrid | Drese | RER-B | 2013 | fixed media, akusmatisch | 5 | Stereo | 0 | |||||||||||
| 41622 | Ingrid | Drese | Rêve du dedans, choses du dehors | 1995 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 4346 | Ingrid | Drese | Scintilla | 1994 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 35367 | Ingrid | Drese | Sempre dolce | 2006 | fixed media, akusmatisch | 4:40 | Stereo | IMED 10103/ | 0 | ||||||||||
| 25880 | Ingrid | Drese | Sept Œils Sauvage | 2005 | fixed media, akusmatisch | 25:00 | IMED 10103/ | Musiques et Recherches Ohain | 1 | 2005 | |||||||||
| 27751 | Ingrid | Drese | Tout autant | 2000 | fixed media, akusmatisch | 9:42 | Stereo | Text by Etienne Leclercq | wbm 168 b Electro AC Wallonie - Bruxelles/ IMED 10103/ SR 161 sub rosa/ | Musiques et Recherches Ohain | 1 | 2002 | |||||||
| 27762 | Ingrid | Drese | Voix de l'aurore | 2006 - 2007 | fixed media, akusmatisch | 14 | Stereo | IMED 10103/ | Musiques et Recherches Ohain | 0 | |||||||||
| 20110 | Paul | Dresher | Mirrors | 1991 | Zuspiel / Tonband, 1 perf | 17:18 | Stereo | b-gui [Gitarre] | OO Discs 14/ | MINIMAX M. Berkeley | 0 | ||||||||
| 4347 | Paul | Dresher | Other fire | 1987 | Radiokunst, live-elec, 1 perf | 11:30 | synt [synthesizer] | Music&Arts CD 276/ | MINIMAX M. Berkeley | 1 | |||||||||
| 20111 | Paul | Dresher | Underground | 1982 | fixed media, akusmatisch | 7:36 | Stereo | ST 203, Starkland/ | MINIMAX M. Berkeley | 0 | |||||||||
| 20109 | Paul | Dresher | Water dreams | 1986 | radiophon | 13:13 | Stereo | Music&Arts CD 276/ | MINIMAX M. Berkeley | 1 | |||||||||
| 33403 | Michael | Dress | Theatre music, Exit the King Electra Iphigenie in Tauris The Trojan Women |
1963 - 1964 | Theatermusik | Mono | PS C. London | 0 | |||||||||||
| 19151 | Steven | Dressler | Woonsocker | 1994 | live-elec, 1 group | 4:19 | ens [Ensemble] | AER 1994 / 6/ | 1 | ||||||||||
| 4348 | James | Drew | Construction II | 1966 | fixed media, akusmatisch | 3:00 | Stereo | Uni St. Louis | 0 | ||||||||||
| 4349 | James | Drew | Construction III | 1966 | fixed media, akusmatisch | 5:00 | Quadro | Uni St. Louis | 0 | ||||||||||
| 4350 | James | Drew | Glida | 1966 - 1967 | Oper | 60:00 | Quadro | Uni St. Louis | 0 | ||||||||||
| 32115 | Michael | Drews | Broken Symmetry | 2004 | Zuspiel / Tonband, 2 perf | 7:20:00 | ob, p [Oboe, Piano] | Marlen Vavrikova, oboe, David Psenicka, piano | SEAMUS EAM Vol. 14/ | 0 | |||||||||
| 42601 | Michael | Drews | Infrastructure | 2009 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 42842 | Michael | Drews | Resurrection | 2013 | fixed media, akusmatisch | 6:49:00 | 0 | ||||||||||||
| 34728 | Arnold | Dreyblatt | Turntable History | 2009 | Klangkunst, Installation | 10 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 22.5.-12.7.2009 | singuhr hoergalerie Berlin | 0 | http://singuhr.de/page.php?ID=668 | ||||||||
| 22942 | Arnold | Dreyblatt | Who's Who in Central and East Europe 1933 | 1990 | Performance, Zuspiel, live-elec, 11 perf | 60:00 | 10 perf, MIDI [Performer, synthesizer] | Hypertext Performance | Festival Inventionen DAAD/TU 90 | 13.2.1991 | Inventionen Kino Babylon Berlin | 1 | 1991 | ||||||
| 39433 | Mads Emil | Dreyer | Lys 3 | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24274 | Roswitha von den, Jens-Uwe | Driesch, Dyffort | 33.3 | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 4351 | John | Driscoll | A Hall is all | 1986 | Klangkunst, Installation | 20:00 | roboter-soundinstallation | ed. RZ 4004 Daad / 20 Jahre Inventionen 2/ | 1 | 1986 | http://www.ubu.com/emr/interviews.html | ||||||||
| 33016 | John | Driscoll | Listening Out Loud | 1977 | live-elec, 3 perf | 12:51:00 | 3 perf [Performer] | Improvisation, Performer – Bill Viola, John Driscoll, Phil Edelstein* | OMM 0046, The Kitchen Archives No.4 / Composers Inside Electronics/ | 1 | |||||||||
| 34241 | John | Driscoll | Wafer Flats | 1986 | Klangkunst, Installation | 45 | Binaural and stereo version | Edition Giannozzo/ | DAAD Berliner Künstlerprogramm | 1986 | Galerie Giannozzo Berlin | 0 | |||||||
| 4352 | John, Richard | Driscoll, Lerman | Sputtering Energy (at 500 times the true size) | 1986 | live-elec, 1 perf | 44:00 | perf [Performer] | roboter-installation; 2 versions Inventionen 27.2. - 9.3.1986 Ackerstr. |
0 | ||||||||||
| 4353 | Philippe | Drogoz | Memoires d'un enfant prodige, L’accouchement Le bébé Casa I: l’école Casa II: La messe |
1982 | fixed media, akusmatisch | 26:15 | Stereo | INA • GRM | 14.6.1982 | Paris, Maison de Radio France, Gd. Auditorium | 0 | ||||||||
| 40782 | Philippe | Drogoz | Yo | 1980 | Film | INA • GRM, GMEM Marseille | 0 | ||||||||||||
| 38757 | Marcus, Michael | DROSS, WOLTERS | Kathryn und Peter durchqueren die Antarktis | 2003 | radiophon | 52:53:00 | 0 | ||||||||||||
| 4354 | Jacob | Druckman | Animus I | 1966 | Zuspiel / Tonband, 1 perf | 12:40 | Quadro | trbn [Posaune] | TV 34177/ Columbia OW 7613 VX/ IDEAMA CD 065/ | Col.Princ EMC | 1 | ||||||||
| 4355 | Jacob | Druckman | Animus II | 1968 | Zuspiel / Tonband, 2 perf | Mez, perc [Mezzo, Schlagzeug] | CRi SD 255/ IDEAMA CD 065/ | Col.Princ EMC | 0 | ||||||||||
| 4356 | Jacob | Druckman | Animus III | 1969 | Zuspiel / Tonband, 1 perf | 11:20 | Quadro, Stereo | cl [Klarinette] | nonesuch H 71253/ | INA • GRM | 23.10.1969 | Paris, Maison de la Radio, Studio 104; SMIP, avec M. Portal | 0 | ||||||
| 4357 | Jacob | Druckman | Animus IV | 1977 | Zuspiel / Tonband, 1 perf, 1 group | 22:00 | T, ens [Tenor, Ensemble] | IRCAM | Bo&Ha | 0 | |||||||||
| 4358 | Jacob | Druckman | Synapse - Valentine | 1970 | Zuspiel / Tonband, 1 perf | db [Kontrabass] | nonesuch H 71253/ | Col.Princ EMC | 0 | ||||||||||
| 4359 | Kostis | Drygianakis | opriki mousiki | 1990 | fixed media, akusmatisch | 7:25 | ano kato 020/ | Graffiti St Larissa | 1 | ||||||||||
| 38533 | Mathew | DRYHURST | Muster | 2015 | radiophon | 42:32:00 | 0 | ||||||||||||
| 28391 | Petra, Mario | Dubach, van Horrik | Live in Prague | 2003 | Klangkunst, Installation | 45 | Live registration of a concert + Installation on 9.10.2003 at Synagogue at Palmovka in Prague | 1 | |||||||||||
| 37865 | Petra, Mario | Dubach, van Horrik | Waves, Chinese Lanterns #7 Ultimate Sound #3 Derwish Bead #5 Clamps and Hooks #1 |
2013 | fixed media, akusmatisch | 55 | Live registration of a concert + Installation on 9.10.2003 at Synagogue at Palmovka in Prague | Edition Telemark 628.01/ | 0 | ||||||||||
| 4367 | Bertrand | Dubedout | Accords Anciens | 1986 | fixed media, akusmatisch | 33:45 | Stereo | INA • GRM | 17.11.1986 | Toulouse, Musée des Augustins | 0 | ||||||||
| 4368 | Bertrand | Dubedout | Aux Lampions, Bal convexe Le cocher Sous les planches |
1981 | fixed media, akusmatisch | 18:19 | Stereo | MK CD 012/ | INA • GRM | march 1981 | Clermont-Ferrand | 0 | |||||||
| 4369 | Bertrand | Dubedout | Etude de Composition, Piccolo Teatro | 1980 | fixed media, akusmatisch | 11:55 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 32947 | Bertrand | Dubedout | Fractions du silence | 1995 | fixed media, akusmatisch | 9:56 | Motus M 298004/ | 0 | |||||||||||
| 4370 | Bertrand | Dubedout | Territoires | 1989 | fixed media, akusmatisch | 16:12 | Stereo | INA • GRM | 0 | ||||||||||
| 4371 | Alain | Dubois | Aujour d’hui, demain | 1977 | fixed media, akusmatisch | Con Pantin | 0 | ||||||||||||
| 42602 | R. Luke | DuBois | Synaesthetic Object | 2009 | fixed media, akusmatisch | 15 | 0 | ||||||||||||
| 42483 | R. Luke, Lesley | Dubois, Flanigan | Bioluminescence | 2008 | live-elec, 1 perf | com. V [Stimme] | R. Luke Dubois, laptop; Lesley Flanigan, vocals | 0 | |||||||||||
| 28166 | Patrick | Dubost | L'archéologue du futur | fixed media, akusmatisch | Stereo | GMVL CD / | GMVL Lyon | 0 | |||||||||||
| 20112 | Patrick | Dubost | Le désordre | 1988 | fixed media, akusmatisch | 6:27 | Stereo | GMVL 003/ | GMVL Lyon | 0 | |||||||||
| 19218 | Laszlo | Dubrovay | Cry into the night | 1996 | fixed media, akusmatisch | 13:35 | EMS Stockholm | 1 | |||||||||||
| 19090 | Laszlo | Dubrovay | Ear-music | 1992 | live-elec, 4 perf | 8:50 | 4 synt [synthesizer] | stcd 087, Staalplaat/ | MR Budapest | 1 | |||||||||
| 4372 | László | Dubrovay | A2 | 1975 | Zuspiel / Tonband, 5 perf | 16:38 | vn, vc, perc, p, synt [Piano, Schlagzeug, Cello, Violine, synthesizer] | HUN SLPX 12030/ | MR Budapest | 1 | |||||||||
| 4373 | László | Dubrovay | Au bord des événements | 1988 | fixed media, akusmatisch | 10:20 | IMEB Bourges | 1 | |||||||||||
| 4374 | László | Dubrovay | Caput | 1977 | live-elec, 1 perf, 1 group | ch, e-org [Keyboard, Chor] | MR Budapest | 0 | |||||||||||
| 4375 | László | Dubrovay | Concertino No. 4 | 1990 | Zuspiel / Tonband, 1 perf | 12:40 | Stereo | p [Piano] | HUN SLPX 12415/ stcd 087, Staalplaat/ | MR Budapest | 1 | ||||||||
| 4376 | László | Dubrovay | Concerto No.4 | 1982 | live-elec, 2 perf, 1 group | 22:37 | Stereo | p, orc, synt [Piano, synthesizer, Orchester] | HUN SLPX 12415/ | MR Budapest | 1 | ||||||||
| 4377 | László | Dubrovay | Danse éternel | 1976 | fixed media, akusmatisch | 17:20 | Stereo | MR Budapest | 0 | ||||||||||
| 4378 | László | Dubrovay | Geometrum 1 | 1975 | fixed media, akusmatisch | MR Budapest | 0 | ||||||||||||
| 4379 | László | Dubrovay | Harmonics II | 1983 | fixed media, akusmatisch | 7:10 | Quadro | Synclavier, nach einer Obertonpartitur für Klavier | HUN SLPX 12809/ stcd 087, Staalplaat/ | TU Berlin | 18.2.1984 | Inventionen TU-Gebäude Ackerstraße | 1 | 1984 | |||||
| 4380 | László | Dubrovay | Kyrie | 1973/1974 | fixed media, akusmatisch | 11:55 | Quadro | HfMT Köln CD2/ | HfMT Köln | 1 | |||||||||
| 4381 | László | Dubrovay | Le désir des molécules | 1988 | fixed media, akusmatisch | 15:25 | IMEB Bourges | 1 | |||||||||||
| 4382 | László | Dubrovay | Matuziáda 5 | 1976 | Zuspiel / Tonband, 1 perf | 11:04 | Stereo | fl, (rm) [Flöte] | part 5 from Matuziáda 1-5 | HUN SLPX 12228/ | MR Budapest | 1 | |||||||
| 4383 | László | Dubrovay | Mouvement éternel | 1976 | fixed media, akusmatisch | 16:30 | Quadro | MR Budapest | 0 | ||||||||||
| 4384 | László | Dubrovay | Mutations | 1973 | fixed media, akusmatisch | 3:58 | Stereo | HfMT Köln | 0 | ||||||||||
| 4385 | László | Dubrovay | Oscillations No. 1 | 1976 | Zuspiel / Tonband, 2 perf | 18 | Stereo | e-org, synt [Keyboard, synthesizer] | to Karlheinz Stockhausen | HUN SLPX 12030/ | MR Budapest | 1 | |||||||
| 4386 | László | Dubrovay | Oscillations No. 2 | 1977 | Zuspiel / Tonband, 4 perf | 11:50 | Stereo | vc, cymbalom, e-org, synt [Keyboard, Cello, synthesizer, Streicher] | HUN SLPX 12030/ | MR Budapest | 1 | ||||||||
| 4387 | László | Dubrovay | Oscillations No. 3 | 1977 | live-elec, 2 perf | 9:00 | Stereo | p, synt [Piano, synthesizer] | HUN SLPX 12030/ | MR Budapest | 1 | ||||||||
| 4388 | László | Dubrovay | parte con moto | 1984 | fixed media, akusmatisch | 6:22 | Quadro | 2. part of "Symphonia"§ | HUN SLPX 12809/ | TU Berlin | 1 | 1985 | |||||||
| 4389 | László | Dubrovay | Psychographic | 1988 | fixed media, akusmatisch | 8:00 | Stereo | Upic | CEMAMu/ Ateliers Upic/ CCMIX | 0 | |||||||||
| 4390 | László | Dubrovay | S O S - var. electr. | 1979 | fixed media, akusmatisch | 12:00 | Stereo | MR Budapest | 0 | ||||||||||
| 4391 | László | Dubrovay | S O S - var. vocale | 1979 | fixed media, akusmatisch | 11:45 | Stereo | MR Budapest | 0 | ||||||||||
| 4392 | László | Dubrovay | Sequence | 1989 | fixed media, akusmatisch | 10:05 | Stereo | MR Budapest | 0 | ||||||||||
| 4393 | László | Dubrovay | Sóhaj, Seufzer | 1974 | fixed media, akusmatisch | 15:25 | WDR SEM | WDR 1975 | 12.12.1975 | WDR | 0 | ||||||||
| 4394 | László | Dubrovay | Sonata for Computer | 1984 | fixed media, akusmatisch | 12:48 | Stereo | dedicated to L. G. Bodin | HUN SLPX 12809/ | EMS Stockholm | 1 | ||||||||
| 4395 | László | Dubrovay | Strophes | 1981 | live-elec, 2 perf | 10:30 | Stereo | perc, synt [Schlagzeug, synthesizer] | MR Budapest | 0 | |||||||||
| 4396 | László | Dubrovay | Suite | 1981 | live-elec, 2 perf | 12:35 | Stereo | p, synt [Piano, synthesizer] | MR Budapest | 1 | |||||||||
| 4397 | László | Dubrovay | Symphonia | 1985 | fixed media, akusmatisch | 24:12 | Quadro | 3 parts, Synclavier | HUN HCD 31349 Hungaroton/ stcd 087, Staalplaat/ | TU Berlin | 28.2.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | Preis der Kritiker (Ungarischer Rundfunk) Auszeichnung ars electronica 1992 |
1 | 1986 | ||||
| 4398 | László | Dubrovay | Tranquilité éternel | 1976 | fixed media, akusmatisch | 17:20 | Stereo | MR Budapest | 0 | ||||||||||
| 4399 | Jean | Dubuffet | Aguichements | 1961 | fixed media, akusmatisch | 7:10 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4402 | Jean | Dubuffet | Coq à l’oeil | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4405 | Jean | Dubuffet | Dimanche | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4406 | Jean | Dubuffet | Humeur incertaine | 1961 | fixed media, akusmatisch | 7:43 | Mono | Edizione Del Cavallino/ | PS C. | 0 | |||||||||
| 4407 | Jean | Dubuffet | L’Eau | 1961 | fixed media, akusmatisch | 4:15 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4408 | Jean | Dubuffet | La fleur de barbe | 1960 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | http://www.discogs.com/label/Edizione%20Del%20Cavallino | |||||||||
| 4409 | Jean | Dubuffet | Le bateau coulé | 1961 | fixed media, akusmatisch | 9:03 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4410 | Jean | Dubuffet | Le gai savoir | 1961 | fixed media, akusmatisch | 3:30 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4413 | Jean | Dubuffet | Pleure et applaudit | 1961 | fixed media, akusmatisch | 11:20 | Mono | Finna SR 9002/ | PS C. | 0 | |||||||||
| 4414 | Jean | Dubuffet | Pousse l’herbe | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4416 | Jean | Dubuffet | Solennités | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4417 | Jean | Dubuffet | Temps radieux | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4418 | Jean | Dubuffet | Trotte matin | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4400 | Jean, Asger | Dubuffet, Jorn | Brusqueries | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4401 | Jean, Asger | Dubuffet, Jorn | Claque dent | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4403 | Jean, Asger | Dubuffet, Jorn | Crépite et flambe | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4404 | Jean, Asger | Dubuffet, Jorn | Débats et rumeurs | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4411 | Jean, Asger | Dubuffet, Jorn | Nez cassé | 1960 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4412 | Jean, Asger | Dubuffet, Jorn | Nouvel an | 1960 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4415 | Jean, Asger | Dubuffet, Jorn | Sang | 1961 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 4419 | Jean, Asger | Dubuffet, Jorn | Vole vent | 1960 | fixed media, akusmatisch | Mono | Edizione Del Cavallino/ | PS C. | 0 | ||||||||||
| 35008 | Curd | Duca | Waves digital-analoge Musik | 2016 | fixed media, akusmatisch | 15.10.2016 | Donaueschinger Musiktage, TWIST | 0 | |||||||||||
| 20113 | Marcel | Duchamp | La mariée mise à nu par ses célibataires même | live-elec, 2 perf | 10:05 | Stereo | 2 p [Piano] | Persson, Scholz | SUB CD 012-10/ | 0 | |||||||||
| 4420 | Lucien | Duchemin | Schizo 1 | 1983 | Zuspiel / Tonband, 1 group | ch [Chor] | CIRM Nice | 0 | |||||||||||
| 4421 | Jean-Marc | Duchenne | 1ère suite - quasi una sonata - | 1984 | live-elec, 2 perf | 2 synt [synthesizer] | CNR Lyon | 0 | |||||||||||
| 4422 | Jean-Marc | Duchenne | Acidalie | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4423 | Jean-Marc | Duchenne | Ainsi de suite | 1983 | intermedia | dance, M. and painting | CNR Lyon | 0 | |||||||||||
| 4424 | Jean-Marc | Duchenne | Cinq pieces brèves | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4425 | Jean-Marc | Duchenne | Coccinelle | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4426 | Jean-Marc | Duchenne | Comme une flambée d'aurore | 1983 | Zuspiel / Tonband, 2 perf | 2 cl [Klarinette] | CNR Lyon | 0 | |||||||||||
| 4427 | Jean-Marc | Duchenne | Deux paroles couleurs de braise | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4428 | Jean-Marc | Duchenne | Deux pieces pour trois | 1984 | Zuspiel / Tonband, 3 perf | fl, vc, synt [Flöte, Cello, synthesizer] | CNR Lyon | 0 | |||||||||||
| 20114 | Jean-Marc | Duchenne | Feuillets d'album | 1994 | fixed media, akusmatisch | 21:49 | Stereo | MK CD 016/ | 0 | ||||||||||
| 4429 | Jean-Marc | Duchenne | Mobilis in Mobile, Abyssa Les météores Globular star cluster |
1990 | fixed media, akusmatisch | 30:40 | Stereo | INA • GRM | 0 | ||||||||||
| 4430 | Jean-Marc | Duchenne | Quatre études d'espace | 1987/1988 | fixed media, akusmatisch | 14:34 | nor 01/ | Prix du jury beim Prix Noroit 1989 Arras | 1 | ||||||||||
| 4431 | Jean-Marc | Duchenne | Six petites pieces | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4432 | Jean-Marc | Duchenne | Sous les pierres | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4433 | Jean-Marc, Jean-François, Jean-Claude | Duchenne, Minjard, Vitau | Trois séquences pour 3 synthét. | 1983 | live-elec, 3 perf | 3 synt [synthesizer] | CNR Lyon | 0 | |||||||||||
| 39147 | Cezary | Duchnowski | Beard | 2005 | live-elec, 1 perf | vc (com) [Cello] | 0 | ||||||||||||
| 39134 | Cezary | Duchnowski | Beginning. Broadcast 1 | 2001 | live-elec, 1 perf | Sp (announcer) [Sprecher] | 0 | ||||||||||||
| 39137 | Cezary | Duchnowski | Dishevelled Grass | 2002 | live-elec, 1 perf | V, (com) [Stimme] | 0 | ||||||||||||
| 39131 | Cezary | Duchnowski | Games | 1998 | Performance | S, sax, p, mar, dancers, actor [Sopran, Saxophon, Piano, Schlagzeug, Schauspieler, Tanz] | audiovisual spectacle | 0 | |||||||||||
| 39129 | Cezary | Duchnowski | Hypér tes morphés | 1998 | fixed media, akusmatisch | 0 | |||||||||||||
| 39148 | Cezary | Duchnowski | Martha's Garden | 2006 | Oper | fem V, actor, inss, (electronic media, instruments) [Stimme, Instrument, Schauspieler] | a chamber opera; libretto by Piotr Jasek | 0 | |||||||||||
| 39141 | Cezary | Duchnowski | Melody for Arvo Pärt | 2003 | Zuspiel / Tonband, 4 perf | 4 male V [Stimme] | 0 | ||||||||||||
| 39142 | Cezary | Duchnowski | monad 3, monada 3 | 2003 | live-elec, 2 perf | 7:38 | V, p, (com) [Stimme, Piano] | polmic 008/ | 0 | ||||||||||
| 39143 | Cezary | Duchnowski | monad 4, monada 4 | 2003 | live-elec, 2 perf | 2 ins (Baron, Wojtasik computer) [Instrument] | 0 | ||||||||||||
| 33131 | Cezary | Duchnowski | monada 2, monad 2 | 2003 | live-elec, 2 perf | 16:13:00 | S, tpt, (com) [Sopran, Trompete] | Monada 3, duration 7:38 | WJ 2003/ polmic 008/ | September 22nd, 2003 | Rozmaitosci' Theatre in Warsaw by Jaroslaw Regulski, Polish Television, Channel 2 | 1 | |||||||
| 39130 | Cezary | Duchnowski | Morphai | 1998 | Performance | audiovisuell |
S, sax, p, mar, dance [Sopran, Saxophon, Piano, Schlagzeug, Tanz] | multimedia spectacle | 0 | |||||||||||
| 39145 | Cezary | Duchnowski | Non-Highrisers | 2004 | live-elec, 1 perf, 1 group | str-orc, (com) [Streicher] | 0 | ||||||||||||
| 39133 | Cezary | Duchnowski | Ovinu Malkeinu | 2000 | fixed media, akusmatisch | 0 | |||||||||||||
| 39135 | Cezary | Duchnowski | Progress | 2001 | live-elec, 1 perf | S [Sopran] | 0 | ||||||||||||
| 39144 | Cezary | Duchnowski | Reality on stretched braces from the window | 2004 | live-elec, 4 perf | cl, trbn, p, vc [Klarinette, Posaune, Piano, Cello] | 0 | ||||||||||||
| 33173 | Cezary | Duchnowski | Rzeczywistosc na rozciagnietych szelkach z okna, Reality on Stretched Braces From a Window | 2008 | live-elec, 3 perf | 18:49 | 2 p, str, (com) [Piano, Streicher] | for two pianos, strings and computer | WJ 2008 polmic 042/ | NOVA | 1 | ||||||||
| 39139 | Cezary | Duchnowski | The Aim. Broadcast 2 | 2002 | live-elec, 1 perf | Sp (announcer) [Sprecher] | 0 | ||||||||||||
| 33158 | Cezary | Duchnowski | The Beard | 2005 | live-elec, 1 perf | 19:28 | vc, (com) [Cello] | for cello and computer | WJ 2006 polmic 025/ | 1 | |||||||||
| 39146 | Cezary | Duchnowski | The Gate | 2005 | live-elec, 1 group | orc (symphony orchestra, computer) [Orchester] | 0 | ||||||||||||
| 33126 | Cezary | Duchnowski | Triads | 2002 | live-elec, | 15:16:00 | str orc [Orchester] | for electronics and string orchestra | WJ 2002/ | 1 | |||||||||
| 39138 | Cezary | Duchnowski | Triads | 2002 | live-elec, 1 perf, 1 group | str-orc, (com) [Streicher] | 1 | ||||||||||||
| 39132 | Cezary | Duchnowski | Vernissage | 1999 | Zuspiel / Tonband, 1 perf | (for photos), p [Piano] | 0 | ||||||||||||
| 39136 | Cezary | Duchnowski | Wyczochraczone (wiry/bushy) | 2002 | fixed media, akusmatisch | computer | 0 | ||||||||||||
| 4434 | David | Duchow | The Light Grey Man Requiem | 1983 | intermedia, | Stereo | (slides) [] | tape, slides | 0 | ||||||||||
| 4435 | Friedrich-Wilhelm | Dudda | Oktaven und 3 Zirkel | fixed media, akusmatisch | 27:00 | 0 | |||||||||||||
| 24407 | Jacques | Dudon | Objects célestes 02 | 2002 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 4436 | Jean-Jacques | Dünki | Afterthoughts | 1980 | fixed media, akusmatisch | 3:00 | Quadro | 0 | |||||||||||
| 4437 | Jean-Jacques | Dünki | It’s a Bagatelle | 1980 | Zuspiel / Tonband, 1 perf | 4:00 | Quadro | p [Piano] | 0 | ||||||||||
| 4438 | Jean-Jacques | Dünki | Rückblick II | 1983 | Zuspiel / Tonband, 5 perf | 9:00 | S, a-sax, 2 vc, p [Sopran, Saxophon, Piano, Cello] | 0 | |||||||||||
| 42100 | Karlaugust | Düppengießer | Toter Mann | 1931 | radiophon | WERAG (RRG) | 0 | ||||||||||||
| 4439 | John | Duesenberry | Agitato (Ergo Sum) | 1990 | fixed media, akusmatisch | 6:10 | MIDI | Neuma 450-75/ | Millay Arts Colony | 0 | |||||||||
| 4440 | John | Duesenberry | Projectile | 1987 | fixed media, akusmatisch | 3:32 | Stereo | PS C. | 0 | ||||||||||
| 4441 | John | Duesenberry | Tracers | 1988 | fixed media, akusmatisch | 4:22 | Stereo | PS C. | 0 | ||||||||||
| 19150 | John | Duesenberry | Wave Break | 1994 | live-elec, | 4:39 | AER 1994 / 6/ | Competition Musica Nova Prag 1994 | 1 | ||||||||||
| 27694 | Louis | Dufort | Concept 2018957 | 1997 | fixed media, akusmatisch | Uni Montreal | first prize Le Caine Award 1997 | 0 | |||||||||||
| 24617 | Louis | Dufort | Décap | 2000 | fixed media, akusmatisch | 24:07 | IMED 0051/ | PS C. | Compagnie Marie Chouinard for Le cri du monde | 8.03.2000 | Réseaux at Ex-Centris in Montréal | Mention at Prix Ars Electronica (Linz, Austria, 2001). | 0 | ||||||
| 37137 | Louis | Dufort | Enfant d’obus | 2007 | fixed media, akusmatisch | 10:02 | Quadro | IMED 0893/ | PS C. | 0 | |||||||||
| 37139 | Louis | Dufort | Gen_3 | 2007 | fixed media, akusmatisch | 8:56 | Quadro | IMED 0893/ | PS C. | 1.12.2007 | “Binary Cities Event: Montréal, Canada – Avignon, France” presented by Nexmap at Recombinant Media Labs in San Francisco (USA) | 0 | |||||||
| 37135 | Louis | Dufort | Grain de sable, A Grain of Sand | 2004 - 2005 | fixed media, akusmatisch | 14:35 | Quadro | IMED 0893/ | PS C. | Réseaux des arts médiatiques with support from CCA | 2.12.2004 | Maison de la culture Côte-des-Neiges in Montréal | 0 | ||||||
| 32919 | Louis | Dufort | Hi_Res, trans_canada 1 | 2005 | fixed media, akusmatisch | radiophon |
13:37 | Surround 5.1 | Part of „trans_canada 1“ (Deutschlandradio Kultur 2005, 53 Minuten) | IMED 09100 trans_canada/ IMED 0893/ | ZKM Karlsruhe | ZKM Karlsruhe | 11.2.2005 | trans_canada festival at the ZKM’s ZKM_Medientheater | 0 | |||||
| 26519 | Louis | Dufort | Hyper Lucidity | 2005 | live-elec, 2 perf | disklavier, elec, (video) [Piano, elektronik] | 0 | ||||||||||||
| 37136 | Louis | Dufort | Matério_* | 2006 | fixed media, akusmatisch | 8:00 | Quadro | IMED 0893/ | PS C. | Francisco López | 24.2.2007 | “Spatio Lumino,” the opening concert of the Montréal/Nouvelles musiques Festival at Société des arts technologiques (SAT) in Montréal | 0 | ||||||
| 37138 | Louis | Dufort | Matério_** | 2006 | fixed media, akusmatisch | 9:00 | Quadro | IMED 0893/ | PS C. | 0 | |||||||||
| 28234 | Louis | Dufort | Matério_*** | 2007 | fixed media, akusmatisch | 9:47 | Surround 4.1 | CMJ Vol 33-4, 2009/ IMED 0893/ | PS C. | Francisco López | 19 May 2007 | “Victoriaville mati`ere sonore” during the Festival international de musique actuelle de Victoriaville (FIMAV) in Victoriaville, Qu´ebec | 1 | ||||||
| 26518 | Louis | Dufort | Particules | 2006 | audiovisuell, live-elec, 2 perf | disklavier, elec, (video) [Piano, elektronik] | 0 | ||||||||||||
| 22011 | Louis | Dufort | Pointe-aux-Trembles, Prologue Introspection Elle Lumière Prière |
1996 | fixed media, akusmatisch | 14:26 | Musidisc 247982/ IMED 0051/ NOR 05/ | Uni Montreal | 1997 | fifth Noiroit-Léonce Petitot Prize (Arras, France) | Prix international Noroit-Léonce Petitot in 1997 | 1 | |||||||
| 24615 | Louis | Dufort | Transit | 1998 | fixed media, akusmatisch | 12:20 | IMED 0051/ | HfM Montreal | 3.03.1998 | ACREQ at Usine C in Montréal | 0 | ||||||||
| 24616 | Louis | Dufort | Zénith | 1999 | fixed media, akusmatisch | 14:31 | IMED 0050/ IMED 0051/ | HfM Montreal | 6.11.1999 | Hautes tensions concert at the Elektra festival produced by ACREQ at Usine C in Montréal | 0 | ||||||||
| 22837 | Denis | Dufour | Alian Duband | 1984 | fixed media, akusmatisch | 3:28 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22843 | Denis | Dufour | Alian Gonnard | 1984 | fixed media, akusmatisch | 3:49 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22842 | Denis | Dufour | Andrè Yagan | 1984 | fixed media, akusmatisch | 4:13 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 24408 | Denis | Dufour | Berechit | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 4443 | Denis | Dufour | Bocalises, grande suite | 1977, 1978 | fixed media, akusmatisch | 37:00 | Stereo | Motus M 306011/ | INA • GRM | INA • GRM | 23.3.1981 | Paris, Maison de Radio France, Gd. Auditorium, "Cycle Acousmatique 1981". | 1er Prix du concours international L. Russolo. 1979 | 1 | |||||
| 4444 | Denis | Dufour | Bocalises, petite suite | 1977 | fixed media, akusmatisch | 18:32 | Stereo | INA C 1000/ Accord 202222/ Russolo Pratella EF.ER.P 97/ | INA • GRM | 2.12.1977 | Pau | Prize Russolo Varese 1997 | 1 | ||||||
| 37894 | Denis | Dufour | Bocalises, Opérations de Studio | 1978 | fixed media, akusmatisch | 15 | Revue&Corrigée Issue 80/ | 1 | |||||||||||
| 4445 | Denis | Dufour | Cannibale | 1990 | live-elec, 2 perf | MIDI-gui, sam [Gitarre, computer] | la grande fabrique | 0 | |||||||||||
| 19247 | Denis | Dufour | Chrysalide | 1993 | fixed media, akusmatisch | 29:00 | Trépidoptères, Mues du son, Bille bleue | INA e 5007/ WER 3025/ | INA • GRM | 1 | |||||||||
| 4446 | Denis | Dufour | Colloque | 1983 | radiophon | 15:07 | Stereo | La nuit des oiseaux | INA • GRM | 1.10.1983 | Radio France Musique | 0 | |||||||
| 22823 | Denis | Dufour | Courant dans i'air noir | 1988 | fixed media, akusmatisch | 2:47 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22832 | Denis | Dufour | Croquant dans une cerise | 1988 | fixed media, akusmatisch | 1:43 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22829 | Denis | Dufour | Des gifles de tilleul et des claques de pin | 1988 | fixed media, akusmatisch | 0:53 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22822 | Denis | Dufour | Des mains insomniaques conduiront le coupé rouge | 1988 | fixed media, akusmatisch | 3:36 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22826 | Denis | Dufour | Des sifflets malicieux tyranniques | 1988 | fixed media, akusmatisch | 1:40 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4447 | Denis | Dufour | Deuxième Suite | 1983 | fixed media, akusmatisch | 19:15 | Stereo | INA • GRM | 11.2.1984 | Inventionen 1984, AEG-Fabrik Ackerstraße | 1 | 1984 | |||||||
| 22841 | Denis | Dufour | Didier Peigne | 1984 | fixed media, akusmatisch | 3:35 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4448 | Denis | Dufour | Dix portraits, Allegro Adagio Scherzo Presto |
1984 | Zuspiel, live-elec, 3 perf | 35:20 | Stereo | 3 synt [synthesizer] | Motus M 197002/ | INA • GRM | Commande d’Etat, de la Direction de la Musique, du Ministère de la Culture et de INA.GRM | 30.4.1984 | Paris, Maison de Radio-France, Gd. Auditorium, avec le Trio TM+ | 1 | |||||
| 4442 | Denis | Dufour | Douze mélodies acousmatiques | 1988 | fixed media, akusmatisch | 25:38 | Stereo | Motus M 197002/ | INA • GRM | 1 | 1996 | ||||||||
| 32944 | Denis | Dufour | Ebene Sieben | 1997 | fixed media, akusmatisch | 25:44 | dedicated to Karlheinz Stockhausen | Motus M 199005/ | 0 | ||||||||||
| 4449 | Denis | Dufour | Entre dames | 1982 | fixed media, akusmatisch | 19:30 | Stereo | INA • GRM | 0 | ||||||||||
| 22831 | Denis | Dufour | Entre les troncs impassibles aux grans bras balancès de vent qui songent | 1988 | fixed media, akusmatisch | 2:40 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4450 | Denis | Dufour | Etude de composition No. 1 | 1976 | fixed media, akusmatisch | 4:46 | Stereo | Étude de stage | INA • GRM | 19.1.1977 | Paris, Arc | 0 | |||||||
| 32954 | Denis | Dufour | Exil | 1995 | fixed media, akusmatisch | 12:46 | Motus M 303006/ | 0 | |||||||||||
| 4451 | Denis | Dufour | Germinal, Le labyrinthe de l'amour | 1985 | fixed media, akusmatisch | 3:34 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 32955 | Denis | Dufour | Hélice | 1995 | fixed media, akusmatisch | 12:05 | Motus M 303006/ | 0 | |||||||||||
| 32988 | Denis | Dufour | Jardins De Sons | fixed media, akusmatisch | 22:39 | EAPR 01 PH 27-80/ | 0 | ||||||||||||
| 4452 | Denis | Dufour | Je voulais parler des Oiseaux | 1978 | Zuspiel / Tonband, 3 perf | 40:00 | Stereo | S, str, gui [Sopran, Gitarre, Streicher] | Textes de J. C. Thoams et D. Dufour | INA • GRM | 23.4.1979 | Paris, Maison de Radio France, Studio 105; avec L. Mazeron (S) et P. Laniau (gui) | 0 | ||||||
| 22840 | Denis | Dufour | Jean-Christophe Thomas | 1984 | fixed media, akusmatisch | 3:23 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22834 | Denis | Dufour | Jean-Luc Sulnier | 1984 | fixed media, akusmatisch | 3:11 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4453 | Denis | Dufour | La galerie, Ouverture Les yeux d'Anne L'île VoIcan Enfance 1, souvenir-rêverie Enfance 2, leçon de piano Le corps d'Anne L'île Mort Entracte Le parcours du rêve |
1980 | Zuspiel, live-elec, 6 perf | 46:30 | Stereo | 3 mus, 3 V [Stimme, Musiker] | INA • GRM | Commande de l'Etat et de l'INA.GRM | 22.11.1980 | Metz, 9. Rencontres Internationales, Palais des Sports, avec le TRIO. GRM.PLUS (L. Cuniot, D. Dufour, et Y. Geslin); corps sonores: Marie-Noëlle Moyal, Ph. Mion, R. Petiet | 0 | ||||||
| 22824 | Denis | Dufour | La lune agrippeè dans les platanes | 1988 | fixed media, akusmatisch | 2:22 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 32956 | Denis | Dufour | La Terre est Ronde | 2002 | fixed media, akusmatisch | 11:11 | Motus M 303006/ | 0 | |||||||||||
| 4454 | Denis | Dufour | Le cercle dans tous ses etats Rond de jambe, Le voyageur du cercle Cirquonvolution La rage du cercle L'homme au cœur du cercle Le parti pris du cercle Le cercle des métamorphoses. |
1979 | Tanz | 55:30 | Stereo | sur un texte de Ch. Baudelaire | INA • GRM | Ballets Modernes de Paris | 16.3.1979 20.3.1979 20.2.1981 |
Avignon, Les Pénitents blancs France Culture Lyon, Auditorium Maurice Ravel |
0 | ||||||
| 22833 | Denis | Dufour | Le frais refrain de ta bouche | 1988 | fixed media, akusmatisch | 1:51 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4455 | Denis | Dufour | Le lis vert, Nuage d'émeraude Parfum de nacre et d'opale Couleur des rêves et des ombres Celui qui vient |
1982 | fixed media, akusmatisch | 37:00 | Stereo | Motus M 306011/ | INA • GRM | 3.5.1982 16.3.1983 |
Paris, Maison de RadioFrance Version intégrale: Ircam Forum de la Création |
0 | |||||||
| 22827 | Denis | Dufour | Les gènies et les singes | 1988 | fixed media, akusmatisch | 1:00 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22828 | Denis | Dufour | Les lys voluptueux de la route | 1988 | fixed media, akusmatisch | 2:54 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 32945 | Denis | Dufour | Lux Tenebrae | 1997 | fixed media, akusmatisch | 22:13 | Motus M 199005/ | 0 | |||||||||||
| 32987 | Denis | Dufour | Machinerie Romantique | fixed media, akusmatisch | 24:00 | EAPR 01 PH 27-80/ | 0 | ||||||||||||
| 4456 | Denis | Dufour | Messe a l'usage des enfants | 1986 | fixed media, akusmatisch | 30:00 | Stereo | Textes: Thibault d’Orion | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 15.11.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||
| 4457 | Denis | Dufour | Messe a l'usage des vieillards | 1987 | Zuspiel / Tonband, 1 perf | 32:48 | Stereo | V [Stimme] | Accord 202222/ FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 1 | ||||||||
| 32989 | Denis | Dufour | Musiques Utopiques | fixed media, akusmatisch | 32:16 | EAPR 01 PH 27-80/ | 0 | ||||||||||||
| 4458 | Denis | Dufour | Noel toxique | 1988 | fixed media, akusmatisch | 3:10 | Stereo | INA • GRM | 0 | ||||||||||
| 4459 | Denis | Dufour | Notre besoin de consolation est impossible à rassasier, Je suis dépourvu de foi… Le fil du rasior est bien étroit Mais l’humanité n’a que faire… Mais que puis-je bien faire de cet argent. … On dirait que j‘ai besoin de la dépend… Puisque je suis au bord de la mer… Mais tout ce qui m’arrive… Il est absurde de prétendre… … … |
1989 | fixed media, akusmatisch | 67:22 | Stereo | ACM 1995 (extract, 1:27). in German: Unser Tröstungsbedürfnis ist unersättlich | INA C 1010/ INA ACM 1995/ | INA • GRM | L’Etat pour l'Ina GRM | 1 | |||||||
| 4460 | Denis | Dufour | Objet-danse, a) Couffin Le mur Cubes. b) Cubes Il Rocking chair Tabourets I et Il c) Tabouret III Tabouret IV |
1977 | Tanz | 93:00 | Stereo | INA • GRM | Ballets Modernes de Paris | 15.7.1977 | Macon | 0 | |||||||
| 18575 | Denis | Dufour | Où est maintenant la forêt | 1993 | live-elec, | 24:38 | Stereo | (9 mouvements) | Motus M 197001/ | 0 | |||||||||
| 22835 | Denis | Dufour | Patrice Motte | 1984 | fixed media, akusmatisch | 3:11 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22839 | Denis | Dufour | Philippe Mion | 1984 | fixed media, akusmatisch | 3:46 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 22838 | Denis | Dufour | Phillippe Kapp | 1984 | fixed media, akusmatisch | 3:40 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 4461 | Denis | Dufour | Pli de perversion 2, Pli de perversion | 1978 | live-elec, 3 perf | 9:12 | Stereo | vn, 2 synt (Syter) [Violine, synthesizer] | Trio TM+ (Geslin, Dufour + Cuniot {vn}). First Piece with Syter - Realtimeprocessing | INA C 1034 27654 archives grm CD 4/5/ | INA • GRM | 24.11.1978 | Paris, Maison de la Radio, Studio 105, avec le Trio GRM plus | 1 | |||||
| 4462 | Denis | Dufour | Psaume d'Adam | 1986 | fixed media, akusmatisch | 10:45 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 4463 | Denis | Dufour | Rêve Lisse | 1983 | Zuspiel, live-elec, 3 perf | 12:08 | Stereo | 2 synt, vn [Violine, synthesizer] | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 1 | ||||||||
| 22836 | Denis | Dufour | Silvère Beltrando | 1984 | fixed media, akusmatisch | 4:32 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 24409 | Denis | Dufour | Spirale | 2001 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 18576 | Denis | Dufour | Suite blue | 1993 | live-elec, | 19:19 | Stereo | Accord 202222/ | 0 | ||||||||||
| 4464 | Denis | Dufour | Suite en trois mouvements, Musique Nouvelle No. 3 | 1981 | fixed media, akusmatisch | 21:15 | Stereo | 3 parts: 14:06 + 2:40 + 4:24 | Motus M 303006/ | INA • GRM | INA-GRM | 26.3.1982 | Lyon, Auditorium Maurice Ravel | 0 | |||||
| 22825 | Denis | Dufour | Sur un lit d'orchidèes sauvages | 1988 | fixed media, akusmatisch | 1:34 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 32948 | Denis | Dufour | Tandem oblique | 2004 | fixed media, akusmatisch | 11:39 | Motus M 298004/ | 0 | |||||||||||
| 32943 | Denis | Dufour | Terra incognita | 1998 | fixed media, akusmatisch | 25:42 | dedicated to Pierre Schaeffer | Motus M 199005/ | 0 | ||||||||||
| 22830 | Denis | Dufour | Ton corps est une surprise | 1988 | fixed media, akusmatisch | 1:57 | Motus M 197002/ | Motus ACQUSMA | 0 | ||||||||||
| 40775 | Denis | Dufour | Trio | 1978 | Zuspiel, live-elec, 3 perf | 12:10 - 13:40 | vn, mdl (Mandoline), synt [Gitarre, Violine, synthesizer] | INA • GRM | 6.4.1978 | Paris, Maison de la Radio, Studio 105, avec le Trio GRM plus | 0 | ||||||||
| 4465 | Hugues | Dufourt | Cérémonie pour une victoire | 1966 | Film | 14:00 | Mono | SMC Genève | 0 | ||||||||||
| 4466 | Hugues | Dufourt | La Tempesta, La Tempesta d'après Giorgione | 1976/1977 | live-elec, 3 perf, 1 group | 14:57 | ens, oma, e-org, e-gui [Keyboard, Gitarre, synthesizer, Ensemble] | 2.4.1977 | Royan | Jobert | 1 | 1990 | http://brahms.ircam.fr/works/work/8194/ | ||||||
| 20115 | Hugues | Dufourt | Saturne | 1979 | Zuspiel / Tonband, 6 perf, 1 group | 43:16 | Stereo | ens, 6 perc [Schlagzeug, Ensemble] | Accord 202542/ | 0 | |||||||||
| 4467 | François | Dufrêne | 50 "Crirythmes" | 1955 - 1967 | fixed media, akusmatisch | Mono, Stereo | phonetic poesie with crirythme | Mar/ | PS C., Radio Canada Paris | 0 | |||||||||
| 4468 | François | Dufrêne | Anti - Etude crirythme du 1er Mai | 1960 | fixed media, akusmatisch | 25:00 | Stereo | crirythme | PS Apsome | 0 | |||||||||
| 4469 | François | Dufrêne | Batteries vocales, crirythme | 1958 | fixed media, akusmatisch | 2:28 | Mono | OU/ | PS C. | 0 | |||||||||
| 4470 | François | Dufrêne | Blaise-Charlie-Miles | 1964 | fixed media, akusmatisch | 24:00 | Mono | lecture collage, poem | CBC Paris, PS C. | 0 | |||||||||
| 4471 | François | Dufrêne | Comment lire Ghil | 1964 | fixed media, akusmatisch | 8:00 | Mono | phonetic poesie | CBC Paris | 0 | |||||||||
| 4473 | François | Dufrêne | La Brebis Galante de Benjamin Péret | 1959 | Demo, Studie | 3:00 | Mono | txtcompo | OU/ | Tadie Cinema Paris | 0 | ||||||||
| 4474 | François | Dufrêne | Paix en Algérie, crirythme | 1958 | fixed media, akusmatisch | 1:55 | Mono | OU/ | PS C. | 0 | |||||||||
| 24532 | François | Dufrêne | Paris - Stockholm | 1966 | fixed media, akusmatisch | 11:42 | Text-Sound Composition | FYCD 1024 CD 2 Text-Sound Compositions/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 4475 | François | Dufrêne | Ténu-tenu | 1964 | fixed media, akusmatisch | 1:05 | Mono | txtcompo | OU/ | PS C. | 0 | ||||||||
| 4476 | François | Dufrêne | Tripticrirythme | 1966 | fixed media, akusmatisch | 12:35 | Stereo | txtcompo | OU/ | PS C. | 0 | ||||||||
| 4477 | François | Dufrêne | Valéry-Duke | 1964 | fixed media, akusmatisch | 14:00 | Mono | lecture collage, poem | CBC Paris, PS C. | 0 | |||||||||
| 4472 | François, Pierre | Dufrêne, Henry | Granulométrie | 1967 | fixed media, akusmatisch | 11:00 | Stereo | phonetic poesie with crirythme | PS Apsome | 0 | |||||||||
| 4478 | Edwin | Dugger | Three Pieces | 1966 | Zuspiel / Tonband, 6 perf | 7:00 | Stereo | 6 ins [Instrument] | Col.Princ EMC | 0 | |||||||||
| 25561 | James | Duhamel | Le Radeau | 2005 | fixed media, akusmatisch | 7:59 | JTTP 2005 | CEC Cache 2005, PeP 010/ | winner JTTP 2005 1. prize | 1 | |||||||||
| 27367 | James | Duhamel | MIMIK | 2007 | fixed media, akusmatisch | 4:55 | JTTP 2007 composer | CEC Cache 2007, PeP 012/ | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 22283 | Peter, Roel, Frans de | Duimelinks, Meelkop, Waard | Lokatie Stockholm | live-elec, | 8:19 | Composed and Peformed by Peter Duimelinks, Roel Meelkop and Frans de Waard. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 0 | |||||||||||
| 40093 | Maxwell | Dulaney | Breathed | 2017 | live-elec, 1 perf | 6:43 | fl [Flöte] | Maxwell Dulaney | 0 | ||||||||||
| 38534 | Chantal | DUMAS | 40° Nord – 73° West | 2012 | radiophon | 51:23:00 | 0 | ||||||||||||
| 38535 | Chantal | DUMAS | Danse | 2005 | radiophon | 50:20:00 | Tanz nach einem Text von Chantal Neveu | 0 | |||||||||||
| 4479 | Chantal | Dumas | Le parfum des femmes, Der Duft der Frauen | 1996/1997 | radiophon | 52:49:00 | Stereo | with improvising fem mus (Hirsch, Léandre, Ocougne). | AVTR 011/ | TU Berlin, SFB | DeutschlandRadio | 19.9.1997 | DeutschlandRadio | 1st prize at the EAR International Competition (Hungary) Phonurgia Nova International Radio Competition (France) in 1997 |
0 | http://sonosphere.org/en/collection_en/artist_en/detail_en/items/39.html?file=tl_files/sono/content/sounds/_einzeln/DUMAS_Chantal/Le_parfum_des_femmes/01_Le_parfum_Migation_oceane_01.mp3 | |||
| 38536 | Chantal | DUMAS | Les petits riens | 2010 | radiophon | 35:31:00 | 0 | ||||||||||||
| 38924 | Chantal | Dumas | Oscillations Planétaires, Les oscillations planétaires | 2018 | radiophon | 54:30 | Klangkomposition über Plattentektonik. Also concert version available |
DeutschlandRadio Kultur | 13.7.2018 | DeutschlandRadio Kultur | 0 | http://www.deutschlandfunkkultur.de/klangkomposition-ueber-plattentektonik-oscillations.1022.de.html?dram:article_id=418041 | |||||||
| 4480 | Chantal | Dumas | Petit train va loin | 1995 | radiophon | 7:00 | Stereo | TU Berlin | 0 | ||||||||||
| 24184 | Chantal | Dumas | Send | 2002 | fixed media, akusmatisch | 4:48 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 4481 | Chantal | Dumas | The show of abilities / Le spectacle des habili(e)tés | 1994 | radiophon | 17:00 | Stereo | WN 0018/ | GMEM Marseille | 0 | |||||||||
| 25572 | Jean-Michel | Dumas | Gris (étude narrative #2) | 2005 | fixed media, akusmatisch | 7:06 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | 0 | |||||||||
| 26119 | François | Dumeaux | Élytres | 2005 | fixed media, akusmatisch | 11:11 | Stereo | 4 parts | MR 2008 Métamorphoses 2008/ | 1 | |||||||||
| 4482 | Iancu | Dumitrescu | Aulodie mioritica | 1984 | Zuspiel / Tonband, 1 perf, 1 group | 15:16 | db, orc [Kontrabass, Orchester] | ed. rz 2001/ | 1 | ||||||||||
| 20116 | Iancu | Dumitrescu | FLUXUS | Zuspiel / Tonband, 1 group | 8:35 | Stereo | orc [Orchester] | EDMN 1008/ | 0 | ||||||||||
| 28181 | Iancu | Dumitrescu | Multum in Parvo | fixed media, akusmatisch | 4:06 | GU LP 1001 Generations Unlimited/ | 0 | ||||||||||||
| 4483 | Iancu | Dumitrescu | Nimbus | 1988 | Zuspiel / Tonband, 3 perf | 19:55 | 3 trbn [Posaune] | GU LP 1005 Generations Unlimited/ | 1 | ||||||||||
| 4484 | Iancu | Dumitrescu | Pierre sacrées | fixed media, akusmatisch | 14:10 | 0 | |||||||||||||
| 20117 | Iancu | Dumitrescu | Sirius Kronos Quartet | Zuspiel / Tonband, 4 perf | 9:11 | Stereo | str-qt [Streicher] | EDMN 1008/ | 0 | ||||||||||
| 4485 | Iancu | Dumitrescu | Spectres | 1970 | Zuspiel / Tonband, 1 perf | p [Piano] | Con Bucarest | 0 | |||||||||||
| 4486 | Iancu | Dumitrescu | Ursa mare | 1983 | Zuspiel / Tonband, 1 group | 16:40 | ens [Ensemble] | ed. rz 2001/ | 1 | ||||||||||
| 4487 | Arnaud | Dumond | Solo | 1992 | live-elec, 1 perf | 5:04 | Stereo | MIDI-gui [Gitarre] | GF 001/ | la grande fabrique | 0 | ||||||||
| 33891 | Aurélien | Dumont | Ohne-Weg-Stück Nr. 1 | 2005 | live-elec, 1 perf | 11:15:00 | Stereo | vc [Cello] | HfMT Köln | 0 | |||||||||
| 33892 | Aurélien | Dumont | Ohne-Weg-Stück Nr. 3 | 2006 | live-elec, 1 perf | 9:01:00 | Stereo | cl [Klarinette] | HfMT Köln | 0 | |||||||||
| 42101 | Cédric | Dumont | Radio Waltz | 1952 | radiophon | SRF | 0 | ||||||||||||
| 4488 | Alison | Duncan | Eccitato Nervoso | 1994 | fixed media, akusmatisch | 7:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 20118 | John | Duncan | Ceremony | 1993/1994 | fixed media, akusmatisch | 8:03 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 20119 | John | Duncan | Flare | 1993/1994 | fixed media, akusmatisch | 3:56 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 20120 | John | Duncan | Incoming | 1993/1994 | fixed media, akusmatisch | 11:45 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 20121 | John | Duncan | Pass | 1993/1994 | fixed media, akusmatisch | 2:33 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 43161 | John | Duncan | The Keening Towers | 2004 | Klangkunst, Installation | ∞ | Quadro | Auszeichnung ars electronica honorary mention 2004 | 0 | ||||||||||
| 40875 | John | Duncan | The Nazcy Transmissions #2 | 2005 | fixed media, akusmatisch | 8:10 | SR 290 sub rosa/ | 0 | |||||||||||
| 20122 | John | Duncan | Voice Field | 1993/1994 | fixed media, akusmatisch | 13:48 | Stereo | Streamline 1005/ | 0 | ||||||||||
| 24619 | Stephan | Dunkelman | Aquaéra 1 | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 0263/ IMED 9837/ | Musiques et Recherches Ohain | empreintes DIGITALes | 02.1997 | “Une heure concrète” concert series (Brussels, Belgium) | 0 | |||||||
| 22197 | Stephan | Dunkelman | Dreamlike Shudder in an Airstream | 2000 | fixed media, akusmatisch | 13:50 | Part1: For a Crumbled Woman | MR 2000 Métamorphoses 2000/ IMED 0263/ | PS C. | 03.2000 | ARTem (Brussels, Belgium) | 1st biennial Acousmatic Composition Competition | 1 | ||||||
| 24618 | Stephan | Dunkelman | Hanna’ Duet | 1998 | fixed media, akusmatisch | 3:30 | IMED 0263/ | PS C. | 11.2000 | 7th ‘The Space of Sound’ International Acousmatic Festival (Brussels, Belgium) | 0 | ||||||||
| 25881 | Stephan | Dunkelman | Kajsa, 3 femmes et un promeneur | 2004 | audiovisuell | 3:14:00 | Akusmatische Musik mit abstrahierten künstlichen Oberflächen- und fliegenden Objekt- Animationen, Projektionen von Tänzerinnen | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2004 | 1 | |||||||||
| 41626 | Stephan | Dunkelman | Marins, ma reine | 1996 | fixed media, akusmatisch | Musiques et Recherches Ohain | 0 | ||||||||||||
| 22322 | Stephan | Dunkelman | Metharcana | 1998 | fixed media, akusmatisch | 9:05 | Octo | M&R, Mars 2000/ CAP 22057/ IMED 0263/ wbm 168 b Electro AC Wallonie - Bruxelles/ | PS C. | 11.1998 | 5th ‘The Space of Sound’ International Acousmatic Festival (Brussels, Belgium) | First Prize at the Stockholm Electronic Arts Award 1998 Prix du public métamorphoses 2000 Parution sur CD Métamorphoses en 2000 |
1 | 2002 | |||||
| 4489 | Stephan | Dunkelman | Rituellipses | 1993 - 1996 | fixed media, akusmatisch | 10:59 | INA R 9501/ IMED 0263/ GMEM El 10, Project'Son/ | Musiques et Recherches Ohain | 03.1993 | Ars Musica Festival (Brussels, Belgium) | special mention at the Stockholm Electronic Arts Award (Sweden, 1993) honorable mention at the Prix Ars Electronica (Linz, Austria, 1995) |
1 | |||||||
| 4490 | Stephan | Dunkelman | Signallures | 1991 | fixed media, akusmatisch | 8:26 | Acousmatica CD 1296/ IMED 0263/ | Musiques et Recherches Ohain | April 1991 | Antwerp, Belgium | finalist in the Luigi Russolo International Competition (Varese, Italy, 1991) | 0 | |||||||
| 41625 | Stephan | Dunkelman | Signallures | 1991 | fixed media, akusmatisch | (paru sur CD acousmatica 1296) | acousmatica 1296/ | Musiques et Recherches Ohain | 0 | ||||||||||
| 41627 | Stephan | Dunkelman | Stèles d'offrande | 1997 | Klangkunst, Installation | 27:00:00 | pour une installation de Charlotte Marechal) | Musiques et Recherches Ohain | 0 | ||||||||||
| 24620 | Stephan | Dunkelman | Thru, Above and Between | 1998 | radiophon | 10:10 | IMED 0263/ M&R L’Espace du son 2000/ | Musiques et Recherches Ohain, PS C. | Musiques & Recherches | 11.1999 | 6th ‘The Space of Sound’ International Acousmatic Festival (Brussels, Belgium) | 0 | |||||||
| 41628 | Stephan | Dunkelman | Voiléoles | 1997 | fixed media, akusmatisch | 17:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 36863 | Jamie | Dunkle | Two Poems by H.D. | 2017 | fixed media, akusmatisch | 7:16:00 | 0 | ||||||||||||
| 22293 | Caoimhe | Dunn | The dark woods | 2000 | fixed media, akusmatisch | 3:35 | SIDO 010/ | 1 | |||||||||||
| 4491 | David | Dunn | Chaos and the Emergent Mind of the Pond | 1990 | fixed media, akusmatisch | 9:30 | AER 1990 / 2 / WN 0009/ | 1 | |||||||||||
| 20123 | David | Dunn | Entraiments 1 | 1984 | live-elec, 1 perf | 8:24 | Stereo | V [Stimme] | Innova 508/ | 0 | |||||||||
| 20124 | David | Dunn | Entraiments 2 | 1985 | live-elec, 3 perf | 45:53 | Stereo | 3 V, (3 gen) [Stimme] | Innova 508/ | 0 | |||||||||
| 20125 | David | Dunn | Mimus Polyglottos | 1976 | live-elec, 2 perf | 5:17 | Stereo | osc, birds [elektronik] | Innova 508/ | 0 | |||||||||
| 20126 | David | Dunn | Skydrift | 1977 | live-elec, 26 perf | 31:12 | Stereo | 10 V, 4 fl, 4 cl, 4 tpt, 4 trbn [Stimme, Flöte, Klarinette, Trompete, Posaune] | Innova 508/ | 0 | |||||||||
| 20127 | David | Dunn | Tabula Angelorum Bonorum 49 | fixed media, akusmatisch | 28:28 | Stereo | WN 0009/ | 0 | |||||||||||
| 4492 | Robert, Richard | Dunn, Maxfield | Poem for Chairs, Tables, Benches, etc. | 1960 | fixed media, akusmatisch | var | Stereo + Mono + Mono + Mono | to be played with a reading of "Lecture 1960" by La Monte Young | PS C. NY, PS Maxfield NY | 0 | |||||||||
| 42102 | Anthony, Fiona | Dunne, Raby | Tuneable cities | 1994 - 1997 | radiophon | PS C. / London | 0 | ||||||||||||
| 40293 | TM | Duplantis | Downstream | 2016 | fixed media, akusmatisch | TM Duplantis | 0 | ||||||||||||
| 39551 | Alexander | Dupuis | Apparition Coil | 2016 | fixed media, akusmatisch | Alexander Dupuis | 0 | ||||||||||||
| 42909 | Alexander | Dupuis | Omaggio a Berberian | 2013 | fixed media, akusmatisch | 4:58:00 | 0 | ||||||||||||
| 19654 | Juan Carlos | Duque | Salónica | 1995 | fixed media, akusmatisch | 6:15 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 4493 | Jacobo | Duran-Loriga | Contrafacta | 1984/1985 | fixed media, akusmatisch | 10:00 | Quadro | HfMT Köln CD5/ | HfMT Köln | 1 | |||||||||
| 4494 | Jacobo | Duran-Loriga | Disforia | 1983/1984 | fixed media, akusmatisch | 13:31 | Quadro | CBA 5 Musica electroacustica española 2/ | HfMT Köln | 1 | |||||||||
| 4495 | Jacobo | Duran-Loriga | Entropia | 1984 | fixed media, akusmatisch | 11:12 | IPEM Gent | 0 | |||||||||||
| 4496 | Jacobo | Duran-Loriga | Kammerkonzert | 1983/1984 | Zuspiel / Tonband, 1 group | 10:55 | Quadro | cham-ens [Ensemble] | HfMT Köln | 0 | |||||||||
| 4497 | Jacobo | Duran-Loriga | Les Djinns | 1987 | fixed media, akusmatisch | 45:50 | Quadro | txtcompo, 2 parts (22:47 + 00:09 + 23:05) | HfMT Köln | 0 | |||||||||
| 4498 | Jacobo | Duran-Loriga | Postscriptum | 1987 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 4499 | Jacobo | Duran-Loriga | Timón de Atenas | 1992 | Oper | 3:07 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 4500 | Joël-François | Durand | L'exil du feu | 1991 | live-elec, 1 group | 20:00 | ens [Ensemble] | Durand | IRCAM | 0 | |||||||||
| 42937 | David | Durant | FAJI | 2013 | live-elec, 1 perf | 8:04:00 | cl [Klarinette] | Esther Lamneck, clarinet | 0 | ||||||||||
| 39355 | David | Durant | Shadow of the Hawk | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39714 | David | Durant | Sighs of an Ancient Wall | 2015 | fixed media, akusmatisch | 6:05:00 | David Durant | 0 | |||||||||||
| 39713 | David | Durant | The Crystalline Radiant Sky | 2016 | fixed media, akusmatisch | David Durant | 0 | ||||||||||||
| 42603 | David Z. | Durant | An Owl Drives in the Rain | 2009 | fixed media, akusmatisch | 7 | 0 | ||||||||||||
| 42769 | David Z. | Durant | Bay | 2005 | fixed media, akusmatisch | 7:40:00 | 0 | ||||||||||||
| 42484 | David Z. | Durant | Hazeur’s Curve | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 33894 | Yati | Durant | Filagree | 2005 | live-elec, 1 perf | 5:25:00 | Quadro | perc [Schlagzeug] | Komposition für Jazz-Schlagzeug und elektronische Klänge | HfMT Köln | 0 | ||||||||
| 33893 | Yati | Durant | Transversal | 2005 | live-elec, 1 perf | 10:07:00 | Quadro | perc [Schlagzeug] | HfMT Köln | 0 | |||||||||
| 4501 | Frédéric | Durieux | Devenir | 1993 | live-elec, 1 perf | 14:00 | cl [Klarinette] | ISPW | Adès/ | IRCAM | Lemoine | 0 | |||||||
| 4502 | Frédéric | Durieux | Parcours, pluriel | 1988 | live-elec, 1 group | 17:00 | ens [Ensemble] | Jobert | IRCAM | 0 | |||||||||
| 4503 | Frédéric | Durieux | So schnell, zu früh | 1993 | live-elec, 1 perf, 1 group | 20:00 | Mez, ens [Mezzo, Ensemble] | ISPW | Adès/ | IRCAM | Lemoine | 0 | |||||||
| 32216 | Juraj | Duris | 100 x V, Hundred Times Victory | 1993 | Klangkunst, Installation | výtvarná spolupráca Miloš Boďa | CECM Bratislava | 0 | |||||||||||
| 4504 | Juraj | Duris | Chronos I | 1983 | fixed media, akusmatisch | 4:45 | Stereo | CECM Bratislava | 0 | http://www.hudobnecentrum.sk/src/osobnost.php?lg=en&oid=312 | |||||||||
| 32215 | Juraj | Duris | Hammerschlag ’91 | 1991 | Klangkunst, Installation | výtvarná spolupráca Miloš Boďa | CECM Bratislava | 0 | |||||||||||
| 32213 | Juraj | Duris | Hommage to John Cage Composition in Retrospect | 2007 | fixed media, akusmatisch | 4:14 | CECM Bratislava | 0 | |||||||||||
| 32214 | Juraj | Duris | Panta Rhei | 2007 | Zuspiel / Tonband, 1 perf | 11:14 | vc [Cello] | CECM Bratislava | 0 | ||||||||||
| 4505 | Juraj | Duris | Portrét, Portrait | 1989 | fixed media, akusmatisch | audiovisuell |
8:06 | EM CD 003/ | CECM Bratislava | Competition Musica Nova Prag 1994 | 1 | |||||||||
| 4506 | Juraj | Duris | Sny | 1987 | fixed media, akusmatisch | Zuspiel/Tonband, |
8:34 | Stereo | (freams) | EM CD 002/ | CECM Bratislava | 1 | ||||||||
| 4507 | Juraj | Duris | Spomienky, Memories | 1985 | fixed media, akusmatisch | 10:02 | Stereo | CECM Bratislava | 0 | http://www.hudobnecentrum.sk/src/osobnost.php?lg=en&oid=312&show=diela | |||||||||
| 32212 | Juraj | Duris | The Dreams, music for cymbal and it’s flageolet | 1987 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
8:33 | cymbal [Schlagzeug] | CECM Bratislava | 0 | http://www.hudobnecentrum.sk/src/osobnost.php?lg=en&oid=312&show=diela | |||||||||
| 4508 | Juraj | Duris | Zrodenie svedomia, the birth of Consience | 1984 | fixed media, akusmatisch | 8:15 | Stereo | CECM Bratislava | 0 | ||||||||||
| 33758 | Juraj | Ďuriš | Homag to John Cage - Composition in Retrospect | 2009 | radiophon | 4:45 | Stereo | EBU Ars Acustica 2009/ | Slovensky rozhlas | EBU Ars Acustica 2009 | 1 | ||||||||
| 40765 | Bernard | Durr | Etude aux degrés lineaires | 1976 | Theater, live-elec, 3 perf | 14 | Stereo | 3 p [Piano] | INA • GRM | INA • GRM | 27.8.1976 | Paris, Th. Récamier. J. F. Allouis, D. Dufour, J. Koerner, piano |
0 | ||||||
| 4509 | Bernard | Durr | Sculptures | 1974 | fixed media, akusmatisch | 3:00 | Stereo | Étude de stage | INA • GRM | October 1974 | Paris, Biennale | 0 | |||||||
| 4510 | Bernard | Durr | Souvenir des mots | 1976 | live-elec, 1 perf | 14:52 | Stereo | ins [Instrument] | INA • GRM | INA • GRM | 23.2.1976 | Paris, Théâtre Récamier | 0 | ||||||
| 20129 | Phil | Durrant | Chew 1 - 3 | 1997 | live-elec, 1 perf | 17:00 | Stereo | vn [Violine] | Acta 10/ | 0 | |||||||||
| 20130 | Phil | Durrant | Lurker | 1997 | live-elec, 1 perf | 4:27 | Stereo | vn [Violine] | Acta 10/ | 0 | |||||||||
| 20131 | Phil | Durrant | Sowari | 1997 | live-elec, 1 perf | 10:37 | Stereo | vn [Violine] | Acta 10/ | 0 | |||||||||
| 4511 | Philippe | Durville | Miroir du double | 1986 | live-elec, 1 group | 15:00 | ens [Ensemble] | IRCAM | 0 | ||||||||||
| 4512 | Pascal | Dusapin | La Melancholia | 1991 | Zuspiel / Tonband, 6 perf, 2 groups | 29:30 | 6 V, ch, orc [Stimme, Chor, Orchester] | „Operatorio“ | ERA/ MO 782124/ | Salabert | 0 | ||||||||
| 20132 | Linda | Dusman | And a voice was heard in Rama | 1994 | fixed media, akusmatisch | 7:28 | Stereo | PANaroma 199.000.954/ Neuma 450-92/ | 1 | ||||||||||
| 28130 | Linda | Dusman | Becoming Becoming Gertrude | fixed media, akusmatisch | 12:29 | Stereo | 2 Readers | CPS 8693 Capstone/ | 0 | ||||||||||
| 21791 | Linda | Dusman | Dindirindin | Zuspiel / Tonband, 1 perf | Stereo | S [Sopran] | Neuma CD 450-87/ | 0 | |||||||||||
| 4513 | Lionel | Dussauchoy | La pointe rouge | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4514 | Lionel | Dussauchoy | Oonah | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4515 | Lionel | Dussauchoy | Ramtzamsam ( La pointe rouge) | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 4516 | Andrzej | Dutkiewicz | Six Meditations | 1978 | Zuspiel / Tonband, 1 perf | 19:50 | Stereo, Quadro | p [Piano] | ExpSt Warsaw | 0 | |||||||||
| 4517 | Andrzej | Dutkiewicz | Sophie`s Music for Four | 1986 | Zuspiel / Tonband, 3 perf | 17:20 | Stereo | 3 p [Piano] | ExpSt Warsaw | 0 | |||||||||
| 22128 | Andrzej | Dutkiewicz | Sophie's Music for Tape Solo | 1987 | fixed media, akusmatisch | 12:00 | Stereo | ExpSt Warsaw | 0 | ||||||||||
| 37465 | Paul | Dutton | Metalogos, Suite in two parts | 1993 | live-elec, 1 perf | 9:25 | V [Stimme] | ISAST LMJ 3/ | 0 | ||||||||||
| 39501 | Skye van | Duuren | Bridging Worlds | 2017 | live-elec, 1 perf | ins [Instrument] | Creating Fixed-Media Microtonal Music with Acoustic Instruments | 0 | |||||||||||
| 4518 | Stephen | Dydo | Stelling I | 1983 | fixed media, akusmatisch | 5:15 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 4519 | Stephen | Dydo | Stelling VI | 1983 | fixed media, akusmatisch | 8:45 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 43056 | Stephen, Susan | Dydo, Haire | As Above, So Below | 2014 | Klangkunst, Installation | Location: Underground Theater Balcony. | 0 | ||||||||||||
| 40259 | Stephen, Susan | Dydo, Haire | Tipping Point | 2016 | fixed media, akusmatisch | Stephen Dydo and Susan Haire | 0 | ||||||||||||
| 40258 | Stephen, Susan | Dydo, Haire | Voice of Silence | 2017 | fixed media, akusmatisch | Stephen Dydo and Susan Haire | 0 | ||||||||||||
| 20142 | Kim | Dyett | Flute Music | 1983 | Zuspiel / Tonband, 1 perf | 22:00 | Stereo | fl [Flöte] | MANU 1438/ | Uni Wellington | 0 | ||||||||
| 20143 | Kim | Dyett | Song Cycle Nocturne | 1982 | Zuspiel / Tonband, 1 perf | 12:10 | Stereo | V [Stimme] | text by Hone Tuwhare | MANU 1438/ | Uni Wellington | 0 | |||||||
| 4520 | Kim | Dyett | Wallpapermusic | 1986 | Zuspiel / Tonband, 6 perf | 26:45 | Stereo | sax, 5 V [Stimme, Saxophon] | MANU 1438/ | EMS Stockholm | 0 | ||||||||
| 4521 | Jens-Uwe | Dyffort | Bewegtes Stück für Altsaxophon | 1994 | live-elec, 1 perf | 8:00 | Quadro | a-sax, (delay) [Saxophon] | TU Berlin | 0 | |||||||||
| 4522 | Jens-Uwe | Dyffort | Falottata Sysiphos | 1993 | live-elec, 1 perf | 12:00 | Quadro | bn [Fagott] | TU Berlin | 20.6.1993 | Foyer HdK Berlin | 0 | |||||||
| 22804 | Jens-Uwe | Dyffort | Kaskaden | 1997 | fixed media, akusmatisch | 12:00 | 12 Tracks | Csound, CM & CLM | TU Berlin | 10.1.1998 | Künstlerbahnhof Berlin-Westend | 1 | |||||||
| 33497 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | An die Oberfläche - In die Luft: Abschnitt Mausegatt | 2015 | Klangkunst, Installation | Klanginstallation oberhalb des Flözverlaufs | Stadt Witten | 25.4.2015 | Klangwanderung Muttental im Rahmen der Wittener Tage für Neue Kammermusik | 0 | |||||||||
| 29439 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | ATS 1 | 2008 | radiophon | Klangkunst, Installation |
6 | HR2 | 2008 | Goldhalle des Hessischen Rundfunks, Frankfurt am Main | 0 | |||||||||
| 29447 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Auto langsam / ruhig + 4a | 1999 | Klangkunst, Installation | Quadro | September 1999, täglich von 8.00 - 22.00 Uhr | "Haus des Lehrers", Berlin-Alexanderplatz | 0 | ||||||||||
| 29441 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Goliath | 2006 | radiophon | audiovisuell |
20 | WDR Studio Akustische Kunst | 0 | |||||||||||
| 29443 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Hartmanns Sonntag | 2005 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29446 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Hofgeschehen | 2003/2004 | Klangkunst, Installation | 10 Tracks | 2003/2004 | Atrium des Heimatmuseums Neukölln; Ausstellung Familiendinge, Museum Berlin-Neukölln | 0 | ||||||||||
| 29442 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Missing Mars (corrispondenza su marte) | 2006 | radiophon | Klangkunst, Installation |
10 Tracks | Dezember 2004 | Zeiss Großplanetarium, Berlin Prenzlauerberg | 0 | ||||||||||
| 29452 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Missing Mars (Shuttle) | 2005 | audiovisuell | 30 | Quadro | 2005 | pyramidale 4, Festival für Neue Musik Berlin | 0 | |||||||||
| 29451 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | OSO I | 2005 - 2006 | audiovisuell | ∞ 15 | Quadro | 2005 | Künstlerhaus Schloss Balmoral, Bad Ems | 0 | |||||||||
| 29440 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | OSO II | 2007 | Klangkunst, Installation | Donaueschinger Musiktage - Festival zeitgenössischer Tonkunst | 0 | ||||||||||||
| 42422 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Punktierte Fragmente | 2018 | Klangkunst, Installation | 09.11. 2018 | Galerie Saarländisches Künstlerhaus Saarbrücken. | 0 | http://www.kuenstlerhaus-saar.de/index.php/Driesch.html | ||||||||||
| 29444 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Punktierte Umgebungen, Punktierte Allee- Donaueschinger Schlosspark 20 Uhren Punktierter Garten - Punktiertes Fragment Punktierter Garten - Cloître des Récollets Troisdorfer Uhrwerke In der Schwebe Punktierter Umweg Punktierte Umgebung Kupferdraht mit Lautsprechern |
1996 - 2009 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 28.10.2002-5.5.2003 | singuhr hoergalerie Berlin | Deutscher Klangkunst-Preis 2006 | 0 | |||||||||
| 29438 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | selbstLaut »Ortserkunder« | 2009 | radiophon | 59 | HR2, Redaktion: Stefan Fricke | 0 | |||||||||||
| 26285 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Stretta | 2004 | Klangkunst, Installation | ∞ | 12 Tracks | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2004 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 34254 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Summender Gräsergarten | 2014 - 2015 | Klangkunst, Installation | 25.9.2015 | Kontakte-Festival AdK Berlin, Garten vor der Akademie Hanseatenweg | 0 | http://www.adk.de/de/projekte/2015/Kontakte/teaser_17.htm | ||||||||||
| 29448 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Verdeckte Parallelen | 2004 | Klangkunst, Installation | Quadro | 0 | ||||||||||||
| 29445 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | zeitweiliger Wohnsitz Grünstrasse 18/19 | 2000 | Klangkunst, Installation | Quadro | Mai - Juli 2000, von 8 - 20 Uhr | Stadtkunstprojekte in Berlin Köpenick | 0 | ||||||||||
| 29453 | Jens-Uwe, Roswitha von den | Dyffort, Driesch | Zwischen Maßnahmen | 2012 | audiovisuell | 9. November 2012, | Kunstverein Ludwigshafen a.Rh. | 0 | www.kunstverein-ludwigshafen.de | ||||||||||
| 34774 | Jens-Uwe, Roswitha von den, Klaus | Dyffort, Driesch, Lebkücher | Lautsprecher mit Kupferdraht | 1996 | Klangkunst, Installation | Kehrer Verlag ISBN 978-3-939583-23-3/ | 5.-6.7.1996 | singuhr hoergalerie Berlin | 0 | ||||||||||
| 29449 | Jens-Uwe, Roswitha von den, Klaus | Dyffort, Driesch, Lebkücher | Seestück /Hörstück II | 1998 | Klangkunst, Installation | Octo | 1998 | Windsor Lake, Ausstellung "EarMarks", MASS MoCA, Massachusetts, USA | 0 | ||||||||||
| 29450 | Jens-Uwe, Roswitha von den, Annette | Dyffort, Driesch, Schlez | Von Oben nach Unten, von Rechts nach Links | 1993 | Klangkunst, Installation | 1993 | ehemaliges Bundesgartenschaugelände Rheda-Wiedenbrück | 0 | |||||||||||
| 19161 | Frances | Dyson | Window Pain | 1993 | Performance | binaural | ISAST LMJ 6/ | Banff C. | 1 | ||||||||||
| 22129 | Dorota | Dywanska | Rise Of Dancing Sun | 2000 | Zuspiel / Tonband, 1 perf | 13:49 | Stereo | perf (vip) [Performer] | ExpSt Warsaw | 0 | |||||||||
| 4523 | Zoja | Dziadzio | Momento vivente | 1984 | fixed media, akusmatisch | 10:06 | 0 | ||||||||||||
| 37226 | Damian | Dziwis | m e t a – m i ph o s is (from ?? with love), chaju charip chawi |
2017 | audiovisuell | 12:00:00 | nach den drei Leitsätzen aus Kim Il-sungs Chuch??e-Ideologie. I. chaju II. charip III. chawi |
HfMT Köln | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 40103 | Michael | Dzjaparidze | Extase 4 (Version) | 2015 | fixed media, akusmatisch | 14:03:00 | Michael Dzjaparidze | 0 | |||||||||||
| 4524 | David | Eagle | Hsüan | 1992 | Zuspiel / Tonband, 1 perf | 3:03 | Guzheng [Streicher] | (chinesische Zither), Mac & CampleCell | CEC DISContact_1/ | Uni Calgary | 1 | ||||||||
| 20144 | David | Eagle | Music for Axiø, open this Door | 1993 | fixed media, akusmatisch | 9:22 | Stereo | CR 96001 Clef/ | CCRMA | 0 | |||||||||
| 41942 | David | Eagle | Paths | fixed media, akusmatisch | 0 | ||||||||||||||
| 4525 | David | Eagle | Polaris | 1989 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | p [Piano] | UC-CD 9601 Unical Records/ | CCRMA | 0 | ||||||||
| 20145 | David | Eagle | Solitude | 1992 | live-elec, 1 perf | 18:08 | Stereo | disklavier [Piano] | NCD 0294 New Concert Discs/ | CCRMA | 0 | ||||||||
| 20146 | David | Eagle | Traces | 1991 | live-elec, 1 perf | 9:52 | Stereo | fl [Flöte] | NCD 0294 New Concert Discs/ | CCRMA | 0 | ||||||||
| 33426 | Paul | Earls | Dithyrambs | 1962 | fixed media, akusmatisch | Uni Eugene | 0 | ||||||||||||
| 25023 | Max | Eastley | Aeolian Flutes in Spitzbergen | 2004 | Klangkunst, Installation | 5:58 | Im Rahmen von „Sound Out“ in der „National Sculpture Factory“ in Cork (Irland) - Kulturhauptstadt Europas 2005; CD-Beilage zum gleichnamigen Katalog | Farpoint Recordings Cork 2005/ | 1 | http://en.wikipedia.org/wiki/Max_Eastley | |||||||||
| 36291 | Max | Eastley | Wind Flutes Urban | 1978 | Klangkunst, Installation | 3:17 | EMF CD 036/ | 0 | |||||||||||
| 32696 | Max | Eastley | Windklänge | 2014 | Klangkunst, Installation | ∞ | str (aeolian harp) [Streicher] | 14.6.2014 | Botanischer Garten, Bonn | 0 | http://www.bonnhoeren.de/_2014/festival-bonn-hoeren-2014/installationen/windklange/ | ||||||||
| 4526 | John | Eaton | Blind Man's Cry | 1968 | live-elec, 2 perf | S, synt, (tape-delay) [Sopran, synthesizer] | Synkets, Moog | CRi SD 296/ IDEAMA CD 084/ | 0 | ||||||||||
| 4527 | John | Eaton | Concert Music | 1964 | Zuspiel / Tonband, 1 group | 5:00 | Stereo | jazz-ens [Ensemble] | Am.A. Roma | 0 | |||||||||
| 4528 | John | Eaton | Concert Piece for Synket and Symphony Orchestra | 1967 | live-elec, 1 perf, 1 group | synket, orc [synthesizer, Orchester] | TV 34428/ IDEAMA CD 084/ | 9.8.1967 | Tanglewood, John Eaton (Synket), Berkshire Music Center orc, cond. Gunther Schuller | 0 | |||||||||
| 4529 | John | Eaton | Duet for Synket and Moog | 1968 | live-elec, 2 perf | 2 synt [synthesizer] | Synket, Moog | DL 710165 DECCA/ | 0 | ||||||||||
| 4530 | John | Eaton | Mass | 1970 | live-elec, 1 perf | synt, (tape-delay) [synthesizer] | Synkets, Moog | CRi SD 296/ | 0 | ||||||||||
| 4531 | John | Eaton | Piece for Solo Synket No. 1 | 1965 | live-elec, 1 perf | 6:00 | Stereo | synket [synthesizer] | PS C. Roma | 0 | |||||||||
| 4532 | John | Eaton | Piece for Solo Synket No. 2 | 1966 | live-elec, 1 perf | 6:00 | Stereo | synket [synthesizer] | IDEAMA CD 084/ | PS C. Roma | 0 | ||||||||
| 4533 | John | Eaton | Piece for Solo Synket No. 3 | 1965 | live-elec, 1 perf | synket [synthesizer] | Synket | DL 710154, DECCA/ | 1 | ||||||||||
| 4534 | John | Eaton | Prelude to "Myshkin" | 1965/1966 | live-elec, 1 perf | 13:00 | Stereo | synket [synthesizer] | 2 versions | DL 710154, DECCA/ | PS C. Roma | 1 | |||||||
| 4535 | John | Eaton | Soliloqui | 1967 | live-elec, 1 perf | synt [synthesizer] | Synket | DL 710165 DECCA/ | 0 | ||||||||||
| 4536 | John | Eaton | Songs for R.P.B. | 1965 | live-elec, 4 perf | S, 2 p, synket [Sopran, Piano, synthesizer] | DL 710154, DECCA/ IDEAMA CD 084/ | Am.A. Roma | 1 | ||||||||||
| 4537 | John | Eaton | Thoughts on Rilke | 1967 | live-elec, 1 perf | synt [synthesizer] | Synket | DL 710165 DECCA/ IDEAMA CD 084/ | 0 | ||||||||||
| 4538 | John | Eaton | Wedding March | 1967 | Zuspiel, live-elec, 1 perf | 2:20 | Stereo | synket [synthesizer] | PS C. Roma | 0 | |||||||||
| 36789 | Morris L. | Eaton | Experimental composition 101667-1 | fixed media, akusmatisch | 3:00:00 | 0 | https://en.wikipedia.org/wiki/Eaton-s_inequality | ||||||||||||
| 36790 | Morris L. | Eaton | Sofra-Experimental Composition | fixed media, akusmatisch | 2:48:00 | 0 | |||||||||||||
| 4539 | Klaus | Ebbeke | Ein Raum für Edgard Varese | 1985 | intermedia | je 45:00 | Stereo + Stereo + Stereo | (Realisierung von Desert). Synclavier | Edition Giannozzo/ | TU Berlin | 2.9.1985 | Galerie Giannozzo Berlin | 1 | http://floraberlin.de/soundbag/index215d.htm | |||||
| 4540 | Alexander | Eberhard | 9 x Beethoven^10 | 1994 | fixed media, akusmatisch | 23:00 | Kollektivkomosition | ELAK Wien | 0 | ||||||||||
| 4542 | Denis | Eberhard | An Icon, Zeitkratzer plays PRES | 1975 | fixed media, akusmatisch | 10:45 | Stereo | improvisation by the group by Zeitkratzer Berlin (BR ES03 bolt) | BR ES03 bolt Blanc et Rouge/ DUX 0811/ | ExpSt Warsaw | 1 | ||||||||
| 4543 | Denis | Eberhard | Dialogues II | 1975 | Zuspiel/Tonband, 1 perf | intermedia |
19:13 | Stereo | perc [Schlagzeug] | light, slides | ExpSt Warsaw | 0 | ||||||||
| 39847 | Hiroshi | Ebina | untitled_work_November | 2016 | fixed media, akusmatisch | Hiroshi Ebina | 0 | ||||||||||||
| 36891 | Ehsan | Ebrahimi | 090214 | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 36892 | Ehsan | Ebrahimi | 310114 | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 11.02.2014 | Sprengel Museum, Hannover | 0 | |||||||||
| 37784 | Ehsan | Ebrahimi | An diesem fremden Fenster | 2015 | live-elec, 2 perf | Octo | V, santur, (elec) [Stimme, Streicher] | Incontri HMTM Hannover | 20.04.2015 | Kirche St. Ludwig Celle | 0 | ||||||||
| 37788 | Ehsan | Ebrahimi | Dar Astaneh | 2016 | Zuspiel / Tonband, 1 perf, 1 group | Quadro | ch, ins (iranische Instrumente) [Instrument, Chor] | Incontri HMTM Hannover | 20.12.2016 | Shiraz (Iran) | 0 | ||||||||
| 37173 | Ehsan | Ebrahimi | Ein Kinderspiel | 2017 | Klangkunst, Installation | ∞ | Quadro | interaktive Installation | Incontri HMTM Hannover | 31.5.2017 | Markuskirche Hannover | 0 | http://zkm.de/event/2017/06/nextgeneration-70-installationen | ||||||
| 37807 | Ehsan | Ebrahimi | Erdbeben | 2017 | live-elec, 1 perf | Octo | perc, (elec) [Schlagzeug] | Incontri HMTM Hannover | 31.05.2017 | Markuskirche Hannover | 0 | ||||||||
| 37806 | Ehsan | Ebrahimi | Musik für Elektroakustrenaissanceinstrumente | 2016 | live-elec, 4 perf | Octo | gui, cl, acc (bajan), elec [Klarinette, Akkordeon, Gitarre, elektronik] | Incontri HMTM Hannover | 31.05.2017 | Markuskirche Hannover | 0 | ||||||||
| 37792 | Ehsan | Ebrahimi | Perspektiv | 2016 | live-elec, 2 perf | Quadro | 2 santur, (elec) [Streicher] | Incontri HMTM Hannover | 05.11.2016 | Faust Warenannahme Hannover | 0 | ||||||||
| 36893 | Ehsan | Ebrahimi | Schab (Nacht) | 2014 | fixed media, akusmatisch | Octo | Incontri HMTM Hannover | 06.11.2014 | Kestnergesellschaft | 0 | |||||||||
| 36890 | Ehsan | Ebrahimi | von nichts | 2014 | live-elec, 1 perf | Stereo | vn, (elec) [Violine] | Incontri HMTM Hannover | 20.06.2014 | Herrenhäuser Gärten, Hannover | 0 | ||||||||
| 42350 | Ehsan | Ebrahimi | Zemestan | 2019 | live-elec, 1 perf | fl [Flöte] | 25.1.2019 | Konzertsaal Hochschule für Künste Bremen | 0 | ||||||||||
| 40901 | Ata | Ebtekar | 12 Niaaz 1:39 |
2006 | fixed media, akusmatisch | 1:39 | SR 277 sub rosa/ | 0 | |||||||||||
| 40895 | Ata | Ebtekar | Breadth Digit (Glass Lung) | 2006 | fixed media, akusmatisch | 1:55 | SR 277 sub rosa/ | 0 | |||||||||||
| 40899 | Ata | Ebtekar | Cry | 2006 | fixed media, akusmatisch | 2:49 | SR 277 sub rosa/ | 0 | |||||||||||
| 40900 | Ata | Ebtekar | Lovaz | 2006 | fixed media, akusmatisch | 3:23 | SR 277 sub rosa/ | 0 | |||||||||||
| 40894 | Ata | Ebtekar | Micro Tuning | 2006 | fixed media, akusmatisch | 7:10 | SR 277 sub rosa/ | 0 | |||||||||||
| 40890 | Ata | Ebtekar | Miniature Tone | 2006 | fixed media, akusmatisch | 5:51 | SR 277 sub rosa/ | 0 | |||||||||||
| 40891 | Ata | Ebtekar | Nashid | 2006 | fixed media, akusmatisch | 10:24 | SR 277 sub rosa/ | 0 | |||||||||||
| 40898 | Ata | Ebtekar | Picture Of A Whisper | 2006 | fixed media, akusmatisch | 2:19 | SR 277 sub rosa/ | 0 | |||||||||||
| 40902 | Ata | Ebtekar | Plainsong | 2006 | fixed media, akusmatisch | 1:40 | SR 277 sub rosa/ | 0 | |||||||||||
| 40896 | Ata | Ebtekar | Robot Radif | 2006 | fixed media, akusmatisch | 3:12 | SR 277 sub rosa/ | 0 | |||||||||||
| 40892 | Ata | Ebtekar | Saint Homayun | 2006 | fixed media, akusmatisch | 4:56 | SR 277 sub rosa/ | 0 | |||||||||||
| 40893 | Ata | Ebtekar | Synthetic Overture (Satan's Lullaby) | 2006 | fixed media, akusmatisch | 2:28 | SR 277 sub rosa/ | 0 | |||||||||||
| 40897 | Ata | Ebtekar | Tahrir, Love-Birds Drowned In Sorrow | 2006 | fixed media, akusmatisch | 8:43 | SR 277 sub rosa/ | 0 | |||||||||||
| 4544 | Pedro | Echarte | El Gran Bonetón | 1966 | Theatermusik | Mono | LME Uni Cordoba | 0 | |||||||||||
| 4545 | Pedro | Echarte | Estudiantina | 1965 | Film | Mono | LME Uni Cordoba | 0 | |||||||||||
| 4546 | Pedro | Echarte | Estudio II | 1964 | fixed media, akusmatisch | 3:15 | Mono | PS Vaggione | 0 | ||||||||||
| 4547 | Pedro | Echarte | Estudio para la voz humana | 1964 | fixed media, akusmatisch | 3:00 | Mono | PS Vaggione | 0 | ||||||||||
| 4548 | Pedro | Echarte | Musiques Dispersees (D), Bidule | 1969 | Performance | 4:00 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 4549 | Pedro | Echarte | Treno | 1965 | fixed media, akusmatisch | 3:30 | Stereo | JME-1/ | LME Uni Cordoba | 0 | |||||||||
| 31137 | Cathy van | Eck | Actions of Memory | 2003 | Performance, live-elec, 3 perf | gui, trbn, db, (elec) [Posaune, Gitarre, Kontrabass] | written in collaboration with Wouter Snoei (live-electronics), Juan Parra Cancino (guitar), Jelte van Andel (double bass) and Joost Geevers (trombone) | muziekwerkplaats de Trampoline | 0 | http://www.woutersnoei.nl/?c=projecten&s=Cathy_van_Eck | |||||||||
| 31124 | Cathy van | Eck | Blik na blik | 2006 | Performance | gui [Gitarre] | for a small guitar, live electronics and tin cans; written for Daniel Göritz | Festival Klangwerkstatt | 0 | ||||||||||
| 31122 | Cathy van | Eck | Büchsen für Pandora – Musik aus der Dose | 2006 | Performance | for loudspeakers, tin cans and live electronics | 0 | ||||||||||||
| 35025 | Cathy van | Eck | Cheering for others makes you a leader | 2016 | Performance, live-elec, 1 perf | fem p (sensoren, Live-Elektronik) [Piano] | NOW Festival | 5.11.2016 | ICEM festival NOW 2016 | 0 | |||||||||
| 31118 | Cathy van | Eck | dazwischen | 2007 | Performance | 3 perf [Performer] | for three loudspeakers, three performers with contact microphones and live electronics, written for the musictheatre Wanderland | Festival Klangwerkstatt | 0 | ||||||||||
| 31100 | Cathy van | Eck | Double Beat | 2013 | Performance | a performance for plastic bags, breath, two heart beats and electronics. | symposion Mind the Gap in Graz (Austria) | Graz | 0 | ||||||||||
| 31111 | Cathy van | Eck | Ein Oktett für das Quartett | 2009 | Performance | Octo | 4 perf [Performer] | a piece for 8 loudspeakers and 4 performers for the music theatre piece Das Quartett oder Schumann im Netz - Eine Unterhaltung mit Interferenzen und Turbulenzen | Bühne Fasson | 0 | |||||||||
| 31104 | Cathy van | Eck | Geluid gemeten: no 23 & no 32 | 2012 | Klangkunst, Installation | sound installation for several pieces of paper, two loudspeakers, a box and electronics. written for the Kolumba museum |
biennale cologne | 0 | |||||||||||
| 31119 | Cathy van | Eck | Groene Ruis | 2007 | Performance | for a small box tree, hairdryer and live electronics | Gaudeamus Music week | 0 | |||||||||||
| 28494 | Cathy van | Eck | Hearing Sirens, Amsterdam 2007 | 2007 | Klangkunst, Installation | Spazialisation: portable horn-loudspeakers | for portable horn-loudspeakers and electronics written for the „Mobile Music Workshop“ |
basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://www.cathyvaneck.net/SirenAmsterdam.html | |||||||||
| 31127 | Cathy van | Eck | Hearing Sirens | 2005 | Performance | A project for mp3-players with portable horn-loudspeakers | 0 | ||||||||||||
| 31107 | Cathy van | Eck | Herbst | 2011 | Performance | a text composition | Festival Rümlingen | 0 | |||||||||||
| 31120 | Cathy van | Eck | Het scheepje in de fles | 2007 | Klangkunst, Installation | for electronics; a soundscape by Erik Bindervoet and Robbert-Jan Henkes (text) and Cathy van Eck (sound) Landscape installation on the beach by Bruno Doedens |
Zomersprookjes | 0 | |||||||||||
| 31112 | Cathy van | Eck | hout en snaren | 2008 | live-elec, 1 perf | vn [Violine] | a piece of music for violin, loudspeaker-object and live-electronics; written for Susanne Zapf |
November Music | 0 | ||||||||||
| 31113 | Cathy van | Eck | Im freien | 2008 | live-elec, 1 perf | rec [Flöte] | for recorder, duduk, organpipe and electronics, written for Gerd Lünenburger and Raphaela Danksagmüller | 0 | |||||||||||
| 31115 | Cathy van | Eck | in blik | 2008 | Performance | for tin can towers and electronics | Lange Nacht des Musiktheaters in Berlin, Germany | 0 | |||||||||||
| 31101 | Cathy van | Eck | Klangverordnung – Die verbotene Klänge der Stadt Bern, Version II (outside in the city) | 2012 | Performance | perf [Performer] | performance for two big orange loudspeaker horns, the forbidden noises of the city of Berne and one performer | Bone festival for performance art | 0 | ||||||||||
| 31102 | Cathy van | Eck | Klangverordnung – Die verbotene Klänge der Stadt Bern, Version I (inside in the archive) | 2012 | Performance | performance for three boxes, three loudspeakers and noise regulation laws of the city of Bern since the 17th century. | archive of the city of Berne | 0 | |||||||||||
| 31117 | Cathy van | Eck | Luftschlösser im Bau | 2007 | Performance | 10 mus [Musiker] | for 10 musicians und 7 castles in the air structures, written for the musictheatre Wanderland | Festival Klangwerkstatt | 0 | ||||||||||
| 31125 | Cathy van | Eck | Mijn Dafne | 2006 | Performance | for a small box tree, hairdryer and live electronics | 0 | ||||||||||||
| 31114 | Cathy van | Eck | Mit Luft gebaut – Musik aus der Dose | 2008 | Performance | 3 perf [Performer] | for castles in the air, tin can towers, loudspeakers and three performers; performances in a soundinstallation for a guitarist and two singers. | 0 | |||||||||||
| 31108 | Cathy van | Eck | Music for the video Mandala Boogie Woogie | 2010 | fixed media, akusmatisch | 6 | for six channel electronics | Muziek als Licht | 0 | ||||||||||
| 31128 | Cathy van | Eck | Oefening in stilzwijgend zingen | 2005 | Performance | 3 dancer [Tanz] | for three dancers. portable horn-loudspeakers and electronics | Festival Rümlingen | 0 | ||||||||||
| 31136 | Cathy van | Eck | Ohne Titel [ma:] | 2003 | Klangkunst, Installation | for electronics, written for the exhibition [ma:] | 0 | ||||||||||||
| 31130 | Cathy van | Eck | Ohne Titel [Nach der Natur] | 2005 | Klangkunst, Installation | for electronics, written for the exhibition Nach der Natur | 0 | ||||||||||||
| 31106 | Cathy van | Eck | Pièce d'Ameublement | 2011 | Performance | p [Piano] | for grand piano, plants and live electronics. written for Frederik Croene |
fonds voor de podiumkunsten | 0 | ||||||||||
| 31123 | Cathy van | Eck | Raderwerk | 2006 | live-elec, 1 perf | hpd [Cembalo] | written for Anne Faulborn | fonds voor de scheppende toonkunst | 0 | ||||||||||
| 31110 | Cathy van | Eck | Song no 3 | 2010 | Performance | perf [Performer] | for one performer, loudspeaker, microphone and live electronics; written for KOFOMI |
0 | http://www.jar-online.org | ||||||||||
| 31103 | Cathy van | Eck | Ways and Means | 2012 | Performance | 5 V [Stimme] | for five singers, gestures, small microphones and loudspeakers and live electronics | Munich Biennale and the University of the Arts Berlin | 0 | ||||||||||
| 31126 | Cathy van | Eck | Wer gibt Dir ein Recht den Stummen zu spielen | 2005 | live-elec, 1 perf | db [Kontrabass] | written for Cristin Wildbolz | fonds voor de scheppende toonkunst | 0 | ||||||||||
| 31109 | Cathy van | Eck | When the sound of your voice slips through my fingers | 2010 | Performance | ≈ 14 | 5 V [Stimme] | for five singers, small microphones and loudspeakers, and live electronics; written for the Neue Vocalsolisten Stuttgart |
Musik der Jahrhunderte / Neue Vocalsolisten Stuttgart | 13. November 2010 | November Music (’s-Hertogenbosch) | 0 | |||||||
| 31116 | Cathy van | Eck | Wings | 2007 - 2008 | Performance | 3 perf [Performer] | for big white shields, three microphones, one loudspeaker and three performers. | Champ d'Action and ORCiM | 0 | ||||||||||
| 31129 | Cathy van | Eck | Zwischen Schlaf und Schlaf | 2005 | live-elec, 3 perf | vn, va, vc, (elec) [Viola, Cello, Violine] | written for the trio sonar | Festival Magdeburgisches Concert | 0 | ||||||||||
| 31105 | Cathy van, Susanne | Eck, Zapf | Stumme Diener | 2011 | Performance | performance for music stands, loudspeakers, microphones and live electronics, developed together with Susanne Zapf, also featuring pieces by Jakob Diehl and Wael Sami. | Klangwerkstatt Berlin | 0 | |||||||||||
| 34444 | Hans van | Eck | Aeterna | 1985 | fixed media, akusmatisch | 10 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 34427 | Hans van | Eck | Fantasia II | 1983/1984 | Zuspiel / Tonband, 1 perf | 10:40 | Stereo | vn [Violine] | Sonology Utrecht | 0 | |||||||||
| 27352 | Hans van | Eck | Nuctemeron | 2007 | live-elec, 3 perf | 24:00 | vn, V, db-cl [Stimme, Klarinette, Violine] | Schreck-Ensemble Amsterdam, live-recording 2007; 3 Tracks | SR 309/ | 1 | |||||||||
| 4550 | Hans van | Eck | Wire Movements | 1993 | live-elec, 3 perf | b-cl, synt, sam, [Klarinette, computer, synthesizer] | 0 | ||||||||||||
| 43194 | Anke | Eckardt | BETWEEN | YOU | AND | ME | 2011 | Klangkunst, Installation | 6 | (6 hypersonic loudspeakers, 4 projectors / 2 hazers; absorbers adjusted for the space) [] | Multisensory Installation: a wall of sound and light | Auszeichnung ars electronica honorary mention 2012 | 0 | http://ankeeckardt.com/?page=41&lang=1 | ||||||||
| 4551 | Gerhard | Eckel | Der Zufall geht | 1986 | fixed media, akusmatisch | 2:17 | Stereo | prod. with com system AKA 2000. | amadeo 427039 Oesterreichische Musik Der Gegenwart: Elektronische Musik 1/ | ELAK Wien | 1 | http://iem.at/~eckel/ | |||||||
| 22207 | Gerhard | Eckel | Traverse | 1999 | live-elec, 1 perf | 11:00 | va, (com) [Viola] | Improvisation with Powerbook | ICMC 2000/ | PS | 1 | http://iem.at/~eckel/ | |||||||
| 43208 | Gerhard | Eckel | Zeitraum | 2013, 2015, 2018 | Klangkunst, Installation | Lehre & Forschung |
Auszeichnung ars electronica honorary mention 2015 | 0 | https://www.researchcatalogue.net/view/94547/94566 | |||||||||||
| 25793 | Gerhard, Daniel, Martin, Eckehard, Maximilian | Eckel, Teige, Rumori, Güther, Szcepanski | Grenzenlose Freiheit | 2002 - 2003 | Klangkunst, Installation | ∞ | 24 Tracks | Genf (Archipel) 2003 | archipel the third ear/ | TU Berlin | Inventionen 2002 | 27.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | http://www.grenzenlosefreiheit.de/ | |||
| 37626 | Gerald | Eckert | about water | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 37678 | Gerald | Eckert | about water II | 2017 | fixed media, akusmatisch | 8:01 | DegeM CD 15/ | 0 | |||||||||||
| 29458 | Gerald | Eckert | Aisthanómenon | 1989/1990 | Zuspiel / Tonband, 1 perf | 10:30:00 | vc [Cello] | 8.5.1990 | Nürnberg conservatory; Gerald Eckert | 0 | |||||||||
| 4552 | Gerald | Eckert | Aux mains de l'espace | 1993 | fixed media, akusmatisch | 15:30 | Stereo, Quadro, Octo | after a poem by Paul Éluard: Les tours du silence. Synlab, Lexicon 480L, ADT C24, Mischcomputer, M15:16, M15:4, Lexicon PCM 70 M20, EMS B-1 |
Cybele 960.101/ | ICEM Essen | 30.10.1993 | Folkwang-Hochschule Essen | Competition Musica Nova Prag 1994 | 1 | 1996 | ||||
| 37633 | Gerald | Eckert | Brandung | 2010 | audiovisuell, | 60 | 4 videos à 15m | 0 | |||||||||||
| 33785 | Gerald | Eckert | Cer | 2013 | fixed media, akusmatisch | 7:01 | Quadro + Quadro | DegeM CD 12 Seltene Erden/ | 1 | ||||||||||
| 37629 | Gerald | Eckert | chute de clarté | 2015 | Zuspiel / Tonband, 2 groups | ch, ens [Ensemble, Chor] | 7 parts | 0 | |||||||||||
| 29459 | Gerald | Eckert | Creth (Schaft 29.) | 2005 | Zuspiel / Tonband, 6 perf | ≈ 24 | db-cl, tuba, perc, p, va, db [Klarinette, Tuba, Piano, Schlagzeug, Viola, Kontrabass] | 10.12.2005 | Berlin, AdK, Kammerensemble Neue Musik Berlin | 0 | |||||||||
| 37628 | Gerald | Eckert | den angestoßenen Augen der Steine | 2014 | Zuspiel, live-elec, 2 perf | db-cl, vn [Klarinette, Violine] | 0 | ||||||||||||
| 29460 | Gerald | Eckert | … des Säglichen Zeit … | 2003 | Musiktheater, 5 perf | ≈ 15 | 1 actor and Sp, fl, vc, p, perc [Sprecher, Flöte, Piano, Schlagzeug, Cello, Schauspieler] | experimental music theatre | commission of the 17. Dresdner Tage der zeitgenössischen Musik | 05.10.2003 | Dresden, J. Kienberger, ensemble SurPlus | 0 | |||||||
| 19031 | Gerald | Eckert | Diaphane | 1995 | fixed media, akusmatisch | 10:58 | Stereo | Csound | Cybele 960.102/ DegeM CD 02/ | ICEM Essen | 3.12.1995 | AdK Berlin | Competition Musica Nova Prag 1995 | 1 | http://www.Cybele .de/shop/product_info.php?products_id=48 | ||||
| 29461 | Gerald | Eckert | étre disparu | 2012 | fixed media, akusmatisch | 1:00:00 | 21.06.2012 | Eckernförde | 0 | ||||||||||
| 37634 | Gerald | Eckert | être disparu | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 4554 | Gerald | Eckert | In Sich Ohne Ausweg | 1994 | fixed media, akusmatisch | 12:47 | Stereo | software: p p p | ICEM Essen | 31.10.1994 | Folkwanghochschule Essen | 0 | |||||||
| 37630 | Gerald | Eckert | Interception | 2016 | Zuspiel / Tonband, 1 perf | vc [Cello] | 0 | ||||||||||||
| 29462 | Gerald | Eckert | Interferenz I | 2004 | Zuspiel, live-elec, 3 perf | ≈ 21 | fl, vc, e-chin, (elec) [Flöte, Gitarre, Cello] | 03.09.2004 | Eckernförde; Beatrix Wagner, Gerald Eckert, Werner Cee | 0 | |||||||||
| 29463 | Gerald | Eckert | Interferenz II | 2004 | Zuspiel / Tonband, 3 perf | ≈ 6:30 | fl, vc, e-chin [Flöte, Gitarre, Cello] | 22.09.2004 | Hamburg; concert „Globusklänge", Beatrix Wagner, Gerald Eckert, Werner Cee | 0 | |||||||||
| 37627 | Gerald | Eckert | Interferenz III | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 4555 | Gerald | Eckert | Klangräume | 1991 | fixed media, akusmatisch | 5:30 | Stereo | with score | PS C. | 1.7.1993 | Folkwang-Hochschule Essen | 0 | |||||||
| 28618 | Gerald | Eckert | NEN IV | 2004/2011 | fixed media, akusmatisch | 5:12 | Stereo | PS C. | 15.4.2011 | Essen | 0 | ||||||||
| 29465 | Gerald | Eckert | Nen VII | 2007 | Zuspiel, live-elec, 2 perf | 10:29:00 | fl, vc, (elec) [Flöte, Cello] | NEOS 10811/ | 19.05.2007 | Berlin, Zentrale Randlage, ensemble reflexion K | 0 | ||||||||
| 29466 | Gerald | Eckert | Nen X | 2011 | Tanz, live-elec, 2 perf | ≈ 17 | dance, vc, (elec) [Cello, Tanz] | 06.10.2011 | Tosterglope 07.10.2011 Hannover, 09.10.2011 Göttingen, Mikael Honnesseau - dance, Gerald Eckert - vc |
0 | |||||||||
| 23569 | Gerald | Eckert | offen - fin des terres | 2002 | Zuspiel / Tonband, 8 perf | 16:22 | Stereo + Stereo | fl or a-fl or pic-fl, db-cl or cl, b-tpt, 2 perc, p, vn, db, (2 tapes) [Flöte, Klarinette, Trompete, Piano, Schlagzeug, Violine, Kontrabass] | Ensemble Aventure | LDC 278078 Cultures électroniques 17/ col legno WWE 1CD 20 231/ | Experimentalstudio für Akustische Kunst Freiburg | Prix 30. Concours Bourges 2003 | 1 | ||||||
| 26141 | Gerald | Eckert | Prisma - du fond d‘un naufage | 2007 | fixed media, akusmatisch | 2:10 | Stereo | Cybele 960.209/ DegeM CD 09/ | 25.11.2007 | Fockbeck | 1 | ||||||||
| 4557 | Gerald | Eckert | Raumklänge-Klangbilder, Les vestiges d'un clin d'oeuil disparu | 1994 | intermedia | 12:19 | Quadro | electroacoustic music for an installation of own paintings and drawings | ICEM Essen | 18.6.1994 | Dortmand/ Rathaus; festival "Spektakel NRW" | 0 | |||||||
| 29467 | Gerald | Eckert | Sequenzen | 2008 | Performance, live-elec, 2 perf, 2 groups | ≈ 75 | ch, ens, dance, (video), elec [elektronik, Tanz, Ensemble, Chor] | 30.08.2008 | Klein Leppin, Choir Klein Leppin, KNM Berlin Gerald Eckert concept / composition Kathinka Walter choreographie Katja Martin sculptures Ralf Weißleder video Birgit Bockler, Steffen Tast direction of the choir |
0 | |||||||||
| 4553 | Gerald, Thomas, Dirk | Eckert, Neuhaus, Reith | Gesprochenes, abgelöst | 1995 | fixed media, akusmatisch | 12:05 | Octo | from "Klangraum Interaktiv II" | ICEM Essen | 7.10.1995 | Tokyo | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||
| 4556 | Gerald, Thomas, Dirk | Eckert, Neuhaus, Reith | Klangraum Interaktiv II - Publikum | 1995 | Klanginstallation, live-elec, | 14:50 | Octo | text: Bläue, absolut, warst, unumwunden, unüberschaubar, stählern, etc. | ICEM Essen | 1.7.1995 | Gasometer Oberhausen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||
| 37490 | Gerald, Thomas, Dirk | Eckert, Neuhaus, Reith | Klangraum Interaktiv II - Schwebe, Ablösung | 1995 | Klanginstallation, live-elec, | 20:30 | Octo | text: Bläue, absolut, warst, unumwunden, unüberschaubar, stählern, etc. | ICEM Essen | 1.7.1995 | Gasometer Oberhausen | 0 | http://icem.folkwang-hochschule.de/~reith/89DD7858-4508-47DE-8004-B20EE33D058D/Tonband.html | ||||||
| 34598 | John, Katrin | Eckhardt, Bethge | VISUAL BASSIC | live-elec, 2 perf | audiovisuell |
b-gui, perf (light) [Gitarre, Performer] | SMC2016 | 0 | http://www.johneckhardt.de/visualbassic | |||||||||||
| 4558 | Fredrik | Ed | Dino | 1991 | fixed media, akusmatisch | 4:00 | Tomas Caroli | 0 | |||||||||||
| 33018 | Phil | Edelstein | Shrieks and Nuptials | 1977 | live-elec, 2 perf | 10:06:00 | 2 perf [Performer] | Improvisation, Performer – Marsha Harris, Phil Edelstein | OMM 0046, The Kitchen Archives No.4 / Composers Inside Electronics/ | 1 | |||||||||
| 40056 | Mark | Eden | Sound of the Baskervilles | 2017 | fixed media, akusmatisch | Mark Eden | 0 | ||||||||||||
| 4559 | Helmut | Eder | Die Irrfahrten des Odysseus | 1965 | Tanz | Mono | orc [Orchester] | Siemens | 0 | ||||||||||
| 4560 | Ray | Edgar | Flexonica | 1993 | live-elec, | STEIM | 0 | ||||||||||||
| 4561 | Ray | Edgar | Infantum | 1988 | Musiktheater | STEIM | 0 | ||||||||||||
| 22081 | Michael Edward | Edgerton | Wassermann | fixed media, akusmatisch | 10:57 | South western College | 1 | ||||||||||||
| 4562 | Hans | Edler | Drama | 1969 | fixed media, akusmatisch | 5:00 | Stereo | MALP 102 Marilla/ | EMS Stockholm | 0 | |||||||||
| 23718 | Hans | Edler | Far Away | 1971 | fixed media, akusmatisch | 5:09 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23717 | Hans | Edler | I'am looking for Love | 1971 | fixed media, akusmatisch | 2:27 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23727 | Hans | Edler | Lovedust | 1971 | fixed media, akusmatisch | 0:32 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23726 | Hans | Edler | Miscalculation | 1971 | fixed media, akusmatisch | 1:10 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23716 | Hans | Edler | My third Eye | 1971 | fixed media, akusmatisch | 3:03 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23724 | Hans | Edler | Never-ending, Oändlig | 1971 | fixed media, akusmatisch | 3:01 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23730 | Hans | Edler | Ongoing | 1971 | fixed media, akusmatisch | 1:20 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23729 | Hans | Edler | Original Basic | 1971 | fixed media, akusmatisch | 3:07 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23725 | Hans | Edler | Out of the Body | 1971 | fixed media, akusmatisch | 1:55 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23720 | Hans | Edler | Playing with Words | 1971 | fixed media, akusmatisch | 2:59 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23722 | Hans | Edler | Poor Man looking for Food, Fattig man söker efter mat | 1971 | fixed media, akusmatisch | 1:52 | Stereo | BoyWonder 001/ CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm | 1 | |||||||||
| 23721 | Hans | Edler | Romanticism, Romantiken | 1971 | fixed media, akusmatisch | 2:39 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 4563 | Hans | Edler | Souvenir | 1969 | fixed media, akusmatisch | 4:32 | Stereo, Quadro | MALP 102 Marilla/ | EMS Stockholm | 0 | |||||||||
| 23723 | Hans | Edler | Tell me, what is that?, Säg vad är det? | 1971 | fixed media, akusmatisch | 2:34 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23719 | Hans | Edler | We hear a Scream, Vi hör ett skrik | 1971 | fixed media, akusmatisch | 2:46 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 23728 | Hans | Edler | X-1111 | 1971 | fixed media, akusmatisch | 1:22 | Stereo | BoyWonder 001/ | EMS Stockholm | 1 | |||||||||
| 4564 | Mikael | Edlund | Elektronmusik Ombudsnationalen | 1975 | Hintergrundmusik | 5:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4566 | Mikael | Edlund | The lost jugglery | 1974/1977 | Zuspiel/Tonband, 5 perf | intermedia |
17:00 | Mez, 2 perc, p, vc [Mezzo, Piano, Schlagzeug, Cello] | 0 | |||||||||||
| 4565 | Mikael, Pär | Edlund, Lindgren | Terra Nova | 1979 | Theatermusik | EMS Stockholm | 0 | ||||||||||||
| 39414 | Joshua | Edward | Sublimity | 2017 | Zuspiel, live-elec, 3 perf | hn, gui, V [Stimme, Horn, Gitarre] | 0 | ||||||||||||
| 25549 | Michael | Edwards | 24 / 7: freedom friend | 2006 | live-elec, 1 perf | 14:28 | va d’amore [Viola] | Garth Knox (va) | WER 20625/ | ZKM Karlsruhe | 1 | http://www.sumtone.com/composer.php?id=1 | |||||||
| 28216 | Michael | Edwards | 24/7: freedom fried | 2006 | live-elec, 1 perf | 3:00 | va d’amore [Viola] | Organised Sound Vol 14/3/ | ZKM Karlsruhe | 1 | |||||||||
| 43197 | Michael | Edwards | altogether disproportionate | 2012 | live-elec, 1 perf | p [Piano] | Auszeichnung ars electronica honorary mention 2013 | 0 | |||||||||||
| 26523 | Michael | Edwards | anonymous obvious, aka several instrumental structures to annoy ludi | 2000 | fixed media, akusmatisch | 12:54 | Quadro | ZKM Karlsruhe | 2001 | Salzburg | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||
| 18356 | Michael | Edwards | Brownian Motion | 1994 | fixed media, akusmatisch | 12:00 | Stereo | CLM | CCRMA | 1994 | Stanford | 0 | http://www.sumtone.com/composer.php?id=1 | ||||||
| 34686 | Michael | Edwards | Flung me, foot trod | 1995 | Zuspiel / Tonband, 1 perf | 9 | Stereo | a-sax [Saxophon] | CCRMA V 02/ Russolo Pratella EF.ER.P 99/ | CCRMA | Prize Russolo Varese 1999 | 0 | |||||||
| 26526 | Michael | Edwards | for Madga Cordell, if she'll have it | 2007 | live-elec, 1 perf | 10:30-18 | p, (com) [Piano] | ZKM Karlsruhe | Sarah Nicolls | 19.11.2007 | Huddersfield | 0 | http://www.sumtone.com/composer.php?id=1 | ||||||
| 26525 | Michael | Edwards | I believe the highest human achievement can be accomplished with a raging heart | 2006 - 2007 | live-elec, 1 perf | 10:30 | p, (com) [Piano] | ZKM Karlsruhe | ZKM | 13.12.2007 | ZKM Karlsruhe | 0 | http://www.sumtone.com/composer.php?id=1 | ||||||
| 26527 | Michael | Edwards | I wake forced by routine, not curious like the dog | 2007 | live-elec, 1 perf | 15:00 | perc, (com) [Schlagzeug] | ZKM Karlsruhe | ZKM | 13.12.2007 | ZKM Karlsruhe | 0 | http://www.sumtone.com/composer.php?id=1 | ||||||
| 26521 | Michael | Edwards | Redislocations | 1993 | fixed media, akusmatisch | 18:00 | Stereo | CCRMA | 1994 | Stanford | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||
| 26524 | Michael | Edwards | scei I - XVIII, stereo music file for internet download | fixed media, akusmatisch | var | Stereo | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||||||
| 26520 | Michael | Edwards | Sheet Metal Study | 1992 | fixed media, akusmatisch | 7:00 | Stereo | CCRMA | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||||
| 26522 | Michael | Edwards | Thick | 1999 | fixed media, akusmatisch | 11:00 | Quadro | PS C. | 2000 | Havana | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||
| 41804 | Michael, Marco | Edwards, Trevisani | AYANO | live-elec, 2 perf | 7:28 | prep p, perc [Piano, Schlagzeug] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41800 | Michael, Marco | Edwards, Trevisani | BUS ERROR | live-elec, 3 perf | 7:46 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41803 | Michael, Marco | Edwards, Trevisani | DEAD MUTE AND DUMPLINGS | live-elec, 3 perf | 3:34 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41801 | Michael, Marco | Edwards, Trevisani | EINALEM | live-elec, 3 perf | 8:09 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41796 | Michael, Marco | Edwards, Trevisani | ENIRAK | live-elec, 3 perf | 2:28 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41797 | Michael, Marco | Edwards, Trevisani | MACONDO | live-elec, 3 perf | 6 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41799 | Michael, Marco | Edwards, Trevisani | MELU | live-elec, 2 perf | 4:03 | perc, com [Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 41798 | Michael, Marco | Edwards, Trevisani | O CORE DUMPED | live-elec, 3 perf | 5:20 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 18380 | Michael, Marco | Edwards, Trevisani | Segmentation fault beta 1.1 | 1996 | live-elec, 3 perf | prep p, com, perc [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | CCRMA | 0 | http://www.sumtone.com/composer.php?id=1 | |||||||||
| 41802 | Michael, Marco | Edwards, Trevisani | TAMU E MAMEY | live-elec, 3 perf | 4:56 | prep p, perc, com [Piano, Schlagzeug, computer] | SCD 28041 Sargasso/ | 0 | |||||||||||
| 4567 | Ross | Edwards | Music for flute & tape | 1965 | Zuspiel / Tonband, 1 perf | Mono | fl [Flöte] | PS C. | 0 | ||||||||||
| 23374 | Stef | Edwards | Davros | 2002 | Klangkunst, Installation | 5:12 | ARiADA 2003/ | UEA Norwich | 1 | ||||||||||
| 4568 | Michael van | Eekeren | Serial Composition Nr 1 | 1986 | fixed media, akusmatisch | 17:00 | Stereo | Sonology Den Haag | 0 | ||||||||||
| 4569 | Sverre | Eftestøl | Elvene | 1990 | Zuspiel / Tonband, 2 perf | 4:00 | Narrator, p [Piano, Schauspieler] | NOTAM | 0 | ||||||||||
| 33806 | Jon | Egeskov, Pixel | set your center between your parts in order to, Drum Sinus Feeds Lion Matrix |
2006 | fixed media, akusmatisch | 41 | Stereo | 5 parts | r-n 74/ | 1 | |||||||||
| 21954 | Christian | Eggen | Orkesternatt | 1996 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 38943 | Oswald | Egger | Linz und Lunz | 2013 | radiophon | 56 | SWR | 7.3.2013 | SWR2 | Karl-Sczuka-Preis 2013 | 0 | https://de.wikipedia.org/wiki/Karl-Sczuka-Preis | |||||||
| 4570 | Peter A. | Egger | Gehweissnichtwohin-holweissnichtwas | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 4571 | Peter A. | Egger | Hommage a Wien | 1985 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 4572 | Peter A. | Egger | of flying and winning | 1983 | fixed media, akusmatisch | 0 | |||||||||||||
| 4573 | Peter A. | Egger | Of Waiting and Coming | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 4574 | Peter A. | Egger | Sonatra 611 | 1987 | fixed media, akusmatisch | ELAK Wien | 0 | ||||||||||||
| 4575 | Peter A. | Egger | still no rain for anyone | 1981 - 1982 | fixed media, akusmatisch | 0 | |||||||||||||
| 4577 | Peter A. | Egger | Wärmespendende Verlustmöglichkeiten | 1980 | fixed media, akusmatisch | 0 | |||||||||||||
| 4578 | Peter A. | Egger | Z.A.K.O. 6 | 1986 | fixed media, akusmatisch | 7:55 | Stereo | amadeo 427041 Oesterreichische Musik Der Gegenwart: Elektronische Musik 3/ | ELAK Wien | 1 | |||||||||
| 4579 | Peter A. | Egger | Zeitstimmungen- Teil 3 | 1986 | fixed media, akusmatisch | 3:42 | Stereo | ELAK Wien | 0 | ||||||||||
| 4576 | Peter A., Peter, Manfred | Egger, Mechtler, Schu | Theater der Töne | 1984 | Musiktheater | Turbulente Operette in elektroakustischer Manier | 0 | ||||||||||||
| 41845 | Moritz | Eggert | The One Minute Piece That Took Me Ages To Do And Which Is Really Impressive | 2004 | radiophon | 1:00:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 39781 | Fernando | Egido | Cognitive Dissonance | 2016 | fixed media, akusmatisch | Fernando Egido | 0 | ||||||||||||
| 39780 | Fernando | Egido | Homo Homini Lupus | 2017 | fixed media, akusmatisch | Fernando Egido | 0 | ||||||||||||
| 4580 | Robert C. | Ehle | Hypothetical Orbits | 1966 | fixed media, akusmatisch | 4:00 | Stereo | PS C. Dallas | 0 | ||||||||||
| 4581 | Robert C. | Ehle | Spiral of Archimedes | 1966 | fixed media, akusmatisch | 4:00 | Stereo | PS C. Dallas | 0 | ||||||||||
| 4582 | Abel | Ehrlich | arpmusic | 1971 | Zuspiel / Tonband, 10 perf | Bar, mime, 8 ins [Bariton, Instrument, Schauspieler] | 0 | ||||||||||||
| 4583 | Abel | Ehrlich | Music | 1974 | Zuspiel / Tonband, 3 perf | Stereo + Stereo | vn, vc, p [Piano, Cello, Violine] | EM ?? | 0 | ||||||||||
| 4584 | Peter | Ehrnrooth | Le rêve du corniste | 1988 | fixed media, akusmatisch | 11:00 | AMEG - CD 01/ | C&C Annecy | 1 | ||||||||||
| 21893 | Peter | Ehrnrooth | Les sept Chemins perdus | 1998 | fixed media, akusmatisch | 22:40 | IMEB Bourges | 0 | |||||||||||
| 4585 | Peter | Ehrnrooth | Sans titre apparent | 1987 | fixed media, akusmatisch | Stereo | CSMI Genève | 0 | |||||||||||
| 20147 | Peter | Ehrnrooth | Turbulences | fixed media, akusmatisch | 8:20 | Stereo | Collectif & Cie, AMEG CD 02/ | C&C Annecy | 0 | ||||||||||
| 42103 | Günter | Eich | Rebellion in der Goldstadt | 1940 | radiophon | Deutschlandsender (RRG) | 0 | ||||||||||||
| 42105 | Günter, Jo, Philipp, Thomas, Martina, Hans | Eich, Ambros, Schaufelberger, Leboeg, Eisenreich, Schüttler | Träume | 2007 | radiophon | 81:05 | Der Hörverlag 2007/ | NDR | 31.1.2007 | NDR | Hörspiel des Monats Januar 2007 Deutscher Hörbuchpreis 2008 Beste Fiktion (CD-Edition) |
0 | |||||||
| 42104 | Günter, Siegfried | Eich, Franz | Träume | 1951 | radiophon | NWDR | 19.4.1951 | NWDR | Zweiter Preis beim Hörspielpreis der Kriegsblinden 1952 | 0 | |||||||||
| 4586 | Jean | Eichelberger Ivey | 3 Songs of Night | 1963 | Zuspiel / Tonband, 6 perf | S, 5 ins [Sopran, Instrument] | FTS 3349/ | Peabody Con Baltimore | 0 | ||||||||||
| 21806 | Jean | Eichelberger Ivey | Aldebaran | 1963 | Zuspiel / Tonband, 1 perf | va [Viola] | FTS 3349/ | Peabody Con Baltimore | 0 | ||||||||||
| 4587 | Jean | Eichelberger Ivey | Enter three witches | 1964 | fixed media, akusmatisch | 5:35 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 21807 | Jean | Eichelberger Ivey | Hera, Hung from the Sky | 1974 | Zuspiel / Tonband, 1 perf, 1 group | Mez, ens [Mezzo, Ensemble] | text by Carol Kizer | CRI LP 325/ | Peabody Con Baltimore | 0 | |||||||||
| 4588 | Jean | Eichelberger Ivey | Pinball | 1965 | fixed media, akusmatisch | Film |
5:48 | Stereo | film version " Montage V : how to Play Pinball" | FMS 33436/ | Peabody Con Baltimore, Uni Waltham, Brandeis Uni | 1 | ||||||||
| 21808 | Jean | Eichelberger Ivey | Prospero | Zuspiel / Tonband, 3 perf | Quadro | B, hn, perc [Bass, Horn, Schlagzeug] | GSC 1066 Grenadilla/ | Peabody Con Baltimore | 0 | ||||||||||
| 4589 | Jean | Eichelberger Ivey | Terminus | 1963 | fixed media, akusmatisch | FTS 3349/ | Peabody Con Baltimore | 0 | |||||||||||
| 22461 | Daniel | Eideholm | Voice of Eye | 2000 | fixed media, akusmatisch | 7:45 | CD: "a new Generation" at EMS / Eight Times Falling | Elektron EM 1004/ | EMS Stockholm | 1 | |||||||||
| 27696 | Arne | Eigenfeldt | In the light of the above | 1990 | fixed media, akusmatisch | Stereo | SFU | 2nd prize Le Caine Award 1990 | 0 | ||||||||||
| 27695 | Arne | Eigenfeldt | Sands of Sirocco | 1986 | fixed media, akusmatisch | Stereo | SFU | 1, prize Le Caine Award 1991 | 0 | ||||||||||
| 4590 | Arne | Eigenfeldt | Threads | 1987 | live-elec, | 15:00 | Stereo | 0 | |||||||||||
| 34609 | Arne | Eigenfeldt | Unnatural Selection, Mvt 2: Too Much Beauty is Before You | 2014 | live-elec, 1 group | ens [Ensemble] | SMC2016 | 0 | |||||||||||
| 24668 | Arne | Eigenfeldt | Waiting | 1986 | fixed media, akusmatisch | 9:12 | Stereo | CSR 0501/ | SFU | 0 | |||||||||
| 34664 | Arne, Ollie, Ben | Eigenfeldt, Bown, Carey | Musebot Chill-Out Session, A Continuously Running Installation | 2016 | Klangkunst, Installation | ens [Ensemble] | SMC2016, HAW | 0 | |||||||||||
| 33034 | Herbert | Eimert | Elektronische Musik, Einführung in die elektronische Musik. Akustische und theoretische Grundbegriffe. Zur Geschichte und zur Kompositionstechnik | 1963 | Demo, Studie | 39 | WER 60006/ | WDR SEM | 1 | ||||||||||
| 4592 | Herbert | Eimert | Epitaph für Aikichi Kuboyama | 1960 | fixed media, akusmatisch | 22:22 23:20 | Quadro | Komposition für Sprecher und Sprachklänge. Übersetzung der Grabinschrift: Günter Anders. Sprecher: Richard Münch |
WER 60014/ Koch 3-5037-3/ WER 67732/ WER 60006/ Creel Pone 04/ Sound Art - Salon Verlag Köln/ | WDR SEM | 9.7.1962 | Stadthalle Darmstadt, Gastabend WDR zu Ferienkursen für neue Musik | 1 | ||||||
| 4593 | Herbert | Eimert | Etüde über Tongemische | 1953 - 1954 | fixed media, akusmatisch | 4:02 | Mono | DGG 16132/ Museumsverein Düren chez muziek/ IDEAMA CD 001/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | |||||||
| 4594 | Herbert | Eimert | Fünf Stücke, 5 Stücke | 1955 - 1956 | fixed media, akusmatisch | 12:43 | Mono | 02:08 + 02:55 + 03:06 + 02:24 + 02:06 | DGG 16132/ Museumsverein Düren chez muziek/ IDEAMA CD 030/ WER 60006/ DMR 1007-09/ | WDR SEM | 30.5.1956 | "Musik der Zeit" Köln | 1 | ||||||
| 4595 | Herbert | Eimert | Glockenspiel | 1953 | fixed media, akusmatisch | 1:00 | Mono | dedicated to Igor Strawinski | BVHAAST 9106/ Museumsverein Düren chez muziek/ IDEAMA CD 097/ | WDR SEM | 19.10.1954 | "Musik der Zeit" Köln, erstes Tonbandkonzert des NWDR Köln | 1 | ||||||
| 4596 | Herbert | Eimert | Hommage für Rudolf Petzold | 1968 | fixed media, akusmatisch | 1:50 | Mono | HfMT Köln | 0 | ||||||||||
| 4591 | Herbert | Eimert | Sechs Studien, 6 Studien | 1962 | fixed media, akusmatisch | 17:25 | Quadro | entstanden während der Realisation von Epitaph… | WER 60014/ WER 67732/ Creel Pone 04/ | WDR SEM | 4.9.1962 | WDR | 1 | ||||||
| 4597 | Herbert | Eimert | Selektion I | 1959 - 1960 | fixed media, akusmatisch | 10:00 | Quadro | „für vier Lautsprechergruppen“ | PHI 835 485/86/ Mercury SR2 9123/ IDEAMA CD 018/ WER 60006/ | WDR SEM | 18.6.1960 | Köln | 1 | ||||||
| 4598 | Herbert | Eimert | Struktur 8, 2 Versions | 1953 - 1954 | fixed media, akusmatisch | 3:45 | Mono | WER 60006/ IDEAMA CD 030/ | WDR SEM | WDR | ohne Nachweis | 0 | |||||||
| 4599 | Herbert | Eimert | Variante einer Variation von Anton Webern | 1957 | fixed media, akusmatisch | 0:56 | Mono | WER 60006/ IDEAMA CD 113/ | WDR SEM | 12.12.1975 | WDR | 0 | |||||||
| 4600 | Herbert | Eimert | Vier Studien aus 6 Studien | 1962 | fixed media, akusmatisch | 11:30 | Quadro | WDR SEM | 0 | ||||||||||
| 4601 | Herbert | Eimert | Zu Ehren von Igor Strawinsky | 1957 | fixed media, akusmatisch | 1:00 | Mono | ≈ Glockenspiel | IDEAMA CD 001/ | WDR SEM | 4.12.1975 | WDR | 0 | ||||||
| 31996 | Aaron | Einbond | Beside myself | 2008 | live-elec, 1 perf | 6:58:00 | Stereo + Octo, Spazialisation: WFS | va [Viola] | TU Berlin | 1 | 2008 | ||||||||
| 39532 | Aaron | Einbond | Xylography | 2016 | fixed media, akusmatisch | Aaron Einbond | 0 | ||||||||||||
| 4602 | Will | Eisma | Adela I | 1977 | Zuspiel / Tonband, 1 perf | 9:10 | Stereo | ob [Oboe] | PS Five Roses | Donemus | 0 | ||||||||
| 4603 | Will | Eisma | Als een zee binnen mijzelf | 1984 | Zuspiel / Tonband, 1 perf | 11:00 | perc [Schlagzeug] | 0 | |||||||||||
| 4604 | Will | Eisma | An old house in Mulberry Street | 1972 | fixed media, akusmatisch | 14:35 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4605 | Will | Eisma | BTH. 3457 | 1963 | fixed media, akusmatisch | 5:08 | Mono | based on Koenig's Bilthoven course | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | Gaudeamus Bilthoven | 1 | http://thresholdofbeauty.com/music excerpts/BTH 3457 excerpt.mp3 | |||||||
| 4606 | Will | Eisma | Caprichos | 1974 | Zuspiel / Tonband, 1 perf | 9:12 | Stereo | b-cl [Klarinette] | PS Five Roses | Donemus | 0 | ||||||||
| 4607 | Will | Eisma | Collected Papers I | 1972 | live-elec, 1 group | 10:00 | ens [Ensemble] | 0 | |||||||||||
| 4608 | Will | Eisma | Collected Papers II | 1973/1974 | live-elec, 3 perf | 10:00 | ins, perc, synt [Schlagzeug, Instrument, synthesizer] | 0 | |||||||||||
| 4609 | Will | Eisma | Concert à Vapeur | 1974 | Zuspiel, live-elec, 2 perf | 10:00 | Stereo | vn, synt [Violine, synthesizer] | PS Five Roses | 0 | |||||||||
| 4611 | Will | Eisma | De façon primitive ... peutêtre | 1977 | live-elec, 5 perf | 15:00 | 4 ins, synt [Instrument, synthesizer] | 0 | |||||||||||
| 4612 | Will | Eisma | Elaborated Relaxation | 1967 | fixed media, akusmatisch | 7:43 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4613 | Will | Eisma | Five Roses for Diana | 1971 | Zuspiel / Tonband, | 10:00 | Mono | w orc [Orchester] | Sonology Utrecht | 0 | |||||||||
| 4614 | Will | Eisma | Helena is Coming Later | 1975 | live-elec, 5 perf | 12:00 | str-qt, synt [synthesizer, Streicher] | ARP-synt | 0 | ||||||||||
| 4615 | Will | Eisma | Karangan | 1990 | fixed media, akusmatisch | 14:00 | Sweelinck | 0 | |||||||||||
| 4616 | Will | Eisma | Karangan Yang Lain | 1990 | fixed media, akusmatisch | 12:30 | Sweelinck | 0 | |||||||||||
| 4617 | Will | Eisma | Le cheval mort | 1976 | Zuspiel / Tonband, 6 perf | 18:00 | Mez, b-cl, p, perc, 2 synt [Mezzo, Klarinette, Piano, Schlagzeug, synthesizer] | 0 | |||||||||||
| 4618 | Will | Eisma | Le Gibet | 1969 | live-elec, 8 perf | 10:00 | Quadro | V, 7 ins [Stimme, Instrument] | CV 7475/ | 0 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 4619 | Will | Eisma | Le Grand Silence d'un seul Oiseau | 1981 | fixed media, akusmatisch | 14:34 | Stereo | PS Five Roses | 0 | ||||||||||
| 4620 | Will | Eisma | Liwung | 1978 | Zuspiel / Tonband, 1 group | 13:30 | Stereo | gamelan-ens [Ensemble] | PS Five Roses | Donemus | 0 | ||||||||
| 4621 | Will | Eisma | Newsreel, Saturday | 1969 | fixed media, akusmatisch | 12:00 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4622 | Will | Eisma | Newsreel, Sunday | 1969 | fixed media, akusmatisch | 13:31 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4623 | Will | Eisma | Newsreel, Tuesday | 1969 | fixed media, akusmatisch | 9:32 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 4624 | Will | Eisma | Prau las Caglias | 1977 | Zuspiel / Tonband, 1 perf | 8:24 | Stereo | fl [Flöte] | for Vermeulen-flute and el. sounds | PS Five Roses | Donemus | 0 | |||||||
| 4625 | Will | Eisma | Stripped of outer string quotes | 1969 | Zuspiel / Tonband, 1 perf | 13:08 | Quadro | vn [Violine] | Sonology Utrecht | 0 | |||||||||
| 4626 | Will | Eisma | Ten Flutes and Tape | 1973 | Zuspiel / Tonband, 10 perf | 9:22 | Stereo | 10 fl [Flöte] | PS Five Roses | Donemus | 0 | ||||||||
| 4627 | Will | Eisma | Wormeaten Apples | 1978 | fixed media, akusmatisch | 11:35 | Stereo | PS Five Roses | 0 | ||||||||||
| 4610 | Will, Rob | Eisma, du Bois | Cooperational Application | 1965 | Zuspiel / Tonband, 2 perf | 17:30 | Mono | vn, p [Piano, Violine] | CEM Bilthoven | 0 | |||||||||
| 34062 | Peter | Eisold | Borderline Syndrom | 2015 | fixed media, akusmatisch | 7:11:00 | degem CD 13/ | 0 | |||||||||||
| 4628 | Hans | Eklund | Symphony no.4 (Hjalmar Branting in memoriam) | 1973/1974 | Zuspiel / Tonband, 1 perf, 1 group | Sp, orc [Sprecher, Orchester] | 0 | ||||||||||||
| 28334 | Lars | Ekström | Fjättrad | 1991 | Zuspiel / Tonband, | 0 | |||||||||||||
| 22768 | Lars | Ekström | un coup dés … | fixed media, akusmatisch | 1 | ||||||||||||||
| 4629 | Group | El sueño de Hyparco | Cuando X se siente herido | fixed media, akusmatisch | 9:40 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 20056 | Doénado | El Ur | A sensu contrario | 1992 | Tanz | 50:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20054 | Doénado | El Ur | Estudio i para A.S.Co. | 1991 | Tanz | 18:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20057 | Doénado | El Ur | Katanka | 1994 | Tanz | 5:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20055 | Doénado | El Ur | Linea continua | 1991 | audiovisuell | 10:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 35799 | Doénado | El Ur | Obertura De "Fauna" | 1986 | fixed media, akusmatisch | EGK 006/ | PS C. Doénado | 0 | |||||||||||
| 20050 | Doénado | El Ur | Pedicoj en la Arena del Pamir | 1989 | fixed media, akusmatisch | 7:00 | Stereo | Audiovisuals de Sarria 29-1421/ | PS C. Doénado | 0 | |||||||||
| 20053 | Doénado | El Ur | Yné do Zalod | 1991 | fixed media, akusmatisch | 7:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20052 | Doénado | El Ur | Zalody | 1991 | fixed media, akusmatisch | 14:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 20051 | Doénado, Aurelio | El Ur, Martinez | Xestobium rufovillosum | 1990 | fixed media, akusmatisch | 50:00 | Stereo | PS C. Doénado | 0 | ||||||||||
| 4632 | Halim | El-Dabh | Leiyla and the Poet | 1959 | fixed media, akusmatisch | 5:20 | Stereo | one of the first piece of RCA-synzhesizer Mark II | Mainstream MS 6566/ IDEAMA CD 066/ | Col.Princ EMC | 1 | ||||||||
| 40853 | Halim | El-Dabh | Wire Recorder Piece | fixed media, akusmatisch | 2:01 | SR 250 sub rosa/ | 0 | ||||||||||||
| 4630 | Halim, Otto | El-Dabh, Luening | Diffusion of Bells | 1961 | fixed media, akusmatisch | 10:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4631 | Halim, Otto | El-Dabh, Luening | Electronic Fanfare | 1960 | Zuspiel / Tonband, 2 perf | 6:30 | Stereo | perc, rec [Flöte, Schlagzeug] | Without Fear Recordings/ | Col.Princ EMC | 0 | ||||||||
| 4633 | Halim, Otto | El-Dabh, Luening | Percussive Mixtures | 1961 | fixed media, akusmatisch | 8:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 39500 | Sivan | Eldar | You’ll drown, dear | 2017 | live-elec, 1 perf | 8 | V [Stimme] | IRCAM | 20 June 2017 | France, Paris, Le Centquatre, Salle 400, dans le cadre du festival ManiFeste, par Juliette Raffin-Gay, voix ; Aurélie Lemaignen, mise en espace | 0 | http://brahms.ircam.fr/works/work/41243/#program | |||||||
| 19287 | Magnus | Eldénius | Norwegian Fragments | 1994 | Zuspiel / Tonband, 1 perf | 7:22 | vn (Hardanger fiddle) [Violine] | PSCD 91-2 Phono Suecia/ | PS Lindblad | 1 | |||||||||
| 38134 | Sewer | Election | December 3rd | 2011 | live-elec, | 19:32 | iDEAL 103/ | 3.12.2011 | Old American Can Factory, Brooklyn | 0 | |||||||||
| 37215 | Group | Electronic Ensemble of Strasbourg | HAL | 2017 | Performance | 5:00:00 | 2 perf [Performer] | A network-based gestural electronic music performance | HEAR Strasbourg | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | ||||||||
| 4634 | Szilvia | Elek | Ostinato | 1986 | fixed media, akusmatisch | 6:56 | MR Budapest | 0 | |||||||||||
| 35723 | Group, Antonio, Hertz | Elevador, Sánchez, Volta | Sesenta | fixed media, akusmatisch | AMEE 60 Aniversario/ | 0 | |||||||||||||
| 25562 | Ivan | Elezovic | Almost there… | 2001 | fixed media, akusmatisch | 6:30 | JTTP 2005 | CEC Cache 2005, PeP 010/ | winner JTTP 2005 5. prize | 1 | |||||||||
| 25563 | Galen | Elfert | Nebulae | 2005 | fixed media, akusmatisch | 8:00 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 22287 | Leif | Elggren | A hole in the palisade | 1998 | live-elec, | 12:25 | Festival Documentation "Nature is Perverse" | FYCD 1017-1/ | 1 | ||||||||||
| 23572 | Leif | Elggren | M | 2003 | Klangkunst, Installation | 2:05 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | PS | 1 | |||||||||
| 4635 | Leif | Elggren | Överflugen av en gammal kung (Flown over by an old king) | 1988 | Zuspiel / Tonband, 1 perf | 27:50 | Stereo | V [Stimme] | Radium 226.05/ Radium RAFE 044-61/ | EMS Stockholm | Ufa Fabrik Berlin | 0 | |||||||
| 22037 | Leif | Elggren | Pluralis Majestatis | Performance | 56:31 | Sound source =metal bed along with contact microphones, a PA-system and 102 tin-can crowns. Performed in Fylkingen Stockholm. Part of a Trilogy together with "Flown over by an Old King", "Talking to a Dead Queen" |
FER 1010 Firework Edition Records/ | Firework Edition | 1 | ||||||||||
| 19020 | Leif | Elggren | Talking to a Dead Queen | 1994 | live-elec, 1 perf | 63:17 | amp w (Cu-pipe) [Bläser] | FYCD 1008/ | 1 | ||||||||||
| 33877 | Leif | Elggren | The Followers | 1988 | fixed media, akusmatisch | Radium RAFE 044-61/ | EMS Stockholm | 0 | |||||||||||
| 22331 | Leif, Kent | Elggren, Tankred | Sons of God refurnish | 1988 | fixed media, akusmatisch | 9:58 | Elggren & Tankred = Sons of God | Infogram 045/1/ FYDVD 1001/ | 1 | ||||||||||
| 4637 | Leif, Kent | Elggren, Tankred | Warszawa 1 | 1988 | fixed media, akusmatisch | 4:30 | ano kato 020/ | EMS Stockholm | 1 | ||||||||||
| 4636 | Leif, Kent, Carl Michael von | Elggren, Tankred, Hausswolff | Svisch, (och så går det en tid, Föreställning / Guds söner) | 1991 | Musiktheater, 3 perf | 120:00 | 3 actor, (text, sound) [Schauspieler] | 0 | |||||||||||
| 4638 | Lars | Elgstam | Fingerövning för Buchla | 1979 | fixed media, akusmatisch | 3:00 | Quadro | EMS Stockholm | 0 | ||||||||||
| 4639 | Lars, Ola | Elgstam, Hansson | Ode till Moder Jord, eller Avant Kindergarten naturelle | 1980 | fixed media, akusmatisch | 3:55 | Stereo | EMS Stockholm | 0 | ||||||||||
| 26531 | Marios Joannou | Elia | Dialogues Looking for Voices | 2004 | fixed media, akusmatisch | Stereo | SEM Salzburg | 0 | |||||||||||
| 26528 | Marios Joannou | Elia | Eco I - III | 2001 | live-elec, 3 perf | 1 - 3 p [Piano] | SEM Salzburg | 0 | |||||||||||
| 26529 | Marios Joannou | Elia | Fröhliche Weihnachten | 2002 | fixed media, akusmatisch | SEM Salzburg | 0 | ||||||||||||
| 26530 | Marios Joannou | Elia | Game of Chance | 2002 | fixed media, akusmatisch | together with N. J. Elia | SEM Salzburg | 0 | |||||||||||
| 4640 | Isidore | Elias | Faure's Elegy, Pachelbel's Kanon, Gluck's Alceste | fixed media, akusmatisch | CCRMA | 0 | |||||||||||||
| 27176 | Manuel de | Elias | Non Novo Sed Nova, Nothing new but in a new way | 1972 | fixed media, akusmatisch | 6:29 | IRD 002 Irradia/ | ESM Mexico | 0 | ||||||||||
| 19657 | Pedro | Elias | Altane | 1994 | Zuspiel / Tonband, 1 perf | 9:28 | Stereo | fl [Flöte] | LIEM CDMC Madrid | 0 | |||||||||
| 19797 | Pedro | Elias | Deriva 17 | 1995 | fixed media, akusmatisch | Stereo | PS Digimedia | 0 | |||||||||||
| 4692 | Pedro | Elias | Palermo | fixed media, akusmatisch | 30:00 | 0 | |||||||||||||
| 19656 | Pedro | Elias | Situación No. 4: Próxima Estación | 1994 | fixed media, akusmatisch | Stereo | LIEM CDMC Madrid | 0 | |||||||||||
| 19655 | Pedro | Elias | Tinte | 1993 | Zuspiel / Tonband, 1 group | 25:04 | Stereo | ens [Ensemble] | LIEM CDMC Madrid | 0 | |||||||||
| 4641 | Pedro | Elias | Veranda | 1992 | Zuspiel / Tonband, 1 perf | 8:14 | Stereo | V [Stimme] | LIEM CDMC Madrid | 0 | |||||||||
| 4642 | Anders | Eliasson | Anatema | 1972 | fixed media, akusmatisch | 40:06 | EMS Stockholm | 0 | |||||||||||
| 4643 | Anders | Eliasson | Bylåt | 1968 | fixed media, akusmatisch | Hintergrundmusik |
20:29 | Mono | PS Andromeda | 0 | ||||||||||
| 4644 | Anders | Eliasson | Croquis | fixed media, akusmatisch | 6:00 | Mono | PS C. | 0 | |||||||||||
| 4645 | Anders | Eliasson | En saga | 1969 | fixed media, akusmatisch | Hintergrundmusik |
7:50 | Mono | PS Andromeda | 0 | ||||||||||
| 4646 | Anders | Eliasson | I natten alltid resa | 1972 | fixed media, akusmatisch | 13:00 | txtcompo | PS C. | 0 | ||||||||||
| 4647 | Anders | Eliasson | Inför logos | 1973 | Zuspiel / Tonband, 4 perf | 14:00 | 4 V [Stimme] | PS C. | 0 | ||||||||||
| 4648 | Anders | Eliasson | Kvällsmusik | 1970 | fixed media, akusmatisch | 6:00 | Stereo | PS Andromeda | 0 | ||||||||||
| 4649 | Anders | Eliasson | När Orpheus skrek till under jorden | 1968 | fixed media, akusmatisch | Hintergrundmusik |
14:30 | 3 tracks | PS C. | 0 | ||||||||||
| 4650 | Anders | Eliasson | OA | 1970 | fixed media, akusmatisch | 3:40 | Mono | PS C. | 0 | ||||||||||
| 4651 | Anders | Eliasson | Quo vadis | 1973 | Zuspiel / Tonband, 2 perf | 25:00 | S, e-org [Sopran, Keyboard] | PS C. | 0 | ||||||||||
| 34445 | Anton | Eliens | Improvisation | 1974 | fixed media, akusmatisch | Stereo | Study | Sonology Utrecht | 0 | ||||||||||
| 31726 | Sebastian | Elikowski-Winkler | bimbom | 2013 | Zuspiel / Tonband, 1 perf | perc (2 cowbells) [Schlagzeug] | 0 | ||||||||||||
| 31727 | Sebastian | Elikowski-Winkler | De mortuis nil nisi bene, Epitaph für Viola und Zuspiel-CD | 2004 | Zuspiel / Tonband, 1 perf | Stereo | va [Viola] | Edition Plante EPL 1203 | 0 | ||||||||||
| 31728 | Sebastian | Elikowski-Winkler | Epilogus da musica sorabica | 2004 | Zuspiel / Tonband, 3 perf | Stereo | Bar, ob, vn [Bariton, Oboe, Violine] | 0 | |||||||||||
| 31725 | Sebastian | Elikowski-Winkler | Sinfonia (Drei Menschenalter), Variationen ohne Thema klakol dozuk / nachklang |
2010 - 2013 | Zuspiel/Tonband, 1 perf | radiophon |
org [Orgel] | 0 | ||||||||||||
| 4652 | Björn | Elison | Vilande kötthjärta | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 39396 | Jacob | Elkin | Unrequited | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 27916 | Emile | Ellberger | Quatuor sous la pluie | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 4653 | Ulrich | Eller | 18 Horizonte | 1988 | Klangkunst, Installation | ∞ | in Berlin | 0 | |||||||||||
| 4654 | Ulrich | Eller | Alo-a-he double | 1991 | Klangkunst, Installation | ∞ | in Berlin, Hamburg | 0 | |||||||||||
| 4655 | Ulrich | Eller | Am Geräusch entlang | 1992 | Klangkunst, Installation | ∞ | in Bremen | 0 | |||||||||||
| 4656 | Ulrich | Eller | Bewegungen | 1991 | Klangkunst, Installation | ∞ | in Eckernförde | 0 | |||||||||||
| 4657 | Ulrich | Eller | Blüten | 1992 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 4658 | Ulrich | Eller | Dachstuhltrommelmusik | 1989 | Klangkunst, Installation | ∞ | Quadro | in Tønder | 0 | ||||||||||
| 4659 | Ulrich | Eller | Dachtonmusik | 1990 | Klangkunst, Installation | ∞ | Octo | in Quarnstedt | 0 | ||||||||||
| 4660 | Ulrich | Eller | Das Quadrat | 1987 | Klangkunst, Installation | ∞ | Octo | in Eckernförde, Montreal, Berlin, Dublin | 0 | ||||||||||
| 4661 | Ulrich | Eller | Der 12 m Klang | 1987 | Klangkunst, Installation | ∞ | Stereo | in Eckernförde | 0 | ||||||||||
| 4662 | Ulrich | Eller | Die Geräuschemacher (laut) | 1990 | Klangkunst, Installation | ∞ | Mono | in Berlin, Ludwigshaven | 0 | ||||||||||
| 4663 | Ulrich | Eller | Die Geräuschemacher (leise) | 1990 | Klangkunst, Installation | ∞ | 0 | ||||||||||||
| 4664 | Ulrich | Eller | Die Konstruktion des Klangs, "Pendel" | 1988 | Klangkunst, Installation | ∞ | Octo | 16.6.-3.7.1988 | Lichthof TU Berlin | 0 | |||||||||
| 4665 | Ulrich | Eller | Die Kreise | 1988 | Klangkunst, Installation | ∞ | Octo | in Bremen | 0 | ||||||||||
| 4666 | Ulrich | Eller | EllerKlänge am Ort | 1987 | Klangkunst, Installation | ∞ | in Tønder | 0 | |||||||||||
| 4667 | Ulrich | Eller | En bloc | 1990 | Klangkunst, Installation | ∞ | 12 Tracks | in Fellbach, Hamburg | 0 | ||||||||||
| 4668 | Ulrich | Eller | Fensterstück | 1987 | Klangkunst, Installation | ∞ | 6 | documenta 8, Kassel | 0 | ||||||||||
| 4669 | Ulrich | Eller | Geräuschsäule | 1991 | Klangkunst, Installation | ∞ | 20 Tracks | in Hamburg | 0 | ||||||||||
| 19047 | Ulrich | Eller | Im Kreis der Trommeln | 1996 | Klangkunst, Installation | 1:30 | Sonambiente Ausstellung (1996) Katalog S.53 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 4670 | Ulrich | Eller | Kanonenorgelecke | 1987 | Klangkunst, Installation | ∞ | 7 tracks | in Berlin | 0 | ||||||||||
| 4671 | Ulrich | Eller | Konzert im Kreis | 1987 | Klangkunst, Installation | ∞ | Stereo | nemo-Galerie Eckernförde | 0 | ||||||||||
| 4673 | Ulrich | Eller | Linien | 1991 | Klangkunst, Installation | ∞ | in Hamburg | 0 | |||||||||||
| 4674 | Ulrich | Eller | Lochstein | 1991 | Klangkunst, Installation | ∞ | 6 | in Hamburg | 0 | ||||||||||
| 4675 | Ulrich | Eller | Mein kleiner Zengarten | 1989 | Klangkunst, Installation | ∞ | 12 Tracks | in Bremen | 0 | ||||||||||
| 4676 | Ulrich | Eller | Melo Melo | 1991 | Klangkunst, Installation | ∞ | in Mönchengladbach | 0 | |||||||||||
| 4677 | Ulrich | Eller | Membran | 1990 | Klangkunst, Installation | ∞ | 12 Tracks | in Budapest | 0 | ||||||||||
| 4678 | Ulrich | Eller | Mit dem Raum und dazwischen | 1987 | Klangkunst, Installation | ∞ | Künstlerhaus Bethanien Berlin | 0 | |||||||||||
| 4679 | Ulrich | Eller | Oberhalb | 1987 | Klangkunst, Installation | ∞ | Octo | in Mannheim | 0 | ||||||||||
| 34249 | Ulrich | Eller | Perkussion zweier Räume | 1983 | Klangkunst, Installation | 45 | Kassette: 8 Einzelaufnahmen | Gesamtaufnahme | Edition Giannozzo/ | 0 | ||||||||||
| 4680 | Ulrich | Eller | Rondo per terra | 1989 | Klangkunst, Installation | ∞ | 12 Tracks | in Berlin | 0 | ||||||||||
| 4681 | Ulrich | Eller | Schneckengesänge | 1989 | Klangkunst, Installation | ∞ | in Hamburg | 0 | |||||||||||
| 4682 | Ulrich | Eller | Sechs Zwischentöne | 1991 | Klangkunst, Installation | ∞ | in Hamburg | 0 | |||||||||||
| 4683 | Ulrich | Eller | Sehstück | 1989 | Klangkunst, Installation | ∞ | 3 tracks | in Mönchengladbach | 0 | ||||||||||
| 4684 | Ulrich | Eller | Spiralklang | 1988 | Klangkunst, Installation | ∞ | 11 Tracks | in Groningen | 0 | ||||||||||
| 4685 | Ulrich | Eller | Stehpunkt, Sehpunkt,Hörpunkt | 1988 | Klangkunst, Installation | ∞ | Mono | in Berlin, Wewelsfleth | 0 | ||||||||||
| 34725 | Ulrich | Eller | Talking Drums | 2008 | Klangkunst, Installation | 10:08 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 2.5.-13.6.2008 | singuhr hoergalerie Berlin | 0 | |||||||||
| 4686 | Ulrich | Eller | Türstück | 1989 | Klangkunst, Installation | ∞ | Stereo | in Berlin | 0 | ||||||||||
| 4687 | Ulrich | Eller | Über die Gleise | 1988 | Klangkunst, Installation | ∞ | in Berlin | 0 | |||||||||||
| 4688 | Ulrich | Eller | Wandstück | 1991 | Klangkunst, Installation | ∞ | 12 Tracks | in Berlin | 0 | ||||||||||
| 4689 | Ulrich | Eller | Wasserstück | 1991 | Klangkunst, Installation | ∞ | 20 Tracks | in Eckernförde | 0 | ||||||||||
| 4690 | Ulrich | Eller | Zweitonform | 1991 | Klangkunst, Installation | ∞ | Stereo | 0 | |||||||||||
| 4672 | Ulrich, Paul | Eller, Haubrich | Lapidar II | 1993 | intermedia | 56:53 | 2ndFLOOR 002/ | 1 | |||||||||||
| 4691 | Walter | Ellerbrock | Epigramme | 1971 | fixed media, akusmatisch | 0 | |||||||||||||
| 4693 | Merrill | Ellis | Episode | 1967 | live-elec, 2 perf | 6:30 | Stereo | tpt, synt [Trompete, synthesizer] | CEMI Denton | 0 | |||||||||
| 4694 | Merrill | Ellis | Kaleidoscope | 1967 | live-elec, 1 perf, 1 group | 11:00-16:00 | Quadro | orc, synt [synthesizer, Orchester] | CEMI Denton | 0 | |||||||||
| 4695 | Merrill | Ellis | Old Man Ivory | 1967 | fixed media, akusmatisch | 5:15 | Stereo | CEMI Denton | 0 | ||||||||||
| 4696 | Merrill | Ellis | The Eternal Can Can | 1966 | fixed media, akusmatisch | 7:00 | Stereo | CEMI Denton | 0 | ||||||||||
| 4697 | Phil | Ellis | In Time | fixed media, akusmatisch | 0 | ||||||||||||||
| 4698 | Phil | Ellis | Prisoner's Progress | fixed media, akusmatisch | 0 | ||||||||||||||
| 34372 | Barbara | Ellison | Far from Equilibrium | 2009/2016 | fixed media, akusmatisch | 13:07 | Post Scriptum PS 001/ | Sonology Den Haag | 0 | ||||||||||
| 42749 | Travis | Ellrott | In Okinawa (7) | 2012 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 4699 | John | Elmsly | A Taste of Honey | 1978 | fixed media, akusmatisch | 5:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 4700 | John | Elmsly | Dances | 1978 | fixed media, akusmatisch | Tanz |
21:45 | Stereo | rev. version | IPEM Gent | 0 | |||||||||
| 4701 | John | Elmsly | Diamant | 1977 | fixed media, akusmatisch | 11:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 4702 | John | Elmsly | In Search of . . . | 1978 | fixed media, akusmatisch | 5:05 | Stereo | IPEM Gent | 0 | ||||||||||
| 4703 | John | Elmsly | May 's Mantle | 1977 | fixed media, akusmatisch | 11:30 | Stereo | IPEM Gent | 0 | ||||||||||
| 23126 | John | Elmsly | The Voice of Experience | 1999 | Zuspiel / Tonband, 1 perf | 3:08 | p [Piano] | UWMD 1200 New Zealand Sonic Art 2000/ | 1 | ||||||||||
| 4704 | John | Elmsly | Two Meditations | 1977 | fixed media, akusmatisch | 14:55 | Stereo | IPEM Gent | 0 | ||||||||||
| 4705 | John | Elmsly | War Song | 1978 | fixed media, akusmatisch | 4:50 | Stereo | IPEM Gent | 0 | ||||||||||
| 4706 | Christian | Eloy | De vive voix | 1985 | fixed media, akusmatisch | 34:00 | Stereo | INA • GRM | 28.4.1986 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 20148 | Christian | Eloy | Drip sound | 1994 | Zuspiel / Tonband, 1 perf | 17:01 | Stereo | fl [Flöte] | OC 951/ | 0 | |||||||||
| 4707 | Christian | Eloy | Dripping | 1989 | Zuspiel / Tonband, 1 perf | 19:00 | Stereo | fl [Flöte] | INA • GRM | 0 | |||||||||
| 4708 | Christian | Eloy | Elements mecaniques | 1983 | fixed media, akusmatisch | 30:10 | Stereo | INA • GRM | 30.4.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | ||||||||
| 25882 | Christian | Eloy | Ellipse | 2004 | fixed media, akusmatisch | 16:02 | LDC 2781134 Compendium 2004/ LDC 2781137 Compendium 2005/ | IMEB Bourges | 1 | ||||||||||
| 39331 | Christian | Eloy | Fold-in | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 24717 | Christian | Eloy | L’estran | 1995 | fixed media, akusmatisch | 12:00 | Stereo | INA e 5010/ | INA • GRM | 0 | |||||||||
| 28087 | Christian | Eloy | Le Jeu Des Lantemes | 1990 | fixed media, akusmatisch | Collectif & Cie C 03/ | C&C Annecy | 0 | |||||||||||
| 24716 | Christian | Eloy | Musica mundana | 2000 | fixed media, akusmatisch | 30:00 | Stereo | INA e 5010/ | INA • GRM | 0 | |||||||||
| 39668 | Christian, Krunoslav | Eloy, Pticar | Soupir bleu | 2016 | fixed media, akusmatisch | Christian Eloy & Krunoslav Pticar | 0 | ||||||||||||
| 4709 | Jean-Claude | Eloy | Anâhata, Vibration primordiale | 1984 - 1986 | Zuspiel / Tonband, 5 perf | 220:00 | Stereo | 5 mus (2 Sho-Myo-V, Ryûteki, Hichiriki, Shô) [Musiker] | HT 11 - 12 - 13 hors territoired/ | Sweelinck, TU Berlin, ART Genève, INA • GRM | Commande l’Etat à l’initiative du Festival d’Automne | 14.11.1986 | Bordeaux Sigma | 1 | 1992 | http://www.eloyjeanclaude.com/FicheAnahata.html | |||
| 18825 | Jean-Claude | Eloy | Anâhata III | 1984 - 1986 | Zuspiel / Tonband, | 106:00 | Stereo + Stereo + Stereo | 2 mus (Shô / O-Shô, a-Sheng / Sheng-Hwang) [Musiker] | HT 13 hors territoired/ | Sweelinck, TU Berlin | 20.10.1990 | Donaueschingen | 1 | 1992 | http://www.eloyjeanclaude.com | ||||
| 4710 | Jean-Claude | Eloy | Après une lecture d'André Breton … | 1954 | live-elec, 7 perf | ≈ 12:00 | Mono | p, oma, hp, celesta, vib, xyl, perc [Piano, Harfe, Schlagzeug, synthesizer] | 0 | http://www.eloyjeanclaude.com | |||||||||
| 4711 | Jean-Claude | Eloy | Cantate de chambre | 1960 | live-elec, 9 perf | 19:00 | Stereo | S, p, hp, vib, mar, 3 perc, oma [Sopran, Piano, Harfe, Schlagzeug, synthesizer] | 0 | http://www.eloyjeanclaude.com | |||||||||
| 4712 | Jean-Claude | Eloy | Chants pour une ombre | 1961 | live-elec, 7 perf | 18:00 | Mono | S, p, hp, celesta, vib, perc, oma [Sopran, Piano, Harfe, Schlagzeug, synthesizer] | 0 | http://www.eloyjeanclaude.com | |||||||||
| 4713 | Jean-Claude | Eloy | … D'une etoile oubliée, … of a forgotten star | 1986 | fixed media, akusmatisch | 20:35 | Stereo | original this piece was part of Anâhata (part named „Indian-Plates“), later part of "Sappho Hiketis" (written for Fatima Miranda & Yumi Nara); all sounds prerecorded from percussion-ins (samples 1984 with M. Ranta). | HT 14 hors territoired/ | Sweelinck, ART Genève | 1 | http://www.eloyjeanclaude.com | |||||||
| 34818 | Jean-Claude | Eloy | Electro-Anâhata, Métamporphoses du métal l'Oiseau-miroir dans la forêt magique (hommage à Paul Klée) Le roseau, la mer, et les étoiles |
1986 - 1994, 2013 | fixed media, akusmatisch | 154 | Parties électroacoustiques seules de "Anâhata" avec quelques parties inédites | Sweelinck, TU Berlin, ART Genève, INA • GRM | 0 | http://www.eloyjeanclaude.com/FicheElectroAnahata.html | |||||||||
| 34816 | Jean-Claude | Eloy | "États-Limites" ou les cris de Petra, "Borderlines" or Petra's shouts | 2013 | fixed media, akusmatisch | 79:29 | à la mémoire de Petra Mainel-Winkelbach | 24.4.2015 | Cologne, Universität zu Köln Musikwissenschaftliches Institut Raum-Musik, Musiksaal |
0 | |||||||||
| 4714 | Jean-Claude | Eloy | Etude IV, Points Lignes Paysages |
1978/1980 | fixed media, akusmatisch | 21:00 | Mono | Upic. Dédié à lannis Xénakis | HT 14 hors territoired/ | CEMAMu/ Ateliers Upic/ CCMIX, CNET, PS C. | 4.11.1980 | Lille, Festival de musique contemporaineLille | SACEM | 1 | http://www.eloyjeanclaude.com | ||||
| 34819 | Jean-Claude | Eloy | Gaia-Songs, Eileithyia Two American Women |
2015 | Zuspiel / Tonband, 2 perf | 117 | S or Mez, Sp [Sopran, Mezzo, Sprecher] | 9.11.1992 | Paris, Sous le titre "Gaia, Ea..." (version d'origine, environ une heure). Festival d'Automne à Paris Théâtre du Rond Point des Champs Elysées Mezzo soprano : Anne-Lisa Nathan Voix de comédienne : Helena Rüegg projection électroacoustique : Jean-Claude Eloy |
0 | |||||||||
| 4715 | Jean-Claude | Eloy | Gaku-No-Michi, Pachinko Tokyo Fushiki-e Mokuso Bambutsu-no-Ryûdo Kaiso Han |
1977/1978 | fixed media, akusmatisch | ≈ 218:00 | Quadro + Stereo + Stereo | „film without images, for elec and concrete sounds“. digital copies 1994; rev. version1 2001; rev. version2 2006 Music used also for the films „Le Japon insolite“ (F. Reichenbach 1981) and „Enter the void“ (G. Noé 2010) |
Adès 21.005/ HT 01 - 02 - 03 - 04 hors territoired/ hors territoires 2011; ISBN 978-2-919133-01-7/ | NHK Tokyo | 11.1.1979 (complete P) | Salle Wagram together with Festival d’Automne à Paris | 1 | 1992 | http://www.hors-territoires.com/ | ||||
| 27793 | Jean-Claude | Eloy | Galaxies, Chants pour l’autre Moitiè du ciel IV | 1986 - 1994 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
38:00 | Stereo | V [Stimme] | Version Varsovie 38:00 Version Sigma ≈ 60 - 70 |
HT 17-18 hors territoired/ | Sweelinck, TU Berlin | Sigma Festival | 1 | http://www.eloyjeanclaude.com/FicheGalaxies.html | |||||
| 34817 | Jean-Claude | Eloy | l'Anneau des Sept Lumières | 1994 - 1995, 2013 | fixed media, akusmatisch | Tanz |
53:06 | 2 dancer (Butô) [Tanz] | hommage a Inayat et Vilayat Khan | 23.10.2015 | Paris / Issy-les-Moulineaux. Festival "En Chair et en Son", 1ères Rencontres Internationales danse Butô et musique Acousmatique "Le Cube" (Centre de création numérique) Issy-les-Moulineaux (Grand Paris Seine Ouest) Danse Butô : Juju Alishina, Gyohei Zaitsu Projection sonore (acousmonium Motu) : Jean-Claude Eloy 23 Octobre 2015 |
0 | ||||||||
| 29361 | Jean-Claude | Eloy | La grande Vague …, Hommage à Hokusai | 1991 | fixed media, akusmatisch | 10:30 | Stereo | electroacoustic part alone from „She“ (“Gaia-Songs“ - cycle). Original plant as part of Erkos. |
HT 14 hors territoired/ | WDR SEM | 1 | http://www.eloyjeanclaude.com | |||||||
| 4716 | Jean-Claude | Eloy | Libérations, Erkos Butsumyôe Sappho Hikétis |
1989/1991 | Zuspiel, live-elec, 5 perf | 137:00 | 10 Tracks | 2 S, str (satsuma-biwa), V, perc [Sopran, Stimme, Schlagzeug, Streicher] | HT 17-18 hors territoired/ HT 16 hors territoired/ | Sweelinck, WDR SEM | WDR 1991 (Erkos) | 10.5.1991 | Funkhaus WDR Großer Sendesaal, Köln (mit Yunko Ueda) | 1 | 1992 | http://www.eloyjeanclaude.com/FicheButsuSappho.html | |||
| 1992 | |||||||||||||||||||
| 1992 | |||||||||||||||||||
| 4717 | Jean-Claude | Eloy | Poème-Picasso | 1978 | radiophon | 13:00 | Stereo | 0 | http://www.eloyjeanclaude.com | ||||||||||
| 4718 | Jean-Claude | Eloy | Robaia No. 104, de Omar Khayyam | 1959 | live-elec, 2 perf | 6:00 | Mono | S, oma [Sopran, synthesizer] | 0 | http://www.eloyjeanclaude.com | |||||||||
| 4719 | Jean-Claude | Eloy | Shânti, musique de méditation, pour sons électroniques et concrets | 1972/1973 | fixed media, akusmatisch | 104:00 | Quadro + Stereo | Dédié à Karlheinz Stockhausen 2 versions; Revision 2001 (on CD HT 05-06) |
ERA STU 71205/6 LP/ HT 05-06 hors territoired/ Creel Pone 031/ | WDR SEM | WDR 1974 | 24.3.1974 | Royan | 1 | http://www.hors-territoires.com/ | ||||
| 34815 | Jean-Claude | Eloy | The Midnight of the Faith, Le Minuit de la Foi | 2014 | fixed media, akusmatisch | 120:26 | Octo | For electronic and concrete sounds projected octophonically. Around selected sentences by Edith Stein, recorded by German actress Gisela Claudius |
5.5.2015 | Bologne. - Introduction au concert : Leopoldo Siano Festival "Angelica", Centro di Ricerca Musicale, Teatro San Leonardo |
0 | http://www.aaa-angelica.com/aaa/angelica-eloy | |||||||
| 4720 | Jean-Claude | Eloy | YO-IN, musique pour un rituel imaginaire en 4 actes: Aube Midi Crépuscule Nuit |
1980 | Zuspiel / Tonband, 1 perf | ≈ 220:00 | Quadro + Stereo + Stereo + Stereo | perc [Schlagzeug] | Dédié à Frits Weiland | HT 07 - 08 - 09 - 10 hors territoired/ | Sonology Utrecht | 19.11.1980 | Bordeaux Sigma | 1 | 1985 | http://www.eloyjeanclaude.com/FicheYo-In.html | |||
| 27917 | Christoph | Elsaesser | atRANDom | 1998 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 42824 | Thomas | Elsen | A Cry Coated in Destruction | 2013 | fixed media, akusmatisch | 3:40:00 | 0 | ||||||||||||
| 36243 | Paul | Elwood | CUT | 2009 | live-elec, 1 perf | 8:53 | perc [Schlagzeug] | innova 967/ | 0 | ||||||||||
| 40268 | Sune Mattias | Emanuelsson | It took me a long time to learn not to be sad | 2015 | fixed media, akusmatisch | 7:30:00 | Sune Mattias Emanuelsson | 0 | |||||||||||
| 36724 | Samuel | Emde | Embrace I | 2016 | Klangkunst, Installation | audiovisuell |
var | Audio-visual installation, variable dimensions | 0 | |||||||||||
| 39793 | Francisco | Eme | Apparent Movement | 2016 | fixed media, akusmatisch | Francisco Eme | 0 | ||||||||||||
| 39794 | Francisco | Eme | Cuerno de Chivo, Goat’s Horn | 2015 | fixed media, akusmatisch | Francisco Eme | 10.1.2015 | San Francisco Tape Music Festival. Victoria Theater, San Francisco, California | 0 | ||||||||||
| 28484 | Huib | Emmer | Orbit 1 | fixed media, akusmatisch | 3:55 | basta 3093 042 Anthology of dutch Electronic Music 1999-2010/ | 0 | http://huibemmer.com/ | |||||||||||
| 4721 | Simon | Emmerson | Antiphonies | 1992 | Zuspiel / Tonband, 2 perf | Stereo | 2 p [Piano] | ZKM Karlsruhe | 0 | ||||||||||
| 27648 | Simon | Emmerson | Arenas | 2003 | live-elec, 6 perf | 27:24 | p, br-qnt [Piano, Bläser] | SCD 28055 Sargasso, 2007/ | City Uni London | Philip Mead | 6.11.2003 | Warehouse London | 1 | http://www.sargasso.com | |||||
| 4722 | Simon | Emmerson | Chimera | 1980 | Zuspiel, live-elec, 13 perf | 10:00 | Stereo, Quadro | b-trbn, 12 str [Posaune, Streicher] | City Uni London | 0 | http://www.mti.dmu.ac.uk/members-staff.htm | ||||||||
| 4723 | Simon | Emmerson | Come Up with Me | 1975 | Tanz | Uni Durham | 0 | ||||||||||||
| 4724 | Simon | Emmerson | Digswell Tapes I | 1973 | live-elec, 1 perf | 13:30 | perc [Schlagzeug] | City Uni London | 0 | ||||||||||
| 4725 | Simon | Emmerson | Digswell Tapes II | 1974 | live-elec, 1 perf | 12:30 | Kbd [Keyboard] | City Uni London | 0 | ||||||||||
| 27646 | Simon | Emmerson | Fields of Attraction | 1997 | live-elec, 4 perf | 16:41 | str-qt [Streicher] | SCD 28055 Sargasso, 2007/ | City Uni London | Smith Quartet | 1.4.1997 | London | 1 | http://www.sargasso.com | |||||
| 27647 | Simon | Emmerson | Five Spaces | 1999 | live-elec, 1 perf | 16:41 | e-vc [Cello] | 5-strring elec vc | SCD 28055 Sargasso, 2007/ | City Uni London | Philip Sheppard | 11.1999 | Huddersfield | 1 | http://www.sargasso.com | ||||
| 27667 | Simon | Emmerson | Frictions | 1999 - 2000 | fixed media, akusmatisch | 13:49 | MTI CD 001/2 Bouquet Of Sounds/ | INA • GRM | INA GRM | 1.4.1999 | Maison de Radio-France, Paris | 1 | http://www.mti.dmu.ac.uk/ | ||||||
| 27603 | Simon | Emmerson | Memory Machine | 2009/2010 | Klangkunst, Installation | 12:00 | Spazialisation: WFS | Concert installation, multi-channel electroacoustic sound | , TU Berlin | Inventionen 2010 | 27.7.2010 | Inventionen TU-Hauptgebäude WellenFeld Berlin | 1 | 2010 | http://www.mti.dmu.ac.uk/membersdetail/emmerson/research.htm | ||||
| 4726 | Simon | Emmerson | Ophelia's Dream I | 1978 | Zuspiel, live-elec, 4 perf | 8:20 | 4 V [Stimme] | City Uni London | 0 | ||||||||||
| 4727 | Simon | Emmerson | Ophelia's Dream II | 1979 | Zuspiel, live-elec, 6 perf | 10:40 | 6 V [Stimme] | Hyperion A66060/ CCD 1056 Continuum Records / | City Uni London | 0 | |||||||||
| 4728 | Simon | Emmerson | Pathways | 1988/1989 | Zuspiel, live-elec, 5 perf | 21:00 | fl, vc, 2 str, (sitar, tabla,) Kbd [Flöte, Keyboard, Cello, Streicher] | SCD 28060 Sargasso, 2008/ | City Uni London | Shiva Nova | 1989 | Almeida Theatre Series | 1 | http://www.sargasso.com | |||||
| 4729 | Simon | Emmerson | Piano Piece I | 1971 | live-elec, 1 perf | 4:30 | p [Piano] | City Uni London | 0 | ||||||||||
| 4730 | Simon | Emmerson | Piano Piece II | 1971/1972 | live-elec, 1 perf | 6:00 | p [Piano] | City Uni London | 0 | ||||||||||
| 4731 | Simon | Emmerson | Piano Piece III | 1974/1975 | live-elec, 1 perf | 10:40 | p [Piano] | City Uni London | 0 | ||||||||||
| 4732 | Simon | Emmerson | Piano Piece IV | 1985 | Zuspiel / Tonband, 1 perf | 13:40 | Stereo | p [Piano] | CCD 1056 Continuum Records / | City Uni London | 0 | ||||||||
| 18470 | Simon | Emmerson | Points of continuation | 1997 | fixed media, akusmatisch | 10:40 | Stereo | SCD 28060 Sargasso, 2008/ | IMEB Bourges | GMEB Bourges | 1997 | Syntheses Festival Bourges | 1 | http://www.sargasso.com | |||||
| 27649 | Simon | Emmerson | Points of departure | 1993 | live-elec, 1 perf | 9:46 | Stereo | hpd [Cembalo] | SCD 28060 Sargasso, 2008/ | City Uni London | Jane Chapman | 27.8.1993 | Dartington | 1 | http://www.sargasso.com | ||||
| 27650 | Simon | Emmerson | Points of return | 1998 | live-elec, 1 perf | 11:48 | Stereo | str (kayagum) [Streicher] | SCD 28060 Sargasso, 2008/ | City Uni London | Inok Paek | 11.3.1998 | Northampton | 1 | http://www.sargasso.com | ||||
| 4733 | Simon | Emmerson | Recollections | 1985/1986 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | T [Tenor] | CCD 1056 Continuum Records / | City Uni London | 0 | ||||||||
| 4734 | Simon | Emmerson | Reflections | 1987/1988 | Zuspiel, live-elec, 5 perf | 16:00 | tpt, cl, s-sax, perc, p [Klarinette, Saxophon, Trompete, Piano, Schlagzeug] | City Uni London | 0 | ||||||||||
| 40250 | Simon | Emmerson | Resonances | 2016 | fixed media, akusmatisch | Simon Emmerson | Uni De Montfort | 0 | |||||||||||
| 4735 | Simon | Emmerson | Sentences | 1990/1991 | live-elec, 1 perf | 12:39 | S [Sopran] | 4 parts | SCD 28055 Sargasso, 2007/ | City Uni London | Nicola Walker | 1 | http://www.sargasso.com | ||||||
| 4736 | Simon | Emmerson | Shades (of night and day) | 1989 | Zuspiel, live-elec, 1 perf | 20:00 | p [Piano] | CCD 1056 Continuum Records / | City Uni London | 0 | |||||||||
| 4737 | Simon | Emmerson | Shakespeare Fragments | 1978 | live-elec, 4 perf | 14:30 | fl, tuba, p, S [Sopran, Flöte, Tuba, Piano] | City Uni London | 0 | ||||||||||
| 4738 | Simon | Emmerson | Songs from Time Regained | 1987/1988 | Zuspiel, live-elec, 1 perf, 1 group | 13:00 | S, ens [Sopran, Ensemble] | CCD 1056 Continuum Records / | City Uni London | 0 | |||||||||
| 4739 | Simon | Emmerson | Spirit of '76 | 1976 | Zuspiel, live-elec, 1 perf | 11:00 | fl [Flöte] | (Delay) | City Uni London | 0 | |||||||||
| 27651 | Simon | Emmerson | Time - Space | 2001 | live-elec, 2 perf | 7:53 | Stereo | fl, hpd [Flöte, Cembalo] | in memoriam Iannis Xenakis | SCD 28060 Sargasso, 2008/ | City Uni London | 05.2001 | Sonorities Festival Belfast | 1 | http://www.sargasso.com | ||||
| 4740 | Simon | Emmerson | Time Past I | 1981 | Zuspiel, live-elec, 1 perf | 14:30 | Stereo | db [Kontrabass] | City Uni London | 0 | |||||||||
| 4741 | Simon | Emmerson | Time Past II | 1982 | Zuspiel, live-elec, 3 perf | 8:00 | Stereo, Quadro | fl, vc, p [Flöte, Piano, Cello] | City Uni London | 0 | |||||||||
| 4742 | Simon | Emmerson | Time Past III | 1984 | fixed media, akusmatisch | 13:30 | Stereo | City Uni London | 0 | ||||||||||
| 4743 | Simon | Emmerson | Time Past IV | 1984 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | S [Sopran] | CCD 1056 Continuum Records / LDC 278074/75 Cultures Electroniques 15/ | City Uni London | 1st Prize Bourges 1985 | 0 | |||||||
| 4744 | Simon | Emmerson | Time-Dream / Dream-Time | 1986 | Tanz | 17:00 | Stereo, Quadro | City Uni London | 0 | ||||||||||
| 4745 | Simon | Emmerson | Windbreak | 1985 | Zuspiel / Tonband, 1 perf | 11:50 | Stereo | tpt [Trompete] | City Uni London | 0 | |||||||||
| 4746 | Group | EMS | Fireworks I | 1972 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 4747 | Group | EMS | Fireworks II | 1972 | fixed media, akusmatisch | Stereo | EMS_London | 0 | |||||||||||
| 21000 | Miguel Angel | Encabo | Meditaciones entorno a Africa y Europa | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 4748 | Jose Ramón | Encinar | Tukuna | 1991 | Zuspiel / Tonband, 1 perf | 5:30 | Stereo | cl [Klarinette] | LIEM CDMC Madrid | 0 | |||||||||
| 4749 | Joachim | Ender | Junction | 1974 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 39440 | Mariko | Endo | Sparks fragments | 2017 | live-elec, 1 perf | vc, (com) [Cello] | 0 | ||||||||||||
| 21955 | Sidsel | Endresen | Music for "Lady from the Sea" | 1996 | Tanz | NOTAM | 0 | ||||||||||||
| 4750 | Tom | Endrich | Time Span | fixed media, akusmatisch | 0 | ||||||||||||||
| 4751 | Tom | Endrich | Visitation | 1971 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 42604 | Mark | Engebretson | SaxMax | 2009 | live-elec, 1 perf | 10 | sax [Saxophon] | 0 | |||||||||||
| 4752 | Hans Ulrich | Engelmann | Cadenza | 1961 | Zuspiel / Tonband, 1 perf | 9:15 | Stereo | p [Piano] | PS C. Darmstadt | 0 | |||||||||
| 4753 | Hans Ulrich | Engelmann | Capriccio elettronico | 1972 | fixed media, akusmatisch | HfM Frankfurt | 0 | ||||||||||||
| 4754 | Hans Ulrich | Engelmann | Coincidentials | 1971 | Tanz | für Stadttheater Heidelberg | HfM Frankfurt | 0 | |||||||||||
| 4755 | Hans Ulrich | Engelmann | Commedia humana op. 42 | 1971/1972 | Zuspiel, live-elec, 1 perf, 1 group | intermedia |
25:00 | ch, vc, slides [Cello, Chor] | HfM Frankfurt | 0 | ||||||||||
| 4756 | Hans Ulrich | Engelmann | Der Fall von Damm op. 30 | 1966 - 1967 | radiophon | 57:00 | Hörfunkoper, after M. Kutter | WDR SEM | WDR 1968 | 0 | |||||||||
| 4757 | Hans Ulrich | Engelmann | Durch die Wolken | 1965 | Theatermusik | 20:00 | Stereo | PS C. | 0 | ||||||||||
| 4758 | Hans Ulrich | Engelmann | Fragmente | 1971 | live-elec, 2 perf | p, synt [Piano, synthesizer] | 0 | ||||||||||||
| 4759 | Hans Ulrich | Engelmann | Lamento di Tristano | 1973 | Zuspiel / Tonband, 1 group | ens [Ensemble] | HfM Frankfurt | 0 | |||||||||||
| 4760 | Hans Ulrich | Engelmann | Manifest vom Menschen | 1966 | Zuspiel / Tonband, 1 perf, 2 groups | 60:00 | Mono | V, ch, orc [Stimme, Chor, Orchester] | PS C. Darmstadt | 0 | |||||||||
| 4761 | Hans Ulrich | Engelmann | Modelle op. 29 | 1970 | live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 4762 | Hans Ulrich | Engelmann | Ophelia 69, op. 36 | 1969 | Zuspiel / Tonband, 1 perf, 3 groups | Vs, ch, ens [Stimme, Ensemble, Chor] | PS C. Darmstadt | 0 | |||||||||||
| 4764 | Hans Ulrich | Engelmann | Timbres op. 27 | 1963 | Zuspiel / Tonband, 4 perf | 9:00 | 4 ins [Instrument] | PS C. Darmstadt | 0 | ||||||||||
| 4765 | Hans Ulrich | Engelmann | Traumspiel | 1964 | Theatermusik | 20:00 | Stereo | PS C. Darmstadt | 0 | ||||||||||
| 4766 | Hans Ulrich | Engelmann | Trias | 1962 | Zuspiel / Tonband, 1 perf, 1 group | 22:00 | Stereo | p, orc [Piano, Orchester] | part is "Cadenza" | PS C. Darmstadt | 0 | ||||||||
| 4763 | Hans Ulrich, Martin, Clemens | Engelmann, Kürschner, Müller-Hornbach | Sprachgeburt (elektronisch) - Kategorischer Imperativ | 1978 | fixed media, akusmatisch | zum Kant-Jahr; txtcompo | HfM Frankfurt | 0 | |||||||||||
| 4767 | Giuseppe Giorgio | Englert | 'babel' | 1981 - 1982 | Zuspiel / Tonband, 1 group | orc [Orchester] | Synclavier | GAIV Paris | l'Association Musiciens Suisses | 0 | |||||||||
| 4768 | Giuseppe Giorgio | Englert | Basilico | 1988 | live-elec, | 18:00 | PS GERM Paris | 0 | |||||||||||
| 4769 | Giuseppe Giorgio | Englert | Des Pêches | 1978 | live-elec, 1 perf | synt [synthesizer] | Synclavier | CICM Paris | 0 | ||||||||||
| 4770 | Giuseppe Giorgio | Englert | Dodeca | 1989 | live-elec, | 14:00 | PS GERM Paris | 0 | |||||||||||
| 4771 | Giuseppe Giorgio | Englert | Ecorces | 1982 | Zuspiel / Tonband, 5 perf | cl, t-sax, hn, vn, vc [Klarinette, Saxophon, Horn, Cello, Violine] | Synclavier | GAIV Paris | 0 | ||||||||||
| 4772 | Giuseppe Giorgio | Englert | Fragola | 1975 | Zuspiel, live-elec, 2 perf | 20:00 | 2 synt [synthesizer] | CICM Paris | 0 | ||||||||||
| 4773 | Giuseppe Giorgio | Englert | Girolles et autres champignons | 1977/1978 | Zuspiel / Tonband, 1 perf, 1 group | synts, (com) [synthesizer] | CICM Paris | 0 | |||||||||||
| 4774 | Giuseppe Giorgio | Englert | Gz50 | 1979 | fixed media, akusmatisch | M. barbara pro Organo, Synclavier | GAIV Paris | 0 | |||||||||||
| 4775 | Giuseppe Giorgio | Englert | July 68 | 1968 | fixed media, akusmatisch | 38:38 | Quadro | CICM Paris | 0 | ||||||||||
| 4776 | Giuseppe Giorgio | Englert | Juralpyroc... | 1978 | fixed media, akusmatisch | Synclavier | GAIV Paris | 0 | |||||||||||
| 4777 | Giuseppe Giorgio | Englert | Juralpyroc... (rev. 81) | 1978/1981 | live-elec, 1 perf | synt [synthesizer] | Synclavier | Gallo 30- 380/ | CICM Paris | 0 | |||||||||
| 4778 | Giuseppe Giorgio | Englert | La vigie | 1981 | Zuspiel / Tonband, 1 perf | hn [Horn] | QUATUOR 'S' ; Synclavier | GAIV Paris | 0 | ||||||||||
| 4779 | Giuseppe Giorgio | Englert | Les dits d’Amenhotep XIX | 1980 | fixed media, akusmatisch | 19:00 | Synclavier | CICM Paris | 0 | ||||||||||
| 4780 | Giuseppe Giorgio | Englert | Maquillage | 1967/1971 | Musiktheater, 1 perf | 50:00 | V [Stimme] | CICM Paris | 0 | ||||||||||
| 4781 | Giuseppe Giorgio | Englert | "Miss Filena pal at her Keyboard - A Portait" | 1975 | live-elec, 10 perf | 30:00 | 10 ins [Instrument] | GAIV Paris, SUNY Albany | 0 | ||||||||||
| 4782 | Giuseppe Giorgio | Englert | Model 's' | 1980 - 1984 | fixed media, akusmatisch | a project, Synclavier | GAIV Paris | 0 | |||||||||||
| 4783 | Giuseppe Giorgio | Englert | Mot 76/1 | 1976 | fixed media, akusmatisch | 21:00 | (version de FRAGOLA) | GAIV Paris | 0 | ||||||||||
| 4784 | Giuseppe Giorgio | Englert | Mutations ocre-violet | 1980/1982 | live-elec, 1 perf | 30:00 | synt [synthesizer] | Synclavier | CICM Paris | 0 | |||||||||
| 4785 | Giuseppe Giorgio | Englert | Pour un archet | 1970 | live-elec, 1 perf | 5:30 | vn or va [Viola, Violine] | CICM Paris | 0 | ||||||||||
| 4786 | Giuseppe Giorgio | Englert | Quatuor 's' | 1978 - 1979 | fixed media, akusmatisch | 20:00 | Synclavier | GAIV Paris | 0 | ||||||||||
| 4787 | Giuseppe Giorgio | Englert | Récit et aria | 1967 | Tanz | 21:00 | 0 | ||||||||||||
| 4788 | Giuseppe Giorgio | Englert | Serenade Automatique I | 1975 | live-elec, 1 perf | (com), synt [synthesizer] | pour deux VCS3 et DEC-COMPUTERLAB | GAIV Paris | 0 | ||||||||||
| 4789 | Giuseppe Giorgio | Englert | Serenade Automatique II | 1975 | live-elec, 1 perf | (com), synt [synthesizer] | pour deux VCS3 et INTEL8 | GAIV Paris | 0 | ||||||||||
| 4790 | Giuseppe Giorgio | Englert | Soft Games | 1976 | fixed media, akusmatisch | GAIV Paris, SUNY Albany | 0 | ||||||||||||
| 4791 | Giuseppe Giorgio | Englert | Sopra la Girolmetta | 1991 | live-elec, 1 perf | 24:00 | Stereo | synt (pour Macintosh Plus et Synthésituers) [synthesizer] | CTS-P 49/ | PS GERM Paris | 0 | ||||||||
| 4792 | Giuseppe Giorgio | Englert | Suite Ocre | 1980 - 1987 | fixed media, akusmatisch | 4 excerpts of MODEL 'S'; Synclavier | GAIV Paris, SCCM | government | 0 | http://www.computermusic.ch/ | |||||||||
| 4793 | Giuseppe Giorgio | Englert | Sur fond ocre une silhouette noire | 1981 | live-elec, 1 perf | 25:00 | synt [synthesizer] | Synclavier | CICM Paris | 0 | |||||||||
| 4794 | Giuseppe Giorgio | Englert | Synthèse 70 | 1970 | live-elec, | 12:00-18:00 | CICM Paris | 0 | |||||||||||
| 4796 | Giuseppe Giorgio | Englert | "The Mohawk Eveningsong - Painting By Goya" | 1975 | fixed media, akusmatisch | 68:00 | GAIV Paris, SUNY Albany | 0 | |||||||||||
| 4797 | Giuseppe Giorgio | Englert | Three Pieces of Music | 1976 | fixed media, akusmatisch | 9:00 | Stereo | SUNY Albany | 0 | ||||||||||
| 4798 | Giuseppe Giorgio | Englert | Trinsin-funpol | 1980 | Zuspiel / Tonband, 5 perf | 5 ins [Instrument] | Synclavier | GAIV Paris | 0 | ||||||||||
| 4795 | Giuseppe Giorgio, Gilbert | Englert, Dalmasso | Synthèse 70/74 | 1974 | live-elec, 2 perf | 15:00 | 2 synt [synthesizer] | VCS-3 | CICM Paris | 0 | |||||||||
| 36483 | Lawrence | English | Before That Tower Lies | 2007 | radiophon | 3:44:00 | and 26/ | 0 | |||||||||||
| 19044 | Brian | Eno | Generative Roomscape 1 | 1996 | Klangkunst, Installation | 1:31 | Sonambiente Ausstellung (1996) Katalog S.55 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 4799 | Brian | Eno | Music for airports, Ambient 1 | 1978 | Klangkunst, Installation | Ambient 1 | EGED 17/ AMB 001/ | 1 | |||||||||||
| 21553 | Brian | Eno | Unfamiliar Wind (Leeks Hills) | 1978 - 1982 | fixed media, akusmatisch | 5:21 | Ellipsis Arts 3693 - OHM: 03/ | 0 | |||||||||||
| 19596 | José Tomás | Enriquez | Transmutaciones | 1987 | fixed media, akusmatisch | 10:16 | Stereo | GME Cuenca | 0 | ||||||||||
| 4800 | Manuel | Enriquez | Conjuro | 1977 | Zuspiel / Tonband, 1 perf | db [Kontrabass] | CIRM Paris | Turetzky | 0 | ||||||||||
| 4801 | Manuel | Enriquez | Contravox | 1976 | Zuspiel / Tonband, 2 perf, 1 group | mixed ch, 2 perc [Schlagzeug, Chor] | tape part as "Móvil" | CIRM Paris | 0 | ||||||||||
| 4802 | Manuel | Enriquez | DIPTICO I | 1979 | Zuspiel / Tonband, 2 perf | 6:10 | Stereo | fl, p [Flöte, Piano] | SME Krakow | 0 | |||||||||
| 4803 | Manuel | Enriquez | El canto de los volcanes | 1977 | Tanz | after a painting by R. Martinez | CIRM Paris | 0 | |||||||||||
| 4804 | Manuel | Enriquez | La reunion de los saurios | 1971 | fixed media, akusmatisch | Col.Princ EMC | 0 | 1984 | |||||||||||
| 4805 | Manuel | Enriquez | Laser I | 1972 | fixed media, akusmatisch | 0 | |||||||||||||
| 4806 | Manuel | Enriquez | Misa prehistorica | 1986 | fixed media, akusmatisch | Tanz, live-elec, 2 perf |
Stereo | dancer, Sp, (lights) [Sprecher, Tanz] | with a sculpture by F. Silva. Part 1 is for tape alone (5:00) |
IRD 002 Irradia/ | 0 | |||||||||
| 4807 | Manuel | Enriquez | Mixtura | 1974 | Musiktheater, live-elec, 5 perf | actor, 4 mus, (elec) [Musiker, Schauspieler] | 0 | ||||||||||||
| 4808 | Manuel | Enriquez | Mobil II | 1969 | Zuspiel / Tonband, 1 perf | 8:00 | db [Kontrabass] | Col.Princ EMC | 1 | ||||||||||
| 4809 | Manuel | Enriquez | Musica para Federico Silva | 1974 | fixed media, akusmatisch | for a sculpture by F. Silva | 0 | ||||||||||||
| 4810 | Manuel | Enriquez | Poliptico | 1977 | Tanz, live-elec, 1 perf | dancer, (visuell effects) [Tanz] | 0 | ||||||||||||
| 4811 | Manuel | Enriquez | Trauma | 1974 | Musiktheater, 2 perf | mus, dancer, (VTR) [Musiker, Tanz] | 0 | ||||||||||||
| 34093 | Manuel | Enriquez | Viols | 1972 | Zuspiel / Tonband, 1 perf | 7:51 | vn [Violine] | IRD 002 Irradia/ | Col.Princ EMC | 0 | |||||||||
| 27582 | Rolf | Enström | Asylen, Asylum | 1992 | fixed & Dias | 17:02 | Stereo | Bildspel; Images: Thomas Hellsing; 9 slide-projectors | PS C. | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 4812 | Rolf | Enström | Brottstycke | 1981 | fixed media, akusmatisch | 76:18 | Stereo | EMS Stockholm | 0 | http://web.telia.com/~u87403540/ | |||||||||
| 25883 | Rolf | Enström | Charm | 1996 | fixed media, akusmatisch | 7:20 | 5 tracks | CAP 21650/ | EMS Stockholm, PS C. | 1996 | Fylkingen Stockholm | 1 | http://web.telia.com/~u87403540/ | ||||||
| 27587 | Rolf | Enström | Cyphers | 2009 | audiovisuell | 8:40 | Surround 5.1 | Music & Film for HDTV | PS | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 4814 | Rolf | Enström | Dagbrott | 1983 | fixed media, akusmatisch | 8:10 | Stereo | PSCD 41 Phono Suecia/ | EMS Stockholm | 1 | 2010 | http://web.telia.com/~u87403540/ | |||||||
| 4815 | Rolf | Enström | Directions | 1979 | fixed media, akusmatisch | 7:20 | Stereo | http://www.enström.se/ | CAP 21374/ CAP 3019/ | EMS Stockholm | 1 | 1982 2008 | http://web.telia.com/~u87403540/ | ||||||
| 25884 | Rolf | Enström | down: | 2001 | fixed media, akusmatisch | 12:11 | 5 tracks | CAP 21650/ | PS | 1 | http://web.telia.com/~u87403540/ | ||||||||
| 25474 | Rolf | Enström | Ebb | 2002 | Zuspiel / Tonband, 1 perf | 3:46 | 5 tracks | a-sax [Saxophon] | Jörgen Pettersson (a-sax) Ebb is made of two seven-beat bars mixed together. |
PSSACD 153 Phono Suecia/ | PS | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4816 | Rolf | Enström | Faser-Skeenden | 1975 | fixed media, akusmatisch | 9:00 | Stereo | PS C. | 0 | http://web.telia.com/~u87403540/ | |||||||||
| 4818 | Rolf | Enström | Fractal | 1984 | fixed & Dias | 23:00 | Stereo | Bildspel; Photography: Thomas Hellsing; with 10 slide projector | ed. rz 3003 LP/ ed. RZ 3007 „Inventionen“/ ed. RZ 3/ ed. RZ 3006 „Musik für mehr als einen Lautsprecher“/ | EMS Stockholm | Rikskonserter: National Bureau for Concerts in Sweden 1983 | 14.2.1984 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1984 | http://web.telia.com/~u87403540/ | |||
| 18906 | Rolf | Enström | I Is, Spegel, In Ice, Mirror | 1993 | fixed media, akusmatisch | 22:50 | spacial sound, prozessed voices | FYCD 1006/ | PS | SR | 1993 | "Cosmonova" / Stockholm Electronic Music festival | Auszeichnung ars electronica 1995 | 1 | http://web.telia.com/~u87403540/ | ||||
| 22340 | Rolf | Enström | Io | 1996 | fixed & Dias | 17:04 | Bildspel; Images: Thomas Hellsing | Infogram 045/2/ | Rikskonserter | 1996 | Elektronmusikfestival 1996 Stockholm | 1 | 2002 | http://web.telia.com/~u87403540/ | |||||
| 25471 | Rolf | Enström | Kairos | 1999 | radiophon | 16:30 | 5 tracks | electroacoustic Music / Drama | PSSACD 153 Phono Suecia/ | PS | Sveriges Radio P2 | 1 | http://web.telia.com/~u87403540/ | ||||||
| 25472 | Rolf | Enström | Kronos | 2000 | Zuspiel / Tonband, 5 perf | 12:33 | 5 tracks | 5 V [Stimme] | Fragments from William Shakespeare Sonnett No. 53 Texts by Vesaas, Shakespeare. Reader: Jonstoij, Salomonsson. |
PSSACD 153 Phono Suecia/ | PS | vokalensemblen "Purifive" & Svenska Rikskonserter | 1 | http://web.telia.com/~u87403540/ | |||||
| 4820 | Rolf | Enström | Luftskalle, Luftreflex (Vacuum Head - Reflex in Air) | 1987 | fixed & Dias | 13:15 | Bildspel; slides by Thomas Hellsing | EMS Stockholm | 1 | http://web.telia.com/~u87403540/ | |||||||||
| 4821 | Rolf | Enström | Makten | 1979 | Klangkunst, Installation | 31:00 | Quadro + Quadro | Sculpture M. | EMS Stockholm | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 27588 | Rolf | Enström | Membranduo | 2009 | fixed media, akusmatisch | 8:15 | Surround 5.1 | PS | 0 | http://web.telia.com/~u87403540/ | |||||||||
| 4823 | Rolf | Enström | Myr | 1978 | fixed & Dias | 22:30 | Stereo, 3 tracks, Quadro | Bildspel with 10 slide projectors | EMS Stockholm | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 27586 | Rolf | Enström | Noden, the Node | 2008 | fixed media, akusmatisch | 18:00 | Surround 5.1 | PS | 1 | http://web.telia.com/~u87403540/ | |||||||||
| 25476 | Rolf | Enström | Observatoriemusik | 2003 | fixed media, akusmatisch | 16:18 | 5 tracks | Conway's Game of Live (Algorithm used in Observatoriemusik) | PSSACD 153 Phono Suecia/ | PS | Stockholm Observatory and Concerts Sweden | 2003 | Observatoriemuseet, Stockholm | 1 | http://web.telia.com/~u87403540/ | ||||
| 25885 | Rolf | Enström | October the first …, Figurin Strata Chasma |
2007 | fixed media, akusmatisch | 28:40 | Surround 5.1 | Västernorrlands Landsting | 1 | http://web.telia.com/~u87403540/ | |||||||||
| 27583 | Rolf | Enström | Open Widew | 1997 | Zuspiel / Tonband, 2 perf, 1 group | 12:00 | p, drums [Piano, Schlagzeug] | PS C. | ensemble Cikada | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 27585 | Rolf | Enström | Plastfilm | 2008 | audiovisuell | 2:40 | Surround 5.1 | Music & Film for HDTV | PS | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 21082 | Rolf | Enström | Rama | 1998 | Zuspiel / Tonband, 1 group | 15:00 | ch [Chor] | Lyrics: Shakespeare Sonett No.123 | PSSACD 153 Phono Suecia/ | PS C. | Swedish Concert Institut & The Stockholm Motet Choir | 17.10.1998 | Stockholm Cathedral | 1 | http://web.telia.com/~u87403540/ | ||||
| 4825 | Rolf | Enström | Rhama - Uhlu | 1973 | fixed media, akusmatisch | 8:15 | Stereo | EMS Stockholm | 0 | http://web.telia.com/~u87403540/ | |||||||||
| 25473 | Rolf | Enström | Saxplock | 2001 | Zuspiel / Tonband, 1 perf | 6:00 | 5 tracks | b-sax [Saxophon] | Jörgen Pettersson (b-sax) | PSSACD 153 Phono Suecia/ | PS | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4826 | Rolf | Enström | Sekvens i Blått, sequence in blue | 1978 | fixed media, akusmatisch | 9:10 | Stereo | FYLP 1031/ CAP 21470 "Bits and Pieces / EMS 30 Years"/ | EMS Stockholm | 1 | http://web.telia.com/~u87403540/ | ||||||||
| 27584 | Rolf | Enström | Signs | 2007 | audiovisuell | 6:00 | Surround 5.1 | Music & Film for HDTV | PS | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 4827 | Rolf | Enström | Skisser från Berlin, Skizzen aus Berlin | 1992 | fixed media, akusmatisch | 15:40 | Stereo | TU Berlin | 3.2.92 | Inventionen Akademie der Künste Berlin | 1 | 1992 | http://web.telia.com/~u87403540/ | ||||||
| 4828 | Rolf | Enström | Slutförbannelser, Final Curses | 1981 | fixed media, akusmatisch | 34:24 | Stereo | Text. Elsa Grave. Musicdramatic work | CAP 21374/ | EMS Stockholm | SR (Swedish Radio) | 1 | http://web.telia.com/~u87403540/ | ||||||
| 25886 | Rolf | Enström | Spin | 1995 | fixed media, akusmatisch | 7:20 | 5 tracks | CAP 21650/ | PS | 1995 | UEA Norwich | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4829 | Rolf | Enström | Sprickbildningar | 1979 | Klangkunst, Installation | 22:00 | Quadro + Quadro | Sculpture M. | PS C. | 0 | http://web.telia.com/~u87403540/ | ||||||||
| 25887 | Rolf | Enström | Strange | 1997 | fixed media, akusmatisch | 7:20 | 5 tracks | CAP 21650/ | PS | 1998 | Skinnskatteberg | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4830 | Rolf | Enström | The Dulcimer Report | 1992 | Zuspiel, live-elec, 2 perf | 11:00 | p, synt, (com) [Piano, synthesizer] | MAX | PS C. | Inventionen / DAAD | 3.2.1992 | Inventionen Akademie der Künste Berlin, Kenneth Karlson, Hilde Torgersen | 1 | 1992 | http://web.telia.com/~u87403540/ | ||||
| 25475 | Rolf | Enström | Tide | 2002 | Zuspiel / Tonband, 1 perf | 2:22 | 5 tracks | s-sax [Saxophon] | Jörgen Pettersson (s-sax) | PSSACD 153 Phono Suecia/ | PS | 1 | http://web.telia.com/~u87403540/ | ||||||
| 4831 | Rolf | Enström | Tjidtjag och Tjidtjagaise | 1987 | fixed media, akusmatisch | 21:11 | Stereo | using „joik“-technique. | CAP 21374/ INFOGRAM 009/ CAP 21385/ | EMS Stockholm | SR (Swedish Radio) | 1st price Prix Italia 1987 | 1 | http://web.telia.com/~u87403540/ | |||||
| 4832 | Rolf | Enström | TNT, Tonal Nagual Tsentzaks |
1986 | fixed media, akusmatisch | 21:00 | Octo | FYLP 1031/ | Ems Stockholm | 1 | http://web.telia.com/~u87403540/ | ||||||||
| 22363 | Rolf | Enström | Up! | 1999 | fixed media, akusmatisch | 15:30 | CSCD 00027 Media Artes + Chamber Sound/ CAP 21650/ | PS | Växjö elektronmusikfestival | 1 | http://web.telia.com/~u87403540/ | ||||||||
| 27581 | Rolf | Enström | Vigil | 1994 | Zuspiel, live-elec, 2 perf | 13:45 | sax, synt (synthophone) [Saxophon, synthesizer] | ISPW | Swedish National Concert Institute | 1994 | Stockholm Electronic Music Festival | 0 | http://web.telia.com/~u87403540/ | ||||||
| 40303 | Tyler | Entelisano | Brake | 2017 | fixed media, akusmatisch | Stereo | Tyler Entelisano | 0 | |||||||||||
| 33155 | Peter | Eötvös | Atlantis, Part I 12'24“ Part II 14'14“ Part III 13'32“ |
1995 | live-elec, 4 perf, 1 group | 40:00:00 | boy-S, Bar, cymbalom, synt, orc [Sopran, Bariton, synthesizer, Streicher, Orchester] | for boy soprano, baritone, cimbalom, virtual choir (synthesizer) and orchestra, with texts by Sandor Weöres | WJ 2006 polmic 020/ | Ricordi & Co., München | 1 | ||||||||
| 4833 | Peter | Eötvös | Az ember tragédiája | 1964 | Theatermusik | 4:00 | Mono | Qualiton Budapest | 0 | ||||||||||
| 4834 | Peter | Eötvös | Cricket music, Tücsökzeme | 1970 | fixed media, akusmatisch | 5:03 | natural sounds | HUN SLPX 12602/ Creel Pone 057/ | Hungaroton | 1 | |||||||||
| 4840 | Peter | Eötvös | Elektrochronik | 1974 | live-elec, 2 perf | 23:50 28:20 | Stereo, 6 | 2 e-org [Keyboard] | ist Band für "Intervalles–Interieurs" | WDR SEM | WDR 1974 | ohne Nachweis | 0 | ||||||
| 4835 | Peter | Eötvös | Endless Eight – Apeiron musikon | 1988/1989 | live-elec, 11 perf, 2 groups | 8 V, 2 ch, 2 perc, synt [Stimme, Schlagzeug, synthesizer, Chor] | MIDI | 0 | |||||||||||
| 4836 | Peter | Eötvös | Feuermusik | 1972 | fixed media, akusmatisch | 10:00 | Feedback 25 Jahre/ Feedback Studio Köln CD 2/ | Feedback St, St Öldorf | Feedback | 1 | |||||||||
| 4837 | Peter | Eötvös | Igézet, Bezauberung | 1963 | Film | 20:00 | Quadro | MAFILM Budapest | 0 | ||||||||||
| 4838 | Peter | Eötvös | Intervalles–Interieurs | 1981 | Zuspiel / Tonband, 5 perf | 28:27 | Stereo | cl, trbn, vn, vc, perc [Klarinette, Posaune, Schlagzeug, Cello, Violine] | Tonband = „Elektrochronik“ | ERA ECD 75554/ | WDR SEM | 21.3.1983 | La Rochelle | 0 | |||||
| 4839 | Peter | Eötvös | "Jetzt, Miss!", "Now, Miss!" | 1972 | Zuspiel, live-elec, 3 perf | ≈ 20:00 | vn, synt, (rm), org [Orgel, Violine, synthesizer] | Feedback | 0 | ||||||||||
| 4841 | Peter | Eötvös | Mese, Märchen / Tale | 1968 | radiophon | 12:34 21:00 | 3 tracks | 2. Version 12'34 (LP HUN SLPX 11851). Stimme: Piroska Molnar. Klangspiel aus ungarischen Märchentexten |
HUN SLPX 11851/ BMC 038/ IDEAMA CD 010/ Creel Pone 03/ | WDR SEM | WDR 1968 | 2.9.1968 | Darmstadt | Feedback | 1 | ||||
| 4842 | Peter | Eötvös | Serenade, eine Balkonszene | 1994 | Zuspiel, live-elec, 3 perf | vn, euphonium, db [Horn, Violine, Kontrabass] | MIDI | 0 | |||||||||||
| 4843 | Peter | Eötvös | The Silver Tassie | 1961 | Theatermusik | 11:00 | Mono | Theater Budapest | 0 | ||||||||||
| 35005 | Peter | Eötvös | The SIRENS CYCLE | 2016 | live-elec, 5 perf | str-qt, Koloratur-S [Sopran, Streicher] | IRCAM | Wigmore Hall, Tonhalle-Ges. Zürich, Alte Oper FRankfurt, CNDM Madrid, IRCAM, SWR | 15.10.2016 | Donaueschinger Musiktage, Donauhallen, Calderquartett, IRCAM, Audrey Luna (S) | 0 | ||||||||
| 40313 | Vincent J. | Eoppolo | Dr. Heidegger’s Experiment and Reflexivity | 2017 | fixed media, akusmatisch | Vincent J. Eoppolo | 0 | ||||||||||||
| 4844 | Bruno | Epstein | Essay I | 1956 | fixed media, akusmatisch | Mono | PS C. Göteborg | 0 | |||||||||||
| 4845 | Bruno | Epstein | Essay II | 1957 | fixed media, akusmatisch | Mono | PS C. Göteborg | 0 | |||||||||||
| 4846 | Bruno | Epstein | Essay III | 1957 | fixed media, akusmatisch | 3:50 | Mono | PAS, 57357-8/ | PS C. Göteborg | 0 | |||||||||
| 4847 | Bruno | Epstein | Essay IV | 1957 | fixed media, akusmatisch | 1:55 | Mono | PAS, 57357-8/ | PS C. Göteborg | 0 | |||||||||
| 4848 | Paul | Epstein | Tonegroups #1, 2 | 1965 | fixed media, akusmatisch | 10:00 | Stereo | Uni Waltham | 0 | ||||||||||
| 22364 | Group | EQT | Ruine | 1996 - 1997 | Klangkunst, Installation | 11:12 | Stereo | Gruppe "EQT": David Sanchez, Andreas Lubich (Lupo), Caroline Ilgner, Claudia Franke, Bernd Wegener. Geplant für die Kindertagesstätte Kulturbrauerei Berlin Prenzlauer Berg (1996) |
TU Berlin | 1 | |||||||||
| 4849 | Donald | Erb | In no strange land | Zuspiel / Tonband, 2 perf, 1 group | trbn, db, ens [Posaune, Kontrabass, Ensemble] | nonesuch H 71223/ | 0 | ||||||||||||
| 4850 | Donald | Erb | Reconnaissance | 1967 | Zuspiel / Tonband, 2 perf, 1 group | 8:00 | Stereo | trbn, db, ens [Posaune, Kontrabass, Ensemble] | nonesuch H 71223/ | PS IEMC Trumanburg | 0 | ||||||||
| 4851 | Donald | Erb | Reticulation | 1965 | Zuspiel / Tonband, 1 group | 5:00 | Stereo | band [Ensemble] | CIT Cleveland | 0 | |||||||||
| 4852 | Donald | Erb | Stargazing | 1965 | Zuspiel / Tonband, 1 group | 3:00 | Stereo | band [Ensemble] | CIT Cleveland | 0 | |||||||||
| 4853 | Walther | Erbacher | Eidos op. 9, Wunschkonzert für Herrn K. (...) op. 9 | 1970 | live-elec, 1 group | ≈ 45 | ens [Ensemble] | Opus: 9 EIDOS (1967/70) für Ensemble, Zweiseitenbandmodulator, Regler und Filter - ehem. Musikverlag Gotthard F. Döring, jetzt Erbacher Musikverlag – Dauer unbestimmt (ca. 45’) - zurückgezogen dafür: Wunschkonzert für Herrn K. (...) - Erbacher Musikverlag |
Erbacher Musikverlag | 0 | |||||||||
| 4854 | Walther | Erbacher | Modul op. 12 | 1974 | live-elec, 4 perf | V, fl, vn, vc [Stimme, Flöte, Cello, Violine] | 0 | ||||||||||||
| 4855 | Tom | Erbe | After A Day | 1991 | fixed media, akusmatisch | 4:32 | Centaur CRC 2195, CDCM Vol. 17/ | CCM Mills | 1 | ||||||||||
| 42770 | Tom, John | Erbe, Cage | Williams Mix | 1952, 2012 | fixed media, akusmatisch | 4:15:00 | Octo | 1 | |||||||||||
| 34242 | Josef | Erben | Klang Auswägen | 1985 | Klangkunst, Installation | 45 | Edition Giannozzo/ | 0 | |||||||||||
| 37654 | Sabine | Ercklentz | Jardin d’ocre | Performance, live-elec, 1 perf | 10 | tpt [Trompete] | 0 | ||||||||||||
| 28569 | Sabine | Ercklentz | stündlich | 2006 | Klanginstallation, 4 perf | 14:44 | 2 Ins, V, acc [Stimme, Akkordeon, Instrument] | Für das Haus Witten | WD 2006, Wittener Tage Für Neue Kammermusik 2006/ | Kompositionsauftrag der Stadt Witten | 2006 | Wittener Tage für neue Kammermusik 2006 mit Les femmes savantes. | 1 | ||||||
| 28565 | Sabine, Andrea | Ercklentz, Neumann | Ortlaut, Kammermusik für vier Lautsprecher und zwei Instrumente | 2004 | live-elec, | 9:45 | Quadro | WD 2004, Wittener Tage Für Neue Kammermusik 2004/ | Auftrag der Stadt Witten | 2004 | Wittener Tage für neue Kammermusik 2004 mit S. Ercklentz (tpt & elec), A. Neuman (Innenklavier, elec) | 1 | |||||||
| 43176 | Sabine, Andrea | Ercklentz, Neumann | Videobrücke Berlin–Stockholm (5 punkt 1) | 2008 | Netzmusik | EMS Stockholm | EMS | 17.1.2008 | Stockholm | Auszeichnung ars electronica honorary mention 2008 | 0 | ||||||||
| 32814 | Anja | Erdmann | Impulse - Prepared Sound Room | 2013 | Klangkunst, Installation | SEAM Weimar | 0 | https://anjaerdmann.wordpress.com/portfolio/raumsucher/ | |||||||||||
| 32816 | Anja | Erdmann | Klang-Bild-Raum | 2009 | Klangkunst, Installation | ∞ | SEAM Weimar | 0 | https://anjaerdmann.wordpress.com/portfolio/raumsucher/ | ||||||||||
| 32813 | Anja | Erdmann | Raumsucher | 2014 | Klangkunst, Installation | ∞ | Stereo | soundinstallation after Moholy Nagy Licht-/ Klanginstrumentarium |
SEAM Weimar | 0 | https://anjaerdmann.wordpress.com/portfolio/raumsucher/ | ||||||||
| 32815 | Anja, Maxie | Erdmann, Götze | Luftikus | 2010/2012 | Klangkunst, Installation | ∞ | Installation with moving fans | SEAM Weimar | 0 | https://anjaerdmann.wordpress.com/portfolio/raumsucher/ | |||||||||
| 4856 | Helmut W. | Erdmann | Duo V | 1975 | live-elec, 2 perf | fl, synt [Flöte, synthesizer] | 0 | ||||||||||||
| 4857 | Helmut W. | Erdmann | Meditation | 1971 | Zuspiel / Tonband, 3 perf | Stereo | fl, vn, p [Flöte, Piano, Violine] | 0 | |||||||||||
| 4858 | Helmut W. | Erdmann | Sounding Pictures I und II | 1974 | Zuspiel / Tonband, 5 perf | Stereo | V, fl, sax, clvd, p [Stimme, Flöte, Saxophon, Piano, Cembalo] | 0 | |||||||||||
| 4859 | Helmut W. | Erdmann | Transfiguration III | 1983 | live-elec, 1 perf | fl [Flöte] | 1 | 1985 | |||||||||||
| 42223 | Cevdet | Erek | Radiophonic Spaces | 2018 | radiophon | 54:30 | DeutschlandRadio | 21.11.2018 | Deutschlandradio Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4955553&vi=105&SID | ||||||||
| 21956 | Sven | Erga | Armod og avmakt (music for museum installation | 1997 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 21957 | Sven | Erga | Hvileskjær | 1994 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 9513 | Lin | Erh | Shomyo | 1964 | Zuspiel / Tonband, 2 perf | 12:00 | Stereo | vn, perc [Schlagzeug, Violine] | EMS UIUC | 0 | |||||||||
| 4860 | Zoran | Eric | Subito | 1985 | Zuspiel / Tonband, 2 perf, 1 group | Stereo | 2 B, fem ch [Bass, Chor] | Radio Beograd | 0 | ||||||||||
| 4861 | Kim | Erickson | Singles | 1981 | fixed media, akusmatisch | 9:30 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 4862 | Robert | Erickson | Piece for Bells and Toy Pianos | 1965 | fixed media, akusmatisch | 20:00 | Stereo | SanFran Tape M. C. | 0 | ||||||||||
| 4863 | Robert | Erickson | Ricercar a 3 & a 5 | 1966 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo + Stereo | trbn [Posaune] | SanFran Tape M. C. | 0 | |||||||||
| 4864 | Robert | Erickson | Roddy | 1967 | fixed media, akusmatisch | 6:30 | Stereo | CCM Mills | 0 | ||||||||||
| 38537 | Stephen | ERICKSON | Dancing River – Crying Dragon | 2006 | radiophon | 49:40:00 | 0 | ||||||||||||
| 38538 | Stephen | ERICKSON | Rainforest – 24 hours | 1998 | radiophon | 49:17:00 | 0 | ||||||||||||
| 4865 | Hans-Ola | Ericsson | Inferno | 1978/1981 | Zuspiel / Tonband, 1 group | Stereo | orc [Orchester] | EMS Stockholm | 0 | ||||||||||
| 4866 | Hans-Ola | Ericsson | J' écris ton nom… | 1980 | live-elec, 3 perf | Tanz |
Quadro + Quadro | perc, 2 org [Orgel, Schlagzeug] | perc also dancing | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 4867 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend I | 1982/1983 | Zuspiel / Tonband, 1 perf | 9:54 | Stereo | amp gui [Gitarre] | PSCD 19 Phono Suecia/ | EMS Stockholm | 1 | ||||||||
| 4868 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend II | 1982/1983 | Zuspiel / Tonband, 1 perf | 28:36 | Stereo | amp vc [Cello] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4869 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend III | 1982/1983 | Zuspiel / Tonband, 1 perf | 7:58 | Stereo | amp ob [Oboe] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4870 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend IV | 1982/1983 | Zuspiel / Tonband, 1 perf | 19:53 | Stereo | amp p [Piano] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4871 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend V | 1983 | Zuspiel / Tonband, 1 perf | 7:27 | Stereo | amp fl [Flöte] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4872 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend VI | 1984 | Zuspiel / Tonband, 1 perf | 13:40 | Stereo | amp vn [Violine] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4873 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend VII | 1984 | Zuspiel / Tonband, 1 perf | 19:53 | Stereo | amp prep perc [Schlagzeug] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4874 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend X | 1982/1985 | Zuspiel / Tonband, 7 perf | 41:06 | Stereo | gui, vc, ob, p, fl, vn, perc [Flöte, Oboe, Piano, Gitarre, Schlagzeug, Cello, Violine] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | EMS Stockholm | 0 | ||||||||
| 4875 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend XII | 1985 | Zuspiel / Tonband, 1 perf | 10:08 | org [Orgel] | PSCD 31 Phono Suecia/ | 1 | ||||||||||
| 4876 | Hans-Ola | Ericsson | Melody to the Memory of a Lost Friend XIII | 1995 | Zuspiel / Tonband, 1 perf | org [Orgel] | PSCD 31 Phono Suecia/ PSCD 19 Phono Suecia/ | 1 | 1996 | ||||||||||
| 4877 | Karolina | Eriksdottir | Adagio | 1994 | fixed media, akusmatisch | 9:54 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4878 | Åke | Erikson | Dialoger | 1971 | fixed media, akusmatisch | 10:20 | Stereo | 3 parts (2:30 + 2:30 + 5:20) | EMS Stockholm | 0 | |||||||||
| 4879 | Åke | Erikson | En jord, en ny himmel. En tidsbetraktelse | 1980 | Zuspiel, live-elec, 4 perf, 1 group | 23:00 | Stereo | ch, Sp, 2 org, perc [Sprecher, Orgel, Schlagzeug, Chor] | 0 | ||||||||||
| 4881 | Åke | Erikson | Music for fls and live- electronics | 1974 | live-elec, 1 perf | 15:00 | Stereo | fl [Flöte] | for Robert Aitken | 0 | |||||||||
| 4882 | Åke | Erikson | Spel | 1974 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | inss [Instrument] | 0 | |||||||||||
| 4880 | Åke, Göran | Erikson, Holm | Före och efter…(before and after) | 1969 | fixed media, akusmatisch | 12:45 | Stereo | 0 | |||||||||||
| 23581 | Anna | Eriksson | Shimmering Black. In Sonne Light Shimmering Violet | 2003 | Klangkunst, Installation | 4:50 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 35587 | Gabriel | Erkoreka | Eresi | 1997 | Zuspiel / Tonband, 1 perf | 5:30 | pic-fl [Flöte] | 25.2.1997 | Casa del Cordón (Vitoria); Pedro Basterra | 0 | |||||||||
| 35588 | Gabriel | Erkoreka | Estudio | 1993 | fixed media, akusmatisch | 0 | |||||||||||||
| 35694 | Gabriel | Erkoreka | Mystik | 1993 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 35589 | Gabriel | Erkoreka | Rio Asubio | 1994 | fixed media, akusmatisch | 8 | 0 | ||||||||||||
| 4883 | Thomas | Erlandson | En bit musik | 1993 | fixed media, akusmatisch | 5:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4884 | Thomas | Erlandson | Liten Etyd | 1993 | fixed media, akusmatisch | 1:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4885 | Thomas | Erlandson | Meine Kleine Mozart | 1992 | fixed media, akusmatisch | 3:40 | Stereo | EMS Stockholm | 0 | ||||||||||
| 4886 | Thomas | Erlandson | Out of now-here | 1992 | fixed media, akusmatisch | 7:10 | Stereo | EMS Stockholm | 0 | ||||||||||
| 38539 | Veit | ERLMANN | Glücksmaschinen | 2011 | radiophon | 36:41:00 | 0 | ||||||||||||
| 4887 | Bengt | Ernryd | …as sounded by a tape recorder | 1967 | fixed media, akusmatisch | 12:40 | Mono | EMS Stockholm | SR (Swedish Radio) | 0 | |||||||||
| 4888 | Bengt | Ernryd | Baltutlämningen | 1970 | Film | ≈ 45:00 | Mono | 0 | |||||||||||
| 4889 | Bengt | Ernryd | Lågtryck | 1968 | Tanz | 15:55 | Mono | choreoTyyneTalvo | 0 | ||||||||||
| 42252 | Lukas | Ernst | 29 | 1990 | live-elec, | Animal Art aa 010/ | 0 | ||||||||||||
| 42250 | Lukas | Ernst | Interaktion No1 | 1990 | audiovisuell | Animal Art aa 010/ | 0 | ||||||||||||
| 42251 | Lukas | Ernst | Pseudo | 1990 | live-elec, | Animal Art aa 010/ | 0 | ||||||||||||
| 39983 | Kevin | Ernste | Nisi, island | 2015 | live-elec, 1 perf | 13:00:00 | hn [Horn] | Kevin Ernste | 0 | ||||||||||
| 38540 | Christina | ERTL-SHIRLEY | Das Pflanzenorchester | 2013 | radiophon | 54:10:00 | 0 | ||||||||||||
| 4890 | Alejandro | Esbri | Fusiones | 1988 | Tanz | ESM Mexico | 0 | ||||||||||||
| 4891 | Alejandro | Esbri | Preludio al fin de los tiempos | 1988 | fixed media, akusmatisch | ESM Mexico | 0 | ||||||||||||
| 4892 | Alejandro | Esbri | Rayueliana | 1989 | fixed media, akusmatisch | ESM Mexico | 0 | ||||||||||||
| 20973 | Ricardo | Escallón | Concierto para Flauta Virtual | 1998 - 1999 | fixed media, akusmatisch | 20:00 | Stereo | Physical Modelling of the flute by Cynthia Lawson | PS | 1 | |||||||||
| 20974 | Ricardo | Escallón | Gracias! Dalia | 1996 | fixed media, akusmatisch | 7:50 | Stereo | Elak Wien | Absolute Musik Allensteig | 1 | |||||||||
| 20975 | Ricardo | Escallón | Kartenspiel | 1996 | fixed media, akusmatisch | 5:43 | Stereo | Elak Wien | 1 | ||||||||||
| 41661 | Mirtru | Escalona-Mijares | Ecoute s'il a plu | 2005 | fixed media, akusmatisch | 15:25:00 | MR 2016 Métamorphoses 2016/ | First Prize at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | ||||||||||
| 35399 | Mirtru | Escalona-Mijares | L'ermitage au toit de chaume | 2014 - 2015 | fixed media, akusmatisch | 15:25:00 | Stereo | MR 2016 Métamorphoses 2016/ | INA • GRM | Ina-GRM | First Prize at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||
| 41662 | Mirtru | Escalona-Mijares | Matière 3.1 | 2001 | fixed media, akusmatisch | 15:25:00 | MR 2016 Métamorphoses 2016/ | First Prize at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | ||||||||||
| 41663 | Mirtru | Escalona-Mijares | Sanawbar | 2015 | fixed media, akusmatisch | 15:25:00 | MR 2016 Métamorphoses 2016/ | First Prize at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | ||||||||||
| 36420 | Mirtru | Escalona-Mijares | Sur Le Chemin De La Brume | 2009 | fixed media, akusmatisch | 13:56 | CONV 60/ | 0 | |||||||||||
| 40932 | Rudolf | Escher | Summer Rites at Noon, Third Symphony | 1960 | Zuspiel / Tonband, 2 groups | Quadro | 2 orc [Orchester] | not finished! | STEM Utrecht | Amsterdam City council | 0 | ||||||||
| 4893 | Rudolf | Escher | The long Christmas Dinner | 1960 | Fernsehen, | 6:15 | play by Thornton Wilder. Serial technique |
CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | TH Delft | AVRO | 1 | http://thresholdofbeauty.com/music excerpts/The Long Christmas Dinner excerpt.mp3 | |||||||
| 4894 | Maria | Escribano | Solar | 1992 | Zuspiel / Tonband, 1 perf | 8:30 | Stereo | p [Piano] | LIEM CDMC Madrid | 0 | |||||||||
| 39956 | Juan | Escudero | Variations on the bird and the snow | 2015 | fixed media, akusmatisch | 9:30:00 | Juan Escudero | 0 | |||||||||||
| 21078 | Juan Garcia | Escudero | estudio del tiempo eluminado | 1997 | fixed media, akusmatisch | 7:14 | LIEM CDMC Madrid | 1 | |||||||||||
| 39418 | Juan Garcia | Escudero | Landschaften der Vergangenheit | 2017 | audiovisuell | 0 | |||||||||||||
| 42263 | Óscar | Escudero | POV, Point of View | 2018 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | Giga-Hertz-Produktions-Preis 2018 | 0 | |||||||||||
| 27177 | Alejandro | Escuer | Octum | 2001 | Zuspiel / Tonband, 1 perf | 6:34 | Octo | fl [Flöte] | 0 | ||||||||||
| 23937 | Marcelo | Espindola | Hoy es 16 | 2004 | fixed media, akusmatisch | 8:02 | Octubre 2004. IV Festival de música electroacústica Ai-Maako. Santiago, Chile. | Pueblo Nuevo PN.CD.001/ | 0 | ||||||||||
| 27386 | Diego, Henry, Juan | Espinosa, Vega, Parra | The Electronic Hammer | 2007 | live-elec, 3 perf | 4:34 | perc, 2 com [Schlagzeug, computer] | The Electronic Hammer (perc: Diego Espinosa, computer: Henry Vega, Juan Parra). | EMF CD 067 „The Electronic Hammer“ How to philosophize with a hammer/ | Sonology Den Haag | 1 | http://www.electronichammer.com/main/index.php | |||||||
| 4895 | Leandro | Espinosa | L i i | 1984 | fixed media, akusmatisch | 32:30 | IPEM Gent | 0 | |||||||||||
| 4896 | Leandro | Espinosa | Paisaje Interior | 1985 | Tanz | 13:30 | IPEM Gent | 0 | |||||||||||
| 21895 | Chantal | Esplau | Que de Vent! | 1987 | fixed media, akusmatisch | 16:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 41943 | Ezequiel | Esquenazi | Forclusion XI | fixed media, akusmatisch | 0 | ||||||||||||||
| 26556 | Karlheinz | Essl | action rituelle | 2004 | Performance | 15:00 | live-performance for computer, electronics and sound projection | festival Imago Dei | 3.04.2004 | Krems, Minoritenkirche (A) | 0 | http://www.essl.at/ | |||||||
| 26547 | Karlheinz | Essl | ALLgebrah. Eine Kopfwelt | 2001 | audiovisuell | 50:00 | sound & video performance for Adolf Wölfli with visuals by Michaela Grill | Wien Modern | 29.10.2001 | Narrenturm Vienna (A) | 0 | http://www.essl.at/ | |||||||
| 26535 | Karlheinz | Essl | Amazing Maze | 1993 - 2007 | live-elec, 1 perf | ad lib | perf, (com) [Performer] | 11.5.1996 | Chicago | 0 | http://khz96.org/app/AmazingMaze_2.0.zip | ||||||||
| 26560 | Karlheinz | Essl | and thank you I don't think we will meet again | 2005 | Performance | Stereo, Spazialisation: WFS | sound/space/performance in collaboration with Jack Hauser und Sabine Holzer. 2007 Version für den WFS-Saal TU Berlin |
4.03.2005 | Konzerthaus, Vienna (A) | 0 | http://www.essl.at/ | ||||||||
| 26561 | Karlheinz | Essl | Balkonszene | 2005 | Performance | - live-soundtrack for an art performance by Josef Trattner | 21.05.2005 | 0 | http://www.essl.at/ | ||||||||||
| 26557 | Karlheinz | Essl | blurB | 2004 | fixed media, akusmatisch | 7.11.2004 | New York, UNDER St. Marks (USA) | 0 | http://www.essl.at/ | ||||||||||
| 4897 | Karlheinz | Essl | Carambol | 1985 | fixed media, akusmatisch | 8:00 | Mono | ELAK Wien | 12.4.1986 | WUK Wien | 0 | http://www.essl.at/ | |||||||
| 26541 | Karlheinz | Essl | Champ d'Action | 1999 | live-elec, 1 group | ens [Ensemble] | ensemble Champ d'Action (Antwerp, Belgium) | 2 July 1998 | LOGOS Foundation Ghent (B) | 0 | http://www.essl.at/ | ||||||||
| 26543 | Karlheinz | Essl | conVex | 1999 | live-elec, 1 perf | com [computer] | realtime generated sound scape based on 12 chords of Eric Satie's "Vexations" | 8.10.1999 | Bruckner-Conservatory Linz (A) | 0 | http://www.essl.at/ | ||||||||
| 26545 | Karlheinz | Essl | da braccio | 1999 | live-elec, 1 perf | str-ins [Streicher] | interactive realtime composition for a solo string instrument, live electronic and computer | WIEN MODERN 2000 and the "Bludenzer Tage für zeitgemäße Musik" Dedicated to Garth Knox |
24.11.2000 | Bludenz, REM/SE (A) | 0 | http://www.essl.at/ | |||||||
| 26563 | Karlheinz | Essl | Deconstructing Mozart | 2006 | live-elec, 1 perf | org [Orgel] | - for church organ and computer | 23 Sep 2006 | St. Pölten, Dom (A) | 0 | http://www.essl.at/ | ||||||||
| 26533 | Karlheinz | Essl | Demo Crazy | 2009 | Performance | 12th GlobArt Academy | 20.8.2009 | Pernegg | 0 | http://www.essl.at/works/demo-crazy.html | |||||||||
| 26552 | Karlheinz | Essl | Doors / Vrata | 2003 | Klangkunst, Installation | - sound sculpture in collaboration with Nika Radic | Musikbiennale Zagreb 2003 | 5.04.2003 | Zagreb | 0 | http://www.essl.at/ | ||||||||
| 4899 | Karlheinz | Essl | Entsagung | 1991/1993 | live-elec, 4 perf | 15:52 | Quadro | fl, b-cl, p, perc, [Flöte, Klarinette, Piano, Schlagzeug] | ORF KHE- 1 / Tonos Darmstadt/ | IRCAM | IRCAM | 25.10.1993 | Paradiso Amsterdam | TONOS | 1 | http://www.essl.at/ | |||
| 26559 | Karlheinz | Essl | Father Earth | 2004 - 2005 | live-elec, 1 perf | 12:00 | com [computer] | computer music live performance | 29.11.2004 | 0 | http://www.essl.at/ | ||||||||
| 26542 | Karlheinz | Essl | fLOW | 1998/1999 | intermedia | performance and improvisation environment based on a realtime-generated sound scape | 0 | http://www.essl.at/ | |||||||||||
| 26558 | Karlheinz | Essl | FontanaMixer | 2004 | Klangkunst, Installation | - generative sound environment after John Cage | festival WIEN MODERN | 9.11.2004 | Schmetterlingshaus Burggarten, Vienna (A) | 0 | http://www.essl.at/ | ||||||||
| 26549 | Karlheinz | Essl | GRIDS | 2001 | audiovisuell | - sound track for an image | tu'm, Italy | 17.04.2002 | web | 0 | http://www.essl.at/ | ||||||||
| 26539 | Karlheinz | Essl | Interferences | 1996/1997 | intermedia | - computer installation for 21 com-con perc-inss | 28.08.1997 | Mieger/Klagenfurt | 0 | http://www.essl.at/works/interferences.html | |||||||||
| 4900 | Karlheinz | Essl | Klanglabyrinth | 1992/1995 | Klangkunst, Installation | ad lib | Quadro | Interactive 4-Channel Realtime-Composition for the IRCAM Musical Workstation (ISPW) or 2 CD Players | ELAK Wien | 2.3.1995 | Offenes Kulturhaus Linz | 0 | http://www.essl.at/ | ||||||
| 26553 | Karlheinz | Essl | Le mystère d'orgue | 2003 | Klangkunst, Installation | - generative sound installation for Hermann Nitsch | Essl Collection/ | 16 Oct 2003 | Sammlung Essl, Klosterneuburg | 0 | http://www.essl.at/ | ||||||||
| 26540 | Karlheinz | Essl | Lexicon-Lecture | 1998 | intermedia | interactive multimedia computer installation for realtime generated computer speech, live video processing and realtime composed piano music | 1 Jul 1998 | RadioKulturHaus Vienna | 0 | http://www.essl.at/ | |||||||||
| 4901 | Karlheinz | Essl | Lexikon-Sonate | 1992/1995 | live-elec, 1 perf | ad lib | com-con p [Piano] | ORF KHE- 1 / Tonos Darmstadt/ | 10.2.1994 | ORF-Sendesaal | 1 | http://www.essl.at/ | |||||||
| 26544 | Karlheinz | Essl | more or less | 1999 - 2007 | live-elec, 1 perf | 17 | mus [Musiker] | realtime composition for computer-controlled soloists Parts I. (7:33), II. (12:33) |
WWE 1CD 20280 / | 5.11.2002 | Leeuwarden (NL) | 0 | http://www.essl.at/ | ||||||
| 26538 | Karlheinz | Essl | On Fire | 2001 | Klangkunst, Installation | ∞ | sonic intervention to Fabrizio Plessi's room installation ONLY FIRE | 27.11.2001 | Sammlung Essl Klosterneuburg | 0 | http://www.essl.at/ | ||||||||
| 26536 | Karlheinz | Essl | Onwards | 1999 - 2000 | live-elec, 3 perf | 21:00 | 3 ins [Instrument] | Konzerthaus Wien | 28.3.2000 | Konzerthaus Wien | 0 | http://www.essl.at/ | |||||||
| 26534 | Karlheinz | Essl | orgue de cologne | 1985 | fixed media, akusmatisch | 2:00 | Mono | ELAK Wien | 26.4.1986 | Alte Schmiede Wien | 0 | http://www.essl.at/ | |||||||
| 26550 | Karlheinz | Essl | PENDENTE | 2002 | intermedia | - sound track for a light installation by Martin Kaar | BUWOG, Vienna | 8.08.2002 | Vienna, BUWOG building Saileräckergasse (A) | 0 | http://www.essl.at/ | ||||||||
| 26546 | Karlheinz | Essl | REplay PLAYer | 2000 - 2001 | Performance | computer music performance / interactive computer resp. web installation | ORF KUNSTRADIO | 25.02.2001 | ORF KUNSTRADIO (A) | 0 | http://www.essl.at/ | ||||||||
| 26562 | Karlheinz | Essl | Rouge de Rouge | 2005 | live-elec, | 7.12.2005 | 0 | http://www.essl.at/ | |||||||||||
| 26554 | Karlheinz | Essl | Seelewaschen | 2003 - 2004 | Klangkunst, Installation | - generative sound environment for a light installation by Rainer Gottemeier | Donaufestival Niederösterreich 2004 | 17.04.2004 | 0 | http://www.essl.at/ | |||||||||
| 26532 | Karlheinz | Essl | Sequitur I - XIV, Cycle for varios solo ins | 2008 - 2009 | live-elec, 1 perf | p [Piano] | 0 | http://www.essl.at/works/sequitur.html | |||||||||||
| 26551 | Karlheinz | Essl | Sonnez la cloche! | 2002 - 2003 | live-elec, 1 perf | 30:00 | Stereo, Spazialisation: WFS | com [computer] | sonic comment on the church bells of Schwaz, Tyrol 2007 Version for the WFS-Room TU Berlin |
31.08.2002 | AVANTGARDE Schwaz | 1 | http://www.essl.at/ | ||||||
| 26564 | Karlheinz | Essl | Stimmen.Hören | 2007 | audiovisuell, live-elec, | 12:00 | electronic live performance with generative visuals Dedicated to the Gugging Artists |
1.09.2007 | 0 | http://www.essl.at/ | |||||||||
| 26548 | Karlheinz | Essl | Temps fugitive | 2001 | audiovisuell | - realtime-generated sound and video installation | 9.10.2001 | Sammlung Essl, Klosterneuburg (A) | 0 | http://www.essl.at/ | |||||||||
| 26537 | Karlheinz | Essl | The Untempered Piano | 2000 | Klangkunst, Installation | ∞ | Stadt Wien zum Bach-Jahr 2000 | 9.4.2000 | Technikmuseum Wien | 0 | http://www.essl.at/ | ||||||||
| 26555 | Karlheinz | Essl | ULURU | 2001 - 2004 | Klangkunst, Installation | - generative sound environment for an exhibition on Aboriginal Art | Essl Collection/ | 1.04.2004 | 0 | http://www.essl.at/ | |||||||||
| 26565 | Karlheinz | Essl | WebernWeben | 2007 | live-elec, 1 perf | 8:00 | com [computer] | 7.10.2007 | IGNM-Musikfest Wien 2007 | 0 | http://www.essl.at/ | ||||||||
| 4898 | Karlheinz, Gerhard | Essl, Eckel | Con una certa espressione parlante | 1985 | Zuspiel, live-elec, 1 perf | 9:30 | Stereo | amp p [Piano] | ELAK Wien | 11.11.1986 | Rathaus Klosterneuburg | 0 | http://www.essl.at/ | ||||||
| 4902 | Karlheinz, Gerhard | Essl, Eckel | Zungenreden | 1990 | radiophon | 28:16 | produced at the dig RP4-St of the ORF Wien | RP 41/ | ORF Kunstradio | ORF Wien | 15.11.1990 | ORF | 0 | http://www.essl.at/ | |||||
| 4903 | John | Estacio | The Point of No Return | 1988 | fixed media, akusmatisch | 10:56 | Stereo | Uni Waterloo ON | 0 | ||||||||||
| 4904 | Jean François | Estager | A demeure | 1992 | Zuspiel / Tonband, 2 perf | 18:00 | p, mus [Piano, Musiker] | GRAME Lyon | 0 | ||||||||||
| 4906 | Jean François | Estager | Ava Pandora | 1990 | Theatermusik | 60:00 | audio visuel de C. Beaugrand | GRAME Lyon | 0 | ||||||||||
| 4909 | Jean François | Estager | Di-flux | 1992 | Zuspiel / Tonband, 3 perf | 15:00 | p, sax, S [Sopran, Saxophon, Piano] | en col. avec Michel Doneda | GRAME Lyon | 0 | |||||||||
| 4910 | Jean François | Estager | Dialogues, voix unes | 1984 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | GRAME Lyon | 0 | ||||||||||
| 4911 | Jean François | Estager | Etendu gris, bleu | 1992 | Zuspiel / Tonband, 1 perf, 1 group | 5:00 | Stereo | ens, br [Bläser, Ensemble] | GRAME Lyon | 0 | |||||||||
| 4915 | Jean François | Estager | La lettre à l'Absent | 1995 | Zuspiel / Tonband, 4 perf, 1 group | 12:00 | S or children ch, p, fl, cl, a-sax [Sopran, Flöte, Klarinette, Saxophon, Piano, Chor] | 0 | |||||||||||
| 4916 | Jean François | Estager | La petite personne interieure | 1992 | Zuspiel / Tonband, 2 perf | 13:00 | p, S [Sopran, Piano] | GRAME Lyon | 0 | ||||||||||
| 4917 | Jean François | Estager | Le bitor | 1985 | Theatermusik | 35:00 | Textes de Tristan Corbière | GRAME Lyon | 0 | ||||||||||
| 4918 | Jean François | Estager | Le bruit des voix | 1992 | Zuspiel / Tonband, 2 perf | 18:00 | 2 p [Piano] | GRAME Lyon | 0 | ||||||||||
| 4919 | Jean François | Estager | Le feu dérobé | 1987 | fixed media, akusmatisch | 30:00 | Cie Maryse Delente | GRAME Lyon | 0 | ||||||||||
| 4923 | Jean François | Estager | Les trois voix | 1996 | Zuspiel / Tonband, 4 perf, 1 group | 15:00 | cl-ens, p, cl (sib), S [Sopran, Klarinette, Piano] | texte de J. Estager | 0 | ||||||||||
| 4924 | Jean François | Estager | Lilax | 1987 | fixed media, akusmatisch | 65:00 | Cie Pierre Deloche Danse | GRAME Lyon | 0 | ||||||||||
| 4926 | Jean François | Estager | Musique pour une Graphie | 1984 | Zuspiel / Tonband, 1 perf | 14:00 | Stereo | p [Piano] | GRAME Lyon | 0 | |||||||||
| 4929 | Jean François | Estager | Prière | 1985 | fixed media, akusmatisch | 11:30 | Stereo | GRAME Lyon | 0 | ||||||||||
| 4930 | Jean François | Estager | Rumeur | 1990 | Zuspiel / Tonband, 2 perf | 18:30 | 2 p [Piano] | GRAME Lyon | 0 | ||||||||||
| 4933 | Jean François | Estager | Trio | 1984 | Tanz | 40:00 | Cie P. Deloche | GRAME Lyon | 0 | ||||||||||
| 4925 | Jean François, Jérôme | Estager, Dorival | Manège | 1989 | Zuspiel, live-elec, 1 group | 12:00 | ens, (harm) [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 4907 | Jean François, James | Estager, Giroudon | D'ombre bleue | 1990 | Zuspiel / Tonband, 1 group | 18:00 | ens [Ensemble] | Pédagogic | GRAME Lyon | 0 | |||||||||
| 4908 | Jean François, James | Estager, Giroudon | Dans le vert de la nuit | 1988 | Tanz, 1 perf | 70:00 | p [Piano] | for Cie Pierre Deloche Dance | GRAME Lyon | 0 | |||||||||
| 23375 | Jean François, James | Estager, Giroudon | Noir, trois neiges d'un Paysage | 1999 | live-elec, 1 perf | 11:01 | sax [Saxophon] | Daniel Kientzy (sax's) | NMCD 5114/ | GRAME Lyon | 1 | ||||||||
| 4928 | Jean François, James | Estager, Giroudon | Pierre d'ombre | 1991 | Zuspiel / Tonband, 5 perf | 20:30 | S, cl, vc, p, clvd [Sopran, Klarinette, Piano, Cembalo, Cello] | GRAME 005/ | GRAME Lyon | 1 | |||||||||
| 4931 | Jean François, James | Estager, Giroudon | Sable | 1988 | Zuspiel / Tonband, 2 perf | 21:00 | p, perc [Piano, Schlagzeug] | 4 mouvements | GRAME Lyon | 0 | |||||||||
| 4932 | Jean François, James | Estager, Giroudon | Thèmes et variations | 1983 | Zuspiel / Tonband, 1 perf | p [Piano] | Cie Michel Hallet Egayhan | GRAME Lyon | 0 | ||||||||||
| 4912 | Jean François, James, Barre, Daunik | Estager, Giroudon, Phillips, Lazro | Histoire | 1992 | Zuspiel / Tonband, 2 perf | 15:00 | Stereo | db, sax [Saxophon, Kontrabass] | GRAME Lyon | 0 | |||||||||
| 4905 | Jean François, Françoise | Estager, Monneret | A Méphistophélès | 1990 | Theater, 2 perf | 25:00 | Stereo | p, V [Stimme, Piano] | GRAME Lyon | 0 | |||||||||
| 4913 | Jean François, Yann, Daunik | Estager, Orlarey, Lazro | Histoire 2 | 1993 | live-elec, 1 perf | 13:00 | a-sax [Saxophon] | GRAME Lyon | 0 | ||||||||||
| 4921 | Jean François, Denys | Estager, Vinzant | Les contemplations | 1985 | Theatermusik | 60:00 | de Victor Hugo. | GRAME Lyon | 0 | ||||||||||
| 4927 | Jean François, Denys | Estager, Vinzant | Opus 37 | 1988 | fixed media, akusmatisch | 33:00 | for Cie Maryse Delente | GRAME Lyon | 0 | ||||||||||
| 4914 | Jean François, Denys, Jean Luc | Estager, Vinzant, Rimey-Meille | l'Arbre | 1995 | Zuspiel / Tonband, 3 perf | 12:00 | perc, a-sax,a [Alt, Saxophon, Schlagzeug] | 0 | |||||||||||
| 4920 | Jean François, Denys, Jean Luc | Estager, Vinzant, Rimey-Meille | Le silence de l'arbre et repos, un instant | 1995 | Zuspiel, Performance, 1 perf | 11:00 | perc [Schlagzeug] | with B. Pereira | 0 | ||||||||||
| 4922 | Jean François, Denys, Jean Luc | Estager, Vinzant, Rimey-Meille | Les personnes | 1996 | Zuspiel, live-elec, 5 perf | 25:00 | perc-qnt [Schlagzeug] | 0 | |||||||||||
| 35579 | Fabián | Esteban Luna | Accesuss | fixed media, akusmatisch | 8:09 | Uni de la serena/ | 0 | ||||||||||||
| 35580 | Fabián | Esteban Luna | Dinamicas Expansivas | 2002 | fixed media, akusmatisch | 5:55 | 0 | ||||||||||||
| 19629 | Elena | Esteban Muñoz | De Indio a Indio | 1992 | live-elec, 11 perf | Stereo | synt, 10 perc [Schlagzeug, synthesizer] | LINCE-CAM Madrid | 0 | ||||||||||
| 23658 | Jaime | Esteve | Fantasia sobre uns Sonoridad de G. F. Händel | 2002 | fixed media, akusmatisch | 9:12 | PR 0083-2 SGAE/ | 4. prize Premio Internacional SGAE 2003 | 1 | ||||||||||
| 37520 | Francisco | Estevez | Test | 1981, 1992 | Zuspiel / Tonband, 1 group | 13:00:00 | Stereo | chamber-ens [Ensemble] | ICEM Essen | 0 | |||||||||
| 4934 | Francisco | Estévez | Analisis la Musica Elektronica | 1982 | fixed media, akusmatisch | 17:10 | 0 | ||||||||||||
| 4935 | Francisco | Estévez | Chillida | 1982 | fixed media, akusmatisch | 6:42 | Quadro | ICEM Essen | 0 | ||||||||||
| 4936 | Francisco | Estévez | Contra - Contra | 1982 | Zuspiel / Tonband, 1 perf | 9:08 | db [Kontrabass] | 0 | |||||||||||
| 4937 | Francisco | Estévez | Ein Hundeleben | 1982 | Theater, 1 perf | 22:00 | mime [Schauspieler] | 0 | |||||||||||
| 4938 | Francisco | Estévez | Hipostasis | 1982 | Zuspiel / Tonband, 12 perf | 23:14 | Stereo | 4 p, 4 str, 4 perc [Piano, Schlagzeug, Streicher] | ICEM Essen | 0 | |||||||||
| 4939 | Francisco | Estévez | Kaspar ist tot | 1973/1974 | Zuspiel / Tonband, 2 perf, 2 groups | Vs, org, ens [Stimme, Orgel, Ensemble] | 0 | ||||||||||||
| 4940 | Francisco | Estévez | Miró | 1986 | fixed media, akusmatisch | 22:29 | GME Cuenca | 0 | |||||||||||
| 4941 | Francisco | Estévez | Phonson | 1977 | Zuspiel, live-elec, 4 perf | 4 ins [Instrument] | 0 | ||||||||||||
| 4942 | Francisco | Estévez | Preludio a la memoria del Angel Moroni | 1992 | Zuspiel / Tonband, 1 perf | 10:30 | Stereo | carillon [Keyboard] | LIEM CDMC Madrid | 0 | |||||||||
| 4943 | Francisco | Estévez | Spectrum Time | 1980/1981 | Zuspiel / Tonband, 1 group | 58:50 | orc [Orchester] | 0 | |||||||||||
| 4944 | Francisco | Estévez | Ursache - Wirkung | 1983 | live-elec, 1 perf | 20:00 | Stereo | perc [Schlagzeug] | ICEM Essen | 0 | |||||||||
| 35647 | Milton | Estévez | Apuntes con refran | 1987 | Zuspiel / Tonband, 4 perf | 11 | etc, hp, vc, perc [Harfe, Schlagzeug, Cello] | 0 | |||||||||||
| 28446 | Karda | Estra | Autumn Cannibalism | 1999 | fixed media, akusmatisch | 3:56 | Stereo | ELCD 013 Electroshock Records/ | 0 | ||||||||||
| 25888 | Julio | Estrada | Bisica | 2004 | Klangkunst, Installation | "Itinerarios del Sonido“ in Madrid 2004 | 1 | ||||||||||||
| 4945 | Julio | Estrada | Eua'on | 1980 | fixed media, akusmatisch | 7:04 | Stereo | For UPIC (E.16a) also version for orchestra (on same CD mode 98/99) |
mode 98/99/ IRD 002 Irradia/ | CEMAMu/ Ateliers Upic/ CCMIX | 1 | 1984 | http://www.moderecords.com/ | ||||||
| 35635 | Manuel | Estrada | Desidia y decadencia | 2009 | fixed media, akusmatisch | 12:45 | Musica Contemporanea Electroacustica - Convocatoria 08 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 33895 | Maximiliano | Estudies | Beam | 2015 | live-elec, 1 perf | 15:04:00 | Quadro | ins (chinese pole) [Instrument] | Komposition für Chinese Pole und Elektronik | HfMT Köln | 0 | ||||||||
| 4946 | Szabolcs | Esztenyi | Concerto | 1971 | Zuspiel / Tonband, 1 perf | 28:12 | Stereo | p [Piano] | BR ES08 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | ||||||||
| 30754 | Szabolcs | Esztenyi | Created Music No. 3: in memoriam Tomasz Sikorski | 1989 | Zuspiel / Tonband, 1 perf | 10:40 | p [Piano] | BR ES08 bolt Blanc et Rouge/ | ExpSt Warsaw | 0 | |||||||||
| 36935 | Hrayr | Eulmessekian | Due diligence checklist | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 20891 | Group, Paul, Marco, Walter, Philipp | Evan Parker, Lytton, Vecchi, Prati, Wachsmann | Chain of Chance | 1996 | live-elec, 1 perf, 1 group | 4:19 | Stereo | MIDI-ens [synthesizer] | Group: Vecchi, Prati, Lytton | ECM 1612/ | 0 | ||||||||
| 20889 | Group, Paul, Marco, Walter, Philipp | Evan Parker, Lytton, Vecchi, Prati, Wachsmann | Epanados | 1997 | live-elec, 1 perf, 1 group | 4:27 | Stereo | MIDI-ens [synthesizer] | Group: Parker, Guy, Lytton, Wachsmann, Prati, Vecchi, Prati | ECM 1612/ | 0 | ||||||||
| 20890 | Group, Paul, Marco, Walter, Philipp | Evan Parker, Lytton, Vecchi, Prati, Wachsmann | Shadow without an Object | 1997 | live-elec, 1 perf, 1 group | 6:00 | Stereo | MIDI-ens [synthesizer] | Group: Parker, Guy, Wachsmann, Vecchi | ECM 1612/ | 0 | ||||||||
| 19173 | Group, Paul, Marco, Walter, Philipp | Evan Parker, Lytton, Vecchi, Prati, Wachsmann | Towards the Margins | 1997 | live-elec, 4 perf | s-sax, db, perc, str [Saxophon, Schlagzeug, Kontrabass, Streicher] | 12 pieces Group: Parker, Guy, Lytton, Wachsmann, Prati, Vecchi |
ECM 1612/ | 1 | ||||||||||
| 24834 | José | Evangelista | La porte | 1987 | fixed media, akusmatisch | 45:30 | IMSO 9605/ | 0 | |||||||||||
| 24837 | José | Evangelista | Plume, Plume à Casablanca | 1989 | fixed media, akusmatisch | 4:54 | IMSO 9605/ | 0 | |||||||||||
| 24836 | José | Evangelista | Plume, Plume au plafond | 1992 | fixed media, akusmatisch | 3:35 | IMSO 9605/ | 0 | |||||||||||
| 24835 | José | Evangelista | Plume, un homme paisible | 1974 | fixed media, akusmatisch | 6:07 | IMSO 9605/ | 0 | |||||||||||
| 4947 | Franco | Evangelisti | Campi Integrati | 1959 | fixed media, akusmatisch | 5:00 | Mono | tape not archieved, work not completed | ed. RZ 1011/12/ | ExpSt Warsaw | 0 | ||||||||
| 4948 | Franco | Evangelisti | Die Schachtel, Cinque strutture, Tre Strutture | 1963 | intermedia | Theater, 8 perf, 2 groups |
31:45 | 5 - 7 mime, Vs, chamber-orc [Stimme, Schauspieler, Orchester] | slides | DGG 2561106/ ed. RZ 1011/12/ WD 97, Wittener Tage Für Neue Kammermusik 1997/ | Oper München, UC Davis | 1 | ||||||||
| 4949 | Franco | Evangelisti | Incontri di fasce sonore | 1957 | fixed media, akusmatisch | 3:20 | Mono | BVHAAST 9106/ ed. RZ 1011/12/ CDCD 5067/ IDEAMA CD 097/ | WDR SEM | 25.3.1958 | "Musik der Zeit" Köln | 1 | |||||||
| 4950 | Franco | Evangelisti | Spazio a 5 | 1966 | live-elec, 5 perf, 2 groups | var | 4 perc-ens, Vs [Stimme, Schlagzeug] | improvisation | ed. RZ 1011/12/ | UC Davis | 1 | 1994 | |||||||
| 24676 | David | Evans | The Voice of Angels | 2003 | fixed media, akusmatisch | 8:00 | JTTP 2003 | CEC Cache 2003 CA/ | winner JTTP 2003 6. prize | 1 | |||||||||
| 39762 | Eric | Evans | Homoousios | 2016 | fixed media, akusmatisch | Eric Evans | 0 | ||||||||||||
| 4951 | François | Evans | Manche en Bois/Manche de Joie | 1989/1990 | Zuspiel, live-elec, 1 group | 12:00 | ens [Ensemble] | City Uni London | 0 | ||||||||||
| 4952 | François | Evans | Repeal | 1990 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | p [Piano] | City Uni London | 0 | |||||||||
| 42485 | Steve | Everett | Rendezvous IV for violin and live electronics, Rendezvous | 2008 | live-elec, 1 perf | vn [Violine] | 0 | ||||||||||||
| 42605 | Steve | Everett | Shiver | 2008 | audiovisuell | 6 | University of Illinois Experimental Music Studios | 0 | |||||||||||
| 39860 | Hunter | Ewen | Hunger Dreams in Flocks | 2015 | fixed media, akusmatisch | 11:01:00 | Hunter Ewen | 0 | |||||||||||
| 4961 | John | Exton | Breathing Space | Zuspiel / Tonband, 2 perf | Quadro | 2 V [Stimme] | Uni Cardiff | 0 | |||||||||||
| 4962 | John | Exton | Conversation Piece for Two Voices | Zuspiel / Tonband, 2 perf | 2 V [Stimme] | Uni Cardiff | 0 | ||||||||||||
| 35780 | Stefan Van | Eycken | White River Dream Song | 2003 | live-elec, 1 group | 10:08 | ens, (elec) [Ensemble] | Champ d'Action - Peter Swinnen, electronics | Musik Flamen/ | 1 | |||||||||
| 4963 | Eberhard | Eyser | Chanson populaire | 1971 | fixed media, akusmatisch | 10:00 | Quadro | EMS Stockholm, Fylkingen | 0 | ||||||||||
| 4964 | Eberhard | Eyser | Expulsi | 1971 | Film | 20:00 | Mono | SR Stockholm | 0 | ||||||||||
| 4965 | Eberhard | Eyser | La Valse | 1973 | fixed media, akusmatisch | 7:00 | Stereo, Quadro | CAP 60008 Beilage Buch Sanne Krogh Groth/ |
EMS Stockholm, SR Stockholm | 0 | |||||||||
| 33506 | Eberhard | Eyser | Mortudi te Salutant | 1975 | fixed media, akusmatisch | 20 | EMS Stockholm | 0 | |||||||||||
| 4966 | Eberhard | Eyser | Rhapsodie Espagnol (Carmen 36) | 1975 | Oper | 60:00 | Mono | 0 | |||||||||||
| 4967 | Eberhard | Eyser | Sensommardag | 1970 | Oper | 60:00 | Mono + Mono + Mono | State M.-Drama School, Stockholm | 0 | ||||||||||
| 4968 | Eberhard | Eyser | Sista resan | 1972/1973 | Oper, 3 perf | 2 V, cl [Stimme, Klarinette] | 0 | ||||||||||||
| 4969 | Eberhard | Eyser | "Sjörapport 7 april" | 1971 | fixed media, akusmatisch | 9:40 | Mono, Stereo | EMS Stockholm | 0 | ||||||||||
| 33503 | Eberhard | Eyser | Var Redo | 1971 | fixed media, akusmatisch | 10 | EMS Stockholm | 0 | |||||||||||
| 33504 | Eberhard | Eyser | Watermusic for Agneta | 1974 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 33505 | Eberhard | Eyser | Watermusic for Agneta IVK | 1975 | fixed media, akusmatisch | EMS Stockholm | 0 | ||||||||||||
| 4970 | Eberhard | Eyser | Watermusic-Submarin | 1974/1979 | Zuspiel / Tonband, 1 perf | 17:00 | Quadro | b-cl [Klarinette] | 0 | ||||||||||
| 4971 | Kenjiro | Ezaki | Electronic Composition #1 | 1966 | fixed media, akusmatisch | 6:00 | Mono | EMS UIUC | 0 | ||||||||||
| 4972 | Kenjiro | Ezaki | Electronic Music 225 | 1966 | fixed media, akusmatisch | 2:25 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4973 | Kenjiro | Ezaki | Electronic Music 313 | 1966 | fixed media, akusmatisch | 3:13 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4974 | Kenjiro | Ezaki | Electronic Music 402 | 1966 | fixed media, akusmatisch | 4:02 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4975 | Kenjiro | Ezaki | Fantasy | 1966 | fixed media, akusmatisch | 2:42 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4976 | Kenjiro | Ezaki | Gagaku | 1966 | fixed media, akusmatisch | 1:28 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4977 | Kenjiro | Ezaki | Meiso #1 (Meditation) | 1966 | fixed media, akusmatisch | 1:55 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4978 | Kenjiro | Ezaki | Meiso #2 (Meditation) | 1966 | fixed media, akusmatisch | 3:55 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4979 | Kenjiro | Ezaki | Metamorphism of One Short Attack | 1966 | fixed media, akusmatisch | 4:00 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4980 | Kenjiro | Ezaki | Study of Orchestra, Voices and Electronic Sound | 1966 | fixed media, akusmatisch | 8:48 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 4981 | Kenjiro | Ezaki | Subway in New York | 1966 | fixed media, akusmatisch | 2:24 | Stereo | Col.Princ EMC | 0 | ||||||||||
| 39370 | Fabio | Fabbri | Monodialogos | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 4982 | Francis | Faber | Brides D`Espaces | 1984 | Zuspiel / Tonband, 6 perf | Octo | 6 perc [Schlagzeug] | la grande fabrique | 0 | ||||||||||
| 4983 | Francis | Faber | Cantate | 1985 | intermedia, live-elec, 1 perf, 3 groups | ch, orc, inss [Instrument, Chor, Orchester] | J.L.Lhermitte, Ars Nova and Trio TM+ | la grande fabrique | 0 | ||||||||||
| 4984 | Francis | Faber | Cette Sombre Clarté | 1988 | live-elec, | Stereo | GF 001/ | la grande fabrique | 0 | ||||||||||
| 20149 | Francis | Faber | Ecce femina | 1992 | Zuspiel / Tonband, 2 perf | 20:00 | Stereo | V, vc [Stimme, Cello] | Text by J. P. Faye (Cuisses de Verrerie) | LGF 002/ GF 002/ | la grande fabrique | 0 | |||||||
| 4985 | Francis | Faber | Eléments Blancs | 1989 | live-elec, 2 perf | fl, perc [Flöte, Schlagzeug] | la grande fabrique | 0 | |||||||||||
| 4986 | Francis | Faber | Espèces d'Espaces | 1986 | Musiktheater | Stereo | exposition "Sculptures sonores " | la grande fabrique | 0 | ||||||||||
| 4987 | Francis | Faber | Intrusion | 1984 | live-elec, 12 perf | 12 V [Stimme] | la grande fabrique | 0 | |||||||||||
| 4988 | Francis | Faber | Labyrinthes | 1987 | intermedia | Expo, sound sculpture | la grande fabrique | 0 | |||||||||||
| 4989 | Francis | Faber | Litanie d'Eau | 1985 | Zuspiel / Tonband, 1 group | mx ch [Chor] | la grande fabrique | 0 | |||||||||||
| 4990 | Francis | Faber | Mythophonie | 1984 | live-elec, 3 perf | fl, perc, synt [Flöte, Schlagzeug, synthesizer] | la grande fabrique | 0 | |||||||||||
| 4991 | Francis | Faber | Petites Litanies Barbares | 1989 | live-elec, 5 perf | vn, vc, cl, perc, synt [Klarinette, Schlagzeug, Cello, Violine, synthesizer] | la grande fabrique | 0 | |||||||||||
| 4992 | Francis | Faber | Scénario Imaginaire | 1991 | Musiktheater | Stereo | Th musical | la grande fabrique | 0 | ||||||||||
| 4993 | Francis | Faber | Sémaphores | 1992 | Tanz, 6 perf | 4 perc, 2 dancer [Schlagzeug, Tanz] | la grande fabrique | 0 | |||||||||||
| 4994 | Francis | Faber | Soliloque 1 | 1984 | Zuspiel, live-elec, 2 perf | vn, synt [Violine, synthesizer] | la grande fabrique | 0 | |||||||||||
| 4995 | Francis | Faber | Soliloque 2 | 1985 | live-elec, 1 perf | S [Sopran] | la grande fabrique | 0 | |||||||||||
| 4996 | Francis | Faber | Tanière | 1984 | fixed media, akusmatisch | Stereo | la grande fabrique | 0 | |||||||||||
| 4997 | Francis | Faber | Totem | 1992 | live-elec, 1 perf | MIDI-gui [Gitarre] | GF 001/ | la grande fabrique | 0 | ||||||||||
| 4998 | Francis | Faber | Traces | 1987 | live-elec, | sound and light | la grande fabrique | 0 | |||||||||||
| 4999 | Francis | Faber | Urbanité | 1986 | intermedia, live-elec, 2 perf | actor, perc, (sound, light) [Schlagzeug, Schauspieler] | la grande fabrique | 0 | |||||||||||
| 33897 | Alan | Fabian | Akustische Lebensform | 2001 | Zuspiel, live-elec, 1 perf | 7:43:00 | Quadro | fl [Flöte] | Sara Hammarström, Flöte | HfMT Köln | 0 | ||||||||
| 33898 | Alan | Fabian | Deuxième Objet Rotatoire | 2002 | fixed media, akusmatisch | 12:45:00 | Quadro | HfMT Köln CD8/ | HfMT Köln | 0 | |||||||||
| 33896 | Alan | Fabian | Space of recollection | 2000 | live-elec, 1 perf | 8:30:00 | Quadro | p [Piano] | HfMT Köln | 0 | |||||||||
| 25889 | Anaud | Fabre | Dropper 01 | 2005 | Klangkunst, Installation | audiovisuell |
orchestral device for 8 percussions and water drops | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2005 | 1 | ||||||||||
| 18912 | Walter | Fähndrich | Improvisation | 1987 | intermedia, live-elec, 1 perf | 5:09 | va [Viola] | Apollo ACD 019209/ | PS | 1 | |||||||||
| 34246 | Walter | Fähndrich | Musik für Räume | 1985 | Klangkunst, Installation | 45 | Edition Giannozzo/ | 1985 | Galerie Giannozzo Berlin | 0 | |||||||||
| 27920 | Peter | Färber | Flucht aus der Zeit | 2001 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 31544 | Peter | Färber | Geuss | 2012 | fixed media, akusmatisch | ≈ 7 - 8 | next_generation 5.0 | HKB Bern | 0 | ||||||||||
| 22590 | Peter | Färber | Klaviationen | 1993 | fixed media, akusmatisch | 8:55 | SZCM 01/ | SCCM | 0 | http://www.computermusic.ch/ | |||||||||
| 27918 | Peter | Färber | Nachklänge aus dem Theater | 1996 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27919 | Peter | Färber | Spuren | 2000 | live-elec, 1 perf | p [Piano] | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||
| 27921 | Peter | Färber | Tegna | 2002 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 27847 | Jean-Luc | Fafchamps | Lettre soufie Z3 | 2007 | live-elec, 1 perf | trbn [Posaune] | CRFMW Liège | 22.03.2007 | Bruxelles, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27828 | Jean-Luc | Fafchamps | Street Music | 2009 | live-elec, 1 perf | va [Viola] | CRFMW Liège | 27.10.2009 | Cologne, reiheM | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27875 | Jean-Luc | Fafchamps | Z | 2003 | live-elec, 2 perf | va, p [Piano, Viola] | CRFMW Liège | 16.03.2003 | Mons, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 37738 | Maddalena | Fagandini | Interval Signal | radiophon | 1:38 | SILCD 1503/ Infiné IF 4002/ | BBC | 0 | |||||||||||
| 37926 | Maddalena | Fagandini | The Chem Lab Mystery | 1962 | fixed media, akusmatisch | BBC | 0 | ||||||||||||
| 37925 | Maddalena | Fagandini | Time Beat | fixed media, akusmatisch | 0:30 | SILCD 1503/ | BBC | 0 | |||||||||||
| 5001 | Bruno | Fagarazzi | Birdwatching | 1987 | fixed media, akusmatisch | 11:15 | Stereo | CSC Padova, Con Venezia | 0 | ||||||||||
| 43178 | Lucas | Fagin | Physiological Mechanics Fantasy | 2009 | fixed media, akusmatisch | Auszeichnung ars electronica honorary mention 2009 | 0 | ||||||||||||
| 5003 | Öyvind | Fahlström | Birds in Sweden, Fåglar i Sverige | 1964 | radiophon | 29:30 | Mono | FYCD 1016/ | 0 | ||||||||||
| 5002 | Öyvind | Fahlström | Den långa resan | radiophon | 0 | ||||||||||||||
| 5004 | Öyvind | Fahlström | Radiopoems | 1961 | radiophon | 24:00 | Mono | From: "Bob", Bob livsföreståndare, stora och lilla rokokopalitativet | SR Stockholm | 0 | |||||||||
| 28102 | Öyvind | Fahlström | The Holy Torsten Nilsson, Den helige Torsten Nilsson | 1966 | radiophon | FYCD 1016/ | SR Stockholm | 0 | |||||||||||
| 42224 | Michael | Fahres | Cetacea | 2006 | radiophon | 43:27 | WDR Studio Akustische Kunst | 15.7.2006 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1517038&vi=108&SID | ||||||||
| 5005 | Michael | Fahres | Computermusik Schaakul | 1974 | live-elec, 1 perf | synt, (com) [synthesizer] | 0 | ||||||||||||
| 5006 | Michael | Fahres | Glasharfe | 1982 | live-elec, 2 perf | hp, perc [Harfe, Schlagzeug] | 8 magnetic fields | CEM Bilthoven, STEIM | 1 | ||||||||||
| 5007 | Michael | Fahres | Harfe | 1981 | live-elec, 1 perf | 29:25 | hp [Harfe] | ECM 1281/ | STEIM | 0 | |||||||||
| 5008 | Michael | Fahres | Imitation Version 211/ Struktur 3 | 1976 | live-elec, 8 perf | 8 ins [Instrument] | 0 | ||||||||||||
| 5009 | Michael | Fahres | Minimal | 1977 | live-elec, 1 perf | b-cl [Klarinette] | STEIM | 0 | |||||||||||
| 5010 | Michael | Fahres | Mobilodrom | 1978 | live-elec, | 60:00 | STEIM | 0 | |||||||||||
| 5011 | Michael | Fahres | Piano | 1980 | live-elec, 1 perf | Quadro | p [Piano] | ECM 1281/ | CEM Bilthoven | 1 | |||||||||
| 5012 | Michael | Fahres | Sonnenanbetung | 1980 | fixed media, akusmatisch | CEM Bilthoven | 0 | ||||||||||||
| 5013 | Michael | Fahres | Sonnenstrahlen | 1983 | fixed media, akusmatisch | CEM Bilthoven | 0 | ||||||||||||
| 5014 | Michael | Fahres | Sonnenstruktur | 1982 | fixed media, akusmatisch | CEM Bilthoven | 0 | ||||||||||||
| 5015 | Michael, Kurt, Michael | Fahres, Dahlke, Jollich | Sunwheel | fixed media, akusmatisch | CEM Bilthoven | 0 | |||||||||||||
| 5016 | Steve | Fai | Bells for Saint Monica | fixed media, akusmatisch | 10:07 | Stereo | PS Medecine Hat | 0 | |||||||||||
| 5017 | Steve | Fai | Horizontal Music (Pink) #11 | 1983 | fixed media, akusmatisch | 15:00 | Stereo | PS Medecine Hat | 0 | ||||||||||
| 5018 | Steve | Fai | In the Mountains, At the Equator | 1984 | fixed media, akusmatisch | 21:00 | Stereo | PS Medecine Hat | 0 | ||||||||||
| 5019 | Steve | Fai | Suddenly… we found ourselves Alone (One is split in two) | 1984 | fixed media, akusmatisch | 21:30 | Stereo | PS Medecine Hat | 0 | ||||||||||
| 39602 | Ashkan | Fakhrtabatabaie | Metamorphosis | 2016 | fixed media, akusmatisch | 5:35 | 5 tracks, Stereo | 0 | https://ashkanfakhr.com/music-composition/ | ||||||||||
| 5020 | Robert | Falck | Conceptual Motion | 1964 | fixed media, akusmatisch | 6:30 | Stereo | Uni Waltham | 0 | ||||||||||
| 5021 | Robert | Falck | Menagerie | 1964 | fixed media, akusmatisch | 2:30 | Stereo | Uni Waltham | 0 | ||||||||||
| 5022 | Robert | Falck | Shadows | 1963 | fixed media, akusmatisch | 10:15 | Stereo | Uni Waltham | 0 | ||||||||||
| 5023 | Robert | Falck | Sign Posts #1, 2 | 1963 | fixed media, akusmatisch | 13:33 | Mono | Uni Waltham | 0 | ||||||||||
| 5024 | Robert | Falck | The Color Wheel | 1963 | fixed media, akusmatisch | 12:00 | Stereo + Stereo | Uni Waltham | 0 | ||||||||||
| 5025 | Karl-Axel | Falk | De fyra elementens mässa | 1990 | Tanz | Musiktheater |
75:00 | 3 fem V, T, 2 Bar, B, fem ch, fem narrator, male narrator, dancers [Tenor, Bariton, Bass, Stimme, Schauspieler, Tanz, Chor] | NOTAM | 0 | ||||||||||
| 5026 | Karl-Axel | Falk | Franciskus bön | 1987 | Tanz, live-elec, 3 perf | 6:00 | 2 synt, narrator [Schauspieler, synthesizer] | NOTAM | 0 | ||||||||||
| 5027 | Karl-Axel | Falk | Spegeldansen | 1987 | Tanz, live-elec, 2 perf | 9:00 | 2 synt [synthesizer] | NOTAM | 0 | ||||||||||
| 20299 | Kris | Falk | Manifesto | 1998 | fixed media, akusmatisch | 6:32 | Stereo | MIDI (K2500RS + MAX) | CMJ Vol 22-4, 1998/ | 1 | |||||||||
| 42106 | Michaela | Falkner | Manifest 44 | 2014 | radiophon | ORF | 0 | ||||||||||||
| 41414 | Sina | Fallahzadeh | Abgineh | 2016 | Zuspiel / Tonband, 9 perf | 8 V, vn or kamancheh [Stimme, Violine] | 0 | ||||||||||||
| 41424 | Sina | Fallahzadeh | Au bord de désert | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41432 | Sina | Fallahzadeh | Boîte du néant | 2011 | fixed media, akusmatisch | 0 | |||||||||||||
| 41428 | Sina | Fallahzadeh | Contemplation | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41417 | Sina | Fallahzadeh | Désir inassouvi | 2015 | fixed media, akusmatisch | 0 | |||||||||||||
| 41431 | Sina | Fallahzadeh | Eos | 2012 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 41423 | Sina | Fallahzadeh | Étoile filante | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41430 | Sina | Fallahzadeh | Exile | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 41427 | Sina | Fallahzadeh | Hommage | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41421 | Sina | Fallahzadeh | Hymne aux eaux | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 41416 | Sina | Fallahzadeh | Incantation | 2016 | fixed media, akusmatisch | 0 | |||||||||||||
| 41425 | Sina | Fallahzadeh | Le bruissement de l'aile de Gabriel | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41420 | Sina | Fallahzadeh | Moderato cantabile (hommage a Maguerite Duras) | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 41415 | Sina | Fallahzadeh | Nafir | 2016 | live-elec, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 41426 | Sina | Fallahzadeh | Odeur de ses cheveux | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 41422 | Sina | Fallahzadeh | Papillon d'hiver | 2013 | Zuspiel / Tonband, 3 perf | 3 fl [Flöte] | 0 | ||||||||||||
| 41429 | Sina | Fallahzadeh | Rosée du matin | 2012 | Zuspiel / Tonband, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 41418 | Sina | Fallahzadeh | Spazio datemi | 2014 | Zuspiel / Tonband, 3 perf | Mez, 2 perc [Mezzo, Schlagzeug] | 0 | ||||||||||||
| 41419 | Sina | Fallahzadeh | Spazio divino | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 35836 | Sina | Fallahzadeh | Une voix perdue dans le désert | 2012 | fixed media, akusmatisch | 12:15 | MR 2012 Métamorphoses 2012/ | 0 | |||||||||||
| 41413 | Sina | Fallahzadeh | Ziggurat | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 33361 | Michel | Fano | Le cinquième soleil | 1966 | Film | 18 | Mono | Aura Films Paris | 0 | ||||||||||
| 33363 | Michel | Fano | Le regard de Picasso | 1966 | Film | 4:30 | Mono | Aura Films Paris | 0 | ||||||||||
| 33362 | Michel | Fano | Trans-Europ-Express | 1966 | Film | 4 | Aura Films Paris | 0 | |||||||||||
| 5028 | Béla | Faragó | Report for the Academy | 1985 | fixed media, akusmatisch | 8:00 | MR Budapest | 0 | |||||||||||
| 5029 | Béla | Faragó | … sub galli cantum | 1991 | Zuspiel / Tonband, 1 perf | 12:30 | Stereo | tpt [Trompete] | MR Budapest | 0 | |||||||||
| 39580 | Angel | Faraldo | For Paul | 2012 | fixed media, akusmatisch | 2:16 | Angel Faraldo | 0 | https://faraldo.bandcamp.com/track/for-paul-2012 | ||||||||||
| 31997 | Alireza | Farhang | Imeros I | 2008 | live-elec, 3 perf | 11:21:00 | Stereo + Octo, Spazialisation: WFS | sax, hn, p [Saxophon, Horn, Piano] | TU Berlin | 1 | 2008 | ||||||||
| 31749 | Djalma | Farias | Idioleto | 2006 | fixed media, akusmatisch | 10:30 | SBME 005 Coletânea de Música Eletroacústica Brasileira/ | PS C. | 1 | ||||||||||
| 37798 | Jaime | Farias | Puntos en el Aire | 2016 | fixed media, akusmatisch | Stereo | Incontri HMTM Hannover | 12.02.2016 | Kestnergesellschaft Hannover | 0 | |||||||||
| 37659 | Carlos | Fariñas | Impronta, Soy Cuba | 1984 | Zuspiel/Tonband, 2 perf | Film |
11 | p, perc [Piano, Schlagzeug] | Cuba-Netherlands Festival | 1985 | Cuba | 0 | ||||||||
| 36934 | Mary Beth | Farmer | Water | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 5030 | Stefano | Farneda | A little science a little magic | 1981 | fixed media, akusmatisch | CSC Padova | 0 | ||||||||||||
| 5031 | Stefano | Farneda | Liberta' a Brema | 1981 | fixed media, akusmatisch | Stereo | with L. Papadia and G. Patella; M. for Liberta´ a Brema by R. W. Fassbinder | CSC Padova | Th Stabile d'Aquila | 0 | |||||||||
| 5032 | Spiros | Faros | At night they call the dragons I | 1992 | Zuspiel / Tonband, | 11:00 | Stereo | PS C. | 0 | ||||||||||
| 5033 | Spiros | Faros | Breath | 1992 | fixed media, akusmatisch | 9:00 | Stereo, Quadro | PS C. | 0 | ||||||||||
| 5034 | Spiros | Faros | Ghosts 'n' Goblins | 1989 | fixed media, akusmatisch | 10:08 | Stereo | KSYME | 0 | ||||||||||
| 5035 | Spiros | Faros | Ich möchte | 1989 | fixed media, akusmatisch | 7:00 | Stereo | KSYME | 0 | ||||||||||
| 5036 | Spiros | Faros | Layers of lonliness | 1993 | Zuspiel / Tonband, | 12:00 | Stereo | PS C. | 0 | ||||||||||
| 5037 | Spiros | Faros | Pano se trikorfo vouno | 1993 | Zuspiel / Tonband, | 9:00 | Stereo | PS C. | 0 | ||||||||||
| 5038 | Spiros | Faros | The last performance | 1989 | Theatermusik | 20:00 | Stereo | PS C. | 0 | ||||||||||
| 5039 | Spiros | Faros | To Elli | 1992 | Zuspiel / Tonband, | 4:00 | Stereo | PS C. | 0 | ||||||||||
| 5040 | Spiros | Faros | Trilogie (Lay low) | 1990 | fixed media, akusmatisch | 17:30 | Stereo | S.E.C. | 0 | ||||||||||
| 39743 | Eddie | Farr | Erium | 2016 | fixed media, akusmatisch | Eddie Farr | 0 | ||||||||||||
| 5041 | Neal | Farwell | There are no sermons in Stones | 1995 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 36350 | James | Fassett | A Revelation In Birdsong Patterns | 1984 | fixed media, akusmatisch | 16 | Mono | EM Records 1044/ | 0 | ||||||||||
| 5042 | James | Fassett | Hear the Animals | 1961 | fixed media, akusmatisch | Mono | CBS NY | 0 | |||||||||||
| 5043 | James | Fassett | Sound Adventure | 1961 | fixed media, akusmatisch | Mono | CBS NY | 0 | |||||||||||
| 5044 | James | Fassett | Symphony of the Birds | 1954 - 1955 | fixed media, akusmatisch | 20 | Mono | EM Records 1044/ | CBS NY | 0 | |||||||||
| 38758 | Xavier, Marcus | FASSION, GAMMEL | Wachsgesänge | 2007 | radiophon | 43:57:00 | 0 | ||||||||||||
| 34531 | Claude | Fatus | Le Petit Prince - Musique des Planetes | 1983 | fixed media, akusmatisch | 4:04 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 5045 | Claude | Fatus | Piece pour gitare et bande | 1981 | Zuspiel / Tonband, 1 perf | ≈ 17:40 | Stereo | gui [Gitarre] | Sonology Utrecht | 0 | |||||||||
| 5046 | Claude | Fatus | „Recht is, waar het midden de einden bedekt“ (Plato) | 1983 | Performance | 60:00 | Quadro | 2 perf [Performer] | MIDIM system. 2 parts | Sonology Utrecht | 0 | ||||||||
| 5047 | Claude | Fatus | Turbulences | 1983 | fixed media, akusmatisch | 11:20 | Quadro | MIDIM system | Sonology Utrecht | 0 | |||||||||
| 5048 | Claude | Fatus | Voyager | 1981 | fixed media, akusmatisch | 8:45 | Quadro | MIDIM 8 System | Sonology Utrecht | 0 | |||||||||
| 5049 | Claude | Fatus | Voyager 2, Voyager II | 1982 | Fernsehen, | 11:10 | Quadro | MIDIM system | Sonology Utrecht | 0 | |||||||||
| 37650 | Roberto | Fausti | Eine kleine Nacht | 2017 | fixed media, akusmatisch | 10 | Octo | UdK Berlin | 0 | ||||||||||
| 5050 | Stuart | Favilla | Improvisation No. 1 : Alapana | 1993 | live-elec, 1 perf | 9:12 | com (Lightharps) [computer] | ICMC 1994, DIEM 001/ | 1 | ||||||||||
| 28173 | Jean | Favory | Passage-Longitude 40, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 6:00 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | ||||||||||
| 23776 | Gino | Favotti | Lady Gosse | 1994 | fixed media, akusmatisch | Stereo | CD F.T.M. 002 B 50 Jahre GRM | FTM 002 B 50 Ans de Musique Electroacoustique au GRM/ | INA • GRM | 1 | |||||||||
| 5051 | Marc | Favre | Clepsydre | 1983 | fixed media, akusmatisch | 14:41 | GMVL 014/ | GMVL Lyon | 0 | ||||||||||
| 5052 | Marc | Favre | Folie romane | 1991 | fixed media, akusmatisch | 10:00 | Octo | GMVL Lyon | 0 | ||||||||||
| 19095 | Marc | Favre | L'Illusion acoustique, 1° Grimoire, L'Athanor Clepsydre La forge de Vulcain Le corps bleu de la nuit |
1980 - 1982 | fixed media, akusmatisch | 46:00 | Stereo | GMVL CD 014/ | GMVL Lyon | 1 | |||||||||
| 19096 | Marc | Favre | L'Illusion acoustique, 2° Grimoire, Les Natures contraires Rue de la femme sans Tête Le repère de la Salamandre Destillation et noirceur de la tête de corbeau |
1982 | fixed media, akusmatisch | 23:00 | Stereo | GMVL CD 014/ | GMVL Lyon | 1 | |||||||||
| 19097 | Marc | Favre | L'Illusion acoustique, 3° Grimoire, Le Creuset Le Matras L'Athanor II Le beau corps d'Ether |
1986/1988 | fixed media, akusmatisch | 49:00 | Stereo | GMVL CD 015/ GMVL CD 09/ | GMVL Lyon | 1 | |||||||||
| 19098 | Marc | Favre | L'Illusion acoustique, 4° Grimoire, La Langue Verte | 1991 | fixed media, akusmatisch | 18:53 | Stereo | GMVL CD 015/ | GMVL Lyon | 1 | 1996 | ||||||||
| 5054 | Marc | Favre | Le monstre heroique | 1978 | fixed media, akusmatisch | 8:00 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 5055 | Marc | Favre | Trois nocturnes, Fêtes dyonisiaques Le Domaine d'écho Les Incantations de Silène |
1984 | fixed media, akusmatisch | 19:35 | Stereo | GMVL D 03 LP/ | GMVL Lyon | 1 | |||||||||
| 5056 | Marc | Favre | Vernis sauvage | 1985 | Zuspiel, live-elec, 1 perf | 19:00 | Stereo | synt [synthesizer] | GMVL D 03 LP/ | GMVL Lyon | 1 | ||||||||
| 39345 | Daniel | Fawcett | Radiant Cry I, Radiant Cry II Radiant Cry III |
2017 | live-elec, 1 perf | 9 | S (Sound Interactive Light Composition Suit) [Sopran] | October 2017 | Cagliari | 0 | https://www.daniel-fawcett.com/copy-of-vaporous-air | ||||||||
| 5057 | Reinhard | Febel | Delta | Zuspiel / Tonband, 1 perf | b-fl [Flöte] | 0 | |||||||||||||
| 5058 | Reinhard | Febel | Formation | 1977 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 26569 | Ivan | Fedele | Canone infinito | 2002 | fixed media, akusmatisch | 44:00 | Suvini Zerboni | 0 | |||||||||||
| 5059 | Ivan | Fedele | Donax | 1992 | Zuspiel / Tonband, 1 perf | 11:00 | fl [Flöte] | MM&T Milano | 0 | ||||||||||
| 26567 | Ivan | Fedele | Due notturni con figura | 2007 | live-elec, 1 perf | 28:00 | p [Piano] | 0 | |||||||||||
| 5060 | Ivan | Fedele | Maya | 1999 | live-elec, 6 perf | 12:00 | S, p, fl, cl, vc, vib [Sopran, Flöte, Klarinette, Piano, Schlagzeug, Cello] | text by Giuliano Corti | 0 | ||||||||||
| 28149 | Ivan | Fedele | Richiamo | 1994 | live-elec, 1 perf | 16:00 | perc [Schlagzeug] | IRCAM Les Années 90/ | IRCAM | IRCAM | Suvini Zerboni | 0 | http://brahms.ircam.fr/works/work/8440/ | ||||||
| 26568 | Ivan | Fedele | Totem | 1980 | fixed media, akusmatisch | 15:00 | Vigo | 0 | |||||||||||
| 24120 | Annamaria | Federici | A che pensi? | 2003 - 2004 | fixed media, akusmatisch | 15:10 | Stereo | Tempo Reale Firenze | 0 | ||||||||||
| 24121 | Annamaria | Federici | Aut | 2000 | Zuspiel / Tonband, 1 perf | 13:17 | Stereo | a-sax [Saxophon] | Tempo Reale Firenze | 1 | |||||||||
| 24122 | Annamaria | Federici | Comete | 2001 | fixed media, akusmatisch | 6:35 | Stereo | Tempo Reale Firenze | 0 | ||||||||||
| 39372 | Fati | Fehmiju | Obscura Lacrimae | 2017 | live-elec, 1 perf | p (com) [Piano] | 0 | ||||||||||||
| 41087 | James | Fei | Klangumwandler Solo | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 41092 | James | Fei | The Nerve Net Meter | 2005 | Performance, live-elec, 1 perf | perf [Performer] | IEA 08/ | IEA Alfred Uni | 0 | ||||||||||
| 5061 | Dieter | Feichtner | 6 Episoden | 1988 | fixed media, akusmatisch | 34:00 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5062 | Dieter | Feichtner | Amanita | 1982 | live-elec, 1 perf | 22:00 | synt [synthesizer] | 0 | |||||||||||
| 5063 | Dieter | Feichtner | Ball der steinernen Herzen | 1988 | fixed media, akusmatisch | 11:30 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5064 | Dieter | Feichtner | Der Heimkehrer I | 1982 | fixed media, akusmatisch | 10:10 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5065 | Dieter | Feichtner | Euphorismus I | 1988 | fixed media, akusmatisch | 24:30 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5066 | Dieter | Feichtner | Fliegenpilz I und II | 1982 | fixed media, akusmatisch | 35:00 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5067 | Dieter | Feichtner | Jenseits von Hollywood | 1988 | fixed media, akusmatisch | 12:10 | AMP 004/ | PS Rabl | 1 | ||||||||||
| 5068 | Dieter | Feichtner | Kronprinz Rudolfs Traum | 1978 | fixed media, akusmatisch | 23:00 | PS Rabl | 0 | |||||||||||
| 5069 | Dieter | Feichtner | MÜ der Wanderer | 1986 | live-elec, 1 perf | 4:00 | synt [synthesizer] | 0 | |||||||||||
| 5070 | Dieter | Feichtner | Orgelstück | 1982 | fixed media, akusmatisch | 3:00 | AMP 004/ | PS Rabl | 0 | ||||||||||
| 5071 | Dror | Feiler | Anzats, Hallel, Pig Iron, Sendero Luminoso, Even the blood must slepp, Hjärta, Sei Yabe, Umipnei Chatoenu | live-elec, 1 perf | sax [Saxophon] | Anckarström Ö10/ | 1 | ||||||||||||
| 28101 | Dror | Feiler | Dror Feiler and The Too Much Too Soon Orchestra - What is the point of Paris?, Alka OpFor DiaMat |
1996 | live-elec, 6 perf | 6 mus [Musiker] | FYCD 1007/ | 0 | |||||||||||
| 22341 | Dror | Feiler | Mass act II | live-elec, 1 perf | 10:01 | cl, (crackel-box, elec) [Klarinette] | Ess Clarinet, Crackel Box, live electronics. Festival Documentation "Nature is Perverse" |
Infogram 045/2/ | Partisan Studio | 1 | |||||||||
| 22277 | Dror | Feiler | Mass act III | live-elec, 1 perf | 9:52 | cl, (crackel-box, elec) [Klarinette] | Ess Clarinet, Crackel Box, live electronics. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | Partisan Studio | 1 | |||||||||
| 5072 | Dror | Feiler | Schlafbrand | 1990 | Zuspiel / Tonband, 1 perf | Stereo | org [Orgel] | 1 | 1996 | ||||||||||
| 5073 | Dror | Feiler | Sendero luminoso | 1990 | live-elec, 1 perf | ins [Instrument] | 0 | ||||||||||||
| 5074 | Dror | Feiler | The celestial fire | 1990 | fixed media, akusmatisch | 64:00 | Anckarström Ö10/ | PS C. | 0 | ||||||||||
| 27727 | Dror, Group | Feiler, Zeitkratzer | Improvisation | 1999 | live-elec, 1 group | 7:47 | ens [Ensemble] | zeitkratzer, Feiler | x-tract x-t 2006/ | 1 | |||||||||
| 5075 | Karl von | Feilitzsch | Jedermann | 1960 | Theatermusik | Mono | H. v. Hofmannstal | Siemens | Deutsches Theater München | 1960 | Dt. Theater München | 0 | |||||||
| 33451 | Karl von | Feilitzsch | Jenaer Glas | 1961 | Film | 30 | Mono | PS Sala | 0 | ||||||||||
| 33452 | Karl von | Feilitzsch | Käthchen von Heilbronn | 1961 | Theatermusik | 35 | Mono | PS Sala | 0 | ||||||||||
| 33455 | Karl von | Feilitzsch | Macbeth | 1964 | Theatermusik | 35 | Mono | PS Sala | 0 | ||||||||||
| 5076 | Karl von | Feilitzsch | Mittagswende | Theatermusik | Mono | P. Claudel | Siemens | Münchner Kammerspiele | Münchner Kammerspiele | 0 | |||||||||
| 33454 | Karl von | Feilitzsch | Nachts bei der Post | 1962 | Film | 10 | Mono | PS Sala | 0 | ||||||||||
| 33453 | Karl von | Feilitzsch | Stählerne Brücken | 1962 | Film | 15 | Mono | PS Sala | 0 | ||||||||||
| 23637 | António | Feirreira | Ambidecst | fixed media, akusmatisch | 8:10 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 23635 | António | Feirreira | Qualia | fixed media, akusmatisch | 10:55 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 23639 | António | Feirreira | Seis | fixed media, akusmatisch | 9:34 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 23636 | António | Feirreira | tErEsA | fixed media, akusmatisch | 8:26 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 23638 | António | Feirreira | Uqbar | fixed media, akusmatisch | 10:36 | Csound + Cecilia, Sound Sculptor, Peak | SSS 001 AnAnAnA/ | PS C. | 1 | ||||||||||
| 5077 | Daniel | Feist | A Dog's Tale | 1986 | Film | Stereo | 0 | ||||||||||||
| 5078 | Daniel | Feist | A Radio Play in Two Parts: Both of Which Are Me | 1978 | fixed media, akusmatisch | 11:45 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5080 | Daniel | Feist | Diptych, Auxferd Nightburr'd November 2 a.m. Our Child |
1985 | fixed media, akusmatisch | 2:50 | CEC DISContact_2/ | MetaM. Montréal | Rhino Prods | 1 | |||||||||
| 5081 | Daniel | Feist | Eight Step Minuet (The No More Blues Daniel Waltz) | 1983 | live-elec, 2 perf | 10:28 | Stereo, Quadro | gui, synt [Gitarre, synthesizer] | MetaM. Montréal, Sonic Tonic Montréal | Rhino Prods | 0 | ||||||||
| 5082 | Daniel | Feist | Hälfte des Lebens | 1978 | fixed media, akusmatisch | 4:10 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5083 | Daniel | Feist | I never had a chance: Dream sequence one through twenty-eight | 1982 | Zuspiel, live-elec, 2 perf | 8:59 | Stereo | V, synt, (elec) [Stimme, synthesizer] | Concordia Montréal | 0 | |||||||||
| 5084 | Daniel | Feist | Mexican Contours 1-2-3 Olé | 1985 | fixed media, akusmatisch | 20:30 | Stereo | MetaM. Montréal | Rhino Prods | 0 | |||||||||
| 5085 | Daniel | Feist | Scrambled Eggs | 1978 | fixed media, akusmatisch | 4:10 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5086 | Daniel | Feist | Snow Evolved | 1979 | fixed media, akusmatisch | 13:45 | Stereo, Quadro | Concordia Montréal, MetaM. Montréal | 0 | ||||||||||
| 5087 | Daniel | Feist | Snow, Snow Evolving | 1979 | Zuspiel, live-elec, 4 perf | 13:45 | Stereo | cl, p, V, synt, (elec) [Stimme, Klarinette, Piano, synthesizer] | Concordia Montréal | 0 | |||||||||
| 5088 | Daniel | Feist | Spring Fever I & II | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 5089 | Daniel | Feist | Suspicious | 1978 | Zuspiel / Tonband, 1 perf | 8:00 | Stereo | V [Stimme] | Concordia Montréal | 0 | |||||||||
| 5090 | Daniel | Feist | The Fox and the Tiger | 1986 | Film | Stereo | 0 | ||||||||||||
| 5091 | Guyla | Fekete | Omaggio a Maria Callas | 1984 | fixed media, akusmatisch | 5:20 | MR Budapest | 0 | |||||||||||
| 5092 | Richard | Felciano | Alleluia from the Mass for Pentecost | 1967 | Zuspiel / Tonband, 1 perf, 1 group | 4:00 | Mono | male ch, org [Orgel, Chor] | CCM Mills | 0 | |||||||||
| 5093 | Richard | Felciano | Chôd | 1986 | live-elec, 5 perf | vn, vc, db, 2 perc [Schlagzeug, Cello, Violine, Kontrabass] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 5094 | Richard | Felciano | Glossolalia - Ritual | 1967 | Zuspiel / Tonband, 3 perf | 12:00 | Mono | perc, T, org [Tenor, Orgel, Schlagzeug] | CCM Mills | 0 | |||||||||
| 5095 | Richard | Felciano | Mass | 1967 | Zuspiel / Tonband, 16 perf, 1 group | 15 ins, ch, org [Orgel, Instrument, Chor] | CCM Mills | 0 | |||||||||||
| 5096 | Bernardo | Feldman | Caudal de Poesia | 1992 | live-elec, 1 perf, 1 group | MIDI-ens [synthesizer] | Coll Santa Clarita | 0 | |||||||||||
| 5097 | Bernardo | Feldman | Onirica: a composer's day-dream | 1988 | Zuspiel, live-elec, 1 perf | 10:00 | MIDI [synthesizer] | Coll Santa Clarita | 0 | ||||||||||
| 5098 | Bernardo | Feldman | Still Life | 1987 | Klangkunst, Installation | SEAMUS EAM 9301 Vol. 1/ | Coll Santa Clarita | 0 | |||||||||||
| 26237 | Morton | Feldman | Intersection for magnetic tape | 1953 | fixed media, akusmatisch | 4:00 | Octo | mode 66/ | PS Barron NY | 1 | http://www.moderecords.com/ | ||||||||
| 5099 | Morton | Feldman | Marginal Intersection | 1951 | live-elec, 4 perf | 8:30 | Stereo | w-ins, br, (woods, glas, metals, gramophone record,) amp gui, elec [Gitarre, elektronik, Bläser] | sounds of machines, 2 oscillators (inaudible) | 0 | |||||||||
| 22365 | Joachim | Feldmann | Es blühn keine Blumen | 1972 | fixed media, akusmatisch | 4:03 | Stereo | Lied mit 5 Strophen (Gesang + Gitarre), Strophen mehr oder weniger verfremdet. | TU Berlin | 1 | |||||||||
| 5100 | Walter | Feldmann | fragmenté (epilogue) | 1992 | live-elec, 1 perf, 1 group | 18:30 | cl, ens [Klarinette, Ensemble] | HSM Basel | 0 | http://www.esbasel.ch/ | |||||||||
| 5101 | Francisco | Felipe | Desolación de la ciudad | 1993 | radiophon | 11:00 | EBU 1994/ | RNE | EBU Ars Acustica 1994 | 1 | |||||||||
| 25890 | Ellen | Fellmann | Aderngeäst | 2005 | fixed media, akusmatisch | 11:00 | 7 tracks | TU Berlin | 2005 | Ultraschall 2005 Sophiensäle | 1 | ||||||||
| 29471 | Ellen | Fellmann | blendung (Streuung) | 2001 | audiovisuell | 5:40 | Stereo | 2. part of the trilogy „Prägnanz-Streuung-Hitze“ (conciseness-scattering-heat) (2000-2002) |
May 2001 | Halluzinations phosphorescentes in Nancy / France | 0 | ||||||||
| 25892 | Ellen | Fellmann | Desert | 2005 - 2006 | Klangkunst, Installation | audiovisuell |
9:30 | 5 tracks, Stereo | Fassung 2005 für ZKM und verbesserte Fassung Sept. 2006. Ehemaliger Titel "Pixelinvasion" |
PS C., TU Berlin | 1 | |||||||||
| 25891 | Ellen | Fellmann | Frontiera | 2000 | audiovisuell, live-elec, 1 perf | 4:30 | Stereo | prep p [Piano] | PS | 1 | |||||||||
| 29468 | Ellen | Fellmann | Gras | 2006 | audiovisuell, 1 perf | 4:30 | Stereo | vc [Cello] | December 2006 | Maison de l’Architecture Paris, Cité européenne des Récollets | 0 | ||||||||
| 29469 | Ellen | Fellmann | Kraftbruch, Hitze / „heat“ | 2002 | audiovisuell | 4:45 | Stereo | 3. part of the trilogy „Prägnanz-Streuung-Hitze“ (conciseness-scattering-heat) (2000-2002) |
April 2003 | European Media Art Festival Osnabrück (EMAF) | 0 | ||||||||
| 29470 | Ellen | Fellmann | miniatur | 2002 | audiovisuell | 3:40 | Stereo | 1. part of the trilogy „Prägnanz-Streuung-Hitze“ (conciseness-scattering-heat) (2000-2002) |
September 2003 | Künstlerhaus Wien/ Austria in the exhibition „abstraction now“ | 0 | ||||||||
| 36721 | Ellen | Fellmann | Order of Things | 2011 | audiovisuell, live-elec, 1 perf | 8:30 | db [Kontrabass] | 0 | |||||||||||
| 27343 | Ellen | Fellmann | Rot | 2006 - 2007 | audiovisuell, 1 perf, 1 group | 7:51 | Stereo | str-ens [Streicher] | Ens Resonanz; Video Split-Screen | TU Berlin, PS C. | June 2007 | 34. International Competition of Electroacoustic Music Bourges, France, (2. Version) | 34. International Competition of Electroacoustic Music Bourges, France in June 2007 (2. Version) | 1 | https://vimeo.com/88280702 | ||||
| 27166 | Ellen | Fellmann | Schwarz | 2007 - 2008, 2016 | audiovisuell, 3 perf | 26:45 | 5 tracks | vn, va, vc [Viola, Cello, Violine] | Composition for Volcano sand, Violin, Viola and Cello | TU Berlin, PS C. | Oldenburg, Edith-Ruß-Haus | 24.05.2008 | Edith_Ruß-Haus Oldenburg, | 1 | |||||
| 27167 | Ellen | Fellmann | Trilogie: Prägnanz - Streuung - Hitze | 2000 - 2002 | audiovisuell | 13:00 | Stereo | die drei Sätze sind als einzelne Arbeiten unter den Titeln „Miniatur - Blendung - Kraftbruch“ aufführbar | PS C. | 1 | |||||||||
| 5102 | Clive | Fencott | The Geneva Summit | 1985 | fixed media, akusmatisch | 4:30 | Stereo | Voices: Bob Cobbing and Clive Fencott; Material treated on the BADA system | EMS Stockholm | 0 | |||||||||
| 43035 | Ling-Hsuan | Feng | No Ease | 2013 | fixed media, akusmatisch | 4:59:00 | 0 | ||||||||||||
| 40021 | Linghsuan | Feng | Set | 2015 | fixed media, akusmatisch | 6:06:00 | Linghsuan Feng | 0 | |||||||||||
| 35323 | Christian | Fennesz | Before I leave | 2001 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 43162 | Christian | Fennesz | Venice | 2004 | fixed media, akusmatisch | TO 53/ | Auszeichnung ars electronica honorary mention 2004 | 0 | https://www.discogs.com/Fennesz-Venice/release/252767 | ||||||||||
| 36455 | Christian | Fennesz | Verona | 2007 | radiophon | 4:43:00 | EDRM 417/ | 0 | |||||||||||
| 28533 | Maurits | Fennis | Nuages | 2010 | fixed media, akusmatisch | 5:01 | Octo, Spazialisation: Ambisonics | BEAST | 29.7.2010 | Inventionen Elisabeth-Kirche Berlin mit dem BEAST-System | 1 | 2010 | |||||||
| 28715 | José Luis | Fereira | Le bruit d’une Porte qui … | 2004 | fixed media, akusmatisch | 11:20 | 0 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=238&lang=EN | |||||||||||
| 25008 | José Luis | Fereira | Le bruit d’une tête qui frappe contre les murs d’une très petite cellule | 2000 | fixed media, akusmatisch | 6:10 | miso records mcd 013/014/ | Musica Viva Competition Prize 2001 | 1 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=238&lang=EN | |||||||||
| 28716 | José Luis | Fereira | Trópicos | 2009 | fixed media, akusmatisch | 0 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=238&lang=EN | ||||||||||||
| 28717 | José Luis | Fereira | Why | 2003 | fixed media, akusmatisch | 5:30 | 0 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=238&lang=EN | |||||||||||
| 5103 | Philippe | Feret | Musiques Eclatees, Les sœurs latines | 1969 | Performance | 3:53 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 42830 | John Robert | Ferguson | Flingle Flangle | 2013 | live-elec, | 10:46:00 | JR Ferguson, Machine- assembled Dislocation | 0 | |||||||||||
| 23405 | Sean | Ferguson | Vox Machina | 1990 | Zuspiel / Tonband, 1 group | 17:04 | ens [Ensemble] | GEMS McGill | ISBN 7717-0537-9/ | McGill Montréal | 1 | ||||||||
| 5104 | Eric | Fergusson | Respiratorio | 1983 | fixed media, akusmatisch | 11:30 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 5105 | Eric | Fergusson | Snapospheres | 1983 | fixed media, akusmatisch | 9:00 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 43132 | Cedrik, Dimitri della | Fermont, Faille | Not Your World Music: Noise In South East Asia | 2017 | Auszeichnung ars electronica: Golden Nica 2017 | 0 | |||||||||||||
| 5110 | Gabriel | Fernández Álvez | Canto elegiaco | 1990 | Zuspiel / Tonband, 1 group | 5:50 | Stereo | orc [Orchester] | LIEM CDMC Madrid | 0 | |||||||||
| 5111 | Gabriel | Fernández Álvez | Pentagrama sin Pájaros | 1989 | fixed media, akusmatisch | Stereo | LIEM CDMC Madrid | 0 | |||||||||||
| 34108 | Ignacio | Fernández Chaves | A la mesa | 2013 | fixed media, akusmatisch | 6:35 | FONAM Urugay/ | 0 | |||||||||||
| 31593 | Andres | Fernandez Rodriguez | Cocktail | 2013 | live-elec, 1 perf | 4:00 | (5 Gläser,) V [Stimme] | next_generation 5.0 | HfM Freiburg | 29.6.2013 | ZKM | 0 | |||||||
| 34094 | Antonio | Fernández Ros | Con jicamo | 1993 | fixed media, akusmatisch | 4:32 | IRD 002 Irradia/ | 0 | |||||||||||
| 34135 | Antonio | Fernández Ros | Duelo | fixed media, akusmatisch | 6:29 | 0 | |||||||||||||
| 34136 | Antonio | Fernández Ros | Hablo, luego existo | fixed media, akusmatisch | 27:15 | 0 | |||||||||||||
| 27195 | Antonio | Fernández Ros | La aritmetica del sol | 1994 | Zuspiel / Tonband, 1 perf | 8:00 | perc (bongo) [Schlagzeug] | 0 | |||||||||||
| 34137 | Antonio | Fernández Ros | Terra Cotta | fixed media, akusmatisch | 3:53 | 0 | |||||||||||||
| 5106 | Agustin | Fernandez | Silent Tower | 1990 | fixed media, akusmatisch | 12:00 | Stereo | LNT113/ | SARC Belfast | 1 | |||||||||
| 5107 | Agustin | Fernandez | Teoponte | 1987/1988 | Zuspiel / Tonband, 4 perf | 35:00 | Stereo | V, gui, 2 w (rec pipes) [Stimme, Gitarre, Bläser] | City Uni London | 0 | |||||||||
| 5108 | Agustin | Fernandez | Wounded Angel | 1989 | Zuspiel / Tonband, 1 perf, 1 group | 9:10 | Stereo | charango [Gitarre] | NMC D036, sonic arts collection 2/ | City Uni London | 1 | ||||||||
| 28247 | Iván | Fernandez | FTP | 2002 | fixed media, akusmatisch | 8:02 | 3 | 1 | |||||||||||
| 23559 | Iván | Fernández | Fon | 2003 | fixed media, akusmatisch | 3:53 | 1 | ||||||||||||
| 23558 | Iván | Fernández | no title | 2003 | fixed media, akusmatisch | 8:02 | 1 | ||||||||||||
| 41629 | Jose Miguel | Fernandez | la curvatura del cristal encantado, | 2017 | fixed media, akusmatisch | 10:13:00 | 16 Tracks | Musiques et Recherches Ohain | 0 | ||||||||||
| 23942 | José Miguel | Fernandez | 67-591 | 2003 | fixed media, akusmatisch | 9:16 | 2003. Festival Sonoimágenes. Buenos Aires, Argentina. | 0 | |||||||||||
| 23943 | José Miguel | Fernandez | 9dn.13 (Viaje-Espacio_Contínuo) | 2002 | fixed media, akusmatisch | 8:12 | 2002. CNSM de Lyon, Francia. | 0 | |||||||||||
| 23945 | José Miguel | Fernandez | 9dn.21 | 2003 | live-elec, 1 group | 12:12 | ens [Ensemble] | 2003. CNSM de Lyon, Francia. | 0 | ||||||||||
| 23941 | José Miguel | Fernandez | Attract | 2001 | live-elec, 1 perf | 7:45 | cl [Klarinette] | Investigación, junto con Luis Barrie, de modelos matemáticos aplicados a la música e interacción en tiempo real | Uni de la serena 1/ | FONDART | 2001 | Sala SCD. Santiago, Chile | Pieza finalista en el XX concurso internacional de Música Electroacústica de Bourges, categoria Trivium. | 0 | |||||
| 23944 | José Miguel | Fernandez | Dual | 2002 | live-elec, 1 perf | 15:00 | perc [Schlagzeug] | 2002. CNSM de Lyon, Francia. | FONDART | 2002 | CNSM de Lyon | 0 | |||||||
| 23938 | José Miguel | Fernandez | El Cruce | fixed media, akusmatisch | 0 | ||||||||||||||
| 28743 | José Miguel | Fernandez | M-brana | 2009 | live-elec, 2 perf | perc, db [Schlagzeug, Kontrabass] | National Fund for Music of the Government of Chil | 1 | |||||||||||
| 23940 | José Miguel | Fernandez | Resonancias de Csound | 1998 | fixed media, akusmatisch | 6:45 | 1998. Sala Goethe. VIII Festival de Música Contemporánea de la U.C. Santiago, Chile. | 0 | |||||||||||
| 23946 | José Miguel | Fernandez | Sincro | 2004 | live-elec, 8 perf | 12:00 | 8 ins [Instrument] | 2004. CNSM de Lyon, Francia | Pueblo Nuevo PN.CD.001/ | 0 | |||||||||
| 23939 | José Miguel | Fernandez | Travels thru three coordinates | fixed media, akusmatisch | Composicion para un video arte de Edgard Endress | 0 | |||||||||||||
| 19311 | Lola | Fernández | Querencia | 1995 | Zuspiel / Tonband, 1 perf | 5:29 | V [Stimme] | Ausschnitt | música electroacústica española 1/ | Real Con Madrid | 1 | ||||||||
| 5109 | Michael | Fernandez | You've got yours | 1985 | fixed media, akusmatisch | 7:02 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 5112 | Brian | Ferneyhough | Mnemosyne | 1986 | Zuspiel / Tonband, 1 perf | 10:00 | Stereo | b-fl [Flöte] | Experimentalstudio für Akustische Kunst Freiburg | 0 | 1990 | ||||||||
| 5113 | Brian | Ferneyhough | Time and Motion Study I | 1971/1977 | live-elec, 1 perf | 9:44 | Stereo | amp b-cl [Klarinette] | FYCD 1001/ | March 1977 | Royan Festival, Harry Sparnaay | 1 | |||||||
| 5114 | Brian | Ferneyhough | Time and Motion Study II, für vokalisierenden Cellisten | 1976/1977 | Zuspiel, live-elec, 1 perf | 24:52 | Octo | vc, (delay, rm, feedback) [Cello] | produced also in other studios (TU Berlin) | BM 30 SL 1715/ WWE 3CD 20025, 25 years Experimentalstudio Freiburg/ DMR Musik in Deutschland 1950 - 2000: Experimentalstaudio SWR/ | Experimentalstudio für Akustische Kunst Freiburg | Edition Peters London) | 1 | ||||||
| 5115 | Brian | Ferneyhough | Time and Motion Study III | 1974 | Zuspiel, live-elec, 16 perf | 23:00 | Quadro | 16 amp V (with metal perc) [Stimme] | SWR für Donaueschingen | 1975 | Donaueschingen (Donaueschinger Musiktage) 1974, Schola Cantorum Stuttgart, Clytus Gottwald. | 0 | |||||||
| 5116 | Gunnar | Fernlund | Utflykt | 1989 | fixed media, akusmatisch | 30:34 | Stereo | EMS Stockholm | 0 | ||||||||||
| 33336 | Carlos | Ferpozzi | La Ciudad | 1962 | fixed media, akusmatisch | 4 | Mono | PS Vaggione Cordoba | 0 | ||||||||||
| 23949 | Andrés | Ferrari | Fuerzas de Roce | fixed media, akusmatisch | 8:49 | 0 | |||||||||||||
| 23947 | Andrés | Ferrari | Inflexiones | fixed media, akusmatisch | 10:27 | 0 | |||||||||||||
| 23948 | Andrés | Ferrari | Inflexiones dos | Zuspiel / Tonband, 1 perf | 11:00 | Mez [Mezzo] | 0 | ||||||||||||
| 5117 | Luc | Ferrari | 6 pour 4, concert collectif | 1962 | fixed media, akusmatisch | 4:00 | Quadro | 1st version of Concert Collectif | INA • GRM | 1 | |||||||||
| 5118 | Luc | Ferrari | A la recherche du rythme perdu | 1978 | Zuspiel / Tonband, 2 perf | 20:00 | p, perc [Piano, Schlagzeug] | ADDA 581156/ | La Muse | 0 | |||||||||
| 25118 | Luc | Ferrari | Algérie 76 no. 1 & 2 & 3 | 1976 - 1977 | intermedia, | (slides) [] | slides by Djamel Faès | 0 | |||||||||||
| 5119 | Luc | Ferrari | Allo, ici la terre Hallo, hier spricht die Erde, Terre. Erde Eau - air. Wasser - Luft Guerre. Krieg L´utopie |
1971 - 1972 1973 - 1974 |
Zuspiel, live-elec, 1 group | Performance || audiovisuell |
114:20 | amp ens, (2 taperecorder, slides, lights, spectacle) [Ensemble] | ein ökologisches Hörspektakel | WDR SEM | WDR 1974 | 7.10.1974 | "Musik der Zeit" Köln | 0 | ||||||
| 27958 | Luc | Ferrari | Après Presque rien | 2004 | live-elec, 16 perf | 14 ins, 2 sam [Instrument, computer] | mode 228/ | 0 | |||||||||||
| 25135 | Luc | Ferrari | Archives Génétiquement Modifiées | 2000 | fixed media, akusmatisch | 25:23 | 3rd part of "Exploitation des Concepts" | INA G 6024/ | Post Billig Studio | 1 | |||||||||
| 40506 | Luc | Ferrari | Autoportrait | 1964 | Film | sur le peintre Dubuffet | INA • GRM | 1966 | Royan Festival, France | 0 | |||||||||
| 20150 | Luc | Ferrari | Berceuse d'illusions | 1991 | fixed media, akusmatisch | 2:20 | Stereo | CIRM/ | CIRM Nice | 0 | |||||||||
| 33745 | Luc | Ferrari | Capricorne | 1958 | Film | 1:28 | INA G 6022/ | INA • GRM | 1 | ||||||||||
| 5120 | Luc | Ferrari | Ce qu'a vu le Cers, Réflexion sur l'écriture no 3 | 1977 | Zuspiel / Tonband, 1 group | 25:16 | ens [Ensemble] | ADDA 581088/ | La Muse | 1 | |||||||||
| 5121 | Luc | Ferrari | Cellule 75, Force du rythme ou cadence forcée | 1975 | Zuspiel / Tonband, 2 perf | 25:03 | p, perc [Piano, Schlagzeug] | ADDA 581010/ MEC 01/ Tzadik 7033/ | La Muse | 1 | |||||||||
| 25127 | Luc | Ferrari | Chansons pour le corps | 1988 - 1994 | live-elec, 2 perf | ins, synt [Instrument, synthesizer] | 0 | ||||||||||||
| 25108 | Luc | Ferrari | Chastel | 1962 | Film | 9:32 | Film sur l’oeuvre du peintre | INA • GRM | 0 | ||||||||||
| 40907 | Luc | Ferrari | Chronopolis | 1982 | Film | 73 | SR 435 sub rosa/ | 0 | |||||||||||
| 33746 | Luc | Ferrari | Chute libre | 1958 | Film | 18:34 | Soundtrack of Gérard Patris’s film | INA G 6022/ | 1 | ||||||||||
| 20152 | Luc | Ferrari | Collection 85 | 1985 | Zuspiel / Tonband, 2 perf | 24:02 | Stereo | p, perc [Piano, Schlagzeug] | ADDA 581010/ | La Muse | 0 | ||||||||
| 5122 | Luc | Ferrari | Collection de petites pièces | 1985 | Zuspiel / Tonband, 1 perf | 24:02 | p [Piano] | 36 enfilades | ADDA 581010/ MEC 01/ | La Muse | 1 | ||||||||
| 5123 | Luc | Ferrari | Compose-composite, Concert Collectif | 1963 | Zuspiel / Tonband, 20 perf | 8:26 | Stereo | 20 ins [Instrument] | PHI 836 894/ IDEAMA CD 050/ | INA • GRM, Con Venezia | 18.3.1963 | Salle des Conservatoires, dir. Ch. Bruck | EFM | 0 | |||||
| 25124 | Luc | Ferrari | Créamaille 88 | 1988 | fixed media, akusmatisch | La Muse | 0 | ||||||||||||
| 40905 | Luc | Ferrari | Cyclotron | 1978 | Film | 18:44 | SR 435 sub rosa/ | 0 | |||||||||||
| 25116 | Luc | Ferrari | Danses organiques | 1971 - 1973 | radiophon | 50:35 | Stereo | comic strip für das Ohr. 6 Parts: 6:07 + 7:59 + 11:19 + 7:38 + 7:20 + 10:07 |
INA G 6020/ | 28.5.1973 | Théâtre Récamier, Paris | 1 | |||||||
| 40507 | Luc | Ferrari | Dernier Matin | 1964 | Film | 26:58 | pour un court métrage de J. Barral sur un conte d E. A. Poe | SR 435 sub rosa/ | INA • GRM | 0 | |||||||||
| 5124 | Luc | Ferrari | Dialogue ordinaire avec la machine, ou trois fables pour bande doucement philosophiques | 1984 | fixed media, akusmatisch | 30:41 | Stereo | 3 fables pour bande doucement philosophiques | DGG 2720025/ INA G 6022/ | 1 | |||||||||
| 27710 | Luc | Ferrari | Didascalies | 2004 | live-elec, 2 perf | va, p [Piano, Viola] | CRFMW Liège | 16.05.2004 | Bruxelles, Centre d'Art Chapelle de Boendael, Festival La Bibliothèque de Babel, Section Musique, Tome VII | 0 | |||||||||
| 5125 | Luc | Ferrari | Echantillon pour mime | 1959 | Musiktheater | 3:40 | Stereo | Eléments repris dans "Visage V" et "Tête et queue du dragon" | IDEAMA CD 028/ INA G 6017/ | INA • GRM | 23.6.1959 | Paris, Musée Guimet | 1 | ||||||
| 25109 | Luc | Ferrari | Égypte ô Égypte II | 1960, 1962, 1963 | Film | 9:45 | SR 435 sub rosa/ | INA • GRM | Juni 1960 20.10.1963 |
Salle des Agriculteurs, Paris Paris, Biennale |
Prix Biennale de Paris 1963 Sélectionné pour le Festival de Cannes 1963 |
0 | |||||||
| 5126 | Luc | Ferrari | Ephémère | 1974 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
50:00 | ins ad lib [Instrument] | La Muse | 0 | ||||||||||
| 5127 | Luc | Ferrari | Et tournent les sons dans la garrigue, Réflexion Sur L'écriture No. 1 | 1977 | fixed media, akusmatisch | Zuspiel/Tonband, 1 group |
26 | ens ad lib [Ensemble] | Césaré 06/ | La Muse | 0 | |||||||||
| 25107 | Luc | Ferrari | Étude, Étude 1 | 1961 | Film | 5:20 | Short film „image par image“ | IDEAMA CD 013/ | INA • GRM | 12.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||
| 5128 | Luc | Ferrari | Etude aux accidents | 1958 | fixed media, akusmatisch | 2:15 | Stereo | Première étude sur un critère typomorphologique | BAM LD 070/ INA C 1032 27652 archives grm CD 2/5/ EMF 037/ BAM EX 241/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 5.10.1958 | Bruxelles, EXPO 1958 | 1 | ||||||
| 5129 | Luc | Ferrari | Etude aux sons tendus | 1958 | fixed media, akusmatisch | 2:44 | Stereo | étude sur un critère typo-morphologique | INA C 1032 27652 archives grm CD 2/5/ EMF 037/ BAM LD 070/ BAM EX 241/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 5.10.1958 | Expo Bruxelles 1958 | 1 | ||||||
| 5130 | Luc | Ferrari | Etude floue | 1958 | fixed media, akusmatisch | 2:18 | Stereo | INA C 1032 27652 archives grm CD 2/5/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 5.10.1958 | Bruxelles, EXPO 1958 | 1 | |||||||
| 25132 | Luc | Ferrari | Far West News, De Santa Fé à Monument Valley De Page à Grand Canyon De Prescott à Los Angeles |
1998 - 1999, 2002 | radiophon | 85 | 3 parts (Landschaftsklänge USA) new Version 2002 |
INA G 6023/ INA G 6024/ | Post Billig Studio, NPS Hilversum, HR, DLR | NPS Hilversum | 10.5.2000 | Radio | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1430737&vi=112&SID | |||||
| 25141 | Luc | Ferrari | Femme descendant l'escalier | 2004 | Klangkunst, Installation | Klanginstallation für einen Bushaltestellenunterstand im Rahmen von "Itinerarios del Sonido“ in Madrid 2004 | PS C. | 1 | |||||||||||
| 40489 | Luc | Ferrari | Flashes | 1963, 1978 | radiophon | 16 | 14 ins [Instrument] | INA • GRM | 15.1.1964 | Paris, Salle Gaveau | 0 | ||||||||
| 5131 | Luc | Ferrari | Forme bleue | 1961 | Film | 4:30 | Short film „image par image“ | INA • GRM | 0 | ||||||||||
| 5132 | Luc | Ferrari | Hétérozygote, Ouverture La flûte et le Maritont Interludium I les météores La plage Interludium II La grotte (ou mise en ordre) Arithmétique De l'tube á Midi sur le marché Interludium III La prison Interludium IV Géometrie du ciel |
1964 | fixed media, akusmatisch | Theatermusik |
26:20 | Stereo | 8 tableaux, 4 intermèdes, Ouverture | BVHAAST 9009/ PHI 836 885/ Klett Stuttgart 92422/ BVHAAST 0206/ INA G 6018/ IDEAMA CD 095/ | INA • GRM | 29.4.1964 | Lille, Opéra Gala de l’ISEN | 1 | 1998 | |||||
| 25129 | Luc | Ferrari | Hold still keep moving | 1995 | audiovisuell | loop-Installation with slides, videos, 6 CD | 0 | ||||||||||||
| 5133 | Luc | Ferrari | J'ai éte coupé | 1960 - 1969 | fixed media, akusmatisch | 13:45 | Stereo | PHI 836 855/ IDEAMA CD 140/ INA G 6018/ | INA • GRM | 28.5.1973 | Paris, Th. Récamier | 1 | |||||||
| 25123 | Luc | Ferrari | Je me suis perdu | 1987 - 1988 | radiophon | zweisprachiges Hörspiel | La Muse | 0 | |||||||||||
| 25121 | Luc | Ferrari | Jetzt, oder wahrscheinlich ist dies mein Alltag, in der Verwirrung der Orte und der Augenblicke | 1982 | radiophon | 130 | "Jetzt, oder wahrscheinlich ist dies mein Alltag, in der Verwirrung der Orte und der Augenblicke" | WER 20662/ ZKM milestones/ | Radio HR Frankfurt | 0 | |||||||||
| 25133 | Luc | Ferrari | Jeu du hasard et de la détermination | 1998 - 1999 | Zuspiel / Tonband, 2 perf | p, perc [Piano, Schlagzeug] | PS C., INA • GRM | 0 | |||||||||||
| 5134 | Luc | Ferrari | Journal d'un journaliste amateur | 1972 | fixed media, akusmatisch | 35:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 25115 | Luc | Ferrari | Kennen sie Schönberg? | 1972 | radiophon | WDR SEM | 0 | ||||||||||||
| 5135 | Luc | Ferrari | L'Escalier des Aveugles | 1991 | fixed media, akusmatisch | 34:20 | Stereo | Collection of Novelles. 13 parts | ADDA 291302/ INA G 6026/ | LIEM CDMC Madrid, La Muse | 1 | ||||||||
| 5136 | Luc | Ferrari | Labyrinthe de violence | 1975 | intermedia, | (slides) [] | La Muse | 0 | |||||||||||
| 25126 | Luc | Ferrari | Le Freischütz (Die Wolfsschlucht) | 1989 | fixed media, akusmatisch | tape + 3 taperecorders | 0 | ||||||||||||
| 25138 | Luc | Ferrari | Les Anecdotiques, Exploitation des Concepts No. 6 | 2002 | radiophon | 54:28 | 6th part of "Exploitation des Concepts" | INA G 6025/ | DeutschlandRadio | 1 | |||||||||
| 25134 | Luc | Ferrari | Les Archives sauvées des Eaux, Exploitation des Concepts | 2000 | Zuspiel / Tonband, 1 group | 16:22 | orc, (2 CDs) [Orchester] | 1st part of "Exploitation des Concepts" | Césaré 06/ | PS C. | 0 | ||||||||
| 25142 | Luc | Ferrari | Les Arythmiques | 2003 | fixed media, akusmatisch | 40:25 | INA G 6026/ | PS C. | 1 | ||||||||||
| 25122 | Luc | Ferrari | Les émois d'Aphrodite | 1986 | Zuspiel / Tonband, 3 perf | p, cl, perc [Klarinette, Piano, Schlagzeug] | 0 | ||||||||||||
| 25112 | Luc | Ferrari | Les Grandes Répétitions | 1965 - 1966 | Film | 5 Films about Messiaen, Stockhausen, Varèse, Scherchen, Taylor | INA • GRM | 0 | |||||||||||
| 25110 | Luc | Ferrari | Les Pèlerins | 1962 | Film | about Bayreuther Festspiele | INA • GRM | 0 | |||||||||||
| 40904 | Luc | Ferrari | Les Yeux de Mathieu | 1984 | Film | 26:58 | SR 435 sub rosa/ | 0 | |||||||||||
| 40903 | Luc | Ferrari | Loin de l’équilibre | 1977 | Film | 21:27 | SR 435 sub rosa/ | 0 | |||||||||||
| 25130 | Luc | Ferrari | Madame de Shanghai | 1996 | Zuspiel / Tonband, 4 perf | 3 fl, sam [Flöte, computer] | mode 228/ | CEMAMu/ Ateliers Upic/ CCMIX | 0 | ||||||||||
| 5137 | Luc | Ferrari | Music Promenade | 1964 - 1969 | fixed media, akusmatisch | 20:30 | Mono + Mono + Mono + Mono, Quadro | also version with 4 magnetix tape recorders | INA 245172/ Ellipsis Arts 3672 - OHM: 02/ INA C 2008/ WER 67752/ WER 60046/ WER 7570/ INA G 6017/ IDEAMA CD 031/ | INA • GRM | October 1969 23.10.1969 |
Stockholm, EMS Paris, Maison de la Radio (SMIP) |
1 | ||||||
| 5138 | Luc | Ferrari | Musique socialiste | 1973 | Zuspiel / Tonband, 1 perf | 17:23 | Stereo | hpd [Cembalo] | IMEB Bourges | 0 | |||||||||
| 40445 | Luc | Ferrari | neuf sequences de base, concert collectif | 1962 | fixed media, akusmatisch | 7:20 | INA • GRM | 0 | |||||||||||
| 33744 | Luc | Ferrari | Ouvert-Fermé | 1993 | fixed media, akusmatisch | 8:11 | part of a collective comp. La Muse en Circuit „Un Impossible Pari(s)“ / Metropolis | INA G 6021/ | WDR Studio Akustische Kunst | 1 | |||||||||
| 25106 | Luc | Ferrari | Passage pour mimes, Passage | 1959 | Theatermusik | pour le mime Lecoq | INA • GRM | 23.6.1959 | Paris, Musée Guimet | 0 | |||||||||
| 5140 | Luc | Ferrari | Petite Symphonie intuitive pour un paysage de printemps | 1973 - 1974 | fixed media, akusmatisch | 25:13 | Stereo | soundscape | BVHAAST 9009/ BVHAAST 0206/ INA G 6018/ | "Billig"-St | 1 | ||||||||
| 25125 | Luc | Ferrari | Photophonie | 1989 | intermedia | exhibition-loop Alain Willaume | La Muse | 0 | |||||||||||
| 25120 | Luc | Ferrari | Place des Abbesses | 1977 | Film | Tzadik 7033/ | INA • GRM | 0 | http://www.tzadik.com/index.php?catalog=7033 | ||||||||||
| 21177 | Luc | Ferrari | Porte ouverte sur ville, Tür, zur Stadt geöffnet | 1992 - 1994 | Zuspiel / Tonband, 5 perf | 31:34 | Stereo | ob, cl, b-cl, perc, va [Klarinette, Oboe, Schlagzeug, Viola] | WDR SEM | WDR 1994 | 16.6.1994 | Köln | 0 | ||||||
| 25111 | Luc | Ferrari | Portrait d'une autre | 1963 | Film | INA • GRM | 5.12.1966 | TV ORTF, 2. chaine | 0 | ||||||||||
| 25128 | Luc | Ferrari | Portrait de femmes | 1994 | Zuspiel, live-elec, 2 perf | ins, synt [Instrument, synthesizer] | with "L'Escalie des Aveugles" & "Chansons pour le corps" | 0 | |||||||||||
| 25114 | Luc | Ferrari | Portrait-Spiel | 1971 | radiophon | SWF Baden-Baden | 0 | ||||||||||||
| 5141 | Luc | Ferrari | Presque rien avec filles | 1989 | fixed media, akusmatisch | 13:58 | BVHAAST 9009/ INA 245172/ INA C 2008/ BVHAAST 0206/ Editions Mego (LP) Recollection GRM/ INA G 6019/ | INA • GRM, St Vanves | 1 | ||||||||||
| 25137 | Luc | Ferrari | Presque rien avec Instruments | 2001 | live-elec, 15 perf | 15 amp ins [Instrument] | 5th part of "Exploitation des Concepts" | PS C. | 0 | ||||||||||
| 5142 | Luc | Ferrari | Presque rien No. 1, le lever du jour au bord de la mer | 1970 | fixed media, akusmatisch | 21:11 | Stereo | Samples of noises | DGG 2720025/ INA 245172/ INA C 2008/ Editions Mego (LP) Recollection GRM/ INA G 6019/ | INA • GRM | 1 | ||||||||
| 5143 | Luc | Ferrari | Presque rien No. 2, ainsi continue la nuit dans ma tête multiple | 1977 | fixed media, akusmatisch | 21:25 | Stereo | Coll GRM 9104 FE/ INA 245172/ INA C 2008/ Editions Mego (LP) Recollection GRM/ INA G 6019/ | INA • GRM | 1 | |||||||||
| 25131 | Luc | Ferrari | Presque rien No. 4, la remontée du village | 1990 - 1998 | fixed media, akusmatisch | 16 | "la remontée du village" | Editions Mego (LP) Recollection GRM/ INA G 6019/ | Post Billig Studio, PS C. | 1 | |||||||||
| 25117 | Luc | Ferrari | Presque rien ou le désir de vivre | 1972 - 1973 | Film | 50:40 | 2 Episoden: Le Causse Méjean, Le Plateau du Larzac | SWF Baden-Baden, IMEB Bourges | 0 | ||||||||||
| 5144 | Luc | Ferrari | Programme Commun pour clavecin et bande | 1972 | live-elec, 1 perf | 17:15 | Stereo | amp hpd [Cembalo] | Chojnacka | ADDA 581233/ | 1 | ||||||||
| 5145 | Luc | Ferrari | Promenade symphonique a travers un paysage musical | 1976 - 1978 | fixed media, akusmatisch | 24:35 | Stereo | Coll GRM 9104 FE/ | 1 | ||||||||||
| 25140 | Luc | Ferrari | Recontres fortuites | 2003 | live-elec, 2 perf | va, p [Piano, Viola] | CRFMW Liège | 6.11.2003 | Bruxelles, Centre d'Art Chapelle de Boendael, et Dijon, Festival Why Note, 6 et 22 novembre 2003 | 0 | |||||||||
| 25139 | Luc | Ferrari | Saliceburry Cocktail | 2002 | fixed media, akusmatisch | PS C. | 0 | ||||||||||||
| 40451 | Luc | Ferrari | Six pour quatre, concert collectif | 1962 | fixed media, akusmatisch | 7:09 | Quadro | Version provisoire du CONCERT COLLECTIF. Voir 1962 no. 281 „compose composite“ | INA • GRM | 20.7.1962 | Paris, Ranelagh Expériences 62 | 0 | |||||||
| 25113 | Luc | Ferrari | So | 1967 | Film | Film "Elektronische Musik" | INA • GRM | 0 | |||||||||||
| 5146 | Luc | Ferrari | Société II | 1967 | live-elec, 7 perf, 1 group | 4 p, 3 perc, ens [Piano, Schlagzeug, Ensemble] | 0 | ||||||||||||
| 5147 | Luc | Ferrari | Solitude Transit | 1990 | fixed media, akusmatisch | 70:00 | La Muse | 0 | |||||||||||
| 40430 | Luc | Ferrari | Spontane 1 | 1962 | live-elec, 9 perf | 4 - 10 | 9 ins [Instrument] | Improvisation sur schéma pour 9 instr. Enreg. studio par lÄEIMCP, dir. K. Simonovic | INA • GRM | 0 | |||||||||
| 40431 | Luc | Ferrari | Spontane 2 | 1962 | live-elec, 8 perf | 4 - 6 | 8 ins [Instrument] | Improvisation sur schéma pour 8 instr. Enreg. studio par lÄEIMCP, dir. K. Simonovic | INA • GRM | 0 | |||||||||
| 40435 | Luc | Ferrari | Spontane 3 | 1962 | live-elec, 7 perf | 7 - 9 | 7 ins [Instrument] | Improvisation sur schéma pour 7 instr, filmée par G. Patris Enreg. studio par lÄEIMCP, dir. K. Simonovic |
INA • GRM | 0 | |||||||||
| 40449 | Luc | Ferrari | Spontane 4, Spontane IV | 1962 | Film | 11 ins [Instrument] | Improvisation sur schéma pour 11 instr., filmée par G. Patris, avec participation du public | INA • GRM | 24.7.1962 | Paris, Ranelagh Expériences 62 | 0 | ||||||||
| 5148 | Luc | Ferrari | Strathoven | 1985 | fixed media, akusmatisch | 3:20 | how Beethoven meets Strawinsky … | BVHAAST 9009/ BVHAAST 0206/ INA G 6022/ | St Vanves | 1 | |||||||||
| 40424 | Luc | Ferrari | Suite gigôgne | 1961 | audiovisuell | Séquences pour illustration | INA • GRM | 0 | |||||||||||
| 25136 | Luc | Ferrari | Tautologies et Environs | 2001 | live-elec, 15 perf | 15 amp ins [Instrument] | 4th part of "Exploitation des Concepts" | PS C. | 0 | ||||||||||
| 5149 | Luc | Ferrari | Tautologos 1 | 1961 | fixed media, akusmatisch | 4:20 | Quadro, Stereo | dedicated to Hermann Scherchen | BAM LD 072/ Gravesaner Blätter 7 PAL 2870-ST EPML 48/ EMF 037/ BAM LD 5872/ INA G 6017/ Gravesaner Blätter 7 PAL 2869-ST EPML 48/ IDEAMA CD 028/ | INA • GRM, Scherchen Gravesano | Herrmann Scherchen | 18.7.1962 | Ranelagh Paris, Expérience 62 | 1 | |||||
| 5150 | Luc | Ferrari | Tautologos 2 | 1961 | fixed media, akusmatisch | 14:53 | Quadro, Stereo | 3 parts (2:12 + 5:11 + 7:30) | BAM LD 071/ EMF 037/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 18.7.1962 | Ranelagh Paris, Expérience 62 | 1 | ||||||
| 5151 | Luc | Ferrari | Tête et queue du dragon | 1960 | fixed media, akusmatisch | 9:08 | Stereo + Stereo, Mono, Quadro | 4 parts | PHI 835487/ EMF 037/ PHI A 00567 L/ Candide CE 31025/ INA G 6017/ IDEAMA CD 028/ | INA • GRM | 30.6.1960 | Salle Gaveau, Paris | 1 | ||||||
| 40906 | Luc | Ferrari | Tinguely | 1967 | Fernsehen, | 12:40 | SR 435 sub rosa/ | NDR Hamburg | 0 | ||||||||||
| 25119 | Luc | Ferrari | Tuchan, village no. 11350 | 1976 - 1977 | intermedia, | (slides) [] | spectral audiovisuell | 0 | |||||||||||
| 5152 | Luc | Ferrari | Und so weiter | 1966 | Zuspiel, live-elec, 1 perf | 14:05 | Quadro, Stereo | amp p [Piano] | WER 60046/ EMF 037/ WER 67752/ WER 7570/ IDEAMA CD 036/ | INA • GRM | 25.5.1966 | Paris, Maison de la Radio. studio 105; avec G. Frémy (p); instr. sonorisé par micros de contact | 1 | 2008 | |||||
| 20151 | Luc | Ferrari | Unheimlich schön | 1971 | radiophon | 15:40 | Stereo | MK CD 008/ INA G 6021/ | SWF Baden-Baden, La Muse | 1 | |||||||||
| 35206 | Luc | Ferrari | Verirrt. Ein Labyrinth | 1988 | radiophon | Karl-Sczuka-Preis 1988 | 0 | ||||||||||||
| 5153 | Luc | Ferrari | Visage 4, Profils | 1958 | Zuspiel / Tonband, 10 perf | 10:05 | 10 ins [Instrument] | INA • GRM | 1959 30.6.1960 |
WDR Köln „Musik der Zeit“ Paris, Salle Gaveau, Festival de la Recherche |
1 | ||||||||
| 5154 | Luc | Ferrari | Visage 5, Le personnage et ses créatures. jeu des créatures. le personnage dans un état de naturelle pureté |
1958 - 1959 | fixed media, akusmatisch | 10:32 | Mono + Mono, Stereo | PHI 835 485/86/ EMF 037/ SR 200 sub rosa/ PHI A 00565 GL/ LS 86047-8/ PHI 6526 003/ PHI 6740 001/ Klett Stuttgart 92442/ Mercury SR2 9123/ INA G 6017 | INA • GRM | 30.06.59 | Salle Gaveau, Paris | 1 | |||||||
| 40400 | Luc | Ferrari | Visage III, Visage 3 | 1958 | Zuspiel / Tonband, 1 perf, 1 group | ens, Sp [Sprecher, Ensemble] | Poème de B. Cendrars „Le transibérien“. Récitant: J. Topart | INA • GRM | 0 | ||||||||||
| 25143 | Luc, Brunhild | Ferrari, Meyer-Ferrari | Dérivatif | 2008 | fixed media, akusmatisch | 27:11 | by Brunhild Meyer-Ferrari from <July 15th to August 30th 2008 with 93 sound elements of Luc Ferrari’s archives | INA G 6021/ | PS C. | 1 | |||||||||
| 24123 | Nicola | Ferrari | Mottetto | 2001 | live-elec, 13 perf | 7:38 | V, hn, p {4 hands}, celesta, vib, mar, tim, str-qt, db [Stimme, Horn, Piano, Schlagzeug, Kontrabass, Streicher] | Tempo Reale Firenze | 0 | ||||||||||
| 41851 | Dominique | Ferraton | White Noise / Neige de fond | 2008 | radiophon | 3:52:00 | NAISA Deep Wireless 5/ | 1 | |||||||||||
| 40044 | Marco | Ferrazza | Omen | 2016 | fixed media, akusmatisch | Marco Ferrazza | 0 | ||||||||||||
| 28745 | Paulo | Ferreira-Lopes | de Profundis II, for violin and electronics | 2010 | live-elec, 1 perf | vn [Violine] | Kleiner Wasserspeicher - Concert 1, 2010 Friday 24. September, 19h, SC Sy,posium 2010; Aufnahme mit Kunstkopf. ensemble unitedberlin: Andreas Bräutigam violin |
1 | http://supercollider2010.de/concerts-installations.html | ||||||||||
| 25548 | Paulo | Ferreira-Lopes | Drei kurze Stücke aus dem Buch der Dunkelheit, Tres Pecas Do Livro Da Escuriado | 2007 | Zuspiel, live-elec, 1 perf | 7:59 | bar-sax, (elec) [Saxophon] | Pedro Bittencourt (sax) | ZKM / WER 20742/ | ZKM Karlsruhe | 1 | http://ima.zkm.de | |||||||
| 43004 | Paulo | Ferreira-Lopes | naT 2 | 2013 | fixed media, akusmatisch | 12:00:00 | 0 | ||||||||||||
| 33635 | Antonio | Ferreira | Les barricades mystérieuses | 2009 | fixed media, akusmatisch | 8:44 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 28295 | António | Ferreira | A Romance of Rust | 2005 | fixed media, akusmatisch | 10:09 | Stereo | 1 | |||||||||||
| 24793 | António | Ferreira | Evidence of Things Unseen | 2003 | fixed media, akusmatisch | 10:42 | MR 2004 Métamorphoses 2004/ | PS Cascais 02/88 | Métamorphoses 2004 | 1 | http://www.mic.pt/dispatcher?where=0&what=2&show=0&pessoa_id=168&lang=EN | ||||||||
| 25000 | António | Ferreira | Gist | 2002 | fixed media, akusmatisch | 9:52 | miso records mcd 013/014/ | PS Cascais 02/88 | Preis Bourges 2003 | 1 | |||||||||
| 5156 | Rui | Ferreira | Um Sonho da Primavera | 1986 | fixed media, akusmatisch | 6:03 | Stereo | Concordia Montréal | 0 | ||||||||||
| 24984 | Tózé | Ferreira | a força silenciosa do possivel | 1988 | fixed media, akusmatisch | 5:09 | plancton CO 001/ | PS Cascais 02/88 | 1 | ||||||||||
| 24985 | Tózé | Ferreira | algumas pessoas olharam o sul e viram o deserto | 1988 | fixed media, akusmatisch | 6:14 | plancton CO 001/ | PS Cascais 02/88 | 1 | ||||||||||
| 24986 | Tózé | Ferreira | Europa, depois da chuva | 1988 | fixed media, akusmatisch | 5:40 | plancton CO 001/ | PS Cascais 02/88 | 1 | ||||||||||
| 24987 | Tózé | Ferreira | More adult Music | 1987 | fixed media, akusmatisch | 9:22 | voz e texto Rodney Washka II. DMX-1000 |
plancton CO 001/ | Sonology Den Haag | 1 | |||||||||
| 24988 | Tózé | Ferreira | o verão nasceu da paixão de 1921 | 1988 | fixed media, akusmatisch | 12:37 | plancton CO 001/ | PS Cascais 02/88 | 1 | ||||||||||
| 24989 | Tózé | Ferreira | This is Music, as it was expected | 1988/2003 | live-elec, 1 perf | 11:00 | synt [synthesizer] | voz e texto Rodney Washka II. 2 Versionen: eine für die alte LP 88 (7:14), und die originale Version (9:21) DMX-1000 |
plancton CO 001/ | Sonology Den Haag | 1 | ||||||||
| 24990 | Tózé | Ferreira | um som, seguido de uma cena negra e malva | 1988 | Zuspiel / Tonband, 2 perf | 6:26 | p, perc [Piano, Schlagzeug] | plancton CO 001/ | PS Cascais 02/88 | 1 | |||||||||
| 22819 | Esther | Ferrer | Ta Te Ti To Tu o / La Agricultura en la Edad Media | 1994 | fixed media, akusmatisch | 15:09 | Ta Te Ti To Tu o ( or Agriculture in the Middle Ages) | HyCD-24/ | RNE, LIEM CDMC Madrid | 1 | |||||||||
| 5157 | Lorenzo | Ferrero | 12 Etudes pour AKS | 1972/1973 | live-elec, 1 perf | synt [synthesizer] | SMET Torino | 0 | |||||||||||
| 5158 | Lorenzo | Ferrero | Adagio | 1974 | live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 5159 | Lorenzo | Ferrero | J. P. J. | 1971 | fixed media, akusmatisch | SMET Torino | 0 | ||||||||||||
| 5160 | Lorenzo | Ferrero | Marilyn | 1979 | Musiktheater, live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 5161 | Lorenzo | Ferrero | Ombres | 1984 | live-elec, 1 group | 18:00 | ens [Ensemble] | IRCAM | Ricordi | 0 | |||||||||
| 5162 | Lorenzo | Ferrero | Primavera che non vi rincresca | 1973 | fixed media, akusmatisch | 18:02 | Stereo | LDC 2781127 "Les Saisons"/ | IMEB Bourges | 0 | |||||||||
| 5163 | Lorenzo | Ferrero | Rimbaud | 1974/1978 | Musiktheater, live-elec, 1 perf | synt [synthesizer] | 0 | ||||||||||||
| 5164 | Lorenzo | Ferrero | Voyage dans la fenêtre | 1973 | live-elec, 2 perf, 1 group | V, ens, synt [Stimme, synthesizer, Ensemble] | 0 | ||||||||||||
| 5165 | Ercolino | Ferretti | Etude | 1966 | fixed media, akusmatisch | 1:00 | Stereo | com M. | MIT Media Lab | 0 | |||||||||
| 5166 | Ercolino | Ferretti | Pipe and drum | 1963 | fixed media, akusmatisch | 3:00 | "auf Com gerechnet und erzeugt", orchestrale Veränderung von Parametern | WER 2033-2; Computer Music Currents 13/ IDEAMA CD 135/ | MIT Media Lab | 1 | |||||||||
| 5167 | Ercolino | Ferretti | Trio | 1965 | fixed media, akusmatisch | 3:00 | Stereo | com M., U-Musik auf Computer mit Matthews synthese program | WER 2033-2; Computer Music Currents 13/ WER 3024/ IDEAMA CD 135/ | MIT Media Lab | 1 | ||||||||
| 22174 | Beatriz | Ferreyra | Antartide | 1971 | Film | Award of the French Cinema's National Centre 1972 | 0 | ||||||||||||
| 22180 | Beatriz | Ferreyra | Arabesques autour d'une corde raide | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 5168 | Beatriz | Ferreyra | Boucles, rosettes et serpentins | 1982 | fixed media, akusmatisch | 12:48 | Stereo | IMEB Bourges | 0 | ||||||||||
| 22179 | Beatriz | Ferreyra | Bruissements | 1983 | fixed media, akusmatisch | french Government and ACIC | 0 | ||||||||||||
| 5169 | Beatriz | Ferreyra | Canto del Loco | 1974 | fixed media, akusmatisch | 15:00 | Stereo | LDC 2781109/ | IMEB Bourges | 1 | |||||||||
| 32953 | Beatriz | Ferreyra | Cantos de Antes | 2002 | live-elec, 2 perf | 10 | V, narrator [Stimme, Schauspieler] | Motus M 302004/ | Association pour la recherche et l'expérimentation musicale | 0 | |||||||||
| 5170 | Beatriz | Ferreyra | Cercles des Rondes | 1982 | fixed media, akusmatisch | 18:37 | Stereo | IMEB Bourges | 0 | ||||||||||
| 32238 | Beatriz | Ferreyra | Dans un point infini | 2005 | fixed media, akusmatisch | 15:25 | INA G 6030/ | INA GRM | 0 | ||||||||||
| 5171 | Beatriz | Ferreyra | Demeures aquatiques | 1967 | fixed media, akusmatisch | 7:30 | Quadro, Stereo | Infiné IF 4002/ SR 250 sub rosa/ IDEAMA CD 032/ | INA • GRM | 12.8.1968 | Avignon, 22. Festival | 0 | |||||||
| 37824 | Beatriz | Ferreyra | Deux dents dehors | 2007 | fixed media, akusmatisch | 4:00:00 | 0 | ||||||||||||
| 22115 | Beatriz | Ferreyra | Echos | 1978 | fixed media, akusmatisch | 8:35 | LDC 278072/73 Cultures Electroniques 14/ | PS | 1 | ||||||||||
| 40571 | Beatriz | Ferreyra | Etude 1965 | 1965 | Film | 3:30 | INA • GRM | 0 | |||||||||||
| 5172 | Beatriz | Ferreyra | Etude aux sons flégmatiques | 1971 | fixed media, akusmatisch | 12:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 40608 | Beatriz | Ferreyra | Faux usage du vrai, Un témoin en question: la photographie | 1967 | Film | INA • GRM | 18.6.1967 | TV ORTF, 1. chaine | 0 | ||||||||||
| 22176 | Beatriz | Ferreyra | Homo Sapiens | 1974 - 1975 | Film | Prize Rissolli della Prima Opera 1978 | 0 | ||||||||||||
| 38905 | Beatriz | Ferreyra | IMAfiction, portrait 09 | 2017 | Film | 31 | IMA portrait 09/ | IMA Institut für Medienarchäologie | 0 | https://ima.or.at/portrait-09-beatriz-ferreyra/ | |||||||||
| 40646 | Beatriz | Ferreyra | Impaciente | 1968 | Tanz | 21:30 | pour un ballet de P. Oca | INA • GRM | 0 | ||||||||||
| 23015 | Beatriz | Ferreyra | Jazz't for Miles | 2001 | fixed media, akusmatisch | 5:16 | CMJ Vol 25-4, 2001/ | 1 | |||||||||||
| 22177 | Beatriz | Ferreyra | Jeux des Rondes | 1980 - 1984 | fixed media, akusmatisch | Stereo | french Goverment | 0 | |||||||||||
| 37827 | Beatriz | Ferreyra | Jingle Bayle's | 2012 | fixed media, akusmatisch | 4:29:00 | 0 | ||||||||||||
| 40662 | Beatriz | Ferreyra | L’Aleph | 1969 | radiophon | INA • GRM | 0 | ||||||||||||
| 22182 | Beatriz | Ferreyra | L'Autre … ou le chant des marécages | 1987 | fixed media, akusmatisch | ACIC | 0 | ||||||||||||
| 27467 | Beatriz | Ferreyra | L'Autre Rive | 2007 | fixed media, akusmatisch | 17:20 | INA G 6030/ | PS | Commande de l'État pour l'IMEB | 1 | |||||||||
| 5174 | Beatriz | Ferreyra | L'Orvietan | 1970 | fixed media, akusmatisch | 13:00 | Quadro, Stereo | Editions Mego (LP) Recollection GRM/ Motus M 302004/ | INA • GRM | INA-GRM | 19.11.1970 | Bordeaux Alhambra, SIGMA 6 | 0 | ||||||
| 24411 | Beatriz | Ferreyra | La ba-balle du chien-chien à la mé-mère | 2001 | fixed media, akusmatisch | 11:10 | LDC 2781122/23/ | IMEB Bourges | 0 | ||||||||||
| 22178 | Beatriz | Ferreyra | La Calesita | 1982 | fixed media, akusmatisch | french Goverment, pedagogy comm for the Blanc-Mesnil Conservatory | 0 | ||||||||||||
| 40661 | Beatriz | Ferreyra | La fenètre | 1969 | Theatermusik | INA • GRM | 0 | ||||||||||||
| 37823 | Beatriz | Ferreyra | Le solfégiste solfégé | 2003 | fixed media, akusmatisch | 10:08:00 | using Baschet-ins | 0 | |||||||||||
| 24412 | Beatriz | Ferreyra | Les chemins du vent des glaces | 2002 | fixed media, akusmatisch | 10:35 | LDC 2781128 "Les Saisons"/ | IMEB Bourges | 0 | ||||||||||
| 32239 | Beatriz | Ferreyra | Les larmes de l'inconnu | 2011 | fixed media, akusmatisch | 18:27 | INA G 6030/ | l'État pour l'Ina GRM | 0 | ||||||||||
| 37828 | Beatriz | Ferreyra | Les retrouvailles | 2011 | fixed media, akusmatisch | 3:02:00 | 0 | ||||||||||||
| 5175 | Beatriz | Ferreyra | Médisances | 1968 | fixed media, akusmatisch | Tanz |
7:00 | Quadro, Stereo | Motus M 302004/ | INA • GRM | INA-GRM | 30.1.1969 6.6.1970 |
Paris, Maison de la Radio Arras, Château d’olhain; avec une chorégraphie de P. Oca |
Prix "Loisir des Jeunes" 1971 | 0 | |||||
| 24327 | Beatriz | Ferreyra | Mer d'Azav, Mer d'Azov | 1965 | fixed media, akusmatisch | 3:36 | INA C 1032 27652 archives grm CD 2/5/ | INA • GRM | 1 | ||||||||||
| 18474 | Beatriz | Ferreyra | Mirage contemplatif ? | 1992 | fixed media, akusmatisch | 15:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 37825 | Beatriz | Ferreyra | Murmureln, tango | 2003 | fixed media, akusmatisch | 4:10:00 | 0 | https://soundcloud.com/beatriz-ferreyra/murmureln | |||||||||||
| 22175 | Beatriz | Ferreyra | Mutations | 1972 | Film | 0 | |||||||||||||
| 22181 | Beatriz | Ferreyra | Passacaille deboitée pour un raide | 1984 | fixed media, akusmatisch | 0 | |||||||||||||
| 5176 | Beatriz | Ferreyra | Petit Poucet Magazine | 1985 | fixed media, akusmatisch | 18:55 | Stereo | LDC 2781109/ | IMEB Bourges | France Culture at the Competition "Phonurgia Nova" 1986 | Prix Phonurgia nova | 1 | |||||||
| 22184 | Beatriz | Ferreyra | Remolinos | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 22114 | Beatriz | Ferreyra | Rio de los pajaros, La rivière des oiseaux River of the birds |
1993 - 1998 | fixed media, akusmatisch | 12:07 | Magisterium GMEB 2000. Dedicated to Elsa Justel & Roger Cochini | LDC 278072/73 Cultures Electroniques 14/ Motus M 302004/ | PS | Jean-Paul Ruiz | 1 | ||||||||
| 22185 | Beatriz | Ferreyra | Rio de los pajaros azules, La rivière des oiseaux bleus River of the blue birds |
1998 - 1999 | fixed media, akusmatisch | 10:19:00 | Motus M 302004/ | Bregman Dartmouth | Bregman music studio (Dartmouth) | 0 | |||||||||
| 22186 | Beatriz | Ferreyra | Rio de los pajaros escondidos, La rivière des oiseaux cachés River of the hidden birds |
1999 - 2000 | fixed media, akusmatisch | 11:06:00 | dedicated to Gerald Bennett | Motus M 302004/ | INA • GRM | INA-GRM | 0 | ||||||||
| 37829 | Beatriz | Ferreyra | Senderos de luz y sombras Sentiers d'ombres et de lumière, Senderos disimulados (Sentiers dissimulés) Senderos entreverados (Sentiers enchevêtres) Senderos del olvido (Sentiers oubliés) |
2016/2017 | fixed media, akusmatisch | Stereo, 16 tracks | Ina-GRM and french state | 0 | |||||||||||
| 5177 | Beatriz | Ferreyra | Siesta blanca | 1972 | fixed media, akusmatisch | 14:20 | Stereo | Hiver des "Saisons" | FYLP 1012/ LDC 2781109/ LDC 2781126 "Les Saisons"/ | IMEB Bourges | 3. prize Fylkingen 1975 | 1 | |||||||
| 18473 | Beatriz | Ferreyra | Souffle d'un petit Dieu distrait (a little distaught God's breath) | 1988 - 1997 | fixed media, akusmatisch | 13:43 | Stereo | UPIC-competition | Innova 114/ LDC 2781109/ | IMEB Bourges | 0 | ||||||||
| 37826 | Beatriz | Ferreyra | Sourires d'automne | 2004 | fixed media, akusmatisch | 4:00:00 | 0 | ||||||||||||
| 5178 | Beatriz | Ferreyra | Symphonie concertante pour le chat et son astrologue | 1978 | Zuspiel / Tonband, 1 perf | vn [Violine] | 0 | ||||||||||||
| 22183 | Beatriz | Ferreyra | Tata, tocame la toccata | 1990 | fixed media, akusmatisch | 0 | |||||||||||||
| 18472 | Beatriz | Ferreyra | The U.F.O. forest | 1985 | fixed media, akusmatisch | 14:00 | Stereo | LDC 2781109/ | IMEB Bourges | mention Bourges | 1 | ||||||||
| 5179 | Beatriz | Ferreyra | Tierra quebrada | 1976/1977 | Zuspiel / Tonband, 1 perf | vn [Violine] | ACIS | 0 | |||||||||||
| 40560 | Beatriz | Ferreyra | Typologie des Arbres | 1965 | Film | INA • GRM | 0 | ||||||||||||
| 32240 | Beatriz | Ferreyra | Un fil invisible | 2009 | fixed media, akusmatisch | 18 | INA G 6030/ | l'État pour l'Ina GRM | 0 | ||||||||||
| 32952 | Beatriz | Ferreyra | Vivencias | 2001 | fixed media, akusmatisch | 11:20 | Motus M 302004/ | Musiques et Recherches Ohain | Musiques et Recherches Ohain | 0 | |||||||||
| 5173 | Beatriz, François | Ferreyra, Bayle | Jeu | 1966 | Film | 5:00 | Mono, Quadro | INA • GRM | April 1966 | 3rd Festival Royan | 0 | http://www.magison.org/ | |||||||
| 38110 | Beatriz, Christine | Ferreyra, Groult | Nahash | live-elec, 1 perf | 63 | perf [Performer] | trAce 040/ | 0 | |||||||||||
| 5180 | Shawn | Ferris | And there was the sea | 1986 | fixed media, akusmatisch | 15:13 | Stereo | 0 | |||||||||||
| 5181 | Shawn | Ferris | Piano 4 | 1985 | fixed media, akusmatisch | 10:12 | Stereo | 0 | |||||||||||
| 5182 | Shawn | Ferris | Stranger than Fiction | 1985 | fixed media, akusmatisch | 13:00 | Stereo | 0 | |||||||||||
| 5183 | Shawn | Ferris | The Hidden Godhead | 1984 | fixed media, akusmatisch | 19:20 | Stereo | 0 | |||||||||||
| 5184 | Shawn | Ferris | The Suspended Triangle | fixed media, akusmatisch | 15:00 | Stereo | 0 | ||||||||||||
| 5185 | Shawn | Ferris | There is a solitude about such a shore | 1986 | fixed media, akusmatisch | 14:03 | Stereo | 0 | |||||||||||
| 38759 | Andreas, Peter | FERVERS, WATERHOUSE | E 71 – Etüde für große Trommel und drei Sprecher - | 2001 | radiophon | 45:05:00 | 0 | ||||||||||||
| 5186 | Robert | Fesler | Canada | 1976 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 5187 | Robert | Fesler | Correspondance | 1976 | fixed media, akusmatisch | 4:40 | PS C. | 0 | |||||||||||
| 5188 | Robert | Fesler | Escale | 1976 | fixed media, akusmatisch | 7:30 | PS C. | 0 | |||||||||||
| 5189 | Robert | Fesler | Et Il Créa | 1982 | fixed media, akusmatisch | 18:00 | PS C. | 0 | |||||||||||
| 5190 | Robert | Fesler | La lettre d'Hadrien à Marc Aurèle | 1979 | fixed media, akusmatisch | 25:00 | PS C. | 0 | |||||||||||
| 5191 | Robert | Fesler | La perte du Temps | 1986 | fixed media, akusmatisch | 6:00 | PS C. | 0 | |||||||||||
| 5192 | Robert | Fesler | Le Jeu des Perles de Verre | 1979 | fixed media, akusmatisch | 12:30 | PS C. | 0 | |||||||||||
| 5193 | Robert | Fesler | Le retour d'Ulysse | 1976 | fixed media, akusmatisch | 15:00 | PS C. | 0 | |||||||||||
| 5194 | Robert | Fesler | Les Oiseaux Mécaniques | 1975 | fixed media, akusmatisch | 7:32 | PS C. | 0 | |||||||||||
| 5195 | Robert | Fesler | Mao | 1976 | fixed media, akusmatisch | 7:30 | PS C. | 0 | |||||||||||
| 5196 | Robert | Fesler | Missa Tenebrae | 1985 | fixed media, akusmatisch | 8:00 | PS C. | 0 | |||||||||||
| 5197 | Robert | Fesler | quadrilogie: Firmament V, Le Temps des Poissons touche à sa Fin, In Hora Conjunctionis, Aurora Resurgens | 1976 - 1983 | fixed media, akusmatisch | 56:45 | PS C. | 0 | |||||||||||
| 5198 | Robert | Fesler | Une Apocalypse de Jean | 1976 | fixed media, akusmatisch | 21:00 | PS C. | 0 | |||||||||||
| 5199 | Robert | Fesler | Yi-King | 1987 | fixed media, akusmatisch | 9:00 | PS C. | 0 | |||||||||||
| 5200 | Klaus | Fessmann | Isn't it strange in the cage | 1982 | fixed media, akusmatisch | 7:35 | Ornament CH 7.921/ | HfM Stuttgart | 1 | ||||||||||
| 41768 | Evelyn | Ficarra | 21 Grand | 2006 | Klangkunst, Installation | acc [Akkordeon] | gallery soundscape for Re-figured exhibition featuring photographs by Ian Winters. Electronic sound score. Featuring recordings of accordionist Marié Abe | Feb 2006 | 0 | ||||||||||
| 5201 | Evelyn | Ficarra | Brasserie | 1991 | Zuspiel / Tonband, 3 perf | 4 | tpt, hn, trbn [Horn, Trompete, Posaune] | 1992 | Dartington | 0 | |||||||||
| 5202 | Evelyn | Ficarra | Breaths II | 1990 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 41762 | Evelyn | Ficarra | Close | 1994 | Zuspiel / Tonband, 2 perf | 8:30:00 | 2 hpd [Cembalo] | Annelie de Mann | 1996 | Amsterdam | 0 | ||||||||
| 18919 | Evelyn | Ficarra | Crazy Horse, Krazy Horse | 1992 | fixed media, akusmatisch | 1:42 | Improvisation with a piano-sample | SWECD 1, the soundworks exchange, 1st edition/ | PS | 1 | |||||||||
| 5203 | Evelyn | Ficarra | Deuce | 1993 | Zuspiel / Tonband, 2 perf | 10:00 | Stereo | fl (baroque fl), hpd [Flöte, Cembalo] | SCD 28026 Sargasso/ | EMS Stockholm | Eleanor Dawson with funds from the Arts Council of Great Britain |
1993 | Belfast | 0 | |||||
| 41761 | Evelyn | Ficarra | Ding | 1994 | fixed media, akusmatisch | 1:00:00 | Unknown Public 05 Voicebox | 0 | |||||||||||
| 41753 | Evelyn | Ficarra | Dissonant Futures | 2014 | audiovisuell, live-elec, 2 perf | prep amp p, laptop (improvisation) [Piano, computer] | collaboration with Myra Melford (pianist / composer) and Ian Winters (video artist). | 19th Feb 2014 | Performed University of Sussex | 0 | |||||||||
| 41764 | Evelyn | Ficarra | Endangered | 2012 | Klangkunst, Installation | collaboration with artist Karrie Hovey and poet Elise Ficarra. | 11 April 2012 – 26th May 2012 | Intersection for the Arts, San Francisco | 0 | ||||||||||
| 41751 | Evelyn | Ficarra | FRACTURED MARBLE | 2007 | fixed media, akusmatisch | 7:26 | SCD 28057 Sargasso/ | 23rd November 2016 | Conservatoire de Nice, MANCA Festival. | 0 | |||||||||
| 21792 | Evelyn | Ficarra | Frantic Mid-Atlantic | 1998 | radiophon | 13:53 | SCD 28026 Sargasso/ | Hearing is Believing, | 0 | ||||||||||
| 41763 | Evelyn | Ficarra | Ghost Cup | 2017 | Klangkunst, Installation | Objects and memory. | 7&8th April 2017 | Columbia University Computer Music Center | 0 | ||||||||||
| 41756 | Evelyn | Ficarra | Isle Remix | 2006 | fixed media, akusmatisch | 7:00:00 | Unknown Public/BMIC Critical Notice CD, 2006 | 27 Nov 2007 | Broadcast BBC Radio 3 ‘Late Junction’ | 0 | |||||||||
| 41758 | Evelyn | Ficarra | London Cries | 2002 | Zuspiel / Tonband, 2 perf, 1 group | 12:00:00 | Mez, T, strs [Mezzo, Tenor, Streicher] | Poems on the Underground | July 2002 | Apollo Chamber Orchestra, City of London Festival | 0 | ||||||||
| 5204 | Evelyn | Ficarra | Plus ça change | 1991, 1997 | Zuspiel / Tonband, 2 perf | 14:00 | Stereo | vn, mar [Schlagzeug, Violine] | SCD 28026 Sargasso/ | EMS Stockholm | 1991 | Purcell Room, London by ens Marimolin | 0 | ||||||
| 41759 | Evelyn | Ficarra | Search | 1997 | Zuspiel / Tonband, 7 perf | 5:00:00 | 7 str [Streicher] | SCD 28026 Sargasso/ | Gogmagogs with funds from the Arts Council of England | 1997 | City of London Festival | 0 | |||||||
| 5205 | Evelyn | Ficarra | Setting poems by Sylvia Platenl Sappho | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 41765 | Evelyn | Ficarra | short films about water / submarine | 2008 | Film | Klangkunst, Installation |
collaboration with video artist Ian Winters | 2008 2009 |
Oakland Noodle Factory (Sept); St Petersberg (Aug); Noisiel (Oct); Moscow Autumn (Nov.) In 2009 installation version: Illuminated Corridor; site specific in the Port of Oakland (May); Poto Festival, Grass Valley (July); Luggage Store Performance including live electronic improvisation (Sept.) |
0 | ||||||||||
| 5206 | Evelyn | Ficarra | Source of uncertainty | 1993 | fixed media, akusmatisch | 8:00 | nor 03/ SCD 28026 Sargasso/ | EMS Stockholm | 1994 | Aberdeen | Finalist Prix Noroit 94 Competition Musica Nova Prag 1994 |
1 | |||||||
| 41757 | Evelyn | Ficarra | Submarine - radio edit | 2002 | fixed media, akusmatisch | 15:00:00 | Ralph Vaughan Williams Trust. | October 2002 | Broadcast on Resonance 104.4fm, Featuring singer Shie Shoji | 0 | |||||||||
| 41755 | Evelyn | Ficarra | Submarine Revisited | 2007 | Performance | 15:09:00 | S, p [Sopran, Piano] | Unknown Public/BMIC Critical Notice web project | 2007 | Featuring Loré Lixemberg (soprano) Dominic Saunders (piano) and interviews from a number of ex-naval officers. <www.criticalnotice.com> | 0 | http://www.criticalnotice.com | |||||||
| 41766 | Evelyn | Ficarra | these are my arms holding you – tearing you apart | 2007 | Tanz | text soundscape for pre-show installation. | Feb 2007 | Dance Mission, San Francisco. Choreographer Paige Starling Sorvillo, video artist/set design Ian Winters | 0 | ||||||||||
| 41760 | Evelyn | Ficarra | Those Roads | 1994 | fixed media, akusmatisch | Film |
9:07:00 | SCD 28026 Sargasso/ | Sonic Arts Network with funds from the London Arts Board as part of a sound and image collaboration | 0 | ||||||||||
| 41754 | Evelyn | Ficarra | vagues / fenêtres | 2009 | live-elec, 3 perf | str-trio [Streicher] | Eco Ensemble, Berkeley, Feb 6 2011 | 2009 | MANCA Festival | 0 | |||||||||
| 41752 | Evelyn | Ficarra | War Poems; the dead returning lightly dance | 2016 | Zuspiel, live-elec, 1 perf, 1 group | 25:00:00 | orc, V [Stimme, Orchester] | Poems on the Underground | 2nd November 2016 | London Transport Museum, performed by Apollo Chamber Orchestra, Conductor David Chernaik, Reader Michael Rosen. Second performance 15th Nov, Europe House, London. Reader: Imtiaz Dharker. | 0 | ||||||||
| 5207 | Evelyn | Ficarra | You know the place | 1986 | fixed media, akusmatisch | 0 | |||||||||||||
| 41767 | Evelyn, Heather, Jeremy, Brian, John | Ficarra, Frasch, Hunt, Kane, MacCallum | Sound Garden | 2006 | Klangkunst, Installation | outdoor sound installation, collaboration with artist Dawn Frasch | 22nd April 2006 | Hertz Hall, University of California, Berkeley | 0 | ||||||||||
| 39401 | Jason | Fick | Ceratonova Shasta | 2017 | fixed media, akusmatisch | 5:02 | 0 | ||||||||||||
| 34387 | Sergio | Fidemraizer | Arran de pell | fixed media, akusmatisch | 11:10 | AMEE/ | 0 | ||||||||||||
| 19856 | Sergio | Fidemraizer | Cantos del Alba | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19858 | Sergio | Fidemraizer | La Cara oculta | 1991 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19861 | Sergio | Fidemraizer | La otra Escena | 1993 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19859 | Sergio | Fidemraizer | Lo que vendrá | 1992 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19857 | Sergio | Fidemraizer | Los sueños liricos de Maite | 1988 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 19860 | Sergio | Fidemraizer | Luz y Sombra | 1992 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 5208 | Sergio | Fidemraizer | Recorda-te'n | 1991 | fixed media, akusmatisch | 3:47 | FM | UM CD 7 Vol. I/ | Phonos Barcelona | 1 | |||||||||
| 40239 | Sergio | Fidemraizer | VA I VE | 2017 | fixed media, akusmatisch | Sergio Fidemraizer | 0 | ||||||||||||
| 34060 | Gerald | Fiebig | Cross Talk | 2015 | fixed media, akusmatisch | 7:29:00 | degem CD 13/ | 0 | |||||||||||
| 33791 | Gerald | Fiebig | Forbidden Transition | 2013 | fixed media, akusmatisch | 3:33 | DegeM CD 12 Seltene Erden/ | 1 | |||||||||||
| 37677 | Gerald | Fiebig | Pulsar | 2011 | fixed media, akusmatisch | 3:43 | DegeM CD 15/ | 0 | |||||||||||
| 19145 | Frank | Fiedler | SEMAN | 1995 | Klangkunst, Installation | 60:00 | Mischung aus 3 installierten Raumklängen in der ständugen Ausstellung der Stiftung "Neue Synagoge Berlin - Centrum Judaicum": Tuet auf die Pforten | 1 | |||||||||||
| 41749 | Ambrose | Field | Being Dufay, Ma Belle Dame Souveraine Je Me Complains Being Dufay Je Vous Pri Presque Quelque Chose Sanctus La Dolce Vista |
2007 | live-elec, 1 perf | 49 | T (John Potter) [Tenor] | Music Based On Vocal Fragments By Guillaume Dufay (1397-1474) | ECM 2071/ | 0 | |||||||||
| 33865 | Ambrose | Field | Empty Spaces | 1997 | fixed media, akusmatisch | Stereo | Prix Ars Electronica 98/ | Prix Ars Electronica 1998 | 0 | ||||||||||
| 22120 | Ambrose | Field | Expanse Hotel (Durango Mix), Storm Horse Drama Orient Express Exotic Beach Lost Moments |
1999 | fixed media, akusmatisch | 11:00 | Centaur CRC 2552, CDCM Vol. 32/ LDC 278072/73 Cultures Electroniques 14/ | PS | Bourges 2000 ICMA Commission Awards 1997-99 |
0 | |||||||||
| 23568 | Ambrose | Field | One Hell of a place to lose a cow | 2003 | fixed media, akusmatisch | 18:32 | LDC 278078 Cultures électroniques 17/ | PS | Prix 30. Concours Bourges 2003 | 1 | |||||||||
| 20153 | Ambrose | Field | Pyrotechnic! | 1997 | fixed media, akusmatisch | 2:21 | Stereo | Prix ars electronica 97/ | Auszeichnung ars electronica honorary mention 1997 | 0 | |||||||||
| 41747 | Ambrose | Field | Quantaform, Quantaform I - XX | live-elec, 1 perf | fl [Flöte] | SCD 28071 Sargasso/ | 0 | ||||||||||||
| 41750 | Ambrose | Field | Storm, SILENT CITY THORS HAMMER CHINESE WHISPERS CATHEDRAL THE ALLIGATOR WHITE SANDS CALIFORNIA 911 WALL OF WINDOWS RECREATION TOMBSTONE CATALOGUE GUM HURRICANE RIDGE |
fixed media, akusmatisch | 43 | SCD 28054 Sargasso/ ARS 06/ | Auszeichnung ars electronica honorary mention 2006 | 0 | |||||||||||
| 41748 | Ambrose | Field | Technoform, Technoform 1 - 11 | live-elec, 1 perf | fl [Flöte] | SCD 28071 Sargasso/ | 0 | ||||||||||||
| 5209 | Ambrose | Field | Turbulent Sands | 1994 | fixed media, akusmatisch | 3:00 | UEA Norwich | 0 | |||||||||||
| 5210 | Ambrose | Field | Undercurrents | 1994 | fixed media, akusmatisch | 10:00 | UEA Norwich | Competition Musica Nova Prag 1994 | 0 | ||||||||||
| 41746 | Ambrose, Paul | Field, Fretwell | Northern Loop, Dark Water Labyrinth Plants and Pistons Tidal Life Expectation Renaissance Pulse Glass Machine |
2005 | fixed media, akusmatisch | 80 | SCD 28072 Sargasso/ | 0 | |||||||||||
| 19216 | Kenneth | Fields | Life in the Universe | fixed media, akusmatisch | CMJ Vol 21, 1997/ | 1 | |||||||||||||
| 5211 | Mathew | Fields | Walk | 1986 | fixed media, akusmatisch | 20:00 | Quadro | CCRMA | 0 | ||||||||||
| 39749 | Eli | Fieldsteel | Invisible Ink | 2017 | fixed media, akusmatisch | Eli Fieldsteel | 0 | ||||||||||||
| 27300 | Cristiano | Figueiró | Enquanto Eles Riem | 2006 | live-elec, 1 perf | 5:13 | cl [Klarinette] | In Itinere | EMAC UFGoias | 1 | |||||||||
| 27301 | Cristiano | Figueiró | Pequis Rolantes | 2005 | live-elec, 1 perf | 5:53 | e-gui [Gitarre] | In Itinere | EMAC UFGoias | 1 | |||||||||
| 5212 | Janusz | Filiciak | MUZYKA dO KUBUSIA PUCHATKA | 1986 | fixed media, akusmatisch | Stereo | SME Krakow | 0 | |||||||||||
| 5214 | Lionel | Filippi | Ceremonias | 1977 | fixed media, akusmatisch | 16:00 | Stereo | INA • GRM | 0 | ||||||||||
| 5215 | Lionel | Filippi | Jardins | 1974 | fixed media, akusmatisch | 17:25 | Stereo | Étude de stage | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | |||||||
| 5216 | Lionel | Filippi | Voyage I | 1973 | fixed media, akusmatisch | 10:56 | Stereo | IPEM Gent | 0 | ||||||||||
| 5217 | Lionel | Filippi | Voyage II | 1973 | Zuspiel / Tonband, 1 perf | ins [Instrument] | IPEM Gent | 0 | |||||||||||
| 5218 | Gilbert | Filleul | Etude No 1 | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5219 | Gilbert | Filleul | Interludes | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5220 | Gilbert | Filleul | Oralités cocertantes | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5221 | Gilbert | Filleul | Réalités provisoires | 1986 | intermedia | audiovisuell |
video and decoration | CNR Lyon | 0 | |||||||||||
| 34831 | Vincent | Fillion | omnicité(léth@rgie) | 2016 | fixed media, akusmatisch | 5:40:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 42312 | Vincent | Fillion | Québécoiseries | 2018 | fixed media, akusmatisch | 9:15 | Stereo | Winner JTTP 2018 | 0 | ||||||||||
| 35270 | Alexandra | Filonenko | Ariel | 2011 | Zuspiel / Tonband, 1 perf | 19:00:00 | b-fl, (Zuspiel) [Flöte] | 0 | |||||||||||
| 35256 | Alexandra | Filonenko | Chiaroscuro | 2016 | audiovisuell | 35-37 | db-rec, db-cl, perc, acc, (video, Lichtprojektionen und Elektronik) [Flöte, Klarinette, Akkordeon, Schlagzeug] | 0 | |||||||||||
| 35259 | Alexandra | Filonenko | Der Ungeheuer singt nicht mehr | 2009 | live-elec, 4 perf, 1 group | 13:00:00 | 4 V, ens, (Elektronik) [Stimme, Ensemble] | 0 | |||||||||||
| 35261 | Alexandra | Filonenko | Dont try | 2011 | Zuspiel, live-elec, 1 perf, 1 group | V, ens, (Zuspiel, Elektronik) [Stimme, Ensemble] | 0 | ||||||||||||
| 35267 | Alexandra | Filonenko | Dont Try | 2016 | Zuspiel / Tonband, 2 perf | ≈ 12 | high V, p, (Zuspiel) [Stimme, Piano] | 0 | |||||||||||
| 35276 | Alexandra | Filonenko | Dont Try | 2015 | audiovisuell, live-elec, 1 perf | 13:00:00 | high fem V, (hohe Frauenstimme, Video, Zuspiel) [Stimme] | 0 | |||||||||||
| 35278 | Alexandra | Filonenko | Einübungen im Schönen | 2016 | audiovisuell, live-elec, 1 perf | perf (ein Darsteller, Video, Elektronik) [Performer] | 0 | ||||||||||||
| 35263 | Alexandra | Filonenko | Fazit | 2013 | Zuspiel / Tonband, 4 perf | 20:45:00 | sax-qt, (Zuspiel) [Saxophon] | 0 | |||||||||||
| 38973 | Alexandra | Filonenko | Heroica | 2018 | live-elec, 1 perf | p [Piano] | 26.06.2018 | Unerhörte Musik, BKA-Theater, Berlin | 0 | ||||||||||
| 35262 | Alexandra | Filonenko | Hydra | 2014 | live-elec, 1 group | 18:01:00 | ens, (Elektronik) [Ensemble] | 0 | |||||||||||
| 35264 | Alexandra | Filonenko | Hydra-2 | 2014 | live-elec, 3 perf | 12:53:00 | perc, p, acc, (Elektronik) [Piano, Akkordeon, Schlagzeug] | 0 | |||||||||||
| 35269 | Alexandra | Filonenko | Im Schatten der Frau | 2010 | Zuspiel / Tonband, 1 perf | 12:15:00 | V, (Zuspiel) [Stimme] | 0 | |||||||||||
| 35275 | Alexandra | Filonenko | irreversibility of mechanisms | 2014 | audiovisuell, live-elec, 1 perf | 9:04:00 | vn, (Live Elektronik, Video) [Violine] | kurze Version | 0 | ||||||||||
| 35265 | Alexandra | Filonenko | Jackson(G) | 2014 | live-elec, 2 perf | 13:00:00 | V, db, (Elektronik) [Stimme, Kontrabass] | 0 | |||||||||||
| 35272 | Alexandra | Filonenko | L´impossible | 2012 | live-elec, 1 perf | 15:00:00 | ob, (Elektronik) [Oboe] | 0 | |||||||||||
| 35254 | Alexandra | Filonenko | Medusa.Liebeslied | 2016 | live-elec, 1 perf | Quadro | prep fl (Paetzold-Contrabassblockflöte) [Flöte] | 10.01.2017 | BKA Berlin, unerhörte musik | 0 | |||||||||
| 35258 | Alexandra | Filonenko | Mute | 2008 - 2009 | live-elec, 1 perf, 1 group | 18:12:00 | counter-T, ens, (Elektronik) [Tenor, Ensemble] | 0 | |||||||||||
| 35273 | Alexandra | Filonenko | Nackt | 2013 | live-elec, 1 perf | 13:00:00 | counter-T, (Elektronik) [Tenor] | 0 | |||||||||||
| 35266 | Alexandra | Filonenko | Nostalgia | 2015 | Film, live-elec, 2 perf | 35:00:00 | 2 vn (Video, Elektronik) [Violine] | Musik zum Film „Nostalghia“ von Andrej Tarkovski | 0 | ||||||||||
| 35277 | Alexandra | Filonenko | Obsession | 2015 | Zuspiel / Tonband, 1 perf | 9:10:00 | vc, (Zuspiel) [Cello] | 0 | |||||||||||
| 35274 | Alexandra | Filonenko | Pha | 2014 | live-elec, 1 perf | ≈ 25-30 | acc, (Live Elektronik) [Akkordeon] | 0 | |||||||||||
| 35255 | Alexandra | Filonenko | Rapunzelmonolog | 2008 | Performance, live-elec, 1 perf, 1 group | 70:00:00 | actrice, ens [Schauspieler, Ensemble] | 0 | |||||||||||
| 35260 | Alexandra | Filonenko | Retour an Andrej | 2009 | live-elec, 1 group | ens, (Elektronik) [Ensemble] | für Andrej Tarkovski | 0 | |||||||||||
| 35268 | Alexandra | Filonenko | Schaufensterpuppen | 2016 | Zuspiel / Tonband, 3 perf | ≈ 13 | 3 fem V, (Zuspiel) [Stimme] | 0 | |||||||||||
| 35257 | Alexandra | Filonenko | Solaris | 2014 | audiovisuell | 45:00:00 | elec (Elektronik, Video) [elektronik] | Musik zum Film „Solaris“ von Andrej Tarkovski | 0 | ||||||||||
| 35271 | Alexandra | Filonenko | Spiegel | 2011 | Film, live-elec, 1 perf | b-cl, (Live Elektronik und Zuspiel) [Klarinette] | Musik zum Film „Spiegel“ von Andrej Tarkovski | 0 | |||||||||||
| 42107 | Walter | Filz | Master-voice | 1999 | radiophon | DLR Berlin | 0 | ||||||||||||
| 5222 | Andrew | Finch | Untitled (1) | 1985 | fixed media, akusmatisch | 1:22 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 5223 | Andrew | Finch | Untitled (2) | 1985 | fixed media, akusmatisch | 5:07 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 5224 | Andrew | Finch | Untitled (3) | 1985 | fixed media, akusmatisch | 0:50 | Stereo | C.fAT Halifax | 0 | ||||||||||
| 42805 | Daniel | Fine | Chuva Obliqua | 2012 | live-elec, 3 perf | 5:00:00 | vn, vc, Kbd [Keyboard, Cello, Violine] | Blanca Cecilia Gonzalez, violin; Andrew Borkowski, cello; Monika Haar, keyboard | 0 | ||||||||||
| 42606 | Joshua | Fineberg | The Texture of Time | 2009 | live-elec, 1 perf | 7 | fl [Flöte] | 0 | |||||||||||
| 23376 | Jem | Finer | Harpo Marx locked inside a piano | 2002 | live-elec, 3 perf | 10:03 | 3 mus [Musiker] | Improvisation with Matt Rogalsky and Anne Wellmer | ARiADA 2003/ | UEA Norwich | 1 | ||||||||
| 5225 | Siegfried | Fink | Conversation | 1972 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 5226 | Siegfried | Fink | Motion-Pictures | 1969 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 31778 | Thomas David | Finke | Dichte Studie 1 | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31779 | Thomas David | Finke | Es kommt kein Schiff | 2006 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31780 | Thomas David | Finke | Was Es Nicht Ist 1 (Aura – Varianten) | 2008 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 34157 | Orm | Finnendahl | AST | 2015 | Zuspiel, live-elec, 1 group | ens, (und 32 selbstspielende Maschinen) [Ensemble] | SWR | 17.10.2015 | Donaueschingen, Donauhalle, Ensemble Mosaik, David Runge, Hans Hübner | 0 | http://www.swr.de/swr2/festivals/donaueschingen/programme/donaueschinger-musiktage-2015-programm-06/-/id=2136962/did=15652820/nid=2136962/mkps9x/index.html | ||||||||
| 22462 | Orm | Finnendahl | Baila mi Ritmo | 2001 | audiovisuell | 16:30 | 5 tracks | db, vc, va [Viola, Cello, Kontrabass] | TU Berlin, PS C. | Klangwerkstatt | 9.11.2001 | Klangwerkstatt Berlin | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||
| 27580 | Orm | Finnendahl | Bewegte Beobachtung | 2008 | live-elec, 4 perf | 2 p, 2 perc, [Piano, Schlagzeug] | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/bewegte-beobachtung.html | |||||||||||
| 34280 | Orm | Finnendahl | Bewegte Beobachtung III | 2010/2013 | live-elec, 4 perf | 2 p, 2 perc [Piano, Schlagzeug] | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/bewegte-beobachtung.html | |||||||||||
| 27579 | Orm | Finnendahl | Erstes Madrigalbuch | 2007/2008 | Zuspiel, live-elec, 1 perf, 1 group | ch, b-fl [Flöte, Chor] | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/bewegte-beobachtung.html | |||||||||||
| 23127 | Orm | Finnendahl | Fälschung für Streichquartett, Laptop und Live-Elektronik | 2003 | Zuspiel, live-elec, 4 perf | 5 tracks | str-qt [Streicher] | TU Berlin, PS C. | MaerzMusik 2003 | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | ||||||||
| 42270 | Orm | Finnendahl | Flock / 18 | 2018 | live-elec, 4 perf | audiovisuell |
14 | Quadro | 4 w (EWI, elec) [Bläser] | EW-4 (Electronic Wind Quartet) | 29.11.2018 | Basel, Gare du Nord, Schwarzwaldallee 200 (im Badischen Bahnhof); Arte Quartett / EW-4 (Beat Hofstetter, Sascha Armbruster, Andrea Formenti, Beat Kappeler), Sebastian Schottke (Technik und Klangregie), Orm Finnendahl (Live-Elektronik) |
0 | https://www.youtube.com/watch?v=2rWha1HTfFE | ||||||
| 29472 | Orm | Finnendahl | furioso | 2010/2012 | Zuspiel, live-elec, 1 perf | Surround 5.0 | va [Viola] | 0 | |||||||||||
| 29476 | Orm | Finnendahl | Gegenüberstellung | 2010 | live-elec, 5 perf | b-fl, b-cl, trbn, va, perc, (roboter, com) [Flöte, Klarinette, Posaune, Schlagzeug, Viola] | Installation für 16 Klangsäulen im öffentlichen Raum | 23.6.2010 | Musica Viva; Jessica Rona - Viola Matthias Müller - Posaune Pascal Pons - Schlagzeug Andrea Nagy - Bassklarinette Bettina Junge - Bassflöte Alexander Grebtschenko - Robotersteuerung Orm Finnendahl - Klangregie |
0 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/gegenueberstellung.html | ||||||||
| 38927 | Orm | Finnendahl | Götter der Dämmerung | 2018 | Performance, live-elec, 30 perf | 30 perf [Performer] | Interaktives Spiel für 30 Personen | IEMA | 25.-27.5.2018 | Alte Oper Frankfurt, IENA Ensemble, im Rahmen von Playsonic | 0 | http://www.playsonic.de/ | |||||||
| 28615 | Orm | Finnendahl | grep | 2003 | live-elec, 3 perf | Octo | a-sax, perc, laptop, (elec) [Saxophon, Schlagzeug, computer] | ZKM | 0 | ||||||||||
| 29473 | Orm | Finnendahl | Hören und Sehen | 2011 | audiovisuell, live-elec, 2 perf | sax, bn [Saxophon, Fagott] | quadratprojektion | 0 | |||||||||||
| 22654 | Orm | Finnendahl | Immobilie | 1998 | Zuspiel / Tonband, 6 perf | ≈ 6:00 | Quadro | 6 mouth-org, (Kassettenrecorder) [Bläser] | TU Berlin | 06.1998 | Kulturbrauerei Berlin | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | ||||||
| 5227 | Orm | Finnendahl | In Anbetracht | 1985 | Zuspiel / Tonband, 1 perf | 12:00 | Quadro | vc [Cello] | TU Berlin | 8.3.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1986 | http://www.mh-freiburg.de/institut-fuer-neue-musik/studio-fuer-elektronische-musik-und-akustik/ | |||||
| 5228 | Orm | Finnendahl | Jericho, Jericho II | 1988 | Zuspiel, live-elec, 2 perf | 11:00 | Quadro | tuba, perc [Tuba, Schlagzeug] | 2 versions: tape alone (= Jericho) and tape plus Halaphon and tuba (= Jericho II) |
TU Berlin, Experimentalstudio für Akustische Kunst Freiburg | 5.6.1988 02.02.1989 |
HdK Berlin "Musik im Foyer", Inventionen Künstlerhaus Bethanien Berlin |
1 | 1989 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | ||||
| 22463 | Orm | Finnendahl | Kommen und Gehen | 2000 | Zuspiel/Tonband, 1 perf | Klangkunst, Installation |
≈ 22:48 | Octo | vn [Violine] | 2. Version für 2 vn und Zuspiel | EMF DVD 054/ | TU Berlin, PS C. | Kultur- und Veranstaltungsprogramms im Deutschen Pavillion auf der EXPO 2000 | 9.8.2000 | German Pavillon Hannover Expo | Auszeichnung ars electronica honorary mention 2001 | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | ||
| 42271 | Orm | Finnendahl | Letzte Worte | 2018 | live-elec, 3 perf | V, fl, elec [Stimme, Flöte, elektronik] | 18.9.2018 | Klingspor Museum Offenbach; Carola Schlüter, Alt Betty Nieswandt, Flöten, Dominik Kleinknecht, Klangregie |
0 | ||||||||||
| 42272 | Orm | Finnendahl | Madrigalbuch IV | 2018 | live-elec, 1 perf | b-fl and elec [Flöte, elektronik] | 13.10.2018 | Valencia | 0 | ||||||||||
| 22652 | Orm | Finnendahl | Mauerspechte | 1990 | fixed media, akusmatisch | Stereo | Mauer-Picker | TU Berlin | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||||||
| 22653 | Orm | Finnendahl | Rekurs | 1997/1998 | Zuspiel / Tonband, 3 perf | ≈ 12:00 | Quadro | sax, perc, p, (2 Aufnahmegeräte) [Saxophon, Piano, Schlagzeug] | WER 65932 DMR/ HdK Berlin 2000, "Komposition / Konstruktion", ISBN 3-89462-071-4/ WER 65622/ | TU Berlin | 06.1998 | Kulturbrauerei Berlin | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||
| 5229 | Orm | Finnendahl | Renaissourcen in modo francese | 1991 | Zuspiel, live-elec, 1 group | 14:00 | Stereo | ens, (2 taperecorder) [Ensemble] | TU Berlin | VDMK | 26.10.1991 | Schauspielhaus am Gendarmenmarkt Berlin, Studio Neue Musik | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||
| 29474 | Orm | Finnendahl | Sandgetriebe | 2010 | live-elec, 3 perf | 3 perc [Schlagzeug] | quadratprojektion | 0 | |||||||||||
| 26203 | Orm | Finnendahl | schnitt/stelle | 2007 | live-elec, 1 group | Octo | ens, [Ensemble] | versions with different ensembles. at LAC 2007 with the Ensemble Mosaik | 0 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||||||
| 29475 | Orm | Finnendahl | Sixteen daily experiences | 2010 | Klangkunst, Installation | 16 Tracks | Installation für 16 Klangsäulen im öffentlichen Raum | 0 | |||||||||||
| 32821 | Orm | Finnendahl | Spalt | 2014 | Zuspiel, live-elec, 6 perf, 1 group | ≈ 35 | Octo | orc, fl, b-cl, 2 perc, trbn, db [Flöte, Klarinette, Posaune, Schlagzeug, Kontrabass, Orchester] | 6 soloists with live electronic. Am Schluss der Aufführung verlassen die Orchestermusiker den Raum und spielen im Foyer weiter. Aufführung korrespondiert mit „Tropes“ von Oliver Schneller | Philharmonie Essen | 16.11.2014 | Philharmonie Essen, Festival NOW, Philharmoniker Essen und 6 sol: Dietmar Wiesner (fl), Theo Nabicht (b-cl), Uwe Dierksen (trbn), Matthias Bauer (db), Pascal Pons & Michael Kiedaisch (perc), Jan Baumgarten (Klangregie); Ditigent: Jonathan Stockhammer | 0 | ||||||
| 5230 | Orm | Finnendahl | Unter fremden Flaggen | 1989 | Zuspiel / Tonband, 1 group | 12:00 | Stereo + Stereo | ens [Ensemble] | also performed at Kreuzberger Klangwerkstatt 8.3.1991 | TU Berlin, CalArts | Landesmusikrat Berlin | 19.5.1990 | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/ | |||||
| 21141 | Orm | Finnendahl | Versatzstücke | 1999 - 2005 | Zuspiel / Tonband, 1 perf | 13:00 | 6 | p [Piano] | TU Berlin, HdK Berlin | 1 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/versatzstuecke.html | ||||||||
| 5231 | Orm | Finnendahl | Wheel of Fortune, I - III | 1994 - 1995 | live-elec, 1 perf | Quadro | MIDI p [Piano] | revision 1995 | TU Berlin | Festival Inventionen DAAD/TU 94 | 5.02.94 | Inventionen Akademie der Künste Berlin, Sven Thomas Kiebler | 1 | 1994 | http://icem-www.folkwang-hochschule.de/~finnendahl/medien/wheel-of-fortune.html | ||||
| 37754 | Orm | Finnendahl | Woyzeck | 2017 | Theater, live-elec, 13 perf | audiovisuell |
90 | 11 actor, perc, p, (elec) [Piano, Schlagzeug, Schauspieler] | after „Woyzeck“ by Georg Büchner | Schauspiel Frankfurt | 30.09.2017 | Schauspielhaus Frankfurt | 0 | https://www.schauspielfrankfurt.de/spielplan/woyzeck | ||||||
| 5232 | Ross Lee | Finney | Still are new Worlds | 1963 | Zuspiel / Tonband, 1 perf, 2 groups | 8:00 | Mono | narrator, ch, orc [Schauspieler, Chor, Orchester] | Col.Princ EMC, Uni Ann Arbor | 0 | |||||||||
| 5233 | Ross Lee | Finney | Three Pieces | 1963 | Zuspiel / Tonband, 3 perf | 9:50 | Mono | str, w, perc [Schlagzeug, Bläser, Streicher] | Col.Princ EMC | 0 | |||||||||
| 41657 | Enrico | Fiocco | Methal | 2017 | fixed media, akusmatisch | 6:17 | Stereo | 0 | |||||||||||
| 35403 | Enrico | Fiocco | Odissea | 2015 | fixed media, akusmatisch | 8:06:00 | Quadro | MR 2016 Métamorphoses 2016/ | Honorary Mention at the 9th Biennal Acousmatic Composition Competition Métamorphoses (Brussels, Belgium, 2016). | 0 | |||||||||
| 35700 | Enrico | Fiocco | Particules | 2016 | fixed media, akusmatisch | 2. Preis Wettbewerb für Elektroakustische Komposition der Fundatión Destellos / Argentinien 2016 | 0 | ||||||||||||
| 5234 | Hector | Fiore | A BYÒO TO TAK | 1989 | fixed media, akusmatisch | 10:00 | Stereo | SME Krakow | 0 | ||||||||||
| 28248 | Leonardo | Fiorelli | Argonular | 2006 | fixed media, akusmatisch | 3:38 | 4 CSound | eMe | 13.10.2006 | Museo Nacional de Artes Visuales, Compuestos Digitales 3 - Exp. Espacio y Frecuencia, Montevideo, Uruguay. | 1 | ||||||||
| 23561 | Leonardo | Fiorelli | Gris | 2003 | fixed media, akusmatisch | 4:05 | Stereo | eMe | 29.6.2004 | Sala del Área Artística UdelaR, Compuestos Digitales. Montevideo, Uruguay. | 1 | ||||||||
| 23560 | Leonardo | Fiorelli | Me lo contaron asi | 1999 | fixed media, akusmatisch | 3:44 | eMe | 1 | |||||||||||
| 28315 | David | First | Privacy Issues (droneworks 1996-2009), Zen Guilt/Zen Blame A Bet on Transcendence Favors the House My Veil … Tell Tale 2.1 The Softening Door aw! Belt Happy Beatday Pipeline Witness Apologies to Dennis |
1996 - 2009 | fixed media, akusmatisch | 175:00 | Tripel-CD | XI 134 experimental intermedia/ | 0 | www.myspace.com/davidfirst | |||||||||
| 20154 | David | First | Resolver, Distance… Matador Strange Over The Law of Gambling Gold |
live-elec, 1 perf | 55:00 | Stereo | (MIDI), synt [synthesizer] | OO Discs 5/ | 0 | ||||||||||
| 43110 | Matthias | Fischer-Dieskau | Blech | 1988 | fixed media, akusmatisch | 4:23 | 0 | ||||||||||||
| 43108 | Matthias | Fischer-Dieskau | Fiorenza | 1988 | fixed media, akusmatisch | 4:19 | Auszeichnung ars electronica 1988 | 0 | |||||||||||
| 43109 | Matthias | Fischer-Dieskau | How High the Luau | 1988 | fixed media, akusmatisch | 6:23 | 0 | ||||||||||||
| 5235 | Jan | Fischer | Ut stellae | 1966 | Zuspiel / Tonband, 6 perf | S, 5 ins [Sopran, Instrument] | 0 | ||||||||||||
| 5236 | Peter | Fischer | Der Hund des Generals | 1962 | Theatermusik | 170 | Heinar Kipphardt | Siemens | Werkraumtheater der Münchner Kammerspiele | 2.4.1962 | Werkraumtheater der Münchner Kammerspiele | 0 | |||||||
| 5237 | Oskar | Fischinger | Tönende Ornamente Motion Paintings Komposition in Blau |
1932 - 1947 | Film | Mono | auf Film gezeichnete Ornamente als synthetische Tonerzeugung | 0 | |||||||||||
| 24185 | Rajmil | Fischman | A short Tale, Mi Cuentro | 2002 | fixed media, akusmatisch | 4:15 | Discontact! III 2003 PeP 007/ | 1 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002277 | ||||||||||
| 22902 | Rajmil | Fischman | Alma Latina, Soul of a Latin | 1996/1997 | fixed media, akusmatisch | 13:06 | CDP | CMJ Vol 23-4, 1999/ Lontano Records/ | 1 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002237 | |||||||||
| 28060 | Rajmil | Fischman | And I Think to Myself …, | 2001 | fixed media, akusmatisch | 21:25 | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002276 | |||||||||||
| 28057 | Rajmil | Fischman | Barren Lands | 1997 | fixed media, akusmatisch | 10:10 | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002268 | |||||||||||
| 28055 | Rajmil | Fischman | Cold Fire | 1994 | Zuspiel / Tonband, 4 perf | 7:26 | str-qt [Streicher] | MV001 - 1998 - SIAE/ | Uni Keele | 2nd prize ex aequo in the instruments and tape category of the First International Competition of Computer Music "Pierre Schaeffer" | 0 | ||||||||
| 5239 | Rajmil | Fischman | Dreams of Being | 1991 | fixed media, akusmatisch | 7:40 | NMC D036, sonic arts collection 2/ | Uni Keele | 1 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002278 | |||||||||
| 28061 | Rajmil | Fischman | Erwin's Playground | 2001 | fixed media, akusmatisch | 9:11 | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002270 | |||||||||||
| 28056 | Rajmil | Fischman | If Stones Could Have a Brief Word… | 1996 | Klangkunst, Installation | 3:15 | 0 | ||||||||||||
| 28059 | Rajmil | Fischman | Kol HaTorr | 1998 | fixed media, akusmatisch | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002271 | ||||||||||||
| 5240 | Rajmil | Fischman | Los Dados eternos | 1991 | Zuspiel, live-elec, 1 perf | 23:35 | ob [Oboe] | Uni Keele | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002274 | |||||||||
| 27951 | Rajmil | Fischman | No me quedo … (plantado en este verso) | 2000 | Zuspiel / Tonband, 4 perf | sax, bn, perc, vc [Saxophon, Fagott, Schlagzeug, Cello] | Organised Sound Vol 13/3/ | Sonic Arts Network | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002275 | |||||||||
| 28058 | Rajmil | Fischman | Ramblings on a Volcano | 1997 | fixed media, akusmatisch | 4:45 | Uni Keele | 0 | http://www.fondation-langlois.org/html/e/oeu.php?NumEnregOeu=o00002280 | ||||||||||
| 5238 | Rajmil | Fischman | Sin los cuatro | 1994 | fixed media, akusmatisch | 7:35 | 09.1994 | Argentina | 0 | ||||||||||
| 20155 | Leonard | Fisher | Earth Police | radiophon | 7:59 | Stereo | BCA 2/ | Banff C. | 0 | ||||||||||
| 34638 | Simona, Constantin | Fitcal, Basica | Transhumant | 2013 | audiovisuell | optional ens [Ensemble] | fixed media. SMC2016 |
0 | |||||||||||
| 20156 | Kelly | Fitz | Our Chrysanthemums will float in Zürich | 1993 | Zuspiel / Tonband, 2 perf | 6:11 | Stereo | tpt, trbn [Trompete, Posaune] | EMS 9300/ | EMS UIUC | 0 | ||||||||
| 18939 | Gordon | Fitzell | Zipper Music | 1994 | fixed media, akusmatisch | 3:00 | CEC DISContact_2/ | Edmonton | 1 | ||||||||||
| 21600 | Gordon | Fitzell | Zipper Music 2 | 1998 | fixed media, akusmatisch | 7:21 | CEC Presence 2/ | Uni BC Vancouver | 2nd prize Le Caine Award 1998 | 1 | |||||||||
| 5241 | William, Hugh | Fitzwater, Davies | Metropolis | 1975 | Fernsehen, | 120:00 | Stereo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 5242 | William, Hugh | Fitzwater, Davies | untitled film | 1975 | Film | 3:20 | Mono | PS Davies | 0 | ||||||||||
| 20157 | Domenico | Fiumano | Esodo | Zuspiel / Tonband, 2 perf | 14:40 | Stereo | vc, Rec [Flöte, Cello] | Venezia Nuova Musica 001/ | 0 | ||||||||||
| 5243 | Anker | Fjeld Simonsen | Oktav | 1988 | Zuspiel / Tonband, | 40:00 | Quadro | str orc [Orchester] | DIEM Aarhus | 0 | |||||||||
| 31368 | Michael | Flade | Felder: die Ausdehnung wächst | 1997 | fixed media, akusmatisch | 7:12:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31357 | Michael | Flade | klingender Formel freies Spiel | 2001 | fixed media, akusmatisch | 10:50 | Stereo, Quadro | CD-Version 10:43 | HfM Dresden | 0 | |||||||||
| 32057 | Tom | Flaherty | Quartet for Viola, Cello, and Digital Processor | 1994 | live-elec, 2 perf | va, vc, (DSP) [Viola, Cello] | Cynthia Fogg, va, Tom Flaherty, vc | SEAMUS EAM Vol. 5/ | 0 | ||||||||||
| 20158 | Tom | Flaherty | Trio | 1991 | live-elec, 1 perf | 12:40 | Stereo | vc, (dig proc) [Cello] | Tom Flaherty | SEAMUS EAM 9501 Vol. 4/ | 0 | ||||||||
| 5244 | Helmuth | Flammer | Der Turmbau zu Babel | 1983 | live-elec, 1 perf, 1 group | 74:00 | orc, synt (synclavier II) [synthesizer, Orchester] | Synclavier | 1 | ||||||||||
| 5245 | Helmuth | Flammer | Interferenza mente sovraposizione | 1990 | live-elec, | Stereo | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 5246 | Helmuth | Flammer | Panoptikum | 1993 | Zuspiel / Tonband, | 23:40 | Stereo | SEM Salzburg | 0 | ||||||||||
| 40202 | Robert | Fleisher | Dans le piano | 2017 | fixed media, akusmatisch | Robert Fleisher | 0 | ||||||||||||
| 42486 | Robert | Fleisher | Loretto Alfresco | 1970 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 18826 | Raimund | Fleiter | Spurrillen | 1991 | intermedia | 5:38 | Stereo | Kirchentag 1991 im Ruhrgebiet - “Klangräume” | WDR & AufRuhr Records/ | 1 | |||||||||
| 25894 | Rafal | Flejter | Bridge Vibrations | 2006 | Klangkunst, Installation | 5:17 | Contact Mic from a bridge in London | EMF 066 - Leonardo Music Journal Vol 16 „Interpreting the Soundscape“/ LMJ 16 CD/ | 1 | ||||||||||
| 5247 | Kjell | Flem | Haiku Sounds | 1975 | Zuspiel / Tonband, 5 perf | 28:00 | 3 perc, p, narrator [Piano, Schlagzeug, Schauspieler] | NOTAM | 0 | ||||||||||
| 42108 | Hans | Flesch | Zauberei auf dem Sender | 1924 | radiophon | SÜWRAG (RRG) | 24.10.1924 | SÜWRAG | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3144172&vi=7&SID | |||||||||
| 5248 | Patrick | Fleury | Attracteurs etranges | 1989 | fixed media, akusmatisch | 17:45 | Stereo | INA • GRM | 0 | ||||||||||
| 5249 | Patrick | Fleury | Germinal, Stand by | 1985 | fixed media, akusmatisch | 5:10 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 5250 | Patrick | Fleury | La géométrie de Daniel | 1977 | fixed media, akusmatisch | 27:00 | Stereo | IMEB Bourges | 0 | ||||||||||
| 5251 | Patrick | Fleury | Muinkkaai 45 | 1977 | fixed media, akusmatisch | 10:45 | Stereo, Quadro | IPEM Gent | 0 | ||||||||||
| 5252 | Patrick | Fleury | Nevrose en plaques | 1986 | fixed media, akusmatisch | 17:05 | Stereo | INA • GRM | 26.5.1987 | Paris, Maison de Radio-France, Studio 105 | 0 | ||||||||
| 5253 | Patrick | Fleury | Philopappos | 1979 | fixed media, akusmatisch | intermedia |
50:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5254 | Patrick | Fleury | Reflux | 1981 | fixed media, akusmatisch | 24:00 | Quadro | IPEM Gent | 0 | ||||||||||
| 5255 | Patrick | Fleury | Stalker | 1982 | fixed media, akusmatisch | 11:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 21958 | Asbørn | Flø | Skutt i hagestolen | 2000 | Zuspiel / Tonband, 3 perf | b-cl, celesta, perc, (elec) [Klarinette, Piano, Schlagzeug] | NOTAM | 0 | |||||||||||
| 22366 | Asbørn | Flø | The Leap | 2001 | fixed media, akusmatisch | 1:55 | 1 | ||||||||||||
| 5256 | Group | Floating Concrete Octopus | Burial Song | 1989 | intermedia, live-elec, 3 perf | 3:19 | V, gui, sax [Stimme, Saxophon, Gitarre] | AER 1990 / 1/ | 1 | ||||||||||
| 5257 | Philip | Flood | One Fine Day | 1988 | Zuspiel, live-elec, 1 group | 22:00 | ens [Ensemble] | City Uni London | 0 | ||||||||||
| 32248 | Eduardo | Flores Abad | A Ras del Cuerro | 2001 | fixed media, akusmatisch | 16:08 | ALLA E001 LC 15390/ | ICEM Essen | 0 | ||||||||||
| 37488 | Eduardo | Flores Abad | La Tentación de Antonio, Ritmo en el ritmo Taleas |
1994 | fixed media, akusmatisch | 15 | Quadro | ALLA E001 LC 15390/ | ICEM Essen | 0 | |||||||||
| 37515 | Eduardo | Flores Abad | Las Consecuencias | fixed media, akusmatisch | ICEM Essen | 0 | |||||||||||||
| 32246 | Eduardo | Flores Abad | Los Amantes | 1993 | fixed media, akusmatisch | 10:15 | Stereo | ALLA E001 LC 15390/ | ICEM Essen | 0 | |||||||||
| 37516 | Eduardo | Flores Abad | Ojo mirando la fiesta por un hueco, Las Consecuencias-Ojo mirando la fiesta por un hueco | fixed media, akusmatisch | 8:00:00 | ICEM Essen | 0 | ||||||||||||
| 32811 | Eduardo | Flores Abad | Persistencias temporales | 2014 | audiovisuell | Quadro | ICEM Essen | 15.11.2014 | now-Festival, ICEM-Essen, Folkwang-Universität | 0 | |||||||||
| 5258 | Eduardo | Flores Abad | Ritmo en el ritmo, La Tentación de Antonio | 1994 | fixed media, akusmatisch | 16:27 | Quadro | ALLA E001 LC 15390/ | ICEM Essen | 0 | |||||||||
| 32247 | Eduardo | Flores Abad | Taleas | 1996 | fixed media, akusmatisch | 10:16 | Quadro | ALLA E001 LC 15390/ | ICEM Essen | 0 | |||||||||
| 22797 | Roxana, Samir, Vicente | Flores, Menaceri, Rojo | Inicio, Encuentro, Reposo, Marcha, Diálogo de Sordos, Rito | 1989 | live-elec, | Nuclear LEX 007/ | 1 | ||||||||||||
| 29478 | Heinz-Josef | Florian | Cloud Chamber | 2007 | fixed media, akusmatisch | ≈ 12:18:00 | 0 | ||||||||||||
| 29486 | Heinz-Josef | Florian | Das Gruselkabinett des Dr. Caligari | 1996 | Film, live-elec, 1 perf | ≈ 90:00:00 | gui [Gitarre] | Zuspielband zur Improvisation für akustische und elektrische Gitarre als Begleitung zum gleichnamigen Stummfilm | 0 | ||||||||||
| 29489 | Heinz-Josef | Florian | Der Feigenbaum | 1990/1995 | fixed media, akusmatisch | 4:55:00 | Roads to Chaos/ | 0 | |||||||||||
| 24261 | Heinz-Josef | Florian | Einwahl | 2002 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 26147 | Heinz-Josef | Florian | Eurydikes Schrei | 2007 | fixed media, akusmatisch | 3:19 | Stereo | Cybele 960.209/ DegeM CD 09/ | 1 | ||||||||||
| 29479 | Heinz-Josef | Florian | Exkurs mit Zwischenspiel | 2002 | Zuspiel / Tonband, 1 perf | ≈ 5:00:00 | Stereo | org [Orgel] | 0 | ||||||||||
| 29485 | Heinz-Josef | Florian | Feuer | 1996 | Zuspiel / Tonband, 1 perf | ca. 13:00:00 | gui [Gitarre] | 0 | |||||||||||
| 29481 | Heinz-Josef | Florian | Frames I-III | 1999/2001 | live-elec, 1 perf | ca. 20:00:00 | MIDI-gui, (com) [Gitarre] | 0 | |||||||||||
| 29483 | Heinz-Josef | Florian | Hannah's Tapesession I | 1991/1999 | fixed media, akusmatisch | 0 | |||||||||||||
| 20202 | Heinz-Josef | Florian | Hannah's Tapesession IIa | 1995 | fixed media, akusmatisch | 4:57 | Cybele 960.204/ DegeM CD 04/ | PS Banasik | 1 | ||||||||||
| 29488 | Heinz-Josef | Florian | Hannah's Tapesession III | 1995 | fixed media, akusmatisch | ca. 10:30:00 | 0 | ||||||||||||
| 29480 | Heinz-Josef | Florian | Hommage to John Cage | 2001 | live-elec, 1 perf | ≈ 8:10:00 | MIDI-gui, (com) [Gitarre] | 0 | |||||||||||
| 29482 | Heinz-Josef | Florian | Lachfalte | 1990/1999 | fixed media, akusmatisch | ca. 7:25:00 | 0 | ||||||||||||
| 29484 | Heinz-Josef | Florian | Tagträumer | 1997 - 1998 | Musiktheater | ca. 90:00:00 | Zuspielband zum gleichnamigen Theaterstück von William Mastrosimone in einer Inszenierung von Stefan Keim | 0 | |||||||||||
| 42487 | Neil | Flory | Wild Bloom | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 5259 | J. B. | Floyd | Tribute | 1991 | live-elec, 1 perf | 8:49 | p, (com) [Piano] | Centaur CRC 2213, CDCM Vol. 18/ | Uni Miami | 1 | |||||||||
| 42607 | Andrei | Foca-Rodi | La Mienne | 2009 | fixed media, akusmatisch | 4 | 0 | ||||||||||||
| 28725 | Golo | Föllmer | Drrr … | 1995 | Klangkunst, Installation | TU Berlin | 10.-24.11.1995 | TU Mathematikgebäude, im Rahmen von "Klangfenster '95" der INM Berlin | 0 | ||||||||||
| 28128 | Golo | Föllmer | Netzmusik / Net Music | 2004 | Demo, Studie | Beilage zu Heft 5/2004 der Neuen Zeitschrift für Musik (NZ); eine CD-ROM der degem |
WER NZ 5/2004 degEM/ NZ T 740, NZ 5/2004/ | degem | 1 | ||||||||||
| 24570 | Ferdinand | Försch | Music4Cage | 1992 | fixed media, akusmatisch | 0 | |||||||||||||
| 5260 | Ferdinand | Försch | Zeitraum | 1991 | live-elec, 1 perf | 26:00 | b-drum [Schlagzeug] | Zeitkreis (1); Mai 1988 | 1 | ||||||||||
| 5261 | Herbert | Försch | Percussion road, Suite for drumbass, Tau, Ballade, Time | 1983 | live-elec, 1 perf | 52:00 | amp perc [Schlagzeug] | 1 | 1984 | ||||||||||
| 27798 | Jonas | Förster | Echoes of Urban Life | 2008 | fixed media, akusmatisch | 6:08 | Quadro | JTTP 2009 | CEC Cache 2009, PeP 014 DE/ | ICEM Essen | JTTP-Winner 2009 german 5. prize | 1 | http://cec.concordia.ca/jttp/2009/index.html#winners | ||||||
| 31784 | Jonas | Förster | Transmutation | 2011 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 31785 | Jonas | Förster | Viereinhalb Minuten Caratillo | 2008 | fixed media, akusmatisch | Quadro | ICEM Essen | 0 | |||||||||||
| 41824 | Alessandro | Fogar | The Missing Link | 2001 | fixed media, akusmatisch | 2:58:00 | codemist ICMC2001/ | 0 | |||||||||||
| 40663 | Mireille | Fognini | Le Message | 1969 | radiophon | Pour un poème de J. Prévert | INA • GRM | 0 | |||||||||||
| 40633 | Mireille | Fognini | Quand vous verrez les arbres | 1968 | Film | INA • GRM | 19.10.1968 | TV ORTF, 2. chaine | 0 | ||||||||||
| 39184 | Adrian | Foltyn | Continuendo | 2002 | fixed media, akusmatisch | 0 | |||||||||||||
| 39183 | Adrian | Foltyn | Cosa di nastra | 2002 | Zuspiel / Tonband, 1 perf, 1 group | str-orc [Streicher] | 0 | ||||||||||||
| 39190 | Adrian | Foltyn | El Mareco | 2006 | Zuspiel / Tonband, 2 perf, 1 group | mar, recs [Flöte, Schlagzeug] | 0 | ||||||||||||
| 33152 | Adrian | Foltyn | Extra-cellestrial | 2005 | live-elec, 1 perf | 10:06 | vc, (com) [Cello] | WJ 2005 polmic 017/ | 1 | ||||||||||
| 39189 | Adrian | Foltyn | Flectrochordium | 2006 | live-elec, 2 perf, 1 group | recs, hpd (live electronics) [Flöte, Cembalo] | 0 | ||||||||||||
| 39188 | Adrian | Foltyn | Próba B.L.Y. 2 | 2005 | live-elec, 1 perf | elec [elektronik] | 0 | ||||||||||||
| 39186 | Adrian | Foltyn | Próba.B.L.Y. | 2004 | live-elec, 1 perf | elec [elektronik] | 0 | ||||||||||||
| 39187 | Adrian | Foltyn | Son'tasy 2.1 | 2005 | live-elec, 2 perf | 2 p [Piano] | 0 | ||||||||||||
| 39191 | Adrian | Foltyn | Triple Double Concerto | 2007 | live-elec, 2 perf, 1 group | p, str-orc, (live electronics) [Piano, Streicher] | 0 | ||||||||||||
| 39185 | Adrian | Foltyn | Unknown destination | 2003 | fixed media, akusmatisch | 0 | |||||||||||||
| 27947 | Silvia | Fômina | Angehaltene Zeit, Este camino que llevo | 2010 | Zuspiel / Tonband, 5 perf | 13:00 | Octo | T, vc, acc, tpt, trbn [Tenor, Trompete, Posaune, Akkordeon, Cello] | der Flamenco-Sänger (José Parrondo) wird "gestisch" geführt 28.11.2010 Berlinische Galerie, Ltg. Müller Goldbohm |
LIEM CDMC Madrid | 16.11.2010 | Osnabrück | 0 | ||||||
| 35186 | Silvia | Fômina | Auguri Aquae – Sound movement for Voices and Orchestra | 1996/1997 | live-elec, 1 group | multichannel | orc, (spatialization) [Orchester] | Experimentalstudio für Akustische Kunst Freiburg | SWR | 1997 | Donaueschinger Musiktage. SWF Radio Symphony Orchestra and the Experimental Studio of the H. Strobel Stiftung in Freiburg, Germany | 0 | |||||||
| 28281 | Silvia | Fômina | Coda, Angehaltene Zeit | 2006 | Zuspiel / Tonband, 1 perf, 1 group | 11:40 | 24 Tracks | ens, V [Stimme, Ensemble] | part of the opera „The Book of Chess“. Coda – sin sombra ni huella – Springers Monolog |
LIEM CDMC Madrid | 2008 | Musik-XXI-Hannover | 1 | ||||||
| 5262 | Silvia | Fômina | Expulsion, Désagrégation, Dispersion, Cycle of Seven Vespers | 1992 | Zuspiel / Tonband, 1 perf | 13:00 | Mono | vc [Cello] | from the cycle of Seven Vespers | TU Berlin, PS Dirk Schmittke | 16.3.1993 | Kammermusiksaal der Philharmonie (Musik-Biennale) | UE 30 579 | 1 | |||||
| 5263 | Silvia | Fômina | Permanenza für mikropolyphonisches, im Raum verteiltes Orchester, Crononen Labile Gleichgewichte Über Wasser |
1992/1994 | Zuspiel / Tonband, 20 perf | 14:30 | 7 tracks | 5 vn, 3 va, 3 vc, 2 db, pic-fl, fl, es-cl, cl, b-cl, hn, t-trbn [Flöte, Klarinette, Horn, Posaune, Viola, Cello, Violine, Kontrabass] | MP95 ORF13/ | TU Berlin | Berliner Festspiele | 25.2.1995 | Reggio Emilia, Chamber orc of Europe, Ltg. Claudio Abbado. Folgeauff. Citè de la Musique Paris (2.3.1995), Kammermusiksaal der Philharmonie Berlin (4.3.1995) | 1 | |||||
| 25689 | Rodrigo | Fonesca | Dissolution | 2000 | fixed media, akusmatisch | 9:03 | Stereo | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | |||||||||
| 5264 | Bjørn | Fongaard | Aforismer op. 63 nr. 2-3 | 1968 | Zuspiel / Tonband, 1 perf | micro-tuned gui [Gitarre] | NOTAM | 0 | |||||||||||
| 5265 | Bjørn | Fongaard | Andromeda | 1971 | Tanz | 0 | |||||||||||||
| 5266 | Bjørn | Fongaard | Circum | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | p [Piano] | NOTAM | 0 | ||||||||||
| 5267 | Bjørn | Fongaard | Concerto #2 op. 105 | 1974 | Zuspiel / Tonband, 1 perf, 1 group | 15:00 | p, orc (microtonalis) [Piano, Orchester] | NOTAM | 0 | ||||||||||
| 5268 | Bjørn | Fongaard | Concerto #3, op. 113 | 1976 | Zuspiel / Tonband, 1 perf | 10:30 | p [Piano] | NOTAM | 0 | ||||||||||
| 5269 | Bjørn | Fongaard | Concerto op. 131 #1-3 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | fl [Flöte] | NOTAM | 0 | ||||||||||
| 5270 | Bjørn | Fongaard | Concerto op. 131 #10 | 1976 | Zuspiel / Tonband, 1 perf | 13:00 | bn [Fagott] | NOTAM | 0 | ||||||||||
| 5271 | Bjørn | Fongaard | Concerto op. 131 #11-12 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | hn [Horn] | NOTAM | 0 | ||||||||||
| 5272 | Bjørn | Fongaard | Concerto op. 131 #13 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | tpt [Trompete] | NOTAM | 0 | ||||||||||
| 5273 | Bjørn | Fongaard | Concerto op. 131 #14 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | trbn [Posaune] | NOTAM | 0 | ||||||||||
| 5274 | Bjørn | Fongaard | Concerto op. 131 #15-17 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | vn [Violine] | NOTAM | 0 | ||||||||||
| 5275 | Bjørn | Fongaard | Concerto op. 131 #18 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | va [Viola] | NOTAM | 0 | ||||||||||
| 5276 | Bjørn | Fongaard | Concerto op. 131 #19-20 | 1976 | Zuspiel / Tonband, 1 perf | 11:10 | vc [Cello] | NOTAM | 0 | ||||||||||
| 5277 | Bjørn | Fongaard | Concerto op. 131 #21 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | db [Kontrabass] | NOTAM | 0 | ||||||||||
| 5278 | Bjørn | Fongaard | Concerto op. 131 #22 | 1976 | Zuspiel / Tonband, 1 perf | gui [Gitarre] | NOTAM | 0 | |||||||||||
| 5279 | Bjørn | Fongaard | Concerto op. 131 #23-25 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | perc [Schlagzeug] | NOTAM | 0 | ||||||||||
| 5280 | Bjørn | Fongaard | Concerto op. 131 #26 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | vib [Schlagzeug] | NOTAM | 0 | ||||||||||
| 5281 | Bjørn | Fongaard | Concerto op. 131 #27 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | acc [Akkordeon] | NOTAM | 0 | ||||||||||
| 5282 | Bjørn | Fongaard | Concerto op. 131 #28 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | hp [Harfe] | NOTAM | 0 | ||||||||||
| 5283 | Bjørn | Fongaard | Concerto op. 131 #29 | 1976 | Zuspiel / Tonband, 2 perf | 10:00 | ob, bn [Oboe, Fagott] | NOTAM | 0 | ||||||||||
| 5284 | Bjørn | Fongaard | Concerto op. 131 #30 | 1976 | Zuspiel / Tonband, 2 perf | 11:00 | baroque gui, perc [Gitarre, Schlagzeug] | NOTAM | 0 | ||||||||||
| 5285 | Bjørn | Fongaard | Concerto op. 131 #31 | 1976 | Zuspiel / Tonband, 3 perf | 10:00 | lute, fl, ob [Flöte, Oboe, Gitarre] | NOTAM | 0 | ||||||||||
| 5286 | Bjørn | Fongaard | Concerto op. 131 #32 | 1976 | Zuspiel / Tonband, 3 perf | 10:00 | fl, ob, bn [Flöte, Oboe, Fagott] | NOTAM | 0 | ||||||||||
| 5287 | Bjørn | Fongaard | Concerto op. 131 #33 | 1976 | Zuspiel / Tonband, 2 perf | 10:00 | fl, hp [Flöte, Harfe] | NOTAM | 0 | ||||||||||
| 5288 | Bjørn | Fongaard | Concerto op. 131 #34-36 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | org [Orgel] | NOTAM | 0 | ||||||||||
| 5289 | Bjørn | Fongaard | Concerto op. 131 #39 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | lute [Gitarre] | NOTAM | 0 | ||||||||||
| 5290 | Bjørn | Fongaard | Concerto op. 131 #4-5 | 1976 | Zuspiel / Tonband, 1 perf | 13:00 | ob [Oboe] | NOTAM | 0 | ||||||||||
| 5291 | Bjørn | Fongaard | Concerto op. 131 #40 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | va [Viola] | NOTAM | 0 | ||||||||||
| 5292 | Bjørn | Fongaard | Concerto op. 131 #41 | 1976 | Zuspiel / Tonband, 1 perf | 10:00 | plectrum-gui [Gitarre] | NOTAM | 0 | ||||||||||
| 5293 | Bjørn | Fongaard | Concerto op. 131 #6 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | ehn [Oboe] | NOTAM | 0 | ||||||||||
| 5294 | Bjørn | Fongaard | Concerto op. 131 #7 | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | a-cl [Klarinette] | NOTAM | 0 | ||||||||||
| 5295 | Bjørn | Fongaard | Concerto op. 131 #8 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | b-cl [Klarinette] | NOTAM | 0 | ||||||||||
| 5296 | Bjørn | Fongaard | Concerto op. 131 #9 | 1976 | Zuspiel / Tonband, 1 perf | 11:00 | a-sax [Saxophon] | NOTAM | 0 | ||||||||||
| 5297 | Bjørn | Fongaard | Dimensions | 1972 | Tanz | 0 | |||||||||||||
| 5298 | Bjørn | Fongaard | Elektrofonia I-VII | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 5299 | Bjørn | Fongaard | Epos | 1966 | fixed media, akusmatisch | 10:15 | Mono | NRK Oslo | 0 | ||||||||||
| 5300 | Bjørn | Fongaard | Fantasia | 1975 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 5301 | Bjørn | Fongaard | Galaxy | 1966 | live-elec, 3 perf | 12:00 | Mono | 3 e-gui [Gitarre] | PHI 836 896/ IDEAMA CD 113/ | NRK Oslo | 0 | ||||||||
| 5302 | Bjørn | Fongaard | Homo sapiens | 1966 | fixed media, akusmatisch | 9:15 | Mono | EMI CSDS 1000/ | NRK Oslo | 0 | |||||||||
| 5303 | Bjørn | Fongaard | Improvisasjoner, op. 81 | Zuspiel / Tonband, 1 perf | 12:00 | microinterval gui [Gitarre] | NOTAM | 0 | |||||||||||
| 5304 | Bjørn | Fongaard | Invensjoner, op. 32 #1-8 | 1964 | Zuspiel / Tonband, 1 perf | microinterval gui [Gitarre] | 1/4-tone | NOTAM | 0 | ||||||||||
| 5305 | Bjørn | Fongaard | Invensjoner op. 39 #1-9 | 1948 | Zuspiel / Tonband, 1 perf | microinterval V [Stimme] | NOTAM | 0 | |||||||||||
| 5306 | Bjørn | Fongaard | Klaypene | 1966 | radiophon | 6:00 | Mono | NRK Oslo | 0 | ||||||||||
| 5307 | Bjørn | Fongaard | Legend | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 5308 | Bjørn | Fongaard | Livet | 1971 | Zuspiel / Tonband, 4 perf | 29:00 | str orc, tim, perc, e-org, str [Keyboard, Schlagzeug, Streicher, Orchester] | NOTAM | 0 | ||||||||||
| 5309 | Bjørn | Fongaard | Microtonal Structures, op. 135 | 1970 | Zuspiel / Tonband, 6 perf | 21:00 | e-org, (microinterval) gui, perc, vn, va, vc [Keyboard, Gitarre, Schlagzeug, Viola, Cello, Violine] | NOTAM | 0 | ||||||||||
| 5310 | Bjørn | Fongaard | Microtonal Syntèse | 1974 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 5311 | Bjørn | Fongaard | Mora Parva Infinitatis, op. 93 | 1974 | Zuspiel / Tonband, 6 perf | 18:45 | S, (microinterval) gui, str-qt [Sopran, Gitarre, Streicher] | NOTAM | 0 | ||||||||||
| 5312 | Bjørn | Fongaard | Naturen | 1971 | Zuspiel / Tonband, 3 perf | 25:00 | str orc, tim, perc, str [Schlagzeug, Streicher, Orchester] | NOTAM | 0 | ||||||||||
| 5313 | Bjørn | Fongaard | Orafoni II | 1965 | Zuspiel / Tonband, 1 group | Mono | male ch [Chor] | NRK Oslo | 0 | ||||||||||
| 5314 | Bjørn | Fongaard | Piano Concerto #1, (The Space Concerto) | 1971 | Zuspiel / Tonband, 1 perf | 14:30 | p [Piano] | PHI 6507034/ | 0 | ||||||||||
| 5315 | Bjørn | Fongaard | Refleksjoner | 1966 | Zuspiel / Tonband, | 18:00 | Mono | NRK Oslo | 0 | ||||||||||
| 5316 | Bjørn | Fongaard | Sinfonia Microtonalis I-V | 1970 | fixed media, akusmatisch | 0 | |||||||||||||
| 5317 | Bjørn | Fongaard | Skapelse II | 1972 | Tanz, 4 perf, 1 group | 32:00 | Narrator, Sp-ch, dancer, fl, perc [Flöte, Schlagzeug, Schauspieler, Tanz, Chor] | NOTAM | 0 | ||||||||||
| 5318 | Bjørn | Fongaard | Skapelse II (Creation II) | 1972 | Oper, 1 group | dancers, (lights) [Tanz] | 0 | ||||||||||||
| 5322 | Bjørn | Fongaard | Sonata, op. 141 | 1977 | Zuspiel / Tonband, 2 perf | 21:00 | (historical plucked) ins, perc [Schlagzeug, Instrument] | NOTAM | 0 | ||||||||||
| 5319 | Bjørn | Fongaard | Sonata #1, op. 48 | 1971 | Zuspiel / Tonband, 1 perf | 7:00 | microinterval gui [Gitarre] | NOTAM | 0 | ||||||||||
| 5320 | Bjørn | Fongaard | Sonata #2, op. 53 | 1975 | Zuspiel / Tonband, 1 perf | 7:00 | microinterval gui [Gitarre] | NOTAM | 0 | ||||||||||
| 5321 | Bjørn | Fongaard | Sonata concertante, op. 110 #17 | 1975 | Zuspiel / Tonband, 1 perf, 1 group | 10:00 | gui, (microtonal) orc [Gitarre, Orchester] | NOTAM | 0 | ||||||||||
| 5323 | Bjørn | Fongaard | String Quartet | 1973 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 5324 | Bjørn | Fongaard | Suite | 1966 | fixed media, akusmatisch | 10:00 | Mono | NRK Oslo | 0 | ||||||||||
| 5325 | Bjørn | Fongaard | Tellus | 1976 | Zuspiel / Tonband, 1 perf | 12:00 | p [Piano] | NOTAM | 0 | ||||||||||
| 5326 | Bjørn | Fongaard | Variasjoner op. 59 | 1971 | Zuspiel / Tonband, 1 perf | microinterval gui [Gitarre] | NOTAM | 0 | |||||||||||
| 28174 | Fabien | Fons | Qu’est ce que tu dis, 2010 Complement a l’Inventaire | fixed media, akusmatisch | 4:22 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | http://www.youstudio.fr | |||||||||
| 35641 | Mauricio | Fonseca | Casas Flotantes | 2006 | Zuspiel / Tonband, 1 perf, 1 group | 4 | gui, strs [Gitarre, Streicher] | 0 | |||||||||||
| 5327 | Olivier | Fontaine | Orsay-gare | 1986 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 25616 | Bill | Fontana | Acoustical Views, Sydney | 1988 | Klangkunst, Installation | radiophon |
37:21 | Stereo | Acoustical views was realized as a sound sculpture on the facade of the Art Gallery of NSW during the Sydney Biennale of 1988. A live radio performance was realized on ABC-FM's "Listening Room". |
Edition Block EB 203/ | PS C. | 1 | ||||||||
| 35861 | Bill | Fontana | Acoustical Visions fo the Golden Gate Bridge | 2012 | Klangkunst, Installation | ∞ | Documentary by the For Site Foundation | 0 | http://resoundings.org/Movies/Golden_Gate_Bridge_Documentary.mp4 | ||||||||||
| 35862 | Bill | Fontana | Acoustical Visions of Venice | 1999 | Klangkunst, Installation | radiophon |
∞ | Klanglandschaft von Bill Fontana | WDR Studio Akustische Kunst | 6.5.2000 | WDR | 0 | http://resoundings.org/Pages/AcousticalVisions1.html | |||||||
| 35863 | Bill | Fontana | Brooklyn Bridge Sound Sculpture, New York | 1983 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Oscillating.html | |||||||||||
| 35886 | Bill | Fontana | Cologne San Francisco Sound Bridge | 1987 | Klangkunst, Installation | 0 | http://echosounddesign.com/media/Cologne_San_Francisco_Soundbridge.mp3 | ||||||||||||
| 35888 | Bill | Fontana | Desert Soundings Abu Dhabi | 2014 | Klangkunst, Installation | audiovisuell |
0 | |||||||||||||
| 28366 | Bill | Fontana | Entfernte Züge Köln - Berlin, Distant Trains | 1984 | Klangkunst, Installation | Octo | auf dem Gelände des Anhalter Bahnhofs mit 8 in die Erde gegrabenen LS | WDR Studio Akustische Kunst | 0 | http://echosounddesign.com/media/Berlin.mov | |||||||||
| 35864 | Bill | Fontana | Falling Echoes, New York | 2002 | Klangkunst, Installation | ∞ | 0 | http://echosounddesign.com/media/Falling_Echoes.mov | |||||||||||
| 35865 | Bill | Fontana | HARMONIC BRIDGE, TATE MODERN, London | 2006 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Harmonic_Bridge1.htm | |||||||||||
| 18887 | Bill | Fontana | Ile sonore (Arc de Triomphe de l´Étoile), Hydrophone Pointe du Hoc Après-midi mix June 94 Soir mix Vendredi 1er juillet Bourse Point des Arts Deux Magots / La Coupole |
1994 | intermedia | 74:00 | Klanginstallation am Triumpfbogen Paris mit Klängen von 8 verschiedenen Orten Frankreichs (Normandie, Pointe du Hoc, 6 Orte Paris) | IS 001, 1994 Ile Sonore/ | 0 | ||||||||||
| 25617 | Bill | Fontana | Kirribilli Wharf, Sydney | 1976 | Klangkunst, Installation | radiophon |
18:01 | Octo | Was broadcasted on the ABC programm "360 Shift" and later installed in the sculpture court of the State Gallery of Victoria, Australia, during an exhibition. | Edition Block EB 203/ | PS C. | Australian Broadcasting Corporation (ABC) | 1 | http://echosounddesign.com/media/Kirribilli_Wharf.mp4 | ||||||
| 33458 | Bill | Fontana | Klangsituationen in Berlin, Klang Recycling Skulptur | 1983 | Klangkunst, Installation | 45 | Edition Giannozzo Band 28/ | Galerie Giannozzo | September 1983 | Galerie Giannozzo Berlin | 1 | ||||||||
| 35866 | Bill | Fontana | Landscape Sculpture with Fog Horns, San Francisco | 1981 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Movies/FogHorns1.mov | |||||||||||
| 35867 | Bill | Fontana | Landscape Soundings, Vienna | 1990 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Landscape Soundings.html | |||||||||||
| 35887 | Bill | Fontana | Linear Visions | Klangkunst, Installation | OK Center for Contemporary Art in Linz | 0 | http://resoundings.org/Pages/Linear_Visions.html | ||||||||||||
| 35868 | Bill | Fontana | Media Project for the new Eastern Span of the Bay Bridge | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Parrallel_Soundings_of_the_Eastern_Spans_of_the_Bay_Bridge.html | ||||||||||||
| 35869 | Bill | Fontana | Musical Network, Lyon | 2001 | Klangkunst, Installation | ∞ | 0 | http://echosounddesign.com/media/lyon.mov | |||||||||||
| 35870 | Bill | Fontana | Objective Sound, Seattle | 2007 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Objective Sound.html | |||||||||||
| 5328 | Bill | Fontana | Ohrbrücke Köln – San Francisco, Ohrbrücke / Soundbridge Köln – San Francisco | 1987 | radiophon | 59:57 | Spazialisation: Satelliten-KlangSkulptur | Satelliten Live-Sendung | WER 6302/ | WDR Studio Akustische Kunst | 31.5.1987 | Hörspielstudio, Acustica International | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1366343&vi=1&SID | |||||
| 35871 | Bill | Fontana | Panoramic Echoes, New York | 2007 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Panoramic.html | |||||||||||
| 35872 | Bill | Fontana | Pigeon Soundings, Kolumba Museum in Cologne | 2007 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Movies/pigeon_soundings.mov | |||||||||||
| 35873 | Bill | Fontana | RIVER SOUNDING – London | 2010 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/River_Sounding.html | |||||||||||
| 22099 | Bill | Fontana | Satellite Sound Bridge Köln -Kyoto, Klangreise Köln - Kyoto | 1993 | radiophon | 2:04 | WER 6307-2/ DMR Musik in Deutschland 1950 - 2000: angewandte Musik/ Musik für Radio/ | WDR Studio Akustische Kunst | 2.11.1993 | WDR | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1363556&vi=119&SID | |||||||
| 35874 | Bill | Fontana | SIilent Echoes Opening at Gallery of Modern Art, Glasgow | Klangkunst, Installation | ∞ | 0 | http://vimeo.com/64639508 | ||||||||||||
| 35875 | Bill | Fontana | Silent Echoes at the Haunch of Venison London | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Movies/VERTICAL_ECHOES.mp4 | ||||||||||||
| 35876 | Bill | Fontana | SOARING ECHOES - Pritzker Pavillion - Millennium Park – Chicagg | 2012 | Klangkunst, Installation | ∞ | 0 | http://echosounddesign.com/media/SOARING_ECHOES_DOCUMENTATION.mp4 | |||||||||||
| 35889 | Bill | Fontana | Sonic Mappings | 2014 | Klangkunst, Installation | a new permanent sound sculpture for the entrance hall of MAXXI in Rome | 0 | http://resoundings.org/Movies/Golden_Gate_Bridge_Documentary.mp4 | |||||||||||
| 35877 | Bill | Fontana | SONIC SHADOWS- SFMOMA | 2010 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/sonic_shadows.html | |||||||||||
| 35878 | Bill | Fontana | SOUND ISLAND, PARIS | 1994 | Klangkunst, Installation | ∞ | 0 | http://echosounddesign.com/media/Paris.mov | |||||||||||
| 35879 | Bill | Fontana | Sound Sculpture with a Sequence of Level Crossings, Oakland | 1982 | Klangkunst, Installation | ∞ | 0 | http://www.echosounddesign.com/media/trains.mov | |||||||||||
| 35880 | Bill | Fontana | Sound Sculptures through the Golden Gate | 1987 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Movies/SSTTGG2.mov | |||||||||||
| 28335 | Bill | Fontana | Sound Surroundings | 1984 | Klangkunst, Installation | ∞ | Quadro | Inventionen 1984 | 10.2. - 19.2.1984 | Inventionen TU-Gebäude Ackerstraße und St. Sebastianskirche Berlin | 0 | 1984 | |||||||
| 35882 | Bill | Fontana | Speeds of Time, London | 2004 | Klangkunst, Installation | ∞ | Auszeichnung ars electronica: Golden Nica 2009 | 0 | http://news.bbc.co.uk/1/hi/entertainment/arts/3542985.stm | ||||||||||
| 35881 | Bill | Fontana | Speeds of Time, Tate Britain and BBC / | 2008 | Klangkunst, Installation | ∞ | 0 | http://www.resoundings.org/Pages/Speeds_of_Time_new.html | |||||||||||
| 35883 | Bill | Fontana | Spiraling Echoes, for the Rotunda of San Francisco City Hall | 2009 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/Spiraling_Echoes.html | |||||||||||
| 35884 | Bill | Fontana | Vertical Echoes at the Imperial War Museum Manchester -BBC documentary | Klangkunst, Installation | ∞ | 0 | |||||||||||||
| 25611 | Bill | Fontana | Virtual Nature | 1990 | Klangkunst, Installation | var | Live environmental transmission from the Hainburger Au to Maria Theresien Platz, Vienna (Austria). 16 Microphones were used for the transmission. |
ORF/ | Museum of Art History, Vienna | 1 | |||||||||
| 42225 | Bill | Fontana | Wave Trains | 1997 | radiophon | Klangkunst, Installation |
37:55 | Urbane Klangskulptur/Tunnelkonzert | WDR Studio Akustische Kunst | 10.6.1997 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1391264&vi=118&SID | |||||||
| 35885 | Bill | Fontana | White Sound - An Urban Seascape - Wellcome Collection, Londo | 2011 | Klangkunst, Installation | ∞ | 0 | http://resoundings.org/Pages/WHITE_SOUND2.html | |||||||||||
| 27302 | Ana Lúcia | Fontenele | Sementeiro | 2006 | Zuspiel / Tonband, 1 perf | 7:05 | V [Stimme] | In Itinere | EMAC UFGoias | 1 | |||||||||
| 27303 | Ana Lúcia | Fontenele | Sementes III | 2006 | fixed media, akusmatisch | 4:11 | In Itinere | EMAC UFGoias | 1 | ||||||||||
| 5329 | Elizabeth | Ford | Arizona Shuffle | 1987 - 1988 | fixed media, akusmatisch | 7:00 | Stereo | Coll Liverpool | 0 | ||||||||||
| 5331 | Silvio | Foretic | Der achte Tag oder Auf der Suche nach der weißen Zeit | 1973/1974 | Musiktheater | 48:50 | Stereo | 4 different versions, also stereo 3'35 | HfMT Köln | 0 | |||||||||
| 5332 | Silvio | Foretic | Ein historisches Melodram | 1973 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 5333 | Silvio | Foretic | Für Klavier? | 1970 - 1972 | Musiktheater | fixed media, akusmatisch |
20:35 | Stereo, Quadro | 2 versions: „Bühnenmusik“, 20:35, quadro Elektronische Musik, 4:36, stereo |
HfMT Köln | 0 | |||||||||
| 5334 | Silvio | Foretic | Inter-Ludium | 1971/1974 | fixed media, akusmatisch | 2:47 | Stereo | new version | Feedback 25 Jahre/ HfMT Köln CD3/ Feedback Studio Köln CD 2/ | HfMT Köln | 1972 | Köln | Feedback | 1 | |||||
| 5335 | Silvio | Foretic | Kölner Konzert | 1971 | fixed media, akusmatisch | 4:36 | Stereo | aus “Für KLavier?“ | HfMT Köln CD3/ | HfMT Köln | 1 | ||||||||
| 5336 | Silvio | Foretic | Semimonoopera | 1978/1979 | Musiktheater, 2 perf | 28:15 | Quadro | actor, p [Piano, Schauspieler] | HfMT Köln | 1979 | Zagreb | Feedback | 0 | ||||||
| 5337 | Silvio | Foretic | Sklaveninsel / Bildungsreise | 1981 | Musiktheater | 37:01 | Stereo | stereo version of Semimonoopera | HfMT Köln | 0 | |||||||||
| 5339 | Silvio | Foretic | Studie I a | 1969 | fixed media, akusmatisch | 5:48 | Stereo | new version of Studie I | Croatia Rec 6072965/ | HfMT Köln | 0 | ||||||||
| 33985 | Silvio | Foretić | Ich Liebe!!! | 1969 | fixed media, akusmatisch | 2:18 | Stereo | HfMT Köln | 0 | ||||||||||
| 5330 | Silvio, Janko | Foretic, Jezovsek | Balkanal | 1968/1974 | fixed media, akusmatisch | 31:57 | Stereo | 1974 new version 31:57 1968 old version 46'32 |
HfMT Köln | 0 | |||||||||
| 37026 | Georges | Forget | L’appel | 2008 | fixed media, akusmatisch | 16:32 | Stereo | IMED 15133/ | PS C. | 11.12.2008 | Akousma (5) festival at Studio Hydro-Québec, Monument-National, Montréa | 0 | |||||||
| 37028 | Georges | Forget | Métal en bouche | 2008 | fixed media, akusmatisch | 16:32 | Stereo | IMED 15133/ | PS C. | 11.12.2008 | Akousma (5) festival at Studio Hydro-Québec, Monument-National, Montréal | 2nd prize Phonos, 2010 Destellos Competition 1er prix ex æquo, Concours international de musique bruitiste Luigi Russolo-Rossana Maggia 2011 |
0 | ||||||
| 27368 | Georges | Forget | Orages d’acier, version courte | 2007 | fixed media, akusmatisch | 9:27 | Stereo | CEC Cache 2007, PeP 012/ IMED 15133/ | JTTP-Winner 2007 2nd prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | ||||||||
| 42488 | Georges | Forget | Requiem | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 37025 | Georges | Forget | Seul et septembre | 2008 - 2014 | fixed media, akusmatisch | 8:12 | Stereo | IMED 15133/ | PS C. | 15.5.2008 | Relais Mont-Royal in Montréal (Québec) | 0 | |||||||
| 37024 | Georges | Forget | Une île | 2009 | fixed media, akusmatisch | 8:50 | Stereo | IMED 15133/ | BEAST, PS C. | IMEB | 22.10.2009 | 16th international acousmatic festival L’Espace du son at Théâtre Marni, Brussels, Belgium | 0 | ||||||
| 35748 | Georges | Forget | Urban Adagio | 2010 | fixed media, akusmatisch | 13:47 | Stereo | IMED 15133/ | PS C. | Codes d’accès with support from the Canada Council for the Arts (CCA) | 23.4.2019 | Relais Mont-Royal in Montréal | 11th Concurso Internacional de Composição Electroacústica Música Viva (Portugal, 2010) | 0 | |||||
| 34927 | Carlo | Forlivesi | Japanese Window - Sesshu’s Landscape | 2000/2001 | Zuspiel/Tonband, 2 perf | Tanz |
10 | Stereo | koto, shakuhachi [Flöte, Streicher] | December 25, 2000 | The Room With A View Art Gallery, Shanghai - Washi-Zokei Art Exposition | Yamaha Music Foundation Support Program Award 2003 - Tokyo | 0 | |||||||
| 26571 | Carlo | Forlivesi | Kaya | 2001 | Tanz, live-elec, 6 perf | 27:00 | 2 dancer, sax, hn, 2 perc, (gestural controller) [Saxophon, Horn, Schlagzeug, Tanz] | DIEM Aarhus | 10 March 2001 | Akiyoshidai International Art Village Concert Hall (Japan) | 0 | ||||||||
| 26573 | Carlo | Forlivesi | Requiem | 1999 | fixed media, akusmatisch | 14:59 | Octo | DIEM Aarhus | 18.04.2000 | Basilica di Santa Maria in Regola, Bologna - International Music Festival "da Bach a Bartok" - XII Edizione |
0 | ||||||||
| 26570 | Carlo | Forlivesi | The fairy's book covered in dew | 1998 | Zuspiel / Tonband, 1 perf | 14:00 | p [Piano] | 22.11.1998 | Espace de Projection, IRCAM, Centre Georges Pompidou, Paris - IRCAM Concert Season - Jean-Marie Cottet, |
0 | |||||||||
| 26572 | Carlo | Forlivesi | The Tunnel of Light | 2000/2004 | audiovisuell | 59:00 | Stereo, Octo | video by Shimpei Takeda (2005) | VN-001. Vox Novu/ | 7.11.2004 | Under St. Marks, New York | 0 | |||||||
| 26574 | Carlo | Forlivesi | Through the Looking Glass | 2005 | fixed media, akusmatisch | 3:48 | Stereo | DVD Poznan/ | 7.11.2005 | The Room Full of Fairy Tales, The Children’s Art Centre, Poznan - XV Biennial of Arts for Children |
Honorable Mention at the International Competition in Poznan | 0 | |||||||
| 5340 | Marcel | Formosa | Estuaire | 1989 | Zuspiel / Tonband, 1 perf | 13:00 | Stereo | bn [Fagott] | MIM Marseille | 0 | |||||||||
| 5341 | Daniel | Forrò | Musica ex machina | 1989 | fixed media, akusmatisch | 10:08 | Radio Brno | 0 | |||||||||||
| 41894 | Daniel | Forrò | Syntfonie | 1993 | fixed media, akusmatisch | Competition Musica Nova Prag 1993 | 0 | ||||||||||||
| 43012 | Jon | Forshee | Playing Possum | 2013 | fixed media, akusmatisch | 9:54:00 | 0 | ||||||||||||
| 18892 | Bernard | Fort | 12 Haïku pour la paix céleste | 1993 | fixed media, akusmatisch | 29:37 | LDC 278056/57 Cultures Electroniques 7/ GMVL 010/ | INA • GRM, GMVL Lyon | 2.Preis Musique Electroacoustique à Programme | 1 | |||||||||
| 5342 | Bernard | Fort | 3 Haiku - l'hiver | 1990 | fixed media, akusmatisch | Stereo | GMVL Lyon | 0 | |||||||||||
| 20159 | Bernard | Fort | 7 paysage canadiens | 1996 | radiophon | 71:53 | Stereo | SIT 30012/ | GMVL Lyon | 0 | |||||||||
| 5343 | Bernard | Fort | Alice ou la boite a images | 1989 | intermedia | Stereo | GMVL CD 08/ Fuzeau / | GMVL Lyon | 1 | ||||||||||
| 20160 | Bernard | Fort | Architecture du plan | 1987 | fixed media, akusmatisch | 17:10 | Stereo | SC 658 CD / Festival FAUST/ | GMVL Lyon | 0 | |||||||||
| 20161 | Bernard | Fort | Bec Poilu | radiophon | 20:58 | Stereo | 6 parts | GMVL 016/ | GMVL Lyon | 0 | |||||||||
| 20162 | Bernard | Fort | Danube sauvage | 1997 | radiophon | 74:00 | Stereo | SIT 30030/ | GMVL Lyon | 0 | |||||||||
| 5345 | Bernard | Fort | De l'autre cote du miroir | 1986 | fixed media, akusmatisch | 13:45 | Stereo | INA • GRM | 24.3.1987 | Paris, Maison de Radio-France, Studio 105 | 0 | ||||||||
| 20163 | Bernard | Fort | Etudes | fixed media, akusmatisch | Stereo | 38R 002/ | GMVL Lyon | 0 | |||||||||||
| 5346 | Bernard | Fort | Fractals 1-3-5 | 1979/1981 | fixed media, akusmatisch | 21:27 | MK CD 018/ | GMVL Lyon | 0 | ||||||||||
| 5347 | Bernard | Fort | Fractals XIII-XVII | 1983 | fixed media, akusmatisch | GMVL Lyon | 0 | ||||||||||||
| 5348 | Bernard | Fort | Jour de Lenteur | 1984 | fixed media, akusmatisch | Stereo | GMVL D 01 LP/ | GMVL Lyon | 1 | ||||||||||
| 18890 | Bernard | Fort | L’impatinence des limites | 1993 | fixed media, akusmatisch | 18:09 | Stereo | LDC 278056/57 Cultures Electroniques 7/ GMVL 010/ IMED 0371/ | INA • GRM | Ina-GRM | 25 January 1993 | Salle Olivier Messiaen, Maison de la Radio France | 2.Preis Musique Electroacoustique Mixte Bourges 93 | 1 | |||||
| 20164 | Bernard | Fort | La Jardin de la Reine | 1984 | fixed media, akusmatisch | 8:22 | Stereo | GMVL CD 09/ | GMVL Lyon | 0 | |||||||||
| 24621 | Bernard | Fort | La paix de l’entendre | 1998 | fixed media, akusmatisch | 15:45 | Octo | IMED 0371/ | GMVL Lyon | Ina-GRM | 23 February 1998 | Salle Olivier Messiaen, Maison de la Radio France | 0 | ||||||
| 20165 | Bernard | Fort | La Voyage d'Alice | 1991 | fixed media, akusmatisch | 33:00 | Stereo | Fuzeau/ | GMVL Lyon | 0 | |||||||||
| 28160 | Bernard | Fort | Le miroir des oiseaux La galerie de portraits d'oiseaux |
fixed media, akusmatisch | GMVL CDRom/ | GMVL Lyon | 0 | http://www.gmvl.org/miroir/ | |||||||||||
| 19203 | Bernard | Fort | Le Symbole des Apôtres | 1992 - 1995 | fixed media, akusmatisch | 8:26 | CRR 9610 Rivoalto/ | GMVL Lyon | 1 | ||||||||||
| 5349 | Bernard | Fort | Le Tombeau de William Byrd | 1982 | Zuspiel / Tonband, 1 perf | 25:31 | Stereo | hpd [Cembalo] | GMVL D 01 LP/ | GMVL Lyon | 1 | ||||||||
| 20166 | Bernard | Fort | Méditation sur la Tour de Babel | 1991 | fixed media, akusmatisch | 18:00 | Stereo | l’empreinte digitales 13027/ | GMVL Lyon | 0 | |||||||||
| 20167 | Bernard | Fort | Nocturne du Monde | 1997 | fixed media, akusmatisch | 74:00 | Stereo | SIT 30031/ | GMVL Lyon | 0 | |||||||||
| 20168 | Bernard | Fort | Paysage (lever du jour sur le Mont Saint Hilaire) | fixed media, akusmatisch | 36:19 | Stereo | 38R 002/ | GMVL Lyon | 0 | ||||||||||
| 32145 | Bernard | Fort | Portraits | fixed media, akusmatisch | 7 | 38R 002/ | GMVL Lyon | 0 | |||||||||||
| 24622 | Bernard | Fort | Silence radieux | 2000 - 2002 | fixed media, akusmatisch | 21:16 | Stereo | IMED 0371/ | GMVL Lyon | Ina-GRM | 15 June 2002 | Salle Olivier Messiaen, Maison de la Radio France | 0 | ||||||
| 5350 | Bernard | Fort | Symphonie pour l'amen, Domaine : Régis et Corine, Et sur la terre Domaine: Régis et Corine, … Paix … Domaine: Régis et Corine, Vers l'amen |
1983 | fixed media, akusmatisch | 53:25 | Stereo | INA • GRM, GMVL Lyon | 14.9.1983 | Lyon, Cycle GMVL, Palais St. Pierre | 0 | ||||||||
| 5344 | Bernard, Jacques | Fort, Mayoud | Alliages | 1989 | fixed media, akusmatisch | Stereo | 4 parts | GMVL CD 07/ | GMVL Lyon | 1 | |||||||||
| 20170 | Bernard | Fort, Saint Martin | Zoom su l'homme studio | 1996 | fixed media, akusmatisch | 74:00 | Stereo | Fuzeau 5328/ | GMVL Lyon | 0 | |||||||||
| 20169 | Bernard, Dominique, Jean Claude | Fort, Saint Martin, Roché | Zoom sur les chants d'oiseaux | 1996 | fixed media, akusmatisch | Stereo | Fuzeau 5111/ Fuzeau 5201/ | GMVL Lyon | 0 | ||||||||||
| 20171 | Bernard, Dominique, Jean Claude | Fort, Saint Martin, Roché | Zoom sur les sons de la nature | 1996 | fixed media, akusmatisch | 45:00 | Stereo | Fuzeau 5200/ | GMVL Lyon | 0 | |||||||||
| 28175 | Louis-Antoine | Fort | Skyscraper Waltz, 2010 Complement a l’Inventaire | 2006 | Tanz | 5:27 | Group "L 'Inventaire Rhône-Alpes" (GMVL & l’Inventaire) | GMVL CD/ | GMVL Lyon | 0 | |||||||||
| 27891 | Philippe | Forte-Rytter | « Le chant de l'orage » s'évertue désormais en gargarismes acides, d'après Le chant de l'orage de Magritte | 1999 | Performance, live-elec, 1 perf, 1 group | mul mus (sculptures, enfants) [Musiker] | (musiciens ou non musiciens, handicapés et non handicapés) et live electronics | CRFMW Liège | 3.10.1999 | Liège, ancienne Eglise St-André | 0 | http://www.crfmw.be/index1.htm | |||||||
| 27753 | David | Fortez | Alizés | fixed media, akusmatisch | 8:39 | alias André Defossez | wbm 168 b Electro AC Wallonie - Bruxelles/ | Musiques et Recherches Ohain | 1 | ||||||||||
| 33413 | Jack | Fortner | The Flies | 1966 | Theatermusik | Uni Ann Arbor | 0 | ||||||||||||
| 5352 | Wolfgang | Fortner | Gladbacher TE DEUM | 1974 | live-elec, 1 perf, 2 groups | V, ch, orc [Stimme, Chor, Orchester] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||
| 5353 | Wolfgang | Fortner | That Time | 1977 | live-elec, 5 perf, 1 group | actors, S, Bar, hpd, gui, p [Sopran, Bariton, Piano, Gitarre, Cembalo, Schauspieler] | after S. Beckett | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 5351 | Wolfgang, Hans Peter | Fortner, Haller | Elisabeth Tudor | Oper | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||||||
| 22464 | Fast | Forward | Oji | 2001 | fixed media, akusmatisch | 7:25 | ed. rz 20002/ | 1 | |||||||||||
| 23128 | Fast | Forward | Signal to Noise | 2002 | live-elec, 2 perf, 1 group | 75:00 | amp inss, synt [Instrument, synthesizer] | Festival Inventionen DAAD/TU 2002 | 29.6.2002 | Inventionen staatsbank Berlin | 1 | 2002 | |||||||
| 20172 | Fast, Takehisa | Forward, Kosugi | Parabola | 1992 | Performance, live-elec, 2 perf | 7:26 | Stereo | vn, perc, (elec) [Schlagzeug, Violine] | Nova Era CD 2002/ ed. rz 20002/ | 1 | 1992 | ||||||||
| 5354 | Mark | Foster | Contre Contrôle | 1988 | live-elec, 1 group | 15:00 | ens [Ensemble] | GRAME Lyon | 0 | ||||||||||
| 5356 | Alain | Fourchotte | Post-scriptum | 1982 | fixed media, akusmatisch | CIRM Nice | 0 | ||||||||||||
| 20173 | Henry | Fourès | Athina | live-elec, | 56:16 | Stereo | La muse En Circuit Hörspiele/ | La Muse | 0 | ||||||||||
| 5357 | Henry | Fourès | Interview no 1 | Zuspiel / Tonband, 1 perf | 17:20 | t-sax [Saxophon] | ADDA 581088/ | IPEM Gent | 1 | ||||||||||
| 27892 | Michel | Fourgon | De proche en proche | 1999 | live-elec, 3 perf | trbn, vn, p [Posaune, Piano, Violine] | CRFMW Liège | 15.03.1999 | Bruxelles, Festival Ars Musica | 0 | http://www.crfmw.be/index1.htm | ||||||||
| 27838 | Michel | Fourgon | Le Chant du Luo | 2008 | live-elec, 11 perf | 4 S, 2 T, 2 Bar, 2 perc, MIDI p [Sopran, Tenor, Bariton, Piano, Schlagzeug] | version remaniée | CRFMW Liège | 20.11.2008 | Liège, festival Images sonores | 0 | http://www.crfmw.be/index1.htm | |||||||
| 5358 | Marie-Hélène | Fournier | 5 Muses | 1990 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 5359 | Marie-Hélène | Fournier | Canto Quarto | 1987 | fixed media, akusmatisch | 8:45 | Stereo | INA • GRM | 0 | ||||||||||
| 24413 | Thierry | Fournier | Core | 2003 | Klangkunst, Installation | IMEB Bourges | 0 | ||||||||||||
| 5360 | Christopher | Fox | Broadway Boogie | 1984 | Zuspiel / Tonband, 1 perf | 8:00 | ehn [Oboe] | 0 | |||||||||||
| 5361 | Christopher | Fox | Magnification | 1986 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | S [Sopran] | Realization also in TU Berlin, Synclavier | Uni York, TU Berlin | 1 | ||||||||
| 5362 | Christopher | Fox | More Light | 1986 | Zuspiel / Tonband, 1 perf | 20:00 | p [Piano] | 0 | |||||||||||
| 5363 | Christopher | Fox | Recirculation | 1982 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | trbn [Posaune] | Uni York | 0 | |||||||||
| 5364 | Christopher | Fox | The fish dreams of the worm | 1987 | fixed media, akusmatisch | 2:45 | Stereo | Synclavier | TU Berlin | 4.12.1987 | British Center Berlin | 0 | |||||||
| 5365 | Christopher | Fox | Threnos | 1983 | Zuspiel / Tonband, 1 perf | 7:00 | Stereo | male V [Stimme] | 0 | ||||||||||
| 5366 | Christopher | Fox | Waves of shine | 1987 | live-elec, 2 perf | 14:00 | ww-ins, MIDI [synthesizer, Bläser] | 0 | |||||||||||
| 5367 | Christopher | Fox | Winds of heaven | 1984 | live-elec, 1 perf | 15:00 | t-rec, (delay) [Flöte] | 2 parts | SRI 001/ | 0 | |||||||||
| 40111 | Michael | Fox | Lush | 2017 | fixed media, akusmatisch | Michael J. Fox | 0 | ||||||||||||
| 39968 | Michael, Jeremy | Fox, Stewart | Cx16:01 | 2017 | fixed media, akusmatisch | K. Michael Fox and Jeremy Stewart | EMPAC | 0 | |||||||||||
| 34727 | Terry | Fox | 34 TURNS | 2009 | Klangkunst, Installation | 9:39 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 22.5.-12.7.2009 | singuhr hoergalerie Berlin | 0 | |||||||||
| 34214 | Terry | Fox | Ataraxia, Suono Interno Rallentando Lunar Rambles Culvert Berlin Attic Wire, Beating Berlin Attic Wire, Bowing |
1998 | Klangkunst, Installation | Works with sound, CD, Edition S Press and Plate Lunch, 1998 ; "Terry Fox, works with sound, Arbeiten mit Klang" Ausstellungskatalog (incl. CD Ataraxia), Saarbrücken 1999 | Kehrer Verlag ISBN 3-933257-04-2/ Edition S Press – ISBN 3-922689-91-3/ | 0 | |||||||||||
| 34215 | Terry | Fox | Audio Eyes | Klangkunst, Installation | Cassette (Anthology) Pub. Art Spaces, S.W. Australia. | 0 | |||||||||||||
| 34216 | Terry | Fox | Audio Transart | Klangkunst, Installation | Cassette (Anthology) Pub. Audio Transart, New York New York. | 0 | |||||||||||||
| 34217 | Terry | Fox | Audio Works | Klangkunst, Installation | Cassette, Pub . Exit and Exampla, Florence. | 0 | |||||||||||||
| 28357 | Terry | Fox | Bad Installation | 2002 | Klangkunst, Installation | 1 | 2002 | ||||||||||||
| 34218 | Terry | Fox | Berlino, The Berlin Wall Scored for Sound | 1980/1988 | Klangkunst, Installation | Octo | sound Scapes from San Francisco, Liege, Berlin (1979-1988) with a topgraphic sound map of the Berlin Wall (Berlin Wall Scored for Sound). Look A House Full of Music, page 185, ISBN 978-3-7757-3318-2 also version for stringquartet realized by Arnold Dreyblatt (2017; UA 28.10.2017 in Sonification festival Berlin by bgnm) |
AR 088807/ ISBN 978-3-7757-3318-2/ De Appel 3/ | Apollohuis Eindhoven | 0 | |||||||||
| 22465 | Terry | Fox | Bottled Air | 2001 | Klangkunst, Installation | Ausstellung "Visual Sound", Mattress Factory; Teil CD-ROM, Teil Audio-CD; Windows und Mac | MF 0002-2/ | Mattress Factory | 1 | ||||||||||
| 34220 | Terry | Fox | Highfidelity | 2008 | Klangkunst, Installation | Künstlerschallplatten in der Sammlung Marzona/Artists’ Records in the Marzona Collections, Edition RZ, Berlin, 2008 | ed. rz 9006/07/ | 0 | |||||||||||
| 34221 | Terry | Fox | Insalata Mista, Isolation Unit Suono Interno Timbre 552 Steps Through 11 Pairs Of Piano Wires Lunar Rambles Culvert |
1970 - 1980 | Klangkunst, Installation | cassette, Pub. S. Press, München. | Kehrer Verlag ISBN 3-933257-04-2/ Edition S Press SP 3002/ | 0 | |||||||||||
| 34222 | Terry | Fox | Isolation Unit, Insalata Mista | 1970 | Klangkunst, Installation | E.P. Disc. (with Joseph Beuys), excerpt from performance by Terry Fox and Joseph Beuys, published by the artists. 1970 | Kehrer Verlag ISBN 3-933257-04-2/ Edition S Press SP 3002/ | 0 | |||||||||||
| 18911 | Terry | Fox | Klanginstallation | 1987 | Klangkunst, Installation | 5:00 | long str [Streicher] | Apollo ACD 019209/ | PS | 1 | |||||||||
| 34224 | Terry | Fox | Linkage | 1982 | Klangkunst, Installation | L.P. disc with catalogue, Pub. Kunstmuseum, Luzern. 1982 | 0 | ||||||||||||
| 23129 | Terry | Fox | Litanies of Interference | 2002 | Klangkunst, Installation | DAAD 205-1 ISBN 3-89727-259-8/ | 1 | 2002 | |||||||||||
| 34225 | Terry | Fox | Quatro Stagione | Klangkunst, Installation | Box containing: cassette, drawing, sound sculpture, by Terry Fox, and 30 photographs by Enzo Pezzi (Ed. 4) Pub. Galleria Pellegrino, Bologna. | 0 | |||||||||||||
| 36534 | Terry | Fox | Rallentando | 1988 | Klangkunst, Installation | Octo | sound Scapes from San Francisco, Liege, Berlin (1979-1988) with a topgraphic sound map of the Berlin Wall (Berlin Wall Scored for Sound). Look A House Full of Music, page 185, ISBN 978-3-7757-3318-2 |
AR 088807/ ISBN 978-3-7757-3318-2/ | Apollohuis Eindhoven | 0 | |||||||||
| 34226 | Terry | Fox | Revolutions Per Minute | 1982 | Klangkunst, Installation | set of L.P. Discs, Pub. Ronald Feldman, New York, New York. 1982 | 0 | ||||||||||||
| 34227 | Terry | Fox | Sound | Klangkunst, Installation | L.P. Disc. (Anthology), Pub. L.A.I.C.A., Los Angeles, California. | 0 | |||||||||||||
| 34228 | Terry | Fox | Tell Us 21 Audio by Visual Artists | Klangkunst, Installation | Audio Cassette Magazine, New York, New York | 0 | |||||||||||||
| 34219 | Terry | Fox | The Berlin Wall Scored for Sound, Berlino | 1977/1988 | Klangkunst, Installation | 4:34 | Cassette (Anthology) Pub. De Appel, Amsterdam. 1977; Marga van Mechelen, "de Appel – performances, installations, video, projects 1975-1983", De Appel Amsterdam 2006 | De Appel 3/ AR 088807/ | 0 | ||||||||||
| 34223 | Terry | Fox | The Labyrinth Scored for the Purrs of 11 Cats | 1977/2003 | Klangkunst, Installation | 70 | Quadro | Audio Cassette Edition, Het Appollohuis, Eindhoven / 90 Min. cassette, Prod. Z.B.S., . New York, published by the Artist (cassette with orginal drawing). / LP Vinyl. Terry Fox, Choose Records, 2009. Set of L. P. Discs, (anthology), Pub. 110 Records, New York, New York. 1977 |
OT 001/2/ Het Apollohuis/ Choose Rec 11cats/ | Z.B.S. Media, Apollohuis Eindhoven | 0 | https://www.discogs.com/de/Terry-Fox-The-Labyrinth-Scored-For-11-Different-Cats/release/2219533 | |||||||
| 26284 | Terry | Fox | The Salt Herring | 2004 | Klangkunst, Installation | ∞ | Gesalzener Hering, Holzleiter, Baumwollkordel, großer Nagel, großer Hammer, Audio-CD (loop) auf Lautsprecher, Text (“der gesalzene Hering“ von Charles Cros) | Voxxx 2003-2005 mit Katalog/ | Voxxx Chemnitz | 2004 | Voxxx Chemnitz | 1 | http://www.voxxx.de/projekte/soundart.htm | ||||||
| 19034 | Terry | Fox | The School of Velocity | 1996 | Klangkunst, Installation | 1:36 | Sonambiente Ausstellung (1996) Katalog S.57 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 5368 | Teresa | Fraczkiewicz | ETIUDA I and II | 1975 | fixed media, akusmatisch | 3:50 | Stereo | SME Krakow | 0 | ||||||||||
| 25449 | Massimo | Fragalà | Contaminazione | 2003 | fixed media, akusmatisch | 8:38 | Stereo | EMF 047/ Accademia Musicale Pescarese/ | HfM Vincenzo Bellini Catania | 5º/4º Concorso Internazionale di Composizione Elettronica “Pierre Schaeffer” | 1 | ||||||||
| 5369 | Ludmila | Frajt | Asteroidy | 1967 | fixed media, akusmatisch | 5:00 | Mono | Radio Plzen | 0 | ||||||||||
| 5370 | Ludmila | Frajt | Figures in Motion | 1979 | fixed media, akusmatisch | 9:48 | Stereo | Radio Plzen | 0 | ||||||||||
| 5371 | Ludmila | Frajt | Nocturno, Nokturno | 1975 | fixed media, akusmatisch | 9:00 | Stereo | RTB 3130037/ Radio Beograd CD 2, 30 years Radio Beograde electronic studio/ | Radio Beograd | 1 | |||||||||
| 5372 | Ludmila | Frajt | The Bells | 1981 | Zuspiel / Tonband, 1 group | Stereo | mx ch [Chor] | Radio Plzen | 0 | ||||||||||
| 5373 | Colin | Frame | Fairytale | 1995 | fixed media, akusmatisch | 15:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 5374 | Colin | Frame | Sublimations | 1993 | fixed media, akusmatisch | 13:00 | Stereo | Norcol Aberdeen | 0 | ||||||||||
| 22279 | Group | Framers Manual | Stockholm Preludes and Fugues | live-elec, | 6:59 | FYCD 1017-1/ | 1 | ||||||||||||
| 19635 | L. Miguel | Francesch Diaz | Flutter | 1994 | fixed media, akusmatisch | Stereo | LINCE-CAM Madrid | 0 | |||||||||||
| 33125 | Luca | Francesconi | Etymo | 1994 | Zuspiel / Tonband, 1 perf, 1 group | 23:36:00 | S, orc [Sopran, Orchester] | for soprano, chamber orchestra and tape | WJ 2002/ | IRCAM | Ricordi - BMG Ricordi, Milan | 1 | www.ricordi.com | ||||||
| 5375 | César | Franchisena | Numancia | 1960 | Tanz | Mono | LME Uni Cordoba | 0 | |||||||||||
| 5376 | Carlo | Franci | 3 invenzioni su nastro | 1956 | fixed media, akusmatisch | 7:00 | Mono | NIS Film Roma | 0 | ||||||||||
| 5377 | Carlo | Franci | Samba 8 ala rotante | 1959 | Film | 12:00 | Mono | NIS Film Roma | 0 | ||||||||||
| 34078 | Alejandro | Franco | Devorar al Saturno, Devour the Saturn | 2013 | fixed media, akusmatisch | 12:32:00 | Octo | 0 | |||||||||||
| 38760 | Sonia, Boris | FRANCO, GOBIN | De l'autre côté du monde | 2017 | radiophon | 38:00:00 | Prix Phonurgia nova 2017 Prix Pierre Schaeffer | 0 | |||||||||||
| 33260 | John | Frandsen | Besigtigelse af en Afgrund | 2010 | live-elec, 2 perf | T, gui [Tenor, Gitarre] | after a text by U. Andkjær Olsen | DIEM Aarhus | 0 | ||||||||||
| 33262 | John | Frandsen | Hymne til Aske-Fuglen, Hymn to the Ash Bird | 1992 | live-elec, | DIEM Aarhus | August 1996 | SUSÅ-Festival | 0 | ||||||||||
| 5378 | John | Frandsen | Interrail | 1988 | fixed media, akusmatisch | 3:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 33261 | John | Frandsen | Laterna Magica | 1996 | live-elec, 1 perf | vc [Cello] | DIEM Aarhus | Morten Zeuthen | August 1996 | SUSÅ-Festival | 0 | ||||||||
| 20175 | Colin | Franey | Risonare C | 1993 | fixed media, akusmatisch | 6:43 | Stereo | EMS 9300/ | EMS UIUC | 0 | |||||||||
| 42274 | Andreas Eduardo | Frank | A clap on common graund | 2018 | audiovisuell, live-elec, 1 group | ens [Ensemble] | 0 | ||||||||||||
| 42275 | Andreas Eduardo | Frank | Restore Factory Defaults | 2017 | audiovisuell, live-elec, 1 perf | amp V, (elec, Video) [Stimme] | audiovisuelles Musiktheater | 0 | |||||||||||
| 34836 | Colin | Frank | Interior-Exterior Spaces Along Tram line 1 (Scheveningen-Delft) | 2015 | fixed media, akusmatisch | 6:10:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 36861 | Colin | Frank | Virtual Sphere Incarnate | 2016 | fixed media, akusmatisch | 9:30:00 | 0 | ||||||||||||
| 5379 | Priska | Frank | Cycle | 1980 | fixed media, akusmatisch | 6:20 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 40203 | Robert | Frank | Zymurgy | 2017 | fixed media, akusmatisch | 16 Tracks | Robert Frank | 0 | |||||||||||
| 24186 | Robert J. | Frank | Muse | 2001 | fixed media, akusmatisch | 1:36 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 28412 | Tina | Frank | Glambox | 2001 | audiovisuell | 0:30 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | http://www.filmvideo.at | |||||||||
| 28413 | Tina | Frank | III | 1996 | audiovisuell | 1:00 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 28414 | Tina | Frank | Pitbutp | 2001 | audiovisuell | 2:50 | «b!as, International Sound Art Exhibition» – book + DVD (Et@t, Taiwan) - siehe gesondertes Booklet und Karton! | ETAT Taiwan/ | 1 | https://soundartarchive.net/articles/B!AS%20International%20Sound%20Art%20Exhibition%20-%20Taipei%20%202005.pdf | |||||||||
| 27730 | Tina, Ramon, Andi | Frank, Bauer, Pieper | Chronomops, Ramon Bauer and Andi Pieper | 2005 | audiovisuell | 2:10 | T. Frank (Video) General Magic = Ramon Bauer and Andi Pieper |
CMJ Vol 33-4, 2009/ | 1 | http://www.mp3.com/artist/general | |||||||||
| 22466 | Bernd | Franke | Solo 7Fach | 2000 | Zuspiel / Tonband, 1 perf | 19:48 | trbn [Posaune] | TU Berlin | 1 | ||||||||||
| 22467 | Bernd | Franke | Solo xfach, Simultanversion von Solo 2fach, Solo 4fach, Solo 7fach | 1996 - 1999 | Zuspiel / Tonband, 9 perf | 52:35 | fl, ob, trbn, e-gui, perc, p, vn, va, vc [Flöte, Oboe, Posaune, Piano, Gitarre, Schlagzeug, Viola, Cello, Violine] | TU Berlin | Kultur- und Veranstaltungsprogramms im Deutschen Pavillion auf der EXPO 2000 | 15.10.2000 | EXPO 2000 Hannover, Deutscher Pavillon | 1 | |||||||
| 5380 | Marlis A. | Franke | Venezia exaudi | 1987 | radiophon | 28:20 | Stereo, 6 | WER 6307-2/ | TU Berlin | WDR III Studio Akustische Kunst | 7.4.1987 | WDR III, Redaktion Schöning; mit der Gesangsstimme von Madalena de Faria | 1 | ||||||
| 42608 | Patrick, Daniel, Dave, Ole, Chris | Franke, Neumann, Ruder, Schmidt, Weinheimer | Frühjahrszug, Spring Migration | 2009 | live-elec, 2 perf | 8 | Octo | cl, elec [Klarinette, elektronik] | 0 | ||||||||||
| 39598 | Ari | Frankel | enCaged | 2016 | fixed media, akusmatisch | Ari Frankel | 0 | ||||||||||||
| 39597 | Ari | Frankel | inErnest | 2016 | fixed media, akusmatisch | Ari Frankel | 0 | ||||||||||||
| 39596 | Ari | Frankel | Spot On – parts I-III | 2017 | fixed media, akusmatisch | Ari Frankel | 0 | ||||||||||||
| 39303 | Ari | Frankel | wombTango | 2017 | audiovisuell | com (synclavier) [computer] | [synclavier version] | 0 | |||||||||||
| 5381 | Wim | Franken | Heederik-cantate | 1968 | Zuspiel / Tonband, 2 groups | 12:00 | ch, orc [Chor, Orchester] | EM ?? | 0 | ||||||||||
| 5382 | Wim | Franken | Poèmes de voyage | 1969 | fixed media, akusmatisch | 29:02 | Quadro | 3 parts: 9:35 + 8:43 + 10:44 | Sonology Utrecht | 0 | |||||||||
| 37192 | Christopher von | Frankenberg | Assimilation | 2017 | live-elec, | 5:00:00 | aka There's No Net Neutrality | HfG Karlsruhe | 0 | http://zkm.de/event/2017/06/nextgeneration-70 | |||||||||
| 5383 | Jim | Franklin | Giving Shape | 1986 | fixed media, akusmatisch | 25:00 | Sweelinck | 0 | |||||||||||
| 5384 | L. E. | Franks | Fantasia | 1961 | fixed media, akusmatisch | 2:46 | Mono | after O. Gibbons | DECCA DL 9103 (Music for Mathematics)/ DECCA DL 79103/ | Bell Lab | 0 | ||||||||
| 5385 | Wayne | Franks | L’Orage | 1989 | fixed media, akusmatisch | 5:35 | Stereo | Concordia Montréal | 0 | ||||||||||
| 34597 | Martin von | Frantzius | Violin Sidetracks, sidetracks | 2013 - 2016 | live-elec, 1 perf | vn, (com) [Violine] | SMC2016 | 0 | |||||||||||
| 5386 | Olov | Franzén | Caleb, en molnens broder | Zuspiel / Tonband, 1 perf, 1 group | ≈ 40:00 | Stereo | inss [Instrument] | EMS Stockholm | 0 | ||||||||||
| 5387 | Olov | Franzén | Extension | 1977 | Zuspiel, live-elec, 2 perf | 10:00 | vc, synt [Cello, synthesizer] | EMS Stockholm | 0 | ||||||||||
| 5388 | Olov | Franzén | The Vancouver piece | 1975/1976 | Zuspiel / Tonband, 1 perf, 1 group | 26:00 | inss [Instrument] | EMS Stockholm | 0 | ||||||||||
| 5389 | Olov | Franzén | Tjuvolta | 1979 | Zuspiel / Tonband, 1 perf | 6:38 | Stereo | S [Sopran] | EMS Stockholm | 0 | |||||||||
| 42489 | Davíd Brynjar | Franzson | S-Be2 | 2009 | Klangkunst, Installation | 0 | |||||||||||||
| 42609 | Heather | Frasch | métal re-sculpté | 2009 | live-elec, 1 perf | 12 | sax [Saxophon] | 0 | |||||||||||
| 39843 | Heather | Frasch | sans histoire | 2005 | live-elec, 1 perf | 3:16:00 | vc [Cello] | Heather Frasch | 0 | ||||||||||
| 43063 | Heather | Frasch | sense boxes | 2014 | Klangkunst, Installation | Location: Playhouse Lobby | 0 | ||||||||||||
| 42610 | Paul | Fraser | 8-bit Cycles | 2008 | live-elec, 2 perf | 5 | Stereo | toy-Kbd and V and com, objects and melodica and com [Stimme, computer] | Uni Minnesota | 0 | |||||||||
| 5390 | Enrico | Frattaroli | Opera | 1992 | fixed media, akusmatisch | 15:15 | 0 | ||||||||||||
| 39467 | Nicola Fumo | Frattegiani | Banlieue cuivrée | 2017 | fixed media, akusmatisch | 8:03 | 0 | ||||||||||||
| 42490 | Yvonne | Freckmann | Remember From Womb You Came | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 23950 | Pablo | Fredes | ça fait faire ça | 2002 | fixed media, akusmatisch | 8:36 | Junio 2002. Auditorium del conservatorio de Pantin. Francia. | 0 | |||||||||||
| 23952 | Pablo | Fredes | Sonatisse | 2009 | fixed media, akusmatisch | 7:12 | CONV 60/ | 0 | |||||||||||
| 23951 | Pablo | Fredes | Sonattache | 2004 | fixed media, akusmatisch | 12:08 | Octubre 2004. Concierto de alumnos de la Asociación de enseñantes de música electroacústica. CNSM de Lyon, Francia. | 0 | |||||||||||
| 40168 | Pablo | Fredes | “TUM” | 2017 | fixed media, akusmatisch | Pablo Fredes | 0 | ||||||||||||
| 5391 | Howard | Fredrics | Bukowski Songs, The Raven's Kiss No Help for That The Tragedy of The Leaves Inevitable Conflicts As The Spirit Wanes The Mockingbird |
1993 | fixed media, akusmatisch | Zuspiel/Tonband, 5 perf, 1 group |
Kbd, Vs, vc, db, p [Stimme, Piano, Keyboard, Cello, Kontrabass] | Centaur CRC 2245, CDCM Vol. 20/ ICMC 1994, DIEM 001/ SEAMUS EAM 9501 Vol. 4/ Kiasma 1999/ | EMS Stockholm, Uni of Texas at Austin | Competition Musica Nova Prag 1995 | 1 | |||||||||
| 39848 | Howard | Fredrics | Northern Lights | 2015 | fixed media, akusmatisch | 8:00:00 | Howard Frederics | 0 | |||||||||||
| 22792 | Howard | Fredrics | The Tragedy of The Leaves | 1991 | fixed media, akusmatisch | 11:00 | Centaur CRC 2245, CDCM Vol. 20/ | Uni of Texas at Austin | 1 | ||||||||||
| 32061 | Howard Jonathan | Fredrics | Vagvisa För Mitt Ofödda Barn | 1995 | Zuspiel / Tonband, 1 perf | S [Sopran] | Lori Joachim Fredrics, soprano | SEAMUS EAM Vol. 5/ | 0 | ||||||||||
| 5392 | Magnus | Fredriksson | Fanfar konkret | 1987 | fixed media, akusmatisch | 4:50 | Stereo | EMS Stockholm | 0 | ||||||||||
| 5394 | John | Free | Conversation with John Cage—A Work Untitled In Advance | 1987 | fixed media, akusmatisch | 12:00 | Stereo | Axon M. Toronto | 0 | ||||||||||
| 5395 | John | Free | Generation-X | 1988 | live-elec, 1 perf | 12:00 | Stereo | gui, (com) [Gitarre] | 0 | ||||||||||
| 5396 | John | Free | Piano Study Number Two | 1986 | fixed media, akusmatisch | 18:00 | Stereo | Gr. Av. St Toronto | 0 | ||||||||||
| 5397 | John | Free | The Shape of Things to Come | 1987 | fixed media, akusmatisch | 12:00 | Stereo | Axon M. Toronto | 0 | ||||||||||
| 5398 | John | Free | This is not Iggy Pop | 1987 | fixed media, akusmatisch | 12:00 | Stereo | 0 | |||||||||||
| 5393 | John, Bill | Free, Gilliam | A Flight Out of Time | 1988 | Zuspiel, live-elec, 1 perf | 8:30 | Stereo | gui [Gitarre] | Static Interference | 0 | |||||||||
| 5399 | Elliot E. | Freedman | Reflections in a Metal Sea | 1987 | fixed media, akusmatisch | 10:02 | Stereo | Queens Uni Kingston | 0 | ||||||||||
| 5400 | Elliot E. | Freedman | The Griffith Observer | 1988 | fixed media, akusmatisch | 8:34 | Stereo | Queens Uni Kingston | Le Caine Award 1988 Résidence Bourges |
0 | |||||||||
| 5401 | Elliot E. | Freedman | Through Windows of Vulnerability | 1989 | fixed media, akusmatisch | Stereo | Queens Uni Kingston | 0 | |||||||||||
| 34619 | Jason | Freeman | Shadows | 2015 | live-elec, 1 perf | p [Piano] | Ninon Gloger, piano SMC2016 |
0 | |||||||||||
| 42865 | Pauric | Freeman | Aphotic Depth | 2013 | fixed media, akusmatisch | 10:03:00 | 0 | ||||||||||||
| 35655 | Pablo | Freiberg | La muerte de Orfeo | 2008 | Zuspiel / Tonband, 1 perf | 13:46 | db [Kontrabass] | Musica Contemporanea Electroacustica - Convocatoria 07 - LIPM | LIPM B.Aires | 0 | |||||||||
| 20177 | Pablo | Freire | Zeluob 3 | 1990 | fixed media, akusmatisch | 12:04 | Stereo | ISAST LMJ 4/ | 0 | ||||||||||
| 31753 | Sérgio | Freire | A Semente e a Casca, The seed and the pod | 1999 | Zuspiel / Tonband, 2 perf | 7:42 | gui (cavaquinho), cl [Klarinette, Gitarre] | cavaquinho ≈ small gui with 4 cordes | SBME 007 Coletânea de Música Eletroacústica Brasileira/ | 1 | |||||||||
| 40709 | Marcel | Frémiot | Cadastre | 1970 | radiophon | Pour une émission dramatique radiodiffusée. Texte de G. Boursau. |
INA • GRM | 0 | |||||||||||
| 5402 | Marcel | Frémiot | Cadastre Actuaire 2 | 1971 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 5403 | Marcel | Frémiot | Dieu dans l’oreille | 1984 | live-elec, 1 perf | Bar [Bariton] | 0 | ||||||||||||
| 40645 | Marcel | Frémiot | Drift | 1968 | Fernsehen, | INA • GRM | 0 | ||||||||||||
| 40628 | Marcel | Frémiot | Interlude pour Interannée | 1967 | Film | 5 | INA • GRM | 0 | |||||||||||
| 5404 | Marcel | Frémiot | La Chimère de Saozi | 1988 | Musiktheater, live-elec, 1 perf | synt [synthesizer] | Syter | MIM Marseille | 0 | ||||||||||
| 40636 | Marcel | Frémiot | La Noria | 1968 | Tanz | 15 | Mono | INA • GRM | 0 | ||||||||||
| 5405 | Marcel | Frémiot | Le coin des choses | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 5406 | Marcel | Frémiot | Messe d'Orgue | 1988 | Zuspiel / Tonband, 1 perf | org [Orgel] | MIM Marseille | 0 | |||||||||||
| 5407 | Marcel | Frémiot | Pariétaire | 1969 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 5408 | Marcel | Frémiot | Rails | 1986 | fixed media, akusmatisch | 7:00 | Stereo | MIM Marseille | 0 | ||||||||||
| 5409 | Marcel | Frémiot | Ricercare | 1972 | fixed media, akusmatisch | Tanz |
Stereo | GMEM Marseille | 0 | |||||||||||
| 5410 | Marcel | Frémiot | Ricercare II | 1973 | Zuspiel / Tonband, 1 perf | V [Stimme] | 0 | ||||||||||||
| 5411 | Marcel | Frémiot | Sonate Pour Likenbe | 1971 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 5412 | Marcel | Frémiot | Tant et tant d’abres | 1977 | fixed media, akusmatisch | 0 | |||||||||||||
| 40659 | Marcel | Frémiot | Telephone, l’orchestre anarchique | 1969 | radiophon | 9:55 | Séquences pour un texte de Délia Torre. | INA • GRM | 0 | ||||||||||
| 5413 | Marcel | Frémiot | Temporal | 1972 | fixed media, akusmatisch | Stereo | GMEM Marseille | 0 | |||||||||||
| 5414 | Marcel | Frémiot | Trio No. 2 | 1989 | live-elec, 2 perf | 18:00 | Stereo | 2 p [Piano] | SYTER | MIM Marseille | 0 | ||||||||
| 5415 | Marcel | Frémiot | Trio No. 3 | 1989 | live-elec, 3 perf | Stereo | 2 p, synt [Piano, synthesizer] | Syter | MIM Marseille | 0 | |||||||||
| 5416 | Gerard | Fremy | Easy Road | 1990 | live-elec, | 45:00 | Stereo | GMEM Marseille | 0 | ||||||||||
| 5417 | Claude | Frenette | Ce temps retors | 1986 | live-elec, 1 perf | 12:00 | Stereo | synt, (com) [synthesizer] | Personel Composer | PS C. | 0 | ||||||||
| 5418 | Claude | Frenette | Et lisser son visage comme au fil du temps (2e partie) | 1985 | fixed media, akusmatisch | 23:00 | Stereo | 0 | |||||||||||
| 5419 | Claude | Frenette | Ici, ailleurs, la lumière | 1983 | Zuspiel / Tonband, 1 perf | 11:00 | Stereo | amp fl [Flöte] | CBC Montréal | 0 | |||||||||
| 33191 | Michael | Frengel | And the, Romina … | 2000 | Zuspiel / Tonband, 1 perf | 11:40 | prep e-gui [Gitarre] | Russolo Pratella EF.ER.P 00/ | 1 Preis Russolo-Pratella 2000 tape + ins | 0 | |||||||||
| 22889 | Michael | Frengel | Long Slender Heels | 1999 | fixed media, akusmatisch | 3:21 | Stereo | innova 116/ | Bregman Dartmouth | 1 | |||||||||
| 20978 | Michael | Frengel | Three Short Stories | 1996 | fixed media, akusmatisch | Stereo | 3 parts | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | |||||||||
| 39458 | Mike | Frengel | Country Roads | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 35646 | Mike | Frengel | No Pestering | 1995 | fixed media, akusmatisch | 0:40 | ICMC | 0 | |||||||||||
| 39459 | Mike | Frengel | Sarteano l’estate | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 5420 | Magnus | Frenning | Grind | 1988 | fixed media, akusmatisch | 9:48 | Stereo | 0 | |||||||||||
| 5421 | Magnus | Frenning | Kopplingen | 1988 | fixed media, akusmatisch | 16:38 | Stereo | 0 | |||||||||||
| 40705 | Gilles | Fresnais | Coda d’ete | 1970 | Fernsehen, | Pour une émission TV | INA • GRM | 0 | |||||||||||
| 5422 | Gilles | Fresnais | Deux Etudes en couleur, En bleu En gris |
1974 | fixed media, akusmatisch | 8:00 | Stereo | Etudes de stage | INA • GRM | 22.7.1974 | Paris, Festival Estival, Eglise St. Séverin | 0 | |||||||
| 40736 | Gilles | Fresnais | Homomixa | 1973 | radiophon | Texte de Demelier | INA • GRM | ORTF pour Atelier de Création Radiophonique | 0 | ||||||||||
| 34847 | Gilles | Fresnais | Les chants de la mer | 2016 | fixed media, akusmatisch | 9:09:00 | Stereo | JTTP 2016 participant | 0 | http://econtact.ca/19_1/pieces.html | |||||||||
| 35443 | Gilles | Fresnais | Les chants de la terre | 2014 | fixed media, akusmatisch | 0 | |||||||||||||
| 5423 | Gilles | Fresnais | Stigmergie | 1973 | fixed media, akusmatisch | 6:25 | Stereo | INA • GRM | 0 | ||||||||||
| 5424 | Gilles | Fresnais | Vague-divague | 1973 | fixed media, akusmatisch | 8:50 | Stereo | INA • GRM | 0 | ||||||||||
| 40741 | Gilles | Fresnais | Visions | 1974 | radiophon | Pour une émission de l'Atelier de Création Radiophonique. | INA • GRM | 0 | |||||||||||
| 40742 | Gilles, Jacques | Fresnais, Lejeune | Variations lumino dynamiques | 1974 | Fernsehen, | Pour un film TV de N. Schôffer | INA • GRM | 0 | |||||||||||
| 25895 | Ludovic | Fresse | Canal Inhabituel | 2004 | fixed media, akusmatisch | 22:00 | 6 parts. „Noise“ | PS C. | 1 | ||||||||||
| 25896 | Ludovic | Fresse | Le Cancer du Nombril | 2005 | fixed media, akusmatisch | 30:00 | 13 parts. „Noise“ | khokhol/ | PS C. | 1 | |||||||||
| 36538 | Paul | Fretwell | King's Cross | 2014 | fixed media, akusmatisch | 9:15:00 | Taukay 156/ | 0 | |||||||||||
| 22281 | Group | Freundschaft | Varför Tyska? | live-elec, | 7:54 | Festival Documentation "Nature is Perverse" | FYCD 1017-1/ | 0 | |||||||||||
| 22064 | Michael | Frey | BUG | fixed media, akusmatisch | 9:21 | Von CD ALL EARS | FER 1012 Firework Edition Records/ | 1 | |||||||||||
| 25686 | Régis | Frias | Siderugia | 2002 - 2003 | fixed media, akusmatisch | 8:04 | Stereo | PANaroma MM CD 09/ | PANaroma São Paulo | 1 | |||||||||
| 5425 | Laurent | Frick | Clous rouillons | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5426 | Laurent | Frick | L'amer qu'on voit danser | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 33693 | Stefan | Fricke | LvB | 1999/2005/2012 | fixed media, akusmatisch | 22:30 | Stereo | MH-G7 012/ | SR Saarbrücken, PS C. | 23.11.1999 | Saarländischer Rundfunk, Saarbrücken, SR 2 Kulturradio | 1 | |||||||
| 40197 | Rikhardur H. | Fridriksson | Postcards from the North and South | 2017 | fixed media, akusmatisch | Rikhardur H. Fridriksson | 0 | ||||||||||||
| 5427 | Wolfgang | Friebe | Capriccio für Trautonium & Orchester | 1937 | live-elec, 1 perf, 1 group | 2:30 | Mono | mtr, orc [synthesizer, Orchester] | 0 | ||||||||||
| 38958 | Sabisha | Friedberg | Strange Cloak--Sub-Flight Infinity | 2014 | Performance, live-elec, 1 perf | perf [Performer] | EMPAC | 2014 EMPAC | 0 | http://empac.rpi.edu/events/2014/spring/sabisha-friedberg | |||||||||
| 5428 | Ernst | Friedl | Expedition 2011 | 1978 | fixed media, akusmatisch | 7:30 | Stereo | ELAK Wien | 0 | ||||||||||
| 5429 | Ernst | Friedl | Wiener Gemütsmischung | 1978 | fixed media, akusmatisch | 8:00 | Mono | ELAK Wien | 0 | ||||||||||
| 36486 | Heribert | Friedl | W | 2007 | radiophon | 3:45:00 | and 26/ | 0 | |||||||||||
| 38541 | Reinhold | FRIEDL | Affentheurlich Naupengeheurliche Geschichtklitterung | 2016 | radiophon | 52:20:00 | 0 | ||||||||||||
| 5430 | Reinhold | Friedl | Fratrasies | 1992 | Zuspiel / Tonband, 1 perf | 17:00 | Stereo | p [Piano] | GMEM Marseille | 0 | |||||||||
| 34572 | Reinhold | Friedl | Golden Quinces, Earthed | 2014 | live-elec, 1 perf | 55:20 | Neo-Bechstein p [Piano] | Bocian Rec bcRF/ | TU Berlin | 0 | |||||||||
| 31342 | Reinhold | Friedl | Neo-Bechstein | 2003 | Performance, live-elec, 1 perf | 42 | Octo | Neo-Bechstein p [Piano] | Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe and MaerzMusik Berliner Festspiele | January 28, 2003 | ZKM Karlsruhe Kubus | 0 | http://sukandar.de/ | ||||||
| 31341 | Reinhold | Friedl | Xenakis [a]live! | 2004 | live-elec, 9 perf | 54 | b-cl, tpt, tuba, vn, vc, db, p, sam, perc [Klarinette, Trompete, Tuba, Piano, Schlagzeug, Cello, Violine, Kontrabass, computer] | ASP 3005/ | Wiener Festwochen, Vienna, Austria and Asphodel San Francisco | June 6, 2004 | Weiner Festwochen, zeitkratzer | 1 | |||||||
| 25494 | Reinhold, Bernhard, Michael | Friedl, Günter, Vorfeld | Message Urgent | 2003 | Zuspiel / Tonband, 3 perf | 59:20 | Stereo | 3 perf [Performer] | 4 parts | TOC 041 Trente oiseaux/ | 11.2003 | Podewil, Berlin | 1 | www.trenteoiseaux.de | |||||
| 5431 | Gary | Friedman | Concerto | 1967 | Zuspiel / Tonband, 1 perf | a-sax [Saxophon] | Col.Princ EMC | 0 | |||||||||||
| 5432 | Gary | Friedman | Dream | 1966 | Theatermusik | 4:30 | Mono | Col.Princ EMC | 0 | ||||||||||
| 5433 | Gary | Friedman | Music for Art | 1966 | Hintergrundmusik | 25:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 5434 | Gary | Friedman | Suite from Macbeth | 1966 | Theatermusik | 32:00 | Mono | Col.Princ EMC | 0 | ||||||||||
| 5435 | Michel | Frigon | Itinéraire au Crépuscule | 1994 | fixed media, akusmatisch | 2:40 | CEC DISContact_2/ | Concordia Montréal | 1 | ||||||||||
| 5436 | Roger | Frima | B 2541 | 1973 | fixed media, akusmatisch | 7:00 | Stereo | INA • GRM | 5.10.1973 | Paris, 8. Biennale, Musée d’art Moderne | 0 | ||||||||
| 33312 | Abraham H. | Frisch | Studies using magnetized dies | 1950 | Studie | PS C. NY | 0 | ||||||||||||
| 5437 | Hans Eugen | Frischknecht | 3 Duos | 1963 | fixed media, akusmatisch | 4:43 | PS C. Bern | 0 | |||||||||||
| 5438 | Hans Eugen | Frischknecht | Baschet-Suite | 1965 | fixed media, akusmatisch | 8:39 | PS C. Bern | 0 | |||||||||||
| 5439 | Hans Eugen | Frischknecht | Bewegungen | 1962 | fixed media, akusmatisch | 3:58 | PS C. Bern | 0 | |||||||||||
| 5440 | Hans Eugen | Frischknecht | Ebenen | 1965 | fixed media, akusmatisch | 2:47 | PS C. Bern | 0 | |||||||||||
| 5441 | Hans Eugen | Frischknecht | Farbklänge | 1963 | fixed media, akusmatisch | 5:55 | PS C. Bern | 0 | |||||||||||
| 5442 | Hans Eugen | Frischknecht | Flächen | 1965 | fixed media, akusmatisch | 3:32 | PS C. Bern | 0 | |||||||||||
| 5443 | Hans Eugen | Frischknecht | Fluktuationen | 1964 | fixed media, akusmatisch | 3:37 | PS C. Bern | 0 | |||||||||||
| 5444 | Hans Eugen | Frischknecht | Glissandetti | 1964 | fixed media, akusmatisch | 2:23 | PS C. Bern | 0 | |||||||||||
| 5445 | Hans Eugen | Frischknecht | Komposition | 1971 | Zuspiel / Tonband, 2 perf | 8:00 | fl, cl [Flöte, Klarinette] | PS C. Bern | 0 | ||||||||||
| 5446 | Hans Eugen | Frischknecht | Kristallklänge | 1964 | fixed media, akusmatisch | 3:00 | PS C. Bern | 0 | |||||||||||
| 5447 | Hans Eugen | Frischknecht | Pizzicati | 1964 | fixed media, akusmatisch | 2:38 | PS C. Bern | 0 | |||||||||||
| 5448 | Hans Eugen | Frischknecht | Raumklänge | 1966 | fixed media, akusmatisch | 3:10 | PS C. Bern | 0 | |||||||||||
| 5449 | Hans Eugen | Frischknecht | Tropfen | 1964 | fixed media, akusmatisch | 2:50 | PS C. Bern | 0 | |||||||||||
| 5450 | Hans Eugen | Frischknecht | Vibrationen | 1962 | fixed media, akusmatisch | 3:58 | PS C. Bern | 0 | |||||||||||
| 34670 | Henrik, Anders | Frisk, Elberling | Il Se Tourna | 2013 | Klangkunst, Installation | ∞ | SMC2016, HAW | 0 | |||||||||||
| 20178 | Fred | Frith | The Previous Evening | 1993 - 1996 | live-elec, 1 group | 32:51 | Stereo | ens [Ensemble] | ReR CCFF1/ | 0 | |||||||||
| 31752 | Eloy Fernando | Fritsch | Synthetic Horizon | 2005 | fixed media, akusmatisch | 9:21 | SBME 006 Coletânea de Música Eletroacústica Brasileira/ | 1 | |||||||||||
| 26362 | Johannes | Fritsch | Acht Spuren im Spiegel | 2006 | live-elec, 8 perf | fl, cl, hn, vn, va, vc, p, perc [Flöte, Klarinette, Horn, Piano, Schlagzeug, Viola, Cello, Violine] | Feedback St | 20.8.2006 | Köln mit MusikFabrik | Feedback FB 0605 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5451 | Johannes | Fritsch | Akroasis | 1966/1968 | live-elec, 4 perf, 1 group | 30:00 | orc (with jazz-band), 2 V, org (Drehorgel, Musicbox,), Sp (Nachrichtensprecher) [Sprecher, Stimme, Orgel, Orchester] | BMG 74321 73516/ | für Josef Müller-Brockmann | 1971 | WDR | Feedback FB 7101 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 5452 | Johannes | Fritsch | Augenblicke | 1972 | Film | Mono | Feedback St | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||||
| 5453 | Johannes | Fritsch | Concerto da camera | 1964 | live-elec, 13 perf | 12:00 | amp vn, 12 str, (filter, Regler) [Violine, Streicher] | Feedback St | 1964 | Edition Modern / Tre Media Musikverlage | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5454 | Johannes | Fritsch | Damals | 1992 | Zuspiel / Tonband, | ≈ 45:00 | after S. Beckett | Feedback St | 1992 | Köln | Feedback FB 9208/09 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 5455 | Johannes | Fritsch | Der große Gesang | 1979 - 1980 | Tanz, live-elec, 6 perf | 120:00 | amp Sp, Mez, Counter-T, gui, trbn, perc [Mezzo, Tenor, Sprecher, Posaune, Gitarre, Schlagzeug] | nach Pablo Neruda; Choreograph Jochen Ulrich Concert-Version 45' |
DMR Musik in Deutschland 1950 - 2000: Musiktheater / Tanztheater / Motive Weltliteratur/ Koch 3-5037-2/ | Feedback St | Bühnen der Stadt Köln | 1980 | Köln | Feedback FB 7901 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||
| 5456 | Johannes | Fritsch | Die Hugenotten | 1978 | Zuspiel / Tonband, 2 perf, 1 group | 20:00 | vn, cymbal, orc [Schlagzeug, Violine, Orchester] | Feedback FB 7813 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||||
| 5457 | Johannes | Fritsch | Die Regel war unabänderlich - ein Requiem | 1975/1976 | Tanz | ≈ 40:00 | Feedback St | Bühnen der Stadt Köln | Feedback FB 7601 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||||
| 5458 | Johannes | Fritsch | Duett für Bratsche | 1961 | Zuspiel / Tonband, 1 perf | 8:00 | va [Viola] | 1961 | Theater "Der Keller" Köln | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5459 | Johannes | Fritsch | Fabula rasa | 1964 | fixed media, akusmatisch | 17:45 | Quadro | IDEAMA CD 011/ | WDR SEM | WDR 1965 | 11.6.1965 | "Musik der Zeit" Köln | Feedback FB 7143 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5460 | Johannes | Fritsch | Flute Klang | 1981 | Zuspiel / Tonband, 1 perf | 10:00 | Quadro | a-fl, (delay) [Flöte] | Tonband oder Delay-System | Feedback Studio Köln CD 1/ | Feedback St | 1981 | Darmstadt mit Robert Dick | Feedback FB 8103 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||
| 26359 | Johannes | Fritsch | Große Litanei | 1999 | live-elec, 6 perf | actor (with large drum), fl (talking fluteplayer), perc, Celesta, 2 com p [Flöte, Piano, Schlagzeug, Schauspieler] | Feedback St | Feedback FB 9909 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||||
| 26358 | Johannes | Fritsch | Haikai | 1998 | Zuspiel / Tonband, 4 perf | Sp, 2 b-cl, perc [Sprecher, Klarinette, Schlagzeug] | Feedback St | 1998 | Köln | Feedback FB 9820 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5461 | Johannes | Fritsch | Hochtöner | 1974 | Zuspiel / Tonband, 4 perf | 18:19 | fl, va, perc, synt, (rm) [Flöte, Schlagzeug, Viola, synthesizer] | Liveelektronische Improvisation. performed MetaMusik 7.10.1974 Neue Nationalgalerie |
Cybele 960.307/ Feedback CD 7/ | Feedback St | Feedback FB 7402 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 26357 | Johannes | Fritsch | Infra, für tiefe Töne | 1998 | live-elec, 1 perf | 10:00 | MIDI [synthesizer] | SPX 900 ad lib. | Feedback St | 1998 | Köln | Feedback FB 9817 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 26360 | Johannes | Fritsch | Kernspin | 2000 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | Feedback St | Feedback FB 0006 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||||
| 5462 | Johannes | Fritsch | Kyo Mu | 1982 | Zuspiel / Tonband, 1 perf | 31:00 | shakuhachi [Flöte] | Feedback Studio Köln CD 1/ | Feedback St | 1982 | Vlotho | Feedback FB 8212 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 5463 | Johannes | Fritsch | Lied | 1969/1970 | live-elec, 1 perf | V [Stimme] | für einen Sänger, der sich selbst am Klavier begleitet | Feedback St | 1970 | Amsterrdam (Schorlemer) | Feedback FB 7134 grafische Partitur | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 26356 | Johannes | Fritsch | Litanei | 1994 | Zuspiel / Tonband, 1 perf | 15:00 | actor (with large drum) [Schauspieler] | Feedback St | 1994 | Köln | Feedback FB 9411 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 5464 | Johannes | Fritsch | Madrigal triste | 1963 | Zuspiel / Tonband, 1 perf | 10:00 | ob [Oboe] | aus gefilterten, transponierten und überlagerten Oboenklängen; nach Baudelaire | IDEAMA CD 053/ IDEAMA CD 113/ | WDR SEM | WDR | ohne Nachweis | Feedback FB 7188 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5465 | Johannes | Fritsch | Mattina Romana | 1976 | radiophon | 15:00 | Tonstudie | Feedback St | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||||
| 5466 | Johannes | Fritsch | Modulation II | 1967 | Zuspiel, live-elec, 13 perf | ≈ 15 | 13 ins [Instrument] | for live-elec or tape | WDR SEM | 1967 | Frankfurt | Feedback FB 7132 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 26354 | Johannes | Fritsch | Modulation III / V | 1966 - 1968 | fixed media, akusmatisch | 240:00 | Musiken für Räume und Plätze auf Tonbändern | WDR SEM | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||||
| 5467 | Johannes | Fritsch | Modulation IV | 1968 | fixed media, akusmatisch | 34:35 | Quadro | IDEAMA CD 011/ | WDR SEM | WDR 1968 | 2.9.1968 | Feedback FB 7145 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 5468 | Johannes | Fritsch | Musica Mundana | 1973 | fixed media, akusmatisch | 49:58 | Stereo | für eine Kosmogonieausstellung im Naturkundemuseum Düsseldorf; Transposition der Planetenbahnen in den Hörbereich | HfMT Köln | Feedback FB 7303 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 23093 | Johannes | Fritsch | Nachthelle | 1997 | live-elec, 4 perf | 10:33 | va, vc, db, synt [Viola, Cello, Kontrabass, synthesizer] | VCS3 | Cybele 960.303/ DegeM CD 06/ Feedback CD3/ | Feedback St | Feedback FB 9701 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 27979 | Johannes | Fritsch | Noel für drei Flöten, Playbackversion | 1990 | Zuspiel / Tonband, 1 perf | 19:33 | fl [Flöte] | gr fl, a-fl, b-fl | Feedback Studio Köln CD 1/ | Feedback St | 1991 | Köln mit C. Hoitenga | Feedback FB 9006 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5469 | Johannes | Fritsch | Ode | 1980 | Zuspiel, live-elec, 1 perf | ≈ 40:00 | 5 tracks | perc [Schlagzeug] | withdrawn? | WDR SEM, Feedback St | 27.9.1980 | "Musik der Zeit" Köln mit Michael Ranta | Feedback FB 8004 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5470 | Johannes | Fritsch | Partita | 1965/1966 | Zuspiel, live-elec, 4 perf | 20:00 | va, 3 mus (Kontaktmikrofone, Magnetofone, Filter und Regler) [Viola, Musiker] | Kontaktmikrofone, Magnetofone, Filter und Regler, 4 Spieler | IDEAMA CD 046/ | WDR SEM | 28.4.1967 | "Musik der Zeit" Köln | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5471 | Johannes | Fritsch | Radiostück 1 | 1971 | fixed media, akusmatisch | 17:00 | Text aus "V wie Vietnam" von Armand Gatti | DMR Musik in Deutschland 1950 - 2000: Komponierte Zeitgeschichte/ | Feedback St | Feedback FB 7151 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5472 | Johannes | Fritsch | RM'96 | 1996 | live-elec, 3 perf | var 12:19 | a-fl, vc, p, (rm) [Flöte, Piano, Cello] | Cybele 960.307/ Feedback CD 7/ | Feedback St | 1996 | Köln | Feedback FB 9605 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 5473 | Johannes | Fritsch | run tits | 1975/1977 | fixed media, akusmatisch | 7:00 | aus Potenzreihen von Primzahlobertönen, Programm "Timbre tuning system" auf PDP-11 | CME La Jolla, Feedback St | 1977 | Athen | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 5474 | Johannes | Fritsch | Schnitte | 1971 | fixed media, akusmatisch | 8:00 | Stereo | DGG 4/0654967/ | Feedback St | Feedback | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 5475 | Johannes | Fritsch | Testament Vivier | 1983 | Zuspiel / Tonband, 6 perf | 20:00 | br-qnt, p [Piano, Bläser] | Feedback St | 1983 | Köln WDR | Feedback FB 8307 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 26355 | Johannes | Fritsch | Trio | 1993 | live-elec, 3 perf | sax, gui, db [Saxophon, Gitarre, Kontrabass] | ausgearbeitet von "ugly culture" | Feedback St | 1993 | Köln | Feedback FB 9311 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 5476 | Johannes | Fritsch | Trio 1977 | 1977 | live-elec, 3 perf | 15:00 | va, trbn, p, (rm) [Posaune, Piano, Viola] | Cybele 960.307/ Feedback CD 7/ | Feedback St | 1977 | Köln | Feedback FB 7706 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||
| 28310 | Johannes | Fritsch | VIII ’94 | 1994 | live-elec, 1 perf | 10:00 | a-fl and Tempelglocke [Flöte] | N. Psenitsnikova (fl); dedicated to Natalja Psenitsnikova | Feedback Studio Köln CD 1/ | Feedback St | 1994 Berlin mit Natalja Psenitsnikova | 1991 | Köln mit C. Hoitenga | Feedback FB 9006 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||
| 5477 | Johannes | Fritsch | Violectra | 1971 - 1999 | live-elec, 2 perf | 28:00 | va d'amore, synt [Viola, synthesizer] | 7 verschiedene Improvisations-Versionen (Köln, NY, Stockholm, Stuttgart, Osaka) | Cybele 960.305/ Feedback CD 4-5/ | Feedback St | 1971 | SR | Feedback FB 7141 | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||
| 5478 | Johannes | Fritsch | Wolfsklänge, Mauricio Kagel zum 60. Geburtstag | 1991 | Zuspiel / Tonband, 4 perf | 7:00 | vn, p, 2 vc [Piano, Cello, Violine] | Feedback St | 1992 | Köln | Feedback FB 9205 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||
| 26361 | Johannes | Fritsch | Yokohama | 2001 | live-elec, 8 perf | 4 V, a-fl, trbn, 2 perc [Stimme, Flöte, Posaune, Schlagzeug] | Feedback St | 2001 | Frankfurt | Feedback FB 0101 | 0 | http://genterstr.hypermart.net/f_comps/fritsch.html | |||||||
| 19178 | Johannes, Volker | Fritsch, Staub | Trio 1993 | 1993 | live-elec, 3 perf | 3:30 | 3 perf (Stahlsaite, Baumstamm, Motorsirenen) [Performer] | Feedback 25 Jahre/ | Feedback St | 1 | http://genterstr.hypermart.net/f_comps/fritsch.html | ||||||||
| 42491 | Lawrence | Fritts | Mappaemundi | 2008 | fixed media, akusmatisch | 9 | 0 | ||||||||||||
| 20179 | Lawrence | Fritts | Minute Variations | fixed media, akusmatisch | 5:00 | Stereo | Innova 114/ | Uni Iowa | 1 | ||||||||||
| 32116 | Lawrence | Fritts | Musicometry I | 2005 | live-elec, 1 perf | 6:37:00 | cl [Klarinette] | Esther Lamneck, clarinet | SEAMUS EAM Vol. 15/ | 0 | |||||||||
| 40010 | Lawrence | Fritts | Musicometry I | 2016 | fixed media, akusmatisch | Lawrence Fritts | 0 | ||||||||||||
| 42109 | Anna | Friz | Respire | 2009 | radiophon | PS C. für Nuit Blanche, Scotiabank Toronto | 0 | ||||||||||||
| 5479 | Nicolas | Frize | Deux Peintures de Peinte | 1977 | fixed media, akusmatisch | UEA Norwich | 0 | ||||||||||||
| 5480 | Nicolas | Frize | Krisie | 1974 | fixed media, akusmatisch | 21:42 | Stereo | Étude de stage | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | |||||||
| 5481 | Nicolas | Frize | Quand est-ce Qu'? | 1979 | fixed media, akusmatisch | 12:22 | Stereo | INA • GRM | INA • GRM | 0 | |||||||||
| 39511 | Nathan | Froebe | Addiction’s Actuality | 2017 | Zuspiel / Tonband, 2 perf | trbn, p [Posaune, Piano] | 0 | ||||||||||||
| 23578 | Dan | Fröberg | Flute School | 2003 | Klangkunst, Installation | 2:18 | The hidden City - Sound Portraits from Göteborg | SR 219 sub rosa/ | 1 | ||||||||||
| 37548 | Norbert | Fröhlich | Noch Gestern | 1985 | Zuspiel / Tonband, 1 group | 29:30 | Stereo | chamber-ens [Ensemble] | ICEM Essen | 0 | |||||||||
| 37549 | Norbert | Fröhlich | Suite für Blockflöte | 1979 | fixed media, akusmatisch | 28:00:00 | Stereo | rec (Anke Haun) [Flöte] | ICEM Essen | 0 | |||||||||
| 38542 | Stephan | FROLEYKS | Alter Klang | 2002 | radiophon | 38:35:00 | 0 | ||||||||||||
| 42227 | Stephan | FROLEYKS | Von den Wassern, Anthologie von Texten und Musik | 1998 | radiophon | 38:35:00 | RB | 7.2.1999 | Radio Bremen | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1411177&vi=128&SID | ||||||||
| 38543 | Stephan | FROLEYKS | zweizwilling | 2010 | radiophon | 39:52:00 | 0 | ||||||||||||
| 5482 | Ivar | Frounberg | A Pattern of timeless motion | 1989 | fixed media, akusmatisch | 20:15 | Quadro | Rostrum 90 Oslo | dacapo DCCD 9101/ | DIEM Aarhus | 1 | ||||||||
| 5483 | Ivar | Frounberg | EMBRYO | 1985 | Zuspiel / Tonband, 1 group | ens [Ensemble] | DIEM Aarhus | 1 | |||||||||||
| 5484 | Ivar | Frounberg | Stenalder | 1988 | fixed media, akusmatisch | 4:00 | Stereo | DIEM Aarhus | 0 | ||||||||||
| 5485 | Ivar | Frounberg | Time and the Bell | 1990 | live-elec, 1 perf | perc [Schlagzeug] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 22468 | Ivar | Frounberg | Worlds Apart | 1993 | Zuspiel / Tonband, 1 perf | 19:15 | hp [Harfe] | "Harp & Computer" | DIEM Aarhus | 1 | |||||||||
| 5486 | Armand | Frydman | Lueurs | 1974 | fixed media, akusmatisch | 10:22 | Stereo | Étude de stage | INA • GRM | 5.2.1975 | Paris, Cité des Arts | 0 | |||||||
| 36563 | Susan | Frykberg | Astonishing Sense … | 1984 | fixed media, akusmatisch | 8:56 | Stereo | ES 98001 Earsay/ | SFU | 0 | |||||||||
| 36570 | Susan | Frykberg | Astonishing Sense Of Being Taken Over By Something Greater Than Me, The Audio Birth Project | 1997 | live-elec, 1 perf | 8:53:00 | vn [Violine] | ES 98003 Earsay/ | SFU | 0 | |||||||||
| 36568 | Susan | Frykberg | Birth / Rebirth Bearing Me | 1997 | fixed media, akusmatisch | 8:02:00 | ES 98003 Earsay/ | SFU | 0 | ||||||||||
| 36571 | Susan | Frykberg | I Didn't Think Much About It, The Audio Birth Project | 1997 | live-elec, 1 perf | 6:02:00 | p [Piano] | ES 98003 Earsay/ | SFU | 0 | |||||||||
| 36567 | Susan | Frykberg | Insect Life | 1997 | live-elec, 1 perf | 10:11:00 | V [Stimme] | ES 98003 Earsay/ | SFU | 0 | |||||||||
| 36569 | Susan | Frykberg | Margaret, The Audio Birth Project | 1997 | fixed media, akusmatisch | 3:21:00 | ES 98003 Earsay/ | SFU | 0 | ||||||||||
| 36566 | Susan | Frykberg | Mother Too | 1997 | live-elec, 1 perf | 15:01:00 | V [Stimme] | ES 98003 Earsay/ | Orca Pacific St | 0 | |||||||||
| 5488 | Susan | Frykberg | Piano Study No 1 | 1984 | fixed media, akusmatisch | Stereo | SFU | 0 | |||||||||||
| 5489 | Susan | Frykberg | Saxarba | 1982 | fixed media, akusmatisch | 15:00 | Stereo | SFU | 0 | ||||||||||
| 36572 | Susan, Kathy | Frykberg, Kennedy | Sue And Kathy Telecompose Across The Country | 1997 | live-elec, 2 perf | 8:57:00 | 2 V [Stimme] | ES 98003 Earsay/ | SFU | 0 | |||||||||
| 5487 | Susan, James | Frykberg, Montgomery | A Distant Singing | 1981 | fixed media, akusmatisch | Stereo | SFU | 0 | |||||||||||
| 40327 | Xiao | Fu | Amnesia | 2017 | fixed media, akusmatisch | Xiao Fu | Uni Williamsburg | 0 | |||||||||||
| 42907 | Xiao | Fu | Jiao Cuo for cello, live electronics, samples & video | 2013 | live-elec, 1 perf | 14:00:00 | vc [Cello] | Madeleine Shapiro, cello | 0 | ||||||||||
| 40328 | Xiao | Fu | Longing | 2016 | fixed media, akusmatisch | Xiao Fu | 0 | ||||||||||||
| 34588 | Xiao | Fu | Maelstrom, Blossom | 2016 | Klangkunst, Installation | SMC2016 | HCU Hamburg | 0 | |||||||||||
| 40027 | Lowell | Fuchs | Elaborations No. 1 | 2015 | fixed media, akusmatisch | 5:00:00 | Lowell Fuchs | 0 | |||||||||||
| 5490 | Mathias | Fuchs | Break | 1988 | intermedia | slides by Dinka Pignon | 0 | ||||||||||||
| 5492 | Mathias | Fuchs | Erste Hilfe | 1986 | Tanz | ELAK Wien | 0 | ||||||||||||
| 5493 | Mathias | Fuchs | Flaschenstücke | 1984 | fixed media, akusmatisch | 4:40 | Stereo | ELAK Wien | 0 | ||||||||||
| 5494 | Mathias | Fuchs | Steppance | 1986 | fixed media, akusmatisch | Stereo | ELAK Wien | 0 | |||||||||||
| 5495 | Mathias | Fuchs | Ton-Bein | 1985 | Tanz | ELAK Wien | 0 | ||||||||||||
| 5496 | Mathias | Fuchs | U-Bahn | 1994 | fixed media, akusmatisch | 0 | |||||||||||||
| 5497 | Mathias | Fuchs | Wien 1991 | 1991 | Klangkunst, Installation | with Sylvia Eckermann | 0 | ||||||||||||
| 32935 | Mathias, Sylvia | Fuchs, Eckermann | Bad Room | 1996 | fixed media, akusmatisch | excerpt 3 | IMED 9837/ | 0 | |||||||||||
| 5491 | Mathias, Igor | Fuchs, Lintz-Maues | Entrée / Sortie | 1990 | radiophon | Radiokunstprojekt mit Sylvia Eckermann | 0 | ||||||||||||
| 19069 | Paul | Fuchs | Ballast-Saiten Ensemble | 1996 | Klangkunst, Installation | 1:33 | Sonambiente Ausstellung (1996) Katalog S.59 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 19040 | Paul | Fuchs | Der große Zeiger | 1996 | Klangkunst, Installation | Sonambiente Ausstellung (1996) Katalog S.59 |
ISBN 3-7913-1699 (Prestel)/ | 1 | |||||||||||
| 19087 | Paul, Zoro | Fuchs, Babel | Ringing Material | 1996 | Performance | 0:42 | Sonambiente Ausstellung (1996); Parochialkirche Katalog S.59 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 34168 | Paul, Hariolf | Fuchs, Schlichtig | Klangskulpturen für Bratsche | 2000 | Klangkunst, Installation | (bronze-slabs,) va [Viola] | CD: Recording from 2001, Denkmalschmiede Höfgen, Kaditzsch | DMR Musik in Deutschland 1950 - 2000: Musiktheater / Exp Musiktheater / ins Lab 74321 73653 2/ | 1 | ||||||||||
| 38544 | Florian | FÜGER | Schizophrenia – Status einer Stadt | 2011 | radiophon | 19:21:00 | 0 | ||||||||||||
| 34101 | Arturo | Fuentes | Fosil KV | 2007 | fixed media, akusmatisch | 9:13 | Stereo, Quadro | IRD 002 Irradia/ miso records mcd 023.10/ | musik+ and Studienzentrum für Neue Musik [Austria] | 2007 | Música Viva Lisboa | Musica Viva Competition Prize 2007 | 0 | ||||||
| 35350 | Arturo | Fuentes | Plexus | 2009 | live-elec, 1 perf | 9:30 | sax [Saxophon] | (Pedro Bittencourt, sax) | WER 20742/ | 0 | |||||||||
| 31516 | Anouk | Fürst | open ears shut eyes | 2013 | Klangkunst, Installation | ∞ | next_generation 5.0 | HKB Bern | 0 | ||||||||||
| 31525 | Lukas | Fuetterer | semaphonism (prototype) | 2013 | Performance | 13:00 | roboter [computer] | next_generation 5.0 | HfG Karlsruhe | 0 | |||||||||
| 39611 | Benjamin | Fuhrman | Exploring the Remains of a Giant | 2015 | fixed media, akusmatisch | Benjamin Fuhrman | 0 | ||||||||||||
| 39612 | Benjamin | Fuhrman | Reflections in a Gasoline Rainbow | 2014 | fixed media, akusmatisch | 8:40:00 | Benjamin Fuhrman | 0 | |||||||||||
| 18991 | Mamoru | Fujieda | Ecological Plantron | 1994 | fixed media, akusmatisch | 14:43 | ISAST LMJ 5/ | 1 | |||||||||||
| 36322 | Mamoru | Fujieda | Radiated Falling | 1980 | fixed media, akusmatisch | 14 | 2 versions | OPA 011/ | 0 | ||||||||||
| 36323 | Mamoru | Fujieda | The Art Of Fugue | 1981 | fixed media, akusmatisch | 2 High Speed Versions, 5 Versions | OPA 011/ | 0 | |||||||||||
| 36310 | Yukio | Fujimoto | Ears of the Rooftop | 1991 | Performance | 12:17 | OP 0002/ | 24.1.1991 | Kodoma Gallery | 0 | |||||||||
| 34628 | Takuto | Fukuda | Assimilation | 2016 | live-elec, 1 perf | 10:08 | db (Max/MSP) [Kontrabass] | tape, double bass and live electronics. SMC2016 |
IEM Graz | 0 | |||||||||
| 32819 | Takuto | Fukuda | Beyond the Eternal Chaos | 2013 | fixed media, akusmatisch | 10:02 | Octo | fl [Flöte] | IEM Graz | 0 | |||||||||
| 40277 | Takuto | Fukuda | Centrifugal Melodies | 2015 | fixed media, akusmatisch | 10:07:00 | Takuto Fukuda | 0 | |||||||||||
| 38438 | Takuto | Fukuda | Constellation | 2015 | live-elec, 6 perf | ≈ 6 | fl, cl, vn, vc, acc, p (all quatertone) [Flöte, Klarinette, Piano, Akkordeon, Cello, Violine] | Micro Ensemble (Finland), in which all instruments are designed to produce quarter-tones | IEM Graz | 0 | |||||||||
| 38437 | Takuto | Fukuda | Feedback study I | 2016 | live-elec, 1 perf | ≈ 4 | s-sax [Saxophon] | IEM Graz | 0 | ||||||||||
| 31608 | Takuto | Fukuda | Satellite | 2010 | fixed media, akusmatisch | 5:55 | Octo, Spazialisation: Binaural | next_generation 5.0 | Sonology Den Haag | FUTURA prize at "Contemporary Computer Music Concert 2011" "Seoul International Computer Music Festival 2011" |
0 | ||||||||
| 38436 | Takuto | Fukuda | Schnellzug | 2016 | live-elec, 1 perf | ≈ 5 | db-cl [Klarinette] | IEM Graz | 0 | ||||||||||
| 38435 | Takuto | Fukuda | Tongue-Twister Competition | 2016 | live-elec, 1 group | 7 | ens [Ensemble] | IEM Graz | 0 | ||||||||||
| 31610 | Takuto, Jonathan, Nick | Fukuda, Carter, Acorne | Perception | 2013 | audiovisuell, live-elec, 1 perf, 1 group | Performance |
laptop-ens [computer] | next_generation 5.0; 3 Laptops | IEM Graz | 0 | ||||||||||
| 5498 | Kazuo | Fukushima | A butterfly is not a spider | 1959 | Zuspiel / Tonband, 1 perf | Mono | Sp [Sprecher] | poetic drama | PS C. Tokyo | 0 | |||||||||
| 5499 | James | Fulkerson | chamber music VIII | 1976 | Zuspiel / Tonband, 1 perf | 6:00 | Stereo | gui [Gitarre] | 0 | ||||||||||
| 5500 | James | Fulkerson | Co-ordinative systems no.9 | 1975 | live-elec, 2 perf | 15:00 | trbn, synt [Posaune, synthesizer] | 0 | |||||||||||
| 5501 | James | Fulkerson | Elective Affinites IV | live-elec, 1 perf | trbn [Posaune] | 0 | |||||||||||||
| 5502 | James | Fulkerson | Elective Affinities I | 1980 | Zuspiel, live-elec, 2 perf | 25:00 | vc, trbn [Posaune, Cello] | West Square London | 10.2.85 | Inventionen Akademie der Künste Berlin | 0 | ||||||||
| 5503 | James | Fulkerson | Elective Affinities II | 1982 | Zuspiel, live-elec, 7 perf | 28:00 | 4 trbn, S, vc, perc [Sopran, Posaune, Schlagzeug, Cello] | 0 | |||||||||||
| 5504 | James | Fulkerson | Fields und Traces | 1979 | live-elec, 1 perf | 20:00 | trbn [Posaune] | Experimentalstudio für Akustische Kunst Freiburg | 0 | 1985 | |||||||||
| 5505 | James | Fulkerson | Force Fields and Spaces | 1981 | Zuspiel, live-elec, 1 perf | 80:00 | trbn [Posaune] | 0 | |||||||||||
| 5506 | James | Fulkerson | Force fields and spaces II | 1981 | Zuspiel / Tonband, 1 perf | 7:45 | trbn [Posaune] | Inventionen 10.2.85 Ackerstr. | 1 | 1985 | |||||||||
| 5507 | James | Fulkerson | From Eric Dolphy | 1979 | live-elec, 1 perf | 13:00 | b-cl, (delay) [Klarinette] | 0 | |||||||||||
| 5508 | James | Fulkerson | From the last few pages | live-elec, 1 perf | trbn [Posaune] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 5509 | James | Fulkerson | Music for brass instruments II | 1975 | Zuspiel / Tonband, 1 perf | 15:00 | Stereo | b-trbn [Posaune] | 0 | ||||||||||
| 5510 | James | Fulkerson | Stations, Regions, Clouds I | 1975 | Zuspiel / Tonband, 2 perf | 19:00 | trbn, p [Posaune, Piano] | 0 | |||||||||||
| 5511 | James | Fulkerson | Tangential Patterns I | 1974 | fixed media, akusmatisch | 28:26 | 0 | ||||||||||||
| 5512 | James | Fulkerson | Tangential Patterns II | 1974 | fixed media, akusmatisch | 22:10 | 0 | ||||||||||||
| 5513 | Ramon | Fuller | Composition for 2 percussionists and tape | 1964 | Zuspiel / Tonband, 2 perf | 7:00 | Stereo | 2 perc [Schlagzeug] | EMS UIUC | 0 | |||||||||
| 22935 | Wesley | Fuller | sherds of five | 1994 | fixed media, akusmatisch | 10:07 | Csound | Neuma 450-92/ | 1 | ||||||||||
| 28131 | Wesley | Fuller | vers | 1994 | live-elec, 1 perf | 12:42 | V [Stimme] | CPS 8693 Capstone/ | 0 | ||||||||||
| 41945 | Keith | Fullerton Whitman | Miami Sound Machine ‘Conga’ | fixed media, akusmatisch | 0 | ||||||||||||||
| 41944 | Keith | Fullerton Whitman | The Police ‘Every Little Thing She Does Is Magic’ | fixed media, akusmatisch | 0 | ||||||||||||||
| 20180 | Ellen | Fullman | Change of Direction | 1996 | fixed media, akusmatisch | 4:18 | Stereo | ASP 0966 / | 0 | ||||||||||
| 38316 | Ellen | Fullman | Dripping Music | 1984 | live-elec, 1 perf | 2:23 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 38313 | Ellen | Fullman | Langzaam | 1984 | live-elec, 1 perf | 6:13 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 38315 | Ellen | Fullman | Memory Of A Big Room (For Matthew) | 1984 | live-elec, 1 perf | 3:42 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 5514 | Ellen | Fullman | Staggered Stasis | 1989 | Tanz | 8:00 | the long-str-ins [Streicher] | AER 1991 / 3/ | Deborah Hay Dance Company | 1 | |||||||||
| 38314 | Ellen | Fullman | Swingen | 1984 | live-elec, 1 perf | 10:17 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 22469 | Ellen | Fullman | Transmission Particle 1 | 2001 | live-elec, 2 perf | 9:00 | ob, the long-str-ins [Oboe, Streicher] | Ensemble für das Long-String-Instrument, E. Slavet (ob) | ed. rz 20002/ | 1 | |||||||||
| 38312 | Ellen | Fullman | Woven Processional | 1984 | live-elec, 1 perf | 11:29 | the long-str-ins [Streicher] | AR 118501/ | 0 | ||||||||||
| 5515 | Douglas | Fulton | Bowling for Blood | 1985 | fixed media, akusmatisch | 6 | Stereo | WER 20312; Computer Music Currents 11/ WER 3024-2 NZ 5/1996 "Strom!"/ | CCRMA | 1 | |||||||||
| 18357 | Douglas | Fulton | Holding Betty under Water | 1995 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 5516 | Douglas | Fulton | Mr. Normal and the Details | 1984 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 5517 | Douglas | Fulton | Red Cup and Rat (What's Wrong With This Picture?) | 1984 | fixed media, akusmatisch | Stereo | CCRMA | 0 | |||||||||||
| 5518 | Douglas | Fulton | Tip the Velvet | 1987 | fixed media, akusmatisch | 7:00 | Stereo | CCRMA | 0 | ||||||||||
| 5519 | Douglas | Fulton | You'll Never Walk Again | 1985 | fixed media, akusmatisch | 6:00 | Stereo | CCRMA | 0 | ||||||||||
| 21601 | Martin Alejandro | Fumarola | ARGOS | 1988 | fixed media, akusmatisch | 3:07 | CEC Presence 2/ | LME Uni Cordoba | 1 | ||||||||||
| 22860 | Martin Alejandro | Fumarola | Callejuelas | 1996 | fixed media, akusmatisch | 8:16 | Pogus Productions P21015-2/ | LIEM CDMC Madrid | 1 | ||||||||||
| 19270 | Martin Alejandro | Fumarola | El peregrinar de la araña | 1995 | fixed media, akusmatisch | 4:10 | CEC Presence 1/ | LME Uni Cordoba | 1 | ||||||||||
| 23130 | Martin Alejandro | Fumarola | Estatismo | 1989 | fixed media, akusmatisch | 8:20 | Cec Presence 3/ | LME Uni Cordoba | 1 | ||||||||||
| 23131 | Martin Alejandro | Fumarola | SC | 2000 | fixed media, akusmatisch | 8:20 | Supercollider | Cec Presence 3/ | LME Uni Cordoba | 1 | |||||||||
| 21602 | Martin Alejandro | Fumarola | SET IN | 1994 | fixed media, akusmatisch | 4:20 | CEC Presence 2/ | LME Uni Cordoba | 1 | ||||||||||
| 28441 | Martin Alejandro | Fumarola | Shaguir | 1998 | fixed media, akusmatisch | 8:20 | ELCD 010 Electroshock Records/ | 0 | |||||||||||
| 38440 | Ashley | Fure | Shiver Lung | 2016 | live-elec, 7 perf | 7 V and perc [Stimme, Schlagzeug] | 0 | ||||||||||||
| 38441 | Ashley | Fure | Shiver Lung 2 | 2017 | live-elec, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 38443 | Ashley | Fure | Wire & Wool | 2009 | live-elec, 1 perf | ≈ 7 | vc [Cello] | 0 | https://www.berlinerfestspiele.de/en/aktuell/festivals/maerzmusik/programm_mm/mm18_programm_thaemlitz/mm18_veranstaltungsdetail_thaemlitz_239573.php | ||||||||||
| 28579 | Tomas | Furey | tes régions | 2008 | fixed media, akusmatisch | 7:44 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | 1 | ||||||||||
| 5520 | William | Furlong | California | fixed media, akusmatisch | 4:40 | Audio Art London | 0 | ||||||||||||
| 5521 | William | Furlong | World Service | fixed media, akusmatisch | 3:20 | Audio Art London | 0 | ||||||||||||
| 36619 | Pablo | Furman | Concerto for Ensemble and Electronic Sounds | 1997 | Zuspiel / Tonband, 8 perf | 12:55 | fl, cl, hn, trbn, perc, p, va, vc [Flöte, Klarinette, Horn, Posaune, Piano, Schlagzeug, Viola, Cello] | Centaur CRC 2552, CDCM Vol. 32/ | 0 | ||||||||||
| 32117 | Pablo | Furman | Etude | 2002 | fixed media, akusmatisch | 10:06:00 | composition for computer processed voice | SEAMUS EAM Vol. 15/ | 0 | ||||||||||
| 32083 | Pablo | Furman | Matices Coincidentes | 1998 | fixed media, akusmatisch | SEAMUS EAM Vol. 9/ | 0 | ||||||||||||
| 5522 | Pablo | Furman | Music for Alto Saxophone and Tape | 1995 | Zuspiel / Tonband, 1 perf | 14:30 | a-sax [Saxophon] | CPS 8636 Capstone/ | CREAM | 0 | |||||||||
| 5523 | Pablo | Furman | Strata -- An Imaginary Landscape | 1990 | fixed media, akusmatisch | 11:00 | Stereo | CREAM | 0 | ||||||||||
| 5524 | Pablo | Furman | Surena | 1993 | Zuspiel / Tonband, 1 perf | 12:00 | vn [Violine] | CREAM | 0 | ||||||||||
| 5525 | Pablo | Furman | Synergy | 1989 | Zuspiel / Tonband, 1 perf | 10:05 | fl [Flöte] | Centaur CRC 2404, CDCM Vol. 26/ | CREAM | 1 | |||||||||
| 5526 | Franz | Furrer-Münch | Galerie de sons II | 1974 | Zuspiel / Tonband, 1 perf | 12:00 | perf [Performer] | 0 | |||||||||||
| 5527 | Franz | Furrer-Münch | Parabel | 1981 | Zuspiel/Tonband, 1 perf, 1 group | Film |
40:00 | perc, ens [Schlagzeug, Ensemble] | film ad lib | 0 | ||||||||||
| 5528 | Franz | Furrer-Münch | Réglage II | 1972 | Zuspiel / Tonband, 2 perf | 5:00-12:00 | 2 vc [Cello] | 0 | |||||||||||
| 5529 | Franz | Furrer-Münch | Solenoid II | 1972 | Zuspiel / Tonband, 3 perf | 8:30 | fl, cl, perc [Flöte, Klarinette, Schlagzeug] | 0 | |||||||||||
| 20181 | Group, Richard, Paul | Furt, Barrett, Obermayer | Terminal v2.0 | 1994 | live-elec, 2 perf | 36:01 | Stereo | 2 perf [Performer] | Member of FURT: Paul Obermayer, Richard Barrett | X-OR FR 2/ | STEIM | 0 | |||||||
| 20182 | Group, Richard, Paul | Furt, Barrett, Obermayer | Unstern | 1994 | live-elec, 2 perf | 22:06 | Stereo | 2 perf [Performer] | Member of FURT: Paul Obermayer, Richard Barrett | X-OR FR 2/ | 0 | ||||||||
| 38545 | Tetsuo | FURUDATE | Goya | 2008 | radiophon | 52:15:00 | 0 | ||||||||||||
| 38546 | Tetsuo | FURUDATE | Motome Zuka – Der Grabhügel | 2005 | radiophon | 52:06:00 | 0 | ||||||||||||
| 38547 | Tetsuo | FURUDATE | The Auditoriy Sense of Mister Roderick Usher | 2003 | radiophon | 44:00:00 | 0 | ||||||||||||
| 22288 | Tetsuo | Furudate | Winter for papageno | live-elec, 3 perf | 12:08 | V, e-gui, sam [Stimme, Gitarre, computer] | Tetsuo Furudate: Sampler, E.Guitar and voice. Pneuma: Sampler and tape compositon. Daiske Oyama: Mastering. Festival Documentation "Nature is Perverse" |
FYCD 1017-1/ | 1 | ||||||||||
| 40874 | Tetsuo | Furudate | You are the Man who crucified Him | 2008 | fixed media, akusmatisch | 6:26 | SR 290 sub rosa/ | 0 | |||||||||||
| 38761 | Tetsuo, Georg | FURUDATE, KLEIN | Art’s Birthday – 06 Dadayama CD1/ CD2 | 2006 | radiophon | 51:51:00 | 0 | ||||||||||||
| 19117 | Kiyoshi | Furukawa | 6 Formen für Computer Flügel | live-elec, 1 perf | MIDI p [Piano] | Computer Flügel | 1 | ||||||||||||
| 31272 | Kiyoshi | Furukawa | Bubbles | 2000 | intermedia | Interaktive Installation mit Echtzeit Video-Tracking System Realisiert am ZKM Karlsruhe, 2000 | ZKM Karlsruhe | 0 | http://hosting.zkm.de/wmuench/bubbles | ||||||||||
| 31271 | Kiyoshi | Furukawa | Den ungeborenen Göttern | 1997 | audiovisuell | 40 | ZKM Karlsruhe | 31.10.1997 | Karlsruhe | 0 | http://www.iotacenter.org/program/publication/darroll/statements | ||||||||
| 19200 | Kiyoshi | Furukawa | Die Gabe des Lapislazuli | 1993 | fixed media, akusmatisch | 11:11 | Stereo | interaktive Musik Gesangsstimme (Sängerin) und Computer | DegeM CD 02/ | ZKM Karlsruhe, Multi Media Lab Hamburg, NDR Hamburg | 1 | ||||||||
| 5530 | Kiyoshi | Furukawa | Dressed in … | 1992 | live-elec, 1 perf | intermedia |
15:00 | Stereo | disklavier [Piano] | com-grafik | PS C. | 1 | ||||||||
| 33021 | Kiyoshi | Furukawa | Memb | 1990 - 1993 | audiovisuell | 9 | com-animation Robert Darroll. ISPW | iotaCenter DVD/ iotaCenter DVD/ | ZKM Karlsruhe | 0 | |||||||||
| 33022 | Kiyoshi | Furukawa | Moé’s Field | 1993 - 1996 | audiovisuell | 10 | ZKM Karlsruhe | 0 | |||||||||||
| 5532 | Kiyoshi | Furukawa | Mrs. M., her geometrization | 1985 | fixed media, akusmatisch | 10:12 | Quadro | Fibonacci-algorithm. Synclavier | TU Berlin | 28.2.1986 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | 1986 | ||||||
| 31340 | Kiyoshi | Furukawa | Music by Numbers | 1996 | fixed media, akusmatisch | 60 | FOCD 9333/ | ZKM Karlsruhe | 0 | ||||||||||
| 5533 | Kiyoshi | Furukawa | QQQQQ | 1988 | fixed media, akusmatisch | Quadro | com M. | TU Berlin | 1 | ||||||||||
| 5534 | Kiyoshi | Furukawa | Situatio | 1983 | fixed media, akusmatisch | 4:52 | Stereo | Synclavier | TU Berlin | 1 | |||||||||
| 21625 | Kiyoshi | Furukawa | Small Fish, Kammermusik mit Bildern für Computer und Spieler | 1999 | intermedia | Spiel |
interactiv project on CD-ROM. Beilage zum gleichnamigen Buch; digital arts edition Nr. 3 des ZKM. Together with: Masaki Fujihata, Wolfgang Münch. CD-ROM |
zkm digital arts edition 3/ CMJ Vol 28, 2004/ | ZKM Karlsruhe | 1 | http://on1.zkm.de/zkm/stories/storyreader$549 | |||||||||
| 5535 | Kiyoshi | Furukawa | Splendent Meridian II | 1993 | live-elec, 1 perf | 90:00 | Stereo | disklavier, (com) [Piano] | PS C. | 1 | |||||||||
| 33023 | Kiyoshi | Furukawa | Stele | 1996 - 1999 | audiovisuell | 11 | ZKM Karlsruhe | Cynet art prize for computer animation, 2000 | 0 | ||||||||||
| 25794 | Kiyoshi | Furukawa | Stone Lion | 1990 | Film | 9:56 | 16mm Farbe. Also version with the music by Sukhi Kang (TU Berlin) |
Muse MSC - 003/ iotaCenter DVD/ | ZKM Karlsruhe | 1 | http://www.iotacenter.org/program/publication/darroll/statements | ||||||||
| 5536 | Kiyoshi | Furukawa | Swim, swan | 1993 | live-elec, 1 perf | intermedia |
25:00 | Stereo | cl [Klarinette] | ISPW, SGI, com-graphics | ZKM Karlsruhe | 0 | ||||||||
| 5537 | Kiyoshi | Furukawa | Walking I | 1984 | fixed media, akusmatisch | 10:03 | Quadro | Synclavier | TU Berlin | 1 | |||||||||
| 5538 | Kiyoshi | Furukawa | Walking II | 1985 | fixed media, akusmatisch | 13:06 | Quadro | Synclavier | TU Berlin | 8.2.85 | Inventionen TU-Gebäude Ackerstraße Berlin | 1 | |||||||
| 27344 | Kiyoshi | Furukawa | Walking III | 1985 | fixed media, akusmatisch | 10:12 | Quadro | Synclavier II | TU Berlin | 1 | |||||||||
| 5539 | , Jens Wilhelm | Fuzzy, Pedersen | Ave | 1963 | fixed media, akusmatisch | 3:15 | Mono | LJUD 006 CD1 n©b/ | Dansk Radio | 0 | http://www.fuzzy.dk | ||||||||
| 22470 | , Jens Wilhelm | Fuzzy, Pedersen | B-Movies | 1997 | live-elec, 1 perf | 13:20 | hp [Harfe] | "Harp & Computer" | DIEM Aarhus | 0 | http://www.fuzzy.dk | ||||||||
| 28646 | , Jens Wilhelm | Fuzzy, Pedersen | Blau | 1974 | fixed media, akusmatisch | 17:38 | Stereo | LJUD 006 CD2 n©b/ | 0 | ||||||||||
| 5540 | , Jens Wilhelm | Fuzzy, Pedersen | Electric Gardens and their surroundings | 1991 | fixed media, akusmatisch | 11:40 | Rostrum 90 Oslo | dacapo DCCD 9101/ | DIEM Aarhus | 0 | http://www.fuzzy.dk | ||||||||
| 28642 | , Jens Wilhelm | Fuzzy, Pedersen | Fireplay | 1996 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | DIEM Aarhus | 0 | http://www.fuzzy.dk | ||||||||||
| 39429 | Larry Matthew | Gaab | Living In The Open Ocean | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 40003 | Larry Matthew | Gaab | Partial Vacuum | 2017 | fixed media, akusmatisch | Larry Matthew Gaab | 0 | ||||||||||||
| 40005 | Larry Matthew | Gaab | They Do Their Work in Darkness | 2015 | fixed media, akusmatisch | 4:40:00 | Larry Matthew Gaab | 0 | |||||||||||
| 40004 | Larry Matthew | Gaab | Weird Orbits Need Explaining | 2016 | fixed media, akusmatisch | Larry Matthew Gaab | 0 | ||||||||||||
| 5541 | Zoltan | Gaal | Sorgemusik för J M Hauer | 1991 | fixed media, akusmatisch | ≈ | 0 | ||||||||||||
| 5542 | Zoltan | Gaal | Sounding - version 2 | 1983 | fixed media, akusmatisch | 4:00 | Stereo | EMS Stockholm | 0 | ||||||||||
| 21959 | Helge | Gaarder | Multimedia | 1995 | fixed media, akusmatisch | NOTAM | 0 | ||||||||||||
| 19601 | Juan Luis Huélamo | Gabaldón | Dos Pequeñas Piezas reaccionarias | 1994 | fixed media, akusmatisch | 5:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 19600 | Juan Luis Huélamo | Gabaldón | El Mentiroso | 1991 | fixed media, akusmatisch | 10:50 | Stereo | GME Cuenca | 0 | ||||||||||
| 19599 | Juan Luis Huélamo | Gabaldón | Herreros | 1990 | fixed media, akusmatisch | 10:00 | Stereo | GME Cuenca | 0 | ||||||||||
| 5543 | Claudio | Gabbiani | ACCARM W3 | 1992 | live-elec, | MM&T Milano | 0 | ||||||||||||
| 5544 | Claudio | Gabbiani | The endless flow | 1990 | live-elec, 5 perf | Stereo | S, cl, gui, vc, trbn [Sopran, Klarinette, Posaune, Gitarre, Cello] | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||
| 36776 | Josh | Gabriel | Joystick Music | 1989 | live-elec, 1 perf | 7:40 | com (Real Time computer muziek voor Atari, sampler en joysticks) [computer] | Sonology Den Haag | 0 | ||||||||||
| 39289 | Alessio | Gabriele | Encara | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 42727 | Alessio | Gabriele | Unanima | 2012 | fixed media, akusmatisch | 9:00:00 | 0 | ||||||||||||
| 42947 | Claudio | Gabriele | Parole Impressioni Suoni Riflessi | 2013 | fixed media, akusmatisch | 10:14:00 | 0 | ||||||||||||
| 5545 | Georges | Gabriele | Cosmologie du verre | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 32942 | Georges | Gabriele | Elise | 1996 | fixed media, akusmatisch | 21:32 | 2 parts | Motus M 197003/ | 0 | ||||||||||
| 5546 | Georges | Gabriele | Esquises | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5547 | Georges | Gabriele | Ichsel - La lune - I - II - III | 1991 | fixed media, akusmatisch | 20:15 | Stereo | INA • GRM | 0 | ||||||||||
| 5548 | Georges | Gabriele | Le mobile des ombres | 1989 | fixed media, akusmatisch | 2 parts | CNR Lyon | 0 | |||||||||||
| 32941 | Georges | Gabriele | Persephonie | 1994 | fixed media, akusmatisch | 20:19 | 9 parts | Motus M 197003/ | 0 | ||||||||||
| 32940 | Georges | Gabriele | Polysson | 1995/1998 | fixed media, akusmatisch | 17:29 | 5 parts | Motus M 197003/ | 0 | ||||||||||
| 5549 | Georges | Gabriele | Primo divertimento | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5550 | Georges | Gabriele | Tuot ou rien - Tout autre chose | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 42995 | Maurizio | Gabrieli | Ballade Elastique | 2013 | fixed media, akusmatisch | 9:36:00 | 0 | ||||||||||||
| 5551 | Kenneth | Gaburo | Antiphony III (Pearl-white moments) | 1962 - 1964 | Zuspiel / Tonband, 1 group | 15:00 | ch [Chor] | poem by Cavafy | nonesuch H 71199/ IDEAMA CD 079/ | EMS UIUC, CSMT Yale | 0 | ||||||||
| 5552 | Kenneth | Gaburo | Antiphony IIIa | 1963 | Zuspiel / Tonband, 1 group | 14:00 | ch [Chor] | poem by Cavafy | EMS UIUC, CSMT Yale | 0 | |||||||||
| 5553 | Kenneth | Gaburo | Antiphony IV (Poised) | 1967 | Zuspiel / Tonband, 4 perf | V, pic-fl, b-trbn, db [Stimme, Flöte, Posaune, Kontrabass] | nonesuch H 71199/ IDEAMA CD 079/ | EMS UIUC | 0 | ||||||||||
| 20183 | Kenneth | Gaburo | Antiphony IX (… A Dot…) | 1983 - 1985 | Zuspiel / Tonband, 2 groups | 20:28 | Stereo | orc, children ch [Chor, Orchester] | MAPA CD 832/ | EMS UIUC | 0 | ||||||||
| 5554 | Kenneth | Gaburo | Exit Music I : The Wasting of Lucretzia | 1964 | fixed media, akusmatisch | nonesuch H 71199/ | EMS UIUC | 1 | |||||||||||
| 5555 | Kenneth | Gaburo | Exit Music II : Fat Millie's Lament | 1965 | fixed media, akusmatisch | nonesuch H 71199/ | EMS UIUC | 1 | |||||||||||
| 5556 | Kenneth | Gaburo | For Harry | 1966 | fixed media, akusmatisch | 4:47 | tribute to Harry Partch | CRi S 356/ HE HS 25047 LP/ IDEAMA CD 079/ | EMS UIUC | 1 | |||||||||
| 5557 | Kenneth | Gaburo | Hydrogen Jukebox | 1965 | Theatermusik | 40:00 | Stereo | EMS UIUC | 0 | ||||||||||
| 5558 | Kenneth | Gaburo | Lemon Drops | 1965 | fixed media, akusmatisch | 2:51 | CRi S 356/ HE HS 25047 LP/ IDEAMA CD 079/ | EMS UIUC | 1 | ||||||||||
| 42946 | Kenneth | Gaburo | Maledetto (excerpts) | 2013 | live-elec, 7 perf | 15:00:00 | 7 V [Stimme] | played by Ben Kapp, Willy Smart, Ben Michaelis, Abby Ingram, Hannah Ziff, Heather Hall, and Arun Chandra | 0 | ||||||||||
| 5559 | Jacques | Gaffet | Brames et Réminiscence | 1989 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 5560 | Jacques | Gaffet | Etude No. 1 | 1987 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 5561 | Jacques | Gaffet | Etude No. 2 | 1988 | fixed media, akusmatisch | 7:00 | CNR Amiens | 0 | |||||||||||
| 5562 | Jacques | Gaffet | La Fête dans la Ville | 1987 | fixed media, akusmatisch | 8:00 | for the "fête estivale d´Amiens" | CNR Amiens | 1 | ||||||||||
| 5563 | Jacques | Gaffet | Ou s'en fait tout an monde | 1990 | fixed media, akusmatisch | 10:00 | CNR Amiens | 0 | |||||||||||
| 5564 | Orfeón | Gagarin | Why is Arizona so dry? | fixed media, akusmatisch | 4:38 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 5565 | Renaud | Gagneux | Il y a un oiseau en cage | 1977 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 5566 | Renaud | Gagneux | Malkuth II | 1977 | Zuspiel / Tonband, 1 perf | tpt [Trompete] | 0 | ||||||||||||
| 5567 | Bernard | Gagnon | Dictée | 1981 | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | |||||||||||
| 5568 | Bernard | Gagnon | Gwendolyne descendue! | fixed media, akusmatisch | Stereo | McGill Montréal | 0 | ||||||||||||
| 41460 | Peter | Gahn | De-escalating Skies I+III | 2018 | live-elec, 1 perf | Octo | a-sax [Saxophon] | 0 | |||||||||||
| 32320 | Peter | Gahn | Fremde Erinnerung | 2000 | audiovisuell | 16 | Stereo | 24.11.2002 | Contemporary Art Space Osaka | Edition Juliane Klein | 0 | ||||||||
| 37555 | Peter | Gahn | haikyo yori | 1994, 1995 | fixed media, akusmatisch | 15:28:00 | Quadro | Synlab, Lexicon Hall, Filterbank, Pro Tools | ICEM Essen | 0 | |||||||||
| 37556 | Peter | Gahn | Monochromie | 1993 | fixed media, akusmatisch | 17:15:00 | Stereo | Tonband, Mischpult | ICEM Essen | 0 | |||||||||
| 32321 | Peter | Gahn | Nachtsicht | 2011 | audiovisuell, live-elec, 1 perf | 13 | Stereo, Quadro, 6 | Sp, (live-elec; optional p, perc) [Sprecher] | für Sprecher oder Bilder und Live-Elektronik, optional Schlagzeug oder Klavier | 10.10.2011 | Dresdener Tage für zeitgenössische Musik; Ensemble Resonanz, Dirk Rotbrust (perc) | Edition Juliane Klein EJK0837 | 0 | http://www.petergahn.de/works/Nachtsicht.html | |||||
| 35859 | Peter | Gahn | Terminal | 2011 | live-elec, 1 perf | 11 | Sp [Sprecher] | Edition Juliane Klein EJK0837 | 0 | ||||||||||
| 5569 | Pascal | Gaigne | Boréal | 1987 | fixed media, akusmatisch | 14:00 | CD Pythagore/ | LIMCA Auch | 0 | ||||||||||
| 5570 | Pascal | Gaigne | Ecuador | 1993 | fixed media, akusmatisch | SYTER | GRM | 0 | |||||||||||
| 5571 | Pascal | Gaigne | Shen | 1993 | live-elec, 1 perf | 15:00 | Quadro | vc [Cello] | QUATRON / PACOM | LIMCA Auch | 0 | ||||||||
| 5572 | Pascal | Gaigne | Signes Ascendants | 1987 | Zuspiel / Tonband, 1 perf | 12:00 | cl [Klarinette] | LIMCA Auch | 0 | ||||||||||
| 5573 | Pascal | Gaigne | Traversées | 1989 | live-elec, 5 perf | 20:00 | Octo | ww-qnt [Bläser] | QUATRON / PACOM | SC 658 CD / Festival FAUST/ | LIMCA Auch | 0 | |||||||
| 5574 | Pascal | Gaigne | Traversées II | 1992 | live-elec, 5 perf | 21:00 | Octo | w-qnt [Bläser] | QUATRON / PACOM; extension of first version | LIMCA Auch | Competition Musica Nova Prag 1995 Auszeichnung ars electronica honorary mention 1993 |
0 | |||||||
| 33029 | Bernhard | Gal | Tong-Hua Yie-Shi | Performance | 5:29 | btc 04/ | 1 | ||||||||||||
| 25899 | Bernhard | Gál | belit | 2004 | Zuspiel, Performance, 8 perf | 16 | 8 ins [Instrument] | Projektion von Schatten und buntem Licht auf Leinwände, hinter denen die Musiker spielen | Inventionen 2004 | 1 | 2004 | ||||||||
| 23395 | Bernhard | Gál | Bestimmung New York | 1999 | radiophon | 63:08 | In 15 Teilen. Auch erschienen bei Durian 009-2 | PS Gal | 1 | ||||||||||
| 23396 | Bernhard | Gál | Defragmentation / blue | 1999 | Klangkunst, Installation | 56:52 | in 5 Teilen. "An audio-architectural exploration of time" | PS Gal | 1 | ||||||||||
| 34751 | Bernhard | Gál | Dreiband, RGBuSW | 2003 | Klangkunst, Installation | Octo | Kehrer Verlag ISBN 978-3-939583-23-3/ | 31.7.-7.9.2003 | singuhr hoergalerie Berlin | 0 | |||||||||
| 34752 | Bernhard | Gál | Hinaus:: In den, Wald, RGBuSW | 2003 | Klangkunst, Installation | Octo | Kehrer Verlag ISBN 978-3-939583-23-3/ | 31.7.-7.9.2003 | singuhr hoergalerie Berlin | 0 | |||||||||
| 25900 | Bernhard | Gál | Hinaus:: In den, Wald. | 2004 | fixed media, akusmatisch | 63:53 | 9 Teile | gg52 Klanggalerie/ | PS C. | 1 | |||||||||
| 23397 | Bernhard | Gál | Relisten | 2001 | Klangkunst, Installation | 59:30 | 6 Teile: It's like...; bee bee; 57A; lv, nv; Tong-hua yie-shi; 68th Street | PS Gal | 1 | ||||||||||
| 34753 | Bernhard | Gál | RGB, RGBuSW | 2003 | Klangkunst, Installation | Stereo | Kehrer Verlag ISBN 978-3-939583-23-3/ | 31.7.-7.9.2003 | singuhr hoergalerie Berlin | 0 | |||||||||
| 24266 | Bernhard | Gál | this is for real | 2004 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 25897 | Bernhard | Gál | z…z | 2004 | fixed media, akusmatisch | 15:00 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 25898 | Bernhard | Gál | zhu shui | 2004 | fixed media, akusmatisch | 6:01 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 25901 | Bernhard, Kai | Gál, Fagaschinski | going round in serpentines | 2004 | fixed media, akusmatisch | 40:00 | charhizma 034/ | PS Berlin | 1 | ||||||||||
| 5575 | Francesco | Galante | Astratto | 1986 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 18475 | Francesco | Galante | El mio paese e la notte | 1997 | fixed media, akusmatisch | 9:38 | Stereo | ELCD 020 Electroshock Records/ | IMEB Bourges | 0 | |||||||||
| 34606 | Francesco | Galante | Itineraires (pour Edgard Varèse) | 2012 - 2013 | fixed media, akusmatisch | 12:10 | SMC2016 | 0 | |||||||||||
| 39791 | Francesco | Galante | Let us free the earth from fixed immobility | 2016 | fixed media, akusmatisch | Francesco Galante | 0 | ||||||||||||
| 5576 | Francesco | Galante | Lontano | 1985 | fixed media, akusmatisch | Stereo | CRM Roma | 0 | |||||||||||
| 20184 | Francesco | Galante | Metafonie | fixed media, akusmatisch | 10:28 | Stereo | Nuova Fonit Cetra CDC 501/ | CRM Roma | 0 | ||||||||||
| 39792 | Francesco | Galante | Metafonie V (a. G. Scelsi) | 2015 | fixed media, akusmatisch | 8:54:00 | Francesco Galante | 0 | |||||||||||
| 5577 | Francesco | Galante | Studio per due sorgenti | 1978 | fixed media, akusmatisch | 7:20 | Stereo | CRM Roma | 0 | ||||||||||
| 5578 | Francesco | Galante | Tra i suoni estremi | 1987 | fixed media, akusmatisch | 13:02 | Stereo | Fonit Cetra CDC 43/ | CRM Roma | 0 | |||||||||
| 42110 | Christian | Galarreta | Raw field recordings II: electromagnetic detritus | 2017 | radiophon | 47:49 | SAVVY-Funk - Documenta 14, Dlf Kultur | 30.6.2017 | Deutschlandfunk Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4941345&vi=1&SID | ||||||||
| 5579 | Diamanda | Galas | Eyes without blood | 1984 | live-elec, 1 perf | 30:00 | V [Stimme] | 1 | 1986 | ||||||||||
| 5580 | Diamanda | Galas | Litanies of Satan | 1986 | live-elec, 1 perf | ≈ 44:00 | V [Stimme] | 8 parts | 1 | 1986 | |||||||||
| 5581 | Diamanda | Galas | saint of the pit | live-elec, | stumm 33/ | 1 | |||||||||||||
| 36680 | Josep Lluís | Galiana | Gavaliana 2007 | fixed media, akusmatisch | MMV-003/ | 0 | |||||||||||||
| 34095 | Guillermo | Galindo | Aura6 | 2006 | fixed media, akusmatisch | 6:43 | IRD 002 Irradia/ | 0 | http://www.galindog.com | ||||||||||
| 25481 | Guillermo | Galindo | Auras | 2007 | fixed media, akusmatisch | 6:41 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25479 | Guillermo | Galindo | Benux | 2007 | fixed media, akusmatisch | 11:50 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25489 | Guillermo | Galindo | Cisma | 2003 | Zuspiel / Tonband, 1 perf | 7:06 | Stereo | b-fl [Flöte] | revised in 2007 Alejandro Escuer (b-fl) Guillermo Galindo a.k.a. "gal*in_dog" |
Selbstverlag/ | 1 | http://www.galindog.com | |||||||
| 25491 | Guillermo | Galindo | Divox | 2006 | live-elec, 12 perf | var | 38 Tracks | 12 perf [Performer] | 3 dimensional sound piece Guillermo Galindo a.k.a. "gal*in_dog" Was performed 12 times for two hours. |
Selbstverlag/ | Sound Oasis project in Mexico City | 24.7.2006 | Bellas Artes Concert Hall Esplanade, Mexico City | 1 | http://www.galindog.com | ||||
| 25493 | Guillermo | Galindo | Dormia Cuando Entro a Mi Cuarto | 2006 | fixed media, akusmatisch | 6:04 | Stereo | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | ||||||||
| 25490 | Guillermo | Galindo | Haiku II | 2001 | Zuspiel / Tonband, 1 perf | 7:33 | Stereo | b-fl [Flöte] | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||
| 25482 | Guillermo | Galindo | Humitt | 2007 | fixed media, akusmatisch | 6:30 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 34138 | Guillermo | Galindo | Maiz | fixed media, akusmatisch | 3 | 0 | |||||||||||||
| 25480 | Guillermo | Galindo | Moongoat | 2007 | fixed media, akusmatisch | 15:14 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25492 | Guillermo | Galindo | Ravenous | 2006 | fixed media, akusmatisch | 6:55 | Stereo | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | ||||||||
| 27178 | Guillermo | Galindo | The Raven | 1996 | fixed media, akusmatisch | 6:42 | 0 | ||||||||||||
| 25478 | Guillermo | Galindo | Tsei | 2007 | fixed media, akusmatisch | 9:37 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25477 | Guillermo | Galindo | Xecatl | 2007 | fixed media, akusmatisch | 14:59 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25483 | Guillermo | Galindo | Ynerte | 2007 | fixed media, akusmatisch | 4:02 | Guillermo Galindo a.k.a. "gal*in_dog" | Selbstverlag/ | 1 | http://www.galindog.com | |||||||||
| 25902 | Laura | Gallati | Fläche | 2002 | fixed media, akusmatisch | 19:57 | Moog-Synthesizerklänge in drei Schichten | TU Berlin | 1 | ||||||||||
| 31968 | Laura | Gallati | Puls | 2002 | fixed media, akusmatisch | 9:53:00 | Klavierklänge | TU Berlin | 1 | ||||||||||
| 39323 | Cesare | Gallo | FLAUVIOL | 2017 | fixed media, akusmatisch | 12:52 | 0 | ||||||||||||
| 5582 | Dimitris | Galon | Interferenzen II | 1991 | Zuspiel / Tonband, 1 perf | 17:14 | Stereo | vn [Violine] | HfMT Köln | 0 | |||||||||
| 35642 | Miguel | Galperin | 3 recorridos minimos para un espacio sin centro | 2008 | fixed media, akusmatisch | 7:48 | Musica Contemporanea Electroacustica - Convocatoria 07 - LIPM | LIPM B.Aires | 0 | ||||||||||
| 40065 | Martim | Galvao | For Four | 2015 | live-elec, 1 perf | p [Piano] | Martim Galvao | 0 | |||||||||||
| 19660 | José Maria | Gálvez | Infinito, Version No. 1 | 1995 | fixed media, akusmatisch | 1:30 | Stereo | LIEM CDMC Madrid | 0 | ||||||||||
| 40312 | Victor | Gama | Impact on strings #2, #0, #14 | 2015 | Zuspiel / Tonband, 1 perf | 10:00:00 | p [Piano] | Victor Gama | 0 | ||||||||||
| 43050 | Victor | Gama | Impact on Strings #2, #0, #15 | 2014 | fixed media, akusmatisch | 10:00:00 | 0 | ||||||||||||
| 5583 | Luigi | Gamberini | comb di 1, 2, 3…n Bt | 1966 | fixed media, akusmatisch | 3:00 | Mono | Fonologia Firenze | 0 | ||||||||||
| 36905 | Lee | Gamble | CDGA001.1 CDGA002.2 (iteration edit) CDGA003.1 CDGA004.1 CDGA005.1 |
2010 | fixed media, akusmatisch | Computer (de)generated audio | 1 | ||||||||||||
| 38548 | Marcus | GAMMEL | Art’s Birthday 2009 – Safe and Sound | 2009 | radiophon | 55:23:00 | 0 | ||||||||||||
| 38549 | Marcus | GAMMEL | Art’s Birthday. 1.000.042 Samples für die Kunst | 2005 | radiophon | 46:15:00 | DeutschlandRadio | 28.1.2005 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1479627&vi=132&SID | ||||||||
| 38550 | Marcus | GAMMEL | Sonic Arts Lounge 2004 – Nordische Nacht | 2004 | radiophon | 54:30:00 | 0 | ||||||||||||
| 38762 | Marcus, Philip | GAMMEL, GRÖNING | Die große Stille | 2007 | radiophon | 49:34:00 | 0 | ||||||||||||
| 34374 | Raviv | Ganchow | Radio plays itself | 2013 | radiophon | 38:18 | Post Scriptum PS 001/ | Sonology Den Haag | 0 | ||||||||||
| 27922 | Bernhard | Gander | mein Zimmer hat dünne Wände | 1997 | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | |||||||||||
| 41583 | Laryssa | Ganga | Elatus | 2018 | fixed media, akusmatisch | 15:57 | Musiques et Recherches Ohain | création mondiale | 0 | ||||||||||
| 20185 | Kyle | Gann | Ghost Town | fixed media, akusmatisch | 10:20 | Stereo | MIDI | nt 6730/ | 0 | ||||||||||
| 5584 | Elena | Gantchikova | Aven Armand | 1993 | live-elec, 1 perf | 8:00 | p [Piano] | IRCAM | 0 | ||||||||||
| 21897 | Elena | Gantchikova | Bozuée | 1997 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21118 | Elena | Gantchikova | Goya (le monde en noir) | 1997 | fixed media, akusmatisch | 5:20 | IMEB Bourges | 0 | |||||||||||
| 24414 | Elena | Gantchikova | Guanerius | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 21119 | Elena | Gantchikova | Hommage à Léon Dodin | 1997 | fixed media, akusmatisch | 7:04 | IMEB Bourges | 1 | |||||||||||
| 21121 | Elena | Gantchikova | Judas Iscariotte | 1996 | fixed media, akusmatisch | 22:03 | IMEB Bourges | 1 | |||||||||||
| 21117 | Elena | Gantchikova | Le ciel de Schagall (Chagall) | 1997 | fixed media, akusmatisch | 11:20 | IMEB Bourges | 0 | |||||||||||
| 18477 | Elena | Gantchikova | Le monde d'Andrey Voznesensky | 1997 | fixed media, akusmatisch | 50:00 | IMEB Bourges | 0 | |||||||||||
| 22901 | Elena | Gantchikova | mir-ga-yas | 1999 | fixed media, akusmatisch | 11:30 | TU Berlin, IMEB Bourges | 6.1999 | Bourges, Festival Synthese | 1 | |||||||||
| 18476 | Elena | Gantchikova | Pleurs (Lamentations) | 1996 | fixed media, akusmatisch | 11:00 | IMEB Bourges | 0 | |||||||||||
| 21896 | Elena | Gantchikova | Sigulda | 1997 | fixed media, akusmatisch | 11:00 | IMEB Bourges | 0 | |||||||||||
| 40080 | Matthew D. | Gantt | All That Is Solid Melts into Air | 2017 | Klangkunst, Installation | Matthew D. Gantt | 0 | ||||||||||||
| 23132 | Jens | Gantzel | Sonophonie - Kakophonie | 2002 | radiophon | 11:00 | DeutschlandRadio | 1 | |||||||||||
| 29501 | Javier Alejandro | Garavaglia | Ableitungen des Konzepts der Wiederholung (for Ala) | 2004 | live-elec, 2 perf | 16:27 | va, com (Max/MSP) [Viola, computer] | 0 | |||||||||||
| 29493 | Javier Alejandro | Garavaglia | Am Steg, Räume Spaces |
1992 - 1996 | fixed media, akusmatisch | 8:07 | Stereo | original title of the piece in 1992 was "Räume". Neue Fassung von Räume (1992), das mit "Am Steg" abgelöst wird. C-Sound, Pro Tools, Sound Designer |
ICEM Essen | 0 | |||||||||
| 19032 | Javier Alejandro | Garavaglia | Arte poética, arte poética (I) | 1995, 1996 | fixed media, akusmatisch | 8:16 | Quadro | based on the poem "Arte poética" by Jorge Luis Borges. | Cybele 960.102/ EMF 031 „Florida EM Festival, Vol 1“/ | ICEM Essen | 0 | http://www.Cybele .de/shop/product_info.php?products_id=48 | |||||||
| 29491 | Javier Alejandro | Garavaglia | Arte Poética, (Stanza II) | 1996 | fixed media, akusmatisch | 11:00 | Quadro | based on the poem "Arte poética" by Jorge Luis Borgess | ICEM Essen | mention award from the „Tribuna Nacional de Música Electroacústica „ in Argentina in 1996 | 0 | ||||||||
| 29494 | Javier Alejandro | Garavaglia | Arte Poética, (stanzas III to VII) | 1998 | fixed media, akusmatisch | 13 | Quadro | based on the poem "Arte poética" by Jorge Luis Borges | 0 | ||||||||||
| 29495 | Javier Alejandro | Garavaglia | COLOR CODE, music for the concert-installation "Color Code" | 1998 | audiovisuell, live-elec, 2 perf | Quadro | va, com (Max/SMP), (com gen graphics on 2 screens) [Viola, computer] | with Group ANIMATO | ICEM Essen, Uni Bielefeld, Fachhochschule Bielefeld | 1998 | Bielefeld | 0 | |||||||
| 29508 | Javier Alejandro | Garavaglia | Confluences (Rainbows II) | 2012 | live-elec, 6 perf | 13 | Surround 5.1 | fl, cl, vn, vc, p, com (Max/SMP) [Flöte, Klarinette, Piano, Cello, Violine, computer] | 2012 | Slovenia | 0 | ||||||||
| 29492 | Javier Alejandro | Garavaglia | Contraries (resonances) | 1997 | Zuspiel, live-elec, 1 perf | ≈ 29 | Quadro | a-fl, (elec) [Flöte] | ICEM Essen | 21.2.1997 | Museum Bochum by the flautist Lesley Olson. | 0 | |||||||
| 29500 | Javier Alejandro | Garavaglia | DJ (1): about Riffs and Noises | 2003 | live-elec, 1 perf | var | com [computer] | (Max/SMP) | 0 | ||||||||||
| 39891 | Javier Alejandro | Garavaglia | Duo Spectralis | 2015 | fixed media, akusmatisch | 14:00:00 | Javier Garavaglia | 0 | |||||||||||
| 29506 | Javier Alejandro | Garavaglia | farb-laut E - VIOLET | 2008 | live-elec, 2 perf | Surround 5.1 | va, com (Max/SMP) [Viola, computer] | Internationales Klangkunstfest farb_laut | 5.11.2008 | 0 | |||||||||
| 29490 | Javier Alejandro | Garavaglia | Gegensätze (gegenseitig), CONTRARIES |
1994 | Zuspiel, live-elec, 1 perf | 33 | Quadro | a-fl [Flöte] | ICEM Essen | 0 | http://icem.folkwang-hochschule.de/~gara/Program_Notes/Gegensaetze_PN.htm | ||||||||
| 29498 | Javier Alejandro | Garavaglia | Granular Gong | 2000 | fixed media, akusmatisch | 13:50 | Octo | 0 | |||||||||||
| 29502 | Javier Alejandro | Garavaglia | Hoquetus | 2005 | live-elec, 2 perf | ≈ 15 | Tárogató or sax, com (Max/MSP) [Saxophon, computer] | 0 | |||||||||||
| 29504 | Javier Alejandro | Garavaglia | Intersections (memories) | 2007 | live-elec, 2 perf | Surround 5.1 | cl, com (Max/SMP) [Klarinette, computer] | 0 | |||||||||||
| 29503 | Javier Alejandro | Garavaglia | Interzones (A/E-B) | 2007 | live-elec, 2 perf | 6 | p, db, (elec) [Piano, Kontrabass] | duo "Interzone perceptible" in Germany | 0 | ||||||||||
| 43007 | Javier Alejandro | Garavaglia | Meditations (tiny gongs) | 2013 | fixed media, akusmatisch | 11:36:00 | 0 | ||||||||||||
| 28619 | Javier Alejandro | Garavaglia | Miniaturstück 1 | 2010 | fixed media, akusmatisch | 4:02 | Octo | 0 | |||||||||||
| 40938 | Javier Alejandro | Garavaglia | Momente | 2018 | live-elec, 1 perf | va [Viola] | 8.9.2018 | Klangkunstfest Berlin | 0 | ||||||||||
| 29499 | Javier Alejandro | Garavaglia | NINTH, music for viola and computer | 2002 | live-elec, 2 perf | 12 | va, com (Max/MSP) [Viola, computer] | 0 | |||||||||||
| 23039 | Javier Alejandro | Garavaglia | Overture (in memoriam t.a.t.) | 1997 | fixed media, akusmatisch | 10:37 | Quadro | Ex Machina 6 - die neunziger Jahre | Cybele 960.106, ex machina 6/ Cybele 960.207 DegeM CD 07/ |
ZKM Karlsruhe, ICEM Essen | 0 | http://icem-www.folkwang-hochschule.de/~gara/ | |||||||
| 28221 | Javier Alejandro | Garavaglia | Pathetique | 2006/2007 | fixed media, akusmatisch | 15:31 | Surround 5.1, Octo, Spazialisation: var | MaxMSP | 1 | 2008 | |||||||||
| 5585 | Javier Alejandro | Garavaglia | Pizz. | 1993 | fixed media, akusmatisch | 19:45 | Quadro | ICEM Essen | 0 | ||||||||||
| 29497 | Javier Alejandro | Garavaglia | Poppekstive | 1999 | fixed media, akusmatisch | 11 | Octo | 0 | |||||||||||
| 39403 | Javier Alejandro | Garavaglia | SPACES: SUSPENDED – SCATTERED | 2017 | fixed media, akusmatisch | Surround 8.1 | (Vs. I) | 0 | |||||||||||
| 39890 | Javier Alejandro | Garavaglia | Spatial Grains – Soundscape No. 1 | 2016 | Performance | Javier Garavaglia | 0 | ||||||||||||
| 29509 | Javier Alejandro | Garavaglia | Spectral colours | 1997 | Zuspiel / Tonband, 14 perf | ≈ 11:30 | Stereo | 14 ins [Instrument] | 0 | ||||||||||
| 29496 | Javier Alejandro | Garavaglia | T.A.T. (a man's life) | 1999 | Zuspiel, live-elec, 2 perf | 24 | Quadro | va, b-cl, (elec) [Klarinette, Viola] | 0 | http://icem.folkwang-hochschule.de/~gara/Program_Notes/TAT_PN.htm | |||||||||
| 29505 | Javier Alejandro, Ralf, Thomas | Garavaglia, Haarmann, Gerwin | "+", improvisation | 2008 | live-elec, 4 perf | va, sam, div ins, com (Max/SMP) [Viola, computer] | 0 | ||||||||||||
| 29507 | Javier Alejandro, Claudia | Garavaglia, Robles | Wooden Worlds | 2010 | audiovisuell, live-elec, 2 perf | > 45 | Surround 4.1 | (sound, video, photography,) va, elec [Viola, elektronik] | 0 | ||||||||||
| 23133 | Brian | Garbet | Ritual | 2001 | fixed media, akusmatisch | 7:11 | JTTP 2002 | CEC Cache 2002/ | SFU | winner JTTP 2002 5. prize | 1 | ||||||||
| 19312 | Carlos | Garcia Cuéllar | Estudio I, al Borde del Sonido | fixed media, akusmatisch | 5:59 | música electroacústica española 1/ | GME Cuenca | 1 | |||||||||||
| 19548 | Carlos | Garcia Cuéllar | Homo faber danza | 1995 | fixed media, akusmatisch | 11:50 | Stereo | GME Cuenca | 0 | ||||||||||
| 19704 | Alfonso | Garcia de la Torre | Danba | 1994 | live-elec, 1 perf | Stereo | perc [Schlagzeug] | HfM Vitoria | 0 | ||||||||||
| 19702 | Alfonso | Garcia de la Torre | Gravitación | 1991 | fixed media, akusmatisch | Stereo | HfM Vitoria | 0 | |||||||||||
| 19703 | Alfonso | Garcia de la Torre | Milésima | 1992 | fixed media, akusmatisch | Stereo | HfM Vitoria | 0 | |||||||||||
| 22896 | Alfonso | Garcia de la Torre | Osmosis | 1995 | fixed media, akusmatisch | 5:22 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | Phonos Barcelona | 1 | ||||||||||
| 29512 | Jorge | Garcia del Valle Méndez | Alle Feuer dem Feuer | 1998 | fixed media, akusmatisch | 10:21 | Quadro | HfM Dresden | 02.12.1998 | Kleiner Saal der Hochschule für Musik Dresden | 0 | ||||||||
| 29515 | Jorge | Garcia del Valle Méndez | An A. B. | 2001 | radiophon | 12:07 | after „An Anna Blume“ by K. Schwitters | HfM Dresden | Dresdner Zentrum für Zeitgenössische Musik, | Februar 2004 | MDR-Kultur | 0 | |||||||
| 29526 | Jorge | Garcia del Valle Méndez | Blue Water, Dark Sky | 2009 | Zuspiel / Tonband, 1 perf | ob, (elec) [Oboe] | 0 | ||||||||||||
| 29514 | Jorge | Garcia del Valle Méndez | Cronopio | 2000 | fixed media, akusmatisch | 10:43 | Stereo | HfM Dresden | 14.06.2000 | Kleiner Saal der Hochschule für Musik Dresden | 0 | ||||||||
| 29517 | Jorge | Garcia del Valle Méndez | ¿Dónde está el mar? | 2003 | Zuspiel / Tonband, 3 perf | Stereo | fl, vc, p [Flöte, Piano, Cello] | 0 | |||||||||||
| 29516 | Jorge | Garcia del Valle Méndez | Du, Deiner, Dich, Dir | 2003 | fixed media, akusmatisch | 12:24 | Quadro | HfM Dresden | 10.06.2005 | ZKM Karlsruhe bei „next generation“ | 0 | ||||||||
| 29518 | Jorge | Garcia del Valle Méndez | Esbozo de un sueño | 2003 | Zuspiel / Tonband, 4 perf | ob, cl, bn, p, (elec) [Klarinette, Oboe, Fagott, Piano] | 0 | ||||||||||||
| 29527 | Jorge | Garcia del Valle Méndez | Floating Voices | 2009 | Zuspiel / Tonband, 3 perf | ob, cl, bn, (elec) [Klarinette, Oboe, Fagott] | 0 | ||||||||||||
| 29513 | Jorge | Garcia del Valle Méndez | Innere Dämonen, Entre cisnes y diablos | 1999 | Zuspiel / Tonband, 1 perf | 14:16 | Stereo | bn, (Max/MSP-sam) [Fagott] | HfM Dresden | 15.11.1999 | Kleiner Saal der Hochschule für Musik Dresden | 0 | |||||||
| 29523 | Jorge | Garcia del Valle Méndez | Insane | 2007 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29529 | Jorge | Garcia del Valle Méndez | Kuroi ame | 2010 | Zuspiel / Tonband, 1 perf | rec, (elec) [Flöte] | 0 | ||||||||||||
| 29519 | Jorge | Garcia del Valle Méndez | Música - Máquina | 2004 | Zuspiel / Tonband, 1 group | ens, (elec) [Ensemble] | 0 | ||||||||||||
| 41471 | Jorge | Garcia del Valle Méndez | Paysage urbains | 2017 | Zuspiel / Tonband, 1 perf | 9 | Stereo | hn (Sangil Kim, horn) [Horn] | 5 short parts | 28.9.2018 | Jayu Theater, SICMF (Seoul International Computer Music Festival) 2018 | 0 | |||||||
| 29521 | Jorge | Garcia del Valle Méndez | pungkyeong 1 | 2004 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29524 | Jorge | Garcia del Valle Méndez | pungkyeong 2 | 2007 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 29528 | Jorge | Garcia del Valle Méndez | Road, River and Rail | 2010 | Zuspiel / Tonband, 1 group | ens, (elec) [Ensemble] | 0 | ||||||||||||
| 29520 | Jorge | Garcia del Valle Méndez | seok yang jong | 2004 | Zuspiel / Tonband, 3 perf | vn, vc, p, (elec) [Piano, Cello, Violine] | Martirano Composition Award (UIUC) | 0 | |||||||||||
| 29525 | Jorge | Garcia del Valle Méndez | The other side | 2008 | fixed media, akusmatisch | 9:41 | Surround 7.1, 11 tracks | Hochschule für Musik Dresden | 1.11.2008 | Konzertsaal HfM Dresden | 0 | ||||||||
| 37639 | Jorge | Garcia del Valle Méndez | Visions of the Void II | 2016 - 2017 | Zuspiel / Tonband, 1 perf | 9 | Stereo | p [Piano] | 0 | ||||||||||
| 29522 | Jorge | Garcia del Valle Méndez | Waterdreams | 2006 | Zuspiel / Tonband, 4 perf | 2 tpt, 2 trbn, (elec) [Trompete, Posaune] | 0 | ||||||||||||
| 39936 | Jorge | García del Valle Méndez | no sun, no moon | 2015 | fixed media, akusmatisch | 9:20:00 | Jorge García del Valle Méndez | 0 | |||||||||||
| 11174 | Gustavo | Garcia Mendy | Cinema | fixed media, akusmatisch | 0 | ||||||||||||||
| 19862 | Roberto | Garcia Piedrahita | Lapizar | 1989 | fixed media, akusmatisch | Stereo | Phonos Barcelona | 0 | |||||||||||
| 18478 | Roberto | Garcia Piedrahita | Martes 13 | 1995 | fixed media, akusmatisch | 13:27 | IMEB Bourges | 0 | |||||||||||
| 18479 | Roberto | Garcia Piedrahita | Tadjhias | 1995 | fixed media, akusmatisch | 11:41 | IMEB Bourges | 0 | |||||||||||
| 18480 | Roberto | Garcia Piedrahita | Tema oblongo | 1995 | fixed media, akusmatisch | 1:24 | IMEB Bourges | 0 | |||||||||||
| 21003 | Francisco J. | Garcia Ruiz | Desnaturalización | 1998 | fixed media, akusmatisch | Stereo | Foro de Comunicaciones electroacusticas Vol. 1/ | GME Cuenca | 1 | ||||||||||
| 22897 | Gonzalo | Garcia Santos | En Tuba do (1. part) | 1997 | fixed media, akusmatisch | 3:26 | 49063/1999 Foro Vol. 2/ CDAVADI 002/ | GME Cuenca | 0 | ||||||||||
| 40169 | Pablo | Garcia Valenzuela | No-Rayados | 2017 | fixed media, akusmatisch | 16 Tracks | Pablo Garcia Valenzuela | 0 | |||||||||||
| 41404 | Pablo | García Valenzuela | NoRayados | fixed media, akusmatisch | file | 0 | https://www.ckcufm.com/ | ||||||||||||
| 23955 | Cecilia | García-Gracia | Algo sigue su curso | 2001 | fixed media, akusmatisch | 17:16 | Obra en 5 partes, compuesta por encargo para la coreografía homónima de Marcela Retamales. 2001, sala Fech (Federación de Estudiantes de la Universidad de Chile), Santiago, Chile. |
0 | |||||||||||
| 23954 | Cecilia | García-Gracia | La Violación de Lucrecia | 2000 | fixed media, akusmatisch | 18:04 | basada en el poema homónimo de William Shakespeare, encargada por el coreógrafo Nelson Avilés. Obra en 2 partes: la primera acusmática (8:00) y la segunda (10:00), para contralto-bailarina interpretada en vivo. 2000, Casa Central Universidad de Chile, Santiago, Chile. |
0 | |||||||||||
| 23960 | Cecilia | García-Gracia | Máxima Seguridad | 2004 | fixed media, akusmatisch | 42:22 | Obra en 10 partes compuesta por encargo para la coreografía homónima de Javier Muñoz. Julio 2004 sala Santa Elena, Santiago, Chile. |
0 | |||||||||||
| 23957 | Cecilia | García-Gracia | Ñanco | 2000 | Zuspiel / Tonband, 1 perf | 7:27 | vc [Cello] | Obra estrenada y dedicada a la cellista Mariana Chamorro. Octubre 2002, Sala SCD, II Ciclo Internacional de Música Electroacústica, Santiago, Chile. |
Pueblo Nuevo PN.CD.001/ | PS La vitrina | 0 | ||||||||
| 23956 | Cecilia | García-Gracia | Omaira | 2002 | fixed media, akusmatisch | 16:40 | Obra compuesta por encargo para la coreografía “3 días, 9 besos” de Daniela Marini. diciembre 2002, Universidad Arsis, Santiago, Chile. |
0 | |||||||||||
| 23959 | Cecilia | García-Gracia | Territorio Incierto | 2004 | fixed media, akusmatisch | 22:45 | Obra en tres partes (3:22; 9:23; 10:00;) compuesta por encargo para la coreografía homónima de Daniela Marini. 2004, Bar El Sofá, Santiago, Chile. |
0 | |||||||||||
| 23953 | Cecilia | García-Gracia | Venus y Adonis | 1999 | fixed media, akusmatisch | 10:17 | basada en el poema homónimo de William Shakespeare, encargada por el coreógrafo Nelson Avilés. 1999, sala América, Biblioteca Nacional, Santiago, Chile. |
0 | |||||||||||
| 23958 | Cecilia | García-Gracia | Wérika | 2003 | fixed media, akusmatisch | 8:13 | Octubre 2003, Sala SCD, III Ciclo Internacional de Música Electroacústica, Santiago, Chile. | 0 | |||||||||||
| 27445 | Antonio | Garcia | Danza de Rama | fixed media, akusmatisch | 4:14 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 27446 | Antonio | Garcia | La historia de Sofia y Pest | fixed media, akusmatisch | 6:32 | GR 01 Geometric Rec/ | 1 | ||||||||||||
| 31736 | Denise | Garcia | Sopro 2 | 2007 | Tanz | 45 | also concert version 11:52 (on CD SBME) | SBME 008 Coletânea de Música Eletroacústica Brasileira/ | 1 | ||||||||||
| 20186 | Denise | Garcia | Trem-pássaro | 1993 | fixed media, akusmatisch | 8:32 | Stereo | RD003 MEB Rioarte/ | 0 | ||||||||||
| 20187 | Denise | Garcia | Vozes da Cidade | 1993 | fixed media, akusmatisch | 10:30 | Stereo | SBME 001, Musica el. Brasileira Vol 1/ | 1 | ||||||||||
| 36155 | Orlando Jacinto | Garcia | 3 Pieces | 1990 | Zuspiel / Tonband, 1 perf | 35:00:00 | db [Kontrabass] | for Robert Black | innova 335/ | 0 | |||||||||
| 36134 | Orlando Jacinto | Garcia | After Humans, después de los humanos | 2008 | live-elec, 1 perf | audiovisuell |
16:00:00 | vc, (elec) [Cello] | for Madeleine Shapiro, video by Jacek Kolasinski | 0 | ||||||||||
| 36130 | Orlando Jacinto | Garcia | After Life | 2009 | live-elec, | 15:00:00 | Laptop-ens [Ensemble] | for Paula Matthusen | 0 | ||||||||||
| 36152 | Orlando Jacinto | Garcia | al borde del Avila | 1992 | live-elec, 6 perf | 15:00:00 | Mez, fl, ob, hp, p, db, (elec) [Mezzo, Flöte, Oboe, Piano, Harfe, Kontrabass] | for Alfredo Rugeles & Nova Musica | 0 | ||||||||||
| 36141 | Orlando Jacinto | Garcia | Ascending from the Abyss | 2004 | live-elec, 1 perf | 15:00:00 | Mez, (elec) [Mezzo] | for Joan La Barbara | 0 | ||||||||||
| 36154 | Orlando Jacinto | Garcia | Collage | 1990, 1997 | live-elec, 4 perf | 15:00:00 | 2 gui, vn, va, (elec) [Gitarre, Viola, Violine] | for an opening at the Opus Art Gallery | 0 | ||||||||||
| 36145 | Orlando Jacinto | Garcia | como los colores del viento nocturno, like the colors of the evening wind | 2002 | live-elec, 1 perf | 13:00:00 | va, (elec), (with wind chimes) [Viola] | for Robert Davidovici | 0 | ||||||||||
| 36149 | Orlando Jacinto | Garcia | como un coro de clarinetes celestiales, like a choir of celestial clarinets | 1999 | fixed media, akusmatisch | 13:00:00 | 0 | ||||||||||||
| 39472 | Orlando Jacinto | Garcia | Conversations with Harry | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 36142 | Orlando Jacinto | Garcia | cuando el mar besa al malecón, when the sea kisses the malecón | 2004 | live-elec, 1 perf | 18:00:00 | fl (doubling picc, c-fl, a-fl, b-fl), (elec) [Flöte] | for Alejandro Escuer | 0 | ||||||||||
| 40165 | Orlando Jacinto | Garcia | Despues de los humanos (after humans) | 2017 | fixed media, akusmatisch | Orlando Garcia | 0 | ||||||||||||
| 36132 | Orlando Jacinto | Garcia | Dreaming Amazonia | 2009 | Tanz, live-elec, 1 perf | 46:00:00 | (elec), dancer, (images) [Tanz] | Choreography and concept by Augusto Soledade videos by Jacek Kolasinsksi | 0 | ||||||||||
| 36135 | Orlando Jacinto | Garcia | enlaces sonoros, sonic links | 2008 | live-elec, 2 perf, 2 groups | audiovisuell |
19:00:00 | chamber-orc, perc, p, strs, (elec) [Piano, Schlagzeug, Streicher, Orchester] | (chamber orchestra version of puentes) | 0 | ||||||||||
| 36124 | Orlando Jacinto | Garcia | entre michigan y jefferson, between Michigan and Jefferson | 2014 | live-elec, 3 perf | 13:00:00 | Mez, fl (doubling a-fl), perc, (elec), (for the Fonema Consort) [Mezzo, Flöte, Schlagzeug] | 0 | |||||||||||
| 36148 | Orlando Jacinto | Garcia | imagenes (sonidos) sonoros congelados | 1999 | live-elec, 1 perf | 14:00:00 | vn, (elec) [Violine] | for Robert Davidovici | 0 | ||||||||||
| 36156 | Orlando Jacinto | Garcia | Improvisation with Metallic Materials | 1990 | live-elec, 1 perf | 14:00:00 | synt, (wind-synthesizer, elec) [synthesizer] | for Joseph Celli | innova 334/ | 0 | |||||||||
| 36136 | Orlando Jacinto | Garcia | islas, islands | 2007 | live-elec, 1 perf | 20:00:00 | sol-fl, fl ens, (elec) [Flöte, Ensemble] | for Pierre-Yves Artaud and the OFF | 0 | ||||||||||
| 36129 | Orlando Jacinto | Garcia | la catedral de cristal, the glass cathedral | 2010 | fixed media, akusmatisch | 10:00:00 | innova 333/ | 0 | |||||||||||
| 36122 | Orlando Jacinto | Garcia | Marea cambiante, changing tide | 2015 | live-elec, 1 perf | 8:00:00 | solo amp vn [Violine] | for Mari Kimura | 0 | ||||||||||
| 36153 | Orlando Jacinto | Garcia | Metallic Images | 1991 | live-elec, 1 perf | 21:00:00 | perc, (elec) [Schlagzeug] | for Jan Williams | innova 334/ | 0 | |||||||||
| 35650 | Orlando Jacinto | Garcia | Mixtura, mixture | 2004 | Zuspiel / Tonband, 1 perf | 12:11 | vc [Cello] | for Carter Enyeart | 0 | ||||||||||
| 36125 | Orlando Jacinto | Garcia | muro de viento | 2013 | live-elec, 1 perf | audiovisuell |
5:00:00 | sol fl, (doubling pic, a-flute), (elec, video images by Jacek Kolasinski) [Flöte] | for Alejandro Escuer | 0 | ||||||||||
| 36158 | Orlando Jacinto | Garcia | Music for Nada vers. 3 | 1990 | live-elec, 1 perf | fixed media, akusmatisch |
18:00:00 | S, (elec) [Sopran] | (elec) or S and elec | 0 | ||||||||||
| 36143 | Orlando Jacinto | Garcia | nubes nocturnas, nocturnal clouds | 2004 | live-elec, 1 perf | 10:00:00 | trbn, (elec) [Posaune] | for James Fulkerson and Mark Hetzler | 0 | ||||||||||
| 36139 | Orlando Jacinto | Garcia | paisaje del sonido | 2006 | audiovisuell, live-elec, 1 perf | 18:00:00 | db, (elec) [Kontrabass] | in collaboration w/ video artist Jacek Kolasinski video version |
0 | ||||||||||
| 36151 | Orlando Jacinto | Garcia | paisaje del sonido, Soundscape | 1992, 2004 | live-elec, 1 perf | 16:00:00 | db, (elec) [Kontrabass] | for Luis Gomez Imbert | innova 333/ | 0 | |||||||||
| 36137 | Orlando Jacinto | Garcia | puentes sonoros, sonic bridges | 2007 | live-elec, 7 perf | audiovisuell |
19:00:00 | fl, ob, cl, p, va, vc, db (elec) [Flöte, Klarinette, Oboe, Piano, Viola, Cello, Kontrabass] | for Sequenza Sur and the Cervantino Festival, video images by Jacek Kolasinski and John Stuart | 0 | ||||||||||
| 36147 | Orlando Jacinto | Garcia | Re-encounter | 2000 | live-elec, 3 perf | 15:00:00 | e-gui, db, perc [Gitarre, Schlagzeug, Kontrabass] | for Luis Gomez Imbert, Keith Aleo | 0 | ||||||||||
| 36159 | Orlando Jacinto | Garcia | Reflejos de Modelos Repetivos, Reflections of Repetitive Models | 1989 | live-elec, 1 perf | 20:00:00 | gui, (elec) [Gitarre] | For Flores Chaviano | 0 | ||||||||||
| 36160 | Orlando Jacinto | Garcia | Retratos #1 | 1989 | live-elec, 1 perf | fixed media, akusmatisch |
18:00:00 | p, (live-elec) (or fixed media) [Piano] | innova 335/ | 0 | ||||||||||
| 36146 | Orlando Jacinto | Garcia | separacion, separation | 2001 | live-elec, 1 perf | 12:00:00 | s-sax, (elec) [Saxophon] | for Daniel Keintzy | 0 | ||||||||||
| 36157 | Orlando Jacinto | Garcia | Sitio Sin Nombre | 1990 | live-elec, 1 perf | 22:00:00 | S, (elec) [Sopran] | for Joan La Barbara | innova 334/ | 0 | |||||||||
| 36150 | Orlando Jacinto | Garcia | soy, I am | 1993 | live-elec, 2 perf | 16:00:00 | db, p, (elec) [Piano, Kontrabass] | for Luis Gomez Imbert | 0 | ||||||||||
| 36140 | Orlando Jacinto | Garcia | temporal | 2006 | fixed media, akusmatisch | 8:00:00 | 0 | ||||||||||||
| 36138 | Orlando Jacinto | Garcia | temporal and ARA Belgrano | 2007 | audiovisuell, live-elec, | 8:00:00 | videos in collaboration w/ video artist Jacek Kolasinski Video and Electronics versions of temporal for Etronics |
0 | |||||||||||
| 36123 | Orlando Jacinto | Garcia | The City Air makes you free, Stadluft macht frei | 2014 | fixed media, akusmatisch | audiovisuell |
10:00:00 | Fixed Media with video (video images by Jacek Kolasinski) | 0 | |||||||||||
| 36133 | Orlando Jacinto | Garcia | Transcending Time | 2009 | live-elec, 20 perf | audiovisuell |
75:00:00 | 14 mus, Mez, V, 4 V (SATB Singers), (elec) [Mezzo, Stimme, Musiker] | concept by OJG videos by Jacek Kolasinski and John Stuart text by Campbell McGrath | 0 | ||||||||||
| 36131 | Orlando Jacinto | Garcia | universo paralelo #1 | 2009 | live-elec, 4 perf | audiovisuell |
14:00:00 | S, cl, va, p, (elec) [Sopran, Klarinette, Piano, Viola] | video images by Jacek Kolasinski | 0 | ||||||||||
| 36128 | Orlando Jacinto | Garcia | universo paralelo #2 | 2010 | live-elec, 1 perf | audiovisuell |
13:00:00 | cl, (elec) [Klarinette] | video images by Jacek Kolasinski and Daniel Viñoly | 0 | ||||||||||
| 36127 | Orlando Jacinto | Garcia | universo paralelo #3 | 2010 | live-elec, 4 perf | audiovisuell |
12:00:00 | S, cl, va, p, (elec) [Sopran, Klarinette, Piano, Viola] | video images by Eric Goldemberg and Veronica Lachberg | 0 | ||||||||||
| 36126 | Orlando Jacinto | Garcia | universo paralelo #4 | 2010 | live-elec, 4 perf | audiovisuell |
13:00:00 | S, cl, va, p, (elec) [Sopran, Klarinette, Piano, Viola] | video images by John Stuart | 0 | ||||||||||
| 36144 | Orlando Jacinto | Garcia | Why References? | 2002 | live-elec, 1 perf | 18:00:00 | p, (elec) [Piano] | for Kathy Supove | 0 | ||||||||||
| 27179 | Pablo | Garcia | Gutura | 2000 | fixed media, akusmatisch | 8:02 | 0 | ||||||||||||
| 34679 | Pablo | Garcia | Piano T | 2000 | live-elec, 1 perf | 11:42 | Stereo | p [Piano] | Russolo Pratella EF.ER.P 01/ | Prize Russolo Varese 2001 | 0 | ||||||||
| 5590 | Philippe | Garcia | Lava, ( Song ) | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5591 | Philippe | Garcia | Nono work | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5592 | Philippe | Garcia | Où les crocodiles prennent le train | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5593 | Philippe | Garcia | Soup ' Opera | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 33315 | Russ | Garcia | Fantastica | 1958 | Demo, Studie | 35 | Mono | pop music | PS C. | 0 | |||||||||
| 33316 | Russ | Garcia | The Time Machine | 1961 | Film | 50 | Mono | PS C. | 0 | ||||||||||
| 5594 | Xavier | Garcia | 6 Regards sur L. | 1991 | fixed media, akusmatisch | 15:10 | Stereo | 6 parts | GMVL CD 09/ | GMVL Lyon | 0 | ||||||||
| 20188 | Xavier | Garcia | Danza de Rama | 1992 | fixed media, akusmatisch | 4:14 | Stereo | GR 01 Geometric Rec/ | GMVL Lyon | 0 | |||||||||
| 5595 | Xavier | Garcia | Étroits sont les Vaisseaux | 1981 | Zuspiel / Tonband, 1 perf | 46:30 | Stereo | Sp [Sprecher] | GMVL D 02 LP/ | GMVL Lyon | 1 | ||||||||
| 20189 | Xavier | Garcia | Humeurs du Monde | 1993 | radiophon | 22:30 | Stereo | Revue noire – ISBN 2-909571-11-4 / | GMVL Lyon | 0 | |||||||||
| 5596 | Xavier | Garcia | Image - Mirage | 1987 | fixed media, akusmatisch | 24:25 | Stereo | GMVL CD 05/ | GMVL Lyon | 1 | |||||||||
| 5597 | Xavier | Garcia | L'Apocalypse | 1986 | Zuspiel / Tonband, 1 perf | 40:33 | Stereo | Sp [Sprecher] | GMVL CD 05/ | GMVL Lyon | 1 | ||||||||
| 20190 | Xavier | Garcia | La chapelle des eaux | 1982 | fixed media, akusmatisch | Stereo | GMVL 012/ | GMVL Lyon | 0 | ||||||||||
| 20191 | Xavier | Garcia | La Historia de Sofia Y Pest | 1992 | fixed media, akusmatisch | 6:32 | Stereo | GR 01 Geometric Rec/ | GMVL Lyon | 0 | |||||||||
| 20192 | Xavier | Garcia | Le petit tour du monde | 1993 | fixed media, akusmatisch | 19:25 | Stereo | Revue noire – ISBN 2-909571-11-4 / | GMVL Lyon | 0 | |||||||||
| 5598 | Xavier | Garcia | Les surfaces de la tete, Table des Icones II. | 1984 | fixed media, akusmatisch | 22:53 | Stereo | Coproduction GMVL / INA.GRM | INA • GRM, GMVL Lyon | 16.6.1984 | Angers, Th. Municipal, Musique du XX. siècle | 0 | |||||||
| 20195 | Xavier | Garcia | Metallic Images | 1991 | Zuspiel / Tonband, 1 perf | 21:11 | Stereo | perc [Schlagzeug] | OO Discs 6/ | GMVL Lyon | 0 | ||||||||
| 5599 | Xavier | Garcia | Mouvement fixe, (1 - 3) | 1980 | fixed media, akusmatisch | 16:54 | Stereo | Etude de stage | INA • GRM | 5.8.1980 | Perugia, Italy | 0 | |||||||
| 5600 | Xavier | Garcia | Mouvement fixe, (4 - 7) | 1981 | fixed media, akusmatisch | 16:20 | Stereo | INA • GRM | 25.5.1981 | France-Musique | 0 | ||||||||
| 5601 | Xavier | Garcia | Passy pazi mou woude | 1982 | fixed media, akusmatisch | 24:30 | Stereo | GMVL 012/ | INA • GRM | 14.5.1984 | Paris, Maison de Radio-France, Gd. Auditorium | 0 | |||||||
| 20196 | Xavier | Garcia | Piece No. 1 | 1990 | Zuspiel / Tonband, 1 perf | 10:38 | Stereo | db [Kontrabass] | OO Discs 6/ | GMVL Lyon | 0 | ||||||||
| 5602 | Xavier | Garcia | Pourquoi t'as jete ta pantoufle | 1981 | fixed media, akusmatisch | 21:20 | Stereo | INA • GRM | 27.3.1981 | Clermont-Ferrand | 0 | ||||||||
| 20197 | Xavier | Garcia | Sitio sin Nombre | 1990 | Zuspiel / Tonband, 1 perf | 22:31 | Stereo | S [Sopran] | OO Discs 6/ | GMVL Lyon | 0 | ||||||||
| 20193 | Xavier | Garcia | Surface de la tête | 1983 | fixed media, akusmatisch | 15:38 | Stereo | GMVL 012/ | GMVL Lyon | 0 | |||||||||
| 20194 | Xavier | Garcia | Vers la lumière | 1984 | fixed media, akusmatisch | 13:20 | Stereo | GMVL 012/ | GMVL Lyon | 0 | |||||||||
| 27923 | Frédéric | Gardet | PlastikAssault | fixed media, akusmatisch | SCCM | 0 | http://www.computermusic.ch/ | ||||||||||||
| 5603 | Mathilde | Gardet | D.C.D. pudeur | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5605 | Mathilde | Gardet | L'Homoncule de la lune | 1985 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5606 | Mathilde | Gardet | Les crayons électriques ou savage est la dent | 1983 | Zuspiel / Tonband, 2 perf | 2 fem V [Stimme] | CNR Lyon | 0 | |||||||||||
| 5607 | Mathilde | Gardet | Mais heureusement Papa était là | 1983 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5608 | Mathilde | Gardet | Manourha | 1984 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5604 | Mathilde, Philippe | Gardet, Madile | Faseize | 1984 | Tanz, live-elec, 2 perf | V, synt [Stimme, synthesizer] | CNR Lyon | 0 | |||||||||||
| 42493 | Richard | Garet | IP—Iota Expansion, Variation No. 1 | 2008 | fixed media, akusmatisch | 0 | |||||||||||||
| 5609 | Marta | Gargas | STUDIUM I | 1988 | fixed media, akusmatisch | 9:20 | Stereo | SME Krakow | 0 | ||||||||||
| 5610 | Luise | Gariepy | Einhundert vier | 1971 | fixed media, akusmatisch | 3:18 | Stereo | ELAK Wien | 0 | ||||||||||
| 5611 | Luise | Gariepy | Improvisationsstudie | 1971 | fixed media, akusmatisch | 1:45 | Stereo | ELAK Wien | 0 | ||||||||||
| 5612 | Luise | Gariepy | Wind und Meer | 1971 | Theatermusik | 28:18 | Stereo | Hörspiel: Peter Handke "Wind und Meer" | ELAK Wien | 0 | |||||||||
| 5613 | Ilse | Garnier | Mer | 1966 | fixed media, akusmatisch | 8:25 | Mono | text-compo franco-japonaise | PS C. Amiens | 0 | |||||||||
| 5614 | Ilse | Garnier | Sprechaktionen #1 – #5 | 1962 - 1966 | fixed media, akusmatisch | Mono | text-compo | PS C. Amiens | 0 | ||||||||||
| 5615 | Ilse | Garnier | Thalatta | 1965 | fixed media, akusmatisch | 8:19 | Mono | text-compo | PS C. Amiens | 0 | |||||||||
| 5616 | Pierre | Garnier | Hier | 1965 | fixed media, akusmatisch | 2:45 | Mono | text-compo, from "Mots vivants" | PS C. Amiens | 0 | |||||||||
| 5617 | Pierre | Garnier | Messe spatiale | 1966 | fixed media, akusmatisch | 10:09 | Mono | PS C. Amiens | 0 | ||||||||||
| 5618 | Pierre | Garnier | Siffle | 1965 | fixed media, akusmatisch | 1:23 | Mono | text-compo, from "Mots vivants" | PS C. Amiens | 0 | |||||||||
| 5619 | Pierre | Garnier | Sonies | 1962 - 1964 | fixed media, akusmatisch | Mono | 8 text-compo | PS C. Amiens | 0 | ||||||||||
| 31787 | Simon | Garreis | d’ ordung | 2004 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31786 | Simon | Garreis | Verzweig Dich | 2003 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 40195 | Richard | Garret | Penumbra | 2016 | fixed media, akusmatisch | Richard Garret | 0 | ||||||||||||
| 23962 | Roberto | Garreton | Instrumentos | 2003 | fixed media, akusmatisch | 5:08 | Sonology Den Haag | 0 | |||||||||||
| 23964 | Roberto | Garreton | Larvae | 2005 | audiovisuell | Tanz |
10:00 | gui, (selfmade ins,) dancers [Gitarre, Tanz] | Pieza compuesta por el dúo de música electroacústica N.e.w.S (Satoshi Shiraishi, Roberto Garretón) con la participación de Takuya Sato en danza. Febrero 2005. Sonology Den Haag |
Sonology Den Haag | 0 | |||||||||
| 23963 | Roberto | Garreton | Meeting Point | 2005 | live-elec, 2 perf | 10:00 | cl, perc [Klarinette, Schlagzeug] | Sonology Den Haag | 0 | ||||||||||
| 23961 | Roberto | Garreton | (Solo) Palabras | 2004 | fixed media, akusmatisch | 7:47 | Quadro | Una primera versión fue realizada para soporte estereofónico con una duración de 6 minutos. Enero 2004 Sonology Den Haag |
0 | ||||||||||
| 5620 | Marian de | Garriga | Transformations | 1970 | fixed media, akusmatisch | 4:55 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 40300 | Travis | Garrison | New Directions in Automobile Repair and Demolition | 2015 | fixed media, akusmatisch | Travis Garrison | 0 | ||||||||||||
| 42703 | Travis | Garrison | selectric.metal | 2012 | fixed media, akusmatisch | 7:33:00 | 0 | ||||||||||||
| 42611 | Travis | Garrison | Untitled 2003 | 2003 | fixed media, akusmatisch | 6 | 0 | ||||||||||||
| 42984 | Diego | Garro | Dammtor | 2013 | fixed media, akusmatisch | 14:59:00 | 0 | ||||||||||||
| 25903 | Diego | Garro | O que a menina ouve | 2005 | fixed media, akusmatisch | 10:06 | LDC 278079 Cultures électroniques 18/ | Uni Keele | Prize „abstract music“ Bourges 2005 | 1 | |||||||||
| 42735 | Diego | Garro | patah2 | 2010 | fixed media, akusmatisch | 15:26:00 | 0 | ||||||||||||
| 36402 | Diego | Garro | Peacekeepers | 1999 | radiophon | Kiasma 1999/ | 0 | ||||||||||||
| 25904 | Diego | Garro | Points Precairés | 2003 | audiovisuell | 14:34 | LDC 278079 Cultures électroniques 18/ CMJ Vol 29-4, 2005/ | Uni Keele | Prize Bourges 2004 | 1 | |||||||||
| 36697 | Diego | Garro | Systemfehler | 2005 | fixed media, akusmatisch | 10:17 | elek 001/ | 0 | |||||||||||
| 39730 | Diego | Garro | TACTO | 2017 | audiovisuell | Diego Garro | 0 | ||||||||||||
| 39729 | Diego | Garro | Video Concrète to Audiovisual Poetry | 2017 | audiovisuell | Diego Garro | 0 | ||||||||||||
| 36388 | Diego | Garro | Voci dall' Aldiqua | 1998 | radiophon | Kiasma 1998/ | 0 | ||||||||||||
| 5621 | Brad | Garton | Approximate Rhythms | 1989 | fixed media, akusmatisch | 9:01 | Stereo | Inner Voices, MIDI, sm | Centaur CRC 2076, CDCM Vol. 5/ | Winham | 1 | ||||||||
| 39748 | Eleazar | Garzon | Invisible Voices | 2016 | fixed media, akusmatisch | Eleazar Garzon | 0 | ||||||||||||
| 35548 | Eleazar | Garzón | Antàrtida | fixed media, akusmatisch | 15:13 | 0 | |||||||||||||
| 35549 | Eleazar | Garzón | De Luz y Vacio | fixed media, akusmatisch | 11:24 | 0 | |||||||||||||
| 35550 | Eleazar | Garzón | El Astrolabio de el-e-azar | fixed media, akusmatisch | 10:13 | 0 | |||||||||||||
| 27400 | Eleazar | Garzón | El otro lado, El Astrolabio | fixed media, akusmatisch | 16:00 | Quadro | LIEM CDMC Madrid | 1 | http://cdmd.mcu.es | ||||||||||
| 35551 | Eleazar | Garzón | El rìo de Herac | fixed media, akusmatisch | 11:23 | 0 | |||||||||||||
| 35552 | Eleazar | Garzón | Eleas | fixed media, akusmatisch | 14:04 | Uni de la serena/ | 0 | ||||||||||||
| 35553 | Eleazar | Garzón | Gran ritual | fixed media, akusmatisch | 12:57 | 0 | |||||||||||||
| 35554 | Eleazar | Garzón | Green-Zen-Io | fixed media, akusmatisch | 8:32 | 0 | |||||||||||||
| 24415 | Eleazar | Garzón | Las Criaturas deOrlEGm | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 35556 | Eleazar | Garzón | Marfil y èbano | fixed media, akusmatisch | 10:26 | 0 | |||||||||||||
| 35557 | Eleazar | Garzón | Marilyn | fixed media, akusmatisch | 13:02 | 0 | |||||||||||||
| 35558 | Eleazar | Garzón | Moebius | 2003 | fixed media, akusmatisch | 03:12 | 0 | ||||||||||||
| 35559 | Eleazar | Garzón | Mundo Lata I | fixed media, akusmatisch | 5:03 | 0 | |||||||||||||
| 35560 | Eleazar | Garzón | Mundo Lata II | fixed media, akusmatisch | 5:36 | 0 | |||||||||||||
| 35561 | Eleazar | Garzón | Nocturno Esmeralda | fixed media, akusmatisch | 9:04 | 0 | |||||||||||||
| 35562 | Eleazar | Garzón | Orquesta imaginaria | fixed media, akusmatisch | 11:55 | 0 | |||||||||||||
| 35563 | Eleazar | Garzón | Pequeño ritual | fixed media, akusmatisch | 9:49 | 0 | |||||||||||||
| 35564 | Eleazar | Garzón | UqbaR | fixed media, akusmatisch | 10:07 | 0 | |||||||||||||
| 35565 | Eleazar | Garzón | Viento Sur | 2009 | fixed media, akusmatisch | 9:41 | 0 | ||||||||||||
| 35566 | Eleazar | Garzón | water.earth.com | fixed media, akusmatisch | 6:24 | 0 | |||||||||||||
| 5622 | Giorgio | Gaslini | Corri, nella miniera si odano voci | 1963 | Zuspiel / Tonband, 8 perf | Mono | 4 V, qt [Stimme, Instrument] | VdP/ | PS C. | 0 | |||||||||
| 5623 | Giorgio | Gaslini | Electronics Moods | 1968 | Zuspiel / Tonband, 4 perf | jazz-qt [Instrument] | 0 | ||||||||||||
| 38956 | Stavros | Gasparatos | Expanded Piano | 2014 | live-elec, 1 perf | prep p [Piano] | EMPAC | 2014 EMPAC | 0 | http://empac.rpi.edu/events/2014/fall/expanded-piano | |||||||||
| 40104 | Michael | Gaspari | Alone View | 2017 | fixed media, akusmatisch | 16 Tracks | Michael Gaspari | 0 | |||||||||||
| 5624 | Ulrich | Gasser | ds grääggi | 1982/1983 | Zuspiel / Tonband, 8 perf | 25:00 | 8 ins [Instrument] | 0 | |||||||||||
| 5625 | Ulrich | Gasser | Passion I - ein Versuch | 1976 | fixed media, akusmatisch | Experimentalstudio für Akustische Kunst Freiburg | 0 | ||||||||||||
| 38425 | Remi | Gassmann | Electronics | Tanz | New York City Ballet, George Balanchine | XWN 18962/ Cacophonic 4CACK-B/ | PS Sala | 0 | |||||||||||
| 34691 | Antonio | Gatti | Requiem | 1995 | fixed media, akusmatisch | 12:40 | Russolo Pratella EF.ER.P 96/ | Prize Russolo Varese 1996 | 0 | ||||||||||
| 40171 | Paolo | Gatti | Poltergeist | 2016 | fixed media, akusmatisch | Paolo Gatti | 0 | ||||||||||||
| 34420 | Dwight D. | Gatwood | Carnatic Metamorphosis | 1978 | Zuspiel / Tonband, 1 perf | 4:45 | Stereo | gui (sitar) [Gitarre] | Bregman Dartmouth | 0 | |||||||||
| 34419 | Dwight D. | Gatwood | Encounters in Plastic | 1977 | Film | 6:08 | Stereo | for Super-8mm Film and Tape | Bregman Dartmouth | 0 | |||||||||
| 5626 | Eric | Gaudibert | Chacun son singe | 1978 | Oper, 10 perf | 65:00 | S, Bar, 8 ins [Sopran, Bariton, Instrument] | 0 | |||||||||||
| 5627 | Eric | Gaudibert | Diluvial | 1974 | Zuspiel / Tonband, 1 perf | 7:00 | fl [Flöte] | 0 | |||||||||||
| 5628 | Eric | Gaudibert | Epitase | 1971 | Zuspiel / Tonband, 4 perf | hpd, vn, va, vc [Cembalo, Viola, Cello, Violine] | CRS Genève | 0 | |||||||||||
| 5629 | Eric | Gaudibert | Le Moulin de Conté | 1974 | fixed media, akusmatisch | 12:00 | 0 | ||||||||||||
| 5630 | Eric | Gaudibert | Le Passeur de Loire | 1973 | Theatermusik | 30:00 | 0 | ||||||||||||
| 5631 | Eric | Gaudibert | Métamorphoses | 1972 | fixed media, akusmatisch | 30:00 | 0 | ||||||||||||
| 5632 | Eric | Gaudibert | Solstice | 1971 | Zuspiel / Tonband, 1 perf | 11:18 | p [Piano] | CTS 44/ | CRS Genève | 0 | |||||||||
| 5633 | Eric | Gaudibert | Tôt ou Tare | 1970 | Zuspiel / Tonband, 1 perf | fl [Flöte] | 0 | ||||||||||||
| 5634 | Eric | Gaudibert | Vernescence | 1973 | live-elec, 2 perf | cl, p [Klarinette, Piano] | 0 | ||||||||||||
| 5635 | Frank, Gerald, Valérie | Gauduchon, Glynn, Souderes | Musiques Dispersees (A), Musiques dispersées | 1969 | Performance | 6:38 | Stereo | Spactacle musical imaginé par F. Bayle et mis en scène par J.-P. Dougnac. Montage des séquences réalisées par l’ensemble compositeurs stagiaires de l’anée 1969 | INA • GRM | 7. - 8.8.1969 | Avignon, 23. Festival Opéra; avec EIMCP, dir. K. Simonovic et la participation de Rufus | 0 | |||||||
| 5636 | Allain | Gaussin | Ariane | 1987 | Zuspiel / Tonband, | 5:00 | 0 | ||||||||||||
| 5638 | Allain | Gaussin | Ausstellungsmusik Ui Cha | 1985 | Hintergrundmusik | je 56:00 | Stereo | Für Ausstellung Ui Cha | TU Berlin | 11.10.1985 | Staatliche Kunsthalle Berlin | 1 | |||||||
| 5637 | Allain | Gaussin | Camaieux | 1983 | Zuspiel, live-elec, 1 group | e-ens [Ensemble] | 0 | ||||||||||||
| 23134 | Allain | Gaussin | Jardin Zen | 1998 | Zuspiel / Tonband, 1 perf | 10:25 | cl [Klarinette] | 1 | 2002 | ||||||||||
| 5639 | Allain | Gaussin | Vent solaire | 1976 | Zuspiel / Tonband, 4 perf, 1 group | 25 | Stereo | 2 S, Sp, ch, ins [Sopran, Sprecher, Instrument, Chor] | 2 versions with different duration & instrumentation | INA • GRM | 27.8.1976 | Paris, Th. Récamier; avec Ch. Defressine (S), et P. Rousseau (Récitant) | 0 | ||||||
| 5640 | Claude-Paul | Gauthier | Lux | 1983 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 24776 | Mario | Gauthier | Ponts de Montréal new | radiophon | IFSS 24/ | Inpetto Berlin | 0 | ||||||||||||
| 25573 | Philippe-Aubert | Gauthier | Au-delà des apparences | 2005 | fixed media, akusmatisch | 7:30 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | 1 | |||||||||
| 27369 | Thierry | Gauthier | Cycles | 2007 | fixed media, akusmatisch | 8:00 | CEC Cache 2007, PeP 012/ | JTTP-Winner 2007 3. prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 25564 | Thierry | Gauthier | Étude aux clavecin et oiseuax | 2005 | fixed media, akusmatisch | 6:06 | JTTP 2005 | CEC Cache 2005, PeP 010/ | 1 | ||||||||||
| 27350 | Thierry | Gauthier | [pjanistik] | 2006 | fixed media, akusmatisch | 4:56 | JTTP 2008 | CEC Cache 2008, PeP 013/ | JTTP-Winner 2008 4. prize | 1 | http://www.thierrygauthier.com | ||||||||
| 5641 | Pierre | Gauvin | 1959-1984 | 1984 | fixed media, akusmatisch | 15:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5642 | Pierre | Gauvin | Dérive | 1983 | fixed media, akusmatisch | audiovisuell |
5:00 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5643 | Pierre | Gauvin | Réunions | 1985 | fixed media, akusmatisch | 15:00 | Stereo | Concordia Montréal | Rhino Prods | 0 | |||||||||
| 34098 | Pablo | Gav | Gutura | 1999 | fixed media, akusmatisch | 8:02 | IRD 002 Irradia/ | prix de la Region de Aquitaine 2000 at Bordeaux | 0 | ||||||||||
| 19305 | Giuseppe | Gavazza | Natura morta con specchio | 1994 | live-elec, 1 perf | 17:50 | p [Piano] | Kiebler, Richard | 2e2m Collection 1014/ | Experimentalstudio für Akustische Kunst Freiburg | 1 | ||||||||
| 5644 | Matthias | Gawriloff | Vier Schritte zu 330 | 1977 | fixed media, akusmatisch | 8:14 | Quadro | HfM Hannover | 0 | ||||||||||
| 5645 | Evelyne | Gayou | A l'aube du jour des morts | 1986 | fixed media, akusmatisch | 16:10 | Stereo | Réalisé pour la série d’émissions „Paris, Impressions en 6’25“, d’après 1982 Version 1986 |
INA • GRM | 3.10.1986 | Paris, ACNAV, Salle du Puits qui parle | 0 | |||||||
| 5646 | Evelyne | Gayou | Arthur | 1983 | fixed media, akusmatisch | 5:07 | Stereo | La nuit des oiseaux | INA • GRM | 1.10.1983 | France Musique | 0 | |||||||
| 5647 | Evelyne | Gayou | Germinal, Goélands Argents | 1985 | fixed media, akusmatisch | 3:30 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 5648 | Evelyne | Gayou | J'entre, je sors | 1991 | fixed media, akusmatisch | 11:00 | Stereo | INA • GRM | 0 | ||||||||||
| 42448 | Evelyne | Gayou | Jeu de la perception attentive | 2014 | fixed media, akusmatisch | 13:36 | INA • GRM | 0 | |||||||||||
| 42447 | Evelyne | Gayou | La trace d’un pas humide | 2001 | fixed media, akusmatisch | 9:30 | INA • GRM | 0 | |||||||||||
| 42449 | Evelyne | Gayou | Rhumbs | 2008 | fixed media, akusmatisch | 14:00 | INA • GRM | 0 | |||||||||||
| 42446 | Evelyne | Gayou | Zaoum | 2000 | fixed media, akusmatisch | 10:30 | INA • GRM | 0 | |||||||||||
| 5649 | Didier | Gazelle | Stochas | 1964 | Zuspiel / Tonband, 3 perf | 7:06 | Mono | va, db, p [Piano, Viola, Kontrabass] | IPEM Gent | 0 | |||||||||
| 5650 | Didier | Gazelle | Studie I | 1963 | fixed media, akusmatisch | 4:20 | Mono | MEN/ ALPHA 5066-5/ | IPEM Gent | 0 | |||||||||
| 5651 | Didier | Gazelle | Tijdsverzwarting | 1966 | Zuspiel / Tonband, 2 perf | 5:00 | Mono | fl, vc [Flöte, Cello] | IPEM Gent | 0 | |||||||||
| 19338 | Raviv | Gazit | Ha-Ho-Ha | 1994 | fixed media, akusmatisch | 3:02 | Sam | ACUM/ | HfM Tel Aviv | 1 | |||||||||
| 18394 | Raviv | Gazit | Shades of a Digital Piano | 1997 | live-elec, 1 perf | Stereo | dig p [Piano] | Uni Tel Aviv | 1 | ||||||||||
| 19337 | Raviv | Gazit | What a sweet way to die | 1993 | fixed media, akusmatisch | 11:40 | Sam | ACUM/ | HfM Tel Aviv | 1 | |||||||||
| 18395 | Raviv | Gazit | ZEE | 1987 | fixed media, akusmatisch | 14:40 | Stereo | Synclavier; (13 pieces) | Hed-Arzi/ | Uni Tel Aviv | 1 | ||||||||
| 40317 | Weilu | Ge | Innerhearing | 2016 | audiovisuell | Performance |
5:47 | Surround 7.1 | Weilu Ge | 0 | https://www.geweilu.com/blank-ahbyx | |||||||||
| 39350 | Dave | Gedosh | Guitar Construction #3: Hg-Cr-As | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39715 | David | Gedosh | Guitar Construction #2: Progressive Fracture | 2016 | fixed media, akusmatisch | David Gedosh | 0 | ||||||||||||
| 42921 | David | Gedosh | Train Song | 2013 | fixed media, akusmatisch | 8:58:00 | 0 | ||||||||||||
| 41397 | Erin | Gee | Rainbow in the Night | fixed media, akusmatisch | sonus.ca | 0 | https://www.ckcufm.com/ | ||||||||||||
| 36690 | Hartmut | Geerken | hexenring | 1994 | radiophon | 70:15 | AECO Records 0018LE/ | BR München | 17.6.1994 | BR 2 | Karl-Sczuka-Preis 1994 | 0 | |||||||
| 36689 | Hartmut, Herbert | Geerken, Kapfer | südwärts, sürwärts | 1989 | radiophon | 47:41 | Hörspiel nach einer dokumentarischen Niederschrift von Anselm Ruest / Mit Peter Fricke / Realisation: Hartmut Geerken/Herbert Kapfer / BR 1989 | BR München | 19.5.1989 | BR 2 | Karl-Sczuka-Preis 1989 | 0 | https://www.br.de/radio/bayern2/inhalt/hoerspiel-und-medienkunst/hoerspielpool328.html | ||||||
| 42494 | Doug | Geers | Sweep | 2008 | live-elec, 2 perf | vn, perc, laptop-orc [Schlagzeug, Violine, Orchester] | Maja Cerar, violin; N. Cameron Britt, percussion | PLOrk | 2008 | 0 | |||||||||
| 36169 | Douglas | Geers | Atomic Tango | 2001 | fixed media, akusmatisch | 6:04 | innova 118/ | NOTAM | 0 | ||||||||||
| 39739 | Douglas | Geers | Father’s Dream Reliquary | 2014 | Klangkunst, Installation | Douglas Geers | 0 | ||||||||||||
| 42612 | Douglas | Geers | Inanna’s Descent, Inanna: Euphrates Survival Song | 2009 | live-elec, 1 perf | 9 | vn [Violine] | 0 | |||||||||||
| 39359 | Douglas | Geers | Oracle | 2017 | live-elec, 2 perf | 2 perf (improvising) [Performer] | 0 | ||||||||||||
| 39738 | Douglas | Geers | Ripples | 2016 | fixed media, akusmatisch | Douglas Geers | 0 | ||||||||||||
| 39740 | Douglas | Geers | Sapling | 2015 | live-elec, 1 perf | 10:00:00 | p [Piano] | Douglas Geers | 0 | ||||||||||
| 43003 | Douglas | Geers | Stolen Blues | 2013 | fixed media, akusmatisch | 5:00:00 | 0 | ||||||||||||
| 39737 | Douglas | Geers | Teach Sum, Cheat Sum | 2017 | live-elec, 3 perf | 2 ins, synt (voice synt) [Instrument, synthesizer] | Douglas Geers | 0 | |||||||||||
| 32085 | Douglas | Geers | Turnstile | 1999 | Zuspiel / Tonband, 1 perf | vn [Violine] | for violin with computer-generated sounds | SEAMUS EAM Vol. 10/ | 0 | ||||||||||
| 41509 | Douglas | Geers | Unspoken | 2003 | fixed media, akusmatisch | 1 | CPS 8744 Capstone/ | 0 | |||||||||||
| 5653 | Ron | Geesin | Doctored excerpt from "Ingoldsby Legends" | 1965 | fixed media, akusmatisch | 6:49 | Mono | PS C. London | 0 | ||||||||||
| 5654 | Ron | Geesin | Invention | 1966 | Zuspiel / Tonband, 1 perf | 1:42 | Mono | (3 jugs,) V [Stimme] | PS C. London | 0 | |||||||||
| 5655 | Ron | Geesin | Invention | 1966 | Zuspiel / Tonband, 1 perf | 2:17 | Mono | gui (banjo) [Gitarre] | PS C. London | 0 | |||||||||
| 5656 | Ron | Geesin | Short note from "Minister's Speech" | 1965 | fixed media, akusmatisch | 0:20 | Mono | PS C. London | 0 | ||||||||||
| 5657 | Ron | Geesin | The eye that nearly saw | 1966 | fixed media, akusmatisch | 5:00 | Mono | PS C. London | 0 | ||||||||||
| 5658 | Hans | Gefors | Galionsfiguren | 1983 | Tanz, 2 perf | 17:43 | Stereo | S, e-gui [Sopran, Gitarre] | EMS Stockholm | 0 | |||||||||
| 5659 | Hans | Gefors | Minnas | 1982 | Zuspiel / Tonband, 1 perf, 1 group | inss [Instrument] | 0 | ||||||||||||
| 31789 | Christophe | Gehlen | Schwebungsebenen | 2003 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 31788 | Christophe | Gehlen | TMAMAT | 2003 | fixed media, akusmatisch | Stereo | ICEM Essen | 0 | |||||||||||
| 5660 | Rolf | Gehlhaar | Beckenstück | 1969 | live-elec, 6 perf | 19:00 | 6 amp Becken [Schlagzeug] | Cybele 960.303/ DegeM CD 06/ Feedback CD3/ | Feedback St | 1970 | Darmstadt | Feedback | 1 | ||||||
| 5661 | Rolf | Gehlhaar | Chronik 91 | 1991 | live-elec, 4 perf | 61:00 | 2 p, 2 perc [Piano, Schlagzeug] | 1991 | Donaueschingen | Feedback | 0 | ||||||||
| 5662 | Rolf | Gehlhaar | Clusps, swallowtails and butterflies | 1992 | Zuspiel, live-elec, 1 perf | 50:00 | amp Becken [Schlagzeug] | 1992 | Freiburg | Feedback | 0 | ||||||||
| 5664 | Rolf | Gehlhaar | Copernic Opera | 1987 | live-elec, 11 perf | intermedia || Tanz |
55:00 | Octo | 8 - 12 dancers [Tanz] | QUATRON / PACOM and SUSIE | LIMCA Auch | 0 | ||||||||
| 5663 | Rolf | Gehlhaar | Copernic Opéra | 1986 | Tanz, live-elec, | 70:00 | 1986 | Montpellier | Feedback | 0 | |||||||||
| 5665 | Rolf | Gehlhaar | Cybernet I | 1971 | intermedia | ∞ | interaktives musikalisches Enviroment | Feedback | 0 | ||||||||||
| 5666 | Rolf | Gehlhaar | Cybernet II | 1972 | intermedia | ∞ | interaktives musikalisches Enviroment | Feedback | 0 | ||||||||||
| 5667 | Rolf | Gehlhaar | Diagonal Flying | 1989 | live-elec, 2 perf | 34:00 | p, synt [Piano, synthesizer] | KTC 1127/ | Feedback | 0 | |||||||||
| 5668 | Rolf | Gehlhaar | Eichung | 1986 | live-elec, 3 perf | 45:00 | Quadro | 3 ins, (audience) [Instrument] | LIMCA Auch | 1986 | Bremen | Feedback | 0 | ||||||
| 5669 | Rolf | Gehlhaar | Free Fall | 1975 | fixed media, akusmatisch | Quadro | 0 | ||||||||||||
| 5670 | Rolf | Gehlhaar | Fünf deutsche Tänze | 1975 | Zuspiel / Tonband, 3 perf | 52:06 | Quadro, Octo | 2 str, p [Piano, Streicher] | WDR SEM | WDR 1976 | 20.2.1976 | WDR | Feedback | 0 | |||||
| 5671 | Rolf | Gehlhaar | Headpieces | 1988 | live-elec, 2 perf | 35:00 | 2 perf (Köpfe) [Performer] | e.Feedb | 0 | ||||||||||
| 23047 | Rolf | Gehlhaar | Hydraphonie | 1978 | Zuspiel, live-elec, 1 perf | ins [Instrument] | WDR SEM | WDR 1978 | 0 | ||||||||||
| 5672 | Rolf | Gehlhaar | Infra | 1985 | live-elec, 10 perf | ≈ 24:00 | 10 amp ins [Instrument] | Feedback | 0 | ||||||||||
| 5673 | Rolf | Gehlhaar | Klang=Raum | 1985 | intermedia, live-elec, | ∞ | Quadro | (audience) [] | LIMCA Auch | Feedback | 0 | ||||||||
| 5674 | Rolf | Gehlhaar | Klavierstück 1-2 | 1971 | live-elec, 1 perf | 25:00 | p [Piano] | 1971 | Saarbrücken | Feedback | 0 | ||||||||
| 5675 | Rolf | Gehlhaar | Le musicien maigré lui | 1985 | live-elec, | intermedia |
≈ | Quadro | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 5676 | Rolf | Gehlhaar | Man | 1975 | Zuspiel, live-elec, | Musiktheater |
0 | |||||||||||||
| 5677 | Rolf | Gehlhaar | Marèe | 1991 | live-elec, 6 perf | 16:00 | 6 perc [Schlagzeug] | 1991 | Metz | Feedback | 0 | ||||||||
| 35788 | Rolf | Gehlhaar | Multiverse | 2006 | live-elec, 1 perf | com [computer] | 4.11.2006 | HfMT Köln | 0 | ||||||||||
| 5678 | Rolf | Gehlhaar | Nairi | 1983 | live-elec, 1 perf | 17:00 | amp vn or va [Viola, Violine] | Feedback | 0 | ||||||||||
| 26364 | Rolf | Gehlhaar | OM-p | 2001 | Zuspiel / Tonband, 1 perf | 12:00 | V or ins [Stimme, Instrument] | more Versions: OM-d, -h, -m, -s, -n, -r, -c |
Feedback | 0 | |||||||||
| 5679 | Rolf | Gehlhaar | Origo | 1987 | live-elec, 5 perf | 23:00 | amp p, tpt, vc, perc, Kbd [Trompete, Piano, Keyboard, Schlagzeug, Cello] | 1987 | London | Feedback | 0 | ||||||||
| 5680 | Rolf | Gehlhaar | Particles | 1978 | live-elec, 1 perf, 1 group | 17:00 | S, ens [Sopran, Ensemble] | 1979 | Paris | Feedback | 0 | ||||||||
| 5681 | Rolf | Gehlhaar | Pas à pas - Musik für Ohren in Bewegung | 1981 | live-elec, 4 perf | ≈ 26:00 | 4 ins [Instrument] | IRCAM | 0 | ||||||||||
| 5682 | Rolf | Gehlhaar | Polymorph | 1978 | live-elec, 1 perf | 13:00 | b-cl, (delay) [Klarinette] | KTC 1127/ | 1978 | Brüssel | Feedback | 0 | |||||||
| 5684 | Rolf | Gehlhaar | Rondell | 1975 | live-elec, 1 perf | 12:00 | trbn, (delay) [Posaune] | KTC 1127/ | 1975 | Amsterdam | Feedback | 0 | |||||||
| 5685 | Rolf | Gehlhaar | Singularité | 1986 | Zuspiel / Tonband, 3 perf | 25:00 | Quadro | 2 cl, trbn [Klarinette, Posaune] | QUATRON / PACOM and SUSIE | LIMCA Auch | Feedback | 0 | |||||||
| 5686 | Rolf | Gehlhaar | Solipse | 1974 | live-elec, 1 perf | 14:00 | vc, (delay) [Cello] | Attacca Babel 9369/ KTC 1127/ | 1974 | Bremen | Feedback | 0 | |||||||
| 5687 | Rolf | Gehlhaar | Som=Espaço | 1987 | live-elec, | intermedia |
≈ | Quadro | (audience) [] | QUATRON and SUSIE | LIMCA Auch | 0 | ||||||||
| 5688 | Rolf | Gehlhaar | Son=Espace (Klang=Raum) | 1986 | live-elec, | ≈ | Quadro | (audience) [] | QUATRON / PACOM and SUSIE | LIMCA Auch | Feedback | 0 | |||||||
| 5689 | Rolf | Gehlhaar | Strange Attractor | 1991 | live-elec, 1 perf | 23:00 | 1 actor [Schauspieler] | Feedback | 0 | ||||||||||
| 5690 | Rolf | Gehlhaar | Sub Rosa | 1980 | fixed media, akusmatisch | 18:00 | Quadro | CERM Metz | 1980 | Lille | Feedback | 0 | |||||||
| 5691 | Rolf | Gehlhaar | Sudden Adventures | 1988 | Tanz, live-elec, 2 perf | 55:00 | 2 dancer [Tanz] | Feedback | 0 | ||||||||||
| 19174 | Rolf | Gehlhaar | Swallowtails | 1994 | live-elec, 1 perf | 6:00 | amp Becken [Schlagzeug] | Klang-Raum | Feedback 25 Jahre/ | Feedback St | 1 | ||||||||
| 5692 | Rolf | Gehlhaar | Wege | 1971 | live-elec, 3 perf | 13:00 | amp (verpacktes) p, 2 str [Piano, Streicher] | 1971 | Köln | Feedback | 0 | ||||||||
| 5695 | Rolf | Gehlhaar | Worldline | 1980 | live-elec, 4 perf | 27:00 | 4 V [Stimme] | 1980 | London (elec phoenix) | Feedback | 0 | ||||||||
| 42206 | Gunnar | Geisse | Rotor | 2011 | radiophon | 54 | BR | 13.5.2011 | BR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1538878&vi=15&SID | ||||||||
| 41999 | Gunnar | Geisse | Triptych | 2018 | live-elec, 1 perf | e-gui and com [Gitarre, computer] | 26.10.2018 | München | 0 | ||||||||||
| 31354 | Eva-Margarita | Geissler | Rufe ringsum | 1999 | fixed media, akusmatisch | 7:10:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31351 | Eva-Margarita | Geissler | Schritte | 1997 | fixed media, akusmatisch | 7:43:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 23781 | Jason Ernest | Geistweidt | A letter from the trenches of Adrianopolis… | 2004 | fixed media, akusmatisch | 9:06 | Stereo | CAP 22057/ | SARC Belfast | emsPrize 2004 | 1 | ||||||||
| 25905 | Jason Ernest | Geistweidt | Combine (after Rauschenberg) | 2006 | fixed media, akusmatisch | 11:33 | Octo | SARC Belfast | 2006 | Sonorities Festival Belfast | 0 | ||||||||
| 5696 | Han van | Gelder | Glas | 1958 | Film | 2:30 | Mono | TH Delft | 0 | ||||||||||
| 5697 | Martin | Gellhorn | … and now let's play through to the end … | 1972 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 5698 | Martin | Gellhorn | Compression ICES | 1972 | fixed media, akusmatisch | Uni York | 0 | ||||||||||||
| 5699 | Martin | Gellhorn | Feedback with Filter Modulation | 1973 | fixed media, akusmatisch | Quadro | Uni Cardiff | 0 | |||||||||||
| 5700 | Martin | Gellhorn | Mandala | 1974 | fixed media, akusmatisch | Quadro | Goldsmith London, UEA Norwich | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 5701 | Vittorio | Gelmetti | Deserto Rosso | 1964 | Film | 15:00 | Mono | Poste Roma | 0 | ||||||||||
| 5702 | Vittorio | Gelmetti | Due studi | 1961 | fixed media, akusmatisch | 7:00 | Mono | basato su "Varianze" e "Tensioni" | Poste Roma | 0 | |||||||||
| 5703 | Vittorio | Gelmetti | Eine kleine K Musik | 1979 | Zuspiel / Tonband, 1 perf | p [Piano] | 0 | ||||||||||||
| 5704 | Vittorio | Gelmetti | Intersezioni II, (in memoriam Edgard Varèse) | 1965 | fixed media, akusmatisch | 12:24 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 5705 | Vittorio | Gelmetti | Intersezioni III, (in memoriam Edgard Varèse) | 1965 | Zuspiel / Tonband, 1 perf | 8:20 | Stereo | V [Stimme] | Fonologia Firenze | 0 | |||||||||
| 22270 | Vittorio | Gelmetti | L’opera abbandonata tace e volge la sua cavità verso I'esterno | 1969 | fixed media, akusmatisch | 23:03 | Nepless CO 971 1003/ IDEAMA CD 044/ | Expst Warsaw | Polish Radio | 1 | |||||||||
| 32745 | Vittorio | Gelmetti | Marta, studio da concerto | 1980 - 1981 | Zuspiel / Tonband, 1 perf | perc [Schlagzeug] | 0 | ||||||||||||
| 5707 | Vittorio | Gelmetti | Misure I | 1959 | fixed media, akusmatisch | 5:00 | Mono | Stato Roma | 0 | ||||||||||
| 5708 | Vittorio | Gelmetti | Modulazioni per Michelangelo I | 1964 | Hintergrundmusik | 15:00 | Mono | Poste Roma | 0 | ||||||||||
| 5709 | Vittorio | Gelmetti | Modulazioni per Michelangelo II | 1965 | fixed media, akusmatisch | 8:00 | Stereo | Fonologia Firenze | 0 | ||||||||||
| 22269 | Vittorio | Gelmetti | Modulazioni per Michelangiolo | fixed media, akusmatisch | 15:20 | Nepless CO 971 1003/ | Lab Telecom Roma | 1 | |||||||||||
| 5710 | Vittorio | Gelmetti | musica per disco "Scrittori su nastro II" | 1965 | fixed media, akusmatisch | 9:34 | Mono | NuC/ | Fonologia Firenze | 0 | |||||||||
| 5711 | Vittorio | Gelmetti | Nous irons à Tahiti | 1965 | Film | 13:00 | Mono | Nepless CO 971 1003/ | Fonologia Firenze | 1 | |||||||||
| 5712 | Vittorio | Gelmetti | Organum quadruplum "questo è il gatto con gli stivali" | 1967 | Zuspiel / Tonband, 1 perf, 1 group | 14:52 | Stereo | org, ch [Orgel, Chor] | MEV Roma | 0 | |||||||||
| 5714 | Vittorio | Gelmetti | Short | 1968 | Zuspiel / Tonband, 1 perf, 1 group | S, ens, slides [Sopran, Ensemble] | 0 | ||||||||||||
| 5715 | Vittorio | Gelmetti | Studio II – Energia e tempo | 1960 | fixed media, akusmatisch | 3:55 | Poste Roma | 0 | |||||||||||
| 5716 | Vittorio | Gelmetti | Tensioni | 1961 | fixed media, akusmatisch | 5:00 | Poste Roma | 0 | |||||||||||
| 5717 | Vittorio | Gelmetti | Traumdeutung | 1967 | Zuspiel / Tonband, 4 perf | Stereo | 4 amp V [Stimme] | MEV Roma | Nepless CO 971 1003/ | 1 | |||||||||
| 5718 | Vittorio | Gelmetti | Treni d'onda a Modulazione di Intensità | 1963 | fixed media, akusmatisch | 10:45 | Nepless CO 971 1003/ IDEAMA CD 017/ | Poste Roma | 1 | ||||||||||
| 5719 | Vittorio | Gelmetti | Varianze | 1960 | fixed media, akusmatisch | 4:00 | Mono | Stato Roma | 0 | ||||||||||
| 5713 | Vittorio, Group | Gelmetti, Musica Elettronica Viva | Prossimamente | 1966 | Musiktheater | 21:10 | Stereo | MEV Roma | 0 | ||||||||||
| 5720 | Géza | Gémesi | Variations | 1982 | fixed media, akusmatisch | 5:25 | Stereo | MR Budapest | 0 | ||||||||||
| 36541 | Paolo | Geminiani | Assonanze | fixed media, akusmatisch | 9:10 | Accademia Musicale Pescarese/ | 0 | ||||||||||||
| 24124 | Paolo | Geminiani | Cantus | 2001 | Zuspiel, live-elec, 14 perf | 11:48 | Stereo | 2 fl, cl, b-cl, bn, 4 perc, str-qt, db [Flöte, Klarinette, Fagott, Schlagzeug, Kontrabass, Streicher] | Tempo Reale Firenze | 0 | |||||||||
| 40173 | Paolo | Geminiani | Gesture without motion | 2016 | fixed media, akusmatisch | Paolo Geminiani | 0 | ||||||||||||
| 40172 | Paolo | Geminiani | Risonanze erranti (Multivision by Giulia Zoli Carlo Conti) | 2016 | audiovisuell | Paolo Geminiani | 0 | ||||||||||||
| 40827 | Paolo | Geminiani | Risonanze Metalliche I | 2012 | fixed media, akusmatisch | 3:39 | CLS 170901/ | 0 | |||||||||||
| 40830 | Paolo | Geminiani | Risonanze Metalliche III | 2013 | fixed media, akusmatisch | 4:20 | CLS 170902/ | 0 | |||||||||||
| 34666 | Carla | Genchi | Paintings And A Tv Set | 2016 | Klangkunst, Installation | ∞ | SMC2016, HAW Copeco: Carla Genchi |
0 | |||||||||||
| 34644 | Carla | Genchi | Personal Atlas | 2016 | Zuspiel, live-elec, 3 perf | perc (crotales, video disk), e-gui, V [Stimme, Gitarre, Schlagzeug] | SMC2016 | 0 | |||||||||||
| 35638 | Martìn | Gendelman | Reflejos | 2012 | Zuspiel / Tonband, 1 perf | 5:36 | cl [Klarinette] | 0 | |||||||||||
| 5721 | Normand | Gendron | Centrifuge | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 5722 | Normand | Gendron | Maple Truffé | 1986 | fixed media, akusmatisch | 9:26 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5723 | Normand | Gendron | Neila | 1984 | fixed media, akusmatisch | 10:54 | Stereo | Concordia Montréal | 0 | ||||||||||
| 5724 | Normand | Gendron | Rondooooo | fixed media, akusmatisch | Stereo | Concordia Montréal | 0 | ||||||||||||
| 25574 | Priscille | Gendron | Camille | 2005 - 2006 | fixed media, akusmatisch | 7:37 | Stereo | JTTP 2006 | CEC Cache 2006, PeP 011/ | winner JTTP 2006 1. prize | 1 | ||||||||
| 5725 | Armando | Gentilucci | Che voi pensiate | 1975 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 34925 | Armando | Gentilucci | Come qualcosa palpita nel fondo | 1973 | Zuspiel / Tonband, 1 perf | vn [Violine] | Fonologia Milano | 0 | |||||||||||
| 5726 | Armando | Gentilucci | E sgomenti vediamo | 1974 | fixed media, akusmatisch | Fonologia Milano | 0 | ||||||||||||
| 32746 | Armando | Gentilucci | Molteplice | 1976 - 1977 | Zuspiel / Tonband, 3 perf | vn, vc, p [Piano, Cello, Violine] | 0 | ||||||||||||
| 42757 | Marta | Gentilucci | As Far as the Eye Can See | 2012 | live-elec, 1 perf | 10:00:00 | perc [Schlagzeug] | Sarah Mullins, percussion | 0 | ||||||||||
| 40064 | Marta | Gentilucci | Lob der Ferne | 2015 | fixed media, akusmatisch | 4:32:00 | Marta Gentilucci | 0 | |||||||||||
| 5727 | Group | Gentle Fire | Dart River Enviroment ("River Concert") | 1972 | Zuspiel / Tonband, 5 perf | ≈ 60:00 | Quadro | 5 or more perf [Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5728 | Group | Gentle Fire | Group Composition I | 1970 | live-elec, 6 perf | 21:00 | Stereo, Octo | 6 perc [Schlagzeug] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5729 | Group | Gentle Fire | Group Composition II | 1971 | live-elec, 5 perf | ≈ 25:00 | Quadro | 5 perf, (2 tape-loops) [Performer] | rev. 1972 as "Group Compo V" Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton |
PS Davies | 0 | ||||||||
| 5730 | Group | Gentle Fire | Group Composition III | 1971 | live-elec, 5 perf | ≈ 30:00 | Quadro | 5 perf, (invented ins) [Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5731 | Group | Gentle Fire | Group Composition IV, music for glastonbury fair | 1971 | live-elec, 5 perf | ≈ 60:00 | Quadro | 5 perf, (invented ins) [Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5732 | Group | Gentle Fire | Group Composition V | 1972 | live-elec, 5 perf | ≈ 25:00 | Quadro | 5 perf, (2 tape-loops) [Performer] | rev. from Group Compo II Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton |
PS Davies | 0 | ||||||||
| 5733 | Group | Gentle Fire | Group Composition VI, ("unfixed Parities") | 1972 | live-elec, 6 perf, 1 group | ≈ 40:00 | Quadro | 5 perf, Vs [Stimme, Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 5734 | Group | Gentle Fire | Piano Concert | 1973 | live-elec, 5 perf | ≈ 70:00 | Quadro | 3 - 5 perf [Performer] | Richard Bernas, Hugh Davies, Patrick Harrex, Graham Hearn, Stuart Jones, Richard Orton | PS Davies | 0 | ||||||||
| 42437 | Harald | Genzmer | Basssolo für Trautonium | 1936 | live-elec, 1 perf | synt (Trautonium) [synthesizer] | Juli 1936 | HfM Berlin, Oskar Sala | 0 | ||||||||||
| 42436 | Harald | Genzmer | Capriccio trautonico | 1935 | live-elec, 1 perf | synt (Trautonium) [synthesizer] | 28.11.1935 | Berlin, Zoo Palast, Mit Oskar Sala | 0 | ||||||||||
| 5735 | Harald | Genzmer | Fantasie für Trautonium & Klavier | 1938 | Zuspiel, live-elec, 2 perf | 7:00 | Mono | p, mtr [Piano, synthesizer] | WER 60 113/ | 0 | |||||||||
| 5736 | Harald | Genzmer | Kantate | 1968/1972 | live-elec, 2 perf | 15:00 | Mono | S, mtr [Sopran, synthesizer] | ERA STU 70633 LP/ Creel Pone 08/ | PS Sala | 1 | ||||||||
| 5737 | Harald | Genzmer | Karneval von Venedig | 1938 | live-elec, 1 perf, 1 group | 12:00 | Mono | mtr, orc [synthesizer, Orchester] | after Paganini | WER 60 113/ | PS Sala | 0 | |||||||
| 5738 | Harald | Genzmer | Konzert für Mixturtrautonium und großes Orchester | 1952 | live-elec, 1 perf, 1 group | 25:00 | Mono | mtr, orc [synthesizer, Orchester] | RB; 5 Parts | WER 60 113/ WER 6266-2/ | PS Sala | 1 | |||||||
| 5739 | Harald | Genzmer | Konzert für Trautonium und Orchester | 1936, 1984 | live-elec, 1 perf, 1 group | 21:40 | Stereo | mtr, orc [synthesizer, Orchester] | 3 parts | WER 60 113/ WER 6266-2/ | PS Sala | 17.6.1936 | Weimar, 67. Tonkünstlerfest, Weimarische Staatskapelle, Dir. E. Nobbe | 1 | |||||
| 42438 | Harald | Genzmer | Musik für Trautonium und Blasorchester | 1941 | live-elec, 2 perf, 1 group | synt (Trautonium), w-orc [synthesizer, Bläser] | 28.11.1935 | Berlin, Reichstagung der Musikmeister des Heeres | 0 | ||||||||||
| 5740 | Harald | Genzmer | Tanzsuite, Courante Variante Sarabande Ostinato |
1959 | fixed media, akusmatisch | 12:00 | Mono | ERA STU 70633 LP/ Creel Pone 08/ | PS Sala | 1 | |||||||||
| 37635 | Karl Friedrich | Gerber | Antriebe | 2017 | Performance | (mechanical) ins („experimenteller Violinautomat“) [Instrument] | 30.9.2017 | Akademie der Künste Berlin, Kontakte17 | 0 | ||||||||||
| 24807 | Karl Friedrich | Gerber | Beautiful Numbers | 1993 | fixed media, akusmatisch | 10:44 | LDC 278068/69 Cultures Electroniques 12/ | 0 | |||||||||||
| 29530 | Karl Friedrich | Gerber | Doomsday - Algorithmische Komposition | fixed media, akusmatisch | 3 | Stereo | #@$ - 11 Mal Elektronische Musik aus München/ | 0 | |||||||||||
| 42444 | Karl Friedrich | Gerber | Installation für Violinautomat | 2018 | Klangkunst, Installation | Weltmusiktage 2019 Tallinn | 0 | ||||||||||||
| 41998 | Karl Friedrich | Gerber | Jahr Sechs eines Work-In-Progress | 2018 | Performance | (mechanical) ins („experimenteller Violinautomat“) [Instrument] | 26.10.2018 | München | 0 | ||||||||||
| 23289 | Karl Friedrich | Gerber | Stream | 2000 | fixed media, akusmatisch | 6:47 | improvisierte Klänge | Cybele 960.207 DegeM CD 07/ |
1 | ||||||||||
| 40349 | Zuriñe | Gerenabarrena | FYR | 2017 | fixed media, akusmatisch | 16 Tracks, Quadro | Zuriñe Gerenabarrena | 0 | |||||||||||
| 41630 | Jean-Luc | Gergonne | Petit nouveau | 2006 | fixed media, akusmatisch | 30:00:00 | Musiques et Recherches Ohain | 0 | |||||||||||
| 5741 | Roberto | Gerhard | A Leak in the Universe | 1955 | Zuspiel / Tonband, 1 group | 10:00 | Mono | ens [Ensemble] | PS C. Cambridge | 0 | |||||||||
| 5742 | Roberto | Gerhard | All Aboard | 1958 | Film | 5:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5743 | Roberto | Gerhard | Asylum Diary | 1959 | radiophon | 75:00 | Mono | PS C. Cambridge, BBC | 0 | ||||||||||
| 5744 | Roberto | Gerhard | Audiomobile No. 2 DNA | 1963 | fixed media, akusmatisch | Film |
8:57 | Mono | film: DNA in a reflection | Laboratory of Molecular Biology, Cambridge Uni | 0 | |||||||||
| 31287 | Roberto | Gerhard | Audiomobiles I - IV, In the manner of Goya Sculpture DNA in reflection Sculpture |
1958 - 1967 | fixed media, akusmatisch | 21 | SR 378 sub rosa/ | PS C. Cambridge | 0 | ||||||||||
| 5745 | Roberto | Gerhard | Caligula | 1960/1961 | fixed media, akusmatisch | radiophon |
4:40 | Mono | 2 versions | SR 378 sub rosa/ | PS C. Cambridge | 0 | ||||||||
| 5746 | Roberto | Gerhard | Collages, Symphony No. 3 | 1960/1967 | Zuspiel / Tonband, 1 group | 19:00 | Mono | orc [Orchester] | rev. 67 as Symphony No. 3 | HMV ASD 2427/ Auvidis V4660/ Angel S 36558/ | BBC, PS C. | 0 | |||||||
| 5747 | Roberto | Gerhard | Coriolanus | 1959 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 34070 | Roberto | Gerhard | DNA in Reflection | 1963 | Film | 9 | Mono | Laboratory of Molecular Biology, Cambridge Uni | 0 | ||||||||||
| 5748 | Roberto | Gerhard | King Lear | 1955 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5749 | Roberto | Gerhard | Lament of the Dead of a Bullfighter | 1959 | Zuspiel / Tonband, 1 perf | 12:58 | Mono | Sp [Sprecher] | after the poem by Federico García Lorca „Llanto por Ignacio Sánchez Mejías“ (1934) | SR 378 sub rosa/ | BBC | BBC | 0 | ||||||
| 5751 | Roberto | Gerhard | Macbeth | 1962/1964 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5752 | Roberto | Gerhard | Pericles | 1958 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5753 | Roberto | Gerhard | Sculpture I | 1963 | Klangkunst, Installation | 4:18 | Mono | brass rods by J. Youngman | PS C. Cambridge | 0 | |||||||||
| 5754 | Roberto | Gerhard | Sculpture II – V | 1967 | Klangkunst, Installation | brass rods by J. Youngman | PS C. Cambridge | 0 | |||||||||||
| 5756 | Roberto | Gerhard | The Anger of Achilles | 1963 | radiophon | 110:00 | Mono | orc [Orchester] | BBC, PS Gerhard | Prix Italia 1965 | 0 | ||||||||
| 5758 | Roberto | Gerhard | The Cherry Orchard | 1961 | Zuspiel / Tonband, 1 group | 40:00 | Mono | ens [Ensemble] | PS C. Cambridge | 0 | |||||||||
| 5759 | Roberto | Gerhard | The Overcoat | 1961 | radiophon | 15:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5760 | Roberto | Gerhard | The Prisoner | 1954 | Theatermusik | 40:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5761 | Roberto | Gerhard | The strange country | 1957 | radiophon | 28:30 | Mono | PS C. Cambridge | 0 | ||||||||||
| 5762 | Roberto | Gerhard | Your Skin | 1958 | Film | 5:00 | Mono | PS C. Cambridge | 0 | ||||||||||
| 42111 | Ulrich | Gerhardt | Übergang über die Beresina | 1993 | radiophon | 90:10 | BR | 9.7.1993 | BR München | Karl-Sczuka-Preis 1993 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1378109&vi=2&SID | |||||||
| 5763 | Gunnar, Åse | Germeten, Hedstrøm | Val Hall | 1976 | fixed media, akusmatisch | 5:20 | Stereo | Sonology Utrecht | 0 | ||||||||||
| 42112 | Gabriel, Pierre | Germinet, Cusy | Maremoto | 1924, 1949, 1962 | radiophon | Les Noces d’Argent du théâtre radiophonique, (RTF) 1949; Deutsche Fassung HR 1962 |
Radio Paris, Les Noces d’Argent du théâtre radiophonique, (RTF), HR | 18.6.1962 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4957486&vi=2&SID | ||||||||
| 5764 | Camille | Germser | Chronologie | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5765 | Camille | Germser | Home | 1990 | fixed media, akusmatisch | version définitive | CNR Lyon | 0 | |||||||||||
| 5767 | Camille | Germser | Tout va bien | 1989 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 5766 | Camille, A. | Germser, Tournier | Satire anatomique | 1988 | fixed media, akusmatisch | CNR Lyon | 0 | ||||||||||||
| 20219 | Graeme | Gerrard | Anistropy (Lumps in the Gavity) | 1991 | fixed media, akusmatisch | 3:00 | Stereo | ACMA/ | 0 | ||||||||||
| 18827 | Graeme | Gerrard | Birdbrain, excerpt from Think Out Loud | 1990 | fixed media, akusmatisch | 5:48 | Mac II, Sound Tools, M | ISAST LMJ 1/ | 1 | ||||||||||
| 5769 | Chaia | Gerstein | In a big field | 1970 | fixed media, akusmatisch | 8:30 | Quadro | Sonology Utrecht | 0 | ||||||||||
| 38942 | Clara | Gervais | Tombeau de M. H. | 2018 | Zuspiel / Tonband, 4 perf | Sp, str-trio [Sprecher, Streicher] | mit Ausschnitten aus Michael Hirschs Hörstücke „Der Schlaf. Eine nächtliche Szene“ | 27.05.2018 | UdK Berlin, crescendo 2018 | 0 | |||||||||
| 25451 | Anna Maria | Gervasio | Calvario Metafisico | 2001 | Zuspiel / Tonband, 2 perf | 7:13 | Stereo | fl, p [Flöte, Piano] | EMF 047/ | HfM Vincenzo Bellini Catania | 1 | ||||||||
| 5770 | Thomas | Gerwin | 1944-1952: Schau-Platz Südwest. "Hörstücke", Töne einer Ausstellung | 1992 | radiophon | 60:00 | Stereo | coproduction with Haus der Geschichte Baden-Württemberg | ZKM Karlsruhe | Haus der Wirtschaft Stuttgart | 1992 | Haus der Wirtschaft Stuttgart | 1 | ||||||
| 21603 | Thomas | Gerwin | 6 Aphorismen | 1998 | fixed media, akusmatisch | 2:14 | aus: Akustischer Weltatlas im ZKM | CEC Presence 2/ | iap | 1 | |||||||||
| 29540 | Thomas | Gerwin | 8 Portholes, 8 interaktive multisensoriale Installationen im "Tunnel of Reflections" | 2000 | Klangkunst, Installation | iap | EXPO 2000 Hannover | 1.Juni - 31.Oktober 2000 | EXPO 2000 Hannover | 0 | |||||||||
| 29637 | Thomas | Gerwin | Ad hoc | 2011 | live-elec, 2 perf | org, perc [Orgel, Schlagzeug] | Orgel, Holzschlitztrommel, Granitsplitter, Schüttelratsche, Suano-Gecko und Live-Elektronik | 28. September 2011 | „KlangWelten ad hoc spezial“ durch Antje Vowinckel, Thomas Gerwin (Schlagwerk, Live-Elektronik) | 0 | |||||||||
| 5774 | Thomas | Gerwin | Alice | 1988 | Tanz, 1 perf | 8:30 | dancer [Tanz] | HfM Stuttgart | 1987 | "Radio Syndikat international" documenta 8 in Kassel | 0 | ||||||||
| 29561 | Thomas | Gerwin | Alles ist gesagt | 2003 | radiophon | 30:02 | Hörspielmusik zum gleichnamigen Hörspiel von Strephan Krass und Ulrich Lampen Sprecher: Ellen Schulz, Thomas Herwig, Wolfram Kondrus Ton: Wolfgang Rein, Schnitt: Bibi Kottkamp, Regieassistenz: Constanze Renner, Musik: Thomas Gerwin |
SWR Baden-Baden, iap | SWR Baden-Baden | 25.9.2003 | "RadioArt Hörspiel" SWR | nominiert für den Hörspielpreis der Kriegsblinden 2004 | 0 | ||||||
| 29533 | Thomas | Gerwin | Alles, was ein Mensch braucht… | 1990 | fixed media, akusmatisch | 3:22 | Sylvia Alvarez de la Fuente, Thomas Gerwin | HfM Stuttgart | 0 | ||||||||||
| 29562 | Thomas | Gerwin | Amour fou | 2003 | Klangkunst, Installation | iap | 25.4.-6.6.2003 | Ausstellung "MAKING SENSE II" abbraccio-Galerie Berlin | 0 | ||||||||||
| 5771 | Thomas | Gerwin | Aphorismen | 1986/1989 | Zuspiel / Tonband, 1 perf | fl [Flöte] | Tübingen | 1990 | Edition Modern / Tre Media Musikverlage | 0 | |||||||||
| 5772 | Thomas | Gerwin | Aphorismen, 5 Szenen für 3 Sprecher/innen, Tonband und Requisiten | 1988/1989 | Zuspiel, Performance, 3 perf | 3 Sp [Sprecher] | Requisiten | 1989 | "Atelierhaus Filderstraße" in Stuttgart | Edition Modern / Tre Media Musikverlage | 0 | ||||||||
| 5773 | Thomas | Gerwin | Aphorismen, 7 Szenen für Streichquartett, 4-Kanal-Tonband und Tanz | 1989/1991 | Zuspiel/Tonband, 5 perf | intermedia |
Quadro | str-qt, dancer [Streicher, Tanz] | 6. Satz "Ein Tropfen Mondgestein" 7:18 für 2 Tänzer und Tonband | HfM Stuttgart | 1990 | Welt-Typographie-Kongress, Theaterhaus Stuttgart | Edition Modern / Tre Media Musikverlage | 0 | ||||||
| 29587 | Thomas | Gerwin | apple p.m. | 2006 | Film | audiovisuell |
8:20 | PS Kallenberger, iap | 7.-14. September 2006 | "permanent moving" Berlin | 0 | |||||||||
| 29545 | Thomas | Gerwin | Apropos | 2001 | Film | 5:30 | Experimenteller Kurzfilm Koproduktion mit Adam Geczy, Sydney |
iap | 0 | ||||||||||
| 29588 | Thomas | Gerwin | area contra punctus 1 | 2006 | Film | 1:00 | Kurzfilm in Zusammenarbeit mit Adam Geczy, Sydney | iap | 0 | ||||||||||
| 29589 | Thomas | Gerwin | area contra punctus 2 | 2006 | Film | 12:50 | Kurzfilm, auch als Video-Klang-Installation in Kombination mit "acp3", in Zusammenarbeit mit Adam Geczy, Sydney | iap | 0 | ||||||||||
| 29590 | Thomas | Gerwin | area contra punctus 3 | 2006 | audiovisuell | loop 6:00 | Octo | str orc [Orchester] | 3-8 Video-Monitore und 8 Lautsprecher in Zusammenarbeit mit Adam Geczy, Sydney | iap | 0 | ||||||||
| 29618 | Thomas | Gerwin | Area Contra Punctus 4 | 2009 | audiovisuell, 11 perf | 30:50 | fl, ob, b-cl, 2 vn, vc, 2 p, vib, 2 mar [Flöte, Klarinette, Oboe, Piano, Schlagzeug, Cello, Violine] | iap | 19.9.2009 | "Internationalen Minimal-Festival 2009" in Kassel mit "in process" unter der Leitung von Ulli Götte | 0 | ||||||||
| 29627 | Thomas | Gerwin | Area Contra Punctus 6 | 2009/2011 | audiovisuell | ≈ 10:30 | 14 perf [Performer] | Video von Adam Geczy zur Neubearbeitung des letzten Satzes von „Area contra Punctus (ACP) 3” | 1. Oktober 2011 | beim Internationalen Klangkunstfest Berlin gespielt von „in process" | 0 | ||||||||
| 37636 | Thomas | Gerwin | BIG BAN | 2015 - 2017 | live-elec, 1 perf | prep gui (banjo) [Gitarre] | 30.9.2017 | Akademie der Künste Berlin, Kontakte17 | 0 | ||||||||||
| 29609 | Thomas | Gerwin | Brise tiefblau | 2008 | Klangkunst, Installation | 21. Juni 2008 | "Kieler Woche" im Rahmen der Ostsee-Biennale 2008 | 0 | |||||||||||
| 23789 | Thomas | Gerwin | Computer Music | 2004 | radiophon | 14:50:00 | 5 tracks | Ton: Nikolaus Löwe, Komposition und Regie: Thomas Gerwin | inter art project/ | iap, Radio RBB | RBB Internationale Radiokunst: Andreas Hagelüken | 12.7.2004 um 21:05 Uhr | RBB KulturRadio | 1 | |||||
| 29591 | Thomas | Gerwin | corrente…b | 2006 | fixed media, akusmatisch | iap | 2006 | "L'eau" Festival "Synthése 06" GMEB Bourges | 0 | ||||||||||
| 29599 | Thomas | Gerwin | corrente…b | 2006/2010 | Tanz | fixed media, akusmatisch |
6:22 | Octo | optional with dancer | 5. Juni 2010 | Wang Theatre Stonybrook University bei der "International Computer Music Conference 2010" New York | 0 | ||||||||
| 29610 | Thomas | Gerwin | Das Land der Menschen | 2008 | radiophon | 46:00 | 3 gui, (elec) [Gitarre] | Musik für das gleichnamige Hörspiel von Julie Zeh Regie: Iris Drögekamp, Redaktion: Uta-Maria Heim, Produktion SWR 2008. Erscheint als Hörbuch. |
SWR Baden-Baden | SWR | 0 | ||||||||
| 29537 | Thomas | Gerwin | Das Nurk | 1999 | Klangkunst, Installation | iap | Galerie Espace Karlsruhe | 3.11.1999-21.1.2000 | "Thomas Gerwin - Welt klingt / world sounds" Galerie Espace Karlsruhe | 0 | |||||||||
| 29553 | Thomas | Gerwin | Dead Flow/Fluss | 2002 | Klangkunst, Installation | audiovisuell |
11:10 | Koproduktion mit Adam Geczy, Sydney - mit freundlicher Unterstützung des Goethe-Instituts Sydney? | iap | 4.-27.April 2002 | Artspace Sydney, Australien | 0 | ||||||||
| 29563 | Thomas | Gerwin | Der Ausbruch des Vesuvs und andere 'Unverständliche Geschichten' von Alfred Döblin | 2003 | radiophon | 52:20 | SWR Baden-Baden, iap | SWR | 14.8.2003 | "RadioArt Hörspiel" SWR | 0 | ||||||||
| 29628 | Thomas | Gerwin | Der Stein der Weisen | 2010 | radiophon | 21:16 | Tschechischer Rundfunk (Red. M. Rataj) | 18.12.2010. | Tschechischer Rundfunk | 0 | |||||||||
| 29619 | Thomas | Gerwin | Der Wechsel menschlicher Sachen | 2009 | radiophon | Kombinatorische Barocklyrik zum Klingen gebracht | SWR Baden-Baden | SWR | 0 | ||||||||||
| 29580 | Thomas | Gerwin | Die Alchemie der 4 Elemente | 2005 | live-elec, 5 perf | radiophon |
53:47 | fl, Flügelhorn, vc, vib, p [Flöte, Horn, Piano, Schlagzeug, Cello] | iap | Deutschlandradio Berlin, Redaktion: Götz Naleppa | 4. März 2005 | 0 | ||||||||
| 29541 | Thomas | Gerwin | Die Aneignung des Raumes durch die Zeit | 2000 | Klangkunst, Installation | 30:00 | Quadro + Stereo | iap | "Sound Art Buch" Sommer 2000 | 2000 | Berlin Buch | 0 | |||||||
| 29581 | Thomas | Gerwin | Die Gewalt des Gesangs in Nevada | 2005 | radiophon | 51:22 | Text after Ror Wolf | SWR Baden-Baden, iap | SWR | 30. Juni 2005) | "RadioArt Hörspiel" SWR | 0 | |||||||
| 24503 | Thomas | Gerwin | Die Glocken von Notre Dame | 1986 | fixed media, akusmatisch | 1986 | "Art Wave Ensemble 3" Stadthalle Esslingen | 0 | |||||||||||
| 29554 | Thomas | Gerwin | Die Quelle im geschlossenen Tal | 2002 | radiophon | 58:40 | Stereo | HR | HR, Redaktion Manfred Hess | 9.5.2003 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1441136&vi=137&SID | ||||||
| 21165 | Thomas | Gerwin | Die Schwelle ins 21. Jahrhundert, skulptural/interaktive Video-/Klanginstallation | 1999 | Klangkunst, Installation | intermedia |
∞ | Stereo | iap | Badisches Landesmuseum | 10.12.1999 -7. Mai 2000 | "Jahrhundertwenden 1000-2000 / Rückblicke in die Zukunft" im Karlsruher Schloß | 0 | |||||||
| 5777 | Thomas | Gerwin | Dingklang-Klangding, 3 Praeludia, Fuga und Epilog für Tonband | 1993 | fixed media, akusmatisch | 15:23 | ZKM Karlsruhe | 1994 | FUTURA '94 Crest-sur-Drome, Frankreich | 1 | |||||||||
| 29534 | Thomas | Gerwin | Doch die Freiheit, die kommt wieder | 1994 | Klangkunst, Installation | ZKM Karlsruhe | 30.Juni-13. November 1994 | gleichnamigen Ausstellung des Hauses der Geschichte Baden- Württemberg in Ulm | 0 | ||||||||||
| 29592 | Thomas | Gerwin | e-scape No. 3 | 2006 | Zuspiel / Tonband, 1 perf | 17:21 | Octo | perc [Schlagzeug] | 12. Oktober 2006 | "An Ear to the Earth" EMF-Festival at 3-Legged Dog, New York City | 0 | ||||||||
| 29611 | Thomas | Gerwin | e-scape No.5 | 2008 | live-elec, 1 perf | 11:00 | perc [Schlagzeug] | iap | 29. November 2008 | Pyramidale Berlin | 0 | ||||||||
| 29620 | Thomas | Gerwin | ebene_zeit.tropfen | 2009 | Klangkunst, Installation | audiovisuell |
iap | 0 | ||||||||||||
| 5778 | Thomas | Gerwin | Ein Liebes Film | 1983 | intermedia | 3 slide-proj. | 1983 | Rathauskonzert 1983 in Tübingen | 0 | ||||||||||
| 29621 | Thomas | Gerwin | Ein Stück Plastik-Musik | 2009 | Zuspiel, Performance, 2 perf | 10:03 | 2 perf [Performer] | iap | 12.9.2009 | "Internationalen Klangkunstfest _tiefKLANG 2009" Berlin mit Michael Baumeister und TG. | 0 | ||||||||
| 5779 | Thomas | Gerwin | Elegie | 1986/1988 | live-elec, 5 perf | S, synt, va, b-cl, perc [Sopran, Klarinette, Schlagzeug, Viola, synthesizer] | Modern | 0 | |||||||||||
| 5780 | Thomas | Gerwin | Epilogon | 1995 | fixed media, akusmatisch | 2:01 | Stereo | CEC DISContact_1/ | ZKM Karlsruhe | 1 | |||||||||
| 29538 | Thomas | Gerwin | Essential | 1999 | Klangkunst, Installation | iap | Galerie Espace Karlsruhe | 3.11.1999-21.1.2000 | "Thomas Gerwin - Welt klingt / world sounds" Galerie Espace Karlsruhe | 0 | |||||||||
| 29542 | Thomas | Gerwin | European Sound Atlas, Interaktive Klang-Licht-Installation | 2000 | Klangkunst, Installation | audiovisuell |
iap | EXPO 2000 Hannover | 1.Juni - 31.Oktober 2000 | Pavillon der Europäischen Union auf der EXPO 2000 Hannover | 0 | |||||||||
| 24504 | Thomas | Gerwin | Evolution II | 1986 | fixed media, akusmatisch | 1987 | Rathauskonzert Tübingen | 0 | |||||||||||
| 5781 | Thomas | Gerwin | EXPO 2000 - Klangbild '95 | 1995 | fixed media, akusmatisch | 26:04 | Quadro + Quadro, Stereo | ZKM Karlsruhe | EXPO2000 Hannover GmbH | 0 | |||||||||
| 29612 | Thomas | Gerwin | farb_laut H > Atem_los | 2008 | Zuspiel / Tonband, 1 perf | 10:03 | tuba [Tuba] | iap | 9. Oktober 2008 | "Tubes of Babel" im Rahmen des Jahresprogramms der bgnm "Freundliche Übernahme" / Berlin | 0 | ||||||||
| 29629 | Thomas | Gerwin | Fern-R-Ohr | 2010 | Zuspiel / Tonband, 2 perf | S, perc [Sopran, Schlagzeug] | 2010 | "Diagonale" 2010 in Bielefeld mit Katia Guedes und TG | 0 | ||||||||||
| 29639 | Thomas | Gerwin | Feuer laut_bewegt | 2011 | Performance, live-elec, 2 perf | ≈ 11:00 | perc, (elec), dance [Schlagzeug, Tanz] | 15. Oktober 2011 | Internationalen Klangkunstfest Berlin durch Iris Sputh und Thomas Gerwin | 0 | |||||||||
| 29564 | Thomas | Gerwin | Feuer-Werk | 2003 | radiophon | 48:14 | Surround 5.1 | Ton: Daniel Velasco-Schwarzenberger, Schnitt: Werner Jäger, Komposition und Regie: Thomas Gerwin | WDR Studio Akustische Kunst, iap | WDR Studio Akustische Kunst, Markus Heuger | 27.9.2003 um 23:05 Uhr | WDR2 "Akustische Kunst" | 0 | ||||||
| 23790 | Thomas | Gerwin | Feuer-Werk 17 | 2004 | radiophon | Klangkunst, Installation |
12:43 | 5 tracks | Elektroakustische Soundscape Komposition. Re-Mix der langen Fassung des WDR, stereo (eingeladen zur ICMC 2004 in Miami, USA | iap | WDR | 1 | ||||||||
| 29640 | Thomas | Gerwin | flautando 3.7 | 2011 | live-elec, 1 perf | rec [Flöte] | 23. September 2011 | Internationalen Klangkunstfest Berlin durch Ivo Berg (Blockflöten) | 0 | ||||||||||
| 21161 | Thomas | Gerwin | FLUSS DURCHS OHR, Eine UmweltKlangKomposition | 1998 | fixed media, akusmatisch | 46:00 | Stereo | Eine UmweltKlangKomposition | iap 110 integral art project/ | ZKM Karlsruhe | >>icon<< GmbH Wendlingen | 1998 | Landesgartenschau 1998 Plochingen | 0 | |||||
| 23135 | Thomas | Gerwin | Fontaine de Vaucluse | 2001 | fixed media, akusmatisch | 3:00 | Soundtrack zum gleichnamigen Film von Wolfgang Lehmann und Florian Krautkräme | Cec Presence 3/ | iap | Filmförderung Baden-Württemberg | 1 | ||||||||
| 29573 | Thomas | Gerwin | Fontaine-Miniatur | 2004 | Film | fixed media, akusmatisch |
4:06 | Elektroakustische Soundscape Komposition; ultrakurzer Re-Mix der langen Fassung der Filmmusik mit neuen Elementen, stereo | iap | 0 | ||||||||||
| 29546 | Thomas | Gerwin | Fortschritt | 2001 | radiophon | 22:22 | Schritte: Judith Kuckart, Rebekka Rein, Hans Burkhard Schlichting | SWR Baden-Baden, iap | SWR | 4.10.2001, 21 Uhr | "RadioArt Hörspiel-Studio" SWR 2 | 0 | |||||||
| 29574 | Thomas | Gerwin | Fünf Radio-Installationen | 2004 | radiophon | 29:10 | Surround 5.1 | Radiophone Kompositionen/temporäre Klang-Installationen für 1 Radiogerät. | SWR Baden-Baden | SWR | 5.5.2004 | „SWR2 KlangRaum“ | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1466031&vi=136&SID | |||||
| 5782 | Thomas | Gerwin | Glück ist so ein Ding | 1988 | Film, 1 perf | 5:20 | gui [Gitarre] | 0 | |||||||||||
| 29600 | Thomas | Gerwin | Guten Tag! | 2007 | Performance, live-elec, 1 group | ≈ 22:00 | ens [Ensemble] | 16.9.2007 | "Klangkunstfest Mitte 2007" Berlin mit Daniel Bäß, Michael Baumeister, Yela Fritsche, Deborah Gerwin, Johannes Gerwin, Christina Hähnel, Gökhan Hartge-Turhan, Ina Kallmeyer, Livia Kallmeyer, Heike Thomanek + Thomas Gerwin (Ltg.) | 0 | |||||||||
| 29555 | Thomas | Gerwin | Hausmusik | 2002 | radiophon | 52:10 | DeutschlandRadio, iap | DeutschlandRadio Kultur, Redaktion: Dr. Götz Naleppa | 5.4.2002 | "Hörspiel Werkstatt" DeutschlandRadio Kultur | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1437234&vi=139&SID | |||||||
| 29536 | Thomas | Gerwin | …Heidelberg, du feine… | 1996 | Klangkunst, Installation | 8:20 | Octo | ZKM Karlsruhe | SDR | 1996 | Klanginstallation zum 800-jährigen Jubiläum der Universitätsstadt Heidelberg an der Zugbrücke des Heidelberger Schlosses während des Festivals "Wild Planet" des Süddeutschen Rundfunks SDR 3 Club | 0 | |||||||
| 5783 | Thomas | Gerwin | Hexenwald | 1990 | intermedia | Tanz |
4:10 | 3 perc, dance [Schlagzeug, Tanz] | com version | 0 | ||||||||||
| 29556 | Thomas | Gerwin | HYMNUS | 2002 | live-elec, 4 perf | 14:30 | rec, trbn, vc, perc [Flöte, Posaune, Schlagzeug, Cello] | iap | "Haus der Geschichte Baden-Württemberg | 13. Dezember 2002 | Eröffnung des Neubaus des "Haus der Geschichte Baden-Württemberg", Ensemble Aventure, Freiburg | 0 | |||||||
| 29641 | Thomas | Gerwin | Im Fluss | 2011 | Performance, live-elec, | 12:00 | Quadro | (8 Smartphones und 4 LS) [] | 13. Oktober 2011 | beim Symposium des Internationalen Klangkunstfests Berlin mit dem „DigiEnsemble Berlin" (8 Spieler mit Smartphones und I-Pads, Ltg. Matthias Krebs) | 0 | ||||||||
| 23791 | Thomas | Gerwin | Im Zwielicht | 2004 | radiophon | Stereo | Part of "Die Musik der Worte" | iap | SWR | 1 | |||||||||
| 24291 | Thomas | Gerwin | In 90 Sekunden um die Welt | 2003 | fixed media, akusmatisch | 1:30 | Cybele 960.208/ DegeM CD 08/ | 1 | |||||||||||
| 29575 | Thomas | Gerwin | innenKLANGaussen | 2004 | Klangkunst, Installation | Stereo | Klang-Installation für 2 Lautsprecher an Hauswänden | iap | unsicht-Bar Berlin | 0 | |||||||||
| 29531 | Thomas | Gerwin | Intro | 1982 | fixed media, akusmatisch | 2:40 | Vorspann zu "..die Insel im Kopf" | Tonstudio Rudolf Schäfer | "Reutlinger Kunstverein" | 1982 | "Reutlinger Kunstverein" | 0 | |||||||
| 5784 | Thomas | Gerwin | Karlsruhe - Klangbilder einer Stadt, Ein akustisches Porträt in 12 Sätzen | 1995 | Klangkunst, Installation | 59:59 | Stereo | Edition Modern TMM 1000/ | ZKM Karlsruhe | 4 Mai 1995 | ZKM-Multimediale | Edition Modern / Tre Media Musikverlage | 1 | ||||||
| 29622 | Thomas | Gerwin | klang_körper_tat_ort | 2009 | Performance, live-elec, 2 perf | ≈ 22:00 | dancer, perc, (elec) [Schlagzeug, Tanz] | 22.8.2009 | "Internationalen Klangkunstfest _tiefKLANG 2009" Berlin mit Iris Sputh und TG. | 0 | |||||||||
| 29642 | Thomas | Gerwin | Klangbild M | 2011 | live-elec, 9 perf | S, fl, sax, vn, va, db, p, e-gui, perc, (elec) [Sopran, Flöte, Saxophon, Piano, Gitarre, Schlagzeug, Viola, Violine, Kontrabass] | 15. Oktober 2011 | Internationalen Klangkunstfest Berlin durch “Kammerensemble ad hoc“, Iris Sputh (Stimme, Performance) | 0 | ||||||||||
| 5776 | Thomas | Gerwin | Klangkörper corpus delecti | 1994 | fixed media, akusmatisch | 7:31 | ZKM Karlsruhe | 1 | |||||||||||
| 29631 | Thomas | Gerwin | klanglandschaft (mit Bewegung) | 2010 | Tanz | audiovisuell, live-elec, 6 perf |
fl, s-sax, vn, p, db, perc, (elec) [Flöte, Saxophon, Piano, Schlagzeug, Violine, Kontrabass] | optional dancer | 20. Februar 2010 | "Pyramidale Plus" Berlin Marzahn-Hellersdorf | 0 | |||||||||
| 24505 | Thomas | Gerwin | Klangschatten | 1988 | Klangkunst, Installation | HfM Stuttgart | Tübingen | 1988 | 1. Tübinger RaumKunstTage | 0 | |||||||||
| 29601 | Thomas | Gerwin | Klangschattengewächse | 2007 | live-elec, 1 perf | ≈ 21:00 | p [Piano] | 2007 | Ulli Götte in den Sophiensaelen Berlin | 0 | |||||||||
| 21159 | Thomas | Gerwin | KlangWeltKarte | 1997 | Klangkunst, Installation | ∞ | 6 | interaktive Licht- und Klanginstallation mit drei Spielttischen und wechselnd beleuchtetem Wanddisplay (24 qm), 6 Kopfhörer, 3 Musicassettendeckes, Dolby-Surroundanlage. Seit 18. Oktober 1997 (Multimediale 5) im ZKM/Hallenbau fest installiert. | ZKM Karlsruhe | ZKM|Medienmuseum Karlsruhe | 18. Oktober 1997 | (Multimediale 5) im ZKM|Zentrum für Kunst und Medientechnologie Karlsruhe | 1 | ||||||
| 29602 | Thomas | Gerwin | Kleines Ereignis grün zu gelb | 2007 | Klangkunst, Installation | ≈ 11:00 | Quadro | 7.-16.9.07 | "Klangkunstfest Mitte 2007" Berlin | 0 | |||||||||
| 29576 | Thomas | Gerwin | Konglomerat N | 2004 | Klangkunst, Installation | multisensoriale Situation für Sinnbild No.22, blauen Klappstuhl, weißen Arzneischrank, roten Blitz, 2 Findlinge und Lorbeerduft | iap | "Spacing" Galerie Nord Berlin | 10. Dezember 04 - 29. Januar 2005 | "Spacing" Galerie Nord Berlin | 0 | ||||||||
| 29632 | Thomas | Gerwin | Kontrapunkt | 2010 | Zuspiel, live-elec, 1 perf | ≈ 12:00 | Octo | perc [Schlagzeug] | 21.8.2010 | Internationalen Klangkunstfest _tiefKLANG 2010 "Gefühlter Augenblick" durch Iris Sputh und TG. | 0 | ||||||||
| 29623 | Thomas | Gerwin | Kopf bis Fuss, Eine Art Seifenoper | 2009 | radiophon | Hörstück mit O-Tönen und Texten aus dem Internet | SWR | 15.1.2010 22:03h | SWR2 | 0 | |||||||||
| 29539 | Thomas | Gerwin | Kreisformel | 1999 | Klangkunst, Installation | iap | Galerie Espace Karlsruhe | 3.11.1999-21.1.2000 | "Thomas Gerwin - Welt klingt / world sounds" Galerie Espace Karlsruhe | 0 | |||||||||
| 5786 | Thomas | Gerwin | Kulturaustausch | 1995 | Klangkunst, Installation | ∞ | multichannel | (Tokyo - Karlsruhe) | ZKM Karlsruhe | Goethe-Institut Tokyo | oktober 1995 | "Sound.Electro Media" Tokyo | 0 | ||||||
| 21163 | Thomas | Gerwin | Kurzgeschichten | 1998 | radiophon | 8:02 | Stereo | KIASMA Museum of Contemporary Art Helsinki, Finnland |
soundbox2/ Kiasma 1999/ | iap | 1 | ||||||||
| 23787 | Thomas | Gerwin | Kurzgeschichten | 2000 | fixed media, akusmatisch | Stereo | iap | EXPO 2000 | 1 | ||||||||||
| 29565 | Thomas | Gerwin | Landschaft No.1 | 2003 | Klangkunst, Installation | multisensoriale Rauminstallation mit Objekten, Duft und Klang | iap | 29.3.-24.4.2003 | Ausstellung "MAKING SENSE I" KunstRaum Berlin | 0 | |||||||||
| 29603 | Thomas | Gerwin | lautbewegt_R | 2007 | Performance, live-elec, 2 perf | ≈ 20:00 | dancer, perc, (elec) [Schlagzeug, Tanz] | 15.9.2007 | "Klangkunstfest Mitte 2007" Berlin mit Iris Sputh und TG | 0 | |||||||||
| 29582 | Thomas | Gerwin | lautbewegt.luft | 2005 | Performance, live-elec, 2 perf | perc, dance [Schlagzeug, Tanz] | Live-Elektronik + Percussion in Interaktion mit Tanz | iap | 18.-20. November 2005 | "Im Klanglabor der Elemente" Galerie Nord Berlin mit Iris Sputh | 0 | ||||||||
| 29594 | Thomas | Gerwin | LautLesen | 2006 | radiophon | 56:45 | Textcollage mit Soundscapes | ARD-Hauptstadt-Studio, iap | SWR | 16. Mai 2006 21h | SWR2 | 0 | |||||||
| 29566 | Thomas | Gerwin | Metamorphosen | 2003 | radiophon | 51:40 | DeutschlandRadio, iap | DeutschlandRadio Kultur, Redaktion: Dr. Götz Naleppa | 5.6.2003 | "Radiokunst Werkstatt" DeutschlandRadio Kultur | 0 | ||||||||
| 29557 | Thomas | Gerwin | movement 3 | 2002 | Zuspiel, Performance, 2 perf | 71:00 | Octo | 2 dancer, (lights) [Tanz] | Förderband e.V. Kulturbüro | 12.-14.Juni 2002 | Kleiner Wasserspreicher Prenzlauer Berg Berlin | 0 | |||||||
| 29558 | Thomas | Gerwin | Münsterstimm' | 2002 | radiophon | 6:40 | für die Ausstellung "Still-Leben" von Telemach Wiesinger Sparkasse Freiburg i.Br. | iap | 9.-30.April 2002 | Sparkasse Freiburg i.Br. | 0 | ||||||||
| 29617 | Thomas | Gerwin | Nachtreise | 2008/2009 | radiophon | 53:00 | inter art project/ | 0 | |||||||||||
| 29633 | Thomas | Gerwin | Nachtweyh | 2010 | live-elec, 3 perf | ob, vc, vib, (elec) [Oboe, Schlagzeug, Cello] | wird verwendet im Experimentalfilm "Nachtweyhs Nacht" von Rolf Teigler nach einer Erzählung von Wolfgang Heyer | iap | 0 | ||||||||||
| 29613 | Thomas | Gerwin | Night-Track A+B | 2008 | radiophon | 124:00 | fl, sax, acc, mar, vc, hp, tuba, p, V, perc, e-ens [Stimme, Flöte, Saxophon, Tuba, Piano, Akkordeon, Harfe, Schlagzeug, Cello, Ensemble] | SWR Baden-Baden, iap | 21. Dezember 2008 | Studio 2 des SWR Baden-Baden und gleichzeitig live auf SWR 2 um 20:03-21:05h/21:58-23:00h in stereo und 5.1 surround | 0 | ||||||||
| 21160 | Thomas | Gerwin | Ohr am Fluss, skulptural/interaktive Klanginstallation | 1998 | Klangkunst, Installation | ∞ | Stereo | skulptural/interaktive Klanginstallation mit vier "Klangfeldern" und vier interaktiven "Klangereignissen" | ZKM Karlsruhe | >>icon<< GmbH Wendlingen | 1998 | Landesgartenschau 1998 in Plochingen | 0 | ||||||
| 26144 | Thomas | Gerwin | Orpheus 400 > e-scape No. 4, ORPHEUS 400 - e-scape No. 3 | 2007 | fixed media, akusmatisch | 6:40 | Stereo | Konzertversion (No.4) 8:02 min. | Cybele 960.209/ DegeM CD 09/ | 1 | |||||||||
| 29643 | Thomas | Gerwin | Panakustikon, Die Reise des Helden - ein klingendes Tagebuch | 2011 | fixed media, akusmatisch | 10:36 | Stereo | UdK Berlin | 24./25. März 2011 | "Heldenprinzip 2011" - Innovationsstrategien für Gegenwart und Zukunft - Interdisziplinäres Symposium in drei Akten, Universität der Künste Berlin, | 0 | ||||||||
| 29614 | Thomas | Gerwin | Pentiselea - 3 Night Tracks | 2008 | Film | 60:00 | ens, (elec) [Ensemble] | Musik zum Film "Pentiselea" von Rolf Teigler Produktion: inter art porject / der garten Filmproduktion 2008? |
iap | 0 | |||||||||
| 29604 | Thomas | Gerwin | Plastik-Musik | 2007 | radiophon | 52:21 | Stereo, Surround 5.1 | ens [Ensemble] | WDR | 17.3.2007 23:05 | WDR 3 | 0 | |||||||
| 29532 | Thomas | Gerwin | Polymerisation | 1989/1990 | live-elec, 14 perf | 14 ins [Instrument] | Ankauf 1993 von ZKM|Zentrum für Kunst und Medientechnologie Karlsruhe | HfM Stuttgart | SDR 2 | 1990 | Wilhelma-Theater Stuttgart, Leitung: David Kosviner | 0 | |||||||
| 29595 | Thomas | Gerwin | Ponderabilien | 2006 | radiophon | 54:48 | Hörspiel von Stephan Krass | SWR Baden-Baden, iap | SWR | 4. März 2006 | "RadioArt Hörspiel" SWR | 0 | |||||||
| 29547 | Thomas | Gerwin | Punktum | 2001 | radiophon | 17:20 | SWR Baden-Baden, iap | SWR | 4.10.2001, 21 Uhr | "RadioArt Hörspiel-Studio" SWR 2 | 0 | ||||||||
| 29548 | Thomas | Gerwin | Quader amorph, mit Geheimnis | 2001 | Klangkunst, Installation | Octo | iap | SFB-Klanggalerie | 24.1.-9.2.2001 | Ultraschall 2001, SFB-Klanggalerie | 0 | ||||||||
| 29549 | Thomas | Gerwin | Quader amorph, mit Geheimnis-MIX | 2001 | radiophon | 30:00 | Radio-Mix der Klanginstallation | iap | SFB für "Internationale Radiokunst" Redaktion: Manfred Mixner | 5.4.2002 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1437313&vi=138&SID | ||||||
| 29644 | Thomas | Gerwin | Quintessenz | 2011 | Tanz | Performance |
Musik für die Klangkunst-Ausstellung von Thomas Gerwin (Berlin). Optional dance | 5.+12. Juni 2011 | „ohrenhoch – der geräuschladen“ in Berlin-Neukölln | 0 | ||||||||||
| 29605 | Thomas | Gerwin | R_KlangTour | 2007 | live-elec, 2 perf | ≈ 40:00 | Mez, perc, (elec) [Mezzo, Schlagzeug] | 7.9.2007 | "Klangkunstfest Mitte 2007" Berlin mit Claudia Herr und TG | 0 | |||||||||
| 29606 | Thomas | Gerwin | Raoul Tranchirers Bemerkungen über die Stille | 2007 | radiophon | 54:28 | Stereo | SWR Baden-Baden | SWR | Hörspiel des Jahres" 2007 | 0 | ||||||||
| 23788 | Thomas | Gerwin | resurrexit | 2000 | radiophon | 11:05 | Stereo | iap | Badisches Landesmuseum Karlsruhe | 1 | |||||||||
| 21164 | Thomas | Gerwin | Rollenspiel π r2 | 1999 | radiophon | 17:02 | Stereo | "Schichtwechsel 99" Weltkulturerbe Völklinger Hütte | innova 116 / | iap | 7.11.2000 | RBB | Förderpreis des Karl-Sczuka-Preis 1999 | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1555309&vi=140&SID | ||||
| 29583 | Thomas | Gerwin | Route to Cape Town | 2005 | Film | Musik zum gleichnamigen Film von Wolfgang Lehmann | iap | 20. April 2005 | European Media Art Festival Osnabrück | 0 | |||||||||
| 29615 | Thomas | Gerwin | Saitenspiegel farb_laut Sommer 2008 | 2008 | live-elec, 2 perf | va, vn [Viola, Violine] | 3. Juni 2008 | Essen (Javier A. Garavaglia) | 0 | ||||||||||
| 29596 | Thomas | Gerwin | Schlag-Werk | 2006 | live-elec, 1 perf | 12:00 | perc [Schlagzeug] | 2. Dezember 2006 | "PYRAMIDALE" Berlin | 0 | |||||||||
| 29645 | Thomas | Gerwin | Sekt.Klang! | 2011 | Performance, live-elec, 1 perf | 35:00 | Quadro | perf [Performer] | klingende Objekte (Sektgläser; -korken + -flaschen) | 8.10.2011 | Pyramidale 10 durch Thomas Gerwin | 0 | |||||||
| 29535 | Thomas | Gerwin | Sensorial Dynamics | 1995 | audiovisuell | 7:30 | 2 perf (Zuschauer / Zuhörer) [Performer] | Soundkomposition zur Video-Installation von Ayumi Han (Tokyo) | ZKM Karlsruhe | Schloß Solitude Stuttgart | 30.11.1995 | Schloß Solitude Stuttgart | 0 | ||||||
| 29567 | Thomas | Gerwin | Sinnbild 22 | 2003 | Klangkunst, Installation | multisensoriale Plastik aus visuellen, akustischen und taktilen Komponenten | iap | 25.4.-6.6.2003 | Ausstellung "MAKING SENSE II" abbraccio-Galerie Berlin | 0 | |||||||||
| 29568 | Thomas | Gerwin | Sinnbild 3 | 2003 | Klangkunst, Installation | multisensoriale Plastik aus visuellen, akustischen und taktilen Komponenten | iap | 25.4.-6.6.2003 | Ausstellung "MAKING SENSE II" abbraccio-Galerie Berlin | 0 | |||||||||
| 29569 | Thomas | Gerwin | Sinnbild 5 | 2003 | Klangkunst, Installation | multisensoriale Plastik aus visuellen, akustischen und taktilen Komponenten | iap | 25.4.-6.6.2003 | Ausstellung "MAKING SENSE II" abbraccio-Galerie Berlin | 0 | |||||||||
| 29624 | Thomas | Gerwin | Slow Presto | 2009 | audiovisuell | 0 | |||||||||||||
| 29584 | Thomas | Gerwin | Soundscape No. 12 - Ecken und Kanten | 2005 | Klangkunst, Installation | situative Klanglandschaft für die Markthalle Moabit | iap | 24.-29. Oktober 2005 | Markthalle Moabit, bei "Raum-Hopping" | 0 | |||||||||
| 29570 | Thomas | Gerwin | Soundscape No. 4 oder 10 Arten, eine Wand zu durchdringen | 2003 | Klangkunst, Installation | 20 Tracks | RaumKlanginstallation für 10 Objekte und 20 Lautsprecher | iap | KRYPTONALE | 12.-21.12. 2003 | "KRYPTONALE" Großer Wasserspeicher, Prenzl. Berg Berlin | 0 | |||||||
| 29597 | Thomas | Gerwin | Soundscape No. 4/28 | 2006 | Klangkunst, Installation | situative Klanglandschaft für AREAL 28 | iap | 22.-31. Februar 2006 | "Inter-MIX" AREAL 28 Berlin | 0 | |||||||||
| 29550 | Thomas | Gerwin | Soundscape No.1, Situative RaumKlangInstallation für 22 Lautsprecher | 2001 | Klangkunst, Installation | 22 Tracks | multimediale Inszenierung für Lautsprecher, Objekte und Projektionen, bei "Entfaltung", multimediale Inszenierung für Lautsprecher, Objekte und Projektionen in Koproduktion mit Adam Geczy, Sydney (Projektionen) und Rainer Dunkel, Berlin (Objekte) | iap | Europäische Werkstatt für Kunst und Kultur Hellerau e.V. | 10.8.-2.9.2001 | 0 | ||||||||
| 29559 | Thomas | Gerwin | Soundscape No.3, situative Klanginstallation | 2002 | Klangkunst, Installation | iap | Förderband e.V. Kulturbüro | 14.Juni - 4.August 2002 | Ausstellung "Pyrotektura" bei RESERVOIR VI Großer Wasserspreicher Prenzlauer Berg Berlin | 0 | |||||||||
| 29577 | Thomas | Gerwin | Soundscape No.5 >Computer Music | 2004 | Klangkunst, Installation | RaumKlangKomposition/Klang-Installation aus 11 Objekten mit Lautsprechern + Silberband? | iap | RBB-Klanggalerie" | 7.-21. Juli 2004 | "RBB-Klanggalerie" Haus des Rundfunks Berlin | 0 | ||||||||
| 29578 | Thomas | Gerwin | Soundscape No.6 (Brandung) | 2004 | fixed media, akusmatisch | 11 Tracks | RaumKlangKomposition/Klang-Installation aus 11 Objekten mit Lautsprechern | iap | Wasser BRANDUNG Feuer | 13.-30. Mai 2004 | "Wasser BRANDUNG Feuer" Kunsthalle Faust Hannover | 0 | |||||||
| 29579 | Thomas | Gerwin | Soundscape No.9 (Steinklang) | 2004 | Klangkunst, Installation | Klang-Installation mit Lautsprechern + Steinensemble | iap | 8.9.-10.10. 2004 | "VI. Internationales Symposium der Bildhauer und Bildhauerinnen - Steine ohne Grenzen" Begleitausstellung bei REX-Granit in Brück/Brandenburg | 0 | |||||||||
| 29543 | Thomas | Gerwin | Space Experience | 2000 | Klangkunst, Installation | 26 Tracks | Ein großer begehbarer Akkord über die gesamte Ausstellungsfläche mit zwölf verschiedenen Klangklimata | iap | EXPO 2000 Hannover | 1.Juni - 31.Oktober 2000 | Pavillon der Europäischen Union auf der EXPO 2000 Hannover | 0 | |||||||
| 29585 | Thomas | Gerwin | Steilwand | 2005 | live-elec, 2 perf | (Stein-)ins, elec [Instrument, elektronik] | iap | 4. November 2005 | "steinmusik" im Glaskasten Berlin | 0 | |||||||||
| 29571 | Thomas | Gerwin | Still-Leben-Klang | 2003 | Klangkunst, Installation | 35:00 | Soundscape-Komposition in 6 Sätzen inszeniert mit 6 Hörstationen | iap | 5.5.-25.7.2003 | Ausstellung "Still-Leben" mit dem Fotographen Telemach Wiesinger in der Katholischen Akademie Freiburg, | 0 | ||||||||
| 29625 | Thomas | Gerwin | SubSonusSupra | 2009 | Zuspiel / Tonband, 1 perf | ≈ 12:00 | vn, (elec) [Violine] | 29.8.2009 | "Internationalen Klangkunstfest _tiefKLANG" mit Susanne Zapf | 0 | |||||||||
| 29544 | Thomas | Gerwin | Tab Dance | 2000 | radiophon | 6:20 | Stereo | iap | "Fanfares for the Future" bei Synthése 2000 Bourges | 0 | |||||||||
| 24187 | Thomas | Gerwin | The Liberation of Europe | 2001 | fixed media, akusmatisch | 3:45 | Radio-Mix aus zur Verfügung gestellten EBU-Materialien für Phonurgia Nova (2001) | Discontact! III 2003 PeP 007/ | 1 | ||||||||||
| 29551 | Thomas | Gerwin | …through sound | 2001 | radiophon | 5:57 | iap | Mai 2001 | "The Creation of the World" bei "Synthése 2001", Festival für elektronische Musik des Internationalen Musikinstituts Bourges, Frankreich | 0 | |||||||||
| 42228 | Thomas | Gerwin | transFORM oder Zugang für 2 (2002/9) | 2009 | radiophon | 41:23 | Stereo | HR | 12.6.2010 | HR Radio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1539869&vi=135&SID | |||||||
| 29560 | Thomas | Gerwin | transFORM oder Zugang für 4 | 2002 | radiophon | 41:23 | Quadro | Radio RBB, iap | SFB/ORB Redaktion Radiokunst, Andreas Hagelüken | 8.11.2002 um 22:00Uhr | SFB/ RadioKultur | 0 | |||||||
| 29626 | Thomas | Gerwin | unzeitgemäß, Kammermusik | 2009 | radiophon | erschienen im Radiofeature "Friederike Mayröcker - Ich bin immer unzeitgemäß gewesen" von Andrea Marggraf, | DeutschlandRadio | DeutschlandRadio Kultur | 0 | ||||||||||
| 5788 | Thomas | Gerwin | Verschränkte Strukturen | 1990 | Zuspiel / Tonband, 2 perf | rec, gui [Flöte, Gitarre] | tape-live-recording | Galerie "A&m" Stuttgart-Vaihingen | 1990 | Galerie "A&m" Stuttgart-Vaihingen | 0 | ||||||||
| 29586 | Thomas | Gerwin | Virtual bosco | 2005 | audiovisuell | Musik zur gleichnamigen Video-Installation von Ina Abuschenko-Matwejewa | iap | 0 | |||||||||||
| 29607 | Thomas | Gerwin | Visite | 2007 | radiophon | 5:05 | 10. Juni 2007 | Open Work Overture - Melancholy" Synthèse-Festival Bourges | 0 | ||||||||||
| 5789 | Thomas | Gerwin | Vom Klang der Dinge | 1993 | fixed media, akusmatisch | 14:32 | Stereo | ZKM Karlsruhe | 1 | ||||||||||
| 29616 | Thomas | Gerwin | vom rand nach innen - Gomringer klingt | 2008 | radiophon | SWR | 0 | ||||||||||||
| 19205 | Thomas | Gerwin | Wattenmeer-Suite, Eine UmweltKlangKomposition | 1996 | fixed media, akusmatisch | 31:06 | auf der MC: Generalprobe, Sendungen NDR und RB 2.12.96 2 versions: with ins and with dancer & ins |
iap 011; integral art project/ | iap, ZKM Karlsruhe | Nationalpark Niedersächsisches Wattenmeer | 1.12.1996 | Pumpwerk Wilhelmshaven, "Ensemble Aventure" Freiburg | Edition Modern / Tre Media Musikverlage | 1 | |||||
| 29598 | Thomas | Gerwin | weit und breit | 2006 | Zuspiel / Tonband, 3 perf | 16:21 | a-sax, acc, hp [Saxophon, Akkordeon, Harfe] | iap | 0 | ||||||||||
| 21162 | Thomas | Gerwin | Welt klingt, Telekonzert mit 10 Musikern in drei Städten | 1998 | Klangkunst, Installation | 50:00 | Stereo | Telekonzert mit 10 Musikern in drei Städten: Darmstadt ( Flöte, Posaune, Soundscape Musician), Stockholm (Schlagzeug, Live-Elektronik, Soundscape Musician), Karlsruhe (3 Spieler an der KlangWeltKarte) | iap 110/ | ZKM Karlsruhe, iap, EMS Stockholm | Internationalen Musikinstituts Darmstadt, des ZKM|Zentrum für Kunst und Medientechnologie Karlsruhe, des Goethe-Instituts Stockholm und von EMS Stockholm | 8. November 1998 20:17-21:07 Uhr | Karlsruhe, Darmstadt und Stockholm (dort als Abschlußkonzert des Stockholm Electronic Music Festival XX. in Fylkingen anläßlich "Stockholm-Kulturhauptstadt Europas 1998" mit Satelliten-Direkt-Übertragung. | 1 | |||||
| 29572 | Thomas | Gerwin | Wer den Wolf fürchtet | 2003 | radiophon | 8:00 | Hörspielmusik für das gleichnamige Kriminal-Hörspiel von Brigitte Fossum | DeutschlandRadio, iap | 15.9.2003 um 19:05 Uhr | 0 | |||||||||
| 29636 | Thomas | Gerwin | ZeitFarbe | 2010 | live-elec, 1 perf | ≈ 14:00 | hp, (elec) [Harfe] | 28.8.2010 | Internationalen Klangkunstfest _tiefKLANG 2010 "Gefühlter Augenblick" durch Katharina Hanstedt | 0 | |||||||||
| 21166 | Thomas | Gerwin | ZeitKlang | 1999 | fixed media, akusmatisch | Stereo | aumKlangKomposition | iap | Badisches Landesmuseum | 10.12.1999 -7. Mai 2000 | "Jahrhundertwenden 1000-2000 / Rückblicke in die Zukunft" im Karlsruher Schloß | 0 | |||||||
| 29608 | Thomas | Gerwin | Zwischen den Zeilen - Der Besuch der alten Dame | 2007 | radiophon | 53:20 | ARD-Hauptstadt-Studio, iap | SWR | 16. Mai 2006 21h | SWR2 | 0 | ||||||||
| 29630 | Thomas, Karl-Heinz | Gerwin, Blomann | Klär-Werk | 2010 | fixed media, akusmatisch | 21:08 | open systems e.V. Deutschland 2010 / | 0 | |||||||||||
| 29634 | Thomas, Karl-Heinz | Gerwin, Blomann | Pumpwerk | 2010 | fixed media, akusmatisch | 20:08 | open systems e.V. Deutschland 2010 / | 0 | |||||||||||
| 29638 | Thomas, Adam | Gerwin, Geczy | Area contra punctus 7 | 2011 | audiovisuell, live-elec, 1 group | ens [Ensemble] | Musik für die Medienkunst-Ausstellung von Adam Geczy (Sydney) und Thomas Gerwin (Berlin) | 1.-29. Juli 2011 | „galleriBOX“ in Akuryri auf Island | 0 | |||||||||
| 29593 | Thomas, Frank | Gerwin, Niehusmann | Genie-Form | 2006 | live-elec, 2 perf | 21:00 | com, perc, (elec) [Schlagzeug, computer] | PS Niehusmann, iap | 21.10.2006 | LOFT, Köln | 0 | ||||||||
| 29635 | Thomas, Wolfgang | Gerwin, Spahn | Spiel-Tisch | 2010 | Klangkunst, Installation | audiovisuell |
27.1.-7.2.2010 | "ubiquitous oscillations" im Rahmenprogramm der transmediale | 0 | |||||||||||
| 5790 | Yann | Geslin | Etude froide | 1978 | fixed media, akusmatisch | 5:12 | Quadro | Étude de stage | INA • GRM | 0 | |||||||||
| 5791 | Yann | Geslin | Germinal, Rebours | 1984 | fixed media, akusmatisch | 4:52 | Stereo | Part of Project "Germinal", computer-pieces | INA • GRM | 26.11.1985 | Paris, Maison de Radio-France, Auditorium 105 | 0 | |||||||
| 5792 | Yann | Geslin | Variations didactiques | 1982 | fixed media, akusmatisch | 10:05 | Stereo | 2 parts | INA C 1033 27653 archives grm CD 3/5/ | INA • GRM | 11.1.1982 16.3.1982 |
Maison de la Radio, Mvt. 1 Paris, IRCAM, Mvt. 2 |
1 | ||||||
| 5793 | Yann | Geslin | Volumétriques | 1979 | Zuspiel / Tonband, 2 perf | 13:02 | Stereo | 2 synt [synthesizer] | Coll GRM 9115/16/ HM 9115/16/ | INA • GRM | 5.6.1979 | Arras, Centre Noroit, avec le Trio GRM.PLUS (Cuniot, Dufour, Geslin) | 1 | ||||||
| 5795 | Frans | Geysen | Hoor eens 1 | 1980 | fixed media, akusmatisch | 20:40 | Stereo | IPEM Gent | 0 | ||||||||||
| 5796 | Frans | Geysen | Hoor eens 2 | 1980 | fixed media, akusmatisch | 17:20 | Stereo | IPEM Gent | 0 | ||||||||||
| 5797 | Frans | Geysen | In de knoop gerakende lijntjes | 1981 | fixed media, akusmatisch | 6:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5798 | Frans | Geysen | Leuk gevaarte | 1981 | fixed media, akusmatisch | 3:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5799 | Frans | Geysen | Plotse versnelling | 1981 | fixed media, akusmatisch | 4:10 | Stereo | IPEM Gent | 0 | ||||||||||
| 5800 | Frans | Geysen | Toch temperamentvol | 1981 | fixed media, akusmatisch | 10:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5801 | Frans | Geysen | Vijfmaal verrast | 1981 | fixed media, akusmatisch | 4:00 | Stereo | IPEM Gent | 0 | ||||||||||
| 5802 | Frans | Geysen | Weerkatsingen | 1981 | fixed media, akusmatisch | 16:15 | Stereo | IPEM Gent | 0 | ||||||||||
| 42309 | Ilyaa | Ghafouri | Valence | 2018 | fixed media, akusmatisch | 7:33 | Stereo | Winner JTTP 2018 | 0 | ||||||||||
| 33703 | Qubais | Ghazala | The Delphian Oracle | fixed media, akusmatisch | 3:41:00 | from the 60-min tape „Suite for Radio and Turntable“ | WN 00006/1991/ | 1 | |||||||||||
| 31288 | Emmanuel | Ghent | Battery Park | 1969 | fixed media, akusmatisch | 5:05 | IDEAMA CD 081/ | 0 | |||||||||||
| 31289 | Emmanuel | Ghent | Danger! High Voltage | 1969 | fixed media, akusmatisch | 3 | IDEAMA CD 081/ | 0 | |||||||||||
| 31290 | Emmanuel | Ghent | Helices | 1969 | fixed media, akusmatisch | 18 | IDEAMA CD 081/ | 0 | |||||||||||
| 5803 | Emmanuel | Ghent | Hex, an Ellipsis | 1966 | Zuspiel / Tonband, 2 perf | 16:00 | Quadro | tpt, ins [Trompete, Instrument] | cuing signals on 4th track | IDEAMA CD 080/ | Bell Lab, Col.Princ EMC | 0 | |||||||
| 5804 | Emmanuel | Ghent | Phosphones | 1971 | fixed media, akusmatisch | 13:01 | GROOVE | WER 2022-50, Computer Music Currents 2/ CMJ Vol 32-4, 2008/ | Bell Lab | 1 | |||||||||
| 24125 | Gianni | Giacomazzo | Ultima sera | 2001 | Zuspiel, live-elec, 22 perf | 8:40 | Octo | ottavino, 2 fl, ob, 2 cl, bn, hn, tpt, 2 sax, tim, vib, b-mar, perc, 2 p, str-qt, db [Flöte, Klarinette, Oboe, Saxophon, Fagott, Horn, Trompete, Piano, Schlagzeug, Kontrabass, Streicher] | Tempo Reale Firenze | 0 | |||||||||
| 39468 | Nicola | Giannini | Inner Out | 2017 | live-elec, | perf (ice and live electronics) [Performer] | 0 | ||||||||||||
| 38551 | Stefano | GIANNOTTI | Amore mio, love songs und anderer Kram | 2012 | radiophon | 53:22:00 | SWR | 2.10.2012 | SWR | Prix Phonurgia nova | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=3925025&vi=142&SID | |||||||
| 22367 | Stefano | Giannotti | Battagilia Navale, Schiffe versenken | 2000 | radiophon | 47:43 | DeutschlandRadio | 1.9.2000 | DeutschlandRadio | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1427171&vi=147&SID | ||||||||
| 38553 | Stefano | GIANNOTTI | Bürotifulcrazy | 2014 | radiophon | 45:14:00 | DeutschlandRadio | 14.3.2014 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=4205665&vi=3&SID | ||||||||
| 38554 | Stefano | GIANNOTTI | Calendario – Klänge für 12 Monate | 2002 | radiophon | 49:02:00 | DeutschlandRadio | 7.6.2002 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1437244&vi=146&SID | ||||||||
| 33756 | Stefano | Giannotti | Dialoghi | 2008 | radiophon | 14:59 | Stereo | Vs, ins, (natural and electronic sounds) [Stimme, Instrument] | (duration also: 14:59) | EBU Ars Acustica 2009/ | SWR | 26.9.2008 | SWR | EBU Ars Acustica 2009 | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1528494&vi=143&SID | |||
| 22869 | Stefano | Giannotti | Fiabe per sette Giorni | 1998 | Zuspiel, live-elec, 1 perf | 15:00 | perf (music-boxes, toys, harmonica, chimes) [Performer] | 7 parts | NOTA CD 2.97 - MØMüs 011/ | Radio SFB | 1 | ||||||||
| 38555 | Stefano | GIANNOTTI | Fine del messaggio | 1999 | radiophon | 46:32:00 | DeutschlandRadio | 7.5.1999 | DeutschlandRadio | 0 | |||||||||
| 35241 | Stefano | Giannotti | Geologica | 2007 | radiophon | 48:29:00 | DeutschlandRadio | 3.8.2007 | DeutschlandRadio | Karl-Sczuka-Preis 2007 | 0 | ||||||||
| 25803 | Stefano | Giannotti | Il Carnevale di Antonio | 2005 | audiovisuell | 7:35 | Stereo | Programm der Langen Nacht der EM bei den Weltmusiktagen 2006 „grenzenlos“ in Stuttgart | 1 | ||||||||||
| 35209 | Stefano | Giannotti | Il tempo cambia, Time changes | 2002 | radiophon | 56:34 | SWR | 24.10.2002 | SWR | Karl-Sczuka-Preis 2002 | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1444324&vi=9&SID | |||||||
| 22098 | Stefano | Giannotti | L'Arte del Paesaggio | radiophon | 23:55 | ABC | 1 | ||||||||||||
| 22868 | Stefano | Giannotti | La Città dei Carillons | 1998 | Performance, Zuspiel, live-elec, 1 perf, 1 group | 33:00 | children V, (music-boxes) [Stimme] | Children from 29 diff. European countries | NOTA CD 2.97 - MØMüs 011/ | SFB, ORB | 23.2.1999 | RBB | 1 | http://hoerspiele.dra.de/vollinfo.php?dukey=1424120&vi=11&SID | |||||
| 42230 | Stefano | Giannotti | La città sonora | 1998 | radiophon | 30 | PS C. | 4.7.2000 | RBB | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1555311&vi=148&SID | ||||||||
| 38556 | Stefano | GIANNOTTI | Labirinti | 2005 | radiophon | 51:38:00 | DeutschlandRadio | DeutschlandRadio | 7.10.2005 | DeutschlandRadio | 0 | ||||||||
| 38557 | Stefano | GIANNOTTI | Organi | 2011 | radiophon | 51:34:00 | DeutschlandRadio | 6.5.2011 | DeutschlandRadio | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1534428&vi=15&SID | ||||||||
| 23518 | Stefano | Giannotti | Paesaggio con Campane | 2003 | Zuspiel / Tonband, 1 perf | 13:35 | carillon [Keyboard] | 29.6.2003 | Carillon im Tiergarten Berlin, Jeff Bossin | 1 | |||||||||
| 42229 | Stefano | GIANNOTTI | Scaccomatto | 2005 | radiophon | 46:44 | WDR Studio Akustische Kunst | 11.6.2005 | WDR | 0 | http://hoerspiele.dra.de/vollinfo.php?dukey=1475116&vi=144&SID | ||||||||
| 38558 | Stefano | GIANNOTTI | Sonic pages | 2009 | radiophon | 49:21:00 | 0 | ||||||||||||
| 38559 | Stefano | GIANNOTTI | The Masterpiece | 2003 | radiophon | 50:26:00 | DeutschlandRadio | DeutschlandRadio | 3.10.2003 | DeutschlandRadio | 0 | ||||||||
| 24685 | Stelios | Giannoulakis | Lucidity | 2003 | fixed media, akusmatisch | 7:59 | JTTP 2003 | CEC Cache 2003 UK/ | 1 | ||||||||||
| 24188 | Stelios | Giannoulakis | Suvenires | 2002 | fixed media, akusmatisch | 4:11 | Discontact! III 2003 PeP 007/ | 1 | |||||||||||
| 41808 | Stelios | Giannoulakis | The Door Study | 2001 | fixed media, akusmatisch | 3:58:00 | codemist ICMC2001/ | 0 | |||||||||||
| 39990 | Kosmas | Giannoutakis | sonic current | 2016 | Klangkunst, Installation | Kosmas Giannoutakis | 0 | http://www.kosmasgiannoutakis.eu/sonic-current/ | |||||||||||
| 19003 | Lou | Giansante | New York: 24 Hours in Public Places | 1983 | Klangkunst, Installation | 4:10 | TMK 005652, Klangwege (GHS Kassel) - Beilage zum Buch/ | 1 | |||||||||||
| 20216 | Mark Edwards | Gibbons | scrub-reverse | 1992 | live-elec, 1 perf | 5:37 | Stereo | amp vn [Violine] | Todd Reynolds | SEAMUS EAM 9501 Vol. 4/ | 0 | ||||||||
| 35952 | John | Gibson | Blue Traces | 2009 | live-elec, 1 perf | 13:15 | Stereo, Quadro | p [Piano] | SEAMUS EAM Vol. 21/ innova 896/ | 11/15/2009 | Kati Gleiser, with string orchestra, dir. Marcello Cormio, Indiana University Jacobs School of Music | scores available from American Composers Alliance | 0 | ||||||
| 35954 | John | Gibson | Conveyor | 2007 | fixed media, akusmatisch | Stereo | 3/3/2007 | E-Expo, Speed School of Engineering, University of Louisville | 0 | ||||||||||
| 35964 | John | Gibson | Dancing on a Wire | 1994 | fixed media, akusmatisch | 3 sax, 2 synt, 2 e-gui, e-b-gui [Saxophon, Gitarre, synthesizer] | 10/8/1996 | Composers’ Ensemble at Princeton | 0 | ||||||||||
| 35960 | John | Gibson | Day Trip | 2000 | fixed media, akusmatisch | 8:51 | Stereo, Surround 5.1 | innova 896/ | 5/5/2001 | Electronic Music at Lewis — 2001 Festival, Lewis University, Chicago area | Finalist in the Pierre Schaeffer International Computer Music Competition, IV Edition, sponsored by Accademia Musicale Pescarese in Pescara, Italy, 2003 | 0 | |||||||
| 35959 | John | Gibson | Detour | 2003 | fixed media, akusmatisch | Stereo | 4/25/2004 | CECM Concert, Indiana University School of Music | 0 | http://pages.iu.edu/~johgibso/pieces/detour.htm | |||||||||
| 35950 | John | Gibson | Driptick | 2010 | fixed media, akusmatisch | 7:23 | Stereo, Surround 5.1 | innova 896/ | 10/2/2010 | Soundcrawl: Nashville, Nashville, Tennessee | 0 | ||||||||
| 39411 | John | Gibson | edgewater | 2017 | audiovisuell | 0 | |||||||||||||
| 35955 | John | Gibson | Elements | 2006 | fixed media, akusmatisch | Stereo, Quadro, Surround 5.1 | 3/3 - 4/22/2006 | Society for Contemporary Photography, Kansas City (exhibition) | Honorable Mention, Eastman Computer Music Center 25th Anniversary Electroacoustic Music Competition, 2006 | 0 | |||||||||
| 35962 | John | Gibson | Fits and Starts | 1996 | live-elec, 2 perf | trbn, e-gui [Posaune, Gitarre] | 10/18/1996 | Ekko!, University of Virginia, Charlottesville | 0 | ||||||||||
| 35945 | John | Gibson | In Flight | 2015 | live-elec, 1 group | ch [Chor] | IU New Frontiers in the Arts & Humanities Grant and the Camargo Foundation | 0 | |||||||||||
| 35953 | John | Gibson | Out of Hand | 2008 | live-elec, 2 perf | 11:35 | tpt, trbn, (com) [Trompete, Posaune] | innova 896/ | score available from American Composers Alliance | 0 | http://pages.iu.edu/~johgibso/pieces/outofhand.htm | ||||||||
| 35947 | John | Gibson | Red Plumes | 2011 | live-elec, 1 perf | 11:12 | vc [Cello] | innova 896/ | Craig Hultgren | 2/11/2012 | Craig Hultgren, SEAMUS National Conference, Lawrence University, Appleton, Wisconsin | score available from American Composers Alliance | 0 | ||||||
| 35956 | John | Gibson | sLowlife | 2005 | fixed media, akusmatisch | Klangkunst, Installation |
Stereo + Stereo + Stereo + Stereo, Octo | 11/5/2005 10/26/2005 - 3/26/2006 |
Third Practice Festival, Uni of Richmond, Virginia United States Botanic Garden, Washington, DC |
0 | http://pages.iu.edu/~johgibso/pieces/slowlifeinst.htm | |||||||||
| 32118 | John | Gibson | Slumber | 2006 | fixed media, akusmatisch | 5:10:00 | Surround 5.1, Stereo | SEAMUS EAM Vol. 18/ EVerglade 06-01/ innova 896/ | Third Practice Festival at the University of Richmond, Virginia | 0 | |||||||||
| 35949 | John | Gibson | The Widening Gyre | 2011 | live-elec, 1 group | ens [Ensemble] | score available from American Composers Alliance | 0 | |||||||||||
| 22906 | John | Gibson | Thrum | 1998 | fixed media, akusmatisch | 8:55 | Centaur CRC 2454, CDCM Vol 29/ innova 896/ | VCCM | Finalist Prize, Bourges 26th International Electroacoustic Music Competition, 1999 | 1 | http://pages.iu.edu/~johgibso/pieces/thrum.htm | ||||||||
| 35946 | John | Gibson | Uncanny Valley | 2012 | fixed media, akusmatisch | p, Sp [Sprecher, Piano] | Oni Buchanan and Jon Woodward | 9/27/2012 | Zell Visiting Writers Series, Michigan Union, University of Michigan | 0 | http://pages.iu.edu/~johgibso/pieces/uncanny.htm | ||||||||
| 35958 | John | Gibson | Wakeup Call | 2005 | fixed media, akusmatisch | Stereo | 9/30/2005 | In 60x60 (2005 / Midwest Minutes), Music BYTES, Lewis University, Romeoville, Illinois | 0 | ||||||||||
| 35951 | John | Gibson | Wind Farm | 2009 | live-elec, 1 perf, 1 group | coms (laptop ens) [computer] | Electric Monster Laptop Ensemble, Montana State University, dir. Hsiao-Lan Wang | 12/4/2009 | Electric Monster Laptop Ensemble, Montana State University | 0 | http://pages.iu.edu/~johgibso/pieces/windfarm.htm | ||||||||
| 33556 | Jon | Gibson | Equal Distribution | 1977 | Tanz, live-elec, 1 perf | fl [Flöte] | Flute, Electronics [Live] – Jon Gibson Dance: Fractions 1 (1977) |
NWR 80712/ | 1 | ||||||||||
| 39517 | Victoria | Gibson | Coming Out | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 39518 | Victoria | Gibson | Sound Seed: Tribute to Pauline Oliveros | 2017 | fixed media, akusmatisch | 0 | |||||||||||||
| 34730 | Rolf | Giegold | Manifest | 2009 | Klangkunst, Installation | 6:51 | Kehrer Verlag ISBN 978-3-86828-493-5/ | 8.10.-8.11.2009 | singuhr hoergalerie Berlin at AdK Berlin | 0 | http://singuhr.de/page.php?ID=671 | ||||||||
| 5805 | Michael | Gielen | die glocken sind auf falscher spur | 1967/1969 | Zuspiel / Tonband, 5 perf | Sp, 4 ins [Sprecher, Instrument] | 0 | ||||||||||||
| 19059 | Gans | Gierschik | Monk's Matrix | 1996 | Klangkunst, Installation | 1:16 | Sonambiente Ausstellung (1996) Katalog S.61 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 5806 | Walter | Gieseler | Notturno en collage | 1967 | Zuspiel / Tonband, 1 perf, 2 groups | 2 ch, perc [Schlagzeug, Chor] | Notturno en collage für zwei Chöre, Schlagzeug und Tonband nach Text-Collagen Italienisch-Deutsch (1967) | 0 | |||||||||||
| 42332 | Malte | Giesen | Divertimento – Veränderungen an Oberflächen | 2014 | live-elec, 4 perf | ≈ 11 | str-qt [Streicher] | Bezug zur Divertimenti KV 136-138 von Mozart | 0 | ||||||||||
| 41957 | Malte | Giesen | Konzert für hyperreales Klavier, Concert for hyperreal piano & orchestra | 2016 | live-elec, 1 perf, 1 group | 25 | Spazialisation: multi | p (TransAcoustic-Flügel Yamaha), orc [Piano, Orchester] | 31.10.2018 20.01.2019 |
Konzerthaus Wien, Wien Modern. Sebastian Berweck und den Wiener Symphonikern/Sylvain Cambreling | 0 | ||||||||
| 35338 | Malte | Giesen | mit Verlaub | 2013 | live-elec, 2 perf | 11:38 | 2 sax [Saxophon] | Gruen 156/ | 0 | http://www.gruenrekorder.de/?page_id=14449 | |||||||||
| 37644 | Malte | Giesen | Tu m | 2014 | audiovisuell, live-elec, 1 group | 9 | ens [Ensemble] | zu einem Film von Lillevan | 0 | ||||||||||
| 22368 | Yves | Gigon | Crickpet | 2000 | fixed media, akusmatisch | 3:00 | JTTP 2000 | CEC Cache 2000/ | Concordia Montreal | 1 | |||||||||
| 21604 | Yves | Gigon | Éphémère | 1997 | fixed media, akusmatisch | 2:33 | CEC Presence 2/ | Concordia Montreal | 1 | ||||||||||
| 36907 | Yves | Gigon | Éphémère II | 2010 | fixed media, akusmatisch | miniatur 1:00 | 60x60 VermilionMix / 360 degrees of 60x60 | 0 | |||||||||||
| 5807 | Anthony | Gilbert | A Treatment of Silence | 1973 | Zuspiel / Tonband, 1 perf | Stereo | vn [Violine] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 5808 | Anthony | Gilbert | Mother op. 15 | 1969 | Zuspiel / Tonband, 1 group | ens [Ensemble] | Coll Manchester | 0 | |||||||||||
| 5809 | Anthony | Gilbert | The Scene Machine | 1971 | Oper | Stereo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | ||||||||||
| 35823 | Peter | Gilbert | allen den stillen Geschwistern im Winde der Wiesen | 2007 | live-elec, 1 perf | sax [Saxophon] | 0 | ||||||||||||
| 35826 | Peter | Gilbert | as it now becomes us | 2006 | live-elec, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 35818 | Peter | Gilbert | Baptizing the Loop Station | 2008 | live-elec, 1 perf | e-gui [Gitarre] | 0 | ||||||||||||
| 35831 | Peter | Gilbert | Blow, Bugle, Blow | 2003 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 35822 | Peter | Gilbert | Elegie | 2008 | live-elec, 1 perf | fl or rec [Flöte] | 1: Flute, Live Electronics | 2: Recorder, Live Electronics |
0 | |||||||||||
| 35819 | Peter | Gilbert | Flexible Passages | 2008 | live-elec, 1 perf, 1 group | var inss [Instrument] | for Flexible Music | 0 | |||||||||||
| 35821 | Peter | Gilbert | Hear as the night hollows | 2008 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | 0 | ||||||||||||
| 35830 | Peter | Gilbert | Hyperburn | 2004 | fixed media, akusmatisch | Stereo, Quadro | 0 | ||||||||||||
| 35833 | Peter | Gilbert | Interlude | 2002 | fixed media, akusmatisch | Stereo | 0 | ||||||||||||
| 35808 | Peter | Gilbert | last breaths of a disappearing horizon | 2013 - 2014 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 35829 | Peter | Gilbert | Prelude Fantasies | 2004 | fixed media, akusmatisch | Stereo, Quadro | 0 | ||||||||||||
| 35832 | Peter | Gilbert | Ricochet | 2002 | fixed media, akusmatisch | Stereo | gui [Gitarre] | 0 | |||||||||||
| 35813 | Peter | Gilbert | Ricochet Remix | 2011 | live-elec, 1 perf | gui [Gitarre] | 0 | ||||||||||||
| 34684 | Peter | Gilbert | Rituals | 2002 | fixed media, akusmatisch | 5 | Stereo | Russolo Pratella EF.ER.P 02/ | Prize Russolo Varese 2002 | 0 | |||||||||
| 35812 | Peter | Gilbert | Soon as the sun forsook the eastern main | 2012 | fixed media, akusmatisch | 0 | |||||||||||||
| 35810 | Peter | Gilbert | Spirit Steps | 2013 | fixed media, akusmatisch | 0 | |||||||||||||
| 35824 | Peter | Gilbert | the bold arch of undreamt bridges | 2006 | live-elec, 9 perf | fl, cl, sax, bn, tpt, vn, va, vc, perc [Flöte, Klarinette, Saxophon, Fagott, Trompete, Schlagzeug, Viola, Cello, Violine] | 0 | ||||||||||||
| 35809 | Peter | Gilbert | The Book of Resounding Harmonies | 2013 | live-elec, 5 perf | cl, vn, vc, p, perc [Klarinette, Piano, Schlagzeug, Cello, Violine] | 0 | ||||||||||||
| 35827 | Peter | Gilbert | The Bourges Pods | 2004 | fixed media, akusmatisch | Stereo, Quadro | Stop the Presses, Northern Lights, Ohm | 0 | |||||||||||
| 35825 | Peter | Gilbert | the palm of your hand touches my body | 2006 | live-elec, 1 perf | rec [Flöte] | 0 | ||||||||||||
| 35815 | Peter | Gilbert | The Ringing of Golden Balconies | 2009 | live-elec, 1 perf, 1 group | w-ens [Bläser] | Large Wind Ensemble | 0 | |||||||||||
| 35807 | Peter | Gilbert | Waves | 2015 | fixed media, akusmatisch | 0 | |||||||||||||
| 35820 | Peter | Gilbert | We felt the spirits so near | 2008 | live-elec, 1 perf, 1 group | inss [Instrument] | 0 | ||||||||||||
| 35828 | Peter, Eleni | Gilbert, Andreadis | Music for Sweet Bird of Youth, by Tennessee Williams | 2004 | intermedia | Incidental Music, with Eleni Andreadis | 0 | ||||||||||||
| 35816 | Peter, Karola | Gilbert, Obermüller | An Overlapping of Spaces | 2009 | Klangkunst, Installation | Interactive Museum Installation – with Karola Obermüller | 0 | ||||||||||||
| 35814 | Peter, Karola | Gilbert, Obermüller | drei mal drei gleich unendlich | 2009 - 2010 | audiovisuell, live-elec, 10 perf | 4 V, 2 actor, 2 cl, acc, vc, (elec) [Stimme, Klarinette, Akkordeon, Cello, Schauspieler] | Multimedia Opera, with composer Karola Obermüller | 0 | |||||||||||
| 35811 | Peter, Karola | Gilbert, Obermüller | Listening to Mountains | 2012 - 2013 | Klangkunst, Installation | Interactive Installation – with Karola Obermüller | 0 | ||||||||||||
| 35817 | Peter, David | Gilbert, Russell | Songs from the Tundra | 2008 - 2009 | Zuspiel / Tonband, | with cellist David Russell | 0 | ||||||||||||
| 5810 | Jacob | Gilboa | 14 Epigrams for Oscar Wilde | 1973 | Zuspiel / Tonband, 2 perf | fem V, p [Stimme, Piano] | 0 | ||||||||||||
| 5811 | Jacob | Gilboa | 5 Red Sea Impressions | 1976 | Zuspiel / Tonband, 5 perf | 5 ins [Instrument] | 0 | ||||||||||||
| 5812 | Jacob | Gilboa | From the Dead Sea Scrolls | 1971 | Zuspiel / Tonband, 2 perf, 3 groups | 2 ch, 2 org, orc [Orgel, Chor, Orchester] | 0 | ||||||||||||
| 5813 | Jacob | Gilboa | The Beth Alpha Mosaic | 1975 | Zuspiel / Tonband, 1 perf, 1 group | fem V, ens [Stimme, Ensemble] | 0 | ||||||||||||
| 31393 | Jakob | Gille | Acquain Work | 2010 | fixed media, akusmatisch | 7:00:00 | Quadro | HfM Dresden | 0 | ||||||||||
| 31362 | Jakob | Gille | Akoi Vibe | 2010 | fixed media, akusmatisch | 14:57:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31363 | Jakob | Gille | Einiges, was ich niemand verrate | 2011 | fixed media, akusmatisch | 9:50:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 31360 | Jakob | Gille | Klavierstück | 2009 | fixed media, akusmatisch | 10:03:00 | Stereo | HfM Dresden | 0 | ||||||||||
| 40304 | Tyler | Gilmore | Solo Set Piece Three | 2016 | live-elec, 1 perf | elec (Microphone Feedback & Samples) [elektronik] | Tyler Gilmore | 0 | |||||||||||
| 42613 | Hannah R. | Gilmour | Chill Before Dawn | 2009 | fixed media, akusmatisch | 5 | 0 | ||||||||||||
| 24527 | Gust | Gils | Vocal exploration II | 1969 | fixed media, akusmatisch | 9:21 | Text-Sound Composition | FYCD 1024 CD 2 Text-Sound Compositions/ RELP 1074/ | SR Stockholm | 1 | |||||||||
| 5815 | Berend | Giltay | '65 korte versie | 1965 | fixed media, akusmatisch | 14:35 | Mono | STEM Utrecht | 0 | ||||||||||
| 5816 | Berend | Giltay | Kosmochromie I | 1972 | Zuspiel / Tonband, 1 group | 21:22 | Quadro | orc [Orchester] | Sonology Utrecht | 0 | |||||||||
| 5817 | Berend | Giltay | Kosmochromie II | 1973/1974 | Zuspiel / Tonband, 1 group | 5:31 | Stereo | chamber-orc [Orchester] | also 2nd version 11:10 | Sonology Utrecht | 0 | ||||||||
| 5818 | Berend | Giltay | Phonolieten | 1965 | fixed media, akusmatisch | 15:40 | Mono | CEM Bilthoven | 0 | ||||||||||
| 5819 | Berend | Giltay | Polychromie | 1966 | fixed media, akusmatisch | 6:47 | Quadro | CV 7803/ BASTA 30-9182-2/ Creel Pone 10/ | STEM Utrecht, CEM Bilthoven | 1 | http://www.muziekcentrumnederland.nl/en/contemporary/electro-acoustic/overview/composers/ | ||||||||
| 5820 | Berend | Giltay | Polychromie II | 1973 | Zuspiel / Tonband, 1 perf | 3:15 | Stereo | ins ad lib [Instrument] | Sonology Utrecht | 0 | |||||||||
| 5821 | Bruno | Giner | Con brio | 1991 | Zuspiel / Tonband, 3 perf | 22:00 | Stereo | vc, perc, sax [Saxophon, Schlagzeug, Cello] | INA • GRM | 0 | |||||||||
| 5822 | Bruno | Giner | "k" | 1987 | Zuspiel / Tonband, 1 perf | 14:44 | Stereo | rec [Flöte] | INA • GRM | 0 | |||||||||
| 5823 | Bruno | Giner | Moments | 1989 | fixed media, akusmatisch | 15:00 | Stereo | INA • GRM | 0 | ||||||||||
| 32951 | Bruno | Giner | Von den drei Verwandlungen | 2004 | fixed media, akusmatisch | 13:53 | 3 parts | Motus M 298004/ | 0 | ||||||||||
| 5824 | Gary | Gini | Welcome to Ellis Island | 1985 | fixed media, akusmatisch | 3:22 | Stereo | Uni Waterloo ON | 0 | ||||||||||
| 38763 | Tina Ilse Maria, Elena | GINTROWSKI, ZIESER | Blank | 2011 | radiophon | 8:27:00 | 0 | ||||||||||||
| 31981 | Francesco | Giomi | Agnaby | 1997 | fixed media, akusmatisch | 10:00:00 | after the Roman L'étranger by Albert Camus Konzert Inventionen 2000, Parochialkirche 30.6.2000, 20h |
Uni Sheffield | Dezember 1998 Spaziomusica Cagliari | 1 | 2000 | ||||||||
| 5826 | Francesco | Giomi | Boys and girls | 1988 | Zuspiel / Tonband, 1 perf | 6:00 | p [Piano] | software by the author | CNUCE Firenze | 0 | |||||||||
| 24126 | Francesco | Giomi | BR… (Taccuino sonoro su Johannes Brahms) | 2001 | fixed media, akusmatisch | 10:00 | Octo | Tempo Reale Firenze | 0 | ||||||||||
| 5827 | Francesco | Giomi | CHROMATISME: 12 studies for tape | 1992 | fixed media, akusmatisch | 12:00 | Stereo | CNUCE Firenze | 0 | ||||||||||
| 24127 | Francesco | Giomi | Con Brio | 2003 | fixed media, akusmatisch | 14:00 | Octo | Tempo Reale Firenze | 1 | ||||||||||
| 19026 | Francesco | Giomi | Flamenco | 1994 | fixed media, akusmatisch | 12:43 | Russolo Pratella EF.ER.P 95/ | 2nd prize Russolo 95 Competition Musica Nova Prag 1995 |
1 | ||||||||||
| 24128 | Francesco | Giomi | Millenote (nuova versione) | 1998 | Zuspiel / Tonband, 1 perf | 9:30 | Stereo | sax [Saxophon] | Tempo Reale Firenze | 0 | |||||||||
| 24129 | Francesco | Giomi | Mnemonia | 2000 | Zuspiel / Tonband, 1 perf | 19:00 | Octo | V [Stimme] | Tempo Reale Firenze | 0 | |||||||||
| 5829 | Francesco | Giomi | That's all folks ! | 1994 | fixed media, akusmatisch | Stereo | Kiasma 1998/ | CNUCE Firenze | Competition Musica Nova Prag 1994 | 0 | |||||||||
| 5825 | Francesco, Marco | Giomi, Ligabue | Box Vox | 1988 | fixed media, akusmatisch | 6:35 | Stereo | CNUCE Firenze | 0 | ||||||||||
| 5828 | Francesco, Marco | Giomi, Ligabue | City voices | 1992 | fixed media, akusmatisch | Stereo | CNUCE Firenze | 0 | |||||||||||
| 5830 | Eugenio | Giordani | E-Tape | 1978 | fixed media, akusmatisch | 0 | |||||||||||||
| 5831 | Eugenio | Giordani | Ladies & Gentlemen | 1984 | fixed media, akusmatisch | 12:00 | Stereo | CRM Roma | 0 | ||||||||||
| 5832 | Eugenio | Giordani | Voicing | 1982 | fixed media, akusmatisch | 10:00 | Stereo | PAN PRC S20-15/ | CRM Roma | 1 | |||||||||
| 5833 | John | Giorno | Raspberry | 1967 | fixed media, akusmatisch | 20:00 | Mono | txtcompo | PS C. NY | 0 | |||||||||
| 33636 | Rudi | Giot | Flohimont | 2010 | fixed media, akusmatisch | 7:50 | MR 2010 Métamorphoses 2010/ | 1 | |||||||||||
| 34635 | Artemi-Maria | Gioti | Magnetic fields | 2016 | live-elec, 1 perf | (electromagnetically augmented) p [Piano] | SMC2016 | 0 | |||||||||||
| 27389 | Ricardo | Giraldo | De'go | 2007 | live-elec, 3 perf | 10:59 | perc, 2 com [Schlagzeug, computer] | The Electronic Hammer (perc: Diego Espinosa, computer: Henry Vega, Juan Parra). | EMF CD 067 „The Electronic Hammer“ How to philosophize with a hammer/ | SARC Belfast | 1 | ||||||||
| 34645 | Émilie, Sylvain | Girard-Charest, Devaux | Trois chants harmoniques, Open Calls S’offrir Intonations lyriques |
2016 | Zuspiel / Tonband, 3 perf | ob, vc, assistent [Oboe, Cello, Performer] | SMC2016 | 0 | |||||||||||
| 41398 | Gabriel | Girard | Silent Walk Around the globe | fixed media, akusmatisch | sonus.ca | 0 | https://www.ckcufm.com/ | ||||||||||||
| 24418 | François | Giraudon | Esquisse maritime | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22853 | François | Giraudon | Etude 1994 | 1994 | Zuspiel / Tonband, 1 perf | 13:23 | bar-sax [Saxophon] | LDC 2781110/ | IMEB Bourges | 1 | |||||||||
| 22850 | François | Giraudon | Etude la corrida | 1990 | fixed media, akusmatisch | 9:15 | SYTER | LDC 2781110/ | CNR Marseille | 1 | |||||||||
| 22854 | François | Giraudon | Histoire d'un Rêve | 1996 | fixed media, akusmatisch | 12:24 | after "Le Rêve de l'escalier" by Dino Buzzati | LDC 2781110/ | IMEB Bourges | 1 | |||||||||
| 22852 | François | Giraudon | L'invisible | 1992 | Zuspiel, live-elec, 1 perf | 8:45 | vn [Violine] | LDC 2781110/ | Queens Uni Kingston | 1 | |||||||||
| 24416 | François | Giraudon | O (hommage à Schaeffer) | 1996 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22851 | François | Giraudon | Passages | 1991 | live-elec, 2 perf | 11:11 | 2 synt [synthesizer] | LDC 2781110/ | 1 | ||||||||||
| 24420 | François | Giraudon | Shift | 2000 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24419 | François | Giraudon | Suite en forme de bulles | 1999 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 24417 | François | Giraudon | Un peu après | 1997 | fixed media, akusmatisch | IMEB Bourges | 0 | ||||||||||||
| 22855 | François | Giraudon | Vox i | 1997/1998 | fixed media, akusmatisch | 10:30 | LDC 2781110/ | IMEB Bourges | 1 | ||||||||||
| 5834 | Maurizio | Giri | Quaderni di conversazione | 1994 | Zuspiel / Tonband, | Stereo | Edison St Roma | 0 | |||||||||||
| 25906 | Paolo | Girol | Mi sentiro con Ale | 2003 | audiovisuell | 4:21:00 | Absurde Situationen mit essendem Künstler | LDC 278079 Cultures électroniques 18/ | Prix multimedia Bourges 2005 | 1 | |||||||||
| 39984 | Kevin | Gironnay | Ce vide qui déborde | 2016 | fixed media, akusmatisch | Kevin Gironnay | 0 | ||||||||||||
| 36867 | Kevin | Gironnay | La Caverne | 2015 | fixed media, akusmatisch | 11:00:00 | UdeM | prize JTTP 2017 | 0 | ||||||||||
| 27370 | Olivier | Girouard | Le pont du souvenir | 2007 | fixed media, akusmatisch | 5:54 | CEC Cache 2007, PeP 012/ | JTTP-Winner 2007 4. prize | 1 | http://cec.concordia.ca/jttp/2007/index.html | |||||||||
| 28026 | Olivier | Girouard | Suite_04, Prélude Allemande Courante Sarabande Gavotte 1&2 |
2009 | fixed media, akusmatisch | 18:47 | JTTP 2009 | CEC Cache 2009, PeP 014 CA/ | JTTP-Winner 2009 canadian 1. prize | 1 | |||||||||
| 5838 | James | Giroudon | Bribes d'Hiver | 1984 | fixed media, akusmatisch | 13:30 | Forlane UCD 16571/ | GRAME Lyon | 0 | ||||||||||
| 5842 | James | Giroudon | Commencement | 1983 | Zuspiel / Tonband, 1 perf | 14:30 | Stereo | V [Stimme] | Texte d'Agnès Bressy | GRAME Lyon | 0 | ||||||||
| 5844 | James | Giroudon | D'espace ma bouche | 1982 | Zuspiel / Tonband, 1 perf | 13:30 | Stereo | V [Stimme] | GRAME Lyon | 0 | |||||||||
| 5847 | James | Giroudon | Etude seule | 1978 | fixed media, akusmatisch | 5:25 | Stereo | Étude de stage | INA • GRM | 0 | |||||||||
| 18481 | James | Giroudon | Eude - 1994 | 1994 | Zuspiel / Tonband, 1 perf | 12:22 | sax [Saxophon] | IMEB Bourges | 0 | ||||||||||
| 18482 | James | Giroudon | Histoire d'un rêve | 1996 | fixed media, akusmatisch | 12:30 | IMEB Bourges | 0 | |||||||||||
| 5848 | James | Giroudon | Instant attentif | 1981 | fixed media, akusmatisch | 13:00 | Stereo | GRAME Lyon | 0 | ||||||||||
| 5849 | James | Giroudon | Jamais l'aube ne fut si douce | 1989 | fixed media, akusmatisch | 14:00 | "two versions (14' et 21"")" | GRAME Lyon | 0 | ||||||||||
| 5851 | James | Giroudon | L'une et l'autre, proximité | 1982 | fixed media, akusmatisch | 14:20 | Stereo | GRAME Lyon | 0 | ||||||||||
| 18483 | James | Giroudon | Un peu après | 1997 | fixed media, akusmatisch | 16:00 | IMEB Bourges | 0 | |||||||||||
| 5846 | James, Jérôme | Giroudon, Dorival | Double 3 | 1989 | Zuspiel / Tonband, | 14:30 | str orc [Orchester] | Forlane UCD 16664/ | GRAME Lyon | 0 | |||||||||
| 28352 | James, Jean François | Giroudon, Estager | Contours avec miroirs | 2000 | fixed media, akusmatisch | GRAME Lyon | 0 | 2002 | |||||||||||
| 5845 | James, Jean François | Giroudon, Estager | De ciel et terre | 1993 | Zuspiel / Tonband, 3 perf, 1 group | 13:00 | V-ens, p, perc [Stimme, Piano, Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 5852 | James, Jean François | Giroudon, Estager | La fabrique du jeu | 1994 | Zuspiel / Tonband, 1 group | 18:00 | ens [Ensemble] | GRAME Lyon | town Lyon | 0 | |||||||||
| 5856 | James, Jean François | Giroudon, Estager | Mots à maux | 1986 | Theater, 2 perf | 70:00 | Stereo | vc, actor [Cello, Schauspieler] | GRAME Lyon | 0 | |||||||||
| 5859 | James, Jean François | Giroudon, Estager | Sérénité | 1986 | Zuspiel / Tonband, 3 perf | 10:00 | Stereo | cl, p, vc [Klarinette, Piano, Cello] | GRAME Lyon | 0 | |||||||||
| 5860 | James, Jean François | Giroudon, Estager | Silence, parole et mémoire | 1986 | Zuspiel / Tonband, 2 perf | 19:20 | Stereo | 2 p [Piano] | 4 parts | Forlane UCD 16571/ | GRAME Lyon | 0 | |||||||
| 5864 | James, Jean François | Giroudon, Estager | Unes, voix de basse | 1995 | Zuspiel / Tonband, 1 perf | 12:00 | db [Kontrabass] | GRAME Lyon | 0 | ||||||||||
| 5843 | James, Jean François, Barre | Giroudon, Estager, Phillips | Crossbow | 1990 | live-elec, 1 perf | 20:00 | db [Kontrabass] | GRAME Lyon | 0 | ||||||||||
| 5857 | James, Jean François, Barre | Giroudon, Estager, Phillips | No exclusion | 1989 | Zuspiel, live-elec, 1 perf | 11:00 | Stereo | db [Kontrabass] | Victo CD 08/ | GRAME Lyon | 0 | ||||||||
| 20217 | James, Jean François, Barre, Alain | Giroudon, Estager, Phillips, Joule | Aquarian Rain | 1991 | Zuspiel / Tonband, 2 perf | 53:11 | Stereo | db, perc [Schlagzeug, Kontrabass] | ECM 1451/ | GRAME Lyon | 0 | ||||||||
| 5839 | James, Jean François, Barre, Alain | Giroudon, Estager, Phillips, Joule | Brick on Brick | 1989 | Zuspiel, live-elec, 2 perf | 60:00 | Stereo | db, perc [Schlagzeug, Kontrabass] | GRAME Lyon | 0 | |||||||||
| 5835 | James, Pierre Alain | Giroudon, Jaffrennou | Artée | 1986 | fixed media, akusmatisch | 11:00 | Stereo | GRAME Lyon | 0 | ||||||||||
| 5855 | James, Pierre Alain | Giroudon, Jaffrennou | Mirror, mirror | 1987 | Film | 60:00 | FR3/RHI Production | GRAME Lyon | 0 | ||||||||||
| 5850 | James, Pierre Alain, Michel | Giroudon, Jaffrennou, Rostain | Jumelles | 1990 | Oper, 5 perf | 70:00 | Stereo | 2 V, sax, perc, actor [Stimme, Saxophon, Schlagzeug, Schauspieler] | Forlane UCD 16664/ | GRAME Lyon | 0 | ||||||||
| 5863 | James, Jacques | Giroudon, Mayoud | Tromperie | 1987 | Theater, 2 perf | 14:20 | tpt, perc [Trompete, Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 5854 | James, Jacques, Françoise | Giroudon, Mayoud, Monneret | Mélimélograme | 1987 | Theatermusik | 45:00 | GRAME Lyon | 0 | |||||||||||
| 5837 | James, Jacques, E. | Giroudon, Mayoud, St Blancat | Bizard Hazard | 1986 | Theatermusik | 65:00 | GRAME Lyon | 0 | |||||||||||
| 5840 | James, Françoise | Giroudon, Monneret | Chants-Sons | 1979 | Theater, 1 perf | 55:00 | Stereo | V [Stimme] | GRAME Lyon | 0 | |||||||||
| 5841 | James, Jean Luc | Giroudon, Rimey-Meille | Clac bois | 1990 | Zuspiel / Tonband, 1 perf | 13:30 | perc [Schlagzeug] | GRAME Lyon | 0 | ||||||||||
| 5853 | James, Frank | Giroudon, Royon Le Mée | Léa Léon | 1984 | Theatermusik | 65:00 | Stereo | GRAME Lyon | 0 | ||||||||||
| 5858 | James, Frank | Giroudon, Royon Le Mée | Pour le matin, pour le soir | 1985 | Zuspiel / Tonband, 1 group | 14:40 | ch [Chor] | pédagogic | GRAME Lyon | 0 | |||||||||
| 5861 | James, Annie | Giroudon, Tasset | Sons. Lignes. Mouvement | 1992 | Zuspiel / Tonband, 3 perf | 19:30 | S, V, rsp [Sopran, Stimme] | GRAME Lyon | 0 | ||||||||||
| 5862 | James, Annie | Giroudon, Tasset | Traces | 1988 | Zuspiel / Tonband, 1 perf | 19:30 | Stereo | S [Sopran] | Texte de Sophocle et Hölderlin, 3 parts | GRAME Lyon | 0 | ||||||||
| 5836 | James, Serge | Giroudon, Viallat | Balances | 1985 | Zuspiel / Tonband, 1 perf | 30:00 | p [Piano] | GRAME Lyon | 0 | ||||||||||
| 35639 | Matias | Giuliani | Helion | 2008 | live-elec, 1 perf | 7:54 | fl [Flöte] | Musica Contemporanea Electroacustica - Convocatoria 07 - LIPM | LIPM B.Aires | 0 | |||||||||
| 25907 | Matias | Giuliani | Proxima esperanza: Clandestina | 2004 | fixed media, akusmatisch | 4:04 | Proyecto Itinerante 2004 | 1 | |||||||||||
| 35640 | Matias | Giuliani | Si(g)nes | 2007 | fixed media, akusmatisch | 6:30 | 0 | ||||||||||||
| 5865 | Giuseppe | Giuliano | Aleph infinito | 1992 | live-elec, 1 perf | 18:00 | tuba [Tuba] | PAN 3048/ | MM&T Milano | 0 | |||||||||
| 27160 | Giuseppe | Giuliano | Beslan Requiem | 2005 | fixed media, akusmatisch | Zuspiel, live-elec, 17 perf |
5:25 | Octo | 11 sax, 6 perc [Saxophon, Schlagzeug] | in memoria to the Beslan children. 3 Versions exist: Tape (orig. multichannel); 11 sax, tape + live-el; 6 perc + tape |
RUS 555169/ | Studio ES Milano | 1 | http://www.cdmc.asso.fr/biographies//d_g/giuliano.htm | ||||||
| 27161 | Giuseppe | Giuliano | Canticum Sacrum | 2008 | fixed media, akusmatisch | 5:25 | 6 | RUS 555169/ | Studio ES Milano | 1 | |||||||||
| 34934 | Giuseppe | Giuliano | Dialogo del sé | 1992 | fixed media, akusmatisch | live-elec, 2 perf |
Stereo | 2 va [Viola] | 2 versions | RUS 555131/ | Studio ES Milano | 0 | ||||||||
| 27162 | Giuseppe | Giuliano | Eyots - Eyries | 2007 | fixed media, akusmatisch | audiovisuell |
33:00 | Octo | 8 parts | RUS 555169/ | Studio ES Milano | 2007 | Firenze | 1 | ||||||
| 19351 | Giuseppe | Giuliano | Fragment Faust II | 1990 | Zuspiel, live-elec, 2 perf | 17:10 | Mez, fl [Mezzo, Flöte] | Galizia, Pierre-Yves Artaud | PAN 3035/ | Studio ES Milano | 1 | ||||||||
| 19350 | Giuseppe | Giuliano | Fragment UrFaust | 1990 | Zuspiel, live-elec, 2 perf | 17:15 | B, b-fl [Bass, Flöte] | Isherwood, Pierre-Yves Artaud | PAN 3035/ | Studio ES Milano | 1 | ||||||||
| 5866 | Giuseppe | Giuliano | Giardino metafisico | live-elec, | PAN 3048/ | MM&T Milano | 0 | ||||||||||||
| 18484 | Giuseppe | Giuliano | Immaginazione essenziale | 1986 | Zuspiel / Tonband, 1 perf | 9:40 | bn [Fagott] | IMEB Bourges | 0 | ||||||||||
| 34933 | Giuseppe | Giuliano | … infinitit … paralleli | 1995 | live-elec, 2 perf | 2 p [Piano] | RUS 555174/ | Studio ES Milano | 0 | ||||||||||
| 34937 | Giuseppe | Giuliano | J. J. l'adolescent électrique | 2015 - 2016 | fixed media, akusmatisch | also longer version with 20 sections | Studio ES Milano | 0 | |||||||||||
| 34936 | Giuseppe | Giuliano | Kientzy Route 99 | 2014 | fixed media, akusmatisch | Zuspiel/Tonband, 1 perf |
sax [Saxophon] | Studio ES Milano | 0 | |||||||||||
| 34935 | Giuseppe | Giuliano | …l'aurora… le dieci notti… il pari e il dispari | 1999 | fixed media, akusmatisch | Stereo | RUS 555131/ | Studio ES Milano | 0 | ||||||||||
| 19352 | Giuseppe | Giuliano | Random evocative memory | 1991 | Zuspiel, live-elec, 3 perf | 12:25 | 2 amp p {4 hands} [Piano] | Morelli, Simonacci | PAN 3035/ RUS 555174/ | Studio ES Milano | 1 | ||||||||
| 5867 | Giuseppe | Giuliano | Random S | 1993 | live-elec, 1 perf | sax [Saxophon] | PAN 3048/ | MM&T Milano | 0 | ||||||||||
| 34932 | Giuseppe | Giuliano | Tempo sospeso | 2005 | live-elec, 1 perf | p [Piano] | RUS 555174/ | Studio ES Milano | 0 | ||||||||||
| 5868 | Giuseppe | Giuliano | Wo bist du Licht | live-elec, 1 perf | fl [Flöte] | Rusty/ RUS 555019/ | MM&T Milano | 0 | |||||||||||
| 31576 | Vinicius | Giusti | Flâneur | 2011 | fixed media, akusmatisch | ≈ 10 | next_generation 5.0 | HfM Bremen | 0 | ||||||||||
| 22795 | Lutz, Malte | Gladien, Lüders | Projekt Holle | 1996 | Klangkunst, Installation | 2:23 | Sonambiente Ausstellung (1996) Katalog S.161 |
ISBN 3-7913-1699 (Prestel)/ | 1 | ||||||||||
| 38560 | Marcus | GLAHN | Stimme des Volks | 2011 | radiophon | 12:33:00 | 0 | ||||||||||||
| 23695 | Lutz | Glandien | 1933 - Gehen oder Bleiben | 1998 | fixed media, akusmatisch | PS C. | 0 | http://www.lutzglandien.de | |||||||||||
| 23710 | Lutz | Glandien | 5 Blech.1 | 2003 | Klangkunst, Installation | Akademie der Künste Berlin, with Malte Lüders and Peter Blau | PS C. | 0 | |||||||||||
| 23712 | Lutz | Glandien | 5 Blech.4 | 2004 | live-elec, 4 perf | 2 tuba, 2 trbn, ( 5 Bleche) [Posaune, Tuba] | mit 5 elektronisch gesteuerten Blechen | PS C. | 2004 | Kultur Wirtschaft zu Triepkendorf | 0 | http://www.lutzglandien.de | |||||||
| 23693 | Lutz | Glandien | A - vorübergehend gestört | 1997 | Zuspiel / Tonband, 1 perf | turbo-Tuba [Tuba] | PS C. | 0 | http://www.lutzglandien.de | ||||||||||
| 23715 | Lutz | Glandien | Augen - Mund & Ohr | 2004 | audiovisuell, 1 perf | b-cl [Klarinette] | PS C. | 11.2004 | Klangwerkstatt Kreuzberg | 0 | http://www.lutzglandien.de | ||||||||
| 5869 | Lutz | Glandien | Aus Verstreutem ein Ganzes | 1992 | Zuspiel / Tonband, 1 perf | 12:00 | tuba [Tuba] | PS C. | 1992 | Bernau bei Berlin | 0 | http://www.lutzglandien.de | |||||||
| 23709 | Lutz | Glandien | Cumulus | 2003 | Klangkunst, Installation | Fest der Sinne Großenhain with Malte Lüders | PS C. | 0 | |||||||||||
| 5870 | Lutz | Glandien | CUT | 1988 | fixed media, akusmatisch | 11:40 | Stereo | also version with slide-projection | BFP 002292/ DMR Musik in Deutschland 1950 - 2000: Musik für Tonband 74321 73503 2/ ReR 0204/ WER 6529 DMR/ | AdK Berlin | 20.5.1988 | TIP Berlin, erste Tage für EM der DDR | Mention Rostrum 1992 Kompositionspreis beim Internationalen Forum junger Komponisten des WDR Köln |
1 | http://www.lutzglandien.de | ||||
| 23673 | Lutz | Glandien | Das Lied von der Eule Lua | 1988 | radiophon | Berliner Rundfunk | 0 | ||||||||||||
| 23684 | Lutz | Glandien | Die Nacht der Geburt | 1996 | Zuspiel / Tonband, 1 perf | cl [Klarinette] | PS C. | 0 | |||||||||||
| 5871 | Lutz | Glandien | … die, die abgestürtzt sind | 1993 | Zuspiel / Tonband, 2 perf | 16:27 | Quadro | 2 perc [Schlagzeug] | ReRC LG1/ | AdK Berlin | Inventionen | 2.2.1994 | Inventionen Akademie der Künste Berlin | 1 | 1994 | http://www.lutzglandien.de | |||
| 23706 | Lutz | Glandien | Don Juan | 2001 | Musiktheater | text by Molière | PS C. | 0 | |||||||||||
| 26262 | Lutz | Glandien | E_U 15.x | 2003 | live-elec, 4 perf, 1 group | br-band, 2 V, perc [Stimme, Schlagzeug, Bläser] | Danceproject directed by Jutta Hell | PS C. | 0 | http://www.lutzglandien.de | |||||||||
| 43072 | Lutz | Glandien | Ende des Spiels | 1992 | radiophon | 43:47 | Text by Julio Cortázar | PS C. | Deutschlandsender Kultur | 0 | |||||||||
| 23701 | Lutz | Glandien | entspurt | 2000 | audiovisuell, 2 perf | 2 cl [Klarinette] | video by Veit Loop | PS C. | 2000 | Klangwerkstatt Kreuzberg | 0 | http://www.lutzglandien.de | |||||||
| 23690 | Lutz | Glandien | Entweder-Oder | 1996 | audiovisuell | video by Veit Loop | PS C. | 0 | |||||||||||
| 5873 | Lutz | Glandien | Es lebe | 1989 | Zuspiel / Tonband, 1 perf | 12:00 | Stereo | tuba [Tuba] | ReR CMCD/ WER 6529 DMR/ | AdK Berlin | 21.5.1989 | TiP Berlin bei 2. Werkstatttage; Michel Vogt (tuba) | Anerkennung beim 2nd International Rostrum Of Electroacoustic Music für die Komposition, 1990 | 1 | 1990 | http://www.lutzglandien.de | |||
| 23699 | Lutz | Glandien | Exil - Fremd unter Freunden | 1999 | fixed media, akusmatisch | Tonbandcollage | PS C. | 0 | |||||||||||
| 23713 | Lutz | Glandien | Farbtest.3 | 2004 | audiovisuell | Video by Gerd Conradt | PS C. | 0 | |||||||||||
| 23676 | Lutz | Glandien | Feuer zu Ton | 1994 | Zuspiel / Tonband, 2 perf | fl, p [Flöte, Piano] | PS C. | 1994 | Musik-Biennale Berlin | 0 | http://www.lutzglandien.de | ||||||||
| 23689 | Lutz | Glandien | Flugangst | 1996 | audiovisuell | video by Antal Lux | PS C. | 0 | |||||||||||
| 5874 | Lutz | Glandien | FOTO - Musik | 1986 | intermedia | 30:00 | Exhibition music "zeitgenössische Fotografie" im Berliner Marstall | AdK Berlin | 0 | ||||||||||
| 5875 | Lutz | Glandien | Freie Wahl | 1992 | Zuspiel / Tonband, 2 perf | 11:00 | tuba, fl [Flöte, Tuba] | PS C. | 1992 | Bernau bei Berlin | 0 | http://www.lutzglandien.de | |||||||
| 23711 | Lutz | Glandien | Girl Lilith | 2003 | audiovisuell | intermedia |
Videoinstallation by Blán Ryan, Bethanien Berlin | PS C. | 0 | |||||||||||
| 23687 | Lutz | Glandien | Hic et nunc | 1996 | audiovisuell | video by Veit Loop | PS C. | 0 | 2002 | ||||||||||
| 23681 | Lutz | Glandien | Hörspielmusiken: Das Haus Nützliche Erhebung Das Buch des Inares Sabines Baum |
1994 | radiophon | for BR, DR, HR | PS C. | 0 | |||||||||||
| 23694 | Lutz | Glandien | Hörspielmusiken: Das Restoratio-Projekt Gilgi Das Zeichen der Drei |
1997 | radiophon | for BR, NDR, ORB, SFB | PS C. | 0 | |||||||||||
| 23698 | Lutz | Glandien | Hörspielmusiken: Das Schiff Esmeralda Nach dem Regen Prinz Telemach und sein Lehrer Mentor |
1998 | radiophon | for HR, DR | PS C. | 0 | |||||||||||
| 23678 | Lutz | Glandien | Hörspielmusiken: Der König und seine Schwester Der goldene Regen |
1990 | radiophon | for SR, DR | PS C. | 0 | |||||||||||
| 23679 | Lutz | Glandien | Hörspielmusiken: Die Krone von Lydien Amadeus und Wolfgang Ada Der Waldbruder Der Fischer und seine Frau |
1992 | radiophon | for SR, DR, BR | PS C. | 0 | |||||||||||
| 23680 | Lutz | Glandien | Hörspielmusiken: Elche auf dem Müll Vera will die Wahrheit wissen Kleimann unter Männern |
1993 | radiophon | for ORB, SWR, ORB | PS C. | 0 | |||||||||||
| 23683 | Lutz | Glandien | Hörspielmusiken: Johanna von der U-Bahn Williwitt und Fischermann Die Nacht der Geburt Maßnahmen gegen den Hund |
1995 | radiophon | for OBR, DR, MDR | PS C. | 0 | |||||||||||
| 23705 | Lutz | Glandien | Hörspielmusiken: Kolja Unsterblich und reich |
2000 | radiophon | for DR, SFB | PS C. | 0 | |||||||||||
| 23692 | Lutz | Glandien | Hörspielmusiken: Nis Puk in der Luk Die fünfte Jahreszeit Rasmus der Landstreicher Wie der Löwe einen Chor gründete |
1996 | radiophon | for DR, ORB | PS C. | 0 | |||||||||||
| 23691 | Lutz | Glandien | Holle | 1996 | audiovisuell | video by Antal Lux | PS C. | 0 | |||||||||||
| 23704 | Lutz | Glandien | Körperwellen - Wellenkörper | 2000 | audiovisuell | Video by Veit Loop | PS C. | 0 | |||||||||||
| 23700 | Lutz | Glandien | L'Impero ritorna, Das Imperium kehrt zurück | 1999 | Zuspiel/Tonband, 1 perf | radiophon |
Octo | va [Viola] | PS C. | 1999 4.1.2000 |
Kryptonale Berlin RBB |
0 | http://www.lutzglandien.de | |||||||
| 23682 | Lutz | Glandien | Linie 7 | 1995 | Zuspiel / Tonband, 3 perf | V, cl, gui [Stimme, Klarinette, Gitarre] | text by Anja Tuckermann | PS C. | 0 | ||||||||||
| 23677 | Lutz | Glandien | Marie hat Geburtstag | 1994 | fixed media, akusmatisch | edel 0085132 ACA, academy/ | PS C. | 1995 | BKA Berlin | 1 | http://www.lutzglandien.de | ||||||||
| 23714 | Lutz | Glandien | Octagon | 2004 | Klangkunst, Installation | Videoinstallation in Potsdam, together with Malte Lüders and Peter Blau | PS C. | Festival Intersonanzen 2004 | 2004 | Festival Intersonanzen Potsdam | 0 | http://www.neue-musik-brandenburg.de/ | |||||||
| 5876 | Lutz | Glandien | Raum für T. | 1990 | live-elec, 1 perf | Stereo | tuba [Tuba] | Experimentalstudio für Akustische Kunst Freiburg | 1990 | Berlin | 0 | http://www.lutzglandien.de | |||||||
| 5877 | Lutz | Glandien | Schattenspiel | 1992 | Zuspiel / Tonband, 1 perf | 13:30 | p [Piano] | POOL 76033/ ReRC LG1/ | PS C., AdK Berlin, Radio SFB | 1994 | Berlin 1994 bei "The piano of Light" | 1 | http://www.lutzglandien.de | ||||||
| 23702 | Lutz | Glandien | Schneewittchen | 2000 | Musiktheater, 1 perf | hp [Harfe] | text by Robert Walser | PS C. | 0 | ||||||||||
| 23672 | Lutz | Glandien | Siegfried | 1988 | Musiktheater | Theaterpiece by Volker Braun | AdK Berlin | 0 | |||||||||||
| 23674 | Lutz | Glandien | Sonnenlotos | 1988 | radiophon | Berliner Rundfunk | 0 | ||||||||||||
| 23696 | Lutz | Glandien | Spring In September | 1998 | Zuspiel / Tonband, 1 perf | sax [Saxophon] | PS C. | 1998 | Berlin | 0 | http://www.lutzglandien.de | ||||||||
| 37854 | Lutz | Glandien | Stadtlandschaften | 1988 | fixed media, akusmatisch | Performance |
mit Laser, Projektionen | AdK Berlin | 0 | |||||||||||
| 23707 | Lutz | Glandien | Stern 11 02 | 2003 | intermedia, live-elec, 1 perf, 1 group | ens, elec, (video) [elektronik, Ensemble] | Video by Markus Adrian | PS C. | 2003 | Potsdam | 0 | http://www.lutzglandien.de | |||||||
| 23670 | Lutz | Glandien | Stimmen für Klavier | 1984 | fixed media, akusmatisch | AdK Berlin | 1984 | Dresden | 0 | http://www.lutzglandien.de | |||||||||
| 5878 | Lutz | Glandien | Strange Drums | 1990 | Zuspiel / Tonband, 1 perf | 16:18 | perc [Schlagzeug] | ReRC LG1/ | AdK Berlin | 1990 | Berlin | 1 | http://www.lutzglandien.de | ||||||
| 19293 | Lutz | Glandien | Südlich von Alexandria | 1995 | Zuspiel / Tonband, 1 perf | 12:41 | cl [Klarinette] | Cybele 960.203/ DegeM CD 03/ | PS C., AdK Berlin | 1 | |||||||||
| 5879 | Lutz | Glandien | TromPose | 1992 | Zuspiel / Tonband, 2 perf | 17:00 | perc, trbn [Posaune, Schlagzeug] | AdK Berlin | 1992 | Berlin | 0 | http://www.lutzglandien.de | |||||||
| 5880 | Lutz | Glandien | Turbo mortale | 1992 | Zuspiel, live-elec, 1 perf | 20:00 | turbo-Tuba, (elec) [Tuba] | AdK Berlin | 1.1.92 | Akademie der Künste Berlin | 1 | 1992 | http://www.lutzglandien.de | ||||||
| 23686 | Lutz | Glandien | Verschollen | 1996 | fixed media, akusmatisch | für 2 Eisschollen | PS C. | 0 | http://www.lutzglandien.de | ||||||||||
| 23685 | Lutz | Glandien | Virtual Quartets | 1996 | fixed media, akusmatisch | for cl-qt on tape | PS C. | 0 | http://www.lutzglandien.de | ||||||||||
| 23688 | Lutz | Glandien | Vortex | 1996 | audiovisuell | videomusic for the installation at Sonambiente-Festival | PS C. | 0 | |||||||||||
| 5881 | Lutz | Glandien | Weiter so | 1989 | Zuspiel / Tonband, 5 perf | 13:53 | str-qnt [Streicher] | ReRC LG1/ WER 6529 DMR/ | AdK Berlin | 3.10.1983 | Dresden Hygiene-Museum; Streichquintett der Komischen Oper Berlin | 1 | http://www.lutzglandien.de | ||||||
| 5882 | Lutz | Glandien | Wir hören voneinander | 1990 | intermedia | 25:00 | Exhibition Music for Bogomil Helm | AdK Berlin | 0 | ||||||||||
| 23671 | Lutz | Glandien | Wyssozki-Musik | 1984 | Klangkunst, Installation | AdK Berlin | 1985 | Berlin | 0 | http://www.lutzglandien.de | |||||||||
| 23708 | Lutz | Glandien | Zukunft Erinnern (in memoriam Gerhard Bohner) | 2003 | Tanz | Danceproject directed by Jutta Hell | PS C. | 0 | |||||||||||
| 5872 | Lutz, Chris | Glandien, Cutler | Domestic Stories | 1992 | live-elec, 7 perf | 48:56 | perc, b-gui, Kbd, sam, V, sax, cl [Stimme, Klarinette, Saxophon, Keyboard, Gitarre, Schlagzeug, computer] | songcycle, Text by Chris Cutler | ReR LSMCD/ | AdK Berlin, PS C. | 1 | http://www.lutzglandien.de | |||||||
| 23697 | Lutz, Shelley, Chris | Glandien, Hirsch, Cutler | Radio by 3 | 1998 | intermedia | Multimediaconcert | PS C. | 0 | |||||||||||
| 23703 | Lutz, Malte | Glandien, Lüders | Körperwellen - Wellenkörper | 2000 | Klangkunst, Installation | for the Klanggalerie SFB | PS C. | 0 | |||||||||||
| 23675 | Lutz, Helmut | Glandien, Zapf | Europa | 1990 | Zuspiel / Tonband, 2 groups | ch, orc [Chor, Orchester] | 0 | ||||||||||||
| 5883 | Fredrik | Glans | Tobaksladans hemligheter | 1990/1991 | Zuspiel / Tonband, 2 perf | 45:00 | S, p [Sopran, Piano] | NOTAM | 0 | ||||||||||
| 5884 | Hugh | Glasgow | Chimes | 1964 | fixed media, akusmatisch | 2:00 | Stereo | UTEMS Toronto | 0 | ||||||||||
| 28336 | Michael, Ursula | Glasmeier, Block | Broken Music | 1989 | Demo, Studie | Inventionen 1989, exhibition at daadgalerie 18.12.88 - 12.2.1989, famous catalogue. after, the Berlin exhibition went to Gemeentemuseum Den Haag and Magasin Grenoble |
0 | 1989 | |||||||||||
| 28255 | Philip | Glass | Music with Roots in the Aether, Landscape with Philip Glass (57:40) With the Fourth Grade Class, P.S. 41, New York City The Music of Philip Glass (50:57) Music in 12 Parts: Part 2 Act I Scene 1, Einstein on the Beach |
Fernsehen, 5 perf | Oper |
57:40 | org, 3 sax, V [Stimme, Saxophon, Orgel] | Video Portraits of Composers and their Music: David Behrman, Philip Glass, Alvin Lucier, Gordon Mumma, Pauline Oliveros, Terry Riley and Robert Ashley. Produced and directed by Robert Ashley. Philip Makanna, Director and Camera; Maggi Payne, Audio Recordist; Jerry Pearsall, Video Recordist and Technical Director. Seven 2-hour NTSC |
DV 7702 Lovely Music/ LVHS 2/ Music with Roots in the Aether/ | 1 | http://www.lovely.com/titles/dvdroots.html | |||||||||
| 40183 | Philip | Glass | Strung Out | 2016 | fixed media, akusmatisch | Philip Glass | 0 | ||||||||||||
| 5886 | Stanley | Glasser | Serenade | 1974 | live-elec, 12 perf | Stereo | p, 10 ins, synt [Piano, Instrument, synthesizer] | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 5885 | Stanley, Hugh | Glasser, Davies | Coromantee | 1970/1971 | Theatermusik | 5:00 | Stereo | Goldsmith London | 0 | http://www.gold.ac.uk/ems/davies/ | |||||||||
| 21898 | Bartek | Gliniak | Hyperis | 1996 | fixed media, akusmatisch | 9:50 | IMEB Bourges | 0 | http://www.bartekgliniak.pl/ | ||||||||||
| 22131 | Bartek | Gliniak | Muzik-A Capriccio? | 2000 | Zuspiel / Tonband, 1 group | 13:58 | Stereo | ch [Chor] | ExpSt Warsaw | 0 | http://www.bartekgliniak.pl/ | ||||||||
| 22130 | Bartek | Gliniak | Retro El-Sonobis | 1997 | fixed media, akusmatisch | 11:23 | Stereo | ExpSt Warsaw | 0 | http://www.bartekgliniak.pl/ | |||||||||
| 33064 | Bartlomiej | Gliniak | Retro el-sonobis | 1997 | fixed media, akusmatisch | 11:10:00 | WJ 2000/ WJ 2000/ | ExpSt Warsaw | 15.9.2000 | Warsaw | 1 | ||||||||
| 5887 | Aleksander | Glinkowski | Piesni Safony | 1967 | Zuspiel / Tonband, 1 perf, 1 group | Sp, ens [Sprecher, Ensemble] | 0 | ||||||||||||
| 5888 | Aleksander | Glinkowski | Space Music | 1974 | Zuspiel / Tonband, 4 groups | Quadro | 4 orc [Orchester] | 0 | |||||||||||
| 5889 | Aleksander | Glinkowski | Stasis | 1973 | Zuspiel / Tonband, 4 perf | str-qt [Streicher] | 0 | ||||||||||||
| 34983 | Vinko | Globokar | Airs de voyages vers l'intérieur | 1978 | live-elec, 10 perf | 23 | 8 V and perf, cl, trbn (all amp) [Stimme, Klarinette, Posaune, Performer] | pour huit voix, clarinette, trombone et électronique. Dedicated to Tatjana |
IRCAM | Edition Peters | 0 | ||||||||
| 34981 | Vinko | Globokar | Blinde Zeit | 1993 | Zuspiel / Tonband, 7 perf | 26 | fl, tpt, perc, p, vn, va, vc [Flöte, Trompete, Piano, Schlagzeug, Viola, Cello, Violine] | pour sept instrumentistes et bande magnétique | IRCAM | 10.5.1994 | France, Brest, par l'Ensemble Sillages, direction : Vinko Globokar | Ricordi Paris | 0 | ||||||
| 34984 | Vinko | Globokar | Carroussel | 1976 - 1977 | live-elec, 4 perf, 2 groups | 40 | 4 V, ens, actors [Stimme, Schauspieler, Ensemble] | pour quatre chanteurs, seize instruments et acteurs | IRCAM | 11.5.1977 | Zagreb Biennale; Musique Vivante | Edition Peters | 0 | ||||||
| 34974 | Vinko | Globokar | Contrepoint barbare | 1996 | Zuspiel / Tonband, 3 perf | 18 | vn, vc, acc [Akkordeon, Cello, Violine] | dedicated to Heike Hoffmann | IRCAM | GRAME | 16.5.1997 | Paris, Théâtre de la Ville, par le trio Allers et retours : Noëmi Schindler : violon, Christophe Roy : violoncelle, Pascal Contet : accordéon. | Ricordi Paris | 0 | |||||
| 34968 | Vinko | Globokar | Der Engel der Geschichte, Zerrfall Mars Hoffnung |
2000 - 2004 | Zuspiel, live-elec, 1 perf, 2 groups | 2 orc, (live-elec), sam [computer, Orchester] | 0 | ||||||||||||
| 34969 | Vinko | Globokar | Dialog über Wasser | 1994 | live-elec, 1 perf | 10 | e-gui [Gitarre] | 26.3.1994 | Köln (Michael Schröder) | Ricordi Paris | 0 | ||||||||
| 5890 | Vinko | Globokar | Discours 3 | 1969 | Zuspiel / Tonband, 5 perf | 17:00 | Stereo | 5 ob or ob (4 ob on tape) [Oboe] | 5 ob or 1 solo-ob + 4 ob on tape | INA • GRM | 7.11.1970 11.2.1971 |
Hamburgische Oper, Heinz Holliger (ob) Paris, Espace Cardin (Cinq journées rencontres 1971) |
0 | ||||||
| 35027 | Vinko | Globokar | Discours II | 1967/1968 | Zuspiel / Tonband, 1 perf | trbn (or 5 trbn) [Posaune] | 0 | ||||||||||||
| 5891 | Vinko | Globokar | Drama | 1971/1986 | live-elec, 2 perf | p, perc [Piano, Schlagzeug] | HSM Basel | 0 | http://www.esbasel.ch/ | ||||||||||
| 37420 | Vinko | Globokar | Fluide | 1967 | Zuspiel / Tonband, 1 group | ens [Ensemble] | IRCAM | 0 | |||||||||||
| 34985 | Vinko | Globokar | Hallo! Do you hear me | 1986 | Zuspiel / Tonband, 3 groups | 32 | mix ch, jazz-ens, orc [Ensemble, Chor, Orchester] | pour chœur mixte, quintette de jazz, orchestre et bande playback | IRCAM | 9.3.1987 | transmission simultanée à la radio à Elsinki, Stockholm et Oslo. | Ricordi Paris | 0 | ||||||
| 32772 | Vinko | Globokar | Introspection d’un tubiste | 1983 | Performance, Zuspiel, live-elec, 1 perf | 25 | tuba [Tuba] | mt Bühnenaktionen und Beleuchtung | 25.7.1983 | Avignon, Festival | Ricordi Paris | 0 | |||||||
| 34975 | Vinko | Globokar | Kaktus unter Strom | 1999 | Zuspiel, live-elec, 3 perf | 38 | ob, hn, db [Oboe, Horn, Kontrabass] | IRCAM | 21.1.2000 | ZKM Karlsruhe | Ricordi Paris | 0 | |||||||
| 25908 | Vinko | Globokar | Kartomlin Croisé | 2001 | live-elec, 1 perf | 9:05 | Stereo | amp vn (elec) [Violine] | Lenka Zupkova (vn) | WER ARTS 8115/ | Ricordi Paris | 1 | |||||||
| 34976 | Vinko | Globokar | Koexistenz | 1976 | live-elec, 2 perf | 18 | 2 vc [Cello] | dedicated to Klaus Heitz | IRCAM | Edition Peters | 0 | ||||||||
| 23052 | Vinko | Globokar | Kolo | 1988 | live-elec, 1 perf, 1 group | 25 | trbn, ch (12 S, 12 A, 12 T, 12 B), (synt) [Posaune, Chor] | WDR 1988 | 27.11.1988 | WDR Köln „Musik der Zeit“ | 0 | ||||||||
| 5892 | Vinko | Globokar | Laboratorium 73 | 1973 - 1985 | live-elec, 10 perf | 51 | Stereo | 10 ins [Instrument] | Experimentalstudio für Akustische Kunst Freiburg | 0 | |||||||||
| 34967 | Vinko | Globokar | Les Émigrés, Miserere Réalités / Augenblicke Sternbild der Grenzen |
1982 - 1986 | Theater, 55 perf | 80 | 5 Sp, S, A, T, Bar, B, 3 fl, 2 ob, 2 cl, 2 bn, 3 sax, hn, 3 tpt, 2 trbn, tuba, perc, e-gui, MIDI-p, 14 vn, 5 va, 2 vc, 3 db, (Film- and Slideprojection) [Sopran, Alt, Tenor, Bariton, Bass, Sprecher, Flöte, Klarinette, Oboe, Saxophon, Fagott, Horn, Trompete, Posaune, Tuba, Gitarre, Schlagzeug] | Titres des parties |